There's no end to innovative musical apps, but one of the most successful we've seen must be John Lennon: The Bermuda Tapes, a new iPad app that gorgeously visualises the creative process of a true legend. Made with input from Yoko Ono and with all proceeds going to the Imagine No Hunger campaign, the app is an interactive musical journey resurrecting Lennon’s unreleased demos from his mysterious trip to Bermuda in 1980. Here, he began writing material for the first time in five years and reworking earlier demos, cultivating inspiration from his new surroundings. It is this inspiration that director Michael Epstein has sought to harness, inviting you to steer Lennon’s yacht as he battles thrashing waves solo (in fact, he almost lost his life voyaging through these treacherous waters). Perhaps venture through Bermuda’s gardens and record your own musical fancies, or witness Lennon’s moment of realisation when he recognises Ono’s wailing vocals influencing the music of the B-52’s, pumping through '70s disco speakers. What has been referred to here as 'The Bermuda Tapes' blossomed into John Lennon and Yoko Ono’s final studio album, Double Fantasy. Released in 1980, the album received largely negative reviews for its perceived lapse into sentimentality and familial bliss. However, the shock murder of Lennon three weeks after the album’s release swiftly transformed these criticisms into tributes and reflections on a staggeringly influential career cut short. The fact that the album became coloured by the murder is something Epstein hopes to counter, aiming to reclaim some of the music and spark fresh appreciation untainted by the tragic circumstances. Contemplating what makes a successful album app, Catherine Moore, an associate professor of music business at New York University, told Time magazine.,“My feeling is that unless the app is visually really engaging, really fits with the music, that there’s better ways to spend your creative resources.” It may just be that John Lennon: The Bermuda Tapes meets this criteria. It is an impressive feat of digital storytelling, consisting of six chapters driven by interviews with Lennon and Ono, who comment on their being apart and how this impacted their artistic process. It is a searing portrait of the intimacy and dynamism of their relationship. The app errs more on the side of interactive storytelling than gameplay. There is a profound sense of nostalgia imbued in the gentle and harmonious rhythm of images constantly forming and reforming. Epstein has also achieved a skillful balance between narration, music and interaction — there is no one component that feels intrusive or overbearing. It is an appropriately exploratory aesthetic in accommodating these fragments of lost music and commentary. Epstein also insists upon the need to experience music in a new way, telling Fast Co.Create, "I think this is the logical evolution of the digital platform for music." John Lennon: The Bermuda Tapes offers the industry a much-needed injection of warmth and vitality. It is a technological revival and revamping of one of our most beloved artists and musicians — the best of the past and the future moulded into one. See more of Yoko Ono's works at her exhibition War Is Over! (If You Want It) is on at Sydney's Museum of Contemporary Art Australia until February 23, 2014. Via Fast Co.Create.
First, the glorious news: since Thursday, August 5, all has been right in Melbourne's cinema scene again. For the first time 2019, the Melbourne International Film Festival has been taking over the city's picture palaces, filling them with the best movies it can find and letting film lovers live their most joyous lives. Yes, it's as wonderful as it sounds. Now, the sad news for Melburnians: come Sunday, August 21, this year's in-person MIFF comes to an end. Thankfully, MIFF Play, the festival's online platform, is sticking around for another week. That's a wonderful development for cinephiles located well beyond Melbourne, too, with the digital program showing nationally. Finding something to stream is never difficult these days, but until Sunday, August 28, your usual queue can wait. It'll still be there when you're doing MIFFing on your couch — after popping your own popcorn, pouring a glass of wine, and politely asking your partner or housemate to turn their phone off, to complete the cinema-at-home experience. But when that date rolls by, MIFF Play's impressive lineup won't still be there at the touch of a button. It's the MIFF you can hit up when you can't be at MIFF, and these are our ten must-see picks. Happy watching. HIT THE ROAD How fitting it is that a film about family — about the ties that bind, and when those links are threatened not by choice but via unwanted circumstances — hails from an impressive lineage itself. How apt it is that Hit the Road explores the extent that ordinary Iranians find themselves going to escape the nation's oppressive authorities, too, given that the filmmaker behind it is Panah Panahi, son of acclaimed auteur Jafar Panahi. The latter's run-ins with the country's regime have been well-documented. The elder Panahi, director of Closed Curtain, Tehran Taxi and more, has been both imprisoned and banned from making movies over the past two decades, and was detained again in July 2022 for enquiring about the legal situation surrounding There Is No Evil helmer Mohammad Rasoulof. None of that directly comes through in Hit the Road's story, not for a moment, but the younger Panahi's directorial debut is firmly made with a clear shadow lingering over it. As penned by the fledgling filmmaker as well, Hit the Road's narrative is simple and also devastatingly layered; in its frames, two starkly different views of life in Iran are apparent. What frames they are, as lensed by Ballad of a White Cow cinematographer Amin Jafari — with every sequence a stunner, but three in particular, late in the piece and involving fraught exchanges, nighttime stories and heartbreaking goodbyes, among the most mesmerising images committed to celluloid in recent years. Those pictures tell of a mother (Pantea Panahiha, Rhino), a father (Mohammad Hassan Madjooni, Pig), their adult son (first-timer Amin Simiar) and their six-year-old boy (scene-stealer Rayan Sarlak, Gol be khodi), all unnamed, who say they're en route to take their eldest to get married. But the journey is a tense one, even as the youngest among them chatters, sings, does ordinary childhood things and finds magic in his cross-country road trip, all with zero knowledge of what eats at the rest of his family. WE WERE ONCE KIDS A wide array of movies first hit silver screens in 1995, as they have every year since the advent of the medium. It was the year of Clueless, Before Sunrise, Billy Madison, Empire Records and Casper — and of Casino, Apollo 13, Babe, Showgirls and Seven, too. But only one is the subject of excellent documentary We Were Once Kids, which sees Australian filmmaker Eddie Martin (All This Mayhem, Have You Seen the Listers?) peer back at perhaps the most controversial movie of the 90s. That's the era's judgement, as archival news clips make plain from the outset. When Larry Clark's Kids reached cinemas, the mainstream press was scandalised at its portrait of New York City, the teens who live in it, and the drugs, sex, parties and violence that's shown to be an everyday part of their lives. Even if any of that was actually shocking, it'd have nothing on the tale around the tale — one about a tight-knit group of friends growing up in poverty, meeting Clark and a then 19-year-old Harmony Korine, finding their existence turned into a movie, and getting little more than some screentime and $1000 to show for it. Hamilton Chango Harris is one such Kids alum, aka a skater who temporarily became a movie star. He and his pals enjoyed Clark and screenwriter Korine's attention, and the break from their routines — with skating and partying already a break from their troubles, including parents struggling with addiction, at home. Harris is We Were Once Kids' key subject, but Martin understandably focuses on Justin Pierce and Harold Hunter, who had the biggest hopes for post-Kids fame but tragically aren't here now to tell their own stories. This is a gripping and damning doco about filmmakers who catapulted to success on the back of exploiting the working class, and about the complete lack of care they had for the lives they co-opted and the fallout. One story, from Harris, Pierce and Hunter's friend Highlyann Krasnow, says oh-so-much. She opted out of featuring in Kids when she saw how Clark and Spring Breakers' Korine had sexualised their group. That didn't change the film at all; instead, Chloë Sevigny (Russian Doll) and Rosario Dawson (DMZ) were cast, and are now household names. YUNI Again and again in Yuni, a heartbreaking clash echoes. Its sounds stem from schoolyard gossip, superstitious tut-tutting, ultra-conservative demands and reminders that its titular character shouldn't steal anything purple that she sees. In the third feature from Indonesian filmmaker Kamila Andini (The Seen and Unseen), Yuni (Arawinda Kirana, Angkringan) is a 16-year-old in a Muslim society where agreeing to an arranged marriage is the only thing truly expected of her. When the movie begins, a proposal from construction worker Iman (Muhammad Khan, Memories of My Body) already lingers. After she declines, her classmates chatter. Then another offer comes from the much-older Mang Dodi (first-timer Toto ST Radik), who is looking for a second wife. Yuni knows the accepted myth that any woman who refuses more than two proposals will never wed, but she's also keen to make her own choices. She has a crush on teacher Mr Damar (Dimas Aditya, Satan's Slaves), and spends time with the younger and infatuated Yoga (Kevin Ardilova, Vengeance Is Mine, All Others Pay Cash). She's also the smartest student at her school, with dreams of attending university. Andini's film is full of specifics, diving into the minutiae of Yuni's life — surveying Indonesian society and its customs, the roles thrust upon women from their teenage years, and enormous gap between the path that she's supposed to follow and the yearnings of her heart. This is a movie where scenes of its protagonist hanging out with her friends, whether kicking back on the grass talking about boys or dressing up with her beautician pal Suci (Asmara Abigail, Satan's Slaves 2: Communion), could be scenes from almost any teenage girl's life. Of course, then the reality sinks in, whether in discussions about husbands, babies and virginity tests, or in the teary worries about horrific power imbalances. The ability of poetry to capture everything that can't be easily uttered otherwise also floats through Andini's deeply moving picture, so it should come as no surprise that Yuni is both naturalistic and lyrical. It's precise and universal, follows an easily foreseeable path and yet proves full of surprises, and is astutely directed as well — and Kirana is a star. MASS Two couples, one church, six years of baggage and two absent children. That's one of the equations at the heart of Mass. Here's another: four phenomenal performances, one smart and affecting script that tackles a difficult subject in a candid and thoughtful way, and one powerful directorial debut by actor-turned-filmmaker Fran Kranz. Best known for on-screen roles in Dollhouse, The Cabin in the Woods, Homecoming and Julia, the latter guides gripping portrayals out of Reed Birney (Home Before Dark), Ann Dowd (The Handmaid's Tale), Jason Isaacs (Operation Mincemeat) and Martha Plimpton (Generation) — and crafts a harrowing yet cathartic drama out of the aftermath of a far-too-familiar tragedy, too. The reason that Richard (Birney), Linda (Dowd), Jay (Isaacs) and Gail (Plimpton) are in the back room at a place of worship, discussing their kids with heartbreak etched across their faces? Richard and Linda's son Hayden was a school shooter, killing Jay and Gail's son Evan in his spree, then turning the gun on himself. What can anyone say in that situation? Kranz, who both writes and directs, keeps his screenplay simple — but as loaded with emotion as the scenario obviously requires. He keeps his filmmaking flourishes just as restrained as well; that's a craft in itself, but the cast rather than the technique is the focus here. At first, they utter loaded lines with weighty awkwardness, aka the kind that fills and silences a room. Then, each in their own way, they unleash the hurt, anger, regret, sorrow, misery and more that's festering inside their characters, and that no amount of talking can ever completely capture. Mass is a musing on that very fact, too: that even the most spirited of dialogues, slinging about both carefully chosen and heatedly spur-of-the-money words, can't fix, explain or do justice to the pain that Richard, Linda, Jay and Gail are going through. The end result would make an exceptional, albeit unshakeably distressing, double with We Need to Talk About Kevin, The Fallout or Vox Lux, or even Elephant or Polytechnique as well. LEONOR WILL NEVER DIE To create is to become immortal. Write something that's hopefully committed to print or pixels forever, or direct a film that'll ideally keep reaching eyeballs in some format year after year, and a part of you — the part you've invested in time, sweat, tears and creativity — lives on eternally. That notion haunts playful and perceptive Filipino genre-bender Leonor Will Never Die, which understands the power that making a movie has both for the talents involved and the audiences watching. The eponymous Leonor Reyes (Sheila Francisco, Gulong) is an action-film director, albeit one whose heyday is behind her. She stopped stepping behind the camera after a tragedy, and her family has suffered in the aftermath. With her husband Valentin (Alan Bautista) gone and her favourite son Ronwaldo (Rocky Salumbides and Anthony Falcon) dead, only her other offspring, the concerned, discontent and constantly critical Rudie (Bong Cabrera), remains at her side. But Leonor still types away her ideas, and fantasises about how they'd turn out — including when she's knocked unconscious in an accident, only to wake up inside one of her scripts. To create something, such as a film, its screenplay or both, is also to become a deity in a way. That concept also lingers over Leonor Will Never Die, too, because we're all gods over our own existences. When first-timer feature writer/director Martika Ramirez Escobar has her protagonist thrust into a space that should only dwell in the character's head and pages, this constantly twisting feature ponders agency, control and the power of our choices — and, often, the lack thereof. It explores escapism and wish fulfilment as well, all while proving an inventive and pulpy action flick itself, a thoughtful family melodrama, a rumination on life and regrets, a musing about grief and, frequently, an absurd comedy. Case in point re the latter: Leonor, the cinema-obsessed filmmaker, is knocked into her coma by a falling TV. Once you've seen the film, you'll realise that that sounds like something she'd dream up herself. THE HUMANS If you're the kind of cinephile who likes to theme their viewing around the relevant time of year — holiday-related, primarily — then you're clearly always spoiled for choice. Christmas movies, horror flicks at Halloween, Easter-relevant films: you can build a binge session out of all of them (several in fact, depending on the occasion). The same applies to Thanksgiving, all courtesy of the US, and The Humans is the latest addition to the November-appropriate list. But while it ticks a few easy boxes, including bringing a family together to celebrate the date, steeping their get-together in awkwardness, and having big revelations spill out over the course of the gathering, this A24-distributed release is far creepier and more haunting than your usual movie about America's turkey-eating time of year. Based on Stephen Karam's Tony-winning play, and adapted and directed for the screen by Karam himself, it's downright unsettling, in fact, and for a few reasons. There's the tension zipping back and forth between everyone in attendance, of course; the bleak, claustrophobic, rundown setting, in a New York apartment close to ground zero; and the strange sounds emanating from other units. As a result, seasonal cheer is few and far between in this corner of Manhattan, where the Blake family congregates in Brigid (Beanie Feldstein, Booksmart) and her boyfriend Richard's (Steven Yeun, Nope) new abode. Also making an appearance: parents Deirdre (Jayne Houdyshell, Only Murders in the Building) and Erik (Richard Jenkins, Nightmare Alley), Brigid's older sister Aimee (Amy Schumer, Life & Beth), and their grandmother Momo (June Squibb, Palmer), who has dementia. No one is happy, and everyone seems to have something that needs airing — but there's always the feeling that, in any other location, this might've truly been a joyful affair. Discussions about dreams and nightmares prove revealing, but The Humans points out the thin line between both, whether we're slumbering or waking, several times over in its talky frames. MILLIE LIES LOW A scene-stealer in 2018's The Breaker Upperers, Ana Scotney now leads the show in Millie Lies Low. She's just as magnetic. The New Zealand actor plays the film's eponymous Wellington university student, who has a panic attack aboard a plane bound for New York — where a prestigious architecture internship awaits — and has to disembark before her flight leaves. A new ticket costs $2000, which she doesn't have. And, trying to rustle up cash from her best friend and classmate (Jillian Nguyen, Hungry Ghosts), mother (Rachel House, Cousins) and even a quick-loan business (run by Cohen Holloway, The Power of the Dog) still leaves her empty-handed. Millie's solution: faking it till she makes it, searching for ways to stump up the funds while hiding out in her hometown, telling everyone she's actually already in the Big Apple and posting faux Instagram snaps MacGyvered out of whatever she can find (big sacks of flour standing in for snow, for instance) to sell the ruse. There's a caper vibe to Millie's efforts skulking around Wellington while endeavouring to finance her ticket to her dreams — and to the picture of her supposedly perfect existence that she's trying to push upon herself as much as her loved ones. Making her feature debut, director and co-writer Michelle Savill has imposter syndrome and the shame spiral it sparks firmly in her sights, and finds much to mine in both an insightful and darkly comedic manner. As she follows her protagonist between episodic efforts to print the legend — or post it one Insta picture at a time — her keenly observed film also treads in Frances Ha's footsteps. Both movies examine the self-destructive life choices of a twentysomething with a clear idea of what she wants everyone to think of her, but far less of a grasp on who she really is and what she genuinely needs. While some framing and music choices make that connection obvious, the astute delight that is Millie