If there's an event that'll sweep the clouds away this Saturday, it's this one. For those prone to mishearing song lyrics, Summer Dayz won't just get the theme from a muppet-filled children's television show stuck in your head. It'll also get you outdoors, fed and happy. Of course, you won't be spending time in the fresh air for the sake of it, even if the spring weather calls for it. You'll be celebrating the opening of the Jubilee Hotel's new beer garden, which means there'll be drinks aplenty. It is a party after all. And, as far as food is concerned, prepare you eat your way around the World Food Markets — and through the tasty offerings served up by This Little Piggie, Phatboys Truck, In Strada Wood Fire Pizzeria and KOMA Sliders in particular. If you've been to any of international cuisine-focused gathering's pop-up eating extravaganzas before, you'll know that's reason enough to stop by. Hope you're hungry as well as thirsty. Image: This Little Piggie.
In many ways, our objects and possessions define us. In choosing to own something, we make a conscious (or perhaps subconscious) decision about its significance to our lives, who we are and, often, who we want to be. But in a time of mass production, excessive consumption and disposal incomes, perhaps it is the very same 'stuff' we choose to define ourselves by that in fact dilutes our true selves. Whether out in the open or organised neatly into cupboards and shelves, does the collective weight of our belongings mentally drag us down? New South Wales-based artist Lottie Consalvo has embarked on a yearlong performance piece that explores the effect our physical items have on us. Her project — Compartmentalise — was conceived after the birth of her first son, a time where Lottie felt she'd lost control over her time, life and home. In an attempt to find some sense of clarity and regain control, Lottie committed to living with minimal possessions — two tops, two pants, one dress, three pairs of underwear, one knife, one fork, etc. — for 12 months. Despite living with her husband and baby boy, working at a gallery, developing her artistic practice and maintaining an active social life, Lottie has remained within the performance since August 7, 2013, documenting her experiences and musings along the way. With three months until the conclusion of Compartmentalise, we spoke to Lottie about the discomforts and satisfactions of her minimal lifestyle, and whether de-cluttering her possessions has led her to find the clarity she so desperately sought. It's really interesting to see your development through the Compartmentalise entries. Do you feel you have become kinder to yourself throughout the process? I went to a talk this week by performance artist Tehching Hsieh who has done one-year performances, and a 13-year performance. One performance he spoke about was Time Clock Piece, where he punched a time clock every hour for the entire year. He said he got a bit lazy half way through the performance, slept through the occasional alarm and was late to punch, but when he only had three months left he focused more again — although you could hardly call his efforts lazy. When you are being so extreme, after time you start to relax a little and become kinder to yourself, as you say. For example, recently when my pyjamas were in the wash and I was freezing in just a t-shirt, I finally got up and put my husband James' clothes on. I also started letting myself accept and buy books and plants. I would never have done that in the first few months of the performance. However, now that I'm reaching the nine-month mark and the end is in sight, I think I'll be harder on myself again, perhaps so the ending feels more satisfying. I didn't foresee having to replace so many items — my dress, shoes (two pairs have broken though have only replaced one pair), belt, pants, sunglasses, cup, my car (the engine of my old one died). I used to feel guilty when I had to replace something as if I had failed the performance, but as time has gone on I have been more forgiving and accepted it as a part of the performance. So yes, I have become kinder to myself as the performance progresses in that respect. You sold off many of your possessions in a garage sale, but buyers were only allowed to purchase if they could justify why the needed/wanted the item. Why was this significant to you? I hoped that it would make people think beyond the satisfaction of their purchase and the satisfaction of the desire driving them to buy. It really stirred something uncomfortable in people beyond what I had hoped for, and I liked that. What has been the most satisfying aspect of Compartmentalise? Finding out how little I need to live and no longer being scared to let go of things in case I need them in the future. And the most difficult? The discomfort. As the performance has progressed I have become greatly uncomfortable. I often have to wear dirty clothes and wet underwear. I also don't have a cosy outfit to put on other than my pyjamas. Even right now my feet are cold as I have no thick socks. What will you retain from Compartmentalise? I hope to always question what I need before buying more, now knowing that everything I bring home will not only fill my home but also my mind. I hope still to live with limited possessions, though a few more than now. I hate the idea of having a full wardrobe, cupboards and cluttered surfaces again — I have a phobia of it now. I want to carry on buying fewer things that I really love and are better quality even if they cost much more money. I will also treat my belongings with much more respect. Come August 7, what do you think will happen when you finish Compartmentalise? Do you feel like it will be difficult to transition back to having (a few) more possessions? I think I will wake up and put different clothes on. I imagine that I will get pleasure out of the feeling of different clothes hugging my skin in different ways and wearing some colour, however the novelty will probably wear off quickly. I don't think it will be difficult. In fact, it would be very easy to fall back into the habit of buying and collecting — but I don't want this. I want to take it very slowly, it will be a slow transition to a more balanced place. You started this project to help you find clarity. So far, do you feel like you've found some? I'm not sure if I have found clarity so much as I have found a sense of weightlessness. When I look at my empty home I feel the clarity, but through the performance I have found that technology (as wonderful as it is) and work are what stop me from continuing this clarity through my days. Perhaps I need to remove technology, and time. Images courtesy of Lottie Consalvo. Follow the remainder of Lottie's performance via her Compartmentalise blog.
Like commemorating the birth and life of famous figures? Like multicultural festivities that shed a light on diversity and harmony? If so, it's party time. Brisbane's annual Buddha Birthday Festival is back for its 20th year at South Bank — and yes, it is the biggest annual celebration of its kind in the world. The 2016 program certainly aims to prove that claim, courtesy of three jam-packed days of candle lighting, lion dances, dragon boat regattas, origami, calligraphy, fireworks and more. In fact, there's so much on the agenda that your best bet might be to head to South Brisbane and settle in for the long haul. 200,000 people are expected to do the same — and with more than 350 performers and 180 events on offer, you can't blame them. The festival isn't just about watching other people strut their stuff, though. With international food markets serving up culinary delights, tea ceremonies keeping you hydrated and meditation sessions taking care of your mental bliss, this isn't just a feast of fun and entertainment; it's a complete mind and body experience as well.
Over the past seven years, Hamilton has become a cultural phenomenon — and, thanks to its fame and acclaim, so has the hip hop musical's creator Lin-Manuel Miranda. But that's not the only stellar stage show to the multi-talented composer, actor, singer and playwright's name. Before he took on US history (and before he helped bring Bring It On to the theatre, too), Miranda turned life in Manhattan's Washington Heights into four-time Tony-winner In the Heights. While every Hamilton fan dreams of the day that it gets adapted for the big screen, his debut musical is actually making the leap to cinemas first — this year, finally, after its original 2020 release date was postponed due to the pandemic. Yes, the recorded version of Hamilton hit streaming last year, and was as phenomenal as everyone hoped, but In the Heights hasn't just filmed a stage performance. When it releases Down Under on June 24, In the Heights will do so with a stacked cast, with Crazy Rich Asians director Jon M Chu behind the lens, and via a movie primarily shot on location in its titular spot. Quiara Alegría Hudes, who wrote the text for the stage version, has also written the feature's screenplay. And Lin-Manuel Miranda is involved, naturally, producing the movie, overseeing the music and popping up on-screen as well. On Broadway from 2008–11, Miranda played the lead role of bodega owner Usnavi de la Vega. In the film, that honour goes to Anthony Ramos — an alumnus of the original production of Hamilton who has also featured in Patti Cake$, A Star Is Born and Godzilla: King of the Monsters. Usnavi works hard, saves everything he earns and strives for a better life. He also sits at the centre of a vibrant community just beyond the 181st Street subway stop, with In the Heights charting the lives, loves and dreams of the Latinx neighbourhood through colourful, energetic and — as seen in both 2019's first trailer for the movie and the latest, just-dropped sneak peek — exquisitely choreographed song and dance numbers. Joining Ramos and Miranda (who plays Piragua Guy, the owner of a shaved ice dessert stand) are Corey Hawkins (Straight Outta Compton), singer Leslie Grace, Melissa Barrera (Vida), Dascha Polanco (Orange is the New Black), Marc Anthony and Jimmy Smits — plus original In the Heights stage star Olga Merediz, Rent's Daphne Rubin-Vega and Matilda the Musical's Gregory Diaz IV. Brooklyn Nine-Nine's Stephanie Beatriz also features, after Miranda made an appearance on the hit sitcom in 2019. Check out the latest trailer below: https://www.youtube.com/watch?v=V4CRPvel2Vc In the Heights will release in cinemas Down Under on June 24.
"Mulder and Scully but in a country where nothing happens": that's how Taika Waititi described What We Do in the Shadows New Zealand television spinoff Wellington Paranormal on Twitter back before the hilarious supernatural series even hit screens. Across three seasons so far, those words have rung true in inventive and amusing ways — and viewers will be able to see them prove accurate yet again when the hit show returns on Wednesday, February 16. Wellington Paranormal's fourth season will start airing this week — via SBS Viceland and SBS On Demand in Australia and TVNZ 2 in New Zealand — which is as exciting as every time that police officers Karen O'Leary and Mike Minogue solve one of the mockumentary-style series' otherworldly (and highly entertaining) cases. But, this return also comes with sad news, because this will be the show's final run. That means you've got six more episodes, airing weekly, to spend with the Cops-esque spinoff, and with Wellington's trusty paranormal investigators — which also includes the always-eager Sergeant Maaka (Maaka Pohatu). Already, we've seen the crew try to keep the city safe from not only vampires and werewolves, but also ghosts, aliens and more; however, thankfully they've still got half a dozen cases left to solve. Equally funny and silly, and never afraid to bring other familiar What We Do in the Shadows faces, Wellington Paranormal was the first of two TV shows based on Waititi and Jemaine Clement's addition to the undead world — alongside the Emmy-nominated US television series also called What We Do in the Shadows that focuses on vampires sharing a house in Staten Island. We all know that bloodsuckers can be slain by staking them in the heart and lycanthropes aren't fond of silver bullets, but this undead franchise has just kept enduring after it initially jumped from a short film to a side-splittingly hilarious feature-length comedy, even if Wellington Paranormal is now coming to an end. In advance of the show's final episodes hitting screens, a trailer for Wellington Paranormal's fourth season has dropped, which you can check out below: Here's a sneak peak of Season 4 of #WellingtonParanormal, courtesy of our mates at @TVNZ. This Wednesday 16th February, Australia catch it on @SBSOnDemand and NZ on TVNZ 2 👍 pic.twitter.com/yDXq7EBWM7 — Wellington Paranormal (@WellyParanormal) February 13, 2022 Wellington Paranormal's fourth and final season starts screening on SBS Viceland and SBS On Demand in Australia and TVNZ 2 from Wednesday, February 16.
Forget about every dog having its day; on June 4, every dog in Brisbane can have their own festival. Redlands is putting out the welcome mat for peppy pooches and their loving owners thanks to their new event, DogFest. Has anything ever had a more appropriate title? Between 10am and 3pm, Capalaba Regional Park will become a canine wonderland, complete with food trucks, coffee carts, live music and market stalls. Two arenas of fun will boast everything from dog competitions (including categories for best dressed, best trick and waggiest tale) to demos about cooking doggy meals to training demos. Promoting the latter is actually the aim of the whole day, should you literally be looking to teach your four-legged best friend some new tricks. Indeed, it's a great time to have a cute pupper in tow in Brisbane, with DogFest the city's latest pooch-centric event. With the Pets at the Gabba markets and The Brightside's Barks & Brews sessions happening regularly, your doggo could have quite the social calendar.
Across 2021's cooler months, locations around Australia will transform into winter wonderlands, celebrating the chilly season in all of its frosty glory. From May through until September, The Winter Village is returning after its debut run in Melbourne two years back — with Brisbane's debut visit taking place at Northshore Hamilton's Riverfront Event Space in Brisbane from Thursday, June 3–Sunday, August 29;. Modelled on your typically picturesque European winter market — and giving Aussies a taste of a winter experience that we don't really have otherwise — The Winter Village comes complete with an ice rink, an igloo village, daily snow showers, and a food and drink lineup. Think of it as your quaint wintery escape in the very heart of Brissie. Attendees will be able to dust off their skates and hit the ice, and hire a private igloo where you can wine and dine in cosy solace — either with up to five people in a smaller space, or in a six-metre-wide igloo that can cater for 14. Folks spending their time in The Winter Village's igloos will feast on grazing plates of chips, dips, mini pretzels, cured meats, fried chicken bites, mac 'n' cheese croquettes and more, drink their choice of wine or beer, and tuck into a chocolate ice cream sandwich for dessert. That's the $49 package, with the $69 option including espresso martini-flavoured chocolate fudge dipping sauce, berries, brownies, marshmallows, cookies and your choice of an Aperol spritz, espresso martini, wine or beer. Or, get festive over brunch instead — which includes a 45-minute skate session and a meal afterwards for $35. There'll also be pop-up bars and outdoor seating throughout the village, should you be keen on heading along without spending time in an igloo. The latest venture from hospitality group Australian Venue Co, the frozen oasis will be open daily and free to enter — from 11am–10pm Monday–Thursday, 11am–12am Friday, 10am–12am Saturday and 10am–10pm Sunday. That said, ice skating, igloo hire and a couple of winter warming beverages will obviously come at a cost. Top images: Mazloum J.
Sometimes, one festival just isn't enough. As ace as the Teneriffe Festival is, the festival within the festival is one of its biggest drawcards. That'd be the Pork, Fork & Cork Festival, Part IV, and its annual ode to tasty food and beverages. As the name suggests, this is the street party's fourth year, which means they've perfected the art of eating, drinking and being merry. Festival mainstays Alfred & Constance, Alfredo’s Pizzeria, Chester Street Bakery, Kwan Brothers and Limes Hotel are all part of the fun, showcasing savoury sensations, specialty cocktails and all-ages milkshakes. They're joined by the Doughnut Time caravan, which means ample parcels of sweet pasty goodness that no one can resist. Newcomer Little Wick Winery will also pop up, and if you don't know who they are now, you won't be able to forget afterwards. The festival marks the first public unveiling of their venture, Queensland's first urban winery. Now that's something to sip and savour — and to keep talking about afterwards. You can do just that at one of the two official afterparties, on the rooftop at Limes Hotel and inside the walls of Alfred & Constance — where else?
Before goals are scored at the Gabba, beers start flowing. And after the last passes have been thrown at Suncorp Stadium, brews are well and truly needed. If you're a sports fan, you know that every game, set and match goes better with a drink in hand. Sipping on a beer and watching folks kick, hit or throw a ball, really is an ideal pairing. But if you aren't able to see it IRL — maybe your match of choice is in another country/city or you haven't managed to nab tickets in time — don't stress. Head to a pub and watch all your sporting shenanigans on the big screen. With help from our friends at Heineken, we've found seven Brisbane pubs that'll take care of your thirst before, during or after the game.
