Next time you pour yourself a gin and tonic or start sipping a martini, you can say cheers to one of Australia's best-known architectural wonders in the process. With its latest release, Archie Rose Distilling Co is paying tribute to a building that's become an international symbol not only for its city, but for the whole country: the Sydney Opera House. There's plenty to celebrate when it comes to the Jørn Utzon-designed structure, so Archie Rose has whipped up two gins — or, in terms that suit its inspiration, two acts. Outside Gin nods to the Sydney Opera House's design, coastal location and the contrast of its man-made elements with nature, while Inside Gin is an ode to the acts and all-round creativity that've graced the venue's stages since 1973. Launching this month to mark the building's 46th birthday, the two tipples hero distinctive flavours. If you're keen on a heavy juniper taste with a mix of salty, sweet and citrus notes (aided by lemon-scented gum, South Australian yuzu, finger limes, white grapefruit, seablite and native seaweed), then you'll find it in the Outside Gin. For those who like their drinks fruity and summery — and with botanicals such as native thyme, Australian apricot, raspberry and strawberry gum — Inside Gin has you covered. Both are on sale now, individually for $99 each or as a gift-boxed pair for $179. And while their names don't mention the Sydney Opera House, their labels certainly do, with a stylised representation of the structure featuring on each 700ml bottle — against a sea-toned background for the Outside Gin, and contrasting against a dark mix of purple, red and black with the Inside Gin. Naturally, you'll also be able to sip the two spirits at the Sydney Opera House, with the venue's Opera Kitchen, Portside Sydney and theatre bars all slinging curated seasonal cocktails using both gins. Bennelong Restaurant is also stocking the duo, as are a selection of other bars and restaurants around Circular Quay. Archie Rose x Sydney Opera House Outside and Inside Gins are currently on sale.
Can you feel a tingling in your toes as your feet start to defrost? That's the feeling of winter slipping away (or maybe you've been sitting cross-legged for too long) and with its demise comes the return of Australia's beloved Moonlight Cinema. Ahhh balmy nights on the grass, we have missed you. Heralding the coming of the warmer months, Moonlight Cinema is a summertime tradition that is thankfully making a comeback despite everything that 2021 has thrown our way — hitting up screens in Sydney (including western Sydney), Melbourne, Adelaide, Brisbane and Perth as usual. Nosh-wise, Moonlight Cinema will again let you BYO movie snacks and drinks (no alcohol in Brisbane, though), but the unorganised can also enjoy a plethora of bites to eat from food trucks — perfect, messy treats made for reclining on bean beds. The overall season runs from November through to April, although it varies city by city. As for what'll be screening, expect to hear what's on the bill later this month — before the season kicks off in Brisbane and Adelaide on Friday, November 26, obviously. MOONLIGHT CINEMA 2021–22 DATES Adelaide: Friday, November 26–Sunday, January 16 (Rymill Park) Brisbane: Friday, November 26–Sunday, February 20 (Roma Street Parkland) Melbourne: Thursday, December 2–Sunday, March 27 (Royal Botanic Gardens) Perth: Thursday, December 2–Sunday, March 27 (Kings Park and Botanic Garden) Sydney: Thursday, December 9–Sunday, April 3 (Centennial Park) Western Sydney: Thursday, November 16–Sunday, January 30 (Western Sydney Parklands) Moonlight Cinema kicks off in November 2021, running through until April 2022. For more information, visit the cinema's website — and we'll update you with program details when they're announced later this month.
More than three decades since it was first published, the Watchmen series of comics is still considered one of the all-time greats of the medium. Brought to the page by writer Alan Moore and artist Dave Gibbons, the premise says plenty: in an alternative version of the world we all live in, superheroes definitely exist — but their presence has drastically altered history. Here, the Cold War turned out differently, caped crusaders largely work for the government and anyone else enforcing law and order while wearing a costume has been outlawed. Now, imagine that tale told with a satirical edge that deconstructs the superhero phenomenon, and you can see why it has hordes of devotees. Back in 2009 when comic book flicks were just starting to pick up steam — and when 22-film franchises were a mere dream — Watchmen was turned into a movie by Zack Snyder (who was fresh from 300, but hadn't made the jump to Batman v Superman or Justice League yet). Sequels clearly didn't follow; however, HBO is now hoping that the story will flourish on the small screen, enlisting Lost and The Leftovers co-creator Damon Lindelof to make it happen. Obviously, with Game of Thrones finishing, the network is in the market for a new pop culture phenomenon. This isn't just a straight adaptation. Apparently the series "embraces the nostalgia of the original groundbreaking graphic novel of the same name while attempting to break new ground of its own," according to HBO. An exact release date hasn't yet been revealed, other than fall in the US (aka spring in Australia and New Zealand) — but if you can't wait until then, HBO has dropped the first teaser for the new series. It's your first chance to catch a glimpse of the show's stacked cast, which includes Jeremy Irons, Don Johnson, Tim Blake Nelson, this year's Best Supporting Actress Oscar winner Regina King, Hong Chau, Louis Gossett Jr and Aussie actress Adelaide Clemens. Check out the trailer below: https://www.youtube.com/watch?v=zymgtV99Rko Watchmen will air on HBO in the second half of the year, with an exact release date yet to be announced. We'll keep you updated — including about air dates Down Under.
Alpacas and turtles and goats... oh my! There's so much cuteness in Bundaberg, you'll need to plan ahead to make the most of all the animal encounters you can have in one trip. And that's where we come in. In partnership with Bundaberg Tourism, we've put together a list of five ways you can get up-close to curious creatures, on land and in the water. After all, Bundaberg is only four hours' drive from Brisbane, so when you're escaping the city for a weekend break or longer you can find time to not only snorkel with manta rays and befriend farmyard animals, but also enjoy the incredible dining institutions spread throughout the region. The hardest part is deciding what to do first. [caption id="attachment_788877" align="alignnone" width="1920"] Tracy Olive via Bundaberg Tourism[/caption] SWIM WITH TURTLES OK, it wasn't that hard. First on anyone's list when they come to Bundaberg should be ticking off this bucket-list item. Lady Musgrave Island's 3000 acres of spectacular coral reef is home to a fascinating community of sea turtles — and, incredibly, you can swim alongside them. The Lady Musgrave Experience's glamorous catamaran is one of the easiest ways to cruise around the idyllic Southern Great Barrier Reef. You'll be whisked across pristine waters to a serene lagoon where the biodiverse habitat is the best place to get to know these loveable creatures. You can also soak up the sights from solid ground as each trip includes an island walk, where guides delve into the region's striking natural history. The full-day tour ($220 per adult) includes lunch and afternoon tea, as well as four and a half hours at the lagoon, where you'll meet loggerhead, flatback, green and hawksbill turtles. [caption id="attachment_789720" align="alignnone" width="1920"] Tracy Olive[/caption] SNORKEL WITH TROPICAL FISH If you don't have the budget to set sail off the coast, you can still experience Bundaberg's natural delights closer to shore. For instance, Barolin Rocks and its heavenly dive site is a short drive from the city. Beneath the depths of this much-loved spot is a stunning coral reef thriving with colourful tropical fish, moray eels and even a dugong or two. Don't forget to pack your snorkel and mask. Meanwhile, cruise further along the Coral Coast to discover a variety of equally impressive beaches, like Kellys Beach, which has beautiful swimming holes and snorkelling spots. When you want to take it up a notch, arrange for a surprise feast to be set up by The Picnic Basket, who'll lay out a spread of local produce at a beach of your choosing. [caption id="attachment_749820" align="alignnone" width="1920"] Lauren Bath via Tourism and Events Queensland[/caption] SEE HATCHING TURTLES Bundaberg is where some of the world's most important endangered turtle conservation takes place. And the Mon Repos Turtle Centre plays a critical role. It cares for the largest population of nesting marine and loggerhead turtles on Australia's east coast. You can find out everything there is to know about these species by taking part in the Mon Repos Nightly Turtle Encounter ($27.45). Led by an experienced wildlife ranger, the tour includes information about the centre's vital scientific research before taking you into the rookery, where, from November to January, you can watch mother turtles returning to their birth beach to lay their clutches of eggs. If you're visiting between January and March, you'll likely witness hundreds of hatchlings rushing to dash into the ocean for the first time. To ensure social distancing measures, visitor numbers have been reduced for this experience, so make sure you book ahead to avoid disappointment. [caption id="attachment_789716" align="alignnone" width="1920"] Tracy Olive[/caption] DIVE WITH MANTA RAYS Bundaberg is surrounded by a wealth of inspiring day trips, but none as unmissable as Lady Elliot Island. Although reaching it requires a quick 25-minute flight from Bundaberg Airport ($465 per person), you won't have any regrets once you touch down in Australia's home of the manta ray. Featuring more than 700 individual manta rays and over 1200 species of marine life, the surrounding waters are where you'll want to spend the whole day exploring. For those in the market for a luxurious getaway, why not stay the night at Lady Elliot Island Eco Resort? This way, you can be snorkelling in the lagoon just as the sun rises. Glamping tents start from $382 per tent, whereas beachfront units start from $415 per person in peak season. [caption id="attachment_788876" align="alignnone" width="1920"] Splitter Farm, Jane Hart Bundaberg Tourism[/caption] FEED A BABY GOAT Set on the fringes of Bundaberg CBD is Splitters Farm — a paradise for animals and their biggest fans. Surrounded by tropical bushland and bordered by the picturesque Splitters Creek, this sprawling 160-acre property is home to a variety of rescued animals who've survived bushfires, drought and neglect. Here, the self-guided Meet the Animals tour ($18 per person) is the best way to fall in love with horses and geese, goats and cheeky alpacas. Once you've finished exploring the paddocks and hand-feeding the animals, unfurl a picnic blanket and enjoy one of Splitter Farm's delicious pre-ordered hampers, which are practically overflowing with locally produced goodies. You can book ahead for the VIP picnic and tour for just $50 per adult. For more must-do experiences in Bundaberg, and to book your turtle tours, visit the Bundaberg Region website. Top image: Lady Musgrave Island by Tracy Olive via Bundaberg Tourism
Pizza Hut. The noble and long-serving ‘za provider who filled our tummies at last-day-of-school pizza lunch and, in our uni student years, staved off hunger and calcium deficiency with cheap Tuesday deals. That is until in 1983 when the Dominos chain hit our shores. Dominos grew in reach and popularity and brought the Hut to its knees (or at least, to mainly smaller takeaway-only venues, less all-you-can-eat restaurants). Sure, there's still a few floating around (lookin' at you Goulburn), but they're harder and harder to come by nowadays. Once a dignified, family-friendly palace of soft serve on-tap, mini marshmallows and slice after slice after slice, Pizza Hut is now reduced to stunt-like takeaway grotesquery such as the Four 'N Twenty Meat Pie crust and its ilk, cramming more and more fast food, chicken nuggets, hot dogs, cheeseburgers into the crust until it’s just a misshapen farce oozing with disappointment. There's not much scope for an in-house sit-down pig-out any more. Apparently someone else has also noticed the decline. Sydney-based photographer Ho Hai Tran has taken up the quest of documenting the last surviving original Pizza Hut buildings before they pass into irrelevance. Tran has travelled 14,000kms across Australia, New Zealand and the USA to try and capture the photos of the buildings, most of which have been converted for other uses. “Pizza Hut buildings might not seem like the most aesthetically compelling structures, but they do ooze a certain charm”, says Tran. His purpose in all of this is historical record-keeping and maybe making Gen Y-ers shed a little tear because our world is crumbling to pieces. He’s even launched a Kickstarter to help him on his way. The archive of photographs will eventually be compiled into a book which has, in our humble opinion, the greatest title ever: Pizza Hunt. And the special edition even comes in a pizza box. Ouch, right in the childhood. Help Ho Hai Tran on his quest to immortalise the ‘Hut through by chipping into the Kickstarter.
Star Wars did it. Jurassic Park and Indiana Jones, too. No blockbuster movie franchise stays away from cinemas for too long these days, so of course The Lord of the Rings is being taken back to the big screen — even though it has already spawned one huge hit trilogy, then followed it up with another. Expect more hobbits, elves and dwarves in more places — in multiple movies, in fact — given that The Lord of the Rings is also doing big things on the small screen of late. In 2022, the long-awaited The Lord of the Rings: The Rings of Power hit streaming, bringing Middle-earth to Prime Video across a stunning-looking series. Season two is in the works as well, with the show stepping back thousands of years into the JRR Tolkien-created fantasy realm's past. The new Lord of the Rings flicks are being made by Warner Bros Discovery, so it's unlikely that they'll tie into the TV show — but exactly what they'll cover, be it new tales or linking in with the OG three LoTR movies or The Hobbit films, is yet to be revealed. So far, Warner Bros has just advised that more features are on their way, announcing the news as part of the company's latest investor earnings call. Making more LoTR films involves coming to an agreement with Swedish gaming and media company Embracer Group, which owns the intellectual property rights to The Lord of the Rings, The Hobbit and other Middle-earth-related literary works. As part of the new movie arrangement, the upcoming flicks will be produced by Warner Bros-owned production company New Line Cinema, which was behind the first two trios of hobbit-filled features. "Following our recent acquisition of Middle-earth Enterprises, we're thrilled to embark on this new collaborative journey with New Line Cinema and Warner Bros Pictures, bringing the incomparable world of JRR Tolkien back to the big screen in new and exciting ways," said Lee Guinchard, CEO of Freemode — which is part of Embracer — in a statement. "We understand how cherished these works are and, working together with our partners at New Line Cinema and Warner Bros Pictures, we plan to honour the past, look to the future, and adhere to the strongest level of quality and production values." No further details, including regarding plots, characters, casting, directors or timing — including whether Oscar-winner Peter Jackson will be involved after helming all six past New Line features — has been announced as yet. But Warner Bros Pictures Group Co-Chairs and CEOs Michael De Luca and Pam Abdy added that "for all the scope and detail lovingly packed into the two trilogies, the vast, complex and dazzling universe dreamed up by JRR Tolkien remains largely unexplored on film." "The opportunity to invite fans deeper into the cinematic world of Middle-earth is an honour," the pair continued. The first LoTR trilogy hit the big screen two decades ago, with The Fellowship of the Ring arriving in 2001, The Two Towers in 2002 and The Return of the King in 2003. They were followed by the three Hobbit movies a decade later, An Unexpected Journey debuting in 2012, The Desolation of Smaug in 2013 and The Battle of the Five Armies in 2014. Before the latest Lord of the Rings films come to a fruition, an anime will get there first. The Lord of the Rings: The War of the Rohirrim is currently in production, and will spin a story set 183 years before the events of LoTR, focusing on the fate of the House of Helm Hammerhand, the King of Rohan. Expect it in cinemas in April 2024. Obviously there's no trailer for the just-announced flicks as yet, but here are the trailers for The Fellowship of the Ring,The Two Towers and The Return of the King in the interim: The new Lord of the Rings movies don't yet have a release date — we'll update you with more information when it's announced.
The hues are rich, the vibe is moody and the aesthetic leans firmly minimalist: if you hadn't just stepped inside from West End's Montague Road, you could be forgiven for thinking you were in Tokyo. That's the atmosphere that +81 Aizome Bar is aiming for. Its main source of inspiration is Ginza in the Japanese capital, where there's no shortage of similar bars. +81 isn't just a watering hole, but also a restaurant; however, the tipples arrived before the full kappo-style eatery. Brisbanites can consider this a preview of the latter, right down to teaser dishes from the menu. That said, settling in at the intimate ten-seat Aizome Bar is an experience all of its own, and worth heading by for alone. Up and running since early December 2024 — operating from 5pm Tuesday–Saturday — Aizome Bar pours drinks from Mixologist Tony Huang. One way to feel like you're in Japan is to try something from the range of contemporary cocktails that are made using fresh fruit, but remain pared back like the bar itself, including skipping garnishes. There's also a selection 'neo cocktails' that take three–five days to craft, thanks to using freeze-integration techniques. And, in good news if you're not hitting the hard stuff, plenty of care has been devoted to alcohol-free options. Some of Huang's drinks skew classic and feature sake. Some make tea a key ingredient. If there's ice involved in your beverage of choice, it hails from Kanazawa in Japan. Patrons have Alexander Lotersztain to thank for the deep colours decking out the place — indigo features heavily — as well as the use of natural wood and leather accents.
Carrie Fisher is bringing back those famous bagel buns and reprising her role as Princess Leia in the upcoming Star Wars trilogy. Or at least, so says Carrie Fisher. Since Disney and LucasFilm confirmed the new Star Wars trilogy scheduled for release from 2015 would concern the post-Return of the Jedi era, the casting rumour mill has gone into hyperdrive. However, when asked by Palm Beach Illustrated if she would be back for the new saga, Fisher confidently declared "yes". She ventured that an older Leia "would be just like she was before, only slower and less inclined to be up for the big battle." Whilst Mark Hammil, the original Luke Skywalker, has said he is keen and Harrison Ford has not dismissed the notion of playing Han Solo, neither have been as definitive as Fisher. When contacted by Entertainment Weekly, LucasFilm representatives stated that "we haven’t made any announcements about casting". We hope Fisher is telling the truth though, else we are looking for casting information in Alde-wrong places. In the meantime, with no script written, fans can only speculate over what her role may be, but we reckon that bikini will be staying in the wardrobe this time round.
A great meal should satisfy your tastebuds and your stomach. When Vertigo opens in Brisbane, it'll also get your blood pumping and pulse racing. A brand-new addition to the River City's iconic Brisbane Powerhouse, this soon-to-launch eatery is joining the sky-high ranks, but with a difference: it isn't just located on top of the riverside New Farm venue, but hangs off of the site's industrial facade. Forget just living on the edge — this is dining on the edge, and literally. Obviously, the views will be spectacular. Given that you'll be climbing out to your seat while donning a safety harness, then eating four stories (and 17 metres) up, so will the thrills. An Australian-first vertical dining experience, Vertigo will start serving up — and levelling up — dinner with a view from October, with bookings now being taken for dates from Thursday, October 12 onwards. Once open, it'll operate four nights a week, from Thursday–Sunday, welcoming in tables of two. The one caveat: naturally, this adrenaline-pumping restaurant will be at the mercy of the weather, which will certainly play a factor over Brisbane's stormy summers. If it's only lightly raining, however, the night's sitting will still go ahead. The other key point: if you're not fond of heights, this won't be for you. But if you're fine with towering not just atop but over the side of an old power station-turned-arts precinct that dates back to the 1920s — whether you're a Brisbane local or a tourists — you'll be in for quite the unique experience. A third caveat: you can't head up if you've been drinking, with everyone breathalysed first and required to return a 0.00-percent blood alcohol reading. Brisbane Powerhouse's Bar Alto downstairs will be providing Vertigo's food across its eight tables — and each reservation's two-hour sitting — with the two-course menu featuring local ingredients to go with what's certain to become a local attraction. Unsurprisingly, a visit here won't come cheap, costing $250 per person. While you need to be sober to climb over the edge, a matched glass of wine will be served with dinner. You'll also get a post-descent champagne, beer or soft drink. To make the evening even more dramatic, diners can also choose to come back to earth post-meal via dropline down the facade. Or, if that's too much adventure for you — especially after eating — you can just head back to the ground through the venue. "Vertigo is unlike anything else in the world, it is an unexpected combination of adventure tourism and fine-dining on a heritage site," said Brisbane Powerhouse CEO/Artistic Director Kate Gould, announcing the restaurant. "Stepping off the roof of Brisbane Powerhouse to take a seat suspended at your table, four stories above the ground, will be the ultimate thrill. Experience silver service dining — albeit one with unbreakable crockery and cutlery attached to the table!" [caption id="attachment_850754" align="alignnone" width="1920"] Atmosphere Photography[/caption] "We are creating a uniquely Brisbane dining experience, at height. You will be on the edge of your seat in the open air before descending via an unforgettable exit," added Riverlife creator and co-founder John Sharpe, with the outdoor tour operator partnering with Powerhouse on the venture. "Vertigo will inspire fear but with the knowledge that safety is the priority of our experienced team of adventure tourism guides." If star chef Luke Mangan achieves his dream of setting up a restaurant on the Story Bridge, too, Brisbane might need to rename itself the Sky-High City. [caption id="attachment_776880" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Vertigo is set to open at Brisbane Powerhouse, 119 Lamington Street, New Farm, Brisbane from Thursday, October 12 — head to the venue's website for further details and bookings.
