If this year's holiday planning has you thinking small and local, you've now got a couple of extra accommodation options to pop onto that travel radar. After the NRMA, aka the National Roads and Motorists' Association, debuted the first of its new stylishly-repurposed shipping container escapes — or 'glamtainers' — last spring, it has now added two more to the collection. While the two OG tiny homes will temporarily remain at NRMA Ocean Beach Holiday Resort, where they've been sitting pretty since September, the other pair are headed to the snow. The new editions will premiere at NRMA Jindabyne Holiday Park from July, in time for the busy ski season. Easily movable and also extendable in size, the seven-metre-long luxury tiny homes all have room to sleep four. Each boasts a queen and a double bed, plus a full bathroom and a decent sized kitchenette. What's more, they're fitted out in style, with upscale features including comfy mattresses, plush linens, air-conditioning and attached outdoor entertaining spaces. As with their beachside siblings, the new glamtainers are the work of Melbourne company Glam Xperience, which makes a whole series of glamping tents and mini retreats — and whose creations you might have spied at the likes of St Jerome's The Hotel and Clifftop at Hepburn. The units are designed to allow guests to experience staying amongst the great outdoors, without sacrificing comfort, so you can bet they're primed for those winter snow escapes. The Ocean Beach glamtainers have proved a huge hit for Aussie holidaymakers, with bookings filling up quickly ever since their inception. In fact, the original plan was to move those two on to Jindabyne next, but the pair have been so popular that NRMA decided to simply expand the family instead. The NRMA Ocean Beach Holiday Resort glamtainers are available to book again for stays from May 11. Meanwhile, the new NRMA Jindabyne Holiday Park glamtainers are being installed in the coming months, with bookings open from July. Images: Shan Rose Photography
It's easy to peruse the lengthy list of movies that'll be screening at the Melbourne International Film Festival in 2024 and find parallels with the cinema celebration itself. Just like the claymation that brings Academy Award-winning animator Adam Elliot's work to life — including short Harvie Krumpet, 2009 feature Mary and Max and now MIFF's opening-night pick Memoir of a Snail — the fest expertly moulds its chosen materials into a reflection of the world around us. On par with every feature from David Cronenberg, it isn't afraid to push boundaries. As Chinese filmmaker Jia Zhang-ke ponders, it's deeply aware of both the past and the future. And exactly as all things Godzilla has, it's been a mainstay of the film world for seven decades. Running across Thursday, August 8–Sunday, August 25, Melbourne's annual celebration of moving pictures does indeed boast all of the above on its just-announced full program for this year. The Shrouds from Cronenberg (Crimes of the Future) sees the iconic body-horror filmmaker respond to the death of his wife IRL through the tale of a tech entrepreneur played by Vincent Cassel (Damaged) doing the same. The narrative of Caught by the Tides by Zhang-ke's (Swimming Out Till the Sea Turns Blue) spans over 20 years, using footage from across just as long. And the ultimate kaiju is getting a one-night, seven-movie 70th-anniversary marathon, starting with franchise's iconic OG Japanese flick and making its way through to Shin Godzilla. "This year's MIFF program features over 250 films, with more than 400 sessions across 18 days, bringing together incredible Australian filmmaking, world cinema, drama, comedy, horror, animation, bold experimentation — things you've been waiting months to see, and others you never thought you'd get a chance to," explains the festival's Artistic Director Al Cossar about the complete lineup. "The MIFF program this year, like every year, is a multi-faceted festival of cinematic excess, designed to delight and sure to bring out the best in your imaginations. We're thrilled to welcome audiences back — come along and settle in for all too many movies at Melbourne's favourite binge this winter." Some of the fest's new highlights fill its Bright Horizons strand, aka its competition — including Flow, an animation about animals on a boat; Janet Planet, the debut movie from Pulitzer Prize-winning playwright Annie Baker; Inside, a prison drama with Guy Pearce (The Clearing), Cosmo Jarvis (Shōgun) and Toby Wallace (The Bikeriders) that's directed by Charles Williams, who won the 2018 short film Palme d'Or for All These Creatures; and The Village Next to Paradise, which is the first-ever Somali film play Cannes. Other standout additions to the program elsewhere span flicks that've had the international film festival circuit talking in 2024 — and Australia's by first showing in Sydney. The Substance is also the long-awaited second effort from writer/director Coralie Fargeat, who made a spectacular debut with 2017's Revenge and picked up the Best Screenplay award at Cannes for this Demi Moore (Feud)-starring body-horror effort. Megalopolis features Adam Driver (Ferrari), with The Godfather and Apocalypse Now filmmaker Francis Ford Coppola first conceiving of the picture back in 1977. Rumours gives the fest a dose of Guy Maddin, Evan Johnson and Galen Johnson behind the lens (reteaming after Accidence, The Rabbit Hunters and Stump the Guesser), plus Cate Blanchett (The New Boy) on-screen. The Seed of the Sacred Fig is the latest film from Mohammad Rasoulf (There Is No Evil), with the movie's place on this year's Cannes lineup seeing him forced to flee Iran after being sentenced to flogging and imprisonment. And All We Imagine as Light was the first Indian film to play in Cannes' competition in three decades. MIFF's winter stretch in Melbourne cinemas — plus sessions from Friday, August 9–Sunday, August 25 online; and across both Friday, August 16–Sunday, August 18 and Friday, August 23–Sunday, August 25 in regional Victoria — will also feature Berlinale Golden Bear-winner Dahomey, All Dirt Roads Taste of Salt from poet and photographer Raven Jackson, the maximum-security prison-set Sing Sing with Colman Domingo (Drive-Away Dolls), and Hong Sang-soo and Isabelle Huppert reuniting on A Traveler's Needs after Another Country and Claire's Camera. Amid its usual celebration of variety, Timestalker from Prevenge director and Garth Marenghi's Darkplace star Alice Lowe sits beside coming-of-age tale Bookworm's reteaming Elijah Wood with director Ant Timpson after Come to Daddy — this time playing a dad — and the Ilana Glazer (The Afterparty)-led Babes helmed by Pamela Adlon from Better Things. Or, there's the cinephile-catnip Martin Scorsese-presented doco Made in England: The Films of Powell and Pressburger, Craig Silvey's Runt reaching the screen with a heap of local faces (Kaleidoscope's Jai Courtney, Colin From Accounts' Celeste Barber, High Ground's Jack Thompson and Total Control's Deborah Mailman), Indigenous Aussie horror via The Moogai, and The Dandy Warhols and The Brian Jonestown Massacre music documentary follow-up Dig! XX. If that — plus Wake in Fright getting the Hear My Eyes treatment — isn't enough, In Vitro is an Ashley Zukerman (Succession)-led Australian sci-fi thriller about a couple doing biotech experiments, the also-homegrown boxing drama Kid Snow features Phoebe Tonkin (Boy Swallows Universe), Ghost Cat Anzu brings a touch of Japanese animation, and the Kate Winslet (The Regime)- and Alexander Skarsgård (Mr & Mrs Smith)-led Lee is about WWII reporter Lee Miller. Three IRL Belfast rappers star as themselves alongside Michael Fassbender (Next Goal Wins) in comedy Kneecap; Problemista is directed by and stars Los Espookys and Fantasmas' Julio Torres opposite Tilda Swinton (The Killer); and Sasquatch Sunset, directed by the Zellner brothers (Damsel), gets Riley Keough (Daisy Jones & the Six) and Jesse Eisenberg (Fleishman Is in Trouble) playing a sasquatch family. Plus, Australia's own Romulus, My Father and Lake Mungo have scored restorations, the fest is spending an evening at Peninsula Hot Springs, an Iranian New Wave retrospective sees MIFF team up with New York's Museum of Modern Art, there's a whole strand dedicated to non-fiction films about the natural world, and Devo and The Black Keys also pop up in the Music on Film section. Not having anything to watch clearly isn't a problem at this fest. Whittling down your must-watch list? Now that's a different — and delightful — issue. [caption id="attachment_965567" align="alignnone" width="1917"] Barry Schultz, BarrySchultzPhotography.com[/caption] The 2024 Melbourne International Film Festival runs from Thursday, August 8–Sunday, August 25 at a variety of venues around Melbourne; from Friday, August 16–Sunday, August 18 and Friday, August 23–Sunday, August 25 in regional Victoria; and online nationwide from Friday, August 9–Sunday, August 25. For further details, including member tickets from 8pm on Thursday, July 11 and general tickets from 9am on Tuesday, July 16, visit the MIFF website.
You could be forgiven for initially thinking that Chris Jordan's collections of digital photographs were nothing more than faded photos of iconic pieces of art. But on closer inspection, Jordan's photo of Botticelli's The Birth of Venus is actually made up of very small images. On even closer inspection, those very small images are actually plastic bags. The work is accompanied with this description: 'Depicts 240,000 plastic bags, equal to the estimated number of plastic bags consumed around the world every ten seconds'. Jordan's photos are made up of images of everyday items we consume everyday. Or, rather, we overconsume everyday. Some pretty scary statistics about consumption become the starting point for both his idea and the composition of the photo. And so it follows that Jordan's photo of Seurat's Sunday Afternoon on the Island of La Grande Tatte is actually made up of images of 400,000 plastic bottle caps. His take on Van Gogh is made up of images of plastic lighters. Jordon also also creates his own images; a bust made up of 32,000 images of Barbie dolls - equal to the number of elective breast augmentation surgeries performed monthly in the US in 2006 - and a moon made up of 29,000 credit cards - the amount of personal bankruptcy filings every week in the US in 2010 - also feature in the collection. https://youtube.com/watch?v=f09lQ8Q1iKE
When Stanbuli closed, many Sydneysiders waited with bated breath to learn what would take its place in its iconic Enmore Road digs behind the Marie-Louise salon facade. While a sense of cynicism would have been warranted with Sydney's track record of preserving beloved venues, you can officially breathe a sigh of relief with the Porteno crew maintaining its ownership of the building, opening a much-hyped Spanish tapas bar in the space. Named after the salon that occupied the building from the 50s through until the 90s, Bar Louise maintains the eye-catching pink and purple facade while giving the interior a makeover of warm yellow walls, rich wooden tones and fake leafy vines, all reminiscent of a southern Spain wine bar. "We just want to make it a fun place everyone can come and drink wine and eat great food — open seven days a week," Porteno Founder Elvis Abrahanowicz told Concrete Playground. The star of the drinks menu is sherry, with more than 15 varieties available by the glass ($12–32). The signature drop is an ideal start or end to your meal, accompanied by a cocktail, Estrella or minimal-intervention wine. The cocktails at Bar Louise include a coffee negroni ($22), manhattan on the rocks ($20) and Sangria de Maria Lousie ($15), while the wine list showcases tipples from Spain, Australia, Italy, Portugal, Argentina and France. Once you've ordered your opening glass of sherry, your attention will move to the food. The Pulpo a la Gallega octopus ($28) is an absolute highlight, served with potato, aioli and pimento chilli, but there's plenty here for vegetarians, pescatarians and meat-lovers to all discover. Kick things off with your choice of starters which range from gildas ($6) and paleta ibérico served with chips ($32) to mussel escabeche ($16). From there you can get a little heftier with your choices, with some of the exciting options available including charcoal-grilled eggplant and capsicum ($20), garlic and parsley mushrooms ($26), potato and prawn salad ($24), fried pork belly ($26) and thick-cut chorizo in a cider sauce ($26). The chorizo is made in-house, and a lot of the bar snacks are house-cured with the help of Continental Deli Co-Owner and Manager Michael 'Mikey' Nicolian. And, fans of Stanbuli, never fear — the former Head Chef Ibrahim Kasif is opening a manoush restaurant and wine bar with the renowned hospitality team behind NOMAD.
What's set to feature synth-heavy tunes, a big blender, plus Tony Armstrong and Courtney Act chatting Australian audiences through one of the huge music events of every year? In 2025, that's how the Eurovision Song Contest will play out. Another May is in full swing, which means that another round of acts are taking to the stage to compete for Europop glory. Flying the flag for Australia at the 69th Eurovision: Go-Jo with the song 'Milkshake Man'. The place: Basel in Switzerland, thanks to Nemo winning Eurovision 2024 with 'The Code'. And the dates for your diary: Wednesday, May 14–Sunday, May 18 Down Under. The event's 2025 semi finals take place at 5am Australian time on Wednesday, May 14 and Friday, May 16, with Go-Jo featuring in the second. Then, this year's winner will be crowned on Sunday, May 18. To watch along from home, you'll be heading to SBS and SBS on Demand — which is where Armstrong and Act come in. As announced back in April, the pair are fronting the Aussie commentary team this year, with the ex-AFL footballer-turned-TV presenter (Eat the Invaders) teaming up with the Australian Idol and RuPaul's Drag Race alum to guide audiences through the full 2025 Eurovision experience. Act was part of the 2024 coverage, too, as SBS's backstage Eurovision correspondent. Go-Jo, aka Marty Zambotto, was named in February as Australia's latest entrant. While you might've been among the folks helping his single 'Mrs. Hollywood' notch up 60-million digital streams and one-billion views, he's performing 'Milkshake Man' at Eurovision. Enter that big blender for the Manjimup-raised, now Sydney-based performer, another former footballer (in the West Australian Football League), who was the ninth most-streamed Australian artist in the world in 2023. "The Milkshake Man's purpose is to inspire people to embrace the loudest and proudest version of themselves, and I can't think of a better place to share that message than the Eurovision stage. It's an absolute dream come true to represent such a beautiful and diverse nation, and I've never been more excited to share my art and vision with the incredible Eurovision fans around the world," said Go-Jo when he was announced at 2025's Aussie competitor. And that blender? It's part of Go-Jo's staging, and measures four metres in height — with Australia going big, literally, to mark ten years since first competing in Eurovision when Guy Sebastian entered the 2015 contest with 'Tonight Again'. [caption id="attachment_1003691" align="alignnone" width="1920"] Jason Henley[/caption] For newcomers, Eurovision started back in 1956 as a competition between a mere seven nations. Now, nearing seven decades later, it's a glitter-strewn and spandex-fuelled global musical phenomenon. Thirty-seven countries not only in Europe but from elsewhere are competing in 2025 — hello Australia — and viewers tune in en masse to watch, sing along and add new pop tunes to their queues. When Go-Jo performs his track in the semi final, he'll be up against performers from Ireland, Austria, Greece, Denmark, Finland, Montenegro, Latvia, Armenia, Lithuania, Malta, Georgia, Czechia, Luxembourg, Israel and Serbia. If he then makes his way through to the grand final, he'll be one of only 21 acts making the cut,. France, Germany, Italy, Spain, the United Kingdom and Switzerland are automatically guaranteed spots. You have choices if you're keen to watch — depending on whether you want tear yourself out of bed before it's light. If you want to view the proceedings live, you can from 5am on the relevant days. Streaming replays will also be available mid-morning. Or, if you can somehow manage to avoid the internet and social media, both semis and the grand final will also screen in primetime across Friday–Sunday. Can't decide whether to beat the sun or wait and host a party at sensible hour? It's worth remembering that Australians can indeed vote for Eurovision, but only until around 18 minutes after the last song is performed in each live semi-final broadcast and about 40 minutes after the last track ends in the grand final. Voting is open to everyone in all finals — whether you're from a country participating in that final or not — and the artists who get through from the two semi finals to the grand final will be solely chosen by the audience at home. Still remaining the same: the rule that says Australians can't actually vote for Go-Jo, because no one can vote for the country they represent. [caption id="attachment_1003694" align="alignnone" width="1920"] Nick Wilson[/caption] "I'm so excited to jump into the world of Eurovision with the one and only Courtney Act, who has already taken me under her wing. I'm definitely not envious of her brilliance and my jealousy won't make it on screen I promise. Eurovision holds such a special place in so many hearts around the world. I look forward to being a part of the spectacle along with Courtney," said Armstrong when his Eurovision hosting gig for SBS in 2025 was announced. "I was not prepared for how much I would enjoy Eurovision last year — and this year I'm back, now with everyone's favourite IT man Tony Armstrong (who I can confirm is just as delightful and dashing in real life as you'd expect). I'll be offering my commentary expertise on every costume reveal, key change, wind machine and pyro moment I know Switzerland will deliver. Tony's already taught me a thing or two about team sport energy, and I'll be returning the favour with a crash course in camp," added Act. Eurovision 2025 Broadcasts Live broadcasts: Semi final one: 5am AEST on Wednesday, May 14 on SBS and SBS on Demand Semi final two: 5am AEST on Friday, May 16 on SBS and SBS on Demand — featuring Go-Jo Grand final: 5am AEST on Sunday, May 18 on SBS and SBS on Demand Streaming replays: Semi final one: from 8.30am AEST on Wednesday, May 14 on SBS on Demand Semi final two: from 8.30am AEST on Friday, May 16 on SBS on Demand — featuring Go-Jo Grand final: from 10.30am AEST on Sunday, May 18 on SBS on Demand Prime-time TV 'access all areas' broadcasts: Semi final one: 7.30pm AEST on Friday, May 16 on SBS Semi final two: 7.30pm AEST on Saturday, May 17 on SBS — featuring Go-Jo Grand final: 7.30pm AEST on Sunday, May 18 on SBS SBS' Eurovision 2025 coverage runs from Wednesday, May 14–Sunday, May 18. For more information, head to the broadcaster's website — and for more information about Eurovision, head to the event's website. Eurovision rehearsal images: Alma Bengtsson / Sarah Louise Bennett / Corinne Cumming.
