Crisp harbour air, just-pressed books and freshly ground coffee to carry you through — that's what we go back to the Sydney Writers' Festival for year after year. One of the world's most popular and respected writers' festivals, it presents us with a fine autumnal week of talks, panels, readings, workshops, performances and a boozy hub to end the night in. Artistic director Jemma Birrell doesn't appear to be trying to reinvent the wheel or tweet the wheel or performance art the wheel; the 2014 Sydney Writers' Festival is geared towards solid programming that mixes interesting minds. "Over 400 writers will bring their insight and knowledge, their creativity and contemplation, to help us see life from a different perspective," she says of the festival. Here are our top ten writer combos you'll find at the festival. Vince Gilligan Here's your chance to thank a major enabler of your binge TV habit. The man responsible for bringing you 3720 hours of glee, revulsion, frustration and satisfaction — Breaking Bad creator Vince Gilligan — is coming to Australia. He'll be making one exclusive appearance at the Sydney Town Hall as part of the SWF (an early part; he's here May 1 while the rest of the festival kicks off May 19). The discussion will zero in on Gilligan's creative process and presumably provide a platform for all your Better Call Saul-related questions. The first event has sold out, but you can still get tickets to the second event, on at 9.30pm, which has Benjamin Law asking the questions. May 1, 7pm and 9.30pm at Sydney Town Hall. Tickets $35/28. Humour and Debauchery with a few manners in between We'd watch Annabel Crabb interview a throw pillow, but here she is interviewing three of the festival's most interesting guests: Irvine Welsh, Gary Shteyngart and Sandi Toksvig. Just imagine the scintillating repartee when sparkling ABC journo meets Super Sad True Love Story writer Shteyngart, who you might know from his work on the back of hundreds of books (he's a famous blurbist), and comedian and broadcaster Toksvig, who's a QI regular and therefore accustomed to bantering with Stephen Fry. Though Crabb might need all her wiles to wrangle rite-of-passage writer Welsh (Trainspotting), who famously spent his 1998 SWF session drinking beer, insulting his host and reading his own book (not out loud; in his head). While you're there: Flit by the Hickson Road Wharf beforehand and you could see the free Curiosity Lecture Series On Living Well or the What's Normal Anyway? panel. Friday, May 23, 8.30pm, at the Sydney Town Hall. Tickets $25/20. People of Letters Michaela McGuire and Marieke Hardy's Women of Letters has been steadily taking over the adorable Sunday afternoon literary readings scene, to the point where it's had recent instalments in the US and the UK. Nostalgia meets healthy oversharing at the event, which sees guests read letters they've written in response to a theme — this time, it's 'A letter to my other half'. Reading at the SWF's People of Letters (slight name change to accommodate the menfolk) is Scott Spark, Ella Scott Lynch, Liam Pieper, Cate Blake, Eddie Sharp, Kristin Williamson, Benjamin Law and Australian playwright David Williamson. While you're there: Check out New Worlds: Digital Storytelling on the same stage at 3pm or the ever inspiring Michael Kirby present the free lecture On What Would Gandhi Do. Saturday, May 24, 4.30pm at Pier 2/3 Club Stage. Free. Literary Friendships: Ben and Michelle Law Not only have Benjamin and Michelle Law survived the ‘shit Asian mothers say’ they’ve also survived their sibship. But only just. As part of the festival’s ‘Literary Friendships’ series, they’ll be revealing how they co-wrote a bestselling book without killing each other. Michelle is an AWGIE award-winning screenwriter who’s worked on the TV adaptation of The Family Law, Flashforward and Slide, and is currently putting together a documentary on suicide for the ABC. Benjamin is the author of books Gaysia and The Family Law and a regular contributor to The Monthly, Qweekend, Good Weekend and frankie. While you're there: See Irvine Welsh discuss his new book, The Sex Lives of Siamese Twins in the Sydney Theatre beforehand. Afterwards, there's nothing for it but closure and a stiff drink. Sunday, May 25, 3pm at Pier 2/3 The Loft. Free, no bookings. Inua Ellams' Black T-Shirt Collection Spoken word poetry always pops its head up at Sydney Writers' Festivals, and this year's star proponent is Nigerian-born, London-based Inua Ellams, who takes the form to the next level. His Black T-Shirt Collection is a deep and developed one-man play in which he tells the story of two brothers — Matthew and Muhammed — who start a graphic tee business in Nigeria, only to find their fortunes swayed by homophobia and global capitalism. Exeunt magazine called Ellams' performance "captivating", with "just enough variation in his physical acting to give credible form to a cast of characters from a middle-aged Egyptian carpet-seller to a mourning Nigerian mother". While you're there: The other SWF events are nowhere near Bondi. So how about stopping by Do Orazio Pizza and Porchetta instead and sating your appetite instead? Wednesday and Thursday, May 21-22, 8pm at the Bondi Pavilion. The Madonna-Whore and Other Fictions A recent post on Tara Moss’s Facebook page reads: “Stranger to my daughter: ‘You are very pretty’. Response: ‘I’m very brave, too’.” On the heels of publishing her non-fiction debut, The Fictional Woman, Moss will get together with Nakkiah Lui, Emma Donoghue and Kate Ceberano for a panel discussion unravelling the common fictions applied to women — from gold-digger to dumb blonde to mother. Versatile journo and Fairfax columnist Tracey Spicer will be doing the compering. While you're there: Hear about The Real Sydney and see An Iranian Talking to an Israeli (true title). Friday, May 23, 3pm at Pier 2/3 Main Stage. Tickets $25/$20. Eleanor Catton: The Luminaries One big international name this year is that other confounding New Zealand prodigy, 2013 Booker Prize winner for The Luminaries Eleanor Catton. Last year, the 28-year-old became the youngest ever author to win the Man Booker Prize with her extraordinary second novel. She’ll be discussing 19th-century gold mining, astrology and the collective unconscious with arts mover and shaker Steven Gale, who has directed in theatres and taught at universities all over the UK and in the US. While you're there: At the Hickson Road Wharf, spend time with the foreign correspondents of Eyewitness the former foreign minister, Bob Carr. Thursday, May 22, 6.30pm at City Recital Hall Angel Place. Tickets $32/$26. Image: Robert Catto. Festival Club Now a fixture of the festival, the Chaser-run Festival Club is where things get relaxed and sweary at the end of the day. (Not so relaxed, however, that you can necessarily saunter in at any hour; line up a bit before 7pm like a good Sydneysider.) Each night from Thursday to Saturday features an instalment of The Chaser's Empty Vessel, with big festival guests like Reza Aslan, Jeremy Scahill, Colin McDowell and Eimear McBride dropping by for casual, sometimes boozy, 'off-the-record' chats. Bookending the Vessel are catch cackle-worthy storytelling endeavours such as Story Club, Erotic Fan Fiction, Mixtape Memoirs and Spoken Four. While you're there: Anything goes with a night at the Festival Club. Thursday to Saturday, 22-24 May, 7pm at Pier 2/3 Club Stage. $15 on the door. No pre-bookings. Exceptional Television If past years have seen a focus on digital writing and journalism, the topic du jour looks to be television, and the extremely high quality of TV writing that is probably luring you away from books, films and reading this article. Should the aspiring writers of 2014 be aiming for the long-form, narratively rich landscape of TV? Delve into the strengths and challenges of the medium with local heroes Peter Duncan (Rake) and Steven McGregor (Redfern NOW) plus American writer A.M. Homes — who as well as being a 2013 Women’s Prize for Fiction winner has written and produced for The L Word. tvtonight.com.au editor David Knox chairs. Show your love for TV by getting off the couch for this one. While you're there: Visit Louis Nowra's Kings Cross or explore further afield with Jacques Roubaud: Writer, Mathematician and Oulipean. Thursday, May 22, 4.30pm at Pier 2/3 Club Stage. Tickets $20/40. Coffee and Papers with Jeremy Scahill and Antony Loewenstein It’s probably a good idea to take a really strong coffee to this early morning chat. After all, Antony Loewenstein’s latest book is titled Profits of Doom: How Vulture Capitalism is Swallowing The World, while Jeremy Scahill has just published Dirty Wars: The World is a Battlefield. It doesn’t sound like there’ll be any mucking around. Ferocious, outspoken devotees to the great tradition of no-holds barred investigative journalism, Loewenstein and Scahill will be discussing the media’s changing nature with Sydney Morning Herald state editor Sherrill Nixon. While you're there: From here, enjoy all that Friday has to offer. We like the look of Curiosity Lecture Series session On Epicurus, a look at how well the foodies of today are following the lessons of classic Epicureanism. Friday, May 23, 9am at The Bar at the End of the Wharf. Free, no bookings. The Sydney Writers' Festival is on May 19-25. For the full program and to book tickets, visit the festival website. By the Concrete Playground team.
May the force be with your streaming queue over the next few months, with not one but two new Star Wars series heading to Disney+. Both follow the same format, too, taking a character from the films, then spinning a whole show around parts of their backstories — and slotting in either before or between the tales that viewers have already seen. The first such program, Obi-Wan Kenobi, starts streaming today, Friday, May 27. The second, Andor, just dropped its first trailer today as well. On the agenda for the latter: not only a prequel to 2016's Rogue One: A Star Wars Story, but bringing espionage thrills to a galaxy far, far away. As its name makes plain, Andor focuses on its namesake — Cassian Andor, again played by Diego Luna (If Beale Street Could Talk). Star Wars fans have already seen him as a Rebel captain and intelligence agent, and also watched how his story ends, hence the show's need to jump backwards. The focus: following Andor as he discovers how he can play a part in fighting the Empire. Indeed, charting the rebellion, and how people and planets joined in, is the series' whole remit. The moody and shadowy just-dropped first sneak peek ends with telling words, after all: "that's what a reckoning sounds like". In fact, it's filled with statements like that, setting the tone for an intrigue-filled first season — which'll start streaming on Wednesday, August 31. Alongside Luna, Andor sees filmmaker Tony Gilroy (The Bourne Legacy) — who co-wrote the screenplay for Rogue One — return to the Star Wars franchise as the series' creator and showrunner. And, on-screen, Luna is joined by the Genevieve O'Reilly (The Dry) — who is also back as Mon Mothma — as well as Stellan Skarsgård (Dune), Adria Arjona (Morbius), Denise Gough (Monday) and Kyle Soller (Poldark). Oh, and a cute-looking new robot that's seen scurrying around in the trailer, although how big a part it'll play is yet to be revealed. Andor is set to span two seasons, both running for 12 episodes each and adding to Disney+'s ever-expanding array of Star Wars programming. Also on its way: the third season of The Mandalorian, which'll arrive in February 2023; and the just-announced Skeleton Crew, which'll star Jude Law and hit streaming queues sometime next year as well. Check out the first trailer for Andor below: Andor will start streaming via Disney+ from Wednesday, August 31.
A new player is stepping up to bat in the Australian hospitality scene, and in Melbourne. Introducing The StandardX, scheduled to open in Fitzroy in February 2024. The StandardX is the latest brainchild of Standard International, known for its lifestyle hotels in cosmopolitan hotspots like New York, Miami and London. But The StandardX is set to be a new direction for the brand, with the Fitzroy concept acting as "a rebellious younger sibling" of The Standard Hotels across the globe, distilling The Standard experience to its "x factor", and going for a more minimalist and cool approach. It seems that Fitzroy is the perfect location for the new concept. Melbourne's own Hecker Guthrie has infused the hotel's 125 rooms and public spaces with a contemporary yet unpretentious aesthetic. As for the food, don't expect the standard hotel restaurant. Led by Executive Chef Justin Dingle-Garciyya, the rooftop dining area will be exclusive to hotel guests, offering an array of Medellin-inspired dishes, including tacos and ceviche. The rooftop bar will be the perfect spot to enjoy a cocktail after dinner, or before a night out, or at 10am — it's a hotel after all. With panoramic city views and the privacy that comes with exclusivity, it's set to be a pretty nice spot to have a sip and take in the majesty of the Melbourne skyline for locals and tourists alike. For those after a more casual bite, the all-day Thai diner and The Box, a retail concept offering on-the-go snacks and drinks, will ensure you're never far from curing a rumbling belly. With room rates expected to hover between $250–350, The StandardX is positioning itself as a premium choice for travellers and Melburnians looking for a unique hotel experience that blends luxury with Fitzroy's artistic and cultural heritage. Nick Cave, Ollie Olsen, Stuart Grant and Rowland S. Howard are even among the hotel's inspirations. The StandardX is set to open in February 2024 at 62 Rose Street, Fitzroy — head to the hotel's website for further details.
