Pucker up, fans of 90s teen flicks — whether you were the exact right age at the time, have discovered them since or found yourself looking backwards thanks to recent films like Do Revenge. After finally bringing its song- and dance-filled take on one of the most influential movies of the era to Australian stages this year, Cruel Intentions: The 90s Musical is making a comeback along Australia's east coast in 2023. It seems that we can't get enough of this bittersweet symphony. We can't stop praising it, either. This time, audiences in Sydney and Melbourne will get a second chance to get nostalgic, while the show is backing up its recent Brisbane season with a new stint on the Gold Coast. To answer the most crucial question, yes, the musical's soundtrack is filled hits from the period, including The Verve's 'Bittersweet Symphony' and Placebo's 'Every You Every Me'. In fact, Cruel Intentions: The 90s Musical is a jukebox musical, so it's overflowing with a heap other tunes from that late 90s–early 00s time. Think: *NYSNC's 'Bye Bye Bye', Britney Spears' 'Sometimes', No Doubt's 'Just A Girl', Jewel's 'Foolish Games', Christina Aguilera's 'Genie In A Bottle' and Sixpence None the Richer's 'Kiss Me', for starters. The story remains the same, just without Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair (and Joshua Jackson's blonde locks). If you've seen the movie — the original, not the direct-to-video 2001 and 2004 sequels, one of which starred a very young Amy Adams (Dear Evan Hansen) taking over Gellar's role — then you'll know how it goes. Based on 1782 novel Les Liaisons dangereuses, which was also been adapted in the 1988 film Dangerous Liaisons with Glenn Close, John Malkovich, Michelle Pfeiffer and Uma Thurman, Cruel Intentions follows step-siblings Sebastian Valmont and Kathryn Merteuil. Manipulating each other's love lives is their main hobby, a pastime that levels up a few notches when Kathryn places a bet on whether Sebastian can sleep with Annette Hargrove, the headmaster's daughter at their exclusive prep school. The movie-to-theatre production has been unleashing its teen tumult and throwback soundtrack in America since 2015, and will start its Aussie encore from January 2023. Cruel Intentions' writer/director Roger Kumble co-created the musical, so it comes with quite the screen-to-stage pedigree. Also, it's being staged in Australia via David Venn Enterprises, who also brought The Wedding Singer: The Musical Comedy and Bring It On: The Musical our way. CRUEL INTENTIONS: THE 90S MUSICAL 2023 AUSTRALIAN TOUR: Thursday, January 19–Sunday, January 29, 2023: HOTA, Home of the Arts, Gold Coast Thursday, February 2—Sunday, February 12: Riverside Theatre, Parramatta From Thursday, February 16: Athenaeum Theatre, Melbourne Cruel Intentions: The 90s Musical will tour Australia's east coast again from January 2023. For more information and to join the waitlist for tickets — with Gold Coast and Melbourne shows on-sale from 10am Thursday, October 6 an Sydney from the same time on Tuesday, October 11 — head to the musical's website. Images: Nicole Cleary.
Nowadays there are subscription services for just about anything. Board Games? Check. Booze? Check. Legos? Check. Organic period products? You betcha. Meet Juuni, a subscription that delivers a customisable box of organic tampons, pads and liners to your doorstep each month. If you're anything like us, every 28 days, you'll find yourself digging around the bottom of your bag or making a desperate run to the convenience store. To help save you from the stress of being caught out — because, face it, periods are stressful and annoying enough as they are — founder Erica Stewart created a line of organic products that look and feel more like a gift set than a necessity. Unlike your typical tampons, Juuni's products are bleach-free, pesticide-free and 100-percent biodegradable. The certified organic cotton is hypoallergenic and contains no synthetic dyes or fibres. In order to show you why you should go organic, Junni is giving you your first box of products for free and throwing in a free pack of Spot Nix acne patches, overnight patches that clean your face and remove pimples. All you have to do is pick what products you want included in your box, use the code ALIDADDO at the checkout and you'll be shipped your complimentary products. You won't even pay for shipping. If you enjoy your first box of goodies, the monthly subscription is very affordable. Tampons are $3.99 for a ten pack, pads are $3.20 for a five pack and panty liners are $3.20 for ten. Plus, each month's box contains a surprise bonus gift and a sweet treat to make you feel good, even if your period's gotten the better of you. Juuni is also supporting the fight against period poverty in Australia in collaboration with the Happy Boxes Project, an organisation that sends toiletries to woman in remote communities. Juuni's support helps send woman throughout the Northern Territory and Western Australia period products. You can help by donating via Juuni here. To order your Juuni subscription and receive your first box of products and a pack of Spot Nix acne patches for free, head over here and use the code ALIDADDO at the checkout. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Like a snake calling on a phone, you've got no time to be alone at Brisbane's next must-sip cocktail spot: Stranded, which takes its name from The Saints' relentlessly catchy punk hit that'll always be a part of the city's history. The soon-to-launch bar isn't just borrowing a musical moniker, however — it's decking out the place in rock and punk memorabilia as well, and with 70s and 80s alternative culture as its guiding force. In other words, it's exactly the kind of laneway bar that Brisbanites should expect from Shane Chidgzey, Luke Johnston and Cat Clarke, aka the owners of iconic Fortitude Valley music venue The Zoo. "We wanted Stranded to be reminiscent of the Back Room of Max's New York, where artists like Andy Warhol, Iggy Pop and Bowie found sanctuary from the conformity of the outside world to eat, drink and have a bloody good time," explains Clarke. Perched in Winn Lane and opening on Friday, April 8, Stranded is The Zoo crew's second new venture in 2022, after already branching out beyond just gigs with Zoopreme Pizzeria. This time around, they're going heavy on cocktails, but will also serve up food as well. The full menu hasn't been revealed yet, but it'll skew share-style — and a 32-hour slow-cooked mezcal infused beef cheek just might be a star attraction. Drinks-wise, mezcal will also feature heavily, martinis will be on offer, and a focus on celebrating artistry will beat hard across the dining and beverage range. Presumably, The Saints' '(I'm) Stranded' — both the song and the album of the same name — will get a whirl on the venue's soundtrack, which'll come from live DJs spinning vinyl. Brisbanites can also expect "a refined yet comfortable space for those that love great music and quality food paired with unique cocktails," says Chidgzey. "The goal for Stranded is to become a home away from home for people to explore themselves through music while enjoying a cheeky tipple." Find Stranded upstairs at 3 Winn Lane, Fortitude Valley, from Friday, April 8.
We should all be well aware of the vast benefits that recycling brings to us individually, to our communities, and, of course, to the environment, and many of us make an effort to contribute as much as we can to this vital movement. Yet, some more than others have taken this dedication to reusing and recycling to an entirely new level. Artists and architects around the world have, over recent years, come up with ingenious creations made completely from recycled paper and cardboard. Buildings constructed using recycled paper are not only incredibly environmentally friendly but also cheap, lightweight, and easy to assemble. The structures can also be particularly distinguishable and aesthetically pleasing thanks to the creative methods needed to make use of the renewable materials. Here are seven of the most eco-friendly and remarkable structures made entirely from recycled paper. Dratz&Dratz Architekten's Office After passing by a recycling station and being inspired by the unexpected durability and functionality of recycled paper, Ben and Daniel Dratz of Berlin constructed this unique 2045 square foot workspace made from 550 bales of compressed recycled paper. The duo funded the project through a $200,000 grant from Essen's Zollverein School of Management and Design to build this pioneering 'paper house' on the grounds of a former mining complex and a UNESCO World Heritage Site. The duo stacked and designed the building so that it could withstand several days of rain and then dry in the sun. Not only is this a wondrous architectural feat but it is also a mysterious construction with countless scraps of information and hidden secrets embedded deep within its walls. Shigeru Ban's Takatori Catholic Church One of the most famous paper structures from one of the world's most famous paper architects, the Takatori Catholic Church is not only an unfathomable achievement in architectural design, but it is also an incredibly important construction, which helped rebuild the spirit and unity of the Takatori community following the devastating Great Hanshin Earthquake in 1995. Paper tubes were used as the structural elements of the rescue base and church — hence its nickname, 'Paper Dome' — and in 2005 these were then transferred to Taiwan to help the victims from the 921 Earthquake before being reused as a place of worship. Mode:lina Architekci's TRIWA Pop-up Store Nine hundred cardboard tubes were required to pull off this distinctive store for the up-market Swedish watch brand TRIWA. Aside from wanting to gain an alternative edge over their competitors, the company wanted low-cost, renewable materials that could quickly and easily be erected and which would increase their global brand awareness. The store is located in Poznan Plaza Shopping Mall in Poznan, Poland and consists of cabinets made from chunky chipboard panels, placed upon stacks of cardboard tubes made from OSB wood panels. Zouk Architect's Paper Tube Office Zouk Architects decided to adopt some eco-friendly methods for the construction of their very own open-plan office. Rather than simply discarding the unwanted moving waste when relocating their office, they decided to take full advantage of the cheap and highly structural materials to create an avant-garde office with a modern and renewable twist. Sumer Erek's Newspaper House In 2007, artist Sumer Erek made a call-out to the people of London to collate the newspapers lying inside their homes and scattered on the streets and add them to his creation, made entirely of 120,000 rolled newspapers. The transformative art- and think-piece is aimed to alter the perceptions of how Londonites, and everyone the world over, view rubbish and the mess we all contribute to. In an attempt to address the growing issue of free papers littering the streets of England, Erek wanted to reinforce the idea of 'reduce, reuse, recycle' and make the public realise that everyone is part of the problem, as well as the solution. Erek's expressive project was revealed in March 2008 and has since toured around England and various parts of Europe. Masahiro Chatani's Origamic Architecture On a slightly smaller scale, Masahiro Chatani's origamic architecture demonstrates the ways reused paper can be (re)used to create amazingly detailed and accurate depictions of famous buildings from around the world. Chatani invented the art of cutting paper simply using a knife to produce complex and beautiful paper structures in 1981 and since then many other artists have taken up the trend and added their own flair to it. Shigeru Ban's Tea House This tea house made entirely from recycled paper is another awe-inspiring creation from the hands of Japanese architect Shigeru Ban, yet with a slightly more commercial edge. Ban wants to send out a message to the world, as many of these architects do, to stress the importance of reusing and recycling in order to save our planet from the heavy burdens we place upon it through the never-ending mounds of waste we continually create. Following true Japanese tradition, this 5-metre-long construction is complete with a table and four chairs as well as a waiting area with a bench — the perfect environmentally friendly location to sit back and enjoy a rejuvenating green tea.
British singer/producer Ghostpoet, aka Obaro Ejimiwe, is coming Down Under to tour his latest record Some Say I So I Say Light. A record that mystifies listeners with its post-genre electronic production featuring loose and stretched out raps (in his sunken British accent). He captures a dark moodiness that brews amongst contagious hip hop beats. It's a treat to listen to, and hard to compare to anything else, really. Ejimiwe has a way of creating forward-thinking music. His distinct and uncategorised style puts him on his own pedestal. The unique artistry present in his latest record follows on from his debut Peanut Butter Blues & Melancholy Jam, which received a Mercury Music Prize nomination in 2011. He'll be bringing all these sounds and more as he takes a spin around Australia in September. https://youtube.com/watch?v=ABkQ96dh0eQ
UPDATE, November 23, 2022: Festival X has announced that Megan Thee Stallion will no longer be headlining the festival. This article has been updated to reflect that lineip change. It's been three years since the Australian music festival scene welcomed Festival X, which debuted back in 2019 with Calvin Harris leading the bill. We all know why the event hasn't been able to return since, but it's remedying that absence on the Gold Coast on Sunday, November 27 with Harris as one of its headliners again. That's fantastic news if you're a fan of the Scottish DJ. Also topping the bill: Don Toliver. If you're keen for a hot girl summer, Festival X's 2022 comeback was due to feature Megan Thee Stallion as well, who was set to head to Australia for the first time ever; however, she's sadly no longer coming Down Under. Festival X will take over Metricon Stadium, with Boys Noize, Green Velvet, John Summit, Luude and MaRLo also doing their thing onstage — and, yes, the list goes on. Festival X hails from quite the list of industry big guns, with Onelove (Stereosonic), Live Nation (Splendour in the Grass, Falls Festival) and Hardware (Piknic Electronik, Babylon) behind the touring event. FESTIVAL X 2022 LINEUP: Calvin Harris Megan Thee Stallion Don Toliver Boys Noize Green Velvet John Summit Luude MaRLo Nina Kraviz Sub Focus (DJ set and ID) Tchami Wilkinson (DJ set) Anna Lunoe Babyface Mal Badrapper Blastoyz Choomba Cosmic Gate Franky Rizardo Haliene Key4050 featuring John O'Callaghan and Bryan Kearney Laura King Len Faki Nifra Nora En Pure Prospa Sunset Bros Taglo Tyson O'Brien
With its riverside location, sprawling pools and all-round laidback feel, South Bank and summer already go hand-in-hand. Just as the weather starts to warm up in Brisbane, the inner-city precinct has welcomed a new attraction — the first Brisbane outpost for Noosa's beloved Happy Pops. If you're new to the Happy Pops experience, it's all about artisanal gelato on a stick, using all-natural, preservative-free Australian ingredients. Think Maleny milk, real vanilla, Belgian chocolate and actual fruit pieces. It also serves up vegan options, using soy, rice and coconut milk, which is good news for folks who don't consume animal products but still love a frosty treat. Customers can opt for a pre-made pop for $7, licking their way through the popular Hokey Pokey (with honeycomb made from Aussie honey, chocolate and caramel sauce), or the dessert mashup that is the Fruit Pavlova (which combines actual pavlova, vanilla gelato, white chocolate, freeze-dried raspberries and passionfruit) — among other flavours. Or, you can design your own for $8.50. You'll just need to choose your base (gelato, sorbet or yoghurt), style of chocolate (full-dip, half-dip or drizzle) and three toppings (including hazelnuts, sprinkles, macadamia nuts, marshmallows, Oreos, M&Ms and Nerds). If you'd prefer a waffle or brownie on a stick, covered in chocolate and then doused in your chosen toppings, that's also on the menu. Waffles are only on offer after 5pm, or all day if it's raining. Happy Pops serves milkshakes ($8), too, plus three kinds of mini-pops for kids ($4.50).
You can see Oprah, and you can see Oprah, and you can see Oprah: Oprah Winfrey has announced a December 2025 trip Down Under, including bringing her latest in-conversation events to Brisbane. At Brisbane Entertainment Centre on Monday, December 8, you'll be able to see the famed talk-show host get chatting — in an intimate session rather than on TV, where The Oprah Winfrey Show ran for 25 years. This is Winfrey's first jaunt this way in a decade — and that tour sold out, so expect this one to be popular as well. Authenticity and resilience will be among the topics of conversation, in what's designed to be an inspirational natter. [caption id="attachment_1015691" align="alignnone" width="1920"] Disney/Eric McCandless[/caption] "One of the things I have always enjoyed is sitting down for real, honest, enlightening conversations, and this experience is all about that," said Winfrey, announcing the tour. "The energy, warmth and spirit I feel in Australia and New Zealand have stayed with me, and returning will be an opportunity to reconnect, reflect, and be reinspired — together. I look forward to sharing stories, ideas, and meaningful connection about what's possible in our lives moving forward."
