Queensland has just cracked a moon shot — the state has won the right to host the 2027 Women's Softball World Cup Finals. Taking over the City of Moreton Bay, it'll be the first time Australia has hosted the event since its inaugural edition back in 1965. On that occasion in Melbourne, our national women's team, aka the Aussie Spirit, triumphed over the USA to score themselves the gold medal. Now, over 60 years later, the event is returning to where it all began, as eight of the world's best women's teams descend on Talobilla Park in Redcliffe from Monday, April 5–Sunday, April 11, 2027. Just 45 minutes north of Brisbane, this coastal spot will be the ideal setting for locals and international visitors to soak up the action. View this post on Instagram A post shared by YIAGA (@yiaga.au) While every Women's Softball World Cup is a special occasion, the next instalment will take on even greater significance. That's because it will serve as the qualifying event for the 2028 Summer Olympics in Los Angeles. Marking softball's return to the Games after not being included in the 2024 edition, the World Cup Finals will set the tone for what takes place on one of sport's most significant stages. "We're thrilled with the announcement of Redcliffe as host of the WBSC Women's Softball World Cup Finals 2027, the flagship event of international women's softball," says WBSC President Riccardo Fraccari. "Held one year before the Los Angeles 2028 Olympics and five years until the Brisbane 2032 Games, this tournament will highlight Australia's strong passion for softball and the deep roots the sport has in the country's sporting community." The announcement arrives on the back of solid support for women's sport in Australia, with the federal government clocking home run bids for the FIFA Women's World Cup in 2023, the Women's Asian Cup in 2026, the Netball World Cup in 2027 and the Women's Rugby World Cup in 2029. So, pencil in your trip to Redcliffe to get behind the Aussie Spirit as they face off against the sport's heaviest hitters on the diamond. "The return of the WBSC Women's Softball World Cup to Australian soil is a powerful opportunity to inspire the next generation with Olympic dreams, boost grassroots participation and deliver lasting benefits to local communities," says Softball Australia CEO Sarah Loh. The Women's Softball World Cup Finals 2027 will be held at Talobilla Park in Redcliffe from Monday, April 5–Sunday, April 11, 2027. Head to the website for more information.
It happens all the time in movies and TV shows: someone stays in a swanky hotel in a gorgeously sunny locale, then spends their time lazing by the pool, swimming up to the bar for mid-splash sips and, when they're out of the water, walking straight down to the beach. It's now happening at the Gold Coast's newest addition, too, with The Langham opening its third Australian site in the Queensland getaway spot. Welcoming in holidaymakers since Thursday, June 23 — and making its home inside the Jewel towers between Surfers Paradise and Broadbeach — The Langham Gold Coast joins the brand's existing Australian hotels in Sydney and Melbourne. It's also part of a worldwide portfolio that dates back to 1865 in London. But, as first revealed back in May, the new five-star venue's two big drawcards are all about the water, drinks, sand and surf: direct beachfront access, a rarity for new towering places to stay in the tourist destination; and a pool bar you can swim up to while still staring at that ocean view. Being able to mosey directly from the hotel to the beach — without having to cross any roads — is obviously as straightforward as it sounds. As for the pool bar, it's serving up light snacks, as well as champagne, rosé and spritzes. There are low-alcohol cocktails, too, to either sip in the water or on one of the 60 loungers around the edge. Also included among The Langham Gold Coast's range of food and beverage venues: Palm Court, a 74-seater that goes big on pastries and pool views, with signature cocktail service from 4pm. Here, you can tuck into an 11-option afternoon tea daily, or pair drinks with oysters, sesame-crusted fried salmon and camembert, truffle fries, and caviar with waffle-cut chips by night (the latter if you're feeling particularly decadent). Or, there's all-day dining spot Akoya, a casual eatery serving meat, fish and poultry over cocktails, as well as the requisite seaside vistas. For lunch, the menu switches between set options from Monday–Wednesday and a buffet from Thursday–Saturday, and also includes champagne brunches on Sundays. Seating 235 inside and out, it also goes heavy on seafood for dinner. For drinks and small bites, The Langham Gold Coast's lobby bar is your destination. On the beach, there's 26 & Sunny, too, which does fish and chip katsu sandos, Korean barbecue chicken burgers, halloumi fries, coffees, shakes and other casual fare. And, still in the works is Coral Moon, another openair bar that'll seat 50, and hero cocktails made with Asian spirits and Aussie herbs and botanicals grown onsite. Food-wise, it'll serve up crispy pork belly mantou, prawns with XO sauce and peking duck pancakes. Due to open in spring, T'ang Court will focus on Cantonese dishes — think: peking duck again, this time with Cantonese-style barbecued pork; crispy salty chicken; and baked seafood rice that's paired cream sauce and served in crab shell. It'll also give the hotel a sister venue to the brand's Michelin-starred restaurants overseas. As for actually slumbering between all that swimming, drinking and eating, the hotel has 17 different types of rooms and suites across its 339 places to stay. They're decked out in coastal hues, and with a huge emphasis on luxury. Gorgeous sea views are a big feature, but if you find yourself in a room on the other side of the building, you'll be peering out over the Gold Coast hinterland instead. Between zipping into the waves and knocking back beverages, guests will soon be able to hit up Chuan Spa, The Langham's wellness centre. There, traditional Chinese medicine will guide the treatment selection — and leaving you feeling blissed out is the number-one aim. A health club with a gym, plus yoga, pilates and meditation sessions are all part of the onsite offering as well, and — as the pool bar makes plain — places to swim besides the ocean. There's two pools, in fact, one indoors and the other outdoors. You'll need to be outside for those lagoon-style swim-up drinks, though. Find The Langham Gold Coast at 38 Old Burleigh Road, Surfers Paradise. For more information or to make a booking, head to the hotel's website.
We can't think of a much better way to alleviate all that hectic airport stress than some pre-flight puppy cuddles and wet-nosed kisses. Thankfully, Sydney Airport has a new team of four-legged employees that is very happy to help on all counts. In an Aussie first, American Airlines and Assistance Dogs Australia (ADA) have teamed up to launch a new program called emBark at Sydney International Airport, in an effort to make the whole travelling caper much more bearable. Two mornings each week, a group of ADA-trained floofers will be stationed near American Airlines' check-in desks, to help anyone, young or old, that needs a calming cuddle before tackling all that airport hustle and bustle. As well as proving excellent company and very effective stress relief, the dogs will also help to raise awareness about ADA's work and the huge difference these animals can make. As American's Managing Director – Asia Pacific Russ Fortson explained, "The atmosphere at check-in is noticeably lighter and more relaxed. If these inspiring dogs can accomplish this during short interactions with our customers, imagine the positive impact they can have on the daily lives of the people who need them." At present, emBark pups are stationed at Sydney International Airport's American Airline check-in desks between 7-9am, on Tuesdays and Thursdays. Images: Christine Bernasconi Photography
Before Parasite and after Parasite: for audiences, for the film world in general and for composer Jung Jae-il, that then-and-now split applies. Bong Joon-ho's 2019 movie earned immensely deserved devotion and collected almost every accolade that it could — including the Palme d'Or at Cannes, the Sydney Film Prize, a Golden Globe, two BAFTAs, a Screen Actors Guild Award, an Asian Pacific Screen Award, five Grand Bell Awards and, making history, four Oscars — as it wowed everyone, viewers and awards voters alike, with its class-clash black comedy/thriller tale. It wasn't Jung's first collaboration with the Memories of Murder, The Host and Snowpiercer director or his last; however, it was an unsurprisingly pivotal, influential and impactful experience. "First of all, I just fell in love with film music," Jung tells Concrete Playground. "Because I'd been composing for so many genres, like dance, pop, all genres, for decades, but I'd never thought I would be a professional film composer," he continues. Prior to Parasite, Jung had other film scores to his name, including for the Bong co-written and produced Haemoo (also known as Sea Fog) and the Bong-directed Okja, but lending his musical talents to the Kim family's efforts to infiltrate the Park household "was very challenging and exciting," he notes. "And making music for the film, it just made me go deep inside of me. Trying to translate the director's vision and the edit, the cuts, I have to understand what the cut needs in a musical way." "I felt like I have to be a translator‚ to translate the director's vision to musical language. And it was very exciting — sometimes very despairing — but [I thought] 'oh, this could be my turning point'," Jung furthers. "And as a pop musician, pop composer, pop music is very short. Sometimes it's even two minutes. And I had a really hard time to make that short music, because I like to make drama in music — but to make drama, it's too short," he says. "So all of this is very inspiring. I can give my mind more to film music. I just love that." Jung's music career dates back to being a teenager. For the big screen, he's now also the composer behind Bong's Mickey 17, Hirokazu Kore-eda's Broker — the acclaimed Japanese filmmaker and Shoplifters Palme d'Or-winner's first South Korean feature — and 2025 Sundance-premiering American dramedy Twinless. On the small screen, one of the biggest streaming sensations of the 2020s wouldn't have proven the same without his integral contribution, with scoring Squid Game also on Jung's resume. [caption id="attachment_1009331" align="alignnone" width="1920"] Squid Game S3. No Ju-han/Netflix © 2025[/caption] Thanks to that fight-to-the-death hit Netflix dystopian thriller dropping its second season at the end of 2024, then its third and final run in mid-2025, and also due to Mickey 17 reaching cinemas and Twinless doing the film festival rounds as well, the past year has been particularly huge for Jung. Now comes a trip to Australia for something that's rarely occurred before: Parasite in Concert. At the Melbourne International Film Festival — where Twinless is also playing — the composer is both performing and conducting Parasite's score live, aided by Orchestra Victoria, across two shows on one day. "It's very special for any composer, because it's a live-to-picture show. Just performing scores live is very common, but with the screen from top to the bottom it's so very rare. It is quite challenging as well — but for me, it's a lifetime experience as well," Jung advises. The complexity springs "because I should play exactly with the screen. So we have a very complicated playing system, the metronome and clicks, and all that. That is very challenging." [caption id="attachment_1016407" align="alignnone" width="1920"] Charley Gallay/Getty Images for Netflix[/caption] What goes into preparing for Parasite in Concert for Jung? "It's very simple to play just by myself, but I have to collaborate with the orchestra, so I should prepare the score and parts, and talk with the maestro or the musical director," he explains. "And I'm going to move to Melbourne just before, three days or two days before the show, and rehearse with them for about a whole day. So I should prepare the two-hour score in a day. That's very challenging for me, but very exciting as well." Attendees will witness the results on Saturday, August 23, 2025 at Melbourne's Hamer Hall, in what's set to be one of the highlights of MIFF's 73rd edition — and a stunning way to help close out the festival's Thursday, August 7–Saturday, August 24 in-person stint for the year (its online program also runs from Friday, August 15–Sunday, August 31). Jung is also set to speak about his career on the same morning in an hour-long in-conversation session. In the lead up to his trip Down Under, we chatted with him about his composing journey so far, too, as well as working with Bong Joon-ho multiple times, finding inspiration, his path to Squid Game, his first response to the show's premise and more. On Jung's Journey as a Composer Leading Up to Parasite "When I was a teenager, I worked as a session musician — guitar and piano. And for many composers and many singers. And one day, this one composer called Won Il— he is a very famous composer, especially in traditional and film composing in Korea — suggested me to arrange some parts of a score, and that was the very first start for me. And then as a main composer, I worked for a film called Marine Boy. That was my first film. Nobody knows the film in Korea, but it was a little bit not a good experience for me — too many works and too little income. So I thought 'I cannot be a film composer right now'. So I just forgot about that. And after that, Baram just came to me to work with them, and they required me to make music with only traditional Korean instruments. That was very challenging and very interesting, so that's why I said 'okay' for them. And with that film, it was very interesting, but not helpful for my life — not helpful for my financial situation. So I just forgot that. And after that came the film Sea Fog, which is the film where the executive producer was Bong Joon-ho. And with the film, 'oh, this is film scoring. Oh, this is quite exciting.' And I love the orchestra — and I could use the orchestra a lot. So that was a very satisfying project. Sea Fog, nobody knows as well, but I just started to see the precious thing in film scoring. And with Okja, Parasite, I just definitely fell in love with film scoring." On Jung's Creative Partnership with Bong Joon-ho Across Okja, Parasite and Mickey 17 "As I said before, I'm just a translator. I don't want to express my own individual musical taste or musical hope like that. I'm concentrating on what this director is thinking and what this cut is saying to me. That's why Mr Bong Joon-ho likes me, because I'm just concentrating on his vision only. But that's the basic attitude for me to work with other directors as well." On the Bong Joon-ho's Meticulousness and Precision — Including Only Shooting the Exact Shots He Needs, and How That Type of Approach Carries Over to Movie Scores "To be honest, that is very common in Korean film. Everybody does that. But Bong Joon-ho really explains precisely what he's thinking. So, I don't say that much. He just tells me what he's been thinking and how this cut is completed — I think that's it. And when you get the final locked version of cut, after that I have to take care of everything regarding music. But when he doesn't like my first version of music, he tells me what he doesn't like, what he likes, very precisely — sometimes in a very imaginative way, sometimes in a very practical way. That's why Mr Bong Joon-ho is different among other directors." On Finding Inspiration for a Score From Beyond a Director's Instructions "For Parasite, Bong Joon-ho just told me that he'd been listening to baroque music, baroque-era music, a lot while he was writing the script. But as a self-taught composer, I didn't know much about baroque music. So I had to research Vivaldi, Bach every day. Sometimes I played Bach's 'Goldberg Variations' every morning. So I practiced and I exercised to get the baroque elements into my body, into my heart. That's one way to find the inspiration." On Getting Into the Right Mindset for Parasite "As a film composer, the first opening theme is very important. Even though it's not a main theme, the opening theme is very important for a composer because it's the first step. And with that first step, the path is going through — and in the script of Parasite, the first phrase was 'very hopeful music with despair'. I didn't know what to do, so I tried several versions of opening them." On How Genre Impacts the Way That Jung Tackles a Film Score "Basically I love drama, because I love to use the orchestra or piano, rather than computer music or band music. So I prefer drama rather than sci-fi or a thriller. For Mickey 17, it's a sci-fi, but it's a film about love at the same time — love and hope and peace. So I could use piano and orchestra in a very traditional way, because even if it's sci-fi, I could make the score in a very traditional way — and I am very happy with that." On Working with Hirokazu Kore-eda on Broker "I just watched this film Nobody Knows in 2004. I was really shocked, and I just fell in love with this film. And I've been tracking all of his masterpieces for decades. And finally, I heard the news that he is going to make a film with Korean staff and Korean actors. So I just wrote a letter to him with my previous works: 'I would love to work with you in Korea'. That's how I worked with him. That was the first time I approached a director before he approached me." On How Parasite's Success Helped Jung's Career, Including Putting Him on the Path to Squid Game "It was unbelievable recognition for me. I'm just a person who works backstage, behind the curtain. I had many opportunities, many chances. And because of Parasite, I just met director Hwang Dong-hyuk of Squid Game. And Squid Game is an unbelievable success. It's a phenomenon. I got proposals from many American directors for many scripts — and even I released my own solo album with Decca Records in London, which I'd never thought about before. But for me, my life is not that changed, because I'm just working alone in my own studio. But the obvious thing is now I don't have to prove myself to other people. That's quite comfortable for me — I only need to concentrate on how to make good music. That's the most-important part, most-important change for me. And I just fell in love with series or film music — to translate the vision into musical language. That's very powerful work and very useful work at the same time, because film is not going to fade away — music is film's best friend. So they're the most-exciting changes for me." On Jung's First Response to Squid Game's Premise "It was so brutal and cruel, so I just thought 'I could do this' and 'this is very quite exciting'. And I was a fan of Mr Hwang Dong-hyuk because of his previous work called The Fortress. I've watched that film about 10–20 times. So I had very deep faith in him. So even though the script was very brutal, full of blood, I could read the humanity. The very deep studying of humanity — I could read that in the script, even in the tragedy and violence. [caption id="attachment_977953" align="alignnone" width="1920"] Squid Game S2. No Ju-han/Netflix © 2024[/caption] So 'yeah, why not?'. Because he was my hero, one of my heroes — and 'yeah, I would love to do this'. But for me, it was very challenging as well because it was a series — my first time on a series — because I was very used to two-hour films. But this is nine-hour films. So 'oh, I could do that?'. That was very challenging for me." [caption id="attachment_840359" align="alignnone" width="1920"] Squid Game S1[/caption] On the Influences for Squid Game's Score "Every time that I make a new score, I search for a unique way. Unique is better than common things. That's how I'm thinking. So I just found these musical instruments which are very familiar for Korean children in elementary school — they learn that instruments like recorder, castanets, tambourine, melodeon, that kind of thing. And 'oh, that that could be very interesting'. [caption id="attachment_1007294" align="alignnone" width="1920"] Squid Game S3. No Ju-han/Netflix © 2025[/caption] And children are not good at performing, so they make disharmonies and no rhythms, then that makes some kind of scary sounds as well. So 'let's start with these elements'. That was my first way to approach Squid Game. And I composed some cues that felt a little bit like Hollywood-style music, but Mr Hwang Dong-hyuk really hated that Hollywood-style approach. So I just thought 'alright, I could just remove this Hollywood-style, I'm going to stick to very unique and powerful, sometimes-traditional style'. That's how it started from the first part." On Evolving the Music for Squid Game Across Three Seasons "I think I just concentrated on how to make this scene powerful. I could revise or rearrange and repeat the main theme — the successful themes — time to time, but I decided to make original ones a little bit more. So one is very different from two. Two is very different from one. And three is very different from two. But for season three, I repeated this one theme called 'I Remember My Name', which is first used in season one and it represents the farewell in death. That is the most-repeated theme of Squid Game — and other than that, all are original." Parasite Live in Concert takes place on Saturday, August 23, 2025 at Hamer Hall, Arts Centre Melbourne, 100 St Kilda Road, Southbank — head to the venue website for tickets and further information. The 2025 Melbourne International Film Festival runs from Thursday, August 7–Sunday, August 24 at a variety of venues around Melbourne; from Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24 in regional Victoria; and online nationwide from Friday, August 15–Sunday, August 31. For further details, visit the MIFF website.
Everyone has seen a TV show about renovating homes, buying real estate, blitzing backyards and building dream houses, even if they're not your preferred kind of viewing. But no one has watched an entry in the home renovation genre quite like The Curse, a spoof arriving this spring that gets Emma Stone (Cruella) and Nathan Fielder (The Rehearsal) playing a couple hosting their own home improvement series — and having some bad luck. Unsurprisingly, Fielder doesn't just star but also co-created, co-writes and co-directs. And, also to the astonishment of no one, the end result looks like far from your average series. A home makeover show, but eerie: that's the vibe in the just-dropped first teaser trailer for The Curse, complete with unsettling tunes to match. There's also Stone's opening line in the sneak peek at the ten-part series: "did you know you can put out fires with the sun?". Spoken with the cheery tone that's only ever used by people hosting TV shows, those 11 words are as disquieting as the score by the Safdie brothers' collaborator Oneohtrix Point Never. And, yes, not just the talent that made Good Time and Uncut Gems sound so unnerving but the sibling filmmakers behind them are also involved in The Curse. Benny Safdie (Oppenheimer) co-stars, co-created, co-writes and co-directs, with Josh Safdie an executive producer. Fielder and Stone play Asher and Whitney Siegel, who host a show on HGTV — American pay TV network Home & Garden Television — called Fliplanthropy. Newly married, they're trying to have a baby, but find their plans disrupted. Cue The Curse's title, obviously. [caption id="attachment_920385" align="alignnone" width="1920"] (L-R): Emma Stone as Whitney and Nathan Fielder as Asher in THE CURSE, Season 1. Photo Credit: Beth Garrabrant/A24/Paramount+ with SHOWTIME.[/caption] Benny Safdie plays their producer, with Barkhad Abdi (Little America), Corbin Bernsen (White House Plumbers) and Constance Shulman (Search Party) also featuring. Like everything almost everything of late, it seems — Close, Beau Is Afraid, You Hurt My Feelings, Past Lives, smash-hit Australian horror movie Talk to Me, fellow TV series Beef, the return of iconic Talking Heads concert film Stop Making Sense to cinemas, the Nicolas Cage-starring Dream Scenario — The Curse hails from A24. In Australia, it'll stream from Saturday, November 11 via Paramount+. Check out the first teaser trailer for The Curse below: The Curse will stream from Saturday, November 11 via Paramount+. Images: Beth Garrabrant and John Paul Lopez/A24/Paramount+ with SHOWTIME.
Is the Avatar franchise set to win its third Academy Award for Best Visual Effects? With its characteristically rich and stunning visuals, the just-dropped first trailer for Avatar: Fire and Ash makes that case. The latest film in the sci-fi saga is set to arrive three years after Avatar: The Way of Water, and 13 years after all things Avatar initially hit cinemas with what's still the world's biggest box-office blockbuster. Get ready to return to Pandora: come December 2025, James Cameron will usher viewers back to the Na'vi-inhabited moon, and into the middle chapter in the director's planned five-film series. In past entries, forests and reefs have proven home to the franchise's blue-hued residents, but volcanic plains join in this time around. So, meet: the Ash People. Oona Chaplin (Treason) portrays Varang, the new clan's leader. Her message in the sneak peek: "your goddess has no dominion here". When Avatar: Fire and Ash plays in picture palaces Down Under from Thursday, December 18, viewers will also see Michelle Yeoh (Star Trek: Section 31) and David Thewlis (Sherlock & Daughter) among the cast. Leading the ensemble, Sam Worthington (Relay) and Emilia Pérez Oscar-winner Zoe Saldana (Elio) are back as Jake Sully and his warrior wife Neytiri, alongside fellow returnees Sigourney Weaver (The Gorge), Stephen Lang (House of David), Cliff Curtis (Invincible), Britain Dalton (Dark Harvest), Trinity Bliss (The Life of Chuck), Jack Champion (Everything's Going to Be Great), Bailey Bass (Interview with the Vampire) and Kate Winslet (Lee). Cameron once again directs, and co-wrote the screenplay with the also-returning Rick Jaffa and Amanda Silver (Mulan). Since the first Avatar in 2009, the filmmaker behind it has only helmed movies in the franchise. If getting excited about one new Avatar film isn't enough, the two final flicks that are set to follow Avatar: Fire and Ash are slated for release in 2029 and 2031, respectively. Check out the Avatar: Fire and Ash trailer below: Avatar: Fire and Ash releases in cinemas Down Under on Thursday, December 18, 2025 Images: courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.