Good bagels are few and far in Australia. Sure, you can find a sausage roll or pie any time of any day, but no amount of flaky pastry and questionable meat filling can satisfy a fresh, soft dough hankering. A need for something dense, doughy and bagelly delicious. However, you might not have to travel as far as you thought to get your fix, because Brisbane's experiencing a rather tasty bagel boom, and it's hitting taste buds hard. Scout Scout has perfected everything a bagel should be: packed to the brim with a glorious amount of meat, a wholesome dollop of tomato relish and a touch of rocket to keep things healthy. Their breaky bagel is a menu stunner, lashed with rich kaiserflesch, egg, chedder and a dynamo relish and aioli duo. Scout's lunch menu holds more bagel treats, with spiced chicken, guacamole, cucumber, chipotle mayo and iceberg headlining alongside haloumi, roasted zucchini, Moroccan spiced carrot, hummus, aioli and rocket. Pair your Scout bagel with a coffee, or better still a banana milkshake, and find yourself in a tummy-hugging daze – beware the addiction. 190 Petrie Tce, Red Hill The Bagel Boys Hailing from the Sunshine Coast, these guys dot up all around Brisbane with their tasty selection of bagels and a crowd to complement. The boys mix, roll, boil and bake their bagels in a traditional recipe that took them four weeks of practice to perfect – they've even been praised by New Yorkers, saying their recipe is better than any yankee bagel. You can find them selling bagels at Noosa Farmers Market on Sundays, Queens Street Mall Markets, Brisbane every Wednesday and Powerhouse Markets, New Farm on the 2nd and 4th Saturday of every month, Eagle Farm, Rocklea, Manly and now also Mitchelton. You could say they are the masters, the boys also supply their goods to Scout and Bagel Nook. 58 Commercial Road, Newstead, Brisbane, 4006 La Vosh Patisserie With 11 different types of bagels, this small bakery knows what’s what in the bagel world. Founded by Steve Day after an all too persuasive trip to New York, this café relishes the simplicity of the bagel – sometimes all it takes is a cream cheese and chive filling to spark a bagel addiction. You can eat your bagel, while watching one of the skilled bakers make the next batch from the comfort of your seat – it's the perfect in store entertainment. 154 Musgrave Rd, Red Hill Brewbakers The original masters of the Brisbane bagel, well worth travelling across town for. With a blackboard that boasts the daily bagel special, and a cabinet of classics, they show a no-fear approach to the perfect bagel. Swoon over the sweet bagels or dig into to something far heartier at one of Brisbane's most established bagel breeding bakeries. 1/337 SandgateRd Albion, QLD Betty's Espresso Fresh faces on the West End block. Betty's Espresso holds a not-so-secret cure to any hangover – bagels. Down your Bagel of Death Metal with a salted caramel shake, and find yourself spiralling into a John Hughes movie scene as a truly satisfied member of Betty's Breakfast Club. 11 Browing St, South Brisbane Flour and Chocolate The bagel philosophy at Flour and Chocolate Bakery is a simple one - keep it traditional, and do it well. You won't find a ritzy selection of fillings at this Parisian-style bakery - the bagels alone are enough, and needn't be compensated with lavish partners. Flavours include plain, sesame, caraway and rock salt, spanish onion with black sesame, cinnamon raison - our favourite - and if you're lucky, blueberry, all going for just $1.80 a pop, or 6 for $9.50. There's a pack of effort that goes into making a traditional boiled bagel so you can only catch them at Flour and Chocolate on a Friday, making it the perfect place to stock up on bagels of every flavour for the weekend. 621 Wynnum Rd, Morningside Bagel Nook A classic New York bagel feel right in the heart of our CBD - even if you don't have wheels, you've no excuse for trying this bagel joint. With a bagel filling selection that carries every cuisine and calorie-count, Bagel Nook can be the ideal lunch-break health-kick or indulgent snack. Where there's a bagel vendor within a 10 meter radius of anywhere in New York, Bagel Nook is Brisbane's answer to a closeby bagel fix that won't exhaust the bank or belt line. 100 Creek St, Brisbane City In conclusion:
The time of boring holidays is over. No longer are we locking ourselves inside a three-star resort for two weeks, limiting ourselves to whitewashed itineraries and experiences we could find at home. To really explore the world, we must occasionally check comfort and familiarity at the door. That's what you could do with a guided, small-group tour organised by Intrepid Travel. We've teamed up with the global exploration extraordinaires to showcase just a taste of the experiences on offer. All you need to do is dive right in. [caption id="attachment_970293" align="aligncenter" width="1920"] ChanwitOhm via iStock[/caption] Hike up a Volcano in Lombok When it comes to Aussies on holiday, Bali is an all-time classic pick. The neighbouring island of Lombok isn't that far afield either, but there's more to an Indonesian getaway than massages and cocktails by the beach. Instead, you can secure a spot on a 12-day adventure across the islands of Bali, Lombok and Gili. You'll hike, bike and kayak your way through some of the most scenic landscapes Indonesia has to offer. The peak (literally) of the adventure comes on the island of Lombok, where you'll spend two days hiking up an active volcano, camp at its crater (at nearly 2600 metres high) and enjoy stunning panoramic views of the ocean — if the weather is clear. Watch the Sunrise From the Tallest Mountain in Borneo Borneo is one of the last wild nations on Earth, with a hugely diverse ecosystem and a range of iconic native wildlife—orangutans being the most famous among them. This 11-day expedition allows you to get up close and personal with those gentle forest creatures, as well as sea turtles, macaques, bears and maybe even pygmy elephants. During your adventure, you'll also get to scale Mount Kinabalu, the highest mountain in the country. To see the sunrise from the summit, 4095 metres above sea level, you'll spend the night on the mountain and set off at 2am — but the views will be worth it. When you've descended, you will spend the afternoon unwinding in hot springs. Help Reforest an Island in Cambodia Community service in Cambodia is a highly regarded activity for Aussies abroad, but this eight-day tour of the country will put you in touch with more than just good karma. You'll bike through the Cambodian countryside, explore ancient ruins, meet endangered river dolphins and spend two days on an island in the Mekong River. On the small island of Koh Trong, you'll overnight in a local homestay, giving you ample time to explore the island's shores, rice fields and fruit orchards. Once you've had a good night's sleep and a home-cooked meal, you'll lend a hand to a local reforestation project to put some good back into the earth. Immerse Yourself in the Himalayas Along the Trans-Bhutan Trail There are few secrets on planet Earth as well hidden as Bhutan. Literally and figuratively dwarfed by its neighbours, India and China, this tiny Buddhist kingdom transports you back in time and takes your breath away with its awe-inspiring landscapes. You can spend 11 days exploring this remarkable nation with Intrepid. The altitude might thin out the air, but it's cleaner than anywhere else since Bhutan is the world's first carbon-negative country. Breathe deep as you drive and walk across the country's heart, stopping at high-altitude mountain passes, fortified Buddhist complexes and ancient monasteries built into the sides of rock faces. Kayak Amongst Stunning Limestone Islands in Lan Ha Bay Vietnam's scenery is on another level, with mountains, valleys and fields that create incredible memories (and photographs). It's a quintessential destination for travellers, but the art of balancing its many moving pieces is best left to travel agents and trip organisers. It's a good thing Intrepid offers an 11-day tour that'll see you hiking, biking and kayaking all over the country. First, you'll venture through the busy capital city of Hanoi for an on-the-ground Vietnam experience. Then, you'll stop in regional cities and towns like Sapa, Khau Bau, Mai Chau, Ninh Binh and Cat Ba Island. Those landlocked locales will see you hit the trails and fields on bicycles and your own two feet, but the latter is in Ha Long Bay's World Heritage designation and features the iconic limestone cliffs and white sand beaches by the plenty. Explore the UNESCO World Heritage Sites of Sri Lanka Sometimes overshadowed by its larger neighbour, India, Sri Lanka has been slept on as a destination by many for far too long. One of the most varied ways to explore it is a fairly physical eight-day exploration of the island, which will take you through mountains, tea fields, thick jungles and fast-flowing rivers. Along the way, you'll get up close and personal with four of the eight UNESCO World Heritage Sites throughout the country. First, there's the city of Sigirya, built atop a granite rock over 1500 years ago. You'll then head to the jungle-coated Knuckles Mountain Range, the Sacred City of Kandy and finally, the fortified Old Town of Galle. Trek to the Base of the Highest Mountain on Earth When talking adventure tours in Asia, we'd be remiss not to touch on the most famous of all: the two-week journey to the Base Camp of Mount Everest. It's a trip and a destination carved into human history, but the Base Camp trek is easier than the journey up the mountain itself. This tour starts in Kathmandu, but you'll fly to your real starting point in Lukla before setting off on the hiking journey of a lifetime. Take in the snow-crested peaks and green valleys of the Himalayan ranges as you make the journey up to Base Camp before turning around and taking a different route back to Lukla. You'll be spending your nights in teahouses and are likely to meet other hikers along the way since this is one of the most famous hiking routes in the world. Get out, explore, dive into adventure and find your WOW with Intrepid Travel. Find out more on the website.
Laneway Festival has revealed its full 2026 lineup, marking a milestone 21st anniversary edition of the beloved summer series. Returning next February, the festival will expand its route across Australia and New Zealand, adding three new venues to the circuit. Fans can expect another year of sold-out crowds after the 2025 festival drew over 200,000 attendees across main dates and a further 40,000 at sideshows. "It's incredible to be celebrating 21 years of Laneway. What began as a little street party in a Melbourne laneway has grown into a summer ritual across Australia and New Zealand," festival co-founders Danny Rogers and Jerome Borazio said. "Every year we're blown away by the response from the artists, fans, and community that make Laneway so special — 2026 is about honouring that history while looking to the future." See the full lineup below. View this post on Instagram A post shared by Laneway Festival (@lanewayfest) Laneway 2026 will run from February 5–15, with shows confirmed for Auckland, the Gold Coast, Sydney, Melbourne, Adelaide and Perth. Tickets and more information are available now from the Laneway Festival website.
It was back in September 2022 that Weird: The Al Yankovic Story first hit screens, premiering at the Toronto International Film Festival with its happily ridiculous take on its namesake's life, and with Daniel Radcliffe (The Lost City) sporting a mop of curls to play the titular part. And, it was in November last year that the film became available to stream in the US, releasing via The Roku Channel. Since then, however, there has been no sign of the movie Down Under. That is, unless you took Weird Al's advice. The man himself noted on Twitter at the time that "Roku's working on it. In the meantime there's VPN (Very Probably No) way to watch it legally. I'm sure you have a TORRENT of other questions, but I have to move along, sorry." Roku's working on it. In the meantime there's VPN (Very Probably No) way to watch it legally. I'm sure you have a TORRENT of other questions, but I have to move along, sorry. — Al Yankovic (@alyankovic) November 5, 2022 Thankfully, come Thursday, March 2, Weird: The Al Yankovic Story will finally hit streaming in Australia thanks to Paramount+. When you're not getting yourself and egg and beating it, you might want to mark that date in your diary. This is the 100-percent Weird Al-authorised take on his own accordion-playing existence, so expect 'weird' to be the word in more ways than one. Indeed, in too many music biopics to count, a star is born — and also rises to fame after putting their talents towards a dream that's inspired them as long as they can remember. Weird: The Al Yankovic Story follows that same formula, but also parodies it. It wouldn't be a movie about Weird Al if it didn't take something that already works, then give it a satirical spin, now would it? "My whole life, all I wanted was to do... was make up new words to a song that already exists," Yankovic, as played by Daniel Radcliffe (The Lost City), says Weird's full trailer — which, yes, looks gloriously ridiculous. This line bookends glimpses of a childhood Al happily thumbing through accordion magazines and getting caught at a polka party. In other words, this humorous look at the man behind oh-so-many humorous songs takes the exact approach a film about Weird Al really has to. Viewers can also expect: accordions, obviously; recreations of Weird Al's film clips and live performances; oh-so-many Hawaiian shirts; chaotic meetings with Madonna, as played by Westworld's Evan Rachel Wood; and origin stories behind tracks like 'My Bologna' and 'Like a Surgeon'. Beneath wire-framed glasses, those shirts, that hair and Yankovic's instantly recognisable moustache — and in a piece of casting that seems like it jumped straight from the internet — Radcliffe looks to be having the time of his life as the musician behind 'Another One Rides the Bus', 'Smells Like Nirvana' and 'Amish Paradise', plus comedic riffs on pretty much every other big song of the past four-plus decades that you can think of. Yankovic is one of the screenwriters, alongside director Eric Appel (a TV sitcom veteran with Happy Endings, New Girl, Brooklyn Nine-Nine and top-notch cop-show parody NTSF:SD:SUV on this resume). If the man in the spotlight's career has taught us all anything apart from the wrong words to pop hits, it's that he doesn't take a single thing, including himself, seriously. Weird: The Al Yankovic Story will hit Paramount+ in Australia with perfect timing, because Yankovic is touring the country in March, playing Melbourne, Adelaide, Sydney, Perth and Brisbane. Check out the trailer for Weird: The Al Yankovic Story below: Weird: The Al Yankovic Story will stream in Australia from Thursday, March 2 via Paramount+.
What does Brisbane have in common with music superstars Beyoncé, Björk, Lady Gaga and Rihanna, and also Oscar-winners Cate Blanchett and Tilda Swinton? An appreciation for fashion designer Iris van Herpen. The avant-garde Dutch talent has dressed them all, including creating the breathtaking Heliosphere dress that proved a showstopper on Beyoncé's Renaissance tour. The latter gigs haven't made it Down Under, but the Australian-exclusive Sculpting the Senses exhibition at the Queensland capital's Gallery of Modern Art will take you into the world of the haute couture figure who played a part in it. Fashion lovers have until Monday, October 7, 2024 to explore one of GOMA's big showcases for 2024, which continues to plunge the South Brisbane site into an enchanting and ethereal realm after Fairy Tales, its huge summer exhibition, did the same. Pieces by van Herpen can't be mistaken for designs by anyone else, sitting at the intersection of couture, art and design, while also exploring technological advancements such as 3D printing. In that field, she's widely considered the first to make a garment this way. From gowns to accessories, a massive 130 of van Herpen's pieces are now on display in the River City. Across nine chapters — some nodding to the dreamlike sheen that accompanies the designer's pieces, others focusing on skeletal structures, inspirations, and how the sea and the cosmos are an influence — Iris van Herpen: Sculpting the Senses steps through the work of a creative who boasts stints alongside Alexander McQueen and Claudy Jongstra on her resume. It was almost two decades back, in 2007, that the Maison Iris van Herpen came to life in Amsterdam. Evoking her studio, complete with a cabinet of curiosities, is also part of GOMA's celebration. In this section of the exhibition, attendees will also see a space dedicated to fashion shows and unpack the various development stages of a dress. [caption id="attachment_966403" align="alignnone" width="1917"] Installation view of 'Iris van Herpen: Sculpting the Senses'. Iris van Herpen / Netherlands b.1984 / Daniel Widrig (Collaborator) / United Kingdom b.1977 / Materialise (Collaborator) / Belguim est.1990 / Crystallization top and skirt, from the 'Capriole' collection 2011 / 3D-printed polyamide using selective laser sintering, eco-leather, cotton, nylon thread / Purchased thanks to the patronage of Doctor and Madam Léon Crivain, 2018 / Collection: Musée des Arts Décoratifs, Paris. Courtney Mattison / United States b.1985 / Malum Geminos 2019 / Glazed stoneware and porcelain / Courtesy: The artist. Iris van Herpen / Netherlands b.1984 / Nicholas Koscinski (Collaborator)/ United States b.1992 / Futurama gown, from the 'Meta Morphism' collection 2022 / 3D-printed Bluesint (upcycled polyamide) using selective laser sintering, silver, silk, organza, tulle / Courtesy: Iris van Herpen atelier. © The artists / Photograph: C Callistemon © QAGOMA.[/caption] Hitting Brisbane after a run in Paris, co-organised by the Musée des Arts Décoratifs, and boasting the organisation's Dr Cloé Pitiot and Louise Curtis on curatorial duties alongside QAGOMA's Nina Miall and Jacinta Giles, Iris van Herpen: Sculpting the Senses takes its name seriously. This is a feast for the eyes, clearly, but also comes paired with a soundscape by Dutch sound artist Salvador Breed — not just a collaborator of van Herpen's, but her partner — to enhance the experience. Among the specific fashion gems featured, the exhibition draws from 2010's water-themed 'Crystallization' collection, which took its cues from water being splashed at models; 2020's 'Sensory Seas', with hydrozoa such as the bluebottle an influence; and 2012's 'Micro' and 'Hybrid Holism', each teeming with microscopic detail that mimics the natural world — just for starters. Elsewhere, van Herpen's designs use X-rays, MRIs, neuroscience, mythology, alchemy, biotech, NASA's James Webb space telescope and more as guides. Visitors will equally spy a range of complementary pieces surrounding van Herpen's designs, weaving in Yayoi Kusama, Cai Guo-Qiang, Japanese art collective Mé and Kohei Nawa, for instance. Megan Cope, Philip Beesley, Anne Noble, Damien Jalet, Casey Curran, Rogan Brown, Ren Ri and Courtney Mattison also have works in Iris van Herpen: Sculpting the Senses, as does the Living Architecture Systems Group. Natural history objects add yet another layer. The dramatic staging, especially when van Herpen's work is set against a black background, achieves the same. Similarly featuring: installations, videos and photographs. [caption id="attachment_966407" align="alignnone" width="1917"] Installation view of 'Iris van Herpen: Sculpting the Senses'. (l) Iris van Herpen / Netherlands b.1984 / Water dress, special project 2010 / Heat-moulded PETG / Collection: Groninger Museum, Netherlands / © Iris van Herpen. (r) David Spriggs / Canada b.1978 / Origins 2018 / PET film, acrylic Plexiglas, LED, acrylic paint, metal / Collection: Dr Pierre Miron / © David Spriggs. Photograph: C Callistemon © QAGOMA.[/caption] Top images: Installation view of 'Iris van Herpen: Sculpting the Senses' including (front l-r) Symbiotic asymmetric dress, from the 'Shift Souls' collection 2019 by Iris van Herpen; Fractal Flows dress, from the 'Sensory Seas' collection 2020 by Iris van Herpen with collaborator Perry Hall; and Cosmica gown, from the 'Shift Souls' collection 2019 by Iris van Herpen with collaborator Kim Keever / © Iris van Herpen / Photograph: C Callistemon © QAGOMA. Installation view of the Cabinet of Curiosities in 'Iris van Herpen: Sculpting the Senses', Gallery of Modern Art, Brisbane / © Iris van Herpen / Photograph: J Ruckli © QAGOMA. Iris van Herpen: Runway films 2017-23 (installation view, 'Iris van Herpen: Sculpting the Senses') / Video, colour, sound, 57:51 minutes (total, looped) / Editor: Simona Gol / Music selection: Salvador Breed / Courtesy: Iris van Herpen Atelier / © Iris van Herpen / Photograph: C Callistemon © QAGOMA.
