I often wish I'd done more Latin. Anyone who had could explain much more elegantly that the name of this show refers to being roughed up by turbulence and is a term for a newly classified kind of cloud, and they would also be able to talk knowledgeably about the bones of the creatures displayed in the gallery here rather than just mumbling "osseo-blar-blar-whoa-that's-BIG". Huynh's new series - all ominous and with the subconscious looming through the wet-and-dry finished charcoal and gesso illustrations - will be brooded over by an elephant and a whale skeleton as well as by arty types on the one night the works will be on display. The images on display are urban in stylistic vocabulary and dreamy by virtue of their familiar unreality: everything is recognisable, but something is a little off, with a vague sense of threat coming through the impossible spaces and proportions of the scenes and their disengaged, childlike inhabitants. There's an allusive, pre-conscious feel to the symbolism here that is very well served by being put in the Skeleton Gallery context of explicable monstrum and scary storms.
Discover the therapeutic qualities of Sydney's saltwater coastline at Wylie's Baths. The ocean pool was established in 1907 when the health benefits of sea bathing were the height of fashion. Casual visits are currently on hold under the Bath's COVID Safety Plan, but you can get multi-visit or annual passes, which give you access to the historic building and its unparalleled sea therapy — think soothing ocean waves, invigorating waters and stunning views of Wedding Cake Island and the blue Pacific. These baths are perfect for lap swimmers and casual pool-goers alike. Replenish your energy with kiosk snacks, or enjoy an outdoor massage on the decks at Massage by the Sea for an extra fee. Treat it like a spa day for body and soul — recharge, refresh and restore balance, naturally. Images: Destination NSW
When the Sydney Film Festival last happened in-person back in 2019, it awarded its annual prize to the movie that everyone had been talking about since its Cannes Film Festival Palme d'Or win a few weeks earlier: Bong Joon-ho's Parasite. Returning to Sydney's cinemas after a year's gap — longer, actually, after a few delays this year — SFF 2021 has declared another international festival favourite its latest Official Competition winner: Iranian drama There Is No Evil, which also nabbed Berlinale's Golden Bear in 2020. Receiving SFF's annual $60,000 award, the anthology film explores capital punishment and its impacts, with writer/director Mohammad Rasoulof examining the ripples that state-sanctioned killing has upon Iranian society. Pondering the threats and freedoms of life under an oppressive regime, it steps through the stories of a stressed husband and father (Ehsan Mirhosseini), a conscript (Kaveh Ahangar) who can't fathom ending someone's life, a soldier (Mohammad Valizadegan) whose compliance causes personal issues and a physician (Mohammad Seddighimehr) unable to practise his trade. Headed by Animal Kingdom, The Rover and The King filmmaker David Michôd, and also including actor Simon Baker (High Ground), NITV Head of Commissioning and Programming Kyas Hepworth, director and producer Maya Newell (Gayby Baby, In My Blood It Runs) and filmmaker Clara Law (Floating Life), the 2021 SFF Official Competition jury selected There Is No Evil "for its moving, multi-angled exploration of a singular theme, about the ways in which an entire culture can carry the burden of institutional cruelty." "Picking a winner from a collection of films as diverse as this one is never easy," said Michôd in a statement. "It's a movie adventurous with form and genre, beautifully performed and realised with a deft touch for simple, elegant filmmaking craft." Rasoulof has actually been banned from filmmaking in Iran, all for examining the reality of his homeland — and, after 2013's Manuscripts Don't Burn and 2017's A Man of Integrity, There Is No Evil continues the trend. "I want to thank the jury. I am really happy there is something more than a simple appreciation in this prize," the filmmaker said, accepting the award virtually from Tehran. "Being heard and understood is what keeps hope alive." In winning the Sydney Film Prize, Rasoulof's film follows in the footsteps of not only Parasite, but of other past winners The Heiresses (2018), On Body and Soul (2017), Aquarius (2016), Arabian Nights (2015), Two Days, One Night (2014), Only God Forgives (2013), Alps (2012), A Separation (2011), Heartbeats (2010), Bronson (2009) and Hunger (2008). SFF announced There Is No Evil's win at its closing night ceremony, as well as a Special Mention to fellow Official Competition title Limbo — and a number of other awards spanning the rest of the 2021 program. The $10,000 Documentary Australia Foundation Award for Australian Documentary went to I'm Wanita, a portrait of the self-described 'Australian queen of honky tonk', while producer and director Karina Holden received the $10,000 Sydney-UNESCO City of Film Award. In the Dendy Awards for Australian Short Films, Sophie Somerville's Peeps won the Dendy Live Action Short Award, Taylor Ferguson received the Rouben Mamoulian Award for Best Director for tough and Olivia Martin-McGuire's Freedom Swimmer nabbed the Yoram Gross Animation Award. As previously announced before and during the festival, filmmaker Darlene Johnson received the 2021 Deutsche Bank Fellowship for First Nations Film Creatives, while Australian documentary Burning, directed by Eva Orner, scored the first-ever Sustainable Future Award. The 2021 Sydney Film Festival ran in-person from November 3–14, with the festival's online program SFF On Demand now streaming until November 21.
Yulli's Brews finally opened its own (100-percent vegan) Alexandria taproom back in July 2018, and now it's giving Sydney's inner west another reason to celebrate with its monthly markets. Each season, the brewery will invite local merchants, artisans and independent makers to display an array of homewares, smallgoods and other handmade items. After kicking off back in November with monthly events, Yulli's Brewery Markets will now run seasonally with the next one scheduled for Sunday, July 14. Among the products for sale will be indoor plants, eco-friendly clothing, and heaps of preserves, condiments and jarred goodies. Yulli's own eats will be up for grabs too, including ready-made dumplings, kimchi and other pickled veg (all vegan, of course). The market opens at 9am, with a barbecue of vegan hot dogs welcoming guests alongside the stallholders. But the day really kicks into gear at 11am when live acts take the stage and the bar starts slinging its namesake brews. The full brewery menu is available from noon, too. Updated: May 16, 2019.
On most weekends, somewhere in Sydney is hosting a beer festival. They might not happen every single weekend, but they definitely pop up with frequency. Only one is called the Great Australasian Beer Spectapular, however, and dedicates itself to weird, wild, wonderful and inventive varieties that are made exclusively for the booze-fuelled party. And that very fest has locked in its dates for 2023. If you're a newcomer to GABS, as the festival is known, it started off as a Melbourne-only celebration of ales, lagers, ciders and more. Then, it started spreading along Australia's east coast capitals, as well as to New Zealand. Now, its 2023 plans will see it return for its Sydney event from Friday, June 2–Saturday, June 3 at ICC Darling Harbour. While only dates and venues have been confirmed so far, and not brewers heading along or the beers they'll be whipping up, attendees can look forward to an event that's considered to be one of the best craft beer and cider festivals in the Asia Pacific region. And, you can grab tickets from the GABS website from 3pm on Friday, March 3. One big reason: it'll pour at least 1200 kegs — which in past years have been inspired by breakfast foods, savoury snacks, desserts, cocktails and more — from 240 taps. In 2022, peanut butter, coffee, earl grey tea, chicken salt, pizza, fairy floss, bubblegum and sour gummy bears all got a whirl. The event surveys both Australian and New Zealand breweries, plus folks from the US and UK, with more than 120 set to be pouring their wares this year. Also on the bill: other types of tipples, including non-alcoholic beers, seltzers, whiskey, gin, cocktails and wines. In fact, Archie Rose, Monkey Shoulder Whisky and Yellow Tail Wines will all be making their GABS debuts. GABS is known for dishing up a hefty lineup of activities to accompanying all that sipping, too, which'll span a silent disco, roaming bands, circus and sideshow performers, games and panels with industry leaders in 2023, as well as local food trucks and vendors to line your stomach. Yes, that includes the Mountain Goat air guitar championship, the Balter tins of glory, the Atomic wheel of pourtune and the Black Flag skate ramp. Updated March 3.
Staircases are structures which most of us use everyday without a second thought. But like most pieces of design, a healthy dose of intelligence and inventiveness can always be injected. With a little creative flair, staircases can become the focal point of a room, a structure of dual purpose with storage capabilities, or even a type of artistic sculpture, which goes above and beyond and it's simple architectural function. Here are ten of the most innovative and incredible staircases in the world. Jagged Wooden Staircase This staggered staircase is a highly effective use of space as it not only includes storage areas within each step, but the size of the rise is also twice that of the run. Despite appearing somewhat dangerous, these stairs made by Swedish architects Gabriella Gustafson and Mattias Stahlbom are actually both comfortable and safe. Storybook Staircase Adding the spines of your favourite storybook classics to your household staircase is a fantastic and original way to add some flavour to an otherwise boring structure. Share your stair-climbing adventures with Tom Sawyer, Peter Pan or Mowgli to ensure you never have a dull ascent of the stairs again. Lello Bookshop Staircase This beautifully ornate staircase appears in the Lello Bookshop in Portugal. The smooth lines of the stairs and railings glide seamlessly over each other as they part and rejoin and fold over each other to create a magnificent grand staircase. Tate Modern Slide Staircase Carsten Höller is an incredibly unique designer who has undertaken many exciting and interactive projects such as flying machines, frisbee houses, and sliding staircases. The above photo depicts Höller's spiral staircase at the Tate Modern Exhibition in London as part of the Unilever series. Höller is interested in the spectacle of watching people spiral down these 'slides for adults', as well as the 'inner spectacle' one has as they hurtle down the delightful structures. Light Bulb Staircase Captured perfectly by Dennis Fischer, this staircase is a marvel of art, architecture and ingenuity. Bookshelf Staircase This white bookshelf staircase provides the perfect storage space for books and ornaments. Rather than having the awkwardly sized cupboard under the stairs or a wall of wasted space, this bookshelf is a much more effective and aesthetically pleasing solution of what to do with the area beneath a staircase. Void Staircase Chic, clean and seemingly floating in mid-air, this void staircase designed by Guido Ciompi provides a novel way for guests at The Gray Hotel in Milan to ascend and descend stairs. Whilst also providing its functional purpose, the staircase is a pioneering design that is becoming much more popular in residential settings. Spiral Staircase to Nowhere This spiral staircase in Munich goes exactly where its name suggests. Wall Stairs Not only an effective use of space, these wall spaces are also a clever way to block off upstairs areas from unwanted visitors. The disappearing staircase design from Aaron Tang arose when he was asked to 'define what a door was and could be'. Undulating Steel Staircase The fluid strips of hot-rolled steel in the flagship Longchamps store in New York City were designed by Thomas Heatherwick, who is renowned for his unorthodox solutions to architectural problems. Here, he aimed to attract shoppers to the above-street-level store through the striking steel strips flowing smoothly upstairs. Tansu Cabinet Staircase This organic staircase is a seamless integration of functional stairs with a wooden cabinet set. The structure assimilates perfectly to the warm decor of the room, thanks to the inspired design by Dan Morsheim from Dorset Custom Furniture. Flying Roller Coaster Staircase This roller coaster staircase is a a public art sculpture in Duisberg, Germany named 'Crouching Tiger and Turtle'. The intricate structure takes visitors on a wild spin - and pretty intense workout - over and around the steel and zinc construction to take in the sights of the surrounding area. We can thank Ulrich Genth and Heike Mutter for this innovative design, which took eight weeks to assemble.
A jaunt around Victorian-era Europe, a destination wedding in Sydney or hopping between Greek islands? Animated ducks or a kingdom based around wishes? An affecting true tale of heroism or superhero fare? Cinemagoers of Australia, they're among your choices on the annual movie calendar's release day to end all release days. That'd be Boxing Day, which always packs picture palaces with new flicks, plus eager audiences keen to see them. Indeed, along with hitting the sales, enjoying the beach and recovering from your Christmas food coma, seeing a movie on December 26 is a yearly tradition. Feel like you're spoiled for choice? Not sure which film should tempt you out of the summer sun and into an air-conditioned darkened room? Keen to see a few movies, but don't know where to start? Thanks to Boxing Day's hefty array of newcomers, plus Wonka still a fresh arrival on big screen, there's plenty of picks. We've watched them all — and here's our rundown. POOR THINGS Richly striking feats of cinema by Yorgos Lanthimos aren't scarce. Sublime performances by Emma Stone are hardly infrequent. Screen takes on Mary Shelley's Frankenstein couldn't be more constant. For Lanthimos, see: Dogtooth and Alps in the Greek Weird Wave filmmaker's native language, plus The Lobster, The Killing of a Sacred Deer and The Favourite since he started helming movies in English. With Stone, examples abound in her Best Actress Oscar for La La Land, supporting nominations before and after for Birdman or (The Unexpected Virtue of Ignorance) and Lanthimos' aforementioned regal satire, and twin 2024 Golden Globe nods nods for their latest collaboration as well as TV's The Curse. And as for the best gothic-horror story there is, not to mention one of the most influential sci-fi stories ever, the evidence is everywhere from traditional adaptations to debts owed as widely as The Rocky Horror Show and M3GAN. Combining the three results in a rarity, however: a jewel of a pastel-, jewel- and bodily fluid-toned feminist Frankenstein-esque fairy tale that's a stunning creation, as zapped to life with Lanthimos' inimitable flair, a mischievous air, Stone at her most extraordinary and empowerment blazing like a lightning bolt. With cascading black hair, an inquisitive stare, incessant frankness and jolting physical mannerisms, Poor Things' star is Bella Baxter in this suitably wondrous adaptation of Alasdair Grey's award-winning 1992 novel, as penned by Australian screenwriter Tony McNamara (The Great, and another Academy Award-nominee for The Favourite). Among the reasons that the movie and its lead portrayal are so singular: as a character with a woman's body revived with a baby's brain, Stone plays someone from infancy to adulthood, all with the astonishingly exact mindset and mannerisms to match, and while making every move, choice and feeling as organic as birth, living and death. In this fantastical steampunk vision of Victorian-era Europe, London-based Scottish doctor Godwin Baxter (Willem Dafoe, Asteroid City) is Bella's maker. Even if she didn't call him God, he's been playing it. But curiosity, the quest for agency and independence, horniness and a lust for adventure all beckon his creation on a radical, rebellious, gorgeously rendered, gloriously funny and generously insightful odyssey. So, Godwin tries to marry Bella off to medical student Max McCandles (Ramy Youssef, Ramy), only for her to discover "working on myself to get happiness" and "furious jumping" — masturbation and sex — and run off to the continent with caddish lawyer Duncan Wedderburn (Mark Ruffalo, She-Hulk: Attorney at Law) instead. Read our full review. ANYONE BUT YOU Greenlighting Anyone But You with Sydney Sweeney and Glen Powell as its leads must've been among Hollywood's easiest decisions. One of the rom-com's stars has been everywhere from Euphoria and The White Lotus to Reality of late, while the other is fresh off feeling the need for speed in Top Gun: Maverick. They both drip charisma. If this was the 80s, 90s or 00s, they each would have an entire segment of their filmographies dedicated to breezy romantic comedies like this Sydney-shot film, and probably more than a few together. Indeed, regardless of his gleaming casting, Anyone But You director and co-writer Will Gluck makes his first adult-oriented flick in 12 years — since Friends with Benefits, with Annie and the two Peter Rabbit movies since — as if it's still two, three or four decades back. The gimmick-fuelled plot, the scenic setting, swinging between stock-standard and OTT supporting characters: even amid overt riffs on Shakespeare's Much Ado About Nothing, they're all formulaically present and accounted for. So is the fact that Anyone But You's story always comes second to Sweeney and Powell's smouldering chemistry, and that most of its obvious jokes that only land because the pair sell them, as well as the whole movie. Bea (Sweeney) and Ben (Powell) meet-cute over a bathroom key in a busy cafe. That first dreamy day ends badly the next morning, however, with more pain in store when Bea's sister Halle (Hadley Robinson, Winning Time: The Rise of the Lakers Dynasty) gets engaged to Ben's best friend Pete's (GaTa, Dave) sister Claudia (Alexandra Shipp, Barbie). Cue their feud going international at the destination wedding in Australia, then getting a twist when Bea and Ben pretend that they're together. They're trying stop their fighting ruining the nuptials, get her parents to back off from pushing for a reunion with her ex (Darren Barnet, Gran Turismo: Based on a True Story) and make his own past love (model-turned-acting debutant Charlee Fraser) jealous. Every expected narrative beat is struck, then, while nodding to other rom-com wedding flicks — My Best Friend's Wedding co-stars Dermot Mulroney and Rachel Griffiths play Bea's mum and dad, with the latter also a Muriel's Wedding alum — and getting cheesily Aussie via koalas, endless shots of the Sydney Harbour Bridge and the Sydney Opera House, and Bryan Brown (Faraway Downs) and Joe Davidson (Neighbours) playing the stereotypical parts. And yet, Sweeney and Powell ace their performances and rapport, and also couldn't be more watchable. Read our full review. ONE LIFE Nicholas Winton's "British Schindler" label wasn't invented for One Life, the rousing biopic that tells his story; however, it's a handy two-word description that couldn't better fit both him and the film. In the late 1930s, when the then-Czechoslovakia's Sudetenland was occupied by Nazi Germany, the London-born banker spearheaded a rescue mission to get children — mostly Jewish — out of the country. After being encouraged to visit Prague in 1938 by friends assisting refugees, he was so moved to stop as many kids as possible from falling victim to the Holocaust that he and a group of fellow humanitarians arranged trains to take them to England. The immense effort was dubbed kindertransport, with Winton assisting in saving 669 children. Then, in the decades that followed, his heroic feat was almost lost to history. In fact, it only returned to public knowledge in 1988 when his wife Grete Gjelstrup encouraged him to show his scrapbook from the time to Holocaust researcher Elizabeth Maxwell, who was married to media mogul Robert Maxwell. Smartly, One Life captures both remarkable aspects to Winton's story, flitting between them as it tells its powerful and stirring true tale. The film's jumps backwards and forward also allow room for two excellent performances, enlisting Anthony Hopkins as the older Winton and Johnny Flynn (Operation Mincemeat) to do the honours in his younger years. With The Two Popes, his Oscar win for The Father, Armageddon Time and now this, Hopkins has been enjoying a stellar run in his 80s. If matching one of Hopkins' great portrayals in a period filled with them — a career, too, of course — was daunting for Flynn, he doesn't show it. As with Kurt and Wyatt Russell on the small screen's Monarch: Legacy of Monsters, they're playing the same man but also someone who changes, as everyone does, through his experiences. Accordingly, a lively Flynn captures Winton's zeal and determination, while a patient Hopkins wears the haunted disappointment of someone who has spent half of their life thinking that he hasn't done enough. When he finally realises the full impact of his efforts, it's a devastatingly touching moment in a potent feature that looks the standard sombre part, but also knows that flashiness isn't what leaves an imprint in a story as important as this. AQUAMAN AND THE LOST KINGDOM The DC Extended Universe is dead. With Aquaman and the Lost Kingdom, the comic book-to-screen franchise hardly swims out with a memorable farewell, hasn't washed up on a high and shouldn't have many tearful over its demise. More movies based on the company's superheroes are still on the way. They'll be badged the DC Universe instead, and start largely afresh; 2025's Superman: Legacy will be the first, with Pearl's David Corenswet as the eponymous figure, as directed by new DC Studios co-chairman and co-CEO James Gunn (The Suicide Squad). Aquaman and the Lost Kingdom ends up the old regime about as expected, however: soggily, unable to make the most of its star, and stuck treading water between what it really wants to be and box-ticking saga formula. Led by Jason Momoa (Fast X), the first Aquaman knew that it was goofy, playful fun. Its main man, plus filmmaker James Wan (Malignant), didn't splash around self-importance or sink into seriousness. Rather, they made a giddily irreverent underwater space opera — and, while it ebbed and flowed between colouring by numbers and getting entertainingly silly, the latter usually won out. Alas, exuberance loses the same battle in Aquaman and the Lost Kingdom. Having spent its existence playing catch-up with the Marvel Cinematic Universe, the DCEU does exactly that for a final time here. As with Ant-Man and the Wasp: Quantumania, there's such a large debt owed to Star Wars that elements seem to be lifted wholesale; just try not to laugh at Jabba the Hutt as a sea creature. 