The COVID-19 pandemic has taught us many things, and reminded us of plenty of advice that we've all heard for years. We're all now well and truly aware that any situation can change quickly, for instance. In the latest example to prove those words accurate, the Australian Government has moved forward its vaccine rollout plans — just a day after announcing its last fast-tracked inoculation schedule. Yesterday, Wednesday, January 6, Minister for Health Greg Hunt said that COVID-19 vaccinations would begin at the beginning of March, which was earlier than the previous date of late March (which, in turn, had been brought forward from the second quarter of 2021). Then today, Thursday, January 7, Prime Minister Scott Morrison announced in a press conference that the timeline for kicking off vaccinations has now been shifted to February. First in the queue when jabs start being administered mid-to-late next month (with an exact date yet to be revealed): frontline workers — particularly those working at hotel quarantine sites and international border checkpoints — as well as health workers and residential aged care facility residents. They'll comprise the first of five priority groups, with elderly Aussies aged over 70, Indigenous Australians over the age of 55, other health care workers, younger adults with an underlying medical condition, and other critical and high-risk workers falling into the second group. From there, adults aged 50–69, Indigenous Australians over 18 and the next tranche of critical and high-risk workers will receive the vaccination, followed by the balance of the adult population. Department of Health Secretary and former Chief Health Officer Brendan Murphy noted that children will fall into the last group. The Prime Minister also advised that that the rollout will begin with a target of giving 80,000 vaccinations per week, starting with the Pfizer-BioNTech vaccine. By the end of March, it's expected that four million Australians will have been vaccinated — with capacity ramping up once the University of Oxford-AstraZeneca vaccine is approved. Several vaccines have not only been created over the past year — much faster than the usual timeline — but have started being used in countries around the world. The latter is happening in places such as the UK and the US, where coronavirus case numbers have remained at enormous levels. In Australia, where the situation thankfully hasn't reached the same scale, the federal government has decided on a different approach. Vaccines need to be evaluated and approved locally by the Therapeutic Goods Administration before they can be rolled out anyway, and that process is currently underway for multiple different vaccines, including from Pfizer-BioNTech and University of Oxford-AstraZeneca. As the Prime Minister announced in mid-2020, vaccines will be provided to every Aussie for free when they are available. Australia currently has agreements to receive ten million doses of the Pfizer-BioNTech vaccine, which will be manufactured overseas, and 53.8 million doses of the University of Oxford-AstraZeneca vaccine, with production of the latter already starting locally. Both require two doses per person to be effective — and you have to get two doses of the same vaccine (so you can't mix and match them). If you're wondering how it'll all work logistics-wise, there'll be specific hubs to deliver the Pfizer-BioNTech vaccine — at 30–50 hospitals around the country — first up. After that, when the University of Oxford-AstraZeneca vaccine becomes available, vaccinations will be available at other sites, such as GPs and respiratory clinics. Obviously, it's expected that specific details about sites and dates will be revealed before vaccinations start in February. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
Football fans get all the fun, including the FIFA Fan Festival™️ held at Tumbalong Park, Darling Harbour from 20 July to 20 August. To support the women on the field, festival organisers are promoting Australian women's musical prowess with a lineup of excellent performers. From pop to folk and more, whatever your preferred style of music, there is sure to be an artist for you on the setlist. To give you a taste, we've picked out our favourites performing during the month-long football extravaganza. The FIFA Fan Festival™ is free and non-ticketed, meaning anyone can go. But there are capacity limits, so make sure to arrive on time to secure your spot and enjoy the extraordinary talent — on the field and the stage. JESSICA MAUBOY Aussie music sensation Jessica Mauboy, known for her captivating performances and chart-topping success, will take the stage at the FIFA Fan Festival™ on Friday, July 21 at 8pm. With an impressive 30 ARIA nominations, multiple #1 records on the singles and album charts, and a loyal following on local radio, Jessica has solidified her status as one of the nation's most beloved entertainers. She has released six Top 10 albums, achieved 16 Top 20 singles and amassed over 200 million music streams worldwide. As a trailblazing Indigenous Australian artist, Jessica made history by debuting at number one on the ARIA Album Chart. Her talent has been recognised with two ARIA Awards, 21 Platinum accreditations and nine Gold accreditations. Additionally, she has garnered accolades such as the AACTA Award, APRA Award, Australian of the Year Award, MTV Europe Music Award and the MTV Australia Music Award. Add her to your playlist and check out her live performance on Friday, July 21 at Tumbalong Park. JACK RIVER Another ARIA nominee, Jack River, is set to captivate audiences on Saturday, August 19 at 8:30pm in Tumbalong Park. Known for her sugary pop style influenced by the late-90s and early 2000s, Jack River's latest album, Endless Summer, explores the delicate balance between escapism and pragmatism. Beyond her musical talents, Jack River is a writer, entrepreneur and advocate for change. She initiated the annual Grow Your Own Festival in her hometown of Forster, promoting local and sustainable culture. And she co-founded Electric Lady — a movement empowering female acts, and curating all-women stages and festivals. Her advocacy for local music led to the viral campaign Our Soundtrack Our Stories, uniting Australia's music community and encouraging everyone to discover and support more homegrown talent. Add her to your playlist and see her perform in person on Saturday, 19 July at Tumbalong Park. MIA WRAY After stunning the crowds at Splendour in the Grass 2023, Mia Wray is set to grace the stage at the FIFA Fan Festival™ on Thursday, 20 August at 6.30pm. Known for her powerhouse vocals, compelling lyrics and infectious charisma, Mia Wray's star is rapidly rising. Her debut single 'Work For Me' gained immense traction, earning support from triple j, Spotify, Apple, and even Elton John. With five acclaimed singles, a debut EP, and notable performances, Mia Wray has become one of Australia's most exciting emerging artists. Add her to your playlist and see her at the FIFA Fan Festival™️ at 6.30pm on Thursday, 20 August at Tumbalong Park. TIA GOSTELOW Tia Gostelow is an Indigenous Australian singer-songwriter whose star burns brighter every day. Her debut album Thick Skin was nominated for Album of the Year at the 2019 National Indigenous Music Awards. She first made waves when she won Triple J's Indigenous Initiate at 16 years old. Tia's music is characterised by her heartfelt introspective lyrics, melodic indie-pop sound with some country twang, and her distinctive and soulful voice. Her third studio album Head Noise is coming this August. Come see her at Tumbalong Park before she takes that album on tour this September and October. Add her to your playlist and see her after the first quarter-final on Friday, 11 August. MIKAYLA PASTERFIELD Sydneysider Mikayla Pasterfield is performing on her home turf. Mikayla rose to prominence thanks to a little-known app called TikTok. One of her videos garnered over a million views, spearheading her onto the music scene and landing her recording contract offers from international record labels. She has since been signed by US-based Music Soup Entertainment. She describes her style as "music by a sad girl, for sad girls". Come feel your feelings before (or after) watching the Matildas in action. Add her to your playlist and see her on Friday, July 28. LITTLE GREEN A Blue Mountains girlie, Little Green once dreamt of representing Australia at the Olympics as a swimmer. But she's put down the goggles and picked up a guitar to create ethereal soothing tracks that will put you in the perfect mood for cheering on your favourite teams at the FIFA Women's World Cup. Little Green is a self-taught musician on flute, sax, guitar, piano, bass and, of course, voice. Come see which instruments she's including in her set when she performs at the FIFA Fan Festival™️. Add her to your playlist and see her at 3pm Saturday, July 29. The FIFA Women's World Cup Fan Festival™ takes place from Thursday, July 20 till Sunday, August 20 at Tumbalong Park, Darling Harbour. Check out the website for the full schedule of events.
After debuting in 2023 with Solange and Sampa The Great taking to its stages, the Art Gallery of New South Wales' Volume music series is going big again for its 2024 return. André 3000 making an Australian-exclusive stop with the Outkast rapper's experimental jazz project André 3000 New Blue Sun LIVE, Sonic Youth's Kim Gordon, Ghanaian Australian talent Genesis Owusu and Zimbabwean Australian singer-songwriter Tkay Maidza: they all lead a lineup that shouldn't just get Sydneysiders excited, but is worth travelling from the rest of the country for. Volume's main names will each play their own dates between Friday, July 5–Sunday, July 21 at The Tank, a Second World War oil tank that's been turned into a performance and art venue. It's located inside Naala Badu, AGNSW's $344-million extension that opened in late 2022 — and this is quite the way to check it out if you haven't had the chance before. [caption id="attachment_954053" align="alignnone" width="1920"] Dexter Navy[/caption] Genesis Owusu will kick off Volume across Friday, July 5–Saturday, July 6 with a visual arts-inspired show. Audiences will hear tunes from his records Smiling with No Teeth and STRUGGLER, with The Black Dog Band — aka Kirin J Callinan, Touch Sensitive and Tim Commandeur — doing the backing honours. The next weekend, on Saturday, July 13, Tkay Maidza will play her first Aussie headline show in 2024 — and she has Sweet Justice, her second album, to showcase. This is a one-night-only return to Australia for the LA-based rapper, because she's also playing Chicago's Pitchfork Music Festival in June. Kim Gordon's Aussie tour — which is also stopping at Illuminate Adelaide, as well as in Brisbane and Melbourne — will bring her to Volume on Thursday, July 18–Friday, July 19. The main focus: The Collective, her latest solo record. And on Saturday, July 20–Sunday, July 21, André 3000 New Blue Sun LIVE will wrap up the AGNSW lineup. The performance takes its name from André 3000's debut solo album, which released in 2023 — and will also feature percussionist and multi-instrumentalist Carlos Niño, and guitarist and guitar synthesist Nate Mercereau, alongside Surya Botofasina playing the keyboards, plus Deantoni Parks on synthesiser and drums. This is André 3000's first trip Down Under in ten years, with Outkast's headlining slot at 2014's Splendour in the Grass his latest live gig in Australia. [caption id="attachment_954055" align="alignnone" width="1920"] @trippydana[/caption] "We are thrilled to be inviting some of the most innovative and bold local and international musicians to The Tank to create unique music experiences that will make audiences think, feel and move. We look forward to seeing how each artist responds to this remarkable space," said Art Gallery of New South Wales Director Michael Brand. There's still more details to come for Volume, which will pair its headliners with a lineup of free events that's still to be announced. If it sounds huge, that's because it is — and both AGNSW buildings, aka north building Naala Badu and south building Naala Nura, will play host. [caption id="attachment_954056" align="alignnone" width="1920"] Bec Parsons[/caption] Volume 2024 Headliners and Dates: Friday, July 5–Saturday, July 6 — Genesis Owusu Saturday, July 13 — Tkay Maidza Thursday, July 18–Friday, July 19 — Kim Gordon Saturday, July 20–Sunday, July 21 — André 3000 New Blue Sun LIVE [caption id="attachment_880681" align="alignnone" width="1920"] The Tank space in the Art Gallery of New South Wales' new SANAA - designed building, 2022, photo © Art Gallery of New South Wales, Jenni Carter[/caption] Volume 2024 runs from Friday, July 5–Sunday, July 21 at the Art Gallery of New South Wales, with ticket presales from 11am on Tuesday, May 21 and general sales from 11am on Wednesday, May 22 — head to the festival website for further details. Top image: Sven Mandel via Wikimedia Commons.
If you've been hangin' out down the street again, getting a huge blast from the past from That '90s Show in two ways — as a sequel series to That '70s Show and as a jump back to its titular decade — then you've been enjoying one of 2023's most easy-to-binge new shows so far. And, you can now make a future date to do the same old thing you did over the past few weeks. This follow-up is keeping on keeping on itself, with Netflix renewing That '90s Show for season two. "Going to Point Place last season was a real treat for all of us. We're thrilled to return," said co-creator and executive producer Lindsey Turner to Netflix's Tudum website. "We here in Point Place are thrilled that we're doing a second season," added co-creators and executive producers Bonnie and Terry Turner, who were also behind That '70s Show (and, fitting the multigenerational theme of the ongoing franchise, are Lindsey Turner's parents). "We'd like to thank all of the fans old and new for tuning in. We're truly grateful," they continued. That '90s Show's first season hit Netflix in mid-January, arriving 17 years after its predecessor wrapped up after running from 1998–2006 — and bringing a new take on That '70s Show's Cheap Trick-sung opening theme tune along with it. This time, teenager Leia Forman (Callie Haverda, The Lost Husband) and her friends are the focus, after she decides to spend the summer of 1995 saying "hello Wisconsin!" at her grandparents Kitty (Debra Jo Rupp, WandaVision) and Red's (Kurtwood Smith, The Dropout) house. Accustomed to feeling like she doesn't fit in back in Chicago, Leia — the daughter of Eric Forman (Topher Grace, Home Economics) and Donna Pinciotti (Laura Prepon, Orange Is the New Black) — finds a much-needed connection during her Point Place stay. That's where the elder Formans' neighbours Gwen (Ashley Aufderheide, Four Kids and It) and Nate (Maxwell Acee Donovan, Gabby Duran & The Unsittables) come in, as well as Michael Kelso (Ashton Kutcher, Vengeance) and Jackie Burkhart's (Mila Kunis, Luckiest Girl Alive) son Jay (Mace Coronel, Colin in Black & White), plus the witty Ozzie (Reyn Doi, Barb and Star Go to Vista Del Mar) and Nate's super-smart girlfriend Nikki (Sam Morelos, Forgetting Nobody). While Rupp and Smith are main cast members again in That '90s Show, the bulk of the OG crew — including Wilmer Valderrama (NCIS) and Tommy Chong (Color Out of Space) — only make brief appearances. That '90s Show's overall formula is the same, but it's firmly devoted the new group of high schoolers making the most of the Forman family basement. Netflix hasn't announced when That '90s Show will return for season two but, when it does, the series will be set during the next summer. "We can't wait to return to Point Place for another summer of laughs and surprises. Hello, 1996!," said co-creator, executive producer and showrunner Gregg Mettler. Check out the trailer for That '90s Show below: That '90s Show streams via Netflix. Read our full review of season one. Images: Patrick Wymore/Netflix © 2022.
A coffee cup you're actually encouraged to throw on the ground? Tossers, this is your moment. After acknowledging people are jerks and will continue to litter to their hearts content, Californian environmental organisation Reduce. Reuse. Grow. has created a biodegradable coffee cup, embedded with seeds from local native plants. So if you're one of those straight-up idiots who likes to chuck their cup, you won't be adding to the already existing waste in the natural environment. It's a brand new project sitting on Kickstarter, with Reduce. Reuse. Grow. attempting to raise a mere US$10,000 to fund the seed cups. So how does it work? Specific to the Californian landscape, the cups decompose within 180 days, letting the seeds of local redwood trees and poppy flowers find their way to the soil. So you're left with new seedlings and no remnants of a latte in sight. Although the concept is a purely American one — a little drawing of a state lets you know where the seeds are native to — here's hoping there's enough interest for an international range, or an Australian company picks it up. The Reduce. Reuse. Grow. team have created the cups in an a attempt to take recyclable cups even further. "In America we discard over 146 billion cups from coffee consumption annually," say the team on their Kickstarter page. "Even when we think we are recycling and doing a good deed, the paper itself within these products can only be reused two to three times before the fibres are unusable and discarded into local landfills without consumer's knowing. It is time to consume smarter." Importantly, not everyone is going bush just to throw a litter party. The Reduce. Reuse. Grow. team have already thought of this. The team have suggested cafes creating a designated bin for the seed cups, one the crew themselves would pick up and dump in spots in dire need of new vegetation. Or you can just plant the cup yourself, after soaking it in water for five minutes. Apparently the seeds from one cup could extract over one tonne of CO2, so we're hoping native Australian seeds are next for the plantable cups. Check out the Reduce. Reuse. Grow. Kickstarter page over here. Via Fast Company.
There's something about having the sting of chipotle on your lips and the fun of a tortilla packet in your hands. In Sydney we'll slam down Mexican food at any time of year, but in summer, we're positively loco for it. So it's a good thing that Dan Hong is opening an outpost of Surry Hills' popular-at-all-hours El Loco waterside at the foot of the Sydney Opera House throughout January. The pop-up cantina will serve a concise $6-10 menu of made-to-order tacos as well as their signature hot dogs, now in both adult and kid sizes perfect for a snack. It's the ideal side order to a night of entertainment during Summer at the House (which you might enjoy last minute for just $25) or just a few hours spent soaking up one of the city's finest views and staring down Circular Quay's brazen seagulls. Wander up to the Upper Podium of the House to check out the Cove cocktail bar, a nod to the Great Gatsby that's also open from January 4-28.
