What a year it's been for Violent Soho. The Brisbane lads' sold-out national tours in July and December went gangbusters, and they've stolen the show at many of Australia’s leading festivals including Splendour in the Grass, Groovin' the Moo and triple j's One Night Stand. They've dominated the Carlton Dry Independent Music Awards, with four nominations — more than any other artist nominated — and two awards for their critically-acclaimed album, Hungry Ghost: Best Independent Album and Best Independent Hard Rock, Heavy or Punk Album. Just this weekend, they've slayed their final festival before Christmas; the foursome headlined Festival of the Sun on Saturday. When we called guitarist James Tidswell to catch up on this year thus far, he's sitting in his backyard eating strewed apple and quinoa, and hanging out with his baby girl who was born in May this year. Bless. But back to the rock and roll stuff — here are five reasons why Violent Soho are a top bunch of blokes for the Australian market. THEY'RE GREAT MATES WITH OTHER BANDS During their Hungry Ghost national tour this past July, Violent Soho played to massive crowds all over the country. While there was plenty of fun to be had on stage, Tidswell was at his happiest watching the support bands do their thing. "I watched every band every night," says Tidswell. "Highlights were Sounds Like Sunset — they opened the Friday Sydney show. Every night Luca Brasi and Smith Street Band ruled. White Walls were awesome. Ceres were awesome. A whole bunch of bands really, they were the highlights." On a side note, the band also loved how rowdy their fans got, even on a school night. "The show in Sydney on the Tuesday night was surprisingly good, I guess that's only because it was a Tuesday and I didn't expect it to go off quite like that, but that was awesome." THEY'RE A DEMOCRACY Violent Soho had the great honour of programming RAGE in August, and the show was inevitably what can only described as rad. The lads included the likes of Frenzal Rhomb, Sandpit, The Drones and Dune Rats on their video playlist. Anyone who has ever tried to compile a party playlist with your mates knows that you can't always get what you want. But it doesn't have to be that way, at least not for the Violent Soho guys. "We got 16 songs each, we just went up and did our own thing," explains Tidswell. "We all chose things for different reasons. I know that Mikey went for videos that you'd want to see late at night, so he chose The Ramones' Pet Cemetery, which has a rad video, and stuff like that. Everyone went for different things." Tidswell chose songs he loves, and thinks you should love too. "I went for songs that I really like and wanted other people to like, or at least hear. I think it was heaps of friend's bands." THEY WOULD RIP A GUMBOOT BONG GIVEN THE CHANCE A couple of truly awesome things happened during Violent Soho's set at Splendour this year. Firstly, bassist Luke Henery's three-year-old son Oscar came out on stage with the band and won the hearts of thousands. Secondly, a dude ripped a gumboot bong. When asked if he would do the same thing if the opportunity ever arose, Tidswell didn’t hesitate with a response. "Ha! Yeah I would! When I saw it I thought it was so cool. I didn't see it happening, I saw the photo later on. What a legend. I'd definitely do that, I think it’s the smartest move." If it's good enough for their fans, it's good enough for Violent Soho. FACT. THEY TAKE IT ALL IN THEIR STRIDE Hungry Ghost was released in the States at the end of September and while the record itself wasn't be harmed, their single 'Covered In Chrome' had to undergo a radio edit for the famous catch cry "Hell Fuck Yeah". Instead of this being a major bummer, Tidswell shrugs it off with ease. "It's just for the radio release. We knew we had to do that anyway. We released a song there in 2010 called 'Muscle Junkie' and the lyrics go 'fuck you fuck you I hate your face' over and over again. We knew you couldn't just put fuck on a song on the radio over there." In other band news, Violent Soho have also completed their second vinyl pressing for Hungry Ghost, which sold out in less than 24 hours. When asked if the widespread appreciation for their third record felt overwhelming, his response is simple. "Yeah. That's the only way to describe it, for sure." THEY JUST NAILED FESTIVAL OF THE SUN The final stop for this year’s festival circuit for Violent Soho was Festival Of The Sun’s 10th anniversary in Port Macquarie. Joined by the Jezabels, Shihad, Dune Rats and Jackie Onassis for the two-day festival, the guys were, true to form, keen to see some music as well as playing it. "There's tons of good bands playing, so that will be good." There's plenty to be happy about playing at Festival Of The Sun according to Tidswell, as he explains, "It’s just in a good area, a real good spot... Good bands, good people in that area, I like it." What's next then? For the rest of the year, Tidswell will continue to enjoy his downtime of hangouts in Brissy, skating, having breakfast in the backyard at 1pm, and hanging out with his little lady. Delightful. Image credits: AP Photography, Stephen Booth.
When Sydney's first Harry Potter-themed boozy brunches were announced, the city couldn't say "accio butterbeer" fast enough, with the first two stints selling out quickly. Due to massive muggle demand, a third round of feasts is now occurring on July 21 and 22 — across four sessions, spanning both brunch and dinner. Camperdown's MacLaurin Hall is the location that'll be turned into the Great Hall for the occasion, complete with an enchanted meal (Pixie Puffs, please), bottomless butterbeer (obviously), 'magic' potions (aka cocktails, we're assuming) and other wizard-themed beverages. There'll also be quidditch, a couple of sorting ceremonies and wand lessons — and Harry Potter characters mingling with attendees, if that's your idea of some perfect HP fun. Tickets are currently on sale, but they're not likely to stay that way for long, even though you'll need a bag full of galleons to head along. At $231 per head, you'll be hoping for a Yule Ball-type experience. Find more information about The Wizard's Brunch here. Tickets for the July 21 and 22 Sydney events are currently on sale.
We've all heard of the saying 'the older you are, the wiser you are' — and in this case it stands true. It is common knowledge that we can learn so much from our elders with their breadth of experience. So when it comes time to learn about experiences pertaining to love, romance and sex, who better to ask than the ones with the most expertise? Strap in — or on — for a wild ride, as All The Sex I've Ever Had returns to Sydney completely revamped for WorldPride 2023. The Darlinghurst Production Company has teamed up with Canada's Mammalian Diving to bring an LGBTQIA+ edition of the hugely successful, 90-minute tell-all production back to Sydney. From 7pm Tuesday to Friday or 5pm on Sunday, you can draw upon the wisdom of queer local senior citizens at the Eternity Playhouse Theatre and experience the climaxes of truly raw storytelling as these generous elders recount some of the highest highs and lowest lows of navigating their way through dating, relationships and sexuality. Take the opportunity to hear or ask questions about the panel's escapades, spanning from first crushes and casual flings to unplanned pregnancies and tumultuous love affairs — nothing is off the table. As these sex-perts bear their chests in a spoken memoir of heart-warming and heartbreaking accounts, the courage to share personal stories on stage emphasises the importance of being unapologetically open and fearless. This WorldPride event re-establishes our elders as the ones to turn to for advice and life lessons, while breaking the stigma around the taboo nature of enjoying life's pleasures to the fullest in your twilight years. This must-attend event will be one for the books.
Clear your culinary calendar, Merivale’s epic food and wine festival March into Merivale is back for the eighth year in a row. For five glorious weeks, you’ll be treated to pop-up feasts, international DJs, a laneway festival, dining specials, masterclasses and mystery banquets. Altogether, it’s more deliciousness and fun than we can handle — but we'll try. Very last release tickets are on sale now for the epic March into Merivale Launch Party this Wednesday, February 10. Tickets are just 45 bucks a pop, which buys you entry, along with eight food and drink tokens. Plus, the weather's expected to be glorious (28 degrees and sunny) so it's set to be a pretty perfect summer evening. By Jasmine Crittenden with Shannon Connellan.
MCA's tradition of after-hours schmoozing with art, music and glass of wine in hand, ARTBAR, is back for another year. They're always a fun way to spend a Friday night, thanks to the rotating cast of curators who continuously find fresh, eclectic ways for audiences to interact with what's on show. Artist Tom Polo fills the January 30 edition with an evening promising all manner of jokes, gags and lols — including a TV Tunes Dance-Off and stand-up from Dayne Rathbone. As a visual comedian of sorts, Polo's work frequently draws from vignettes of the everyday, whether its collaging hilarious tidbits from eavesdropped public transport exchanges or his paintings of abstract portraiture. Speaking of portraits, for an extra $10, visitors can also view MCA's latest exhibition on American painter Chuck Close.
Whisky buffs of Sydney, it's time to clear those calendars, because Glenmorangie is hosting an exclusive pop-up bar for one weekend only. From Thursday October 20, until Saturday October 22, the single malt Scotch whisky label will transform Market Street's Parlour Lane into a swanky speakeasy called After Hours. Here, punters will be transported to the Scottish Highlands, enjoying live-cross tastings run by the distillers at Glenmorangie House and guided tours led by local whisky experts. A curated cocktail list will feature whisky-infused creations from bartenders at Pocket Bar and Melbourne's Katuk, promising something for connoisseurs and rookies alike. Meanwhile, grazing feasts of freshly shucked oysters and charcuterie have been designed to perfectly complement the flavour profile of Glenmorangie Original. Keep your ear out for a few surprises, too, like a secret password that might just score you a sample of something rare and luxurious from the bar. Glenmorangie's After Hours pop-up bar will run from 6pm-midnight, on Thursday October 20 – Saturday October 22. Find it at 49 Market Street, Sydney. Entry is free and walk ins are welcome. Tickets are available on the door, or here.
Add this to the list of top-notch summer traditions: watching movies under the stars, and being spoiled for choice when it comes to picking a viewing spot. When the weather is warm, Sydney definitely isn't short on openair cinemas — but a trip to Hunters Hill Open Air Cinema includes checking out new releases and classic flicks with water views as a backdrop. Running every night throughout January at Bedlam Bay, Hunters Hill's setup also includes wine, beer, tapped cocktails and food truck eats — so you can say cheers to your movie of choice, and also add pizza, hot dogs and waffles to your film-viewing snacks. And as for what you'll be seeing, the lineup spans the Timothée Chalamet-starring Dune and The French Dispatch, horror flicks Last Night in Soho and Antlers, sing-along sessions of The Sound of Music and Mamma Mia!, and also everything from The Matrix Resurrections and West Side Story to House of Gucci and Eternals. Plus, in excellent news for your wallet, tickets are just $9 per person.
Mooncakes, ramen, fried ice cream, taiyaki, DJs and a live acrobatic lion dance performance. These are all part of the Darling Square Moon Festival that's taking over the Haymarket precinct from Friday, September 15, until Sunday, October 1. The traditional Mid-Autumn or Moon Festival will be celebrated over two weeks of festivities, with a huge program of Darling Square's beloved restaurants and bars whipping up special celebrations for the festival. From Friday, September 15, mooncakes will be all the rage at this fest. The Gong Grocer mooncake stall will pop up outside Maker's Dozen, boasting special mooncake flavours like peach oolong, jasmine, pandan, mango pomelo, and the famed custard lava series. Golden Century's XOPP will also be rolling out an array of its popular mooncakes, including its golden egg custard and red bean lotus root flavours, alongside its famous XO sauce. Region-specific flavours, including Teochew flakey pastry variants, Vietnamese mooncakes, and mochi-adjacent ice-cream 'snow skin' mooncakes, will be available. Elsewhere, IIKO Mazesoba is offering its Tsukimi Mazesoba ramen, mochi taiyaki, milk pudding with peach puree, and a snow skin bunny mooncake. Dopa by Devon will be offering chicken teriyaki, chicken karaage and veggie mini dons for $10, Ume Burger is doing crispy Moon Festival lotus chips, and Chinta Ria has crafted three celebratory set menus dubbed Love, Peace and Happiness. To accompany the various eats on offer, Hello Auntie will be serving up two specially-curated cocktails for the festival period. Sip on Moon Light (a pandan rum with green Chartreuse, pineapple and mango puree) or the 15-08 (gin, dragon fruit, and St. Germain). The Hello Auntie crew will also be slinging an XO tiger prawn dish paired with thyme, XO sauce, lime gel, shiso and nori. Along with the wide variety of eats, there will be a bunch of live music from the likes of Flygirl Tee and Mark Matthews through to DJ Aycuz spinning tracks every weekend. Rounding out the massive program of festivities is an exclusive live acrobatic lion dance performance from Jin Wu Koon on Friday, September 29, as well as an on-site calligraphy bar and lantern retailers — so you can personalise your glowing lanterns with a special message in English or Chinese. There will also be traditional Chinese makeup and face painting artists popping up from Friday, September 29, to Sunday, October 1. Check out the full program at the Darling Square website.
Film festivals seem to be coming thick and fast at the moment, and the 2013 Spanish Film Festival is joining the party this June. In its 16th year, it will fill 23 days with more than 20 films. In true festival style, you can expect a little from column A and a little from column B: comedy, romance, horror, political tales, triller and coming-of-age stories. Some of the highlights include the winner of 10 Argentinian Academy Awards, Clandestine Childhood, a tale of a boy finding his place in the world; A Gun in Each Hand, a witty look at gender roles and growing up; and the Spanish box office hit I Want You, a love story filled with new beginnings and a rocking soundtrack. The Spanish Film Festival is set to entertain and get you thinking. The question is, how many will you see?
Sydney Festival kicks off this week, and while we've been pouring over the events for months now, there's been one section of the program that's been hanging like a question mark over our hungry little heads: what food will we be eating? Or, more specifically, what ice cream creations will those crazy kids at Messina put together this time? Well, we've got out answer, and it includes doughnuts, fairy floss and those gelato hot dogs. Yes, the gelato gods are once again gifting us with the goods for the duration of the 20-day festival, creating a seven-piece menu of stupidly creative (and delicious) ice creamery. Dubbed Il Carnivale di Gelato Messina, this year is all about carnie food — which means that tooth-rotting candy and deep-fried food on a stick features heavily. Those who went along to the festival last year, will be happy to see the return of the Messinawiener (a Pluto Pup-like stick of maple syrup gelato coated in batter, deep fried, and dipped in plum sauce), and the milk gelato hot dog served in a brioche bun with all the 'condiments'. This thing looks so much like a real hot dog that some poor guy returned his last year saying it wasn't cooked properly. Bless. New additions will include a gelato 'toffee apple' and The Bearded Lady: a cream cheese gelato paddle pop with a chocolate coating, red velvet cake crunch and red fairy floss floating around the outside. There'll also be a doughnut bar, serving up ice cream doughnut sandwiches like the Five Million Dough-Lars (a doughnut version of their Magic Mushroom cake), and The Biggest Gainer: a doughie with peanut butter gelato, fresh banana, a milk chocolate glaze, peanuts and bacon sprinkles. If you're not already heading to Sydney Festival, this is good enough reason to get down there and check it out. Il Carnivale di Gelato Messina will be open every day of the festival from 12pm at the Festival Village in Hyde Park. Sydney Festival kicks off this Thursday, January 7 and run until Tuesday, January 26. Check out our top ten gigs of the festival, and picks for the best bang-for-your-buck events.