Long before getting cosy on the couch meant living the streaming dream, not all movies made it to cinemas, just as happens now. Back then, though, that's where the term 'straight to video' came in. Then, it was 'straight to DVD'. At the moment, if a film doesn't flicker in a picture palace, it's a straight-to-streaming release. Some such movies do receive a big-screen run, but only at a film festival. Others were only ever bound for watching at home. Either way, just because they didn't light up your local multiplex or arthouse go-to for weeks on end, that doesn't mean these flicks aren't worth a look. Indeed, some of 2023's viewing highlights are straight-to-streaming films — whether you're fond of Oscar-nominated documentaries, Aubrey Plaza-led heist flicks, walk-and-talk rom-coms, unsettling horror gems or intimate portraits of famous faces. With 2023 now into its second half, we've made our picks of the year's best straight-to-streaming gems from January–June. Obviously, you can watch them all now. ALL THAT BREATHES Pictures can't tell all of All That Breathes' story, with Delhi-based brothers Nadeem Shehzad and Mohammad Saud's chats saying plenty that's essential. In the documentary's observational style, their conversation flits in and out of the film — sometimes, there's narration, too — giving it many meaningful words. Still, the images that Shaunak Sen (Cities of Sleep) lets flow across the screen in this Sundance- and Cannes-winner, and also 2023 Oscar-nominee, are astonishing. And, befitting this poetic meditative and ruminative doco's pace and mood, they do flow. All That Breathes' main pair adore the black kites that take to India's skies and suffer from its toxic air quality, tending to the creatures' injuries. As Sen watches, he adores them as well. Viewers will, too. Indeed, if there wasn't a single syllable uttered, with the movie just leaning on cinematographers Ben Bernhard (Talking About the Weather), Riju Das (14 Phere) and Saumyananda Sahi's (Trial by Fire) sights, plus Niladri Shekhar Roy ('83) and Moinak Bose's (Against the Tide) sound recording, the end result still would've been revelatory. This film trills about urban development, its costs and consequences, and caring for others both animal and human — and it says oh-so-much. It notes how everything that the earth's predominant inhabitants do has environmental impacts for the creatures that we share the planet with, including quests for economic dominance and political control. All That Breathes peers on as its subjects' tasks get harder even as they earn global attention, receive more funding and build their dream hospital. It sees how they put the majestic kites' wellbeing above their own, even as the numbers of birds needing their help just keeps growing. This is a documentary about animals falling from the skies due to pollution, two siblings trying to help them soar again, why that's so vital and what the whole situation says about life on earth — and it's vital and spectacular viewing. All That Breathes streams via Binge. EMILY THE CRIMINAL Enterprising, astute, intelligent and accepting zero garbage from anyone: these are traits that Aubrey Plaza can convey in her sleep. But she definitely isn't slumbering in Emily the Criminal, which sees her turn in a performance as weighty and layered as her deservedly Golden Globe- and Emmy-nominated portrayal in the second season of The White Lotus — something that she's been doing since her Parks and Recreation days anyway. Indeed, there's more than a touch of April Ludgate-Dwyer's resourcefulness to this crime-thriller's eponymous figure. Los Angeles resident Emily Benetto isn't sporting much apathy, however; she can't afford to. With $70,000 in student loans to her name for a college art degree she isn't using working as a food delivery driver, and a felony conviction that's getting in the way of securing any gig she's better qualified for for, Jersey girl Emily breaks bad to make bank when she's given a tip about a credit card fraud ring run by Youcef (Theo Rossi, Sons of Anarchy). Her simple task: purchasing everything from electronics to cars with the stolen numbers. Writer/director John Patton Ford makes his feature debut with this lean, sharp, keenly observed and tightly paced film, which works swimmingly and grippingly as a heist thriller with plenty to say about the state of America today — particularly about a society that saddles folks starting their working lives with enormous debts, turning careers in the arts into the domain of the wealthy, and makes even the slightest wrongdoing a life sentence. Emily the Criminal is angry about that state of affairs, and that ire colours every frame. But it's as a character study that this impressive film soars highest, stepping through the struggles, troubles and desperate moves of a woman trapped not by her choices but her lack of options, all while seeing her better-off classmates breeze through life. As she usually is, Plaza is mesmerising, and adds another complicated movie role to a resume that also boasts the phenomenal Ingrid Goes West and Black Bear as well. Emily the Criminal streams via Binge and Netflix. HUESERA: THE BONE WOMAN The sound of cracking knuckles is one of humanity's most anxiety-inducing. The noise of clicking bones elsewhere? That's even worse. Both help provide Huesera: The Bone Woman's soundtrack — and set the mood for a deeply tense slow-burner that plunges into maternal paranoia like a Mexican riff on Rosemary's Baby, the horror subgenre's perennial all-timer, while also interrogating the reality that bringing children into the world isn't a dream for every woman no matter how much society expects otherwise. Valeria (Natalia Solián, Red Shoes) is thrilled to be pregnant, a state that hasn't come easily. After resorting to praying at a shrine of Our Lady of Guadalupe in desperation, neither she nor partner Raúl (Alfonso Dosal, Narcos: Mexico) could be happier, even if her sister Vero (Sonia Couoh, 40 Years Young) caustically comments that she's never seemed that interested in motherhood before. Then, two things shake up her hard-fought situation: a surprise run-in with Octavia (Mayra Batalla, Everything Will Be Fine), the ex-girlfriend she once planned to live a completely different life with; and constant glimpses of a slithering woman whose unnatural body movements echo and unsettle. Filmmaker Michelle Garza Cervera (TV series Marea alta) makes her fictional narrative debut with Huesera: The Bone Woman, directing and also writing with first-timer Abia Castillo — and she makes a powerfully chilling and haunting body-horror effort about hopes, dreams, regrets and the torment of being forced into a future that you don't truly foresee as your own. Every aspect of the film, especially Nur Rubio Sherwell's (Don't Blame Karma!) exacting cinematography, reinforces how trapped that Valeria feels even if she can't admit it to herself, and how much that attempting to be the woman Raúl and her family want is eating away at her soul. Solián is fantastic at navigating this journey, including whether the movie is leaning into drama or terror at any given moment. You don't need expressive eyes to be a horror heroine, but she boasts them; she possesses a scream queen's lungs, too. Unsurprisingly, Cervera won the Nora Ephron Award for best female filmmaker at the 2022 Tribeca Film Festival for this instantly memorable nightmare. Huesera: The Bone Woman streams via Shudder. ROBE OF GEMS In the very first moments of her very first feature as a director — after working as an editor on films such as 2012's Post Tenebras Lux and 2014's Jauja — Natalia López demands her audience's attention. She earns it and ensures it as well, and looking away while Robe of Gems unfurls its story is impossible afterwards. To kick things off, a patient and painterly glimpse at the rural Mexican landscape comes into sight, fading up and bringing more and more dusty grey details with it with each second. Then, without the frame moving, a frenetic man is seen bashing and slashing through the plants. Next, it becomes apparent that there's a reflection as part of the image. And, it's also quickly evident that viewers are seeing someone else's vantage as they look on at the landscape. In fact, a couple peers out, in the middle of getting intimate (and immediately before flinging wooden furniture around, strewn pieces flying everywhere). With the 'start as you mean to go on' maxim in mind, it's a helluva opening. López does indeed begin as she goes on, in a film that scored her 2022's Berlinale's Silver Bear Jury Prize. The pivotal villa belongs to Isabel's (Nailea Norvind, Julia vs Julia) family, and offers somewhat of a respite from a marriage that's splintering like that thrown-about furniture, with the clearly well-to-do woman settling in with her children Benja (first-timer Balam Toledo) and Vale (fellow debutant Sherlyn Zavala Diaz). But tension inescapably lingers, given that the onsite caretaker María (newcomer Antonia Olivares) is unsettled by the disappearance of her sister, a plot point that makes a purposeful statement. The police are investigating, the cartel has a local presence, corruption is an ever-present force, and the gap between the wealthy and not-so is glaring. Progressing carefully from that powerhouse opening, Robe of Gems quickly seeps under your skin — and as its first visuals make abundantly clearly, every second is a marvel to look at. Robe of Gems streams via Prime Video and Madman on Demand. RYE LANE When Dom (David Jonsson, Industry) and Yas (Vivian Oparah, Then You Run) are asked how they met, they tell a tale about a karaoke performance getting an entire bar cheering. Gia (Karene Peter, Emmerdale Farm), Dom's ex, is both shocked and envious, even though she cheated on him with his primary-school best friend Eric (Benjamin Sarpong-Broni, The Secret). It's the kind of story a movie couple would love to spin — the type that tends to only happen in the movies, too. But even for Rye Lane's fictional characters, it's a piece of pure imagination. Instead, the pair meet in South London, in the toilet at an art show. He's crying in a stall, they chat awkwardly through the gender-neutral space's wall, then get introduced properly outside. It's clumsy, but they keep the conversation going even when they leave the exhibition, then find themselves doing the good ol' fashioned rom-com walk and talk, then slide in for that dinner rendezvous with the flabbergasted Gia. It's easy to think of on-screen romances gone by during British filmmaker Raine Allen-Miller's feature debut — working with a script from Bloods duo Nathan Bryon and Tom Melia — which this charming Sundance-premiering flick overtly wants viewers to. There's a helluva sight gag about Love Actually, as well as a cameo to match, and the whole meandering-and-nattering setup helped make Before Sunrise, Before Sunset and Before Midnight an iconic trilogy. That said, as Rye Lane spends time with shy accountant Dom, who has barely left his parents' house since the breakup, and the outgoing costume designer Yas, who has her own recent relationship troubles casting a shadow, it isn't propelled by nods and winks. Rather, it's smart and savvy in a Starstruck way about paying tribute to what's come before while wandering down its own path. The lead casting is dynamic, with Jonsson and Oparah making a duo that audiences could spend hours with, and Allen-Miller's eye as a director is playful, lively, loving and probing. Rom-coms are always about watching people fall for each other, but this one plunges viewers into its swooning couple's mindset with every visual and sensory touch it can. Rye Lane streams via Disney+. DUAL New movie, familiar query: what would you do if you physically came face to face with yourself, and not just by looking in a mirror? Films about clones, including all-timer Moon and the recent Mahershala Ali (Alita: Battle Angel)-starring Swan Song, have long pondered this topic — and so has the Paul Rudd-led series Living with Yourself. In Dual, there's only one legal option. This sci-fi satire shares Swan Song's idea, allowing replicating oneself when fate deals out a bad hand. So, that's what Sarah (Karen Gillan, Guardians of the Galaxy Vol. 3) does when she's told that she has a rare but terminal disease, and that her death is certain. Cloning is meant to spare her boyfriend Peter (Beulah Koale, Shadow in the Cloud) and her mother (Maija Paunio, Next of Kin) from losing her, making a difficult situation better for Sarah's loved ones. But when she doesn't die after all, the law states that, just like in Highlander, there can be only one. To decide who lives, Sarah and her doppelgänger must fight to the death in a public dual — with Trent (Aaron Paul, Better Call Saul) helping train the OG version. Even with its twist, on paper Dual sounds like a feature that any filmmaker could've made — one that any actor could've starred in, too. But this is the meaty, meaningful and memorable movie it is thanks to writer/director Riley Stearns and his excellent lead Gillan. With his penchant for deadpan, the former pondered working out who you truly are through an unlikely battle in 2019's very funny The Art of Self-Defense, and does so again here. He's also fond of exploring the struggle to embrace one's personality, and confronting the notion we all have in our minds that a better version of ourselves exists. That said, Dual plays like a sibling to The Art of Self-Defense, rather than a clone itself. It'd certainly be a lesser flick without Gillan, who sheds her Nebula makeup, wades out of the Jumanji franchise's jungles, and turns in two powerful and nuanced performances as Sarah and Sarah 2.0. And while Paul is in supporting mode, he's a scene-stealer. Dual streams via Netflix. TETRIS The greatest game in the world can't make the leap to screens like most of its counterparts, whether they involve mashing buttons, playing campaigns or attempting to sink ships. A literal adaptation of Tetris would just involve four-piece bricks falling and falling — and while that's a tense and riveting sight when you're in charge of deciding where they land, and endeavouring to fill lines to make them disappear, it's hardly riveting movie viewing. As a film, Tetris is still gripping, however, all while telling the tale behind the puzzle video game that's been a phenomenon since the 80s. Did you have your first Tetris experience on an early Game Boy? This is the story of how that happened. Starring Taron Egerton (Black Bird) as Henk Rogers, the man who secured the rights to the Russian-born title for distribution on video game consoles worldwide, it's largely a dramatised account of the fraught negotiations when the west started to realise what a hit Tetris was, Nintendo got involved, but Soviet software engineer Alexey Pajitnov had no power over what happened to his creation because that was life in the USSR. Egerton is perfectly cast as the resourceful, charming and determined Rogers, a Dutch-born, American-raised, Japan-residing game designer who stumbles across Tetris at a tech conference while trying to sell a version of Chinese strategy game Go. First, his assistant can't stop playing it. Soon, he's seeing blocks in his dreams, as everyone does after playing (and then forever). Director Jon S Baird (Stan & Ollie) and screenwriter Noah Pink (Genius) have a games licensing battle to unpack from there, something that mightn't have been as thrilling as it proves — and certainly is no certainty on paper — in other hands. Stacking up this real-life situation's pieces involves becoming a savvy takedown of shady business deals, a compelling Russia-set spy flick and an exploration of daily existence in Soviet times, plus an upstart underdog story. And, Tetris does all that while gleefully and playfully bringing in the game's aesthetic, and blasting an appropriately synth-heavy soundtrack. Tetris streams via Apple TV+. GUY RITCHIE'S THE COVENANT Announcing his cinematic arrival with a pair of slick, witty, twisty and fast-paced British heist flicks, Guy Ritchie achieved at the beginning of his career something that many filmmakers strive for their whole lives: he cemented exactly what his features are in the minds of audiences. Lock, Stock and Two Smoking Barrels and Snatch made "Guy Ritchie movie" an instantly understood term, in fact, as the writer/director has attempted to capitalise on since with differing results (see: Revolver, RocknRolla, The Gentlemen and Operation Fortune: Ruse de Guerre). Ritchie's third film, the Madonna-starring Swept Away, has also proven just as emblematic of his career, however. He loves pumping out stereotypical Guy Ritchie movies — he even adores making them Sherlock Holmes and King Arthur flicks, with mixed fortunes — but he also likes leaving his own conventions behind in The Man From UNCLE, Aladdin, Wrath of Man and now Guy Ritchie's The Covenant. Perhaps Ritchie's name is in the title of this Afghanistan-set action-thriller to remind viewers that the film does indeed boast him behind the lens, and as a cowriter; unlike with fellow 2023 release Operation Fortune: Ruse de Guerre, they wouldn't guess otherwise. Clunky moniker aside, Guy Ritchie's The Covenant is pared down, gripping and intense, and home to two excellent performances by Jake Gyllenhaal (Strange World) as Master Sergeant John Kinley and Dar Salim (Tatort) as his interpreter Ahmed. As the former leads a team that's looking for IED factories, the pair's collaboration is tentative at first. Then a raid goes wrong, Ahmed saves Kinley's life, but the recognition and support that'd be afforded an American solider in the same situation doesn't go the local's way. Where Afghan interpreters who aid US troops are left after their task is complete is a weighty subject, and treated as such in this grounded and moving film. Guy Ritchie's The Covenant streams via Prime Video. STILL: A MICHAEL J FOX MOVIE Anyone who lived through the 80s and/or 90s spent a large portion of both decades watching Michael J Fox. Thanks to Family Ties on TV and the Back to the Future movies in cinemas, he was everywhere — and courtesy of Teen Wolf, Doc Hollywood, The Frighteners and Spin City as well. The list of the beloved star's work from the era goes on. Forgotten one or some? Watch Still: A Michael J Fox Movie and you'll be reminded. This intimate documentary steps through the star's life, career and Parkinson's Disease diagnosis using three main modes: splicing together clips from his resume to help illustrate his narration, chatting with Fox now in candid to-camera segments, and hanging out with him and his family as he goes about his days. Each aspect of the film adds something not just important but engaging; however, all that footage from his time as Alex P Keaton, Marty McFly and more offers firm proof, if any more was needed, that Fox was an on-screen presence like no other three and four decades back. Oscar-winning An Inconvenient Truth documentarian Davis Guggenheim both shows and tells, always letting Fox's own words do the talking. Still: A Michael J Fox Movie takes the birth-to-now route, observing that its titular figure was always a kid on the go, then a teen who found himself in acting — a place where he could be anyone, regardless of his short stature — and then an aspiring actor slogging it out in Hollywood until he scored not one but two big breaks. The film also examines the fame and success, Fox's thinking that this'd now be his status quo, the moment his life changed and everything that's followed since. Yes, it notes that this story would've been completely different if Eric Stoltz had kept his Back to the Future job. Also, as Fox's memoirs are on the page, it's supremely self-deprecating. Still: A Michael J Fox Movie is unflinchingly honest, too, especially about his relationship with his wife Tracy Pollan — who, when asked how she is, Fox replies "married to me, still". Still: A Michael J Fox Movie streams via Apple TV+. NIMONA Bounding from the page to the screen — well, from pixels first, initially leaping from the web to print — graphic novel-to-film adaptation Nimona goes all in on belonging. Ballister Boldheart (Riz Ahmed, Sound of Metal) wants to fit in desperately, and is willing to do whatever it takes to achieve it. In this animated movie's medieval-yet-futuristic world, there's nothing more important and acclaimed than being part of the Institute for Elite Knights, so that's his aim. Slipping into armour usually isn't possible for someone who grew up on the wrong side of this realm's tracks, as he did, but Ballister has been given a chance by Queen Valerin (Lorraine Toussaint, The Equalizer), who says that anyone can now be a hero. Alas, just as he's about to have his sword placed upon his shoulder with all the world watching, tragedy strikes, then prejudice sets in. Even his fellow knight-in-training and boyfriend Ambrosius Goldenloin (Eugene Lee Yang, Star Wars: Visions), who boasts family ties to legendary monster-slaying heroine Gloreth (Karen Ryan, Under the Banner of Heaven), believes that Ballister is responsible. His only ally? Nimona's namesake (Chloë Grace Moretz, The Peripheral), a shapeshifter who offers to be his sidekick regardless of his innocence or guilt. Nimona usually appears as a human girl, but can change into anything. The shapeshifter also wants to belong — but only by being accepted as she is. Unlike Ballister's feelings of inferiority about being a commoner, Nimona is happy with morphing from a kid to a rhinoceros, a whale to a shark, then between anything else that she can think of, and wouldn't give it up for anyone. Indeed, when Ballister keeps pestering her for reasons to explain why she is like she is, and asking her to remain as a girl, she's adamant. She already is normal, and she rightly won't budge from that belief. Animated with lively and colour animation that sometimes resembles Cartoon Saloon's Song of the Sea and Wolfwalkers, Nimona is a family-friendly adventure and, as penned as a comic by ND Stevenson (She-Ra and the Princesses of Power), also a clear, impassioned and sincere allegory for being true to yourself. As a film, directors Nick Bruno and Troy Quane (who also teamed up on Spies in Disguise) and screenwriters Robert L Baird (Big Hero 6) and Lloyd Taylor (another Spies in Disguise alum) ensure that it remains a thoughtful delight. Nimona streams via Netflix. PAMELA, A LOVE STORY If you weren't aware of Pamela Anderson's recent Broadway stint, bringing the razzle dazzle to a production of Chicago in 2022, Ryan White (Good Night Oppy)-directed documentary Pamela, A Love Story will still feature surprises. Otherwise, from Playboy to Playbill — including Baywatch, sex tapes and multiple marriages in-between — the actor's story is well-known around the globe. Much of it played out in the tabloids, especially when she married Mötley Crüe drummer Tommy Lee in a white bikini after four days together. She also graced what can easily stake a claim as the internet's first viral video, after intimate footage of Anderson and Lee was stolen, then sold. And that very experience was dramatised in 2022 limited series Pam & Tommy, including the misogynistic way she was treated compared to her spouse, how her rights to her image and privacy were considered trashed due to her nude modelling days, and the unsurprising fallout within her relationship. No matter how familiar the details are, Pamela, A Love Story does something that little else on-screen has, however: it lets Anderson tell her story herself. Much of the doco focuses on the Barb Wire and Scary Movie 3 star in her childhood home in Ladysmith on Canada's Vancouver Island, watching old videos, reading past diaries and chatting through the contents. She's recorded and written about everything in her life. Sitting in front of the camera without a trace of makeup, with her sons Brandon and Dylan sometimes talking with her, she gives her account of how she's been treated during the highs and lows of her career. The film coincides with a memoir, Love, Pamela, so this is a tale that Anderson is currently on the page and in streaming queues — but it's still a powerful portrait of a woman made famous for her appearance, turned into a sex symbol to the point that male interviewers in the 90s could barely talk about anything else, then cruelly judged and discarded. She's frank and sincere, as is the movie amid its treasure trove of archival footage. Pamela, A Love Story streams via Netflix. WEIRD: THE AL YANKOVIC STORY If you've seen one music biopic, or some of the flicks that've earned actors Oscars or nominations in recent years for playing well-known rock stars — think: Bohemian Rhapsody and Elvis — then you know how this genre usually plays out. So does Weird Al Yankovic, who is strongly involved in Weird: The Al Yankovic Story, co-writing, producing and even popping up on-screen. He doesn't give himself a solemn screen tribute, though. For decades, he's found pop music rife for satirising, and now his career spent spoofing hit songs gets sent up as well. The soundtrack is already hilarious, filled as it is with everything from 'My Bologna', 'I Love Rocky Road' and 'Another One Rides the Bus' to 'Eat It', 'Like a Surgeon' and 'Amish Paradise'. The casting is brilliantly hilarious as it is hilariously brilliant, too, with Daniel Radcliffe (The Lost City) sporting a mop of curls, grasping an accordion and wearing Yankovic's Hawaiian shirts like he was born to. Silly, happily self-mocking, not serious for a second: that's this joke-packed flick, which isn't quite as stuffed with gags as a typical Weird Al song, but is still filled with laughs — and still immensely funny. Unsurprisingly, much of Weird: The Al Yankovic Story plays like a collection of skits and sketches, whether visiting his childhood, showing how he scored his big break or charting his fame (which is Westworld's Evan Rachel Wood as a comical Madonna comes in), but it works. Yankovic co-writes with director Eric Appel, a parody veteran thanks to NTSF:SD:SUV, and they're joyfully on the same goofy, go-for-broke wavelength. So is Radcliffe, who keeps demonstrating that he's at his best when a certain Boy Who Lived is relegated to the past, and when he's getting as ridiculous as he possibly can. Forget the wizarding franchise — he's magical when he's at his most comic, as Miracle Workers keeps proving, and now this as well. Weird: The Al Yankovic Story streams via Paramount+. CONFESS, FLETCH Since Mad Men had Don Draper want to buy the world a Coke to end its seven-season run back in 2015, comedy has been Jon Hamm's friend. He's the ultimate TV guest star, building upon stints in 30 Rock and Parks and Recreation while Mad Men was still airing with Toast of London, Unbreakable Kimmy Schmidt and Curb Your Enthusiasm, on a resume that also includes The Increasingly Poor Decisions of Todd Margaret, Childrens Hospital, Medical Police, Angie Tribeca, The Last Man on Earth and Wet Hot American Summer: First Day of Camp as well. So, casting him as the new Irwin Maurice 'Fletch' Fletcher couldn't be an easier move. Having fellow Mad Men standout John Slattery (The Good Fight) also appear in the latest flick about the investigative reporter, and the first since the Chevy Chase-led movies in the 80s, is another winning touch. Even if that reunion wasn't part of the film, Hamm is so entertaining that he makes a killer case for a whole new Fletch franchise — on whatever screen the powers-that-be like — with him at its centre. Hamm clearly understands how well he suits this type of character, and the genre; he's a comic delight, and he's also one of Confess, Fletch's producers. Superbad and Adventureland's Greg Mottola directs and co-writes, scripting with Outer Range's Zev Borow — and ensuring that Hamm and Slattery aren't the only acting highlights. Working through a plot that sees Fletch chasing a stolen artwork, discovering a dead body, and both looking into the crime and considered a suspect himself, the film also features engaging turns by always-welcome Twin Peaks great Kyle MacLachlan and Barb and Star Go to Vista Del Mar gem Annie Mumolo. There have been several attempts to revive Fletch over the past three decades, including separate projects with Ted Lasso duo Bill Lawrence and Jason Sudeikis — on the page, the character spans nine novels — but viewers should be thankful that this is the action-comedy that came to fruition, even if it skipped cinemas everywhere but the US. Confess, Fletch streams via Paramount+ and Binge. HUNGER Let's call it the reality TV effect: after years of culinary contests carving up prime-time television, the savage on-screen steps into the food world just keep bubbling. The Bear turned the hospitality industry into not just a tension-dripping dramedy, but one of 2022's best new shows. In cinemas, British pressure-cooker Boiling Point and the sleek and sublimely cast The Menu have tasted from the same intense plate. Now Hunger sits down at the table, giving viewers another thriller of a meal — this time focusing on a Thai noodle cook who wants to be special. When Aoy's (Chutimon Chuengcharoensukying, One for the Road) street-food dishes based on her Nanna's recipes get the attention of fellow chef Tone (Gunn Svasti Na Ayudhya, Tootsies & the Fake), he tells her that she needs to be plying her talents elsewhere. In fact, he works for Chef Paul (Nopachai Jayanama, Hurts Like Hell), who specialises in the type of fine-dining dishes that only the wealthiest of the wealthy can afford, and is as exacting and demanding as the most monstrous kitchen genius that fiction has ever dreamed up. There's more to making it in the restaurant trade than money, acclaim and status, just like there's more to life as well. As told with slickness and pace, even while clocking in at almost two-and-a-half hours, that's the lesson that director Sitisiri Mongkolsiri (Folklore) and screenwriter Kongdej Jaturanrasamee (Faces of Anne) serve Aoy. She's tempted by the glitz and recognition, and being steeped in a world far different from her own; however, all that gleams isn't always palatable. Plot-wise, Hunger uses familiar ingredients, but always ensures that they taste like their own dish — in no small part thanks to the excellent casting of Chuengcharoensukying as the film's conflicted but determined lead. A model also known as Aokbab, she proved a revelation in 2017's cheating heist thriller Bad Genius, and she's just as compelling here. The two movies would make a high-stakes pair for more than just their shared star, both sinking their teeth into class commentary as well. Yes, like The Menu before it, Hunger is also an eat-the-rich flick, and loves biting into social inequity as hard as it can. Hunger streams via Netflix. VENGEANCE When Vengeance begins with a New Yorker journalist who's desperate to start his own podcast, Soho House hangouts and relationship advice from John Mayer as himself, it begins with rich and savvy character details. Writing, starring and making his feature directorial debut after helming episodes of The Office and The Mindy Project, BJ Novak instantly establishes the kind of person that Ben Manalowitz is. He shows the East Coast world that his protagonist inhabits, too — and, by focusing on the only guy in NYC without their own audio outlet, or so it seems, plus that romantic guidance, it splashes around its sense of humour. This is a sharply amusing mystery-comedy, and a highlight on Novak's resume in all three of his guises. It's also about subverting expectations, and lampooning the first impressions and broad stereotypes that are too often — and too easily — clung to. Indeed, Vengeance bakes in that idea as many ways as it can as Ben (Novak) does the most obvious thing he can to convince his producer (Issa Rae, Insecure) that his voice is worth hearing: bursts his Big Apple bubble. The Mayer bit isn't just a gag; it helps set up Ben as the kind of person who is dating so many women that he doesn't know which one has died after he gets a bereaved phone call from Texas in the middle of the night. On the other end is Ty Shaw (Boyd Holbrook, The Sandman), brother to Abilene (Lio Tipton, Why Women Kill), who insists that Ben head southwest immediately to attend her funeral — she claimed that they were serious enough that she's his girlfriend, after all. Upon arrival, the out-of-towner initially regards his hosts as jokes, and their lives and Abilene's death as content. Ty thinks she was murdered, and Ben couldn't be giddier about getting it all on tape and calling the series Dead White Girl. The journo's self-interest is up there with his obliviousness about anything that doesn't fit into his NYC orbit; however, this isn't a culture-clash comedy — thankfully — but a clever, self-aware and ambitious satire. It's also strikingly shot and features a standout performance by Ashton Kutcher (That '90s Show) as a suave record producer. Vengeance streams via Netflix and Binge. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly. We've also picked our top 15 movies that hit cinemas in the first half of 2023, as well as the 15 best new TV shows and 15 best returning TV shows of the year so far.
