Following the massive success of its Hokusai exhibition in 2017, the NGV will once again look to the cultural influence of Japan with an exploration of the country's widespread impact on Western modern art. Running from May 25 to October 28, Japonisme: Japan and the Birth of Modern Art considers the crucial period of time following the reopening of international trade from Japan in 1854. As artworks began to flow from Japan into Europe and America, a cultural revolution of sorts was set in motion as Western artists became exposed to the artworks and visual language of Japan for the first time. Influencing artists like Vincent van Gogh and other legends of the day, this moment in history is considered one of the crucial events that lay the foundations of Western modern art. Japonisme (which will be free to attend) delves into the NGV's huge Asian arts collection, showcasing examples that demonstrate Japan's influence of much of the world's art throughout the last 150 years. Western decorative arts, paper works, paintings, fashion and textiles, photography, as well as Japanese art will be on display. Specific highlights include Henri de Toulouse-Lautrec's much-loved Divan Japonais poster, examples from the 1866 Bracquemond-Rousseau dinner service, and an undulating art nouveau cabinet designed by Louis Majorelle, demonstrating the influence of Japanese styling on French furniture. Japonisme will show just how the Japanese respect for the environment influenced European artists, and you'll notice just how many examples of European art highlight the reworked organic forms, rich colours and gentle textures typically associated with Japanese aesthetics. Japonisme: Japan and the Birth of Modern Art will run from May 25 to October 28 at the NGV International. Find more info at ngv.vic.gov.au. Image: Henri de Toulouse-Lautrec, Divan Japonais (1893).
Mona Foma is making the huge move from Hobart to Launceston in serious style — by giving away free airfares and three-day festival tickets to an entire Air Mofo plane worth of lucky, lucky festivalgoers. The 'private airline', a collaboration between Mona Foma and Tourism Tasmania, will exclusively service competition winners for MONA's summer festival. Seats will be given away in rows of six, so your five closest mates will be given the deluxe treatment, too. The airline will fly from Adelaide, Brisbane, Sydney and Melbourne, with winners arriving in Launceston for the start of the festival — around noon on Friday, January 18. Expect more than just your average plane ride on board Air Mofo. "It's going to be like the festival — it'll be weird, there'll be good food, great booze, and some confronting in-flight entertainment that probably can't be unseen," says Mona Foma curator Brian Ritchie. Mona's summer festival will take over Launceston from January 18–20 and the lineup boasts everything from real human body parts on display to a onesie exhibition, with free tickets offered to the local Amish community. Music highlights include Swedish star Neneh Cherry, Welsh electronic music icons Underworld and Tassie's own Courtney Barnett, plus a Mona Foma exclusive: a four-part performance by producer and composer Oneohtrix Point Never and the MYRIAD ensemble, framed from the perspective of an alien intelligence in an unlovely combination of medieval folk, dance music, R&B, and sci-fi imagery. You can check out more festival highlights over here. Head here to enter the competition. The otherwise standard form includes the question, "tell us in 25 words or less why you and your five fellow Mofos need to party at Mona Foma in Launceston". Needless to say, it's best to nail that answer if you want those tickets. Three-day festival passes are also on sale now — this year priced at $99 for the weekend. And, if you're looking for other ways to enjoy the festival's new surrounds, check out our weekender's guide to Launceston during Mona Foma. https://www.youtube.com/watch?v=1jS4uZtMaJk&feature=youtu.be Mona Foma 2019 will take over Launceston, Tasmania from January 18–20. To enter the free airfare and festival passes competition, head over here.
With so much time on our hands during lockdown, many have turned to their kitchens in order to expand their cooking skills. Among the most popular isolation cooking projects is taking on homemade pasta, and who better to guide you through the process than two grandmas with a over 100 years' of combined pasta making experience, all the way in Italy? Nonna Live offers private and group pasta making lessons online. Classes usually go for $100 USD ($157 AUD/$166 NZD), but have been marked down to $60 USD ($94 AUD/$99 NZD). They take about two hours, and will take you through the entire pasta making process, with a delicious dish as your end reward. Nonna Live classes are led by two Italian grandmothers: 84-year-old Nonna Nerina, who has become well-known for her pasta making through her AirBnB experiences and lessons in Italy; and Nonna Giuseppa, owner of Pasta Cuomo, a pastaficio in the Amalfi Coast that has been in her family for 150 years. You'll get a list of ingredients and cooking equipment you need to make a delicious meal in their classes, a week out. https://www.facebook.com/nonnas.it/photos/a.864756793704541/1475787695934778/?type=3&theater
The only resort on the Whitsundays' Daydream Island is finally set to reopen after being devastated by Cyclone Debbie back in March 2018. Following a $100 million redevelopment, Daydream Island Resort is making its return in serious fashion — with a 200-metre living reef, three restaurants, a poolside bar and an outdoor cinema to boot. The exclusive resort will reopen on April 10 with 277 fully refurbished suites that span ocean, garden and pool views. Those aren't any ordinary ocean views, either, with crystal clear turquoise waters surrounding every corner of this tiny oasis. And the massive, newly landscaped pool wraps throughout the resort's tropical gardens and links to its coral beaches, offering views of the Great Barrier Reef beyond. The resort's living reef has also been revitalised — it's a coral lagoon that spans 200 metres and surrounds the central building, with its 1.5 million litres of water housing over 100 species of fish, coral and invertebrates. Guests can learn from local marine biologists while helping to feed baby stingrays and explore the new underwater observatory that lies four metres below sea level. Daydream Island will also boast three distinct restaurants, all of which feature seasonal and local produce. Fine-dining restaurant Infinity offers panoramic ocean views and a menu of Asian-fusion eats, along with a teppanyaki private dining room. Then there's Inkstone Kitchen and Bar, a modern Australian restaurant using native ingredients. Think crispy skin coral trout sourced from Bowen, served over squid ink linguine, and surrounded by thin slices of smoked crocodile and Australian caviar, too. The third dining option, Graze Interactive Dining, better resembles a greenhouse — it's contained in a lush space with hanging greenery and large glass windows that look out over the Living Reef. The dining room is run as a marketplace, with live cooking stations and a buffet breakfast on offer. There's three bars as well, including the poolside Barefoot Bar that'll serve up gourmet-style bar bites, including burgers, pork ribs and chicken wings, along with fresh smoothies and the requisite island cocktails. An outdoor cinema and gym facilities don't hurt the appeal, either. Those keen to explore the Whitsundays further can book snorkelling, helicopter tours, sailing, jet-skiing and island-hopping experiences through the resort, too. While you're in the region, don't miss the chance to check out the nearby Whitehaven Beach, which is listed as one of the best beaches in the world. Daydream Island Resort will reopen on April 10. Room rates start at $492 per night for a standard room, and bookings are open now. For more to see and do in the region, check out our Outside Guide to the Whitsundays.
We get it. Everyone loves an espresso 'tini. Melbourne's got a bar that even does them on tap — and Sydney has a whole venue dedicated to that God-sent concoction of chilled coffee and vodka. After Melbourne nabbed the country's very first espresso martini festival last year, Sydney's getting in on the action with its own dedicated event in The Rocks this May. Sleep, who needs it? The festival, to be held in the Overseas Passenger Terminal on May 26 and 27, is being gifted to our espresso-loving, cocktail-filled city by the caffeinated folks at Mr Black, a NSW-based cold-pressed (and damn fine) coffee liqueur. In short, they know how to capitalise on our weaknesses and we're not even mad about it. The affair will involve some of Australia's best coffee suppliers, cafes and bars, and will come together to create a beautiful array of alcoholic caffeinated beverages. As with any festival of this kind, there will be plenty of optional food and drink from Mary's, Loving Earth Chocolate, Young Henrys and Byron Bay Cookie Co. The festival will run during the first weekend of Vivid Sydney, so you can pair your Darling Harbour light-chasing with a 'tini or two. Tickets will set you back $30 (plus booking fee) a pop, with the first 200 tickets sold including a complimentary espresso martini. Can't argue with that. Image: Nikki To.
Director Leticia Cáceras writes that when Belvoir approached her to direct a version of August Strindberg's Miss Julie, she was in two minds: "As a director I was thrilled, as a feminist I was not so sure." Strindberg, often credited as the father of naturalism, had a misogynistic bent to his plays, and his Miss Julie, for all its good qualities, does seem to punish its main character for daring to being sexual. Not so in the hands of Cáceras and writer Simon Stone, and their changes in this regard are a blessed relief. Too often we see classics contemporised in setting, costume or language but are supposed to accept their weird plot points about a woman's purity untouched. If only the approach here was the standard. That said, 'Miss Julie' (Taylor Ferguson), does not escape lightly; she is subject to the many pressures our society puts on women. As the 16-year-old daughter (revised down from 25) of a prominent politician, every sext, flirt and short skirt is under scrutiny. But she also thinks she's found a new power: to make her father's security guard, Jean (Brendan Cowell), stare at her rather intensely. This circumstance shoots through the first act of the play, a mansion-set domestic drama in which the ingenue and employee spar, converse, eat a pizza and then, awkwardly, kiss. In the second act, their relationship gets rather more destructive. The enduring appeal of this play is that as well as being rich with sexual tension, it's a potent exploration of how class, gender and generation shape people and their interactions with others. Jean, a 30-something former sommelier, harbours admiration for the elite classes he works for. Julie, meanwhile, fetishises a more 'authentic' life with room to err and fail and be in danger. In drawing their ages even further apart, Stone is pushing the boundaries of our comfort, and it's a welcome addition. The power exercised between the pair is complex, but we're never in doubt about who is responsible. Perhaps this Miss Julie doesn't quite live up to its promise. It was exciting to see what would happen when Stone (Thyestes, Death of a Salesman), one of the most talked-about theatre makers of the moment and known for developing his works in the rehearsal room, wrote a traditional, printed-on-paper script and handed it over to Cáceras, whose chilling The Dark Room was one of the standouts of 2012. Their finished piece is spirited, smart and involving — it's well written and well directed — but it doesn't make a searing impression. Props must go to the formidable lead actors, who are not only convincing but seem to have a rare level of comfort in their roles. Blazey Best, as Julie's housekeeper and Jean's fiance, Christine, also stuns in her limited time on stage. With the high-contrast sound design of The Sweats (Pete Goodwin) rising, the final, tragic tableau is a poignant sight.
Storyteller, photographer and Sydney arts scene mainstay William Yang remembers that, at the age of six, he was made to feel that "being Chinese was a terrible curse". Many times over he's turned these painful memories — as well as joyful and often tantalisingly debauched ones — into "warm, humorous and very honest" performances. Now he directs a group of six Asian Australians to tell their own stories, which they have developed together with writer and media personality Annette Shun Wah and composer Nicholas Ng. Using words and images from personal collections, Stories Then and Now drifts from a fishing boat journey to a decadent cruise and from labour farm to Shanghai burlesque club. The past and present overlap in the intoxicating stories, woven on stage by Ien Ang, Jenevieve Chang, Michael CS Park, Sheila Pham, Paul van Reyk and Willa Zheng. How does an individual reconcile a traumatic past to inhabit the present? How do we, as a nation, come to terms with the collective memory of our history of institutionalised racism? What is life really like for immigrants and refugees attempting to establish themselves in Australian society? It all starts to come out as these individuals navigate memories of heartbreak, cultural displacement and the destruction of war. Stories Then and Now plays from May 22-25 under the umbrella of the Sydney Writers' Festival. Thanks to Carriageworks, we have two double passes to give away. To be in the running, subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au.
