Sydney Contemporary, Carriageworks fourth annual celebration of all things art, will return from September 13–16 — and the fair lineup is so jam-packed that it's bursting at the finely-designed seams. Held during Sydney Art Week, the lineup is over-flowing with performances, exhibitions, tours, talks and openings that celebrate both homegrown and international art. The program will not only take place in Carriageworks, but also in partner venues across the city — most notably during the return of its night cap series at venues like the Bearded Tit, The Old Fitzroy and Artspace. We even have our hand in the after-hours happenings, with the opening night party presented by Concrete Playground. We've teamed up with Melbourne-based creative duo Prue Stent and Honey Long to take over The Royal Hotel from 9pm through midnight and bring you one helluva lineup of live performances, installations and DJs. We're keeping the details close to our chest for now, but we can say that it's a party you won't want to miss. Back at Carriageworks, the program features artist Patricia Piccinini, who will take over the Elston Room with her other-worldly survey show, The Field — which has been developed from its time at Brisbane's Gallery of Modern Art. On the performance art side, they've got Taipei-born Parisian artist River Lin, vanishing art act Emily Parsons-Lord and sonic impulse explorer Michaela Davis. Installations range from Abdul Abdullah's emoji-scrawled portraits to the modern clay figures by the Girringun Aboriginal Art Centre, along with the interactive sound sculptures from Megan Cope. Plus, a moving image program directed by Melbourne-based Kelly Gellatly (Ian Potter Museum of Art) and tonnes of tours and artist talks are also scheduled. These include a free talk series for all ticket holders, following leading figures as they consider the controversial crossroads between contemporary art and culture — including with a panel of artists discussing the #MeToo movement's effect on the creative industries. The program will also extend once again as far as Barangaroo, where three large-scale commissions will take over the precinct from August 27 through September 24. This year, the installations will include an artistic shelter by Canadian-born Callum Morton, a movement based performance by Mel O'Callaghan and a wind-powered exhibition by Cameron Robbins. The food at Carriageworks will be nothing to scoff at either; though the full lineup of eats has not yet been announced, previous years have seen such Sydney heavy-hitters as Longrain, Billy Kwong and Kitchen by Mike run stalls. Other foodie events include a champagne and canapes brekkie with the artists in residence at Paddington's Sabbia Gallery. Sydney Contemporary runs from September 13–16 at Carriageworks. Visit the event website for the full program details, and to buy tickets.
If you've yet to nab your outfit for Mardi Gras parade night, London clothing brand Sparklebutt has you covered. The fabulous design label, which — if you haven't worked out from its name — makes sparkly pants, shorts, shirts and accessories, is taking over The Forresters on Saturday, March 2 from noon–7pm. This Surry Hills pop-up costume market is guaranteed to get you all sorted for one of Sydney's biggest nights out. Full-on makeovers will be on offer, from eco-glitter and braid bars to bedazzling workshops and threads aplenty. Apart from Sparklebutt, some of NSW's most colourful creators will be selling their wares, including Day By Day The Label, A Beautiful Weirdo Glitter Bar, Trash Vintage, Holosexual Wear, Kirgis Creations and Kat Margarita Designs. DJs will set the vibe while you get all dolled up, and they'll keep the partying going until 1am — with plenty of booze and food from the bar crew, too. Looking for more events to attend during Mardi Gras? Check out nine of our favourite here. Image: Mardi Gras, DNSW.
UPDATE, December 23, 2020: With Sydney's northern regions area currently under stay-at-home orders, Winona Wine is doing same-day deliveries of Christmas purchases if you order before 1pm on Wednesday, December 23. You can order online, and also arrange pick up within the hour if you'd prefer — for folks in the area, or for those elsewhere in Sydney who'd like to support northern beaches businesses. The natural wine craze has made it to the northern beaches in a big way with the opening of Winona Wine. The specialty bottle shop on Pittwater Road focuses on minimal intervention drops, craft beer, Junmai sake and artisanal spirits — and resembles an art gallery more than your local bottle-o. Winona is run by Elli and Cam Walsh, who founded The Funky Bunch in 2016 — a blog and natural wine party that has made its way around Manly — as well as Manly legends Luke Miller (Sunset Sabi, Chica Bonita) and Bo Hinzack (Rollers Bakehouse). "We are all passionate about natural wine, but we couldn't really get it anywhere in the northern beaches," says Walsh. "With The Funky Bunch, we ran these casual makers events that showcased natural wines — Winona is basically an extension of that concept and ethos, with the added expertise of our good friends Bo and Luke." The shop focuses on small producers, specifically working with organic, biodynamic or sustainable vineyards and minimal intervention winemakers. Expect drops from around the country and around the globe, including renowned Adelaide Hills winemaker Lucy Margaux and cult Austrian producer Gut Oggau. "We want to introduce locals to wines they haven't experienced before," says Walsh. "The kinds of wines we're stocking are very new to the northern beaches and we want to help people realise it's not too intimidating to try natural wines." Wild fermentation brewers will also be on show, including Tasmania's Two Metre Tall and Marrickville's Wildflower Brewing. And some very special artisanal spirits will line the shelves — at the moment, those include Syria's Aeijst gin, Mexico's El Jolgorio mezcal and Denmark's Klodsede Bjørn unfiltered vodka. Apart from all the booze, there's an impressive global collection of drinkware and wine accessories on offer, too. Think handblown decanters by Canberra glassblower Annette Blaire; tumblers made using recycled clay by Sydney ceramicist Bryce Malcom; handblown carafes and tumblers by New York artist Chad Davis; brass corkscrews from a small family run operation in Greece called Athanasios Babali; and even a few ceramic pieces from Walsh, who has a background in contemporary art. These pieces add to the art gallery aesthetic of the space, with the wine displayed more as works of art than bottles of booze. To further drive the minimal intervention message home, the team built most of the fit-out themselves, using handmade and natural materials. While the bottle-o is takeaway only, the shop will host regular tastings, meet-the-maker events and masterclasses. Keep an eye on the Winona Facebook for all upcoming event details. Images: Kitti Gould.
Tucked away on Lennox Street, along the Newtown side of Camperdown Memorial Rest Park, A Loft Story is a leafy oasis of a hair salon. Here, you can have your hair cut among plants aplenty, adding to the relaxing vibe that is so necessary at any salon. True to its Newtown home, these specialists offer up the latest, greatest and funkiest hairstyles around. The shop specialises in colouring, so expect to see patrons leaving the salon with turquoise and bright pink dos aplenty — along with the more typical platinum blondes, balayage and tints. Women's' cuts start at $100 and men's' from $75, with treatments starting at $120. And at 240-square-feet, the beautiful warehouse has plenty of space to spare, so it often hosts workshops, parties, gigs and other events. Images: Cassandra Hannagan
Designer stationery company Moleskine are getting into the hospitality game, with the launch of their first ever café, library, retail store and art gallery in Milan. With an aesthetic inspired by the brand's iconic notebook (think clean layout and plenty of neutral colours), the Moleskine Café is split into two levels. The ground floor will be home to the café and exhibition space, along with shared seating areas and an 'experience table' (yeah, alright guys) laden with various Moleskine products. The mezzanine level will be more secluded, featuring private seating and sofas for reading and studying. "We will provide our guests with an innovative retail experience, bringing the socialising dimensions of food, creativity and shopping to a single space designed to reflect the distinctive, clean aesthetics of Moleskine," said Moleskine CEO Arrio Berni. "I believe this vision fully reflects the growing interest people show for retail formats that go beyond the sheer act of shopping and I look forward to validating this concept for global expansion." The café in Milan comes on the back of a trial café in Geneva Airport. The brand is planning to open a number of other locations in major cities around the world, although they're remaining tight-lipped as to exactly which. Via Daily Coffee News and Design Week. Image: Moleskine/Interbrand.
The 2025 Sydney Comedy Festival is taking over Bondi Pavilion for five nights of live comedy from Wednesday, May 14 to Sunday, May 18. Set against the iconic backdrop of Bondi Beach, this week-long showcase will transform the Pavilion's Level One Theatre, Seagull Room, Bar and Balcony into a dedicated comedy hub, complete with sets from international stars, rising local talent, and festival favourites. The lineup is stacked with comedy heavyweights, including He Huang, Ivan Aristeguieta, Luke Heggie, and Ian Bagg, along with a selection of hand-picked standouts in the Best of the Fest International and Sydney Comedy Festival Showcase events. Expect sharp wit, belly laughs, and unexpected punchlines from Jess Fuchs, Elouise Eftos, Alex Ward, Nick White, Sophie Duker, and Paul Coulter. Whether you're keen on razor-sharp satire, absurdist antics, or classic observational comedy, the Bondi Pavilion is the place to be. With ticket prices ranging from $24 to $49.90, you can plan the perfect night out with mates. Secure your tickets now and get ready for a week of unmissable performances. Sydney Comedy Festival at Bondi Pavilion runs from Wednesday, May 14 to Sunday, May 18. For more information or to book your tickets, visit the website. By Jacque Kennedy
The Sydney Harbour is spectacular. That's not exactly a hot new take but Sydney locals and long-time residents can often take it for granted. You might pass over it every day on the bridge, in the car, from the office or on the ferry but every summer you should experience it through the fresh eyes of a tourist. One way to do it is a luxe harbour cruise where you can soak it all in without lifting a finger. Journey Beyond Cruise Sydney offers cruises for every day and occasion aboard the 78ft vessel 'Spirit of Migloo' which follows a loop route that starts at King Street Wharf, goes out under the bridge past the Opera House and Garden Island to Watson's Bay – then back past Taronga Zoo and Kirribilli house to the wharf. All the best things come in threes and that also applies to harbour cruises. The lunch cruise is for you if you're looking for views of the many on-route attractions. On this two-and-a-half-hour adventure, you'll have your pick of the 365-degree views and an al a carte menu inspired by regional produce and made with local ingredients. The dinner cruise is more intimate — a three-hour journey that starts at sunset and goes into the night while you enjoy a three-course dinner. Both options include drinks and locally-sourced wines. Book a sundeck cruise if you need some summer sun on your bones. It's a daytime experience that kicks off with drinks on arrival (and served throughout) paired with regional tasting platters on the vessel's spacious top sundeck. The guest limits on this experience make it ideal for dates, trips with friends and sightseeing tours for first-time Sydney visitors. And if your needs aren't already met, you can also book out part of or the whole vessel for private charters and special event cruises. For more information on Journey Beyond Cruise Sydney and their harbour cruise packages and to make a booking, visit the website.
70s-era porn, but make it a slasher flick: when Ti West's X marked the big-screen spot in 2022, that's one of the tricks it pulled. The playful, smart and gory horror standout also arrived with an extra spurt of good news, with West debuting it as part of a trilogy. 30s- and 40s-period technicolour, plus 50s musicals and melodramas, but splatter them with kills, genre thrills and ample blood spills: that's what the filmmaker behind cult favourites The House of the Devil and The Innkeepers now serves up with X prequel Pearl. Shot back to back with its predecessor, sharing mesmerising star Mia Goth (Emma), and co-written by her and West — penned during their two-week COVID-19 quarantine period getting into New Zealand to make the initial movie, in fact — it's a gleaming companion piece. It's also a savvy deepening and recontextualising of a must-see scary-movie franchise that's as much about desire, dreams and determination as notching up deaths. In one of her X roles, Goth was magnetic as aspiring adult-film actor Maxine Minx, a part she'll reprise in the trilogy's upcoming third instalment MaXXXine. As she proved first up and does again in Pearl, she plays nascent, yearning, shrewd and resolute with not just potency, but with a pivotal clash between fortitude and vulnerability; when one of Goth's youthful X Universe characters says that they're special or have the X factor, they do so with an astute blend of certainty, good ol' fashioned wishing and hoping, and naked self-convincing. This second effort's namesake, who Goth also brought to the screen in her elder years in X, wants to make it in the pictures, too. Looking to dance on her feet instead of horizontally, stardom is an escape (again), but Pearl's cruel mother Ruth (Tandi Wright, Creamerie), a religiously devout immigrant from Germany turned bitter from looking after her ailing husband (Mathew Sunderland, The Stranger), laughs at the idea. This franchise hones in women who know what they want, aren't afraid to attempt to get it and snap after their fantasies as hungrily as an alligator (handily, the Texan ranch that both films so far are set on sports a lake with a large ravenous reptile). That said, the X-Pearl-MaXXXine realm also focuses on women who aren't just one thing, not for a second — being adamant about what they'd like to with their lives included. That's a key reason why X and Pearl alike offer more than merely well-executed carnage, although they each deliver that in visceral spades. West's screenplays, no matter who he is or isn't scripting with, see innocence and insidiousness lurking in the same pools, and spot them with the same clear eyes. In Pearl, they see them peering out from the same peepers as well. Indeed, this saga unpacks the fine line between competing forces, impulses, emotions and outcomes whenever and however it can. One such conflict: the existence that Pearl is told she should be happy with versus the lure of being a chorus girl that she can't shake. Actually, to say that Ruth wants her to be content with her lot in life is overstating it: Pearl's mum doesn't care if her daughter finds any joy in dutiful drudgery. So, the young woman steals away to the local cinema when she can, where the projectionist (David Corenswet, We Own This City) screens the dancers that she wants to be. When they're alone — when she warms to a rare dose of attention — he also screens an early skin flick. And, at home, Pearl works through her sexual appetite with a scarecrow (The Wizard of Oz, this isn't) and her bloodlust by feeding farm animals to said gator. But it's news of auditions for a travelling dance revue, which she pledges to try out for with her sister-in-law Mitsy (Emma Jenkins-Purro, One of Us Is Lying), that truly gets her desires pumping. Like X before it, Pearl's narrative is deeply steeped in its chosen era. This time around, it's 1918 rather than six decades later — a choice of year that isn't just about the maths needed to link to X. As the COVID-19 pandemic ensured that everyone knows, influenza was wreaking havoc. In a detail that mightn't be as well known, it was first recorded just two states up from Pearl's homestead. Also, the First World War was still being waged until November. Pearl's life is touched by both, with sickness an ever-present worry in her town — face masks are sighted — and its men, her husband Howard (Alistair Sewell, The Power of the Dog) among them, off in combat. Confronted by life's grimness several times over, and by a persistent fantasy of breaking free, how's a repressed and downtrodden gal to cope? This one does so with murder and mayhem. Back in the 50s, Douglas Sirk made an art out of 'women's pictures', as they were derisively called — pictures that surveyed the emotional turmoil simmering within unfulfilled female protagonists, and understood how such complex inner chaos could be tied to the times, class and societal structures, and the expectations and restrictions placed upon the fairer sex. The legacy that films like All That Heaven Allows and Imitation of Life have left is immense, and Pearl slots right in beside everything that's followed in those footsteps. Sirk definitely didn't make slashers, though. Neither did Carol's Todd Haynes when he crafted 2002's wonderful Far From Heaven, a drama firmly in the Sirkian mould. West and Goth pay loving tribute to all that cinema has allowed in these past greats, while also getting savagely subversive; their portrait of Pearl's namesake is a horror movie and a tragedy. Pearl is glorious on both Goth and returning X cinematographer Eliot Rockett's parts, too, with a lead performance and a look that could've wowed audiences in the mid-20th century. Goth isn't just the feature's star — she's its pulse, with every electrifying change of mood, expression and pace, often within the same scene, rippling through the film like a gusty farmyard breeze. Rockett unsurprisingly adores staring her way, making Goth as sumptuous a sight as the saturated colour palette around her (not that the High Life, Suspiria and A Cure for Wellness talent needs any help). Composers Tyler Bates (the John Wick films) and Tim Williams (Brightburn) provide a sweeping orchestral score that's equally as rich, harking back to old Hollywood in its swelling notes. West, doing his own editing as he usually does, winks with his use of retro wipes and dissolves as much as the movie's title font. There's grit to this flick, of course, thanks to its devilish rampages and making-of-a-villain origin story, but this is indeed a gem.