Lies Low is never a Wellington-set copy. WE ARE STILL HERE It begins with stunning animation, shimmering with the rich blue hues of the sea. From there, everything from lush greenery to dusty outback appears in its frames. The past returns to the screen, and a vision of the present finds a place as well — and crossing the ditch between Australia and New Zealand, and venturing further into the South Pacific, is baked into the movie's very concept. That film is We Are Still Here, which makes an enormous statement with its title, responding to 250 years of colonialism. Of course, filmmakers in the region have been surveying this history since the birth of the medium, because the topic is inescapable. Combining eight different takes from ten Indigenous filmmakers instantly makes We Are Still Here stand out, however — and this Pacific First Nations collaboration, which opened Sydney Film Festival before coming to MIFF, isn't short on talent, or impact. Australian filmmakers Beck Cole (Here I Am), Danielle MacLean (Carry the Flag), Tracey Rigney (A Chance Affair) and Dena Curtis (Back to Nature) add their parts, as do New Zealand directors Tim Worrall (Head High), Richard Curtis (Nanakia), Renae Maihi (Waru), Miki Magasiva (The Panthers), Chantelle Burgoyn (short Tatau) and Mario Gaoa (Teine Sa). Some of their chapters explore heated discussions about whether to fight back, others find understanding in unlikely places, and another heads into the First World War. The same passion — the same determined survey of what it means to live in countries forever changed by James Cook's landing — beats within each, whether peering at the animated stars, trying to survive in the trenches or pondering what might come is earning attention. Understandably, it makes for not just potent but sincere, weighty and moving viewing. PIGGY Hell is other people in Spanish horror film Piggy, an observation that's been made countless times on-screen. Hell is also today's always-online world, another familiar statement. Still, a movie doesn't need to trade in completely new observations to stand out — which this bullying-revenge film definitely does in a plethora of ways. Sadly, its title stems from the taunt slung in its protagonist's direction much too often. A resident of a small, sleepy Spanish village close to the Portuguese border, Sara (Laura Galán, Unknown Origins) is called other names, too, none of them kind. She's also almost drowned by her tormentors during a trip to the local pool, where they're as cruel as anyone can be about her body. That experience comes with consequences, however, when a kidnapper strikes. Sara is a witness, the three mean girls that've made her life miserable go missing, and the right next step isn't straightforward. Galán is astonishing in Piggy, reteaming with writer/director Carlota Pereda after also starring in her 2018 Goya Award-winning short of the same. This full-length expansion is a vicious marvel, too — and it isn't afraid to get brutal either thematically or physically, or to plaster gory sights across its imagery. Indeed here, seeing a murdered corpse weighted down at the bottom of a public pool isn't a pretty vision, unsurprisingly. That said, it also pales in comparison to the nastiness continually thrust Sara's way, and to everything the film sinks a knife into about being a woman today in the process. Piggy is also astonishingly stylish, using its Academy-ratio frames to ramp up the sense of claustrophobia to an immersive degree. Pereda has enjoyed stints behind the lens since 2008, spanning television, shorts and features, but this immediate must-see deserves to put her on the path to a great genre career. LOVE AND OTHER CATASTROPHES There's no doubting that MIFF loves Melbourne. In the festival's 70th year, it's celebrating that fact in a huge way, too, courtesy of a Melbourne on Film program strand. That's the part of this year's overall festival lineup that surveys the way that the Victorian capital has been seen on the big screen over the years, complete with 25 examples — spanning everything from The Story of the Kelly Gang, aka the world's first full-length film, through to the original Mad Max. One absolute must-see, in general and as part of this MIFF showcase, hails from the 90s. The tale it tells couldn't be more relatable, even if you weren't a uni student navigating all of life's chaos three decades back. Indeed, if you only watch one movie from MIFF's Melbourne love-in, Love and Other Catastrophes is that pick — as well as a stellar 1996 debut by writer/director Emma-Kate Croghan, who was only 23 when she made this micro-budget gem. The focus: two film students, Mia (Frances O'Connor, The End) and Alice (Alice Garner, Jindabyne), who've just moved into a new place. They're in need of another housemate, and — as the title makes plain — they do indeed have love and other catastrophes to weather. For starters, while Mia's girlfriend Danni (Radha Mitchell, Girl at the Window) is keen to join them, that'd take their relationship to another level. Then there's Alice's romantic woes, involving both the resident university ladies' man Ari (Matthew Dyktynski, Offspring) and the quiet, besotted Michael (Matt Day, The Unusual Suspects). Yes, as well as being an astute and amusing rom-com, Love and Other Catastrophes is also a who's who of Aussie talent — and the picture that helped put O'Connor and Mitchell on the road to everything from AI: Artificial Intelligence and The Conjuring 2 to Pitch Black and Man on Fire. MIFF Play, the 2022 Melbourne International Film Festival's digital fest, runs from Thursday, August 11–Sunday, August 29. For further details, visit the MIFF Play website.
When a hit show comes to an end, the network behind it often tries to fill the gap with something similar. It's the situation that HBO found itself in last year when Game of Thrones wrapped up, with the US cable channel quickly launching new fantasy series His Dark Materials and committing to making a GoT spinoff called House of the Dragon. And, with Big Little Lies looking like it's also all done and dusted, the station seems to be in the same predicament in the star-studded murder mystery genre as well. Enter The Undoing. Starring Nicole Kidman, and written and produced by Big Little Lies' David E. Kelley, it's definitely a case of HBO sticking with what they know. Kidman plays a successful therapist who appears to have the perfect life, with a loving husband (Hugh Grant), a son (Honey Boy's Noah Jupe) attending an elite school and her first book about to be published. Then a violent death sparks a chain of revelations that shatters her life as she knows it. Also part of the plot, as seen in the show's first teaser, its second teaser as well and now its just-dropped new full trailer: a missing spouse, plenty of public attention, a heap of interrogations and a plethora of tough choices for Kidman's Grace Fraser. It'll all play out as a once-off limited series — although that was originally the case with Big Little Lies before it came back for a second season. Based on the novel You Should Have Known by Jean Hanff Korelitz, The Undoing also features The Burnt Orange Heresy's Donald Sutherland and American Crime Story: The Assassination of Gianni Versace's Edgar Ramirez — with Bird Box director Susanne Bier behind the camera on every episode, just as she was on excellent Emmy-winning mini-series The Night Manager. As for when you'll be able to watch it, it was originally set to premiere sometime in May; however now it'll launch on Monday, October 26. In Australia, it'll screen via Foxtel, Foxtel Now and Binge. Check out the latest teaser below: https://www.youtube.com/watch?v=QWoiNlLqLR8&feature=emb_logo The Undoing will screen in Australia via Foxtel and Binge, with episodes airing weekly from Monday, October 26. Top image: Niko Tavernise/HBO.
In the space of a mere six months across the end of 2023 and beginning of 2024, Godzilla fans have enjoyed not one, not two, but three opportunities to see the now 70-year-old kaiju trample across the screen. Talk about a new empire. Not all of those projects are officially connected. Not all of them unleashed their giant creature upon cinemas. But just like standing at the foot of the lizard-like behemoth, there's been no avoiding the prehistoric reptile's footprint — in Japan's Godzilla Minus One, the film that finally won the Godzilla franchise an Oscar; in American streaming series Monarch: Legacy of Monsters, as led by Kurt and Wyatt Russell playing the same character; and now in Godzilla x Kong: The New Empire, the latest Monsterverse flick, which its TV predecessor also ties in with. Thinking about anything Godzilla-related seven decades into its life brings up a numbers game, then. The Gold Coast-shot Godzilla x Kong: The New Empire is the fifth Monsterverse movie and the seventh entry in the US-made saga that started with 2014's Godzilla. It's the 38th Godzilla film overall. Because King Kong is part of the equation, it's the 13th feature in that franchise, too. In other words, Godzilla x Kong: The New Empire is a flick with a massive history. Director Adam Wingard, who helmed 2021's Godzilla vs Kong first, knows the weight that such a hefty past brings to his second entry in all of the above sagas. That said, the filmmaker behind A Horrible Way to Die, You're Next and The Guest also knows the possibilities that can spring. One such opportunity: having its two titans join forces, rather than do battle. Godzilla vs Kong wasn't the debut picture to pit Japan's scaly icon and the world's most-famous towering simian against each other — that idea dates back to 1962's King Kong vs Godzilla — and Godzilla x Kong: The New Empire isn't the first feature to see how Godzilla can benefit from having friends to fight beside. But Wingard's sophomore Monsterverse film values its titular pairing, which arises to try to save the world from new threats. It also enjoys putting its characters in an action-adventure escapade in Hollow Earth, the titans' home world, as much as being a monster movie. And, it appreciates its human cast, such as the returning Rebecca Hall (Resurrection), Brian Tyree Henry (Atlanta) and Kaylee Hottle (Magnum PI), plus Wingard's The Guest lead Dan Stevens (Welcome to Chippendales) joining as a veterinarian equipped to do dentistry on Kong. Each of Godzilla x Kong: The New Empire's core quintet came to the movie via different paths, and with an array of backgrounds with the fictional creatures they're now linked with. "The origins of my memories of Godzilla and Kong go back as far as I can remember. I think the Godzilla films and the King Kong movies, specifically the original and the 76 one, they've always existed in my reality as far back as I can remember," Wingard tells Concrete Playground. "Specifically, I think that they were playing on daytime television all the time. That's how I would see movies in general, and that's how I got into them in the first place." In contrast, teenager Hottle, who plays Skull Island orphan Jia, is deaf, and made her acting debut in Godzilla vs Kong, notes that "I had heard of them, but that's about it." She continues: "I didn't know much more about either of them. And once I acted in the movie, I thought it was, of course, strange, but a great experience." [caption id="attachment_948230" align="alignnone" width="1920"] Eric Charbonneau/Getty Images for Warner Bros.[/caption] Hall's leap into the Monsterverse as "the Jane Goodall of Kong", aka Dr Ilene Andrews, slots in on her resume alongside the vastly dissimilar Vicky Cristina Barcelona, The Town, Christine and The Night House — and Tales From the Loop on the small screen — among other work, but also after featuring in Iron Man 3. Henry, who steps into the shoes of conspiracy theorist Bernie Hayes, boasts an Emmy nomination for Atlanta, an Oscar nomination for Causeway and a Tony nomination for Lobby Hero. His recent flicks include Bullet Train and Eternals. And Stevens has period drama Downton Abbey, playing the second half of Beauty and the Beast's title, superhero series Legion and giving German-language dramedy I'm Your Man its humanoid robot on his filmography. Ask them about their time with Godzilla and Kong, as we did, and Hall mentions always wanting to be in "big, iconic kind of movies", Henry says it's a "a place to have fun" and Stevens advises that having the part of Trapper written for him was "a huge honour". With Godzilla x Kong: The New Empire releasing in cinemas Down Under on Thursday, March 28, we also chatted with Wingard, Hottle, Hall, Henry and Stevens about the sense of responsibility behind any Godzilla or Kong entry, and the kind of preparation required for a Monsterverse team-up flick — plus ensuring that the movie was grounded in its human characters, subverting stereotypes, working together, the film's buddy scenario between its eponymous critters and more. On Swinging Into Godzilla and Kong's Huge On-Screen History Wingard is no stranger to entering well-traversed realms. Before hopping behind the camera with the Monsterverse, he directed 2016's Blair Witch, the third flick in the big-screen horror series that began with the low-budget sensation of 1999. Then, in 2017, he gave Japanese manga Death Note an American live-action adaptation. Still, there's no denying that making a Godzilla and Kong movie, and therefore working with characters that date back seven and nine decades, involves a feeling of duty. "It absolutely does," says the director. "And it's such an honour to be able to carry on their legacy, because they've been around since the beginning of special effects in cinema, to a certain degree. The original Kong was so groundbreaking in terms of its approach to stop-motion at the time." "So I don't take that lightly. And what's cool about Godzilla and Kong, those characters, is that there's been so many iterations over the years, and so many tonal takes and stylisations. Even Godzilla as a character, he's existed as a good guy, a bad guy, a metaphor, a character, all these kind of things and everything in-between, and sometimes multiple things at once. So there's a lot to take in, but there's still somehow so many new possibilities of how you can explore them," Wingard continues. "That's why it was so exciting for me to take on this film. Even though I've even made a Godzilla vs Kong movie myself, I still felt like there was still plenty of untapped potential and ways to utilise these characters to innovate the way movies are made. And to be able to lean into a film that has so many long sequences of nonverbal visual storytelling is something you really couldn't do in any other subgenre than this." On Becoming the Heart of a Coming-of-Age Story Within the Monsterverse In Godzilla vs Kong, Hottle's Jia was in as unique a situation as anyone can be in the Monsterverse: as the last surviving member of the Iwi, the tribe that resided on Skull Island, the adopted daughter of Dr Andrews had a bond with Kong like no one else. Godzilla x Kong: The New Empire continues that thread as Jia endeavours to fit in in her new life, and also when she's drawn into Hollow Earth to assist with the ultimate animal pal. "I think that her journey is very tough, but it's a great journey for her," Hottle reflects about Jia's coming-of-age narrative in the new movie. "She grows up, she's older, and she's figuring out how to belong somewhere that she wants to belong — and she's going to get there in the end of her journey." As for what she hopes comes next for Jia, "I think I can see her helping others," Hottle explains. Preparing for her role simply requires "trying to understand the storyline of who Jia is, and what she wants to be as well. So I try to think of that when I'm portraying her character," Hottle also notes. But it's equally crucial that the film is grounded in its humans, especially Jia. "If you watch the whole monster movie, of course that's what we want. But the additive of the human factor, making those connections, and Jia's experience in her journey, that adds more to the movie. It's a great connection to show in this kind of movie," Hottle advises. Ask Hottle what gets her excited about being part of the Monsterverse — and such a pivotal part, too — and she's clear: "my character just being portrayed in a movie — and figuring out who I get to act as, and what I get to act as, as well". On Challenging Damsel-in-Distress Stereotypes in Monster Movies — and Having Fun If you're wondering why Hall initially took on the role of Dr Andrews, "the first time, it was unlike anything I'd done. Also, Adam Wingard pitched it to me as 'the Jane Goodall of Kong', which I thought was such an interesting pitch," she shares. Henry jokes that "he pitched it to me that way too, to get me to come back here" — which is exactly the banter you'd expect about a movie that its three biggest on-screen names, Stevens among them, all describe as plenty of fun. "I wouldn't say that I wasn't a kid that dreamed of being in a Kong or Godzilla movie, but I was a kid that dreamed of being in movie movies — like real popcorn, like entertaining, like big, iconic kind of movies. And this is that opportunity," Hall furthers. "There is so much fun to be had in that." "I am a cinephile sort of snob in many ways, but my snobbery includes good popcorn movies. There are some good, good movies. A good movie is a good movie, is what I'm saying." "So it's everything to me. Plus, there's a history of women in Kong movies that puts them in the damsel-in-distress place, and they're very rarely in positions of authority or capability, or able to call the shots or have any autonomy on some level. And I think that that has been changing over the last few years in this iteration of the Monsterverse. And I think Andrews is a really big step in that direction. In this movie especially, she's really the boss, and that was fun." On Being Able to Further Flesh Out Characters the Second Time Around Henry doesn't just jest about why he joined the Monsterverse. He starts digging into how he prepared for playing Bernie by answering that "channeling my inner neuroses was really fun — to have an outlet to just let it all out, to be able to scream as often as possible, to cry. Oh, were you talking about this movie?". Bernie might be one of Godzilla x Kong: The New Empire's sources of comic relief, but he's still a character that's taken seriously, including by Henry. "I signed on to champion Bernie because I really love Bernie. I love everything about him. I love that he was looked at as a crackpot. I love that he has always been right about his theories. I also love that he found a team," he advises. "He was kind of out there on his own. No one really received him in any kind of way. And Rebecca's character, Dr Andrews, really coming to me and being like 'hey, you are valuable; hey, we actually could use you' was really exciting. And really getting a chance to go in and show all of who Bernie can be: that he had dreams of being a documentarian, that he had these wishes to see Hollow Earth. And then watching him immediately regret it the minute that he gets down there. To me it was like 'aaaah, I get this guy very much'." "So, he was a place to have fun. I got to wear leather. Like, that was truly all I really wanted. I was like 'can we put Bernie in leather?'