Everyone's 2022 streaming obsession is mere months away from making our comeback, bringing all those beef sandwich cravings along with it. After proving one of the best new shows of 2022, and also increasing the amount of times that "yes chef!" is yelled by approximately 75,000 percent, The Bear will return this winter. To whet appetites, it has just served up its first teaser trailer for its second season, too. When season two arrives, don't expect to slide back into The Bear's kitchen chaos like no time has passed, though. As this debut sneak peek shows, things have changed at the show's central sandwich shop. That won't come as a surprise if you've watched season one, of course — and where the Golden Globe-winning series is going from here hasn't yet been revealed. The Bear was renewed for season two before the show even made its way Down Under, after debuting in the US last June, then reaching Australia and New Zealand via Disney+ at the end of August. Given that it's now a huge hit, here's hoping that audiences here won't experience a delay again this time around when it hits the US in June again. This go-around will span ten episodes, giving viewers two extra servings of chaos surrounding Carmen 'Carmy' Berzatto (Jeremy Allen White, Shameless) and his culinary endeavours. While season one already saddled him more than his fair share of troubles and struggles, there's no way that season two is going to a cruisy dream for the kitchen ace. If you missed the first season, it jumped into the mayhem after Carmy took over The Original Beef of Chicagoland, his family's business, after his brother Mikey's (Jon Bernthal, We Own This City) suicide. Before returning home, the chef's resume spanned Noma and The French Laundry, as well as awards and acclaim. Accordingly, trying to bring that fine-dining level of meticulous to a neighbourhood sandwich shop didn't go smoothly. That's just the beginning of the story, in a series that truly conveyed what it's like to work in the hospitality industry — including navigating a restaurant kitchen's non-stop intensity. Yes, the mood is anxious from the outset, with The Bear's creator Christopher Storer (who also has Ramy, Dickinson and Bo Burnham: Make Happy on his resume) starting the series as he definitely meant to go on, but still expertly managing to balance drama and comedy. Also a crucial part of the show: the rest of the impressive cast, such as Ebon Moss-Bachrach (The Dropout) as Richie, aka Cousin, aka Carmy's brother's best friend; Ayo Edebiri (Dickinson) as new sous chef Sydney; Abby Elliott (Indebted) as Carmy's sister Natalie, aka Sugar; and Lionel Boyce (Hap and Leonard), Liza Colón-Zayas (In Treatment) and Edwin Lee Gibson (Fargo) among the other Original Beef staff. Check out the first teaser trailer for The Bear season two below: The Bear streams via Disney+, with season two set to return in June — we'll update you with an exact season two release date when one is announced. Read our full review of season one. Top image: Matt Dinerstein/FX.
Canberra music, food and art festival Spilt Milk is set to return to the capital this November, celebrating its third outing with a suitably huge lineup, announced this morning. Heading up the bill is none other than US hip hop star Childish Gambino, fresh off the back of a #1 Billboard Charts debut for his single This Is America. He hasn't yet announced any other Australian shows, but Spilt Milk isn't billing his appearance as an exclusive, so chances are he'll announce at least a few more shows. (We've still got out fingers crossed that he bring his Pharos festival here after New Zealand.) He'll be joined at the capital's Commonwealth Park on November 17 by fellow international stars, UK pop legends The Wombats and LA producer RL Grime. There's also plenty of homegrown goodness on the menu, with the likes of Sydney singer-songwriter Vera Blue, indie-pop sensation Jack River, dance floor darling Hayden James and Canberra's own high-energy duo Peking Duk all set to take the Spilt Milk stage. But the musical lineup's not to be outdone by the rest of the program, with a ripper serve of visual art, tasty eats and pop-up bars on the cards. Get ready for a multisensory feast, as Hamburg-based artist Stefanie Thiele leads a team of local talent in creating a wondrous playground of installations and art experiences. And keep those taste buds satisfied throughout the day, with eats from the likes of Dirty Bird Food Truck, Bao Brothers, Happy As Larry and Chur Burger. If you fancy being a part of Spilt Milk round three, you'd best not dilly dally — the festival's debut event in 2016 sold out in a mere 18 minutes, while the following year's tickets were all snapped up within nine minutes. This year, Canberra locals will get first dibs, with Homegrown tickets on sale July 1. After that, pre-sale tickets will be available Australia-wide from noon on July 3, with a general admission release on sale at 12pm, Thursday, July 5. In the meantime, here's what you came for — the full lineup for Spilt Milk 2018. SPILT MILK 2018 LINEUP Blanke Camouflage Rose Channel Tres Childish Gambino Cub Sport Ebony Boadu Hatchie Hayden James Jack River Kinder Kira Puru Kwame Manu Crook$ Methyl Ethel Miss Blanks Moaning Lisa Peking Duk RL Grime Rolling Blackouts Coastal Fever Shockone Skeggs Thandi Phoenix The Jungle Giants The Wombats Thundamentals Vera Blue Willaris. K YG ARTISTS Faith Kerehona JBR Roskoe Stefanie Thiele VOIR (With more to be announced) FOOD Bao Brothers Eatery Chur Burger Dirty Bird Food Truck Happy As Larry Sofrito Paella Spilt Milk Festival will run on Saturday, November 17 at Commonwealth Park, Canberra. Tickets go on sale next week at spilt-milk.com.au. Image: Cole Bennetts.
As the nation emerges from weeks spent fretting over the fates of the latest few thousand schoolies, do you get the impression that young women's sexuality is somehow everybody's business? Spend a little more time with that idea in Mariage Blanc, a 1975 play by Poland's Tadeusz Rozewicz which doesn't cease to be relevant. It follows two sisters as they prepare for the wedding of one and as they make wildly different discoveries about sex. The play has been made over by two exciting theatrical talents, writer Melissa Bubnic (Patrick White Playwrights' Award winner for Beached) and new STC resident director Sarah Giles. Katie McDonald, Paige Gardiner, and Sacha Horler star.
Pilot and architect by trade, Massachusetts-based photographer Alex S. MacLean knows a thing or two about perspective. Taking a bird's eye view of theme parks, tennis courts, playgrounds and waterslides in the US, MacLean's latest series Playing is a playful reminder of the surrealist, hedonist nature of leisure time. Water parks, tennis courts, putt putt courses, basketball courts, public pools — we've gotten pretty good at adapting to climate, taking advantage of natural geographical perks and building the ultimate escapist fun houses for our selves. MacLean explores about the dynamic relationship the constructed American landscape and the idea of play — we continue to build playgrounds well after our playdates have turned to wine dates. So, taking cues from MacLean and his whole Playing collection, I guess you could say there's a bunch of concrete... playgrounds... out there. Yeeeop. Concrete. Playgrounds... Via Fast Company and Design Wreck. Images courtesy the artist.
Plenty happens at an awards ceremony. For 2024's second round of Emmys — the first took place in January, after the 2023 event was postponed from its usual September timing during Hollywood's writers' and actors' strikes — history was made before the glitzy televised ceremony even happened. At the Creative Arts Emmys, Shōgun picked up 14 awards, making it the most-decorated show in a single season ever. The love for the series continued on Monday, September 16, 2024, and rightly so, with the historical Japanese drama also nabbing four more gongs: for outstanding drama series, directing, lead actor and lead actress. The Bear also won big again in the comedy categories — after hosts and Schitt's Creek favourites Eugene and Dan Levy joked in their opening monologue that, in the true spirit of the dramedy, they wouldn't be making any jokes in their gig. The pair's opening remarks spanned everything from calling out the number of movie stars now popping up on streaming series to noting how often Nicole Kidman (The Perfect Couple) graces the small screen these day. Baby Reindeer "sent from my iphonn" gags and recognising that it took three seasons for the Emmys to even nominate the sublime Reservation Dogs also helped get the ceremony started. A Schitt's Creek reunion, Jeremy Allen White advising that The Bear changed his life, Murphy Brown great Candice Bergen meowing, a tribute to Saturday Night Live's 50th year, a Happy Days ode with Henry Winkler punching a jukebox, John Leguizamo celebrating diversity: they all happened once the night started flowing. So did Fargo's Lamorne Morris telling The Sympathizer's Robert Downey Jr he has a poster of him in his house, Slow Horses' Will Smith riffing on the fact that he's not that other Will Smith, Brendan Hunt going all Coach Beard, Joshua Jackson's reaction to 'I Don't Want to Wait' from Dawson's Creek playing him on and familiar faces from The West Wing all together. At the first post-Succession Emmys, the list of winners is similarly hefty. While a few shows went home with multiple statuettes — including Shōgun, The Bear, Baby Reindeer and Hacks — the list of recipients also spans Slow Horses, True Detective: Night Country, Ripley and Fargo. And, thanks to The Crown, Australia was represented among the accolades with Elizabeth Debicki emerging victorious for playing Princess Diana. As always, if a nominated series didn't end up with its stars or creators on the Emmys stage, that doesn't mean it wasn't ace. Cases in point: Only Murders in the Building, Reservation Dogs, Mr & Mrs Smith, Abbott Elementary, Lessons in Chemistry, Loot, Palm Royale, Fallout and more. What did nab a trophy? Who else was in contention? We've got that covered. Here's a rundown of the awards handed out at the main ceremony, plus the nominees competing for them — and you can check out nine winning shows that you should watch ASAP, too. Emmy Nominees and Winners 2024: Outstanding Drama Series The Crown Fallout The Gilded Age The Morning Show Mr & Mrs Smith Shōgun — WINNER Slow Horses 3 Body Problem Outstanding Comedy Series Abbott Elementary The Bear Curb Your Enthusiasm Hacks — WINNER Only Murders in the Building Palm Royale Reservation Dogs What We Do in the Shadows Outstanding Limited or Anthology Series Baby Reindeer — WINNER Fargo Lessons in Chemistry Ripley True Detective: Night Country Lead Actor in a Drama Series Idris Elba, Hijack Donald Glover, Mr & Mrs Smith Walton Goggins, Fallout Gary Oldman, Slow Horses Hiroyuki Sanada, Shōgun — WINNER Dominic West, The Crown Lead Actress in a Drama Series Jennifer Aniston, The Morning Show Carrie Coon, The Gilded Age Maya Erskine, Mr & Mrs Smith Anna Sawai, Shōgun — WINNER Imelda Staunton, The Crown Reese Witherspoon, The Morning Show Lead Actor in a Comedy Series Matt Berry, What We Do in the Shadows Larry David, Curb Your Enthusiasm Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jeremy Allen White, The Bear — WINNER D'Pharaoh Woon-A-Tai, Reservation Dogs Lead Actress in a Comedy Series Quinta Brunson, Abbott Elementary Ayo Edebiri, The Bear Selena Gomez, Only Murders in the Building Maya Rudolph, Loot Jean Smart, Hacks — WINNER Kristen Wiig, Palm Royale Lead Actor in a Limited or Anthology Series or Movie Matt Bomer, Fellow Travelers Jon Hamm, Fargo Tom Hollander, Feud: Capote vs The Swans Richard Gadd, Baby Reindeer — WINNER Andrew Scott, Ripley Lead Actress in a Limited or Anthology Series or Movie Jodie Foster, True Detective: Night Country — WINNER Brie Larson, Lessons in Chemistry Juno Temple, Fargo Sophia Vergara, Griselda Naomi Watts, Feud: Capote vs The Swans Supporting Actor in a Drama Series Tadanobu Asano, Shōgun Jon Hamm, The Morning Show Mark Duplass, The Morning Show Billy Crudup, The Morning Show — WINNER Takehiro Hira, Shōgun Jack Lowden, Slow Horses Jonathan Pryce, The Crown Supporting Actress in a Actor in a Drama Series Christine Baranski, The Gilded Age Nicole Beharie, The Morning Show Elizabeth Debicki, The Crown — WINNER Greta Lee, The Morning Show Lesley Manville, The Crown Karen Pittman, The Morning Show Holland Taylor, The Morning Show Supporting Actor in a Comedy Series Lionel Boyce, The Bear Paul W Downs, Hacks Ebon Moss-Bachrach, The Bear — WINNER Paul Rudd, Only Murders in the Building Tyler James Williams, Abbott Elementary Bowen Yang, Saturday Night Live Supporting Actress in a Actor in a Comedy Series Carol Burnett, Palm Royale Liza Colón-Zayas, The Bear — WINNER Hannah Einbinder, Hacks Janelle James, Abbott Elementary Sheryl Lee Ralph, Abbott Elementary Meryl Streep, Only Murders in the Building Supporting Actor in a Limited or Anthology Series or Movie Jonathan Bailey, Fellow Travelers Robert Downey Jr, The Sympathizer Tom Goodman-Hill, Baby Reindeer John Hawkes, True Detective: Night Country Lamorne Morris, Fargo — WINNER Lewis Pullman, Lessons in Chemistry Treat Williams, Feud: Capote vs The Swans Supporting Actress in a Limited or Anthology Series or Movie Dakota Fanning, Ripley Lily Gladstone, Under the Bridge Jessica Gunning, Baby Reindeer — WINNER Aja Naomi King, Lessons in Chemistry Diane Lane, Feud: Capote vs The Swans Nava Mau, Baby Reindeer Kali Reis, True Detective: Night Country Directing for a Drama Series Stephen Daldry, The Crown Mimi Leder, The Morning Show Hiro Murai, Mr & Mrs Smith Frederick EO Toye, Shōgun — WINNER Saul Metzstein, Slow Horses Salli Richardson-Whitfield, Winning Time: The Rise of the Lakers Dynasty Directing for a Comedy Series Randall Einhorn, Abbott Elementary Christopher Storer, The Bear — WINNER Guy Ritchie, The Gentlemen Lucia Aniello, Hacks Mary Lou Belli, The Ms Pat Show Directing for a Limited or Anthology Series or Movie Weronika Tofilska, Baby Reindeer Noah Hawley, Fargo Gus Van Sant, Feud: Capote vs The Swans Millicent Shelton, Lessons in Chemistry Steven Zaillian, Ripley — WINNER Issa Lopez, True Detective: Night Country Writing for a Drama Series Peter Morgan and Meriel Sheibani-Clare, The Crown Geneva Robertson-Dworet and Graham Wagner, Fallout Francesca Sloane and Donald Glover, Mr & Mrs Smith Rachel Kondo and Justin Marks, Shōgun Rachel Kondo and Caillin Puente, Shōgun Will Smith, Slow Horses — WINNER Writing for a Comedy Series Quinta Brunson, Abbott Elementary Christopher Storer and Joanna Calo, The Bear Meredith Scardino and Sam Means, Girls5eva Lucia Aniello, Paul W Downs and Jen Statsky, Hacks — WINNER Chris Kelly and Sarah Schneider, The Other Two Jake Bender and Zach Dunn, What We Do in the Shadows Writing for a Limited or Anthology Series or Movie Richard Gadd, Baby Reindeer — WINNER Charlie Brooker, Black Mirror Noah Hawley, Fargo Ron Nyswaner, Fellow Travelers Steven Zaillian, Ripley Issa Lopez, True Detective: Night Country Writing for a Variety Special Alex Edelman: Just for Us — WINNER Jacqueline Novak: Get on Your Knees John Early: Now More Than Ever Mike Birbiglia: The Old Man and the Pool The Oscars Outstanding Reality Competition Program RuPaul's Drag Race The Amazing Race The Traitors — WINNER The Voice Top Chef Outstanding Scripted Variety Series Last Week Tonight with John Oliver — WINNER Saturday Night Live Outstanding Talk Series The Daily Show — WINNER Jimmy Kimmel Live! Late Night with Seth Meyers The Late Show with Stephen Colbert The 2024 Emmy Awards took place on Monday, September 16, Australian time. For further details, head to the Emmys' website.
Benito Antonio Martínez Ocasio has won three Grammys and 11 Latin Grammys, starred in Bullet Train and hosted Saturday Night Live, among plenty of other achievements, but he hasn't hit the stage in Australia — yet. By the time that summer 2025–26 is out, Bad Bunny will tick a trip Down Under off of his list, after announcing that his new DeBÍ TiRAR MáS FOToS world tour includes a visit to Sydney. Locking in dates in the Dominican Republic, Costa Rica, Colombia, Mexico, Peru, Chile, Argentina, Brazil, Japan, Spain, Portugal, Germany, Netherlands, United Kingdom, France, Sweden, Poland, Italy and Belgium, too, Bad Bunny has confirmed 23 shows between November 2025–July 2026 so far. Named for his latest album, which released in January this year and spent three weeks in a row atop the Billboard 200 chart, the tour will see him become the first Latin act to headline stadiums globally. Only one stop on Bad Bunny's jaunt around the planet is Australia, however: at ENGIE Stadium in the Harbour City on Saturday, February 28. He's playing the New South Wales capital in-between dates in Brazil and Japan, two other countries where the 'Mia', 'Callaíta', 'Qué Pretendes' and 'Vete' singer will perform live for the first time ever. The Puerto Rican superstar's global jaunt will follow his upcoming No Me Quiero Ir de Aquí gigs, a 30-date residency at José Miguel Agrelot Coliseum in his homeland. Before that, he toured North America in 2024, and both North and Latin America in 2022. His DeBÍ TiRAR MáS FOToS shows will take him to Europe for the first time since his 2019 X 100pre tour. On the charts, DeBÍ TiRAR MáS FOToS, his sixth album, has kept garnering love — also sitting in the Billboard 200 top ten for 13 weeks, taking the number-one slot on Billboard's Latin Albums chart for 16 consecutive weeks and helping him become the first-ever Latin artist with 100 Billboard Hot 100 entries. Before both his No Me Quiero Ir de Aquí residency and DeBÍ TiRAR MáS FOToS world tour, Bad Bunny also has another date with SNL, this time as the musical guest on the season 50 finale that's being hosted by Scarlett Johansson (Fly Me to the Moon). Bad Bunny DeBÍ TiRAR MáS FOToS World Tour 2026 Australian Date Saturday, February 28 — ENGIE Stadium, Sydney Bad Bunny is playing ENGIE Stadium in Sydney on Saturday, February 28, 2026, with presales from 10am on Thursday, May 8, 2025 and general sales from 11am on Friday, May 9. Head to the tour website for more details.
