The illustrious restaurant Noma, the same one that consistently tops dining lists across the world, will be closing its doors after one last blowout on New Year’s Eve 2016. It will be a sad occasion, but not to worry; like the phoenix or a feathered Pokemon equivalent, Noma will rise again in 2017 in a new, evolved form. Noma head chef René Redzepi told the New York Times that although business at Noma is booming, it’s time for a dramatic change, and he was not kidding. Noma will move from its cute nook in the middle of picturesque Copenhagen to the outskirts of town where the extra space will be dedicated to an urban farm, a greenhouse, a farming team and a field that floats on a raft. The menu will be have a dramatic overhaul as well. Ex-Noma chef Trevor Moran will return to help with the expansion and commented that the menu will change with the seasons, from game and mushrooms in the fall to a full seafood menu in winter. And, rather poetically, Redzepi says when “the world turns green ... so will the menu”, meaning that, for several months a year, Noma will be a completely vegetarian establishment. If you have fat stacks and want to catch a taste of OG Noma before its closure (without travelling all the way to the Denmark), then get to its Sydney pop-up in Barangaroo, where they’ll be setting up shop for ten weeks in late January 2016. Better get in quick though; the Noma Tokyo pop-up accrued a 60,000-person waiting list, so register your interest on the Noma website ASAP. Via New York Times.
Finally, coveted New York fashion label rag & bone has landed in Australia. Now open in Melbourne's CBD shopping district, The Strand, the US brand has unveiled a characteristically minimalist, 1150 square feet space. Haven't stumbled upon it yet? Take a look. Features include a glass façade and interiors decked out in rag & bone's signature industrial style with exposed ceilings and concrete floors. Endeavouring to become a true Melburnian, the brand has also collaborated with local Australian designers to include unique fixtures in the space, like custom tube pendant lighting, brass shelving and walnut detailing. To complete this highly visually satisfying space, the label will host media installations in-store, kicking off with the SS17 campaign film playing throughout. Among the modern industrial look of the new store, rag & bone's women's ready-to-wear, /JEAN, accessories and footwear collections sit, ready to tempt your wallet with tailored silk shirts, satiny slip dresses, wide-neck and off-the-shoulder knits and plenty of denim. Australia, it's time to inject some New York style into your wardrobes. Find the new rag & bone shop at 320 Elizabeth Street, Shop T21 in The Strand.
As if alcohol alone doesn't do enough to unleash your inner, six-year-old self, you can now embrace it shamelessly — that's if you happen to be in San Francisco and anywhere near that city's latest thing: a pop-up ball pit in your local bar. Yep, you read that right. A brilliantly regressive-thinking organisation by the name of Forward Motion has turned every kidult's dream into a reality. The team is heading into willing bars and nightclubs, setting up enormous pits, and filling them to the brim with balls of all colours. And you're welcome to jump straight in — even if, or especially if, you're armed with a cocktail. Forward Motion held its first pop-up on Saturday, March 19 and Sunday, March 20 at San Francisco's Romper Room. "It took a little over a year to actually make it happen, as the biggest obstacle was trying to raise enough money to purchase 40,000 ball pit balls," Forward Motion founder Ryan Lum told Mashable. "After several failed crowdfunding attempts, I decided to just start selling tickets to [the] event that didn't even exist. It took a long time trying to raise the money but it was all worth it in the end." Not only did stacks of people attend, they made the most of it. Some dressed as brides and one as a kangaroo. There were ball fights, conga lines, limbo matches and Macarena displays. The bar staff got on the bandwagon, too, throwing a plastic green turtle into the pit and offering a free shot to the first person to find it. Forward Motion, you are hereby officially invited to Australia. In the meantime, readers can cry with envy at ball pits happening on the other side of the Pacific by following announcements on Facebook. Via First We Feast and Mashable. Images: Dollar Photo Club and Miracles Ramirez/Forward Motion.
Team Zissou, pack your vintage suitcase and meet us in Italy. Wes Anderson has designed a bar/cafe in Milan. Snuggled inside Prada's new art and culture complex, Fondazione Prada, set to open this weekend, Bar Luce has been designed by the baron of twee himself — and it predictably looks straight out of one of his films. As if planning a theme park with Devo's Mark Mothersbaugh wasn't enough work. Resembling some kind of Grand Budapest Hotel lobby cafe, Anderson's cafe is filled with pastel Formica furniture, faux-cornice patterned wallpaper, veneered wood wall panels and terrazzo flooring — an attempt to recreate the vibe of a typical Milanese cafe. The aesthetic, according to Fondazione Prada, is reminiscent of '50s and '60s Italian popular culture; something Anderson actually employed for his Prada short film Castello Cavalcanti, starring (as always) the excellent Jason Schwartzman. Anderson's also given aesthetic nods to Italian neorealist cinema classics like 1951's Miracolo a Milano (Miracle in Milan) and 1960's Rocco e i suoi fratelli (Rocco and His Brothers), both set in Milan. But for modern Anderson fans, there's even a Zissou pinball machine. One to usually keep things symmetrical, Anderson told Fondazione Prada, "There is no ideal angle for this space. It is for real life, and ought to have numerous good spots for eating, drinking, talking, reading, etc. While I do think it would make a pretty good movie set, I think it would be an even better place to write a movie. I tried to make it a bar I would want to spend my own non-fictional afternoons in." The Bar Luce menu is yet to be revealed, but we're going to hope there's a few Anderson references in there; perhaps sweet lime drinks, Mendl's Courtesan au Chocolats, or Red Remarkable winter apples. If you're stopping Milan, Bar Luce is open to the public and can be accessed from Via Orobia, Prada. It's open from May 9, from 9am to 10pm. Via Wired. Images: Candy, Prada and Fondazione Prada.
After yesterday's Oscar snub, Richard Linklater could be looking at another go at Boyhood. Maybe. According to a probably-too-hopeful Flavorwire, the director has tossed up the epic idea of creating a sequel to the Best Picture nominee 12-years-in-the-making. In a recent podcast interview with Jeff Goldsmith, Linklater was asked about a potential sequel; an idea he had blatantly discarded until recently. But there could be a glimmer of possibility for the already Academy Award-winning director. "To be honest… this film first met its audience exactly a year ago and for the first six months of the year, my answer to that was absolutely not. This was 12 years, it was first grade through 12th grade; it was about getting out of high school. I had no idea about another story, there’s nothing to say. It hadn’t crossed my mind. "But I don’t know if it’s been a combination of finally feeling that this is over or being asked a similar question a bunch over the last year, that I thought, well, I wake up in the morning thinking, 'the 20s are pretty formative, you know?' That's where you really become who you’re going to be. It’s one thing to grow up and go to college, but it’s another thing to… So, I will admit my mind has drifted towards [a sequel]." Sure, this isn't a confirmation, but we can dream. Could we see another Before trilogy set-up happening with Boyhood? Poor Ellar Coltrane thought he was out of the water. Via Flavorwire.
Shelves of board games. Rows of arcade games. A wall of old-school consoles with retro televisions to match. Daytona given pride of place. The sound of The Simpsons' theme filtering through the playing space. Welcome to Netherworld, which earned the honour of being Brisbane's first arcade game bar when it opened in 2017. If you like hitting flippers, smashing buttons and passing go, all while drinking brews and eating burgers, you'll like it here. Trust us. Don't go thinking that this is a nerd dungeon, however. The Fortitude Valley venue is accessible for everyone that's keen on pairing their beverage with something fun. Like Holey Moley Golf Club just a few blocks away, having a good time is the name of the game here (and yes, shuffling between the two is one of Brisbane's best pub crawls). From the moment that you walk into Netherworld, you'll notice a laidback vibe — and games a plenty, unsurprisingly. If cards, counters, dice and decks all form part of your preferred kind of gaming, you're in luck. Everything from a Fallout-themed edition of Monopoly to Settlers of Catan to Balderdash can be or have been found on Netherworld's shelves. They're all be free to play for patrons — and if there's a better thing to do while knocking back one of the bar's craft beers, with a focus on local brewers, we can't think of one. [caption id="attachment_622335" align="alignnone" width="1920"] Sarah Ward[/caption] Okay, maybe we can: roaming between the venue's rooms pumping shiny Netherworld tokens or coins into pinball and arcade machines, the main attraction. Mosey past the heritage-listed bar itself — which has been given a nice touch-up, but still boasts the requisite retro feel for anyone feeling nostalgic — and you might NBA Jam, Space Invaders, Frogger, Centipede, Double Dragon, Street Fighter, Pac Man, Donkey Kong and more, with the range changing and rotating. Pinball-wise, tables devoted to Ghostbusters, The Addams Family, Metallica, The Twilight Zone, Batman, Tales from the Crypt and Flash Gordon could await. There's more, namely Nintendo, Sega and Atari video game consoles hooked up to classic TVs (because you can't go OG with one and not the other), plus bright, lively murals pushing Netherworld's monster theme, and a few spooky characters if you look up in the right spot. A stage, projector and pull-down screen sit at the end of the space, with live gigs and film screenings also on the hangout's agenda. For a place named after somewhere hellish or hidden, it's all rather inviting, which also fits the food and drink lineup. At the Hellmouth Diner, American and Japanese influences infiltrate a selection of bar fare that aims higher than the greasy usual bites to eat. All standard items such as burgers, karaage and bowls are also vegan-friendly, though meat and dairy can be added. Images: Cole Bennetts / Sarah Ward.
If there's one place in New South Wales — well, besides Sydney — that's embraced the state's newly liberated small bar culture, it's Wollongong. Like that of the harbour city, The Gong's night life used to be all about rowdy pubs and dance clubs. Now, we're not saying there's anything wrong with that — sometimes, there's no better way to end a working week than sinking a few and tutting like you're Taylor Swift in utter anonymity — but, like the great Latin writer Publilius Syrus quipped: "The most delightful pleasures cloy without variety". And during the past decade Wollongong, which you'll find just a 90-minute drive south of Sydney, has diversified. In the city's easily walkable centre, you'll stumble across a bluesy whiskey den, a laneway warehouse plastered with street art, a pocket-sized wine bar with a giant-sized wine list, a hatted hideaway serving French degustations and a waterfront pub championing microbrews. And that's just the start of it. Beyond the streetscape, there are beaches, mountains and woodlands galore. In one weekend, you can ride a horse through rainforest, picnic by a waterfall, cruise clifftops on the back of a Harley, loop de loop in a WW2 biplane and, needless to say, take your pick of beaches to swim at. Speaking of which, Wollongong's sandy coastline gives you two options, north and south of Flagstaff Point. On one side, there's the calm, swimmer-friendly North Beach, while on the other is the wild, 3.1-kilometre long City Beach. For more, skip town to visit the string of seaside villages that make up the outer northern suburbs, watched over by the spectacular, 400-metre high, sandstone Illawarra Escarpment. Here's your guide to eating, drinking and adventuring your way through a Wollongong sleepover. [caption id="attachment_569010" align="alignnone" width="1280"] Sage Hotel via Wotif[/caption] STAY To wake up just a stumble away from a swim, check into the Sage. Once known as the Chifley and taken over by Silver Needle Hotels in 2015, this four star, 11-storey, 168 room hotel is across the road from City Beach. For fantasy novel-inspiring panoramas of a morning mist-enshrouded Mount Keira, ask for a north facing balcony room or suite. Wherever you are, you'll get invigorating ocean breezes, a super comfy bed, a 40-inch tele and cosy armchairs. When the surf's too rough for a dip, plunge into the spacious lap pool. Buffet brekkie — served on the hotel's Five Islands Terrace — comes with dazzling ocean views, while downstairs at Cold Water Creek Restaurant and Bar, you can slip into a red-cushioned booth anytime and build your own burger. [caption id="attachment_569278" align="alignnone" width="1280"] South Coast Bike Hire[/caption] DO To make zipping around town a cinch, rent a bicycle from South Coast Bike Hire, who'll deliver the bike to your doorstep. Stick to scooting from one bar to another or, if you're keen to counter your excesses with a workout, conquer the waterfront cycleway, which runs between Port Kembla and Thirroul, where you can cool off in a 1930s ocean pool, grab a coffee at Gidget's, browse local art or take a surfing lesson with Illawarra Surf Academy. All in all, Wollongong has 42 kilometres of shared paths. For more scenery (at a much faster speed) take a High Adrenaline Ride and Fly Tour. Just Cruisin' Tours' Steve Melchior will roll up at your hotel, pop you on the back of his Harley and lead you on a twisting, turning, coast-hugging journey along Grand Pacific Drive, which runs as far north as the Royal National Park. Hold on when you hit Sea Cliff Bridge, a dizzying series of curves suspended 665 metres above the ocean, backdropped by sheer cliffs. If you're travelling with a mate, book the Boom Trike. [caption id="attachment_569088" align="alignnone" width="1280"] Southern Biplanes[/caption] Afterwards — or perhaps before — Steve will transport you to Southern Biplane Adventures, where you'll jump aboard a fire truck-red biplane known as Lilly Warra. She's a bonafide World War Two veteran, built in 1943 to perform military aerobatics. Your pilot will strap you into the open-air cockpit and take you soaring hundreds of metres above the Illawarra coastline. Just how gnarly things get is up to you; settle in for a straightforward right-way-up joy flight or order as many tricks as you can handle, from a wingover (a steep climb followed by a sideways fall) to a loop de loop (a 360-degree, upside down turn). To see the Lilly Warra — and hundreds of other stunt planes — in action, head to Wollongong on the weekend of April 30 for the annual Wings Over Illawarra Air Show. And, for a journey through Australia's aviation history, swing by the nearby Historical Aircraft Restoration Society Museum, where you can sit in the cockpit of a Vietnam War fighter jet. [caption id="attachment_569102" align="alignnone" width="1280"] Otford Farm[/caption] Done with the adrenaline pumping? Make tracks to Otford Farm to explore at a gentler pace. This Lords of the Rings-esque property is home to 40 or so horses, who spend most of their time roaming freely across its 300 acres, but will cheerfully take you for a ride if you ask nicely. The three-hour Bald Hill Adventure trail ride is a magical journey through dense rainforest, alongside babbling creeks and across open woodlands. You'll stop at the hang gliding mecca of Bald Hill Lookout and the pretty Kellys Falls Picnic Area on the way. Short on time or not ready to commit to 180 minutes on horseback? Book a one- or two-hour stroll instead. [caption id="attachment_569091" align="alignnone" width="1280"] Caveau[/caption] EAT UK-born Peter Sheppard was just a kid when he decided to become a chef. Some years later, after training at Sydney's Banc, he moved to Wollongong, where he opened Caveau in 2004. In 2005, his French-inspired creations earned a Good Food and Travel Guide Chef Hat — and they've won one every single year since then. Any day of the week, plonk down on a turquoise polka dot chair in one of the hushed, dark dining rooms and work your way through a seven-course degustation. Like the furniture, the plates are splashed with bright colours, from brilliant purple baby beets to bright red heirloom tomatoes to vibrant warrigal greens. Sheppard sources local, organic produce and pursues a nose-to-tail philosophy, ensuring nothing is wasted. Vegetarians can expect to be treated with equal respect as carnivores; the meat-free degustation is not just an afterthought, but a masterpiece in itself. For a more casual chow down in an epic setting, there's Three Chimneys. Hidden down an alleyway and covered in street art, it's a former warehouse turned hospitality kingdom, incorporating not only a restaurant and bar, but also a coffee roastery, bakery and live music venue. Flop onto a corner couch and keep to yourself, get loud at a communal table or hit the dancefloor. The share plate menu is made up of tasty, tasty morsels in generous portions, from 12-hour braised lamb sliders to crumbed camembert with cranberry sauce. [caption id="attachment_569139" align="alignnone" width="1280"] Diggies[/caption] Several cafes serve up high quality breakfasts and lunches. To start your morning right — that is, overlooking North Beach — reserve a spot at Diggies. Local brothers Stan and Aaron Crinis have been feeding ravenous surfers in this airy, heritage-listed, former cottage for more than a decade. Dig into brioche toast with strawberry compote and mascarpone cheese or sweet corn fritters with a poached egg, sour cream, smoked salmon and a rocket and zucchini salad, and you'll be ready for anything the day throws at you. [caption id="attachment_569133" align="alignnone" width="1280"] Humber[/caption] At Humber, a three-level, triangular cafe-bar in an 80-year-old building, slide onto a jade banquette and tuck into a plate of slow-baked ocean trout with eggs, or a dish called Mushroom Thyme, which features five types of local mushies. At least 50 percent of all produce comes from within a 100-kilometre radius. On the third floor, there's a lovely, laidback rooftop bar serving cocktails and tapas by evening. Throughout April, the eatery will hold Humberfest, which will see a slew of special events, from yoga lessons to mixology classes to movie nights, come to life. [caption id="attachment_569143" align="alignnone" width="1280"] lee and me[/caption] Just down the road in an 1890s terrace house, you'll find lee and me, recognisable from the bicycle in the window. There's a cafe downstairs and a retail space called THE STORE upstairs. So, you can contemplate buying fresh flowers and cool furniture, in between nibbling away on a shredded chicken sub with pickled carrot, or a roast lamb toastie with baba ghanoush, onion jam and Gruyère. Owners Benny and Naomi Hudson have a second outpost in the form of laneway burger joint His Boy Elroy, which turns classics into fun new inventions. The Heisenburg-er, for example, is packed with southern fried chicken, iceberg lettuce, hot sauce and a secret blue sauce. Take the Grand Pacific Drive back to Sydney to stop in at Thirroul (we recommend Postmans Quarter in an old 19th century building that used to house a bank) and/or one of the most spectacularly-located pubs in Australia, The Scarborough Hotel. Passing by on a clear day? Bags a table on the top floor terrace, order a seafood plate and a bottle of sparkling, and don't make any plans to go anywhere else until sundown. Should you miss out on the terrace, a table in the vast, grassy beer garden is a happy second prize — and there are Pacific Island-style thatched huts for groups. [caption id="attachment_569136" align="alignnone" width="1280"] The Throsby[/caption] DRINK For a pre-dinner wine or a quiet chat, slip into The Throsby, a 50-seater bar that's been keeping locals hydrated since December 2014. Owners Erick Zevallos and Maddie Sullivan have taken care of every detail, from the Scandi-style high stools to the hanging plants to the 53 variety-strong wine list showcasing small winemakers from all over the world. Later on, venture to dimly-lit Howlin' Wolf to sample the ever-changing 100+ whisky collection — and if you visit on Thursday, Friday or Saturday night, you'll be able to kick back to live music. [caption id="attachment_569137" align="alignnone" width="1280"] Illawarra Brewing Co.[/caption] Meanwhile, you'll get a view with your brew with a view at The Illawarra Brewery, just opposite City Beach (and not far from the Sage Hotel). Claim an outdoor seat and work your way through a tasting paddle, which covers a handful of offerings from the Illawarra Brewing Company brewhouse. In-house bistro Smoking Barrels dishes up a stack of exceptionally moreish American-style creations, including a salt and chilli-fried soft shell crab burger and sticky barbecue hot wings with smoked mayo. If you're wondering why the meat's so full of flavour, it's all slow-cooked in their custom made, Texan-style smoker. To find out more about the brewhouse, drop by its headquarters in North Wollongong, where you'll meet brewer Dave McGrath, watch the brewing process in motion and taste to your heart's content. Walking in, you'll notice a basketball hoop — manage three slam dunks and you'll be taking home a free growler, filled with your beer of choice. The Chuck Norris is very, very hard to go past. [caption id="attachment_569280" align="alignnone" width="1280"] Jonathan Mueller via Flickr[/caption] LET'S DO THIS; GIVE ME THE DETAILS Wollongong is about 90 minutes south of Sydney. You can drive or take the South Coast Line train from Sydney's Central Station to Wollongong Station. Jasmine travelled as a guest of Destination NSW. Top image: Maksym Kozlenko via Wikimedia Commons.