. And Adam was willing to go along with my ride as well," Henry says. Pointing to Hall and Stevens, he also notes that "to be able to play with them" was among the appeal of returning to the character. "To be completely honest, to be able to play with them, to see that Bernie found a tribe and to find a family — it was a no-brainer to come back." On Leaping From Indie Thrillers to Monster Movies with the Same Director When Stevens starred in The Guest for Wingard in 2014, he'd already amassed a decade of on-screen credits. Downton Abbey had come calling by then as well. But the indie thriller was a breakout performance. At the time, reteaming with his director on a movie about Godzilla and Kong wasn't something he could've conceived would arrive ten years later, however. "I could definitely see Adam going on to direct big movies like this. He's steeped in fandom. He's a guy who worked in the video store throughout his adolescence and watched every single movie in that store. He just knows this world so well and is able to transmit that to fans, transmit that enthusiasm through the screen," Stevens says. "I never dreamed that I would be teaming up with him on this. I loved the job he did on the last movie with these two [Hall and Henry], and I just enjoyed that as a fan. So I was giddy when he asked me to join it, really." "And the fact that they wrote Trapper with me in mind was a huge honour — it made it very, very attractive. But also Trapper is a great character to join this world with. And it really embodies the spirit of fun, I think, that Adam brings to these kind of movies, and enables us to just go on a really wild ride with this one." On Letting Godzilla and King Kong Team Up, Rather Than Battle Each Other Hottle, Hall, Henry and Stevens' on-screen alter egos are Godzilla x Kong: The New Empire's human heroes. Their monster equivalents: both Godzilla and Kong. Neither were born into pop culture as villains. Watching them fight it out, including in Godzilla vs Kong, has always felt manufactured. Here, thankfully, they have other foes to deal with — primarily the Skar King, the orangutan-esque enemy that's been throwing his weight around Hollow Earth — in their roles of protectors of humanity and the natural world. Not just because he helmed Godzilla vs Kong, Wingard understands the appeal of having Godzilla and Kong face off. "I can remember as far back as being in maybe first or second grade and having arguments on the playground about who would win a fight, Godzilla or King Kong. That's just how iconic they are, that kids all know and love them," he notes. But with Godzilla x Kong: The New Empire, he also appreciates that getting Godzilla and King Kong teaming up is a dream scenario. "As a filmmaker, it's just the ultimate stomping ground of being able to play with toys on a creative level. And we're always finding new, interesting ways to explore their realities. These are 300-foot-tall characters, and so it's always fun to try to find things that you can juxtapose onto them that are relatable," he shares. "So, for instance, we have one scene in this film where Kong has some dental work done, and that was something that I was really pushing for right out the gate — because I've also had a lot of dental work done over the years, and had some pretty traumatic experiences. So in a way, I had to work in my own catharsis through Kong's experience of dental work in this movie. But that's just an example of how you're always trying to find relatable ways to re-experience the monsters." Godzilla x Kong: The New Empire opened in cinemas Down Under on Thursday, March 28, 2024. Read our review. Images: courtesy of Warner Bros. Pictures.
They headed Down Under to give the town of Yass a makeover. They toured their first-ever standup show our way back in early 2020, too. Now, to make 2022 a whole lot more fabulous, Queer Eye star Jonathan Van Ness is again venturing to Australia and New Zealand — bringing their latest live show Imaginary Living Room Olympian to Perth, Adelaide, Melbourne, Sydney, Brisbane and Auckland in September and October. On the agenda: not just tales from the Emmy Award-nominated television personality, hit podcaster and hairstylist to the stars' life, which'll definitely be included, but also gymnastics as well. Their last tour was inspired by a lifelong goal of becoming a figure-skating prodigy in time for the 2022 Beijing Olympics, after all. Clearly, that's not something you shake easily, and Van Ness has a gymnastics routine to show audiences this time around. The overarching theme of the show: that's it's not about the destination, but the journey. That might sound like standard advice, but fans of the rebooted Queer Eye know that no nugget of wisdom sounds average or cliched when delivered by Van Ness. The Imaginary Living Room Olympian tour comes after a big few years for Van Ness, including not only Queer Eye — which has notched up six seasons already — but this year's fellow Netflix series Getting Curious with Jonathan Van Ness, which is based on their podcast of the same name. And, there's Van Ness' publishing career, too, courtesy of 2019's Over The Top: My Story and this year's Love That Story: Observations from a Gorgeously Queer Life (plus children's picture book Peanut Goes for the Gold, about a gender non-binary guinea pig). Expect Van Ness' new shows to be popular — their last tour, which played 40 cities worldwide, sold out theatres in the US, the UK, Canada, Australia and New Zealand. View this post on Instagram A post shared by Jonathan Van Ness (@jvn) JONATHAN VAN NESS' IMAGINARY LIVING ROOM OLYMPIAN TOUR 2022 DATES: Friday, September 23 — Riverside Theatre, Perth Sunday, September 25 — AEC Theatre, Adelaide Wednesday, September 28 — Plenary, Melbourne Thursday, September 29 — Aware Super Theatre, ICC Sydney Friday, September 30 — Convention and Exhibition Centre, Brisbane Sunday, October 2 — Kiri Te Kanawa Theatre, Auckland Jonathan Van Ness' Imaginary Living Room Olympian tour heads to Australia and New Zealand September and October 2022. For more information or to buy tickets from 2pm local time on Friday, May 13, head to the tour website.
With so much focus on pollution and how we can reduce it, bikes are a cheap, convenient and environmentally-friendly method of travelling that more and more commuters are choosing. Take a look at some of the emerging trends and ingenious modifications that have been made to the humble bicycle. Forget your fixie, these are the real deal. Silverback Stark Sub Zero Ever left the house only to realise that your iPod is out of battery? You won't have that problem with the Silverback Stark Sub Zero, which has a USB port for charging your iPod, GPS system or phone. This is powered through an electric generator built into the wheel, and the bike's lights are also charged this way. If you ever get lost on a deserted rural road with no means of communication, just keep on peddling until you have enough battery to call your best mate. Edward Kim and Benny Cemoli's INgSOC The INgSOC bicycle also has a charging dock and lights that can be powered by the rider. However, this bicycle also has the advantage of looking like a cross between a transformer and some weird alien offspring. The frame is made out of carbon fibre reinforced polymer, which is incredibly strong and lightweight. The rider can choose to pedal the bicycle for some healthy exercise, or have it run by a battery back when they're in a rush or feeling especially lazy. Conveniently, the battery pack is charged by the rider pedalling. Nippon Basic CycloClean Nippon Basic have managed to develop a bike with a social conscience. The Japanese company's invention purifies water using energy from its rider's pedaling motion. The CycloClean is designed for those living in areas which might not have drinkable water, or places which have been hit by natural disasters. In just 10 hours of riding time, it can purify up to three tonnes of water. Furthermore, it has tyres which cannot be punctured, making it ideal for use in places where surfaces may be rough and inhospitable. If Captain Planet rode a bicycle, you best believe that this would be it. Toto Toilet Bike Neo According to Toto, they are a company that has 'been evolving Japanese toilets', which is no mean feat in and of itself. Here they take it one step further, by building a bike with a toilet on top of it. Before you get really disgusted, rest assured that the bicycle does not run on human waste, but rather livestock waste. The whole point of the bicycle is to promote environmental sustainability, as plumbing products are responsible for much of the emissions that harm Mother Nature. While you may get a few strange looks riding the Toilet Bike Neo, this is the kind of unique and creative campaign that we don't see enough of in the toilet industry. [via PSFK]
Come From Away has already proven an enormous success on Broadway and in London's West End. It has a heap of Tony and Olivier awards to its name as well. And, it has graced the stage in Melbourne, Brisbane and Sydney over the past few years, so Australian audiences have been able to experience its charms. Haven't yet been able to see the acclaimed musical? Already attended, but keen to give it a rewatch? Whichever fits, you'll soon be able to watch it from your couch, because the popular production is bringing its remarkable true tale based on real post-September 11 events to streaming from Friday, September 10. Apple TV+ has announced that it'll be adding a filmed version of the hit musical to its online catalogue. Yes, there's a difference between a filmed version and a film. Come From Away joins Hamilton in falling into the first category, because this streaming release features a recorded version of the play as shot at New York City's Gerald Schoenfeld Theatre. So, you'll be watching footage of a live version of the musical, featuring the Broadway cast (including original and current ensemble members) and directed by Tony-winner Christopher Ashley. If you aren't familiar with the musical's plot or the actual events that inspired it, it's quite the exceptional story. In the week after the September 11 attacks in 2001, 38 planes were unexpectedly ordered to land in the small Canadian town of Gander, in the province of Newfoundland. Part of Operation Yellow Ribbon — which diverted civilian air traffic to Canada en masse following the attacks — the move saw around 7000 air travellers grounded in the tiny spot, almost doubling its population. Usually, the town is home to just under 12,000 residents. To create Come From Away, writers and composers Irene Sankoff and David Hein spent hundreds of hours interviewing thousands of locals and passengers, using their experiences to drive the narrative — and, in many cases, using their real names in the show as well. The result is a musical not just about people coming from away (the term that Newfoundlanders use to refer to folks not born on the island), but coming together, all at a time when tensions were running high worldwide. Since being workshopped in 2012, having a run in Ontario in 2013, then officially premiering in San Diego in 2015, Come From Away has become a global smash. After opening on Broadway in 2017, it was still running before the theatre district closed due to COVID-19. The musical wowed crowds in the West End, too — and, when it first opened in Melbourne in July 2019, it became the Comedy Theatre's most successful musical in the venue's 91-year history. Along the way, the show has picked up a Tony Award for best direction of a musical, six other nominations, and four Olivier Awards out of nine nominations. Apple TV+ hasn't released a trailer for its filmed version of the musical, but you can check out a clip from the Melbourne production below: https://www.youtube.com/watch?v=-zmvy1p2FOE&feature=emb_title The filmed version of Come From Away will be available to stream via Apple TV+ from Friday, September 10. Images: Jeff Busby.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from November's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL CAUSEWAY Trauma is a screenwriter's best friend. If on-screen characters didn't have past stresses to overcome or new hardships to cope with — usually both — then dramatic scripts would barely last a few pages. Neither would horror flicks, or thrillers, or plenty of comedies; however, few films are happy to sit with trauma in the way that (and as well as) Causeway does. Starring Jennifer Lawrence (Don't Look Up) as a military veteran sent home from Afghanistan after being blown up, working her way through rehab and determined to re-enlist as soon as she has medical sign-off, this subtle, thoughtful and powerful movie grapples with several stark truths. It knows that some woes do genuinely change lives, and not for the better. It's well aware that many miseries can't be overcome, and completely alter the person experiencing them. It's keenly cognisant that that simply existing can be a series of heartbreaks, and escaping that cycle can be the most powerful motivator in the world. And, when Atlanta and Bullet Train's Brian Tyree Henry enters the picture as a New Orleans mechanic with his own history, it sees the solace that can be found between people willing to face their tough realities together. When Causeway begins, Lawrence's Lynsey is freshly out of hospital, and learning how to walk, dress, shower, drive and do all other everyday tasks again. Even then, she still wants to redeploy. Directed by feature first-timer Lila Neugebauer (The Sex Lives of College Girls), and penned by fellow debutants Ottessa Moshfegh, Luke Goebel and Elizabeth Sanders, the film spies the determination in its protagonist's eyes — and the pain she's trying to bury after she goes home to stay with her mother (Linda Emond, The Patient), gets drawn into old unhealthy dynamics, but finds a friend in Henry's kind, eager but haunted James. There's no cross-country drive with a canine, if the similarly themed Dog comes to mind, but rather a willingness to steep in Lynsey and James' complicated emotions. Neugebauer has the perfect central duo for the movie's key parts, too; neither Lawrence nor Henry's resumes are short on highlights, acclaim or award nominations, but their respective textured, naturalistic and deeply felt performances in Causeway ranks among each's best work. Causeway streams via Apple TV+. CALL JANE Whenever Call Jane peers Elizabeth Banks' way, the look on her face doesn't just speak a thousand words — it screams a million of them, even while she's silent. That said, although first-timer filmmaker Phyllis Nagy (who last penned Carol's screenplay) directs the lens towards her star often, there's nothing quite like Banks' expression in an early pivotal scene. The Charlie's Angels and Brightburn star plays Joy, a happy Chicago housewife with a 15-year-old daughter (Grace Edwards, American Crime Story) and a baby on the way, until she learns that her pregnancy is causing a heart condition. If she remains in the family way, there's a 50-percent chance that she mightn't survive; however, this is 1968 in America, before the Roe v Wade decision that legalised abortion. In the scene in question, Joy is the only woman in the room, and yet the men around her talk about her life and potential death like she isn't even present. Worse: most of those male doctors are only concerned about whether the baby might make it to term. Joy seethes with pain, anger and heartbreak, then secretly takes a path that'll be familiar to viewers of 2022 documentary The Janes, contacting a clandestine service that helps women in such circumstances. As played with charm, warmth, depth and potency by Banks, Joy does more than merely pick up the phone. Soon, she's helping other women cope, alongside a team of ladies led by Sigourney Weaver (Ghostbusters: Afterlife) as Virginia. The latter is also canny casting, bringing both gravitas and understanding to the role — and the rapport between Call Jane's two central figures helps convey not only the urgency driving and importance behind the hotline's existence, but the crucial camaraderie. Still at home venturing decades into the past on-screen, Nagy and cinematographer Greta Zozula ensure that every second looks the rich, authentic period part, and a well-chosen soundtrack adds to the time-capsule feel. Of course, Call Jane isn't merely a look back. It'd be moving, sensitive and inspiring if the situation in the US hadn't changed this year via a Supreme Court ruling, once again putting women in Joy's situation, but now it acts as a cautionary tale as well, not to mention a reminder about banding together to fight back. Call Jane streams via Prime Video. WEDNESDAY It's a truth that Morticia, Gomez, Wednesday and Pugsley would treasure: nearly a century might've passed since The Addams Family first graced the pages of The New Yorker in the 1930s, but this creepy, kooky, mysterious and ooky brood will never die. America's first macabre family keeps entrancing and enchanting audiences, luring them in with their unflinching embrace of the eerie, the gothic, and the all-round dark and twisted. Forget bumps, jumps, screams and shrieks, however; this off-kilter crew might pal around with a severed limb and adore graveyards, but they also delight in a gloriously eclectic, eccentric, embrace-your-inner-outcast fashion, as the 1960s TV show, 1991's live-action film The Addams Family and its 1993 sequel Addams Family Values, and now new Netflix series Wednesday understands and adores. The Addams Family's latest go-around arrives stitched-together as so much is of late. Netflix's algorithm has accurately gleaned that viewers love cartoonist Charles Addams' horror-influenced creations. It knows that people like mysteries and teen coming-of-age tales, two of the platform's favourite genres. And, the service is well-aware that already-beloved big names are a drawcard. Throw in Tim Burton directing like it's his 80s and 90s heyday, current scream queen Jenna Ortega sporting the trademark plaits, 90s Wednesday Christina Ricci returning in a new part, and a supernatural school for unusual children complete with Miss Peregrine's Home for Peculiar Children-meets-Hogwarts vibes, and Wednesday's various pieces are as evident as the sewn-on limbs on Frankenstein's monster. And yet, while seeing why and how Netflix has crafted this series, and which levers it's pulling to electrify its experiment, is as easy as getting a killer glare from Wednesday's teenage protagonist, enjoying every second because it's astutely, knowingly and lovingly spliced together is just as straightforward — especially with Scream, Studio 666 and X star Ortega leading the show so commandingly and convincingly. Wednesday streams via Netflix. Read our full review. 