That glass of wine or icy cold beer you've been sipping solo and feeling guilty about it — it's about to become a thing of the past if you're a pet owner. Our furry companions share life's ups and downs, and now critters of both the feline and canine variety can share a beverage too thanks to the invention that is animal-friendly wine. It's the tipple that'll make humans feel better without even drinking it, and one that cats and dogs will enjoy... we think. Actually, it might just be something two-legged folks like the idea of more than their four-legged friends — but who doesn't want to pour their kitty or pooch a hard-earned drink? Currently available in the US, pet wine doesn't actually involve alcohol. Don't give your mouser or pup real booze, folks. Instead, it's made from beets, herbs and catnip, and comes in cutely named varieties such as The Doggy Mary, The Meowmosa, Catbernet, Chardognay and Pinot Meow. They're just some of the products startup Apollo Peak has been selling for the last two years, alongside special cat wine glasses — and they now have competition thanks to Pet Winery and their Catinis and Dog Perignon. Like all great ideas, someone else got their first, with a Japanese company releasing Nyan Nyan (or meow meow) Nouveau for cats back in 2013. Still, your purrfect pal surely won't mind, even if felines are known for their discerning tastes. Plus, your barking buddy now gets to join in the fun too. Via Good Food.
Been spending every spare moment lately dreaming of summer getaways, and also making travel plans right into 2023? Haven't we all. It's the time of year when holidays are on the brain in multiple ways, all thanks to the festive season and the warmer weather — and if you're happy to jet off sometime next year, then Virgin has quite the array of sale flights to tempt you. More than 800,000 fares are currently up for grabs as part of the Bring On Wonderful sale, covering a heap of Aussie and international destinations. Yes, that means that you've got options if you're keen to holiday somewhere on home turf, including Byron Bay, the Sunshine Coast, Cairns, Hamilton Island, Alice Springs, Hobart and more. And, if you're eager to journey overseas, you can hit up Bali, Fiji, Samoa and Queenstown. One-way domestic fares start at $55, which'll get you from Sydney to Byron Bay (which is always the cheapest route in these kinds of sales). Other discounted flights include Brisbane to either Cairns or Hamilton Island from $95, Melbourne to the Gold Coast from $89, Adelaide to Darwin from $139 and Perth to Launceston from $195. Internationally, return flights are on offer — including Adelaide to Bali from $569, Brisbane to Fiji from $539, Melbourne to Queenstown from $469 and Sydney to Samoa from $579. If you're wondering when you'll need to travel, there's a range of dates in 2023, all varying depending on the flights and prices. Some legs run right through until next spring, if you really are thinking ahead. As always when it comes to flight sales, you'll need to get in quick. Virgin's discounted fares are now on offer until 11.59pm AEST on Monday, October 31 or sold out, whichever arrives first. Virgin's Bring on Wonderful sale runs from until 11.59pm AEST on Monday, October 31 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Fancy grabbing a drink and hitting a hole-in-one at the same time? How about working your way around two different nine-hole mini-golf courses in a venue that was once a church? If you answered yes to either of these questions and you're in Brisbane, you're in luck. Thanks to Holey Moley Golf Club, come September 29 you can do all of the above. Taking over the Fortitude Valley site that has hosted many a bar, club, gig and dance party in recent years — and many a religious ceremony before that — Holey Moley aims to get eager punters exclaiming its name several times over. That's an understandable reaction given that the leisure entertainment complex will include mini-golf, a cocktail bar and an all-round hangout hub rolled into one. Those keen on teeing off will be pleased to know that each of the 18 holes will have their own theme, with the venue hinting that a mashup of Alice in Wonderland, iconic surfing culture, puppeteers, arguably the best retro video game ever, Nirvana, Snoop Dog, Pharrell Williams and Chubby Checker, Game of Thrones and more is on the cards. And anyone eager to sample the space's other treats can look forward to cocktails such as the Tee Quila Mocking Birdie, Teeyonce Holes, Long Island Iced Tee and G & Tee, plus a food truck menu. If it all sounds like one of the most novel ideas for a new inner-city hotspot you've heard in some time, that's because it is — but hey, people probably thought that when Strike Bowling combined knocking down pins and knocking back beverages. In fact, the folks behind Holey Moley would know a thing or two about that, because they also started Strike. We can only assume that a frisbee-themed nightclub is going to be their next venture. Holey Moley Golf Club opens on September 29 at 25 Warner Street, Fortitude Valley. For more information, keep an eye on their website and Facebook page.
Sydney is set to gain a major dose of Filipino culture when the annual Philippine Pasko Festival returns to Darling Harbour for its fourth year running. The two-day Christmas event will take over Tumbalong Park from Saturday, November 9 through Sunday, November 10, and feature live entertainment, lantern making competitions and — most importantly — a whole heap of food stalls. Those stalls will, of course, be slinging sweet and savoury Filipino favourites. Most notable is the holiday season go-to lechón — a whole roasted suckling pig, sliced and served with a spicy vinegar dipping sauce. In previous years, the offering has also included Filipino barbecued skewers (pork, chicken and longaniza sausage varieties), plus plates of whole fried fish and bowls of chicharrón (pork crackling). For those with a sweet tooth, expect cones of ube (purple yam) ice cream, deep-fried banana on a stick and halo halo in a cup. The latter is possibly the Philippines' best known dessert — a shaved ice treat consists of layers of sweetened beans, coconut strips and jellies, all topped with ice cream and a drizzle of evaporated milk. Apart from all the food, there will be Filipino song and dance performances throughout the day. The festival will run from 10am–8pm on Saturday and from 11am–7pm on Sunday. And entry is free, so all you need to bring is your empty stomach. Images: Bronnie Barnett
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. NOPE Kudos to Jordan Peele for giving his third feature as a writer/director a haters-gonna-hate-hate-hate name: for anyone unimpressed with Nope, the response is right there. Kudos, too, to the Get Out and Us filmmaker for making his third bold, intelligent and supremely entertaining horror movie in a row — a reach-for-the-skies masterpiece that's ambitious and eerie, imaginative and expertly crafted, as savvy about cinema as it is about spectacle, and inspires the exact opposite term to its moniker. Reteaming with Peele after nabbing an Oscar nomination for Get Out, Daniel Kaluuya utters the titular word more than once in Nope. Exclaiming "yep" in your head each time he does is an instant reaction. Everything about the film evokes that same thrilled endorsement, but it comes particularly easily whenever Kaluuya's character surveys the wild and weird events around him. We say yay to his nays because we know we'd respond the same way if confronted by even half the chaos that Peele whooshes through the movie. As played with near-silent weariness by the always-excellent Judas and the Black Messiah Oscar-winner, Haywood's Hollywood Horses trainer OJ doesn't just dismiss the strange thing in the heavens, though. He can't, even if he doesn't realise the full extent of what's happening when his father (Keith David, Love Life) suddenly slumps on his steed on an otherwise ordinary day. Six months later, OJ and his sister Emerald (Keke Palmer, Lightyear) are trying to keep the family business running; he does the wrangling, she does the on-set safety spiels, which double as a primer on the Haywoods' lengthy links to the movie industry. The first moving images ever presented, by Eadweard Muybridge of a galloping horse in the 1800s, featured their great-great-great grandfather as the jockey, Emerald explains. His image was immortalised, but not his name — and, although she doesn't say it directly, that's a fate she isn't eager to share. In fact, Emerald ends her patter by proclaiming that she's available for almost any Hollywood job that might come up. Unsurprisingly, OJ is horrified about the hustle. Her big chance is indeed tied to their ranch, but not in the way that Emerald initially realises either — because who'd predict that something would be lurking above the Haywoods' Agua Dulce property? Just as Get Out saw Peele reinterrogate the possession movie and Us did the same with doppelgängers, Nope goes all in on flying saucers. So, Emerald wants the kind of proof that only video footage can offer. She wants her "Oprah shot", as well as a hefty payday. Soon, the brother-sister duo are buying new surveillance equipment — which piques the interest of UFO-obsessed electronics salesman Angel Torres (Brandon Perea, The OA) — and also enlisting renowned cinematographer Antlers Holst (Michael Wincott, Veni Vidi Vici) to capture the lucrative image. Cue plenty of faces staring up in shock and wonder, as Steven Spielberg has made a mainstay of his films — and cue a movie that nods to Jaws as much as Close Encounters of the Third Kind. Peele makes smartly and playfully cineliterate flicks, which aren't content to merely wink and nudge, but instead say "yep" themselves: yep to all the tropes and symbols that the comedian-turned-filmmaker can filter through his own lens, and his determination to unearth the reality of living in America today, just as he did when he was making some of this century's best skits on Key & Peele. Indeed, Nope is keenly aware of the lure and power of spectacle, especially the on-screen kind, which also echoes through in the picture's other pivotal character. Ricky 'Jupe' Park (Steven Yeun, Minari) isn't involved in the Haywoods' attempts to snap upwards, but the former child star runs a neighbouring theme park called Jupiter's Claim, which cashes in on his big hit role in a movie called Kid Sheriff. He's known for short-lived 90s sitcom Gordy's Home, too, starring opposite a chimpanzee, and moments of the show also pop up in Peele's film. Read our full review. THE PRINCESS Finding a moment or statement from The Princess to sum up The Princess is easy. Unlike the powerful documentary's subject in almost all aspects of her life from meeting the future King of England onwards, viewers have the luxury of choice. Working solely with archival materials, writer/director Ed Perkins (Tell Me Who I Am) doesn't lack in chances to demonstrate how distressing it was to be Diana, Princess of Wales — and the fact that his film can even exist also underscores that point. While both The Crown and Spencer have dramatised Diana's struggles with applauded results, The Princess tells the same tale as it was incessantly chronicled in the media between 1981–1997. The portrait that emanates from this collage of news footage, tabloid snaps and TV clips borders on dystopian. It's certainly disturbing. What kind tormented world gives rise to this type of treatment just because someone is famous? The one we all live in, sadly. Perkins begins The Princess with shaky visuals from late in August 1997, in Paris, when Diana and Dodi Fayed were fleeing the paparazzi on what would be the pair's last evening. The random voice behind the camera is excited at the crowds and commotion, not knowing how fatefully the night would end. That's telling, haunting and unsettling, and so is the clip that immediately follows. The filmmaker jumps back to 1981, to a then 19-year-old Diana being accosted as she steps into the street. Reporters demand answers on whether an engagement will be announced, as though extracting private details from a teenager because she's dating Prince Charles is a right. The Princess continues in the same fashion, with editors Jinx Godfrey (Chernobyl) and Daniel Lapira (The Boat) stitching together example after example of a woman forced to be a commodity and expected to be a spectacle, all to be devoured and consumed. Listing comparable moments within The Princess' riveting frames is easy; they snowball relentlessly into an avalanche. Indeed, after the film shows Charles and Diana's betrothal news and how it's received by the press and public, the media scrutiny directed Diana's way becomes the subject of a TV conversation. "I think it's going to be much easier. I think we're going to see a change in the attitude of the press. I think that now she's publicly one of the royal family, all this telephoto lens business will stop," a talking head from four decades back asserts — and it isn't merely the benefit of hindsight that makes that claim sound deeply preposterous. Later, Perkins features a soundbite from a paparazzo, which proves equally foolish, not to mention a cop-out. "All we do is take pictures. The decision to buy the pictures is taken by the picture editors of the world, and they buy the pictures so their readers can see them. So at the end of the day, the buck stops with the readers," the photographer contends. The Princess isn't here to simplistically and squarely blame the public, but it does let the material it assembles — and the fact that there's so much of it, and that nothing here is new or astonishing even for a second because it's already been seen before — speak for itself. What a story that all unfurls, and how, including pondering the line between mass fascination and being complicit. Perkins eschews contemporary interviews and any other method of providing recent context, and also makes plain what everyone watching already knows: that escaping Diana has been impossible for more than 40 years now, during her life and after her death a quarter-century ago as well, but it was always worse by several orders of magnitude for Diana herself. The expressions that flicker across her face over the years, evolving from shy and awkward to determined and anguished, don't just speak volumes but downright scream. In the audio samples overlaid on paparazzi shots and ceaseless news coverage, that's dissected, too, and rarely with kindness for the woman herself. Read our full review. 6 FESTIVALS Three friends, a huge music festival worth making a mega mission to get to and an essential bag of goon: if you didn't experience that exact combination growing up in Australia, did you really grow up in Australia? That's the mix that starts 6 Festivals, too, with the Aussie feature throwing in a few other instantly familiar inclusions to set the scene. Powderfinger sing-alongs, scenic surroundings and sun-dappled moments have all filled plenty of teenage fest trips, and so has an anything-it-takes mentality — and for the film's central trio of Maxie (Rasmus King, Barons), Summer (Yasmin Honeychurch, Back of the Net) and James (Rory Potter, Ruby's Choice), they're part of their trip to Utopia Valley. But amid dancing to Lime Cordiale and Running Touch, then missing out on Peking Duk's stroke-of-midnight New Year's Eve set after a run-in with security, a shattering piece of news drops. Suddenly these festival-loving friends have a new quest: catching as much live music as they can to help James cope with cancer. The first narrative feature by Bra Boys and Fighting Fear director Macario De Souza, 6 Festivals follows Maxie, Summer and James' efforts to tour their way along the east coast festival circuit. No, there are no prizes for guessing how many gigs are on their list, with the Big Pineapple Music Festival, Yours and Owls and Lunar Electric among the events on their itinerary. Largely road-tripping between real fests, and also showcasing real sets by artists spanning Dune Rats, Bliss n Eso, G Flip, B Wise, Ruby Fields, Dope Lemon, Stace Cadet and more, 6 Festivals dances into the mud, sweat and buzz — the crowds, cheeky beers and dalliances with other substances that help form this coming-of-age rite-of-passage, aka cramming in as many festivals as you possibly can from the moment your parents will let you, as well. This is also a cancer drama, however, which makes for an unsurprisingly tricky balancing act, especially after fellow Aussie movie Babyteeth tackled the latter so devastatingly well so recently. Take that deservedly award-winning film, throw in whichever music festival documentary takes your fancy, then add The Bucket List but with teens — that's 6 Festivals. There's a touch of the concert-set 9 Songs as well, obviously sans sex scenes. Spotting the dots connected by De Souza and Sean Nash's (a Home and Away and Neighbours alum) script isn't difficult. That said, neither is spying the movie's well-intentioned aim. Riding the ecstatically bustling festival vibe, and surveying everything from the anticipation-laden pre-fest excitement through to the back-to-reality crash afterwards, 6 Festivals is an attempt to capture and celebrate the fest experience, as well as a concerted effort to face a crucial fact: that, as much as a day in the mosh pit feels like an escape and is always worth cherishing, it only sweeps away life's stark truths momentarily. The film's core threesome have their fair share of stresses; pivotally, 6 Festivals sticks with believable dramas. James faces his diagnosis, treatment and his mother's (Briony Williams, Total Control) worries, all while trying to recruit the feature's array of musical acts for his own dream event. Scoring backstage access comes courtesy of up-and-coming Indigenous muso Marley (debutant Guyala Bayles), who graces most of the lineups and shared a childhood with Summer, united by their respective mothers' struggles with addiction — and, now they've crossed paths again, offers to mentor her pal's own singing career. As for Maxie, his drug-dealing older brother Kane (Kyuss King, also from Barons) is usually at the same fests pressuring him into carrying his stash. They're the only family each other has, so saying no doesn't seem an option. Read our full review. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on May 5, May 12, May 19 and May 26; June 2, June 9, June 16, June 23 and June 30; and July 7, July 14, July 21 and July 28, and August 4. You can also read our full reviews of a heap of recent movies, such as Petite Maman, The Drover's Wife The Legend of Molly Johnson, Doctor Strange in the Multiverse of Madness, Firestarter, Operation Mincemeat, To Chiara, This Much I Know to Be True, The Innocents, Top Gun: Maverick, The Bob's Burgers Movie, Ablaze, Hatching, Mothering Sunday, Jurassic World Dominion, A Hero, Benediction, Lightyear, Men, Elvis, Lost Illusions, Nude Tuesday, Ali & Ava, Thor: Love and Thunder, Compartment No. 6, Sundown, The Gray Man, The Phantom of the Open, The Black Phone, Where the Crawdads Sing, Official Competition, The Forgiven, Full Time, Murder Party and Bullet Train.
