Take a typical tapas bar in Barcelona then polish slightly, adding cut crystal glasses and a pinch of Almodóvar references. Add one chef with a talent for experimentation, a selection of well-sourced, top notch ingredients and a crowd willing to stay all night, then mix well. Serve up atop a plate in the shape of a leaf, and you have Jah Bar: one of the best of Manly's new breed. Turn up just after 5pm and you can expect a peaceful dining experience. While the interior is tempting, in summer we recommend the courtyard to make the most of the fading sun and the cool evening breeze. Spanish tapas is the speciality, though there's a few sections of the menu to choose from. The tapas dishes are supplemented by options from the boqueria and the oven, as well as the chef's specials, so it's worth taking your time to choose. While you're browsing, try one of the signature cocktails ($15). There's more than enough on offer to sustain you throughout the night, from Mint Juleps to rum and sherry-based concoctions. Now, the food. Vegetarians and pescatarians will be well looked after, while chorizo and jamon serrano will keep meat-eaters satisfied. We opted for the Croquetas ($9.50), a selection of Spanish croquettes that change depending on the night, and the Empanadas (3 for $12), with beef, chicken, pumpkin and ricotta available. From there, we moved to the Jamon Serrano ($11.50), incredibly tender cured ham, and Aged Queso Manchego ($10.50), with the cheese a nice end to the meal alongside drinks. We did, however, manage to squeeze in a serve of Churros ($10) with hot chocolate sauce at the last post. While I'd find it hard to go past these simple yet delicious options, particularly the Jamon Serrano, it's tempting to revisit and try more of the tapas proper. Particularly the Chorizo ($10.50) and the talked about Sweet Potato and Fennel Seed Salad ($10.50). On the other hand, we hear great things about the chef's penchant for experimentation. We sadly passed up a special of Braised Beef Cheeks ($19) with Manzanilla olives and creme cauliflower, instead staring greedily at tables nearby. Best to use these inevitable regrets as motivation for return visits. By the time you've finished your meal, Jah Bar is likely to be filling up. The later crowd, firmly focused on the bar inside, is starting to arrive. And, let's face it, by this time you've had a few cocktails yourself. The lesson is that it's okay to turn up after dinner time and, if you do make dinner, it's best to stay late and enjoy the changed atmosphere. As the chefs swap out behind the bar, replaced by additional barmen, go with the flow. You are in Barcelona, after all. [nggallery id=122]
Eye. Aperture. Descender. Spine. A weird collection of words, but for a typographer (or a publication nerd like me) they make perfect sense together. Every letter of the alphabet can be split into components which can be moulded and shaped, cut and stretched to create unique typefaces. Having been exposed to so many for so long, we don't actually realise how much of an impact fonts have on our perception of the world around us. For those of us too busy to enrol in a graphic design course but still passionate about learning more there is Typography Insight. The iPad application allows you to get up close and personal, and thereby understand the amazing cratsmanship that goes into making ordinary letters into extraordinary fonts. The resource is encyclopedic in depth, You can be guided through font terminology, compare fonts, or just admire the intricacies that only a super close-up can offer. The designer Dong Yoon Park ask: "How can the cold and rigid design approach of many top-notch technologies be turned into warmer and friendlier interfaces?" https://youtube.com/watch?v=wkoX0pEwSCw [via Gizmodo]
Career-wise, the past decade has been kind to Australian filmmaker Warwick Thornton. It all started back in 2009, when he won the Cannes Film Festival's Camera d'Or — the award for best first feature — for the fantastic Samson and Delilah. Since then, he has explored ghost stories in The Dark Side, and opened the Sydney Film Festival with We Don't Need a Map, a documentary exploring the prominence of the Southern Cross in Australian culture. In 2017, he also directed one of the best, most blistering Australian westerns ever made, Sweet Country. And, more recently, he co-helmed the second six-part season of TV series Mystery Road — which premiered at this year's Berlin Film Festival before hitting screens Down Under. All that hustle and bustle has had an impact, however, as his next project explores. In The Beach, Thornton documents his own quest to step back from his busy life by living alone on an isolated stretch of sand by the shoreline — at Jilirr, on the Dampier Peninsula on the northwest coast of Western Australia. Thornton directs the exquisite-looking documentary, with his son — Robbie Hood and Finke: There and Back filmmaker Dylan River — shooting the entire series. As well as helming, Thornton obviously stars in the six-part series, too. And it's understandably a highly personal affair; "The Beach is one of the most important projects of my life. It's about my life. It is my life," the acclaimed director explains. Accordingly, when the documentary hits NITV, SBS and SBS On Demand on Friday, May 29 — airing on NITV and SBS simultaneously in one big block, and dropping on the broadcaster's streaming platform at the same time — it'll chronicle Thornton's efforts as he lives alone, endeavouring to follow in the footsteps of his ancestors, the Kaytetye people. Solely relying upon the land, he spends his days in scenic surroundings while hunting and gathering for food, with the docuseries observing unobtrusively as he attempts to transform his existence, connect to Country, and nourish both his body and spirit. As the just-released trailer shows, it makes for quite the striking viewing. And, given the current state of the world, immensely timely viewing too. Check out the trailer below: https://www.youtube.com/watch?v=qaMIcuVH83M All six episodes of The Beach will air on NITV and SBS on Friday, May 29, with the docuseries available to stream via SBS On Demand from the same time.
It has been more than a month since Australia's cinema screens stopped flickering, with the nation's picture palaces closing due to social-distancing requirements to help stop the spread of COVID-19. And while movie buffs can still get their film fix online — via the usual streaming options, as well as the big bunch of recent big-screen releases fast-tracked to digital — your tastebuds are probably hankering for some cinema-level snacks to go with your at-home-viewing. Thanks to Hoyts and UberEats, you can now get the cinema chain's popcorn and choc tops delivered to your door. On offer: four sizes of regular salted popcorn, five flavours of gourmet popcorn (including nacho and sea salt caramel) and five types of choc tops (vanilla, boysenberry, mint, cookies and cream, and salted caramel). You can also order a selection of chips, confectionary and drinks. And, if you really want to come as close as you can to recreating the out-of-the-house movie-going experience, you can get your snacks in combos. Three kinds are available, so you'd best decide whether you'd like Malteasers with your popcorn and choc top — and if you're planning to share. For a limited time, Hoyts is also giving away free choc tops — albeit with other purchases, so you will have to splash out some cash. Buy any salted or gourmet popcorn, and you'll score a choc top as well. Or, spend more than $30 in total, and you'll also nab a choc top for free. Delivery is available between 2–9.30pm each day, and you will need to live within the delivery zone of one of Hoyts' 34 physical sites in New South Wales, Victoria, Queensland, Western Australia, South Australia and the Australian Capital Territory. Hoyts' snack range is available via UberEats, with free choc tops on offer for a limited time with any salted or gourmet popcorn purchase, or any order over $30. To order, head to UberEats.
The Beta version of Google's long rumoured music service, Google Music, was released on Wednesday. The service lets you to upload your music collection directly to the service from CDs, iTunes or Windows Media Player, allowing you to access your music using any browser anywhere. Utilising Cloud technology, the service allows much simpler devices to run at much more complicated levels of output by an outsourcing of technology requirements, in this case memory storage. Although very similar to the recently released Amazon Cloud service, the Google variant is a lot easier to use, with the user interface simplified drastically and the typeface very similar to the older Google applications. Although free and accessible, the program is still within the testing phase, with early reports suggesting annoying long load times when starting the program and uploading music. Although not the first of its kind, simply being equipped with the Google brand will ensure this program gets a lot more attention, deserved or not. https://youtube.com/watch?v=ZrNhKcxBbZo [Via Mashable]
Now in its third year, Parramatta's The Plot is a licensed, all-ages festival featuring an all-Aussie music lineup that spans every genre you could ever need for a Saturday afternoon — but it's as much about getting stuck into piles of delicious local delicacies as it is about the tunes. So, to save you some time at the festival on November 19, we thought we'd give the lowdown on what you'll be eating, drinking and Instagramming before you get there. Good news is that every tasty morsel will be brought to you by a local business, keeping those nasty miles to a minimum and ensuring you have a true end-to-end western Sydney experience. [caption id="attachment_588423" align="alignnone" width="1280"] Darcy Street Project[/caption] FIRST STOP: COFFEE AND TEA The first thing you'll be looking for when you roll up on Saturday afternoon will be a decent coffee to kick you into action. Thankfully, The Darcy Street Project will be taking care of your caffeine needs. This cracking coffee hub isn't just a cafe, but a social enterprise too. And for every coffee you buy at The Plot, you'll have the option to pay it forward — pay for an extra coffee, and it'll go to someone who visits Darcy Street the week following and perhaps can't afford a coffee that day. Alternatively, if tea's your beverage of choice, try a high-quality, boutique brew from family-run Mumford Tea. [caption id="attachment_588426" align="alignnone" width="1280"] StroopBros[/caption] FESTIVAL FUEL: THE FOOD With hours of music to dance, listen and kick back to, you're going to need some fuel. For a fierce feast, swing by Bella Shack Burgers' epic truck for a monster burger like the Shack Daniels — it consists of a house-ground beef patty, double American cheese, Jack Daniel's bacon jam, deep-fried mozzarella, crispy bacon, crème fraîche mayo, Westmont pickles on a Japanese milk bun. Also competing on the monster meal front will be Parramatta locals Jarrod's Shakes 'n' Snags. Rock up to a 1966 Kombi and take your pick of tastiness, from tomato parmesan beef chipolatas with Jarrod's chimmichurri to caramel bliss milkshakes. Meanwhile, Emmy's Gourmet Gozleme will be taking you on a side-trip to Turkey with their cooked-on-the-spot gozleme (the best festival snack), packed with local produce, while Sundweesh will be doling out street food in the form of sandwiches combining Middle Eastern and Western influences. Think kofta with tabouli and hummus, and peri peri chicken with slaw. For a healthy feed, you'll be able to stop by Papermill for what they call a 'spurrito'. It's a giant rice paper roll-burrito hybrid filled with veggies, rice noodles and meat (if you so choose) — you may have seen them around town at Bondi or Parramatta Markets and the like. With your savouries done and dusted, you'll be amped for dessert. Go Dutch with a StroopBros stroopwafel: a generations-old sweet treat filled with rich chewy caramel and doused in warm caramel sauce. AND FINALLY: DRINKS Let's get the healthy stuff out of the way first. Cleansers and tee-totallers should head to The Citrus Factory for freshly-squeezed, 100 percent-Aussie lemonade. But beer. You'll be spoilt for local choice. The Australian Brewery will be making a trip to Parramatta from its western Sydney home in Rouse Hill, and will be bringing a bunch of crafty brews along for the ride. Travelling from the Blue Mountains will be Hillbilly Cider, with their refreshing drops made from Bilpin-grown apples. Wine lovers will be catered to as well, thanks to Canonbah Bridge Wines, who'll be visiting from their farm in Warren, Central New South Wales (about 100 kilometres northwest of Dubbo). And, delivering Aussie-made spirits (and moonshine — yes, moonshine) will be the Hawkesbury's Ironbark Distillery. The Plot will take place at Parramatta Park on Saturday, November 19. For more info and to buy tickets, visit theplot.co.
On his first-ever trip Down Under, on a tour that'll see him become the first Latin act to headline stadiums globally, one gig was never going to be enough for Bad Bunny in Australia. Accordingly, before general tickets for that already-announced show go on sale, Benito Antonio Martínez Ocasio has locked in a second Aussie concert due to presale demand — also in Sydney. Bad Bunny has won three Grammys and 11 Latin Grammys, starred in Bullet Train and hosted Saturday Night Live, among plenty of other achievements; however, he hasn't hit the stage in Australia — yet. By the time that summer 2025–26 is out, he'll tick a trip Down Under off of his list, with his DeBÍ TiRAR MáS FOToS world tour now including two shows in the Harbour City. ENGIE Stadium in the New South Wales capital is set to play host to Bad Bunny on both Saturday, February 28 and Sunday, March 1. He's playing the New South Wales capital in-between dates in Brazil and Japan, two other countries where the 'Mia', 'Callaíta', 'Qué Pretendes' and 'Vete' singer will perform live for the first time ever. Also on his itinerary: Dominican Republic, Costa Rica, Colombia, Mexico, Peru, Chile, Argentina, Brazil, Japan, Spain, Portugal, Germany, Netherlands, United Kingdom, France, Sweden, Poland, Italy and Belgium, all between November 2025–July 2026 so far. His DeBÍ TiRAR MáS FOToS-themed jaunt around the world is named for his latest album, which released in January this year and spent three weeks in a row atop the Billboard 200 chart. The Puerto Rican superstar's global tour will follow his upcoming No Me Quiero Ir de Aquí gigs, a 30-date residency at José Miguel Agrelot Coliseum in his homeland, which has sold over 400,000 tickets. Before that, he toured North America in 2024, and both North and Latin America in 2022. His DeBÍ TiRAR MáS FOToS shows will take him to Europe for the first time since his 2019 X 100pre tour. On the charts, DeBÍ TiRAR MáS FOToS, his sixth album, has kept garnering love — also sitting in the Billboard 200 top ten for 13 weeks, taking the number-one slot on Billboard's Latin Albums chart for 16 consecutive weeks and helping him become the first-ever Latin artist with 100 Billboard Hot 100 entries. Prior to both his No Me Quiero Ir de Aquí residency and DeBÍ TiRAR MáS FOToS world tour, Bad Bunny also has another date with SNL, this time as the musical guest on the season 50 finale that's being hosted by Scarlett Johansson (Fly Me to the Moon). Bad Bunny DeBÍ TiRAR MáS FOToS World Tour 2026 Australian Tour Saturday, February 28–Sunday, March 1 — ENGIE Stadium, Sydney Bad Bunny is playing ENGIE Stadium in Sydney in February and March, 2026. General ticket sales start at from 11am on Friday, May 9, 2025 —head to the tour website for more details.