1899 Before the Titanic collided with an iceberg, became one of modern history's most famous tragedies and inspired one of cinema's biggest box-office hits, a different cross-Atlantic liner sailed into chaos. So says Dark's Jantje Friese and Baran bo Odar, with the German pair's new — and wholly fictional — Netflix series 1899 taking place onboard the steamship Kerberos 13 years before the sinking that everyone knows about. This vessel is travelling from England to America with 1400 crew and passengers, filling everywhere from stately rooms to jam-packed halls. Among its number: Maura Franklin (Emily Beecham, The Pursuit of Love), a rare female doctor at the time; Kerberos' captain Eyk Larsen (Dark alum Andreas Pietschmann); and everyone from French newlyweds hardly in the throes of married bliss to a devoutly religious Danish family. Then the ship receives word of a missing craft. Owned by the same company, the Prometheus took the same route four months prior, and was thought to have disappeared without a trace until that distress signal beckons. Friese and bo Odar love a mystery, and 1899 has a hefty one right from the outset. Friese and bo Odar also love making labyrinthine puzzle-box shows that keep dropping clues, twists, and philosophical ideas about the meaning and point of existence in aid of the bigger picture — aka an approach that made 2017–20 German-language effort Dark such a massive and deserving success. Here, they ensure that sparks ignite twice by diving even deeper into their favourite themes, tactics and flourishes, and delivering a boatload of thrills, suspense and intrigue. With Friese and bo Odar pulling the strings, Dark and now 1899 instantly grab attention with their riddles, nightmarishly brooding mood and — as one series put right there in its name — their willingness to get and stay dark. Throw in the pair's penchant for existential musings, trippy setups and premise-shattering revelations, and both shows are catnip for mystery lovers. 1899 streams via Netflix. Read our full review. THE ENGLISH It tells of gold rushes, of brave and dusty new worlds, and of yellow frontiers stretching out beneath shimmering and inky blue skies; however, the true colour of the western is and always will be red. This isn't a genre for the faint-hearted, because it's a genre that spins stories about power and its brutal costs — power over the land and its Indigenous inhabitants; power-fuelled in-fighting among competing colonialists; and power exercised with zero regard for life, or typically for anyone who isn't white and male. It's a rich and resonant touch, then, to repeatedly dress Emily Blunt (Jungle Cruise) in crimson, pink and shades in-between in The English, 2022's best new TV western. She plays one instance of the show's namesakes, because the impact of the British spans far beyond just one person in this series — and the quest for revenge she's on in America's Old West is deeply tinted by bloodshed. In her first ongoing television role since 2005, in a stunning and powerful series from its performances and story through to its spirit and cinematography, Blunt dons such eye-catching hues as Lady Cornelia Locke. With a mountain of baggage and cash in tow, she has just reached Kansas when The English begins, seeking vengeance against the man responsible for her son's death. But word of her aims precedes her to this remote outpost's racist hotelier (Ciarán Hinds, Belfast) and, with stagecoach driver (Toby Jones, The Wonder), he has own mission. That the aristocratic Englishwoman arrives to find her host torturing Pawnee cavalry scout Eli Whipp (Chaske Spencer, Blindspot) is telling: the plan is to blame her end on him. Before the first of this miniseries' episodes ends, however, Cornelia and Eli have rescued each other, notched up a body count and started a journey together that sees them each endeavouring to find peace in a hostile place in their own ways — and started their way through one helluva show. The English streams via Prime Video. Read our full review. DEAD TO ME When Dead to Me's ten-episode first season came to an end back in 2019, it was with secrets being exposed, plus a growing list of both woes and deaths. In season two, which dropped another ten episodes in 2020, Jen Harding (Christina Applegate, Bad Moms 2) and Judy Hale (Linda Cardellini, Hawkeye), the chalk-and-cheese pair at the show's centre, had worked through the fallout. There's been plenty to deal with, including the hit and run that left Laguna Beach real-estate agent Jen widowed, Judy's tale about the loss of her fiancé Steve Wood (James Marsden, Sonic the Hedgehog 2) and the truth behind both — as well as the reality of having Steve's kinder, cornier twin brother Ben (also Marsden) around. This is a show about cycles and circles, so when its second outing finished, it was with another accident, this time with Jen and Judy as its victims. That's where season three's ten episodes pick up, with the two women in hospital weathering yet another aftermath to a significant event with yet another round of life-changing consequences. Finding solace in complicated bonds, the strength to confront life's challenges, and the savviness to know when to appreciate the small wins and big delights: that's Dead to Me season three's arc. It's the series' in general, and was long before it was announced that it would finish after a third and final run. Of course, now that it's coming to an end — a fitting one, that keeps recognising the gifts, shocks, joys and sorrows that greet everyone — farewells and heightened feelings frequently go hand in hand. Cue unexpected diagnoses, meddling cops (returnees Diana Maria Riva, Kajillionaire, and Brandon Scott, Goliath), sleuthing federal agents (series newcomer Garrett Dillahunt, Where the Crawdads Sing), old flames (Natalie Morales, The Little Things) and frustrating neighbours (Suzy Nakamura, Avenue 5). And, cue creepy rooms filled with twin dolls, plus outlaw names: Bitch Cassidy and Judy Five Fingers (who chooses which is obvious) as well. Yes, Dead to Me goes all in on as many more plot swings as it can fit in as it rides off into the sunset. In the process, the show's swansong evokes as many emotions as it can, too. Dead to Me streams via Netflix. Read our full review. THE GUARDIANS OF THE GALAXY HOLIDAY SPECIAL Two words: Kevin Bacon. That's the festive gift that The Guardians of the Galaxy Holiday Special gives audiences, aka the gift that always keeps on giving. Viewers of this ragtag crew's big-screen adventures so far — including 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2 — know that Peter Quill aka Star-Lord (Chris Pratt, Jurassic World Dominion) loves the Bacon. Rightly so, too. Accordingly, in what's an obvious but also delightful move, the gang's first small-screen special celebrates the holiday season by trying to give the iconic Footloose, Friday the 13th, Apollo 13 and Wild Things star as a present. New to Christmas and its significance to humans, and knowing that Quill is struggling after a big loss, Mantis (Pom Klementieff, Westworld) and Drax (Dave Bautista, Glass Onion: A Knives Out Mystery) think that their plan is perfectly acceptable, but chaos ensues, including when the two discover Christmas decorations. The second of the Marvel Cinematic Universe's straight-to-streaming specials in 2022, and the second that's occasion-themed as well — following the Halloween-targeted Werewolf by Night — The Guardians of the Galaxy Holiday Special is Marvel at its silliest and fluffiest. Getting gleefully goofy, and retro, has always been Quill and company's vibe, but this 44-minute affair takes that tone to another level. There's no missing how slight it all is, how much heavy lifting Bacon does just by being Bacon in an on-screen realm that worships Bacon, and the fact that it's a piece of marketing timed just when merchandise sales could double as gifts. Nonetheless, the gang's usual writer/director James Gunn (The Suicide Squad) still heartily embraces his brief. A big highlight, other than the vibe, the fun and poignancy that spring, and teenage Groot (Vin Diesel, Fast & Furious 9), is the range of alternative Christmas songs on the soundtrack — starting with The Pogues' 'Fairytale of New York' and including Julian Casablancas and The Smashing Pumpkins' merry contributions. The Guardians of the Galaxy Holiday Special streams via Disney+. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK WELCOME TO CHIPPENDALES Scandals are to the true-crime genre like loose bills are to erotic dancers: virtually essential. On-screen stories about real life can exist without getting into ripped-from-the-headlines territory, of course, and performers who disrobe onstage can do their job without crumpled notes being thrust their way. Still, some synergies just work. In 2022, TV writer and producer Robert Siegel has happily mined sordid chapters of the past for two new streaming series, and how — first with the instantly watchable and engrossing Pam & Tommy, and now with the just-as-easy-to- Welcome to Chippendales. The second sees him survey the eponymous male stripping business, of course, showers of dollar notes and all. And for viewers who don't already know the details behind the world-famous touring dance troupe and its West Los Angeles bar origins, as started by Somen 'Steve' Banerjee back in the 70s and earning ample attention in the 80s, the full rundown has far more than scantily clad guys aplenty, lusty women, and bumping and grinding to an era-appropriate soundtrack. Kumail Nanjiani (Eternals) plays Steve, who rustles up the cash to start his own backgammon club by working in a service station for years. His dream place: cool, suave and sophisticated, and somewhere that Hugh Hefner might want to hang out. When a rush of patrons doesn't eventuate, the male dancer idea springs after a night at a gay bar with club promoter Paul Snider (Dan Stevens, Guillermo del Toro's Cabinet of Curiosities) and his playboy model wife Dorothy Stratten (Nicola Peltz Beckham, Holidate). But as business partners change, choreographer and Emmy-winning producer Nick De Noia (Murray Bartlett, Physical) gives the troupe its crowd-pleasing moves, Steve kinds a kindred spirit in accountant Irene (Annaleigh Ashford, American Crime Story) and costume designer Denise (Juliette Lewis, Yellowjackets) comes on board, this twists into a tale of money, envy, squabbles over power and ultimately murder. And yes, both Nanjiani and Bartlett are riveting to watch — as are the dance routines De Noia conjures up. Welcome to Chippendales streams via Disney+. MYTHIC QUEST Starring in short-form ABC iView and YouTube series Content back in 2019, Charlotte Nicdao played a wannabe influencer who hoped that her online antics would bring her fame. Nicdao's career dates back almost two decades now, including past roles on The Slap, Please Like Me and Get Krack!n, but the Australian actor has certainly catapulted to stardom after her #Flipgirl days. In Mythic Quest, her character Poppy Li has also been seeking the spotlight. A gifted coder, as well as the technical force behind the hit video game that gives the series its name, she wants recognition and respect more than celebrity status, however. Three seasons in, she also wants her own hit title, rather than just always being stuck in creative director Ian Grimm's (Rob McElhenney, It's Always Sunny in Philadelphia) shadow. So, they've branched out on their own, away from their big success, in what's supposed to be a true 50/50 partnership — if they can get it together. On-screen, this season is about breaking out of one's comfort zones and embracing new challenges, even if Ian and Poppy are just on a different floor of the same building as Mythic Quest's regular crew — such as neurotic executive producer David Brittlesbee (David Hornsby, Good Girls), his brusk assistant Jo (Jessie Ennis, The Flight Attendant) and disgraced ex-finance head (Danny Pudi, Community). The series itself isn't quite in the same situation, though, because it's still finding new depths to explore by focusing on its characters' relationships with each other. Throwing a motley crew together, watching them bounce around, seeing how they change and grow — if the characters in It's Always Sunny in Philadelphia were capable of significant change and growth, McElhenney's two shows would have plenty in common. They still do, including an incisive ability to satirise and reshape the genre they're each in, aka the workplace sitcom. As Mythic Quest keeps going, it also keeps getting sharper and funnier. Mythic Quest streams via Apple TV+. FLEISHMAN IS IN TROUBLE The title doesn't lie: when Fleishman Is in Trouble begins, its namesake is indeed struggling. He's also perfectly cast. If you're going to get an actor to play an anxious, unravelling, recently divorced man in his forties who's trying to navigate the new status quo of sharing custody of his kids, having a high-powered ex, and being initiated into the world of dating apps and casual hookups, it's Jesse Eisenberg. If his Zombieland character lived happily ever after until he didn't, or his Vivarium character was trapped into a different type of domestic maze, this book-to-screen series would be the end result. Fleishman Is in Trouble has Eisenberg play Toby, a well-regarded hepatologist who is passionate about being able to help people through medicine, but has spent more than a decade being made to feel inferior by Upper East Siders because his job hasn't made him rich enough. His theatre talent agent wife — now former — Rachel (Claire Danes, The Essex Serpent) had the exact same attitude, too, until she dropped their kids off at his place in the middle of the night, said she was going to a yoga retreat and stopped answering his calls. Written to sound like a profile — something that journalist, author and screenwriter Taffy Brodesser-Akner knows well, and has the awards to prove it — Fleishman Is in Trouble chronicles Toby's present woes while reflecting upon his past. It's a messy and relatable story, regardless of whether you've ever suddenly become a full-time single dad working a high-stakes job you're devoted to in a cashed-up world you resent. As narrated by the ever-shrewd Lizzy Caplan (Truth Be Told) as Toby's old college pal-turned-writer and now stay-at-home-mum Libby, Fleishman Is in Trouble dives into the minutiae that makes Toby's new existence such a swirling sea of uncertainty. At the same time, while being so specific about his situation and troubles, it also ensures that all that detail paints a universal portrait of discovering that more of your time is gone, your hopes faded and your future receded, than you'd realised. Everything from class inequality and constant social hustling to the roles women are forced to play around men earns the show's attention in the process, as layered through a show that's both meticulously cast and evocatively shot. Fleishman is indeed in trouble, but this miniseries isn't. Fleishman Is in Trouble streams via Disney+. THE SEX LIVES OF COLLEGE GIRLS That Chalamet family is everywhere. In cinemas, Timothée is currently taking a bite out of another yearning-filled romance — his specialty — in Bones and All. On streaming, The Sex Lives of College Girls starring his sister Pauline (The King of Staten Island) has just returned. After ranking among 2021's new highlights, this university-set comedy gets its second season off to just as charming and energetic a start, and with just as healthy a lashing of the kind of comedy that series co-creator Mindy Kaling is known for. If you watched The Office, The Mindy Project, Never Have I Ever and the TV Four Weddings and a Funeral remake, you know the vibe — but focused on four 18-year-olds navigating their freshman year at a prestigious Vermont college. And, while each one of that key quartet fits a type to begin with, including studious, sporty, posh and funny (yes, they're one short of the full Spice Girls), unpacking those first impressions sits firmly at the heart of the series. This time around, scholarship student Kimberly Finkle (Chalamet), aspiring comedy writer Bela Malhotra (Amrit Kaur, The D Cut), star soccer player Whitney Chase (Alyah Chanelle Scott, Reboot) and the wealthy Leighton Murray (theatre star Reneé Rapp) know what to expect on campus. When season two starts, however, they're persona non grata among the fraternities after season one's events. As well as humorously observing the antics of teenage girls discovering who they are, The Sex Lives of College Girls loves unfurling and interrogating obvious but loaded contrasts, like why its four smart protagonists feel drawn to the frat party scene to begin with. Also earning the show's focus in its latest batch of episodes, as examined with the same warmth, insight and hilarity as its first go-around: income inequality, busting preconceptions, coming out, relationship double standards and starting a comedy magazine. The Sex Lives of College Girls streams via Binge. 2022 CINEMA HIGHLIGHTS WORTH CATCHING UP WITH AT HOME PETITE MAMAN Forget the "find someone who looks at you like…" meme. That's great advice in general, and absolutely mandatory if you've ever seen a Céline Sciamma film. No one peers at on-screen characters with as much affection, attention, emotion and empathy as the French director. Few filmmakers even come close, and most don't ever even try. That's been bewitchingly on display in her past features Water Lillies, Tomboy, Girlhood and Portrait of a Lady on Fire, any of which another helmer would kill to have on their resume. It's just as apparent in Petite Maman, her entrancing latest release, as well. Now 15 years into her directorial career, Sciamma's talent for truly seeing into hearts and minds is unshakeable, unparalleled and such a lovely wonder to watch — especially when it shines as sublimely and touchingly as it does here. In Sciamma's new delicate and exquisite masterpiece, the filmmaker follows eight-year-old Nelly (debutant Joséphine Sanz) on a trip to her mother's (Nina Meurisse, Camille) childhood home. The girl's maternal grandmother (Margot Abascal, The Sower) has died, the house needs packing up, and the trip is loaded with feelings on all sides. Her mum wades between sorrow and attending to the task. With melancholy, she pushes back against her daughter's attempts to help, too. Nelly's laidback father (Stéphane Varupenne, Monsieur Chocolat) assists as well, but with a sense of distance; going through the lifelong belongings of someone else's mother, even your spouse's, isn't the same as sifting through your own mum's items for the last time. While her parents work, the curious Nelly roves around the surrounding woods — picture-perfect and oh-so-enticing as they are — and discovers Marion (fellow newcomer Gabrielle Sanz), a girl who could be her twin. Petite Maman streams via Stan. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September and October this year. You can also check out our running list of standout must-stream 2022 shows so far as well — and our best 15 new shows from the first half of this year, top 15 returning shows over the same period and best 15 straight-to-streaming movies up until June.