Impromptu Dining is done with and in its place stands et.al, a sleek, Potts Point restaurant co-owned by chef Daniel Backhouse and manager Stephen Craig. As the name suggests, sharing a meal with friends, family, lovers et al is at the heart the restaurant's ethos and every element of the place has been designed with this in mind. Backhouse, a former chef at Bathers Pavilion and Berowra Waters Inn, and Craig, a former colleague of Colin Fassnidge at the Four in Hand Dining Room, have put a great deal of passion into the venue — and it shows. The food is an inventive take on modern classics born from the imagination and expertise of Backhouse's culinary genius. For lunch, there'll be a maple chilli bacon butty, and a burrata with shaved zucchini, tempura flowers and hazelnuts. For dinner, an impressive 600g scotch fillet served with black garlic butter and fried potatoes catches our eye, although the vodka cured salmon with zesty grapefruit, avocado and fennel makes us think we might need to order both. The dishes are designed to be crisp, carefully balanced and showcase the eloquence of simplicity whilst Craig's short, sharp and worldly wine list complements the food's clear flavours. The new space has been fitted out by Chris Wilks of Giant Design, so expect chic wooden furniture, vibrant textiles and an open plan kitchen of tiles, concrete, stainless steel and light that looks out into the courtyard dining space. Everything — from the water carafes to the saucepans — has been granted it's own place. At the risk of making a bit of a generalisation, this place oozes 'Sydney' right down to the weight of the cutlery and the shape of the wine glasses.
Love theatre? Desperate to see all the latest and greatest shows that London's West End has to offer, or the British theatre scene in general? Live in Australia, rather than the UK? If you answered yes to all of these questions, and you can't afford to zip over to Britain and back to indulge your stage fix — because who can? — then you're probably a huge fan of National Theatre Live. Since well before the pandemic, this theatre-to-cinema program has beamed live versions of hit London stage productions into Australian picture palaces. If you watched Danny Boyle's phenomenal version of Frankenstein starring Benedict Cumberbatch and Jonny Lee Miller, as everyone should've, then this is how you saw it. If you caught Carey Mulligan and Bill Nighy in the also-phenomenal Skylight, it was thanks to NT Live, too. (And if you found yourself streaming other British theatre shows during lockdowns, that's because National Theatre set up its own online platform when we were all at home as well.) NT Live's Aussie cinema program has been back up and running as the venues themselves have been doing the same, and it has something massive in store in July: Prima Facie. The one-woman play marks the West End debut of Killing Eve star Jodie Comer, who plays a brilliant young barrister. And it'll be showing in movie theatres Down Under from Saturday, July 23. Penned by Australian British playwright Suzie Miller — and an AWGIE winner in 2020 at home for its Griffin Theatre premiere season — Prima Facie also sees Miller herself make her West End debut. Her play follows legal eagle lead Tessa (Comer, The Last Duel, Free Guy), who has succeeded in her field after working her way up from working-class origins. Then, thanks to an unexpected event, she's forced to examine power dynamics, the patriarchal force of the law, morality and burdens of proof. NT Live's recording of Prima Facie was captured live at the Harold Pinter Theatre — and, as all such stage shows that make the leap to cinemas as filmed versions of the original plays, the visual presentation is designed to make you feel like you're really there. Prima Facie will play in select cinemas around the country — including the Hayden Orpheum, Dendy Newtown, Palace Chauvel and Ritz Cinemas in Sydney; Cinema Nova, Palace Brighton Bay, Palace Como, Palace Balwyn, Lido Cinemas, Classic Cinemas, Cameo Cinemas and Yarraville's Sun Theatre in Melbourne; and Palace James Street, Dendy Portside and Dendy Coorparoo in Brisbane. It'll also show in Palace Nova Eastend in Adelaide, as well as Luna Leederville and Luna on SX in Perth. And if you're wondering what else is on NT Live's schedule, it's doing Shakespeare — Henry V starring Game of Thrones and Eternals' Kit Harington, in fact — from Saturday, June 25. Check out the Prima Facie trailer below: Prima Facie will screen in Australian cinemas from Saturday, July 23. Images: Empire Street Productions, Helen Murray.
It's hard to believe holiday season is just around the corner with 2021 coming in close for the fastest year ever award. If you're after some festive fun to celebrate the silly season, you'll be happy to know the Sydney Christmas Fair is back with a huge lineup of Christmas-y entertainment at Moore Park's Entertainment Quarter. Running across three weekends in December, you and the fam have plenty of opportunities to enjoy this outdoor and COVID-safe event. Hop on crowd favourite rides like a giant water slide, a classic carousel and the dodgem cars, or join the interactive elf workshops where kids can write letters to Santa, make Christmas cards and stuff stockings. And, if your little one loves to dance, head to the gingerbread house party for a big ol' boogie. Visiting Santa will be contactless this year, so make sure you practice your best physically distanced poses for the all-important pic with the big guy. Be sure to whip out your ugliest Christmas sweater and take your furry friend (BYO dog-sized reindeer ears) for your annual Santa photo, too. Sydney Christmas Fair is running from December 4–6, December 11–12, and December 18–19 at the Entertainment Quarter, Moore Park. For more information and to pre-book your tickets, visit the website.
Love the fireworks display that lights up Sydney Harbour on New Year's Eve? This year, the celebrations will continue into the new year and the Sydney skyline will be illuminated for even longer thanks to the Elevate Sydney Sky Show. In an Australian first, the Elevate Sydney Sky Show will take place above Circular Quay from Saturday, January 1 till Wednesday, January 5 as part of the brand-new Elevate Sydney festival. Catch 500 choreographed drones weaving across the sky in this multi-sensory spectacle set to an original soundscape. Sounds pretty incredible, right? The sky show will kick off from 10pm each night, right after the headline performances at the stages perched atop The Cahill Expressway. If you missed out on tickets to one of the Elevate Sydney shows, make a date with the night sky and let the colour and light of the sky show mesmerise you instead. Elevate Sydney Sky Show is taking place from Saturday, January 1 till Wednesday, January 5. For more information, visit the website.
UPDATE, March 8, 2021: Hidden Figures is available to stream via Disney+, Foxtel Now, Google Play, YouTube Movies and Amazon Video. Every parent tells their child to dream big. Unfortunately, for many people, a world of factors conspires to stop their hopes and aspirations from coming true. For the three women at the centre of Hidden Figures, the forces blocking them from fulfilling their potential aren't just obvious — they're quantifiable. Faced with both institutionalised sexism and institutionalised racism, friends Katherine (Taraji P. Henson), Dorothy (Octavia Spencer) and Mary (Janelle Monáe) know exactly what's holding them back. But, as smart, savvy human computers at NASA's Virginia headquarters in the segregated 1960s, they're also driven to find a solution. Based on a real-life tale that most won't have heard before, and sending its spirited leading ladies on a fight for equality, Hidden Figures is exactly the kind of movie that you think it is. It's warm, broad and certain to please. It's designed to rouse and entertain as it sheds light on an overlooked part of history, with soft colours and an upbeat soundtrack. It brings together an engaging cast who prove endearing individually and even more so when their affectionate rapport is in the spotlight. Most of all, though, it combines all of the expected elements together just as anyone could easily predict, and still manages to be a thoroughly good watch. Katherine, Dorothy and Mary crunch numbers in the same department, share rides to work and spend time together with their families after hours, but it's ambition in the face of oppression that truly unites them. On any given day, they're expected to be grateful for their jobs, while constantly being underestimated, undermined, ignored, overlooked, and made to use separate bathrooms and even coffee pots. That's a struggle, especially in a place that wants to defy the accepted order by putting a man on the moon. Each of the three have their own goals: Katherine wants credit for her crucial efforts when she's moved into the team trying to send an American beyond the earth; Dorothy seeks the supervisor title and pay raise that goes with the tasks she's already doing; and Mary is trying to take the classes she needs — at a white's-only school — to become an engineer. There's not much surprising about the way that writer-director Theodore Melfi (St. Vincent) brings Margot Lee Shetterly's non-fiction book to the screen, but honestly that's fine. In fact, it's rather apt. It's the sparkling individual components that comprise the ideal equation here, rather than any attempt to craft a new formula. Besides, just the fact that this story is being told at all is kind of revolutionary. Space movies and films about maths geniuses are a dime a dozen, but they're usually about one type of person: white men. Not here. A few pop up — Kevin Costner is memorable as Katherine's boss, while Big Bang Theory's Jim Parsons plays the colleague constantly putting her in her place — but, refreshingly, this isn't their movie. Instead, it belongs to the women of colour at its centre. Played with vibrancy that matches the feature's own mood, there's nothing hidden about the core trio of black female mathematicians. Their real-world determination, infectious spirit, and the fine performances behind them, ensures that Hidden Figures adds up to something really special.
When Game of Thrones came to an end, HBO filled that gap by making prequel House of the Dragon, and also exploring a heap more spinoffs as well. Plenty have been rumoured, including focusing on Jon Snow and devoting a second new series to the Targaryens — but A Knight of the Seven Kingdoms: The Hedge Knight is the next to get the official go-ahead. The American cable network and source of plenty of Binge, Foxtel and Neon's programming Down Under is announcement mode, revealing that it's renaming its own streaming service from HBO Max to Max — a platform that isn't available in Australia or New Zealand as yet — and also dropping details about a range of new shows that folks can look forward to watching on it. We hope you like TV versions of hit movies, too, because HBO's upcoming slate goes big on well-known properties. Harry Potter, The Conjuring, IT, The Batman: they're all covered in one way or another. A century before @GameofThrones, there was Ser Duncan the Tall and his squire, Egg. Executive produced by George R. R. Martin, Ira Parker, Ryan Condal, and Vince Gerardis, A Knight of the #SevenKingdoms: The Hedge Knight has received a straight to series order. #StreamOnMax pic.twitter.com/MRPUke5Upt — HBO Max (@hbomax) April 12, 2023 A Knight of the Seven Kingdoms: The Hedge Knight is a prequel, and will boast George RR Martin as a writer and executive producer. It comes to the screen from the novella series Tales of Dunk and Egg, and has been rumoured for a few years now. The story follows knight Ser Duncan the Tall and his squire Egg as they wander Westeros a century before the events of GoT, when the Targaryens remain on the Iron Throne and everyone still remembers dragons. Yes, there's an odd-couple vibe. The first-ever Harry Potter TV series has also been whispered about for years, with that chatter getting louder recently. Bringing the Wizarding World to the small screen, it will run for a decade and cover all of the original books — a tome per season, diving into more detail than the movies were able to. Your Hogwarts letter is here. Max has ordered the first ever #HarryPotter scripted television series, a faithful adaptation of the iconic books. #StreamOnMax pic.twitter.com/3CgEHLYhch — HBO Max (@hbomax) April 12, 2023 Newly revealed is a drama series set in The Conjuring universe — a supernatural big-screen realm that's already hefty, given that it spans The Conjuring, Annabelle, The Conjuring 2, Annabelle: Creation, The Nun, The Curse of the Weeping Woman, Annabelle Comes Home and The Conjuring: The Devil Made Me Do It, and will score The Nun 2 later in 2023. There's no word yet on what it'll cover, other than that it'll continue the story established in the features. Australian filmmaker James Wan, who helmed the first two The Conjuring movies, may executive produce. The American network is also making IT prequel series Welcome to Derry, which it announced earlier in 2023. Plus, it also has a spinoff from The Batman, aka The Penguin, on the way for its 2024 lineup — with Colin Farrell reprising the show's titular role. Welcome to Derry. Taylour Paige, Jovan Adepo, James Remar, and Chris Chalk have been cast to star in the Max Original Series and prequel to the IT films, coming in 2024 to Max. #WelcomeToDerry #ITSeries #ITMovie 🎈 #StreamOnMax pic.twitter.com/wnX3YTIB21 — HBO Max (@hbomax) April 12, 2023 And, arriving in May, there's the animated Gremlins: Secrets of the Mogwai, a prequel to the 80s movies that heads back to 1920s Shanghai and the Wing family's first meeting with Gizmo. Clearly, the answer to how HBO will cope with not just the OG Game of Thrones ending, but the looming post-Succession void, is leaning into other well-known properties. There's been no word of any spinoffs, prequels or sequels to the Roy family saga — even after its latest episode, and the fact that this is the acclaimed series' final season — however, based on the current announcements, don't be surprised if HBO gives it a try down the line. Most of the above HBO shows don't have exact release dates yet — we'll update you when further details are announced. Top image: courtesy of Max.
If you've been struggling to live in the teenies because you're musically and spiritually stuck in the noughties, we have some news that's going to bring you bolting straight into the present. Ministry of Sound has just announced a super-niche tour. From mid-November, they'll be paying visits to Australia's capital cities to perform, get this, their greatest clubbing moments from The Annual 2001-2004. And that'll be all, folks. Leading the lineup will be OGs John Course and Mark Dynamix, who, between them, have placed millions of CDs in club-loving hands and ears over the past couple of decades. They're the mighty duo behind Ministry of Sound's annual compilations, on which you probably first heard Roger Sanchez, Basement Jaxx, Tim Deluxe, Cassius and Groove Armada. To each gig, Course and Dynamix will be inviting a bunch of cracking support artists. Sydneysiders will be treated to an extra-special tribute to early noughties break beat at a Clubber's Guide to Breaks Room. You can count on appearances by the UK's Plump DJs, as well as by homegrown breaks guru Kid Kenobi. MINISTRY OF SOUND 2001-2004 REUNION TOUR November 18 — The Prince, Melbourne December 16 — The Metro, Sydney December 20 — HQ, Adelaide January 13 — Discovery, Darwin January 15 — Matisse Beach Club, Perth January 21 — The Met, Brisbane In the meantime, to get yourself in the mood, have a listen to this dedicated Reunion Tour play list on Spotify.