If you've ever dreamed of packing in the nine-to-five life, moving to the beach and running your own eatery with a view, here's your chance — Island Wholefoods Cafe, situated on Victoria's Phillip Island, is being raffled off. It's the kind of shortcut to completely changing your life, owning your own business and living by the seaside that everyone dreams about, and it's on offer for just $15. To enter, you need to buy a 'golden ticket' chocolate bar before midnight on Tuesday, October 16, with all entries going into the draw to become the new proprietor of the plant-based and plastic-free cafe. The winner will also receive $10,000 in cash and $4000 in stock, all fixtures and business assets, and rent, body corporate fees and council rates paid up until March 4, 2019. Valued at $187,439 in total, the prize includes all of the relevant taxes, duties and costs involved with transferring the business and lease as well. Current owners Laura and Matt McNamara opened the site back in 2015, but now they're keen to move onto the next chapter of their lives — which involves travelling around Australia in a caravan with their young family, still living a plant-based lifestyle and focusing on zero waste, all as part of a project they're calling The Avocado Tribe. And if they're off on a new adventure, they're keen to give someone else one too. Plus, as well as gifting the lucky winner a debt-free, profitable and already established business, the McNamaras are donating $2 from every chocolate bar to charities Take3 for the Sea, Plastic Free Phillip Island and Boomerang Bags Phillip Island. As for the $15 caramel chocolate bars themselves, they're made from mylk chocolate, including fair-trade and organic ingredients such as virgin cacao butter, coconut nectar, raw cashews, coconut, raw cacao beans, buckwheat and pink lake salt — and they're also dusted with 24-carat gold. Of course, if you'd be willing to buy absolutely any old chocolate bar for the chance to win your own cafe, that's understandable. Image: Island Whole Foods.
Do you usually leave your gift purchasing until the last minute? Have you vowed to finally do better this year? Would you like to buy Christmas presents for all of your friends and family members all at once, and in the one spot — even if you currently have zero idea of what you'll get them? Enter The Made Local Market, which is like Etsy IRL — and is hitting Brisbane this spring to lend a hand with your festive shopping. Get a jump on Christmas more than a month early or treat yo'self; whichever fits, you'll have plenty to browse and buy. In the spotlight here: artisans, makers, artists and designers in local communities, with The Made Local Market giving them the opportunity to sell their creations in a physical space. So, whether you're on the hunt for handmade wares or vintage goods, these guys have got you covered. The market will take place in the Exhibition Building at the Brisbane Showgrounds from 9am–4pm on Saturday, November 4 and 9am–3pm on Sunday, November 5 — so spreading across two days. Because it focuses on the best local talent, every market is filled with different stallholders and unique creations, but there'll be more than 140 stalls at this one. Supporting creative small businesses and scoring a killer gift for your loved ones is a win for everyone involved, so head along and get your shopping sorted. Entry costs $2 — and, the whole thing will be cashless, so don't forget your cards. There'll also be craft workshops, maker demonstrations, food trucks slinging bites to eat, and plenty of places to get caffeinated.
A day of revelry is coming to Woolloongabba — and despite the suburb's most prominent landmark, it has nothing to with sport. Instead, The End of the Line Festival is returning for another massive outdoor outing. It's free, it'll be jam-packed with music, performance and art, and it also aims to showcase the best restaurants and eateries the area has to offer. In its fourth year, the fest is going boutique in terms of its band setup, with one stage, no clashes and an afternoon-to-evening format. WAAX leads the cohort heading to Jurgens Street from 2pm on November 4, alongside fellow Brisbanite Jeremy Neale, Sydney's Flowertruck, and Melburnians Terry, Slow Dancer and Loose Tooth. As curated by Jet Black Cat Music's Shannon Logan, locals Nice Biscuit, Future Haunts and Spirit Bunny are also on the bill. Those after something other than ace tunes can experience a unique performance that blends live painting, Japanese butoh and singing, thanks to Zoe Porter, Megan Janet White's Theatre of Thunder featuring Stormbodies and guest, Zen Master Jinen Nagai and a few monks that will be visiting from Japan. Or, if visual art is more your style, POP Gallery will be hosting an exhibition overseen by American-Australian artist Bill Platz. Food-wise, the on-site likes of Pearl Cafe, Canvas, Sorelina, Enoteca, ABFab and Electric Avenue will be serving up their finest food and beverages, in the part of the street party fun that you'll need your wallet for. The End of the Line Festival takes place from 2pm on November 4 at Jurgens Street, Woolloongabba. Head to the festival website for further details.
“Your nose like a delicious slope of cream / And your ears like cream flaps / And your teeth like hard shiny pegs of cream.” Diner en Blanc — like Howard Moon's poem — will have you in all white. But sorry, Booshers: the fourth edition of this Brisbane event is just for the sophisticated. Now on five continents, the Diner en Blanc began in Paris 27 years ago thanks to François Pasquier and friends. This year, 2000+ of Brisbane's creme de la creme will once again dress in all white on Saturday, October 17, for the event held at a predictably stunning location that remains secret until the very last moment (for the last two years, it was the beautiful banks of the Brisbane River at Portside and Roma St. Parklands). Following an evening of elegance, fine dining and live music, the foodies then pack up their crystal, dinnerware, tables and litter. Like ghosts (white 'n' all), they leave behind no sign of their rendezvous (but don't get any ideas, a white sheet thrown over your figure will not do for an outfit). Diner en Blanc guests must either be invited by a member from the previous year, or get on the waiting list for a ticket. Here's what happened last year:
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from December (yes, we're assuming you've already watched Sound of Metal, Mank and The Flight Attendant). BRAND NEW STUFF TO WATCH https://www.youtube.com/watch?v=ord7gP151vk MA RAINEY'S BLACK BOTTOM Chadwick Boseman, Oscar-winner. That combination of words is very likely to become a posthumous reality for the late, great actor, thanks to his last screen role. Boseman is just that phenomenal in Ma Rainey's Black Bottom. He has earned that term before in Get on Up, Black Panther and Da 5 Bloods, but his performance in this stage-to-screen production is such a powerhouse effort that it's like watching a cascading waterfall drown out almost everything around it. He plays trumpeter Levee Green, who is part of the eponymous Ma Rainey's (Viola Davis, Widows) band. On a 1920s day, the always-nattering, big-dreaming musician joins Ma — who isn't just a fictional character, and was known as the Mother of Blues — and the rest of his colleagues for a recording session. Temperatures and tempers rise in tandem in the Chicago studio, with Levee and Ma rarely seeing eye to eye on any topic. Davis is in thundering, hot-blooded form, while Colman Domingo (If Beale Street Could Talk) and Glynn Turman (Fargo) also leave a firm impression. It's impossible take your eyes off of the slinkily magnetic Boseman though, as would prove the case even if he was still alive to see the film's release. Adapting the play of the same name by August Wilson (Fences), director George C. Wolfe (The Immortal Life of Henrietta Lacks) lets Boseman farewell the screen with one helluva bang. Ma Rainey's Black Bottom is available to stream via Netflix. https://www.youtube.com/watch?v=O7X0O9lZ_jQ WOLFWALKERS From FernGully: the Last Rainforest to Moana — and including everything from Studio Ghibli's Pom Poko and Princess Mononoke to Pixar's Wall-E, too — many an animated movie has combined eye-catching frames with an important message about the environment. Irish film Wolfwalkers joins the pile and rockets to the top, thanks to one of the most visually and emotionally enchanting features of the year. Story-wise, it follows young wannabe hunter Robyn Goodfellowe (Honor Kneafsey, The Bookshop). In a tale set centuries ago, she moves to Ireland with her father Bill (Sean Bean, Snowpiercer) when he's hired to eradicate the last wolf pack lurking in the woods. The locals, as overseen by an English Lord Protector (Simon McBurney, The Loudest Voice), want to wipe out the wolves so that they can tear down the forest in the name of progress. But, after sneaking out to go exploring, Robyn befriends a girl called Mebh (feature first-timer Eva Whittaker) who just might be a member of a mythical tribe that's able to shapeshift into the creatures while they're dreaming. As well as a rousing eco-conscious narrative, Wolfwalkers delivers distinctive and delightful animation. Expect earthy, natural colours, with greens, browns, oranges and yellows dancing across the screen. Expect a line-heavy visual style, too, which is almost reminiscent of woodblock prints. And, expect another all-round beauty from co-director Tomm Moore, who also helmed the Oscar-nominated and equally beautiful duo The Secret of Kells and Song of the Sea. Wolfwalkers is available to stream via Apple TV+. https://www.youtube.com/watch?v=fAveuCPBYSw I'M YOUR WOMAN Normally, when a criminal's latest job takes a turn for the worst for whatever reason, the film that tells their tale follows their part in the aftermath. I'm Your Woman isn't that movie. It looks like that kind of feature. It resembles one with exacting precision. But that isn't the narrative that's on offer here, and refreshingly so. Directed and co-written by Julia Hart (Fast Colour) with such a supreme handling of style, story and genre, this is a 70s-esque crime affair, but it focuses on Jean (Rachel Brosnahan, The Marvelous Mrs Maisel), the wife of a thief who has gone missing after a big score goes south. The aggrieved gangsters chasing her husband are also unlikely to be kind to Jean and her baby, so she's whisked off into hiding in the middle of the night with zero notice. That's a drastic change that she's unprepared to cope with — but, with help from the her spouse's ex-acquaintance Cal (Arinzé Kene, How to Build a Girl), she also discovers that she's far more resilient than she thinks. Compelling from the moment it opens with Jean clad in a magenta robe, add I'm Your Woman to the pile of movies that serves up a big shift in a familiar genre (see also: Sylvie's Love below), and does so in a spectacular fashion. I'm Your Woman is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=vcqItifbNUA SMALL AXE British filmmaker Steve McQueen hasn't directed a bad movie — and, dropping five new features as part of the Small Axe anthology, that isn't changing now. The director of Hunger, Shame, 12 Years a Slave and Widows gifts viewers a quintet of films that are as exceptional as anything he's ever made, with every entry in this new series taking place in England, in the 60s, 70s and 80s, with London's West Indian community at its centre. The first, Mangrove, tells an infuriating true tale about a police campaign to target a Caribbean restaurant in Notting Hill. From there, Lovers Rock spends time at a house party as two attendees dance into each other's orbits, and Red, White and Blue follows a young forensic scientist who decides to join the force to change it from the inside. Next, Alex Wheatle explores the life of the award-winning writer of the same name, while Education unpacks unofficial moves to segregate children of colour in schools. There's no weak link here — only stunning, stirring, standout cinema that tells blistering tales about Black London residents doing everything it takes to resist their racist treatment. Every film is sumptuously shot, too, thanks to cinematographer Shabier Kirchner (Bull), and the cast spans everyone from Lost in Space's Shaun Parkes and Black Panther's Letitia Wright to Star Wars' John Boyega. All five Small Axe films are available to stream via Binge. https://www.youtube.com/watch?v=Gs--6c7Hn_A SOUL Released earlier in 2020, Onward definitely wasn't Pixar's best film — but Soul, its straight-to-streaming latest movie, instantly contends for the title. The beloved animation studio has always excelled when it takes big leaps. Especially now, 25 years into its filmmaking tenure, its features prove particularly enchanting when they're filled with surprises (viewers have become accustomed to seeing toys, fish, rats and robots have feelings, after all). On paper, Soul initially seems similar to Inside Out, but switching in souls for emotions. It swaps in voice work by Tina Fey for Amy Poehler, too, and both movies are helmed by director Peter Docter, so there's more than one reason for the comparison. But to the delight of viewers of all ages, Soul is a smart, tender and contemplative piece of stunning filmmaking all on its own terms. It's Pixar at its most existential, and with a strikingly percussive soundtrack by Trent Reznor and Atticus Ross to further help it stand out. At its centre sits aspiring jazz musician-turned-music teacher Joe (Jamie Foxx, Just Mercy). Just as he's about to get his big break, he falls down a manhole, his soul leaves his body, and he's desperate to get back to chase his dreams. But that's not how things work, and he's saddled with mentoring apathetic and cynical soul 22 (the always hilarious Fey) in his quest to reclaim his life. Soul is available to stream via Disney+ from Friday, December 25. https://www.youtube.com/watch?v=FmXPgbrI2tU FOUR WEDDINGS AND A FUNERAL Mindy Kaling knows a thing or two about romantic comedies. For six seasons between 2012–17, she made an entertaining and often also very amusing TV sitcom that paid tribute to them in a big way, with her on-screen character frequently navigating situations that referenced plenty of classic flicks. To do just that, Kaling has clearly watched a plethora of rom-coms in her time — and she's the perfect person to turn the Hugh Grant and Andie MacDowell-starring early 90s favourite Four Weddings and a Funeral into a new and updated show. First, a word of (very obvious) warning: the ten-episode miniseries that results won't dislodge the original movie as your favourite version of the type of tale. That said, it's pleasant, extremely watchable (and bingeable), and makes enough twists to the premise to carve its own niche. It's also nicely cast, featuring Game of Thrones' Nathalie Emmanuel, plus Rebecca Rittenhouse (The Mindy Project), Brandon Mychal Smith (You're the Worst) and John Reynolds (Search Party), as some of the folks involved in four ceremonies celebrating nuptials, and one farewell. Four Weddings and a Funeral is available to stream via Stan. https://www.youtube.com/watch?v=SbjakuJZgww SYLVIE'S LOVE The year is 1957 when Sylvie (Tessa Thompson, Westworld) and Robert (Nnamdi Asomugha, Hello, My Name Is Doris) meet in Harlem. She's working in her father's record store, he asks about the 'help wanted' sign in the window, and her dad (Lance Reddick, John Wick: Chapter 3 — Parabellum) gives him the job. The already-engaged Sylvie wants to be a TV producer, a dream everyone thinks is out of reach for a Black woman in the era, but she's determined. Robert is an impressive jazz musician; however, it isn't paying the bills and he isn't certain where his career is going to go. From there, writer/director Eugene Ashe (Homecoming) traverses their ups and downs, both professionally and personally. He does so in swoon-worthy fashion, in fact, leaping wholeheartedly into melodrama, eagerly ramping up the emotion at every moment, and adding a film to the genre that focuses on people of colour in a way that simply hasn't been done before. Love radiates from the screen, whether Sylvie and Robert are feeling it together or yearning with it while apart — and in the affection that Ashe clearly has for making a gorgeous-looking, deeply moving, quietly revolutionary movie that feels like a throwback to six-plus decades ago. Sylvie's Love is available to stream via Amazon Prime Video from Friday, December 25. https://www.youtube.com/watch?v=veUqfcyZ_Bo DEATH TO 2020 Across its five seasons to date, Black Mirror has dedicated 22 episodes to imagining dystopian futures. It makes for compelling, entertaining and often disturbing viewing; however, none of the sci-fi anthology series' predictions are particularly pretty. But, for all of its prognosticating, the Charlie Brooker-created show didn't foresee 2020's chaos. And now we've all endured this hectic year and are about to see it come to an end (finally, thankfully, and good riddance to it), the team behind Black Mirror has something to say about the whole mess. The end result: new comedy special called Death to 2020. Just before this garbage fire of a year fades away forever, the show will look back on the year via a documentary-style program that uses real-life archival footage from the past 12 months. It'll also deploy narration from fictitious characters played by the high-profile likes of Samuel L Jackson, Hugh Grant, Lisa Kudrow, Kumail Nanjiani, Tracey Ullman, Samson Kayo, Leslie Jones, Diane Morgan, Cristin Milioti and Joe Keery, all chatting to camera and — based on the trailer — inhabiting the types of folks that 2020 has been full of. Yes, it's the year's last must-watch show. Death to 2020 is available to stream via Netflix from 6pm AEST on Sunday, December 27. A WORLD OF CALM It's not every day that you get to sit on your couch, stare at scenic sights, lose yourself in an on-screen taste of a specific story and a distinctive patch of the world, and listen to Keanu Reeves' inimitable voice all at the same time. Actually, thanks to new documentary series A World of Calm, you could now really stream and re-stream the above daily if you want to. The series is based on the immensely popular (and self-explanatory) Calm app, so it's designed to be as soothing as possible. It's also made by HBO, in the US network's first venture into this kind of lifestyle content. Although delivered via individual episodes rather than as one big long marathon (compared to an extended train documentary or a tour of the Cadbury chocolate factory, for instance), it falls under the recent slow TV trend, too — because you'll be peacefully guided through a different topic in each chapter. Idris Elba, Oscar Isaac, Nicole Kidman, Zoë Kravitz, Kate Winslet, Lucy Liu, Cillian Murphy, Priyanka Chopra and two-time Oscar-winner Mahershala Ali also lend their voices to the show, chatting through everything from woodworking to noodles, plus coral, bird migration, space, snow, water and horses. New episodes of A World of Calm are available to stream via SBS On Demand every day from Friday, December 25–Sunday, January 4. CULT CLASSICS TO REVISIT AND REDISCOVER https://www.youtube.com/watch?v=HPypBiQz_OM ELEMENTARY They're called procedurals: TV shows that work their way through the investigation of different crimes, usually focusing on a new case in every episode. You're currently thinking of plenty (every take on Law & Order, for example), because they're that much of a television staple. And, they're often entertaining in an undemanding but easily addictive way. Viewers know a series' particular formula from episode one, but seeing how it plays out again and again with the same inquisitive characters is what keeps you watching. Accordingly, bringing Sherlock Holmes into this format was always going to be a great move — and, as set in modern-day Manhattan, and focusing on a just-out-of-rehab version of the ex-Scotland Yard, now-New York Police Department consultant, Elementary doesn't disappoint. The show's casting is a big part of its appeal, with Jonny Lee Miller getting sleuthing (as his co-star in Danny Boyle's stage version of Frankenstein, Benedict Cumberbatch, obviously did too in the British-made Sherlock) and the always-welcome Lucy Liu playing Dr Joan Watson. When Moriarty shows up — this is a Sherlock story, after all, so it's inevitable — the series also keeps serving up twists. All seven seasons of Elementary are available to stream via Amazon Prime Video.
