Future Archaeology, opening just shy of November, is an exciting showcase of work from early and mid-career artists. Future Archaeology pinpoints moments of disruption, taking the somewhat antiquated discipline of archaeology and transforming it into a complex picture of social and political movements throughout Asia and the Middle East. The big themes driving this show are migration, cultural displacement and appropriation. Future Archaeology will present work from Léuli Eshraghi, Nathan Beard, Deanna Hitti, Abdullah M.I. Syed, Andy Mullen, and Claudia Nicholson. Each artist will grapple with a unique sociopolitical phenomenon, whether it is the widespread impact of deforestation in Central America of the fraught concept of masculinity in Pakistan. One of the aims of the exhibition is to rouse cross-cultural and transnational conversation. Image: Claudia Nicholson, Baby I Would Climb the Andes (2014).
Spring. As the weather shifts from gloom to nudge at some summer heat, the MCA begins to get stuck into the theme of fertility and renewal. Primavera — 'spring' — is its annual exhibition of new art by up and coming under-35s. The now venerable museum is in the midst of its own rejuvenation as it renovates and adds to its exterior, moving entrances and shuddering the frame of its art deco building. So, this year's Primavera show has escaped the confines of gallery walls, halls and plinths — being loosed instead on the alternative art space of the Rocks' narrow squares and forgotten alleyways. While other public art shows are usually hard to find but difficult to ignore, most of Primavera's installations are hidden in plain sight. Eric Bridgeman's art is plastered on posters around the MCA and Argyle Bond Stores competing with fantastically vivacious drawings by Tom O'Hern, full of junk, native animals and spaghetti-like hair. The gallery-like space of the roomy Cleland Bond houses the show's collection of wall-hung art, including Rebecca Baumann's TV-shaped Automated Monochrome, which turns over blues, purples and greens with satisfying clicks. Tessa Zettel & Karl Khoe have been busy installing wooden bird-houses on top of telephone boxes, perching climbing animals at the back of Cleland Bond and forming their own secret society intermittently during the festival in the form of the Delirious Bakery's low teas at the Red Room Company's underground den. And on the hour, Parachutes for Ladies promises to re-choreograph the lives of the Museum's regular staff. *You can grab a program with a map from outside the MCA's George Street entrance, or send your phone to the website for a similar digital experience. Images by the Brown Council and Tom O'Hern
The world said goodbye to Amy Winehouse in 2011, but that doesn't mean that the British singer isn't still taking to the stage. The 'Back to Black' and 'Rehab' songstress is the latest celebrity to get the hologram treatment, with a new technologically enhanced performance set to hit the road in 2019 — featuring the late talent crooning her hits accompanied by a live band and on-stage singers. Attendees can expect between 75–110 minutes of Winehouse's music, all thanks to the folks at Base Hologram, who are behind similar shows involving Roy Orbison and Maria Callas. Bringing back dearly departed music icons seems to be their new niche, in a trend that just keeps gathering steam since the Tupac hologram back at Coachella in 2012. Base Hologram states that the Winehouse show will utilise "new state-of-the-art proprietary technology" and feature "digitally remastered arrangements of her classics" as well as "theatrical stagecraft". Exactly where the production will be headed has yet to be revealed, although it's expected to launch towards the end of 2019. The Guardian also reports that the the tour will raise money and awareness for the Amy Winehouse Foundation. Via The Guardian. Image: Rama via Wikimedia Commons.
Everyone knows that, in 2016, the lowest thing you can do is spoil Game of Thrones for a poor soul first-thing Tuesday morning. Usually the spoiling is an honest mistake (and the result of too many feels) — but what if it was actually something more sinister? Well, someone's created a service that is just that. Inspired by this story of a woman who sought revenge on her ex-boyfriend by sending him GoT spoilers, Spoiled will text your unsuspecting friends all the main plot points after each new episode airs. Because people are jerks. All this amazing but truly horrifying new service needs to get spoilin' is the mobile number of the friend you want to never speak to you again and your credit card number. Then, straight after the episode airs, your mate will be sent spoilers — images included. Each spoiler sent will cost you a mere $0.99 USD, and can be sent to any mobile number around the world. It truly doesn't cost much to ruin someone's day/week/year these days. We definitely do not endorse signing up your friends to this service. That guy who spoiled Breaking Bad for you though? Go right ahead.
In time to come, we may well look back on the 21st century as the 'Age of the Bicycle'. We've run music festivals on pedal power, attempted to crowdfund the world's first flying bicycle, designed fashion for two-wheeling commuters, built cycle super highways and proposed the construction of sky-high bike paths. Nearly every week, it seems, someone, somewhere finds a way to extend the scope, relevance and fun factor of the humble bicycle. Now, a maverick composer by the name of Johnny Random has demonstrated its capacity as a musical instrument. Actually, not just an instrument, but an entire orchestra. He's written and recorded a song titled 'Bespoken' in which every single sound is generated via bicycle parts. As difficult as it is to believe when you hear it, no traditional instruments, synthesisers, samplers or drum machines are used. Instead, the spokes are tuned to various pitches, then plucked, picked and bowed to create melody, with other components employed percussively. "I remember my first time riding a bicycle," Johnny Random says. "It felt like freedom. I associate the sounds of a bike with this feeling. As a composer, I wanted to capture this through music, specifically by using the sounds of bikes and their components ... Through music, I want to change the way that people perceive their surroundings and I hope that this will inspire others to look at every day objects with more curiosity and wonder". Via PSFK.
We all know how boring wet weather is. Now, two women have developed a way to cure that boredom with an umbrella that makes 8-bit sounds when it is hit by rain. Alice Zappe and Julia Läger used 12 sensors, 2 speakers and an Arduino minicontroller to enable their umbrella to create sounds. The intensity of the rain changes the sound, surely making for an interesting compilation in a torrential downpour. Although the umbrella doesn't produce actual songs it could easily be modified to play pre-recorded tunes. It's a bit of fun while you are walking in the rain and will most definitely put some smiles on otherwise glum faces in the rainy street.
Fresh flowers. Just-baked cakes. The air just after a storm. Newly brewed coffee. They're all distinctive scents that not only smell nice, but conjure up warm and fuzzy feelings. And if you find that the odour of cracking open a new computer or gadget from a certain popular brand evokes the same kind of reaction, then you're going to want to order a Mac-scented candle. Replicating the smell of a brand new Mac, the hand-poured candles clearly answer an the age-old question: "what do you get the Apple fan who has everything?". They're made from 100% soy wax, cost US$24, and also conjure notes of mint, peach, basil, lavender, mandarin and sage. We have to say, if that's what you're sniffing out when you open your new laptop, you must have super olfactory capabilities. Sure, it sounds like something out of a Seinfeld episode, were the hit sitcom still airing — or a gag one of the many modern-oriented Twitter parody accounts of the show might come up with; however it really isn't a joke. Mac accessories company Twelve South has added the item to their store, alongside their usual lineup of docks, stands, covers, shelves, bass boosters, plug converters and keyboard extenders (you know, the standard computer, tablet and phone gizmos). One US Mac hosting solution outfit put the candles to the test, and decreed that they do indeed emit the apparently much-sought-after "new Mac smell". There must be a fair number of folks looking to fill their home with that particular scent, because the range has already sold out. Don't worry, Mac sniffers: more will be in stock at the end of the month. Via Fast Company.
Uber drivers may want to start thinking about a change of career. The ridesharing giant, whose relationship with its drivers has been turbulent in recent times, may soon reach the point where it no longer has any need for them at all. After all, why spend millions settling lawsuits when you can get the cars to operate themselves? That seems to be the thinking as the company rolled out its first fleet of self-driving cars in the U.S. today. After beginning testing back in May, the fleet of modified Ford Fusion Hybrids, complete with roof-mounted cameras, radar and Uber branding, took its first official outing streets of Pittsburgh on Wednesday — beating other tech companies to the punch. At the moment Uber is still sending a safety driver along in the driver's seat, so they can intervene if anything goes awry. The idea is that eventually those safety drivers won't be needed anymore — but, safety, y'know? "This pilot is a big step forward," said the company via a statement on their website. "Real-world testing is critical to the success of this technology. And creating a viable alternative to individual car ownership is important to the future of cities." They hope that driverless technology will, eventually, help to lower the number of traffic accidents, cut congestion and free up parking space in our cities. At the moment the self-driving cars are only available to "loyal" Pittsburgh Uber riders — if one of the cars is available when they request an uberX, that's what they'll get. That's all well and good, but will these self driving cars be offering their passengers complimentary mints? Where are we on that technology, exactly? By Tom Clift and Lauren Vadnjal.
Just look at that hair. This large-scale installation — which not-so-subtly resembles the dome of Donald Trump — is the work of Canadian-born visual artist Callum Morton. Titled Monument #32: Helter Shelter 2018, the giant protruding head is now on display along Barangaroo Wharf, and you're welcome to sit inside its cavernous fiery interior, too (if you feel comfortable doing so). Morton's thought-provoking and shelter-providing sculpture is on display along with two other works as part of Carriageworks' annual art fair, Sydney Contemporary. Joining the head is Cameron Robbins' installation Remote Sensor, which combines elements of nature, wind, the tides and light in a series of drawings, photographs and moving images that will take residence along the Barangaroo foreshore. If you visit at the right time, you might also catch Mel O'Callaghan's breath-based performance, Breath repertoire. O'Callaghan and Sydney Dance Company will perform an intense movement-focused performance that uses intersecting graphic lines as a language and musical score for the dancers at 12.30pm on September 6, 7 and 13 at Barangaroo's Exchange Place. All three installations are free to view and will be on display until September 24. Sydney Contemporary will return to Sydney for its fourth year on the weekend of September 13–16. The lineup is overflowing with performances, exhibitions, tours, talks and afterparties that celebrate both homegrown and international art. The installation works at Barangaroo for Sydney Contemporary are now open from August 31 through September 24. Check the website for more information.
Continuing the trend of ingenious bike accessories, the MAMA bike rack allows your two-wheeler to literally stand above the rest. A collaboration between furniture designer Matt Elton and graphic designer Matteo Baldarelli, this neat device has two smooth hooks for you to hang your bike on. The rack also has three holes where locks and cables can be looped through and secured. The powder coated finish means that this rack can be secured to walls both inside and outside. Impressively, the rack's simple and compact design also provides a small shelf above the two hooks. This leaves an ideal platform for you to place your morning flat white. The MAMA bike rack will ensure that your bicycle stands in style, and are available for purchase from designer Matt Elton.