Bringing fresh life and all-day Italian cuisine to the entrance of Sydney's QT is Parlour Cucina. While it'll continue serving the same coffee it poured in its previous guise, Parlour Lane Roasters cafe, Little Marionette, the food menu has had a complete makeover. Expect hearty and traditional Italian fare served from breakfast through till dinner. Settle in on the banquette seating in the low-lit, elegant deco restaurant, then pick up a menu and start making some decision. We're happy that it's only two pages for breakfast (including drinks), and one page for lunch and dinner, because everything on it sounds delicious. If you're dropping by first thing — with brekkie served until 11am — baked goods include lemon curd doughnuts ($7), banana and bran muffins ($9) and a cabinet filled with pastries. For something more substantial, opt for a melt with comté and gruyere cheese, ox heart tomatoes and seeded mustard white sauce ($17); a Milan club made from Berkshire organic gypsy ham and cheese square toast ($21); or a panini with truffled eggs, bacon, lemon spinach and a potato bun ($16). There's also a thick breakfast pizza, Margherita–style with free range egg and prosciutto ($8), plus drinks spanning fresh juices ($8), hot chocolate ($4.50), ten types of tea ($4.50–6), Mumm Champagne ($19), bellinis ($19) and bloody marys ($19). From 11am onwards, start with the four cheese and spinach arancini ($14), perhaps, or the pepper and snapper carpaccio with blood orange, chilli and lemon balm ($22). Then, move on to the mains more pizza (including another prosciutto, tomato, asiago cheese and rocket variety for $19) or the lemon-crumbed parmigiana with fresh tomato, mozzarella and basil ($31). Don't leave before trying a dessert of tiramisu ($16) or the chocolate chip gelato affogato ($12). The extensive wine list means there's a drop for any preference, with glasses starting at $9 and bottles capping out at $160. Paired with food made from simple, fresh produce — and the 60s-era feel and heritage-listed decor — the result is flavoursome, old-school Italian fare and surroundings to satiate more than your belly.
As if you wouldn't be excited: Clueless is set to make a comeback, with a new streaming series featuring Alicia Silverstone (Y2K) reprising the role of Cher Horowitz reportedly in the works. How is life treating one of pop culture's favourite 90s Beverley Hills teenagers three decades later? Who else from her high-school life will feature? What tale will the new small-screen sequel tell? These are all valid questions; however, none of them have answers just yet. Variety has revealed that the show is in development, with NBCUniversal's US streaming service Peacock behind it. Behind the camera, Josh Schwartz and Stephanie Savage (The OC, Gossip Girl, Nancy Drew) are writing and executive producing the new series, alongside Jordan Weiss (Freakier Friday). Amy Heckerling (Vamps), who helmed the big-screen hit in 1995, is also an executive producer. If one of your most-pressing queries involves Paul Rudd (Death of a Unicorn), there's no word yet if the ageless actor will be back. Stacey Dash (Four.), Donald Faison (Extended Family), Jeremy Sisto (FBI), Elisa Donovan (NCIS), Breckin Meyer (Good Girls), Dan Hedaya (The God Committee) and Wallace Shawn (Evil) were also among the movie's cast, as was the late Brittany Murphy. And if this news sounds familiar, that's because reports also circulated back in 2020 that the same streamer was diving back into the world of Clueless with a series focusing on Dash's Dionne — but the new project with Silverstone is something different. This isn't the first time that Clueless has made the jump to TV, but it is the only small-screen series with Silverstone returning as the film's main character. After the movie's success, a Clueless television show ran for three seasons from 1996–1998, with Rachel Blanchard (The Summer I Turned Pretty) taking over the role of Cher, but everyone from Dash, Faison, Donovan and Shawn to Murphy, Meyer and Rudd either co-starred or popped up as guests. Another example of beloved 90s fare returning — Buffy the Vampire Slayer is also reported to be returning for a sequel series — the new Clueless isn't just an excellent development for fans of the OG flick, of course. It's equally great for Jane Austen devotees, too, given that the movie loosely adapts the author's Emma. There's obviously no sneak peek yet for the new Clueless, but check out the trailer for the original film below: There's no release date for the new Clueless TV series yet — we'll update you when more details are announced. Via Variety.
Redfern's much loved Donut Papi hooked us in a long ago with its many Asian-inspired flavours. Now, thanks to Filipino-born owner Kenneth Rodrigueza, the shop is turning out a full menu inspired by popular Filipino fast-food chain Jollibee. The homegrown brand is a firm favourite in the Philippines for breakfast rice meals, fried chicken and spaghetti — and, if you've ever visited or know any Filipinos, you'll know this homage is kind of a big deal. For the entire month of March, the doughnut shop will sling this special 'JollyPapee' tribute menu. The options are of course limited and sadly won't include any of the above. But, you can nab a classic Jollibee-style hotdog 'sandwich' topped with banana ketchup, tangy cheese sauce and grated cheese; tater tots drizzled with banana ketchup and mayo sauce; and a spam-and-egg sandwich, which hails from the chain's US branches. Sweet treats includes peach 'n' mango and chocolate mallow cream doughnuts, a banana jackfruit fritter and the Philippines signature halo halo: a shaved ice dessert with fresh fruit, macapuno coconut, sweetened beans and jelly cubes, all topped with ice cream and evaporated milk. To quench your thirst, there's a fresh pineapple slushie, too. For the full menu details, head over here. Be aware that the savoury options, drinks and sides are only available Friday through Sunday until March 31 — so head on in this weekend and have yourself a Filipino feast. Donut Papi is located at 24 Redfern Street, Redfern. Its Jollibee-inspired menu is available from 10am–8pm every Friday, Saturday and Sunday until March 31.
If you're heading to the South Island of New Zealand for a vacay, people are going to have some questions for you. "Was it gorgeous?" Duh. "Was it cold?" Only a little. "Do you now have a whole album of photos of you standing in front of crystal lakes, rugged mountain ranges and glorious plains that you'll cherish until the end of time?". Well, obviously. They'll also expect you to have visited vineyards and know your way around a bottle of wine. So you can study up, we've collated a list of the absolute best wineries on the South Island. Hit them up if you want to learn a thing to two about your pinots and rieslings. TERRACE EDGE WINERIES, WAIPARA Once you touch down in Christchurch, there are a few great reasons to head north first. Mostly wine. Head up the scenic coast and only an hour out of Christchurch you'll find Waipara, which is home to many iconic wineries. We recommend Terrace Edge. They won Vineyard of the Year at the NZ Organic Wine Awards 2018, so you can go ahead and raise your expectations sky high. Head to the tasting rooms and try some of their famous pinot noir and riesling. Hot tip: make sure you phone ahead so they know you're coming. They're a small, family-owned and -run establishment and can give you tiptop service and tasting notes if you only give them some notice. Near the tasting room, their picnic tables overlook the lush vineyards and, with the mountain backdrop, are the perfect place to enjoy a glass or two. While you're there, grab a bottle of their olive oil; they make it from olives grown on the site. FRAMINGHAM WINES, RENWICK While you're in the north, set your sights on Renwick, a little town east of Blenheim in the Marlborough region of the island. Here you'll find Framingham, a winery that does away with snootiness and replaces it with live music and good times. You won't find any winery cliches here — except for the views, of course. Plan ahead so you can enjoy the spectacular panoramas before dusk (they are particularly glorious in autumn when the first snows start to dust the distant mountains) and grab a glass while watching a local band. They have some of the oldest riesling vines in Marlborough so we definitely recommend tasting what they produce, as well as the Sauvignon Blanc. The other interesting thing about Framingham is they are accredited as environmentally sustainable and practice organic estate viticulture, which is the future of winemaking. Snaps for Framingham. SAINT CLAIR FAMILY ESTATE, BLENHEIM While you're in the region, you'd be a fool to miss Saint Clair Family Estate, one of the north's best wineries. This winery is a little more what you're used to — a classic set-up with stunning views, a tasting parlour, grounds aplenty and a menu that will make your mouth water. Their staff will talk you through their best drops. We recommend trying a sauvignon blanc, pinot gris or chardonnay as, in a line-up of many (and we mean many) award-winning wines, these varieties boast the most awards. If you're peckish, grab a table among the vines and order one of the local plates. Options include fresh produce from the sea, land or from their winery gardens. From land to plate, right before your eyes — what could be better? RIPPON VINEYARD, WANAKA Once you've made your way back down south, Rippon Vineyard is only a short drive west of Lake Wanaka (another must-do on your NZ itinerary) and boasts spectacular views of the lake and surrounding mountains. The grounds are steep and, in spring and summer, blooming with glorious wildflowers. You can partake of generous tastings in the parlour or enjoy a glass on the lawn overlooking the grapevines and catch a glimpse of Ruby Island in the middle of the lake. Rippon doesn't charge a tasting fee, but they do take donations for a Habitat Restoration programme so if you have a taste, give generously. If you're a larger group (seven or more), you can book in a private tasting with a knowledgeable host to educate you on half a dozen wines. And if you get a moment, take a looky-loo around the building itself. It's a gorgeous old space with high ceilings and abundant fireplaces. CHARD FARM, OTAGO While you're in Otago, head south from Wanaka to Chard Farm, just east of Queenstown. The drive along Lake Dunstan is pretty special, and you'll be rewarded with one of the most rustic wineries you ever did see. Chard Farm is nestled at the base of a gentle mountain and alongside the deep trench of Kawarau River. In winter it's covered in snow, but the rest of the year, the blocky, peach buildings are surrounded by wildflowers and shockingly lush vineyards. It's run by a sweet family and their cellar door is open seven days a week. We recommend the pinot noir (their speciality), but the riesling and pinot gris are also great. If you're a larger party, six or more, be sure to call ahead so they can accommodate you. Otherwise, just turn up and enjoy a quality drop while overlooking the pretty countryside. Start planning your trip to New Zealand's south with our guide to the South Island journeys to take here.
Imagine that someone from the year 2007 or earlier — anyone who existed before May 2008, for that matter — suddenly reappeared today, happily oblivious about everything that's happened since, and immediately asked what was doing big business on the big and small screens. To answer that question, you'd need to explain the Marvel Cinematic Universe, which kicked off 14 years back with Iron Man and has shown zero signs of stopping from then onwards. The MCU hasn't just kept on keeping on over ever since Robert Downey Jr introduced the world to Tony Stark. It has grown and sprawled and taken over not only cinemas, but streaming queues as well. And if you're wondering what's coming next — after a busy 2022 already, which has seen Moon Knight, Doctor Strange and the Multiverse of Madness, Ms Marvel and Thor: Love and Thunder arrive so far — Marvel just unveiled its plans for the next couple of years at San Diego Comic-Con. 2022 still has two MCU titles to come: She-Hulk: Attorney at Law, which stars Tatiana Maslany (Orphan Black) as a lawyer who learns that it isn't easy being green, and the eagerly awaited Black Panther sequel Black Panther: Wakanda Forever. The first starts streaming from August 17, the second hits cinemas on November 10, and both dropped either new or initial trailers, too. And, they'll round out the Marvel Cinematic Universe's phase four, because this non-stop saga is broken into chapters that split its enormous story up into smaller parts. [caption id="attachment_862313" align="alignnone" width="1920"] Chuck Zlotnick. ©Marvel Studios 2022. All Rights Reserved.[/caption] Obviously, this means that phase five is on its way. Marvel has also dubbed the story from the phase four through to the end of phase six 'the multiverse saga'. Given that everything from Spider-Man: No Way Home to Doctor Strange in the Multiverse of Madness has been dropping that m-word, that's hardly surprising. The MCU's fifth phase has 12 titles in store — some already announced, some newly confirmed. Come February 16, 2023 Down Under, the third Ant-Man flick — Ant-Man and the Wasp: Quantumania — will continue the pint-sized superhero's story (and bring more Paul Rudd to the MCU). Alongside that, hitting Disney+ sometime during autumn 2023 in Australia and New Zealand, is Secret Invasion. It focuses on Samuel L Jackson's Nick Fury, and will also feature the return of Ben Mendelsohn (Cyrano) as Talos, as well as Cobie Smulders (How I Met Your Mother), Kingsley Ben-Adir (One Night in Miami), Emilia Clarke (Last Christmas) and Olivia Colman (Mothering Sunday). On May 4, 2023, Guardians of the Galaxy: Vol 3 will reach the big screen, while The Marvels — which teams up Captain Marvel (Brie Larson, Just Mercy), Ms Marvel (Iman Vellani) and WandaVision's Monica Rambeau (Teyonah Parris, Candyman) — arrives in cinemas on July 27. In-between, newcomer Echo, a spinoff from Hawkeye focusing on Maya Lopez (Alaqua Cox), will make its way to streaming in winter 2023, as will season two of Loki. [caption id="attachment_862338" align="alignnone" width="1920"] Chuck Zlotnick. ©Marvel Studios 2022. All Rights Reserved.[/caption] November 2, 2023 heralds the return of Blade, with the half-vampire vamp hunter played by Moonlight and Green Book Oscar-winner Mahershala Ali this time around — and sometime that spring, Disney+ series Ironheart will drop, too. First, that character (played by Dominique Thorne, Judas and the Black Messiah) will feature in Black Panther: Wakanda Forever. During the summer of 2023–24, Agatha: Coven of Chaos will magic itself into streaming queues as well — giving the delightful Kathryn Hahn her own witchy WandaVision spinoff series, as first revealed in 2021. And, in 2024, phase five will also see a new 18-episode Daredevil series starring Charlie Cox (King of Thieves) and Vincent D'Onofrio (The Unforgivable) hit in autumn. They return to the roles of Matt Murdock and Wilson Fisk following the 2015–18 Netflix series, and this go-around is called Daredevil: Born Again. [caption id="attachment_799400" align="alignnone" width="1920"] Chuck Zlotnick. ©Marvel Studios 2020. All Rights Reserved.[/caption] Similarly arriving the same year: a new Captain America movie, called Captain America: New World Order, focusing on Sam Wilson (Anthony Mackie, The Falcon and the Winter Soldier) with the cape and shield — on May 2, 2024. And, fellow flick Thunderbolts will release on July 25, 2024, wrapping up phase five, and focusing on a new team of characters. As for phase six, it currently has three titles in the works, with more to come. They're all massive, though, given that they start with yet another Fantastic Four film on November 7, 2024 (with no cast yet announced) and end with Avengers: The Kang Dynasty and Avengers: Secret Wars on May 1 and November 6, 2025, respectively. Just announced in Hall H: Marvel Studios' Fantastic Four, in theaters November 8, 2024. #SDCC2022 pic.twitter.com/z4j7tsfKl9 — Marvel Entertainment (@Marvel) July 24, 2022 For more information about Marvel's upcoming slate of films and TV shows, head to the company's website. Top image: Photo courtesy of Marvel Studios. ©Marvel Studios 2020. All Rights Reserved.