Despite her painting career lasting just eight years, late Aboriginal artist Emily Kame Kngwarreye smashed another art record this week, as her piece Earth's Creation I again fetched the highest price at auction for an Australian female artist. The contemporary piece went under the hammer for a huge $2.1 million, breaking its own 2007 record, having sold back then for $1.05 million. This time, it's been snapped up by art dealer Tim Olsen for his recently opened New York gallery, in an online auction headed up by Sydney's Cooee Art Marketplace and Fine Art Bourse. The sale of the acclaimed work, which has previously been on show at the likes of the National Museum of Art in Osaka, the National Museum of Australia and the National Gallery of Victoria, is also a big win for Australian Indigenous art, with Fine Art Bourse auctioneer Tim Goodman telling SBS: "this sale will go a long way to breathing life back into the Aboriginal art market." Hope you managed to get a look at it while it was in the country. Kngwarreye's painting is also not that far off the auction record for an Aboriginal artist, which was set by a Clifford Possum piece that sold for $2.4 million back in 2007. By contrast, the last known painting by Leonardo di Vinci, Salvator Mundi, just sold at auction for around $AUD590 million — making it history's most expensive artwork by far. Via SBS. Image: Emily Kame Kngwarreye (c.1910–1996) painting Earth's Creation I (1994).
Hailey Bieber's minimalist skincare brand Rhode is officially making its way Down Under. The cult label, which helped define the "glazed doughnut skin" aesthetic and has since expanded into colour cosmetics, will launch across Australia and New Zealand from Thursday, February 12, 2026. The move marks a major milestone in Rhode's global expansion — and it's not a small one. According to the brand, Australia leads the world in total sign-ups on Rhode's international waitlist, making this one of its most anticipated rollouts yet. From mid-February, Rhode's full lineup will ship directly to both countries via rhodeskin.com, while its exclusive retail partnership with MECCA will see the brand debut online and in flagship stores — including MECCA Bourke Street in Melbourne and MECCA George Street in Sydney — from Thursday, February 12, followed by most stores on Friday, February 13. [caption id="attachment_1016016" align="alignnone" width="1920"] MECCA's Bourke St Flagship.[/caption] The arrival brings Rhode's signature pared-back aesthetic to local shelves: think glossy grey displays, soft lines and the brand's cult lineup of peptide-powered skincare and hybrid makeup. Fans can expect to shop everything from its viral Peptide Lip Treatment to its barrier-boosting moisturisers, blushes and serums. "We are proud to announce our global expansion to Australia and New Zealand, bringing the world of Rhode to even more places and faces," said Hailey Rhode Bieber, Founder, Chief Creative Officer and Head of Innovation. "When launching into the Australian market, we looked for a globally aligned partner — and MECCA was that perfect fit." Since launching in 2022, Rhode has quickly become a category-shifting force in beauty, topping EMV (earned media value) charts and inspiring countless product dupes. Its formulas are science-driven yet stripped back — an antidote to the overcomplicated, 12-step routines that have dominated the skincare conversation. "Rhode isn't just a bestselling brand, it's a cultural force shaping how a new generation thinks about skincare," said Marita Burke, MECCA's Chief MECCA-MAGINATIONS Officer. "We couldn't be more excited to welcome Rhode to MECCA and to our incredible beauty-obsessed community." The brand's philosophy centres on accessibility, efficacy and barrier health — formulated for all skin types and designed to simplify, not overwhelm. "We wanted to create products that really work, in a way that's accessible to everyone," Bieber has said previously. Founded in 2022 and acquired by e.l.f. Beauty in 2025 for USD$1 billion, Rhode's expansion signals a new chapter in global reach — and for Australian skincare fans, an end to the import waitlist era. Rhode launches in Australia and New Zealand from February 12, 2026. Explore the full range via rhodeskin.com or in-store or online at MECCA. Images: Supplied | Getty
When December 2023 hits, it will have been four decades since David Byrne walked out onto a Hollywood stage with a tape deck, pressed play and, while standing there solo, began to sing 'Psycho Killer'. It'll also be 40 years since then-future The Silence of the Lambs Oscar-winner Jonathan Demme directed cameras towards the legendary Talking Heads' frontman, recording the results for concert film Stop Making Sense. What's the best way to celebrate the 40th anniversary of the event behind the greatest concert film ever made? By watching it, as A24 is here to help with. As well as releasing Close, Beau Is Afraid, You Hurt My Feelings, Past Lives, Beef and smash-hit Australian horror movie Talk to Me in 2023, the cult-favourite independent film and TV company is bringing a completely restored version of Stop Making Sense back to the big screen where it belongs. Madman is distributing the concert flick Down Under, where it'll get everyone wanting to wear big suits from Thursday, November 9. When it starts burning down select picture palaces around Australia, all 88 glorious minutes of Stop Making Sense will screen in 4K, as premiered at this year's Toronto International Film Festival — and also has a date with SXSW Sydney's Screen Festival in October. So, no it isn't the same as it ever was: Stop Making Sense is now even better. Stop Making Sense isn't just iconic for how it starts, which definitely isn't how concerts usually kick off. From there, as captured at Hollywood's Pantages Theatre in December 1983, David Byrne, Tina Weymouth, Chris Frantz and Jerry Harrison put on one helluva show in support of their previous year's album Speaking in Tongues. Expect a lineup of hits, a playful approach, Byrne's famous oversized attire and even heftier stage presence, and the feeling that you're virtually in the room. Indeed, everything about this energetic and precisely executed documentary, which records the set from start to finish, couldn't be further from the standard concert flick. As 'Once in a Lifetime', 'Heaven', 'Burning Down the House', Life During Wartime', 'This Must Be the Place (Naive Melody)', 'Genius of Love' and more get a whirl, each element of the film is that fine-tuned, and every aspect of the band's performance, too. And if it feels like Byrne was on-screen not that long ago, that's because his Spike Lee (Da 5 Bloods)-directed solo concert movie American Utopia did the rounds of Aussie cinemas back in 2020 — and proved one of that year's absolute best films. Check out the trailer for Stop Making Sense's 4K restoration below: Stop Making Sense will screen in Australian cinemas from Thursday, November 9. Images: Jordan Cronenweth, Courtesy of A24.
Any weekend is a good weekend to shop for plants at the Brisbane Markets, the old faithful of the Brissie market scene. That said, Saturday, October 5, 2024 will be better than ever thanks to a returning event: Plantapalooza. It's the fifth time that the Rocklea spot has held a plant festival and, running from 6am–1pm, that's something to get excited about. You'll still find the venue's regular 100-stall-plus market array, but it'll be joined by thousands of extra indoor and outdoor plants, as well as plenty of flowers and succulents — and demonstrations from horticulture experts to help you put your green thumb to work. If you usually put off getting into the garden when spring is well and truly in swing, here's your motivation. Or, if you'd like to brighten up your house with a potted piece of nature, here's your chance as well. Remember: there's absolutely nothing wrong with giving a name to your favourite houseplant. Entry costs $2, or $6 with premium parking.
Founded in 2013 by distiller Philip Moore and coffee enthusiast Tom Baker, Mr Black has become a go-to for Australians looking to create bar-quality espresso martinis at home. Now, the distiller and coffee roaster is making things even easier by launching a new range of espresso martinis in ready-to-drink cans. These canned cocktails have been three years in the making, with Mr Black trialing 156 different recipes, two production methods and three canning technologies to create their newest product. Each can contains arabica coffee, Australian distilled vodka and Mr Black coffee liqueur, and is charged with nitrogen in order to give you the frothy head of a real espresso martini. All you need to do is shake, pour and maybe add a couple of coffee beans to the top if you're really trying to enjoy the full espresso martini experience. Canned and bottled cocktails have become an increasingly common trend in the past couple years, with many local bars also getting on board during Australia's lockdowns. Mr Black joins the likes of Kahlua, Lexington Hill and Curatif in offering canned espresso martinis, distinguishing itself with the fan-favourite taste of the brand's coffee liquor. The on-the-go cocktails have been launched just in time for warmer weather and the rolling back of restrictions in many states, allowing espresso martini fans the opportunity to bring the caffeinated cocktail with them on a picnic, to a dinner party or away on a trip without needing to pack several bottles of spirits. You can find Mr Black's canned espresso martinis online, as well as in Liquorland, First Choice, Vintage Cellars and independent liquor stores. The cans come in a four pack of 200-millilitre cans which will set you back $34.99; however, if you purchase via the Mr Black website, you can can nab ten percent off your order by using the discount code MRB10 at checkout. For more information about Mr Black's espresso martini cans, and to nab ten percent off your order by using the discount code MRB10 at checkout, head to the Mr Black website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Whether you're keen for a meal with one of the best views in Brisbane, or to sip your way through a dedicated martini menu with stunning vistas to peer at as you imbibe, Aloria serves up both. When Sky Deck, the soaring platform at the $3.6-billion Queen's Wharf precinct, was first announced, it came with the promise of multiple venues to grab a bite and a drink at while looking out over the River City. Openair bar Cicada Blu and all-day dining haven Babblers arrived first. Late in October 2024, the third part of Sky Deck's trio followed. Queen's Wharf launched at the end of August the same year. Sky Deck opened with it — sitting 100 metres above the CBD; featuring a 250-metre rooftop runway with a glass-floor viewing platform; and boasting a 360-degree vantage out over the Brisbane CBD, Brisbane River, Mt Coot-tha and Moreton Bay. Each of Cicada Blu, Babblers and Aloria has its own remit, with the latter Sky Deck's signature restaurant. Located on the platform's western end, and operating for lunch and dinner five days a week, it heroes dry-aged steak and seafood among its specialties. European and Australian influences flavouring the cuisine. Australian ingredients are in the spotlight, too. The open kitchen pumps out woodfired and grilled dishes. Standout menu options include dry-aged beef bistecca as a main, or roast coral trout with almond cream if you'd prefer the ocean's finest. Go with seafood to start and you'll also be picking between kingfish crudo with pickled rhubarb and buttermilk, plus Fraser Island spanner crab crumpet with finger lime and brown butter — or caviar. Wood-roasted oysters pop up among the snacks selection as well, while roasted tiger prawns with fermented chilli butter and woodfired lamb belly are entree choices, and miso-roasted cauliflower and slow-cooked wagyu rump are other mains picks. For dessert, opt between strawberries and cream, grilled blackberry parfait with rosemary and lavender streusel, and a cocoa-crumbed roasted white chocolate and miso dish. A condensed menu greets patrons at lunch — and if you want the decisions made for you at dinner, the banquet menu for four or more features 15 options to share. Another highlight: a dedicated martini menu with both classics and inventive variations (think the marguerite, martine, martigny, martina, martineau and the Bradford à la martini). One more reason to grab a glass: a hefty range of wine, with a list curated by Aloria Head Sommelier Damian Danaher that spans 12 pages — which is why it has been dubbed a 'cellar in the sky' — and vintages from Château Lafite Rothschild among the sips. Returning to Brisbane, Michelin-trained Chef Shayne Mansfield oversees all three venues, with Aloria favouring simplicity and elegance in its dishes — as well as sustainability and a minimal-waste ethos.
Hospitality workers are the backbone of our cities' night-time economies. After serving us behind the bar or recommending the chef's special that'll have you coming back for more, hospitality workers also keep the city open and thriving post-shift. From the quiet corners to the go-to bars and late-night venues that look after the people who look after everyone else, we tapped a couple of hospitality legends on the shoulder to learn where they head once the kitchen closes. After all, the night-time economy is a significant part of the Australian lifestyle. The Visa Vibe Economy report, commissioned by Visa and conducted by McCrindle, explores spending habits related to Australia's night-time economy, 32 percent of Australians consider going out "extremely" or "very important" to their lifestyle. It also found that nearly half of Australians go out after dark at least once a week, on average. Here's where the industry insiders in your city are heading. [caption id="attachment_810673" align="alignleft" width="1920"] Grana, Jiwon Kim[/caption] Alex Wong, Executive Chef at Hinchcliff House, Sydney: Lana, Grana, Apollonia, Bar Mammoni, Grana Privato CP: What do you love about the hospitality industry? Alex: I love this industry for the people and the lifestyle. I love being busy, being able to express myself through food, and working alongside like-minded people — there's a real sense of camaraderie and adrenaline that comes with it. You meet so many different people from all walks of life. It's given me confidence, taught me how to stand up for myself, and to grab every opportunity that comes my way. CP: Where do you head after a long shift? Alex: After a long shift or a big Saturday night, I love heading to Mamas on Pitt Street for some soju and supper — their fishcake soup hits perfectly in winter with a few bottles of soju. Super Bowl is another great late-night spot; their Hong Kong–style curry fish balls, noodles, and BBQ meats really slap. If there's time (and energy), a sneaky karaoke session after never hurts. CP: What's your favourite thing about your city after dark? Alex: I've always been a night owl. I love the calm that comes with night — and the little bit of chaos, too. Sydney after dark has so much to offer: great bars for a drink or nightcap, incredible restaurants and wine bars, or just soaking up the city lights. The Friday night Chinatown markets are a classic foodie stop, and walking across the Harbour Bridge at night never gets old. [caption id="attachment_1006447" align="alignleft" width="1920"] Baptist Street, Alana Dimou[/caption] Mahbub Hasan, CBD Precinct Bars Leader for House Made Hospitality, Sydney CP: What do you love about the hospitality industry? Mahbub: The chance to create moments that actually mean something to people. It's noticing small details, picking up on what someone needs without them having to ask, and making them feel looked after. I love that a bit of genuine care can turn a random interaction into a memory. There's something special about watching someone walk in tired and stressed from their day, and leave softer, lighter, and happier. That little shift, that connection, is the reason I keep showing up. CP: Where do you head after a long shift? Mahbub: After a late shift in the city, I love decompressing somewhere with soul. Often, that means making my way to Baptist Street Rec. Club in Redfern — great energy, familiar faces, and the perfect spot to shake off work mode. If I'm in the mood for a proper vibe shift, Disco Pantera hits the spot. It has music loud enough to reset your brain and cocktails good enough to make you forget how tired you are. When I want to stay closer to home, I keep it local. Sometimes it's The Vic on the Park, nothing fancy, just comfort and that Inner West feeling. Other nights I'll drift down Enmore Road. And there are nights where I just want to be home-adjacent, so I'll end up in Newtown. Bar Planet for a martini, or Silvers Motel for something slower. Those places remind me that there's a world outside of work. Real people, real community. CP: What's your favourite thing about your city after dark? Mahbub: Sydney at night feels like a different city. No suits, chaos drops away, and everything slows down. You start to notice things, little conversations, laughter spilling out of small bars, chefs and bartenders having their first breath of freedom outside the venue. It feels like a secret world that only exists after everyone else goes home, a world for the night people, hospitality people, and wanderers. [caption id="attachment_795639" align="alignleft" width="1920"] The Gresham, Millie Tang[/caption] Jaeden Ogston, Bartender, The Gresham, Brisbane CP: What do you love about the hospitality industry? Jaeden: I love hearing people's stories and enjoy the little moments of sonder. Hospitality, and especially working at The Gresham, allows me to meet and engage with such a diverse range of people that I would otherwise never meet. Whether they're regulars or just passing through, it's something really special to be able to connect and create memorable moments for people. CP: Where do you head after a long shift? Jaeden: Straight to Frogs Hollow. It's an authentic Country Saloon Bar that does good times perfectly. It's somewhere I know I can go to see familiar faces, and round out a long day with a 'hell yeah'. The bartenders provide some of the best hospitality in Brisbane and are among the most beautiful people I know. Frogs Hollow also has a rad bourbon selection and Brisbane's best XXXX Gold on tap. Other than that, it'd be Savile Row in Fortitude Valley (just look for the orange door). It's an awesome London-esque speakeasy-style bar that has a back-bar for days. It's cosy yet uptempo, and once again, the staff are not only legends of their trade but also wonderful people themselves. Whilst you're on that side of town, also check out Barry Parade Public House, which just celebrated its first anniversary. The owner, Dan, used to be my boss at The Gresham, and he's taken his love of vintage spirits, classic cocktails and soul food, and he and co-owner Brennan have made it into a beautiful, neighbourhood bar. [caption id="attachment_946892" align="alignleft" width="1920"] Frogs Hollow[/caption] CP: What's your favourite thing about your city after dark? Jaeden: Brisbane, in the grand scheme of things, is still a small city. What's beautiful about this is that if I ever just feel like going out and exploring and seeing where the night takes me, I know I'll bump into a familiar face on either side of the bar. Also, you can walk to almost everything... and whatever vibe you're looking for, whether it's a dive, speakeasy, jazz club or brewery, it's right at your fingertips. [caption id="attachment_932926" align="alignleft" width="1920"] Dear Saint Eloise[/caption] Frankie Stanley, Events and Marketing Manager at The London Hotel, Sydney CP: What do you love about the hospitality industry? Frankie: I love that hospitality is all about people! Meeting people, connecting with them, and being part of their day or night. It's fast, unpredictable and addictive in the best way. Unlike many office jobs, you might be running up 48 flights of stairs on a random Monday, but there is nothing more satisfying than the energy when a room is full of happy people and everything is running smoothly. CP: Where do you head after a long shift? Frankie: After a long shift, I love going to Potts Point or Darlinghurst to their many small wine bars. There's so much love in what they offer, and the vibes are always on point. Caravin and Dear Saint Eloise, both in Potts Point and The Waratah in Darlinghurst, are favourites! Gorgeous food, sexy drinks, and incredible staff. CP: What's your favourite thing about your city after dark? Frankie: I love Sydney after dark, especially as we move into summer. Longer days, warm nights, and everyone wanting to be out and about. With more councils approving outdoor seating, the city finally feels like it's leaning into that European, sit-out-and-soak-it-in vibe. The London just got its parklet approved after nine months and it has completely lifted the vibe. It's brought so much life to the street. I hope we see more of this across Sydney to keep nightlife thriving. Emma Sheahan, Front of House Manager, Lumen People, Melbourne CP: What do you love about the hospitality industry? Emma: Having guests sit at my table and connecting with them. I love meeting so many interesting people and working side by side with them. CP: Where do you head after a long shift? Emma: Brico or Lulie Tavern. Brico's food and wine are exceptional. What brings me back time and time again is their hospitality. I always walk in and feel immediate relief. I'm home. I'm cared for, no matter who I bring or why I'm there, they'll take care of us. Lulie is the champion of Melbourne music and community. It's been a huge part of my social life. Engagements, special birthdays, celebrations and sad times: Lulie always has a seat for you! The burgers are also really good. [caption id="attachment_868486" align="alignleft" width="1920"] Jake Roden[/caption] CP: What's your favourite thing about your city after dark? Emma: Melbourne's live music. I love living in a city big enough to support so many incredibly talented artists. Discover the vibe near you. Lead image credit: Bar Planet
After enlivening previous Brisbane Festivals with Blanc de Blanc and LIMBO, Strut & Fret are back with their latest theatrical fun. A world premiere production designed specifically for the South Bank Piazza, FUN HOUSE promises to live up to its name by throwing a huge house party — with acrobatics, circus stunts, physical theatre and more. And when we say more, we mean a jumping castle. With YouTube sensation Pogo on DJing duties, this interactive show turns its venue into a playground, and turns attendees into willing participants. It's also one of two S&F efforts in this year's lineup, with Bris Fest also hosting the sizzling party sequel that is LIMBO UNHINGED.