For better or worse, you always know what you're getting at McDonald's. Whether you're stopping off on a road trip for something quick and easy or hitting the dodgy end of a long night with nothing but tequila in your belly, Maccas delivers the same mysteriously flat, delicious mess. But now, Aussie McDonald's stores are stepping it up a notch. With the introduction of table service and customisable burgers with new, quality ingredients, Maccas is getting a little bit gourmet. Sydney's Castle Hill store is the first in Australia to trial the idea, with this new service starting this week. Customers can order their burgers via digital kiosk and choose from 19 ingredients including fancy brioche buns, grilled mushrooms, tortilla chips and nine different sauces. The burgers are then served directly to your table on fashionable wooden boards and newspaper with the hallmark shoestring fries in a wire basket. Without that familiar red and yellow packaging, the meals look a whole lot like what you might find at popular burger joints like Grill'd — a move which is anything but accidental. As strange as it may seem, burgers are all the rage now. No longer relegated to shameful hungover binges, big brioche buns and quality meats are front and centre on Australia's foodie scene, and McDonald's are getting in on the action. "All of our innovations have been led by Australians," said McDonald's CEO Andrew Gregory. "What we're really doing here is just what our customers have asked us to do." But it's a move which doesn't come cheap. It's reported that this remodelling strategy will set the fast food titan back a whopping $1 billion. Though Castle Hill is currently the only Australian store offering the new menu and service, McDonald's plan to introduce it elsewhere soon. If all goes to plan, it will be in place nationwide within 12 months. As The Courier Mail so tactfully put it, look out: "Maccas is going hipster". Via news.com.au and Daily Mail.
The Nice Guys mightn't have scored a sequel, but The Fall Guy does nicely instead. Getting a hearty workout: Ryan Gosling's charm, comedic talent that just earned an Oscar-nominated showcase in Barbie and action skills as last seen in The Gray Man. He's back in stunts, too, as Drive first gifted the world so mesmerisingly. A loose remake of the 80s television series of the same name, The Fall Guy is a take-it-and-run-with-it kind of film, then. Not only does it grasp hold of what Gosling does best and sprint, but the same applies for co-lead Emily Blunt (Pain Hustlers) — and, of course, for director David Leitch (Bullet Train), who first took the journey from stunt performer to filmmaker with John Wick, has kept filling his resume with action fare since (see: Atomic Blonde, Deadpool 2, Fast & Furious Presents: Hobbs and Shaw and Bullet Train) and now virtually comes full circle in helming a flick where his protagonist does the same gig that he once did. Gosling's Colt Seavers is also taking it and running with it — in a profession where it's his job to help bring whatever impossible physical endeavour is required to the screen, as well as on the gig that gets him to Sydney. The Fall Guy starts 18 months prior to his trip Down Under, however, but still with him doubling for Tom Ryder (Aaron Taylor-Johnson, Bullet Train), one of the world's biggest actors. Seavers has a career that he loves and steady work at it thanks to Ryder's fame. He's also happily romancing Jody Moreno (Blunt), a camera operator with dreams of doing more. Then a stunt goes wrong, leaving him badly injured, battered and bruised emotionally and psychologically, and inspiring him to quit the business. Only a call from Ryder-loving producer Gail Meyer (Hannah Waddingham, Ted Lasso) sparks his return to the industry — he makes a crust as a valet once he's fit and able in-between — and, even then, it's only really the fact that Moreno is helming Ryder's latest movie as her directorial debut that nudges him onto the plane. Upon his arrival in Australia, Seavers soon discovers that the situation isn't exactly what he's been told. Ryder is missing from the Metalstorm set, putting the future of the production at risk. Shady folks keep popping up whenever anyone — well, Seavers — goes looking for the absent star. And Moreno had zero advance idea that the man who ghosted her had been enlisted on the shoot, and is far from thrilled about it or the way that their relationship ended. Trying to win her back, getting emotional fortification from Taylor Swift tunes The Bear-style, attempting to track down Ryder, evading the unsavoury figures on this trail, bouncing around Sydney: sometimes while fending off sword-swinging foes, sometimes while wearing fluoro, sometimes while paired with an acting dog who'll chomp on command, that's all on Seavers' plate in Drew Pearce's (Fast & Furious Presents: Hobbs and Shaw) zippy screenplay. There's an easy, breezy vibe to The Fall Guy, the kind that comes from knowing wholeheartedly that you're capitalising upon the strengths of your key players. Although Seavers dates back to the television iteration and there was a Jody on the small screen, too (Banks, not Moreno), the film's main pair were moulded around Gosling and Blunt — and it always shows. For him, it's a charisma-forward performance whether he's getting goofy, earnest or thrust into a fray. His Kenergy-fuelled comic timing is impeccable, as is his ability to sell Seavers' soul-searching stint after a career that requires him to be invincible reminds him that no one is. For her, joining a resume that also includes excellent action turns in Looper and Edge of Tomorrow, it's a portrayal built on pluck. When Gosling and Blunt are together, the film boasts as much crackling chemistry — often of the screwball type — as it does dynamic fights, explosions, shootouts and car chases (one of the latter famously on the Sydney Harbour Bridge). And there are fights, explosions, shootouts and car chases (and boat jumps, helicopter battles and vehicular cannon rolls). You don't make a movie about a stunt performer on a mystery-caper adventure while working on a mega-budget alien sci-fi war romance flick — a film that turns the Sydney Opera House into a backdrop while it's at it — without highlighting stunts, stunts and more stunts. You definitely don't hold back if this was once your life as well. The action doesn't disappoint, nor does the commitment to weaving how such action comes to fruition into The Fall Guy's action sequences, complete with underscoring the importance of practical effects in the broader feature and the picture within it. This is a winking-and-nodding movie to its primary genre, lovingly so, right down to references built into the film. With stunt coordinator Dan Tucker (Winston Duke, Black Panther: Wakanda Forever), Seavers swaps references to other films (The Last of the Mohicans and Rocky III, for instance). One of his prized possessions: a Miami Vice jacket. The words of 'Unknown Stuntman', the theme to TV's The Fall Guy which gets a new cover here, are clearly a guiding light for Leitch on this movie: "I might fall from a tall building, I might roll a brand-new car, 'cause I'm the unknown stuntman that made Redford such a star" is one memorable line. Accordingly, though the very basis of filmmaking's stunt performer-actor setup is that the former are meant to convince the audience that it's the latter risking their lives, revelling in everything that The Fall Guy throws Gosling's way as Seavers means relishing the work of his doubles Ben Jenkin (Transformers: Rise of the Beasts) and Justin Eaton (The Killer). The campaign for the stunts game to be given the credit it deserves — aka an Oscar category — couldn't earn a more persuasive push, then. Leitch's feature manages something that most flicks would kill for, because action deployed for the sake of it, then shot frantically and edited messily, gets repetitive; The Fall Guy is the lively, passionate and meticulously crafted antithesis of routine smashing and bashing. Back-and-forth rom-com bantering can similarly fall flat if the stars and the vibe aren't right. There's something about Sydney of late: in Anyone But You, Sydney Sweeney (Immaculate) and Glen Powell (Top Gun: Maverick) made it work in the Harbour City, as Gosling and Blunt do in the same place in The Fall Guy. So, while The Nice Guys mightn't have received a follow-up, it's easy to see The Fall Guy becoming a big-screen franchise, and welcomely. At the very least for its magnetic leads, it should set a new repeat double act in motion. Gosling teamed up with Emma Stone (Poor Things) three times on Crazy, Stupid, Love, Gangster Squad and La La Land, and makes an equally delightful duo with his current co-star. Just as there should be no underestimating stunt feats in general or in this flick, as Leitch stresses again and again, there should be no downplaying the ride that Gosling and Blunt take their characters on in this fun film, either — from doing the hard work while others win the glory to finally getting their time to shine.
UPDATE, November 18, 2022: See How They Run is still screening in Australian cinemas, and is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. As every murder-mystery does, See How They Run asks a specific question: whodunnit? This 1950s-set flick also solves another query, one that's lingered over Hollywood for seven decades now thanks to Agatha Christie. If this movie's moniker has you thinking about mouse-focused nursery rhymes, that's by design — and characters do scurry around chaotically — however, it could also have you pondering the famed author's play The Mousetrap. The latter first hit theatres in London's West End in 1952 and has stayed there ever since, other than an enforced pandemic-era shutdown in COVID-19's early days. The show operates under a set stipulation regarding the big-screen rights, too, meaning that it can't be turned into a film until the original production has stopped treading the boards for at least six months. As that's never happened, how do you get it into cinemas anyway? Make a movie about trying to make The Mousetrap into a movie, aka See How They Run. There's a clever-clever air to See How They Run's reason for existing. The same proves true of its narrative, the on-screen explanation about how The Mousetrap sits at the centre of this film's story, and the way it details those rules around adapting the play for cinema. Voiced by in-movie director Leo Köpernick (Adrien Brody, Blonde), that winking attitude resembles the Scream franchise's take on the horror genre, but with murder-mysteries — and it also smarts in its knowing rundown about how whodunnits work, who's who among the main players-slash-suspects and what leads to the central homicide. First-time feature filmmaker Tom George (This Country) and screenwriter Mark Chappell (Flaked) still craft a film that's enjoyable-enough, though, albeit somehow both satirical and by the numbers. Keeping audiences guessing isn't the picture's strong suit. Matching its own comparison to Christie isn't either. But the leads and snappy sense of fun make this a mostly entertaining game of on-screen Cluedo. Was it actor Richard Attenborough (Harris Dickinson, Where the Crawdads Sing), his fellow-thespian wife Sheila Sim (Pearl Chanda, War of the Worlds), big-time movie producer John Woolf (Reece Shearsmith, Venom: Let There Be Carnage) or his spouse Edana Romney (Sian Clifford, The Duke) getting murderous in the costume shop at the backstage party celebrating The Mousetrap's 100th show? (And yes, they're all real-life figures.) Or, was it the play's producer Petula Spencer (Ruth Wilson, His Dark Materials), the proposed feature adaptation's screenwriter Mervyn Cocker-Norris (David Oyelowo, Chaos Walking) or his Italian lover Gio (Jacob Fortune-Lloyd, The Queen's Gambit)? They're among See How They Run's other enquiries, which Scotland Yard's Inspector Stoppard (Sam Rockwell, Richard Jewell) and Constable Stalker (Saoirse Ronan, The French Dispatch) try to answer. After the death that kicks off the film, the two cops are on the case, working through their odd-couple vibe as they sleuth. Naturally, everyone that was in the theatre on the night in question is a suspect. Just as expectedly, convolutions and complications abound. Plus, possible motives keep stacking up — and there's plenty of in-fighting among the stage and screen in-crowd who might've done the deed. In other words, even with equally parodying and paying homage to all things murder-mystery chief among See How They Run's aims (alongside showing off that it thinks it knows the basics as well as Christie), it isn't blind to following the standard formula. The guiding narration, which notes that it's always the most unlikeable character that gets bumped off, takes a ribbing approach; "seen one, you've seen 'em all" it advises, because Köpernick was charged with helming The Mousetrap's leap into movies, wasn't so impressed with the source material, then advocated for violence and explosions to spice up the whole thing. Yes, viewers are meant to see parallels between what he's saying and what they're watching. Yes, being that self-aware and meta truly is a feature-long commitment. The Mousetrap mightn't actually ring a bell for everyone going into See How They Run, however. That's not overly astonishing — Christie not only put her demands regarding a movie version into a contract, thinking it'd only be onstage for a handful of months, but also decreed that each show finishes with the cast getting the audience to promise that they won't give away the play's secrets. As a result, it hasn't enjoyed Murder on the Orient Express and Death on the Nile's broader recognition, and this flick mightn't make you want to seek it out. A rousing advertisement for The Mousetrap, See How They Run definitely isn't. There's an odd feeling to Chappell's gags at the play's expense, which are as thudding as they are superfluous. Thankfully, there's nothing surplus about the central double-act that is Rockwell and Ronan, two consistently stellar actors proving just that again here. While their co-stars do exactly what they need to and no more, he plays fraying and shambling with an attention-grabbing sense of physicality — he doesn't dance, sorry, but movement is still pivotal to building Stoppard as a character — and she sports a keen-as-mustard vibe that could've carried over from her Wes Anderson film appearances. The strongest feeling emanating from See How They Run when it's all over and solved: teaming up Rockwell and Ronan again, and ASAP. If there's room on-screen for multiple middling-at-best recent Hercule Poirot pictures, there's room for movies about a cracking pair inspired by the moustachioed Belgian and the English scribe behind him. That lead casting is pivotal to helping See How They Run weather its excess of nudging — and those ill-thought-out The Mousetrap digs — but the film is still never quite the three things it blatantly wants to be. It isn't up there with Christie's page-turner best, and nor is it as sharp as the smart and slick Knives Out, or what'd happen if Wes Anderson was indeed directing Ronan and his fellow frequent star Brody in an immaculately styled whoddunnit. Looking the part isn't a problem; the delightful aesthetic, with its symmetry, rich hues and ornate detail, shines bright. Just as lively and enticing: the gleaming cinematography by Jamie Ramsay (Mothering Sunday) and the jazzy score by Daniel Pemberton (Slow Horses). But if See How They Run was one of its own characters, it'd be the know-it-all who thinks they've fulfilled their role perfectly, yet doesn't quite. Every murder-mystery has one; this film, while largely engaging to play along with, is one.
For close to four decades, Sydney artist and filmmaker George Gittoes has chronicled the darker side of human existence. Travelling everywhere from Somalia, Rwanda and Bosnia to Nicaragua, South Africa and Afghanistan, his pieces and films have documented unimaginable atrocities. And, more than merely observing such incidents, his efforts have inspired confronting bouts of contemplation — and earned him the 2015 Sydney Peace Prize in the process. Accordingly, Gittoes has amassed a large collection of work on both canvas and celluloid — and yet, surprisingly, he has never been the subject of a commercial exhibition in Brisbane. Coinciding with the release of his latest book of the same name, Night Vision presents art created over the last 30 years that typifies his commitment to social, political and humanitarian considerations. Plus, not only will the showcase grace the walls of Mitchell Fine Art from July 27 to August 20, but Gittoes himself will be in town to chat about his career. Head along to the gallery for the official opening night celebrations on July 29, drop back in at 11am on July 30 for an artist talk, and then mosey over to GOMA at 1.30pm for a screening of Gittoes' latest documentary Snow Monkey, followed by the launch of the Night Vision book and a signing session.