"Think of a powerful memory. Make it the happiest you can remember." They're Daniel Radcliffe's words, uttered in the opening moments of the trailer for Harry Potter 20th Anniversary: Return to Hogwarts — and, just like the title for this HBO reunion special, they say it all. First announced in November, and headed to Binge in Australia on Saturday, January 1 and TVNZ On Demand in New Zealand on Sunday, January 2 — to start 2022 off with some magic, obviously — this nostalgic special will celebrate 20 years since the Harry Potter franchise first hit cinemas screens. Yes, HBO is doing with all things wizarding what it did with the cast of Friends earlier this year, in great news for everyone that's been chanting "accio more Harry Potter" for the past decade since the eight-film series wrapped up. Like the Friends special, this one will reteam all of Harry Potter's famous on-screen faces — Radcliffe, Rupert Grint and Emma Watson among them, because it wouldn't be worth going ahead if they weren't involved. Harry Potter 20th Anniversary: Return to Hogwarts won't feature anyone in-character; however, they do indeed head back to everyone's favourite wizarding school, as the just-dropped full trailer for the special also shows. Also taking part is filmmaker Chris Columbus, who directed the franchise's first two movies. Plus, you can expect to spot a huge list of other actors from across the series, including Helena Bonham Carter, Robbie Coltrane, Ralph Fiennes, Jason Isaacs, Gary Oldman and Tom Felton, plus James Phelps, Oliver Phelps, Mark Williams, Bonnie Wright, Alfred Enoch, Matthew Lewis, Evanna Lynch and Ian Hart. You'll notice some missing names — Maggie Smith and Robert Pattinson, for instance, to name just two — but clearly there'll be a whole lot of HP cast members reminiscing about their time in the wizarding world. Whether you're a muggle, a wannabe witch, or someone who spent far too much of their childhood reading the books and watching the flicks, you'll want to mark 7.01pm AEDT / 6.01pm AEST on Saturday, January 1 in your diary in Australia — and 7pm NZST on Sunday, January 2 in your calendar in New Zealand — as that's when the special will hit locally. In the interim, you can check out the full trailer for the Harry Potter 20th Anniversary: Return to Hogwarts special below: HBO's Harry Potter 20th Anniversary: Return to Hogwarts special will be available to stream in Australia via Binge from 7.01pm AEDT / 6.01pm AEST on Saturday, January 1, 2022 — and in New Zealand via TVNZ from 7pm NZST on Sunday, January 2. Top image: Binge / Warner Bros Entertainment Inc.
Sometimes an exhibition gets gallery patrons exploring one artist's work. Sometimes it pays tribute to a specific person, heads back to a certain chapter of the past, or fills walls and halls around a theme. A particular object might be in the spotlight, or a movie franchise. Then there's The NBA Exhibition, which will celebrate hoop dreams and all things basketball when it makes its first-ever Australian visit. After premiering in Warsaw, Poland in 2021, The NBA Exhibition will bounce into Brisbane from Thursday, November 9 — and bound through basketball history at the same time. Catnip for fans of Air and Winning Time: The Rise of the Lakers Dynasty, this sports-focused showcase is big in scope and size, surveying the culture of hopping onto the court and the lifestyle that goes with basketball, too, in a hefty two-level display. Visitors will traverse 1000 square metres and make their way through 20 themed sections. Created with the National Basketball Association, The NBA Exhibition aims to lure in b-ball diehards, casual followers and folks that haven't thought about the sport since their school PE lessons alike — and attendees of all ages. Looking at basketball memorabilia is part of the presentation, but so is throwing a ball around yourself and, thanks to the virtual and augmented reality aspect of the showcase, taking snaps with your favourite NBA players. So, you can get a photo with the Larry O'Brien Championship Trophy, too — aka the coveted prize that each year's NBA Finals' winner receives — and shoot hoops, see how far you can jump and test your reflexes as well. Fancy a picture showing that you can slam dunk, even if you can't? There's a section of The NBA Exhibition for that. Eager to watch NBA highlights using VR goggles? That's also on the agenda. Keen to get surrounded by iconic NBA moments? That's what the infinity room is for. With names like Michael Jordan and Shaquille O'Neal obviously featuring — and Kobe Bryant, Steph Curry, Giannis Antetokounmpo, Magic Johnson and Larry Bird as well — other elements of The NBA Exhibition include a heap of balls and shoes on display; footwear and hand prints from past and present players; art that was commissioned for a pop-up NBA Gallery exhibit in Sydney in 2022, featuring Australian and First Nations artists; and celebrating NBA players that've made the jump from Australia, which is likely to feature Patty Mills, Ben Simmons, Luc Longley, Andrew Gaze and more. Brisbane's Queens Plaza will host The NBA Exhibition's debut Aussie stop — just as it did with The Art of Banksy: Without Limits, which also hails from entertainment platform Fever, earlier in 2023 — with details of any future stints elsewhere around the country not yet revealed. The NBA Exhibition will display at Queens Plaza, 226 Queen Street, Brisbane from Thursday, November 9 — head to the exhibition's website for further details and to join the ticket waitlist.
The realisation that eventually comes to everyone underscores Once My Mother, one that dawned slowly upon filmmaker Sophia Turkiewicz. She grew up listening to stories her mother, Helen, would tell of her life, but could only see as far as the intersection with her involvement. More immediate family history weighed upon Sophia, driving a desire for distance as she grew from a girl into a woman. Unforgiving about time spent in an orphanage, she also demonstrated an unwillingness to look past the emotional scars of her upbringing. It follows that Once My Mother takes a universal process — that of discovering the real personality of our parents, of understanding the true impact of their past not just upon their lives but our own, and of showing compassion for any missteps along the way — and relates it to the audience in the only way possible: as a personal journey. Turkiewicz's documentary is dedicated to dissecting Helen's resilience through decades marked by difficulties of destruction, discrimination and displacement; however, it is also shaped by a daughter's burgeoning awakening to things only age and experience could help her appreciate. Read our full review here. Once My Mother is in cinemas on July 24, and thanks to Change Focus Media, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=-fos7dm2inE
If 11-time world champion surfer Kelly Slater wants to catch a wave, but doesn't feel like going to the beach, he can hop on a board at his inland surf ranch in Lemoore, California. Next time the surfing champ is in Australia, he'll be able to hang ten at a second facility on the Sunshine Coast. While no dates have been announced, the second surf ranch is set to open in Coolum, a 90-minute drive from Brisbane. It'll sprawl over a 510-hectare site, with 75 percent of the space dedicated to wetlands, public areas and lakes — although the surf ranch is clearly the main attraction. Like the Californian spot, the Sunny Coast's surf ranch will use the Kelly Slater Wave System — which, after taking ten years to develop, is crucial to the whole concept. It creates "repeatable man-made waves that convincingly deliver the power and shape of ocean waves most sought after by accomplished surfers, including a hollow barrel allowing for long tube rides". It was the impressiveness of these man-made waves that convinced surfing's governing body World Surf League (WSL) to acquire a majority stake in the Kelly Slater Wave Company (which created the wave technology and owns the Lemoore ranch) back in 2016. Opening more surf ranches was always part of WSL's plans — and, thankfully for us, it's launching the next one in Australia. [caption id="attachment_747864" align="aligncenter" width="1920"] Kelly Slater surfing at World Surf League's surf ranch in Lemoore, California.[/caption] As well as serving up all of the waves and none of the rips, unpredictable conditions and not-so-friendly sea creatures, the $1.1 billion development surrounding WSL's first Aussie ranch will also feature an eco-resort, a hotel, shops, a 'farm to plate' restaurant, serviced apartments, a sports centre, a school and houses. That means that you can head by for a surfing vacation or, if you're super-dedicated and have always wanted an excuse to pretend that you're in Point Break, you can move into the residential area. Like the Lemoore facility, the surf resort will be used for both competitions and coaching purposes. And if you're wondering why WSL has Queensland on its radar, the reasons are twofold. Firstly, surfing is set to become an Olympic sport at the Tokyo games next year. Secondly, the Sunshine State is contemplating putting in a bid for the 2032 Olympics. Australia already has a few man-made surfing spots for the public in the works, with Urbnsurf Melbourne launching this summer, and a Sydney location due to open next year. An outfit called Surf Lakes has also built a prototype spot at Yeppoon in regional Queensland, but it's only for testing — although the ultimate hope is that commercial versions will follow. WSL Surf Ranch is set to open in Coolum, Sunshine Coast. We'll let you know when exact dates are announced. Images: WSL Surf Ranch in Lemoore, California.
Feeling creative this Mardi Gras? Head to The Winery for the return of its infamous Drinks & Doodles sessions, in collaboration with Darlinghurst Life Drawing. Hosted in the leafy surrounds of this urban oasis, the special evening of drinks is your chance to put your drawing skills to the test with a healthy dose of cheekiness. At the centre of it all, a stark naked male model will strike a range of poses, meaning you'll get to sketch them like one of your French guys. Guided by a professional life drawing instructor, you can let your creative juices flow whether you're a newbie illustrator or a budding artist. With this one-time event costing $55 per person, each ticket comes with a glass of beer or wine on arrival alongside all the art supplies needed to craft your masterpiece. As your drawing comes to life, servers will bring around delightful refreshments to inspire your creativity and make this Mardi Gras more special than most.
For a fortnight each May, one French city becomes the centre of the film world. If you're not lucky enough to be there, then you're likely to have a huge case of cinephile envy. Stars, scandals, movies that are applauded, flicks that half the theatre walks out on — that's the Cannes Film Festival each and every year. And, of course, 2018 didn't prove any different — even for those watching from afar. Indeed, taking place from May 8 to 19, this year's fest was filled with off-screen highlights. Firstly, the stacked main jury was led by Australia's own Cate Blanchett — alongside Kristen Stewart, Blue Is the Warmest Colour star Léa Seydoux, A Wrinkle in Time director Ava DuVernay and Blade Runner 2049 filmmaker Denis Villeneuve, among others. Then there was the 82-woman march, protesting the paltry number of female filmmakers who've had titles selected in the festival's competition (if you're wondering, 1866 movies directed by men have made the cut over Cannes' 71 years). Finally, Melancholia and Nymphomanic auteur Lars von Trier was allowed back after famously being banned in 2011, only to make a flick that caused throngs of people to leave. Oh, and Netflix was shut out and people weren't allowed to take selfies on the red carpet. That's all well and good, but it's what's on the festival's screens that really matters — and this year's program boasted plenty of movies to add to your must-see list. Some are definitely headed our way, with release dates already set, like Spike Lee's BlacKkKlansman. And some will show up at Sydney Film Festival this month (three on this list, in fact), with others bound to be announced in the Melbourne International Film Festival full lineup. Others we might have to cross our fingers for, including Jean-Luc Godard's Image Book. With all of that in mind, here's our top five to look out for. https://www.youtube.com/watch?v=Rwcb5ki1f-4 SHOPLIFTERS One of Japan's most prolific and consistent filmmakers of late, Hirokazu Kore-eda is also one of the country's best — and he has the resume to prove it. His last movie, The Third Murder, only premiered at the Venice Film Festival last year and then went on to win six awards at Japan's version of the Oscars. His newest, Shoplifters, premiered at Cannes and is now this year's Palme d'Or winner. Well known for his thoughtful, emotionally resonant explorations of family life in films such as I Wish, Like Father, Like Son, Our Little Sister and After the Storm, he's up to his usual, wonderful tricks in Shoplifters, which tells of a family of small-time crooks who take in a young girl they find on the streets. Kore-eda's works always challenge their scenarios in unexpected ways, and by all reports, this applauded effort delivers. This film will screen at Sydney Film Festival 2018. https://www.youtube.com/watch?v=mwgUesU1pz4 UNDER THE SILVER LAKE It has been four years since David Robert Mitchell creeped everyone out with his smart, unsettling take on the horror genre. If you followed It Follows into Aussie cinemas, you'll want to follow his latest flick, Under the Silver Lake, there as well. This time around, the writer/director spins a Los Angeles-set mystery about a directionless 33-year-old (Andrew Garfield) suddenly caught up in the disappearance of his attractive neighbour (Riley Keough). If that doesn't intrigue you enough, then the fact that It Follows composer Disasterpiece will make another appearance should. As demonstrated in his last film, Mitchell knows how to nod to his influences but still deliver his distinctive sense of mood and tone, so seeing how he does just that with LA noir is certainly enticing. https://www.youtube.com/watch?v=ij9C3Ej5CaE HAPPY AS LAZZARO Italian actress Alba Rohrwacher has already starred in one of the best movies doing the rounds of the international festival circuit this year, thanks to the Berlinale-bowing Daughter of Mine. Now, with Happy as Lazzaro, it seems like she might've featured in another. This year's winner of Cannes' best screenplay award — tying with 3 Faces — it was written and directed by her sister Alice Rohrwacher. And while the story might seem straightforward, the film has a few twists up its sleeves. The feature steps into the life of its titular character (Adriano Tardiolo), a peasant, who forms a bond with Tancredi (Tomasso Ragno), a nobleman. If you're keen on movies that start out one way and end up as something different, this sounds like it'll be right up your alley. https://www.youtube.com/watch?time_continue=85&v=wi6Kw7V8gXk BURNING Plenty of films won plenty of awards at this year's Cannes, as always, but Burning seems to have won the most hearts. It also took home the festival's FIPRESCI prize, which is awarded by a panel of film critics — so that should tell you how widely it was loved. Directed by South Korean filmmaker Lee Chang-dong (2010's Poetry, a best screenplay winner at Cannes) and featuring The Walking Dead's Steven Yeun, the slow-building effort focuses on three characters connected in different ways, with a romance between former neighbours only part of the ambiguous, enigmatic narrative. Plus, Burning is based on a Haruki Murakami short story — and while it also clocks in at 148 minutes, it'll be worth it. This film will screen at Sydney Film Festival 2018. https://www.youtube.com/watch?v=gNp0jlfbgqM CLIMAX Everyone has an opinion on Gaspar Noé. Indeed, his movies are nothing if not divisive. Irreversible, Enter the Void and Love all have their passionate fans and their avid haters, and Climax is bound to fall into the same camp. The French-based Argentinian filmmaker was reportedly annoyed that not enough people walked out of his latest picture, which featured in one of the Cannes Film Festival's sidebars, Directors' Fortnight. Its clearly provocative title aside, the movie has been called Noé's best, so perhaps that's why most of the audience stuck around. The Sofia Boutella (Atomic Blonde)-starring effort also been praised for the director's typically vivid visuals, in a film that's an ultra-violent dance movie as well as a lurid horror flick. It features acid-spiked sangria, which says plenty, really. This film will screen at Sydney Film Festival 2018.