Prepare to say "accio remote!" and get comfier than Hermione Granger in a library. In the latest news that'll keep you glued to your couch this summer — and your latest fodder for an at-home movie marathon — everyone's favourite boy wizard is now working his magic on Binge. You won't need the Marauder's Map to find these enchanting flicks. Since Thursday, January 21, all eight movies in the Harry Potter series have hit the streaming platform, bringing their Hogwarts-set adventures to Australian audiences. If you've watched your DVD copies from the 2000s so many times that they're showing a little wear and tear — or your laptop no longer has a disc drive — this is butterbeer-worthy news. Yes, everything from Harry's (Daniel Radcliffe) first visit to Platform 9 and 3/4, the Yule Ball, the Triwizard Tournament, many a fluttering snitch and He Who Must Not Be Named are now at your fingertips. Prime viewing for wizards, witches and muggles alike — all 19 hours and 39 minutes of it. The Fantastic Beasts films haven't joined them, though with wizarding journey keeping its focus on the original franchise. If you're thinking that a time-turner might come in handy over the next few months, we completely understand. And if this sounds like somewhat familiar news, all eight movies were also available on Netflix back in 2019. That's the thing about streaming services, though — unless they're making and funding a movie or series themselves, films and shows can switch platforms as the rights deals behind them change. https://www.youtube.com/watch?v=EG37G--drDs&list=PLnpIp0ksj4UlQWQlPaRd6WrI9XSmS6B4u Find Harry Potter and the Philosopher's Stone, Harry Potter and the Chamber Of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet Of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, and Harry Potter and the Deathly Hallows Part 1 and Part 2 are all now streaming on Binge.
When the cool air starts to move in and the days get shorter, we know there's really only one thing you want to do: put your slippers on, stay in, order takeout and binge on anything even remotely worth watching. But by staying put, you miss out on all the eats you could be eating, drinks you could be drinking and things you could be thinging, erm, doing right-damn-now. So instead of whiling away your winter nights in front of the TV learning far too much about Call the Midwife (no judgement), we suggest grabbing your jacket, calling up a willing friend or two and setting out for the Boundary Street Markets. In partnership with Samsung, we road-tested the new Galaxy S9 and S9+ and its camera's low light abilities to snap some shots of our favourite dishes being served up every Thursday and Friday night. So, go on, seize the night and eat your way through the markets, documenting all the bites you happen upon for your 'gram without worrying about the lack of bright lights. SEAFOOD LAKSA FROM LITTLE NYONYA Few things say winter comfort food more than a steaming bowl of laksa, and at Little Nyonya, they seem to understand precisely what makes for a magnificently balanced bowl of the fragrant soup. Here, the laksa has a bit of a kick with a lightly spiced broth — but the Little Nyonya crew will be happy to sling some more chilli your way if you're after more of a punch. Along with the warming broth, your bowl will come heaped with prawns, fresh bean shoots, assorted veggies and garnishes. Winter chill, be gone. ABURI SALMON BOWL FROM RAIJIN Make sure your Boundary Street Markets trip doesn't end without a visit Raijin for one of its Aburi Salmon Bowls. Fresh salmon is sliced and fired on site so it gets a nice smoky flavour. It's then served atop a healthy bed of brown rice with some fresh veg to balance out that tasty, tasty sauce slathered on top. Every morsel of salmon is fire blasted and smoked just enough so that it still retains superb ocean freshness. This is a firm favourite of the Boundary Street Markets so be warned, there might be a small queue when you go to order your bowl. SLOW BREW CHAI When you've already had a feed but you could still use a little warming from the inside out, wrap your chilly fingers around a warm mug from Slow Brew Chai. As you sip the slow-simmered chai spiced with cinnamon, star anise, black pepper, cardamom and a few other secret spices, kick back and enjoy some of the free nightly music and entertainment. Extra points if you bring your own mug or keep cup. SALTED CARAMEL AND NUTELLA DOUGHNUTS FROM ORGANIC FROG There's really nothing to say about doughnuts that hasn't already been said — they're warm (obviously), somehow light (at least in texture) and completely delicious. But these here are Frog doughnuts. You could almost say they're a health food seeing as they're gluten free, dairy free, yeast free, egg free and low in sugar. So you know what that means — you can, and should, have two (or more). The stall's plain and cinnamon doughnuts come with toppings like salted caramel, Nutella and organic jam. Grab a half doz to share (or scarf up all by yourself) — just make sure to get a snap for your feed first, if you can. RATATOUILLE FROM MA PETITE Ma Petite is known for many things, especially its beef bourguignon and light-as-a-cloud crepes. But at this French food stall, we think the real star is the ratatouille. This French Provençal dish has a rich history as a simple yet hearty meal, where vegetables are the hero. Ma Petite's version is no exception. Served alongside fresh cucumber to balance out the tomatoey stew, fresh vegetables like zucchini, capsicum and eggplant are simmered in a mix of tomato and spices until tender. With no cheese or carbs to be found, this one is the epitome of healthy winter comfort food. CHICKEN MOMOS FROM TIBETAN MOMO CAFE Momos are one of Nepal's most popular traditional dishes — and with good reason. These tender parcels are filled with meat (or veg), steamed and served up with tomato pickle (golbheda ko achar) for dipping, smearing and generally enjoying alongside these doughy bites. These South Asian dumplings can be found on almost every street corner in Kathmandu and may remind you of the Chinese dumplings that we all know and love from yum cha. At the Tibetan Momo Cafe stall, you'll find chicken, beef and pork momos, as well as vegan and gluten-free options. Grab a plate of the steaming parcels to share — or to gobble up all on your own. Instead of spending your winter nights on the couch, discover all the after-dark happenings in your city here — and don't forget to document it all on the new Samsung Galaxy S9 and S9+, designed especially for low light so you can capture your best moments no matter what. Images: Cole Bennetts.
Sydney, it's your time to play the most entertaining game of "what if?" there is, especially if you love classic tales, pop songs and sensational musicals. Whether you studied it in high school or just obsessed over Baz Luhrmann's glorious 90s movie, everyone knows how Romeo and Juliet ends — and it doesn't conclude happily for either of its eponymous star-crossed lovers. But what if it didn't wrap up that way? What if Juliet lived to love again? And what if her experiences from there, after thwarting theatre's greatest tragedy, involved a whole heap of earworm tunes from the last couple of decades? The answer to how all of that might turn out already exists, all thanks to Olivier Award-winning jukebox musical & Juliet. A hit in London's West End since 2019, it remixes the iconic love story in multiple ways — tinkering with its narrative and throwing in all that toe-tapping music. And, it's coming to the Harbour City in 2024. The acclaimed show arrived in Melbourne in February 2023, with Australia only its second stop outside of the UK following Toronto. Now, it's taking its Shakespeare-meets-pop spectacle to more Aussie locations, locking in a run at Sydney Lyric Theatre from Tuesday, February 27–Sunday, June 2, 2024. A Perth run at Crown Theatre has also been confirmed from Saturday, December 30, 2023–Thursday, February 8, 2024 — Brisbanites, cross your fingers that the River City also gets a spin. If you're now thinking "wherefore art thou?" about & Juliet's setup, it picks up after the ending we all know doesn't eventuate. And, it muses on what might happen if Juliet could choose her own fate instead. That scenario involves Anne Hathaway — no, not that one — and her husband William Shakespeare, and features songs by Britney Spears, Backstreet Boys, Robyn, Katy Perry, The Weeknd, Kelly Clarkson and more. Tunes that get a spin: 'Larger Than Life', 'I Want It That Way', '... Baby One More Time', 'Show Me Love', 'Oops!... I Did It Again', 'As Long As You Love Me', 'Stronger', 'I Kissed a Girl', 'Since U Been Gone', 'It's My Life', 'It's Gonna Be Me' and a whole heap of others. The common factor between them all is Swedish songwriter Max Martin, who penned or co-penned every track on the musical's soundtrack. As well as Martin's involvement — including as one of & Juliet's co-creators — the musical features a book by the Emmy-winning Schitt's Creek writer and The Big Door Prize creator David West Read. And if you're wondering about the show's shiny Olivier Awards, it was nominated for nine for its West End debut season, and nabbed three: for Best Actress in a Musical, Best Actor in a Supporting Role in a Musical and Best Actress in a Supporting Role in a Musical. Down Under, Lorinda May Merrypor plays Juliet, while Rob Mills is Shakespeare, Amy Lehpamer steps into Anne's shoes and Blake Appelqvist gets his Romeo on. Also in the cast: Casey Donovan, Hayden Tee, Jesse Dutlow, Yashith Fernando, Georgia Anderson, Jade Delmiguez, James Elmer, Riley Gill, Jerome Javier, Giorgia Kennedy, Jordan Koulos and more. "If there were ever a show and a city that were made for each other it is Sydney and & Juliet, and I am thrilled we are finally bringing them together. This show that celebrates joy, love, diversity and taking chances are the same things that inspire and drive the people of Sydney and we can't wait to share it with them," said producer Michael Cassel, announcing the Sydney season. "& Juliet was such a hit in Melbourne that it completely sold out — I just know Sydney will embrace the show with spectacular enthusiasm." Check out the trailer for & Juliet below: & Juliet will play Sydney Lyric Theatre from Tuesday, February 27–Sunday, June 2, 2024, which includes preview performances from Tuesday, February 27–Wednesday, March 6 with tickets for $79. For more information or to sign up for the ticket waitlist — before tickets go on sale in September, with pre-sales from Monday, September 25 and general sales from Friday, September 29 — head to the musical's website. & Juliet will play Crown Theatre, Perth, from Saturday, December 30, 2023–Thursday, February 8, 2024 — with pre-sales from Monday, August 28 and general sales from Thursday, August 31. Images: Daniel Boud.