UPDATE: MAY 15, 2018 — Because you can't really enjoy a cheese board without a glass of time, The Cheese Riot has this week launched a series of cheese and wine hampers. They range from $119–159, feature some top Australian wines, and can be ordered here. Australian farmers put out some seriously delicious cheese, but, if you live in the city, the best stuff isn't necessarily easy to find. Most are made on country farms, several hours' drive away, and don't often make it to major supermarkets. The good news is that a cheese lover by the name of Anna Perejma wants to change all that. She's the founder of The Cheese Riot, a brand new service brings boutique Aussie cheeses to your doorstep. The Cheese Riot is the result of Perejma travels around the country, sampling all the cheese she could get her hands on. Picking the tastiest and boldest varieties, she's now connecting directly with the cheesemakers and producers where possible, then popping their wares into boxes and sending them to subscribers all over Australia. As well as 600 - 800 grams of cheese per box, each shipment also includes a changing range of Aussie-made accompaniments, such as chutney, pastes, honey and matching teas. Two subscription options are available: the Give Me Cheese box for $89, and the Give Me Premium Cheese box for $129, which features harder-to-find cheeses or special batches. They're sent to most places in Australia, with Sydney metro residents receiving same-day delivery "It's like the Dollar Shave Club, but for cheese," explains Perejma. "Every month, you'll get a selection of cheeses delivered to your house, most made by small producers who live in the middle of nowhere. The idea is to unlock products people want but can't get." It's a venture driven by Perejma's love of Australian wares, and her eagerness to share our delicious dairy products. "Our products are just as good as anything you'll find internationally, but don't get enough recognition." And before you start wondering about Perejma's credentials, her resume includes events officer at the Australian Specialist Cheesemakers' Association — yes, the ASCA really exists — where she recently organised the & Cheese event series that included a Young Henrys beer and cheese pairing and a Four Pillars gin cocktails and cheese pairing at Moya's Juniper Lounge. We're pretty confident you can trust her palate. In addition, Perejma wants to "take the wank out of cheese" and encourage a sense of community around sharing it. "You can enjoy cheese any way you like, be that on your own with Netflix and a glass of wine or with a bunch of friends at a picnic in the park." The Cheese Riot will also be hosting artisan cheese appreciation classes in Sydney, through AirBnb Experiences. For more information about The Cheese Riot, visit their website. By Jasmine Crittenden and Sarah Ward.
With a debut album described as a “modern classic” by the NME and "a giant cohesive dance party with songs crafted for hand-clapping and feet-stomping" by others behind them, East-London psychedelic quartet Django Django are coming to Australia for the first time. The three-date, two-venue tour will see the quirky foursome joined by Dublin math-rockers the Cast of Cheers as they pump out their left-field sound with plenty of synthy goodness and twee pop, all wrapped up in positive vibes and low-budget, artistic visual effects. Django Django's sound is startlingly electric — a stripped-down, spaced-out myriad of muses and stellar experimentation. With an album released on the 23rd of this month entitled Family, support the Cast of Cheers from Ireland have become a favourite among fans and critics since their formation and look set to rise at a blistering pace.
Following yesterday's indefinite, effective ban on all international travel, in a bid to slow the spread of COVID-19 across Australia, Qantas and Jetstar have announced they will suspend all scheduled international flights from late March until the end of May 2020. As a result, the airlines will temporarily step down two-thirds of their 30,000-person staff until at least the end of May. In a statement, the Qantas Group says the decision was made "in order to preserve as many jobs as possible longer term". Employees will be able to draw on "annual and long service leave" and additional support will be introduced, including leave at half pay and early access to long service leave. Qantas says it is also talking to Woolworths about temporary jobs for its stood-down staff. The decision comes after Qantas and Jetstar earlier this week announced they'd be cutting back international flights by 90 percent and domestic flights by 60 percent. For now, domestic flights will continue running at a 40 percent capacity, with Prime Minister Scott Morrison saying "domestic air travel is low risk". We could see domestic flights cut further in the near future, however, with Tasmanian Premier Peter Gutwein this morning announcing that from midnight this Friday, March 20 only essential travellers will be allowed into Tasmania without quarantine. Non-essential travellers, including Tasmanian residents returning to the island from mainland Australia, will be required to self-isolate for 14 days. Essential travellers include health care workers, emergency workers, defence personnel and air and ship crew. These measures are similar to those currently in place for international travellers arriving into Australia, which mandates compulsory 14-day isolation periods for everyone arriving from overseas. Virgin Australia will also suspend all international flights from March 30, and will cut domestic flights by 50 percent, too. For further details about Qantas and Jetstar's plans, visit the company's website. For more information about Virgin Australia's reductions, visit its website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Opera on a regular stage is one thing, but opera performed on a floating openair theatre atop Sydney Harbour, under the stars? Well, that's some unforgettable stuff. Especially when it's Giuseppe Verdi's famed classic La Traviata that's being given the overwater treatment. The glamorous three-act show is the latest production announced as part of Opera Australia's Handa Opera series, set to return to this unique stage in March and April 2020. Handa Opera has pulled over 400,000 guests since debuting with La Traviata back in 2012, its mix of drinking and dining options, breathtaking views and nightly fireworks making it one of Sydney's must-try cultural offerings. It's also considered one of the world's best openair opera venues. [caption id="attachment_714402" align="alignnone" width="1920"] Handa Opera's 'West Side Story' by Prudence Upton[/caption] The upcoming season will see director Constantine Costi heading up a bold new production of La Traviata based on celebrated director Francesca Zambello's original. It tells the famously heartbreaking tale of a free-spirited Parisian courtesan and her tragic love affair with a nobleman. Expect to be wowed by a glittering nine-metre-high chandelier decked out with 10,000 crystals on stage, while world-class performers deliver soaring renditions of legendary tunes like 'Sempre Libera' and 'Brindisi'. Carmen, Aida and La Bohème are just some of the hits to grace the Handa Opera stage in recent years, with 2019's production of West Side Story selling a huge 62,000 tickets. La Traviata on Handa Opera will run from Friday, March 27 to Sunday, April 26. Tickets are on sale from the Opera Australia Box Office from Tuesday, July 16. Handa Opera's 2012 'La Traviata' by Lightbox Photography
The largest-ever showcase of living Australian artists will casually drop by Ballarat this spring, with the inaugural Biennale of Australian Art (BOAA) in town from September 21 until November 6. It's big news for the small city, with the six-week event set to be a major drawcard for the Central Highlands region of Victoria. There'll be 150 artists coming from all reaches of Australia, making up 65 curated solo exhibitions, as the Biennale aims to have equal representation of artists from every state and territory. Taking place in over 14 different venues across Ballarat, its art points will certainly be amped up several notches by the array of visual arts and live music set to take over the town. With the event boasting a strong focus on Indigenous talent, art from the Numina sisters, Abdul Abdullah, Kim Anderson, David Jensz and Peggy Griffiths will be on display, among work from over a hundred others. Music-wise, the BOAA Band Wagon will be doing the rounds: a specially built music truck that'll provide the sound staging for the event's outdoor gigs at Lake Wendouree and St Andrews Grounds, as well as concerts held at Ballarat's other music venues. In special events, there'll be a living sculpture fashion parade, an evening program called BOAA Dark and a lake sculpture walk, which turns Lake Wendouree into an outdoor gallery featuring 26 sculptures. Free mini buses, bikes and rickshaws will transport attendees around the art path, pausing at pit stops providing food and local beers and wines for your hungry, thirsty and very well-arted selves. With the Biennale expected to draw tens of thousands of visitors, Ballarat looks set to be a pretty busy little place over the six weeks. Two-day or six-week (festival) passes are available at $25 and $100 respectively, so start planning your road trips. The Biennale of Australian Art runs from September 21 until November 6 in Ballarat. For more information, visit the BOAA website.
Yoko Luscher-Mostert and Andries Mostert of Brave New Wine are taking over Love, Tilly Devine on Tuesday, November 8. Experience wine like never before as the husband-and-wife winemaker duo presents a list of colourful, naturally-fermented offerings. Known for sourcing sustainably grown grapes, the Mosterts have curated a unique selection of bottles that are dressed in artworks by Yoko herself. A total of eleven of their new wines will be offered at the event, including four different pét-nats, chardonnays and juicy reds. On top of the booze, guests can also opt for Tilly's $65 shared menu – that way, you won't leave with empty stomachs. Walk-ins are welcome, but you can make a booking ahead of time on Love, Tilly Devine's website. [caption id="attachment_876546" align="alignnone" width="1920"] Bruno Stefani[/caption] Top images: Bruno Stefani
The merits of her ethics and her music are subjective, but the amount of power Amanda Palmer wields in the music industry is conclusive. Even those who found it most difficult to stomach her Kickstarter campaign would probably have little trouble swallowing her claims about the current state of the music business and the appropriateness of asking fans for financial aid, which she recently compiled into one persuasive TED talk titled 'The Art of Asking'. But Amanda Palmer isn't the only industry luminary with a penchant for both lyrics and discourse. Here are nine other thought-provoking, though slightly less controversial, TED talks by famous musicians. 1. AMANDA PALMER: THE ART OF ASKING Start googling 'Amanda Palmer Kickstarter' and it's not long before you're prompted to search 'Amanda Palmer Kickstarter shitstorm'. When the musician took to crowdsourcing last year to raise money for her solo album, people wasted no time in branding her as selfish. 'The Art of Asking' is Palmer's side of the story and raises some interesting points about the difference between 'asking' and 'making' fans pay for music. Palmer is master of the anecdote, and one of the most memorable here is the guy who gave her $10 after a show because he had burned her CD off a friend. 2. DAVID BYRNE: HOW ARCHITECTURE HELPED MUSIC EVOLVE Artists have always had a grand old time of blaming sound systems for poor performance, but the irrepressible David Byrne puts forth quite a different argument for the venue shaping the music. For examples he turns to everything from bird calls and African drumming to Mozart and iconic New York punk venue CBGB — even tying in voting — and by the end of it you're convinced that we make nearly everything with a specific venue or context in mind. 3. BENJAMIN ZANDER: THE TRANSFORMATIVE POWER OF CLASSICAL MUSIC In a TED talk that could equally be called 'The Transformative Power of Benjamin Zander', the magnetic conductor attempts to make every listener realise his or her untapped love for classical music. And after 20 minutes of interesting facts interspersed with heart-melting anecdotes and piano playing that you just don't want to stop, you're pretty sure he's succeeded. 4. ITAY TALGAM: LEAD LIKE THE GREAT CONDUCTORS Conductor of both music and business Itay Talgam leads a talk on how to create harmony without saying a word. He explores the unique styles of six 20th-century conductors and shows what we can learn from each, and in doing so makes some compelling points about control: how to retain it, when to loosen it and how not to lose it. 5. TOD MACHOVER AND DAN ELLSEY PLAY NEW MUSIC Tod Machover of MIT's Media Lab often incorporates new technologies into his works as part of his commitment to bringing musical expression to everyone. Here he presents a talk with Dan Ellsey, a composer with cerebral palsy, to demonstrate how a piece of software called Hyperscore allows people to write music by humming or wielding a mouse. It's a beautiful testimony to music's powers of healing and communication and also features some epic Guitar Hero battles. 6. ANNIE LENNOX: WHY I AM AN HIV/AIDS ACTIVIST Annie Lennox is the founder of SING, a voice for women and children living with AIDS/HIV that raises money to prevent the spread of the disease and support those currently living with it. In this TED talk she shares some of the experiences that inspired her to raise awareness of the AIDs/HIV crisis and explains the meaning behind the 'HIV Positive' T-shirt that sent the rumour mill spinning when she wore it on American Idol three years ago. 7. EMMANUEL JAL: THE MUSIC OF A WAR CHILD "When the rest of the children were learning how to read and write / I was learning how fight". Here Emmanuel Jal reveals the incredible story about his journey from child soldier in the Sudan to world recognised hip hop star and humanitarian. He bounces between speech and lyrics in broadcasting his message about the power, both spiritual and intellectual, of music. 8. ROBERT GUPTA: MUSIC IS MEDICINE, MUSIC IS SANITY Robert Gupta had just completed his undergrate and was studying Parkinson's disease at Harvard when he came to a crossroads at his life, caught between choosing to continue studying neuroscience or to pursue his other love — the violin. He chose the violin, but when a violinist friends suffering from schizophrenia ended up living on the street, he found musical therapy can be a powerful medical instrument itself. 9. EVELYN GLENNIE: HOW TO TRULY LISTEN In this illustration of how listening to music involves more than letting sound waves hit your eardrums, award-winning deaf percussionist Evelyn Glennie makes the argument that listening to music is about being aware of how your whole body takes in and reacts to sound. A decade after this talk was filmed, in the light of Spotify, Rdio, SoundCloud and iTunes, her points about the difference between hearing and listening are more relevant than ever. 10. ADAM SADOWSKY ENGINEERS A VIRAL MUSIC VIDEO The reason Adam Sadowsky doesn't look like a member of an alternative rock band is because he isn't, but he is the guy behind the amazing video for OK Go's 2010 single 'This Too Shall Pass', which has been watched almost 40 million times on YouTube. The video is 3 minutes and 54 seconds of Rube Goldberg machine action, painstakingly constructed by smashing two pianos and four televisions and making over 100 trips to Home Depot. There are no magic tricks involved, but the physics will blow your mind.