In 2018, Surry Hills' acclaimed Belvoir Theatre launched 25A — a new program dedicated to supporting independent theatre and emerging artists. The seven-part season saw shows created and marketed by independent theatremakers on a strict budget of $1500. In return, Belvoir offered up the theatre for free and creators received 100 percent of the box office earnings. After a successful inaugural season, Belvoir has just announced the 2019 program, which will once again take over the Downstairs Theatre. The season will begin on Wednesday, February 6 with a production of the satirical play Tuesday by Louris van de Geer. This show first premiered in Melbourne back in 2012 and explores the concepts of social alienation and suburban life. Subject matters vary wildly throughout the lineup, from the pyschological thriller Extinction of the Learned Response to Te Molimau, a futuristic story of a young woman on a sinking island in the Pacific Ocean. Tickets are priced at an extremely reasonable $25 (online or at the door), with previews costing only $20. Check out the full program below, then head to the website to nab tickets. BELVOIR THEATRE 25A 2019 LINEUP February 6–23: Tuesday March 13–30: Jess and Joe Forever May 7–25: Extinction of the Learned Response June 12–29: The Astral Plane July 11-20: Skyduck: A Chinese Spy Comedy August 7–24: Te Molimau October 16–November 2: Slaughterhouse November 20–December 7: Kasama Kita Image: 'Te Molimau', Taofia Pelesasa.
Good news, chicken lovers. El Jannah is spreading its wings east with the launch of a brand-new location in Randwick. To celebrate, the charcoal chicken fanatics have put together a grand opening celebration, with anyone named Charlie (or close enough) earning a special treat. Happening on Saturday, July 26, a charcoal chicken meal is on the house for the Charlottes, Charlenes and Charles of the world — you get the idea. But don't think the rest of us have been forgotten. El Jannah Randwick will serve quarter charcoal chicken meals to all-comers for $5. "Opening in Randwick is a milestone moment for us and a reflection of Sydney's ever-growing love for charcoal chicken," says Adam Issa, Head of Marketing at El Jannah. "What began as a single family-run store in Granville has grown by keeping true to our founding principles; serving honest food, made with care, and shared with community." The arrival of El Jannah Randwick has also thrown a wrench in the 'Red Rooster Line.' Emerging from the western suburbs, the cult-favourite chicken joint has ignored the buffer, finding a new home among Chargrill Charlie's territory. It only makes sense — juicy chicken and legendary garlic sauce know no boundaries.
While Australian winters can get pretty damn nippy (hello slanket, our old friend), unfortunately we're not often blessed with really fun cold weather. We don't get snow, sleet or iced-over lakes which means we don't get snow days, slush fights, skating, tobogganing or a plucky bobsledding team to represent us in the Olympics (okay, we do have that last one). The Winterlight wonderland in Parramatta's Prince Alfred Square ‚ back for a second year — is aiming to right this grievous wrong. From June 30, you can delve into the kind of winters that the Starks seem to fear so much: a snowy, fun winter. The installation boasts all the icy activities you could ever want. If gliding around a treacherous ice pond with knives attached to your boots is your bag (known as 'ice skating'), you'll be delighted to know there's a large ice rink planned. But if you're more of a demure ice frolicker, the ice toboggan may be more your thing. Or perhaps a trip down a slick ice slide? It's just $10 for three slides. The world is your cold, wet oyster. A turn about the rink will set adults (14 years and older) back $22, but after you ease your tired feet back into normal shoes and try to remember how to walk, the real fun begins. Winterlight is decked out with a delicious, delicious village serving up Turkish gozleme, hot chocolates, bratwurst and burgers. And really, aren't bratwurst and mugs of hot chocolate the real spirit of winter? Winterlight will be open Monday to Thursday from 11am till 10pm and Friday to Sunday 10am till 11pm. Images: Ali Mousawi.
If pastel wasn't already part of your gig-going wardrobe, it will be at Australia's newest music festival, with Client Liaison launching their own curated touring event. Called Expo Liaison, the seven-hour fest will tour Melbourne, Perth, Sydney and Brisbane across the last two weekends in August, with the yet-to-be-announced lineup selected by the band. There's no word yet on whether they'll be performing themselves, but you'd think that's a highly likely possibility. Just what else is in store is also yet to be revealed too, although the festival bas been badged "a multimedia, multi-city, multiversal experience" in its promotional material, as well as a "once-in-a-lifetime event". They're the kind of descriptions that plenty of gigs and fests throw around, but Client Liaison have a track record of delivering more than just the usual shows — or fashion lines or music videos, for that matter. First release tickets are currently on sale across all four cities, and if you're keen to hear the duo's own thoughts on the festival, check out the Expo Liaison trailer: https://www.youtube.com/watch?v=AgSsrdVHnh0&feature=youtu.be Expo Liaison heads to Melbourne's Flemington Racecourse on August 18, Sydney's Parramatta Park on August 25 and Brisbane's Victoria Park on August 26. Head to Client Liaison's website for further details and to buy tickets.
The Taika Waititi school of acting gave Julian Dennison one of his first-ever roles in Hunt for the Wilderpeople, and James Rolleston his debut in Boy. Seven years after the former and 13 since the latter, the two play brothers in another coming-of-age effort: Uproar. That cheerworthy casting is joined by Our Flag Means Death co-stars Rhys Darby and Minnie Driver in a film that's not only warmhearted, but always feels as if it's practising one of the messages that it's preaching. Set amid 1981's infamous Springbok tour of New Zealand — with South Africa's rugby union team playing games across the nation, and inspiring protests against both apartheid and Aotearoa's treatment of its Māori population as it went — this is a movie about a cultural awakening, and about finding and embracing community. Behind the lens, Uproar's directors have teamed up, too, with Hamish Bennett helming his second feature after 2019's also-heartfelt Bellbird and Paul Middleditch back in the chair for the first time since 2013's Rapture-Palooza. When it told of a father and son struggling to connect, and just struggling, after the loss of the family matriarch who bound them together, Bellbird traded in the same kind of poignancy that seeps through in this engaging charmer. With its sports-meets-politics narrative, there may be few doubts about where Uproar is headed; however, Bennett and Sonia Whiteman's (The Disposables) script — as based on a concept by Middleditch and first-timer Mark Turnbull, a screenplay by Keith Aberdein (The Last Tattoo) before that, and boasting additional writing by Mario Gaoa (We Are Still Here) and actor Rachel House (Heartbreak High) — knows that reality and movies alike can follow a familiar path and be no less affecting and resonant. In another memorable addition to his resume that shows his emotional depth, especially in a potent late monologue, Dennison plays Josh Waaka, 17-year-old son to British-born widow Shirley (Driver). He's dutifully in St Gilberts School for Men's 2nd XV when the 1981 tour comes to Dunedin, but largely because much about his existence is dutiful. His father was a local rugby star. His older brother Jamie (Rolleston) was a former Junior All Black before his career was cut short by injury. To make ends meet, Shirley cleans at the school — and imposing Principal Slaine (Mark Mitchinson, Evil Dead Rise) ensures that the Waakas feel grateful. In fact, when Slane requests that Jamie help coach the 1st XV, he's hardly asking. And when Shirley says that he will, she gets the reluctant Josh a spot on the higher team as part of the arrangement, telling him that it'll set him up for life. Staying out of the public debate about the Springboks is also expected of the St Gilberts' cohort, in a place that's against taking a stand against discrimination yet fine with Josh spending his lunch break alone in the library to avoid his openly racist classmates. But that isn't the community that he wants as his own even before he crosses paths with the marching Samantha (Erana James, Bad Behaviour) while delivering catalogues with his best friend Grace (debutant Jada Fa'atui), and gets a reminder that her Māori heritage is his as well. And, being surrounded by books and silence soon isn't his only option between lessons. English teacher Brother Madigan (Darby) spies a potential actor in Josh, who needs encouraging to join the drama group, then wows his way into auditioning for NIDA in Sydney becoming an option. Outrage frequently makes its presence known in Uproar's crisply lensed frames: in Samantha decrying the country putting sports above equality in any way that she can, in the engrained prejudice that festers against NZ's Indigenous inhabitants daily, in clashes on the street and even within activist meetings, where saying that you're an ally isn't the same as truly understanding having one's land taken. The film's name also comes into play another way, though, as Josh's existence erupts in chaos. As tales about teens becoming adults often do, Bennett and Middleditch's movie tells of change rippling through almost everything that its protagonist thought that he knew. New causes to champion, new connections to his culture, new dreams to chase, new friends, new futures, a new purpose in life that echoes among his nearest and dearest: compared to the pre-tour status quo, this is indeed an impassioned uproar against just getting by, settling and never speaking up. Since his time as Ricky Baker, Dennison has enjoyed big-budget stints in Deadpool 2 and Godzilla vs Kong — and in the festive The Christmas Chronicles: Part Two — but this is his best role since getting stranded in the wilderness for Waititi. The likeable pluck and wit that endeared him to audiences then is layered with searing determination and angst here, while never forgetting humour as well. As Jamie is pushed to rediscover more than just his room and his disappointment at fate, Rolleston is also stellar, as he similarly was in The Dead Lands, The Rehearsal and The Breaker Upperers. The subtlety of Darby's kind and caring performance doesn't go unnoticed, either, and nor does the quiet fortitude of Driver's turn. At the heart of Uproar's key characters, which includes Samantha and Grace, is that other recognisable high-school feeling: being an outsider. That isn't purely an adolescent experience, of course. It hasn't avoided the star player now unable to take to the field, the woman whose marriage wasn't embraced by two families in two countries or the teacher who doesn't fit in — and it certainly hasn't evaded an entire culture that's been made to feel like its home wasn't its own for centuries thanks to the ongoing impact of colonisation, or other First Nations people with similar stories. As it sees and unpacks each of these layers, Uproar sees why living up to its moniker is so important, and also how. It spies the many methods of pushing back and sparking a ruckus. It knows the power of fighting for what's right, just and decent communally. And it wouldn't be as moving without its cast, but that's what coming together means.