If a cinema date was on your agenda in the later months of 2024 or has been since 2025 began, then you might've seen an Oscar-nominee. When it comes to accolade-worthy flicks hitting screens, the films celebrated by the Academy of Motion Picture Arts and Sciences usually release closer to awards season and during it — and, in Australia, even once the year's official Oscar contenders have been named. Dune: Part Two, the first of duelling Timothée Chalamet movies vying for glory, is an exception among 2025's Academy-anointed picks, as audiences have had over a year to catch up with the spicy sci-fi sequel. A Complete Unknown, with Timmy as Bob Dylan, demonstrates the normal trend perfectly, though — and you'll need to get cosy in your local cinema right now to enjoy it. They're just two of 2025's Oscar-contending features and documentaries that Australians can enjoy this very instant. In total, if you're eager to give nominated flicks the Pokémon catch-them-all approach — whether they will, could or should win — there's 33 currently available in the lead up to Hollywood's night of nights. Ahead of the recipients being revealed on Monday, March 3, here's where to see them. Watching epic dramas on big screen, diving into powerful and haunting docos at home, deciding whether to defy gravity in a crowd or on your own couch: they're all options. On the Big Screen: A Complete Unknown Nominations: Best Picture, Best Director (James Mangold), Best Actor (Timothée Chalamet), Best Supporting Actor (Edward Norton), Best Supporting Actress (Monica Barbaro), Best Adapted Screenplay, Best Costume Design Our thoughts: This Timothée Chalamet (Dune: Part Two) passion project took more than half a decade to come to fruition. With its 60s setting, focusing on the period from Bob Dylan's arrival in New York City to going electric at the Newport Folk Festival, a sense of time is always visible A Complete Unknown; however, that also applies to the years that its star has had to perfect his lead part. Benefiting from such a hefty preparation block, this is as committed a performance as Chalamet has given — and one that director James Mangold (Indiana Jones and the Dial of Destiny) always lets shine as the film explores an icon's talents, ambitions and quest to remain himself. Where to watch: In Australian cinemas. Read our interviews with Timothée Chalamet, Elle Fanning, Monica Barbaro, James Mangold and Boyd Holbrook. The Brutalist Nominations: Best Picture, Best Director (Brady Corbet), Best Actor (Adrien Brody), Best Supporting Actor (Guy Pearce), Best Supporting Actress (Felicity Jones), Best Original Screenplay, Best Cinematography, Best Film Editing, Best Original Score, Best Production Design Our thoughts: Since switching from acting to writing and directing, Brady Corbet hasn't lacked in ambition for a second — but as excellent as both Childhood of a Leader and Vox Lux are, his third feature towers above them. With Adrien Brody (Winning Time: The Rise of the Lakers Dynasty) as Hungarian Jewish architect László Toth, The Brutalist is as epic as a three-and-a-half-hour drama about trying to escape life's horrors, including those of the Holocaust, by chasing the American dream can be. The buildings designed by its protagonist aren't the only things that are monumental here, career-best turns by Guy Pearce and Felicity Jones among them. Where to watch: In Australian cinemas. Read our interview with Adrien Brody, Guy Pearce, Felicity Jones and Brady Corbet. Emilia Pérez Nominations: Best Picture, Best Director (Jacques Audiard), Best Actress (Karla Sofía Gascón), Best Supporting Actress (Zoe Saldaña), Best International Feature Film, Best Adapted Screenplay, Best Cinematography, Best Film Editing, Best Makeup and Hairstyling, Best Original Score, Best Sound, Best Original Song — 'Mi Camino' by Camille and Clément Ducol, Best Original Song — 'El Mal' by Clément Ducol, Camille and Jacques Audiard Our thoughts: As it follows its namesake character's (Karla Sofía Gascón, Harina) journey from cartel leader to trying to live her authentic life, Emilia Pérez isn't just a musical and a crime drama rolled into one. It's also a melodrama — and French filmmaker Jacques Audiard (Paris, 13th District) goes bold in leaning in, and in embracing the juxtapositions of the movie's three main genres as they jostle against each other. That audacity, that willingness to be both spectacular and messy, and the feature's three key performances, including from Zoe Saldaña (Special Ops: Lioness) and Selena Gomez (Only Murders in the Building): they all assist in making this vivid viewing. Where to watch: In Australian cinemas. I'm Still Here Nominations: Best Picture, Best Actress (Fernanda Torres), Best International Feature Film Our thoughts: It came as no surprise when Fernanda Torres (Fim) won a Golden Globe for her portrayal of Eunice Paiva in Walter Salles' (On the Road) deeply moving political and personal drama. Her understated yet also expressive performance as the real-life wife of Rubens Paiva (Selton Mello, Bury Your Dead), who was taken away by Brazil's military dictatorship in 1971 and never seen again, is that powerful. I'm Still Here poignantly charts the task of trying to endure under such heartbreaking circumstances — under oppressive rule, when your existence crumbles, when your family is fraying courtesy of the trauma and when fighting back is the only choice, too. Where to watch: In Australian cinemas. Maria Nominations: Best Cinematography Our thoughts: Chilean filmmaker Pablo Larraín (El Conde). Pivotal women from the 20th century. Phenomenal actors giving their utmost to their parts. That's proven a winning combination three times now, with Maria following Jackie and Spencer. Unlike Natalie Portman (Lady in the Lake) as Jacqueline Kennedy and Kristen Stewart (Love Lies Bleeding) as Princess Diana, Angelina Jolie (Eternals) mightn't have earned a Best Actress Oscar nomination, but she's captivating in every second — in diva mode, but also both soulful and yearning — as opera singer Maria Callas, as the exquisitely shot film (by El Conde's Edward Lachman) charts the week before her death in 1977. Where to watch: In Australian cinemas. The Seed of the Sacred Fig Nominations: Best International Feature Film Our thoughts: Making movies isn't easy; however, there's regular challenges and there's the situation that Mohammad Rasoulof faces. For his art, for documenting the reality of life in Iran today and for showing it to the world, prison sentences and filmmaking bans have come his way. The Seed of the Sacred Fig isn't pivotal viewing just because of what it took to create — in secret, with Rasoulof directing remotely — and how its guiding force is treated by the Iranian regime, though. Observing how a family unravels when an investigating judge's wife and daughters push back amid the country's 2022–23 protests, this is another statement of film from the There Is No Evil helmer. Where to watch: In Australian cinemas. Read our interview with Mohammad Rasoulof. September 5 Nominations: Best Original Screenplay Our thoughts: Before First Cow, Past Lives, The Agency and plenty more, among John Magaro's first on-screen jobs was playing an extra in Munich. Two decades later, he turns in one of September 5's many compelling performances (see also: Presumed Innocent's Peter Sarsgaard, Mrs Davis' Ben Chaplin and The Teachers' Lounge's Leonie Benesch) in another potent drama about the terrorist attack at the 1972 Olympics. Filmmaker Tim Fehlbaum (The Colony) views this chapter of history through the efforts of the ABC Sports crew, whose coverage pivoted and made history — and his tense procedural journalism thriller is both stirring and gripping. Where to watch: In Australian cinemas. Sing Sing Nominations: Best Actor (Colman Domingo), Best Adapted Screenplay, Best Original Song — 'Like a Bird' by Abraham Alexander and Adrian Quesada Our thoughts: In the maximum-security prison that gives Greg Kwedar's (Transpecos) affecting and inspiring second feature its title, the aim of the Rehabilitation Through the Arts program is right there in its own moniker. For the real-life scheme to inspire a new cinema masterpiece, an on-screen masterclass in empathy and a tribute to being moved by art, surely wasn't an initial goal. As Divine G, one of the incarcerated man finding purpose through staging theatre productions with his fellow inmates, Colman Domingo (The Madness) is astonishing — as is Clarence Maclin, a former detainee at the NYC facility who plays himself as the movie mixes actors with amateurs. Where to watch: In Australian cinemas. In Cinemas or at Home: Anora Nominations: Best Picture, Best Director (Sean Baker), Best Actress (Mikey Madison), Best Supporting Actor (Yura Borisov), Best Original Screenplay, Best Editing Our thoughts: Along with playfulness, empathy, and an eagerness to look beyond the usual characters and pockets of America that tend to grace narrative cinema, tenderness is one Sean Baker's special skills, as splashed across his filmography. It's in Tangerine, The Florida Project and Red Rocket, and now Anora. Spotting Cinderella elements and riffs on Pretty Woman aren't hard with this movie about a Brooklyn erotic dancer (Mikey Madison, Lady in the Lake) who liaises with and is soon wed to the son (Mark Eydelshteyn, Zhar-ptitsa) of a Russian oligarch (Aleksey Serebryakov, Lotereya) — but just as Ani is always her own person, the magnificent Anora is always a Baker film. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. A Real Pain Nominations: Best Supporting Actor (Kieran Culkin), Best Original Screenplay Our thoughts: He didn't feature on-screen in his first film as a writer/director, but 2022's When You Finish Saving the World couldn't have sprung from anyone but Jesse Eisenberg. Neither could've 2024's A Real Pain. Both explore the fact that experiencing our own pain, big or small, world-shattering or seemingly trivial, or personal or existential, is never a minor matter. In the latter, the Fleishman Is in Trouble actor plays the anxious part, and literally. His character is a bundle of nerves about and during his pilgrimage to Poland with his cousin (Kieran Culkin, Succession) to honour of their grandmother, who survived the Second World War, then started a new life in the US. Where to watch: In Australian cinemas, and via Disney+, Apple TV and Prime Video. Read our full review and our interview with Jesse Eisenberg. Better Man Nominations: Best Visual Effects Our thoughts: Most music biopics want the figure in its spotlight to remain front and centre. Better Man doesn't stray from the formula there. The bulk of films in the genre also want audiences to always recognise the star in focus, which is where this Australian-made look at Robbie Williams' career makes a huge departure. It's the spirit of the former Take That member that shines through in Jonno Davies' motion-capture performance, as Williams is rendered on-screen as a chimpanzee. For The Greatest Showman director Michael Gracey, it works, so much so that it's now impossible to imagine a feature about the singer done any other way. Let me entertain you indeed. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Read our interview with Jonno Davies and Michael Gracey. Conclave Nominations: Best Picture, Best Actor (Ralph Fiennes), Best Supporting Actress (Isabella Rossellini), Best Adapted Screenplay, Best Costume Design, Best Film Editing, Best Original Score, Best Production Design Our thoughts: Cardinals, they're just like everyone else seeking power — bickering, gossiping, scheming, fighting and trying to find their way to the top by any means possible, that is. Aided by a stellar cast (including The Return's Ralph Fiennes, Citadel's Stanley Tucci, The Old Man's John Lithgow and Spaceman's Isabella Rossellini) answering viewers' prayers, filmmaker Edward Berger swaps World War I's horrors in All Quiet on the Western Front for a pulpy and twisty but smart page-to-screen papal thriller about electing a new pope. He hasn't completely switched thematically, though: how tradition and modernity butt against each other also remains the director's focus. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Gladiator II Nominations: Best Costume Design Our thoughts: Swords, sandals, spectacle, scale, sharks in more ways than one — including literally — and Denzel Washington (The Equalizer 3) having a scenery-chewing ball: welcome to Ridley Scott's 24-years-later follow-up to Gladiator. Helming his fourth feature of the 2020s after The Last Duel, House of Gucci and Napoleon, the veteran filmmaker has taken the sequel-as-remake approach with Gladiator II, but sports the style and stars to largely pull it off, with Paul Mescal (All of Us Strangers), Pedro Pascal (The Wild Robot), Connie Nielsen (Origin), Fred Hechinger (Kraven the Hunter) and Joseph Quinn (A Quiet Place: Day One) also great among the latter. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Read our interview with Paul Mescal, Connie Nielsen and Fred Hechinger. Nosferatu Nominations: Best Cinematography, Best Costume Design, Best Makeup and Hairstyling, Best Production Design Our thoughts: The Witch, The Lighthouse and The Northman filmmaker Robert Eggers turned Nosferatu into a play as a teen. Consider his big-screen remake of FW Murnau's 1922 classic a second bite, then. His fastidious fixation with detail and recreating past eras with painstaking precision is on full and glorious display, as is his way with unnerving eerieness. As Count Orlok in a tale that began as an unauthorised Dracula adaptation a century ago, Bill Skarsgård (Boy Kills World) is commanding, while Renfield's Nicholas Hoult and Shadow of the Vampire's Willem Dafoe make welcome bloodsucker returns, but it's Lily-Rose Depp (The Idol) who truly haunts. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Read our interview with Willem Dafoe, Emma Corrin, Aaron Taylor-Johnson and Robert Eggers. Wicked Nominations: Best Picture, Best Actress (Cynthia Erivo), Best Supporting Actress (Ariana Grande), Best Costume Design, Best Film Editing, Best Makeup and Hairstyling, Best Original Score, Best Production Design, Best Sound, Best Visual Effects Our thoughts: As a theatre-kid obsession for decades, it was long likely that the big-screen adaptation of Wicked — a movie based on a musical springing from a book that offered a prequel to a film that walked the celluloid road 85 years prior, itself jumping from the page to the screen — would have big theatre-kid energy as it attempted to ensure that its magic enchants across mediums. No one would ever want a muted version, after all. It was true of his take on In the Heights and it's accurate again here: Jon M Chu has a knack as a filmmaker of stage hits reaching cinemas, matching the vibe of the show that he's taking on expertly. Where to watch: In Australian cinemas, and via Apple TV and Prime Video. Read our full review and our interview with Nathan Crowley. Via Streaming: A Different Man Nominations: Best Makeup and Hairstyling Our thoughts: 2024 was the year that Sebastian Stan (Dumb Money) played men chasing a dream that turns out to be a nightmare — and that musing on what it takes to accept yourself and ignore the world's feedback, and whether external change can bring about an internal transformation, was gripping movie viewing more than once. Hailing from writer/director Aaron Schimberg (Chained for Life), A Different Man is an exceptional example of both. When Stan's Edward Lemuel undertakes an experimental treatment for neurofibromatosis, his disfigurement disappears; however, his hopes for stardom and love can't be grasped that easily. Where to watch: Via Binge, Apple TV and Prime Video. Read our full review. Alien: Romulus Nominations: Best Visual Effects Our thoughts: Don't trust your employer. While that isn't the sole takeaway message from 45 years of Alien movies, it's a biting aspect of the sci-fi/horror saga nonetheless. In space, Weylan-Yutani Corp workers keep screaming and the company doesn't simply refuse to hear them; in the battle between killer extra-terrestrial creatures and the outfit's employees, it puts the former first. Under Fede Álvarez's (The Girl in the Spider's Web) direction, watching how that plays out in Alien: Romulus for Rain Carradine (Cailee Spaeny, Civil War), the latest to glean that she doesn't mean anything beyond labour to the source of her paycheque, isn't quite the perfect organism — but it's engaging. Where to watch: Via Disney+, Apple TV and Prime Video. The Apprentice Nominations: Best Actor (Sebastian Stan), Best Supporting Actor (Jeremy Strong) Our thoughts: The Apprentice was always going to be a horror movie. The world already knows its subject, and is familiar with where his path has taken him since the 70s- and 80s-era chapters of his life that are covered by Ali Abbasi's (Holy Spider) compelling film. Sebastian Stan (Dumb Money) and Jeremy Strong (in his first post-Succession role) proving phenomenal in a movie that's unshakeable: that too feels inevitable. The fact that this is a Frankenstein's monster story, too, was perhaps less expected — but by focusing on Donald Trump's (Stan) mentorship by New York City attorney and political fixer Roy Cohn (Strong) when the former was an aspiring real-estate tycoon, it fits. Where to watch: Via Apple TV and Prime Video. Read our interview with Ali Abbasi. Black Box Diaries Nominations: Best Documentary Feature Our thoughts: It's easy to wish for a world where Black Box Diaries didn't need to exist — where its director and subject, journalist Shiori Itō, wasn't sexually assaulted, then forced to investigate the attack herself because the Japanese police declined to pursue the high-profile culprit. The reality, though, is that in a country where only four percent of sexual assaults end up going through the justice system, many women are in the same situation, even if they can't and/or don't pick up a camera. Itō knows that fact as she courageously shares her story, and attempts to ensure that what she went through isn't buried. Filled with vulnerability and determination, this is devastating viewing. Where to watch: Via DocPlay. Dune: Part Two Nominations: Best Picture, Best, Cinematography, Best Production Design, Best Sound, Best Visual Effects Our thoughts: Revenge is a dish best served sandy in Dune: Part Two. On the desert planet of Arrakis, where golden hills as far as the eye can see are shaped from the most-coveted and -psychedelic substance in author Frank Herbert's estimation, there's no other way. Vengeance is just one course on Paul Atreides' (Timothée Chalamet, Wonka) menu, however. Pop culture's supreme spice boy, heir to the stewardship of his adopted realm, has a prophecy to fulfil whether he likes it or not; propaganda to navigate, especially about him being the messiah; and an Indigenous population, the Fremen, to prove himself to. So mines Denis Villeneuve's soaring sequel to 2021's Dune. Where to watch: Via Netflix, Binge, Apple TV and Prime Video. Read our full review and our interview with Greig Fraser. Elton John: Never Too Late Nominations: Best Original Song — 'Never Too Late' by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin Our thoughts: It started in 2018. It finished in 2023. Across that five-year period, it came to Australia twice. Elton John's Farewell Yellow Brick Road tour, his final string of live shows around the world, saw him say goodbye to hitting the stage after five decades — a decision that documentary Elton John: Never Too Late digs into. This is a celebratory film rather than a deep dive, and somehow not as intimate as viewers should expect of a movie co-directed by the music icon's husband David Furnish (who also helmed 1997's Elton John: Tantrums & Tiaras, and works with Martha and Billie Eilish: The World's a Little Blurry filmmaker RJ Cutler hear), but the music is still a treat. Where to watch: Via Disney+. Inside Out 2 Nominations: Best Animated Feature Film Our thoughts: They're basic: joy, sadness, fear, disgust and anger, that is, the five emotions that swirled inside human heads in Pixar's 2015 hit Inside Out. In Inside Out 2, that quintet of feelings isn't enough to cope with being a teenager, which is where anxiety, envy, ennui and embarrassment come in. The newcomers arrive with the onset of puberty. They have no time for simple happiness; they've levelled up some of the emotions adjacent to sorrow, fright, dismay and fury, too. Inside Out was always an all-ages ode to mindfulness, as is its sequel — and discovering how to accept and acknowledge apprehension, unease and nerves is here, like in life, a complicated balancing act. Where to watch: Via Disney+, Apple TV and Prime Video. Read our full review. Kingdom of the Planet of the Apes Nominations: Best Visual Effects Our thoughts: Since day one, every Planet of the Apes tale has been a mirror. Gazing into the sci-fi series means seeing the power structures and societal struggles of our reality staring back — discrimination, authoritarianism and even the impact of a world-ravaging virus should ring a bell — but with humans no longer atop the pecking order. These are allegorical stories and, at their best, thoughtful ones, probing the responsibilities of being the planet's dominant force and the ramifications of taking that mantle for granted. Not every instalment has handled the task as well as it should've, but those, that do like Kingdom of the Planet of the Apes, leave a paw print. Where to watch: Via Disney+, Apple TV and Prime Video. Read our full review. Memoir of a Snail Nominations: Best Animated Feature Film Our thoughts: Fifteen years is a long time between features. Films by Australian stop-motion animator Adam Elliot — movies that he calls "clayographies" — also aren't quick to make. But Memoir of a Snail rewards the wait, with the Mary and Max writer/director again using his preferred medium to process life's heartbreaks, struggles, joys and delights in stunning fashion. Sarah Snook (Succession) voices Grace Pudel, twin to Gilbert (Kodi Smit-McPhee, Disclaimer) and later friend to the elderly Pinky (Jacki Weaver, Hello Tomorrow!). Grace reflects upon her existence from childhood onwards, and her journey towards living for herself, to share this immensely affecting story. Where to watch: Via Apple TV and Prime Video. Read our interview with Adam Elliot. Nickel Boys Nominations: Best Picture, Best Adapted Screenplay Our thoughts: Cinema's function as an empathy machine places viewers into someone else's shoes for 90 or so minutes at a time. Adapting Colson Whitehead's Pulitzer Prize-winning novel, director RaMell Ross (Hale County This Morning, This Evening) doesn't leave that sensation to chance in this impressionistic standout. As shot by Jomo Fray (All Dirt Roads Taste of Salt), Nickel Boys' extraordinary cinematography adopts a first-person perspective, ensuring that the audience sees and hears the world as Elwood (Ethan Herisse, The American Society of Magical Negroes) and Turner (Brandon Wilson, Murmur) do when they're sent to an abusive reform school. Where to watch: Via Prime Video. No Other Land Nominations: Best Documentary Feature Our thoughts: In No Other Land, Basel Adra films what he knows but wishes that he doesn't — and what he knows that the world needs to see. Co-directing with Israeli investigative journalist Yuval Abraham, plus farmer and photographer Hamdan Ballal and cinematographer Rachel Szor, the Palestinian activist chronicles the takeover of the West Bank region of Masafer Yatta for an Israeli military base. As a result, families with centuries of ties to the land are forced to live in caves, battle soldiers and fight to survive. Making this documentary is an act of bravery of the highest order. Watching it, and bearing witness as Adra demands, couldn't be more essential. Where to watch: Via DocPlay. Porcelain War Nominations: Best Documentary Feature Our thoughts: Art can be a radical act — a fight, a show of defiance, a countering to oppression and devastation — and this truth can be baked into a documentary's very existence (see: Black Box Diaries and No Other Land for just two recent examples). The moving and powerful Porcelain War also shows this idea in action in Ukraine, against the backdrop of its devastated landscape under the current Russian occupation. In this Sundance 2024 US Documentary Grand Jury Prize-winner, filmmakers Brendan Bellomo and Slava Leontyev capture the latter's efforts with Anya Stasenko to craft porcelain figurines while they're part of the Ukrainian defense. Where to watch: Via DocPlay. The Six Triple Eight Nominations: Best Original Song — 'The Journey' by Diane Warren Our thoughts: The ever-prolific Tyler Perry directed not one, not two, but three films in 2024: thrillers Mea Culpa and Divorce in the Black, plus the World War II-set The Six Triple Eight. The last of the otherwise-unrelated trio brings the story of the 6888th Central Postal Directory Battalion to the screen — the only all-Black US Women's Army Corps dispatched overseas during the conflict. In the lead, Kerry Washington (Unprisoned) is a highlight. Perry helms with great intentions, honouring women who history shouldn't be permitted to forget. But none of that translates to an impressive feature, even with Oprah Winfrey (A Wrinkle in Time) adding to her acting resume. Where to watch: Via Netflix. Soundtrack to a Coup d'Etat Nominations: Best Documentary Feature Our thoughts: The Cold War. Jazz greats, including Louis Armstrong, Nina Simone, Duke Ellington, Dizzy Gillespie and Melba Liston. America's operations through the CIA in the Democratic Republic of the Congo when it was newly independent from Belgium. Across two-and-a-half hours in essay style, Belgian filmmaker Johan Grimonprez's (Blue Orchids) inventive and engaging — and thorough and dense — documentary Soundtrack to a Coup d'Etat explains how they're all connected, plus the 1961 murder of Patrice Lumumba and much more as well. It has the soundtrack, of course, as well as smarts, pace, thrills and a probing look both backwards and forward. Where to watch: Via DocPlay. The Substance Nominations: Best Picture, Best Director (Coralie Fargeat), Best Actress (Demi Moore), Best Original Screenplay, Best Makeup and Hairstyling Our thoughts: If you suddenly looked like society's ideal, how would it change your life? The Substance asks this. With Revenge's Coralie Fargeat leading the charge on her long-awaited sophomore feature and earning Cannes' Best Screenplay Award for her troubles, the result is a new body-horror masterpiece. Pump it up: the sci-fi concept; the stunning command of sound, vision and tone; the savagery and smarts; the gonzo willingness to keep pushing and parodying; the gore (and there's gore); and the career-reviving performance from Demi Moore (Landman), who'll now always be remembered as newly 50-year-old actor and TV host Elisabeth Sparkle. Where to watch: Via Stan, Apple TV and Prime Video. Read our full review. Sugarcane Nominations: Best Documentary Feature Our thoughts: In 1981, more than a century after it was founded, the Catholic Church-run St Joseph's Mission residential school in British Columbia, Canada closed its doors. Reports of abuse swirled long before its shuttering, in some cases backed up by investigations and trials. Four decades afterwards, unmarked graves were discovered — and more distressing stories emerged, including of pregnancies resulting from sexual assaults and covered up. This is personal for Julian Brave NoiseCat, who co-directs the sensitively, potently, astutely and movingly told Sugarcane with fellow feature-length first-timer Emily Kassie: his father and grandmother are both part of this tale. Where to watch: Via Disney+. Wallace & Gromit: Vengeance Most Fowl Nominations: Best Animated Feature Film Our thoughts: Break out the Wensleydale cheese: Wallace & Gromit is back. The first film, short or feature-length, about the kind-hearted inventor (Ben Whitehead) and his beagle since 2008's A Matter of Loaf and Death — TV's Wallace & Gromit's World of Invention did pop up for six episodes in 2010, though — sees its namesakes targeted by penguin Feather McGraw on a quest for revenge. Despite the long break between screen outings, Aardman Animation's main duo have lost none of their charm. A delight of an all-ages flick, it's both humorous and heartfelt, nails its slapstick silliness, and even makes clever use of a robotic garden gnome. Where to watch: Via Netflix. The Wild Robot Nominations: Best Animated Feature Film, Best Original Score, Best Sound Our thoughts: A favourite on the page first, The Wild Robot is now an all-time gem on the screen. Boasting extraordinarily emotive voicework from Lupita Nyong'o (A Quiet Place: Day One), beautiful hand-painted forest imagery inspired by Studio Ghibli, assured direction from How to Train Your Dragon and The Croods' Chris Sanders, and a rousing score by Kris Bowers (Bridgerton) will do that. Story-wise, it spends time with Roz, aka ROZZUM unit 7134, after the android ends up on an animal-filled island and learns that there's more to existence than following your programming — and, in the process, The Wild Robot proves tender, warm and enchanting. Where to watch: Via Apple TV and Prime Video. Read our interview with Lupita Nyong'o and Chris Sanders. The winners of the 2025 Oscars will be announced on Monday, March 3, Australian time. For further details, head to the awards' website. Wondering what will, should and could win? Check out our predictions in 11 key categories.
