Songstress Katie Noonan returns to the Powerhouse with classical guitarist Karin Shaupp, for what will inevitably be an evening of delicate, emotive sound. Having finished a nation-wide tour last year, Noonan and Shaupp will be serving up a feast for music lovers, which will include classical, folk, jazz and pop songs from the Finn Brothers, Nick Cave, Bic Runga, The Easybeats and Gotye. Noonan is a nation-wide accalaimed artist with four Arias and six platinum sales to her credit. Her counterpart, Karin Schaupp, is a German-born Australian classical guitarist, described as one of the best in the world. The combination of her faultless music and Noonan's powerful yet haunting voice is an enigma not to be missed. Performing for two nights only at the Powerhouse Theatre, this night promises a shared experience between the two musicians, allowing both to present their love and talent for music together.
You shouldn't really need an excuse to celebrate Australia's vibrant music scene, but it's nice to have one. Enter Woolly Mammoth and 4ZZZ. They're bringing together local and national musicians with their annual, boutique, one-night music festival, Happyfest. Since 2012, 4ZZZ's Happyfest has sported a collection of up-and-comers who've since gone on to conquer international music circuits — namely Blank Realm, Lost Animals, Kirin J Callinan and Bitch Prefect. This year they've snagged Sydney rockers Tees, plus locals Girlsuck, Bad Bangers, Low Dive, Sex Drive, Bloodletter, Madboots and Teva. And if you're a fan of the latter, it'll be his last Brissie show before he moves down south. Happyfest kicks off at 7.30pm on November 12, with $15 entry for the general public and $10 for 4ZZZ members. Image: Jeff Andersen Jnr.
You might have thought King George Square looked pretty fine during the day, and maybe a tad finer at night, but it's at twilight City Hall really shows off its colours. And what better backdrop to shop the evening away with around Christmas time, especially when the King George is filled with some of Brisbane's best designers and makers — and a sleigh full of decorations The Brisbane Christmas Markets are the festive offshoot of the Brisbane Twilight Market, showing off a hefty array of stalls staffed by some pretty nifty and talented artists. There will be an eclectic selection of goods on offer, all of the 100% locally handmade variety. Plus, this market is all about sound, smell and sales — live music will provide the soundtrack to the evening, food vendors will take care of your hunger, and expect to be hit with that spring flowerbed smell that always lingers when there's a soap stall around. The markets run on December 9 from 9am to 3pm. Take along some cash and stock up on all things crafty. Plus, there'll be an on-site Christmas craft workshop if all that shopping leaves you inspired.
Since its establishment in 1989, community hospital The Mae Tao Clinic has been helping Burmese refugees receive the very basic of healthcare needs, along with a refreshing sense of hope for a safe future in light of their desperate circumstances. In a time of government instability, this clinic situated in Mai Sot, on the Thai-Burma border, has been a provider of the essential medical treatment patients are denied elsewhere. To raise funds for such a deserving cause, The Zoo has compiled a showcase of stellar bands for what will be a night of raging entertainment. Howling blues and roots notables, The Jimmy Watts Band and sci-fi soul masters, Astrid and the Asteroids, will be leading the night, along with Peter B and the Homeless Souls and Swoon. As a charity that relies almost completely on donations, The Mae Tao Clinic is a praiseworthy cause to raise The Zoo roof, and at the same time much needed funds.
UPDATE, Friday, December 1: Talk to Me is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Prime Video. An embalmed hand can't click its fingers, not even when it's the spirit-conducing appendage at the heart of Talk to Me. This is an absolute finger snap of a horror film, however, and a fist pump of a debut by Australian twins Danny and Michael Philippou. As RackaRacka, the Adelaide-born pair have racked up six-million-plus subscribers on YouTube via viral comedy, horror and action combos. As feature filmmakers, they're just as energetic, eager and assured, not to mention intense about giving their all. Talk to Me opens with a party that's soon blighted by both a stabbing and a suicide. It segues swiftly into a Sia sing-along, then the violent loss of one half of the Aussie coat of arms. A breakout hit at the 2023 Sundance Film Festival, where it sparked a distribution bidding war won by indie favourite A24, it's constantly clicking, snapping and ensuring that viewers are paying attention — with terror-inducing imagery, a savvy sense of humour, both nerve and the keenness to unnerve, and a helluva scary-movie premise that's exceptionally well-executed. The picture's outstretched mitt is the Philippous' Ouija board. That withered and scribbled-on paw is also a wildly unconventional way to get high. In a screenplay penned by Danny with fellow first-timer Bill Hinzman, but based on Bluey and Content executive producer Daley Pearson's short-film concept — yes, that Bluey — shaking hands with the distinctive meat hook is a party trick and dare as well. When the living are palm to palm with this dead duke, in flows a conjuring. A candle is lit, "talk to me" must be uttered, then "I let you in". Once heads are kicking back and the voices start, no one should grasp on for more than 90 seconds. Those are the rules as told by Hayley (Zoe Terakes, Nine Perfect Strangers) and Joss (Chris Alosio, Millie Lies Low), who've been getting the ultimate buzz by letting supernatural interlopers take over their bodies, and are also passing that sensation around to their mates at gatherings. When Mia (Sophie Wilde, The Portable Door) learns about Talk to Me's urban legend-esque possession parties, it's via internet videos. On the anniversary of the worst day of her life — her mother's death, seemingly self-inflicted — she's already fled the silence that lingers with her father Max (Marcus Johnson, Irreverent) for her best friend Jade's (Alexandra Jensen, Joe vs Carole) family, and she's equally up for escaping further. Jade's no-nonsense mum Sue (Miranda Otto, The Clearing) knows that Jade and Mia are sneaking out. What she doesn't glean is that they're taking Jade's younger brother Riley (Joe Bird, First Day) with them, or that they're headed to a haunted hoedown. Here, being consumed by sinister spirits, not consuming booze, is the main thrill. That, and filming whatever twisted chaos happens when they connect with the otherworldly. It isn't all fun and frights and games, though; when 14-year-old Riley takes part, traumatic consequences spring. There's a touch of Flatliners to Talk to Me, but the Philippous summon up something far more eerie, powerful and engaging than that average 90s effort and its terrible 2017 sequel/remake. Both perturbing and entertaining to watch, their séances understand why that exact blend — unsettling yet absorbing — appeals to Mia and her friends, and why they're so speedily addicted. These altercations with the beyond aren't just a way to push the limits. They're a rush for both the possessed and their pals, who laugh hysterically while bearing witness, record every moment, share it all instantly and, when it's their go, try to one-up every prior spooky visit. As RackaRacka, the Philippous have captured plenty of eyeballs with raucous vids; now they ponder what the next step is for today's teens who've already seen everything online, are used to living their lives and setting their reputations digitally, and are as desperate for a jolt out of their daily routine as everyone in adolescence. Even better: sharing directing credits, and benefiting from lively cinematography by Aaron McLisky (Mr Inbetween) and sharp editing by Geoff Lamb (another The Clearing alum), Danny and Michael know how to convey that try-anything-once response to teen malaise. Talk to Me starts with a bang — with banging on a locked door, then a freakout, then a gutwrenching turn — but its feverish montage of possessions is one of its best and most immersive moments. Mia and company, even including Jade's pious boyfriend Daniel (Otis Dhanji, June Again), are spirited off on a trip, and the Philippous stage and shoot it as such. No one watching will've gotten deliriously blitzed by giving some skin to the creepiest limb you'll ever see (with the biggest of kudos to the production design team), then becoming a vessel for ghosts, but Talk to Me perfects the feeling of being young, partying, reckless, thinking you're invincible and being up for giving something absurd a shot. Playing those devil-may-care/devil-may-flow-through teens, but also always playing recognisably messy and relatable Aussie high schoolers, is quite the committed cast. Everyone gives their physical all to the hauntings — getting taken over by ghouls isn't just a unique experience, but a corporeally demanding one — as aided by pitch-perfect practical effects, including the canny use of dark contacts to turn each actors' eyes black. But thanks to Mia's backstory and the grappling with grief that comes with it, Wilde wades through the most emotionally complex territory. The more that her character keeps taking the hand's portal to limbo, the more that the paranormal bleeds into Mia's daily life, and the weightier that Wilde's performance gets. Talk to Me battles survivors' guilt, carting around baggage and internal demons alongside its shadowy forces, with Wilde consistently thoughtful at the heart of it all. When Riley joins the party antics despite Jade's protests, Bird is just as crucial. Ghouls gnaw, and so does Talk to Me. The Philippous swirl unease, angst and ominousness together with every tool at their disposal — including Cornel Wilczek's (Clickbait) menacing score — then let the end result chomp on their viewers. As deranged sights scamper and shock, and Mia's complicated feelings with them, Talk to Me gets its alarm, panic and distress burrowing deep, yet never stops having warped fun. The film's finale couldn't better embody that tricky mix: it's smart and satisfying to the point of inspiring clapping, and it's as disquieting as everything that precedes it. This won't be the end for the movie's directors, of course, or likely for Talk to Me's world. Indeed, this instant cult-classic flick might too leap into reality: once you've taken this horror ride, people clutching a hand and freaking themselves out with the next Ouija-style board game feels destined to cross over.
Scattered throughout suburban Brisbane are plenty of top-notch cafes, sitting pretty between Queenslanders, somewhat of a local secret. Thanks to the power of the internet, and websites like this one, these locals-only caffeination depots are arguably becoming as popular as favourite inner-city cafes. One such place worth both selfishly keeping a secret and shouting about from the rooftops is Dovetail on Overend. The tiny galley of a cafe in Norman Park offers a small but enticing menu, stocks a delicious selection of cakes (including the incredible Nodo doughnuts) and has a very strong coffee game. Avo on sourdough, gluten-free muesli and baked eggs all make an appearance, but the real winner here is the Bangalow Babe ($11.90) — a sourdough toasted sandwich stacked with Bangalow ham, gruyere cheese and tarragon mustard. Our hot tip: add avocado for $3. You'll never need another toasted sandwich again. Just don't ask how much butter is used. Pumping out cups of Uncle Joe's, coffee is serious business here — to the point that they claim to have bought and tested every almond milk available, and the result is a creamy latte rather than nut foam hiding a long black below. Staff are friendly, knowledgeable and warm — the way they should be at any suburban cafe. You want to feel at home here, and the coffee must be better than your DIY efforts. Dovetail excels on both fronts. Tip: Seating is all outside on the pavement under a wide veranda, not ideal for very hot days but fine most of the times.