All of the taste, none of the hangover: that's what the recent move towards booze-free beers, wines, spirits and cocktails has promised. And, whether you're playing designated driver for a night, embracing Dry July midyear or just don't partake in the hard stuff for whatever reason you fancy, the trend has been rewarding non-drinkers' tastebuds with much-welcomed sipping options other than the usual soft drinks, juices and sparkling waters. Even bottle-os have been getting in on the zero-alcohol action, as you've likely spotted if you've browsed through your local rather than heading straight for your favourite tipple — and Dan Murphy's is now taking the idea a step further. The big booze-store chain has just launched its first-ever bar, a standalone venue, but it's strictly a teetotalling affair. Indeed, this Melbourne hangout only serves up drinks that won't give you a fuzzy head and fast-food cravings the next day. Bars that don't serve booze aren't new — back in 2021, Melbourne also became home to Brunswick Aces' Aussie-first temptation-free drinking destination, and it's no longer alone across Australia — but a brand as synonymous with alcohol as Dan Murphy's ditching the hooch is clearly designed to make a statement. The resulting watering hole is called Zero% by Dan Murphy's and pours more than 30 different non-alcoholic beverages at the bar, as well as selling 200-plus other booze-free drinks to take home. So, Melburnians can now stop by the Hampton spot for zero-booze beers from $2.99, including on tap — sips such as Urban Alley Pale Ale and Mornington Free Pale Ale — and 11 different wines sans alcohol starting from $5 a glass. Cocktails are also on the menu, as are booze-free premixes. And while Zero% dishes up snacks as well, patrons are able to order in their own food via delivery services. Folks eager to get drinking while staying stone-cold sober can head along seven days a week from 11am, with the bar staying open until later on Thursdays, Fridays and Saturdays. But, although clearly aiming to get customers equating Dan Murphy's with more than just liquor long-term, Zero% is only sticking around for a few months — operating until the end of June. While there's no booze on offer — some drinks might contain up to 0.5-percent alcohol by volume, but they're considered non-alcoholic by Food Standards Australia — you might still get carded upon entering or ordering a tipple at Zero%. That's part of Dan Murphy's policy to ensure that alcohol-like products aren't sold to under-18s. So yes, with no kids, dim lighting and bartenders serving drinks, the aim is to recreate the usual bar experience — just without the headaches. Zero% by Dan Murphy's is now open at 470 Hampton Street, Hampton — trading 11am–9pm Thursday–Saturday and 11am–7pm Sunday–Wednesday.
Beloved by budget-conscious shoppers, German-born discount supermarket chain Aldi has been slinging its groceries across Australia for over two decades. But for its next big Aussie move, it's setting up shop for just two nights — which'll be filled with ridiculously affordable gin, wine and cheese. As Aldi's devoted customers well and truly know, you can get plenty of things at the company's stores for cheap — not only food, but everything from beds and kettles to games and snow gear as well. On the culinary side of things, that includes dairy products and, in some states, vino, too. So to show them off, Aldi is launching a two-evening-only Sydney bar. Called The Trophy Room, it'll nestle into 111 Elizabeth Street and host just four seatings, with sessions from 5–6.30pm and 7.30–9pm on both Friday, July 15–Saturday, July 16. You'll need to nab a ticket to get in, with bookings opening at 9am on Friday, July 8. Expect plenty of competition for a spot, though — the fact that your entire visit will only cost you $4.41 is certain to attract a crowd. Yes, you read that price correctly. No, there's no missing numeral, and the decimal point isn't in the wrong place either. For less than a fiver per person, you'll get a gin cocktail upon arrival, then a tasting selection from Aldi's wine range, plus a cheese platter featuring Aldi cheeses to line your stomach. The reason for the pop-up, and the super-cheap price? To showcase Aldi's affordable and acclaimed wines, and its just-as-reasonably priced award-winning cheeses, all at a time when inflation is seeing supermarket prices rocket. The Trophy Bar is also designed to be replicated at home — the menu, that is — given that Aldi's vinos would start from $0.83 a glass if they were priced individually, and max out at $2.49 a glass. As for its cheeses, the chain advises that its triple-cream brie would cost $0.56 for a single serve, while a smooth blue cheese would be priced at $0.62. Aldi's Trophy Room will pop up at 111 Elizabeth Street, Sydney from Friday, July 15–Saturday, July 16. Bookings are limited, and open at 9am on Friday, July 8.
The Christchurch food scene is better than it has ever been. It's vibrant, quirky, sophisticated and in touch with the land. From fresh produce picked up at the local farmers' markets to the many restaurants, cafes and food trucks, there are opportunities for good eating experiences all over Christchurch. It's a place to come and enjoy food made with the best produce from the land and ocean, with respect for local farmers and producers. Christchurch's wealth of produce has made it the home of food foraging groups and ConversatioNZ, a movement initiated by chefs, restauranteurs, producers and writers in the food industry aiming to highlight the quality and vast array of spectacular food and edible resources available in New Zealand. It was hard to choose, but here are five of our favourite places to eat at in Christchurch. SUPREME SUPREME Saying something twice emphasises its meaning. This is certainly the case at Supreme Supreme, a cafe, coffee school and wholesale coffee venue within a stone's throw of Christchurch's city centre. Coffee Supreme has been producing particularly fine specialty coffee since the 1990's, first in Wellington, then moving on to Christchurch and Melbourne. Supreme Supreme is equipped with a full kitchen and bakery, offering tasty breakfast and lunch fare made from scratch using locally-sourced ingredients. The eatery arm of their venture continues their attention to detail and good taste. In past lives, the venue was a Land Rover dealership and the Hop Yick Asian Food Warehouse — the vibe now is of a futuristic and minimal diner. ROOTS RESTAURANT Whatever you do, don't forget to visit the port town of Lyttelton on a trip to Christchurch — the award-winning Roots Restaurant is only twenty minutes away, and it's not to be missed. The 2015 Restaurant of the Year is an eating adventure savoured by those who enjoy food gathered and made with commitment and love. The menu at Giulio and Christy Sturla's intimate 30-seater eatery encompasses what's fresh from the kitchen garden, nearby local growers and farmers. The five-, eight- and 12-course degustation menus showcase ingredients that reflect the seasons. Sit in the peaceful private garden or in one of two cosy dining rooms. THE LAST WORD With its Spanish Mission facades, New Regent Street has long been a favourite shopping spot for Christchurch locals. Recent times have seen a burgeoning of bars, restaurants and cafes pop up in this quirky little space. One of the standouts is definitely The Last Word. With two floors of ambient retro sophistication, this is the place to go for some quiet reflection or intimate conversation over a cocktail. Indeed, the whisky list is a veritable library collection of greats, curated with love and knowledge. Try a glass of their 19-year-old Glendronach vintage single cask; a crisp citrus twist flows through sherry poached pears and ripe yellow plums with a warming white pepper spice finish. THE MONDAY ROOM If ever there was a place to get a cocktail in Christchurch, it's at The Monday Room. Think many variations on the Bloody Mary and pages of cocktail puns. Housed in one of the oldest standing buildings in Christchurch, you'll be enveloped by the rich and opulent atmosphere whether you're there for brunch, dessert or anything in between. The locally-grown and organic-inspired menu is expertly executed by head chef Hannah Cooper-Grieve and showcases some of Canterbury's finest meat, seafood and produce. The wine list is all biodynamic and organic, and favours local vineyards, particularly those 45 minutes away in Waipara. SMASH PALACE Smash Palace started as a bus converted into a bar on Victoria Street, but it has now found more permanent digs on High Street in Christchurch. The famous beer hall, and the bus for that matter, are key factors in the success of the joint. On a sunny day the outdoor courtyard is packed with people enjoying a beverage. A family business, Smash Palace is dedicated to craft beer, local wine and the community, aiming to bring more of one to the other. They also serve some of the city's best made-from-scratch burgers in house-made buns. Maybe you've been to New Zealand's North Island, but have you ever ventured down South? Christchurch, and New Zealand's surrounding Canterbury region, is the perfect place for a quick holiday. Use our planning guide to book your trip, then sort out your itinerary with our adventure, nature and relaxation guides. Top image: Roots Restaurant.
With so much space and so few people, Australia has the edge when it comes to country pubs. There are eccentric, outback institutions, hundreds of kilometres from anywhere, that have witnessed murders and shoot-outs and cattle stampedes. There are posh hotels with incredible views and gourmet menus featuring emu and camel and kangaroo. There are cosy joints with fireplaces where the locals will sidle up for a yarn within minutes and offer you a beer. Here are ten of the best of the lot. PUB IN THE PADDOCK, TASMANIA There are two reasons to visit Tassie's Pub in the Paddock. One, it's actually in a paddock. So, you'll find yourself in the country — seriously — and surrounded by spectacular, rolling green scenery. Two, it's home to a beer-sculling pig by the name of Priscilla, who can knock back a stubby in seven seconds. Don't fret; the alcohol content is significantly diluted. You can stay the night in one of six private rooms, and the pub, which has been licensed since the 1880s, is famous for its fresh-fuelled menu and hug-worthy hospitality. Find Pub in the Paddock at 250 St Columbafalls Road, Pyengana, 30 kilometres inland from St. Helens. Give 'em a call on (03) 6373 6121. GRAND HOTEL, WESTERN AUSTRALIA Built in 1902, the Grand Hotel is as friendly as ever. Back in the day, it was an epicentre for local gold diggers, but these days it shares its home town of Kookynie with just ten people. Travellers still drop by, though, to hang out on the Grand's wide, shady verandahs and stay the night in its spacious, old-school rooms. Keep an ear out for ghosts. The Grand Hotel is on Kookynie Rd, Kookynie, which lies 200 kilometres north of Kalgoorlie. Call on (08) 9031 3010. PRAIRIE HOTEL, SOUTH AUSTRALIA Situated right where the Flinders Ranges turn into the outback, the Prairie Hotel, which has been licensed since 1876, serves up your cold one with excellent mountain views. It's also home to one of Gourmet Traveller's Top 100 Gourmet experiences, the Feral Mixed Grill. That's kangaroo fillet, camel sausage, goat chop and emu patty. There's enough accommodation for 90 people, from fancied-up heritage rooms to architect-designed executive studios to self-contained cabins. You'll find the Prairie Hotel on the corner of High Street and West Terrace, Parachilna, 90 kilometres north of Hawker. Make a booking on 1800 331 473. DALY WATERS PUB, NORTHERN TERRITORY It's possible that the Daly Waters has a bigger bra collection than any pub in Australia. The legend goes that, back in the '80s, a passenger passing through bet her coach driver that, if she couldn't drink a nominated number of beers, she'd leave her bra behind. She lost. Ever since, other patrons have felt the urge to donate their undergarments to the display. Built in 1930, the Daly Waters sits on the Explorers Way, 600 kilometres south of Darwin and 900 kilometres north of Alice Springs. Its official dress is 16 Stuart Street, Daly Waters. Call up on (08) 8975 9927. SCARBOROUGH HOTEL, NEW SOUTH WALES On a sunny Sunday, many a Sydneysider scoots down to the Scarborough Hotel for a lazy afternoon overlooking the sea. Situated just an hour's drive from the city, it's not quite as hardcore countrified as other pubs on our list, but you'd travel a long way to find one with better Pacific Ocean views. The spacious 'Seacliff' Beer Garden comes with both tables and island-inspired huts. Best to book in advance on weekends. The Scarborough Hotel is at 383 Lawrence Hargrave Drive, Scarborough. Make contact on (02) 4267 5444. THE LOADED DOG, NEW SOUTH WALES Country music fans crowd into The Loaded Dog every third Saturday of the month for its legendary live gigs. A stack of well-known country musicians have played there, including Amber Lawrence, Luke O'Shea and Felicity Urquhart. Built in 1848 in the then bustling, now disappearing town of Tarago, 69 kilometres northeast of Canberra, the pub used to be the main pit stop for travellers to and from the national capital. Now, it's on the scenic route, but worth the detour for its open fireplaces and hearty bistro fare. The Loaded Dog is at 1 Wallace Street, Tarago. The number is (02) 4849 4499. NINDIGULLY PUB, QUEENSLAND Daly Waters might have the bras, but Nindigully has the Akubras. One-hundred-and-forty or so of them hang on the walls, donated mostly by local farmers and stockmen. Situated on the banks of the Moonie River, Nindigully is the oldest continuously licensed pub in Queensland, having been in operation since 1864. Visitors are welcome to camp and park their caravans nearby, and there are free showers on tap. Find this one on the Carnarvon Highway via Thallon, 160 kilometres west of Goondiwindi, 45 kilometres east of St George and 70 kilometres of the Queensland-New South Wales border. Call in on (07) 4625 9637. BIRDSVILLE HOTEL, QUEENSLAND One of Australia's most famous pubs, the Birdsville Hotel perches on the edge of the Simpson Desert, in the town of Birdsville, 1,590 kilometres west of Brisbane and 720 kilometres south of Mt Isa. One hundred people live there. The pub was opened in 1884 and is a gathering place for locals, who are only too happy to shout visiting strangers a beer and a story or several. If you're keen to stay, there's plenty of room at the associated motel units. Stay over on a Sunday night and you'll be treated to a traditional roast. The Birdsville Hotel is on Adelaide Street, Birdsville, and can be reached on (07) 4656 3244. TINAMBA HOTEL, VICTORIA Tinamba Hotel makes the list for keeping its old-school, unassuming atmosphere, but introducing a delicious, locally sourced menu. The owners even list their producers on their website. Established in 1874, the pub has changed hands numerous times and is now owned by food-and-wine-loving pair Brad Neilson and Damien Gannon, who bought and revamped it in 2009. The pub is situated in Gippsland dairy farming country, in the small town of Tinamba. Find it at 4-6 Tinamba-Seaton Road and get in touch on (03) 5145 1484. TANSWELLS COMMERCIAL PUB, BEECHWORTH For getting in touch with your bush-ranging ancestry, Tanswells Commercial Pub in Victoria's northeast is the place to go. Ned Kelly and his Gang used to drink here while planning their next exploits. These days, there's an open fire and a long drinks list, featuring craft beers and wines from local, regional and international producers. Stay over and leave yourself time to wander through the historic goldfields town of Beechworth. Find Tanswells Commercial Pub at 50 Ford Street, Beechworth and phone in on (03) 5728 1480.
Man the glitter cannons, crank the human-sized hamster wheels and blast the oversized wind machines; SBS has just announced it's developing a version of the Eurovision Song Contest for the Asia Pacific region. Yep. HOLY. CRAP. Announced today, the Australian broadcaster has signed an exclusive option with the European Broadcasting Union (EBU), the owners of Eurovision, to establish an Asian version of the contest. And guess who's up for hosting? AUSTRALIA. Really. According to SBS, the inaugural event would be hosted by Australia in 2017 (next year, my giddy aunt) and would then travel to other countries in the Asia Pacific. Like the Eurovision Song Contest proper, the Asia Pacific event would allow countries to showcase their songwriting and performing talent. Think about it, from J-Pop to K-Pop to Bollywood, this is perfect territory for Eurovision. "As the official broadcaster of Eurovision for over 30 years, SBS is pleased to explore the opportunity to bring an event of this calibre more closely to our shores, strengthening the multicultural ties in our region," said SBS managing director Michael Ebeid. "Asia Pacific has a spectacular music culture and the perfect next step to extend the Eurovision brand, bringing its hugely popular appeal beyond Australian audiences and to the wider region." Capitalising on the undeniable global success, crazy, crazy production values and epic scale of Eurovision, this brand new (and insanely close-to-home) event would bringing together up to 20 countries from the Asia Pacific region to compete in one live annual grand final. SBS and Blink TV will spend the next few months talking to potential sponsors, commercial partners and regional broadcasters to bring the event to life by 2017. With the potential to attract an estimated one billion viewers across the Asia Pacific region, we're pretty sure these'll be positive chats. No pressure, Dami Im. Image: Thomas Hanses (EBU).