What does it take to build the world’s tallest skyscraper? 19,000 workers, seven months, 92 elevators, and, in all likelihood, a competitive streak. This month, yet another challenge to rule supreme over the global skyline will begin when the Broad Group starts building the world’s tallest skyscraper in Changsha, China. Apart from demonstrating the latest in engineering miracles, the project aims to improve our chances of environmental sustainability, as it will serve as a ‘Sky City’. It’s a fully self-contained settlement, in which residents will have access to all the facilities expected in an urban area, only they’ll come with a view. 56 courtyards, each with ceilings at 30 foot, will provide scope for sporting activities, and 930,000 square feet will be committed to the cultivation of organic farms. Access to all 170 floors will be achievable via elevators, or a six-mile long ramp, which will run the vertical length of the building. According to the Broad Group, any resident of the world’s tallest skyscraper will use only 1% of the land occupied by a run-of-the-mill, ground bound city slicker. Moreover, energy efficiency will be maximised through triple glazing, serious insulation, shading and the use of a co-generation plant, which runs on waste heat, to achieve climate control. Could this be the face of cities of the future? [via PSFK]
Living in a building that hangs from space might sound like science fiction; however a New York firm has published a design that explores that very concept. Appropriately labeled "speculative" on their website, Clouds Architecture Office has come up with a high-rise building that would hypothetically be suspended from an orbiting asteroid. Yes, really. For those instantly dreaming about living about the earth, the bottom would reach close enough to the ground for residents to parachute to the surface. The firm has proposed Dubai as a potential place to build the tower, citing that the city "has proven to be a specialist in tall building construction at one fifth the cost of New York City construction." While suspending anything from any kind of celestial body piques a whole lot of interest, Clouds AO have cited recent missions from the European Space Agency that they say prove that "it's possible to rendezvous and land on a spinning comet." They also say that "NASA has scheduled an asteroid retrieval mission for 2021 which aims to prove the feasibility of capturing and relocating an asteroid." According to their idea, if we could harness an asteroid and pull it into a geosynchronous equatorial orbit (a stable circular orbit that follows the Earth's rotation), steel cables could then be attached to the asteroid, and a tower suspended from them. The building would then hover in a figure-eight motion daily, moving between the northern and southern hemispheres. Business would be conducted on the lower levels, with the middle section classed as residential. As for what happens above that, "devotional activities are scattered along the highest reaches." There are just a few points to be taken into account, unsurprisingly. The proposal includes transfer stations to load and unload people and goods, but how this could be done with a building moving literally at an astronomical pace is debatable. While infographics in the proposal show aeroplanes safely manoeuvring around the tower, having just one object moving through the air consistently with no vertical break would be sure to wreak havoc on global flight paths, let alone if more towers were built. Finally, if the tower is constantly in motion, what happens if a resident parachutes to earth for work and then forgets that they left their earphones at home? Are they left to face the rest of the day without jams? The firm has also noted that "there is probably a tangible height limit beyond which people would not tolerate living due to the extreme conditions," meaning that it's pretty tough to be outside the troposphere without some kind of spacesuit. It doesn't really bother Clouds AO, though, as astronauts do it all the time "so perhaps it's not so bad?" Even with those issues, the proposed idea is a maverick design that really pushes the boundaries of what is possible in the realm of architecture. It also demonstrates that new research inspires new technology which, in turn, changes the way we build our world. While the Analemma Tower might not be built in our lifetimes, its design goes to show that we'll always keep reaching for the stars. Via: Dezeen. Images: Clouds Architecture Office.
Catering to everyone's fierce love of seafood over the holiday period, Sydney Fish Market is once again pulling its annual all-nighter so that you can get your hands on the freshest ocean treats for Christmas lunch. Each year, the Fish Market — which will soon be relocated to a $250 million new site — capably serves over 100,000 buyers looking to snag a deal. Between 5am on Saturday, December 23–5pm on Sunday, December 24, the market will be open for a whopping 36 hours straight so that you can scout out the most sumptuous fish, king prawns, lobster, oysters and calamari. It's not only seafood here, though. You can also peruse cold meats and cheeses at the deli for a grand charcuterie platter, or stop by the onsite bakery and greengrocer. You can even pick up a Christmas ham to pair with your delights of the sea. [caption id="attachment_803431" align="alignnone" width="1920"] James Horan, Destination NSW[/caption] You'll find basically everything here. If you're stuck for gifts, there are plenty of opportunities for that last-minute buy. Head to the gift shop, florist or bottle shop. More than 250 tonnes of seafood are expected to be sold during the marathon — including 120 tonnes of prawns and hundreds of thousands of oysters. "We encourage visitors to come with an open mind and menu, and let our expert retailers guide you towards the catch of the day," says Sydney Fish Market CEO Greg Dyer.
Spring is here and it comes with good news — picnics of up to five double-vaccinated Sydneysiders are allowed. With the easing of restrictions in the air, it's time to make the most of those extra daylight hours by grabbing some tasty snacks and tipples, and hitting up one of the beautiful BYO-friendly public spaces in your area. We're spoiled for choice when it comes to chilled outdoor hangouts in Sydney's inner west. So we've teamed up with Rosie Spritz to share some of our favourites. Load up that wicker basket with a lavish spread and chilled bevs and head to one of these spots for some long-awaited catch-ups. [caption id="attachment_653289" align="alignnone" width="1920"] Kitti Gould[/caption] BLACKWATTLE BAY PARK, GLEBE Blackwattle Bay Park stretches along the Glebe foreshore between Rozelle Bay and Blackwattle Bay, and showcases stunning views of the Anzac Bridge and the CBD. The sprawling parklands offer plenty of spots to chill out and loads of space for dogs to run around (yep, it's off-leash). The park has barbecue facilities if you're keen to pair your spritzes with some grilled snacks (we recommend prawns). Plus, there's a shared walking and cycling trail if you'd like to end your picnic with a stroll. Easily accessible, though never overly packed, this one's a no-brainer. [caption id="attachment_656242" align="alignnone" width="1920"] Kimberley Low[/caption] CAMPERDOWN MEMORIAL REST PARK, NEWTOWN Arguably the crown jewel of booze-friendly inner west picnic spots, Camperdown Memorial Rest Park is a go-to for locals — and their cute pups. Barely a minute's walk from bustling King Street (where there is a conveniently located BWS for all your Rosie Spritz needs), this neighbourhood haunt wraps around a peaceful old graveyard and church, the walls of which are adorned with graffiti to complement the suburb's grungy aesthetic. The park is at its most magical just before sunset, so get your vaccinated crew together and head there for sundowners. [caption id="attachment_826941" align="alignnone" width="1920"] Brooke Zotti[/caption] ASHFIELD PARK, ASHFIELD A cute local spot with amazing facilities, Ashfield Park is conveniently located at the intersection of Parramatta Road and Orpington Street. An expansive park encompassing a sports field, traditional gardens and a recently refurbished playground, it makes for a great spot to soak up those springtime rays while indulging in some simple comforts. Generally one of the quieter inner west picnic areas, it's a relatively safe bet for chilled-out vibes any day of the week. Dust off the WFH blues with a Friday arvo picnic with your pals to put a satisfying full stop in the workweek. [caption id="attachment_826973" align="alignnone" width="1920"] Brooke Zotti[/caption] BICENTENNIAL PARK, GLEBE Situated on the picturesque foreshore of Rozelle Bay, this idyllic waterfront park is an oasis of greenery. Plenty of wide-open grassy spaces make social distancing super easy, and the stunning bayside views are perfect for staring at the luxe superyachts while you picnic. There are also plenty of leafy trees to shelter under if you've forgotten your sunscreen. Parents will be happy to hear that there's some fenced-off play equipment to keep the ankle-biters occupied. Pups are permitted on-leash, but there is also an off-leash section west of the canal. [caption id="attachment_788794" align="alignnone" width="1920"] Martin7d2, Flickr[/caption] BIRCHGROVE PARK, BIRCHGROVE Birchgrove Park may strike a chord in the hearts of sports enthusiasts as it's the home to the oval where the very first professional rugby league game was played in Australia, way back in 1908. The white picket fence that rings the historic oval is reminiscent of times gone by and the surrounding parkland makes for an ideal picnic spot. The park is located near the Birchgrove ferry stop and offers waterfront views, including a spectacular vista of the Sydney Harbour Bridge. It's a tranquil and welcoming space, with plenty of room for you to kick back with a spritz and enjoy the sun. [caption id="attachment_731570" align="alignnone" width="1920"] Alexandria Velovotee, Flickr[/caption] SYDNEY PARK, ALEXANDRIA A much-loved park with sprawling greenery, water features, running tracks and rolling hills, Sydney Park contains perhaps the most varied landscape on this list. This gargantuan park spreads across parts of four different suburbs and offers many great spots for a picnic. The ultimate afternoon hangout spot here has to be the massive hill. It's well worth trekking the steep incline to the top to catch the city in all its glory as the sun sets. Though it's often quite a busy spot, the park itself is massive, so you'll have no trouble finding somewhere to set up your decadent spread. Rosie Spritz is an ideal springtime sip and is available at BWS, Dan Murphy's and First Choice Liquor stores across Sydney. For more picnic inspiration, check out our guides to idyllic picnic spots where you can BYO booze in Sydney's inner city, eastern suburbs, lower north shore and northern beaches. Top image: Bicentennial Park, Glebe, Brooke Zotti Remember to Drinkwise.
Originally greenlit back in 2017, construction on Urbnsurf Sydney's massive man-made surf park is currently underway, and the finished site now has a brand-new opening date: autumn 2024. The $50-million development will hit a 3.2-hectare site in Sydney Olympic Park next year from the team behind Australia's first surf park, featuring perfect waves year-round, plus a slate of freshly announced food and beverage offerings. Sydney surfers can expect a diamond-shaped lagoon pumping out waves up to two metres in height. Thanks to LED lighting illuminating the man-made waves after dark, visitors will also have the option of an evening swim. The lagoon will be capable of churning out waves every eight seconds, with surfers set to catch between ten and 12 waves per hour. When surfers are done riding waves, Urbnsurf Sydney will also feature a wellness studio, skate park, hot tubs, beach cabanas and a surf academy for those looking to take their surfing to the next level. On top of all that, one of Sydney's premier hospitality groups, Applejack, has been put in charge of the culinary offerings at the park. Applejack owns and operates eight venues across Sydney, including Forrester's, The Butler, RAFI and Bopp & Tone. The team will be bringing the same produce- and service-driven approach found at its venues to Urbnsurf Sydney's premium restaurant with a rooftop terrace, waterfront cafe and takeaway kiosk. Applejack joins the Urbnsurf family alongside farm-to-table favourites Three Blue Ducks, who provide the food and drink offerings down in Melbourne. Urbnsurf CEO Damon Tudor said he was excited to use what the company had learned in Melbourne to bring a new inclusive way to surf to Sydney. "Growing up in the west and as a Sydneysider, we are blessed with a stunning coastline of surf beaches, but access to those beaches and crowding in the lineup is becoming an increasing issue." [caption id="attachment_871263" align="alignnone" width="1920"] RAFI North Sydney[/caption] Urbnsurf Sydney is excepted to open in Sydney Olympic Park in autumn 2024.
Sometimes, you just want a sweet treat and a few film facts. For Australian fans of lollies and movies, Fantales have always come through. Sure, the chocolate-covered caramels are great for a sugar fix, but they've become an iconic Australian favourite thanks to their yellow wrappers printed with stories about the big screen's stars. And yes, they're the perfect snack when you're hitting the cinema. Well, they were. Fantales have been around for almost a century, debuting in the 1930s, but the Aussie chocolate is going the way of silent the age. Come mid-July, they'll cease production, with Nestle announcing that it is closing the curtain on the lollies. If you were a pre-internet kid, you'll remember gleaning film tidbits about famous faces thanks to the sweets back in the day when every piece of information about every celebrity wasn't available online instantly. But apparently that hasn't been enough to keep folks buying Fantales. Indeed, Nestle's decision has been made due to declining sales, plus the upgrades that'd be needed to the machinery that makes them "We know our decision to stop making Fantales will be sad news for many people," said Nestlé Oceania Confectionery General Manager Andrew Lawrey. "Many of us grew up with Fantales and have fond memories of them. Despite the sense of nostalgia Fantales evoke, unfortunately people simply aren't buying them as often as they used to," he continued. "In addition, our Fantales equipment needs significant investment. It's become increasingly difficult to get the parts we need to maintain it and, with declining sales, replacing it isn't viable." Before you start fearing for that other Aussie childhood staple — that'd be Minties — Nestle has confirmed that they're sticking around, as are other party bag go-tos like Snakes Alive and Allen's Party Mix. Fantales will cease production in mid-July 2023. You'll find them on supermarket shelves for now while stocks last.
Tucked away down a laneway, Allan Grammar is the bar and restaurant from the Henri Marc team born out of love for Penrith. With rich-green scalloped tiles, sage velvet booths and a concise menu, this elegant place is here to welcome in locals and blow-ins alike. Thursday to Sunday, from 5pm until late, intriguing little numbers are served up. On the menu, you'll find a plate of capocollo — the cured pork dressed up with the delight of spicy margarita compressed pineapple — alongside fiery skewered chicken enlivened with a herbaceous edge courtesy of a fresh shiso chimichurri. Simple classics are elevated, like the dish of broccolini, grilled quickly and topped with sugary plum and crème fraîche, or everyone's favourite: fries with house-fermented chilli sauce and oregano salt. There are fun twists on brasserie-style items — like a potato rosti with the sharpness of cheddar and a charcuterie aioli, or grilled pork belly with black garlic glaze. The sweet end of your meal could be heralded by a decadent chocolate parfait decked out with hazelnut soil and banana. In our opinion, you're best placed to take all the tricky choices out of your dining with the $80pp feed-me menu. It's Allan's Hour from 5–6pm from Thursday to Sunday, with $10 'cocktail minis' and a varied and very delicious snack menu — think $5 crumbed pork sandos, $4 oysters and mini serves of the capocollo. It's time you made a date to head to this laneway, sink into the green velvet booths and savour a delightful repast.
For the second year in a row, Splendour in the Grass will be without one of its big-name acts, with Lewis Capaldi cancelling his plans to head Down Under in July. The Scottish singer-songwriter announced in a statement that he's taking a break from touring following his Glastonbury set, which means sitting out Byron Bay's annual excuse to wear gumboots, as well as his other planned gigs in Australia and New Zealand. "The fact that this probably won't come as a surprise doesn't make it any easier to write, but I'm very sorry to let you know I'm going to be taking a break from touring for the foreseeable future," said Capaldi via social media. "I used to be able to enjoy every second of shows like this and I'd hoped three weeks away would sort me out. But the truth is I'm still learning to adjust to the impact of my Tourette's, and on Saturday it became obvious that I need to spend much more time getting my mental and physical health in order, so I can keep doing everything I love for a long time to come," he continued. View this post on Instagram A post shared by Lewis Capaldi (@lewiscapaldi) "I know I'm incredibly fortunate to be able to take some time out when others can't, and I'd like to thank my amazing family, friends, team, medical professionals and all of you who've been so supportive every step of the way through the good times and even more so during this past year when I've needed it more than ever." "I'm so incredibly sorry to everyone who had planned to come to a show before the end of the year but I need to feel well to perform at the standard you all deserve. Playing for you every night is all I've ever dreamed of so this has been the most difficult decision of my life. I'll be back as soon as I possibly can." Capaldi was set to lead the 2023 Splendour in the Grass lineup from Friday, July 21–Sunday, July 23 alongside Lizzo, Flume, Mumford & Sons and the Yeah Yeah Yeahs — the latter of which were slated to headline 2022's Splendour in the Grass lineup, but cancelled in the lead up. With his solo shows, the 'Someone You Loved', 'Before You Go' and 'Wish You the Best' talent was due to play two shows in Sydney and Melbourne, and one each in Perth, Adelaide, Auckland and Wellington, all in July. Before Glastonbury, he had also taken a break from touring. [caption id="attachment_907307" align="alignnone" width="1920"] Alexandra Gavillet[/caption] Splendour now has three gaps in its lineup, with Slowthai and Rainbow Kitten Surprise also no longer appearing at the festival. Organisers have advised that replacements for all three will be announced this week. The festival will contact Friday-only ticketholders via Moshtix about the process for refunds, while folks with tickets to Capaldi's headline shows will automatically receive their money back in full via whichever method they paid with. [caption id="attachment_891054" align="alignnone" width="1920"] Ian Laidlaw[/caption] SPLENDOUR IN THE GRASS 2023 MUSIC LINEUP: Lizzo Flume (Australian exclusive: ten years of Flume) Mumford & Sons (Australian exclusive) Yeah Yeah Yeahs Hilltop Hoods J Balvin Sam Fender Idles Little Simz Tove Lo 100 Gecs (Australian exclusive) Arlo Parks Ball Park Music Iann Dior King Gizzard & The Lizard Wizard 070 Shake Pnau Ruel Loyle Carner Benee Marlon Williams Hooligan Hefs Peach PRC Palace Dune Rats Tkay Maidza Noah Cyrus Skegss Sudan Archives Cub Sport Meg Mac X Club. Claire Rosinkranz Jack River The Smith Street Band Lastlings Jeremy Zucker Young Franco Sly Withers MAY-A The Vanns Telenova Vallis Alps Jamesjamesjames Kaycyy RVG Teenage Dads Balming Tiger Automatic Harvey Sutherland Gali Del Water Gap Royel Otis Shag Rock Big Wett Mia Wray Memphis LK Gold Fang Milku Sumner Forest Claudette Full Flower Moon Band William Crighton Hellcat Speedracer Triple J Unearthed Winners Mix Up DJs: Tseba Crybaby Latifa Tee Foura Caucasianopportunities Luen Mowgli DJ Macaroni Crescendoll Splendour in the Grass will take over North Byron Bay Parklands from Friday, July 21–Sunday, July 23, 2023 — head to the festival website for further details and tickets. Top image: Harald Krichel via Wikimedia Commons.