Have you ever seen Nick Cave smile before? It's a shocking thing. For the generations of Australians — and there are many of them — who have grown up with Nick Cave and his Bad Seeds at the centre of musical life, it is startling to realise that amongst the darkness and the tales of addiction, Cave's face can crease itself not into a grimace or a tormented frown but an expression of unguarded joy. Cave's sudden smile is not the only first for the quasi-documentary 20,000 Days on Earth. Filmmakers Jane Pollard and Iain Forsyth have made a documentary that plays like a narrative but feels like a video clip. Unlike its obvious fictional music-doco predecessor This Is Spinal Tap, the duo's film is not a stealthy takedown: they're playing for real. Partly this is because the filmmaking team are artists with a 20-year partnership of making work together. Without any of the film world's preconceived ideas of what constitutes a documentary, their artistic training has allowed them to craft something out of elements that others would see as disparate and incompatible. And partly it's because Nick Cave's life and music necessitates a different approach to making documentaries. An artist as unconventional as Cave requires the defiance of filmmaking conventions. After opening Sydney Film Festival in June, 20,000 Days is now in art-house cinemas for everyone — including two very special sessions at Melbourne's Astor where Cave will be appearing in person for a Q&A. We spoke to Pollard and Forsyth about what it means to make a hybrid music documentary, the process behind the beauty and what Nick Cave is really all about. https://youtube.com/watch?v=Ap0_y5EGttk This is a documentary that blurs some serious lines between genres and fiction and what we think we know as documentary. What exactly was scripted and what flowed organically? Cave himself is credited as a writer. Pollard: No dialogue was scripted at all. Apart from one line [preceding Cave's meeting with a therapist, Darian Leader], the psychoanalyst's assistant says, "Darian will see you now." The things that Nick wrote were all the voiceovers, with that particular tone. Some of those things came pre-written, we found them in his notebooks, like the first quote we used: "At the end of the twentieth century, I work, I write, I eat…" — that was a lyric from his notebooks. Then we we asked him to expand on those notes. We sent him about twenty, thirty topics for the voiceovers, and when he was on tour he'd write a paragraph and send it back. And if we thought it was worth recording, we'd get him to record it on his iPhone and just try it in different places in the film. I understand you didn't actually set out to make a doco about Nick Cave. How did this project start and evolve? Pollard: We'd filmed the scenes of Nick and Warren [Ellis] writing and demoing the album, and then the band in the studios. And we'd filmed all of that before we knew what it was we were going to make this into. The big scene in the film is them playing live from the album 'Push Back the Sky'. At that point we knew we had something that deserved to be carried in something much bigger than the scope of a contemporary music film or a promo that would end up on YouTube and sync very quickly. We wanted to make something bigger that would be more meaningful and stand the test of time, and that's when Iain and I wrote an action script. We knew we had two things we wanted to do, we had the cycle of the album, and then more specifically the individual song — that's the first thing you hear, the song 'Jubilee Street', and then the performance on the Sydney Opera House stage. So we had that cycle as one parallel for the storyline. The other cycle came from finding the film's title in Nick's notebook - it was a discarded song, and he'd done this calculation of how long he'd been on earth. We loved the phrase 'twenty thousand days on earth' and it gave us a very simple conceit to strap the rest of the film onto. So we thought, okay, let's make the film one day on earth. And then we can make whatever we want happen on that day. Everything that happened in that day was something we decided. We wrote the parameters of it, and Nick worked with us. He'd say, 'I'm not so sure about waking up in bed with my wife; I'll give it a go, but I might not be happy with that.' He kinda just cast his eye over what we wrote and said 'I'll give it a shot'. For us, that's where we decided to start. Cave talks a lot about the intersection of living in a story and telling a story. I really can't tell where the boundaries are with your film. Where did you guys draw these boundaries? Pollard: We set ourselves certain parameters. One rule was, we'd never ask Nick to do something twice. Even if he said something and it was great, but we didn't catch it or the camera wasn't on, we wouldn't ask him to do it again. He never had to flip from that headspace of being in the moment, to suddenly remembering the act of what we were doing which was making a film. And with Darian, we met him a few times, we gave him a set of topics, he read books and novels, and we gave him some structure. He had an idea of the sorts of things we were looking for. And then it became an endurance thing that we filmed for ten hours. There's a disorientating thing for both Darian and Nick, talking and not knowing what we would use. Forsyth: With Darian, the psychoanalyst, it was a totally artificial location. Darian is a professional psychoanalyst, that's what he does. Our cameras were out of Nick's sightline, all the technical side of filmmaking was hidden, so as much as possible, it would feel like a genuinely intimate conversation. They met for the first time on set. How do you negotiate these funny blurred lines in hybrid documentaries like this? How do you ensure you create something that's real and true and still semi-scripted? Pollard: It's a very simple thing: if we can physiologically feel an emotional truth in a scene, then that's the truth we're interested in. Whether it's factual or autobiographical, you still need to feel an emotional truth. [Had we only taken a strictly observational approach], it's a narrow road to take your story down, because suddenly it becomes tied and tent-pegged by things that are outside of it, outside its control and parameters and you'll inevitably have to break those parameters, as every reality program does. Everything we see that presents itself as factual or observational is flawed in the truth that it's telling, the actual truth that it's telling. I think the audience is sophisticated enough to get it. I just never doubt that an audience is going to stay with us. In your film, Cave talks a lot about his fear of being forgotten. As someone who's gone to art school and knows a lot of people who also have this fear, I'm not sure how I feel about it. Do you think it's intrinsically egotistical to want artistic immortality? Or is it a natural inclination for an artist? Pollard: I think anybody who has, as their job, put themselves into performing and creating something bigger than themselves, something that is about being remarkable and being on show and being a spectacle … to be a spectacle but not to be remembered? That's a tough dichotomy. His reason for existence is to be remarkable, to be the centre of something, to be spectacular and to entertain. Forsyth: If the question was, 'are you concerned about not making a difference?', that would be completely agreeable. As an artist, as a filmmaker, you want to be impactful. 20,000 Days on Earth is in select cinemas nationally, and also showing at some special screenings. The most special of these is probably Friday, December 19, at Melbourne's Astor Theatre, when Nick Cave will appear in person for a Q&A. More info and tickets on the Astor website.
Why are French films so good even when they’re so bad? How does a mainstream drama masquerade as a classy arthouse film? Since the unlikely plot machinations of Gone Girl, there’s been much talk of preposterous thrillers; what Samba gives us is a preposterous romance. Charlotte Gainsbourg is an impossibly stylish yet under-confident social worker who falls in love with one of her clients, Senegalese immigrant Samba Cisse (Omar Sy), who’s in a detention centre and legal limbo despite ten years of work and life in France. A ridiculous scenario! So why do we buy it? And how exactly do the French do middlebrow cinema so well? Samba is co-written and directed by Olivier Nakache and Eric Toledano, the team behind the 2011 feel-good hit The Intouchables that introduced the world to French-Senegalese actor Sy. I’d be surprised if Nakache and Toledano ever let him go — Sy is a super charisma bomb and genuine movie star. Gainsbourg is typically lovely and captivating, but really, it’s all about Sy. The film’s comedic beats are sprinkled evenly, the intelligent and photogenic romantic leads dance awkwardly and endearingly around each other as expected, all the loose ends are tied — and every stereotype of a French film is fulfilled. It's all pleasingly predictable. An Australian or British filmmaker might play Samba as gritty social-realist cinema, but in French hands it's closer to a rom-com with a dash of humanitarian consciousness, with a perilously close move to melodrama in the third act. The opening scene lays out the film’s more serious themes beautifully. We open on a group of Gatsby-era dancers on stage, glittering and red-lipped, a swing remix playing, and as the camera pulls back indulgently, a giddy bride and groom in punch-drunk love cut a huge cake. We follow as the cake is whisked out of the ballroom, through swinging service doors and into the sweaty, stressful kitchen, to be cut, plated and served. Across that threshold, the Luhrmann-style extravaganza immediately gives way to a hospitality class of invisible, non-white, super-stressed labourers. This one long take gives us a perfect, efficient view of how racial segregation continues in contemporary democracies — that the luxuries of the upper classes are fuelled by the sweat of migrants who renounce many basic rights for the 'privilege’ of living in the developed world. A film about the immigrant’s struggle might seem overly dry, but Samba is drenched in that amazing French cinema slickness. It’s an easy date film, a stay-in-on-Friday-with-pizza-and-wine film, the type of socially acceptable, trashy indulgence you don’t have to feel humiliated about (the anti-Fifty Shades of Grey). It’s the filmic equivalent of Cafe del Mar easy listening: it’s watchable. The direction and music and cinematography are so seamlessly invisible, and the lead performances so natural, the film appears to be directed on autopilot. Most of all, Samba is neither a good nor bad film; it’s a disturbingly competent one. Still, it’s a minor victory every time a film for grown ups that's not part of a Marvel-ised 'story world' makes it to theatres. And you get to spend a couple of hours with Charlotte Gainsbourg and Omar Sy.
This summer, the Brisbane Convention and Exhibition Centre is hosting a sales event of most peculiar stock. Strange things they are, full of pages, rampant with words and with covers of the most beautiful colours. You can't charge them, they don't run out of battery, their brightness is unalterable, and they won't smash when you drop them. Lifeline Bookfest is coming back for another round of vintage bargains between Saturday, January 13–Sunday, January 21, 2024. It's where you'll find everything from Australian Women's Weekly cookbooks to a bit of cheeky erotica, as well as games, DVDs and puzzles. If you've been before, you'll know there are warehouse quantities of books for sale – your grade five diary is probably hidden under a copy of Shantaram, and you'll come across at least three copies of Cooking with Days of Our Lives. In fact, over this year's nine-day summer run, more than one million items will be up for grabs. Prices range from $2.50 to the big bucks, and you'll have plenty to choose from. Whenever Bookfest hits Brisbane, it always brings hundreds of crates of reading materials with it. This big return will also bring back its Comicfest section, which unsurprisingly keeps proving popular — this time with 25,000-plus comics and video games, as well as more than 5000 collectable items. You'll want to bring a trolley and your glasses, obviously, and to clear some space on your shelves at home. And, you'll want to bring your cards, because this Bookfest is cashless. Also, you'll need your own bags, as books won't be wrapped for you this time around. Head along from 7.30am–6pm on Saturday, January 13 and 8.30am–6pm between Sunday, January 14–Sunday, January 21. Images: Bookfest.
It's the yearly exhibition that leaves us with jaws on the floor; the 59th annual World Press Photo exhibition is coming to Australia for another year. Back for its 59th edition, the yearly photographic collection regularly leaves us gaping at the mouth — and this year is no exception. Right at the top with 2015 Photo of the Year is Australia's own Warren Richardson, with his poignant picture of a man passing his baby through a fence at the Hungarian-Serbian border. He beat 82,951 submissions by 5775 photographers from 128 countries for the top prize, while also taking out first prize in the Spot News category. The World Press Photo exhibition can be seen at Brisbane Powerhouse from July 29 to August 21. Before the exhibition makes its way to Queensland, take a look through some of the landmark images that caught the eye of the WPP judges; from a Tibetan Buddhist ceremony in rural China to a 16-year-old Islamic State fighter being treated for burns in Syria, to one of those epics #sydneystorms rolling over Bondi. With many of the photographs documenting the more saddening news headlines, they're often not easy images to look at, but it's the work of these photojournalists that wakes up an otherwise ignorant world. Image: Bliss Dharma Assembly, Kevin Frayer (Sichuan, China).
The #OccupyWallStreet movement has really ignited the spirit of the disenfranchised in America. Anecdotes from ordinary people describing their economic plights has seen anger directed towards the 1% that continue to control the economic agenda in the USA. Through extensive use of Twitter and other social media tools, the increasingly large and angry mob are attempting to convey their message across the internet to gain support for their cause. But as thousands rally against social and economic inequality, corporate greed and the increasingly close relationships between politicians and financial institutions, this message is getting lost in seas of online rhetoric. According to the movement's own mission statement, 'Occupy Wall Street is leaderless resistance movement with people of many colors, genders and political persuasions. The one thing we all have in common is that We Are The 99% that will no longer tolerate the greed and corruption of the 1%.' Without a clear purpose and no set goals, though, the message is becoming murkier. Most Australians have little idea about the extent of problems facing youths in America. With rising unemployment, little to no health care and increasing student debt, young graduates are increasingly anxious about their futures. And rightly so. According to a NY Times report, the jobless rate for college graduates in the U.S.A under the age of 25 has averaged 9.6% over the past year. For high school graduates, the average is 21.6%. Whilst the actual demands by the group remain a little unclear, a poll conducted by David Maris for Forbes has outlined a tentative set of demands or issues that are really aggravating the protestors. With many stating that the American Dream has now turned into a nightmare, the protests are continuing to spread like wildfire throughout the U.S. And whilst a rumoured Radiohead appearance at Liberty Square was later confirmed by the band to be a hoax, the movement has been getting increased backing from influential supporters. With Slavoj Zizek speaking at the rallies, Anti-Flag playing a set in Liberty Square, and Kanye West dropping in to say hello (without removing his gold chains) this protest doesn't seem to be quietening down any time soon. With an evolving approach to their demands, the 'We are the 99%' catchcry has now started to take a hold across the world, not just in New York. The movement has now spread to cities such as Chicago and Seattle, and there are also calls for global demonstrations, with planned protests as far afield as Italy, Spain and the London Stock Exchange. https://youtube.com/watch?v=r3ptmm8lAMM
Since Australia started easing out of COVID-19 lockdown, the country's internal border restrictions have earned plenty of attention. With tactics to stop the spread of the coronavirus implemented at a state-by-state level — and case numbers in each state varying — different parts of the country have navigated the situation in different ways when it comes to letting non-residents visit. In Western Australia, that has meant a hard border and strict quarantine requirements. For folks who don't normally reside in WA, you could only visit the state if you're classified as an exempt traveller, applied for a G2G Pass and, if approved, then went into self-isolation for 14 days. If you didn't have somewhere appropriate to do the latter, you had to go into a mandatory state quarantine facility for 14 days, too. As initially announced at the end of October — and confirmed by WA Premier Mark McGowan yesterday, Friday, November 13, just before changes came into effect at 12.01am on Saturday, November 14 — the state has started to relax its border restrictions. Moving to a system it has dubbed a 'controlled interstate border', it's now allowing travellers from very low-risk states and territories to enter under eased conditions — people from places that haven't had any community transmission of COVID-19 for 28 days, who can now head to WA without isolating. https://twitter.com/MarkMcGowanMP/status/1327112476857548800 At present, Queensland, Tasmania, South Australia, the Northern Territory and the Australian Capital Territory fall into that category. So, residents from those states and territories can now venture west. You do still have to complete a G2G Pass declaration, and you'll undergo a temperature test and health screening upon arrival — and you're advised to be prepared to take a COVID-19 test if necessary as well. If you live in New South Wales or Victoria, you're in a state that WA deems low risk. Stats-wise, that means there have been less than five community cases per day on a 14-day rolling average. For travellers, it means still self-quarantining for 14 days, and taking a COVID-19 test on the 11th day. And, this is likely to remain the case until those states have had 28 days without community cases, which is what WA requires to be considered very low-risk. To find out more about the status of COVID-19 in Western Australia, and the state's corresponding restrictions, visit its online COVID-19 hub. Top image: Tourism WA
In Mexico, muralists are rewarded with prominence in government buildings and sinking institutes of the arts. Here, we give them furtive street corners, the trendier offices and pride of place in our cafes. Illustrator and artist, Brad Robson, has had a turn a lot of these locations and is looking expand his range, while answering the question "What do Erskineville's Hive Bar, SBS' World Movies office and your own home have in common?" If you're lucky, it could be one of his murals. In an exclusive collaboration with Concrete Playground, Robson is looking to come over and spend a day or two bringing art to a wall of your choosing (and that you can legally paint, naturally) up to 4 x 2 metres large with one of his own signature designs. Robson's recent show at Platform 72 showed off his gleanings from a New York residency, and his Sydney skyline finishes up its run in the window this week (although his show inside keeps on 'til the month is out). What strange vistas will emerge at your locale? For your chance to get Brad to come and paint a wall of your choosing, just make sure you are subscribed to Concrete Playground, then email hello@concreteplayground.com.au by 5pm on Monday, May 28, 2012. The winner will be notified by email soon after. Pictured, Robson's multi-wall spanning work from his New York residency.
