If you're after a wintry escape from the city, Victoria's High Country should be high on your hit list of destinations. When winter starts, the snow-cloaked mountains become a wonderland of cold weather experiences. From dogsledding to wintery cheese adventures to world-class alpine resorts, the snow-based activities are virtually limitless. Since 1973, Macpac has been kitting out adventurers with the latest technical clothing to protect you from whatever harsh conditions you encounter. So, together, we've picked out five of the best experiences you can organise right now for a winter getaway in Victoria this year. We've also included some packing tips — because when sweeping backcountry trails, you need to make sure you have the right gear. [caption id="attachment_669834" align="aligncenter" width="1920"] Visit Victoria[/caption] SNOWSHOE YOUR WAY TO CHEESE FONDUE This isn't quite your average wine and cheese night. The Snowshoe to Cheese Fondue adventure leads you through the snow gums, concluding with some high-quality French cheese and a delightful three-course dinner. After departing at sunset, you'll follow your dedicated guide through a 30-minute snowshoe tour before arriving at a remote eco-village. Find a warm spot inside the central tipi and indulge in a spectacular meal. Up in the ice peaks, you'll also learn the culinary secrets behind making traditional fondue while sipping a glass of Scandinavian-style spiced wine by the outdoor fire. For adventurers who want to take their wintertime journey to the next level, you can also opt to spend the night in a plush alpine dome. Pack this: Macpac Men's & Women's Quest Hoody, $199.99 [caption id="attachment_669851" align="aligncenter" width="1920"] Visit Victoria[/caption] LET HUSKIES GUIDE YOU THROUGH THE ALPS Among the unique activities on offer in Australia's winter wonderland, one of the best ways to experience the alpine region is going dogsledding with a pack of huskies. The Howling Huskies is one of Australia's most prominent dogsledding services. Take your pick from seven incredible tours, ranging from rapid 30-minute trips to epic four-hour ventures that include traipsing through the snowy countryside along the nation's longest commercial dogsled trail. This great alpine adventure is possible at both Mount Baw Baw (two and a half hours from Melbourne) and Mount Hotham (four and a half hours from Melbourne), and each offers its own maze of backcountry trails and special panoramic views. The husky squad is made up of 58 dogs altogether, with 47 of those rescued over the last few years. The temperature may be icy, but these doggos will give you all the warm and fuzzy feels. Pack this: Macpac Piste Gloves Unisex, $59.99 SNOWBOARD WITH AN OLYMPIC CHAMPION Falls Creek is quite possibly Victoria's most picturesque snowcapped location, featuring striking rolling hills, towering snow gums and a variety of charming stays. This section of the Alpine National Park boasts 450 hectares of skiable terrain and 90 awesome runs for snowboarders to test out. The Backcountry Tours with Steve Lee will whisk you away with the three-time Winter Olympian and legendary free-rider to visit the mountain's remote open bowls and vertigo-inducing steeps and chutes for an action-packed day. You don't have to be a pro — Falls Creek has some great runs for beginners such as the Wombat's Ramble, which is Australia's longest at just over two kilometres. Pack this: Macpac Powder Ski Jacket Men's & Women's, $349.99 [caption id="attachment_717523" align="alignnone" width="1920"] Visit Victoria[/caption] CROSS-COUNTRY SKI THROUGH SNOWY MEADOWS When it comes to cross-country skiing, Lake Mountain is the third most visited destination in the world for this gut-busting activity. The rugged landscape hosts a sprawling network of ski trails spread across the mountain, which both beginners and expert skiers are more than welcome to come and explore. As the closest snow resort to Melbourne, Lake Mountain is home to 30 kilometres of groomed trails. Meanwhile, a further 7 kilometres of ungroomed tracks present more of a challenge for the well-versed skier. After a morning of activity, warm up and share a relaxing glass of wine at Lake Mountain Resort cafe. Pack this: Macpac Tech Ski Socks, $34.99 [caption id="attachment_628046" align="aligncenter" width="1920"] Andrew Railton[/caption] SKI AND SPA AT MOUNT BULLER Mount Buller is undoubtedly one of Victoria's (and Australia's, for that matter) most popular winter destinations. It presents snow lovers with a variety of slopes and terrains that stretch across the enormous mountainside. Whether you're just starting out or have grown up attached to a pair of skis, Mount Buller is bound to have a run that suits your skill level. Particularly popular amongst skiers, Mount Buller features 300 hectares of snowy scenery for you to explore. Once you've had enough action for the day, warm yourself up with dinner and drinks at one of 30 bars or restaurants situated nearby. More than just a snow sports destination, Mount Buller also offers a luxe spa resort, a cinema, a museum and even a sculpture park for when your body needs a break from the slopes. Pack this: Macpac Merino 220 Merino Baselayers, $109.99
Friday summer nights have never looked so colourful, nor cobblestoned — The Rocks Village Bizarre is here. Kicking off on November 7 and continuing every Friday night until December 19, the Bizarre is treating us to a bunch of installations, performances, and fractured fairytale makeovers bound to help you forget that you once thought of this area as the domain of tourists and primary school excursions. Berlin-based performance artist, dancer and DJ (and Village Bizarre's artist in residence) Peter Baecker will work his euphoric '80s magic in an interactive art installation in an empty shopfront. Join Big One Little One as they invite five audience members at a time into a room at The Old Sydney Holiday Inn for an intimate, mini-bar fuelled performance experience (that's not as suss as you suspect). Then stumble back onto the streets, where you might perchance bump into the resident choir doing Lorde covers or K-Pop dance troupe Crossover. Hands up who harbours fond, nostalgic thoughts for those luminous giant white VIVID bunnies that dotted our city streets in June? The Village Bizarre is bringing them back! They'll be hidden in new spots every Friday night for you to track down, and then inevitably add to your Instagram feed. And, for those that want more to take home than a few Instagram likes, there will also be a regrets-free Etsy market on site. Once you're finished with your proactive Christmas shopping, kick back and relax with a drink at 1920s juke joint Gin Mill Social. The Bizarre has proven to be a refreshing shake-up for The Rocks in previous years — and it looks like this one's set to keep that tradition alive. See the full program of events at the Village Bizarre website.
Following its highly successful tour on the international film festival circuit, including swiping a Golden Lion in Venice, critically acclaimed Roma from Academy Award-winning director Alfonso Cuarón (Gravity, Children of Men) is hitting Australian shores this month. The film is set to have a limited run in selected Australian cinemas before its release on Netflix on Friday, December 14. The cinematic release of the stunning black and white film also marks the first Netflix-acquired production to be given the traditional release treatment. The film focuses on the daily life of housemaid Cleo, who works for a wealthy family with four children in Mexico City. While portraying scenes of domestic life and social hierarchy, the film also conveys a striking look at the political unrest and violence in 1970s Mexico. Given all of the rave reviews from critics and Oscar buzz surrounding Roma, it seems a waste to watch it on your TV or phone. Rather, the Ritz Cinema in Randwick, which boasts a 81-year history as an independent, art deco cinema, seems a more fitting setting. The Ritz will be hosting multiple screenings a day of Roma from Friday, December 7 to Wednesday, December 12, and, in more good news, we've secured five double passes. For the chance to win, enter your details below. If you don't want to leave it to fate, you can book tickets to see the film at The Ritz via the website. [competition]700368[/competition]
It just might be Australia's most famous man-made structure, and it'll soon be home to the Australian Aboriginal flag on a permanent basis. That'd be the Sydney Harbour Bridge, which only flies the Aboriginal flag for 19 days each year at present — for Australia Day, Sorry Day, Reconciliation Week and NAIDOC Week — but will do so every day "as soon as possible", as New South Wales Premier Dominic Perrottet has just announced. The Sydney Harbour Bridge currently has two flag poles, with one flying the Australian flag and, when the Aboriginal flag isn't on display on its allocated days, the other flying the NSW state flag. To display the Aboriginal flag permanently, the bridge will gain a third flag pole — with the Premier advising that the government has "been working through this for some time." Speaking at NSW's daily COVID-19 press conference on Saturday, February 5, Perrottet said that "the first advice I received is that it would take two years. Two years. I mean, in the 1920s, it took nine years to build the Harbour Bridge, but apparently today it takes two years to put a flag pole on top of the Harbour Bridge. I'll climb up there myself to put it up if I need to". He continued: "I can't see why it would take that long. The new advice that I've received is that it can be expedited — I think it went down to two years, and then to six months — so as soon as possible". A 5 year struggle worth while. WE BLOODY DID IT 🎉 Thank you to everyone who participated. The @ChangeAus petition & @gofundme won't stop until the flag is flying proud. Let's see it to the end.@AIA_SydneyCBD @MayorDarcy @david4wyong @GaryNunn1https://t.co/Xbqhunc8m7 — Cheree Toka (@Chereetoka) February 4, 2022 The announcement follows a five-year-long campaign by Kamilaroi woman Cheree Toka, who also launched a Change.org campaign in 2020 to continue to call on the NSW government to make this exact move. "The Aboriginal flag is a reminder that the country has a history before European arrival," Toka said two years ago. "I think it's really important to have a symbolic gesture on the bridge that identifies the true history of Australia, which is a starting point for conversation around greater issues affecting the Indigenous population." After the first three years of Toka's campaign, she had amassed more than 157,000 digital signatures and the required 10,000 paper-based signatures to bring the issue to NSW parliament. However, when it was debated in the final NSW parliamentary session of 2019, the result then was that it would cost too much to construct a third flagpole to see the Aboriginal flag flying daily — which was what sparked her crowdfunding campaign to raise the $300,000 quoted by the government to 'fund the flag'. [caption id="attachment_841962" align="alignnone" width="1920"] Vakrieger via Wikimedia Commons[/caption] Announcing the change of policy on the weekend, the NSW Premier said that "we can't truly be proud of our country unless we are working together to achieve true reconciliation. That's a combination of both symbolic reconciliation and practical reconciliation." The move to permanently display the Aboriginal flag on the Sydney Harbour Bridge comes just weeks after 2022's other big flag news, with the Australian Government unveiling a copyright deal at the end of January with Luritja artist Harold Thomas, who designed the symbol, to make it freely available for public use, Exactly when the Aboriginal flag will start flying permanently on the Sydney Harbour Bridge hasn't yet been revealed — we'll update you when further details are announced. Top image: Mary and Andrew via Flickr.
China sometimes feels a lot further away than geography implies — which makes visiting the White Rabbit a voyage of discovery and viewing its artworks a decoding of foreign communiques. Gallery owners Kerr and Judith Nielson, billionaires who believe art is for sharing, collect Chinese art post-2000 — an era of renaissance without contemporary peer. The Beijing they showcase is full of creatives with immaculate technical training, abundant resources and plenty to say. The Nielsons' handpicked treasures have broad appeal. From the grit and clarity of Wang Jiuliang's Beijing Besieged By Waste photo series, depicting landfills whose effects aren't buried, to the bright neosurrealism of Chen Fei's Beyond Satisfaction 2006 No.2, a stab at the consumer revolution, and He Jia's party of Happy Balloon Men (much like what they sound), the works represent an extraordinary range. They share no one theme, besides their having once called out to their collector, but you'll be struck again and again by the reflections on daily life and identity, the pop culture imagery, the sense of play and the purpose behind even the most abstracted forms. It's art that grabs you and that makes you want to grab it, art that makes you understand the omnipresence of the 'no touching' signs. (Although hover inquisitively and the nice attendant may offer you a feel of a sample of one of Ai Weiwei's individually handcrafted porcelain Sunflower Seeds from a pot beside the 500-kilogram installation.) The third of White Rabbit's six-month-long exhibitions, Big Bang goes to show that its owners' collection, and the creative engine that feeds it, will not idle anytime soon. The art isn't the only attraction, either; this is a slick converted warehouse space that makes the most of its four storeys, whether through the whirlwind of plastic refuse that reaches to the third landing (Wang Zhiyuan's Thrown to the Wind) or the musky, ethereal parchment man that, stretched out, snakes through the roof (Li Hongbo's Paper). The space also boasts a tearoom, a theatrette, some inspired events and generous staff who'll contextualise the work you're viewing without being pesky.
Everyone loves Jamie's Italian. Or at least that's what we discovered when, back in 2016, we reported that the Jamie Oliver had officially bought back his Australian restaurant chain after its parent company, the Keystone Group, went into receivership. People were ecstatic. Now, after the man, the myth, the legend himself relaunched his six Jamie's Italian restaurants back in March last year, he's throwing us another bone: ten buck pastas. Both Jamie's Italian restaurants — in the CBD and Parramatta — will offer three signature pasta dishes for only $10, starting January 15 through to the end of the month. In the week of January 15–21 you can choose from Jamie's crab spaghetti, vegetarian tagliatelle bolognese and a next-level ricotta and black pepper ravioli that comes in a lemon sauce. Then, the menu switches, and from January 22–31, a garlicky prawn linguine, octopus ravioli and truffle tagliatelle will be available for a tenner. Pretty lovely jubbly considering some of these dishes are usually priced at up to $32. The $10 pasta will be available at both lunch and dinner.