Walking through stunning lights as far as the eye can see, moseying beneath a canopy of glowing multi-coloured trees, wandering between ribbons of flashing beams, taking the most luminous two-kilometre stroll through nature that you can imagine — you'll be able to do all of this when Lightscape heads to Brisbane for the first time in 2023. Already a hit in Melbourne and Sydney, the after-dark light festival will be taking over the Brisbane City Botanic Gardens from Thursday, August 31–Saturday, October 8, beaming away from 5.45pm each night as part of another dazzling Brisbane event: Brisbane Festival. While the leafy spot is already extremely scenic, and Brisbane's annual citywide cultural festival usually finds a way to make the most of it, saying that Lightscape will be brightening up both is quite the understatement. Prepare to see the garden illuminated by immersive and large-scale installations scattered along that two-kilometre route, including sparkling trees, luminous walkways and bursts of colour that look like fireworks. A big highlight: large-scale works like giant flowers and glowing tunnels, both of which will make you feel like you're being bathed in radiance — and ample neon. Lightscape first hit Australia in 2022 after first taking over gardens across the United Kingdom and the United States. Developed by Royal Botanic Gardens, Kew in the UK, it's understandably proven a huge success — and more than two-million people wandered along its glowing trails in a season overseas. Fingers crossed for pop-up food and drink stalls scattered throughout Lightscape in Brisbane — selling, we hope, mulled wine to keep hands warm as winter becomes early spring. Lightscape sits on a Brisbane Festival bill that also includes Kate Miller-Heidke's new musical Bananaland and fellow stage show Tae Tae in the Land of Yaaas!, plus Riverfire to kick things off for the second year in a row, an attempt break the world record for a kazoo orchestra with mass-participation piece 10,000 Kazoos — and Paul Kelly, Gretta Ray, Groove Terminator with the Soweto Gospel Choir and a tribute to rock's Laurel Canyon era on its music lineup. And, there's more to come when the fest unveils its full lineup in early July. Lightscape will light up the Brisbane City Botanic Gardens from Thursday, August 31–Saturday, October 8. For more information or to buy tickets, head to the Brisbane Festival website.
Bali is a no-brainer for Aussie travellers. It's close, beautiful, and it's packed with the kind of beaches, spas and resorts that make you want to quit your job and move there permanently (kidding…sort of). If you're going to do Bali, you have to do it right – which means finding the best accommodation. Luckily, you've got some incredible options. And now, thanks to Visa, you can book your dream stay with 10% off through our dedicated platform, Concrete Playground Trips. Whether you're chasing waves and smoothie bowls in Canggu, planning a honeymoon getaway in Uluwatu or heading to Ubud for something a little more off-radar, these eight hotels will have you booking that flight ASAP. Simply book using your Visa card to score the discount, then start packing.
December is here, and we're sure the sound of jingling bells is well and truly lodged in your head — but if your TV isn't screening an endless festive movie marathon, is it really Christmas? This portion of year isn't just the prime period for gift-giving, lots of eating, and spending quality time with your nearest and dearest, but also for watching and rewatching all those flicks that make you feel merry. Or, if you're hardly the jolly type, to get a dose of Christmas with some offbeat, action-packed and/or darkly comic picks. Just what makes a Christmas film has been hotly debated. Some folks, like Last Christmas director Paul Feig, rightly believe that Die Hard counts. Others stick firmly to movies that weave in the season in a more overt way. Whichever category you fall into, and however you feel about the season, we have a list of suggestions for your Yuletide viewing pleasure. Pour yourself some eggnog, get cosy on your couch and start streaming. Home Alone (and Its Sequels) In 2021, a brand new Home Alone movie arrived to demand your attention. Yes, the 90s classic was remade — by Disney+, and with Jojo Rabbit's Archie Yates, Unbreakable Kimmy Schmidt's Ellie Kemper and Deadpool & Wolverine's Rob Delaney among the cast. Nostalgia might draw you to it, but the Mouse House's streaming platform is already serving up classic Home Alone delights, with the 1990 original, 1992's Home Alone 2: Lost In New York and 1997's Home Alone 3 all available (and also 2002's Home Alone 4, if you're a completist). Naturally, the original is the one that calls everyone's names whenever they're feeling festive. It was the highest-grossing live-action comedy at the US box office for more than two decades for a very good reason. Watch as Macaulay Culkin (Entergalactic) puts in a star-making performance, Joe Pesci (Bupkis) and Daniel Stern (For All Mankind) play bumbling burglars, and plenty of inventive booby traps get in the way. Home Alone, Home Alone 2: Lost In New York, Home Alone 3, Home Alone 4 and Home Sweet Home Alone stream via Disney+. Happiest Season Forget Twilight. Yes, it's the film franchise that Kristen Stewart (Love Lies Bleeding) is best known for, but her resume spans much further than sparkly vampires. And, courtesy of Happiest Season, it includes a festive rom-com that gives its well-worn genre a much-needed queer focus. Stewart plays Abby, the girlfriend of Harper (Mackenzie Davis, Speak No Evil). The former usually hates Christmas, but she's willing to give the usual trimmings a go for the latter. Alas, it turns out that Harper hasn't come out to her family, which cause more a few complications over the holidays. From the get-go, it's easy to see where the film is headed, but Happiest Season willingly sticks to a formula in order to update it. And, it's likely this LGBTQIA+-friendly dose of merriment wouldn't have found the right mix of festive familiarity and emotional substance with other leads. Happiest Season streams via Binge. Read our full review. The Nightmare Before Christmas More than a quarter-century ago, filmmakers Tim Burton (Beetlejuice Beetlejuice) and Henry Selick (Wendell & Wild) served up one of the most-enchanting holiday films to hit the big screen — and one that doubles as both Halloween and Christmas viewing. It's Burton's name that everyone remembers; however, a pre-Coraline Selick is actually in the director's chair on The Nightmare Before Christmas, which charms with both its offbeat story and its gorgeous stop-motion animation. Burton came up with the narrative though, because Jack Skellington only could've originated from the Beetlejuice and Edward Scissorhands filmmaker's brain. Imaginative, original and engaging (even as it nods to Dr Seuss a few times), it still remains a festive treat for all ages. The Nightmare Before Christmas streams via Disney+. The Holdovers Melancholy, cantankerousness, angst, hurt and snow all blanket Barton Academy in Alexander Payne's (Nebraska) The Holdovers. It's Christmas 1970 in New England in this thoughtful story that's given room to breathe and build, but festive cheer is in short supply among the students and staff that give the movie its moniker. Soon, there's just three folks left behind: Angus Tully (debutant Dominic Sessa), whose mother wants more time alone with his new stepdad; curmudgeonly professor Paul Hunham (Paul Giamatti, Billions), who's being punished for failing the son of a wealthy donor, but would be hanging around campus anyway; and grieving cook Mary Lamb (Da'Vine Joy Randolph, Only Murders in the Building, and an Oscar-winner for her work here), who is weathering her first Christmas after losing her son — a Barton alum — in the Vietnam War. The Holdovers streams via Netflix and Binge. Read our full review. Last Christmas Some Christmas movies — many festive movies, let's be honest — get the usual carols stuck in your head. Fancy a little George Michael whirling around your brain instead? That's what's on offer with Last Christmas, for obvious reasons. Just read the title and you'll already be humming the appropriate tune. This recent festive rom-com is both extremely likeable and very predictable. In other words, it's perfectly suitable feel-good Christmas in July viewing. The cast, which includes Emilia Clarke (Secret Invasion), Henry Golding (The Ministry of Ungentlemanly Warfare) and Emma Thompson (Roald Dahl's Matilda the Musical) are all an absolute delight, Paul Feig (Bridesmaids, A Simple Favour) directs with a light touch, and the George Michael hits just keep coming. Last Christmas streams via Netflix, Stan, Prime Video and Paramount+. Read our full review, and our interview with Paul Feig. It's a Wonderful Life It's been 78 years since Frank Capra's It's a Wonderful Life first warmed hearts, and started to become a festive tradition. The ultimate 'what if?' tale, the five-time Oscar nominee is also a shining example of a movie that didn't do well at the box office originally but has more than made up for it since. Featuring a pitch-perfect performance from the great James Stewart as the downtrodden George Bailey, the film's charms are many. It's sweet, optimistic but still willing to look at grim realities. That's what happens when Bailey has bleak thoughts one Christmas Eve, and contemplates ending it all, before a guardian angel shows him what life would've been like in his home town of Bedford Falls without him. It's a Wonderful Life streams via Stan. Eyes Wide Shut It isn't by accident that Eyes Wide Shut, Stanley Kubrick's last complete film and one of the masterful director's absolute best, takes place during the holidays. The late, great filmmaker plunges into a fraying marriage at a time of year that's either blissful or fraught in relationships, or seesaws between the two, with then real-life couple Nicole Kidman (The Perfect Couple) and Tom Cruise (Mission: Impossible — Dead Reckoning Part One) as his leads. And, in the process, he has plenty to say about the institutions, traditions and expectations that society tells us will bring contentment — the wealth and romantic ideals that fall into the same categories, too — and the gaping chasm between those glossy notions and reality. When it hit cinemas, Eyes Wide Shut was marketed as an erotic thriller — 'twas the 90s — but despite the sex, masquerades and relationship games, that's only one layer of the feature. Following Bill (Cruise) and Alice (Kidman) Hartford as they navigate the festive period, complete with indulgent parties and strung-up lights aplenty, this probing film has zero cheer for Christmas' shiny facade, or the annual promise that forced jolliness will make anyone's lives better. Eyes Wide Shut streams via iTunes. How to Make Gravy Normally when it comes to watching Christmas movies, you can pick whichever day in December takes your fancy and press play. But How to Make Gravy is best watched on December 21, because that's the date that's been known as Gravy Day since 1996 thanks to Paul Kelly's classic tune 'How to Make Gravy'. Yes, this is a movie adaptation of the song, with musician Meg Washington and writer/director Nick Waterman behind it. And yes, it spins a story around the many characters that Kelly names in his track. The Royal Hotel co-stars Daniel Henshall (RFDS) and Hugo Weaving (Slow Horses) feature as Joe and Noel. The first hails from the tune — he's the prisoner who writes to his brother Dan (Brenton Thwaites, Titans) to kick things off — while Noel, a new addition to the tale, is a veteran inmate that he crosses paths with inside. With a cast that also spans Kate Mulvany (The Clearing), Damon Herriman (Better Man), Kieran Darcy-Smith (Mr Inbetween) and Kym Gyngell (The Artful Dodger), plus Titane's Agathe Rousselle in her first English-language film, How to Make Gravy charts the events that lead to Joe being away from his family come festive season, how they're coping without him and the underlying factors that he needs to face to spend next Christmas at home. How to Make Gravy streams via Binge. Read our interview with Daniel Henshall and Hugo Weaving. The Muppet Christmas Carol It's time to play the music, light the lights and see Charles Dickens' classic play out in felt — and with Michael Caine (The Great Escaper) as Ebenezer Scrooge. Any Muppets movie is ace seasonal viewing because they're all so warmhearted, but The Muppet Christmas Carol was obviously made for the merriest time of year. The movie follows Dickens's tale, with the miserly Ebenezer Scrooge given a change of perspective by the ghosts of Christmas Past, Christmas Present and Christmas Yet to Come. Here, however, Jim Henson's beloved creations join in, with Kermit the Frog playing clerk Bob Cratchit, Miss Piggy as Emily Cratchit, Gonzo narrating the story as Dickens (with help from Rizzo the Rat), Fozzie Bear as Fozziwig and Robin the Frog as Tiny Tim. Other Muppets show up, because of course they do. The Muppet Christmas Carol streams via Disney+. Rare Exports: A Christmas Tale Calling all festive horror fans — and fans of deadpan comedy. You'll get a bit of both with Finnish thriller Rare Exports: A Christmas Tale, because sometimes, that's just what the season needs. Taking inspiration from the Joulupukki, a pagan and folkloric figure that's helped shape Santa Claus-centric stories, this creative film starts as all sinister tales do: with the unearthing of something eerie and perhaps best left forgotten. Here, after a British research team disturbs an ancient burial mound, the local reindeer become the first casualties. Twisted and off-kilter, eager to play with mythology and unafraid of gruesome imagery, this is the kind of Christmas flick that doesn't come around very often — all from Jalmari Helander, the filmmaker behind 2023's underseen Sisu. Rare Exports: A Christmas Tale streams via iTunes and Prime Video. Tangerine Before writer/director Sean Baker gave the world 2024 Palme d'Or-winner Anora, plus The Florida Project and Red Rocket before that — each among the best movies of their year — he spent Christmas Eve with two transgender sex workers as one learns that her boyfriend and pimp has been unfaithful. Sin-Dee Rella (Kitana Kiki Rodriguez) is fresh from a 28-day stint in jail when she teams up with her best pal Alexandra (Mya Taylor, High Tide) to chase down her other half Chester (James Ransone, The Black Phone). While getting revenge on cheating spouses isn't a new topic on film, Tangerine is its own raw and delightful effort. Baker also shot the Los Angeles-set feature solely on iPhones, which proves quite the technical feat, and doesn't stop it from being visually inventive again and again. Tangerine streams via iTunes. Christmess "Happy holidays" might be two of the most-used words each and every December, but this time of year isn't jolly for everyone. With the gripping and affecting Christmess, writer/director Heath Davis (Broke, Book Week and Locusts) stares clear-eyed at the haunting regrets, aching loneliness and complicated family dynamics that are part of the festive season for many — and has his characters chat about the best Christmas movies, too. Fresh-out-of-rehab actor Chris Flint (Steve Le Marquand, The Twelve) is at this Australian dramedy's centre, as he tries to get his life back on track — a job playing a shopping-centre Santa included — while living in a halfway house with his sponsor Nick (Darren Gilshenan, Colin From Accounts) and fellow recovering alcoholic Joy (musician Hannah Joy). Christmess streams via Binge. Nutcrackers After a few years spent making horror movies — and building upon genre classics at that, thanks to Halloween, Halloween Kills, Halloween Ends and The Exorcist: Believer — filmmaker David Gordon Green has swapped scares for heartwarming seasonal hijinks. Consider that one of his latest feature's big returns. Opening the 2024 Toronto International Film Festival before making its way to streaming, Nutcrackers also gets Ben Stiller back in front of the camera (although he can be forgiven for his time behind the scenes given that he's been busy directing Severance). Long-term Stiller fans should spot echoes of Reality Bites, which he helmed as well as co-starred in, in his Nutcrackers character Mike Maxwell. Looking the corporate part and devoted to his job, he's not fond of the idea of shaking up his routine — or jeopardising his career advancement prospects. Then tragedy strikes, leaving him to find new guardians for his four rambunctious nephews who definitely don't want to go into foster care, and also have a creative take on classic ballet The Nutcracker that they're eager to stage. Nutcrackers streams via Disney+. White Reindeer If your attitude towards Christmas is 'bah humbug' or something similarly grinchy, then White Reindeer might just be the festive film for you. It starts with the festive season approaching, and with real estate agent Suzanne Barrington (Anna Margaret Hollyman, Sister Aimee) happy with her weatherman husband Jeff (Nathan Williams, Younger) — and super excited about the most wonderful time of the year. Then, tragedy strikes, and Zach Clark's (The Becomers) black comedy leans firmly into its genre. Tackling dark subjects, as well as the fact that Christmas isn't all presents, big hugs and glittering lights for everyone, this is a very funny, savvy and astute movie. It's also purposefully awkward, and remains a great example of low-budget indie filmmaking no matter the time of year. White Reindeer streams via YouTube Movies. Carol Carol falls into the category of films that, purely because they're set at the right time of year, automatically qualify as Christmas movies (see also: a few other flicks on this list). If that's the excuse you need to revisit Todd Haynes' (May December) aching romantic drama, then that's completely fine. Any excuse will do, really. The more eyeballs soaking in this sumptuous tale of forbidden love either for the first time or the hundredth, the better. Starring Rooney Mara (Women Talking) as a shopgirl who falls for Cate Blanchett's (Disclaimer) titular character, and based on Patricia Highsmith's novel The Price of Salt, the 50s-set drama fills the screen with emotion as the two women confront their feelings. Haynes' resume isn't short on highlights (Velvet Goldmine and Far From Heaven, for example), but might be his crowning achievement. Carol streams via ABC iView. Read our full review. Batman Returns Why so seasonal? No, the Joker doesn't say that in Batman Returns. In fact, that villain isn't even the Dark Knight's nemesis in this 1992 film. The sentiment still fits, though. Given the amount of times that Batman has graced cinemas, one of those movies was always going to be appropriate Christmas viewing — and Tim Burton's (Beetlejuice Beetlejuice) second stint unpacking Bruce Wayne's alter ego, plus Michael Keaton's (also Beetlejuice Beetlejuice) second round of playing the titular character, is 100-percent that movie. Christmas provides the backdrop for Oswald Cobblepot (Danny DeVito, It's Always Sunny in Philadelphia) and Selina Kyle's (Michelle Pfeiffer, Ant-Man and the Wasp: Quantumania) antics — aka The Penguin and Catwoman — in this sequel to 1989's Batman, and lights up Gotham City as its namesake endeavours to save the day. Again, there's never any shortage of Dark Knight flicks to choose from, including two more follow-ups in the 80s and 90s franchise, Christopher Nolan's trilogy, Ben Affleck in the cape and cowl and 2022's Robert Pattinson-starring The Batman, but 'tis the season for this one. Batman Returns streams via Binge. Elf Will Ferrell (The Boys) plays an elf. It sounds like the idea for a Saturday Night Live sketch, really. To the joy of Christmas-themed film fans everywhere, that's not the case with Elf — and even though it was written with Jim Carrey (Sonic the Hedgehog 3) in mind, and even though he went seasonal again with Spirited in 2022, this festive comedy ranks alongside Anchorman as one of the movies that Ferrell will always be remembered for. He's both amusing and endearing as Buddy, a human raised by Santa's elves who only realises that he's not like everyone else he knows when he grows up. It's a basic fish-out-of-water setup, but showered with humour, heart and festive goodwill. Also, long before he directed Iron Man, The Jungle Book and the photorealistic version of The Lion King, this is what actor-turned-filmmaker Jon Favreau served up. Elf streams via Binge and Stan. Gremlins Fun fact for Breaking Bad fans: Jonathan Banks, aka Mike Ehrmantraut, plays a deputy in Gremlins. He's not the star of the show, though, and nor are any of the movie's humans. No, that honour goes to its furry creatures that definitely shouldn't be exposed to water or sunlight, or fed after midnight. That's the warning that Randall Peltzer (Hoyt Axton, King Cobra) receives when he buys an unusual gift for his teenage son Billy (Zach Galligan, Midnight Peepshow) from a Chinatown store and, as Joe Dante's (Nightmare Cinema) upbeat, anarchic comedy demonstrates, it's advice that should be heeded. Another trusty tidbit that's worth remembering: no matter how old you are, watching Gremlins will make you want a mogwai for yourself. Gremlins streams via Binge. Black Christmas A fun, feisty remake with a female perspective and a refreshing sense of sisterhood, Black Christmas is a college-set slasher flick for the #MeToo era. The latter gets thrown around a helluva lot, but with this updated version of a 1974 cult movie, writer/director Sophia Takal (Always Shine) firmly leans into the term. Indeed, Black Christmas circa 2019 lives and breathes its #MeToo mindset, particularly in its story and characters. In this Imogen Poots (Outer Range)-led, Cary Elwes (Knuckles)-costarring effort, a masked predator stalks women as the festive season swings into gear, specifically targeting sorority sisters at a stately university. There's a mounting body count, but these gals aren't merely a parade of powerless, disposable victims. Black Christmas streams via Netflix. Read our full review. Die Hard Yippee ki-yay, fans of both action and seasonal hijinks (and of Bruce Willis crawling around in vents trying to fight off terrorists, too). It's time to follow in the footsteps of Brooklyn Nine-Nine's Jake Peralta and love Die Hard unconditionally, because — by virtue of being set on Christmas Eve — this is a Christmas-appropriate film. The story, if you somehow don't know it, involves NYPD cop John McClane (Willis, Assassin), a Los Angeles building attacked by the nefarious Hans Gruber (Alan Rickman, Eye in the Sky) and plenty of explosive antics. We know, we know, Rickman also features in that other, more overtly festive-themed favourite, aka Love Actually, but there's nothing quite like a couple of hours spent at Nakatomi Plaza. Die Hard streams via Disney+. In Bruges Before The Banshees of Inisherin, filmmaker Martin McDonagh teamed up with actors Colin Farrell (The Penguin) and Brendan Gleeson (Joker: Folie à Deux) on another darkly comic gem. In Bruges is writer/director McDonagh's first feature, in fact, and what a stunning debut it is, diving into hitmen chaos in Belgium over the Christmas period. McDonagh's whip-smart script only mentions the time of year a few times, but its titular setting is lit up for the occasion. Farrell's Ray is hardly thrilled, though; "For two weeks? In fucking Bruges? In a room like this? With you? No way," is his response to being holed up and hiding out with his mentor Ken (Gleeson) at the behest of their handler Harry (Ralph Fiennes, The Wonderful Story of Henry Sugar). Blackly comedic amusement springs from their predicament, and so does mayhem, melancholy and even hope. In Bruges streams via Netflix and Stan. That Christmas Richard Curtis is getting festive again. The screenwriter behind Four Weddings and a Funeral, Notting Hill and the first two Bridget Jones movies — and a big driver of Hugh Grant's (Heretic) early career, clearly — will forever be associated with the jolliest part of the calendar thanks to Love Actually. Now he's added That Christmas to his resume, and a clip of his past end-of-year flick that everyone knows and has thoughts about even features in this animated all-ages-friendly affair. That Christmas springs from the page, from Curtis' books That Christmas, The Empty Stocking and Snow Day with illustrator Rebecca Cobb. On-screen, he's intertwined those tales, with Simon Hunter (A Tale Dark & Grimm) directing, Peter Souter (Married Single Other) co-scripting, and the film's account of home-alone kids both lonely and mischievous featuring voicework by Bill Nighy (The Wild Robot), Brian Cox (The Lord of the Rings: The War of the Rohirrim) and more. That Christmas streams via Netflix. Bad Santa The sequel didn't stuff anyone's stocking full of laughs, sadly, but the original Bad Santa is a masterclass in seasonal misanthropy and utterly inappropriate humour. Now two decades since Billy Bob Thornton (Landman) first popped on the red suit to play the world's most begrudging Father Christmas — actually a professional thief that uses his gig as a department-store Santa as a cover to case the place — he's still one of the most memorable festive figures there is. Everything that can go wrong does for Thornton's character Willie, and every boundary that director Terry Zwigoff (Art School Confidential) and writers Glenn Ficarra and John Requa (Jungle Cruise) can test gets pushed as well. Grinches, this comedy understands your Yuletide disdain and milks it — and finds hilarious uses for a sack full of the festive film genre's cliches, child sidekicks and all. Bad Santa streams via Prime Video. Scrooged Every Christmas, real or otherwise could use a dose of Bill Murray (Ghostbusters: Frozen Empire) — even when he's hardly brimming with festive cheer. So, back in 1988, Scrooged delivered just that in a modern retelling of A Christmas Carol. Murray plays arrogant, selfish TV executive Frank Cross. He doesn't share the same name as Charles Dickens' famous grouch, but he's just as lacking in feel-good spirit. Everyone knows how the broad story goes, with ghosts of Christmas past, present and future popping up to teach this cynical crank the error of his ways. When Murray is involved, though — and when he's also leading a sing-along — even what seems like the umpteenth adaptation of a well-known story doesn't feel routine. Scrooged streams via Binge. Carry-On What if Die Hard met TV series Hijack, but starring Taron Egerton (Tetris) and Jason Bateman (Air), and with Non-Stop director Jaume Collet-Serra on helming duties? That's Carry-On, 2024's addition to the festive thriller subgenre. Egerton plays a Los Angeles TSA officer with a newly pregnant girlfriend (Sofia Carson, Purple Hearts) and therefore fresh motivation to ask his boss (Dean Norris, Law & Order: Organised Crime) for a promotion, who's given a chance to show he's worthy of climbing the airport's corporate ladder on Christmas Eve. Baggage scanning duties await, then, as a test — but a trial of a different kind swiftly arrives. Via a voice speaking to him through an earpiece, Carry-On's protagonist is soon being told to let a particular piece of luggage through or face deadly consequences. Bateman is a treat playing firmly against type, in what proves a well-cast picture all round. And while it's easy to see where the story is going, the writing remains smart and the setpieces are lively. Carry-On streams via Netflix.
