It premiered at Cannes, will make its Australian debut at the Melbourne International Film Festival and is shaping up to be one of this year's biggest films. We're talking about Quentin Tarantino's Once Upon a Time in Hollywood, which sees the acclaimed filmmaker step back to five decades ago to explore Tinseltown in the summer of 1969 — when the golden age of Hollywood was waning down, and when the Manson Family shocked the world with their horrific murders. Tarantino doesn't just want movie buffs to enjoy his new movie, however. He wants to steep viewers in the whole '60s vibe, including the films that inspired his own film. To help, the writer/director has curated a season of flicks all made in the era, and they'll be screening on SBS' new (and free) World Movies channel in August. The Quentin Tarantino Presents collection is a global project, airing in approximately 20 countries around the world in the lead up to Once Upon a Time in Hollywood's release. In Australia, it kicks off on Monday, August 12 with 1969 comedy Bob & Carol & Ted & Alice, about a couple who decide to become more open in their lives. From there, the season will move on to Cactus Flower with Goldie Hawn, Ingrid Bergman Walter Matthau, as well as the Dennis Hopper-directed and -starring Easy Rider. As for the rest of the bill, it all hails from the late 50s, 60s and early 70s, including Model Shop from French writer-director Jacques Demy, student politics comedy Getting Straight with Elliott Gould, crime flick Hammerhead, and westerns Gunman's Walk and Arizona Raiders. One of the films on the list, 1968's The Wrecking Crew, is a humorous spy flick that co-stars Sharon Tate — who Margot Robbie plays in Once Upon a Time in Hollywood. The whole season will set audiences up nicely for Tarantino's latest, which follows TV star Rick Dalton (Leonardo DiCaprio) and his trusty stunt double Cliff Booth (Brad Pitt). Each movie will air with an introduction from the director, who chats with film writer and historian Kim Morgan about how they influenced Once Upon a Time in Hollywood. Check out the Once Upon a Time in Hollywood trailer below: https://www.youtube.com/watch?v=ELeMaP8EPAA SBS World Movies' Quentin Tarantino Presents collection starts airing from 10.30pm on Monday, August 12. For screening times, visit the channel's online program guide. Via Deadline / SBS Movies.
To hear the latest new tunes by Flume, you'll need to make a date with the Art Gallery of New South Wales' Volume music series when it returns for 2024. The Australian talent won't be performing at the event. There's no word of him popping up with Tkay Maidza, who is already on the festival's bill, following their 2023 single 'Silent Assassin'. But he has composed the soundtrack for a world-premiere installation in AGNSW's old Second World War oil tank that's been turned into a performance and art space. Featuring sound, projections, lighting and lasers, Every dull moment (EDM) hails from Flume and multidisciplinary artist Jonathan Zawada, and shows its inspiration right there in its name — EDM festivals, specifically. It has been designed for the unique site in Naala Badu, AGNSW's $344-million extension that opened in late 2022. Comprised of sequences spanning between ten and 90 seconds, the piece goes on continuously and randomly without repeating, paired with Flume's new compositions. It's also on the free portion of Volume's lineup. Not just Zimbabwean Australian singer-songwriter Maidza, but also André 3000's Australian-exclusive shows with his experimental jazz project André 3000 New Blue Sun LIVE, Sonic Youth's Kim Gordon and Ghanaian Australian talent Genesis Owusu were previously announced as the event's headliners — all at ticketed gigs. Now comes the rundown of events that won't cost you a cent to enjoy between Friday, July 5–Sunday, July 21. Every dull moment (EDM) has company from a heap of excuses to see live tunes for free, featuring more than 30 local and international artists in total. Another huge highlight: Blak Country, a celebration of Aboriginal country music which will take place during 2024's NAIDOC Week. On the bill: Roger Knox, Kyla-Belle Roberts, Loren Ryan, Frank Yamma, Jarrod Hickling and Kathryn Kelly, as well as a playlist from musical talents from incarcerated First Nations communities as part of the Songbirds project. [caption id="attachment_957075" align="alignnone" width="1920"] Matt Day[/caption] Volume is devoting another night, dubbed Extasis, to experimental sounds curated by Lawrence English, with Jim O'Rourke, Eiko Ishibashi and Hand to Earth among the artists featured. And, at Future Tilt, it'll spend an afternoon getting creative with salllvage, Lydian Dunbar, DeepFaith and more in experimental pop and electronic drone. Fennesz, amby downs, Jules Reidy, Seaworthy and Matt Rösner will be world-premiering new compositions across both AGNSW buildings — the new north building Naala Badu and the OG south building Naala Nura — in a program called Threshold, while Play on, play again, play forever will see musicians from Asylum Seeker Centre play tunes in response to the site's artworks each weekend. Volume initially premiered in 2023 with Solange and Sampa The Great taking to its stages. As the above lineup shows, the fest is using its 2024 program to build upon its first-year successes — and to give everyone plenty of motivation to experience the blending of music and art this winter. [caption id="attachment_957076" align="alignnone" width="1920"] Emma Luker[/caption] [caption id="attachment_957077" align="alignnone" width="1920"] Jim O'Rourke [/caption] [caption id="attachment_957078" align="alignnone" width="1920"] James Hadfield[/caption] Volume 2024 Lineup: Headliners: Friday, July 5–Saturday, July 6 — Genesis Owusu Saturday, July 13 — Tkay Maidza Thursday, July 18–Friday, July 19 — Kim Gordon Saturday, July 20–Sunday, July 21 — André 3000 New Blue Sun LIVE Free program: Saturday, July 6 — Future tilt Saturday, July 6—Sunday, July 21 — Threshold Sunday, July 7—Sunday, July 21 — Every dull moment (EDM) Wednesday, July 10 — Blak Country Wednesday, July 17 — Extasis Dates TBA — Play on, play again, play forever [caption id="attachment_954053" align="alignnone" width="1920"] Dexter Navy[/caption] [caption id="attachment_954055" align="alignnone" width="1920"] @trippydana[/caption] [caption id="attachment_954056" align="alignnone" width="1920"] Bec Parsons[/caption] Volume 2024 runs from Friday, July 5–Sunday, July 21 at the Art Gallery of New South Wales, with general ticket sales from 11am on Wednesday, May 22 — head to the festival website for further details.
Sydney's iconic Centennial Park, named during its establishment as part of Australia's centennial celebrations in 1888, turned 125 years old this year. Located to the east just over York Road, is Queens Park, established at the same time and celebrating the same milestone. It is the smaller, lesser-known sibling. The new eatery, Queens Park Shed, is similarly modest and unpretentious. Originally a women's change shed, it eventually became a disused sports storage shed, until Centennial Park and Moore Park Trust engaged Trippas White Group (who run the event spaces throughout the rest of the parklands) to turn it into a community space and eatery. On one hand, it's a no-brainer. The park is full of sporting children and adults pretty much every day, and it's adjacent to a children's playground with plenty of caffeine-dependent parents to cater to. On the other hand, it was in "appalling condition", as project manager Fiona Rae describes — "daylight could easily be seen through the roof tiles". As well, the plans attracted some opposition from locals who thought it might disrupt the peace. The strategy, for both menu and design, is simplicity and quality with a nod to local flavour. Free range, biodynamic and organic all feature on the menu (this is the Eastern Suburbs after all), but you can still get a burger and chips. Okay, so the burger is wagyu with iceberg, beetroot, tomato, onion jam and cheddar ($14), but it's still a burger that any football-playing bloke would love to scoff after a game. Salads and boards have a more delicate palate, with chicken, roast pumpkin, avocado, freekah and watercress ($12) combining in a generous serve. The Tasmanian smoked salmon, toasted rye, lemon caper and parsley salad ($16) is both delicious and artfully arranged. The look is just right. It's raw and rustic, with concrete floors, original exposed brick exterior walls and interior walls left as found, making you feel like The Shed may have been there forever but you just haven't noticed it. The main area is spacious, with communal dining tables, but there are smaller nooks in a secondary area where gossip can be traded over a Toby's Estate coffee ($3.80 for a small) or Charlie's organic juices ($5). The drinks are a touch pricey, but they've got the monopoly on this park street. Neat touches like garage-style doors and decorative pitchforks allude to The Shed's former life. It's been so popular since its launch in October that trading will soon extend to after-hours operations with a liquor license recently granted and a summer dinner menu being developed. I bet those residents that first complained will be the first, and the most loyal, customers. The Shed will be opening for dinner in early 2014 from Thursday to Saturday.
You won't have to wait much longer for the reopening of a Sydney stalwart, as the all-new crew behind Redfern pub The Bat and Ball Hotel has dropped an official opening date. The resurrection of the legendary local made news back in May of this year, and it has now been confirmed that the Cleveland Street spot will return just in time to close out those final weeks of winter, with the opening slated for smack-bang in the middle of next month on Thursday, August 15. An all-star team is behind the reopening, with Sydney hopso heavyweights Rachael Paul, Cameron Votano, Zachary Godbolt, Daniel McBride and Dynn Szmulewicz all be putting their plethora of expertise in the industry to use. The Bat and Ball Hotel's resurrection is a passion project for the group, whose experience spans from The Sunshine Inn, BTB Kirribilli and DOOM JUICE to Enmore Country Club and The Little Guy. While the revival of the beloved watering hole will feature an energised yet laidback fitout, exact details regarding its new look and offerings still have yet to be announced. The Bat and Ball Hotel crew have announced, however, that the Sydney haunt is expected to host a massive grand opening party on its second day of trade. [caption id="attachment_891666" align="alignnone" width="1920"] Enmore Country Club.[/caption] You can head to the venue on Friday, August 16, from 4pm to boogie from dusk until nearly dawn — the party will see the likes of Mickey Kojack and Reenie on the decks until 2am, alongside an array of top tipples and stellar bites. "It's going to be electric, the process has already been extremely fun," said Godbolt, the Creative Director and Co-Founder of Enmore Country Club and natural wine brand DOOM JUICE. "[It's been] lots of hard work but we can't wait for that first beer when the doors open." The Bat and Ball Hotel will be open from Thursday, August 15, at 495 Cleveland Street, Redfern. Head to the venue's Instagram page to keep up with further updates. Image credit: Angus Bell Young and Brewcasa Creative.
It just got real dark in Sydney. And in Sydney during the warmer months, that only means one thing: a storm is coming. So if you're currently reading this from somewhere dry, warm and cosy, we suggest that you keep it that way for the rest of the afternoon. And not just any old wet weather, either. The Bureau of Meteorology has reported that severe storms, damaging winds, flash flooding and large hail is on its way, which is looking to affect Sydney, Hunter, Central Tablelands and parts of the Mid North Coast, North West Slopes, Central West Slopes and Northern Tablelands. Taking a peek at its nifty colour-coded map, below, it looks like the northern beaches is going to be worst hit, too. https://twitter.com/BOM_NSW/status/1198825623004815360 With storms come falling trees (and sometimes falling powerlines) and the State Emergency Service is advising locals to move cars away from trees, secure loose items and keep clear of fallen power lines. As always, it's suggested you don't walk, ride or drive through flood waters, either. https://twitter.com/Ausgrid/status/1198826958869561344 The wild weather looks to continue into tomorrow, Tuesday, November 26, with the BOM forecasting an 80 percent chance of showers in the afternoon and a possibly severe thunderstorm in the evening. The rest of the week is expected to be sunny and in the high-20s, before more wet weather and possible storms return on the weekend. As Sydney prepares for level two water restrictions — and dam levels dip below 50 percent — the rain is very much needed, but the storms could be problematic for firefighters who continue to fight blazes across the state. RFS spokesman James Morris told the SMH that the rain was "hampering containment efforts" and the lightning strikes could prove "a ticking time bomb". Stay dry out there. And remember to check Live Traffic, Transport Info and BOM for warnings and updates.
Some colours only exist in nature, as much as paints, dyes and pixels attempt to pretend otherwise. The raging reds, blazing oranges and burning yellows seen in A Fire Inside's bushfire footage are some such hues — and, away from the safety of a cinema screen, no one should ever want to spy these specific searing tones. They're haunting enough as it is to look at in a movie. Taking up entire frames of on-the-ground footage shot during the summer of 2019–20, they're scorching in their brightness and intensity. This documentary about the national natural disaster just two years ago, when swathes of Australia burned for months, deploys those apocalyptic colours and the imagery containing them sparingly, notably; however, even when they only flicker briefly, those shades aren't easily forgotten. After everything the pandemic has delivered since the beginning of 2020, just as the 'Black Summer' bushfires were cooling, that chapter of history might seem far longer ago than just a couple of years. A Fire Inside is also an act of remembrance, though. Directors Justin Krook (Machine, I'll Sleep When I'm Dead) and Luke Mazzaferro (a producer on Girls Can't Surf and The Meddler) firmly look backwards, pushing these events back to the top of viewers' memories. That said, they also survey the situation since, as the rebuilding effort has been complicated and elongated by COVID-19. This approach also enables them to survey the lingering aftermath, including the homes that still haven't been rebuilt, the people still residing in makeshift setups, and the emotional and mental toll that's set to dwell for much longer still. Accordingly, what could've merely been a record of a catastrophe becomes a portrait of both survival and resilience. Unsurprisingly, interviews drive this Australian doco, focusing on people in two camps: the afflicted and the volunteers. Folks in each group chat about their experiences, and the lines between them frequently blur. Firefighter Nathan Barnden provides the first and clearest instance; the film's key early subject, he saved seven strangers and retained his own life in an inferno on the very first night that the fires reached New South Wales' far south coast, but also lost his cousin and uncle to the blazes the same evening. Barnden claims Krook and Mazzaferro's attention for multiple reasons, including his initial youthful eagerness to pick up a hose — following his father, who had done the same — as well as his candour about his distress in the months and now years afterwards. Often overlooked in tales of such events, that kind of emotion sears itself onto the screen with unshakeable power, too. A Fire Inside spends time with others affected, residents and volunteers alike. RFS captain Brendan O'Connor saved his community, alongside his crew, but suffered in his personal life — and his is just one of the film's stories. Krook and Mazzaferro don't loiter on the same kinds of details over and over again, but whether talking to food bank staff, backpackers helping with re-fencing damaged farms or locals who saw everything they belonged succumb to the flames, the duelling sensations of both endurance and loss remain throughout their doco. The mood: careful, caring, sensitive and poignant. This is a movie that conjures up every sentiment expected, but also one that earns every reaction. Heartbreak and hope seesaw, and recognising that back-and-forth ride is one of the film's canny touches. Just as astute, and as important, is the question simmering at A Fire Inside's core: why? That query isn't directed at the fires, with their cause naturally receiving oxygen during the movie's discussions, but is instead aimed at everyone who chose to help then and since — no matter on what scale. The answers are complex, which the documentary acknowledges in its format, structure and editing. It lets its lineup of chats all sit side by side, weaving them together and jumping between them, and the effect resembles a filmic mosaic. In interview after interview, the movie doesn't seek to come up with a definitive reason, but to present the range of responses, covering the impulses, thoughts and feelings, as well as the realities behind them. Tributes to bushfire volunteers and victims have taken many forms since 2019, such as concerts raising money and faces plastered across the Sydney Opera House sails. But A Fire Inside takes those gestures of appreciation to another level — and, as it dives so heartily into the ramifications of assisting during the fires and since, it ensures that all of that gratitude goes hand in hand with recognition. Saluting such selfless acts inherently involves noting them, of course. Still, realising that the toll keeps persisting, that the shock and trauma doesn't instantly subside when the flames are extinguished, and that volunteering is also an act of emotional labour isn't always as innate. A Fire Inside sees that as clearly as it perceives those red, orange and yellow hues, and as acutely as it finds as both grief and inspiration in the ashes.
Rachael Archibald’s current exhibition Carnate (in-pinking) on show at Paper-Thin is a tactile, textured, surreal wonderland — after all, that's kind of her thing. But the most intriguing point of difference is that Paper-Thin is a gallery that exists solely online. It's a unique new exhibition platform for digital artists who work on the threshold between material and virtual. You’ll have to install a few plugins to enter the gallery, but when you do, it’ll feel like the new-age art version of the Windows '98 3D maze screensaver. You can check out Archibald’s work from the comfort of your couch (or sneakily from work when your boss is distracted) as well as the work of fellow digital artists Alan Resnick, Hunter Jonakin, Daniel Baird and Haseeb Ahmed and Hugo Arcier. At this virtual gallery, you can stroll through the surreal white gallery space (using the forward and back arrows) and interact with the displays in a way they would never allow at the NGV. Check out Paper-Thin here.