Whether you can't get enough of Euphoria, are a Succession stan or adore True Detective, streaming HBO's hits in Australia has meant making a date with Binge since 2020. The platform launched as an offshoot of pay TV service Foxtel — following past platforms Presto — with the slate of shows from the beloved US network as its number-one drawcard. Back then, it was Game of Thrones, Westworld, Chernobyl, Veep and Big Little Lies luring in subscribers; now, it's House of the Dragon, The Last of Us and The White Lotus, too. Whichever HBO series you adore — and how many of them are on your must-watch list — you'll be making a date with Binge for the foreseeable future. Or, with Foxtel if you still prefer. Either way, Warner Bros Discovery, which owns HBO, has just made a new deal with Foxtel and Binge to keep its series on those Aussie services. The Foxtel Group will remain the home of HBO, Max Originals, Warner Bros and Discovery programming as part of a multi-year partnership extension — and the only place you'll be able to see shows like all of the above. Other series involved include set-to-return programs such as Winning Time: The Rise of the Lakers Dynasty, Perry Mason, And Just Like That..., The Sex Lives of College Girls and Peacemaker. And, the deal covers newcomers like The Idol, political drama White House Plumbers, the Robert Downey Jr- starring The Sympathizer, The Palace with Kate Winslet and The Batman spinoff The Penguin. Plus, when they make their way from cinemas to streaming, upcoming flicks such as Dune 2, Barbie, Aquaman and The Lost Kingdom and other DC Extended Universe movies will also hit Binge and Foxtel. "This landmark partnership cements our position as the partner of choice to the world's largest entertainment studios. We are delighted Warner Bros Discovery chose us as we continue our long-standing partnership together with optionality at its core. A unique business model like ours that covers multiple platforms and brands means we can partner for the long term and together we will continue to entertain millions of Australians every day for years to come," said Foxtel Group CEO, Patrick Delany, announcing the deal. "Foxtel Group are a long-term, historic partner for Warner Bros Discovery in Australia, and we are thrilled to deepen this strong collaboration with a renewed agreement that reflects the scale and opportunity of Foxtel Group's growing suite of products and customer base," added James Gibbons, Warner Bros Discovery President and Managing Director, Western Pacific. In America since 2020, and rolling out through Latin America, the Caribbean and parts of Europe since, HBO streams its lineup of shows via its own platform, HBO Max, which hasn't yet made it to Australia. Based on the new deal with Foxtel and Binge, doesn't look set to anytime soon. "As we look to drive strategic growth of our business across all platforms locally, this deal also provides optionality for future collaboration, including for our future streaming service, that will ultimately offer Australians greater access to the world-class storytelling and much-loved brands Warner Bros Discovery is renowned for," said Gibbons. The Australian Financial Review reports that HBO Max won't make its way Down Under until at least 2025. For more information, head to the Binge and Foxtel websites. Top image: HBO.
When Iron Man, Thor, Scarlet Witch, Black Widow, Captain America and their fellow caped-crusader pals all cross paths on-screen, they do so within the Marvel Cinematic Universe. When it's Batman, Superman, Wonder Woman and Aquaman's turn, they populate the DC Extended Universe. But these kind of big-screen franchises aren't just the domain of superheroes. In the Sony Pictures Universe of Marvel Characters, for instance, a number of Spider-Man supervillains are getting their own interconnected movies. First came 2018's Venom, starring Tom Hardy (Dunkirk) as a journalist who is forced to share his body with an alien symbiote. Next year — delayed from 2020 — Morbius will see Jared Leto (The Little Things) play a figure also known as the "Living Vampire". In-between the two, Venom: Let There Be Carnage is also hitting screens. The initial flick about Hardy's Eddie Brock and his parasitic pal did ridiculously big business at the box office, so it was always going to get a sequel. Due to hit cinemas Down Under in September — and just releasing its first trailer overnight — Venom: Let There Be Carnage signals its other main point of focus in its title. This time around, Venom isn't the only formidable figure that Brock has to deal with, with Woody Harrelson (Zombieland: Double Tap) joining the cast as Carnage. For those who haven't dived deep into Spider-Man's comic book history, Carnage is another of the web-slinger's adversaries. Inhabiting the body of a serial killer called Cletus Kasady, he's also Venom's nemesis. And while Eddie's life isn't all that straightforward when the Venom: Let There Be Carnage trailer begins — as seen during a peek at his attempts to find a way to live in harmony with Venom, including their complicated breakfast routine — things get a whole lot more chaotic when Carnage enters the scene. As these two villains face off, here's hoping that Venom: Let There Be Carnage gives Michelle Williams (Fosse/Verdon) more to do than the first Venom movie did, with the four-time Oscar-nominee returning as Eddie's ex-fiancée. Also seen briefly in the trailer: Naomie Harris (The Third Day) as yet another Spider-Man villain, Shriek, plus Stephen Graham (The Virtues) as Detective Mulligan. And, behind the lens, Lord of the Rings actor-turned-Mowgli: Legend of the Jungle filmmaker Andy Serkis directs. Check out the trailer below: https://www.youtube.com/watch?v=USAsr2i4jiQ&feature=youtu.be Venom: Let There Be Carnage opens in Australian cinemas on September 16.
If you've ever doubted that racism still exists in Australia, have a look at the toilet doors in Vernon Ah Kee's exhibition Not an Animal or a Plant, currently at the National Art School Gallery as part of Sydney Festival. Scrawled with violent, racist and misogynist graffiti, they are found objects, which Ah Kee took from a disused toilet on Cockatoo Island during the 2008 Biennale and transformed into a work titled Born In This Skin. "They take the breath away," Ah Kee says. "They're up-front in a way that's disturbing yet refreshing…Given that this country has been good at subtlety in terms of expressing racism." Ah-Kee's show, which is a survey covering the past 12 years, compels us to see racism "not as an historical error", but as part of life. "Many people would wilfully set themselves aside from Australia's treatment of Aboriginals and see it as history," he says. "But it's the life I live and the life we all live. Our children and grandchildren will live it, too." Born in January 1967 in Far North Queensland, Ah Kee came into the world as "property of the state". It wasn't until later that year, following a May 27 referendum, that the Federal Government recognised Indigenous Australians as people. 2017 is both Ah Kee's 50th birthday and the referendum's 50th anniversary. [caption id="attachment_604903" align="alignnone" width="1280"] Vernon Ah Kee's I See Deadly People (2012)[/caption] Walking into Not an Animal or a Plant, the first works you see are oversized, charcoal portraits, beautifully drawn and charged with emotion. Looking into the eyes of Ah-Kee's great-grandfather George Sibley, it's impossible to disregard his humanity. Yet, as Ah Kee says, "Politics and atrocities have relegated [our] status to less than human or always to become human." Text-based works Rush to judgement (2016) and Waltzing Matilda (2016) place us face-to-face with racist, yet commonly used, phrases, such as "pure-bred Aussie" and "love it or fuck off", printed in bold, confronting lettering. "What's disturbing is how normalised and popular these are," Ah Kee says. "'Pure-bred Aussie' is available in tourist shops all over the country … As someone who works with text, you can't resist it." Text is used, too, in Authors of Devastation (2016), a stunning installation of custom-made surfboards painted with rainforest shield designs and, more personally, in Many Lies (2004/2016), with verse painted on a 2.4 x 2.7-metre canvas. Ah Kee writes, "I tried to burn the words away, but only burned myself, and now I have deep scars on my skin, and the enduring ache of memory." Not an Animal or a Plant is now showing at the National Art School Gallery, Forbes Street, Darlinghurst until March 11. Find more details here. Top image: Vernon Ah-Kee's Annie Ah-Sam (2008). Shot by George Sibley.
Gone are the days when travellers checked into hotels with the sole purpose of sleeping. It seems everyone wants a bit extra with their holiday, be it a gardening course, an onsite brewery or a window onto the underwater world. The latest addition to the globe's accommodation wonders is an immersive Stars Wars hotel, which will debut as part of Walt Disney World's new 360 vacation concept in Orlando. We're happy to report that the resort is taking the immersive bit very seriously. Upon check-in, guests become a citizen of the galaxy, which means that, every minute of every day of your stay, you're a part of whichever Star Wars story is happening around you. Chances are, you'll find yourself helping Luke Skywalker in his struggle against the Galactic Empire, being rescued by R2D2 or facing off Darth Vader. And it sounds like dress up will be included and required. For now, the hotel is in concept stage only. As you'd expect, the rooms will be themed and several spaces will likely be straight out of the movies. You'll have to be committed to the experience, as the "every minute of every day" comment may well include sleeping hours — the dark side never sleeps, after all. Image: Disney/Lucasfilm via Disney Parks Blog.
In his 82 years on the planet, jazz saxophonist Wayne Shorter has made good use of his time. He's been crucial to some of the most important bands of the past century, including Miles Davis's many ensembles, Weather Report and Art Blakey's Jazz Messengers. He's played on ten of Joni Mitchell's albums and he's won ten Grammys. Now, he's returning to Sydney for the first time in six years to close Vivid with an epic concert, featuring pianist Danilo Perez, bassist John Patitucci, and Brian Blade on drums. Expect to hear decades of jazz influences — from old-school standards to '60s avant garde to fusion.
If you, like us, have binged every episode of the renowned crime podcast Serial, are still following the news roller-coaster on Adnan Syed's case from season one and are counting down the days until the HBO series airs — take a deep breath, because there's finally more where that came from. Serial will return for its third season on September 20, having been dormant since season two aired back in 2015. Season three will focus on the entire criminal justice system in the US — more specifically on the inconsistencies and failures of the courts in Cleveland, Ohio. "What does season one tell us about the criminal justice system?" asks host Sarah Koenig in the season's trailer. She concludes that instead of using Syed's extraordinary case to examine the system from the inside, she must use many ordinary cases. Koenig and her crew spent one year in the Cleveland courts, where they recorded not only in courtrooms but also in judge's chambers, prosecutors office and back hallways, plus outside the courthouse in family member's houses, streets and prisons. In the season three trailer, Koenig mentions one case in particular — that of Greg Rucker, whose prison recordings include an admission of guilt. Yet, in just this one trial, Koenig is witness to an onslaught of court offences, including extra charges, pressure to plead guilty, shabby police work, "eleventh hour" evidence, dozing jurors and judge — all ending with an outsized prison sentence. But, since Rucker is guilty, should we even care? This is a question that Serial will explore throughout the season. Again, the story will unfold week-by-week. To listen to the season three trailer or catch up on past seasons, check out the Serial website. The first two episodes of Serial season 3 will be released on the morning of Thursday, September 20 — Eastern Daylight Time (New York). No exact time has been announced, but past Serial episodes have dropped around 9.30am EDT, which corresponds to about 11.30pm in Australia and 1.30am in New Zealand. So, you can either stay up late on Thursday and listen, or wait until your Friday morning commute to work. One new episode will be released each Thursday thereafter. Image: Moth Studio, mural by Adam Maida
Sydney Festival 2012 may have wrapped up on Sunday, but you can still catch a number of Concrete Playground's highlights — all presented in conjunction with Sydney's theatre companies — on stages around town for the next few weeks. These are the top five shows worth grappling for tickets to. 1. I'm Your Man (Belvoir) The most surprising thing about this Sydney Festival show is that we love it despite its not-so-palatable subject, boxing. But this documentary theatre work immerses you in the world of a boxing gym that has more depth than you would have thought it could possibly contain. Knockout. 2. Thyestes (Belvoir and The Hayloft Project) Simon Stone and his stellar collaborators have been nice enough to bring Thyestes up from Melbourne so we could see what all the fuss was about. Turns out this thoroughly modernised version of the Greek tragedy that birthed all other Greek tragedies is brilliant, a true shock and a joy to watch. 3. The Boys (Griffin Theatre) This revisit of a past classic is as devastating as it feels real, and nightmarish in its intensity. The Sprague brothers, headed by the fresh-out-of-jail Brett, head out to enact their vendetta against women. 4. A History of Everything (STC and Ontroerend Goed) Fast, kinetic and incredibly thoughtful theatre from these Aussie-Belgian collaborators. Their careening ride through the history of human society, organic life, tectonic shifts and the birth and expansion of the universe takes you to some amazing places. 5. Never Did Me Any Harm (Sydney Theatre Company and Force Majeure) Think your parents messed you up? Share in stories of child-rearing and suburban life that are alternately painful and amusing, infuriating and touching in this powerful dance theatre work.
Everything is a multiverse these days, or so it increasingly seems. Marvel has one, and Doctor Strange in the Multiverse of Madness is currently in cinemas to remind us all of that fact if we somehow forgot after Spider-Man: No Way Home. Rick and Morty loves them as well. Even if the term isn't mentioned explicitly, everything from French delight Petite Maman to The Matrix franchise flirts with similar territory. And yes, the list goes on — but nothing else is quite like Everything Everywhere All At Once. Don't know why that's the case? There's a vast array of reasons, including star Michelle Yeoh getting to play multiple versions of the same character, earning a far worthier showcase of her talents than the likes of Boss Level and Gunpowder Milkshake have provided of late, and also working in a nod to her Crazy Rich Asians-era IRL self as well. Plus, there's the wonderful return to cinema by Ke Huy Quan, aka Indiana Jones and the Temple of Doom's Short Round and The Goonies' Data, who makes a fantastic double-act with Yeoh. Also a highlight: a world where everyone has hot dogs for fingers; another where Ratatouille is real, but with raccoons; and another still that's a sparse realm where life only exists in sentient rocks. Weird, wild and wonderful from its first frame to its last, Everything Everywhere All At Once stands out in a heap of ways — and, if you haven't seen it yet or you're keen to give it a revisit, you can now watch one of the best films of 2022 so far from your couch via digital platforms from Thursday, May 26. Fast-tracking flicks big and small to digital is our new pandemic-era reality, and this gem is the latest to make the leap — while it's still showing in cinemas, too. It looks fabulous on the big screen, but if the ease of checking it out at home suits you better, that's also now an option, as it also has been with The Batman, West Side Story, Dune, The Matrix Resurrections and more in the past few months. Written and directed by the Daniels, aka Swiss Army Man's Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once really does take its name seriously. Here, almost anything that can happen does, all while laundromat owner Evelyn (Yeoh) just wants to get the tax office off her back, save the family business and make the most of her dad's (James Hong, Turning Red) visit from China. In the middle of a punishing audit by IRS inspector Deirdre Beaubeirdra (Jamie Lee Curtis, Halloween Kills), and already feeling chaotic after her daughter Joy (Stephanie Hsu, Shang-Chi and the Legend of the Ten Rings) brought her girlfriend Becky (Tallie Medel, The Carnivores) home, Evelyn learns that the fate of the universe is at stake. Of course, only she can save everything — and while that setup might sound familiar, this funhouse of a feature never takes the expected path. Check out the trailer for Everything Everywhere All At Once below: Everything Everywhere All At Once is currently screening in Australian cinemas, and is also available to stream online via video on demand — including via YouTube Movies, iTunes and Prime Video. Read our full review.