Charging your smartphone will soon be as foolproof as placing it on your coffee table. Taking already existing technology and fusing it into your own home, Swedish retail giants and regular media-baiting happening creators Ikea have jumped on wireless power capabilities to release built-in wireless charging furniture. According to the Wall Street Journal, this will be the first time built-in wireless chargers are available to consumers from a mass-market furniture retailer. Ikea made the big announcement on Sunday at Barcelona's Mobile World Congress. They've recruited the likes of Qi for the collection, a wireless power standard from the Wireless Power Consortium (WPC). Alongside two other standards, this is one of the companies responsible for the wireless charging technology you would have already seen in airports, cafes and hotels and generally lost your shit over a few years ago. But until now, major furniture stores haven't taken advantage of the downright convenience of the technology, or the logic in embedding the charging capability in surfaces you already rest your smartphone on during charge times. So how does it work? Qi does away with all those dastardly cables and the annoyance of choosing between model connections, as the furniture itself is the one plugged in. When switched on, the lamp base, coffee table or side table's energy or bookshelf transfers to your smartphone or tablet (yep, maaaaagic), depending whether or not it supports Qi charging — there's 81 Qi-compatible types of smartphone, but iPhones aren't one of them, sorry Apple fans. Apparently the wireless charging-capable furniture will cost a mere $22 more than regular furniture from Ikea, proving the Swedish homeware giants truly have money to burn and credibility to gain. If all goes well with the embedded furniture line, you could be able to buy a wireless charging kit to fit to your existing, beloved dining table soon for about $34, which is a lot cheaper than replacing all those lost, broken chargers of yours. The wireless-charging furniture collection will hit Ikea shelves in Europe and the US on April, 15, followed by a global roll-out, so keep 'em crossed. Via Wall Street Journal.
With the world still reeling after losing one of its most iconic voices, two of Australia's best repertory cinemas are paying tribute to his legacy. In the wake of Prince's sudden passing, both The Astor in Melbourne and the Hayden Orpheum in Sydney have announced upcoming screenings of 1984's Purple Rain, giving fans the chance to see the artist weave his magic on the big screen once more. The Astor will hold two screenings — one on the afternoon of Saturday, April 30 and a second (added due to the first selling out in record time) a week later on Saturday, May 7. What's more, $1 from each ticket sold going to Edgar's Mission, a non-profit sanctuary that provides assistance to rescued farm animals. More than 2,000 people have already expressed their interest on Facebook, so anyone hoping to attend had better snap up tickets fast. The screening at Hayden Orpheum will take place a few weeks later, on the evening of Friday, May 13. The cinema previously payed tribute to rock legend David Bowie and recently departed actor Alan Rickman with a special screenings of Labyrinth and Harry Potter and the Deathly Hallows Part 2 earlier in the year. Prince's death has sent shock waves through popular culture and inspired countless tributes, from Spike Lee's massive Brooklyn block party to landmarks lighting up purple in cities around the world. US President Barack Obama described him as a "creative icon." https://www.youtube.com/watch?v=AuXK8ZbTmLk Find out more about Purple Rain at The Astor here and The Hayden Orpheum here. Updated: April 26, 2016.
Chef Matt Stone wants to you to make a bar out of your own backyard. Really. Melbourne's young gun head chef of Victoria's Oakridge winery, Stone made his industry name as head chef of Joost Bakker's Greenhouse, Silo and Brothl, then as the culinary brains behind IconPark's Sydney pop-up Stanley Street Merchants and a MasterChef regular. At his core, Stone's a stickler for ethical and sustainable cooking, so he's just released his first cookbook The Natural Cook to help fuel some of that philosophy in everyday Aussie kitchens. The (extremely well photographed) cookbook's brimming with recipes meant to make you rethink food, bring you back to basics, try traditional techniques, adopt new sustainable cooking habits and make the best of the bounty of native ingredients Australia's got going on (one of the most sustainable ways Australians can cook). Of course, the book champions Stone's infamous 'zero-waste' philosophy, whether you're making yoghurt, pickling things or making a Bloody Mary. We've taken a couple of recipes out of of Stone's book, to show you how easy it is to incorporate native Australian ingredients into your everyday — well, into your cocktails in particular. Here's a little humdinger of a recipe for an Aussie South Side, topped with, y'know, a small serving of ants. Once you've crafted this gem, try making Stone's Native Spiced Bloody Mary (recipe's over here). MATT STONE'S AUSSIE SOUTH SIDE "A refreshing taste of Australia for a spring afternoon." INGREDIENTS Serves one ice 60 ml (2 fl oz/¼ cup) white spirit (gin, vodka or white rum) 30 ml (1 fl oz) freshly squeezed lime juice 10 ml (2 teaspoons) basic sugar syrup (see page 209) 7 Australian river mint (or regular mint) leaves small plate of ants and 1 lime wedge (optional) Fill a serving glass with ice and let it stand. Put the spirit, lime juice and sugar syrup, and all but one of the mint leaves, into a shaker, giving the mint a clap between your hands to excite its flavour before throwing it in. Fill the shaker to the top with ice, seal and shake vigorously for around 15 seconds. Discard the ice from the serving glass. If using ants, rub a wedge of lime around the rim of the glass. Gently press the rim onto your ants, twisting the glass so they stick all the way around the circumference. Put three to four cubes of fresh ice in the glass. Double-strain the liquid from the shaker into the glass using your Hawthorne and fine strainers. Stick the reserved mint leaf on top and serve. Note: There are specialist online shops where you can buy ants and other edible insects. Recipe and image from The Natural Cook by Matt Stone (Murdoch Books). Photography by Mark Roper RRP $39.99 available now in all good bookstores and online.
Nearly 400 films reached cinemas in this part of the world in 2017. That's not going to change in 2018. Whether you're the kind of cinephile that heads to the movies several times a week or you'd rather save your big-screen viewing for the flicks you're most excited for, the result is the same: you're spoiled for choice. Indeed, whether you've worked through all of last year's great movies or you're still playing catch-up on some you might've missed, a new annual calendar means a whole new batch of must-sees. In the twelve months ahead, that includes the usual onslaught of sequels, remakes and ongoing sagas, plus plenty of movies that have been winning awards — including recent Golden Globes recipients The Shape of Water and Lady Bird. And then there's these, our ten picks for 2018. https://www.youtube.com/watch?v=89OP78l9oF0 ANNIHILATION No longer one of the sci-fi big-screen highlights of 2018, the second film from Ex Machina writer/director Alex Garland is heading straight to Netflix in this neck of the woods. And while it's incredibly disappointing that audiences won't get to see this journey through an environmental disaster zone in a cinema as it was meant to be seen, it still looks like it'll be a thrilling, unnerving, immersive treat no matter how you watch it. Based on the novel of the same name, the movie follows a biologist, Lena (Natalie Portman), who goes searching for answers when her soldier husband (Oscar Isaac) returns injured from his own jaunt. Jennifer Jason Leigh, Gina Rodriguez and Thor: Ragnarok scene-stealer Tessa Thompson also feature, and we're guessing Isaac probably won't tear up the dance floor in this. On Netflix in early March. https://www.youtube.com/watch?v=UhZ56rcWwRQ A WRINKLE IN TIME After giving quite the inspirational Golden Globes speech, everyone's talking about Oprah. Expect it to continue come March. She mightn't take acting roles all that frequently, but playing a celestial being in the long-awaited adaptation of 1962 science fantasy novel A Wrinkle in Time seems the perfect part. As directed by Selma's Ava DuVernay, and also featuring Reese Witherspoon, Mindy Kaling, Andre Holland, Zach Galifianakis and Aussie Levi Miller, the film focuses on Meg Murry (Storm Reid), who has to save her astrophysicist father (Chris Pine) from a distant galaxy. Sure, there's another Star Wars movie out this year — but notch this one up as a different type of space story. In cinemas March 22. https://www.youtube.com/watch?v=dt__kig8PVU ISLE OF DOGS Wes Anderson making a stop-motion animated movie about a dystopian future where dogs have been quarantined on their own Japanese island? Shut up and take everyone's money. Four years after The Grand Budapest Hotel, the American filmmaker is back with what might be his cutest flick yet — and given how gorgeous his general aesthetic is, including his previous animated effort Fantastic Mr. Fox, that's saying something. A high-profile roster of Anderson regulars and other famous names voice canines and humans alike, such as Greta Gerwig, Scarlett Johansson, Bill Murray, Jeff Goldblum, Tilda Swinton, Bryan Cranston, Edward Norton and Frances McDormand. And as for Isle of Dogs' story, it centres on a boy who makes his way to the island in search of his beloved pet pooch. We can already hear you saying awwwwwwwwwwwww. In cinemas April 19. https://www.youtube.com/watch?v=JLjLbl4G1wA OCEAN'S 8 Most franchises, as the chapters roll on, aim for bigger and better. Don't mistake Ocean's 8 smaller number for doing the opposite. This all-female heist flick doesn't need 11, 12 or 13 folks to pull off the ultimate job: at the Met Gala. Leading the formidable gang of law-breaking ladies is Sandra Bullock as Debbie Ocean, while Cate Blanchett, Anne Hathaway, Sarah Paulson, Mindy Kaling, Helena Bonham Carter and none other than Rihanna are also among the cast. And, given the setting, expect more than a few high-profile cameos. Given the gender-swapped premise, expect an entertaining new instalment in the series as well, as directed by The Hunger Games' Gary Ross. In cinemas June 28. [caption id="attachment_653695" align="aligncenter" width="1920"] Juno Temple in Vinyl[/caption] UNSANE Steven Soderberg mightn't be sitting in the director's chair for the latest Ocean's effort, but the ever-prolific filmmaker has something else up his sleeves. For part of last year, it was his iPhone — which the Logan Lucky and The Knick director used to shoot his latest flick, a mind-bending psychological horror flick. Called Unsane, it's unsurprisingly set in a mental institution, though that's probably the last part of the movie that'll play to your expectations. As for everything else, it was filmed in secret so much is clouded in mystery, although The Crown's Claire Foy and Vinyl's Juno Temple star, and the narrative revolves around a patient forced to face her greatest fear. Release date TBC. [caption id="attachment_529773" align="aligncenter" width="1280"] Rachel Weisz in Yorgos Lanthimos' The Lobster[/caption] THE FAVOURITE If Yorgos Lanthimos knows just how to press your buttons — and if The Lobster and The Killing of a Sacred Deer managed to do exactly that — then pencil his 2018 release into your diary. With The Favourite, the acclaimed Greek filmmaker appears to be in new territory, though you can bet his biographical drama about Anne, Queen of Britain won't be the usual monarchy-focused effort. Joining him in this exploration of the 17th- and 18th-century sovereign are The Lobster's Rachel Weisz and Olivia Colman, plus Emma Stone and Nicholas Hoult. With Lanthimos proving a director that's continually fascinated with the transactional nature of our society, setting his sights on royalty seems an absolutely natural fit. Release date TBC. [caption id="attachment_629012" align="aligncenter" width="1920"] Robert Pattinson in Good Time[/caption] HIGH LIFE 2018 is shaping up to be a great year for sci-fi fans. Case in point: High Life. It's not what you'd expect from almost everyone involved — other than Robert Pattinson, who has well and truly been filling his post-Twilight resume with interesting and downright excellent choices. He's among a group of criminals sent towards a black hole, all as part of a quest to find an alternative energy source. And, he's starring alongside French great Juliette Binoche, A Cure for Wellness' Mia Goth and Outkast's Andre Benjamin, under the direction of iconic filmmaker Claire Denis (35 Shots of Rum, Bastards, Let the Sunshine In), who is making her first English-language feature. Release date TBC. [caption id="attachment_653679" align="aligncenter" width="1920"] Suspiria (1977)[/caption] SUSPIRIA Horror remakes aren't always met with excitement, particularly when a classic of the genre gets the second go-around. Suspiria, however, shouldn't earn your caution — thanks to Call Me By Your Name's Luca Guadagnino sitting at the helm. The original is the darkest dance-related movie you're likely to see, as well as a wonder of Italian giallo cinema, delving into the sinister secrets behind a prestigious dance academy. Living up to it is quite the task, but the I Am Love and A Bigger Splash director has been on a very impressive streak of late. On-screen, Dakota Johnson, Chloë Grace Moretz and Tilda Swinton are among the stars sashaying (and screaming) their way through the end result. Release date TBC. PSYCHOKINESIS There's no shortage of superhero films due on our screens this year, including Black Panther, Venom, Aquaman, a couple of X-Men-related efforts, Daredevil 2 and more. Yes, the list goes on. And yet, a Korean black comedy about a man who discovers he has superpowers might be the one to beat. Seeing something other than the fiftieth instalment in a cinematic universe is always welcome, and director Yeon Sang-ho already turned his take on one busy genre — zombies — into an engaging thrill ride courtesy of Train to Busan. Fingers crossed Psychokinesis make the big screen on our shores, but if not, look for it to stream on Netflix. Release date TBC. [caption id="attachment_653694" align="aligncenter" width="1920"] The Happytime Murders concept art[/caption] THE HAPPYTIME MURDERS There aren't enough movies about puppet private detectives. Really, there isn't. This adult-centric film comes with quite the pedigree, however, with Bill Henson — son of The Muppets puppeteer Jim Henson — in the director's chair. A comedy and a thriller all in one, it's set in a world where people and puppets live (and kill) side-by-side. Only one can hunt down a serial murderer targeting the cast of a famous '80s TV show, and that'd be ex-cop Phil Phillips (Bill Barretta). Amongst the mountains of felt, Melissa McCarthy stars as his ex-partner, Maya Rudolph as his secretary, Elizabeth Banks as a former flame and Joel McHale as an FBI agent. Release date TBC.
When you picture a summer cocktail, you'll often picture a big, colourful jug filled to the brim with summer fruit and citrus. But more often than not, this grand idea doesn't become a reality. It's hot in summer. Who can be bothered to devote time to complex cocktails? You want something simple — something light and refreshing, in a cold glass with condensation rolling down the sides. At Grey Goose's Boulangerie Bleue waterside mansion party this summer, one of the summery drinks served was the Le Grand Fizz — a refreshing combination of vodka with soda water, elderflower liqueur and lime. We asked Grey Goose's lively global ambassador Joe McCanta to show us how to make this variation on the classic vodka soda combination we know and love — so we can whip it up the next time a cocktail craving strikes us on a summer afternoon. It's simple to make. Just pop some ice into a glass, then add vodka and sweetness (in the form of St Germain elderflower liqueur). Top the drink with two wedges of fresh lime, and stir with freshly opened, fizzy soda water. The result is an easy, refreshing cocktail with citrus and floral flavours. If you've never used elderflower in a cocktail before, St Germain has a bouquet of soft, sherbet lemon notes, with pear and passionfruit. It's a floral liqueur that easily spices up a simple drink. Follow Joe, and learn to recreate the Le Grand Fizz for yourself this summer. LE GRAND FIZZ 45ml Grey Goose Vodka 20ml St Germain Elderflower Liqueur 3 lime wedges 3 wedges of fresh lime chilled soda water Build in an oversized cabernet wine glass with lots of ice. Add Grey Goose Vodka and St Germain. Squeeze two of the fresh lime wedges into the drink and discard. Top with chilled soda water. Stir and garnish with fresh lime wedge. Grey Goose Vodka's 'discover' function will tell you what cocktail you're perfectly suited for — answer four simple questions and start stirring. Dive into the luxury that your city has to offer — check out our Luxe Guide to Sydney and Melbourne. Food, spas, glamorous hotels and extraordinary experiences are waiting. Image: Steve Woodburn.
Wizards of drinking age have a new spot to drown their sorrows about You Know Who — there's now a Harry Potter-themed bar in Toronto. Named The Lockhart, after Hogwarts' cheesy fraudster of a Defence Against the Dark Arts professor, the bar is full of super niche HP references and enough wizardy bits and bobs to make JK Rowling ponder legal action. With less actual magic than The Leaky Cauldron or the Three Broomsticks, The Lockhart is run by two self-described Hufflepuffs (lol), Paris Xerx and Matt Rocks. Of course, it's not the first HP-themed bar in the world, but we're glad to see one more. The cocktail menu, while it's missing butterbeer (for now, they're coming) or Madam Rosmerta's famous mead, is full of themed potions like the Shacklebolt, Befuddlement Brew and Ludo's Debt. There's also a cocktail on the menu which you can have for free if you can figure out the seriously niche HP ref. Dare to try the potions & elixirs on the cocktail menu at Harry Potter themed @thelockhartto? #newrestaurants #toronto #harrypotter A photo posted by Toronto.com (@torontodotcom) on Sep 9, 2015 at 2:26pm PDT The food menu hasn't a Harry Potter reference at all. No Bertie Bott's? No Cauldron Cakes? No self-propelling custard pie? This is bit of an opportunity lost here. Design-wise, the bar is truly subtle, looking more like a regular casual, cocktail bar than a Disneyland-like novelty bar. The Lockhart, instead, is full of obscure references for serious fans. You can find the Deathly Hallows sign hidden in the bar, a little apothecary, and there's a big neon sign glowing with the famously terrible last line, "All was well." Ugh. So if you're flying to Toronto, apparating or using the floo network, pop in to The Lockhart. Just be wary of cloaked strangers happy to part with dragon eggs in poker. hey it's wednesday A photo posted by robyn hoja (@rohojahoja) on Sep 9, 2015 at 5:06pm PDT Serving our full menu this evening. Specialty popcorn tonight is a sweet and savory, lightly buttered popcorn with Cadbury chocolate drizzle. Yummmmay. A photo posted by The Lockhart Bar (@thelockhartto) on Sep 10, 2015 at 1:21pm PDT Via The AV Club.
He's collaborated with everyone from Kylie Minogue to Kendrick Lamar. Even Grumpy Cat wears that hat. Now, Pharrell Williams has teamed up with choreographer Jonah Bokaer and visual artist Daniel Arsham for a unique multidisciplinary dance project — and it's coming to Australia. From September 14 to 17, Brisbane Festival will host the Aussie premiere of Rules of the Game, which brings eight on-stage performers together in a combination of dance, music, video, art and theatrical expression. Williams crafts his first-ever orchestral score for the stage to accompany Bokaer's crisp, elegant dance moves and Arsham's offbeat, architectural environments. Loosely based on Nobel Laureate Pirandello's controversial play Six Characters in Search of an Author, the piece "recasts dance as something close to moving sculpture" as Bris Fest's artistic director David Berthold puts it. For Bokaer, who is as acclaimed and innovative in the field of contemporary dance as Williams is in music, it's a blending not only "of cultures, but a blending of forms, expressions, and of inheritance". Rules Of The Game's four-day, five-show Brisbane run will mark only the second time it will have be seen by an audience, after debuting in May at the SOLUNA International Music and Arts Festival in Dallas. In fact, the production won't premiere in New York until November. And if you're not in Brissie, you'd better book plane tickets fast, because it won't be showing anywhere else in Australia. Catch Rules of the Game at Brisbane Festival from September 14 – 17. Check out the Brisbane Festival website for tickets and further details.
For many moons, there’s been a secret passed around the ranks of students and young adults: Aldi sells $5 wine that’s actually not awful. In fact, those who’ve sampled it would know that ‘not awful’ isn’t strong enough. Now an official ruling body has declared what we young bohemians have known for a while now: Aldi’s $5 wine is objectively good wine. The Sydney International Wine Competition has announced its winning wine list for 2015, judging the top 100 wines from an entry pool of nearly 2000 and Aldi’s $5 bottle of 2014 South Point Estate rose has picked up a Blue Gold award in its blend category (just FYI the Blue Gold award is official proof that Aldi wine drinkers actually have good taste and aren’t just peasants). Aldi also won awards for their $12.99 bottle of Tudor Central Victorian shiraz and a $14.99 Blackstone Paddock “The Player” Barossa. So ner. So what do the judges look for in a good wine? Well firstly, the competition acknowledges that not all wines are created equal so they divide the plonk into categories according to palate weight – lighter, medium, fuller bodied dry whites (lol at wine terminology sounding like a sick burn) and dry reds. The wines are judged solo, then judged against other wines in each category. Then they pair each category with appropriate food and score on how well each variation complement the flavours of the meal. Then, and only then, do they aggregate the scores and hand out awards in each category. Check out the website to scope out the rest of the results and figure out the best and cheapest wine for your taste. But how do Aldi manage to sell an award winning wine for only $5? Aldi’s buying director told The Huffington Post that the secret is in the low overheads, a simplified range to cut distribution costs and understanding the young consumer. Oh Aldi, you do understand us. All we want in this life of sin is a $5 bottle of award-winning wine. We're just gonna leave this link to Aldi Liqueur online here, along with the fact that they deliver a case of 12 wines to metro areas for only $7. Merry Christmas, ya filthy animals. Via The New Daily. Image: Dollar Photo Club.