Two Queers Walk Into a Bar, the project of Brendan Hancock and Jenna Suffern, is back with its biggest edition yet, rolling out the Two Queers Comedy Festival across two weeks for 2024's Mardi Gras. The packed program of laughs and performances is throwing up a little bit of everything, including an opening-night gala, exciting new shows from some of the country's best comedians and an anti-Valentine's Day singles night. The festival kicks things off with a huge opening night of stand-up on Friday, February 16, at Paddington Town Hall. Nina Oyama (Deadloch, Taskmaster Australia) and Etcetera Etcetera (Drag Race Down Under) lead the lineup alongside Annaliese Constable, Jacinta Gregory, Lou Wall and more. From there on out, there are plenty of exciting shows to catch. Zoe Coombs Marr is bringing her new set, A Perpetual Work in Progress, to Kinselas Hotel on Saturday, February 24, as part of the festival. Also on the program are Frankie Fearce, Annaliese Constable, Jordan Barr, Ruby Teys, Gaffy, Aaron Manhattan, Foxy Moron and Aurelia St Clair. Plus, Ange Lavoipierre and Jane Watt's Jazz or a Bucket of Blood (one of Suffern's top picks for last year's Sydney Fringe Festival) will be returning to the Harbour City to appear at the festival on Tuesday, February 20. Tickets range from $20–50. You can check out the full schedule via Humanitix. Top image: Andy Mullins
Pink hues, beach-themed decor, a roller rink, desserts served in toy convertibles: you'll find them all at the Malibu Barbie Cafe. After popping up across the US — with New York, Chicago, Minneapolis, Miami, Austin and Houston all welcoming the venue — this ode to Barbiecore has made its Australian debut. Come on Aussies, let's go party in Melbourne. Being a Barbie girl in a Barbie world wasn't just a 2023 trend, back when Greta Gerwig's (Little Women) Margot Robbie (Asteroid City)-starring — and Oscar-nominated — film became one of the biggest and pinkest movies to ever hit cinemas. The 2025 way to get your fix Down Under has arrived, and it's hanging around until summer 2026. Hitting up the Malibu Barbie Cafe at The Social Quarter at Chadstone Shopping Centre in the Victorian capital means not only enjoying ice cream floats dished up in a pink Barbie car, but also frequenting the Ken Kabana bar for fairy floss-topped cocktails and putting your skates on. Initially announced in mid-June and open since Friday, June 27, this is the cafe's debut stop beyond America. It's also Melbourne's second temporary big-name pop culture-themed addition this winter, after Melbourne Museum's Star Wars Galactic Cafe opened its doors in early June. Kicking it back to the 1970s, when Malibu Barbie initially debuted, is on the agenda, too. When you're hitting the rink, so is skating surrounded by artwork of palm trees. A life-sized Barbie box? An installation that celebrates how Barbie as a brand has changed over the years? That's all on offer at the Malibu Barbie Cafe as well, alongside merchandise that you won't find anywhere else. Ken's job isn't just beach here, given that his name adorns the cocktail-slinging upstairs bar in the two-storey site. On the drinks menu: that gin and lemonade concoction with spun sugar on top; themed takes on mojitos, margaritas, cosmopolitans, espresso martinis and old fashioneds; and more. If you're keen on a booze-free version, some of the tipples are available as mocktails. There's also a snack range, including fries with pink mayo, prawn cocktails, sushi and baked brie. Downstairs, Malibu Barbie Cafe's menu is an all-ages-friendly affair, with that ice cream float just one option. Sticking with sweets means choosing from doughnuts, pink cookies, cupcakes, ice cream sundaes, fruit and marshmallows. If you can't decide, the dessert sampler dishes up a mix of picks on a Barbie boat for between four and eight people. Savoury dishes span the same small bites as at the Ken Kabana, plus burgers, poke, garlic prawn linguine, beer-battered fish tacos, club sandwiches, grilled cheese, mac 'n' cheese and salads. Or, tuck into avocado toast, açai bowls, bacon and eggs, parfait or pancakes from the all-day brunch selection. Then, to drink, milkshakes, pink lemonade and pink lattes are among the options. If you're thinking "come on Barbie, let's go party", party packages are indeed a feature — including three-hour adults-only private-dining experiences from 6.30pm Thursday–Sunday. Find Mattel's Malibu Barbie Cafe at The Social Quarter at Chadstone Shopping Centre, 1341 Dandenong Road, Malvern East, Melbourne, until summer 2026 — open from 10am–6pm Monday–Wednesday, 10am–10pm Thursday–Friday, 9am–10pm Saturday and 9am–8pm Sunday. Head to the cafe's website for more details.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from October's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL CATHERINE CALLED BIRDY When you've catapulted to fame as a fierce child queen in the biggest fantasy TV series of the past two decades, and you're next about to play perhaps the best-known teenage girl from a video-game franchise across the same period — so, when you're in-between starring in Game of Thrones and the television adaptation of the The Last of Us, that is — how do you fill the time? You make a magnificent medieval comedy that's also a coming-of-age film, a frank but irreverent look at history's treatment of women, and the third feature directed by Lena Dunham. That's the path that Bella Ramsey has charted, and she's as much of a delight in the marvellous Catherine Called Birdy as she was in the role that made sure everyone with a screen to stare at knows who she is. The energy that made such an impact as GoT's Lyanna Mormont bursts through here, too, albeit in a cheekier, scampier, bawdier and more humorous mode. That's what this version of Karen Cushman's 1994 novel calls for, and gets — and the end result is an utter charmer. The eponymous Lady Catherine, who prefers to be called Birdy, is the 14-year-old daughter of Lord Rollo (Andrew Scott, The Pursuit of Love) and Lady Aislinn (Billie Piper, I Hate Suzie), and is accustomed to spending her days inciting mischief around their Lincolnshire manor — much to her nurse Morwenna's (Lesley Sharp, Fate: The Winx Saga) dismay. But the family is now broke thanks to Rollo's poor handling of their finances, and only marrying off the reluctant Birdy looms as a solution to their money troubles. It's the done thing in the 13th century, but Dunham directs this tale with a firmly 21st-century mindset and spirit as her titular character does whatever she can to avoid basically being sold off to whichever gentleman of means has the most lucrative offer. The movie's thoroughly modern vibe and outlook doesn't just come through in its narrative, themes and lively lead performance, or its witty narration and all-round attitude, but with smatterings of pop songs on the soundtrack — Piper's own 'Honey to the Bee' included. If Girls was set eight centuries back, was about a teen, and also featured Joe Alwyn (Conversations with Friends) as a favourite uncle, this'd be the dream end result. Catherine Called Birdy streams via Prime Video. GUILLERMO DEL TORO'S CABINET OF CURIOSITIES Whether he's dallying with vampires, haunted houses, creepy carnivals, eerie orphanages, rampaging kaiju or romantic amphibious creatures, Guillermo del Toro has thoroughly proven himself an avid collector. You don't amass a resume like his without actively endeavouring to curate an on-screen compendium — with his movies stuffed full of ideas, themes, motifs and images that just keep fascinating the acclaimed filmmaker. So far, the proof has beamed into theatres for cinema-goers to revel in; however, new TV horror anthology Guillermo del Toro's Cabinet of Curiosities is a natural addition to his filmography. Across eight chapters helmed by eight other directors — including The Babadook and The Nightingale's Jennifer Kent, Mandy's Panos Cosmatos, A Girl Walks Home Alone at Night and Mona Lisa and the Blood Moon's Ana Lily Amirpour, and Cube's Vincenzo Natali — del Toro keeps compiling, curating and and dissecting the unsettling, unnerving, mysterious and curious, whether Cabinet of Curiosities is getting grim and cautionary, stomach-churningly gory and grotesque, sporting soulful restraint, unleashing a stunning display of phantasmagoria or delighting in being off-kilter. Boasting a cast spanning everyone from Harry Potter's Rupert Grint and I'm Your Man's Dan Stevens to Mythic Quest and Moon Knight's F Murray Abraham and RoboCop's Peter Weller, there are no disappointing drawers in this Alfred Hitchcock Presents-meets-The Twilight Zone series; the tone varies, but del Toro and his colleagues are committed to contemplating what scares us and why. In Lot 36 by Guillermo Navarro, cinematographer on six of del Toro's features, that means a dark rumination on xenophobia — and while Amirpour's The Outside is noticeably lighter than its counterparts, squeezing out a satirical, The Stuff-esque, Christmas-set satire on consumerism, conformity and beauty, it too is sinister and disquieting. Other standouts include the show's two most grisly episodes: Natali's Graveyard Rats and David Prior's (The Empty Man) The Autopsy, both of which have descriptive titles. Or, there's Cosmatos's The Viewing, a wild, dazzling, synth-scored trip in the best possible way — and Kent's The Murmuring, reuniting her with The Babadook's Essie Davis for another stirring and striking haunted-house tale about grief and motherhood. Guillermo del Toro's Cabinet of Curiosities is available to stream via Netflix. Read our full review. THE FIRE WITHIN: A REQUIEM FOR KATIA AND MAURICE KRAFFT The twin film phenomenon strikes again — so if The Fire Within: A Requiem for Katia and Maurice Krafft gives you a hefty dose of déjà vu, there's a reason for that. You may indeed have seen a movie about the French volcanologists already this year, and with a similar title, all courtesy of big-screen release Fire of Love. If you did catch that also-stunning flick, then you've glimpsed plenty of the imagery showcased here as well. Keep it all coming, please. However many documentaries that however many filmmakers want to craft about the Kraffts, their lives, work and impact — and using their sublime footage from decades spent surveying lofty and dangerous peaks, too — audiences should lap each and every one up. Of course, this particular doco hails from the great Werner Herzog (Fireball: Visitors from Darker Worlds), who already showed Katia and Maurice ample love in 2016's Into the Inferno, so it was always going to be a must-see. Narrated with his distinctive tones and inimitable perspective on existence, The Fire Within: A Requiem for Katia and Maurice Krafft truly feels like the movie that the iconic German director (and one-time Parks and Recreation star) was born to create. Whether undulating hypnotically with red lava flows or inciting gut-wrenching terror with towering, billowing grey explosions projecting into the heavens, the imagery captured by Katia and Maurice is mesmerising, revealing and astonishing — no matter how many times you watch it. It's little wonder, then, that Herzog states from the outset that his aim with The Fire Within isn't to give the world another Krafft biography (because plenty of those already exist) but to do justice and pay tribute to their recorded materials. His voiceover still provides the necessary basic details for first-timers to the pair's story, however, including beginning with visuals from the 1991 Mount Unzen eruption in Japan that claimed their lives. But Herzog knows what anyone who's ever come across the Kraffts before knows, and everyone watching this movie quickly learns: that their otherworldly footage makes a helluva impact all by itself, including inspiring thoughts about nature, humanity, how humbled the latter is by the former, the earth's longevity, life's oh-so-brief run, passion and the importance of doing something you love. Herzog's own observations are a fantastic bonus, though. The Fire Within: A Requiem for Katia and Maurice Krafft streams via Docplay. THE MIDNIGHT CLUB New year, new spooky season, new Mike Flanagan series. Yes, that's as great a tradition as any. It hasn't quite happened every 12 months since 2018's The Haunting of Hill House — 2019 is the outlier — but 2020's The Haunting of Bly Manor, 2021's Midnight Mass and now 2022's The Midnight Club have kept the trend going, serving up a fresh dose of frights from the filmmaker also behind Oculus, Hush, Ouija: Origin of Evil, Gerald's Game and Doctor Sleep. Co-created with Bly Manor alum Leah Fong, The Midnight Club offers a bit of a departure, however, this time going down the teen-centric route. Happily nodding to The Breakfast Club but shifting to a decade later and an evening hour, the series hails from the books by author Christopher Pike, and takes its name from a group of cancer patients getting treatment at a fancy hospice centre. After dark, they secretly meet to share spooky stories, and try to freak each other out. But there's another caveat attached to their tale-telling: whichever one of the terminally ill teens passes away first, they have to promise to try to contact the rest of the cohort from the other side to let them know what it's like. While The Midnight Club's moniker directs its focus away from its setting, another eerie abode is at the heart of the show — so, yes, it's classic Flanagan. Also thoroughly in the writer/director's wheelhouse: pairing chills, thrills, bumps and jumps with fleshed-out characters, and musing on the power of horror, the terrors of mortality and the inevitably of death in tandem. The cast should all use the series as a launchpad, too, especially Iman Benson (#BlackAF, Alexa & Katie) as Ilonka, the newest arrival at Brightcliffe Home. After being diagnosed with thyroid cancer just as she's preparing to go to college, the bright student finds the hospice online, researches its past and is determined to use it as a path to actually having a living future. If the narrative was that straightforward, there wouldn't be a series, though — and if you're hanging out for Flanagan's 2023 effort The Fall of the House of Usher, this'll fill the gap nicely. The Midnight Club streams via Netflix. WEREWOLF BY NIGHT Running for 53 minutes, Werewolf by Night is more a standalone Marvel Cinematic Universe special than a movie. It's the first release of its type for the sprawling comic book-to-screen behemoth, and it makes the case for more like it. In fact, if you've been feeling fatigued by average big-screen MCU releases lately, it also makes the case for more variety and experimentation in the Marvel blockbuster realm in general — because when the usual mould gets tinkered with in a significant way, and not just with a goofy vibe like Thor: Love and Thunder, something special like this can result. The mood is all horror, in a glorious throwback way, complete with gorgeous black-and-white cinematography. The focus: hunting for monsters, which does, yes, involve bringing together a crew of new characters with special traits. Thankfully, that concept never feels formulaic because of how much creepy fun that Werewolf by Night is having, and how much love it splashes towards classic creature features. That monochrome look, and the shadowy lighting that comes with it, clearly nods to the ace monster flicks of the 1930s and 1940s; composer-turned-director Michael Giacchino (who provided Thor: Love and Thunder's score, in fact), must be a fan, as we all should be. His filmmaking contribution to the MCU takes its name from comic-book character Werewolf by Night, which dates back to the 70s on the page — but if you don't know that story, let the same-titled flick surprise you. The plot begins with five experienced monster hunters being summoned to Bloodstone Manor following the death of Ulysses Bloodstone, and told to get a-hunting around the grounds to work out who'll be the new leader (and also gain control of a powerful gem called the Bloodstone). That includes Jack Russell (Gael Garcia Bernal, Station Eleven), plus Ulysses' estranged daughter Elsa (Laura Donnelly, The Nevers). Everything that happens from there — and before that — instantly makes for pulpy and entertaining viewing. Werewolf by Night streams via Disney+. HELLRAISER Horror remakes and sequels are a bit like Halloween itself: even if you're not a fan, they always keep coming. First, a key rule about giving beloved old flicks a do-over or a years-later followup: the originals always still exist, no matter how the new movies turn out. Now, a crucial point about Hellraiser circa 2022: it's never going to be the OG picture, but it's still visually impressive, eager to get gory in bold and inventive ways, well cast and also happy to muse thoughtfully on addiction. And yes, there's a note of warning included in that above assessment of a film that arrives 35 years after Clive Barker's first stab at the series, and following nine other sequels. Directed by The Night House helmer David Bruckner, the new Hellraiser is stylish with its violent, bloody imagery, but it also still loves ripping flesh apart — and serving up a grisly nightmare. For newcomers to the Hellraiser fold, beware of puzzles. The moving box here is oh-so-enticing — that's how it gets its victims — but it's also a portal to a hellish realm. That's where demonic, frightening-looking beings called Cenobites dwell, and they're eager to haunt and terrorise the living. (Yes, that includes the ghoulish Pinhead, whose aesthetic really is all there in the name.) Accordingly, this Hellraiser movie kicks off with millionaire Roland Voight (Goran Visnjic, The Boys) obsessed with the box, and his lawyer Menaker (Hiam Abbass, Ramy) luring in new people to get torn to pieces. Then, six years later, recovering drug addict Riley (Odessa A'zion, Good Girl Jane) and her boyfriend Trevor (Drew Starkey, The Terminal List) find the cube in their possession. When it claims the former's brother Matt (Brandon Flynn, Ratched), she's determined to work out what's going on — and, while never full of narrative surprises, the brutal imagery sears itself into viewers' memories. Hellraiser streams via Binge. MASS Two couples, one church, six years of baggage and two absent children. That's one of the equations at the heart of Mass. Here's another: four phenomenal performances, one smart and affecting script that tackles a difficult subject in a candid and thoughtful way, and one powerful directorial debut by actor-turned-filmmaker Fran Kranz. Best known for on-screen roles in Dollhouse, The Cabin in the Woods, Homecoming and Julia, the latter guides gripping portrayals out of Reed Birney (Home Before Dark), Ann Dowd (The Handmaid's Tale), Jason Isaacs (Operation Mincemeat) and Martha Plimpton (Generation) — and crafts a harrowing yet cathartic drama out of the aftermath of a far-too-familiar tragedy, too. The reason that Richard (Birney), Linda (Dowd), Jay (Isaacs) and Gail (Plimpton) are in the back room at a place of worship, discussing their kids with heartbreak etched across their faces? Richard and Linda's son Hayden was a school shooter, killing Jay and Gail's son Evan in his spree, then turning the gun on himself. What can anyone say in that situation? Kranz, who both writes and directs, keeps his screenplay simple — but as loaded with emotion as the scenario obviously requires. He keeps his filmmaking flourishes just as restrained as well; that's a craft in itself, but the cast rather than the technique is the focus here. At first, they utter loaded lines with weighty awkwardness, aka the kind that fills and silences a room. Then, each in their own way, they unleash the hurt, anger, regret, sorrow, misery and more that's festering inside their characters, and that no amount of talking can ever completely capture. Mass is a musing on that very fact, too: that even the most spirited of dialogues, slinging about both carefully chosen and heatedly spur-of-the-money words, can't fix, explain or do justice to the pain that Richard, Linda, Jay and Gail are going through. The end result would make an exceptional, albeit unshakeably distressing, double with We Need to Talk About Kevin, The Fallout or Vox Lux, or even Elephant or Polytechnique as well. Mass streams via Stan. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK THE WHITE LOTUS Lives of extravagant luxury. Globe-hopping getaways. Whiling away cocktail-soaked days in gorgeous beachy locales. Throw in the level of wealth and comfort needed to make those three things an easy, breezy everyday reality, and the world's sweetest dreams are supposedly made of this. On TV since 2021, HBO's hit dramedy The White Lotus has been, too. Indeed, in its Emmy-winning first season, the series was a phenomenon of a biting satire, scorching the one percent, colonialism and class divides in a twisty, astute, savage and hilarious fashion. It struck such a chord, in fact, that what was meant to be a one-and-done limited season was renewed for a second go-around, sparking an anthology. That Sicily-set second effort once again examines sex, status, staring head-on at mortality and accepting the unshakeable fact that life is short for everyone but truly sweet for oh-so-few regardless of bank balance — and with writer/director/creator Mike White (Brad's Status) still overseeing proceedings, the several suitcase loads of smart, scathing, sunnily shot chaos that The White Lotus brings to screens this time around are well worth unpacking again. Here, another group of well-off holidaymakers slip into another splashy, flashy White Lotus property and work through their jumbled existences. Another death lingers over their trip, with The White Lotus again starting with an unnamed body — bodies, actually — then jumping back seven days to tell its tale from the beginning. Running the Taormina outpost of the high-end resort chain, Valentina (Sabrina Impacciatore, Across the River and Into the Trees) is barely surprised by the corpse that kicks off season two. She's barely surprised about much beforehand, either. That includes her dealings with the returning Tanya McQuoid-Hunt (Jennifer Coolidge, The Watcher), her husband Greg (Jon Gries, Dream Corp LLC) and assistant Portia (Haley Lu Richardson, After Yang); three generations of Di Grasso men, aka Bert (F Murray Abraham, Guillermo del Toro's Cabinet of Curiosities), Hollywood hotshot Dominic (Michael Imperioli, The Many Saints of Newark) and the Stanford-educated Albie (Adam DiMarco, The Order); and tech whiz Ethan (Will Sharpe, Defending the Guilty) and his wife Harper (Aubrey Plaza, Best Sellers), plus his finance-bro college roommate Cameron (Theo James, The Time Traveller's Wife) and his stay-at-home wife Daphne (Meghann Fahy, The Bold Type). The White Lotus streams via Binge. Read our full review of season two. THE PERIPHERAL For four seasons on Westworld so far, viewers have been asked to ponder humanity's potential future with robots and simulations. A key question driving the hit film-to-TV HBO series: how might the years to come unfurl if people use mechanics, artificial intelligence and elaborately fabricated worlds as playthings and playgrounds? In The Peripheral, a similar query arises, also musing and hypothesising on what lies ahead — and how flesh, machines, the real and the digital might coexist. The latest question, in another twisty series, as fronted by Chloë Grace Moretz (Mother/Android): what happens if robots and virtual reality become humanity's conduit through time? Bringing Westworld to the small screen and now executive producing The Peripheral, Jonathan Nolan and Lisa Joy clearly have a niche. Indeed, if you didn't know that the latter series comes from the same minds as the former — adapting a 2014 book of the same name by cyberpunk pioneer William Gibson, and with Scott B Smith (The Burnt Orange Heresy, A Simple Plan) as its showrunner — you'd easily guess while watching this new tech-, robot-, avatar- and dystopia-obsessed effort. When storytellers speculate on what the upcoming years might hold, they theorise about choices and ramifications. The Peripheral has many to ruminate upon. In the process, it also serves up two visions of the future for the price of one, both riffing on aspects of life circa 2022 that could easily evolve as predicted. When the series begins in 2032, 3D print shop worker Flynne Fisher (Moretz) simply decides to assist her military-veteran brother Burton (Jack Reynor, Midsommar) by slipping into his avatar to make cash in a VR game — which she's better at than him, but sexism in the industry still reigns supreme. Then, when he's tasked by a Colombian company with testing a new virtual-reality headset that looks lower-tech, doesn't come with a glasses-like screen but exceeds the competition in its realism, she does the honours again. Flynne hasn't just plugged into a better simulation, though. Via data transfer, her consciousness is time-travelling to the future — to 2099, and to London — and inhabiting the robot body that gives the series its title while on an industrial-espionage quest. The Peripheral streams via Prime Video. Read our full review. INTERVIEW WITH THE VAMPIRE When Louis de Pointe du Lac met Lestat de Lioncourt, his life forever changed. His death did, too. That's the story that Interview with the Vampire tells and, by committing it to the page in 1976, Anne Rice's existence was altered for eternity as well — although not quite in the same way, naturally. The author has been known for her Vampire Chronicles series ever since, and its debut entry was adapted into a Brad Pitt- and Tom Cruise-starring 1994 movie before getting a do-over now as a television series. Obviously, the late Rice doesn't share her characters' lust for blood, or their ability to thwart ageing and time. Still, her famed works keep enticing in both readers and viewers — and this latest novel-to-screen version is a gothic series worth sinking your teeth into, especially thanks to its willingness to take on race, to embrace queer themes, to get playful and humorous, and to splash a sweepingly rich iteration of its now well-known tale across streaming queues. If you've seen the film, you'll know Interview with the Vampire's basic gist, although there has been some tweaking. Nonetheless, Louis (Jacob Anderson, aka Game of Thrones' Grey Worm) and Lestat (Sam Reid, The Drover's Wife The Legend of Molly Johnson) meet in New Orleans, where they're both drawn to each other — and soon the former joins the latter in sleeping in coffins, avoiding daylight and (reluctantly) feeding on people. The series has the titular chatting happen in today's times, however, as a continuation of the movie's first conversation. Yes, this version of Daniel Molloy (Eric Bogosian, Succession) has been there and done this before. That didn't turn out so well for him, so he's reluctant about a repeat discussion, this time in Dubai. But Louis still has quite the story to unfurl, including covering been a Black man trying to make his way in the bayou at the turn of the 20th century, what it's meant to join the undead, his complicated relationship with Lestat, and the arrival of Claudia (Bailey Bass, Psycho Sweet 16) as part of their bloodthirsty family. Interview with the Vampire streams via AMC+. 