Summer is calling. That means long sunny days, drinks with your mates, good food, and, of course, Bondi Beach. Back for its second year, THE ICONIC and Rolling Stone AU/NZ are raising the heat with SUMMER SOUNDS, a one-day-only event to help Aussies kick-start the warmer weather in style. [caption id="attachment_1025329" align="aligncenter" width="1920"] THE ICONIC SUMMER SOUNDS[/caption] On Saturday, November 1st, 2025, North Bondi Surf Lifesaving Club will be transformed into a celebration of music, fashion, and culture. Aussie icons, The Veronicas, are set to hook you up and headline the party. Think sun-soaked beats, statement fits, and coastal cocktails, all set against one of the most famous beaches in the world. [caption id="attachment_1025313" align="alignleft" width="1920"] Bondi Beach via Getty Images[/caption] You might be asking, how can I attend? Luckily, THE ICONIC is giving you the chance to score tickets. All you have to do is head to THE ICONIC's website and share, in 25 words or less, which summer anthem you would play first at SUMMER SOUNDS to kick-start the party. One lucky customer will be crowned the MVP by receiving 4 x return flights to Sydney (if you and your friends aren't local), 2 x nights' accommodation in Bondi Beach, and a $3000 voucher from THE ICONIC to head to the event in style*. [caption id="attachment_1025319" align="alignnone" width="1920"] THE ICONIC SUMMER SOUNDS[/caption] There'll also be 25 SUMMER SOUNDS double passes up for grabs, ensuring more fashion fans can enjoy this money-can't-buy experience. So, start planning your look, select your party anthem, and get ready for a weekend that screams summer in Sydney. Win your way into summer's most ICONIC event. *T&C's apply
Good news, Sydney commuters: the new Sydney Metro line connecting Sydenham in the southwest with Chatswood north of the harbour is ready to welcome its first passengers. No, really this time. The original August 4 opening date was cancelled with only two days' notice due to a (quite literally) shocking accident during the line's final tests, which resulted in a firefighter participating in safety drills being electrocuted, although they were thankfully not seriously injured. The national independent safety regular is now satisfied that the new train system is finally passenger-worthy, clearing the way for all nine stations on the new extension of the Metro to open on Monday, August 19. The announcement is not only good news for passengers but also for the hospitality businesses at the Metro's new stations. Major dining hubs at Martin Place, Victoria Cross and Waterloo have been developed to take advantage of the new influx of Metro passengers. The first of the new Metro services is set to ride the rails from 4.54am on Monday, August 19, when the first ever northbound service from Sydenham departs on its way to Chatswood. The new driverless train system will whisk Sydneysiders across the city at incredible speeds, making the 15.5-kilometre journey from Sydenham to Chatswood in just 22 minutes and the journey from Central Station to Martin Place in just four minutes. The next phase of the Sydney Metro extension works is already underway. The line between Sydenham and Bankstown will be closed for 12 months as new tracks, stations and other vital infrastructure are installed. When it opens in 2025, the Metro will offer the city's fastest ever travel between the far west and the CBD. For more details about services on new City and Southwest Metro Line, visit the Sydney Metro website. Images: Transport for NSW
Vivid is both an exciting and overwhelming time. The city is alive with lights, music, ideas and food — but the crowds are out in force. If you're heading in for any of the aforementioned activities, why not make a night out of it and grab dinner or a drink before or after. To help you plan your epic Vivid night, we've put together a list of 11 of our favourite Sydney bars and restaurants that are located just a stone's throw from Vivid activations. Naturally, every possible venue and vendor around inner-city Sydney — big or small — is embracing the crowds and introducing compelling special dining and drinking options, from CBD institutions like The Galeries and QVB to the smallest of bars and restaurants to The Rocks and Circular Quay. Spread across Circular Quay, Wynyard, The Rocks, Barangaroo, Darling Harbour and Chippendale, these spots have a range of options across varied price points. Pop into an underground drinking den for one of Sydney's best negronis, book a lavish French feast a short walk from the Sydney Opera House or head to a vibrant Indian restaurant that won't put too much pressure on your budget.
The Rocks is serving up all your Christmastime needs in its cobblestone streets this holiday season — from bespoke gifts and decorations to joyful meals and festive drinks. The historic neighbourhood's annual Christmas Markets will run every Friday through Sunday from December 4–20. Plus, it'll have a special Christmas Eve market on Thursday, December 24, should you need to pick up any last-minute pressies. From the vast array of stallholders, expect artisanal gifts like personalised engraved jewellery from Roubos Club, handmade cheeseboards from Good in Wood, sweat treats Patisserie Confiserie and shaving kits from Stuga. Not only that, but The Rocks will be decked out to the nines, transforming the precinct into a Christmas wonderland. There'll be ambient lighting at the First Fleet Park stairway as you head into The Rocks, alongside Christmas trees, lamp post decorations and fairy lights along George Street. Nurses Walk will have seven-foot Christmas trees, Nutcracker statues and star lanterns festooning the laneway. You can also wander under a 30-metre-long canopy of baubles and mistletoe. Then, head to Playfair Street where you'll find the Insta-worthy Jingle Bell Rocks Station, complete with a custom-built gold train, station signs, more trees and cheery Christmas tunes. A variety of live music will also take over The Rocks, with a mixture of Christmas covers and mashups. Kicking things off will be local drag queen and Mariah Carey impersonator Vanity Faire, performing in First Fleet Park at 6.30pm on Friday, December 4. She'll take the stage with a crew of dancers, backdropped by the Sydney Harbour Bridge and the Opera House. Expect her to sing all of Mariah's festive hits — and yes, that includes 'All I Want for Christmas Is You'. The Rocks' usual shops will be done up in your standard red-and-green, silver-and-gold hues, too. There'll also be plenty of festive treats from street food vendors, so you can refuel on some tasty snacks, then keep working through your gift list. And, the local bars and pubs have you covered post-shopping, from craft brews at Endeavor Tap Rooms to cocktails on Mrs Jones' terrace. [caption id="attachment_790386" align="alignnone" width="1920"] Craven Images[/caption] The Christmas Markets will be open from 10am–8pm each Friday and Saturday and from 10am–5pm on Sundays. On Christmas Eve, the market will be open from 11am–6pm. Top images: Anna Kucera
The settings vary, and the motley crew of characters involved, too, but many whodunnits share the same premise. Take a ragtag group of folks, pop them all in the same spot, kill one off and then start asking questions — that's it, that's the formula. It works for boardgame Cluedo, it worked for Agatha Christie and her lengthy list of Hercule Poirot novels and stories, and it's also been behind everything from Knives Out and The Translators to Only Murders in the Building in the past few years. So, when Apple TV+'s new murder-mystery series The Afterparty kicks off, it's familiar by design, but this streaming bash is just getting started. Adding a new comic sleuthing series to your queue, and filling that Only Murders-shaped hole in your life, this eight-part show sports a killer cast: Sam Richardson (Detroiters), Ben Schwartz (Space Force), Zoe Chao (Love Life), Ilana Glazer (Broad City), Ike Barinholtz (The Mindy Project), Dave Franco (If Beale Street Could Talk), Tiffany Haddish (The Card Counter), Jamie Demetriou (The Great) and John Early (Search Party). It's also home to a savvy spin on its oft-used scenario. Rather than skewering true-crime podcasting, this quickly addictive comedy from writer/director Christopher Miller (The Lego Movie) toys with a basic truth. We all know that every tale differs depending on the perspective, so The Afterparty has fun with the idea. Of course, whodunnits always hinge upon this exact fact, as many an interrogation scene has demonstrated. Miller has also clearly seen iconic Japanese film Rashomon, which is famed for baking the notion into its whole story. And, considering that The Afterparty's big murder takes place after a school function, there's a touch of Big Little Lies at play here as well. That said, with his directing partner Phil Lord, Miller has made a career out of getting smart and funny with familiar parts (see also: 21 Jump Street and 22 Jump Street, plus Cloudy with a Chance of Meatballs). That's firmly still the case with his latest venture into TV, following writing for How I Met Your Mother, directing the pilot of Brooklyn Nine-Nine and executive producing The Last Man on Earth. The Afterparty's setup: at the afterparty (obviously) following his 15-year high-school reunion, obnoxious autotune-abusing pop star Xavier (Franco) winds up dead on the rocks beneath his lavish mansion. Everyone is shocked but no one is overly upset, which gives determined Detective Danner (Haddish) plenty of suspects. With her partner Culp (Early), she starts grilling Xavier's former classmates one by one to find out who's responsible, with most of the show's episodes dedicated to a different person. The interrogations begin with the sensible Aniq (the always-great Richardson), who was hoping to finally make a move on his schoolyard crush Zoe (Chao), only for his night to get sidetracked well before anyone got murderous. After Aniq's version of events, Danner hears from Zoe's macho ex Brett (Barinholtz) in The Afterparty's second episode, which takes the show further into the couple's seemingly chalk-and-cheese — and now very much over — marriage. Next comes Aniq's best bud Yasper (Schwartz, riffing on Parks and Recreation's Jean-Ralphio without being quite as ridiculous) and his dreams of leveraging his connection with Xavier, who he used to be in a ska band with, to launch his own music career. The fourth episode focuses on Chelsea (Glazer), who has been the class outcast since a high-school scandal. And, in the fifth, those teenage days get their time in the spotlight. Miller doesn't just switch between perspectives episode by episode, or give most of his well-known cast their moments to shine — a task that Richardson, Barinholtz, Schwartz and Glazer are all up to, and Chao and Haddish in the series' sixth and seventh episodes, too. He also styles each of The Afterparty's chapters after a different genre, so the show filters its sleuthing comedy through rom-com tropes, action-movie conventions and musical flourishes (yes, that's Schwartz's High School Musical-esque focus episode). Psychological thrillers also get a look in, as do teen party flicks. The list goes on. Whodunnits have long played with other genres, but Miller's addition to the fold layers them all together like a murder-mystery onion. The cast is top-notch. The writing is clever. Surprises arrive frequently, and the throwaway gags — including the jokes involving Xavier's film career, cameos from other famous faces and magnificent 80s yacht-rock references included — are simply glorious. If Apple TV+ wasn't dropping episodes weekly following the show's initial three-chapter launch, The Afterparty would be an easy binge, although going the week-to-week route extends the fun. There's also a great time to be had with the series' genre- and viewpoint-bending touches, which help the show twist in its own directions, tell its tale with flair and approach its entire premise with a savvy sense of humour. Bringing is own vibe to the murder-mystery party, this is one streaming shindig well worth attending. Check out the trailer below: The first five episodes of The Afterparty are available to stream via Apple TV+, with new instalments dropping weekly.
In primary school, ripping into collages lets you take grown-up things and shape them to your infant will. High school art class gives it back to you as culture. This art tradition embraced by Pop Art, pioneered by Dadaists with photo and pen, gets most of its airtime through stencil art these days. Photoshopping and outright collage still stir controversy, but it's rare to see the form get a dedicated show. For a brief correction, aMBUSH Gallery has brought a group of five local collage artists together to highlight this under-appreciated form, for the exhibition Alterations, Disturbances and Rips. Like their art, the five artists in this exhibition are juxtaposed for maximum contrast. Mauro Palmieri's art shows off his collage figure studies, Hilary Faye's giant figures stride Godzilla-like around their everyday landscapes and Kareem Rizk's earthy palette will feature. Dada-inspired Joel Lambeth and Danilo Brando's blind subjects are also on show. It's a short season, but these visual mash-ups have been shuffled together especially for your enjoyment. Check them out in this school-free setting before they shuffle away completely. Alterations, Disturbances and Rips opens Thursday December 15, at 6pm. Images by Joel Lambeth and Mauro Palmieri.
In a city saturated with vintage clothing stores, Fabrique Vintage is a cut above the rest. All of the stock here is hand selected and you can expect to find a huge range of items from Europe and the US when you step into this Oxford Street emporium. It's packed to the brim with great finds. Denim dominates, with jeans, shorts, overalls and jackets lining the walls. There's also a strong Americana vibe: think cowboy boots, belt buckles and kerchiefs. Like with all good vintage stores, unearthing the treasures here takes some dedication — but half the fun comes from what you find along the way. [caption id="attachment_779026" align="alignnone" width="1920"] Cassandra Hannagan[/caption] Images: Cassandra Hannagan
Dinner and a movie now has an entire cinema dedicated to it: FoMo Cinemas. The brand's name isn't about fearing missing out; instead, it refers to its blend of food and movies. Every one of the six screens in the new Melbourne picture palace is all about watching a film while having a meal. You'll pick between blockbuster, arthouse and retro flicks on the program, plus pizzas, burgers and deli sandwiches on the chef-designed menu. Before you take your seat, you'll also hit up the neon-lit Blade Runner-inspired bar. First announced in 2023, the 392-seat dine-in FoMo Cinemas opens its doors on Thursday, January 18 at East Brunswick Village — and adds something new not just to Melbourne's but to Australia's cinema scene. Co-owners Natalie Miller AO and Barry Peak, who co-founded Carlton's Cinema Nova, have taken their cues from two famed names in the global business: the Alamo Drafthouse chain across the US, plus Nitehawk Cinema in Brooklyn. "Barry and I have been partners in the Nova for 32 years, and Barry's always looking for new ideas and new ventures. And he was very anxious to do a cinema with food and movies based on the Nighthawk and the Alamo in America. So he went out on a survey over there and come back with all the ideas," Miller, who also spent 17 years running South Yarra's old Longford Cinema, tells Concrete Playground. "What very much appeals is the fact that people are time-poor and we are trying to encourage people to come 20 minutes earlier, sit down, they can order their food off an app and then the movie will start. Or if they want to, they can do it during the film. But the idea is to let people have their meal and their film together," Miller continues. "It's not a totally new concept because there's gold class and platinum and all those other cinemas, but ours are at standard ticket prices. So you can come at a standard ticket price and order your meal accordingly." As designed by Head Chef Darren Collier, food choices also include cheese and antipasto platters, as well as desserts — and, when it comes time to deliver your bites and drinks as the movie plays, the focus is on discreet service that doesn't disrupt the viewing experience. As is a drawcard at Alamo Drafthouse, all films are preceded by a pre-show presentation. Expect trivia, interactive quizzes and clips celebrating classic movie moments — and trailers, but no ads. The idea is that you peruse the menu while the pre-show plays, and that it's all part of the experience. And the films? Although Cinema Nova is known for its arthouse selections — and Miller is behind film distributor Sharmill Films, which has brought movies such as Triangle of Sadness and Compartment No. 6 to Australian screens in recent years — FoMo is combining those kinds of flicks with broader fare. So, in its opening weeks, you can see the Mean Girls musical, Sofia Coppola's Priscilla, Michael Mann's Ferrari, Golden Globe-winner The Holdovers, wrestling biopic The Iron Claw and Jason Statham in The Beekeeper. Among repertory titles, both Blade Runner and Blade Runner 2049 will have a date with the venue, as will Chef — all befitting the picture palace's look and focus. Specs-wise, two of FoMo's cinemas have a 3D setup, and the 114-seat biggest theatre with a screen that ten-metres-plus wide boasts 4K resolution. While the newly opened East Brunswick Village is the site of the first-ever FoMo, it won't be the last if the debut location proves a success. "If you ask Barry Peak that question, he'd say absolutely yes," Miller advises about the possibility of expanding the chain across Melbourne and even nationally. "We'll test it out and we'll see how it works. We feel that Brunswick's such a growing area with such a young population and student population, and probably a cross-section of the community. And we'll see how it works, and then take it from there." Find FoMo Cinemas at East Brunswick Village, 133 Nicholson Street, East Brunswick from Thursday, January 18.