Since 1987, if you've wanted to hit up South by Southwest, then you've needed to visit Austin in Texas. Come October this year, however, that'll no longer be the case. Across eight days, the acclaimed tech, innovation, music, gaming, screen and culture festival and conference will embark on its first-ever non-US event — and more details about its massive four-day music festival have just dropped. Unlike your standard music fest in The Domain or Centennial Park, SXSW will be creating a bustling precinct spanning Ultimo, Darling Harbour, Chippendale and Surry Hills, with over 300 performances popping up across 25 different venues. As with the Austin iteration, the festival is all about discovery and catching the next big thing before they're headlining other festivals, so you'll find a lineup stacked with local and international talent doing interesting, boundary-pushing things. Up until this point, you've only been able to purchase the festival's next-level all-access badges. But now, SXSW has unveiled more financially accessible options with the introduction of the music wristband. These passes start from $280 and grant you access to all 300 performances between Wednesday, October 18–Saturday, October 21. [caption id="attachment_903438" align="alignnone" width="1920"] Alana Dimou[/caption] You'll also be able to pop into the showcases and parties being presented by brands like Laneway Festival, Dr Martens, Vans and Warner Music. And, you'll be able to hit up the country houses that've become synonymous with the Austin festival, including pop-ups from the British Music Embassy and Korean Spotlight. Some of the notable artist inclusions include frantic Japanese punk group Otoboke Beaver; Denzel Curry and JPEGMAFIA collaborator Redveil; First Nations trailblazers Barkaa, Kobie Dee, Jem Cassar-Daley and Dobby; TikTok sensations Ula and Flyana Boss; Indonesian jazz trio Batavia Collective; plus Dylan Atlantis and Friday*, both of who are members of the Western Sydney music collective Full Circle that were spotlighted in the SBS short film We Just Live Here. If you've been to see the new Australian horror movie that's taking the world by storm, aka Talk to Me, you would have caught the vocals of one of SXSW Sydney's artists IJALE opening the film with his song 'Ducks In a Row'. And, you can also catch a heap of beloved stalwarts of the Sydney and Australian live music scene as well, like Andy Golledge Band, These New South Whales, Andrew Gurruwiwi Band, Caitlin Harnett and the Pony Boys, and The Terrys. Expect more artists to be added to the lineup as the fest gets closer. Over in Austin, musicians big and small will often join the program all the way up until the week of the festival. All of these musicians will be popping up across Sydney venues like The Lansdowne, The Lord Gladstone, Hollywood Hotel, The Civic Underground, The Abercrombie, Phoenix Central Park, The Soda Factory, The Chippo Hotel, the Powerhouse Museum, Sneaky Possum, UTS Underground and Tumbalong Park. Plus, SXSW Sydney has partnered with the festival Someday Soon, which will be popping up at the University of Sydney on Saturday, October 21 with a stacked program featuring Peach PRC, What So Not, 1300, Northeast Party House, Royal Otis and Sly Withers. Platinum and music badgeholders will be able to attend the affiliate event as part of the week's festivities. [caption id="attachment_848402" align="alignnone" width="1916"] Barkaa, Luke Currie Richardson[/caption] Basically, you'll get access to a citywide party, at which established and emerging bands will be filling every stage across four different suburbs for four whole days — all for the price of a standard music festival. Of course, SXSW isn't all about the music. There will also be a film festival featuring the world premiere of the documentary Hot Potato: The Story of The Wiggles; a gaming strand with a massive esport competition and indie game showcase; and a conference with talks from Queer Eye star Tan France, the CEO of Coachella, Osher Günsberg and Layne Beachley. Each section of the festival has its own wristband system — with the music, screen and games tickets going on sale this Friday, August 25. You can get a full breakdown of the difference between badges and wristbands at the SXSW Sydney website. [caption id="attachment_889033" align="alignnone" width="1920"] Maria Boyadgis[/caption] SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues, with the SXSW Sydney Music Festival running from Wednesday, October 18–Saturday, October 21. Music wristbands go on sale this Friday, August 25, with early bird prices starting at $280. Top image: Jordan Munns. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
Sean Penn’s one of those guys who definitely has nicknames for his biceps. Best bet: ‘Humanitarian’ / ‘Crisis’. In his latest film, The Gunman, the two biggest guns are to be found either side of his almost unceasingly topless torso. For a man of 54 he’s definitely sporting an impressive rig, but - as a man of 54, that rig is weirdly distracting and afforded unfathomable screen time. The film itself is unfortunately less impressive, a ‘political thriller' that’s neither. Beginning in the Democratic Republic of the Congo, we meet Penn in the role of Jimmy Terrier, a hitman masquerading as a private security contractor for a construction company. When said company has him assassinate the Congolese Mining Minister, Terrier is forced to disappear, leaving behind him not just an imperilled country but also the love of his life, Annie (Italian actress Jasmine Trinca). Fast forward eight years and Annie has shacked up with Terrier’s old boss Felix (Javier Bardem), the company has expanded into a giant multinational and Terrier finds himself on the receiving end of an assassination attempt. If you’ve already had a guess at who’s behind the plot, you’re right. With a setup that offered genuine promise, The Gunman sadly proves predictable to the point of soporific. Directed by Pierre Morel, it combines the ultra violence of his most successful film Taken with a plot about as dull as his woeful follow-up, From Paris with Love. The performances offer little to celebrate, either, with Penn rarely lifting above ‘disinterested’ and Bardem channeling the camp pantomime he displayed in The Counselor. Idris Elba and Ray Winstone both cameo in roles that might actually have provided substance had they been given more than a few minutes each, leaving Trinca as the lone source of enjoyment to be found. She extracts every bit of emotion and performance from a character who had little to work with in terms of script. The Gunman is ultimately an action film without substance: too violent to be taken seriously, but too serious to be any fun.
Suzanne Collins is entering the arena again. She's also stepping back into Panem and The Hunger Games' past, and into the tale of a well-known character from her initial three books in the dystopian franchise. After first going down the prequel route with 2020's The Ballad of Songbirds & Snakes, the author has announced that Sunrise on the Reaping is on its way. The fifth novel in the series will arrive in 2025. This news isn't just about a fresh opportunity to explore all things The Hunger Games on the page, however. It took three years for The Ballad of Songbirds & Snakes to become a movie, but Sunrise on the Reaping will hit the big screen just a year after the book makes its way shelves. So, also mark 2026 in your diary — because the odds of spending more time in The Hunger Games' world are definitely in your favour thanks to the saga's sixth flick. As a novel, Sunrise on the Reaping has a Tuesday, March 18, 2025 release date, including Down Under. As a film, it'll get flickering in picture palaces on Friday, November 20, 2026 in the US — which will likely mean Thursday, November 19, 2026 in Australia and New Zealand. Both versions will tell a tale set around the Second Quarter Quell, presumably pushing Haymitch Abernathy to the fore as he won those games — the 50th, which took place 24 years before Abernathy met Katniss Everdeen in the first The Hunger Games book. Sunrise on the Reaping's narrative will start on the morning of the reaping for the 50th Hunger Games. "With Sunrise on the Reaping, I was inspired by David Hume's idea of implicit submission and, in his words, 'the easiness with which the many are governed by the few'," said Collins in a statement announcing the new novel in the franchise that she started with the initial 2008–10 trilogy. "The story also lent itself to a deeper dive into the use of propaganda and the power of those who control the narrative. The question 'real or not real?' seems more pressing to me every day." In 2012–15 movies The Hunger Games, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay – Part I and The Hunger Games: Mockingjay – Part II, Woody Harrelson (Suncoast) played Haymitch. There's no word yet who'll slip into the character's shoes in his younger years in the Sunrise on the Reaping film, which has been named The Hunger Games: Sunrise on the Reaping. It's also far too early for any other casting details, or news on who'll be directing the flick that's following The Hunger Games: The Ballad of Songbirds & Snakes to the screen. That movie gave Coriolanus Snow an origin story, charting his life before he became President of Panem and kept having encounters with Katniss, when he was an 18-year-old Capitol resident tasked with mentoring District 12's female tribute. Set 64 years prior to the first The Hunger Games, it enlisted Tom Blyth (Billy the Kid) to do his best to become a young Donald Sutherland (Lawmen: Bass Reeves), with Rachel Zegler (Shazam! Fury of the Gods), Peter Dinklage (Unfrosted), Jason Schwartzman (Asteroid City), Viola Davis (Air) and Hunter Schafer (Euphoria) co-starring. There's obviously no trailer yet for trailer for The Hunger Games: Sunrise on the Reaping, but you can check out the trailer for all of the past Hunger Games movies below: Sunrise on the Reaping will hit bookstores on Tuesday, March 18, 2025 and The Hunger Games: Sunrise on the Reaping will reach cinemas on Friday, November 20, 2026 in the US — which will likely mean Thursday, November 19, 2026 Down Under. We'll update you with more details when they're announced. Images: Murray Close.
Now in its 65th year, the annual Tesselaar Tulip Festival features over a million tulips planted across 25 acres of farmland. This huge collection of tulips is the perfect excuse to wander through endless fields of flowers to celebrate the start of spring. There's heaps of stuff happening at the tulip farm throughout the month, which sits on the cusp of the Dandenong Ranges and the Yarra Valley (east of Melbourne). For the food fans, we would highly recommend pencilling the Food, Wine & Jazz Weekend (September 27–29) into your eating plans. Boasting locally brewed beer, wine and a tasty snacks from the area — including warm, buttery fire-baked scones, mini dutch pancakes and loaded baked potatoes among the tulips. If you're still not convinced, entry includes complimentary wine and beer tasting. Similarly, the Dutch Weekend (September 20–22) will showcase the best that the Netherlands have to offer – other than tulips — with music, markets, unique crafts (wooden tulip-making, anyone?) and Dutch food available inside the festival. Or, head by on the Irish Weekend (October 11–13), where Irish pipers and dancing will perform (and plenty of Guinness and Kilkenny-drinking will take place) around the site's floral rainbow The Tesselaar Tulip Festival runs from Saturday, September 14 through to Sunday, October 13. Tickets are available at the farm, but you can buy them online in advance to skip the queue.