There's usually only one problem with comedy festivals. Jam-packed lineups mean a wealth of talented folks trying to get you laughing, but we've all only got so much time. Of course, that's the best kind of issue to have, spoiling fans for choice — so, from the 100-plus names and events that'll grace Brisbane Comedy Festival in 2024, prepare to have plenty of options. Hosted by Brisbane Powerhouse each year, the month-long fest has been unveiling its next lineup in batches. The November drop included Josh Thomas, Nazeem Hussain, Joel Creasey, Rhys Nicholson, Nina Oyama, Melanie Bracewell and Arj Barker, plus Reuben Kaye, Luke Heggie, Ivan Aristeguieta, Guy Montgomery, Schalk Bezuidenhout and the return of Sh!t-faced Shakespeare. The list went on then, and does so even more now. Indeed, BCF's December announcement is its biggest for the 2024 fest so far. Ed Byrne, Stephen K Amos, Wil Anderson, Lizzy Hoo, Felicity Ward, Tommy Little, Annabel Crabb, Peter Helliar, Dave Hughes, Mel Buttle, Akmal, Effie: they've all just joined the Brisbane Comedy Festival's celebration of chuckles and giggles. The Brisbane debut of Future Science Talks, which includes both scientists and comedians, is also on BCF's 2024 roster. So is the return of improvised whodunnit Murder Village, plus everyone from Fern Brady and Urvi Majumdar to Nath Valvo and Jenny Tian, and Connor Burns, Dilruk Jayasinha, Geraldine Quinn, Hannah Camilleri and Takashi Wakasugi as well. 2024's Brisbane Comedy Festival will take place from Friday, April 26–Sunday, May 26, filling not only New Farm's riverside arts venue with laughter, but also The Princess Theatre, Fortitude Music Hall and The Tivoli. As always, BCF is a something-for-everyone fest. If you can't find something to laugh at, you mightn't have a funny bone. The event's new additions sit alongside other already-announced highlights such as the annual Brisbane Comedy Festival Opening Gala; rom-com production 44 Sex Acts in One Week; Bob Franklin, Tony Martin, Bev Killick and Gretel Killeen teaming up for an Aussie Comedy Legends night; and James Schloeffel from The Shovel and Charles Firth from The Chaser bringing Wankernomics: Solutionising the Corporate World follow-up Wankernomics 2.0: As Per My Last Email Brisbane's way. [caption id="attachment_930599" align="alignnone" width="1920"] Mark Gambino[/caption] The 2024 Brisbane Comedy Festival will take place between Friday, April 26–Sunday, May 26. For further details and tickets, head to the festival's website.
Entering an Australian supermarket at the moment, you can be forgiven for thinking that you're walking into the set of a post-apocalyptic film. People are everywhere but shelves are bare, with shoppers panic-buying everything from toilet paper and hand sanitiser to pasta and milk. As the COVID-19 situation has evolved over the past few weeks, local supermarket chains have been implementing item limits. They've also set aside dedicated shopping times for the elderly and people with disability as well. But the hoarding keeps happening and everyday staples keep selling out, leading Coles and Woolworths to roll out further caps. Announced today, Wednesday, March 18, both big chains have mandated restrictions on a number of items — in addition to previously revealed limits. At Coles, there's now a two-pack-per-person cap on eggs, sugar, frozen vegetables, frozen desserts, canned tomatoes, pasta, all dry rice regardless of size and liquid soap. And additional limits may be placed on other items on a store-by-store basis, too, so it's best to pay attention to the signage while you're shopping. Over at Woolies, it's limiting such a wide variety of items that it has actually listed what isn't restricted. There are no caps on fresh fruit and vegetables, fresh milk, yoghurts, deli items, seafood, bakery items, canned fish and meat other than mince — or on drinks, baby food, wet dog food, wet cat food, and Easter confectionery and merchandise. If you're after anything else, however, a two-pack-per-person limit applies in general, with some items down to one-pack-per limit. Already in the restricted category at both chains — as anyone who has tried to buy groceries recently well knows — are toilet paper, serviettes, baby wipes, antibacterial wipes and bulk rice over two kilograms, which are down to one pack per person. Tissues, hand sanitiser, dry pasta and flour have all been limited to two packs per person at both companies for days now. And paper towels vary, restricted to one per person at Woolies but two at Coles. Aldi and IGA haven't announced any new limits as yet, although Aldi already has caps on toilet paper (one pack), dry pasta, dry rice, flour, paper towels, tissues and sanitiser (two packs). At IGA, it's a store-by-store decision. "Each store has placed purchase limits on items that are critically low in stock. These limits are being managed on a store by store basis and are increasing day by day," the chain advised in a statement. All four brands have also released a collective plea for consideration, stressing the need to stick to product limits — and reminding shoppers something that should just be a given, aka that hardworking supermarket staff should be treated with courtesy and respect. For more details on Australian supermarket item limits, keep an eye on Coles, Woolworths, Aldi and IGA's websites. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
For the past two years, Semi-Pro Brewing Co has been whipping up beers in East Brisbane. For the same amount of time, it has also been hosting just the kind of events that go down extra well with a cold one — such as puppies and pints sessions, bricks and beer nights, and Halloween parties. To mark its big milestone, the Manilla Street venue is celebrating, obviously. And it's doing so in its typical style. There'll be beer. There'll be bites to eat. And there'll also be a petting zoo. Head by from 10am on Saturday, March 14, and you can sink brews with one hand while petting an adorable critter with the other. Cute shenanigans are what second birthday parties are all about, after all — but this one also involves beer. Brews-wise, you'll be able to knock back pints of a special concoction made just for the occasion. As for what kind of beer it'll be, well, that's part of the surprise. If you're extra keen to take part — and you're happy to get there at 7am, and pay $75 — you can also nab one of 20 tickets to help brew the birthday beverage. Otherwise, entry is free, with the shenanigans turning into a block party. Notorious EAT will be on food duties — and, because March in Brisbane is all about beer, the event also forms part of Brewsvegas. Images: Semi-Pro Brewing Co.
Inward reflection, as opposed to guidance by outward factors, is the true way for an individual to gain best understanding of themselves as an identity and a physical being. Once we are at peace with ourselves, we can better foster relationships with others, even encouraging others to take the time to reflect in the same way. Brisbane-based artist Leena Riethmuller takes a critical look at societal constructs of self. The way a person presents themselves is often to fulfil a role laid out before them, often as a result of others as well as the media. To examine, even dismantle these expectations. Riethmuller has, in the past, created workshops designed to emphasise self-reflection; in a way, she uses her media of art to go against the grain of mainstream media. Her latest exhibition, More Or Less Human, gives participants an opportunity to examine the way we engage with our bodies as well as a chance to further connect with our own selves more than we might normally. Participate, or observe and reflect, Riethmuller will help you bring to the fore inner peace to help find peace as you travel through life.
Remember a time when holidays used to feel endless and the nagging anxiety of an overflowing inbox was a foreign concept? If you're struggling to recover this feeling of unhindered expectation and excitement, wind the clock back to simpler times by charting out a holiday that chases the kind of unbridled joy you used to feel as a kid. Because being an adult doesn't mean you have to stop having fun. Seek out spectral encounters on a ghost tour, conquer the wildest waterpark rides, cuddle rare animals or hit the waves at surf school. Whatever kind of youthful magic you're looking to revive, one of these trip ideas is sure to speak to your inner kid.
With Spit, one of the best Australian films of the past quarter-century gets a sequel — and so does one of the finest and funniest scenes in an Aussie movie. A crime comedy set on the Gold Coast, 2003's Gettin' Square earned well-deserved affection for its tale of a just-out-of-jail ex-con trying to rebuild his life but being pulled back to the wrong side of the law for a last big job. It also scored David Wenham (Fake) his second Australian Film Institute Award, and first for his big-screen work. Sam Worthington (Horizon: An American Saga) played the paroled Barry Wirth, but Wenham's turn as the mullet-topped, tight jeans-wearing, thongs-adorned Johnny Spitieri stole every sequence that he was in. One such specific moment: when Johnny, aka Spit, is forced to front court. Thanks also to director Jonathan Teplitzky (Churchill, The Railway Man) and Gold Coast lawyer-turned-novellist and screenwriter Chris Nyst (Crooked Business), movie comedy masterclasses are made of this. Wenham's filmography is immense across both the silver and small screens, and in Australian and international fare alike. Name an Aussie TV show of the 80s and 90s and he probably popped up in it, before he became known as Diver Dan in SeaChange. In 1998, the same year that that series started, he was haunting in Aussie cinema masterpiece The Boys. Then in 2000, he initially teamed up with Teplitzky for intimate rom-com Better Than Sex, before reuniting on Gettin' Square and now Spit two decades later. Around that collaboration, plus everything else mentioned above, Wenham has jumped between Moulin Rouge!, The Crocodile Hunter: Collision Course, two Lord of the Rings films, Van Helsing, The Proposition, 300, Goldstone, Lion, a Pirates of the Caribbean flick, The Furnace and Elvis, and also Killing Time, The Code, Iron Fist, Top of the Lake, the TV versions of Wake in Fright and Romper Stomper, Les Norton and Pieces of Her — and more. There's one part that has long stood out among that lengthy list of on-screen credits, though, especially for audiences. "It's strange even now, that much time later, nearly every day of my life I have somebody approach me — and out of all the characters that I've played, that's the one that most of them want to talk about. And they quote lines from that film from 20-something years ago, which is extraordinary considering it didn't do very well at the box office originally," Wenham tells Concrete Playground. He's talking about Johnny Spitieri, as distinctive a figure as he'll ever play, and as distinctively Australian, but one that viewers keep seeing their loved ones in. "Oh my god, my uncle, my uncle, my whatever, he's Johnny Spitieri," folks tell him, Wenham advises. "Talk to people all around the country, 'oh yeah, I went to school with Johnny Spitieri'. He seems to exist in so many communities all around Australia. There's an ownership of Johnny Spitieri, which is great." Exploring more of Johnny's story — and bringing him back to the Gold Coast, too — wasn't originally the plan, or something that either Teplitzky or Wenham even dreamed might happen when they were making Gettin' Square. "Far from it, far from it. You so often do these things and as soon as they're finished, you put them out into the world and you move onto other things. And it probably took ten or 15 years before we even started thinking about it again, but the power of Spitieri was something that drew us all back in eventually," notes Teplitzky. "People found that film originally on VHS and then DVD. It developed this cult classic-type status," adds Wenham. "It's amazing. So the fact that that character still resonates was probably the little ember that fanned the flame in the beginning of the discussions for this film, which began probably about ten years ago." In Spit, two decades have passed for the movie's namesake as well, time that he's spent on the run overseas. Although Spit remains another comedy with the small-time ex-criminal at its heart, Wenham, Teplitzky and Nyst haven't just brought Johnny back home for a repeat of Gettin' Square's antics. This is as much a character piece, and it also thoughtfully surveys Australia today. When Spitieri's return Down Under draws attention, his first stop is an Immigration Detention Centre, where the film starts digging into the nation as a multicultural country and what being an Aussie means, complete with Johnny teaching his fellow detainees local terms. As fans of the first film will remember, Johnny had fled abroad for a reason, which is where plenty of other familiar characters also pop up. David Field (Furiosa: A Mad Max Saga), Helen Thomson (Colin From Accounts), David Roberts (Territory) and Gary Sweet (A Savage Christmas) are all back, for instance, while Bob Franklin (Bay of Fires) steps in for the late Richard Carter (Mad Max: Fury Road), and Arlo Green (Bump) and Pallavi Sharda (The Office) also join the ensemble. Is there yet another potential future for Johnny, after trying to avoid retaliation for 20 years ago from crims and dirty cops alike, giving prosectors grief again, finding a new friend in Green's asylum-seeker Jihad and reforging family connections in Spit? Another big-screen outing, even if it takes 20 more years or so to make it happen? "There's no plans for it," Wenham says. But "never say never", he also notes. "Twenty-two years to the time, maybe Johnny might be in an aged-care facility somewhere. I think that'd be it. That'd be an interesting movie." Among other subjects, we also chatted with Wenham and Teplitzky about why Johnny strikes such a chord with audiences, not just trying to remake Gettin' Square, how Wenham gets into character as Spitieri, balancing humour with deep emotional resonance and making Gold Coast movies. On Whether Wenham and Teplitzky Predicted That Johnny Spitieri Would Be So Beloved by Audiences Jonathan: "When we were making it, you're so in the moment of that experience of making the film, but I always knew that it was a beautifully written character and full of laughs. But there's so many elements — we could be here for hours going through them all — elements within that, taking it off the page and turning it into comedy/drama, that created unexpected classic moments. And the strength of Chris' screenplay allowed David and I, it was like a perfect playground, to be able to just play and find different spontaneous things that very much came out of the situations that he created. But the success or the iconic status, for example, of the courtroom and what have you, I always knew that was an amazing scene — but there was probably more talk about 'is it too long? Is it too this? Is it too that?' at the time, when now, you go look at it and you go 'if it was twice as long, you'd be happy'. So I think that's something that develops. I don't think you can ever say you knew that it was going to be fantastic. It's something — because at that stage, the audience weren't involved, and that's what the relationship is, it's between a film and an audience, not between the filmmakers and the audience. We're just the people who hopefully provide something for them to have that incredible cinematic experience." David: "The audiences, it was interesting — after the very first screening [of Spit] on the Gold Coast, which is Johnny's spiritual home, to have audience members from the general public come up and chat, and I thought 'okay, this is interesting'. The level of conversation that they wanted to engage with about the character, about the film, and about surprising moments in the film and the surprising narrative alleys that it takes you down, was really, really intriguing. And it's happening, I don't know how many screenings we've done now, and it's been embraced in a similar way by each audience. Hilarious, much laughter, but much connection emotionally to the film as well, in a really fascinating way." Jonathan: "I think Johnny is a very universal-type character. And I think when you, as an audience, you get access to — yes, it's brilliant when you laugh out loud, but also there's something very rich about being able to connect with a character in a film, whereby you have access to their dramatic emotional life. And the combination of the two really endears in many ways, even more so than [Gettin' Square], because it's different, it's much more of a character piece, this film, than what Gettin' Square was." On Not Trying to Remake Gettin' Square with Spit — and the Importance of It Being a Character Piece as Much as a Comedy David: "We both, and Chris as well, had exactly the same thought. We were not interested in making, remaking or making Gettin' Square 2. There had to be a really unique, really solid reason for us to come together and do this again. And Chris found it, quite some time ago actually. Just the kernel of the idea came from — he was thinking about, he was just sort of cogitating on all the hoo-ha that was occurring, and it pops up every now and again, about migration in this country. And he thought 'this is a bit ridiculous, really', because we're all migrants. All of us are migrants. We're products of migrants and today's migrants are tomorrow's excellent, wonderful Australian citizens. And he just came up with an idea of 'I wonder what would happen if we throw Johnny Spitieri into this question?'