If brutal honesty, passionate angst and extraordinarily affecting personal songwriting is your jam, rejoice the return of Martha Wainwright to Australia for a massive, 12-date national tour. Part of a large, fractured musical family, it was perhaps fitting that Martha made her first big splash with 'Bloody Mother Fucking Asshole', a song at once heartbreaking and defiant, laying bare her difficult relationship with her father in an extraordinarily public way. And her forthcoming album, Come Home to Mama, continues this deeply personal approach to music, inspired by the six-month period in which she gave birth to her first child and lost her mother — legendary Canadian folk singer Kate McGarrigle — to cancer. But it's not all doom and gloom. Over the years Wainwright has established herself as a compelling and engaging performer with an extraordinary voice, one that will have you in tears one moment and tapping your feet the next. It won't be an easy night, but it could be an amazing one. 31 May – The Tivoli, Brisbane 1-2 June – Byron Theatre, Byron Bay 6 June – Sydney Opera House 8-9 June – Live n Cookin' @ Lizotte's, Newcastle 13 June – Theatre Royal, Hobart 14-15 June – Recital Centre, Melbourne 16 June – Memorial Hall, Leongatha (VIC) 20 June – Dunston Playhouse, Adelaide 22 June – Astor Theatre, Perth Tickets for the Sydney Opera House show are on sale on Friday, April 12, at 9am. More ticketing information here. https://youtube.com/watch?v=pX-bIr8dr6U
These days, there are plenty of places to find cheesy dishes and elaborate cheese boards — but there's nothing quite like purchasing a few quality wedges of hand-picked fromage, freshly sliced charcuterie and a matching bottle of wine to take away and dig into. Home to some of the largest cheese selections in the country, Sydney's cheese shops are defined by honest, passionate owners, an appreciation for Australian-made products and exceptional cheese options. From long-running historic operations in the CBD to small artisan cheese shops in Manly, we've put together a list of the best shops to pick up a slice or two — whether you're just after your go-to favourite or something fancy and new.
Miranda Devine. Yeah, you've heard of her. Maybe you connect her with the profile shot that gazes smugly at you from the pages of the Telegraph somebody's discarded on the seat of the bus, or then again, maybe you're picturing the scenes of speechless, apoplectic rage with which your friends and loved ones are occasionally wont to speak of her. But make no mistake, there's nothing wrong with Miranda Devine's opinions per se. She just likes things clean, white, middle-class, conservative and heterosexual. Nothing wrong with that, she's entitled to her opinion. In fact, she's so entitled to it that she is the "leading columnist" with the Daily Telegraph and the Herald Sun, who gift her an entire page in Australia's most popular tabloids in which to exercise her right to free speech. Which is all well and good until you get crazy-eyed hysterics ringing up talk-back radio and using her articles to back up what are often reactionary and evidence-free arguments. On Sunday, August 14, The Daily Telegraph published her column entitled 'It's a Myth Conception: The problem of a fatherless society.' While ostensibly about the pregnancy announced last week of Senator Penny Wong and her partner Sophie Allouache, Devine manages to complete some truly spectacular logical acrobatics to take us from a pregnant lesbian couple to the seemingly connected statement, "You only had to see the burning streets of London last week to see the manifestation of a fatherless society." Makes sense, right? To a lot of people it doesn't, and one of the people it rubbed up the wrong way was Tom Ballard, Triple J breakfast presenter, comedian and self-described "professional homosexual". Check out Tom's measured, yet whimsical, response below. https://youtube.com/watch?v=KkMv_GzhETk
Eight days of free festivities are coming to Darling Harbour as part of SXSW Sydney. Whether you're a Platinum Badge-holder, just heading along to the music or screen festival, or sans-SXSW tickets entirely, you're invited to head down to Tumbalong Park between Sunday, October 15–Sunday, October 22 for the festival's huge program of free events. Sydneysiders and visitors will be given the chance to dip their toes in the many different aspects of SXSW at the vibrant inner-city hub. Leading the program is Adam Spencer's Big Questions panel with special guest Dr Karl Kruszelnicki. Yiying Lu and Chef Martin Yan will also be appearing on stage, teaming up on World Food Day to conduct a live cooking class. Young Henrys is the official sponsor of SXSW Sydney's music festival, and the beloved Sydney brewery is getting involved in the Tumbalong Park activation in a couple of different ways. Firstly, you'll be able to get your hands on a Newtowner at the Young Henrys pop-up bar. Plus, the YH crew is pulling some strings with a few acts on the festival lineup, running the Rock n Roll Circus where mystery artists will be appearing on stage to cover iconic rock songs. [caption id="attachment_918603" align="alignnone" width="1920"] Vivid 2023, Destination NSW[/caption] The first day of the festival, Sunday, October 15, will feature a jam-packed program featuring an opening ceremony, a presentation from the music festival featuring performances from artists on the lineup, an augmented reality demonstration, a break-dancing activation and an opening night party for SXSW Sydney's screen festival. Elsewhere on the lineup: an outdoor cinema screening classic films that have premiered at SXSW Austin over the years, an afternoon of esports, a live broadcast of FBi Radio's Arvos with Jaimee Taylor-Nielsen, a robotics demonstration and a live playthrough of the murder-mystery game Blood on the Clocktower. On top of all of this, there will also be food trucks, plus pop-up activations from Suntory -196, CommBank, Channel Seven, Snapchat and Uber. [caption id="attachment_912030" align="alignnone" width="1920"] Tumbalong Park during the 2023 FIFA Women's World Cup, Destination NSW[/caption] SXSW Sydney is the first time that the world-famous festival is popping up anywhere outside the US. The festival will boast a 700-plus strong bill of talent, covering over 300 sessions. The event will feature more than 300 gigs across 25 venues, too, and has been dropping its music highlights and must-attend parties since earlier in 2023. Its dedicated gaming strand will include a tabletop game expo. And, the SXSW Sydney Screen Festival will open with The Royal Hotel, and host the world premiere of Hot Potato: The Story of the Wiggles. The entire event — the festivals within the bigger fest, exhibitions, talks, networking opportunities and streetside activations — will happen within a walkable precinct in the Sydney CBD, Haymarket, Darling Harbour, Ultimo, Chippendale and more, with the SXSW Sydney's footprint operating as a huge hub. Other venues named so far include Powerhouse Museum, ICC Sydney, UTS, Central Park Mall, the Goods Line Walk, The Abercrombie and Lansdowne Hotel. View this post on Instagram A post shared by sxswsydney (@sxswsydney) SXSW Sydney's free festival hub will take over Tumbalong Park, 11 Harbour Street, Sydney between Sunday, October 15–Sunday, October 22 Top image: Tumbalong Park, Vivid, Destination NSW. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
As a kid, your idea of the perfect getaway probably would have included only a few simple things, like proximity to the closest milk bar and easy access to the nearest beach or lake. But as you've matured, so have your tastes and expectations. Now you want only the best, don't you? Luckily, Australia has no shortage of lavish retreats to discover in every corner of the country. From safari-style glamping along Western Australia's vibrant Ningaloo Reef to a rugged private island off the Tasmanian coast, there are ways you can seriously treat yourself — and see some of Australia's most stunning scenes at the same time. With that in mind, we've hunted down seven luxury locations that will have you refreshed and rejuvenated. Everyone deserves a little five-star escape every now and then. [caption id="attachment_720489" align="alignnone" width="1920"] Tourism Western Australia[/caption] SAL SALIS NINGALOO REEF SAFARI CAMP, WA Hidden between sand dunes in the Cape Range National Park, Sal Salis is a beachside eco safari camp like no other. The 15 luxury wilderness tents take glamping to a whole new level, with breezy openair bathrooms, handmade timber beds and absolutely unbeatable views of the Indian Ocean, which is conveniently located only a few steps away from your sleeping quarters. There are outdoor activities aplenty, though swimming with whale sharks, manta rays and dolphins would certainly be at the top of our list. The main lodge also offers the perfect place to unwind with fantastic regional wines, WA seafood, and a rustic wooden outdoor deck that offers the ultimate vantage point to see the Milky Way in all its glory. Ningaloo Reef is one of our top places to visit in Australia in 2023, and Sal Salis would have to be the greatest place to stay in the region. THE CAPE AT WATEGOS, BYRON BAY If you're after a laidback luxury stay with uninterrupted sea views, then these Byron Bay lodges should more than do the trick. The Cape at Wategos sits above the area's much-loved Wategos Beach (backed by a national park) and is super close to a bunch of great restaurants and bars. It has the ideal blend of feeling totally remote but still close to Byron Bay's fun stuff. Choose from one of the two-bedroom suites — each with massive private decks overlooking the beach — or go for the large Residence that sleeps up to six guests. Expect stark white interiors, Hampton-style furnishings, spacious kitchens and living areas, an infinity swimming pool and comfy king-sized beds. Either spend all your days up at the lodges or take a short walk down for afternoons of swimming and surfing with mates. LONGITUDE 131, YULARA, NT No matter where you're standing, the mammoth form of Uluru is always an incredible sight to behold. But some vantage points are better than others — and if we had to pick, we'd say Longitude 131 has the best. Luxury tents (if you can even call them that) sprawl across the red desert in the shadow of the ancient Kata Tjuṯa. Every one comes with indulgent elements like floor-to-ceiling windows, a soft daybed, a rain shower and a coffee machine — not to mention the free-standing tub in the sprawling Dune Pavilion that we would definitely try to take home with us if it was remotely possible. The best part? There are no televisions and no radios, so you'll be in complete quiet and solitude. It is clear to see why it's one of the best glamping spots in all of Australia. [caption id="attachment_557208" align="alignnone" width="1920"] Elise Hassey[/caption] SATELLITE ISLAND, TASMANIA If you've ever read Journey to the End of the Earth and thought 'that sounds like fun' then you're going to love Satellite Island. Lined with rugged cliffs that dip into clear blue waters and teeming with native wildlife, the 34-hectare landmass is located along the southeastern coast of Tasmania in the D'Entrecasteaux Channel and is only accessible by private boat. Whether you're catching your own fish off of the island's single jetty, foraging for ingredients in the veggie patch or learning how to shuck your own oysters, you'll probably try to set up a makeshift cabin so you never have to leave this tranquil paradise. PS EMMYLOU, MURRAY RIVER According to the PS Emmylou team, this is the world's only accommodated woodfire paddle steamer. You'll slowly float along the Murray River in this newly kitted-out boat, stopping off at small towns and natural sites to do some light exploring. Grab one of the eight luxe cabins, dine on the back of the boat (with food and drinks included in the ticket price) and take part in a series of tours around the Murray River region. This will include leisurely hikes, winery tours and special dinners on the banks of the river. But the best thing to do is simply grab a seat on your balcony — if you get the luxury suite — and spend the day reading and drinking in the sunshine. It has to be the best way to see this marvellous part of Australia. JACKALOPE, MORNINGTON PENINSULA, VICTORIA Situated in the heart of the Mornington Peninsula wine region, Jackalope Hotel has raised the bar for luxury retreats in the area. The first thing that greets you on arrival is a grandiose seven-metre-tall sculpture of a jackalope — the mythical horned rabbit after which the surrealist hotel is named — and things only get more extravagant from there. From the 30-metre-long infinity pool with lush vineyard views to the hotel's extensive art collection, opulent spa and two top-quality restaurants, you won't have to leave the grounds if you don't want to. [caption id="attachment_720481" align="alignnone" width="1920"] Peter Aitchison and Baille Lodge via Destination NSW[/caption] CAPELLA LODGE, LORD HOWE ISLAND Operating for over a decade now, Capella Lodge is one of Australia's most well-known hotels — and, thanks to a cheeky $4 million makeover a few years ago, it's also one of the country's most lavish. Visitors are treated to inspiring views of the island's twin peaks, Mount Gower and Mount Lidgbird, as well as the world's southernmost coral reef in the Pacific Ocean. The beach is only a stone's throw away when you feel like a swim, though the plunge pool is just as refreshing. Plus, you can do this epic hike and then head straight to the spa for a hot stone massage that'll have you feeling stress-free for weeks. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Longitude 131.