Winter is in full swing — and, if you like celebrating frostier weather, adorable animation and mini golf all at once, the part-tee is just about to begin at Northshore. Everyone's favourite Pixar characters are popping up in Brisbane at a putt putt course inspired by the Disney-owned studio's loveable films. Yes, Pixar Putt is returning, with the kidult-friendly course heading to Hamilton, right next to Eat Street Northshore, from Friday, June 17–Sunday, July 24. Designed to challenge both eight-year olds and adults, Pixar Putt features nine- and 18-hole courses that take you past childhood heroes like Buzz Lightyear, Sheriff Woody and Elastigirl. Flicks such as Coco, Monsters Inc, Onward, Luca, Finding Nemo, Up, Ratatouille, A Bug's Life, Wall-E, Inside Out and Soul all get some putting love, too. Clearly, there's no need for a trip to Disneyland — and this year's course features new holes inspired by Pixar's recent Turning Red and upcoming Lightyear. So, if you didn't beat your cousin at backyard cricket over the summer, challenge them to a rematch here. All you need is your hat and A-game (and no pressure if you remain defeated, there's always the nineteenth hole nearby). Dates and times vary, running daily during school holidays — so, from Friday, June 24–Sunday, July 10 — but only from Friday–Sunday otherwise. Pixar Putt is also open for after-dark sessions every Thursday–Sunday night — and they're only for adults. Operating from 7–10pm Thursday–Saturday and 7pm–9pm on Sundays, the late-night putt-putt hours are perfect for those date nights when you want to do more than just have dinner and see a movie. If you're keen to get tap, tap, tapping during daylight hours — and likely with littlies for company — Pixar Putt opens at 10am.
At Boho Luxe Market (their words, not ours), Byron Bay comes to Brisbane. Well, the beachy New South Wales spot's general vibe does at least. Forgoing the trappings of the city for bohemian fashion, jewellery, homewares and the like is on the market's agenda, and has been in Melbourne for the past few years. In 2019, however, it's bringing a three-day version up north to see if Brisbanites respond well to dreamcatchers and flower crowns. If that sounds like your kind of thing, then block out Friday, June 28 to Sunday, June 30 in your diary. The Boho Luxe Market will head to The Old Museum for a weekend of browsing and buying, food trucks, live music and more. There'll also be a dedicated vegan section, plus a kombi display and glamping providers tempting you into booking your next holiday. Entry costs $2, with kids under 12 allowed in for free. Drop by and pretend you're somewhere quiet and coastal on Friday from 6pm to 10pm, Saturday from 10am to 5pm, and Sunday from 10am to 4pm.
Already home to a picturesque and peaceful Japanese garden, the Brisbane Botanical Gardens at Mt Coot-tha is ramping its cultural appreciation up a few notches. Visitors will do more than soak in the greenery-fuelled serenity from 10am on Sunday, August 19, courtesy of an entire day of Japanese-themed celebrations. From rice cake making and calligraphy sessions to kokedama classes and taiko drum performances, the Gardens' Japanese Cultural Day will steep you in the sights, sounds, tastes and activities of Japan — like a good tea ceremony, which is also on the agenda. Other highlights include make-your-own sushi classes, bonsai demonstrations, ikebana flower arranging, a Japanese choir singing traditional tunes, plus kites and origami for younger attendees. Entry is free and no tickets are necessary — except for the kokedama workshops, which cost $10 and require booking in advance. Image: Brisbane City Council.
The BrisStyle team is a rather busy bunch. A few times a year, it puts on twilight markets in King George Square, but that isn't its only regular event. If you're particularly after a treasure trove of handmade goodies — and who isn't? — it hosts another opportunity to browse and buy that's dedicated to exactly those kinds of objects over at the Queensland Museum. And, because it's that time of year, it's putting on a Christmas version of the latter. Fashion, art, jewellery, homewares — if someone's been using their nimble fingers to make it, then you can probably trade your hard-earned cash for their hard work. In fact, there'll be a long list of artisans selling their wares. And, while you're shopping, you'll also be able to grab a bite at the onsite cafe and listen to live tunes from local musos. The BrisStyle Handmade Christmas Markets take place on Saturday, December 11, so that's when you can take care of your gift-buying needs. Head along from 9am–3pm, with it all taking place in the Queensland Museum's whale mall. Image: BrisStyle.
Have you ever wondered what happens to beautiful, archaic train stations after the trains that run through them halt for good? Take a look at the some of the most gorgeous abandoned train stations from the around the globe to admire their classic beauty and discover some of the many secrets and stories hidden within their walls. Abkhazia The abandoned railway station in Abkhazia, Russia, is a historical relic of the former Soviet Union. A 185km railway line connected Russia’s North Caucasus Railway with Georgian Railways but was severed in 1992 following the war in Abkhazia. 54km of the railway was repaired in 2008, however, the operation was purely humanitarian and so this stunning structure remains untouched and hauntingly beautiful. Michigan Central Station Depot At the time of its construction in 1913, the Michigan Central Station Depot was the tallest rail station in the world. Located in the Corktown district of Detroit, this now abandoned station survived heavy military use during World War II and was almost closed for good in the '60s after maintenance costs became too high for the decreasing passenger volume. It was reopened in 1975 when Amtrak took over and initiated an enormous renovation program, however, the last train puffed past in 1988. Montzen Gare Montzen-Gare is located on the Eastern borders of Belgium and has become a hotspot for photographers wanting to capture the alluring beauty of its rusting trains, tracks and decaying rooms. The station was built by Russian prisoners of the First World War for the German Army but had to be rebuilt after a heavy bombing in 1944. The station also became available for passenger transport following the war, however it was abandoned for good in 1998. Mapocho Station Now used as an art gallery, the cavernous space of the Mapocho Station in Santiago, Chile was constructed between 1905 and 1912, and was once the heart and soul of Chile’s massive railway network. The grand building had its last train shudder to a stop in 1987, but it was restored to its former charm in the '90s. Today the station serves as the cultural nucleus of the nation with its spacious interior providing the perfect location for exhibitions, performances and many other cultural festivities. Manchester Mayfield Manchester's Mayfield station served as both a passenger and a goods station in its time and, since its demise in 2005, the abandoned space has been been slated for development into a city centre district, a National Express Coach Station or a super campus for civil servants. The space was originally constructed in August 1910 for suburban services and met its tragic end after the roadside building was guttered by a fire. Croix Rouge The unused station of Croix Rouge is an infamous Parisian phantom station, the only one which remains as it was when it was closed. Put into service as a terminus for line 10 in 1923, the station was amongst the non-essential stations closed in 1939 due to the mobilisation of Paris metro employees for the Second World War. The advertisements, seats and even station masters booth can still be seen on the platform. City Hall Subway Stop The City Hall Station in Manhattan was the original southern terminal of the first New York City Subway opened in 1904. The station lies beneath the public area in front of City Hall and was designed to be the showpiece of the new subway. The elegant architecture, coloured glass tiles and brass chandeliers meant that it was considered to be one of the most beautiful subway stations in the system. The passenger service came to a close in 1945. Buffalo Central Terminal A station designed to accommodate up to 3,200 passengers per hour (or 200 trains per day) is sure to be an impressive and eye-catching structure. And the Buffalo Central Terminal certainly doesn’t disappoint. The complex consists of a 17 storey office tower, four storey baggage building, a two storey mail building and the main concourse. It was opened to the public in 1929 and the terminal closed in 1979. Now in the hands of the Central Terminal Restoration Corporation, a huge campaign is being undertaken to preserve and restore the terminal to its former glory. Anhalter Bahnhof The oldest of the abandoned stations in the list is the Anhalter Bahnhof station in Berlin, born in 1841. Starting from humble beginnings, the station developed to become one of Berlin’s biggest and finest, with its trains departing to Prague and Vienna. The station is not without its history as the it was involved in the deportation of about a third of the city’s Jewish population between 1941 and 1945. [Via Flavorwire]
When Sydney Theatre Company's version of The Picture of Dorian Gray premiered in 2020, it didn't just give Oscar Wilde's gothic-literature masterpiece a fresh spin; it turned it into a brand-new stage sensation. The show features just one performer playing all 26 characters. To make that happen, the production uses video to help. It's the work of writer/director Kip Williams, it's groundbreaking, and it's been understandably earning audiences raves and winning awards. Next stop: the big screen, possibly. Deadline reports that the film rights to the theatre smash have been picked up by none other than Cate Blanchett, via the Tár and Nightmare Alley star's production company Dirty Films. Now, playwright, screenwriter — and Dirty Films partner, plus Blanchett's partner — Andrew Upton is working with Williams on a treatment. When a movie version of The Picture of Dorian Gray might eventuate, who'll star, who'll direct the film: none of that has been announced so far. But behind the scenes, producers Rachel Gardner and Jo Porter from Curio Pictures are also involved. Dirty Films has the Blanchett-led The New Boy, plus fellow flicks such as Fingernails and Shayda, on its recent slate. Curio Pictures has TV productions High Country, The Artful Dodger and the upcoming The Narrow Road to the Deep North to its name of late. After it debuted in Sydney starring Eryn Jean Norvill, The Picture of Dorian Gray also hit theatres in Melbourne and Adelaide. From there, since earlier in 2024, it made the jump to London with Succession's Sarah Snook taking on every single onstage part, winning a 2024 Laurence Olivier Award for Best Actress for her efforts. On the page, The Picture of Dorian Gray is exceptional, as well as astute and unnerving, as it follows the selling of its namesake's soul in order to keep indulging every corporeal whim, urge and desire. There's a reason that it just keeps getting adapted for the screen and in theatres, after all. But there's never been a version like Sydney Theatre Company's, which filmgoers might now get to experience. Check out a trailer for the West End season of The Picture of Dorian Gray below: There's no word yet on when The Picture of Dorian Gray could reach screens — we'll update you when more details are announced. The Picture of Dorian Gray is playing The Theatre Royal Haymarket, 18 Suffolk Street, London until Saturday, May 11, 2024 — for more information and tickets, head to the play's website. Via Deadline. Images: Marc Brenner / Dan Boud.
Whatever is gracing the Gallery of Modern Art's walls at any given time, it's usually stunning. Air, the venue's huge summer 2022–23 exhibition, is no different. Until Sunday, April 23, this thoughtful showcase ruminates on the life-sustaining substance, pondering air's cultural, ecological and political dimensions — complete with floating mirrored spheres, glowing red globes, butterflies aplenty, leafy plants, industrial pipes and a smoky, darkened room you'll never want to leave. Brisbane art lovers know that GOMA's exhibitions aren't simply dazzling to look at. For just a couple of nights each, they usually backdrop fabulous after-dark parties surrounded by all of those creative works. And, in 2023, Air is getting the Up Late treatment from 6pm on Friday, March 17 and Saturday, March 18. [caption id="attachment_884340" align="alignnone" width="1920"] Tomás Saraceno / Argentina b.1973 / Drift: A cosmic web of thermodynamic rhythms (installation view) 2022 / 15 Aerocene spheres, transparent and metallic mylar, tape, pump with overpressure release, polyester rope, kinetic system, backpack, newspaper, pamphlets, booksand photographic prints on paper / Purchased 2022 with funds from the Neilson Foundation through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: QAGOMA / © Tomás Saraceno / Photograph: Dario Lagana, Studio Tomás Saraceno.[/caption] Get ready to spend two autumn evenings seeing breathtaking installations, drinking, tapping your toes to DJs and listening to live music. A $42-per-night ticket gets you access to the exhibition, as well as the fun. On the lineup: Alice Skye and Clea doing the honours on the Friday evening, alongside DJ nejmere; and Camp Cope, Melaleuca and Special Features taking to the stage on the Saturday night, plus DJ Sonia Cougar. The live tunes will echo across the Maiwar Green, under a marquee, so you'll be hopping in and out of GOMA itself. Plus, there'll be multiple spots to grab a bite and drink around the place at the GOMA Bistro, Newstead Brewing Co Coastal Bar, River Room Bar and Bacchus Wine Room, so a tipple won't be hard to find. Expect live immersive art experiences and workshops, too — including a drop-in session inspired by Jemima Wyman's contribution to Air, which will get you suspending particles yourself by creating a cloud-like collage — and the kind of gallery visit you can't have via daylight. [caption id="attachment_884339" align="alignnone" width="1920"] Anthony McCall / United Kingdom / United States b.1946 / Crossing (installation view) 2016 / Two double video projections (20 minutes), haze machine and sound, ed. 1/3 / Commissioned to mark the tenth anniversary of the opening of the Gallery of Modern Art. Purchased 2016 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: QAGOMA / © Anthony McCall / Photograph: Chloë Callistemon © QAGOMA[/caption] Top image: Mona Hatoum / Lebanon/United Kingdom b.1952 / Hot Spot (installation view) 2006 / Stainless steel and neon tube / The David and Indrė Roberts Collection / Courtesy: The Roberts Institute of Art, London / © Mona Hatoum / Photograph: Claudia Baxter © QAGOMA. Updated February 3.
Change is coming to Metro Arts, with the multi-disciplinary organisation and venue vacating its just-sold heritage-listed home of 40 years to move over to West End's West Village. But it's not going anywhere without saying a big farewell to its old digs, all thanks to a huge fortnight-long festival. Called Metro Arts, With Love, the 15-day celebration starts with a huge party, naturally. From there, a little bit of everything will grace the site. In tribute mode, Ephemera is a 40-channel video installation that commemorates the art, objects and other items that have inhabited the building over the years, while interactive circus performance Mothlight promises to push attendees into a labyrinth — and Forbidden Romance: A Love Cabaret shows its affection for romantic comedies. Other highlights include an exhibition by Courtney Coombs that responds to the distinctive light in Metro Arts' galleries, a burlesque ball and an ode to leotards. You can also grab a drink at the Last Hurrah Bar, which'll feature live performances, and swap stories about the venue. Just remember — you'll be soon be making new memories over at its new location. Images: Metro Arts.
Brisbane cinephiles have become accustomed to disruption, especially when it comes to the city's major cinema showcase. Over the past decade, the Brisbane International Film Festival has changed its spot on the calendar four times, been cancelled and replaced, seen its replacement cancelled too, and then been resurrected not once but twice. But, in 2020, it's actually progressing as usual. In its third year at the Gallery of Modern Art — with the fest both hosted and run by the South Bank venue — BIFF will take place as a physical event from Thursday, October 1–Sunday, October 11. In a normal year, that'd just be expected; however we all know that this isn't a normal year. Indeed, the Sydney Film Festival and Melbourne International Film Festival both scrapped their in-person fests in favour of virtual editions due to COVID-19. Just what'll be screening at BIFF hasn't yet been revealed — but movie buffs will be watching the festival's flicks in a cinema. Just where, other than GOMA, BIFF will screen hasn't been revealed either. The festival will provide details of not just its program and locations, but about its COVID-19 safe screening plans, closer to BIFF's October date. For now, though, get excited about heading out of the house, sitting in a darkened room with other film lovers, and feasting on a lineup of new local, Australian and international movies. [caption id="attachment_774218" align="aligncenter" width="1920"] Brisbane International Film Festival[/caption] The 2020 Brisbane International Film Festival will take place between Thursday, October 1–Sunday, October 11. Top image: Gallery of Modern Art, exterior south and east face, James Turrell artwork.