This article is sponsored by our partners, the Sydney Festival. We all know Hyde Park is much better when conceived as a kind of Midsummer Night's Dream: a magical, atmospheric hub bounded by strings of lights. This Sydney Festival promises a Festival Village in Hyde Park, thrice as sprawling as last year's Festival Garden, stretching along College Street past the Archibald Fountain and housing the Spiegeltent, Circus Ronaldo tent as well as five bars. The Village's free activities, music and nommy nomz will take you from day to night with the laidback, buzzy vibe that's unique to Sydney in January. Gelato Messina, Food Society, Jafe Jaffles and Woofys hot dogs have your voracious stomach's needs completely covered (just behold these custom-built Messina creations). But this is not just about slobbering gluttony, you barbarian. It's also about playtime. Melbourne-based Boxwars will entertain kids with art workshops where they can do neat stuff with reclaimed cardboard. City of Sydney's Lawn Library offers books and workshops by day, and Adult Storytime with comedy by Campfire Collective by night. Bounce on Jeremy Deller's inflatable Stonehenge, Sacrilege, and enjoy intimate serenades care of Folk in a Box. And what is the soundtrack to all this hubbub? The tunes are plentifully provided at the Village Bandstand and Rekorderlig Gazebo in sets by DJs including Captain Franco, Marcus King, Smart Casual, Radge, Tyson Koh, Sweetie, Andy Votel, Jimmy Sing, Gramophone Man, The Laurels, The Crusty Suitcase Band, The Ukes of Today and Saint Tropez All Day. How will you cope, sipping a cold one to the smooth grooves of these soundsters, and sampling all these Sydney summer delights? Festival Village is open 9am-2am, January 9-26 (closed Mondays). For bookings call 1300 668 812 or visit the Sydney Festival website. Image by Prudence Upton.
Our team of editors have curated a Hobart getaway package for Concrete Playground Trips, taking guests on an exclusive tour of Tassie's art, wine and culture scene. This trip covers your Hobart essentials, but then we've stepped things up a notch for you. Take a scenic flight over the iconic Wineglass Bay, get the 'posh-as' MONA experience (with a long, boozy lunch included), and squeeze in a series of wine tastings across the region. Plus, all the organising has been done in advance. No need to scour the internet for the best accom (the trip includes a four-night stay at the fantastic Henry Jones Art Hotel), book cabs or create an itinerary of your own. We've done it all for you. But we also know how important it is to keep holiday plans flexible — that's why there's no formalised itinerary for this trip. Instead, you can lock in the below included experiences at a time that suits you. MONA ON A WHOLE OTHER LEVEL If you haven't heard of MONA, you've been living under a rock. This art institution is a can't-miss Hobart experience. And this package doesn't just give you a ticket to the galleries and grounds. Booking through Concrete Playground Trips gives you a ferry ride to MONA and a private guided tour and wine tasting at their Moorilla winery. Then you'll enjoy an excellent two-course lunch that comes with even more locally produced wine, plus a bottle of Moorilla's Muse to take back to your hotel. If you're going to visit MONA, do it this way. WINEGLASS AND WILDLIFE TOUR On another day, guests take to the skies over Wineglass Bay. During a 45-minute flight, you'll soar further above Freycinet National Park, home to dramatic pink granite mountains, secluded bays, crystal clear waters and pristine white beaches. Leaving the peninsula, you'll fly over the seal colony of Ile Des Phoques and continue towards Maria Island, where you'll touch down to explore the island on foot. Known for its abundance of wildlife, Hobart's Maria Island is home to rare and endangered species like the swift parrot and Cape Barren goose, wombats, kangaroos and of course, the Tassie Devil. We even manage to squeeze a decadent seafood and vino lunch into the day – bring on all the local oysters! ACCOMMODATION We have the hotel picked out for you too. The Henry Jones Art Hotel will be your home for four nights, giving you somewhere historic and calming to rest your head. The jam warehouse turned dedicated arts hotel comes with in-house restaurants and cocktail bars serving up innovative feasts and cocktails from Tasmania's best seasonal produce. [caption id="attachment_865273" align="aligncenter" width="1920"] Tourism Tasmania[/caption] Luxe amenities and foodie delights aside, what's most intriguing about a stay at The Henry Jones Art Hotel is the unique opportunity it poses to stay inside a – very comfortable, very cosy – art gallery, essentially. Some 400 artworks (most by emerging Tassie artists) adorn hallways, guest rooms and public spaces here, and you might just spot an artist in residency toiling away on their masterpiece in the lobby. Need further inspiration? Read our Long Weekender's Guide to Hobart and travel further afield to get a taste of all things Tassie with our extensive guide to the best of Tassie's fantastic food, produce and culinary culture. Book tickets to this exclusive getaway through the Concrete Playground Trips website. Main image credit: Tourism Tasmania & Rob Burnett
If anything's sure to step up your Sunday session a few levels, it's a few ice cold frothies for just $1 a pop. Exactly like the ones you'll find going for a steal at The George Hotel this Sunday, July 7. The budget brews are courtesy of Frosty's Pale Ale — the much-loved house favourite at CBD haunt Frankie's — which is brewed by NSW's Swill & Drill Brewers. The brewers will be dropping a keg of the refreshing stuff at the newly renovated Waterloo pub, which will be serving up its usual Sunday fun all day long, too, including top-notch Mexican eats from the Taco King. Entry is free, plus there'll be party tunes from DJ Goggles and local punk rockers Fangz to round out the good times. Think, Megadeth, ACDC, Black Sabbath, Meatloaf and maybe even a sprinkling of Elvis, while you sip your one-buck brews. The beers will only be $1 from 6pm until the keg is gone, so we suggest you get there early. Images: Kimberley Low
Coachella's first 2023 weekend brought a heap of highs, including for folks livestreaming at home from around the world. Bad Bunny, BLACKPINK, the late addition of blink-182, a typically stunning set from electronic music legends The Chemical Brothers, none other than Blondie taking to the stage: they're just some of the week-one standouts. Now, it's time to do it all over again as week later, as the Indio, California music festival always does. This year, the event is streaming six stages across both weekends, and it has just dropped its set times after a tumultuous few days. First, the bad news: Frank Ocean is off the bill, dropping out after Coachella's first weekend. That said, everyone beaming in from their couches didn't see his week-one set either because it wasn't livestreamed. Neither was fellow high-profile star Björk's time in the desert. Now, the good news: blink-182 have moved to the Coachella stage to replace Ocean on Sunday, April 23's bill (which is Monday, April 24 Down Under), and there's a TBA slot after them. Variety is reporting that that time will be filled by Skrillex, Fred again.. and Four Tet, and the festival has also named the trio on Instagram — and noted they'll pop on the evening of Sunday, April 23 (again, Monday, 24 Down Under). View this post on Instagram A post shared by Coachella (@coachella) Whoever else ends up on the lineup as a late addition, you'll be able to make shapes at home while pretending you're at the real thing at the Empire Polo Club across Saturday, April 22–Monday, April 24 Australian and New Zealand time. Like last week, Bad Bunny is headlining the first night and BLACKPINK is doing the second, with The Chemical Brothers, Gorillaz, Blondie, Kaytranada, Pusha T and Idris Elba still on day one as well — and Calvin Harris, The Kid LAROI, ROSALÍA, Charlie XCX, boygenius, The Breeders and Underworld on day two. And on day three, there's Björk, Fisher, Porter Robinson, Gordo and Weyes Blood. Obviously, across the whole weekend there's more where they came from. View this post on Instagram A post shared by Coachella (@coachella) Coachella has been teaming up with YouTube for 11 years now. Earlier in 2023, the fest announced that it has locked in that arrangement till 2026. In-between this year's sets, YouTube will fill its feeds with more on-the-ground coverage, so you'll be able to scope out the art and installations around the fest, head behind the scenes, see how the acts get partying before the hit the stage and more. Bookmark Coachella's YouTube channel ASAP — or hit it up below: Coachella's second weekend runs across April 21–23 at the Empire Polo Club in Indio, California. To watch the livestream, head to YouTube from 9am AEST on Saturday, April 22 Down Under.
The owners of cosy Mexican joint Taqiza have expanded their Bondi offering. They've taken over the old Rum Diaries space along Bondi Road and have opened Carbòn — a new hacienda-inspired Mexican restaurant that focuses on all things wood-fired. Chefs and owners Pablo Galindo Vargas and Liber Osorio know a thing or two about Mexican cooking, having been born and raised in Mexico City. "At Carbòn, we wanted to rescue the indigenous culinary elements of our backgrounds, going back to our roots to create a menu full of flavours, colours and textures while maintaining the integrity and sustainability of the produce," says Vargas. The venue complements Bondi's laid-back vibes with a beachy fitout that is meant to be reminiscent of a Caribbean hacienda. While Taqiza is an intimate venue, Carbòn boasts a large open space with a full kitchen that centres around their brand new, wood-fire grill — which is fitting considering the restaurant's name translates to 'charcoal' in Spanish. The dishes pay homage to traditional Latin American parrilla (barbecuing) techniques, with the open charcoal fire used for cooking tortillas, heating underground ovens and boiling soups or sauces. Carbòn also focuses on fresh produce that can be especially enriched with the use of charcoal. The interactive share menu centres on make-your-own tacos, with options including Hampshire suckling pig with achiote adobo and Seville oranges, as well as roasted lamb shoulder with chipotle citrus yoghurt. Regular specials will be on offer, too, like the charcoal sealed tuna sashimi with finger lime, tiger's milk (aka citrusy ceviche marinade), sweet potato chips and salmon caviar. At the bar, the drinks menu is — unsurprisingly — focused on tequila and mezcal. Cocktails like the Bondi Sunset (mezcal, elderflower liquor, lime juice and mandarin) and the Oaxacan Pink Lad (mezcal, brandy, lemon juice, agave syrup and aquafaba) are just the start. Find Carbòn Mexican at 288 Bondi Road, Bondi Beach, open for lunch and dinner Tuesday through Sunday.
Does Tom Cruise (Top Gun: Maverick) only have one more mission left in him? The title for the eighth Mission: Impossible film might just point in that direction. Viewers won't know until the movie hits cinemas in 2025, but the flick that was initially called Mission: Impossible — Dead Reckoning Part Two is now named Mission: Impossible — The Final Reckoning. Your mission, should you choose to accept it: spending until May wondering if audiences are about to see the last of Ethan Hunt. It was back in 2023 when Mission: Impossible — Dead Reckoning Part One hit cinemas and left viewers wanting more, by design: when it wrapped up its 163 minutes of espionage antics, everyone already knew that a second part was on its way. Originally, the latter was meant to arrive in June 2024, less than a year after the first film. But amid Hollywood's strikes last year, the film was pushed back almost 12 months. Its release date Down Under: Thursday, May 22, 2025. It was also rumoured at the time that the movie would get a new moniker, so The Final Reckoning isn't a surprise in that regard. But the 'final' part of the title — and a just-dropped trailer that focuses on how every step leads you down a specific path, complete with the tagline "every choice has led to this" — wasn't as expected. "I need you to trust me one last time," Cruise also utters. The film's first teaser trailer traverses everywhere from snow and sky-high heights to under the sea and frozen in ice — and, as always, features plenty of Cruise running. Story details are sparse, however, but of course the film's star is seen hanging off of a plane. Viewers can expect world-hopping intrigue, explosions, chases and fights, though, as regularly occurs when Ethan Hunt and his Impossible Missions Force team return. Also back: a cast including Simon Pegg (The Boys), Ving Rhames (The Wild Robot) and Hayley Atwell (Heartstopper), Vanessa Kirby (Napoleon), Esai Morales (Crescent City), Pom Klementieff (Guardians of the Galaxy Vol. 3), Henry Czerny (Zombie Town), Angela Bassett (9-1-1) and Shea Whigham (Lawmen: Bass Reeves) — and, behind the camera, director Christopher McQuarrie helms again after doing the same on Mission: Impossible — Rogue Nation, Mission: Impossible — Fallout and Mission: Impossible — Dead Reckoning Part One. On-screen, Holt McCallany (The Lincoln Lawyer), Janet McTeer (The Old Man), Nick Offerman (Civil War) and Hannah Waddingham (The Fall Guy) feature as well. Check out the first teaser trailer for Mission: Impossible — The Final Reckoning below: Mission: Impossible — The Final Reckoning will release in cinemas Down Under on Thursday, May 22, 2025. Read our review of Mission: Impossible — Dead Reckoning Part One. Images: Paramount Pictures and Skydance.