Ready, set, subscribe. Sydney's theatre companies have started rolling out their plans for season 2012, and they have us excited already. Belvoir launched their new season on the weekend, inviting back many of their favourite players from this year and mixing in some vital new blood. Resident director Simon Stone (The Wild Duck, Baal) will adapt and direct two more classics for the stage: Eugene O'Neill's epic Strange Interlude (starring Emily Barclay) and Arthur Miller's Death of a Salesman (with Colin Friels). The production that brought the young director to everyone's attention in the first place, Thyestes, from the Hayloft Project, will finally get a Sydney outing, too, at CarriageWorks during the Sydney Festival. Artistic director Ralph Myers will make his Belvoir directing debut (set design is normally his bag) with Noel Coward's Private Lives, utilising the very charming Toby Schmitz and Eloise Mignon as his barb-slinging divorcees, while Benedict Andrews (The Seagull, Measure for Measure) is also trying out a new role, having written the intriguing Every Breath, which he'll also direct. Other highlights include the collaboration of playwright Rita Kalnejais and director Eamon Flack — both dazzling, young and clever — for Babyteeth, and in the Downstairs Theatre, a version of Medea that promises to do for the Euripides classic what Rosencrantz and Guildenstern Are Dead did for Hamlet. See the full program here. Over at the SBW Stables, the Griffin Theatre vision — to present the best in new and canonical Australian playwriting and support artists from inspiration through development to the stage — is written all over their 2012 season. They've extended their main season from five to six productions, making room for an encore run of Paul Capsis's sweet matriarchal ode, Angela's Kitchen. But first they'll kick things off with a headline piece of Griffin heritage, The Boys, in association with the Sydney Festival. Artistic director Sam Strong will direct this hypnotising, terrifying portrait of male rage that swagged so many AWGIEs and AFIs, and he'll also helm the later Between Two Waves, Ian Meadows' climate change/relationship drama, the first production to grow out of the Griffin Studio development program. Rounding out the main stage programming, The Story of Mary Maclane by Herself will bring together musician Tim Rogers and a historical wild woman, while the 2011 Griffin Award-winning A Hoax (coproduced with La Boite and directed by Lee Lewis) will rip into the culture of celebrity and the commodification of abuse. Meanwhile, the independent season (shows picked by Griffin to play but produced by others, both emerging and established) will bring The New Electric Ballroom in association with the Siren Theatre Company (As You Like It), Porn Cake with Michael Sieders and The Sea Project with Arthur. Finally, Tim Roseman from London's cutting-edge Theatre503 will come over to help pull off Rapid Write, for which writers will only start pitching their most of-the-now ideas a few weeks before opening. Can't wait for next year? Check out Griffin's Smashed and Belvoir's Human Interest Story right now.
In cinemas, 2024 will feature fewer superheroes than normal. Marvel is only releasing Deadpool & Wolverine, while DC is taking the year off as it prepares to start its franchise anew. On the small screen, there mightn't be as many Marvel Cinematic Universe TV shows, either. But if you like your caped-crusader fix to be as chaotic as possible — and if you have a big dose of superhero fatigue with the usual sprawling sagas — you'll be pleased to know that The Boys will be back in your streaming queue midyear. After college-set spinoff Gen V arrived in 2023, earning a season-two renewal in the process, The Boys itself will return for season four from Thursday, June 13, 2024. The exact release date comes after a first trailer for the new season was dropped in December, teasing plenty of mayhem — to the utter lack of surprise of viewers of 2019's first season, 2020's second effort and 2022's third go-around. When The Boys makes its comeback, it'll see the world dealing with Homelander (Antony Starr, Guy Ritchie's The Covenant)-versus-Starlight (Erin Moriarty, Captain Fantastic) factionalism, and just being ready to tear itself apart in general. Victoria Neuman (Claudia Doumit, Where'd You Go, Bernadette) is getting closer to the Oval Office, too, with Homelander pulling the strings. Also on the way: no-nonsense Brit Billy Butcher (Karl Urban, Thor: Ragnarok) dealing with the fact that he's only got months left, and that he's no longer leading The Boys — aka the eponymous ragtag team intent on bringing down Vought International, Homelander, and the company's caped-crusader industry and dominance. And, there's a new face, with Jeffrey Dean Morgan (The Walking Dead) joining the cast, adding another Supernatural link after Jensen Ackles did the same in season three. The Boys focuses on a group of caped crusaders, like most things seem to these days; however, in a world where viewers have been conditioned to lap up narratives about powerful folks who are supposedly better than most, this series both satirises and questions that very idea. Here, superheroes work for Vought. They're still the main form of entertainment, but they're real, the most famous celebrities there are and inescapable in daily life, too. The absolute top talent is known as The Seven, but most are hardly role models when the public isn't looking. That has made quite the change from the usual cinematic universes as the Prime Video show has kept notching up the seasons, all coming to the small screen after being adapted from Garth Ennis and Darick Robertson's comic book series of the same name. As well as Starr, Moriarty, Doumit and Urban, Jack Quaid (Oppenheimer), Jessie T Usher (Smile), Laz Alonso (Wrath of Man), Chace Crawford (Gossip Girl), Tomer Capone (One on One), Karen Fukuhara (Bullet Train), Colby Minifie (I'm Thinking of Ending Things) and Cameron Crovetti (Goodnight Mommy) will all return — with Susan Heyward (Hello Tomorrow!) and Valorie Curry (The Lost Symbol) also set to be season four newcomers. Check out the first trailer for The Boys season four below: The fourth season of The Boys will start streaming via Prime Video from Thursday, June 13, 2024. Read our reviews of The Boys season three and Gen V.
In Jack White’s eyes, “Vinyl is the real deal. I’ve always felt like, until you buy the vinyl record, you don’t really own the album. And it’s not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.” UNDR ctrl thinks so too. That’s why they’ll be ushering in the Queen’s Birthday in style, with Strictly Vinyl 002, the B-Side to the inaugural event, held at Easter. From 9pm on Sunday June 8, crowds at The Cliff Dive, Darlinghurst, will be treated to six hours of vinyl spinning — not a CD, laptop, USB or touch screen in sight. Leading the lineup will be Touch Sensitive (aka Michael Di Francesco), owner of no fewer than 5,000 records and the man behind ‘Pizza Guy’. He’ll be spinning the funk, disco and Italo tracks that inspire his sound. Next up, there’ll be John Fuzzy, producer of epic festivals Parklife, Listen Out, Harbourlife and Field Day, whose collection exceeds 20,000 vinyls. He’s promised to play “some super rare ‘80s disco that [he’s] never heard out before, plus some Balearic and UK soul from ’89-’92.” And rounding the night off will be Ariane, resident at Goodgod, Flinders and beyond, and expert in all things late ‘90s and early 2000s house.
We're understandably sceptical about most tech things that are promised to us. Australians are always the last to get blockbuster films and critically-acclaimed television shows, we're geo-blocked from most great things online, and we pay depressingly more than the rest of the world for all our tech and entertainment goodies. It's a tough hand we've been dealt; one so bad we've taken to just skirting the system completely and either sneakily paying for overseas services like Netflix or becoming all-out pirates. But here's some good news: it looks as though the latest streaming service being shoved in our faces won't completely suck. Joining the iffy selection of commercial Australian streaming services like Quickflix and Foxtel's Presto, Fairfax and Channel Nine's new venture looks like a winner. Launching in February 2015, it's been announced the service will offer on demand viewing with no ads and no contract, it will have a fixed fee of about $10 per month, and it'll be exclusively airing the much-anticipated Breaking Bad spin-off, Better Call Saul at the same time as the US. High fives all 'round, people. This is all every sneaky Australian Netflix user has ever wanted. In fact, to put some icing on the already spectacularly delicious cake, this new platform will also have all five seasons of Breaking Bad in its catalogue and will be revealing one more awesome show every week 'til its launch next year. If there's one thing that's holding it back, it's the name. Though it was previously referred to as StreamCo, today it was announced that this new platform will officially be called Stan. That's right, your new favourite late-night best bud/ultimate time waster will share a name with a melodramatic late '90s rap collaboration from Eminem and Dido. "[We wanted a name] that consumers could actually associate with and actually have a character with," said CEO Mike Sneesby. "Stan is not going to be a character in itself but a brand that will build its own character in being truly Australian." Regardless of that ridiculous logic, this is still a service we can get behind. Though details of the Australian Netflix launch have not yet been announced, at $10 a month Stan would actually be competitive with the US version of Netflix which Australians currently (somewhat dubiously) access for around $9. These price points are also well below the $29.99 fee Quickflix users fork over monthly. So really, it's not so bad. It's not so bad.
Whether you use them for cleansing, decompressing or just some well-earned R 'n' R, spas have been a ubiquitous part of the tourism industry since the Ancient Greeks and Romans set them up all over Europe. Yet that hour of spa-induced tranquility you spent on your last weekend away often represents millions of dollars of investment and some seriously big returns, with hotels and getaway locations increasingly competing to come up with the most extravagant and unique means of relaxation. By combining experimental remedies such as red wine baths, snake massages and bird poo facials with some seriously beautiful locations and a whole lot of steaming hot water, these ten unusual spas promise tourists some bizarre and truly once-in-a-lifetime relaxation experiences. Floating Garden Spa, Amsterdam Resembling something between the Garden of Eden and an LSD fantasy, Amsterdam's Floating Garden Spa is an entire island created for the very purpose of tourist requiescence. Designed by Dutch architects Studio Noach and Anne Holtrop, the island's lush greenery is covered with healing baths, saunas, and various treatment rooms and populated by ecosystems of birds and butterflies. The island is not only a relaxation paradise but a truly remarkable architectural feat, constructed from recycled polystyrene that allows the island to float and continually regulate its own temperature. Healing Salt Caves, Chicago Chicago's Healing Salt Caves are just about the closest you can get to experiencing what it would be like to wander into an underwater palace. These shimmering pink caves attempt to imitate the healing effects of the Black Sea, with salt from the iodine rich Chicago area artificially crystallised to produce an authentic ocean microclimate. Ada Barak's Carnivorous Plant Farm & Spa, Israel Not for the squeamish nor the weak of heart, Israel's most famous spa uses perhaps the most unorthodox of relaxation techniques: snake massages. While it may sound like something out of an Indiana Jones film, the spa's founder, Ada Barak, swears by her collection of non-venomous king snakes, claiming they relieve stress and muscle-tension. If this isn't enough, the spa is also home to an exotic range of carnivorous plants that munch on everything from small mammals to schnitzels, providing a suitably freaky backdrop for the massages, which include up to six snakes slithering on your face and back at any one time. Shizuka Day Spa, New York If snakes aren't your cup of tea, perhaps New York's famous Shikuza Day Spa will sound more appealing. Their specialty: facials made from nightingale excrement. The treatment has been employed for hundreds of years by Japanese Geisha girls, who would use the enzymes in the pungent face mask to cleanse their skin. Shizuka has now perfected the recipe, sanitising the droppings with UV rays and condensing it into a fine powder and costing their many celebrity clients upwards of $180 for a single session. Hakone Kowakien Yunessun, Japan Hakone Kowakien Yunessun costs its many clientele a small fortune to bathe in everything from green-tea, sake, coffee and, most popularly, Beaujolais Nouveau red wine. Since the Japanese resort opened in 2005 it has become a bit of a local phenomenon with the red wine allegedly having a rejuvenating effect on the body and mind. Geometric Mountain Wellness Center, Switzerland Buried within the Swiss Alps this striking structure combines first-class spa treatment with the tranquility of the mountain setting to provide clients with an escapist fantasy. The remarkable design, modeled by architect Mario Botta on the shapes of trees and vegetables, uses enormous glass windows to light the four floors of the Wellness Center and unite its clientele with the serenity of the surrounding village and the epic mountain landscape. Underwater Tropical Spa, The Maldives Located in the soothing and sensual context of a room entirely submerged by water, the Underwater Spa at Huvafen Fushi in the Maldives is a massage experience like no other. This luxurious spa features the rhythmic melody of the ocean gently caressing the windows of the underwater spa room, tropical aquatic life swimming only inches away from you and soft cushions and fabrics resembling the marine life surrounding the room. If this massage and spa doesn't revitalize the soul, we don't know what would. The Blue Lagoon, Iceland There's a reason the Blue Lagoon in Iceland was voted the 'best medial spa' worldwide by Conde Nast Traveller and has been awarded the Blue Flag environmental recognition five years in a row. This natural wonder holds a massive 6 million litres of geothermal seawater, which originates from depths of 2,000m below the Earth's surface, where the temperatures are 240°C and the pressure is 36 times greater than it is on the Earth's surface. The resulting 37-39°C water, which is high in silica and salinity and contains no common bacteria, is renowned for it magnificent natural rejuvenating and healing powers found only at the Blue Lagoon. Geomagnetic Vortex Desert Spa, Mojave Desert A fusion of the awesome power of the Mojave Desert's geomagnetic vortex with the architectural perfection of this UFO-like dome, the 'Integratron' transforms sound into an incredible spiritual and physical healing tool. The 60-minute sonic healing session held inside this acoustically perfect, resonant high-energy dome is described as 'kindergarten naptime for grown-ups in a sound sphere'. Throughout the sound bath, quartz crystal singing bowls are played out to induce heightened awareness and intense rejuvenation and introspection. The Hershey's Chocolate Spa, Pennsylvania Rejuvenate your mind, body and spirit with chocolate at the Hotel Hershey in Pennsylvania. We don't simply mean by eating it though - we mean taking a bath or rubbing your face in it. Hershey's method of spa and massage treatment may be somewhat peculiar, yet it is a delightfully decadent way to pamper yourself and try something new in the process. With options ranging from the Chocolate Bean Polish, to the Fondue wrap, the Whipped Cocoa Bath or the Cocoa Facial Experience, there's sure to be a charming chocolate experience to suit everybody's taste.
How do you follow up a festival that boasted Black Mirror's Charlie Brooker, plus Australian icons Nicole Kidman and Naomi Watts, all talking about their experiences in film and television — and the world-premiere of a documentary about The Wiggles, too? That's the task at hand for the screen-focused side of SXSW Sydney, which is currently in the process of compiling exactly that lineup for its second run. The event's October 2024 dates are still months away, but it keeps dropping details, including Australian filmmaker Warwick Thornton and composer Jed Kurzel newly joining the lineup. The director behind Samson & Delilah, Sweet Country and The New Boy, Thornton will take to the stage to give audiences a live director's commentary of one of his features. Which movie it'll be — he's also helmed The Darkside and documentary We Don't Need a Map — hasn't yet been revealed. Kurzel's filmography doesn't just include his brother Justin's Snowtown, Macbeth, Assassin's Creed, True History of the Kelly Gang and Nitram, but also everything from The Babadook and The Nightingale to Alien: Covenant and Dev Patel's directorial debut Monkey Man. He'll be doing a live commentary as well, talking through how he scores opening sequences. [caption id="attachment_861204" align="alignnone" width="1920"] Mark Rogers[/caption] Thornton and Kurzel are two big names in Australia's film industry — and they have impressive company in the latest round of SXSW Sydney 2024 announcements, as the fest's Monday, October 14–Sunday, October 20 dates get closer. From Margot Robbie's production company LuckyChap Entertainment, Barbie executive producer Josey McNamara will chat about the organisation's recent flicks, which also spans Promising Young Woman and Saltburn. And Mark Andrews, who co-helmed Pixar's Brave, will discuss his work at independent animation studio Floating Rock. With Mortal Kombat director Simon McQuoid already on the lineup, plus Heartbreak High star Ayesha Madon on the music bill, and also Westworld and Bosch & Rockit star Luke Hemsworth — albeit the latter hosting the session Better Than a Hollywood Movie: The Highs, Lows, Epic Moments and Colossal Steps Forward in Bringing Back the Tasmanian Tiger, so not talking about his screen career — the 2024 fest's roster of big movie and TV names just keeps growing. SXSW Sydney has just added a heap of other talks, too, covering Floating Rock's origin story, women in VFX and animation, film distribution in Australia and what it means to have your work screen at the OG SXSW in Austin. Keen for a crash course in the industry? That's where 90-Minute Film School will come in, debuting with a focus on five aspects of filmmaking. A screen mentorship program will also join the Sydney program for the first time. [caption id="attachment_967878" align="alignnone" width="1920"] Jaimi Joy[/caption] There's no new word on what will be getting projectors rolling, however, so watch this space if you're keen to glue your eyes to the the latests flicks and TV shows. As part of its many lineup drops so far — a first batch came in May, then a second round in June, then two others earlier in July — the festival has already revealed that documentary The Most Australian Band Ever! about the Hard-Ons sits on the roster. So does S/He Is Still Her/e: The Official Genesis P-Orridge, which is executive produced by Against Me!'s Laura Jane Grace — and also Alien Weaponry: Kua Tupu Te Ara, about thrash metal in the Māori language. Firmly a must-see from past announcements: Slice of Life: The American Dream. In Former Pizza Huts. The latest documentary from Barbecue and We Don't Deserve Dogs' Matthew Salleh and Rose Tucker, who are no strangers to SXSW in Austin, it sees the Australian-born, Brooklyn-based duo explore the US today through former Pizza Hut buildings. [caption id="attachment_967880" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney.[/caption] [caption id="attachment_967879" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] [caption id="attachment_953711" align="alignnone" width="1920"] Jaimi Joy[/caption] [caption id="attachment_953720" align="alignnone" width="1920"] Katje Ford[/caption] SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues. Head to the SXSW Sydney website for further details. Top image: Jami Joy.