2018's initial Aquaman used past intergalactic flicks as a diving-off point, too, but with its own personality — no trace of which bobs up this time around. Wan helms again, switching to workman-like mode. He's co-credited on the story with returning screenwriter David Leslie Johnson-McGoldrick (Orphan: First Kill), Momoa and Thomas Pa'a Sibbett (The Last Manhunt), but there's little but being dragged out with the prevailing tide, tonal chaos and a CGI mess on show. Now king of Atlantis and a father, Arthur Curry has another tussle with Black Manta (Yahya Abdul-Mateen II, Ambulance) to face, with his enemy aided by dark magic and exacerbating climate change. Only Aquaman teaming up with his imprisoned half-brother Orm (Patrick Wilson, Insidious: The Red Door) will give the world a chance to survive. Even with an octopus spy and Nicole Kidman (Faraway Downs) riding a robot shark, a shipwreck results. Read our full review. MIGRATION It mightn't seem like Migration and Chicken Run: Dawn of the Nugget should be twin films. The first is Illumination's latest non-Minions effort. The second is the long-awaited sequel to 2000 claymation favourite Chicken Run. But this pair of animated movies is definitely the newest example of the long-running cinematic déjà vu trend. Past birds of a feather have included Antz and A Bug's Life, Deep Impact and Armageddon, Churchill and Darkest Hour, and Ben Is Back and Beautiful Boy — and oh-so-many more — aka pictures with similar plots releasing at around the same time. The current additions to the list both arrive in December 2023, focus on anthropomorphised poultry, and initially find their clucking and quacking critters happy in their own safe, insular idylls, only to be forced out into the scary wider world largely due to their kids. Chaos with humans in the food industry ensues, including a life-or-death quest to avoid being eaten, plus lessons about being willing to break out of your comfort zone/nest/pond. Famous voices help bring the avian protagonists to the screen, too — Elizabeth Banks (The Beanie Bubble) and Kumail Nanjiani (Welcome to Chippendales) are the parents in Migration, for instance, and Thandiwe Newton (Westworld) and Zachary Levi (Shazam! Fury of the Gods) in Dawn of the Nugget — although that's long been the industry standard in animation in general. If you've seen Chicken Run's return, then, Migration will instantly feel familiar. This is an instance of two studios hatching near-identical films that both have their own charms, however. With Migration, a voice cast that also spans Awkwafina (Quiz Lady), Keegan-Michael Key (Wonka), Danny DeVito (It's Always Sunny in Philadelphia) and Carol Kane (Hunters) brings plenty of energy. As the key behind-the-camera talents, director Benjamin Renner (Ernest & Celestine) and screenwriter Mike White (yes, The White Lotus' Mike White) know how to enliven the narrative. That tale tells of mallards Mack (Nanjiani) and Pam (Banks), one nervous and the other adventurous, who follow another family from New England to Jamaica via New York City with their eager ducklings Dax (Caspar Jennings, Operation Mincemeat) and Gwen (first-timer Tresi Gazal), and cantankerous uncle (DeVito). But the Big Apple brings a run-in which a chef, after initially falling afoul of a flock of pigeons, befriending their leader (Awkwafina) and endeavouring to rescue the homesick parrot (Key) who knows the way to their sunny winter getaway. WISH Arriving in the year that Walt Disney Animation Studios celebrates its 100th birthday shouldn't mean that Wish needs to live up to a century's worth of beloved classics. And it wouldn't for viewers, even with the Mouse House's anniversary celebrations everywhere, if the company's latest film didn't bluntly draw attention to Disney hits gone by. Parts are cobbled together from Cinderella, Snow White And The Seven Dwarfs and Pinocchio. Not just fellow animated efforts get referenced; alongside shoutouts to Bambi and Peter Pan, Mary Poppins earns the nod well. Overtly elbowing rather than winking, directors Chris Buck (Frozen and Frozen II) and Fawn Veerasunthorn (head of story on Raya and the Last Dragon) plus screenwriters Jennifer Lee (another Frozen alum) and Allison Moore (Beacon 23) ensure that their audience has the mega media corporation's other fare in their heads. It's a dangerous strategy, calling out other movies if the feature doing the calling out is by-the-numbers at best, and it does Wish no favours. No one might've been actively thinking "I wish I was watching a different Disney movie instead" if they weren't pushed in that direction by the flick itself, but once that idea sweeps in it never floats away. While the importance and power of dreams is Wish's main theme, the film forgot to have many itself. If it hoped to be a generic inspiration-touting fairy-tale musical, however, that fantasy was granted. Ariana DeBose (West Side Story) and Chris Pine (Dungeons & Dragons: Honour Among Thieves) star as teenager Asha and all-powerful sorcerer Magnifico, respectively. The latter created the kingdom of Rosas as a sanctuary to protect people's wishes, which hover in his castle — but he's stingy with granting them. When Asha discovers that the land's sovereign isn't as benevolent as he seems, then wishes on a star that becomes her beaming friend (and makes her goat Valentino talk, sporting the voice of Peter Pan & Wendy's Alan Tudyk), she decides to topple his rule and free the deepest desires of her fellow townsfolk. Oscar-winner DeBose brings her best to the movie's songs, which would've fallen flat and proven forgettable in anyone else's hands, but they're the most vivid part of a film that starts with the storybook cliche, leans too heavily on chattering critters and can't match its classic look with an instant-classic picture. TWO TICKETS TO GREECE Laure Calamy is heading away again. In Full Time, France's current go-to actor could only dream of a getaway. Around that career-best performance, however, she's trekked with a donkey in Antoinette in the Cévennes, enjoyed family reunions on Côte d'Azur island Porquerolles in The Origin of Evil and now holidays on the Balkan Peninsula in the likeable-enough Two Tickets to Greece. Her latest packs more than a few other familiar elements into its suitcase: chalk-and-cheese protagonists, midlife crises, confronting the past, seizing the future, reviving old friendships, making new pals and finding oneself. Writer/director Marc Fitoussi, who reteams with Calamy after Call My Agent!, knows that every trip swims or sinks based on the company, though. He explores that very idea in his narrative, and has the film live it via Calamy as the chaotic Magalie, Olivia Côte (The Rose Maker, and also in Antoinette in the Cévennes) as her strait-laced childhood bestie Blandine — who she hasn't seen for decades after a teenage falling out — and an against-type-and-loving-it Kristin Scott Thomas (Slow Horses) as the go-with-the-flow Bijou. Scott Thomas puts in such an earthy-yet-layered performance as Magalie's friend, who lives the island life in Mykonos with artist Dimitris (Panos Koronis, The Lost Daughter), that Two Tickets to Greece is a better movie once she's on-screen. It's a more-rounded film, relying less on an odd-couple dynamic — even though both Calamy and Côte perfect their parts. Fitoussi first introduces his main duo as high-schoolers (Les invisibles' Marie Mallia and Vise le coeur's Leelou Laridan) who obsessively adore 1988 diving drama The Big Blue. They only meet again as adults after Blandine's son Benjamin (Alexandre Desrousseaux, Standing Up) pushes them back into each other's lives out of worry for his divorced-and-unhappy-about-it mum. He's meant to be going to Greece with his mother, in fact, but soon the erratic and impulsive Magalie has his ticket. Their destination is Armogos, The Big Blue's setting, although every detour that can redirect the pair's sun-dappled path away from a stock-standard luxe hotel stay — ferry mishaps, cute surfers, dancing on restaurant tables, island-hopping, big fights, hard truths, health scares and the like — does. COUP DE CHANCE A stroke of luck starts Coup de Chance, befitting the name of this French-language romantic thriller-slash-farce from Woody Allen. On the streets of Paris, gallerist Fanny (Lou de Laâge, The Mad Women's Ball) is recognised by writer Alain (Niels Schneider, Spirit of Ecstasy), with the pair classmates during their school days abroad in New York. He had a hefty crush all those years back, he reminds her. Even in their first reacquainted encounter, it's plain to see that he still does now. Reminiscing leads to future plans to catch up, then to leisurely walks and sandwich-fuelled picnics in parks on her lunch breaks. And, with Fanny clearly unhappily married to flashy, self-made millionaire wealth manager Jean (Melvil Poupaud, One Fine Morning), who possessively and controllingly considers her a trophy more than a person, an affair springs, too. Cue the suspicions of Jean, complete with a private detective doing his snooping and a raging case of entitlement seeping from his pores. Cue Fanny's mother Camille (Valérie Lemercier, Aline) figuring out the situation, and getting involved as well. Also, cue Allen in familiar territory from 2005's Match Point, which was set in London rather than Paris. Only a non-French filmmaker would have his Parisian characters order foie gras and frogs' legs in a restaurant. Working in Europe almost by necessity, and a writer/director whose output will always lurk under a cloud, only Allen would make the movie's yearning romantic alternative a bookish sort called Alain that's his latest on-screen surrogate. But those cliches and box-ticking elements don't stop Coup de Chance from being his best film in some time — since 2013's Blue Jasmine, which won Cate Blanchett an Oscar — with considerable help from his cast. The helmer's 50th movie sports warm autumnal hues via cinematographer Vittorio Storaro (who also shot Cafe Society, Wonder Wheel and A Rainy Day in New York), a jazzy soundtrack, plus actors who can effortlessly ride the plot's conveniences, twists and constant musings on fate alike. That said, almost any filmmaker could point their lens de Laâge, Schneider, Poupaud and Lemercier's way with engaging results; however, Allen's first film in a language other than English is repeatedly buoyed by their presence.
Is your wardrobe overflowing with clothes that you don't wear? We've all been there, and we've all been too busy to do anything about it. Through its op shops, Australian Red Cross finds a new home for your pre-loved outfits, shoes and accessories, with proceeds going towards its charity efforts — but we all know that wanting to donate your old threads is one thing and finding the time to do it is another. That's why Australian Red Cross has once again partnered with Uber for its annual Uber x Red Cross Clothing Drive. When it launched in 2018, it collected over 43,500 kilograms of clothing in that first year alone, which saw clothing items worth an estimated $800,000 donated. And you'd best take the drive part literally, as the ride-sharing service will actually drive to your house, pick up your unwanted clothes and accessories, and deliver them to Red Cross Shops. Even better: it's not only super easy to take part, but it's free as well. Sydneysiders just make sure you're ready between 10am–4pm on Saturday, October 19, 2024. Once you've bagged up all of your old bits and pieces (items you'd happily give your best friend, and no toys, books, furniture or electrical objects) into a bundle that weighs no more than 20 kilograms, it's all incredibly simple. Open the Uber app during that six-hour window, then find the Red Cross Clothing Drive image. After that, you need to set Red Cross Clothing Drive as the drop-off spot — and it should come up with a $0 amount. An Uber driver will then stop outside your house, meaning that you just need to take your preloved goods out to their car. Voila, you've cleared out your closet and you've helped folks in need, all with the tap of a button.
Kangaroo Island is known for its spectacular coastal views, wildlife, wineries and pristine beaches. It's clear to see how it got on the New York Times list of the best places to visit in 2023 and our own list of the best islands to visit in Australia. To help travellers get the most out of a trip to Kangaroo Island, we decided to create this complete guide. It highlights the best places to stay, where to eat and drink and what special activities to book ahead of time — whether you're looking for adventure or a little bit of luxury. All you have to do is get yourselves there, either by ferry or plane from Adelaide. [caption id="attachment_759309" align="alignnone" width="1920"] Bay of Shoals Wine by Meaghan Coles[/caption] EAT AND DRINK Straight off the ferry? Head to Millie Mae's Pantry for a full brunch made with ingredients from the kitchen garden, or pick up something to take with you for lunch while you adventure through the island. If you've stayed in Kingscote, start the day off with coffee from Cactus. It's well worth coming back later in the day for dumplings, tacos or whatever is on the menu that night. A winery tour is a must while you're in town, so make sure to hit Bay of Shoals Wines, which boasts the closest vines to the sea in the southern hemisphere. Nearby, there's also The Islander Estate Vineyards for vino made by a renowned Bordeaux winemaker and, for balance, Kangaroo Island Brewery where you can stop for lunch and try a few local cold ones. Also worth checking out on the far east side of the island is False Cape Wines — known for its minimal intervention drops — and Dudley Wines, which has incredible views and live music on the first Sunday of the month. But if organising this alone seems like too much hassle or you'd rather someone else drive you around, then wine tours are the way to go. This full-day wine and nature tour starts from Kangaroo Island and this alternative food and wine tasting safari starts from Adelaide. On each of these Kangaroo Island day trips, you'll taste great local vinos, eat some tasty local produce and get up and close with friendly Aussie wildlife. [caption id="attachment_759308" align="alignnone" width="1920"] Penneshaw Hotel by Adam Bruzzone[/caption] For the island's best fish and chips, we have to recommend KI Fresh Seafood in Kingscote. It's attached to a petrol station, but don't let that put you off — take away and enjoy on the water's edge. For a finer affair, head to dinner at Sunset Food and Wine. The modern bistro looks out over American Beach and is owned by Jack Ingram, former executive chef of Southern Ocean Lodge, a Kangaroo Island favourite that was sadly destroyed in the bushfires of 2020. The menu is stacked with fresh local seafood and produce, including rock lobster, kingfish sashimi and Kangaroo Island honeycomb. Otherwise, the Penneshaw Hotel is perched on a clifftop and offers a decent pub feed overlooking the wide open sea. And lastly, you should check out the monthly farmers and community market day at Penneshaw Oval, which also happens on the first Sunday of the month (between October and April). [caption id="attachment_759315" align="alignnone" width="1920"] Chapman River[/caption] DO If you're arriving by ferry, you'll get into Penneshaw — and from there you can head straight to Kangaroo Island Ocean Safari to swim with dolphins. In Lashmar Conservation Park, you can also watch out for wildlife as you kayak along the Chapman River to Antechamber Bay, where you'll find a lovely private beach perfect for a dip. Making your way west, seafood lovers should spend an afternoon at American River, where The Oyster Farm Shop will sort you out with fresh local oysters, marron, abalone and King George whiting, before you explore the protected wetlands of Pelican Lagoon. Of course, one of the best things about Kangaroo Island is the beaches: crystal clear, blue waters, long stretches of glittery white sand and lazy days spent soaking it all in. The best ones? Emu Bay on the island's north coast, where you can drive your car right onto the four-kilometre stretch of white sand and spend a day in the tranquil waters, or — a little further west — Snelling Beach for an epic sunset. Spend a day exploring the shops and sights of Kingscote, the island's largest town, just south of Emu Bay. Stop in at the Spinners and Weavers Shop for handmade natural fibre treasures, take a tour of Island Beehive and pick up some local honey, shop art at Shep's Studio and Fine Art Kangaroo Island, and visit Emu Ridge Eucalyptus Oil distillery. Be sure to make time for a two-hour blend-your-own-gin experience at Kangaroo Island Spirits. Next, you should head southwest to Vivonne Bay for surf and to sandboard down Little Sahara with the help of Little Sahara Adventure Centre. Alternatively, you cab join a quad bike tour to explore the grass and bushland before heading to the Seal Bay Conservation Park for a guided tour of the sea lion colony. [caption id="attachment_759307" align="alignnone" width="1920"] Ecopia Retreat by Stirling West[/caption] STAY Kangaroo Island has lots of luxury accommodation and you can go off-grid in style at Stowaway Kangaroo Island. Imagine curling up in the window seat of a luxurious private cabin on the edge of Lathami Conservation Park and a privately owned sheep farm, soaking in views of the bush and ocean in the distance. Both of the cabins, aptly named The Nest and The Sleepy Hollow, come with a huge soaker bath with sweeping views, a hot tub out on the deck, a sauna and a local produce hamper. Otherwise, make yourself at home at Ecopia Villas on a vast property in the middle of the island, complete with exclusive access to the Eleanor River and hundreds of acres of wilderness. Or you can book an all-inclusive package with bespoke 4WD tours at the Sea Dragon Lodge and Villas, or fall asleep to the sound of waves crashing against the cliffs of the island's eastern-most point at Mercure Kangaroo Island Lodge within the Cape Willoughby Conservation Park. If you'd rather keep it simple (and cheap), pitch a tent at one of these gorgeous camping spots that are all mere steps from the beach and have their own toilets, barbecues and picnic facilities. These stunning sites help place Kangaroo Island on our list of the best camping spots in Australia, as voted by our readers. We aren't the only ones who love Kangaroo Island — you guys do, too. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. All images courtesy of the South Australia Tourism Commission.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this months latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from November's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW THE GREAT Huzzah! The best satirical comedy about Russian history there is has returned for another run, and proves as much of a delight this time around as it did in its first batch of episodes. The concept was already there — following the rise and reign of Catherine the Great, including her marriage to and overthrowing of Emperor Peter III, with only the slightest regard for the actual facts — but The Great definitely doesn't suffer from second-season syndrome. Indeed, while the series has always been supremely confident in its blend of handsome period staging, the loosest of historical realities and that savage sense of humour (it does spring from Oscar-nominated The Favourite screenwriter Tony McNamara, after all), this season it feels even more comfortable in its skin. Smoother, too, yet just as biting. In fact, its ability to seesaw tonally is as sharp as a shot of vodka — or several. Following the events of the first season, Catherine (Elle Fanning, Maleficent: Mistress of Evil) is still waging war with Peter (Nicholas Hoult, Those Who Wish Me Dead) — via soldiers on the battlefield to begin with, and then in the royal court in the aftermath of her bloody coup. Her pregnancy is also ticking along, the couple's various hangers-on have chosen sides, and changing Russia into a progressive nation isn't going to be an easy task. This time around, Gillian Anderson (The Crown) joins the cast as Catherine's acid-tongued mother, but both Fanning and Hoult continue to turn in the performances of their careers. Devastatingly witty and entertaining — and addictive — The Great has lived up to its name for two seasons now. Season two of The Great is available to stream via Stan. BURNING "This could be the new normal," a snippet from a news report comments early in Burning. The reason for the statement: Black Summer, the Australian bushfire season of 2019–20 that decimated large swathes of the country, sent smoke floating around the world and attracted international media attention. Australians don't need a documentary to confirm how horrific the situation was, and this is now the second in months — after the gripping first-person accounts in A Fire Inside — but this powerful film from Chasing Asylum's Eva Orner also lays bare all the factors that coalesced in the tragic events of just two years ago. Accordingly, this is a doco about inaction, government indifference to the point of failure, and the valuing of fossil fuels over their destruction of the environment. It's a movie about climate change as well, clearly, because any film telling this tale has to be. Orner, an Oscar-winner for producing 2007's Taxi to the Dark Side and an Emmy-winner for 2016's Out of Iraq, takes a three-pronged approach: providing context to the bushfires, including charting the Australian government's choices before and after; amassing expert and experienced testimonies, spanning activists and those on the ground alike; and bearing witness. Facts — such as the three billion animals killed — sit side by side with personal recollections and devastating images. The latter includes not only the fires and their ashy aftermath, but political arguing and Scott Morrison's Hawaiian holiday; all hit like a punch to the gut. The result is urgent, important and stunning — and absolutely essential viewing. Burning is available to stream via Amazon Prime Video. MR