It's called the Museum of Old and New Art. As that name makes plain, it fills its walls and halls with examples of pieces that've been around for some time (and then some more) alongside fresh creations. And yet, Tasmania's must-visit Mona hasn't ever hosted an exhibition that only looks backwards — until September 2023 rolls around, that is. Fresh from unleashing another Dark Mofo upon Hobart, complete with an astonishing array of weird and wild wonders, the arts institution has unveiled its big summer plans to see out 2023 and welcome in 2024. Spanning the bulk of spring this year and autumn next year, too — running from Saturday, September 30, 2023–Monday, April 1, 2024 — are three exhibitions: Jean-Luc Moulène and Teams, Heavenly Beings: Icons of the Christian Orthodox World and Hrafntinna (Obsidian). Heading to Australia after showing in a different iteration at Auckland Art Gallery Toi o Tāmaki, Heavenly Beings: Icons of the Christian Orthodox World is responsible for the venue's debut display of only old art. It'll also be the biggest-ever showcase of jewel-like icons and related treasures that Australia has ever seen. Devotional objects depicting saints, virgins and other Christian holy subjects will be in the spotlight — more than 140 of them — as Mona dives into spiritual and aesthetic traditions covering centuries, what drives human behaviour and our motivations as earthbound beings. "Visitors certainly need not be religious believers to enjoy the sheer beauty and emotional power of these artworks. While painting an icon may begin from an act of piety, the resulting object also lives as a work of art far beyond its original purpose," explains Mona curator Jane Clark. "We can look at the icon as a 'window into heaven', as believers believe, but also as a looking glass, through which we may glimpse the deeper purposes — deeper than awe and transcendence, than culture or a higher power — that are served by human creativity." [caption id="attachment_908036" align="alignnone" width="1920"] Proskynetarion or Pilgrim's Memento of the Holy Sepulchre within the City of Jerusalem. Palestine, c. 1795. Collection Museum of Old and New Art (Mona), Hobart.[/caption] With Jean-Luc Moulène and Teams, Mona will also become a temporary home to French artist Jean-Luc Moulène's debut Australian exhibition. Four newly commissioned sculptural objects will feature, alongside some of Moulène's earlier works. So, get ready for new pieces using wax, metal, Triassic sandstone and timber from Tasmanian underwater forests, plus piles of coloured cans and large-scale video projections. "Jean-Luc Moulène has been described as mercurial, experimental, erudite and poetic. His ideas evolve through a deep and considered engagement with material, form, and process. The resulting objects are at once mysteriously beautiful, and forthright about the means of their making," notes Mona curator Sarah Wallace. [caption id="attachment_908034" align="alignnone" width="1920"] Photo Credit: Mona/Jesse Hunniford. Image Courtesy MONA Museum of Old and New Art, Hobart, Tasmania, Australia.[/caption] Completing this trilogy — Mona's second in a row, after opening three showcases simultaneously in 2022, too — is Hrafntinna (Obsidian). Thanks to Sigur Rós vocalist Jónsi, attendees will get a volcano experience inspired by Fagradalsfjall in Iceland, which erupted in 2021 after almost eight centuries of being dormant. This immersive and sensory installation is designed to make visitors feel like they're entering a lava-spewing rupture's depths, using music, sound, smell and almost total darkness. Nearly 200 speakers will vibrate, while a hymn-style composition that takes its cues from Icelandic choral music will play. "Jónsi was compelled by the thought of experiencing this incredibly rare event. He wanted to recreate the phenomenon and capture the essence of what it might feel like to be deep inside the volcano, despite the obstacles of distance and logistics," says Wallace. [caption id="attachment_908031" align="alignnone" width="1920"] Hrafntinna (Obsidian), 2021, Jónsi. Installation view, Obsidian, Tanya Bonakdar Gallery, New York, 2021. Photo by Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles.[/caption] Jean-Luc Moulène and Teams, Heavenly Beings: Icons of the Christian Orthodox World and Hrafntinna (Obsidian) will all display at Mona, 655 Main Road, Berriedale, Hobart, Tasmania, from Saturday, September 30, 2023–Monday, April 1, 2024. Top image: Hrafntinna (Obsidian), 2021, Jónsi. Installation view, Obsidian, Tanya Bonakdar Gallery, New York, 2021. Photo by Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
It was a great idea back in 2021, when Brisbane's dining scene was struggling through the early part of the pandemic. Returning for its fourth event in 2024, it's still an ace concept now. Dine BNE City is all about getting folks out and about to eat and drink around town, enticing diners with a month of specials and deals — so mark the entirety of June in your calendar (plus the day before) and prepare to get feasting. The just-dropped lineup is a choose-your-own-adventure affair. You can make plans for every lunchtime, after-work drinks and dinner across the month — or you can pick and choose your favourites, or make a date with the headline events. Whichever works for you, no one in Brisbane can claim not to have dining options in June. Some involve igloos. Others require blindfolds. Some are just about budget-friendly options. Eight big-ticket sessions sit on the 2024 Dine BNE City program, the first of which will kick off the culinary festival on Friday, May 31. That's when you'll be heading along to outdoor dining event Fireside at St Stephen's Cathedral to make the most of the last night of autumn. Also happening before winter officially rolls in, chalets will be back at Customs House from Tuesday, May 14. From there, the rest of Dine BNE City's key events only take place in June, such as Gather Bistro giving its rainforest garden bar a workout, Brisbane Quarter putting on a progressive dinner that'll take you between various restaurants, and Madame Wu doing a wine and cocktail dining experience. Or, there's as Tasmanian wine dinner at Tillerman, Walter's Steakhouse and Wine Bar hosting a Sunday roast special and The Boom Boom Room's International Sushi Day feast. If you're looking to liven up your midday breaks, that's where the Let's Do Lunch program comes in. Some places are doing meals for $25, and others for $35. Some specials include drinks, others don't. At the first price point, Santa Monica has lobster rolls, Riverland Brisbane is doing spanakopita with house wine and The Walnut will give you a southern fried chicken burger with a beer, for starters. And at the second, Frog's Hollow Saloon is pairing toasties and house cocktails, Brisbane Phoenix has a Cantonese roasted lunch on offer, Malt Dining is serving up brisket burgers with fries and a pint, and bento boxes come with a beverage at Bar 1603 — and the list keeps going on. At quittin' time, you can undertake a bar safari — because that's what this part of the lineup is called. Prices vary, but you can go for oysters and mini martinis at Alba Bar & Deli, meze and mimosas at Babylon Brisbane, bug bánh mi and champagne at Cuvee, and bug sliders and beer at Wet Deck. Then, for something more substantial for dinner, Vintaged Bar + Grill has a tomahawk experience for two, Tenya Japanese Restaurant & Bar is doing set menus, there's a salaryman banquet at Harajuku Gyoza in Albert Lane and Settimo is plating up supper menu just for the month. Over at The Lex, evenings are all about steak, salad and sips. Or, hit up Donna Chang for mini banquet featuring the restaurant's signature dishes. Dine BNE City runs from Friday, May 31–Sunday, June 30, 2024. Head to the festival's website for further details.
Forget Valentine's Day, its commercialised take on romance, and all those roses and hearts that pop up everywhere — if there's a mid-February occasion we can all get behind no matter whether you're single or attached, it's National Tim Tam Day. Yes, there really is a day for everything, including pretty much every type of food you can possibly think about, but no one is ever going to complain about having an excuse to eat more chocolate biscuits. In 2022, to celebrate this delicious date, Arnott's doesn't simply want you to eat Tim Tams, although it clearly does still want you to do exactly that. The biscuit brand has also just launched its own short-term Tim Tam gift store, so you can add Tim Tam merchandise to your life. The one item that'll get your tastebuds in a tizzy? Tim Tam perfume. If Victoria Bitter can make a fragrance inspired by beer, and The Louvre can drop perfumes that take their cues from its famous artworks, then dousing yourself in the scent of choccy bikkies really isn't that outlandish. Tim Tam eau de parfum comes in 30-millilitre bottles, and features real cocoa — as well as notes of caramel, bergamot, sandalwood and tonka bean. It's the perfume that'll make you hungry all day, and likely inspire cravings for Tim Tams in everyone you pass — and it's only on sale for a week, as that's how long the Tim Tam gift store will be up and running. So, you've got from Wednesday, February 16–Wednesday, February 23 to order, with Tim Tam eau de parfum costing $90 and slated to be dispatched in March. While you're bathing in the aroma of Tim Tams, you can also pop your feet into Tim Tam natural sheepskin slippers ($60) and sip your beverage of choice — we vote hot chocolate — from a Tim Tam mug ($25). Or, for the choccy bikkie lover who has everything, and might've even stayed in the Tim Tam hotel suite that popped up for 2021's National Tim Tam Day, all three items also come in a $140 gift pack. The Tim Tam gift store is up and running from Wednesday, February 16–Wednesday, February 23.
Earlier this week Block Party's Russell Lissack tweeted "Can't stop listening to @lastdinosaurs album, check it out. Best guitar work I've heard in a long time Looking fwd to crossing paths soon ;). The winking smiling face just says it all. Who needs PR workers when you've got Lissack building up your album rep? It worked an absolute treat with subsequent tweeters agreeing and praising Last Dinosaurs for their latest debut, In a Million Years. Roaring back into town this Thursday with the album launch party that's got everyone excited, catch our Brisbane boys at Cobra Kai Club Night with special guests The Jungle Giants. Don't forget to stick around after the show for the Official Neon Indian After Party. Although it didn't receive a tweet fest publicity build up, the after party will be equally as electric. Pre sale tickets have sold out but there are limited door tickets available on the night. Make sure you get in early so you don't miss out!