Fresh from scoring plenty of attention in Australia's sporting circles after hosting the AFL's first-ever Gather Round, Adelaide is giving locals and visitors alike another reason to enjoy the City of Churches. Art, music and culture lovers, get ready for the South Australian dream that is Illuminate Adelaide, which debuted in 2021, then backed up its dazzling first year in 2022 — and has just dropped an impressive 2023 lineup, too. Illuminate's third month-long event will run from Wednesday, June 28–Sunday, July 30, putting it in prime winter festival season following Vivid Sydney, RISING Melbourne and Dark Mofo in Tasmania. Spending the country's colder months travelling between all four fests sounds positively heavenly; however, if you can only hit up one, SA's addition to the fold makes a strong case. Topping the music bill are Yothu Yindi, Oneohtrix Point Never and Tourist, giving Illuminate both Australian icons and electronic must-sees from overseas. With the former, the iconic Indigenous rock band play for one night only to celebrate NAIDOC Week. As for the latter, the Brooklyn-based Oneohtrix Point Never (who is responsible for the intoxicating scores to films Good Time and Uncut Gems) and English electronic musician and producer Tourist (aka William Phillip) will also bring their respective tunes to the Hindley Street Music Hall during the fest. After making its Aussie debut at last year's Illuminate, concert series KLASSIK underground will return, once again pairing classical music with live visuals. So too will experimental and electronic music celebration Unsound Adelaide. And, the roster of tunes also spans Murrawarri and Ngemba talent DOBBY, Space Afrika's dub-techno sounds, Sofie Birch and Antonina Nowacka teaming up, rapper bbymutha and Guatemalan experimental cellist Mabe Fratti. [caption id="attachment_897498" align="alignnone" width="1920"] Jack Fenby[/caption] That's what festival attendees will be listening to. The arts and light part of the program is just as impressive — and literally vibrant. UK creatives Architects of Air will hit Illuminate with Arborialis luminarium, which will take over East End in Rymill Park / Murlawirrapurka with 1000 square metres of inflatable mazes. Even better: running for three weeks, it's basically a labyrinth of colour and light, and you can head along by both day and by night. Mirror Mirror is another standout, harking from multimedia studio Moment Factory and coming to Adelaide fresh from premiering in Montreal. An interactive and immersive experience that'll take over its own purpose-built structure on Victoria Square/Tarntanyangga, it gets attendees wandering their way through unique art installations — and yes, a hall of mirrors is included. The same outfit is also behind Resonate, which takes over from 2021 and 2022's Light Cycle in lighting up a 1.7-kilometre trail nightly through the Adelaide Botanic Gardens. [caption id="attachment_897495" align="alignnone" width="1920"] John Owens[/caption] Keeping with the 2023 festival's radiant side, Illuminate will welcome back some of its past big luminous drawcards for a third time, because they're just that impressive and popular. That includes Light Creatures at the Adelaide Zoo, which means even more glowing animal installations. This year, it'll feature returning panda, skink, underwater and tiger favourites, plus a golden falcon, crabs and a projection that travels through time. Also worth looking out for (not at you can miss it) is the City Lights program, which makes a comeback to again feature more 40 free site-specific works over 17 days. A sculptural floral field, CoolShit getting into stare mode with large-scale art installation The Eyes, a touch-sensitive light and sound piece, an exhibition of works by the multi-talented Poh Ling Yeow, Amanda Parer's towering and inflatable Man: they're all included. So too is Augmented Revolution, which dives into augmented reality featuring works by First Nations artists. Elsewhere, you can make a date with pop-up bar and eatery hub Base Camp in its third year; the also-returning New Light, which commissions new screen works from Aboriginal talents; Make|Shift @ The Mill, aka projection art by six SA multidisciplinary artists; and the world premiere of Restless Dance Theatre's new Shifting Perspectives. Looking for more things to do around South Australia at the time? Concrete Playground Trips has a four-day wellness escape in the Adelaide Hills available to book in July as well. [caption id="attachment_897500" align="alignnone" width="1920"] Moment Factory[/caption] Illuminate Adelaide 2023 runs from Wednesday, June 28–Sunday, July 30. Check out the festival's website for the full program and to grab tickets. Top images: Sam Wong, Amigo and Amigo, Frankie the Creative, Moment Factory and Rami Saarikorpi. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
With new limits on how many people can catch buses and trains due to social distancing, Sydneysiders are being encouraged to walk and cycle into work. To help, the City of Sydney and Transport for NSW are building six new cycleways to make it easier to get around the Harbour City. The cycleways will be located across the CBD, Erskineville, Rosebery, Surry Hills and Pyrmont — and, while exciting news for cyclists, the paths are just a temporary fix. But, while temporary, the cycleways are set to be up and running by the end of June. They'll be constructed from a combination of barriers, line markings and lane dividers, which Lord Mayor Clover Moore said are "quick and simple" to implement. "We already have an extensive program of cycleways and public domain improvements, but we need short term tactical measures that can be implemented in weeks," the Lord Mayor said. As well as constructing cycleways, the Council will be temporarily widening footpaths in the CBD to allow for higher levels of foot traffic. The exact locations of the paths, highlighted in orange in the map below, are: Pitt Street north between King Street and Reiby Place, CBD Henderson Road, Eveleigh and Railway Parade/Bridge Street, Erskineville Dunning Avenue, Rosebery Moore Park Road and Fitzroy Street, Paddington/Surry Hills Pyrmont Bridge Road, Pyrmont Sydney Park Road, Erskineville The City of Sydney is also considering temporary bike paths on Oxford Street in Darlinghurst, King Street in Newtown and across King, College an Castlereagh streets in the CBD. [caption id="attachment_773066" align="alignnone" width="1920"] Click to enlarge.[/caption] A more permanent cycleway that is set to be constructed is across the Sydney Harbour Bridge. At the moment, cyclists have to haul their bikes up and down 55 steps to cross the bridge, but, according to the Sydney Morning Herald, Transport for NSW is close to finalising plans for bike ramps at both ends after the project was sidelined two years ago due to community opposition. If you're yet to go back to work and are contemplating your commute options, bear in mind the new public transport limits. Because of social distancing, two-door buses are limited to 12 commuters, Waratah trains 35 and Freshwater ferries 245, which works out to be about 25 percent capacity. To find out more information about City of Sydney's temporary cycle routes, head to the council website.
"So, how long have you been dead?" If you're a vampire being interviewed, that's the kind of opening question that's bound to come your way. More queries obviously have to follow, but it's a helluva ice-breaker — and, in the new Interview with a Vampire TV series, it's slung Louis de Pointe du Lac's way. Set to arrive in October — in Australia via AMC+ from Sunday, October 2, with New Zealand details still to be announced — this new small-screen adaptation of Anne Rice's 1976 gothic horror novel of the same name sparks plenty of questions itself, too. No, Brad Pitt doesn't play Louis, as he did almost 30 years ago in the 1994 movie. No, Tom Cruise doesn't play fellow vamp Lestat de Lioncourt again either. And you can guess the answers to your next two queries: no, Kirsten Dunst isn't back as Claudia, and neither is Christian Slater as the interviewer. All those characters feature here, though, with the Interview with a Vampire series retelling Louis, Lestat and Claudia's tale. If you remember the flick — the film that helped push Dunst to fame as a child, well before she was an Oscar-nominee for The Power of the Dog — you'll know that it steps through the undead trio's not-quite-lives (being eternally undead might be the better way to describe it). This time, Jacob Anderson — aka Game of Thrones' Grey Worm — is the New Orleans resident who can't resist the offer to live forever. Playing Lestat to his Louis is Australian actor Sam Reid (The Drover's Wife The Legend of Molly Johnson). As for child vampire Claudia, Bailey Bass (Psycho Sweet 16) does the honours, with the always-welcome Eric Bogosian (Succession) as probing interviewer Daniel Molloy. Like plenty of other upcoming movies and TV shows did — such as The Lord of the Rings: Rings of Power, House of the Dragon, She-Hulk: Attorney at Law, Dungeons & Dragons: Honour Among Thieves, John Wick: Chapter 4 and Black Panther: Wakanda Forever — Interview with the Vampire dropped its first sneak peek at this year's San Diego Comic-Con. With Louis' story starting in the 1900s, it's big on period details and costuming, plus a sweeping mood. And yes, reviving 90s movies as a series is a trend that shows no signs of dying — like interviewed vampires — given that Interview with the Vampire will hit streaming queues less than two months after the new TV version of A League of Their Own does the same. Also, Interview with the Vampire joins the film-to-TV vampire ranks, too, alongside Buffy the Vampire Slayer and What We Do in the Shadows. Check out the Interview with the Vampire trailer below: Interview with the Vampire will start streaming in Australia viaAMC+ from Sunday, October 2. We'll update you with New Zealand details when they become available. Images: Alfonso Bresciani/AMC.
Oh bother indeed: Winnie-the-Pooh: Blood and Honey, the slasher take on AA Milne's honey-loving, walking-and-talking teddy bear, has gotten its sticky mitts on the award that no film wants to win. Each year for the past 44 years, the Golden Raspberry Awards has named the worst movie of the past 12 months. 2023's pick is this horror twist on a childhood favourite, which attracted gongs like flies to, yes, honey. Winnie-the-Pooh: Blood and Honey was nominated in five Razzie categories. It won all five. So, according to the accolades that recognise that not all movies are great, good or even particularly watchable, it's the Worst Picture of 2023, as well as the Worst Remake, Ripoff or Sequel. And, it's home to the Worst Director, Worst Screenplay and Worst Screen Couple — the latter for Pooh and Piglet "as blood-thirsty slasher/killers". The film won big at the Razzies in the same month that sequel Winnie-the-Pooh: Blood and Honey 2 will release in Australian cinemas, arriving on Thursday, March 28 — just over a year after the first film. The Razzies only gave gongs to four 2023 movies thanks to Winnie-the-Pooh: Blood and Honey sweeping every field that it was in. Expend4bles, which picked up the most nominations with seven, won both Worst Supporting Actor and Worst Supporting Actress. Sylvester Stallone received the former and Megan Fox the latter. Fox was a two-time winner herself, also collecting Worst Actress for Johnny & Clyde, which is about serial killers being chased by a demon after they try to rob a casino. Best Actor went to Jon Voight for Mercy, which has just as likely a premise: a battle against the Irish mafia when they take control of a hospital. Always timed to arrive in the leadup to the Oscars, which take place on Monday, March 11 in Australia and New Zealand, the Razzies chose this year's worst of the worst from a heap of other movies, with plenty of big-name flicks in contention but going home empty-handed — happily, presumably. They include The Exorcist: Believer, Meg 2: The Trench, Shazam! Fury of the Gods, Fast X, Magic Mike's Last Dance, Ant Man & the Wasp: Quantumania and Indiana Jones and The Dial of Destiny. The Razzies also give out the Razzie Redeemer Award, recognising someone who was nominated for one of its trophies in the past but is in a far better situation now. This year's winner is Fran Drescher, who was a nominee in 1998, and now the current SAG/AFTRA President. The accolades awarded her "for her brilliant shepherding of the actors' guild through a prolonged 2023 strike with a successful conclusion". Check out the full list of Razzie winners and nominees below: Golden Raspberry Winners and Nominees 2023: Worst Picture: The Exorcist: Believer Expend4bles Meg 2: The Trench Shazam! Fury of the Gods Winnie-the-Pooh: Blood and Honey — WINNER Worst Actor: Russell Crowe, The Pope's Exorcist Vin Diesel, Fast X Chris Evans, Ghosted Jason Statham, Meg 2: The Trench Jon Voight, Mercy — WINNER Worst Actress: Ana de Armas, Ghosted Megan Fox, Johnny & Clyde — WINNER Salma Hayek, Magic Mike's Last Dance Jennifer Lopez, The Mother Helen Mirren, Shazam! Fury of the Gods Worst Supporting Actor: Michael Douglas, Ant Man & the Wasp: Quantumania Mel Gibson, Confidential Informant Bill Murray, Ant Man & the Wasp: Quantumania Franco Nero (as The Pope), The Pope's Exorcist Sylvester Stallone, Expend4ables — WINNER Worst Supporting Actress: Kim Cattrall, About My Father Megan Fox, Expend4bles — WINNER Bai Ling, Johnny & Clyde Lucy Liu, Shazam! Fury of the Gods Mary Stuart Masterson, Five Nights at Freddy's Worst Screen Couple: Any two "merciless mercenaries", Expend4bles Any two money-grubbing investors who donated to the $400 million for remake rights to The Exorcist Ana de Armas and Chris Evans (who flunked screen chemistry), Ghosted Salma Hayek and Channing Tatum, Magic Mike's Last Dance Pooh and Piglet as blood-thirsty slasher/killers in Winnie-the-Pooh: Blood and Honey — WINNER Worst Director: Rhys Frake-Waterfield, Winnie-the-Pooh: Blood and Honey — WINNER David Gordon Green, The Exorcist: Believer Peyton Reed, Ant Man & the Wasp: Quantumania Scott Waugh, Expend4bles Ben Wheatley, Meg 2: The Trench Worst Remake, Ripoff or Sequel: Ant Man & The Wasp: Quantumania The Exorcist: Believer Expend4bles Indiana Jones and The Dial of Destiny Winnie-the-Pooh: Blood and Honey — WINNER Worst Screenplay: The Exorcist: Believer Expend4bles Indiana Jones and the Dial of Destiny Shazam! Fury of the Gods Winnie-the-Pooh: Blood & Honey — WINNER Razzie Redeemer Award: 1998 nominee and current SAG/AFTRA President Fran Drescher, for her brilliant shepherding of the actors' guild through a prolonged 2023 strike with a successful conclusion. The 2024 Golden Raspberry Awards were announced on Saturday, March 9, Australian and New Zealand time. For further details, head to the awards' website.