What's better than a microbrewery that serves both food and brews? A venue that pumps out its own beers and offers patrons two distinctive dining and drinking spaces. That's what's on the cards at The Charming Squire, with the South Bank venue splitting its floorplan to welcome in a new wood-fired grill and rotisserie restaurant. Opening its doors on Wednesday, September 15, Embers is the fancier sibling to the existing Brewhouse. Where the latter skews casual, this newcomer is all about levelling up your lunch or dinner. And, while it's definitely located inside The Charming Squire, this space-within-a-space has its own entrance — and its own vibe and wood-heavy decor. Able to seat 177, including in booths for five-to-ten people, at low tables and outdoors, Embers is filled with timber. Seasoned Charming Squire guests will recognise the layout, but the look has had a tweak — including via dashes of greenery. The look suits the culinary theme, given that Head Chef German Gonzalez is focusing on a fire-fuelled menu that heroes wood-roasted, smoked and grilled dishes, as well as meals finished over ironbark coals. Standout options include dishes with lamb, given that a whole lamb is slow-cooked every weekend and then broken up into plates — such as the wood-roasted lamb with cucumber, mint, local greens, labneh and sumac salad. The grain-fed rib fillet is slow-roasted for 24 hours, then served with bearnaise sauce, carrots and jus, while the charcoal chicken comes with pickles, lemon and fattoush salad. Other highlights span gnocchi with local mushrooms, truffle, stracciatella and sage butter from the vegetable-focused section of the menu, and half a Western Australian lobster that's wood-roasted with roe butter, tomato and olive from among the seafood dishes. Or, there's flame-seared hiramasa kingfish, mushroom and truffle arancini balls, and coffee cured and smoked duck breast, all from the small-plates range. If you're after something sweet following your meal, dessert options include passionfruit souffle with mango sorbet, banoffee pie and an affogato with salted caramel ice cream. Drinks-wise, more than 100 bottles of wine will tempt your vino-loving tastebuds, with Australian reds comprising more than half the list. James Squire's beers obviously feature, including tipples brewed in-house and tasting paddles — and five different boilermaker pairings. And, the cocktail selection also skews towards the smoky, as seen in the Embers Manhattan (which is made with beef fat-wash rye whiskey, vermouth and chocolate bitters), as well as the Smoky Old Fashioned (with mezcal, orange bitters and house wood-roasted chilli). Find Embers inside The Charming Squire, 3/133 Grey Street, South Brisbane, from Wednesday, September 15 — open Tuesdays from 5–9pm, Wednesdays–Thursdays from 11am–3pm and 5–9pm, Fridays from 11am–3pm and 5–10pm, Saturdays from 11am–3pm and 4.30–10pm, and Sundays from 11am–5pm.
Since first appearing on our screens in an uncredited role in 1995's Children of the Corn III: Urban Harvest, Charlize Theron has proven to be one of cinema's most versatile talents. She won an Oscar for playing real-life serial killer Aileen Wuornos in Monster, then nabbed two more nominations for dramas North Country and Bombshell. She's a delight not only in dark, existential comedies (Young Adult, Tully), but also in irreverent rom-coms (Long Shot). And, over the past decade, she's proven particularly formidable in action flicks — as Prometheus, Mad Max: Fury Road, Atomic Blonde and The Fate of the Furious have all demonstrated. Staying in kick-ass mode, Theron will next hit the screen on July 10 in Netflix film The Old Guard — and this time she's playing a warrior. Specifically, her character Andy leads a secret group of mercenaries who've been protecting the world for centuries. As she explains in the just-dropped trailer: "let's just say we're very hard to kill". Yes, that basically puts Theron in superhero territory, with the film based on Greg Rucka's graphic novel of the same name — and with the scribe himself writing the screenplay. The Old Guard also boasts a great director behind the lens, marking the latest film by Beyond the Lights' Gina Prince-Bythewood. Also strutting their immortal stuff are KiKi Layne (If Beale Street Could Talk), Matthias Schoenaerts (Kursk), Marwan Kenzari (Aladdin) and Luca Marinelli (TV's Trust), with Maleficent: Mistress of Evil's Chiwetel Ejiofor among the cast as well. And, story-wise, the straight-to-streaming film charts Andy and her crew's exploits when their special abilities are exposed during an emergency mission, which pits them against forces eager to cash in, copy and capitalise upon their extraordinary skills and power. Check out the trailer below: https://www.youtube.com/watch?v=aK-X2d0lJ_s The Old Guard hits Netflix on July 10. Top images: Aimee Spinks/Netflix.
Yes, it was Agatha All Along — the title for Marvel and Disney+'s WandaVision spinoff about Agatha Harkness, that is. Since the show was announced back in 2021, it has been given plenty of names, but House of Harkness, Coven of Chaos and Darkhold Diaries aren't sticking around as the miniseries' moniker. Instead, it's going with the tune that everyone who saw the character's first on-screen appearance now has stuck in their heads. Also new: a release date for the show. Agatha All Along will hit streaming queues from Wednesday, September 18, 2024. If nothing else joins the Marvel slate between now and then, that'll make it just the second Marvel Cinematic Universe TV series of the year, after Echo (by design, with the Mouse House noting several times that it wants to better space out its releases). View this post on Instagram A post shared by Marvel Studios (@marvelstudios) When the MCU made the leap to Disney+ back in 2021, WandaVision was the first program to arrive. It also finally made everyone take notice of the always-great Kathryn Hahn (Tiny Beautiful Things), who stole every scene she was in each and every time that she popped up — hence Agatha All Along getting the green light. Obviously, WandaVision was about Wanda and Vision, with Avengers: Endgame's Elizabeth Olsen (Love & Death) and Paul Bettany (A Very British Scandal) reprising their roles. But Hahn played a significant part as neighbour-slash-witch Agatha, even nabbing an Emmy nomination for her efforts. So, because she was such a fan favourite, Disney magicked her up her own show. Hahn returns, of course, to play a character that has a considerable history — only some of which WandaVision dived into. In comic books, she's been around since the 70s. Story-wise, her tale dates back to the Salem witch trials. Agatha All Along also stars Joe Locke (Heartstopper), Patti LuPone (Beau Is Afraid), Aubrey Plaza (Scott Pilgrim Takes Off), Sasheer Zamata (Unfrosted), Emma Caulfield Ford (a Buffy the Vampire Slayer alum) and Debra Jo Rupp (That '90s Show). There's no trailer for Agatha All Along yet, but you can get the Emmy-winning tune of the same name stuck in your head below: Agatha All Along will be available to stream via Disney+ from Wednesday, September 18, 2024. Read our review of WandaVision. Images: Marvel Studios, Disney.
Back at the beginning of 2020, Jet Black Cat Music marked its ninth birthday — and, to celebrate, the West End store hopped over to the other side of the inner city and threw a huge block party. That festival, Nine Lives, clearly has to keep coming back. Yes, that includes in 2023. Once again, the River City's music lovers will need to head to The Tivoli, with Fortitude Valley's Costin Street set to overflow with tunes and food on Saturday, March 4. Thanks to the pandemic, this marks the third edition of the festival, after also going ahead in 2022. Here's hoping that there's at least six more to come. Leading the bill in 2023: Angel Olsen, Crumb, Drugdealer and Mdou Moctar, giving Nine Lives an impressive lineup of overseas headliners. They'll be joined by 1TBSP, Baby Cool, Bones & Jones, Felivand and Folk Bitch Trio, as well as Girl and Girl, Loose Fit Mylee Grace, No Zu and Platonic Sex. The tunes will take over two stages — and festival-goers also hit up the array of food trucks serving bites to eat, and go trawling the crates for records. NINE LIVES 2023 LINEUP: Angel Olsen Crumb Drugdealer Mdou Moctar 1TBSP Baby Cool Bones & Jones Felivand Folk Bitch Trio Girl and Girl Loose Fit Mylee Grace No Zu Platonic Sex
Since opening in 2018, W Brisbane has been one of the city's most luxe stays. Now, the hotel is looking more plush than ever, as a recently completed renovation has transformed its 32 suites. Designed with a more vibrant, playful spirit in mind, these generously sized rooms will have you happily languishing from dawn to dusk. Building upon the hotel's existing design narrative, 'A River Dreaming', this theme was conceived to pay respect to the region's Turrbal people, who consider the Brisbane River to be the giver of life. Now, the revamped suites blend even more references to the surrounding landscape's natural and cultural significance. Curved forms represent the river's gentle ebb and flow, while terracotta and eucalyptus tones evoke its soil and the distant Mount Coot-Tha hills, seen through the suites' floor-to-ceiling windows. Metallic artwork and custom furnishings offer a subtle nod to the city lights reflecting off the river after dark. But there's more to the rejuvenated W Brisbane than just freshly designed suites — there's also a brand-new trio of personalised in-room experiences ready to enhance your stay. 'Turn it On' features champagne and chocolate fondue for two, plus locally sourced bath amenities. 'Turn it Up' includes a disposable camera for guests to capture their experience, alongside a curated playlist and a custom cocktail bar. Finally, 'Turn it Down' levels up the wellness vibe, giving guests access to a personalised meditation app, yoga mats, soothing pillow mist, and rejuvenating face sheets and elixirs. All suites also include an enhanced Mixbar, stocked to the brim with indulgent favourites and special treats, like Maybe Sammy lychee martinis, Maybe margaritas and Loco Love chocolate pralines. To celebrate its fresh look, W Brisbane is offering a special upgrade for guests until Wednesday, October 1. Just reserve one of the 32 newly revamped suites to score the Turn it Up, Turn it Down or Turn it On service. Making stays even better, the offer also includes valet parking, $100 of hotel credit and breakfast for two at W Brisbane's stellar in-house restaurant, The Lex. W Brisbane is open at 81 North Quay, Brisbane. Head to the website for more information.
No matter how you feel about the Super Bowl, American football's night of nights for 2023 is a dream for Vin Diesel fans. Before and during the big game each year, film studios unleash their latest sneak peeks at some of the upcoming year's huge movies. And this year, that's included a first trailer for Fast X in the days leading up to the match, plus a mid-game new look at Guardians of the Galaxy Vol. 3. If a franchise features Diesel, does it have to go heavy on family and last rides? According to both glimpses at both films, yes, yes it does. When Guardians of the Galaxy Vol. 3 soars into cinemas in May, it's poised as a hefty farewell for Marvel Cinematic Universe's ragtag space-hopping superhero — and the current trailer makes that plain. When this threequel arrives, it will have been six years since 2017's Guardians of the Galaxy Vol. 2, although they popped up in Thor: Love and Thunder and The Guardians of the Galaxy Holiday Special in 2022. Here, Peter Quill aka Star-Lord (Chris Pratt, Jurassic World Dominion), Mantis (Pom Klementieff, Westworld), Drax (Dave Bautista, Knock at the Cabin), Groot (Vin Diesel, Fast & Furious 9), Nebula (Karen Gillan, Dual) and Rocket (Bradley Cooper, Nightmare Alley) have been settling into life in Knowhere, but then Rocket's past upends their fresh status quo. There's no Kevin Bacon in either the new trailer or 2022's first sneak peek, or likely in the movie, but there is the return of another familiar face — Gamora (Zoe Saldana, Avatar: The Way of Water) — because Vol. 3 is serious about getting the team back together. Off-screen, that includes usual writer/director James Gunn (The Suicide Squad), after a chaotic few years that saw him fired by Marvel, then make the switch to the DC Extended Universe, where he's now actually co-chairman and co-CEO of DC Studios. Gunn returned to the MCU, however, for the holiday special and Vol. 3. The new film picks up after the festive episode, after the rest of the MCU's mayhem over the past few years, and with Quill still coping with big events. Even with Gamora (Zoe Saldana, Avatar: The Way of Water) back, that isn't as straightforward as it sounds. Also returning is Sean Gunn (The Terminal List) as Kraglin, while Bodies Bodies Bodies and Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan's Maria Bakalova voices Cosmo the Spacedog as she did in The Guardians of the Galaxy Holiday Special. Plus, Will Poulter (Dopesick) joins the cast as Adam Warlock — and Chukwudi Iwuji (Peacemaker) as The High Evolutionary. Check out the latest trailer for Guardians of the Galaxy Vol. 3 below: Guardians of the Galaxy Vol. 3 releases in cinemas Down Under on May 4, 2023. Images: Marvel Studios. © 2022 MARVEL.
In the breakout movie of 2022, Michelle Yeoh was everything and everywhere. Multiverses are like that. Now, the Oscar-winner voices a space-robot peregrine falcon in Transformers: Rise of the Beasts, and viewers should wish that this only existed in Everything Everywhere All At Once's kaleidoscope of realities. Alas, in this very realm, the newest Transformers film is indeed flickering through projectors. The toy-to-screen series it belongs to is now seven live-action entries in and — apart from 2018 spinoff-slash-prequel Bumblebee — largely still as dull as a smashed headlight. Set in 1994, the current instalment is a sequel to the last 1987-anchored franchise flick, which focused on the yellow-hued mechanised alien that can morph into a car, and also a prequel to 2007's saga-spawning Transformers. It draws upon the Transformers: Beast Wars animation, comics and video games, too, and feels in every frame like a picture that purely exists to service intellectual property that does big box-office business (2011's Transformers: Dark of the Moon and 2014's Transformers: Age of Extinction each made over a billion dollars). Michael Bay, Hollywood's go-to director for maximalist action carnage, might've been enthusiastic about Transformers when he started the silver-screen series nearly two decades back — the Ambulance filmmaker was definitely devoted to crashing together pixels replicating chrome in all five titles he helmed, including 2017's Transformers: The Last Knight — but these movies can't be anyone's passion projects. They show zero feeling, and seem to keep rolling out because the saga assembly line has already been established. New faces and a new guiding force behind the lens can't dislodge that sensation with Transformers: Rise of the Beasts. The five-person team responsible for the script give no signal that they even wanted to. The feature's latest two leads do resemble people better than most flesh-and-blood characters in the Transformers world, welcomely, although one gets a sick-kid backstory and another a bad boss. Were the Transformers themselves asked to write the most cliched screenplay they could? Anthony Ramos (In the Heights) and Dominique Fishback (Swarm) are Transformers: Rise of the Beasts' prime living-and-breathing figures, running, chasing and palling around with Autobots as Shia LaBeouf (Pieces of a Woman), Megan Fox (Good Mourning), Mark Wahlberg (Uncharted) and Hailee Steinfeld (Spider-Man: Across the Spider-Verse) all have before them. Ramos plays former solider Noah Diaz, who has that ailing younger brother (Dean Scott Vazquez, also an In the Heights alum) and massive medical bills to prove it. Fishback is archaeology intern Elena Wallace, whose vapid boss (Sarah Stiles, Billions) constantly cribs from. Both of Transformers: Rise of the Beasts' on-screen stars are excellent actors — Ramos was in Hamilton's debut Broadway cast, while Fishback has a BAFTA nomination for Judas and the Black Messiah — and the film benefits from their presence. Still, even the best thespians can only do so much when they're primarily tasked with rushing around and peering upwards at CGI chunks of walking, talking metal. That dashing and staring, and befriending extra-terrestrial machines in general, is the result of doing things that neither Noah nor Elena are meant to. They're strangers with Brooklyn in common, and soon trying to save existence as well. He gets light-fingered for a payday, attempting to steal a Porsche that's actually the Autobot Mirage (voiced by Pete Davidson, Bupkis). After hours, she's examining an unusual artefact with intriguing markings, which happens to be a key that lets the Transformers warp between different worlds, including back to their own. That discovery sets off a beacon in the sky, earning the attention of Optimus Prime (Peter Cullen, whose time in the role hails back to the OG 80s animated TV series) just as Noah and Mirage are getting acquainted. Also paying notice: Scourge (Peter Dinklage, Cyrano) from the nefarious Terrorcons, who wants to use the pivotal device to bring the planet-devouring (and -sized) Unicron (Colman Domingo, Fear the Walking Dead) to earth. The mission: fend off those evil shapeshifting droids, protect the gadget at all costs and, gratingly, talk about it while mentioning Autobots, Terrorcons and the transwarp key as much as possible. Director Steven Caple Jr (Creed II) endeavours to give Ramos and Fishback more character-building moments than their franchise predecessors, but they're always saddled with spouting rote, jargon-laced dialogue that somehow needed The Flash's Joby Harold, BMF's Darnell Metayer and Josh Peters, and The Meg's Erich Hoeber and Jon Hoeber to write. Given the hefty cast list, there's a wealth of talent reciting bland lines, including Ted Lasso's Cristo Fernández, Loot's Michaela Jaé Rodriguez and Poker Face's Ron Perlman among the Transformers. The latter voices Optimus Primal, the gorilla-esque leader of the Maximals, aka the animal robots that the movie's title references — and just one of the moves that the film makes to create a Hasbro Cinematic Universe. As plenty of franchises are woefully guilty of recently — see: the Marvel Cinematic Universe's Ant-Man and the Wasp: Quantumania for one of the worst examples — Transformers: Rise of the Beasts has its focus on the future over polishing up its current instalment. Indeed, too much that's meant to give this robo-battle personality is lazily sprinkled in, such as the hip hop needle drops because it's the 90s (cue: A Tribe Called Quest, Nas, the Notorious BIG and LL Cool J) and pop-culture references (such as Super Mario Bros on Game Boy). A self-aware mention of Marky Mark leaving the Funky Bunch for acting falls flat, as does calling out Indiana Jones while aping that franchise's cave-searching adventure plots in Peru. In fact, namechecking Mario when it's been given the big-screen treatment again in 2023, plus Indy when that series' latest picture hits cinemas the same month as this, just reminds viewers that they might want to be watching other films. Much of Transformers: Rise of the Beasts incites that reaction anyway, especially its visually uninspired special effects and action sequences that look about as appealing as throwing household electronics in a bin. When they're undisguised junk for the eyes, every aspiring and actual blockbuster that follows Spider-Man: Across the Spider-Verse this year will spark one question: why is this live action? When animation can look as astonishing as all things Spider-Verse do, and when CGI can be as dreary as it is here, surely these space robots should go back to their cartoon roots. Thankfully, with 2024's Transformers One, they are. Unlike The Transformers: The Movie managed to score, no future animated flicks will ever boast Orson Welles among its voice cast, though — he loaned his tones to Unicron in that 1986 effort — but they also can't be as tedious as Transformers: Rise of the Beasts.