They're taking the humans inside Hobbiton. They're no longer saying "you shall not pass" to anyone wanting to do more than look at the external facades of hobbit holes on the movie set tour's Bagshot Row, too. After two decades of operation, the famous New Zealand attraction has finally added something that every The Lord of the Rings and The Hobbit fan has wanted more than second breakfast: letting visitors step inside its cosy abodes. Standing outside Hobbiton's hobbit hole doors has been one of the venue's top experiences ever since opening on the 1250-acre Alexander family farm. Now, seeing what it's like to live like Bilbo and Frodo Baggins and their pals is on the agenda as well. The Bagshot Row hillside, which boasts three hobbit hole facades, has been excavated since March 2023 to include rooms behind the entryways. So, get ready to walk through a hall, a couple of bedrooms, and a kitchen and dining area — complete with a pantry capable of catering for seven daily meals — as well as a parlour with a fireplace, and a bathroom. Unsurprisingly, cosiness abounds. So do nods to generations of hobbits that would've inhabited the holes. Accordingly, visitors will see plenty of wooden surfaces and warm colours, as well as heirlooms and trinkets. Carvings grace the walls, hand-painted details are everywhere and the linens have been stitched by hand as well. One big piece of advice: watch your head when entering. The latest addition to Hobbiton is indeed hobbit sized at 83-percent scale, reflecting their shorter stature. The hobbit holes open for visitors on Friday, December 1, and are now part of all Hobbiton tours. "For two decades, we've welcomed millions of passionate visitors to Hobbiton Movie Set, but never before has anyone ventured beyond the door of a hobbit hole like this," said Hobbiton Movie Set's Chief Executive Officer Russell Alexander. "This extraordinary addition will fulfil a long-held dream for Hobbiton Movie Set and visitors alike, promising to immerse fans into the humble home of a hobbit for the first time." The hobbit hole doors on Bagshot Row are just three of Hobbiton's 44 in total; however, only Bagshot Row now lets tourists step inside while they're visiting The Shire. Attendees are encouraged to look for Easter eggs on their visit to Middle-earth's new must-see, with the hobbit holes brought to fruition by illustrators and concept designers John Howe and Alan Lee, The Hobbit: An Unexpected Journey Art Director and Hobbiton Movie Set Project Manager Brian Massey, and Production Designer Ra Vincent. Before now, an Airbnb trip in March 2023 was the only chance that folks had of getting a true hobbit experience in Aotearoa's Waikato region, allowing the lucky people who scored the one-off booking to slumber like one of Middle-earth's shortest residents on the very property. Don't go packing your suitcase now, though, as overnight stays are not part of the new addition to Bagshot Row. Find Hobbiton Movie Set at 501 Buckland Road, Hinuera, Matamata, New Zealand, with venturing into the hobbit holes available from Friday, December 1, 2023 — head to the site's website for tickets and further details.
Your dreams of ditching the slow peak-hour crawl for a quick flight through the skies could very soon become a reality, with Uber today announcing Melbourne as its third — and first international — trial city for Uber aircrafts. Having already flagged the US's Dallas and Los Angeles as launch cities for its new flying service, dubbed the Uber Elevate project, and after some speculation last year, the ride share company has now confirmed it'll also start testing in Melbourne in 2020. If these trials are a success, we should see regular services start from 2023. The all-electric Uber Airs will operate a little like helicopters (but 32 times less noisy, supposedly) with the 'electric vertical take-off and landing vehicles' (eVTOLs) using helipad-style 'Skyports' located on high rooftops at key points around the city. As the company has just announced it'll be teaming up with the Scentre Group (owners of Westfield), expect a lot of these to be located atop shopping centres. And at Melbourne Airport, thankfully. Uber has announced it'll be continuing its partnership with the airport for the new venture — which will most likely launch before construction even begins on the long-awaited airport rail. At least there'll be one fast way to get to the airport. While a car ride from the CBD to the Melbourne can currently take anywhere from 25 minutes to an hour, Uber is promising that its Uber Air will only take about ten minutes. [caption id="attachment_725578" align="alignnone" width="1920"] Skyport[/caption] By taking travel to the air, the company is hoping to "open up urban air mobility and help alleviate transport congestion on the ground". Passengers will be able to tee up a flight in the same way they order a car, with a push of the button, and hopefully it'll be just as cheap. While the company has not announced how much it'll cost initially, it has said that an Uber Air will eventually be as cheap as taking an Uber X ride of the same distance. While this all sounds a bit too good to be true, we do hope we'll be Jetsons-ing around the city for pittance soon. Uber Elevate will start tests in Melbourne by 2020 with regular services kicking off in 2023. To read more about the program, head to the Uber website.
The quest of Neil Young to revive the magic that has been squeezed out of digital music has now been realised with the launch of his portal listening device and digital music service called Pono [meaning righteous in Hawaiian]. Young has been working on the service and music player for last several years, chasing the goal of restoring music to its original artistic quality – as it was in the studio. The 128GB triangular, touchscreen gadget named PonoPlayer makes use of zero-feedback circuitry, a minimum phase digital filter and a whole lot of other technical stuff to eliminate the “unnatural pre-ringing” that can often be heard on digital tracks. The PonoPlayer comes alongside the online music store PonoMusic.com , which will offer downloads of songs formatted from artist-approved master recordings. Young officially launched both products at the South by Southwest music conference in Austin, Texas with a Kickstarter campaign complete with video endorsements from a plethora of music stars and offering preorders of the PonoPlayer at a discounted price. Pledgers are given the option to purchase a special edition “Artist Signature Series” PonoPlayer with autographs from the likes of Young himself, Arcade Fire, Pearl Jam, Foo Fighters, as well as being pre-loaded with the artist’s all-time favorite two albums. Just don't ask Mr Young about what cut he gets, things will just get awkward.
Everyone loves a good read. Embarking on a new, exciting journey to a paper page reality is inspiring, educational, and sometimes just what you need to get you through the ups and downs of our existent reality. But finding the best books in our busy town can be hard. Where do you buy them? Who will give the best recommendations? Which stores stock more than just Nicholas Sparks and Jodi Picoult? Which books can I actually afford? We've got all the answers for you. Behold, Concrete Playground's guide to the top ten bookstores in Brisbane. 1. Avid Reader Where: 193 Boundary Street, West End Avid Reader is one of two stalwarts in the West Brisbane bookstore scene. Most people in the know would recommend it highly to you and with very good reason. The store is exceptionally satisfying and ticks all the book necessity boxes you can imagine. It’s very easy to find the bricks and mortar location on West End’s Boundary Street, however finding the exit once you’re inside is another story. With shelves galore stacked high with everything from Penguin Classics to guides on every topic imaginable (fashion school, geeky dads and eco living) Avid Reader’s selection is ridiculously comprehensive. They also have a large variety of magazines, DVDs and glorious knick-knacks, meaning it’s almost impossible to leave without purchasing something you love. They have a sweet little café where you can enjoy good coffee and food nestled amongst the glorious paperbacks you’ve just been perusing. Avid Reader also has various book clubs and specialist talks, making the store a very customer inclusive and friendly place. 2. Bent Books Where: 205 Boundary Street, West End Bent Books is another West End baby but is by no means lacking in comparison to it’s neighbour, Avid Reader. They live on the same street making it easy for customers to do a 2-for-1 book shopping expedition. The eye-catching colour scheme of bright blue and yellow make the shop front impossible to miss, whilst doubling as a great indication of the vast and eclectic selection of second hand books that exist inside. Quite frankly, the store’s speciality is their variety and range – literally if you can imagine it, they have it, and if not they’ll do their best to help find something similar. Win win! Witchcraft, gay and lesbian history, and mythology are all part of the Bent Books package, so don’t hesitate to look for rarities or diverse genres here. They also have a gorgeous courtyard out the back of their store, perfect for opening a new purchase and starting Chapter One. 3. Folio Books Where: 80 Albert Street, Brisbane Watch out, the winner of Queensland Specialist Book Store 2008, 2009 and 2010 is coming at you! Folio Books is a long time favourite of those who tend to loiter more in the streets of Brisbane than those of West End, but it’s most definitely worthy of a trip across the river and into town for everyone. They fit into the Brisbane book scene by being the everyman for specialist topics. That is to say, for niche creative industries esque topics look no further than this location on Albert Street. Fashion, interior design, and digital art are just three small examples of the topics sprawled across shelves. It seems their aim is to cover topics as extensively as possible, which is admirable and makes for large amounts of crowd-pleasing. They’ll also order in rare or out of print books that take your fancy, or at least try their best to accommodate your arty and intelligentsia needs. 4. Archives Fine Books Where: 40 Charlotte Street, Brisbane If vintage books are your bread and butter, look no further than Charlotte Street’s hidden treasure, Archives Fine Books. With shelf upon shelf stacked high with millions of books on every topic you can possibly imagine, it’s guaranteed you’ll find something you had once given up searching for. Although the shelving and organisation of stock may not be the easiest to sort through, it stands more like a much-loved library. The staff that roam Archives tend to the printed words like book hawks. It’s almost freaky how they just know what book you’re looking for. This bookstore is the place to visit just before you give up hope on finding an out of print novel. Or, alternatively the first place – it would save you a lot of time after all! 5. Riverbend Books Where: 193 Oxford Street, Bulimba For anyone that’s ever passed through Bulimba, it’s probable Riverbend Books ended up playing a big part in the itinerary. Because really, for locals and travelers alike, the charming combination of good books and a tea house is too good to miss. The shop front has graced Oxford Street for many years and is now as familiar as Cineplex Cinema and Oxford 152. Their selection of reading material is vast and spread over two levels, meaning hours can be wasted away perusing. There are also chairs littered around the store inviting readers to go the next step after purchasing and begin a new adventure. As well as their variety of books, Riverbend is also famous for it’s Tea House that features prominently at the front of their store on a beautiful Queenslander deck. It is so renowned that many consumers visit purely for the Tea House and their distinct menus. However it’s much better for your stomach and your imagination if you see them as a complementary pair, rather than separate entities. 6. Comics Etc Where: 79/81 Elizabeth Street, Brisbane Seth Cohen may not appreciate the name of this joint – “they’re graphic novels obviously” – but he sure would love the general premise, enough to work here probably. With an obvious predilection toward the world of cartoons, fantasy and manga, this particular store is heaven for those who prefer their visual stimulation drawn. With an exceptionally large collection of comics from a wide range of series’, authors and publishers, the store gets weekly stock updates meaning it’s super easy to stay on top of your favourite comic. Whether you prefer the classic and loveable storylines that have been around for years, or something a bit off the beaten track, Comics Etc is your new best friend. They also stock a heap of action figures and statures making it a one stop shop for any comic fan looking to live out his or her super hero fantasy, be it Peter Parker, Bruce Wayne or Wonder Woman. 7. Pulp Fiction Where: Anzac Square Arcade, Edward Street, Brisbane If science fiction, fantasy, crime and mystery novels float your boat and you’re a resident of Brisbane you’re probably already aware of this gem. Then again, if you’ve never had to run to Central to catch a train there’s a chance you’ve been missing out due to its underground nature and secretive location. Situated in the Anzac Square Arcade, Pulp Fiction has been kicking around for years serving those with a particular interest in the aforementioned genres. They house a very large range of content within them, and are happy to order stock in should they not already have it. Perfect if you’re looking for a specific Sherlock novel or coffee table book on the universe, this shop knows its strength lies in its niche offerings and plays to them. If you’re one of the many people who seek their entertainment in the far away worlds of aliens and space cowboys, those who prefer their fantasy to involve epic battles, or love getting stuck into a good murder mystery, this is the place for you. 8. Title Where: u2/60, James Street, Fortitude Valley For those of you who spend more of your time wandering around James Street wining and dining or people watching, Title is the bookshop for you. Tucked away down the far end of Fortitude Valley, it’s a very well stocked store that includes enough books, CDs, DVDs and vinyl’s to cater to anyone’s predilection. It’s gorgeous exterior will suck you in off the street whether you mean it to or not, and it’s interior will keep you perusing for hours. Slightly geared towards music enthusiasts, it’s still well worth your time even if that’s not your regular forte. With a fabulous inside layout to rival any of its fancy neighbours, Title is perfectly designed to wander aimlessly without a specific purchase in mind. It’s a guaranteed you’ll come away with a new favourite author to covet. 9. Annerley Community Bookshop Where: 12/478 Ipswich Road, Annerley Although city centric people like to believe it, not everything revolves around them and occurs within Translink’s first zone. Plenty of good stuff happens elsewhere, and the caliber is just as high, no matter how high your brow. Take for example the Annerley Community Bookshop. It has sophistication, it has the physical goods, and it has a feel good factor. The only bookstore of it’s kind in Australia and it’s a not-for-profit community project that has an overall aim of funding literacy classes for refuges and migrants. It’s run by volunteers who are literally working for free in order to benefit your book collection. They have some real treasures hidden amongst their shelves, though it must be said that their best sections include classic literature and Australian literature. Once you’ve selected a bundle of potential purchases, there is a bunch of armchairs located in-store so you can sit down, peruse and make your final choices. Considering how reasonable prices are, you’ll be sure to take home several bargains. 10. Coaldrakes Where: 5-61 Petrie Terrace, Brisbane Coaldrakes is one of the few independent bookstores left in Brisbane that have more than one location. Which in general is a sad fact about the state of people’s relationships with books versus technology. However in terms of Coaldrakes, the more the merrier! The charming mix of bookshop and café may be common, but if it ain’t broke why fix it? Although they stock a healthy range of printed goods that cover the requisite bases for a successful bookstore, it must be mentioned though that they really excel in their children’s section. If you’re after something for a special little sibling or relation, this is the place to go searching. Equally as mesmerizing are their selection of gifts and knick-knacks. The variety is so wide and appealing that it’s hard not to buy a gift for yourself as well. With locations at The Barracks and Emporium, they’re surrounded by hip neighbours who only add to their draw card and make Coaldrakes perfect both as a stop along the way and as a destination.
Dispelling the old thought that art and science cannot mix, The Creators Project showcases the talent of those who have simultaneously mastered both fields. The Creators Project is a product of a partnership between Intel and Vice, and has been held in various locations throughout the United States, as well as in the UK, France, China, South Korea, and Brazil. Held in San Francisco, California last weekend, the event featured both established and new artists who use technology to create their art. “The countries we travel to in our global event series are all comprised of innovative communities at the forefront of the marriage of art and technology," said David Haroldsen, Intel's Creative Director for the project. “Many of our creators are based out of these countries which has in turn helped us further expand, enabling us to form relationships with more and more forthcoming artists in the art and tech communities.” According to Haroldsen, the goal of the The Creators Project is to find the world's most innovative tech artists and provide them with the resources necessary to give their work exposure. Hosi Simon, GM of Vice, said: "We discuss the artists’ dreams and ambitions in great detail, and find ways of how The Creators Project can help them reach their goals. We want to create long-term partnerships and collaborations." The event featured an incredible range of unique pieces. One installation piece titled 'Six Forty by Four Eighty', by Zigelbaum + Coelho2, allowed event goers to interact with giant pixels. The pixels could be controlled via remote, or cloned by holding a hand over a particular pixel and then tapping another. 'The Treachery of Sanctuary' by Chris Milk similarly allowed for interaction by using Kinect sensors to transform participating people into birds on the projection screen. Other works included a giant, LED-lit cube which featured a light show, a giant wall of Instagram photos shared by attendees, and more. [via Mashable]
When lockdowns started sweeping the globe at the beginning of the pandemic, the entertainment industry responded in different ways. With in-person events off the cards for a significant period, streamed gigs and performances kept creatives and audiences alike busy. New at-home audio experiences popped up, too — so, between making jigsaws and baking sourdough, you might've spent some time listening to eerie radio plays. For the team at immersive entertainment company Swamp Motel, the situation inspired a new three-part online project that turns a night at home — or three — into a sleuthing experience. That series: Isklander. It's proven such a hit in the UK and US that it has been optioned by Gaumont UK, the studio behind Lupin and Narcos, to be turned into a TV show. In its current playable digital and format, however, it'll be available in Australia and New Zealand from Thursday, September 23. Isklander is designed to be played in groups, but everyone can be in their respective houses. It also unfurls a different mystery in each of its different chapters. So, with Plymouth Point, you're tasked with searching for a missing person. In the titular locale, Ivy Isklander has disappeared, and you need to work through clues, solve puzzles and crack codes to get to the bottom of it. Then, in The Mermaid's Tongue, you're sent looking for the eponymous ancient artefact, which could bring about doom if the wrong person gets hold of it. Finally, there's The Kindling Hour, which is described as "a corporate espionage thriller". Accordingly, you'll need to work your way into a powerful organisation to bring it down from the inside. If you're wondering how it works, Swamp Motel is all about blurring the lines between theatre, film and gaming — and turning the results into a shared live experience. Isklander is never the same twice, and it features everything from live-action performances and newsreel footage to fourth-wall breaking research (that is, the kind you do yourself). And, while it'll have you and up to five pals using the internet to investigate as part of the game, it also resembles a film at times and an escape room at others. The fact that the cast includes Dominic Monaghan (The Lord of the Rings, Lost), Dino Fetscher (Years and Years) and theatre performer Bathsheba Pipe helps nudge Isklander in the direction of a movie, but you won't just be sitting and watching. No, this isn't like another night glued to your streaming queue. You'll be playing a part — including hacking into emails, scouring social media posts, making phone calls and looking at websites — which means that you'll be experiencing a series that's part puzzle game and part scavenger hunt as well. To keep things running, each session is also directed live by an in-character aid, with Swamp Motel's team of 30 stage managers guiding you through all three chapters of Isklander — whether you choose to play them all, or just pick one or two. And, the whole experience unfurls in real time, with a ticking clock, so you'll definitely feel a sense of urgency while you're puzzling. Check out the trailer below: Isklander will be available in Australia and New Zealand from Thursday, September 23. Images: Matt Hass.
Your weekly grocery shopping adventures (or misadventures) could soon be given a shake up, with Amazon set to launch a series of bricks-and-mortar stores and an online supermarket within the next two years right here in Australia, as reported by The Sydney Morning Herald. The retail giant has been flirting plenty with the grocery sector of late; its most recent global initiatives include the Prime Now program — an impressive US service where you can get everything from groceries to restaurant food to clothes and household items delivered in less than two hours — and Amazon Fresh, an online grocery delivery service that recently entered the UK market. Both of these programs now look set to land in Singapore, Southeast Asia, and on our own shores — a move that could see Amazon snap up between $3.5 and 4 billion in Aussie sales within five years, according to Citi's Australian retail analysts. Each of these new multi-function stores would be about the same size as an Aldi supermarket, but stock only items like meat, dairy, alcohol, fruit and veggies — all the bits and pieces you like to have a proper squiz at before buying. Tens of thousands of other items would be stored offsite in fulfilment centres and available to order via a mobile app or in-store kiosk for delivery to your doorstep. Word is, the stores will even have drive-through lanes, where you can pick up groceries you've ordered online, without leaving your car. Not quite as exciting as those Macca's runs, but pretty darn convenient nonetheless. The shift from online to bricks-and-mortar stores is a stupefying one, but not new for Amazon — last year they opened their first physical bookstore. Via The Sydney Morning Herald.
How do you brighten up one of the most vibrant cities on earth? And at the brightest time of the year? It's simple: add a park installation littered with glowing lights. Like Tokyo before it, New York now boasts its own short-term piece of luminous art — and one that's both creative and eye-catching. Called Whiteout, the commissioned project has unleashed hundreds of LED-filled globes upon Madison Square Park. Set up until March 25, 2018, the piece comes from Austrian-born, New York and Ohio-based artist Erwin Redl, who suspended the white, transparent spheres across the space using a square steel grid and cabling. As well as their standard twinkling, the orbs sway with the wind and sparkle according to large-scale animated patterns, all as part of the 6.2-acre park's latest free outdoor exhibition. https://www.instagram.com/p/Bbk8VEvnCTh/?taken-by=madsqparknyc Explains Redl, "the physicality of the swaying orbs in conjunction with the abstract animations of their embedded white lights allows the public to explore a new, hybrid reality in this urban setting." Known for creating light projects on building facades, Redl takes inspiration from the greats in the field, such as Larry Bell, Robert Irwin, James Turrell, and Doug Wheeler While visitors can't interact with the installation, they can view it as they mosey along the park's walkways. Given that more than 60,000 people visit the site daily, it's certain to make quite the impact, in a piece Redl created and fabricated with the assistance of Madison Square Park Conservancy and the New York City, Brisbane and Shanghai-based public artwork firm UAP. If you're in New York, check out Whiteout at Madison Square Park until March 25, 2018. Head to the park website for further information. Image: Erwin Redl, Whiteout, 2017. Steel, animated white LEDs, stainless steel cable, low voltage insulated wire, two sections: each 12 x 40 x 180 feet; overall: 12 x 110 x 180 feet. Collection of the artist. © Erwin Redl. Photo: Rashmi Gill.
When festival-goers converge on Woodford at the end of December for the southeast Queensland town's annual folk festival, they'll find a brand new addition at the event's Woodfordia location. Each year, the spot 75-minutes north of Brisbane by car turns into a thriving pop-up community for six days; however from this point onwards, it's also the site of a permanent new lake. Called Lake Gkula — a name that refers to the region's traditional owners, the Jinibara people, and specifically references spokesperson Uncle Noel Blair, whose indigenous name is Gkula — the body of water is now Australia's largest all-natural conservation and recreation lake, too. The man-made spot is also teeming with fish and plant life. More than 400 species of native freshwater fish are swimming in its waters, while over 4000 plants have been planted in and around the lake to date, with more planned. Crucially for both the lake's biodiversity and for human swimmers, the entire body of water is chemical-free, using pumps and injectors to keep both a constant water flow and high levels of oxygen. The water is pushed through two wetlands, which act to purify the lake while also encouraging microorganisms to thrive. If you're eager to go for a splash, it'll only be open to season campers during the 2019–20 fest, although swimming privileges will also given to artists and volunteers. Season campers will need to pay a ticket fee of $4 for adults, which'll help recover the costs of building the lake — and they'll also need to book in advance, with 50-minute slots available between 6am–6.30pm. For those who don't fall into those categories, you'll still be able to peer over the water at the lakeside bar, which'll be running during the festival and open to all Woodford patrons. At this stage, the lake will only welcome swimmers during the festival, but founder of Woodfordia, Bill Hauritz, sees Lake Gkula as a hotspot for the Moreton Bay hinterland area, so perhaps watch this space. "Groups and organisations outside our own are already expressing a keen interest in using this stunning new feature," he advised in a statement. "We know Lake Gkula will be an attraction; it's that beautiful." Costing more than $1.5 million to build, including funding from the Queensland Government, Woodford's new addition has sourced all of its water from onsite dams and a bore, with festival organisers aware that they're opening a watering hole in drought conditions. It's also partly powered by solar energy, and the Woodford team is working towards running the lake wholly on 100-percent renewable sources. The 2019–20 Woodford Folk Festival runs from Friday, December 27, 2019–Wednesday, January 1, 2002. For more information about Lake Gkula, visit the Woodford Folk Festival website.