Prepare your handlebar moustaches and jokes about rich mahogany; Ron Burgundy is returning in a sequel to 2004's Anchorman: The Legend of Ron Burgundy. Appearing on the Conan O'Brien show on Wednesday night, Will Ferrell, in full Burgundy costume accompanied by his jazz flute, announced that a deal had been struck between Paramount and the character who launched a cult following eight years ago. Ferrell had previously written off the idea of an Anchorman sequel, saying it would be too expensive to get the cast back together, and while there's no confirmation as yet that Christina Applegate and Steve Carrell will return as Veronica Corningstone and Brick Tamland, respectively, it's expected the majority of the original cast will make an appearance in the sequel. After a couple of minutes of banter with Conan, Ferrell proclaimed, "I actually have an announcement. I want to announce this here to everyone in the Americas. To our friends in Spain, Turkey and the UK, including England, that as of 0900 mountain time, Paramount Pictures and myself, Ronald Joseph Aaron Burgundy have come to terms on a sequel to anchorman. It is official: there will be a sequel to Anchorman." And then he sauntered off backstage playing the jazz flute. https://youtube.com/watch?v=MrNA7RjU91I
In what would have been his 100th year, the late Nelson Mandela will be honoured in a travelling exhibition set to make its world debut in Victoria next September. Hosted by Melbourne Museum, MANDELA My Life is expected to be the most comprehensive collection of the human rights icon's memorabilia ever to be shown outside South Africa. Alongside a huge assortment of artefacts, including warrants of committal for Mandela's 27-year stint in prison, the exhibit will explore the Nobel Peace Prize laureate's life through a series of film and audio archives. Some of the other confirmed artefacts that will be featured in the exhibit include a boxing glove signed and gifted by Muhammad Ali, Mandela's shoes, walking cane and some of his vibrant Madiba shirts. Alongside these, there will also be images, sound and film footage of one of Mandela's earliest interviews — which took place during the 'Treason Trail' of the late 1950s. MANDELA My Life is supported by the Nelson Mandela Foundation, which is the custodian of most of the revolutionary's personal photographs, documents and memorabilia. After premiering in Melbourne, the exhibition will embark on a five-year world tour of up to 20 international cities, expected to be seen by as many as 2.7 million visitors globally. Boxing Glove image: Jon Augier, courtesy of Museums Victoria
Since 2019, Netflix's Dead to Me has contemplated endings — starting with a just-widowed woman trying to cope with losing her husband in a hit-and-run incident. Taking a few cues from 2018 film A Simple Favour, the grief-fuelled dark comedy has twisted its way through plenty of chaos from there, including via the unlikely friendship at its centre; however, the fact that everything comes to a conclusion sooner or later has always hung over the show. When it returns for season three on Thursday, November 17, that notion will remain — and Dead to Me itself will wrap up. Back in 2020, after the second season aired, it was revealed that the show would finish after a third and final run. So, get ready for your last swim through its murders, mysteries and cover-ups. The premise, if you missed Dead to Me when it premiered back in 2019: two women meet, become friends despite seemingly having very little in common, and help each other with their daily existence. From there, however, they find themselves immersed in more than a little murky business. Christina Applegate (Bad Moms 2) plays Jen Harding, whose husband has just died, while Linda Cardellini's (Hawkeye) Judy Hale is the positive-thinking free spirit that breezes into her life. They initially cross paths at a grief counselling session, sparking a definite odd-couple situation — which has evolved to feature secrets, lies, complications and cliffhangers galore across the show's two seasons to-date. Season two ended with a big car crash, in fact — and as well as announcing when Dead to Me would return to close out its story, Netflix has just dropped a teaser trailer for season three. Get ready for a glimpse of Jen and Judy in hospital and unhappy about it, as well as a recap of exactly what's brought them to this point. As for where the story will head afterwards, that'll only be revealed when Netflix drops the third season itself. If it's as easy to binge as the first two seasons, you'll know how the show ends quickly. Created by 2 Broke Girls writer Liz Feldman, Dead to Me marked Applegate's first lead TV role since 2011-12 sitcom Up All Night when it debuted. For Cardellini, it saw a return to Netflix after starring on the streaming platform's drama Bloodline — and she also featured in A Simple Favour, too. Check out the first teaser trailer for Dead to Me's third season below: Dead to Me's third season will hit Netflix on Thursday, November 17. Images: Saeed Adyani / Netflix.
Like karaoke? Fond of singing along to well-known songs, especially with a drink in your hand? Happy to belt out a tune in a crowd? If you answered yes to all of the above questions, then it's time to up your crooning game during Pub Choir's new Australian tour — aka the boozy sing-along that's all about giving your lungs a workout between sips. Since early 2017 in Brisbane, Pub Choir has been amassing brew-loving music fans in venues around the Queensland city. The regular event asks its attendees to learn a particular song in three-part harmonies, with talented professionals on hand each time to show everyone the ropes and lead the way. Every evening then culminates in a big boozy singing session, with the event making its way to bigger Brissie locations over the years, as well venturing around the country. Now, it's hitting up every Aussie capital across January and February 2022. The vibe: a far more organised version of exactly what happens whenever someone puts 'Wonderwall' or 'Weather With You' on the pub jukebox. And, now that communal singing in public is back after all the various pandemic-related restrictions that've come our way over the past two years, you can expect this tour to feel particularly celebratory, too. Pub Choir was a big hit during lockdowns, and as life started to return to normal as well; you might've taken part in Couch Choir in 2020, or watched the Australia's Biggest Singalong special on SBS earlier in 2021. Run by Astrid Jorgensen and Waveney Yasso, its IRL events are mighty popular, too — unsurprisingly — with tickets getting snapped up very quickly each time. So if you're keen to sing and drink with a theatre full of people, you'll want to book asap. PUB CHOIR CHEAP THERAPY 2022 TOUR: Tuesday, January 11 — The Kambri Precinct, Canberra Wednesday, January 12 — Enmore Theatre, Sydney Monday, January 17 — Astor Theatre, Perth Tuesday, January 18 — Freo Social, Fremantle Wednesday, January 19 — Adelaide Town Hall, Adelaide Thursday, January 20 — Darwin Entertainment Centre, Darwin Tuesday, January 25 — Odeon Theatre, Hobart Thursday, January 27 — The Palais Theatre, Melbourne Tuesday, February 1–Wednesday, February 2 — The Tivoli, Brisbane Pub Choir's Cheap Therapy tour runs from January 11–February 2, 2022. For further details or to book tickets, head to the Pub Choir website. Top image: Jacob Morrison.
SXSW Sydney's 2024 program continues to roll out, in excellent news for fans of the tech, innovation, screen, music, games and culture festival in general — and also of hearing interesting discussions echo through the event. In the third batch of lineup details for this year, following a first batch in May and a second round in June, the initial two keynote speakers have been announced. Human rights lawyer Jennifer Robinson and author Johann Hari will each take to the stage, one fresh from defending Julian Assange and the other with book Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight Loss Drugs newly on shelves. "Our first two keynote speakers reflect our commitment to fostering challenging conversations. Discussing human rights and our wellbeing intersecting with the rapidly evolving landscape of technology is more critical than ever," said SXSW Sydney Managing Director Colin Daniels, announcing Robinson and Hari's spots on the 2024 program. "Our keynote speakers will ignite discussions that are not only timely but necessary, as we navigate the complexities of our modern world." Alongside being a London barrister with international law and media law also among her specialities — and already named on SXSW Sydney's 2024 lineup earlier in the year — Robinson published How Many More Women? in 2023, digging into the response to the #MeToo movement from a legal sense. Hari's 2022 text Stolen Focus: Why You Can't Pay Attention earned acclaim around the world, and his TED Talks Everything You Think You Know About Addiction Is Wrong and This Could Be Why You Are Depressed or Anxious have notched up 93-million-plus views. Also now on the bill are fellow speakers Min-Liang Tan, the CEO of Razer; Getting Along: How to Work with Anyone (Even Difficult People) author Amy Gallo; Rolling Stone India Senior Editor Peony Hirwani; and Australian race car driver Molly Taylor. Pianist, podcaster and Chad Lawson will also get chatting, as will entertainment and music rights expert Priyanka Khimani, Beatdapp Founder Andrew Batey and The Attention Economy, How Media Works author Karen Nelson-Field. The festival will welcome Luke Hemsworth, too, with the Westworld and Bosch & Rockit star hosting the session Better Than a Hollywood Movie: The Highs, Lows, Epic Moments and Colossal Steps Forward in Bringing Back the Tasmanian Tiger, with Colossal Biosciences CEO Ben Lamm and University of Melbourne's Head of the Thylacine Integrated Genomic Restoration Research (TIGRR) Laboratory Dr Andrew Pask diving into the topic. Talks on How to Seize Control of Your Workday and Redefining Success: Beyond the 1% will also expanded the roster of sessions, and demonstrate that variety is firmly at the heart of the festival. SXSW Sydney's new additions for 2024, the event's second year Down Under, join the likes of Australian astronaut Katherine Bennell-Pegg, TikTok marketing head Sofia Hernandez, Heartbreak High star Ayesha Madon, cricketer David Warner, Mortal Kombat director Simon McQuoid and documentary Slice of Life: The American Dream. In Former Pizza Huts, about the new uses of former Pizza Hut buildings across America — and that's barely scratching the surface of the lineup specifics announced so far. If you missed it, 2023's inaugural SXSW Sydney welcomed everyone from Black Mirror's Charlie Brooker and Chance The Rapper to Future Today Institute founder and CEO Amy Webb and Nicole Kidman to its stages. In the process, and via not just its talks but also its concerts, films, TV shows and games as, it notched up 287,014 attendances from 97,462 unique attendees. Those figures came from 34,975 total tickets, with folks from 41 countries heading along to 1178 sessions. SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues. Head to the SXSW Sydney website for further details. Images: Jami Joy, Ian Laidlaw, Jess Gleeson, Katje Ford and Paul McMillan.
Australian author Christos Tsiolkas is back with a new novel, Barracuda, sure to get the nation talking. The follow-up to 2008's agenda-setting, TV-destined hit, The Slap, it's an exploration of failure and how to come back from it. Ahead of his sold-out talk at the Festival of Dangerous Ideas, Christos spoke with Marcus Costello about the nature of failure. You're a winner. And you don't have kids. Who are you to talk about teaching kids to fail? Fair call. To be honest I'm very wary of telling anyone how they should lead their lives. The thing is, I believe you can only ever truly talk from your own lived experience. Everyone's failures and, for that matter, everyone's experience of parenthood is unique, so to speak on behalf of anyone else under the pretence that you're all part of a select group [parents] isn't really fair either. That said, you know, maybe because I'm not a parent I can think what's in the best interest of a generation of children, not just my child, my flesh and blood. I can ask the question: Have you come here to learn how to raise your kid to be the best or how to think about what's best for your kid's generation as a whole? I mean, if we care to think about it, the wholesale derailment of the education system by the private sector has failed so many underprivileged children. And yet, my guess is, were they able to afford it, most parents would want to send their kid to a private school, and in so doing, feed the beast. But my talk isn't only about teaching children the virtues of failure. My talk is going to focus on how failure marks a certain adult relationship with Self and the world by way of moments in my life where I feel I've failed and the lacerating but ultimately rewarding experience of atoning for that failure. But if one can atone then it's not true failure; it's just part of an eventual success story, no? I see what you mean. Like, if you flick through any of those in-flight magazines there's always a profile of some celebrity that reads like an elaboration of a Nike advertisement or some dot-com entrepreneur in Forbes talking about how "failure made me stronger". My talk isn't going to be like that. The kind of professional failure I'm interested in exploring isn't so much a book that didn't sell well, but a book I've put out that betrayed my integrity or where I made lazy choices. I feel this way about my second novel, Jesus Man. On a personal level I've failed as a friend, as a son, as a lover ... On a national level, and this is a central theme of my talk, the culture of ruthless materialism and political self-regard that has emerged over the past two generations strikes me as a moral failing. That makes me think of a quote by Po Bronson I found while researching, "Failure is hard, but success is far more dangerous. If you're successful at the wrong thing, the mix of praise and money and opportunity can lock you in forever." Yes! That's so accurate. The seduction of success is something we all need to keep in check because when we step into smaller and smaller social circles it's so easy to fall out of touch with the broader community. How will you feel if your new novel Barracuda flops? Come what may, I feel I've reached a certain point in my life where I know that, for the rest of my time here, writing is what I will do. In that way you're fail-proof. I mean, if you think of yourself as destined to write, compelled by a force greater than commercial success, then you've beat the system. I guess you're right. As an artist it's folly to single out any one work as the mark of failure or success — if you're true to what you do then you see everything you produce as building towards something greater. That said, if Barracuda flops I will be upset, but for other reasons. There are so many people around me who are invested in this book and in my success — I don't want to let them down. Like The Slap your FODI talk is for an elite audience. The sad truth is that if anyone thinks anything of a child being slapped at a BBQ, that marks them as elite. To that end, how dangerous is any idea if you're only talking to those people who actually care to think about ideas? Ah, yes, this is true, and such a hard thing to deal with. I guess I can only hope that what I say will spark conversations beyond the Opera House; that someone will listen to what I have to say and take that message to someone else and the word will filter out that way. I wish I had a better answer to that but I don't. Barracuda is out now through Allen & Unwin. The Festival of Dangerous Ideas is on at the Sydney Opera House from November 2-4. Top image by John Tsiavis.
It isn't every year that the Cannes Film Festival awards its coveted top prize to a movie about having sex with — yes, with — a car. That year was 2021, and that winner was French thriller Titane. Topping such a pick might seem difficult but, when it came time to hand out the 2022 Palme d'Or, the prestigious fest gave the gong to a brutal social satire with a queasy, hilarious, cringe-inducing and utterly impossible-to-look-away-from 15-minute-long projectile vomiting scene. Bodies don't just expel substances from their mouths in Triangle of Sadness' unforgettable and easily most talked-about sequence. Seasickness strikes, what's inside has to come out however it must (and ASAP) and, because that's a situation that strips away all class and power dynamics, there's no longer any hierarchy on the film's ultra-luxurious yacht setting. The scene just might be Swedish filmmaker Ruben Östlund's most awkward and stunning of his career — and that's saying something for a writer/director who actually topped himself by nabbing the Palme d'Or for Triangle of Sadness, given that he also won the same accolade for his art world-skewering previous film The Square. Getting the one-percent heaving up their dinner for a quarter-hour is only one part of Östlund's smart, scathing and supremely entertaining latest feature. Following two models and influencers, couple Carl (Harris Dickinson, See How They Run) and Yaya (Charlbi Dean, Black Lightning), Triangle of Sadness explores the world of fashion, the lavishness of extreme wealth and being stranded on a deserted island. In the process, it ponders beauty as a form of currency and actively tears down the rich — but it's equally savage towards everyone, bank balance be damned. Östlund is fascinated by human behaviour, after all, and the social contracts by which we all live. Indeed, his current sail through such loaded, complicated and comically ripe terrain not only follows 2018's The Square but 2014's exceptional marriage-in-crisis black comedy Force Majeure. [caption id="attachment_884231" align="alignnone" width="1920"] Olivier Vigerie[/caption] Östlund loves scratching away at how people react in heightened situations, and examining what that says about everyday life. He adores unpacking societal expectations, too. Indeed, for his next movie, he's heading to a long-haul 17-hour-plus flight, then taking away the passengers' main source of entertainment. The in-the-works flick is called The Entertainment System Is Down, in fact, and Östlund describes it as "once again a behaviouristic study, comical and tragic, about being a human being — and about contemporary times when we have become so addicted to these screens, and taking that away from us". Talking with Concrete Playground via Zoom, he's visibly excited about putting a new batch of characters through the wringer. That glee is palpable in Triangle of Sadness as well — including when everyone is vomiting. With the film now in Australian cinemas, Östlund also chatted through his fascination with alluring worlds, pop culture's present obsession with eating the rich, all that blowing chunks and shooting for a history-making third Palme d'Or. ON TEARING INTO SOCIETAL CONVENTIONS WITHIN ALLURING WORLDS "I think if I go back to my upbringing, my mother was a primary school teacher and she was talking a lot about sociology with me when I was a kid. And sociology is, if you are looking at what it actually is, it's very often with human beings trying to deal with social contracts that are broken in some way — or there's an expectation on you as an individual to fit into the herd or things like that, but there's always a broken social contract. For Triangle of Sadness, the reason that I got interested in the topic was I met my wife eight years ago and she worked as a fashion photographer. And I got very interested in the fashion industry and her profession, and I got interested in beauty as a currency and beauty as a possibility to climb higher in society. So, that was the starting point of the idea. Then I came up with looking at these hierarchies first in the fashion world, then in the luxury world, but then also on a deserted island — when you take away the old hierarchies, looking at our behaviour in that context. One thing that I decided when I made Force Majeure was that I wanted to let my films play out in an environment that we like to look upon. So I thought when I made Force Majeure: 'yeah I can spend one-and-a-half hours at a ski resort'. With The Square, I thought: 'yeah, I can watch and make a movie that takes place in the art world'. With Triangle of Sadness, then, it was one plus one plus one: 'yeah, I definitely wanted to watch a movie that takes in the fashion world, on a luxury yacht and on a deserted island." ON GIVING AUDIENCES A DILEMMA — AND DRAWING FROM EXPERIENCE "I always look for a dilemma, so I have a situation that the character is dealing with that has two or more options, but none of them are easy and all of them have consequences — that is basically what a dilemma is. And if you have a dilemma, it's very often easy for the audience to identify with the situation rather than with the character, so they put themselves in the situation. To go back to sociology, we have classical dilemmas that have been used in sociology, for example the Milgram experiment where they had a test person giving electrical shocks to another test person. We can identify with the dilemma, so we also get an understanding of what failure there means morally and ethically. I always look for that. I very often also look for things that I have been dealing with in my own life, because I think that these everyday life dilemmas — where you're maybe not risking anything physically, but were it comes down to the social contract — they tell us so much about ourselves. When it came to Triangle of Sadness, I was trying to find something that I have experienced that I felt was dealing with beauty as a currency, men, women, gender expectations and so on. Then I was reminded of this horrible fight that I had in the beginning of my relationship with my wife, where I could feel it was a minefield — you can step on a landmine any second — and I thought 'I have to include this, this is very, very painful, it has to be in the film'." ON EATING THE RICH — AND POP CULTURE'S FASCINATION WITH THE TOPIC "I have always been a socialist, so I think all of a sudden I'm trendy again — and that's fantastic! But I didn't have a plan of attacking that more now. When I was doing my first feature films, I was more of an arthouse director, I was a little subtle with my concepts, and I was not going straight for what I wanted to tell. But the more free I have become as a director, I have also dared to be more direct. And the setup in Triangle of Sadness lets me do that. But I think that one thing it is important for me to point out is that I have nothing against rich people. Rich people are nice — they just don't like to pay taxes! When I hear 'eat the rich', I see it as meaning attacking the rich. I don't consider myself attacking the rich. I wanted to make a very sympathetic image of rich people — or at least as sympathetic of the rich as everyone else. I want to be equally harsh on all of the different class groups." ON ALL THAT VOMIT — AND GIVING HIS CREW MOTION SICKNESS "I wanted to do a scene where we had a drunk Marxist captain reading from The Communist Manifesto to passengers on a luxury yacht that was dealing with seasickness. I was just fond of the idea — that they are playing around with the microphone system and through the speakers in the cabins, the guests are trying to deal with the vomiting but at the same time they have to listen to this political message. The scene actually started with that idea. When I was shooting it, I also decided that I wanted it to go ten steps further than the audience could expect. I wanted it to get to a point where they felt 'please save them, they have had enough!'. But you know, because I'm so interested in broken social contracts, I thought it was interesting if the captain's dinner on a luxury yacht where everyone knows how to behave, and the etiquette of how they should behave, was in conflict with the seasickness that becomes stronger and stronger. I just love setups like that. It took a long time to edit it. I was editing it for half a year almost before we found the right structure. When we shot it, we shot it in fragments — it was not 100-percent decided when I shot it which place the fragments should have in the whole scene, so that was something that I had to find out when I was editing, and that took a long time. The shooting took place on a gimbal that we could rock, so we could rock the set 20 degrees, which made it very chaotic to shoot. I'm used to being in full control and being able to shoot without having the slightest little sound or anything — being very concentrated — so for me that was a challenge. And actually also, parts of the crew got seasick from the shooting. They had seasickness pills because we were spending 13 days, eight hours every day, on this rocking set. As you can imagine, it was chaos." [caption id="attachment_884238" align="alignnone" width="1920"] Cannes, France. 28th May, 2022. CANNES, FRANCE. May 17, 2022: Ruben Ostlund at the photocall for Palme d'Or Awards at the 75th Festival de Cannes. Picture Credit: Paul Smith/Alamy Live News[/caption] ON WINNING TWO PALME D'ORS — AND DREAMING OF A THIRD "I was definitely not thinking about [winning a second Palme d'Or] when we made the film. I felt pressure because I knew that everybody that put in money into the film expected the film to be in competition in Cannes. When we were accepted in competition in Cannes, I said 'okay, mission accomplished, I have given them what I have promised', so to speak. Then we had a fantastic screening in Cannes. And what happens then is you slowly start to hope for a prize. And when you're invited to the awards ceremony, and the prizes go to other films, and you realise 'wow there's only one prize left'. And then you realise we're going to win the Golden Palm again. The great thing with the second Golden Palm is that it takes away pressure from your shoulders, because then you have shown that the first Golden Palm was actually the right decision from that jury. And what happens after you win two Golden Palms is that slowly a dream is starting — maybe we can win a third one! — because then you would be the only one in the world. I'm sorry, this is what happens. I'm trying to be humble but this is what happens! So the first one, I never dreamt about the second one. When I received the second one, I started to dream about the third." Triangle of Sadness is now screening in Australian cinemas. Read our full review. Triangle of Sadness images: Fredrik Wenzel. © Plattform Produktion.