The future of wearable technology is like thinking about the universe: the possibilities of what could be discovered are endless. But it's annoying enough to integrate an Apple Watch or a Fitbit into your life, let alone walk around wearing weird spy cam glasses all the time, ala Google Glass. Seriously, no one want to be that guy. But what if you could simply attach this technology to your skin with, say, a small temporary tattoo? Well, that sound pretty good to us, and Austin-based mobile development company, Chaotic Moon, are trying to make it happen. The technology, dubbed Tech Tats, are temporary electronic tattoos that would live on top of the wearer's skin, and use the skin as an interface. The tattoo holds an ATiny85 microcontroller, which stores and receives data from temperature sensors via electroconductive paint to interact with your body. "Everyone has this idea of the future as this guy with Google Glass and the Apple Watch and five Fitbits," EricSchneider, Chaotic Moon's Creative Technologist says. "But the goal is really wearable technology that you can’t even see." As well as tracking your movements and fitness, and storing your credit card details and so on, the tats would also be able to monitor your vital signs an send that data to your phone — or even your doctor. The technology is just a prototype at the moment, but it isn't too hard see this coming to life sooner rather than later. Chaotic Moon have said — if the product gets to the public — they want to keep the price point accessible, perhaps even selling the Tech Tats in packages, like Band-Aids. It seems like a happy medium between clunky, wearable technology and getting microchips implanted under the skin — we don't want to go full robot just yet. Via Motherboard.
Have you ever wanted to send something suggestive in the mail, but thought a bag of penis-shaped gummy lollies was just a little too on the nose? In that case, we might have just the service for you. Inspired by everybody's (apparently) favourite vegetable emoji, Eggplants Express lets users mail an eggplant to anywhere in the country. You can send it anonymously, or with a personalised greeting scrawled right onto the aubergine itself. "It's real," founder Anthony Daniel tells Concrete Playground, when we call to inquire whether the whole thing is a sham. Apparently he had the idea after forgetting to arrange a gift for his girlfriend on their anniversary. "I didn't want it to be flowers again," explains Daniel. "We always joke about the eggplant emoji, which is how I came up with the idea of an anonymous eggplant." How, uh, romantic? Asked who he saw as the target audience for his service (which is very similar to Eggplant Mail in the US), Daniel admits it's probably best suited to folks who are in on the joke. "It's for people that understand the emoji," he says. "If I sent it to my father, he probably wouldn't get it." He also asks that you refrain from using their service to harass people (come to think of it, having an eggplant show up on your doorstep does seem vaguely ominous). Although Daniel sources his produce fresh from Sydney Markets in Flemington, a disclaimer on the website warns against actually eating them. Which brings up the bigger issue of food waste — is the joke worth wasting a fine bounty of perfectly-edible eggplants? We're not so sure. If we're going to receive an eggplant in the mail, we at least want to be able to eat it for dinner. For more information visit eggplantsexpress.com.au. Image: Lufa Farms via Wikimedia Commons.
Each year, the folks at Sydney-based film festival organisers Queer Screen ask an excellent question, and answer it in the best way possible. That query: what's better than one queer-focused film festival popping up every 12 months? The response: two, of course. Here's another train of thought that the crew have been posing, too: what's better than two celebrations of LGBTQIA+ cinema in Harbour City picture palaces? The solution here: sharing the love by taking the movie-worshipping online nationally. Queer Screen runs the Mardi Gras Film Festival during the first half of every year, so that's been and gone for 2023. It also gives cinephiles the Queer Screen Film Fest later each year — and that's next on the agenda. This isn't any old QSFF, either. It's the event's tenth anniversary, and the fest is marking that milestone with more than 30 films, plus that online component for audiences across Australia. For those playing along in-person, the physical fest runs from Wednesday, August 23–Sunday, August 27 at Event Cinemas George Street. For people on the couch, you'll have until Sunday, September 3 to get streaming. And that 30-plus films includes ten narrative features, three documentary features, four retrospective flicks getting encores, two TV shows and 19 shorts from 11 different countries. There's more range if you hit up a cinema rather than your television, but it's a mighty impressive lineup all the same. Opening the Sydney sessions is Blue Jean, a four-time British Independent Film Award-winner about a lesbian teacher in Thatcher's England — and, at the other end of the fest, Theatre Camp will close out QSFF 2023 with a crowd-pleasing comedy about loving the stage, as starring and co-written and co-directed by Booksmart and The Bear's Molly Gordon. Elsewhere, the lineup includes Cannes Palm d'Or-winning Shoplifters filmmaker Hirokazu Kore-eda's Monster, which picked up this year's Queer Palm; Marinette, about soccer legend Marinette Pichon (and, yes, arriving just after the Women's World Cup); Busan International Film Festival hit Peafowl, about a Korean trans woman's homecoming; and Medusa Deluxe, which jumps into a hairstyle competition. There's also the Berlin-set Drifter, page-to-screen drama Lie with Me and Indigo Girls doco It's Only Life After All, plus the AIDS in Hollywood-focused Commitment to Life. Or, heading back into sports, Equal the Contest follows regional women's Australian rules football team Mount Alexander Falcons in an exploration of the barriers still faced for women and gender-diverse people on the field.
If you've been out of the loop so far, Concrete Playground and the Sydney Film Festival have this year teamed up to give some very lucky readers double passes to a selection of some of the most exciting films screening this year. Last week we gave away the first prize pack, and this week we bring you the next, with tickets available for Alps, Once Upon A Time In Anatolia, Today, For Ellen and Love Lasts Three Years. If you're keen on being in the running, first make sure you are subscribed to Concrete Playground, then email your name and film preference to hello@concreteplayground.com.au Love Lasts Three Years - 6.45pm on June 12 After his wife leaves him for a more successful man, Marronier writes a bestseller denouncing love. Then he meets Alice, who changes his mind about the whole 'love' thing, and he must spend all of his time trying to prove his book wrong. Alps - 12.20pm on June 13 From the maker of Dogtooth and the newest film from the Greek Weird Wave comes the story of a super secret club whose members go into the homes of the recently bereaved, impersonating their deceased loved ones, in what's one part therapy, one part theatre of the absurd and one part prostitution. Today - 6.15pm on June 13 Today is a Senegalese magic realist film following Satché, who wakes up inexplicably aware that today is the day he's going to die. As he spends the day wandering his town, the big question is why he ever returned to Senegal from America, where he might have had a future. https://youtube.com/watch?v=4jKgHqU1jrs Once Upon A Time In Anatolia - 6pm on June 14 Winner of the Grand Prix at the 2012 Cannes Film Festival, following a group of men going out in search of the corpse of a murdered man, where every marginal conversation about ethics, cheese and death brings them one step closer to uncovering the killer. For Ellen - 8.45pm on June 15 Paul Dano plays a struggling musician with dreams of grandeur, who in finally agreeing to divorce his estranged wife realises he is forfeiting custody rights to his six -year-old daughter, Ellen, who he hasn't seen much of to begin with. The film follows his attempt to connect with his daughter before time runs out.
When Splendour in the Grass made a comeback in 2022 after two pandemic-affected years, it was hugely anticipated. Due to wet weather and flooding, however, the event's big return sadly turned into Splendour in the Mud — Splendour in the Pool, too. That didn't work out well for the festival's 20th birthday, but organisers are hoping its 21st will be better, locking in July dates for its 2023 run. Pop Friday, July 21–Sunday, July 23 in your calendar, and start searching for your gumboots now — while hopefully this year's fest won't be as boggy, sturdy footwear is always a Splendour must. As usual, the fest is returning to North Byron Bay Parklands for its latest big birthday party. If you're wondering who'll be on the bill, though, that hasn't yet been revealed. [caption id="attachment_891058" align="alignnone" width="1920"] Dave Kan[/caption] Pre-COVID-19, Splendour's lineups would start dropping between February and April, so expect further details soon. So far, the fest crew has advised that 2023's event will feature "the world's most prolific artists and national music treasures" if you want to start speculating. Splendour's confirmed 2023 dates arrive a week after the festival crew issued an apology for 2022's event, stating that "Splendour in the Grass 2022 was, without a doubt the most challenging and difficult year ever... it was not what any of us wanted". [caption id="attachment_891057" align="alignnone" width="1920"] Claudia Ciapocha[/caption] "While we can't control the weather, we can manage how we respond and for that we are deeply sorry. We thank all of you who took the time to complete our survey and share your experience at Splendour 2022," the festival team continued. "We want you to know we have listened to your feedback and we have acted from all that we learned. We continue to work furiously behind the scenes to make #SITG23 the sweetest, most comfortable and exciting music festival to date with the best experience possible for you, the local community and all who participate in the event." [caption id="attachment_891055" align="alignnone" width="1920"] Charlie Hardy[/caption] Ahead of the 2023 lineup announcement, Splendour Member applications are now open for guaranteed tickets in a dedicated presale. To qualify, you need to have purchased tickets and attended Splendour five times or more. And, if approved, you can buy up to four tickets. If that's you, you've got until 5pm AEDT on Friday, March 10 to register. [caption id="attachment_891054" align="alignnone" width="1920"] Ian Laidlaw[/caption] Splendour in the Grass will take over North Byron Bay Parklands from Friday, July 21–Sunday, July 23, 2023. We'll update you with the lineup details when they're announced. For more information in the interim, head to the festival website. Top image: Jess Gleeson.
Liam Neeson is back, along with a very particular set of skills that he'll use to separate film-goers from their money. The third film in the Luc Besson-produced action series, Taken 3 once again sees ex-special forces operative Bryan Mills wreak havoc on a group of Eastern European gangsters, all in the name of protecting his wife and daughter. To their minimal credit, screenwriters Besson and Robert Mark Kamen at least try to break the mould a little, inasmuch as Taken 3 doesn't feel like a carbon copy of the original as the second movie did. Even so, there's no forgiving their tin-eared dialogue and wafer-thin storyline, not to mention the fact that director Olivier Megaton still doesn't know how to frame or edit an action scene. Not that that last point necessarily matters as much as you'd think, given that, for what is supposedly an action movie, Taken 3 contains very little action. Most of the first act is instead dedicated to Mills bumbling through a series of family problems, first botching a birthday gift to his daughter Kim (Maggie Grace) and then providing marriage counselling to his ex-wife Lenore (Famke Jensen), whose marriage to rich dickhead Stuart (Dougray Scott) is on the rocks. Say what you will about his skull-shattering prowess; as an actual father and husband, this guy kind of blows. Luckily, he doesn't have to worry about that for long, because before you can say "cheap plot device", someone comes along and cuts Lenore's throat. Even worse, they frame poor old Bryan for the murder. The rest of film sees him running around Los Angeles in pursuit of the actual killers, while at the same time avoiding capture by LAPD Detective Franck Dotzler (Forest Whitaker) — a cop whose habit of constantly fiddling with a chess piece is meant to paint him as some kind of eccentric investigative genius, despite the fact that he basically spends the whole movie at least three steps behind his suspect. Of course stupid and/or lazy writing wouldn't be so much of a problem if the film supplied us with decent action — after all, just look at John Wick. Yet despite this being Megaton's fifth time behind the wheel of a shoot-'em-up actioner, his execution of the film's chase and shootout sequences can only be described as incompetent. Flailing handheld camerawork, frantic over-editing and claustrophobic close-ups make it basically impossible to distinguish Miles from his enemies, or to decipher the geography of a given scene. It's ugly, frustrating and totally lacking in tension, and makes the film’s scant 93-minute runtime feel a good fifteen minutes too long.
New Zealand's seven member band, Fat Freddy's Drop, will be coming to the Sydney Opera House to present their animated and illustrated Blackbird album preview. Critically acclaimed, the 'seven- headed soul monster' will take the stage with New Zealand graffiti artist, Otis Frizzell, who will be creating artwork during the performance. In 2005 Fat Freddy's Drop released their debut album, Based On A True Story, which went gold on release and became the first independently distributed album to hit number one on the New Zealand Album Charts. Reaching nine-times platinum, the album holds the record for the highest-selling album by a New Zealand artist in the country's history. Renowned world-wide for their brilliant live performances and funky mix of dub, reggae, soul, jazz, rhythm and blues, and techno, the band has sold out tours in the UK, Europe and Australia. The show is bound to impress with two preview performances of the band's yet-to-be-released new fourth album, Blackbird, and the work of New Zealand's highest profile graffiti artist. The show is part of the Sydney Opera House third annual Graphic Festival on Saturday, November 10. Thanks to the Sydney Opera House, Concrete Playground has five double passes to giveaway. To go in the running just subscribe to Concrete Playground (if you haven't already) then email hello@concreteplayground.com.au
With the recent mammoth announcement for this year's Splendour in The Grass, there's no doubt that some punters are already planning their list of must-sees and bathing in anxiety over possible timetable clashes. With this being said, we at Concrete Playground have compiled our list of the five most essential acts to catch at this year's Splendour instalment. Keeping in mind that there's a tonne of bands on the line-up, and we only have space for five, so don't be upset if we haven't included your most respected idols. However, feel free to hurl abuse and/or musical knowledge in the comments section. Have a look at our picks below. Who knows, you might find your new favourite artist. 1. AT THE DRIVE-IN While The Mars Volta and Sparta both have their dedicated fanbases, neither group comes close to matching the sheer power of post-hardcore powerhouse At The Drive-In. Minds were blown when the group reformed and appeared on the line-up for this year's Coachella festival, and now Australian fans will also be treated to the live experience. With an abundance of afros, quirky dance moves and furious convulsion-inducing tracks, this will be nothing short of epic. Please, for the love of God, see this band. 2. SMASHING PUMPKINS If you're still fond of the dreary teenage years that you spent smoking cigarettes and hating "the man," then Smashing Pumpkins will be right up your alley. As one of the biggest alternative bands to hit the nineties, their appearance will undoubtedly draw alot of older, angrier people to Splendour this year. Even if you hate their music, you should go along, stand in the front row and yell multiple quotes from the Simpsons episode that they featured in. 3. THE SHINS Having appeared on The OC and the roster of the highly-regarded Sup Pop Records, The Shins have become a staple in every hipsters iTunes library. Crafting indie tunes with youthful pop appeal, the sheer catchiness of their catalogue will resonate well with audiences at Splendour. Having just released their fourth album Port of Morrow earlier this year, fans can expect a slice of fresh material as well as old favourites. 4. AZEALIA BANKS Azealia Banks comes straight outta New York - the same city that produced vicious female emcees like Lil' Kim, Remy Ma and Foxy Brown. Banks has been one of the most hyped artists of 2012, having collaborated with production heroes Major Lazer and gaining recognition on BBC and NME. If you ever need proof that females can spit a verse, catch Banks in her element at Splendour. Alternatively, you could go see Nicki Minaj when she visits in May - but I don't think that's as acceptable. 5. SEEKAE This electronica trio have been causing significant waves over the past few years, and their inclusion on this year's line-up is indicative of their rising popularity. From their humble beginnings in Sydney's indie scene, they've grown to even be featured on an advertisement for Hyundai. With sounds that are mellow yet strikingly powerful, catch these guys getting real ambient in Byron Bay. Will appeal to chilled fans of instrumental hip-hop and dubstep (whatever that term even means anymore).
It's been three long, chaotic, pandemic-interrupted years since the Australian music festival scene welcomed Festival X, which debuted back in 2019 with Calvin Harris leading the bill. We all know why the event hasn't been able to return since, but it's remedying that absence this November and December — with Harris as one of its headliners again. That's fantastic news if you're a fan of the Scottish DJ. If you're keen for a hot girl summer — or the days leading up to summer in some cities — Festival X's comeback has something for you, too. Also topping the lineup is Megan Thee Stallion, who'll be heading to Australia for the first time ever. Festival X has five stops in its sights between Saturday, November 26–Sunday, December 4, all huge outdoor gigs — playing Flemington Racecourse in Melbourne, Alabaster Sports Fields on the Gold Coast, Bonython Park in Adelaide, Sydney Showground and Perth's Burswood Park. Also hitting the stage: Don Toliver, Boys Noize, Green Velvet, John Summit, Luude and MaRLo — and, yes, the list goes on. Festival X hails from quite the list of industry big guns, with Onelove (Stereosonic), Live Nation (Splendour in the Grass, Falls Festival) and Hardware (Piknic Electronik, Babylon) behind the touring event. It's the latest massive fest to lock in plans for the end of 2022, following Grapevine Gathering, Falls Festival, Lost Paradise, Spilt Milk, Summer Camp, Beyond the Valley, Listen Out and Woodford Folk Festival. Festival-goers, it's going to be a busy summer. If you're keen, Festival X tickets go on sale from 12pm AEST on Thursday, June 2, with a LatitudePay presale from 12pm AEST on Monday, May 30 and a festival presale from 12pm AEST on Wednesday, June 1. FESTIVAL X 2022 LINEUP: Calvin Harris Megan Thee Stallion Don Toliver Boys Noize Green Velvet John Summit Luude MaRLo Nina Kraviz Sub Focus DJ Set & ID Tchami Wilkinson DJ Anna Lunoe Babyface Mal Badrapper Blastoyz Choomba Cosmic Gate Franky Rizardo Haliene Key4050 Feat John O'Callaghan & Bryan Kearney Laura King Nifra Nora En Pure Prospa Solardo Sunset Bros Taglo Tyson Obrien FESTIVAL X 2022 DATES: Saturday, November 26 — Flemington Racecourse, Melbourne Sunday, November 27 — Alabaster Sports Fields, Gold Coast Friday, December 2 — Bonython Park, Adelaide Saturday, December 3 — Sydney Showground, Sydney Sunday, December 4 — Burswood Park, Perth Festival X 2022 tours the country from Saturday, November 26–Sunday, December 4. For more information or to buy tickets — from 12pm AEST on Thursday, June 2, with a LatitudePay presale from 12pm AEST on Monday, May 30 and a festival presale from 12pm AEST on Wednesday, June 1 — head to the festival website.