Back in the late 90s, there was a period when every second film was a disaster film, or so it seemed. Independence Day, Daylight, twin volcano flicks Dante's Peak and Volcano, Hard Rain, duelling death-from-above movies Deep Impact and Armageddon: they all kept unleashing chaos upon the earth on the big screen. Also among them, and proving a whirlwind box-office hit: Twister. Come July 2024, that tornado-chasing picture starring Helen Hunt (Blindspotting) and Bill Paxton (The Circle) will no longer be a once-off. Cue Twisters, a sequel that arrives 28 years after the initial feature to turn it into a franchise — because everyone knows that if this followup swirls up huge audience interest, more will likely follow. Alongside Deadpool & Wolverine and Wicked: Part One, Twisters unveiled its first trailer during the 2024 Super Bowl, introducing Glen Powell's (Anyone But You) character as a "tornado wrangler" in the process. There's also twin twisters, plenty of chasing them and a whole heap of fellow familiar faces getting swept up in the action Story-wise, the film follows an ex-storm chaser played by Where the Crawdads Sing's Daisy Edgar-Jones, who has to join forces with a cavalier colleague (Powell) thanks to an intense season that sparks weather that no one has seen before. They each have teams by their side, and both end up on a path to central Oklahoma, where the bulk of the chaos looks set to converge. Also featuring on-screen: Anthony Ramos (Dumb Money), Kiernan Shipka (Totally Killer), Sasha Lane (How to Blow Up a Pipeline), Daryl McCormack (Bad Sisters), Brandon Perea (Nope), Nik Dodani (Atypical) and Maura Tierney (The Iron Claw). The fact that Lee Isaac Chung is behind the lens is no small detail, either, marking the filmmaker's first feature since Minari, which nabbed him Oscar nominations for Best Director and Best Original Screenplay. Check out the trailer for Twisters below: Twisters will release in cinemas Down Under on July 18, 2024.
UPDATE: JULY 1, 2020 — Due to worldwide cinema closures and other concerns around COVID-19, Tenet will no longer release on its initially scheduled date of Thursday, July 17, 2020. Instead, it will now release on Thursday, August 13. This article has been updated to reflect that change. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Every ten years, Christopher Nolan sends audiences on a wild journey. The Batman Begins, The Prestige and Interstellar filmmaker makes movies more often than that, but a decade seems to be how long it takes to indulge his weird and wonderful side. In 2000, that led to Memento, the film that helped bring the writer/director to broader attention. In 2010, Inception and its dreams within dreams were the end result. Now, in 2020, Nolan is trifling with time and tasking BlacKkKlansman's John David Washington with trying to stop World War III, all in the trippy Tenet. Indeed, when an initial trailer for the film dropped last year, it instantly gave off big Inception vibes. Combining temporal trickery, logic-defying stunts, Michael Caine and an ominous, droning score will do that. The fact that the trailer didn't reveal much in the way of narrative detail also helped more than a little. Now, a new sneak peek has just hit after first premiering via the video game Fortnite — and it provides a bit more information. This being a Nolan flick, Tenet is certain to save its biggest surprises until it releases in cinemas; however, the new trailer does confirm that communicating with the future and reversing the flow of time are both on the agenda. Yes, that paints a very intriguing picture, with the new footage combining fresh clips with a few sights already seen in original trailer. Washington plays a spy, partnered with Robert Pattinson, who is trying to stave off something worse than a nuclear holocaust. To do so, he "journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time", according to the film's official synopsis. That means inversion — not time travel, as he makes plain in the new footage. Tenet also features Australian actor Elizabeth Debicki (Widows), Harry Potter's Clémence Poésy, Aaron Taylor-Johnson (Avengers: Age of Ultron), Himesh Patel (Yesterday), Martin Donovan (Ant-Man) and Kenneth Branagh — with the latter also starring in Nolan's last film, the World War II epic Dunkirk. And as for when you're likely to see the filmmaker's 11th feature, it's currently now slated for a mid-August release — a change from its initial mid-July release, which was listed in the text beneath the new trailer on YouTube. It's interesting to note that the trailer itself doesn't include a release date, however. The film has been heralded as the big blockbuster that'll help reopen cinemas after their COVID-19 shutdown, but whether that'll happen is yet to be seen — and will depend upon the status not just of cinemas Down Under but around the world, and especially whether theatres have opened en masse in the US (including in major markets such as New York and Los Angeles). Check out the latest Tenet trailer below: https://www.youtube.com/watch?v=L3pk_TBkihU Tenet is slated to release in Australian cinemas on August 13, 2020. We'll update you if that changes again. Top images: Copyright: © 2020 Warner Bros. Entertainment Inc. All Rights Reserved. Courtesy of Warner Bros. Pictures
When you're heading to a bar for a drink or several, your beverage of choice shouldn't be the only drawcard. No matter what you're sipping, you should be enjoying the space around you — and if tracking it down is part of the fun, then you usually know you're in for a standout night. Before you enter Savile Row, you'll need to find the orange door on Ann Street. Then, once you're inside and through the curtains, drinking cocktails beneath a dazzling chandelier awaits. You'll also get comfortable on cosy booth seating, which works for both small and larger groups; soak in the laidback mood, no matter which night of the week it is; and peer at plenty of bottles of spirits for eye candy. This watering hole boasts more than a thousand varieties of the hard stuff on its shelves, so it isn't hard to get your tipple of choice. A sibling venue to West End's Cobbler, the Fortitude Valley favourite loves a cocktail. Or, you could choose from the rotating wine list, a range of sherries and amaro, and draught beer. Images: Millie Tang.
In Osaka and Hollywood, it's now possible to live out your wildest Super Mario Bros dreams, all thanks to Super Nintendo theme parks that look like the plumber-filled games come to life — and even include IRL Mario Kart. Without heading out of Australia, you can also slip into pop culture's favourite speedy vehicles, albeit just for a few days at 2023's Formula 1 Australian Grand Prix in Melbourne. With The Super Mario Bros Movie about to hit cinemas, the flick has teamed up with the racing event to display a life-sized — and very real — Mario Kart in the F1's family zone. That area is named after the film, too, so setting up the only actual Mario Kart in the country was always going to be as pivotal as avoiding banana peels on any track. We believe that Mario said it best: let's go! [caption id="attachment_895402" align="alignnone" width="1920"] Mario Kart at the Grand Prix Albert Park Melbourne. Wednesday, March 29, 2023.[/caption] On display from Thursday, March 30–Sunday, April 2, ready for Mario Kart lovers to sit in and take snaps in aplenty, the vehicle does come with one big caveat: it doesn't race. So, you won't be putting pedal to the metal while you're in it. And no, there's no rainbow road to slide along. But everyone who has ever played the racing game in its many guises — on the many various Nintendo devices that the game has popped up on over the years, not to mention Google Maps, mobile phones and reality elsewhere — is well-versed at pretending. The retro-fitted kart is for kidults and kids alike, and part of the Albert Park Grand Prix Circuit's feast of family-friendly activities alongside a ferris wheel, bungee trampolines, Assistance Dogs Australia's puppy races and pooch belly rubs, and an AFL Auskick clinic. Live tunes, food trucks and screens showing the F1 action are also on offer within the precinct. [caption id="attachment_895404" align="alignnone" width="1920"] Mario Kart at the Grand Prix Albert Park Melbourne. Wednesday, March 29, 2023.[/caption] The Super Mario Bros Movie Family Zone is ticketed, and scoring a park pass is recommended as the best way to head along. If you choose to wear overalls, or don a red or green cap, that's entirely up to you As for The Super Mario Bros Movie itself, it hits cinemas on Wednesday, April 5. Chris Pratt (The Guardians of the Galaxy Holiday Special) voices the Italian plumber, Jack Black (Apollo 10 1/2: A Space Age Childhood) does the same with Bowser, while Charlie Day (It's Always Sunny in Philadelphia) plays Luigi — alongside Anya Taylor-Joy (The Menu) as Princess Peach (Anya Taylor-Joy, The Menu), Seth Rogen (The Fabelmans) as Donkey Kong, Keegan- Michael Key (Wendell & Wild) as Toad, plus Fred Armisen (Wednesday) as Cranky Kong. Check out the trailer for The Super Mario Bros Movie below: Find the IRL Mario Kart at the Formula 1 Australian Grand Prix in Melbourne, in The Super Mario Bros Movie Family Zone, from Thursday, March 30–Sunday, April 2. Top image: © 2023 Nintendo and Universal Studios.
A quarter-century ago, Christmas changed forever. Sure, the end of the year was filled with plenty of festive cheer before Mariah Carey released 'All I Want for Christmas Is You' — but since 1994, that upbeat ditty has become everyone's go-to seasonal soundtrack. Just last year, in fact, the track topped the US charts. It didn't even achieve that feat back when it was initially released, making it the song that has taken the longest journey ever to the top spot. Carey has re-recorded 'All I Want for Christmas Is You' several times, and it just keeps spreading its festive melody. Yes, we know you now have it stuck in your head just from thinking about it. The singer has several holiday albums to her name, too, which keep prolonging the song's longevity. And if that's all 100 percent okay with you, you'll be particularly excited about her next Christmas-themed project. Sometime before this chaotic year is out, Apple TV+ will release Mariah Carey's Magical Christmas Special — aka the star-studded festive show you didn't know you always wanted until now. Just when it'll head to your streaming queue hasn't been announced but, if that's all you want from the rest of 2020, expect it in the lead up to Christmas (obviously). In its efforts to help salvage the trainwreck that is the past 12 months, Mariah Carey's Magical Christmas Special will feature Carey, of course, alongside a star-studded lineup of other guests. Apple TV+ isn't revealing too much there either — other than the fact it'll be co-directed and executive produced by A Very Murray Christmas alumnus Roman Coppola — but apparently the special "will combine music, dancing and animation driven by a universally heartwarming story that brings the world together". It's Apple TV+'s latest big-name project — with Sofia Coppola's new Bill Murray-starring movie On the Rocks also headed to the service later this year, and its recent live documentary Beastie Boys Story earning a couple of Emmy nominations. And because we already know you're humming it to yourself, you can check out the music video for 'All I Want for Christmas Is You' below: https://www.youtube.com/watch?v=yXQViqx6GMY Mariah Carey's Magical Christmas Special will hit Apple TV+ sometime later this year — we'll update you with an exact date when one is announced.
Talk about a show that delivered on its promise the first time around: when a fresh-from-Russian Doll Natasha Lyonne teamed up with Knives Out and Glass Onion: A Knives Out Mystery filmmaker Rian Johnson on a whodunnit-of-the-week TV series, Poker Face did indeed prove a delight. A second season was quickly greenlit, in fact, and now it's on its way to your streaming queue. The sleuthing gem has also just dropped its full season two trailer. While the combination of Lyonne (Fantasmas) and Johnson was always set to be an ace, Poker Face gave the detective setup a particular spin. Protagonist Charlie Cale has a handy gift: being able to tell when someone is lying. In each weekly episode, she then worked her way through resolving a different crime, all while on the road in a Plymouth Barracuda. Then and soon, when season two kicks off on Thursday, May 8, 2025 Down Under — where it streams via Stan in Australia and TVNZ+ in New Zealand — Lyonne also has a heap of other well-known faces for company. Where season one boasted The Brutalist Oscar-winner Adrien Brody, to name just one high-profile figure, season two will feature fellow 2025 nominee Cynthia Erivo (Wicked) in multiple roles. If you're a fan of John Mulaney's wonderful Everybody's Live talk show, rejoice: not only Mulaney but also Richard Kind (Mid-Century Modern) are guest starring in Poker Face season two. From there, this season's roster also includes John Cho (AfrAId), Melanie Lynskey (Yellowjackets), Katie Holmes (Rare Objects), Awkwafina (Black Mirror) and Giancarlo Esposito (The Residence), as well as Alia Shawkat (Severance), BJ Novak (Lessons in Chemistry), Carol Kane (Between the Temples), Corey Hawkins (The Piano Lesson), Saturday Night Live pair Ego Nwodim (Mr Throwback) and Ben Marshall (Please Don't Destroy: The Treasure of Foggy Mountain), Sam Richardson (It's Florida, Man) and Margo Martindale (The Sticky). Then there's Cliff 'Method Man' Smith (Power Book II: Ghost), Haley Joel Osment (Blink Twice), Justin Theroux (Running Point), Kathrine Narducci (The Alto Knights), Kevin Corrigan (Deli Boys), Kumail Nanjiani (Only Murders in the Building), Patti Harrison (The Electric State), Sherry Cola (Nobody Wants This), Gaby Hoffmann (Zero Day), Simon Rex (Red Rocket) and more. As well as the stellar lead turn from Lyonne and the show's smart writing, part of the fun of Poker Face stems from seeing how the series weaves in such a dream supporting lineup. The above list follow in the footsteps of The Menu's Hong Chau and Judith Light, Lil Rel Howery (Deep Water), Danielle MacDonald (The Last Anniversary), Chloë Sevigny (Bones and All), Ron Perlman (Nightmare Alley), Joseph Gordon-Levitt (Pinocchio), Ellen Barkin (Animal Kingdom), Nick Nolte (The Mandalorian), Cherry Jones (Succession), Jameela Jamil (She-Hulk: Attorney at Law) and Stephanie Hsu (Everything Everywhere All At Once) in season one. And yes, you'll have two chances to get a mystery fix from Johnson in 2025, given that Wake Up Dead Man, the third Knives Out movie, is also on its way this year. It too boasts another stacked cast, this time surrounding Daniel Craig (Queer) with Josh O'Connor (Challengers), Glenn Close (Back in Action), Josh Brolin (Outer Range), Mila Kunis (Goodrich), Jeremy Renner (Mayor of Kingstown), Kerry Washington (The Six Triple Eight), Andrew Scott (Ripley), Cailee Spaeny (Civil War), Daryl McCormack (Bad Sisters) and Thomas Haden Church (Twisted Metal). Check out the full trailer for Poker Face season two below: Poker Face season two streams from Thursday, May 8, 2025 via Stan in Australia and TVNZ+ in New Zealand. Read our review of season one. Images: Sarah Shatz/PEACOCK.
Much that Jimmy Barnes has uttered, sang and screamed is immortalised in Australian history. His discography, both as the lead singer of Cold Chisel and as a solo artist — and via his many collaborations — has echoed across the nation and soundtracked this sunburnt country since 1973. "Oh, my soul" now ranks up there. Those were the three words that he exclaimed to Triple J announcers Zan Rowe and Lucy Smith when he heard live on air that 'Flame Trees' had come in at number seven in the first-ever Hottest 100 of Australian Songs — a chat that he was doing because 'Khe Sanh' had just placed eighth. Australia demonstrated their appreciation for Barnesy's contribution to local music with their votes, including for 'Working Class Man' at number 56, and he clearly, audibly, emotionally appreciated that love in turn. "We've had a lot of awards and all that sort of stuff, and big claims to fame over the years, and we've always been a bit 'nah, you can't say this is the best song ever', because everybody has their own taste," Barnes tells Concrete Playground. "But for me, the best thing about that top 100, the top 200 even, was the fact that a radio station — which Cold Chisel literally helped start, we were playing when they were Double J, Live at the Wireless, when it was a scrambling little station, we helped get them set up — but there's a station that's become our national carrier, that is the only really, truly national radio station for kids in this country. And there's times when I listen to it and I go 'I don't get it. I don't really get what you're playing here', but they're the only station that still plays a load of Australian music. And the fact that on that day they celebrated Australian music and played 100 Australian songs, which were a collection of songs that had moved and affected the punters in this country — just to be a part of that was a good thing for me, and to be a part of that group of songs." Barnes himself joined in with selecting his favourites, entering his picks in the poll. "There's a lot of great songs in this country. I voted for 'Eagle Rock' myself," he advises. He's passionate about shining the spotlight on Aussie tunes — "it's very cool. And the thought that they were celebrating Australian music was the best thing ever. That was the best part about it. I think they should do it more often," he offers — and also equally as enthusiastic about the fellow local acts that earned a place in the countdown. "You look at that that top five or whatever it was, whether it's INXS' 'Never Tear Us Apart' — I think that besides it being a great song and beautiful film clips and all that, we have that loss, that sad loss of Michael [Hutchence], who was such a dear soul and just a magnetic frontman. The band were just unique the way they played, and they couldn't play it like that without Michael. So there's a tragedy to it," Barnes continues. He collaborated with INXS on 1986 single 'Good Times', which featured on The Lost Boys soundtrack. "You have The Veronicas, who are these little intense pop girls who are just incredible," Barnes says. "They were all from different worlds. There was all sorts of stuff. There was Kylie. There was all sorts of stuff in the top 20, it was so eclectic and so mixed that I just thought 'I'm glad to be a part of that group of songs, doesn't matter where I am in the chart as long as we're in amongst it all, then it's a good thing'. There were acts with more songs than us, but it wasn't that sort of competition. It was just great. I'm listening to the top 100 and I hear Jet come on with 'Are You Gonna Be My Girl' and I go 'what a great song. Jesus, who wrote that? That's really cool'." [caption id="attachment_1018404" align="alignnone" width="1920"] Sam Tabone/Getty Images[/caption] Long before the country spent a day revelling in the best 100 Aussie tunes — and a week afterwards enjoying the next 100, too — Barnes was already in deeply reflective mode. Almost a decade ago, in 2016, he released his first memoir Working Class Boy, which saw the rocker lay bare his traumatic childhood. Focusing on his adult years, Working Class Man as a book hit shelves the following year. 2018 then brought Working Class Boy to cinemas as documentary, premiering at the Melbourne International Film Festival. Now, seven years later, Working Class Man is also a film and also debuting at MIFF. Between the page and the screen, Barnes has taken his excavation of his upbringing, life and career to the stage as well. Australians have been embracing Barnes on every step on this journey. In their printed guises, Working Class Boy and Working Class Man both became bestsellers, and each also won the Australian Book Industry Award for Biography of the Year. Crowds flocked to see Barnes talk about his experiences live. Viewers did the same with the first doco, which notched up a spectacular array of feats at the time. It played on the largest amount of screens, 220, for an Aussie doco; took over $500,000 in its opening weekend to top that period for a local documentary; and it scored the biggest opening for a doco in Australia since This Is It, 2009's Michael Jackson concert film. [caption id="attachment_1018405" align="alignnone" width="1920"] James Gourley/Getty Images for TV WEEK Logie Awards[/caption] As a movie, then, Jimmy Barnes: Working Class Man is a highly anticipated sequel. With Andrew Farrell (How Australia Got Its Mojo) in the director's chair after executive producing Jimmy Barnes: Working Class Boy — which veteran filmmaker Mark Joffe (Spotswood, Cosi, The Man Who Sued God) helmed — it traces the impact of a childhood of neglect, abuse and poverty upon Barnes as he became a rock star, all as it charts his time behind the microphone from joining Cold Chisel onwards. In the film and in conversation chatting about it alike, the man who'll also be forever known as the voice of 'Breakfast at Sweethearts', 'Choirgirl', 'Cheap Wine', 'You've Got Nothing I Want', 'Saturday Night', 'No Second Prize' and so much more is candid as well as relaxed, even about the darker days that he's been unpacking in his memoirs and their documentary adaptations. "All that stuff was pretty raw and fairly emotional, but because I've been through writing the book and obviously the process of, I guess, detraumatising myself from it all over the few years after that, and then going through the Working Class Man spoken-word tour, which we based this doco on, it gave me time to process it all," Barnes notes. "So there's stuff there that every time I look at it, I go 'ouch, I wish I could have not done that', but I've learned to live with everything I've done." [caption id="attachment_1018401" align="alignnone" width="1920"] Daniel Boud[/caption] Of Jimmy Barnes: Working Class Man, he says "they've done a fabulous job". Of Farrell: "we've known each other for a long time and I trusted him completely with it". That act of reflecting the past has also been driving some of Barnes' live tours, with Cold Chisel taking to the stage around the country to mark their 50th anniversary in 2024, and the 40th anniversary of 'Working Class Man', the song — and album For the Working Class Man that it's on as well — the reason for his next tour in November 2025. Barnes is currently as prolific as ever: alongside the new documentary and the two tours mentioned above, he opened the 2025 Logies, June was all about his Defiant tour, he's released seven albums in the past decade as well as six books so far, and has his second recipe book with his wife Jane, Seasons Where the River Bends, hitting stores in October. From whether he had any inkling that his memoirs would strike such a chord, their leaps to the screen and how he feels about his part in inspiring men to be emotionally open in a way that isn't usually part of Aussie masculinity, through to everything in his life being a family affair, boasting a catalogue of songs that's engrained in Australia's identity and his career longevity, we also spoke with the icon who'll always be known as Barnesy about plenty more. On Whether Barnes Had Any Idea of What Might Follow Working Class Boy — and the Impact That It Has Had Personally "No, not really. But I did get a feeling pretty soon after I wrote it — it was so liberating to sit and write the book. It was something, at the time, doing it was very painful. And every day I wrote — this is the first book — every day I wrote, it would open up a new can of worms that I had to deal with. And there was obviously a lot with childhood trauma. There's a lot of stuff you just block out, and you forget details and all that sort of stuff. And so I'd be writing it and then I'd remember all the stuff that I hadn't thought about for 50 years, 40 years or whatever. And it'd come back to me, and I'd have to process it and deal with it. So the during the process of it, it was sort of a heavy time, a heavy burden on my shoulders. But every day I'd end up and I'd feel like something has been lifted off. And most days I'd finish writing, and I'd ring up my therapist and talk to him about stuff, and then he'd put more weight back on my shoulders and tell me more things to look for. [caption id="attachment_1018398" align="alignnone" width="1920"] Jess Lizotte[/caption] So the process of doing that, it was dark and hard to deal with, but it was also enlightening at the same time. And so by the time I'd finished the book, I just felt that I'd learnt a process, a way to process the past and my childhood, without having to sit and actually not physically allow it to overwhelm me. I could do it and walk away from it and process it a bit and breathe, and come back and then write again. And every time it got too overwhelming, I could stop. So I learned how to process — and that went along with a lot of help that I got from various psychotherapists and rehabs and all that sort of stuff. I had enough tools to be able deal with it. So I really enjoyed it. In the end, I really enjoyed the process of writing. And that made me just think — I'd sort of half-written Working Class Man while I was writing the other one. The thing was, the publishers and everybody that was on the commercial side of the book was really wanting the rock 'n' roll, sex, drugs and rock 'n' roll story. And I'm going 'I think this is much more important for me to write, that I write the first one first'. And so when I did it, I wasn't going to sit down and write about sex, drugs and rock 'n' roll, and brag about being wild and all that sort of stuff — because a lot of that stuff, it just is what it was, but a lot of it was as painful as when I was a child. And by the time I finished writing the first book, I realised that my behaviour as an adult, which I obviously, as I say in the book and on the show, I take full responsibility for, but it was heavily influenced by that trauma and that stuff that I just dealt with in the book previously. So it gave me an opportunity to to look at not only the mistakes my parents made and the mistakes that we made as children, how we were brought up and all that sort of stuff, but also how that affected me and how I moved on as an adult, and how the impact of childhood trauma kept knocking on the door — it kept, every time I'd get over one thing, something else would reveal itself until it became so entwined with addiction. And you turn into the parents, and I ended up with the same problems as they had, because I hadn't really — before I'd gotten that heavily into alcohol and drugs and that, I hadn't dealt with any of this stuff. So it was interesting. It was a really good process. [caption id="attachment_1018397" align="alignnone" width="1920"] Jess Lizotte[/caption] And the other thing I liked about it was I could sit sitting down after spending years of singing, going out on stage and literally reaching out to people and going 'look at me, look at me, look at me', I could sit — writing books I'm sitting at a desk and just going back into my mind. It gave me a lot of freedom to, like I said, to not cherry pick but go in and look at things and get out of there before it was too heavy. And it allowed me to do the same with my imagination. When I started writing fiction or more towards fiction, I just found it was really enjoyable. I could sit in my own head and just disappear into my own worlds there. So writing that first book has opened up this whole new, not career, but a new chapter in my life — no pun intended — that I really enjoy. I can still go out and make music and feel that emotional response with people, or I can just bury myself in my own head and dig out stories, which I really enjoy almost as much as singing." On What It Means to Barnes to Help Inspire Men to Be Emotionally Open in a Way That Isn't Usually a Part of Aussie Masculinity "Well, it wasn't something that I did myself. It was the start of real growth of men. We'd all been brought up, everybody that I knew had been brought up, with 'men don't cry' and 'you've got to hold your emotions in' and 'don't you don't admit you're wrong', all that bullshit. And I think part of that was just — like when my parents, when my dad was alive, he had to be strong just to survive. He was fighting. He was a prizefighter. My grandfather was fighting bare knuckles in the alleys of Scotland so that he could feed his family, and they had to be tough. They couldn't cry. They couldn't let people know they were weak. But I could look back on them though — and now I remember how scary my grandfather was, I thought he was very scary and that whole image I built up of him was scary — but I look back at it now and I think 'he's probably the same as me, just terrified the whole time'. I know I spoke to my brother John about it — John was a dangerous guy, he was wild and he could fight like hell, and him and I spoke about it. And he said 'I only fought because I was so scared, and I had to be hypervigilant, hyperaggressive. I had