Addicted to the grind? We understand. You may not be taking as many trips to your local cafe for barista-made flat whites for the next week, but there are ways to stay keen for the bean, while staying safely at home for as long as it takes for the wave to pass. During the peak of lockdown in 2020, several roasters had to reduce their cafe operations, but they kept roasting, grinding and shipping coffee to customers — with some offering free delivery. Many roasters offer subscriptions for those plunging more at-home brews than ever before, some have online stores of equipment so you can up your home brewing game, and a few have sample packs and isolation gift boxes (as well as cute merch) so that we can make the most of this temporary shift in our daily habits. Here are 12 of the best roasters delivering the goods. If you choose to pick up your beans, make sure you follow the government's latest advice on social distancing. [caption id="attachment_693510" align="alignnone" width="1920"] Tom Ross[/caption] EVERYDAY COFFEE The Melbourne-based micro roaster delivers espresso, filter and decaf blends, as well as your requisite brewing gear — filter papers, pour-over cones, AeroPress kits and more. If you're familiar with Everyday Coffee's cafe blends, order a bag of All Day Espresso ($16), which goes well with milky coffees for a dark chocolate and caramel flavour, or a sweet and malty black coffee. Add your grind instructions at checkout and you should have your beans via Express Post within two-to-four days. In it for the long haul? Everyday offers subscriptions to deliver freshly roasted beans to your door. Select how you make your coffee and your preferred quantity, with prices starting at $20 for 250 grams. [caption id="attachment_813753" align="alignnone" width="1920"] Abigail Varney[/caption] MARKET LANE Prefer your beans with an aesthetically pleasing Pantone-esque packaging design? Market Lane not only offers free standard shipping for all orders over $40 within Australia but also make your kitchen shelf look excellent. The coffee retailer sells beans roasted for all filter brew methods, including pour over and plunger and, right now, all their shops are open for takeaways during their usual operating hours. For the bean fiends among you, Market Lane's vending machine is on 126 Weston Street, Brunswick East and is switched on 24/7 so you'll never go empty handed. Those further afield will get theirs via Australia Post, allowing up to five days for shipping. Fond of commitment? Join the Coffee Club, which ships beans every two weeks for $20 (for 250 grams). SAMPLE COFFEE Pacemaker is Sample Coffee's year-round house blend that has a Cherry Ripe-style flavour profile and goes well with milk. The Sydney roaster has subscription services for a range of blends, delivered across the country and ground to your preference, every week, fortnight or month. A 250-gram bag is between $15.80–23.80 per delivery and quantities go up to four kilograms. The online shop also has eight single origin blends, with bags starting from $16.20, plus brewing gear like cold brew pots, mini grinders and speciality kettles, but note delivery costs are calculated based on weight and distance. LOGGERHEAD Small scale Sydney roaster Loggerhead takes delivery orders up until Tuesday, 3pm, for its weekly Wednesday roast. Its online shop has Nespresso-compatible capsules from $10 a box (of ten), and a selection of roasted blends that start at $13 for 200 grams. So if you'd rather save those essential trips out for the supermarket you can select size, roast and grind preference online. To quote the words on the Loggerhead website: rip in. MECCA COFFEE Mecca Coffee, roasted in Alexandria, Sydney, serves up its orange, honeycomb and chocolatey house blend along with six other options through the website. It's offering ten-percent off all coffee and equipment, too, as well as free shipping on all orders over $30. Just as you can for any coffee order, you can select how your beans are ground if you'd like to skip the arm workout. Sydney deliveries take 1-2 business days and for Melbourne (along with Brisbane, Adelaide and Canberra) orders should arrive within 3-5 business days via Australia Post. Looking for a longer term relationship? The Blend Subscription will set up within fortnightly deliveries, making sure you'll never have to worry about a caffeine shortage. ONA COFFEE If you want to geek out, Canberra-based Ona Coffee has an extensive online shop with merch — including winter-appropriate beanies and sweats — and some serious brew gear. There's also milky coffee blends Raspberry Candy, Black Betty, The Founder and The Hitman, which you can order to your brewing style. Filter fiends get some serious Central American single origins to choose from and specialty espresso roasts. Shipping is $10 or free when you spend over $75, and deliveries to Melbourne will reach you in 2-3 days. [caption id="attachment_635510" align="alignnone" width="1920"] Alana Dimou[/caption] SINGLE O In Botany Bay, Sydney's Single O is roasting and packing orders of its seasonal blends, single-source coffee and equipment. Order before 2pm and your coffee (ground to your liking or in whole bean form) is dispatched the next working day. And right now they're offering free standard shipping. Single O has equipment starting from $7, T-shirts and other merch, gift vouchers and coffee subscriptions that are well worth a browse to complement a short- or long-term working from home arrangement. ST ALI South Melbourne's St Ali has been roasting the good stuff for 15 years. Its online shop has ethically sourced Feels Good organic espresso beans, the rich and butterscotch Wide Awake espresso blend, dark roast Italo Disco and apricot and orange sweet single origins. But St Ali doesn't stop there. You can pick up Nespresso compatible capsules filled with its two house blends from $65 for 60 pods. Need a restock of your hand sanitiser? St Ali makes its own formulation in good-looking bottles, along with a collection of products all about keeping you safe and sanitised. For Australia-wide deliveries of its coffees, there's free shipping on orders over $99 so go big or go home. SENSORY LAB Sensory Lab's coffee and subscriptions can be sent anywhere in Australia either weekly, fortnightly or monthly - and shipping is free, Australia wide (with no minimum order!). Packs of whole beans start at $14 for 250 grams, and you can dive into a selection of blends or single origin beans. From the sweet red apple and caramel notes of the excellently titled Kiorero Washing Station to the chocolaty palette of the Steadfast Espresso Blend, you're guaranteed to find your flavour. It also has a limited range of mugs, totes and equipment worth a look in. PROUD MARY Proud Mary roasts its coffee in Collingwood, where you've likely eaten at its two cafes, Aunty Peg's and the eponymous Proud Mary. Founder Nolan Hirte is considered a leader in Australia's specialty coffee industry, and his mission is bridging the gap between farmers and coffee drinkers — so now's as good a time as any to support that mission through Proud Mary's $24 coffee subscription. A fortnightly run of single origin filter is shipped on Wednesdays, which gets you around 16 cups-worth. Add a single bag to your cart from $15 for a blend, and up to $22 for a single-o and in 1–4 days you'll be treated to the candy-coloured surrealist cartoons of Proud Mary's packaging in the mail. SMALL BATCH North Melbourne's socially responsible Small Batch has been roasting exceptional coffee since 2009. The juicy Golden Ticket filter is a blend from two producers, from Ethiopia and Colombia, and you can see how many pesos per carga each producer was paid by Small Batch when you select your quantity and grind. Transparency in the supply chain is Small Batch's bag, and as you're enjoying a Candyman Espresso Blend, which has a malted milk and macadamia flavour when taken with milk, you can be sure of the fact that all four producers who farmed the coffee in the blend were paid above Fairtrade prices. Standard shipping is $8 across Australia and typically takes 2–3 days, while the $13 premium rate should get your beans to you the next day. [caption id="attachment_712131" align="alignnone" width="1920"] Industry Beans[/caption] AND MORE! In Adelaide, Monastery Coffee has free shipping on coffee orders over 250 grams with single origins starting at $16, and Elementary Coffee is shipping country-wide when you spend more than $30 (get the Young Street Blend used daily in its cafes). In Brisbane, Wolff Coffee Roasters has Australian International Coffee Awards-winning filter Hummingbird Vol 3 ready to ship for those after a fruity, gooseberry-driven flavour for $16. Industry Beans has espresso blends named for its cafe locations in Melbourne, Sydney and Brisbane, with prices starting at $15. Melbourne's Code Black Coffee is offering free shipping Australia-wide for orders over $25, which means you could grab two bags of its signature 3056 blend (named for the postcode of the roastery) for $30. Then there's Axil Coffee, Black Market Roasters, Coffee Cartel and Reuben Hills all offering subscriptions. And, Edition Coffee Roasters is delivering Australia-wide with free delivery on orders over $50. So there really is no excuse for drinking bad coffee. Top image: Single O by Alana Dimou
Sydney's scored a brand-new cultural gem — and it's making its debut with sonic elegance, pairing strings, woodwinds and ambient waves with sweeping harbour views. Pier Pavilion officially opened its doors to the public on 30 April and is set to host one of the city's most unique cultural experiences. Perched on the water's edge, the structure is a beautifully designed space that was selected from over 170 entries from architects across Australia in a meticulous design competition back in 2020. To celebrate its arrival, Barangaroo is turning the already-spectacular space into an atmospheric soundscape with Nocturne — a free evening music series showcasing some of Sydney's finest musicians. The program runs from 26 June to 19 July, every Thursday, Friday and Saturday night, featuring contemporary chamber music and classical interpretations of modern tunes. By night, Pier Pavilion morphs into Nocturne: an immersive instrumental experience bathed in ambient lighting. The lineup is as elegant as the venue itself, with performances by Trio Historie, Continuum Sax, Alma Moodie Quartet and The Song Company. A curated selection of food and drinks will be available onsite, and the surrounding Barangaroo precinct offers no shortage of bars and restaurants to continue your night. By day, the Pavilion is a serene space for wandering — a place to soak in coastal views, marvel at the architecture, and watch the light dance through its freestanding colonnade. Designed by Besley and Spresser, the structure is made from nearly half a million recycled oyster shells — yes, really. Its curved footprint mirrors the geometry of Sydney Harbour's coves and peninsulas, while its living roof — planted with over 2,400 native species — attracts birds, insects and other wildlife, creating microhabitats that connect the waterfront with the natural rhythms of Country. Whether you're a design lover, music enthusiast, or just want to experience something uniquely Sydney, Nocturne at Pier Pavilion is your winter go-to. For more information, visit Barangaroo Sydney and be sure to share your experience with us on socials @barangaroosydney Images: Supplied.
This Labour Day long weekend, Sydney's premier Asian supermarket, Gong Grocer is hosting a three-day Mid-Autumn Festival celebration from Saturday, October 4 to Monday, October 6. The free event will run daily from 12–8pm and pack out World Square's slice of George Street with live entertainment, cooking demos, and plenty of mooncakes. The Mid-Autumn or Moon Festival is a historic celebration in China, commemorating the end of the harvest season and the full moon. Expect traditional lion dance performances, live music, and family-friendly activities, alongside celebrity chef demos from Vincent Lim (DimSimLim), Catherine Desserts and Brendan Pang. If you aren't yet sick of Labubu's, then you can sign up for an exclusive Labubu mooncake-making experience hosted by G-LAB Patisserie. Or if that doesn't tickle your fancy, sip your way through premium sake tastings featuring brews from celebrated Japanese names like Umenoyado, Tatenokawa, and Chiebijin. Stalls from 12Cake and Ommis Foods will showcase handmade cakes, mochi, Taiwanese street eats, and mooncakes. While interactive games, including Spin-the-Wheel and the Big Chopstick Challenge, will award prizes like Labubu collectibles, plushies and limited-edition merch. Entry to this three-day Mid-Autumn festival is free, so make sure to bring your nearest and dearest this October. For more information, head to the event website.
No more a safe haven of vintage knick knacks and retro wares, this week marks the last for the iconic Sydney Antique Centre. Though the much-loved red building in Surry Hills is in fact the oldest antiques store in the country — and one of our personal favourites — the owner of the building has decided to sell. From next Monday, June 30, the store will officially close. This sad news will leave more than 50 in-house art and antique dealers out of business, with many not able to survive the move. Though some traders will move their business to online, others will struggle to find new storefronts. And by all accounts their old home, the red stalwart of South Dowling Street, is destined to become a set of inner-city apartments. Though many see vintage stores as a bit old and fusty, the Sydney Antique Store has an incredibly rich history for Sydney-siders. Its homewares were employed as perfect props on the set of Baz Luhrmann's The Great Gatsby, and it has reportedly furnished the homes of nearly every Australian prime minister. Not to mention its importance to the average customer — it's been there for you every time you went hunting for the perfect gift, party costume or retro accessory for the season. However the store's trade was undeniably suffering, and in speaking to the site's vendors the Sydney Morning Herald discovered that many blame the trends of younger customers." A lot of young people don't have an appreciation for fine things," said vendor Lyn Doolan. "Younger kids want to go to Ikea, buy everything, then change it all three years later. It is all very disposable." "Your generation doesn't like any clutter," said fellow stallowner Bill Gregg. "They like dinnerware that goes in the dishwasher." Though we're not sure it's entirely our fault, it's definitely a tough time for vintage retailers. Independent fashion boutiques are closing down all over the country as large international buzz brands take over the market, and discount homewares are now easier to buy than ever. The loss of this vintage paradise will undoubtedly be huge for those seeking something different on the market. From now until June 30, Sydney Antique Centre will be hosting a huge closing down sale, so now's the time to get down and pay your respects. Spend the afternoon, rummage around the treasures, and pick up a bargain. Before you know it, these retro legends will have packed up their vintage leather bags and disappeared. Sydney Antique Centre is located at 531 Dowling Street, Surry Hills. It's open from 10am-6pm daily until Monday, June 30. Via Sydney Morning Herald. All images via Sydney Antique Centre.