2022 CINEMA HIGHLIGHTS WORTH CATCHING UP WITH AT HOME RED ROCKET It might sound crazy, but it ain't no lie: Red Rocket's *NSYNC needle drops, the cost of which likely almost eclipsed the rest of the film's budget, provide a sensational mix of movie music moments in an all-round sensational picture. A portrait of an ex-porn star's knotty homecoming to the oil-and-gas hub that is Texas City, the feature only actually includes one song by the Justin Timberlake-fronted late-90s/early-00s boyband, but it makes the most of it. That tune is 'Bye Bye Bye', and it's a doozy. With its instantly recognisable blend of synth and violins, it first kicks in as the film itself does, and as the bruised face of Mikey Saber (Simon Rex, Scary Movie 3, 4 and 5) peers out of a bus window en route from Los Angeles. Its lyrics — "I'm doing this tonight, you're probably gonna start a fight, I know this can't be right" — couldn't fit the situation better. The infectiously catchy vibe couldn't be more perfect as well, and nor could the contrast that all those upbeat sounds have always had with the track's words. As he demonstrates with every film, Red Rocket writer/director/editor Sean Baker is one of the best and shrewdest filmmakers working today — one of the most perceptive helmers taking slice-of-life looks at American existence on the margins, too. His latest movie joins Starlet, Tangerine and The Florida Project on a resume that just keeps impressing, but there's an edge here born of open recognition that Mikey is no one's hero. He's a narcissist, sociopath and self-aggrandiser who knows how to talk his way into anything, claim success from anyone else's wins and blame the world for all his own woes. He's someone that everyone in his orbit can't take no more and wants to see out that door, as if *NSYNC's now-22-year-old lyrics were specifically penned about him. He's also a charismatic charmer who draws people in like a whirlwind. He's the beat and the words of 'Bye Bye Bye' come to life, in fact, even if the song wasn't originally in Red Rocket's script. Red Rocket streams via Binge and Prime Video. Read our full review. AMBULANCE Following a high-stakes Los Angeles bank robbery that goes south swiftly, forcing two perpetrators to hijack an EMT vehicle — while a paramedic tries to save a shot cop's life as the van flees the LAPD and the FBI, too — Ambulance is characteristically ridiculous. Although based on the 2005 Danish film Ambulancen, it's a Michael Bay from go to whoa; screenwriter and feature newcomer Chris Fedak (TV's Chuck, Prodigal Son) even references his director's past movies in the dialogue. The first time, when The Rock is mentioned, it's done in a matter-of-fact way that's as brazen as anything Bay has ever achieved when his flicks defy the laws of physics. In the second instance mere minutes later, it's perhaps the most hilarious thing he's put in his movies. It's worth remembering that Divinyls' 'I Touch Myself' was one of his music-clip jobs; Bay sure does love what only he can thrust onto screens, and he wants audiences to know it while adoring it as well. Ambulance's key duo, brothers Will (Yahya Abdul-Mateen II, The Matrix Resurrections) and Danny Sharp (Jake Gyllenhaal, The Guilty), are a former Marine and ostensible luxury-car dealer/actual career criminal with hugely different reasons for attempting to pilfer a $32-million payday. For the unemployed Will, it's about the cash needed to pay for his wife Amy's (Moses Ingram, The Tragedy of Macbeth) experimental surgery, which his veteran's health insurance won't cover — but his sibling just wants money. Will is reluctant but desperate, Danny couldn't be more eager, and both race through a mess of a day. Naturally, it gets more hectic when they're hurtling along as the hotshot Cam (Eiza González, Godzilla vs Kong) works on wounded rookie police officer Zach (Jackson White, The Space Between), arm-deep in his guts at one point, while Captain Monroe (Garrett Dillahunt, Army of the Dead), Agent Anson Clark (Keir O'Donnell, The Dry) and their forces are in hot pursuit. Ambulance streams via Binge and Prime Video. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August and September this year. You can also check out our running list of standout must-stream 2022 shows so far as well — and our best 15 new shows from the first half of this year, top 15 returning shows over the same period and best 15 straight-to-streaming movies up until June.
Building a business is similar to making a sandcastle. Getting started is easy — all you need is a bucket, sand and a big idea. But, if you want to turn that building into an empire, you'll need to get serious. That includes hiring a team, engaging an accountant and maybe moving out of your home office. Basically, it means scaling up. To do that, you'll need cash and some smart strategies. Luckily, you're not the first person to scale up a business — and there are heaps of people that you can go to. So we've teamed up with Westpac to tap into the minds of some entrepreneurs who have successfully scaled up. Here, we've nabbed some golden words of wisdom from four guns that have steadily increased their cashflow and turned their hospitality venues into varied businesses. Read on for four hacks they've used to successfully (and sustainably) grow their businesses. [caption id="attachment_724984" align="alignnone" width="1920"] Kitti Gould[/caption] STREAMLINE YOUR BUSINESS TECH It's no secret that Luke Powell, renowned head chef and owner of LPs Quality Meats, knows how to grow a business. The mastermind behind his 110-seat Sydney eatery always knew he'd need oversight to keep his business thriving. With the opening of his second venue — Newtown pizzeria Bella Brutta — last year, it was time to invest in tools that would put valuable analytics at his fingertips. "We have used a few different point of sale (POS) systems since we opened," Powell explains. "We now use Kounta for all the venues and find it very insightful and useful with all the information it can provide." Consolidating stats for both of his venues means Powell can make informed business decisions in real time. Not only has this saved him huge chunks of time but also means he's able to explore and invest in new revenue streams — like starting a wholesale smallgoods business on the side. [caption id="attachment_712428" align="alignnone" width="1920"] Milton Wine Shop.[/caption] ALWAYS CONSIDER WAYS TO BROADEN YOUR OFFERING Milton Wine Shop's Lyndon Kubis is first and foremost a wine nerd. As wine bar operators, Kubis sees himself and his team as "the DJs of the wine world" — they don't make the wines, but they serve them "with passion". In order for the hits to keep playing, it's important that the point of sale process runs smoothly — Kubis uses Kounta point-of-sale software, which offers great insights for detailed reporting and directly integrates with Presto, Westpac's payment terminal. Kubis says this has helped the business to achieve "super easy end-of-day reconciliations" that feed "directly into [their] accounting software". With the reconciliation process taken care of, Kubis was able to focus on broadening the shop's offering — making it more than just a one-trick pony. The shelves may be donned with bottles of high quality wines from niche producers, but, now, it also now delivers a thoughtful selection of beer and spirits, too. This has diversified the offering and customer base of Milton Wine Shop, making it more broadly accessible and financially sustainable. LET YOUR CUSTOMERS DO THE TALKING If you've never visited a Devon Cafe outpost – in either Sydney or Brisbane — chances are you've seen it on Instagram. With dishes like the truffle sundae and brioche french toast, its menu is made for food blogger flatlays. Owner Derek Puah has always embraced the power of social media to grow his business, and an active online presence enabled him to reach and build a network of loyal customers. "We find a lot of our biggest fans are on Instagram and they love to share photos of their experiences," Puah explains. Re-sharing images not only means that Devon has readymade content (with very little investment) — but it also serves to attract new customers and keep diners coming back for specials. Plus, those searching for a brunch spot can hear first-hand from other customers about what they can expect. [caption id="attachment_734827" align="alignnone" width="1920"] Trent van der Jagt[/caption] TREAT TIME AS YOUR MOST VALUABLE RESOURCE William Edwards, founder of Sydney distillery Archie Rose, watches his time. Very seriously. For Edwards, every hour of his day is planned with purpose. "My calendar is my bible — if there's something in there, I'll be there. If there's not, I won't be there," he says. "I schedule when I wake up, when I check email, when I perform certain types of tasks, leave work, get ready for bed, go to sleep, etc. and what days are work vs meeting vs admin days." Sound pretty hardcore? Even Edwards admits it's not going to work for everyone, but, at its core, it's about visualising your day, taking responsibility for your schedule and how much time you allocate to building your business. Now that you have some top tips, it's time to take the first steps towards scaling up your business. And when it comes time to set up your payment technology, look to Westpac's Presto Smart terminal. It's made for speedy payments, busting queues, reducing keying errors and seamlessly connecting to a range of Point of Sales systems, including Kounta, to help you keep track of cashflow. Please note that the above information is intended to be general in nature and should not be relied upon for personal financial use. To request more info and speak to Westpac, head here. Top image: Kitti Gould.
It's been a tough time for huge music festivals over the past two years, including one of the biggest there is: Coachella. The 2020 event was less than a month out from its April dates when it postponed until October due to COVID-19 — and then, a few months later, it cancelled that year's fest completely. The aim was to return in April 2021 instead; however, unsurprisingly, that didn't happen either. But now the event has announced that it's definitely intending to make a comeback in April this year — and it's dropped its hefty lineup, too.. Mark April 15–17 and April 22–24 in your diaries, whether you're just keen to check out the livestream — remember, Coachella was livestreaming its sets long before the pandemic — or you have US travel plans for this autumn. The full bill is a jaw-dropper, as usual, with Harry Styles headlining the Friday nights, Billie Eilish doing the Saturday nights and Ye (aka the artist formerly known as Kanye West) on Sunday nights. Elsewhere, a bonafide metric fucktonne of squealworthy acts fill out the rest of the bill — Australia's own Flume and The Avalanches, plus Swedish House Mafia, Phoebe Bridgers, Megan Thee Stallion, Doja Cat, Jamie xx, Run the Jewels, Fatboy Slim, Finneas and Joji, just to name a few. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: View this post on Instagram A post shared by Coachella (@coachella) For music lovers planning to watch along from home, Coachella will once again team up with YouTube to livestream the festival. That's no longer such a novelty in these pandemic times but, given the calibre of Coachella's lineup, it's still a mighty fine way to spend a weekend. For those eager to attend, the first weekend is sold out, but you can signup for the waitlist over at the festival's website — and also register for tickets to the second weekend, too, which go on sale on Friday, January 14 US time. Coachella runs from April 15–17 and April 22–24 at the Empire Polo Club in Indio, California. Find out more info and register for tickets or the waitlist at coachella.com.
Pick a genre, any genre, and the following statement will always prove true: no one does it like Steven Soderbergh. Now 36 years on from his Cannes Palme d'Or-winning narrative feature debut Sex, Lies, and Videotape, he's long been one of Hollywood's most-reliable filmmakers. The word 'reliable' can't capture the spark of a Soderbergh project, though — whether the ever-prolific director, cinematographer, editor and screenwriter is in heist mode in Ocean's Eleven, Ocean's Twelve, Ocean's Thirteen and Logan Lucky; predicting the COVID-19 pandemic via Contagion and then diving into its daily reality (and technology's hellscape) in Kimi; spinning a franchise out of Channing Tatum's IRL origin story with Magic Mike and Magic Mike's Last Dance; reimagining medical TV shows in stunning fashion courtesy of The Knick; or telling a haunted-house story from the ghost's perspective in Presence. Spies battling spies: as familiar as that setup is on screens big and small, no one does that as Soderbergh has with Black Bag, either. With his second cinema release of 2025 after Presence, and his third film out of his past four that's penned by fellow veteran David Koepp (Indiana Jones and the Dial of Destiny) — kicking off with Kimi, and again including Presence — he's in Mr and Mrs Smith and True Lies territory, but this take is a particular gem. Black Bag is a twisty and witty espionage thriller filled with secrets, interrogations, surveillance, polygraphs, redirected satellites and not knowing who is on the level. It's as much a smart and sexy relationship drama as well, however. How can any romance work, even a long-established marriage, when either party can explain away anything as part of their clandestine jobs — and when deceit is what each does for a living? Aptly, the picture's title references spy code for confidential missions and details that can't be shared. An especially great line of dialogue also sums up the scenario: "when you can lie about everything, how do you tell the truth about anything?". In Black Bag's opening scene, courtesy of a sublime tracking shot lensed by Soderbergh himself — who directs, shoots and edits the film, as he regularly does on his flicks — George Woodhouse (Michael Fassbender, Kneecap) winds from London's streets to an underground club to receive a new task. A well-experienced and highly regarded operative at the National Cyber Security Centre within Britain's Government Communications Headquarters, he now needs to ascertain who has betrayed the country by stealing a cyberworm called Severus, which can destabilise nuclear facilities. There's five names on his list, all his colleagues: Kathryn St Jean (Cate Blanchett, Disclaimer), Freddie Smalls (Tom Burke, Furiosa: A Mad Max Saga), Clarissa Dubose (Marisa Abela, Back to Black), Colonel James Stokes (Regé-Jean Page, Dungeons & Dragons: Honour Among Thieves) and Dr Zoe Vaughan (Naomie Harris, The Man Who Fell to Earth). Among the six NCSC employees, George included, there's three couples; Kathryn is his wife. The quest to ascertain who's behind the betrayal starts with a dinner party at George and Kathryn's home — one that's really an interrogation, aided by not just food and wine but truth serum. Clarissa is the youngest of the bunch and the newest to the job, with her relationship with the older, fond-of-a-drink Freddie already chaotic. Zoe is everyone's psychiatrist at NCSC, and the fact that James is both her patient and her lover is patently complicated. George and Kathryn seem to enjoy the ideal marriage, one revered by their co-workers and friends, yet he's suspicious of movie ticket stubs and sudden trips. Loyalties aren't just tested over the course of Black Bag's snappy 93-minute running time; so is love's resilience. For George, choosing between his wife and his nation threatens to become a real possibility. [caption id="attachment_995111" align="alignnone" width="1920"] David Dettmann/StillMoving.Net for Universal Pictures[/caption] Soderbergh and Fassbender first collaborated on 2011's Haywire, another sinuous (and ace) thriller with intelligence ties. Take that, mix it with Out of Sight's slinkiness and the filmmaker's long-established love of a caper, then throw in a bit of The Agency — Fassbender's recent and also-excellent TV series set in the spy realm, where personal and professional crises equally overlap — and that's Black Bag's wheelhouse. This is a fun film, too, and often very funny, as its guiding force perfects its balancing act with style, skill and supreme precision. (Part of the picture's sense of humour: casting former Bond Pierce Brosnan among its agents.) It puts Fassbender into another high-stakes workplace situation as well, as is clearly the case with The Agency. While Industry, aka one of the best shows the 2020s, plunges into the world of finance, it too dwells in cut-throat employment circumstances, so Abela is in somewhat familiar terrain herself. Again, of course, whenever Soderbergh is making a film or TV show, similarities elsewhere are superficial. Any parallels across the 12 Years a Slave and Steve Jobs Oscar-nominee's resume of late — after the Hunger, Fish Tank, Inglourious Basterds, Shame, Macbeth, two-time Alien saga and four-time X-Men franchise star's absence from acting from 2020–2022, as broken by 2023's The Killer — is "just the way it sort of fell", Fassbender tells Concrete Playground. For Abela, adding Black Bag to a filmography that also includes Cobra, Rogue Agent and Barbie began with being hooked by and "whizzing through" Koepp's entertaining screenplay, she advises. Fassbender jumping back in front of the camera for Soderbergh, the "I need to be in this" moment for Abela, the importance of this being a relationship drama as much as a spy flick, interrogation scenes, back-and-forth banter for a director supremely skilled at bringing it to the screen: we also chatted with Fassbender and Abela about it all. On Whether There's Something That Draws Fassbender and Soderbergh Together for Twisty Thrillers with Espionage Ties Michael: "No, it just happened that way. It was such a joy for me to get to work with him, especially so early on for me. And just to see that knowledge of film, and how to have an all-encompassing understanding of what a film is, how to make it, what makes a good film, the architecture of it all — that was clear from the first time when I was working with him. How he enters a room and scans the room, it's almost birdlike. His precision and the confidence. And now internally, he might have that, but it definitely permeates on set. You can see that all the other crew members love working with him as well — that's not exclusive to actors. [caption id="attachment_995112" align="alignnone" width="1920"] David Dettmann/StillMoving.Net for Universal Pictures[/caption] It's a very relaxed atmosphere, and he just lets you do whatever you're going to do. And it's quite intimidating at first — you're thinking 'I hope he, is he happy with this? We're moving on after two takes. Does he think that he's just not going to get anything better?'. But that's how he likes to go, I think — to find that first freshness of whatever was given, and what was captured in that fresh one or two or three takes. I'm so happy that we got together to work on it on something like this, with an ensemble cast. It's kind of like a play in certain respects — certainly the dinner table scenes." On How Abela Knew That She Wanted to Add Playing the Strong, Determined But Also Sensitive Clarissa to Her Resume Marisa: "I think that it was honestly with the script at the very beginning. It's quite rare, I think, to get a script where you're just whizzing through it and it's kind of reading itself — and you just feel by the end of it how much fun it would be to be a part of a project like that. And when I realised who else was involved — and obviously I knew that Steven was directing, but when I heard about Michael and Cate and everyone attached — I was just so excited to be a part of it. [caption id="attachment_995110" align="alignnone" width="1920"] David Dettmann/StillMoving.Net for Universal Pictures[/caption] And I think that Clarissa really spoke to me on the first read of the script. As you say, I think that she's incredibly, she cuts through anything that's going on because she's able to speak honestly from a place of strength — but also, I think from a place of innocence and wanting to find out what is at the heart of this world for all of these people. I think she's still figuring out, at the beginning of this movie, whether this is a world that she wants to be a part of or not — whereas I think everyone else is quite entrenched into it. So I think that that discovery is an interesting place to come to from her." On How Important It Was That Black Bag Is a Relationship Drama as Much as a Spy Film Michael: "It's all about the relationships. That's why it always makes me think of a play as well. You're watching these relationships play out, and each of them are connected to one another, whether they want to be or not. He says early on 'this isn't necessarily the dinner party that you would choose'. These people aren't necessarily going to go out and socialise with one another, but they've been brought together — and then through the course of the movie, you start to figure out how they're all entangled in one another and how messy it is. And it's so right what Marisa is saying about the character of Clarissa, is that she's looking at it as the new person coming in, the youngest person in the room, going 'this is bullshit — can't you all see it?'. And they're looking at her going 'give it time, you'll see'. And it's all those dynamics going on, which make it interesting. But for sure it happens to be set, which also makes it interesting, in the espionage world. But it's just about relationships." On Black Bag's Commonalities with Fassbender and Abela's Other Recent Roles Michael: "That just happened to me on the same week, Black Bag and The Agency came, actually. And it wasn't — that's just the way it sort of fell, and there were two interesting projects that I wanted to do. I didn't sit down and go 'okay, I'm going into spy territory now for the next few years'. It just happened that way, as it often does. And it's just about finding material that stimulates — and you feel like 'okay, this is for an adult audience that would enjoy sitting down, going on this journey'." Marisa: "I guess it's the same with Industry in a sense, in that it is kind of in a workplace environment,, but you probably couldn't get two more different places of work. Especially for my character, for Yasmin in Industry. I think she would make the world's worst spy, probably. It's quite interesting to play two young women in probably what are quite male-dominated environments. I've never had an office job, but neither of them are particularly regular jobs anyway, so maybe I'm just enticed into that world in some way." On the Keys to Making an Interrogation Scene Sing Michael: "I think the setup. A certain form of repetition. Humour. And then, of course, somebody in the room is lying and everybody knows that, so the tension builds from that." Marisa: "Steven is so brilliant at building the tension in those moments. And what's nice is that then that gives you the freedom, as the actors, to just play your reality of the scene. Obviously every character is playing to win in that moment, which is playing to tell the truth or to find out the truth — or to cover up a lie. But they should all hopefully be as good at looking like they're telling the truth as one another, no matter who is telling the lie, because it's what they do for a living. So you have this built-in tension into it, but we're just focused on playing to win. And then it's up to Steven to linger on whoever for however long and make the audience think whatever it is that they think in those moments." Michael: "And the foreplay to the actual interrogation itself. The rigging up of the equipment, increasing pressure on the blood-pressure armband. The fact that sweat is being read. The pulse in the fingers. The machine is scribbling constantly. And the camera's set on a particular face, where the camera goes for reaction — then it's the camera placement and what Steven does." On Bringing Back-and-Forth Banter to Life for a Director Who Has Made It a Hallmark of His Films Marisa: "I think he's really great at casting. That is a massive part of it. I think that he knows each of these individual six characters are so different and so distinctive, but there's a real chemistry when we're all together — and having a scene like that, or two scenes like that in our movie, where everyone actually does get the opportunity to play together, I think the chemistry just speaks for itself in that moment. We're really lucky that that happened. And then I think in terms of, like I said, you're just really playing those moments. I think something that, in that first scene, lends a hand for all of us is that we've taken this truth serum. So there's a freedom in that conversation. Especially with, that was my first scene with Clarissa, where she's able to be quite brazen with George specifically at that table. I think there's a freedom in knowing that she's taken this serum and she's intoxicated and she's not quite adhering to social norms and boundaries, as she should do. So there's a freedom that comes with that." Black Bag released in cinemas Down Under on Thursday, March 13, 2025. Film stills: Claudette Barius/Focus Features © 2025 All Rights Reserved.