Following eight mighty culinary pop-ups in locations like Newtown, Marrickville and Melbourne, acclaimed hospitality duo BABS has taken over a beloved space on Enmore Road for their first longer-term venue. Led by Head Chef Ellie Hayes O'Brien and Restaurant Manager Bec Shave, BABS has built a cult following over the last 18 months through a series of long lunches and dinners, all celebrating women in the hospo industry. The name BABS is double-pronged — standing for Bad Ass Bitches, and paying homage to the patron saint of said badasses, Barbra Streisand. This is the energy that O'Brien and Shave have brought to their new short-term home on Enmore Road, opening a BABS neighbourhood bar and restaurant for three months in Saga's former digs. The short and sweet stay has brought the usual female-led vision of BABS previous pop-ups to 178 Enmore Road. The layout of Andy Bowdy's popular cafe has been maintained, but the lights are now a little moodier — and the duo have traded Saga's sandwiches and pastries for sardines and pét-nats. The Euro-focused menu features chicken liver gougeres and handmade pasta, plus playful sweets like champagne jelly and sticky flans. [caption id="attachment_916528" align="alignnone" width="1920"] Lily Austin[/caption] Drinks-wise, expect two-sip martinis, amaro and negronis, plus a robust wine list with special attention paid to female vino-makers. If you're lucky, you might wander in as a magnum of natty wine has just been cracked. Tying the whole operation together is vintage pink crockery reminiscent of your grandma's house and handprinted linocut menus made by the head of design at BABS, Eva Balog. Both O'Brien and Shave are hospo lifers and Inner West locals, with the pair deciding to channel their love for food, booze and good times into something special following the lockdowns — and after nearly two years of experimentation, they've arrived at BABS' first standalone venue and one that they describe as "a love letter to the Inner West". The limited-time bar and restaurant is open from 5pm Thursday–Saturday and for lunch on Sundays throughout spring. It will be a walk-in-only affair, meaning you'll be able to saunter down to Enmore Road for a glass of wine and a few memorable snacks whenever the inspiration hits. Images: Lily Austin.
It's happening again: in response to a new community case of COVID-19 in Brisbane, other states are changing their health advice and border requirements. So, if you're a Brisbanite planning to head south soon, you're located elsewhere and you'll soon be travelling to the Sunshine State, or you've recently journeyed from the latter to another state, you might have some new rules to adhere to. New South Wales has issued two pieces of health advice. The first from NSW Health says that anyone who is in the state and has been in Brisbane or the Moreton Bay area since Saturday, March 20 should abide by the requirements outlined by Queensland Health regarding venues visited. It also advises that anyone who falls into that category and went to Mamma's Italian Restaurant in Redcliffe from 12.30–3.10pm on Sunday, March 21 must get tested immediately and go into isolation for 14 days. As noted in the second alert, NSW Health now requires anyone who has been in Brisbane City Council or Moreton Bay Regional Council areas in the past fortnight and enters NSW from 12.01 am today, Saturday, March 27, to fill out a passenger declaration form — which includes confirmation of whether you've visited any venues of high concern. And if you have been in a venue of high concern as listed by Queensland Health, you should not enter NSW at all. https://twitter.com/NSWHealth/status/1375392223844429825 Victoria has mandated that anyone who has entered the state from Brisbane and Moreton Bay since Friday, March 12 needs to immediately self-isolate, get tested within 72 hours and stay isolated until they receive a negative result. It's imposing this rule strictly, with Brisbanites who'd travelled to Geelong for the Brisbane Lions versus Geelong AFL match on Friday, March 26 asked to leave the ground when the new requirement came into effect. Brisbane and Moreton Bay have also been designated an orange zone under Victoria's traffic light travel permit system. That means that if you're entering Victoria from the area, you have to apply for the appropriate permit. And you won't be given one if you have COVID-19 symptoms. Upon arrival in Victoria, you'll also have to self-isolate immediately, get a coronavirus test within 72 hours of arriving and stay in isolation until you return a negative result. https://twitter.com/VicGovDH/status/1375358820634013696 How long these new border requirements will apply hasn't been revealed. Other states have similar rules in place, with Western Australia mandating that anyone who has arrived in WA from Queensland since Saturday, March 20 and visited any of the affected locations during the relevant times must get tested immediately for COVID-19 and self-quarantine. The ACT requires 14-days of quarantine for arrivals from Greater Brisbane since Saturday, March 20 who visited any of the close contact exposure sites, and testing and self-isolating until receiving a negative result if you've arrived in the same period but haven't been to any of the places listed. Tasmania won't allow entry from folks who've been to sites in Brisbane now deemed high risk, and everyone else who has arrived from Brisbane and Moreton Bay since Monday, March 8 is asked to monitor for symptoms. The Northern Territory requires anyone who has been to a high-risk venue to get tested within 72 hours and isolate until receiving a negative result, while South Australia is yet to update its travel advice. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Heading to the The East Sydney Hotel is like going on a day trip to the country. Not because of its distance from the CBD, but because of its self-proclaimed title as Sydney's 'last country pub'. The Woolloomooloo venue is filled with timeless memorabilia and mismatched timber furniture, and has a classic pub menu with some decent craft brews on-tap (along with all the classics). It's also the perfect atmosphere for the upcoming winter months, and for a spot of afternoon jazz. Sundays bring live jazz and a great opportunity to chill out and get away from the chaos of inner city living. Cool cats Geoff Bull and his band The Finer Cuts (veterans of the Sydney jazz scene) play from 5pm until 8pm, creating a fluid set of smooth tunes and frenetic beats.
According to one urban myth, Sydney's jacarandas are the work of an unknown hospital matron who sent every new mother home with a seedling. Another states that soldiers brought the trees home as gifts on their return from World War II. The problem is that there's no evidence for either. So no one really knows how Sydney came to have so many. What we do know, though, is that, come late October, the city begins to transform into a vision of purple, as hundreds of jacarandas bloom. But they don't hang around for long — the flowers are expected to peak in mid-November and usually disappear by early December. So, if you're keen to see them, it's time to start planning a day out. Here are a few spots — both in and near Sydney — where you can get your jacaranda fix this spring. [caption id="attachment_692359" align="alignnone" width="1920"] Circula Quay, Destination NSW[/caption] CIRCULAR QUAY AND THE ROCKS The Rocks' heritage-listed sandstone provides another striking backdrop. Turn your adventure into a lovely walk by starting at the Royal Botanic Gardens and following the Harbour shore line to The Rocks. PADDINGTON Paddington's most famous jacarandas line Oxford Street, just outside Victoria Barracks. But you'll find plenty more among the suburb's back streets and parks — especially around Five Ways. LAVENDER BAY To see a purple sea against the brilliant blue of the Harbour, head to Lavender Bay on the lower north shore. Other spots to check out nearby include Wollstonecraft, Waverton and Kirribilli's famous (and always packed with photo-takers) jacaranda 'tunnel' on McDougall Street. HUNTERS HILL While you're on the north shore, head a little west to take a stroll through Hunters Hill. For a local's perspective, jump on board a walking tour with the Hunters Hill Trust. CAMDEN Found an hour's drive southwest of the Sydney CBD, Camden's town centre transforms into a blaze of purple, thanks to 39 trees planted way back in the 1920s. The town hosts its own annual Jacaranda Festival, too, which this year falls on the weekend of November 22–24 . Images: Destination NSW.
If your ultimate Saturday morning is a leisurely Bunnings shopping session followed by a saucy snag in bread, why let the fun end there? Soon, you'll be able to make a proper weekend of it with a new Mercure Melbourne Doncaster hotel set to open smack bang on top of a Bunnings Warehouse. The work of global hotel group Accor and developer Accord Property Group, the unlikely pair are slated to be up and running by late 2021. Located in the heart of the bustling Doncaster Hill precinct, together they'll provide the prime spot for a snag-based staycation. Along with a couple of levels dedicated to retail offerings, the mid-range hotel will boast 183 rooms across six floors with interiors that reference parts of the area's history, including the southern hemisphere's first electric tramway: the short-lived Box Hill to Doncaster tram. It'll have all the usual trimmings you need for an overnight stay, too: a dining terrace, restaurant and bar, rooftop pool, fitness centre and sundeck — as well as a full-size, sparkly new Bunnings Warehouse, of course. And if tools, paint and plants don't offer quite enough retail therapy for you, Mercure Melbourne Doncaster also sits handily adjacent to the huge retail precinct that is Westfield Doncaster shopping centre. Mercure Melbourne Doncaster is set to open at 659 Doncaster Road, Doncaster in late 2021.
Proof that good food doesn't need to be complicated, Waterloo's newest culinary hot-spot, Danks Street Produce Merchants, is a throwback to the way fresh food markets used to be. Launching this Thursday, October 27, the precinct is the brainchild of Fourth Village Providore owners, the Quattroville family, who've curated a cracking lineup of artisan producers to set up shop in the Danks Street space previously occupied by Fratelli Fresh. It's a wink to those rustic European markets, with a friendly, community buzz (and not unlike Rosebery's Saporium), and a vibrant food offering spanning six indoor stalls, which will be providing everything from bread and imported cheeses, to charcuterie and fresh pasta. Quality goods from the likes of Brookvale's Berkelo bakery, Hurstville's Oregano Bakery (you know the scrolls), The Free Range Butcher, and Bondi Road's The One That Got Away fishmonger are set to inspire kitchen adventures seven days a week. Plus, a weekend trestle market will play host to producers like Blue Mountains Honey and The Little Wine Company on Saturdays and Sundays. Meanwhile, a 100-seat bar and restaurant called Mezzanino will take over the sprawling, light-filled first floor — which will be perfect for a mid-shop snack, or those evenings when you'd rather bypass the shopping and cooking part. Here, produce-driven small plates, or piattini, will roam the restaurant atop trolleys, showcasing the day's best haul from the market below. The Danks Street Produce Market will open on Thursday, October 28 at 3 Danks Street, Waterloo. For more information, visit producemerchants.com.au.
Defying the notion that, post-lockouts, most Sydneysiders are tucked up in bed by 10pm will be Sydney Fringe's 2018 Fringe Club. From 10.30pm on Thursday, Friday and Saturday nights throughout the month-long festival, level three of the Kings Cross Hotel will be buzzing with live performance, comedy and DJs — all free. Arrive on time and on Thursdays you'll catch Andy Dexterity's physical theatre, while on Fridays you'll get a showcase of show from the Fringe program. On Saturdays, grab a cheap pint of Young Henrys during happy hour (10.30–11.30pm) before DJ Glamour Toads start spinning non-stop hits from the nineties and noughties from midnight, taking inspiration from Video Hits, So Fresh and Hit Machine. Plus, from 11.30pm each night, potential comedians will take the stage when the mic opens to amateurs.