There are many things that the current situation is teaching us — one of the less-serious realisations being that we'll be spending more mealtimes at home. Some local eateries are still offering takeaway and delivery options, but with the government firmly advising Aussies to stay at home as much as possible, we're all going to become a lot more familiar with our kitchens. You may see this as an opportunity to crack out some of your favourite cookbooks, but with the restrictions on some grocery items, those elaborate 15-step recipes are probably going to be a little out of reach. Luckily, Queer Eye star Antoni Porowski has you covered. The Canadian, who is the food expert on the super-popular Netflix series, is hosting daily cooking tutorials on Instagram while in lockdown in Texas. The series, which he has dubbed Quar Eye, focuses on recipes that require only a handful of easily accessible ingredients with an aim to minimise waste. "It dawned on me that a lot of people in the country, and in the world, are actually going through this right now: when they go to the store and they can't find what they want. We're stuck at home so we might as well still be able to prepare good food that's good for us and makes us feel good," Porowski explained in his first video. https://www.instagram.com/tv/B90Oo5lHxYv/ Part one of the series saw Porowski create The Keep Calm-lette, an omelette served with a black bean salsa and, of course, avocado (fans of the show will know of Porowski's deep love for an avo). The punnily named dishes have continued from there, including Sequestered Salmon Squash, Cooped Up Chicken, Stripped of My Sanity Chicken Strips and Let Me Outside Leftovers. Porowski uploads his videos to IGTV and Facebook daily, so you can go back and watch them at any time. Image: Facebook
Dance music hits. An orchestra. Combine the two and Ministry of Sound Classical is one end result. For a few years now, this event has been giving Australia what no one probably knew they wanted when Ministry of Sound first started as a London club night back in 1991: tunes that usually fill dance floors performed by classical musicians. If you're a fan of making shapes and you're fond of getting nostalgic, then Ministry of Sound keeps indulging — sometimes by throwing huge 90s and 00s parties that nod back to raves three decades back and club nights at the turn of the century, and sometimes via this orchestral tour that gives bangers from the past 30 years a new live spin. In Australia, the latter is returning before 2025 is out, seeing out spring in Brisbane and Melbourne, then welcoming summer in Sydney and Perth. This year's run kicks off at Victoria Park in the Sunshine State capital on Saturday, November 1, with Sneaky Sound System headlining. Conducted by Vanessa Perica and with DJ Groove Terminator on backing duties, the Ministry of Sound Orchestra takes pride of place, of course. Then, Cassius is heading Down Under from France to front the fun on Saturday, November 29 at the Sidney Myer Music Bowl in Melbourne — as well as on Saturday, December 6 at The Entertainment Quarter in Sydney, plus on Friday, December 12 at Kings Park & Botanic Garden in Perth. Other than the orchestra, the lineup varies per city, spanning both international and Australian names. Judge Jules is on the bill in Melbourne and Sydney, for instance, while Tall Paul is also joining in in Sydney — and so is A.Skillz, who has a date with Perth as well. Dirty South is another talent with a date with Brisbane. John Course, Kid Kenobi, Mell Hall and Minx are on the roster, too, plus local names at each of Ministry of Sound Classical's 2025 stops. As for vocalists, expect Reigan, Karina Chavez, Rudy, Lady Lyric and Luke Antony. Ministry of Sound Classical is calling 2025's run a summer dance music festival — even if half of its dates are the month prior — which means that a curated food and bar lineup is also on offer. Sydney will score three stages, while Brisbane, Melbourne and Perth will also feature a silent disco. As for the soundtrack, the event surveys tunes that've packed dance floors over Ministry of Sound's existence — so you just might hear classical renditions of Basement Jaxx, Darude, Röyksopp, Robin, Underworld, Moby, Fisher and more played by its orchestra. Ministry of Sound Classical 2025 Dates Saturday, November 1 — Victoria Park, Brisbane Saturday, November 29 — Sidney Myer Music Bowl, Melbourne Saturday, December 6 — The Entertainment Quarter, Sydney Friday, December 12 — Kings Park & Botanic Garden, Perth Ministry of Sound Classical 2025 Lineup (varies per city) Cassius Judge Jules Sneaky Sound System Tall Paul A.Skillz Dirty South John Course Kid Kenobi Mell Hall Minx 2025's Ministry of Sound Classical tour will pop up across Australia in November and December. For further details and tickets — with presales from Tuesday, June 17 at 12pm AEST, then general sales from Wednesday, June 18 at the same time — head to the tour website. Images: Ruby Boland, Ashlea Caygill and Jack Dullard.
Capturing Sydney iconography while dining can be considered touristy, but you can't deny the appeal of a meal in the shadow of Harbour City symbols. There aren't many places where it's possible to see both the Sydney Opera House and Harbour Bridge from your table, but one is House Canteen. It is ideal for a laidback feed by the harbour or to pre-game a show at the Opera House. The menu shifts throughout the day from coffee and baked goods in the morning to hawker-style Pan-Asian street food from lunch till late. The early bird gets the worm, and in this case, said worm is the bakery menu — including the likes of coffee, cold-pressed juice and tomato and aged cheddar croissants. There are also sweeter treats like jam doughnuts, seasonal fruit danishes and orange almond slices. A visit later in the day will see street-food-style goodies become available, ranging from light snacks like prawn crackers with chilli salt or sticky chicken with shallots and sriracha to larger meals like mixed sashimi, crispy pork belly with Chinese broccoli and shiitake or brown rice poke bowls with mixed vegetables. From 9.30pm on Fridays and Saturdays, a late-night menu is available and offers dumplings, bao buns, grab-and-go sushi, and a wide range of cocktails to complete your evening. No matter the time of day you arrive at House Canteen, a proper feed is all but guaranteed.
At both the OG North Sydney outpost and the newly minted UrbnSurf venue, RAFI is laying on an extended happy hour from 3–6pm, Monday–Saturday. Prices are slashed on several of the restaurant and bar's most popular dishes, including sourdough pizzas for just $12, golden fried calamari for $13, and juicy cheeseburgers for $16. Punters can also enjoy discounted drops by the glass from Rafi's wine club selection, The Drop, for just $7, as well as Aperol and Fragola spritzes for $10 and classic margaritas for $14. Whether you're grabbing a bite after catching some waves in Homebush or you're relaxing on the al fresco terrace in North Sydney, this is a wallet-saving deal that's hard to beat. [caption id="attachment_965986" align="alignnone" width="1920"] RAFI UrbnSurf[/caption] Images: Steven Woodburn
“Industry has moved abreast of art & we now trade culture as capital, Enthusiasm is currency, and here is no better Petri-dish for new forms & expressions of the contemporary than the warehouse. ...a return to the village ...except the candlestick maker, the butcher & the blacksmith are now the zinester, the permaculturalist & community theatre director.” While the vast majority of us get up every morning, go to work, and earn money to pay the rent or mortgage, some others opted out. Inspired by artistic ideals and the bohemian movements of days gone by, artists, performers and assorted creatives have been reclaiming warehouses and setting up counter-cultural enclaves where they can work among like-minded souls, and by the looks of things, throw some pretty awesome masquerade balls. Bohemianism is thriving, especially in Melbourne. This City Speaks To Me is the work of British music photographer Luke David Kellet, who spent several years living among Melbourne's bohemian community. Inspired by the artists and their lifestyle, Kellet has created a photobook which is both a documentary of, and dedication to the raw, wild energy and enthusiasm of the culture and its characters. The fluid, gonzo-esque text from poet Si complement the images and give them a hallucinatory life of their own. It’s good to see that alternative art and culture are thriving, and even better to see it portrayed so eloquently. As well as the full, print version, a shorter version of the book is available as a free download (NSFW). This City Speaks To Me
You've got a new CBD restaurant to make a beeline to as soon as the office bell rings. And it's run by a lineup of Sydney hospitality legends. The duo behind Love, Tilly Devine and Dear Sainte Éloise, Matthew Swieboda and Nathanial Hatwell, have teamed up with chef Scott Williams (Bacco Osteria e Espresso, MoVida) and front-of-house star Felix Colman (Dear Sainte Éloise) to open Angel Place's new pasta joint and minimal-intervention wine bar: Ragazzi. Just as Love, Tilly Devine champions Aussie drops and Dear Sainte Éloise focuses more on the French, Ragazzi does the same for Italian varieties — showcasing small Italian producers and Australian wineries that use Italian grapes. Though classic Australian and French wines are also up for grabs here, too. The 38-seat wine bar features textured concrete walls, leather banquette seating and a ten-seat, wraparound brass bar. It serves up daily-changing wines by the glass, along with a whopping 300 by the bottle — so there really is a heap to choose from. To round it all out (or kick-start it all), there are also 20 different amari and aperitifs. Alongside the natural wines is a succinct food menu that changes regularly and showcases regional Italian pasta dishes. Expect the likes of agnolotti dal plin served in a broth with white asparagus, maltagliati with cuttlefish and broad beans, and cavatelli with pipis and sausage. The sausage is made in-house using whichever meat is available on the day. [caption id="attachment_747368" align="alignnone" width="1920"] Nikki To for Buffet[/caption] This focus on no-waste and nose-to-tail eating is present throughout the menu, with Williams sourcing whole cuts of meat and breaking them down to create a range of dishes. At the moment, you'll find pork belly used in croquettes, pork cutlets served as a main and other parts of the animal turned into a pork and fennel sausage. When in season, expect sea urchin to be a regular feature on the menu, too, with Ragazzi receiving deliveries from a south Sydney diver. While pasta is the star of the food show here, Williams also showcases the Spanish cooking techniques he learned in the kitchens of Madrid and Barcelona. So, expect to dig into Spanish-inflected bar snacks, such as Cantabrian anchovies on sourdough, on the regular. A few simple salads (such as shaved cabbage with hazelnut and pecorino) make the cut, too, along with daily-churned gelato for dessert. Regazzi has been bustling from the start, so do yourself a favour and make a booking here. Ragazzi is now open at Shop 3, 2–12 Angel Place, Sydney. Hours are Monday through Friday from 11am–midnight and Saturday from 3pm–midnight. Images: Nikki To for Buffet
It's been a David and Goliath battle from the very start, but it seems Goliath has finally made his size known — construction crews have this afternoon been found secretly demolishing the interior of the much-loved Palace Theatre. Though most mourned for the Palace back in June when the owner's lease ran up, many have still been fighting the good fight trying to get the venue heritage listed. After all their good work, the site was set to be reviewed for heritage protection from Melbourne City Council shortly. Now, much of what they were fighting to protect has been destroyed. Though the new owners, Jinshan Investments, are yet to obtain a demolition permit, it seems they're free to do as they see fit with the building's interior. Nearby businesses have reported the rubbish skips have been out the front all week, and construction workers have been spotted hauling out huge slabs of plaster and moulding that has been in place since the early 1900s. One worker told The Age that they were carrying out orders as the site was to be turned into apartments. City of Melbourne councillor Rohan Leppert was one of the first to speak out by calling the police to the scene. "There is no permit to demolish the building, and the owner knows that the Council and Government considers the interiors to be of significant heritage value," he said. "[It's] sheer vandalism." Protestors from Melbourne Heritage Action and Save the Palace Theatre are currently on site too. "We asked to see a copy of the demolition permit and were asked, 'who the hell are you?' and 'where's your badge?'" the group said on their Facebook page. They are now reporting that the demolition crew told police they were "removing plaster to check sprinkler systems". A snap protest has been called for 6pm tonight at The Palace. "[It's] a visual sign to the people who can turn this around that this IS NOT ON!" their Facebook post read. "While there is still something to save you all need to get off your arse and down to the Palace ... The people of Melbourne need to join together to make some damn noise." Outside the @Palace_Theatre at 6pm - make some noise! These cultural vandals need to be stopped and the decision makers must do something — Save the Palace (@SavethePalace13) November 20, 2014 It may be a fairly sad last resort, but if you've ever loved the venue it's time to get your arse up to Bourke Street. Do it for that incredible gig you snuck into when you were 17; do it for the first dates and the late nights and all the amazing bands that have played there over the years; do it for the goddamned principle of the thing. Photos via Melbourne Heritage Action.
Australian playwright Timothy Daly is a queen-maker. His Kafka Dances in 1993 was one of Cate Blanchett's first roles and won her the Rosemount Newcomer Award, and it's still regarded as a classic. His work is frequently performed overseas, though not so much at home, possibly because it’s a bit bonkers in that way that Europeans are more open to. In his new play Richard III (or almost), directed by Markus Weber, two prisoners (played by fit veteran thesps Gerry Sont and Lucas Connelly) are locked in a room where they are punished by having to perform bouts of Shakespeare's Richard III whenever a bell chimes. Why? By whom? What for? Daly chooses not to make it entirely clear. Instead, his play is mainly an abstract, dystopic meditation on how governments deal with art and how artists view themselves. It's not something you often think about, but theatre reviews are not written (nor plays made, for that matter) in a silo; they are in conversation with other theatre productions going on within view. Certain styles and aesthetics become the norm in a city, if not a country. So when something comes along that sits completely outside of that conversation, it's a little hard to know how to treat it. Richard III (or almost), the product of both an Australian writer and Australian director who have spent their working lives in Europe, is just such a mysterious outlier. It was apparently well received at its debut at the prestigious Avignon Festival in France, but in Sydney it seems, for want of a better word, weird. The resistance to plot, character and convention isn't total, but it is strong. I was happy to accept its abstract set-up, but then the second half seems to turn on quite a straight-up crime mystery, which doesn't wholly relate to what came before. However, the shifts in power between the two characters were a constant source of intrigue. Richard III (or almost) won't be to everyone's taste, but as a mission statement from Emu Productions, the new owners and resident company of King Street Theatre, it is compelling. It's exciting to think that they might shine a light on performance possibilities mostly unseen in Sydney. Good luck to them. Student? Get your $20 student rush tickets 30 minutes before the show nightly.
With the temperature and acidity of the oceans gradually rising comes the possibility of the extinction of the colourful, gorgeous coral reefs that are home to thousands of sea creatures. So, MUSA (Museum Subacuático de Arte) was created in 2009 in an attempt to preserve the precious coral reefs, using the ocean floor near Cancun, Isla Mujeres and Punta Nizuc, Mexico as a museum for sculptures that would also help sustain life beneath the surface. Senior TED Fellow and artist Colleen Flanigan's innovative Biorock sculptures have been chosen to become part of the project. Flanigan's metal sculptures are designed to counter the damage already done by global warming and pollution and regenerate the coral by raising the pH level of the surrounding water and help them acquire sufficient calcium carbonate for the coral's exoskeleton. The Biorock structures will also provide the living reefs with an alkaline environment that will increase resistance to environmental stressors. $15,000 is needed to fund Flanigan's underwater installations in MUSA, so she's kickstarted a Kickstarter account. $12,542 has been donated to date, but there is still a ways to go before the April 12th deadline. If you donate just a dollar, Flanigan will even say your name as she plants a polyp — every little bit helps.
Here's a great way to get people to pay attention to almost anything: add Paul Rudd. Movie fans have known that truth since the 90s, when he first grabbed everyone's attention in Clueless. Sure, some of his early big-screen roles — such as Romeo + Juliet as well — tried to convince us that Rudd was the lesser romantic alternative, but we all knew better. Sorry, mid-90s films, you were wrong. At the beginning of the pandemic, New York City even enlisted Rudd to spread the word about COVID-19 safety — that's how deep the "add Paul Rudd to anything" rule goes. So getting the Ant-Man and Ghostbusters: Afterlife star to run around NYC to plug Billy Eichner's new queer rom-com Bros just makes sense, obviously. Eichner is doing the running with him, bringing back his beloved comedy game show Billy on the Street for a brand-new episode to promote his new flick. Rudd has already been on the series before, in a season-three episode called 'Would You Have Sex with Paul Rudd?'. You don't have to pay many people $1 to say yes to that. This time, Eichner and Rudd jog around, stick a microphone in people's faces and ask if folks will see Bros — and tell them that Rudd wants them to. "Paul Rudd demands that you see Bros," Eichner says to one New Yorker. "I'm in" is the response, naturally. Rudd also carries that aforementioned man, upon request. Not everyone is as obliging, however. "I'm sorry I'm not Florence Pugh!" Eichner screams in response to one rejection, as only Eichner can. If this is your first Billy on the Street experience, the show sees comedian Eichner take to the New York City pavement to ask ordinary folks about movies, music and TV shows, often with a celebrity in tow. During its main run from 2011–17, episodes also involved Eichner yelling at his unsuspecting contestants about their questionable pop culture taste or utter lack of entertainment knowledge — yep, right there on NYC's streets, with a camera pointing their way — and the end result was a hilarious dream to watch for audiences, too. As for Bros, it releases in cinemas Down Under on October 27 — and sees the Parks and Recreation and Difficult People treasure becomes the first openly gay man to co-write and star in his own major studio film. He plays a podcaster who has been asked to write exactly this kind of flick, and falls in love himself (with Killjoys' Luke Macfarlane) along the way. Eichner co-wrote the Bros script with director Nicholas Stoller (Bad Neighbours and its sequel), while Judd Apatow (The King of Staten Island, Trainwreck) produces. On-screen, the cast includes Ts Madison (Zola), Monica Raymund (Chicago Fire), Guillermo Díaz (Scandal), Guy Branum (Hacks), Bowen Yang (Fire Island) and Amanda Bearse (Married with Children). Check out the trailer for Bros below: Bros opens in cinemas Down Under on October 27.