After hosting a sellout weekender in 2024 to celebrate its 15th birthday, Strawberry Fields is turning sweet 16 in 2025 with another three-day festival filled with impressive acts hitting the decks and the stage, all on the banks of the Murray River. When you're not catching Detroit Love featuring Carl Craig and Moodymann, Gilles Peterson, Chaos in the CBD and Interplanetary Criminal at Tocumwal in regional New South Wales this November, you'll be seeing Tommy Holohan, Malugi, Lady Shaka and ISAbella. They're a mere few of the 80-plus DJs and live acts on the just-dropped lineup. Other names on the bill across Friday, November 21–Sunday, November 23 include KOKOROKO, WITCH, and Circle of Live featuring Albrecht La'Brooy, Move D and Sebastian Mullaert — plus Dita, Wax'o Paradiso and Horse Meat Disco. Or, for more than three hours, Mama Snake, DJ Scorpion and Andy Garvey will play B3B. Aurora Halal, DJ Sweet6teen, Fafi Abdel Nour, DJ PGZ B2B Yikes and Karen Nyame KG are on the roster, too. Strawberry Fields is among the Australian music festivals that aren't just about who's providing the soundtrack, even though it clearly doesn't skimp on talent. This fest boasts a setup and setting worth spending a weekend enjoying no matter which acts are on the bill, with its location is a hefty drawcard all by itself. Having multiple stages pumping out tunes in leafy surroundings, and also a bush spa for a soak between sets, will do that. Festivalgoers clearly agree. As was the case in 2024, 95 percent of Strawberry Fields' tickets were already snapped up before the lineup dropped. If you were waiting to see who was on the bill first, though, more are going on sale from 9am on Friday, July 11. Folks lucky enough to nab a ticket can look forward to epsom salt baths, plunge pool sessions and sauna trips, then, plus hanging out in the festival's Mirage Motel space again, and hitting up an expanded range of workshops and talks — alongside onsite glamping and camping. Strawberry Fields' commitment to sustainability remains strong, too, with its rewash revolution system diverting over 300,000 single-use plastics from landfill so far, renewable energy powering the entire fest and all carbon emissions offset via Treecreds. Strawberry Fields 2025 Lineup DJ Afrodisiac Anu Aurora Halal Ayebatonye Baby J Bella Claxton Chaos In The Cbd Dameeeela Detroit Love (featuring Carl Craig and Moodymann) Dita DJ Friday B2B Sweetie Zamora DJ Pgz B2B Yikes DJ Sure DJ Sweet6teen Fafi Abdel Nour Gene On Earth Gilles Peterson Horse Meat Disco Interplanetary Criminal ISAbella Jenny Cara Josh Caffé Karen Nyame Kg Kirollus Kuzco B2B Quicksticks Kyle Hall Lady Shaka Malugi Mama Snake B3B DJ Scorpion B3B Andy Garvey Mazzacles Messie Mismeg Move D Myles Mac B2B DJ Possum Naycab Neptunes Trident Poli Pearl Regularfantasy Roka Sampology B2B Frank Booker Slothboogie Super Flu THC Tommy Holohan Toni Yotzi Vanna Wax'o Paradiso Wolters B2B Ned Bennett Zalina Live Asanti Beats Becca Hatch Bumpy Circle of Live (featuring Albrecht La Brooy, Move D, Sebastian Mullaert) Close Counters Corto.Alto D.D. Mirage Devaura Drifting Clouds Drmngnow / Bricky B Ella Haber Ella Thompson Empress Ferrari Party Flewnt Inkabee Jerome Thomas Juman Kokoroko Mathew Jonson Minyerra Moontide No News Rodriguez Jr. Serebii The Pro-Teens (MF Doom Tribute) Waari Wilson Tanner Witch Wrong Way Up Xpress Point Strawberry Fields 2025 takes place at Tocumwal, New South Wales, from Friday, November 21–Sunday, November 23. The final release of tickets go on sale at 9am on Friday, July 11. Head to the festival website for further details. Images: Duncographic / Will Hamilton-Coates / Max Roux.
Winter might be all about staying in doors, rugging up and avoiding the frosty weather, but if you want to see a trio of meteor showers this week, you'll want to head outdoors. Not one, not two, but three celestial events will be visible in Australia's skies: the Southern Delta Aquariids, Alpha Capricornids and Piscis Austrinids. Arriving in the thick of winter, the Southern Delta Aquariids may not be quite as famous or frenetic as other meteor showers, but it's still considered a strong one, with around 15–25 meteors hurtling across the heavens per hour during its peak. In good news for those Down Under, it's also typically best seen in the Southern Hemisphere. Caused by the breakup of the Machholz comet, the shower is visible each year from around July 12–August 23 — so now. But the ideal time to catch it is between July 28–July 30, aka from Thursday–Saturday this week. And, like many astronomical shows, catching an eyeful around midnight is recommended — when the moon has set and its light will not interfere. [caption id="attachment_862773" align="alignnone" width="1920"] Mike Lewinski via Flickr[/caption] Also soaring through the skies at the moment: the Alpha Capricornids, which tends to run from around July 7–August 15. Yes, that means that you can peer up at night and catch a glimpse now, too, but it tends to peak around July 30–31 — so Saturday and Sunday this week. This one comes from the comet 169P/NEAT, and was discovered in 1871. It's known for its bright meteors and even fireballs, although they're infrequent, at around two-to-nine per hour. Then there's the Piscis Austrinids, giving stargazers yet another reason to look up. It usually runs between July 15–August 10, and peaks around July 28 — so on Thursday this week. As for the speed of its meteors, they're even slower than the Alpha Capricornids. For your best chances of getting a glimpse at all three, the usual advice applies. Get as far away from bright lights as possible — this could be a good excuse to head out of the city to a clear-skied camping spot — and pray for no clouds. The Delta Aquariids' name comes from the constellation from which they appear to come, Aquarius. Accordingly, that's what you'll be looking for in the sky. For the Piscis Austrinids, you're looking for the Piscis Austrinus constellation. And for Alpha Capricornids, the Capricornus constellation. To locate them all, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky, and is also a lot of fun to use even on a non-meteor shower night. The Delta Aquariids, Piscis Austrinids and Alpha Capricornids meteor showers will peak between Thursday, July 28–Sunday, July 31. Top image: Mike Lewinski via Flickr.
Australia's got plenty of top-notch bubble tea spots. Now your home is about to be one of them. Boba Barista's new DIY boba kits let you get the authentic bubble tea experience at your place and the only parts you need to supply are hot water, ice and a large boba-worthy drinking vessel. Boba Barista's kits come with milk or fruit tea depending on what kind of boba enthusiast you are. Each kit includes teabags of your choice, flavoured syrup and fructose. Add some toppings to your cart and you're ready to go. All of Boba Barista's bubble tea ingredients are sourced from Taiwan and provide your pick of 15 flavours including brown sugar, matcha, taro and jasmine milk teas, or mango, peach, passionfruit and grape fruit teas. When it comes to toppings, you can pick from all your usual in-store favourites like tapioca, lychee and mango pearls, or coconut, mango or grape jelly. If you're after a true bubble tea experience, you can also buy tea cups, tea shaker sets and bamboo straws so it feels like you've just picked up your drink from your local Gong Cha. The need-to-know details: Boba Barista offers free shipping across Australia on all orders over $69 and free shipping to New Zealand for orders over $149. Bubble tea kits start at just $19.95 per kit and can cost as little as $1.60 per drink. Boba Barista is offering a special discount right now, with $10 off your first offer if you use the code LOCKDOWN10. You can browse its full range at the website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Just a couple of months ago Brisbane was turned into a Marvel movie set for the filming of Thor: Ragnarok. Well, comic book and film fans — there's more where that came from. Come next year, you'll be able to grab your Mjölnir, your best Tom Hiddleston wig, an Infinity Stone and anything else that ties into the now 14-strong Marvel Cinematic Universe, and head to Brisbane's Gallery of Modern Art for a massive exhibition dedicated to all things superhero. Talk about great timing. To be precise (and to state the obvious), Marvel: Creating the Cinematic Universe will showcase all things Marvel when it takes over GOMA from May 27 to September 3, 2017. Consider it a great lead up to Ragnarok's release in cinemas next October. It'll be the largest ever Marvel presentation in an art museum worldwide, and will feature original artworks, film props, costumes and more from the likes of Iron Man, Ant-Man, Captain America and Guardians of the Galaxy. We'd keep listing movies, but their box office success proves that you already know what we're talking about. And yes, you read that correctly — this isn't just a retrospective screening series featuring all the flicks you've been watching since Robert Downey Jr put on a robotic suit and wisecracked his way into starting the franchise back in 2008. Instead, it's a gallery-wide, government-championed, tourist-courting, super huge event. Of course, checking out all of the relevant movies on GOMA's big screen will be part of the program. After you've seen hundreds of MCU pieces drawn from Marvel Studios, Marvel Entertainment and private collections, you'll probably want to rewatch the films. If you've been to GOMA, you're probably used to seeing curated art and movie choices rather than such a pop culture blockbuster showcase. This will certainly be their most mainstream (and possibly most popular) event of either art or cinema to date. That said, their Australian Cinematheque typically dallies with bigger movie selections featuring better-known, broader titles at least once a year (the recent Monsters, Fairytales and Fables, and Myths and Legends programs, for example), albeit not quite on this mammoth level.
Ever wanted to try your hand at making cheese? How about making your own jewellery or channelling your inner-psychic? Enter Work-Shop, the community-focused creative haven providing classes for those keen to flex their innovative muscles. After gaining popularity in Sydney and Melbourne, Work-Shop set up Brisbane's own space for getting crafty, arty and inspired in 2015. Originally opening in South Brisbane, the studio has since moved to Newstead, where you can learn how to do anything from native beekeeping to crafting handmade ceramics. Each of the different short courses are taught by local creatives and specialists in the field and come in a range of different prices and lengths. If you're not really sure whether you want to try your hand at watercolours or metalwork, check out the website for all of the classes available right now
When Alex Honnold scales a nearly kilometre-high cliff, it's with a look of fierce determination blazing in his eyes. When the professional climber discusses the extraordinary feat documented in Free Solo, the same no-nonsense vibe filters through his voice. He's never sombre — just direct. Ask him how it feels to venture to such great heights, and his response is "pretty good". Ask him about the possibility that his death could've been caught on camera, and he says he "basically didn't really care". As newly Oscar-nominated documentary Free Solo chronicles, Honnold made history while scampering up Yosemite's National Park's famous El Capitan rock formation. Plenty of climbers have propelled themselves up the granite monolith's 900-metre vertical expanse, but only Honnold has successfully done so without ropes. The practice is called free climbing. When it's done alone, it's called free soloing. Made plain in the title of Elizabeth Chai Vasarhelyi and Jimmy Chin's film, Honnold's record-breaking quest to the top was completed by himself without any supportive or protective equipment. Unsurprisingly, it's a feat that has garnered significant attention — but reading news articles and seeing photographs really doesn't do it justice. Honnold notes that "the film doesn't quite do justice to the real scale of it" either, but watching Free Solo is as close as the rest of the world will get — and for many, as close as they'll ever want to get — to stepping into his climbing boots. Assisted by their filmmaking team, Vasarhelyi and Chin assemble an astonishing array of footage, with their connection to climbing evident in every frame. A real-life couple, they both directed acclaimed climbing documentary Meru, while Chin is also a professional climber in his own right. Of course, as exceptional as Free Solo's footage is — and as skilled as making viewers feel like they're making the nerve-racking climb with its subject, too — there would be no film without Honnold. He describes scaling El Cap as "an Olympic gold medal-level athletic achievement... and if you don't get that gold medal, you're going to die", in case the whole situation didn't already sound difficult and dangerous enough. Fresh from garnering considerable applause on the international film circuit, an array of accolades from critics groups and now an Academy Award nomination, Free Solo has arrived in Australian cinemas to share its thrills with eager cinema-goers. We spoke to Honnold about the motivation behind his love of climbing, his preparation process and the difficulties of opening his life up to the camera. [caption id="attachment_706084" align="aligncenter" width="1920"] National Geographic/Jimmy Chin[/caption] THE BIG QUESTION: WHY FREE SOLO? There's an enormous question at the heart of Honnold's climb — one that he recognises himself and that he can't completely answer. When asked what it is about free soloing that appeals to him, he replies: "I don't know, it's just a challenge that I seek out". That might sound like a blasé approach to a dangerous field where many experienced figures have died doing what they loved, but Honnold is anything but. In the film, he's meticulous about his work, documenting his progress in climbing journals, memorising complex moves and even living in his van so that he can remain as close as possible to El Cap. "It's just a more demanding style of climbing," he explains. "It requires more from you, so I feel that it gives a little bit more back in return." While Honnold also mentions finding personal limits and trying his hardest — "it's something I feel like I can do, and I feel a certain obligation to do the hard things that I'm capable of" — what truly shines through is how much he enjoys climbing. "I think it has always been the most fun part of my life," he reflects. "It's funny, because I think the really difficult parts of my life are doing the film tour and travelling and just doing appearances as a professional climber, and doing events — you know, working, things like that." That said, Honnold is also quick to stress the difference between climbing in general and free soloing. "Free soloing is pretty rewarding, but it is very difficult and challenging. If I could only choose one style of climbing for the rest of my life, it wouldn't be free soloing." [caption id="attachment_706086" align="aligncenter" width="1920"] National Geographic/Jimmy Chin[/caption] GETTING RID OF THE ROPES "Part of it is intense, but then part of it is amazing. A lot of it just has to do with which part of the route you're on." That's Honnold's assessment of climbing in general — so what made him decide to free solo El Cap, the route that was "always the last one [on his list] that was aspirational"? Initially, he thought it was too frightening, but that's where planning and training came in. It might seem incredulous to the watching audience, but "two years' preparation made something very scary feel relatively comfortable by the end," he notes. Given the life-and-death stakes at play, Honnold's training — which included two years of practice and climbing El Cap with a rope eight times — prepared him to take the leap. "There was no pressure to actually do the climb, so if I had never felt prepared for it — had I never felt comfortable — then I just wouldn't have done it". Of course, he wasn't just hopping to survive the climb, but to enjoy it. "Part of what was so satisfying about it was that I had exactly the experience that I was hoping for. Through the course of making the film, I spent so much time up there working on it, that when I finally did it, it felt great." HOW THE CAMERAS CHANGED THE CLIMB Honnold recognises that watching free soloing is hard. "I don't like to watch my friends free solo. Nobody really likes to watch free soloing — because, as you see here, and as audiences experience, it's just uncomfortable to watch somebody in that kind of position." It should come so no surprise, then, that the impact of the cameras on Honnold's climb — and the impact of his mammoth endeavour upon Vasarhelyi, Chin and their team — is as much a part of Free Solo as the eventual feat itself. Indeed, the documentary doesn't shy away from the emotional toll on those recording Honnold's every move, or the planning that went into ensuring that the filming process didn't take a toll on Honnold. "The crew did a remarkable job of insulating me from any of those [negative] feelings and just staying neutral throughout it all," says Honnold, noting that the cameras didn't feel like they changed his experience "at all". That said, if something had gone awry, Honnold wasn't worried for himself, or about the fact that his literal downfall would be caught on camera. "To me, if something went wrong — if I fell off and I died — I don't really care what happens to the footage after that because I'm dead," he says. Instead, his concerns lay with traumatising the camera crew, who are also his climbing pals. Honnold doesn't just expose the most dangerous moments of his life to Free Solo, however. The film also dives deep into his personal life, including his relationship with new girlfriend Sanni McCandless, which becomes strained as her worry for his safety and their life together is largely ignored as Honnold zeros in on his goal. As someone who'd clearly rather get on with the business of climbing, rather than talk about it, it's the more intimate side of his daily existence that proved the hardest part to share — and to watch later. "I cringed my way through that. I normally pull my hood really deep and cover my eyes. It's hard to watch. And a lot of it is hard to watch because I'm just not a great boyfriend and I'm not a great partner to Sanni." https://www.youtube.com/watch?v=7XhsuT0xctI Free Solo is now screening in Australian cinemas. Read our full review. Images: Madman / National Geographic / Jimmy Chin.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've been under the weather. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 12 that you can watch right now at home. ELVIS Making a biopic about the king of rock 'n' roll, trust Baz Luhrmann to take his subject's words to heart: a little less conversation, a little more action. The Australian filmmaker's Elvis, his first feature since 2013's The Great Gatsby, isn't short on chatter. It's even narrated by Tom Hanks (Finch) as Colonel Tom Parker, the carnival barker who thrust Presley to fame (and, as Luhrmann likes to say, the man who was never a Colonel, never a Tom and never a Parker). But this chronology of an icon's life is at its best when it's showing rather than telling. That's when it sparkles brighter than a rhinestone on all-white attire, and gleams with more shine than all the lights in Las Vegas. That's when Elvis is electrifying, due to its treasure trove of recreated concert scenes — where Austin Butler (Once Upon a Time in Hollywood) slides into Presley's blue suede shoes and lifetime's supply of jumpsuits like he's the man himself. Butler is that hypnotic as Presley. Elvis is his biggest role to-date after starting out on Hannah Montana, sliding through other TV shows including Sex and the City prequel The Carrie Diaries, and also featuring in Yoga Hosers and The Dead Don't Die — and he's exceptional. Thanks to his blistering on-stage performance, shaken hips and all, the movie's gig sequences feel like Elvis hasn't ever left the building. Close your eyes and you'll think you were listening to the real thing. (In some cases, you are: the film's songs span Butler's vocals, Presley's and sometimes a mix of both). And yet it's how the concert footage looks, feels, lives, breathes, and places viewers in those excited and seduced crowds that's Elvis' true gem. It's meant to make movie-goers understand what it was like to be there, and why Presley became such a sensation. Aided by dazzling cinematography, editing and just all-round visual choreography, these parts of the picture — of which there's many, understandably — leave audiences as all shook up as a 1950s teenager or 1970s Vegas visitor. Elvis is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. MOTHERING SUNDAY Is there anything more intimate than wandering around someone's home when they're not there, gently rifling through their things, and — literally or not, your choice — spending a few minutes standing in their shoes? Yes, but there's still an intoxicating sense of closeness that comes with the territory; moseying curiously in another's house without their company, after they've entrusted their most personal space to you alone, will understandably do that. In Mothering Sunday, Jane Fairchild (Odessa Young, The Staircase) finds herself in this very situation. She's naked, and as comfortable as she's ever been anywhere. After her lover Paul Sheringham (Josh O'Connor, Emma) leaves her in a state of postcoital bliss, she makes the most of his family's large abode in the English countryside, the paintings and books that fill its walls and shelves, and the pie and beer tempting her tastebuds in the kitchen. The result: some of this 1920s-set British drama's most evocative and remarkable moments. In a page-to-screen affair adapted by screenwriter Alice Birch (Conversations with Friends) from Graham Swift's 2016 novel for French filmmaker Eva Husson (Girls of the Sun), Jane is used to such lofty spaces, but rarely as a carefree resident. As played with quiet potency and radiance by Young, she's an aspiring writer, an orphan and the help; he's firmly from money. She works as a maid for the Sheringhams' neighbours, the also-wealthy Godfrey (Colin Firth, Operation Mincemeat) and Clarrie Niven (Olivia Colman, Heartstopper), and she's ventured next door while everyone except Paul is out. This rare day off is the occasion that gives the stately but still highly moving film its name as well — Mother's Day, but initially designed to honour mother churches, aka where one was baptised — and the well-to-do crowd are all lunching to celebrate Paul's impending nuptials to fiancée Emma Hobday (Emma D'Arcy, Misbehaviour). He made excuses to arrive late, though, in order to steal some time with Jane, as they've both been doing for years. Of course, he can't completely shirk his own party. Also, the day won't end as joyfully as it started. Mothering Sunday is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. LIGHTYEAR In the realm of franchise filmmaking, "to infinity and beyond" isn't just a catchphrase exclaimed by an animated plaything — it's how far and long Hollywood hopes every hit big-screen saga will extend. With that in mind, has a Pixar movie ever felt as inevitable as Lightyear? Given the main Toy Story plot wrapped up in 2019's Toy Story 4, and did so charmingly, keeping this series going by jumping backwards was always bound to happen. So it is that space ranger figurine Buzz Lightyear gets an origin story. That said, the trinket's history is covered immediately and quickly in this film's opening splash of text on-screen. Back in the OG Toy Story, Andy was excited to receive a new Buzz Lightyear action figure because — as this feature tells us — he'd just seen and loved a sci-fi movie featuring fictional character Buzz Lightyear. In this franchise's world, the likeable-enough Lightyear from director Angus MacLane (Finding Dory) is that picture. Buzz the live-action film hero — flesh and blood to in-franchise viewers like Andy, that is, but animated to us — goes on an all-too-familiar journey in Lightyear. Voiced by Chris Evans (Knives Out) to distinguish the movie Buzz from toy Buzz (where he's voiced by Last Man Standing's Tim Allen), the Star Command space ranger is so convinced that he's the biggest hero there is, and him alone, that teamwork isn't anywhere near his strength. Then, as happens to the figurine version in Toy Story, that illusion gets a reality check. To survive being marooned on T'Kani Prime, a planet 4.2 million light-years from earth filled with attacking vines and giant flying insects, the egotistical and stubborn Buzz needs to learn to play nice with others. For someone who hates rookies, as well as using autopilot, realising he can only succeed with help takes time. Lightyear is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BENEDICTION To write notable things, does someone need to live a notable life? No, but sometimes they do anyway. To truly capture the bone-chilling, soul-crushing, gut-wrenching atrocities of war, does someone need to experience it for themselves? In the case of Siegfried Sassoon, his anti-combat verse could've only sprung from someone who had been there, deep in the trenches of the Western Front during World War I, and witnessed its harrowing horrors. If you only know one thing about the Military Cross-winner and poet going into Benediction, you're likely already aware that he's famed for his biting work about his time in uniform. There's obviously more to his story and his life, though, as there is to the film that tells his tale. But British writer/director Terence Davies (Sunset Song) never forgets the traumatic ordeal, and the response to it, that frequently follows his subject's name as effortlessly as breathing. Indeed, being unable to ever banish it from one's memory, including Sassoon's own, is a crucial part of this precisely crafted, immensely affecting and deeply resonant movie. If you only know two things about Sassoon before seeing Benediction, you may have also heard of the war hero-turned-conscientious objector's connection to fellow poet Wilfred Owen. Author of Anthem for Damned Youth, he fought in the same fray but didn't make it back. That too earns Davies' attention, with Jack Lowden (Slow Horses) as Sassoon and Matthew Tennyson (Making Noise Quietly) as his fellow wordsmith, soldier and patient at Craiglockhart War Hospital — both for shell shock. Benediction doesn't solely devote its frames to this chapter in its central figure's existence, either, but the film also knows that it couldn't be more pivotal in explaining who Sassoon was, and why, and how war forever changed him (as also seen in his later guise, when he's played by The Suicide Squad's Peter Capaldi). Sassoon and Owen were friends, and also shared a mutual infatuation. They were particularly inspired during their times at Craiglockhart as well. In fact, Sassoon mentored the younger Owen, and championed his work after he was killed in 1918, exactly one week before before Armistice Day. Benediction is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. JURASSIC WORLD DOMINION When Jurassic World Dominion was being written, three words must've come up often. No, they're not Neill, Dern, Goldblum. Those beloved actors reunite here, the trio appearing in the same Jurassic Park flick for the first time since the 1993 original, but the crucial terms are actually "but with dinosaurs". Returning Jurassic World writer/director Colin Trevorrow mightn't have uttered that phrase aloud; however, when Dominion stalks into a dingy underground cantina populated by people and prehistoric creatures, Star Wars but with dinosaurs instantly springs to mind. The same proves true when the third entry in this Jurassic Park sequel trilogy also includes high-stakes flights in a rundown aircraft that's piloted by a no-nonsense maverick. These nods aren't only confined to a galaxy far, far away — a realm that Trevorrow was meant to join as a filmmaker after the first Jurassic World, only to be replaced on Star Wars: Episode IX — The Rise of Skywalker — and, yes, they just keep on coming. There's the speedy chase that zooms through alleys in Malta, giving the Bond franchise more than a few nods — but with dinosaurs, naturally. There's the plot about a kidnapped daughter, with Taken but with dinosaurs becoming a reality as well. That Trevorrow, co-scribe Emily Carmichael (Pacific Rim Uprising) and his usual writing collaborator Derek Connolly (Safety Not Guaranteed) have seen other big-name flicks is never in doubt. Indeed, as a Mark Zuckerberg-esque entrepreneur (Campbell Scott, WeCrashed) tries to take over all things dino, and ex-Jurassic World velociraptor whisperer Owen Grady (Chris Pratt, The Tomorrow War) and his boss-turned-girlfriend Claire Dearing (Bryce Dallas Howard, Rocketman) get drawn back into the creatures' realm, too much of Dominion feels like an attempt to actively make viewers wish they were watching other movies. Bourne but with dinosaurs rears its head via a rooftop chase involving, yes, dinos. Also, two different Stanley Kubrick masterpieces get cribbed so blatantly that royalties must be due, including when an ancient critter busts through a door as Jack Nicholson once did, and the exact same shot — but with dinosaurs — hits the screen. Jurassic World Dominion is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE KITCHEN BRIGADE When a chef sticks to a tried-and-tested recipe, it can be for two reasons: ease and excellence. Whipping up an already-proven dish means cooking up something that you already know works — something sublime, perhaps — and giving yourself the opportunity to better it. That process isn't solely the domain of culinary maestros, though, as French filmmaker Louis-Julien Petit makes plain in his latest feature The Kitchen Brigade. The writer/director behind 2018's Invisibles returns to what he knows and does well, and to a formula that keeps enticing audiences on the big screen, too. With the former, he whisks together another socially conscious mix of drama and comedy centring on faces and folks that are often overlooked. With the latter, he bakes a feel-good affair about finding yourself, seizing opportunities and making a difference through food. Returning from Invisibles as well, Audrey Lamy (Little Nicholas' Treasure) plays Cathy, a 40-year-old sous chef with big dreams and just as sizeable struggles. Instead of running her own restaurant, she's stuck in the shadow of TV-famous culinary celebrity Lyna Deletto (Chloé Astor, Delicious) — a boss hungry for not just fame but glory, including by dismissing Cathy's kitchen instincts or claiming her dishes as her own. Reaching boiling point early in the film, Cathy decides to finally go it alone, but cash makes that a problem. So, to make ends meet, she takes the only job she can find: overseeing the food in a shelter for migrants, where manager Lorenzo (François Cluzet, We'll End Up Together) and his assistant Sabine (Chantal Neuwirth, Patrick Melrose) have been understandably too busy with the day-to-day business of helping their residents to worry about putting on a fancy spread. The Kitchen Brigade is available to stream via, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MINIONS: THE RISE OF GRU What's yellow, round, inescapably silly and also just flat-out inescapable? Since 2010, when the first Despicable Me film reached screens, Minions have been the answer. The golden-hued, nonsense-babbling critters were designed as the ultimate sidekicks. They've remained henchman to malevolent figures in all five of their movie outings so far, and in the 15 shorts that've also kept telling their tale. But, as much as super-villain Gru (Steve Carrell, Space Force) would disagree — he'd be immensely insulted at the idea, in fact — Minions have long been the true drawcards. Children haven't been spotted carrying around and obsessing over Gru toys in the same number. The saga's key evil-doer doesn't have people spouting the same gibberish, either. And his likeness hasn't become as ubiquitous as Santa, although Minions aren't considered a gift by everyone. At their best, these lemon-coloured creatures are today's equivalent of slapstick silent film stars. At their worst, they're calculatingly cute vehicles for selling merchandise and movie tickets. In Minions: The Rise of Gru, Kevin, Stuart, Bob, Otto and company (all voiced by Pierre Coffin, also the director of the three Despicable Me features so far, as well as the first Minions) fall somewhere in the middle. Their Minion mayhem is the most entertaining and well-developed part of the flick, but as an 11-year-old Gru tries to live out his nefarious boyhood dreams in 1976, it's also pushed to the side by director Kyle Balda (Despicable Me 3), co-helmers Brad Ableson (Legends of Chamberlain Heights) and Jonathan del Val (The Secret Life of Pets 2), and screenwriter Matthew Fogel (The Lego Movie 2). There's a reason that this isn't just called Minions 2 — and another that it hasn't been badged Despicable Me: The Rise of Gru, although it should've. The Minion name gets wallets opening and young audiences excited, the Rise of Gru reflects the main focus of the story, and anyone who's older than ten can see the strings being pulled at the corporate level among the by-the-numbers slapstick hijinks. Minions: The Rise of Gru is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. AFTER BLUE (DIRTY PARADISE) In his 2017 feature debut, French writer/director Bertrand Mandico took to the sea, following five teens who were punished for a crime by being sent to a mysterious island. Sensual and lurid at every turn, The Wild Boys was never as straightforward as any description might intimate, however — and it proved both a tempest of influences as varied as Jean Cocteau, John Carpenter and David Lynch, and an onslaught of surreal and subversive experimentation several times over. Much of the same traits shine through in the filmmaker's second feature After Blue (Dirty Paradise), including an erotic tone that's even more pivotal than the movie's narrative. Mandico makes features about bodies and flesh, about landscapes filled with the odd and alluring, and where feeling like you've tumbled into a dream most wonderful and strange is the instant response. Tinted pink, teeming with glitter, scored by synth, as psychedelic as bathing in acid and gleefully queer, the fantastical realm that fills After Blue's frames is the titular planet, where humanity have fled after ruining earth. As teenager Roxy (debutant Paula-Luna Breitenfelder), who is nicknamed Toxic by her peers, tells the camera, only ovary-bearers can survive here — with men dying out thanks to their hair growing internally. In this brave new world, nationalities cling together in sparse communities, with roving around frowned upon. But that's what Roxy and her hairdresser mother Zora (Elina Löwensohn, Mandico's frequent star) are forced to do when the former meets and saves a criminal called Kate Bush (Agata Buzek, High Life), who she finds buried in sand, and are then tasked by their fellow French denizens with tracking her down and dispensing with her to fix that mistake. After Blue (Dirty Paradise) is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SUNDOWN In Sundown's holiday porn-style opening scenes, a clearly wealthy British family enjoys the most indulgent kind of Acapulco getaway that anyone possibly can. Beneath the blazing blue Mexican sky, at a resort that visibly costs a pretty penny, Alice Bennett (Charlotte Gainsbourg, The Snowman), her brother Neil (Tim Roth, Bergman Island), and her teenage children Alexa (Albertine Kotting McMillan, A Very British Scandal) and Colin (Samuel Bottomley, Everybody's Talking About Jamie) swim and lounge and sip, with margaritas, massages and moneyed bliss flowing freely. For many, it'd be a dream vacation. For Alice and her kids, it's routine, but they're still enjoying themselves. The look on Neil's passive face says everything, however. It's the picture of apathy — even though, as the film soon shows, he flat-out refuses to be anywhere else. The last time that a Michel Franco-written and -directed movie reached screens, it came courtesy of the Mexican filmmaker's savage class warfare drama New Order, which didn't hold back in ripping into the vast chasm between the ridiculously rich and everyone else. Sundown is equally as brutal, but it isn't quite Franco's take on The White Lotus or Nine Perfect Strangers, either. Rather, it's primarily a slippery and sinewy character study about a man with everything as well as nothing. Much happens within the feature's brief 82-minute running time. Slowly, enough is unveiled about the Bennett family's background, and why their extravagant jaunt abroad couldn't be a more ordinary event in their lavish lives. Still, that indifferent expression adorning Neil's dial rarely falters, whether grief, violence, trauma, lust, love, wins or losses cast a shadow over or brighten up his poolside and seaside stints knocking back drinks in the sunshine. Sundown is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE REEF: STALKED In the crowded waters of cinema's shark-attack genre, which first took a hefty bite out of the box office with mega hit Jaws and then spawned plenty of imitators since, a low-budget Australian effort held its own back in 2010. The second movie from writer/director Andrew Traucki after his crocodile-attack flick Black Water, The Reef wasn't ever going to rake in enough takings to threaten the larger fish, but the stripped-back survival-thriller was grippingly effective. As Black Water did with 2020's Black Water: Abyss, the creature-feature helmer's shark film has now be given a sequel — and like Traucki's other franchise, this followup is a routine splash. The filmmaker keeps most of the basics the same, casting out a remakequel, aka a movie about basically the same scenario but with different faces. No, Traucki isn't seeking a bigger boat, or even to rock the one he has. The Reef: Stalked does make one curious new choice, however, stemming from its nine-months-earlier prologue. The film's opening sequences set up a harrowing source of trauma for protagonist Nic (Teressa Liane, The Vampire Diaries), and also clumsily equate domestic violence with the ocean's predators in the process. The aim is to show how Nic and her youngest sister Annie (debutant Saskia Archer) refuse to become victims after their other sibling Cathy (Bridget Burt, Camp-Off) is stalked and savaged in a different way, fatally so, at the hands of her partner Greg (Tim Ross, Dive Club). After finding Cathy herself, Nic is so understandably distressed that she heads as far away as she can, but returns from overseas for a big diving and kayaking trip that was important to her sister. With friends Jodie (Ann Truong, Cowboy Bebop) and Lisa (Kate Lister, Clickbait), plus Annie, they embark on a multi-day paddle — but it isn't long until a different sinister force terrorises their getaway, even if you don't already know what "the man in the grey suit" refers to in surfer slang. The Reef: Stalked is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE PRINCESS Finding a moment or statement from The Princess to sum up The Princess is easy. Unlike the powerful documentary's subject in almost all aspects of her life from meeting the future King of England onwards, viewers have the luxury of choice. Working solely with archival materials, writer/director Ed Perkins (Tell Me Who I Am) doesn't lack in chances to demonstrate how distressing it was to be Diana, Princess of Wales — and the fact that his film can even exist also underscores that point. While both The Crown and Spencer have dramatised Diana's struggles with applauded results, The Princess tells the same tale as it was incessantly chronicled in the media between 1981–1997. The portrait that emanates from this collage of news footage, tabloid snaps and TV clips borders on dystopian. It's certainly disturbing. What kind tormented world gives rise to this type of treatment just because someone is famous? The one we all live in, sadly. Perkins begins The Princess with shaky visuals from late in August 1997, in Paris, when Diana and Dodi Fayed were fleeing the paparazzi on what would be the pair's last evening. The random voice behind the camera is excited at the crowds and commotion, not knowing how fatefully the night would end. That's telling, haunting and unsettling, and so is the clip that immediately follows. The filmmaker jumps back to 1981, to a then 19-year-old Diana being accosted as she steps into the street. Reporters demand answers on whether an engagement will be announced, as though extracting private details from a teenager because she's dating Prince Charles is a right. The Princess continues in the same fashion, with editors Jinx Godfrey (Chernobyl) and Daniel Lapira (The Boat) stitching together example after example of a woman forced to be a commodity and expected to be a spectacle, all to be devoured and consumed. The Princess is available to stream via Google Play and YouTube Movies. Read our full review. 6 FESTIVALS Three friends, a huge music festival worth making a mega mission to get to and an essential bag of goon: if you didn't experience that exact combination growing up in Australia, did you really grow up in Australia? That's the mix that starts 6 Festivals, too, with the Aussie feature throwing in a few other instantly familiar inclusions to set the scene. Powderfinger sing-alongs, scenic surroundings and sun-dappled moments have all filled plenty of teenage fest trips, and so has an anything-it-takes mentality — and for the film's central trio of Maxie (Rasmus King, Barons), Summer (Yasmin Honeychurch, Back of the Net) and James (Rory Potter, Ruby's Choice), they're part of their trip to Utopia Valley. But amid dancing to Lime Cordiale and Running Touch, then missing out on Peking Duk's stroke-of-midnight New Year's Eve set after a run-in with security, a shattering piece of news drops. Suddenly these festival-loving friends have a new quest: catching as much live music as they can to help James cope with cancer. The first narrative feature by Bra Boys and Fighting Fear director Macario De Souza, 6 Festivals follows Maxie, Summer and James' efforts to tour their way along the east coast festival circuit. No, there are no prizes for guessing how many gigs are on their list, with the Big Pineapple Music Festival, Yours and Owls and Lunar Electric among the events on their itinerary. Largely road-tripping between real fests, and also showcasing real sets by artists spanning Dune Rats, Bliss n Eso, G Flip, B Wise, Ruby Fields, Dope Lemon, Stace Cadet and more, 6 Festivals dances into the mud, sweat and buzz — the crowds, cheeky beers and dalliances with other substances that help form this coming-of-age rite-of-passage, aka cramming in as many festivals as you possibly can from the moment your parents will let you, as well. This is also a cancer drama, however, which makes for an unsurprisingly tricky balancing act, especially after fellow Aussie movie Babyteeth tackled the latter so devastatingly well so recently. 6 Festivals is available to stream via Paramount+. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and our best new TV shows, returning TV shows and straight-to-streaming movies from the first half of 2022. Or, check out the movies that were fast-tracked to digital in January, February, March, April, May, June and July.