When podcasting grasped onto IRL mysteries and the world listened, it started a 21st-century circle of true crime obsessions. First, the audio format dived into the genre. Next, screens big and small gave it renewed attention, not that either ever shirked reality's bleakest details. Now, movies and TV shows are known to spin stories around folks investigating such cases to make podcasts, turning detective as they press record. And, as Only Murders in the Building did, sometimes there's also a podcast venturing behind the scenes of a fictional affair about podcasters sleuthing a case. While Bodkin, which arrived via Netflix on Thursday, May 9, mightn't come with an accompanying digital audio series stepping into its minutiae, it does take murder-mystery comedy Only Murders in the Building's lead otherwise. Swaps are made — West Cork is in, New York is out; deaths pile up in an Irish village, not an apartment building; three chalk-and-cheese neighbours give way to a trio of mismatched journalists — but the shared format is as plain to see as blood splatter. Call that part of the 21st-century circle of true crime obsessions, too, as one hit inspires more. Bodkin is easy to get hooked on as Only Murders in the Building as well, even if it's not as guaranteed to return for additional seasons. Siobhán Cullen (The Dry), Will Forte (Strays) and Robyn Cara (Mixtape) give this seven-part series its investigating threesome: Irishwoman-in-London Dove Maloney, a hard-nosed reporter who just lost a source on a big story; American Gilbert Power, who capitalised upon his wife's cancer for his first podcast hit; and enthusiastic researcher Emmy Sizergh, who wants to be Dove and, much to her idol's dismay, is fine with following Gilbert's lead to get there. They're thrown together in the show's titular town not by Dove's choice, but because she's bundled off by her editor when the whistleblower behind an article about England's National Health Service is found dead. Gilbert and Emmy are well-aware that she's not there willingly — Dove isn't the type to hide her disdain for anything, especially her latest assignment, Gilbert's medium of choice and his approach, and Emmy's eagerness. Bodkin beckons courtesy of a cold case from a quarter-century back when the village gathered for its then-annual Samhain festival (an influence upon Halloween). The last time that the event was held in the scenic coastal spot, three people disappeared, which Gilbert is certain is a killer hook for the next big hit he desperately needs for the sake of both his reputation and his finances. He also has Irish heritage, another angle that he's sure will add audience-courting flavour to the podcast. But the trio have barely arrived, with local twentysomething Seán (Chris Walley, The Young Offenders) as their driver and the eccentric Mrs O'Shea (Pom Boyd, also The Dry) their B&B host, when Dove is adamant that there's much more going on in Bodkin than the narrative that Gilbert has already decided to tell. Through the acerbic and cynical Dove — someone who responds to being considered a role model by telling Emmy to fuck off repeatedly — Bodkin gets its licks in about podcasting's tropes, formula and current oversaturation. Through Gilbert, too, including via his stock-standard and cliche-riddled opening voiceovers that could've been lifted from real-life audio, it also satirises the format that the show puts at its centre. Making his first series after penning four shorts between 2011–2018, creator Jez Scharf largely keeps the show in darkly humorous mode, though, and lets the whodunnit angle play out like a comic-leaning thriller (season two of The Tourist also comes to mind). Although that might seem a tricky tonal balance, it works not just in his hands, but with Nash Edgerton (brother of Joel, and director of Mr Inbetween, Gringo and The Square), Bronwen Hughes (Shantaram), Johnny Allan (The Devil's Hour) and Paddy Breathnach (another The Dry alum) helming. At one point, whether Gilbert, Dove and Emmy's project will be "a podcast that pretends to be about one thing but is really about something else" is raised — a fair comment in general, as regular listeners know. That's also an observation that applies to Bodkin itself, but knowingly. This is indeed a series about podcasters investigating a case, a parody of exactly that and an unpacking of the voyeurism behind the form in its true-crime guise. In addition, it's an exploration of the truth that little neatly boils down to the formula podcasts are chasing. It's a portrait of being caught between tradition and the future as well, which applies in a range of ways — and, especially of Dove, it's a character study. Bodkin is populated by everyone from singing blacksmiths (Ger Kelly, King Frankie) to entrepreneurs trying to set up a server farm (Charlie Kelly, Dublin Murders), and also an island of nuns and a camp of hippies. As becomes apparent early, at the core of much that's occurring usually sits fisherman Seamus Gallagher (David Wilmot, The Wonder). Scharf and his fellow writers have fleshed out their setting Parks and Recreation- and The Simpsons-style with an array of colourful characters that comprise any community, and have let comedy guide some of their choices. When it examines what drives Dove, Gilbert and Emmy as they get immersed deeper and deeper into a mystery that sees them witnessing yoga in a convent one day and hearing about the Good Friday agreement another, however, it is at its strongest. As Dove, Cullen turns in a multifaceted performance to build a series around. Given her raw, thoughtful and caustically amusing work, it's no surprise that that's where Bodkin heads. Forte starts off the show like he's wandered in from The Last Man of Earth, complete with goofy charm and bumbling certainty that Gilbert is on the right path, but is given room to lay bare the character's layers. Cara, too, gets the space to make Emmy much more than a sidekick. Among the supporting players, both Walley and Wilmot leave a considerable imprint. So does the show overall, despite taking its time to settle into a groove — and as a jump into scripted TV by Higher Ground, the production company founded by Barack and Michelle Obama (which also had a hand in 2023 movies Rustin and Leave the World Behind), it's an effective and quick-to-binge first leap. Check out the trailer for Bodkin below: Bodkin streams via Netflix. Images: Enda Bowe/Netflix © 2024.
The war on waste has taken to the skies, with airlines pledging to reduce their reliance upon single-use plastics. Qantas has committed to phase out 100 million disposable items from 2020 onwards, Portuguese charter carrier Hi Fly wants to become the world's first no-plastics carrier within the next 12 months, and now a flight free of the pesky products will make its way to Australia — landing on Earth Day. Departing from Abu Dhabi on Sunday, April 21 and arriving in Brisbane at around 5.30pm on Monday, April 22, the Etihad flight will become the world's first long-haul commercial flight to dispense with single-use plastic items, replacing more than 95 objects — and over 50 kilograms that'd usually be headed to landfill — with environmentally friendly alternatives. It's not the first ever flight to do so, with Hi Fly jetting between Portugal and Brazil sans plastic waste late last year; however it is the first to achieve the feat over such a hefty distance. Eco-conscious cups, cutlery, dishes, headset bags, cart seals and toothbrushes will replace regular plastic versions, and sustainable amenity kits, eco-plush toys and eco-thread blankets will also be loaded onboard — with coffee cups made from natural grain products and nothing coming wrapped in disposable plastic. Where Etihad was unable to find a single-use plastic free alternative to a standard item, it removed the item from the service completely. The move comes as part of Etihad's plan to drastically reduce its use of throwaway items, setting itself a number of milestones. By June 1, the airline has pledged to remove up to 20 percent of single-use plastics from its flights — totalling 100 tonnes by the end of the year. And by the end of 2022, it has committed to reducing its disposable plastics use by 80 percent across the entire company.
Like the producers of expensive Swiss watches, artisanal chocolate and complicated pocket knives, Movenpick ice cream is committed to Switzerland's seemingly national standard of perfection. If you haven't yet sampled the gourmet brand's indulgent flavours, (made from real Swiss cream), then what better time to taste test than on the country's national day? On August 1, Movenpick is offering the first 250 customers to their NSW, Victoria and Queensland stores a complimentary scoop of Switzerland in a cone (or a cup, if that's more your thing). Be torn between 24 flavours, such as velvety caramelita, crunchy meringue in double cream or their famous classic Swiss chocolate. Head to the following stores for your free scoop: NSW: Bondi, Darling Harbour, Manly, Newcastle. VIC: Doncaster, Boxhill, Melbourne Central, QV Melbourne (Highpoint). QLD: Brisbane CBD, Brisbane Emporium, Portside, Surfers Paradise, South Bank, Broadbeach, Cairns, Carindale, Harbour Town, Paddington, Indooroopilly. Opening times and locations vary; see the website for details.
UPDATE: MARCH 31, 2020 — Grassfed is now offerings its eight different vegan burgers, loaded potato gems and curly fries for takeaway (call 3180 2242) and delivery via UberEats. Running between South Brisbane's Grey and Manning streets, Fish Lane is the city's little roadway with a big impact. Everything from wine bars, beer cafes and rib shacks to hawker-style Asian restaurants, retro fish 'n' chipperies and famous gelato joints can be found along its expanse. Now welcoming customers is Grassfed, which ranked among the street's most exciting new inclusions of 2019. A collaboration between ex-Urbane chef Alejandro Cancino and Brisbane Vegan Markets' Jonny Garrison, it's a vegan burger bar that takes the meat out of everyone's favourite bread-based meal, but keeps plenty of flavour. Think mock pork, chicken and beef, as well as stacked veggie burgs, plant-based sides, cold Young Henry's beers, vegan shakes topped with soy spray cream and four varieties of vegan ice cream.
In 2017, Australia scored a brand-new arts festival: Asia TOPA, aka the Asia-Pacific Triennial of Performing Arts, which fills Melbourne venues with a banquet of Asian arts and culture. Then came the early days of the pandemic, putting the event on hiatus since 2020. Thankfully, that gap is ending in 2025 — and bringing a lineup featuring 33 performances, 18 of which will make their world premiere, to locations across the Victorian capital. Asia TOPA is announcing its roster for Thursday, February 20–Monday, March 10, 2025 in stages, with its performance strand its headline program, as well as the first to unveil its details. One big highlight, which was revealed in October: KAGAMI, a mixed-reality concert experience that lets audiences watch a virtual avatar of the late, great Japanese composer Ryuichi Sakamoto at the piano. Making its southern-hemisphere premiere at the festival, the production sees attendees don headsets, enjoy ten original Sakamoto compositions and pay tribute to the music icon. KAGAMI heads Down Under after seasons in New York and UK, and also Singapore prior to Asia TOPA. [caption id="attachment_979460" align="alignnone" width="1920"] Tin Drum[/caption] Another of the fest's standouts was also unveiled before the full performance lineup drop — and it's another event with an interactive element. Home Bound by Daniel Kok and Luke George is asking a variety of Melbourne communities to come together to make a woven installation that'll transform Arts Centre Melbourne's forecourt. Whether you take part or not, the results will be a sight to see. Just announced in Asia TOPA's opening-night slot: Milestone from William Yang. As he'll also do at 2025's Sydney Festival, the now 80-year-old artist will reflect upon his life at the one-night-only event, with his photos and stories paired with a new score by Elena Kats-Chernin performed live on stage. In Melbourne, Milestone is headed to Hamer Hall — and the Melbourne Symphony Orchestra will also be part of the show. [caption id="attachment_979461" align="alignnone" width="1920"] George Gittoes[/caption] Dance company Chunky Move joins the lineup with U>N>I>T>E>D, which will take to the Sidney Myer Music Bowl stage, feature techno beats inspired by Javanese trance and gamelan, and feature six dancers wearing exoskeleton costumes. At Arts Centre Melbourne's Playhouse, Yolŋu, Paiwan and Amis artists hailing from North East Arnhem Land and Taiwan will join forces for cross-cultural collaboration Gapu Ŋgupan (Chasing the Rainbow). And Chinese mourning rituals provide the spark for Mindy Meng Wang and Monica Lim's Opera for the Dead (祭歌) at Space 28 at the University of Melbourne. Patrons can also look forward to Ane Ta Abia, a choral concert featuring singers and musicians from Papua New Guinea and Australia; the tunes, lasers and projections of Oblation by Tamil Australian electronic composer Vijay Thillaimuthu; queer Indigenous arts collective FAFSWAG's dance piece SAUNIGA; and an ode to cute animals via theatremaker Ran Chen's Tiny, Fluffy, Sweet. Or, there's also the return of A Nightime Travesty after its YIRRAMBOI Festival 2023 sellout run, Yumi Umiumare's ButohBAR 番狂わせ OUT of ORDER II turning Abbotsford Convent into a nightclub and family-friendly puppet show Goldfish. [caption id="attachment_979462" align="alignnone" width="1920"] Cam Matheson[/caption] With the NGV about to go dotty for Yayoi Kusama — starting to already, in fact — for it summer blockbuster exhibition, Melanie Lane's Pulau (Island) is another of Asia TOPA's must-sees. Specifically commissioned for the festival, it's a site-specific response that'll be performed beneath Kusama's Dots Obsession installation, and it's only on the program for two days. "I hope this edition of Asia TOPA resounds with the resilience, joy and creativity of the artists from our region. We want the triennial to be a way for people to build new connections and imagine new futures," said Asia TOPA Creative Director Jeff Khan, announcing the performance strand program. "I hope you join us for this celebration of the inspiring artistry, ideas and possibilities that are so unique to Asia-Pacific art and culture." [caption id="attachment_979463" align="alignnone" width="1920"] Gianna Rizzo[/caption] [caption id="attachment_979464" align="alignnone" width="1920"] Chen Chou Chang[/caption] [caption id="attachment_979465" align="alignnone" width="1920"] Michael Pham[/caption] [caption id="attachment_979466" align="alignnone" width="1920"] Dewie Bukit[/caption] Asia TOPA 2025 runs from Thursday, February 20–Monday, March 10, 2025 at venues across Melbourne. Head to the festival's website for more details and tickets. Top image: Samuel James.