Helping kick off 2019's host-free Emmy awards, Bryan Cranston might've uttered the most obvious line of the night: "television has never been this damn good". You'd expect an event dedicated to celebrating and rewarding the year's best TV shows to make that claim, of course — that's really the whole message behind the glittering annual gala. Still, it doesn't render the Breaking Bad star's statement any less accurate. This year's newly minted crop of Emmy winners definitely make that point, and what a crop they are. Sure, the ceremony itself always serves up plenty of its own highlights — Phoebe Waller-Bridge's complete and utter shock at winning not once, not twice, but three times; Jharrel Jerome's earnest excitement at winning over his big-name fellow nominees; and Michelle Williams' impassioned and inspiring speech about women being respected in their profession, for example — but it's their TV programs that we'll all be talking about for years to come. Indeed, from hitman comedies, to multiple depictions of historical tragedies, to everyone's favourite dragon-filled epic fantasy series, this year's winners are reason enough to spend a week or several on your couch. Or, to be more realistic, to add all of the below shows to your various streaming queues and eventually work your way through them. (We haven't told you to watch 2019 Drama Series recipient Game of Thrones, though, because we're sure you've already done that.) https://www.youtube.com/watch?v=aX2ViKQFL_k FLEABAG What it's about: When Fleabag's eponymous London resident turns to the camera, talks about her messy life and just generally looks exasperated, she's one of the most relatable characters ever committed to the screen. Unhappy, uncertain and surrounded by chaos in all of her relationships — romantic, platonic and with her family members — she's the complicated, charismatic protagonist for today's frenzied times. Not only creating and writing the series based on her one-woman Edinburgh Festival show, but starring as Fleabag as well, Phoebe Waller-Bridge is simply revelatory. And while the British comedy only spans two six-episode seasons, it packs more into its short run than most shows manage with twice, thrice or even ten times as many instalments. Won: Comedy Series, Lead Actress in a Comedy Series (Phoebe Waller-Bridge), Writing for a Comedy Series (Phoebe Waller-Bridge), Directing for a Comedy Series (Harry Bradbeer). Where to watch it: Amazon Prime. https://www.youtube.com/watch?v=s9APLXM9Ei8 CHERNOBYL What it's about: Venturing back 33 years to the worst nuclear disaster the world has ever seen, Chernobyl is a horror story of the most gripping and galvanising kind. The central explosion, caused when the titular power plant's reactor became unstable, is terrifying. The fallout — both in terms of radioactive debris falling from the sky, and the intangible ramifications — is just as fear-inducing. What truly cuts to the bone in this exceptional miniseries, however, is the bureaucratic arrogance and wilful ignorance that follows. There's nothing more chilling than seeing people hold others' lives in their hands and choose to do absolutely nothing. To convey that message, the five-part series also benefits from superb writing, direction and performances, including from Jared Harris, Stellan Skarsgård and Emily Watson. Won: Limited Series; Directing for a Limited Series, Movie or a Dramatic Special (Johan Renck); Writing for a Limited Series, Movie or a Dramatic Special (Craig Mazin). Where to watch it: Foxtel Now. https://www.youtube.com/watch?v=u3F9n_smGWY WHEN THEY SEE US What it's about: Another huge true tale. Another huge cast, including Emmy-winner Jharrel Jerome, Michael K. Williams, Joshua Jackson, Blair Underwood, Vera Farmiga and John Leguizamo. Another powerful mini-series. When They See Us steps through the story of Central Park Five — a case that's endlessly infuriating and shocking. In April 1989, Trisha Meili was raped while jogging, while eight other people were attacked across New York. In the aftermath, five African American and Hispanic American teenagers were prosecuted, convicted and jailed, only for their charges to be vacated when the real culprit confessed more than a decade later. From Selma to 13th, director Ava DuVernay has become one of the most crucial voices in interrogating America's oppressive and unjust past, and this stellar drama proves a worthy addition to her resume. Won: Lead Actor in a Limited Series or Movie (Jharrel Jerome). Where to watch it: Netflix. https://www.youtube.com/watch?v=ir1_hjemxNA BARRY What it's about: Airing its second season this year — and thankfully already renewed for a third — Barry boasts one of the best comedy premises on television. An ex-soldier and sharpshooter still haunted by his overseas military experience, Bill Hader's titular character has been putting his skills to use as a hitman since he returned from active duty. It's a natural fit, but then he heads to Los Angeles and discovers acting. Watching Barry try to leave his death-dealing past behind, and watching the chaos that springs for both his new thespian pals (including Henry Winkler) and his old gangster contacts (such as scene-stealer Anthony Carrigan) continually makes for both hilarious and dramatic viewing. Won: Lead Actor in a Comedy Series (Bill Hader). Where to watch it: Foxtel Now. https://www.youtube.com/watch?v=XVTZhOLpXjI KILLING EVE What it's about: At the Golden Globes back in January, Sandra Oh picked up a shiny prize for British spy thriller Killing Eve. At the Emmys, it was her co-lead Jodie Comer's turn to nab a gong. One plays an MI5 investigator charged with tracking down a psychopathic killer, while the other portrays the seductive assassin that she's chasing — and where their interactions go from there is best discovered by watching. Twisty, innovative and unafraid to do what it damn well likes with a well-worn genre, the highly acclaimed adaptation of Luke Jennings' Codename Villanelle novellas is also the second of this year's winning shows to bear Phoebe Waller-Bridge's fingerprints (she's an executive producer, and wrote four of the first season's episodes). Won: Lead Actress in a Drama Series (Jodie Comer). Where to watch it: Stan (season one) and ABC iView (season two). https://www.youtube.com/watch?v=Y_5fqDZCjQo THE ACT What it's about: Perhaps you've heard about Dee Dee Blanchard and her daughter Gypsy Rose. Perhaps you even read Buzzfeed's piece about them, 'Dee Dee Wanted Her Daughter To Be Sick, Gypsy Wanted Her Mom To Be Murdered'. You'd remember if you have — while true-crime tales are far from uncommon at the moment, especially on-screen, this one definitely stands out. Drawing upon on the aforementioned article for its first season, The Act steps into a story of abuse, death and Munchausen syndrome by proxy that really has to be seen to be believed. Patricia Arquette picked up an Emmy for playing the abusive Dee Dee; however, she's in exceptional company, with the series also starring Joey King, AnnaSophia Robb, Chloë Sevigny and Calum Worthy. Won: Supporting Actress in a Limited Series or Movie (Patricia Arquette). Where to watch it: Google Play. https://www.youtube.com/watch?v=5hAXVqrljbs OZARK What it's about: Just a couple of months ago, when the final batch of episodes from Arrested Development's fifth season dropped, no one really cared. That might sound harsh; however, it's a case of sad but true. Don't worry — star Jason Bateman certainly has enough to keep him busy elsewhere. Since 2017, he's been leading, executive producing and sometimes even directing Netflix crime drama Ozark. In fact, he just won an Emmy for the latter. Following a financial advisor who moves his family from Chicago to a quiet Missouri town after a money-laundering scheme goes wrong, this is one of Netflix's quiet achievers. That it also features the always-exceptional Laura Linney, as well as this year's Supporting Actress in a Drama Series winner Julia Garner, also helps. Won: Supporting Actress in a Drama Series (Julia Garner), Directing for a Drama Series (Jason Bateman). Where to watch it: Netflix. https://www.youtube.com/watch?v=bXd_1FXw6TI POSE What it's about: New York's drag ballroom scene comes to the small screen in Pose, and the result is one of the liveliest shows on television. As energetic and inclusive as you'd expect given its setting, it's the latest series created by Nip/Tuck, Glee and American Horror Story's Ryan Murphy — although it clearly owes its biggest debt to seminal 1990 documentary Paris Is Burning. Story-wise, Pose follows a motley crew of queer and nonconforming African American and Latin American characters as they they vogue, dance and pose their way through performances, with each competitor vying for glory for their house. After diving into the community during the 80s in its debut run, the show's second season jumped forward to the 90s. No matter what decade he's in, as the resident emcee, Tony winner and now Emmy recipient Billy Porter continually steals the show. Won: Lead Actor in a Drama Series (Billy Porter). Where to watch it: Foxtel Now. https://www.youtube.com/watch?v=l9TKHvvaMfE SUCCESSION What it's about: Meet the Roy family. Patriarch Logan (Brian Cox) started a media and entertainment conglomerate, turned it into a huge success and now wields considerable wealth and power; however, his health is failing. Because this is a family business, his children Siobhan (Aussie actor Sarah Snook), Roman (Kieran Culkin), Kendall (Jeremy Strong) and Connor (Alan Ruck) are all waiting in the wings — although Logan still needs to work out who'll do what when he's no longer working. If this sounds more than a little like the real-life Murdochs, well, you won't be the first to make that connection. Satirical as well as dramatic (and a compelling example of both genres, too), it's the latest series from Peep Show, The Thick of It and Black Mirror writer Jesse Armstrong. Won: Writing for a Drama Series (Jesse Armstrong). Where to watch it: Foxtel Now. https://www.youtube.com/watch?v=Q_w3UNHPIXQ FOSSE/VERDON What it's about: It might be based on the biography Fosse by Sam Wasson, but this eight-part series focuses on two pivotal real-life figures, as the show's different moniker makes plain. It's impossible to explore the career of director and choreographer Bob Fosse without telling the tale of actor and dancer Gwen Verdon, after all, with their lives linked both professionally and personally. The ups, the downs, the enormous commitment to their work, and the huge productions such as Cabaret, Chicago and All That Jazz — they all form part of Fosse/Verdon. So do exceptional performances by Sam Rockwell as Fosse and Michelle Williams as Verdon, as well as Once Upon a Time in Hollywood standout Margaret Qualley as another dancer pivotal to their stories. Won: Lead Actress in a Limited Series or Movie (Michelle Williams). Where to watch it: Foxtel Now.
Revered for its sun-kissed beaches, iconic landmarks, and buzzing energy, Sydney is a melting pot of multiculturalism and creativity that's constantly evolving. While many flock to the Harbour City during the warmer seasons, Sydney doesn't rest on its summer laurels and hibernate in winter—it comes alive, and Vivid Sydney is the unmissable event that kicks it all off. From cutting-edge light installations and thought-provoking talks to genre-bending music and glorious gastronomy, Vivid Sydney transforms the city into a nocturnal playground of creativity. If you're making a weekend of it and staying in the city during the festivities, Marriott Bonvoy is offering 10% off your stay across six hotels—all you need to do is sign up to become a member (for free). It's also the perfect excuse to extend your stay. Get your itinerary notepad at the ready—here's where to eat, play and stay during Vivid Sydney 2025. Eat A crowd favourite during the festival, Fire Kitchen brings flame-fuelled theatrics and foodies to The Goods Line, Ultimo. Running across 23 nights, the event features live fire demonstrations and fire-cooked dishes by culinary heavyweights such as FOX's Next Level Chef co-host Nyesha Arrington, Firedoor's Lennox Hastie, and World Food Champion and veteran chef, John McFadden. Ready to roll back in time? Acclaimed plant-based chef and author Shannon Martinez is teaming up with Trolley'd for Neon Dream, a roller disco diner pop-up serving juicy American-style plant-based burgers, crunchy fries, creamy mac and cheese, and jelly doughnuts—before guests hit the rink and groove to vinyl beats by DJ Bob Gherkin. Hungry but not sure what for? Vivid Sydney's Food Parks at both Barangaroo and Tumbalong Park offer a rotating menu of food trucks and imaginative bites. Highlights include blacklight-reactive desserts and glow-in-the-dark ping pong at Blacklight Dessert Lab, savoury Asian street eats at Food Trap, crispy Korean fried chicken from Birdman, Mexican bites from Ash's Nachos, and Japanese doughnuts from Mochii Mochii. The Maybe Sammy mixology crew are taking over the W Sydney for a Vivid-inspired pop-up for one night only. Get there between 7–9.30pm on Thursday, June 5, to try a selection of unique, light-themed cocktails. The star of the show? The Monsoon Mirage: a dreamy blend of bourbon, vermouth and peach wine, topped with a Southeast Asian fusion of calamansi and tamarind, layered with Greek yoghurt, and spiced with chilli. Plus, it arrives at your table in a glowing LED box. Play In Circular Quay and The Rocks, some of Sydney's most iconic landmarks are hosting some appropriately spectacular installations and performances. Don't miss David McDiarmind's Lighting of The Sails — Kiss of Light at the Sydney Opera House; Vincent Namatjira's King Dingo lighting up the Museum of Contemporary Art Australia, Eggpicnic's dreamy Bloom exhibition in the Argyle Cut tunnel, and This Is Loop's entrancing mirrored installation at First Fleet Park, made in collaboration with the NYX Electronic Drone Choir—crafted from 10,000 LED lights. Darling Harbour transforms its waterfront into a dreamscape of light shows and big-name talent. Catch an unfiltered chat with Emmy Award-winning actors and real-life partners Nick Offerman (Parks and Recreation, The Last Of Us) and Megan Mullally (Will & Grace, 30 Rock), hosted by Zan Rowe. Snap pics under the glowing Cloud Swing, a Burning Man favourite, or explore Samsung Space To Dream—an installation of otherworldly waterfalls in Cockle Bay. After a six-year Vivid Sydney hiatus, Martin Place returns with a sensory-rich program of ideas, music, and visual art. Wander beneath giant cartoonish flowers sprouting from buildings in Flowers' Power, and get lost in the psychedelic projections of BioDream on the Commercial Traveller's Association Building. Other highlights include comedian, writer and architecture aficionado Tim Ross' take on 'The Australian Dream' at The State Library, After Hours: Dreams series at the Art Gallery of NSW, and a spooky and immersive screening of Edward Scissorhands by Haus of Horrors at Town Hall. The Good Lines—Sydney's repurposed urban walkway stretching from Central Station to Darling Harbour—is home to more than just Vivid Fire Kitchen, it's also becoming a corridor of light installations. Explore attractions like Starscape on Hay Street, a 40-metre tunnel illuminated by a galaxy of over 700 stars by Australian lighting design firm Mandylights; Eye of the Beholder, featuring larger-than-life blinking eyes on the Frank Gehry building by artist Sinclair Park; and QUASAR, a doughnut-shaped, hypnotic swirl of light by design duo UxU Studio. Over at Barangaroo, the cultural family-fun continues. Swing under a glowing full moon in Fly to the Moon, wander under a canopy of a thousand iridescent rods in SomniUs by UK-based design studio Illumaphonium, and bask in the glow of tear-shaped, meteorological sculptures in Lumina Dreams. At Barangaroo Reserve, don't miss An Act of Being, a stirring series of projections exploring the ongoing policies on First Nations communities, and marking the 25th anniversary of the People's Walk for Reconciliation across the Sydney Harbour Bridge. Stay Base yourself close to the Vivid Sydney action at W Sydney. With panoramic views of Darling Harbour, plush king beds, and a heated infinity pool, it's a sky-high sanctuary within walking distance of Darling Harbour, Barangaroo, The Goods Line, and Martin Place. Treat yourself to exclusive Vivid Sydney cocktails in the Living Room Bar before heading out to experience Sydney at its most illuminated. Or, elevate your Sydney stay and opt for the Sheraton Grand Sydney Hyde Park's spacious suites. Designed for guests seeking comfort and sophistication in equal measure, it boasts views of Hyde Park and is surrounded by some of Sydney's best attractions. Round out the night at Sydney Common for an exclusive Vivid Sydney dessert—an indulgent layered bowl of sake-infused plum, black sesame crumble, and coconut mousse, finished with a dramatic touch of liquid nitrogen. Prefer a front-row seat to the Sydney Opera House sails? The Sydney Harbour Marriott Hotel at Circular Quay offers unbeatable harbour views with a side of Vivid Sydney-themed cocktails from Small Mouth Spirits, light show sweets at Three Bottle Man, and a limited-edition craft beer—Let There Be Light—made in collaboration with Sydney's oldest pub, the Lord Nelson Brewery, paired with mouthwatering barbecue in the glowing beer garden. For a mix of luxury and heritage, pick Pier One Sydney Harbour and its rooms built on and over the water. Sip zesty Vivid Sydney-inspired cocktails at PIER BAR while soaking up unbeatable views of the Sydney Harbour Bridge and Walsh Bay aside floor-to-ceiling windows. A popular spot for local and international Sydney visitors for good reason—this winter offers a rare opportunity to score 10% off your stay during Vivid Sydney and beyond. For something a little different, check into Four Points By Sheraton Sydney in Central Park. This stylish base is enveloped by greenery and ideal for those wanting to explore Vivid Sydney along with some of Sydney's food meccas, like Chippendale, Newtown, and Chinatown, while staying close to Central Station, Hyde Park and the ICC. Keen to skip the crowd but stay connected? Book Moxy Sydney Airport. Offering complimentary airport shuttles, five nights of free parking, and direct train access to Circular Quay from nearby Mascot Station, it's the perfect spot for an overnight Vivid Sydney escape that balances buzz with welcomed downtime. Book your Sydney escape before September 30 to access 10% off your stay and dining with Marriott Bonvoy. All you have to do is sign up as a member—and it's completely free. With access to exclusive member rates, your stay will also earn points towards free nights at over 30 hotel brands around the world. Find out more here. T&C's apply and vary by participating hotels including blackout dates, cancellation restrictions and more. Offer may not apply in properties not participating in the award and redemption of Marriott Bonvoy. By Elise Cullen
UPDATE, December 16, 2022: Top Gun: Maverick will be available to stream via Paramount+ from Thursday, December 22. As dripping with jingoism, machismo, militarism and sweat as cinema gets — and there really was oh-so-much sweat — 1986's Top Gun was a dream of a recruitment ad. The US Navy's aviation program couldn't have whipped up a stronger enlistment campaign in its wildest fantasies. Even if it had, getting Hollywood's gloss, a star who'd still be box-office catnip four decades later and Kenny Loggins' second-best movie tune (slipping in behind Footloose, of course) probably would've felt like a one-in-a-billion longshot. But all of the above, plus a lurid sheen and homoerotic gaze, didn't make Top Gun a good film. Loggins' 'Danger Zone' remains an earworm of a delight, but the feature it's synonymous with took a highway to the cheesy, cringey, puffed up, perpetually moist and aggressively toxic zone. The one exception: whenever Tony Scott's camera was focused on all that flying, rather than a smirking, reckless and arrogant Tom Cruise as a portrait of 80s bluster and vanity. Gliding into cinemas 36 years after its predecessor, Top Gun: Maverick is still at its best when its jets are soaring. The initial flick had the perfect song to describe exactly what these phenomenally well-executed and -choreographed action scenes feel like to view; yes, they'll take your breath away. Peppered throughout the movie, actually shot in real US Navy aircraft without a trace of digital effects, and as tense and spectacular as filmmaking can be in the feature's climactic sequences, they truly do make it seem as if you're watchin' in slow motion. Thankfully, this time that adrenaline kick is accompanied by a smarter and far more self-aware film, as directed by TRON: Legacy and Oblivion's Joseph Kosinski. Top Gun in the 80s was exactly what Top Gun in the 80s was always going to be — but Top Gun in the 2020s doesn't dare believe that nothing has changed, that Cruise's still-smug Maverick can't evolve, and that the world the movie releases into hasn't either. Early in the film — after Harold Faltermeyer's famous Top Gun anthem plays, text on-screen explains what the titular elite pilot training program is all about, a montage of fighter planes kicks in and then 'Danger Zone' sets an upbeat tone; that is, after the flick begins exactly as the first did — Captain Pete 'Maverick' Mitchell (Cruise, Mission: Impossible — Fallout) is given a dressing-down. Still as rebellious as his call sign makes plain, he's just wantonly disobeyed orders, flown a ridiculously expensive hypersonic test plane when he's not supposed to and caused quite the fallout. "The future is coming and you're not in it," he's told, and Top Gun: Maverick doesn't shy away from that notion. As its opening moments show, along with a touch too many other nostalgia-steeped touches elsewhere this sequel hasn't wholly flown on from the past; however, it actively reckons with it as well. Still hardly the navy's favourite despite his swagger, megawatt smile, gleaming aviators and unfailing self-confidence — well, really despite his need for speed and exceptional dogfighting skills in the air — Maverick is given one last assignment. His destination: Fightertown USA, the California-based Top Gun program he strutted his way through all those years ago. There's an enemy nation with a secret weapons base that needs destroying, and his talents are crucial. But, to his dismay, Maverick is only asked to teach. Given a squad lorded over by the brash Hangman (Glen Powell, Apollo 10 1/2: A Space Age Childhood), and also including Coyote (Greg Tarzan Davis, Grey's Anatomy), Payback (Jay Ellis, Insecure), Fanboy (Danny Ramirez, The Falcon and the Winter Soldier), Phoenix (Monica Barbaro, Stumptown), Bob (Lewis Pullman, Outer Range) and the frosty Bradley 'Rooster' Bradshaw (Miles Teller, The Offer), he's tasked with training them to fly like he does, navigate a Star Wars-style impossible path that zips speedily at perilously low altitudes and, ideally, still survive the supremely dangerous mission. Yes, Bradley Bradshaw is a real name this franchise has given one of its characters. And, he's the son of Goose (Anthony Edwards, Inventing Anna), Maverick's beloved wingman in the original movie, whose death he hasn't come to terms with. Also, stressing that chip-off-the-ol'-block link via Hawaiian shirts, a moustache and a barroom 'Great Balls of Fire' singalong is among Top Gun: Maverick's clumsiest and most needlessly wistful moves — second only to its shirtless team-building beach football scene. Luckily, it's easy to excuse some such blatant nods backwards when interrogating why Maverick is like he is, what cost that's extracted from him and those in his orbit, and how he might climb beyond it is one of the film's main concerns. Plus, one of the feature's other blasts from the past, Maverick's reunion with his ex-adversary Iceman (Val Kilmer, The Snowman), couldn't be more movingly handled. Again, recognising that Maverick's heyday, and everything it instilled in him, has long been and gone proves as crucial in this sequel as those sensationally balletic jets swooping and spiralling above. Cruise's heyday as a mega movie superstar isn't yet behind him, though, and Top Gun: Maverick is also better for knowing that his hyper-committed showmanship is now rare. So, Kosinkski leans heavily on the Tom Cruise of it all — aka the spectacle that's a given when he's in action mode — while unpacking the Maverick of it all. That's how the film zooms deeper than the initial flick, especially into its protagonist, with screenwriters Ehren Kruger (Dumbo), Eric Warren Singer (American Hustle) and Christopher McQuarrie (the last two and upcoming two Mission: Impossible movies) imparting a convincing sense of human drama. Top Gun: Maverick still sports patriotism and militarism so thick it'd show up on radar. It's still sweaty, albeit not as much as the Fast and Furious franchise these days. And it still has a thin but charismatic romance, this time with Jennifer Connelly (who gets a winning music moment if you know what she was starring in back in 1986). And yet, it also faces the fact that flag-waving patriotism and testosterone-fuelled bravado are relics. Even better: while Top Gun: Maverick's exploration of loyalty, duty, camaraderie, bromance and facing your mistakes to be a better person comes second to its stunning aerial scenes, none of those themes completely fade from mind when the movie hits the sky. They're meant to up the stakes, and genuinely do. Indeed, Gun: Maverick's underlying emotions feel as authentic as the astonishing visuals that repeatedly defy gravity. With the latter, it comes as no surprise that Kosinkski's TRON: Legacy cinematographer Claudio Miranda does the honours, again delivering an astounding sight. Similarly, that such edge-of-your-seat sequences are stitched together by McQuarrie's Mission: Impossible editor Eddie Hamilton won't raise an eyebrow. Action cinema rarely gets more thrilling than this — and an action movie that's this visibly wondrous and entertaining, knows it's walking in familiar footsteps but puts in a bold effort to make this return trip mean something is electrifying and, yes, breathtaking.