When you're whipping up a batch of cookies, do you spoon your creations onto the tray and pop them straight into the oven, or do you sneak a taste of the delicious, uncooked dough? We all know that we should say the former — and we all really do the latter. Eating the mushy morsels we'll call pre-bikkies is frowned upon thanks to that little thing called food safety; however New York's newest cafe has the solution. Dō makes their cookie dough from pasteurised eggs and heat-treated flour that ensures those gorging on their products won't get ill. After selling their wares online, they've branched out into the bricks-and-mortar space, setting up shop in Greenwich Village. https://www.instagram.com/p/BPfiYFHF0m4/?taken-by=cookiedonyc There, you'll find scoops of dough, served with or without ice cream, plus sundaes, ice cream sandwiches and cookie dough milkshakes. Pick from flavours such as sugar cookie, brownie batter, salty and sweet, cake batter and peanut butter snickerdoodle — from a range of five classic, eight signature and three seasonal varieties — then indulge in guilt-free gooeyness. Baked snacks such as actual cookies, cookie sandwiches, and cookie cakes are also available, but where's the fun in that? Or, try cookie dough fudge, cookie dough ice cream pie, cookie dough brownies or a cookie bomb — which looks like a cupcake, but is actually dough and frosting. Yum. Via Food and Wine.
Since setting up in Rotterdam in 1997, Superuse Studios have been leading the way when it comes to sustainable architecture and design - both interior and exterior. Their portfolio includes a children's playground made out of old windmills, a contemporary art space that was once a shipping yard and a residence constructed entirely of recycled materials. Superuse are currently showcasing their latest designs at London's Architecture Foundation, where they'll be hanging about until July 31st. Some of their most recent developments have arisen from collaboration with students at the Royal Academy of Art at the Hague. Founder Jan Jogert has told The Guardian, the aim is to 'identify and connect available flows in the urban ecosystem.' One success story is that of GRO Holland, a project that involves recycling the 98.8% of produce wasted in the coffee-making process. Left-over grounds are gathered from cafes and blended with spores from oyster mushrooms, then cultivated in a dark, warm place. The resulting fungi are sold back to the cafes, while the waste produced goes to local tulip farmers. Superuse are also about to embark on the construction of a visitors' centre, which will again feature mushrooms and coffee grounds, this time as insulation. 'It is only through transparency that things will change,' Jongert says. 'The idea of connecting these disparate flows will become a big part of the economy. It will have to happen – we have no other choice.' [Via PSFK]
Since 1987, if you've wanted to hit up South by Southwest, then you've needed to visit Austin in Texas. Come October this year, however, that'll no longer be the case. Across eight days, the acclaimed tech, innovation, music, gaming, screen and culture festival and conference will embark on its first-ever non-US event — and more details about its massive four-day music festival have just dropped. Unlike your standard music fest in The Domain or Centennial Park, SXSW will be creating a bustling precinct spanning Ultimo, Darling Harbour, Chippendale and Surry Hills, with over 300 performances popping up across 25 different venues. As with the Austin iteration, the festival is all about discovery and catching the next big thing before they're headlining other festivals, so you'll find a lineup stacked with local and international talent doing interesting, boundary-pushing things. Up until this point, you've only been able to purchase the festival's next-level all-access badges. But now, SXSW has unveiled more financially accessible options with the introduction of the music wristband. These passes start from $280 and grant you access to all 300 performances between Wednesday, October 18–Saturday, October 21. [caption id="attachment_903438" align="alignnone" width="1920"] Alana Dimou[/caption] You'll also be able to pop into the showcases and parties being presented by brands like Laneway Festival, Dr Martens, Vans and Warner Music. And, you'll be able to hit up the country houses that've become synonymous with the Austin festival, including pop-ups from the British Music Embassy and Korean Spotlight. Some of the notable artist inclusions include frantic Japanese punk group Otoboke Beaver; Denzel Curry and JPEGMAFIA collaborator Redveil; First Nations trailblazers Barkaa, Kobie Dee, Jem Cassar-Daley and Dobby; TikTok sensations Ula and Flyana Boss; Indonesian jazz trio Batavia Collective; plus Dylan Atlantis and Friday*, both of who are members of the Western Sydney music collective Full Circle that were spotlighted in the SBS short film We Just Live Here. If you've been to see the new Australian horror movie that's taking the world by storm, aka Talk to Me, you would have caught the vocals of one of SXSW Sydney's artists IJALE opening the film with his song 'Ducks In a Row'. And, you can also catch a heap of beloved stalwarts of the Sydney and Australian live music scene as well, like Andy Golledge Band, These New South Whales, Andrew Gurruwiwi Band, Caitlin Harnett and the Pony Boys, and The Terrys. Expect more artists to be added to the lineup as the fest gets closer. Over in Austin, musicians big and small will often join the program all the way up until the week of the festival. All of these musicians will be popping up across Sydney venues like The Lansdowne, The Lord Gladstone, Hollywood Hotel, The Civic Underground, The Abercrombie, Phoenix Central Park, The Soda Factory, The Chippo Hotel, the Powerhouse Museum, Sneaky Possum, UTS Underground and Tumbalong Park. Plus, SXSW Sydney has partnered with the festival Someday Soon, which will be popping up at the University of Sydney on Saturday, October 21 with a stacked program featuring Peach PRC, What So Not, 1300, Northeast Party House, Royal Otis and Sly Withers. Platinum and music badgeholders will be able to attend the affiliate event as part of the week's festivities. [caption id="attachment_848402" align="alignnone" width="1916"] Barkaa, Luke Currie Richardson[/caption] Basically, you'll get access to a citywide party, at which established and emerging bands will be filling every stage across four different suburbs for four whole days — all for the price of a standard music festival. Of course, SXSW isn't all about the music. There will also be a film festival featuring the world premiere of the documentary Hot Potato: The Story of The Wiggles; a gaming strand with a massive esport competition and indie game showcase; and a conference with talks from Queer Eye star Tan France, the CEO of Coachella, Osher Günsberg and Layne Beachley. Each section of the festival has its own wristband system — with the music, screen and games tickets going on sale this Friday, August 25. You can get a full breakdown of the difference between badges and wristbands at the SXSW Sydney website. [caption id="attachment_889033" align="alignnone" width="1920"] Maria Boyadgis[/caption] SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues, with the SXSW Sydney Music Festival running from Wednesday, October 18–Saturday, October 21. Music wristbands go on sale this Friday, August 25, with early bird prices starting at $280. Top image: Jordan Munns. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
Singapore is a haven for food lovers. You've got some of the world's finest restaurants (52 have at least one Michelin Star), plus countless hawker centres full of street food stalls serving fresh and tasty local dishes at incredibly low prices. Spectacular local restaurants and bars are also scattered all over the country. That's why we decided to create this one-of-a-kind food-filled Singapore holiday in partnership with Singapore Tourism Board and celebrity chef Nelly Robinson from Sydney restaurant NEL. It is a seriously special getaway, taking place from June 16–19. During the exclusive holiday, you'll stay in the luxurious Pan Pacific Singapore (located in the heart of the city) for three nights and spend a full day with Chef Nelly Robinson — going to some of the places which inspired his latest 'Taste of Singapore' menu. [caption id="attachment_864487" align="alignnone" width="1920"] Danny Santos[/caption] On the Saturday, you'll go on a unique three-hour food tour of Chinatown, hitting up a few local dining spots as well as the famous Chinatown Complex Food Centre — Singapore's largest hawker centre. You'll then spend all of Sunday with Chef Nelly. First off, he'll join you for a private cookery class led by Singapore cooking personality, Ruqxana Vasanwala (in her own backyard kitchen). This is an incredibly rare opportunity to cook with Chef Nelly himself. After eating your hard work for lunch, head to Mr. Bucket Chocolaterie for a special chocolate tasting. You'll try the bean-to-bar tasting set which showcases the team's sustainability efforts in using all parts of the cacao tree. What's next? After recharging back at the hotel for a short while, guests will go to Hopscotch for avant-garde cocktails before having dinner at the Michelin-starred restaurant, Labyrinth. It will be one magnificent day full of local food and drinks — with a famous chef, known for his bold and creative Sydney degustation menus, joining you for the ride. During the unique getaway, you'll also have the opportunity to explore Singapore at your own leisure, receiving a handful of recommendations from us. [caption id="attachment_892008" align="alignnone" width="1904"] Hopscotch[/caption] Head to the Concrete Playground Trips website to book your spot on this exclusive culinary journey in Singapore with Chef Nelly Robinson, taking place from June 16–19. But hurry, only a limited number of tickets are available. Images: Singapore Tourism Board
Since Iron Man first flew onto cinema screens back in 2008, the Marvel Cinematic Universe has banded its movies together in phases, with each group of films telling a particular part of the broader story. The initial phase ran through until the first Avengers movie, the second spanned Iron Man 3 to Ant-Man, and the third kicked off with Captain America: Civil War and ended with Spider-Man: Far From Home. Now, the fourth phase is upon us — and it includes TV shows as well. So far, you might've been watching WandaVision; however, it's about to have company on streaming platform Disney+. Once the Mouse House is done telling Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) and Vision's (Paul Bettany) story (and nodding to classic sitcoms in the process), it's moving on to The Falcon and the Winter Soldier. Clearly, no one at Marvel and Disney+ has been taxing themselves while naming these series — so you instantly know who this one is about. Anthony Mackie and Sebastian Stan reprise the eponymous characters, with their characters teaming up and heading off on a global adventure. That tests their patience — as the initial sneak peek back in 2020 illustrated, and the just-dropped full trailer for the series now shows in more detail. The pair's exploits will span six episodes, and will bring back Daniel Brühl as Baron Zemo and Emily VanCamp as Sharon Carter. Wyatt Russell (The Good Lord Bird) will also join the MCU as John Walker. As for when you'll be able to see all of the above in action, the series starts streaming on Friday, March 19, just after WandaVision wraps up its nine-episode run. And yes, the MCU's fourth phase will include more TV shows — such as Loki, which hits in May; Secret Invasion, starring Samuel L Jackson as Nick Fury; and a series set in Wakanda. It'll kick off the film side of things with 2021 movies Black Widow, Shang-Chi and the Legend of the Ten Rings and Eternals. Check out the new full trailer for The Falcon and the Winter Soldier below: https://www.youtube.com/watch?v=IWBsDaFWyTE The Falcon and the Winter Soldier will hit Disney+ on Friday, March 19. Top image: Chuck Zlotnick, ©Marvel Studios 2020. All Rights Reserved.
How much better will you feel after spending a few days — or weeks, if you can — somewhere far away from your normal routine? How much happier will you be with a getaway to look forward to? Flight sales tick both boxes, sending you on a vacation and letting you revel in anticipation first. So if you were contemplating a holiday sometime between now and the middle of 2025, you might want to make the most of Virgin Australia's latest batch of discounted flights. Get your suitcases ready and book that annual leave: the Aussie carrier has dropped a week-long sale on international and domestic fares with prices starting at $49. There's over one million cheap flights on offer, covering trips to and from Tokyo, Bali, Fiji, Vanuatu, Samoa and Queenstown among the overseas destinations — and also The Whitsundays, Hamilton Island, Byron Bay, Cairns, Hobart, Darwin, the Gold Coast, the Sunshine Coast and more locally. As always, the Sydney–Byron Bay route has the lowest cost, which is $49 one-way this time around. From there, other discounts include Melbourne–Launceston from $59, Sydney to the Sunshine Coast from $69, Brisbane–Proserpine (aka The Whitsundays) from $79, Melbourne–Gold Coast from $89, Sydney–Hamilton Island from $119, Adelaide–Alice Springs from $165 and Sydney–Perth from $219. For those excited about travelling further afield, cheap international flights span a heap of return legs, such as Melbourne–Queenstown from $405, Gold Coast–Bali from $499, Brisbane–Port Vila from $499, Sydney–Nadi from $529 and Cairns–Haneda from $609. This sale kicks off on Tuesday, October 22, 2024, running until midnight AEST on Monday, October 28 unless sold out earlier. And the cheap fares, which cover both directions between each point in the discounted route, start with Virgin's Economy Lite option. If you're wondering when you'll need to travel, these deals cover periods between Monday, November 25, 2024–Monday, June 30, 2025, with all dates varying per route. Inclusions also differ depending on your ticket and, as usual when it comes to flight sales, you'll need to get in quick. Virgin's 'let's get the plans out of our group chat' sale runs until midnight AEST on Monday, October 28, 2024 — unless sold out earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
You won't have to hack together IKEA's latest collection, as the iconic furnisher of homes everywhere has just released its collaboration with Stockholm-based architect-turned-designer Gustaf Westman. Renowned for his bubbly, curvaceous pieces, it's Westman's first-ever product design collaboration, though he's far from an unknown quantity. He counts design-conscious celebs like Tyler, the Creator and Olivia Rodrigo among his fans. While we usually associate the Swedish giant with ready-to-assemble furniture made for functionality, this collaboration brings a little more personality to the fore. Created with joyful informality, Westman's 12-piece collection is inspired by seasonal celebrations, challenging tradition through his trademark sculptural shapes and bold colour combinations. "For me, this was an opportunity to take traditional holiday decor aesthetics and turn it on its head, instead, introducing a sense of playfulness and boldness," says Westman. "This is my interpretation of the holidays; it's a new design for a new generation." So, what's in store for IKEA and Westman fans? As you might expect, there's no shortage of pieces celebrating food and togetherness. The most attention-grabbing is a dedicated meatball plate — especially appropriate considering IKEA's iconic dish turns 40 this year. Meanwhile, Westman has designed an offbeat porcelain cup and saucer set for glögg, aka mulled wine, shaped by memories of his grandma's holiday baking. Westman's collection is also here to level up your lighting. There are matching candlesticks and holders in two candied colours — red and blue — and a portable, rechargeable lantern that twists from a round shape into an orbital one. Those familiar with Swedish Christmas traditions will also recognise a reimagined candelabra-style lamp, traditionally placed in windows during the holiday season. "Celebration often comes with established traditions, and we were curious to explore a more fun and inclusive take," says Maria O'Brian, IKEA Range Identity Leader. "Teaming up with Gustaf Westman felt like a natural match to help us reimagine the holidays with a twist." The limited-edition IKEA x Gustaf Westman collection will be available for purchase from Monday, September 29. Head to the website for more information.
For most folks, starring in one of the best new shows of 2022 so far would be the highlight of their resume for the year. But, of course, most folks aren't Taika Waititi. After getting streaming viewers swooning over warm-hearted pirate comedy Our Flag Means Death, he's about to unleash a little movie called Thor: Love and Thunder upon cinemas. And, based on the just-dropped first teaser trailer for his second contribution to the Marvel Cinematic Universe as a director, the goofy vibes, old-school rock tunes and delight that is Chris Hemsworth firmly in comedic mode are all back this time around. In fact, if you watched Thor: Ragnarok, laughed along heartily, lapped up the looser mood and instantly wanted more of Waititi's take on the MCU, you're in luck — because he also co-wrote the script for Thor: Love and Thunder with Jennifer Kaytin Robinson (Sweet/Vicious). In the trailer, that results in a comic look at Thor (Hemsworth, Extraction) dealing with the aftermath of Avengers: Endgame by reassessing his future and opting for retirement. But, if that was all there was to the story, it wouldn't be a Marvel movie. As shot in Australia, Thor: Love and Thunder sees its namesake come up against Gorr the God Butcher (Christian Bale, Ford v Ferrari), a galactic killer with a world-changing plan: eradicating the gods. So, Thor has to give up his search for inner peace, and call upon help from King Valkyrie (Tessa Thompson, Passing) and Korg (Waititi, doing triple duty) — and his ex-girlfriend Jane Foster (Natalie Portman, Vox Lux), who is now in possession of Mjolnir. Thor: Love and Thunder marks Portman's return to the MCU after appearing in the first Thor flick back in 2011, but sitting out the rest. Given the path her character has taken, it's easy to see why she's back. As set to the sounds of Guns 'N Roses' 'Sweet Child 'O Mine', the trailer makes the most of her new ownership of the god of thunder's magical hammer — understandably. Also popping up in the initial sneak peek for the fourth Thor flick: the Guardians of the Galaxy crew (as played and/or voiced by Chris Pratt, Pom Klementieff, Dave Bautista, Karen Gillan, Bradley Cooper and Vin Diesel), and a lightning-bolt wielding figure who it's safe to expect is Russell Crowe (Unhinged) as Zeus. When it hits cinemas Down Under on Thursday, July 7, following Doctor Strange in the Multiverse of Madness in early May, Thor: Love and Thunder will mark the 29th MCU movie overall. And, it mightn't be the last big-screen release Waititi has for us this year, either, with his documentary-to-feature adaptation of soccer story Next Goal Wins also in the pipeline. Check out the teaser trailer for Thor: Love and Thunder below: Thor: Love and Thunder opens in cinemas Down Under on Thursday, July 7.
Have you ever woken up in the middle of the night, in your cosy bed in your warm, above-ground room, and thought “There’s really not enough human remains in here. I wish I could take this doze underground to the world’s largest grave”? Macabre napper, you're in luck. Airbnb is running a competition to win a romantic night for two, deep in the catacombs of Paris. Yes the catacombs, which are currently the resting place for 6 million skeletons and presumably their angry, angry ghosts. This cosy little corner of death could be your own little getaway on the spookiest night of the year: October 31, Halloween. Airbnb are flying the winners out to Paris and putting them up for a night in the ‘combs. They’ve confirmed there will be a real mattress, so no bedding down amongst various femurs. The prize also includes dinner with a private concert, a catacombs tour, and a spooky storyteller to really lend the whole ‘night in a tomb with walls made of the dead’ experience some chilling ambiance. Next morning, you will become the only living person ever to wake up in the Paris catacombs (allegedly). Tres bien. Airbnb have reportedly paid $450,000 to rent the tunnels for the night, which kinda checks out — the tunnels are, of course, a huge tourist attraction with lines for entry frequently around the block. This isn't the first time Airbnb has tried to scare your pants clean off, between this terrifying stay at the end of a ski jump, or this luxurious, perilous night you could have spent dangling at 9000ft in a cable car. The scariest part of this particular Airbnb stay though? The listing doesn’t have internet access. OooOOooOOooOO. Enter the contest here.