Stop what you're doing. Get out of bed. Cancel that mid-morning meeting. Whatever it is — it can wait. Because this is happening again: In-N-Out Burger is back in Sydney for one of their late-notice pop-ups. Jimmy's Burgers posted a photo announcing the pop-up this morning, confirming Darlinghurst's Wood and Smoke on Stanley Street as the temporary burger joint location for Tuesday, February 26. It's been two years since the LA fast food legends set up shop at L'il Darlin (also in Darlo), and three years since they whipped together a few burgers at Surry Hills' Dead Ringer, so you can bet that burger aficionados will be desperate so get their hands on one of those buns. Last time they were doling out hamburgers, regular cheeseburgers and some double cheese lovelies until they sold out, so we hope they're on the menu today as well. And cheese fries. Please say there's cheese fries. https://www.facebook.com/jimmysburgers/photos/basw.Abqxf3TcbpAb1GTV3V87LG67KXu5QHIuJ-gpJ6iJ-r1nb_4z3NTDjMlfbty8EmmIDa0Ts7lOSx6ybIHhrWUOhvcKBIFLJz5opXPV9yaeG_VmKTkVrFABtiIVpncQtMtWEGn6GhBxl_6XRNd-I1vS9f3z.2020000588048873.1233377613377845.534090353408952.1473603979355206.1306936226010367.1732777817010687/2020000588048873/?type=1&opaqueCursor=AbqZ0J-OpsFtFTL3gtZwgVUjYORisIiIf4hZGhHxLvLNhPWllB2tCm2arTJt3ZRdZ7XYLEEOSDP61DmQop7ZFqBBwNK9z_6mX_yDhIi9Sswacdn0esT77ZZG5r9VggzN8Hk0Nh2N9TfIp8tWbquwTKRkb9VUQyygc7VT03lhHwVQzj8BVjS-awEixQ7Cg16m8GQsHL1z2-vGeKU8g5lsir4Vjo4UuTQKOo8ozd-p1utxQdu3PnBEjSkpgmH-wtaWgM6DUwr5krKbllECqXcJdpN8ZOXHwQ2wypTzV9GnzzFdpl6bag_q0BMKLTogDHDPazrenR0BA7_33UKPPHxLGqS1Z_jHqaGoB_3Y0eELyhzddxfY4UoypNFCdKCmHAGHTLfatsXKFzh3Z39jp-LCVenOJ-JD18naOmV1PdvY6AucQhV8GRumixRnrjJU1gE2hWtMijh3d_VjUBlNBcN8v_OWpTs2onrpXU0IKiDsK40Wr0J2gMVEdSYrMVozr53DZZF-JFbPcZhBSICL6KI7xN9zMmOdYhQHGjdIF6J6OiMnATkQymV2C_zha7vxJOQWaKa2ebWdBS91D_-MK-VI1cSOVU7owZsD57UPY650RJfB_Bl-e5iCdI7LBIoUhnxnwMnQ5Vd5un2VWg17hdHiM5T_CR2UZcfaXmXQdsgJQW4Yp7tdTfu35O9VInDh3_L3pYs&theater If you've been to one of In-N-Out's previous Sydney pop-ups though, you'll know those burgers sell like, well, cult-status burgers — so you'll have to get there early. Now is probably a good time. Go. The In-N-Out burger pop-up will run today at Wood and Smoke, 77 Stanley Street, Darlinghurst. Doors open at 11am, so we suggest you go lineup now.
One of the best films to hit cinemas in 2023 so far gets a song stuck in viewers' heads like it's been slung there with the stickiest of webs. Just try to watch a Spider-Man movie — any Spider-Man movie, but preferably the stunning Spider-Verse movies — and not get the cartoon theme song lodged in your brain. You can't. It's impossible. Tweak the earworm of a track's lyrics, though, and you have the perfect description of the first six months of this year at the pictures: the greatest features to flicker through projectors truly did whatever movies can. Among 2023's best films so far, one made the connection between a parent and child feel so aching new yet so deeply relatable that you might've convinced yourself that you lived this plot yourself. Another hung out with a Sardinian donkey to muse on the fragility of life, plus the way that all creatures great and small that aren't human are so often disregarded. Some rightly garnered awards for exploring close bonds and impassioned fights; others hopped all over Japan, or Korea, or wherever on the globe that John Wick has a battle to wage. One made the Australian outback look otherworldly — and another toyed with reality on multiple levels, and in a stunning fashion. They're some of the films that've shone brightly at picture palaces this year — some releasing last year elsewhere, but only debuting Down Under in 2023; some so shiny and brand-new that they've only just reached cinemas. More than 15 ace movies have graced the silver screen over the past six months, of course, but if you only have time to watch or rewatch the absolute best 15, we've picked them. Happy midyear viewing. AFTERSUN The simplest things in life can be the most revealing, whether it's a question asked of a father by a child, an exercise routine obeyed almost mindlessly or a man stopping to smoke someone else's old cigarette while wandering through a holiday town alone at night. The astonishing feature debut by Scottish writer/director Charlotte Wells, Aftersun is about the simple things. Following the about-to-turn-31 Calum (Paul Mescal, The Lost Daughter) and his daughter Sophie (debutant Frankie Corio) on vacation in Turkey in the late 90s, it includes all of the above simple things, plus more. It tracks, then, that this coming-of-age story on three levels — of an 11-year-old flirting with adolescence, a dad struggling with his place in the world, and an adult woman with her own wife and family grappling with a life-changing experience from her childhood — is always a movie of deep, devastating and revealing complexity. Earning the internet's Normal People-starring boyfriend a Best Actor Oscar nomination, and deservedly so, Aftersun is a reflective, ruminative portrait of heartbreak. It's a quest to find meaning in sorrow and pain, too, and in processing the past. Wells has crafted a chronicle of interrogating, contextualising, reframing and dwelling in memories; an examination of leaving and belonging; and an unpacking of the complicated truths that a kid can't see about a parent until they're old enough to be that parent. Breaking up Calum and Sophie's sun-dappled coastal holiday with the older Sophie (Celia Rowlson-Hall, Vox Lux) watching camcorder footage from the trip, sifting through her recollections and dancing it out under a nightclub's strobing lights in her imagination, this is also a stunning realisation that we'll always read everything we can into a loved one's actions with the benefit of hindsight, but all we ever truly have is the sensation that lingers in our hearts and heads. Read our full review. EO David Attenborough's nature documentaries are acclaimed and beloved viewing, including when they're recreating dinosaurs. Family-friendly fare adores cute critters, especially if they're talking as in The Lion King and Paddington movies. The horror genre also loves pushing animals to the front, with The Birds and Jaws among its unsettling masterpieces. Earth's creatures great and small are all around us on-screen, and also off — but in EO, a donkey drama by Polish filmmaker Jerzy Skolimowski (11 Minutes), humanity barely cares. The people in this Oscar-nominated mule musing might watch movies about pets and beasts. They may have actively shared parts of their own lives existence the animal kingdom; some, albeit only a rare few, do attempt exactly that with this flick's grey-haired, white-spotted, wide-eyed namesake. But one of the tragedies at the heart of this adventure is also just a plain fact of life on this pale blue dot while homo sapiens reign supreme: that animals are everywhere all the time but hardly anyone notices. EO notices. Making his first film in seven years, and co-writing with his wife and producer Ewa Piaskowska (Essential Killing), Skolimowski demands that his audience pays attention. This is both an episodic slice-of-life portrait of EO the donkey's days and a glimpse of the world from his perspective — sometimes, the glowing and gorgeous cinematography by Michal Dymek (Wolf) takes in the Sardinian creature in all his braying, trotting, carrot-eating glory; sometimes, it takes on 'donkey vision', which is just as mesmerising to look at. Skolimowski gets inspiration from Robert Bresson's 1966 feature Au Hasard Balthazar, too, a movie that also follows the life of a hoofed, long-eared mammal. Like that French great, EO sees hardship much too often for its titular creature; however, even at its most heartbreaking, it also spies an innate, immutable circle of life. Read our full review. CLOSE When Léo (debutant Eden Dambrine) and Rémi (fellow first-timer Gustav De Waele) dash the carefree dash of youth in Close's early moments, rushing from a dark bunker out into the sunshine — from rocks and forest to a bloom-filled field ablaze with colour, too — this immediately evocative Belgian drama runs joyously with them. Girl writer/director Lukas Dhont starts his sophomore feature with a tremendous moment, one that's arresting to look at and to experience. The petals pop; the camera tracks, rushes and flies; the two 13-year-olds are as exuberant and at ease as they're ever likely to be in their lives. They're sprinting because they're happy and playing, and because summer in their village — and on Léo's parents' flower farm — is theirs for the revelling in. They don't and can't realise it because no kid does, but they're also bolting from the bliss that is their visibly contented childhood to the tussles and emotions of being a teenager. Close's title does indeed apply to its two main figures; when it comes to adolescent friendships, they couldn't be tighter. As expressed in revelatory performances by Dambrine and De Waele, each of whom are genuine acting discoveries — Dhont spotted the former on a train from Antwerp to Ghent — these boys have an innocent intimate affinity closer than blood. They're euphoric with and in each other's company, and the feature plays like that's how it has always been between the two. They've also never queried or overthought what their connection means. Before high school commences, Close shows the slumber parties, and the shared hopes and dreams. It sits in on family dinners, demonstrating the ease with which each is a part of the other's broader lives amid both sets of mums and dads; Léo's are Nathalie (Léa Drucker, Custody) and Yves (Marc Weiss, Esprits de famille), Rémi's are Sophie (Émilie Dequenne, An Ordinary Man) and Peter (Kevin Janssens, Two Summers). The film adores their rapport like a summer day adores the breeze, and conveys it meticulously and movingly. Then, when girls in Léo and Rémi's grade ask if the two are a couple, it shows the heartache and heartbreak of a boyhood bond dissolving. Read our full review. ALL THE BEAUTY AND THE BLOODSHED With photographer Nan Goldin at its centre, the latest documentary by Citizenfour Oscar-winner Laura Poitras is a film about many things, to deeply stunning and moving effect. In this Oscar-nominated movie's compilation of Goldin's acclaimed snaps, archival footage, current interviews, and past and present activism, a world of stories flicker — all linked to Goldin, but all also linking universally. The artist's bold work, especially chronicling LGBTQIA+ subcultures and the 80s HIV/AIDS crisis, frequently and naturally gets the spotlight. Her complicated family history, which spans heartbreaking loss, haunts the doco as it haunts its subject. The rollercoaster ride that Goldin's life has taken, including in forging her career, supporting her photos, understanding who she is and navigating an array of personal relationships, cascades through, too. And, so do her efforts to counter the opioid epidemic by bringing one of the forces behind it to public justice. Revealing state secrets doesn't sit at the core of the tale here, unlike Citizenfour and Poitras' 2016 film Risk — one about Edward Snowden, the other Julian Assange — but everything leads to the documentary's titular six words: All the Beauty and the Bloodshed. They gain meaning in a report spied late about the mental health of Goldin's older sister Barbara, who committed suicide at the age of 18 when Goldin was 11, and who Goldin contends was just an "angry and sexual" young woman in the 60s with repressed parents. A psychiatrist uses the eponymous phrase to describe what Barbara sees and, tellingly, it could be used to do the same with anyone. All the Beauty and the Bloodshed is, in part, a rebuke of the idea that a teenager with desires and emotions is a problem, and also a statement that that's who we all are, just to varying levels of societal acceptance. The film is also a testament that, for better and for worse, all the beauty and the bloodshed we all witness and endure is what shapes us. Read our full review. SAINT OMER In 2016, a French documentarian with Senegalese heritage attended the trial of a Senegalese French PhD student who confessed to killing her 15-month-old daughter, who was fathered by a white partner, by leaving her on the beach to the mercy of the waves at Berck-sur-Mer. The filmmaker was fixated. She describes it as an "unspeakable obsession". She was haunted by questions about motherhood, too — her mum's and her own, given that she was a young mother herself as she sat in the courtroom. That story is the story of how Saint Omer came to be, and also almost exactly the tale that the piercing drama tells. In her first narrative film after docos We and La Permanence, writer/director Alice Diop focuses on a French author and literature professor with a Senegalese background who bears witness to a trial with the same details, also of a Senegalese French woman, for the same crime. Saint Omer's protagonist shares other traits with Diop as she observes, too, and watches and listens to research a book. A director riffing on their own experience isn't novel, but Saint Omer is strikingly intimate and authentic because it's the embodiment of empathy in an innately difficult situation. It shows what it means to feel for someone else, including someone who has admitted to a shocking crime, and has been made because Diop went through that far-from-straightforward process and was galvanised to keep grappling with it. What a deeply emotional movie this 2022 Venice International Film Festival Grand Jury Prize-winning feature is, understandably and unsurprisingly. What a heartbreaking and harrowing work it proves as well. Saint Omer is also an astoundingly multilayered excavation of being in a country but never being seen as truly part it, and what that does to someone's sense of self, all through Fabienne Kabou's complicated reality and Laurence Coly's (Guslagie Malanda, My Friend Victoria) fictionalised scenario. Read our full review. WOMEN TALKING Get Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand and more exceptional women in a room, point a camera their way, let the talk flow: Sarah Polley's Women Talking does just that, and this year's Best Adapted Screenplay Oscar-winner is phenomenal. The actor-turned-filmmaker's fourth effort behind the lens after 2006's Away From Her, 2011's Take This Waltz and 2012's Stories We Tell does plenty more, but its basic setup is as straightforward as its title states. Adapted from Miriam Toews' 2018 novel of the same name, this isn't a simple or easy film, however. That book and this feature draw on events in a Bolivian Mennonite colony from 2005–9, where a spate of mass druggings and rapes of women and girls were reported at the hands of some of the group's men. In a patriarchal faith and society, women talking about their experiences is a rebellious, revolutionary act anyway — and talking about what comes next is just as charged. "The elders told us that it was the work of ghosts, or Satan, or that we were lying to get attention, or that it was an act of wild female imagination." That's teenage narrator Autje's (debutant Kate Hallett) explanation for how such assaults could occur and continue, as offered in Women Talking's sombre opening voiceover. Writing and helming, Polley declares her feature "an act of female imagination" as well, as Toews did on the page, but the truth in the movie's words is both lingering and haunting. While the film anchors its dramas in a specific year, 2010, it's purposefully vague on any details that could ground it in one place. Set within a community where modern technology is banned and horse-drawn buggies are the only form of transport, it's a work of fiction inspired by reality, rather than a recreation. Whether you're aware of the true tale behind the book going in or not, this deeply powerful and affecting picture speaks to how women have long been treated in a male-dominated world at large — and what's so often left unsaid, too. Read our full review. TÁR The least surprising aspect of Tár is also its most essential: Cate Blanchett being as phenomenal as she's ever been, plus more. The Australian Nightmare Alley, Thor: Ragnarok, Carol and The New Boy actor — "our Cate", of course — unsurprisingly scored an Oscar nomination as a result. Accolades have been showered her way since this drama about a cancelled conductor premiered at the 2022 Venice International Film Festival (the prestigious event's Best Actress gong was the first of them), deservedly so. Blanchett is that stunning in Tár, that much of a powerhouse, that adept at breathing life and complexity into a thorny figure, and that magnetic and mesmerising. Even when she hasn't been at her utmost on rare past occasions or something she's in hasn't been up to her standards — see: Don't Look Up for both — she's a force that a feature gravitates around. Tár is astonishing itself, too, but Blanchett at her finest is the movie's rock, core and reason for being. Blanchett is spectacular in Tár, and she also has to be spectacular in Tár — because Lydia Tár, the maestro she's playing, earns that term to start with in the film's on-screen world. At the feature's kickoff, the passionate and ferocious character is feted by a New Yorker Festival session led by staff writer Adam Gopnik as himself, with her achievements rattled off commandingly to an excited crowd; what a list it is. Inhabiting this part requires nothing less than utter perfection, then, aka what Tár demands herself, her latest assistant Francesca (Noémie Merlant, Jumbo), her wife Sharon (Nina Hoss, Shadowplay) and everyone else in her orbit constantly. Strong, seductive, severe, electrifying and downright exceptional, Blanchett nails it. That Lydia can't always do the same, no matter how hard, painstakingly and calculatingly she's worked to ensure that it appears otherwise, is one of the movie's main concerns. Read our full review. SPIDER-MAN: ACROSS THE SPIDER-VERSE All the money in the world can't make people in tights standing against green screens as visually spectacular and emotionally expressive as the Spider-Verse films. If it could, Spider-Man: Into the Spider-Verse and now Spider-Man: Across the Spider-Verse wouldn't be so exhilarating, look so stunning and feel so authentic. Spider-Man's eight stints in theatres with either Tobey Maguire, Andrew Garfield or Tom Holland behind the mask — and all of the latter's pop-ups in other Marvel Cinematic Universe entries, too — have splattered around plenty of charm, but they'll now always swing far below their animated counterparts. Indeed, when Spider-Man: No Way Home tried to emulate the Spider-Verse by pointing its fingers into the multiverse, as Marvel's live-action world is now fixated upon, it paled in comparison. And, that isn't just because there was no Nicolas Cage-voiced 30s-era spider-vigilante Spider-Man Noir, or a spider-robot, spider-pig, spider-car or spider-saur; rather, it's because the Spider-Verse movies are that imaginative and agile. In Across the Spider-Verse, which will be followed by 2024's Spider-Man: Beyond the Spider-Verse plus a Spider-Women spinoff after that, being an inventive spider-flick initially entails hanging with Spider-Gwen (Hailee Steinfeld, Hawkeye). In most Spidey stories, Gwen Stacy is a love interest for Peter Parker, but the Spider-Verse Gwen from Earth 65 was bitten by a radioactive spider instead. Gwen also narrates backstory details, filling in what's occurred since the first feature while playfully parodying that overused approach. Then, when the movie slides into Miles Morales' (Shameik Moore, Wu-Tang: An American Saga) life, he takes her lead, but gives it his own spin. The first Black Latin American Spider-Man is now 15, and more confident in his spider-skills and -duties. In-between being Brooklyn's friendly neighbourhood Spidey and attending a private school that'll ideally help him chase his physics dreams, he's even guest-hosted Jeopardy!. But not telling his mum Rio (Luna Lauren Velez, Power Book II: Ghost) and police-officer dad Jefferson (Brian Tyree Henry, Causeway) about his extracurricular activities is weighing upon Miles, and he's still yearning for mentorship and friendship, especially knowing that Gwen, Peter B Parker (Jake Johnson, Minx) and an infinite number of other web-slingers are all