Teacher-turned-indie goddess Alexis Krauss and waiter-turned-beats master Derek Miller will return to Australia next month. The duo's stentorian synthesis of driving riffs, shredding guitar and rhapsodic melodic hooks has been on high rotation for many a punk rock devotee since M.I.A. signed them to N.E.E.T. Recordings in October 2009. February 2012 brought the release of Reign of Terror, the follow-up to 2010 debut Treats. The sophomore album sees Sleigh Bells ascend to louder, heavier musical heights, but also carries them through deeper lyrical explorations. Krauss, a curious combination of Joan Jett street tough and Cindy Lauper airiness, croons, moans and belts her way through stories of suicide, brutality and loss. Krauss has described Reign of Terror as "innately much more melodic and guitar-oriented" and "more intimate" than their debut. As deducible from Reign's live opening track, 'True Shred Guitar', Sleigh Bells' shows are raw, feverish, dynamic affairs, powered by Krauss's relentless energy and Miller's rock-fuelled sound explosions. https://youtube.com/watch?v=YiwcUdX7XMw
Next time you slather your hands with sanitiser, you could be covering them with your favourite booze as well. With alcohol a crucial ingredient in the now-essential product — especially sanitiser that's effective against COVID-19 — distilleries and breweries are doing their part to help boost supplies. To the delight of rum lovers, that now includes Queensland's iconic Beenleigh Rum and Bundaberg Rum. While gin aficionados can splash their digits with Manly Spirits Co's gin-infused hand sanitiser — and plenty of other boozy outfits are jumping on the trend, too — fans of fermented and distilled sugarcane juice can look forward to freshening their fingers with their preferred tipple. Well, in a way. Australia's oldest distillery, Beenleigh Rum is whipping up its own sanitiser and selling it online; however, the end product doesn't feature any of its branding. Still, if you order a carton of Wheel & Barrow hand sanitiser, you'll be ordering sanitiser made by Beenleigh Rum — with online orders available now, by the carton, for delivery from Friday, March 27. Beenleigh Distillery owner Angelo Kotses originally just planned to start making sanitiser to keep the company's own workers safe, but decided to pump out more when asked by the Queensland Government. The distillery will also provide the state with a supply of the product for schools and frontline workers. If you're a Bundaberg Rum devotee, the Coral Coast-based operation is focusing on producing ethanol for use in hand sanitiser. It won't be making sanitiser itself — so you won't see bottles all over the place with Bundy Rum's bear logo — but it is donating 100,000 litres of ethanol to the Queensland Government to be used in making sanitiser, which will produce around 500,000 bottles. Although there's no word yet on how the government will be using the Bundy-infused sanitiser, fingers crossed that it'll be made available to the public — given how much Bundy Rum is drunk across the state, it's certain to be popular. To buy Beenleigh Rum-produced hand sanitiser, visit the distillery's website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Among Australia's most applauded movies of 2023, Warwick Thornton teaming up with Cate Blanchett, a thrilling horror debut and an extremely personal story about resilience have topped the nominations for the Australian Academy of Cinema and Television Arts Awards. On TV, a stellar media drama, excellent page-to-screen hit, glorious rom-com and the latest from The Kates have achieved the same feat. Yes, it's been a good year on screens big and small Down Under. That means that The New Boy (12 nominations), Talk to Me (11), Shayda (nine), The Newsreader (15), The Lost Flowers of Alice Hart (12), Colin From Accounts (ten) and Deadloch (ten) all lead the way at Australia's annual accolades for the best movies and TV shows of the past year. The winners will be revealed in 2024, on Thursday, February 8 and Saturday, February 10, 2024 at HOTA, Home of the Arts on the Gold Coast, in tandem with a brand-new four-day festival also celebrating Aussie film and television. Previously called the AFI Awards, the AACTA Awards have spread the love to a heap of other productions, giving the aforementioned titles a heap of company. In the Best Film field, Of an Age, Sweet As and The Royal Hotel are up against Shayda, Talk to Me and The New Boy. Also on the big screen, the Best Indie Film category spans A Savage Christmas, Limbo, Monolith Streets of Colour, The Rooster and The Survival of Kindness. Among TV's big hitters, Best Drama Series spans Bay of Fires, Black Snow, Bump, Erotic Stories, Love Me and The Newsreader — and Best Narrative Comedy Series features Colin From Accounts, Deadloch, Fisk, Gold Diggers, Upright and Utopia. And, for shows that only run for one season, Best Miniseries covers Bad Behaviour, In Our Blood, Safe Home, The Clearing, The Lost Flowers of Alice Hart and While The Men Are Away. Need something to watch over the holidays? You can also consider the 2023 AACTA Award nominations a list of must-see homegrown movies and TV shows, with everything from tender queer coming-of-age tales, outback thrillers and noir-ish detective stories to family-focused comedies, relationship dramas and jumps to the past covered. Among the highlights, the Best Director field overflows with talent, including Jub Clerc for Sweet As, Kitty Green for The Royal Hotel, Noora Niasari for Shayda, Danny Philippou and Michael Philippou for Talk to Me, Goran Stolevski for Of an Age and Warwick Thornton for The New Boy — but the same can be said for every category. And yes, the Matildas even earned some love, as they have been everywhere in 2023, this time for engaging documentary series Matildas: The World at Our Feet. Here's a selection of this year's major AACTA nominations, ahead of the awards' ceremonies on Thursday, February 8 and Saturday, February 10, 2024 at HOTA, Home of the Arts on the Gold Coast — and you can check out the full list on AACTA's website: AACTA NOMINEES 2023: FILM AWARDS: BEST FILM Of an Age Shayda Sweet As Talk to Me The New Boy The Royal Hotel BEST INDIE FILM A Savage Christmas Limbo Monolith Streets of Colour The Rooster The Survival of Kindness BEST DIRECTION Jub Clerc, Sweet As Kitty Green, The Royal Hotel Noora Niasari, Shayda, Danny Philippou, Michael Philippou, Talk to Me Goran Stolevski, Of an Age Warwick Thornton, The New Boy BEST LEAD ACTRESS Zar Amir Ebrahimi, Shayda Shantae Barnes-Cowan, Sweet As Cate Blanchett, The New Boy Julia Garner, The Royal Hotel Sarah Snook, Run Rabbit Run Sophie Wilde, Talk to Me BEST LEAD ACTOR Elias Anton, Of an Age Simon Baker, Limbo Thom Green, Of an Age Phoenix Raei, The Rooster Aswan Reid, The New Boy Osamah Sami, Shayda BEST SUPPORTING ACTRESS Alex Jensen, Talk to Me Deborah Mailman, The New Boy Tasma Walton, Sweet As Mia Wasikowska, Blueback Ursula Yovich, The Royal Hotel Selina Zahednia, Shayda BEST SUPPORTING ACTOR Mojean Aria, Shayda Eric Bana, Blueback Wayne Blair, The New Boy Rob Collins, Limbo Zoe Terakes, Talk to Me Hugo Weaving, The Rooster BEST SCREENPLAY Kitty Green, Oscar Redding, The Royal Hotel Noora Niasari, Shayda Danny Philippou, Bill Hinzman, Talk to Me Goran Stolevski, Of an Age Warwick Thornton, The New Boy BEST DOCUMENTARY Ego: The Michael Gudinski Story Harley & Katya John Farnham: Finding the Voice The Dark Emu Story The Giants The Last Daughter This Is Going to Be Big To Never Forget BEST CINEMATOGRAPHY Carl Allison, Godless: The Eastfield Exorcism Sherwin Akbarzadeh, Shayda Aaron McLisky, Talk to Me Katie Milwright, Sweet As Warwick Thornton, The New Boy BEST EDITING Dany Cooper, Carmen Katie Flaxman, Sweet As Geoff Lamb, Talk to Me Michelle McGilvray, Matt Villa, Courtney Teixera, Scarygirl Nick Meyers, The New Boy BEST SHORT FILM An Ostrich Told Me the World is Fake and I Think I Believe It Ashes Finding Addison Jia Mud Crab Not Dark Yet TELEVISION AWARDS: BEST DRAMA SERIES Bay of Fires Black Snow Bump Erotic Stories Love Me The Newsreader BEST NARRATIVE COMEDY SERIES Colin From Accounts Deadloch Fisk Gold Diggers Upright Utopia BEST MINISERIES Bad Behaviour In Our Blood Safe Home The Clearing The Lost Flowers of Alice Hart While The Men Are Away BEST LEAD ACTOR IN A TELEVISION DRAMA Tim Draxl, In Our Blood Travis Fimmel, Black Snow Joel Lago, Erotic Stories Sam Reid, The Newsreader Richard Roxburgh, Bali 2002 Hugo Weaving, Love Me BEST LEAD ACTRESS IN A TELEVISION DRAMA Kate Box, Erotic Stories Aisha Dee, Safe Home Bojana Novakovic, Love Me Teresa Palmer, The Clearing Anna Torv, The Newsreader Sigourney Weaver, The Lost Flowers of Alice Hart BEST ACTING IN A COMEDY Celeste Barber, Wellmania Kate Box, Deadloch Patrick Brammall, Colin From Accounts Harriet Dyer, Colin From Accounts Kitty Flanagan, Fisk Nina Oyama, Deadloch Helen Thomson, Colin From Accounts Julia Zemiro, Fisk BEST COMEDY PERFORMER Tom Gleeson, Hard Quiz Jim Jefferies, The 1% Club Luke McGregor, Taskmaster Australia Rhys Nicholson, RuPaul's Drag Race Down Under Nina Oyama, Taskmaster Australia Charlie Pickering, The Weekly with Charlie Pickering Natalie Tran, The Great Australian Bake Off Cal Wilson, The Great Australian Bake Off BEST SUPPORTING ACTRESS IN A TELEVISION DRAMA Alycia Debnam-Carey, The Lost Flowers of Alice Hart Marg Downey, The Newsreader Michelle Lim Davidson, The Newsreader Heather Mitchell, Love Me Leah Purcell, The Lost Flowers of Alice Hart Brooke Satchwell, Black Snow BEST SUPPORTING ACTOR IN A TELEVISION DRAMA Tim Draxl, Erotic Stories Alexander England, Black Snow William McInnes, The Newsreader Bob Morley, Love Me Hunter Page-Lochard, The Newsreader Guy Pearce, The Clearing BEST DIRECTION IN A DRAMA OR COMEDY Ben Chessell, Deadloch (episode one) Emma Freeman, The Newsreader (episode four) Glendyn Ivin, The Lost Flowers of Alice Hart (episode one) Matt Moore, Colin From Accounts (episode six) Trent O'Donnell, Colin From Accounts (episode three) BEST DIRECTION IN NON-FICTION TELEVISION Katie Bender Wynn, Matildas: The World at Our Feet (episode two) Stamatia Maroupas, Queerstralia (episode one) Josh Martin, Adam and Poh's Great Australian Bites (episode one) Rachel Perkins, Dylan River, Tov Belling, The Australian Wars (episode one) Henry Stone, Aaron Chen: If Weren't Filmed, Nobody Would Believe BEST SCREENPLAY IN TELEVISION Patrick Brammall, Colin From Accounts (episode six) Harriet Dyer, Colin From Accounts (episode three) Kate McCartney, Kate McLennan, Deadloch (episode one) Adrian Russell Wills, The Newsreader (episode four) Lucas Taylor, Black Snow (episode one) BEST CINEMATOGRAPHY IN TELEVISION Sam Chiplin, The Lost Flowers of Alice Hart (episode one) Earle Dresner, The Newsreader (episode four) Aaron Farrugia, Aunty Donna's Coffee Cafe (episode one) Tania Lambert, Erotic Stories (episode two) Katie Milwright, Deadloch (episode one) BEST EDITING IN TELEVISION Peter Bennett, Aunty Donna's Coffee Cafe (episode one) Danielle Boesenberg, Colin From Accounts (episode three) Angie Higgins, Deadloch (episode one) Angie Higgins, The Newsreader (episode four) Deborah Peart, The Lost Flowers of Alice Hart (episode one) Deborah Peart, Dany Cooper, The Lost Flowers of Alice Hart (episode six) BEST ENTERTAINMENT PROGRAM Dancing with the Stars Eurovision Song Contest 2023 Lego Masters: Grand Masters Mastermind The 1% Club The Amazing Race Australia: Celebrity Edition BEST COMEDY ENTERTAINMENT PROGRAM Hard Quiz RocKwiz Taskmaster Australia Thank God You're Here The Cheap Seats The Weekly with Charlie Pickering BEST FACTUAL ENTERTAINMENT PROGRAM Alone Australia Gogglebox Australia Kitchen Cabinet Old People's Home for Teenagers Take 5 with Zan Rowe Who The Bloody Hell Are We? BEST DOCUMENTARY OR FACTUAL PROGRAM Matildas: The World at Our Feet Ningaloo Nyinggulu Queerstralia The Australian Wars War on Waste Who Do You Think You Are BEST CHILDREN'S PROGRAM Barrumbi Kids Beep and Mort Bluey Crazy Fun Park The PM's Daughter Turn Up the Volume BEST STANDUP SPECIAL Aaron Chen: If Weren't Filmed, Nobody Would Believe Celeste Barber: Fine, thanks Hannah Gadsby: Something Special Jim Jefferies: High & Dry Lizzy Hoo: Hoo Cares!? Rhys Nicholson's Big Queer Comedy Concert BEST LIFESTYLE PROGRAM Adam and Poh's Great Australian Bites Gardening Australia Grand Designs Australia Love It or List It Australia Selling Houses Australia The Great Australian Bake Off BEST REALITY PROGRAM Australian Survivor: Heroes v Villains FBOY Island Australia Hunted Australia MasterChef Australia Real Housewives of Sydney RuPaul's Drag Race Down Under BEST ONLINE DRAMA OR COMEDY Appetite Latecomers Me & Her(pes) Monologue The Disposables The Future of Everything
So many places to visit, only so much cash in the bank. When Australia starts to reopen its borders both domestically and internationally, that's the situation we'll all face. So, if you're looking to save some money on airfares once you can start heading off on holidays again, that's understandable. Enter Bonza, the new Aussie low-cost airline that's set to launch early next year. An exact date hasn't been revealed as yet, but sometime in 2022, you'll have another choice when it comes to flying across this country of ours. The new independent carrier will focus on local flights with low fares — and on opening up routes to more of regional Australia. "Bonza's mission is to encourage more travel by providing more choices and ultra-low fares, particularly into leisure destinations where travel is now often limited to connections via major cities," said Bonza founder and CEO Tim Jordan, who comes to the airline with 25-plus years experience in low-cost carriers such as Virgin Blue, Cebu Pacific in The Philippines and central Asia's FlyArystan. While the airline's list of destinations hasn't yet been announced yet either, the aim is to service "regional communities by providing new routes and greater travel opportunities," Jordan continued. The airline will base its headquarters in a yet-to-be -revealed part of regional Australia, too. Wherever it ends up heading, Bonza will fly Boeing 737-8 aircraft. Fare prices and inclusions — such as baggage, meals and snacks, and selecting your own seat — haven't been mentioned as yet, with the airline still working through the regulatory process. When it launches, the carrier will take to the skies with the backing of US private investment firm 777 Partners, which also has a hand in Canada's Flair Airlines and the Southeast Asian-based Value Alliance. And yes, this now means that your 2022 Aussie holidays just got a whole lot cheaper — and that, alongside Jetstar, Qantas and Virgin Australia, you'll have more airline options. Bonza is set to start flying sometime in 2022. For more information, head to the airline's website.