The location: a picturesque Hawaiian resort. The clientele: rich and mostly loving it. The vibe: largely demanding, entitled and oblivious that their attitude isn't everyone's idea of normal, at least when it comes to the bulk of the guests staying on the premises and expecting the hotel's staff to cater to their every whim. That's where The White Lotus finds its setting, and the type of folks the HBO series places in its suitably sun-dappled frames as well. But there's an anxious, dark and complex undercurrent pulsating beneath every gorgeous beach, luxurious suite and cashed-up patron — and a strong awareness of the chasm between the well-to-do customers and the struggling and striving hotel staff, too. The latest series from writer/director Mike White (Brad's Status), The White Lotus splits its time between some of the resort's current crop of guests and a selection of its employees. Business hotshot Nicole (Connie Britton, Bombshell) is on holiday with her husband Mark (Steve Zahn, Where'd You Go, Bernadette), teenage son Quinn (Fred Hechinger, Fear Street), college-student daughter Olivia (Sydney Sweeney, Euphoria) and the latter's pal Paula (Brittany O'Grady, Little Voice), but tension keeps festering — Nicole can't help working, Mark receives some unexpected news, Olivia keeps kicking Quinn out of their room and Paula hits it off with Kai (Kekoa Kekumano, Aquaman), one of the staff. Newlyweds Rachel (Alexandra Daddario, Songbird) and Shane (Jake Lacy, Mrs America) are on their honeymoon, but he's too fixated with the fact that they didn't get an even fancier suite, to the point of constantly harassing the hotel's Aussie manager Armond (Murray Bartlett, Tales of the City). Meanwhile, Tanya (Jennifer Coolidge, Promising Young Woman) just lost her mother, is working through her grief and leans heavily on spa manager Belinda (Natasha Rothwell, Insecure). Back in 2011–13, long before The White Lotus became one of 2021's best new shows — and best shows overall as well — White spent two seasons crafting Enlightened, the excellent two-season Laura Dern-starring comedy-drama that was cancelled much too soon. It followed an executive who broke down at work and, when she stepped back into her life, wanted something completely different not just for herself, but for and from the world. It isn't linked, narrative-wise, to White's latest TV miniseries. The same mood flows through, however. And, in terms of sinking its claws into the affluent, eat the rich-style, The White Lotus also pairs nicely with the White-penned Beatriz at Dinner, especially as it examines the differences between the haves and the have nots. The result: a perceptive, alluring and excellently cast satire that hooks viewers from the outset, and then keeps them both guessing and obsessed. In its opening scene, the series shows Shane accompanying a body on the way home, so the audience know this'll end with a death — and wondering who, how and why is one reason that The White Lotus is so compelling. But as each episode unfurls, it's clear that these characters are reassessing what they want out of life as well. The privileged aren't doing it willingly, unsurprisingly, but those at their beck and call definitely are. Here, a glam and glossy getaway becomes a hellish trap, magnifying glass and mirror, with everyone's issues and problems only augmented by their time at the eponymous location. This twisty, astute, savage and hilarious storyline will wrap up after six episodes, in what was meant to be one of HBO's many miniseries. That's the only bad part about the show — but, ahead of its final instalment, HBO has just announced that it's going to bring The White Lotus back for a second run. The next batch of episodes will tell a different chapter in a new place, focusing on a fresh group of holiday-goers at another White Lotus property. Just when they'll arrive hasn't been revealed as yet. Fingers crossed that it's as engrossing and biting as this initial season, though — and that it sports a score of tunes that are just as enticing and also eerie, too. Check out the trailer below: The first five episodes of The White Lotus season one are available to stream via Binge, with the sixth episode dropping on Monday, August 16.
No one plays with a Barbie too hard when the Mattel product is fresh out of the box. As that new doll smell lingers, and the toy's synthetic limbs gleam and locks glisten, so does a child's sense of wonder. The more that the world-famous mass-produced figurine is trotted through DreamHouses, slipped into convertibles and decked out in different outfits, though — then given non-standard makeovers — the more that playing with the plastic fashion model becomes fantastical. Like globally beloved item, like live-action movie bearing its name. Barbie, the film, starts with glowing aesthetic perfection. It's almost instantly a pink-hued paradise for the eyes, and it's also a cleverly funny flick from its 2001: A Space Odyssey-riffing outset. The longer that it continues, however, the harder and wilder that Lady Bird and Little Women director Greta Gerwig goes, as does her Babylon and Amsterdam star lead-slash-producer Margot Robbie as Barbie. In Barbie's Barbie Land, life is utopian. Robbie's Stereotypical Barbie and her fellow dolls genuinely believe that their rosy beachside suburban excellence is infectious, too. And, they're certain that their female-championing realm — and them being female champions of all skills, talents and appearances — has changed the real world inhabited by humans. But there's a Weird Barbie living in a misshapen abode. While she isn't Barbie's villain, not for a second, her nonconformist look and attitude says everything about Barbie at its most delightful. Sporting cropped hair, a scribbled-on face and legs akimbo, she's brought to life by Saturday Night Live great Kate McKinnon having a blast, and explained as the outcome of a kid somewhere playing too eagerly. Meet Gerwig's spirit animal; when she lets Weird Barbie's vibe rain down like a shower of glitter, covering everything and everyone in sight, the always-intelligent, amusing and dazzling Barbie is at its brightest and most brilliant. This film has much to do, as a Mattel- produced affair that also skewers the brand, and both dotes on and parodies all things Barbie, must. The more askew it gets and revels in it, the better. Indeed, in a movie that not only overflows with a feminist perspective, but pokes glorious fun at the patriarchy — plus 90s male-fronted rock, car and horse obsessions, and men competing and one-upping each other (side note: do Kens have genitalless bulge-measuring contests?) — it throws in a glaring clash that couldn't serve the picture better. Barbies can be anything, be it President (Issa Rae, Insecure), a doctor (Hari Nef, Meet Cute), a diplomat (Nicola Coughlan, Bridgerton), a Nobel Prize-winning physicist (Emma Mackey, Emily), an author (Alexandra Schipp, tick, tick... BOOM!), a Supreme Court justice (Ana Cruz Kayne, Jerry and Marge Go Large), a journalist (Ritu Arya, Polite Society), a lawyer (Sharon Rooney, Jerk) and a mermaid (Dua Lipa, making her movie debut). They can also nearly have the film stolen from them by a Zoolander-esque himbo Ryan Gosling (The Gray Man) at his absolute funniest as Stereotypical Barbie's yearning Ken. Before Ken's stunning late-film, go-for-broke, 50s-musical-adoring song-and-dance number that deserves all of the awards, including for Gosling putting his crooning to use again post-La La Land and loving it, Barbie has to derail the Barbies' constant rotation of best days ever. Gerwig and her Greenberg, Frances Ha, Mistress America and White Noise helmer Noah Baumbach, who co-writes here, wouldn't have a storyline otherwise. Together and apart, the duo has a stellar pedigree in conveying the disappointments of simply being, a notion they pull back out of the box. For Stereotypical Barbara Millicent Roberts, her idyll shifts when her giant blowout party with all the Barbies, planned choreography and a bespoke song sparks thoughts about death for the first time. Next comes messy hair upon waking, burnt breakfast, a fall from her DreamHouse to her car — rather than floating down like a hand is airlifting her — and suddenly unarched feet that can't handle high heels. Only Weird Barbie has an inkling of what's going on, guiding Stereotypical Barbie to the real world to seek out whoever's playing with her, discover why they're less than blissful and fix that human to fix herself. Los Angeles, here she comes — to rollerblade in neon as everyone has known since 2022, and with Ken tagging along. Gosling's Ken is only one Ken, of course. Simu Liu (Shang-Chi and the Legend of the Ten Rings), Kingsley Ben-Adir (Secret Invasion), Ncuti Gatwa (Sex Education) and Scott Evans (Grace and Frankie): they're other Kens. John Cena (Fast X) is a Ken mermaid. Michael Cera (Black Mirror) is Alan, and he's unique. In Barbie Land, everyone who isn't Barbie — even Midge (Emerald Fennell, The Crown) — sits in the Barbies' shadow. When, as they meet Mattel employee Gloria (America Ferrera, Superstore), her teen daughter Sasha (Ariana Greenblatt, 65) and the company's CEO (Will Ferrell, Spirited), Barbie and Ken learn that reality doesn't mirror that setup, their glossy polymer bubble bursts. Weathering a surreal existential crisis or not, and even being the butt of one of narrator Helen Mirren's (Shazam! Fury of the Gods) many wry jokes by name, Robbie is sparkling, warm and sincere. There's nothing PVC about her performance, which is equally light and heartfelt — and still gives Gosling all the room that he can thrust his spray-tanned chest into to deliver a hilarious physical comedy masterclass (and, although Robbie led Babylon, sometimes sashay like he's in Hollywood's Golden Age). Robbie, and Gosling also, keep shimmering when the film feels a touch careful, or falls slightly and briefly flatter. They're the sublime antidote when Barbie stresses that it's lampooning, rather than just doing it. And, though playing characters with painted-on fridge contents (her) and "just beach" as a job (him), they're what makes the movie feel wonderfully real and earnest even when — especially when — it's at its goofiest and silliest. Gerwig has directed a lively, zany, oh-so witty and pretty Barbie flick that's perfectly cast, a costuming showcase and, in Barbie Land, a production-design dream. With Baumbach, she's penned a knowing, mile-a-minute, meta-but-meaningful film that's a tribute and a takedown — happy celebrating Barbie's aspirational role and place in history since 1959, while calling out corporatised girl power, mainstream beauty standards, the ridiculous expectations placed upon women (basically dropping a sequel to Gone Girl's "cool girl" speech, in fact) and capitalism's intellectual property-hungry quest for control. Sometimes, the fingers that are moving Barbie's pieces are a touch too evident, pushing hard instead of just playing hard. Sometimes, they're a tad timid. Thankfully, these are minor issues, like choosing who Barbie should be when the possibilities are endless. This film's charms aren't quite infinite, but they're as ever-present as pink, pink and more pink in an ambitious, inventive and joyously entertaining movie that gave the world a fuchsia paint shortage.
If you liked choosing your way through Black Mirror: Bandersnatch, Netflix has more where that came from. At present, you can also tell Bear Grylls what to do in interactive series You vs. Wild, and soon you'll be able to decide what happens to everyone's favourite kidnapping victim turned wide-eyed New Yorker in a one-off Unbreakable Kimmy Schmidt special. While the Tina Fey co-created, 18-time Emmy-nominated comedy finished up its regular run with this year's batch of episodes, which closed out the show's fourth season, it's coming back in 2020 to put viewers in control. While Netflix has actually been in the interactive game for a couple of years thanks to its children's shows like Puss in Boots, Buddy Thunderstruck and Stretch Armstrong, this'll mark the streamer's first interactive comedy. Always wanted to curb Kimmy's (Ellie Kemper) enthusiasm? Keen to steer ex-socialite Jacqueline White (Jane Krakowski) towards a few sensible decisions? Think that landlord Lillian (Carol Kane) could be more eccentric and misanthropic? Just love everything that aspiring actor and singer Titus Andromedon (Tituss Burgess) does? Then this is for you, obviously. Details of the storyline haven't been announced, but "fans will be able to make choices on behalf of our characters, taking different story paths with, of course, different jokes," revealed Tina Fey in a Netflix statement. "I think it's a great fit for our show and will be a great way to officially complete the series," she continued. Check out the trailer for the fourth season of Unbreakable Kimmy Schmidt below: https://www.youtube.com/watch?v=j0Ec8uWZrgA As reported by Variety in March, with Bandernatch proving such a hit, Netflix is understandably eager to capitalise upon the branching narrative format's success. "We realised, wow, interactive storytelling is something we want to bet more on," said the platform's Vice President of product, Todd Yellin, at a conference in Mumbai. "We're doubling down on that. So expect over the next year or two to see more interactive storytelling. And it won't necessarily be science fiction, or it won't necessarily be dark. It could be a wacky comedy. It could be a romance, where the audience gets to choose — should she go out with him or him." Unbreakable Kimmy Schmidt's interactive special will hit Netflix at a yet-to-be-revealed date in 2020. Image: Eric Liebowitz/Netflix.
Overwater dining, meals and sips with a waterside view, taking dinner and drinks up a few levels: around Brisbane, none of these are new experiences. That said, grabbing a bite or a beverage at a restaurant that's not only perched over the water — ten metres above the Brisbane River, in fact — but is also part of one of the city's bridges is something that the Queensland capital hadn't seen before until Stilts opened on the Kangaroo Point Bridge. The modern-Australian eatery is not just Brisbane's first-ever restaurant on a bridge, but also Queensland's first of its kind — even if it's the second that hospitality company Tassis Group has launched with ties to the River city's newest river crossing. Mulga Bill's Kitchen & Bar, which is sat at the foot of the structure on the Alice Street side, opened before it. Where that venue is a casual all-day diner, Stilts is all about an elevated experience (including literally) in unique surroundings. If the 100-seater restaurant's design looks familiar, that's because it takes inspiration from a Sunshine State staple: Queenslander homes. Of course, most such structures around Brisbane don't boast a 180-degree vantage peering out over the Story Bridge, Kangaroo Point Cliffs and Brisbane City Botanical Gardens, including through floor-to-ceiling windows. Also key elements of Stilts: an alfresco balcony, a casual bar area and an indoor dining room that allows ample light in, as well as a 12-person private dining room. Under Head Chef Dan Hernandez (formerly of fellow Tassis venture Fosh, and also ex-Restaurant Dan Arnold and Agnes), the Queensland-focused menu starts with beef tartare in cannelloni shells and potato pavé, serves up caviar three ways — in blinis and beef tartlets among them — and then spans everything from Australian wagyu dumplings and Moreton Bay bug linguine to pistachio gelato and yuzu curd. If you're keen on a surf-and-turf option, Stilts' version features 28-day aged sirloin and swordfish steak, and will set you back $135. Diners can also treat themselves to angus and wagyu steaks from the grill, charcoal or miso-yuzo glazed lobster, and a wagyu tasting experience with three cuts of meat. For those feeling spoiled for choice, three different banquets will make your picks for you, ranging from $155–240 in price — the latter with the three caviar options. Drinks-wise, more than 180 drops are on the wine list, alongside beer, spirits and non-boozy sips. Images: Allo Creative / Markus Ravik.
It was a smash in Australia with Eryn Jean Norvill (Love Me) in the lead. When it made the leap to the UK starring Succession's Sarah Snook, it became the talk of London's West End, and also earned its one and only performer a 2024 Laurence Olivier Award for Best Actress for her efforts. It's been picked up by Cate Blanchett's (Borderlands) production company Dirty Films to get the film treatment. And, now it's heading to Broadway. Sydney Theatre Company's version of The Picture of Dorian Gray keeps doing huge things — and its latest jump to the most-famous stage district there is will also keep Snook at its centre. She's making her Broadway debut playing all 26 of the play's parts, with the production hitting New York from March 2025. When STC's take on The Picture of Dorian Gray premiered in 2020 — and then also played theatres in Melbourne and Adelaide — it didn't just give Oscar Wilde's gothic-literature masterpiece a fresh spin; it turned it into a brand-new stage sensation. Not only does the show feature just one performer playing every single character but, to make that happen, it uses video to help. It's the work of writer/director Kip Williams, it's groundbreaking, and it's been understandably earning audiences raves and winning accolades. On the page, The Picture of Dorian Gray is exceptional, as well as astute and unnerving, as it follows the selling of its namesake's soul in order to keep indulging every corporeal whim, urge and desire. There's a reason that it just keeps getting adapted for the screen and in theatres, after all. But there's never been a version like Sydney Theatre Company's, which Broadway patrons now get to experience. "It was a singular privilege to bring The Picture of Dorian Gray to life in London and I am thrilled we will be able to share this astonishing production with audiences in New York," said Sarah Snook about the news. "From Oscar Wilde's timeless words to the masterful reinterpretation Kip Williams has created, this tale of virtue, corruption, vanity and repercussion is an electrifying journey for me as much as for the audiences, and I am filled with anticipation as we continue on this ambitious creative endeavour." "I was so humbled by the response from audiences in London to The Picture of Dorian Gray, and I could not be more thrilled to be bringing this work to Broadway. It has been extraordinary to witness the way Oscar Wilde's story continues to resonate with people today," added Williams. "I am so excited for audiences in New York to experience our show and to see the tour-de-force performance Sarah Snook gives in bringing to life the many characters in this new adaptation of Wilde's remarkable story." Check out the trailer for the Broadway season of The Picture of Dorian Gray below: The Picture of Dorian Gray will play Broadway in New York from March 2025 — for more information and to join the waitlist for tickets, head to the play's website. Images: Marc Brenner.
Chances are you've got a newfound appreciation for your living space after the past two years — and a renewed drive to make it a stylish oasis you actually love spending time in. If that's your mission, who better than the experts to help guide you towards style success? In partnership with Samsung, we're exploring achievable ways for you to incorporate design-forward items into your living space. So, we sat down for a special chat with Design By Them founders Sarah Gibson and Nicholas Karlovasitis, who shared their top tips for using furniture to elevate your living space. The industrial designer duo launched their Sydney-based design house back in 2007, creating a celebrated furniture, accessories and lighting brand built on a timeless aesthetic and a flair for collaboration. Steered by an ever-growing ensemble of Aussie design talent, Design By Them has crafted a collection of over 120 bespoke products to date, with numerous awards and exhibitions under its belt, including a show at Milan Design Week 2019. Here, Gibson and Karlovasitis impart a little of their design wisdom to help you create an enviable living space with minimal effort. [caption id="attachment_833654" align="alignnone" width="1920"] Nicholas Karlovasitis by Paul Liddle[/caption] BEGIN WITH INSPIRATION For these designers, inspiration is sourced from far and wide, and favours eras past instead of contemporary trends. "I love design history and seeing how design has evolved over time, incrementally changed and improved with manufacturing and technology," Karlovasitis tells Concrete Playground. "I like [looking at] how movements form and how they embrace certain ideologies, as opposed to any single designer or brand." Gibson is another believer in looking to the past for inspiration; whether that involves browsing mid-century modern stores to rediscover old-school joinery techniques or scoping out some local architectural goodness. "I'm a little obsessed with Australian architecture and interiors," she explains. "I love a long walk admiring the built environment." [caption id="attachment_833684" align="alignnone" width="1920"] Paul Liddle[/caption] MISTAKES TO AVOID Before you jet off on a furniture-buying binge, the pair has a couple of big no-nos. Buying for the now, rather than for the future, is a common one Gibson encourages avoiding. "Having an eclectic interior means that you can collect pieces over time that will always go [together], rather than needing to redo your interior every five to ten years," she says. "You wouldn't replace your art and nor should you have to replace your furniture." And to create a space that's authentically yours, you're best to avoid simply copying those interiors you've been lusting after on Instagram. "I think your home and your possessions should be personal and reflect who you are," says Karlovasitis. "A lot of people try to recreate an interior they see without making it theirs. Spaces should feel personal." If you're a styling novice and need to build up confidence in your choices, Karlovasitis recommends investing in items that are easy to work with and around — this goes for both furniture and tech. Take, for example, Samsung's The Serif TV, which he owns and says "feels more like a considered piece of premium furniture". The TV was designed by Ronan and Erwan Bouroullec and has a chic design with an 'I'-shaped profile and easel legs. "It is flexible and complements an interior rather than looking like an afterthought or compromise," he explains. THE BEAUTY OF BUYING BESPOKE When it comes to selecting pieces for your space that will last the distance and serve you well for years to come, the pair say bespoke furniture is the way to go. "A lot of bespoke furniture is made from materials that can be refinished and wear better. This is important if you want to keep your furniture long-term," Gibson acknowledges. If you're willing to part with a little more money on these kinds of pieces, Karlovasitis says it'll be well worth your while. "You do not only pay for the manufacturing and materials that go into a piece of furniture but also the design and knowledge," he explains. "By investing in good design you reward brands that produce considered and better products." [caption id="attachment_833653" align="alignnone" width="1920"] Paul Liddle[/caption] STYLING ON A BUDGET The designer duo also has a few handy focus points that'll save you money in the long run if you're after bang for your buck. "Invest in things that will last, so when you look at the cost of the item over the life of the product it isn't very expensive at all," Karlovasitis offers, recommending people steer clear of trends. "I always think that anything you buy should have looked good thirty years ago, as well as today and in 30 years' time." For Gibson, a good lounge and good dining table top the list of pieces worth investing in. "Dining chairs can be expensive but you use them every day. If you don't have the budget for six chairs, you might build your collection slowly or go for an eclectic look with every chair being different," she explains. And for the rest, minimalism is best. "You don't need a TV cabinet these days, you can fix things to the wall or invest in a nice stand. Hooks are also handy and a cheap way of storing things where spaces are small." [caption id="attachment_833659" align="alignnone" width="1920"] Paul Liddle[/caption] RULES TO STYLE BY Finally, when it comes to rules, there are no rules. "You just have to work out your balance of minimalism and character and work towards what you like," says Gibson. "Nick and I often think like this when designing; for us, the balance of minimalism and character is somewhere in the middle. For someone else, it might shift towards the right or left. Everyone is different." Karlovasitis backs this, saying: "You can set your own rules if you want to but don't let styles or trends dictate your choices." As for the rules you can straight up ignore? "Having a strict colour palette," says Gibson. "With the right balance everything can go. Blue and green should never be seen — really?" If you're looking to add a touch of designer aesthetic to your living space, check out our editor's picks of must-have homewares. To find out more about Samsung's The Serif, created in collaboration with celebrated industrial designers Ronan and Erwan Bouroullec, visit the Samsung website. Top image: Paul Liddle
With more warm months ahead, we need more ways to stay cool. Sure, there are always runs to Brisbane's various ice cream shops and plenty of cool new watering holes to quench our thirst, but now there's a bar combining the best of both — a pop-up slushie bar. Brisbane's waterfront bar Riverland has given us the summer gift we didn't know we needed — until now, that is. The pop-up features six different alcoholic slushie flavours: piña colada, margarita, blue lagoon, frozé, mango daiquiri and classic daiquiri. It'll be open every weekend until March, so you can grab yourself an alcoholic slushie and sip to your heart's content while overlooking the Brisbane River — just beware of brain freeze. A big ol' glass of icy goodness costs $9 and is a serious win for your inner child. Or, if you really want to go all out, you can enjoy two hours worth of slushies for $39. Talk about a sugar high. The Rainbow Slushies pop-up is open on weekends till Sunday, March 1. To book yourself a spot, head here.