out there catching thieves just like flies. Read our full review. SUZUME When the Godzilla franchise first started rampaging through Japanese cinemas almost 70 years ago, it was in response to World War II and the horrific display of nuclear might that it unleashed. That saga and its prehistoric reptilian monster have notched up 38 movies now, and long may it continue stomping out of its homeland (the American flicks, which are set to return in 2024, have been hit-and-miss). In such creature-feature company, the films of Makoto Shinkai may not seem like they belong. So far, the writer/director behind global hits Your Name and Weathering with You, plus The Place Promised in Our Early Days, 5 Centimetres per Second, Children Who Chase Lost Voices and The Garden of Words before that, sadly hasn't applied his talents to good ol' Zilly, either. But Japan's animators have been musing on and reflecting upon destruction and devastation for decades, too — stunningly and heartbreakingly so, including in Shinkai's latest beautiful and heartfelt effort Suzume. This about a teenage girl, matters of the heart and the earth, supernatural forces and endeavouring to cancel the apocalypse firmly has its soul in the part of Honshu that forever changed in March 2011 due to the Great East Japan Earthquake and the resulting Fukushima nuclear disaster. Suzume meets its namesake (Nanoka Hara, Guilty Flag) on Kyushu, Japan's third-largest island, where she has lived with her aunt Tamaki (Eri Fukatsu, Survival Family) for 12 years. More than that, it meets its titular high schooler as she meets Souta (SixTONES singer Hokuto Matsumura), who catches her eye against the gleaming sea and sky as she's cycling to class. He's searching for ruins, and she knows just the local place — an abandoned onsen, which she beats him to. There, Suzume discovers a door standing mysteriously within a pool of water, then opens said entryway to see a shimmering sight on the other side. That's an ordinary act with extraordinary consequences, because Shinkai adores exactly that blend and clash. To him, that's where magic springs, although never while spiriting away life's troubles and sorrows. Every single door everywhere is a portal, of course, but this pivotal one takes the definition literally. Read our full review. JOHN WICK: CHAPTER 4 Almost a quarter-century has passed since Keanu Reeves uttered four iconic words: "I know kung fu". The Matrix's famous phrase was also the entire movie-going world's gain, because watching Reeves unleash martial-arts mayhem is one of cinema's purest pleasures. Notching up their fourth instalment with the obviously titled John Wick: Chapter 4, the John Wick flicks understand this. They couldn't do so better, harder, or in a bloodier fashion, in fact. Directed by Keanu's former stunt double Chad Stahelski, who helped him look like he did indeed know wushu back in the 90s, this assassin saga is built around the thrill of its star doing his violent but stylish best. Of course, The Matrix's Neo didn't just know kung fu, but gun fu — and Jonathan, as The Continental proprietor Winston (Ian McShane, Deadwood: The Movie) still likes to call him, helps turn bullet ballet into one helluva delight again and again (and again and again). Picking up where 2019's John Wick: Chapter 3 — Parabellum left off, and once again so expertly and inventively executed that it's mesmerising, John Wick: Chapter 4 saddles its namesake with a new adversary: the Marquis (Bill Skarsgård, Barbarian), emissary of the death-for-hire business' powers-that-be, aka the High Table. After Wick puts the assassin realm's head honchos on notice during an early trip to the Middle East, the series' newest nefarious figure wants rid of him forever, wasting no time laying waste to the few things left that John loves. The Marquis has company, too — seeking a big payday in the case of the mercenary known as Tracker (Shamier Anderson, Son of the South), who has his own devoted dog; and due to a familiar deal with Caine (Donnie Yen, Mulan), a martial-arts whiz who is blind, and an old friend of John. That said, Wick has pals in this clash between the hitman establishment and its workers, which doubles as an eat-the-rich skirmish, including Winston, the Bowery King (Laurence Fishburne, All the Old Knives), and the Osaka Continental's Shimazu (Hiroyuki Sanada, Bullet Train) and Akira (Rina Sawayama, Turn Up Charlie). Read our full review. INFINITY POOL Making not just another body-horror spectacle but an eat-the-rich sci-fi satire as well, Brandon Cronenberg couldn't have given Infinity Pool a better title. Teardowns of the wealthy and entitled now seem to flow on forever, glistening endlessly against the film and television horizon; however, the characters in this particularly savage addition to the genre might wish they were in The White Lotus or Succession instead. In those two hits, having more money than sense doesn't mean witnessing your own bloody execution but still living to tell the tale. It doesn't see anyone caught up in cloning at its most vicious and macabre, either. And, it doesn't involve dipping into a purgatory that sports the Antiviral and Possessor filmmaker's penchant for futuristic corporeal terrors, as clearly influenced by his father David Cronenberg (see: Crimes of the Future, Videodrome and The Fly), while also creating a surreal hellscape that'd do Twin Peaks great David Lynch, Climax's Gaspar Noe and The Neon Demon's Nicolas Winding Refn proud. Succession veteran Alexander Skarsgård plunges into Infinity Pool's torments playing another member of the one percent, this time solely by marriage. "Where are we?", author James Foster asks his wife Em (Cleopatra Coleman, Dopesick) while surveying the gleaming surfaces, palatial villas and scenic beaches on the fictional island nation of Li Tolqa — a question that keeps silently pulsating throughout the movie, and also comes tinged with the reality that James once knew a life far more routine than this cashed-up extravagance. Cronenberg lets his query linger from the get-go, with help from returning Possessor cinematographer Karim Hussain, who visually inverts its stroll through its lavish setting within minutes. No one in this film's frames is in Kansas anymore, especially when fellow guest Gabi (Mia Goth, Pearl) and her husband Alban (Jalil Lespert, Beasts) invite the pair for an illicit drive and picnic beyond the gates the following day, which sparks a tragic accident, arrest, death sentence and wild get-out-of-jail-free situation. Read our full review. BROKER No matter how Hirokazu Kore-eda's on-screen families come to be, if there's any actual blood between them, whether they're grifting in some way or where in the world they're located, the Japanese writer/director and Shoplifters Palme d'Or winner's work has become so beloved — so magnificent, too — due to his care and sincerity. A Kore-eda film is a film of immense empathy and, like Like Father, Like Son, Our Little Sister, After the Storm and The Third Murder also in the prolific talent's past decade, Broker is no different. The setup here is one of the filmmaker's murkiest, with the feature's name referring to the baby trade. But showing compassion and humanity isn't up for debate in Kore-eda's approach. He judges the reality of modern-day life that leads his characters to their actions, but doesn't judge his central figures. In the process, he makes poignant melodramas that are also deep and thoughtful character studies, and that get to the heart of the globe's ills like the most cutting slices of social realism. It isn't just to make a buck that debt-ridden laundromat owner Sang-hyun (Song Kang-ho, Parasite) and orphanage-raised Dong-soo (Gang Dong-won, Peninsula) take infants abandoned to the Busan Family Church's 'baby box' — a chute that's exactly what it sounds like, available to mothers who know they can't embrace that part for whatever reason — then find good families to sell them to. There's a cash component, of course, but they're convinced that their gambit is better than letting children languish in the state system. In Kore-eda's usual kindhearted manner, Broker sees them with sensitivity. Even if blue hues didn't wash through the film's frames, nothing is ever black and white in the director's movies. The same understanding and tenderness flows towards mothers like So-young (Lee Ji-eun, Hotel Del Luna, aka K-Pop star IU), whose decision to leave Woo-sung (debutant Park Ji-yong) isn't easily made but puts Broker on its course. Read our full review. BEAU IS AFRAID Beau is afraid. Beau is anxious. Beau is alone. Beau is alive. Any of these three-word sentences would make a fitting name for Ari Aster's third feature, which sees its titular middle-aged figure not just worry about anything and everything, but watch his fears come true, concerns amplify and alienation grow — and then some. And, in the Hereditary and Midsommar filmmaker's reliably dread-inducing hands, no matter whether Beau (Joaquin Phoenix, C'mon C'mon) is wallowing in his apartment solo, being welcomed into someone else's family or stumbling upon a travelling theatre troupe in the woods, he knows that he's truly on his own in this strange, sad, surreal and savage world, too. More than that, he's well-aware that this is what life is inescapably like for all of us, regardless of how routine, chaotic or grand our individual journeys from emerging out of our mother's womb to sinking into death's eternal waters happen to prove. Aster has opted for Beau Is Afraid as a moniker, with this horror-meets-tragicomedy mind-bender a filmic ode to existential alarm — and, more than that, a picture that turns catastrophising into a feature. Psychiatrists will have a field day; however, experiencing the latest in the writer/director's growing line of guilt-dripping celluloid nightmares, so should viewers in general. Even with Chilean The Wolf House helmers Cristóbal León and Joaquin Cosiña lending their help to the three-hour movie's midsection, where animation adds another dreamlike dimension to a picture book-style play within an already fantastical-leaning flick frequently running on dream logic, Aster embraces his favourite deranged terrain again. He makes bold choices, doesn't think twice about challenging himself and his audience, elicits a stunning lead performance and dances with retina-searing imagery, all while pondering inherited trauma, the emotional ties that bind and the malevolence that comes with dependence. Read our full review. LIMBO When Ivan Sen sent a police detective chasing a murdered girl and a missing woman in the Australian outback in 2013's Mystery Road and its 2016 sequel Goldstone, he saw the country's dusty, rust-hued expanse in sun-bleached and eye-scorching colour. In the process, the writer, director, co-producer, cinematographer, editor and composer used his first two Aussie noir films and their immaculately shot sights to call attention to how the nation treats people of colour — historically since its colonial days and still now well over two centuries later. Seven years after the last Jay Swan movie, following a period that's seen that character make the leap to the small screen in three television seasons, Sen is back with a disappearance, a cop, all that inimitable terrain and the crimes against its Indigenous inhabitants that nothing can hide. Amid evident similarities, there's a plethora of differences between the Mystery Road franchise and Limbo; however, one of its simplest is also one of its most glaring and powerful: shooting Australia's ochre-toned landscape in black and white. Limbo's setting: Coober Pedy, the globally famous "opal capital of the world" that's known for its underground dwellings beneath the blazing South Australian earth, but reimagined as the fictional locale that shares the film's name — a place unmistakably sporting an otherworldly topography dotted by dugouts to avoid the baking heat, and that hasn't been able to overcome the murder of a local Indigenous girl two decades earlier. The title is symbolic several times over, including to the visiting Travis Hurley (Simon Baker, Blaze), whose first task upon arrival is checking into his subterranean hotel, rolling up his sleeves and indulging his heroin addiction. Later, he'll be told that he looks more like a drug dealer than a police officer — but, long before then, it's obvious that his line of work and the sorrows he surveys along the way have kept him hovering in a void. While he'll also unburden a few biographical details about mistakes made and regrets held before the film comes to an end, such as while talking to the missing Charlotte Hayes' brother Charlie (Rob Collins, The Drover's Wife The Legend of Molly Johnson) and sister Emma (Natasha Wanganeen, The Survival of Kindness), this tattooed cop with wings inked onto his back is already in limbo before he's literally in Limbo talking. Read our full review. REALITY Sydney Sweeney is ready for her closeup. Playwright-turned-filmmaker Tina Satter obliges. A household name of late due to her exceptional work in both Euphoria and The White Lotus, Sweeney has earned the camera's attention for over a decade; however, she's never been peered at with the unflinching intensity of Satter's debut feature Reality. For much of this short, sharp and stunning docudrama, the film's star lingers within the frame. Plenty of the movie's 83-minute running time devotes its focus to her face, staring intimately and scrutinising what it sees. Within Reality's stranger-than-fiction narrative, that imagery spies a US Air Force veteran and National Security Agency translator in her mid-twenties, on what she thought was an ordinary Saturday. It's June 3, 2017, with the picture's protagonist returning from buying groceries to find FBI agents awaiting at her rented Augusta, Georgia home, then accusing her of "the possible mishandling of classified information". Reality spots a woman facing grave charges, a suspect under interrogation and a whistleblower whose fate is already known to the world. It provides a thriller of a procedural with agents, questions, allegations and arrests; an informer saga that cuts to the heart of 21st-century American politics, and its specific chaos since 2016; and an impossible-to-shake tragedy about how authority savagely responds to being held to account. Bringing her stage production Is This a Room: Reality Winner Verbatim Transcription to the screen after it wowed off-Broadway and then Broadway, Satter dedicates Reality's bulk to that one day and those anxious minutes, unfurling in close to real time — but, pivotally, it kicks off three weeks earlier with its namesake at work while Fox News plays around her office. Why would someone leak to the media a restricted NSA report about Russian interference in getting Donald Trump elected? Before it recreates the words genuinely spoken between its eponymous figure and law enforcement, Reality sees the answer as well. Read our full review.
We love it when art takes over the city, and the Biennale of Sydney does it better than anyone else. Perhaps Australia's best-known contemporary art event, the Sydney Biennale will take place for the 21st time in 2018 with 70 leading local and international artists presenting work across seven of Sydney's top-notch galleries, museums and unconventional spaces. A free exhibition, the Biennale of Sydney is held from Friday, March 16 until Monday, June 11. As per the first announcement, provocative Chinese artist Ai Weiwei is the headline act, which comes off the back of his 2016 double-bill exhibition alongside the works of Andy Warhol at the National Gallery of Victoria — the highest selling event in the gallery's history. At the Sydney Opera House, Weiwei will screen his new feature-length cinematic documentary Human Flow, which explores the global refugee crisis across 23 countries in a single year. He'll also install a 60-metre-long inflatable boat on Cockatoo Island, which will be made from the same materials as the boats used by asylum seekers crossing the Aegean Sea. Meanwhile, there's French multimedia artist Laurent Grasso, whose art considers science and the supernatural; the sculptural works of South Korean artist Haegue Yang who transforms space with found and forged objects; British artist Oliver Beer uses the human voice to take over the Opera House for his acclaimed Resonance Project; and Sydney's own Yasmin Smith takes to Cockatoo Island to create a ceramics studio, an open-air kiln and a new installation that's finished in a hand-made wood ash glaze. The first biennale under the leadership of recently appointed artistic director Mami Kataoka, 2018's event is based around the idea of 'superposition', a quantum mechanics term that refers to often-paradoxical and overlapping events. While it's a tad hard to explain, Kataoka says the 2018 biennale's artists have been chosen for their work's power to "offer a panoramic view of how opposing interpretations can come together in a state of equilibrium". With three months to check out the work of so many great artists, there's no reason why you can't spend autumn cramming in as much art as you can handle. And if you're not a Sydneysider, the event is a good catalyst for a Sydney trip. The Biennale is free to attend. The 21st Biennale of Sydney will run from March 16 till June 11, 2018. For more information, visit biennaleofsydney.com.au.
At the 2021 Emmys, The Crown won every acting award it could, with the regal series collecting shiny trophies for Olivia Colman's performance as the Queen, Josh O'Connor's portrayal of Prince Charles, Tobias Menzies' work as Prince Philip and Gillian Anderson's efforts as Margaret Thatcher. One star who didn't get a gong: Emma Corrin for playing Princess Diana. But her version of the people's princess is just one of several hitting screens — and not simply because Tenet's Elizabeth Debicki will take over the role when season five of The Crown arrives. When that new season of the show premieres in 2022, it'll continue to explore a part of royal history that's been talked about for decades, aka the difficult marriage between Princess Diana and Prince Charles. But on the big screen, the Kristen Stewart-starring Spencer will get there first. This isn't quite a twin films situation — where two movies about the same or similar topics appear around the same time, like Armageddon and Deep Impact in the 90s, Finding Nemo and Shark Tale in the animation space, and the two Fyre Festival documentaries in 2019 — but only because The Crown is a TV show and Spencer is a feature. Otherwise, there will indeed be two different takes on the tale hitting screens small and large in short succession. In Spencer's case, it hails from Pablo Larraín, the Chilean filmmaker who has never made a bad film — see: his recent masterpiece Ema — and also directed Natalie Portman to an Oscar nomination in Jackie. In both of these movies, he's honed in on complex women in difficult situations, one fictional and one factual, and shown a stunning eye for emotion and detail. And, based on the the initial sneak peek and the just-dropped full trailer for Spencer, that isn't going away in his next feature. After last appearing in films as varied as Underwater, Charlie's Angels, Seberg and Happiest Season, Stewart plays Diana in 1991, at a time where her relationship with Prince Charles (Jack Farthing, Official Secrets) is struggling, but the royal family has gathered together for Christmas. Spencer focuses on a few specific days, as rumours swirl about affairs and divorce, and Diana attempts to navigate the obviously complicated situation. She isn't handling it well, and she certainly isn't willing to just plaster on a smile and carry on because she's married into royalty — as this new trailer delves into. Timothy Spall (The Party), Sally Hawkins (The Shape of Water) and Sean Harris (Mission: Impossible — Fallout) also feature, but Stewart is obviously the star of the show — and looks to be settling into Princess Di's wardrobe, bobbed hairstyle and simmering yearning with aplomb. Spencer premiered at the Venice Film Festival earlier in September, ahead of its US release in November and Australian debut on January 26, 2022. Check out the full Spencer trailer below: Spencer releases in Australian cinemas on January 26, 2022.