It took 30 years, plus a warp pipe from live-action to animation, but Super Mario Bros finally gained a cinematic mushroom. While these are peak product-to-screen times — see also: The Last of Us, Dungeons & Dragons: Honour Among Thieves, Tetris and Air, plus the upcoming Barbie, BlackBerry and latest Transformers flick — Nintendo's plumber siblings were long flushed out of movies thanks to their underperforming first outing. 1993's Bob Hoskins (Snow White and the Huntsman) and John Leguizamo (Violent Night)-starring film, the first-ever live-action video game film, isn't terrible. It followed its own dark path and hit its own wild blocks, something that stands out even more now that slavish obsession to intellectual property and franchise-building is king. If 2023's The Super Mario Bros Movie is a response to its predecessor, it's a happily dutiful one, doing its utmost to copy the video game. The strongest feeling it inspires: making viewers want to bust out their old NES or SNES or Game Boy, or emulators of any of them, or Nintendo's current Switch, and mash buttons as the red-capped, moustachioed, overalls-wearing Mario. These are also peak product-to-screen-to-purchase times; selling more Super Mario Bros, Mario Kart and Super Smash Bros games is a clear and obvious aim of The Super Mario Bros Movie. To do that, the film truly is as enthusiastic about recreating its various source materials as Mario has been about collecting coins, completing levels and saving Princess Peach since way back in his 8-bit days. Under directors Aaron Horvath and Michael Jelenic, creators of Teen Titans Go!, the animation looks like it's been ported straight from the console — a feat that's hardly unexpected given that it's all shiny pixels. It's also unsurprising due to Nintendo's recent success in mirroring the games IRL in Universal's Osaka and Hollywood theme parks. The Super Mario Bros Movie will help sell more tickets to those, too. In those impressive images, Italian Americans Mario (voiced by Chris Pratt, Thor: Love and Thunder) and Luigi (Charlie Day, It's Always Sunny in Philadelphia) essentially find themselves in the Super Mario Bros version of The Wizard of Oz. Like the 90s flick, they're also transported to another realm where a villainous creature lusts for power— Bowser (Jack Black, Apollo 10 1/2: A Space Age Childhood) here, with an army of the turtle-like koopas doing his bidding. A sewer flood whisks Mario and Luigi out of their own world, after they try to fix it to drum up customers for their plumbing business. On the other side of the tunnel, Mario lands in the Mushroom Kingdom and Luigi ends up Bowser's prisoner. Cue a quest, including along the rainbow road, to reunite the brothers, stop Bowser and keep him away from Peach (Anya Taylor-Joy, The Menu) — who definitely isn't a damsel in distress, but the target of Bowser's obsessive affections. Screenwriter Matthew Fogel (Minions: The Rise of Gru) has kept The Super Mario Bros Movie's story slight, just as Horvath and Jelenic ensure that the tone stays light. Still, while it might star Pratt, there's no The Lego Movie-level smarts, satire and hilarity on offer. Instead, the fun-enough picture is packed with as many nods to the games as it can possibly fit in — and to as many games as it can manage. It's been four decades since Mario Bros initially hit arcades, spinning off from Mario's 1981 introduction in the first Donkey Kong, so there's much to reference. The film brings in the big gorilla (Seth Rogen, The Fabelmans) and his simian pals (Wednesday's Fred Armisen voices Cranky Kong). It gets speeding along that beloved rainbow road, with shells flying and Mad Max: Fury Road coming to mind. The list goes on and cuts far deeper than the obvious; it isn't accurate to say it's full of Easter eggs, though, because it's simply a Super Mario Bros movie stacked with attention to Super Mario Bros detail. Released beforehand, but still a sight to see within the complete flick, Mario's arrival in the Mushroom Kingdom and his introductory tour by the mushroom-headed Toad (Keegan-Michael Key, Schmigadoon!) is a visual treasure trove. When Peach has him prove he's up to the Bowser-battling mission by hopping through an obstacle course that mirrors Super Mario Bros' levels, it's also spot on. Before that in Brooklyn, rushing to a job gets the side-scrolling treatment — and it's an entertainingly playful touch. Nintendo composer Koji Kondo's famous tunes are worked and interpreted by composer Brian Tyler (Scream VI), too, and well. Of course, a game-to-movie effort can't just splash around familiar sights and sounds, actively court nostalgia, and call it all a film. This one doesn't, but the plot remains noticeably thin, including in its siblings-stick-together theme. It's also indebted to the Minions franchise in much of Bowser and the Koopas' storyline. That's animation house Illumination cribbing from itself, given it's behind Despicable Me and its sequels and continues, and now this. If the bright, bouncy, vivid and immersive imagery is The Super Mario Bros Movie's main power-up, which it is, it's still no invincibility star. Neither is the fast pace, aka the default mode for most family-friendly animated fare that isn't made by Pixar, Studio Ghibli or Wolfwalkers' Cartoon Saloon, and where the key focus is on throwing constant chaos at kids so that they don't get distracted. And when the stock-standard needle-drops start, because every all-ages-friendly movie has to jam in recognisable songs like 'Holding Out for a Hero' and 'Take on Me' like it's a jukebox musical — a lazy and grating genre staple that won't go away — there's basic Spotify playlist vibes. It might've sparked the Gentleminions fad among cinemagoers who grew up watching yellow babbling critters, but Minions: The Rise of Gru did the same. Cosplaying in red or green outfits to The Super Mario Bros Movie, which'll happen seeing that all things Mario are that adored, won't patch over the template at work here either. Although it doesn't seem like it when the picture presses start, Horvath and Jelenic are well-aware that they can't have Pratt let's-a-going his way through the film with a stereotypical accent, and don't. They're also comically knowing about it. That said, his casting is neither a coin box nor a banana peel — but his co-stars are winningly chosen. The expressive and energetic Day helps make the case for a big-screen Luigi's Mansion outing to come next. Taylor-Joy gives Peach pluck and determination, on par with the script's commitment to make the character anything but someone who needs rescuing. Key is lively and squeaky, Black growls and pines for Peach with Tenacious D-style glee and Rogan is audibly having a ball. And, while this can't be said about the bulk of this endearingly loving but supremely by-the-numbers film, that's something that The Super Mario Bros Movie delivers but the games can't.
While New South Wales started moving out of lockdown a few months back, life definitely hasn't returned to pre-COVID-19 normality just yet. Slowly, however, more and more restrictions are continuing to relax — including, as just announced today, Wednesday, December 2, very significant changes to venue and event capacity restrictions. As revealed by NSW Premier Gladys Berejiklian, from Monday, December 7, major outdoor events with a crowd are back on the agenda. Regional areas had already been given the go-ahead to host events, such as shows, with 5000 people this summer. Now that bigger cap applies to Sydney as well. Again, the events have to be outside and they must be ticketed — in other words, they must be 'controlled'. Otherwise, outdoor events can only have up to 3000 people. Also changing, as flagged in the most recent eased restrictions announced back on Wednesday, November 25: the in-venue capacity cap. Last week, it was revealed that venues with up to 200 square metres of space could welcome in more customers, with a one-person-per-two-square-metres limit in place from December 1 — and with no limit on the total number of patrons. From December 7, the same will apply to all venues both indoors and outdoors, except for gyms and nightclubs. And, it'll be in place for events as well. At hospitality venues, you'll also be allowed to stand outside. You will need to remain seated indoors, however. Indoor dance floors will be able to welcome 50 people at a time, too, so you can start showing off your fancy footwork again. Seated outdoor stadiums and theatres can move to 100-percent capacity as well, if they're outdoors, ticketed and seated. Indoors, stadiums and theatres can move to 75-percent capacity. [caption id="attachment_720223" align="aligncenter" width="1920"] Vivid, Proudence Upton[/caption] For outdoor gatherings — so you and your mates or family having a picnic or barbecue — you can now get together with up to 100 people, too. Also relevant: there'll also be no upper caps for weddings and funerals, either. Premier Berejiklian called the news "a major easing of restrictions" — and noted that the announcement came as NSW clocks up 25 days without community transmission. As previously revealed, another big change will come into effect on Monday, December 14, and it applies to working from home. The NSW Government will remove the public health order that covers the topic, so you can expect more people returning to the office. In line with that shift, NSW residents are also asked to wear masks on public transport as there'll be more people using the network. As always, the usual rules regarding hygiene, social distancing and getting tested if you display any possible COVID-19 symptoms all still apply as restrictions keep easing. For more information about the status of COVID-19 in NSW, head to the NSW Health website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Vivid, Jordan Munns.
Usually, IKEA's food game is as unmistakably Scandinavian as its hard-to-pronounce furniture names — headlined, of course, by those iconic Swedish meatballs. But come Wednesday, January 22, the retailer's Tempe store is shaking things up and taking a jaunt to the other side of the globe, dishing up a Chinese street food buffet in celebration of the Lunar New Year. Alongside a program of cultural entertainment and traditional workshops, the all-you-can-eat dinner is set to run from 5.30–7.30pm, transforming the store's restaurant space into a colourful Asian feasting hall. On the menu, you'll find classic dishes like steamed dumplings, sweet and sour pork, and sweet potatoes in a teriyaki glaze. There's both combination and vegetarian hot pot soup, hoisin slow-roasted pork shoulder, and even sweet offerings like fruit platters and mango rice pudding. [caption id="attachment_757260" align="aligncenter" width="1920"] Maksym Kozlenko via Wikimedia Commons[/caption] Adult tickets to the buffet feast are $29.95, though IKEA Family members can nab theirs for just $25.95. And since the store's open until 9pm each night, you could even squeeze in a spot of post-dinner flatpack shopping while you're there. Images: Maksym Kozlenko via Wikimedia Commons.
At first glance, mid-week raving and healthy living don’t seem to go hand in hand. The energetic people behind Morning Gloryville are here to turn that preconception on its head with their ingenious way to start your day in style. From 6.30 to 10.30am on the last Wednesday of the month at Paddington Uniting Church, Morning Gloryville will host a monthly all-ages, drug and alcohol free rave to kickstart your day. Music will be pumping with an eclectic mix of '90s dance to jungle beats and soul tunes; you’re encouraged to jump around and shake those cobwebs loose before heading to work. Local DJs Klue, DJ Tricky and Person Three will be storming the decks, along with a dance team to get the party going. But it’s not just the furious dancing that's helping you start your day off on the right foot. The Morning Gloryville sessions will also include yoga, massage, fresh smoothies and healthy food. The recommended dress code is simply 'dress to sweat', but loads of colour and festivalwear is also encouraged — anything to help you seize the day. The only real rule is sobriety; let your inner dance monster show the world what it’s made of unimpeded by plonk. The Morning Glory rave started in London’s Shoreditch — where else — by Sam Moyo and Nico Thoemmes. "We’ve noticed the habit that when people start getting really serious jobs or have a family, or if they want to live free of alcohol and drugs, then they almost stop partying and stop dancing in that way. We thought that was a shame," says Thoemmes. "Morning Glory is a revolution of conscious clubbing. For us it’s really important to get people embodied and dancing and moving freely." It has since gathered a global following with offshoots in Barcelona, New York, Tokyo, Amsterdam and now Sydney. Morning Gloryville is a great alternative for those who truly dread climbing out of bed during the chilly winter months to head to the gym. If you’re looking down the barrel of 8-12 hours at a desk or in an office environment, this is one sure fire way of getting an endorphins hit. The first Morning Gloryville event will be launched on July 23 and entry is $20 for adults and children under 12 rave for free. Via BBC and Fresh 92.7.
Alright, people of Sydney, we get it. Y'all love a tight rooftop. You love to drink bevs under the open sky and in line with your demands, venues countrywide are opening up rooftop bars. It's a glorious new era with a skyline of rooftop bars extending into the horizon and, happily, Paddington's Light Brigade Hotel is the latest place to jump on the bandwagon. It's one of many recent changes for Woollahra's beloved Oxford Street hotel. In November, they reopened after an extensive renovation and came out the other side a whole lot fancier. And since October 7, Brigade Rooftop joined Brigade Bar and Brigade Dining as part of the four-storey hangout, offering pub-goers a lush space with views of the Paddington rooftops and Sydney harbour skyline. The rooftop functions as a combination space for drinking and dining, and is designed to feel "as casual as a neighbour's terrace," according to Jonathan Richards, director of interior design company SJB (the design wizards who executed the renovation). "We have designed a circular bar that fans around the terrace to enable the visitor full access to the horizon." Executive chef Marco Adler has also developed an accompanying wood-fired pizza menu available on the rooftop and in the Brigade Bar. Pizza and drinks on the rooftop? It's like they read our mind. At the same time, the Brigade Lounge also opened downstairs. It's a 1920s-themed cocktail bar that blends right into the art-deco vibe of the building, aka the perfect spot for a post-rooftop-pizza tipple. Brigade Rooftop is now open on the corner of Oxford Street and Jersey Road. Check out their Facebook page for further information.
Fusing thousands of EDM lovers, raveheads waiting for the bass to drop and a formidable amount of hot sauce can't possibly go wrong right? Face-melting dance and tastebud-destroying chili will combine their unlikely party powers for the first ever Electronic Sriracha Festival in San Jose, California. There'd better be some solid water stations in the production budget. Staking a spicy claim over San Jose's St. James Park on August 30, the hot sauce-inspired festival is making David Tran's beloved Sriracha rooster the poster boy for build ups, bass drops and breakdowns. Taking over two city blocks, three stages of electronic music, four bars and 120 sriracha-infused dishes, ESF is keeping food at $6 and the amps to 11. Seems it's all about endorphins, with EDM generating the same rush as a mouthful of hot sauce (the secret's in the capsaicin). Seems the moment before the bass drops parallels the waiting game before the Sriracha heat seeps in. Goes without saying, punters to both types of caps[aicin]-fuelled adventures do often display the same facial reaction: Could be one of the most unlikely Nailed It festivals yet, more innovative than your regular phone company sponsor with only corporate tents and handouts to add to the vibe. Sriracha held their first food-focused festival in LA last year, seems the team want to take things next level. The line-up will be released Monday, July 21 at 9am. Via Grub Street.
Let's face it — you don't necessarily expect to walk out of a bar feeling smarter. But the global initiative Raising the Bar looks to do just that, pulling education out of classrooms and injecting it into unexpected locations with talks on all things wacky, sustainable and scientific — including addiction, cybercrime, manufactured blood vessels and climate change. Hailing from New York then annually touring Hong Kong, London and beyond, Raising the Bar returns to Aussie shores in partnership with the University of Sydney and City of Sydney, to take over Sydney bars for one night only. Fifteen Sydney haunts — including The Abercrombie, Brix Distillers, Atomic Brewery, Soultrap and the Ace Hotel —are getting involved in this free event, with each venue hosting talks at 6pm and 8pm. The venues will be open for business, too, so you can grab a drink and some food to snack on while you try to wrap your head around the game-changing, boundary-pushing subject matter. Some of Sydney's brightest minds will come together to discuss research findings and specialist areas — from CEOs and up-and-coming visionaries to local professors and lecturers. And the conversation topics are about as varied as you can get, so it's unlikely you won't find something to sink your brain into. Speakers include Prof. Stefan Williams on his years of experience in underwater exploration, Josh Ismin on the therapeutic potential of magic mushrooms, Paul Millett on the vertical future of farming and Barbara Stephen on Sydney's growing role in the global entertainment industry. Registration for each individual event is a must, so to check out the full program and nab your free ticket, visit the website.
On the lookout for a dope new denim jacket? Or do you want to be rid of that weird-looking lamp taking up space in the living room? Then, by golly, you're in luck. The Garage Sale Trail works with local council partners Australia-wide to get as many trash-and-treasure troves happening on the same few days as possible. Last year, more than 300,000 Aussies took part at this festival of pre-loved stuff, holding more than 15,000 sales. Will this year's Garage Sale Trail top those hefty numbers? It'll certainly try via a huge array of events that will open their doors to bargain hunters, selling millions items across two big spring weekends: between Saturday, November 11–Sunday, November 12, and then again from Saturday, November 18–Sunday, November 19. Aside from the retro goodies up for grabs, the Garage Sale Trail is all about sustainability. Instead of ending up in landfill, unwanted clutter becomes a fantastic find. So get that tight pair of sunnies for peanuts and help the environment at the same time. The Garage Sale Trail began humbly in Bondi in 2010 and is growing bigger every year. There'll be a right slew of sales happening all around Sydney, so keep your eyes on the event website — or register online to make a quick buck from your old junk and hang out with the friendly folks in your hood.