We've all heard the term 'airport novel', which refers to fast-paced, easy-to-devour fiction that's perfect to read when you're on a long flight and you've watched everything on the onboard entertainment system — or, to flick through while you're waiting to hop on the plane. If you're the kind of traveller who always starts your trip with a visit to the airport newsagency to pick up new reading material to help while away the hours, then you probably have a stash of paperbacks that fit the bill. And, because its name and premise are oh-so-perfect for the genre, you might even have The Flight Attendant on that pile. Chris Bohjalian's novel was first published in 2018. Two years later, at a time when we'd all love to be flying far more than we've been able to of late, it makes the leap to the screen as an eight-part miniseries. On the page and on streaming platform Binge, The Flight Attendant unfurls a pulpy, twisty tale that starts high in the sky, bounces around the globe and delivers a hectic murder-mystery — all with the eponymous Cassie Bowden (The Big Bang Theory's Kaley Cuoco) at its centre. Cassie likes sipping mini bottles of booze as much as she likes pouring them for the travellers on her flights — and she also loves her jet-setting lifestyle. When she's at home in New York between trips, she parties away her time in bars and via her vodka-packed fridge. When she's stopping over in overseas cities between legs, she's known to do the same. In Bangkok, though, she does something that she's not supposed to. After flirting with first-class passenger Alex Sokolov (Game of Thrones' Michiel Huisman) throughout the flight, she makes an excuse to ditch drinks with her coworkers and takes up his dinner offer. The next morning, she feels the repercussions. Also, she finds herself confronted by a dead body, trying to outsmart the authorities both in Thailand and back in the US, and endeavouring to work out just what's going on. The Flight Attendant's many ups and downs are best discovered by watching, of course, with the series aligning viewers with Cassie as she embarks upon a very turbulent ride. Her life in general fits that bill — it's chaotic and, in depicting that reality as Cassie slowly begins to explore why she's so drawn to her job and to boozy benders, the show itself is as well. Think sudden revelations and reversals, multiple points of interest playing out across a split-screen setup, and cliffhangers to end every episode (and keep viewers keen to watch more). Also noticeable, and crucial: the fact that Cassie is unreliable in general, and was blackout drunk on the night in question so she can't remember what happened. This is a tightly and glossily made whodunnit; however, it's also a thorny thriller that tasks its key figure with scrambling around not only trying to investigate the case, but also to work out her role within it. In topic, themes and tone, Cuoco leaves The Big Bang Theory far behind. She's still engagingly erratic as Cassie, though — but in a different and deeper way. As the character's personality, background and present situation calls for, she finds the fine line between messy and likeable, and poignant and even slapstick on occasion. Cassie makes so many terrible decisions that they become her defining trait but, thanks to Cuoco in career-best form, she never feels like she's just being driven by the plot's many machinations. The always-charming Huisman gets more screen time than viewers might initially expect, too, and the series is better for it. Plus, post-Girls, Zosia Mamet is also a welcome inclusion as Cassie's steely, no-nonsense best friend and lawyer Annie, who eventually calls out her pal on her baggage. Airport novels frequently require readers to simply go with the flow. As a slick, swift-moving TV series that knows exactly the kind of story it's telling and goes for broke, The Flight Attendant is no different. The fact that it's filled with intrigue, often of the implausible and even ridiculous yet still instantly addictive type, will surprise no one — it's what such tales are supposed to serve up, after all. But there's darkness, weirdness, pathos and plenty of twisty comedy on offer here as well. It's easy to get immersed in, and to be entertained by. And, it'll help vicariously indulge your wanderlust and plunge you into a bingeworthy mystery at the same time. https://www.youtube.com/watch?v=4rWnlXbnQLk&feature=youtu.be The Flight Attendant is available to stream via Binge — with the first seven episodes online now, and the series finale available from the evening of Thursday, December 17. Images: Phil Caruso, HBO.
Many a traveller to the Blue Mountains doesn't get beyond the Three Sisters and the Scenic Skyway. These things are worth a good gawk, but, if you're seeking more adventure, then skip over Katoomba for less obvious nearby destinations like Leura, Blackheath and Mount Victoria. As the Great Western Highway winds deeper and higher into the mountains, the villages become tinier and less touristy. Along the way, you'll come across a mechanic's garage that's been turned into an eco-friendly restaurant, a 19th-century terrace fit for a great novelist and a cinema from the 1930s. Add internationally awarded cider made from locally grown apples and a glow worm tunnel — among other surprises — and you've got one hell of a weekend. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. While regional holidays within NSW are allowed from June 1, some of the places mentioned below may still be closed due to COVID-19 restrictions. Please check websites before making any plans. [caption id="attachment_675546" align="alignnone" width="1920"] Leura Garage[/caption] EAT AND DRINK If you're making tracks from Sydney, then your first stop should be Leura (around two hours west of the CBD), known for its cherry blossom-filled main drag and cute boutique shops. In 2007, restaurateur James Howarth bought a mechanic's business here and transformed it into a clean, green eatery called Leura Garage. We're talking a ten-kilowatt solar power system, a 22,000-litre rainwater tank and a composter that can chew through 200 kilograms of waste per week. Plus, instead of bringing in fancy furniture, Howarth used what was already about, transforming the car hoist into a bar and a bunch of tyres into a dividing wall. Locally sourced produce features in share plates — such as 12-hour braised lamb shoulder with pomegranate glaze, confit garlic and rosemary — and mains, including the pork sausage wheel with crispy potatoes, caramelised onion and sauerkraut. The wine list is big on drops from Orange and Mudgee. [caption id="attachment_651879" align="alignnone" width="1920"] David Hill, Deep Hill Media[/caption] Drive west for another ten minutes to reach the Hydro Majestic Hotel in Medlow Bath. Set up in 1904 by eccentric businessman Mark Foy as a glamorous health retreat, the heritage-listed Hydro is famous for its unusual blend of art deco and Edwardian architecture, as well as its casino dome, which travelled to Sydney from Chicago over sea, before being loaded onto a bullock train and dragged to its current position. During the past decade, a $30-million revamp by the Escarpment Group has restored much of the hotel's former fanciness. It's easy to spend several hours on high tea in The Wintergarden restaurant, where expansive windows look over Megalong Valley. Alternatively, pop into the Boiler House Restaurant for pizzas and burgers or sink into a plush couch in the Salon du The for a cuppa. Rather than heading home the way you came, turn your journey into a loop, by taking the Bells Line of Road, which returns to Sydney via the northwestern suburbs. That way, you'll get to visit Bilpin, a rural town, well-known among foodies for being home to a farm belonging to Sean Moran (of Sean's Panaroma on Bondi Beach) and for its delicious apples. Here, third-generation farmer Shane McLaughlin and his partner Tessa have been making Hillbilly Cider since 2007, using local fruit — and local fruit only. Head into the shed, prop yourself up at the bar or grab a chair overlooking the orchard and run through a tasting, beginning with the too-easy-to-drink apple cider, which won bronze at the 2015 International Cider Challenge, and finishing with Sweet Julie, the only cider on the planet made from the Julie apple, a variety discovered on the property. If you're looking for a bite to eat in Bilpin, pop into Bilpin Afire for hearty dishes driven by local produce, such as woodfired pizzas and Lithgow lamb dishes. Meanwhile, just ten minutes east, in Kurrajong, there's Lochiel House, where you'll find classics with an Asian twist, including salt and szechuan pepper squid, barramundi in a green curry sauce and steak tartare with prawn crackers and fried shallots. [caption id="attachment_771046" align="alignnone" width="1920"] Wentworth Falls via Destination NSW[/caption] DO Any weekender in the Blueys should involve a walk. For a classic experience, stroll from Leura Cascades to Echo Point along the Prince Henry Cliff Walk, passing several exhilarating lookouts on the way. Even more spectacular vistas are at Evans Lookout in Blackheath, which is the starting point for a three-kilometre clifftop walk to Govetts Leap. Or, to add some history and art to your visit, have a wander around Hartley Historic Village, where you can sleepover in a 19th-century sandstone cottage and watch sculptor Ron Fitzpatrick transform metal and glass into dazzling creations at Talisman Gallery. To see his works in a different environment, pay a visit to Everglades, a 5.2-hectare garden created in the 1930s by Danish-born gardener Paul Sorensen. Like many grand European gardens, it's a dreamy maze of winding pathways, tranquil pools and idyllic picnic spots under majestic trees. But, unlike many European gardens, it affords extraordinary views of Australian wilderness. By far and away the best way to get to and from Everglades is in an open-topped 1920s car with Blue Mountains Vintage Cadillacs. Come nightfall, it's glow worm time. To meet a bunch without having to put up with noisy crowds, book an adventure with Blue Mountains Glow Worm Tours. Your tour guide will meet you at a private property, then lead you along a rustic track, across footbridges and over boulders, before descending into a cool, mossy canyon. As soon as you catch your breath, you'll see that you're absolutely surrounded by glow worms. Along the way, learn all about how the little critters work — including why you shouldn't shine a torch in their faces — and, if you're lucky, see one up close. Another option is catching a film at Mount Vic Flicks, a 1930s-style cinema in the village hall. Local couple Kirsten Mulholland and Adam Cousins bought this magical, nostalgic business in 2014 to save it from extinction. Films vary from classics to new releases, the choc tops are homemade and steaming mugs of soup are served throughout winter. [caption id="attachment_650084" align="alignnone" width="1920"] Bank House[/caption] SLEEP Just around the corner from Mount Vic Flicks is Bank House, a beautiful, three-storey Victorian terrace, which owner Jeff Jones spent a year and a million bucks restoring and renovating. Think crackling open fireplaces, claw-foot baths, antique writing desks, private libraries and hardwood beds covered in top-quality linen. The feel is authentic and cosy, yet fresh and new. Plus, a bunch of conveniences are in place to connect you with the 21st century, including Nespresso machines, state-of-the-art sound systems and televisions with Netflix. If you don't feel like going anywhere (from our experience, you won't), Jones will cook you dinner and brekkie, and deliver it to your door. In warm weather, eat on the back deck, which overlooks landscaped gardens, complete with gazebo, fire pit and barbecue. Meanwhile, in Blackheath, there's Parklands Country Gardens and Lodges. Book a Garden Suite and you'll spend your weekend lolling about in an ultra-comfy king-sized bed, pottering around a private garden patio in a luxe bathrobe, blissing out beneath a rainforest shower and warming up before a gas fireplace. Buffet breakfast is served in a light-filled dining room and there's a day spa with freestanding hot tubs overlooking Parklands' 28 acres of landscaped beauty through floor-to-ceiling windows. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Leura Garage
It's happening again: if a particular hit murder-mystery comedy is going to keep living up to its title, there's set to be another murder in the building. Viewers are currently watching what happens when someone is killed in New York's fictional Arconia complex for the fourth time, thanks to Only Murders in the Building season four — and a fifth round is now on the way as well. Everyone is already well-aware of the show's setup, too. Each season, a new murder takes place in the apartment tower that its main sleuthing trio call home. It was true in 2021's season one, 2022's season two and 2023's season three, as well as in the now-streaming season four. When season five will arrive hasn't been revealed, but the series has been dropping new episodes annually so far. Variety reports that there'll be ten episodes in the fifth season — so, ten more chances to see Selena Gomez (The Dead Don't Die), Steve Martin (It's Complicated) and Martin Short (Schmigadoon!) as neighbours and podcasters Mabel Mora, Charles-Haden Savage and Oliver Putnam. There's no word yet on guest stars, with Only Murders in the Building fond of enlisting plenty of other famous faces. Sometimes they play themselves, as Sting (The Book of Solutions) and Amy Schumer (IF) have. Sometimes the show gets Meryl Streep (Don't Look Up), Paul Rudd (Ghostbusters: Frozen Empire), Tina Fey (Mean Girls) and more into character. At present, in a season that's also taken them to Hollywood, Mabel, Charles and Oliver are looking into the death of Sazz Pataki (Jane Lynch, Velma), Charles' stunt double. They're also grappling with the fact that a Tinseltown studio wants to turn their podcast into a film. Cue Molly Shannon (The Other Two), Eugene Levy (Schitt's Creek), Eva Longoria (Tell It Like a Woman) and Zach Galifianakis (The Beanie Bubble) all popping up, with season four's new cast members also including Melissa McCarthy (Unfrosted), Kumail Nanjiani (Ghostbusters: Frozen Empire) and Richard Kind (Girls5eva). Alongside Short, Gomez and Martin, plus Lynch, fellow long-running Only Murders in the Building regulars Michael Cyril Creighton (American Fiction) and Da'Vine Joy Randolph (a newly minted Oscar-winner for The Holdovers) are also a part of season four. As always, knowing that there'll be another death in the Arconia doesn't mean knowing what's to come in season five — other than Mabel, Charles and Oliver getting sleuthing, with a heap of fellow big-name talent both helping and hindering their investigations. There's obviously no trailer yet for season five, but check out the full trailer for Only Murders in the Building season four below: Only Murders in the Building streams Down Under via Star on Disney+, with season four streaming now. Season five does not yet have a release date. Read our reviews of season one, season two and season three. Via Variety.
This winter Sydney will once again be transformed into a vibrant canvas for light, music, art and ideas during the 2011 Vivid Sydney festival. Approaching its third birthday, Vivid Sydney promises to be infused with more creativity and innovation than the city has ever seen before. The Fire Dance display in Campbells Cove is just the beginning of what Vivid Sydney has to offer. A playful show of flaming geysers will perform five times each night of the festival, the flames strong enough to spread a little warmth to viewers admiring from the harbour in the chilly winter air. You won't believe your eyes as the streets, skyscrapers and sidewalks become the stage for breathtaking light shows and installations after dark, illuminating every nook and cranny of the city from the sails of the Opera House to the walls of the iconic Customs House. This year, the festival is even infiltrating various storefronts, restaurants and bars throughout The Rocks that will have special Vivid window displays, menus and cocktails. To top it all up there's Vivid Live, an extraordinary lineup of eclectic bands and performances that will be on throughout the festival, all coordinated by Modular's Stephen Pavlovic. This lineup is bound to have something for everyone. Among the hit acts announced to perform are Bag Raiders, Architecture in Helsinki, the Yeah Yeah Yeahs, Wolfmother, The Avalances, Tame Impala and the Presets. And that's not even half. Vivid Sydney 2011 has the potential to break all boundaries of festivals across the globe, and the coming months of preparation will no doubt show the world why Sydney is unquestionably the creative hub of the Asia Pacific. Stay tuned. For Vivid Live pre-sales, click here.
It’s the cornerstone of any self-respecting diet. Now, Cuckoo Callay is celebrating the noble pig with the launch of their inaugural Bacon Festival — an event that’s sure to sizzle. Starting early February, the Newtown cafe will modify their menu, showcasing the best our porky pals have to offer. There’ll be bacon burgers, bacon ice cream and even a bacon Bloody Mary. Sourcing their pork from Marrickville-based suppliers Black Forest Smokehouse, the Cuckoo chefs have put together eight delectable dining options, none of which sound remotely good for your heart. The Ultimate Bacon Breakfast features five different types of pig, including bacon steak and bespoke bacon sausage. The Piggy Popcorn chicken brioche burger, meanwhile, is a veritable farmhouse reunion. In case your arteries weren't strained enough, there's also a selection of sweeter options, such as Cuckoo’s Bacon Waffles. Naturally, they come topped with bacon caramel ice cream and rashers covered in chocolate. The cafe's got you covered on the beverage front as well, with an absurd bacon milkshake to accompany their bacon cocktail. Suffice it to say, the Bacon Festival is not vegetarian friendly. Keep your snouts on the Cuckoo Callay Facebook page for the full menu, which is set to be made available for twelve weeks from February 9.