It's hard to get a true snapshot of a place you're holidaying in when you don't know a resident who can show you around. It can take years to truly get to know a place, and while tourist spots are the obvious starting point, they can also leave you wanting to dig deeper. We've teamed up with Pullman Hotels and Resorts to bring you a guide to Melbourne's less obvious but obviously fabulous experiences. It's not exactly a local's guide, because visitors are not exactly locals and we all want to treat ourselves while on vacay. But it is a round-up of the best of the best art, food and fun found in Melbourne. And as Melbourne has a lot to offer in the way of premium coffee, tasty treats and good times, this was no easy feat. Putting our heads together with Pullman Melbourne Albert Park's chief concierge, Rhett Constantine (a man who's been giving out recommendations for two decades), we've curated a list of must-dos that will leave you wanting more of Melbourne. Whether you're into cuisine, culture or cocktails, you'll find your perfect day out right here. Check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. FOOD & DRINK MARKET LANE COFFEE AND QUEEN VICTORIA MARKETS Melbourne is a city that runs on coffee. It is a pillar of the economy as both a primary export and a productivity booster, and as a result, we've perfected it. And among some of the world's best coffee establishments is the king: Market Lane. The cute and efficient little operation has a few cafes in the city and inner-northern suburbs, but we recommend heading to their stall at the Queen Vic market. Pair your impeccable brew with something from their endless supply of varied baked goods. Don't miss: On Saturdays, have your coffee with a handful of doughnuts from the American Doughnut van. Some clichés make sense and coffee and doughnuts is one of 'em. CLAYPOTS SEAFOOD Melbourne's beaches may be a little frosty, but the seafood on the shores is exceptional. Claypots in St Kilda is one of the most well-known seafood eateries, so book in advance or you may miss out entirely. The menu is almost entirely seafood and changes depending on the haul of the day. You have to try their signature claypots ($20), with flavour profiles like the Orpheus (red wine, sweet pepper and capsicum) and the Singapore (chilli, coriander, and ginger sauce). We also recommend trying the king prawns and fresh fish dishes (prices vary) if you want to indulge. Usually, the atmosphere is romantic, warm and boisterous, thanks to live music and close quarters, making it the perfect destination for a special dinner. Don't miss: It's all in the name — at least one claypot is a must. MADAME BRUSSELS ROOFTOP BAR There's something hopelessly romantic about rooftop bars, and Madame Brussels is the queen of them all. Situated conveniently on Bourke Street, the iconic establishment is styled to look like a really fancy, if a little kitschy, garden party, with white lattice, fake flowers and wrought-iron chairs you might remember from your grannie's garden. The open-air deck is cosy, designed for reclining instead of standing. We recommend trying the (hilariously named) boards: the Rather Fancy and Slightly Smelly Old Cheese Plate ($28) or the Butch charcuterie board ($30). Don't miss: A jug of Pimms in the sun — it will have you feeling as fancy as the royal family. SUPERNORMAL FOR DINNER You're going to have make some hard choices when it comes to dining in Melbourne. There's just so many world-class venues and never enough evenings to explore them all. But, trust us, you don't want to miss Supernormal. Don't let the name deceive you; it's anything but normal. We recommend sharing a few smaller dishes so you can sample broadly from the menu. Try the tuna with perilla and kombu ($19) and the pot-sticker dumplings ($15), and make sure you don't overeat, because you're going to want stomach space to fit in their famous dessert. Don't miss: The peanut butter parfait ($15). It is known far and wide as Melbourne's most indulgent dessert. Seriously, this dish could run for mayor and win, it's so beloved. And it's no wonder: creamy PB parfait mixed with salted caramel and served with soft chocolate is a winning combo. ART & DESIGN VIVIEN ANDERSON GALLERY One of St Kilda's less obvious but most important art spaces, the Vivien Anderson Gallery showcases the work of prominent Indigenous artists. Over the last 20 years, the gallery has moved locations several times to accommodate for its growth, but all the while it's been dedicated to displaying and encouraging Indigenous art. It's a small and intimate gallery that lends itself well to introspection and quiet contemplation. They curate thoughtful, small-scale displays of individual works and artefacts or thematic group exhibitions, and the staff are all knowledge and passionate about Indigenous art. A must-do when visiting St Kilda. Don't miss: Picking the brains of the staff to get more insight into what's on the walls. NGV AND ACCA No trip to Melbourne is complete without a visit to the National Gallery of Victoria, the crowning jewel of Melbourne's art scene. All the big exhibitions that grace our shores can be found there, but the permanent collections are worth your time too. The international collection contains works from big names like Picasso, Monet, Renoir, Degas, Rubens, Manet and a host of Australian artists, so even if you turn up between key exhibits, there's always something pretty to stare at. And just over the way is the Australian Centre for Contemporary Art, which is a work of art in itself. You'll be able to pick it a mile away for the stark, rusty steel facade and awkward angles. Don't miss: Stop at the Malthouse Theatre's cafe, which shares a courtyard with ACCA, and drink it all in. LANEWAYS TOUR (STOPPING OFF AT A FEW KEY COFFEE HOUSES) Melbourne is known for its street art scene, and nowhere is it more prominent and competitive than in the crowded laneways of the CBD. Start on Bourke Street Mall with Union Lane, a smelly but graf-heavy place. It's usually packed with tourist taking pics, so try to get in early. While you're skulking around the laneways, stop in at Dukes Coffee Roaster on Flinders Lane, one of the city's smallest but best coffee vendors. The City of Melbourne have a recommended route to hit all the best laneways and arcades, which is a good place to start. If you want to venture further afield, head to Fitzroy, where you'll the find the George Costanza mural near George's Bar and the work of renowned artist Ghostpatrol along Napier Street. Don't miss: Sniders Lane, home of the famous Kim K and Kendall mural. WELLBEING & LEISURE SOUTH MELBOURNE MARKET There are some incredible permanent markets in Melbourne that create a lot of competition for one another. On the southside, South Melbourne Market is the best of the bunch. It's a huge undertaking, so give yourself a whole morning to wander through the many stalls. Grab a coffee and almond croissant from Padre (Stall 33) to start you off right, then make your way over to Azalea, the florist and nursery in stall 49. It's always bursting with Aussie native blooms, gorgeous smells and reasonably priced plant-babies. Lunch at Proper and Son is always fresh (and realllllly well priced). We recommend the prosciutto, bocconcini and peach salad ($10.50) or field mushroom and haloumi with romesco sauce in a roll ($11.50). Don't miss: SO:ME Space, the permanent and semi-permanent installation for fashion and design. They rotate between pop-ups regularly, and you'll always find handcrafted, one-off pieces from Melbourne designers. STUDLEY PARK BOATHOUSE On a fine day, take an Uber to Yarra Bend Park. Follow the rolling hills and winding turns in the Yarra until you come to Studley Park. Over a bridge and alongside the river you'll find the Studley Park Boathouse, an idyllic little wonderland that backs onto the Yarra. At this point you can choose to rent a rowboat and cruise the river trying to look cool in a safety vest, or recline on the bank with a scone and beer and survey the rowboat carnage. Rowboat rental for two people is $40 an hour and you'll need some form of ID. And, word of warning, make sure you play nice with the duck families that cruise the waterway. Don't miss: You came all this way, so rent a rowboat and enjoy the Notebook-level romance. ACLAND STREET TO LUNA PARK WALK IN ST KILDA Even though it's only a 25-minute tram ride out of the city, St Kilda is like another world. There's a fine layer of sand on everything, people walk around with no shoes on, and everything is totally cowabunga. But the most cowabunga thing (are we using that right?) about St Kilda's main drag, Acland Street, is the bakery shop windows filled with treats. We recommend a cake crawl, stopping in at Le Bon Continental Cake Shop, Europa Cake Shop and Monarch Cakes, if you have the stamina. Don't miss: A visit to Luna Park and its rickety wooden rollercoaster — preferably before you eat all the cake. Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
Over the past few years, Gelatissimo has whipped up a number of creative flavours, including frosé sorbet, gelato for dogs, and ginger beer, Weet-Bix, fairy bread, hot cross bun, cinnamon scroll, chocolate fudge and bubble tea gelato. Earlier this year, it made its own spin on Caramilk gelato, too. For its latest offering, the Australian dessert chain is getting festive, all while still turning something that everyone loves into gelato. The new source of inspiration: gingerbread — and it's mixing it with choc chip cookie dough. Can't choose between tucking into gingerbread or licking your way through a few scoops of choc chip cookie dough ice cream? Why not do both, because Gelatissimo now has the short-term solution. That very combination is on the menu all throughout December. 'Tis the season and all that. Whether you opt for a cone or a cup, you'll be tucking into gelato made with choc chip cookie dough, a ginger cookie crumble, ginger creme and ginger caramel. That ginger hails from Buderim Ginger on the Sunshine Coast — and apparently the limited-edition flavour goes mighty well with Christmas pudding. If your stomach is now rumbling, you can get gingerbread cookie dough gelato in stores Australia-wide. Or, Gelatissimo also delivers take-home packs via services such as Uber Eats, Deliveroo, Menulog and Doordash. Gelatissimo's gingerbread cookie dough gelato is available from all stores nationwide throughout December.
After Melbourne's Mana Bar (the world's first ever video game cocktail bar) folded in August last year, it seemed the market for geek bars — not Timezones with bars attached, real D&D-encouraging nerd hubs — just wasn't there. Unlike successful models in Japan and the US, even the Aussie gaming community wasn't biting. But according to Gizmodo, Australian nerds are crying out for a space — and are about to get three new video game bars. "Lets face it... Most bars suck for people like us," says Melbourne's Power Up geek bar developer Edmund Mundlay. "We sit there with loud obnoxious music blaring in our ears while keeping a watchful eye on the bogans at the next table just hoping they don't start a fight. We want a bar for us. We want to build the hub of Melbourne's geek community." A motley crew of former Hobart EB employees and Melbourne hospitality workers have launched a Pozible campaign to raise $10,000 toward their dream bar, Power Up, “an open-source bar for geeks”. The group saw the closure of Melbourne's Mana Bar (and the alternate success of the Brisbane branch) as having more impact than people originally thought, seeing a hole in the market left by the venue's departure. Making a furious push to providing a safe, fun hub for geeks to socialise, the Power Up team realised gamers just wanted the main thing they're often accused of rejecting: a social life. "So many people would come and just hang out with us at EB, they just wanted to talk to like minded people," says Mundlay. "I wanted to build that home, a place where geeks and nerds citywide could just come and hangout, talk about games or anime, sci-fi or technology... With such a huge community of geeks, nerds, gamers and pop-culture fanatics doesn't it just make sense that there should be a centre for this community?" Punters will be encouraged to bring their weekly D&D meetings to the bar, participate in cosplay competitions and e-sports tournaments and make a whole bunch of buddies over beers and movie screenings. So what of the Mana Bar crew? The Melbourne alumni are currently working on a CBD geek bar to called BetaBar. This new space will hope to function as Melbourne's top spot for the indie game developer community to test out their newest adventures on the target market. Sydney geeks aren't left out either, Spawn Point Small Bar is currently getting ready to open on Clarence Street in the CBD. Choosing to set their sights a little wider than the hardcore gaming community, Spawn Point are hooking up retro consoles for Sydney nostalgics — we're talking NES, SNES, N64, PS1, PS2, MegaDrive and MasterSystem consoles. Furious Mario Kart and GoldenEye tournaments will inevitably ensue. The three bars will (hopefully) all open within the coming months, with one proviso to rule them all: No jocks, douchebags or teasing jerks. There's enough to deal with in Skyrim without dragons constantly roasting your backside. Via Gizmodo. Top image by Ben Andrews.
Right now, we all fall into two categories. Firstly, there's the hefty group of people who are already devoted to The Last of Us, the hit video game that's been a button-mashing favourite since 2013 and spawned a sequel in 2020. Then, there's the folks that are about to start obsessing over its new HBO adaptation when it arrives in 2023. Whichever camp you fall into, the just-dropped first teaser trailer for the streaming series sets a moody, creepy, action-packed scene — as expected of a game-to-TV show that dives into a tense and fraught post-apocalyptic version of the US. For The Last of Us newcomers, here's the premise: 20 years after modern civilisation has been destroyed, survivor Joel is hired to smuggle 14-year-old Ellie out of a tough and oppressive quarantine zone. There wouldn't be a game, let alone a television version, if that was an easy task, of course — and if the pair didn't need to weather quite the brutal journey, as well as a nightmarish quest for survival. So far, so intriguing — and while the debut sneak peek does indeed conjure up memories of The Walking Dead, that just comes with the basic concept. The Naughty Dog-created PlayStation game wouldn't be the huge hit it's proven for almost a decade now if it simply cribbed from that TV show, obviously. As a series, The Last of Us also boasts a heap of impressive names — starting with star Pedro Pascal (The Unbearable Weight of Massive Talent) as Joel, plus Game of Thrones' alum Bella Ramsey as Ellie. Fans of the game will note that Ashley Johnson (Blindspot) and Troy Baker (Young Justice), who voiced the two characters in the source material, will indeed pop up in the HBO show. They'll clearly be playing different characters, however. Also pivotal to HBO's adaptation: co-creator, executive producer, writer and director Craig Mazin, who already brought a dystopian hellscape to the US network (and to everyone's must-watch list) thanks to the haunting and horrifying Chernobyl. He teams up here with Neil Druckmann from Naughty Dog, who also penned and directed The Last of Us games. Alongside Pascal and Ramsey — and Johnson and Baker — the series also boasts Gabriel Luna (Terminator: Dark Fate) as Joel's younger brother and former soldier Tommy, Merle Dandridge (The Flight Attendant) as resistance leader Marlene and Aussie actor Anna Torv (Mindhunter) as smuggler Tess. And, Nico Parker (The Third Day) plays Joel's 14-year old daughter Sarah, Murray Bartlett (The White Lotus) and Nick Offerman (The Resort) feature as isolated survivalists Frank and Bill, Storm Reid (Euphoria) pops up as Boston orphan Riley, and Jeffrey Pierce (Castle Rock) plays quarantine-zone rebel Perry. As seen in the trailer, Yellowjackets' Melanie Lynskey also guest stars. The Last of Us doesn't have an exact 2023 premiere date yet — it'll be available in Australia via Binge and in New Zealand via Neon when it does — but you can check out the trailer below: The Last of Us will hit streaming in 2023, including in Australia via Binge and New Zealand via Neon— we'll update you with an exact release date when one is announced.
The cure to decades of SXSW FOMO arrived in Australia in 2023. Sydney played host to the first-ever iteration of the festival Down Under — the first outside of the US, in fact — and put on a massive party. It was a hit. Cue SXSW Sydney 2024, then, to ideally repeat the feat. There's still almost three months to go, but the second Aussie SXSW just keeps getting bigger. So far, organisers of the tech, innovation, screen, music, games and culture festival — which will run from Monday, October 14–Sunday, October 20 this year — have dropped three past rounds of lineup details, starting in May, adding to it in June, then expanding it some more at the beginning of July. Now comes the next batch, growing the music bill, throwing in parties and naming a few extra speakers. More than 40 talents have joined the onstage roster, starting with the UK's Jorja Smith on the 'Be Honest' musician's Australian tour. Also from overseas, Canada's Aysanabee, Thailand's PYRA, New Zealand's Brandn Shiraz and XUZZ, and the UK's Submerse feature. Among the homegrown names, Aussies Brazen Barbie, Jamahl Yami, Kitschen Boy and Special Feelings have scored a spot, plus a heap of other locals. When SXSW Sydney's 25 stages turn on their microphones, then, it's going to be mighty busy. For those keen on networking and shindigs, the lineup there now features parties and mixers hosted by ADA, APRA-AMCOS, Blak Label, Canada House, Concord Music Group, Future Classic, Inertia & [PIAS], Meta, Rolling Stone, The Orchard, UNIFIED Music Group, Virgin Music and Warner Music. Among the events, there's an Indies Please session, one dedicated to Women in Music and a meetup that's all about agents versus promoters. Plus, get ready to dive into international music tours and the streaming landscape, the first talk with WME UK's Global Head of Touring Lucy Dickins and Frontier Touring's Susan Heymann, and the second with Will Page. The latest additions extend a 2024 program that already boasts human rights lawyer Jennifer Robinson, author Johann Hari, Australian race car driver Molly Taylor, pianist Chad Lawson, Westworld's Luke Hemsworth hosting a session about the Tasmanian tiger, Aussie astronaut Katherine Bennell-Pegg, TikTok marketing head Sofia Hernandez, Heartbreak High star Ayesha Madon, cricketer David Warner, Mortal Kombat director Simon McQuoid and documentary Slice of Life: The American Dream. In Former Pizza Huts, about the new uses of former Pizza Hut buildings across America — and that's barely scratching the surface of the lineup specifics announced so far. If you missed it, 2023's inaugural SXSW Sydney welcomed everyone from Black Mirror's Charlie Brooker and Chance The Rapper to Future Today Institute founder and CEO Amy Webb and Nicole Kidman to its stages. In the process, and via not just its talks but also its concerts, films, TV shows and games as, it notched up 287,014 attendances from 97,462 unique attendees. Those figures came from 34,975 total tickets, with folks from 41 countries heading along to 1178 sessions. SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues. Head to the SXSW Sydney website for further details. Images: Jess Gleeson, Ian Laidlaw, Jami Joy, Brendon Thorne/Getty Images for SXSW Sydney.