UPDATE, March 15, 2021: Skate Kitchen is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Skate Kitchen begins with a board, a banged-up pelvis and blood gushing down a leg. But stacking it once isn't going to keep Camille (Rachelle Vinberg) from shredding, grinding and nosesliding. Nor are stitches in her nether regions, or her mother's (Elizabeth Rodriguez) insistence that she give up her hobby. Instead, the film takes Camille gliding from the parks and pavements of Long Island to the streets of Manhattan, where a gang of girls skate like the city is their playground. They're the Skate Kitchen of Skate Kitchen. An all-female collective, they air, ollie and amble around town. They hang out, smoke joints, and shoot the breeze about anything and everything. They snap and record their tricks and kickflips, immortalising their antics on Instagram. And when they welcome Camille into the fold, it changes everything for the reserved, quiet 18-year-old. Early in what proves a laidback but layered movie, filmmaker Crystal Moselle captures Skate Kitchen's leisurely vibe and the effect it has on her picture's teenage protagonist. The irrepressibly catchy beats of Junior Senior's 'Move Your Feet' take over the soundtrack as the girls walk, dance and skate their way through New York City, and Camille couldn't look happier. As well as sending the film's frames freewheeling along with the group, cinematographer Shabier Kirchner cloaks his images in a warm glow — the kind that exists in your mind when you're simply content, regardless of what your eyes actually see. It's an ethereal sequence, and yet it's also grounded in naturalism. Sunny, carefree, comforting, vibrant: that's just how being part of Skate Kitchen feels. That's how watching Skate Kitchen feels as well, although Moselle's isn't a rosy coming-of-age portrait devoid of drama. Narrative-wise, the movie charts the push-and-pull that characterises Camille's life — first between the freedom of skating and the scolding of her overprotective mum, then between friends and family, and later between her new buddies and the wannabe photographer Devon (a flame-haired Jaden Smith) who they try to warn her away from. And, while the film marks Moselle's first fictional movie, Skate Kitchen itself is real. The endlessly fascinating Vinberg is one of its crew members. So is the scene-stealing Nina Moran, who plays the joker of the gang, as well as the affectionate Ardelia Lovelace, who becomes Camille's closest friend. Here, art both imitates life and does its utmost best to represent it accurately — even when sometimes packaged with a visual sheen that'd do Sofia Coppola proud. It's unmistakably rare to see a film featuring such authentic and candid conversations between teen girls. Such a diverse yet nuanced female group, spanning different races, sexualities and personalities, is hardly regular screen fodder either. And that's before noting the obvious: that depicting young women as skateboarders, letting them carve out a place in a male-dominated domain, and spending time with them just kicking around is so uncommon that it's almost revolutionary. Indeed, that's exactly why the movie's dreamy aesthetic is such a fitting choice. Until now, a film set in this world — that's intent on fighting back against gendered expectations, and that seems so achingly real — was basically a dream. Moselle knows a thing or two about stepping into an overlooked or undiscovered realm and revealing it to the masses. In 2015, her documentary The Wolfpack was a festival circuit hit, centring on seven home-schooled New York siblings — six boys and their sister — who were virtually forbidden to leave the house by their strict father. To experience the outside world, the factual flick's subjects escaped into movies, which they not only devoured on DVD but re-enacted and re-staged in an elaborate fashion. Skate Kitchen is The Wolfpack's fictionalised female-focused counterpart in many ways, and it also sees Moselle take her doco's core idea to the next level. There, cinema helped a sheltered family feel like they existed. Here, skateboarding does just that for a lonely soul, while the overall film will provide the same sensation for anyone who has ever been a teenage girl. https://www.youtube.com/watch?v=1VTFLvLtdYw
Chardonnay has come a long way since a certain couple of foxy ladies hilariously revised its pronunciation. Just ask the crew at Handpicked Wines, who'll be reacquainting Aussies with this oft-misunderstood wine variety at their inaugural chardonnay festival, Buttered. The Sydney cellar door and wine label has pulled together a lineup of local labels to help shakeup old-school perceptions and celebrate the best of the country's new-world chardonnays. It's out with Kath and Kim's favourite big, oaky drops and in with a more refined style of cool climate vino. The Buttered Aussie Chard Fest takes over the Handpicked Cellar Door on Tuesday, October 22, to showcase over 20 different wines from legends like Oakridge, Giant Steps, Savaterre and Tyrrell's, alongside a few award-winning vintages from Handpicked. Some of the winemakers will be on hand to chat all things chardonnay — or, cardonnay, as Kim would say — while the DJ throws down a soundtrack filled with old-school Aussie gold. Also in a nod to the grape's retro reputation, there'll be a menu of nostalgic Australiana fare — expect a sausage sizzle and Iced VoVos, as well as plenty of cheese — plus, the punters with the foxiest old-school Aussie fashion on the night will win a private sommelier-led tasting for four, courtesy of Handpicked. Tickets are $35, which includes all your tastings and a selection of snacks, with more wines, beers and cheese plates available to purchase after 8pm. All the wineries will be selling take-home bottles as well.
They're the pieces of plastic no one can leave home without — if you want to catch a bus, train, tram or ferry. Sydney has Opal, Melbourne has Myki and Brisbane has the Go Card, aka the main way to pay for public transport in today's increasingly cash-less society. For now, that is. News Corp's Sydney, Melbourne and Brisbane papers are all reporting the looming end of the current ticketing cards, in favour of smartphone, smartwatch and tap-and-go bank card payments. It's one of those obvious leaps in technology that was always going to happen at some point soon. If there's a more convenient, contactless way to pay that don't rely upon everyone remembering to stuff yet another card into their wallet, then it's hardly surprising that the New South Wales, Victorian and Queensland governments are looking into it. In Sydney, a trial began on the Manly ferry last year, with patrons tapping their Mastercards instead. It's expected to expand to other forms of transport according to The Daily Telegraph, although it's worth noting that Opal multi-trip benefits don't apply to other payment systems. Melburnians can expect to scan on with a credit or debit card in trials due to start this year, focusing on Routes 11, 86 or 96, The Sunday Herald Sun notes. And in Brisbane, The Sunday Mail reports that a trial will commence either later in 2018 or sometime in early 2019, starting with the Airtrain. Moving away from dedicated transport cards — or adding other payment options — will make things easier for tourists and travellers, who shouldn't have to buy a new piece of plastic just to catch a bus or train (or pay extra for a paper ticket if they don't) when they're visiting. Ensuring the new system remains accessible for anyone that doesn't have a smartphone, smartwatch or bank card remains a concern, however. And, there'll always need to be a backup option in case someone forgets their phone, watch or wallet. Via The Sunday Mail / The Sunday Herald Sun / The Daily Telegraph. Images: Beau Giles / Binayak Dasgupta / Andrew Thomas.
UPDATE, April 9, 2021: Ready or Not is available to stream via Disney+, Foxtel Now, Google Play, YouTube Movies, iTunes and Amazon Video. "In-laws". It's such an ordinary, everyday term, and yet it's usually uttered with such exasperation. Embodying the flipside of deciding to spend your life with someone, it's a reminder that even the happiest of romances always come with considerable baggage. It also sums up Ready or Not perfectly. At its most basic, this twisty and gory horror flick rests on one simple idea: having in-laws is hell. Of course, there's the minor annoyance that arises when your parents-in-law have too many opinions, or your siblings-in-law are obnoxious, or your uncle-in-law gets embarrassingly drunk at Christmas — and then there's discovering that your new family is plotting to kill you on your wedding night. First seen dressed for her big day, smoking a cigarette and pondering taking the plunge, Grace (Samara Weaving) is initially worried that her soon-to-be husband's family won't accept her. Alex Le Domas (Mark O'Brien) been estranged from his parents for years, but the couple is getting married on their sprawling estate anyway — it's tradition — and unease lingers in the air. While matriarch Becky (Andie MacDowell) is welcoming, she's more concerned about bringing Alex back into the fold. Grace's new brother-in-law Daniel (Adam Brody) seems like he's joking when he says she doesn't belong; however his tone has a clear edge. Other relatives, such as Alex's dad Tony (Henry Czerny), are barely polite. As for eccentric Aunt Helene (Nicky Guadagni), her permanent scowl says everything. So far, so standard. That's how tales of regular folks marrying into obscenely rich dynasties often go. But, as an ex-foster kid who's never had much of a family, Grace is determined to win over the Le Domas brood. Accordingly, when she's told they all have to play a game at midnight, she goes along with it. The family made their money in board games, so it's another tradition. It's not what most couples do after they've just gotten hitched, but there are worse ways to spend an evening than playing hide and seek in a lavish mansion — unless weapons, murder and devilish secrets are involved. Arrows start flying, guns keep firing and avoiding the dumbwaiter is plain common sense, with Grace forced to battle for her life while still wearing her wedding dress. Working with a witty script by Guy Busick (Stan Against Evil) and Ryan Murphy, directors Matt Bettinelli-Olpin and Tyler Gillett (Devil's Due) ramp up the chaos and layer in plenty of commentary — and, yes, Ready or Not has much to say. As steeped as the movie is in oh-so-relatable family stresses, it also finds a wealth of subversive and perceptive material in gender roles and class warfare. When Grace's willingness to please and desire to belong sees her treated like prey, the film revels in her transformation from eager and accommodating to plucky and fearsome. And while there's no missing the many digs at the well-off, privileged and entitled, they're no less astute or accurate just because they're obvious. The result: a horror-comedy with bumps, jumps, laughs and vicious satire all in one gleefully manic slash 'n' stalk package. The concept of hunting humans is hardly new (see: The Most Dangerous Game, Turkey Shoot, Series 7 and Bacurau), and neither are family dysfunction nor just-married jitters (see: too many pictures to mention), but it makes a smart and amusing combination. Ready or Not's setting helps immensely, with the film trading on the mystery and intrigue that bubbles in all whodunnits and horror flicks in a stately home — and making ample use of secret corridors and endless rooms as well. Also assisting nicely is the playful You're Next-style vibe and Heathers-esque attitude; if can't have some ferocious fun with this premise, when can you? While Ready or Not holds nearly a full deck of winning cards, two other elements stand out. As the cast flings axes and slings snappy dialogue, Bettinelli-Olpin and Gillett always ensure that Grace's actions and choices feel realistic, rather than convenient, exaggerated or implausible; she's trying to fight, flee and survive, after all, and the situation is over-the-top enough as it is. Led by Australian talent Weaving, the film's cast is also excellent in general. MacDowell rarely dallies with her dark side, and she's a delight to watch in villainous mode. Brody, when he toys with his usual nice-guy image, is in sparkling form too. Naturally, though, Ready or Not belongs to its fierce bride and the actor behind her. After working her way from Home and Away to Three Billboards Outside Ebbing, Missouri to this, Weaving is a formidable and engaging presence — and, as this savagely entertaining flick demands, she's also one hell of a horror movie hero. https://www.youtube.com/watch?v=ZtYTwUxhAoI
Need to get around Sydney during WorldPride, and want your trip around town to be as entertaining as the entire festival? Enter Uber Pride Ride, a party bus that's hitting the Harbour City across three weekends. From Friday, February 17–Sunday, February 19, Friday, February 24–Sunday, February 26 and Friday, March 3–Sunday, March 5, operating from 6.30–10pm daily, it'll will loop around the CBD — with a heap of drag queen stars on hosting duties. Each night's trips will feature different talents busting out onboard activities — so you might be in for a ride filled with drag bingo, karaoke or an inner-city disco on wheels with Jojo Zaho, Carla From Bankstown, Coco Jumbo, Cassandra Queen, Karen From Finance, Annie Mation and more. The Uber Pride Ride is also hosting educational talks from First Nations LGBQTIA+SB advocacy organisation Black Rainbow. Like to party on the way to the party? This is the hop-on-hop-off — and free — bus for you. It'll take an hour-long City Circle loop, departing at 6.30pm, 7.45pm and 9pm each evening, starting at Australian Museum on William Street. From there, it'll head to St James Station, Powerhouse Museum, Central Station, Albion Street in Surry Hills, Flinders Street in Darlinghurst, Oxford Street in Paddington, then via Craigend and William streets back to the beginning. Like free Uber Pool trips as well? On one weekend, from 12–10pm Friday, February 24–Sunday, February 26, the rideshare company is also doing $100 off trips.
Since the first sign was erected promoting a tasty cola, we have had a love/hate relationship with the ubiquitous advertising monsters. Where we were once outraged at subliminal advertising, now we enjoy analysing the topic on a weekly basis. But how much do we really know about the influencing power of advertising? Morgan Spurlock is going to find out. The documentary filmmaker has noticed that all the supersized Hollywood blockbusters like Iron Man and Transformers are made so successful by being paired with the biggest brands using brand integration. So in an effort to create the first 'docbuster', Spurlock is selling the entire 90 minutes of his latest film, and taking us on his journey. For most of the film Spurlock straddles the line between 'selling-out' and making us laugh so hard we won't notice the money he's making in the process. But the tag line of the film assures us he's "not selling out, but buying-in". To do this he teams up with a number of companies that amazingly trust they won't come up second best in an area ripe for criticism, and it is reassuring to know that Spurlock is making this whole process transparent. As opposed to the sneaky tactics of subliminal advertising or product placement, it is remarkably comforting to be warned and indeed thrust toward all the paid features in this film. Along the way he is joined by experts (Noam Chomsky, Ralph Nader), directors (Quentin Tarantino, Peter Berg, JJ Abrams) and musicians (OK Go) for an in-depth look at modern advertising, all while trying to sell his new-found 'love' of pomegranate juice. The film relies on Spurlock's wit and ability to poke fun at the industry he is buying into. It leads to some genuine laugh-out-loud moments yet eventually fails to deliver any sort of conclusions. Everybody knows about product placement, so what more does Spurlock tell us? Well, not a lot. Ultimately, he acknowledges that unless you would like to live a hermit existence or move to Sao Paulo there is little we can do about the constant amount of advertising we are exposed to daily. We may be stuck with it, but at least now we can have a good laugh at the situation, thanks to Morgan Spurlock. Morgan Spurlock will appear at a special screening of POM Wonderful Presents: The Greatest Movie Ever Sold complete with Q&A on Tuesday, August 2, 2011, at 6.45pm. The movie opens nationwide on August 11. https://youtube.com/watch?v=T4Ng2P3zxfM
If you think 'the quarter acre block' and 'Sydney' are about as laughable a pairing as 'affordable housing' and 'the inner west', then think again. Art & About is upon us, and to kick off the three-week festival of public art is the Quarter Acre Block Party in Martin Place, a new incarnation of launch event Friday Night Live. This year's program for Art & About focuses on things that are 'at risk' or endangered. And what better way to reminisce about the surely extinct Australian dream of the quarter-acre block than to spend an afternoon soaking up the ole fashioned neighbourhood barbecue vibe as you drink up thanks to Cake Wines and dig into a spread by Barrel and Beast owner and sustainable chef extraordinaire Jared Ingersoll. With free entry, it all takes place in one of the CBD's most stunning acreages, Martin Place. Shaun Parker & Company's brilliant new work Trolleys will keep BBQ-goers entertained with performances at 5.30pm and 7pm. Expect breezy tunes from The Morrisons, Bustamento and Hot Potato Band. Even Double J is helping a neighbour out with a special mixtape — cue the awwws. And when the smell of slightly burnt-but-still-good sausages is no more, art can be your dessert, with the City of Sydney providing free 'vintage' shuttle buses from Martin Places to various galleries, who are also staying up past their bedtime. You can duck into the Art Gallery of NSW to finally check out the Archibald Prize, buy some locally crafted knick-knacks at the Artists Market at the State Library of NSW or drop in to the Late Night Library at Customs House for some tactile, architectural learning. The Quarter Acre Block Party is on Friday, September 19, from 5pm - 10pm. The festival continues in Sydney's public spaces until October 12.