Seven First Nations artists have been celebrated at the Telstra National Aboriginal and Torres Strait Islander Art Awards on Friday, August 7. Held for the first time in a special live-streamed virtual ceremony, this year's Telstra NATSIAA was presented by journalist and Gamilaroi woman Brooke Boney, who announced the winners across several categories, each with a cash prize. The artists were chosen from a suite of 65 finalists by this year's judging panel: Director of Injalak Arts Donna Nadjamerrek, Darwin-based visual artist Karen Mills, and Curator of Araluen Arts Centre Stephen Williamson. Each artist represents a different community, and they've shared stories of their land, the sea, their history, creation and healing through a variety of styles and mediums, highlighting the enormous and diverse talent of Indigenous artists from across the nation. You can see all the finalists' works in this year's Telstra NATSIAA via the virtual exhibition, and you can also sling a vote for your favourite artwork online in the Telstra People's Choice Award. Check out the seven winners from this year's awards, below. NGARRALJA TOMMY MAY Winner of the Telstra Art Award 2020 — prize $50,000 Wangkajunga/Walmajarri man Ngarralja Tommy May has been awarded this year's major prize in the Telstra NATSIAA. The piece, titled 'Wirrkanja' (2020), depicts flood time on the artist's country in the Great Sandy Desert. The now Fitzroy Crossing-based artist has been pioneering his unique style in a career spanning three decades; this year's judging panel noted 'Wirrkanja' shows May at his peak with a work that displays "exquisite beauty and power". May says his work shows a place significant to him; "It's the country where I lost my brother, it's jilji (sand dune) and flat country. There's a jila (living spring waterhole). It's not far from Kurtal, over two sand dunes. In flood time, the water runs down the jilji (sand dunes). This is my country and my family's country. This is my job, it's a good job." JENNA LEE Winner of the Wandjuk Marika 3D Memorial Award (sponsored by Telstra) — prize $5,000 Larrakia/Wardaman/Karajarri artist Jenna Lee lives in Brisbane. Her entry artwork was created in response to the 250-year anniversary of Lieutenant James Cook's arrival at Botany Bay, marked this year. 'HIStory Vessels' is a reconstruction of the cover of a Ladybird History Book, The Adventures of Captain Cook. The interdisciplinary artist was inspired to create the artwork during an artist residency in the UK, to reclaim the omnipresent, white, patriarchal narrative of Cook and its impact on First Nations stories. She says, "I aim to take this narrative and reconstruct it as a story of personal and cultural resilience, beauty and strength." CECILIA UMBAGAI Winner of the Telstra Emerging Artist Award — prize $5,000 Painting on bark that was harvested from her country in the West Kimberley region, young Worrorra woman Cecilia Umbagai says she likes to use traditional materials to create her contemporary depictions of Wandjina Wunggund law, the dreaming stories of her people. The artist usually works across several mediums including acrylic on canvas and photography, and she only started working with bark in 2019. The artist says she loves the texture of the bark with its "curves and irregularities". Using earth pigments on stringybark, Umbagai's winning entry 'Yoogu' is based on traditional cave drawings of the Wandjina spirit of the boab tree, a story she remembers being told as a child. SIENA MAYUTU WURMARRI STUBBS Winner of the Telstra Multimedia Award — prize $5,000 The youngest finalist in this year's Telstra NATSIAA is 18-year-old artist Siena Mayutu Wurmarri Stubbs. The winning artwork is a poem and film inspired by a school trip in 2019. Shinkansen was made on the Shinkansen (bullet train) from Nagoya to Kyoto in Japan. The Yolŋu Matha woman has grown up surrounded by her culture, family and Yolŋu lore, which she explores in all of her artistic endeavours. In such a short career the artist and filmmaker has already won multiple awards for her non-fiction, and curators remark that her work conveys a maturity beyond her years. ADRIAN JANGALA ROBERTSON Winner of the Telstra General Painting Award — prize $5,000 In his artworks, Alice Springs-based Warlpiri artist Adrian Jangala Robertson often refers to his mother's country, Yalpirakinu. Revering the ridges, trees and desert mountains that make up the landscape, Robertson's painting style is described as being loaded with energy and drama. Born in Papunya in 1962, Robertson witnessed the emergence of the Western Desert painting movement, which informs his style to this day. Typically using a minimal range of colour, the widely respected landscape artist injects character and movement into his work with brushstrokes that he says are his connection to his country and "loaded with memories". His winning artwork is a synthetic polymer paint on canvas titled 'Yalpirakinu' (2020). MARRNYULA MUNUŊGURR Winner of the Telstra Bark Painting Award — prize $5,000 Coming from a lineage of prolific and award-winning bark painters, Yirrkala-based Munuŋgurr, of Djapu and Balamumu clans, has carried on the tradition of her family in her creation of ground-breaking bark installations. The artist grew up assisting both of her parents with their own bark work, and in particular her father Djutjadjutja with his sacred Djapu paintings that also won him the Bark Painting Award in the 1997 NATSIAA. For this year's award, Marrnyula created a cross hatching grid pattern — a sacred design for the freshwaters of the Djapu clan at the clan's homeland of Waṉḏawuy. Unlike her other well known artworks in which the artist creates large-scale installations using hundreds of small pieces of bark, this time the artist has chosen to create the same effect on just one piece of bark. The winning stringybark is titled 'Muṉguymirri' (2020), which means 'in small pieces'. ILUWANTI KEN Winner of the Telstra Works on Paper Award — prize $5,000 Pitjantjatjara artist Iluwanti Ken, who is from Watarru and now based in Rocket Bore community in the NT, says birds have lessons for Anangu women about how to hunt and how to care for one's children. A highly respected ngangkari (traditional healer) and a skilled tjanpi (grass sculpture) weaver, Ken is mostly known for depictions of hunting eagles. Ken's winning ink on paper entry, 'Walawulu ngunytju kukaku ananyi (Mother eagles going hunting)', tells the story of female adult eagles hunting for food and bringing it back to feed their babies. The artist says birds are like Anangu mothers in that they protect their babies from outside dangers. Take a look at the virtual gallery and vote for your favourite artwork in the 2020 Telstra NATSIAA People's Choice Award. Top image: Njarralja Tommy May by Damian Kelly.
Barbecuing in Australia no longer dabbles in the carefree realms of cheap snags and piddly steaks. It's 2016 and American-style barbecue reigns in this tender, tender age of pulled pork, slow-cooked brisket and ribs, ribs, ribs. Barbecuing is now serious business, so serious that entire dedicated festivals are popping up, like the wonderfully-named Meatstock. But there is one that comes approved from the folks of Kansas, given the tick of approval by the beating heart of American barbecue itself: The Yaks is coming. Following the success of The Yaks Melbourne Barbecue Festival at the Queen Victoria Market last year, the crew are bringing the festival back for another round — and this time they're doing a Sydney instalment at The Domain on January 30. Barbecue lovers will find themselves panicked for choice at this juicy festival, with food stalls from some of Australia’s finest pitmasters, barbecue cooking demonstrations by local and international barbecue experts, equipment exhibitors, live entertainment and DJs. Plus, venues around the city will host barbecue dinners and classes. But while you're ploughing into a pork rib, there's serious competition afoot. Competitive barbecuing isn't for rookies, this is serious shit. Watch amateur barbecue teams from around Australia battle it out in in the Southern Hemisphere’s first American-style cook-off sanctioned by the Kansas City Barbeque Society — the real deal. The best performing Australian team at each of The Yaks Barbecue Festival cook-offs will be invited to represent Australia at internationally renowned barbecue contests in the United States. We're talking the American Royal World Series of Barbecue Invitational. Plus, they'll be in the draw for the prestigious KCBS-run Jack Daniels World Championship Invitational Barbecue. That's no average lamb chop. If you reckon you're a pretty damn good barbecuer, check out the website and think about entering a team. Otherwise, bib up and get your tickets here.
Catering to our fierce love of seafood over the holiday period, Sydney Fish Market is once again pulling its annual all-nighter so that you can get your hands on the freshest ocean treats for Christmas lunch. Each year, the Fish Market — which will soon be relocated to a $250 million new site — capably serves over 100,000 buyers looking to snag a deal. Between 5am on Friday, December 23–5pm on Saturday, December 24 in 2022, the market is yours to scout out the most sumptuous fish, king prawns, oysters and calamari for 36 hours. It's not only fish here, though. You can also peruse cold meats and cheeses at the deli for a grand charcuterie platter, or stop by the onsite bakery and greengrocer. Or, if you're more of a northern hemisphere traditionalist, you can even pick up a turkey from the butcher. [caption id="attachment_878750" align="alignnone" width="1920"] James D. Morgan/Getty Images for Sydney Fish Market[/caption] You'll find basically everything here. If you're stuck for gifts, there are plenty of opportunities for that last-minute buy. Head to the gift shop, florist or bottle shop. "The marathon is a signature event on the Sydney Fish Market calendar, celebrating Australia's collective love of seafood and the outstanding local produce we are fortunate to enjoy, thanks to our hardworking fishers," Sydney Fish Market CEO Greg Dyer says. "We look forward to continuing this wonderful tradition as we get closer to the opening of our spectacular new market building in just a few short years."
If crossing the Harbour Bridge is part of your daily routine, you might want to look up on Thursday, September 26. To help celebrate 21 years since BridgeClimb Sydney started letting folks scamper up to great heights, Diplo will be scrambling up top, busting out his decks and spinning some tunes — becoming the the first-ever high-profile international artist to perform atop the towering structure. The US DJ, songwriter and producer will be in the country to perform at the Listen Out festival across late September and early October, but has added this sky-high gig to his itinerary. That said, just what time he'll make the climb and how long he'll play for haven't been revealed. And no, sadly you can't buy tickets to attend. Instead, you can keep an eye out for footage afterwards, with the stunt designed to get folks talking about BridgeClimb. The company is certainly keen to mark its 21st birthday in a big way — earlier this month, it announced a sale on climbs, throwing back to 1998 by offering tickets for $98. Unsurprisingly, they've since sold out. While Diplo will become the first super-famous musician to get beats pumping 134 metres above sea level, he will follow in the footsteps of plenty of other famous faces who've previously made the climb, including Ben Stiller, Hugh Jackman and Heidi Klum. Diplo will play on top of the Sydney Harbour Bridge at an undisclosed time on Thursday, September 26. While tickets aren't available, you can keep an eye on BridgeClimb Sydney's Facebook page for footage.
Situated on beautiful rolling hills just outside Mudgee is Sierra Escape, a luxury eco-glamping experience. Sierra Escape is an adults-only retreat making it the perfect spot for a romantic getaway. After a day of wine tasting in Mudgee, make tracks to your private tent equipped with a lush bed, fire pit and hot shower. Watch the sunset over the hills with a glass of locally produced wine in your own outdoor bathtub before getting cosy in front of the indoor fireplace. Then, start the next day with a sunset walk to the hilltop lookout, some yoga on the deck and a swim in the pool made from a shipping container. [caption id="attachment_852431" align="alignnone" width="1920"] Destination NSW[/caption] Top image: Cameron D'Arcy, Destination NSW
Sydney Dance Company is celebrating its 50th anniversary in style — with a 2019 season premiere that sees three of the country's best choreographers on the bill. This trio of performances will share the stage at Walsh Bay's Roslyn Packer Theatre for a limited time from Tuesday, March 26 to Saturday, April 13. The show begins with artistic director Rafael Bonachela's world premiere, Cinco. The performance combines the talents of award-winning lighting designer Damien Cooper, fashion designer Bianca Spender and Argentinian composer Alberto Ginastera. Five of the city's best dancers will take the stage for the performance, which is set to Alberto Ginastera's 'String Quartet No.2'. To follow is a premiere of Gabrielle Nankivell's Neon Aether. The immersive experience transports the audience to a celestial world 'beyond the clouds'. Completing the trio is Melanie Lane's WOOF, which first premiered for New Breed 2017 (a Sydney Dance Company and Carriageworks annual initiative showcasing emerging choreographers). It's an eerie performance that combines romantic, classical and pop dance styles with a score composed by renowned British electronic artist Clark. The Sydney Dance Company Triple Bill will run Tuesday–Saturday between March 26–April 13, before going on tour nationally. Tickets start at $25 and can be purchased here. We also have double passes to the preview night to give away. Enter your details below for a chance to win. [competition]710532[/competition]
Next time that someone hands you a $50 note, you can be forgiven for thinking that it looks a little different — a new range of pineapples have just been released into circulation. Australia's banknotes have been getting a makeover since September 2016, when a different $5 note started doing the rounds. It was followed by a revamped $10 in 2017 and now a sparkling fresh $50, which hit the streets on Thursday, October 18. The upgraded design celebrates inventor David Unaipon, who was also the country's first published Aboriginal author, as well as Edith Cowan, Australia's first female member of parliament. They're both recognised in several ways on the new notes, with not only their portraits displayed prominently, but with microprint featuring excerpts of Unaipon's book Legendary Tales of the Australian Aborigines, plus Cowan's maiden speech to the Western Australian Parliament. [caption id="attachment_694389" align="aligncenter" width="1200"] Reserve Bank of Australia via Flickr[/caption] As well as changed artwork (albeit keeping the same colour scheme as old notes), the new $50 boast the same improved security features as the new $5 and $10 notes, which are largely aimed to stop counterfeiting. A clear window running from top to bottom is the most obvious, and contains a number of features such as a reversing number and flying bird. The note also includes microprint, as well as a patch with rolling colour. And, in great news for the vision-impaired, the new series of legal tender has a tactile feature to help distinguish between different denominations. According to the Reserve Bank of Australia, the $50 is the most widely circulated Aussie note, so expect to see quite a bit of this shiny pineapple. As happened with the other denominations, the rollout will happen gradually, as will the withdrawal of old $50s — which you can obviously still keep using. While some issues occurred when the new $5 and $10 note hit, particularly with cash-handling machines like ATMs, the RBA has consulted with banknote equipment manufacturers, retail organisations and financial institutions to minimise problems. And as for the other two values of Aussie banknotes, the revamped $20 is due in 2019 and then the new $100 in 2020. https://www.youtube.com/watch?v=ci9SMlO3Sow
After coming sixth in season nine, Sarah Tiong returned to MasterChef: Back To Win in 2020. To say the Sydney chef was a season favourite would be a slight understatement. "Not to be dramatic, but I would die for Sarah Tiong," one fan wrote on Twitter, while some called for her to become a judge next season and others promised to ride into battle if she was eliminated. While Tiong was eliminated in a week nine pressure test, she left with legions of supporters across the country. Fast forward a few months and Tiong has just released her new book, Sweet, Savory, Spicy: Exciting Street Market Food from Thailand, Cambodia, Malaysia and More, which is currently available online. "It's a combination of all of these dishes that I've learned throughout my childhood and on my travels throughout Southeast Asia," Tiong told Concrete Playground. "If people know my food, it's all about texture, generosity, full of really smack-you-in-the-face flavour. So, that's what I really wanted to put into this book." You'll find more of these smack-you-in-the-face flavours at Tiong's favourite Sydney restaurants, too. While Aussies can't currently leave the country to eat around Southeast Asia à la Tiong, they can visit restaurants serving up everything from neon green Thai curries to Indomie mac 'n' cheese. Here, Tiong takes us through five of her favourite spots to eat around the city.