There are few topics more polarising than contemporary art, and so the fiery debate rages on. For the Love of God: Is Contemporary Art a Joke? provides the perfect forum for experts to sound off about competing scales of value when it comes to judging the creative work of our peers and contemporaries. The relevance of the ready-made, Damien Hirst, and the fundamental question of whether any of it has any meaning are all fair game, and even hecklers will be indulged. This illuminating ideas throwdown will be adjudicated by artist Frances Barrett, and the well-appointed debaters include arts writer and curator Chrisoula Lionis, writer and performer Eddie Sharp, art critic Andrew Frost, artist and Firstdraft Depot co-founder Connie Anthes, COFA lecturer Dr David McNeill, and performance artist Matte Rochford. 'For the Love of God: Is Contemporary Art a Joke?' is part of Art Month 2013. Check out our guide to the festival's ten best events here.
Each year we anticipate the arrival of December 25. Because of the day off, the promise of an afternoon spent dozing in a hammock — and the arrival of Messina's annual Christmas cake. And while the gelato gods last year went for a huge edible Christmas bauble-shaped creation, they've decided to make 2016's cake slightly more political. Enter The Lockout Claus. This epic ice cream cake — shaped like a round Santa Clause trying to fit down a chimney, if you didn't completely see it the first time — is Messina's delicious festive response to Sydney's lockout laws. The Sydney-founded gelato chain have been vocal supporters of the Keep Sydney Open campaign this year, and even though slight changes to the laws were announced last week, they evidently still think Santa's at risk of getting locked out on Christmas Eve. So what's in the cake? Well, cutting open Santa's jolly belly will reveal layers of salted caramel gelato with cherry sorbet, chewy caramel, chocolate mousse and chocolate sponge. Plus, it comes with a jug of vanilla brandy custard to pour over the hefty slice of cake you'll serve yourself up. The cake, which serves 12-14 (or less if you really commit), costs $90 and can be ordered for pickup between December 21 and Christmas Eve. In Sydney you can pick one up from their Rosebery, Darlinghurst, Bondi, Miranda and Parramatta stores. If you're in Melbourne you can get one from their Fitzroy or Windsor outposts — and, sweeter still, you can eat it knowing you can still go out and party all night too. The Lockout Claus is available to order at gelatomessina.com.
If sport is escapism in its simplest form — the 2020 Summer Olympics couldn't have come at a better time. For all of us following along from the pub or the couch (sorry Sydney), the ultimate demonstration of human accomplishment delivers a much-needed sense of belonging and shared experience. In between staggering feats of athleticism, competitors from every corner of the world have given us countless inspiring tales all delivered with neverending grace. So, our writers' have recapped eight of the most heartwarming, unmissable moments of the Tokyo Olympic Games so far. SUZ TUCKER: Editorial Director Moment: Oksana Chusovitina, representing Uzbekistan in gymnastics. I write this from an at-home standing desk — because I've somehow injured my back doing nothing. Meanwhile, Oksana Chusovitina is a 46 year old woman who, this week, competed in her EIGHTH consecutive Olympic Games (the first was Barcelona in '92) in a sport where the majority of participants are under the age of 20. This veritable sporting icon competed in vault before announcing her retirement from the sport. I pulled a hammy just watching her. A legend. MELANIE COLWELL: Branded Content Editor Moment: Jian Fang Lay, representing Australia in table tennis. If you've read or watched the news at all this past week, you'd be aware of the major Aussie success stories at the games so far. We're dominating in swimming and Jess Fox finally got her hands on the gold medal that had eluded her for many years. They're dubbed champions. Legends. Heroes. And rightly so — they've earned it. But there is another athlete that should be getting just as much praise and recognition: Jian Fang Lay. The 48-year-old table tennis player may not have won any medals (yet) but she is competing in her sixth consecutive Olympic Games — one of only two Australian women to do so. Talk about grit and determination. As someone whose experience with table tennis begins and ends with a few successful games of beer pong (the more you drink, the better you play and you can't convince me otherwise), Jian's speed, coordination and instinct is a marvel to witness. She is an underrated QUEEN. ELLEN SEAH: National News & Features Editor Moment: Thomas Daley, representing Great Britain in diving. Very occasionally, the democratic nature of sport fosters moments that stretch far beyond a league, a game, or a medal. Tom Daley's post-dive media interview was one such moment. Sporting a plain black mask, with adrenaline still pumping from his first Olympic gold medal win, Daley told media reporters about the struggle and pressures he's faced as an LGBTIQ+ athlete, with the grace and confidence that would put most to shame. "I came out in 2013 and when I was younger I always felt like the one that was alone and different and didn't fit in. There was something about me that was always never going to be as good as what society wanted me to be," Daley said, in response to a reporter's question about there being more openly out LGBTIQ+ athletes than any other Olympic Games before. "I hope that any young LGBTI person out there can see that no matter how alone you feel right now, you are not alone. You can achieve anything." Daley and his synchronised diving partner, Matty Lee, sat between silver medal Chinese athletes Cao Yuan and Chen Aisen and bronze medal Russian divers Alexander Bondar and Viktor Minibaev. Gay marriage is not legal in either Russia or China. LIBBY CURAN: Staff Writer Moment: Ariarne Titmus, representing Australia in 400m freestyle (and Dean Boxall's reaction). Life can start to feel a little light on excitement when you've been churning through lockdowns like it's an Olympic sport. Heck, some days, putting proper pants on seems deserving of a hearty pat on the back. So, imagine the pure motivation that would come from having a personal cheerleader that gets as wildly ecstatic about your triumphs as Ariarne Titmus' coach was following her women's 400m freestyle win. Dean Boxall's joyfully OTT reaction to his charge's gold medal moment has become an instant meme and for good reason — we're talking buckets of unbridled enthusiasm and some very passionate hip thrusts. Ok, so you might not be in the running to take home any gold medals for Australia yourself. But whatever little thing you need to muster up motivation for this week, chuck Boxhall's now-famous cheer routine a watch and I reckon you'll feel ready to take on the world. SARAH WARD: Associate Editor Moment: All the new sports. The only sport I'm obsessively passionate about will never reach the Olympics, even when Brisbane hosts them in 2032. Australia would obviously win gold if Aussie Rules did ever make the cut, though. If there was a way for us to win silver and bronze at the same time, we probably would as well. Still, there's something inherently joyous about new sports being introduced to the Olympics, even if it's not my beloved form of football. All those athletes who've just had their dreams come true merely by even being able to compete at that level, and all those kids who might now turn their childhood passions into a medal-winning profession — it's nothing short of inspiring. Surfing and skateboarding obviously fall into that category this year, and the fact that many of the winners so far have such moving stories behind them, or happen to be 13-year-old girls kick-flipping their way to glory, is flat-out excellent. Also a delight: seeing baseball join the fold in Tokyo. Having witnessed first-hand just how beloved baseball is in Japan — complete with the souvenirs to prove it — it's clear how meaningful an inclusion this is. CORDELIA WILLIAMSON: Branded Content Manager Moment: Bronte Campbell, Cate Campbell, Emma McKeon and Meg Harris, representing Australia in the 4 x 100-metre freestyle relay. Despite my current opinion of the International Olympic Committee (IOC) and really feeling for Japan right now, I am (somewhat selfishly) loving watching the Olympics. I listened to journalist Kieran Pender on a recent 7am episode, 'Front row seats to the world's biggest experiment', and he describes the Tokyo Games as a paradox. On the one hand, it is "deeply problematic" that the IOC has forged ahead, and it is reasonable for us to say 'who cares' when we look at the broader context. But also, as Pender states: "Sport is powerful, sport is important…[and] these games will bring joy, particularly to those in lockdown". This pretty much sums up how I feel as a veg out on the couch watching these superhumans dive, sprint, jump and backflip on the screen. One moment where all my neg energy dissipated, however, was while watching Bronte Campbell, Cate Campbell, Emma McKeon and Meg Harris absolutely slay in the pool in the women's 4 x 100-metre freestyle relay final. Beating your own world record by three seconds is bloody great. But for me, someone who doesn't really watch sport nor have much (if any) national pride, it was seeing these incredible women celebrate the team's efforts, not just themselves, and present each other with their gold medals that got me like a punch in the guts. Heartwarming stuff right there. Seriously looking forward to catching more pool action, particularly diving and artistic swimming. And the pentathlon — it blows my mind that individuals can be skilled in so many (and some random) sports. BEN HANSEN: Staff Writer Moment: Hidilyn Diaz, representing the Philippines in weightlifting. While I've been yelling at my screen consistently over the last week as the Ollyroos upset Argentina, the Boomers continue their winning streak and we dominate in the pool. The moment that brought the biggest smile to my face was weightlifter Hidilyn Diaz winning the Philippines its first first-ever Olympic gold with an Olympic Record lift. Weightlifting is already a wildly impressive sport, but Diaz's face of relief when she lifts her first place-winning weight turning to overwhelming joy was so touching. NIK ADDAMS: Branded Content Manager Moment: Owen Wright, representing Australia in surfing. I know absolutely nothing about surfing. I don't even understand what one is supposed to do when one surfs. And while I was initially drawn in by the handsome Brazilian men (whatever gets you tuned in, right?) what I do know is that — after quickly Googling the rules to try and make some sense of what I was watching — I felt like I was riding every single wave with Owen Wright, Australia's first surfing medallist. The word 'inspirational' is thrown about quite a bit in sporting discourse, but his story is one that truly merits that term — having to relearn how to walk and surf after a horror brain injury just six years ago. The post-surf interview with his beautiful family showed just how much this one meant — and I hope his son Vali got an extra scoop of ice cream to celebrate, too. Top image: IOC, supplied.
Despite what you may think, Sydney SuperNight is three days and nights of action-packed activity from all angles. From Friday, July 19 to Sunday, July 21, the Sydney SuperNight will see a number of practice, qualifying and support racing sessions take place, culminating in the climax of the feature race when the sun goes down on Saturday evening. This will be round seven of the Repco Supercars Championship so rivalries between the drivers are high, and the atmosphere can get intense. Plus, the fact that some of it is going down at night means you'll be able to see the sparks literally fly — don't be surprised if you get caught up in the theatrics. Plenty of non-track action will be interspersed throughout the weekend, too. There will be events for all ages, merchandise, signings, live entertainment and much more. More information is likely to be released in the coming months, so keep your eyes on the Sydney Supercars channels.
Back in May, when Australia started to look past social distancing and public gathering rules to a less-restricted future, Falls Festival announced it was powering ahead with plans for its New Year's festival. But a couple of months is a long time in 2020 — and today, Wednesday, August 26, the event has announced that it will not longer be taking place this year. In a statement released via Facebook, festival organisers advised that "given the current status of things and border restrictions in place, it won't be possible to hold Falls Festival in our regular New Year's timeframe". It's worth noting that the post doesn't say that the next iteration of Falls is completely cancelled, however. "Consider this a raincheck, and please know we will be back with more information as it comes to hand," the statement notes. As for what that entails, Falls will "work with government stakeholders and key agencies to get Falls Festival back in the calendar". Clearly, given the way the past few months have shaped up — including with Victoria's reimplemented restrictions — there are a hefty range of factors to navigate. https://www.facebook.com/fallsfestival/photos/a.103842988679/10158800587688680/?type=3&theater If it had gone ahead in its usual December/January slot in 2020/2021, the summer festival had planned to implement some big changes. Usually taking place at Tassie's Marion Bay, Lorne in Victoria, North Byron and Fremantle, it was set to feature an all-Aussie lineup this year — which, with Australia's borders currently closed and even travel between just Australia and New Zealand "still some time away", seemed the smart choice. It also had the added bonus of helping Aussie musicians, many of which have been financially impacted by the COVID-19 lockdown. When the festival does go ahead, it's still fair to expect that it might look a little different — at least in terms of punters numbers. Falls Byron usually has around 25,000 attendees, while Falls Lorne has 9000, for example, figures that seem particularly large in today's social-distancing world. Last year, the music festival was impacted by the bushfires, with the Lorne leg cancelled one day in because of extreme and hazardous weather. Falls Festival will no longer go ahead in December 2020/January 2021. We'll let you know if and when more details are announced.