No one wants to live in a world where Parasite, the best movie of 2019, doesn't exist. But if it didn't for some reason, it's highly likely that Corpus Christi would've been this year's Best International Feature Film Oscar-winner, rather than just a nominee. This Polish drama also focuses on people pretending to be something they're not. As directed by Warsaw 44 and The Hater's Jan Komasa, and written by the latter's screenwriter Mateusz Pacewicz, it casts a wry eye over much about life in their homeland today, too. And it isn't afraid to call out hypocrisy, societal divisions and greed, either — literally in the latter case, via its protagonist's speech at the local sawmill. There are few other similarities between Corpus Christi and the movie it lost to, but perhaps the only one that really matters is how potently, blisteringly and rousingly it unfurls its on-screen gifts. Well that, and how striking every second of the film looks, pairing its ashen, almost-hazy aesthetics with its complicated account of an ex-juvenile delinquent who poses as a small-town priest. The imposter's name is Daniel and, as played with soulful intensity by star-in-the-making Bartosz Bielenia, he's a complex figure. First seen serving the final days of his reform school sentence, he has made a fan out of the facility's head priest, Father Tomasz (Lukasz Simlat). In fact, if Daniel's criminal record didn't preclude it, he'd desperately love to follow in the elder man's footsteps and join the seminary. While the correctional centre's hierarchy means that he has to take on look-out duties when his fellow inmates brutally rough up one of their own — lest he be on the receiving end instead — the look in the 20-year-old's eyes whenever he's reminded that his past choices have stripped away his preferred future is haunting. There's much about Bielenia's exceptional performance that sears itself into memory, but that firm, mournful gaze that adorns his face again and again is unshakeably powerful and poignant. When Daniel is released to work at the aforementioned sawmill in rural Poland, it's better than incarceration. Of course, it's hardly what he has dreamed about. Call it fate, call it divine intervention, or call it either good or dumb luck, but he's soon given the chance to pursue his calling. Through a series of events that never feels convenient or strained, Daniel claims that he's a priest — and that contention largely goes unquestioned. In a close-knit community of devout but struggling souls, with the area rocked by a recent tragedy that still lingers, locals eagerly welcome him as their new spiritual advisor. Daniel's devotion to the task helps to mask his youthful years. With those around his age, he's particularly at ease. He also genuinely has faith and believes in the job, so the jump from jailhouse scraps and drug-addled post-release parties to assisting his surprise congregation is both easy and natural. Corpus Christi is loosely inspired by real-life details, but even though this is a movie about an unconventional priest, it isn't the type of religious true tale that might instantly spring to mind. It couldn't be further from the dutifully pious standard, which remains the case even as it gifts its young protagonist with an unexpected second chance — an unlikely opportunity to follow his heart and make a difference to an insular yet divided town, too — and demonstrates that he's not the only one within the movie's frames with a troubled past to overcome. Whether he's attempting to convince the locals that an old grief-fuelled grudge reflects badly upon their character or getting closer to parishioner Marta (Eliza Rycembel) to an ungodly degree, Daniel is a wiry and magnetic bag of contradictions. Much the same can be said of his potential absolution, too. His motives are sincere, but his shot at vindication springs through subterfuge — well-meaning subterfuge that's purely a result of grasping an opportunity, rather than any misdeeds or maliciousness, but subterfuge all the same. Crafting a film that starts with grey hues, grim visuals and a mood to match, and never buffers out or prays away the grit in its aesthetics, Komasa uses Daniel's situation to veer down an important path. Benevolence and redemption are key tenets of Catholicism, and of many faiths, but there's a difference between speaking of them and putting them into action — which Corpus Christi explores in every reaction that comes its central figure's way. The film doesn't deify its protagonist, nor shy away from his mistakes and woes, but it clearly sees and accepts his desire to aid others. And, in the process, it asks what might be considered a sacrilegious question to some: if people can find the solace, warmth and comfort they yearn for in biblical characters who teach compassion and charity, why can't they in a tattooed, scarred, street-smart ex-criminal standing in front of them, getting to know them, willingly dedicating his time to helping them, and driven by the same kind intentions and aspirations? If that train of thought sounds thorny, tricky and even anxiety-inducing, that's Corpus Christi. When he's lost in prayer, Bielenia's face may look angelic; however, nothing else about this movie is ever so blissful or simple. As a film about a rehabilitated crim-turned-masquerading cleric, tension and foreboding unsurprisingly seethes through every second. First, Daniel wonders how he'll ever be seen as anything other than "scum", as he's called. Next, he worries about maintaining his deception and keeping the position he treasures. As it bubbles and broods, Corpus Christi doesn't ever offer simple answers — to audiences or to its lead character. That's to be expected; this is a feature that spends its entire time rallying against easy solutions, after all. https://www.youtube.com/watch?v=EU-Z90SEqGQ&t=20s
Get Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand and more exceptional women in a room, point a camera their way, let the talk flow: Sarah Polley's Women Talking does just that, and the Best Picture and Best Adapted Screenplay Oscar-nominee is phenomenal. The actor-turned-filmmaker's fourth effort behind the lens after 2006's Away From Her, 2011's Take This Waltz and 2012's Stories We Tell does plenty more, but its basic setup is as straightforward as its title states. Adapted from Miriam Toews' 2018 novel of the same name, this isn't a simple or easy film, however. That book and this feature draw on events in a Bolivian Mennonite colony from 2005–9, where a spate of mass druggings and rapes of women and girls were reported at the hands of some of the group's men. In a patriarchal faith and society, women talking about their experiences is a rebellious, revolutionary act anyway — and talking about what comes next is just as charged. "The elders told us that it was the work of ghosts, or Satan, or that we were lying to get attention, or that it was an act of wild female imagination." That's teenage narrator Autje's (debutant Kate Hallett) explanation for how such assaults could occur and continue, as offered in Women Talking's sombre opening voiceover. Writing and helming, Polley declares her feature "an act of female imagination" as well, as Toews did on the page, but the truth in the movie's words is both lingering and haunting. While the film anchors its dramas in a specific year, 2010, it's purposefully vague on any details that could ground it in one place. Set within a community where modern technology is banned and horse-drawn buggies are the only form of transport, it's a work of fiction inspired by reality, rather than a recreation. Whether you're aware of the true tale behind the book going in or not, this deeply powerful and affecting picture speaks to how women have long been treated in a male-dominated world at large — and what's so often left unsaid, too. Stay and do nothing. Stay and fight. Leave the only home they've ever had behind, be excommunicated from their faith and forgo their spot in heaven. When the Mennonite women catch one of their attackers, he names more, arrests follow and the men are sent to the city — the culprits imprisoned, the rest there to bail them out — those three choices face the ladies of Women Talking. To decide which path to take, they hold a secret vote while the colony's males are away. When the results are tied, a cohort within the cohort chat it out in the barn. From elders to mothers and teens, everyone has a different perspective across three generations, or a different reason for their perspective, but the hurt, pain, dismay and distress simmering among the stern gazes, carefully braided hair and surrounding hay is shared. The women's religious beliefs dictate one solution only: absolution. That's the outcome demanded by the scarred Janz (The Tragedy of Macbeth's McDormand, also a co-producer here), so much so that she won't entertain alternatives. But her peers Agata (Judith Ivey, The Accidental Wolf) and Greta (Sheila McCarthy, The Broken Hearts Gallery) see shades of grey in their predicament — shades that Polley and her returning Away From Her and Take This Waltz cinematographer Luc Montpellier highlight in Women Talking's colour palette, even though their viewers will scream internally for the women to immediately leave. While dialogue-driven by necessity, the film also spies the country idyll that sits outside the barn doors, where the kids play contentedly in the crops. This isn't an aesthetically sunny movie — its tones are muted, as its women have long been required to be — but it still sees what departing means on multiple levels with clear eyes. As the debate rages against Hildur Guðnadóttir's (Tár) score of yearning — The Monkees' 'Daydream Believer' also gets a spin, surreally so — Agata's daughter Salome (Foy, The Electrical Life of Louis Wain) furiously advocates for battling. Her toddler daughter was among those attacked, which is understandably something she can't forgive, forget and keep living submissively beside the perpetrators, in a culture that allowed it to happen, afterwards. For Greta's just-as-irate daughter Mariche (Buckley, Men), who is abused by her husband openly aside from the widespread attacks, nothing good can come from running — including with their god. And for Salome's sister Ona (Mara, Nightmare Alley), who is pregnant from being raped, her ideals keep her going. As pros and cons about fighting or fleeing are thrown around, she speaks calmly but passionately about wanting a better community where the Mennonite women have agency and educations, as well as being safe and free. Indeed, because the group cannot read or write, formerly ex-communicated teacher August (Ben Whishaw, No Time to Die) is the lone male permitted to their meeting, taking minutes. More than a decade has passed between Polley's third film and Women Talking, and cinema has been all the poorer for it. How rich and resonant — how raw, sensitive and potent at the same time — her latest directorial effort proves. Compassionate and thoughtful in every frame, it scorches as a based-on-a-true-tale drama and as a state-of-the-world allegory, and says just as much beneath all the feverish utterances. Even with the Mennonite order's rules and conformity, costuming and hairstyles convey plenty about varying personalities. Letting colour seep into the movie's characters as the sun sets parallels the vibrant personalities these ladies are not expected to possess. And when Women Talking peers at the boys of the collective, it does so softly, asking what it takes to turn those innocent faces into men who'd subdue Salome, Mariche, Ona and company with cow tranquillisers to violate them. Such a complex and empathetic feature that's also intense, gripping and wide-ranging — pondering gender inequality, what community truly means and should stand for, religious devotion and the sins permitted in its name, unthinking compliance to any societal order and more — is unsurprisingly packed with performances to match. Women Talking's cast are deservedly up for the 2023 Screen Actors Guild Awards ensemble prize, while Buckley and Whishaw earned Gotham Awards nominations as well; there's no weak link in this troupe, including with all the rhythmic chatter. Each in their own way, Foy, Mara, McDormand and their co-stars radiate heartbreak, determination, vulnerability and anger. Whishaw is similarly excellent, but also never the film's focus. These portrayals are talking, too, in a movie that wouldn't fantasise about offering easy answers — but dreams of the possibilities spirited conversations and no longer staying silent can and do bring.
Sydney is no stranger to boozy brunches. They've popped up in the west with fried chicken waffles, on rooftops with endless Champagne and by the beach with tacos and margaritas. But, none do it quite like Surry Hills' Nour. The Crown Street palace of pastels and plants — and boundary-pushing Middle Eastern fare — has just brought on a new team of A-class chefs and launched a brunch offering with cocktails in teapots, breakfast pizza and possibly one of the best (and smokiest) bloody marys in the city. Executive Chef Ben Williamson (from Brisbane's Gerard's) together with Head Chef Mike Dierlenger (The Bridge Room) have overhauled the restaurant's general menu and unveiled its first-ever breakfast lineup, which is only available one day a week. On Sundays from 10am–2pm, you can find a spot on the sunny banquette (surrounded by pillows) or out the back (here, surrounded by plants) and order an appropriately boozy breakfast teapot. Made to share between two, the pots cost $36 and come filled with either bourbon, apple juice and earl grey or gin, lemon myrtle and peppermint. You could, instead, go for the bloody mary (made with gin, harissa and extra-smoky tomato juice) or a Blossom Pipe ($20), with cardamom, pineapple and vodka served in an elaborate glass pipe. Nour is known for using traditional Middle Eastern flavours in new and interesting ways — and its brunch is no different. Designed to share, the breakfast dishes include a falafel crumpet (with crisp edges and a soft interior) topped with tahini and a pickled quail egg; burnt butter hummus topped with whole golden chickpeas; and a lineup of manoushe: a popular Lebanese pizza typically eaten for breakfast. Cooked to order in a woodfired oven and topped with the likes of sujuk (spicy sausage) and stretched cheese curds, it'll dissuade you from ever eating cold, leftover slices of Domino's in the morning ever again. Another daytime highlight is the Baalbek eggs: a thin flatbread topped with soft-yolked fried eggs, tahini yoghurt and lamb awarma (which is spiced, cooked and preserved). You could, in theory, eat this with a knife and fork, but it's suggested you use your hands; tear off a piece of bread and use it to scoop up a salty, yolky mouthful. For the decision-averse, Nour's brunch menu also includes two banquet options for $45 or $69, with optional bottomless booze add-ons. For an extra $30 a head you can choose from 90 minutes of endless bellinis or rosé.
If you've got meaty cravings for the delectable dishes of the southern states of the United States of America, then make your way to Roast Republic in the heart of Sydney's CBD. Family-style servings are the name of the game at this joint. The menu is brimming with classic Americana dishes like fried chicken, Mississippi shrimp (no prawns here), Carolina barbecue pork skewers, seafood gumbo, Philly cheesesteaks, and the hero share boards featuring dry-rubbed, slow-cooked and glazed lamb cutlets, pork chops and beef short ribs, grilled elote (corn) and house sauces. Dessert is equally American-themed, with peach cobbler, pecan pie and "American as Apple Pie" fried apple pie gracing the menu. The drinks list has something for everyone. There are plenty of wine options from across Australia, an extensive spirits collection — in particular, bourbon from all the big names — and specialised cocktails and mocktails designed to pair nicely with the American fare on offer. Images: Chris Manos
Self-taught Samoan choreographer Lemi Ponifasio and his internationally acclaimed company Mau return to Carriageworks with the Australian premiere of Stones in Her Mouth. Featuring an ensemble of ten Maori women, the piece is inspired by the strong Maori tradition of women authoring poetry and chant. Incorporating Maori language, spirituality, ceremony and genealogy, it explores themes of female oppression, silence, outrage and resilience. Mau has become recognised internationally for their beautiful, unnerving and hypnotic creations grounded in native Pacific cultures and their ancestral, elemental worlds. Stones in Her Mouth — combining choral work, dance and oratory — looks set to continue the company's habit of sidestepping traditional expectations, refusing to sit neatly within categories of 'theatre' or 'dance' and instead striving to reach a near-spiritual plane through performance. Ponifasio, who was once a philosophy student before he formed his "company of people", told the Australian, "I try to activate the space. To create a sort of cosmological space where we can somehow realise that we are part of the whole process of earth." To get a little taster of what they do, watch this video of Mau's Carriageworks performance of Birds with Skymirrors. Stones in Her Mouth is on at Carriageworks from May 28 to June 31. Tickets are $35 from here, but thanks to Carriageworks, we have four double passes to the Thursday, May 29, performance to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.sydney@concreteplayground.com.au with your name and address.