. And that's the beginning of his exploration. From there, he just started to explore the history of Johnny as well, and why Johnny ended up the man he is and where he came from. So the first time I read the very first draft, I thought 'oh my god, this film is inspired'. Yes, it's got the same texture and flavour of Gettin' Square — there's nods to wonderful memories from that film — but it's definitely its own special entity. And people can come and see this film without knowing anything about Gettin' Square and be able to embrace it, laugh along with it and come out of the cinema bouncing with good vibes." Jonathan: "I think, also, Chris' script for Gettin' Square, it played out that story. There's nothing else to tell about that story. It was a done story, and so the only time sequels really work is when the story still has something to explore — and I think we did that with Gettin' Square, or certainly enough of it, that, as David says, we really wanted to find the next level. And for us as filmmakers and what have you, it's over 20 years and we didn't want to revisit the same thing — we wanted to challenge ourselves and explore something deeper and more interesting." On How Wenham Stepped Back into Johnny's Shoes After So Much Time — and If It's the Distinctive Wardrobe David: "It is, actually. It is one of those characters that — my approach to characters and films changes depending on, obviously, the type of film, the role, the character, all that sort of stuff, but for me, this one I work from the outside in. It's physical, how I find him. As soon as I read the script the very first time, 20, how many years ago, I could hear that character. I knew the way he spoke. Tonality, I knew where it should sit in face. The rhythm, I knew the character's rhythm. I could see him physically. And all this came about by, I lived near King's Cross for 30 years of my life. I knew Johnny Spitieri. I've met many, many, many of them. So the character originally, as soon as I got the right wardrobe, it came to me relatively effortlessly. I don't mean to say that it was easy because it's not, but it's a character I knew so so well. So in order for me to come back — and I've never played another character twice, any other character twice, and especially 20-something years. I haven't worn thongs in 20-something years. As soon as I step my feet into those thongs, instantly it took me back to Johnny Spitieri. It's as though that character lays within me at all times, it just needs something for me to tap and I'm back there. And then when we step into the courthouse after 20-something years, it was the most surreal moment for Jonathan, myself, Gary Phillips who shot it. And you can feel it. We all felt exactly the same thing. We looked around and went 'oh my god'. It felt as though time had been condensed, and it felt as though we only there last week. The oddest thing. And it was as though we were literally, we all had, we all knew each others', we had a shorthand for how all of us work together as a team, and it just comes back and it knitted together so seamlessly." Jonathan: "Things like the courtroom, because you then, you create a great scene out of it and the experience of it — even watching or listening to the dialogue in that courtroom scene today, it's still hilarious, and I'm still astounded at how clever the writing is at times. And it's a big, big part of our working lives, those sort of moments and those kind of scenes, because you invest so much in them. When they work, it's a little miracle." On Making a Film That's Both Very Funny and Has Deep Emotional Resonance Jonathan: "It's definitely one of the challenges. But at the same time, I really believe that that the deeper the emotional, dramatic life of the characters in whatever type of film it is, the flip side of that and in contrast to it, the comedic elements of it, if you can find that balance, it provides such a rich experience for an audience. And I think the more dramatic and the more emotional elements that we've got in the film, it also embraces universal themes. Everyone in the film is trying to start a new life in some form, looking for a second chance. And that's a very day to day — everybody's involved in that sort of thing. People, I think, can really identify." David: "In terms of the balance between comedy and drama, it's real life, it's what happens. We all have had moments that change so dramatically. I can remember when my mother was dying and she was literally on her deathbed, and around the bed were seven children — me being the youngest. And the moment was very tender and delicate, because she was literally just about to take her last breath. We're all there and there was just a sense of calm and stillness, and then literally a nurse pulled open the curtain and said 'dinner: the chicken or the vegetable?'. Seriously. You couldn't write that." Jonathan: "That's just genius." David: "It's like 'oh my god, oh my god'. I thought 'I will always remember that moment'." Jonathan: "I completely agree. It's so key to life. And often, you talk about it in often-cliche ways and I don't even totally understand it, really, but the idea that you search for some kind of truth regardless of how comedic or how dramatic a film might be in the characters, the more that you have the essence of that, the more I think an audience can easily identify and find a place for themselves within the experience of watching it. I think our job is to bring the elements, yes, to balance some of them and to try things — and that's what the editing is about. It's not just about putting the story together. That's one element of it. The other is to really find the nuance. And in a sense, it's like when someone talks about reading a novel. It's about what's not written. And the richer films are the ones that give you something that is not just at face value." David: "It has been very rewarding to actually sit in the cinema and watch that instant transition between comedy and pathos that occurs within the audience, and then talking to people afterwards and they're saying 'it was unexpected, it was a surprise' — and the fact that the kleenexes did come out. People, it was a very, unexpected added bonus for them, that made the film all the more richer than they'd even anticipated." Jonathan: "And going to the cinema is about surprises. Film is about surprises. It's about revelation. That's what you're trying to do. If the audience is ahead of you and knows what's happening — you hear it all the time, 'I knew', 'I could see the end coming a mile off' and all those sort of comments. When you sit in a cinema and have things revealed to you as you go along — so with a film like this, the expectation is and the hope is that they're going to have a good laugh, which, our belief is that you will. But then if we can also provide unexpected pleasures along the way, both emotional and dramatic, it only makes the experience better." On Reuniting with So Much of Gettin' Square's Cast and Crew for Spit David: "In terms of getting them back together, it was probably one of the easiest things we've both ever done in our lives. As soon as the possibility of this film became a reality, and the fact that the characters, Helen Thomson's character, David Field, Gary Sweet, their characters were there, it was an instant yes. It's like 'whenever it is, yes, I'm there'. And there was bugger all money for wages, but it doesn't matter. Same thing happened with the crew, actually. We've got Gary Phillips, who shot the film. We've got the same production designer, Nicholas McCallum. My makeup artist and hair artist Tess Natoli. A whole heap of key crew members. Tess is a really interesting one. This film got pushed back time and time again, and she kept getting offers to do really, really big Hollywood films, and she would turn them down in order just to work on this film. And a lot of the crew members who we shot with on the Gold Coast, they did the same thing. They wanted to work on it because they read the script and they thought this is a little treasure that we've got here. And they want to tell an Australian story that they believe that they'd have a great time working on. But it's a film that they know, they thought that they would be proud of and wanted to be part of it. So people were jumping over themselves to come onboard for the film, and that's so pleasing." Jonathan: "It was really pleasing, that. And a lot of them are bringing really positive baggage from having worked on Gettin' Square — that was an experience. And they bask in where Gettin' Square has gone. To have worked on Gettin' Square is something that they've taken ownership of and it is really important to them, because so often you don't get to make a film about your life experience, which, if you live here or just being any Australian, it's very particular. And so they love it. They love it." On Gettin Square and Spit Being Gold Coast Films, But Also Quintessentially Australian Films David: "The Goldie is a really unique place. I have got such a warm affection for the Gold Coast. And the fact that, look, Chris Nyst, he knows the place so well. He is an identity. He's like the king of the Gold Coast, really. No one doesn't have a relationship with Chris Nyst on the Gold Coast. He's probably represented half the people there. He knows the Gold Coast better than anybody else, and the characters that he writes — and he writes them so beautifully as well, he's got such a wonderful ear for character and dialogue — and it's a very particular thing. And he knows, Jonathan could talk to this as well, geographically, it's very, very distinctive, the Gold Coast — and he writes the characters up against that landscape in a really, really fascinating way. And that obviously gives Jonathan a wonderful springboard to leap off, to be able to think about how he's going to actually shoot the film in such a wonderful way that he does." Jonathan: "And also what's interesting about your question, in a way — because this film is set on the Gold Coast, has something to say about the Gold Coast, Gettin' Square is very identifiable as the Gold Coast, but at the same time, we have one tiny little scene on the beach in this. In many ways, it's an Australian community rather than the Gold Coast, but it carries the DNA of the Gold Coast and it carries within the characters, in their behaviour and what have you. And so it's great that you feel that and it's a good question, because it's great that if we can be — it's not just about the physicality of the Gold Coast, it's about the environment, what it is to live in the sunlight all the time, all those elements that are not necessarily obvious. The Gold Coast is very identified physically, but there's a whole lot of stuff underneath the surface that it's great to imbue characters with." On How Wenham and Teplitzky's Working Relationship Has Evolved Not Just Between Gettin' Square and Spit, But 25 Years After First Collaborating on Better Than Sex Jonathan: "Well, we did that first film together. It was my first film. I just loved the experience of it, and I found working with David really just collaborative but also really creative. And I feel we created a bond, we had a good communication, and then when we did, quite soon afterwards, Gettin' Square together, it cemented it. Because you trust the person, you don't feel like you have to control the person — you want to be able to have a general conversation. We don't always agree, but it's always a really rich conversation and that's what you want it to be. You want to challenge each other for the betterment of the film, the betterment of the character, because always exploring it, you're always trying to find something, another hidden dark little area of the character, another light moment. So much comes out of that almost-loose relationship." David: "It's a great working relationship. I love it. Working on this, the shooting period was one of the most-fertile creative periods of my working life. Jonathan creates an amazing atmosphere on set and it's an ease of communication. We understand each other. We're open and honest, and it's like we can just be allowed to deliver our best work. It's wonderful. It's a relationship with great respect." Jonathan: "Completely. And when you're dealing with a character like John Spitieri, we have these conversations about 'I wonder what Johnny would do, what Johnny would think in this situation, what he would do in this situation?' — and try, in a sense, to push each other and challenge each other, and laterally think about it, because that's where some certain gold is found. I remember on Gettin' Square, when I'd seen David doing that thing with the chair and started talking about it. We were just waiting for the lighting to happen or whatever. And that's where that evolved from, and it ended up this brilliant sequence. Part of the mythology of that film are those little moments that come out of just purely the relationship and exploring the character." Spit opened in Australian cinemas on Thursday, March 6, 2025.
This year, Australia's leading Aboriginal and Torres Strait Islander performing company, Bangarra Dance Theatre, is inviting audiences to experience a connection to Country in a whole new way. The company's newest stage production, Illume, will tour nationally from June to September 2025, bringing Bard-Bardi Jawi culture and storytelling to the stage. Developed by Mirning woman and Bangarra Artistic Director and Co-CEO Frances Rings, the show is an exciting kaleidoscope of images, music and movement. It explores light as a bridge between the physical and spiritual worlds, the impacts of light pollution, and puts forward the question: 'Is the deep wisdom passed down from elders enough to illuminate a path forward from the shadows of a dark future?'. [caption id="attachment_1007624" align="alignnone" width="1920"] Daniel Boud[/caption] It's also the first time a Bangarra mainstage production has been created in partnership with a First Nations visual artist – Goolarrgon Bard man, Darrell Sibosado. Sibosado is known for his pearl shell carvings and large-scale geometric installations, with works shown at the Biennale of Sydney and QAGOMA, and held in the collections of the National Gallery of Australia, National Gallery of Victoria and Art Gallery of South Australia. In Illume, his visual language shapes the entire production, from costume and set design to lighting patterns that ripple across the stage, creating a shimmering world that draws directly from his Bard-Bardi Jawi heritage. "I think [Frances' work] and my work will work very well together, there is a similar energy," Sibosado says. "It's always about the rhythm and everything of my own Country." [caption id="attachment_1002105" align="aligncenter" width="1920"] Cass Eipper[/caption] On top of Sibosado's artistic influence, what makes the production special is the way it came to life through Bangarra's Cultural Creation Lifecycle, a process that involves years of community engagement, transfers of knowledge, and on-Country visits. This unique Cultural Creation Lifecycle is the foundation of all Bangarra's work and can take anywhere from 3 to 4 years from start to finish. With each production, the process begins with people, place and story, then involves multiple stages of research, development and input from cultural leaders. [caption id="attachment_1002103" align="aligncenter" width="1920"] Cass Eipper[/caption] For Illume, the Bangarra creative team made multiple trips to draw inspiration, including travelling to Lombadina on the Dampier Peninsula in Western Australia. There, they met with local cultural consultants, spent time listening and observing, and sought permission to bring elements of their stories into the work. Rings and her collaborators consider the Cultural Creation Lifecycle an essential part of the creative process. Rather than drawing from archives or second-hand sources, the company builds work through lived experience. By being on Country, surrounded by the landscape and people who shape the story, they're able to create something that's authentic and respectful. [caption id="attachment_1002106" align="aligncenter" width="1920"] Daniel Boud[/caption] In Illume, that deep connection to Country is felt in every moment, from the stunning set details to the choreography led by Rings, and the score by Brendon Boney, an Wiradjuri/Gamilaroi man and longtime Bangarra collaborator. The end result is a performance that's immersive, powerful and grounded in place. It promises to bring audiences closer to the stories of Bard-Bardi Jawi Country in a way that's creative and entirely original. Bangarra will tour Illume nationally from June to September 2025, with stops in Sydney, Perth, Albany, Canberra, Brisbane, Darwin and Melbourne. Whether you've followed Bangarra's work for years or you're seeing the company for the first time, Illume is a chance to experience a unique creative collaboration that brings Country to the stage in your city. Illume tour dates: Gadigal Country Sydney Opera House – Wednesday, June 4 to Saturday, June 14 Whadjuk Noongar Boodja Heath Ledger Theatre, Perth – Tuesday, July 10 to Sunday, July 13 Kinjarling Albany Entertainment Centre – Friday, July 18 Ngunnawal Country Canberra Theatre Centre – Friday, July 25 to Saturday, July 26 Meanjin QPAC, Brisbane – Friday, August 1 to Saturday, August 9 Garramilla Darwin Entertainment Centre – Friday, August 15 to Saturday, August 16 Wurundjeri Country Arts Centre Melbourne – Thursday, September 4 to Saturday, September 13 Bangarra's 'Illume' tours nationally from June to September 2025. Head to the website for more information or to book your tickets. Images courtesy of Bangarra Dance Theatre By Jacque Kennedy