The world has gone green. With carbon trading, hybrid cars and alternative fuels dominating elections and dining table chit-chat across the globe, the choice to be green is not simply an environmental consideration but a way of life for many people. Some environmentally-minded folks, however, have brought new meaning to the phrase "one man's trash is another man's treasure", transforming scrap metal and old beer cans into functional and often stunning houses. Here are ten bizarre and beautiful houses made entirely of recycled materials. Junk Castle Where: Washington State It took one high school teacher, one artist, $500 and a pile of discarded filth to make the Junk Castle, with everything from car doors to rusting kitchen appliances replacing the usual bricks and mortar. Le Casa de Botellas Where: Puerto Iguazu, Argentina The 'House of Bottles' is made from thousands of disposable plastic bottles for the purpose of "promoting ecological and social responsibility", and includes a matching bottle playhouse. Earthship Where: Haiti After the devastating 2010 Haiti Earthquake destroyed thousands of families' homes, eco-architect Michael Reynolds constructed this 120-square-foot house from discarded car tires. Not only did it cost next to nothing to build, but it is also resistant to earthquakes and hurricanes and harvests solar and wind energy. Jardin du Coquillage Where: Northern France 'The Garden of Shells' was a labour of love for French war veteran Bodan Litnianski, who upon returning from WWII began decorating the exterior of his house with shells. Upon finishing the walls, Litnianski then roamed the streets in search of abandoned toys, puppets and anything else that caught his fancy, transforming his tiny cottage into a veritable maze of colourful and exotic junk. House Built from Glass Bottles Where: Prince Edward Island, Canada 25,000 bottles were used by Édouard T. Arsenault to build this eco-friendly home. One wasn't enough though, with Arsenault making three similarly cost-effective houses across the island. Costa Verde Resort Where: Costa Rica This multi-million dollar extravaganza is one of the more innovative hotel designs you are likely to see, constructed from a decommissioned Boeing 727 previously used by South Africa Air. The striking exterior is more than adequately matched by its ritzy interior, in which the inside of the plane has been refashioned into wood panelled hotel rooms that fetch up to $500 a night. The Phoenix Commotion Where: Huntsville, Texas Architect, environmentalist and innovator Dan Phillips (above) is the brains behind eco-friendly construction company, The Phoenix Commotion. Having constructed 14 houses from materials salvaged from junkyards, flea markets and street corners across Texas, Phillips believes the possibilities for The Phoenix Commotion are just about endless. "You can't defy the laws of physics or building codes," Phillips told the New York Times, “but beyond that, the possibilities are endless.” The Beer Can House Where: Houston, Texas That's right, a house made entirely from flattened beer cans, beer bottles and other beer paraphernalia. Houston resident John Milkovisch became a local icon when in 1968 he began converting his family home into a shrine to the amber nectar. His only explanation for the hordes of perplexed neighbours was "I got sick of mowing the lawn". While it is now a favoured tourist attraction, it is only worth a visit if you are particularly strong of stomach, as 50 years of fermenting beer has apparently given the house a rather rancid stench. Houses Made From Shipping Pallets Where: Chile and Austria Designers in Chile and Austria have used discarded shipping pallets to create houses that are both functional and beautiful. The strong hardwood material and large holes in the pallets lend themselves perfectly for house exteriors providing homes with natural lighting, cooling and ventilation. Grain Silo House Where: Woodland, Utah Penny-saving, environmentally-conscious architects have been known to convert just about anything into houses, from churches to shipping containers to bomb shelters. One such trend that has developed in the US is repurposing grain silos into some surprisingly stylish homes. While this double-silo mansion took several years of redesigning and recreating, silos can be renovated into houses for as little as $7,000.
Fashion isn't the first industry that most rugby stars choose post-retirement. For Lewi Brown, however, it was a chance to channel his creative streak into a self-run project. Earls Collection is an elevated menswear label that creates nostalgic and sport-inspired looks. Now in its sixth year, the brand is going from strength to strength with new collections and its Paddington brick-and-mortar store. We caught up with founder Lewi Brown in Sydney to learn more about Earls Collection and why it's helping him find the community he lost after leaving the NRL. Founded just days after retiring from the NRL in 2018, Earls Collection represents a strong family connection for the Māori creative director. Lewi grew up as the child of a single mother and used his creativity to get by. While it would be decades until he explored the fashion world seriously, Lewi always had a creative streak, crediting skaters as his ultimate sport and style inspiration. "I had to get creative with what we had," he says. "We didn't have much money so I wasn't wearing designer stuff. Half the time I was wearing my aunty's skate shoes, my sister's skate shoes, just to try and piece things together. As I grew up, I started to embrace the creativity of dressing." The name also ties to Lewi's family legacy. Earls is the middle name of Lewi, as well as his father and grandfather, both of whom passed by suicide. "This brand is built off mental health [awareness]." Now, Lewi is channelling a whole new community using the creativity he didn't know he had as a child. Through working with creative collaborators on shoots or via the face-to-face relationships built in the Paddington store, Earls Collection is helping foster a sense of community that can often be lost when leaving an institution such as the sporting world. [caption id="attachment_1028531" align="aligncenter" width="1920"] Declan May - Galaxy Z Flip7 is featured[/caption] "When I played rugby league, community was huge. You had your community within the boys at training each day, then the wider community, then the fans." As a business owner, the founder and creative director has to wear many hats, but Lewi loves the juggle and credits tools such as the Samsung Galaxy Z Flip7 to his creative drive and success. From booking meetings on the fly to campaign photoshoots and helping make styling and business decisions, the phone is supercharged by Google Gemini*, making it even easier to run his self-made brand. "I always knew it would be a challenge. Some days I'm logistics, some days I'm designing, some days I'm in the warehouse packing orders. When you love something, and you're so passionate you'd do anything for it," he says. In addition to his familial and community inspiration, Lewi often looks to vintage stores and clothes to help inspire Earls Collection's aesthetic. During our catch-up, Lewi takes us to the consignment store SWOP Darlinghurst. "The most beautiful thing about vintage wear is that you can't emulate that. The textures of the fabrics [get] better with age and time and patience. That's the beauty about thrift shopping." While many celebrity ambassadors take on similar projects to chase fame and money, it's clear that the sporting community spirit is at the heart of Earls Collection. "I'm not just here for money or fame or to have a profile. I'm really passionate about clothing." Explore more at Samsung. Images by Declan May If you or anyone you know is experiencing emotional distress, please contact Lifeline (131 114) or Beyond Blue (1300 22 4636) for help and support. *Gemini is a trademark of Google LLC. Gemini Live feature requires internet connection and Google Account login. Available on select devices and select countries, languages, and to users 18+. Fees may apply to certain AI features at the end of 2025. Editing with Generative Edit results in a resized photo up to 12MP. Accuracy of results is not guaranteed. Flex Mode supported at angles between 75°and 115°. Some apps may not be supported in Flex Mode. Gemini is a trademark of Google LLC. Requires internet connection and Google Account login. Works on compatible apps. Features may differ depending on subscription. Set up may be required for certain functions or apps. Accuracy of results is not guaranteed.
It doesn't get much better than this: a roomy tent decked out with everything you could need, all within a stone's throw of the water on Stradbroke Island. And that's just what Minjerribah Camping has up its sleeves at its Adder Rock site at Point Lookout. You'll get cosy in a mini village of ten beachfront tents, with each equipped with cotton sheets, fresh towels, two bamboo chairs and power. Plus, as well as roaming around the camping ground's communal kitchen, barbecue and picnic facilities, you can stroll up to the shops and pub — when you're not splashing around or soaking in the view, that is.
It's hard to believe, but it's somehow already that time of year when blokes start sporting some pretty silly facial hair looks. It's a fun time, but it's also for a very important cause. Movember is the leading men's health charity that raises funds for mental health, suicide prevention, prostate cancer and testicular cancer. And after everything this year has thrown at us, these all-too-common health issues deserve more attention than ever. It's super easy to get involved: just register via the website or app, start collecting donations from your friends and family and then just... stop shaving your top lip on October 31. But to really ensure the new mo makes an impact and your donors get the biggest bang for their buck, you need to start with a clean slate. So, we've put together a list of top-notch barbershops around Brisbane where you can get a quality wet shave in preparation for your month of mo growing. We're talking hot towels, cut throat razors and super fancy skincare products — the whole shebang. Update: Due to COVID-19 restrictions, some businesses mentioned may be operating differently. Check websites before making any plans.
There are a lot of weird food museums around the world, dedicated to everything from potatoes to Jell-O to kimchi. Some of them are a little questionable — others totally genius, like Japan's ramen museum — but there's certainly no question that an ice cream museum would be an important, delicious, 100 percent necessary educational facility. So it comes as no surprise that the announcement that a Museum of Ice Cream is opening in New York City this month has gone down very well with the public — especially as one of its draw cards will be a life-sized pool of sprinkles. Yes, you read that right — a pool of sprinkles. That you can swim in. Well, I don't know if you can technically swim through sprinkles, but you'll be able to fully immerse yourself in them either way. They won't be actual sprinkles, but according to Eater, they'll be made to look and feel just like those colourful little edible dots that make ice cream 10000x more delicious. The Museum of Ice Cream is being brought to life by two ice cream-loving New Yorkers, Maryellis Bunn and Manish Vora, who noticed a severe lack of ice cream-dedicated spaces and sprinkle swimming pools in the world. A pop-up museum, it will open in New York's Meatpacking District on July 19 and run until August 31. Aside from the sprinkle pool, the ice cream playground will also feature edible balloons, an "immersive" chocolate room (!!), an ice cream sandwich swing and a giant sundae. Randomly, there'll also be a room sponsored by Tinder. And because it wouldn't be a true food museum without some eating action, admission will also include tastings of special scoops created by some of the city's best ice cream artisans, including Black Tap and OddFellows. What a day out. Pool of sprinkles https://t.co/rBOQsoYgFK pic.twitter.com/4pbrSt3ray— Serena Dai (@ssdai) July 8, 2016 Via Eater.
The summer festival season was marked by tragedy this past weekend, when a suspected mass-overdose event saw a fatality at techno festival Dreamstate and another six attendees hospitalised, with one in a critical condition at the time of writing. This follows a warning issued early last week about high-dose MDMA tablets in circulation in NSW that were detected to contain synthetic stimulants. While a police investigation into the event is still underway, NSW Health has confirmed its commitment to working with festival organisers to ensure the festival was as safe as possible. A spokesperson for the government organisation said, "A range of harm reduction initiatives are in place at festivals, including support and health promotion workers, health messaging, free chilled water, misting fans, chill-out spaces and well-equipped medical services," all of which are required by NSW law. However, the ABC confirmed that NSW's pill testing trial was not available at Dreamstate. [caption id="attachment_965220" align="aligncenter" width="1917"] Ian Laidlaw[/caption] That pill-testing trial was a 12-month commitment that began in March of 2025, during which free, anonymous testing would be made available at up to 12 music festivals. As mentioned, Dreamstate was not on the list of participating festivals — however, Laneway Festival, which took place the day after, was the eleventh and most recent festival to take part. Run on the ground with staff from the harm-prevention organisation NSW Users and AIDS Association (NUAA), the program was not a commitment to a fixed testing site, but a case-by-case trial of mobile testing planned by NSW Health with the music festival industry and harm-reduction organisations. Because this is a case-by-case offering, not every major festival has participated in the trial. Discussing the tragedy at Dreamstate with the ABC, Minister for Music and the Night-Time Economy, John Graham, said these events were a reminder that pill testing allows health warnings to reach the public before they come into contact with dangerous substances, adding that "We really want to get the word out about the dangers here." Across NSW's test program and national drug-testing services, there is an acknowledgment that illicit substances will always be present in the live music scene, and that festivals should prioritise patrons' safety through free, anonymous, on-site testing, free from prosecution. The program in NSW uses rapid testing technology, allowing patrons to present substances to testing staff, who will, in turn, provide information about what is present in the sample and its potency when applicable, and tailored advice on how to reduce risk if patrons still intend to consume the substance, or safe disposal methods if they decide not to. In 2024, a study published by Associate Professor Jennifer Schumann, from Monash University's Department of Forensic Medicine, revealed that between 2000 and 2019, 64 drug-related fatalities occurred at Australian live music events. According to a 2022-23 National Drug Strategy Household survey, 64 percent of Australians support drug checking services as a whole, not exclusive to festivals. So, what are state governments actually doing about it? Canberra led the charge, opening CanTest, the country's first fixed pill-testing site in 2022, with funding to operate until June 2027. Victoria opened its first permanent pill-testing facility in August 2025, alongside a mobile testing program that saw 65 percent of participants have their first-ever harm-reduction conversation. On the opposite side of the conversation, Queensland pulled funding for its two fixed testing sites in Brisbane and the Gold Coast last April, before banning pill testing outright in September. In the NT, the ABC reported in 2021 that 73 percent of surveyed festivalgoers supported pill testing, but no government actions have been taken to enact it. In Tasmania, the state government remains opposed to pill testing rollouts despite 65 percent of voters calling for the services to be made available. That negative sentiment is shared by state governments in South and Western Australia, who remain firmly opposed to pill testing. [caption id="attachment_965685" align="aligncenter" width="1917"] Jordan K Munns[/caption] Government sentiment aside, the Alcohol and Drug Foundation reports that in almost all cases, pill testing trials have led to less consumption of potentially dangerous drugs and greater awareness of the risks involved in drug use. Additionally, the ADF highlighted that public support for pill testing has steadily been rising across the nation in the last decade, so what's going to happen next in NSW? The NSW Government will seemingly still conclude the testing trial next month, following appearances at Yours and Owls, HTID, Field Day, Lost Paradise, EPIK, Hypersonic, Strawberry Fields, Knockout Outdoor, Hyperdome, Midnight Mafia and Laneway. But currently, the program home page does not outline where the trial will conclude, nor has the NSW government announced any intention to extend the trial or establish a fixed testing site from April 2026 onwards, leaving safety to the individuals for the foreseeable future. If you or anyone you know would like more information or harm-prevention support in NSW, the Alcohol and Drug Information Service provides 24-hour, seven-day-a-week telephone counselling, support, referrals and information for those affected by alcohol or other drugs. Alternatively, PeerLine is a confidential peer-support service that offers support, referrals and individual advocacy, Monday to Friday from 9am to 5pm.
Greenlighting Anyone But You with Sydney Sweeney and Glen Powell as its leads must've been among Hollywood's easiest decisions. One of the rom-com's stars has been everywhere from Euphoria and The White Lotus to Reality of late, plus Sharp Objects and The Handmaid's Tale before that, and has a stint in the superhero realm on Madame Web to come. The other is fresh off feeling the need for speed in Top Gun: Maverick, including getting sweaty and shirtless in the beach scene. They both drip charisma. If this was the 80s, 90s or 00s, they each would have an entire segment of their filmographies dedicated to breezy romantic comedies like this Sydney-shot film, and probably more than a few together. From here, they might achieve that feat yet — because if there's much ado about anything in Anyone But You, it's about how well its two main talents shine as a pair. Regardless of that gleaming casting, director and co-writer Will Gluck crafts his first adult-oriented flick in 12 years — since Friends with Benefits, with Annie and the two Peter Rabbit movies since — as if it's still two, three or four decades back. The gimmick-fuelled plot, the scenic setting, the swinging between stock-standard and OTT supporting characters: they're all formulaically present and accounted for in Anyone But You. Also eagerly splashed in is the picture's biggest twist, courtesy of its filmmaker and co-scribe Ilana Wolpert (a feature first-timer sporting writing and story-editing credits on High School Musical: The Musical: The Series on her resume). With Easy A, Gluck took inspiration from The Scarlet Letter, giving it a modern-day remake. Now, complete with some character names to match (there's no Dogberry, though, but there is a dog), ample matchmaking gossip and lines from the play clumsily dotted around the sets for viewers to see, Shakespeare's Much Ado About Nothing scores the overt riffs. Always apparent as well: the fact that, even as it follows in the Bard of Avon's footsteps, Anyone But You's story constantly comes second to Sweeney and Powell's smouldering chemistry. Plus, most of its obvious jokes only land because the twosome sell them, and the whole movie. Takes on Shakespeare's 16th-century-penned, 17th-century-published rom-com have graced the big screen before. In the past 30 years, see: 1993's with Emma Thompson (What's Love Got to Do with It?) and Kenneth Branagh (A Haunting in Venice) as Beatrice and Benedick, and Branagh directing, and also 2012's with Buffyverse alums Amy Acker (The Watchful Eye) and Alexis Denisof (How I Met Your Father) for Joss Whedon (their guiding hand on Buffy and Angel). But this one is as merry as the day is long about being a playground for Sweeney and Powell first and foremost. Law student Bea (Sweeney) and finance bro Ben (Powell) meet-cute over a restroom key in a busy cafe. She's desperate to use the facilities, the staff won't let her unless she buys something, the line is morning-rush long and he claims that she's his wife to help. So begins a dreamy day of flirting, walking, talking, cooking grilled-cheese sandwiches and connecting over deep secrets like Gluck is fashioning a sped-up version of the Before trilogy, too. That heavenly first date ends badly the next morning, however. More pain is in store when Bea's sister Halle (Hadley Robinson, Winning Time: The Rise of the Lakers Dynasty) starts dating Ben's best friend Pete's (GaTa, Dave) sister Claudia (Alexandra Shipp, Barbie) months later. When an engagement is next, cue Bea and Ben's feud going international at the destination wedding in Australia, then getting a shakeup when the quarrelling duo pretend that they're together. There's kindness in this faux truce, alongside trickery and self-interest. Bea and Ben are trying stop their squabbling ruining the nuptials, yes, but they're attempting to get her parents to back off from campaigning for a reunion with her ex-fiancé Jonathan (Darren Barnet, Gran Turismo: Based on a True Story) at the same time — and to make his own past love Margaret (model-turned-acting debutant Charlee Fraser), Claudia and Pete's Australian cousin, jealous. Anyone But You's protagonists are also well-aware that the rest of the wedding party is conspiring to push them into love, subscribing to the whole "fighting means you like them" theory, and quickly tired of overhearing conversations that they're meant to about each other. Romantic-comedy logic dictates what happens next, of course, as packaged with slapstick gags, literal bathroom humour, sing-alongs, farce everywhere, as much flaunted bare flesh as an Aussie beach, and far more horniness than has been typically seen in 2010s and 2020s cinema. Every expected narrative beat is struck, then. Almost every genre cliche is hit as well. Nodding to other rom-com wedding flicks — My Best Friend's Wedding co-stars Dermot Mulroney and Rachel Griffiths play Bea's mum and dad, and the latter is also a Muriel's Wedding alum — is also heartily on the menu. So are fish-out-of-water Americans-in-Australia jokes, and being cheesily Aussie via koalas, endless shots of the Sydney Harbour Bridge and the Sydney Opera House to make both Tourism Australia and Destination NSW proud, and Bryan Brown (Faraway Downs) and Joe Davidson (Neighbours) playing the stereotypical parts. The vision of Sydney that the film inhabits is not only overseas tourist bait, but a one-percenter paradise, as evidenced by the sprawling seaside home of Pete and Claudia's parents (Brown and Star Trek: Picard's Michelle Hurd) that becomes the movie's on-screen base. And yet, as Anyone But You needs and knows with gleeful self-awareness that it's going to get, Sweeney and Powell ace their performances and rapport, and couldn't be more watchable in the process. While no one has a particularly difficult job — least of all cinematographer Danny Ruhlmann (True Spirit), with the film's two stars and a sunny, picturesque locale to lens — it's their lively back and forth and game-for-anything commitment that keeps the picture afloat. For months, this was the feature that sparked headline-grabbing off-screen rumours about life imitating art. Now, it's an audition piece for a second silver-screen team up. Back in the 80s, Kurt Russell and Goldie Hawn did it (in Swing Shift and Overboard). The 90s had Meg Ryan and Tom Hanks (Joe vs the Volcano, Sleepless in Seattle and You've Got Mail), plus Julia Roberts and Richard Gere (Pretty Woman and Runaway Bride), while it was Kate Hudson and Matthew McConaughey's (How to Lose a Guy in 10 Days and Fool's Gold) turn in the 00s. After Anyone But You, audiences won't want anyone but Sweeney and Powell to be next.
One of the most worthwhile things you can do when looking to start your own business is sit down with another small business owner and share your ideas, as well as take note on what they've done right (and wrong), what small wins they encountered that eventually led to bigger things. When it comes to opening a cafe specifically, successful venues like Three Williams in Redfern can be a great source of inspiration — especially considering that this particular brunch spot was once started by a first-time cafe owner, too. As running your own business can typically involve a lot of hard work and crazy hours, we've teamed up with MYOB to bring you some helpful hints from those in the know. Here are four ideas to get you started (whether you're looking to open a cafe, a shop or other small business), courtesy of Three Williams co-owner Toby Iaccarino. [caption id="attachment_683542" align="alignnone" width="1920"] Three Williams co-owner Toby Iaccarino.[/caption] DON'T BE AFRAID TO GET YOUR HANDS DIRTY Put yourself out there and get your hands dirty in a business that inspires you, says Toby. "Learn the ropes from cleaning drains to fine-tuning your customer service skills to honing the art of people management," he says. While there's much to be gleaned from research and study, nothing beats rolling up your sleeves and jumping in there yourself — whether it's through an internship or a few hours per week in a related side hustle. "I cannot stress how paramount raw experience is to your success in such a hands-on industry." LEARN THE RULES OF THE GAME Most new venues will require a spruce up, so make sure to run your plans through council first. "Council regulations raised a multitude of unexpected and untimely hurdles along the way that I wasn't necessarily financially prepared to accommodate," says Toby. "Regulations differ, sometimes significantly, from council to council. So do your research. Calculated planning and foresight can save you a wealth of not only time and money, but major headaches down the line. Familiarise yourself on what you can do, can't do and must do in order to operate in the capacity you are envisioning." MAKE SURE YOUR FINANCES ARE IN ORDER Having great staff — in this case, an excellent chef, barista and floor team — is obviously vital to a business's success, however, the importance of financial understanding cannot be stressed enough, says Toby. "The ability to get your head around GST, BAS, super and all the other cash flow and cash management requirements will be the difference between failure and success." While a few cents difference between shopping bags or sugar sachets may seem like small beans, keeping your eye on market prices can end up being paramount to profitability, and it's these small wins that help lead to bigger things. "Constantly tweaking roster costings, analysing suppliers and their pricing and keeping up to date with the cheapest energy companies makes all the difference." INVEST IN NEW TECHNOLOGY AND SMART BUSINESS SYSTEMS New business systems and smart platforms that allow you to monitor, track and manage your operations can help you run your business more efficiently, as well as free up your time for the jobs that really matter. For Toby, managing finance and compliance obligations had become overwhelming, so he decided to invest in cloud-based accounting software. "MYOB has been, and continues to be, such a practical way to manage our invoicing, payroll, reporting and finances. It makes everything from preparing BAS to managing financial year rollovers and keeping track of inventory a breeze." Planning to open your own business? Consider MYOB to help sort out all your accounting needs.