Harbourside favourite Bar Patrón has thrown open the doors of its Circular Quay home for the first time in three years, returning to Phillip Street with a new team, a new menu, and the same classy look and stunning views of the Sydney Harbour Bridge. From Wednesday, April 27, patrons can return to the tequila-loving spot for Patrón cocktails and top-notch Mexican eats. The only restaurant to partner with Patrón Tequila in this way anywhere in the world, Bar Patrón originally opened under the ownership of Neil Perry and the Rockpool Dining Group before shutting down close to three years ago. Now under the guidance of hospitality group Pacific Concepts (El Camino, The Bavarian, Fratelli Fresh, The Argyle) — a spinoff from Rockpool — the restaurant boasts a revamped range of food and drinks created by Food and Beverage Director Molly Haranis, Culinary Director Gabor Denes and Executive Chef of Mexican Concepts Manuel Diaz. The initial menu highlight: the array of tacos. The house-pressed tortillas are topped with the likes of steak asada, eggplant carnitas and soft shell crab; however, the signature surf 'n turf taco combines the steak with lobster al pastor, avocado mousse, grilled pineapple and a Patrón Silver salsa. The tacos are complimented by a range of entrees and share plates that can be curated into a perfect group meal with your friends, but you'll find a few truly luxe mains on the menu for those that want to go big. For $79–149, you can order lobster accompanied by a Patrón Silver cheese sauce, or at $125, you can treat yourself to the 500-gram MB6+ Tajima wagyu beef rib eye. Move your attention to the cocktails and you'll find one common denominator, unsurprisingly — Patrón, of course. Some favourites from the bar's previous iteration are back. There's the signature margarita, plus the outlandish Millionaire's Margarita, which is created table-side and combines Patrón Gran Burdeos, Remy Martin Louis XIII Cognac, Grand Marnier Cuvée Du Cent Cinquantenaire and nitro-chilled lime pearls, all served over a gold leaf-coated ice diamond. More inventive Patrón creations available on the menu include a range of highballs, a macadamia and wattleseed espresso creation, and the platinum martini that pulls together Gran Patrón Platinum tequila, glacier-cut vodka and grape tincture. And, tequila-lovers can explore the selections of rare and barrel-aged tequilas ranging from 23-month bourbon oak cast sips through to the ultra-rare En Lalique Serie 1 and En Lalique Serie 2, the latter of which are available for a cool $990 a glass. Find Bar Patrón at 2 Phillip Street, Circular Quay — open Tuesday–Saturday 9am–11pm.
Prepare for another actively sedentary June: the Sydney Film Festival has announced its full program for 2014. It's a canny balancing act between hotly anticipated previews screenings and little known international gems by festival director Nashen Moodley, with the Sydney Film Festival Hub tying things together over a vino at the Town Hall. "We feel this program represents the best of international film in the last 12 months," said Moodley at the program launch, and the best of the best are surely found in the SFF Official Competition. Doing dual duties as the opening night film is 20,000 Days on Earth, the Nick Cave documentary that's said to defy categorisation and won two gongs at Sundance. Formal experimentation is a bit of a theme in this year's competition, which also features Richard Linklater's Boyhood, a family drama which he shot with the same actors (Ethan Hawke, Patricia Arquette and kids Ellar Coltrane and Lorelei Linklater) over a 12-year period; Iranian director Shahram Mokri's Fish & Cat, shot in a single 134-minute take and based on a real news report; and The Kidnapping of Michel Houellebecq, starring the controversial author himself in a fictional scenario based on real-life rumours. David Michod's Animal Kingdom follow-up, The Rover, and Amiel Courtin-Wilson (Hail) and Michael Cody's Ruin are also ones to watch. The SFF Hub is not only returning for a third time but expanding its presence at the Town Hall to encompass the Treasury Room upstairs. As well as its scintillating lineup of talks and performances, this year it's decked out with designer furniture showcasing the legacy of the Eameses, a TITLE pop-up shop, Gelato Messina cart, vintage photo booth and the festival's discount ticket booth. A definitive highlight among the Hub's cinematic tangents is the Vladmaster Viewmaster Experience by artist Vladimir, who hijacks the classic toy for art purposes, crafting a story you experience click by click. Also featured are talks Altman on Altman (with son Robert Altman) and Eames on Eames (with grandson Eames Demetrios), film trivia, a film critics death match and Hugh Hamilton's Rosebud exhibition of film star portraits. All the popular streams in the festival return, including Freak Me Out, Sounds on Screen, The Box Set, International Documentaries and Documentary Australia Foundation Award for Australian Documentary. Special presentations at the State Theatre include the much-anticipated/mocked Zach Braff movie Wish I Was Here, Michel Gondry's scribbly Noam Chomsky doco Is The Man Who Is Tall Happy?, and the directorial debut from the writer of Drive, The Two Faces of January. These films you'll be able to see in cinemas later in the year, but this is your chance to see them in stately picture-palace surrounds (and see them before everyone else). The festival closes with What We Do in the Shadows, which is just what you'd expect of such a highbrow event — an NZ vampire mockumentary from the makers of Flight of the Conchords. The SFF runs from June 4-15. Tickets are now on sale. Hop to booking them, as well as checking out the full program, at the festival website.
Another beloved Sydney venue is shutting its doors — and you've only got until this weekend to dine in for a final meal. Joining the likes of Tetsuya's, Raja, Bistrot 916 and Lucky Kwong, affordable Castlereigh Street spot Hey Chú is the latest Harbour City restaurant to announce a 2024 closing date. Cuong Nguyen, the culinary great behind the joint, has decided to close Hey Chú due to increasing operational costs within the hospitality space. Instead, he will be turning his full attention to his other ventures, Penelope's and Hello Auntie. View this post on Instagram A post shared by Hey Chú (@heychu.castlereagh) Hey Chú will offer its final service on Saturday, June 15 before officially closing. The Hey Chú team took to Instagram this morning to announce its closure in a short and sweet post. "Thank you to all those who supported us! Goodbye for now, but not for good," said the crew behind the joint. The southeast Asian eatery is known for its affordable and fusion-forward food and drink offering, with the spot undertaking exclusive collaborations with the likes of the Lana and Porkfat teams, and launching affordable deals like its cash-only 'Happy Endings' hour. Its concept blends cues from family-orientated Asian cultures and the casual street diners of the southeast Asian region, putting a playful spin on unpretentious dining with a "pay your uncle a visit" ethos at its forefront. If you're looking to indulge in Hey Chú's finest flavour-packed offerings ahead of its upcoming closure, you'll want to ensure that the dry-aged beef cheeseburger, crispy pork cannoli, lobster agnolotti with smoked kimchi butter and the thit kho lamb pappardelle are among the dishes in your farewell feast. Find Hey Chú at Level 1 of Hotel Downing, 249 Castlereigh Street, Sydney, open from 5pm–12am Monday–Saturday until Saturday, June 15 — head to the venue's website for further details. Images: Chad Konik.
Hong Kong is almost close enough (an eight-hour plane trip) to justify a long weekend away. Doing it cheap isn't easy, and what would particularly be the point? As one of the world's most expensive cities, especially for hotels, it's all about bling. Eating out can be more affordable than the top end of Australian restaurants, with obviously superior Cantonese dining options, but drinking in the hipper bars will set you back $10 a beer. If you want cheap, go to Thailand. If you want style, go to Hong Kong. The main socialising districts are Hong Kong Island, traditionally where it's all happening, and Kowloon across the harbour, its less glamorous cousin, although that's changing. Italian and French dining is in vogue at the moment, with Caprice and Pierre the top-dollar and high-rise favourites. Further down the cheap food chain are the Canto picks. The Chairman and Fook Lam Moon offer traditional Chinese cooking with a modern flair, rejecting the MSG of the local diners. The owner of The Chairman, Danny Yip, owns three Chairman restaurants in Canberra and prides himself on an organic approach to crab and dumpling feasts. Spring Moon is an upmarket 1920s-style teahouse bang in the middle of a five-star hotel, with ornate surroundings. If you want more exclusive surroundings, Yard Bird does take bookings and is the hot new place to be seen by local celebrities. Drinking is synonymous with views of the harbour, with most bars perched on top of swish hotels. Among the most popular are Hutong, which is a faux traditional restaurant with an indoor mezzanine bar above the private dining rooms and red lanterns overlooking the skyscapers of Hong Kong Island. For outdoor boozing, head to Eyebar (level 30, 63 Nathan Rd, Tsim Sha Tsui, Kowloon) for a vertigo-inducing vista, Ozone, apparently the highest bar in the world, or Sugar in the East hotel. More down-to-earth reveling can be found at the Kee Club, a members-only den with private rooms decorated like libraries and it hosts open club nights on the weekend. It's near Lan Kwai Fong, the main drinking area for visiting drunkards, which is open to the early hours and home to all-night clubs. It's not particularly cheap, but Hong Kong does offer expensive memories.
Keep your eyes peeled for Hendrick's Gin's hot air balloon flying over Sydney today. The floating gin bar, which offered free gin-filled balloon flights late last year, will be taking off as part of a fleet of balloons from Parramatta and floating across Sydney the city throughout today, Monday, March 15. The flight is part of a week-long series of activations Hendrick's is running across the city titled the Week of Wonders that will see free G&Ts offered up throughout the week. Unfortunately, Hendrick's isn't offering free flights in the balloon this time around, but if you catch glimpse of the hot air balloon and manage to snap a pic, you can take that picture to select venues in Parramatta and the city and exchange it for a free gin and tonic. The participating venues include Potts Point Hotel, Frisco Hotel, The Tilbury, Hotel Palisade, Glenmore Hotel, Nick & Nora's and Heritage Lounge. If you miss out on seeing the balloon, there are plenty more chances for free gin throughout the week, too. A pop-up gin bar will be residing at Campbells Cove, The Rocks between Thursday, March 18 and Saturday, March 20. The pop-up will be open 2–8pm each day and will be serving up free cucumber sandwiches and G&Ts. Between 4–7pm from Wednesday, March 17 and Saturday, March 20, you may also see Victorian-era characters riding around the CBD on penny-farthings. If you approach the riders, they'll offer you a cucumber which you can redeem for a Hendrick's Gin cocktail at a selection of Sydney venues including PS40 and The Barber Shop. More information will be available throughout the week via the Hendrick's Gin Facebook page. Hendrick's Gin's 'Week of Wonder' runs from Monday, March 15 until Saturday, March 20.
Spending Christmas alone might be exactly what you need this year — and you should do what feels right for you. But if it gets to 5pm and you'd like to be in the company of some chill likeminded people, you have the option of popping into The Indigo Project. The Surry Hills mindfulness studio is opening its welcoming doors on Christmas Day evening for an inclusive potluck dinner. The event is an extension of the studio's fortnightly 'gatherings', which involves group conversation and story sharing. It'll give you a nice safe space to meet and connect with others, and then everyone will tuck into some food. Bringing a vegan plate of food is recommended.
With free trams, great coffee, even better bearded men and now a potential smoking ban, Melbourne's really upping the stakes in its claim to become Australia's most progressive city. Melbourne City Council have today announced plans to make the CBD completely smoke-free by 2016. This would make Melbourne the first city in the world to implement such comprehensive measures. Of course, it would also make us home to the most disgruntled business types — sitting forlornly on a milk crate on Degraves just won't look the same if you don't have a durry in hand. This news comes after a successful bid to make The Causeway — one of the cheeky laneways between Bourke and Little Collins — smoke-free, alongside six similar bans."I think there's overwhelming support to progress smoke-free areas given the great success we had with The Causeway," city councillor Richard Foster told Fairfax Radio this morning. "I think we're going to actually attract people to Melbourne by being one of the first in the world to go smoke-free." Though Cr Foster maintains he has majority support on the idea, not all politicians are on board. Premier Denis Napthine strongly opposes the proposition, deeming it "totally unworkable" and "totally unreasonable". Similar disdain can also be heard from the city's street traders. After all, smokers still flock to outdoor seating in our city's cafes for the iconic coffee and cigarette combo. In its current imagining the plan would ban smoking for both pedestrians and footpath diners in the areas between Flinders Street, Spencer Street, Spring Street and Queen Victoria Market; though there would be designated smoking areas most likely in the form of shelters. Smokers seen breaking the ban would be met with on-the-spot fines, though the prohibition would be understandably difficult to police. The plan is similar to that which has recently been implemented in our inner-city universities. Both RMIT and the University of Melbourne are currently smoke-free and offer rather meagre designated areas for insistent smokers. The issue was debated widely by students as both a move towards a safer and healthier environment and an infringement on smokers' civil liberties. Of course, should the issue be taken city-wide the debate would only intensify. So far, public reaction on social media has been fairly positive. Even Lord Mayor Robert Doyle is on board so long as the changes are "incremental". If there's ever been a time to quit, this is probably it. Life as a smoker is getting more and more outlawed by the day. Via The Australian. Photo credit: Orin Zebest.