After nearly a decade, Stranger Things is sadly coming to an end. Stranger Things Season 5 will be released on Netflix across three premiere dates, with Volume 1 dropping on Thursday, November 27 (four episodes), Volume 2 dropping on Boxing Day (three episodes), and The Finale streaming on New Year's Day. Each volume is released at midday AEDT. It's no secret that the final series has been a few years in the making. Season 4 premiered in May of 2022, meaning we've waited over three years to find out if the Stranger Things kids can defeat Vecna once and for all. The thrilling sci-fi drama is set in the fictional American town of Hawkins, Indiana. While the group of teenagers battle monsters and travels to alternate dimensions, the 1980s nostalgia of Hawkins (and the show) is hard to miss. To help you ease back into the vintage and sometimes spooky spirit of Stranger Things, we've created a 1980s travel guide. From American diners to regional towns, here are some real-world Aussie places that look straight out of Hawkins. Walhalla, Victoria While Australia's environment and landscapes differ from those of the United States' Midwest region, there are a handful of regional towns that capture the eerie atmosphere of Hawkins. Founded as a gold-mining community in the 1800s, the Victorian town of Walhalla is now home to just 20 permanent residents. Despite its small size, Walhalla is a tourist hotspot, attracting people who want to learn more about Australia's gold mining past. Located 180 kilometres north of Melbourne, Walhalla (which was once one of Australia's richest towns) has reconstructed a number of its heritage buildings — resulting in a tourist town that makes you feel like you've stepped through a time machine. Book a stay at Walhalla's Star Hotel, cycle through the town a lá Stranger Things kids on a bike tour, or, if you fancy something spookier, join the Walhalla Ghost Tour. View this post on Instagram A post shared by Architecture Uprising Australia (@arch_aus) [caption id="attachment_898563" align="alignleft" width="1920"] Valentina's Diner[/caption] Valentina's Diner, Sydney Nothing screams Midwestern town like a plate of diner pancakes. Located in Marrickville, Sydney, Valentina's Diner offers pastel booths (perfect for planning some monster-fighting), as well as an All-American classic menu. From black diner coffee to breakfast sandwiches and American-style cheeseburgers and fries, you'll feel ready to binge-watch the new episodes after your visit. [caption id="attachment_780688" align="alignleft" width="1920"] Evie's Disco Diner[/caption] Evie's Disco Diner, Melbourne Inspired by 1980s New York City, Evie's Disco Diner is your taste of nostalgia pre-Stranger Things watch party. Situated in Fitzroy, Melbourne, Evie's Disco Diner serves American diner dishes (including a number of vegan-friendly options) in a discotheque bar and feels plucked straight from the streets of Hawkins. With a colourful dance floor, bottomless brunch, and drag bingo galore, Evie's Disco Diner is Melbourne's destination for 1980s fun. Book a table with friends to dance to some throwback tracks ("Running Up That Hill", anybody?) before your watch party. [caption id="attachment_902834" align="alignleft" width="1920"] Leonard's House of Love[/caption] Leonard's House of Love, Melbourne Step through the doors of Leonard's House of Love, and you'll find yourself in a dive bar where you could easily spot Hopper sinking a beer post-Demagorgon chase. The South Yarra haunt has a retro feel that's reminiscent of the eighties aesthetics. From wood-panelled walls to neon-lit signs and shag-carpet cosiness, Leonard's House of Love is a time-warp American-inspired dive bar that's perfect for getting into the Stranger Things spirit. [caption id="attachment_1047764" align="alignleft" width="1920"] Mount Victoria via Wirestock[/caption] Mount Victoria, NSW Hawkins may not have mountains, but it does have eerie trails and forests full of secrets. This atmosphere can also be found in the New South Wales village of Mount Victoria. Located in the Blue Mountains, Mount Victoria has a rich history (not dissimilar to Hawkins). While there's no experimental science lab or Upside Down world, there are scenic trail walks and even a vintage independent cinema for some nostalgia. If you're a history buff, be sure to book a trip to Mount Victoria Museum to learn more about local history and maybe even find some town secrets out for yourself. [caption id="attachment_858552" align="alignleft" width="1920"] Stranger Things courtesy of Netflix © 2022[/caption] Fortress, Melbourne and Sydney One central theme of Stranger Things is the board game, Dungeons and Dragons. The closest Australia has to a Hawkins Hellfire Club headquarters is the gaming bar, Fortress. The community hubs feature weekly Dungeons and Dragons meet-ups with a three-hour guided D&D adventure and even a dedicated Dungeon Master. You can join as a group or solo member and play the game that gave Vecna his namesake. [caption id="attachment_1049117" align="alignleft" width="1920"] Yackandandah[/caption] Yackandandah, Victoria With its picture-perfect shopfronts and sleepy-town charm, Yackandandah in Victoria feels like the show's early seasons (you know, before the Upside Down leaked into the real world). The North East Victorian town is surrounded by trees and a high street that feels like the last century (in a quaint way, of course). It's easy to imagine Eleven and co pedalling past the old petrol pumps or heading to the vintage stores for some arcade-perfect outfits. You don't need a portal to the Upside Down to feel like you've stepped into the Stranger Things universe, so make a reservation and book a long weekend trip away before (or while) you binge Stranger Things Season 5. Stream Stranger Things Season 5 only on Netflix from Thursday, November 27, 2025, at 12:00pm AEDT. Lead image credit: Stranger Things Season 5 Netflix
Australia's global cultural clout is about to receive a huge boost, with the Art Gallery of NSW's new Sydney Modern Project finally throwing open its doors on Saturday, December 3. Perched upon a hill next to the original AGNSW, looking down on Woolloomooloo's Finger Wharf, the world-class museum boasts a series of stunning and immersive exhibition spaces housed within an expansive open-plan glass building. On Tuesday, NSW Premier Dominic Perrottet called the Sydney Modern Project New South Wales' "most significant cultural build since the Opera House". [caption id="attachment_880682" align="alignnone" width="1920"] Aerial view of the Art Gallery of New South Wales' new SANAA - designed building, 2022, photo © Iwan Baan[/caption] The ambitious four-level, $344-million project is filled with breathtaking works of art. Wonder through the gallery and you'll discover fully immersive exhibition spaces, vibrant works from world-renowned artists, and huge sculptures welcoming you into the building or looking out onto the harbour. The first piece of art that's sure to catch your eye is the pair of massive, larger-than-life bronze statues that stand at the front of the museum. Created by artist Francis Upritchard, these tree-like figures are playfully incorporated into the outdoor foyer of the building. [caption id="attachment_880677" align="alignnone" width="1920"] Installation view of the Dreamhome: Stories of Art and Shelter exhibition in the new building at the Art Gallery of New South Wales, featuring Samara Golden Guts 2022 © Samara Golden, photo © Iwan Baan[/caption] Once inside, there's plenty to discover. As you enter, head into the Yiribana Gallery that's been relocated from the lowest level of the original AGNSW building to the entrance of Sydney Modern. Here you'll find a showcase of Aboriginal and Torres Strait Islander artworks spanning across mediums and messages. One of the nicest touches of this new Yiribana Gallery is its floor-to-ceiling glass windows that offer views of the surrounding ocean and trees, connecting the space with its natural surroundings. Continue around the gallery and you'll find works from two of Japan's most renowned artists. Yayoi Kusama has created a set of massive spotted flowers that can be observed from a large outdoor space overlooking Woolloomooloo. One level below these multi-coloured structures, you'll find Japan Supernatural: Vertiginous After Staring at the Empty World Too Intensely, I Found Myself Trapped in the Realm of Lurking Ghosts and Monsters, a chaotic 2019 artwork from Takashi Murakami. [caption id="attachment_880681" align="alignnone" width="1920"] The Tank space in the Art Gallery of New South Wales' new SANAA - designed building, 2022, photo © Art Gallery of New South Wales, Jenni Carter[/caption] Some of the opening exhibitions include Dreamhome: Stories of Art and Shelter, a multi-media exhibition ruminating on the concept of home and shelter; Outlaw, a series of works from rule-breaking artists inside a space purpose-built for evolving time-based art; and Adrián Villar Rojas: The End of Imagination, a fully immersive work that places visitors in the gallery's underground exhibition space called The Tank, shrouded in darkness with each piece of art slowly being revealed by a set of spotlights. For five years now, the Sydney Modern Project has been on its way — originally announced in 2017, officially given a green light in 2018 and revealing its first commissioned artworks in March 2022. [caption id="attachment_880685" align="alignnone" width="1920"] Exterior view of the Welcome Plaza of the Art Gallery of New South Wales ' new building , featuring Yayoi Kusama Flowers that Bloom in the Cosmos 2022 , photo © Iwan Baan[/caption] The Sydney Modern Project is located next to the Art Gallery of NSW. It will open on Saturday, December 3 with extended opening hours of 10am–10pm until Sunday, December 11.
Summer in Australia means sandy feet, mangos, and a speaker permanently in your beach bag playing the music that will soundtrack the season. But, did you know that just 8.4 percent of the music we consume as Aussies is actually Australian? Thelma Plum, Keli Holiday, G Flip, Ben Lee, Gordi and whole host of Australian musicians are asking us to Ausify our algorithms this month. Why? Because the more we play Aussie music the more momentum it gets. More gigs, more music. More stories that represent the rich fabric of what makes up Australia being told. Whether you're watching a summer storm roll in, dipping in and out of the surf, or manning the BBQ, here's some inspiration to Ausify your playlists this AusMusic month. Prefer your music live? Aussie artists are always touring. This month, you can catch Josh Pyke, The Reubens, Thelma Plum and more across the country. A Summer Walk View this post on Instagram A post shared by K I T A (@kitaalexander) With the smell of jasmine in the air and the sun on your skin, nothing beats a headphones-in walk by the Harbour Bridge or through your local neighbourhood. Try Ausifying your walking playlist with Ocean Alley for the perfect summer soundtrack with sun-soaked guitar and hypnotic vocals. For the times your walk needs heavy-hitting lyrics and a lot of feelings, add some Kita Alexander to your walk. Or, when you need more of a strut than a walk, press play on some Jessica Mauboy. A Boogie with Friends View this post on Instagram A post shared by keli holiday (@keliholiday) There are so many Aussie artists begging to soundtrack your summer dance parties. Keli Holiday's 'Dancing2' is shaping up to be the song of the summer and is an absolute joy to dance to, especially around the people you love the most. For something new, check out Ninajirachi. She has quickly gone from triple j Unearthed High finalist to an absolute night out playlist staple with a nostalgic EDM sound. For infectious beats that feel like they are made to be played on a balmy summer night, put on some Electric Fields. Watching a Storm Roll In View this post on Instagram A post shared by Beyond Productions (@beyondproductions.tv) An Australian summer isn't complete without an afternoon or two spent watching a storm roll in as the day's humidity finally snaps away. This calls for comforting, nostalgic and somehow thrilling tunes. Take Midnight Oil for example with their classic rock vibe perfect for watching a summer storm. Or blast some King Gizzard & the Lizard Wizard for an anticipatory sound that somehow pairs perfectly with the impending approach of those telltale dark clouds. If you're looking to self-soothe and find comfort, Josh Pyke has the perfect ambient vibe to pair with claps of thunder and drops of rain. Road Trips View this post on Instagram A post shared by Thelma Plum (@thelmaplum) A road trip over summer is an Australian right of passage. Whether it's travelling to see family, chasing a waterfall on a scorching day, or driving to the coast to race through hot sand and dive into the sea, road trips feel like a summer non-negotiable. Missy Higgins 'Scar' is an essential accompaniment for watching the scenery pass by. Then, for those drives when you need poignant lyrics to scream along to, or maybe a boost of hometown nostalgia, Thelma Plum's music is road trip certified. Then, for something that will get the whole car going like a shot of espresso, hit play on Amyl and the Sniffers. Beach Day View this post on Instagram A post shared by Baker Boy (@dabakerboy) Nothing feels as good as that first beach day of the summer when the country slowly defrosts. A parmy at a surf club, sunscreen on your skin, and Aussie music playing on your speaker: the perfect day, really. For that welcome to summer feeling, Baker Boy makes the best feel-good, high-energy music to blast as the mercury rises. If you're spending a chill, surfy day by the water Xavier Rudd's music is the natural choice. But, if your beach days are more high-energy check out G Flip for big vocals and punchy beats. This summer, make it your mission to explore Aussie music. The more you explore, the more it gives back. Find out more at the Ausify website.
Maybe you're reading this while wearing your warmest jacket. You could be scanning the page beneath all the blankets you own. Or, you might be perusing while shivering through record-breaking cold temperatures. Whichever fits, winter isn't just coming to Australia for 2023 — in many parts of the country, it feels like it has already arrived. Enter Aldi with perfect timing, announcing that it's bringing back its popular snow gear sale after taking a year off in 2022. Most years — except 2020 due to the pandemic, and then 2022 — Aldi puts a heap of snowfield-ready wardrobe items up for grabs, including everything from jackets and boots to face masks and beanies. Thankfully, 2023 is now one of those year, which is welcome news if you have a ski trip, snowboarding session of a stint building snowmen in your future, or you're simply keen to rug up at home. Mark Saturday, May 20 in your diary, make a date with your nearest Aldi supermarket, and prepare to have ample company. Every time this sale happens, it draws quite a crowd — and 2023's run includes more than 70 products, with prices starting from $4.99. Available at stores across the nation, and made to withstand extreme weather conditions, the latest range of gear includes ski jackets for $59.99, ski pants for $49.99, thermal underwear sets for $29.99, long-sleeved Merino wool tops for $39.99 and anti-fog ski goggles for $15.99. Kids clothing is part of the deal, too, if you'll be travelling with younger skiers — including being able to nab a childrens' jacket, pants, gloves, beanie and socks for a total of $97.95. Once you're all kitted out, you're certain to stay toasty no matter what frosty landscapes you have in your future. Prefer spending winter indoors? This year's selection has cosy attire for that, too, and the whole lineup spans different styles and colours to previous years. The Aldi Snow Gear Special Buys range is available from Aldi stores nationally from Saturday, May 20.
In any given month in Brisbane, finding an excuse to eat, drink, dance, listen to live tunes and party on a rooftop isn't hard. But only February — and, in 2023, a few select dates in January — heralds the annual BrisAsia Festival, where all of those events focus on celebrating the city's ties with Asia, the many cultures that originated from the continent and Lunar New Year. Running from Wednesday, February 1–Sunday, February 19 — with events also on January 13, 14 and 22 — the 2023 program boasts old favourites, new additions, and the fest's trademark mix of traditional and contemporary Asian arts. In fact, it includes 27 events across 12 suburbs, and 400-plus artists. It all begins with those festivities before the official kickoff, with the TET Festival marking Vietnam's Hội chợ Tết across two days, then Fortitude Valley going all in for Lunar New Year on Sunday, January 22. From there, last year's laneway tea festival is back, this time in Burnett Lane in the CBD, and so is the Southside by Night event that combines street food with a car meet (yes, think Fast and Furious vibes). Pre-pandemic, the Lunar New Year Rooftop Party at Sunnybank Plaza was always a highlight, complete with traditional lanterns and fireworks — and the 2023 lineup builds from there. Fortitude Music Hall will host the launch party, which'll feature lion dancers, martial arts displays, Sydney-based DJ Nick Kim and local drag star Crimson Coco; Soul Gazing: A Journey through the Cosmic Skydome will take over the Mt Coot-tha Observatory; the BrisAsia Beats sessions return as well; and a big summer party will pop up at the South Bank Piazza. Elsewhere, you can check out an intercultural creative residency at Brisbane Powerhouse, dance in the Queen Street Mall for BrisAsia Dance Day, break out your K-pop moves and listen to stories about Brisbane's cultural evolution. Plus, Brissie's Asian Australian comedians will also take to the stage for a night of standup comedy, and the Mt Coot-tha Botanic Gardens will host a night of love songs from around the globe in the lead up to Valentine's Day. After debuting in 2022, digital storytelling initiative Mother's Table is also back to showcase another round of local restaurant owners, all chatting about their eateries and signature dishes.
In 2008, the famous DKNY mural disappeared. For sixteen years, its re-imagining of the New York City skyline towered over the intersection of Broadway and Houston Street, unofficially marking the entrance to SoHo. Now, the concept has undergone an international revival. In ten cities around the world, artists have come up with works inspired by the original. Retaining the DKNY logo as their framework, they have produced 21st century interpretations, involving sculpture, photography, projections and paint. So, not only New York, but also London, Paris, Milan, Dubai, Kuwait, Tokyo, Hong Kong, Shanghai and Seoul, have become host to their own DKNY creations. According to the DKNYARTWORKS site, 'Each original work captures an artistic expression of the New York City skyline within the frame of the DKNY logo, bringing New York to the world.' Twin brothers, How & Nosm, whose iconic black, white and red murals appear in several major cities, have brought their intricate, graffiti-influenced style to an installation for New York. 'If you look at our artwork, you see an iconic face that keeps popping up in our paintings,' they explain in their DKNY interview. 'We've multiplied that face, so that it can represent all the faces of New York City.' Other artists include Amy Gartrell (New York), Roids (London), Maurizio Galimberti (Milan), Christophe Hamaide-Pierson (Paris), Sasan Nasernia (Dubai), Calvin Ho (Hong Kong), Nod Young (Shanghai), junk house (Seoul) and Yamaguchi Soichi (Tokyo). [Via PSFK]
To bare witness to the La Boite and Sydney Theatre Company's much anticipated co-production of Edward Gant's Amazing Feats of Loneliness is to venture into a whimsical world where quirky tales are made to be believed. An intriguing world where fantasy, reality and sequinned capes keep you captivated for hours. The tales shared and depicted by the talented cast of three are abstract to say the least; pimples that spout pearls, a cork in the head to cure a broken heart, teddy bears begging for imaginary tea. Nothing is too evocative or risque for Edward Gant and his Amazing Feats of Loneliness either. The show will have you throw caution to the wind of political correctness to chuckle at naughty Catholic Priest jokes along with other controversial quips. Amongst the heart felt portrayals of tragic tales are some of the most magnificent costumes by Australian designer darlings Romance Was Born. Championed by style icon Cate Blanchett, who is on the board of the Sydney Theatre Company, Romance Was Born add great colour and sparkle to the show via tulle teddy bear heads, pastel printed onesies and even a strap on beard made entirely of pearls. Now that's my kind of facial hair.