From food to puppies to cricket umps, we'll never cease to be amazed by what Uber decides to deliver next (until they start delivering babies, that is). But their latest service offering is set to take things to literal new heights. At TechCrunch Shanghai over the weekend, Uber China announced it will soon give users the option to request not only cars, but hot air balloons and boats as well. The new services — aptly names UberBalloon and UberBoat — will come under the new Uber + Travel umbrella, which will roll out across China later this year. The ride-sharing company also announced UberLife, a sort of in-app magazine that will feature local events and attempt to make users spend more time in the Uber app while in the car/boat/hot air balloon. At the moment UberBalloon will only be available in China. According to TechCrunch, this is an attempt to move more services into the Uber app to help it properly compete with popular all-in-one app WeChat, which allows you to message, call, shop, make payments and play games. Desperate times call for desperate measures — and when you're Uber (and you're trying to take the Chinese ride-sharing market), those measures apparently include hot air balloons. Via TechCrunch. Image: ellehem.
Peer through the glass and into the diverse world of European cinema, at the 9th annual Windows on Europe Film Festival. Run by The Festivalists — the same team who brought you Possible Worlds, Jurassic Lounge and the Sydney Film Festival Hub — this week-long festival at Dendy Opera Quays features 16 films from across the European Union, including Austrian documentaries, Hungarian social horror movies, impenetrable Finnish arthouse flicks and more. Amongst the more intriguing titles on this year's program, Romanian tragicomedy Domestic reveals the everyday absurdities of life in contemporary Bucharest; while '80s-set Czech film Fair Play follows the story of an aspiring Olympic sprinter, who learns that the State-sponsored medical team has been feeding her steroids without her consent. Beer lovers, meanwhile, should check out the quirky documentary Irish Pub, which includes with free pint of Guinness with every ticket. For the full Windows on Europe program, visit their website.
In case you missed it last year, Sculpture at Scenic World is an annual, stunning art exhibition that takes place in the Blue Mountains. Each year a group of artists create sculptures that sit in the depths of the region's rainforest for a month, and every year it's the perfect opportunity to go on an Autumn weekend away and experience everything that the Blue Mountains has to offer. Now in its sixth year, Sculpture at Scenic World will showcase artworks from 35 local, interstate and international artists along the Blue Mountain's 2.4 kilometre Scenic Walkway—Australia's longest elevated boardwalk. You can walk along the trail and immerse yourself in a stunning rainforest setting while looking at some impressive sculptural art from artists including Tully Arnot, Claire Becker, Chris Bennie and Jennifer Cochrane. The unique pop-up outdoor exhibition runs for 30 days from April 7 to May 7. To visit, you'll need to buy a ticket to Scenic World, which is home to the Scenic Railway, Skyway (which hangs 270 metres above a gorge and offers panoramic views of Katoomba Falls and The Three Sisters) and Cableway that all take you high above the mountains for scenic views of the region. A $39 ticket includes unlimited rides on all three, plus entry to the Blue Mountains Cultural Centre in town. [caption id="attachment_561929" align="alignnone" width="1280"] Elyssa Sykes-Smith A Canopy of Thoughts (2015)[/caption] Not just exclusive to the rainforest, the exhibition extends to include an indoor exhibition named Sculpture Otherwise that takes place at the Blue Mountains Cultural Centre, as well as other outdoor artworks situated at various locations around the upper Mountains region. A full public program, including workshops and guided tours, will be released closer to the event. A short drive away from Sydney, this is the perfect excuse to go on a weekend away. If you're keen to turn your day trip into a sleepover, Scenic World have partnered with a range of accommodation providers in the region, from the stunning Hydro Majestic Hotel to the luxurious Carrington. As if there weren't enough reasons to spend a weekend in the Blue Mountains. Head to Sculpture at Scenic World to purchase exhibition tickets and sort out your accommodation. Top image: Lang Ea KA-BOOM! (2016)
It's undeniably tough for a hotel to cater their rooms to every guest that will ever stay in them, but this problem can be far more real for the intrepid traveller with a disability. The latest design of hotel room from new collaboration AllGo, however, seeks to change this fact by creating an adaptable room that makes rooms more accessible than ever before, all while channelling the contemporary aesthetic guests have come to expect from upmarket hotel experiences. The AllGo project is the brainchild of international architecture studio Ryder and contemporary bathroom design firm Motionspot. The idea came from the need to "create a concept that redefines the design of hotel bedrooms and bathrooms so they deliver the individual access requirements of guests without compromising on the aesthetics of the environment," according to Motionspot founder Ed Warner. Each room, according to the design, will incorporate features like handrails with braille printed on them, retractable wall panels that can fold away and act as furniture, wheelchair-friendly flooring, and motorised tracks to assist in access and egress to the bed. The best part is, however, that these features can be easily added and removed before the guest even arrives. The AllGo concept took out the top gong at the lauded Celia Thomas Prize late last year. The prize awards £20,000 (nearly AU$34,000) to the design that best creates a hotel experience for people with disabilities, and that can best "challenge the perception of hotel facilities set aside for disabled people, which can often be viewed as joyless, poorly designed and over-medicalised," according to the Royal Institute of British Architects. Gold medal-winning Paralympian, member of British parliament and bad-ass Baroness Tanni Grey-Thompson was one of the driving factors in having the Celia Thomas Prize created. "Great architecture is about spaces that make you feel better and which make you want to return," she said, and the AllGo design strives to achieve that goal for everyone. Motionspot and Ryder will use their winnings to have a pilot program for the design up and running within the year. Via PSFK.
Burger loving Sydneysiders can get ready to add another place to their to-try list, because one of Melbourne's best burger joints is venturing up north to open a permanent store. You might have heard of Huxtaburger. Since it opened in Melbourne in 2011 it's garnered a slew of loyal fans, and heap of American-style burger joints have opened in its wake. But it's only now, six years and six stores later, that the shop has finally decided to expand to Sydney. It will open in Redfern by the end of July. So what can you expect? The team like to keep things simple: sweet brioche buns wrapped around a wagyu beef patty with tomato, cheese, lettuce and pickles, or southern fried chicken with jalapeño mayo and slaw. Meals are best rounded out with crinkle cut chips and an ice cold can of beer. The expansion is part of the business's decision to enter into a franchise model. The first franchise has already opened in the Melbourne suburb of Footscray, and it sounds like there are plenty more in the pipeline. "The introduction of franchisees marks just the beginning of our expansion plans as we look to grow our national footprint in Australia, and grow our business," said Huxtaburger CEO Matt Fickling. Rapid expansion may be a good thing for burger lovers, but let us not forget the story of Doughnut Time. Huxtaburger will open at 66 Regent Street, Redfern at the end of July. We'll keep you updated on an opening date.
With the fifth and final season of the much loved cult series Broad City on its way, Melburnians are getting a very special surprise when co-creator and yas queen Ilana Glazer heads to Melbourne's Hamer Hall for a one-hour stand-up gig on Saturday, June 9 — and tickets are on sale right now. If you've already left this page to book, we understand. Glazer's hilarious portrayal of Ilana Wexler on Broad City has launched her into comedic fame since the show first aired back in 2014. Since then, you may have also have seen her alongside Scarlett Johansson and Demi Moore in Rough Night, as well as recognised her voice in the Netflix animated series BoJac Horseman. Most recently, Glazer has been busy on an 11-city comedy tour with comedian Phoebe Robinson, who hosts the podcast Sooo Many White Guys (also produced by Glazer). This means her stand-up act will be well primed for her one-off Australian gig. Presented by the Arts Centre Melbourne and Penny Drop, Glazer is the headline act of MEL&NYC, a new winter program of multi-disciplinary events that showcase the influence that New York City has on the Melbourne arts and culture scene. The program will take over the city's best cultural venues from June through August and see leading New Yorkers and Australians share their everyday experiences in a series of conversations, music, performances, educational talks and community outreach events. Other gigs include shows by Regina Spektor and Exo-Tech featuring Kimbra and Sophia Brousa, plus a live-to-film performance of West Side Story and a John Cameron Mitchell musical performance. Broad City's Ilana Glazer is performing stand-up at Melbourne's Hamer Hall for one night only on Saturday, June 9 at 8pm. For tickets, or to check out more events in the MEL&NYC program, head over here.
After months of speculation, it seems Amazon's much-hyped Australian launch finally has a start date. And that date is tomorrow. As business information researchers IBISWorld confirmed, emails were sent out to a bunch of Amazon Marketplace sellers on Tuesday, suggesting that the online retail giant would be kicking off an 'internal testing phase' here in Australia at 2pm Thursday, November 23 — just in time for that hectic, pre-Christmas retail rush. There's not a whole lot of info to go on, though sellers are being told to ensure their pricing and stock is up-to-date, and that their accounts are ready for purchases from the start of this soft launch. They're also being given the opportunity to opt out of the testing phase, by temporarily deactivating their account. It looks like the rest of us will have to wait until tomorrow to see which, and how many products are available during the launch period — though if we know anything about Amazon, it's that they don't do things by halves. According to Senior Industry Analyst for IBISWorld Kim Do, Amazon's arrival in Australia is set to give the local retail industry a solid shake-up. "The company intends to challenge domestic retail prices by offering items for 30 percent less than domestic retailers," she explained, adding that technology products are expected to be Amazon's highest selling category. Let the retail therapy begin!
Everyone has at least one piece of IKEA furniture in their house, and likely more than that. Maybe you also own some of the Swedish retailer's Lego storage boxes, too, or a bucket hat made out of the same material as its iconic blue bags. You could've whipped up outfits for your dog using said shopping carriers, and even cooked up its famed meatballs during lockdown. Something that even the brand's biggest Australian devotees won't own, however, is an IKEA t-shirt, tote or key ring — yet, that is. In 2020, IKEA launched its first-ever merchandise line, kicking off in Japan before releasing in Singapore, Thailand and Korea as well. Now, come Thursday, May 13, it's Australia's turn to get decked out in the brand's clothing and accessories — so get ready to don its hoodies, sip from its water bottles and wipe yourself down with its towels, too. The range is called Efterträda, and it nods to the company's popular products in a variety of ways. You'll find its recognisable blue and yellow logo on everything, for instance, as well as a minimalistic look in general. Oversized barcodes feature as a key design element, mimicking the type seen on its products — and, because they line oh-so-many walls, the Billy bookcase barcode has been given pride of place. Plus, the towels and water bottles come in either yellow or white, while the key rings have a blue option. Prices range from $4 for a key ring up to $49 for a hoodie, with water bottles costing $6, totes coming in at $10, t-shirts priced at $19 and towels costing $22.50. And, to answer the two questions that have probably just popped into your head: no, you don't have to assemble them yourself, or use an Allen key. IKEA's Efterträda collection will be available in Australian stores from Thursday, May 13. For further details, head to the Swedish retailer's website.