With events across the country cancelled and postponed in a bid to slow the spread of COVID-19, the live music industry is being hit hard. According to Aussie website I Lost My Gig, the industry has had a lost income of about $340 million so far. To help some of those affected, some of the country's best musical talents have been coming together for a weekly two-day music festival and fundraising event series every weekend — that's all online. In past weeks, the festival has seen the likes of Julia Jacklin, Marlon Williams, Hermitude, Vera Blue, Asta and Stella Donnelly. So, order a disco ball and make a flower crown for your cat, because it's time to party in your apartment. This week's lineup is yet to be announced, but expect it to be announced on Isol-Aid's Instagram soon. https://www.instagram.com/p/CCKEmcRByKp/?utm_source=ig_web_copy_link While watching, viewers are encouraged to donate to a fundraiser set up by Support Act, which is raising money for musicians and music workers who've lost income during the COVID-19 pandemic and to help "keep our music industry alive". You can also support the individual artists by buying merch and music from their Bandcamp pages, as well as get your hands on some Isol-Aid merch. Isol-Aid runs from 12pm on Saturdays and Sundays. Tune in via isolaidfestival.com. Top image: Bec Taylor
Have you spent the last 15 years popping your colleagues' staplers in jelly, or covering their desks in gift wrap? When someone makes a comment — any comment — do you answer "that's what she said"? Do you have a soft spot for paper company employees, or for anyone who gets married at Niagara Falls? As soon as you meet people who work in HR, do you expect them to be called Toby? If so, then The Office — the US version — has changed your life, and now it's time to put your secret skills to the test. Michael Scott won't call a virtual conference on Thursday, April 16; however Isolation Trivia will dedicate its next online trivia night to the beloved sitcom, so it's almost the same thing. Because Australia loves trivia evenings based on sitcoms that Mike Schur had a hand in (think Parks and Recreation and Brooklyn Nine-Nine) more than it loves pulling pranks, it's certain to be a popular evening — even when you're just taking part from your couch. The quiz session will run from 6.30pm, and you'd better be ready to break out Jim and Pam's wedding dance — and eat something beetroot-flavoured, ideally from Schrute Farms. https://www.youtube.com/watch?v=ryxUeWEcUqE Playing is free, and there's no need to register. Just head to the event Facebook page on the night. And if ever you needed an excuse to hit up Stan and binge your way through the whole series again, this is it.
These days, it seems you can glamp anywhere your comfort-loving heart desires — from Taronga Zoo to Cockatoo Island to right next door to a fine dining restaurant. Now, the possibilities have been extended even further, with the introduction of fancy-pants tents smack-bang in the middle of lush vineyards at Balgownie Estate, Bendigo, Victoria. That's right, you can spend your next weekender sipping top-notch wines on an outdoor lounge on your own private deck, soaking up sunset-flooded rural views — all safe in the knowledge that a linen-covered, queen-sized bed is just a stumble away. The tents, of which there are 15, are also set up with rugs, lighting, furnishings, aircon, tea-and-coffee making gear and bar fridges. One even has its own hot tub. There are three types on offer. The Bell Tent offers room for two, the Bell Tent Twin can accommodate four and the Luxury Safari Tent comes with a few glamorous extras, including an indoor couch, a four-poster queen-sized bed and a kitchenette. Also on the property is Balgownie Estate's restaurant, open for brekkie, lunch and dinner. And, if you can be bothered moving, downtown Bendigo is home to bars, cafes, restaurants and art galleries galore. Or, you can time your stay with the next Grapest wine-tasting fun run, which will take place on the winery's grounds. Balgownie Estate glamping will open for visitors from 1 February 2018. Bookings are available now via www.balgownieestatebendigo.com.
More than three decades since it was first published, the Watchmen series of comics is still considered one of the all-time greats of the medium. Brought to the page by writer Alan Moore and artist Dave Gibbons, the premise says plenty: in an alternative version of the world we all live in, superheroes definitely exist — but their presence has drastically altered history. Here, the Cold War turned out differently, caped crusaders largely work for the government and anyone else enforcing law and order while wearing a costume has been outlawed. Now, imagine that tale told with a satirical edge that deconstructs the superhero phenomenon, and you can see why it has hordes of devotees. Back in 2009 when comic book flicks were just starting to pick up steam — and when 23-film franchises were a mere dream — Watchmen was turned into a movie by Zack Snyder (who was fresh from 300, but hadn't made the jump to Batman v Superman or Justice League yet). Sequels clearly didn't follow; however, HBO is now hoping that the story will flourish on the small screen, enlisting Lost and The Leftovers co-creator Damon Lindelof to make it happen. Obviously, with Game of Thrones all done and dusted (at least until its prequels start hitting the screen), the network is in the market for a new pop culture phenomenon. This isn't just a straight adaptation. Apparently the ten-part series "embraces the nostalgia of the original groundbreaking graphic novel of the same name while attempting to break new ground of its own," according to HBO. If you're wondering just how that'll play out, the program's trailers might help. Building on the first teaser from a few months back, the latest trailer serves up murky mysteries, complicated heroes and villains, and a fine line between the two — plus "a vast and insidious conspiracy". To help bring the above to the small screen, Watchmen boasts quite the stacked cast, which includes Jeremy Irons, Don Johnson, Tim Blake Nelson, this year's Best Supporting Actress Oscar winner Regina King, Hong Chau, Louis Gossett Jr and Aussie actress Adelaide Clemens. The big names don't stop there, with Trent Reznor and Atticus Ross providing the score. Check out the new trailer below: https://www.youtube.com/watch?v=-33JCGEGzwU Watchmen launches on October 21, Australian and New Zealand time — with the series airing weekly from that date on Foxtel in Australia. Image: Mark Hill/HBO
If you're looking for a stay in the heart of Western Sydney, consider SKYE Suites Parramatta. A splash of luxury means you'll be sitting pretty during your stay, but the real charm of this bustling accommodation is its proximity to the city-best dining, drinking and culture on offer in Parramatta. The rooms have the feeling of a new apartment with stylish but understated furniture, and walls dividing the bedroom from the kitchen rather than your classic open-plan hotel suite. On arrival, you'll be greeted by all of the luxuries you can expect from any up-market stay: free wifi, espresso machine, a smart TV and a mini-bar packed with quality snacks and bevs. The hotel's picturesque outdoor deck boasts a 25-metre swimming pool and adjoining spa — an idyllic spot for summer dips. And inside there's a modest gym and a series of conference rooms, positioning SKYE as a one-stop spot for everything from family vacays to business retreats. As with any good hotel, you'll be tempted to spend your stay soaking in all of the in-house luxuries, but if you can tear yourself away from the pool deck there's plenty to discover within walking distance. Head up the elevator to the top level of the building for your first stop of the night — a drink at Parra's beloved rooftop cocktail and champagne bar Nick and Nora's. After you enjoy burnt butter old fashioned with panoramic views of Sydney, our recommendation for dinner is Lilymu in Parramatta Square — one of our picks for the 20 best restaurants in Sydney. Other standout spots on your doorstep include the library and community space PHIVE; one of the best cafes in Sydney in Circa Espresso; and, of course, the towering Westfield Parramatta for your shopping and cinema needs. If you're staying at SKYE Suites Parramatta, make sure to check out our Parramatta guides on where to eat and drink, the best cafes, outdoor activities and how to get your cultural fix. [caption id="attachment_691230" align="alignnone" width="1920"] Nick and Nora's, Jiwon Kim[/caption]
Feeling a little chilly, Sydneysiders? There's a reason for that. We're only halfway through autumn, but a significant drop in temperature has been making the city shiver today, Monday, April 12 — with this morning marking not only Sydney's coldest of 2021 so far, but also its frostiest since September 2020. At 6.30am this morning, the mercury sat at 9.7 degrees. The minimum temps so far in April have hovered between 13.5–19.2 degrees, so it's quite a bit colder than usual. And, the Bureau of Meteorology reports that the apparent temperature went down to four degrees at 7am this morning, so it felt even chillier still. While the mercury will hit the 21-degree maximum mark today — and continue to sit between 11–29 degrees right through until Sunday, April 18 — today's frostier sensation comes as a result of a cold front over the weekend. As a result, BOM advises that temperatures across the state are expected to be around five degrees lower than the April average today. https://twitter.com/BOM_NSW/status/1381352894277033988 To put the colder temperatures in context, Sydney's mean April minimum is 14.8 degrees. Typically, the mercury doesn't start dropping much further until May, which sports a 11.6-degree average minimum temperature — and in June, naturally, where the minimum hovers around 9.3 degrees Obviously, we're at the point of the year when saying "winter is coming" is warranted — but rest assured that it has been genuinely colder than normal to start today. For more information about Sydney's weather forecasts and recent temperatures, head to the Bureau of Meteorology's website.
From giant Godzilla statues to karaoke ferris wheels, you can find almost anything in Tokyo. Top-notch Australian coffee also belongs on that list. Sydney-based roaster Single O has been giving Japan a taste of its caffeinated brews for a decade, and opened its first international cafe in the country's capital back in 2021. Hit up the city from now on, however, and you'll have the brand's second overseas cafe to head to as well. While Single O has boasted a roastery and tasting bar in Ryogoku since before its Hamacho spot for a cuppa launched, Ryogoku Roastworks is now a cafe, too. All in one swoop, the chain has moved into bigger digs and added its second space for aficionados to grab a brew. And yes, coffee on tap — which first became available at Single O's Surry Hills cafe in 2019 — is part of the setup. If you're keen to pour your own beverage, the self-serve counter will rotate its range of single-origin brews. Otherwise, the cafe will also serve up espressos and long blacks made from a changing array — and, of course, Single O's signature blend Reservoir, with its notes of stonefruit and milk chocolate, will be in the spotlight. Aussie patrons won't just sip a taste of home at Ryogoku Roastworks, but will also find dishes from the brand's Surry Hills and Newstead cafes on the food menu. So, if you're in Tokyo and craving Single O's banana bread with espresso butter, you're in luck. The same goes for The Avo Show, which is made with rye, achiote cashew cheese and pickled fennel, plus a seasoned crumb, chilli oil and sweet lemon aspen. Other culinary choices span the Reservoir Dog (Tesio sausage, caramelised onion and tomato sauce), as named after Single O's street address in Surry Hills — and also Boris' Beans (a Turkish-inspired bean stew that comes with tomato, chilli oil and labne). Or, opt for two types of jaffle: prosciutto, gouda and maribo; and Vegemite butter, camembert, cheddar and onion jam. As for the warehouse digs themselves, Ryogoku Roastworks has received Luchetti Krelle's design touch, with the Sydney-based firm heroing industrial flourishes and sustainability in their approach. A corrugated metal facade greets customers, inside which a freestanding pod is home to the cafe, with the roastery behind it. "We hit the ground running in Japan a decade ago, and the response we've had since then has honestly blown us away — we're now roasting for 130 wholesale partners across Japan," said Single O co-founder Dion Cohen. "Moving the roastery into a bigger and better space is really an opportunity to double down in support of those partners and grow our offering." Launching its new Ryogoku site allows Single O to quadruple production in Japan — and is just one of the chain's big 2024 openings in Tokyo. The other is set to arrive in July in the form of a Shibuya venue, the brand's third in the city, which will debut a new coffee bar concept. Find Single O's Ryogoku Roastworks at 3-21-5, Kamezawa, Sumida, Ryogoku, East Tokyo, open from 10am–6pm Wednesday–Sunday. Head to the brand's website for more details. Images: Koji Shimamura.
When the first and second seasons of Sex and the City spinoff And Just Like That... started streaming, a famous setting made an appearance Down Under. If you'd always wanted to hang out on Carrie Bradshaw's (Sarah Jessica Parker, Hocus Pocus 2), stoop, that became a temporary reality in Sydney and Melbourne. For season three, which is currently working through its episodes on HBO Max, a different spot from the show is making an appearance in Australia. We hope you're hungry, be it for something sweet or savoury, because Hot Fellas Bakery is about to hit Sydney. Yes, this purveyor of baked goods is usually fictional. The brainchild of character Anthony Marentino (Mario Cantone, Better Things), it lives up to its name in the series. It'll also exist IRL at Darlinghurst's Taylor Square in the Harbour City, but only for one weekend: from Friday, June 27–Sunday, June 29, 2025. [caption id="attachment_1009739" align="alignnone" width="1920"] Craig Blankenhorn/Max[/caption] Hot Fellas Bakery first made the leap from the screen in New York — where else? — and is doing the same in Australia just two weeks after its Big Apple debut. The pastries on offer won't cost you a thing. Neither will the coffee. There'll be limited-edition merchandise up for grabs as well. Equally doing its moniker proud is set to be part of the pop-up, too. On the menu: Vegemite babka, Golden Gaytime cream puffs and AP buttermilk croissants. While Hot Fellas Bakery has locked in a three-day Sydney run, you do only have a brief window of time each day to head by, however. It's operating from 10am–12pm on Friday, June 27, then from 8am–12pm on Saturday–June 28–Sunday, June 29, 2025 — and will close earlier each day if everything is already sold out.
Fancy a good glass of wine after a day at the beach? Coogee locals Tom Hardwick and Michelle Morales certainly do, and their new venue lets you do just that. Taking cues from the bustling wine bars of Europe, Coogee Wine Room hopes to be the new post-beach go-to for the eastern suburbs. It's opening along Coogee Bay Road today — Tuesday, September 17 — just one block up from the ocean. As to be expected, the team is taking its wine game very seriously. The 400-strong list has been created by Hardwick and Venue Manager Brooke Adey, whose resume includes time spent at Bea, Chiswick and Yellow. On the 30-page list are a whopping 28 drops by the glass, along with limited vintages and hard-to-find drops. Over 50 different varieties are represented here, too. In the kitchen, Head Chef Sandro Di Marino (A Tavola) is plating up a succinct, Mediterranean-style menu. For smaller dishes, expect smoked hummus with flatbread, Spanish anchovies and pork cheek sliders to be served alongside the requisite cheese and charcuterie. Larger plates include ricotta ravioli, chargrilled octopus with lentils and lamb rump with spring greens. [caption id="attachment_742095" align="alignnone" width="1920"] Steven Woodburn[/caption] Local design studio Tom Mark Henry is behind the fit-out, which spans two storeys and — as goes the trend — maintains an industrial vibe. Expect exposed brick walls, concrete floors and a black steel staircase, along with warm timber tones, wraparound banquettes and marble finishes. Downstairs, you'll find the causal front bar — perfect for post-beach wines — while the slightly larger upstairs dining room is primed for long lunches. While it doesn't seem like swimming weather just yet, it won't be long till you'll be traipsing up from the beach for a post-swim rosé or three here. In the meantime, you can escape the rain by heading indoors for plenty of cheese and warming meats. Coogee Wine Room is now open at 222 Coogee Bay Road, Coogee. It's open from Monday–Wednesday 3pm–11pm and Thursday–Sunday midday–11pm. Images: Steven Woodburn
This Valentine's Day, No Lights No Lycra invites you to ditch the rom-coms and lose yourself in a dance to all those better-off-alone tunes you've been waiting to queue on your playlist. The concept that was established in 2009 thrives off creating a judgmental-free environment for people to come together to experience freedom of self expression through dance. Taking over the East Sydney Arts and Community Centre on the Wednesday, February 14, this year's NLNL is hosting two sessions: one at 7.30pm and the second at 8.45 pm. It's a space for everyone to come together and show their love — for someone else, themselves or life in general — through movement. No lights means no judgement, so you can dance away the hype of V-Day, either solo or with a group. If you've got a partner in-tow, this could be a good way to avoid any cliche events. Otherwise, be sure to check out these other date ideas under $50.
Well and truly gone are the days when yoga was all about stripping back to basics and staying silent. Over the past year, we've brought you yoga with Italian feasts and red wine, yoga underwater and yoga with craft beer. Of course, now that spring is here, we present yoga with goats. This marvellous retreat is happening at Mayfield Garden, a stunning, 160-hectare, landscaped garden just outside of Oberon in New South Wales. Located around a three-hour drive from Sydney, it started as the private domain of the Hawkins family, but is now open to the public 363 days of the year. Over three days from September 15 to 17, you'll get to stay onsite in the beautiful Mayfield Guesthouse, while engaging in yoga, meditation and mindfulness — often while cuddling baby goats. The experience is meant to add not only a whole bunch of cuteness to your bending and stretching experience, but also the benefits of animal therapy. And, in case you're wondering, this isn't the world premiere of goat yoga: it's quite a thing in the US. If you're keen, you should probably book a ticket asap, as there's only room for seven sleepers in the guest house. However, you can buy a day ticket and stay close by — and there's no shortage of lovely places to stay around Oberon and Bathurst.
Maybe you've heard about that fabled burger joint in Penrith (and now Beaumont Hills) named Burger Head. Maybe you've wanted to go but you live in the inner west and rarely leave. Well, here's your chance to get your hands on one of the much-loved burgers, with Newtown brewhouse Young Henrys hosting the burger joint for a one-day pop-up. Sunday, February 3 marks the first time Burger Head's burgers will hit the inner west. For the occasion, the team will be cooking up some crowd favourites alongside a one-off creation, which includes a smashed Angus beef patty, beer tempura onion rings, beer cheese sauce (both making use of Young Henrys' brews, of course), American hi-melt cheese and a smothering of dill and jalapeño mayo. If you've never tried Burger Head's burgers before, we suggest trying The Americana (with a smashed Angus patty, pulled barbecue brisket, grilled onions and mustard mayo) or The Clucker (a fried buttermilk chicken burger seasoned with 16 herbs and spices, pickled onion and mayo).
How'd you like to populate your Christmas feast with local, artisanal goods to make your relatives impressed and your in-laws floored? Carriageworks is bringing back its Christmas Market, where you can buy fresh seasonal produce just a couple of days before Christmas. Importantly, you can also buy gifts just days before the big day — because we know what you're like. Taking over Carriageworks' regular Saturday morning meet on December 22, the market will go all Christmas with a cornucopia of the spoils of 115 of Australia's best producers, restaurants and designers — think homemade plum puddings, succulent hams, fresh cherries, smelly cheeses and more. Expect the best from the weekly Carriageworks Farmers Market and more, including Christmas hams from Linga Longa Farm, cherries from Kurrawong Organics, gluten-free mince tarts from Kitchen Green, Andy Bowdy, from Enmore's Saga, famed desserts and much festive gin from Archie Rose. Plus, there'll be plenty more joining the party — more than 120 stallholders, to be exact — so expect to see Continental (and its much-loved tinned goods), Flour and Stone, Pasta Emilia, Smoking Gun Bagels and Pepe Saya there too. Of course, you can grab a snack as well, with the Fish Butchery, Bar Pho, Single O and Bibim Bowl setting up stalls for the morning. Look at that, Carriageworks just saved Christmas. Images: Jacquie Manning.