MAYOR Here are five of the most glorious words you're ever likely to read: Ted Danson plays the mayor. The sitcom stalwart (see also: Cheers, Becker, Bored to Death and Curb Your Enthusiasm) has hopped from The Good Place into Mr Mayor, actually, and into the latest TV comedy created and/or produced by Tina Fey. Fans of the latter's other shows — 30 Rock, obviously, and also Unbreakable Kimmy Schmidt, Great News and Girls5Eva — will know the sense of humour her series tend to work with, and it's a fabulous match for Danson. So too is Mr Mayor's setup, which sees a wealthy, clueless but amiable businessman decide he can improve a post-COVID-19 Los Angeles, and get elected. Firmly a workplace comedy, the series chronicles the ups and downs in the mayor's office as Danson's Neil Bremer tries to do a job he clearly isn't qualified for. Naturally, with the arrogance of a rich, white and otherwise successful man of a certain age, he believes otherwise. Mr Mayor is firmly an ensemble comedy as well, however, and both Holly Hunter (Succession) and Bobby Moynihan (Saturday Night Live) are comedic gems as Bremer's over-enthusiastic deputy mayor and bumbling communications director, respectively. The series is a tad less successful when it endeavours to be a family comedy, too, bringing the mayor's teenage daughter Orly (Kyla Kenedy, Speechless) into the mix. But when its gags land — and whenever Danson and Hunter share the screen, which is often — it's smart, hilarious and all-too-easy to binge. Season one of Mr Mayor is available to stream via 9Now. FINCH There's a sweetness to Finch that transcends its easy-sell concept — because tasking the always-likeable Tom Hanks with navigating a solar flare-ravaged earth was always going to be inherently watchable. Perhaps Turner and Hooch meets Cast Away meets Chappie meets The Road was the elevator pitch? Maybe seeing not just America's on-screen dad, but the world's, play father to a cute pooch and a teenager-like robot was the key selling point? Either way, filmmaker Miguel Sapochnik (Game of Thrones) and first-time feature screenwriters Craig Luck and Ivor Powell tap into a tender and selfless existential quest in their post-apocalyptic drama. The titular Finch isn't attempting to survive, but trying to ensure that the dog that's been his only flesh-and-blood companion for a decade or so can live on after he's gone. In Hanks' second protective father-figure role in as many features, following News of the World, he also plays Geppetto to a robot Pinocchio or Victor Frankenstein to a new mechanical life, too. Jeff, the wiry being born of his labour, is far from perfect — and Finch's slow, initially begrudging acceptance that he can't mould and control everything about his creation ranks chief among the movie's touching emotional journeys. The film's musings on mortality, leaving a legacy and being a better person are also layered and thoughtful, and never feel well-worn even though science-fiction can't stop pondering such ideas. In an excellent motion-capture performance, Caleb Landry Jones (Nitram) also leaves an imprint as Jeff. Unsurprisingly, however, Hanks is always Finch's key source of texture and empathy. Finch is available to stream via Apple TV+. COWBOY BEBOP A TV show can live or die based on its casting alone. With Netflix's live-action adaptation of Cowboy Bebop, it frequently seems as if it only exists because some immensely clever person had the stroke of genius to cast John Cho (The Grudge) as Spike Spiegel. While being the best thing about a series or a movie isn't always a good thing — on the big screen, both Jungle Cruise and Venom: Let There Be Carnage haven't managed to match their ace lead casting in recent months — Cho always makes Cowboy Bebop much more than watchable. Well, Cho, his effortless swagger, sleek costumes, and the film's overt eagerness to look and feel as much like anime come to life as it possibly can. It isn't on the same level as its source material, and it doesn't even try to improve it, but it's still an exuberant, stylish and frequently engaging piece of sci-fi television. As anyone familiar with the 90s anime will know, Spike is just one of Cowboy Bebop's bounty hunters on the spaceship Bebop. After a disaster has scattered humanity across the solar system, chasing down criminals is Spike and Jet Black's (Mustafa Shakir, The Deuce) way of making a living. That's true both before and after they cross paths with Fay Valentine (Daniella Pineda, Jurassic World: Fallen Kingdom), with the series as concerned with the sitcom-esque odd-threesome vibe between its key figures as it is with their quests. Everyone has their complications, but almost everything is madcap and manic here — and when it works it works, with particular thanks to Cho, naturally, as well as Shakir and Pineda. Season one of Cowboy Bebop is available to stream via Netflix. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK YELLOWJACKETS When Yellowjackets begins, it's with an intriguing mystery, a killer cast — led by the compulsively watchable Melanie Lynskey (Mrs America), Juliette Lewis (Breaking News in Yuba County) and Christina Ricci (Percy vs Goliath) — and a deep valley full of trauma. In their high-school years, Shauna Sheridan (Lynskey, and also The Kid Detective's Sophie Nélisse as a teenager) and Natalie (Lewis, plus The Tomorrow Man's Sophie Thatcher) were key players on the titular high-achieving New Jersey soccer team, while Misty (Ricci, as well as Shameless' Samantha Hanratty) was the squad's frequently bullied student manager. Then, en route to a big match in Seattle on a private plane in 1996, they entered Lost territory. That crash saw the survivors stranded in the wilderness for 19 months, and living their worst Lord of the Flies lives, too. As established in a tremendous first episode directed with the utmost precision by Destroyer's Karyn Kusama, Yellowjackets isn't simply interested in an inherently disturbing experience that'd change anyone's life. It's just as obsessed with that transformation itself — with how, after falling from the sky, learning to endure in such remote surroundings and plummeting into a horror movie, someone copes when normality supposedly comes calling afterwards. Flitting between the two 25-years-apart time periods, it's about tragedies endured, paths taken, necessities accepted and the echoes that linger from all three. Even just a handful of episodes in, this instant must-see is chilling, perceptive, resonant and potent. Yellowjackets is streaming via Paramount+, with new episodes dropping weekly. CURB YOUR ENTHUSIASM There's no one on television quite like Larry David. Famously, the Seinfeld creator was the inspiration for George Constanza, but that comparison will never do justice to the on-screen version of David himself. The writer and comedian has played that fictionalised, satirised version in Curb Your Enthusiasm for 11 seasons over the course of more than two decades now, and he's a character that overflows with complexities and contradictions. He's notoriously and excruciatingly petty. He has zero tact or sensitivity. He's constantly in everyday situations that seem him forced to navigate social codes and conventions, and he's always putting them to the test. When he's wrong, he's the king of cringe comedy. When he's right, he's the champion of everyday grievances. In this HBO comedy, they don't just get aired at Festivus around a pole. Setting up a spite store — opening a coffee shop next door to an identical cafe purely for malicious reasons — anchored Curb Your Enthusiasm's tenth series. In season 11, David is trying to make TV again. He has an idea for a Young Rock/Everybody Hates Chris-style show called Young Larry which he's shopping around to streaming platforms but, as always, he's his own worst enemy. The episode featuring the great Albert Brooks as himself is one of the show's best ever, and also a delightful tribute to the late Bob Einstein, a former CYE regular and Brooks' real-life brother. Watching David at his best and worst is always this discomfort-courting series' core, though, and he's as stellar as he's ever been. Season 11 of Curb Your Enthusiasm is streaming via Binge, with new episodes dropping weekly. HAWKEYE Another month, another reason to direct your eyeballs towards Marvel. 2021 hasn't quite played out like that, but only just — there's been three MCU movies so far (Black Widow, Shang-Chi and the Legend of the Ten Rings and Eternals), three streaming series before now (WandaVision, The Falcon and the Winter Soldier and Loki), and there's still Spider-Man: No Way Home to come. And, Hawkeye has just started bringing the franchise's arrow-slinging hero to the small-screen. Jeremy Renner (Mayor of Kingstown) returns to the eponymous character, aka Clint Barton, but he isn't actually the main attraction in this miniseries. That'd be Hailee Steinfeld (Dickinson) as Kate Bishop, who has taken inspiration from from Barton, is just as handy with a bow and arrow, and finds herself becoming his protege. There's a lot of scene-setting in the series' first episodes — establishing Bishop's story, including links back to The Avengers in 2012, and also stepping inside Barton's ordinary life with his family (the presence of which, even as just a background detail, has always made the character stand out). Nonetheless, Steinfeld's addition to Marvel's ever-growing on-screen realm provides just the spark that Hawkeye needs, and that the broader MCU could use as well. The fact that Florence Pugh is set to reprise her Black Widow favourite Yelena Belova in the show, too, firmly thrusts it towards the future — and hopefully, finally and welcomely sets the scene for a different generation of heroes. Hawkeye is streaming via Disney+, with new episodes dropping weekly. EXCELLENT RECENT CINEMA RELEASES TO CATCH UP WITH IMMEDIATELY NITRAM It's terrifying to contemplate something so gut-wrenchingly abominable as the bodies-in-barrels murders, which director Justin Kurzel and screenwriter Shaun Grant depicted in 2011's Snowtown, and to face the fact that people rather than evil were behind them. Nitram courts and provokes the same response. Exploring the events preceding the Port Arthur massacre, where 35 people were murdered and 23 others wounded in Tasmania in 1996, it focuses on something equally as ghastly, and similarly refuses to see the perpetrator as just a monster or a Hollywood horror movie-style foe. It too is difficult, distressing, disquieting and disturbing, understandably. In their third collaboration — with 2019's bold and blazing True History of the Kelly Gang in the middle — Kurzel and Grant create another tricky masterpiece, in fact. That Nitram is about a person is one key reason for its brilliance. The film's core off-screen duo don't excuse their protagonist. They don't justify the unjustifiable, explain it, exploit it, or provide neat answers to a near-unfathomable crime. Rather, they're careful in depicting the lone gunman responsible for Australia's worst single-shooter mass killing, right down to refusing to name him. In an exacting movie in every way possible, they also benefit from exceptional performances by Caleb Landry Jones (Finch) as the film's namesake, Judy Davis (Mystery Road) as his wearied mother, Anthony LaPaglia (Below) as his father and Essie Davis (The Justice of Bunny King) as his lottery heiress friend. Nitram is available to stream via Stan. Read our full review. BECOMING COUSTEAU He's been parodied in a Wes Anderson film and mentioned in a Flight of the Conchords song. His red beanie, and those worn by his fellow crew members on his research ship Calypso, are an enduring fashion symbol. He won the second-ever Cannes Film Festival Palme d'Or — becoming not only the first filmmaker to receive the prestigious prize for a documentary, but the only one to do so for almost half a century afterwards. When he started making television in the 60s, he turned his underwater-shot docos about the sea into truly must-see TV. He helped create undersea diving as we know it, and he's the most famous oceanographer that's ever lived. He was also one of the early voices who spoke out about climate change and humanity's impact upon the oceans. He's a rockstar in every field he dived into — and he's Jacques Cousteau, obviously. Becoming Cousteau touches on all of the above — except The Life Aquatic with Steve Zissou and Flight of the Conchords' 'Fou de Fafa', of course — and makes for a a riveting splash into its namesake's life and career. There's just so much to tell, to the point that it frequently feels as if director Liz Garbus (an Oscar-nominee for What Happened, Miss Simone?) could've filled an entire series instead. This isn't just an affectionate ode, though, even with ample praise floated Cousteau's way. Garbus knows that Cousteau's achievements, and the glorious archival footage that comes with it, elicit an awe-struck reaction, but doesn't shy away from thornier aspects, the tragedies and struggles among them. Becoming Cousteau is available to stream via Disney+. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September and October this year — and our top straight-to-streaming movies and specials from 2021 so far, and our list of the best new TV shows released this year so far as well.
No one celebrates their birthday just once in any given year, especially if you're hitting a big milestone. Where's the fun in that? Yes, that proves true of cinemas as well, including the Ritz in Randwick — which is marking 85 years of screening movies, movies and even more movies with not one but two huge retrospective programs. The first, called 85 Films in 85 Days, is already underway — and, as the name makes plain, it's showing a different film from each of the venue's 85 years on each and every day until mid-October. That's a hefty effort, but the cinema's Australia on Celluloid program has it beat, at least in terms of duration. [caption id="attachment_622123" align="alignnone" width="1920"] Kimberly Low[/caption] Again, that title is descriptive. In this retro showcase — which runs from Saturday, July 30, 2022–Monday, July 24, 2023 — the Randwick picture palace is diving back into Aussie movie history, and also screening each and every flick on its list in glorious 35mm. So, you're getting a blast from the past in two ways: in what you're watching and via how it's being shown. The program is filled with gems, unsurprisingly, kicking off with 1978's Newsfront — which is set in the 1940s, and follows two Cinetone newsreel company employees (Bill Hunter and Chris Haywood) covering news stories in the days before TV. Also on the list: the original Storm Boy, Aussie war dramas such as Gallipoli and Breaker Morant, and everything from They're a Weird Mob and The Chant of Jimmie Blacksmith through to Love Serenade and The Last Days of Chez Nous, plus Jedda, Shame, Don's Party, The Man From Hong Kong and The Coca-Cola Kid as well. Almost every genre is covered — and if it's an Aussie film released between the 50s and the 90s, odds are it'll flicker across the Ritz's screens at some point during this lineup. Among the many highlights, expect to see plenty of Aussie stars in their early days — including Bryan Brown in 1980's Stir, Noni Hazelhurst and Michael Caton in 1982's Monkey Grip, Colin Friels in 1986's Malcolm, Ben Mendelsohn and Claudia Karvan in 1990's The Big Steal, and Hugo Weaving and Russell Crowe in Proof the same year. Sessions run on Saturday afternoons weekly, with encores on Monday evenings. The Ritz's Australia on Celluloid program runs from Saturday, July 30, 2022–Monday, July 24, 2023. For more information or to book tickets, head to the cinema's website.
There's yoga and then there's yoga while surrounded by koalas. On a rooftop. At sunset. For a good cause. The latter is exactly what you can do at Wild Life Sydney Zoo's two Koala Sunset Yoga sessions, which it's hosting on its openair Koala Rooftop on Tuesday, December 10 and Wednesday, December 11. You'll be shavasana-ing and tree posing surrounded by ten of the extremely adorable marsupials, with the beginner-appropriate classes run by Kiin Yoga and Flow Athletic. They'll also be providing the mats, so just rock up in comfy clothes and get ready to get stretchy. Tickets to each class will set you back $45 will 100 percent of proceeds going to Koalas in Care and WIRES Bushfire Emergency Fund, both which are helping rescue and care for wildlife injured during the catastrophic bushfires across NSW. According to WIRES, 850,000 hectares of land has been destroyed so far and, with 90 fires still burning (at time of publication), this number is expected to continue growing. There'll be raffles held on both nights, too, with prizes including yoga memberships and breakfasts on the Koala Rooftop. Tickets are $5, so bring cash if you're keen.
Snow place like home, right? Here at CP, we're excited for winter playtime. Whether you can't wait to hit the slopes again or you're a curious first-timer, we know just the snow-covered playground that will hit the spot: Thredbo. Just a 5 and a 1/2 hour drive from Sydney, winter holiday goers congregate to the alpine village in their masses for the longest ski runs in Australia (when the mountain is fully covered in snow). And we've got the lowdown: where to stay, where to re-fuel, and where to party in your snow boots. Athol Got a lot of friends? This cosy, rustic self-contained chalet sleeps up to 12 people with a perfect communal layout for a big group. Gather round the open fire, sprawl out on the balcony and dig in to some hearty food at the canteen-style dining table. Diggings Terrance, Thredbo Village; Athol website Banjo Townhouses Each townhouse is a modern apartment with one or two bedrooms and beautiful views of the mountains. Loft units have their own slow-burning wood fire: lush! Banjo Drive, Thredbo Village; stayz.com.au/93085 Bernti’s Mountain Inn Bernti's is restaurant, hotel and nightlife all rolled into one. This European-style boutique inn has 30 rooms (and a rather entertaining host in Donna), gourmet food and a popular al fresco deck. Why would you ever leave? 4 Mowamba Place, Thredbo Village; (02) 6457 6332; berntis.com.au Black Bear Inn In the heart of Thredbo, and at the centre of all the action, this traditional lodge and restaurant has rooms to rent from single to family-sized. It’s a stone’s throw from the shuttle stop, plus never-ending German beer at the Inn. 30 Diggins Terrace, Thredbo Village; (02) 6457 6216; blackbearinn.com.au Thredbo Alpine Hotel Thredbo Alpine Hotel is boutique accommodation with the pick of rooms or chalets for an easy, comfortable stay at the base of the Kosciuszko chairlift. Thredbo Resort Centre, Thredbo Village; 1300 020 589; Thredbo Alpine Hotel Moonbah Hut A short 30 minute drive from Thredbo, and 15 minutes from Jindabyne town, Moonbah Hut is in a whole world of its own. This completely isolated, unique stone hut is fully equipped with underfloor heating, a rocking chair and fluffy robes for a romantic getaway. Jindabyne; (02) 6457 8311; moonbahhut.com Paringa Self contained, all the mod-cons and a shuttle bus on your doorstep, Paringa apartments are two bed units plus loft space, the obligatory balcony BBQ and a Swedish sauna. (02) 6457 7030; skiinskiout.com.au River Inn Priding itself on being a ski-in, ski-out hotel, River Inn has modern rooms and suites with plenty of extras, like wireless, a heated indoor pool and laundry service. 4 Friday Drive, Thredbo Alpine Village; (02) 9369 3010; riverinn.com.au Rockpool Lodge Like a little luxe? When only 5 star will do, Rockpool Lodge is a good pick. It’s got the spa, faux fur throws, sauna and champagne on chill (okay, we can’t guarantee the last one, but you get the picture). (02) 6457 7132; rockpoollodge.com.au Kareela Hutte Breakfast, coffee, champagne or cellar door, Kareela Hutte is a well-loved haunt for skiers and boarders on their up or down the mountain. On the Supertrail at 1810m altitude; (02) 6457 6099; kareelahutte.com.au Merritts Mountain House On-slope marketplace dining, from fresh juices and salads to stews, soups and strudel. Merritts uses artisan produce to create lovingly homemade food, conveniently located between slopes. Top of Merritts chairlift at 1660m altitude; (02) 6457 6084; merritts.com.au Black Sallee's Nestled amongst the gum trees off Crackenback Supertrail, Black Sallee's is famous for its hot chocolate, European beer selection (try the Maisel's Weisse) and schnapps. The service is quick, so you’ll be shoop shooping again in no time. At the top of Snowgums chairlift; (02) 6457 6439; Black Sallee's Bullwheel Bar & Bistro Laying claim to being Australia’s highest bar and bistro, Bullwheel has quick snacks and warming drinks, as well as German wheat beers, gluhwein and schnapps. At the top of Kosciuszko chairlift at 1937m altitude; (02) 6457 6019; Bullwheel Bar & Bistro Bernti’s Tapas Bar Serving a gourmet selection of international tapas, from smoked trout bruschetta to veal schnitzel, Bernti’s has al fresco dining and plenty of wine and beer to wash it down with. 4 Mowamba Place, Thredbo Village; (02) 6457 6332; berntis.com.au/tapas-bar The Knickerbocker Pan fried market fish, duck confit, spinach and ricotta dumplings... Yum! Riverside Cabins, Diggings Terrace, Thredbo; (02) 6457 6844; theknickerbocker.com.au The Terrace Relaxed fine dining: head chef Karen Forsstrom, formerly of Sydney’s Kingsleys restaurant, cooks up the finest ingredients to serve up her handcrafted menu. The Denman Hotel, 21 Diggings Terrace, Thredbo; (02) 6457 6222; thedenman.com.au The Wildbrumby Open daily for breakfast and lunch, the kitchen at Wildbrumby schnapps distillery door has a hearty selection of soups, pates, sandwiches and burgers - all created using local produce. Cnr of Wollondibby Rd and Alpine Way, Jindabyne; (02) 6457 1447; wildbrumby.com Apres Bar For a sophisticated start to the night, head to Apres Bar at The Denman. Cocktails, retro decor and tapas. The Denman, 21 Diggins Terrace, Thredbo Village; (02) 6457 6222; thedenman.com.au/bar Schuss Bar A little more laid-back, the Schuss Bar has live music and entertainment every night throughout winter. Threadbo Village Resort, Alpine Way; (02) 6459 4200. Thredbo Alpine Lounge Bar From 12 noon to midnight, the Alpine Lounge Bar is the place to kick-back and enjoy a coffee (or something stronger) beside the fire. Relaxed vibe, live music and great views. Thredbo Village Resort, Alpine Way; (02) 6459 4200. The Keller Looking to party late into the night? Revellers migrate to Thredbo’s famous nightclub. Thredbo Village Resort, Alpine Way; (02) 6459 4200.