We've all heard of paying more for a single origin or manual brew but how about for a good cause? Similar to CafeSmart, buy a Change Coffee on Friday, December 4 from a participating cafe and put your caffeine addiction to good use. Cafes all over Sydney are participating in #ChangeCoffee this year, from Hemingway's in Manly to Harry's in Bondi. Head out to your closest coffee shop and make your morning brew count. Basically, you pay for two coffees, but take away one. So it'll cost you twice as much as your regular cup but the extra half will go to the Eniwe Children's Fund. Since forming in 2010, the Fund has raised over $300,000 to help run community projects in South Africa's Western Cape — an area particularly affected by HIV and AIDS. We're all well aware of the devastating effects of HIV/AIDS. To put it in perspective, in 2014 there were an estimated 1.2 million AIDS-related deaths across the globe. The number of orphans due to AIDS in Sub-Saharan Africa alone is staggering and nearly 90 percent of newly infected kids live in the region. Change Coffee initiative is all about doing what you can to help those kids. To put it in perspective, can you guess what the world's second most traded commodity is? It's coffee and there's no denying that us Sydneysiders consume a lot of it. That extra cup could go a long way in helping improving the lives of kids who have been affected by AIDS in the area. If you've sworn off caffeine (not for long) or can't handle more than one cup a day but still want to contribute, you can donate online. Here's the list of participating cafes for #ChangeCoffee.
When it makes its debut this June, Sydney's huge new arts and food festival will help kickstart winter in a big way. Live music paired with stargazing, country tunes in Newtown and moonlit kayaking from Darling Harbour are just some of the highlights among the just-revealed Sydney Solstice program, with the previously announced event slotting into Vivid's usual early-winter berth between Tuesday, June 8–Sunday, June 20. Aiming to reinvigorate the city's hospitality, music, arts and culture sectors after a tough 12 months, the new event will take place across four city precincts. Spaces across the CBD, Darling Harbour, Newtown and Oxford Street will host more than 200 events — in restaurants, bars, galleries, museums, music venues and outdoor areas. In the CBD, highlights include music, dance and theatre events in the YCK Laneways precinct; dancing and late-night dim sum at Mr Wong; International Pride Month events at Metro Theatre; and art installations and dance pop-ups in Chinatown. There'll also be after-dark parties at Sea Life Aquarium, where more than just the aquatic creatures will glow; a world-premiere work by celebrated composer and producer William Barton, which will soundtrack an evening of stargazing at Sydney Observatory; and Queen's Feast, Heaps Gay's multi-sensory dining and art experience at Sydney Town Hall. The latter will feature an all-female chef lineup, including Masterchef alum Sarah Tiong, pastry maven Anna Polyviou, Southside Charmers' Georgia Woodyard and Claire Van Vuuren of Newtown fave Bloodwood. The Sydney Opera House forecourt will become a hub of live music, talks and poetry readings for each night of Sydney Solstice. Head along at sunset, and you'll see this year's Badu Gili, too — a six-minute projection on the structure's eastern Bennelong sails. Or, for two food-filled days, make a date with Opera Kitchen and its Italian- and Japanese-focused festival. Nearby, Darling Harbour will be transformed into a winter wonderland, complete with an ice-skating rink and German-themed chalets. If you'd prefer to hop onto the water, you'll be able to kayak by moonlight as well. Also making great use of the waterfront location: Harbour Garden, an installation of inflatables that's designed for attendees of all ages. Just outside of the CBD, Newtown will host the inaugural (and adorably named) Country and Inner Western Festival, which'll pop up in small bars, pubs and other venues to showcase emerging and established country, alternative country, bluegrass, folk, Americana and blues musicians. And, over at South Eveleigh, a big (and free) street festival will celebrate the growing food precinct — just as Kylie Kwong launches her new restaurant onsite. Meanwhile, fermentation will be in the spotlight on Oxford Street, with Bitter Phew celebrating brewers, winemakers, bakers and cheesemakers for the duration of Sydney Solstice. Plus, Hotel Harry's Altar Danceteria will throw a series of genre-hopping parties — so fingers crossed that dancing is back again by June. And, no, you won't be bored across the festival's 13-day run. Sydney Solstice will take place from Tuesday, June 8–Sunday, June 20. We'll update you with further details when they're announced — and you can keep an eye on the festival's website, too. Images: Destination NSW
Whether you spend all day each day at Sydney Film Festival when it rolls around every year, or just fit which flicks you can into your schedule, no movie lover ever wants the Harbour City's annual celebration of cinema to end. That goes double for the fest crew itself, with the team understanding that managing to catch everything that you want to during SFF is impossible. The solution: adding extra days after the event's official closing night for more sessions. For a few years now, SFF puts on a Back By Popular Demand program post-fest — and this year's lineup has just been announced. Yes, closing night will still be on Saturday, June 16. But across Monday, June 17–Thursday, June 20, you'll be able to watch a handful of the festival's films at Dendy Newtown, Palace Cinemas Norton Street and Ritz Cinemas Randwick. From 2024's most-popular titles, 16 pictures are getting encore showings. Each movie is only popping up once more in the Back By Popular Demand season, so this is still a case of needing to snap up tickets quickly. Three such highlights: I Saw the TV Glow, the Sundance hit from We're All Going to the World's Fair's Jane Schoenbrun that's about two teens grappling with their favourite television show getting cancelled; Sasquatch Sunset, which is directed by the Zellner brothers (Damsel), and stars Riley Keough (Daisy Jones & the Six) and Jesse Eisenberg (Fleishman Is in Trouble) as a sasquatch family; and Problemista, as directed by and starring Los Espookys' Julio Torres opposite Tilda Swinton (The Killer). Other returning films include Saoirse Ronan (Foe) as a recovering addict in page-to-screen adaptation The Outrun; In Vitro, an Aussie sci-fi thriller about a couple doing biotech experiments, which features Succession alum Ashley Zukerman; and La Cocina, a restaurant-set dramedy starring Rooney Mara (Women Talking) and directed by Alonso Ruizpalacios (A Cop Movie). There's also Grand Tour, which hails from 2015 Sydney Film Prize-winner Miguel Gomes (Arabian Nights) — and All We Imagine As Light, the first Indian film to play in Cannes' competition in three decades. Viewers can also catch thriller Brief History of a Family from China, documentary Agent of Happiness from Bhutan, Berlinale Teddy Award-winner All Shall Be Well and Silver Bear-winner Dying, plus the Cannes-debuting Motel Destino, Italian box-office hit There's Still Tomorrow, biodoc Charmian Clift — Life Burns High and the Taika Waititi (Next Goal Wins)-produced We Were Dangerous. In total, the encore sessions feature 19 films, with the extra three covering sessions in the fest's Nancy Savoca: True Love Stories retrospective: 1989 Sundance Grand Jury Prize-winner True Love, Dogfight with the late, great River Phoenix and Household Saints. Sydney Film Festival's 2024 Back By Popular Demand bonus screenings hit Dendy Newtown, Palace Cinemas Norton Street and Ritz Cinemas Randwick between Monday, June 17–Thursday, June 20. Sydney Film Festival 2024 takes place from Wednesday, June 5–Sunday, June 16 at various cinemas and venues around Sydney. For more information — and for tickets — head to the festival's website.
Never in history has the topic of sustainability been a more popular or important topic of conversation. Saving the environment is on the immediate to-do list of individuals and organisations across the world, but will governments go as far as to grant legal rights to Mother Nature herself? The answer is shockingly, but quite possibly, yes. Today, the United Nations will propose Bolivia's Law of Mother Earth, based on the Universal Declaration of the Rights of Mother Earth, in an attempt to lead the world into a new age of conservation of natural resources and a strict reduction of pollution. The treaty includes four articles and, if passed, would grant the environment 11 legal rights, including the right to life and to exist, the right to continue processes free from human disturbance, the right to pure water and clean air, the right to balance, the right not to be polluted, the right to not be affected by mega-infrastructure and development projects that negatively affect ecosystems and the local inhabitants and the right to not have cellular structure modified or genetically altered. Does this mean no cutting down trees? It's hard to determine whether the proposal is silly or a solution. Although it is highly unlikely that the UN will approve the treaty any time soon, the truth is that especially in the suffering environment of Bolivia, Mother Nature isn't in the best shape right now. It remains to be seen whether granting a bill of rights to flora and fauna is the best way to restore her to her former glory. [Via The Guardian]
When the COVID-19 pandemic first started spreading across Australia and the country went into lockdown, New South Wales did not close its borders to domestic travellers. But when cases started rising again in Victoria, it first banned Melburnians from hot zone" suburbs, and then closed its border to the entire southern state — for the first time in more than 100 years, since 1919 during the Spanish Flu. With both Victoria in general and the metropolitan Melbourne area specifically now easing out of the most recent stay-at-home restrictions, and with case numbers low throughout the state, NSW has announced today, Wednesday November 4, that it'll be reopening its border to its southern neighbour. NSW Premier Gladys Berejiklian advised that "we need to keep moving forward as we live with COVID-19. I have confidence that everyone will continue to work hard to keep everyone safe". https://twitter.com/GladysB/status/1323777523293933568 The change will come into effect at 12.01am on Monday, November 23, meaning that Victorians can enter NSW and vice versa from that point onwards (and just in time for both summer holidays and Christmas, too). NSW residents were already permitted to visit Victoria, as Victoria didn't shut its border during its lockdowns; however, NSW's border rules meant that residents were then required to quarantine upon their return — unless they had a special permit, or lived in the strict border zone that also required permits. Announcing the border reopening, Premier Berejiklian said that the move was based on NSW Health advice — and noted that Victoria "may have, because of the lockdown, actually gone down a path of having eliminated it [COVID-19] at this point in time". Victoria has reported zero new coronavirus cases for the past five days, while NSW has reported 27 over the same period. Also today, Premier Berejiklian announced that all NSW hospitality venues will be required to use QR codes to track patrons from November 23. "We believe the dual strategy — of opening up our borders to all Australian citizens, all New Zealand citizens, in addition to making use of QR codes compulsory for hospitality businesses — is an important step forward," she advised. You can find out more about the status of COVID-19 at the NSW Health and Victorian Department of Health and Human Services websites. Top image: Mulwala Bridge by Yun Huang Yong via Flickr.
For cinephiles who like their movies dark, twisted, offbeat and out there, Monster Fest has been a beloved name on Australia's festival circuit for more than a decade. The event started back in 2011 as a Melbourne-only showcase of weird and wild cinema, and has expanded to hit up Sydney, Brisbane, Perth and Adelaide, too — because everyone deserves a strange and surreal (and sometimes chilling and horror-fuelled) night or several at the pictures. In 2022, Monster Fest is back for another whirl, although you're forgiven if that idea sounds familiar: earlier in the year, it hosted weekender mini fests to sate movie buffs' appetites. Now, it's time for the full festival experience, which unfurls over four days in Sydney, again highlighting the latest and greatest in genre filmmaking. If it's a horror, sci-fi or thriller movie and it's destined for a cult following, you'll likely see it here first. When it arrives at Event Cinemas George Street from Thursday, December 8–Sunday, December 11, Monster Fest 2022 will kick off with the Yuletide terrors of Christmas Bloody Christmas, which features a robotic Santa malfunctioning, then going on a murderous rampage. 'Tis the season and all that. From there, other standouts include Stephen Dorff- and Emile Hirsch-starring The Price We Pay, which begins with two criminals on the run and gets deadlier from there; The Offering, about a family battling an ancient demon; and Swissploitation flick Mad Heidi, which has its namesake fight fascist rule in a grindhouse frenzy. Or, there's On the Edge, the latest from American Mary filmmakers Jen and Sylvia Soska; Subject, the sophomore release by Australian Watch the Sunset filmmaker Tristan Barr; and Ribspreader, another Aussie effort, this time about getting rid of smoking — and smokers. Closing night features Kids vs Aliens, a coming-of-age sci-fi/horror effort that sees a house party gatecrashed by visitors from another galaxy as directed by Hobo with a Shotgun's Jason Eisener. Elsewhere on the lineup, even though the idea of people fighting to survive their way through a building isn't new by any means — see: High-Rise, Dredd and The Raid, for starters — French film Lockdown Tower is giving it another go. A must-see for everyone: the special presentation of Friday the 13th Part III to celebrate its 40th anniversary, as screening in 3D and 4K. And a word of warning: if you like your movies happy and chirpy, this clearly isn't your kind of festival. For everyone else, settle in.
If you're looking for more things to do while you're stuck at home that's not online puzzles and another cooking lesson, you're in luck. The Australian Ballet is one of the latest cultural institutions around Australia and the world to launch an online platform. The company's 2020 digital season features high-quality footage of full-length performances for you to watch at home — and it's free. Each performance is available to watch for a two-week run. The program kicked off with David McAllister's The Sleeping Beauty, set to Tchaikovsky's famed score, then Cinderella, followed by Romeo & Juliet. On offer from now until Thursday, August 6, you can watch Spartacus, inspired by the 1951 novel by Howard Fast. In all, you can expect dazzling footwork and an overall vivid spectacle on your screens until August 3. To watch, head here. On the digital platform, you'll also find behind-the-curtain content, talks and panel discussions, and a video about the company's collaboration with Nursewatch: a series of ballet workshops for seniors. For those wanting to put on their dancing shoes, there are mini-dance lessons where you can learn how to plié, jump and do a graceful port de bras, plus free at-home sample sessions for beginner, intermediate and pro dancers. The At Home With Studio classes are about 30–40 minutes long and all designed to be done in your home with a makeshift ballet barre (a kitchen bench or table should do the job). Top image: Spartacus and Sleeping Beauty Updated August 3, 2020.