Here's some news worth slathering whichever type of food you love in McDonald's coveted Szechuan sauce: in less than a month, Rick and Morty will return for its sixth season. Anything can happen in the animated show's next batch of episodes, because that's the kind of dimension-hopping sci-fi series it is. Don't just take our word for it, though — the just-dropped full trailer for the upcoming season drips with chaos, unsurprisingly, and also paranoia. Well, actually, the sneak peek is set to the sounds of 'Paranoid' by Black Sabbath, but it's also a rather apt theme tune for the show's titular duo. When you're zipping around the galaxy and sliding through time, changing multiple worlds, making a whole lot of enemies and just generally causing interstellar mayhem in the process, being suspicious and mistrustful is bound to come with the territory. As for what'll occur from there, the trailer teases lectures about Die Hard, killer robots, vanishing from reality, alien armies, Wolverine-style claws, using Jerry as a human shield, arcade shootouts and exploding cars. So, just your usual Rick and Morty shenanigans. As always, anyone keen to get schwifty with the episodes can probably expect that Rick Sanchez and Morty Smith (both voiced by show co-creator Justin Roiland, Solar Opposites) will keep wreaking havoc, and that the series will keep zooming between as many universes as it can. And, because that's the way the news goes, Rick and Morty's hijinks will keep drawing in Morty's mother Beth (Sarah Chalke, Firefly Lane), father Jerry (Chris Parnell, Archer) and sister Summer (Spencer Grammer, Tell Me a Story). Everywhere across earth where television is screened and streamed — interdimensional cable, too — Rick and Morty is set to return on Sunday, September 4 in America. That's on Monday, September 5 Down Under, where the series beams into your queue via Netflix. And if you're wondering what kinds of chaos are in store this time around, Adult Swim, the US channel behind the show, has advised that the new season will pick up with its titular pair "where we left them, worse for wear and down on their luck". "Will they manage to bounce back for more adventures? Or will they get swept up in an ocean of piss! Who knows?! Piss! Family! Intrigue! A bunch of dinosaurs! More piss!" the network also teased. Check out the trailer for Rick and Morty's sixth season below: Rick and Morty's sixth season will premiere globally on Monday, September 5 Down Under. It streams via Netflix in Australia and New Zealand.
Sydney's ride-sharing game is about to get a whole lot more competitive, as Estonian company Taxify launches its own rival service, rolling out across the city from 10am today. The fast-growing company announced in October plans to kick-start an Aussie roll-out before the end of the year, having already launched in about 30 other countries worldwide. Now boasting the title of Europe's largest ride-sharing platform, Taxify is all set to hit the streets of Sydney this morning, with plans for a Melbourne launch just weeks away. How do they plan on luring you away from Uber, you ask? Well, to celebrate its arrival in Sydney, Taxify is offering 50 percent off all rides for at least this first month of operation, promising to save you plenty of coin across this party season. Even after the launch period, Uber faces some pretty stiff competition, with Taxify insisting its regular prices will be at least 5 percent cheaper than that of its main rival. While many competitors are charging 20-30 percent commission, Taxify works on a commission of just 15 percent, which is sure to be a drawcard for drivers. It claims over 4000 Sydney drivers have already registered with the platform. "Drivers can expect to earn more when driving with Taxify, and riders can expect to save money at the same time," Australia Country Manager for Taxify Samuel Raciti said. "Our focus as a company has always been providing our drivers with higher revenue-per-ride, as we're firm in our belief that happy drivers means happy riders." The Taxify app is available now on iOS and Android. Jump on board from 10am today, Tuesday, December 12.
As if it wasn't stressful enough to get a ticket to Splendour, this morning potential festivalgoers were faced with an A-grade nightmare on ticketing provider Moshtix involving price glitches and what appeared to be an outside hack. After dutifully logging on at 9am to fight the virtual queues, many punters were led astray by a rogue link advertising tickets at a 50 percent discount. After providing details to finish the purchase, they were met with credit card fees upwards of $3,000. As Moshtix users began to flood the Splendour social media accounts, representatives became aware of the glitch and responded on Twitter in an appropriately panicked fashion. High credit card fees happening on invalid 50% off tickets - DO NOT PURCHASE THESE 50% OFF TICKETS! — SplendourintheGrass (@SITG) May 1, 2014 However there were numerous reports of the exorbitant fees occurring on full-priced tickets too. While some users powered on with the purchase either not seeing the price hike or being blinded with SITG ticket lust, most sensibly cancelled the purchase and attempted to restart the process. Unfortunately — because it's Splendour — by this point the ticket allocation was completely exhausted. Cue bouts of justified internet outrage and quiet weeping. Moshtix owner Harley Evans released a statement soon afterward saying anyone who bought tickets at the increased prices will still be eligible for tickets. "All of these affected orders will be cancelled today, and customers contacted to allow them to purchase at the correct prices," it read. However such actions don't accommodate those who backed out of the purchase and many are calling for an (incredibly unlikely) resale. Though the cause of the glitch is currently under investigation, many claim it could be a hack associated with infamous narcotics website Silk Road. While completing purchases many users cited suspicious links associated with the website, one of which even read 'mosh+hack'. .@moshtix_com_au hacked? Defaced w/ silkroad links, reports of strange credit card fees appearing. Now HTTP 503 #SITG pic.twitter.com/PGvAnsiZ3J — %256x%n (@justinsteven) May 1, 2014 The good news is, Moshtix have confirmed that no credit card information has been compromised during the ordeal so no need to rush off and cancel your cards if you got duped. The bad news is literally everything else. If you somehow got tickets, all your friends will now seethe at you. If you forgot tickets went on sale, it's too late — you will never get to sing 'Hey Ya!' with Outkast. And, if you were affected by the 'technical difficulties' this morning, you can look forward to a wonderfully entertaining complaint line over at their ticket support site.
It's insanely difficult to say no to free pastries at the best of times, but it's impossible when Loulou Bistro, Boulangerie & Traiteur is giving them away. To celebrate the launch of a new sister store, Petit Loulou in Martin Place, the French pastry connoisseurs are hosting a five-day free croissant giveaway, ensuring visitors and lucky passersby experience the taste of Paris in Sydney's CBD. Available from February 10–14, every coffee purchase comes with a free, freshly baked croissant (limited to one per person). It's good news for early risers too, as the offer starts every day at 6.30am and runs until sold out. Plus, each day of the giveaway is focused on a new flavour, so you have the chance to savour a variety of authentic French pastries over the week. On the agenda is Loulou's signature croissant, pain au chocolate, pain suisse and a special Valentine's Day treat. We don't know about you, but we think there are few better ways to start the day than with a flaky, buttery treat.
The foundation that awards journos for the most powerful stories of the year is hosting a series of talks at Sydney Town Hall for anyone who's been gripped by the news lately. You can hear from journalist and documentary maker Pat Abboud on storytelling from within diverse communities and sub-cultures; The Sydney Morning Herald's investigative journalist Kate McClymont joins Jan Fran to discuss the city's underbelly; and Guardian Australia's Indigenous Affairs editor Lorena Allam joins journo Laura Murphy-Oates to talk about tracking the state-sanctioned massacres of Indigenous peoples across Australia. Each talk is ticketed from $25 per session.
Any self-respecting Melbourne foodie has knelt at the food altar that is Chin Chin. Kneeling being an appropriate action because, before being granted access, one invariably has to wait in a one or two-hour-long queue. With an infamous no-bookings policy, this is one culinary sanctum where you must first prove your devotion. Now, after unmitigated success in Melbourne, Chin Chin is taking its brand of worshipped, jazzed-up Thai food to Sydneysiders. Chin Chin's owner, Chris Lucas, has locked the restaurant in to a spot at the Sydney Night Noodle Markets in October this year, but he's also looking at possible permanent locations. "The CBD is one of our preferences," he said. "We've [seen sites in] Surry Hills, and looked at Bondi as well. Ideally, we'd like to open next year. We don't want to be too big. If we could have a Chin Chin in Sydney and one in Brisbane, we'd be more than happy." With a menu inspired by Asian hawker-style cuisine, Chin Chin comes from the same breed of restaurant as Sam Christie's Longrain. The large menu is characterised by ornate dishes, bold flavours and quality cocktails to accompany your meal. There's a big focus on communal dishes too which ensures you get to try a smorgasbord of Thai treats (if you bring enough obliging friends). Though much of the planning is still up in the air, Lucas hopes to confirm a new location during his visit this October and is very optimistic about the restaurant's reception. "One of our largest customer bases is from Sydney," he said. No word yet on what their bookings policy will be, but your best bet will be to start lining up now. Via Good Food.
Movember is un/fortunately coming to an end and men across the country have never felt more masculine or virile. On the other hand, women across the country are counting down the days until December when that upper lip of scuzzy peach fuzz is mercifully removed. As Nick Offerman from Parks and Recreation teaches us "Growing a moustache isn't easy. Nothing incredibly awesome ever is." And while we all know that there are thousands of grieving gentlemen out there whose poor excuses for a handlebar or Magnum PI knock-off leave much to be desired, there are certain men throughout history who give new meaning to the idea of a "lady tickler". So in the spirit of Movember and as a little inspiration for those poor fellas whose final week of furry, nose-warming bliss has fallen well-short of its glorious potential, here are thirteen of history's most magnificent mos that prove that often with great power comes a great moustache. Kaiser Wilhelm I Teddy Roosevelt Pancho Villa Genghis Khan Civil War hero Joshua Chamberlain Walter Cronkite Wyatt Earp Friedrich Nietzsche US President William Taft Salvador Dali Mark Twain US Baseballer Rollie Fingers General Ambrose Burnside
Gaming and esports are coming to Melbourne in a big way. Come early 2020, the Emporium precinct will welcome Fortress, a 2700-square-metre centre devoted to computer, video, console and tabletop gaming. When it launches, it'll become the largest venue of its type both in the country and in the southern hemisphere. If you're eager to mash buttons with your mates somewhere other than your lounge room, you'll be able to do so in this sprawling two-level spot — which'll feature more than 160 gaming PCs, several suites dedicated to consoles, an entire lounge for online gaming, four streamer pods, and an area just for role-playing and board games. If you take your favourite pastime a bit more seriously, you'll also be in the right place. As well as an esports arena with grandstand seating for 200 people, Fortress will include an esports bootcamp room, a training space, and broadcast and production facilities. At least five big screens will grace the venue's walls, playing live tournaments and international playoffs. Elsewhere, function rooms with their own computer setups will be available to hire for private events and parties — and there'll be a merchandise store onsite as well. When it comes to kicking back after a few games, the esports area will boast its own bar, while the basement will be home to a 400-square-metre tavern that'll serve both drinks and food. Whether you're a Super Smash Bros lover or a Counter Strike fiend, Fortress Melbourne aims to appeal to everyone, catering for casual gamers, competitive gamers and esports diehards, as well as families and after-work crowds. A collaboration with US-based Allied Esports, which runs venues such as Las Vegas' HyperX Esports Arena, the Melbourne facility marks the first in a planned chain of similar spots across Australia over the next few years — although no date has been given as yet for the rollout around the rest of the country. Fortress Melbourne will open at Emporium Melbourne, 287 Lonsdale Street, Melbourne, sometime early in 2020. We'll update you with a launch date when one is announced.