Summer may be most Sydneysiders' season of choice, but there is one very compelling reason to enjoy the cooler months while they're here, and that's the ability to test your limits on spicy food. Beaches and barbecues are great, but so is rugging up in a cosy cardi, popping on the heater and devouring a hot (both temperature and spice level) meal. And chilli has benefits beyond lighting a little fire in your belly — think antioxidants and endorphins. So, with our mates at DoorDash, we've rounded up an array of spice-heavy dishes from all manner of cuisines that'll help you keep temperatures high. No matter where you live in Sydney, the choice is yours. 'Tis the season for cosy decadence, after all.
It's time to get the word "Jellicle" stuck in your head once more: to mark 40 years since it first hit the stage in Australia, Cats is prowling through theatres again in 2025. Back in July 1985, Aussie audiences initially experienced Andrew Lloyd Webber's acclaimed production, which turned a tale inspired by poems from T.S. Eliot's Old Possum's Book of Practical Cats into an award-winning theatre hit. The place: Sydney, aka where Cats plays again from Tuesday, June 17. Four decades ago, the show pranced through Theatre Royal Sydney — and the new season is scampering across the boards there again, too, to help you make some new Cats memories. If you're new to Cats, it spends its time with the Jellicle cat tribe on the night of the Jellicle Ball. That's the evening each year when their leader Old Deuteronomy picks who'll be reborn into a new Jellicle life by making the Jellicle choice. And yes, "Jellicle" is uttered frequently. Of late, audiences might be more familiar with Cats as a movie. In 2019, the musical made the leap from stage to screen with a star-studded cast including Idris Elba (Hijack), Taylor Swift (Amsterdam), Judi Dench (Belfast), Ian McKellen, (The Critic) James Corden, (Mammals) Jennifer Hudson (Respect), Jason Derulo (Lethal Weapon), Ray Winstone (Damsel) and Rebel Wilson (The Almond and the Seahorse) playing singing, scurrying street mousers. If you ever wanted to see Swift pouring cat nip on a crowd of cats from a suspended gold moon, or were keen to soothe your disappointment over the fact that Elba hasn't yet been James Bond by spotting him with whiskers, fur and a tail, this was your chance. For its efforts, the Tom Hooper (The Danish Girl)-directed film picked up six Golden Raspberry Awards, including Worst Picture. But while the movie clearly didn't hit the mark, you can see why this feline-fancying musical has been such a huge theatre hit thanks to its Aussie stage comeback. Images: Alessandro Pinna.
If you're reading this article, you almost certainly know about food and craft beer matching and you may know about locations and craft beer matching, but have you heard of (or tried) books and craft beer matching? There are a number of elements to this growing trend. In the US, for example, book bars are becoming part of the urban landscape. Operating on the same principle as book cafes, only with craft beer instead of coffee, these establishments have a strong craft element. The books stocked are often non-mainstream, much like the beers served to accompany them. Elsewhere in North America — Canada, to be precise — beer and book clubs are being formed "for those who like to read a good book, drink a good beer, and maybe combine the two once in a while". Meeting at various pubs within a certain area, these gatherings bring a craft beer twist to the traditional book club. And then, of course, there’s the internet — where all manner of unlikely combinations get together. You'll find blogs about the right beer to drink while following the adventures of your favourite comic book hero, or about craft beers to match to certain authors. But in sites like Book and Beer, you'll also find recommendations for a particular beer to enjoy with a particular book. (For the record, the author — Jason Hensel, a writer, musician and comedian living in Dallas — reckons American Gods by Neil Gaiman is best enjoyed with a glass of James Squire Jack of Spades Porter.) So which book (or series of books) is best suited to the various beers in the James Squire craft beer range? Get reading and sipping this summer, there's Kerouac-paired beers afoot. F. Scott Fitzgerald: The Great Gatsby "It’s a great advantage not to drink among hard drinking people." Pair with James Squire The Chancer Golden Ale. Joseph Heller: Catch-22 "He knew everything there was to know about literature, except how to enjoy it." Pair with James Squire Jack of Spades Porter. Ian Fleming: The James Bond series "You only live twice: Once when you're born. And once when you look death in the face." Pair with James Squire Four 'Wives' Pilsener. J.R.R. Tolkien: The Lord of the Rings "Ho! Ho! Ho! to the bottle I go, to heal my heart and drown my woe." Pair with James Squire Nine Tales Amber Ale. Fyodor Dostoyevsky: Crime and Punishment "The darker the night, the brighter the stars." Pair with James Squire One Fifty Lashes Pale Ale. Alexandre Dumas: The Count of Monte Cristo "All human wisdom is contained in these two words: wait and hope." Pair with James Squire Stowaway IPA. Jack Kerouac: On the Road "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars." Pair with James Squire Orchard Crush Cider. Ian Rankin: The Inspector Rebus series "Rebus drank his coffee and felt his head spin. He was feeling like the detective in a cheap thriller, and wished that he could turn to the last page and stop all his confusion, all the death and the madness and the spinning in his ears." Pair with James Squire The Constable Copper Ale. Ali Baba and the 40 Thieves "Open Sesame!" Pair with James Squire Hop Thief American-style Pale Ale. Jon Cleary: The Sundowners "Do me a favour, will you? If you're gonna be a drover, look like a drover. Get rid of that silly flaming hat." Pair with James Squire Sundown Australian Lager (what else?).
When it comes to exploring Broome (Rubibi) and the Kimberley, we recommend packing your sense of adventure. This vast, varied stretch of country holds some of the most breathtaking landscapes and unique experiences in the world. There's ocean wilderness and colourful coral wonderlands, Aboriginal cultural sites and places of ancient, enduring story and significance. You'll see otherworldly rock forms, lush greenery and sprawling lakes, optical lunar illusions and sideways — yes, sideways — waterfalls. There's nowhere like it, and there are so many ways you can explore. Whatever way you want to adventure, we've got a standout spread of activities here to choose from — and a few ready-to-go trips if you're already packed and ready. It's time to choose your own quest out west.
Ten-year anniversaries are traditionally celebrated with tin, but fantastic NZ designer Karen Walker has no time for such banalities. To mark ten unconventional years in the eyewear game, she has released the 'Celebrate' collection, entirely done in gold. If they look like lavish versions of what's come before, well, that's exactly what they are. Each style is an iconic favourite from a previous year's collection. So there's 2005's Annie, earlier seen on this vampire; 2013's Northern Lights, earlier seen on this grande dame; and 2012's Number One, earlier seen on this balloon. The metal frames have been encased in a clear epoxy resin, making them look like solid gold. But you'll be looking more Greek island hopper, less Daft Punk member thanks to the warm, amber-brown mirrored lenses, which is what's really elevating these golden oldies to the next level. Here's to another ten years of taking loud, playful and sometimes silly risks on our faces, and another ten years of waiting to see who/what will model Karen Walker's designs next. Check out the festive campaign for Celebrate, shot by Derek Kettela, below. To see out the full collection or just dive in and buy, head to the Karen Walker Eyewear website. Each style is priced at NZ$399 ($358) and is in store from October 9.
"I do love this film." So advises Bob Odenkirk, exclaiming his fondness for Nobody 2 as soon as he starts chatting with Concrete Playground. As evident to everyone who sees the sequel to Nobody, that affection is already splashed across the screen. The same proved true in 2021, too, when the franchise's first movie initially gave its star a chance to switch up from leading one of TV's greatest-ever tragedies and series overall, aka Better Call Saul, with a jump into action mode. His task: playing Hutch Mansell, a seemingly ordinary suburban dad with a past that meant that he was never going to let gun-wielding thieves break into his home and upset his family life with his wife Becca (Connie Nielsen, Gladiator II) and their two children (Law & Order Toronto: Criminal Intent's Gage Munroe and Harland Manor's Paisley Cadorath) without making those responsible pay for it. The debut picture set Hutch against the Russian mafia, all to take care of his loved ones. That isn't Mr Show with Bob and David and Breaking Bad alum Odenkirk's IRL path at all, but elements of Nobody were indeed personal. The idea to begin with started with him in his prime Saul Goodman/Jimmy McGill/Gene Takovic days. And, as the Nobody 2 director Timo Tjahjanto (The Shadow Strays) explained back when the sequel's initial trailer dropped, "the first film is also sort of based on what happened to Bob in real life — the whole idea that he was confronting this thing that happened in his house, when somebody broke into his house. So he exorcised that sort of, I guess, trauma, by writing a script or writing a story." Four years later, with a movie that follows the Mansells on vacation to Plummerville — Hutch's dad David (Christopher Lloyd, Wednesday) included — this is still a action-flick saga with IRL connectioms for its lead. In his childhood, Odenkirk once went on a similar getaway. Again, the exact scenario that awaits Hutch isn't how its star's real life panned out; however, links to reality remain, including in exploring Plummerville's criminal element. Getting personal and relatable has always been baked into the Nobody films as well in a broader sense, given that both hone in on someone trying to do the best for their nearest and dearest. That's Hutch's emotional journey. Crucially for Nielsen, she tells us, the same applies to Becca. Nobody 2 kicks off pre-holiday, with Hutch working off his $30-million mob debt from the feature's predecessor, and barely spending time at home as a result. Becca isn't thrilled. Cue the trip, at Hutch's suggestion, to Plummerville's Wild Bill's Majestic Midway and Waterpark — a place with youthful memories for the film's protagonist. Of course, running afoul of the corrupt owner of the local theme park (John Ortiz, The Madness), a take-no-prisoners crime boss (Sharon Stone, The Flight Attendant) and underhanded law enforcement (with And Mrs' Colin Hanks as the sheriff) wasn't on anyone's dream vacation itinerary. Writing for Saturday Night Live, plus featuring in everything from Nebraska, Fargo, Little Women, Undone and Lucky Hank to The Bear and Glengarry Glen Ross on Broadway, are all on multiple Emmy-nominee Odenkirk's resume. Whether as Hutch in the Nobody films or as Jimmy-slash-Saul, he's been especially focused on bringing to life figures who refuse to get knocked down and stay down for over 15 years now, though — but that's a trait that he stresses he believes applies to everyone. Indeed, there's always a relatability-meets-wish fulfilment mix to Hutch, Becca and the situations they're in. Who can't relate to struggling with work-life balance, or their partner's lack thereof? Or a holiday not quite panning out the way you'd hoped and wanting to set that right? Or protecting those most important to you? Nobody 2 sees Nielsen on-trend in her own career. For the second time in less than a year, she's returning to a big-screen part. First came Lucilla in Gladiator II; now follows Becca. While both are formidable women, as she has played repeatedly across a career that started with screen roles in the 80s and also spans The Devil's Advocate, Rushmore, Brothers, Wonder Woman, Origin and plenty beyond, it is particularly satisfying and gratifying to portray someone who is meant to be an everywoman — as Hutch is an everyman — and who demonstrates that she too, like all women, can hold her own, she notes. Alongside digging into why Nobody 2 is personal, and its focus on family as well as everyday woes — amid and sometimes through the action setpieces — Odenkirk and Nielsen also chatted with us about the origins of all things Nobody, further fleshing out Becca's story in the sequel, tenacity and more. On Whether Odenkirk Was Keen to Find His Next Recurring Character Beyond Better Call Saul and Breaking Bad — and What He Was Looking For Bob: "I didn't really think on the grand scale that you've described to me. I was really thinking about how Better Call Saul, to my surprise, was pleasing people in countries around the world. I really was mystified initially that Better Call Saul played so well in Italy and Romania and Russia and even England — and everywhere. I actually asked a journalist in Europe 'how do you understand the show? Do you have lawyers like this?'. And they said 'well, we've seen a lot of American entertainment and we understand enough about American culture to understand who Saul is in his community, in his world'. And then I saw that it played in China, and it gave me the thought 'well, if I did an action film, that could play around the world, too' — because action is fairly simple and easy to follow. And the value or the kind of drive of the film is easy to relate to. So I asked my manager 'what about an action film?' — and I thought he'd laugh me off the phone, but he did not. He said 'I get what you're saying. That could work'." On Nielsen's Opportunity to Further Build and Flesh Out Becca Mansell in Nobody 2 Connie: "I think Bob is just such a generous writer. He just writes all these situations where the humanity of his wife is just so clear. There is a wisdom that he builds into Becca — and a zenness, like a knowingness, that I find so attractive about Becca. Becca is patient, but she's not long-suffering. The difference is huge. And she is critical but never blames, never uses blame. She holds him accountable for the sake of the family, for what's best for all of them, but not to control. So there's this wonderful way you can build a character, and I think that Bob just really writes that into Becca since day one. I remember the first time when I read the first script and the reason why I decided I wanted to do it, even though I knew that they wouldn't be developing Becca until the second installation — I just knew that I wanted to do it because there was this sensitive, beautiful scene of two people sleeping with a pillow in-between them. And they're both awake, and they just can't figure out how to how to ford that river between them. And I just thought that I've never seen that in an action movie, something as sensitive as that. And I just love that." On Nobody 2's Personal Ties for Odenkirk, as the First Nobody Also Sported Bob: "Nobody 2 is about a family going on vacation. When I was a kid, we went on two vacations: one to the Illinois State Fair and one to the Wisconsin Dells. And the Wisconsin Dells are just like Plummerville — or at least they were 35, well 45 years ago, when I went on vacation to them. They're mostly water-based. There's duck boats. There's a guy who owns all the attractions in town — just like Wyatt Martin, played by John Ortiz. Wisconsin is where Al Capone ran his booze through. He actually had a home there, in Lake Geneva, I believe. So all that stuff that The Barber [Colin Salmon, EastEnders] says to Hutch, 'used to be a bootlegging route' — that's true of this place where I used to go. All of that is true. The backroads of Wisconsin was where they ran alcohol up to Canada during prohibition, ran it out to the other states, ran it through to Wisconsin. So all that stuff is based on my memories of childhood — and also Derek Kolstad [John Wick], who wrote the movie, his memories. He grew up in Madison, Wisconsin, very close to the Wisconsin Dells. So yes, this movie too is connected to my personal experience." On Doing What's Best for Your Family Always Being at the Heart of the Nobody Films, Even as Action Movies Filled with Violence and Vengeance Connie: "It really is, and I think that that's what attracted me to the story — is that it always stays grounded in something real. There's a real family there, kids, and the real community as well. So I love it when you see writing that just makes the small things come alive, because they are the ones that we just inherently use to create reference points to who we are all the time, and I love that kind of writing." On What Appeals to Odenkirk About Playing Characters Who Refuse to Get Knocked Down and Stay Down, and Are Determined to Bounce Back Up However They Can Bob: "Well, you can say that they're special people or they're indefatigable spirits, but I actually think that's actually pretty common. Most people I know don't quit until they're forced to. They kind of just don't quit. People don't quit. Sometimes I think people are limited by what they imagine they'd be capable of. And that limits them more than their spirit of fighting. I think most people fight pretty hard." On What's Satisfying and Gratifying for Nielsen About Portraying Formidable But Also Relatable Women Connie: "I think the most important thing is really showing normal people trying to address the enormous difficulties of living. There's just so much stuff that's hard to do. Family is hard. Relationships are hard. Jobs are hard. And just showing that, I think, at the same time as you're also entertaining, I think that makes people feel like they're seen — that their lives make sense, because everybody is going through that. So I think I really respond to writing where I see a real human struggle, and I also see indicators for where it becomes meaningful — like, that struggle has meaning." Nobody 2 opened in cinemas Down Under on Thursday, August 14, 2025.
Situated in the oldest laneway in The Rocks, The Fine Food Store is one to go searching for. Take a quick stroll down Kendall Lane, and you'll be greeted by a bustling Brooklyn-inspired eatery. Inside, an industrial fit-out and spacious interiors prove the perfect setting for a leisurely lunch. And, luckily, team here takes food and coffee very seriously. Expect wholesome eats including Riverina farmland poached eggs with your choice of sides, and decadent Belgian waffles with caramelised banana, macadamia and gelato. Order a house-roasted batch brew or single origin coffee, or a glass of Sigurd chenin blanc if you're feeling a little bit fancy.