It’s on again! Grab your show bag, rides tickets and one of those strawberry ice creams at the annual Royal Queensland Show! It’s 10 action-packed days bursting with entertainment for all ages. Tackle the steepest rollercoasters, the fastest bumper cars and all the scares of the haunted house, or coast through the panoramic views of the ferris wheel if you like to indulge in the more relaxing experiences of the show. There’s the animal pavilion, where you might be lucky enough to see some new animals enter the world, and of course the show bag arena where the choices are exciting to the point of overwhelming. And that’s just the Ekka experience by day. By night, the show transforms into a carnival of lights and action. Monster trucks take daredevil jumps through streams of fireworks in one arena, and musical talents of Troy Cassar-Daley and The Voice’s Prinnie Stevens in another. Little and big kids alike will be racing to experience the excitement of the annual show. It’s finally here!
Krump until you slump is the party persons answer to exercise. Forget a run around the block or a boring session at the gym, get fit the fun way with a productive boogie to some funky beats. Based on Melbourne's popular night 'No Light, No Lycra,' Krump until you slump is out to help us Brisbane kids get into shape through the power of dance. There are no routine dance moves or teacher instructions, just old school dancing. Whip your hair, break ya neck, do the robot or the Macarena - as long as you can keep up your heart rate, you're onto a winning move. You'll be mid shaking your bon bon and before you know it, you're dancercise-ing baby. It's that easy! Oh and if your a little bit shy to cut a rug, the lights will be turned down low so no need to hold back those hip shakes.
It's the night before the night before Christmas, and you know what that means. All through The Gap, everyone will be stirring — and shopping, listening to live sets and eating at food trucks. That's what's on the agenda at the Sunlit Sounds Festival, in what's proving a case of different name, same festive fun. After 2016's The Gap Farmers' Market Christmas Twilight Music Festival, the powers that be are doing it all over again, with Major Leagues, Julia R Anderson, The Double Happiness, Candybomber and Weekend Hysteria on the bill. When you're not catching some tunes, you'll be munching from an array of meals-on-wheels vans, or doing some last-minute browsing and buying. Entry costs $5, buying artisan gifts will likely cost whatever you have in your wallet, and the sense of merriment you'll be enjoying is an added bonus. Image: Pip Hicken via Major Leagues' Facebook.
In 1963, "muckraking" journalist Jessica Mitford (the staunchly left-wing sister-in-law to the UK's most famous pre-war fascist leader) wrote the seminal expose of the funeral industry: The American Way of Death. Mitford revealed funeral-parlour up-selling, lay-by burial rip-offs and a whole seedy underbelly that would sound pretty familiar to anyone who was scared of the undertaking competitors in Six Feet Under. For Matters of Life and Death, the Performance Space has pulled together a number of productions with a similar urge to pry into our fears of the workings of the unspeakable hereafter. Each ruminates on death and our anxieties about this looming personal apocolpyse. To get a better idea of how the undiscovered country has affected their mindset, Concrete Playground asked some of the people behind this season's productions their views on a few pertinent, eschatological questions. Unsettling Suite Is there a theory of death from life, myth or fiction that appeals most to your work? In Bone Library, which will be presented in Unsettling Suite as only a fragment of a much, much larger work. This work was inspired in its earliest stages by the historic repatriation of burial pouches, full of incinerated bone meal, to the Aboriginal people of Tasmania by the British Museum. Traditional Aboriginal burial rituals are really beautiful, I think, if it were still possible under Commonwealth law, which it isn't, of course, I'd love to meet my end in a traditional way. The body of the person is left out, above ground, inside a cave or a hollow log. The animals and insects feast on the remains, and after the bones have been picked clean, the skeleton is retrieved. The bones are regarded as objects of absolute preciousness, of course, they are the only physical remainder of your loved one. So the bones are distributed among the family, who carry the bone with them. One of the most shocking and irreconcilable things about death is the sudden and absolute absence of the person. Even if a person declines slowly, the moment of death is always sudden and always a shock to us emotionally and spiritually. I really think we have been stripped of whatever tools we once had to deal with this most basic fact of our humanity. I do wish that that I could carry the bones of the people I love, and that they could carry mine, with the knowledge that the rest of me has gone back into the land to nourish the continued cycle of life. Sarah-Jane Norman's Unsettling Suite is on February 23 to March 10. Photo by Penelope Benton. The Last Supper What is your production's view of death? It's odd that the word production is used in the same sentence as death — they don't sit well together. I'd never say that our Last Supper project is about death. It's about a lot of things: life, history, fame, executions, revolution, change, eating too much, eating too little. We serve last meal requests from prisoners who were on death row Texas. It takes the title of an event from a man who was also to be executed 2000 years ago, but we're serving food. And some of that food has meant the death of something else. If I start to get involved in this thought process, I find myself becoming stuck in a repeating cycle. You know the experience of experiencing this performance will die away, eventually. Or it will change. Or it might inspire another performance. I do hope so. Mole Wetherall answered on behalf of Reckless Sleepers. The Last Supper runs February 27 - March 9. NightTime: Live and Let Die Is there a theory of death from life, myth or fiction that appeals most to your work? Albert Brooks' 1991 Defending Your Life is my favourite movie about the afterlife. Purgatory is an LA courtroom where your life is examined to see if you're brave enough to go to heaven. Also Meryl Streep is really good in it. Our edition of Nighttimes will hopefully be a similar. People being as brave and adventurous as they can, while you sit back and judge them. With some death metal thrown in. Eddie Sharp is the guest curator for Matters of Life and Death's Nighttime: Live and Let Die on March 2. Photo by Lucy Parakhina. Mortality talking - Gas Bag What is your production's view of death? If we have an intimate relationship with the fact that our life — all life — will and does end, then this impacts on the choices we make, and the quality of our time in this fleshy envelope. This gasbag. This is why it's imperative to get the social and cultural practices around death (eg the funeral industry) and dying (as a medicalised experience) re-contextualised as the inevitable extension of our birthright. Back into our vocabulary, our thoughts, understanding and — for those who want to — our hands. How to create death literacy? That's what my practice as a death literacy educator, celebrant, artist and counselor is about and those are the ideas that Mortality Talking is playing with. Victoria Spence responded on behalf of Mortality Talking- Gas Bag. It plays on March 9. There's also a questionnaire feeding into the performance. Photo by Heidrun Lohr. Death (cha) Kucha What is your productions' view of death? At the Centre for the History of Emotions we are particularly interested in the emotional aspects of death and dying. One powerful example is suicide. Suicide is hard to talk about. It involves immense psychic pain, both on an individual level and amongst society more broadly. If we can uncover various forms of emotional response to suicide from various cultures across history, then we can begin to place our own understanding of that impulse and its consequences in perspective. This kind of historical understanding has the potential to inform current medical practices. At Death(cha) Kucha we will be discussing suicide, as well as executions, infanticide and other social taboos. Our aim is to critically engage our audience with their own attitude towards death; right before they sit down to Reckless Sleepers' The Last Supper. Gabriel Watts responded on behalf of the death-focused pecha-kucha, Death(cha) Kucha: with the Centre of Excellence for the History of Emotions, on March 8. Image of the Dance of Death. Performance Anxiety What is your production's view of death? Some of the characters die, some are killed, some kill, some stare death directly in the face; and some are consumed by the overwhelming sense of loss that the death of a loved one can bring. Performance Anxiety acknowledges that death is inevitable. Alongside this acknowledgement of death, though, it also seeks to embrace life,and especially an approach to life that is not unnecessarily encumbered by fear and anxiety. Brian Lucas's Performance Anxiety is on February 27 - March 8. Photo by Fiona Cullen. Desensitising Death: A Night of Film What culture do you think deals best with death? In comparison to other cultures, the Western World shrouds death in secrecy and still refuses to integrate it into our lives. This cannot be said when it comes to popular culture and the world of entertainment. Since the birth of cinema, death has been exploited on the screen for its entertainment value. Miss Death and Jay Katz's Desensitising Death: A Night of Film plays at the Clubhouse program, March 9. Image from Psycho.
Children of the '90s, rejoice — and prepare to step back in time. You once stayed up late to watch the decade's finest rockers and pop stars strut their stuff on Rage, and now you can revisit the fun at The Globe's 90's Alt Rock Video Marathon. If you've suddenly been swamped by memories of your childhood, that's understandable. Expect more where they came from. The Fortitude Valley venue will blasting clips covering everything from grunge to britpop on their big screen for five hours come August 15. If that's not enough, they'll even be decking out the place like a '90s teenager's bedroom. The Tuesday night shindig falls on the night before the Ekka holiday, so getting your music video fix won't leave you bleary-eyed the following day. And, it wouldn't be a nostalgic event without a costume component, with prizes on offer for the best '90s rocker get-up.
Maybe you like to slather it all over everything you're about to eat. Perhaps you like to get your doses in more restrained dips and dollops. Either way, if you're a mayonnaise fan, Japan's latest food trend has you covered. At a mayo cafe, two things are on offer: the condiment in the spotlight, of course, and the ability to indulge in its creamy goodness in your ideal fashion. Here's hoping that your preferences include mayo on pasta, salad, seafood dishes, with hot and cold eggs, turned into a custard pudding, and served as a variety of dips, because you'll find all of the above on the menu — and more. Don't just expect any old egg-and-vinegar concoction, though. The cult favourite that is kewpie is not only the variety everyone will be gorging on, but also the company behind the dedicated eateries. The first Kewpie mayo cafe opened its doors in Tokyo's busy Shibuya district on March 1 to mark NationalMayonnaise Day (yes, it's a thing), with a second due to follow in Nagoya in central Honshu from April 1. Both will shower eager customers with all the kewpie they could dream of (not literally, of course) for a full month; however, we're guessing this won't be the last time mayo-centric establishments pop up. Via Munchies. Image: Takeaway / Creative Commons.
Brisbane's idea of cooler weather might be much milder than most, but you can still slide across ice in the centre of the city in our warm part of the world. From June 22 to July 15, King George Square will become a winter wonderland thanks to the return of the Skating At Brisbane Festival. With the event back for another year, all of the frosty fabulousness Brisbanites know, love and won't find anywhere else in the CBD is back too: ice skating, obviously, but also ice sliding, rides, music, food and more. It's the next best thing to heading to Europe when it's oh-so-cool, just without the bone-chilling, teeth-chattering cold. Plus, the lineup of events includes not only regular ice skating, but a romance-themed 'date and skate' night each Tuesday, as well as an 'Ice Ice Baby' disco evening every Thursday. And as part of both, you'll be able to sip on $10 espresso martinis. Last year, the food offerings also included German sausages and gluhwein (aka warm, mulled, spiced wine), so prepare to really feel like you're abroad. Entry to the area is free, but you'll have to pay for all of the fun stuff, with the fest open from 10am–9pm Monday to Wednesday, 10am–11pm on Thursday and Friday, 9am–11pm on Saturdays and 9am–10pm on Sundays.
Why drink at one watering hole, when you can head to two, three, five or seven? That's always been the motivation behind everyone's favourite boozy journey, aka a pub crawl. And, it's the exact same type of thinking behind the Urban Wine Walk. Taking another wander around Brisbane, it's the bar-hopping excuse every vino lover needs — if you need an excuse, that is. From midday until 4pm on Saturday, August 19, you'll saunter around the city — but this event isn't any old Urban Wine Walk. This time, the focus is on Newstead, and solely on pinot noir. There'll be seven types on offer at seven different watering holes. Your destinations: Ardo's, Maggie May, Newstead Social, Ruby, My Dear, After Dark, Botany and Working Title Brew Co — sampling pinots and having a mighty fine time. As for the tipples at each of the seven spots, they'll be taken care of by a heap of top wineries such as Alkimi Wines, Zonzo Estate, Konpira Maru and more, so prepare to get sipping. Tickets start at $65, and are on sale now, with places limited. This moving cellar door will not only serve up a heap of wine tastings, but also your own tasting glass — plus a $10 voucher for some food.
Saltburn. Priscilla. Dune: Part Two. Anyone But You. Madame Web. Immaculate. The Hunger Games: The Ballad of Songbirds & Snakes. The Color Purple. Drive-Away Dolls. As that list illustrates, a trip to the movies Down Under over the past few months has generally meant seeing a cast member of Euphoria, such as Jacob Elordi, Zendaya, Sydney Sweeney, Hunter Schafer and Colman Domingo, on the big screen. Enjoy them there, because they won't be back in the HBO TV show that helped make them huge stars for a bit longer. Production on Euphoria's third season has been delayed, Deadline and Variety report. Scripts are still being worked on, but shooting has been pushed back — so much so that Euphoria's cast are free to keep adding to their resumes beyond the award-winning series for the time being. "HBO and Sam Levinson remain committed to making an exceptional third season," a HBO spokesperson told both American publications in a statement. "In the interim, we are allowing our in-demand cast to pursue other opportunities." There's no word yet regarding when the cameras might start rolling on season three, but it's hoped that it will still arrive on HBO sometime in 2025. That's when the US cable network was aiming for anyway, as it noted when it outlined everything that's on its lineup in 2024 and 2025. Obviously, though, there's a big difference between Euphoria's third season hitting in January, mirroring the timing of season two — or arriving in June, which is when its first season premiered. If it takes its cues from the two specials between season one and two, that'd mean dropping in December 2025. Euphoria's on-screen talents have been busy since season two aired. Schafer's new horror movie Cuckoo premiered at the 2024 Berlin International Film Festival, Elordi has been back in Australia making miniseries The Narrow Road to the Deep North and Zendaya swings a racquet around in Challengers in April. Also, Domingo was nominated for an Oscar for Rustin, while Storm Reid won an Emmy for The Last of Us. Maude Apatow has been doing voice work on Pantheon, and Dominic Fike was in Earth Mama — and played Laneway. Apparently the idea of doing a movie instead was floated, but giving Euphoria a third season remains the plan. Given the passage of time — come 2025, it will have been three years since season two, and almost four if season three doesn't arrive till the end of the year or later — it's also being reported that the show's main characters will no longer be in high school. There's obviously no trailer for Euphoria season three yet, but you can watch HBO's 2024–25 roundup trailer below: Euphoria season three doesn't have an exact release date yet — we'll update you when further details are announced. Via Deadline / Variety / The Hollywood Reporter. Images: Eddy Chen/HBO.