The combination brewery and bar is a staple in Sydney's Inner West with the area sporting dozens of quality venues brewing their own craft beers on-site. While you can find a wide array of these beer-loving haunts scattered around Newtown and Marrickville streets — from quaint independent operations to expansive King Street spots — they're much less common in Sydney's east. Curly Lewis is looking to change this and pioneer a new wave of brewpubs in the eastern suburbs, opening a 120-seat Campbell Parade venue that will be bringing freshly brewed craft beers and top-notch eats to Bondi. "We felt there was a gap in the market for beer-lovers in the eastern suburbs. You have to go to the inner west or northern beaches for a brewery experience," Curly Lewis co-founder Oli dos Remedios said. Easing into things, the bar will begin by producing two highly drinkable signature beers — the Curly Lewis Clean Cut Larger and the Bondi Hazy Ale. Two taps at the bar will be dedicated to these in-house beverages, while the rest will showcase a rotating selection of wildcard beers sourced from breweries near and far. Head Brewer Scotty Morgan says: "The brief for the beer was simple. We are brewing a stone's throw from the beach – our core beers needed a clean and easy drinking approachability, made for those baking hot beach days. We are confident that our range of beer will appeal to the average Aussie classic beer drinker through to an avid craft beer lover." As with all good bars, there's also a bank of spirits behind the bar ready to whip you classic cocktails and a wine list featuring local Australian drops with some funky skin-contact varieties on offer. In the kitchen, the co-owners of nearby Frank's Deli, Sammy Jukubiak and Ben Kelly have pulled together a menu that draws from modern Australian favourites and European classics. There are meatballs, croquettes and deli plates to start, Reuben sandwiches for your main, and basque cheesecake to finish it all off. Once you get a taste for the Curly Lewis brews, you can also find them at local venues and bottleshops including Bondi Beach Cellars, Beach Road Hotel, Neighbourhood, Salty's and Bondi Liquor Co. Curly Lewis is located at 102-106 Campbell Parade, Bondi Beach. It's open 11am–11pm Tuesday–Saturday and 11am–10pm Sunday.
In early 2019, Western Sydney will not only score a brand new zoo, it will also add a new community running event to its calendar: RunWest. Its first incarnation will see joggers sharing the route with lions and tigers, as they race through Sydney Zoo, which is due to open early next year. Open to runners of all ages and abilities, RunWest will follow a 12-kilometre course, through several major landmarks. You'll begin at Sydney Motorsport Park, before visiting the zoo, traversing Western Sydney Parklands, heading into Blacktown International Sports Park and winding up at West HQ. If 12 kilometres sounds too far, conquer the more friendly four-kilometre Family Fun Run instead. Either way, there'll be plenty of action to keep you on course. Keep an ear out for live music and an eye out for live performers. Plus, on crossing the finish line, you'll find yourself immersed in the Finish Line Festival, an extravaganza of food trucks, music and rides. If you're a City2Surf regular, this might be a good race to enter in the off-season — although, being March, chances are the weather will be pretty warm. But, like City2Surf, you're encouraged to raise funds for a charity of your choice, so your sweat will be all worth it. If you're ready to commit, sign up right now at super early bird rates, which are $15 per person for the fun run and $30 for the 12-kilometre event. Plus, your ticket includes entry to Sydney Zoo, valid for a year from 1 August, 2019. RunWest will happen on Sunday, March 31, 2019. You can enter here.
Fast cars, pulse-pounding action and plot holes bigger than the veins in Dwayne Johnson’s biceps: the seventh entry in the Fast and/or Furious franchise delivers everything fans have come to expect. And yes, to be clear, we mean that as a compliment. In an age where most Hollywood blockbusters do everything they can to seem dark and gritty, this souped-up seven-part soap opera drives straight in the other direction, delivering delightfully silly, self-aware thrills at every possible turn. The most over-the-top film in the franchise so far, Fast & Furious 7 doesn’t just jump the shark; it sails over the shark’s head at 245mph, in a $3.5 million Lykan Hypersport, in slow motion, while half a dozen strippers dance to a Wiz Khalifa song playing in the background. The 'plot' of the film sees Dominic Toretto (Vin Diesel) and his hetero life partner Brian O’Connor (Paul Walker) back on the streets of Los Angeles after earning a pardon for six movies’ worth of crimes. Unfortunately for them, their newfound tranquillity is short-lived, as Deckard Shaw (Jason Statham playing the same character he always does, only evil) shows up to avenge his brother Luke, aka the bad guy from Fast & Furious 6. Dom and Brian’s only option is to team up with Agent Frank Petty (franchise newbie Kurt Russell), who promises to help them deal with Shaw in exchange for rescuing a computer hacker (Nathalie Emmanuel) from a group of international terrorists. Of course, in order to manage such a mission, they’ll need their regular crew, including Letty (Michelle Rodriguez), Roman (Tyrese Gibson) and Tej (Chris ‘Ludacris’ Bridges). Think of them as being kind of like the Avengers, only more racially diverse, and marginally less bound by the laws of physics or common sense. If they’ve got time, they might even be able to solve the mystery of who keeps stealing the sleeves off Vin Diesel’s shirts. Australian director James Wan takes over from four-time franchise helmsman Justin Lin, and manages to capture the film’s many, many action scenes with similarly explosive aplomb. Silliness aside, one of the great things about this series is how it opts for actual stunt-work and stunt driving instead of just relying on digital effects. That said, we kind of suspect the scene in which a car is driven out the side of a skyscraper and through the side of another probably benefited from a little bit of computer-generated magic. To say that that sequence isn’t even the most ridiculous thing about Fast & Furious 7 should really drive home just how absurd this movie is. To their credit though, the cast still play it 100% straight, and in doing so have managed to get this franchise to that sweet spot where even its legitimately terrible moments — including maybe the most blatant moment of product placement in the history of modern cinema — still manage to be kind of entertaining. Well, almost. We’ve gotta say that Wan’s use of the Michael Bay ass-cam on any and all female extras gets creepy pretty fast. It doesn’t help that the once gender-balanced cast of heroes has basically been reduced to a bunch of bros plus Michelle Rodriguez. Definitely something they should correct in Fast & Furious 8. Apparently Helen Mirren has already put her hand up to play the villain. Now that would be amazing.
So, you're an actor and you want to win an Emmy? Based on the just-announced 2022 nominees, here are a few ways to go about it. First, star or guest star in Succession, the HBO behemoth that just nabbed 25 nods, including 14 for acting. Or, appear in the US cable network's fellow recent hit The White Lotus, which scored 20 noms, eight of which were for its cast. Being on Apple TV+'s Ted Lasso works, too, given that it just picked up 20 nods for the second year in a row — and ten of them went to its on-screen talent. Yes, they're the big three shows that scooped the pool at this year's Emmy nominations. All three are competing in different categories — Succession in the drama field, The White Lotus in the limited series section and Ted Lasso in comedy — so they don't have to battle it out among themselves. That said, plenty of each series' individual actors are nominated against their co-stars, although that's a bit of a trend in 2022. Announced in the early hours of Wednesday, July 13 Australian and New Zealand time, the list of shows notching up the nods also includes Hacks and Only Murders in the Building with 17 each, Euphoria with 16, and Severance, Squid Game, Barry and Dopesick with 14. Squid Game also became the first-ever drama series nominee that isn't in the English language. Ozark collected 13 nominations, as did the fourth season of Stranger Things — but, bucking the trend, none of the latter's nods came for its performances. The Marvelous Mrs Maisel nabbed 12, while Pam & Tommy collected ten. That means it's been a great 12 months for eat-the-rich dramas, wild based-on-true-story miniseries (with The Dropout and Inventing Anna), returning favourites that've been off the air for a few years (including Better Call Saul and Barry) and former Saturday Night Live stars (Bill Hader and Jason Sudeikis, specifically). Seeing excellent new thrillers Severance and Yellowjackets earn some attention is also fantastic — and What We Do in the Shadows should just have a standing nomination in the Best Comedy category. Who'll emerge victorious will be announced on Tuesday, September 13 Down Under — and plenty of exceptional shows and actors are in the running. But, you can't have a hefty rundown of nominees without a few glaring gaps. Pandemic series Station Eleven deserved more than just one acting nomination. The wonderful Reservation Dogs was somehow thoroughly overlooked, as was the stellar We Own This City and the second season of Girls5Eva. Plenty of folks were recognised for Only Murders in the Building, but not Selena Gomez. And the astonishing Pachinko only nabbed an Outstanding Main Title Design nomination. The 73rd Emmy Awards will take place on Tuesday, September 13, Australian time. Here's a rundown of the major nominations — and you can check out the full list of nominees on the Emmys' website: EMMY NOMINEES 2022 OUTSTANDING DRAMA SERIES Better Call Saul Euphoria Ozark Severance Squid Game Stranger Things Succession Yellowjackets OUTSTANDING COMEDY SERIES Abbott Elementary Barry Curb Your Enthusiasm Hacks The Marvelous Mrs Maisel Only Murders in the Building Ted Lasso What We Do in the Shadows OUTSTANDING LIMITED SERIES Dopesick The Dropout Inventing Anna Pam & Tommy The White Lotus OUTSTANDING TELEVISION MOVIE Chip 'n' Dale: Rescue Rangers Ray Donovan: The Movie Reno 911!: The Hunt for QAnon The Survivor Zoey's Extraordinary Christmas OUTSTANDING LEAD ACTOR IN A DRAMA SERIES Jason Bateman, Ozark Brian Cox, Succession Lee Jung-jae, Squid Game Bob Odenkirk, Better Call Saul Adam Scott, Severance Jeremy Strong, Succession OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES Jodie Comer, Killing Eve Laura Linney, Ozark Melanie Lynskey, Yellowjackets Sandra Oh, Killing Eve Reese Witherspoon, The Morning Show Zendaya, Euphoria OUTSTANDING LEAD ACTOR IN A COMEDY SERIES Donald Glover, Atlanta Bill Hader, Barry Nicholas Hoult, The Great Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jason Sudeikis, Ted Lasso OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES Rachel Brosnahan, The Marvelous Mrs Maisel Quinta Brunson, Abbott Elementary Kaley Cuoco, The Flight Attendant Elle Fanning, The Great Issa Rae, Insecure Jean Smart, Hacks OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Oscar Isaac, Scenes From a Marriage Michael Keaton, Dopesick Himesh Patel, Station Eleven Sebastian Stan, Pam & Tommy OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Toni Collette, The Staircase Julia Garner, Inventing Anna Lily James, Pam & Tommy Sarah Paulson, Impeachment: American Crime Story Margaret Qualley, Maid Amanda Seyfried, The Dropout OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES Nicholas Braun, Succession Billy Crudup, The Morning Show Kieran Culkin, Succession Park Hae-soo, Squid Game Matthew Macfadyen, Succession John Turturro, Severance Christopher Walken, Severance Oh Yeong-soo, Squid Game OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES Patricia Arquette, Severance Julia Garner, Ozark Jung Ho-yeon, Squid Game Christina Ricci, Yellowjackets Rhea Seehorn, Better Call Saul J. Smith-Cameron, Succession Sarah Snook, Succession Sydney Sweeney, Euphoria OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES Anthony Carrigan, Barry Brett Goldstein, Ted Lasso Toheeb Jimoh, Ted Lasso Nick Mohammed, Ted Lasso Tony Shalhoub, The Marvelous Mrs Maisel Tyler James Williams, Abbott Elementary Henry Winkler, Barry Bowen Yang, Saturday Night Live OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES Alex Borstein (The Marvelous Mrs. Maisel) Hannah Einbinder, Hacks Janelle James, Abbott Elementary Kate McKinnon, Saturday Night Live Sarah Niles, Ted Lasso Sheryl Lee Ralph, Abbott Elementary Juno Temple, Ted Lasso Hannah Waddingham, Ted Lasso OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Murray Bartlett, The White Lotus Jake Lacy, The White Lotus Will Poulter, Dopesick Seth Rogen, Pam & Tommy Peter Sarsgaard, Dopesick Michael Stuhlbarg, Dopesick Steve Zahn, The White Lotus OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Connie Britton, The White Lotus Jennifer Coolidge, The White Lotus Alexandra Daddario, The White Lotus Kaitlyn Dever, Dopesick Natasha Rothwell, The White Lotus Sydney Sweeney, The White Lotus Mare Winningham, Dopesick OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES Hope Davis, Succession Marcia Gay Harden, The Morning Show Martha Kelly, Euphoria Sanaa Lathan, Succession Harriet Walter, Succession Lee You-mi, Squid Game OUTSTANDING GUEST ACTOR IN A DRAMA SERIES Adrien Brody, Succession James Cromwell, Succession Colman Domingo, Euphoria Arian Moayed, Succession Tom Pelphrey, Ozark Alexander Skarsgard, Succession OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES Jane Adams, Hacks Harriet Sansom Harris, Hacks Jane Lynch, Only Murders in the Building Laurie Metcalf, Hacks Kaitlin Olson, Hacks Harriet Walter, Ted Lasso OUTSTANDING GUEST ACTOR IN A COMEDY SERIES Jerrod Carmichael, Saturday Night Live Bill Hader, Curb Your Enthusiasm James Lance, Ted Lasso Nathan Lane, Only Murders in the Building Christopher McDonald, Hacks Sam Richardson, Ted Lasso
The Melbourne International Film Festival has been showcasing the best that cinema has to offer for seven decades now, but it has never hosted a fest like its upcoming 2021 event. Given that every year's festival heralds a fresh lineup filled with new big-screen gems, that's always true in a fashion; however, this is the first time that MIFF is going both physical and digital in a significant way. MIFF's just-announced full 2021 program boasts plenty of must-see movies, including opening night's previously revealed Australian standout The Drover's Wife The Legend of Molly Johnson; Adam Driver-starring musical Annette, which screens straight from opening this year's Cannes Film Festival; and a festival-record 40 world premieres in total. It also offers multiple ways for audiences to watch its selection, including folks who aren't or can't make the trip to Melbourne. Accordingly, between Thursday, August 5–Sunday, August 22, Melburnians can head to a range of local cinemas — and from Saturday, August 14–Sunday, August 22, cinephiles all around the country can watch from home, too. Neither group will be short on options, although the in-person lineup is considerably bigger than the program of flicks that'll be available to watch on the festival's new online viewing platform, MIFF Play. In total, this year's fest spans 283 titles, including 199 features, 84 shorts and 10 virtual reality experiences, with 62 of those also available to watch digitally. MIFF's 2021 closing night pick is one of the films that movie buffs can choose to view in either setting. Directed by and starring Natalie Morales (The Little Things), and completely filmed via Zoom in 2020, Language Lessons is a platonic rom-com about a Spanish teacher (Morales) and her new student (Mark Duplass, Bombshell). It's also one of the big-name titles on the full lineup this year, alongside Memoria, which features Tilda Swinton in Cemetery of Splendour filmmaker Apichatpong Weerasethakul's English-language debut; Bergman Island, the Tim Roth and Mia Wasikowska-starring latest title from Mia Hansen-Løve (Things to Come); No Sudden Move, Steven Soderbergh's crime flick with Don Cheadle, Benicio Del Toro and Jon Hamm; and Pig, which sees Nicolas Cage play a truffle hunter (yes, really). Also on the newly revealed complete bill: centrepiece gala selection Summer of Soul (...or, When the Revolution Could Not Be Televised), which is directed Questlove and looks back on the Harlem Cultural Festival of 1969; Roadrunner: A Film About Anthony Bourdain, a documentary charting the late presenter and chef's life; and River, the latest musing on the planet we all call home by Sherpa director Jennifer Peedom. There's also Cow, which sees American Honey director Andrea Arnold explore the existence of a dairy cow; Street Gang: How We Hot to Sesame Street, about the beloved children's television staple; and Year of the Everlasting Storm, in which the aforementioned Weerasethakul is joined by six other filmmakers on an anthology about life under lockdown and the power of cinema. Festival attendees can similarly check out There Is No Evil, the searing 2020 Berlinale Golden Bear-winner which screens as part of a showcase of new Iranian cinemas; collaborative doco Those Left Waiting, which has been filmed by refugees around the world; music mockumentary The Nowhere Inn, starring Carrie Brownstein (Sleater-Kinney) and Annie Clark (St Vincent); In the Earth, the new film from Free Fire and High-Rise's Ben Wheatley, which steps into a world ravaged by a virus; and blistering thriller New Order, which delves into power and oppression in Mexico City. From the Australian contingent, Fist of Fury Noongar Daa dubs the Bruce Lee-starring Fist of Fury in an Aboriginal Australian language, and becomes the first feature to ever do so — while The Kids looks back on the seminal 90s film Kids, competitive swimming drama Streamline is based on Ian Thorpe's experiences, and Friends & Strangers is an Aussie slacker satire. On the must-see list, these newly revealed titles join the likes of Australian drama Nitram, about the lead up to the events in Port Arthur a quarter-century ago; Petit Mamam, the new film from Portrait of a Lady on Fire's Céline Sciamma; and tweet-to-screen comedy Zola — all of which were announced last month in the fest's first batch of titles. MIFF's physical venues for 2021 include Comedy Theatre, the Forum, RMIT Capitol Theatre, ACMI, Kino Cinemas, Hoyts Melbourne Central, Coburg Drive-In, The Astor, Palace Cinemas Pentridge, The Sun Theatre and Lido Cinemas — and, if you're wondering about the big move into digital as well, that follows 2020's online-only fest, which became MIFF's largest festival ever, audience-wise. The 2021 Melbourne International Film Festival runs from Thursday, August 5–Sunday, August 22 at a variety of venues around Melbourne. For further details, visit the MIFF website.