For six years and four seasons on Westworld so far, viewers have been asked to ponder humanity's potential future with robots and simulations. A key question driving the hit film-to-TV HBO series: how might the years to come unfurl if people use mechanics, artificial intelligence and elaborately fabricated worlds as playthings and playgrounds? In new streaming series The Peripheral, a similar query arises, also musing and hypothesising on what lies ahead — and how flesh, machines, the real and the digital might coexist. The latest question, in another twisty series, as fronted by Chloë Grace Moretz (Mother/Android)? What happens if robots and virtual reality become humanity's conduit through time? (Apologies, DeLoreans and phone booths.) Bringing Westworld to the small screen and now executive producing The Peripheral, Jonathan Nolan and Lisa Joy clearly have a niche. If you didn't know that the latter series comes to Prime Video via the same minds as the former — adapting a 2014 book of the same name by cyberpunk pioneer William Gibson, and with Scott B Smith (The Burnt Orange Heresy, A Simple Plan) as its showrunner — you'd easily guess. The pair don't just share comparable concepts, but also a near-matching look and feel. The two play like tech-, robot-, avatar- and dystopia-obsessed siblings prophesising about humanity's possible decisions and their repercussions, plus everything that the world of tomorrow might herald and mean, all in sleek, shiny, chilly and moody episodic packaging. (Staying in this terrain isn't new for the husband-and-wife duo either, with 2021 film Reminiscence also on their resumes. Joy wrote, directed and produced the Hugh Jackman-starring feature, while Nolan also did the latter. Its focus: reliving memories, and reuniting with the people in them, in another gadgetry-enhanced but devastated future.) When storytellers speculate on what the upcoming years might hold, they theorise about choices and ramifications. The Peripheral has many to ruminate upon. When it begins, 3D print shop worker Flynne Fisher (Moretz) simply decides to assist her military-veteran brother Burton (Jack Reynor, Midsommar) by slipping into his avatar to make cash in a VR game — which she's better at than him, but sexism in the industry still reigns supreme. Then, when he's tasked by a Colombian company with testing a new virtual-reality headset that looks lower-tech, doesn't come with a glasses-like screen but exceeds the competition in its realism, she does the honours again. Flynne hasn't just plugged into a better simulation, though. Via data transfer, her consciousness is time-travelling to the future and inhabiting a robot body (which is what gives the series its title). Get ready for two visions of the future for the price of one, both riffing on aspects of life circa 2022 that could easily evolve as predicted. In Flynne's daily reality, the year is 2032, the place is small-town North Carolina and almost everyone is struggling, so much so that cash bank withdrawals earn Homeland Security's attention. The vibe is straight out of Winter's Bone, complete with a shady figure, aka local drug kingpin Corbell Pickett (Louis Herthum, Hacks), throwing his weight around. Flynne and Burton's mother (Melinda Page Hamilton, Dirty John) has lost her sight and suffers from constant pain, while Burton has his own (and PTSD) courtesy of his stint in uniform. Accordingly, sourcing funds to buy meds is a daily worry — and a problem that donning a headset is meant to fix. But The Peripheral asks another question, unpacking class divides and the technology gaps they bring: is hurtling into the future really a choice when it's a matter of financial survival? The Peripheral contemplates such existential and societal queries — sometimes overtly, sometimes as subtext — as all science fiction should. That said, it also revels in as much sci-fi detail as it can, especially regarding Flynne's leaps onwards. There, it's 2099, in a London littered with new towering sculptures that double as buildings and yet also home to far emptier on the streets. The no-nonsense Aelita West (Charlotte Riley, Swimming with Men) is initially Flynne's guide, until the furtive, James Bond-esque industrial-espionage quest they're on ends badly, and with Flynne seeing something she shouldn't. Next, Wilf Netherton (Gary Carr, The Deuce) runs point, as funded by the wealthy Lev Zubov (JJ Feild, Lost in Space) — and finding the now-missing Aelita and remaining alive in both timelines are the new aims. There's no shortage of plot: as well as time travel, VR, simulations, robots and secret quests, The Peripheral spans apocalyptic conditions, invisible cars, woodland shootouts, contract killers, conspiracies defying the bounds of time, medical chaos, unrequited romance, lottery wins and multiple turf wars. At its heart, it's also still a tale of a family trying to survive in a world crumbling around them, no matter what the future does or doesn't hold. And, the series is a puzzle and a maze, traits it eagerly relishes across its first six episodes. The questions and twists keep dropping, alongside revelations that inspire more enquiries rather than provide answers. Getting lured in happens quickly, although Prime Video is doling out the pieces patiently — starting with two episodes, then releasing future instalments weekly. The more that The Peripheral goes on, the more its Westworld comparisons gain company, with Mary Shelley's Frankenstein, Tron, The Matrix franchise and Netflix's German-language gem Dark also proving influential. The series also unravels a noir-ish action detective story, asking not only whodunnit several times, but wondering when in time they hailed from like a period-hopping version of Cluedo. The layers of mystery helps keep viewers hooked — albeit with overt and forceful cliffhangers to end each episode — but The Peripheral doesn't slouch elsewhere. That includes its scheming villain, with Years and Years and The Haunting of Bly Manor's T'Nia Miller a devilish delight as the string-pulling Cherise Nuland, the head of the sinister Research Institute and a gloriously scenery-chewing nemesis for Flynne and company. 2022 marks 27 years since another Gibson adaptation spun a story about virtual data, the commodification of humans to service it, the power and control that comes with it, and the people and companies that'd kill for it all. Unlike Westworld and the rest of the aforementioned obvious touchpoints, bland Keanu Reeves movie Johnny Mnemonic mightn't come to mind while watching The Peripheral, though, apart from the shared overuse of tech jargon. What should stick here instead is a series filled with intrigue and ambition, vivid world-building and engaging performances, including from a particularly stellar Moretz. Plugging in is easy — as is staying connected. Check out the trailer for The Peripheral below: The Peripheral streams via Prime Video.
When you head to a gallery or museum, peruse its walls and halls, and stare at a famous work of art, you spend time bathing in visible beauty. If you're peering at a painting, then colours, compositions and brush strokes grab your attention. Should you be looking at a sculpture, it's the lines, shapes and forms that stand out. Even if you're the most dedicated art fan, you're really only engaging one of your senses — that's why it's called visual art. You can't touch something as iconic as the Venus de Milo, for example. You certainly can't taste it either, and it doesn't emit a sound or aroma. But if you have ever found yourself wondering just what the ancient Greek work smells like, or how some of The Louvre's other notable artworks might tickle your nostrils, you can now douse yourself in perfume inspired by eight of the Parisian museum's pieces. For the first time, The Louvre has teamed up with French beauty brand Officine Universelle Buly to create a range of scents that draw upon the gallery's masterpieces — not only for art-lovers to spray over their body, but in scented candles, scented postcards and scented soap sheets too. As well as the world's most famous statue with missing arms — which apparently smells like lilies and musk — the lineup takes its cues from Jean-Auguste-Dominique Ingres' La Baigneuse and Grande Odalisque, Thomas Gainsborough's Conversation in a Park, Jean-Honoré's The Lock and Georges de La Tour's Joseph the Carpenter. You can also smell like Lorenzo Bartolini's Nymph with Scorpion or, still on sculptures, you can opt for the Winged Victory of Samothrace. If the latter sounds familiar, that's because it featured in Beyonce and Jay-Z's 'Apeshit' video last year. https://vimeo.com/347284474 Buly's collection of The Louvre-themed products doesn't come cheap — ranging from just under €6 for a postcard, to around €17 for soap, to €125 for a candle or perfume. If you don't have a trip to Paris in your future, you can order the artwork-inspired scented products online.
The sun is shining, your out of office is on and you've already spent a good amount of time curled up streaming TV shows. Now's the chance to catch up on your reading — so, find a shady spot on a beach, next to a pool or by a waterfall and start making your way through our favourite ten books of 2019. It's a mixed bag this year — we've been turning the pages of a novel about a debaucherous secret society, the latest Booker Prize winner (no, not The Testaments), devastating nonfiction works about Australian bushfires and a heartwarming page-turner combining politics, royalty and queer history. Some of them are immersive, some of them knotty and uncomfortable, which makes them perfect for mulling over during the holidays, and provide flavourful fodder for dinner conversations. Take your pick. LANNY BY MAX PORTER In 2016, Max Porter won the Dylan Thomas Prize for his debut novel Grief Is the Thing With Feathers — a story in which a trickster-babysitter crow visits two grieving children. This year, Porter delivered another poetic and daring tale, this time centring on a creative and mysterious boy called Lanny. There's a rhythm to Porter's writing; he illustrates one of his most exciting characters through a scrawling, italicised font that seems to slip and slide off the page. Dead Papa Toothwort is a shapeshifting spirit that feeds on the life and grime of Lanny's village in the English countryside — one with gossip at the school gates, nosy but well-meaning neighbours, and a woodland where children like to build treehouses. Reliable old Pete is Lanny's good friend. He's an older man, an artist, and one of the more likeable characters. What starts as an eerie, but largely quiet, tale of village life gathers speed towards the end, when Lanny is missing and the village mob starts pointing fingers. SUPPER CLUB BY LARA WILLIAMS Lara Williams' novel about a secret society of women who meet after dark to feast is superb. At the centre of the novel is Roberta, and the novel jumps back and forth between her days at university, where she teaches herself to cook and dates a lecturer, and the present day, where her and her wild, intense friend Stevie start the supper club. Over bowls of pasta, slabs of meatloaf, messy bouillabaisse and gallons of wine, the women gorge themselves and behave in an incredibly 'unladylike' manner in rebellion of their oppression by men. They throw food at each other, vomit, dance topless and go wild with debauchery. Intelligent and boldly written, Williams' story is less about food and more about the characters' appetites to acquit themselves of their everyday lives. Easy to read, you'll smash it quicket than your avocado on toast. RED, WHITE AND ROYAL BLUE BY CASEY MCQUISTON It might be questionable of us to include a book that would certainly not be considered literary, and falls firmly in the romance and new adult categories. But Casey McQuiston's debut novel Red, White & Royal Blue is so joyous and hopeful that it makes you want to throw away any pretence of trying to appear cool. Incorporating, and elevating, all the best cheesy rom-com tropes — enemies to friends to lovers, fake friendships, a secret relationship and an email scandal — McQuiston's writing is heartwarming, funny and intelligent as she blends politics, royalty and queer history into a big ball of happiness. I challenge you not to fall in love with this book's diverse cast of characters: Alex, the obliviously bisexual Mexican-American son of the first woman president of the United States; Henry, the compassionate, quietly homosexual prince of England with a scholarly interest in queer history; Pez, the prince's dastardly attractive Nigerian best friend; Zahra, the president's fierce and frightening chief of staff; Amy, a transwoman and former marine-turned-secret service agent who likes embroidery. Would recommend to anyone looking for a book so firmly placed in the now — but a better one than the one we've got. If it were possible, it would make your heart smile. ON EARTH WE'RE BRIEFLY GORGEOUS BY OCEAN VUONG Ocean Vuong's debut novel found itself on a host of nominee lists for literary prizes his year, earning reviews describing it as shattering, tender, haunting and stunning. On Earth We're Briefly Gorgeous is a letter from a son to a mother, tracking a family history back to its roots in war-torn Vietnam and forward to the son's experiences as a queer, biracial American, and telling a story trapped between the worlds of trauma and compassion. Vuong's poetry background makes for prose that is fluid, raw and earnest, in an intimate exploration of race, class, grief and masculinity. SALT BY BRUCE PASCOE Likely already on the radar of fans of his work, Salt offers an insight into the range and depth of influential Indigenous Australian historian Bruce Pascoe. This collection of stories and essays from the award-winning author of Dark Emu includes some of his most revered work and previously unpublished pieces of fiction — tender stories exploring country, nature and identity — just waiting to be discovered. For those with a short attention span or looking for an introduction to Pascoe's works, this is an ideal read for afternoons on the beach, and a poignant reminder of our nation's history. BEAUTY BY BRI LEE Beauty marks the second book by Bri Lee in as many years to make it onto our Summer Reading List, so she must be doing something right. Once again imbuing her words with a brutal candour, Lee explores our obsession with thinness and beauty, in a world that has made huge strides against the patriarchy, yet still finds us holding ourselves to an impossible and unattainable standard of physical 'perfection'. Readers are invited into Lee's world in a 150-page essay on her battle with eating disorders and her final rejection of society's punishing ideals. For anyone that loved Eggshell Skull — and pretty much everyone else, too. THE ARSONIST: A MIND ON FIRE BY CHLOE HOOPER Published in October 2018, this novel isn't a 2019 book. But, with catastrophic bushfires currently burning across Australia, its content couldn't be timelier. Following the trial of the man charged with lighting the Latrobe Valley fires, part of the 2009 Black Saturday bushfires that killed 173 people in regional Victoria and burnt over 450,000 hectares, Chloe Hooper's The Arsonist: A Mind on Fire is devastating and haunting. It includes harrowing accounts from those injured in the fires and fascinating details from the investigation, all delivered with captivating and lyrical prose. And, while it's a work of nonfiction, it reads like a thriller — and it's impossible to put down. GIRL, WOMAN, OTHER BY BERNARDINE EVARISTO Two books won this year's Booker Prize: Margaret Atwood's 34-year follow-up to The Handmaid's Tale, called The Testaments; and Girl, Woman, Other by Bernardine Evaristo. We're recommending you read the latter. Following the interconnected lives of 12 characters, mostly Black British women, from different generations, religions and social classes, it's a joyous, poetic read. You'll meet lesbian playwrights, investment bankers and farmers, all battling everyday problems and larger social issues, such as race and sexuality. As well as being a collection of 12 separate, intimate portraits, the book successfully paints a polyphonic picture of modern-day Britain. FLEISHMAN IS IN TROUBLE BY TAFFY BRODESSER-AKNER A renowned celebrity profiler — if you haven't already, we suggest you read her New York Times Magazine piece on Gwyneth Paltrow ASAP — Taffy Brodesser-Akner first dipped her toe into fiction this year with the release of her debut novel Fleishman Is in Trouble. And Fleishman, a recently divorced, now-single dad navigating the world of dating apps, sexts and raising two children, really is in trouble. As is our narrator: stay-at-home mum Libby. And Fleishman's ex-wife, Rachel. While the bulk of the novel is dedicated to Fleishman and his struggles, it also cleverly explores how women's stories are often over-looked and sidelined. Its ending more-than rewards readers for pushing through some of the less-gripping sections, too BELOVED BY TONI MORRISON The first African American woman to win the Nobel Prize for Literature, Toni Morrison passed away in August at the age of 88. Her novel Beloved wasn't published this year — in fact, it was published way back in 1987 — but we think this summer is the perfect time to revisit it, or pick it up for the first time. Arguably Morrison's best-known novel, Beloved follows an escaped enslaved woman who is haunted by decisions and trauma from her past. It's not an easy read, nor should it be. The Pulitzer Prize-winning novel has had far-reaching cultural influence since its publication, including on Jordan Peele's 2019 horror flick Us. If you'd like to explore this connection further, we suggest listening to this episode from The New York Times podcast Still Processing. Words by Aimee Sics, Emma Joyce, Leisha Kapor and Samantha Teague.