Surry Hills favourite Harry's is teaming up with Indigenous-owned social enterprise House of Darwin for a series of NAIDOC Week events from Sunday, July 3 until Sunday, July 10. Through its clothing lines and collaborations, House of Darwin raises money to support social programs in remote First Nations communities including workshops and the restoration of basketball courts in the Northern Territory. Across eight days, patrons will be able to sample selections from Harry's special food and drink menu, which puts an emphasis on native Australian ingredients. The menu includes drinks such as the Wiradjuri Sour made with Archie Rose vodka, quandong, rosella, rhubi and rose water; and the Murri G&T which adds native bergamot to your classic gin and tonic. For snacks there are wattleseed corn ribs and a kangaroo burger topped with plum and chilli relish. These menu items will be raising money for House of Darwin throughout the week, alongside a limited-edition T-shirt designed by Northern Territory artist Luna Tunes. The design is a nod to the Rock Against Racism concert that toured Australia more than 30 years ago. "We've decided to pay homage to those who have laid the foundation of reconciliation in the 80s. A run of concerts occurred around Australia under the banner of 'Rock Against Racism' which were aligned with Australia's bicentenary celebration in 1988," House of Darwin's Shaun Edwards said. "This inspired a bus load of Territorians to hit the road bound for Sydney in search of a brighter future for First Nations people across the nation." Finally, on Thursday, July 7, Harry's and Heaps Decent are hosting a First Nations music showcase. Entry to the mid-week party is free with a gold coin donation. The lineup of artists will feature Willy J, The Chaza, OLZ and Princess Atlantis, Dylan Voller and For Life. View this post on Instagram A post shared by Harry's (@harpoon_harry) Top image: Nikki To
Sydney certainly has no shortage of bottomless brunches, lunches and dinners, but here's a novel addition: all-you-can-eat oven-roasted chicken. Darling Square's Goobne has launched a new bottomless chook offering — and it's on offer every single day. Available all day from Monday–Thursday and between 3–5pm from Friday–Sunday, the 90-minute offering will see you knocking back plates of Goobne's oven-roasted chook in five different flavours. You could start with original, try the slightly sweeter galbi, get a little more adventurous with fruity soy and cheese or go hard with Volcano, a fiery Korean chilli paste. To help with the burn, Goobne will also be pouring red or white wine and beer during the 90 minutes. All of that will set you back $69. You can also purchase cocktails — quite OTT cocktails — for extra, with the likes of a blue tequila-spiked Sharknado, a Lager-Rita (a tequila on the rocks topped with a Heineken) and a Corona-Rita (tequila on the rocks topped with a Corona) on offer. With limited capacities, bookings are essential and can be made over here.
Marrickville's gin distillery Poor Toms has been turning out some of the best locally-made drops since 2015 — it's so good, in fact, that they crowdfunded over $25,000 of the stuff in one day. Now, owners Griffin Blumer and Jesse Kennedy are finally ready to share their gin hall with the inner west masses. The mates have just opened the doors to their Chalder Avenue digs and there's some serious excitement in the air. Located just around the corner from Sauce Brewing and the soon-to-be-open Stockade, as well as a quick walk from Batch, Grifter and Wildflower, the gin hall is nicely situated within the suburb's craft booze haven. All this beer in one vicinity warrants another alcoholic option, and Poor Toms is ready to oblige. To celebrate the opening, the team is throwing an extra special launch party that will (hopefully) one-up their garbage bin gin raves of old. Head on in on Saturday, April 28 from noon, and they'll be slinging six buck gin and tonics and $12 martinis, along with a sausage sizzle and tunes by local DJs.
Supermarket shelves are filling with panettone and mince pies, department shop windows are being decked out with festive displays and high streets across the city are being strung with lights and baubles. It may only be November, but yuletide is already upon us and with it, 'tis the season for Christmas markets in all their wondrous forms. Any Sydneysiders in search of gifts for the foodies in their lives should circle November 22–24 on their calendars. Over three days, The Sydney Good Food & Wine Show Christmas Markets will take over Carriageworks in South Eveleigh with all manner of delicious stalls, seasonal treats, handcrafted gifts and artisanal goods. A host of celebrity chefs — including pastry chef and chocolatier Kirsten Tibballs, Smelly Cheese Co. founder Valérie Henbest, cookbook author Steph de Souza, Great Australian Bake Off star Elliot Styche and My Kitchen Rules winner Sammy Jakubiak — will also be delivering live cooking demonstrations, so you can learn the professional tips and tricks that'll make cooking your festive feast a piece of (Christmas) cake. With the wares of more than 150 local producers to peruse, there will be plenty of opportunities to sip and sample all kinds of treats from Christmas puddings to holiday-themed cocktails, all while soaking up a buzzy atmosphere and festive tunes. And thanks to The Smith Family Wrapping station, where volunteers from the Voice, Interests and Education of Women Club will be on hand to wrap your goodies, you can leave the markets with all your gifts ready to place under the tree. All funds raised from the station will go towards providing learning support for Australian children living in poverty.
While Messina's main jam is crafting supremely scoffable varieties of gelato, the brand's love of food extends far beyond the freezer. Back before the pandemic, the cult gelateria would team up with a savoury-focused culinary hero every couple of months, then throw a big ol' food party in the car park at its Rosebery headquarters to celebrate the collaboration. For the next edition of the series, the Messina team is teaming up with an old Rosebery favourite, Ricos Tacos, who will be returning to its old stomping ground outside of Messina HQ for a two-night pop-up. Ricos used to call the Rosebery car park home, before setting up a permanent brick-and-mortar restaurant in Chippendale. Taco King Toby Wilson and co will be serving up their fan favourite tacos and hash browns on Friday, July 22 and Saturday, July 23, with some top-notch desserts. The tacos come in sets of two with fried fish, beef, mixed mushroom and pork carnitas varieties on offer. The beef and mushroom sets are birria tacos, so you'll score a hot beef or mushroom consomé for dipping on the side. Finishing things up are hot fried churros paired with salted dulce de leche or Messina hot chocolate with a toasted cinnamon marshmallow. The pop-up will open from midday each day and stay open until late.
The beloved Halal Snack Pack is an unrivalled treat. HSP's have spawned nationwide appreciation groups in pursuit of the city's best pile of meat and chips — and now, Enmore Turkish mainstay Stanbuli is throwing its hat in the ring for the best inner west HSP. The new menu item sees a small mountain of Stanbuli's tender marinated chicken on a pile of golden-brown chicken-salted chips, topped with the 'Holy Trinity' of sauces: chilli, garlic and barbecue. If you're vegetarian, never fear, the Enmore Road favourite is also serving up a new vego offering that will satisfy any craving for sauce-heavy potato. The kumpir is a street-style baked potato overflowing with butter, yoghurt cream, pickled cabbage, corn and sauce, and has been added to the menu alongside the chicken snack pack. Both menu items are part of Stanbuli's new $38 per person takeaway banquet menu. The affordable lockdown feast is available on Friday and Saturday from 5pm–7.30pm and comes with the likes of bread, hummus, fried vegetable salad, the loaded kumpir and lamb and potato kofte or braised peas. From there, you can add on the HSP as well as pickled octopus salad, or sumac and honey glazed ribs, depending on how extravagant a meal you have in mind. The banquet can be ordered via Bopple, just leave 45mins for the Stanbuli team to prepare before you swing by to pick up your dinner. Stanbuli is located at 135 Enmore Road, Enmore. It's open from 5pm Friday and Saturday. To pre order during the week, contact Stanbuli at enquiries@stanbuli.com.au.
Between the inaugural So Pop festival, drawing names like Vengaboys, Aqua and Lou Bega, and RNB Vine Days, headlined by the likes of Nelly and Craig David, the list of international music heroes hitting Aussie stages this summer is already huge. But it's about to get even heftier, with news that the world's biggest hip hop festival Rolling Loud is set to make its southern hemisphere debut next January. The independently owned one-day event hits Sydney Showgrounds on Sunday, January 27, and while the lineup won't be released until later this week, it's set to be seriously buzz-worthy, if previous years' offerings are anything to go by. Since its first outing in Miami back in 2015, Rolling Loud has expanded to Los Angeles and San Francisco, pulling crowds of up to 135,000 earlier this year. Past sell-out events have seen names like Kendrick Lamar, Cardi B, A$AP Rocky, Future, Lil Wayne, Young Thug, Post Malone, Migos and Lil Uzi Vert all grace the festival's stage. For Rolling Loud's first Australian foray, young founders Matt Zingler and Tariq Cherif are teaming up with local production and events company HSU Events, who has previously brought us big international headliners for the likes of Midnight Mafia and Knockout Circuz. If you're keen to catch Rolling Loud's Aussie debut, you can sign up now for exclusive pre-sale access. The festival will take over Sydney Showgrounds, Olympic Park, on January 27. We'll fill you in on who's headlining as soon as they're announced later this week. Images: Beth Saravo and Sebastian Rodriguez
Yep: whenever Jordan Peele drops a new film, it instantly proves a must-see, as both the Oscar-winning Get Out and the equally exceptional Us have shown so far. Also yep: when it comes to making the leap from an iconic sketch comedy series to helming horror movies — and having a hand in bringing everything from BlacKkKlansman and the ace latest Candyman flick to Hunters and Lovecraft Country to our eyeballs, too — the former Key & Peele has been having a helluva past five years. And one last yep: the comedian-turned-filmmaker's next flick, his third big-screen directorial effort Nope, couldn't look more eerie, enticing and exciting (aka the classic Peele combination). That was true back in February, when the first sneak peek at Nope dropped and had Get Out star and Judas and the Black Messiah Oscar-winner Daniel Kaluuya ask "what's a bad miracle?". Now that the film has released a full trailer that sheds further light on its narrative, that still remains 100% accurate. The setup: the Haywood ranch is proudly run by the only Black-owned horse trainers in Hollywood (played by Kaluuya and Hustlers' Keke Palmer), whose connection to show business dates back to the very birth of cinema. But their remote patch of inland California soon becomes home to a disturbing discovery — and the fact that everyone spends a fair amount of time either looking up in horror or running away from something chilling in the sky in both trailers says plenty. In the new sneak peek, Kaluuya and Palmer's brother-and-sister duo OJ and Emerald are rocked by tragedy, then spooked by what's happening above. And, yes, Kaluuya utters the movie's title. Emerald decides that they need to capture what's happening on film, which is where Michael Wincott (Veni Vidi Vici) and Brandon Perea (The OA) come in — one charged with standing behind the lens, the other selling tech equipment. With Nope also lending its attention to other California residents who see this uncanny presence in the sky, Steven Yeun (Minari) also pops up as a rodeo cowboy. As with all of Peele's celluloid nightmares so far, the less you know going in when the movie hits cinemas Down Under in August, the better. That said, the two trailers so far do a fantastic job of teasing all of the unsettling imagery that the filmmaker is about to get lodged in your brain, including fields of colourful inflatable tube men waving in the breeze, the creepiest of clouds and shadows, and a big leap into X-Files territory. Check out the full trailer for Nope below: Nope will release in cinemas Down Under on August 11, 2022.
Guess who’s back? Back again. That's right. This ain’t just an excuse to quote Eminem unnecessarily. The Rubber Duck is back with a splash for Sydney Festival 2014, and this time it is bigger and better than ever. Okay fine, it's exactly the same size as last year. But hey, in 2013 The Duck was something of a celebrity, giving a fresh perspective to Sydney's Darling Harbour and hogging Instagram feeds throughout January. This time, Florentijn Hofman's enormous, inflatable urban sculpture is bound for Parramatta River in Parramatta Park. At five storeys high and five storeys wide, 'The Duck' is the acclaimed artist’s most popular work, appearing in cities all around the world since 2007. And its tour is not looking to slow down anytime soon. The artist says that the Duck does not discriminate and has no political connotations. "It relieves everyday tensions, as well as defining them. Its purpose is to do no more than amaze." Whether you’re into novelty-sized inflatables, aquatic birds, the colour yellow, art — okay, seriously, everyone loves the Duck — you'll be made happier by a squiz at him in January. Want more Sydney Festival events? Check out our top ten picks of the festival. Image by Prudence Upton.