to win because I didn't want to be hurt'. And I realised that they were like that. So I guess writing these books, I was never looking for blame, to blame anybody, but in the process of writing them, there were times where I was really angry with my parents and angry with my family and all that sort of stuff. And in the process of the first book, I got angry. With the second book, I realised that I fell into the same patterns and I fell into the same traps, and I was trying the best I possibly could but it just wasn't good. And so I learned about forgiveness for my parents in the process of writing those first two memoirs." [caption id="attachment_1018406" align="alignnone" width="1920"] Sam Tabone/Getty Images[/caption] On Sharing Barnes' Story, and the Path to Working Class Boy and Working Class Man Receiving the Documentary Treatment "I realised when I started writing Working Class Boy, in the process of writing, I realised that my story wasn't that unique to me. It was a common story that a lot of people went through. A lot of people went through the same things as me. And that was one of the reasons why I put the book out. When I was first started to write, I was thinking I'd just write and when it's all finished, I could burn it and that'd be okay. It'd have done its job. But everybody I let have a look at it went 'oh, I can relate to this. I can relate to that'. And I realised that there were people who were going to be touched or see themselves in it, and maybe get a window of hope from it. And so I wanted to film the shows — and one of the reasons I wanted to film the shows was because every night, when I go up and talk about all the stuff that I had written, something else would reveal itself to me. I'd be up there talking about my mum being angry and storming around and dragging us through the streets and stuff, and then I go 'oh geez, I remember this now'. I'd remember something else that she did. There was a point where I remembered, I realised that as scary as my mum was, and as wild and all that sort of stuff, and she neglected us, but actually I realised that the only time I ever felt safe was when she held me in her arms, when I was a baby, when I young. And I realised that and I thought 'oh, man, all of this stuff, I've just kept thinking all the bad stuff. You've got to remember the good stuff, too'. So things would reveal themselves as I wrote them. And I thought — and doing the stories, more would reveal, more detail, I'd think of more things. There's times when I'd be telling the stories — so it's sort of half-rehearsed, but I got pretty good at it after the first ten shows or so — and then suddenly I'd be telling the story and all this new stuff information would come to me. And so it was really, I wanted to film the shows then, because I wanted to see how far that went and see if it could — I didn't know how, if it was going to be a documentary or a movie or what we were going to do with it, it was more to have in case I needed it as another tool to deal with my own shit." [caption id="attachment_1018399" align="alignnone" width="1920"] Jess Lizotte[/caption] On Ensuring That the Documentaries Were Always the Films That Barnes Was Comfortable With — Including No Dramatisations "Mark was a dear friend of mine, and I love Mark's work as a filmmaker, anyway. I've known him for a long time. And one of the deals we did when he said he wanted to make it, one of the deals we made was that it had to be the story we wanted to tell. It wasn't going to be glamorous or dramatised — I didn't want to have people acting as us and all that sort of shit. Which you could do. And I was getting people, literally even once I started writing the book, I was already getting offers to have movies made with actors. And I'm going 'no, this is too close to the bone' and I didn't want dramatisations of it. I wanted it be real. And Mark was really sympathetic to that, and he made me really comfortable. He said 'we're only going to reveal and open up things, wounds, that you think you need to or you think you can learn from or you think that need to be told to tell the story'. So he was very close to me about it. And Andrew was actually, as a producer, was involved working with Mark all the time on that. The first one, I was 'hmm, I don't know if I want to put this out', and then the book seemed to really connect with a lot of people. So that was really a good outcome for me and allowed me to let even more of that stuff go. The second one, I just figured that because everybody had watched me growing up in public onstage, I thought because a lot of those people had read the first book, they would want to see how that affected me — and what effect that had for the good and the bad. I wouldn't have been the wild rock 'n' roll singer I was had I not been brought up that way. Everything about being abused and unwanted and poor, and the violence and the alcohol in the house all the time, everything that happened to me made me the perfect melting pot to make me a rock 'n' roll singer. [caption id="attachment_1018403" align="alignnone" width="1920"] Daniel Boud[/caption] I got there and all I wanted — even before I was in bands — all I wanted to do was for people to like me so I felt safe. And what better way for people to like you than to make the whole bloody country like you? I get up on stage and people go 'yeah, Jimmy, you're okay' — and I go 'yeah, I'm all right'. I'd be falling apart, but it would make me feel safe. And as a traumatised child, to get people to like you they had to look at you. So I'm on stage going 'look at me. Look at me. Look, I can do this — like a monkey, I can do tricks'. And so I wanted people to see what I worked out was actually going on behind the pictures, behind the story that that we all knew that and that I'd created really as far as just being a rock 'n' roll singer. And I wanted to prove that as bad as all that upbringing was, you've got to be thankful for who you are. If you can learn from it and grow from it, then you can learn to be thankful for all the gifts that were given to you in amongst all that shit — and it doesn't seem that bad anymore." On Working Class Man Being a Family Affair, Like Everything in Barnes' Life "They were always there — all the way through my life, my grown life, Jane was there. And she was just waiting for me and she was trying to keep me in the straight and narrow. And at times I drove her into the wild side with me, and there were times where it got out of control, but she was always just trying to keep things and be there for me as long as she could. I think as much healing as I got from writing the first two books, I think the family got it, too. So as soon as I started to get myself together and started to deal with this, my family blossomed. They've always been very supportive. Always there. The kids were always singing with me. I used to take the kids on tour with me all the time, and Jane on tour with me — we'd get teachers and tutors and nannies and stuff to bring them on the road, so we wouldn't be apart, because I was just afraid I was always going to lose them. And as that changed and I started to become a better human being, started to understand my own life, I wanted them there for much better reasons: to share the joy of it with me. And so they went from going — they were always there, but the reasons for them being there and what they were getting from being there changed dramatically. And so, in the end — because my kids naturally grew up and went into music, and Jane became a musician and a singer as well, but they learned that it was all about the joy, and not about the running and the hiding. And it wasn't just about the wildness and about bravado; it was about growing up and baring your soul to people, and making a connection with someone and walking away feeling like you belong. And for me, for my children, for Ruby [Rodgers, who also appears in Future Council], my grandchildren, to feel that connection with an audience is, I think, it's probably one of the best gifts I could have given her in life — to feel that she can connect to people and connect with her own soul. When she started singing, she's done her first record, and it was nothing like any of us singing. It's just really sweet and beautiful. But we weren't all pushing her and telling her what to do. She just did it on her own. And she's found his voice, and she's found this direction that she wants to sing and the way she wants to communicate, which is really beautiful. But it was just because she was allowed, nurtured and it was encouraged that she find her own voice. And I think that's one of the great gifts that we've been able to share in this family. And so they're all a part of this film, because they're all a part of my life and our lives are so entwined. Sometimes, for a while it was unhealthy, but now I think it's very healthy. I used to want Jane to be with me, of course because I love her, but also because I didn't ever want to lose her and I didn't want to be away and I didn't want to forget about her. Now it's just because I just adore her and we just want to be together all the time. So the reasons sorted themselves out. And I realise that being together even through the adversity, there was times where it was probably more dangerous than doing good, but it also helped keep us together." On How Barnes' Period of Reflection Has Inspired New Projects "For a start, being healthier and straight and focused, I just have so much time. I'm hyperactive anyway, but obviously when I was medicating myself and drinking myself to a standstill all the time, it was hard to pick myself up to just even sing. Nowadays, I'm so healthy. I was up at 7am this morning swimming laps. But I feel so healthy and so good. I just wake up and go 'right, what am I going to do now?'. And I've got the cookbook coming out this October. I've written two kids books in the last few months for a couple of my grandkids, in at the publishers now. I've started writing more short stories. I've also started, last year or the year before, I started writing a novel, which I'm in the process of rewriting that. I've got new songs that I've written for the next record. I have to slow down because you really can't put three records in a year. People will go really crazy. But I'm just enjoying having the time and the energy to focus and do things that are creative and that are inspiring." [caption id="attachment_1018402" align="alignnone" width="1920"] Daniel Boud[/caption] On Making Music That's Built Into Australia's Identity "I think we're very lucky that we're a pretty real working-class band, really. It's a mixed bag actually, like Steve [Prestwich] and myself and Ian [Moss] — Ian comes from Alice Springs, he's a country boy; Phil [Small] was sort of middle working class; Steve and I were real working-class families. Don [Walker] was sort of the outsider. His family were writers and are writers, and were really beautiful writers. But Don wrote, he was a voyeur a bit, of life. And he looked at life and the lives that we had and wrote songs about them. So I was lucky enough and we were lucky enough as a band that we wrote songs, that he was writing, that were influenced by us and influenced by what he's seeing around him. And those songs were so good they've connected with people. Our songs aren't about driving in your limousines or whatever. They were songs that were real earthy, and people connected to them. And I found songs like that, songs like 'Khe Sanh', songs like 'Flame Trees' — I could go on, there's a list of them all the way through. 'One Long Day'. Songs about people who just work in an office trying to get through the week, so they can have a nice time of the weekend with their girl or something. Those songs connected with people. And over the years, the songs have become part of people's lives. We've been around for 50 years. We never changed. Cold Chisel was always a band, and same with me, people can walk up and say hello to you. We don't have security. For a while I had security, because it was to keep me from people, because I was too wild. But Cold Chisel have always been approachable. They're always a meat-and-potatoes band. We're like the people we play for. And I think that made us connect with, that band, with those people. And the songs are just — sometimes it really it brings tears to my eyes, because people come up and say 'I buried my father to your songs', 'I danced at my wedding to 'Flame Trees'', 'I danced at my bar mitzvah', whatever it was. All these different things and people, these songs were part of their lives, and that's something that we don't take for granted. That's something that anytime we start to get a bit uppity, we remember this is why we play — to be connected to this society, to the people that we love so closely. And I think a lot of that has to do with the quality of songs." On Barnes' Longevity, Including His Current Prolific Period "I think it's a real blessing. I think one of the reasons why that happens is, as much as Cold Chisel went away for a while, we always all worked. We always stayed connected to our audience, to the music we love. And one of the things I tell young musicians is just 'keep doing it because you love it. Some things are going to be successful, some things aren't. And if you just keep doing them, people connect, come and go'. And I feel, we've made maybe 50 records or something, or something more, and they've not all connected. But some of the ones that haven't connected are really special to me. So if you make music for the right reasons, and you put your heart into it and you put your soul into it, and you're committed, people connect with you and I think you'll always have a career. And the thing is, I'll always have a career because I'll sing till the day I die. Whether I'm selling records or not is another story, but that's what brings me joy, is singing." Jimmy Barnes: Working Class Man screens at the 2025 Melbourne International Film Festival. MIFF 2025 runs from Thursday, August 7–Sunday, August 24 at a variety of venues around Melbourne; from Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24 in regional Victoria; and online nationwide from Friday, August 15–Sunday, August 31. For further details, visit the MIFF website.
When you're playing tourist in a city, be it your own or somewhere far from home, there are two tried-and-tested ways to get a great glimpse at your surroundings. If you're fine with heights, head up. If you're comfortable with hitting the water, get cruising. A new Sky Deck is on its way to Brisbane to help with the first option — and, with the second, so is the return of glamorous floating venue Seadeck. This three-level vessel is no stranger to joining the Queensland capital's list of things to do near, around, in or on its very own river, but it hasn't made its way to Brisbane for six years. That drought is being broken from Saturday, August 10, when Seadeck will start doing both brunch and sunset cruises on weekends. Then, come Brisbane Festival time for 2024, it'll become the fest's Art Boat for this year. It's actually thanks to that Bris Fest berth that Seadeck is making a comeback until the end of September, after the event was keen for fellow floating venue Oasis to do the honours for its on-the-water art experience. With Dave Auld, Managing Partner for both vessels, organisers came to the conclusion that 42-metre Seadeck with its two bars, loungers aplenty and retractable awning would be a better fit, however. "I'm thrilled about the opportunity to bring Seadeck to Brisbane and collaborate with the Brisbane Festival. This partnership not only allows us to contribute to the community but also strengthens our future relationships here. I can't wait to see Seadeck hosting exceptional events, adding to the vibrant Brisbane scene," explains Auld. "Having both Seadeck and Oasis on the Brisbane River is incredibly exciting, especially with the 2032 Olympics on the horizon. We envision our vessels becoming regular fixtures on the river, allowing guests to experience Brisbane from a whole new perspective" Sydney's first permanent floating venue, Seadeck initially debuted in the Harbour City in October 2016, then made trips to Brisbane in both 2017 and 2018. When it launched, it was designed to be the epitome of handcrafted luxury — from the handmade tiles and custom-designed brass bar to the bespoke furniture from every corner of the glove, everything you see was tailored for floating. Each of the three decks is connected by sweeping staircases and cast iron lace railings, an homage to Hollywood's golden age of the 1920s, 1930s and 1940s. Yes, the word "swank" should come to mind. For its third stint in the River City, Seadeck is doing both brunch and sunset cruises each Saturday and Sunday between August 10–25. At the first, which costs $150 per person, you'll tuck into canapes over beer, wine and bubbles — plus either a bloody mary or a mimosa to start — while scoping out the city. At the second, you'll pay for what you want to eat and drink on top of your $30 ticket. Brisbane Festival's Art Boat runs between Thursday–Sunday from Friday, August 30–Saturday, September 21. Seadeck starts sailing the Brisbane River for 2024 from Saturday, August 10, 2024, departing from South Bank Pontoon B, and becomes Brisbane Festival's Art Boat between Thursday–Sunday from Friday, August 30–Saturday, September 21. Head to the vessel's website for more details.
After a night of festivities there's nothing worse than waking up to an abode with chip-trodden carpet, questionable wall smears and a never-ending sea of empties ultimately destined to inhabit your (and your neighbour's) rubbish bins for the weeks following. Such a scene is what initiated Morning-After Maids, a new Auckland startup set to take the hassle out of the weekend clean-up by delivering "an exceptional 'post-party' cleaning service". As well as the lesson in hygiene, the maids will go the extra mile by cooking up a quintessential fresh breakfast too. They have two menus available: one clean and one greasy. The blessed hangover angels also offer fast food runs, coffee, chocolate milk and all those little extras you always wish you'd thought of stocking up on the night before (blue Powerade, fried chicken, Panadol, etc.). The service is only available in Auckland at the moment, and seems like a more niche version of Airtasker or Sydney's Whizz. Their prices seem ridiculously cheap, with two cleaners costing just $30 per hour along with a mileage fee. Do note that you'll have to shell out $10 extra for every pile of vomit they have to deal with, and if you need an emergency clean up, it'll be $50 on top of other cleaning charges. Also, their price list mentions they can provide puppy cuddles free of charge. Puppies.
It's the Swedish structure that's reimagining social spaces, and its about to take its unconventional meeting place abroad. Earlier this year, Stockholm-based artist duo Bigert and Bergström revealed the 'Solar Egg', a modal, stainless golden steel, reflective, egg-shaped sauna with a heart-shaped wood burning stove, as based in the town of Kiruna. Now, they're bringing it to Paris. The Solar Egg will bring the Kiruna-style sauna experience to the French city's Swedish Institute across November 25 and 26, and December 2, 3, 9 and 10. Visitors are encouraged to don their swimmers, stand next to the fire and pretend they're somewhere snowier — and wear designer dressing gowns while they're touring the installation. As far as interactive art pieces go, it's both acutely beautiful and functional, with stainless golden mirror sheeting reflecting the surrounding scenery. Inside, the sauna's interior is made of pine wood panelling and decks, and aspen benches, with an iron and stone stove in the centre. Temperature varies between 75 and 85 degrees Celsius in the egg. The striking structure was originally commissioned by Swedish economic and real estate association Riksbyggen as a "social sculpture", according to the artists, providing a communal space for the residents of Kiruna to discuss their town's problems. And, they have a lot to talk about while enjoying a sauna together. Kiruna is Sweden's northernmost village, with a population of just under 20,000. In 2003, they realised that due to adjacent iron ore mining activity (activity which provides thousands of jobs for locals), the ground beneath the town was becoming unstable. The solution? Move the whole town three kilometres away. The relocation has been underway ever since and will continue to trudge along, piece by piece, for many more decades supported by the government and the mining company responsible. Like town, like golden egg — which can also obviously be disassembled and relocated. Alas, anyone hoping to see the Solar Egg pop up elsewhere will find themselves disappointed, with the installation due to return to Kiruna after its Paris stint. By Imogen Baker and Sarah Ward. Images: Riksbyggen and Futurniture.
Head south of Sydney or north of Victoria and you're sure to find quaint towns complete with awe-inspiring national parks and world-class wineries. The NSW south coast and southern highlands provide just this, plus an idyllic mix of rolling hillsides and romantic beachside homes perfect for you and your partner's next getaway. If you're looking to get out of the big city, there is an abundance of secluded stays scattered across southern NSW ready to serve as your landing pad to unwind and explore some of the most beautiful landscapes the state has to offer. We've done the hard work for you and found these one-bedroom (or more — in case you wanted to bring your favourite couple, too) cabins, lakeside stays and bushland cottages so that you can live out all your rom-com fantasies surrounded by rustling trees and ocean breezes. Recommended reads: The Best Places to Go Glamping in NSW The Best Tiny Houses You Can Book Around NSW The Best Hotels in Sydney The Best Places to Stay in the Blue Mountains The Bower, Mount Kembla This two-story bungalow allows you to live among the trees for the period of your stay. Just fifteen minutes outside Wollongong, you can experience the slow-moving small-town lifestyle with the nearby comforts of the city. From $350 a night, sleeps five. Bawley Point Cottage, Bawley Point Combining the best of both worlds, this south coast stay is part bushy cottage, part beach house. You can use the provided kayaks and head on an action-packed trip or just sit and read among the trees. From $220 a night, sleeps four. Soul Wood, Termeil Wake up to views of the bushland from this wooden tiny house. The dreamy outdoor bathtub is surrounded by tall native trees that will have you feeling completely immersed in the natural surroundings. From $300 a night, sleeps two. Beachfront Glamping, Bawley Point To say you're going glamping is an insult to this luxury beachfront tent. Soak up the great outdoors from the tent-style bedroom while enjoying the luxuries of a private kitchen and bathroom from the attached unit. From $320 a night, sleeps two. The Lakeside Barn, Wildes Meadow An architectural gem on the south coast, this waterfront barn was created in the 90s from the wood of old Darling Harbour wharf buildings. The barn contains a modern bathroom and kitchen, spacious living areas and a top-floor bedroom that looks out onto the lake. From $333 a night, sleeps two. Creekside Tiny House, Foxground Wake to the sounds of the gurgling creek at this modern tiny house. Located just outside of Kiama and Gerringong, the quaint stay places you nearby a variety of local hiking trails and beaches. From $298 a night, sleeps two. Studio Barn, Nowra This transformed barn somehow packs in a spacious living and kitchen area, a bedroom, a newly fitted bathroom and a private garden out back. It's a cute and affordable spot for those looking to explore the natural wonders of Kangaroo Valley. From $300 a night, sleeps two. Fig Tree Cabin, Moruya This pet-friendly cabin welcomes all of your non-human friends with open arms. From the pugs to great danes and even horses, the property will save you paying any expensive kennel fees while on your romantic adventure. From $140 a night, sleeps two. Lyra, Kangaroo Valley Relax in style with this lush Kangaroo Valley house, overlooking the Barrengarry Mountain range. The house is built from locally sourced timber and rocks and is flooded with light thanks to the large front windows and glass roof panels, bringing as much of the surrounding rainforest into your stay as possible. From $690 a night, sleeps six. Buru, Pebbly Beach Buru is more of a group couples retreat than a solo getaway — so find a couple of other lovebirds and book out this stunning, secluded stay. The renovated 1960s house backs onto a idyllic white sand beach and contains both an indoor and outdoor fireplaces perfect for cosy nights after a day of swimming, surfing and exploring. From $1164 a night, sleeps eight. New Atlas, Meroo Meadow Gaze out onto Cambewarra Mountain from the back porch of this bright beachy home just outside of Berry and less than 20 minutes drive from Seven Mile Beach. From $309 a night, sleeps four. The Old Schoolhouse, Milton This sun-drenched one bedroom loft sits on farm land just a couple minutes outside of the rural town of Milton. Sip coffee from the balcony overlooking the farm or pay a little extra and take your relaxation up a notch by sending a masseuse to the loft thanks to the accommodation's Indulgence Package. From $316 a night, sleeps two. The Lazy Curl, Woodburn This minimalist cabin will provide you with a simple and serene stay in the heart of the south coast. Its eco-friendly design generates energy through solar and collects rainwater and its indoor fireplace will keep you feeling toasty even on cold winter nights. From $245 a night, sleeps four. Monga Mountain Retreat, Reidsdale Stay in Monga National Park while living out your cottage-core dreams at this lovely bushland cabin. Comfy chairs sit on a patterned rug and quaint appliances are scattered around the wood-laden kitchen. From $155 a night, sleeps two. Tawillah Luxury Retreat, Milton This countryside couples retreat has serene views of the Milton countryside and the nearby Budawang Range. Just a two minute drive from town, enjoy a seclude getaway with a beautiful deck, sun lounges and a fire pit. From $460 a night, sleeps two. All photos courtesy of Airbnb. FYI, this story includes some affiliate links. 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When one venue closes, another one usually opens. That's a unshakeable fact in the hospitality realm — in general, and also right here in Brisbane. Take the pile of containers set up on MacLachlan Street in Fortitude Valley, for instance. The site's original inhabitant, bar X Cargo, has now shut down; however, newcomer Summa House has just taken over its boozy setup. Here, you'll still find those metal boxes stacked high, grass sprawling out between them, and big beer garden vibes — all under the Brissie sun and, by night, beneath the stars as well. You'll also find fairy lights, couches, picnic tables, striped umbrellas and a giant flamingo mural. Oh, and cocktails to sip, pub-style food to tuck into and parties to dance through, too, with the latter taking over once evening hits. In total, there's also 14 event spaces — and the venue can host 1200 people. When you're not getting comfy on the ground level amid the gardens, you can literally take your hangout session up a level, and also peer at the city thanks to the venue's 360-degree vistas. If it's drinks you're after, the beverage menu spans reds, whites, sparkling, rosé, a range of beer on tap — including Balter, Byron Bay, James Squire and XXXX, and also Brookvale ginger beer — and summery-themed share jugs. There's an eight-option roster of cocktails for one, too, with names such as 'Tidal Wave' and 'Summasalt'. Bound to be a hit: Summa House's choc espresso martini. That pub grub-esque food lineup includes chicken parmigiana, beer-battered barramundi, steaks and lamb cutlets with sides like truffle mash and chat potatoes, as well as four types of burgers. For something light, there's spring rolls, tempura cauliflower, barbecue corn ribs and buffalo wings, too. And, on weekdays, you can grab a $15 lunch special, which features a choice between tacos, schnitzels, rumps and cheeseburgers (with a beer or wine costing $5 extra). X Cargo was known for its boozy weekend brunches, so Summa House is also doing its own version from 12–3pm on Saturdays and Sundays. This time, you'll get a tapas spread for two hours, and either cocktail jugs, beer and wine (for $55 per person), or menu cocktails, brews, vino and spirits (for $99). Entertainment-wise, Summa House plans to host music events year-round, leaning into Brissie's endless summer vibes (well, other than the recent cold spell). That'll include DJs spinning tunes, with Peking Duk's Reuben Styles hitting the venue on Saturday, July 16 with his side project Y.O.G.A. (You're Only Great Always) Find Summa House at 43 MacLachlan Street, Fortitude Valley — open 12pm–12am Wednesdays, Thursdays and Sundays, and 12pm–1am Friday–Saturday.