Living through bushfires, drought, a pandemic and economic depression — sounds familiar, right? Australian impressionist painter Arthur Streeton might have lived a hundred years ago, but his worldview was impacted by all-too-familiar cycles of environmental, economic and political upheaval. If you don't know much about Streeton, you'll have the opportunity to get to know one of Australia's most loved landscape painters through 150 of his works — including some that haven't been shown since the 1920s — in a new retrospective exhibition at the Art Gallery of New South Wales. Head curator of Australian art Wayne Tunnicliffe took a deep dive into the Gallery's collection to uncover not only the beloved paintings hanging on the Gallery's walls, but also works within the collection that have been stored away for over 100 years. Born in 1867, Streeton's art practice evolved over six decades. Within the exhibition, you'll see that evolution and an enduring passion for Australia's natural beauty; there are his sun-drenched landscapes from the 1880s, bright, joyful depictions of Sydney Harbour from the 1890s and his bucolic paintings of the 1920s and 30s. [caption id="attachment_784956" align="alignnone" width="1920"] Arthur Streeton, 'From McMahon's Point — fare one penny' (1890), National Gallery of Australia, Canberra[/caption] He painted familiar, and often beautiful, locations in New South Wales, from Coogee and Manly beaches to the Blue Mountains and upper Hawkesbury River. His skill at capturing light, land and sea contributed to Australia's take on impressionism. His peers — artists Tom Roberts and Charles Conder — were part of a new art movement, the Heidelberg School, that was a distinctly Australian take on the global art movement. The exhibition, which runs from November 7–February 14, will feature 150 works from both public and private collections — including paintings, drawings and watercolours. It's the most significant retrospective of Streeton's art ever presented, and includes works from the artist's time in Egypt, England, Italy and in France during the second world war. As well as his final works, which show Streeton's increasing focus on environmental concerns — on his return to Australia, Streeton became more vocal about conservation and exhibiting works showing our destruction to the natural world. Tickets to 'Streeton' cost $22 and you can buy timed-entry tickets online now. If you have already purchased untimed and undated tickets for 'Streeton', your tickets will be honoured for any date and time until February 14, 2021, excluding opening weekend. For $35, you can upgrade to a Gallery Pass, which gives you access to 'Streeton' and the 'Archibald, Wynne and Sulman Prizes 2020'. Top images: 1. Arthur Streeton, 'Early summer – gorse in bloom' (1888), Art Gallery of South Australia, Adelaide, Gift of Mrs Andrew Tennant through the Art Gallery of South Australia Foundation 1982. 2. Arthur Streeton, 'The Land of the Golden Fleece' (1926). Private collection, Sydney. Photo: Jenni Carter, AGNSW.
After hosting a sellout weekender in 2024 to celebrate its 15th birthday, Strawberry Fields is turning sweet 16 in 2025 with another three-day festival filled with impressive acts hitting the decks and the stage, all on the banks of the Murray River. When you're not catching Detroit Love featuring Carl Craig and Moodymann, Gilles Peterson, Chaos in the CBD and Interplanetary Criminal at Tocumwal in regional New South Wales this November, you'll be seeing Tommy Holohan, Malugi, Lady Shaka and ISAbella. They're a mere few of the 80-plus DJs and live acts on the lineup. Other names on the bill across Friday, November 21–Sunday, November 23 include KOKOROKO, WITCH, and Circle of Live featuring Albrecht La'Brooy, Move D and Sebastian Mullaert — plus Dita, Wax'o Paradiso and Horse Meat Disco. Or, for more than three hours, Mama Snake, DJ Scorpion and Andy Garvey will play B3B. Aurora Halal, DJ Sweet6teen, Fafi Abdel Nour, DJ PGZ B2B Yikes and Karen Nyame KG are on the roster, too. Strawberry Fields is among the Australian music festivals that aren't just about who's providing the soundtrack, even though it clearly doesn't skimp on talent. This fest boasts a setup and setting worth spending a weekend enjoying no matter which acts are on the bill, with its location is a hefty drawcard all by itself. Having multiple stages pumping out tunes in leafy surroundings, and also a bush spa for a soak between sets, will do that. Folks lucky enough to nab a ticket can look forward to epsom salt baths, plunge pool sessions and sauna trips, then, plus hanging out in the festival's Mirage Motel space again, and hitting up an expanded range of workshops and talks — alongside onsite glamping and camping. Strawberry Fields 2025 Lineup DJ Afrodisiac Anu Aurora Halal Ayebatonye Baby J Bella Claxton Chaos In The Cbd Dameeeela Detroit Love (featuring Carl Craig and Moodymann) Dita DJ Friday B2B Sweetie Zamora DJ Pgz B2B Yikes DJ Sure DJ Sweet6teen Fafi Abdel Nour Gene On Earth Gilles Peterson Horse Meat Disco Interplanetary Criminal ISAbella Jenny Cara Josh Caffé Karen Nyame Kg Kirollus Kuzco B2B Quicksticks Kyle Hall Lady Shaka Malugi Mama Snake B3B DJ Scorpion B3B Andy Garvey Mazzacles Messie Mismeg Move D Myles Mac B2B DJ Possum Naycab Neptunes Trident Poli Pearl Regularfantasy Roka Sampology B2B Frank Booker Slothboogie Super Flu THC Tommy Holohan Toni Yotzi Vanna Wax'o Paradiso Wolters B2B Ned Bennett Zalina Live Asanti Beats Becca Hatch Bumpy Circle of Live (featuring Albrecht La Brooy, Move D, Sebastian Mullaert) Close Counters Corto.Alto D.D. Mirage Devaura Drifting Clouds Drmngnow / Bricky B Ella Haber Ella Thompson Empress Ferrari Party Flewnt Inkabee Jerome Thomas Juman Kokoroko Mathew Jonson Minyerra Moontide No News Rodriguez Jr. Serebii The Pro-Teens (MF Doom Tribute) Waari Wilson Tanner Witch Wrong Way Up Xpress Point Images: Duncographic / Will Hamilton-Coates / Max Roux.
There's a line of dialogue, right towards the end of Obvious Child, when Donna (Jenny Slate) bemoans the overabundance of romantic comedies on TV. "I just hate that kind of film," she quips. "I just don't connect." In that moment, it's as if writer-director Gillian Robespierre is talking to the camera herself. A smart, candid, foul-mouthed and thoroughly charming subversion of sugary romantic fantasies and stereotypical representations of women on screen, Obvious Child ranks among the very best in the much maligned rom-com genre. It's also the funniest movie about abortion you're ever likely to see. Indeed, Robespierre's script feels largely like a response to the weirdly conservative position espoused — intentionally or not — in pregnancy comedies like Juno and Knocked Up, in which abortion is quickly brushed over for a more conventionally heartwarming alternative. In stark contrast, when Donna finds out she's pregnant a few weeks after a drunken hook-up, the best course of action is clear. An aspiring stand-up comic in her late-twenties with no steady source of income and no real sense of direction, there's just no way on earth Donna's ready to have a child. What's refreshing about Obvious Child isn't just the path that our heroine takes, but how resolutely she sticks to it. There no handwringing or moralising about her decision, because it's obviously the most responsible thing to do. The frank, open-minded approach with which the film treats not just pregnancy, but sex and female sexuality in general, is the sort of thing that mainstream movies could use more of. Which isn't to say that the film is preachy. Save for a frustrated rant from Donna's roommate (Gaby Hoffmann) about the "weird old white men in robes [who] get to legislate our cunts," Obvious Chid avoids the prickly politics of abortion. This movie is primarily a comedy, and a pretty hilarious one at that. Best known for her recurring role on Parks and Recreation and a short-lived stint on SNL, Slate gives what is easily one of the breakout comic performances of the year. It's clear from Donna's stand-up that she's a person who says whatever's on her mind — which tends to mean a lot of talk about sex and bodily functions. And yet, somehow, the film also manages to be sweet. Even as Donna prepares to terminate the pregnancy, she finds herself growing closer to the baby's father, the endearingly white-bread Max (Jake Lacy). They don't make for the most conventional pairing, admittedly. But then again, not being conventional is what makes the movie so great in the first place. https://youtube.com/watch?v=r2GN3wdfqbA
Situated on the banks of the Murray River, Tocumwal is the ideal destination for an outdoorsy getaway. With virtually endless opportunities for fishing, camping and hiking in the surrounding areas, you can spend your days bouncing between the riverside beaches or seeing the fascinating landscape from high above. With the help of Wild Turkey, we've selected a series of activities that'll take your visit to this lush Riverina district to the next level, whether you're seeking relaxation, adventure or a bit of both. [caption id="attachment_843939" align="alignnone" width="1920"] Elliot Kramer[/caption] GO BEACH HOPPING The Murray River flows right through the heart of Tocumwal, and 24 riverside beaches within close proximity to town ensure you can make the most of every sunny day. With this stretch of Australia's longest river lined with shady red gums and native bushland, there's a quiet patch of shoreline with your name on it. For instance, Tocumwal Beach, Apex Beach and Finley Beach are all within a quick drive of one another. If you don't mind a quick drive, Bouchiers Beach and Smithers Beach are also top-notch options. No matter which beach you like the look of, the water is perfect for swimming and kayaking. [caption id="attachment_843057" align="alignnone" width="1920"] Rob Blackburn - Visit Victoria[/caption] SEE THE SIGHTS FROM ABOVE Take flight above the countryside with Sport Aviation, one of the top attractions in Tocumwal. Courageous passengers can experience heart-pumping flights in both gliders and light sports aircraft, whether you're just looking for a thrill or keen to learn the basics of piloting. Leaving from the runway located just outside town, you'll soar high above the rolling hills and sprawling river system with an expert guide. Traversing across the landscape, these nimble aircraft provide a striking bird's-eye view, ensuring you have the best possible vantage point to soak up the scenery. [caption id="attachment_843062" align="alignnone" width="1920"] Flicker (bkstreets49)[/caption] EXPLORE LOCAL TRANSPORTATION HISTORY It doesn't take long to wander from one end of Tocumwal to the other, but this historic part of the world is overflowing with fascinating history everywhere you look. Once you've touched down after your glider flight, you can head next door to the Tocumwal Historic Aerodrome Museum — once home to Australia's largest RAAF base — to learn about the town's wartime legacy. If you prefer trains to planes, the Tocumwal Railway Heritage Museum presents fascinating photos and railway memorabilia dating back to 1908. Meanwhile, Chrysties Classics and Collectibles Museum (pictured above) offers an eclectic mix of classic cars, tractors and vintage machinery that showcases the region's extensive farming legacy. [caption id="attachment_843066" align="alignnone" width="1920"] Visit Victoria[/caption] HIT THE GREENS Handy with a set of clubs? Tocumwal Golf and Bowls Club is the ideal place to practise your swing, with not one but two 18-hole courses — and regular tournaments — revealing how you measure up. With the club also boasting a driving range, a chipping green and two putting greens, budding Shooter McGavins will find themselves in heaven. If you're new to golf, head to Finley Golf Club, around 20 kilometres outside of Tocumwal. With no bunkers or hills to worry about on this course, beginners can let loose on the fairways as much as they like. And with daily tee times available for non-members, getting involved couldn't be easier. Nearby Cobram, meanwhile, is home to one of the Murray's premier golf destinations. The Cobram Barooga Golf Club (pictured above) boasts 36 championship-level holes on which to test your skills, as well as lush lawn bowls greens, a full-service clubhouse and even a mini-golf course (that recently hosted the Australian Mini Golf Open) on its expansive grounds dotted with beautiful native flora and fauna. [caption id="attachment_843056" align="alignnone" width="1920"] Emily Godfrey - Visit Victoria[/caption] GET OUTDOORS Tocumwal is the perfect place from which to set off on an outdoor adventure, with Barmah National Park recognised as particularly special for bushwalking and horse riding. Home to the world's largest river red gum forest, the expansive park also boasts stunning wetlands that provide critical habitat for over 200 bird species. Closer to town, you're welcome to admire the alluring Murray River from the shoreline, but it's even better when you hire a boat and drift along the waterway instead. With the area renowned among anglers in search of cod, perch and trout, it's the ideal way to find a quiet place to drop a line and spend a lazy day enjoying the calm waters of the mighty Murray. Find out more about Wild Turkey's Discovery Series at the website. Top image: Emily Godfrey, Visit Victoria
After showcasing Australia's most talented musicians for the last 17 years, Homebake has announced that the festival will not go ahead this year. With the (also now cancelled) Harvest booking The Domain, the traditional home of Homebake, at a similar time, Homebake relocated to the Sydney Opera House with a three-day festival for the 2013 celebration. However, ticket sales and the online response from fans regarding the new format and location have not been positive, forcing the festival organisers to can the long-running feature of the Australian festival circuit. The 18th anniversary festival was set to celebrate the best of Australian music, both past and present, including You Am I, The Presets, Bernard Fanning and Birds of Tokyo. There is, as yet, no news on potential side shows for these acts. Homebake posted the cancellation on their website earlier today, apologising to fans and bands alike, and thanking everyone involved for their support over the last 17 years. Their parting words to the music scene are, "Long live Australian music and those who create it." Full refunds will be given to everyone who got in early for tickets.