It's all well and good to lock in a destination and start booking your itinerary, but when was the last time you thought about the devices and accessories that'll keep your trip running smoothly? Travelling is stressful enough, so make the journey as easy as possible with practical tech gadgets that'll help you deal with the noise of fellow passengers, having to re-wear dishevelled clothes or running out of charge at the worst possible time. From odour-reducing clothing steamers to powerful portable chargers, we partnered with Philips to put together a list of handy tools that'll take some of the hassle out of your next adventure. Philips Handheld Garment Steamer This portable tool will keep you looking (and smelling) your best throughout your holiday, so you can pack light and have plenty of room in your suitcase for shopping and souvenirs. At an affordable $79.95, the Philips Handheld Steamer 3000 Series is compact enough to throw in your luggage and safe to use on all types of iron-safe fabrics, including delicates like silk. As well as getting rid of wrinkles, the nifty gadget also removes odours and eliminates bacteria, which is ideal when you don't have easy access to a washing machine on your travels. Noise-Cancelling Headphones Ditch the tinny audio and discomfort of those complimentary airline headphones and upgrade to a pair of noise-cancelling headphones for your next flight. You might not think it makes a difference, but eliminating the background roar of the plane means that you don't have to crank up the volume and overstimulate your ears, and it also helps your chances of getting some sleep. There are a wide variety of options available, from the fancy Apple AirPods Max ($899) and Bose QuietComfort Ultra ($645.95) or the more affordable Space One by Soundcore ($135.99). And with the incredibly handy Airfly device ($54.99), you can connect to the in-flight entertainment using your own Bluetooth headphones. Portable Power Bank Imagine trying to navigate an unfamiliar city with only a 2% charge. Or arriving at a spectacular view but not having enough battery to take a photo. Don't let your phone add stress to your trip — throw a portable power bank in your bag so you can be out and about for the whole day. With wireless charging, two built-in cables, interchangeable power adaptors and additional cable outlets, the 5-in-1 Universal Travel Power Bank by Snap is worth the splurge ($169.95). You can also go for a cheaper option, like this power bank by Charmast ($47.99). It offers built-in cables and outputs to charge up to five devices at once and can charge your phone multiple times. E-Reader You don't want to waste precious suitcase space by packing multiple books for your holiday, but that doesn't mean your reading goals need to be put on hold. Both the Amazon Kindle and Rakuten Kobo are able to store more than 10,000 books and last over a month with a single charge. You can take notes, highlight important passages, adjust the font size and brightness, and even rent certain titles. At less than 170 grams, you won't even notice you're carrying it around, but it'll be on hand for those quiet moments when you're sipping coffee in a local cafe, lounging in a park or stuck in a long queue. Portable Fan If you're chasing summer in the northern hemisphere, you'll need an easy way to keep the temperature (and tempers) as cool as possible. Keep a handheld fan in your pocket for long days in the sun, like this water-spraying fan from Big W ($29.99) for a chilly boost or this multi-functional gadget from Amazon ($23.99), which includes a flashlight and power bank. There are also wearable options that keep your hands free, like this rechargeable neck fan ($50.99). The convenient tool disguises as a pair of headphones while circulating cool air across your face and back. With no danger of spinning blades, it is a great option for kids. Shop the Philips Handheld Steamer 3000 Series and other products on the website.
Chart-topping UK grime MC Stormzy is finally set to return to Australian and New Zealand before the end of 2022, with a slew of previously postponed tour dates being given new dates. Originally scheduled for 2020 before being pushed back multiple times for obvious reasons, the H.IT.H World Tour will make its long-awaited arrival across Australian and New Zealand from Wednesday, November 23. That's when the tour will begin at Perth's HBF Stadium, before continuing on to Sydney, Brisbane, Melbourne, Adelaide and Wellington — and concluding in Auckland on Sunday, December 11. Folks that purchased tickets to the original tour and held onto them for the past two years need not worry, as their purchase is still valid, while limited extra tickets are on sale now. Stormzy last graced our shores for Splendour in the Grass 2018. In the following half a decade, the rapper has released his second UK #1 album Heavy Is The Head, which was nominated for a Mercury Music Prize; made history by becoming the first black British solo artist to headline Glastonbury; and set up multiple social enterprises including the #Merky Foundation and the Storzmy Scholarship at the University of Cambridge. The tour will mark the first time audiences down under will have the opportunity to catch Heavy Is The Head hits like 'Vossi Bop', 'Own It' and 'Crown', alongside favourites from Stormzy's back catalogue. With many of the tickets already snatched up back in 2020, the remaining spots are sure to fill up fast. https://www.youtube.com/watch?v=9ClYy0MxsU0 STORMZY AUSTRALIA AND NEW ZEALAND TOUR DATES 2022 Perth — Wednesday, November 23, HBF Stadium Sydney — Sunday, November 27, Hordern Pavilion Sydney — Monday, November 28, Hordern Pavilion Brisbane — Wednesday, November 30, Riverstage Melbourne — Friday, December 2, John Cain Arena Adelaide — Thursday, December 8, AEC Theatre Wellington — Saturday, December 10, TBS Arena Auckland — Sunday, December 11, Trusts Arena Stormzy will tour Australia and New Zealand in November and December 2022. For further information and to buy tickets, head to Handsome Tour's website. Top image: Raph_PH.
It was a year ago now that Sydney's North Shore was blessed with a new opening, and a long-awaited one, too. Bar Infinita has taken over the local Italian dining scene from its Gordon home, and it's already celebrating its first birthday. In a fantastic convenience, that birthday just so happens to fall on National Tiramisu Day, so we lucky diners are getting some deliciously themed specials to celebrate. Typically, the birthday celebrant isn't the one giving the gifts, but who are we to complain in the face of tasty treats? Cocktail aficionados should swing a booking on Thursday, March 20 and get into $5 Tiramisu Martinis. Come Friday, March 21, Bar Infinita's famous Nonnas Tiramisu takes centrestage, and is free for all bookings between 5pm and 6pm. That's right, free tiramisu — that's not your Nonna's happy hour special. [caption id="attachment_995404" align="aligncenter" width="1920"] Take Studios[/caption] If you miss the initial offering, the birthday celebrations are continuing through the weekend with a limited-edition Pistachio Tiramisu on Saturday, 15% takeout discounts on Sunday, and a set menu wine dinner on Monday, March 24. Those are the specials, but Bar Infinita has a hell of a lot more than just tiramisu going for it. In fact, it hasn't lost a puff of steam since its opening. Chef Francesco Iervolino (who has previously worked at Surry Hills' Firedoor and Mosman's Ormeggio) helms the menu, which is packed with high-end Italian classics and fuelled by a wood-fire oven. But there's not a slice of pizza in sight here, with that oven instead going to work cooking up some seriously top-notch steaks. And carb fiends fret not; the lack of pizza is made up for with bowls upon bowls of pasta and inventive antipasti.
It was true in 2023 and it's set to prove the case again in 2024: if you can't find something on the SXSW Sydney lineup for you, you aren't looking hard enough. Want to enjoy the massive tech, innovation, screen, music, games and culture festival, but saving your pennies? That's where its free Tumbalong Park hub comes in — and it too is returning for another year. When SXSW Sydney runs its second fest across Monday, October 14–Sunday, October 20, it'll also host its second public program at Darling Harbour. Here, it doesn't matter if you're also heading to the music festival or the screen festival, trying to catch as much of the entire event as possible or aren't paying for any SXSW tickets at all. Whichever fits, you can check out more than 60 hours of free entertainment, including tunes, talks and movies. [caption id="attachment_953722" align="alignnone" width="1920"] Jaimi Joy[/caption] Just-announced highlights include Silverchair's Ben Gillies teaming up with songwriter Tushar Apte and futurist Johannes Saam, which ticks both the music and tech boxes; a 60th-anniversary screening of iconic surfing film The Endless Summer, hailing from the screen portion of the program and including an after party; and a day-long showcase of Indian creativity to wrap up the fest, with +91 Calling! featuring an array of different music genres. Attendees can also catch Bush Shorts, a selection of short films by Australia's First Nations and Indigenous talents; conference talents getting chatting at Meet the Speaker sessions; an innovation showcase that's all about rockets, robotics and more; and a Fortnite competition for high schools. On top of all of this, there will also be food trucks, plus pop-up activations from a range of brands — and yes, the Suntory -196 Extreme Vending Machine will be back. [caption id="attachment_953715" align="alignnone" width="1920"] Ian Laidlaw[/caption] SXSW Sydney's lineup drops are in full swing, after a first batch came in May, then a second round in June. In July, the fest revealed not one, not two, but three rounds of additions to its 2024 program. Also on the bill across the rest of the fest beyond the free Tumbalong Park hub: Australian The New Boy filmmaker Warwick Thornton, The Babadook composer Jed Kurzel, the UK's Jorja Smith on the 'Be Honest' musician's Australian tour, human rights lawyer Jennifer Robinson, author Johann Hari, Australian race car driver Molly Taylor, pianist Chad Lawson, Westworld's Luke Hemsworth hosting a session about the Tasmanian tiger and Aussie astronaut Katherine Bennell-Pegg. Or, get excited about Heartbreak High star Ayesha Madon, cricketer David Warner, Mortal Kombat director Simon McQuoid, TikTok marketing head Sofia Hernandez and documentary Slice of Life: The American Dream. In Former Pizza Huts, about the new uses of former Pizza Hut buildings across America. There's still more where they came from, plus more to come. [caption id="attachment_953724" align="alignnone" width="1920"] Jaimi Joy[/caption] [caption id="attachment_953717" align="alignnone" width="1920"] Paul McMillan[/caption] [caption id="attachment_923290" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues, including Tumbalong Park, 11 Harbour Street, Sydney. Head to the SXSW Sydney website for further details. Top image: Brendon Thorne/Getty Images for SXSW Sydney.
If you're a lover of contemporary art, there are two things you've probably found yourself in repeated fights over. Firstly, why a canvas with naught but a single monotone colour deserves to hang in a gallery and, secondly, why live art is more than just 'crazy for the sake of crazy'. So, the artist nailed his arm to a wall? It's about politics. She had all her clothes cut off by strangers? Gender. It's an artist's job to test the bounds of acceptance and cover unchartered ground, but some artists are notorious for taking that extra step into the unknown. We thought we'd take a look into the extreme history of the artform — the highs, the lows, and all the wilfully mutilated body parts. (TW: self harm and sexual content.) Pyotr Pavlensky nailed his testicles to some cobblestones November last year saw millions of men sympathetically shift in their seats as Russian performance artist Pyotr Pavlensky drove a decent-sized nail through his scrotum and into Red Square. After receiving worldwide attention (that headline is clickbait in any language), Pavlensky stated his actions were a form of political protest against Russia's ever-increasing "police state". "The performance can be seen as a metaphor for the apathy, political indifference and fatalism of contemporary Russian society," he said. Such tactics were not new to this ballsy artist either as 2012 saw him sew his mouth shut in support of the recently imprisoned Pussy Riot. It's one way to get people talking, but at what cost? Vito Acconci hid under gallery floorboards while masturbating While we're on the topic of male genitals, it's definitely worth bringing up American artist Vito Acconci and his seminal work 'Seed Bed' (pun entirely intended). First performed in 1972 at New York's Sonnabend Gallery, this controversial and generally well-regarded work involved the artist hiding under a makeshift ramp in the gallery space and masturbating for eight hours a day. While it outwardly seems like the engineered scheme of a sexual deviant, the work is famous for being enormously effective on its audience members. While standing in the desolate gallery space, gallery-goers could hear Acconci murmuring explicit sexual thoughts via a loudspeaker, and were uncomfortably conscious of his presence under their feet. 'Seed Bed' has since been re-performed by Marina Abramovic in a very welcome inversion of the original work's testosterone overload. Marina Abramovic stared at thousands of strangers in silence until they cried This woman is the queen of all things performance art. Aside from taking on 'Seed Bed', she has a wealth of her own legendary artworks including 'The Artist is Present', a piece that inspired a documentary in its own name. For 736 hours and 30 minutes, Abramovic sat in silence at the Museum of Modern Art staring at whoever sat opposite her. The piece proved so cathartic for audience members it has spawned not only a film, but a fan blog called Marina Abramovic Made Me Cry — the artwork had this effect on the artist herself too when her ex-lover came to visit. Don't be fooled though; Abramovic is tough as guts. In her work 'Rhythm 0' she had audiences inflict pleasure and pain on her body with objects including honey, a scalpel, a rose, and a loaded gun; and in 'Rhythm 10' she played a Russian knife game dodging her fingers with 20 knives in quick succession. There are a lot of men in live art, but this woman may be the most hardcore there is. Tehching Hsieh punched a time clock every hour, on the hour, for a year Abramovic has described Hsieh as a "master" of the form. He's done the dirty stuff — he lived alone in a wooden cage unable to read, write, or listen to radio or TV for an entire year. He then went the other way — wilfully living outside for another whole year. But in the time in-between, he undertook 'Time Clock Piece'. From 1980-1981, Hsieh punched a factory-style time clock every hour, on the hour. After shaving his head at the outset, the artist took a photo of himself each hour and the subsequent documentary evidence, as the hair grows and grows, shows a passing of time equal parts beautiful and woefully depressing. Santiago Sierra tattooed these women's backs in exchange for heroin It's impossible to be indifferent to the kind of work that Sierra does. With most pieces including people from disadvantaged backgrounds in less than desirable positions, to many the art looks a lot like exploitation. In '160cm Line Tattooed on 4 People', Sierra found four heroin-addicted sex workers who were willing to have their backs tattooed in exchange for a single shot of heroin. While on the surface this seems outright despicable, the self-aware nature of the act did serve as a counter-point for many. After all, structures of power can never change if they aren't first exposed. Taras Polataiko had women contractually obliged to marry strangers In the live art piece 'Sleeping Beauties', Ukrainian artist Taras Polataiko found five female volunteers to feign sleep in an art gallery and endure the kisses of thousands of strangers. And here's the kicker: if they ever opened their eyes after a smooch, they were contractually obliged to marry the kisser. The agreement stood for gallery-goers too — in order to gain kissing privileges you had to present a valid ID and sign a legal document promising you to marriage. The performance ended on a meaningful note however, as the beauty opened her eyes to find a woman's lips. As Ukraine still hasn't legalised same-sex marriage, the work raised important questions about the issue and thankfully gave the participants a loophole to wriggle out of . Chris Burden was crucified to a Volkswagen There's nothing artists love more than a good crucifixion to dredge religion up in their work. If you thought Madonna jumping on a cross for a music video was out there, in his 1974 work 'Trans-fixed', American artist Chris Burden actually crucified himself to a Volkswagen Beetle. For no immediately apparent reason, either. The car came out of a garage for two minutes, revved a little, then returned inside. Obviously he was never one to shy away from pain. In 1973's 'Through the Night Softly' he got down to his underwear and crawled through glass, and in his aptly-titled 1971 work, 'Shoot', he was shot point blank in the arm with a rifle. More power to him. Joseph Beuys spent three days in a small room with a coyote The creeper to inspire all creepers, Joseph Beuys was an influential German artist whose 1974 work 'I Like America and America Likes Me' consisted of him skulking around a gallery in New York with naught but a coyote, some straw to sleep on, and a disturbing get-up that made him look like a gothic shepherd. He was taken from the airport via ambulance, never having stepped on American soil and stated of the work, "I wanted to isolate myself, insulate myself, see nothing of America other than the coyote." Once his time was up, he shared an awkward hug with the somewhat domesticated creature and boarded a plane home. Mike Parr had his lips, eyes, and ears sewn together The only Australian addition to this list, Parr has made a name for himself in the field of self-mutilation. This six-hour endurance piece, 'Close the Concentration Camps', was done in protest to the prolonged detention of asylum seekers during the Howard era, and has a disquieting resonance to this day. In 2002 there were reports some detainees had sewed their mouths shut in protest, but the trauma felt very distant to many Australians. Parr's act of solidarity at the Monash University Museum of Art brought this violence uncomfortably to the fore. Francis Alys enlisted the help of 500 volunteers to move a sand dune 10cm to the left One of the main arguments people have against modern art is that it's inconsequential, and Francis Alys' work certainly makes a good case for them. In his most-famous piece, 'When Faith Moves Mountains', this Belgian artist took to the outskirts of Lima and recruited 500 people to move a sand dune, one shovel at a time, slightly to the left. In response to intense confusion from everyone in the world, he responded, "Sometimes making something leads to nothing, sometimes making nothing leads to something." Artists are nothing if not riddlers, I guess.