UPDATE, October 9, 2021: The Suicide Squad is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video, and is also screening in Sydney cinemas when they reopen on Monday, October 11. New decade, new director, new word in the title — and a mostly new cast, too. That's The Suicide Squad, the DC Extended Universe's new effort to keep viewers immersed in its sprawling superhero franchise, which keeps coming second in hearts, minds and box-office success to Marvel's counterpart. Revisiting a concept last seen in 2016's Suicide Squad, the new flick also tries to blast its unloved precursor's memory from everyone's brains. That three-letter addition to the title? It doesn't just ignore The Social Network's quote about the English language's most-used term, but also attempts to establish this film as the definitive vision of its ragtag supervillain crew. To help, Guardians of the Galaxy filmmaker James Gunn joins the fold, his Troma-honed penchant for horror, comedy and gore is let loose, and a devil-may-care attitude is thrust to the fore. But when your main aim is to one-up the derided last feature with basically the same name, hitting your target is easy — and fulfilling that mission, even with irreverence and flair, isn't the same as making a great or especially memorable movie. A film about cartoonish incarcerated killers doing the US government's dirty work — one throws polka dots, one controls rats and one is a giant shark — The Suicide Squad is silly and goofy. Welcomely, that comes with the territory this time. In another OTT touch, if these fiends disobey orders, no-nonsense black-ops agent Amanda Waller (Viola Davis, Ma Rainey's Black Bottom) explodes their heads. And yet, even when a supersized space starfish gets stompy (think: SpongeBob SquarePants' best bud Patrick if he grew up and got power-hungry), this sequel-slash-do-over is never as gleefully absurd as it should be. Again and again, that's how The Suicide Squad plays out. It's funny, but also so enamoured with its juvenile humour that it tickles the same beats and spits out the same profanities with repetition. It sports an anarchic vibe, yet sticks to a tried-and-tested narrative formula. It ruthlessly slaughters recognisable characters, while also leaving no surprises about who'll always remain its stars. Visually, it's flashy and punchy, and never messy or overblown, but it splashes similar flourishes across the screen like a pattern. The Suicide Squad screams "hey, I'm not that other movie!!!!!!!!!". It's right, thankfully. But simply not being that other film earns far too much of its focus. Mischief abounds from the outset — mood-wise, at least — including when Waller teams up Suicide Squad's Rick Flag (Joel Kinnaman, The Secrets We Keep), Captain Boomerang (Jai Courtney, Honest Thief) and Harley Quinn (Margot Robbie, Dreamland) with a few new felons for a trip to the fictional Corto Maltese. Because this movie has that extra word in its title, it soon switches to another troupe reluctantly led by mercenary Bloodsport (Idris Elba, Concrete Cowboy), with fellow trained killer Peacemaker (John Cena, Fast and Furious 9) and the aforementioned Polka-Dot Man (David Dastmalchian, Bird Box), Ratcatcher 2 (Daniela Melchior, Valor da Vida) and King Shark (Sylvester Stallone, Rambo: Last Blood) also present. Their task: to sneak into a tower on the South American island. Under the guidance of The Thinker (Peter Capaldi, The Personal History of David Copperfield), alien experiment Project Starfish has been underway there for decades (and yes, Gunn makes time for a butthole joke). Waller has charged her recruits to destroy the secret test, all to ensure it isn't used by the violent faction that's just taken over Corto Maltese via a bloody coup. Jumping to DC in-between Guardians of the Galaxy Vol. 2 and the upcoming Guardians of the Galaxy: Holiday Special and Guardians of the Galaxy Vol. 3 — a move sparked when Disney temporarily fired him from the Marvel realm after tasteless old tweets resurfaced — Gunn pens The Suicide Squad's screenplay, too. Plot isn't the film's big drawcard, with the writer/director sketching out a threadbare setup that lets his main players bust out their key traits and lets him display his playful action-filmmaking skills. Cue scant backstories to give Bloodsport and company some depth, just as cursory nods to western intervention in other countries, plenty of frays littered with viscera and peppered with gross-out sight gags, and a movie that's all about surface pleasures. Whenever a character strikes a chord emotionally, Gunn is happy to tap that note briefly but repeatedly, for instance. Viewers keep being reminded of the same basic attributes and themes over and over, but wrapped in spirited and eye-catching visual slickness. Some touches are pitch-perfect, like the floral aesthetic evident during one of Quinn's killing sprees. Others are stylish padding, as seen in her dalliance with Corto Maltese's new dictator Luna (Juan Diego Botto, The European). The pervasive sensation: that witnessing these characters crack wise and spill guts in a showy, anything-goes fashion is meant to be something inherently special. Sometimes, Gunn's gambit works in the moment. Overall, however, The Suicide Squad's charms are fleeting. It's the better movie of its moniker, it never manages to match Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) for fun, and it isn't ever as enjoyably ridiculous as fellow DCEU flick Aquaman, either. Of course, superhero stories are always about polarised extremes, even now they're Hollywood's favourite big-screen format. They pit the very best against the absolute worst, with names on both sides standing apart from regular ol' humanity due to supernatural forces, genetic enhancement, experiments gone right or wrong, or otherworldly sources. These figures tussle over the fate of the world to save it for normal folks in movie after movie, but little attention is paid to anyone that's just ordinary. Being standard and average is something to fight for and then sweep past, even though that's where so many superhero and supervillain movies ultimately land themselves. Indeed, a film can be funny and lively, use its main faces (that'd be Elba and Robbie) well, have a few nice moments with its supporting cast (Dastmalchian, Melchior and Stallone, particularly) and improve on its predecessor, and yet still fall into a routine, unsuccessfully wade into murky politics, never capitalise upon its premise or promise, keep rehashing the same things, and just be average, too — and right now, that film is The Suicide Squad.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. SISSY Scroll, swipe, like, subscribe: this is the rhythm of social media. We look, watch and trawl; we try to find a sense of self in the online world; and when something strikes a chord, we smudge our fingers onto our phones to show our appreciation. If wellness influencers are to be believed, we should feel seen by this now-everyday process. We should feel better, too. We're meant to glean helpful tips about how to live our best lives, aspire to be like the immaculately styled folks dispensing the advice and be struck by how relatable it all is. "You saved my life!", we're supposed to comment, and we're meant to be genuine about it. The one catch, and one that we shouldn't think about, though: when it comes to seeking validation via social media, this setup really does go both ways. As savvy new Australian horror film Sissy shows, the beaming faces spruiking easy wisdom and products alike to hundreds, thousands or maybe hundreds of thousands of followers — 200,000-plus for this flick's namesake — are also basking in the glory of all that digital attention, and getting a self-esteem boost back in the process. Sissy starts with @SincerelyCecilia, an Instagram hit, doing what she does best. As played by Gold Coast-born Australian actor Aisha Dee of The Bold Type in an astute and knowing stroke of casting, she's a natural in front of the camera. Indeed, thanks to everything from The Saddle Club and I Hate My Teenage Daughter to Sweet/Vicious and The Nowhere Inn as well, the film's star knows what it's like to live life through screens out of character. She's been acting since she was a teenager, and she's charted the highs of her chosen profession, all in front of a lens. So, it's no wonder that Dee conveys Cecilia's comfort recording her videos with ease. The actor hops into the spotlight not only once but twice here, but she's just as perceptive at showing how the world crumbles, shakes and shrinks whenever there's no ring light glowing, smile stretched a mile wide and Pinterest-board background framing her guru-like guidance. "I am loved. I am special. I am enough," is Cecilia's kind of mantra. Through her carefully poised and curated videos, such words have sparked a soaring follower count, a non-stop flow of likes and adoring comments. But she's so tied to all that virtual worship that her off-camera existence — when she's not plugging an 'Elon mask', for instance — is perhaps even more mundane than everyone else's. It's also isolated, so when she reconnects with her childhood best friend Emma (co-director/co-writer Hannah Barlow) during a chance run-in at a pharmacy, it's a rare IRL link to the tangible world. Cecilia is awkward about it, though, including when Emma invites her to her out-of-town bachelorette party that very weekend. Buoyed by memories of pledging to be BFFs forever, singing Aussie pop track 'Sister' by Sister2Sister and obsessing over movie stars, she still agrees to go. Sissy's first act is a Rorschach test: if you're already cynical about the wellness industry and social media, unsurprisingly so, then you'll know that nothing dreamy is bound to follow; if you're not, perhaps the blood and guts to come will feel like a twist. Either way, there will be blood thanks to Barlow and fellow co-helmer/co-scribe Kane Senes' game efforts, reteaming for their second feature after 2017's For Now. There will be chaos as well, and bad signs aplenty, and a rousing body count. Hitting a kangaroo en route to their remote destination clearly doesn't bode well, and also kicks off casualty tally. Then the old schoolyard dynamics bubble up, especially when Cecilia's playground tormentor Alex (Emily De Margheriti, Ladies in Black) is among the fellow guests. Pre-teen taunts resurface — "Sissy's a sissy" was the juvenile and obvious jeer spat her way back in the day, and repeated now — and the @SincerelyCecilia facade starts to shatter. Read our full review. ARMAGEDDON TIME What's more difficult a feat: to ponder everything that the universe might hold, as writer/director James Gray did in 2019's sublime Ad Astra, or to peer back at your own childhood, as he now does with Armageddon Time? Both films focus on their own worlds, just of different sizes and scales. Both feature realms that loom over everyone, but we all experience in their own ways. In the two movies, the bonds and echoes between parents and children also earn the filmmaker's attention. Soaring into the sky and reaching beyond your assigned patch is a focus in one fashion or another, too. In both cases, thoughtful, complex and affecting movies result. And, as shared with everything he's made over the past three decades — such as The Yards, The Immigrant and The Lost City of Z as well — fantastic performances glide across the screen in unwaveringly emotionally honest pictures. In Armageddon Time, Gray returns to a favourite subject: the experience of immigrants to New York. With a surname barely removed from his own, the Graff family share his own Jewish American heritage — and anchor a portrait of a pre-teen's growing awareness of his privilege, the world's prejudices, the devastating history of his ancestors, and how tentative a place people can hold due to race, religion, money, politics and more. The year is 1980, and the end of times isn't genuinely upon anyone. Even the sixth-grader at its centre knows that. Still, that doesn't stop former Californian governor-turned-US presidential candidate Ronald Reagan from talking up existential threats using inflammatory language, as the Graffs spot on TV. Armageddon Time also takes its moniker from a 1977 The Clash B-side and cover; despite the film's stately approach, the punk feeling of wanting to tear apart the status quo — Gray's own adolescent status quo — dwells in its frames. Banks Repeta (The Black Phone) plays Paul Graff, Gray's on-screen surrogate, and Armageddon Time's curious and confident protagonist. At his public school in Queens, he's happy standing out alongside his new friend Johnny (Jaylin Webb, The Wonder Years), and disrupting class however and whenever he can — much to the dismay of his mother Esther (Anne Hathaway, Locked Down), a home economics teacher and school board member. He dreams of being an artist, despite his plumber dad Irving's (Jeremy Strong, Succession) stern disapproval, because the elder Graff would prefer the boy use computing as a path to a life better than his own. In his spare time, Paul is happiest with his doting, advice-dispensing, gift-bearing grandfather Aaron (Anthony Hopkins, The Father), who's considered the only person on the pre-teen's wavelength. Gray fleshes out Paul's personality and the Graffs' dynamic with candour as well as affection, as seen at an early home dinner. There, Paul criticises Esther's cooking, orders dumplings even after expressly being forbidden and incites Irving's explosive anger — and the establishing scene also starts laying bare attitudes that keep being probed and unpacked throughout Armageddon Time. Indeed, Paul will begin to glean the place he navigates in the world. Even while hearing about the past atrocities that brought his grandfather's mother to America, and the discrimination that still lingers, he'll learn that he's fortunate to hail from a middle-class Jewish family. Even if his own comfort is tenuous, Paul will see how different his life is to his black, bused-in friend, with Johnny living with his ailing grandmother, always skirting social services and constantly having condemning fingers waggling his way. And, Paul will keep spying how Johnny is at a disadvantage in every manner possible, including from their instantly scornful teacher and via Paul's own parents' quick judgement. Read our full review. THE WONDER "We are nothing without stories, so we invite you to believe in this one." So goes The Wonder's opening narration, as voiced by Niamh Algar (Wrath of Man) and aimed by filmmaker Sebastián Lelio in two directions. For the Chilean writer/director's latest rich and resonant feature about his favourite topic, aka formidable women — see also: Gloria, its English-language remake Gloria Bell, Oscar-winner A Fantastic Woman and Disobedience — he asks his audience to buy into a tale that genuinely is a tale. In bringing Emma Donoghue's (Room) book to the screen, he even shows the thoroughly modern-day studio and its sets where the movie was shot. But trusting in a story is also a task that's given The Wonder's protagonist, Florence Pugh's nurse Lib Wright, who is en route via ship to an Irish Midlands village when this magnetic, haunting and captivating 19th century-set picture initially sees her. For the second time in as many movies — and in as many months Down Under as well — Pugh's gotta have faith. Playing George Michael would be anachronistic in The Wonder, just as it would've been in Don't Worry Darling's gleaming 1950s-esque supposed suburban dream, but that sentiment is what keeps being asked of the British actor, including in what's also her second fearless performance in consecutive flicks. Here, it's 1862, and 11-year-old Anna O'Donnell (Kíla Lord Cassidy, Viewpoint) has seemingly subsisted for four months now without eating. Ireland's 1840s famine still casts shadows across the land and its survivors, but this beatific child says she's simply feeding on manna from heaven. Lib's well-paid job is to watch the healthy-seeming girl in her family home, where her mother (A Discovery of Witches' Elaine Cassidy, Kila's actual mum) and father (Caolan Byrne, Nowhere Special) dote, to confirm that she isn't secretly sneaking bites to eat. Lib is to keep look on in shifts, sharing the gig with a nun (Josie Walker, This Is Going to Hurt). She's also expected to verify a perspective that's already beaming around town, including among the men who hired her, such as the village doctor (Toby Jones, The Electrical Life of Louis Wain) and resident priest (Ciarán Hinds, Belfast). The prevailing notion: that Anna is a miracle, with religious tourism already starting to swell around that idea, and anyone doubting the claim — or pointing out that it could threaten the girl's life and end in tragedy — deemed blasphemous. But arriving with experience with Florence Nightingale in the Crimean War behind her, the level-leaded, no-nonsense and also in-mourning Lib isn't one for automatic piety. A local-turned-London journalist (Tom Burke, The Souvenir) keeps asking her for inside information, sharing her determination to eschew unthinking devotion and discover the truth, but the nurse's duty is to Anna's wellbeing no matter the personal cost. Lelio's opening gambit, the filmmaking version of showing how the sausage is made, isn't merely a piece of gimmickry. It stresses the power of storytelling and the bargain anyone strikes, The Wonder's viewers alike, when we agree to let tales sweep us away — and it couldn't better set the mood for a movie that ruminates thoughtfully and with complexity on the subject. Is life cheapened, threatened or diminished by losing yourself to fiction over fact? In an age of fake news, as Lelio's movie screens in, clearly it can be. Is there far too much at stake when faith and opinion is allowed to trump science, as the world has seen in these pandemic-affected, climate change-ravaged times? The answer there is yes again. Can spinning a narrative be a coping mechanism, a mask for dark woes, and a way to make trauma more bearable and existence itself more hopeful, though? That's another query at the heart of Alice Birch's (Mothering Sunday) script. And, is there a place for genuine make-believe to entertain, sooth and make our days brighter, as literature and cinema endeavours? Naturally, there is. Read our full review. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on August 4, August 11, August 18 and August 25; September 1, September 8, September 15, September 22 and September 29; and October 6, October 13, October 20 and October 27. You can also read our full reviews of a heap of recent movies, such as Bullet Train, Nope, The Princess, 6 Festivals, Good Luck to You, Leo Grande, Crimes of the Future, Bosch & Rockit, Fire of Love, Beast, Blaze, Hit the Road, Three Thousand Years of Longing, Orphan: First Kill, The Quiet Girl, Flux Gourmet, Bodies Bodies Bodies, Moonage Daydream, Ticket to Paradise, Clean, You Won't Be Alone, See How They Run, Smile, On the Count of Three, The Humans, Don't Worry Darling, Amsterdam, The Stranger, Halloween Ends, The Night of the 12th, Muru, Mona Lisa and the Blood Moon, Black Adam, Barbarian, Decision to Leave, The Good Nurse, Bros and The Woman King.
When The Fast and the Furious took Point Break's premise and swapped surfing for street racing, it seemed like one of those easy Hollywood knockoffs that would speed into cinemas and then race right out of viewers' memories. Eighteen years, seven sequels, plenty of Coronas and a whole lot of talk about family later, we all now know that wasn't the case. It's the high-octane franchise that just keeps tearing up tyres and tearing across silver screen, and it has yet another new addition. The first Fast and Furious spinoff, Hobbs & Shaw reunites two of the series' newer players: Dwayne Johnson's Luke Hobbs, the government agent who has been a F&F staple since 2011's Fast Five, and Jason Statham's Deckard Shaw, the villain from Furious 7 who starts buddying around the gang in 2017's The Fate of the Furious. Directed by John Wick and Atomic Blonde's David Leitch, it's basically an excuse to put the two action heroes in the same movie again, watch as they bicker and banter like a muscular odd couple, and throw in the usual world-saving, car-racing antics. It also sounds like box office catnip. Because two of today's biggest stars isn't enough for this initial foray outside of the main F&F stable, Hobbs & Shaw also features Idris Elba as the flick's villain — plus Helen Mirren reprising her role as Shaw's mother, and The Crown's Vanessa Kirby joining the fold as his sister. Johnson reportedly wanted Hobbs to have some family, too; however bringing Aquaman's Jason Momoa on board didn't work out due to scheduling conflicts. Fans of Vin Diesel and the original gang, don't worry. Ninth and tenth F&F films are due in 2020 and 2021 respectively, so Dominic Toretto and company will be back to live their lives a quarter mile at a time once more. Also on the agenda is a female-focused spinoff focused on the ladies of the franchise, because this series remains furious about stretching out its run for as long as possible. Watch the trailer for Hobbs & Shaw below: https://www.youtube.com/watch?v=5Lxu75r3-kI Hobbs & Shaw opens in Australian cinemas on August 1.
Sydney boasts one of the most unique coffee cultures in the world, and two homegrown brewsters are taking this culture to a new, nocturnal level. An open challenge to espresso martinis the world over, say hello to Mr Black, the world’s greatest coffee liqueur. Having taken out the gold medal at London International Wine and Spirits Competition, Phillip Moore and Tom Baker are combining with Nixon Cafe in Surry Hills to host The Grind House, a caffeinated pop-up nightspot showing off the very best that Mr Black can offer over three nights. The Grind House opens up this Friday, and plays host to Dale Bigeni, the artist behind the unique design on each Mr Black bottle, who will create live art all night. Led by Mischa Bonova of Rockpool fame, a team of the city’s finest mixologists will pump out Mr Black cocktails, all set to the beats of DJ Belvedere. The $45 ticket price on opening night gets you a night of beats, booze and art plus three Mr Black cocktails of your choosing. So maybe only have three double espressos beforehand. The Grind House runs over three nights from June 12 to 14. Tickets for opening night are available here.
In an industry that can sometimes come across as vapid and insipid, Patti Smith has remained the fortified voice of punk rock and guardian of good music since the '70s. With a career that has included prose, poetry, genre-defining rock and roll and a whole lot a heartbreak, Smith is coming to the Sydney Opera House in April to give a one-off talk that traverses the breadth and depth of her oeuvre. The appearance will come at the end of her Australian tour, which will see her headline Bluesfest, perform her 1975 debut album Horses in full at the State Theatre, and do a gig with Courtney Barnett at Melbourne's Festival Hall. It will be her only solo appearance of the tour, and will comprise of a magical mix of discussion, reading, and even a few songs from one of musical history's all-time greats. Tickets for In her Own Words go on general public sale at 9am on Friday, February 24. Image: Ferial.
Since 2006, Kino Sydney has been providing a platform for amateur auteurs to strut their stuff in front of a real audience of real people. Creators of short films are invited monthly to premiere their new masterpiece, and the general public are invited to get themselves along, witness this genius, have a beer and eat some pizza. Win-win. The 79th event is Monday, February 3 at the Justice and Police Museum in Circular Quay, and tickets are on sale now. The whole deal comes with the opportunity to meet the cool cats involved in the making of the film, and a Q&A session will ensue — you never know which director will end up with the prowess of Quentin Tarantino or the creative genius of Lena Dunham. Kino are devoted to showing off the new generation of filmmakers, and hooking them up with their future fans. Cutting-edge film? Pizza? Beer? See you there.