It has been more than two decades since Harry Potter and the Philosopher's Stone first brought its magic into our lives, and muggles still share one particular dream: to attend Hogwarts. Yes, it's a fictional setting. Yes, we all know that. But that still hasn't stopped all manner of places trying to make the school an enchanting reality, from HP-inspired wizarding schools to huge brunches held in Great Hall-like spaces to activewear decked out in house colours. London's Warner Brothers Studio Tour is going one step further as part of its The Making of Harry Potter exhibit: it's letting visitors try on authentic Hogwarts robes. Short of casting a spell to go back in time and star in one of the eight Harry Potter films — or somehow finding your way onto the Fantastic Beasts' set — that's as close as you're going to get to some actual Hogwarts action. The specific tour wizard obsessives will want to take is the Behind the Seams experience, which dives into the costumes created for the movie franchise — all 25,000 of them. Sketches, finished outfits and stories about their creation are all part of this wander through a workshop-like environment, with threads worn by Cedric Diggory, Professor Sprout and even Voldemort on display. That's all great and bewitching, but the main attraction is the chance to pick your house colours and pop on a robe that featured in one of the movies. We'd tell you to BYO wand, but you've probably already thought about that. Anyone finding themselves in London over the next few months can take the Behind the Seams tour between May 23 and July 22, with sessions running daily until June 2 and then every weekend afterwards. Tickets cost £65, which includes the one-hour costume frenzy — but no, you can't wear your Hogwarts garb for the whole hour, sorry — as well as the standard studio tour, complete with a walk through the Forbidden Forest and a wait on Platform 9¾. For more information, visit the Behind the Seams website.
With Richmond experiencing a bit of a rebirth in recent times, it's no wonder that cafe owners, retailers and barkeeps are zeroing in on the heightened demand for eating, drinking and shopping in the area. As a result of this renewed love for the northside suburb, we've put together a list of some of our favourites, including the newest places to have cropped up and a few of the stalwarts that make Richmond what it is today. Nutrition Bar For all those that walk along Swan Street during business hours, you would be forgiven for thinking that Richmond was home to the headquarters of every gym conglomerate the world had ever known. So, given the high amount of protein-laden, tight t-shirt wearing personal trainers in Richmond, it was no wonder Nutrition Bar honed in on this market and opened up shop. They've become the go-to Swan Street purveyors of all things containing quinoa, acai, chia seeds, kale and anything else society can find to put under the superfood umbrella. So pull up a stool, grab an acai bowl and a green smoothie, and before you know it you'll be eating cleaner than Gwyneth Paltrow. 121 Swan Street, Richmond, (03) 9995 4329, thenutritionbar.com.au Bar Economico In direct contrast to Nutrition Bar, Bar Economico is a place where getting liquored up is not only called for, but encouraged. Previously the home of Der Raum, where at one point you needed a swipe card to gain access, Bar Economico has moved in and become a far less stately affair. The ambience in this bar could be described as slum-like and disheveled, but it somehow remains inviting. With a menu that sways heavily towards the rum side of the spectrum, both pirates and bar hoppers will be equally impressed. 438 Church Street, Richmond, bareconomico.com.au Happy Kappa Run by the enigmatic, efficiency machine that is Katsu (yes, that is his name!), those who frequent Swan Street at lunchtime will know that there is no place else to get your katsu curry fix. It is rare to find a restaurant that manages to combine consistency and speed without fail, everyday, so much so that it is a common occurrence that your meal will arrive at your table before you do. It has long been said that Katsu is waiting for the day when he will need to take up his post as commander of the universe (and what a glorious universe it will be). But until then, he'll be serving up Japanese fare for the weariest of Richmond natives with a steaming hot side plate of bitterness because he knows he is above all of us. We know it too Katsu, we know it too. 4/85 Swan Street, Richmond, (03) 9428 8672 Nelson Brown Situated a little off the beaten track, 191 Swan Street is yet another charming store that manages to always have impeccably curated windows and shelves full of the best, locally crafted gifts and homewares that Melbourne has to offer. We're not entirely sure who Nelson Brown is, but he claims to be your new best friend — and from the moment you enter the store, owners Leigh and Sue will welcome you like one of theirs. Whether you're in the market for a gift for someone you barely know or are looking for the perfect multi-coloured hammock chair for your balcony, these guys have your back. 191 Swan Street, Richmond, 0437 847 746, nelsonbrown.com.au Touchwood Okay, so just in case you needed another cafe that has incredible coffee, amazing food, a great atmosphere and ridiculously attractive staff, Touchwood is the place for you. This place really needs no introduction, but if you are yet to go, make sure you add it to your list because this place ticks all the boxes. Touchwood is really the needle in the haystack that Bridge Rd was desperately looking for. They've managed to find a balance in giving customers some of the ultra-health conscious options like coconut water and dishes with 'superfoods' in them, but also whacked in things like peanut butter and jelly waffles and wagyu beef burgers. If you choose one thing from each column that cancels out the calories — right? 480 Bridge Rd, Richmond, (03) 9429 9347, touchwoodcafe.com Cheerio Being relatively new in the plethora of new places in the Swan Street precinct, Cheerio have formed a loyal following through great coffee and even better personalities. These guys are some of the friendliest faces in Richmond and are also particularly perky in the morning. When we're all stumbling to our 9-5's, these guys give us our coffee and make us feel a little happier about the world. The gypsy ham sandwich complete with bechamel sauce also deserves a mention here, as it is up there on the list of life changing sandwiches. And it'll only set you back $10 — it's really all the therapy you'll ever need! 323 Lennox Street, Richmond Hut 13 This store is really the first appearance in Richmond of what we like to call the 'Collingwood Effect': the opening of stores that stock lots of nice things that can be somewhat overpriced, but for some reason you find yourself wanting all of them anyway. Whether it be the lure of beautifully finished throw rugs made from the hair of a goat aged between 9 and 12 months or that insatiable desire for plant stands to house your myriad of succulents growing in hand painted, concrete pots, Hut 13 will have you covered. A great store for a casual peruse or buying a present for that person that is a pain to buy for, they sell rings in the form of Cheezels. If that's not something for the person that has everything, then we don't what is. 79 Swan Street , Richmond, (03) 9428 1750, facebook.com/HUT-13 Rowena Parade Corner Store Opened in 1956 and hidden away in one of the lesser-known pockets of Richmond, the Rowena Parade Corner Store is, without a doubt, one of Melbourne's better-kept secrets. As members of the old guard of Richmond's food scene, they have no shame in presenting their customers with such menu items as BELTAC's, SmERTAC's and decidedly 'outta this world' milkshakes; it's no wonder these guys stay relevant in a cafe scene that sees more change than a tip jar on a Saturday night. This charming cafe is incredibly popular with both Richmond locals and anyone else who knows about it, so keep it on the down low. 44 Rowena Parade, Richmond, (03) 9421 3262, rowenacornerstore.com Nutrition Bar image credit: Hamish Ward
Six seasons and a movie. That's how long everyone who loved sitcom Community — its cast and crew included — hoped that the community college-set comedy would run. Alas, when the show wrapped up after 110 episodes in 2015, it only achieved the first part of that goal. And while a film doesn't appear to be in the works in the immediate future, the Greendale gang are all reuniting for a virtual table read. After Parks and Recreation banded its cast together for a new one-off special episode to raise money for charity during the COVID-19 pandemic, Community is following in its footsteps — although its cast and crew won't be performing fresh material. Instead, they'll be reading through the season five episode 'Cooperative Polygraphy', Variety reports. Cast members will join forces via an online video call, stepping back into their old roles. That means that Alison Brie, Gillian Jacobs, Danny Pudi, Yvette Nicole Brown, Jim Rash and Ken Jeong will all be present. Fresh from hosting the Tiger King post-series special via video chats, Joel McHale will be involved as well. And, in news that'll have all Community fans singing "Troy and Abed in the morning", Donald Glover will be, too. Glover left the series partway through the fifth season. They'll be joined by Community creator (and Rick and Morty co-creator) Dan Harmon, as well as a special guest: Game of Thrones and Narcos actor Pedro Pascal. The latter will read the part originally played by Walton Goggins when the episode aired. Screening in full via Sony Pictures TV's Community YouTube channel at 7am AEST on Tuesday, May 19 (2pm Pacific Time on Monday, May 18 in the US), the reunion will also feature a Q&A with the cast — and fans will be asked to donate to José Andrés' World Central Kitchen and Frontline Foods. If you're now in the mood to binge your way through Greendale antics in the lead up, all six seasons of the series is now streaming on Netflix, too — and on Stan in Australia. Check out the Community season one trailer below: https://www.youtube.com/watch?v=C4W4L9TLJa8 The Community virtual table read will air via Sony Pictures TV's Community YouTube channel at 7am AEST on Tuesday, May 19 (2pm Pacific Time on Monday, May 18 in the US). Via Variety. Image: Netflix.
King Arthur is from the team behind much-loved Merriweather Cafe in South Brisbane and is already proving to be a crowd favourite. The digs are tucked away on Arthur Street, a mere stone's throw from the bustle of James Street. Upon entering you'll be met with the delights of the day as the beautifully tiled counter is brimming with fresh bread alongside homemade pastries and cakes. Grab a flaky croissant and a cup of Coffee Supreme brew to go, or take a seat for breakfast, brunch or lunch any day of the week. The split-level dining space not only creates more room to chew, but the loft exudes an effortless cool and relaxed atmosphere. Minimalist tables and bench seating is available alongside a majestic wooden table — perfect for large groups or engaging in communal dining. Following in the footsteps of Merriweather, the philosophy behind the food at King Arthur Cafe is grounded in using local, sustainable and seasonal produce to create inspired dishes. The menu is simple yet refreshing, with some surprisingly delightful offerings changing throughout the year.
Step aside Viennetta: there's a new luxe dinner party freezer-treat in town. Connoisseur — that purveyor of luxurious, eat-it-by-the-tub ice cream — has teamed up with artisan Australian chocolate brand Koko Black for a new range of ice cream sticks for more discerning chocolate aficionados. The duo of new flavours serve as a good reminder that, sometimes, you can't go past a classic. The vanilla version sees Connoisseur's vanilla coated in Koko Black's 54 percent dark chocolate. If you're looking for a bit more crunch, make a beeline for the honeycomb stick that stars honeycomb ice cream in Koko Black's signature Tasmanian Leatherwood Honeycomb pieces in 54 percent dark chocolate. It's the first time the Melbourne-born chocolatier has made its way into the frozen aisle, which is surprising given that its more recent collabs have included cake and beer. Connoisseur's Koko Black selections are available as four-packs ($8.40), while the classic vanilla is also available as an individual stick ($4.40). They're available right now from leading convenience and grocery stores around Australia.
Established in 2013 as an online gift store stocked with items for apologising, showing gratitude and getting a little romantic, multi-hyphenate concept store Sorry Thanks I Love You has continued to evolve with the launch of a second Sydney concept store in Paddington. Moving into 25hours Hotel The Olympia — a long-awaited boutique development — this forward-thinking fashion, design and art space feels right at home alongside a similarly eclectic mix of neighbours. Slotting in beside an Australian outpost for London's renowned Palomar restaurant, specialty cafe Jacob The Angel, and a Hollywood-inspired cocktail bar, Sorry Thanks I Love You brings together rare clothing and accessories from around the world. Think high-end names like Comme Des Garçons, Bao Bao Issey Miyake and MM6 Maison Margiela, alongside emerging designers from Paris' Dover St Market incubator. Plus, locals like Loco Love, Momoko Hatano, and Dinosaur Designs round out the collection. Yet this brand-new storefront will feature garments of a different kind, as STILY has recently revealed a debut clothing collection of its own. Designed by Co-Founders Ant White and Caroline Ball, fashion-forward pieces span cut-to-length velveteen jersey t-shirts, diamond quilted denim jackets and water-resistant parkas that wouldn't look out of place in an Oasis photoshoot. Made in Japan and Portugal, each silhouette is the result of months of careful consideration. "It's the beginning of a new chapter for Sorry Thanks I Love You: one fuelled by experience, experimentation and a quiet obsession with doing things properly," says Ant. Similar care has been taken in designing the new store. Led by Paddington local and award-winning architect, Shelley Indyk, the Oxford Street location presents as a calming, light-filled space. For those familiar with STILY, the Yves Klein blue returns, adorning a pressed-tin ceiling, plush velvet curtains and custom detailing throughout, contrasting with stark white walls and garment racks that tread the line between fashion boutique and art gallery. "If Sydney is a city of villages, then Paddington is its capital," says Caroline. "The Olympia is the kind of beautiful electric shock that Oxford Street has been waiting for, and we can't wait to show Sydneysiders what's inside." Sorry Thanks I Love You is now open Monday–Saturday from 10am–6pm and Sunday from 11am–5pm at The Olympia, 1 Oxford Street, Sydney. Head to the website for more information.
Excellent movie, apt title. Since premiering at the 2022 South by Southwest Film Festival, Everything Everywhere All At Once has lived up to its name. The Michelle Yeoh-starring action-comedy was a global hit in cinemas. It was a well-deserved audience favourite, too. And, it's utterly beloved by awards bodies. The latest accolades showering it with affection? The 2023 Oscars, which has just given the film a year-best haul of 11 nominations. Everything Everywhere All At Once scored Academy Award nods for almost everything it could, in fact, in a year that broke the record for the most Asian acting nominees ever. Yeoh pops up for Best Actress and made history doing so, as the first nominee in the category who identifies as Asian. Her co-stars Ke Huy Quan and Stephanie Hsu were also recognised, in the Best Supporting Actor and Best Supporting Actress fields respectively. And, for the Brendan Fraser-led drama The Whale, Hong Chau also received a nomination in the latter category. Similarly making history: the infectious song 'Naatu Naatu' from explosive action-musical RRR, which became the first tune from an Indian feature to get recognition in the field. Yes, that's a baffling statistic given India's prolific film industry. While Everything Everywhere All At Once leads the contenders overall, it has plenty of company. German war drama All Quiet on the Western Front and Irish comedy The Banshees of Inisherin each picked up nine nominations, while the Australian-made Elvis nabbed eight, Steven Spielberg's The Fabelmans scored seven, the Cate Blanchett-led Tár and high-flying Tom Cruise vehicle Top Gun: Maverick received six each, and Marvel sequel Black Panther: Wakanda Forever collected five. Naturally, Blanchett received her eighth Oscar nomination for Tár. No, fellow Australian Baz Luhrmann wasn't nominated for Best Director for Elvis. But many of the Elvis Presley biopic's nods were for behind-the-scenes categories, which means nominations for the likes of cinematographer Mandy Walker, plus costume and production designer Catherine Martin. Among the other highlights, Normal People favourite Paul Mescal received his first Oscar nomination for father-daughter drama Aftersun; the always-excellent Brian Tyree Henry earned some love for his thoughtful turn in Causeway; Andrea Riseborough capitalised upon celebrity support to score a look-in for To Leslie; and movies with scene-stealing donkeys had the Academy braying with love, thanks to The Banshees of Inisherin's nominations and a Best International Feature Film nod for EO. Also, gorgeous Irish drama The Quiet Girl was recognised in the same field, and wonderful documentary Fire of Love is among the doco contenders. And, the new Oscar-nominee with the best name? It's Best Animated Short competitor My Year of Dicks. That said, the Academy couldn't find room for far too many other exceptional films — and the people behind them — in 2023's batch of nominees. That includes completely leaving out phenomenal South Korean thriller Decision to Leave in all fields, deciding that female filmmakers weren't worthy of any Best Director nominations this year, ignoring Viola Davis for The Woman King and Danielle Deadwyler for Till (and Black actors in the lead acting categories overall), overlooking Moonage Daydream for Best Documentary, and only giving RRR that one nod for Best Song. The Oscars will announce this year's winners on Monday, March 13, Australian and New Zealand time, with Jimmy Kimmel hosting. Here's the full list of nominations: OSCAR NOMINEES 2023 BEST MOTION PICTURE All Quiet on the Western Front Avatar: The Way of Water The Banshees of Inisherin Elvis Everything Everywhere All At Once The Fabelmans Tár Top Gun: Maverick Triangle of Sadness Women Talking BEST DIRECTOR Martin McDonagh, The Banshees of Inisherin Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once Steven Spielberg, The Fabelmans Todd Field, Tár Ruben Östlund, Triangle of Sadness PERFORMANCE BY AN ACTRESS IN A LEADING ROLE Cate Blanchett, Tár Ana de Armas, Blonde Andrea Riseborough, To Leslie Michelle Williams, The Fabelmans Michelle Yeoh, Everything Everywhere All At Once PERFORMANCE BY AN ACTOR IN A LEADING ROLE Austin Butler, Elvis Colin Farrell, The Banshees of Inisherin Brendan Fraser, The Whale Paul Mescal, Aftersun Bill Nighy, Living PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE Angela Bassett, Black Panther: Wakanda Forever Hong Chau, The Whale Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All At Once Stephanie Hsu, Everything Everywhere All At Once PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE Brendan Gleeson, The Banshees of Inisherin Brian Tyree Henry, Causeway Judd Hirsch, The Fabelmans Barry Keoghan, The Banshees of Inisherin Ke Huy Quan, Everything Everywhere All At Once BEST ORIGINAL SCREENPLAY The Banshees of Inisherin, Martin McDonagh Everything Everywhere All At Once, Daniel Kwan and Daniel Scheinert The Fabelmans, Steven Spielberg and Tony Kushner Tár, Todd Field Triangle of Sadness, Ruben Östlund BEST ADAPTED SCREENPLAY All Quiet on the Western Front, Edward Berger, Lesley Paterson and Ian Stokell Glass Onion: A Knives Out Mystery, Rian Johnson Living — Written by Kazuo Ishiguro Top Gun: Maverick, screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks Women Talking, Sarah Polley BEST INTERNATIONAL FEATURE FILM All Quiet on the Western Front Argentina, 1985 Close EO The Quiet Girl BEST ANIMATED FEATURE Guillermo del Toro's Pinocchio Marcel the Shell With Shoes On Puss in Boots: The Last Wish The Sea Beast Turning Red BEST DOCUMENTARY FEATURE All That Breathes All the Beauty and the Bloodshed Fire of Love A House Made of Splinters Navalny BEST ORIGINAL SCORE All Quiet on the Western Front, Volker Bertelmann Babylon, Justin Hurwitz The Banshees of Inisherin, Carter Burwell Everything Everywhere All At Once, Son Lux The Fabelmans, John Williams BEST ORIGINAL SONG 'Applause', Tell It Like a Woman (Diane Warren) 'Hold My Hand', Top Gun: Maverick (Lady Gaga and BloodPop) 'Lift Me Up', Black Panther: Wakanda Forever (music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyrics by Tems and Ryan Coogler) 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) 'This Is a Life', Everything Everywhere All At Once (music by Ryan Lott, David Byrne and Mitski, lyrics by Ryan Lott and David Byrne) BEST CINEMATOGRAPHY All Quiet on the Western Front, James Friend Bardo, False Chronicle of a Handful of Truths, Darius Khondji Elvis, Mandy Walker Empire of Light, Roger Deakins Tár, Florian Hoffmeister BEST FILM EDITING The Banshees of Inisherin, Mikkel EG Nielsen Elvis, Matt Villa and Jonathan Redmond Everything Everywhere All At Once, Paul Rogers Tár, Monika Willi Top Gun: Maverick, Eddie Hamilton BEST PRODUCTION DESIGN All Quiet on the Western Front, Christian M. Goldbeck and Ernestine Hipper Avatar: The Way of Water, Dylan Cole, Ben Procter and Vanessa Cole Babylon, Florencia Martin and Anthony Carlino Elvis, Catherine Martin, Karen Murphy and Bev Dunn The Fabelmans, Rick Carter and Karen O'Hara BEST VISUAL EFFECTS All Quiet on the Western Front, Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar Avatar: The Way of Water, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett The Batman, Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy Black Panther: Wakanda Forever, Geoffrey Baumann, Craig Hammack, R Christopher White and Dan Sudick Top Gun: Maverick, Ryan Tudhope, Seth Hill, Bryan Litson and Scott R Fisher BEST COSTUME DESIGN Babylon, Mary Zophres Black Panther: Wakanda Forever, Ruth Carter Elvis, Catherine Martin Everything Everywhere All At Once, Shirley Kurata Mrs Harris Goes to Paris, Jenny Beavan BEST MAKEUP AND HAIRSTYLING All Quiet on the Western Front, Heike Merker and Linda Eisenhamerová The Batman, Naomi Donne, Mike Marino and Mike Fontaine Black Panther: Wakanda Forever, Camille Friend and Joel Harlow Elvis, Mark Coulier, Jason Baird and Aldo Signoretti The Whale, Adrien Morot, Judy Chin and Anne Marie Bradley BEST SOUND All Quiet on the Western Front, Viktor Prásil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte Avatar: The Way of Water, Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges The Batman, Stuart Wilson, William Files, Douglas Murray and Andy Nelson Elvis, David Lee, Wayne Pashley, Andy Nelson and Michael Keller Top Gun: Maverick, Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor BEST DOCUMENTARY SHORT SUBJECT The Elephant Whisperers Haulout How Do You Measure a Year? The Martha Mitchell Effect Stranger at the Gate BEST ANIMATED SHORT FILM The Boy, the Mole, the Fox and the Horse The Flying Sailor Ice Merchants My Year of Dicks An Ostrich Told Me the World Is Fake and I Think I Believe It BEST LIVE ACTION SHORT FILM An Irish Goodbye Ivalu Le Pupille Night Ride The Red Suitcase