It's time to celebrate the return of the warmer months, summer fits, linen shirts and padded slides. Springtime is here, and it's not going anywhere. If you treat spring as a preparation session for summer, then you should make your way to a Stockland shopping centre and hear from the experts at Stockland's Shades of Summer. This is a spread of events across Stockland shopping centres, specifically Green Hills, Wetherill Park, Shellharbour and Merrylands. Each of those centres will be playing host to three events geared to get you ready for summer via styling, skincare and DIY makeup. First up, all centres will feature skincare workshops, led by professional stylist and makeup artist Amy Chan. Amy is set to enlighten you on how to achieve radiant and healthy skin by discussing common skin issues and how to equip yourself with the remedial products available at Stockland. The skincare workshops are taking place on Thursday, October 12 (Green Hills), Friday, October 20 (Wetherill Park), Thursday, October 26 (Shellharbour) and Friday, November 3 (Merrylands). Next up are styling and colour workshops hosted by expert stylist Caitlin Stewart. Caitlin will use her skills to identify the colours that complement or clash with your unique skin tone, eye colours and more. She then field tests her theories with select fashion pieces available on hand. You'll walk away feeling inspired about wardrobe choices and with a free colour wheel to try your new styling skills in centre. The styling and colour workshops are taking place on Friday, October 13 (Green Hills), Saturday, October 21 (Wetherill Park), Saturday, October 28 (Shellharbour) and Saturday, November 4 (Merrylands). Following that, each centre will host DIY lip gloss shade workshops to cap off your newly acquired colour knowledge. You will mix a custom colour with a plain gloss base, uniquely tuned to your skin tone and packaged to take home. The custom lip gloss sessions will be available on Saturday, October 14 and Sunday, October 15 (Green Hills), Sunday, October 22 (Wetherill Park), Friday, October 27 (Shellharbour) and Sunday, November 5 (Merrylands). Bookings are required for every workshop, which you can make on the respective centre websites. Throughout the period, all visitors can snap a memory in high-tech photobooths and with stylised selfie mirrors to transfer the summer vibes to your socials. Stockland's Shades of Summer will take place at Stockland Green Hills from Thursday, October 12 to Sunday, October 15; Wetherill Park from Friday, October 20 to Sunday, October 22; Shellharbour from October 26–October 28 and Merrylands from Friday, November 3 to Sunday, November 5. For more information or to make a booking, visit your local Stockland centres' website.
Think you've seen it all when it comes to wedding fairs? Think again — this one's a little less about the dress and a little more suited for, well, suits. Groom Fest will unite around 40 wedding vendors from all over Australia to concentrate on those who need a snappy three-piece suit and a pocket square to top it all off — the grooms of the world. There'll be much to see in the way of men's fashion, not to mention suiting, styling and grooming advice, with a barber setting up shop to do live hairstyling demonstrations. Model and rugby player Luke Casey will play MC for the day, while you wander through the stalls and get that special day sorted. To help you sail even closer to being your smoothest self, live panel sessions will cover everything from delivering a killer wedding speech to nailing that daunting first dance. There'll be plenty of food and drinks on offer, including gin tastings from distillery Archie Rose and live music performances from The White Tree Band (to help settle that band-versus-DJ argument once and for all). The event is open to all (not just grooms), so round up the troops for a two-hour wedding planning power session. All attendees will score a free goodie bag filled with items from Hunter Lab, a free Hello May magazine and the official Pocket Groom's Guide, written and produced exclusively for the event. Groom Fest will take place from 7.30–9.30pm on Thursday, March 28 at The Standard Bowl. Entry is free but RSVPs are essential — and you can add a donation to Movember at check-out if you wish. To reserve your ticket, head this way. Images: The White Tree.
Come 2022, Green Square is going to look a little different. Not only will it have a new aquatic centre and a futuristic residential development with its own food-filled laneway, the inner-city precinct will have much more green open space, in the form of a huge 6200-square-metre park. Called The Drying Green, a nod to the history of wool making in the area, the park has just been given the green light by the City of Sydney, who has accepted a tender offer from Regal Innovations for its construction. The new park will be bound by Geddes Avenue, Paul Street, Portman Street and Zetland Avenue and decked out with a whole host of fancy features. Expect a water feature — that uses stormwater — a solar-powered public artwork, and, maybe most importantly, picnic and barbecue areas. If you're one of the many residents living in a tiny apartment nearby, you're probably excited at the thought of hosting a shindig that's not restricted to three people on your mini-balcony. [caption id="attachment_772558" align="alignnone" width="1920"] Courtesy of McGregor Coxall[/caption] The Drying Green is one of 40 parks the City of Sydney has promised for Green Square, with Lord Mayor Clover Moore saying the green open spaces are important with more and more people living in the aforementioned tiny apartments. "With more than three quarters of our residents across the city living in apartments, our parks, playgrounds and open spaces are essentially 'the backyard' for many," the Lord Mayor said in a statement. Just be prepared to share — with a huge 61,000 residents expected to call the surrounding 278-hectare Green Square area home by the year 2030, the parks aren't likely to be quiet. The Drying Green is expected to be completed by early 2022. For more information, head to the City of Sydney website. Images: Courtesy of McGregor Coxall
Australia has always had a small but active community of specialist knife fiends and nowhere has this been more pronounced than in Melbourne. We've never really been spoilt for choice and true connoisseurs often have to travel abroad to add to their collections… until now. QT Melbourne has announced the opening of Tanto, a unbearably chic, high-end knife shop coming to the hotel's Russell Street residence this spring. Tanto is the embodiment of high-end Japanese design. No expense has been spared to deck out the functional but luxurious new Melbourne store. QT's group managing director and lead man on the project David Seargeant says the audience they had in mind for this project was a combination of the city's hospitality crowd, Melbourne foodies and all-round design lovers. "We wanted to attract chefs and restaurant workers and serve them up Asian, street-inspired food," he says. "But then we wanted to activate the laneway space, with a high-end Japanese knife shop. It's about offering a very authentic Japanese knife sharpening service. It's not just hospitality workers with an interest in high end knives; it's also foodies and home chefs too." Seargeant travelled all over Japan searching for the right family to liaise with on the project. His search led him to Sakai, a relatively small city in Osaka Prefecture that's home to many of Japan's shokunin, or master craftsmen. Shokunin specialise in many types of craftsmen but the Sakai branch David had in mind has been forging katanas for samurai since the fourteenth century. He linked up with the Aoki family, of the Aoki Knife Craft brand, who have been making fine knives for seven generations. In 1990 they adapted their traditional practices which more modern techniques and produce some of the most coveted knives on today's market. Their knives, the most famous of which are the Suisin collection, are sold around the world including in the Korin, arguably the most famous speciality knife shop on the planet (which is obviously located in New York City). The Aoki family have collaborated with QT to bring some of Japanese best knives to Australia for the first time. But they're importing more than just knives at Tanto. A shokunin (master) knife sharpener has been invited over from Sakai and is undergoing a three-month residency at Tanto. "Mr Takai is a very highly regarded sharpener," David says — implicitly meaning don't bring your budget IKEA three-pack knives into this workshop and expect to be taken seriously. Tanto is joined by Hot Sauce Laneway Bar, the complementary piece in the late-night puzzle. They're serving up street style Asian food paired with fancy cocktails, the perfect accompaniment to a satisfyingly sharp knife. Images: Jam on Your Collar, Alexandra Anderson. Tanto is open 10am – 6pm, Monday to Saturday, at QT, 133 Russell Street, Melbourne.
The focus of yoga trends seems to be constantly changing — from beer yoga to hip hop yoga and rooftop yoga to farmside yoga, we thought we'd seen it all. Now, Dubai's Atlantis The Palm is bringing 'underwater' yoga onto the scene. Before you think about holding your breath while doing a submerged upward dog, the class isn't quite as complicated — or as cool — as it sounds. The yoga course is not held in the water, but instead it takes place inside a tank-like room called the Ambassador Lagoon. The Lagoon sits within the resort's Lost Chambers Aquarium, a 17-hectare openair marine habitat that boasts over 65,000 sea creatures within a massive maze of underwater corridors and passageways. The 250-plus salt and fresh water species include sharks, eels, rays and piranhas, as well as hundreds of exotic fish. That's a whole lot of marine life on call to sit audience to your meditation. The all-levels, 20-person class runs every Tuesday and Friday. Each ticket includes a yoga mat, bottle of water and valet parking, which we guess is what puts the price up at 120 Dirham (around $44 AUD). The lavishness of the course is no surprise coming from this 46-hectare luxury resort. Being in a darkened room surrounded by shimmering water and peacefully floating sea animals does sound quite relaxing, and, although there won't be any actual underwater feats involved, we don't think it would be quite as calming in practice anyway. Post-yoga, there's always the 18 million litres of fresh water which powers waterslides, river rides, tidal waves and pools to entertain yourself with. Underwater yoga is held at Atlantis, The Palm in Dubai. If you're heading there any time soon, visit their website for more information and bookings.
Everyone loves travelling overseas. No one loves the actual travel part. From airport queues to uncomfortable plane seats to lost baggage, getting from A to B is the ordeal you have to endure before the fun begins. Enter Elon Musk, and a plan to change that. In Adelaide for the International Astronautical Conference, the South African entrepreneur advised that he foresees next-generation spacecraft not only ferrying people beyond the earth, but across it as well. With his SpaceX company currently readying a rocket-powered trip around the moon in 2018, and preparing to head to Mars in 2022 and 2024, he wants to be able to use the same types of vessels to journey between continents. It all hinges upon the BFR — or "Big Fucking Rocket" — that's currently in development, and is being designed for multiple uses. Musk said that he envisions the system taking both crew and cargo into space, and then helping folks hop around the globe at 27,000 kilometres per hour. In an Instagram post after his speech, he explained that it would take 30 minutes to fly to most places and 60 minutes at most — all for the same full-fare price as current economy airline tickets. https://www.instagram.com/p/BZnVfWxgdLe/?hl=en&taken-by=elonmusk As futuristic as it might sound now, if anyone can make it a reality, it's probably Musk. He has already promised to revolutionise journeying between cities and across continents thanks to his Hyperloop system, a high-speed vacuum transport setup that'll never stop sounding like a sci-fi movie come to life. And, in preparation for SpaceX's rocket jaunts, he has also sent a zero gravity espresso machine to space. Travel and caffeine go hand-in-hand, after all. Via the ABC / Dezeen. Image: SpaceX.