Vivid is coming up, and you may be eyeing off some spots around Sydney to book in a meal illuminated by the iconic festival lights. If this applies you, one more option has just sprung forward with Taronga Zoo announcing it will open its elegant Wildlife Retreat dining room Me-Gal to the public for the first time on Thursday, March 30. Me-Gal is set among the zoo's one-of-a-kind eco-retreat that pairs the touches of luxury you'd expect from a five-star hotel together with koala habitats right out your bedroom window — it's one of our picks for the best hotels in Sydney. The restaurant offers a seasonal menu of modern Australian dishes showcasing local produce and native ingredients but its biggest drawcard is the harbour views it serves up. Thanks to Taronga Zoo's location on the head of the lower North Shore and Me-Gal's floor-to-ceiling windows, diners are treated to sweeping panoramic views of the Sydney skyline, including the Sydney Harbour Bridge and the Sydney Opera House. While you can easily lose track of time staring across the water at the CBD, you'll eventually have to turn your attention to the menu. Executive Chef Stefan Schröder has worked with local farmers and producers to create a sustainably sourced and flavour-packed selection of eats. "When crafting the offering for Me-Gal we drew inspiration from its unique location and the Australian native fauna that surrounds it," says General Manager Hoanh Giang. "An unexpected dining destination on the lower North Shore, the focus at Me-Gal is on sustainable dining, a passion we share with our local community of producers." Take your pick from a la carte standouts like stuffed zucchini flowers with wattle seed ricotta and macadamia crumble, beetroot and whipped lemon myrtle ricotta risotto, and sautéed Hawkesbury calamari served with kipfler potatoes, nduja and wild rocket. If you're dining with a group of four or more, you can leave it in the hands of the chefs and order the shared feast which comes with eight different highlights from the menu and dessert for $120 per person. The wine list is designed around well-rounded Australian classics like Henschke, Penfolds, Yabby Lake, Leeuwin Estate and Oakridge, alongside a selection of vegan, organic, biodynamic and sustainable wines — most of which are available by the glass. If you want to make a real night out of it, you can still book a stay at the Wildlife Retreat, with rooms starting from just over $500 a night. Taronga Zoo is also bringing back its Wild Lights activation as part of Vivid this year. The luminous event will run for 18 nights giving visitors the opportunity to explore the zoo after dark with a light walk guiding you through the park past large-scale animal lanterns and large-scale actual animals. Plus, it's also introducing an intimate new immersive tour called Nura Diya Australia that will take you up close and personal with kangaroos, dingos pups and koalas. [caption id="attachment_853669" align="alignnone" width="1920"] Wild Lights at Taronga, Destination NSW[/caption] Taronga Zoo's Me-Gal is located at 2A Bradleys Head Road, Mosman. It will open to the public on Thursday, March 30, opening for lunch Thursday–Sunday and dinner Monday–Sunday.
With 24 percent of London's rush-hour traffic now made up of cyclists, the call for infrastructure upgrades is growing louder. Following the deaths of six cyclists within a fortnight last November, more than 1000 concerned riders staged a 'die-in' outside the Transport for London headquarters in mid-December. Now, architect and cycling fan Lord Norman Foster is proposing a solution: the SkyCycle. It's 135 miles (or 217km) of car-free cycle paths that would be built in the air, supported by pylons, at a height of three storeys, above the routes established by London's current railway lines. Fifteen metres of width would handle up to 12,000 cyclists every hour. More than 3 million people would live and work within ten minutes' of one of SkyCycle's 200 access points. "It's a lateral approach to finding space in a congested city," Lord Foster said. "By using the corridors above the suburban railways we could create a world-class network of safe, car-free cycle routes that are ideally located for commuters." SkyCycle is a collaboration between Foster and Partners, Space Syntax and Exterior Architecture. Space Syntax director Anna Rose compared the system's potential to that of previous major infrastructure changes that have "transformed the fortunes" of London. "Bazalgette's sewer system helped remove the threat of cholera to keep London at the forefront of the Industrial Revolution; the Underground strengthened London's core by making long-distance commuting possible," she said. "SkyCycle is conceived in this tradition as a network of strategic connections from the suburban edges to the centre, adding the much needed capacity for hundreds of millions of cycle journeys every year with all the social, economic, environmental and health benefits to London that follow." However, London is not the final stop. Sam Martin of Exterior Architecture told the Guardian that SkyCycle's ambition is, ultimately, international in scope. "The dream is that you could wake up in Paris and cycle to the Gard du Nord. Then get the train to Stratford, and cycle straight to London in minutes, without worrying about trucks and buses." The catch? The usual — time and money. The current projected cost is £220 million and the construction period is up to 20 years. In the meantime, however, Londoners have been taking advantage of their new cycle super highway. Via Inhabitat.
To make the most of your adventures, you'll need a warm, comfy place to rest your head — and, ideally, one with a cracking view. You can find just that at Creel Lodge. Located at Waste Point, overlooking Lake Jindabyne, this spot has epic views with mountain chalet comforts, like an outdoor fireplace and a large dining table for red wine and card games in the evenings. It's located within the National Park, so you're right in the heart of the action for walking trails, bike rides and water-based fun. After a day of exploring, fire up the barbecue on the deck and see if you can spot any of the resident kangaroos. The Lodge has four bedrooms and sleeps up to eight people, and in the summer months you can book in from $345 per night.
Looking for an utterly delicious way to make a difference? We have the answer. Neil Perry is Two Good Cafe chef of the month this March – and you're invited to eat his delicious creations to help raise funds for at-risk women affected by domestic violence, homelessness and trauma in their search for employment. The star of the month-long menu is undoubtedly Neil's Cubano Roll, packed with pork carnitas lathered in chipotle mayo and stacked with dill pickles – a brilliant fusion of bold flavours for $18. For something lighter, try the Super Salad, a nourishing mix of nuts and grains, feta, herbed tahini dressing, and a perfectly soft-boiled egg (also $18). Either way, finish up by indulging in Neil's carrot cake ($8), a satisfying finale, knowing that with every bite you're making a difference. Good food has never tasted so sweet. Perry's delights will be served at the Two Good Cafe at Yirranma Place in Darlinghurst. Plus, there's a catering service, so you can share all the goodness with colleagues, friends and family at your next gathering.
UPDATE: MARCH 31, 2020 — The Rio is currently offering bottled cocktails and food deliveries for locals. It's got a range of specialty cocktails for $20 each, longnecks of 'hipster draught' for $15, bottles of vino from $30 and Mediterranean-style dishes should you get hungry. Check out the full menu here and call 0406 219 355 to order. For decades, The Rio was the coolest spot in Summer Hill, doling out sweets and soft drinks to cinemagoers and late-night drifters. It fell out of fashion more recently, but owner George Poulos (known as 'The General' to locals), never deviated from the old-school formula and kept dishing up the finest milkshakes in town, always immaculately dressed in a suit and tie. His shop was a labour of love, and he literally worked in the store until the day he died. Now, everything old is new again and a new team including owner Tess Robens (Newtown's Corridor) has re-opened the gem of a site as a small bar, retaining the name and paying loving homage to the venue's past life. There are, of course, some milkshakes on the drinks list and a few nods to the Greek heritage of Poulos' shop with zucchini keftedes and mini spanikopita on the menu and a mural of Dionysus, the Greek god of winemaking, on one wall upstairs. Even the cocktail menu celebrates the retro humble milk bar menu, with a cloudy concoction called the Spider Aperitif ($18). Every milk bar worth its salt has (had?) a range of soda spiders on hand, and this modern twist combines lime, agave, vermouth and a dollop of vanilla bean ice cream, complete with a small silver spoon to ensure you can scoop up every last bit of sweetness. Other cocktails on the list place an emphasis on sourcing ingredients from Australian boutiques and applying slight twists to old classics. The Aussie Negroni ($18), for instance, brings together Melbourne gin from the Yarra Valley, Maidenii sweet vermouth from central Victoria and subs out Campari for the excellent, aromatic Applewood Red Økar from the Adelaide Hills. In combination, they make for the kind of cocktail you simultaneously want to devour and savour. The food list makes a good fist of modern bar food, with small plates like grilled flatbread with that ideal thin crust and three dips ($16). The flatbread also comes as part of sharing food platters ($36 for two people, $52 for four), which arrive on a plank piled appealingly with creamy blue cheese, cornichons, salami, prosciutto and crackers. The décor is fairly modern, with familiar touches from the Sydney small bar playbook, like exposed brick, scruffy floorboards, industrial bulb lights, hanging plants and the kind of cushioned grandma chairs. Some of the wonky charm of the original 1950s signage has been thankfully retained, including the hand-painted lettering spruiking cigarettes, chocolate and more on the street windows and awnings. It's a stylish reminder of the spirit of the old milk bar which lives on in this cosy yet contemporary reboot. Images: Katje Ford.