UPDATE, November 11, 2022: Fire of Love is available to stream via Disney+. Spewing fire is so hot right now, and literally always — and dragons aren't the only ones doing it. House of the Dragon and Blaze can have their flame-breathing creatures, and Fire of Love can have something that also seems fantastical but is one of the earth's raging wonders. The mix of awe, astonishment, adoration, fear, fascination and unflinching existential terror that volcanoes inspire is this documentary's playground. It was Katia and Maurice Krafft's daily mood, including before they met, became red beanie-wearing volcanologists, built a life chasing eruptions — The Life Volcanic, you could dub it — and devoted themselves to studying lava-spurting ruptures in the planet's crust. Any great doco on a topic such as this, and with subjects like these, should make viewers experience the same thrills, spills, joys and worries, and that's a radiant feat this Sundance award-winner easily achieves. What a delight it would be to trawl through the Kraffts' archives, sift through every video featuring the French duo and their work, and witness them doing their highly risky jobs against spectacular surroundings for hours, days and more. That's the task filmmaker Sara Dosa (The Seer and the Unseen) took up to make this superb film. This isn't the only such doco — legendary German director Werner Herzog has made his own, called The Fire Within: A Requiem for Katia and Maurice Krafft, after featuring the couple in 2016's Into the Inferno — but Fire of Love is a glorious, sensitive, entrancing and affecting ode to two remarkable people and their love, passion and impact. While history already dictates how the pair's tale ends, together and exactly as it seemed fated to, retracing their steps and celebrating their importance will never stop sparking new pleasures. For newcomers to the Kraffts, their lives comprised quite the adventure — one with two volcano-obsessed souls who instantly felt like they were destined to meet, bonded over a mutual love of Mount Etna, then dedicated their days afterwards to understanding the natural geological formations that filled their dreams. Early in their time together, the couple gravitated to what they called 'red volcanoes', with their enticing scarlet-hued lava flows. What a phenomenon to explore when romance beats in the air, and when geochemist Katia and geologist Maurice are beginning their life together. From there, however, they moved to analysing what they named 'grey volcanoes'. Those don't visually encapsulate the pair's relationship; they're the craggy peaks that produce masses of ash when they erupt — Iceland's Eyjafjallajokull, for instance — and often a body count. As narrated by actor and Kajillionaire filmmaker Miranda July, Fire of Love starts with blazing infatuation and devotion — between the Kraffts for each other, and for their field of interest — then establishes their legacy. Both aspects could fuel their own movies, and both linger and haunt in their own ways. And, as magnificent as this incredibly thoughtful, informative and stirring documentary is, it makes you wonder what a sci-fi flick made from the same footage would look like. The 16-millimetre imagery captured during the Kraffts' research trips around the globe, whittled down here from 200 hours to fill just 98 minutes, puts even the most state-of-the-art special effects in a different realm. Pixels can be used to paint gorgeous sights, and cinema has no shortage of movies that shimmer with that exact truth, but there really is no substitute for reality. During Fire of Love's first half, those easy visions of science fiction just keep flickering; if someone else had Dosa's access, and had July employ her dreamy voice to spin an otherworldly narrative, movie magic would likely explode. There's a particular sequence that cements that idea, set to the also-ethereal sounds of Air — layering French icons upon French icons — and featuring the Kraffts walking around against red lava in their futuristic-looking protective silver suits. They wander, they risk their lives, and pure actuality beams back. It's nothing short of extraordinary, as well as enchanting. Fittingly, the film's entire score springs from Air's Nicolas Godin, and it couldn't better set the mood; that said, these visuals and this story would prove enrapturing if nary a sound was heard, let alone a note or a word. Other segments ripple with sheer incredulity — not the several riffs on Katia and Maurice's meet-cute, though, or how he worked the publicity angles to fund their work while she pumped out their books. (In a doco stitched together from archival materials rather than contemporary talking-head interviews, those past TV chats come in handy, too). When Maurice and one of the duo's offsiders decide chalk up the first-ever sailing trip across a lake of sulphuric acid in just a rubber dinghy, floating around the crater of Java's Ijen, jaws can only drop. The footage is breathtaking, and more petrifying than any horror flick. That Katia refused to hop onto the raft also helps spell out the pair's differences. No chemist would trust their life to a bath of acid, yet the geologists are willing to take the chance. Fire of Love falls head over heels for the Kraffts' similarities and mutual fixations, but Dosa, her co-writers/editors Erin Casper (The Vow) and Jocelyne Chaput (Fractured Land), plus producer/fellow co-scribe Shane Boris (Stray), also see where they went their own ways. When Fire of Love focuses on the Kraffts' groundbreaking observations, it's even more astounding. The film covers the crucial life-or-death impact of their work on grey volcanoes, after attempting to educate towns and cities in the vicinity of such masses — so they could react appropriately and in a timely manner to avoid casualties — became a key part of their mission. Spying the fallout when the couple's warnings about potential fatalities went unheeded, including their cautions about deadly mudslides, is simply heartbreaking. Witnessing how one pyroclastic flow from Japan's Mount Unzen in 1991 forever ended the Kraffts' own narratives, albeit not for the same reason, is just as moving. What an existence Katia and Maurice shared — and what a stunningly compiled and edited tribute this is to them, the rock they called home as we all do, the land features they adored, the ash and fire those volcanoes expel into the sky, and the fragility of life, love and, well, everything.
Victoria cleaned up at the 2021 Australian International Beer Awards (AIBA), with the state's breweries taking out an impressive 12 trophies at the annual awards ceremony. The beer competition saw a swag of southern labels emerge victorious, competing with a 400-strong line-up of brewers from across the globe. Ballarat-based Dollar Bill Brewing took out the top slot of Champion Australian Beer for its Gold Teeth peach wild ale, with the tipple also named as the AIBA's Best Fruit Beer. Meanwhile, Footscray's Hop Nation snapped up the title of Champion Medium Australian Brewery, as well as claiming awards for Champion Victorian Brewery, Best Pilsner (for its recently released Rattenhund) and Best Amber/Dark Ale. Valhalla Brewing, Two Birds Brewing Co. and Fixation were also among the Victorian breweries to win big on the night. Sydney's 4 Pines was named Champion Large Australian Brewery, with Western Australia's Cheeky Monkey taking out the small brewery division. Other Aussie favourites in the awardee mix included Foghorn, Sunday Road, Six String, the ACT's Bentspoke Brewing Co, Western Australian brewery King Road, and Queensland's Burleigh Brewing Company. Of the more than 2500 beer entries, plenty came from overseas, with South Korea's Goose Island Brewhouse, China's Nbeer Craft Brewing Co and Taiwanese label Zhang Men among the international names that scooped awards. Across the ditch, Auckland's Deep Creek Brewing Company was named Champion International Beer for its Sauvage farmhouse ale, also collecting the title of Champion Large International Brewery. Each year, the AIBA recognises excellence in brewing, beer packaging design and beer media. This year's victors were picked earlier this month by a team of 67 expert judges, including Ben Kraus (Bridge Road Brewers), Jayne Lewis (Two Birds), Justin Fox (Hawke's Brewing Co), Tina Panoutsos (Carlton & United Breweries) and Warren Pawsey (Little Creatures). For the full lineup of this year's AIBA awardees, jump over to the website.
Here we go again indeed: with the George Clooney- and Julia Roberts-starring Ticket to Paradise, a heavy been-there-done-that air sweeps through, thick with the Queensland-standing-in-for-Bali breeze. The film's big-name stars have bounced off each other in Ocean's Eleven, Ocean's Twelve and Money Monster before now. Director Ol Parker has already sent multiple groups of famous faces to far-flung places — far-flung from the UK or the US, that is — as the writer of the Best Exotic Marigold flicks and helmer of Mamma Mia! Here We Go Again. Enough destination wedding rom-coms exist that one of the undersung better ones, with Keanu Reeves and Winona Ryder, is even called Destination Wedding. And, there's plenty of romantic comedies about trying to foil nuptials, too, with My Best Friend's Wedding and Runaway Bride on Roberts' resume since the 90s. Hurriedly throw all of the above into a suitcase — because your twentysomething daughter has suddenly announced she's marrying a seaweed farmer she just met in Indonesia, if you're Clooney and Roberts' long-divorced couple here — and that's firmly Ticket to Paradise. As The Lost City already was earlier in 2022, it too is a star-driven throwback, endeavouring to make the kind of easy, glossy, screwball banter-filled popcorn fare that doesn't reach screens with frequency lately. It isn't as entertaining as that flick, and it certainly isn't winking, nodding and having fun with its formula; sticking dispiritingly to the basics is all that's on Parker's itinerary with his first-timer co-scribe Daniel Pipski. But alongside picturesque vistas, Ticket to Paradise shares something crucial with The Lost City: it gets a whole lot of mileage out of its stars' charisma. A quarter-century back, David (Clooney, The Midnight Sky) and Georgia (Roberts, Gaslit) were the instantly besotted couple impulsively tying the knot (if Ticket to Paradise is successful enough to spawn more movies, a prequel about the pair's younger years will likely be on the list). Alas, when this film begins, they can't stand to be anywhere near each other — room, city or state — after splitting two decades back. With their only child Lily (Kaitlyn Dever, Dopesick) graduating from college, they're forced to play faux nice for a few hours, but squabble over the armrest, then get publicly competitive about who loves their daughter more. This wouldn't be a rom-com led by Clooney and Roberts if schoolyard teasing logic didn't apply, though: they fight because sparks still fly deep down. And they keep verbally sparring when Lily announces a month later that she's met Bali local Gede (Maxime Bouttier, Unknown) on a getaway before she's supposed to put her law degree to its intended use, and that she'll be hitched within days. If another template that Ticket to Paradise happily follows is to be believed, parents don't respond well to their kids plunging into matrimony, especially without notice. David and Georgia are no different, desperately wanting to stop Lily from repeating their own mistakes and willing to zip halfway around the world to do so — hence the feature's airfare moniker. They attempt to unite over sabotaging the wedding, but old habits die hard amid tussling with biting dolphins, stealing rings and putting up with Paul (Lucas Bravo, Emily in Paris), Georgia's younger, deeply infatuated boyfriend. Amid drunken beer pong matches and daggy dances to 90s tracks, plus getting stuck in the Balinese jungle overnight as well, older feelings die harder still, of course — and a ticket to surprises or fresh material, this clearly isn't. While Clooney and Roberts' parts were written for them, Ticket to Paradise's creaky script really could've been trotted out with any well-known duo, character-wise. It's a far better film with this pair in it, though, and the sole reason to visit this sunny-enough but hardly paradisiacal slice of cinema. Everything they're both known for works a charm, from his silvery suaveness, reflective finesse and reassuring twinkle in the eye through to her megawatt smile and ability to ground cookie-cutter romantic-comedy contrivances — and their collective way with flinging barbed words back and forth. Ticket to Paradise is really a ticket to watching its leads and they deliver, by-the-numbers roles and all. The fact that Clooney and Roberts have become big-screen rarities somewhat, regardless of whether they're together, helps (his only film since they last combined in 2016's Money Monster is 2020's aforementioned The Midnight Sky, while she just has 2017's Wonder and 2018's Ben Is Back to her name). It's hardly astonishing, then, that the rest of the cast is largely left among the scenery — although Dever and her sparky Booksmart co-star Billie Lourd (American Horror Story), who plays Lily's hard-partying best friend Wren and steals scenes like her mother, Carrie Fisher, also has in the genre, do the best they can with supremely thinly written characters. If filmmakers want to keep popping them in movies together as well, that's always welcome. They fare better than anyone representing Bali is allowed to, including Bouttier. Infuriatingly, Hollywood hasn't grown out of ignoring or oversimplifying those who aren't white and privileged in many vacation-centric affairs, or going the comic-relief route (see: Agung Pindha as Gede's father Wayan), or ramping up the supposed exoticism of other cultures while making jokes about their languages and traditions — Emmy-winning TV series The White Lotus pointedly excluded lately. There's a self-consciousness to Ticket to Paradise's excited postcard-style mentions of how stunning Bali is, too, at least for everyone watching Down Under. Cinematographer Ole Birkeland (Ali & Ava) gives the movie the requisite wanderlust-courting sheen, including traversing beaches and mountains, but not knowing it was filmed in Australia is virtually impossible thanks to wall-to-wall media coverage during the late 2021–early 2022 shoot. That forced feeling doesn't gel with how hard the feature wants to be laidback and jaunty, as Clooney and Roberts' rapport genuinely is — even with David and Georgia's overt friction. This pair have done many things in their careers, jointly and apart, and making Ticket to Paradise anything more than standard isn't one of them. Seeing them team up in their first rom-com together is still worth watching for that alone, but consider this the cinema equivalent of an average package tour with great company.