In Westeros, and in books and TV shows that head to the fictional location, some things are simply inevitable. People saying "winter is coming" is one of them. Creepy relationships, whether because of gross age differences or blood ties, is another. Flowing long blonde hair is yet another certainty. People stabbing each other in the back for the Iron Throne ranks right up there, too. Indeed, there are so many predictable eventualities, you could make a drinking game out of watching new Game of Thrones prequel House of the Dragon — and we did. Here's something we should've included but didn't, though: House of the Dragon proving such a hit straight away that HBO has already renewed it for a second season. If you already been enjoying the show's jump back into House Targaryen's history, to 172 years before the birth of Daenerys and her whole dragon-flying, nephew-dating, power-seeking story, then rejoice — like winter, more is coming. Again, the news is hardly surprising, especially given that House of the Dragon's debut episode, which arrived on Monday, August 22, gave the US cable network its largest American audience for any new original series in the history of HBO. Yes, House of the Dragon is basically a case of new show, same squabbles, as it was easy to foresee it would be. Yes, it's pretty much Game of Thrones with different faces bearing now well-known surnames — and more dragons. And yes, this latest adaptation of George RR Martin's popular fantasy books is bound to continue on for more than just two seasons, but that's all that's confirmed for the moment. If you haven't yet caught up with the series, it dives into the battle for the Iron Throne before the one we all watched between 2011–19. Paddy Considine (The Third Day) plays King Viserys — and it's exactly who should be his heir that sparks all the Succession-style fuss. The words "succession" and "successor" (and "heir" as well) get bandied around constantly, naturally. The king has a daughter, Princess Rhaenyra Targaryen (played by Upright's Milly Alcock, then Mothering Sunday's Emma D'Arcy), who is also his first-born child. But because putting a woman on the throne isn't the done thing, the King's younger brother Prince Daemon Targaryen (Matt Smith, Morbius) considers that spiky iron chair his birthright. And, this wouldn't be Westeros if plenty of other people didn't have an opinion, including Ser Otto Hightower (Rhys Ifans, The King's Man), the Hand of the King; his own daughter Alicent (The Lost Girls' Emily Carey, then Slow Horses' Olivia Cooke); and Lord Corlys Velaryon (Steve Toussaint, It's a Sin), who is married to Princess Rhaenys Velaryon (Eve Best, Nurse Jackie), who had a better claim to the throne when Viserys was named king instead. All that feuding over the realm's spiky metal seat will continue across House of the Dragon's ten-episode first season, of course, before returning for a second go-around. HBO hasn't announced a date for the show's second patch of episodes, but you could bet all the wine in King's Landing on it arriving around this time in 2023. House of the Dragon is the culmination of years of planning to extend the GoT franchise by HBO. Firstly, the American cable network announced that it was considering five different prequel ideas. It then green-lit one to pilot stage, scrapped it and later picked a contender to run withL House of the Dragon. It has also opted to give novella series Tales of Dunk and Egg the TV treatment, too, and to work on an animated GoT show. And, it's been reported that another three prequels are also under consideration — plus a Jon Snow-focused sequel series. Check out the full House of the Dragon trailer below: House of the Dragon streams Down Under via Foxtel and Binge in Australia and SoHo, Sky Go and Neon in New Zealand. Read our full review of season one. Images: Ollie Upton/HBO.
Four months after announcing that the Australian Aboriginal flag will get a permanent berth atop the country's most famous man-made structure — the Sydney Harbour Bridge — the New South Wales Government has committed to making that promise a reality by the end of 2022. A third flagpole will be added to the structure, giving the Aboriginal flag its own place to fly every single day of the year — instead of the current situation, where it is only on display for 19 days annually, for Australia Day, Sorry Day, Reconciliation Week and NAIDOC Week. The NSW Government will commit $25 million in the 2022–23 NSW budget to installing the third Harbour Bridge flagpole, and will do so before the year is out. The bridge's flagpoles stand around 20 metres high — the same height as a six-storey building — while the flags themselves measure around nine metres by four-and-a-half metres, which means they need a strong attachment that's able to hold in all weather conditions. "Our Indigenous history should be celebrated and acknowledged so young Australians understand the rich and enduring culture that we have here with our past," said NSW Premier Dominic Perrottet in a statement. "Installing the Aboriginal flag permanently on the Sydney Harbour Bridge will do just that and is a continuation of the healing process as part of the broader move towards reconciliation." [caption id="attachment_841961" align="alignnone" width="1920"] Mary and Andrew via Flickr.[/caption] Back in February, when the Premier first revealed that a third flagpole would be erected, he advised that it'd happen "as soon as possible". On exactly what date before 2022 is out that'll become a reality hasn't been announced, however, but there's now a concrete timeframe. The Sydney Harbour Bridge currently has two flag poles, with one flying the Australian flag and, when the Aboriginal flag isn't on display on its allocated days, the other flying the NSW state flag. The move to fly the Aboriginal flag permanently follows a five-year-long campaign by Kamilaroi woman Cheree Toka, who also launched a Change.org campaign in 2020 to continue to call on the NSW government to make this exact move. "The Aboriginal flag is a reminder that the country has a history before European arrival," Toka said two years ago. "I think it's really important to have a symbolic gesture on the bridge that identifies the true history of Australia, which is a starting point for conversation around greater issues affecting the Indigenous population." After the first three years of Toka's campaign, she had amassed more than 157,000 digital signatures and the required 10,000 paper-based signatures to bring the issue to NSW parliament. However, when it was debated in the final NSW parliamentary session of 2019, the result then was that it would cost too much to construct a third flagpole to see the Aboriginal flag flying daily — which was what sparked her crowdfunding campaign to raise the $300,000 quoted by the government to 'fund the flag'. Also in Aboriginal flag news this year, the Australian Government unveiled a copyright deal at the end of January with Luritja artist Harold Thomas, who designed the symbol, to make it freely available for public use. The Aboriginal flag will start flying permanently on the Sydney Harbour Bridge by the end of 2022 — we'll update you when further details are announced. Top image: Boyd159 via Wikimedia Commons.
Vivid Sydney is about to illuminate the city once more, kicking off at the end of this month with a creative smorgasbord of events covering light, music and ideas. And luxe Barangaroo spot 12-Micron is using the festival as an excuse to put a very Vivid-type spin on the popular dining in the dark concept. The contemporary fine diner is partnering with renowned French Champagne house Perrier-Jouët to deliver an immersive, multisensory dining experience where guests will be eating, as you may have guessed, in (almost) complete darkness. Inside the restaurant's private dining room, you will be guided through an experiential five-course dinner with the help of 12-Micron's 'sense whisperers'. The menu is under wraps for now, but we know that each dish will be matched to a glass of Perrier-Jouët — from a light, acidic Blanc de Blanc to start right through to the Blason Rosé for dessert. And the room will be transforming into more than just a place to eat. Taking cues from the happenings out on the harbour, it'll become an exhibition that combines food, art, light and music — think French disco vibes. All senses will be engaged as you tuck into this fancy feast. For $190 a ticket, it's a special occasion price but that's what Vivid is, so we say it's warranted. Dining in the Dark kicks off at 7pm on Thursday, May 23 and will run Thursdays–Sundays throughout Vivid. To make a booking, visit the website. Images: Everynight.
Dancing in your lounge room: everyone's doing it, and it seems that almost every musician around is happy to provide the soundtrack. Hot on the heels of virtual dance party Room 2 Radio and Aussie live-streamed music festival Isol-Aid comes Courtney Barnett and Lucius & Friends — and it comes with quite the lineup. Clearly, both Courtney Barnett and Lucius will be playing sets — and, like everyone involved, will be doing so live from their own respective lounge rooms. Joining them is a lengthy list of musos, including Nathaniel Rateliff, Lukas Nelson, Fred Armisen, Sheryl Crow, Sharon Van Etten, Emily King, Bedouine and Jonathan Wilson, with more set to pop up on the day. Live-streaming on Monday, March 23 Down Under — at 8am AEST, 9am AEDT and 11am NZDT — the online gig aims to raise money for Oxfam's COVID-19 Relief Fund. https://www.instagram.com/p/B9-o8PWBFn6/ To watch along, head to Lucius' Instagram Live feed. Top image: Bruce via Wikimedia Commons
Diehard gin lovers, gather round — the Sydney Gin Festival is back. Across Friday, July 21–Saturday, July 22, 55 of Australia's biggest names in the craft gin distillery world will transform the WINX Stand at Royal Randwick into a gin-sipping fiesta. Each will be serving up its own suite of signature tipples, so expect plenty of local creations infused with native botanicals and locally sourced fruits. Purists can also get their hands on classic dry gins, but hey, you've come to the festival to discover something new — why not challenge your juniper-loving pallet a little? Don't miss the likes of relative newcomers Hickson House, Ester Spirits, Prohibition Liquor, Farmers Wife, Three Cuts, LongRays, Great Ocean Road Gin, Newy Distillery and Billson's. Magpie Distilling's Geoff Drummond will also be in attendance, leading a masterclass on gin-making and the art of the G&T, accompanied by a cheeseboard to snack on as your soak in his knowledge. There are four sessions running across the two days. Tickets to each three-hour session will set you back $70, which includes a tote bag, a tasting glass and all of your gin samples.
There are meat theme parks in Japan. Eataly are building the 'Disneyland of food' in Italy. But it looks like caffeinated bevvies are getting tired of going without their own themed digs, with a brand new US$100 million coffee-themed resort park set to begin development in South Korea. Korean specialty coffee giant Tom N Toms have shaken hands with South Korea's Gangwon Province in a multi-million dollar deal to plonk a 64-acre coffee theme park and production HQ smack bang in the industrial realms of Chuncheon on Nami Island. According to Daily Coffee News, the park will create of over 1000 jobs; both on the theme park side of things and the roastery/distribution half. While finite details haven't been released about the innards of the park — we propose steamed milk river rides, some kind of spinning rollercoaster called The Grinder, latte art galleries — the park will sit right beside a proposed Legoland (in the top pic), because all Great Things clearly need to be theme park neighbours. Commercial eyes are squarely focused on the area of PyeongChang, which is rapidly developing in the leadup to its hosting of the 2018 Winter Olympic Games, according to Korea Bizwire. Gangwon Governor Choi Moon-soon and Chuncheon Mayor Choi Don-yong have given their John Hancocks on a deal for the park, geared up to be environmentally-friendly and finished by 2017. This isn't the first coffee theme park in the world, with Colombia's National Coffee Park taking those bragging rights clean away. But with a sweet hundy-million behind it and an actual roastery and distribution facility on site, this park's sure to be full of beans (#sorrynotsorry). Via Korea Bizwire and Daily Coffee News. Top image: Proposed Legoland, South Korea — via DCN.
If you haven't yet forked out the krónas to head to Iceland, you might have only hypothesised about that mystical phenomena known as the Northern Lights (or Aurora Borealis) through Philip Pullman's pageturner. But after this little gem of a new project, you'll be booking flights before you can spell Reykjavík. Created by three independent filmmakers from Reykjavík and a web developer from Azambuja, Portugal, and co-produced by Design Studio Borgarmynd and TrailerPark Studios, Iceland Aurora takes timelapse next level. There's been a fair few amateur timelapse videos cranked out featuring the Northern Lights, like this and this, but this new project is just out of control. Scored by Pétur Jónsson, the non-narrative film was shot in more than 50 different locations around Iceland and put together from over 100.000 individual RAW High Res images. Turning Iceland into Hogwarts meets The Riddler's weird mindreading machine from Batman Forever, the Northern Lights get a whole new round of applause in this stunning new film. Iceland Aurora will be available in full HD and 4K resolution, on DVD and digital download in July 2014. Via Fubiz. Images by Iceland Aurora.
Thanks to the drastically reduced cost of airline travel, more and more of us are venturing into the world than ever before. In fact, 12.3 million people left Aussie shores last year (according to the Australian Bureau of Statistics), which is a rather staggeringly large amount of Contiki travellers and gap year adventurers. In our travels we're prone to meeting new people, discovering many exotic and exciting cultures and places and, very often, discovering a little something about ourselves along the way. True Stories of Heroism and Adventure offers a thought-provoking insight into the particular travel exploits of three intrepid adventurers, exploring the reasons why we feel the need to visit the great 'abroad' to find ourselves, what risks we might undertake while there and what fascinating people we often come across. Described as a 'degustation of the senses', the show features a collaborative mix of new music by Max Rapley (Old Men of Moss Mountain) and grab-you-by-the-eyeballs-and-don't-let-go multimedia visual design. Featuring the brilliant minds of Stephanie Iredale (The Genealogy of Victorian Birds), Julian Dibley-Hall (ATYP's Macbeth and Birds), Emily Morrison (ATYP's Bustown) and directed by Max Rapley (ATYP Young Artist Resident), True Stories will be a voyage without a life jacket, a plane trip without a safety briefing card and a bungee free-fall into the unknown of the spectacularly large amount of things that can happen to three wandering nomads. Catch the show on its brief Sydney sojourn before it heads down to feature at the Adelaide Fringe Festival.
Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. As usual, speculation has run wild in anticipation of the lineup announce — will Childish Gambino be on the lineup (and actually show)? Will there by more than three females? — but the details for Splendour 2019 are finally here. And we're happy to report that some of the rumours were true. Childish Gambino — AKA Donald Glover — himself, will be Splendouring. Well, we hope. Childish Gambino recently cancelled his Spilt Milk appearance and Australian tour due to an ongoing injury, but the lineup also doesn't state that Splendour is his only show — so stay tuned for news of a replacement national tour (hopefully). The other huge names are Chance the Rapper and Tame Impala, the former who is American rap royalty, the latter homegrown Aussie talent who were recently been announced as one of the headline acts for this year's Coachella. There's also a big female contingent — that is kick-ass but still nowhere near as big as the pool of male performers — which includes SZA, Santigold, Courtney Barnett, Thandi Phoenix, Hatchie, Meg Mac and all-female indie rock band Warpaint. Also doing their only Australian shows at Splendour will be Santigold and Slaves. The lineup seems to go on forever, including Foals, The Streets, The Lumineers, James Blake, Friendly Fires, the list goes on. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2019 LINEUP Chance the Rapper Tame Impala Childish Gambino SZA Foals Catfish and the Bottlemen James Blake Santigold The Lumineers The Streets Russ What So Not Courtney Barnett Warpaint Mystery Oz Act Matt Corby Wolf Alice Friendly Fires Broods Dean Lewis Fidlar Cosmo's Midnight Meg Mac Ziggy Alberts Hayden James Dave Dope Lemon Dermot Kennedy Allday & Friends Little Simz The Rubens Maribou State Winston Surfshit Tycho Pond The Teskey Brothers Jacob Banks Wolfmother Tropical F*ck Storm Kyle Hall Local Natives Mansionair Odette Ruby Fields Mike Servito Last Dinosaurs Thelma Plum Trophy Eyes Harvey Sutherland (DJ set) K.Flay Sam Fender Slaves Pub Choir Seb Wildblood The Beths Set Mo Hatchie Honne Kwame The Nude Party Nathan Micay Slowly Slowly Pychedelic Porn Crumpets Kian Kenji Takimi Dear Seattle Charly Bliss Kaiit Phony Ppl A. Swayze and the Ghosts The Midnight Channel Tres Pist Idiots Mormor Suzanne Kraft Erthlings Telephones Moaning Lisa Thandi Phoenix DJ Jnett Wax'o Paradiso Andy Garvey Tyne-James Organ Lastlings Merve Jennifer Loveless Noise in my Head Skin on Skin Rebel Yell Nina Jirachi Body Promise Donald's House Casual Connection DJ Klasik Close Counters Merph Dameeeela Lex Duluxe Splendour will return to North Byron Parklands on Friday 19, Saturday 20 and Sunday 21 July. Onsite camping will once again be available from Wednesday, July 17. Tickets go on sale Thursday, April 11 at 9am sharp AEST through Moshtix. For more info, head to the official Splendour In The Grass site. Image: Bianca Holderness.