A book described as "a modern story of sex, erotica and passion. How the sexiest sales girl in business earns her huge bonus by being the best at removing her high heels," might not be anything to write home about. But what if the author of said book was someone's dad, and that someone decided it would be hilarious to read a chapter every week to the entire world, with some incredibly funny friends providing commentary? Jamie Morton did just that with his father's (pen name: Rocky Flinstone) erotic 'novels', the Belinda Blinked series. And so the audacious and pants-wettingly hilarious podcast My Dad Wrote a Porno was born. Since its premiere in 2015, the podcast about "the best/worst erotica ever written" has racked up over 150 million downloads. And now, off the back of an HBO Original Series featuring a "lost chapter", Morton and his pals James Cooper and Alice Levine are bringing their hilarious smut back to Sydney in 2020. As part of a huge world tour, the live show will treat 'Belinkers' to two shows at the Sydney Opera House on Wednesday, January 8 and Thursday, January 9 (with the second added due to overwhelming demand). Team Porno will read unreleased material from the erotic saga while throwing in a few surprises and interactive elements. Now four books deep — with the fifth due to be cracked opened on Monday, September 9, 2019 — the series follows the sexual escapades of Belinda Blumenthal who works in the sales and marketing department of a pots and pans company. There have been leather rooms and nipples as big as Titanic rivets, anti-erotic ridiculousness with sales reps and young-ish men, references to pomegranates and the popping of vaginal lids, and one truly disgusting flaking prosthetic appendage. If you're a fan of the show, the live incarnation should make you very happy. As Belinda says, "When you get what you want, you feel great." Tickets go on sale at 1pm on Thursday, July 18, 2019
A mainstay in the Sydney live music scene, The Metro Theatre is an independent venue that has hosted some of the world's best rock n' roll acts — both local and international. The grungy space has been rocking for decades now and has seen the likes of Muse, Placebo, The Eels, Alex Lloyd and The Dandy Warhols take the stage. More often than not, the theatre focuses on emerging talent, but you can catch bigger acts there from time to time, too. If you're looking to impress for your next gathering, you can even hire out The Metro for all of your nearest and dearest mates.
If you're the type of traveller who chooses their hotels for the perks and extra inclusions, then you'll be particularly excited about an upcoming new addition to Melbourne's accommodation offerings. Mövenpick Hotel Melbourne on Spencer is set to launch sometime this May, marking the Swiss brand's second site in Australia, after Mövenpick Hotel Hobart opened earlier in the year — and if either the chain's name or its country of origin have you thinking of sweet treats, yes, they're part of the hotel's menu. For starters, Mövenpick Hotel Melbourne will be celebrating chocolate hour every afternoon. Going on the Hobart setup, that's when you'll receive a free dessert — such as an eclair, brownie or truffle — when you purchase a chocolate-flavoured cocktail, mocktail or affogato. Mövenpick's hotels all serve the brand's line of food and beverages as well, which means that Mövenpick ice cream is also available. The menu doesn't just cater to your sweet tooth, though. At breakfast, guests can choose to enjoy juice-blended energy shots, along with a range of health-focused and nutritious options available to eat in or grab-and-go. One of more than 80 of the brand's accommodation sites worldwide and run in collaboration with Accor, Mövenpick Hotel Melbourne will boast 172 guest rooms housed within the new 78-storey Premier Tower development on Spencer Street. It's decked out with boutique interiors, and comes complete with a 25-metre swimming pool, sauna and gym. The new hotel will also be home to a southeast Asian restaurant and bar, which'll rock a contemporary fitout courtesy of design agency Greymatters. It's slated to plate up traditional Asian grill and barbecue dishes, and will open daily for lunch and dinner. Find Mövenpick Hotel Melbourne on Spencer at 160 Spencer Street, Melbourne, from May 2021. Head to the Accor website for bookings and other information. Images: artists impressions of Mövenpick Hotel Melbourne on Spencer.
Music festival fans, it's time to take your horse to the old town road — hat down, cross-town, livin' like a rock star. New South Wales end-of-year staple Lost Paradise has announced its return for 2022, and it's making a comeback with two huge headliners: Lil Nas X, clearly, as well as Arctic Monkeys. Since first unleashing its specific flavour of festival fun back in 2014, Lost Paradise has become an end-of-year staple — and the Glenworth Valley event returns from Wednesday, December 28–Sunday, January 1 for another packed year. Joining Lil Nas X and Arctic Monkeys will be a massive lineup of genre-diverse artists ranging from local up-and-coming bands, powerhouse international DJs, Tik Tok sensations and festival favourites. Across the festival's four stages you can catch the likes of Jamie xx, Ocean Alley, Spacey Jane, Ben Bohmer, G Flip, PinkPantheress, Cub Sport and Genesis Owusu performing live, as well as Peggy Gou, Mall Grab, Folamour, DJ Boring, HAAi, TSHA, Ebony Boadu, CC:Disco!, Dameeeela and Latifa Tee jumping on the decks. [caption id="attachment_687549" align="alignnone" width="1920"] Jordan Munns[/caption] Also on the lineup: Young Franco, The Vanns, May-A, KiNK, Furnace and the Fundamentals, King Stingray, 1300, Big Twisty & the Funknasty, Elsy Wameyo, Heidi, X Club, Flava D, Telanova, Lazywax, and Wongo DJing back-to-back with Little Fritter. Outside of the music, there will be talks from Dr Karl and Dancewize, DJing workshops with Luen, a full yoga program, hula hooping sessions, and a whole lot more — all as part of a four-day camping festival. So, there's plenty to get excited about and to tempt you to make the journey an hour out of Sydney. Lost Paradise 2022 will introduce a ban on single-use plastics, too — which'll mean that you'll need to acknowledge the 'Paradisian Pledge' to minimise pollution and leave the campsite with no waste in order to purchase tickets. Also, this year's event will only use building materials built from 100-percent recyclable materials, and produce zero landfill. [caption id="attachment_687550" align="alignnone" width="1920"] Jordan Munns[/caption] LOST PARADISE 2022 LINEUP Music: Arctic Monkeys Lil Nas X Jamie xx Ocean Alley Spacey Jane G Flip Pinkpantheress Cub Sport Genesis Owusu Young Franco The Vanns MAY-A Furnace & The Fundamentals King Stingray Pacific Avenue Telenova 1300 Stumps Big Twisty & The Funknasty Egoism Yung Mtyr Lazywax Elsy Wamayo Eagle Eye Jones Abby Bella May Greatest Hits Sweetie Liyah Knight Coconut Cream Liquid Time Casual Fan Peggy Gou Mall Grab Ben Böhmer Folamour DJ Boring KiNK HAAi TSHA CC:DISCO! Heidi X Club. Flava D Shanti Celeste Moxie Loods Wax'o Paradiso Wongo Little Fritter Merve Luen Ebony Boadu Ayebatonye Crush3d James Pepper Elijah Something Latifa Tee Willo Dameeeela Mincy Conspiracy Crew Luke Alessi Troy Beman Mintox Waxlily Uncle Ru Girlthing Dj's Cleo Clutch 4 Love Roxy Lotz Madami Shambhala Fields: Yoga Sharing Loving Energy with Simon Borg-olivier Restorative Yin Acro Yoga Laughter Yoga Primal Flow Intro to Vedic Meditation Mindfulness Mastering the Handstand Workshops Move & Manifest with Mimi DJing 101 With Luen Effigies & Idols Pottery Hula Hooping Re-Wilding Women and the Feminime Soul Drumming Foraging & Bushcraft Skills Breathwork Cacao Love Ritual Samba Reggae Belly & Bootydance Love Out Loud Movement Talks Messages of Good Hope With Dr Karl A Human's Guide to the Future Party Safe with Dancewize Nsw Transformational Mindsets & Rites Of Passage Ai And the Future of Humanity Open Up With One Eighty Culture Weaving Workshop Wyappa Wurk: Aboriginal Yoga & Movement Seeds Of Peace with Uncle Phil Indigenous Dance Moving Beyond Sustainability Yidaki (Didgeridoo) Sound Of Moon & Healing Healing Haven Remedial Massage Tarot & Astrology Reiki Healing Energetic Healing Ambience After Dark Baran Yildiz Dave Leha AKA Radical Son Billsbry Luminous Sounds With Sati Delojaan: Sydney Sufi Ensemble Nye Cacao Ceremony Top images: Ruby Boland
Having launched in 1992, Simon Johnson has been selling quality ingredients sourced from the world's best artisan producers to chefs and home cooks for nigh on thirty years. But this old dog still has a new trick or two up its sleeve. Forced to adapt during the COVID-19 pandemic, after seeing its usual restaurant and hotel customers drop off because of the closures, Simon Johnson opened a warehouse clearance store — which is great news for you. The providore market transformed its Alexandria shop into the SJ Outlet Store, a permanent direct-to-the-public clearance shop with discounted bulk and wholesale items, as well as its usual retail offering. And the discounts it's offering are, frankly, wild. We're talking 35–90 percent off everything from caviar and fancy condiments to cheese. Ninety percent off cheese, folks. Cheese. As well as cheese, the store has its usual array of chocolates, honey, coffee, crackers, cooking equipment and so much more. While the hefty discounts do only apply in-store, Simon Johnson is also offering a delivery service to homes across Sydney metro.
Sydney is a city made for sparkling wine. There's no better beverage to match summery climes, dreamy harbour vistas and pretty beaches. Whether you're shaking off a long day at work or dissolving into the evening after a leisurely Saturday, the best time to drink it is at sundown. Now that the warmer months are here, Chandon S is popping up in venues all over the place with dedicated outdoor spaces, lounges and bar carts. This summery drop is a blend of Yarra Valley sparkling wine and orange bitters — an aromatic combination of blood and navel oranges, fresh ginger, gentian root, vanilla pods, cinnamon quills and cardamom. Here's where to find this refreshing tipple and soak up every drop of the sunny season.
Food truck addicts rejoice. You can now track down your favourite food truck, not by running hungrily through the city, but by downloading a newly released app from the City of Sydney. With the click of a button on your smartphone you can find a burger, tacos, noodles or whatever your late-night craving is the second your mouth starts to water. Once the app is downloaded, hungry Sydneysiders can see where food trucks are serving and get directions to the truck from their current location. Menus, pictures and prices are available through the new app, and users will be able to check the latest updates and specials for each truck too. Just then you thought your smartphone did everything, it now makes gourmet food on the go one step easier. Say goodbye to the days of chasing your favourite food truck down the street only to watch it drive away leaving you teary-eyed with a growling stomach. Download the app here.
See Cate Blanchett take on 13 roles in one, in a dramatic new film installation at the Art Gallery of NSW. Co-commissioned by the Gallery in partnership with ACMI, the Hamburger Bahnhof - Museum für Gegenwart in Berlin and the Sprengel Museum in Hanover, Manifesto is a bold new multichannel work from celebrated German artist Julian Rosefeldt, with the Oscar-winning screen star at its centre. Housed at the Gallery from May until November, Rosefeldt's installation questions the role of the artist today, drawing on the philosophies of numerous pre-eminent artists, including writer Andre Breton, sculptor Claes Oldenberg and filmmaker Jim Jarmusch. From these sources, Rosefeldt has crafted a collage of artistic manifestos, which Blanchett articulates through the guise of various characters, including a school teacher, a newsreader, a homeless man and a puppeteer.
Waking up and not knowing who you are or where you are has become a Hollywood staple. Source Code takes the formula and flips it. Army helicopter pilot, Captain Colter Stevens (Jake Gyllenhaal) wakes up on a train bound for Chicago fully aware of who he is. Problem is, he is in the body of another man. Within minutes, a bomb goes off, destroys the train and Stevens is dead. And thus kicks off this new science fiction mystery thriller. From director Duncan Jones, son of David Bowie and director of 2009's BAFTA Award winning Moon, Source Code has received widespread critical and audience applause as well as drawing comparisons with Memento and Inception. As it happens, we have 10 double passes to screenings of Source Code to giveaway thanks to Hopscotch Films. To win, simply subscribe to Concrete Playground (if you haven't already) then email hello@concreteplayground.com.au with your name and address. Entries close Friday, April 22. https://youtube.com/watch?v=_3QkJ_a1nlw
Sydney might have enjoyed a somewhat mild-ish start to 2018, with only one 30-degree day on January 1 and temperatures staying in the mid-20s since; however a blast of hot, hot heat awaits come the weekend. Indeed, finding some frosty air-con or a shaded pool is recommended on Sunday, when the city is predicted to reach more than 40 degrees in some areas. The Bureau of Meteorology may only expect the mercury to make it to 39 degrees in the CBD (we know, we know, there's no such thing as only 39 degrees) on Sunday after a maximum of 31 degrees on Saturday, but highs of 45 degrees are expected in Penrith, 44 degrees in Richmond, 43 degrees in Liverpool, Blacktown and Campbelltown, and 41 degrees at Sydney Olympic Park. The hot spell will see the city swelter through its first weekend of 2018, after experiencing its second warmest year on record in 2017. As reported by Weatherzone, 2017 came second only to 2016, and only by 0.1 degree. The figures are based on the city's average temperature for the entire year, which was 19.5 degrees in last year and 19.6 degrees the year prior. It's Sydney's 25th consecutive warmer than average year based on mean temperature — and a year that featured a November heatwave, one of the hottest recorded September nights and one of its hottest winter days as well. Thankfully, the current blast of scorching summer warmth will be short-lived. Monday will reach 33 degrees, while the rest of the week isn't forecast to exceed 30, with temperatures hovering between 24 to 29 degrees. Phew. It was originally thought that Sydney might escape the toasty weekend temps, only hitting the low 30s, with the rest of southeastern Australia also set for a balmy few days as well. Melbourne will endure a 41-degree day on Saturday, its warmest day for two years, while Adelaide will reach 41 degrees as well, and Canberra will hit 36 and 38 degrees across both days. At the upper end of the east coast, Brisbanites get off somewhat lightly, with a comparatively bearable 31 and 32 degrees predicted for the weekend. Via the ABC.