A few months after Tropfest's near-death experience, founder John Polson has gone into greater detail on the alleged "financial mismanagement" that almost led to the festival's downfall. Appearing on triple j's Hack with Tom Tilley, Polson spoke about the moment when he first found out about the event's economic woes, and appeared to imply that blame lay at the feet of his business partner, Tropfest managing director Michael Laverty. "We raised well over a million dollars towards Tropfest last year and I got an email in early November saying we had not enough money to move forward with the event," Polson said on the Thursday, February 12 radio show. "It was obviously an incredible shock and a devastating blow." Polson claims to have documents proving the financial mismanagement, but declined to share them due to his impending court case against Laverty's company. "I don't believe Michael Laverty did the cliche thing of going off and spending it in the Bahamas but clearly something went wrong," he said. "There was massive, massive financial mismanagement that went down with this event and it's terrible and I'm trying to fix it." Tropfest was thrown a lifeline in December when CGU insurance stepped in to fund this year's festival, which will take place this Sunday in Sydney's centennial gardens. Polson is currently working on plans to secure the festival's long term future, and recently launched a crowdfunding campaign which has a week left to reach its $100,000 target. Polson also spoke about Hollywood star Mel Gibson, who was this week announced as a Tropfest judge alongside actors Simon Baker and Rebecca Gibney, director Jocelyn Moorhouse and cinematographer Don McAlpine. The news raised some eyebrows, given Gibson's unfortunate habit of saying appalling things whenever he's near a microphone. Nevertheless, Polson defended the choice, calling Gibson "an Australian icon." "As a 15-year-old in 1980 I went to see Mad Max and watched it three or four times over," said Polson. "What's happened to him in the last few years you'd have to ask him about." Via Hack. Image: Tropfest.
Home wine delivery is finally catching up with the wine fiend’s need to sample as many drops from as many places as often as possible. A new US-based service by the name of Vinebox brings wines to your door — by the glass, rather than by the bottle. For a neat monthly price, subscribers score three premium drops, sourced from wine regions all over the planet. Fingers crossed for an Australian version. Each tasting comes in the form of a 100ml vial. Thanks to Vinebox’s patented, cutting-edge tech, the packaging process meets the stringent standards demanded by bottling. The wine is not exposed to oxygen at any point, so you can store your samples for at least three years. Vinebox’s team of specialists and sommeliers are experts in unique vineyards, obscure locations and wines that wouldn’t normally be available in the US, so subscribers can count on fun and interesting discoveries. And the company provides your own user account, enabling you to keep track of your tastings and thoughts. Once Vinebox has established your preferred flavour profiles, you can choose to receive personalised recommendations — very much like this savvy taste-predicting app. So who dreamed up this handy service? Vinebox is the creation of two former attorneys from New York City, Matt and Rachael, who quit their jobs to pursue their passion for wine. Their goal is to promote “spectacular” wines made in independent wineries around the world that often don’t make it to bottle shop shelves. Unfortunately, Vinebox is only taking sign-ups from US residents at the moment. We’re hoping it’s not long before it catches on here.
At this point, it's not really a surprise when Uber announces some strange, attention grabbing promotion. Sometimes they bring you ice cream. Other times, it's kittens. And this Australia Day, they're delivering the most Australian thing of all: an umpire to officiate your high stakes game of backyard cricket. Starting from 11am on January 26, Uber users in Sydney, Melbourne, Brisbane, Perth, Adelaide and Canberra will be able to log onto the app and, with the touch of a button, request an UberUMPIRE who can lay down the law when it to comes to the at best sketchily laid out rules of the countries favourite backyard pastime. "Like so many great traditions, the official ‘rules’ of this revered sport have long been a cause of debate, testing the patience (and mateship) of well-meaning backyard athletes across the nation," reads a statement on Uber's website, confirming that yes, this is in fact an actual thing that is happening. "We thought it was about time someone put a stop to this, so we’ve joined forces with the legendary Billy Bowden and our mates at Optus to bring you UberUMPIRE – your very own, real-life, legit, Cricket Umpire on-demand." https://youtu.be/7Gxi6TKtVFk Via Pedestrian. Image via Dollar Photo Club.
No shirt, no shoes, no problems whatsoever. London is getting a pop-up restaurant that takes the concept of casual dining to a whole new level. Opening over the northern summer, The Bunyadi promises a dining experience free from the distractions of your complicated modern life. That means no phones, no electricity and – yep! – no clothing. Now, technically the no clothing clause is an optional one, with the restaurant split into nude and non-nude sections. But who are we kidding here: if you're rocking up to a clothing optional restaurant and not going naked, what exactly was the point? Taking its name from the Hindi word for 'natural', The Bunyadi is the brainchild of Lollipop, the pop-up specialists responsible for ABQ, London's Breaking Bad-themed cocktail bar. Guests at their new venture will be seated in wood-hewn furniture and dine by candlelight on flame-cooked food served in handmade clay crockery. "We believe people should get the chance to enjoy and experience a night out without any impurities: no chemicals, no artificial colours, no electricity, no gas, no phone and even no clothes if they wish," Lollipop founder Seb Lyall told Made in Shoreditch. "The idea is to experience true liberation." Reservations will be released on a first come, first serve basis. Anyone interested in dining in the buff can sign up to the waitlist behind 3500 other nudists at The Bunyadi's website. Via Made in Shoreditch. Image: Patryk Dziejma. UPDATE APRIL 28, 2016: As of today, there are a whopping 28,000 people on the waitlist for The Bunyadi. And it's climbing. Better off just getting your kit off in the dining room at home?
You may have heard that Chinese artist and political commentator Ai Weiwei's work will be hitting Australia for the huge blockbuster summer exhibition Andy Warhol Ai Weiwei at the National Gallery of Victoria in December. But in a bizarre twist, the artist's work and freedom of speech is being threatened by none other than Lego, the Danish toy company that has brought delight to kids dads everywhere for generations. In a move that shocks nobody who’s ever stood barefoot on a tiny plastic brick, Lego have revealed themselves to be pretty damned villainous. Weiwei announced via Instagram on Saturday that Lego refused his studio’s order for bulk bricks on the grounds that Lego “cannot approve the use of Legos for political works”. The order was going to be used to build a room-sized installation of portraits of Australian activists who fight for human rights and free speech. Weiwei sardonically adds that Britain is opening a Legoland in Shanghai as a direct result of the special political relationship between the UK and China, which most definitely falls under the category of 'political works'. In September Lego refused Ai Weiwei Studio's request for a bulk order of Legos to create artwork to be shown at the National Gallery of Victoria as "they cannot approve the use of Legos for political works." On Oct 21, a British firm formally announced that it will open a new Legoland in Shanghai as one of the many deals of the U.K.-China "Golden Era." A photo posted by Ai Weiwei (@aiww) on Oct 23, 2015 at 6:04am PDT As expected, the resultant internet furore has been A+. One plucky Twitter user @dgatterdam astutely reused an Ai Weiwei quote “Everything is art. Everything is politics.” to generate debate while others proceeded to give in to their baser instincts and gave the (in some cases literal) middle finger to Lego. @aiww Uh oh, no one tell @LEGO_Group I used my Legos to make a political statement! #legosforweiwei pic.twitter.com/euOyW86xrP — Mila Johns (@milaficent) October 25, 2015 Both approaches worked in spreading the word however and it wasn’t long before the good people of the internet were offering up their own Legos for Weiwei's use instead. Weiwei made a statement yesterday that his studio will be collecting donated Lego in different cities to create the exhibition anyway (suck it, Lego, may you walk on a sea of thousands of your jagged blocks for eternity). He also said that he would be changing his exhibition piece to reflect the events and defend (more fervently) the tenants of free speech. In September 2015 Lego refused to sell Ai Weiwei Studio a bulk order of Lego bricks for Ai's artworks to be exhibited at the National Gallery of Victoria in Melbourne on the basis of the works' "political" nature. Ai posted this notice on his Instagram on Friday, October 23rd. Lego's position triggered a torrent of outrage on social media against this assault on creativity and freedom of expression. Numerous supporters offered to donate Lego to Ai. In response to Lego's refusal and the overwhelming public response, Ai Weiwei has now decided to make a new work to defend freedom of speech and "political art". Ai Weiwei Studio will announce the project description and Lego collection points in different cities. This is the first phase of the coming projects. A photo posted by Ai Weiwei (@aiww) on Oct 25, 2015 at 10:37am PDT So how can you stick it to Lego and send your own blocks to the cause? We expect the Weiwei studio to announce collection points in the coming weeks and we’ll keep you updated. In the meantime, follow Weiwei's tweets, check the studio website and collect up all your old Lego pieces because soon enough they’ll be going down in history. Via New York Times/NPR. UPDATE OCTOBER 28, 2015: National Gallery of Victoria has been announced as the first international Lego collection point for the Ai Weiwei project. The artist today confirmed that the NGV will become the first Lego collection spot outside of Beijing. From Thursday, October 29, a car will be placed in the NGV sculpture garden in Melbourne as a repository for the Lego blocks. Donors are encouraged to bring in their Lego blocks and drop them through the sunroof of the vehicle.
In huge news for the Australian music industry and fans alike, US music events giant Live Nation has announced it's snapped up a controlling stake in Secret Sounds Group — the organisation behind both Falls Festival and Splendour in the Grass, run by Jess Ducruo and Paul Piticco. This 51 percent stake marks the first Aussie acquisition for the enormous LA-based company, which already lays claim to over 80 global festivals, including Lollapalooza, Reading, Leeds, Bonnaroo, Austin City Limits, Governor's Ball, Electric Daisy Carnival, and Rock Werchter. According to Music Business Worldwide, the deal excludes Secret Sounds Group-owned record labels Dew Process and Create Control, and Dew Process Publishing. Helmed by Michael Rapino, Live Nation has been buying up especially big in the music biz of late, with France's Nous Productions, South Africa's Big Concerts, and a majority stake in Tennessee's AC Entertainment just some of the 2016 additions to its ever-bulging portfolio. Nine months into this year, the group had already forked out a cool $113.1 million on net acquisitions. "Splendour in the Grass and Falls are the two most iconic festivals in Australia," said Rapino in a statement announcing the deal. "Jess and Paul have created events that attract the biggest artists in the world but still feel uniquely Australian. We look forward to partnering with them to find new ways to grow our live event footprint across Australia." Secret Sounds co-CEOs Ducrou and Piticco echoed the sentiment in their statement. "We started Secret Sounds with the sole mission of introducing Australians to the best artists, events and music possible, and Live Nation is the perfect partner to help us take this goal to the next level. With their support we can continue to curate the lineups that fans love, while also experimenting with new exciting ways for fans to experience live music." That such a big global player is now shouldering in on the Aussie festival scene and in control of two of our most prominent music events, could spell dramatic changes ahead. Via Pedestrian and Music Business Worldwide. Image: Splendour/Bianca Holderness. Home page image: A. Catt.
Chucks: for a long time, it seemed like every second person had a pair. There have been different colors, patterns and materials, but there has never been a significant redesign of this ubiquitous shoe. Or at least there hadn't been – until now. On July 28 Converse is officially set to release the All Star II, a brand new iteration of their classic Chuck Taylor All Star. It's about time, too. As iconic as they may be, Chucks aren't historically the most comfortable shoe to actually wear. Walk any significant distance in them and your feet tend to feel like a combination of white noise and the burning sensation of the sun. Thankfully, it would appear Converse has been listening to our complaints. You won't hurt your arches with the new All Star II, which uses Nike Lunarlon cushioning to make it feel like you're walking on a fluffy cloud. The shoe will also feature a more "breathable" micro-suede lining and a padded non-slip tongue. At the end of the day though, while the guts may be different, the outside remains more or less the same. Converse is keeping the familiar rubber toe, All-Star patch and matte eyelets, albeit with a few minor enhancements. Moreover, classic Chuck-lovers don't need to worry: the All Star II isn't replacing the original. Rather, it's an addition to the family. Unlike its predecessor, there are only four colours available for the limited initial run (black, blue, red, and white). That being said, don't be surprised if Converse release more versions of this new shoe after the first run has ended.
Cinderella horrifically mangled in a pumpkin car crash. Dodgem cars run by the Grim Reaper. Model boat ponds filled with dead bodies. Welcome to Banksy's Dismaland. Banksy has unveiled his biggest show to date, a family theme park that's highly unsuitable for children, a festival of "art, amusement and entry-level anarchism". Opened on a 2.5 acre site on the Weston-super-Mare seafront in the UK, Banksy's largest project has been kept under wraps for months, until today. According to the Guardian, locals and tourists were convinced the disused '30s lido space was being used for a Hollywood film set — fake crime thriller Grey Fox. Wander through cardboard airport security and you'll find a frankly terrifying theme park — a huge flip of the bird to Disneyland, even though Banksy banned any imagery of Mickey Mouse on site. Banksy personally selected 58 artists including Damien Hirst, Jenny Holzer, Julie Burchill, Jimmy Cauty (former KLF) and more, most of whom never met the elusive legend. The theme park's 'attractions' are another world of messed-up. Banksy's own ten works include Cinderella's pumpkin crashed in a large castle, a grisly recreation of the death of Princess Diana, surrounded by paparazzi (and you get a souvenir photo on the way out, lovely). The Grim Reaper rides the dodgems. There's a Punch and Judy show, rewritten with a nod to Jimmy Saville. Yeesh. There's a model boat pond, filled with dead bodies and overcrowded asylum seeker boats. There's cute little model village, swarmed by 3000 riot police following civil conflict. There's a Jeffrey Archer Memorial Fire Pit, locked in for daily book burnings, and an armour-plated riot control car used in Northern Ireland, with a slippery dip. For the kids, there's a 'pocket money loans' shop, handing out sweet sweet junk change with a 5000% interest rate to land them in debt for life. There's an 'advice bureau' where you can buy tools to break into bus stop ads and replace them with propaganda. "Are you looking for an alternative to the sugar-coated tedium of the average family day out? Or just somewhere a lot cheaper?" says Banksy. "Then this is the place for you. Bring the whole family to come and enjoy the latest addition to our chronic leisure surplus." #Dismaland #dismaland_park #banksy #streetart #dismalanbeamusementpark # A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 6:21am PDT #dismaland #banksy A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 8:39am PDT Dismaland Park #dismaland #banksy #dismaland_park #streetart #banksyart #disney #ladydi #paparazzi A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 11:56am PDT Banksy's dismaland park #dismaland #banksy #dismalanbeamusementpark #disney #england #streetart A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 5:20am PDT #streetart #dismaland_park #dismalanbeamusementpark #dismalandpark #dismaland #banksy #fuckthepolice A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 5:53am PDT #dismaland #banksy @dismaland_park A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 6:33am PDT Dismaland park #dismalandpark #dismaland #banksy #dismalanbeamusementpark #disney @dismaland_park A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 5:36am PDT Dismaland bemusement park @banksy @dismaland_park A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 5:02am PDT #dismaland #banksy A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 6:47am PDT #dismaland_park #dismalanbeamusementpark #dismalandpark #Dismaland #banksy #england A photo posted by Banksy (@dismaland_park) on Aug 20, 2015 at 5:42am PDT Banky's Dismaland is open until September 27. There'll be 4000 tickets available each day at £3 each at dismaland.co.uk. Via Guardian, Huffington Post, NY Daily News. Top image: Yui Mok.