So, you've binged on The Jinx and Making a Murderer, and now you need another outlet for your factual film and television fix. Well, we predict you're about to get excited about the newest addition to Australia's film festival circuit: Hot Docs. Hot Docs isn't just your small-scale local documentary festival. Screening more than 200 films, it's North America’s largest doco-focused showcase, and has been running for 23 years. Given that it's also known as the Hot Docs Canadian International Documentary Festival, you'd be forgiven for thinking that it is limited to the borders of the nation in its name; however, when it makes the leap to Australia in June this year, that'll no longer be the case. Thanks to the folks at Palace Cinemas — including the artistic director of the Australian offshoot, Richard Moore — this brand new doco onslaught will be shown on Sydney, Melbourne and Canberra screens this June and July. Indeed, Palace just keeps building their annual calendar of events, with this revelation following the announcement of a new festival dedicated to American independent cinema, which will kick off in May. The move is certainly timely, and is just the latest link between the festival's main Toronto base and our sunny shores. This year, the Canadian run has selected Australia as its special country of focus. And for its Aussie debut, it will screen a curated selection of festival hits and audience favourites, spanning premieres of both local and international content. Hot Docs will screen at Sydney's Chauvel Cinema from June 21 to July 3, Melbourne's Palace Westgarth from June 14 to 26, and Canberra's Palace Electric from June 15 to 26. For more information, keep an eye on the Palace Cinemas website and Hot Docs Oz Facebook page.
We're just about ready to fast forward through this winter. Let's skip the low temperatures and head straight for warmer days and colder drinks. While we wish it could be that easy, we all just need to accept the situation and wait out the chill. Embrace the weather and all the winter-exclusive activities it brings — skiing, snowboarding, camping where you'll actually want to sit by the fire, and not to mention warming up in some pretty amazing hot pools. This season you can create your very own cold weather holiday with Teva's winter escape competition, which could win you $1000 to go towards planning your ideal adventure and $250 to shop Teva's shoes and match whichever destination you choose. Slip into a steaming, natural mineral water pool to rid your mind and body of any chilly winter blues. Gaze out at snow-capped mountains instead of the usual view from your desk. Escape the city's hustle and bustle and set up in a treehouse surrounded by nothing but wintry flora and fauna. The opportunities are great when you've got $1000 to splash on a bespoke escape. Grab your Teva shoes — with options good for zipping straight from your cabin into a thermal bath, or for hiking those snowy mountains — and you're good to go. To go in the running to win $1000 towards a winter escape, plus a $250 Teva gift card, enter your details below. [competition]629606[/competition]
Like Netflix, but for actually going to the movies. That's the premise of CinemaClub Australia, a new subscription service offering punters access to bucketloads of movie tickets for a monthly fee. Due to launch in late 2017, CinemaClub aims to cut the cost of going to the pictures. Rather than paying $20 or more every time they head to the cinema, film buffs will instead be able to sign up for a CinemaClub membership that gets them access to a movie ticket every weekday of the month. Concrete Playground reached out to co-founder James Farrell, who said that CinemaClub would be partnering with a number of major cinema chains — as well as various independent cinemas — right around the country. Memberships are expected to cost between $40 and $60 a month — so if you're the kind of person who sees three or more movies a month, you could be about to save yourself a whole heap of money. "Millennials today are avoiding the cinema for cheaper alternatives due to high prices and inflexible offerings," said Farrell. "What we do is make cinema an easy-to-reach and regular activity again. Our members get incredible value and we hope this is something that can really propel the Australian cinema industry." CinemaClub isn't the first start-up attempting to alter the rigid cinema industry, either. It's extremely similar to US subscription service MoviePass, which has come under fire from the States' largest cinema chain AMC for their insanely low fee of just $9.95 USD per month. While this isn't profitable for MoviePass at the moment, it seems the company — of which data firm Helios and Matheson Analytics have majority ownership — will look to swap consumer data for discounts with AMC down the track. Earlier this year, Melbourne couple Sonya Stephen and Shane Thatcher launched Choovie, an on-demand movie ticket app that offers fluid ticket price based on the time of the screening and the popularity of the film. While the success of the membership will rely on participating cinemas, stakeholders and the confirmed monthly fee, we're still interested to see where this goes. You can register your interest via the CinemaClub website to receive more information about when memberships go on sale.
Your Christmas lunch could soon be soundtracked by Bill Murray. Well, that's the best case scenario. Bill Murray has recently told Variety that he will be teaming up with Sofia Coppola for a festive TV special involving him singing a variety of Christmas carols. Obviously once that's out in the world, all other traditional tunes will be irrelevant and we'll all celebrate the season to his unashamed, slightly slurring version of 'Jingle Bells' and 'Silent Night'. Though we don't have many details about the project as yet, both Murray and Coppola have confirmed that something is in the works. It's also safe to assume the work will be somewhat different to their last collaboration, Lost in Translation. "It's not going to be live," said Murray. "We're going to do it like a little movie. It won’t have a format, but it’s going to have music. It will have texture. It will have threads through it that are writing. There will be prose." If that's not vague enough for your liking, he also added that it will have a "patina style and wit to it". "It will be nice," he said. "My motivation is to hear him singing my song requests," said Coppola. Though Murray is well accustomed to being on television — not only was he on three seasons of SNL in the late '70s, he's been such a regular to Letterman over the years he now just wears elaborate costumes and shaves his beard on air for kicks — this will be Coppola's first foray away from the cinema. It's hard to see how her quiet and subtle filmmaking style will translate to the cheesy traditions of Christmas TV specials (despite how much "wit" Murray claims it will have). But, whatever the final result, we're looking forward to it immensely. Now, because we'll basically take any excuse, here's a selection of Bill's best. 'Tis the season. Via Variety.
So you've probably read all about the food truck phenomenon that is about to change the face of Sydney's late night eating habits. Anyone even vaguely interested in food (and getting drunk, for that matter) is so excited you would think that Momofuku had just opened in Sydney or something. Not that we don't feel it ourselves – there is nothing like finishing the night on the high point that a well-made taco brings at 3am. However, with hype building to monstrous proportions, we want to make sure no one is left disappointed. Are the food trucks really prepared to cope with the frenzy of a city of people who really, really like their food and booze? Concrete Playground puts Georgie Swift from Veggie Patch and Attila Yilmaz from Al Carbón through the wringer to make sure they are prepared for the mayhem to come. What is your background in the food industry? AC: The son of a Turkish migrant chef and restaurateur, I learnt first-hand the dedication, devotion and passion one must possess to survive in this industry. From the age I could reach the tables, I worked beside my father, whose passion for food was infectious. In the early eighties my father started a food van in Canberra from which he sold his famous doner kebabs on weekends, leaving the week free to look after my younger brother and I. The kebab van was an instant hit and so every weekend I worked beside him in the confined space of a 5 meter food van. We served hundreds of people at the weekend markets and festivals and those times became some of the happiest memories of my childhood and early teens. What is the philosophy behind your food truck? VP: The Veggie Patch is devoted to providing high quality vegetarian food using ingredients sourced from local producers. We go by a whole foods philosophy, using unprocessed and unrefined ingredients, with minimal impact on the environment, from our packaging to ingredients. All the wastage from the veggie patch will be made from organic matter and hence composted. Furthermore the van is equipped with solar panels and the engine is powered by the van's used vegetable oil, maintaining a low ecological footprint. Inspired by the 'paddock to plate' movement, the Veggie patch aims to reconnect us to what we eat and where it comes from. This is reinforced visually through the van's artwork, which resembles and farm barn house surrounded by a veggie patch. AC: A lover of all things South American, I have had a calling towards both the cuisine and lifestyle. My mum thinks this is because a Spanish woman accidentally breast fed me in the Hospital Nursery when I was born, thinking I was her child. Our concept follows a simple formula and pays homage to the Street Taqueros of the Sonoran region of Mexico. Arguably the best tacos come from the mesquite scented hot coals of the region, in particular Hermosillo, where I travelled last year. In Hermosillo, only the best quality meats are marinated, grilled and infused with the scented hot coals of Mesquite and combined with fresh made to order tortillas and a selection of house made specialty salsas and condiments. We cook everything over a two metre BBQ pit filled with hot scented natural mesquite charcoal sourced from overseas. Even our salsas and condiments are made grilling over the same hot charcoal. No sour cream, lettuce or grated cheese here, just fresh, artisan handmade food. Even our tortillas are made fresh! What are some of the problems you've encountered along the way? AC: The design process has been long and arduous. Almost every component of our trailer I have designed and drawn myself and, in some instances, fabricated. I am not a trained designer but I taught myself CAD and other design programs to cut down costs, but also because no one would even talk to me about the concept, people thought I was crazy, seriously. Financing the project is also difficult. I'm completely self-funded from savings my wife and I were going to use to buy our first home. The hardest thing for me is finding time to do everything, from design, fabrication, marketing and cooking, I'm a one man team, as my wife has to work and look after our 22 month old. I am so unbelievably happy to be a part of this project that it brings happy tears to my eyes whenever I think about it. VP: Working out how to generate enough energy from solar power to run all the appliances we need for cooking has been a challenge, but not a problem. We are nearly there! How are you going to stay up all night? VP: The Veggie Patch has 4 business owners, so we be able to share the work load between us. It's going to be a busy year for us, but long term we will be employing people to work in the van day-to-day, whilst we continue to create in our studio [for other brand, TMOD]. AC: Twelve years of night shifts in the police force has given me the conditioning to handle that aspect of the job without an issue. If you run out of supplies within the first hour, do you have a back-up plan? AC: We have enough refrigeration and supplies on board to last a few hours, we can serve up to 1,000 people with our on-board capacity. If we start to run low, our support/towing vehicle can race to our warehouse/commercial kitchen/party room at Canterbury. Are you prepared to deal with drunk, potentially dangerous foodies? AC: I'm a big guy, and talking people down is easy when you know how. I'll just give them a taco and let them enjoy it. It's hard to fight with a mouth full of food and some of our hot salsas will sober you up quick smart. Plus you should see the huge steel skewers and big chopping cleaver we use to chop the meats (Think Chinese BBQ Duck cleaver). No one is messing with us... we hope. VP: We hadn't really thought about this… Hopefully dangerous foodies stick to doner kebabs. https://youtube.com/watch?v=jwuhf9J6lHs
If you've ever entered Yayoi Kusama's surreal 'Infinity Mirror Room', stuck polka dots on surfaces in her series Dots Obsession or taken a photo with her giant pumpkin when you visited Naoshima, you probably exclaimed at least once (giddy with the joy only polka dots can bring) that holy shit, I want to live here. It seems this is a common expression as London's Tate Modern and Airbnb have teamed up to transform the spare bedroom of one lucky, art-loving Londoner into a literal work of Kusama's art. Those living in the Greater London area with a private room or entire home listed on Airbnb will be able to enter the competition, the prize of which will see their spare bedroom transformed into a genuine Yayoi Kusama art installation — that is, a vibrant, polka dot paradise. The Japanese artist and writer is known for her polka dot and mirrored art installations. You could actually never be sad again if you scored this room. To win, entrants have to tell the organisers why they want Kusama to transform their home in 300 words or less, and the prize also includes two tickets to the opening party of the Tate Modern's new building on June 16. It's not the first time this year that some prime art property has become available on Airbnb — the Art Institute of Chicago created an IRL replica of Gogh's famous work The Bedroom back in February. Unfortunately, unless you're some some sort of property mogul who's remotely running an Airbnb leasing ring in the Greater London area, you won't be eligible for this prize. However, you can only hope this room is available on your next trip to the UK. Alternatively, you can get a little Yayoi-y and stick polka dots to the wall of your bedroom yourself. Your landlord will love it (or else kick you out immediately).