Based on the number of people I know who haven't been to Adelaide, I'm assuming that if you weren't born in the South Australian capital there's only a 1 in 50 chance you've visited. The city of churches doesn't exactly have the exotic pull of Perth or its own city-transforming gallery a la Hobart, but, even so, it's a destination that will both surprise and delight you. We might be able to convince you with one word — that word is 'wine' — but with its lush green valleys, killer coastline, small bar scene and self-confessed 'Melbourne-esque' cafes, when you think about it, winter weekends are sort of made for Adelaide. You could actually spend your whole weekend eating and drinking, but there is plenty more to do, see and conquer. Here's our guide to a pretty perfect weekend in Adelaide. SATURDAY EXPLORE THE CBD You've just touched down? Great! Time to get acquainted with the city centre, which, granted, is a relatively easy feat. The grid-like layout and the fact that the CBD is surrounded by a ring of interconnecting parks means that you can't wander too far and finding things is easy, peasy, Adelaide. If you're after locally made stuff to take home and show all your friends, JamFactory displays and sells pieces from local artists, craftspeople and designers. Otherwise you can peruse a curated collection of South Australian homewares at the Council of Objects in Ebenezer Place, shop for fashion at Rosa House or find jeans that fit like a glove from denim purveyors Right Hand Distribution. The Art Gallery of South Australia is open every day — with an upcoming Dorrit Black retrospective set to run from June — and a trip to Magazine, which doubles as both a cafe and gallery, is a cosy option for coffee, reading material and a bit of art of the walls. HAVE LUNCH IN NORWOOD Just east of the CBD, Norwood is an easy half-hour walk and a good retreat for lunch. Located on The Parade — generally busy with shoppers and alfresco diners, which isn't meant to put you off — The Grace Establishment is a nice option for a sit-down lunch without being too pricey. Relatively new and still very shiny, the Grace lets you sit indoors or out for a charcuterie board, plate of Kinkawoona mussels or a hearty SA sirloin. Want somewhere that serves your food in little plastic baskets instead? Head down to Nordburger for some of the city's best burgers and 'dogs. [caption id="attachment_205983" align="aligncenter" width="1000"] Jocey K via Flickr[/caption] VENTURE DOWN TO SOUTH PORT Adelaide boasts some killer beaches and just because you can't swim in 'em during winter (unless you've got serious game), you can still get amongst their beauty. About 45 minutes down the coast near Port Noarlunga is South Port, a clean, blue beach with a high tide for surfing as well as bays and rocks to walk all over, take melancholic Instagrams and breathe in the sea air. Hiring a car is your best bet for this one, but you can still get there with a train-bus combo (again, if you're game). It might be a bit chilly, but you get something special from icy wind whipping your face and tangling your hair. You'll see. HIT THE CITY'S BEST BARS Forget what you know about Adelaide's bar culture (which is probably not much at all) and you'll find that the loosening of liquor licensing laws a few years ago has spawned a small bar culture and enabled bigger venues to flourish. Want to drink wine straight from the barrel? Cantina Sociale serve all their vino sans bottles. Love gin? Take a visit to bar-cafe Howling Owl for a choice of over 20 different types of gin and a Sylvan Berry Gin Fizz made with Kangaroo Island gin. And if you're just after a good, stiff drink, 1920s-style Clever Little Tailor is a small drinking den doing everything right. One of the newer additions to Rundle Street is Street ADL, who specialise in pretty tasty 'Australian street food' like pulled kangaroo sangas with fancy cocktails. Press* Food & Wine is an upmarket option for dinner (whole suckling pig, anyone?) and Udaberri is good for a late night drop-in for pintxos and Spanish wine. SUNDAY GRAB YOUR MORNING SPECIALTY COFFEE Sunday morning coffee exists even in Adelaide, so you'll have no problem finding a proper brew. Pop by Exchange Specialty Coffee (they use beans from Melbourne's Market Lane), Penny University, Leigh Street's Coffee Branch or Peel Street for coffee and a baked good you can't refuse. TAKE A DAY TRIP TO THE ADELAIDE HILLS OR THE BAROSSA A trip to Adelaide just wouldn't be a trip to Adelaide if you didn't drink your water weight in wine. The best part is that you don't have to suffer a long drive if you don't want to, with the Adelaide Hills just half an hour from the city centre. Grab a car and head into the hills; you'll have a wine glass in hand before you even know it. If you have a sweet tooth, your first stop should be Hanhdorf Hill Winery, where they'll match wine — including their signature Gruner Veltliner — with chocolate for around $20 per person. Don't want to head back into the city for the night? Stay a little longer (and drink to your heart's content) at Longview Vineyard; their six apartments feature floor-to-ceiling windows of your surrounds and are conveniently (or is that dangerously?) located walking distance from their cellar door. If you're willing to venture a little further, the Barossa is a no-brainer. Known for its full-bodied reds, the Barossa is made for shiraz lovers, but has over 50 wineries so you're not limited to taste or preference. Head to Hentley Farm Wines for 'The Beast' shiraz from their cellar door or to Henschke, where you should most definitely do a tour and tasting of one of the region's best shiraz vineyards, Hill of Grace.
In what would have been his 100th year, the late Nelson Mandela will be honoured in a travelling exhibition set to make its world debut in Victoria next September. Hosted by Melbourne Museum, MANDELA My Life is expected to be the most comprehensive collection of the human rights icon's memorabilia ever to be shown outside South Africa. Alongside a huge assortment of artefacts, including warrants of committal for Mandela's 27-year stint in prison, the exhibit will explore the Nobel Peace Prize laureate's life through a series of film and audio archives. Some of the other confirmed artefacts that will be featured in the exhibit include a boxing glove signed and gifted by Muhammad Ali, Mandela's shoes, walking cane and some of his vibrant Madiba shirts. Alongside these, there will also be images, sound and film footage of one of Mandela's earliest interviews — which took place during the 'Treason Trail' of the late 1950s. MANDELA My Life is supported by the Nelson Mandela Foundation, which is the custodian of most of the revolutionary's personal photographs, documents and memorabilia. After premiering in Melbourne, the exhibition will embark on a five-year world tour of up to 20 international cities, expected to be seen by as many as 2.7 million visitors globally. Boxing Glove image: Jon Augier, courtesy of Museums Victoria
Festival FOMO is real, and festival sideshows are one solution: the gigs you go to when you're not going to the main gig. Can't make it to Adelaide for two music-filled October days at Harvest Rock II? Loving the South Australia-only fest's lineup? Some of the event's highlights have announced dates along Australia's east coast — and one of them is Sparks. The iconic duo, aka brothers Ron and Russell Mael, will draw upon a whopping 57 years of making ridiculously catchy and smartly funny tunes on their first tour of Australia since 2001. In Brisbane, they'll be unleashing highlights from their enormous back catalogue at the Fortitude Music Hall. Thanks to 2021's double of Edgar Wright-directed documentary The Sparks Brothers and Cannes Film Festival opener Annette, the Maels have been everywhere of late — and, when that includes the Sunshine State on Thursday, November, they'll be busting out tracks like 'The Number One Song in Heaven', 'This Town Ain't Big Enough for the Both of Us' and latest single 'The Girl Is Crying in Her Latte'. In a glorious move, Sparks have been beginning their recent sets with 'So May We Start' from Annette, too, which won them the Best Composer award at Cannes.
Squid Game is finally returning for season two, and Heartbreak High as well. A new take on Tom Ripley is also on the way. They aren't the only things that you'll be watching on Netflix in 2024. As it does to begin every year, the streaming platform has unveiled a teaser video for the TV shows — returning and new — and movies that'll be added to its catalogue over the coming 11 months, while also dropping a heap of details. Get ready for plenty of time spent glued to the small screen. The sheer number of series and films that the service releases each year is always massive (see: 2022's and 2023's lists of features). 2024 is set to be no different. Starting with episodic fare, more Bridgerton will arrive in May, season three of hilarious girl group comedy Girls5eva is due in March and That '90s Show will be back by midyear. Also among the returning shows: Mo, Heartstopper, The Diplomat, Emily in Paris, Monsters, The Night Agent, Outer Banks, Sweet Tooth, Cobra Kai, Drive to Survive, Unstable and The Umbrella Academy. [caption id="attachment_938940" align="alignnone" width="1920"] Emily V Aragones/Netflix © 2023[/caption] More than a few of Netflix's new series additions in 2024 have been announced previously, but that doesn't make them any less exciting. Sci-fi thriller 3 Body Problem brings the book of the same name to the screen; Avatar: The Last Airbender turns the beloved animated effort into live-action; and The Gentlemen takes its cues from the Guy Ritchie movie of the same name — with Theo James (The White Lotus), Kaya Scodelario (The King's Daughter), Vinnie Jones (Bullet Proof) and Giancarlo Esposito (Better Call Saul) among the cast, and Ritchie producing. That said, you mightn't have already heard about Black Doves, starring Keira Knightley (Boston Strangler) as the spy wife of a UK politician; Eric, with Benedict Cumberbatch (The Wonderful Story of Henry Sugar) as a father searching for his missing nine-year-old son; or No Good Deed, about two families trying to buy the same house, and with Lisa Kudrow (Space Force), Ray Romano (Bupkis), Linda Cardellini (Dead to Me), Luke Wilson (Fingernails), Teyonah Parris (The Marvels) and Abbi Jacobson (A League of Their Own) starring. The Perfect Couple is Nicole Kidman's (Expats) next small-screen stint and Terminator: The Anime Series battles Skynet in animation. The Good Place's Ted Danson and Mike Schur are also reteaming on a new comedy series that's based on the Oscar-nominated documentary The Mole Agent, Gabriel García Márquez's iconic novel One Hundred Years of Solitude is scoring an adaptation, and Senna dramatises Ayrton Senna's life. Movie fans, there's no shortage of highlights for you, too — including Spaceman, Damsel, Unfrosted: The Pop-Tart Story and Hit Man. The first sees filmmaker Johan Renck (Chernobyl) take Adam Sandler (Leo) to space, while the second riffs on fairy tale and fantasy stories with Millie Bobby Brown (Stranger Things) in the lead. As for the third, it marks Jerry Seinfeld's film directorial debut, and tells exactly the tale that its title makes plain. And the fourth is Richard Linklater's (Apollo 10 1/2: A Space Age Childhood) latest, with Glen Powell (Anyone But You) co-writing and starring. From there, on a roster that goes on — as its television counterpart also does — His Three Daughters boasts spectacular casting thanks to Carrie Coon (The Gilded Age), Elizabeth Olsen (Love & Death) and Natasha Lyonne (Poker Face); Japanese animation The Imaginary hails from Studio Ponoc (Mary and the Witch's Flower); Irish Wish and Our Little Secret both feature Lindsay Lohan (Mean Girls); and the Thomasin McKenzie (Totally Completely Fine)-, James Norton (Happy Valley)- and Bill Nighy (Role Play)-starring Joy is about the world's first test-tube baby. [caption id="attachment_938943" align="alignnone" width="1920"] John P. Johnson / Netflix © 2024.[/caption] The Beverley Hills Cop franchise returns in the new Eddie Murphy (Candy Cane Lane)-starring instalment that's aptly subtitled Axel F; Atlas pits Jennifer Lopez (The Mother) against AI, and Back in Action sees Jamie Foxx (The Burial) and Cameron Diaz (in her first film since 2014's Annie) as married spies brought back into the espionage fold. A Family Affair has Joey King (Bullet Train) playing a woman who works for a movie star (Zac Efron, The Iron Claw), Laura Dern (The Son) is a novelist who has an affair with a younger man (Liam Hemsworth, Land of Bad) in Lonely Planet, and Saving Bikini Bottom: The Sandy Cheeks Movie joins the SpongeBob SquarePants world. Or, there's Scoop, which goes behind the scenes on Prince Andrew's Newsnight interview, and features Gillian Anderson (Sex Education), Keeley Hawes (Orphan Black: Echo), Billie Piper (I Hate Suzie) and Rufus Sewell (The Diplomat); Shirley, the Regina King (The Harder They Fall)-led flick about the first Black congresswoman; That Christmas, a family-friendly festive effort based on the books by Love Actually filmmaker Richard Curtis; and Thelma the Unicorn, by directors Jared Hess (Napoleon Dynamite) and Lynn Wang (Unikitty!). Anna Kendrick (Scott Pilgrim Takes Off) helms and leads Woman of the Hour, about an aspiring actor and a serial killer; French fare Family Hour werewolves battles werewolves; Spanish horror hit The Platform gets a sequel; and South Korea's Uprising is produced and co-written by Decision to Leave's Park Chan-wook. We hope your couch is comfy — because you're going to be spending quite a bit of time on it. Check out Netflix's trailer for its 2024 slate below: New movies and TV shows will hit Netflix throughout 2024 — head to the streaming platform for its current catalogue. Top image:
Currently on display in Melbourne, the National Gallery of Victoria's world-first exhibition Keith Haring | Jean-Michel Basquiat: Crossing Lines is pegged to be one of the hot-ticket cultural events of this summer. But if browsing the two iconic artists' works on a wall just isn't enough, you're going to want to check out the latest line of threads from clothing retailer and sponsor Uniqlo. The Japanese brand has just unveiled its new Crossing Lines collection of t-shirts, inspired by key pieces from both Haring and Basquiat's own repertoires. Launching overseas this month before dropping in Australian stores in January — all as part of Uniqlo's UT range — the mens' and womens' collection is the result of a collaboration with the Basquiat Estate and creative consultants Artestar. And it's filled with famous designs from the two late art legends, translating a number of Haring and Basquiat's works into t-shirt form. You'll spy Haring's famed crawling baby figure, Basquiat's recognisable scrawl from his piece Untitled (World Famous) 1983, and the tribute crown symbol painted by Haring after Basquiat's death. The horseshoe sketch makes an appearance, as do the familiar wiggling outline figures, just like the ones Haring famously painted on a Collingwood wall back in 1984. It's not the first time Uniqlo has gotten behind a major art event with some fresh designs. The label's collaboration t-shirts with acclaimed American artist Kaws proved a sell-out success when they launched earlier this year, coinciding with NGV exhibition Kaws: Companionship in the Age of Loneliness. Uniqlo's Crossing Lines collection will hit Australian stores in January 2020. Keith Haring | Jean-Michel Basquiat: Crossing Lines is on display at the National Gallery of Victoria until April 13, 2020.
Delivery service apps like UberEats continue to rise in Australia and New Zealand, claiming exclusivity deals with everything from major grocery stores to hardware giants. Yep, hardware, you read it right. The latest Australian megastore to join the order-to-your-door offer posed by Uber Eats is the home of things home and garden — Bunnings. Following a successful Victorian pilot program in January, the nationwide rollout will begin in 15 locations across Australia, with plans to expand further and over to New Zealand throughout the year. The partnership will give eligible customers access to 60-minute guaranteed deliveries of over 30,000 items from the Bunnings catalogue — including lawn mowers, power washers, pet food, gardening equipment, DIY products, nuts, bolts and packing boxes. Bunnings COO, Ryan Baker, told 9Honey that the partnership will "offer customers another convenient way to shop a wide range of products from Bunnings, delivered directly to their home or worksite via the Uber Eats app. While many customers enjoy visiting our stores to browse and get advice in person, we know there are times when convenience and speed are the priority." [caption id="attachment_1076390" align="aligncenter" width="1920"] Ceri Breeze via iStock[/caption] "This partnership complements our existing delivery options and helps us better understand how customers want to shop with Bunnings," Baker added. Lucas Groeneveld, General Manager of Uber Eats APAC, said in a press release, "From last-minute DIY fixes and garden projects, to preparing for a BBQ or keeping a work site moving, this partnership makes it easier than ever for customers to get what they need, delivered on demand, whatever the occasion." Bunnings joins a mix of other non-edible delivery partners on Uber Eats, including Pet Barn, Officeworks and EB Games. If you're wondering, though, Bunnings snags are not included in the delivery service — you'll still have to get those yourself. Check to see if your local Bunnings delivers via UberEats here, more stores are expected to roll out later in 2026. Images: iStock
When BŌS asks you to join its club, here's what it means: picking a dry-aged cut of meat from its cabinet, purchasing and reserving it, then tucking into it via the restaurant's 'Cleaver Club' whenever you're onsite. If that sounds like a swanky experience, it is, and that's what Brisbane's newest dining option has in store all round. You'd expect exactly that from a venue by Good Chef Bad Chef and Richo's Bar Snacks chef Adrian Richardson, plus ex-Cha Cha Char restaurateur Chris Higgins. Now open on Queen Street opposite Customs House, in Otto Ristorante's old Dexus Tower digs, the 120-seater BŌS gives the River City a luxe go-to with river views. Think: green hues and a plush fitout, as well as rounded edges, warm light, plenty of linen, and polished marble and brass, all courtesy of local interior design outfit Alkot Studio. Seating diners at tables and banquettes, or in the restaurant's al fresco seating, BŌS also clearly goes heavy on steak. It takes its name from the Latin word for beef, after all, which is indeed reflective of its menu. Here, you'll also find steak tartare, eight cuts from the grill included a bacon-wrapped fillet mignon, and two giant 1.2–1.5-kilogram options to share all on offer. That said, diners can also choose from oysters three ways, chargrilled Fremantle octopus, house-smoked salmon, sand crab lasagne, crackling-wrapped pork loin and duck breast with black garlic as part of BŌS' embrace of different types of proteins. The culinary theme, other than meat: modern Mediterranean, as also seen in the lineup of handmade small goods like salamis, bresaola and pastrami; the southern rock lobster with hand-cut mafaldine pasta; and the hand-stretched buffalo mozzarella. And, BŌS' sides range covers creamy mashed potatoes, wagyu-fat roasted spuds and a selection of other vegetables, while the dessert options include vanilla bean crème brûlée, Basque cheesecake, strawberries and cream, cheeses, ricotta doughnuts and dark chocolate brownies. As first announced in early November, BŌS sees Richardson and Higgins team up with lawyer Liam McMahon, with Richardson also taking cues from La Luna, his bistro in Carlton in Melbourne since 1998. The drinks list is just as much of a highlight as the meat-centric menu, thanks to restaurant manager and sommelier Romain Maunier (Montrachet, La Cache a Vin). BŌS' vino choices favour drops from high-end producers in Australia, France and Italy. "Our wine list is a journey around the world; it is the present moment but also an envy for the future, an everyday pleasure and a special celebration, a perfect food matching or just our favourite bottle," advises Maunier. If you prefer cocktails, the espresso martinis and affogatos fall into the 'liquid dessert' category; the full cocktail and spirits offerings fills seven pages; and there's a global gin selection, Bond-style martinis, share jugs of sangria and three kinds of spritzes. Come January 2023, BŌS will also boast a dedicated champagne and cocktail terrace bar — called The Aviary Terrace Bar — for summer sips and taking advantage of Brisbane's usually sultry weather, which'll pair full bottle service with city views. BŌS arrives in Brisbane at a busy time for big culinary names making a move to southeast Queensland, much to local diners' delight. Guy Grossi has announced plans to open an Amalfi-inspired restaurant in Brisbane, Hong Kong's Michelin-starred cantonese restaurant T'ang Court launched on the Gold Coast and Melbourne's famed Supernormal is planning to set up a Brissie location. Yes, that's quite the stacked list of new and upcoming eateries to add to your must-visit list. Find BŌS on level four, 480 Queen Street, Brisbane — open 12pm–12am Tuesday–Saturday. The Aviary Bar and Terrace is set to open in January 2023, and we'll update you with further details close to its launch.