Some of the most satisfying and thought-provoking conversations happen over a drink or two at a bar. That's before we even factor in all the fascinating tidbits gleaned during a pub trivia night. The University of Sydney's annual event Raising the Bar, proudly supported by the City of Sydney, ups the stakes on your typical after-dark D&M. Academics and alumni will deliver entertaining talks unpacking big topics ranging from AI to longevity and diversity. Gain deeper insight into the solutions being developed in real-time to pressing societal challenges, develop new perspectives on big questions, or simply enjoy having your brain tickled over a great glass of wine. Block out your diary on Thursday, April 3, as Raising the Bar will take place on one night only across 20 free sessions (going down at 6.15pm and 7:30pm) at ten inner-Sydney bars. So where to first? Get to know our picks for the evening, including what to expect from the talks and the bars where they'll be taking place. Hermann's, University of Sydney Starting on home turf, Hermann's is one of the University of Sydney's top on-campus bars where drinks are well-curated and affordable. Arrive early to make the most of the beer garden before settling in for a talk on how astronomers are bad at naming things, including a look at the latest innovations in Australian astronomy tech, and what scientists are using right now to search for life beyond Earth. Stick around for the evening's second session and get an insight into how to make workplaces more welcoming for refugees, who make up some of Australian society's newest members. Fortress Sydney, Central Park Mall Part entertainment venue and part classic bar, Fortress Sydney is a mega-venue with a capacity of 1000 people. It's a good thing, too, because the two talks taking place here promise to be some of the evening's most topical. The night kicks off with a discussion of how to grow brains in a lab and what we can learn from them, before the conversation turns to how society gaslights climate anxiety and the emotional impacts of climate change. The Harold, Forest Lodge Located a stone's throw from the University of Sydney, Forest Lodge's local gastropub The Harold is the place to go if you're interested in learning why obesity persists, why the old adage 'eat less and move more' might not quite work, as well as a better way to potentially lose weight from a professor who is also a clinical trials director. Stick around to hear about fighting Australia's leading cause of death and learn about preventing a heart attack, as well as the surprising risk factors you should know. The Barrie, Chippendale Occupying the spot where Freda's used to be, The Barrie is a pub that's a true local's favourite — and it'll set the stage for talks on two topics that are just as popular. The night starts by pondering the morality of parenthood in a world impacted by climate change, as well as offering practical tools to navigate raising kids in said world. Then, settle in for a thought-provoking talk about making your personal life more experimental, where a data-driven toolkit might help you navigate major life choices such as relationships and career moves. Explore the full Raising the Bar program to discover a talk or two that piques your interest. Or, if you simply need an excuse to visit Brix Distillers, Foundry 616, Bank Hotel, the Rose of Australia, The Toxteth or New Britannia, look no further. Don't miss out and register for your free ticket now.
After months of speculation and a soft launch that turned out to be a bust, Amazon's hotly anticipated Australian website is finally up and running. And the offering is huge. It's been a couple of weeks since the online retail giant kicked off an 'internal testing phase' here in Australia, on November 23, though customers weren't actually able to get their hands on any products. Now, the site's gone properly live, filled with a hefty array of goods in time for that hectic, pre-Christmas retail rush. This online shopping wonderland spells trouble for your credit card, boasting everything from books, electronics and homewares, through to fashion, beauty products and even power tools. According to Senior Industry Analyst for IBISWorld Kim Do, Amazon's arrival in Australia is set to give the local retail industry a solid shake-up. "The company intends to challenge domestic retail prices by offering items for 30 percent less than domestic retailers," she explained, adding that technology products are expected to be Amazon's highest selling category. Let the retail therapy begin!
In a beachside suburb like Manly, an Assembly Label store is pretty a given. But the Pittwater Road shop is extra nice — it's been fitted out with sleek wooden counters and minimal white aesthetics by Manly's own interior designers Mr & Mrs White. The simplicity in the store's fitting is mirrored in the fashion it houses: Assembly-branded tees, linen pieces, swimwear and a few pairs of sandals. You'll probably see a lot of locals wearing this stuff. There's also cafe in-store with coffee by Allpress to boot.
There's something novel about soaking in a tub with no wall in front of you, no roof above you, and no worries if anyone will spoil the moment (or see you naked). It's romantic, relaxing, and the unfamiliar nature of bathing outdoors can be, lets face it, kind of exciting. This is especially true when your bath is paired with a glass of red and the knowledge that there's a roaring fire waiting for you inside the architecturally designed house you've found yourself in. So, to make your outdoor-bath dreams a reality, we've rounded up the most enviable houses in Australia that have particularly unique outdoor-bathing scenarios. Whether you fancy relaxing in a private Japanese bathhouse, a rustic metal tub perched on a farm's timber deck, or want to stargaze from a spa-bath in a mountain cave, we've got you covered. Read on for our top stays with next-level outdoor baths across Australia. Recommended reads: The Best Glamping Sites in Australia The Best Glamping Sites in New Zealand The Best Dog-Friendly Hotels in Australia Liptrap Loft, Walkerville, Victoria This design-minded house combines Japanese architecture with rustic charm — it boasts a one-of-a-kind sunken indoor-outdoor Japanese bath in a traditional bathhouse that opens up to views of the surrounding property. From $406 a night, sleeps six. Wensley, Wensleydale, Victoria Built from recycled oregon and ironbark, this bespoke timber, architectural shed-like house is a bath-lovers paradise, with a deep indoor bath inside amongst the immaculately styled interiors, and a rustic metal bath on the wrap-around timber deck, perfect for cooling off on balmy evenings. From $995 a night, sleeps ten. Soul Wood Luxury Coast Cabin, Termeil, New South Wales Wake up to views of the bushland from this wooden tiny house. The dreamy outdoor bathtub is surrounded by tall native trees that will have you feeling completely immersed in the natural surroundings. From $300 a night, sleeps two. Woodlands Retreat, Porongurup, Western Australia Not a bath per-se, but the views this jacuzzi boasts earned itself an honourable mention. Just imagine sipping champagne with your pals and looking out over that deck submerged in steaming bubbly water, then slipping on a fluffy maroon robe to finish off the night — yes, please. From $438 a night, sleeps four. Stargazer, Beechmont, Queensland This property is enviable in every way, including a secluded location, cohesive architectural design, and a wood fire pizza oven for your entertaining needs. To top it all off, the uniquely positioned bath looks over the far-reaching countryside, taking your R&R weekend to the next level. From $278 a night, sleeps six. Secluded Studio, Byron Bay, New South Wales A designer retreat for two, complete with a glass-walled bathroom, secluded garden terrace and roomy outdoor tub to wash the salt off from a day spent in the sun and surf — it's a true hidden oasis, just minutes from the beach. From $400 a night, sleeps two. Boutique Retreat, Suffolk Park, New South Wales A cheery self-contained, beautifully styled apartment that's sure to win you over with its plush linens, palm-filled courtyard and massive pink stone outdoor tub for some quality soaking, drinking and reading. From $275 a night, sleeps two. The Enchanted Cave, Bilpin, New South Wales An actual clifftop cave, this unique couples' retreat is like something plucked from a storybook. Relax while enjoying dreamy views across the treetops from the large glass doors that open out from a deep spa bath. From $1140 a night, sleeps two. Seven Sisters Escarpment Views, Medlow Bath, New South Wales Tandem baths anyone? This mountaintop cottage feels worlds away from reality, especially when taking in the views from one of two gorgeous outdoor bathtubs. Be sure to cook dinner from the bush garden and cozy up in front of the wood fire on cooler nights. From $340 a night, sleeps four. Kestrel Nest Ecohut, Mount Adrahm New South Wales Halfway between Sydney and Melbourne, this eco-hut is nestled above a rocky mountain stream on the edge of rolling farmland and a conservation area. It features an outdoor bathtub, a fireplace and firepit, and a charming mix of timber and tiled interiors. From $460 a night, sleeps four. All photos courtesy of Airbnb. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Albert Tucker Slow Coffee is selling itself as the bubble bath of caffeinated experiences: clean, luxurious and not meant to be hurried. The joint venture of coffee expert Kate Britton and cultural entrepreneur Angela Bennetts, the pop-up shop will be making its debut at Redfern's 107 Projects between May 9 and 30. "We are unique, in that unlike most coffee vendors, we are serving filter coffee only," says Bennetts. “Basically, because it's a better way to taste coffee." Whereas an espresso machine tends to condense a bean's rich and varied flavours, a filter means the preservation of complexity. It is a type of pour-over coffee, entirely undeserving of the reputation American diners have given it. "In judging the quality of beans at cupping competitions, tasters will always try a filter,” says Bennetts. Having shopped around, the two coffee lovers have decided to launch their project with an exclusive blend from Engadine's Jack of Harts & Jude. "[It] is locally-sourced, organic and air-roasted," explains Bennetts. "The raw beans are sourced from the Byron hills region and are blended together with a new small-crop bean from just outside Nimbin to create the perfect filter drop." Apart from spreading the love of their filtered favourite, Bennetts and Britton are also seeking to create a "casual and communal environment". A selection of (mostly) locally and sustainably produced snacks, including artisan breads and spreads, will be on the pop-up shop menu. Plus, as the business names suggests, a distinctively Australian feel will inform the interior. "It's both a nod to our Australiana leanings and a not-too-imaginative pun on 'tuckshop'," explains Bennetts. "You could say that Tucker's renowned Antipodean Head is our unofficial mascot — he certainly looks like he chugs a lot of coffee."
Celebrating Dia de la Independencia in 2023 in Sydney means enjoying some of Mexico's best bars right here at home. Three watering holes that landed on the World's 50 Best Bars List for 2022 list, plus one that placed just outside the top 50 in the 100-bar longlist, are travelling to Paddington to descend on El Primo Sanchez and Oxford House for Mexican Independence Day. On Saturday, September 16, Limantour (number four on the World's 50 Best Bars List) will be taking over El Primo's main bar, while Brujas (number 64) will be popping up at the attached speakeasy La Prima. Both bars will be in charge of the festivities from 6–10pm. The following day, you'll find number 13 Hanky Panky serving drinks poolside over at Oxford House alongside Baltra (number 32) from 1–6pm. Expect all four bar teams to bring their signature flair and some of the drinks that have seen them listed among the best spots for a bev in the whole world. The vibes are expected to be high, with dancing until late. Local party starter Discoteca Tropical will be in charge of the music at Oxford House on Sunday. [caption id="attachment_918066" align="alignnone" width="1920"] Nikki To[/caption]
Dreaming about warm coastal escapes is only natural now that winter has descended. Yet a trip inland to rural pastures can be just as satisfying, especially when a top-notch event like the Orange Region Fire Festival ignites the atmosphere. Held from Friday, August 1–Sunday, August 10, this bustling annual event has a stacked program for its 2025 instalment. With 40 events on the schedule, it's no surprise that cuisine is a focus, with this acclaimed food and wine region bringing the heat. Catch the Fireside Feast at the Oriana Gardens, participate in an immersive fire-cooking masterclass with Michael Manners, or settle into a long lunch guided by the cool-climate experts at Ross Hill Wines. Yet there's more to the Orange Region Fire Festival than just sumptuous eating and drinking. The event begins with the Millthorpe Fire Fair, with Pym Street illuminated with fire pits, street performers, late-night shopping and live music. Meanwhile, the Central Tablelands' creative side will be on full display at the Orange Readers and Writers Festival on Saturday, August 2, featuring a lively lineup of renowned authors, including Debra Oswald and Jane Caro. You're also welcome to get involved through a myriad of workshops. Jude Keogh from Earth & Fire Studio will guide a five-day pottery course, while Greentrees Gourmet Preserves founder Jasmin Bond will teach guests how to make seriously good jam or marmalade. Inspired by firelight, heading along to this rural festival is sure to spark your creativity, even when it's a little dark and dreary outside.
A weekend escape to the Blue Mountains automatically means views for days. At the Hydro Majestic, that view also comes with a decadent high tea. The historic hotel boasts panoramic views across the Megalong Valley, and its Wintergarden Room offers plush seating, a fireplace and a daily high tea — which is literally served on a silver platter, no less. Its signature high tea ($55–65), which can be made gluten free or vegetarian, comes with a delicate selection of finger sandwiches, petite pastries and freshly baked scones accompanied by clotted cream and homemade jam. A wide range of bottomless teas and coffee are on offer, too. Think classic cuppas, macchiatos, mochas and the requisite English breakfast served alongside lemon-ginger and Darjeeling. Plus, for five bucks extra you can add a tea blossom to your pot — with options like black tea rolled with jasmine, globe amaranth and peppermint; or white tea rolled with marigold and jasmine. If you'd like to add a bit of classy boozing to the mix, there's the deluxe and luxurious options ($69–85), which come with all of the above plus a glass of sparkling wine or Champagne, respectively. To really change it up, try the Eastern high tea ($60–75) — instead of your typical English scones and pastries, you'll be served steamed dumplings, crab claw and prawn rice paper rolls, pork belly tacos and a selection of Asian-style desserts. The Wintergarden High Tea is available Monday through Friday from 11am to 3.30pm and Saturday through Sunday from 10.30am to 3.30pm. Prices vary from weekday to weekend. Images: The Hydro Majestic
Professional boxers aren’t typically renowned for their eloquence. Pre-fight press conferences tend to centre around the two combatants standing silently and mashing their foreheads together, while the post-fight ones rarely escalate beyond monosyllabic grunts and the flaunting of novelty-sized belts. Maybe it’s the boxers' traditionally low socio-economic backgrounds at play, maybe it’s the almost guaranteed head trauma, or perhaps they’re simply still trying to figure out why a square arena is called a ‘ring’ and why anybody thought ‘light heavyweight’ wouldn’t sound ridiculous as a fighting category. In Southpaw, Jake Gyllenhaal plays one such professional ‘boxymoron', and he takes the inarticulacy to the extreme — presenting his character Billy Hope as a man who drools in the place of dialogue. It’s a bold choice for the accomplished actor, whose commitment to both it and the role’s physicality can't be overstated. One glance at the posters for Southpaw is enough to see that Gyllenhaal got jacked for this film, with muscles so enormous they should almost receive separate billing. He looks like a boxer, moves like a boxer and absolutely sounds like a boxer, meaning — in Southpaw — we totally believe him as a boxer. It’s a phenomenal performance, and without it the movie would be a complete write-off. Director Antoine Fuqua is fast establishing himself as the go-to action director in Hollywood, much like John Woo was in the '90s. With recent offerings including Olympus Has Fallen and The Equalizer, he’s continued to deliver slick, high-octane pictures without ever quite managing to repeat the success of his breakthrough film Training Day. The problem isn’t with the direction so much as the scripts, whose stories and dialogue languish in a mire of cliches. Southpaw is another example of this, failing to offer anything new despite coming tantalisingly close at its preface. The film’s early scenes touch upon compelling themes of administrative oversight, bureaucratic corruption, capricious management and the threat of ‘punch drunkenness’ courtesy of Hope’s particular fighting style in which he shirks defence and absorbs countless blows from his opponent until it makes him angry enough to retaliate. All of this largely falls by the wayside, however, as soon as family tragedy strikes and Hope finds himself bankrupt and alone. Redemption, then, becomes the order of the day, but the problem is we neither feel particular involved in it nor satisfied when it inevitably comes. This isn’t so much a tale of personal growth as it is one of reinstitution, where the only thing Hope really learns by the end is how not to get punched. Eminem was originally slated to play Gyllenhaal's role, but in his absence the roles of ‘singers trying to act’ were taken up by 50 Cent and Rita Ora, both delivering adequate performances as line delivery systems. Rachel McAdams pops in as a caricature of a boxer’s WAG and Oona Laurence does a decent job as Hope’s young daughter despite often unspeakably bad lines to work with. The only real other performance of note is from Forest Whitaker as Hope’s eventual trainer, whose brief screen time nonetheless reminds us why he’s one of the most gifted actors of his generation. He seems to find things in scripts that not even the writer could see, and injects some much needed humanity into Southpaw’s later stages, when neither the boxing nor the family troubles prove capable of sustaining the drama.