With 322 kilometres of harbour shoreline, more than 100 beaches and over 2,500,000 acres of parkland, Sydney is a wonderland for outdoorsy adventures. Over the past few months, the city's hospitality legends have been hard at work opening up new spaces which capitalise on Sydney's stunning surrounds — venues where you can linger over cocktails while staring at the sea, basking in the sunset or soaking up the greenery. And now that the long, balmy evenings are well and truly here, it's time to explore their efforts. To help you plan the perfect al fresco outing, we've put together a list of five of Sydney's latest and greatest outdoor spaces. From a book-stacked nook in the CBD to a fern-filled expanse overlooking the beach, these new hangouts have your summer sessions sorted. Don't let the season pass by without sipping a drink, or two, beneath the sprawling Sydney sky.
A backstage tribute to an iconic TV series. The sequel to a huge horror hit. Amy Adams transforming into a dog. A portrait of an indie band as unique as the group itself. Disquieting filmmaking becoming a family affair. If you're heading to SXSW Sydney in 2024, you'll be able to tick all five of the above boxes, all in the SXSW Sydney Screen Festival's headline slots. When it returns for its second year, the film- and TV-focused fest within the broader SXSW Sydney will feature Saturday Night, Smile 2, Nightbitch, The Front Room and Pavements. Everything except the latter is a new addition to a program that's been unveiling titles on its roster for a few months, so you've now got more movies to fit into your schedule across Monday, October 14–Sunday, October 20. Directed by Juno, Young Adult, Tully and Ghostbusters: Afterlife's Jason Reitman, Saturday Night recreates how SNL's first-ever episode came to be. The Fabelmans' Gabriel LaBelle plays Lorne Michaels, leading a cast that includes Dylan O'Brien (Fantasmas) as Dan Aykroyd, Ella Hunt (Horizon: An American Saga — Chapter 1) as Gilda Radner, Matthew Rhys (IF) as George Carlin and Matt Wood (Instinct) as John Belushi as well. Also featuring in Saturday Night: Finn Wolfhard (Ghostbusters: Frozen Empire), Rachel Sennott (The Idol), Kaia Gerber (Palm Royale), JK Simmons (The Union), Cooper Hoffman (Licorice Pizza), Lamorne Morris (Fargo), Nicholas Braun (Dream Scenario) and Willem Dafoe (Beetlejuice Beetlejuice). And yes, at SXSW Sydney, the film is indeed screening on a Saturday evening. If you got creeped out by Smile back in 2022, you won't be surprised that the unnerving flick has spawned a new chapter. This time, Naomi Scott (Anatomy of a Scandal) stars as a pop star caught up in the chaos around the worst grin you can see. To chat about it, returning director Parker Finn is heading to the fest to present the film, too. Nightbitch hails from The Diary of a Teenage Girl, Can You Ever Forgive Me? and A Beautiful Day in the Neighbourhood filmmaker Marielle Heller, and stars Amy Adams (Dear Evan Hansen) as a stay-at-home mum who turns canine. And as for the already-announced Pavements, it sees filmmaker Alex Ross Perry (Her Smell) focus on the band Pavement via an experimental blend of documentary, narrative, musical and more. Then there's The Front Room, aka one of two upcoming pictures from the Eggers family. While The Witch, The Lighthouse and The Northman's Robert Eggers has his own take on Nosferatu on the way, his siblings Max and Sam have made their feature directorial debut with this A24-backed and Brandy (Best. Christmas. Ever!)-led affair about a pregnant woman doing battle with her mother-in-law (Kathryn Hunter, Poor Things). One of Saturday Night, Smile 2, Nightbitch, The Front Room and Pavements will screen nightly across the fest's Tuesday–Saturday dates. Wondering about the Monday? There's more news to come, with SXSW Sydney's 2024 Screen Festival opening-night film still to be announced. Elsewhere, as seen in past lineup announcements, 2024's SXSW Sydney Screen Festival spans cults, cat-loving animation and Christmas carnage thanks to Azrael, Ghost Cat Anzu and Carnage for Christmas. Movie lovers can also look forward to Ilana Glazer (The Afterparty)-led mom-com Babes; Audrey starring Jackie van Beek (Nude Tuesday); coming-of-age tale DiDi; the maximum-security prison-set Sing Sing with Colman Domingo (Drive-Away Dolls); and Inside, which features Guy Pearce (The Clearing), Cosmo Jarvis (Shōgun) and Toby Wallace (The Bikeriders). There's also doco Omar and Cedric: If This Ever Gets Weird, spending time with At the Drive-In and The Mars Volta's Omar Rodriguez-Lopez and Cedric Bixler-Zavala; Teaches of Peaches, which goes on tour with its namesake; the Lucy Lawless (My Life Is Murder)-directed doco Never Look Away about CNN camerawoman Margaret Moth; Peter Dinklage (Unfrosted) and Juliette Lewis (Yellowjackets) lead western-thriller The Thicket; and Aussie documentary Like My Brother, about four aspiring AFLW players from the Tiwi Islands. The list goes on, with The Most Australian Band Ever! about the Hard-Ons, That Sugar Film and 2040 filmmaker Damon Gameau's Future Council, and Slice of Life: The American Dream. In Former Pizza Huts from Barbecue and We Don't Deserve Dogs' Matthew Salleh and Rose Tucker also set to screen. SXSW Sydney 2024 runs from Monday, October 14–Sunday, October 20 at various Sydney venues. Head to the SXSW Sydney website for further details.
Last year, HBO said goodbye to Game of Thrones, at least for now. It also farewelled Veep and wrapped up Big Little Lies, although the latter apparently could still make a comeback. But don't go thinking that the US cable network has gaps in its schedule in 2020. Not only did Westworld return, but The Outsider, Perry Mason, Lovecraft Country, I May Destroy You and The Undoing all proved must-see viewing. Australian viewers can watch its Italian-set mini-series We Are Who We Are from this month, too — and in December, HBO's new six-part psychological thriller The Third Day will also hit local screens. Starring Jude Law, Naomie Harris (Moonlight, Spectre), Paddy Considine (The Outsider), Emily Watson (Chernobyl) and Katherine Waterston (the Fantastic Beasts franchise), The Third Day is comprised of two halves: 'Summer' and 'Winter'. In the show's first three episodes, it follows a man called Sam (Law) who is drawn to an island off the British coast, only to discover that he can't leave. In its second three episodes, it spends time with Helen (Harris), who also finds herself on the tiny Osea Island. If it sounds familiar, that's because it started airing in the US in mid-September and just finished up its overseas run in mid-October. Now Australian viewers will be able to enjoy its intriguing premise, eerie setting and top-notch cast, with The Third Day hitting Foxtel from Monday, December 7 — airing weekly, and also making every episode available to stream via Foxtel Go and Foxtel Now. There's no word as yet regarding The Third Day's other component, called 'Fall' — a day-long event that featured Law, Watson and Waterston, was broadcast in real time and was also captured in one continuous take. Behind the scenes, the show stems from creators Felix Barrett and Dennis Kelly, with Barrett founding British theatre company Punchdrunk — which created the aforementioned 'Fall' segment of the show — and Kelly writing the original UK version of Utopia. Check out the trailer for The Third Day below: https://www.youtube.com/watch?v=9hHT5FlMaIQ&feature=youtu.be The Third Day starts screening via Foxtel from 8.30pm on Monday, December 7, with new episodes airing each week. All six episodes will also be available to stream on the same date via Foxtel Go and Foxtel Now. Top image: Liam Daniel/HBO.
The Sydney-born social enterprise Welcome Merchant has been supporting small businesses run by refugees and asylum seekers in Australia for four years now. The wonderful organisation has provided vulnerable people with a platform and space to sell their goods while also teaching them business skills. To mark its fourth birthday and bring the great businesses it supports together, the team is taking over Petersham Bowling Club on Saturday, March 16 with a heap of market stalls. Aunty's Ginger Tonic will be in attendance with homemade drinks based on centuries-old African recipes, Afghani artist Nazdana Bakhtiari will be showcasing her art, and Just Shea will have a stall where you can find natural skincare built on African ingredients. There will also be floral arrangements from Camifleur and sustainable fashion from Gina Barjeel and Shaajh — House of Fashion. If all of this shopping gets you peckish, Sangee's Kitchen and African Food Feasts will be popping up on the day with street food stalls. Get down from 12–5pm to support these local businesses and enjoy some top-notch street eats at Harmony Market. A good time for a good cause. And entry is free!
Just picked up a book, can't wait to read it, and in search of the perfect armchair? Having recently celebrated their bicentenary, the folks at Berkelouw in Paddington are proving that book selling is far from a dying art with the launch of Cafe 1812 — a cosy cafe, chic wine bar, and bookstore all rolled into one. Go past the paperbacks, the memoirs, and the Moleskins, and up the flight of stairs. Here's where you'll find Cafe 1812 in all its moody dark-wood glory. Behind the bar there's a dapper aproned barista polishing long-stemmed wine glasses, while out front huddles of studded leather arm chairs and threadbare woven rugs hearken to the cafes of old Rotterdam where Solomon Berkelouw — the bookstore's namesake — traded his first vellum-bound tome 200 hundred years ago. Find yourself a table by the floor-to-ceiling windows overlooking Oxford Street or perch on a stool at the wine bar and drink up the aged atmosphere. And if all this bibliophilism is making you hungry, there's a cafe-style menu to tempt at all hours of the day. That Gallic ode to a ham and cheese toastie — a Croque Monsieur ($7.90) — arrives griddle toasted and warm with vintage cheddar oozing from its sides. A pearl couscous salad ($9.90) follows, topped with grilled zucchini, salty olives, and a caramel-sweet fig. It's a fresh and satisfying meal in itself. Fancy something more filling? The dinnertime treats kick off at 5pm with a menu that has a European bent. Pastas and mains, including miniature Scotch fillets ($19) served with a buttery smooth mushroom sauce, offer heartier servings for the famished. Alternatively, there are share plates, from beef meatballs with black truffle mayo ($14), and generous cheese platters served with quince paste ($19), to keep the grazers happy. And lest we forget to tell you: it's on Wednesday nights that the cafe really comes to life. Urban hipsters crowd the space as a live jazz band belts out the classics of Ella Fitzgerald, Billie Holiday, and the like. Sidle up to the barman and he'll whip up a wicked Negroni or recommend something from the extensive wine list; there's over 45 by the bottle and 14 by the glass on offer. Whether you're a bibliophile or a biblio-phobe, there's something to whet the appetite and stir the senses at this trendy cafe-cum-wine-bar that's fast becoming a destination in the east's gentrified enclave.
This spring, Sydney's Night Noodle Markets will finally make its glorious return for six nights of tasty things on sticks, bowls of noodles, all the bao you can handle and oh-so-many extravagant desserts. After a couple of disrupted years, the beloved food event will hit up Sydney from Tuesday, October 4–Sunday, October 9. And, this year, the festival is ditching its traditional home in Hyde Park for another expansive inner-city location: Prince Alfred Park. If this sounds familiar, just in a different season, the Night Noodle Markets were originally set to return in March this year, but had to be postponed due to Sydney's wet weather at the time. Autumn's loss is spring's gain, with the markets now making a comeback when the weather gets warmer — to give Sydneysiders the opportunity to get out and fill their night with Asian street food, drinks and entertainment. Like most major events, the last two years haven't been smooth sailing for the Night Noodle Markets. In 2020, it was forced online, offering special meals from local restaurants and selections from its usual vendors via home delivery. Last year, the markets were unable to run at all, but now it's finally time to get excited again. Stay tuned for further details about vendors, aka who'll be slinging delicious dishes and drinks, and what they'll be serving. The 2022 Sydney Night Noodle Markets will run from Tuesday October 4—Sunday, October 9 in Prince Alfred Park, Chalmers Street, Surry Hills. For more information, head to the event website.
Stay tuned. More info coming soon. Image: Mitch Fong / Lift Performance.
Spice is big business, and people want their tastebuds more than tickled. If you're a spice lover, it's the perfect time to participate in "The Hottest Day on the Central Coast". This free event celebrates all things capsaicin. Come down to Memorial Park in The Entrance on Sunday, June 15, to peruse the food trucks, taste spicy chilli products and — the biggest draw of them all — take part (or watch) in a chilli-eating competition. If you prefer your meals a little lower down the Scoville scale, there's plenty of milder food for you to enjoy, as well as a selection of wines and beers. Plus, there's live music throughout the day and a range of market stalls, meaning there's plenty for spice lovers and haters alike.
Finally a Barangaroo development we can actually get behind; the debate-surrounded, Packer-dominated site is set to become one of the country's most concentrated food hubs. Scheduled to welcome 80 retailers to the area's redevelopments, Barangaroo will see 50 of these set up as bars, restaurants and canteens; serving every last morsel from fine dining to humble sangers (both with waterfront prices no doubt). The Daily Telegraph reports over 38,000 office workers will need noms in Barangaroo every day, so the area needs a few tuck shops (not to mention the 18 million tourists expected each year). "We are looking at a mix that will put this place on the global foodie map," says head of retail for Lend Lease, Gary Horwitz. "What we are attempting to do is bring to Sydney a new form of casual dining. So it’s not your typical waterfront that you see in Sydney at the moment, rather a collection of boutique, smaller operators in about 70-100sq m of internal space and the same space outside on the waterfront, with a thousand al fresco seats, sitting right on the water’s edge." So what new spots can we expect from the colossal, highly-scrutinised harbourside development? To be honest, they sound pretty neat. Clustered around the same food strip, the area's ten main eateries will be bookended by two crowned players: The Cloud and R1. Set at the foot of three soaring office blocks (one of which's penthouse sold for a casual $10.5 million), The Cloud (named for the new public artwork perhaps?) looks to be one of the polished goalkickers of the bunch. R1 on the other end sits adjacent to King Street Wharf, a multi-level space decked out in bamboo and hanging gardens; with casual dining and bar on the ground, fancy bit in the middle and rooftop bar as a hat. Then there's Lime Street, with two levels of deli goodness (meats, cheeses, breads, All the Good Things) perfectly placed next to the ferries. Waterfront Place is to be an all-rounder spot, serving everything from sushi to tacos and coffee in a sprawling outdoor area. Matt Moran is set to open a colossal three-storey dining palace with MorSul business partner Peter Sullivan, along with Bruce and Anna Solomon of Solotel. Laneway dining is also a big focus for Barangaroo, including the proposed bar-filled Shelley Lane precinct (one of our favourites of the proposal). Of course, with a billion-dollar development comes horrifically gargantuan food houses. Upper Globe sounds like just that, with seven restaurants sitting across three levels of a waterview apartment block. "We can fit a 1000sq m restaurant on the top if we need to. We are talking to several international operators for that space," Mr Horwitz said. No holds barred, huh. But there's hope in the final announcement, The Canteen. Tailor-made for Barangaroo office workers, this quick lunch spot will feature free wifi and charging stations, as well as a charming ol' waterfront view for your lunch break. How much will everything cost? Horwitz predicts just above average. "It will be that price point of between 15 and 20 bucks, so it’s not high-end and not your food court, but it is that mid-market which is so popular in Australia now." Barangaroo's first retail stores are set to open late 2015, with the majority of food venues in early 2016. Via Daily Telegraph.
This funky cafe/bar is held in high regard by the locals, because despite being around for so many years, its friendly demeanour has yet to falter. Grind Espresso is a favourite for local celebrities — players from the Cronulla Sharks can often be seen milling around, enjoying an espresso and some smashed avocado (with eggs, of course, for protein). The cafe fare here is simple but delicious, with BLTs and scones frequent favourites on the menu. Drop by and sit at the dive bar-style couches, or perch around a refurbished barrel for some coffee drinking and people watching. Images: Caitlin Morahan.
It might be winter, but that doesn't mean date nights should stop. Especially when Luna Park is now a winter wonderland. For yet another season, Winterfest has transformed the fun fair into a haven of ice skating, live performers, piping hot treats — and occasional snow. But don't just take our word for it. To give you a chance to experience this miracle for yourself — and your squeeze — we're giving away two wintry date nights. Come up lucky and you'll score a double unlimited rides pass, plus $50 to spend on food and drinks. In between gliding around the rink, riding the ferris wheel, tearing your way down the Hair Raiser at 80 kilometres per hour and meeting Santa, you'll be feasting on roasted chestnuts, spiced popcorn and gingerbread cookies. Meanwhile, for drinks, you can expect mulled wine and hot chocolates galore – including one spiked with Baileys and another with peppermint, giant marshmallows and whipped cream. If you're keen to treat your date to a wintry night out, enter your details below to be in the running. [competition]730136[/competition]
UPDATE, Tuesday, June 25, 2024: Maybe Group has confirmed to Concrete Playground that the decision to close Sammy Junior was unrelated to the recent refinancing of its parent company Public Hospitality Group. Our article has been updated to reflect this. A statement provided to Concrete Playground reads: "The team behind The Maybe Group have chosen to close their cafe Sammy Junior in Sydney's CBD to concentrate on other venues within the group. The lease has been taken over by Potts Point sandwich shop Salumerie, who tested the Sammy Junior space throughout May with a pop-up sandwich offering. Salumerie is already trading in the space, the new King Street location being their second site. Vince Lombardo said, 'Sammy Junior was a fun venture, and we're really proud it led to a surge in venues that offer just as good coffee as cocktails, but we've decided to concentrate our attentions elsewhere. We're big fans of what Salumerie do and wish them the best of luck'." Coffee spot-cum-aperitivo bar Sammy Junior, the sister venue to the multi-award-winning cocktail lounge Maybe Sammy, is the latest Sydney venue to close its doors for good. The bar's Instagram account has been quietly deleted, its website deactivated and its booking links via the Maybe Group website disabled, with insiders familiar with the matter confirming to Concrete Playground that the venue had been closed with immediate effect during the week ending Friday, June 21. The premises is already back in operation, after being taken over by Potts Point Italian sandwich joint Salumerie, which staged a pop-up at Sammy Junior in May. View this post on Instagram A post shared by Annie Ren (@annie_aroundplaces) The loss of Sammy Junior is the latest in a string of closures in Sydney which has impacted hospitality businesses of every sort, including stalwarts like Tetsuya's in the CBD and Cornersmith in Annandale, and award-winning newcomers like Raja in Potts Point. Even venues backed by star talents such as seafood savant Josh Niland's Charcoal Fish in Rose Bay, hospo veteran Barry McDonald's Bar Grazie in Potts Point and Kylie Kwong's Lucky Kwong in Eveleigh, have not been immune to the economic downturns driving the unusually high number of closures across the city. Other businesses that have closed in recent months include Marrickville's Donut Papi, CBD Vietnamese diner Hey Chu, Surry Hills wine bar Bartolo, The Sunshine Inn in Redfern, CBD omakase Tempura Kuon and Lima Bar in Bondi. Darlinghurst Theatre Company also announced on Tuesday, June 18, that it was entering voluntary administration, revealing similar financial vulnerabilities within Sydney's entertainment sector. Sammy Junior closed at 66 King Street, Sydney, on Wednesday, June 19, 2024. The premises is now operated by Salumerie. Images: DS OFICINA.