Having a bad day? Had a forgettable week, month or start to 2022 so far? Here's something that cures all woes: Nicolas Cage. It's impossible to be annoyed or frustrated when you're watching one of the greatest actors alive make on-screen magic as only he can, whether he's in an excellent or awful movie. And when he's going all in on being himself, as he is in the new trailer for The Unbearable Weight of Massive Talent, it's balm for even the crankiest and weariest of souls. As announced back in 2021, and dropping its first sneak peek last year, too, Cage's new movie stars Cage as Cage — and he's visibly having a ball doing so. Whether the film itself turns out to be any good is clearly yet to be seen, but the Cage glimpsed in the two trailers so far knows everything that's ever been said or written about him, leans in and goes for broke. Serious Cage, comedic Cage, out-there Cage, OTT Cage, short-haired Cage, floppy-haired Cage, slick Cage, gun-toting Cage, every-facial-expression-imaginable Cage: they're all accounted for. There is a story behind the film's excellent idea, obviously. The fictionalised Cage is in a career lull, and is even thinking about giving up acting, when he accepts an offer to attend a super fan-slash-billionaire's birthday. Getting paid $1 million is just too much to pass up, and he needs the money. But when it turns out that he's now working for and palling around with one of the most ruthless men on the planet (played by Pedro Pascal, Wonder Woman 1984), as a couple of intelligence agents (The Afterparty co-stars Tiffany Haddish and Ike Barinholtz) eventually tell him, things get mighty chaotic. Also joining Cage playing Cage — not to be confused with his work in Adaptation, where he played two characters — are Sharon Horgan (This Way Up) and Neil Patrick Harris (The Matrix Resurrections). And, Are We Officially Dating? filmmaker Tom Gormican sits in the director's chair, because if there's anything else that this movie also needs, it's the director of a Zac Efron and Michael B Jordan-starring rom-com pivoting to total Cage worship. Again, whether this'll be one of Cage's undeniable delights or pure cinematic mayhem won't be discovered until the film hits cinemas — but seeing him play and parody himself really does demand everyone's eyeballs. And, although we're never too far away from a new Cage project, nothing yet has indulged the world's collective case of Cage fever like this appears to. That's the thing about Cage: when an actor adds new movies to their resume quickly — popping up in new flicks every couple of months or so, and never proving far from their next film — there's a chance they might run out of worthy on-screen opportunities, but that never applies to him. He's prolific, he stars in far too many terrible flicks, when he's at his best he's downright brilliant, and he always has something interesting around the corner. In 2021 alone, he shouted expletives from Netflix, battled demonic animatronics and teamed up with one of Japan's most out-there filmmakers. He also played a truffle hunter on a quest for revenge after his pet pig is stolen, in the aptly named Pig, which was one of the year's definite movie highlights. The latter saw him turn in one of the best performances of his career, in fact, but Cage has obviously been preparing for The Unbearable Weight of Massive Talent his entire life. Yes, we've seen Cage break out of Alcatraz, sing Elvis songs, run around the streets convinced that he's a vampire, let his long hair flap in the wind and swap faces. He's voiced a version of Spider-Man, driven fast cars, fought space ninjas and stolen babies as well. Staying in his own shoes definitely stands out, though, with The Unbearable Weight of Massive Talent hitting cinemas in April. Check out the trailer for The Unbearable Weight of Massive Talent below: The Unbearable Weight of Massive Talent will release in Australian and New Zealand cinemas on April 21, 2022.
Like eating? Drinking? Tasting something new? Sampling as many delicious bits and pieces as you can? Being taught the tricks of the trade by culinary masters? Don't we all. Thankfully, chances to do all of the above keep popping up. Southeast Queensland foodies have yet another cuisine and vino event to get excited about — and no, the Gold Coast Food & Wine Expo isn't the same as the Good Food & Wine Show. Held at the Gold Coast Convention and Exhibition Centre between Friday, January 10–Sunday, January 12, this dining and sipping showcase offers a fresh round of all the things food show fans know and love: tucking into the good stuff. The stall lineup includes everyone from Stone & Wood and Brisbane Gin to The Smelly Cheese Shop and Bad Boys Doughnuts, with more than 75 gourmet exhibitors set to serve up the best dish possible. Yes, we're talking about free samples. When you're not hopping between stalls, you can also get comfy at the oyster and sparkling bar. As always, the usual advice applies: arrive hungry.
Your wallet is empty but your wardrobe and shelves are filled with nice-looking stuff: it's the epitome of a #firstworldproblem. You're probably not used to thinking much more about it, but Nancy Stilianos is. She has even created an entire art show on the topic. All the Pretty Things ponders the effects of overconsumption, while also presenting an ongoing search for remedies to our spend-happy society. And yes, to make her point, Stilianos does use attractive objects — but that's just the beginning, of course. First, she studied mass-produced decorative items and was inspired to create homegrown and handmade alternatives. Then, she realised that stuff has a life beyond its obvious use, and drew upon that discovery to get creative. Next came a contemplation of richness, complexity and diversity, both of the objects and within society. In Stilianos's hands, pretty things become much, much more than the obvious. Join the opening night event on Friday, June 26, from 6–8pm.
Maybe you first saw Britain's Penguin chocolate biscuits in the supermarket during a UK holiday. Perhaps you have a British partner or pal who raves about how delicious they are. Or, like almost all Australians, you could just really love Tim Tams — and, as a result, you're eager to give any biscuit that even remotely resembles them a try. Whichever category you fall into, you can now get your hands on Penguins in all their famed glory, as they've just landed on Aussie shelves for the first time. You'll need to head to Coles to pick up a six-pack, which'll set you back $2.80. If you're currently thinking "hmmmm, but we already have Tim Tams", these chocolate-covered, chocolate cream-filled bikkies actually pre-date them. Penguins have even been dubbed "the original Tim Tam", which might sound almost sacrilegious Down Under — but, although they're longer and crunchier than the Aussie biscuit we all know and love, they first debuted in Britain in 1932, more than three decades before Australians started munching on Tim Tams in 1964. Discovering whether another bikkie really is as great as a Tim Tam is probably all the motivation you need to "p-p-pick up a Penguin!", as its slogan encourages, and give them a try. If you need more, though, Penguins also come with penguin-themed jokes printed on the wrapper (maybe keep them away from your dad). And, back in the 70s, the British treats inspired quite the advertisement — which you can watch here. Six-packs of Penguin biscuits are now available at Coles for $2.80.
Now this will make everyone turn up to boring ol' Monday meetings. British furniture designer Christopher Duffy has obviously spent too many meetings in horribly regular chairs, as he's gone and designed this genuinely high-fiveable solution — meeting swings instead of meeting chairs. Meet the King Arthur Round Table — yep, its actual name. Jensen's giving the annual growth report? Stay awake by swinging. Fire drill training? Swing it out. Duffy's straight-up clever King Arthur set is available from 12-seat down to four-seat options, and you can opt for walnut or birch tops. And predictably, the 12-seat will set your boss back a cheeky $16,000 before tax or shipping. But think of the PowerPoint presentations you could swing through. Attendance would be through the roof. "As soon as people sit in it, they instantly open up, their posture changes and they start smiling," Duffy told Fast Company. "There's a different feeling when you're hanging from something than when you're sitting and you're supported from underneath." If you're not content simply swinging your way through daily meetings, Duffy's also designed a whole two-level swing bar set-up, so you can swing through post-work drinks too. Via Fast Company.
Stargazers in Tasmania and New Zealand are happy they didn't skip town for Vivid last weekend. On Sunday night, Aurora Australis made a pretty dramatic appearance, filling the horizon with a spectrum of light. Also known as the Southern Lights, Aurora Australis tends to show up when a coronal mass ejection (CME) occurs. To cut a long story short, a CME happens when the sun releases a bunch of plasma filled with electrons and protons (the bits inside atoms, Year 7). This plasma travels 150 million kilometres before hitting the Earth's magnetic field at a speed of six million kilometres per hour. The result is a wild geomagnetic storm. As the atoms slow down, they send out light of various colours, which we see most easily at the North and South Poles, where the atmosphere is thinnest. In the North Pole, the aurora is called Aurora Borealis. Like earthquakes, auroras are rated according to their power. While most rate around 1 or 2 kp (out of a possible 9), Sunday night's hit 7, making it particularly spectacular. It's difficult to predict when the next Aurora Australis will appear — your best bet is to keep an eye on the official Facebook page, where hopeful activity is reported. If you're keen to cop an eyeful, then you'll need to head as far south as possible. It's also a good idea to get away from towns and cities, so light pollution doesn't corrupt your view. In Australia, that means making tracks to Tassie. On social media, epic photos of Sunday night's show came in from Devonport and Bruny Island. However, the lights were also seen as far north as New South Wales, including in Merimbula, Bawley Point and Williamstown. Meanwhile, in New Zealand, the place to be was the South Island. Over the weekend, Aurora Australis was seriously impressive in Lake Te Anau, Dunedin, Invercargill, Waipapa Point and Queenstown, among other spots. Here's a few otherworldly Instagrams to give you an idea: How lucky have we been in #MySouthland this week with this breathtaking #auroraaustralis light show! Spectacular 📷 @the_curious_kiwi #nzmustdo #southlandnz A post shared by Southland, New Zealand (@southland.nz) on May 30, 2017 at 5:19pm PDT Sunday's breathtaking Aurora Australis as captured by staff member @purnellpictures out on the Otago Peninsula.😍#dunnerstunner #OnlyOtago #auroraaustralis A post shared by University of Otago (@universityofotago) on May 29, 2017 at 10:02pm PDT Incredible #AuroraAustralis in Tasmania's skies 😮. Tassie's the best spot in Australia to view the Southern Lights. Basically, the further south, the better. 📷: Sophie Fazackerly A post shared by ABC News (@abcnews_au) on May 28, 2017 at 7:33pm PDT NIGHT LIGHTS. The Milky Way with a hint of Aurora over Mount Iron earlier this week. Wanaka, NZ. #nightsky #milkyway #stars #aurora #auroraaustralis #southernlights #nzmustdo #purenewzealand #landscape #nofilter #astrophotography #stargazing #stars #starlight #lovewanaka #wanaka #mtiron #southisland #newzealand #longexposure #canon_photos A post shared by @the_viewfinda on May 30, 2017 at 7:57pm PDT After posting a photo of the Southern Lights yesterday people have asked me if I could really see them with the naked eye. The answer is YES. For a few very special minutes they danced like laser beams on the horizon line. The Milky Way stole the limelight afterwards. 🌌✨ A post shared by Kyle Te Kiwi | New Zealand (@barekiwi) on May 30, 2017 at 3:04am PDT After posting a photo of the Southern Lights yesterday people have asked me if I could really see them with the naked eye. The answer is YES. For a few very special minutes they danced like laser beams on the horizon line. The Milky Way stole the limelight afterwards. 🌌✨ A post shared by Kyle Te Kiwi | New Zealand (@barekiwi) on May 30, 2017 at 3:04am PDT Top image: Ben (Flickr).
Keen to escape the hustle and bustle of Brisbane? The ancient rainforest and breathtaking lookouts of heritage-listed Main Range National Park are sure to soothe your soul. Covering over 30,170 hectares, the national park has rugged mountain ranges, cliff tops, rainforests, open eucalypt forest and rare wildlife. There are plenty of walks, including the Scenic Rim Trail, which is a four-day, three-night hike for experienced bushwalkers. For those looking for a more leisurely stroll, there are lots of easier tracks, such as the 30-minute Sylvesters lookout track, a 1.6-kilometre rainforest circuit and a two-kilometre loop around Queen Marys Falls, which has a great picnic spot, too. Then, head to the Maryvale Crown Hotel, found just a short drive from the park. Image: Scenic Rim Trail, Tourism and Events Queensland
If you haven't been able to book a trip to Spain over the past few years (for obvious reasons, and also life, your budget and everything else that gets in the way), this one-night-only dinner special may be a very tasty consolation. South Bank restaurant Olé is serving up bottomless paella to celebrate World Paella Day on Tuesday, September 20. For $55, with seatings starting at 6pm, guests will have endless access to multiple takes on paella — including a live cooking demonstration featuring the venue's signature mixta paella. That dish comes filled with chicken, king prawns, chorizo, calamari, green peas, pimientos, cherry tomatoes and saffron rice, and watching it get whipped up is sure to make you hungry. Booze-wise, this isn't an all-you-can-drink affair to match the all-you-can-eat paella — but you will get two drinks included in your ticket. Yes, you can pay for your beverages (hello sangria) from there. Bookings are recommended, and the night will also feature flamenco dancers if you weren't already yearning for a Spanish getaway while you're eating.