Plotting the traditional structure of a film trilogy results in a sort of 'N' symbol on a graph. Part 1 (the incline) offers the introduction to the characters and concludes with a satisfying, inspirational victory (the first peak). Part 2 then explores the characters in greater depth, exposing their shortcomings and instilling both doubt and conflict until all hope seems lost (the descent and trough). Finally, Part 3 sees the protagonists discover — or at least 'relearn' — the true strength of their convictions, allowing an eventual, all-encompassing victory in the conclusion (the ultimate peak). The Hangover trilogy, however, does not follow this structure. On its graph, 2009's Part I held the line well and provided one of the surprise hits of the year courtesy of some snappy writing, extreme political incorrectness and three terrific characters (the fourth guy really is a spare). Instead of marking the descent, though, Part II just ran with the exact same formula. It was Part 1 all over again, except Bangkok was subbed in for Vegas and the baby was replaced by a monkey. So going into Part III, the big question was always going to be: would this be 'Part I again, again' or something genuinely different? The answer was the latter, which in turn begged a second question... was that a good idea? In this third instalment, our three wolf-packers — Phil (Bradley Cooper), Alan (Zach Galifianakis) and Stu (Ed Helms) — are one again forced into a nightmarish series of disasters in order to rescue their friend Doug (Justin Bartha...who really is the spare). Regrettably, Hangover Part III centres upon the trilogy's most annoying character, Mr Chow (Ken Jeong), whose whiny, sort-of-Asian, sort-of-gay, sort-of-hip-hop-gangsta ramblings grate the ear like a screaming baby on a packed plane during descent. During one early scene in which Chow's butchering a karaoke cover of 'Hurt', Bradley Cooper winces and asks "what the fuck are we watching!?" He's not the only one to think it. By focussing on Chow and favouring a more conventional plot over the simple yet effective premise of 'rediscovering unremembered anarchy', The Hangover Part III boldly — if also mistakenly — shifts the focus away from the very thing that made the franchise a success: its 'wolf pack'. They still have their moments, especially Galifianakis; however, this is a far more 'normal' movie and as a result, so too become the characters. There are still loads of laughs and it's a definite improvement on the carbon-copy disappointment of Part II, but the tiny coda that pops up part-way through the final credits (certainly worth staying for) shows us what might have been had they just found a way to use the original amnesic plot structure in a new and different way.
Only a few years ago, the food truck was a late-night grotesquery that sold you a questionable kebab as you stumbled home at 5am. But Sydneysiders love their grub and have come to understand that a mobile food unit is a viable food option, not the one thing standing between you and a deadly hangover. The food truck is no longer an addendum to an average night, but the key to a great night — and the good folk at Sydney Good Trucks know it. The first ever EQ Food Truck Jam is a free-entry smorgasbord of food truck goodness, all conveniently parked at the Entertainment Quarter’s Showring and Market Canopy for the weekend of October 3–4. And they’re really pushing the boat out to impress us, with live music, an ice skating rink, jumping castle (bounce before eating — we don’t want any airborne spew), DJs, giveaways and the Sydney Trapeze School (not entirely sure what their role is here, but we can only offer the same advice as before — trapeze before food please). But of course, we only really have little piggy eyes for the food, and this spectacular lineup does not disappoint. The Tella Ball stand will be there, continuing to bleed the country dry of Nutella with their milkshakes topped with Nutella-filled donuts. You’ll also find Sydney's established trucks alongside the city's beloved food establishments: think Gelato Messina, Knafeh's 'bearded bakers', Toby’s Estate Coffee, Bad Betty Burgers, NYPD New York Sandwiches (selling Reubens to be revered), Cherry Highway ice-cream, Caminito, Let’s Do Yum Cha, Urban Pasta, Tsuru and Agape Organic. Yes take your smelling salts, it will be overwhelming. If you're feeling lost, you can download the app to help you navigate your way around the smorgasbord. If you can’t make the inaugural Food Truck Jam, don’t fret as EQ’s night markets will be running throughout spring and summer. EQ Food Track Jam is happening on Saturday, October 3 from 5–10pm and Sunday, October 4 from 12–10pm at the Entertainment Quarter’s Showring and Market Canopy. Free entry. For more information, check out the website.
Russian cinema was relatively unknown in Australia until the Russian Resurrection Film Festival came along. This year the largest festival of Russian cinema outside of the mother country is celebrating a decade of cinematic offerings, returning to silver screens across the nation this July and August. Whilst originally appealing primarily to Russian expats, the festival has grown immensely in popularity, now fascinating a broad audience of cinephiles and Russophiles. The lineup for this year's anniversary event features a collection of Russian cinematic riches, intricately blending the contemporary and the classic. It will showcase 18 new films, including two world premieres, Marathon and The Geographer. Other contemporary highlights include the animated delight The Snow Queen — which tells the heartwarming tale of a quest to save family, art and the hearts of people everywhere — and Legend No. 17, the highest grossing Russian film in history, which explores the life of ice hockey legend Valery Harlamov and how he captivated a nation. If you prefer a classic take on Russian cinema, then check out the retrospective program on celebrated producer/director Valery Todorovsky. It features his cult hits My Stepbrother Frankenstein, Vice and Hipsters, among others. The Russian Resurrection Film Festival is in Melbourne from July 3-16, Sydney from July 24 to August 7 and Brisbane from July 26 to August 4 — and thanks to the festival, we have 10 double passes to give away per city (passes valid for a film session of your choice). To be in the running, subscribe to our newsletter (if you haven't already) and then email hello@concreteplayground.com.au with your name and address. https://youtube.com/watch?v=jpfcuU6taTE Image from Hipsters.
Sunset Cinema is no stranger to St Ives Showground. In fact, it screened flicks there late in 2021. But for its new season from Wednesday, January 19–Saturday, March 12, the openair cinema has given things a revamp. The setup now takes a few cues from its other locations — including in North Sydney — and has ditched the drive-in component, but the main attraction is still the same: watching movies under the stars. Whether you're planning a cosy date night or an easy group hang outdoors, there'll be something on the bill for you — kicking off with that now-openair cinema must-have The Greatest Showman, and spanning plenty of new and recent titles as well. If you haven't yet given Spider-Man: No Way Home a spin, or taken The Matrix Resurrection's pill, or been shaken not stirred by No Time to Die, they're all on the lineup. Other highlights include Wes Anderson's The French Dispatch, the Lady Gaga-starring House of Gucci, Will Smith's applauded performance in King Richard and Kristen Stewart getting regal in Spencer. And, in the retro camp, sessions of Grease and Dirty Dancing are basically obligatory. BYO picnics are encouraged here, but the event is fully licensed, so alcohol can only be purchased onsite. Didn't pack enough snacks? There'll be hot food options, plus plenty of the requisite movie treats like chips, chocolates, lollies and popcorn.
Casula Powerhouse Arts Centre reopened on Monday, June 1, with stunning surrealist exhibition A Familiar Place I've Never Seen running with extended dates. The exhibition opened on March 21, just days before the Australian Government announced the mass closure of indoor venues. After a brief hibernation, the works by artists Jomakhan Jafari and Danny Kennedy are back on display — and you can ogle them for free. A series of dream 'interpretations', the exhibition combines Jafari's calligraphy art and Kennedy's photography to explore themes of the fantastical and the mundane, cultural heritage, memory and environment. Each work represents one person's dreamscape, with the artists interviewing western Sydney locals about their dreams. An excerpt from each interview accompanies the work, too, such as "I dreamt one night I was an educated man", "I was flying on an umbrella" and "When I was in the detention centre, I dreamt suddenly I was in Golshahr". [caption id="attachment_771808" align="alignnone" width="1920"] 'Effort' by Jomakhan Jafari and Danny Kennedy[/caption] A Familiar Place I've Never Seen is running from Monday, June 1 till August 23 and is free to enter. Casula Powerhouse Arts Centre is open from 9am–5pm Monday–Friday and from 9am–4pm on Saturdays and Sundays. Top image: 'Golshahr' by Jomakhan Jafari and Danny Kennedy
The dockless bike sharing phenomenon hasn't exactly proved a roaring success here in Australia, with rogue bikes clogging up footpaths, or winding up broken and abandoned in dangerous locations, and oBike withdrawing from Melbourne entirely. And still, yet another company is keen to give the concept a whirl locally — this time, featuring electric scooters. Aussie start-up Scootie has announced it'll launch a trial program of its ride share service in November this year, giving locals in Melbourne, Brisbane, Sydney and Perth the chance to be the first to road-test its fleet of electric scooters. Punters keen to get involved are invited to sign up now to Scootie's mailing list. Riffing on the scooter systems that have been going gang-busters over in the USA, the local company is still nailing down its technology, with plans to launch the pilot program in St Kilda, before rolling out across CBD areas. At this stage, riders will simply locate a scooter, scan and pay via the Scootie smartphone app, before jetting off on their two-wheeled adventure. According to Scootie spokesman Troy Taylor, details about specific scooter deposit zones and charging stations are yet to be confirmed, though there will be a bond taken to help deter people from damaging or abandoning the scooters. Trip costs are also in the process of being finalised, with Taylor suggesting they'll start at around 20-40 cents per minute. So, for example, a 40-minute journey would cost between $8 and $16. Scootie's trial program is slated to launch in November and run for several weeks. You can sign up to be a part of it here.
Hong Kong's T'ang Court restaurant has earned itself an impressive reputation, becoming a must-eat mainstay in the city's culinary scene, and also boasting three Michelin stars for seven consecutive years since 2016. For Australians keen to give its Cantonese menu a try, there's now another option — and it's easier than hopping on an international flight. Adding to T'ang Court's outposts overseas, The Langham hotel chain has opened an Aussie venue in its luxe new Gold Coast site. The Langham Gold Coast hotel itself launched back in June, after first revealing that it was in the works in May — and T'ang Court making the jump to southeast Queensland was announced then as well. But the restaurant was always set to launch later, in spring. It clearly took that opening date seriously, welcoming in patrons from Thursday, September 1. The fine-dining chain's name comes from the Tang Dynasty, with the restaurant taking a luxe approach to both its surroundings and its culinary spread. The decor pairs bold pops of colour with neutrals, including bespoke abstract art pieces by Australian Chinese artist Lindi Li. As for the food range, it spans perennial favourites and seasonal delicacies, including across both a la carte dishes and three set menus. A big drawcard at T'ang Court's first Australian location: a three-part tribute to Cantonese duck, which features duck pancakes with hoi sin sauce, duck buns with lychee and raspberry sauce (and caviar), and sliced duck breast and leg paired with with plum sauce. Or, the menu also includes sauteed pearl meat with ginger, shallots and Asian greens, plus spicy black tiger prawns with roasted garlic. "Our first Australian T'ang Court restaurant marks a significant leap forward for the local dining landscape. Authentic, traditional Cantonese fine dining is comparatively rare in Australia, so we're thrilled to bring this unique experience to life for locals and travellers, from other states and even internationally," said Howard Lam, Director of Chinese Cuisine for Langham Hospitality Group. "Diners at T'ang Court on the Gold Coast will be able to indulge in the same golden age Cantonese flavours that have earned T'ang Court at The Langham Hong Kong three Michelin stars and seen its many other award-winning sister restaurants across the world become highly-sought-after dining destinations." Located indoors on level three at The Langham, and seating 80, T'ang Court is serving lunch from 12–3pm and dinner from 5.30–11pm five days a week — operating from Wednesday–Sunday. If you're a keen to book in a visit from out of town, then stay the night afterwards, The Langham also boasts 339 rooms and suites, direct beachfront access, a pool bar you can swim up to while still staring at that ocean view, a number of other eateries and a wellness centre. Find T'ang Court at The Langham Gold Coast on level three, 38 Old Burleigh Road, Surfers Paradise — serving lunch from 12–3pm and dinner from 5.30–11pm from Wednesday–Sunday.
When you think Tennessee Williams, you usually think steamy southern towns and tragically romantic, sweeping plantations upon whose porches wasted women have their nervous breakdowns. What you don't automatically think of are rainbow streamers. But Simon Stone's production of Cat on a Hot Tin Roof at Belvoir is a reinvented sort, and its set — a revolving turntable bisected by a dense curtain of the party-supply staple — wants to remind us that we're here under the pretence of celebration. It's the 50th birthday of family patriarch Big Daddy (Marshall Napier). He's also dying of cancer and everyone knows it but him and his overprotective, loving, stickybeaky wife, Big Mama (Lynette Curran). The inheritance of their grand plantation is, therefore, a matter on everyone else's minds. Maggie (Jacqueline McKenzie) believes it's the right of her husband, Big Daddy's favourite son, Brick (Ewen Leslie), and that it will put their faltering relationship back on track. Ageing football hero Brick is in the depths of alcoholism, self-flagellation and denial of his sexuality and cannot want for a thing like land ownership. Brick's rather square brother Gooper (Alan Dukes) thinks it would be best left to him, and his wife, Mae (Rebecca Massey), keeps exploiting their brood of six children to win the favour of their grandparents. Sadly it's Maggie who's most affected by the kids' parading, as what she really wants is a child, something she has no chance of getting as long as her husband despises her. This Cat on a Hot Tin Roof is part of a raft of productions that take classic texts and transport them to the unspecific contemporary, a place where accents are Australian but other textual references to place remain foreign. It's a legitimate approach, especially given how often audiences recoil from off accents. The aim is to find and communicate the heart of the play, and it's worked most successfully in The Wild Duck and Strange Interlude (both Stone's work). Cat on a Hot Tin Roof is a (literally and metaphorically) colourful production with swags of charm, but unfortunately, it doesn't quite present us with the raw, beating heart it was searching for. There seem to be pieces missing in conceptualising how (or whether) this story fits into a modern world. As it is, it's hard to understand the root of some of the characters' anger and repression. The actors, too, are a bit discordant. McKenzie might just be too adorable for the role of Maggie, coming across quite flatly sweet, flighty and garrulous — more bird than titular cat. The usually fabulous Leslie is good, but his Brick just seems morose, without that seething edge to make you think his depression matters to the outcome of things. Napier stepped into his key role at the last moment to replace an ill Anthony Phelan and had to keep his script on hand at opening, but a few nights on, when we finally made it along, his Big Daddy is commanding. Sandalled and Hawaiian-shirted, vociferous yet nuanced, he almost has a Hunter S. Thompson vibe, which is, of course, immensely watchable. As for that streamer-curtained set, it might have been better in theory than practice. While it creates a multifaceted entrance for the actors, it's also wafty and tangly and all up a distraction. This might sound like a litany of errors, but nevertheless Cat on a Hat Tin Roof is an entertaining and clever production. The story's beautiful tragedy is in the longing and lack of fulfilment evinced in Brick and Maggie, and it cuts through — just not to the depths it was aiming for. Cat on a Hot Tin Roof moves to the Theatre Royal from April 10-21.