Just about everyone has a friend or relative who would describe themselves as a "struggling artist". For this most beleaguered of professions, the frustrations of the world's most competitive and highly lucrative industry often turns "struggling artists" into "failed artists". Pippin Barr, one such dejected artist, has found a most unusual way of channelling his grievances and disillusionment with the art world: a part-personal, part-satirical, and entirely addictive online video game, Art Game. The monochromatic, 8-bit game takes place in the cutthroat, dog-eat-dog world of the New York City visual art scene. Players choose between three contemporary artists as their avatar: minimalist painter Cicero Sassoon (with his reference-heavy name), Russian sculptor Alexandra Tertanov, and video artists William Edge and Susan Needle. Within a style of gameplay modelled on the classic video games of Snake, Tetris, and Space Invaders, your task is then to create a piece of art worthy of display in an upcoming show at New York's legendary Museum of Modern Art. Your path to artistic glory is a far from smooth one, however, as before you can have your work showcased you must get past the deliciously snooty MoMA curator. The curator's selection of which of your artworks (if any) make the cut seems to be based on a fairly arbitrary and even random set of criteria, in a quite pointed dig at how "good art" is selected and endorsed within the art scene, with decisions handed down in a series of cliche-enriched tirades (another beautiful touch from Barr). The game is filled to the brim with knowing references to the art scene, from the inane chatter of the MoMA visitors to the stereotypical studio apartments of the artists. It is these details that transform the game from not simply being a form of light-hearted procrastination but also a very clever and totally unique piece of satire. The surprisingly heartbreaking experience of being told that your work is not up to scratch provides a fresh understanding of just how brutal and controlled the art scene can be. To see if you have what it takes to be counted amongst New York's artistic elite, click here to play Art Game. Via Hyperallergic.
If holidaying at sea sounds like your kind of vacation, then cruise ships boast plenty of attractions, including scenic journeys across the ocean, buffet meals, booze and a plethora of spots to laze by — or in — a pool. But there's one thing they haven't featured until now: onboard roller coasters. That's about to change thanks to one cruise ship company. Come 2020, Carnival Cruise Line will debut its Mardi Gras vessel, which will include a 240-metre electric roller coaster called Bolt. The ride will soar nearly 60 metres above sea level, using a two-rider, motorcycle-style vehicle. And, it'll navigate twists, turns and drops at speeds of almost 65 kilometres per hour. Basically, the vessel upgrades cruise ships from floating resorts to floating theme parks — so if you've ever visited Luna Park, Dreamworld or Funfields and wished that all of their attractions were on a boat, now you're in luck. If you're keen on the idea but not so fond of the zooming speed, you'll be pleased to know that the latter is adjustable. No matter how fast you choose to go, you'll have your photo taken mid-ride like on most coasters. Named after the cruise line's first ever ship from back in 1972, the 5200-passenger Mardi Gras will be based out of Port Canaveral in Florida — and just where the vessel's itinerary will take it, and how much a trip will cost, has all yet to be revealed. The company also has two other ships with SkyRide attractions, which involve pedalling around a suspended course in a go-mobile, as well as liners with water slides and aerial ropes courses. For more information, visit the Carnival Cruise Line website. Image: Carnival Cruise Line.
Before you complete that huge spring clean, chucking out all the 'useless junk' that is taking up space, stop and think for a second if it could be transformed into something of use. Upcycling is all about using old materials to create new, useful and often beautiful products. These pieces of upcycled furniture have taken pieces of trash and turned them into treasure, with inventive designs that will be sure to get you rummaging through your storage or local warehouses. Milk Crate Staircase Danish architecture firm Lendager Arkitekter created this milk crate staircase as a key feature of their million dollar 'Upcycled House', and is made entirely from milk boxes and OBD boards. Washing Machine Drum Stools Knit Knacks is the new range from the designers Junk Munkez - creative designers with a green conscience - located in Beirut. These nifty little creations emerged from washing machine drums to create colourful and fun embroidered stools. Ski Chandelier Helsinki-based travel agency Elamysmatkat were searching for an interior design that reflected their philosophy that snow travel should be fun and daring. Enter Dutch designer Willem Heeffer, who created this chandelier, created from skis donated by Heeffer's Facebook friends and fans. Magazine Stool This innovative design, The Hockenheimer by German company NJU Studio, provides an original piece of seating from a stack of old magazines. Sea Chair British designers Studio Swine collect plastic from the UK's most polluted beach, Porthtowan, and compress this waste to create a series of beautiful and functional Sea Chairs. Nautical Mat Sophie Aschauer founded SerpentSea in 2011 after a sailing trip in which she started weaving mats by hand out of reclaimed marine ropes. The mats use four style of knots each named after the most infamous pirates from the 17th Century - Bonnie, Drake, Morgan and Killigrew. Suitcase Medicine Cabinet Give an old suitcase new purpose by hanging one up on your bathroom wall and transforming it into a medicine cabinet. Add some shelves inside and a mirror on the outside and you've got yourself a fancy wall feature to store your toiletries in. Watering Can Shower Jazz up your shower to make the daily ritual more exciting with an old watering can. The Interweb Chair The Interweb Chair comes from BRC Designs, a studio in South Carolina fronted by mastermind Benjamin Rollins Caldwell. The 1cm blue plastic sheets that frame the chair were originally bathroom dividers in an old mill. Binary Table The Binary Table is an assemblage of old computer and electronic parts that were discarded in a warehouse and rendered obsolete. The table is decked out with motherboards, CDs, computer chips, hard disc drives and LED screens held together by sheet metal screws.
If your 2021 plans could use a little colour and liveliness from one of the best artists that ever lived, you're in luck — because the Art Gallery of NSW is delivering exactly that as part of its newly announced 2021 program. For four months from November 2021–March 2022, the Sydney venue will host the huge Matisse: Life & Spirit, Masterpieces from the Centre Pompidou, Paris exhibition. It'll feature more than 100 of Henri Matisse's pieces spanning six decades of his artistry, it's only heading to Sydney and it'll mark the greatest single exhibition of his masterworks that's ever graced the NSW capital. Whether you're keen on Matisse's early efforts, including from his Fauvist phase, or you're more fascinated with how his talents progressed over his considerable career, you'll see something suiting your interests on display — with the exhibition running from November 22, 2021–March 13, 2022. Standouts include Le Luxe I 1907, if you're after one of his first pieces; Decorative figure on an ornamental ground 1925, from the middle of his career; and The sorrow of the king 1952, a self-portrait. If it all sounds a bit familiar, that's because it was originally due to happen in 2020 as part of AGNSW's Sydney International Art Series, but was postponed for obvious reasons. 2021 is now shaping up to be a great year for Australians to see European masterpieces, with Brisbane's Gallery of Modern Art and the National Gallery of Australia in Canberra also showcasing works from the region — but only AGNSW will solely focus on Matisse. As well as Matisse's paintings, sculptures and cut-outs — all from the Centre Pompidou in Paris, which boasts quite the collection — AGNSW will also be hosting Matisse Alive, which'll reflect upon Matisse in a modern context. The gallery-wide event will kick off in October 2021, letting art lovers indulge in a free festival of Matisse. Think: art, music, performances and dance, all delving into his life, his creations and how his works have inspired artists today. Textile environments, huge paintings and video works are all on the lineup, including by artists such as Nina Chanel Abney, Sally Smart, Angela Tiatia and Robin White. [caption id="attachment_794669" align="aligncenter" width="1920"] Henri Matisse. 'Blue nude II (Nu bleu II)' 1952. Gouache on paper, cut and pasted, on white paper, mounted on canvas, 116.2 x 88.9 cmCentre Pompidou. Musée national d'art moderne AM1984-276. Photo © Service de la documentation photographique du MNAM Centre Pompidou, MNAM-CCI /Dist RMN-GP. © Succession H Matisse/Copyright Agency.[/caption] Obviously, AGNSW won't be empty for the rest of the year, before all things Matisse hit. Back in mid-2020, it revealed its blockbuster summer 2020–21 exhibitions, so you might already be familiar with Streeton, Pat Larter: Get Axed, Archie Plus, Khaled Sabsabi: A Promise, Real Worlds: Dobell Australian Drawing Biennale 2020 and Joy. Joining them on the full 2021 agenda: the also previously postponed Margel Hinder and The Purple House exhibitions; the food focused The Way We Eat; and Brett Whiteley: Printmaker, featuring Whiteley's lithographs, etchings, linocuts and silkscreen prints. Or, you can scope out Longing for Home, which'll feature works by six Aboriginal artists; and The National 2021: New Australian Art, which will hero pieces from 39 emerging, mid-career and established Australian artists. [caption id="attachment_789423" align="aligncenter" width="1920"] Installation view of the 'Streeton' exhibition at Art Gallery of New South Wales, Sydney. Photo: Jenni Carter, AGNSW.[/caption] And yes, after 2020's delays, the Archibald, Wynne and Suleman Prizes are back as well, with the corresponding exhibition displaying from June–September 2021. There's an added bonus, too, with AGNSW also hosting a 100-year-anniversary look at the Archibald. Matisse: Life & Spirit, Masterpieces from the Centre Pompidou, Paris will display at the Art Gallery of NSW, in Sydney, from November 22, 2021–March 13, 2022. Matisse Alive will run from October 2021–2. For more information — including about AGNSW's full 2021 lineup — visit the Art Gallery of NSW website. Top images: Sally Smart. 'The choreography of cutting' 2017. © Sally Smart. Photo: Fajar Riyanto, installation view OFCA, Yogyakarta. Henri Matisse. 'The sorrow of the king (La tristesse du roi)' 1952. Gouache on paper, cut and pasted, mounted on canvas, 292 x 386 cm. Centre Pompidou. Musée national d'art moderne AM3279P. Photo © Philippe Migeat - Centre Pompidou, MNAM-CCI /Dist RMN-GP. © Succession H Matisse/Copyright Agency. Nina Chanel Abney. 'Seized the Imagination', Jack Shainman Gallery, New York, New York, 9 November 9 – 20 December 20, 2017. © Nina Chanel Abney. Courtesy of the artist and Jack Shainman Gallery, New York.