The days are shorter, the cold winds stronger and we can be sure of one thing: winter is here. While in Australia that may not have the dramatic effect it does in Game of Thrones, we can be sure that a plethora of dark and delicious beers are coming into their own now that the colder months are upon us. Here follows, in no particular order, a guide to the top ten brews to help you through the wintry season. MODUS OPERANDI BREWING, FORMER TENANT RED IPA Mona Vale's finest, Modus Operandi Brewing, is known for its big, bold, hop-driven beers and this glorious red IPA is no exception. Expect big fruity notes of passionfruit and mango, owing to the liberal dry hopping with Galaxy and Mosaic hop varieties, giving way to a burst of bittersweet red grapefruit flavour. Underpinning this maelstrom of hops is an incredibly well-balanced malt base with notes of earthy caramel and biscuit. The finish is piney and botanical, giving just a hint of the beer's namesake — the 'former tenant' of the brewery's site was a marijuana grower — which makes this beer a complex and rewarding brew from the first to last sip. $14.50 for a 500ml can or $48.99 for a four-pack at Beer Cartel. PHILTER, CARIBBEAN STOUT Philter has something of a knack for busting out surprisingly different beers with each new release. Having already nailed an XPA, a session red ale and a lager, it's no surprise that its latest offering is something to get excited about. Though the name might indicate some sort of coconut-infused-rum-barrel-aged craft beer experiment, the flavour is far more approachable, drawing inspiration from the tradition of fruitier stouts common in the Caribbean and surrounding areas. Weighing in at an impressive 7% ABV this beer pours midnight black with rich notes of cocoa, dried fruits and a hint of nuttiness. $10 for a 375ml can or $33.99 for a four-pack at Beer Cartel. BATCH BREWING CO, ELSIE THE MILK STOUT Milk stouts continue to grow in popularity among Australian beer drinkers, and once you've had a glass of Elsie, it's not hard to see why. Combining a complex malt bill, flaked barley, rolled oats and lactose, this beer offers a balance of sweet and roasty notes such as chocolate and coffee with a beautiful creaminess. Coming in at an approachable 4.3% ABV this is a great beer for those looking to cross over to the dark side this winter. $12.50 for a 640ml bottle at Beer Cartel. YOUNG HENRYS, MOTORCYCLE OIL HOPPY PORTER Brewing powerhouse Young Henrys continues to impress with the latest addition to its taps and tinnies. In keeping with the tattooed-up, beard sporting-style it's known for, the charmingly titled Motorcycle Oil is at once in your face, yet reserved, well balanced and approachable. The initial flavour is roasty with delicate hints of chocolate, coffee and a touch of caramel, giving way to a big hop character featuring citrus and medium pine notes. Sitting at 5.8% ABV it offers big flavours but in a balanced and welcoming beer — sure to please lovers of hops and malt alike. $8.99 for a 500ml can or $29.99 for a four-pack at Dan Murphy's. FRENCHIES, ASTROLABE RED BIÈRE DE GARDE Based on a style that originated in Northern France, bière de gardes are bound by a common malt-accented flavour, but, beyond that, each brew offers a wealth of idiosyncrasies. Frenchies Astrolabe pours a beautiful ruby colour with plenty of caramel malt up front followed by notes of cherry and berries with hint of pear. Finishing with a moderate bitterness, this beer is dangerously sessionable, masking its 7.4% ABV with ease and charm. $12 for a 440ml can or $40.99 for a four-pack at Beer Cartel. WAYWARD BREWING CO, FURIOUS GNOME ESB The name alone should be enough to win people over. But coupled with Wayward's reputation as one of Sydney's finest breweries, it's a must-try this season. Furious Gnome pays homage to classic British ESBs like Fuller's and Old Speckled Hen through its caramel and toffee dominated palate, with a biscuity dryness and rounded out by an earthy and ever so lightly spicy hop bitterness at the end. A great malt-accented interpretation of the style — sure to please thirsty expats and newcomers to the style alike. $11.50 for a 640ml bottle at Bucket Boys. MORNINGTON PENINSULA BREWERY, MORNINGTON BROWN ALE A classic English-style brown ale, this moreish brew from Mornington Peninsula Brewery offers an enticing aroma of toffee and dried fruits (think sultanas, raisins and dates) owing to the imported English malts that make up its base. On the palate, expect toffee and chocolate notes with a balanced sweetness and a slightly nutty finish. At 5% ABV, it's perhaps a little stronger than the beers which inspired it, yet is still supremely sessionable and well matched with nutty cheeses like gouda, as well as roasted meats. $3.99 for a 330ml bottle, $23.94 for a six-pack at Dan Murphy's. BRIDGE ROAD BREWERS, CELTIC RED IRISH RED ALE A longtime staple from the old hands at Bridge Road Brewers down in Beechworth, the Celtic red ale is a wonderfully delicate balance of caramel malts with a light roastiness and a dryer finish that you'd expect for the style. Pouring a deep amber, this beer is initially sweet with toffee and burnt sugar notes, followed by a subtle kick of noble hops to bring you back for another sip. At 5.3% ABV, it's a wonderful Aussie interpretation of a true Irish-style red, malty and sweet but wonderfully well balanced. $4.19 for a 330ml bottle or $15.49 for a four-pack at Dan Murphy's. STAVES BREWERY, ARDENNES TABLE BEER BELGIAN PALE ALE Named after a yeast strain sourced from the Ardennes region of Belgium, this delicate and well-balanced beer from the Glebe's charming Staves Brewery is not to be missed. Opening with lightly sour fruity notes, coupled with a gentle spiciness from the yeast, this Belgian-style beer is the perfect brew for when the sun is out, but the wind has an edge to it. The Glebe brewpub also features live music and comedy, whilst owner Steve Drissell is often found manning the taps, ready to share a laugh and his impressive beer knowledge with the punters. Ardennes Table Beer can be purchased in store at Staves Brewery, 4-8 Grose Street, Glebe. BADLANDS BREWERY, DRAUGHTY KILT SCOTCH ALE Scotch ale is a style not often replicated on Aussie shores, yet a handful of flattering imitators of the malt-driven Scottish style exist. And Orange's Badlands Brewery has long been at the forefront. Copper red in colour with toffee and caramel notes and a hint of vanilla giving way to a light burst of candied orange and date, this beer features a restrained bitterness that really allows its rich malty flavours to shine. At 5% ABV it's relatively light for a Scotch ale, but that just means you can enjoy more of it. $11 for a 500ml bottle at Beer Cartel. For alternative stockists in your city, check the breweries' websites. Top image: Frenchies
Heading on holiday, looking for a place to stay, but aren't keen on the usual hotel experience? Thanks to Airbnb and a growing array of similar platforms, finding somewhere different to bunk down is now easier than ever. Whether it's an apartment, a campervan or an architecturally significant home, there's a service for it — and now there's a site that specialises in letting you kip in the luxe digs owned by your friends, or friends of friends. If you've ever visited a pal's place and thought that you'd like to holiday there, or heard stories about a mate of a mate's gorgeous pad in a far-flung spot, Stay One Degree is here to help. It operates like other house-sharing platforms, but puts trust, recommendations from those you know and good ol' fashioned vouching for others at the centre of its transactions. As such, users can only rent from people they already know — such as family, friends or work colleagues — or people who know someone they know. The idea came to founders and friends Thomas Bennett and Jorge Munoz during their own frequent travels. The duo realised something that everyone does at some point during a trip — that, even though there's no place like home, actually staying somewhere that feels like home comes close. After testing out the concept themselves and discovering that only renting from people they were already connected to still took a lot of planning, they decided to start a service that simplified the process, and that anyone could use. After launching at the beginning of 2018, Stay One Degree now boasts hundreds of properties all around the world — including two in Australia and 19 in New Zealand at the time of writing, should you be looking to stay close to home. And, as well as offering travellers the chance to hang out in a friend's ace digs, it obviously also works the other way around — helping folks fill their empty house with someone they know (or someone that someone they know knows) while they're away. For more information, visit Stay One Degree. Image: Stay One Degree.
Last last year, US Tex-Mex chain Taco Bell quietly opened a test store in Annerley, Brisbane. Now, it's planning to rapidly expand across Australia with a slew of new stores. Taco Bell's parent company Collins Foods, which also operates 28 Aussie KFC restaurants and the 13 remaining Sizzler venues, announced last week that after receiving positive feedback from its test store, it would be opening more Taco Bell outposts before the end of the year. Managing Director and CEO Graham Maxwell suggested locals have embraced the brand wholeheartedly. "We are pleased with the acceptance of the Taco Bell brand by Australian consumers," he explained. This is, however, Taco Bell's third attempted foray into the Australian market. The chain tried to launch here in 1981 (and was then taken to court by Sydney store Taco Bell's Casa) and again in 1997 — but both attempts were unsuccessful and the brand withdrew. As part of Collins Foods' expansion, Real Commercial reported that the company would be rebranding its Sizzler restaurants as Taco Bells, as the US fast food giant makes its most-recent attempt at taking on the Aussie market. In the company's end-of-financial-year summary, it reported that its Sizzler restaurants were underperforming and one more had closed. Currently, you'll find 13 Sizzler restaurants across Queensland, Western Australia and New South Wales, though it's unclear how many of these could soon be swapping the salad bar and cheese toast, for burritos and quesadillas.
We all know Britain's iconic red phone booths — they're as British as Queen Lizzie or a chicken tikka curry. So what happens when the service they offer becomes redundant? You turn them into smart phone repair workshops. British phone repair company Lovefone is in the process of renovating 35 phone booths across Britain, transforming them into stations where people can get their smartphones and tablets fixed. The results of their efforts are going to come in very handy after you've drunk a pint too many and dropped your electronic goods into the loo. The revamped booths will also offer free charging stations and wifi, as well as an underfloor safe that protects electronic goods while they await pick-up. A similar but definitely not as cool idea has been in place in Australia for a while, with Telstra equipping their pay phones with routers to give their customers wifi access when they're nearby. Unfortunately, this service is only available to certain Telstra users — but it does pave the way for other networks to run with the idea in the future. Other countries around the globe have come up with their own novel ideas for repurposing phone booths. One phone booth in New York has been revitalised with the addition of shelves, converting it into a library. Citizens donate unwanted texts, with the book exchange working on a honesty-based policy. We're thinking that there has to be a market for this in Australia. Back in the UK, the Red Kiosk Company allows you to rent and run your own business from a phone booth. A number of cafes now lease phone booths as their cafe shopfronts — and one guy even opened up his own phone booth salad store. So take note entrepreneurs: your dreams of opening up your own quirky cafe might be just around the corner, literally.
Whether you're the type of news junkie that's always abreast of current affairs, or you're more familiar with big international events in passing, Italian-made financial thriller Devils should feel familiar. It's set in 2011, in the aftermath of the Global Financial Crisis, and it plunges inside the toxic investment trading and banking world — bringing Guido Maria Brera's 2014 novel I Diavoli to the small screen. Here, Massimo Ruggero (Alessandro Borghi) heads the trading team at a hugely influential investment bank. But when his mentor Dominic Morgan (Patrick Dempsey) promotes one of his colleagues, Massimo is far from happy. That's just the beginning of this slick series' wheeling, dealing, dramas and thrills, with real-life details weaved into its many subplots. And yes, Devils is also the latest series to star the always-watchable Dempsey, if you've been missing his face from your screen.
From architecture to interiors to objects and craft, do you love all things design? Well, we've secured two tickets to the fourth annual DESIGN Canberra so you can indulge your aesthetic desires. Oh, and you'll get use of a BMW for the weekend, so you'll be able to drive out there and around the city in style. Plus, you'll be put up for two nights at Canberra's VIBE hotel, and have a full weekend itinerary scheduled. We'll have you meeting artists, discovering local craft and experiencing some of the best spots in Canberra, including dinner on us. Interested? We thought so. Running November 6–26, DESIGN Canberra is a celebration of our capital as a global city of design. Inspired by the spirit of modernism, the festival brings together Walter Burley and Marion Griffin's visionary design from a century ago, the iconic experimental modernist architecture of the 1950s and '60s and the contemporary and sustainable design developments of today — all coming together in a demonstration of Canberra as a living, breathing design hub. With over 100 (mostly free) events, exhibitions, talks, tours, activations, markets, collaborations, artist studios and open homes in the calendar — phew — DESIGN Canberra is sure to satiate your aesthetic desires this November. The festival offers exciting insight into the talent pool of makers who are working, living and creating in the nation's capital. One of the most intriguing events is Living Rooms, which allows visitors to explore the living rooms of acclaimed Canberra houses. Pop-up design exhibitions with works on sale will be incorporated into the living rooms, so even if you can't buy the house, you can buy the furniture (homewares and jewellery too). Other events include architecture bus tours, design talks, open studios and that's just the tip of this design iceberg. Not only will you win a full VIP itinerary for the weekend, have a Rolfe Classic BMW to drive and two nights accommodation at VIBE Hotel with breakfast included, but you'll also score dinner and wine for two at Canberra's stylish, ethical and eco-friendly Mocan & Green Grout. Mark your calendars and enter your details below for a chance to win. [competition]635856[/competition]
If you're already panicking at the prospect of winter, don't. Make plans to warm up instead — here's one to get you started. On Saturday, May 18, a stack of ace musicians, who've been charting mega hits and touring around the planet in the last year or so, will be converging on Darwin for BASSINTHEGRASS 2019 festival. Now in its 17th year, the one-day shindig is about to hit the northern coast for the first time. More specifically, you'll find it at Mindil Beach, a dreamy stretch of sand just a 20-minute walk from downtown Darwin. In between catching your favourite artists, you can gaze out at the Timor Sea and forget that winter is waiting for you back home, as you soak up bucketloads of Top End sunshine. Before (or afterwards), there are plenty of Darwinian adventures to add to your musical ones — from cuddling crocodiles at Crocosaurus Cove to checking out local Indigenous art at The MAGNT. Check out the full lineup below. BASSINTHEGRASS 2019 All Day Amy Shark Ball Park Music Broods Caiti Baker DZ Deathrays Hermitude Hilltop Hoods Hot Dub Time Machine Karnivool Mallrat Meg Mac Nick Murphy (formerly known as Chet Faker) PNAU Ruel Six60 Tasman Keith The Lunar Society BASSINTHEGRASS 2019 will take place from 11am–11pm on Saturday, May 18. For the full lineup and to purchase tickets, visit the website.