Roll up to the latest music festival that's taking to Australian and New Zealand stages: Light It Up, a brand-new hip hop fest that'll make its debut this spring. Hitting arenas Down Under come September, the event is backed by the folks that brought Snoop Dogg and Ice Cube this way earlier in 2023, and boasts its own impressive lineup. Leading the bill: 'See You Again' rapper Wiz Khalifa. If you've had Khalifa's 2015 single in your head for years, you're obviously a Fast and Furious franchise fan. The last time that the North Dakota star toured Australia was the same year that tune was featured in Fast and Furious 7, after being commissioned as a tribute to Paul Walker. It isn't the only track he'll be busting out on his next visit, of course, thanks to a career that also includes everything from 'Say Yeah' and 'No Sleep' to 'Work Hard, Play Hard' and 'Remember You'. Khalifa will be joined by fellow US talents Rae Sremmurd and Lola Brooke — both fresh from Coachella 2023, with the latter making her first trip to Australia. Rounding out the lineup are local acts Hooligan Hefs, Youngn Lipz and DJ BeastMod. When Light It Up debuts, it'll host its first-ever gig at Sydney's Qudos Bank Arena, then head to the Brisbane Entertainment Centre, Adelaide Entertainment Centre, RAC Arena in Perth and Melbourne's Rod Laver Arena. After that, the fest will cross the ditch to Auckland's Spark Arena. LIGHT IT UP 2023 DATES: Saturday, September 2 — Qudos Bank Arena, Sydney Sunday, September 3 —Brisbane Entertainment Centre, Brisbane Tuesday, September 5 — Adelaide Entertainment Centre, Adelaide Wednesday, September 6 — RAC Arena, Perth Friday, September 8 — Rod Laver Arena, Melbourne Sunday, September 10 — Spark Arena, Auckland LIGHT IT UP 2023 LINEUP: Wiz Khalifa Rae Sremmurd Lola Brooke Hooligan Hefs Youngn Lipz DJ BeastMode Light It Up will tour Australia and New Zealand in September 2023. For more information, or for tickets — with pre-sales from 12pm local time on Thursday, June 1 and general sales from 12pm local time on Friday, June 2 — head to the festival website.
Revenge is a dish best served sandy in Dune: Part Two. On the desert planet of Arrakis, where golden hills as far as the eye can see are shaped from the most-coveted and -psychedelic substance in author Frank Herbert's estimation, there's no other way. Vengeance is just one course on Paul Atreides' (Timothée Chalamet, Wonka) menu, however. Pop culture's supreme spice boy, heir to the stewardship of his adopted realm, has a prophecy to fulfil whether he likes it or not; propaganda to navigate, especially about him being the messiah; and an Indigenous population, the Fremen, to prove himself to. So mines Denis Villeneuve's soaring sequel to 2021's Dune, which continues exploring the costs and consequences of relentless quests for power — plus the justifications, compromises, tragedies and narratives that are inescapable in such pursuits. The filmmaker crafts his fourth contemplative and breathtaking sci-fi movie in a row, then, after Arrival and Blade Runner 2049 as well. The vast arid expanse that constantly pervades the frames in Dune: Part Two isn't solely a stunning sight. It looks spectacular, as the entire feature does, with Australian cinematographer Greig Fraser (The Creator) back after winning an Oscar for the first Dune; but as Paul, his widowed mother Lady Jessica (Rebecca Ferguson, Silo), and Fremen Stilgar (Javier Bardem, The Little Mermaid) and Chani (Zendaya, Euphoria) traverse it, it helps carve in some of this page-to-screen saga's fundamental ideas. So does the stark monochrome when the film jumps to Giedi Prime, home world to House Harkonnen, House Atreides' enemy, plus Arrakis' ruler both before and after Paul's dad Duke Leto (Oscar Isaac, Spider-Man: Across the Spider-Verse) got the gig in Villeneuve's initial Dune. People here are dwarfed not only by their mammoth surroundings, but by the bigger, broader, non-stop push for supremacy. While there's no shortage of detail in both Part One and Part Two — emotional, thematic and visual alike — there's also no avoiding that battling against being mere pawns in an intergalactic game of chess is another of its characters' complicated fights. When the tales that Herbert started penning almost six decades ago — the first Dune book hit shelves in 1965 — made their 2020s-era cinema debut, it was by splitting the writer's introductory trip to Arrakis in half. As the film's title card made plain, Villeneuve always hoped-slash-planned that a second movie would follow. It was a savvy gamble, and it's still paying off. Even in just the opening recent Dune flick (David Lynch got there first in the 80s), breaking the 896-leaf text in two for cinema allowed the story's intricacies to unfurl unhurried. It also ensured that its figures gained flesh and complexity beyond propelling the plot. Crucial to Villeneuve's take on Dune, and to his work in general, is seeing and feeling the minutiae; Paul's path and inner conflict, and Chani's reaction to it in particular, wouldn't cut as deeply otherwise. Without personal stakes, neither would the overall narrative, with its musing on what it means to seek command and dominance — or perhaps shirk it — as well as the resulting ripple effects. House Atreides' move from the lush, ocean-filled Caladan to Arrakis fuelled Part One. Relocating came via decree, not choice — and the bloodthirsty Harkonnens, led by Baron Vladimir (Stellan Skarsgård, Andor) with his brutish nephew Beast Rabban (Dave Bautista, Guardians of the Galaxy Vol. 3) doing his bidding, were about as happy with the change in planetary control as expected of their usual vicious demeanour. Before the movie was out, management had reverted back by force, leaving Paul and Jessica in hiding after House Atreides was betrayed and decimated. As scripted by its director with the also-returning Jon Spaihts (The Mummy), that's where Dune: Part Two picks up, with many Fremen still wary of aiding the two outlanders. But Stilgar is unwavering in his certainty that the new saviour that's been heralded for generations — the Lisan al Gaib, as incited by the Bene Gesserit, a string-pulling sisterhood sect — is Paul. Although 1998 album You've Come a Long Way Baby doesn't contain Fatboy Slim's overt reference to Dune, aka 'Weapon of Choice' with its "walk without rhythm and it won't attract the worm" lines, that record's moniker does describe Paul's journey throughout Dune: Part Two. Also, while Hans Zimmer (Top Gun: Maverick) is on score duties again, commandingly so, thinking about 'Weapon of Choice' is unavoidable when Villeneuve has added Christopher Walken (Severance) to the cast as Emperor Shaddam IV. So, as the House Corrino head and leader of the known universe believes that the Atreides bloodline has been vanquished — daughter Princess Irulen (Florence Pugh, Oppenheimer) isn't as confident — Paul trains to be one of the Fremen's guerrilla-esque Fedaykin fighters. He conquers riding sandworms like chariots, and also Chani's heart, even as she's unfailing in her contention that a messiah is another form of dictator and promising one is purely a method of subjugation. Wresting back Arrakis from the Harkonnen, partly by sabotaging their spice-mining operations, is one of Paul's aims. Again, revenge over his slain father is another. Dune: Part Two makes its time with the Fremen, both in the desert and in cave cities, so rich and textured and human that its departures elsewhere are jarring. That's by immaculate and meticulous design, of course, with the aforementioned shift from Arrakis to Giedi Prime — where the twisted Feyd-Rautha (Austin Butler, Elvis) is another nephew to the Baron, and even more savage and ruthless, especially in a helluva unsettling yet entrancing gladiatorial scene — proving especially impactful. The two settings are desolate in their own ways, but there's no trace of warmth or hope in the black-and-white realm where the Harkonnens only know callousness. As the Bene Gesserit, via Jessica, her superior Gaius Helen Mohiam (Charlotte Rampling, Benedetta) and the resourceful Lady Margot Fenring (Léa Seydoux, Crimes of the Future), keep trying to bend the galaxy to the matriarchal group's will, grappling with power is a desolate endeavour, too. In a telling that earns its 166-minute length due to its sheer weight, through being so nimble in laying out its story and anchoring more possible chapters (there's another five Herbert novels, and others on top since his death), Paul's is a tale of being haunted by his role, future and its implications. Unsurprisingly for a film where dialogue is not just spoken aloud but also communicated telepathically, there's a compelling interiority to Chalamet's second Dune turn. It's pitch-perfect, and in line with everything that Paul is wrestling with; he's equally excellent in action-hero mode in crisply staged and shot heists and frays, doing the Benjamin Millepied (Carmen)-choreographed sandwalk, giving rousing speeches, being plagued by visions and swooning amid the spice with Zendaya's Chani. In one of her best performances yet, she's the second of the feature's standouts and its emotional centre. Every feeling that's pumping through Chani's veins, from love and dedication to skepticism and disappointment, the audience experiences as well. The third: Butler's ferocious effort, which gets everyone shaking in a far different manner to his Academy Award-nominated stint as the king of rock 'n' roll. Indeed, with portrayals this potent, and everything seen and heard matching — the feature's technical feats are again impeccable and astounding — Dune: Part Two leaves its viewers saying thank you, thank you very much not only to this grand marvel and its predecessor, but to the potential for more spiciness to come.
A hit in the 90s, and a high school-set favourite ever since — as well as a key title on Sarah Michelle Gellar (Do Revenge), Ryan Phillippe (I Love That for You), Reese Witherspoon (Your Place or Mine), Selma Blair (After We Collided) and Joshua Jackson's (Dr Death) respective resumes — Cruel Intentions isn't done with its dangerous liaisons yet. The teen-centric adaptation of 1782 novel Les Liaisons dangereuses has already spawned two direct-to-video sequels in 2001 and 2004, one of which starred a very young Amy Adams (The Woman in the Window) taking over Gellar's role. As theatre fans know, Cruel Intentions: The 90s Musical has also been singing and dancing its way across Australian stages of late. Now, in the works next: a Cruel Intentions TV show. TV Line reports Amazon is behind this latest revival of a 90s favourite — a trend that's also seen A League of Their Own and Interview with the Vampire get the same treatment in the last year alone. This isn't the first time that Cruel Intentions has been slated to make the leap to the small screen, though, with a sequel series floated in the mid-2010s but never coming to fruition, and the aforementioned Cruel Intentions 2 actually fashioned out of a prequel series called Manchester Prep that didn't make it to air. This time around, it looks like there's an eight-episode reboot on the way, once again about scheming step-siblings. They'll be in Washington, and at an elite college — getting immersed in fraternity and sorority life, and even seducing the US Vice President's daughter. If you're now humming Placebo's 'Every You Every Me', The Verve's 'Bittersweet Symphony' or Fatboy Slim's 'Praise You' to yourself, that's understandable. There's no word yet if the next spin on Cruel Intentions will feature any of the 1999 classic's tracks — or cast, or indeed who might star it in. There's also nothing on when the show might drop, or where Down Under, with it reportedly set for Amazon's FreeVee streaming service in the US. Filming is apparently set to start in Toronto before April is out, however, which means that this series isn't all that far away from hitting streaming queues. If you've seen the OG movie, then you'll know the initial story, with the 90s-era Cruel Intentions following step-siblings Sebastian Valmont (Phillippe) and Kathryn Merteuil (Gellar). Manipulating each other's love lives is their main hobby, a pastime that levels up a few notches when Kathryn places a bet on whether Sebastian can sleep with Annette Hargrove (Witherspoon), the headmaster's daughter at their exclusive prep school. There's obviously no sneak peek at Amazon's Cruel Intentions series yet, but here's the orignal's trailer: Amazon's Cruel Intentions TV series doesn't yet have a release date — we'll update you with one when further details are announced. Via TV Line.
If you grew up in the 90s, odds are that you tried to memorise every single word to Billy Joel's 'We Didn't Start the Fire'. Every 90s kid did. That's a skill that probably hasn't been called upon much since — other than while watching one specific episode of Parks and Recreation, and all of The Boys — but it's about to get its time to shine. Yes, the Piano Man himself is coming Down Under to sing us a song or several. Making his first trip to Melbourne in the longest time — well, in 14 years — Joel will only play one Aussie gig. He's hitting up the Melbourne Cricket Ground on Saturday, December 10, in an Australian exclusive thanks to the Victorian Government's Always Live program. That's the blockbuster live music program that's designed to attract international acts to the state, and kicked off earlier in 2022 with the Foo Fighters playing in Geelong. When Joel takes over the MCG, the sounds of AFL club tunes will be replaced with everything from 'Uptown Girl' and 'It's Still Rock and Roll to Me' to 'You May Be Right' and 'Only the Good Die Young' — plus 'Tell Her About It', 'Big Shot', 'River of Dreams' and, yes, 'The Longest Time' and 'We Didn't Start the Fire'. Joel hasn't been our way for a while, but the six-time Grammy-winner has been playing one show a month at New York City's Madison Square Garden since January 2014 — and became the venue's first-ever music franchise in the process. Before he makes the trip to Melbourne, he'll notch up his 84th monthly and 130th show at The Garden. Obviously, that's just one of his achievements. Joel has sold over 150 million records, making him the sixth best-selling recording artist of all time and the third best-selling solo artist. If you're now keen to see the Piano Man in what's promising to be one huge gig, tickets go on sale at 10am AEST on Monday, July 4, with pre-sales from 11am AEST on Thursday, June 30. Billy Joel will play the MCG on Saturday, December 10. Tickets go on sale at 10am AEST on Monday, July 4, with pre-sales from 11am AEST on Thursday, June 30. Images: Myrna Suárez.
If you've spent one too many nights wandering hungry around Circular Quay, dodging dodgy fish and chips and bad pizza, you'll welcome this news. The watery end of Sydney's CBD has finally sorted itself out, scoring a slew of decent eateries. It's part of a new $60 million development on Alfred Street called Gateway Sydney. The new precinct has been transformed by Woods Bagot Architects from a very average walk-past-worthy food court into a slick new dining area. The ground floor features Gelato Messina's first CBD store (sorry Gelatissimo), Four Frogs Creperie (ham and cheese galettes for brekkie, yes please) and a new outlet for Adriano Zumbo's pastries. Also featured is Roll'd, Workshop Espresso, The Gozleme Co. and health food outlet Urban Orchard, among a slew of others. You can enjoy it all sitting at banquette-esqe burnt orange seats, benches or out on the little park that's been created on the Loftus Street side. Some of the outlets even have their own cafe-like seating areas. The ground floor will be open from 7am until 5pm each day. The second level houses Neil Perry's second incarnation of his Burger Project, Chat Thai, a 50-seater sushi train and 2015 World Barista champions, Canberra's Espresso Room, to name a few. It's more of a dining affair, and opens for dinner as well. But that's not all. Remember that new rooftop venue that Salt Meats Cheese and Shuk last month announced they'll be opening later this year? That's slated to open in December. The project is being developed by DEXUS Development Group, and the DEXUS Wholesale Property Fund own 100 percent of the new precinct. "The intent was to open up the Circular Quay end of the CBD, which we have done with great respect to the existing environment," said Liann Lim, development manager for city retail at DEXUS. "The surrounds set a spectacular stage for a dramatic dining experience to unfold, with each of our retailers serving their dishes with an element of theatre." So is this the start of Circular Quay's renaissance? It could well be. This year, the Pullman opened Hacienda, an impressive new vista bar overlooking the harbour. Finally it looks like Bulletin Place will be getting some company. Images: Mark Sherborne and Lauren Vadnjal.
It's a big call to claim that something is the best of its kind. Yet it doesn't feel like a stretch to hand Menya the title of Best Ramen Bar in Sydney. The noodles are fresh and chewy, the broth is incredibly rich, and the atmosphere is just the right kind of casual. For the beginner, we suggest the Menya ramen. Pick the Tonkotsu, beef, or Tori-gara, chicken, broth base then opt for either Shoyu ($9.30/$9), a salty soy sauce flavour, or Miso ($10.30/$10), a richer choice. Our favourite is the Menya Tonkotsu Miso ramen ($10.30). If you'd prefer a ramen with extra toppings, try the Tori Kara-age Ramen (from $10.90), with deep fried kara-age chicken, or add extras like Kakiage Tempura ($2.50) or Sweet Corn ($1.50). There are plenty of other great choices on offer. The Menya Value Box ($14.90) includes your pick of a main meal and ramen, along with rice and salad. Another rare treat is the Menya Curry (from $7.90), which we recommend with Tori Kara-age. For the super hungry (and the serves are generous), take your pick from entrees like Tako Yaki ($6.50), or octopus balls, and Gyoza ($6.90) dumplings. The only drawback of Menya is it's size: this tiny restaurant centres around one long table, and you'll find yourself directed to whatever seat is free. For this reason, visiting Menya with a group is almost impossible. This spot is best to visit with only a friend or two, and be careful of waiting times during busier hours.
You know those Mondays when things just keep getting worse? You're having a hard time suppressing the yawns, can't stop daydreaming about the fading glories of the past weekend and you keep checking your watch — it's barely noon. On days like this, you need a little something-something to get you through to 5pm, and we reckon a lunch hour or post-five feed spent getting intimate with a juicy burger is just the ticket. In collaboration with American Express, we've rounded up ten of the best places in Sydney to get your burger game on — and up your Amex points balance. Whether you're a fan of the basic burg with a side of skinny fries or want something a little more indulgent, we've got the place for you. From the classic beef version to the fish, chicken and vego varieties, the burgers at these spots will kick those back-to-work blues where it hurts. Throw in some sweet treats like a caramel milkshake or a cup of frozen custard, and your Monday just started looking a hell of a lot nicer. Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
South Eveleigh is fast becoming one of Sydney's best spots to grab lunch or an after-work drink, and every now and then the precinct pulls together its favourite chefs, producers and suppliers for a festival of culinary delights. That's exactly what's happening on Thursday, June 22 and Friday, June 23 for Dark Day Dark Night. The free two-day festival will take over South Eveleigh's Innovation Plaza and Locomotive Street between 4–9pm each day. Expect one-off menus from South Eveleigh venues, pop-up bars, food trucks, live music and tours of the historic buildings. Kylie Kwong's much-hyped restaurant Lucky Kwong is usually a lunch-only affair, but it's opening for two very special dinners as part of Dark Day Dark Night. There will be three sittings at Lucky Kwong each day of the festival — at 4pm, 5.45pm and 7pm — with each seating coming with a $55 price tag. This entitles diners to a complimentary drink and a five-dish set menu of menu highlights including the venue's famous crispy prawn wantons, as well as caramelised pork belly with Davidson plum and stir-fried Boon Luck Farm greens. Firepop will also be popping up in the plaza to serve up barbecue lamb skewers and MBS9 wagyu, alongside Pepper Seeds and its top-notch Thai food. Plus, South Eveleigh regulars like Coyoacán Social, Re-, BrewDog and RaRa Chan will all be getting in on the action. When it comes to drinks, Waywards, Batch Brewing Co, Yulli's Brews, Wildflower, BrewDog, Vinden Wines, P&V, Archie Rose, Lark and Forty Spotted Gin will all be on-site, doing $2 tastings and $8 full pours of their respective beers, wines and spirits. The arts lineup will be headlined by the Burrundi Theatre for Performing Arts and the Andy Golledge Band, who will be joined by Crawfish Po'Boys, Zia Jade, DJ Victoria Anthony and Kaleidoscope Dream. There will also be a Sip and Sketch life drawing session, a guided tour from Matthew Mewburn from Eveleigh Works, an after-dark look at the South Eveleigh garden and native Australian ingredients from Clarence Slockee of Jiwah and roaming flame dancers. You can explore the full program at the South Eveleigh website and reserve your spot at a Lucky Kwong dinner via Resy.