There's something rather cool about being ahead of the curve when it comes to cinema, watching the latest and greatest flicks on the silver screen well before anyone else. And at Australia's biggest short film festival, you can do just that. The internationally acclaimed Flickerfest is also celebrating its 32nd year in 2023, so you can expect an A-class lineup of cinematic delights. The annual short film festival is Australia's leading Academy Award-qualifying short film fest, and is backed with BAFTA recognition too. For one-night only in March, you can catch a long night of short films at the James St Palace Cinemas. [caption id="attachment_888955" align="alignnone" width="1920"] 'Katele'[/caption] Get a window into the most exciting contemporary short films with both national and international acclaim. The films featured are handpicked as the most inspiring, provocative and entertaining among the whopping thousands of submissions this year. Six out of eight films screened on the night are Queensland-made, and all starred in the Academy-qualifying Flickerfest competition in Sydney earlier this year. Thursday, March 2 will be a night for the Best of Australian Shorts, kicking off at 7pm with complimentary drinks on arrival. Here, you'll get to mingle with a bunch of incredible Queensland filmmakers fresh from their Flickerfest premieres. The local filmmakers will be sharing the big screen with Australian festival award-winners and acting legends — ready to enjoy Australian premieres like Wonder Down Under and A Stretching Moment. There'll also be Katele (pictured above), a Torres Strait drama shot in Brisbane and on Sabai island, which scored Flickerfest's Best Australian Short Film Award. To see the full Flickerfest 2023 program and grab tickets, head to the website. Flickerfest hits Brisbane for one-night only on Thursday, March 2 from 7pm to 9.15pm, and will continue touring nationally until October 2023. Top images: 'Wonder Down Under', 'A Stretching Moment'
No, not a bird. Not a plane, but quite close to it. Aero-Train is a new prototype that would eliminate the problem of friction between a train and its tracks by flying extremely close to the ground. A paper given at the IEEE International Conference on Robotics and Automation discussed the high-speed, high-efficiency possibilities of the use of levitation in train transport, and sparked the development of the Aero Train concept. This video demonstrates the first version of Aero Train in action. The vehicle would be complex to control, requiring a highly skilled driver or even computer. But so efficient is the design that wind turbines or solar panels could power it. https://youtube.com/watch?v=EaN7Kxk1_e8 [Via Fast Company]
Usually when moseying around Aotearoa in a campervan, tourists and locals alike are more transfixed by the spectacle out the window than the mode of transport itself. But art curator Aimee Ralfini has questioned why you can't have both and curated a whimsical art gallery-inspired campervan to help road-trippers have the ultimate immersive sightseeing experience through New Zealand's Coastal Arts Trail. If you haven't ventured along the Coastal Arts Trail, this art-lover's journey through the Manawatū, Whanganui and Taranaki regions is a must-do this summer. After five years of development, the trail was finished thanks to a funding boost from the government to help communities affected by the loss of tourism during COVID. The easy self-drive route allows drivers to hit over 50 stops along the lower west coast of the North Island, from well-known art institutions to hidden small-town gems off the beaten track. If that sounds like a bit of you, this van-art-gallery hybrid — or "Vallery" as she's affectionately named – is a great way to tackle it. The van itself is a moving gallery of over 50 eclectic works from 26 different artists, collected from the region's galleries and featuring commissions from local artists. Those that stay in the van will get to sleep under a glowing night sky thanks to a ceiling commission from Taranaki artist Gabrielle Belz. The drop-down curtains are embellished with a stunning landscape from Manawatū artist Vonnie Sterritt, meaning even at night or on misty travels you'll be surrounded by greenery. Go on a little exploration around the van and you'll find lots of smaller artworks and sculptures s from galleries along the trail, hidden in drawers and mounted in lightboxes. Even the van's groovy exterior is a work of art. Whanganui ceramic artist Ivan Vostina was commissioned to create a ceramic base made with local beach sand, which was then dipped in an ocean-inspired glaze and photographed to be the outer. It gives the van the look of being a handmade ceramic and is sure to elicit grins from other drivers – maybe when they're passing you, if we're honest. And yes, there are all the creature comforts you'd want in a campervan: comfy bench seats that convert into a bed, a small kitchen, a self-contained water system and solar panels on the roof. Ralfini is the artistic curator of 'Vallery', and says that when she was first approached about the project, she questioned if the two worlds of "fine art meets road trip" could coexist. "In the end, my curiosity got the better of me, and I absolutely love a challenge, so I couldn't resist the opportunity to make it work — I love it when art connects with people outside a traditional white box space," she said. "Vallery is a completely immersive art experience: travellers can sleep under art, dine with art and recline on art, and it's all integrated in a comfortable and practical way. We have carefully sealed and protected works, and we have translated art onto hard-wearing surfaces and fabrics so people can just relax and have fun." Vallery is an automatic, diesel van available to hire now from Quirky Campers NZ.
So you've experienced another winter, and it's safe to say we're all ready to shed our layers and head outdoors for some quality time in the sun. Instead of sticking to your favourite beach or local park in the warmer days ahead, why not venture a little further afield and explore NSW's countryside? Spanning ocean and desert, NSW boasts an abundance of local food, live music and breath-taking nature to take in. From the lush Hunter Valley vineyards to the dusty flats of Broken Hill, there are festivals and events for every taste. And it's all happening in spring, the season that isn't as hot or busy as summer. Do you need any more convincing? Without some planning, however, your next three months are going to look a little dull. To help you out, we've pulled off our winter mittens for good, and teamed up with Destination NSW to put together a handy list of road trip-worthy events to attend with your entourage, just in time for the sun to reveal its glorious face.
In April, Australia scored a promise of international hotel luxury, when global chain Waldorf Astoria announced plans to open its first Aussie outpost in Sydney in 2025. Then, we learned famed Marriott-owned hotel brand the Ritz-Carlton is set to open a sprawling property on the Gold Coast by 2026. But before that all comes to pass, it's Melbourne's turn for a slice of the action, with the Ritz-Carlton also gearing up to launch in the Victorian capital in March 2023. Perhaps best known for its iconic Manhattan hotel that overlooks Central Park and has starred numerous times on the big screen, the Ritz-Carlton will now be making its home on Lonsdale Street. And it's on track to be Australia's tallest hotel, soaring high at an ear-popping 80 storeys, with 257 guest rooms and suites. [caption id="attachment_881631" align="alignnone" width="1920"] By Gabriel Saunders[/caption] The hotel itself will have all the high-end trimmings you could imagine, including marble bathrooms, custom-made leather and velvet furniture, and a heated indoor infinity pool with views across the city. The glam lobby is perched all the way up on that 80th floor, too. It's also set to deliver some primo food and drink offerings, if the newly-appointed culinary team is anything to go by. Taking the reins as Executive Chef is the renowned Michael Greenlaw, who counts stints at London's Bibendum, Gilt in New York and Vue de Monde on his star-studded resume. Backing him in the role of Culinary Advisor is Aussie food legend, and the celebrated chef behind classics like Peninsula Bistro and Marque, Mark Best. The Ritz-Carlton Melbourne's upscale dining offering will include a restaurant perched high up on the 80th floor, open to both hotel guests and visitors. [caption id="attachment_881634" align="alignnone" width="1920"] Best and Greenlaw[/caption] Find the Ritz-Carlton Melbourne at 650 Lonsdale Street, Melbourne, from March 2023. We'll share more details as they drop.
That soothing feeling that sweeps over you when you spy a cute canine, spend too much time watching internet cat videos or even just spot a picture of a newborn animal — that's the feeling at the heart of Australia's newest wellness sessions. Sure, you've been to kitten yoga and puppy pilates, and they're both great. But we're guessing that you haven't tried meditating with baby goats or getting mindful with soft, cuddly lambs. Currently held in Brisbane and on the Gold Coast, attendees at Karmably's classes attempt to find inner bliss while they're surrounded by rescued baby farm animals. In short, it's the best way to de-stress when life's got your goat. After all, who can remain overwhelmed, exhausted or annoyed when they're sharing their chill-out session with actual goats? The classes focus on relaxation techniques, like Breathe In & Bleat Out, which gives you an idea of just what's in store. Those heading along can expect three parts to the session: mindful stretching, meditation and snuggling the four-legged participants. If you're wondering where the concept came from, it was inspired by organiser Berenice Tan's own experiences trying to find something other than the usual mindfulness classes within Australia. Unimpressed with the options already available, she flew to Los Angeles, New York and San Francisco "and experienced every meditation class under the sun," she explains. "Funnily enough, I heard about goat yoga and laughed it off as something ridiculous I wasn't interested in trying." Upon returning to Brisbane, Tan began to research animal therapy and, after learning of the benefits (and realising that everyone loves cute critters), her sessions with goats, lambs and even piglets were born. The bliss goes both ways, too — with Karmably not only helping humans to relax in a fun manner, but also assisting animals in need. Tan works with sanctuaries, rescue centres, and organisations such as Harmony Hooves Healing Hearts, Brisbane Pony Parties and My Little Farm Friends. They're all outfits that raise baby creatures who have either been rejected by their mothers or lost their mums in other ways, and hand-rear them until they can be adopted out as pets to families who live on suitable properties. After setting up shop in August, classes are already selling out two months in advance — but there's currently spaces for the latest Brissie session at 8.30am on Saturday, May 11. The calming cuteness takes place at Raw Dance Company at Moorooka. Updated March 25.
Every year, when spring hits Toowoomba, the regional city becomes the brightest place in southeast Queensland. Blooms blossom, greenery sprouts and flora reaches towards the sun — that's right, it's Carnival of Flowers time. Usually, the carnival only runs for ten days. In 2021, however, it's sticking around for an entire month. Accordingly, mark all of September in your diary — from Wednesday, September 1–Thursday, September 30 — and start planning a weekend trip west for the event's 72nd year. As always, the Carnival of Flowers will bloom at a variety of Toowoomba locations — including Laurel Bank Park and the Botanic Gardens of Queens Park — showcasing all of the gorgeous florets, growths and gardens around town. Each year, more than 170,000 blossoming bulbs and seedlings are planted, so this huge (and free) carnival won't be short on natural splendour. Attendees can also expect everything from park tours to kaleidoscopic arrays of tulips, petunias and poppies. Food trucks slinging bites to eat, a food trail showcasing local eateries and a ferris wheel with a blooming great view are also on the bill, as are a series of talks in local pubs, a dog-friendly program so that your pooch can get in on the action, both guided and non-guided walking tours, a big food and wine festival, a cinema under the stars and a floral parade. And, yes, the illuminated night garden will return as well. If you're keen to check out live tunes in flower-filled parks, the lineup for this year's ticketed Festival of Food and Wine within the broader carnival includes Sarah Blasko, Ash Grunwald, The Beautiful Girls, Grace Knight, Wendy Matthews, Richard Clapton and GANGgajang. They'll be hitting the stage between Friday, September 10–Sunday, September 11. Basically, there's no bad time to visit — and you might want to make the trek more than once. Indeed, when it comes to scenic spring sights, there's no prettier place to be. And, given it takes less than two hours to head up the mountain from Brisbane, it's perfect for a weekend day trip. Make a playlist, take a picnic and there's your Saturday or Sunday sorted. Naturally, the event will be adhering to COVID-19 requirements — so expect some social distancing with your bouquets. Image: Tourism and Events Queensland Updated June 1.
Aaaaaah, bacon. Is there any dish it can't improve? No. No, there is not. But, as great as the plain old store-bought variety can be in pretty much any meal you can think of, we're always up for taking our bacon game to the next level. In fact, it's as simple as knowing what to do. Enter Shank Brothers, those barbecue-loving fiends that they are, with the kind of workshop that public holidays were made for. We Can Bacon That won't just teach you how to use bacon — it'll show you about building smoke flavours, preparing and curing, trimming and marinating, and turning a variety of meats into the rashers you love. And if you think that making bacon even better isn't really possible, we'll throw some varieties at you: maple-infused pork bacon, smoked duck prosciutto or lamb bacon, anyone?