What happens when AFC Richmond's assistant coach Nathan 'Nate' Shelley (Nick Mohammed, Intelligence) walks out on the club, and on his perennially optimistic American senior coach and mentor Ted Lasso (Jason Sudeikis, Saturday Night Live), for a rival team? Apple TV+ viewers, you're about to find out. After a year gap, sitting on the bench in 2022, award-winning hit soccer sitcom Ted Lasso is finally set to return in 2023 — and it now has a March release date and a first trailer. Get ready for a hefty rivalry, given that the Ted-versus-Nate clash is set to be quite the focus for the show's long-awaited third season. This 12-episode run, which will start streaming from Wednesday, March 15, will explore AFC Richmond's promotion to the Premier League — and the predictions that it'll come last as a result — plus Nate's move over to West Ham United. Also, Ted has both work and personal struggles to deal with, Roy Kent (Brett Goldstein, Uncle) leans into his assistant coach role, his partner Keeley Jones (Juno Temple, The Offer) is managing her own PR firm, and AFC Richmond owner Rebecca Welton (Hannah Waddingham, Hocus Pocus 2) is all about defeating West Ham United (and her ex Rupert Mannion, played by Buffy the Vampire Slayer's Anthony Stewart Head, who owns it). While Ted Lasso has felt like streaming's biggest warm hug across its first and second seasons, it wasn't afraid to skew darker in the latter, including as Nate felt pushed aside, ignored and unloved by Ted. Viewers will know that the last batch of episodes culminated with Nate's defection — but as seen in the first teaser trailer for season three, the rest of the AFC Richmond crew still has plenty to believe in, taking one of Ted's favourite words to heart. Also part of the team, whether on or off the field: recent hotshot player Jamie Tartt (Phil Dunster, The Devil's Hour), his teammates Sam Obisanya (Toheeb Jimoh, The French Dispatch) and Dani Rojas (Cristo Fernandez, Spider-Man: No Way Home), Ted's laconic second-in-charge and long-time friend Coach Beard (Brendan Hunt, Bless This Mess), and AFC Richmond Director of Football Operations Leslie Higgins (Jeffrey Swift, Housebound). As the sitcom's first two seasons have shown, viewers definitely don't need to love soccer or even sport to fall for this series' ongoing charms — although if you obsessed over the 2022 World Cup, it might help fill the gap until the 2026 version arrives. Kind-hearted in the way that Parks and Recreation, Wellington Paranormal, Brooklyn Nine-Nine and Abbott Elementary have also proven, Ted Lasso will be in for a significant obstacle in 2023, thanks to Ted and Nate's battle. Usually, this series celebrates people who support each other, are always there for each other and form close bonds as a result. Indeed, that's what has made it so instantly likeable. But with Nate now working for the competition, change is afoot — don't expect to see the show mess too much with its winning formula, though. Check out the trailer for Ted Lasso's third season below: Season three of Ted Lasso will stream via Apple TV+ from Wednesday, March 15. Read our full review of season two.
More so than any other in recent memory, this summer is going to be all about socialising. And, whether you've got a special occasion to celebrate or looking for places to have those overdue catch-ups, you can't beat a private dining room if you want to go all out. We've teamed up with Hennessy to highlight six impressive private rooms in Melbourne, Sydney and Brisbane for your next baller night (or day) out. Round up your crew, get the Henny flowing and your night is set.
Aussie festival lovers, get your best Queen voice on. It looks like another one’s biting the dust (for a year at least). The Hunter Valley's Gum Ball organisers Matt Johnston and his fiancée Jess have just announced that there’s every chance the event won’t be happening next year. We shouldn’t be too hard on the live music-loving couple, though. After ten years of providing stages for the likes of Jinja Safari, Ed Kuepper and Turin Brakes, they’re going to take some time out to tie the knot. “What I do want to tell you is that excitedly Jess and I are getting married early next year,” Johnston said. The statement begs the obvious question: why not kill two birds with one stone and get hitched at Gum Ball, in front of thousands of loyal festival fans? Not the plan, apparently. All might not be lost quite yet, however. Johnston did suggest the possibility of outsourcing the organisational frenzy to another party. “No exact plans have been made... as yet,” he explained. “Though, there is a bit of a desire to go on an extended holiday at a time that would otherwise be peak Gum Ball preparation time. “Perhaps we can source someone to help us make it all happen... The thing is you can’t do this event in halves and, as has been the case for the last ten years, you can’t really expect to have much downtime when you take it on.” If this, combined with Sound Summit’s recent hiatus announcement, has you crying all the rivers, don’t despair entirely. After all, Matt and Jess aren’t leaving us totally high and dry – PigSty in July is coming up on July 5. And, given Gum Ball’s popularity, it’s highly likely to be back on the festival calendar come 2016. Via TheMusic.com.au.
Take one of popular culture's biggest supervillains, throw in one of today's very best actors and add the director of The Hangover trilogy. Only a few years ago, the above sentence might've seemed like a joke. Today, it's the reality we're living in — the reality that sees a standalone Joker movie cackling its way towards cinema screens, starring Joaquin Phoenix in the titular role. Move over Cesar Romero, Jack Nicholson, Heath Ledger and Jared Leto — it's Phoenix's time to don exaggerated clown makeup, wield a killer smile and wreak havoc on Gotham City. The just-released final trailer for Joker promises plenty of all three, as failed standup comedian Arthur Fleck turns to a life of facepaint-wearing crime (and eventually obsessing over Batman, we're guessing). As directed and co-written by Todd Phillips (Old School, Starsky & Hutch, Due Date), Joker also comes with a suitably unhinged vibe, as if Phoenix's You Were Never Really Here character stumbled into Martin Scorsese's The King of Comedy. (Fittingly, the latter film plus Taxi Driver and Raging Bull have been cited as inspirations for the new DC Comics flick, and Scorsese is one of Joker's executive producers.) It also looks certain to help everyone forget that the last take on the famous villain only arrived three years ago, because who wants to remember Leto's green-haired turn in Suicide Squad? If the first and second trailers are anything to go by, it looks like Phoenix will — thankfully — follow in the footsteps of Nicholson and Oscar-winner Ledger instead, as he plays alongside his nemesis (and talk show host) Robert De Niro, his love interest Atlanta's Zazie Beetz and his mother Frances Conroy, as well as Marc Maron and Brett Cullen. But we'll have to wait till October to know for sure. If you'd like a dose of terrifying clown cinema before then, IT: Chapter Two drops next week. In the meantime, check out the final trailer below: https://www.youtube.com/watch?v=zAGVQLHvwOY Joker releases in Australian cinemas on October 3, 2019.
First dates are nerve-wracking. Try as you might, sweaty palms and butterflies in your stomach are inevitable when you're heading out with someone you're keen on for the first time. They're the involuntary responses that even the coolest, calmest and most collected of us can't control, but there are plenty of things that you can influence. Indeed, picking the right spot is almost as important as asking your date to go out with you. Cosy and intimate but not too quiet, lively and vibrant but not too busy, casual but in a classy way — finding the right first date spot is a tricky task. To help, we've partnered with American Express to round up the best places to kick-start a romantic spark among Brisbane's many restaurants, bars and eateries — and yes, you'll be able to use your Amex card at each spot to get those extra points we all crave. So, take your pick, and you'll be settling in for a drink, a meal and some stellar conversation in no time. Can't wait to start travelling the world again? American Express has the card for you. Sign up for the Qantas American Express Ultimate Card and you'll score 55,000 bonus Qantas Points, plus $450 of Qantas Travel Credit and two passes to the American Express Lounge every year. And you'll earn 1.25 Qantas Points for every dollar spent. T&Cs, minimum spend and eligibility criteria apply.
In Red, White and Blue, one of the five films in the Small Axe anthology, the force isn't with Star Wars' John Boyega. The police force, that is — although his character, Leroy Logan, gives up his job as a research scientist to fulfil his dream of becoming a cop. Logan wants to make a difference, and to drive change from within. He's committed to his task, even going through with his plan to enlist with London's Metropolitan Police after his father (Steve Toussaint, Doctor Who) is harassed and beaten by local officers because they can, and because they don't like the colour of his skin. But, while Logan excels at training and is quickly chosen to front a diversity campaign, British law enforcement in the early 80s wasn't welcoming to a Black man. Playing Logan — a real-life figure, like many within Small Axe — Boyega's eyes simmer with the intensity of someone who knows they're actively defying everything around them at each and every moment. Viewers can't help noticing this determined and resolute stare, just as they can't escape the Star Wars reference included by Hunger, Shame, 12 Years a Slave and Widows filmmaker Steve McQueen and his co-scribe Courttia Newland either. Red, White and Blue is the third film in the series, however, so its audience has already spied this particular gaze several times over. Boyega and the character of Logan only appear in one movie, but the same look blazes across many of the faces seen across the entire 60s, 70s and 80s-set anthology, which places London's West Indian community firmly at its centre. In Mangrove, that same fervent expression is evident far and wide as the film tells an infuriating true tale about a police campaign to target a Caribbean restaurant in Notting Hill. When the Trinidad-born Frank Crichlow (Shaun Parkes, Lost in Space) opens the titular establishment, he wants to give his community a taste of home and a place to gather, but the cops quickly make their presence known. After protests about heavy-handed and racially targeted policing, nine activists — known as the Mangrove Nine, and including Black Panther leader Altheia Jones-LeCointe (played by Black Panther's Letitia Wright) — are arrested for inciting a riot. Co-scripting with Trespass Against Us and Tomb Raider writer Alastair Siddons, McQueen turns this heated situation into a gripping movie of two expertly crafted halves, with the first detailing the events from 1968 leading up to the trial, and the second showing how the defendants are treated while they're fighting for their freedom. [caption id="attachment_789616" align="aligncenter" width="1920"] Mangrove[/caption] Of course, every Small Axe film is about that same fight, just in different manners. McQueen wants everyone watching to see the toll such a battle takes, especially when it has to be waged day in, day out — and the images in his work, as has proven the case across his filmography, are repeatedly concerned with people trying to navigate stress, then internalising all the pain the external world throws their way. Oscar-nominated for 12 Years a Slave, he's a master at conveying that pain and tension, often by peering intimately and empathetically at his characters. That's a skill that can't be underestimated, and that few filmmakers possess in quite the same way. Indeed, it's one of the reasons that McQueen's features always stand out. Lovers Rock, the second Small Axe entry, overflows with faces and bodies — at a West London house party in 1980, where Martha (debutant Amarah-Jae St. Aubyn) and Franklyn (Micheal Ward, The Old Guard) cross paths. As the genre of reggae that shares the film's name echoes through the soundtrack, this pair of strangers lock eyes and more, with the film lovingly and tenderly showing Black Londoners just being themselves. Martha and Franklyn swoon over each other, and the movie swoons with them, its warm and sensual visuals helping to spin the only wholly fictional entry in the anthology. This tale is perhaps the most crucial part of the set, even though it departs tonally from its fellow features; the happiness snatched and shared by its two central characters feels all the more affecting and important when contextualised against the unwelcoming city around them. [caption id="attachment_797060" align="aligncenter" width="1920"] Lovers Rock[/caption] Small Axe's fourth and fifth films don't leave any doubt that simply existing is often a political act for people of colour, and that trying to counter engrained discrimination and oppression is an ongoing effort. In Alex Wheatle, the series jumps into the life of the award-winning writer of the same name (as played by Ted Lasso's Asad-Shareef Muhammad as an eight-year-old, then by first-timer Sheyi Cole), who spends the bulk of his childhood in institutionalised care. When he later finds a place where he feels like he belongs, he's subsequently imprisoned during the Brixton Uprising of 1981. Unsurprisingly, Education also explores a character's formative years, using fictional figures to tell a story drawn from reality. Twelve-year-old Kingsley (Kenyah Sandy, Jingle Jangle: A Christmas Journey) is singled out at his school, told he's underperforming and that he's being sent to another for kids with special needs — as part of an unofficial segregation policy his mother Agnes (Sharlene Whyte, We Hunt Together) learns is far too commonly applied to West Indian children. Before this anthology, McQueen hadn't directed a bad movie. That isn't changing now. Here, he gifts viewers a quintet of films that are as exceptional as anything he's ever made — and as potent, impassioned and probing as well. There's no weak link here, only stunning, stirring, standout cinema that tells blistering tales about Black London residents doing everything it takes to resist their racist treatment and live their lives. Every feature is sumptuously shot, too, thanks to the awards-worthy work of cinematographer Shabier Kirchner (Bull), which transports viewers into the five movies so vividly it's like you've been whisked back in person. McQueen's soundtrack choices also add yet another layer, including the pitch-perfect use of Janet Kay's 'Silly Games' in what might be the series' best sequence — as well Al Green's cover of the Bee Gees' 'How Can You Mend a Broken Heart' that cuts deep, as everything about Small Axe does by design. https://www.youtube.com/watch?v=vcqItifbNUA&feature=youtu.be All five Small Axe films are available to stream via Binge. Top image: Red, White and Blue.
For the second time in 2024, Hollywood's TV talents have spent a night celebrating the best and brightest shows to hit the small screen, plus the folks that make our television and streaming favourites happen. If you love awards ceremonies, or just the reminder about what to watch that they always offer, this is a busier year than usual — because there's been not just one round of Emmys, but two. Back in January, the Emmys first took place for 2024 after the 2023 event was postponed from its usual September timing during Hollywood's writers' and actors' strikes. So, now that September is here for 2024, there's another Emmys — the ones that were always due to happen at this part of the calendar. Already worked your way through the winning shows from earlier in the year? Get ready for your next batch. Here's nine shows that've just received shiny trophies that you should watch, be it for the first or the fifth time. (We've also run through the full list of nominees and winners, too.) The Bear The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when bedlam surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate on-screen for Carmen 'Carmy' Berzatto (Jeremy Allen White, Fingernails) and his colleagues — aka sous chef Sydney (Ayo Edebiri, Bottoms), baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), resident Mr Fixit Neil Fak (IRL chef Matty Matheson), and family pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings). For viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. The Bear serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling second season. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and Sydney endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. Episodes that send Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3), get Richie spending a week learning the upscale ropes at one of Chicago's best restaurants and jump back to the past, demonstrating how chaos would've been in Carmy's blood regardless of if he became a chef, are particularly stunning. Emmys Won: Lead Actor in a Comedy Series (Jeremy Allen White), Supporting Actor in a Comedy Series (Ebon Moss-Bachrach), Supporting Actress in a Actor in a Comedy Series (Liza Colón-Zayas) and Directing for a Comedy Series (Christopher Storer, The Bear). Where to watch it: The Bear streams via Disney+. Read our full review of The Bear season two. Hacks Sometimes you need to wait for the things you love. In Hacks, that's true off- and on-screen. It's been two years since the HBO comedy last dropped new episodes, after its first season was one of the best new shows of 2021 and its second one of the best returning series of 2022 — a delay first sparked by star Jean Smart (Babylon) requiring heart surgery, and then by 2023's Hollywood strikes. But this Emmy- and Golden Globe-winner returns better than ever in season three as it charts Smart's Deborah Vance finally getting a shot at a job that she's been waiting her entire career for. After scoring a huge hit with her recent comedy special, which was a product of hiring twentysomething writer Ava Daniels (Hannah Einbinder, Julia), the Las Vegas mainstay has a new chance at nabbing a late-night hosting gig. (Yes, fictional takes on after-dark talk shows are having a moment, thanks to Late Night with the Devil and now this.) At times, some in Deborah's orbit might be tempted to borrow the Australian horror movie's title to describe to assisting her pitch for a post-primetime chair. That'd be a harsh comment, but savage humour has always been part of this showbiz comedy about people who tell jokes for a living. While Deborah gets roasted in this season, spikiness is Hacks' long-established baseline — and also the armour with which its behind-the-mic lead protects herself from life's and the industry's pain, disappointments and unfairness. Barbs can also be Deborah's love language, as seen in her banter with Ava. When season two ended, their tumultuous professional relationship had come to an end again via Deborah, who let her writer go to find bigger opportunities. A year has now passed when season three kicks off. Ava is a staff writer on a Last Week Tonight with John Oliver-type series in Los Angeles and thriving, but she's also not over being fired. Back in Vanceland , everything is gleaming — but Deborah isn't prepared for being a phenomenon. She wants it. She's worked for years for it. It's taken until her 70s to get it. But her presence alone being cause for frenzy, rather than the scrapping she's done to stay in the spotlight, isn't an easy adjustment. Emmys Won: Outstanding Comedy Series, Lead Actress in a Comedy Series (Jean Smart) and Writing for a Comedy Series (Lucia Aniello, Paul W Downs and Jen Statsky). Where to watch it: Hacks streams via Stan. Read our full review of Hacks season three. Baby Reindeer A person walking into a bar. The words "sent from my iPhone". A comedian pouring their experiences into a one-performer play. A twisty true-crime tale making the leap to the screen. All four either feature in, inspired or describe Baby Reindeer. All four are inescapably familiar, too, but the same can't be said about this seven-part Netflix series. Written by and starring Scottish comedian Richard Gadd, and also based on his real-life experiences, this is a bleak, brave, revelatory, devastating and unforgettable psychological thriller. It does indeed begin with someone stepping inside a pub — and while Gadd plays a comedian on-screen as well, don't go waiting for a punchline. When Martha (Jessica Gunning, The Outlaws) enters The Heart in Camden, London in 2015, Donny Dunn (Gadd, Wedding Season) is behind the counter. "I felt sorry for her. That's the first feeling I felt," the latter explains via voiceover. Perched awkwardly on a stool at the bar, Martha is whimpering to herself. She says that she can't afford to buy a drink, even a cup of tea. Donny takes pity, offering her one for free — and her face instantly lights up. That's the fateful moment, one of sorrow met with kindness, that ignites Baby Reindeer's narrative and changes Donny's life. After that warm beverage, The Heart instantly has a new regular. Sipping Diet Cokes from then on (still on the house), Martha is full of stories about all of the high-profile people that she knows and her high-flying lawyer job. But despite insisting that she's constantly busy, she's also always at the bar when Donny is at work, sticking around for his whole shifts. She chats incessantly about herself, folks that he doesn't know and while directing compliments Donny's way. He's in his twenties, she's in her early forties — and he can see that she's smitten, letting her flirt. He notices her laugh. He likes the attention, not to mention getting his ego stroked. While he doesn't reciprocate her feelings, he's friendly. She isn't just an infatuated fantasist, however; she's chillingly obsessed to an unstable degree. She finds his email address, then starts messaging him non-stop when she's not nattering at his workplace. (IRL, Gadd received more than 40,000 emails.) Emmys Won: Outstanding Limited or Anthology Series, Lead Actor in a Limited or Anthology Series or Movie (Richard Gadd), Supporting Actress in a Limited or Anthology Series or Movie (Jessica Gunning) and Writing for a Limited or Anthology Series or Movie (Richard Gadd). Where to watch it: Baby Reindeer streams via Netflix. Read our full review. Ripley Boasting The Night Of's Steven Zaillian as its sole writer and director — joining a list of credits that includes penning Martin Scorsese's Gangs of New York and The Irishman, and also winning an Oscar for Schindler's List — the latest exquisite jump into the Ripley realm doesn't splash around black-and-white hues as a mere stylistic preference. In this new adaptation of Patricia Highsmith's 1955 book, the setting is still coastal Italy at its most picturesque, and therefore a place that most would want to revel in visually; Anthony Minghella, The Talented Mr Ripley's director a quarter-century back, did so with an intoxicating glow. For Zaillian, however, stripping away the warm rays and beaches and hair, blue seas and skies, and tanned skin as well, ensures that all that glitters is never gold or even just golden in tone as he spends time with Tom Ripley (Andrew Scott, All of Us Strangers). There's never even a glint of a hint of a travelogue aesthetic, with viewers confronted with the starkness of Tom's choices and actions — he is a conman and worse, after all — plus the shadows that he persists in lurking in and the impossibility of ever grasping everything that he desires in full colour. On the page and on the screen both before and now, the overarching story remains the same, though, in this new definitive take on the character. It's the early 60s rather than the late 50s in Ripley, but Tom is in New York, running fake debt-collection schemes and clinging to the edges of high-society circles, when he's made a proposal that he was never going to refuse. Herbert Greenleaf (filmmaker Kenneth Lonergan, who has also acted in his own three features You Can Count on Me, Margaret and Manchester by the Sea) enlists him to sail to Europe to reunite with a friend, the shipping magnate's son Dickie (Johnny Flynn, One Life). As a paid gig, Tom is