This Saturday, October 29, what will you be doing? If the answer isn't celebrating the Mexican Day of the Dead holiday, then you might have to re-evaluate your plans because Espolón Tequila is having a party on the last Saturday of October. The traditional Day of the Dead holiday actually runs over two separate days on November 1 and 2, when it's believed that the souls of those who have passed to the underworld can come back to visit. Families in Mexico and Latin America (and around the world) come together to welcome their loved ones back with their favourite food, drinks, candles, flowers and incense to celebrate the meaningful holiday. Espolón tequila is handcrafted and distilled by artisans in the Los Altos region of Mexico, which makes it the perfect drink to celebrate the Day of the Dead with. The celebration at the Manly Wharf Hotel kicks off at 8pm with a complimentary Espolón margarita on arrival; after that, they're $10 all night. It's free to attend — and they'll have Day of the Dead face painters on hand to help you out with an authentic costume.
Whichever Disney theme park sits on your must-visit list — the original Disneyland in California, Florida's Walt Disney World, or sites in Tokyo, Paris, Hong Kong and Shanghai — you won't be heading there while Australia's borders are closed to international travel. So, the Mouse House has brought some of its magic our way. Now open at Melbourne's newly revamped Australian Centre for the Moving Image, Disney: The Magic of Animation showcases the company's considerable animated prowess across the past century. Whether you've always been a fan of Mickey Mouse, can remember how it felt when you first watched Bambi, are able to sing all of Genie's lyrics in Aladdin or fell head over heels for Moana more recently, you'll find plenty worth looking at among ACMI's halls and walls. And in its doors, too, actually — because walking beneath mouse ear-shaped openings to move from one area to the next is all part of the experience. Of course it is. Displaying from Thursday, May 13–Sunday, October 17, marking ACMI's first big exhibition since it reopened after its $40 million transformation and making its only Aussie stop at the venue, Disney: The Magic of Animation explores everything from 1928's Steamboat Willie — the first talkie to feature Mickey Mouse — through to this year's Raya and the Last Dragon. Obviously, a wealth of other titles get the nod between those two bookending flicks. Fantasia, Alice in Wonderland, Lady and the Tramp, The Jungle Book and The Lion King also feature, as do Mulan, Frozen, Big Hero 6 and Zootopia. And yes, many of these movies have been remade in live-action or photo-realistic CGI; however, ACMI's showcase is only about the animated films. The big drawcard: art from the Mouse House's hefty back catalogue of titles, and heaps of it. More than 500 original artworks feature, spanning paintings, sketches, drawings and concept art. The entire lineup has been specially selected by the Walt Disney Animation Research Library, and will let you get a glimpse at just how the movie magic comes to life, how some of Disney's famous stories were developed, and which animation techniques brought them to the big screen. "The exhibition features behind-the-scenes production artworks which were created during the development of our Disney animated films," explains Walt Disney Animation Research Library Art Exhibitions and Conservation Manager Kristen McCormick. She notes that visitors will "see how the filmmakers and artists develop our stories, and work through different ideas and concepts along the way to creating the films we know so well". And if you think the 500-plus piece collection on display is sizeable — which is is — it was chosen from more than 65 million works in the Walt Disney Animation Research Library. Get ready to peer at hand-drawn dalmatians (which is timely, given that Cruella hits cinemas and Disney+ at the end of May), stare closely at Mickey Mouse's evolution, examine Wreck-It Ralph models and pose next to Snow White. Wall-sized artworks pay tribute to a number of movies, too — The Little Mermaid piece is particularly eye-catching — and feeling like you're stepping into a Disney movie is an unsurprising side effect. Arriving on our shores after past seasons in cities such as Paris, Tokyo, Seoul and Singapore, Disney: The Magic of Animation is clearly designed to appeal to Mouse House fans of all ages. You, your parents, today's primary school kids — you've all grown up watching Disney flicks. So, while you're pondering tales as old as time, being ACMI's guest, contemplating the animated circle of life and definitely not letting your nostalgia go, prepare to be accompanied by aficionados both young and young at heart. Disney: The Magic of Animation is on display at the Australian Centre for the Moving Image, Federation Square, Melbourne from Thursday, May 13–Sunday, October 17 — open 12–5pm Monday–Friday and 10am–6pm on weekend and during school holidays. For more information or to buy tickets, head to the ACMI website. Images: Phoebe Powell.
Australia's picnic baskets have had quite the workout so far in 2021, but one of their biggest moments to shine is about to arrive for another year. When Moonlight Cinema starts setting up its outdoor screens in parks and gardens around the country from late November, it's officially cheese, snack and openair movie-viewing season. The end-of-year mainstay has already revealed its dates for summer 2021-22, and now it's unveiled the first batch of films that'll be gracing its outdoor setup. Get ready to catch a heap of recent blockbusters, a smattering of brand new flicks and a lineup of Christmas movies. You can't run an openair cinema at the jolliest time of the year without the latter, obviously. Moonlight Cinema's program varies city by city, with The Suicide Squad opening the bill in Brisbane on Friday, November 26, and Cruella doing the same in Adelaide on the same date, for instance. Shang-Chi and the Legend of the Ten Rings launches the season in both Melbourne and Perth on Thursday, December 2, while The Suicide Squad also airs first in Sydney on Thursday, December 9 — and Free Guy opens Western Sydney's run on Thursday, December 16. That said, all of the above films pop up in each city at some point, and so does Black Widow, Jungle Cruise, A Quiet Place Part II, Eternals, Red Notice and The Hitman's Wife's Bodyguard. Also screening: Edgar Wright's new movie Last Night in Soho, animated sequel The Boss Baby: Family Business, Disney newbie Encanto, stage-to-screen musical Dear Evan Hansen and the family-friendly Clifford the Big Red Dog. Among the retro fare, Harry Potter and the Philosopher's Stone, The Greatest Showman and Dirty Dancing are all on the lineup; it would't be a Moonlight Cinema season without them, either. And, for your merry outdoor movie-watching pleasure, the Christmas selection includes Love Actually, The Holiday, Elf, The Grinch, Die Hard and Home Alone. It's also worth remembering that every city is BYO except Brisbane — but, wherever you're settling in for an outdoor cinema session, there'll be food, snacks, a bar and (if you'd like to pay for them) bean bags as well. And, in great news for movie-loving pooches, you can bring them along to all venues except Perth, too. MOONLIGHT CINEMA 2021–22 DATES Adelaide: Friday, November 26–Sunday, January 16 (Rymill Park) Brisbane: Friday, November 26–Sunday, February 20 (Roma Street Parkland) Melbourne: Thursday, December 2–Sunday, March 27 (Royal Botanic Gardens) Perth: Thursday, December 2–Sunday, March 27 (Kings Park and Botanic Garden) Sydney: Thursday, December 9–Sunday, April 3 (Centennial Park) Western Sydney: Thursday, November 16–Sunday, January 30 (Western Sydney Parklands) Moonlight Cinema kicks off in November 2021, running through until April 2022. For more information and to buy tickets, visit the cinema's website.
Longer than a movie but shorter than an ongoing TV show that stretches on for seasons and seasons, television limited series — otherwise known as miniseries — don't always get enough love. But they're a perfect format for unfurling tales patiently and in a detailed way, while also recognising that some stories do have a clear end point. If you've ever seen a film and wished it had been given more room to breathe and unspool, or kept watching a show that's gone on and on long past its natural conclusion, you'll know exactly what we're talking about. Thankfully, HBO loves miniseries. And, it's pumping them out quite regularly at the moment. For the US cable network, there's another big drawcard — because they can attract big-name stars like Oscar Isaac, Riz Ahmed, Nicole Kidman and Hugh Grant to lead programs such as Show Me a Hero, The Night Of and The Undoing, and not force them to take a huge timeout from their film careers. The next limited series on HBO's radar is Mare of Easttown, and it'll screen in Australia from April via Binge (and in New Zealand at a yet-to-be-confirmed date). Starring Kate Winslet as small-town private investigator Mare Sheehan, it follows the ups and downs of her life while she's looking into a local murder case. As well as plunging into the darker side of the community she lives in, the series will examine the way the past affects the present and the future. This isn't Winslet's first TV stint — or first with HBO on a miniseries, in fact. She won an Emmy, Golden Globe and Screen Actors Guild Award for leading 2011's Mildred Pierce, and deservedly so. And, she starred there opposite Australian actor Guy Pearce, who also features in Mare of Easttown. Joining Winslet and Pearce this time around are The Outsider's Julianne Nicholson, Watchmen's Jean Smart and Spider-Man: Far From Home's Angourie Rice. Behind the lens, Mare of Easttown was created and written by The Way Back's Brad Ingelsby — which feels evident from the just-dropped trailer if you've seen that film — and directed by The Leftovers and The Hunt's Craig Zobel. Check out the trailer below: https://www.youtube.com/watch?v=pwaLLEZO6FM Mare of Easttown will start streaming in Australia via Binge from Monday, April 19. The streaming date for New Zealand is yet to be confirmed. Top image: Michele K Short/HBO.
Supermarkets are phasing out plastic bags, venues and even McDonalds are ditching plastic straws, Hobart is eradicating plastic takeaway containers and cutlery, and a store in the Netherlands has launched a plastic-free aisle; however the world's beaches and oceans are still feeling the impact of humanity's decades-long love affair with the single-use plastic. According to a 2010 study, around 12.7 million tonnes of the substance goes into the ocean each year. That's an enormous problem that can't be cleaned up quickly, but the Surfrider Foundation Manly is joining forces with 4 Pines Brewing and a heap of Sydney cafes to do encourage folks to do their part. Running for the month of April across Manly, the Rubbish 4 Coffee Initiative gives locals an extra incentive to collect litter from the shore — if they fill a bucket and bring it to one of eight venues, they'll receive a free brew in return. Roma & Co, Hemingway's, Havana Beach, The Bower Restaurant, The Boathouse Shelly Beach, Manly Wine, Hakan's and Bluewater Cafe are the places taking part, and offering up Single O Coffee Roasters and Grinders coffee to. To get a caffeine hit without spending a cent, Sydneysiders first need to drop by one of the venues to collect a Surfrider-branded bucket. Once they've been to the beach and filled it with trash, they can return to the cafe for their free beverage. Of course, a coffee buzz isn't the only thing they'll be feeling afterwards — there'll also be the buzz of doing the environment a solid. The Rubbish 4 Coffee Initiative runs until the end of April. Visit the event Facebook page for further details.
Art exhibitions always point to ideas larger than themselves, and the discussion series MCA on the Rocks operates on the brilliant notion of exploring these ideas in a format inspired by the talk-show. A panel of thinkers from diverse backgrounds will weigh in on topics chosen by the host, teasing out the themes of exhibitions at the MCA as the catalyst to a wider conversation that promises to be both enlightening and raucous. This summer the show everyone's been talking about is Anish Kapoor's (who could miss the gargantuan Sky Mirror standing outside the museum?), and it'll be the focal point when MCA on the Rocks' inaugural season debuts on March 21, with a panel aptly titled "Bigger is Better." This first session is hosted by the fabulously-named Fenella Kernebone, homegrown journalist, radio and television presenter, who poses the questions: Why do we love to hate the suburbs? Is bigger always better? And is it okay not to like contemporary art? Her selection of panelists will approach the topic with a broad range of perspectives, coming as they do from the disparate spheres of architecture, art and comedy: Jeff Khan (co-director of Performance Space), Tarsha Finney (senior lecturer at UTS School of Architecture), and Brendan Maclean (actor, musician, and radio host). Other exhibitions to be discussed in relation to this issue are the group show South of No North and Canadian artist Jeff Wall's photographs.