If summer always leaves you reminiscing about the balmy school holidays of your youth, you're going to be all about the latest line of frosty creations from Gelatissimo. The gelato chain is throwing back hard and digging up plenty of fond memories with its newly launched Aussie Favourites range — a trio of flavours that includes chocolate crackle, fairy bread and Weet-Bix with honey and banana. They're scooping now at all Gelatissimo stores nationwide, up for grabs until the end of January 2020. Sure to transport you straight back to some childhood birthday party, the fairy bread flavour pays homage to a true Aussie icon. Expect buttery vanilla gelato — made with real butter, mind you — scattered with 100s and 1000s, and crunchy pieces of lightly toasted fairy bread. Cleverly blurring that line between breakfast and dessert, the Weet-Bix concoction is another riff on a favourite, though one you're probably less inclined to scoff a bowl of before netball practice. It teams real Weet-Bix chunks with creamy banana gelato and a splash of Australian wildflower honey. And the nostalgia runs extra deep with the chocolate crackle creation, a sweet tribute to one of the most recognisable party treats in all of Australian history. It boasts rich chocolate gelato infused with chunks of real chocolate crackle, crafted just like Mum used to make, with rice puffs, cocoa powder, desiccated coconut and plenty of chocolate sauce. Of course, Gelatissimo's no stranger to dreaming up wild and innovative new creations. In the past year alone, the brand's launched a dog-friendly peanut butter gelato, a boozy frosé sorbet and even a frozen take on the iconic Bundaberg Ginger Beer. Gelatissimo's Aussie Favourites range is available from all stores nationwide, from Friday, November 29, until the end of January.
If you've been around Darling Harbour and Tumbalong Park of late, you've probably noticed Sydney's huge new $1.5 billion business and entertainment precinct, International Convention Centre Sydney, set to open in December 2016. This looming structure boasts three new theatres, an entertainment precinct, an open-air event deck and more (detailed in our handy breakdown), but it's not just design that's getting people talking about ICC Sydney. Focused on changing the game for average convention centre cuisine, the ICC Sydney is opening with a very specific angle on their food offerings, with a philosophy called 'Feeding Your Performance'. It's the brainchild of ICC Sydney's big name culinary team headed by director of culinary services, Lynell Peck and executive chef Tony Panetta, and they're focused on improving the alertness, concentration and overall health and wellbeing of guests. DON'T EXPECT BORING OLD FUNCTION FOOD HERE Corporate workshop, boutique event and ballroom dinner guests will be choosing from dishes that are "high in protein, low in saturated fats to boost the overall health of delegates and visitors," says executive sous chef Constantin Kautz. "We've also increased the ratio of plant based proteins to aid digestion and concentration." We even spy chia seeds and almond milk on the menu. Perhaps this is an indication that the health movement has moved from yogi fad territory into the world of Big Corporate — and there's nothing bad about that, come on. This appears to be an Australian, even potentially a world first, and Panetta says they've been fielding inquiries from around the globe. "We might be at the forefront now, but we also believe this philosophy will become business as usual in the future." LOCAL SUPPLIERS WILL RULE AN INTERNATIONAL VENUE While in other hands (or with less financial investment) this way of feeding huge crowds of people could feel trite and temporary, Panetta and the team are walking the walk when it comes to the food. Kautz says they're committed to working with local and regional farmers and producers who practice ethical and sustainable farming techniques. Among them are Martin Boetz from the Cooks Co-op, Old Salty's Oysters in Pambula River, Willowbrae Chevre Cheese Farm at the Hawkesbury river, Archie Rose distillery in Rosebery and Westview Limes from Kempsey. THERE'S A DIVERSE TEAM OF CULINARY EXPERTS BEHIND EACH DISH Panetta is enthused about this new way of cooking, saying it's a "completely different approach to anything I have ever worked with before." Along with the team including Kautz who was previously the executive chef at Sydney's Intercontinental, executive pastry chef Michael Belcher, executive sous chef Jack Astin and chef de cuisine Dylan Sanding, Panetta says the environment is one where "people are encouraged to flourish, challenging one another to keep upping the ante." He says the fact that they have such different backgrounds provides a unique jumping off point for the kitchen. "From convention centres to boutique hotels and five-star restaurants, everyone can bring something different to the table." There's also collaboration with a well-respected team of nutritionists including Dr Joanna MacMillan, who is reviewing the nutritional value of the menus and aiming to "drive physical and mental performance," says Panetta. He also says they're constantly aiming to "unlock the science behind ingredients" making sure they tick boxes in both flavour and health benefits. The focus is on locality, fruit, vegetables, whole grains and seasonal food. AND NOW A LITTLE PEEK AT THE MENU One of Panetta's favourite dishes is Australian king prawns with lemon verbena, carrot, kohlrabi and porky wild rice. "It's a zesty, seasonal dish that plays into all our philosophies." He says it's high in "protein, vitamins and minerals to actively drive mental ability." Kautz likes the slow braised beef cheek, pureed sweet potato and broccoli with pancetta and crispy white anchovies as "the beef is sourced locally from Rangers Valley and the broccoli leaves zero waste — all parts of the vegetable are included," he says. We also like the look of the Hawkesbury tomato salad, the Cowra C-boosted lamb salad with freekeh, kale, pomegranate and wild rice and the blue eye with beetroot, cucumber and sesame.
Women of the workforce, here’s your chance to network with Australia’s most successful entrepreneurs, taste-makers, writers and media personalities. And, while you’re at it, you can indulge in a turf-side champagne, a blow-dry, a croquet match or a T2 session. This is all happening thanks to 9 to Thrive: the first-ever Business Chicks experience, taking place at Australian Technology Park on Friday and Saturday October 23–24. Over two days, more than sixty exhibitors will showcase their wares across the food, beverage, health, wellness, fashion, lifestyle, beauty and business sectors. Meanwhile, an action-packed program of keynote speeches, panel discussions and workshops will feature the likes of glamorous fashion blogger Nadia Bartel, interior design pro Shaynna Blaze, fitness legend Michelle Bridges, I Quit Sugar author Sarah Wilson, bestselling author Zoe Foster-Blake, TV presenter Jules Sebastian, Business Chicks CEO Emma Isaacs, nutrition expert Dr Libby Weaver and many others. But it’s not all about listening and talking. In between chats, hang out in the King Living Lounge, check out Royal Randwick’s champagne-fuelled 'mini-races' experience or grab a tea. Alternatively, if you feel like freshening up, book yourself a touch-up with Benefit Cosmetics or a face-map with Dermalogica. Or get active at Chambord’s flamingo croquet bar, Body Pass’s pilates classes and Virgin Active’s shape-up sessions.
What do you do with a slab of unused space in the middle of the CBD? You plant a barley crop and open a brewery, of course. As part of Street Works, a landscape design competition hosted by the Australian Institute of Landscape Architects (AILA), the Beerline project will see Quay Street transformed into Haymarket's very own self-sustained brewery. Following its installation amongst traffic lights and tram tracks, the public harvesting of the barley crop last week marked the first step in the three-month process that takes the crop from barley to bottle. Throughout December, the barley will undergo the process of malting, brewing, and fermenting, ready to be bottled and served to the public in the January Beer Festival. Brewing will take place on site from start to finish, aiming to promote awareness and appreciation of the value of our food, more than just a 'vacuum sealed container on a supermarket shelf'. But the social initiative doesn't stop there. The crop will produce around 500 beers, all available for online 'adoption' through a pledged donation to Oz Harvest. Once you've adopted a beer, you can attend regular brewing events to keep an eye on your little tike as it grows up from grass, to make its social debut as an icy cold bevvy. The visionaries behind Beerline are a pair of bright young architects who go by the name of the Bean Factory. The Beerline is the first in a series of small ideas they intend to release into our city, in the hope that they grow (quite literally, in this case) into something bigger. The four other projects featured in the Street Works initiative will grace our city streets until the end of January. Check them out at www.streetworks.org.au
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. BELFAST Warm, cosy, rosy, charming, feel-good: typically when a film spins its story during The Troubles in Northern Ireland, none of these words apply. But with Belfast, Kenneth Branagh has made a movie set in its eponymous city when the Protestant-versus-Catholic violence was a constant sight, and also helmed a feature that's about a childhood spent with that conflict as a backdrop. It's an approach that only works because Branagh draws from his own experiences — the film isn't a play-by-play memoir, but it's also clearly personal. Here, it's 1969, when the actor-turned-filmmaker would've been nine years old. The movie's protagonist, Buddy (first-timer Jude Hill), is that exact age, in fact. And with the beginnings of a three-decade-long sectarian fracas bubbling and boiling around him, he navigates the usual age-appropriate antics, such as school, crushes, doting grandparents with ailing health and a potential big move. The Troubles are a constant sight in the largely monochrome-hued film, too, and the reason Buddy's that parents are contemplating relocating to England, something they wouldn't have dreamed of otherwise. Pa (Jamie Dornan, The Tourist) already spends most of his time working there as a joiner, leaving Ma (Caitríona Balfe, Outlander) at home with Buddy and his elder brother Will (Lewis McAskie, Here Before) — with assistance from the boys' Granny (Judi Dench, Six Minutes to Midnight) and Pop (Ciarán Hinds, The Man in the Hat) — and he's been offered a new job that comes with a house. The violence swirling through Belfast has already made it to the family's street, to their hounded Catholic neighbours and, when Pa refuses to join the fray, put them on their fellow Protestants' hit list. Shifting to London (or perhaps further, to Sydney or Vancouver) would provide a new start and a safer future, but leaving all they've ever known isn't a simple decision. Belfast's adult characters are only known as Buddy would know them, such is Branagh's commitment to seeing this story, time and place through a child's eyes as he once did. And, while there's much debate to be had between Pa and Ma about whether to go or stay, the film is filled with its young lead's joys and worries — with the prospect of never again seeing the Catholic classmate he swoons over high among the boy's concerns. Belfast isn't short on context, however, though there's zero chance that it could be mistaken for a meaty interrogation of The Troubles. Branagh weaves in examples of how the push-and-pull of the conflict that's inescapable in his neighbourhood every day, Molotov cocktails, broken windows, blazes, riots and all, puts Buddy and his family in the middle. Still, a magical view of childhood remains, including when Buddy gets thrust into the thick of the fray — where, after he returns home with looted supermarket wares, his mother marches him back to return the stolen products amid the chaos. Branagh also indulges in an origin story, perhaps inspired by his stint in the Marvel Cinematic Universe directing the first Thor film back in 2011 (Buddy is even seen reading a Thor comic). Escaping The Troubles as much as anyone can in Belfast, the writer/director's on-screen surrogate adores seeing Chitty Chitty Bang Bang, and A Christmas Carol also features — scenes that come to life in colour, unlike the bulk of the picture around them. In the process, Branagh helps trace the early steps of his own desire to become a thespian and filmmaker, which has led to everything from Shakespeare adaptations such as Much Ado About Nothing and Hamlet, to doing double duty in front of and behind the lens with Hercule Poirot duo Murder on the Orient Express and Death on the Nile. He's played Harry Potter and the Chamber of Secrets' Gilderoy Lockhart, helmed Disney's live-action Cinderella, gotten villainous in Tenet, and of course, enjoyed an applauded on-stage career as well, all stemming from those first rapturous experiences watching when he was growing up. Read our full review. HERE OUT WEST Western Sydney could use a love letter right now, and that tribute arrives in Here Out West. The product of eight up-and-coming screenwriters from the area, it celebrates a place that has spent much of the past year garnering attention for a reason no one wanted: thanks to the tighter rules applied to the region during Sydney's four-month stretch of stay-at-home conditions in 2021, it was home to New South Wales' strictest lockdown of the pandemic to-date. Thankfully, COVID-19 isn't this movie's focus. Instead, as told in nine languages — Arabic, Bengali, Cantonese, Kurdish, Tagalog, Turkish, Vietnamese, Spanish and English — and helmed by five female filmmakers, Here Out West dwells in everyday lives. It champions by seeing and recognising, and by trumpeting voices that have always been there but are infrequently given a microphone. Opening shots of suburban houses and looping highways set the scene: viewers aren't journeying to an Aussie beach or the nation's parched outback expanse, aka two of the prevailing visions of this sunburnt, sea-girt continent on-screen. Rather, Here Out West unfurls its octet of intertwined vignettes in spaces far more ordinary — not to downplay the importance of surveying western Sydney, but to clearly note that these are its daily playgrounds. It's here that mothers have babies, neighbours look after the kids next door, grandmothers worry about their grandchildren, dads struggle to connect with their sons, and sport and food are among the ways that people come together. It's here that adults bicker among themselves over love, and with their parents about their futures. It's where lives begin and end, and where folks with dreams both big and modest also try to start anew. And yes, all of these scenarios are covered by the film's narrative. Initially, Here Out West spends time with Nancy (Geneviève Lemon, The Tourist), who takes care of her eight-year-old neighbour Amirah (debutant Mia-Lore Bayeh), but wasn't actually planning to help out today. She has a newborn granddaughter to meet — one that the authorities are planning to take away, so Nancy makes a drastic decision that'll ripple throughout the community across the movie's one-day timeframe. In the film's second segment, hospital carpark security guard Jorge (fellow first-timer Christian Ravello) is brought into the wider story, and also gets a snapshot chapter of his own. His instalment then intersects with friends Rashid (Rahel Romahn, Moon Rock for Monday), Dino (Thuso Lekwape, Book Week) and Robi (Arka Das, Babyteeth), who run through the streets arguing about Rashid's cousin. Next, their section links in with Ashmita (Leah Vandenberg, The Hunting) and her dying Bengali-speaking father back at the local hospital. Returning to specific spots comes with territory, because it comes with living anywhere; paths cross, people are drawn to the same busy and central locations, and some facilities — such as Here Out West's pivotal hospital — are always a hive of activity in any community. That truth continues to drive the film as it meets Kurdish refugees Keko (De Lovan Zandy) and Xoxe (Befrin Axtjärn Jackson), who are hoping to make a new beginning that still involves his penchant for music and her skills hand-weaving carpets, before jumping to Tuan (Khoi Trinh) and his brother Andy (Brandon Nguyen), who possess varying ideas about