When March 18 hits, it will have been 12 months since the Australian Government implemented an indefinite ban on international travel due to COVID-19, only allowing Aussies to leave the country in very limited circumstances. Accordingly, just when jetting overseas will be back on the agenda has been the subject of much discussion. Last year's prediction that opening up to the rest of the world wouldn't happen in 2020 proved accurate — and, earlier this year, Australia's ex-Chief Medical Officer Brendan Murphy (now the Secretary of the Department of Health) said that we might not be going anywhere until 2022. Whether that last forecast comes true is obviously yet to be seen but, thanks to a new extension of the human biosecurity emergency period under the Biosecurity Act 2015, Australians definitely won't be travelling overseas until at least mid-June. Yesterday, Tuesday, March 2, Federal Minister for Health Greg Hunt announced that the emergency period now spans until June 17, 2021, which'll mark 15 months since it was first put in place. The extension comes on the advice of the Australian Health Protection Principal Committee (AHPPC) and Commonwealth Chief Medical Officer, with the former advising "the Australian Government the COVID-19 situation overseas continues to pose an unacceptable public health risk to Australia, including the emergence of more highly transmissible variants". So, it means that the current rules regarding international travel will remain in place for at least another three months, restricting Aussies wanting to fly overseas and folks wanting to return home, and also cruise ships keen to enter Australian territory. It also extends current limits on trade of retail outlets at international airports, and requirements for pre-departure testing and mask-wearing for international flights. This isn't the first time that the emergency period has been lengthened, following several moves in 2020 — however, the government has noted that they "can be amended or repealed if no longer needed". With vaccinations starting to roll out around Australia, Qantas and Jetstar have begun selling tickets for overseas flights for trips scheduled from October, demonstrating hope that the country's international travel rules might ease by then. Of course, the fact that you can book a trip doesn't mean that you'll actually be able to take it — because the current border closure may get extended again — but if you're keen for an overseas getaway, you might want to cross your fingers. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Long before Sculpture by the Sea, SWELL Sculpture Festival and the Lorne Sculpture Biennale, there was the Mildura Sculpture Triennial. It was Australia's first-ever event for large-scale contemporary sculptures — and, in the 1960s and '70s, drew thousands of artists, students and travellers to Mildura, a town on the edge of the outback, 600 kilometres northwest of Melbourne. Inspired by open skies, endless plains and the mighty Murray River, these artists pushed the boundaries of sculpture as we then knew it, delving into earth art, performance, site-specific works and ephemeral installations. Today, the Biennale's legacy lives on in Mildura's art scene — through galleries, public art and big events. In April 2025, English-Australian artist Bruce Munro arrived with Trail of Lights. To experience this legacy for ourselves, we escaped to Mildura for a few days. Along the way, we long lunched on the river, cruised on a 19th century paddle steamer, wandered around pretty satellite villages, stayed at a California-inspired hotel, and ate more than our fair share of juicy oranges — Mildura is famous for growing them. [caption id="attachment_1016549" align="alignnone" width="1920"] Image credit: Supplied[/caption] Feasting on Arts, Culture and History Our adventures began on the Murray, which runs through Mildura. Just downstream, it meets the Darling, forming the fourth biggest river system in the world. So, it makes sense that Munro — who loves significant sites from Uluru to Salisbury Cathedral — would choose Mildura for one of his monumental works. We crossed the river at sunset onto Lock Island. As the sky darkened, thousands upon thousands of tiny lights started to flicker among the grass and rocks and trees — each gradually dimming, then brightening, like fireflies. A web of pathways let us walk beside them, while the weir gushed eerily in the distance, then through them, where they seemed to continue beyond the horizon into infinity. Unlike other, more sensational light spectacles, Trail of Lights was a dreamy, meditative experience — made all the more powerful by having the island more or less to ourselves. "People react in all kinds of different ways; some people have told me it made them cry," a hotel owner later told us. Soon, Munro will bring a second work – Fibre Optic Symphonic Orchestra – to the nearby ancient Perry Sandhills. [caption id="attachment_1019599" align="alignnone" width="1920"] Image credit: Mildura Arts Centre Facebook[/caption] Lock Island is ten minutes' walk from Mildura Arts Centre, where the Sculpture Park lets you travel back in time to the Triennial. Highlights include Ron Robertson-Swann's Beethoven, Simon Hopkinson and Gary Willis's Work–Art, and John Robinson's Mortality. While you're there, wander through Rio Vista, a 19th century mansion built by WB Chaffey and his wife, Heather. Chaffey and his brother, George, were Canadian engineers who brought irrigation to Mildura, so we have them to thank for most of Australia's supply of grapes and oranges. Other spots to get your art fix in and around town include NAP Contemporary, the Mural Walking Trail, and, for silo art, the nearby rural localities of Werrimull and Walpeup. [caption id="attachment_1019908" align="alignnone" width="1920"] Image credit: Discover Mildura[/caption] The Great Outdoors – from the Murray River to Mungo National Park For artists – or for anyone, for that matter – it's impossible to ignore Mildura's extraordinary landscapes. Our explorations started on the Murray River, with a cruise on the paddle steamer P.V. Rothbury. Built in the 1880s, she used to tow wool barges, but now she's dedicated to taking visitors on two-hour trips downstream, where Mildura's township gives way to gumtrees and birdsong. Another way to get to know the river is on foot, following one of many waterfront trails, such as the 3.5-kilometre stroll from the CBD to the Arts Centre or the 4.9-kilometre track to Lock 11. [caption id="attachment_1021367" align="alignnone" width="1920"] Image credit: Supplied[/caption] Keen to go further afield? Consider a day trip to Mungo National Park — where Mungo Lady and Mungo Man were found — with Discover Mildura. In the company of a family that's lived locally for generations, you'll travel through the awe-inspiring plains to Mildura's northwest, be treated to homemade morning tea (pray for the banana bread!), walk among the Walls of China (one of NSW's most well-known landmarks), visit Mungo Woolshed and go deep into Mildura's history. Other tours explore wineries, farm gates, nearby villages, the Murray River and more — plus, there's the option of booking a private adventure. [caption id="attachment_1019909" align="alignnone" width="1920"] Image credit: Discover Mildura[/caption] Other spectacular stops to add to your itinerary include Orange World (a 50-acre working citrus farm), the Australian Inland Botanic Gardens (for 2,500-year-old trees), Perry Sandhills (400 acres of moving dunes), the Murray-Darling River Junction, the Murray-Sunset National Park (for stunning pink salt lakes) and Hattah-Kulkyne National Park (for freshwater lakes thriving with birdlife). [caption id="attachment_1019930" align="alignnone" width="1920"] Image credit: Mildura Boathouse Facebook[/caption] Where to Eat and Drink Having boated and strolled beside the river, we were ready to eat beside it. So, we headed to the Mildura Boathouse Eatery & Bar, a big, bright space splashed in aquamarine and white on the waterfront. For the best views, claim a table on the deck under a big umbrella. Our favourite on the local produce-fuelled menu was the mushies topped with goat's cheese, truffle mousse and poached eggs on bread baked 15 minutes' drive away at Gio's in Redcliff. But the brekkie roll packed with egg, bacon and cheddar and slathered in secret sauce came a close second. [caption id="attachment_1021369" align="alignnone" width="1920"] Image credit: Supplied[/caption] Another beautiful place for riverside feasting is Trentham Estate, a winery on the Murray, 20 minutes' drive east of the CBD. Whether you sit in the glass-walled dining room or on the verandah, you'll be gazing over dreamy water views, foregrounded by green grass and shady gums. We settled in for a long lunch, travelling from a baked scallop-prawn tart, to pan-fried salmon with basil pesto on sweet potato mash, to an exquisite lemon meringue tart with berry coulis and vanilla ice cream. To get even closer to the water, opt for a picnic on the lawn, with a cheese platter followed by chocolate fudge cake. Either way, there's plenty to explore on the wine list, from the budget-friendly The Family range to the award-winning Reserves. [caption id="attachment_1019964" align="alignnone" width="1920"] Image credit: 400 Gradi website[/caption] Back in town, we loved 400 Gradi, a Melbourne export which opened in Mildura in 2022, for its flash-fried calamari, light prawn and zucchini white pizza, rich mushroom pappardelle and irresistible tiramisu — all served in a slick, grand space, with excellent service. Also worth checking out are SteamPunk and BLK MLK for coffee, Brother Chris and Twenty Seven for brunch, Oak Valley and Capogreco for wine tasting, The Spanish Grill for top-notch steaks, Baghdad Kitchen for charcoal-grilled delights, and, for a legendary multi-course dinner, Stefano's. [caption id="attachment_992001" align="alignnone" width="1920"] Image credit: Supplied[/caption] Where to Sleep A drive down Mildura's main street gives the impression the town is home to more motor inns per capita than maybe any other town in Australia. We don't have any stats on that, but we can tell you we were happy with our decision to opt for Kar-Rama. Opened in February 2025, it takes inspiration from California, in its breezy palm trees, white deck chairs and sparkling heated pool. The rooms — decked in pastel shades — come with king-sized beds draped in top-shelf linen, excellent showers, comfy Bemboka robes, a complimentary minibar, Nespresso coffee machines and Leif toiletries. Hot tip: for extra space and light, ask for a room on the first floor and consider paying a bit extra for a deluxe studio. Other inviting sleepovers in and around town include Indulge Apartments (for a touch of luxury), All Seasons Houseboats (for more time on the river) and Mungo Lodge (for deeper exploration of Mungo National Park). [caption id="attachment_992008" align="alignnone" width="1920"] Image credit: Supplied[/caption] Concrete Playground travelled to Mildura with the support of Visit Victoria.
As far as cocktails go, mimosas rank among the easiest to whip up, even if you'll never give Australia's best bartenders a run for their money. But maybe you just never get the quantities of sparkling and orange juice right. Perhaps you always find either champers or OJ in your fridge, but not both. Or, you could love sipping mimosas at brunch picnics and aren't so fond of lugging around multiple different bottles. Whichever fits, new Australian brand mYmosa has a solution. It serves up mimosas in a can, all ready for you to enjoy without doing any mixing yourself. Pick up one of the label's tinnies and you'll be drinking Australian dry white wine paired with natural orange flavours, then carbonated — and you won't be doing any pouring yourself. If it sounds like the kind of tipple you now wished you'd thought of, you won't be surprised to hear that it came about after mYmosa founders Amanda Goddard and Bec Pini went on a work trip to New York City in 2017, found themselves sipping sparkling rosé out of cans — and mimosas at breakfast — and had a brainwave. The two Brisbane marketing and communications professionals then spent five years pursuing their mimosa-in-a-can idea, aided by a lull in work that came with the COVID-19 pandemic. Clearly, we now know how the duo spent lockdown. "Bec and I have always been known as the first to start a party and last to leave a party, so it just feels like a natural progression to create a beverage that can be enjoyed at any time of the day, anywhere and at any occasion," explains Goddard. "We are a classic start-up story, where the kitchen bench, a soda stream, ample variations of wine and orange became our laboratory," adds Pini. "Fast forward, and we have worked with a formulation team, a winery and a manufacturer to create our 'little darling'." mYmosa's 250-millilitre cans are vegan and gluten-free, and currently available via online bottle shop SIP'ER, retailing for $10 a tin or $34 for a four-pack. Or, you can nab cases of 16 via the mYmosa website for $128.40. While the brand has launched with one variety, Goddard and Pini are working through new formulations — so your canned drinks list might soon be growing. There's something to say cheers to, over an Aussie tinned mimosa of course. Find mYmosa cans on sale now via online bottle shop SIP'ER, retailing for $10 a tin or $34 for a four-pack.
When Avengers: Endgame reached cinemas back in April 2019, it was the culmination of more than a decade of superhero movies — and the box office behemoth was designed to help end the third phase in the sprawling Marvel Cinematic Universe. It definitely wasn't intended to be one of the last MCU movies to hit the big screen for a few years, of course, but that's how things have played out during the pandemic. After a two-year hiatus from cinemas — following July 2019's Spider-Man: Far From Home — Black Widow brought the huge blockbuster franchise back to picture palaces just last month. Before the year is out, there'll be more where that came from. In early September, Shang-Chi and the Legend of the Ten Rings will introduce a new figure, before Eternals arrives in November with more than a few fresh faces — and a big glimpse at life in the aftermath of the Avengers' battle with Thanos. The MCU has plenty of fans for all of its films, and for the ongoing saga that seems likely to never leave the silver screen, but Eternals has something no other movie in the franchise has ever boasted: history-making Oscar-winner Chloé Zhao. And, in not one, not two, but now three sneak peeks at her contribution to the Marvel Cinematic Universe, it looks like the Nomadland will be giving Marvel's next crew of superheroes — ancient and immortal alien beings who've been working in the shadows for thousands of years after arriving on earth via an eye-catching spaceship — a far more vivid yet naturalistic appearance. Led by Ajak (Salma Hayek, Like a Boss), these heroes are now forced to band together again to save the world from an evil threat, and also grapple with the effects of their inaction during the events of Avengers: Endgame. Narrative-wise, it seems like standard MCU stuff, at least on paper; however, with Zhao the helm, the film doesn't look or feel like your average Marvel movie, including in the movie's just-dropped latest trailer. The Eternals have always been charged with battling an enemy called The Deviants, and that's what Ajak, Ikaris (Richard Madden, Game of Thrones), Sersi (Gemma Chan, Captain Marvel), Kingo (Kumail Nanjiani, Stuber), Makkari (Lauren Ridloff, Sound of Metal), Phastos (Brian Tyree Henry, Godzilla vs Kong), Sprite (Lia McHugh, Songbird), Gilgamesh (Don Lee, Ashfall), Druig (Barry Keoghan, Calm with Horses) and Thena (Angelina Jolie, Those Who Wish Me Dead) will be doing here. One GoT star is never enough for any movie, so Kit Harington also features. In the new trailer, he doesn't appear to know nothing. Check out the latest Eternals trailer below: Eternals opens in cinemas Down Under on November 4.
One of the world's most visited multi-sensory experiences will come alive across Australia this year. After successful runs in Sydney and Auckland, Van Gogh Alive is setting off on a national Aussie tour, hitting Adelaide from Wednesday, June 23 before moving on to Brisbane, Canberra, Perth and Newcastle. The project is the brainchild of Melbourne-based Grande Exhibitions, which, for the past 15 years, has hosted immersive exhibitions and gallery experiences in over 150 cities across the world. The company also owns and operates Rome's Museo Leonardo da Vinci. A family-friendly experience, Van Gogh Alive creates the sensation of walking right into the Dutch artist's paintings. Attendees experience his world-famous work in fine detail thanks to Grande Exhibitions' state-of-the-art technology, which uses 40 high-definition projectors. A classical musical score accompanies the vibrant colours, too, as presented in cinema-quality surround sound. And, two of Van Gogh's most popular works have been transformed into new guises — with the Sunflower infinity room and the an immersive Starry Night walkthrough area also part of the experience. The Adelaide edition of Van Gogh Alive is popping up as part of the city's new winter arts festival, Illuminate Adelaide, and will take place in a purpose-built 25,000-square-foot gallery in North Adelaide. The gallery, which has been named The Grand Pavilion, will feature an exact recreation of Van Gogh's painting Cafe Terrace at Night in the foyer. Tickets are now available via Ticketek and start at $35 for an adult or $95 for a family. Details on the dates and venues for the rest of the national tour are still to come — so if you're in Brisbane, Canberra, Perth and Newcastle, watch this space. You can stay up to date with everything Van Gogh Alive by keeping an eye on the exhibition's website. Van Gogh Alive will run from Wednesday, June 23 in Adelaide's new The Grand Pavilion before moving on to Brisbane, Canberra, Perth and Newcastle. Dates beyond Adelaide are yet to be revealed — we'll update you when more details come to hand. Top image: Rebecca McMillan Photography
Dog-sharing. Yep. Read it again. Dog-sharing. Services that allow pooch owners to connect with other pooch owners to help with everyday care, pupsit for holidays, do walks and so on. It's happening. Australian service Dogshare was initially launched for dog owners only, but it's now launched a pretty damn exciting feature — a 'borrowing' feature for dog loving people in the same neighbourhood. Yep, now Dogshare allows dogless humans to 'borrow' a pup. You can provide walks or day/night dog-sitting for time-poor dog owners in your local area. There's no money involved, just love (and trust dammit, take care of those pooches). Similar Aussie service BorrowMyPooch works on the same principle but has a subscription fee for owners and borrowers, while Pawshake is free to sign up as a sitter, but owners pay to host their pups. Dogshare founder Jessica Thomas, a busy working mum to two young children and Duke, an exuberant German Shorthaired Pointer, chose to add the free dog borrowing feature in response to a wave of emails she received from non-dog owners willing to offer non-reciprocal care at no charge. "I found that there are so many people out there who genuinely love dogs and have experience caring for them, but are unable to commit to owning one for a variety of reasons," says Thomas. "The borrower gets access to a dog and all the benefits that go with it, while the owner has someone to love and care for their pet when they can't." So, how does it work? Like an online dating service, 'borrowers' create a profile on Dogshare's website, list their previous experience with dogs and flag any services they're keen to volunteer for — there's dog walking, park playdates, overnight stays, vacation stays, taking pups to the vet and other appointments or even the tiniest task of checking on the pup while their owners are at work. Borrowers can then connect with Dogshare's dog owners, who can arrange a local park meet-up and see whether you're not a total weirdo or not. Want to give it a shot? Visit Dogshare's website to create a borrower profile and meet dem pups. Image: Veronika Homchis.
Do you spend much of your time in Brisbane's CBD? Do you also fancy a stint of pickleball to break up your day? A lunchtime game of basketball to add some exercise to the nine-to-five grind? Feeling nostalgic post-work or -study with a round of handball? Here's some excellent news: you can now add getting active to your agenda — and for free — at the inner city's new sports court. First announced in 2023 and officially opening on Monday, March 11, the Turbot Street Underpass has welcomed a multi-use outdoor space where Brisbanites can play basketball, handball and pickleball, and even soccer and cricket as well. So, hitting the gym, heading for a stroll or run by the river, moseying over South Bank and keeping an eye out for the city's free exercise classes aren't the only ways to think about fitness when you're smack-bang in the middle of the River City. While you can play whichever sport you like, the court is only marked for three: basketball, pickleball and soccer. It isn't hard to adapt that setup for handball, though. Worth noting for pickleball fans: the net is supplied, but you'll need to put it up and take it down. For all other equipment for which game takes your fancy, other than the basketball hoop, you'll also need to bring that with you. Open to everyone between 7am–7pm daily, this is the Brisbane CBD's first-ever sports court. The site is fenced in, in the shade and, thanks to its location, just a one-minute walk from King George Square — and obviously just a stone's thrown from Roma Street Parkland as well. The new addition to the corner of Turbot and Roma streets — taking over a space that's been used for parking over the years — is an extension to Mirvac's Heritage Lanes precinct at 80 Ann Street, which features 35 levels of office space, plus cafes and eateries on the ground level. You'll need to book through Heritage Lanes, in fact, with one-hour slots available; however, you can also just turn up. Bookings will always take priority, so that's your best way to ensure that you can get on the court. When you need a rest, or if you're just keen to watch on, there's also bleacher-style seating. The site has been landscaped, too, and surrounded with outdoor artworks. And, for quenching your thirst after working up a sweat, there's a drinking fountain. Among the court's rules, pets aren't allowed in the space, and neither are alcohol or glass containers. Food is permitted, but only in the seating areas. If the sports court is a hit, Brisbane City Council might create more as well. "We look forward to hearing what the community thinks about this new space and hope to investigate more opportunities for urban courts around the CBD," said Brisbane Lord Mayor Adrian Schrinner. [caption id="attachment_896718" align="alignnone" width="1920"] John Robert McPherson via Wikimedia Commons[/caption] The new sports court at the Turbot Street underpass is due to open by the end of 2023 — we'll update you with an exact date when one is announced.