If you have dreams bubbling away of swanning about on the French Riviera and downing cocktails as a gentle wind caresses you, and then an irresistible French person arrives and sweeps you off your feet, we've got good news for you. Well, on the first bit — we can't control the weather or your love life, unfortunately. Grey Goose, purveyors of very fine vodka, have whipped up a very European-style summer pop-up for you: the Fountain of Goose. For five days this November, a white marble fountain will be set up in Circular Quay's First Fleet Park and it's going to be offering more than just a beautiful summer aesthetic. It'll be serving up complimentary vodka, lime and soda mini-cocktails — a classic, summery and simple concoction that requires the best quality ingredients, starting with the vodka. At the bar, you can also catch a glimpse at Grey Goose's collaboration with French fashion label Maison Labiche for its limited-edition 'Riviera' bottle. Plus, at the pop-up, you'll enjoy spontaneous entertainment and other experiences. Better yet? You'll have the chance to try the limited-edition espresso martini gelato, which Grey Goose has created in collaboration with Gelato Messina, on Friday, November 22 . You'll also be able to pick up a specialty cocktail coupon which you can redeem at Quay Bar and Maybe Sammy — which was recently named one of the best bars in the world — to keep the good summer vibes going. The Fountain of Goose pop-up bar will be open from Wednesday, November 20 through Sunday, November 24. It'll be open from 2–6pm on Wednesday; from 2–6pm on Thursday; from 3–7pm on Friday; and from 1–5pm on Saturday and Sunday.
When Cillian Murphy first came to widespread fame two decades ago, it was for acclaimed British director Danny Boyle while pondering the end of life as we know it, with zombie masterpiece 28 Days Later the spectacular end result. Since then, he's become a regular for fellow UK filmmaker Christopher Nolan and, in their latest collaboration after The Dark Knight, Inception, The Dark Knight Rises and Dunkirk, Murphy again faces an apocalyptic scenario in Oppenheimer. Set to be 2023's most explosive movie, Nolan's first flick since Tenet explores a little thing called the atomic bomb. Focusing on J Robert Oppenheimer as the name makes plain, this biopic keeps promising a tense time at the movies — in its first teaser, initial full trailer and just-dropped new sneak peek — as befitting a situation where the world risked total annihilation in order to be saved. Yes, Nolan is going back to the Second World War again, focusing on the eponymous American physicist, aka the man who helped develop the first nuclear weapons as part of the Manhattan Project. Charting Oppenheimer's life, his part in birthing the atomic bomb and how it changed the world — and the fallout — should make for gripping viewing, as viewers will see from July 20, 2023. Oppenheimer's story also includes heading up Los Alamos Laboratory, plus observing the Trinity Test, the first successful atomic bomb detonation in New Mexico on July 16, 1945. Nolan is always in serious mode, but this is a solemn affair even by the Memento, Interstellar and Dark Knight trilogy filmmaker's standards. And, it looks like quite the sight, in no small part thanks to being shot in IMAX 65mm and 65mm large-format film photography, including sections in IMAX black and white analogue photography for the first time ever. Based on Kai Bird and Martin J Sherwin's Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, the film boasts an all-star cast, including Emily Blunt as the physicist's wife, biologist and botanist Kitty (reteaming Blunt with Murphy after A Quiet Place Part II) — plus Matt Damon (The Last Duel) as General Leslie Groves Jr, director of the Manhattan Project; Robert Downey Jr (Dolittle) as Lewis Strauss, a founding commissioner of the US Atomic Energy Commission; and Florence Pugh (The Wonder) as psychiatrist Jean Tatlock. Also set to pop up: Josh Hartnett (Wrath of Man), Michael Angarano (Minx), Benny Safdie (Stars at Noon), Jack Quaid (The Boys), Rami Malek (No Time to Die) and Kenneth Branagh (Death on the Nile). Oh, and there's Dane DeHaan (The Staircase), Jason Clarke (Winning Time: The Rise of the Lakers Dynasty), Olivia Thirlby (Y: The Last Man), Alden Ehrenreich (Solo: A Star Wars Story) and Matthew Modine (Stranger Things) as well. Check out the latest trailer for Oppenheimer below: Oppenheimer will release in cinemas Down Under on July 20, 2023. Images: © 2022 Universal Studios. All Rights Reserved.
When Our Flag Means Death arrived in 2022, earned itself a spot among the best new TV arrivals of the year and charmed everyone who watched it, it left viewers thinking the same thing: all television comedies should be pirate romances starring Taika Waititi and Rhys Darby. Only this show earns that feat, however, and it's turning out wonderfully so far — for audiences, that is, with chaos surrounding the seafaring characters played by two of New Zealand's best-known comic names. Expect more choppy seas in store for Stede Bonnet (Darby, Home Economics) and Edward Teach aka Blackbeard (Waititi, Thor: Love and Thunder) in Our Flag Means Death's second season. The swashbuckling series was renewed for a second run in 2022, and next sails back into streaming queues in October. After a teaser in August, it also now has a full trailer — complete with Stede and Blackbeard reuniting. No, Taika's stint playing a pirate isn't over yet, in supremely welcome news for everyone who cruised through Our Flag Means Death's first season and adored it. His latest collaboration with Darby after also working together on Flight of the Conchords, What We Do in the Shadows, Wellington Paranormal and Hunt for the Wilderpeople, the show satirises the buccaneering times of the 18th century. As its first season unfurled, Our Flag Means Death also proved to be a sweet and warmhearted love story, as well as essential viewing. HBO clearly agreed, greenlighting the show's second season for its streaming service Max. You'll be able to watch the results from Thursday, October 5 via Binge in Australia and Neon in New Zealand. Spanning eight episodes, season two picks up where its predecessor left off. If you haven't hopped aboard already, Stede is a self-styled 'gentleman pirate', a great approximation of Flight of the Conchords' Murray if he'd existed centuries earlier, and a man determined to bring a bit of kindness and elegancy to the whole swashbuckling game. He's based on an IRL figure, who abandoned his cosy life for a seafaring existence. The show is a loose adaptation of Bonnet's tale, though. As for Waititi, he dons leather, dark hues aplenty, an air of bloodthirsty melancholy and a head of greying hair as Blackbeard. While the famed pirate seems like Stede's exact opposite, disproving that is a big part of the show's narrative. After sparks flew, then season one came to a memorable end, season two will follow what happens next for Stede and Edward. Also featuring among Our Flag Means Death's cast: Samson Kayo (Bloods), Vico Ortiz (The Sex Lives of College Girls), Ewen Bremner (Creation Stories), Joel Fry (Bank of Dave), Matthew Maher (Hello Tomorrow!), Kristian Nairn (Game of Thrones), Con O'Neill (The Batman), David Fane (The Messenger), Samba Schutte (Forspoken), Nat Faxon (Loot) and Leslie Jones (BMF), all returning from season one. This time around, they'll be joined by a heap of new recurring guest stars in Ruibo Qian (Servant), Madeleine Sami (Deadloch), Anapela Polataivao (The Justice of Bunny King) and Erroll Shand (The Clearing), plus Minnie Driver (Chevalier) and Bronson Pinchot (The Mysterious Benedict Society) as guest stars. Check out the full trailer for Our Flag Means Death season two below: Our Flag Means Death will return for season two on Thursday, October 5 in Australia via Binge and New Zealand via Neon. Read our review of season one. Images: Nicola Dove/ HBO Max.
It's been a while since the pop world has heard from controversial pop queen Lily Allen, but her new video proves that she's been listening in. Her newest song, 'Hard Out Here', is one that goes to town on quite a few facets of the pop world, including misogyny in music and fashion, unrealistic ideas of feminine beauty and, unsurprisingly, twerking. The accompanying music video pushes the envelope even further, tearing into the idea of 'thinness' as well as making a few sarcastic jibes at product placement and over-the-top sexualisation on our screens. As per the majority of Allen's music and videos, there is a strong flavour of humour about her latest offering, and it's not too hard to figure out what the megastar and mum of two is trying to say. In fact, she says it quite blatantly and repeatedly, especially in the throwaway line describing "a glass ceiling that needs breaking". With her slew of swears, constant crotch-grabbing and obvious confusion at the style of dancing favoured by some pop stars (Miley Cyrus will remain nameless), Allen's first musical offering in nearly four years has garnered over half a million hits in the last day. Which is quite a lot for what is essentially a great, big middle finger to the ego of the music industry. Good to have you back, Lily. https://youtube.com/watch?v=E0CazRHB0so
If your daily commute involves ferrying across Sydney Harbour, you may need to find an alternative way home tonight. Thick smoke from NSW's ongoing bushfires has led to the cancellation of all State Government-operated ferry services. That includes ferries running between Circular Quay and Manly, Parramatta, Double Bay, Mosman, Taronga, Neutral Bay and Watsons Bay. The Manly Fast Ferry has also stopped, but some other private services still seem to be running ferries. Yep, the smoke's that bad. https://twitter.com/FerriesInfo/status/1204205372841615361 Replacement buses have been organised for the F1 Manly service only and will continue to run between Manly Wharf and Circular Quay for the foreseeable future. The other routes won't be receiving replacement buses, so Transport for NSW is telling commuters to delay their journeys. There's no word on when the ferries will resume just yet — but it's safe to assume that you should plan an alternative route home. The Bureau of Meteorology predicts that the smoke cover will linger until a southerly comes through, around 5pm. This is what it looks like on the harbour: https://twitter.com/UrbanFerryist/status/1204195795848687616 Today's thick smoke follows weeks of poor air quality, with a severe fire danger level (and total fire bans) declared across the Greater Sydney, Central Ranges, Illawarra, Greater Hunter and Southern Ranges areas for today. As of midday, the NSW Rural Fire Service was continuing to battle 85 fires across the state, 42 of which are uncontained. And the smoke isn't just causing issues on the water — it's wreaking havoc across the city. According to The Sydney Morning Herald, Fire and Rescue NSW have responded to multiple alarm call-outs triggered by the smoke — including the paper's own offices — and Transport for NSW is also warning commuters that alarms may be activated in train stations. During periods of reduced air quality, NSW Health suggests that everyone cuts back on strenuous outdoor activities, as well as going outside in general — if you can. Those with chronic respiratory or heart conditions are especially advised to avoid all outdoor physical activity and stay indoors where possible. It's also recommended that you carry your inhaler, follow your Asthma Action Plan, and keep your other medication with you for all breathing-related conditions. If you start experiencing symptoms, even if you're otherwise fit and healthy, seek medical advice. For those staying indoors, NSW Health also suggests turning your air conditioner on — if you have one — and using it on recirculate mode to keep the particles from outside out. With Sydney firmly in the grip of warm end-of-year weather, and temperatures expected to reach 37 in the city today, residents are also advised to be wary of the heat, as well as its combination with the hazy air. Drinking plenty of fluids, taking cool showers to keep your temperature down, soaking your feet in water and draping a wet cloth around your neck are also recommended. For the latest updates on traffic and public transport delays, head to Live Traffic NSW and Transport for NSW's official Ferries Twitter account. Image: Tim Snape.
If you think 'the quarter acre block' and 'Sydney' are about as laughable a pairing as 'affordable housing' and 'the inner west', then think again. Art & About is upon us, and to kick off the three-week festival of public art is the Quarter Acre Block Party in Martin Place, a new incarnation of launch event Friday Night Live. This year's program for Art & About focuses on things that are 'at risk' or endangered. And what better way to reminisce about the surely extinct Australian dream of the quarter-acre block than to spend an afternoon soaking up the ole fashioned neighbourhood barbecue vibe as you drink up thanks to Cake Wines and dig into a spread by Barrel and Beast owner and sustainable chef extraordinaire Jared Ingersoll. With free entry, it all takes place in one of the CBD's most stunning acreages, Martin Place. Shaun Parker & Company's brilliant new work Trolleys will keep BBQ-goers entertained with performances at 5.30pm and 7pm. Expect breezy tunes from The Morrisons, Bustamento and Hot Potato Band. Even Double J is helping a neighbour out with a special mixtape — cue the awwws. And when the smell of slightly burnt-but-still-good sausages is no more, art can be your dessert, with the City of Sydney providing free 'vintage' shuttle buses from Martin Places to various galleries, who are also staying up past their bedtime. You can duck into the Art Gallery of NSW to finally check out the Archibald Prize, buy some locally crafted knick-knacks at the Artists Market at the State Library of NSW or drop in to the Late Night Library at Customs House for some tactile, architectural learning. The Quarter Acre Block Party is on Friday, September 19, from 5pm - 10pm. The festival continues in Sydney's public spaces until October 12.