When a film is called Dope, you really hope that it is. Telling a hip hop-infused high school tale complete with a '90s-leaning soundtrack to match, writer/director Rick Famuyiwa's movie comes close — and when it's not quite hitting the titular mark, it is having a rather good time trying to. Malcom (Shameik Moore) acts as the feature's guide through his teenage antics, geek-style. He's from a poor, crime-filled part of Los Angeles, and he's a straight-A student in a school where being so isn't cool, but he always has best pals Jib (Tony Revolori) and Diggy (Kiersey Clemons) for company. Their movement up the social ladder comes on account of a drug dealer (A$AP Rocky), who demands that Malcolm passes on a message to a neighbourhood girl, Nakia (Zoë Kravitz). Attraction springs, and so do adventures of the drugs, delinquency and coming-of-age variety. Welcome to this decade's latest version of a 'nerds on top' comedy, as filtered through the pop culture ephemera of the past 30 years. The formula of '80s teen movies, the sounds and clothing of the '90s, and the style and interconnectivity of '00s efforts combine in a film that not only relishes each element but obviously and overtly adores stringing them all together. Indeed, Dope screams enthusiasm, be it for its episodic storyline or for its gleeful mix of genres. Laughs abound, yet so does a caper, a heist and ample race-relations drama, as well as nostalgia. In fact, there's more to Dope than amalgamating its influences: there's also both cultural specificity and ambiguity. Famuyiwa creates a movie that attempts to express both a realistic and exaggerated version of what living in crime-ridden Inglewood as the Harvard-aspiring son of single mother is really like; realistic in showing the many shades of experiences evident, and exaggerated in heightening the complexities, contradictions and differences between seemingly typical inhabitants to stress the film's point about diversity. Malcolm may seem straight outta the Bottoms, but he also likes BMX riding and playing in a punk band — or as he puts it, "white stuff". His friends prove just as multifaceted and stereotype-defying, with Jib (aka The Grand Budapest Hotel's lobby boy) refusing to identify his ethnicity, and Diggy celebrating her sexual and aesthetic androgyny. Accordingly, Dope aims high with its statement, and skews fun in its packaging. Alas, the latter sometimes lessens the former, as enjoyable as the movie proves. Chaotic is the nice way to put it; however, messy and cartoonish also fit, even though the film is always sleek, fast-paced and energetic. It's an offering where the vibe reigns, and the overall sharpness and smartness of its message and dialogue often gets swept up in it.
You've worked all week. You've earned your thirst. And this Sunday you will be rewarded with a big cold beer. Make tracks to your local pub this weekend because Victoria Bitter is shouting a round all across Australia. The free beer giveaway will go down at over 280 venues around the country this Sunday, May 26 from 2–4pm, including 50 venues across New South Wales, over 80 venues across Victoria and a whopping 120 Queensland venues. A few things you should know: the free brews will be limited to one per person and only while supplies last, so you can't count on a completely free afternoon out. The pub will decide the size of the beer, so it could be a pint, pot or schooey — you'll just have to rock up and see. If you're in Sydney, you can head to the New Brighton in Manly, Pyrmont's Harlequin Inn, and the Crows Nest, Kirribilli and Greenacre hotels — and a heap more locations up north and out west. In Melbourne, punters can go along to Young and Jacksons in the CBD, Elsternwick Hotel, Brunswick's Moreland Hotel, the Royal Oak in Richmond and Essendon's Royal Hotel. Up in Brisbane, the CBD's Victory Hotel is slinging the freebies, as is the Valley's Brunswick Hotel, and the Newmarket, the Breakfast Creek, the Stones Corner and Sunnybank hotels. VB's Our Shout giveaway will run from 2–4pm on Sunday, May 26 at venues across the country. Check NSW, Victoria, Tasmania, SA and ACT venues here, and Queensland and WA venues here.
Hey, remember Pokémon Go? That insanely popular augmented reality mobile game that seemingly everyone was playing until suddenly they weren't? Well, it turns out the developers behind said game are branching out into another beloved fictional universe: the wizarding world of Harry Potter. Niantic, which developed Pokémon Go as well as Ingress, will team up with Warner Bros. Interactive Entertainment on Harry Potter: Wizards Unite. According to a Niantic announcement, "players will learn spells, explore their real world neighbourhoods and cities to discover and fight legendary beasts and team up with others to take down powerful enemies." It also said the game "will leverage the full stack of the Niantic Platform while also providing an opportunity to pioneer all new technology and gameplay mechanics." That's about all we know for now – although it does sound as though players may encounter a few familiar faces, with the game's website promising appearances by "iconic characters". Please let it be Dobby (#neverforget). If you're interested, you can sign up for more information about the game via www.harrypotterwizardsunite.com.
Whether you're a big nature nerd or err on the indifferent side to the science of it all, chances are you've seen at least some of Sir David Attenborough's Planet Earth. The BBC nature documentary series — narrated by the man himself and accompanied by an epic score from Hans Zimmer — first aired back in 2006, and its follow-up second season, Planet Earth II, was released just two years ago. But the bits you've seen on TV or YouTube are sure to be belittled when the live show comes to Australia this April. Like the performances of Harry Potter and Star Wars we've seen in recent months, Planet Earth II Live in Concert will see the documentary screened in all its glory accompanied by a live orchestra. And it's a big sore. The music has been composed by none other than Hans Zimmer (responsible for epics like The Lion King, Gladiator, The Dark Knight Rises and Inception) alongside Jacob Shea and Jasha Klebe. In Sydney, the score will be performed by the Sydney Symphony Orchestra at the ICC with conductor Vanessa Scammell and, in lieu of Attenborough, Eric Bana will be narrating in real time.
When Melbourne's acclaimed 400 Gradi achieves a significant feat, it doesn't rest on its laurels. It was true when the Italian joint whipped up a 99-cheese pizza, which it then bested with a 150-cheese pizza. And it has proven true at one of the pizza industry's night of nights: the 50 Top Pizza awards in Naples. At last year's gongs, 400 Gradi claimed the title of Best Pizzeria in Oceania. This year, it's done so again. It's only the third year that the awards have been held, with the Melbourne eatery now emerging victorious two years running over all other pizza places in the region. To anoint its winners, the event secretly judges almost 1000 pizzerias in Italy and around the world. While 400 Gradi topped the list in Oceania, it had some local company in the shortlist, including Melbourne's +39 Pizzeria, Doc Pizza & Mozzarella Bar, SPQR Pizzeria and Woodstock Pizzacheria; Sydney's Gigi's Pizzeria and Rosso Antico Pizza Bar; Brisbane's Pizzeria Violetta; and The Dough Room in Perth. It has been a big year for 400 Gradi, with the pizza joint also picking up another coveted prize this year at the Olimpiadi Vera Pizza Napoletana contest. Held by the Associazione Verace Pizza Napoletana (which is also known as The True Neapolitan Pizza Association), it compiles a ranking of the best pizzerias in the world — and while 400 Gradi didn't take the top spot, it did come in second. 400 Gradi Essendon eatery was the only restaurant outside of Naples to make the top five, in fact, and was joined by 400 Gradi at Brunswick and Gradi Crown at sixth and eighth place. To check out the 50 Top Pizza awards full lineup of award-winning pizzas, visit its website. To run through the Olimpiadi Vera Pizza Napoletana contest winners, head to its website, too.
When spending your days vacationing around the world is a genuine lifestyle choice, how do you follow up a chaotic Hawaiian getaway at a swanky resort? With a jaunt to Italy to stay in the same chain's just-as-exclusive Sicilian abode. That's the reality for Tanya McQuoid-Hunt, aka the character that newly minted Emmy-winner Jennifer Coolidge was born to play in The White Lotus — and you'll be able to start watching what happens during her latest trip before October is out. Mark Monday, October 31 in your diary, as that's when HBO's biting satire will return for its second season, including via Binge in Australia and Neon in New Zealand. Yes, we know that that's the same date as Halloween, but prepare for something twistier, more scathing and more playful than trick-or-treating — at least based on The White Lotus' exceptional first go-around, which just swept Hollywood's TV night of nights earlier in September. Coolidge returns as McQuoid-Hunt, this time travelling to another White Lotus hotel with her husband Greg (Jon Gries, Dream Corp LLC) and assistant Portia (Haley Lu Richardson, After Yang) in tow. HBO hasn't dropped a trailer for the show's second season yet, so exactly what Tanya's latest vacation will entail — and how it'll turn sour — hasn't even been teased yet. But based on a couple of brief Twitter clips, the level of opulence seen at the Hawaiian outpost remains. Also present: a new twist on the series' still-unnerving theme song. While The White Lotus season one also starred Murray Bartlett (Physical), Connie Britton (Bombshell), Steve Zahn (Where'd You Go, Bernadette), Sydney Sweeney (Euphoria), Fred Hechinger (Fear Street), Brittany O'Grady (Little Voice), Kekoa Kekumano (Aquaman), Alexandra Daddario (Songbird), Jake Lacy (Mrs America) and Natasha Rothwell (Insecure), a new cast of faces is joining Coolidge and Gries this time around. Checking into season two: F Murray Abraham (Mythic Quest), Michael Imperioli (The Many Saints of Newark) and Adam DiMarco (The Order) as three generations of one family; Aubrey Plaza (Best Sellers) and Will Sharpe (Defending the Guilty) as a newly wealthy couple vacationing with pals played by Theo James (The Time Traveller's Wife) and Meghann Fahy (The Bold Type); Tom Hollander (The King's Man) as an English expat away with Leo Woodall (Cherry) as his nephew; Beatrice Grannò (Security) and Simona Tabasco (The Ties) as locals; and Sabrina Impacciatore (Across the River and Into the Trees) as this White Lotus' manager. Once again, creator/writer/director Mike White (Brad's Status) is behind the series — and also once again, the social satire will follow a week in the lives of titular resort's guests and employees. Season two will span seven episodes, however, prolonging the holiday fun/mess. The White Lotus' second season doesn't yet have a trailer, but you can check out HBO's teaser tweets so far below: Reservations are required. Check in to the second installment of #TheWhiteLotus October 30 on @hbomax. #HBO50 pic.twitter.com/cqjqiOB623 — HBO (@HBO) September 23, 2022 We're waiting for you. Experience pure luxury at #TheWhiteLotus Sicily. Join us this October on @hbomax. pic.twitter.com/2CupyaTZ0i — HBO (@HBO) August 30, 2022 The second season of The White Lotus will be available to stream Down Under via Binge in Australia and Neon in New Zealand from Monday, October 31. Read our review of season one.
El Primo Sanchez made waves when it was launched in early 2023 by The Maybe Group, bringing free karaoke, a sprawling tequila collection and authentic Mexican bites to the table. Now, the bustling Paddington eatery is switching the latter up, exchanging its sit-down cantina cuisine for a taqueria-style menu. Newly appointed Head Chef Diego Sotelo (Rico's Tacos) has drawn on his Guadalajaran roots to design a lively agenda that pairs with the venue's famously upbeat cocktails. Named Primo's Taco Corner, expect a food offering centred on a build-your-own fiesta, where guests have plenty of choice to shape their perfect bite, from the style of dish to the protein inside. You might opt for a classic taco, quesadilla or burrito, or step things up with a cheese-crusted costra or even a California-style burrito jam-packed with fries. Then, it's up to you to select a meat (or plant-based) filling. Sotelo has come up with several tantalising options, with the low- and slow-cooked al pastor pork belly marinated in spiced citrus flavours, before being finished on the flame to add smoke-fuelled heat. You've also got beer-battered Baja fish with jalapeño mayo; beef barbacoa featuring a sharp salsa roja; or the vegan alternative, loaded with tomato, spice and dried chilli goodness. Another addition is the quesabirria — a birria-style beef and melted cheese one-two punch. Here, beef cheek and brisket have been braised for hours on end, then folded into a tortilla with melted cheese and served with a glossy consommé to dip and dunk. If you can't make up your mind, Primo's Taco Corner also presents a new set menu for $69 per person, stacked with guac, nachos, tacos, quesadillas, loaded fries and churros. "We wanted to create something that felt more like a classic taqueria — casual, lively, and all about flavour," says Sotelo. "The cocktails at El Primo Sanchez have always been playful and fun, and we wanted the food to match that same energy. It's food made for groups, for late nights, for that moment when you want something easy, satisfying, and made to go hand-in-hand with a great drink." Speaking of drinks, the cocktail menu remains unchanged since it launched in late 2024. Developed by General Manager Eduardo Conde, a Mexico City local and the 2023 Diageo World Class Australian Bartender of the Year, big and bold flavours are still the focus. Highlights include the Viva la Vida, which delivers a mango-spiked riff on a Tommy's margarita, alongside tequila twists on espresso martinis, mezcal-driven negronis and boozy slushies. Head along to see how they pair with El Primo Sanchez's revamped food offering. El Primo Sanchez is open Wednesday from 5pm–11pm, Thursday from 5pm–12am and Friday–Saturday from 5pm–2am. Head to the website for more information.
In the space of less than a week, the last two Super Bowl half-time show headliners have both announced 2025 tours to Australia. First, Kendrick Lamar locked in a prime slot at Spilt Milk just months after taking to the field. Next, 2024's Super Bowl performer Usher has confirmed Aussie dates for his Past Present Future world tour. He's heading to Melbourne in November and Sydney in December. The appropriate reaction if you're an Usher fan: yeah! This will be the eight-time Grammy-winner's first Australian solo headline tour since 2011. Celebrating his three-decade career is the name of the game — which means going all the way back to his first single 'Call Me a Mack' from 1993, also playing tracks off of his latest 2024 album Coming Home, plus working his way through plenty in-between. "I can't wait to bring this tour to Australia, a place where I hope to retire in the future. See you soon!" said Usher, announcing his trip Down Under. Eight dates have been locked in for when Past Present Future makes its Aussie stop: four each at Rod Laver Arena in Melbourne across Wednesday, November 19–Thursday, November 20 and Saturday, November 22–Sunday, November 23, plus another four at Qudos Bank Arena in Sydney from Monday, December 1–Tuesday, December 2 and Thursday, December 4–Friday, December 5. And yes, that timing means that Usher and Lamar will be here at around the same time, given that Spilt Milk runs across the first two weekends of December. The first US shows on the Past Present Future tour were announced just days before Usher's Super Bowl set, which worked through hits from across his lengthy career itself. From August–December 2024, the Texas-born singer made his way across North American stages, before heading to Europe (including England, France, the Netherlands and Germany) from March 2025. Also popping up on his setlist across the tour so far: 'Yeah!', of course, plus everything from 'Can U Get Wit It', 'Nice & Slow', 'U Remind Me' and 'U Got It Bad' to 'Burn', 'OMG', 'Euphoria' and more. Usher Past Present Future World Tour Australia 2025 Dates Wednesday, November 19–Thursday, November 20 + Saturday, November 22–Sunday, November 23 — Rod Laver Arena, Melbourne Monday, December 1–Tuesday, December 2 + Thursday, December 4–Friday, December 5 — Qudos Bank Arena, Sydney Usher is touring Australia in November and December 2025. Presales start on Monday, May 12 at 11am for Melbourne and 12pm for Sydney, while general tickets go on sale at 12pm for Melbourne and 1pm for Sydney on Friday, May 16 — head to the tour website for more details. Images: Marcus Macdonald / Bellamy Brewster.
Google's just made life a whole lot easier for people across the world, this week launching a new wheelchair-friendly transit feature for its Maps app. While Google Maps has been helping users get around their cities on public transport for years, a lack of information about important things like wheelchair accessible trains and elevator locations has made the app way less user-friendly for those with limited mobility. But that's set to change, with Google Maps in Sydney, Tokyo, New York, London, Boston and Mexico City now featuring wheelchair accessible route options. When getting directions for public transport, users in these cities can simply hit 'options' and select 'wheelchair accessible' under 'routes' to access a list of suggested courses that take mobility needs into consideration. It's not only a huge (and overdue) win for travellers with physical disabilities, but it's also useful for those getting around on crutches or pushing prams. Google's been enlisting the help of people across the globe to improve this part of its services, gathering accessibility information from individuals and groups of Local Guides for over 12 million places. Plenty more cities are expected to add these wheelchair accessible routes in the coming months — let's hope Melbourne and Brisbane are among them.
Since a US remake of Jemaine Clement and Taika Waititi's vampire sharehouse mockumentary What We Do in the Shadow was first hinted to back in 2017 — then confirmed in May the following year — three brief teasers have dropped. Now, finally, us mere mortals have been blessed with a full two-minute trailer. The ten-episode American version is set to air in the US this March, and has been written by Clement and directed by Waititi. It follows three vampire flatmates living in New York City. Despite being written and directed by Clement and Waititi, the duo won't be starring in the new-look series (but may make guest appearances — we hope), instead it'll feature Toast of London's Matt Berry, Four Lions' Kayvan Novak, British stand-up comedian Natasia Demetriou, The Magicians' Harvey Guillen and The Office's Mark Proksch. Unfortunately for Aussie fans, an offical release date has not yet been announced — but it's looking like we will get to see the series. According to ads aired frequently during Foxtel's Golden Globes broadcast, the show is headed to the pay TV network's Fox Showcase channel at a yet-to-be-revealed date. In New Zealand, the ten-episode mockumentary will air on Sky TV's SoHo2 in March. Here's the first full What We Do in the Shadows trailer in all its glory: https://www.youtube.com/watch?v=VWUiU3t5udM The US remake is just the latest addition to the What We Do in the Shadows universe, too. A follow-up, We're Wolves, is in the works, focusing on the undead bloodsuckers' Rhys Darby-led lycanthrope enemies. And television spinoff Wellington Paranormal, following the movie's cops (Mike Minogue and Karen O'Leary) as they keep investigating the supernatural, debuted its first season last year and has a second season in the works. What We Do in the Shadows will debut in America on FX on Wednesday, March 27, with a New Zealand screening scheduled on SoHo2. We'll update you as soon as further release dates have been announced.