It’s date night. You’re probably planning to head to that little Italian joint you always go to, or if you’re too tired it’ll be Thai food again from down the road. Ah, routine. It’s a great thing sometimes: It makes us more efficient at our jobs and means we brush our teeth every day. But does routine ever spell romance? The answer is no. Love is meant to be exciting and fun, give you butterflies and make you do silly things you wouldn’t do otherwise. And while relationships are a marathon, it pays to tread the path less travelled once in a while. Go a different route, pass a different tree, climb a hill and be more spontaneous. It doesn’t mean never visit your favourite Italian again, but life is about adventure. Do something different for date night. Drinks at Watt Bar and free comedy at the Powerhouse The Brisbane Powerhouse is one of those places that no matter how many times you go back you can be struck in awe by the venue itself. If you (like everyone else) should be spending more time both in and around this urban beauty then head along for their Sundae Session at Watt Restaurant + Bar. DJs spin tunes from 3pm, so there is plenty of time to sit back and watch the sunset – drink in one hand, lady/man in the other – before catching Brisbane’s funniest up-and-coming talent alongside some notable names from 6.30pm. Dinner at Gerard’s and arthouse flick at Palace Every watched a film in another language? It’s some of the most exotic fun you have in this country. Foreign cinema gives you a good glimpse of a world you may not be a part of. Remember that time in Paris when the shop attendant came off as rude to you? Yeah, turns out the French are hilarious on the big screen. Stop by Gerard’s Bistro for a Middle Eastern-influenced feed beforehand and you’ve got yourself a round-the-world trip. On your bike – city loop via South Bank We were originally going to suggest a lazy Sunday cycle, stopping by Popolo for lunch and Riverbar for a drink, but as summer has hit early perhaps you’d best be hitting the road early too. For those who enjoy to sleep in, this is your wake up call and breakfast is down the road. Start at the Cliffs Cafe with a coffee at 7am – you’ll need it. Follow this map that does a short 8km loop across the Story Bridge, along the river in the CBD before heading over to South Bank. For breakfast try Merriweather Cafe’s green juice teamed with a bagel. Or try Hoo Ha Bar, open from 7am they serve up fine fair, ace coffee and salted caramel milkshakes. If you stay long enough they may even serve you a beer. Picnic at Mt Coot-tha lookout Views. They’re great to look at, but don’t do much otherwise – good thing you have your date with you. Mt Coot-tha is a great place for a picnic, and a picnic is a simple way to put in effort. And effort shows you care, and caring is romantic, and picnics are delicious. Need I say more? Probably. Grab a basket/green bag/cardboard box and throw in a bread board, knife, cheese, crackers, olives, prosciutto, two glasses and bubbly. Worst case, pick up a hamper from Picnic Cafe. Don’t forget a rug. Latin dancing at Cloudland Sometimes it takes another person’s encouragement to get yourself out of your comfort zone, and who better to make a fool of yourself with than your significant other. That’s right, let’s go dancing – and no, we don’t mean the two-step shuffle – time to find those Latin roots. There are plenty of options around, this blog post details where to dance seven nights of the week, but our recommendation lies with Thursday nights at Cloudland. If you’ve got two left feet at least you can purchase liquid confidence. Takeout, beers and boardgames at The Scratch If it’s time to switch away from your screens and go back to some old fashioned fun take your date, get takeout of your choice and take it along to The Scratch in Milton for a night of boardgames. This place is like hanging out in your lounge, expect the boys have better taste and knowledge in beer than you will ever have and it’s not your lounge room – an essential factor for ‘date night’. Go forth, let your true competitive side shine. On a side note, they serve cider spiders. Yes, you heard right – alcohol plus ice-cream. As you were... Visit farmers’ markets and cook up a storm at home Every weekend Jan Power is somewhere, and it’s worth following this lady and her travelling troupe of farmers’ markets for fresh local produce, good vibes and a breakfast treat. Take along a green bag and have a recipe or two in mind, or alternatively see what’s in season and plan as you go – the possibilities are endless. If you need further inspiration, find a recipe by local food bloggers such as Claire K Creations or Everyday Cook. A little further afield, Sydney’s Cook Republic is a favourite. Once your meal is ready, finishing hi-fiving in celebration, crack open some wine and light a candle. Watch the city light up from Kangaroo Point, walk to dinner South Bank If you haven’t taken yourself to the top of Kangaroo Point then get moving. I’d argue the view here is the best in Brisbane, and far more convenient than Mt Coot-tha. With a view looking directly across the river to the city, and further in the distance South Bank, standing at the top in the park is the perfect spot to watch the sun set and see the city light up before a) settling down for a picnic (we’ve already covered this – view + picnic = romance) or b) taking the 20 minute stroll into South Bank for dinner at number of establishments and a walk by the river. Grab a milkshake before a night at the pictures Couples have the chance to get intimate sharing a milkshake at new kid on the block, South Side Diner. With good ol’ fashioned service, here is the place to spin a tune on the (yet to arrive) jukebox and use some good ol’ fashioned charm on your date. Leave your feminist hat at the door, gents – it’s your shout today. With milkshake flavours such as Reese’s peanut butter, coconut, salted caramel and root beer float there’ll be something to tempt everyone’s sweet tooth, and remember two straws are better than one. Keeping with the era, head to the South Bank pictures to catch a flick at near 1950s prices. Okay, not quite that cheap, but you still you get change for a tenner – a miracle these days. Greek food, gig and a cosy chai bowl Attending a gig is often a very pre-planned event, especially if it’s at The Hi-Fi. Surely such a significant date deserves a worthy plan of attack to match? Being West End Greek is the go-to cuisine. Book a table at Little Greek Taverna for a cheap pre-gig feed to ensure you have the energy to mosh it out later. Post-gig you’ll surely need refueling or refreshing and, if you’re not too sweaty, Three Monkeys Cafe is the perfect late-night wind-down to get cosy with some chai.
Fact #1: Brisbanites love going out for breakfast. The booming breakfast scene is prompting locals to ditch dinner splurges in favour of their earlier, sunnier counterpart. Fact #2: Brisbanites love their fitness. You can barely swing a cat in this city without hitting a boutique gym, cross fit centre, HIIT workout station, boot camp group, boxing ring or personal trainer. So, you might ask how does one navigate the convergence of these two often conflicting lifestyle choices? We love to exercise and also to venture out for brekkie, but might not want to delve into in the pancake vs. waffle debate every time. Luckily local restauranteurs and cafe owners have cottoned on to this trend, so we've handpicked the best healthy breakfast venues in Brisbane (including spots you might not have given thought to before) to satisfy calorie conscious folk. Mondo Organics This West End hideaway seeks to educate patrons about the benefits of organic eating with both a café and cooking school on site. Sourcing high quality produce and offering a menu that changes seasonally, you can expect whole egg omelettes with superfood fillings, free range bacon and poached eggs and deliciously juicy garlic mushrooms that provide your daily dose of B vitamins. 166 Hardgrave Rd, West End; (07) 3844 1132; www.mondo-organics.com.au Sourced Grocer What was once the dream of childhood friends Jerome Batten and Louis Joseph is now realised as a neighbourhood grocery and café in the heart of Teneriffe. A bustling hub for early risers and weekend breakfasters, Sourced Grocer is all about providing good, nourishing food, sourced locally and delivered fresh to your tastebuds. Choose from options like bircher muesli with berries and zingy Granny Smith apple; or wholesome homemade toast served with piles of fresh avo and lemon, smoked salmon or omega 3-packed sardines. 11 Florence St Teneriffe; (07) 3852 6734; www.sourcedgrocer.com.au Double Shot Espresso The duo behind Double Shot Espresso are well versed in the hospitality trade, having been in the game for years (head chef Michael De Laurence also mentored Matt Moran, a small but significant fact fully realised on your first bite). The menu is split into breakfast and 'eggs and things', making it easy to navigate the lighter options. The focus is on simple, delicious food prepared fresh using high quality ingredients and produce; from a fruity bircher, berry granola or greek yoghurt served with stewed rhubarb and ginger compote; to the 'Parisian Breakfast' of boiled egg, toast and preserves, yoghurt, fresh berries, a glass of orange juice and tea or coffee. (Plus we all know that French women don't get fat…) 2/125 Oxlade Drive, New Farm; (07) 3358 6556 Nutrition Station The perfect pit stop for city suits making the mad dash to work, either straight off the train or post gym sesh. Situated at the Queen Street Mall entrance of the Wintergarden complex and open seven days a week, Nutrition Station's menu is designed by internationally recognized dietary nutritionist and resident 'diet doctor' at Men's Health, Moodi Dennaoui. Expect to find a series of protein and supplement-packed shakes, super smoothies, froyo and nu bowls of acai and pitaya. Wintergarden 171-209 Queen St, Brisbane; 0401502242; www.nutritionstation.com Felix Espresso Tucked away in Burnett Lane this tiny venue serves a select menu of fresh, locally sourced, organic dishes made with love on site. Grab your daily dose of healthy mono and polyunsaturated fats with the fresh avocado on organic sourdough topped with homemade labna and lemon pepper, or dive into a 'Bircher Jar' filled with chia seeds, gluten free Maleny yoghurt, fresh fruit and nuts. 50 Burnett Lane, Brisbane; (07) 3161 7966 Kitchen Sanitarium A Brisbane CBD icon, Kitchen Sanitarium has been serving up wholesome, healthy breakfasts for over a century. Offering vegan, nut free, gluten free and low GI menu items, dishes here come packed with fibre, antioxidants and superfoods. Enjoy free range eggs, organic sourdough or the kitchen's own muesli with superfood chia granola (a signature blend of sesame seeds, chia seeds, almonds, pepitas, honey and rolled oats), while you people-watch before that 9am meeting. Riverside Centre 145 Eagle Street, Brisbane; (07) 3221 7988; www.kitchensanitarium.com.au; image credit: Kitchen Sanitarium Primal Pantry As far as paleo and gluten free cafés go, Primal is definitely up there, promising diverse, interesting and tasty options for breakfast. There are plenty of 100% grain-free muesli, toast and pancake options (all made with nuts, eggs or coconut as alternatives) and regular specials like almond porridge with mixed berry compote and nut crumb. And if you're still dubious of the paleo diet, the 'Caveman Plate' bursting with meat and protein is sure to sway you… Cnr Florence & Macquarie Street, Teneriffe; (07) 3252 5960; www.primalpantry.com.au Kiss the Berry These guys are seriously #killingit with a huge social media following and hungry hoards lining up at their Eagle Farm Markets stall every Sunday. Their focus is on the power of the acai bowl, with a signature blend of frozen acai berries, strawberries, banana and a dash of apple juice topped with crunchy golden granola. All you have to do is choose a serving size, fresh fruit toppings and add a sprinkling of your chosen superfood. A healthy gem in a sea of carb-loaded market stall temptations, city folk can now get their acai fix at the just-opened Kiss the Berry café on Creek Street. Eagle Farm Markets and 9 Creek St, Brisbane; www.kisstheberry.wordpress.com Photography: Mimi Hyll
Anything that Brisbane's north can do, the River City's south can do too, or so says indoor marketplace VEND. Earlier in 2023, it expanded its footprint to give its OG Virginia site an Annerley sibling. Now, the pet-friendly shopping hub is also spreading its popular events to the other side of the river. How is VEND's second location celebrating its first winter? With Christmas in July markets, of course. And, it's getting in before Virginia, getting festive from 4–9pm on Saturday, July 8. Here, more than 120 small local businesses will embrace the midyear mood, complete with bites to eat, a pop-up cocktail bar and a best-dressed contest with a $100 voucher as a prize. And yes, winter in Brisbane means spending every weekend hopping between excuses to pretend that Christmas arrives during our chillier months. Who doesn't want to get merry all throughout winter, then again when present-giving season actually arrives?