One of the most acclaimed singer-songwriters of the 21st century, Chan Marshall — aka Cat Power — is no stranger to a cover. She's been transforming other people's work into something entirely Power-esque across her entire career, including honing the art on her 2000 album The Covers Record and 2008's Jukebox. In 2022, she again dropped a project devoted to reshaping songs originally sung by others with the aptly titled album Covers, unveiling versions of tracks by Frank Ocean, Nick Cave, Lana Del Rey and Iggy Pop. Now, Power has embarked on her most ambitious cover-based project yet, covering Bob Dylan's legendary 1996 Royal Albert Hall set in full in 2022 at the titular venue in London. Receiving rapturous praise, the show is a track-by-track recreation of a legendary set that Dylan performed on his first tour after polarising attendees at the Newport Folk Festival with his new electric sound. Sydney is lucky enough to be the second-ever city to see Power perform this set, with Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert coming to the Sydney Opera House as part of the Vivid Live program. Concrete Playground chatted with Marshall before she headed to Australia to discuss why this set is so important to her, the reaction to its debut in London and the new music she has on the way. ON WHY SHE CHOSE THIS PARTICULAR BOB DYLAN SET "I got an offer to play the Royal Albert Hall in London on Bonfire Night, Guy Fawkes Night... and I was like 'well if I play there, I only want to do Dylan's songs'. And that was just a no-brainer of which songs I would do. I felt pretty alone when I was young — when he was running around being a rockstar and stuff. I wasn't a rockstar, but just knowing that someone was kind of scuzzy, and writing his own shit and saying what he wanted to say and doing his own thing, that was that peer thing he gave people. He narrated and was able to articulate people's points of view during a time of mass confusion and that confusion is the thread of our social constructs." ON HEARING THE SET FOR THE FIRST TIME "It was the film, so it might have been [in] 91 — it was the film Don't Look Back... I just felt transported to this place that reminded me of just floating and thoughts and poetry and the absurd." ON THE TEAM SHE PULLED TOGETHER FOR THE SHOW "We had a rehearsal and I tried to figure out who would be best. Because it's really specific, the style of playing — the heartbeat of that is Bob's style — and on top of that, The Band and that movement of playing. Because I could say that it's a style but there was a certain feeling, I think, that was happening at the time. I asked my friend Henry Munson, he's playing with me. He's in Arsun's band, he has his own bands, too. But he was, no-brainer, going to be the Bob guitar. I had never heard the drummer play before or seen him play or met him, but I said 'well, tell me what kind of band he's in before I go jam with him' and [my friend] said 'oh, he's in a Grateful Dead cover band'. And I said 'okay perfect, he sounds great'. " ONE DEBUTING THE SET AT ROYAL ALBERT HALL "Oh my god. So, for me, I'm secondary to the nature of what's happening when I'm doing it — I feel secondary. My major concern is for the song itself. It's not psychological, it's like I have to do it justice. I don't know. I'm secondary, my physical being is secondary but the song is always the point of me doing what I'm doing. And, I can be very hard on myself but it's the only way that I can be. In the back of my mind, you know, my consciousness, my awake mind was like 'oh yeah, I'm fucking terrified'. I've never been inside that place. I used to walk around it. I used to stay at the Hotel Columbia across the park from there, you know, the rock 'n' roll hotel or whatever. And I'd always walk around that place. I'd never been inside, and to be able to play there, it was some kind of a magic gift or something. That's how it felt. It means something individually to me to do those songs in that venue 'cause of how much I loved Bob growing up." ON THURSTON MOORE'S REACTION TO THE LONDON SET "One thing was that, at the end, there were a bunch of friends there and Thurston Moore was in town and he said — he's gonna kill me — but he said 'Mr Tambourine Man' made him cry. Isn't that sweet?" ON THE MAGIC OF COVERING OTHER ARTISTS' WORK "I knew those songs already, as a little kid, so it was like — I don't want to say second nature because, as someone who's loved all kinds of music my whole life and different things besides music, it wasn't second nature to me — it was just familiar and just easy, because it was like being a kid and singing along. If I play Michael Jackson's song or something, play me the Thriller record, I'm going to sing backup on the whole fucking record with my own harmonies, because I've been singing that shit forever. And different singers bring different shade or colour, or smell or taste, to the same old song. And that's what speaks to a new generation or a new group of people, just different emulations of one song." ON HER CONNECTION TO THE SYDNEY OPERA HOUSE "I did a record of mine called Moon Pix. I think it was the 25th anniversary. [Editor's note: it was the 20th.] I did another Vivid fest, actually... I have the poster for all two of them. And I hope to get the poster for the third. The Moon Pix thing was really moving because I was alive, you know. I wasn't dead. I never thought I'd live this much and I was there and it was great and it was beautiful. I was with Mick [Turner, from Dirty Three] and Jim [White, also from Dirty Three] and we were, all three, alive. And it was beautiful, and it was real, and it was really nice." ON WHAT'S NEXT FOR CAT POWER "I'm going right back into the studio and doing my new record. There's a song called 'Brave Liar', I think it's the good one. Another home recording." Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert is coming to the Sydney Opera House for Vivid Live on Wednesday, May 31. Head to Sydney Opera House website for tickets and further details.
Easter is creeping closer and the creative treats are flowing in hard and fast. This year, we've already seen the release of a hot cross bun-inspired rum, decadent gelato-filled eggs and Lune's beloved hot cross cruffins. And next up is one for your booze cabinet — limited-edition drop, The Dispensary Cacao Husk Liqueur. A grown-up Easter offering with a sustainable edge, it's a joint effort from a couple of Melbourne-based favourites — Brunswick distillery The Gospel and artisan chocolate label Mork, the same crew behind that cult campfire hot chocolate. The innovative liqueur is crafted using Mork's leftover single-origin cacao husks, which would normally be thrown out. Here, instead, they're macerated in a blend of the distillery's Straight Rye and Solera Rye Whiskeys to create a complex sip filled with an array of rich fruit notes. This forward-thinking duo has effectively turned trash into treasure. Despite the cacao element, the drink isn't overly sweet; rather, the husks carry a savoury profile that complements the whisky's aromatics, leaving a blend of flavours that includes roast hazelnut, dried orange and cranberry. Mork roasts its cacao in small batches before the nib is separated and used to make products from its legendary chocolate range. Now, those discarded husks are getting their chance to shine, too. The Cacao Husk Liqueur marks the latest addition to The Gospel's Dispensary series. The crew recommends sipping it on the rocks, or stirred down with dry vermouth, Luxardo Maraschino and The Gospel's Solera Rye in a cocktail. There'll only be a limited number of bottles of the liqueur on offer — you can grab yours from The Gospel's website from 8.30am AEST on Wednesday, March 29. The Dispensary Cacao Husk Liqueur will be available to buy online from March 29.
A new food/art installation in Tokyo is offering a multi-sensory eating experience that combines delicate Japanese cuisine with stunning projections and sound. Located inside Sagaya, a Saga beef restaurant in the city's Ginza district, the permanent installation, titled Worlds Unleashed and then Connecting, was created by art collective teamlab and serves just eight guests each day. Projections depicting Japanese scenery and wildlife illuminate the walls and table, and react different to each artfully presented dish on the rotating monthly menu. https://www.youtube.com/watch?v=JLYxixvQ_hw "When a dish is placed on the table, the world contained within the dish is unleashed, unfolding onto the table and into the surrounding space," explains the collective. "A bird released from one dish can perch on the branch of a tree unleashed from another. The trees that grow from each dish are not identical; their sizes and shapes are affected by the worlds unleashed by the other dishes on the table. These unleashed worlds are also affected by your behaviour. If you stand still, a tiny bird might alight on your hand; if you move suddenly, it might fly away." Pretty lofty, but we're never opposed to ambitious creativity on our plates. Via Designboom.
Winter in Sydney has become synonymous with Vivid, and the first weeks of autumn brightened by news of its plans. This year, the news is more light, more music and more ideas: interactive light art is expanding to Martin Place and the harbour waters, new music event Modulations comes to Carriageworks while the Pixies prop up the Opera House, and the Vivid Ideas program will bury you under the cumulative wisdom of 300 speakers. Vivid Music includes several new initiatives, including a Stephen Pavlovic-curated event, Modulations, at Carriageworks; New Wave club nights at the Seymour Centre and uber-contemporary performances at both The Basement and the Argyle Centre. We're eagerly awaiting the full VividLIVE announcement on March 24, but for now we can tell you that the Opera House will be hosting The Pixies in intimate mode, a groundbreaking ACO-Presets collaboration traversing 42,000 years of music history and 230+ songs, and a DJ-set from Giorgio Moroder (Daft Punk, Donna Summer, Scarface, Top Gun). Meanwhile, Modulations will feature the Pet Shop Boys' epic multi-sensory ‘Electric’ show, as well as an immersive adventure from Fred Deakin (Lemon Jelly), involving music, light, sculpture and interactive technology. Lighting the all-important sails this year is creative agency 59 Projections, who count the London Olympics and the spectacular War Horse among recent works. Last year's projection stars Spinifex are working on the MCA, this time collaborating with artist Jess Johnson, while France's Danny Rose is transforming the facade of Customs House into playable instruments. Even the vessels on Sydney Harbour don't escape a cloak of light. Fifty art installations will grace the hugely popular light walk, including an Aurora Australis; Luke Hespanhol's LOL, beach-ball smiles that laugh with you in Walsh Bay; and one that really appeals to our narcissistic sides, Simon Brockwell's e|MERGEnce in the new Vivid venue of Martin Place. It 3D projection maps your face onto a giant sculpture. While functioning as an umbrella for some massive creative industries events — such as Semi-Permanent and Good Design — Vivid Ideas is still hogging some star speakers for its own signature program. Before I Die artist Candy Chang, viral strategy secret-keeper Sara Critchfield from Upworthy, Antipodium's Geoffrey J Finch, 4D printing leader Skylar Tibbits, American Apparel's Ryan Holiday and street culture juggernauts Joshy D & Mike Giant all feature. As usual, the Vivid Ideas Exchange on level six of the MCA will be the place to let all these thoughts meld. The panels and workshops there will be based around eight 'content clusters', including 'The Future of Work', 'UX IRL' and 'DIY & Maker Culture'. The 18-day festival, named Australia’s Event of the Year in 2013 at the Australian Event Awards, is on from May 23 to June 9. It's kind of staggering how much it's achieved since starting in 2009, last year attracting 800,000-strong crowds and selling 11,000 Vivid-related packages to the international market. Photos of our crazy light shows spread around the world, while Circular Quay restaurants regale with stories of running out of food to serve the swarming masses. For the full program and ticketing information, see the Vivid Sydney website. By Rima Sabina Aouf and Jasmine Crittenden.
When it came to naming Range Brewing's latest beer-drinking venue, inspiration arrived from an easy source. "Who doesn't love sitting outside on a patio or a deck? We'd always wanted a space like that where people could come and enjoy our beers," explains brewery co-founder Matt McIver. Announced earlier in the year and now open in Rosalie, the aptly titled Patio lives up to that promise, complete with a leafy, sunny beer garden that makes the most of Brisbane's usually warm weather. "When we found that space in Paddington, it was literally love at first sight," continues McIver, with Range's latest venture settling into the space that Moga Izakaya & Sushi previously called home, giving it a revamp and leaning on Aussie pub vibes. McIver started Range with his pal Gerard Martin back in 2018. Since then, they also set up shop Melbourne in 2020, and just added a pizzeria and barrel hall to their OG Brisbane location — the latter to host functions and weddings. But this team isn't done growing yet, with Patio giving the crew its own neighbourhood craft beer, wine and cocktail bar. "It's something that we've wanted to do for a little while, which is have more of a suburban presence in Brisbane, and really latch onto another community that we think a space like that will work in," says McIver. The spot in question: Baroona Road in the former suburb-turned-Paddington locality, turning an eye-catching brick building into an Aussie pub-influenced watering hole. And yes, to make the most of the weather, the focus is on al fresco experiences — including in the beer garden, which also features a fairy light-lit tree in the middle of the courtyard. Thanks to Myers Ellyett Architects, patrons will find both a layout and fitout that pays tribute to the corner bar and the front bar of old pubs — especially "80s Australiana vibes," McIver notes — with Melbourne drinking spots an influence. Inside, the venue features the bar, cosy booths and window tables, plus burgundy hues and dark oak amid the rustic brick. The mood: warm, welcoming and relaxed, a feeling that is designed to fill the whole place. Range's beers pour through the ten beer taps, naturally, with the lineup set to rotate. Upon launch, brews include Jam Mixed Berry double-fruited sour ale, the chocolate- and coffee-heavy Early Morning Ritual pastry stout, and the peaches-and-cream esque Name of the Game oat cream IPA. Two other taps are devoted to wines that McIver and the team have made with LATTA Vino, too, while cocktail highlights span Patio's own take on the old fashioned, a mandarin spritz and the Red Rosalie, which is made on spearmint-infused vodka and strawberry and rose syrup. And, after launching Jacopo's Pizzeria in Newstead, Patio slings its Roman-style sourdough slices, snacks and sweets. Seven types of pizza are on the menu, plus gildas, radish sardine toast, cheese and meat boards, and the Patio sub with beef and 'nduja meatballs. Down the line, there's plans to broaden the culinary range with a focus on fresh Italian options. Find Patio at 2/146 Baroona Road, Paddington — open 3–9pm Wednesday–Thursday, 12–10pm Friday–Saturday and 12–9pm Sunday.
The first large-scale exhibition of famed Queensland artist Gordon Bennett since 2007, Unfinished Business includes familiar works alongside several never-before-displayed pieces. It has taken over the Queensland Art Gary and Gallery of Modern Art from until March 21, 2021. Considered to be one of the most significant figures in contemporary Aboriginal art, Bennett's work spans the 1980s up until his death in 2014. His artwork explores his identity, as well as racial stereotypes and Australian society. In the exhibition, visitors will experience nearly 200 artworks spanning paintings, sculptures, drawings, video installations and ceramics. Threads of Jackson Pollock and Jean-Michel Basquiat can also be seen within Bennett's work. In turn, Bennett has influenced heaps of contemporary and emerging artists. [caption id="attachment_792504" align="alignnone" width="1920"] Gordon Bennett, 'Abstraction (Migrant)'[/caption] Top image: Gordon Bennett 'Diptych' 1987. Private Collection, Brisbane. Photographer: John Downs.