Summer means long days, beach outings and lively nights, but when the heat makes it unbearable to even venture outside, create your own slice of paradise in the comfort of your home. With the festive season around the corner and no sign of the cost-of-living crisis slowing down, turn your balcony into a vibrant destination for leisurely catch-ups over home-cooked spreads and refreshing tipples. With the help of Weber, we've pulled together five ways to elevate your outdoor living space, so you can while away the hot summer days without working up a sweat. The Weber Lumin A good barbecue is a quintessential summer experience, but it's often too tricky to turn that dream into a reality when you're stuck on an apartment balcony. Legendary barbecue brand Weber has you covered with the Lumin — a compact electric barbecue designed to be set up in smaller spaces. Don't let its size or lack of gas fool you. The multi-functional Lumin packs a punch and is able to deliver a range of cooking methods, from grilling to steaming and smoking. Simply plug the barbecue into any electrical outlet and you're ready to don your apron, crack open a cold one and get barbecuing. Pillow Loungers If you're living in the vicinity of the city, it's unlikely that you'll have space for anything bigger than a single recliner (if you're lucky). But you can still bring the beach to your balcony with Business & Pleasure Co's pillow loungers. Crafted from UV and weather-resistant Pleasuretex fabric, the Reclining Pillow Lounger boasts five adjustable settings and is easily transportable for any picnic, pool or beach needs. If you have a little more room to play with, the Modular Pillow Stack is the versatile hero to solve all your outdoor comfort needs. Arrange the pillows to suit any occasion, whether it's a cosy sofa, reading nook, sun-bathing deck or additional seating for guests. Both loungers come in a variety of sunny colours to bring a dash of Euro summer to your home and can be folded flat for storage. Cocktail Trolley Between cooking and lounging, you won't want to make the long trek back into your apartment for drinks. Round out your outdoor set-up with a cocktail trolley, which can double as storage, a counter for meal prep or a display shelf. Brighten up your aperitivo hour with Fenton & Fenton's all-weather aluminium and powder-coated outdoor bar cart, or keep things fresh with the Heller Alfresco Cooler from Temple & Webster. The latter comes complete with an 80-litre capacity for ice and drinks, as well as a drainage plug and tube for easy cleaning. To really impress your guests, we'd even recommend grilling or smoking fruit on your Lumin to create a seasonal cocktail with a smoky twist. Outdoor Rugs An outdoor rug might seem counterintuitive, but Ruggable's garden and patio rugs are a colourful way to tie your space together. The outdoor range is stain, water, fade, mould and mildew-resistant. The best part? Your rug can be thrown into the washing machine when it inevitably gets a little dirty. Whether you're looking to create a Mediterranean escape, jungle oasis or coastal haven, there's a print and style to suit every aesthetic. Greenery Experience the great outdoors, no matter your outdoor dimensions. Make even the smallest balcony feel ever-so-slightly bigger with some lush greenery. Don't have any semblance of a green thumb? Opt for artificial plants, like these click-and-fix artificial turf tiles from IKEA, luxe faux botanicals from Pottery Barn, or smaller hanging plants from The Plants Project. You won't ever have to worry about killing a fiddle leaf again. Find out more about the Lumin at the Weber website.
In late 2020, it was announced the Sydney Gay and Lesbian Mardi Gras was moving its legendary parade to the Sydney Cricket Ground for 2021 in a bid to keep the event COVID-safe. This is the first time in the event's 42-year history it won't be taking place on Oxford Street — but that doesn't mean the local businesses aren't still getting involved in the celebrations. Thanks to additional funding from the City of Sydney, the Darlinghurst Business Partnership's annual Oxtravaganza event is bigger and better than ever this year. Between Thursday, February 19 and Sunday, March 7, the streets and businesses of Darlinghurst are coming alive with live performances, parties, special discounts, a self-guided art walk and much more. Popular LGBTQIA+-friendly venues, including Stonewall, Universal, Claire's Kitchen and Trade, are hosting cabarets, burlesque shows and drag performances across the two weeks leading up to the parade. And, on the night of the parade — Saturday, March 6 — The Oxford Hotel, Universal, Darlo Bar and Kings Cross Hotel will host viewing parties. Meanwhile, local retailers are offering some epic deals across clothes, accessories, shoes and more, so you can get your look sorted for the big night. And surrounding bars and restaurants are also helping to keep the good times rolling with special menus and discounts across the two-week period. Pop into Wings and Tins for $5 schooners or La Farmacia for $5 Mexican lagers. Meanwhile, Darlo institution Bill & Toni's is serving big bowls of spag bol for a tenner and Brick Lane is offering 15-percent off if you dine between 5–6pm. Finally, Sydney brewery Young Henrys has special Karma Kegs set up at a bunch of nearby bars (Kinselas Hotel, Courthouse Hotel, Darlo Bar, The Oxford, The Strand and Universal) with all proceeds from beer sales going to The Gender Centre. Images: Robert Knapman Photography
If George Clooney can float around in space in Gravity and Matt Damon can get stranded on Mars in The Martian, then Brad Pitt can race buggies on the moon in Ad Astra. Another Ocean's 11 star, another intergalactic movie — and another big-screen sci-fi spectacle, obviously. Pitt plays Roy McBride, an Army Corps engineer who is determined to soar into the stars and beyond, all to follow in his father's (Tommy Lee Jones) footsteps. His dear old dad went missing on his own space mission in mysterious circumstances, and if Christopher Nolan's Interstellar taught us anything a few years ago, it's that searching for family and blasting out of this world seem to go hand-in-hand. Donald Sutherland, Liv Tyler and Loving's Ruth Negga also feature, with Ad Astra marking the latest release from The Immigrant and The Lost City of Z filmmaker. The latter is definitely cause for celebration, with the director's previous movies proving thoughtful, detailed, exquisitely performed dramas. Take all that to space — in a film that's been delayed a few times due to the extensive visual effects work required — and hopefully it'll soar. For a while, it's been a good time to watch great movies about big-name stars in space; just this month, Robert Pattinson blasts off in High Life, too. But if you're a Pitt fan, the next few months are shaping up to be particularly exciting — before he rockets to the outer edges of the solar system in Ad Astra, he'll be stepping back to the 60s in Quentin Tarantino's Once Upon a Time in Hollywood. Watch the first trailer for Ad Astra below: https://www.youtube.com/watch?v=Tm3h6iWmIEw Ad Astra releases in Australian cinemas on September 19.
Dreaming of La Dolce Vita? From Wednesday, October 26 through to Saturday, November 26, Disaronno will be transforming CBD bar Jackalberry into a lush Amalfi-inspired haven — reprieving newly returned Italo-travellers from holiday nostalgia and treating those who stayed on home soil. Expect the watering hole — which sits pretty on the lobby level of Hyatt Regency Sydney — to deliver a not-quite-to-scale Trevi Fountain set against picturesque scenes from some of Italy's most iconic cityscapes, a menu packed with meals you'd tuck into at a traditional trattoria (like homemade gnocchi di manzo brasati) and cocktails that spotlight both the syrupy smoothness of the celebrated amber liquid and the creative flair of Jackalberry's expert mixologist. Plus, with the snap of a pic, visitors can go into the draw to win a chic prize pack that will see them stay at the lush Hyatt Regency Sydney, dine at Jackalberry, and take home two Disaronno fizz glasses and a $1000 Gucci gift card. An excellent example of the sweet life, no? Jackalberry will be transformed into an Italian escape thanks to Disaronno from Wednesday, October 26 till Saturday, November 26. Head to the website for more information and to nab a booking.
When season five of Stranger Things arrives, it'll bring with it a big ending, wrapping up the Netflix hit for good after the next batch of episodes. Yes, everything from Succession to Barry is also saying farewell these days, but Stranger Things won't be completely dropping off the radar — it has spinoffs to slip into your streaming queue, including a just-announced new animated series. Back in 2022 when Stranger Things creators Matt and Ross Duffer revealed that their sci-fi show was working towards its endgame, they also said that they had more stories to tell in this fictional — and sometimes Upside Down — realm. Instantly, we all knew what that meant. Netflix doesn't like letting go of its hits easily, after all, so the quest to find a way to keep wandering through this franchise was about as surprising as Jim Hopper's (David Harbour, Violent Night) usual gruff mood. "Seven years ago, we planned out the complete story arc for Stranger Things. At the time, we predicted the story would last four to five seasons. It proved too large to tell in four, but — as you'll soon see for yourselves — we are now hurtling towards our finale. Season four will be the penultimate season; season five will be the last," the Duffers said at the time. "There are still many more exciting stories to tell within the world of Stranger Things; new mysteries, new adventures and unexpected heroes," the Duffers continued. Cue the upcoming Stranger Things cartoon, which doesn't yet have a name, but will boast the Duffer brothers as executive producers. Obviously, it's headed to Netflix. "We've always dreamed of an animated Stranger Things in the vein of the Saturday morning cartoons that we grew up loving, and to see this dream realised has been absolutely thrilling," the siblings said, announcing the new show. There's no word yet on when the animated series will arrive, what it'll focus on and who'll be among its voices. If you're devoted to the OG cast, start crossing your fingers that some or all of Harbour, Millie Bobby Brown (Enola Holmes 2), Finn Wolfhard (Guillermo del Toro's Pinocchio), Noah Schnapp (Waiting for Anya), Winona Ryder (The Plot Against America), Charlie Heaton (The Souvenir: Part II), Joe Keery (Free Guy), Gaten Matarazzo (The Angry Birds Movie 2), Caleb McLaughlin (Concrete Cowboy), Sadie Sink (The Whale), Natalia Dyer (Things Seen & Heard) and Maya Hawke (Do Revenge) are involved. Netflix did just reveal that it's getting the Scott Pilgrim vs the World cast back together to voice an anime continuation of that beloved flick, after all. There's no sneak peek at the animated Stranger Things series as yet, either, but you can check out the trailer for season four below: The Stranger Things animated series doesn't yet have a release date, but we'll update you when one is announced. You can the OG series via Netflix. Read our review of season four. Images: courtesy of Netflix.
A secret password, golden glitter and burlesque-meets-art — if you're after a party so revelrous, that it's almost scandalous, look to Sydney Contemporary's Night Cap series. With the Old Clare Hotel as the pad for the series running every Wednesday, Friday and Saturday during the art fair, expect several evenings of arty debauchery as you rub shoulders with golden coated artists, sip bubbles and celebrate one of Sydney's best annual art events. On Friday, September 8, international speculative superstar Uji Handoko Eko Saputro aka Hahan, whose work is a mix of eclectic, energised euphoria, will host an extremely VIP event — a VVVVVVVVVIP event, actually. Guests will be showered in gold glitter before ending up front and centre for live performances throughout the space. Yes, a secret password is required, so sign up in advance to avoid being left out in a less glittery world. We've also snagged a 20% discount on Sydney Contemporary tickets for you, our lovely readers. You're welcome.
Road trips are an idealised summertime activity. If you do it right, you come away with good friends and esoteric stories which will never be understood properly by people who weren't there. But it's equally possible for road trips to turn hellish and monotonous. That's not what you want - that's not what anybody wants. So Concrete Playground has compiled a list of tips to help you on your way and make sure you have the kind of road trip which will remind you of the wind and sunshine in your hair, shared memories and in-jokes. Some of it might seem like common sense, but common sense can sometimes be what first deserts you when somebody suggests driving ten hours across the country to go to a music festival or a particularly nice beach. 1. WheelsSo this seems a superfluous point, but if you're going to go on a road trip you need a car, and if you don't have one then you've got yourself a problem. Once you've got the car, make sure it's one that everybody knows how to drive. Nobody likes being the only manual driver in a car full of stricken automatic-only drivers. You should also do all the practical things like get the oil, tyres and water checked before you leave, and make sure you've got back-ups in case of emergency, especially if you're trying to look like you know your stuff about cars. Bigger cars are better for road trips, especially if you've got friends with ample hips or ridiculously long legs. And for the love of God make sure the car has air con. Otherwise everybody is going to be sweaty, sunburnt and have a mouth full of insects every time you drive through a field. 2. A Worthwhile DestinationJumping in a car and heading nowhere might sound very Kerouac-esque for an hour or so, but in the end you're going to want to be heading somewhere. Holiday houses and camping grounds are all good, although there's a high likelihood a music festival might be your destination this summer. If that's the case, be patient and anticipate that you will have to wait in a queue for six hours on a backed up country road and be forced to pee in the bushes in direct view of many headlights. However, the best destination of all is a beach, one of the pristine and near unpopulated ones which grace our fair coast. 3. MapsGetting lost is not half the fun. The person who claims this needs to be ejected immediately from the vehicle. You probably have a GPS, but bear in mind that the GPS is not infallible. Let me present you with an example: on a road trip last year, we in the car got bored with the standard GPS and, just outside the Gold Coast, switched our guide to a New Zealander named Paul. All was going well until Paul started sabotaging our trip with his crafty non-instructions and we ended up taking a two hour detour through peak-hour Brisbane. Paul was not our friend after that and shameful slurs against New Zealand ensued. In these situations you need a map. A map in this instance is defined as a proper map you purchase from anywhere good maps are sold, not a scrawled set of lines copied from Google Maps your barely literate friend drew on the back of phone bill. 4. CrewBe wise and consider precisely which of your friends and loved ones you're going to enjoy being in a cramped confined space with for potentially several days. There's nothing more tedious and depressing than realising you can't stand the people you're friends with. It's also a good idea to make sure there's not going to be anybody overly-familiar with their sense of personal space, particularly if they have personal hygiene issues. Once you've got that down, make sure that there's not going to be any major conflict before you start, because there's nothing more awkward than finding yourself on a road trip with a couple who have recently broken up and still have unresolved issues. Solve all those problems, and you're cool. 5. ConversationOnce you've exhausted your witty high school stories, politics, childhood traumas and the ever-fascinating subject of who's having sex with whom, complex philosophical questions are always a good bet. Questions such as 'which of your legs could you do without' and 'would you rather punch Kyle Sandilands or Miranda Devine in the face' are good starting points. For those who are not on driving duty and decide the time has come to pilfer beers from the esky, be aware that the designated driver will soberly wish for your death if you do anything crazy-drunk like throw up, sing repetitively for more than ten minutes or attempt to give a ride to a stranger with no shoes. 6. MoneyMoney is a general necessity in all areas of life, but when we say 'money' here we mean the multi-coloured pieces of paper marked with numbers the ATM is wont to dispense. This is crucial because ATMs can be scarce on the ground in the bush, and on a road trip sharing is of the utmost importance. Assign the most organised member of your group the job of keeping an account of how much petrol and food everybody is paying for, and bear in mind that if you haven't chipped in for all the Tim Tams then you do not deserve to eat all the Tim Tams and then subsequently complain about a sore stomach. 7. SnacksIt's a given that everyone is obliged to bring a lot of sugar on a road trip. Minties, Snakes and all things that once delighted you in children's birthday party bags are right and necessary when on the road. Hop chips with tomato sauce sold by old ladies with facial hair in country towns are also awesome. Eating options on the highway tend to be a choice between Maccas or Maccas, so if that's going to bother you, pre-make some delicious healthy things which won't spill too badly and stop every hour or so to picnic. Otherwise, it's uncanny how the shops saying 'Best Pies in Grafton' actually do sell the best pies in Grafton. Moreover, if you're going a long distance you're going to be in dire need of caffeine. Somebody could be really organised and bring instant coffee, a saucepan, a makeshift stove and water, or you could just take a thermos. 8. MusicIf you've got one of those whatsits that plug your iPod into the car's stereo system, you're sweet. If you don't have one of those, however, you're going to want a couple of good mixtapes, or, more accurately, mix CDs. The person in charge of making mixtapes should keep in mind what everyone else will like, what is easiest to sing along to, and attempt not to impress others with their obscure tastes because it never works out as well as you'd hope. Sixties pop songs, eighties power ballads and nineties rap should all be considered in the choice of music. Most importantly, don't make too many tapes. Fifteen hours worth of music is just tiring. You want to have songs that are going to remind you of the trip for years to come, an underlying theme for your future reminiscing, if you will. Anything more and you may as well just put the radio on. 9. Ridiculous ApparelQuestionable fashion choices are a mandatory on the road. Nothing makes you feel more alive than climbing out of the car at a truckstop wearing something outrageously fluoro and swaggering inside to get yourself a rainbow Paddlepop. Furthermore, there is no more appropriate occasion for a man to sport short shorts. Stupid sunglasses and hats are fun, but bear in mind they might enrage Mick Taylor-types on the roads. And remember that while no shoes are alright in the car, you don't want anything on the floors of country rest stops and bathrooms touching your bare skin. 10. SunscreeenOften overlooked when in the relative shelter of a moving car, sunscreen is necessary for anybody with an arm in close proximity to a window. You don't want to get sunburnt, and unevenly sunburnt at that, while sitting in the car. More to the point, nothing will ruin your holiday more than being so sunburnt you have to wear shapeless kaftans with long sleeves and not being able to sleep at night because it hurts so bad.