Back in July, it was revealed that Byron Bay was getting a brand-new festival that's all about food and culture. That event: Caper Byron Bay Our Food and Culture Festival, which has undergone a name change since it was first announced, but features a hefty program filled with eating, drinking, checking out art, listening to tunes and being merry in gorgeous surroundings. Taking place between Thursday, November 10–Sunday, November 13, Caper boasts a hefty culinary component as curated by Chef David Moyle, who has been Chief of Food at Harvest Newrybar since 2020. Highlights include bottomless oysters and bellinis at Balcony Bar & Oyster Co, natural wine-fuelled degustations at Supernatural, distillery tours at Brookie's Gin and a sourdough workshop with Bread Social. Soon-to-open newcomer Bar Heather is doing a five-course dinner with Palisa Anderson, while 100 Mile Table at Stone & Wood is hosting a backyard barbecue — and Treehouse on Belongil is opting for a mix of beats, bubbles and brunch. A farm-to-table feast with The Farm and Three Blue Ducks and The Hut's Spanish fiesta are also on the bill, alongside pop-up yum cha — with the Brunswick Picture House being taken over by Melbourne Chinatown diner ShanDong MaMa on the Saturday and Sunday. Also making the journey, but from Brisbane: Louis Tikaram from Stanley, who'll be part of a cabaret takeover at the same space. Another standout: celebrating embrace Bundjalung Nation's Indigenous culture via a walk on Country tour led by Explore Byron Bay owner and Arakwal woman Delta Kay, then a five-course lunch curated by Karkalla chef and owner Mindy Woods. An 'anti-bad vibes circle' with OneWave Fluro Friday; free exhibitions at Yeah, Nice Gallery, art salon Gallery 7, Gallery 3 and ThomGallery; and horse-riding followed by brunch or lunch at Zephyr Shack are also on the wide-ranging agenda, with more than 30 events filling out the program If you're keen to see where the day takes you in-between the official activities, head to the Caper Village, aka a massive food, beverage, music and art precinct that's set to sprawl across the whole North Byron Hotel in the Byron Arts and Industrial Estate. It'll host live music, DJs and art installations, as well as workshops, panels and talks. Images: Jess Kearney.
I'm sure that many of you may have left that Facebook friend request from your boss to 'pending' for the last two years for fear of them seeing photos of you on some disgraceful drunken rampage. Indeed, the vast expansion of Facebook means that virtually anybody can have a splendid visual tour into your weekend behaviour and extra-curricular activities simply by searching your name on a social media website. The clever folk down at Cerveza Norte, a South American beer company, have launched a product that will soon solve these first-world problems faced by many party animals. Named the 'Norte Photoblocker', this little device not only keeps your beverages cool, but detects camera flashes and reflects them back, effectively ruining the photo and leaving your face unidentifiable. The product has been developed to "defend drinkers against unwanted interference from amateur paparazzi and day-after embarrassment." Keep one of these handy devices in your jacket pocket, and whip it out when you feel you've had one too many beverages. Check out the advertisement below for the hilariously melodramatic commentary and potential instances where the Photoblocker would be of use. As stated in the video, you don't want to labelled a "floozy" or "dirty old man." This Photoblocker will allow you to get your creep on without any possibility of solid photographic evidence. [via PSFK]
Attention all modern-day Don Burkes — this one's for you. Get ready to build the garden of your dreams, all for just a few shiny dollars. The Royal Botanic Garden Sydney's stunning All About Flowers display is wrapping up, and they're putting all the plants from it on sale to the public. All it will cost you is a gold coin donation (or $10 if you're after the orchids). Curated by the Garden's award-winning design team, All About Flowers is a colourful selection of more than 18,000 plants housed in the Garden's new horticultural display centre, The Calyx. Think striking arrangements of hydrangeas, garvineas and begonias, as well as a 50-metre-long green wall (the largest in Australia). You'll get your chance to take home the floral stars of the show and kick-start your backyard homage to Monet from 8am on Saturday, August 5 at The Calyx. Get ready to empty your piggy bank.
This month Alaska Projects offers The Carpentry of Speculative Things: An Art Experiment, an exhibition where philosophy meets art. Both writers and artists are gathered to respond to the mind-bending concepts of Speculative Realism. Topics up for visual discussion include the role of art in a new age of interactive technologies; philosopher Quentin Meillassoux's ideas about a virtual god yet to exist; the independence of objects from human consciousness; and other similarly lightweight stuff. Results will range from Rochelle Haley's paintings of ancient crystals "comprehending" one another, to David Eastwood's miniature models of Morandi bottles and Jacquelene Drinkall's UFO exploring Object Oriented Ontology. Writer Stephen Muecke seeks to pose the question, "What if?" while Baden Pailthorpe's "Radar" deposes humans from their usual, central place of priveleged observation. Artists Prue Gibson and Amy Ireland are also featured.
Unleash your inner badass by tagging local walls, sans spray paint or legal consequences. Wallit is a new app that allows users to leave their digital mark wherever they may be. This 'graffiti' exists only in the virtual world, but the wall in question is connected with an actual, physical location. It's the self-proclaimed "only geo-social app connecting people to places through one-of-a-kind multimedia messages on augmented reality walls." Equipped with location awareness, Wallit lets you record a 'tag' (including text, or video or audio clips) on the virtual version of the actual place you left it. The tag is only visible to other app users when they arrive at the location themselves. With the upgraded 1.1 "super walls" version of the app, tags may also be visible to other users in a similar area; for instance, if you tag a McDonald's, other users will be able to see it as they munch on their burger at another McDonald's. Other users may choose to respond to your original tag, sparking interaction, or, in true street artist style, leave their own two cents to outdo yours. [via Fast Company]
Thought the Icelandic music scene was dominated entirely by ethereal soundscapes and cheesy pop songs? Think again. Reykjavik Calling is gonna get you dancing. It's an exclusive show combining the talents of electro poppers FM Belfast, whose hits include 'We Are Faster Than You' and 'Brighter Days', with Hermigervill, who creates 'weird electronic pop adaptations' of Icelandic classics from the '70s, '80s and '90s. Reykjavik Calling plays the Riverside Theatres, Parramatta, on January 8 at 8pm, and the Magic Mirrors Spiegeltent on January 10 at 9.45pm. This is just one of our ten picks for Sydney Festival's best gigs. Check out the whole list.
Celebrated for his site-responsive works, renowned Australian artist Craig Walsh joins the Museum of Contemporary Art Australia this spring for Embedded, an exhibition that includes moving image works, photographic portraits and industrial containers filled with iron ore. The works were developed after the artist spent time in the Pilbara, where iron ore is mined, in the company of the Murujuga Aboriginal Corporation (the traditional custodians of the Pilbara’s Burrup Peninsula), Murujuga National Park rangers and Rio Tinto staff. Exhibiting from September 12 until November 24, Embedded reflects on the connection that local Aboriginal people have to their land. “The contrast between the ‘land’ as commodity and ‘Land’ as spiritual and cultural guidance are co-existing in the installation,” Walsh explains, "and the audience will be physically positioned somewhere between the two." Walsh’s latest exhibition kicks off from September 12 at the MCA. Come along to nab some free and seriously affecting insights.
When Australians are able to enjoy overseas holidays again, plenty will feel familiar. Booking tickets, planning itineraries, packing suitcases, rushing to the airport because almost no one arrives early — we'll all recognise these steps, and we'll love them. But, more than a few things about hopping on a plane will have changed, too. That'll include wearing masks, using copious amounts of hand sanitiser, social distancing in the airport and verifying our vaccine status. Some airlines, such as Qantas, have already mentioned that they're likely to only allow passengers who've been fully jabbed to take to the air. The Aussie carrier has also announced that it'll be using a digital health pass to check who is vaxxed. And, for everyone coming into the country — Aussies, tourists and other travellers alike — the Australian Government is set to launch a new Digital Passenger Declaration. Remember the physical incoming passenger cards we all filled out pre-pandemic when we were heading back home? (Aka the reason you always needed to have a pen in your bag when you were flying?) They're being ditched, and the new DPD will replace them. So, the new digital pass will capture all the same info, plus your coronavirus jab status. The declaration will also replace the COVID-19 Australian Travel Declaration web form that's been in use during the pandemic. When it's up and running — with Accenture winning the tender to create and operate the DPD, and testing now underway — it'll be able to be filled out 72 hours before you hop on your flight Down Under. And, you'll be able to complete it either on a computer or on your phone, the latter of which will obviously be immensely handy while you're travelling. "The DPD will support the safe reopening of Australia's international borders, by providing digitally verified COVID-19 vaccination details," said Minister for Home Affairs Karen Andrews in a statement. "This will help us to welcome home increasing numbers of Australians, and welcome the tourists, travellers, international students, skilled workers, and overseas friends and family we've all been missing during the pandemic." Wondering when you might get to use the new digital pass? The Federal Government has already announced that international travel is earmarked to return when 80 percent of eligible Australians have received both doses of a COVID-19 vaccine. Further details on how that'll work, and where you'll be able to go, haven't yet been revealed — but Qantas has announced plans to resume its international flights to places with high jab rates from December. Eager to keep an eye on Australia's vaccination rates? We've run through how to do just that. For more information about the new Digital Passenger Declaration, head to the Australian Home Affairs website.
If you have ever spent time scouring New York City for a decent coffee, you may well have come across the Mud Truck. Painted a conspicuous shade of orange, the mobile coffee van has been popping up in various Lower Manhattan kerbside locations for more than ten years. The Mud business, built from the street up, has expanded since 2001 to include permanent locations, packaged coffee products, apparel and a cult following of loyal drinkers who themselves identify as champions of the independent brand in a land ruled by Starbucks. Now, the mobile food industry in the U.S. is thriving, with vans like L.A.'s Kogi, which serves up Mexican-Korean fusion food, distributing their whereabouts via social media each day to almost 100,000 Twitter followers and more than 25,000 Facebook fans. This revolution has well and truly taken hold - the industry even has its own awards, the Vendys - and Sydney is set to finally get its own fleet of food trucks. The City of Sydney is inviting expressions of interest from sole traders, companies, and registered food businesses with 'the full capability to design and deliver innovative menus, and prepare, cook and vend gourmet style take-away food for public consumption' during a pilot program scheduled from January 2012 to January 2013. Vendors are 'encouraged to offer a range of food products suitable for outdoor consumption that captures the essence of Sydney as an exciting street food destination'. Sounds like food for thought. Click here for further information on how to apply. https://youtube.com/watch?v=rQl0bnSYhhM
Er, um, wow. From surreal director Terry Gilliam, of Monty Python and left-field movie fame, comes The Zero Theorem, the supposed third film in his trilogy of bizarre dystopias that began with 1985's Brazil and 1995's 12 Monkeys. Though its release on Antipodean shores is yet to be confirmed, today's first trailer release for the film has got us all excited (and maybe a little flabbergasted). The Orwellian sci-fi follows Qohen (Christoph Waltz), an eccentric computer hacker with a whole lot of existential angst. Using a mathematical formula, Qohen's working to solve the zero theorem in the hope that he'll crack the meaning (or lack thereof) of life. But Management continually interrupt his work, sending a teen, Bob (Lucas Hedges), and a love interest, Bainsley (Melanie Thierry), to distract him. Funnily enough, desiring Bainsley might just be the key he'd been missing to understand the complexities of life. The trailer makes The Zero Theorem look equal parts bonkers and mind-bogglingly intelligent all at once. Though it's received mixed reviews, a cast that includes David Thewlis, Peter Stormare, Tilda Swinton, Ben Whishaw and Matt Damon — along with the usual sci-fi commentaries on humanity, technology and politics — makes this an interesting one.