Among the many great filmmaker-actor pairings that cinema has gifted the world, Ryan Coogler and Michael B Jordan have spent more than a decade cementing their spot on the list. It was back in 2013 that the two first joined forces, one for his feature directorial debut and the other for his first lead film role, on Fruitvale Station. Each time that a new Coogler movie has arrived since, including 2015's Creed, then 2018's Black Panther and its 2022 sequel Black Panther: Wakanda Forever, Jordan (Creed III) has been a key part — and after playing Oscar Grant, Adonis Johnson and Killmonger for his go-to helmer, Jordan is at the heart of 2025's Sinners, too. Five pictures into their collaboration now, how does Coogler manage to double down on working with Jordan? Literally, actually. This time, in the director's first horror film, he has cast his favourite actor in two roles. Sinners focuses on brothers — twins, in fact, called Elijah and Elias — who find more than familiar faces awaiting when they try to start afresh upon returning to their home town. They also find much greater troubles than have been haunting them in their lives elsewhere. This is a movie set in America's south in the Jim Crow-era, as well as a film where being able to enjoy blues music at their local bar is a welcome escape for Sinners' Black characters. But as the just-released second trailer for the feature makes clear, there's more than a touch of the supernatural to Coogler's new flick. Yes, things get bloody. Cast-wise, the movie also gets stacked, with Hailee Steinfeld (The Marvels), Wunmi Mosaku (Loki), Delroy Lindo (Unprisoned), Jack O'Connell (Back to Black), Jayme Lawson (The Penguin) and Omar Benson Miller (True Lies) co-starring. Sinners marks the first time that Coogler hasn't either explored a true story, jumped into an existing franchise or brought an already-known character to the screen — and alongside him working with an original tale, he's also telling a personal one. Inspiration came from members of his family, including for the film's setting and pivotal use of music. But Coogler also considers every feature that he's made to be personal. Asked at a press Q&A about the movie and its new trailer if this tops the list in that regard, he advises that "it's interesting because at each point in my life, that statement has been correct — but never like this one". [caption id="attachment_988567" align="alignnone" width="1920"] Gage Skidmore via Wikimedia Commons[/caption] "I don't want to give all of this away, but each time I make something — and none of the films that I worked on have had the horror or the thriller element like this one has — but each time I'm conquering a fear, a personal fear of mine, and this one is no different," Coogler also shared. For Sinners, Jordan isn't the writer/director's only returning collaborator. For a picture that's partly shot on IMAX — "I got to get some advice from Chris and Emma, who are masters of the form," Coogler offered, speaking about Christopher Nolan and his producer and wife Emma Thomas — he also reteamed with pivotal talents behind the lens. Cinematographer Autumn Durald Arkapaw (The Last Showgirl), production designer Hannah Beachler (Renaissance: A Film by Beyoncé), editor Michael P Shawver (Abigail), composer Ludwig Göransson (Oppenheimer) and costume designer Ruth E Carter (Coming 2 America) each return from either Black Panther, Black Panther: Wakanda Forever or both — some, such as Göransson and Carter, with Oscars for their past efforts working with Coogler. The filmmaker also chatted about his clearly rewarding creative partnership with Jordan, Sinners' origins, its mix of genres and supernatural elements, and his aim with using large-format visuals — plus how Stephen King's Salem's Lot proved pivotal, the eeriness of twins, why making movies is a form of catharsis for him and more. On Making Five Films Now with Michael B Jordan — and How Their Collaboration Pushes Coogler Creatively "It's incredible. With Mike, he was a working actor when I met him. He had been on some incredible television shows, basically been a professional actor since he was a school-aged kid, but he hadn't had a feature-length role where he was the lead just yet. So when we worked together on Fruitvale, that was his first time in a lead role in a movie, and it was my first time making a movie — so in many ways, we've grown up together in the industry, in these situations. I've definitely found a kindred spirit in him. He's somebody who's incredibly gifted. In some ways, it's god-given: his charisma, his ability to channel empathy without even trying. But the other facets are the things under his control: his work ethic, his dedication to the craft. And the other thing is his constant desire to want to push himself, to increase his capacity, to continue to stretch. Having both those things rolled up into one, and being somebody who's around the same age, we became work friends and eventually have become like family since. It's an incredible gift to have somebody like that, who you can call up and say 'hey, I've got a new one for you, what do you think?'. And I know he is always trying to look for new challenges constantly. He doesn't want to rest on his on his laurels. And I thought that this role would be something where we could challenge each other." On Injecting Personal Elements Into Coogler's First Horror Film "Each time I've made a film, it's become more and more personal. With this one, I was really digging into two relationships. One with my maternal grandfather, who I never met, he died about a year before I was born — but he was from Merrill, Mississippi, and eventually moved to Oakland, married my grandmother, and actually built the house that our whole family was based out of in Oakland. And I had an uncle named Uncle James who I came up with my whole life, he actually passed away while I was in post-production on Creed, and he was from another town in Mississippi — and he wouldn't really talk about Mississippi unless he was listening to the blues, unless he had a little sip of old Italian whisky, then he would reminisce. And I miss him profoundly. With this film, I got a chance to dig into my own ancestral history here in the States — not dissimilar to what I was doing with the Panther films, like that generational ancestral history, this is right there for me. And I had a chance to really go to the south and scout and think. And the film is about the music that was so special to my to my uncle — and I couldn't be happier with the film that we'll be able to show you guys in a few months." On the Movie's Supernatural Aspects "The film is very genre-fluid. It switches in and out of a lot of different genres. Yes, vampires are an element of the movie. But that's not the only element. It's not the only supernatural element. The film is about more than just that, and I think it's going to surprise folks in a good way. My favourite films in the in the genre, you could take the supernatural element out and the films would still work — but the supernatural element actually helps to heighten it, helps to elevate it. So I was aspiring to make something in that in that tradition. And the film has elements of all of the things that I that I love. It's really a personal love letter for me to cinema, to the art form, specifically the theatrical experience. It's interesting working in a post-COVID time, when everybody was sequestered — and I know I found myself missing that experience of experiencing things in a room with folks I didn't know, but still reacting in the same way, or maybe reacting in different ways and getting to enjoy that. The film is meant to be seen in that capacity." On Using Large-Format Visuals, Such as Shooting in IMAX, to Draw Audiences In "The whole effort was for the experience to be immersive. We wanted to let folks experience this world. And for me, it's the world that my grandparents were a part of. It's the world that they came up in. And it's a time that's often overlooked in American history, specifically for Black folks, because it was a time associated with a lot of things that maybe we're ashamed to talk about — but I got to talk to my have conversation with my grandmother, who's nearly 100 years old, and do some really heavy research, and it was exciting. To bring that time period to life with the celluloid format that was around then, but with the technological advancements that IMAX can provide, it's really exciting — really exciting." On How a Stephen King-Penned Vampire Novel Proved an Influence "A big inspiration for the film is a novel called Salem's Lot, and in the novel — it's been adapted quite a few times and in some really cool ways, but what's great about that novel is when Stephen King talks about it, for him it was Peyton Place, which is another novel, meets Dracula. What happens when a town that's got a lot of its own issues, a lot of interesting characters, meets up with a mythological force of nature and it starts to influence the town? So that idea for me was a great way to explore some of the real things in this place that my grandparents and uncles who influenced my life came from — but also that a lot of American pop culture came from, right there. One of the things we explore in the film is blues music and blues culture, and that became so many other things that affect what we do today. So it was great to be able to explore that. And that music has a has a very close relationship with the macabre, so to speak, with the supernatural. You hear stories about Tommy Johnson and Robert Johnson selling that souls to be able to play the guitar the way they do — the deals being struck. It was called the devil's music — and the dichotomy of these incredible singers, even still to this day, they learned how to make music in the church, but yet they chose to make music that maybe was frowned upon." On the Catharsis of Making Movies for Coogler "I'm blessed to have been able to have found this medium. I found it out by accident. But where I can work out deep, philosophical, existential questions that I may be struggling with, I get to work them out while contributing to an artform that that means so much to me and my family. Watching movies for us was a pastime, and it was a way to connect, it was how we travelled. So I feel like the luckiest person on the planet — but yeah, it is a form of therapy. Each film brings me closer to understanding myself and the world around me, I think." On Jordan Portraying Twins — and Why Twins Feel Supernatural "These are guys who there's nothing supernatural about them outside of them being identical twins. Now, when you dig into the research on twins, it is pretty strange. We still don't totally understand how we have specific identical twins, because it's not something that can be inherited. It's an anomaly. What we did on this was I hired a couple friends of mine who are filmmakers, Noah and Logan Miller — we hired them as twin consultants. They're about the same age as me and Mike, and they were able to talk to Mike and myself while we were working on the script, and he was working on prepping the characters, on what it is like to have an identical twin. Some of that work was just fascinating — like this idea of ever since you achieved consciousness, there was another version of you, right there, right there in front of you, sharing space. And how they see the world — how they see the world as 'us versus everybody else'. The other aspect of it is the fact that they're not totally different. They're actually are quite alike. They're different in subtle ways that Mike found. But it's an absolutely brilliant performance — both performances. I can't wait for folks to see him. It's Mike unlike I've ever seen him before, and I know him pretty well." On Why the Time Was Right for Coogler to Tell an Original Story "I think in terms of timing — and timing is everything, it can really make or break a project, now more than ever. But for me, in being a writer/director, the timing first has to start with me. And it felt like I was at a point in my life where I did want to try to do something original. And I realised I had been working on things that were based on pre-existing things, maybe a real-life situation, maybe a pre-existing franchise and cinema, a pre-existing comic-book franchise, and so I felt the itch to want to try. I could kind of feel like the kids are growing up, I'm getting older, I can feel time on my on my backside. So it turned out to be the perfect timing for me, personally. And at terms of looking around at the world and where we are, those two things seem to be lining up. But at the same time, you don't have any control over that one. You've got to kind of start with yourself. Even then, I did want to still play with archetypes. I guess it's original, but I'm dealing with a lot of archetypes — not just a vampire, but the supernaturally gifted musician, the twins. When I was coming up, every neighbourhood would have those twins who were well-known, sometimes notorious, just had a reputation as local celebrities. That idea is something that we're exploring in this, and a lot of other ideas. So I'm still digging into pre-existing things and culture as best I can, but synthesising them through my own personal lens." Sinners releases in cinemas Down Under on Thursday, April 17, 2025.
Your favourite restaurant's wine list might be impressive, but if the best drops are only available by the bottle, you've got to be willing to pay up to get a taste. However, Coravin has come up with a range of nifty products that allow wine-lovers to pour by the glass without popping the cork. Throughout May, they're spreading the gospel around the globe with the Coravin World Wine Tour. Taking over five much-loved wine bars around the country, every bottle on their menus will be poured by the glass. Returning to previous destinations including Melbourne, Sydney and Adelaide, the tour is also adding Perth and Noosa to its stops for the first time. Making the most of the brand's by-the-glass tools, vino fans will have the chance to indulge in rare and diverse bottles without having to stump up for the full cost. Held from Thursday, May 1–Saturday, May 31, there's a good chance a sophisticated wine bar near you is getting involved. In Sydney, the Coravin World Wine Tour touches down at Love, Tilly Devine. Tucked away in a Darlinghurst laneway, this cherished spot is bursting through the week with wine-lovers who know their stuff. With 300 bottles to choose from, guests can sip their way through the list, or pair a glass or two with dishes from a highly seasonal food menu highlighting local farmers, growers and makers. In Melbourne, Richmond's Clover is where you can celebrate a shared love of natural vinous pleasures, complemented by fire-cooked delights. "It's really going to, quite literally, open up the possibilities for our guests to try something new, and allow our team to open more and more of their favourite wines; some a little unusual, and all delicious," says James Griffin, Beverage Manager at Love, Tilly Devine. "A few to look out for are the incredible skin contact wines of Staffelter Hof, the world's oldest working winery at nearly 1,200 years old, Patrick Sullivan's superb Victorian single-vineyard chardonnays, and the irresistible Poppelvej wines of Uffe Deichmann, McLaren Vale's best lo-fi Danish winemaker." Meanwhile, Adelaideans are invited to Jennie Wine Bar to experience its refined wine collection, where each bottle has a story to tell, from its environmental origins to its grower's personality. More than just a wine bar, you can roam the walls to find the perfect bottle to take home. Shadow Wine Bar is Perth's debut host, where a sleek industrial space comes to life with cuisine and wine delivered with a special nod to Italy. Lastly, Noosa's 16-seat Atelier Wine Bar offers a contemporary cellar-like space primed for indulging in 150 world-class vintages and elegant European-inspired small plates. "A new generation of wine drinkers are increasingly curious, adventurous, and willing to experiment with new varieties and styles. Offering more wines by the glass allows drinkers to find their new favourite variety, region, or style, without taking the risk of buying a whole bottle," says Coravin Founder, Greg Lambrecht. "We are delighted to be working with five iconic Australian wine destinations to bring our World Wine Tour to five states, giving Australian wine lovers an unparalleled level of choice for wine by the glass." The Coravin World Wine Tour takes place across multiple venues around Australia from Thursday, May 1-Saturday, May 31. Head to the website for more information. Images: Kera Wong, Jack Fenby, Jacqueline Jane.
There are many delightful tidbits and details about Sparks, aka "your favourite band's favourite band" as they're often described, including in Shaun of the Dead and Baby Driver filmmaker Edgar Wright's exceptional documentary The Sparks Brothers. One of the latest: that siblings Russell and Ron Mael currently begin their live sets with 'So May We Start'. The song kicked off Annette first, the second of the two films that had everyone talking about the duo in 2021. In the Adam Driver (65)- and Marion Cotillard (Extrapolations)-starring movie, it ushers in as distinctive a big-screen musical as you'll ever see, marionette children and all, as helmed by Holy Motors' Leos Carax and penned by Sparks with the director. At the band's gigs since, it commences an onstage dance through more than 50 years of bouncily, giddily, deeply influential tunes, each one of them gloriously infectious classics. "All pop music is rearranged Sparks," offers Jack Antonoff in Wright's doco. He isn't wrong. Australian concertgoers can experience the truth behind that statement live this spring, when 'So May We Start' no doubt begins Sparks' first visit to Australia in more than two decades. As part of their biggest world tour ever — a feat aided by The Sparks Brothers and Annette introducing them to new fans — they're playing four Aussie dates: solo shows at the Sydney Opera House, Melbourne's Palais Theatre and Fortitude Music Hall in Brisbane; and as part of the packed roster at Adelaide's Harvest Rock II festival alongside Beck, Jamiroquai, Nile Rodgers and Chic, and more. Beck was another of Wright's gushing interviewees, because the list of people singing Sparks' praises is as huge as their back catalogue. The Maels didn't write 'So May We Start' with that prestigious spot on their setlist in mind. "It just seemed like a really cool touch for the story to have something that was outside of the actual story that was about to happen, but with all the cast and characters, but not yet in their roles that they're going to assume," Russell tells Concrete Playground ahead of Sparks' arrival in Australia. "They were just mere actors assembling before the production starts. So we really like that as a conceit." "We like starting a set — I mean, it just seems perfect, obviously, lyrically — but also starting with a song that isn't even from a Sparks album, in a certain way, that it is from an outside source," adds Ron. "Even though it's a film that we wrote — and so it's really fun for us to do it." [caption id="attachment_818979" align="alignnone" width="1920"] Focus Features[/caption] Fun has always been an apt term for Sparks' genre-hopping songs and vibe from their late-60s beginnings through to their latest release, with 2023's The Girl Is Crying in Her Latte their 26th studio album. This is the art-pop duo with an album named Gratuitous Sax & Senseless Violins, an earworm of a song called 'Dick Around' and another track that largely repeats the words "my baby's taking me home", after all — and a band that once staged a 21-night spectacular to play their then 21-album discography in full as well. It's also the group that has worked with everyone from Giorgio Moroder to Faith No More and Franz Ferdinand. And, Sparks now have Cate Blanchett starring in the video for their newest record's eponymous single, fresh from earning her eighth Oscar nomination for Tár. How did that latest collaboration come about? After half a century of ace tunes, what has the renewed attention of the last few years, including their tunes soundtracking everything from Yellowjackets to Justified: City Primeval, been like? Where do they keep finding inspiration for such smart, witty tracks that are both ace as songs and cleverly amusing? Are more movies in their future? Who would they most like to collaborate with? Russell and Ron chatted with us about all of the above and more. [caption id="attachment_923022" align="alignnone" width="1920"] Shot for Dive In Magazine.[/caption] ON GAINING NEW FANS THANKS TO THE SPARKS BROTHERS AND ANNETTE — AND PLAYING BIGGER SHOWS AS A RESULT Russell: "In a certain way, it's just really pretty unique that a band with 26-album-long history is now finding this kind of new and diverse kind of audience after this long of a career. It's not the typical career path for someone to take, where a band that's had a long history now finds itself in the position where things are more on the upswing, and we're playing the bigger audiences. Australia will be the last stop on world tour that we've done through Europe and North America and Japan, and now Australia. And the shows have been bigger and bigger. We've played the Hollywood Bowl in Los Angeles. We did a couple of nights at the Royal Albert Hall in in London, and Glastonbury. And now to be able to come to Australia and play places like the Sydney Opera House, for us it's really special, but it's also really kind of mind-boggling that, at this late stage in a career, to have this kind of acceptance and re-examination of what Sparks is." Ron: "Even the movie thing is strange because we've tried for decades to get a film musical made. Then to have two films, and they both, just by happenstance, came out around the same time — the Edgar Wright documentary, but also Annette, the musical. So it became a concentrated thing even with the films that we were involved in." ON AGREEING TO A SPARKS DOCUMENTARY Ron: "We were really thrilled because he isn't the first director that's approached us, it's happened from time to time earlier, but we were always really hesitant to do a documentary. We always felt that what we were doing as a band really spoke for how we wanted ourselves to be represented in a biographical way, and we felt that it was needless to have a documentary. But then Edgar came along, and part of it was just his enthusiasm, but also our respect for him as a director — and then the fact that within the documentary, he said that he felt personally that all of our different eras were equal in a creative sense, if not necessarily, obviously, in a commercial way. But it wasn't like there was a golden age. So we immediately said yes. We were hoping that the documentary wouldn't just be a dry 'and then this happened' kind of documentary. We wanted it to be like an Edgar Wright film, even though he had never really done a documentary before — and we were thrilled at how it turned out." [caption id="attachment_923021" align="alignnone" width="1920"] Gavin Ross[/caption] ON SPARKS SONGS POPPING UP EVERYWHERE ON-SCREEN SINCE THE SPARKS BROTHERS AND ANNETTE Russell: "I think it has opened up the perception of the band, especially for people in television and in the film world — maybe they've been there all along, but now they've been given more permission to speak out and actually take a stance by putting a Sparks song in their TV series or films. It is really something that's opened up a lot more avenues for us, and even to the point that we're working on another movie musical now because we had such a great experience with Annette. For us, that's something that's really special, showing that Sparks songs aren't just for a certain niche audience — that they can be utilised in ways that are accessible if you want them to be accessible. Just by exposing them to more people, they become accessible. I think that's what Edgar helped to do with the documentary. He just said, 'well, what Sparks is doing needs to be heard by a bigger audience'. And he said, 'if no one else is going to do it, I'm going to be the one that's going to do that for the band'." ON MAKING ANNETTE WITH HOLY MOTORS DIRECTOR LEOS CARAX Ron: "We originally had thought of it as being our next album, and we were going to present it live on stage with just Russell and myself, and then a soprano — just the three of us on stage, and that would be the next Sparks project, and it would be an album. Then just by circumstance, we were at the Cannes Film Festival a little over ten years ago for other reasons, and we were introduced to Leos Carax. We were just chatting with him, and we got along with him really, really well, just in a general sort of way. So we got back to LA and Russell thought, 'why don't we just send Leos the Annette project?' — never having thought that this was a film. And so he read it and listened to all the music and all that was done. He said, 'let me think about this, I really think I might want to direct this'. We were stunned, because we have really great respect for him as a director, but we had never considered this to be a film project. Then couple weeks later, he said 'I would like to direct this'. So it did take eight years from that point to have the film made, but we were more than willing to go through that process because we felt so strongly about it. And to Leos' credit, he was totally committed to making that film. Hollywood directors always have ten, 20 other projects going along at the same time, but he doesn't work that way. It's only one thing, and so for him to focus on, and put just everything that he had, just taking a chance on that one project, it meant so much to us." ON MAKING ANOTHER MOVIE MUSICAL Russell: "Well, we can't really talk too much about the content of it. But the distribution company Focus Features, that released the documentary, approached us and asked if we had anything new that we were working on because they liked Annette a lot. So we told them we did have a new project, and they told to go away and do the screenplay, do all the music for it, and they'd be excited. It's not giving you too much of a clue, but they said that it's an epic musical. Whatever that elicits in in your mind, that's what they're saying it is. We're just really excited to have another project, because we think that the perception of the band, like we just talked about, is seen differently when Sparks music, for whatever reasons, we've had periods that have been commercially successful and less commercially successful. But then we found out that having these other ways of exposing what Sparks does, that it's really helped then to reflect back on Sparks music itself. Doing a movie musical, people that saw it that didn't know the band, then they were curious to examine what Sparks is. And the same with the documentary, the people that weren't aware of the band to that degree, then they went back and rediscovered our back catalogue of music. So it's a way for us to channel what we're doing musically, but in other ways — and then in turn, it helps to also put Sparks in a bigger picture." ON FINDING SONGWRITING INSPIRATION ACROSS HALF A CENTURY OF MAKING MUSIC Ron: "At the beginning, you get some inspiration from outside sources — not so much in a general way, but from musical outside sources. We were influenced by British bands that were the more flashy ones, like The Who and The Kinks, and The Move and all. That was really the source of the inspiration for us, even when we were in Los Angeles before moving to London in the middle 70s. But since that time, the inspiration is just hard to pinpoint where that comes from. I think we're just inspired knowing that we're doing things that we want to hear, and so we haven't kind of reached the point where we run out of those ideas. Things don't just come to us. You have to pursue them. So there has to be just that motivation to do things where there might not be a payoff that particular day, but that you have the faith that at some point it will." ON MAKING MUSIC THAT YOU CAN DANCE TO, AND ALSO LAUGH WITH Russell: "Obviously it's always a challenge, and the more the more albums you have, it becomes more of a challenge to come up with stuff that both excites you and that you think isn't kind of rehashing what you've done in the past. To have humour in a song, but where it's not the sole element of the lyrical slant, that it's just funny — we like to think that things can have humour, but also have a balance to them where there's another side to it that might be deeper or more emotional, too. Things don't have to be black or white, or 'ohh it's funny' or 'it's serious'. There could be some other shade to it. That for us is really exciting — to be able to come up with stuff that that is in that grey area." ON GETTING CATE BLANCHETT TO STAR IN VIDEO FOR 'THE GIRL IS CRYING IN HER LATTE' Russell: "We met her at the César Awards in Paris two years ago. We were there performing and nominated for a bunch of awards for Annette, and we performed 'So May We Start' at the César Awards as well. We were the only act doing a live song performance at the Césars, which was really exciting on its own. And then it turned out we also won for best music, and the film won a whole bunch of awards as well. Cate had come to our dressing room and introduced herself, and were floored that Cate Blanchett would even know who Sparks was, let alone say that she was a fan of the band since she was growing up in Australia. And we remained in touch, and we've become friends. So it came time to do the first video for this album, and so we thought 'let's call Cate' and 'surely Cate will have an idea' where we didn't know exactly where we wanted the video to be heading. Then she heard the song. She really responded to the song — really, really loved it, and said 'yes, I would like to be in the video'. We didn't even discuss what she would be doing. We just said just 'do what you want to do and we're sure it'll be great.' That's open-ended, but she came up with that dance that she does, and the thing of it, her just being immobile for a lot of it, and then all of a sudden kicking into her dance during the chorus parts of the song — that was all 100-percent Cate." [caption id="attachment_923020" align="alignnone" width="1920"] Gavin Ross[/caption] ON THE DREAM COLLABORATION THAT SPARKS WOULD LOVE TO DO NEXT Ron: "We played a festival in Spain probably about eight years ago, and Public Enemy were playing there. We were bold enough to go up to Chuck D and then shyly drop the idea, 'you know, if you ever wanted to collaborate on anything, we're definitely open to it'. I'm not sure whether he was just being polite, but he seemed to show some interest and gave me the telephone sign. So we're hoping at some point that could happen. It might not be obvious from our music, but we're both huge fans of Public Enemy, and just their live show is in incredible, just the sound of their music and the intensity of it. So we're hoping at some point — I mean, that would be a dream collaboration for us." Sparks tour Australia in October and November 2023, playing solo shows at Melbourne's Palais Theatre (on Thursday, October 26), the Sydney Opera House (Tuesday, October 31), and Fortitude Music Hall in Brisbane (Thursday, November 2) — and as part of the packed lineup at Adelaide's Harvest Rock II festival (on Sunday, October 29). For more information and tickets, visit the Harvest Rock website and the Secret Sounds website. Top image: Munachi Osegbu.
'May you live in interesting times.' Ancient Chinese curse Interesting times indeed. As the world collectively bites its nails while watching the US government sink, literally by the second, further and further into unfathomable debt, Apple is doing OK. Really OK, in fact. Latest figures show that while the US government has an operating cash balance of US$73.7 billion dollars (they are currently spending 200 billion dollars more a month than they are collecting), Apple has US$76.4 billion in its piggy bank. That's right — Apple officially has more money than the US government. Apple's success is mostly due to their recent iPhone sales, with an estimated 20 million units shipped in the last quarter. As the US government is estimated to finish the year with a US$15 trillion debt, Apple predicts to be bringing in about 25 billion dollars. So while there may be no government money to pay for pensions, schools and hospital, you can rest assured that we will still be able to text. And if you want to get your head around just how much a 15 trillion dollars is but find the endless zeros confusing, these visuals should help. We'll never think about the Statue of Liberty in quite the same way again.