to convince the business heir to finally return home. But Dickie has no intention of giving up his Mediterranean leisure as he lackadaisically pursues painting — and more passionately spends his time with girlfriend Marge Sherwood (Dakota Fanning, The Perfect Couple) — to join the family business. Emmys Won: Directing for a Limited or Anthology Series or Movie (Steven Zaillian). Where to watch it: Ripley streams via Netflix. Read our full review. Fargo This is a true story: in 2014, Hollywood decided to take on a task that was destined to either go as smoothly as sliding on ice or prove as misguided as having a woodchipper sitting around. Revisiting Fargo was a bold move even in pop culture's remake-, reboot- and reimagining-worshipping times, because why say "you betcha" to trying to make crime-comedy perfection twice? The Coen brothers' 1996 film isn't just any movie. It's a two-time Oscar-winner, BAFTA and Cannes' Best Director pick of its year, and one of the most beloved and original examples of its genre in the last three decades. But in-between credits on Bones, The Unusuals and My Generation, then creating the comic book-inspired Legion, writer, director and producer Noah Hawley started a project he's now synonymous with, and that's still going strong five seasons in. What keeps springing is always a twisty tale set in America's midwest, as filled with everyday folks in knotty binds, complicated family ties, crooks both bumbling and determined trying to cash in, and intrepid cops investigating leads that others wouldn't. Hawley's stroke of genius: driving back into Fargo terrain by making an anthology series built upon similar pieces, but always finding new tales about greed, power, murder and snowy landscapes to tell. Hawley's Fargo adores the Coenverse overall, enthusiastically scouring it for riches like it's the TV-making embodiment of Kumiko, the Treasure Hunter's namesake. That film hailed from Damsel's David Zellner instead, and took cues from the urban legend surrounding the purported Fargo ties to the IRL death of Japanese office worker Takako Konishi; however, wanting the contents of the Coen brothers' brains to become your reality is clearly a common thread. Of course, for most of the fictional figures who've walked through the small-screen Fargo's frames, they'd like anything but caper chaos. Scandia, Minnesota housewife Dot Lyon (Juno Temple, Ted Lasso) is one of them in season five. North Dakota sheriff, preacher and rancher Roy Tillman (Jon Hamm, Good Omens) isn't as averse to a commotion if he's the one causing it. Minnesota deputy Indira Olmstead (Richa Moorjani, Never Have I Ever) and North Dakota state trooper Witt Farr (Lamorne Morris, Woke) just want to get to the bottom of the series' new stint of sometimes-madcap and sometimes-violent mayhem. Emmys Won: Supporting Actor in a Limited or Anthology Series or Movie (Lamorne Morris). Where to watch it: Fargo streams via SBS On Demand. Read our full review of Fargo season five. Shōgun Casting Hiroyuki Sanada (John Wick: Chapter 4), Cosmo Jarvis (Persuasion) and Anna Sawai (Monarch: Legacy of Monsters) as its three leads is one of Shōgun's masterstrokes. The new ten-part adaptation of James Clavell's 1975 novel — following a first version in 1980 that featured Japanese icon and frequent Akira Kurosawa collaborator Toshiro Mifune — makes plenty of other excellent moves, but this is still pivotal. Disney+'s richly detailed samurai series knows how to thrust its viewers into a deeply textured world from the outset, making having three complex performances at its centre an essential anchoring tactic. Sanada plays Lord Yoshii Toranaga, who is among the political candidates vying to take control of the country. Jarvis is John Blackthorne, a British sailor on a Dutch ship that has run aground in a place that its crew isn't sure is real until they get there. And Sawai is Toda Mariko, a Japanese noblewoman who is also tasked with translating. Each character's tale encompasses much more than those descriptions, of course, and the portrayals that bring them to the screen make that plain from the moment they're each first seen. As Game of Thrones and Succession both were, famously so, Shōgun is another drama that's all about fighting for supremacy. Like just the former, too, it's another sweeping epic series as well. Although it's impossible not to see those links, knowing that both battling over who'll seize power and stepping into sprawling worlds are among pop culture's favourite things right now (and for some time) doesn't make Shōgun any less impressive. The scale is grand, and yet it doesn't skimp on intimacy, either. The minutiae is meticulous, demanding that attention is paid to everything at all times. Gore is no stranger from the get-go. Opening in the 17th century, the series finds Japan in crisis mode, Toranaga facing enemies and Blackthorne among the first Englishmen that've made it to the nation — much to the alarm of Japan's sole European inhabitants from Portugal. Getting drawn in, including by the performances, is instantaneous. Shōgun proves powerful and engrossing immediately, and lavish and precisely made as well, with creators Justin Marks (Top Gun: Maverick) and Rachel Kondo (on her first TV credit) doing a spectacular job of bringing it to streaming queues. Emmys Won: Outstanding Drama Series, Lead Actor in a Drama Series (Hiroyuki Sanada), Lead Actress in a Drama Series (Anna Sawai) and Directing for a Drama Series (Frederick EO Toye). Where to watch it: Shōgun streams via Disney+. Read our full review. True Detective: Night Country Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, True Detective has returned as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. This is a return to form and a revitalisation. Making it happen after two passable intervening cases is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. In handing over the reins, Pizzolatto's police procedural never-standard police procedural is a powerhouse again, and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date the investigation in the new season, a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. Emmys Won: Lead Actress in a Limited or Anthology Series or Movie (Jodie Foster). Where to watch it: True Detective: Night Country streams via Binge. Read our full review. Slow Horses In gleaming news for streaming viewers, Mick Herron's Slough House novel series boasts 12 entries so far. In an also ace development, several more of the British author's books have links to the world of veteran espionage agent Jackson Lamb. That thankfully means that Slow Horses, the small-screen spy thriller based on Herron's work, has plenty more stories to draw upon in its future. It's now up to its third season as a TV series, and long may its forward path continue. Apple TV+ has clearly felt the same way since the program debuted in April 2022. In June the same year, the platform renewed Slow Horses for a third and fourth season before its second had even aired. That next chapter arrived that December and didn't disappoint. Neither does the latest batch of six episodes, this time taking its cues from Herron's Real Tigers — after season one used the novel Slow Horses as its basis, and season two did the same with Dead Lions — in charting the ins and outs of MI5's least-favourite department. Slough House is where the service rejects who can't be fired but aren't trusted to be proper operatives are sent, with Lamb (Gary Oldman, Oppenheimer) its happily cantankerous, slovenly, seedy and shambolic head honcho. Each season, Lamb and his team of losers, misfits and boozers — Mick Jagger's slinky ear worm of a theme tune's words — find themselves immersed in another messy case that everyone above them wishes they weren't. That said, Slow Horses isn't a formulaic procedural. Sharply written, directed and acted, and also immensely wryly funny, it's instead one of the best spy series to grace television, including in a new go-around that starts with two intelligence officers (Babylon's Katherine Waterston and Gangs of London's Ṣọpẹ́ Dìrísù) in Istanbul. When the fallout from this season's opening events touches Lamb and his spooks, they're soon thrust into a game of cat-and-mouse that revolves around secret documents and sees one of their own, the forever-loyal Catherine Standish (Saskia Reeves, Creation Stories), get abducted. The talented River Cartwright (Jack Lowden, The Gold) again endeavours to show why being banished to Slough House for a training mistake was MI5's error, while his boss' boss Diana Taverner (Kristin Scott Thomas, Rebecca) reliably has her own agenda. Emmys Won: Writing for a Drama Series (Will Smith, Slow Horses). Where to watch it: Slow Horses streams via Apple TV+. Read our full review. The Crown It's the season that originally wasn't going to happen, telling the story that's still ongoing IRL, and wrapping up a seven-year run for a star-studded regal drama that's proven a royal hit. But, thankfully, it did — with The Crown coming to an end with a sixth go-around split into two parts. The focus for the Peter Morgan (The Queen)-created show's final episodes: the relationship between Princess Diana (Elizabeth Debicki, MaXXXine) and Dodi Fayed (Khalid Abdalla, Moon Knight), including the tragic events of their trip to Paris; the changing attitudes towards the British monarchy, and Queen Elizabeth II (Imelda Staunton, Downton Abbey: A New Era) entering her ninth decade; what his mother's advancing years meant for Prince Charles (Dominic West, The Pursuit of Love); Princess Margaret's (Lesley Manville, Mrs Harris Goes to Paris) stroke and lifestyle changes; and Prince William (Ed McVey) going back to Eton, then attending St Andrew's University and forming a crush on Kate Middleton (Meg Bellamy). When The Crown began, it kicked off with Queen Elizabeth II's life from her marriage to Prince Philip back in 1947. The first season made its way to the mid-50s, the second season leapt into the 60s, and season three spanned all the way up to the late 70s. In season four, the royal family hit the 80s, while season five hopped to the 90s. News around the show's fifth and sixth seasons changed a few times, including Netflix announcing that it would end the royal drama after its fifth season, only to have a change of heart and proceed for a sixth season after all. While there was always going to come a time to say goodbye, especially given that this is a IRL tale without an end, it's hard to see how the show would've fit in everything it needed if it hadn't delivered its sixth batch of episodes — and, among everything else viewers can be glad for Debicki's excellent performance. Emmys Won: Supporting Actress in a Actor in a Drama Series (Elizabeth Debicki). Where to watch it: The Crown streams via Netflix.
Yarra Valley winery Helen & Joey Estate has just leapt into the world of dining and accommodation by setting up Re'em within its vast 200-acre property. The new Victorian site has been designed to take full advantage of the estate's rolling vineyard and ornamental lake, with the dining rooms and each of the 16 boutique rooms boasting views across the winery and surrounding region. In the 80-seat restaurant, guests can cosy up in booths by floor-to-ceiling windows or head to the shaded terrace to sample an impressive selection of contemporary Chinese dishes, each of which have been designed to match well with the estate's new-world wines. The menu honours owners Helen and Joey's Chinese heritage, but they've given culinary consultant Mark Ebbels (ex-The Fat Duck, Bacchanalia, TarraWarra Estate) and Head Chef Abe Yang (ex-TarraWarra Estate and Levantine Hill) plenty of room to leave their own mark on Re'em. This collaboration has resulted in plenty of raw dishes like the Sichuan beef tartare, plus dry-aged Buxton trout covered in a vibrant ginger, soy and star anise sauce. Hot dishes from the kitchen's woodfired grill also make an appearance alongside fried veggie dumplings, Hainanese chicken and crispy eggplant slathered in a capsicum doubanjiang (fermented bean paste and chilli sauce). The food offerings champion both traditional and contemporary Chinese cooking techniques while heroing seasonal Aussie produce. The team has also relocated its cellar door to the new site, where guests can sip their way through Helen & Joey Estate's new and aged drops — yet again boasting views across the winery. They've even set up a private wine-tasting room downstairs, so patrons can have a more intimate drinking experience surrounded by oak barrels and custom-made artworks. Stay at these two drinking and dining spots to catch the sunset over the vineyard, or sneak away to one of the boutique hotel rooms to stick around till sunrise the next day. Each of the 16 rooms has been designed to take advantage of the natural landscape — either through the floor-to-ceiling windows or balconies and patios. King beds, deep standalone baths, sleek kitchenettes and olive oil bath products add some luxury touches to the experience as well. Find Re'em Yarra Valley at Helen & Joey Estate, 12-14 Spring Lane, Gruyere, open every day of the week. For more information, head to the venue's website.
"Like Fishbowl but with fruit." That's the phrase adorning a door at Fruitbowl, and it couldn't sum up the eatery's concept better. When the craving for vegetable-filled bowls strikes, Fishbowl has the answer, launching in Brisbane in 2022 six years after opening its first-ever store in Sydney. Now, since mid-2023 next door to its original Queensland venue at Gasworks in Newstead, its sibling Fruitbowl is doing the same with another healthy food group. On the menu here: fruit, obviously, as topping acai and froyo. Like its neighbour, Fruitbowl is all about building your own dishes, starting with your pick of base — or both if you like — then whichever fruit and toppings that you'd like. If you're after granola, that's homemade and roasted in-house. With the fruit range, obviously the freshest produce reigns supreme. And the vibe and ethos mirror Fishbowl, including the bright but casual setting and a focus on sustainability. The idea is that you'll head to Fishbowl for a meal, then to Fruitbowl for dessert, although no one will know if you skip the former. New to all things Fishbowl? Before it branched out into fruit, the chain began by heroing fast but healthy vegetable-filled bowls, all revolving around its range of house favourites.
UPDATE, June 29, 2022: Midsommar is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Prime Video. In the dark, sprawling house at the centre of Ari Aster's Hereditary, nightmares flourished in even the safest of spaces. In the writer-director's sophomore release, Midsommar, devilish deeds and diabolical forces thrive in lush meadows dappled with unrelenting Swedish daylight. Once again weaving a maze of death, trauma, family, secrets, strange sects, unnerving rituals and eerie altercations, the acclaimed filmmaker is clearly fascinated with specific themes and motifs. He has a type, even with the evident change of location and colour scheme. And yet, Aster can't be accused of making the same movie twice. Watching on as a group of Americans encroach upon a secret Nordic community near the North Pole, joining their celebrations during a once-in-a-lifetime festival, Midsommar dives into a whole new world of terror. Crucially, it thrusts the horror genre's lingering malevolence out of dim rooms and musty corners, and into the fresh, vibrant, perennially sun-drenched air. Midsommar commences with the passing of loved ones, in what's become the director's typical fashion. That Aster has already established an authorial pattern just two movies into his feature-filmmaking career (across less than two years) speaks volumes. Midsommar doesn't seem like a rehash, nor like he's filtering his past hit through the somewhat similar The Wicker Man or Kill List. Instead, it feels as if Aster is finding new ways to unpack ideas that keep devouring his mind and soul. Through the grief-stricken Dani (Florence Pugh), he gives the bone-rattling pain of mourning the most distraught face he can, his committed new lead matching Toni Collette's turn in Hereditary for intensity. Then, he pushes his bereaved protagonist much, much further out of her comfort zone. Tagging along with her barely caring boyfriend Christian (Jack Reynor) as he accompanies his college friend Pelle (Vilhelm Blomgren) back to the close-knit commune where the latter grew up, Dani is an interloper twice over. The frat boy-ish Mark (Will Poulter) is visibly unhappy that she's joined their trip and, though fellow anthropology student Josh (William Jackson Harper) offers her kindness, it's obvious that she wasn't initially part of the group's plans. Of course, like their unwanted guest, this motley crew of self-absorbed men don't quite gel at their destination. They're met with hearty smiles, plastered across the faces of serene Swedes who wear white cotton from head to toe, sport floral headdresses and spend their afternoons tripping on mushrooms, but the visitors still stand out. And the more time that Dani, Christian, Mark and Josh spend with the Hårga, as Pelle's pagan community is known, the further they become entrenched in the summer solstice festivities. While it begins with feasts, ceremonies, love runes and laced drinks, disappearances, ominous maypole dances, deaths and worse soon follow. A film steeped in loss, Midsommar is also a movie as much about belonging as longing. The agony and uncertainty someone feels when they don't fit in, and the contentment that springs when they're welcomed with open arms, courses through the picture's veins. Tied to both is Aster's favourite sensation, with dread the movie's emotional baseline. Wherever and whenever he can, the filmmaker layers his sights and sounds with anxiety and apprehension — and with fear and foreboding on top. Unease ripples across the Hårga's leafy haven like a slight but quickening breeze, as made all the more disquieting by the long, wide shots favoured by returning cinematographer Pawel Pogorzelski, and the needling, string-heavy refrains that mark The Haxan Cloak's stirring score. Once again, Aster has crafted a work of commanding control and startling technical precision, each element carefully calculated to disturb viewers with maximum effect. Midsommar is also a work of meticulous pacing, a factor that has more of an impact than might be anticipated. As anyone who has experienced it knows, mourning is a process of waiting for time to tick by, and for soul-crushing sadness to fade from a searing flame to a bearable simmer. Likewise, relishing the joys of feeling safe and wanted also hinges upon time — although, in that situation, no one ever wants their bliss to end. Starting patiently then working up to a frenzy, Midsommar packs much into its 147-minute duration, but mirroring these feelings of grief and of comfort just might be its most devastating achievement. With that in mind, Dani is torn in two conflicting directions, simultaneously wishing her ordeal would finish and hoping that it keeps branching into eternity. Reynor's largely dazed and confused Christian feels the same way, but for his own reasons given that their relationship keeps snapping and straining towards its breaking point. The duo are distressed and drugged, yet they're also caught in the commune's thrall, and Aster asks his audience to share their sentiments. It's easy to do as the director asks, unless you're squeamish. A hallucinatory horror trip that doesn't hold back on its deranged imagery, Midsommar is a glowing, sinister dream. It couldn't look more alluring and idyllic, all while exposing festering miseries and inescapable woes. Every inch a sunlit nightmare, it shocks by bathing its dark heart in gleaming brightness, and intoxicates even as it repeatedly unsettles viewers to their core. https://www.youtube.com/watch?v=_I9ZeUWXI2s
Usually when we all encounter fog, it's hanging there in the sky, misting things up and reducing visibility. But when London-based, world-renowned food artists and multi-sensory design studio Bompas & Parr head Down Under for their first-ever Australian sensory installation, the fog will be considerably different. This mist will be fruit-flavoured, for starters, and it'll be edible. If you're intrigued by weird, wonderful, creative and inventive experiments with food — and with the senses in general — then Bompas & Parr's name should be familiar. Sam Bompas and Harry Parr first garnered attention with their jellies, and then whipped up a 200-course dinner party, unleashed an edible fireworks display, barbecued using real molten lava and served up anatomical whisky tastings. Also on their resume: bespoke cocktails based on your DNA, a feast where diners had to kill their own meal and non-melting icy poles. Yes, tastebud-friendly mist mist fits right in. [caption id="attachment_851679" align="alignnone" width="1920"] Ann Charlott Ommedal[/caption] We've all heard of pea soup fog, of course — but no, that won't be what you're tasting at Bunjil Place in Narre Warren in Melbourne. Rather, the consumable mist will form part of a flavoured fruit weather installation, and will swirl around oversized food sculptures laid out in a garden. And, there'll be three different varieties seeping through the air each and every day. The aim: to unleash some 'fruit weather' upon the Victorian capital, and to highlight the City of Casey's food heritage. When you're not thinking about horror movies like The Fog and The Mist, you're bound to be contemplating food while you're wandering around these giant versions of it, all with mist seeping out of the bottom. Well, we expect so at least, given that the flavoured fog is a world-first. Everyone keen to experience this hopefully delicious haze will find it lurking around Bunjil Place thanks to a free event called Casey Cornucopia, which'll run from June 24–July 17. Over that 24-day period, there'll be tours explaining how the garden installation came about, too — because it is really is the kind of thing that'll leave you with questions — plus parties, dinners and art. You'll also be able to hit up a food hub that brings together local farmers, growers, artisans, sustainability gurus and artists for a series of daily talks, demonstrations, samples and workshops. Casey Cornucopia will pop up at Bunjil Place, 2 Patrick NE Dr, Narre Warren, Victoria, from June 24–July 17. Images: supplied by Bunjil Place and Bompas & Parr.
Winter is coming, as Game of Thrones has been telling us for years — but the show's final season is coming first. Before the weather turns cold again in the southern hemisphere, fans of the epic HBO series will be able to discover how the popular series wraps up, so mark your calendars accordingly. After leaving everyone hanging for the entirety of 2018, HBO has announced that Game of Thrones' eighth and final season will hit the small screen in April 2019, nearly two years after season seven premiered in July 2017. The US network hasn't announced an exact premiere date as yet, but even knowing which month to look forward to is good news. If you're eager to get your fix of the series' staples — that is, battles, bloodshed, betrayal, bare chests, family bickering, Jon Snow knowing nothing (including about his long-lost aunt) and plenty of dragons — then you can almost start counting down the days. HBO revealed the month in a fairly generic video on the Game of Thrones Facebook page, and you can probably expect a precise date and even a trailer to follow soon enough. If you're looking for clues from past seasons, seasons one to six all premiered between March 31 and April 24, so really any Sunday in April, US time — so Monday in Australia — is possible. Of course, we all know that this isn't really the end of the world created by author George RR Martin — and no, we're not talking about the now seven-year wait for his next book in the literary franchise, The Winds of Winter. A prequel TV series to Game of Thrones is in the works, set thousands of years before the events we've all be watching since 2011, with Naomi Watts set to star. Come next year, you'll also be able to tour original GoT filming locations in Northern Ireland. https://www.facebook.com/GameOfThrones/videos/734669123560089/ Game of Thrones season eight will arrive on HBO in April, 2019.