Playing with light and meticulously showing attention to detail are the biggest lessons to learn from this year's Australian Interior Design Awards. Entering its 11th year as one of Australia's premier design events, the Design Institute of Australia-backed awards handed their highest hospitality accolades to Melbourne's light-filled coffee roasters and Penfolds' stunning flagship outside of Adelaide. Competition was fierce for the Hospitality Design award, with commendations given to Melbourne's Chinese spot Ruyi and Canberra's sleek bakery bar A. Baker. Among the 31 shortlisted entrants were Woolloomooloo's Riley Street Garage, Surry Hills' Single Origin Roasters, Brunswick warehouse venue Howler, rustic Manly spot Donny's Bar, Prahran's Japanese gem Mr Miyagi, the new Sydney CBD chapter of The Local Bar, Bondi's groundbreaking Sensory Lab, buzzing live music venue Newtown Social Club, Degraves St's elegant cafe The Quarter, Southbank Japanese restaurant Gochi and more new additions to the Australian bar and restaurant family. But there can only be two top dogs. Taking out the award for Hospitality Design, Fitzroy's Industry Beans was applauded for turning a factory shell into a light-filled, timber-clad cafe and specialty coffee roastery. "The use of the ubiquitous timber pallet creates a strong and defined interior," said the jury citation. "The pallets give the cafe an overall industrial aesthetic and add a surprising amount of warmth to the design." Use of light won the jury over in the end, with winning design firm Figure Ground Architecture's louvres letting in the final votes for the top spot. "The quality of light in what could have been a dark and dreary space shows a consideration of the connection between the interior and the exterior," said the jury. "The designers have exhibited a simple and clear concept that has realized the interior’s true potential while weaving it into surrounding street life." South Australia's Penfolds' flagship Magill Estate Restaurant took out the restaurant top spot in the Hospitality Design category, with the jury applauding Melbourne-based archtiect Pascale Gomes-McNabb's All Boxes Ticked finish. "Beautiful lighting, sophisticated use of colour and a thoughtful composition of elements create a delightful and intriguing interior at Penfolds Magill Estate Restaurant," said the jury, praising Gomes-McNabb's attention to detail, custom furniture and bespoke glass lighting. "The designer has tailored shapes and forms specifically to the space, creating a refreshing take on a winery restaurant." Co-presented by the Design Institute of Australia, designEX and Artichoke magazine, this year's awards saw more than 400 projects entered; increasing the entrants by 11 per cent from last year. Event manager Jacinta Reedy told The Australian that back to basics was highly favoured this year. “The jury recognised in these projects’ new directions in interior design, including clever use of raw materials, a love of simplicity and restrained approach to design,” she said. Check out the rest of the Australian Interior Design Awards winners over here.
Next time that you grab a drink in Melbourne or Sydney, you might want to get sipping at one of the globe's top watering holes. Those must-visit spots: Melbourne's Caretaker's Cottage and Sydney's Re, which just nabbed rankings in 2022 version of The World's 50 Best Bars extended 51–100 list. Each year, The World's 50 Best Bars does exactly what its name says, picking the best 50 bars on the planet — and 2022's top 50 will be announced on Tuesday, October 4 in Barcelona. But why stop at 50? This ranking doesn't, despite its moniker. That's where the longlist comes in, throwing some love at the next 50 venues worth checking out. [caption id="attachment_871415" align="alignnone" width="1920"] Caretaker's Cottage[/caption] Little Lonsdale Street's Caretaker's Cottage came in at 60th spot, and marked its first year in the list — while Re, Matt Whiley (Scout) and Maurice Terzini's low-waste bar in South Eveleigh, took out 87th position. For the latter, it marks a slip from 46th place in 2021, after opening last year. Caretaker's Cottage and Re are the only Australian bars to make the cut so far — sorry, folks in Brisbane, Adelaide, Perth and the rest of the country — with the 51–100 list including tipple-serving spots from 32 different cities in 25 countries, complete with 15 new entries scoring a place. The location with the most must-visit bars in this secondary rundown? Singapore, with eight; however, spots chosen elsewhere include bars in first-timers Kraków, Bratislava, Manchester, Playa Del Carmen and Bogotá as well. [caption id="attachment_871414" align="alignnone" width="1920"] Re[/caption] When the full list drops — being announced outside of London for the first time — here's hoping that Australia is well-represented. In 2021, Sydney's Maybe Sammy took out 22nd place, with The Rocks' venue making the top 50 list for the third year in a row. Fellow Sydneysider Cantina OK! came in at number 23 last year, Melbourne's Above Board earned a spot at number 44 and the aforementioned Re placed, too. In 2021's longlist, Melbourne's Byrdi nabbed 56th spot. Watch this space — we'll run through the winners of the World's 50 Best Bars 2022 list when they're announced next week. [caption id="attachment_871416" align="alignnone" width="1920"] Re[/caption] And yes, if you choose where to drink and eat based on these kinds of rankings, you've got a few spots to visit. So far this year, Melbourne's Gimlet at Cavendish House made The World's Top 100 Restaurant longlist for 2022, while Sydney's Josh Niland placed in 78th spot at The Best Chef Awards 2022. For the full 51–100 list of the World's 50 Best Bars for 2022 (and past years' lists), see the website. The top 50 rankings will be revealed from 8.15pm GMT on Tuesday, October 4 via Facebook and YouTube.
If you've ever needed a positive example of how one night can change everything, just chat to Nema Adel. He had no intention of becoming an artist. In fact, he had just completed a university degree in a completely unrelated field when he went to a Flying Lotus performance at the Sydney Opera House that sparked a new passion for real-time digital art. Four and a half years on, Adel is now a sought-after digital artist who has created activations for festivals such as Liveworks and Vivid. He is also one of the visionary artists to team up with Miller Design Lab in 2020 to celebrate our nightlife and its impact on culture to deliver exceptional moments to you and your home. Deciding to forge a career in a relatively new — and quite niche — artistic field has meant Adel's path has been anything but traditional, so Concrete Playground sat down with the artist to discuss his creative process. Read on to discover how he seeks inspiration and the importance of nightlife to his art, then check out the video above to see him in action. In addition to the Flying Lotus gig, Adel pinpoints one other serendipitous moment that propelled his career. At his first ever event in 2016, which involved digital projections on a bank of trees over a river, Adel met an artist from Germany who liked his work. What followed was a six-month stint touring Germany and Austria doing shows. "And that was my education," he says. Adel explains that because digital art is such a new and ever-evolving art form he is mostly self-taught. "If I go on Google, I won't get any answers to the things I want to know, because nobody has really done it before," he says. Instead, Adel relies on connecting with others around the world who work in similar artistic spaces, particularly through Instagram, to share ideas, new techniques and advice. In particular, he notes San Francisco-based company All Of It Now and its Creative Director Kev Zhu, who shares tutorials online and has worked with Drake on custom projections for arena tours, as a key source of inspiration and knowledge sharing. But mostly, "it's just loads of experimentation. Unlike fine arts and classical arts, where [there is a] technique that we've perfected over hundreds of years." Customisation is present throughout Adel's entire process. "The design mainly happens on the computer, but I don't know how that actually looks unless I set up the projection and understand it in reality. Then, I'll take it back to the computer, then back to reality, and keep ping-ponging back and forth." For that reason, Adel doesn't really have a traditional workspace. He has a studio at Marrickville's Create Or Die, a creative hub filled with artists that he loves to bounce ideas off or collaborate with, including graffiti artist Iro Kitamura. "He might be painting murals and I'll be projecting onto the mural painting. I really enjoy it as I don't have those fine art skills," he says. Adel also likes that his work takes him out and about. "I love my style of work so much because the space changes — different venues and different galleries — and that'll always inform how you're going to work." And he mostly works at night. "On the most basic level, I cannot do my craft in the middle of the day… the natural light will wash out my projection light. Without the nighttime, I don't have a craft." Beyond that, he acknowledges the symbiotic relationship art and nightlife have: "I work in a lot of events and I was able to keep practising through the nightlife that we have — whether it's working with musical artists or exhibitions. If you have an extensive nightlife, [artists] can keep rolling and keep becoming better". Of course, much of that has changed in the past few months due to restrictions on public gatherings. Adel has had many jobs cancelled and has made the decision to temporarily move out of his Marrickville studio for safety reasons. Though he knows many other creatives are trying to keep up the collaboration and creativity in this time, he isn't. For someone who believes that "creativity is a mirror" and will reflect the artist's mood or current situation, it makes sense that he'd prefer to pause on creating for now. "I've consciously decided to use this as a bit more of a rest period, and that's partly due to the fact that there is a lot less inspiration in my life at the moment," he explains. Instead, he is viewing this time as a "study period" by doing some online tutorials, perfecting techniques and keeping up to date on the software tools he relies on. But when normal life resumes and he is ready to boost what he calls his creativity "metre" again, Adel has a few tried and tested techniques for seeking inspiration. "Travelling or seeing a new place and taking photos — that'll always bring new ideas to me," he says. He also mentions going out to see live music as a huge influence, naming Freda's in Chippendale and Camelot Lounge in Marrickville as his go-tos. "When there are events on with artists from other countries, I love it. I have no idea what to expect… but their art has been formed in a different way. You want to get as many perspectives as you possibly can under your belt. "I'm also very inspired by the Studio Ghibli films…. They've managed to create rich stories from imagery, and I think for me that is the ultimate goal: not just creating things that look nice, but things which convey meaning. That's hopefully what I aim for in the next ten years." For more, check out Nema's collaboration with Miller Genuine Draft here. For more ways to celebrate your city's nightlife and recreate its energy in your own space, head this way. Images: Reuben Gibbes
2023 might be mere weeks in, but it's already the year of Pedro Pascal. His new HBO series, a spectacular adaptation of hit video game The Last of Us, has just started airing — and it's already one of the best new shows of this year. And, come autumn, he'll be back bounty hunting and hanging out with Baby Yoda in The Mandalorian season three as well. Hanging out for more of Disney+'s space western? Keen on another dose of Pascal as Din Djarin? Can't wait to see the adorable Grogu again? The new season will start streaming from Wednesday, March 1, and has finally unveiled its full trailer in the interim. Pascal narrates the just-dropped sneak peek, explaining that being a Mandalorian isn't just about learning how to fight, but also about being able to navigate the galaxy. Mando, as he should definitely be nicknamed, is also off to Mandalore to be forgiven for his transgressions — although, as viewers of the show so far will know, and just of all things Star Wars in general, little in this galaxy far far away ever goes smoothly. Season three promises to also follow the New Republic's struggle to move past the galaxy's dark past, reunite Mando with old allies and also throw new enemies his way. And, of course, to have Grogu back by his side, as viewers love. There's also multiple bounty hunters, and "may the force be with you" is indeed uttered in the new trailer. The Mandalorian's latest batch of episodes will arrive more than two years after the show streamed its second season back in late 2020, and after 2022's first season of Andor just became Star Wars' best TV series yet. If you've somehow missed it before now, the Emmy-nominated show follows the titular bounty hunter (Pascal, The Unbearable Weight of Massive Talent); however, it's his encounter with a fuzzy little creature first known as The Child, affectionately named Baby Yoda by everyone watching, and officially called Grogu, that's always had everyone talking. So, it comes as zero surprise that one of the Star Wars universe's best-ever double acts keeps being pushed into the spotlight — including when The Mandalorian dropped its first season-three trailer a few months back, and in this new glimpse. Check out the full trailer for The Mandalorian season three below: The Mandalorian's third season will hit Disney+ on Wednesday, March 1. Images: ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.