This October, the Southern Highlands will host a multi-sensory food, wine, music and art festival, set across the picturesque Centennial Vineyards. This is Horizontal Festival — a celebration of all that New South Wales has to offer. From Saturday, October 4 to Sunday, October 5, Horizontal Festival will take you on a journey where every space offers a new atmosphere, flavour and soundscape. Guests can wander through the Sparkling Bar, an elegant space of oysters, truffles and classical music. Then, at The Vineyard, you can experience a homegrown taste of the Italian countryside with lobster skewers, antipasto and upbeat music. For an expert-led beverage masterclass, head to The Rosé Room with blending workshops, sessions on cellaring and spirits, and of course, rosé. The Orchard offers cider tastings and vegan treats, while the cheese den spotlights the state's finest cheeses in sweet and savoury pairings. The Hops Garden & Concert Stage pairs craft beer with DJs, and the Barrel Room creates a provincial atmosphere with red wine and jazz. Finally, the Sweet Pairings space serves indulgent desserts matched with sweet wines. Horizontal Festival is a feast for the senses in ever sense, with Festival Creator and Founder Amanda Fry describing it as "a festival that puts the customer experience first". Alongside wine tastings and artisanal food, expect live music in every zone, captivating art installations and the chance to meet makers from across NSW. Tickets are $59 each, with the option of choosing between a vibrant daytime experience or an enchanting evening atmosphere. Day sessions run from 12-4pm, while evening sessions take place from 5.30-9pm. For more information and to purchase tickets, head to the Horizonal Festival website.
UPDATE: FRIDAY, JUNE 1 — To celebrate the release of the new batch of Bloody Shiraz Gin, Four Pillars will be giving keen drinkers a free taste of the stuff this Saturday, June 2 at bottle shops around the country. This includes the Oak Barrel, P&V Merchants and Paddington Cellars in Sydney; Mr West, Carwyn Cellars and Blackhearts & Sparrows in Melbourne; and The Cru and The Wine Emporium in Brisbane. See the full list (and tasting times) here. For the past three years, gin lovers across the country have tripped over themselves to get their spirit-loving fingers on a bottle of Four Pillars' Bloody Shiraz Gin — and that's before they've even had a sip of alcohol. The limited edition shiraz-infused concoction really is that good, so we thought you'd like to know that the next batch goes on sale this Friday, June 1. If you haven't come across the gin before, it's basically what it says on the label: gin infused with shiraz grapes. This gives the spirit a brilliant deep cerise colour and some sweet undertones (without a higher sugar content). That, along with its higher alcoholic content — 37.8 percent, compared to an average 25 percent in regular sloe gin — makes the Bloody Shiraz Gin a near-perfect specimen. Four Pillars created the game-changing gin back in 2015 when it came into a 250-kilogram load of shiraz grapes from the Yarra Valley. Experimenting, the Victorian distillers then steeped the grapes in their high-proof dry gin for eight weeks before pressing the fruit and blending it with the gin, and hoping like hell it would turn out well. It did. The last few batches have sold out really quick, so this year the distillery has acquired more shiraz to make more of the gin than ever before. Still, you'll need to move fast. The gin will go on sale for $85 this Friday, June 1 at selected bottle shops and online at fourpillarsgin.com.au. Godspeed.
There aren't many people who have had a greater influence on Sydney's (and Australia's) music scene in the past decade than Tim Levinson, perhaps better known as Urthboy. As one of the founding members of The Herd, as well as co-founder of local label Elefant Trax (home to the likes of Astronomy Class, Hermitude, Sky High, Jimblah and The Tongue), Levinson has set the benchmark for hip hop in this country and demonstrated that it is possible to combine enthralling beats, lyrical wordplay and a social conscience all at once. One of the characteristics of much of Elefant Trax's output has been their keen sense of place; theirs is unquestionably and unashamedly an Australian sound, with MCs maintaining their accents and not being shy to name-check Oxford Arts or Redfern Station when many other local hip hop acts try to imitate the sound of New York, Los Angeles and Detroit. And of course this local legend is playing FBi Turns 10 this weekend, and as with so many acts on that lineup, Levinson has fond memories of a decade of independent radio (a fun fact for all you trivia nerds: FBi's very first feature album was Hermitude's Alleys to Valleys; Levinson says he remembers the high-fives when they found out.) When asked what he thought FBi brought to Sydney, he went straight for the big picture: "[FBi brings] a local voice combining expertise on subcultures that gives us art and helps us understand our identity," he says. "Plus Shantan and Joyride. They're almost subcultures themselves." As one of our foremost modern poets, we asked Levinson about his favourite spots in Sydney, and the best-kept secrets of this amazing city of ours. Unsurprisingly, he didn't disappoint. 1. Jasmin, Lakemba I'm no food critic — I'm a touring musician for god sakes, I'll eat a servo pie for breakfast when pushed — but this place is fantastic. This region of south-west Sydney has some incredible food spots on offer in an area that comfortably shows the complicated beauty of Sydney's diversity. Haldon Street is a vibrant community of bakeries, halal butchers, Asian restaurants and of course, Jasmin. The fare is Lebanese and the hospitality is quick and non-fussed. It's cheap and substantial and my wife and I love eating there. 2. Gordon's Bay The magnetism of the beach has always had a hold on me; the showdown with Sydney traffic is always made sweet by the saltwater waiting on the other side. Gordon's Bay is quiet and usually okay for parking so it's the spot. There is part of me that can't quite reconcile why something so beautiful has avoided some asshole making us pay for entry. I don’t care for the lifestyle of living by the beach, but let me take a few back streets and dive in that frothy Tasman Sea from time to time. Perfect. 3. From Dulwich Hill to Marrickville I’ve never enjoyed living in an area more than I do here in Inner West Sydney. There’s an honesty about Marrickville and Dulwich Hill, where Vietnamese butchers and fishmongers ply their trade alongside Greek delicatessens and 7-11s; and young artists co-opt industrial warehouses, creating important art spaces and ‘illegal’ venues. I ride my bike to work and though we’re located in a grimy street where the road looks like an old soldier’s face, I love the location and wouldn’t trade places with anyone, anywhere in this city. 4. Marrickville Oval Nothing says ‘you’re getting old’ like the increasing pleasure of walking around the local cricket park. At one end all ages and a variety of nationalities roll their arms over in the cricket nets; at the other are tennis courts and a boxing gym. Parents bring their babies and dogs and a class of African kids laugh hysterically as they run around doing athletics. Laying down in the middle of the oval and staring at the sky is a underrated way of defragging. A cricket park is so much more than a place to bat and bowl. 5. The Annandale Hotel, The Vic on the Park, Newtown Social Club, etc I think it was Paul Kelly who said that live venues are a musician’s university. The sticky carpets and haggard PAs feel like home to me, and pay a bit of respect forward to the bar staff who probably play in a band that will be big one day. During times of great technological change there’s an irreplaceable atmosphere and energy about live music. Watch YouTube until your eyes weary if you must, but I feel bad for you if you think it’s a substitute. There will never be anything like being there. Live music is a way of bringing community together despite the disconnectedness that we absent-mindedly find ourselves feeling.
Head Chef Ali Snoubar brings his decades of culinary experience and expertise from award-winning restaurants the world over to this Syrian eatery in Merrylands. Those familiar with Middle Eastern cuisine will know it's all about sharing, so the more, the merrier. Here, choose from a selection of hot and cold mezze, such as the fried pumpkin kibbeh, then move on to the likes of a chicken shawarma plate with rice or hot chips. The $115 'family deal' features a combination of dishes and drinks, while three banquet options each offer a selection of skewers, dips, salads and meat, to suit groups of all sizes and appetites. Images: Al Shami
Defying the notion that, post-lockouts, most Sydneysiders are tucked up in bed by 10pm will be Sydney Fringe's 2018 Fringe Club. From 10.30pm on Thursday, Friday and Saturday nights throughout the month-long festival, level three of the Kings Cross Hotel will be buzzing with live performance, comedy and DJs — all free. Arrive on time and on Thursdays you'll catch Andy Dexterity's physical theatre, while on Fridays you'll get a showcase of show from the Fringe program. On Saturdays, grab a cheap pint of Young Henrys during happy hour (10.30–11.30pm) before DJ Glamour Toads start spinning non-stop hits from the nineties and noughties from midnight, taking inspiration from Video Hits, So Fresh and Hit Machine. Plus, from 11.30pm each night, potential comedians will take the stage when the mic opens to amateurs.
Surry Hills cafe Gratia and its nighttime counterpart Folonomo are no strangers to the concept of dining for a cause. The Bourke Street venue donates 100 percent of its profits to charity. Usually, customers choose which of the three rotating charities will get their money when settling the bill. But for the next three months, the focus will be on helping one organisation in particular, as Gratia is transformed into a pop-up OzHarvest Café. From July to September, it'll be sporting a few fresh pops of yellow and a brand new food offering, and all of the cafe's profits will go towards supporting OzHarvest's work fighting food waste around the country. If you're not familiar with the charity, OzHarvest rescues quality excess food from commercial outlets and delivers it to more than 1000 charities across the country, providing much-needed meals to those who otherwise may not have access to any. The same philosophies have inspired the OzHarvest Café. While not all the food will be salvaged food waste, OzHarvest executive chef Travis Harvey has designed a special waste-conscious menu that features lots of ingredients that would otherwise be binned, including food donated by Brasserie Bread, Black Star Pastry and Select Fresh. Here, he's flexed plenty of creative muscle, transforming rescued food into some very clever brunch fare. Expect elements like pickled broccoli stalks, roasted cauliflower leaves, and ramen noodles crafted from bread crumbs. The avocado toast features a pesto made from rescued salad leaves and pumpkin seeds, banana curd will be made from donated egg yolks (and poured onto pancakes) and the house jam is a crafty reworking of excess fruit peels and Black Star's watermelon rind off-cuts. With every $1 spent at the OzHarvest Café by Gratia able to deliver two meals to someone in need, this is brunching for a cause other than your morning hunger. Gratia will operate as the OzHarvest Café by Gratia until September. It's open Wednesday to Sunday from 8am–3pm at 372 Bourke Street, Surry Hills. Image: Bodhi Liggett.
We’re not talking lion hunting while munching caviar and canapés, nor are we dreaming of zebra reductions or tiger tartare: this gourmet safari, courtesy of travel experts Mr & Mrs Smith, features hotels whose restaurants alone are worth a bumpy ride in a 4X4, whose chefs are the big game of the food industry, and whose dining rooms draw food critics like thirsty wildebeest to a watering hole. 1. SANGOMA RETREAT Where: 70 Grandview Lane, Bowen Mountain, NSW What: Game reserve-inspired glam City grind got you ground down? Sydneysiders in need of respite should write their own prescription for a stay at African-inspired Sangoma Retreat in the Blue Mountains, just a 70-minute drive away, where five light, airy and very spacious suites loll across 10-hectare grounds. Rooms are blessed with huge freestanding Philippe Starck tubs and wraparound balconies for soaking up bush scenes, but chances are you’ll be hard-pressed to tear yourself away from the restaurant. Owner/chef Zenga Butler cooks up globe-trotting cuisine with Ottolenghi influences (healthy, seasonal, locally sourced and largely organic). It’s a relaxed affair: heaped platters of fish and salad, which you can help yourself to. 2. METROPOLITAN BY COMO Where: 27 South Sathorn Road, Tungmahamek, Sathorn, Bangkok, Thailand What: Manicured minimalism Australian chef David Thompson’s rice-white and mango-yellow Nahm restaurant in the Metropolitan by Como, Bangkok hotel may survey the pool, but you’ll only have eyes for your food, however many starlets or stallions strut past. Expect elegant Thai cuisine featuring tingling flavours and succulent seafood: kingfish salad with chilli, lime and mint, deep-fried crab with pomelo, and coconut-cream-slathered desserts. Lesser known, but equally wonderful, is the hotel’s guilt-free Glow restaurant, where Amanda Gale’s zingy salads keep you feeling great. The low prices (around AU$21 for a fresh juice and two-course lunch) are equally revitalising. 3. ROYAL MAIL HOTEL Where: 98 Parker Street (Glenelg Highway), The Grampians, VIC What: Gourgeous gourmet pub Need a dose of vitamin C? Head to Royal Mail Hotel in the Grampians, where fat pumpkins, albino eggplants and juicy tomatoes flourish ripely in the green, green garden. Dan Hunter (formerly head chef at Spain’s two-Michelin-starred Mugaritz) flirts with vegetarians and omnivores alike via two 10-course tasting menus: one leafy; one meaty. This chef melts rules like butter: lamb comes with liquorice; pigeon is paired with white chocolate. Such creativity has garnered a fistful of awards, so book your table when you book your bedroom. There’s also a casual bistro with a sunny courtyard and a tapas menu, and – for less calorific moments – mountain views, hills for hiking and a peaceful outdoor pool. 4. QT SYDNEY Where: 49 Market Street, Sydney, NSW What: Theatrical temptress Scantily clad door-sirens with flame-red wigs, rooms with DIY martini kits, a buzzing bar and a spa with hammam, ice-room and hipster barber: at sexy QT Sydney hotel, you could easily forget to eat. That would be tragic, though, given the excellent restaurant housed in the hotel’s historic State Theatre and Gowings department store buildings. Helmed by executive chef Paul Easson, under the creative direction of Sydney restaurateur Robert Marchetti, Gowings Bar & Grill is a funked-up Euro-flash brasserie which relies of the most artisan producers for the freshest Australian ingredients, and cooks them to perfection in wood-fired rotisseries. Repair to the Gilt Lounge afterwards for vintage cocktails. 5. EICHARDT’S PRIVATE HOTEL Where: Marine Parade, Queenstown, New Zealand What: Historic haven with watery vistas If you fancy drinking in both Lake Wakatipu views and silky seafood chowder, book a bedroom at Eichardt’s Private Hotel in Queenstown. This glam grand dame has mountain- and lake-spying rooms, a famous bar and a very good restaurant. Choose between dining at the award-winning bar or at Eichardt's Parlour, a private lounge and dining area on the first floor, styled with Georgian grace. Chef Will Eaglesfield is the talent in charge, plating up delicious dishes such as wild-game terrine with house pickles and mustard, and salted-cod-and-potato croquettes with herb aioli. Comfy sofas, friendly service and a toasty fireplace keep things cosy. 6. LAKE HOUSE Where: 4 King Street, Daylesford, VIC What: Restrained rural retreat Delicious little Lake House hotel in Daylesford began life in 1984 as a 40-seat, weekend-only restaurant, owned by acclaimed chef Alla Wolf-Tasker. Fast forward more than a few years, and lake-scoping rooms and a Scandinavia-inspired spa with treetop hot tubs and a blissful 75-minute signature treatment have been added to the equation. The emphasis is still firmly foodie, though: what’s dished up varies according to the season, but you can expect house-made charcuterie, heritage vegetables and fruits, local trout, eel and cheeses, free-range pork and wagyu beef. Be sure to book your table when you bag your stay, and call by Alla’s more casual café, Wombat Hill House, in the nearby Botanic Gardens. 7. ESTABLISHMENT HOTEL Where: 5 Bridge Lane, Sydney, NSW What: Everything-under-one-roof design destination Devotees of dim sum will think they’ve died and gone to har gow heaven when they clap eyes upon Establishment Hotel’s impressive Cantonese restaurant, Mr. Wong, a sprawling 240-cover space. When pork buns pale, there are plenty of other in-house options: Est., for Australian fine dining with French and Asian flair; Sushi-e, for succulent sashimi; Palings, which has a 'kitchen' menu designed for sharing, and the stunning Gin Garden bar, with lush plants, sexy pendant lamps, raw brick walls and a choice of Thai and Australian dishes. This multi-tasking pleasure palace can organise access to the Fitness First gym next door, if you start to feel fatty. 8. HUKA LODGE Where: 271 Huka Falls Road, Taupo, New Zealand What: Trad Twenties hunting lodge Fan of fishing, food and fast-paced adventures? Huka Lodge has all three covered. Set in Taupo, home to New Zealand’s largest lake in the heart of the volcanic North Island, this heritage 1920s hotel was founded as a frill-free fishing lodge, but don’t expect simple dinners of fisherman’s pie. Instead, the Michelin-starred executive chef brings European influences to contemporary New Zealand cuisine, harnessing the finest fresh, flavoursome local ingredients, including fruit from the orchard. Menus change daily according to the produce available, but previous crowd-pleasers include: freshwater lobster butter-poached with lemon-infused gnocchi and watercress, and chocolate fondant with espresso ice-cream. Cosy up in the main dining room or dine alfresco in the riverside grounds. 9. SPICERS VINEYARDS ESTATE Where: 555 Hermitage Road, Pokolbin, Hunter Valley, NSW What: Modern manor house Lovers of vine things have long flocked to the green-gold hills of the Hunter Valley, where some of the country’s sweetest, punchiest grapes flourish. Spicers Vineyards Estate makes the most of its regional charms: the 350-strong wine list (manager Belinda Stapleton's pride and joy) includes local gems from Margan, Tyrrell's and the like, or old-world classics from Burgundy and Bordeaux, and the restaurant has a veggie patch, chickens and pigs, and clever chef Mark Stapleton. Botanica's contemporary menu is loaded with lip-smacking dishes, such as house-made charcuterie, slow-cooked duck with caramelised fennel, and hand-cut pappardelle with lobster cream. Rattan chairs, earthy tones and floor-to-ceiling windows offering serene vineyard views make for a relaxed setting. 10. THE PRINCE Where: 2 Acland Street, St Kilda, Melbourne, VIC What: High-drama design, art deco grace Melbourne knows that the way to a visitor’s heart is through their stomach: this is the city where pop-up eateries sprout like mushrooms in the little laneways, after all. The Prince boutique hotel, a colourful art deco distraction in bayside St Kilda, lives up to its location, with not one but two ravishing restaurants. At Circa, rising star Paul Wilson and seasoned chef Jake Nicolson rustle up sharing plates with Asian zing: kingfish sashimi with yuzu and basil jelly, or bonito with green tea, for example. There’s a Mexican in the basement, too, but don’t be scared: Acland St Cantina spans a casual canteen and a cute, characterful restaurant. Save room for the salted-caramel ice-cream churros taco (we kid you not).
Hunter St. Hospitality, the team behind Rockpool Bar & Grill, Saké and Spice Temple, is opening a luxurious new cocktail bar in a newly renovated space in The Rocks. Alice has moved in and transformed the basement level of 16 Argyle Street, the building formerly occupied by The Cut Bar & Grill. Situated next to The Rocks nightclub The Argyle, Alice boasts a 65-seat main bar and a semi-private space with the capacity for an additional 10 guests. The bar is fitted out with jewel-toned booths and velvet drapes, with Hunter St. enlisting the help of People of Design to create a sleek, luxurious atmosphere. Head downstairs into this classically romantic cocktail lounge and you'll be greeted by an inventive selection of drinks. Signature creations include the Alice Spritz, combining Cocchi Americano, prosecco and raspberry shrub; the Nitro Spumoni, a Campari sour made with saffron tincture, tonic reduction and nitro grapefruit; and the Spicy Calavera mezcal margarita, flavoured with fresh lime, agave, pineapple, chilli and coriander. While the cocktails are the obvious centrepiece of the offerings at Alice, the bar snacks are just as big of a drawcard, drawing from the menus of its sibling venues in Rockpool and Spice Temple. The dishes are equal parts lavish and playful, like the caviar service which comes accompanied by tater tots and créme fraiche. Small plates include chicken liver parfait profiteroles, Sichuan fried chicken, empanadas and an array of raw and sliced items like scallop crudo, beef carpaccio and pickled cauliflower. Those in search of something to satisfy a more stable hunger can order from the bar's sandwich menu. Think pork katsu and cabbage sambos, pork and fennel hot dogs and a moreish cheese toastie made with four types of cheese and accompanied by a cheese dip. Alice will open at 16 Argyle Street, The Rocks from Thursday, September 8. It will be open 5pm–midnight Wednesday–Thursday and 4.30pm–1am Friday–Saturday.