Picture this: you've arrived early at Brisbane Airport for your flight and now you've got all this time to kill. Suddenly, someone walks by with a perfect blonde perm and you remember that iconic episode of Aussie masterpiece Kath and Kim when Kath and Kel spend their honeymoon in an airport. Embrace the quirky and comedic spirit of the couple and have a staycation of your own while enjoying the airport's array of amenities and attractions. From retail therapy (that Kim would approve of) to delectable dining experiences, live music performances and snacks for your flight, Brisbane Airport has it all. So, slip into your leopard print and matching sweaters and get ready to embrace your inner Kath and Kel. INDULGE IN CULINARY DELIGHTS To truly immerse yourself in the Aussie-drama world, treat yourself to a three-course meal with a glass of cardonnay at The Aviary. This beautiful restaurant offers a Mediterranean-inspired menu that would make Kath's heart skip a beat, plus table service — a little unexpected for an airport dining option. Sit back, relax, and enjoy a delicious meal that rivals those found in the heart of the city. Who would have thought you could enjoy such sophistication in an airport setting? It's like having an "effluent" Fountain Lakes moment away from home. GET IN SOME RETAIL THERAPY Embark on a shopping spree that would make Kath green with envy at Mott and Mulberry, a fantastic Brisbane store that offers an eclectic range of unique, fun, and downright quirky gifting items. Discover treasures that perfectly capture the Kath and Kim spirit while browsing through the fashion and apparel selections. Who knows? You might just stumble upon the perfect outfit that screams, "Look at moy, look at moy!" And while you're at it, pay a visit to Globite for stylish luggage. Don't forget to grab a bum bag, a must-have accessory for a Kath and Kel-inspired trip. And if you think your travel outfit is screaming more "fashion victim" than trim Kim, the airport is also home to major fashion brands Mimco, Seed, Witchery, Country Road and more — mind, they don't accept Video Ezy cards. HAVE A TIPPLE WHILE YOU WATCH THE PLANES LAND It's wine time somewhere, so head to The Common, a lively spot perfect for sipping on your favourite tipple while watching the airplanes land — it has some excellent dishes, too, like kingfish ceviche with toasted coconut. It's the perfect spot to embrace your inner Kath and Kel — engage in some people-watching and take notes on the airport fashion faux pas of those that walk by. It's the perfect setting for laughter, drinks, and a touch of fabulousness — but don't get "literally legless", there's a plane to catch. CATCH A LIVE MUSIC PERFORMANCE Make second-best friends with other travellers taking in some live music at the airport bars. Check out the BNE Beats website to see all the live music of talented local artists on the schedule. From smooth jazz to toe-tapping tunes, these talented musicians will have you dancing in your leopard-print heels in no time. So, grab a cocktail and sway to the rhythm of the music — or get set for the ride of your life and emulate Kath and Kel's river dance moves. PICK UP SNACKS FOR YOUR FLIGHT Before you bid adieu to your airport staycation, make sure to stock up on snacks for your flight — Barbecue Shapes anyone? Bound, the latest addition to Brisbane Airport, is slinging Belissimo coffee and sweet treats from Joceyln's Provisions. If you're craving a classic, swing by Krispy Kreme for a box of sugary goodness to share with your travel companions. News@BNE has got your inflight snack needs covered with an assortment of chips, drinks, chocolates, and all the essentials for a fabulous journey. Brisbane Airport (BNE) is more than just a gateway to your next holiday and adventure, enjoy your own tasty terminal experience at the growing offering of stellar food options. Check out the website for more details. Safe travels! Images: Markus Ravik
We all know that fast fashion is gross. And yet, with the hectic holiday season just passed, we're all familiar with the need to buy cute stocking stuffers in a time crunch — often overwhelming our need to not pollute the planet beyond repair. We really don't do well by Mother Earth here in Australia. According to the Australian Bureau of Statistics, every year 500,000 tonnes of fashion ends up in landfill and each Aussie consumes 27 kilograms of textiles. Rhianna Knight believes we can do better, so the 26-year-old started an apparel business that won't leave you feeling shamefaced. The result is Mister Timbuktu, and it's in the early stages of kicking ass. Mister Timbuktu's outdoor apparel is made from recycled plastics. The first round is being crowdfunded now through Indiegogo, reaching more than half of its target with 16 days left to go (at the time of writing). At the moment, the range is all about quality leggings, raincoats and sports bras, but they'll soon branch into all things outdoorsy, including tents, sleeping bags and puffer jackets. The designs are gorgeous and bright because outdoor activities don't have to be completed in drab natural colours (apologies, Kathmandu, you serve a purpose but there's a new queen on the block). According to Knight, eleven plastic bottles are recycled in each pair of leggings they create. How in the name of activewear is that possible? Well, recycled plastics are collected, shredded into chips, washed, melted into liquid form and then spun into thread that goes on to become your new favourite comfy pants. Science, bitches! The company has also pledged to put 20 percent of profits back into helping the planet in other ways: by partnering with both a mental health charity (Waves of Wellness) and the Foundation for National Parks and Wildlife. But wait, there's more. Okay, we probably shouldn't get so excited about this part because the rest of the initiative is so phenomenal, but check out the leggings: they have a pocket in the waistband which is the best and most practical thing ever. Thank you for listening to our secret wishes and delivering. For more information, visit Mister Timbuktu's campaign.
Hollywood's glitziest and most self-congratulatory night is just a few short sleeps away. While the rest of us are at work on Monday, the who's who of moviemaking will take their seats at the Dolby Theatre for the 89th Academy Awards. Leading the pack this year with a record-equaling 14 nominations is Damien Chazelle's musical throwback La La Land, which is either the greatest film ever made or completely overrated, depending on which person on the internet you ask. Still, despite the hype, the backlash and the backlash to the backlash, La La is no lock to take home the gold. Barry Jenkins' poignant Moonlight is hot on its heels, while the patriot in us can't help but root for the homegrown Lion. Speaking of which, it's nice to see some people of colour on the roster this year! Let's be honest, three straight years of #OscarsSoWhite would have been downright embarrassing. Below, you'll find our tips in the eight major categories, plus our personal faves and a few nods to the unlucky ones who missed out. Accept it: Zoolander 2 was robbed. BEST PICTURE THE NOMINEES Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, Moonlight. WHAT WILL WIN Look, we said La La Land wasn't a lock, and we stand by that. Still, there's no denying the LA-set musical is the favourite — movie people love movies about movies, and good grief Emma Stone and Ryan Gosling are attractive. The fact that it went seven for seven, including Best Musical or Comedy, at last month's Golden Globe, doesn't exactly bode well for the competition. WHAT SHOULD WIN If you're after a good time at the movies then La La Land delivers. Still, for its raw emotional power and timely social message Moonlight seems like an even worthier winner. This devastating tale about a young gay black man coming to terms with who he is stands out as one of the best motion pictures of the past several years, and win or lose you should do everything you can to see it. THE SNUBS Nocturnal Animals divided critics, but the star power attached suggested it was in with a shot. Ditto Pablo Larrain's handsome biopic Jackie. Historical drama Birth of a Nation garnered plenty of buzz early in the year, but the controversy surrounding director Nate Parker has seen it all but disappear from the conversation. And hey, what about a nod for Rogue One, or maybe even Captain America: Civil War? BEST DIRECTOR THE NOMINEES Damien Chazelle (La La Land), Mel Gibson (Hacksaw Ridge), Barry Jenkins (Moonlight), Kenneth Lonergan (Manchester by the Sea), Denis Villeneuve (Arrival). WHO WILL WIN In much the same way that La La Land leads the race for Best Picture, Damien Chazelle should be considered a favourite in this category for his flair behind the camera. And again, it'd be hard to call him undeserving should the chips fall that way on the night. Fun fact: if he does take home the gold, Chazelle will be the youngest Best Director winner in Oscar history. WHO SHOULD WIN Chazelle would be a worthy winner, but we've got to go with Moonlight's Barry Jenkins. Seriously, do yourself a favour and read our interview with him then go see the film. THE SNUBS Garth Davis for Lion (who we also interviewed here), David Mackenzie (Hell or High Water), Theodore Melfi (Hidden Figures) and Denzel Washington (Fences) could all be forgiven for feeling a little peeved about missing out given their films were nominated for Best Picture. Still, in our minds, the biggest omission is Martin Scorsese. Sure, Silence is a punishing watch, but seeing Mel Gibson nominated ahead of Marty just feels wrong. Also, would if kill them to nominate a woman? BEST ACTRESS THE NOMINEES Isabelle Huppert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), Emma Stone (La La Land), Meryl Streep (Florence Foster Jenkins). WHO WILL WIN While Natalie Portman led the pack early for her remarkable turn as former First Lady Jackie Kennedy, the conventional wisdom at this point is that this is Emma Stone's trophy to lose. Either woman would be a worthy winner, although neither is our number one choice. WHO SHOULD WIN A violent psychosexual thriller, Paul Verhoeven's French-language Elle isn't the easiest film to watch. But thanks to the fiery work of Isabelle Huppert, it's also impossible to look away. Given the content of the film, the fact that she's even nominated is fairly surprising. A win would be astounding, in the best possible way. THE SNUBS Amy Adams gave two of the year's best performances, in Arrival and Nocturnal Animals. It's possible she was punished by voters splitting their ballot, but whatever the reason it's safe to say she's unlucky to have missed out. BEST ACTOR THE NOMINEES Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Viggo Mortensen (Captain Fantastic) Denzel Washington (Fences). WHO WILL WIN This one is going to be close. Casey Affleck was the favourite for much of the race, but then Denzel went and snared himself a win at the Screen Actors Guild Awards. It's possible that the controversy around the younger Affleck is finally catching up with him. Our pick? Denzel by a nose...although maybe that's just wishful thinking. WHO SHOULD WIN Not Casey Affleck. It's a great performance, but that's just not the point. THE SNUBS Neither Sully nor The Founder left much of an impression, but Tom Hanks and Michael Keaton could easily have scored noms for their work as the real world figures at the centre of their respective films. And on a personal level, we'd have loved a nomination for Josh Brolin, for his delightfully deadpan work in the very underrated Hail, Caesar! BEST SUPPORTING ACTRESS THE NOMINEES Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), Michelle Williams (Manchester by the Sea). WHO WIN WILL If there's a lock this year, it's Viola Davis, who appears to have this one in the bag. WHO SHOULD WIN Hey, sometimes they get it right. Davis' turn in Fences as a dutiful wife and mother is the best performance in a film packed to the brim with great performances. You'll be able to knock us over with a feather if she goes home empty handed. THE SNUBS Bit of a long shot, but Rachel Weisz absolutely crushed it in The Lobster, as did unknown actress Lily Gladstone in Kelly Reichardt's Certain Women. Make sure to check out both if and when you can. BEST SUPPORTING ACTOR THE NOMINEES Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion), Michael Shannon (Nocturnal Animals). WHO WILL WIN Dev Patel might make a late push following his win at the BAFTAs, but right now the smart money is on Mahershala Ali. WHO SHOULD WIN Ali deserves to win on the strength of his performance alone, but we'd be lying if we said we weren't rooting for him at least in part because we're hoping he gives another speech similar to the one he gave at the SAG Awards. Good luck trying not to cry. THE SNUBS It's a bit of a surprise not to see Aaron Taylor-Johnson on this list, given that his dark and disturbing work in Nocturnal Animals won him a Golden Globe. We're also disappointed not to see Patrick Stewart get a nod; Green Room was presumably a bit too violent for Oscar voters, but Stewart's turn as a ruthless white supremacist was absolutely chilling. BEST ORIGINAL SCREENPLAY THE NOMINEES Hell or High Water, La La Land, The Lobster, Manchester by the Sea, 20th Century Women. WHAT WILL WIN If La La Land wins this one early, you can just about guarantee the film is in for a clean sweep. That said, the Vegas odds are on Kenneth's Lonergan's masterful screenplay for Manchester by the Sea. WHAT SHOULD WIN There's no chance in hell that it wins, but The Lobster had one of the darkest, funniest, most original and esoteric screenplays in a long, long time. This is one of those "it's an honour just to be nominated" situations. THE SNUBS Hail, Caesar! was largely ignored by both the Academy and general audiences, but, in our opinion, it's one of the cleverest films in the entire Coen Brothers' canon. German comedy Toni Erdmann also deserved a nod, as did Jim Jarmusch's gentle Paterson. BEST ADAPTED SCREENPLAY THE NOMINEES Arrival, Fences, Hidden Figures, Lion, Moonlight. WHAT WILL WIN While it's possible that the Academy will show a little love to either Lion or Arrival, it's hard to imagine that this one doesn't end up going to Moonlight. WHAT SHOULD WIN Moonlight, although we'd be stoked if they gave it to Lion. 'Straya! THE SNUBS Maybe the biggest snub of the entire ceremony: where in the sweet hell is Deadpool? It was popular with critics and made a bucket-load of cash, but we guess Academy voters don't like naughty words. Way to remind everyone how out of touch you are, guys. Great job. The winners of the 89th Academy Awards will be revealed on February 27. Tom Clift is one of Concrete Playground's senior film writers. You can read his reviews here, here and here.
Cloudland has long been one of Brisbane's most ooh-la-la establishments, with at least one friend in every circle holding a tale of being turned away by security for not wearing a suit. But lapels and ego should be swapped for rhythm and tap shoes on Thursday nights, because you can catch live music from 7pm and take free salsa lessons between 7 – 9pm. But that's not all, every Wednesday night from 8pm you can twirl into free swing dance lessons by Empire Swing and live '30s-inspired music by Seventh Avenue Swing Band from 9pm till late.
When Coachella was the only thing that everyone could think and talk about in autumn, South Brisbane's sky-high bar Lina Rooftop embraced the occasion, giving itself a Californian-style temporary revamp. Now that winter is here and bringing a chill, the venue is also going all in, this time via a two-month-long seasonal makeover that'll help Brisbanites make the most of the frostier weather — well, Queensland's version of cold — and pretend they're somewhere snowier. And yes, there will be snow. Obviously, the fact that this snow will be on a rooftop is a hefty point of difference. That also applies to another winter favourite that's part of the Lina Rooftop Winter Wonderland from Wednesday, June 28–Sunday, August 27: igloos. Those private igloos can welcome in up to six people, and will come equipped with a heater, mini bar and fairy lights. Because they're clear, you'll still be able to soak in the view as you get snacking on cheese and chocolate fondue, plus marshmallows, and while sipping mulled wine. The snow around the place will help set the mood, and so will the firepits and logs, with Winter Wonderland running from Wednesday–Sunday weekly. Eager partygoers have two options in terms of food-and-drink packages, too: a $79 fondue-heavy offering and a $99 spread with raclette. Go with the first pick and you'll tuck into cheese fondue, baguettes, rosemary- and garlic-roasted chats, cured meats, gherkins, on-vine cherry tomatoes, and porcini and truffle arancini. From the sweet side of the menu, there'll also be chocolate fondue, plus strawberries, raspberries, blueberries, marshmallows, brioche and apple to dip in it. If raclette has your tastebuds watering, that package includes the same chocolate fondue lineup as outlined above, but swaps cheese fondue for a 1.8-kilogram block of raclette melted on a hot grill. Also, it pairs the cheese with a French-style platter including potatoes, gherkins, baguettes, cured meats and Swiss brown mushrooms. Everyone gets a glass of mulled wine as well, because it really wouldn't be winter without it — and two-hour seatings take place from 12–2pm, 2.30–4.30pm, 5–7pm and 7.30–9.30pm.
Punk rockers unite! One of Canada's most loved bands are finally hitting Australian shores after an absence that seems an eternity. Billy Talent, have been bursting the ear drums of their fellow country men for almost twenty years, and finally it's Australia's turn to share in the audible bombardment of the senses. They are set to hit the stage at the Hifi to showcase their latest album, as well as veritable smorgasbord of blistering, fretboard melting treats from their back catalogue. Four albums in to their expansive career, the band are still rocking like it's the nineties. With a stellar set comprised of anthemic rock tunes and stadium sing along choruses, Thursday's show at the Hifi promises to be a gig that that will leave you counting down the days until their next down under stopover, and quite possibly, a little hard of hearing.
Following a COVID-impacted 2020 ski season, some normalcy is beginning to return to the Snowy Mountains, with Thredbo announcing dates and extensive plans for its winter season. Last year's ski season saw ski resorts across Australia implement strict social distancing rules and limit the usual array of programs and activities usually provided to mountain-goers. Throughout the season, Thredbo opened at 50 percent capacity — with its website crashing as folks tried to get their hands on lift passes — while other resorts such as Hotham were forced to close. For 2021, Thredbo is planning to slide closer towards its usual winter routine, announcing a jam-packed season schedule full of new mountain experiences. The resort's ski season will kick off from Saturday, June 12, subject to snow conditions, and run through until October. On the slopes, a full slate of skiing and snowboarding lessons and programs will return in 2021, and a range of luxurious mountain activities have also been revealed. Those experiences start with sunrise sessions, which will grant you early morning access to watch the sunrise from Australia's highest lifted point, also include breakfast on the mountain and then let you have first ski of the day. Elsewhere, a series of dinners will see you transported to the Kareela Hutte restaurant to enjoy a four-course dinner with wine, complete with GH Mumm champagne. If you're looking for an extravagant Saturday night on the mountain, you can also take a star-lit ride in Australia's only alpine gondola, then tuck into a Bavarian-style feast in Merritts Mountain House. Thredbo's village, which is often the life of the party at the ski resort, will return with a full calendar of events after COVID-19 dampened the atmosphere in 2020. You can expect live entertainment, festivals for kids, and skiing and snowboarding events. Qantas is also starting new flight routes to the Snowy Mountains, to make travelling to the area easier. Flights directly to Cooma, about an hour out of Thredbo, will run from July 1 out of Sydney and Brisbane. The winter season opens for sale on Wednesday, March 31 — for season passes, with day pass, lesson and rental sales staggered from Tuesday, April 6 onwards — and spots are expected to be limited with the resort still responding to the current times. "We anticipate we will be operating under certain COVID-19 restrictions and expect demand to be high," said Thredbo General Manger Stuart Diver. "We encourage guests to plan their visits early, book in advance and be flexible with travel dates to avoid disappointment." Thredbo's winter ski season will return from Saturday, June 12. Find all the information on dates, pricing, experiences and accommodation via the Thredbo website.