The place: earth in the near future. The situation: a frozen planet chilling at a frosty -119 degrees celsius, as caused by humanity's attempts to combat climate change. The only solution: a constantly hurtling 1001-car train that plays host to the world's only remaining people. But, instead of banding together on the speeding locomotive, the residents of Snowpiercer have transported society's class structure into the carriages of their new home. That's the story that drives Snowpiercer — on both the big screen and on TV. First came Bong Joon-ho's 2013 film, which marked the acclaimed South Korean writer/director's first English-language film, and one of the movies that brought him to broader fame before Netflix's Okja and 2019's Cannes Palme d'Or-winning and Oscar-winning Parasite. Then, unsurprisingly, came a US-made television series, which was first announced back in 2016, and then finally started speeding across screens — including Down Under, where it's available via Netflix — from May 2020. In both forms, Snowpiercer boasts a smart, immersive and all-too-timely concept — and unpacks its underlying idea in a thrilling and involving manner. While the TV version isn't as stellar as Bong's film (because, honestly, how could it be?), it takes the same dystopian concept, heightens the suspense and drama, and serves up both a class warfare-fuelled survivalist thriller and a murder-mystery. Think constant twists, reveals and reversals, cliffhangers at the end of almost every scene, and a 'Murder on the Snowpiercer Express' kind of vibe. Indeed, it's very addictive — and, ahead of its season two premiere on Tuesday, January 26 on Netflix, the streaming platform has dropped the full trailer for the show's next batch of episodes Once again, Hamilton's Tony Award-winning Daveed Diggs leads the charge, playing an ex-detective who has spent seven years in the tail end of the train and is dedicated to overthrowing the status quo to achieve equality for all. Also aboard is Jennifer Connelly as the engine's all-seeing, ever-present head of hospitality, with the likes of Frances Ha's Mickey Sumner, Slender Man's Annalise Basso and The Americans' Alison Wright all part of Snowpiercer's new world order as well. And, as first teased last year, Snowpiercer's existing cast are all facing a significant change in the second season. They're about to meet a new adversary, as played by none other than Game of Thrones' Sean Bean. Just how long he'll survive in his latest role is something you can start pondering right now. Watch the full Snowpiercer season two trailer below: https://www.youtube.com/watch?v=0yZatBxIqVk Snowpiercer's second season will hit Netflix Down Under from Tuesday, January 26 — dropping new episodes weekly. Top image: David Bukach.
There'd better be room for another social network in your life, because today Twitter has launched new iPhone app Vine. Looking for more than filters and still images? Long to be the star of your own gifs? It's with you in mind that Vine is made, as it allows for the filming and sharing of videos up to six seconds long, complete with sound. The Twitter ethos of 'short is better' could be just the quality that makes this something we want to play with. First impressions show it to be a nice-looking app, with easy-to-use editing and options that allow you to explore the videos of others as well as integrate yours with existing social networks. Of course, that integration varies depending on which network you're talking. In Twitter, the videos embed seamlessly in your feed, even playing automatically as you scroll past them. Thoughtfully, sound is included if you're browsing on your mobile but not on your computer, so there won't be any of that frantic flicking through tabs trying to find where unsolicited noise is coming from. In Facebook, however, you won't have any sound, because you won't have video — just a still and a link you have to click to be taken through to the video. (You can embed the videos in other sites, too, but there are a few steps to the process.) It seems childish, but at least Twitter can say Facebook started it, when it first pulled the option for you to find Twitter contacts on Facebook-owned Instagram and then stopped Instagram shares embedding in Twitter feeds, so that somewhere along the line, we users have to click more links and do more waiting for stuff to load. And while Twitter may have tried to extend the hand of friendship (or appear as if doing so) by allowing you to search for and add your Facebook contacts, as of writing, that function isn't working. We got an enigmatic error message, but investigation by the Verge suggests that it's Facebook doing the blocking. So while Vine looks like a promising new diversion, it's also another irritating chapter in the Facebook versus Twitter wars, with users as collateral damage. Vine is currently available for free in the iTunes store. Right now it's iOS only, but we've got to assume an Android version at least is on the way.
It seems The Cliff Dive owners Alex Dowd, Jeremy Blackmore and Russell Martin have watched us scrape the bottom of too many peanut, popcorn and pretzel bowls at sibling joints Shady Pines, The Baxter Inn and Tio's; they're giving us an expanded food offering with something more substantial for our evening feed. Introducing Yurippi, TCD's South-East Asian island experiment. The owners have hired chef 'Honky' to lead the culinary charge with sweet, sour and spicy flavours combined on more skewers than you can probably handle. Aiming to attract an early evening crowd (kind of necessary given the lockout laws' restrictions on late night), Yurippi will offer signature skewers like wild ginger beef, turmeric lemongrass pork and confit chilli octopus either by themselves or with a healthy dose of vegetables and pandan coconut rice. Yurippi heralds an expanded drink selection too, and new ceramics (if your Tinder date likes that kind of thing) with Michael Chiem (ex Sokyo, Black and Bulletin Place) slipping into the role of the drinks creative director. If you're salivating all over your keyboard at this point, good news: Yurippi has already started searing skewers with good intent to "fill the belly and soothe the soul", as Blackmore prophesises. Yuripee is open now and accepting bookings of ten or more people, Wednesday to Saturday, from 6pm at The Cliff Dive, 16-18 Oxford Square, Oxford Street, Darlinghurst.
Kicking off on June 8, two of Australia's favourite independent bands, Founds and Fire! Santa Rosa, Fire!, will be joining forces for the Gemini Tour — six dates with stops in the Sunshine Coast, Brisbane, Sydney, Newcastle, Melbourne, and Adelaide. Eclectic, intimate, and hypnotic, Brisbane darlings Founds recently signed a deal with Inertia Records and are hard at work on their debut album, Hadean. With an energy in their spectacular and highly visual live show that's seen them compared to Mogwai, Bjork, and Enya, the sextet are not to be missed. Hard at work on their second album, the follow-up to 2010's Sea Priest, with renowned Welsh producer Gareth Parton (Foals), indie five-piece Fire! Santa Rosa, Fire! Have toured in the past with acts like Band of Skulls and British Sea Power.
Is the type of film festival that dedicates an afternoon and evening to a killer clown your type of film festival? If so, you should be excited about Monster Fest's return. In just a few short years, the Terrifier movies have become horror must-sees if you can't get enough of slashers splashing about gore aplenty. With the latest flick in the franchise on the way, Monster Fest is screening all three Terrifier titles, old and new — so, giving audiences an extended date with Art the Clown — as a key part of its 2024 program. The Australian premiere of Terrifier 3 will follow the OG Terrifier and first sequel Terrifier 2 on Saturday, October 5 in Melbourne, Sydney, Brisbane, Perth and Adelaide. This year's Monster Fest is the first time that the event is running concurrently in all of its locations. The festival kicks off on Friday, October 4 in all five cities, running until Sunday, October 6 everywhere except Melbourne, where it finishes on Saturday, October 12. While getting creeped out by cinema's most-sadistic clown is a big Monster Fest 2024 drawcard, it's The Rule of Jenny Pen from Coming Home in the Dark filmmaker James Ashcroft that's the event's opening-night pick. At the other end of the festival, horror-comedy Frankie Freako by Psycho Goreman's Steven Kostanski is in the closing slot. Both pictures embrace puppets, the first with help from John Lithgow (Killers of the Flower Moon) and the second featuring a dancing goblin. Other highlights playing in all cities include the latest Hellboy movie, Hellboy: The Crooked Man, which heads back to the 1950s; Azrael, as led by Australian actor Samara Weaving (Scream VI), and telling of a woman's attempt to escape from mute zealots; New Zealand body-horror film Grafted; and documentary Generation Terror, which focuses on the horror genre from the late-90s to mid-00s. Some flicks are only playing a few locations, such as Occupation Rainfall filmmaker Luke Sparke's new film Scurry — plus Waves of Madness from The FP's Jason Trost, which brings sidescrolling to the cinema. Unsurprisingly given that it's on there for longer, Melbourne also has a number of exclusives such as Estonia's action-horror-musical-comedy Chainsaws Were Singing, French black comedy Ultimate Chabite, documentary Children of the Wicker Man, and retrospective sessions of The Final Destination 3D and Critters. Scurry and Waves of Madness are just two of the Australian movies on the bill, too. The former is on the program in Brisbane and Melbourne, the second in Sydney and Melbourne, and they have company in various locations. That's where fellow homegrown titles States of Mind (Brisbane, Melbourne and Sydney), Fear Below (everywhere except Perth), An American Masquerade (Melbourne only) and Freelance (also just Melbourne) come in — ensuring that this Aussie genre fest embraces the genre at home. Monster Fest 2024 Dates Friday, October 4–Saturday, October 12 — Cinema Nova, Melbourne Friday, October 4–Sunday, October 6 — Event Cinemas Burwood, Sydney Friday, October 4–Sunday, October 6 — Event Cinemas Uptown, Brisbane Friday, October 4–Sunday, October 6 — Event Cinemas Marion, Adelaide Friday, October 4–Sunday, October 6 — Event Cinemas Innaloo, Perth Monster Fest 2024 runs throughout October around Australia. Head to the festival's website for further details.
East Ocean, one of our favourite late-night dining spots, is a total dumpling rock star. Try the prawn, pork, vegetable and peanut butter dumplings ($4.80 for three) for an all-in-one taste sensation. Open until late every night, East Ocean’s the perfect place for your midnight dumpling binge.
New Matter is a collection of AGNSW's most abstract and illusory photographs by Australian and international artists. Viewed together, they challenge the viewer to examine photography in a new way – as art itself, rather than a tool for representing other objects realistically. The artists' experimentation with form forces this radical reinterpretation as it obscures what we would initially view as the 'true' subject of the photo. Some of the artists featured include Walead Beshty, whose practice emphasises not concealing his artistic process, Danica Chappell, whose abstraction arises in the darkroom, where she plays with markers of time and space, and Zoë Croggon, whose photography of bodies explores our relationship with external environments. The exhibition also includes Jacqueline Ball, Matthew Brandt, Christopher Day, Charles Dennington, Cherine Fahd, Deb Mansfield, Todd McMillan, Luke Parker, Kate Robertson, James Tylor and Justine Varga. Image: Zoë Croggon, Dive #3 (2013), Art Gallery of New South Wales, Viktoria Marinov Bequest Fund 2014 © Zoe Croggon.