When you've already given Brisbane a wolf to spend time with — East Brisbane's The Wolfe, actually — what can you howl at next? Restaurateur Paul McGivern is keeping the theme going with La Lune Wine Co, which opens on South Brisbane's Fish Lane on March 24. La Lune doesn't just want you to enjoy a wine while the moon shines, though that's certainly on the menu, this newcomer wants to match those tipples with the perfect dishes. Sure, every wine-serving establishment wants to do the same, but here you'll find six menu selections that have been handpicked to match specific drops. This is a wine bar, so charcuterie and cheese will also be available, as will oysters, carpaccio, and house-made salumi, plus baguettes with serrano and cheese for lunch. Trading from midday to midnight, La Lune aims to offer Brisbanites a wine bar for all occasions — complete with what's being called an "interactive dining space", which will encourage patrons to chat with staff to get the skinny on the best vino to sip on. We'd go so far as to call this a regular dining space with good service, but we admire a spot of far-reaching conceptualisation. Design-wise, expect timber aplenty, including 103-year-old reclaimed oak taken from the chateaus and barns of the French countryside, paired with French tiles, small tables and an intimate air will also help bring a taste of Europe to our fair city. If you can't head to Paris, you'll always have South Brisbane. Find La Lune Wine Co at Shop 5, 109 Melbourne Street, South Brisbane from March 24. For further details, drop by their website or Facebook page.
If a comet was hurtling towards earth on a collision course that'd wipe out all life as we currently know it, you'd think that humanity would react — and fast. But in the trailer for Netflix's new disaster comedy Don't Look Up, only two people really care: astronomy professor Dr Randall Mindy (Leonardo DiCaprio, Once Upon a Time in Hollywood) and his grad student Kate Dibiasky (Jennifer Lawrence, X-Men: Dark Phoenix). To everyone else, the impending end of the world isn't really something to worry about. The President (Meryl Streep, The Prom) and her son and Chief of Staff (Jonah Hill, The Beach Bum) barely seem to mind, the media definitely doesn't, and neither does the general public. Instead, Kate goes viral for screaming about the apocalypse as she and Randall embark on a media tour to try to convince the planet that being obliterated — in less than six months, and by a Mount Everest-sized comet that's orbiting our solar system — really is kind of a big deal. Forget Bruce Willis and Ben Affleck endeavouring to save the world from an asteroid, because that's so 1998. The former "king of the world" and Katniss Everdeen teaming up to stop a comet from eradicating earth is the firmly 2021 version. And, after first being announced at the beginning of the year — as part of Netflix's lengthy list of new flicks heading its way before 2022 hits — and then dropping a teaser trailer back in September, Don't Look Up now has a full trailer so you can catch a glimpse of how that'll all play out. The film thankfully isn't a sequel to the aforementioned Armageddon. Instead, it's the latest movie from The Big Short and Vice director Adam McKay — and it's set to hit both cinemas and the streaming platform in December. As well as its two high-profile leads, Don't Look Up also stars basically every other actor you can think of, including Timothée Chalamet (Little Women), Cate Blanchett (Where'd You Go, Bernadette), Mark Rylance (The Trial of the Chicago 7), Tyler Perry (Those Who Wish Me Dead), Ron Perlman (Monster Hunter), Himesh Patel (Tenet), Melanie Lynskey (Mrs America), Kid Cudi (Bill & Ted Face the Music) and Ariana Grande. The film will hit Netflix just in time for your Christmas break, dropping on Friday, December 24. It'll also screen in some cinemas from Thursday, December 9, if you'd like to see it on the big screen. And if you're wondering how Don't Look Up will fare tonally, McKay looks like he's in The Big Short and Succession mode, rather than harking back to his Talladega Nights: The Ballad of Ricky Bobby and Step Brothers days. That said, Blanchett does play a TV host, so maybe the filmmaker will have audiences thinking about Anchorman as well. Check out the full trailer for Don't Look Up below: Don't Look Up will be release in select Australian cinemas on Thursday, December 9, and will be available to stream via Netflix on Friday, December 24. Images: Nico Tavernise/Netflix.
If you're the kind of person who picks their getaway spots based on great travel prices, then we come bearing important news: you're going to Australia's Red Centre. That's a worthy holiday destination regardless of whether or not you can nab a deal, but Webjet's current flight sale is likely to get you packing your bags ASAP. Until 11.59pm AEST on Thursday, August 18, the travel site is slinging one-way flights to the Northern Territory from just $15 one-way — at a discount of up to $200 off in total on some fares. Of course, that first figure is just the starting point, so you mightn't score such a cheap flight depending on which day you're planning to travel, but there are still some mighty cheap prices available. The sale covers trips to Uluru and Alice Springs, for travel between September 2022 — yes, next month — through to March 2023. Fancy a spring jaunt to the middle of the country? Making summer plans to help cope with the last of the winter chill? Know that you'll be craving an early-autumn break next year? They're all options. One key caveat: the discounted prices are available for inbound flights only, so you won't receive the same discount to come home. [caption id="attachment_773731" align="alignnone" width="1920"] NT by Tourism Australia[/caption] As always, the prices vary depending on where you're leaving from, too — but, at the time of writing, $16 tickets from Sydney to Uluru, $15 from Melbourne and $17 from Brisbane are available on select dates. A variety of airlines are covered, too. Wondering what to do once you get there? Uluru's incredible Field of Light installation is a permanent recommendation — and you can also check out our guide to visiting the Red Centre. [caption id="attachment_773730" align="alignnone" width="1920"] Field of Light by Tourism Australia[/caption] Webjet's Red Centre sale runs until 11.59pm AEST on Thursday, August 18.
With the innocence and energy of youth, six-year-olds Moonee (Brooklynn Prince), Scooty (Christopher Rivera) and Jancey (Valeria Cotto) spend their sunshine-filled days running around their Florida neighbourhood. It's a jubilant time for the cheeky, cheerful, unsupervised trio who aren't old enough to have any worries, full of ice cream, pool dips and trips through abandoned houses. Disney World looms nearby, its fireworks often blossoming above, while the industry surrounding the theme park — oversized fast food joints, discount outlets and souvenir-shops — is all part of their playground. And although the mischievous kids don't attend school even when classes are in session, they know how to make the most of their summer. So it is, with affection, exuberance and the sounds of Kool & the Gang's 'Celebration', that writer-director Sean Baker (Tangerine) tells their story. The acclaimed filmmaker focuses in on Moonee and her young mother Halley (Bria Vinaite), with much of the movie favouring the rebellious girl's perspective. Lush widescreen visuals captured in 35mm abound, alongside personality-filled close-ups that capture a sense of youthful adventure. Crucially, however, Baker doesn't shy away from the darker side of his protagonist's lives. While vibrant, The Florida Project casts its unblinkered view over spitting at cars, selling knock-off perfumes, begging for extensions on the rent, fighting with the authorities, trifling with crime and doing whatever it takes to make ends meet. That's everyday existence in The Magic Castle, the purple-hued week-by-week hotel that's home to Orlando's poor and battling. Suffice it to say, it's a far cry from Disney's Magic Kingdom. That gap — that chasm — between the haves and the have-nots is impossible to miss. But Baker isn't interested in delivering a lecture or serving up a colourful piece of poverty porn. In much the same way he did with the iPhone-shot Tangerine, which followed a pair of trans sex workers in Los Angeles, the director's latest effort both depicts and embraces a group of people and a way of life rarely seen elsewhere, all without judging or sugar-coating. It's a film that understands that Moonee's antics are magical to her because she's never known anything else. Indeed, if every filmmaker looked at the world in the same way as Baker, we'd be living in a much kinder and more empathetic place. He also receives considerable assistance from his largely inexperienced and non-professional cast, with the movie's devotion to detail seeing Prince kick-start her career with the kind of complex performance actors five times her age or more aren't often able to muster. Vinaite, meanwhile, makes her debut after Baker found her via Instagram, proving lively, spirited and soulful as a mother who treats her kid more as a friend and co-conspirator than a daughter. Finally, there's Willem Dafoe. One of just a handful of recognisable faces in the picture, and on course to win a thoroughly-deserved Oscar for his efforts, Dafoe doesn't steal the show from Prince and Vinaite, but supports them with grace and sensitivity. As the Magic Castle's exhausted but understanding manager Bobby, the veteran actor delivers a perfect supporting turn — making everyone around him shine brighter but never jumping into their spotlight. Made with clear eyes, an open heart and a willingness to show both the highs and lows of life on Florida's margins, Baker's latest isn't the kind of film that makes it to cinemas every day. It's an honest, accessible, compassionate account of low-rent troubles and tussles – a tale that's tender, tragic and joyous with a knockout ending that's both devastating and beautiful. https://www.youtube.com/watch?v=Nv5wCO0huEA
A year after the Valley opening of B. Lucky & Sons, Funlab — the group responsible for Holey Moley and Strike Bowling — is set to open yet another kidult wonderland in Brisbane. This time it's Archie Brothers Cirque Electriq, a circus-themed arcade bar that will open in Toombul, in the city's northeast, in mid-November. The Brisbane instalment is the third for the brand, which first opened in Sydney back in December 2017 then in Melbourne a year later. The Brisbane version — which was first announced back in February — will open above the Toombul shopping centre as part of a new $35 million entertainment and dining precinct called Upstairs. The fancy redevelopment, slated for completion by the end of 2019, will also be home to ten new eateries, a cinema and a suitably vague "entertainment and lifestyle offering" — we'll update you as soon as we know more on that. The Brisbane Archie Brothers, like its interstate counterparts, will be home to dodgem cars, a bowling alley, interactive 3D theatres and virtual reality games. The other outposts feature over 60 arcade games (starting at $2 a pop), with tickets able to be used to purchase the usual assortment of random objects and plastic toys at the prize bazaar — and we're expecting Brisbane to be no different (and no less OTT). The food menu will fit right in with the circus decor and focuses on over-the-top novelty American diner grub. Think three-meat burgers, giant pretzels, and potato gems and garlic aioli that's served in a syringe. You get the idea. The drinks follow suit, with a ridiculously involved cocktails such as the boozy strawberry shakes (topped with whipped cream and candy kebabs) and butterscotch schnapps concoction garnished with popcorn. While we don't have an exact opening date for the venue yet, it is taking booking for Christmas parties now — so you can expect the doors to open in late November. Archie Brothers Cirque Electriq is slated to open at Upstairs, Toombul Shopping Centre, 1015 Sandgate Road, Toombul, in November 2019. We'll let you know when it does. This article was originally published in February 12, 2019. It has been updated to reflect new information.
A sunny getaway favourite for interstate tourists when the weather gets frostier down south, the Gold Coast isn't typically considered a winter wonderland. But that isn't stopping Cali Beach, the rooftop beach club that's usually about everything that Surfers Paradise's sultry climes have to offer, from embracing the dipping temperature with an alpine makeover. In 2022, the venue debuted The Rooftop Lodge, its wintry alter-ego — a place where you can still peer out over the coast, but you'll do so surrounded by snow and ice. The cold-weather revamp is returning in 2023, too, from Saturday, June 3 until the end of August. And this time, it's bringing ice skating with it. Each Friday–Sunday across the pop-up's season, you can head to the 5000-square-metre venue on a fourth-floor rooftop to pretend you're somewhere far less beachy and yet still at the beach. Yes, the bar is taking the concept seriously, with more than 60 snow-topped trees helping to set the mood and even fake snow part of the site. Expect big alpine energy and mountain chalet vibes as you get warm by the open fire pits as well. With this year's $350,000 temporary revamp, the ice-skating rink is a big addition, and has been purpose-built to replace the volleyball courts for winter. For when you're not sliding across its chilled expanse, The Rooftop Lodge will also feature ice-hockey machines, pop-up performances and market food stalls running all day from 11am till late. Cali Beach's VIP cabanas are also being decked out as luxury alpine lodges, with facades that fit the theme, more fire pits and Swiss ski village-style cosy furniture. So, gathering the gang and hanging out in your own space is still on the agenda, just adapting to the season. One key feature, so that you can still enjoy a dip on the coast: hot tubs. And, in partnership with Veuve Clicquot, The Rooftop Lodge will feature snowy igloo experiences for up to seven people, complete with the obvious drinks. Those transparent but warm spaces will also be decked out chalet-style, and whiling away your time in them will involve winter cocktail and food platters — and a $350 price tag. Wherever you decide to get comfy at The Rooftop Lodge, there'll blankets to help lock in the toastiness, plus fondue, marshmallows to roast by the fires, charcuterie boards, snowball martinis and boozy hot cocoas. Or, opt for the wintry dine-in menu at the View Deck. "Following the success of last year's winter lodge, we knew it was important to think bolder and to go bigger, providing an experienced-based activation unlike anywhere else in southeast Queensland — and hence why we've built a marketplace, [and] sourced a purpose-built ice-skating rink and interactive games," said Matthew Keegan, Managing Partner of Artesian Hospitality. [caption id="attachment_824728" align="alignnone" width="1920"] Cali Beach Club[/caption] Find Cali Beach Club on the corner of Surfers Paradise Boulevard and Elkhorn Avenue, Surfers Paradise. The Rooftop Lodge will be open from 11am–late Friday–Sunday weekly from Saturday, June 2–Sunday, August 27.