There's an astonishing story at the heart of I, Daniel Blake, the latest film from veteran director Ken Loach, and the winner of the Palme d'Or at this year's Cannes Film Festival. After suffering a heart attack while standing on scaffolding on a building site, the titular character (Dave Johns) seeks government assistance. Alas, despite his doctor's advice that he needs rest to recover, a series of bureaucrats deem him fit to work, and refuse to listen to his pleas about his health. His situation isn't unique; at the local benefits office, he meets a single mother, Katie (Hayley Squires), similarly battling an uncaring system. Exposing the punitive barriers those in need are forced to face when they're looking for help, the movie has been garnering a strong reaction as it travels around the world. However, there's another incredible tale driving I, Daniel Blake. Lead actor Johns is a stand-up comedian who has appeared on British panel TV shows such as Never Mind the Buzzcocks and 8 Out of Ten Cats, and now makes the leap to film to star in his first feature at the age of 59. His is a devastatingly naturalistic performance in a heartbreaking piece of social realist cinema, and one that lingers long after viewing. With I, Daniel Blake releasing in Australian cinemas after playing at the British Film Festival, we chatted with Johns about making his first movie, receiving the script page-by-page as shooting progressed, and the responsibility of making a film that hits so close to home for so many people. ON MAKING THE JUMP FROM STAND-UP TO STARRING IN A KEN LOACH FILM "I was aware of Ken's work — and just to meet Ken, I said to people, friends of mine, 'If I could just get in and do the improv with him, that'd just be a great experience'. So I never dreamt that I would be offered the part. We shot it for ten weeks up in the northeast of England, around the area where I was brought up as a kid. And I remember the first day, I mean, I'd done plays and stuff like that, but I hadn't walked on set and seen the enormity of what I'd taken on. 'Oh my god, I'm the lead of this film,' I remember thinking. 'Oh, have I bitten off too much?' And now people say to me, 'You know, what's it like, your first film?' — and I go 'Well, if it's my first film and it's won the Palme d'Or, I think I've set my bar a little too high'. Now I'm up for best actor at the European Film Awards this year in Poland. I'm up for best actor and best newcomer and the British Independent Film Awards. Variety magazine in America have tipped me as number 20 to win an Oscar behind Jake Gyllenhaal and Colin Farrell, so it is pretty surreal. I think your career should be a bit of an adventure. And if you do one thing in your life that you can be proud of, to be in a Ken Loach film that has made such an impact and won the Palme d'Or, I'm very proud and very honoured to be in this position." ON DISCOVERING THE STORYLINE AS HE WENT "The thing with the way Ken works is he doesn't tell you much about the film. You don't get the full script, you only get a couple of pages each day — and he shoots chronologically, so basically you are thrown into this life where you're just living this life everyday. And you don't really know what's coming until you get the two or three pages of script in the evening that you go away and learn and bring in the next day. I think that's so you don't have that sort of [situation] where you and the other person you're doing the scene with, you can't look at page 26 of the script, and go, 'Oh look, this is our big scene'. Ken doesn't want you to pre-empt what's going to happen. He wants it all to be in the moment. A lot of people think there's a lot of improvisation in Ken's films — I mean all that script is all scripted, it's just that Paul Laverty [Loach's long-time screenwriter] and Ken, they give you the chance to own the words. That's how it comes across. And because he shoots chronologically, and because he has no closed sets — he puts you in real situations — it has that gritty, real feel about it." ON REACTING TRUTHFULLY RATHER THAN ACTING "I think you rely on truth. You rely on your true emotions, and you actually respond truthfully. You don't have any chance to pre-empt how you're going to feel. The first day, Ken said to me on set, 'When you're in scenes with Hayley, when you're in the scene together, if you just listen to each other and you find the truth, it will look like that on the screen'. So that's the notes I got, so I just took that on board. Just basically, like, he would say to me, 'You're getting a phone call today on set'. And I'd go, 'All right, who's it from?' And he'd go, 'You'll find out when you get the phone call'. It's a very fascinating process. It makes you rely more on your gut reaction rather than any technique you might have as an actor, I would imagine. In any of the scenes I had with the kids or the neighbours or with Hayley, I think I was reacting to and responding to how she was playing it to me, you know. I think it was just being honest if something touched you, and then you brought the honest emotion to it. I think that's the only way you can do it when it's like that." ON FORGETTING THAT HE'S MAKING A MOVIE "The way Ken shoots, he doesn't have loads of people on set. There's no makeup touching you up before the scene, there's no checking your costume before every take, it's basically, you leave the unit and that's it. And basically, if we were in my flat, it'd just be the camera in the corner of the room — he never tells you what lens he's got on the camera, so you don't know how close the shot is. And there were times when in scenes I forgot I was in a film, really. I was just reacting to what Katie, the character, was telling us. And that was a pretty amazing feeling, when there were times when you forgot you were making a film and you were just talking with this person." ON THE REALITY BEHIND THE FILM "The first thing Ken said to me when we did preparations — I had to learn how to carve the wooden fish, did a little woodwork course, just a couple of days — and then he said to me, 'Fill that 52 page assessment form in.' And I was like, 'What?' And I came back and went, 'I can't do this, this is insane'. And then it got me thinking, imagine if you were sick, and you had to fill that in, and if you filled it in wrong. And so it was revealed to me how unjust the system is. And I think it is because it is a system that is spread by this austerity which has been played around the world. I mean, every film festival — I took the summer off to go to film festivals with this — and at every film festival I went, at Locarno in Switzerland, in Spain, in Italy, in Slovakia, everywhere we went with this film, people came up afterwards and said 'This is happening in our country as well'. Because of the big banking crash and because of the finances, the way globalisation is going, you see the poorest and the less able are taking the biggest burden. And that's what's happening with the welfare system. I think they've lost sight of the person and they are just trying to save money, and it is bureaucracy, and it is outsourced to a company, and these questions are insane." ON THE RESPONSIBILITY OF PLAYING A PART THAT HITS SO CLOSE TO HOME FOR SO MANY PEOPLE "You can't just do this film and go, 'Well, that's it, I'm done.' You go on and you do other work, but you still come back to it because you do feel a responsibility to it. I mean, I spoke at the Labor party conference this year — I've never done that in my life before, you know. So I do feel a bit that we have to see this film through, you know, and I don't think it is the sort of film that is going to go away. I think it's going to change things, because people here are angry, and people in America. People have said it will speak to the working poor who're in America. And it has already been mentioned in the House of Commons here by the opposition to Theresa May, so it is having an effect. I'm very pleased for Ken and for Paul, who, you know, thank the heavens that we have people like Paul Laverty and Ken Loach who are still making films that give a voice to people who don't have one." I, Daniel Blake is now screening in Australian cinemas. You can read our review here.
Applejack Hospitality, the restaurant group behind beloved venues like The Butler and Forrester's is opening an expansive new venue on Mount Street in North Sydney this Thursday, September 29. Boasting a capacity of 300 people, RAFI is set to deliver a new after-work and weekend go-to for the North Sydney business district with multiple weather-proof indoor and al fresco areas. Some of the many different spaces across RAFI will include a semi-al fresco glasshouse coined The Arbor which will be connected to the large indoor dining room with a geometric island bar, stocked up and ready to make a variety of bright cocktails or a cup of coffee. There's also a chef's kitchen which will host a variety of intimate dining experiences led by Head Chef Matias Cilloniz, plus a greenery-filled outdoor terrace placed in the centre of the North Sydney highrises. Highlights of RAFIs fit-out include floor-to-ceiling windows and marble mosaics within the floors. The bar stools are adorned with fabric designed by Walmajarri Aboriginal artist Jimmy Pike who has drawn from outback Australian flora and fauna in their design. "We set out to create a space that was youthful and playful. Drawing inspiration from exuberant colours and patterns, our design reflects Applejack's energy and warmth," lead designer and longtime Applejack collaborator Luchetti Krelle said. Outside, cosy pastel tones are replaced with bright summery designs. The Arbour's terrace features a European-inspired design based around striped fabric banquettes, coloured umbrellas, private outdoor gazebos and plenty of greenery. Food-wise the menu will be driven by local seafood and fresh veggies cooked over the kitchen's charcoal grill. Tuna paired with tahini and chilli oil, grilled lobster, crispy lamb ribs, honey- and chilli-infused eggplant, and scallops accompanied by pickled turnip, wasabi and ponzu are just a few of the inventive dishes slated for the menu. "Our food is meant to surprise and nourish with simple dishes creatively combined to be as tasty, nutritious, and sustainable as possible," said Cilloniz, who has arrived in Sydney from Peru to head up RAFI's kitchen. "Our team is focused on delivering an amazing experience starting at sourcing our produce with care to pouring a glass of wine, honouring the produce, the producers, and our team, while our guests enjoy themselves." Bookings for the multi-faceted venue are now open. Whether you're looking for a North Shore catch-up on the terrace, a chef's table banquet or a private function area, there's a spot for you at RAFI. "With RAFI we want to put North Sydney back on the centre stage, with a world-class restaurant in a setting to match," co-owner Ben Carroll says. "We want to make this venue a place where visitors, corporates and the local community can come together and feel that connection in a warm and welcoming space." RAFI is located at 99 Mount Street, North Sydney. From Thursday, September 29, it'll be open from midday to midnight, Monday–Saturday. Images: Steven Woodburn
Australia is certainly not wanting for exceptional food and drink regions — and epic festivals that show them off. But one area that has flown under the radar for much too long is the Sunshine Coast. And it's high time we celebrated all of the culinary goodness that's being served up north. That's exactly what's on the docket when The Curated Plate launches its inaugural season on Thursday, August 8. Across four days, the brand new food and drink festival will see the region's best chefs and producers joined by Australian and international industry legends in a series of long lunches, degustations, food markets, tours and much more. The region's multifaceted ecosystem and rich volcanic soil makes its produce some of the best in the country — and that produce will be on display like never before. Here are our picks for the five happenings that you just cannot miss. [caption id="attachment_712502" align="alignnone" width="1920"] Matt Stone, Oakridge Wines[/caption] AUGUST 9: WILD FORAGE DINING The Sunshine Coast's bountiful native produce is centre stage for Wild Forage Dining — an intimate beachside dinner that will bring together three chefs for an evening of sustainable eating. The four-course feast includes wine pairings and a one-of-a-kind experience to boot. The lavish four-hour dinner is hosted by some seriously heavy-hitting chefs starting with special guest Zaiyu Hasegawa, who runs Toyko's two Michelin-starred restaurant Den (which was awarded the number two spot on Asia's 50 Best Restaurants 2018). Cooking alongside Hasegawa is Sydney's hatted Chase Kojima (Sokyo) and Matt Stone, who is currently the executive chef of Yarra Valley's hatted Oakridge Wines. Tapping into a big culinary trend, and showcasing some the region's best wild ingredients, the trio will go foraging, then let the local produce that they gather dictate the menu on the night. Wild Forage Dining will take place at Mooloolaba Beach from 5.30–9.30pm on Friday, August 9. Tickets cost $350 per person and can be purchased here. [caption id="attachment_712503" align="alignnone" width="1920"] Dan Jarrett, Spicers Den[/caption] AUGUST 10: SPICERS DEN If you miss out on the Wild Forage dinner — or just can't get enough of Michelin-star chef Zaiyu Hasegawa's cooking — you have another chance to taste his famed kaiseki-style (multi-course haute cuisine) at Spicers Tamarind Retreat in Maleny. For this dinner, Hasegawa is teaming up with executive chef Daniel Jarrett at the exquisite hinterland restaurant within Spicers Tamarind Retreat. The duo will be joined by Gelato Messina's Donato Toce, and together they'll whip up a five-course degustation. Each dish will be based around 'hyper-local' seasonal fruits and vegetables and paired with a locally produced wine. Spicers Den will take place from 6.30pm–9pm on Saturday, August 10. Tickets cost $290 and can be purchased here. And, if you just can't bear to leave your luxurious surrounds, Spicers is also offering special villa accommodation packages during the festival. [caption id="attachment_712505" align="alignnone" width="4932"] Troy Rhoades-Brown, Muse Dining[/caption] AUGUST 8: SEASONAL STARS Seasonal fare will be on full display at Mooloolaba Beach when one of the world's finest chefs comes to town for Seasonal Stars. Lauded chef Raymond Blanc OBE runs the highly acclaimed Belmond Le Manoir aux Quat'Saisons in Oxford, UK, which has retained its two-Michelin stars for a whopping 34 years. As a result, Blanc is one of the most respected chefs in the UK, having also been appointed an honorary Order of the British Empire (OBE), which recognises his services to the British food industry. Joining this show-stopping chef in the kitchen is some serious Australian talent — namely Sunshine Coast's own Alejandro Cancino (Lola's Pantry, ex-Urbane) and Hunter Valley's Troy Rhoades-Brown (Muse Dining). All three chefs are known for their commitment to regional and seasonal produce, hence the event's name. Together, they will dish up a decadent four-course dinner with an oyster amuse-bouche and matched wines, too. Seasonal Stars will take place on Mooloolaba Beach at 5.30pm on Thursday, August 8. Tickets cost $350 per person and can be purchased here. AUGUST 9–11: THE FOOD FAIR AT BLACK SWAN PARK Maroochydore's Black Swan Park will be taken over by an abundance of culinary delights for three days straight during The Curated Plate festival. The Food Fair will offer up the best local produce in the region, with the Sunshine Coast's makers and producers in tow for a chat, too. Eat your way through pop-up restaurants, tastings and food workshops. There'll also be roving entertainers aplenty expected across the weekend. For more information, keep an eye on this space, as the full lineup will be announced in early May. The Food Fair will run from 4pm–late on Friday, August 9 and Saturday, August 10, and from 12.30–9.30pm on Sunday, August 11. Entry is free as long as you pre-register. Pre-registration will open in May. AUGUST 8–11: THE BEACH CINEMA Moffat Beach's Eleanor Shipley Park will get its own Curated Plate treatment as a beach cinema pops up nightly across the festival period. This al fresco cinema will, of course, be food-themed, with specialty burgers, brews and even Gelato Messina on offer — the gelateria is collaborating with local producers on exclusive sweets for the candy bar. Plus, you'll have the added benefit of enjoying the breathtaking sunset views across the ocean. The film lineup and food menu are due to be announced in May — keep an eye out to be the first to snag seats. The Curated Plate will take place on the Sunshine Coast from Thursday, August 8 to Sunday, August 11. Tickets are on sale now. For the full program and to register, head here. Top Image: Troy Rhoades-Brown, Muse Dining
While he's never been a traditional leading man, actor Crispin Glover is one of Hollywood's most recognisable faces. With a host of famous roles behind him, including the Thin Man in Charlie's Angels: Full Throttle and George McFly in Back to the Future, he's earned himself quite the cult following. On Friday July 20 and Sunday July 21, Glover will join with Chauvel cinema for a two-part performance of his Big Slide Show — one-hour narrations of eight copiously illustrated books, the images from which will be projected behind him during these dramatic readings. They'll be followed by screenings of films he's produced. Whether you're a fan of this grossly underappreciated treasure or a lover of all things wacky, this is not to be missed.