Translating to 'love lounge' in Spanish, Salón del Amor is a monthly Sunday session at Redfern's Norfolk Hotel, which pulls together top-notch curators of both music and vibes. If your New Year's resolutions included getting out and about, catching more music and soaking in some more rays in 2023, this laidback dance party is an easy way to start ticking things off. Now in its fifth iteration, the event series places fresh faces from Sydney's music scene behind the decks in the pub's sun-lit courtyard, with sets spanning groove-heavy pockets of electronic music — think: lounge, Italo disco and softer sides of techno. "I try to base the lineups on giving DJs that might not otherwise have many gigs out a chance to play on a full house system and get a bit of momentum to start out with," organiser Tex Lee says. The lineup arriving at the Norfolk on Sunday, January 29, starting at 2pm, will feature Lee himself under his alias Luther, as well as Taffie and Oliver Kleyn. Adding to the Spanish energy of the day, you can also head next door to the adjoined wine and vermouth bar La Salut if you're looking for a Catalan-inspired detour. The 40-seat venue boasts a wine list of over 200 bottles alongside tasty bar snacks.
UPDATE: July 13, 2020: Animals is available to stream via Binge, Foxtel Now, Google Play, YouTube and iTunes. In the space between ignored dreams and shirked responsibilities, that's where Animals' Laura (Holliday Grainger) and Tyler (Alia Shawkat) largely live. Devoted friends to the point of codependency, and just as dedicated to their Dublin routine of drinking, debauchery and doing the bare minimum at their barista gigs, they've seen no reason to change their ways for the past decade. But, as Laura suddenly realises, they're not getting any younger. The pair's thirties are here. The book that Laura has supposedly been penning since the two first met remains little more than an idea. And, her younger sister (Amy Molloy) has traded partying for pregnancy on purpose. Tyler is near-aggressively happy with the status quo, however Laura's epiphany hits like the wine and MDMA the duo are so fond of — and leaves an unshakeable hangover. Directed by Australian filmmaker Sophie Hyde (52 Tuesdays), and scripted by British writer Emma Jane Unsworth based on her own book, Animals finds its joined-at-the-hip protagonists at a crossroads. Glued together by choice for so long, they're now coming unstuck. Forget romantic turmoil; this is a tale of platonic heartbreak and existential malaise spiralling into an inescapable whirlpool. Animals isn't the first film to understand that drifting away from a friend is just as painful as ending a love affair, but it joins a relatively sparse dramatic subgenre. Indeed, there's a refreshing forthrightness to the story, taking Laura and Tyler's pseudo-couple status as a given. While jokes are made about wives, marriages and separations, particularly once Laura starts seeing more of her new musician boyfriend Jim (Fra Fee) and spending less time with her increasingly petulant bestie, they're hardly necessary — just how crucial the pair have been to each other for a third of their lives is constantly written across their faces. Girl meets girl, sparks fly, they live wildly and become each other's ride-or-dies — that's not a scenario that often gets such thoughtful big-screen attention. The importance of depth and detail in this situation, especially in leapfrogging any and all female friendship cliches, really can't be underestimated. Whether or not Hyde and Unsworth have overtly drawn upon their own respective experiences, the end result resonates with a lived-in air. Authenticity isn't just something their characters are searching for; it seeps from the movie. Frolicking or fighting, embracing firmly or steadfastly ignoring each other, the dynamic between Laura and Tyler feels like it could've moseyed out of any shared flat filled with retro furniture, piles of clothes and too many empty bottles (and, thanks to stellar production design and costuming work, it looks that way too). That said, Animals does come with a caveat, or a strength that could initially be seen as a flaw. Played to perfection by the two leads, the movie's main characters seem as genuine as the circumstances they're navigating, as well as the relatable emotions they're displaying. Unsurprisingly, that means they're not always wholly pleasant to spend time with. They needn't be, of course. They shouldn't be, in fact. No mere mortal is bearable every second of every day. Again, this warts-and-all approach is refreshing, not to mention teeming with meaning. Shawkat's Tyler can come across as abrasive and performative, and Grainger's Laura as uncertain and unfocused, with the picture calling out, sifting through and challenging common millennial stereotypes through these traits. There's no judgement here, but rather a commitment to seeing things like they are — even if the film styles its frames in a somewhat dreamlike way at the same time. As steeped in truth as Animals proves, bleak, stark reality isn't the name of its game — visually, at least. When you're caught in the hustle and bustle of life, it can be surreal. When you're reflecting on past choices, agonising over future paths and wondering if your most important relationship to date will survive the present, the right answer rarely stares you plainly in the face. With all of that in mind, Hyde gives her movie a flavour of hectic exuberance, with ample assistance from editor and cinematographer Bryan Mason. That mood couldn't be more influential, including when Animals leans into its more obvious developments and sentiments. In the easy, hard, routine and thorny moments alike, questioning everything you know and navigating a quarter-life crisis should feel energetic, jittery and a little uncanny, after all. https://www.youtube.com/watch?v=_FN_zr4rQzY
UPDATE, July 9, 2021: The Farewell is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Amazon Video. Ask someone how'd they prefer to shuffle off this mortal coil, and you'll likely receive the most cliched of answers: to pass peacefully in their sleep. That's certainly better than any alternative (other than somehow managing to live forever), although it's rarely realistic. Still, if you could give a loved one that gift, sparing them the pain of knowing that the end was near, would you? If they were diagnosed with terminal cancer, had mere months or weeks left to live, and invasive medical treatment would only cloud their remaining days, is it better to let them carry on blissfully unaware? Whether such choices are tender mercies or rob one's nearest and dearest of the chance to say goodbye sits at the heart of The Farewell, a sensitive and stirring drama set within a culture where keeping impending death from the unwell is commonplace. Drawing deeply on her own experience, writer-director Lulu Wang also uses this complicated issue as fuel to contemplate identity, belonging, tradition and cultural displacement. Born in China and raised in New York, Billi (Awkwafina) is firmly ensconced in the Big Apple. An aspiring writer, she's constantly hoping for grants to fund her work, is perennially behind on her rent and largely relies on credit cards to get by. But when her father Haiyan (Tzi Ma) and mother Jian (Diana Lin) deliver the news that her beloved paternal grandmother, Nai Nai (Zhao Shuzhen), has stage four lung cancer, Billi is determined to journey back to China — even when her parents advise her not to go. She's conflicted, however, about her family's decision not to tell their mentally spritely, physically ailing matriarch about her condition. Instead, they're all making the trip under an elaborate cover story, rushing Billi's cousin Hao Hao (Chen Han) to marry his Japanese girlfriend Aiko (Aoi Mizuhara). Such subterfuge is standard in her homeland ("when people get cancer, they die," the Chinese saying goes, referring to the impact such an illness can have on one's will to live), but it rubs against the western sensibilities that've been instilled in Billi since moving to America. One of Wang's most affecting and astute moves, of which there are many, is to task her cast with conveying this moral and emotional dilemma in their every expression and movement. In an intuitive portrayal that's worlds away from her scene-stealing, over-the-top turn in last year's Crazy Rich Asians, Awkwafina lives, breathes and wears Billi's internal turmoil. When the character is plastering on the happiest face she can to hide the truth from Nai Nai, her hunched shoulders reveal her pain. When she's trying to have a quiet, genuine moment with the woman she knows will soon be gone — a vibrant, irrepressibly bossy old lady who bustles about like a near-unstoppable force of nature — sorrow lingers in her eyes. This isn't just Billi's burden, but one shared even by those who support the decision to keep Nai Nai in the dark, sparking stellar performances across the board. Guilt and regret seeps from recognisable Chinese American star Ma (Wu Assassins), playing the son who travelled across the globe to pursue a better life. Chinese Australian actor Lin (The Family Law) tussles with Jian's own difficulties, caught as she is between a crumbling husband and an angry daughter. And as Hao Hao, Han may barely utter more than a few sentences as he endeavours to contain his sadness, but he's always a tense ball of visible discomfort. Favouring the same approach in all facets of the film, Wang styles The Farewell with naturalism at the fore. Dialogue flows freely, often from Nai Nai as she snaps out wedding plans and comments on Billi's appearance as a grandmother is known to, but a picture truly speaks a thousand words here. Collaborating with cinematographer Anna Franquesa Solano, the sophomore filmmaker tells her tale free from any rose-coloured fondness. This is a warm movie, however it steadfastly depicts its central situation, setting and struggle as they are. In practical terms, that means realism and nuance — Billi and her family exist within the film's Changchun locale, and its day-to-day minutiae is baked into every scene, and yet her visiting protagonist doesn't play tourist, for example. The same description applies to the movie's handling of its illness storyline, which is never squeezed for easy sentiment or used as weepie fodder. Wang also finds the right balance between organic humour and earnest emotion, never overstating one or the other — a tactic that particularly resonates when Billi begins to question the existence she was given in America, as well as the links to her broader family and heritage she feels it has robbed her of. All of these choices reinforce The Farewell's takeaway message: that in life and death alike, there is no simple path. There are no clear-cut answers, either, including when you're tossing up whether to tell someone they're dying or keep that knowledge from them. Far from treating these notions as obvious, Wang navigates the many complexities that prove her point with a lived-in maturity. She has literally been there, seen that and emerged to tell the tale, after all. As a result, what could've been a straightforward tearjerker in other hands benefits from her personal and poignant touch, and never heads down the blatant route. This is a subtle, thoughtful and heartfelt film that serves up a continual array of surprises — the kind that can and do get thrown in everyone's way, because that's what grappling with life's ups, downs, comings and goings is like. https://www.youtube.com/watch?v=A0yh_ZIqq0c
Over the past couple of years, there have been times when we've been unable to explore beyond the boundaries of our own LGA, so the thought we could take flight and venture to another planet seemed like absolute fantasy. But, with arts and culture venues starting to open again, Sydneysiders now have the opportunity to marvel at the wonders of the galaxy at Neighbourhood Earth — a multi-sensory, interactive exhibition now on at the ICC Sydney. Concrete Playground was lucky enough to attend the Australian premiere of Neighbourhood Earth, which was also the first event held in the ICC post-lockdown. From the first moment walking into the arena, it was apparent that the organisers had ensured the experiential exhibit fully captures the sheer enormity of intergalactic exploration. Read on to learn what to expect from your other-worldly adventure at Neighbourhood Earth. [caption id="attachment_834979" align="alignnone" width="1920"] Elliott Kramer[/caption] BE BLOWN AWAY BY THE IMMENSE SCALE OF THE EXHIBITION The open spaces and high ceilings of the convention centre are perfect for recreating the cavernous feelings of outer space, and giant curved screens cover many of the walls. The entrance hall features an incredibly detailed scale model of the earth suspended from the ceiling (strategically placed so your focus is immediately drawn to Australia) while videos of stars, galaxies and clouds of nebulae travel past on the screens. Sydney is the ninth city worldwide to host Neighbourhood Earth, and the first outside of China and the USA. The immersive and educational experience was developed by Toto Creative, an Australian design agency behind such events as the DreamWorks How To Train Your Dragon Live Spectacular. In collaboration with M Live, NASA and the US Space & Rocket Centre, Neighbourhood Earth showcases rare space artefacts, provides family-friendly entertainment and lets you marvel at what exists beyond our atmosphere. [caption id="attachment_835001" align="alignnone" width="1920"] Elliott Kramer[/caption] WALK THROUGH A REPLICA CROSS-SECTION OF THE INTERNATIONAL SPACE STATION Once you're in the grand expanse of the exhibition, it's difficult not to feel excited. There are scale models of some of the most important equipment in the history of space exploration, from the Hubble Telescope to Ingenuity — the small helicopter which, earlier this year, became the first craft to make a controlled flight on another planet when it completed several short journeys on the surface of Mars. Those particularly interested in the inner workings of space travel will be enthralled by some of the more technical pieces. There are ingenious, tailor-made gizmos like scratch-resistant lenses and ear thermometers, all developed with life on the International Space Station in mind. In fact, you can even walk through a replica cross-section of the International Space Station, see the myriad of dials and buttons, then gaze out of the porthole, imagining you're orbiting thousands of kilometres above the earth. Of course, an exhibit like this needs some hands-on experiences, and Neighbourhood Earth certainly delivers. Want to find out if you can fuel a rocket and initiate a successful launch? Reckon you can apply just the right amount of force to ensure a satellite stays within a planet's gravitational field? Can you lift a five kilogram bag of sand when it's subject to the gravitational forces of Jupiter? Or guess what you'd weigh on Mercury? You'll have the opportunity to get the answers to all these questions and more at Neighbourhood Earth. [caption id="attachment_835000" align="alignnone" width="1920"] Elliott Kramer[/caption] LET YOUR CHILDHOOD SENSE OF WONDER TAKE YOU TO INFINITY AND BEYOND Over a million people visited Neighbourhood Earth during its incarnations in both the US and China, and you'd imagine they were all blown away by the exhibition's pièce de resistance: the cinematic dome. The dome is a fully immersive audiovisual experience, with screens displaying stunning footage of the solar system. You'll be awestruck at the sheer magnitude of exploration that's ongoing with thousands of photos of planets and stars being beamed back to earth on a regular basis. Plus, in these times of climate change catastrophe, it's heartening to learn that a series of missions to Mars have already identified seven separate potential landing sites for future exploration. What Neighbourhood Earth portrays is the pure scale of what lies beyond our home planet. While the actual enormity might be truly unfathomable (like the fact that the little red spot on Jupiter is actually the size of Earth), for those of us who aren't billionaires or mates with Elon Musk, this is the closest we're going to get to experiencing it first-hand for the foreseeable future. Those who are fascinated by space travel tend to fall in love with it during childhood, when that sense of wonder and excitement is yet to be diluted by responsibility and cynicism. Neighbourhood Earth is specifically engineered to let you revisit those feelings and to make you dream to infinity and beyond. Want to experience Neighbourhood Earth for yourself? For more information and to book, visit the website. Images: Elliott Kramer