Time Exposures: 60 Life Portraits, on show in the exhibition space on level two of Sydney University’s Fisher library, is an absolute delight. The exhibition consists of sixty ‘portraits’ of people admired by artist Sharon Zwi. Each work is a composite portrait is made up of twenty-five black and white photos taken throughout the subject’s life, presented chronologically. Not everyone featured in the exhibition is a high-profile Australian, but many are. There are feminists, judges, teachers, scientists, writers, filmmakers, politicians, and many others. Eva Cox, Margaret Whitlam, Shanti Raman, Michael Kirby, John Coetzee, and David Stratton fill out the long list of subjects. "Photographs address my interest in memory, place, identity and history. Each photo was taken in a time and place of different historical events," explains Zwi. "I also find it fascinating to see the changes as people grow up, mature and age; at what stage you see the 'essence' of the person, when their personalities are formed and their faces take on their identity." There is something deeply intimate about these works. It feels like you’re looking through a stranger’s private photo albums (which, essentially, you are). Some of the images have been shot professionally, but many are amateur snaps taken over the course of a lifetime. It’s a lovely reminder that life is peppered with so many happy, important occasions worth celebrating and recording. There are pictures of beaming newlyweds, photos thrilled fathers have taken of their wives holding newborn babies, pictures of graduations, confirmations, school pictures, snapshots of cherished dogs, photos with friends and family, holiday happy snaps, photos of people welcoming new pets into the family and photos of young children excited as they hold their new sibling for the first time. It’s terrifically moving. I only wish that these wonderful works could have been presented in the University Art Gallery. Who knows why they weren’t. I guess there is something nice about being able to stop and look at some gorgeous art while dropping off your library books, but where they’re displayed feels less like an ‘exhibition space’ and more like ‘an available wall’. This is one of the more poignant exhibitions I’ve seen in a long while. Make sure you take a trip (downstairs) to level two next time you drop into Fisher.
The Australia Day debate has again erupted, with a Melbourne council voting to drop all references to Australia Day and to ditch its annual citizenship ceremony in favour of a culturally sensitive event that acknowledges the loss of Indigenous culture. Yarra Council made the call at last night's town hall meeting after ongoing discussions with local Indigenous representatives. "The overwhelming sentiment from our Aboriginal community is that January 26 is a date of sadness, trauma and distress. They have told us that this is not a day of celebration, but a day of mourning," said Yarra Mayor, Cr Amanda Stone in a statement. The council had also commissioned a survey of nearly 300 non-Indigenous people in Yarra, which showed that 78.6 percent of respondents supported the concept of a January 26 event to acknowledge Aboriginal experiences. "In the last 12 months there has been a groundswell of community support for change from both Aboriginal and non-Aboriginal people across the country. The community is looking for leadership on this issue," said Cr Stone. "People can still have their barbecues and parties on the January 26 public holiday, but I hope our stance encourages people to stop and think about what this date really means in the history of our nation. "A celebration of national identity should be inclusive of all Australians. 26 January is not an appropriate date because it marks the beginning of British colonisation and the loss of culture, language and land for Australia's First Peoples." However, Prime Minister Malcolm Turnbull has voiced his disapproval, criticising Yarra Council. "An attack on Australia Day is a repudiation of the values the day celebrates: freedom, a fair go, mateship and diversity," the PM said in a statement, reported by the ABC. "I recognise Australia Day, and its history, is complex for many Indigenous Australians but the overwhelming majority of Australians believe the 26th of January is the day and should remain our national day." The council vote has seen a swag of recommendations approved, including adopting a communications plan to better educate people on the Indigenous experience surrounding January 26, and referring to the day as January 26 until there's a nationally adopted term to use in its place. Yarra Council's also moved to use their publications and social media channels to officially support the #changethedate campaign, and will explore ways to lobby the Federal Government on the issue. The controversial decision follows on from Fremantle Council's move to hold its official 2017 Australia Day celebrations two days later than normal, on January 28, though it looks as though these changes by the Yarra Council will be the most extensive we've seen yet. Image: City of Yarra.
The famed Sydney Opera House sails are set for a refresh, as Badu Gili's nightly sound and light show introduces its next series of artworks. Badu Gili, which translates to 'water light' in the language of the site's traditional owners, the Gadigal people, is a celebration of Indigenous Australian and Torres Strait Islander artists. It was first launched last June, projecting a vibrant seven-minute animation onto the iconic sails each night when the sun goes down and again at 7pm. Basically, it's like what the Opera House does for Vivid, but very single night. It has been experienced in real life by more than 160,000 people, and online by a further 620,000. Now, the Sydney Opera House has announced the six new artists whose work will grace the sails for the next edition of Badu Gili. From July 24, the installation will light up with large-scale designs from acclaimed artist and community leader Djambawa Marawili AM, ceramicist Penny Evans, watercolour painter Mervyn Rubuntja, Telstra NATSIAA awards finalist Mabel Juli, painter and traditional healer Patricia Ansell Dodds, and up-and-coming printmaker Aiona Tala Gaidan. The visual story is backed by an original soundscape by Wicked Beat Sound System's Damian Robinson. You can catch Badu Gili's striking display every night at sunset, and again at 7pm (9pm during daylight saving time). It's best enjoyed from the top of the Opera House's Monumental Steps.
In 2022, beloved social enterprise Two Good Co opened a cafe and convenience store in Darlinghurst's Yirranma Place. The venue provides Sydneysiders with tasty breakfast and lunch options, as well as products from local ethically minded businesses such as The Bread & Butter Project, Kua Coffee and Gelato Messina — all while raising funds to help Two Good's goal of supporting vulnerable women by providing pathways out of crisis living. Each month at the cafe, the crew brings in a well-known and well-loved chef or culinary team to create special one-off menu items. Kylie Kwong, Maggie Beer, Peter Gilmore and Matt Moran have all been on curating duties in the past, and the month of September 2023 sees the pleasure fall on food writer, restaurateur and Creative Director of the Carriageworks Farmers Markets Mike McEnearney. McEnearney is known for his ever-popular cookbooks Real Food and Kitchen by Mike. A purveyor of all things fresh, sustainable and down-to-earth, McEnearney brings a low-effort and high-flavour approach to Two Good Co's monthly menu. Available throughout September, the menu features two no-fuss lunch items and a little sweet treat. Item number one is the mushroom, lentil ragu and cheese toastie, which boasts a rich, herb-forward sauce and melted cheese sandwiched between two slices of thick white toast. Also available: a hearty Middle-Eastern inspired lentil soup coating tenderly spiced meat, topped with a dash of coriander and paired with a toasted slice of dipping bread to sop up the remains of aromatic soup. Rounding out the offerings is a little lunchtime dessert in a bite-sized form — light and crisp round jammie dodgers with a fruity marmalade and creamy hazelnut centre, topped with a generous sprinkle of icing sugar. If you want to sample the menu, just head over to 262 Liverpool Street at some point this month.
More and more Australians are reassessing their drinking choices, and choosing to ditch or simply limit the booze. In response, clever bartenders, winemakers and beer brands across the globe have been busy dreaming up new and creative alcohol-free beverages to make that no-booze night out a satisfying option. And, there's now one Melbourne haunt that'll leave teetotallers more spoilt for choice than ever before — with the Brunswick Aces Bar, the city's first dedicated non-alcoholic cocktail lounge, now open. From Saturday, May 1, local distillery and booze-free gin producer Brunswick Aces is welcoming patrons into its much-anticipated Brunswick East watering hole, which also marks the first of its kind in the country. The 150-person Weston Street space is not only a temptation-free drinking destination for the teetotaller or sober curious, but also just a neat spot to hang and imbibe when alcohol's simply not on your night's agenda. The bar's rocking a look best described as industrial baroque, with lots of plush furniture covered with velvety textiles, walls filled with gilded frames and moody floral arrangements trailing from the ceiling. While Brunswick Aces does make regular gin, it's perhaps best known for its range of sapiir — a non-alcoholic distilled drink crafted on botanicals. The brand uses aromatic ingredients like lemon myrtle, pepperberry, wattleseed and that all-important juniper to create a concoction that's akin to a gin, sans booze. And in this new bar, you've got a front-row seat to the sapiir distilling operations, while you sip the spoils just metres from where they're made. The menu might be short on alcohol, but it's sure not wanting for choice. In fact, there's more than 100 booze-free options available. You can expect to find an ever-evolving range of crafty cocktails, led by boozeless takes on the classics such as a negroni and an espresso martini. There's be a focus on local ingredients, too, with appearances from some premium international labels and regular product features. And, alongside the cocktails sits an impressive lineup of non-alcoholic beers and wines sourced from all over the world, as well as mixed drinks made on booze-free spirits and sapiirs. While you're there, you can browse and buy some hangover-free tipples in the country's first physical non-alcoholic bottle shop. This retail section will be slinging local brands including Heaps Normal, Ovant and Songbird Wine, as well as international offerings like the Netherlands' Vandestreek Playground IPA. [caption id="attachment_801275" align="alignnone" width="1920"] Brunswick Aces' signature sapiir.[/caption] If you're hanging for the real deal, that's okay, too. In the spirit of inclusivity — and celebrating Brunswick Aces' other pursuits — the bar will be serving a single alcoholic option: a gin and tonic, made on the brand's own Spades and Hearts gin blends. Find The Brunswick Aces Bar at 124 Weston Street, Brunswick East, from Saturday, May 1. It's open Thursday–Saturday 3–11pm, with the bottle shop open Monday–Saturday 11am–5pm. Top images: Griffin Simm
First, Black Mirror's Twitter account broke a four-year silence back in April. Next, Charlie Brooker's dystopian sci-fi hit dropped a sneak peek at its next batch of technological nightmares — aka the first trailer for the show's long-awaited sixth season — and confirmed that the show would return sometime in June. Now, the Netflix series has unveiled more details about what's in store, including which new technological nightmares it'll be spinning. It might be a streaming smash, but that doesn't mean that satirising streaming is off the agenda. Indeed, one of season six's five episodes, Joan Is Awful, will focus on an average woman who discovers that a global streaming platform has adapted her life into a prestige TV drama. Playing her on-screen? Salma Hayek Pinault (Magic Mike's Last Dance). This instalment will be packed with familiar faces, too, including Annie Murphy (Kevin Can F**k Himself), Michael Cera (Life & Beth), Himesh Patel (Station Eleven), Rob Delaney (The Power) and Ben Barnes (Guillermo del Toro's Cabinet of Curiosities). Also on its way: Netflix seeing the darker side of nature documentaries — which, like biographical dramas, it's mighty fond of making itself. In upcoming Black Mirror instalment Loch Henry, a sleepy Scottish town welcomes in a young couple, who are keen to follow in David Attenborough's footsteps. Then they learn of a shocking local story, in an episode with Samuel Blenkin (The Witcher: Blood Origin), Myha'la Herrold (Bodies Bodies Bodies), Daniel Portman (Game of Thrones), John Hannah (The Last of Us) and Monica Dolan (Empire of Light) in its cast. Viewers looking forward to Aaron Paul's (Westworld) return to Black Mirror after first being involved in 2017 will been keen on Beyond the Sea, where it's an alternative 1969, two men are on a high-tech mission and dealing with a tragedy's big consequences, and Josh Hartnett (Operation Fortune: Ruse de Guerre), Kate Mara (Call Jane), Auden Thornton (This Is Us) and Rory Culkin (Swarm) co-star. In Mazey Day, the paparazzi hounds a troubled starlet who is coping with the aftermath of a hit-and-run, with Zazie Beetz (Atlanta), Clara Rugaard (I Am Mother) and Danny Ramirez (Stars at Noon) featuring. And in Demon 79, it's 1979 and a sales assistant in Northern England is informed that she has to commit terrible acts or a disaster will occur — with Anjana Vasan (Killing Eve), Paapa Essiedu (Men), Katherine Rose Morley (The Syndicate) and David Shields (Benediction) starring. Brooker has penned all five new chapters, co-writing Demon 79 with Bisha K Ali (Ms Marvel). This season is being teased as "the most unpredictable, unclassifiable and unexpected season yet", which is saying something given everything that Black Mirror has thrown at the screen in past seasons (and in choose-your-own-adventure-style movie Black Mirror: Bandersnatch). And yes, Brooker does have quite the challenge this time around: making something that manages to be even more dispiriting than reality over the past few years. That's increasingly been one of the show's dilemmas — and noting that something IRL feels just like Black Mirror has become one of the cliches of our times — but this'll be the mind-bending effort's first round of episodes following the pandemic. Check out the first trailer and latest teaser for Black Mirror's sixth season below: Black Mirror season six will stream via Netflix some time in June. We'll update you when an exact release date is announced. Images: Nick Wall/Daniel Escale, Netflix.