Homebrewers and beer lovers in Perth have a new local playground for their craft. Brew U: Brew University is taking the existing brew-on-premises model and gearing it toward craft beer enthusiasts, giving locals the ability to brew beer that is actually tasty while digging deeper into the science behind the process. If you're not familiar with the model, a brew-on-premises facility allows novices to bulk brew their own beer on the cheap. It saves money (when you compare it to buying retail) and avoids the bloody mess of doing it at home in the garage. Brew U is just taking this concept to the next level. The whole thing has been started by six Perth locals and aspiring brewers: Jon Stockey, Jenna Lippert, Eliza Stockey, John Lewis, Richard Allen and Lisa Allen. Together, they're offering much more than your typical extract brewing facility — which is most likely the method your mate used to make that nasty home brew, which you then vowed to never drink again. Instead, Brew U provides patrons with the added opportunity to try out grain brewing (just like professional brewers) and use rare yeast strains in their beer, all from a customised menu. The brewing menu uses fresh, local and high quality ingredients and includes specialty brews like a sour cherry Berliner Weisse, an India pale lager (IPL) and a New England-style IPA. As well as beer, the facility also allows for the production of cider and ginger beers. The space is inspired by US microbreweries, with the refurbished venue taking on an American varsity theme using chain-link fencing, ivy vines, school lockers, park benches and AstroTurf, along with a 30-metre custom mural by artists Steve Browne and Jerome Davenport. Apart from the brewing bit, the space will host beer education classes and seminars with local brewers, kegerator sales, keg hire and custom installations. The team also has its own microbrewery in the works with a full-on site production facility, bar with indoor beer garden and packaged products planned for the near future. Brew U is now open at 3–176 Bannister Road, Canningvale, Perth. It's open 3.30–7.30pm Monday to Friday, 8am–5pm Saturday 10am–5pm Sunday. For more info, visit the Facebook page.
First, the 80s-set tale of Vivian meeting Edward fuelled a big-screen box-office smash. Next, Pretty Woman took the screen-to-stage leap, premiering on Broadway in 2018. Australia has been waiting to see the theatre production ever since — a delay that'll finally be over in 2025. Even better: after initially announcing its Aussie-debut season in Brisbane from October, Pretty Woman: The Musical is now extending its run, heading to Theatre Royal Sydney from November. Yes, that means getting a specific song stuck in your head. Whenever 90s rom-com Pretty Woman comes to mind, Roy Orbison's song likely does as well. That said, when the musical based on the hit flick arrives in the Harbour City for the first time, you'll be getting Bryan Adams tunes lodged in your brain, too. The Canadian singer-songwriter helped bring the Julia Roberts (Leave the World Behind)- and Richard Gere (The Agency)-starring film to the stage, penning the music and lyrics for the show. If you've seen the film, you'll know the story, as an escort and a corporate raider fall in love — and you'll also know that it made Roberts a star, complete with a Golden Globe win, plus her first Best Actress Oscar nomination. Alongside America's most-famous theatre district, where it broke records at the Nederlander Theatre, Pretty Woman: The Musical has graced the stage in London's West End, plus Spain, Italy, Poland and Germany. Also just announced: that Samantha Jade, who stepped into Kylie Minogue's shoes in 2024 TV miniseries Never Tear Us Apart: The Untold Story of INXS — opposite Scrublands' Luke Arnold as Michael Hutchence — will be playing Vivian in Brisbane and Sydney. "We knew from the first time Samantha auditioned that not offering her the role of Vivian would be a big mistake. Big. Huge! Her voice perfectly suits Bryan Adams' iconic score and I know Australian audiences will fall in love with her when she makes her debut at QPAC in October," said Suzanne Jones of JONES Theatrical Group. "This is a dream role for me. Such a beloved film that is a favourite of so many worldwide and I'm delighted to be able to originate the role for Australian audiences," added Samantha Jade. There's no word yet who else will be among the local cast, so who'll be following in Gere's footsteps, too — and Laura San Giacomo (NCIS) and Hector Elizondo's (Mr Monk's Last Case: A Monk Movie) as well. Whether Pretty Woman: The Musical will head to other Australian stops beyond the Queensland and New South Wales capitals also hasn't yet been revealed. Behind the curtain, Adams worked with his songwriting partner Jim Vallance, who he wrote 'Summer of '69', 'Run to You', 'Cuts Like a Knife' and 'Heaven' with, on the music and lyrics. Late filmmaker Garry Marshall (Mother's Day), who directed the Pretty Woman movie — plus Roberts and Gere's on-screen reunion in 1999 in Runaway Bride — penned the book with the OG flick's screenwriter JF Lawnton (Yellow River Christmas). Pretty Woman: The Musical Australian Dates From Sunday, October 5, 2025 — Lyric Theatre, QPAC, Brisbane From November 2025 (exact dates still to be announced) — Theatre Royal Sydney, Sydney Pretty Woman: The Musical will play the Theatre Royal Sydney, 108 King Street, Sydney, from November 2025 — head to the production's website for more details and to sign up for the ticket waitlist. Images: UK tour, Marc Brenner.
It was the early 1950s when the world got its first glimpse of Andrew Geller's holiday home designs. On the beach and full of light, Geller's unique homes were created to serve one purpose: an escape. Nicknamed 'the architect of happiness', Geller left behind a legacy of beautiful beach-dwelling designs. Holiday houses hold a special place in the heart of peace-seekers and sun-worshippers. Andrew Geller dedicated most of his career to making that place of relaxation and sunshine just right. His homes are considered modest but distinctive. Popping out of dune grass in interesting wooden shapes, Geller's work reflects his creativity and desire to create useful designs. Many of his designs have fallen victim to reconstruction and the test of time. And though he passed recently, Geller's iconic designs live on through memories and photographs of homes once filled with laugher and sandy feet.
Air out that mouldy tent, start rounding up the GoPros, Falls Festival have announced their 2014 lineup. With Byron now extended to a four-day program, Falls Festival is returning to its three sites (Lorne, Marion Bay and North Byron Parklands) for its annual New Year's Eve hootenanny. So who's on the bill? Returning with a Mercury Prize and a million debut album copies sold under their belt, Leeds foursome Alt-J are sure to be one of the packed sets this year. Scandinavian super besties Röyksopp and Robyn are locked in for an epic two hour set of combined releases. There'll be ass everywhere with the presence of the unmissable Big Freedia. The sublimely talented SBTRKT is set to play a huge live set (one of Laneway Festival's best sets to memory), while the formidable Jamie XX will keep the basslines well up in grill. Fresh from Glastonbury, George Ezra is set to be one of the festival highlights, with the debut set from the legendary Todd Terje, house monarchs Tensnake, Sydney trio Movement and San Francisco's Tycho sure to send everyone on a synthy, beats-fuelled odyssey. Altanta's favourite 'flower punk' band The Black Lips are in. Confirmed after a leak in Cleo, UK's Glass Animals are confirmed to get sultry. Festival favourites Cold War Kids return with their latest album's material (and a few oldies), while Australia's own ARIA-winners The Temper Trap return to the live circuit with material from their upcoming third record. Rap fans have some gleeful squealing to get to, with Brooklyn's Pro Era whiz Joey Bada$$, Killer Mike and El-P's Fool's Gold super-collab Run the Jewels, Melbourne's own Remi locked in. 'Stolen Dance' fans will have plenty to jig about with the first Australian tour of Milky Chance, Sydney's Bluejuice are playing their last round, London's Wolf Alice are sure to generate some buzz, and Canberran trio SAFIA are also buzzworthy inclusions. There's a few Splendour returns: Britpop-loving Sydney dudes DMAs, newbie hip hop firecracker Tkay Maidza, Sydney dance legends The Presets, electronic whiz kid The Kite String Tangle, returning rock heavyweights Spiderbait, singalong starters Sticky Fingers and Riptider Vance Joy. Falls will also see a kickass 'Boogie Nights' program featuring none other than the ever-kickass hip hop legends Salt n Pepa, Melbourne's best-dressed duo Client Liaison, Sydney partystarter Alison Wonderland and Canada's Badbadnotgood. THE FALLS MUSIC & ARTS FESTIVAL 2014 LINEUP (IN ALPHABETICAL ORDER): ALT-J BIG FREEDIA THE BLACK LIPS BLUEJUICE COLD WAR KIDS DMAs GLASS ANIMALS GEORGE EZRA JAGWAR MA JAMIE XX JOEY BADA$$ JOHN BUTLER TRIO KIM CHURCHILL THE KITE STRING TANGLE MILKY CHANCE MOVEMENT THE PRESETS REMI RÖYKSOPP & ROBYN RUN THE JEWELS SAFIA SBTRKT (LIVE) >SPIDERBAIT STICKY FINGERS THE TEMPER TRAP TENSNAKE TKAY MAIDZA TODD TERJE (LIVE) TYCHO VANCE JOY WOLF ALICE + MORE TO BE ANNOUNCED. BOOGIE NIGHTS LINEUP (DEC 28 LORNE, DEC 29 MARION BAY, DEC 31 BYRON): ALISON WONDERLAND BADBADNOTGOOD CLIENT LIAISON SALT N PEPA + MORE. EVENTS: Dec 28, 2014 to Jan 1, 2015 in Lorne, VIC (est. 1993) 18+ event Dec 29, 2014 to Jan 1, 2015 in Marion Bay, TAS (est. 2003) All ages Dec 30, 2014 to Jan 3, 2015 in Byron Bay, NSW (est. 2013) 18+ event The ticket ballot is now open via the festival’s website and will be closing on Monday August 25. Enter the ballot here. Most of the event tickets are allocated to sales through the ballot process, starting at 9am on Thursday August 28; however, for those who miss out, there will also be a small allocation of tickets set aside for general public sales starting at 9am on Wednesday September 03. Image: Paul Smith
If Victoria has its way, it'll become home to a 900-kilometre hot springs trail, attracting travellers from near and far to hit up its bathing spots. But the state isn't the only place for a soak around Australia, including if you're keen to get off the beaten path. Indeed, come winter 2023, outback Queensland's Cunnamulla is set to join everyone's must-visit list if you're keen to take a dip in its new artesian hot springs. Set to open in June, and in the works since 2018, this new spot for a blissful bathing session will feature seven pools on the banks of the Warrego River. Each will sport different temperatures, so you can get steamy, opt for a stint in the chilled plunge pool or both. As part of a state-of-the-art complex, there'll also be therapeutic activities on offer — and river views and ample natural surroundings. [caption id="attachment_892757" align="alignnone" width="1920"] Image is an artist render only.[/caption] Cunnamulla Hot Springs' pools will be filled with mineral and vitamin-rich artesian water, which means that the hot spots for a dip will feature H20 naturally warmed from the Artesian Basin. Learning about the latter around your soak is also set to be part of the experience — relaxing your body and feeding your mind at the same time. When it starts welcoming in patrons — with an exact date yet to be announced — Cunnamulla Hot Springs will be a highlight on the just-unveiled Outback Queensland Traveller's Guide, which is filled with things to do inland in the Sunshine State. Queensland isn't just about beaches, rainforests and the tropics, even if that's what it's best known for. So, Cunnamulla Hot Springs joins everything from starlight river cruises in Longreach and Winton's Australia Age of Dinosaurs Museum through to the Southwest Queensland Indigenous Cultural Trail and a heap of national parks. [caption id="attachment_844043" align="alignnone" width="1920"] Mark Gillow (Flickr)[/caption] The Outback Queensland Traveller's Guide also features other outback spas and baths, including in Julia Creek, Bedourie, Quilpie, Mitchell and Yowah. If you're now planning a trip to Cunnamulla, it's around a nine-hour drive west from Brisbane, with flights via Rex, and also boasts an outback river lights festival; the Artesian Time Tunnel, which explores the Artesian Basin's history; and safari-style glamping — among other attractions. [caption id="attachment_841311" align="alignnone" width="1920"] Cunnamulla Cultural Walk, Tourism and Events Queensland[/caption] Cunnamulla Hot Springs will open in Cunnamulla in June 2023. For further information about outback Queensland getaways and attractions, head to the Outback Queensland website. Top image: image is an artist render only. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Hell hath no fury like a Netflix user with a dodgy internet connection trying to watch the end of Stranger Things. Presumably Netflix has felt the wrath of this fury, and has today introduced a new feature that will allow Netflix subscribers to download selected TV shows and movies to their mobile devices to watch offline. Just like Spotify's download button, Netflix's new feature will let users download shows to their mobile device through their iOS or Android app. It won't cost anything extra — you just need to update your Netflix app. The new feature will certainly help make long-haul flights and train trips a little less painful, and be super useful for people who live in countries where mobile internet is limited or expensive. If you already use the Netflix mobile app, it'll probably save you some dollars too as you can subtly download entire seasons on your work's Wi-Fi. However not every show will be able to be downloaded straight away — to start, it'll just be Orange is The New Black, Narcos and The Crown.