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE What a difference Mads Mikkelsen can make. What a difference the stellar Danish actor can't, too. The Another Round and Riders of Justice star enjoys his Wizarding World debut in Fantastic Beasts: The Secrets of Dumbledore, taking over the part of evil wizard Gellert Grindelwald from Fantastic Beasts: The Crimes of Grindelwald's Johnny Depp — who did the same from Fantastic Beasts and Where to Find Them's Colin Farrell first, albeit in a scripted change — and he's impressively sinister and engagingly insidious in the role. He needs to be: his fascist character, aka the 1930s-set movie's magical version of Hitler, wants to eradicate muggles. He's also keen to grab power however he must to do so. But a compelling casting switch can't conjure up the winning wonder needed to power an almost two-and-a-half-hour film in a flailing franchise, even one that's really just accioing already-devoted Harry Potter fans into cinemas. Capitalising upon Pottermania has always been the point of the Fantastic Beasts movies. Famously, this series-within-a-series springs not from a well-plotted novel, where the eight Boy Who Lived flicks originated, but from a guide book on magical creatures. That magizoology text is mentioned in the very first HP tome, then arrived IRL four years later, but it was only after the Harry Potter films ended that it leapt to screens. The reason: showing the Wizarding World's powers-that-be the galleons, because no popular saga can ever conclude when there's more cash to grab (see also: Star Wars and Game of Thrones). For Fantastic Beasts, the result was charming in the initial movie and dismal in its followup. Now, with The Secrets of Dumbledore, it's about as fun as being bitten by a toothy textbook. Nearly four years have passed since The Crimes of Grindelwald hit cinemas, but its successor picks up its wand where that dull sequel left off. That means reuniting with young Albus Dumbledore, who was the best thing about the last feature thanks to Jude Law (The Third Day) following smoothly in Michael Gambon and Richard Harris' footsteps. Actually, it means reuniting Dumbledore with Grindelwald first. And, it involves overtly recognising that the pair were once lovers. The saga that's stemmed from JK Rowling's pen isn't historically known for being inclusive, much like the author's transphobic statements — and it's little wonder that getting candid about such a crucial romantic connection feels cursory and calculating here, rather than genuine. The same applies to The Secrets of Dumbledore's overall message of love and acceptance, which can only echo feebly when stemming from a co-screenwriter (alongside seven-time HP veteran Steve Kloves) who's basically become the series' off-screen Voldemort. Referencing Dumbledore and Grindelwald's amorous past serves the narrative, of course, which is the real reason behind it — far more than taking any meaningful steps towards LGBTQIA+ representation. Years prior, the two pledged not to harm each other, binding that magical promise with blood, which precludes any fray between them now. Enter magizoologist Newt Scamander (Eddie Redmayne, The Trial of the Chicago 7) and his pals. Well, most of them. Newt's assistant Bunty (Victoria Yeates, Call the Midwife), brother Theseus (Callum Turner, Emma), No-Maj mate Jacob (Dan Fogler, The Walking Dead), Hogwarts professor Lally (Jessica Williams, Love Life) and Leta Lestrange's brother Yusuf Kama (William Nadylam, Stillwater) are accounted for, while former friend Queenie (Alison Sudol, The Last Full Measure) has defected to Grindelwald. As for the latter's sister Tina (Katherine Waterston, The World to Come), she's spirited aside, conspicuously sitting Operation Avoid Muggle Genocide out. Read our full review. AMBULANCE Michael Bay movies, Michael Bay movies, whatcha gonna do? Since the action-film director leapt from commercials and music videos to his big-screen debut Bad Boys more than a quarter-century back, there's only been two options. Slickly and unsubtly dripping with gleeful excess, his high-concept flicks embrace explosions, chases, heists, shootouts, jittery chaos and perpetual golden-hour hues with such OTT passion that you surrender or roll your eyes — having a blast or being bored by the bombast, basically. Too often, the latter strikes. That proved true of all five of his Transformers films, which are responsible for more cinematic tedium than any filmmaker should legally be allowed to crash onto screens. That his pictures are lensed and spliced as if lingering on one still for more than a split second is a heinous crime usually doesn't help, but it's what Bay is known for — and yet when Bayhem sparkles like it mostly does in Ambulance, it's its own kind of thrilling experience. Following a high-stakes Los Angeles bank robbery that goes south swiftly, forcing two perpetrators to hijack an EMT vehicle — while a paramedic tries to save a shot cop's life as the van flees the LAPD and the FBI, too — Ambulance is characteristically ridiculous. Although based on the 2005 Danish film Ambulancen, it's Bay from go to whoa; screenwriter and feature newcomer Chris Fedak (TV's Chuck, Prodigal Son) even references past Bay movies in the dialogue. The first time, when The Rock is mentioned, it's done in a matter-of-fact way that as brazen as anything Bay has ever achieved when his flicks defy the laws of physics. In the second instance mere minutes later, it's perhaps the most hilarious thing he's put in his movies. It's worth remembering that Divinyls' 'I Touch Myself' was one of his music-clip jobs; Bay sure does love what only he can thrust onto screens, and he wants audiences to know it while adoring it as well. Ambulance's key duo, brothers Will (Yahya Abdul-Mateen II, The Matrix Resurrections) and Danny Sharp (Jake Gyllenhaal, The Guilty), are a former Marine and ostensible luxury-car dealer/actual career criminal with hugely different reasons for attempting to pilfer a $32-million payday. For the unemployed Will, it's about the cash needed to pay for his wife Amy's (Moses Ingram, The Tragedy of Macbeth) experimental surgery, which his veteran's health insurance won't cover — but his sibling just wants money. Will is reluctant but desperate, Danny couldn't be more eager, and both race through a mess of a day. Naturally, it gets more hectic when they're hurtling along as the hotshot Cam (Eiza González, Godzilla vs Kong) works on wounded rookie police officer Zach (Jackson White, The Space Between), arm-deep in his guts at one point, while Captain Monroe (Garrett Dillahunt, Army of the Dead), Agent Anson Clark (Keir O'Donnell, The Dry) and their forces are in hot pursuit. Everything from Armageddon, Pearl Harbour and The Island to 2019's Netflix flick 6 Underground has trained viewers in what to expect from Ambulance — plus the movies name-checked in Ambulance's frames, obviously — but Bay is also the filmmaker who gave cinema 2013's exceptional Pain & Gain. His latest doesn't reach the same savvy heights, and it's both boosted by its hearty embrace of Bayhem and occasionally a victim to it, but it's rarely less than wildly entertaining. As the director's best efforts have long shown, he boasts a knack for heist-style films. Capers about break-ins of various sorts, even into Alcatraz, suit Bay because they're typically about chasing hefty scores no matter the cost. Ambulance was made for only $40 million, which is a fifth of most Transformers movies and somehow around half of non-Bay-directed recent release Morbius' budget, but bold moves with eyes on a big prize aren't just fiction in Bay's orbit. Read our full review. MEMORIA When Memoria begins, it echoes with a thud that's not only booming and instantly arresting — a clamour that'd make anyone stop and listen — but is also deeply haunting. It arrives with a noise that, if the movie's opening scene was a viral clip rather than part of Thai filmmaker Apichatpong Weerasethakul's spectacular Cannes Jury Prize-winning feature, it'd be tweeted around with a familiar message: sound on. The racket wakes up Jessica Holland (Tilda Swinton, The Souvenir: Part II) in the night, and it's soon all that she can think about; like character, like film. It's a din that she later describes as "a big ball of concrete that falls into a metal well which is surrounded by seawater"; however, that doesn't help her work out what it is, where it's coming from or why it's reverberating. The other question that starts to brood: is she the only one who can hear it? So springs a feature that's all about listening, and truly understands that while movies are innately visual — they're moving pictures, hence the term — no one should forget the audio that's gone with it for nearly a century now. Watching Weerasethakul's work has always engaged the ears intently, with the writer/director behind the Palme d'Or-winning Uncle Boonmee Who Can Recall His Past Lives and just-as-lyrical Cemetery of Splendour crafting cinema that genuinely values all that the filmic format can offer. Enjoying Memoria intuitively serves up a reminder of how crucial sound can be to the big-screen experience, emphasising the cavernous chasm between pictures that live and breathe that truth and those that could simply be pictures. Of course, feasting on Weerasethakul's films has also always been about appreciating not only cinema in all its wonders, but as an inimitable art form. Like the noise that lingers in his protagonist's brain here, his movies aren't easily forgotten. With Weerasethakul behind the lens and Swinton on-screen, Memoria is a match made in cinephile heaven — even before it starts obsessing over sound and having its audience do the same. He helms movies like no one else, she's an acting force of nature, and their pairing is film catnip. He also makes his English-language debut, as well as his first feature outside of Thailand, while she brings the serenity and magnetism that only she can, turning in a far more understated turn than seen in the recent likes of The French Dispatch and The Personal History of David Copperfield. Yes, Weerasethakul and Swinton prove a beautiful duo. Weerasethakul makes contemplative, meditative, visually poetic movies, after all, and Swinton's face screams with all those traits. They're both devastatingly precise in what they do, too, and also delightfully expressive. And, they each force you to pay the utmost attention to their every single choice as well. As Jessica, Swinton plays a British expat in Colombia — an orchidologist born in Scotland, residing in Medellín and staying in Bogota when she hears that very specific din. After explaining it in exquisite detail to sound engineer Hernán (Juan Pablo Urrego, My Father), he tries to recreate the noise for her, but only she seems to know exactly what it sounds like. At the same time, Jessica's sister Karen (debutant Agnes Brekke) is in hospital with a strange ailment. Also, there's word of a curse that's linked to a tunnel being built over a burial ground, and Jessica consults with an archaeologist (Jeanne Balibar, Les Misérables) before heading from the city to the country. Grief echoes as strongly through Jessica's life as the bang she can't shake, and she wanders like someone in a dreamy daze, whether she's roaming around an art gallery or crossing paths with a rural fisherman also called Hernán (Elkin Díaz, Besieged). Read our full review. NOBODY HAS TO KNOW Before Belgian actor and filmmaker Bouli Lanners started gracing screens big and small — writing and directing projects for the former as well — he trained as a painter. If you didn't know that fact, it'd be easy to guess while watching Nobody Has to Know. He helms and scripts, as he did 2011 Cannes award-winner The Giant, plus 2016's The First, the Last. He acts, as he has in everything from A Very Long Engagement and Rust and Bone to Raw and Bye Bye Morons. But it's the careful eye he brings to all that fills Nobody Has to Know's frames that immediately leaves an impression, starting with simply staring at the windswept Scottish scenery that provides the movie's backdrop. It's picturesque but also ordinary, finding visual poetry in the scenic and sweeping and yet also everyday. That's what the feature does with its slow-burning romantic narrative, too. On a remote island, Philippe Haubin (Lanners) has made a humble home. Working as a farmhand, he stands out with his arms covered in tattoos and his accent, but he's also been welcomed into the close-knit community. And, when he's found on the beach after suffering a stroke, his friends swiftly rally around — his younger colleague Brian (Andrew Still, Waterloo Road), who spreads the word; the latter's aunt Millie (Michelle Fairley, Game of Thrones), who ferries him around town; and her stern father Angus (Julian Glover, The Toll), who welcomes him back to work once he's out of hospital. But Phil returns with amnesia, which unsurprisingly complicates his daily interactions. He doesn't know what Brian means when he jokes about Phil now being the island's Jason Bourne, he has no idea if the dog in his house is his own, and he has no knowledge of any past, or not, with Millie. As a filmmaker, Lanners splits Nobody Has to Know's attention between Phil and Millie as they're drawn to each other — through natural chemistry, thanks to her kindness in helping him learn to navigate his life again, and courtesy of secrets and twists that speak to emotional truths even if they involve lying. And, it's due to finessed performances on both parts that the film always resonates with both tenderness and authenticity, befitting its restrained but still affecting tale of pain, guilt, regrets, isolation, identity and yearning. He plays a man who quickly made an imprint in a new place, but has a past he's been fleeing, and now finds himself facing them both anew. She plays a woman cruelly nicknamed 'the Ice Queen' because she's single, quiet and of a certain age, and remains just as eager to unearth her true self. Indeed, as she copes with Phil's new situation, she makes a bold leap to follow her heart. In lesser hands — with lead actors who weren't so adept at understatement, or didn't possess as convincing natural chemistry; with a writer and/or director more fond of leaning into melodrama; with a cinematographer other than the poised Frank van den Eeden (Patrick, Girl), too — Nobody Has to Know could've been relegated to a movie-of-the-week-style weepie. Thankfully, that isn't Lanners' film, which cannily eschews the easy for the deep and evocative. He takes as much care with the feature's sensitive pace, reflecting how tentatively his characters have been willing to embrace their real feelings, as he does with that painterly scenery that makes the utmost of the Scottish islands of Lewis and Harris, and with key performances that convey a lifetime of worries without uttering a word. His is a picture that builds in impact, quietly but unmistakably, like taking the time to truly stare at and soak in everything about a piece of art hung on a gallery wall. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 6, January 13, January 20 and January 27; February 3, February 10, February 17 and February 24; and March 3, March 10, March 17, March 24 and March 31. You can also read our full reviews of a heap of recent movies, such as Ghostbusters: Afterlife, House of Gucci, The King's Man, Red Rocket, Scream, The 355, Gold, King Richard, Limbo, Spencer, Nightmare Alley, Belle, Parallel Mothers, The Eyes of Tammy Faye, Belfast, Here Out West, Jackass Forever, Benedetta, Drive My Car, Death on the Nile, C'mon C'mon, Flee, Uncharted, Quo Vadis, Aida?, Cyrano, Hive, Studio 666, The Batman, Blind Ambition, Bergman Island, Wash My Soul in the River's Flow, The Souvenir: Part II, Dog, Anonymous Club, X, River, Nowhere Special, RRR, Morbius, The Duke and Sonic the Hedgehog 2. Top image: ©Kick the Machine Films, Burning, Anna Sanders Films, Match Factory Productions, ZDF/Arte and Piano, 2021.
With the return of The Big Design Market this September, so too comes the return of our inner art and design guru. Coming to Sydney for its fourth year, the three-day independent design extravaganza will take place at Barangaroo's precinct, The Cutaway. It'll feature more than 200 Australian and international stallholders, with everything from homewares and ceramics to clothing, jewellery and stationery — all of which are ethically made. Plus, this year, the market has stepped up its game, with the introduction of The Big Design Mentor: a well-known Aussie designer, offering advice, guidance and insights to five designers who have stalls at the event. For the inaugural mentor, the market has selected celebrated Sydney artist and designer Ken Done. Should you grow hungry mid-shop, you can grab a bite to eat from local favourites such as Shortstop, Fishbowl, Esti Garcia chocolates and Smoking Gun Bagels. Thirsty, too? You'll also find Rabbit Hole Organic Tea and Archie Rose among the many stalls, plus Tassie's Moo Brew and Willie Smith's Organic Apple Cider as well as Victoria's St Ali coffee, Billy Van Creamy ice-cream coming and Innocent Bystander wines from the Yarra Valley. There'll also be a specially commissioned, 45-metre mural by South Australian artist and jewellery designer, Maylin Evanochko of Mazdevallia, which will serve as a colourful backdrop to an already (very) vibrant fair. The Big Design Market will be open on Friday, September 20, from 10am–9pm; Saturday, September 21, from 10am–6pm; and Sunday, September 22, from 10am–5pm. Entry is $5 per person. To check out the full lineup, head this way.