what it means to be Vietnamese Australian. Then comes a glimpse at nurse Roxanne's (Christine Milo, It's a Cult!) day as she works a double shift and misses her family in The Philippines. And, there's also Winnie (Gabrielle Chan, Hungry Ghosts) and Angel (Jing-Xuan Chan, Neighbours) as the mother and daughter close their Chinese restaurant for the last time. Read our full review. JACKASS FOREVER Older men, same ol' tricks and dicks: that's Jackass Forever. The fifth film in the prank-fuelled TV-to-movie franchise isn't afraid of letting it show, either, just as it's never been afraid of flashing around male genitalia. No one in Jackass' crew of comic daredevils is scared of that much — or, if they are, they're more frightened of not challenging themselves alongside their buddies — so the proud and purposeful attitude flaunted in the flick's title and usual formula is thoroughly unsurprising. Twenty-two years have passed since Johnny Knoxville, Steve-O, Chris Pontius, Dave Englund, Wee Man, Danger Ehren and Preston Lacy first turned outlandish stunts and practical jokes into an MTV hit, but age hasn't wearied their passion or camaraderie. It also hasn't dampened the gang's fondness for showing their junk, but there's something sweet here among all the penises: the fact that time inescapably passes but doing stupid shit with your mates sparks immortal joy. Jackass Forever is stupid, because the kinds of gags that Knoxville and company love are profoundly idiotic — including the film's opening gambit, where a green Godzilla-esque creature tramples a city but it's really Pontius' package painted like a monster. Also inherently silly: using the cast's bodies to prop up skateboarding ramps, a Knoxville-hosted game show that penalises wrong answers with a whack to the sack, exploding a port-a-potty while Steve-O is using it and a contraption made of harnesses that simultaneously gives three people wedgies. The ridiculous bits go on, including lighting farts underwater and drinking milk on a moving carousel to the point of vomiting. Another reason that Jackass is forever for this troupe: they're still as juvenile now, even though they're all over or approaching 50, as they ever were. Describing Jackass' risky skits and scenes never comes close to watching them, but how funny anyone finds this franchise depends on individual senses of humour and, sometimes, upon your mood on any given day. Regardless, there's always been an art to its follies, as captured on camera by Jeff Tremaine, the series' longstanding director, and also its co-creator with Knoxville and Her filmmaker Spike Jonze. Jackass' slapstick credentials carry on the traditions of Buster Keaton, Charlie Chaplin and The Three Stooges, but lewder and grosser, obviously. The saga's commitment to documenting not just the stunts and pranks themselves, but the setups, attitudes in advance and reactions afterwards — the key interplay between its perpetrators, victims and spectators, too — also sees it deconstruct the brand of comedy it sports as it goes. These sense-defying jesters show their working, in other words, and share the thrills it inspires. No wonder they don't ever want it to stop. Mortality does hang over Jackass Forever, however, as seen in a number of ways — starting with Knoxville's grey hair. It isn't always so strikingly silvery, and he's also shown talking about not wanting to show his bald spot, which Jonze then rushes in to cover with black spray paint. But when the crew's ringleader does let his wintry-hued tresses show, it's the best visual representation possible of how these guys will be adoring all things Jackass till they die. Well that, and the plethora of injuries suffered, including Knoxville's concussion, brain haemorrhage and bone fractures from a bull stunt. Jackass' ridiculous men can't escape the passing years and its impact upon their bodies if they wanted to, but it clearly makes them savour what they're doing. Read our full review. MOONFALL Does Roland Emmerich hate earth? Asking for not just a friend, but for the residents of an entire planet that the filmmaker just can't stop blowing up, devastating via CGI chaos and threatening with its end in his movies. Or, does he really love it, and has committed to the cinematic version of negging — tearing this pale blue dot down again and again so that his always paper-thin characters can swoop in to save the day, and also somehow seduce thankful viewers? Either way, Hollywood's go-to disaster-porn helmer is running out of moves, after a career spent blighting the globe in Independence Day, the terrible 1998 American Godzilla, The Day After Tomorrow, 2012 and Independence Day: Resurgence. He does what he long has with Moonfall, of course, but with a space twist and while also noticeably ripping off elements of Alien and Prometheus. Moonfall begins in 2011, on a Space Shuttle mission, when it seems as if astronauts Brian Harper (Patrick Wilson, The Conjuring: The Devil Made Me Do It) and Jo Fowler (Halle Berry, Bruised) might first find themselves in a Gravity knockoff. Something dark, fast and strange swarms them while Harper is out in the inky nothingness working on a satellite, leading to a tragedy, but no one believes his version of events — including Fowler. Ten years later, he's considered a has-been, she's still at NASA and, when conspiracy theorist KC Houseman (John Bradley, Game of Thrones) learns that the moon has been knocked off its orbit, they're the only ones who can save the day. Harper is also one of the only people willing to listen to Houseman's wild claim that the moon is actually an artificial megastructure, which is linked to its sudden descent upon earth. There's a word for folks who share Houseman's beliefs: 'megastructuralist', a term that viewers will never forget given how many times that Emmerich, Harald Kloser (also the film's composer) and Spenser Cohen (Extinction) work it into their screenplay. It's all that Bradley seems to say, and Moonfall clings to it like its filmmaker is desperately trying to one-up the hollow earth theory seen in Godzilla vs Kong, a better take on creature features than his past attempt. In general, Moonfall's script plays like a grab-bag of better elements from other space, disaster and sci-fi flicks all thrown together and spun like a gyroscope, but its nods in Ridley Scott and the Alien franchise's direction couldn't be more blatant. Indeed, thanks to its obvious pilfering, Moonfall often appears to have a better movie lurking inside — an interesting-enough space film erroneously packaged with all of Emmerich's standard world-ending mayhem — but only if you can somehow forget that one of the best pictures ever made got there first. Emmerich's latest would definitely be improved it it blew away some of the time it spends charting the fallout on earth, where "city-sized moon pieces will rain down", Harper and Fowler both have sons to save, and the thoroughly bored look on Charlie Plummer's (Words on Bathroom Walls) face as the just-imprisoned-but-good-at-heart Sonny Harper says everything. But then this film wouldn't have been made by this director, who refuses to embrace the ridiculousness of everything he's thrusting onto the screen and sticks with his stock-standard self-serious vibe. The premise, the writing, each easily foreseeable twist — it's all ludicrous, but played far too straight, although that doesn't result in anything but by-the-numbers performances by Wilson and Berry, and a gratingly one-note turn from Bradley. Perhaps Moonfall's biggest feat is making that other recent flick about a falling celestial object, Don't Look Up, look better than it is in comparison. Well that, and owning its silliness exactly once, in its moniker, because Moonfall certainly does describe exactly what happens. INDIA SWEETS AND SPICES India Sweets and Spices sports a clunky title, but a descriptive one. The saccharine and the zesty — the formulaic and spirited, too — combine in this coming-of-age comedy about an Indian American college freshman returning home from her no-holds-barred campus life for the summer, and being expected to slot back into her parents' and culture's expectations and traditions as if she'd never left. That quickly unhappy student is Alia Kapur (Sophia Ali, Grey's Anatomy), who has little on her agenda for her break except lazing by and in the pool; however, her prim-and-proper mother Sheila (Manisha Koirala, an Indian cinema mainstay) and doctor father Ranjit (Adil Hussain, Star Trek: Discovery) still demand that she do the rounds of their social circle's weekly Saturday-night party circuit. It's more her mum's doing than her significantly more laidback dad's, but it's also the done thing. What isn't usual: inviting the new proprietors of the local Indian store to these well-to-do shindigs. Writer/director Geeta Malik (Troublemaker) could've called her sophomore feature Crazy Rich Indian Americans — or Snobby Rich Indian Americans — and the moniker would've stuck, with a clear class clash the obvious outcome when Varun Dutta (Rish Shah, To All the Boys: Always and Forever), his mother Bhairavi (Deepti Gupta, High School Musical: The Musical — The Series) and dad Kamlesh (Kamran Shaikh, Evil Eye) show up to the Kapurs' home as asked. The conceited judgement over their nice but not glitzy attire is immediate, and further awkwardness springs quickly when it turns out that Sheila and Bhairavi shared a past before they both emigrated to the US. Alia is outraged over the reaction, intrigued about her mum's history and, given that's the reason she invited the Duttas in the first place, interested in Varun — and all three swiftly shape her summer. There's a sprinkle too much of the familiar to India Sweets and Spices, both in its narrative — and many of the details and cliches used to tell it — and its insights into the struggles of growing up surrounded by one country's attitudes but with another's conventions always knocking at the door. The template-esque feel makes the film pleasant rather than overly memorable, and its boilerplate TV-style gloss and sheen doesn't help it stand out, either. Thankfully, Malik's three key female talents couldn't fade into a by-the-numbers setup if they wanted to, and add much of the movie's verve as a result. Ali may play a character that could've stepped out of any similar flick, including the likes of Bend It Like Beckham and The Big Sick, but her delivery and presence are one of this feature's best traits. And whenever Koirala and Gupta are on-screen, be it together or separately, India Sweets and Spices benefits immensely. All three women are also pivotal to Malik's biggest attempt to differentiate India Sweets and Spices from other comparable fare: her foray into the quest for women's equality in India. Perched within the film's otherwise straightforward intergenerational and class conflicts sits a look at gender roles both historically in India and within Indian American communities today — the movie takes place in New Jersey — plus an examination of the sacrifices that might be made by someone willing to forgo her own fight to gift a better life to her children instead. This meaty and meaningful aspect of the feature would hit harder if so much that surrounded it wasn't content with easy tropes, though. Indeed, India Sweets and Spices is a tad too happy to act against its own advice, settling for something that's good enough rather than pushing itself further past the tried and tested. STREET GANG: HOW WE GOT TO SESAME STREET On a fictional New York street that's home to a cross-section of the city's multicultural population, young and old alike, and also to boisterous muppets, sunny days have been sweeping the clouds away since November 1969. Eager to educate preschoolers, Sesame Street has taught multiple generations of children the alphabet, to count — with help from Count von Count since 1972, of course — and about life in general, and both its longevity and the beloved turf it holds within popular culture speak to its enormous success. Street Gang: How We Got to Sesame Street knows that it's profiling a seminal piece of television, and that virtually everyone born in the past half-century grew up watching the adored series; however, it's also keen to tell the story behind that story. Nostalgia drips through this behind-the-scenes documentary, gleefully so, but so too does a chronicle of how Sesame Street became the icon it is — and against the odds. The show's backstory starts with TV producer Joan Ganz Cooney and psychologist Lloyd Morrisett, and with a dinner-party conversation that saw them float the idea of a television series that might help American children prepare for school — particularly kids of colour. The path to Sesame Street reaching the air wasn't smooth from there, or plain sailing once it got to screens (its focus on racial integration didn't go down well in parts of Mississippi, for instance), but education-meets-entertainment history was nonetheless made. Inspired by Michael Davis' 2008 non-fiction book Street Gang: The Complete History of Sesame Street, documentarian Marilyn Agrelo (An Invisible Sign) fashions her film as an insider's window into a miraculous program, blending informative details about how it came to be and its early years with clips of its muppet-fuelled magic. Both elements of the movie engage, as do its recent and archival interviews. On the screen, Street Gang benefits from the type of observation that helped make its subject such a delight: that showing is far better than telling. Given that there's so much ground to cover — Sesame Street could easily earn its own historical documentary series, but this film fits what it can into 107 minutes — it's patently a tricky juggling act to find the right balance between Sesame Street footage and analysis, but the clips presented are charmers. Agrelo deploys these snippets to demonstrate the show's commitment to representation, as paired with chats with actors such as Emilio Delgado (Luis) and Sonia Manzano (Maria); its educational approach, aka its number-one reason for existing; and the puppetry prowess of original Big Bird and Oscar the Grouch performer Carol Spinney, and of the great Jim Henson and Frank Oz. Discussions with and about the former, including about how both characters gave him outlet for parts of his personality, are lovely, while giggling at the latter pair's work as Bert and Ernie never gets old, and neither does appreciating why the double act is such a piece of genius. Sesame Street has always been revolutionary, too, and in a plethora of ways, all of which Street Gang celebrates. Its firm intent to ensure that it represented America's diversity sprang from its times and made a statement, while its willingness to use advertising techniques — jingles included — was savvy and smart. Its blend of humour and information, its eagerness to entertain the adults watching as well as the kids, the passion for ensuring that all children felt included and empowered: they're all pioneering. And, as much as the aired segments and hilarious outtakes prove joyous, the meaning and power of Sesame Street always beams through. Of course, being both amusing and enlightening was always the show's aim, so it's apt that this loveable documentary about it easily achieves the same feat. Street Gang: How We Got to Sesame Street is screening at Sydney's Golden Age Cinema and Bar, and is also available to stream via video on demand. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on October 7, October 14, October 21 and October 28; November 4, November 11, November 18 and November 25; December 2, December 9, December 16 and December 26; and January 1, January 6, January 13, January 20 and January 27. You can also read our full reviews of a heap of recent movies, such as The Alpinist, A Fire Inside, Lamb, The Last Duel, Malignant, The Harder They Fall, Roadrunner: A Film About Anthony Bourdain, Halloween Kills, Passing, Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog, Tick, Tick... Boom!, Zola, Last Night in Soho, Blue Bayou, The Rescue, Titane, Venom: Let There Be Carnage, Bad Luck Banging or Loony Porn, Dune, Encanto, The Card Counter, The Lost Leonardo, The French Dispatch, Don't Look Up, Dear Evan Hansen, Spider-Man: No Way Home, The Lost Daughter, The Scary of Sixty-First, West Side Story, Licorice Pizza, The Matrix Resurrections, The Tragedy of Macbeth, The Worst Person in the World, Ghostbusters: Afterlife, House of Gucci, The King's Man, Red Rocket, Scream, The 355, Gold, King Richard, Limbo, Spencer, Nightmare Alley, Belle, Parallel Mothers and The Eyes of Tammy Faye.