Celebrated for their cheerleading of Sydney artists on their bottles, Redfern locals Cake Wines are hosting their adorably named Archibottle Prize exhibition tonight. Along with the announcement of five new Cake wines, one of thirty entrants will feature on the label for Cake's 2013 McLaren Vale Shiraz, set to hit shelves in October. Celebrating its third year running, the Archibottle is a pretty top prize for local artists — Ears and Sean Edward Whelan topped 2012 and 2013 respectively and have enjoyed spots on the wine rack since then. But tonight's not all about art, there's plenty of booze news afoot as well. The event will also double as Cake's new vintage launch, with the team set to release five new wines — all yet to be revealed. After three years of winemaking and showing up to Sydney parties left, right and centre, Cake are taking things next level with this new batch of vinos. "We’ve evolved as a business and as guys who love making great wines, the result is still an approachable, easy drinking range but we've really tried to push things with this release," say the Cake team. "We’ve tried to capture the real essence of the Adelaide Hills to showcase the relationship between individual grape varieties and their immediate surroundings. We wanted each wine to be highly aromatic with a mix of varietal fruit flavours on the palate." You'll be able to taste Cake's 2013 whites and 2014 reds tonight, toasting the successes of the Archibottle winner and commiserating the runners up. Here are the finalists for the Archibottle, just for pretty's sake. See the full versions of the finalists at Cake's website. Find the Archibottle Prize exhibition from 6.30pm on Friday, September 29 at District 01, 7 Randle Lane, Surry Hills. Entry is free (and so's the wine). Images: Cake Wines.
One minute we were basking in what felt like an endless summer, the next, winter whipped in, bringing icy winds, downpours and frosty mornings. But that's no excuse to hibernate. In fact, the best way to cope with the cold is by donning your mitts, embracing it and heading outside. After all, getting out and about in winter has its advantages. Instead of sunburn, sweat and crowds, you get cool days made for bushwalking, crackling fires perfect for drinking by and moody seas for whale watching. Plus, you avoid turning into a stir-crazy, caged-up creature. All you need is your favourite winter jacket and a reason more enticing than Netflix to cross the threshold into the chilly outdoors. So, we've teamed up with Hahn to come up with a few ideas for some winter enjoyment. Do them all without leaving the city limits. WARM BEER GARDENS Going outside doesn't have to involve strenuous physical activity — or any physical activity, for that matter. Got the strength to drag yourself off your couch and to your nearest pub? Job done. You might normally associate beer gardens with long summer nights, but when winter rolls around, loads of pubs turn theirs into cosy spaces. After all, it doesn't take much — toasty gas heaters or a log fire and a few fairy lights will do the trick quite nicely. Then, of course, there's the warming impact of beer. As author Dave Barry once observed, "When I heated my home with oil, I used an average of 800 gallons a year. I have found that I can keep comfortably warm for an entire winter with slightly over half that quantity of beer." Check out Sydney's best city oasis bars and beer gardens. Check out Melbourne's best city oasis bars and beer gardens. Check out Brisbane's best city oasis bars and beer gardens. BUSHWALKS If you are keen to be active — maybe before hitting the pub — then go for a bushwalk, or three. In fact, cold days are often ideal for tackling trails, especially tough, hilly ones that send your heart rate skyrocketing, and aren't so attractive on 40-degree summer days. In winter, there's no need to worry so much about sunburn, bushfires or snakes, either. What's more, walking, like beer, warm the body and spirit. Why not take advantage of the vivifying effects of both, and pack a brew to drink at a pretty spot along the way? Did someone say winter? What winter? Discover the top walks in Sydney. Discover the top walks in Melbourne. Discover the top walks in Brisbane. NIGHT MARKETS Over the past few years, Aussie cities have developed many impressive and creative takes on the classic night market, which have helped lure the not-so winterly inclined out of their homes. It also helps that these markets celebrate our multicultural make-up, meaning they play host to a slew of chefs devoted to all kinds of deliciousness — from Asian stir fries straight out of sizzling woks, to melting French fondues, to piping-hot Greek doughnuts. At most markets, live music or performance art is on the agenda, too. So, put a pause on your hibernation, call a mate or two, and go a-wassailing around the markets for an evening. Visit the Carriageworks Night Market in Sydney. Visit the Queen Victoria Night Market in Melbourne. Visit Eat Street Markets in Brisbane. WHALE WATCHING One of the best things about being on the east coast during winter is that it's whale watching season. Fun fact: nearly 60% of the planet's whale population is found in Australian waters, and our humpback numbers are increasing by 11% per year. Also, in autumn, they head north to breed and calve in warm waters and, in spring, they return south, often with babies in tow. So, rug up in your warmies, pack a picnic (don't forget the beer) and head to the easternmost headland you can find. For an even bigger adventure, jump aboard a whale watching cruise. Find the best whale watching spots on the east coast. FOOTY GAME If you're not so interested in getting physical yourself, but find it quite warming to watch someone else red-faced and working up a sweat, then grab your mates and book some tickets to a footy game. After all, winter is footy season. Invest in your team's jersey and scarf — or choose based on your favourite colours if you're undecided — and make tracks to an official match in a major arena, surrounded by thousands of fellow fans. Alternatively, you can keep things close, and cheer on your local team at the club down the road. You never know, you might work up enough enthusiasm to sign yourself up for the next training session. Post-match drinks — be they victorious or consolatory — are a must (see Warm Beer Gardens). Watch the footy at these sports bars in Sydney. Watch the footy at these sports bars in Melbourne. Watch the footy at these sports bars in Brisbane. Grab your mates, grab some Hahn and get out there this winter.
It was 35 years ago in the original 1977 Star Wars film that Princess Leia called for the help of Ben Obi-Wan Kenobi through holographic messaging. At the time we thought anyone would be out of their mind to think such a thing would be possible. We were wrong about a lot of things back in 1977. Educated as an industrial design engineer but always fascinated by lights, Japanese artist Makoto Tojiki turned his head to creating art in 2003 and for five years has worked on his life sized light sculptures. Through the medium of thousands of LED lights and optical fibres, the futuristic celestial like sculptures approach the idea of 'physical presence' in an illuminating way. Tojiki explains his stunning 'No Shadow' light installation sculptures: "An object is seen when our eyes capture light that is reflected from the object. If we extract just the light that is reflected from ‘something,’ are we still in the presence of that 'something?' Using contours of light, I try to express this 'something.' Playing with perception and space, Tojiki encourages the audience to interact with his sculptures from different angles and distances, in turn altering viewer experience. Despite the international success of Tojiki's artworks, his talents are not limited to LED sculptures. Dabbling in interior design and jewellery, Tojiki hopes to see his artworks integrated with fashion brands and featured at events, stores or showrooms. For all you Harry Potter fans, check out Tojiki's 'Horse with No Shadow' installation. Created for Hermes, and probably with no connection to the wizarding world whatsoever, I can't help but see a comparison to Harry Potter's Petronus charm. [Via The Cool Hunter]
The Gold Coast is roughly 12,000 kilometres from Mexico, but that won't stop holidaymakers from enjoying a tequila-soaked vacation in Coolangatta. Forget paying for an airfare to the other side of the world — head to the Glitter Strip instead for a getaway at The Herradura Hacienda, the new margarita-inspired room that's now open for bookings at The Pink Hotel. With its eye-catching exterior and beach views, The Pink Hotel is a Coolie icon anyway, but a stay there can now come with agave spirits. As the new suite's name makes plain, this margarita wonderland is a collaboration with Herradura Tequila, aka Mexico's last tequila-producing hacienda. The vibe inside: 'cosmic disco' meets 'neon jungle'. As well as colourful decor — neon signs, leafy prints, disco balls and a wall of mirrored titles do indeed feature, as well as plants, plus various pink, green and sparkling hues — a night here includes bespoke Herradura margaritas. For an extra fee, you can also get an hour with a bartender to mix your 'ritas in your room. The suite's hero marg is a watermelon and pink pepper number, but Herradura and Capi palomas and boozy pink lemonades help fill out the drinks menu. Unsurprisingly, this package is around for a good time, not a long time. Costing $389 on weeknights and $489 on weekends, it's on offer until Sunday, June 4; however, the revamped room itself isn't going anywhere afterwards. That said, if you can't make it along till then, you will need to pay extra for your margs and other Herradura Tequila trimmings, rather than getting them included in your room rate. "We are extremely proud of the unique offering our hotel brings to the Gold Coast and are thrilled for our guests to experience The Herradura Hacienda pop-up," said Freya Frenzel, General Manager at The Pink Hotel Coolangatta. "The room has all elements of The Pink Hotel that people know and love, with a fun twist!" Getting in quick is recommended, with The Herradura Hacienda available to book via The Pink Hotel, Booking.com, Expedia, Airbnb, Agoda, Qantas, Trip.com, Hotels.com, Hotel Network and Yonda. And whether or not you're a tequila fiend, a trip to The Pink Hotel involves kicking back in a refurbished boutique accommodation spot that dates back to the 50s, reopened in 2018, and combines Scandinavian and mid-century design. Guests can enjoy being opposite the beach, too, and just a three-minute walk from Coolangatta's shops and bars. Or, you can hit up the rooftop, and the onsite restaurant and bar. The Herradura Hacienda is available to book The Pink Hotel, 171 Griffith Street, Coolangatta, with all the Herradura Tequila trimmings until Sunday, June 4 — and with them available at extra expense afterwards. Head to the hotel's website for further details and bookings. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips — including at The Pink Hotel — with deals on flights, stays and experiences at destinations all around the world.
Plato imagined Atlantis as a city of concentric rings: of land within water, water within land. Thomas More created a Utopia that occupied strange laws and a crescent island. And when Marco Polo sat with Khublai Khan, the emperor of China, and described his empire to him town by town, Italian author Italo Calvino imagined these towns as Invisible Cities of story and coincidence. Taking its cue more roughly from Calvino's dream cities than his predecessors' yen for a perfect one, Penguin Plays Rough is re-imagining their December evening of contact fiction into Your Cities Re-Imagined. Each of the evening's authors will be re-working a metropolis in their mind's eye, offering up a new vision of geography. Melbourne Comedy Festival star Luke Ryan will be reshaping his native Perth, Elena Maria Gomez will put Brisbane in its place and Sonja Dechian will say words for Melbourne. Standing in for Sydney will be Annaliese Constable, while Nick Sun will pull London into Aussie orbit. There are still four state capitals left, and space for five extra wildcard readers. You can be content to listen, or bring a page of story, sign up on the night and see what city-making springs from your imagination. Image by Steve Swayne.