It swept cities across the nation into a sugar-dusted frenzy when its pop-up 'dessert museum' travelled the country, now, the team behind the nostalgic Sugar Republic and festive Christmasland is taking its sweet-toothed fantasies to a whole new level, opening Australia's first-ever sweets-inspired accommodation. Opening its doors in Daylesford, Victoria — 90 minutes northwest of Melbourne — Sweet Retreat is a true candy-coated affair, complete with sugar-themed suites you can stay in, play in and take some rather dashing snaps in. Located in an old miner's cottage, the retreat has Milk Bar-inspired art by Callum Preston, a giant Paddle Pop in the living room, oversized Tim Tams in the bedroom, a pink ball pit, a disco ensuite and neon artworks throughout the house. Oh, and it has scratch 'n' sniff cherry wallpaper, too, plus an appliance-filled kitchen for whipping up any sweet treats of your own and some actual lollies to eat. In short, it's exactly what you'd expect from any of Sugar Republic's previous pop-ups, but you can sleep, cook and play games in it. And you can bring along your mates, too, with the retreat housing up to eight people across four themed bedrooms. You can cosy up in the Sweet Love suite filled with Mills & Boon books, the Tea & Biscuits room with teapot lights and biscuit walls, or the rainbow or peaches bedrooms. All rooms have access to the balcony, deck and pergola. There are retro boardgames and Sonos speakers to keep you entertained when you're not sniffing the wallpaper or swimming in the ball pit and, outside of the house, there's a sprawling garden with roses and fruit trees. Of course, there's plenty you can do in the surrounding area, too. You can check out some of Daylesford's more unexpected activities — including llama rides and visits to a treehouse spa — take a look over here. Sweet Retreat by Sugar Republic is now open for bookings, starting from $450 a night. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Sixteenth-century polymath Geromalo Cardano was a man of many talents. The inventor of algebra (can you imagine having that on your resume?) was also a renowned philosopher, doctor, astrologer, and gambler. Biographica, a stunning contemporary opera by composer Mary Finsterer and librettist Tom Wright, brings Cardano's (played by Mitchell Butel) fascinating life soaring vividly into the twenty-first-century. This is a world premiere show at Sydney Festival 2017. Check out more world firsts coming to the festival over here.
There are a lot of gadgets, bits and bobs you can purchase to pretty-up your bicycle. From detachable bike speakers to personalised frames and toilet seats, there are a plethora of things you can attach to your bike to give it character. But the Feats Per Minute prototype bike, created by a team of Dutch designers, is in a league of its own. Unveiled at the Dezeen Space Platform exhibition in London, this bike's designers have reconstructed an old German Alpina Bike they bought for $80 to create a cycling/music machine that plays vinyl records as you ride at a consistent speed. According to its creators, the biggest challenge in creating the vinyl-playing bike was to "make sure that the needles would stick to the record and follow the grooves, without skipping too much." No kidding. It's still a work in progress and only at prototype stage, but as their video report of the Dezeen Space Platform exhibition suggests, once perfected, it is sure to make many people's filmic fantasies come true. https://youtube.com/watch?v=TCxyIKYJ-xo
Sydneysiders are lucky enough to live in a city with a thriving gallery scene, and every two years, things turn up a notch — when several of the city's major cultural institutions band together for a free citywide program of art. Titled The National, this biennial celebration of Australian art kicked off back in 2017, before returning for a blockbuster run in 2019 and then again for a much-need post-lockdown dose of art in 2021. Now, it's back with its latest iteration, The National 4: Australian Art Now. This time around, there are four participating galleries — the Art Gallery of NSW (AGNSW), Carriageworks, the Museum of Contemporary Art Australia (MCA) and Campbelltown Arts Centre (C-A-C), marking the first time the program has expanded outside of the inner city and into the west. [caption id="attachment_895419" align="alignnone" width="1920"] Erika Scott, 'The Circadian Cul-de-sac', 2023. Installation view, 'The National 4: Australian Art Now', Carriageworks. Photo: Zan Wimberley[/caption] The exhibitions all run for a slightly different length of time at each gallery, with both C-A-C and Carriageworks getting their fix until Sunday, June 25, the MCA until Sunday, July 9 and the AGNSW until Sunday, July 23. Forty-eight new artistic projects are appearing across the four distinct spaces. Some of the highlights include an immersive exploration of migration through the lens of artist Allison Chhorn's Cambodian-Australian family; The Circadian Cul-de-sac, an otherworldly mess of discarded items like fish tanks, Tampax instructions and empty photo frames from Erika Scott; a massive ceramic piece made from over 600 hand-formed tiles by Gerry Wedd; and Nabilah Nordin's colourful and immensely textured new sculpture Corinthian Clump. Plus, for the first time, The National is also activating the Brett Whiteley Studio in Surry Hills, with Archibald Prize-nominee Natasha Walsh presenting her new body of work Hysteria, where she reinterprets famous paintings of women painted by men. [caption id="attachment_895418" align="alignnone" width="1920"] Heather Koowootha, The Bush people's walking pathways of Country sites and story places, 2023 . Installation view, The National 4 - Australian Art Now Carriageworks. Photo: Zan Wimberley[/caption] Top image: Anna Kucera.
Start hunting around for your dusty gumboots and stash your tinnies, the Meredith Music Festival ballot is officially open. The 24th annual Meredith Music Festival will be held from December 12-14 and as per usual, Aunty let slip the act she’s most excited about this year: War On Drugs. The Philadelphian foursome released their third studio album, Lost In The Dream in March this year to great critical acclaim — a whopping 8.8 from the Pitchfork crew is pretty solid by anyone's ranty standards. The Secretly Canadian-signed Pennsylvanians have snagged the prime time slot of Friday night; perfectly dreamy to suit your one-two step festival needs. The ballot is open from now until 9:47pm Monday, August 11. As always, there'll be two rounds of the ballot so if you’re even remotely interested in having a cracking weekend make sure you sign up. The physical size of the festival will remain the same as last year, but the team are making things a little roomier — with 500 less capacity than previous years. Tickets are $318.80 + $10 booking fee, which covers three days and two nights of music in the Supernatural Amphitheatre. Enter the Meredith ballot over here and keep those fingers and toes crossed.
If nothing says Christmas to you like catching a festive film under the stars, ideally while kicking back on bean beds and eating a picnic, then Moonlight Cinema's November and December 2022 program has you firmly in its sights. The beloved Australian outdoor movie-viewing setup is back for another summer, and it's kicking off with a heap of recent big-name flicks — plus a couple of weeks of the merriest pictures that it can find. Fresh from revealing its dates for the summer 2022–23, Moonlight Cinema has now locked in its first titles, with the openair picture palace heading to Sydney's Centennial Park, Melbourne's Royal Botanic Gardens, Brisbane's Roma Street Parkland, Adelaide's Botanic Park, and Perth's Kings Park and Botanic Garden in a matter of mere weeks. The lineup varies per city as usual, but most spots get the same movies eventually. And yes, everywhere is getting festive. Firstly, the non-Christmas lineup — which starts with Baz Luhrmann's Elvis in Brisbane on Thursday, November 24, 50s-coveting thriller Don't Worry Darling in Sydney on the same date, page-to-screen adaptation Where the Crawdads Sing in Perth on Friday, November 25, and Billy Eichner's gay rom-com Bros in Adelaide and Melbourne on Thursday, December 1. Also on the bill across all five locations: Top Gun: Maverick, Smile and Ticket to Paradise, while the likes of Bullet Train, Thor: Love and Thunder, Minions: The Rise of Gru and Black Adam screening in some cities. Everywhere is hosting a throwback session of Grease – because retro flicks are always a big part of this program — and then the festive fun begins. Yes, Elf, Home Alone, The Holiday and How the Grinch Stole Christmas are on the lineup. So is Die Hard twice and Love Actually a whopping three times. To wrap up December, there's also a preview session of Steven Spielberg's new release The Fabelmans, culinary thrills with The Menu and a preview of Australian drama Blueback — plus the family-friendly Lyle, Lyle Crocodile and Whitney Houston biopic I Wanna Dance with Somebody. The rest of the Moonlight lineup will drop month by month. Nosh-wise, Moonlight Cinema will again let you BYO movie snacks and drinks (no alcohol in Brisbane, though), but the unorganised can also enjoy a plethora of bites to eat from food trucks — perfect, messy treats made for reclining on bean beds. There'll be a VIP section for an extra-luxe openair movie experience, a beauty cart handing out samples, and dogs are welcome at all sites except Perth — and there's even special doggo bean beds, and a snack menu for pooches. MOONLIGHT CINEMA 2022–23 DATES Brisbane: Thursday, November 24–Sunday, February 19 in Roma Street Parkland Sydney: Thursday, November 24–Sunday, March 26 in Centennial Park Perth: Friday, November 25–Sunday, March 26 in Kings Park and Botanic Garden Adelaide: Thursday, December 1–Sunday, February 19 in Botanic Park Melbourne: Thursday, December 1–Sunday, March 26 in Royal Botanic Gardens Moonlight Cinema kicks off in November 2022, running through until March 2023. For more information and to buy tickets, visit the cinema's website — and we'll update you with further program details when they're announced.
The first rule of fight club is you do not talk about fight club. The second rule about fight club... Hang on a minute – does the “fight club of the art scene” have the same rules? The later kinda wants you to tell you friends about it and spread the word on social media... This global, live art battle goes by the name of Secret Walls (formerly Secret Wars), and, at the end, there can be only one winner. How does it work? Something a little along the lines of this: 2 Illustrators (or 2 teams of), armed only with black markers and acrylic paint go head to head for 90 minutes. They don’t get pencils, and they aren’t assisted by sketches. The stage: a giant white wall. They must stay within their allocated space. Apart from that, there are no rules. This is proper freestyle drawin’ that would make the purists proud. The grand final will be held Wednesday, December 12 at Oxford Art Factory. Markers at the ready.
While numerous bushfires continue to burn across Victoria, efforts to ramp up support to those directly affected are well underway. The Victorian Farmers' Federation (VFF) — the state's peak farmer advocacy body since 1979 — is calling on the public to lend a hand, as farmers and their communities need immediate relief following the catastrophic events. At least 700 structures have been destroyed, and more than 1000 agricultural properties have been impacted, with farmers losing fencing, pasture, and infrastructure. Meanwhile, it's estimated that 15,000 livestock have been lost. Combined with ongoing challenges around droughts and rising costs, throwing your financial support behind the community makes a tangible difference, now more than ever. In this time of crisis, the VFF has activated its Disaster Relief Fund, where every dollar donated goes directly to farmers in need. Guided by VFF President and fifth-generation grain farmer Brett Hosking, he says this farmer-led program exists to offer immediate support in devastating moments like these. View this post on Instagram A post shared by YIAGA (@yiaga.au) "Every donation goes to support farmers in need, providing immediate grants to those who have suffered loss and to replace vital infrastructure, fodder and equipment, while also meeting basic household needs," says Hosking. "But it's about more than just rebuilding farms. In times of crisis, immediate financial help eases stress, restores hope, and supports the mental well-being of farming families." In addition, the VFF has also been coordinating with the federal and Victorian governments to secure much-needed support as soon as possible. A joint recovery package has been announced, with almost $100 million available to affected communities, including recovery grants, prolonged power outage payments, concessional loans and financial counselling. "History has shown that in times of devastation, Australians always band together and dig deep. It's part of our DNA," says Hosking. "During the worst of times is often when the very best of the community is on show. Farmers need help, and donating is the best way people can do that." [caption id="attachment_1063729" align="alignnone" width="1920"] Credit: iStock/Beverley Van Praagh.[/caption] The Victorian Farmers' Federation (VFF) is now accepting public donations. Head to the website for more information and to contribute.
Local Newtown legends Young Henrys are taking their brewhouse to the next level — and it's all in the name of sustainability. The beer brand has added a glowing bioreactor among its tanks, which they hope will drastically reduce the brewery's carbon emissions. While the green tank may look like a radioactive science project, it's actually just a big ol' vat of microalgae. The single-celled organism is basically the super computer of photosynthesis and produces more than 50 percent of the world's oxygen. It does so by consuming CO2 (carbon dioxide) — one of the main byproducts of the brewing process — and produces O2 (oxygen) in its place. To give you a sense of the impact, it takes a tree 48 hours to absorb the CO2 emissions created from brewing just a single six-pack. Young Henrys' 400-litre bioreactor has the potential to produce as much oxygen as one hectare of Australian forest and to consume a lot of the brewery's CO2 byproduct in the process. If you're wondering why producing lots of CO2 is a bad thing, let us detour into some chemistry 101 for a hot minute. Carbon dioxide is a key greenhouse gas, which collectively trap heat from the sun and keep it close to the earth's surface. Initially that was great, it meant the earth was habitable for humans and animals — but, thanks primarily to the burning of fossil fuels, the earth's atmospheric levels of CO2 are the highest they've been in the past 400,000 years, which has lead to global warming and the increase in extreme weather events, ie. climate change. This project is partly funded an Innovation and Connections government grant and is in partnership with the scientists from the Climate Change Cluster (C3) at UTS. The group is working to find and develop uses for algae that can help combat climate change, and this project aims to pave a path for the wider brewing industry to become a carbon neutral process. Young Henrys' microalgae bioreactor is just the first phase of the partnership with C3. The second phase will involve a large biomass of algae that will provide even more carbon capture and help the brewery to eventually become carbon neutral — more details on this will be released later in the year, so keep an eye on this space. Find Young Henrys at 76 Wilford Street, Newtown.