New York, Berlin … might Sydney soon be on the list of cultural capitals? If all we do is work and play Facebook, will we explode? Marcus Costello finds out by chatting with a man from the future who happens to be in Australia this week for The Future Laboratory's annual trend briefing. Martin Raymond is the company's co-founder and current strategy and insight director, and he had much to share with us on how trend forecasting works, what shopping centres might look like in the next decade, why you shouldn't make that sea change, and, yes, why Sydney might culturally overtake Melbourne yet. This is certainly a bright and early start for me, but you've just got off a plane, how's it for you? I've just come from Burma, which was part work part play. So I'm in good form. Ah, you're an early adopter of 'The New Sublimity' (The Future Laboratory's term for the impending "digital switch-off, back-to-basics, retreat to nature for emotional reboot" among under 25s). Can you explain the concept to me? [laughs] Sure. In happening cities where stress levels and stimulation are high, the next crop to enter the workforce will start building a buffer between work and free time. They'll realise that work-life balance doesn't work when you can work from anywhere and be contactable 24/7. The nomadic lifestyle that the baby boomers considered romantic when they were in their 20s is actually a practical reality for the upcoming generation thanks to remote computing and other technologies. Kerouac's On the Road was recently made into a film and young progressives are moving to places like Berlin where the bohemian lifestyle is seen as a legitimate way of living. So that's the modus operandi of The Future Laboratory: track what culture is being consumed and make predictions. I'm intrigued because a laboratory suggests a place that makes things. Do you think there's an element of causation in trend forecasting — build it and they will come, sort of thing? Can you really spot things before they happen or is it that you see what's bubbling beneath the surface and foresee its rise? Good question. Our methodology is structured in three branches: Intuition, Observation, and Interrogation. It's the same principle you apply to ethnographic or sociological field studies. With these lines of research you can foresee the rise of organic food a decade before it happens, for example. We also have well-honed observation skills and a solid understanding of mimetics, so it's more than blind predictions. Basically, we identify a pattern then look for the anomalies. These anomalies signal the early adopters and innovators. And there are some cities that better allow for these people to thrive, like Seattle, Seoul, Buenos Aires, Berlin. A place like Munich, on the other hand, is not one of those places. [laughs] My sister is part of a very interesting internet start-up in a town just outside Munich where rent is cheap and good skiing is close-by. Perhaps she's the exception to the rule — or maybe she's an early adopter of The New Sublimity — but it makes me think that the big cultural capitals like Berlin/NYC are nearing saturation with creative professionals, making it prohibitively expensive and competitive. Cities like Detroit, I would have thought, are the ones to watch. Good point. The pendulum does swing, and yes, Detroit has the telltale signs, if you know how to spot them,of a city on the rise: empty warehouses for cheap live-in studios, wide open spaces, young people flocking there. It's the same set of factors that gave rise to East London and so many other cities. The next wave of residents to arrive are those who superficially associate with the core activities but who aren't part of it. They're graphic designers, not artists. They'll buy-in once the aesthetic can be commodified. Hipsters, in a word. NYC is eternally cool but can you tell me about other happening — or about to happen — cultural capitals? I would argue that over the next five years Melbourne will become less of a talking point and Sydney will have its time in the sun. Then again, Sydney will rise because its mimicking Melbourne's laneway culture. Los Angles is on the way up. Vienna is a tired, bourgeois, racist part of Austria, but that makes it rife for a shake-up. It's full of old people about to die, which leaves cheap apartments for students. On the other hand, there's Switzerland, where everything is, well, nice. But I say to people, "Why live in a place where there's nothing to annoy you, to challenge you?" Switzerland will never become fashionable. Canada, likewise, will never become fashionable. Isn't the New Sublimity all about "secular spiritualism as consumers take to the land, sea, beaches and mountains in search of meaning, mindfulness, inattentive learning and an emotional reboot"? Switzerland and Canada both abound in natural wonder. [laughs] Nature doesn't have much to do with cultural revolution. People still want to be in cities, but they'll create mental space to get away, or reinterpret the built environment to make spaces for mindfulness. There's a bunch of guys in NY who have set-up bivouacs on rooftops so people can sleep out and experience the sounds, the smells, the stars of the city. In England it's really trendy to spend time away in monasteries — it's different, it's detached, it's cheap. People don't want a full-blown sea-change because cities are good and, let's be honest, interesting people love the concrete jungle, they're not afraid of it. As soon as you exit the city, you exit life. People who live in the countryside tend to be dull; and worse, they believe that they're living the right way. Well, they're not. They're living their way. As a company who consults to retailers, should retailers be concerned that mindfulness is about to wash over their consumers? One of our clients in the UK, Selfridges, has just produced a festival called No Noise which embraced the concept of the New Sublimity. They created rooms within the department store where shoppers could go to relax. So they can revitalise for more shopping. They could do that. But they also had night walks, and walks with philosophers and all kinds of things. They even persuaded brands to remove logos and graphics from their products. Of course, this actually reinforces brand identity because consumers have to consider product design. Yes, you could say it's a cynical exercise in retail marketing, but it's no more cynical than religion. If there's a trend that questions the nature of consumption and you can turn a profit from that as a retailer, well, I think that's a good thing. I'd rather consumers shop with a sense of why they're shopping than with no sense at all. Consumers are clever, they know what's online, and this is a really problem for retailers. The customer base is nomadic like a hobo and what attracts the hobo is the bright glittering light on the horizon and retailers are failing to offer that. Isn't what attracts the hobo a turning away from commercial consumption? That depends on how you define commercialism. At the moment people are spending their money on experiences: theatre, music, food, conviviality. To me, that's commercial and I'm not inclined to separate commerce and culture. As we continue to shop online we are going to expect more cultural experiences from our stores. Rousseau wrote about 19th-century department stores as places of education and imagination; places where someone could go to see the world brought to them. That's how we think about galleries and museums today and how we might think about department stores tomorrow. The Future Laboratory 2013 Australian Trend Briefings will be held in Melbourne on Thursday, February 14, and in Sydney on Tuesday, February 19. Go here for more details.
The only thing wrong with Cut Snake is that it's over too soon. If you blink, you're likely to be sorry you missed something in this outrageously fun yet poignant 50-minute acrobatic, theatrical rollercoaster from independent theatre company Arthur. The script revolves around three maverick characters. There's Jumper (Kevin Kiernan-Molloy), a loveable, devil-may-care 19-year-old who, at the play's opening, is drinking his way around Europe on a Contiki tour. His sudden death, caused when the bus on which he is travelling swerves to miss a dog, introduces the bittersweet tension between risk and hope that drives Cut Snake's dramatic energy. For the rest of the play, Jumper's closest friends, Kiki (Catherine Davies) and Bob (Julia Billington), must cope with this tragedy. Through puppetry, acrobatics and dance, they recount and enact various scenes from their past and future lives. Kiki tangos with a bearded lady on Mt Kilimanjaro, Bob longs to know who would win a fight between a horse and a hippo, Jumper juggles between his feelings for a talking snake named Trix and his love for Kiki. Yes, it is as crazy as it sounds, and that's just the start. The highly skilled Kiernan-Molloy, Davies and Billington never miss a beat, delivering lines that depend on microsecond timing and maintaining a pace that would keep Usain St. Leo Bolt on his toes. Davies' fluent somersaults, tumbles and twirls are particularly lovely to watch. Patterned cotton sheets and doona covers that look as though they've been pulled out of your mother's favourite cupboard form the backdrop, which extends all the way around the Pavillion Theatre. Walking in, you feel like you're entering a secret cubby house, an experience that sets the atmosphere for the play's magical realist world in which time is no longer linear and anything is possible. Death is the only certainty. Indeed, mortality's sadness hovers over the play, but overwhelmingly, Cut Snake reminds us that we can make life as daring, exciting and unpredictable as we imagine it to be. It's all about leaving a story behind that might be worth the telling.
Online shopping, like Zoom meetings, trying new cooking projects and watching every single thing you can on every single streaming platform, has been a big part of 2020. But if you've been spending your time at home browsing for and buying clothes, you might've noticed that you couldn't purchase anything from Swedish retail giant H&M — because, although it has had bricks-and-mortar shops in Australia for years, it hadn't yet launched its online store on our shores. The key word in that last sentence is 'yet', because H&M have just this week started selling its fashion items online to Aussie customers. You can now head to the company's website and peruse its range of women's, men's and kids' clothing — whether you're in need of some new threads to lounge around in while the world is still returning to normal, or a fresh outfit for your next trip out of the house. https://twitter.com/hmaustralia/status/1318306696536543232 As part of the launch, H&M is also giving customers 20 percent off one purchase if you join its new, free membership program. You'll score the discount online or, if there's a store near you and it's currently open, you can redeem it in-person as well — with the offer available until Sunday, November 1. Members also receive free shipping for orders over $60, and free returns as well. And if you'd rather do your online browsing from your phone, H&M's Australian online store is also available via its app. To shop H&M's online store in Australia, visit the retailer's website or download its app. Top image: ©2014 Rocket Mattler.
When Super Mario Kart first rolled onto Super Nintendo consoles back in 1992, it came with 20 inventive courses and endless hours of fun. Nearly three decades later, the game has become a beloved phenomenon — not just speeding through desert tracks and rainbow roads, but onto Google Maps and mobile phones, and also into reality. The hugely popular game's next stop? Theme parks. Although an exact opening date hasn't yet been announced — and its launch has already been pushed back due to the COVID-19 pandemic — in 2021 you'll be able to enjoy a real-life Mario Kart experience as part of the first-ever Super Nintendo World. Initially announced back in 2017, the new site is joining Universal Studios in Osaka, with the park revealing this month that it'll open its latest addition early in the new year. Just what Super Nintendo World will entail has been a source of mystery over the past few years, but more and more details are slowly being unveiled. Yes, Mario Kart features as part of a new ride, with Mark Woodbury, President of Universal Creative and Vice Chairman Universal Parks & Resorts, calling the racing component "a new kind of attraction". Exactly what that means is yet to be revealed; however, it's safe to assume that fans will be able to strap into some kind of moving kart. What else could a Mario Kart ride feature? [caption id="attachment_785957" align="aligncenter" width="1920"] Universal Studios Japan[/caption] Osaka's Super Nintendo World will also take over multiple levels — fitting for a gaming-themed space — and recreate the brand's popular characters and themes, complete with other rides, restaurants and shops. A certain highlight: the world's first Mario cafe, which is actually launching this week, on Friday, October 16, ahead of the rest of the site. Here, patrons will be surrounded by oversized Mario and Luigi hat sculptures, the whole space will be kitted out with a red and green colour scheme, and Mario Kart-style checkered floors will be a feature. As for what you'll be snacking on, there'll be Mario pancake sandwiches and cream sodas, plus other drinks available in 'super mushroom' souvenir bottles. Basically, in general around the venue, you can expect Mario and Mario-related characters to pop up often — with Universal Studios confirming that it'll boast a Yoshi ride, a Mushroom Kingdom, Peach's Castle and Bowser's Castle. "Think of Super Nintendo World as a life-size, living video game where you become one of the characters," explained Thierry Coup, Senior Vice President and Chief Creative Officer, Universal Creative. "You're not just playing the game; you're living the game, you're living the adventure." With that in mind, the theme park will introduce wearable wrist bands, called Power Up Bands — which'll connect to a special app and allow patrons to interact with the site using their arms, hands and bodies. That mightn't sound all that exciting, but the bands will enable you to collect coins just like Mario does in the Super Mario games. Like the red-capped plumber, you'll also be able to hit question blocks to do reveal more coins. And there'll be collectible items to gather, such as character stamps, which you'll find after achieving various goals. The stamps will also earn you even more coins — so you really will be basically playing Super Mario in real life. You will have to buy a Power Up Band separate to your entry ticket to enjoy that element of the park, though. https://www.youtube.com/watch?v=yKCqJ8llKuA While it doesn't give away a whole lot, Universal Studios previously released a new Super Nintendo World song and music video with Charli XCX and Galantis, which they say "showcases the activities based on the real and interactive experiences available at Super Nintendo World". For now, all other specifics remain sparse; however, given that Nintendo's game stable includes everything from Donkey Kong to Tetris and The Legend of Zelda, there's plenty more to play with. Our suggestions: real-life Tetris, where you move bricks around in person, or a Donkey Kong water ride that uses the game's iconic aquatic music. While no one is travelling far at present, Universal Studios is also planning Super Nintendo Worlds for its other parks in Hollywood, Orlando and in Singapore — if you need to add more places to your must-visit list when international tourism starts returning to normal. The latter was just announced last year, and is set to open by 2025. Super Nintendo World is slated to open at Universal Studios Osaka in early 2021 — we'll update you with an exact date when one is announced. Top image: Super Nintendo World 'We Are Born to Play' by Galantis ft. Charli XCX.