No matter the season, we can introduce some Italian sunshine into our golden hour tipples with a classic cocktail—and it's a lot cheaper than flying to Europe. Italy's most popular liqueur is arguably amaretto, and the world's favourite way to enjoy it is in a classic amaretto sour cocktail. Read on to discover everything you need to know about this sweet-and-sour drink that has delighted cocktail lovers for decades. What Is Amaretto? Literally translated, amaretto means 'a little bitter' and that's exactly what this luscious liqueur is: a little sweet and a little bitter. There are numerous amaretto liqueurs on the market, but the originator is Disaronno, from the municipality of Saronno in the Lombardy region of northern Italy. Depending on the brand, it can be made from apricot kernels, bitter almonds, regular almonds or peach stones. These all contain a natural compound that imparts the liqueur's almond-like flavour. Like with many liqueurs, it can be enjoyed solo, with some ice, added to coffee, poured over ice cream, used in desserts like tiramisu (yum) or marinade for meat dishes, and, of course, in cocktails. What Is Disaronno? This Italian amaretto liqueur can trace its heritage back to the renaissance in 1525. Legend has it that Bernardino Luini, an artist from the Leonardo Da Vinci School of Art, was tasked with painting a fresco of the Madonna in the Santa Maria delle Grazie Church in Saronno, Italy. To complete his work, he needed a model, and he found one in the local fair-haired and beautiful innkeeper. According to the story, the innkeeper was so honoured to be chosen as the model for Madonna that she created an amber-coloured liqueur from a secret blend of 17 herbs and fruits infused in apricot kernel oil. It got its signature amber colour from caramelised sugar. She gifted this liqueur to Luini, and it caught on. The locals dubbed it 'di Saronno', meaning of or from Saronno, and eventually, that morphed into Disaronno. The liqueur is still made in Saronno, following that same recipe from 1525. How to Make an Amaretto Sour? This cocktail is believed to have been created in the 1970s and was originally known as Amaretto di Saronno. It's a twist on a classic sour cocktail that blends sweet and sour elements. It has two main ingredients: amaretto (in this case, Disaronno) and lemon juice. The inherent sweetness of Disaronno beautifully complements the tart lemon, but if you like it sweet you can always add a touch more simple syrup. For an extra touch of luxury, you can also add egg white, which imparts a silky texture and rich mouthfeel. Ingredients: 60ml Disaronno 30ml fresh lemon juice 5ml sugar syrup (optional, to taste) 1 egg white (or 15ml vegan-friendly option such as aquafaba) Ice Method: Put ice into a cocktail shaker. Pour in 60ml of Disaronno. Add the egg white (or vegan option if using) and freshly squeezed lemon juice. If you like it sweet, add the simple syrup. Shake the shaker and strain it into a chilled tumbler over ice cubes. Garnish with a slice of lemon, and enjoy. Where Can the Amaretto Sour be Enjoyed? In the summer sun, fireside in winter – an all year round tipple. But in all seriousness, we don't always want to be the ones mixing our cocktails. There are plenty of professionals out there who can do a better job than us. Simply go to your favourite bar and order an authentic amaretto sour made only with Disaronno.
When the folks of old came up with the easy to make, bake and store wonder that is the pie, it really was one of history's great moments. With their pastry casing and endless possibilities for tasty fillings, they're the dish that never disappoints — and quite a few modern chefs agree. Of course, you can get a pie almost anywhere, but there's a vast difference between the frozen type and the kind that makes your mouth water. At these five establishments, it's the latter that's on offer — and each goes down perfectly with the pie's trusty sidekick, a tasty James Squire beer. PIEFECTION It takes confidence to celebrate your excellence in your store's name, but Piefection can back up that claim. One bite of their gourmet concoctions proves their tastiness, whether skewed traditional or more experimental. In the former camp, classics such as triple prime beef, cottage, and chicken and vegetable taste like the homemade real thing. In the latter, Jack Daniels BBQ pork rib and butter chicken pie help spice up the menu; however it's the changing array in store that serves up the goodness. Think slow roast pork belly with chilli caramel sauce, Bundaberg rum t-bone topped with a BBQ bundy rib, and pastrami with layers of Jarlsberg cheese — and they're just the recent offerings. GOAT PIE GUY Those with less adventurous tastes may not think that goat is their thing, but they probably haven't tried it in pie form. Since 2012, chef Matt Hobson has been combining his favourite slow-cooked meat with a range of other ingredients and unleashing them on the market-going masses. With offerings such as the signature goat meat pie infused with honey and thyme and finished with a balsamic reduction, plus Grecian, Tuscan, Moroccan, Malaysian, Himalayan, Indonesian, Jamaican and Goan twists, he's still doing that around town — and he's set up his own permanent Deagon store. If anything can covert you to the ways of the goat, it's this. Try the award-winning Fancy Pants pie — with Mountain Goat Fancy Pants Amber Ale, smoky bacon, sage, malted chili sauce and candied orange rind — if you don't believe us. MUZZA'S PIES Is there anything more Australian than a pie? Is there anything more Australian than a guy nicknamed Muzza? Combine both, and you get a local icon, and a place that makes their pies fresh on the premises. Muzza himself, or Murray, is actually from New Zealand, and he's travelled the world to bring the best pastry snacks to Brisbane. Chunky are his preference, particularly when it comes to pepper steak, bacon and egg and steak chilli cheese. The store sells sandwiches, cakes, coffee and milkshakes, too, but that's not what anyone goes there for. PIE TIME The best discoveries can be found in the most unlikely locations. In the case of Pie Time, you'd best be wandering around one of two industrial areas in the city's western suburbs — but it's worth it. Old-fashioned varieties are their specialty, and while their potato-topped steak effort might look like something you'd pick up at any bakery, it certainly doesn't taste like it. Like any good purveyor of pies, though, there's always a monthly special to keep things interesting. For Christmas, it was turkey. For Australia Day, it was vegemite. Sometimes, it's a Mexican mix of mince peppers, kidney beans and hot salami, or a pizza pie of pineapple, bacon, chorizo, onion, oregano, tomato and cheese. JOCELYN'S PROVISIONS For those fond of baked goods and fancy foods, Jocelyn's Provisions is a culinary wonderland. Their home-style cakes always have everyone in Brisbane talking, and though it might be hard to believe, their pies give them a run for their money. Just three varieties are available — lamb and rosemary, chicken and mushroom, and beef and red wine — but it is definitely quality that matters here, not quantity. If you do want more, and you will, you can always grab a family-size pie to share (or eat yourself — when they're this tasty, no one will judge you).
The newest Australian TV show to hit streamers is Stan Original Sunny Nights, and the series is equal parts bizarre and relatable. It follows siblings Vicki and Martin Marvin, played by Hollywood comedians D'Arcy Carden and Will Forte, as they attempt to start a spray-tan business in Australia. After getting into some precarious situations, the duo find themselves in hot water with members of the Sydney criminal underground, fighting to stay alive. It's an outrageous setup, and the show also includes an exploding crocodile, an ex-NRL thug for hire and evil blackmail schemes. It seems far-fetched at first glance, yet audiences continue to be drawn to the crime-comedy genre in droves. Australian shows He Had It Coming, Good Cop/Bad Cop and Population 11 were all released recently, showing the genre is holding firm. [caption id="attachment_1051421" align="aligncenter" width="1920"] Lisa Tomasetti[/caption] Principal Psychologist Carly Dober from Enriching Lives Psychology says that the crime setting is so far removed from our everyday lives that it piques interest. "For many of us, this is a world we will only be spectators of and there is a fascination with how the criminal underworld operates. Without ever having to step into the dangerous world of crime, we can see some fictional depictions that keep us hooked," Dober tells Concrete Playground. "Escapism isn't a bad thing, it can be helpful to be distracted sometimes from day-to-day stressors. Plus, it's culturally relevant and keeps us with things to talk about with people." In the same way, watching comedy can tickle parts of your brain that make you feel good, which is why audiences seek out lighthearted content to unwind. "Comedy and things we find to be humorous lights up the pleasure centres of the brain. Like sex, or delicious food, laughing at something we find funny makes us feel good and creates a rush of endorphins," Dober adds. "It can also be a mood lifter and provide an adaptive coping strategy to dealing with stress." [caption id="attachment_1051422" align="aligncenter" width="1920"] Lisa Tomasetti[/caption] Family is at the heart of Sunny Nights, with the Marvin siblings bickering throughout. Vicki has confidence in droves and tends not to consider other people's feelings, while Martin is slightly pathetic and has a tendency to let people walk all over him. Their main criminal nemesis, Mony (Rachel House), is also driven by her love for her brother Kash (Miritana Hughes). In the same way that audiences are drawn to the crime and comedy genre, there's also something satisfying about watching a dysfunctional familial relationship play out on screen. Dober says family dynamics can be a "winning recipe", because it creates a sense of relatability — even when placed into a strange setting like the criminal underground. "Everyone has a family — irrespective of whether they are in contact with them or not. There are so many stories that resonate, and given that many are off kilter, this provides relatability to viewers," Dober explains. [caption id="attachment_1047812" align="aligncenter" width="1920"] Lisa Tomasetti[/caption] "Viewers do compare their own families to what they see on screen, [whether that's in] positive, negative [or] neutral ways. We might see an example of a family that we would like to one day have, or notice how often our family bickers with one another while watching an absurdist [or] dramatic on-screen family." Considering many Australians have had a busy festive season — whether that's with a dysfunctional family or not — it's nice to have the option to watch the drama on-screen instead of in our own lives. The full season of Sunny Nights is now available to stream on Stan, if you're looking for your next escape from reality. Stream the Stan Original 'Sunny Nights' now, only on Stan By Rachel Choy
If you live in Brisbane and you were born from 1997 onwards, you've never known life in the River City without the Valley Fiesta. Twenty-six years back, Fortitude Valley put on a big celebration of live tunes in the inner city, starting an event that's still going strong in 2023. Sure, last year's fest marked a milestone, hitting a quarter century — but every Valley Fiesta is always a huge party. This time around, Valley Fiesta will run for two days across Friday, November 3–Saturday, November 4, once again getting Fortitude Valley echoing with music. As always, the QMusic-produced lineup spans a whole heap of musicians to see, plenty of stages around both the Valley and Bowen Hills, a food fiesta and a bar trail. Leading the music bill: Mallrat, Mildlife and Hatchie, all as part of an entirely free program, and also on a lineup that's been curated by the team at The Tivoli. Skeleten, Miss Kaninna, First Beige and Party Dozen will join them, as will Selve, Middle Name Dance Band and JayBird Byrne — and also Ixaras, Kuzco, Taitu'uga and Lucy Korts. If you're keen on DJ-spun tracks, the roster of talent also features names programmed by Quivr. So, that's where David Versace, Eljae, Greer and Hol Hibbo come in, plus Jake Amy, Jimmy Ellis, Kodos and Moths to a Flame. Rounding out the list so far: Nejmere, Quiet Storm DJs, Ryzen Shine and Squidgenini. As it did in 2022, King Street will host the King Street Food Fiesta on the Friday night to get this year's Valley Fiesta started. Expect a culinary fest featuring the precinct's eatery and soundtracked by two stages of live tunes. Bringing the fun to the Winn and Bakery laneways is the Hidden Lanes Bar Trail, highlighting venues in each stretch and featuring DJs. Then there's the part of the program called The After Parties, which is exactly what it sounds like in spots around the Valley until late. VALLEY FIESTA 2023 LINEUP: Mallrat Mildlife Hatchie Skeleten Miss Kaninna First Beige Party Dozen Selve Middle Name Dance Band JayBird Byrne Ixaras Kuzco Taitu'uga Lucy Korts DJ lineup: David Versace Eljae Greer Hol Hibbo Jake Amy Jimmy Ellis Kodos Moths to a Flame Nejmere Quiet Storm DJs Ryzen Shine Squidgenini + with more acts to be announced Valley Fiesta 2023 takes place from Friday, November 3–Saturday, November 4. For further information and to buy tickets, head to the Brisbane City Council website. Images: Dave Kan.
Toowoomba-based ceramics artist Dan Elborne explores the action and consequence of human brutality. By combining existing animal skulls and bones with porcelain, Elborne is able to capture something of the delicate nature of human violence. The subtle, impactful and intricate works demonstrate just how brutal humankind can be, and at the same time, how fragile. His works are epic; as his grad work, he recreated the white blood cells from a single drop of blood on the gallery floor, as individual porcelain marbles visitors could interact with (and even take away). You'll find Elborne's bony fragments in gallery 2. Exhibiting concurrently are artists Brian Robinson and Christopher Trotter in ‘Chain Reaction’, as well as Pamela See in ‘In the Minority’.
After serving up broth-filled bowls of soupy noodles in Carindale for the past few years, Shinobi Ramen is finally bringing its dishes to the CBD, all thanks to the opening of its second store. And, to celebrate, it's doling out free tastes, ready for ramen-loving Brisbanites to slurp up. On offer: free bowls of Shinobi's tonkotsu ramen, which features house-made noodles made with high-grade Japanese flour, broth simmered down from pork bones over 12 hours and eggs that've been marinated for more than a day. [caption id="attachment_752882" align="aligncenter" width="1920"] Image: Shinobi Ramen.[/caption] Head along to Shinobi Ramen's new digs in Queen's Plaza in the Queen Street Mall from 11am–1pm on Saturday, November 30 — and yes, caveats do apply. To grab a bowl, you'll need to both follow and like the chain on either Facebook or Instagram. And, unsurprisingly, there's only one bowl available per person. Image: Shinobi Ramen.
If you've ever spent a day on your towel at the beach, wished you had something comfier to sit on and dreamed of getting a drink from a bar right there on the shore, you definitely aren't alone — and, on the Gold Coast this summer, your fantasy has just become a reality. Meet Kurrawa Beach Club, which has set up shop on Kurrawa Terrace in Broadbeach until Sunday, January 30. First announced back in November, and now open and welcoming in beach-lovers, it's serving up all the things that its moniker promises. Think: cabanas, daybeds, volleyball nets, cocktails, live tunes, seafood and salads, and just generally having a cruisy yet still luxe trip to the seaside, all while surrounded by oh-so-much sand, Queensland's dazzling sun and plenty of blue salty water. The venue is the latest venture by Australian Venue Co, who've been awarded the opportunity to host a trial beach club run over the summer. At this stage, it has settled in for a two-month stretch — and whether it could lead to a permanent beach club hasn't yet been revealed. Across its test stint, Broadbeach's European-style stint of lounging, sipping and relaxing by the ocean is pairing cocktails and brews — including margarita slushies, plus sips from Black Hops Brewing, Wheel & Spoon and Hard Fizz — with a food menu from its container kitchen. So, you'll be tucking into prawn and Moreton Bay bug rolls, fried haloumi with watermelon, seafood skewers, salads, burgers, and other summer-friendly snacks made using local and seasonal produce. Grab one of those prawn and bug rolls on a Sunday, and you'll also be helping Albatross Nippers, a Gold Coast-based nipper program for children with special needs — with a dollar from each sale going to the initiative. Also on the agenda: live tunes from Gold Coast locals, pilates brunches and beach volleyball games, as well as hanging out on those aforementioned daybeds and in the VIP cabanas. The space is family-friendly, too, so you might have pint-sized company while you're getting comfy and getting drinks from the bar. Kurrawa Beach Club's opening dates and hours varying each week, so head to its website for further details.
Here's something for Lady Whistledown to write about: for a week right now, running until Tuesday, April 23, 2024, one Australian town has been given a makeover that'll get visitors to the New South Wales Southern Highlands thinking that they've stepped into Bridgerton. Bowral is your current destination for regency-themed fun, with the country locale's homes and boutiques embracing the transformation (and its manicured gardens helping make the spot an ideal destination for the celebration). The reason for turning Bowral into Bridgerton is the upcoming arrival of the Netflix hit's third season, which is on its way in two parts. The first four episodes arrive on Thursday, May 16, then the next four on Thursday, June 13. The streaming platform's Bridgerton in Bowral festivities also include eight free screenings of the first episode of the new batch across Monday, April 22–Tuesday, April 23 at Empire Cinemas. Expect tickets, which are available online, to go quickly. A limited number of walk-in spots will also be available on each day. First announced at the beginning of April, then kicking off on Tuesday, April 16, the temporary Bowral takeover doesn't just span watching the show early if you're lucky enough to score a seat, and also seeing what this patch of regional Australia looks like when it's harking back to the regency era. A range of places around town have received the Bridgerton treatment, with local businesses joining in on the fun. The idea is to make you feel like you're getting the full ton experience. If you want to dress up to fit the part, that's obviously up to you. Some highlights for your promenade include taking in the florals at The Press Shop, then popping behind the cafe's blue door for some tea; spying the carriage outside boutique spirits supplier SoHi; and hitting up Coach House Collective, which already boasts ivy-covered doors, to peruse furniture and other treasures. Vintage lovers will want to walk through the wrought iron gates at Dirty Janes, where fashion that that takes its cues from regency times awaits. And at outdoor arcade Green Lane, you'll see topiary and other greenery — plus art if you have lunch in the library at Harry's. Romance novels are in the spotlight at Books Ever After, as accompanied by classical string music performed live on the Saturday. Bespoke Letterpress is hosting a letter-writing society, Bowral's Sweets and Treats has regency confectionery — think: violet and rose creams, as well as lemonade fizz balls — on offer, and Gumnut Patisserie is also nodding to the period in a sweet treat. Plus, you can also enjoy a picnic under the floral rotunda at Corbett Gardens, or take a drive to the pink-hued estate that is Retford Park. The latter is opening from 10am–4pm daily for the occasion (with a $15 entry fee) to let visitors explore its hedge mazes, water features and sculptures; mosey around its gardens; and play croquet and skittles on its front lawn. A garden party at Milton Park will close out the week, but tickets to that have already been snapped up. If you're going to treat yourself to a getaway this month and you love Bridgerton, you clearly need to make it this Bridgerton-loving getaway. And if you're a Bridgerton obsessive who lives in Bowral, prepare for plenty of company. Of course Netflix is bringing the series into real life to celebrate season three. This is the streaming service that set up public toilets based on Squid Game, Heartbreak High and Emily in Paris back in February, after all. In the past, all in Sydney, it has also opened a Stranger Things rift on Bondi Beach, unleashed the Squid Game Red Light, Green Light doll by Sydney Harbour and a had pop-up Heartbreak High uniform shop slinging threads in Newtown, too. [caption id="attachment_950838" align="alignnone" width="1920"] Bridgerton S3 - Bowral Town Takeover, AustraliaApril 16th 2024[/caption] The town of Bowral's Bridgerton-themed makeover runs until Tuesday, April 23. For seats to screenings of the first episode of the show's' third season across Monday, April 22–Tuesday, April 23 at Empire Cinemas, head to the ticketing website. Bridgerton season three will stream via Netflix in two parts, with four episodes on Thursday, May 16, 2024 and four on Thursday, June 13, 2024. Images: Liam Daniel/Netflix.
Fortitude Valley's new rooftop brewery, Valley Hops sits atop Cloudland — and yes, it was only a matter of time until a venue like this graced Brisbane's skyline. The leafy brewpub looks like a garden in the sky, towers over Ann Street below and makes its own beers in a two-vessel 15BBL brewing setup. It's also designed to be the Valley's new lofty neighbourhood hangout, complete with brews named after people, places and moments in the the suburb's history. Here, you'll drink those beers that nod to the location — as Valley Hops' name makes plain, that's a big influence — while peering out over the inner-city spot. So, get ready to knock back a light-bodied lager called Diehards, which references the local rugby league team, as well as Exhibitionist tropical ale, Fiesta Mango and Passionfruit sour, Herbalist IPA, Interloper Hazy IPA and 21 Pubs pale ale. This might be a brewery, but those yeasty beverages are clearly only part of the attraction. The decor does plenty of heavy lifting, thanks to its blend of metalwork, stone, brick and plants. Vines creep over the metal arbour; wooden picnic-style, booth and high bar seating is peppered around the place; and there's also a large fire pit with built-in benches — not that that'll need much of a workout for a few months. Launching just in time for sunlight summer sessions, Valley Hops also features a bespoke multi-coloured glass leadlight sat behind the entire length of the bar itself — because, from the decor to the view, there's plenty here that catches the eye. Patrons can get up to the brewery via lift, and pair all those beers with woodfired pizzas, skewers from the charcoal grill and cheeseboards, as well as salt and vinegar chicken wings, chicken and spiced cabbage spring rolls and pineapple fritter. The culinary focus is on bite-sized options, with the entire menu designed to be eaten without cutlery.
If you're travelling around the world on a budget but are looking for some exciting places to stay that are a little out of the ordinary, then these boutique hostels will be up your alley. Offering more than your everyday bunk rooms, these spots are creative, fun and don't follow preconceptions of what the average hostel entails. Be sure to book yourself a bed in one of these amazing locations on your next trip. Jumbo Stay - Stockholm, Sweden Jumbo Stay, situated at the entrance to the Arlanda Airport, houses guests in a real Boeing jumbo jet plane, which was stripped of its seating and revamped to accommodate up to 76 guests. Radeka Downunder - Cooper Pedy, Australia An opal mine was transformed in the mid 1980s into 10 motel rooms, 12 budget rooms & 12 dormitories, with some rooms as far as 6.5 metres underground. Kadir's Tree Houses - Olympos, Turkey This award winning holiday stay on the majestic Mediterranean coastline caters for those yearning to sleep in an adult treehouse. Railway Square - Sydney, Australia Near Sydney's Central Station lies a YHA Hostel which allows guests to stay in the funky railway carriages of former Platform Zero. Carbisdale Castle - Kyle of Sutherland, Scotland The Carbisdale Castle was built between 1906-1917 for the Dowager Duchess of Sutherland after her step-son effectively kicked her out of their castle. The castle was gifted in 1945 to the Scottish Youth Hostel Association and has since been housing backpackers who can marvel at the 365 windows, magnificent marble statues or priceless paintings. Mellow Eco-Hostel - Barcelona, Spain The charm of this vibrant eco-hostel is almost unparalleled due to its location away from crowded tourist spots, surrounded by Guinardo Park. Zhangzhou Wie Qun Lou Inn - Fujian Tulou, China A stunning marvel of architecture, the modern buildings in the mountainous areas of Fujian Tulou in China were originally built in 1802 as a symbol of the wisdom and diligence of the Hakka people. Hostel Celica - Ljubljana, Slovenia Each room at the Hostel Celica, a former military prison, has its own unique mosaics, artistry and architectural design. Point Montara Lighthouse Hostel - California, USA Originally established as a fog signal station in 1875, this hostel provides a little taste of history by allowing guests to stay in the former Coast Guard's quarters or the fog signal building. Hostel Brumund - Hedmark, Norway Known as 'The Pine Hut', this one-of-a-kind rustic Norwegian hostel has two cabins, which house 5 or 6 persons, that are perched 25 feet high on the branches of a 250 year old pine tree.