Almost a quarter-century has passed since Keanu Reeves uttered four iconic words: "I know kung fu". The Matrix's famous phrase was also the entire movie-going world's gain, because watching Reeves unleash martial-arts mayhem is one of cinema's purest pleasures. Notching up their fourth instalment with the obviously titled John Wick: Chapter 4, the John Wick flicks understand this. They couldn't do so better, harder, or in a bloodier fashion, in fact. Directed by Keanu's former stunt double Chad Stahelski, who helped him look like he did indeed know wushu back in the 90s, this assassin saga is built around the thrill of its star doing his violent but stylish best. Of course, The Matrix's Neo didn't just know kung fu, but gun fu — and Jonathan, as The Continental proprietor Winston (Ian McShane, Deadwood: The Movie) still likes to call him, helps turn bullet ballet into one helluva delight again and again (and again and again). The John Wick movies — the first blasting into cinemas in 2014, John Wick: Chapter 2 hitting the target in 2017, John Wick: Chapter 3 — Parabellum shooting straight in 2019, and now this striking four years later — seem like they should be oh-so simple. Slip Keanu into a black suit, let his 90s grunge-style hair frame his face, get him next to an array of dazzling backdrops, let him raise hell against whoever is thrown his way: that's the basic formula. And, wanting nothing more than a quiet life with the dog left to him by his deceased wife, then the pets that've replaced that pooch since, the eponymous Wick doesn't like to overcomplicate anything. Witnessing a John Wick film, though, means seeing how much stunning action choreography, energetic cinematography, lightning-fast editing and stellar production design goes into making these pictures flow so smoothly. Reeves is so in his element that he'll always be remembered as John Wick (and Neo, Bill & Ted's Theodore 'Ted' Logan and Point Break's Johnny Utah), but the John Wick movies are spectacular technical achievements. All that gun-fu mastery spins through a story — one that is similarly straightforward, but also meticulously constructed to look and play that way. Initially, the happily retired but recently widowed John got dragged back into the hitman life over that aforementioned puppy and a full-hearted quest for revenge. Since then, that move keeps sparking consequences in an action franchise that mixes the western genre's gunslingers and crusades for vengeance, plus their strong, silent types and scenic use of backgrounds, with a musical's rhythm, steps and set pieces. So, Jonathan tried to stay out of the game. Then, he endeavoured to escape the death-for-hire business after its powers-that-be, aka the High Table, started meting out punishment for breaking their rules. Summing up the situation brings another epic crime saga's words to mind: "just when I thought I was out, they pull me back in!". Picking up where its immediate predecessor left off, John Wick: Chapter 4 saddles its namesake with the Marquis (Bill Skarsgård, Barbarian), the High Table's emissary, as his new adversary. After Wick puts the assassin realm's head honchos on notice during an early trip to the Middle East, the series' latest nefarious figure wants rid of him forever, wasting no time laying waste to the few things left that John loves. The Marquis has company, too — seeking a big payday in the case of the mercenary known as Tracker (Shamier Anderson, Son of the South), who has his own devoted dog; and due to a familiar deal with Caine (Donnie Yen, Mulan), a martial-arts whiz who is blind, and an old friend of John. That said, Wick has pals in this clash between the hitman establishment and its workers, which doubles as an eat-the-rich skirmish, including Winston, the Bowery King (Laurence Fishburne, All the Old Knives), and the Osaka Continental's Shimazu (Hiroyuki Sanada, Bullet Train) and Akira (Rina Sawayama, Turn Up Charlie). Retaliating against the High Table, and just trying to stay alive, involves jumps to Japan, Berlin and Paris — starting from New York, naturally — and shooting, stabbing, slicing and battling through hotels, nightclubs, apartment blocks and more. In the latter category sits two of the saga's most ambitious locations yet, where two of its most glorious fight scenes take place: the traffic circle around the Arc de Triomphe and the 222 steps up to Montmartre's Sacré-Coeur Basilica. Indeed, with Stahelski a four-film John Wick veteran, cinematographer Dan Laustsen (Nightmare Alley) up to three, and editor Nathan Orloff (Ghostbusters: Afterlife) dropping in seamlessly as a newcomer, all 169 minutes of John Wick: Chapter 4 is an action marvel. More John Wick has long been a good thing, whether more movies or more in those movies; the last hour here, as Wick and the Marquis' conflict sprawls across Paris, is the franchise's pièce de résistance. With frenetic frays such a focus, and so expertly and inventively executed — doorbell sensors and bulletproof vests have significant parts, gun fu becomes car fu, and filming flats from above is mesmerising — it'd be easy for anyone new to the ways of John Wick to assume that the plot is secondary. Or, that screenwriters Shay Hatten (returning from Chapter 3) and Michael Finch (American Assassin) have built John Wick: Chapter 4's narrative around the onslaught of carnage, not vice versa. These are lovingly crafted films, however — and layered and thoughtful, as seen when Winston name-drops Ned Kelly and his supposed last words "such is life". The John Wick series is deeply steeped in its own mythology, which swirls around John aka the Baba Yaga, the High Table's workings and love of retro tech, the various Continentals, and all the regulations that underscore the to-ing and fro-ing that leads to such a massive body count, so referencing an IRL figure also steeped in myth is a smart and knowing move. Casting has always worked comparably, drawing upon McShane's Deadwood standing, Lance Reddick's The Wire pedigree, Franco Nero's history as the OG Django in Chapter 2 and Skarsgård's time as Pennywise, for instance. No one is as immaculately cast in the John Wick universe as Keanu, who continues to invest everything into his stoic-faced character by playing it just right — never adding anything superfluous, never undercooking his performance, and always dancing through the franchise with the weight and agility it needs. Still, Yen is his absolute equal, to zero astonishment given that he's Donnie Yen. Physical feats so fleet that they stand out even in this highly physical flick, charm and wit in spades, pitch-perfect doses of comedy: they're all on show. Yen also delivers a gleaming Point Break nod, and owns John Wick: Chapter 4's debt to Japan's swordplay-heavy Zatoichi pictures (a homage he knows well thanks to Rogue One: A Star Wars Story, but he's not repeating himself). No matter how a John Wick movie finishes, it ends with viewers wanting more — and this is no exception, including more of Yen as Caine alongside Keanu.
In this day and age where Apple reigns supreme, there are a few major companies testing the water against the Cupertino company's monopoly over hand held devices. With the release of Amazon's Kindle Fire though, there may just be another serious player in the growing tablet market. The manner in which Jeff Bezos (CEO of Amazon) introduced Kindle Fire to the world led many to draw comparisons between him and Steve Jobs. At a flashy presentation in New York, he appeared composed and ready to take on the challenges that the hand-held tablet market could throw at him. As Amazon's CEO from day one, he's been through it all, transforming Amazon from a digital retail bookstore into a multi-faceted enterprise focusing on online sales as its priority revenue stream. This isn't just a bratty little upstart crashing Apple's party. Due to Apple's domination in this arena many believe that the Kindle Fire won't even come close. But with its relatively low price (retailing from US$199) garnering attention, the Kindle Fire is looking like quite a viable alternative. It does make some sacrifices though, possessing neither a camera nor microphone, but this makes the tablet look more streamlined and all those bells and whistles feel almost childish in comparison. Running on the Android operating system, it has the added benefits of being able to access the multitude of apps available on that market, allowing for greater flexibility and choice versus the Apple app store. https://youtube.com/watch?v=jUtmOApIslE
A luxurious, all-expenses-paid staycation awaits you in the penthouse suite at the top level of one Kokoda Property's homes. Kokoda has recently opened a new development in Newstead, two-kilometres from Brisbane's CBD, so it's giving you the chance to spend five nights in the building's penthouse to really live it up around the river city. Valued at over $8000, the prize also includes return flights to and from Brisbane for you and your guest, a private chef for your meals and a whopping $5000 spending money to ensure you can splurge on pretty much anything your heart desires during your stay in Brisbane. To top the whole thing off, you'll also score a $1000 furniture gift card to deck out your home with some new pieces of furniture that will remind you of your luxe trip to Brisbane. The competition comes just in time for a post-summer getaway for anyone who had their plans ruined due to the pandemic or La Nina. If you're looking for inspiration for where to head in the city, you can check out our neighbourhood guide to Brisbane. In order to enter, head to the Kokoda Property website and follow the property group on Instagram where you can stay up to date with all of Kokoda's giveaways. The comp closes on Monday, April 4. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
They say sex sells, but according to Sony Pictures, death is where the real money's at. Sony has just forked out a hefty sum rumoured in the multimillions for the feature rights to the unpublished biography, Steve Jobs. The release date of the biography, penned by Time Magazine editor Walter Isaacson, has been bumped forward following Job's death, and is now set to hit stands on October 24. The biography's flirtation with Amazon's bestseller list before Isaacson had even finished writing offers an unwarranted indication of the hype that is guaranteed to surround the film adaptation. Steve Job's story is about as inspirational as it gets; the quest of one man with a dream, who transformed his garage start-up into a billion dollar company that revolutionised modern life, all the while battling his own personal demons. And as if the story wasn't sufficiently romantic, then comes Job's tragic untimely death. Sony's expenditure in acquiring the rights will easily be accounted for in the money it saves on marketing. With the hugely successful The Social Network under its belt, another business book-turned-feature by Sony Pictures, Steve Job's story is in good hands. Isaacson wrote the bestselling biographies of Albert Einstein, Henry Kissinger and Benjamin Franklin, and was given complete access to Jobs. Mark Gordon, the man behind Saving Private Ryan and Source Code, will produce the film version for Sony. Let's just hope they stick with the book's revised title; the original 'iSteve' sounds more like a cheesy comedy than an epic tale of a modern day visionary. https://youtube.com/watch?v=Hd_ptbiPoXM
If you've been looking for an excuse to hit the slopes this winter, the annual Transfer Banked Slalom is returning to Thredbo on Friday, August 12. Now in its eighth year, the event invites snowboarders of all ages and skill levels to compete in the race located at Thredbo's Playground Area below the chairlift. Entrants can compete in a range of categories from 12 years and under through to the open men's and women's races. Or, if you're not quite confident enough to compete yourself, you can head along on the day to watch from the YETI chill zone. There will be drinks and plenty of talent displayed on the day with some big names competing in the open categories including Olympians Tess Coady, Scotty James, Valentino Guseli, Jarryd Hughes and Josie Baff. As with all good days at Thredbo, there will also be an afterparty at the Merritts Mountain House Deck. All competitors are invited to celebrate after their ride down the mountain with Adelaide brewery Pirate Life adding to the festivities with beers and live music. Passes to compete in the event are $89 and must be accompanied by a lift pass which competitors can get a discount on.