By the end of the year, George Street won’t be quite so far from the wild as it currently seems to be (the natural wild, that is; not the post-10pm on a Saturday night kind). Top-notch chef Mark Best (of Marque, Surry Hills) is bringing Sydney dining back to nature with the opening of a second incarnation of his lauded Melbourne bistro Pei Modern. Set to occupy the ground of the Four Seasons Hotel from October 15, the restaurant will specialise in what Best, in his customary whimsical fashion, has dubbed 'primal modern'. In other words, committed to locally-sourced, high quality seasonal produce and wines that ooze regionality. "I'm incredibly excited to open Pei Modern in an iconic location of my beautiful home town," Best says. "Pei Modern Sydney will respond to the local environment, location, customer and produce. I'm excited to get into this amazing kitchen and cook from the wood fired grill and oven." The concept’s inspiration lies in the principles of French bistronomie — a combination of bistro and gastronomy, which is all the rage in Paris right now. Celebrated chefs (on top of running their Michelin-starred restaurants) transplant some of their best dishes to a smaller, simpler location, where the vibe and the price tag are much humbler but the food is no less exorbitantly tasty. Since opening in Melbourne in 2012, the original Pei Modern has been attracting excellent reviews; in 2013 the eatery won The Age Best New Restaurant Award. Best is bringing his prize-winning team with him to Sydney, including chef Matt Germanchis, who’ll be permanently relocating, and maître d’ Ainslie Lubbock, who’ll get the service wheels turning before heading home. A few signature dishes will make the trip, too, beginning with that sauternes custard and Jerusalem artichoke with duck egg and truffle. Before their arrival, architect Helen Rice will be taking care of the interior transformation. In 2012, the space became home to The Woods, the brainchild of Hamish Ingham (of Bar H, Surry Hills), but his partnership with Four Seasons lasted only twelve months. Pei Modern Sydney will open for lunch, Monday to Friday, with both sit-down and 'Eat.Pei.Quick' (that’s two courses plus coffee, served express for $35) options on offer. Dinner will be served Monday to Saturday.
Checking into holiday accommodation, scouring every inch of your new home away from home and savouring your temporary scenic sights is part of everyone's vacation ritual — and most of us have the photos to prove it. And, while the jaw-dropping sensation that stems from peering over a beachside balcony is all well and great, it's certain to pale in comparison to the feeling you get when you stay in a volcano. At Wilderness Safari's Bisate Lodge in the Volcanoes National Park in Rwanda, visitors can check into one of six thatched forest villas that are located within a volcano, and near even more towering peaks. Lava won't be flowing in the accommodation, of course, with the cosy dens built within the amphitheatre of an eroded volcanic cone. For those after some fiery action, the Bisoke volcano lurks close by, with the site featuring views towards the active land rupture, as well as of the inactive Karisimbi and dormant Mikeno mountains. With the individual lodges fitted out with luxurious furnishings, huge fireplaces and private decks, the 42-hectare site doesn't just offer volcanic thrills, but forms part of an eco-minded trip. Bisate acts as a base for tourists keen to enjoy a gorilla conservation experience, which includes morning treks to view the creatures, tree planting in the massive reforestation nursery, nature walks and more. Unsurprisingly, holing up here for a night or several doesn't come cheap, starting at around AU$1400 per night. Images: Wilderness Safaris.
Whether you're staycationing, vacationing or travelling for work, there are many reasons to pick a particular hotel over others — and how your temporary home away from home looks is right up there. Do you covet open, airy and minimalistic spaces? Sleek lines aplenty? The kind of modern elegance that catches your eye, but still looks functional? That's the remit of design-driven Marriott brand AC Hotels, which has just made its way to Australia. Despite launching in 1999 — first in Spain under hotelier Antonio Catalan, then teaming up with Marriott in 2011 — the chain hadn't yet set up shop Down Under. Now, its sleek-looking first Aussie site is open for business at Southbank in Melbourne. Featuring 205 rooms within a sculptural tower that's marked by its geometric glass façade (and, by night, its shining LED lights), the new spot joins the brand's 195-plus hotels in more than 27 countries and territories worldwide. Popping up against the Fishermans Bend skyline, the towering exterior hails from DKO Architecture in collaboration with Capital Alliance — and views, both over the Melbourne CBD and the Yarra, are a big drawcard for guests. As for where patrons will be slumbering, accommodation options span both rooms and suites, all decked out in neutral tones and boasting streamlined (but not restrained) design. Think: greys, whites and natural hues, stone tiling, textured timber floors, metal detailing, open closets and integrated bathrooms. The inspiration: the brand's Spanish heritage, and also South Melbourne's industrial warehousing. Also, some rooms are pet-friendly — as long as your pooch is under 20 kilograms. Part of the just-launched spot as well: co-working space AC Lounge, which'll also serve tapas at night; restaurant Sorolla, with an open kitchen for chef-watching while you eat; and Triana Bar, which goes heavy on soaking in the scenery. Drinks-wise, there's also a gin and tonic experience — a speciality cocktail that is served in a custom glass by sculptural glass artist Adam Walmon, and has "been scientifically developed to heighten the taste, aroma and palate experience for the drinker" — which is available in all of the hotel's dining and bar spaces. For sips by the infinity pool — which runs the width of the building — head to Bar de Buceo. As well as drinks, it does al fresco dining. And, the usual range of hotel amenities are covered, too, including a 24-hour fitness centre, plus a meeting and event space. Find AC Hotel Melbourne Southbank at 201 Normanby Road, Southbank. For more information, or to make a booking, head to the hotel's website.
While those clever kids at Apple may one day run out of ideas, that doesn't look like it's happening anytime soon. The world's first trillion dollar company is clearly putting all that money to good use, unveiling its latest iPhone creations in California overnight. As always, it has upped the ante, dropping three new phones with a stack of bells and whistles that render your old iPhone X instantly uncool. As well as producing its biggest iPhone screen yet, Apple's ramped up the facial ID tech, unveiled an all-new Liquid Retina display and even engineered a fancy-pants dual camera system. Here are eight details about the new iPhone XS (pronounced 'ten ess') in dot point form that you can use for prime water cooler convo at work today. IT HAS THE LARGEST DISPLAY OF ANY IPHONE, EVER While the iPhone XS' screen clocks in at a pretty healthy 5.8 inches, the XS Max takes the cake with a 6.5-inch display — the biggest ever on an iPhone model. Basically, it makes your iPhone 8 look tiny by comparison. Team that with the highest pixel density of any Apple device and colour density to rival all other brands, and you've got yourself some pretty good on-phone video viewing. THERE'S A SWAG OF NEW COLOURS TO CHOOSE FROM That's right, folks — things are getting extra colourful in Apple town. Alongside the usual black and white, the XR (more on what this is later) is also available in bright blue, yellow, red and coral. The iPhone XS and XS Max keep things a little tamer, in space grey, silver and Apple's first plain gold-hued edition. IT'S SERIOUSLY TOUGH , WITH THE MOST DURABLE GLASS EVER DEVELOPED FOR A SMARTPHONE If broken phone screens are the bane of your existence, then the new iPhone XR was pretty much made for you. Boasting the most durable front glass display ever seen in any smartphone, it's precision-fitted, water-resistant up to one metre for 30 minutes, and laughs in the face of those coffee spills. IT HAS PORTRAIT MODE ON THE BACK AND FRONT CAMERAS Get ready to take your selfie game to a whole new level, with the iPhone XS' super high-tech dual camera system. This beauty has portrait mode on both the back camera and the front true-depth camera, with both enabling facial detection and landmarking. What's more, new technology means you can now adjust your snap's depth of field after the photo's taken. FACE ID IS HEAPS FASTER Now that we've all gotten used to the idea of unlocking our phones with only our eyeballs, Apple's honed its original Face ID technology, apparently making it faster and easier to use. A swag of new tech has made it even more secure, too, while advanced machine learning means it's smart enough to recognise changes to your appearance. IT TAKES LONGER TO DIE In excellent news for those fed up with lugging a charger everywhere they go, the iPhone XS Max is kitted out with iPhone's biggest battery ever, offering up to 90 minutes more battery life than any other phone you've had. IT'S REALLY REALLY PRICEY While the points above all sound great, they do, the whiz-bang new XS is gonna set you back a few dollaroos — 1629 dollaroos to be exact. Well, that's the starting price. The cool $1629 will get you a phone with 64GB, but f you want 512GB, you'll need to drop $2199. [caption id="attachment_688269" align="alignnone" width="1920"] iPhone XR[/caption] BUT APPLE HAS ALSO RELEASED A NEW AND CHEAPER OPTION It's called the iPhone XR, and in terms of size, it's in between the X and XS, but it's cheaper — $1229 — because it has a single rear camera, an aluminium frame and LCD screen. As mentioned above, it's also available in a heap more colours: white, black, blue, yellow, coral and red. If you this one, though, you'll need to wait a tad longer — it won't be available until October 26. The iPhone XS will be available from September 21, and keen beans can pre-order from September 14 here.
Bored, retired American goth rock star Cheyenne (Sean Penn) is living in an enormous mansion in Dublin with his carefree wife of 35 years, Jane (Frances McDormand). When he learns of the death of his estranged father, Cheyenne returns to America, at which time he begins to find out information about himself and his family that he never knew. When asked about his father things begin to unravel. Cheyenne is told a story of an SS Officer who humiliated his father in Auschwitz, and who may still be living in America. This is where Cheyenne embarks on a journey across his homeland, now foreign to him, on an expedition of reconciliation where encounters with people and situations allow him to find himself. With a nod to The Cure's Robert Smith, Penn plays the complex character of Cheyenne as softly spoken and kind in a convincing and unique performance. The film draws charm and originality to the forefront with a stunning cast and compelling storyline, not to mention a remarkable soundtrack with music and lyrics by David Byrne and Will Oldham. This Must Be The Place is in cinemas April 5. You can read our full review here. To win one of ten double passes to see This Must Be The Place, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au
Three months have passed in 2023, but Marvel fans have only enjoyed one chance to get their caped-crusader fix so far. The ever-sprawling Marvel Cinematic Universe is reportedly set to keep spreading at a slower rate from now on, in fact; however, both Guardians of the Galaxy Vol. 3 and Secret Invasion are on their way — and soon. The latter joins the MCU's small-screen slate, alongside WandaVision, The Falcon and the Winter Soldier, Loki, Hawkeye, Moon Knight, Ms Marvel and She-Hulk. The focus: Samuel L Jackson's Nick Fury. The Director of SHIELD and creator of the Avengers Initiative acted as the connective tissue between most of the big-screen franchise's early instalments — if Jackson didn't show up in a Marvel movie back then, was it really a Marvel movie? — but it's taken 15 years since first appearing in the post-credits scene of the original Iron Man for him to gain the spotlight in his own adventure. Secret Invasion itself has been in the works for some time, after first being announced back in 2020, and also dropping a debut trailer in 2022. Now, it finally has a release date: Wednesday, June 21. Mark your diaries, then get excited by checking out the show's latest trailer, which goes heavy on the looming war. The six-episode show will reteam with Fury as a battle is imminent with the shapeshifting Skrulls, Maria Hill (Cobie Smulders, How I Met Your Mother) keeps asking help and his popularity within the MCU is waning. Plenty of other familiar faces pop up, too: Australia's own Ben Mendelsohn (Cyrano) returning as Talos after Captain Marvel and Spider-Man: Far From Home, Don Cheadle (The Wonder Years) as War Machine and Martin Freeman (Breeders) as the CIA's Everett Ross. Will their characters really show up? Or will we really be seeing Skrull impersonators? Obviously, that'll only be answered when Secret Invasion arrives. Because every actor ever has to fit into the MCU at some point, the above cast is joined by a few other huge names as well: Olivia Colman (Empire of Light), Emilia Clarke (Last Christmas) and Kingsley Ben-Adir (One Night in Miami). The story clearly ties into Captain Marvel, which is proving a launching pad for more than a few recent and upcoming MCU chapters, such as streaming's Ms Marvel and big-screen release The Marvels — which teams up Captain Marvel (Brie Larson, Just Mercy), Ms Marvel (Iman Vellani) and WandaVision's Monica Rambeau (Teyonah Parris, Candyman), and also arrives this year, in November. Fury, and therefore Jackson, did appear in two episodes of the Agents of SHIELD TV show in 2013 and 2014, so this isn't the character's first small-screen outing. Behind the scenes, Kyle Bradstreet (Mr Robot) created Secret Invasion, and writes and executive produces. Check out the latest trailer for Secret Invasion below: Secret Invasion will stream via Disney+ from Wednesday, June 21. Images: Photo courtesy of Marvel Studios. © 2022 MARVEL.