Sydney has no shortage of French diners right now, with a wave of new Parisian-inspired restaurants and grand European brasseries arriving in the Harbour City including Manon, Whalebridge, The Charles, Bouillon L'Entrecote and Brasserie 1930, just to name a few. This wave of new competition has not seen restauranteur Andrew Becher shy away from his love for rich French cuisine, however, opening Armorica Grande Brasserie, his second venue in this style to accompany Potts Point's Franca which you'll find on our list of the 15 best restaurants in Sydney right now as well as his Catalan-inspired fine diner Parlar. The 150-seat restaurant has set up shop in the former home of Toko, which moved to an expansive new omakase-focused outpost late in 2022. Under the guidance of Becher, the Japanese joint's old digs have been transformed into a lavish French-influenced dining space with timber detailed ceilings, European oak joinery, brass gantries and an open kitchen centred around a custom-built grill. "Armorica is a Parisian brasserie that embraces the timeless charm of classic French dining. We want to bring the fun, energy and excitement of dining in the city of light right here on Crown Street," said Becher. The grill will be put to full use here, with plenty of fire-heavy dishes that utilise top Australian produce to create classic northern French feeds. From steak frites and aged pork cutlet to grilled rock lobster and whole chicken served with desert lime, chicken skin and thyme gravy, you'll be left impressed, and full, from the grill menu. These fiery dishes will be paired with Head Chef Jose Saulog's vibrant delights from the sea and land including highlights from a raw menu and a selection of pasta. Expect slow-roasted duck rigatoni, octopus roulade, coral trout crudo, foie gras torchon, and an outlandish seafood tower featuring oysters, prawn cocktails, octopus roulade and rock lobster. All of this top-notch produce needs to be matched by an equally high-quality wine list, of course, and Armorica is coming to the table with a 400-strong vino list focused on traditional winemakers creating exceptionally drinkable drops. Plus, there are also plenty of sweets on offer. Group Executive Chef Travin DeHoedt has created five signature desserts to round out your meal including the Armorica chocolate bar, made with Valrhona chocolate mousse, salted caramel and choc chip cookie. Armorica is now open six nights a week for dinner and two days a week for lunch, housing the lavish eats and drinks in a luxurious bistro from Steel and Stitch accompanied by custom joinery from Contempo and Co. Rounding out the look is a series of original artworks that American illustrator David Plunkert has created in collaboration with Becher. Armorica is now open at 490 Crown Steet, Surry Hills. It's open for dinner Friday–Sunday and lunch Tuesday–Sunday.
In 2023, Matt Adnate was an Archibald Prize finalist with his portrait of Daniel Johns, his first-ever entry for the acclaimed award. In 2024, the Northern Rivers–based artist has both repeated the feat and gone one better with his second entry, a new work featuring Baker Boy. Rhythms of heritage is among this year's shortlisted entries for the prestigious award, and also the recipient of 2024's Packing Room Prize. Which artist will tale home the Archie in the gong's 103rd year will be unveiled on Friday, June 7, but Rhythms of heritage status as the Packing Room Prize-winner for 2024 has just been announced. The latter is selected by three members of the Art Gallery of New South Wales' packing room team — Timothy Dale, Monica Rudhar and Alexis Wildman in 2024 — hence the name. View this post on Instagram A post shared by Art Gallery NSW (@artgalleryofnsw) "I have always been inspired by music as it can help me channel and evoke strong emotion into my work. It gives me the energy to keep painting, from canvases in my studio to large-scale murals. I'm in awe of artists like Baker Boy who have the power to use music to transform people's mood, mind and energy," said Adnate about Rhythms of heritage and his Packing Room Prize win. "It was an honour to paint him again and capture the intensity of his music. It has been incredible to watch Baker Boy evolving into a multi-talented and award-winning artist over the last decade, cementing his legacy as an Australian music icon," Adnate continued. "I learned to paint through doing graffiti letters as a teenager; I switched to portraiture in 2010. This painting was produced mostly with spray paint, a medium that has always allowed me the most control. It's been a challenge to maintain my own technique and resist the pressure to use oils or more traditional mediums. I've always considered the Archibald to be the pinnacle of art prizes, especially for portraiture. To win the Packing Room Prize with a portrait that is so significant to me, and to be the first street artist to do so, it really pushes me further." View this post on Instagram A post shared by Adnate (@adnate) If you're wondering how Baker Boy, aka Danzal Baker, feels about being a Packing Room Prize-winning subject, he's also thrilled. "Big congratulations to Matt for taking home the Packing Room Prize with his portrait of me. It's unreal to see how he captures me as I am today, reflecting my love for music and a deep connection to my home of Arnhem Land, seen through the soulful reflection in the eyes," he said. Dale, Rudhar and Wildman had no shortage of praise for Adnate's work. "Matt Adnate is an incredible Australian street artist renowned for his large mural paintings. His portrait of singer-songwriter Baker Boy in his signature style is characterised by grand scale, vivid colours and a gaze that draws you in," advised Rudhar. "Matt and Baker Boy are both highly accomplished in their respective fields and share a mutual recognition of each other's talents. Matt's powerful portrait encapsulates Baker Boy as the inspirational Indigenous storyteller that he is, mirroring the joy and hope that his music brings to the world." [caption id="attachment_959475" align="alignnone" width="1920"] Archibald Prize 2024 finalist, Caroline Zilinsky 'A lucid heart – the golden age of Jacob Elordi', oil on linen, 152.5 x 122.4 cm © the artist. Sitter: Jacob Elordi[/caption] Rhythms of heritage is one of 57 finalists in the Archibald, as whittled down from 1005 entries. Other works vying for the accolade include Caroline Zilinsky's portrait of Saltburn and Priscilla's Jacob Elordi, Mia Boe's of Tony Armstrong, Jessie Bourke's of Heartbreak High star Chloé Hayden, Paul de Zubicaray's of Jaguar Jonze and Angus McDonald's likeness of Professor Marcia Langton. Also on the list: Drew Bickford's portrait of Hello Dankness filmmakers Dan and Dominique Angeloro, aka Soda Jerk; Camellia Morris' of Anthony Field from The Wiggles; Tim Owers' of Matildas player Cortnee Vine; and Nick Stathopoulos' of film critic David Stratton. If you'd like to see all of the above, plus the rest of 2024's finalists, they'll all be on display at the Art Gallery of NSW in Sydney from Saturday, June 8–Sunday, September 8, 2024. And, they'll have company from works shortlisted for the venue's similarly coveted Wynne and Sulman prizes. The Wynne received 738 entries, with 41 named as finalists, while the Sulman received 628 entries, naming 40 as final contenders. The Wynne also made history by selecting 21 pieces by Aboriginal artists — the first time that there's been more works by Aboriginal artists than non-Aboriginal artists among the finalists. [caption id="attachment_959474" align="alignnone" width="1920"] Archibald Prize 2024 finalist, Jessie Bourke 'Different, not less', oil on canvas, 130 x 90.2 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter. Sitter: Chloé Hayden[/caption] Speculation about who will be awarded the coveted Archibald Prize — and, more often than not, the Archibald winner itself — usually causes much-heated debate. From 2018's five-time Archibald finalist Yvette Coppersmith's first win to Tony Costa's 2019 victory with his painting of fellow artist Lindy Lee — the first portrait of an Asian Australian to pick up the prize — it's hard a prize to pick. All that's really assured is that it'll be a portrait of a person by an Australian-based artist. In 2020, Vincent Namatjira's portrait of Adam Goodes did the honours, and also marked the first time the award has gone to an Indigenous artist. In 2021, Peter Wegner's portrait of fellow artist Guy Warren nabbed the gong. In 2022, it was Blak Douglas' portrait of artist Karla Dickens in the Lismore floods that came out on top, while 2023's accolade went to Julia Gutman for a portrait of Montaigne. Whoever earns the nod for 2024's Archibald, there's still another award up for grabs afterwards. If you don't agree with the judges, you can cast your own vote for People's Choice, which will be announced on Thursday, August 8. [caption id="attachment_959477" align="alignnone" width="1920"] Archibald Prize 2024 finalist, Angus McDonald 'Professor Marcia Langton AO', oil on canvas, 154.5 x 271.5 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter. Sitter: Marcia Langton[/caption] Archibald Prize 2024 Dates: Saturday, June 8–Sunday, September 8, 2024 — Art Gallery of NSW, Sydney, NSW Friday, September 20–Sunday, November 17, 2024 — Orange Regional Gallery Saturday, November 30, 2024–Sunday, January 26, 2025 — Ngununggula, Southern Highlands Regional Gallery Friday, February 7–Sunday, April 6, 2025 — Casula Powerhouse Arts Centre Thursday, April 24–Sunday, June 15, 2025 — Araluen Arts Centre, Northern Territory Friday, July 4–Sunday, August 31, 2025 — Lismore Regional Gallery [caption id="attachment_959478" align="alignnone" width="1920"] Archibald Prize 2024 finalist, Drew Bickford 'Direct-to-video', oil on canvas, 152 x 101.7 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter. Sitter: Soda Jerk[/caption] The winner of 2024's Archibald, Wynne and Sulman prizes will be announced on Friday, June 7 at 12pm — check back here then. If you can't make it to any of the above exhibition dates, you can check out the award winners and finalists of the Archibald, Wynne and Sulman prizes on the Art Gallery of NSW website. Top image: Winner Packing Room Prize 2024, Matt Adnate 'Rhythms of heritage', spray paint and synthetic polymer paint on linen, 220 x 188.5 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter . Sitter: Baker Boy.
Pretty lights take a turn for the fantastical and intergalactic at The Argyle's Fractured Fantasies this Vivid season. In a series of themed weekend events, The Rocks' iconic cobblestone courtyard venue is being transformed into an otherworldly paradise; populated with psychedelic light shows, fire twirlers, performers and a rotating lineup of local DJs — including MINX, Ben Morris and TASS. This weekend (29–31 May), make like Alice and tumble down the rabbit hole for Wonderland-themed cocktails and kaleidoscopic lights (the perfect combination for celebrating your very merry unbirthday). Then, on 5-7 June, don't be taken aback if you see Darth Vader and his ilk spinning the decks. There’s something just so right about the union of lights and lightsabers, so naturally this is your chance to release your inner Jedi (or maybe you’re more of an Ewok? Not judging). Fractured Fantasies kicks off at 6pm each Friday, Saturday and Sunday during Vivid. That’s your eyes and ears indulged, but what’s a feast for the senses without some nosh? Good thing The Argyle Precinct restaurants (Sake, Ananas Bar & Brasserie, The Cut Bar & Grill, Lowenbrau Keller and The Argyle itself) are also open from 5pm every day during the festival.
Already home to the best beach in the world for 2024, Palm Cove in Queensland's north now also boasts the best hotel in the South Pacific — and also Australia — for this year. The first accolade arrived back in March, when the Sunshine State locale near Cairns topped Condé Nast Traveller's beach list. The second has just dropped via Tripadvisor, as part of its Best of the Best Hotels ranking in its 2024 Travellers' Choice Awards. The celebrated hotel: The Reef House Adults Retreat Palm Cove, which takes over the top spot on both the South Pacific and Aussie Tripadvisor lists after coming second to Pinetrees Lodge on Lord Howe Island in 2023. That said, while it earned plenty of local love, it didn't make the global 25, which Pinetrees Lodge managed last year. [caption id="attachment_901977" align="alignnone" width="1920"] The Reef House Adults Retreat Palm Cove[/caption] The Reef House was applauded for its beach access, onsite pools, calming atmosphere and well-appointed rooms, if you're now thinking of heading north for your next getaway. Queensland is also home to the second-best hotel in both the South Pacific and Australia, with that honour going to Emporium Hotel South Bank in Brisbane. It's been a big year or so for showering the Sunshine State with affection, with Brisbane named one of the best places to go in 2024 by The New York Times, travel guide Frommer's also selecting the city as one of 2024's best spots to visit, TIME putting it on its world's greatest places list for 2023, and the World's Best 50 Hotels picking The Calile as its only Australian and Oceanic entry in its inaugural countdown in 2023. [caption id="attachment_952781" align="alignnone" width="1920"] Emporium Hotel South Bank[/caption] On Tripadvisor's South Pacific rankings for 2024, Australian hotels scored six of the top ten spots, including MACq 01 Hotel in Hobart in third place, Next Hotel Melbourne in fifth, Quest Orange in sixth and Zagame's House in Melbourne at tenth. They had company from two Fijian places to stay — Tokoriki Island Resort in fourth place and Six Senses Fiji at ninth — as well as the seventh-ranked Le Bora Bora by Pearl Resorts and eighth-placed Sojourn Apartment Hotel Riddiford in Wellington in New Zealand. The Aussie-only list filled its top six positions with the local hotels named above, then found a spot for Pinetrees Lodge this year, plus Element on Coolum Beach, Terminus Apartment Hotel in Newcastle and The Tasman in Hobart to round out the top ten. The full top 25 spans accommodation in Tamworth, Sydney, South Perth, Adelaide, Echuca and Canberra, too. [caption id="attachment_866700" align="alignnone" width="1920"] MACq 01 Hotel[/caption] Globally, the best place to stay is Hotel Colline de France in Gramado, Brazil — with OBLU SELECT Lobigili in Malé, Maldives coming in second; La Siesta Hoi An Resort & Spa in Hoi An, Vietnam sitting in third; Adiwana Suweta in Bali, Indonesia taking out fourth; and Iberostar Grand Packard in La Habana, Cuba notching up fifth spot. From there, it's back to the Maldives via Emerald Maldives Resort & Spa on Fasmendhoo Island, then to La Siesta Classic Ma May in Hanoi in Vietnam, Secrets Akumal Riviera Maya in Mexico, Padma Resort Ubud in Bali and finally Sofitel Mexico City Reforma back in Mexico. Next time that you're planning a vacation or a staycation, you've clearly got options. Tripadvisor's rankings are based on reviews on its platform, with its hotel lists joining its beach picks for 2024, which were announced in February. Manly Beach in Sydney was the only Aussie spot in the top ten, coming in seventh place. [caption id="attachment_952780" align="alignnone" width="1920"] Hotel Colline de France in Brazil[/caption] Top Ten Hotels in the World 2024: 1. Hotel Colline de France — Gramado, Brazil 2. OBLU SELECT Lobigili — Malé, Maldives 3. La Siesta Hoi An Resort & Spa — Hoi An, Vietnam 4. Adiwana Suweta — Bali, Indonesia 5. Iberostar Grand Packard — La Habana, Cuba 6. Emerald Maldives Resort & Spa — Fasmendhoo Island, Maldives 7. La Siesta Classic Ma May — Hanoi, Vietnam 8. Secrets Akumal Riviera Maya — Akumal, Mexico 9. Padma Resort Ubud — Bali, Indonesia 10. Sofitel Mexico City Reforma — Mexico City, Mexico [caption id="attachment_952783" align="alignnone" width="1920"] The Reef House Adults Retreat Palm Cove[/caption] Top Ten Hotels in the South Pacific 2024: 1. The Reef House Adults Retreat Palm Cove — Palm Cove, Australia 2. Emporium Hotel South Bank — Brisbane, Australia 3. MACq 01 Hotel — Hobart, Australia 4. Tokoriki Island Resort — Tokoriki Island, Fiji 5. Next Hotel Melbourne — Melbourne, Australia 6. Quest Orange — Orange, Australia 7. Le Bora Bora by Pearl Resorts — Bora Bora, French Polynesia 8. Sojourn Apartment Hotel Riddiford — Wellington, New Zealand 9. Six Senses Fiji — Malolo Island, Fiji 10. Zagame's House — Melbourne, Australia [caption id="attachment_952782" align="alignnone" width="1920"] Emporium Hotel South Bank[/caption] Top 25 Hotels in Australia 2024: 1. The Reef House Adults Retreat Palm Cove — Palm Cove, Qld 2. Emporium Hotel South Bank — Brisbane, NSW 3. MACq 01 Hotel — Hobart, Tas 4. Next Hotel Melbourne — Melbourne, Vic 5. Quest Orange — Orange, NSW 6. Zagame's House — Melbourne, Vic 7. Pinetrees Lodge — Lord Howe Island, NSW 8. Element on Coolum Beach — Coolum Beach, Qld 9. Terminus Apartment Hotel — Newcastle, NSW 10. The Tasman, a Luxury Collection Hotel — Hobart, Tas 11. Goonoo Goonoo Station — Tamworth, NSW 12. Adina Apartment Hotel Sydney Chippendale — Sydney, NSW 13. The Henry Jones Art Hotel — Hobart, Tas 14. Treasury On Collins — Melbourne, Vic 15. Quest South Perth Foreshore — South Perth, WA 16. Majestic M Suites — North Adelaide, SA 17. Quest Echuca — Echuca, Vic 18. Adina Apartment Hotel Adelaide Treasury — Adelaide, SA 19. Alcyone Hotel Residences — Brisbane, Qld 20. Vibe Hotel Hobart — Hobart, Tas 21. Little National Hotel Sydney — Sydney, NSW 22. Lancemore Crossley St — Melbourne, Vic 23. East Hotel — Canberra, ACT 24. Deco Hotel Canberra — Canberra, ACT 25. Park Hyatt Melbourne — Melbourne, Vic [caption id="attachment_901978" align="alignnone" width="1920"] Tokoriki Island Resort[/caption] For more information about Tripadvisor's 2024 Travellers' Choice Awards, head to the service's website. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Resembling vintage photos from a bygone era, these time-aged Postcards from Above are actually aerial images taken from Google Maps and reworked by Hungarian art director, Akos Papp, ad agency at BBDO New York. Instead of just using Google Maps as a directory tool, Papp takes snaps of businesses, schools, shipping yards, airports and more, retouching them to look of a 1950s postcard. Papp was inspired by the idea of being able to show loved ones the various foreign places he has travelled using mesmerising aerial imagery, and creates a pleasant reminder of a way we once communicated. Here are 12 examples from Akos Papp's collection.