After last year's lockdown, the thought of rediscovering Sydney's multi-faceted dining scene is more exciting than ever. And this is even more true during American Express Delicious Month Out. For all of May, restaurants and bars across the city are offering limited-edition specials, one-off meals and wild deals to entice you out of the house — and office. Lots of the venues are plating up and pouring exciting after-work offerings throughout the month, including wine and cheese pairings, whisky flights and soul-warming ramen. We've rounded up some of the most exciting post-work deals on offer as part of American Express delicious. Month Out to help you add some fun to your midweek workday. [caption id="attachment_811052" align="alignnone" width="1920"] Steven Woodburn[/caption] PRE-DINNER DINING EXPERIENCE AT BEA, BARANGAROO Located on the middle level of harbourside behemoth Barangaroo House, Bea is a restaurant overseen by celebrity chef Matt Moran and executive chef Tom Haynes. During American Express Delicious Month Out, it's offering a pre-dinner dining experience on its stunning waterside terrace — for a very reasonable $30. The restaurant has partnered with Mornington Peninsula winery Ten Minutes by Tractor (whose restaurant and cellar door were ravaged by a fire in 2018) for the deal, which will see you pair three snacks with a glass of either the Victorian winery's pinot noir or chardonnay. Bite-sized dishes will include a buttermilk crumpet topped with spanner crab and fine shavings of bottarga, whipped Meredith's goat's cheese with pickled sliced beetroot, and a savoury sandwich of chicken parfait and madeira (a fortified wine). [caption id="attachment_811053" align="alignnone" width="1920"] Nikki To[/caption] BAR MENU AT BENNELONG, CIRCULAR QUAY Usually, to dine at Peter Gilmore's restaurant Bennelong you'll need to drop $170 on a three-course menu. But, for the month of May, you can experience the famed Sydney Opera House restaurant for just $80, when its bar menu returns. Available to order at dinnertime from Wednesday–Saturday, the bar menu will see you snacking on rock oysters, yabbies with lemon jam and cultured cream, Ventricina salami with toasted fennel seed sourdough and a very special dessert: the lamington. As we learnt during season eight of Masterchef Australia, Gilmore's much-Instagrammed lamington is constructed over almost 50 separate steps. It sees a square of cherry jam and coconut ice-cream, and sponge, covered in a glossy layer of chocolate ganache, which all sits in a delicate bed of coconut milk shavings. [caption id="attachment_811040" align="alignnone" width="1920"] Nastia Gladushchenko[/caption] WINE AND CHEESE PAIRING AT HANDPICKED CELLAR DOOR, CHIPPENDALE Chippendale's cellar door Handpicked Wines has partnered up with winemaker Peter Dillon, and cheese-importing siblings Ellie and Sam Studd for its May event. Together, the trio is offering a wine and cheese pairing showcasing wines from across Victoria and Tasmania, and delicious dairy goodness from France. For $55, you'll get to try an award-winning Tasmanian chardonnay matched with the buttery Le Dauphin Double Crème from Bourgogne, followed by a Yarra Valley chardy with a nutty comté. Next, you'll try two pinot noirs, one from Tasmania and another from the Mornington Peninsula, with slices of creamy Pont L'Évêque and the Camembert Le Conquerant; a rich and fudgy cheese from Normandy. Plus, if you decide you're particularly partial to any wines on the day, you can pick up two or more bottles and receive ten percent off. WHISKY FLIGHTS AND TATAKI AT SOKYO, PYRMONT Japanese whisky is all the rage at the moment. But it can be hard to justify dropping $200-plus (or even more) on a bottle. Instead, you can head on over to Sokyo and try three different smoky distillates in one hit. The Japanese restaurant is pouring four different flights each night, paired with a beef tataki and smoked aioli dish. You could go for the Suntory Hibiki flight — which will see you sip the Hibiki Harmony, 17-year-old and 21-year-old (this'll set you back $2000 at Dan Murphy's, no lie) — the Yamazaki Distillery curation, an assortment from Hakushu Distillery, or the Shinshu Mars Distillery trio. Coming in at $210, $150, $120 and $80 respectively, they're an absolute bargain compared to what you'd pay for the actual bottles. Treat yo'self. ROE SERVICE AT CHUUKA, PYRMONT If you haven't yet been to Chuuka, the waterside fine diner helmed by famed chefs Victor Liong (Melbourne's Lee Ho Fook) and Chase Kojima (Sokyo, Gojima), here's your excuse: the Jones Bay Wharf spot is serving up a very fancy roe service throughout May. For $45, you'll get a generous serving of ikura (salty, translucent orange balls of salmon roe), cashew cream, egg yolk sauce, chives and shallots, which you can pile how you please atop crunchy potato and rice crackers. It's a decadent start to any evening. If you want to continue the decadence, we suggest you hang around and order a serve of the foie gras chawanmushi, the peking duck and the kurozato (an unrefined Japanese sugar) mochi. IZAKAYA MENU AT SAKE, MANLY WHARF On a rainy autumn day, there's nothing quite like a big bowl of ramen. Excitingly, that's part of Sake's new American Express Delicious Month Out izakaya menu. Available at lunchtime daily throughout May, the month-long menu will see you snacking on salty edamame and pork gyoza, then diving into a brothy bowl of pork chashu-topped ramen. Plus, you'll pair all this with a Suntory Toki whisky highball. The best part? It'll set you back $49. Less than a lobster. While it's not a strictly an after-work offering, dreaming about the chewy noodles, soft egg and soul-warming broth will surely make those last few hours of the day a little easier to get through. Celebrate dining in Sydney this May with a month of exciting dining offers and events across restaurants, bars, cafes and more with American Express Delicious Month Out. Plan your month out now by heading this way.
Flying interstate can be frustrating at the best of times — especially during peak periods — but there could be major cancellations and delays ahead as some Jetstar employees prepare for a strike. Both the Australian Federation of Air Pilots (AFAP) and the Transport Workers' Union (TWU) have voted to proceed with industrial action — with 94 percent of members of the latter in favour of the strike — in response to ongoing failed negotiations with the airline. If you've got flights booked over Christmas, you may face a delay or two. If it goes ahead, the strike could see pilots, as well as 250 Jetstar baggage handlers and ground crew, taking industrial action. There's no word yet on what exactly this action would be or when this would happen, though the TWU has said that it'd likely take place over "the coming weeks and months" — i.e., the busy festive season. It's likely to cause delays to multiple air services across Sydney, Melbourne, Avalon, Brisbane, Cairns and Adelaide airports. https://twitter.com/TWUAus/status/1202747636492582913 The TWU is at loggerheads with Jetstar after failed negotiations with the airline that sought to secure a number of demands for employees – like more rest breaks, annual wage increases of four percent and a guaranteed 30 hours of work a week. TWU National Secretary Michael Kaine said that "disappointingly, Jetstar have rejected the vast majority of the workers' demands outright". Jetstar, however, says the impact of the TWU action is likely to be "minimal" as it would involve "less than half" of its regular ground staff. In a statement released today, Jetstar's Group CEO Gareth Evans said that the company has offered a three percent annual wage increase to the union. Perhaps more disruptive will be the AFAP strike, which could leave planes without anyone to actually fly them. Evans has said that Jetstar will "do everything [it] can" to minimise disruptions to passengers — but noting that "customers may face delays and cancelled flights if the union choose to take industrial action". Of course, this news doesn't mean that the strikes will necessarily happen — if the unions are able to reach an agreement with Jetstar in the meantime, it could be called off. No dates have been set yet, be'll let you know as soon as there is.
This post is sponsored by our partners, lastminute.com.au. Luxury isn't the first thing that comes to mind when you think about Western Australia. The general impression is that it's filled with sharks, snakes, and all manner of things that can kill you. But really, it's home to some of the country's most spectacular sites and tourist attractions as well as luxurious hotels. Not only do these places have nets and fences to keep the snakes out, they do it in style. Berkeley River, Broome You know a place is fancy when you can't even get to it by car. To set foot upon the lavish ground of Berkeley River, you must arrive by air or water — a task assisted by the float plane that transports registered guests. While up in the air, you'll also have a moment to appreciate the beautiful surrounds. Situated on the Kimberley Coast, this hotel has 20 ocean views including the Timor Sea, Reveley Island and the mouth of the stunning Berkeley River. Injidup Spa Retreat, Yallingup Who better to specialise in spa and relaxation than Western Australians? In summer, it already feels a little like a sauna, and there's nowhere better than a spa bath to wash away all that red dirt. Injidup Spa Retreat is just that — a retreat. A member of the Small Luxury Hotels of the World, this hotel is an adults-only experience founded on the principles of tranquility and privacy. Guests are all offered spacious and secluded villas with private plunge pools and panoramic views of the Indian Ocean and, better yet, the wineries of Margaret River are right at your doorstep. Pullman Resort Bunker Bay, Dunsborough While you're in the wine region (if you're lucky enough to be pulling some sort of luxury-resort pub crawl), Pullman Resort Bunker Bay is well worth the visit. Located south-west of Perth, this five-star resort has taken out the top prize from the Australian Hotels Association as Best Resort-Style Accommodation, and has 150 luxurious studios and villas to fill all your exotic, leisurely needs. Swimming pool? Check. Spa? Check. Tennis Courts? Check. Access to one of the most beautiful beaches in the country? Yep. Protected by the Cape Naturaliste Peninsula, Bunker Bay has the most startlingly clear and azure water you'll ever see. Even if there were sharks, you'd see them coming a mile off. Crown Metropol Perth Hotels like this are a rarity in Australia. Overlooking the Swan River, Crown Metropol Perth proves that you really can have the exotic island life with all the perks of being in the city. While this luxury hotel has regular rooms suitable to corporate or basic traveller, it also boasts private cabanas, a day spa, a fitness centre and a huge resort-style pool. Seriously — look at that pool. It alone is worth the trip. Cable Beach Club Resort & Spa, Broome Cable Beach is known for the extraordinary. The water is clear and stunning, the weather is always superbly warm, and there's the opportunity to ride camels along the sand. Camels! They're native to Australia, but I doubt most of us have ever seen one, let alone felt its galumphing hooves under us. Cable Beach Club Resort & Spa is the only resort overlooking this magical beach, and it's pretty impressive in its own right. With studios, bungalows, private villas and suites, all set alongside gorgeous, tranquil gardens, the resort echoes the nature of the region well — tranquil, spectacular and happily out of the ordinary. Book your next WA escape now at lastminute.com.au.
Looking for new threads? Sure, you can head to plenty of markets around town and trawl through food, homeware and other objects, or you can mosey along to Sydney's dedicated ladies fashion get-together. Round She Goes does one thing, and it does it well. If it's clothing, accessories and jewellery you're after, you'll find it here. Filled with preloved designer and vintage fare, the one-day happening will take over Marrickville Town Hall from 10am on May 19, August 18 and October 20. These editions will boast 60 stalls, all specially curated by organisers to deliver reasonably priced, high-quality bits and pieces, and ranging from beloved brands to handmade items to fashion clear-outs. Entry costs $2, and when you're finding that shiny gold coin to get you in the door, make sure you did up some other cash as well. Cold, hard currency is preferred here, and parting with it will be worth it. Your wardrobe will thank you for it.
One thing that's very helpful (and it could be argued, entirely necessary) to a successful creative career is the support of a creative community. This 28 September, the Australian Centre for Photography is hosting an excellent opportunity for photographers of all stripes to tap into such a community: a free Open Day. What's on offer for both the budding and experienced photographer? If you've scoped out the Centre's many technical courses and are considering enrolling in a class to master new photo skills (lighting, filmmaking, Lightroom and many other topics are on offer), this is your chance to learn more in person, get to know the tutors, see the facilities available to you and also peep at the current Spring Season exhibition featuring work by Emmanuel Angelicas, Rowan Conroy and Robert Besanko. After visiting the Funbooth, there's a lot of other thrilling stuff to sample. Included on the Open Day sched are a Blurb table to help you create your own fancypants photo books, a photo retouch demonstration, fun with pinhole cameras, talks by the currently exhibiting artists and, one of the best things you can do to advance your photography career, a portfolio review. A review requires booking and costs $120, giving you access to the expert eye and opinion of a seasoned professional photographer who can help identify the strengths and weaknesses in your work. Between them, press photographer Dean Lewins, artist Tim Silver, artist/academic David Haines and ACP curator Tony Nolan have plenty of wisdom and experience to go around, so take advantage and book a review. Image by Fiona Wolf.
People have been saying that Amaya Laucirica is amayazing. Well, she was named one of the ten exciting new female voices in Australian music by Rolling Stone magazine in 2011. And she was nominated as female artist of the year at The Age EG Awards. That's pretty amazing. In the lead-up to the release of the singer-songwriter's third studio album, Sway, Amaya will be launching its first single, 'Found Some Secret' (available on iTunes and at her online store). Known for her intriguing blend of country, folk, rock, pop and psychedelia, Amaya will be playing King Street's The Vanguard on Friday, November 8. https://youtube.com/watch?v=4Q-Pd78Ajmw
There's never been a better time to head out on a road trip and explore everything Australia has to offer. Lockdowns are ending, borders are reopening, live music is taking over regional NSW, and country towns need visitors more than ever after a year void of tourism and the fallout from the devastating 2019/20 bushfires. If you are heading out on the road you may want to bring your pet, after all, what good is a holiday if your four-legged best friend can't come with you. It's also completely fair to have some nervousness about travelling with your pets. Nobody wants to deal with a car-sick pup, or get to their lavish coastal accommodation to find it's not pet-friendly. We talked to veterinarian and Snooza Pet Products ambassador Dr Katrina Warren to ask all the questions you may have before you're joined by your favourite furry buddy on a week away to a pet-friendly stay. To help, we've also rounded up some of our favourite dog-friendly hotels around Australia. What's the best way to find pet-friendly accommodation? "These days, most booking websites have an option to search for pet-friendly accommodation, but just because a property says it accepts pets doesn't mean that it's well set up for pets. It is important to check individual house rules, such as whether the property is fenced and if pets are allowed inside." How often do dogs get car sick and what should I do if my dog does get car sick? "It is quite common for puppies and young dogs to get car sick, but they usually grow out of this. This is because the ear structures that are used for balance are not fully developed yet. Make sure you don't feed them before you start driving and stop frequently for breaks. Like us humans, it can help to have a window open to circulate fresh air and keep the car cool. Some adult dogs can still get car sick, which is when it's best to consult your vet about an effective plan, as there are some medications that can help." How often should we stop for water and toilet breaks for my pet? "I recommend stopping every couple of hours. Always make sure you have your dog on a leash when you bring them out of the car as dogs can panic in new environments and may run. Pack a portable dog bowl and clean water so you always have easy access to cool water." Is there a way I can test if my pet is well suited to travelling before we leave? "Most people have an idea of their pet's personality. A pet that does not enjoy car travel or gets anxious when they go to a new environment would probably be happier to stay home with someone caring for them. Crate training your puppy or adult dog can be extremely helpful, ensuring they are more comfortable when confined to their crate no matter where they are." Are pets likely to be stressed about sleeping in a new environment? How can I help comfort them if they are? "It really depends on the individual pet, but some pets may be anxious when away from their home base. I recommend packing your pet's own bedding so they have something familiar to sleep on. Some beds are easier to travel with than others — I love the Snooza Futon because it's warm in winter and cool in summer. The cover is removable and easy to wash and it doesn't take up a lot of space in the car. Anxious dogs may enjoy snuggling into the Snooza Calming Cuddler Bed." Should I get any specific vaccinations or tick/flea treatments before we leave? "You should make sure your pet's vaccination, worming and flea treatments are all up to date before you travel. If you are travelling to coastal areas of Victoria, NSW or Queensland you should also use a paralysis tick preventative. If you're unsure if there are paralysis ticks in the area you are visiting, I suggest calling ahead to the local vet in the area to ask." Any tips on how to keep pets happy and calm in the car? "While it may be tempting to cuddle your dog on your lap during a car trip, dogs should be restrained when travelling in the car. Keeping them secured behind a grill, in a crate, wearing a harness or dog seat belt are great ways to keep your pets safe, all of which are easiest to teach from when they are a puppy. Using a crate for small dogs and puppies helps keep them safe and comfortable. The Snooza Road Tripper is a handy way to keep your pets secured if they're travelling in the backseat, looking after your dog and your car interior in case they get dirty during walks throughout your trip."