While a lot of people are wondering about the future of journalism in general, some people are thinking about the future of just the magazine in particular. Craig Mod, once part of the team behind slick, newsreading app Flipboard, coined the genre name of a new kind of small magazine: "Subcompact Publishing". It's an interesting new form that's getting played over in the States, especially on the iPad, and most notably by the Weekend Companion of pioneeringly-profitable blog the Awl, the Atlantic Weekly and — inspiration for Mod's original manifesto — the Magazine. Now Australian publication the Lifted Brow is throwing its hat in the subcompact ring, one of the first publications to try it over here. Though not the first, as it turns out. The Brow is a literary mag — originally with a strong McSweeney's influence — that grew up amongst a bunch of Brisbane writing students in 2007 and now runs big name, international authors alongside local Australian talent. Now based in Melbourne, they've got a back catalogue that includes literary wunderkind David Foster Wallace, Aussie comics star Eddie Campbell and sex advice from Benjamin Law. And his mum. It's big. To say, as a reader, that each issue can be hard to finish isn't exactly a flaw: it's just that they each have so much stuff in them. Because, First World Problems Craig Mod's idea of the subcompact magazine is kind of the opposite aesthetic to the Brow's all-inclusive, physical incarnation. It describes a world of smaller digital publications that eschew the idea of replicating print's design, size and digital slowness. Following his style lets you avoid a few first world problems. Downloads, for a start. A single issue of Wired on the iPad, say, can weigh in at just over 600 megabytes. A month or so of mobile phone data for some people. Subcompact-only the Magazine, by contrast, can go from pressing download in the the app, to reading its trial issue's opening story about roller derby, in about 18 seconds. One of these small magazines will typically have just a few articles, so it's much easier to get your head around the range of stuff in it. These, and other, small usability problems addressed by the subcompact format seem really do seem like first world issues. But we read magazines for fun. It's nice not to have to kill yourself to enjoy reading one. Ease and comprehension are good things. Less is More Mod saw the rise of small, mostly iPad-based magazines through the historical metaphor of Honda's development of subcompact cars. In his telling, Honda's cars weren't as big or feature-heavy as the big US cars they were competing with. But they were good enough, efficient enough, nimble and cheap. He suggests that the magazines of this new digital world should take a similar approach. An important word here is closure. The idea of internet addiction, with accompanying thoughts of switching off and the "digital sabbath", is a bit of a rising meme. Closure isn't a thing that you run into too often online. I mean, how often do you get to the end of the internet? A lot of sites are easy to browse, but hard to finish. Think Tumblr, Twitter or Facebook. Design = Journalism Australian immigration detention monitor, Detention Logs had already got its subcompact on before the Lifted Brow hit the app store. It uses freedom of information requests to the Department of Immigration and Citizenship (DIAC) to gather and publish records of incidents at immigration detention centres. They have over 7000 of these records up so far, each incident encapsulated into its own tiny and individual webpage. On their Principles page they specifically single out Mod's Subcompact Publishing Manifesto alongside their other ethical and design considerations. For them, this nimble and lightweight form seems to actually be a kind of journalistic muscle. "Small parts loosely joined" is how Detention Logs co-founder Luke Bacon describes it. He adds that using selections from Mod's manifesto publishing model is, essentially, a case of reporting form following function. "The form in which we received this information from DIAC could be seen as the opposite [of an appropriate and useful format]: one enormous, inaccessible PDF file, poorly labeled and thoroughly redacted. Transforming this complex information into easy to access and understand chunks is an act of design and journalism." Why Change What Now? So will "easy to access" work for the Brow? The new Lifted Brow iOS app is pretty slick. It's published by 29th Street Publishing, who put together minimalist iPad periodicals like Maura Magazine, the Awl's Weekend Companion and free, investigative subcompact ProPublica. The Brow is voluminous and dense in a way that 29th Street's publications are not. By going subcompact, the Brow is using the format both to boost, and cut through, their print legacy. They have a strong bench. Their all-star back catalogue of local and overseas writers sold the idea to 29th Street, according to Brow Digital Director Elmo Keep. "It has a great mix: a very strong roster of international writers, and an amazing cadre of Australian writers, so it was a perfect way for both 29th Street to reach outside the US and for the Brow to reach outside Australia." This small format makes that reach easy. Every fortnight, in a small, digestible format, you'll get the chance to catch up with new work, and their back catalogue. "It's going to be a mix of sort of teaser content from upcoming issues with reprinting stuff from the archives which a lot of people only joining us now could have missed." It will be a finite amount of short articles bimonthly, distributed via Apple's Newsstand service. There's a free trial, but the model banks on you being interested in subscribing. (Old issues will remain, if you unsubscribe.) Pixels Make It Better It's low maintainance. And that's no mistake. "There's so much opportunity to do things on digital that would be not be so cost effective to do in print," says Keep. She feels like a lot of the hard work has been done for her already. "I just move some things around in a content management system, and TA DA. (Not really, but kind of.)" The plan is to split the money the digital version makes between the writers and 29th Street. "There isn't a huge amount of money to be had by anyone in this entire transaction, so we want there to be ways for writers to make money beyond what we can pay them initially [in print]." In an age where it's easy to be asked to write for free the Brow prizes paying its contributors. PLEASE BUY OUR MAGAZINE So the Brow's writers will get a little more money, the Brow finally gets a wider audience ("realistically, there will only ever be so many printed copies that can be produced") and the public gets a newer gobbet of casual reading. (29th Street's Creative Designer, Tim Moore, compares the subcompact style to a cheap Pengiun paperback.) It all seems like a pretty good deal. And, on the iPad, an Aussie first. But these new digital steps aren't necessarily part of a war between online minimalism and print. "There will always be the magazine, in its dense and intense full-page glory," says Keep. "PLEASE BUY OUR MAGAZINE THANK YOU FOR YOUR TIME." Photo of Honda N360 by Tennen-Gas, Looking for Loretta artwork by Total Bore. Revised myth of superman artwork by Colin Panetta. Update: Luke Bacon's full email response, quoted in part for this article, is worth reading. It's up now at his blog Equivalent Ideas.
A 90s-set musical directed by Lin-Manuel Miranda. A crime thriller starring Gal Gadot, Dwayne Johnson and Ryan Reynolds. Amy Poehler's latest stint behind the camera. Leonardo DiCaprio and Jennifer Lawrence teaming up in the newest film from The Big Short's Adam McKay. They're just some of the big new movies heading our way in 2021 — and they're all coming to Netflix, with the streaming platform revealing its slate of features for the year. Miranda's tick, tick…BOOM! will mark his filmmaking debut as a director, while Johnson plays an FBI profiler forced to team up with rival crims played by Gadot and Reynolds in Red Notice. As for Poehler, she's directing (and co-starring in) Moxie, about a 16-year-old fed up with the sexist attitudes at her high school. And the collaboration between DiCaprio, Lawrence and McKay — and Jonah Hill, Timothée Chalamet, Cate Blanchett and Meryl Streep, too — happens in Don't Look Up, about two astronomers trying to warn humanity that a comet is about to wipe out the earth. [caption id="attachment_796892" align="aligncenter" width="1920"] Moxie. Colleen Hayes/NETFLIX © 2020[/caption] They're just some of the films on Netflix's lineup for 2021 — and if you can't wait to check them out, the streaming service has released a sneak peek that rounds up a heap of its other titles for the year, too. Thunder Force sees Octavia Spencer and Melissa McCarthy play superheroes; western Harder They Fall features everyone from Idris Elba and Lovecraft Country's Jonathan Majors to Watchmen's Regina King and Atlanta's Zazie Beetz; and Escape From Spiderhead plunges Chris Hemsworth into a futuristic tale about experiments on inmates using emotion-altering drugs. Or, there's a remake of The Guilty, this time starring Jake Gyllenhaal; the third and final films in both the Kissing Booth and To All the Boys trilogies; The Power of the Dog, the latest movie from filmmaker Jane Campion; and Robin Robin, the newest release from Aardman Animation, featuring the voices of Gillian Anderson and Richard E Grant. Some flicks, like the Zendaya-starring romantic drama Malcolm & Marie, already have release dates. Plenty of others don't as yet, including zombie movie Army of the Dead, starring Dave Bautista; Blonde, a fictional portrait of Marilyn Monroe featuring Knives Out's Ana de Armas as the real-life figure; Halle Berry's directorial debut Bruised, about an ex-MMA fighter; and thriller O2, which starts with a woman waking up in a medical cryogenics unit that's no larger than a box. Either way, though, Netflix has announced that it'll be releasing at least one new movie a week for the entire year. More than a few of these titles might hit cinemas, too. The Vanessa Kirby-starring Pieces of a Woman already has in Australia, while The White Tiger, an adaptation of the Man Booker Prize-winning novel of the same name, will release on the big screen in January — as will fellow page-to-screen affair The Dig. And, some were originally supposed to screen in theatres, but have made the jump to streaming due to the pandemic, such as The Woman in the Window with Amy Adams. Whether Netflix's 2021 movies get a cinema run or not, they'll obviously pop up on the platform. So, expect a hefty list of star-studded flicks sitting in your streaming queue throughout the year — and making sure that you're still well-acquainted with your couch. Check out Netflix's trailer for its 2021 films below: https://www.youtube.com/watch?v=L9t86v_JMG0&feature=youtu.be New movies will hit Netflix every week throughout 2021 — head to the streaming platform for its current catalogue.
Have you herd the word about IncStamp? They're a volunteer-run arts initiative creating new opportunities for up and coming creatives in Brisbane. Yay for artistic opportunity! In addition to assisting the arts community, IncStamp curates themed exhibitions several times a year. What sets IncStamp apart is that instead of selecting artists and letting them submit their favourite works for exhibitions,they create unique, themed brief for each new exhibition and open for submission for any upcoming creatives to submit their work. It's fun, it's fresh and it's open to everyone. In association with Sprinkl,( a local favourite for creative networking), IncStamp presents the Imbalance Exhibition, featuring works and performances from a bunch of local artists, musicians and producers. This is an amazing opportunity to enjoy some local artwork while networking, chatting and connecting with creatives of all dicipines. Wheather you're a writer, photographer, performer, illustrator, designer, editor or any description of artist, it's in your best interest to attend this awesome event. You don't have to worry about dressing up all snazzy, just be yourself! This is a grass-roots, no-suits event. Enjoy an exhibition curated so you can connect with like minded creatives like yo'self!
Friends, food and plenty of excuses to quench your thirst — that's what your July diary has in store, especially if you make a date with Good Food Month. Once a year, Brisbane becomes a culinary wonderland, with every eatery, restaurant and bar around town getting in on the action. When you're not brunching by the beach, you'll be tucking into an Australian-themed high tea in the CBD. Or, maybe you'll be drinking, dancing and feasting at a big band cabaret dinner and show. There are no shortage of choices at this year's foodie celebration, which runs the whole month and then some — all thanks to the returning Night Noodle Markets, which take over the South Bank Cultural Forecourt from Wednesday, July 24 to Monday, August 4. There's no shortage of talent, either, particularly if you're keen on up-and-coming kitchen maestros. Indeed, on Sunday, July 14, you'll find the next generation of great chefs all cooking up a storm at GFM's annual Young Chefs Lunch. Other highlights include sustainable dinners, French-themed celebrations for Bastille Day, oh-so-many truffles, Greek delights and plenty of free-flowing booze. Also on the agenda: many a reason to learn more about wine over a meal, hearty pastas to keep you warm during winter, and sitting down to dishes all expertly paired with sake. Whether you're hankering for a lazy lunch, or fancy a decadent dinner, it's on the menu. The usual GFM advice applies — arrive hungry.
Boys of Summer isn't just the name of an '80s Don Henley song — yes, the track that you probably have stuck in your head right now, even if you didn't previously know who sings it. From February 20, it's also the name of Black Bear Lodge's latest club night. Two things are in focus here, and they're both certain to please. First, there's dance floor-filling classic 80’s rock and pop combined with modern hiphop and R&B. Then, there's a smattering of up-and-coming and veteran DJs. As you've no doubt figured out, the latter will be spinning and mixing the former. As far as music to groove to goes, expect an evening inspired by Countdown reruns, MTV highlights and VEVO playlists. And when it comes to talents behind the decks, expect to be in good hands — veteran selector D.Black of Common People and The Depot fame is in the curator's chair, after all.
You've heard that a hard-earned thirst needs a refreshing alcoholic beverage, or words to that effect. Have you heard that a stint of getting sweaty should immediately be rewarded with wine, too? The latter mightn't stem from an advertising jingle, but it still proves a motto to live by — and to put into practice at Workout Wine Down. Held by the folks at Sweat Social, with the class itself taught by Tyler Eve, Workout Wine Down will have you stretching through a yoga class then sipping boozy beverages. You'll certainly be in the right place for the latter, with the session taking place at Cloudland. On the bill at this year's Valley Fiesta, the event hits the Ann Street bar from 12.30–3.30pm on Sunday, September 2 — and, even better, attendance is free. You will need to register in advance, however, and bring your wallet for the tipple part of the afternoon.
Calling all Baby Yoda fans: the cutest little Jedi in a galaxy far, far away will be back on your screens come autumn. After streaming its second season back in 2020, The Mandalorian has been absent for a couple of years — and its adorable Grogu with it — but that'll finally change come Wednesday, March 1. As part of a spate of big announcements at Brazil Comic Con, including dropping trailers for Indiana Jones and the Dial of Destiny and Guardians of the Galaxy Vol. 3, Disney has revealed the pivotal news that Star Wars devotees have been waiting for. With Andor wrapping up its first season, Disney+ viewers currently have a gap in their streaming schedules, but only for a couple of months. If you've somehow missed it before now, the Emmy-nominated show follows the titular bounty hunter (Pedro Pascal, The Unbearable Weight of Massive Talent); however, it's his encounter with a fuzzy little creature first known as The Child, affectionately named Baby Yoda by everyone watching, and officially called Grogu, that's always had everyone talking. So, it comes as zero surprise that one of the Star Wars universe's best-ever double acts keeps being pushed into the spotlight — including when The Mandalorian dropped its first season-three trailer a few months back. That sneak peek confirmed Din Djarin and Grogu's big reunion, picking up where The Book of Boba Fett left off. But the events of the pair's past streaming adventures have consequences, including seeing The Mandalorian disowned by his fellow Mandalorians. It wouldn't be a Star Wars series if everyone got along — the 'wars' part is right there in the franchise name, after all. Accordingly, the first teaser nods to the obligatory battles, as well as the fallout when its namesake doesn't actually have that title any more. Oh, and plenty of Grogu, naturally. The Mandalorian and Grogu return March 1 only on @DisneyPlus. pic.twitter.com/h0NrVMIT4V — The Mandalorian (@themandalorian) December 1, 2022 Yes, the Star Wars universe certainly does sprawl far and wide these days, both within its tales and in its many different movies, shows, books and games. When this one first arrived in 2019, it started its story five years after Star Wars: Episode VI — Return of the Jedi. Also on offer across its run so far: a cast that's included everyone from Giancarlo Esposito (Better Call Saul), Carl Weathers (Toy Story 4), Taika Waititi and iconic filmmaker Werner Herzog through to Timothy Olyphant (Once Upon a Time in Hollywood), Rosario Dawson (DMZ), Katee Sackhoff (Another Life) and Temuera Morrison as Boba Fett. Check out the first trailer for The Mandalorian season three below: The Mandalorian's third season will hit Disney+ on Wednesday, March 1. Images: ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.