Move over tea with the Queen — the coffee in London has improved so much over the last few years even Lizzy would ask for a flat white over an English breakfast. We sacrificed the money we were saving for a house deposit to taste coffee all over the city, and here are five coffee shops worth hunting down while you're in town. [caption id="attachment_622923" align="alignnone" width="1920"] Levent Ali via Flickr.[/caption] MONMOUTH COFFEE, COVENT GARDEN Monmouth is the grand old dame of London coffee, and has been pumping out caffeine since 1978. And even though Monmouth likes to keep things fresh with an ever-changing selection of house-roasted beans, some things will never change, like the house blend, the queues and the fact that Monmouth makes the best coffee in Old Blighty. We've heard good things about the filter, but we only tried the flat white, because, well, why change when you're onto a good thing? Queen Lizzy gets it. [caption id="attachment_622924" align="alignnone" width="1920"] The Espresso Room via Instagram.[/caption] THE ESPRESSO ROOM, BLOOMSBURY The Espresso Room is so small it could double as Harry Potter's cupboard under the stairs, so it's a good thing you don't need much space to pump out great coffee (as the Japanese know). This Bloomsbury coffee shop is unsurprisingly known for its espresso, but for our money (too much of our money, to be honest — coffee here is more expensive than home), the flat white is where the magic is. Not too milky, not too strong — it's the best thing this side of getting a letter from Hogwarts. [caption id="attachment_622927" align="alignnone" width="1920"] Bex Walton via Flickr.[/caption] KAFFEINE, FITZROVIA You'll need coffee after spending time on London's most insane shopping artery, Oxford Street. Luckily Kaffeine is just a street or two behind the insanity, serving up damn fine coffee in a damn fine looking coffee shop. This is the place to go if you want a taste of classic Australian espresso-based coffee in London; you won't find American- and Scandi- style filter here. You can even grab an Anzac biccie to snack on if you're feeling seriously homesick. TIMBERYARD, SEVEN DIALS Timberyard is buzzing at all opening hours, and not just because of the free Wi-Fi — the coffee here, although although on the expensive side of things, hits the spot. The flat white is strong, flavoursome, with just the right kick of calcium. Grab a seat — try for one of the hotly contested window spots — and the staff will bring your coffee over on a wooden chopping board (because timber yard, geddit?). You'll want to stay for coffee number two. Your tastebuds will thank you, even if your wallet does not. ALLPRESS, SHOREDITCH You go to Kaffeine for a taste of Australia, but for a taste of New Zealand, head straight to one of Allpress Espresso's two cafes in Shoreditch. Founded in Auckland, Allpress is swiftly taking over the world, with cafes in Australia, Japan and London. And you can taste exactly why: their coffee is one of the best, wherever in the world you find it. The Shoreditch cafe has the antipodeon design look down-pat, with white walls and exposed pale timber. The espresso-based coffee, which uses Allpress roasted beans, is delicious, of course.
After the great Marvel drought of 2020, when the blockbuster franchise pushed back all of its cinema releases due to the pandemic, 2021 hasn't been short on superheroes. So far, WandaVision, The Falcon and The Winter Soldier and Loki have all hit streaming, Black Widow debuted in cinemas and online at the same time, and Shang-Chi and the Legend of the Ten Rings unleashed its Sydney-shot action on the big screen — and Eternals, Spider-Man: Now Way Home and Hawkeye are all still to come. Indeed, by the time the year is out, no fewer than eight new movies and TV shows will have brought the Marvel Cinematic Universe's crime-fighting, world-saving figures back to our screens in 2021. And, one of them is getting festive, because obviously Disney+ thinks that we could all use some streaming superhero antics combined with holiday hijinks (or that Marvel's sprawling film and TV realm could take some cues from Home Alone and Die Hard). That show: Hawkeye. Like the rest of Marvel's Disney+ shows, it has gone with the obvious, title-wise. And, when it hits Disney+ in late November, it'll start streaming just as everyone's starting to feel merry. So, the eight-part mini-series is leaning into that idea — twinkling lights, appropriate tunes and all — as the just-dropped first trailer for Marvel's fourth TV series of the year demonstrates. Yes, viewers will see how Clint Barton (Jeremy Renner, Avengers: Endgame) is doing in his post-blip life. They'll also watch him team up with hotshot archer and aspiring hero Kate Bishop (Hailee Steinfeld, Bumblebee), who slings arrows just as well as the Avenger she admires. And, they'll see the pair try to get Barton back to his family for Christmas — and try to escape a presence from Barton's past. As well as Renner and Steinfeld, Hawkeye stars Vera Farmiga (The Conjuring: The Devil Made Me Do It), Fra Fee (Pixie), Tony Dalton (Better Call Saul), Zahn McClarnon (Reservation Dogs), Brian d'Arcy James (Devs) and debutant Alaqua Cox. Obviously, exactly who else from the MCU will turn up is the kind of detail that'll be best discovered by watching. Check out the Hawkeye trailer below: Hawkeye will start streaming via Disney+ on Wednesday, November 24. Images: Chuck Zlotnick/Mary Cybulski. ©Marvel Studios 2021. All Rights Reserved.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. PARALLEL MOTHERS Whatever Pedro Almodóvar and Penélope Cruz happen to be selling — and whenever, and in whichever films — audiences should always be buying. It isn't quite right to liken the acclaimed filmmaker's long-running collaboration with one of his favourite leading ladies to commerce, though, so another comparison fits better: whatever this duo birth into the world, viewers should embrace as a parent does a child. Across four decades now, the Spanish pair has gorgeously and soul-stirringly made cinematic art with the utmost understanding of how to make people feel. They know how people feel, too, and have the combined resumes best exemplified by Live Flesh, All About My Mother, Volver, Broken Embraces, Pain and Glory and now Parallel Mothers to prove it. Their shared filmography also constantly demonstrates another essential insight into human existence: that life is emotion, whether facing its beginning, end or both. Now helming his 22nd feature, Almodóvar has long filled his works with other recurrent inclusions and fascinations, many of which also burst onto the screen again here. When he initially united with Cruz on 1997's Live Flesh, she gave birth on a bus; in their second pairing, the Oscar-winning All About My Mother, she played a pregnant nun; with their most recent collaboration before this, Pain and Glory, she was mum to the writer/director's fictionalised surrogate — so that she's one of his titular matriarchs now is vintage Almodóvar. He brings back another of his veteran stars in Rossy de Palma (Julieta), paints with the vibrant-toned costume and set design that make his movies such a blissful sight for colour-seeking eyes, and focuses on mothers of all shades navigating life's many difficulties as well. Yes, Parallel Mothers is classic Almodóvar, but nothing about that description ever simply unfurls as expected. As the movie's moniker indicates, Janis, the almost-40 photographer that Cruz (The 355) inhabits with the quiet force and fragility that's second nature whenever she's directed by Almodóvar, is just one of Parallel Mothers' mums. Teenager Ana (Milena Smit, Cross the Line) is the other and, despite the feature's title, their stories keep converging. The two first meet in a Madrid hospital, where they share a room, give birth simultaneously, chat about how they're each going it alone with no father in the picture and quickly form a bond — as different as they otherwise appear, down to contrasting sources of support (Janis' brightly attired magazine-editor best friend Elena, which is where de Palma pops up, versus Ana's self-obsessed and distant actress mother Teresa, played by Estoy vivo's Aitana Sánchez-Gijón). Janis and Ana descend separately into motherhood afterwards, but twists of fate keep bringing them back together. Soapiness, aka the kinds of narrative developments characteristic of daytime TV, is another of Almodóvar's touches. But while his career has spanned films light and camp, dark and serious, and almost everything in-between, he inherently recognises that the line between what's dismissed as melodramatic contrivance and what people do truly experience is thinner than a blue slash on a positive pregnancy test. He unravels Parallel Mothers' story with that notion beaming underneath, and while also tackling a real and grim chapter of his country's history that he's never overtly confronted in his work. Before Janis and Ana can meet again and again, their lives and those of their infant daughters' forever intertwined, Janis gets in the family way to anthropologist Arturo (Israel Elejalde, 45 rpm) — who she snaps at a job, then asks to unearth the mass grave in her village that she suspects has housed her great-grandfather's body since he went missing in the Spanish Civil War. Read our full review. THE EYES OF TAMMY FAYE Not for the first time, the eyes have it, but then they always have with Tammy Faye Bakker. Not one but two films called The Eyes of Tammy Faye have told the 70s and 80s televangelist's tale — first a 2000 documentary and now this new Jessica Chastain-starring dramatisation — and both take their monikers from one of the real-life American figure's best-known attributes. In the opening to the latest movie, the spidery eyelashes that adorn Tammy Faye's peepers are dubbed her trademark by the woman herself. They're given ample focus in this biopic, as OTT and instantly eye-grabbing as they they are, but their prominence isn't just about aesthetics and recognition. This version of The Eyes of Tammy Faye hones in on perspective, resolutely sticking to its namesake's, even when it'd be a better film if it pondered what she truly saw, or didn't. In the path leading to her celebrity heyday and the time she was a TV mainstay, Tammy Faye's life saw plenty. It began with an unhappy childhood stained by her stern mother Rachel's (Cherry Jones, Succession) refusal to be linked to her at church, lest it remind their god-fearing Minnesotan townsfolk about the latter's sinful divorce. But young Tammy Faye (Chandler Head, The Right Stuff) still finds solace in religion, the attention that speaking in tongues mid-service brings and also the puppets she starts using as a girl. Come 1960, at bible college, her fervour and quirkiness attract fellow student Jim Bakker (Andrew Garfield, Tick, Tick… Boom!), with the pair soon married even though it gets them kicked out of school. Unperturbed, she keeps seeing their calling to the lord as their way forward, first with a travelling ministry — puppets included — and then with television shows and their own Praise the Lord network. From her mid 20s through until her late 40s, when multiple scandals spelled their downfall — involving Jim's alleged sexual assaults, as well as the misuse of funds donated to Praise the Lord by its loyal viewers — much of Tammy Faye's life was lived in the public eye, too. That gives both Chastain (The 355) and director Michael Showalter (The Big Sick) copious materials to draw upon beyond the original The Eyes of Tammy Faye, and also turns their film into a glossy recreation. There's no shortage of details to convey, but that's primarily what Abe Sylvia's (Dead to Me) script is content with. Depiction doesn't equal interrogation here, and does skew closer to endorsement; Tammy Faye's outsized appearance, her makeup and outfits getting gaudier as the Bakkers' fame keeps growing, can border on parody — it's camp at the very least — but that isn't the same as asking probing questions about the movie's central figure. Chastain serves up a performance that seems primed to delve deeper. With the exceptional Scenes From a Marriage star leading the show, the eyes don't just have it, or the hair that just keeps getting bigger, or the ostentatious clothing. In the twice Oscar-nominated actor's hands — with a third nod likely for this very portrayal — there's heart and soul behind Tammy Faye's larger-than-life persona, thoughtfully and sympathetically so. As she was with The 355, Chastain is also one of The Eyes of Tammy Faye's producers, and her investment in the part is apparent in every aspect of her portrayal. The film was clearly built around her work, which is excellent, but the picture plays like that's its whole point. Indeed, when it comes to seeing past the blatant, already-known and openly endorsed about its subject, and to genuinely unpacking her role in the prosperity gospel her husband promoted, the movie conspicuously stops short. Read our full review. THE HATING GAME Misery loves company in the world of publishing industry-set toxic romance novels, which just keep coming — as do film adaptations of such books. After the Fifty Shades franchise fittingly came After movies, doubling down on idealising unhealthy relationships cast against a literary background. Now, as based on Sally Thorne's tome of the same name, The Hating Game follows the same broad concept as well as the same path from page to screen. For anyone who loves words, there's a sense of romance about the business of immortalising them in print, so perhaps that's why these tales keep plunging into the publishing realm. Or, if you're turning destructive ideas about love into fiction, maybe using the industry responsible as a backdrop just feels apt? As more keep arriving, it could simply be the easiest and laziest choice. Charting a professional rivalry that eventually (and thoroughly unsurprisingly) sparks a-fluttering hearts — capitalising upon the schoolyard notion that teasing and torment is actually a sign of affection, and legitimising it as an acceptable form of human behaviour as eons of parental advice to children mistakenly has, too — The Hating Game doesn't pretend to stretch its chosen genre. The thin line between love and loathing here is ridden by two duelling assistants at a recently merged publishing house, and the fact that they'll end up together isn't meant to cause any astonishment. Instead, like with all formulaic rom-coms, viewers are supposed to enjoy the journey towards the happy ending. But that's a difficult feat when everything about that voyage proves noxious, from the underlying notion that workplace acrimony will lead to a fairytale romance through to the glaring lack of chemistry between its stars — and, of course, the overstuffed bag of obligatory tropes and cliches. Narrating the movie, Lucy Hutton (Lucy Hale, Son of the South) is upfront about her disdain for Joshua Templeman (Austin Stowell, Swallow) from the outset. She hails from Gamin Publishing, home to weighty works that exemplify literature as an art form, while he comes from Bexley Books, purveyor of ghost-written sports autobiographies. Creativity meets commerce in this business marriage of convenience; however, since the two organisations joined forces, The Hating Game's chalk-and-cheese central pair have dedicated as much time to annoying each other as they have to their jobs. The dangling carrot that is a big promotion not only ups the stakes but sees Lucy and Josh ramp up their animosity, but then their bickering begets an unexpected kiss. Afterwards, she struggles with lusting after the enemy while still trying to beat him out for her dream position. After co-starring in 2020's Fantasy Island, Hale and Stowell experience a case of history repeating with The Hating Game. Both movies value predictability over personality, to bland results — and neither film adds a highlight to either actor's resumes. Director Peter Hutchings (Then Came You) and screenwriter Christina Mengert (the filmmaker's co-scribe on The Last Keepers) also endeavour to have things both ways whenever the feature flirts with getting saucier, as the tale does on the page. Although Lucy is candid about sex and, when she realises it, her attraction to Josh, the picture she's in makes the Fifty Shades and After flicks seem far steamier than they are. The Hating Game misses every mark when it tries to be comedic, too, including in its key duo's games of one-upmanship and their exploits at Josh's brother's wedding. The film does take place in a world where the protagonists share a ridiculously spacious office while the company they work for cries budgetary issues, so it's all pure fantasy, but this rom-com's idea of escapism springs from nothing more than riding an already-overdone publishing trend's dispiriting coattails. QUEEN BEES Squandering veteran acting talent in insulting comedies about being senior citizens has to be one of cinema's most infuriating moves. It's a fate that's claimed too many stars — Robert De Niro, Christopher Walken, Diane Keaton and Pam Grier included in just the past few years — and, following the likes of Poms, Dirty Grandpa and The War with Grandpa, Queen Bees is the latest film to jump on the bandwagon. Where the also female-focused Poms endeavoured to bring Bring It On to older age, this Ellen Burstyn (Pieces of a Woman)-led effort does the same with Mean Girls. It knows it, too, with Donald Martin's (Christmas Town) script saddling Burstyn's Pine Grove Senior Community newcomer Helen Wilson with describing her cliquish fellow residents as "like mean girls, but with medical alert bracelets". That line alone is the extent of Queen Bees' self-awareness, however. Widowed for three years and dwelling in the memories that her marital home still holds, Helen is fiercely independent, but also increasingly forgetful. Her doting grandson Peter (Matthew Barnes, Little Fires Everywhere) helps her laugh off the repeated times she locks herself out of the house, but when she accidentally starts a fire one night, it leads to her interfering daughter Laura (Elizabeth Mitchell, The Expanse) convincing Helen to spend the month it'll take to fix the place seeing what Pine Grove is like. The word 'temporary' gets bandied about constantly upon her arrival, and she's just as adamant about steering clear of the retirement community's locals. And the fact that the group of women who've gleefully adopted the movie's moniker — led by the sniping and stern Janet (Jane Curtin, The Good Fight), with Margot (Ann-Margret, Going in Style) and Sally (Loretta Devine, The Starling) always by her side — are instantly unwelcoming only solidifies Helen's resolve. Flatly directed by Michael Lembeck (A Nutcracker Christmas), Queen Bees does bring something closer to its target audience than Mean Girls to mind, but trying to follow in The Golden Girls' footsteps is a fool's errand. There isn't a laugh to be found here regardless of what the film is aping at any given moment, but Martin's screenplay does take the sitcom approach to its attempts at both comedy and drama, wisecracking one-liners and big narrative developments included. It also leans heavily on its cast to make its thin, formulaic writing spark, but no one can improve such rote material. Burstyn has tackled many horrors on-screen, including in The Exorcist and Requiem for a Dream — both of which earned her Oscar nominations — but seeing her stuck attempting to do her best with something this contrived, condescending and insincere is a true horror show. In the narrative, contrivance abounds, including to shoehorn more acting greats into the movie's on-screen roster. James Caan (Out of Blue) plays a kindly love interest for Helen — one of the reasons she might change her tune about Pine Grove, which'd be a lucrative result for the facility's manager (Curtain's Third Rock From the Sun co-star French Stewart) — while Christopher Lloyd (Nobody) gets the movie's most thankless role as another new arrival. The only charms that Queen Bees boasts spring from watching its overqualified talents share scenes, but again, that isn't enough to salvage everything around them. Retirement home comedies should be retired after the excellent 2020 documentary Some Kind of Heaven anyway, which showed that reality truly is wilder than anything these bland fictional flicks will ever conjure up. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on September 2, September 9, September 16, September 23 and September 30; October 7, October 14, October 21 and October 28; November 4, November 11, November 18 and November 25; December 2, December 9, December 16 and December 26; and January 1, January 6, January 13 and January 20. You can also read our full reviews of a heap of recent movies, such as Shang-Chi and the Legend of the Ten Rings, Summer of Soul (...Or, When the Revolution Could Not Be Televised), Streamline, Coming Home in the Dark, Pig, Big Deal, The Killing of Two Lovers, Nitram, Riders of Justice, The Alpinist, A Fire Inside, Lamb, The Last Duel, Malignant, The Harder They Fall, Roadrunner: A Film About Anthony Bourdain, Halloween Kills, Passing, Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog, Tick, Tick... Boom!, Zola, Last Night in Soho, Blue Bayou, The Rescue, Titane, Venom: Let There Be Carnage, Bad Luck Banging or Loony Porn, Dune, Encanto, The Card Counter, The Lost Leonardo, The French Dispatch, Don't Look Up, Dear Evan Hansen, Spider-Man: No Way Home, The Lost Daughter, The Scary of Sixty-First, West Side Story, Licorice Pizza, The Matrix Resurrections, The Tragedy of Macbeth, The Worst Person in the World, Ghostbusters: Afterlife, House of Gucci, The King's Man, Red Rocket, Scream, The 355, Gold, King Richard, Limbo, Spencer, Nightmare Alley and Belle.
Shopping local has become much more than a passing trend — it's a way of life for many Sydneysiders. Having a go-to bakery, produce shop, deli, cafe and boutique in your neighbourhood is a must nowadays. And in the busy north shore neighbourhood of Chatswood, it's easier than you think to navigate its many small businesses. You can grab your fresh fruit from one spot, pastries from another and stop at a local cafe in between. To make navigating the area's thriving shopping scene, we've put together this list of the best boutique stores in Chatswood. Whether it's for locally made threads, washed-rind cheeses or freshly baked artisan bread, you can shop at any of these Sydney shops. Recommended reads: Where to Shop Like a Local In and Around Darlinghurst Five Things to Do in Chatswood When You Want to Try Something New Where to Shop like a Local In and Around Sydney CBD
So many beers to sample, so little time. If you don't know too much about craft beers, this is where you'll want to be. Brewers like Doctors Orders and Pirate Life will be in store offering tastings of their best beers and you can have a chat to them about the amber liquid of the gods. This event is one of our top ten picks of Sydney Craft Beer Week. Check out the other nine.