When politicians start talking about public transport again, it's safe to say a state election is in the works. And, while the usual spiel is about the benefits of Myki (lol) and the inherent evilness of fare evaders, this morning's announcement is actually something to get excited about. Premier Denis Napthine today announced that if re-elected in November, his government will make trams in the CBD free of charge, and all zone 2 tickets will be capped at zone 1 prices. Better yet, Opposition leader Daniel Andrews backed the move, stating that if Labor takes office, the proposed changes will go ahead as planned. In conclusion, no matter who you vote for, this is actually happening. The changes are especially welcome news for commuters in the outer suburbs whose ticket prices will be dropping by $4.96 a day, equating to savings of around $1,200 per year. This will undoubtedly make a big difference to those struggling to keep up with Melbourne's rising cost of living — we are now ranked as the sixth most expensive city in the world. The news of free trams is even more explosive. No longer do you need to watch your back while hitching a ride from the State Library to Fed Square (seriously, I once got a $212 fine for this three-block trip); trams in both the CBD grid and Docklands will be unpoliced and free to ride from January 1. The free area will include everything between Flinders Street, La Trobe Street, and Spring Street with the added inclusion of Queen Victoria Markets. However, once you pass these zones you will have to touch on (and I'm sure the likeable folks of Public Transport Victoria will be waiting with open arms). Though the move will cost the state government upwards of $100 million, it's a win for a number of reasons. Firstly, it will ease congestion and speed up CBD travel with no one incessantly tapping their Mykis on and off, and the tourism industry will also flourish as visitors will no longer need to purchase non-refundable Myki tickets or forlornly wait for the slow and ineffective City Circle tram. However, concerns have been raised about the repercussions of such changes. Tony Morton, President of the Public Transport Users Association told The Age, ‘‘We absolutely believe that what this will do is increase fares overall." "When zone 3 tickets were abolished, any saving that there was from that was more than clawed back with increases to zone 1 and 2 fares,’’ he said. For the moment, we're remaining cautiously optimistic. Any changes that endorse and strengthen our public transport system are obviously a step in the right direction towards long-term sustainability. But at the same time, we've been burnt in the past. Via The Age. Image credit: Michael Aulia.
It's that time again, film fans. Cannes time. The red carpet has been rolled out on the French Riviera, everyone from famed Spanish auteur Pedro Almodovar to famed fresh prince Will Smith are sitting on the jury, and one of the biggest film festivals of the world is officially underway. That means one of two things between May 17 and 28: if you're actually there, lines, more lines, even more lines, star-spotting and seeing a heap of eagerly anticipated movies. If you're not, you're crossing your fingers and toes, and praying to whichever filmmaker you consider your own personal cinema deity, hoping that all of the flicks showing will make it to Australian screens sooner rather than later. Some are already headed our way — thank the Sydney Film Festival for bringing us Happy End, Sofia Coppola's anticipated remake of The Beguiled, Okja, Wind River, Napalm, In the Fade and Sea Sorrow in June, for example. One, in the form of documentary David Stratton: A Cinematic Life, has already released in cinemas here. As for the rest, here's our wishlist of the movies we can't wait to see on our screens as soon as possible. THE KILLING OF A SACRED DEER Whether you loved The Lobster or didn't, one thing is certain: the absurdist, dystopian look at romance and coupling isn't the kind of movie that the likes of Colin Farrell, Rachel Weisz and John C. Reilly star in every day. Actually, scratch that for Farrell, as he's in director Yorgos Lanthimos' next effort too, and this time he has Nicole Kidman and Alicia Silverstone for company. The Killing of a Sacred Deer tells of a charismatic surgeon, a teenage boy and sacrifices — and if that sounds mysterious, that's because most of Lanthimos' films do. Come for the cast. Come for the concept. Come for a director riding the Greek New Wave to make movies (and soon, TV shows) like no one else. https://www.youtube.com/watch?v=UYzSXWukOWA WONDERSTRUCK The last time Todd Haynes made a film, he directed a love story for the ages in the form of Carol. The last time one of Brian Selznick's books was adapted to the screen, the cinematic love letter that was Hugo was the end result. Combine the two, and you get Wonderstruck, a tale of two children longing for different lives that sounds like a match made in movie heaven. Pete's Dragon's Oakes Fegley and first-timer Millicent Simmonds play the kids, while the adult cast includes Julianne Moore and Michelle Williams. YOU WERE NEVER REALLY HERE Did We Need to Talk About Kevin unnerve you? It has been six years since director Lynne Ramsay made everyone think twice about procreating, and now the Scottish filmmaker is back with something completely different, subject-wise, in You Were Never Really Here. Joining forces with acting powerhouse Joaquin Phoenix, the film dives into the weighty subject of sex trafficking. It's Ramsay's fourth feature, and also her fourth film to premiere at Cannes. https://www.youtube.com/watch?v=AVyGCxHZ_Ko GOOD TIME He has played a quidditch captain, a sparkly vampire, Salvador Dali, a snapper of James Dean and someone who might've played a hand in the fictionalised rise of fascism. Next up, Robert Pattinson turns bank robber in Good Time, and is forced to flee dangerous criminals on the streets of New York. RPatz isn't the only attraction though, with the film also starring Jennifer Jason Leigh and Captain Phillips' Barkhad Abdi, and marking the latest effort from brothers Benny and Josh Safdie. The latter were responsible for festival hit Heaven Knows What back in 2014. https://www.youtube.com/watch?v=04U_qUJkZG0 THE DAY AFTER AND CLAIRE'S CAMERA It's safe to say that no filmmaker today works harder than Hong Sang-soo. In the past year, the South Korean director has premiered four — yep, four — new features, with Cannes boasting two. With that in mind, we're not cheating by including both in our list. We just can't separate them. Competing for the Palme d'Or, The Day After follows a woman starting work for a publishing company, while the Isabelle Huppert-starring Claire's Camera is set at Cannes itself. Expect amusing slices of life filled with plenty of booze, as is Hong's custom. And as for the other two flicks we mentioned, Yourself and Yours popped up at the Brisbane Asia Pacific Film Festival last year, and On the Beach at Night Alone screened at the Berlinale. Image: Honourable mention — The Beguiled.
Money might not grow on trees, but furniture and artworks sure do. Visit Full Grown's field in Derbyshire, UK, and you'll see what we mean. The trees there are "grown into" chairs, pendant lamps and sculptures straight from the ground, albeit with slight human intervention. Think of it as a natural factory where unique objects are created with sunlight, water and soil, rather than on production lines. Full Grown's founder, Gavin Munro, has been working on the concept for a decade. "We started out ten years ago in a plant pot in my mum's garden," he says in his Kickstarter video. "But we quickly moved on to trying it out in a field." The process takes between four and eight years. It begins with training and pruning young trees to grow over "formers". Along the way, they're grafted together, ensuring they grow into a solid object. Then, it's a matter of nurturing the tree, so it becomes strong as it matures. The harvest takes place in winter, followed by drying out, planing and finishing, to expose the wood's textures and grain. Munro says it's important to "let the trees take the lead", yet be present "at the right times, to make subtle changes to the shapes and patterns that we want". He describes it as a "kind of zen, 3D printing". The practice has roots in ancient Greece and Egypt, where people "grew" stools. And, now that the Full Grown team has perfected the art, they're ready to take on the world. They're looking for your help to expand operations through a crowdfunding campaign. With 25 days to go, a £10,000 goal has already been smashed. Donations of £5 plus are welcome. Throw 850 quid or more their way to score a raw pendant lamp. The Full Grown Kickstarter campaign finishes on January 30, 2017. For info and to donate, visit their Kickstarter page.
Ever dreamed about ditching your stressful life for a three-day stay in a remote glass cabin in the Swedish wilderness? Well, that adventure has just become a reality for five international guests, who participated in a Swedish case study called The 72-Hour Cabin, a project designed to highlight and measure the positive effects of the Swedes' nature-loving lifestyle. Developed by a pair of researchers from Stockholm's Karolinska Institute, the study saw a diverse group getting up close and personal with Sweden's nature, leaving behind typically stressful jobs for a 72-hour stint in a glass cabin and an itinerary of activities like fishing, swimming and cooking. The lucky participants included a Parisian taxi driver, a New York events coordinator, a police officer from Munich and a broadcaster and a travel journalist, both from London. Each guest had their wellbeing monitored as they kicked back in their gorgeous, secluded digs on Henriksholm Island in the country's west, getting a taste for what the study explains is a "special bond Swedes have with their natural environment". The project's results will be published next month and, if it's thought to be a success, those cabins could soon be available to any visitor keen for a Swedish-style de-stress session. Until then, try and get a booking at one of NSW's own tiny off-grid wilderness cabins.
A Danish designer by the name of Mads Johansen has cooked up a Hobbit-sized campervan. Officially named the 'Wide Path Camper', it's roomy enough to sleep 2.5 adults and folds up so that you can hook it to your bicycle and take it with you — everywhere you go. Well, maybe not exactly everywhere. Just how far you'll be able to tug this uber-cute creation will depend on your thigh power. Weighing in at 40 kilograms, it's lightweight considering how much space is included, but dragging it up hills might be challenging. That said, it's certainly quite the kit-up for flat terrain cycling adventures. Ride across the Nullarbor, anyone? Altogether there's more than 300 litres of storage space, as well as two beds that can be converted into seating areas. The windows are fitted with curtains for privacy. A couple of optional add-ons are possible, including a solar cell, which can be used for recharging your smartphone; an outdoors kitchen area; and an awning. At this stage, the Wide Path Camper is still in prototype mode. But, if all goes to plan, it'll be up for sale by 2015, with a price tag of about US$2500 (around AU$2880). Via Gizmag.
Sometimes really shitty weather has its upside. Pulling a solid Community Chest card, London is about to open its very first board games-centric cafe in Hackney this September. Sure, plenty of eateries, pubs and existing cafes have a smattering of Scattergoric fun times already stashed in the bookshelves, but Draughts intends to bring games to the forefront — already proven successful by Adelaide's Hungry Hippo and Oxford's Thirsty Meeples. Serving up an impressive 500+ range of old school fun inducers, Draughts will stock both your favourite table toppers like Cluedo, Monopoly and Scrabble alongside weird and wonderful niche releases like Hanabi and one apparently called Chicken Cha Cha Cha. Board game purists will be able to engage in intense bots of chess, checkers and (of course) draughts, while the cafe serves as a perfect loud group outing option (if Boggle is your style). Draughts will function as an all-day cafe, counting freshly made coffee, cakes, milkshakes and sandwiches on the menu before fuelling rambunctious rounds of Risk with ciders and lagers in the chilly London evenings. If you're into the Game of Life, you'll appreciate a few pints. Remember that family member who insisted on reading out the rules, one by one, even after everyone had given up and left them flying solo at the table? Chances are they now work at Draughts, ready to help you out with any Monopoly rule rifts, help you set up the painstaking Mouse Trap board or get you started on something you might never have tried — big fingers crossed for 13 Dead End Drive or The White Unicorn. Just trust me. Draughts know their board games so well, they decided to create a London Tube map to help you out when you're picking: Via Guardian. Photo from The Hungry Hippo.
Love might be blind, but deaf it is not. Just ask anyone who’s fallen madly for a snorer. Like Anthony Burgess wrote, “Laugh and the world laughs with you, snore and you sleep alone.” No amount of moonlit serenading, Shakespearean declarations of passion or Lindt chocolate can make up for harrowing nights next to your own personal Boeing-747. But how to deal with it? Entire national websites are dedicated to the problem. Surgery to remove parts of the snorer’s mouth and throat? Implants to harden up their palate? Sticking tape to their nose and chin? Approaching an ear plug company for sponsorship? The Crowne Plaza Hotel chain has trialled “snore absorption” rooms in Europe and “snore monitors” in the UK. The latter patrol a hotel’s “quiet zones”, knocking on the doors of snorers who are audible from the corridor. Hammacher Schlemmer, supplier of “unexpected gifts”, has now introduced a 'Snore Activated Nudging Pillow' to the market. A tiny inbuilt microphone picks up on the sonic vibrations caused by snoring. As they escalate, an internal bladder fills with air, causing the would-be marriage wrecker to shift position. It’s possible to adjust the mic according to the user’s velocity and set the inflation level at anywhere between 7 and 17 centimetres. A contoured shape and 100 percent polyurethane filling aim to make the pillow as comfy as possible and the 100 percent polyester removable cover is machine-washable. Valentine’s Day might have come and gone, but if you don’t mind spontaneously splashing out on your favourite unbearably noisy bedfellow, US$149.95 will buy a Snore Activated Nudging Pillow. Via PSFK.