Auckland's Clap Clap Riot have a tendency to whip up a raucous, good-vibin' crowd; the dudes can't help it. Armed with catchy-as-blazes hooks, singalong singles and loud, loud amps, the foursome are rampaging across the Tasman for a short run of Australian dates down the east coast; stopping at Melbourne's Shebeen, The Brightside in Brisbane and Sydney's FBi Social for a genuine humdinger of a mini-tour. Showcasing their second album Nobody / Everybody released in February, the foursome have moved away from the more rock-steady sound of their wildly successful debut Counting Spins (which casually debuted at #1 on the Official NZ Album Chart). Produced and mixed by Kody Nielson (The Mint Chicks / Opossom) and engineered and mastered by Olly Harmer (The Naked and Famous), their second release is peppered with handclap-worthy singalongs and '60s throwbacks; a cleaner, catchier package all round. Hitting Shebeen with applauded singles 'Everybody' and 'Cold As Ice' and brand newie 'All About The Weather', Clap Clap Riot are a surefire live shindig for your Thursday. Supported by Twin Haus + Rabbit. https://youtube.com/watch?v=h6Yk0jyoIlY
There's nothing unusual about ordering cocktail at London's One Aldwych hotel. Knocking back one of their beverages, however, is completely different. Before you sip on a blend of Dalmore 12-year-old whisky, Merlet cherry liqueur, grapefruit juice, chocolate bitters and Lallier Champagne, you'll get whisked away to the Scottish Highlands — without leaving your seat. The boozy concoction is called The Origin, and it might just provide a glimpse of drinking in the future. Strapping on a VR headset, taking a jaunt through barley fields and the Dalmore distillery, and then following the ingredients on their trek to theCovent Garden bar is all part of the fun. Yes, the tasting, sipping and just generally enjoying the drink part is real — it's the preamble that toys with virtual reality. "We take our guests behind the scenes to show them how the drink is made," One Aldwych head bartender Pedro Paulo explained to MUNCHIES. "Two minutes before the drink is ready, we say, 'We'd like to take you to the origin of the drink.' Then, we give them VR goggles and headphones to take them on the journey." If you find yourself in London anytime soon, The Origin will set you back £18; however, that's a cheap price to pay for a top tipple and a detour to Scotland. And it you're worried that the combination of virtual reality and alcohol mightn't go down smoothly, don't worry. "It's really quite more of a swooping, gentle experience," says Paulo. Via MUNCHIES. Image: One Aldwych.
The Hunter Valley is that perfect spot to chill out with some friends, have a romantic weekend away with your special someone (alternatively, your mum) or go and have a staring competition with a cow. Most Sydneysiders have lost count of the number of times they’ve headed north, like some kind of stocking-up-the-cellar and stuffing-their-faces-full-of-cheese migration, but for Melburnians it remains a largely undiscovered playground for big kids. Here's our take on the perfect Spring weekend away in the Hunter. Hit the Wineries Take a leisurely drive up north and don’t waste any time hitting up the wineries. Getting a few photos with the wildlife and vines along the way is a must. Make sure you stop by the tourism centre to pick up an all-important map of the wineries. You'll be surprised by how many (and spread out they all are). More so without the map (and you'll keep on seeing the same fence again and again). If you're a chardonnay lover, there's no escaping Scarborough. Seriously. They know what they're doing. You'll find it hard to leave without a case. Just remember that boot space is at a premium, and you may have to con a friend into scooching their stuff over just a little bit. The cellar-door-only White Label Chardonnay (the Yellow is also good stuff) would be easy to write an essay on, but also worth your quaffing is the dessert wine and pinot noir. Tyrells, just past the Hunter Valley Gardens, is worth stopping by, not only because of the cute little rustic shack (which the good man used to live in — not quite as comfortable as where you're hopefully spending the night), but also because of the vino. And for those who get splitting headaches the day after a long drinking session, you need to check out Tamburlaine. Yup, it's the organic stuff. This means: no headaches (or not as bad) because there's none of the naughty stuff in it. The Christmas pudding sticky is a must for any sweet-tooths out there (and makes fab Christmas pressies, too). For the sparkling lover, Peterson House will be your next destination. They have the oh-so-easy-to-drink Blush bubbles (perfect for when the girls get together), or ones with a bit more oomph like the Museum. From bubbles to balloons If you can still stand after these tastings and the bubbles haven't gotten to your head, it's time for a hot air balloon! This isn’t just for the kiddies, it's the most gentle and relaxing thrill you can get that's legal. Sunset is the perfect time for it (and remember to take some of the wine you just bought and some smelly cheeses and lavosh from the Smelly Cheese shop — they do good cheese boards here too.) One place that does ballooning is Balloon Aloft, but there's plenty of options. Apart from the noise when the gas gets released, it's like you’re floating on a marshmallow. Can't get much more romantic than that (unless the marshmallow is being toasted on a fire). If you've taken it easy on the wine tastings, another afternoon plan could be a horse ride with the kangaroos. You'll score a large dose of fresh air and most are pretty gentle rides (unless you get a particularly spirited horse who doesn't like following trails much. There's always one). Lie Down in the Valley By this point, your eyes will most likely be ready to shut (either from the wine, or the activities), so it's worth hitting the bed, pronto. You could try out a suite at the Chateau Elan at The Vintage, if spas and golf are your thing. Or for views over the Brokenback mountain range, you could try Talga Estate — a good option for a big bunch of friends. The barbecue on the verandah is perfect for your own cook-up. If you're not quite sure what you're after, Hunter Valley Resort is worth checking out. It's got a wine school, horse and carriage tours, a wine theatre, vineyard tours and a whole lot more. We figure that if you're surrounded by wine, like you are at the Hunter, you might as well know a thing or two about it. You’ll find out the correct way to swirl the wine in your glass, really give it a good looking at, create air while sipping it and feeling it in your mouth. Or you could just drink it. The Quest Singleton is near the local shopping area, and if you're already feeling a bit wine and cheesed out — you can hit the gym. Yep, there are a lot of options. Sunny Side Up Hopefully hangover free, the next morning you’ll be needing a big breakfast. There are options in all of the hotels, or you could try out Cafe Enzo for a meal next to a fountain, and then look at the antiques next door. They usually have awesome vintage cheese knives — as well as a whole lot of random goodness, and very expensive antique engagement rings. Hint hint. Botanica and Esca are fancier options for a brunch or lunch or any time really. At Esca you can arrive by helicopter if that's the way you roll. Just remember to pack oversized sunnies and a designer bag to make this really work. Make sure you try the white or red wine tasting plate, which comes with a trio of smaller meals. Or you could make a picnic and find a scenic spot to park your bottom for the day. Last-minute leisure Before you head home, remember to stock up on wine (if you've finished it all off by now), cheese, chocolates and some more fresh air. And if you’ve got time, go for a spa treatment. The Hunter is all about spoiling yourself, inside and out. Even if you spend Monday rubbing your cheese belly or feeling slightly pickled. Just make sure you pack a friend who is a good ol' responsible driver, and you'll be just fine. Regional NSW is on sale now at Lastminute.com.au. You can check out The Hunter options on sale here.
Back in 2018, the big friendly giant of the streaming world announced that it had found itself a golden ticket, with Netflix planning to bring the work of beloved author Roald Dahl to its platform. But if that news made you more excited than Charlie Bucket walking into Willy Wonka's chocolate factory, you've probably noticed that nothing else has happened over the past year — until now. While Netflix's new Dahl-based shows aren't hitting the streamer just yet, the company has revealed just what it's focusing on to begin with — and who they're working with. To the surprise of no one given that it has already been adapted into a movie twice, as well as into a stage musical, Charlie and the Chocolate Factory is the first book getting the Netflix treatment. To the delight of fans of Boy, What We Do in the Shadows, Hunt for the Wilderpeople and Thor: Ragnarok, Taika Waititi will be writing, directing and executive producing two series based on the beloved tale about a poverty-stricken boy visiting a sweet and wondrous place. The first, called Charlie and the Chocolate Factory, will be based on the world and characters of the book — so you can probably expect everlasting gobstoppers and chocolate rivers aplenty, plus appearances not only by the Bucket family, but by Veruca Salt, Augustus Gloop and Willy Wonka, too. If you noticed that we didn't mention Oompa-Loompas above, that's because they're getting their own show. It's named The Oompa-Loompas, naturally, and it'll offer a new take on the factory's small human workers. [caption id="attachment_573711" align="aligncenter" width="1280"] Hunt for the Wilderpeople[/caption] Fresh from winning an Oscar for Jojo Rabbit, Waititi is presumably slotting the two animated programs onto his schedule after upcoming Marvel sequel Thor: Love and Thunder. Whenever the Netflix shows do join the New Zealand filmmaker's increasingly busy resume, they'll "retain the quintessential spirit and tone of the original story while building out the world and characters far beyond the pages of the Dahl book for the very first time," according to the streaming platform's announcement. In total, a whopping 16 of Dahl's classic books are in Netflix's sights. Teaming up with The Roald Dahl Story Company, the outfit is turning everything from Matilda to The Twits into new animated television shows — and The BFG, Esio Trot, George's Marvellous Medicine, The Enormous Crocodile, The Giraffe and the Pelly and Me, Henry Sugar, Billy and the Minpins, The Magic Finger, Dirty Beasts and Rhyme Stew as well. Dahl's autobiographical efforts Boy – Tales of Childhood and Going Solo will also hit the service, with one detailing Dahl's youth and the other delving into his journeys to Africa as well as his service in World War II. For many, including the tales about the author himself, it'll be the first time that they've been adapted for the screen. Netflix plans to turn Dahl's stories into event series and specials — so limited-run shows across a number of episodes, plus one-offs. There's still no word on when work will start, however, or when Waititi's or any of the other series will start dropping on the platform — although you can watch the 90s live-action versions of Matilda and The Witches on the streamer right now. If you're keen for a taste of the first-ever screen adaptation of Charlie and the Chocolate Factory, revisit the trailer for 1971's Willy Wonka and the Chocolate Factory below: https://www.youtube.com/watch?v=2cBja3AbahY Top image: Willy Wonka and the Chocolate Factory.
Ten months in, 2020 has served up all manner of challenges and surprises. But in one area at least, it's rolling on as planned. Because few years can sneak by without serving up multiple new film and/or television adaptations of Stephen King's work, viewers are about to score 2020's latest — a new mini-series version of the author's 1978 novel The Stand. Due to hit American streaming services in December — with release plans Down Under yet to be revealed — The Stand joins HBO's The Outsider as the two new TV shows bringing King's work to our eyeballs this year. Of course, as avid fans will know, this isn't the first time this particular book has made the leap to the screen. Back in 1994, it aired as a big-budget, star-studded, four-part mini-series featuring the likes of Gary Sinise, Miguel Ferrer, Rob Lowe, Ruby Dee, Laura San Giacomo, Molly Ringwald and Ed Harris. Plenty of well-known names are onboard this time around, too, because there's quite the sprawling story to tell. And, quite the timely one, although that's obviously pure coincidence. The Stand is set in a world devastated by a plague, with a battle between good and evil playing out among the survivors. Featuring prominently is the character of Randall Flagg, a common figure in King's work (see: The Eyes of the Dragon and The Dark Tower series). Alexander Skarsgård plays Flagg, while the rest of the cast includes James Marsden, Whoopi Goldberg, Amber Heard and Heather Graham, as well as Watchmen's Jovan Adepo, Paper Towns' Nat Wolff, IT: Chapter Two's Owen Teague, Arrow's Katherine McNamara, and Australian Shirley and The Daughter actor Odessa Young. Behind the lens, The Stand is the latest project from filmmaker Josh Boone — whose latest movie, The New Mutants, hit cinemas in the past few months after years of delays. Check out the trailer below: https://www.youtube.com/watch?v=l--4gu4CQBM The Stand screens in the US from December 17 via CBS All Access — we'll update you with an air date Down Under when one is announced. Top image: CBS All Access.