Whilst Splendour may not be an option like last weekend, you can still enjoy the ear candy on offer this week from the likes of HAIM, Dive In and Horroshow. 1. 'The Wire' - HAIM HAIM have perfected the art of teasing. The L.A. sisters have been one of the most deservedly hyped bands of 2013, having delivered last year's treats including 'Falling' and 'Forever'. Everyone is waiting for the (hopefully) imminent announcement of their first full album, and whilst on our shores for Splendour in the Grass last weekend they released 'The Wire', suggesting the time is nigh and that it will be everything we hoped for and more. 'The Wire' begins slowly as all the band's songs generally do, but it builds into a layer of harmonies and strong beats that will have you putting this on repeat for weeks. 2. 'Let Go' - Dive In This UK foursome from Glastonbury are relatively unknown, not even cracking 500 likes on Facebook yet. However, if they keep serving up audio meals like 'Let Go' then they could soon be playing their hometown festival sooner rather than later. With pop hooks plucked straight from the '80s, this is a song for all seasons and occasions. 3. 'Hearts Like Ours' - The Naked & Famous The New Zealand electro-pop band is back. After touring their debut album, Passive Me, Aggressive You, globally for two years, they sat down and recorded their much-anticipated follow-up In Rolling Waves, due for release September 13. Luckily they have given us 'Hearts Like Ours' to tide us over until then, a sprightly single with a mammoth chorus, a formula now synonymous with the band. Expect to hear this track on every summer-related television commercial later this year. 4. 'All Night' - Icona Pop The emerging Swedish queens of pop anthems are at it again. After their smash hit 'I Love It' received worldwide acclaim, they have now treated all of us to their next production set to take over party playlists, 'All Night'. This song will literally keep anyone and everyone dancing all night long with its simple beat carrying the infectious melody all the way through to the morning where you can look forward to their new album This Is...Icona Pop dropping on September 24. 5. 'Unfair Lottery' - Horrorshow Aussie hip hop heroes Horrorshow have been hard at work the past few years. The boys from Sydney's inner west have been busy touring the country, sometimes by themselves and sometimes alongside their musical brothers in Spit Syndicate and Jackie Onassis, and all of this has meant fans have had to wait almost four years for a new album. However, today saw Kings Amongst Many hit stands and 'Unfair Lottery' is the leading track, giving a lesson in lyricism to all ready to listen.
When Super Mario Kart first rolled onto Super Nintendo consoles back in 1992, it came with 20 inventive courses and endless hours of fun. Nearly three decades later, the game has become a beloved phenomenon — not just speeding through desert tracks and rainbow roads, but onto Google Maps and mobile phones, and also into reality. The hugely popular game's next stop? Theme parks. Although an exact opening date hasn't yet been announced, by July this year you'll be able to enjoy a real-life Mario Kart experience as part of the first-ever Super Nintendo World. Initially announced back in 2017, the new site is joining Universal Studios in Osaka — and it's due to launch before this year's Tokyo Olympics, which run from July 24–August 9. Just what Super Nintendo World will entail has been a source of mystery over the past few years, but details are slowly being unveiled. Yes, Mario Kart features as part of a new ride, with Mark Woodbury, President of Universal Creative and Vice Chairman Universal Parks & Resorts, calling the racing component "a new kind of attraction". Exactly what that means is yet to be revealed; however it's safe to assume that fans will be able to strap into some kind of moving kart. What else could a Mario Kart ride feature? https://www.youtube.com/watch?v=yKCqJ8llKuA Osaka's Super Nintendo World will also take over multiple levels — fitting for a gaming-themed space — and recreate the brand's popular characters and themes, complete with other rides, restaurants and shops. Expect Mario and Mario-related characters to feature heavily, with Universal Studios confirming that it'll boast a Yoshi ride, a Mushroom Kingdom, Peach's Castle and Bowser's Castle. "Think of Super Nintendo World as a life-size, living video game where you become one of the characters," explained Thierry Coup, Senior Vice President and Chief Creative Officer, Universal Creative. "You're not just playing the game; you're living the game, you're living the adventure." With that in mind, the theme park will introduce wearable wrist bands, called Power Up Bands — which'll connect to a special app and allow patrons to interact with the site using their arms, hands and bodies. That mightn't sound all that exciting, but the bands will enable you to collect coins just like Mario does in the Super Mario games. Like the red-capped plumber, you'll also be able to hit question blocks to do reveal more coins. And there'll be collectible items to gather, such as character stamps, which you'll find after achieving various goals. The stamps will also earn you even more coins — so you really will be basically playing Super Mario in real life. You will have to buy a Power Up Band separate to your entry ticket to enjoy that element of the park, though. While it doesn't give away a whole lot, Universal Studios has also released a new Super Nintendo World song and music video with Charli XCX and Galantis, which they say "showcases the activities based on the real and interactive experiences available at Super Nintendo World". For now, all other specifics remain sparse; however given that Nintendo's game stable includes everything from Donkey Kong to Tetris and The Legend of Zelda, there's plenty more to play with. Our suggestions: real-life Tetris, where you move bricks around in person, or a Donkey Kong water ride that uses the game's iconic aquatic music. Can't make it to Japan any time soon? Universal Studios is also planning Super Nintendo Worlds for its other parks in Hollywood, Orlando and in Singapore. The latter was just announced last year, and is set to open by 2025. When Super Nintendo World launches at Universal Studios Osaka, it'll join Japan's growing list of pop culture-themed attractions — including the towering Godzilla and Gundam statues, a forthcoming Godzilla attraction that you'll be able to zipline into, the existing Studio Ghibli Museum, the in-progress Studio Ghibli theme park, Tokyo Disney Resort in general and the Japanese park's upcoming Toy Story hotel, to name just a few. On the international theme park scene, it's also a great time to live out your love for your favourite films, shows and games. As well as all of the above, both Walt Disney World and Disneyland in the US opened Star Wars theme park zones last year, a Star Wars hotel is also coming to Walt Disney World in 2021, and a Marvel hotel is slated for Disneyland Paris. Super Nintendo World is slated to open at Universal Studios Osaka in July 2020. Top image: Super Nintendo World 'We Are Born to Play' by Galantis ft. Charli XCX.
While craft beer is often thought of as a relatively informal beverage, best paired with a burger or pizza, Frenchies Bistro and Brewery is mixing things up this November. This Sydney Beer Week, you'll be able to enjoy a multi-course dinner matched with tasty brews at the Rosebery brewery. With a lineup of four Frenchies brews, each paired with a dish created by the bistro team at its space in The Cannery, you won't just a great meal, but will learn the history of the beer, the origins of its style and a bit of info about how it's made. This experience aims to prove that beer and food matching can be every bit as complex as a wine degustation, and, arguably, more fun. While the menu has not been released just yet, it will be largely influenced by season and market availability. A ticket will set you back $85 for four courses with matching beers.
The settings vary, and the motley crew of characters involved, too, but many whodunnits share the same premise. Take a ragtag group of folks, pop them all in the same spot, kill one off and then start asking questions — that's it, that's the formula. It works for boardgame Cluedo, it worked for Agatha Christie and her lengthy list of Hercule Poirot novels and stories, and it's also been behind everything from Knives Out and The Translators to Only Murders in the Building in the past few years. So, when Apple TV+'s new murder-mystery series The Afterparty kicks off, it's familiar by design, but this streaming bash is just getting started. Adding a new comic sleuthing series to your queue, and filling that Only Murders-shaped hole in your life, this eight-part show sports a killer cast: Sam Richardson (Detroiters), Ben Schwartz (Space Force), Zoe Chao (Love Life), Ilana Glazer (Broad City), Ike Barinholtz (The Mindy Project), Dave Franco (If Beale Street Could Talk), Tiffany Haddish (The Card Counter), Jamie Demetriou (The Great) and John Early (Search Party). It's also home to a savvy spin on its oft-used scenario. Rather than skewering true-crime podcasting, this quickly addictive comedy from writer/director Christopher Miller (The Lego Movie) toys with a basic truth. We all know that every tale differs depending on the perspective, so The Afterparty has fun with the idea. Of course, whodunnits always hinge upon this exact fact, as many an interrogation scene has demonstrated. Miller has also clearly seen iconic Japanese film Rashomon, which is famed for baking the notion into its whole story. And, considering that The Afterparty's big murder takes place after a school function, there's a touch of Big Little Lies at play here as well. That said, with his directing partner Phil Lord, Miller has made a career out of getting smart and funny with familiar parts (see also: 21 Jump Street and 22 Jump Street, plus Cloudy with a Chance of Meatballs). That's firmly still the case with his latest venture into TV, following writing for How I Met Your Mother, directing the pilot of Brooklyn Nine-Nine and executive producing The Last Man on Earth. The Afterparty's setup: at the afterparty (obviously) following his 15-year high-school reunion, obnoxious autotune-abusing pop star Xavier (Franco) winds up dead on the rocks beneath his lavish mansion. Everyone is shocked but no one is overly upset, which gives determined Detective Danner (Haddish) plenty of suspects. With her partner Culp (Early), she starts grilling Xavier's former classmates one by one to find out who's responsible, with most of the show's episodes dedicated to a different person. The interrogations begin with the sensible Aniq (the always-great Richardson), who was hoping to finally make a move on his schoolyard crush Zoe (Chao), only for his night to get sidetracked well before anyone got murderous. After Aniq's version of events, Danner hears from Zoe's macho ex Brett (Barinholtz) in The Afterparty's second episode, which takes the show further into the couple's seemingly chalk-and-cheese — and now very much over — marriage. Next comes Aniq's best bud Yasper (Schwartz, riffing on Parks and Recreation's Jean-Ralphio without being quite as ridiculous) and his dreams of leveraging his connection with Xavier, who he used to be in a ska band with, to launch his own music career. The fourth episode focuses on Chelsea (Glazer), who has been the class outcast since a high-school scandal. And, in the fifth, those teenage days get their time in the spotlight. Miller doesn't just switch between perspectives episode by episode, or give most of his well-known cast their moments to shine — a task that Richardson, Barinholtz, Schwartz and Glazer are all up to, and Chao and Haddish in the series' sixth and seventh episodes, too. He also styles each of The Afterparty's chapters after a different genre, so the show filters its sleuthing comedy through rom-com tropes, action-movie conventions and musical flourishes (yes, that's Schwartz's High School Musical-esque focus episode). Psychological thrillers also get a look in, as do teen party flicks. The list goes on. Whodunnits have long played with other genres, but Miller's addition to the fold layers them all together like a murder-mystery onion. The cast is top-notch. The writing is clever. Surprises arrive frequently, and the throwaway gags — including the jokes involving Xavier's film career, cameos from other famous faces and magnificent 80s yacht-rock references included — are simply glorious. If Apple TV+ wasn't dropping episodes weekly following the show's initial three-chapter launch, The Afterparty would be an easy binge, although going the week-to-week route extends the fun. There's also a great time to be had with the series' genre- and viewpoint-bending touches, which help the show twist in its own directions, tell its tale with flair and approach its entire premise with a savvy sense of humour. Bringing is own vibe to the murder-mystery party, this is one streaming shindig well worth attending. Check out the trailer below: The first five episodes of The Afterparty are available to stream via Apple TV+, with new instalments dropping weekly.