Exercise should be fun. It is a great way to feel fit and fresh and make new friends along the way. Running on that treadmill can be repetitive though, and by now you are probably zoned out of Zumba. So we're all ears to new workout options and technologies that can rejuvenate our routines. Thankfully, creative trainers all across the world have been hard at work creating the next big thing for you and your friends to throw yourselves into. These weird trends are taking over gyms, parks and post-workout coffee discussions everywhere. Want the endless energy to conquer whatever heights a new workout takes you to? We recommend you get fitted in the latest Boost technology found in the Adidas adistar Boost, available in limited release from our friends at the Athlete's Foot. Bokwa Where: Nationwide Dance-inspired fitness classes show no sign of fatiguing any time soon, and Bokwa is the latest craze stepping out onto the floor. Bokwa is cardio with a culture, fusing conditioning with customary African dance to create a full body workout that will leave you craving more. The best part is you can be as uncoordinated as you like and still join in, with the steps all spelling out basic numbers, letters and words. So basically if you have read this far into the article, you can Bokwa. Virtual Reality Cycling Where: Athlete Lab, Sydney and Best Practice Personal Training, Brisbane Virtual Reality cycling takes cyclists on a virtual vacation from inside their own gym. The class utilises a large projector or screen display to simulate scenery and environments from all across the world to crash through the cycling constraints of the four walls surrounding exercisers. Whether you are peddling the pavement in New York or assailing the Alps, you will find yourself working up a serious sweat whilst dodging cars without the danger. TRX Suspension Training Where: Fitness First centres across Australia or your own home TRX Suspension Training is ready to get you navy-fit anywhere, anytime. All you need are suspension bands and your own body weight to perform a rewarding resistance workout that caters to all levels of fitness and gets you fit for whatever life throws your way. You do not even have to pay for a gym membership as the bands can be put up anywhere from your bedroom to the local park. Bingo! Quidditch Where: Across Australia Yes, you read correctly. Quidditch is taking over the world as Harry Potter fans look to keep the magic going. There is no need to have read or seen any of the books or films to take part though, with all equipment, including your very own broomstick, supplied and rules very easy to pick up. Once you embrace looking silly alongside everyone else, you will probably end up having the best time you have ever had with a broomstick between your legs. So lace up those runners, mount up and seek that snitch. Street Workouts Where: Anywhere outdoors Street workouts provide you with the best opportunity to head outdoors for your exercise this winter. This workout emphasises the utilisation of public facilities and your surrounding environment. You could do activities such as pull-ups on the monkey bars, dips on the park bench and jumping over obstacles, parkour style. Plus, it is all for the price of free. Extreme Obstacle Courses Where: Nationwide Whether you want to be a Tough Mudder or a Spartan Racer or both, there is an extreme obstacle race out there waiting for you to conquer it. These gruelling courses stretch up to 20 kilometres and allow you to test all elements of your endurance as you crawl through mud, swing over pools and climb over walls. Then they zap you with live wires, just to make sure your heart is in it. It is all worth it at the end, though, as you are rewarded with that glorious sense of athletic achievement and personal pride. Backwards Running Where: Outside Backwards running is the process of running backwards. See, it is nice and simple. Aside from being a fun way to imagine the world in reverse, it also is said to be good for your fitness, as it can improve your balance and take the strain off muscles used in that boring forward running. This is a good time to pull on a pair of adistar Boosts, as the extra cushioning in the sole provides support for the heel when running backwards. Check out this clip for some motivation. One to try on a track very clear of obstacles. Cycle Karaoke Where: Currently only the US Cycle Karaoke — or Cyclaoke, as we have taken to calling it — finally provides an opportunity to sing your way into shape. It aims to get you exercising at your optimal heart rate, so if your rendition of Queen's 'Bicycle Race' is proliferated with panting, then you should ease off a little. Then again, if you are belting out 'Eye of the Tiger' with ease then you really need to focus on your pedal power rather than your power ballad. Either way, it is exercise at its embarrassing best. Antigravity Yoga Where: Nationwide Ever wondered what it would feel like working whilst airborne? If so, then antigravity yoga is for you. By settling into a supportive silk hammock you can exercise off the ground and remove a significant amount of stress from your body. Combining elements of yoga, dance and the aerial arts, it will help you form a concrete core as you have fun learning to fly. Man Versus Horse Marathon Where: Wales, United Kingdom If none of these are for you, though, and you want the ultimate challenge, then you should race a horse. The annual Man Versus Horse Marathon covers a 35km cross-country course and is the ultimate test of man versus animal. You can take on the horse all by yourself, or you can take two gym buddies with you and claim team glory. With only three human winners in the 32-year history of the race, your name could go down in history forever. Before you head out on these 10 super-charged new workouts, it helps to have the endless energy harnessed by the new Adidas adistar Boost on your side. They're in limited release at the Athlete's Foot now. How do you boost? These four athletes have a few ideas to rival our own. Vote for your favourite to be in the running for your own pair of Adidas adistar Boost running shoes. https://youtube.com/watch?v=nTH4KKY5_5s https://youtube.com/watch?v=RJYVuVV-yC4 https://youtube.com/watch?v=u3-xitE0fy0 https://youtube.com/watch?v=juY_jxiCJms Top image: Tough Mudder contestants in costume.
With gigs and shows popping back onto calendars again over the last six months, bands and concert promoters have been forced to get creative to abide by COVID-19 restrictions. Local favourites have thrown seated gigs in small regional towns, performed to a sea of cars at drive-in concerts and are even set to take to revolving stages as part of NSW's first major music festival of 2021. Although gathering restrictions have begun to roll back and normalcy is beginning to return to the live music scene across the country, these unique opportunities to catch bands in unexpected locations don't seem to be going anywhere. Take Live At Last, for instance. It's the new live music series that will see fan-favourite Australian musicians perform at intimate venues across the country. In Sydney, it'll feature Hockey Dad, the band behind the aforementioned drive-in gigs, who'll perform in beloved bar Frankie's Pizza on Thursday, April 29. The show will be a unique chance enjoy Frankie's new Dan Pepperell-crafted pizza menu while catching the Wollongong surf-rock duo up close, with the CBD bar having a much smaller capacity than the 3000-person Big Top Luna Park the band recently sold out. A venue the size of Frankie's playing host a band of Hockey Dad's popularity could result in chaos, so you'll have to win tickets in order to get access to the gig. To go into the ballot to head along, you just need to hit up the Secret Sounds website and enter your details. Announced after the Hockey Dad show — but happening the day before — is Live At Last's Brisbane stopover. Last Dinosaurs and Dear Seattle will hit the stage at The Triffid on Wednesday, April 28. To head along, you'll also need to try to win tickets via the Secret Sounds website. Then, the series of gigs is set to move to other parts of the country. If you're wondering where else Live At Last will head, that's yet to be revealed. [caption id="attachment_772790" align="alignnone" width="1920"] Hockey Dad by Ian Laidlaw[/caption] Live At Last is set to kick off on Wednesday, April 28 with Last Dinosaurs and Dear Seattle at The Triffid in Brisbane — and then head to Frankie's Pizza on Thursday, April 29 with Hockey Dad. To win tickets and to keep an eye out for future events, head to the event's website. Top image: Frankie's Pizza by Katje Ford Updated April 16.
Is there anything that Bill Hader can't do? While watching Barry's third season, that question just won't subside. The deservedly award-winning HBO hitman comedy has been phenomenal since 2018, when it first premiered. When it nabbed Hader an Emmy for his on-screen efforts in 2019, it had already proven one of the best showcases of the ex-Saturday Night Live performer's talents so far, too — yes, even beyond SNL. But season three of Barry three slides into another stratosphere: it's that blisteringly clever, deeply layered, piercingly moving and terrifically acted. It's also that exceptionally well-balanced as a crime comedy and an antihero drama, that scorchingly staged during its tense and thrilling action scenes, and that willing to question everything that the show and its eponymous character are. Hader has always lit up whichever screen he's graced, big or small — be it during his eight-year SNL stint, including as New York City correspondent Stefon, or in early supporting movie parts in Hot Rod and Adventureland. In 2014's The Skeleton Twins, opposite fellow ex-SNL cast member Kristen Wiig, he'd never been better to that point. But Barry is a tour de force both in front of and behind the lens, and a show expertly steeped in the kind of deep-seated melancholy that Hader can so effortlessly exude even when he's overtly playing for laughs. He doesn't just star, but writes and frequently directs. He co-created the series with Alec Berg (Silicon Valley), and he'll also helm every episode of its in-the-works fourth season. And, every choice he makes with Barry — every choice the show has made, in fact — is astounding. Freshly wrapped up on Binge in Australia and Neon in New Zealand — and so now available to stream in full — Barry's third season is propulsive. It knows its premise: a contract killer does a job in Los Angeles, catches the acting bug and decides to change his life. It also knows that it has to keep unpacking that concept. And, it's well-aware that there are repercussions for everything we do in life, especially for someone who has spent their days murdering others for money, even if they're extremely relatable and likeable. There has long been an air of The Sopranos to Barry, and of Mad Men as well, both of which seep through season three. It's both a portrait of someone who does despicable things, and a dive behind the gloss of an industry that sells a dream: an ex-soldier turned assassin-for-hire rather than a mob boss, and entertainment instead of advertising. Three seasons in, Barry Berkman (Bill Hader, Noelle) still wants to be an actor — and to also no longer kill people for a living — when this new batch of episodes begins. That's what he's yearned for across the bulk of the show so far; however, segueing from being a hitman to treading the boards or standing in front of the camera has been unsurprisingly complicated. Making matters thornier are the many ways that his past actions, as an assassin and just as Barry himself, have caused inescapable ripples. Season three focuses on history biting back again and again, including the investigation into murdered police detective Janice Moss (Paula Newsome, Spider-Man: No Way Home), the fallout with Barry's beloved acting teacher Gene Cousineau (Henry Winkler, The French Dispatch), his relationship with fellow actor Sally Reed (Sarah Goldberg, The Night House) after she gets her own show — plus the dramas that causes for Sally — and the vengeance sought by his ex-handler Monroe Fuches (Stephen Root, The Tragedy of Macbeth). Chaos ensues, emotional and physical alike, because Barry has always been determined to weather all the mess, darkness, rough edges and heart-wrenching consequences of its central figure's actions. That's true of his deeds not only in the past, but in the show's present, and it's one of the series' smartest and most probing elements. Hader and Berg know that viewers like Barry. You're meant to. That's what the first season so deftly established, and the second so cannily built upon. But that doesn't mean ignoring that he's a hitman, or that his time murdering people — and his military career before that — has ramifications, including for those around him. Indeed, season three also spies the reverberations for Gene, Sally and Fuches not just due to Barry, but thanks to their own shortcomings and questionable decisions as they keep mounting. It's no wonder that Barry is one of the most complex comedies currently airing, and that its third season is as intricate, thorny, textured and hilarious as the first two to begin with — and even more so as each new episode gives way to the next. That's no small feat, but it's an even bigger achievement given that it's ridiculously easy to see how cartoonish Barry would be in far lesser hands. (Or, how it might've leaned into a lazy odd-couple setup with Hader as the titular figure and Bill & Ted Face the Music's delightful Anthony Carrigan as Chechen gangster Noho Hank). But Barry keeps digging into what makes its namesake tick, why, and the effects he causes. It sinks in so deeply that this, not chasing an acting dream, is what the relentlessly gripping show is truly about. And, it follows the same course across its entire main quintet. In reality, perfect and flawed aren't binary options for any single person, and this sublime piece of TV art mirrors life devastatingly well. With visual precision on par with Breaking Bad and Better Call Saul, two of the most stylishly and savvily-shot shows ever made — two series where every single frame tells a tale without saying a word, and no aesthetic choice makes the expected move — Barry's third season is also spectacular to look at. It ends with an image that as simple as it is truly haunting, after a climactic finale episode that also features an intense showdown set against a purposefully stark backdrop, plus an action scene handled with more finesse and flair than most big-screen releases. As a dramatic motorcycle chase and vivid raid earlier in the season also illustrate, Barry is as devoted to staging dynamite action scenes as it is at plunging deep into its characters. And, as every intelligently penned and outstandingly performed episode just keeps proving, too, this masterful show is downright stellar at that. Barry's third season also remains immensely funny, and also savagely unsettling. Yes, it and Hader can do it all. The third season of Barry — and the first and second seasons as well — is streaming in full via Binge in Australia and Neon in New Zealand. Images: Merrick Morton/ HBO.
Sydney-based record label Trackwork has been blazing a trail for boundary-pushing hip hop and dance music rising out of this city for the past five years. As part of the 2023 Vivid program, the label is pulling together some of its favourite musicians for a night of heavy bass in Martin Place's CTA Business Building. Arriving at the nostalgic underground venue that most recently hosted The Weary Traveller during Sydney Festival, Trackwork Presents Club Service pulls together a lineup of some of the most interesting beatmakers and songwriters from across Australia and the world. LA-based Dominican producer Kelman Duran heads up the night, fresh from collaborating with Beyoncé on her most recent album Renaissance. Local producer Utility will be popping up for a collaborative set with rapper Vv Pete — who recently supported Denzel Curry and was named FBi Radio's Next Big Thing. Rounding out the lineup is Berlin-based musician Cassius Select, digital artist and black metal enthusiast Serwah Attafuah and Poison, the new team-up from DJ Plead and T. Morimoto. If you get peckish while you're on the dance floor, you're in luck. Eddy Avenue's new pizza joint Pizza Oltra is in charge of the bistro for the night, so you can satisfy your cravings with some cheesy slices between sets. The night kicks off at 5pm and will run until 2am. View this post on Instagram A post shared by TRACKWORK™️ (@trackwork_) Top image: CTA Business Club during The Weary Traveller, Sydney Festival
Throughout Sydneysiders' battle against the NSW government's restrictive lockout laws, Keep Sydney Open has been the biggest ally and loudest voice for the city's nightlife. It has held rally after rally, hosted suburb-wide parties and has gone head-to-head with politicians. Now, the nightlife lobby group is solidifying its legitimacy and taking its battle to state parliament — it's now officially registered as a political party, and will be running at next year's NSW state election, which will be held on Saturday, March 23, 2019. KSO announced its new status via a Facebook video on Tuesday, June 5, and released a statement on its website saying, "what started as a movement to protect Sydney's nightlife has morphed into something bigger — the lockouts were just one symptom of a broader sickness in NSW politics." While we can assume its stance on nightlife, the party's opinions on other state matters are yet to be revealed. These will be just as important to take into consideration in the lead-up to the election. To celebrate, the newly formed political party is — in true KSO-style — throwing a huge party on Saturday, June 30. The appropriately dubbed Party Party, which will be held across all six levels of the Kings Cross Hotel, will feature DJ sets from big-names Roland Tings and Basenji, as well as Triple J presenter Luen Jacobs and music collective Body Type DJs. A slew of local DJs and party crews are also slated to join the lineup. Tickets to the party cost $30, with all proceeds going to support Keep Sydney Open's political campaign, and can be purchased here. Image: Kimberley Low
Sick of playing Scrabble in generic sans serif? Lovers of words and type alike can spell their way to satisfying word play with these designer Scrabble sets by Andrew Capener. Capener wanted to "excite people about typography by giving them the ability to choose what font their scrabble set would come in." Beauty and quality are Capener's design priorities, with solid walnut and birch woods used to create the board, pieces and box. The A-1 Scrabble designer sets come in a single font of choice, or you can always mix and match with the assorted font pack. [Via Flavorwire]