Combining camping in comfort with drinking in a vineyard, winery glamping is the trend that absolutely no one will ever complain about. It's been popping up all over the country, from Bendigo in regional Victoria, to Mount Cotton just outside of Brisbane, to a luxury pod-based version in South Australia's McLaren Vale — and now the Mornington Peninsula is getting in on the action. Meet Mornington Peninsula Glamping, which is now up and running at Blue Range Estate Wines in Rosebud. At a site overlooking not only the vineyard, but with views out over Port Phillip Bay, it features a number of luxe five-by-five-metre tents. There's three onsite at the time of writing; however there'll be ten by mid-October. Available for $265 per night, each tent is decked out with a queen-sized bed with 1000-thread-count sheets, two armchairs and a coffee table, plus solar power to keep your devices juiced. Visitors also have access to a shared cooking and eating area with two barbecues, hot water, and a choice of boutique tea or coffee, plus a luxury bathrooms in a shipping container. Mornington Peninsula Glamping is the brainchild of Christian Melone, whose family own and run vineyard, with his grandparents establishing the site back in the 80s. If you glamp over Thursday to Sunday, you can also mosey up to the winery's restaurant for a meal, tucking into the likes of tagliatelle with bay scallops and prawns, slow-roasted lamb shoulder with truffled mashed potatoes and ocean trout fillet with blood orange butter. Find Mornington Peninsula Glamping at Blue Range Estate Wines, 155 Gardens Road, Rosebud, Victoria.
The Sydney Fringe Festival will be transforming its own headquarters as part of the 2014 program, turning it into a three-level bar, theatre, info point and communal crafternoon gathering space. 'The Campground' at 5 Eliza Street, Newtown will serve as one of the hubs for a full month of comedy, cabaret, circus, theatre, music, art and out-of-the-ordinary events. The other hub? Well, for that you'll have to go exploring. "[Last year's hub] Emerald City was great but this year we moved to a new creative vision for the festival that we feel suits the geography and energy of Sydney better," festival director Kerri Glasscock tells us. "Instead of creating the traditional static festival garden [or] hub we wanted to create a roaming hub that moved throughout the festival, highlighting a number of different precincts and encouraging festival-goers to explore more of the city and keep it fresh." To that end, laneway hubs will take over a different part of town each weekend. We're particularly looking forward to seeing Darlinghurst's Foley Lane come over all Montemartre, with jazz and swing music, street performers and crepes, but Newtown's King Street and Sydenham's Faversham Street are also scheduled to throw multi-day bashes. Back at the more stationary Campground, each of the three levels has been given a mission and a name — 'the Tent', 'the Campfire' and 'the Annex'. Downstairs in the Tent is where to hide away to drink, view the exhibition on the walls and gather Fringe-related information, while upstairs at the Campfire is the place to tell stories, with artist talks, performances and sketching and snow globe-making workshops the order of the day. On the top floor is the Emerging Artist Annex, a 60-seat pop-up theatre for some of the festival's newcomers. "We wanted a space where the general public could come and experience art making, no matter what your skill level, be it hobby or master," says Glasscock. "So we have created mini spaces within the Campground where you can come and draw, knit or participate in a crafternoon." The four weeks of the program revolve around loose themes — Inner City in week one; Community, Ideas and Laughs in week two; family in week three; and something juicily titled 'The Final Frontier' in week four. "We wanted to engage as many practising local artists as possible and encourage as many partnerships and collaborations as possible," says Glasscock. "The festival offers a unique opportunity to try out an idea that has been brewing or work with a fellow artist you have wanted to collaborate with." Unlike some of the big fringe festivals of the world, the Sydney Fringe has always been open to anyone who wants to put on a work, which has sometimes resulted in a mixed bag of experiences for people. But Glasscock thinks they may have a solution to that, while still keeping the festival's open-access ethos. "We like to say that we don't curate the art but we curate where it goes," she says. "This is a new approach to the festival this year and has so far worked really well. It means that care has been taken to place the right content in the right venue so hopefully it is a better experience for the artists, the venues and the punters." Venues this year range from the perennial Factory Theatre to Freda's, Giant Dwarf, the Glebe Justice Centre, Rookwood Cemetery, the Record Crate and Venue 505. Opening the festival is the Ignite Launch Party on August 31, curated by Potbelleez Ilan Kidron and winding its way down Crown Street. The Fringe continues until September 30, and its full program is now available on the festival website.
Before Stranger Things returns for its fifth and final season sometime in 2025, Finn Wolfhard has some slasher things to deal with. Movie lovers in Sydney can see how that pans out at Fantastic Film Festival Australia's 2025 run. With Hell of a Summer, the actor also turns co-director and co-writer with his Ghostbusters: Afterlife, When You Finish Saving the World and Saturday Night co-star Billy Bryk, with the pair giving the summer-camp masked-killer horror subgenre their own spin. Helping out on-screen: Gladiator II and The White Lotus' Fred Hechinger, plus Reservation Dogs' D'Pharaoh Woon-A-Tai. That's how Fantastic Film Festival Australia is opening this year, with a meta horror-comedy. From there, this celebration of boundary-pushing pictures has 26 more features on its lineup, 16 of the rest brand-new and then ten others must-see classics. Sydneysiders can get their fix from Thursday, April 24–Friday, May 16 at Ritz Cinemas, Randwick. If you haven't been to FFFA before, the event is marking its fifth iteration in 2025 — and one of its hallmarks, the nude screening, is back for the occasion. Get ready to say "yeah, baby" to watching a movie sans clothes, with Austin Powers: International Man of Mystery this year's flick to watch while wearing nix (following on from past sessions of nudist camp-set comedy Patrick, The Full Monty, Zoolander and The Naked Gun). Another highlight of 2025's program: the retrospective dedicated to Scottish writer/director Lynne Ramsay. Her filmography might only span four features since 1999, all of which are showing at FFFA, but it's a resume that any fellow helmer should envy. For audiences, getting the chance to see Ratcatcher, Morvern Callar, We Need to Talk About Kevin and You Were Never Really Here on the big screen — whether for the first time or as a revisit — is a cinephile's dream. Among the fest's new fare, The Second Act hits the lineup after opening the 2024 Cannes Film Festival, with Rubber and Deerskin's Quentin Dupieux enlisting Léa Seydoux (Dune: Part Two), Louis Garrel (Saint-Exupéry) and Vincent Lindon (The Quiet Son) for his latest absurdist satire. Or, catch Tár's Noémie Merlant in The Balconettes, which she co-wrote with her Portrait of a Lady on Fire director Céline Sciamma; see what happens when The Wild Boys and After Blue's Bertrand Mandico combines two film essays in one split-screen presentation in Dragon Dilatation; and head back to 1999 while journeying into teen antics 3000 light years away in Escape From the 21st Century. Viewers can get a dose of eerie puppetry via Monkey's Magic Merry Go Round, too, then watch Crispin Glover (Guillermo del Toro's Cabinet of Curiosities) as a magician in Mr. K and undergo a unique animated musical-comedy experience with Spermageddon. Back with FFFA's 2025 blasts from the past, John Woo's (The Killer) gun-fu great Hard Boiled is the festival's closing-night pick, including screening in 35mm in Sydney. If you're keen on a movie marathon, Umbrella-Palooza will get you watching three films about technological nightmares, all courtesy of Australian distributor Umbrella Entertainment — starting with 2002's Cypher, then heading back to 1990's vision of cyberpunk in Hardware, before the OG Japanese Pulse unleashes its presence. Supporting homegrown efforts, the fest has 1977 psychological thriller Summerfield among its retro component, alongside four newcomers: the Super 8-shot A Grand Mockery; the Pedro Almodóvar (The Room Next Door)-inspired Salt Along the Tongue; Pure Scum, which is set amid Melbourne's private-school culture; and Sword of Silence, as shot completely under a full moon. Aussie talents are also in focus in the Sydney Shorts screening.
It is hard to know what to expect from stores with acronym monikers. In the case of The DEA store, the title represents both a yardstick by which items are chosen for sale and what a customer should expect to find: products that will please the 'delicate eye area'. The store takes a minimalist approach — a wash of white, grey and timber — placing the focus on the pieces on display. The range features carefully curated homewares and jewellery from global and local artisans. There's favouritism towards Japanese designs in the ceramics, tableware and glassware. Local artists such as It's A Public Holiday and Sharon Muir are also stocked plus a range of ceramics designed by Australian ceramicist Peter Anderson exclusively for the store. The DEA store achieves the ideal balance between whimsical, stylish and functional that will please your eyes and your home. Images: Trent van der Jagt.
Two new exhibitions will be opening at Alaska Projects on April 29. The first features the work of Alair Pambegan. Originally from Aurukun in far north Queensland, Pambegan works out of a studio in Sydney, using ochre and charcoal to create compelling works that reflect the landscape of his home. The second is a collection of photographs from Samuel Hodge, Buzzkill. Drawing from 15 years of practice, Hodge has put together works from his archive that are arranged not according to chronology but according to their potential inspiration for future projects, and for their representation of innovative approaches to image production. During the past few years, Hodge has been a regular contributor to Butt magazine and, in 2009, published his book Pretty Telling I Suppose, which was distributed internationally. Opening night will be held at Alaska Projects on April 29 between 6 and 8pm. The exhibitions will run till May 10.
When the Australian Government announced last week that pubs, bars and nightclubs would be closing the following day to help contain COVID-19, it led to the mass-buying of booze across the country. Bottle shops are not impacted by the closures, but it didn't stop Aussies stocking up just in case. Booze is just the latest item to be targeted by panic-buying, with toilet paper going first, then essential food items. Supermarkets across the country have since introduced strict two-pack-per-person limits on coveted items, such as eggs, sugar, white milk, frozen desserts and canned tomatoes, and now bottle shops are following suit. Australia's major bottle shops have today, Tuesday, March 31, introduced new temporary restrictions on alcohol. "In partnership with all major Australian alcohol retailers...we have applied moderate restrictions on the amount of produce customer can purchase," a statement on the BWS website reads. "Don't worry, supply isn't drying up, these changes have been made to ensure this is enough for everyone to responsibly enjoy their drink at the end of the day." Thankfully, the limits aren't quite as strict as those on food. In NSW, Vic, ACT, Qld, NT, SA and Tas, there are per person, per transaction limits on six categories, with customers able to buy from up to two different categories at a time: 12 bottles of wine two casks of wine (up to ten litres) two bottles of spirits (up to two litres) two cases of beer two cases of pre-mixed spirits/RTDs two cases of cider [caption id="attachment_766137" align="alignnone" width="1920"] Stephen Dann via Flickr[/caption] The above restrictions have been enforced at major stores around the country, both in-store and online, including Woolworths Group's BWS and Dan Murphy's; Aldi; and Coles's Liquorland, First Choice Liquor and Vintage Cellars. The new limits follow and supersede the restrictions introduced by the Woolworths Group last week. In WA, the purchase limits are stricter, to adhere to state regulations, with customers able to buy a maximum of two from the following categories: 11.25 litres of beer, cider or pre-mixed spirits; 2.25 litres of wine; one litre of spirits; and one litre of fortified wine. All the alcohol retailers are also encouraging social distancing, have introduced maximum capacities at their stores, and are offering pick-up, with some offering delivery. The temporary alcohol limits are now in place at stores across Australia. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
The winner of this year's Cannes Film Fest Palm d'Or is an exercise in movie-going endurance. Written and directed by celebrated Turkish filmmaker Nuri Bilge Ceylan, Winter Sleep clocks in at a gruelling 196 minutes long, a figure that makes the most recent Hobbit flick look positively breezy by comparison. Frankly, only the most committed of arthouse nerds should even attempt Ceylan's latest — and even they may find themselves struggling with the picture's slow-as-molasses pace. Indeed, despite his film's epic run time, Ceylan appears committed to keeping actual dramatic incident to a minimum. Concerned, at its core, with the erosion of the marriage between a conceited old hotel owner (Haluk Bilgine) and his miserable young wife (Melisa Sozen), Winter Sleep at times feels more like a stage play than a movie. Characters argue at inordinate lengths about marriage, money, philanthropy, class and the nature of good and evil. Then they argue some more. The topics that Ceylan sets out to explore are certainly intriguing. In its best moments, Winter Sleep calls to mind the likes of A Separation and Two Days, One Night — films in which the dialogue cuts not just to the hearts of the characters, but to the issues facing the society in which those characters live. At other points, however, Ceylan's writing becomes strained, laying out his themes in painfully literal language, as if we can't be trusted to understand them on our own. On a more unequivocally positive note, Gokhan Tiryaki's cinematography is genuinely stunning. Under the harsh, grey-white light of foreboding winter skies, the Anatolian landscape seems almost otherworldly. Equally beautiful are several night-time interior scenes, the flickering glow from the fireplace casting shadows across the walls. Even so, it's difficult to get past that ridiculous three-hour run time, which drags behind the film like a ball and chain. Ironically, most of the truly compelling content can be found in the movie's second half. The problem is that, by the time you get there, there's a good chance that your brain will have already checked out. https://youtube.com/watch?v=P1nQbYtTPQg