Not all street festivals are held in the inner west. Sure, it's got Marrickville Festival and Leichhardt's Italian Festa, but the lower north shore has Crown Nest Fest. And it's no small affair — each year, the one-day festival brings in over 50,000 punters. This year — its big 3-0 — will see Willoughby Road lined with over 200 stallholders hawking food, drinks and other goodies. You'll find pasta in a cheese wheel from Fratelli Fresh, gelato from Bravo Trattoria and Filipino street food from Pasalubongs. You can expect local haunts like The Hayberry, Johnny Bird and Double Cross to get involved, too. Bands will play throughout the day across two stages, there'll be dancing on another and a cooking stage will see local chefs hosting demonstrations and workshops. Crows Nest Festival runs from 10am–5pm.
If you're just a hunk, a hunk of burning love for the one and only Elvis Presley, and you live in Australia, you've been having quite the few years. A massive exhibition dedicated to the king of rock 'n' roll came our way, Baz Luhrmann's AACTA-winning and Oscar-nominated biopic Elvis wowed fans, and Sofia Coppola's Cailee Spaeny-starring Priscilla has also hit the big screen. Also on offer: a new Presley-focused stage musical that debuted in Sydney last year — and is coming back from Sunday, February 4. Called Elvis: A Musical Revolution, this production features more than 40 of the singer's hits, because there's just that many songs to include. All of the expected favourites are worked into the biographical musical, which means everything from 'Jailhouse Rock', 'Hound Dog', 'That's All Right' and 'All Shook Up' through to 'Suspicious Minds', 'Heartbreak Hotel', 'Burning Love' and 'Blue Suede Shoes'. 'Good Rockin' Tonight', 'Earth Angel', 'Don't Be Cruel' and 'Are You Lonesome' get a whirl as well, as do 'Blue Moon of Kentucky', 'See See Rider', 'Can't Help Falling in Love' and 'A Little Less Conversation'. That's what the show's audience hears. As for what everyone sees — what makes the musical one for the money, naturally — the production's story tells Elvis' tale from his childhood in Tupelo, Mississippi through to his triumphant '68 Comeback Special. If you've seen the aforementioned Elvis, none of it will be new news, but Elvis: A Musical Revolution works its hip-swinging magic anyway. In Sydney, Elvis will be in the building at the State Theatre again. Starring Rob Mallett (House Husbands, Singin' in the Rain), Elvis: A Musical Revolution hails from David Venn Enterprises, which has also been behind Cruel Intentions: The '90s Musical, The Wedding Singer and Bring It On: The Musical — and arrives via a partnership with Authentic Brands Group, the owner of Elvis Presley Enterprises. Also behind the scenes, the musical's book comes courtesy of David Abbinanti and Sean Cercone — who have Saturday Night Fever: The Musical and Ghost: The Musical on their resumes — with Abbinanti also composing the orchestrations, arrangements, and additional musical and lyrics. Images: Ken Leanfore / Daniel Boud.
We're never going to suggest that you completely cancel your Netflix subscription, god forbid. But there's something special about live music that a night in simply cannot compete with. In a new one-off performance by the Willoughby Symphony Orchestra you can combine your love of blockbusters and the live concert experience in Gala — Heroes of Hollywood. Head to Chatswood's Concert Hall at The Concourse on Saturday, February 18 or Sunday, February 19, and you'll be glad you did. Because for these performances you can relive the magic of your favourite movies with tunes you know and love from bona fide cinema classics like Jurassic Park, Jaws, ET: The Extra-Terrestrial, Indiana Jones, Star Wars, Superman, Spiderman, Batman, Forrest Gump, Rocky and Gladiator. Chief conductor and artistic director, Dr Nicholas Milton AM, has supported some of the most iconic orchestras in the world — including concerts in Germany, Austria, Switzerland, England, Hungary, France, Spain, the Netherlands and Asia — so your senses will be in the hands of experts. While some of these films might be more familiar to millennials, Gen Z audience members can take advantage of much cheaper tickets ($26 for under 26, $15.30 for under 16). Willoughby Symphony Orchestra's performance of Gala — Heroes of Hollywood will run for one weekend only, so be sure to grab your tickets before they sell out.
Kevin Macdonald (The Last King of Scotland) directs How I Live Now, a film adapted from Meg Rosoff's 2004 novel of the same name by a team of writers including talented British playwright Penelope Skinner. Startlingly mature Irish actress Saoirse Ronan (Atonement, The Way Back) stars as Daisy, a strong-willed New York teenager sent to stay with English relatives one summer. Just as she's settling in and falling in love with her cousin Edmond (George MacKay), a nuclear bomb is detonated in London by an anarchist group and all hell breaks loose. The boys are conscripted into the army; the girls are taken to an evacuation camp, which is soon attacked by "the enemy". Forced to flee, Daisy faces an arduous journey to survive, get home and be reunited with Edmond. Featuring a largely young cast of up-and-comers, How I Live Now sounds a little bit like John Marsden's Tomorrow, When the War Began series, albeit set in England and with a much bigger budget. If you like your films on the adventurous side with a splash of romance and an impressively resilient heroine, then this could be right up your alley. How I Live Now is in cinemas on November 28, and thanks to Madman Films, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
After more than two years of severe drought — including Australia's driest year on record — the recent thunderstorms have added much needed liquid to our dams. February's heavy rainfall has seen Greater Sydney's water supply levels increase to 81.5 percent up from 41.7 percent on February 6. As a result, Sydney Water has this week announced the current level two water restrictions will likely drop back to level one on March 1. The NSW Government introduced level one water restrictions in June, before increasing those restrictions to level two in December due to a "rapid rate of decline" in dam levels throughout 2019. https://twitter.com/SydneyWaterNews/status/1229936726853869568 The last time level two water restrictions were enforced in Sydney was in 2004 (with restrictions lasting till 2009) during the Millennium Drought. At one point during the 2000s drought, Sydney's total water supply dropped to a historic low of 33.9 percent. So what does this mean for Sydneysiders day-to-day? At the level one restriction level, you'll once again be able to use a hose to water your garden before 10am or after 4pm, just make sure you use a trigger nozzle. You'll also be able to use that same trigger nozzle hose to clean your car or garbage bins. Sprinklers, leaving a hose unattended and using a hose to clean pathways, driveways or other paved areas (unless it's an emergency) are still off limits. But, remember, level two restrictions are still in place at the moment. Here's the full list of what you can and can't do. Fines for not following restrictions (including current restrictions) range from $220–550. While Sydney sees an easing of conditions, some areas in regional NSW are still experiencing the worst of the drought. One of these is Orange, where level five water restrictions have been in place since October. For Orange residents, this means showering for a maximum of three minutes and watering gardens for one hour, once a week. Level two water restrictions are still in place for Sydney, the Blue Mountains and the Illawarra, though are expected to be dropped to level one on March 1, 2020. To find out more about what you can and can't do, head to the Sydney Water website. To stay up-to-date with the state's dam levels and the ongoing drought, keep an eye on WaterNSW website and Twitter.
Packing the car and heading out on a road trip to a regional festival is a joy that's been missing from our lives for far too long. Whether it's Groovin the Moo, Bluesfest or Splendour in the Grass, the out-of-town festival is always a stellar excuse for a weekend away and a banging road trip playlist. Luckily, a new festival has appeared on the 2021 events calendar, promising all this and a line-up of buzzed-about local talent across four regional NSW cities. Next Exit Festival will take place across two weekends in May, popping up in Tamworth, Gosford, Batemans Bay and Mudgee. Heading out on the state-wide tour is Triple J favourites Ocean Alley and Spacey Jane, pop-punk four-piece Dear Seattle, local pop gem Merci, Mercy and indie duo Clews. The festival was originally conceived to help bushfire-affected towns by bringing a tourism boost to the area and hiring local suppliers. Although these plans were pushed back due to the pandemic, the four-date festival run will no doubt be a boost for the regional towns involved. The event has been designed around current gathering restrictions on events and will go ahead thanks to a Restart Investment to Sustain and Expand (RISE) grant. RISE is a Federal Government initiative that has helped fund other COVID-safe music events including Fresh Produce and Summer Sounds. Tickets for the festival will go on sale at midday on Tuesday, March 9 via touring company MJR Presents' website. You can find the full list of dates below. [caption id="attachment_801821" align="alignnone" width="1920"] Spacey Jane by Daniel Hilderbrand[/caption] NEXT EXIT FESTIVAL 2021 DATES Friday, May 21 – Bicentennial Park, Tamworth Sunday, May 23 – Entertainment Grounds, Gosford Friday, May 28 – Mackay Park, Batemans Bay Saturday, May 29 – Mudgee Showground, Mudgee Next Exit Festival will take place across two weekends between Friday, May 21 and Saturday, May 29. Tickets for the festival are available from 12pm on Tuesday, March 9 via MJR Presents. Top image: Ocean Alley by Neegzistuoja via Wikimedia Commons
Ikea have posted an interactive app on YouTube which takes all your personal information from Facebook, should you allow it to, to create a personalised 3D mock-up of your new bedroom kitted out entirely in durable and inexpensive Swedish design. Starting off like an everyday advertisement for Ikea, the video gets taken over by the app which accesses information about your life and tailors it to the smallest details, including photos from your Facebook albums hanging in the picture frames. As a nice touch they build the walls out of your wall posts, before they paint them over in solid colour and a solemn British voice accounces that the products are the definitive ones which will help you go 'happy to bed.' The app is part of Ikea's UK campaign, but it's open to anybody with a Facebook account, and is designed specifically to reflect the person's personality, lifestyle and interests. Now, having recently invested in a new bed, bedside table and bookshelf from Ikea, I was particularly intrigued to find out whether it would all match up with the predictive magic of the internet. But, sadly no. They chucked in the bed I decided against, rather than the one I bought, a narrow desk which doesn't account for the amount of junk I frequently have lying around, and they framed pictures which are nearly all of me pulling my 'I am unhappy about being photographed face.' And they forgot a bookshelf, which comprises a full wall of my room at the moment. But my complaining aside, if you always wanted confirmation that your chest of drawers were perfectly aligned to your personality, you now have an easy way to find out. https://youtube.com/watch?v=hQYe7OMoJNA [Via PSFK]
Perched on the edge of a nature reserve, this small-scale organic farm powers an on-site cafe and pottery centre. Here, you can master the potter's wheel, create adorable pinch pots or become a dab hand at glazing in tailored workshops. There are a number of accommodation options for overnight stays, including unpowered campsites, but it'd be hard to pass up a night in the old schoolhouse. This enchanting octagonal structure sits above the ground on stilts carved from local timber. It's filled with handcrafted furniture and carefully sculpted fixtures that create an almost cartoonish fairytale atmosphere. Include a farm tour with barnyard animal encounters or a bird watching tour in your trip for the full family holiday among the gumtrees experience. Or, if you want to level up, opt for a helicopter tour to get a bird's eye view of Warrumbungle National Park and Pilliga Nature Reserve.