What’s better than two new cinemas? Four more new cinemas, of course! Since New Farm Cinemas’ grand unveiling in late July, eagle-eyed patrons and passers-by will have noticed an extra word nestled amongst its name. As emblazoned in lights on the front of the building, the picture palace’s official moniker is New Farm Six Cinemas — but that number didn’t quite ring true until now. For months, only two screens were operational while renovations in the heritage-listed site continued. Instead, the boutique-sized, retro-styled venue’s name was a sign of things to come as builders laboured away behind the scenes to create and finalise four additional theatres. Just in time for Christmas, the city’s newest movie house can now proudly live up to its proper name. Stage two of the refurbished building is complete, doubling the seating capacity of the complex. New Farm Cinemas’ friendly proprietors believe the extra four screens were worth the wait, and we have to agree. The new the Red Room and Blue Room can house 100 and 88 people, respectively, and feature bean bags at the front of each auditorium for extra comfort. The main attractions are the 30-seat Gold Rooms, home to the venue’s premium movie-going experience. If you’re after full-service food and drinks directly to your cinema seat, extra legroom and plush surrounds, then this is the place to be. And in keeping with the venue’s affordable pricing, a Gold Room ticket is only $21.50. The just-opened theatres join the Purple Room — the cinema’s restored centrepiece harking back to the venue’s many former lives as the Merthyr Picture Palace, The Astor and The Village Twin — as well as the newly created, already-operational Bronze Room. In even better news for cinema-goers, more seats to fill means more movies to screen, including new releases, special events and the venue’s growing program of flashback films. Whether you’ve already been to New Farm Cinemas, or you’ve been waiting to find the right time, you no longer have an excuse.
Maintaining that perfect yoga pose may have just gotten a wee bit easier, thanks to the latest innovation in wearable tech. Australian company Wearable Experiments have developed a pair of yoga pants with electronic sensors that will vibrate when you're body is out of alignment. Thanks to the Nadi Smart Fitness Pants, you'll never have to feel self-conscious at beginner's yoga class again. Y'know, except for the fact you're wearing vibrating leggings. The unassuming looking pants come fitted with sensors that can sense your body's position. If you're not downward dogging quite hard enough, subtle haptic vibrations on the wearers skin let them know they need to adjust. And while you might think wearing vibrating pants would be distracting (get your mind out of the gutter), the vibrations are designed to be so subtle that you process the feedback subconsciously. "As someone who doesn't always know the correct form or alignment or pose, I find having that proper guidance is crucial," said Wearable Experiments co-founder and CEO Billie Whitehouse at the Consumer Electronics Show in Las Vegas earlier this month. "As a lifestyle product, Nadi not only acts as that guide, but also integrates into your everyday life – reminding you of something as simple as uncrossing your legs while sitting down." The pants, along with corresponding Android and iOS apps, will be available later in the year for an undisclosed amount of money. According to Mashable, the pants will last up to 25 washes, and can be recharged by a basket that is currently being developed. In addition to their yoga pants, Wearable Experiments also make smart rugby and football jerseys that let fans feel what the players on the field are feeling. What a brave new world. Via Mashable.
The world's best game of connect the dots is currently happening in Brisbane. Step foot inside Brisbane's Gallery of Modern Art, and it begins — first with a multi-coloured, circled-covered sculpture, then with giant yellow spheres suspended from the ceiling. Bright canvases blasted with tiny pinpricks, portraits of animals surrounded by giant rings, mannequins with orb-like structures protruding from their torso — the list goes on. They're present on paintings of pumpkins, on recreations of the Venus de Milo and when you peer into a mirrored hexagon through a circular porthole. Of course, given that GOMA is currently playing host to a free 70-plus piece retrospective of Yayoi Kusama's work, dots are inescapable. Whether peppered across other objects, floating through the air or plastered across a white room by a willing audience, they've been a part of the Japanese artist's work since she was ten years old. Ask her why, and she has a simple answer: "I am just another dot in the world," she has famously replied — and it couldn't better encapsulate the feeling of looking at her repetition-filled, infinity-pondering artistry. That sentiment doesn't just echo throughout the gallery. It's written on one of its walls — not that visitors need the reminder, given the round shapes that linger everywhere you look. The exhibition might be called Life Is the Heart of a Rainbow after one of her most recent pieces, but at the heart of that rainbow sits a giant circle. Yes, we mean that literally. It's one of the last paintings on display, so you'll see it for yourself. Co-curated with the National Gallery Singapore, where the exhibition displayed until September, the vast showcase also spans everything from Kusama's 'net' paintings and soft sculptures to her black-and-white pieces and video work — and, all of the dot-flecked pieces that you could imagine. Running in Brisbane until February 11, 2018, it's an immersive experience that has to be seen to be truly understood and appreciated. Here's six things to look out for along the way. [caption id="attachment_646485" align="aligncenter" width="1920"] Anwyn Howarth[/caption] I WANT TO LOVE ON THE FESTIVAL NIGHT A mirrored hexagonal box isn't the type of thing that you see every day. Neither is the kaleidoscopic array of colourful lights shining brightly inside. An Instagrammer's dream, I WANT TO LOVE ON THE FESTIVAL NIGHT was specially created for the exhibition's Singapore stint, though it has evolved from her 1966 effort, Kusama's Peep Show. You'll want to peer into each of the structure's three viewing holes, and, given the changing hues, you'll want to stay staring through each for at least a few minutes. [caption id="attachment_646487" align="aligncenter" width="1920"] Anwyn Howarth[/caption] THE HEART OF KUSAMA'S RAINBOW Colour abounds in Life Is the Heart of a Rainbow, just like dots; but standing in one particular room in the exhibition will make you feel like you're bathing in several pails of paint. The bright, spiky shapes of Kusama's sculptures combine with the vibrant hues and vivid lines in her paintings, making the room seem alive. And that's without featuring any of the artist's immersive installations in this specific space. [caption id="attachment_646493" align="aligncenter" width="1920"] Anwyn Howarth[/caption] THE OBLITERATION ROOM It's an old favourite for a reason, and it's back. Interactive in the best, brightest and most fun possible way, The Obliteration Room stems from Kusama's childhood perception, seeing the world through a screen of tiny dots. After "obliterating" her work with dots from that moment, she now asks everyone else to do the same. You step inside a room, painted white from floor to ceiling — including all of its surfaces, fixtures, furniture and objects too — and then add spots of colour in sticker form. Yes, running around sticking spots on everything is as fun and therapeutic as it sounds. [caption id="attachment_646512" align="aligncenter" width="1926"] Sarah Ward[/caption] SOUL UNDER THE MOON Other than dots, one thing is certain at Life Is the Heart of a Rainbow: whatever day or time you visit, there'll be a line visible on the other side of the exhibition entrance. It's for the most immersive aspect of the show, and it's well worth the wait. While you're only allowed inside SOUL UNDER THE MOON for 30 seconds given the queue, you'll find a dark, mirrored room filled with suspended glowing balls awaiting once you enter. Be careful not to step too far when you're marvelling at its luminous sights that appear to go on forever (or taking snaps), or you'll find yourself in water. [caption id="attachment_646510" align="aligncenter" width="1920"] Sarah Ward[/caption] PUMPKINS AND POLLEN If you can wander through Life Is the Heart of a Rainbow and leave without feeling the need to eat pumpkin, then you clearly haven't spent enough time looking at Kusama's orange corner. You won't just find paintings of vegetables on display here, but sculptures that look like mutated pollen, a horror-movie like tentacle piece called Sex Obsession, and quite the blend of fabric, stylised anatomy and paint. Just when your cravings subside, however, you'll enter the mirrored THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS — and you'll be seeing pumpkins for days. [caption id="attachment_646494" align="aligncenter" width="1920"] Anwyn Howarth[/caption] KUSAMA'S VIDEO WORK Amidst the colour, movement, mirrors and dots of GOMA's exhibition, it's easy to walk past the dark room out the back — but don't. Inside, you'll find documents and video works from throughout Kusama's career, plus a seat to sit down and watch. Doing just that is recommended, whether you want to see the artist walk through the streets five decades ago, or see her stick dots on a cat. Yes, the latter does happen, and yes, it's as fantastic as it sounds. "If there's a cat, I obliterate it by putting polka dot stickers on it," is another of her famous quotes, after all. Yayoi Kusama: Life is the Heart of a Rainbow exhibits at Brisbane's Gallery of Modern Art until 11 February 2018. For more information, head to the gallery website. Images: Anwyn Howarth / Sarah Ward.
Hey kids, seems pizza does grow on trees, according to mightily-moustachioed, all-American comedian Nick Offerman. In a brand new Funny or Die video, the Parks and Recreation star takes you on a rip-roaring tour through his fictional Pizza Farm — where the team are hard at work "growing the ripe, juicy pizzas your kids love.” We wish. "What could be healthier than this? Acres of pizza, kissed by the sun, stretching as far as the eye can see." Offerman, or ‘food expert’ Daniel Francis, unearths Sloppy Joes from moist fields irrigated by cola, picks taquitos from the tree, wanders past fish finger vineyards, and eats a fresh slice of pepperoni pizza straight from the tree. “If it’s on a plant, it’s good for you, who cares how it got there.” According to TIME, Offerman’s genius Pizza Farm is apparently a big ol’ flip of the bird to idiotic protests against First Lady Michelle Obama’s huge campaign to change US school lunch regulations and get Congress to reauthorise the Healthy, Hunger-Free Kids Act of 2010 — which regulates the amount of unhealthy, high fat, high sugar, high salt food you can serve to school kidlets at lunch. Until then, most US school lunches will remain as cheaply-made and unhealthy as they can possibly can be. But as Offerman says, "French fries are practically salads, which is why I like mine with ranch." Pizza Farm with Nick Offerman - watch more funny videos Via TIME.
You won't have to worry about missing Brisbane's Wineology when jumping out of your Uber — the giant gold letters on the street frontage will surely let you know you've arrived. And thank heavens, because this is one place you don't want to miss out on. The wine bar has Italian Enomatic wine dispensers, which means it can offer up glasses of wine from perfectly preserved bottles without cracking them open. Thanks to this, more than 96 options are available by the glass at Wineology. You can choose from the machine which wine you'd like to taste, pick either a half or full serve, and return to your table and enjoy. This sounds very simple, but with so many wines available, it's actually very hard. We suppose you'll just have to keep coming back. Wineology also has a substantial retail section for bottles you can either take off-premises or enjoy at your table for a small corkage fee. Of course, with all this wine, it's probably the responsible thing to do to have a snack or two, and luckily, the team has you covered for that, too. Its tapas menu includes patatas bravas with harissa and garlic, burnt maple lamb ribs, house-made blue swimmer crab, Moreton Bay bug agnolotti, and pulled duck leg empanadas. If you're vegetarian, there are also plenty of options — think heirloom tomatoes with burrata, baked cauliflower seasoned with thyme, or Paris truffle mashed potatoes with butter, chives and charcoal salt. If you arrive for lunch, a selection of baguettes is available, too, with options including grilled steak, Louisiana fried chicken, and slow-cooked pork belly with garlic aioli. Wineology also hosts heaps of events, so if you'd like to broaden your wine knowledge, watch its website for tasting events and education workshop updates.
Ever wanted to own your own Banksy original? Well now for a mere $435,000 you can. And while that may sound a bit steep, the price actually isn't that bad when you consider that it includes the entire three bedroom house on which the mural is painted. Located on the side of a two-story terrace in Cheltenham, Gloucestershire, Spy Booth depicts three secret agents dressed in trenchcoats and dark glasses monitoring a nearby phonebooth with surveillance equipment. Painted in April 2014, it's viewed as a comment on the global surveillance scandal caused by whistleblower Edward Snowden. The house is located just a few kilometres away from the headquarters of the GCHQ, Britain's security and intelligence agency. But while you might imagine that having a Banksy on the side of your house would be a blessing, the owner of 159 Fairview Road says he has experienced constant stress since the appearance of the artwork, which he's been unable to remove or sell since council planners granted it retroactive planning permission. So instead, he's selling the whole building. "If Cheltenham want it, they can have it," 45-year-old David Possee said in an interview. "Just buy the building off me, I just want to get on with my life. Cut me free, you can have the Cheltenham Banksy." Fair warning to any potential bidders out there: while the artwork may be great, the house itself is in need of serious renovations. Or, as real estate agents Peter Ball & Co put it, "requires a comprehensive schedule of refurbishment." To view the listing, go here. Via Domain.
A brand new streaming service could change the way you watch new release movies — assuming you're willing to fork over the cash. The latest online endeavour from Napster co-founder Sean Parker, Screening Room wants to bring movies into your living room on the same day they hit cinemas. The idea has already received backing from several major Hollywood filmmakers, including Peter Jackson, Martin Scorsese, J.J. Abrams and Steven Spielberg. But hostile theatre chains and prohibitive costs could mean the service remains a way off yet. The biggest hurdle, it would seem, is the cost of the service. Subscribers would need to purchase a US$150 set top box, after which they'd be charged $50 per film, which would remain available to them for 48-hours. Admittedly, you're paying for the convenience of not having to leave the house, and if you get enough people to chip in, it could easily work out cheaper than going to the cinema. But by the same token, if you're willing to wait a few months, you'll be able to watch the exact same movie on Netflix for a fraction of the price. The reason for the cost is in part to placate theatre owners, who might understandably be none too pleased about Parker trying to muscle in on their territory. According to Variety, as much as $20 out of each $50 rental fee would be paid to exhibitors, in return for two free tickets to see the given film in theatres, should Screening Room subscribers so choose. Film studios would also get a substantial slice of the pie, with Universal, Sony Pictures and Twentieth Century Fox all expressing interest in getting on board. There have, however, been several prominent naysayers, including filmmakers James Cameron and Christopher Nolan, who reaffirmed their commitment to theatrical presentation. It's easy to see their point: films are designed to be viewed on the big screen with the best possible picture and sound, something that cannot be replicated at home. On the other hand, it only takes one jerk on their phone in front of you to ruin the whole experience. Of course regardless of what happens with the Screening Room, we'd wager it'll still be quite a while before it makes its way to Australia. Looks like movie night is still a go, for now. Via Variety.
Anyone who’s dreamed of spending a summer living in Berlin has just gotten some added incentive. The German capital has officially enacted new rent-control legislation, in order to curtail rising rental prices that have been driving low-income earners out of the city. Must be nice. The new law, which was approved by the German parliament in March, will prohibit landlords from increasing rent to more than 10 percent above the local average. The law was already in place for existing contracts, but will now apply to new tenants as well. Berlin was previously experiencing some of the fastest rising rental rates in Europe, with the average rate jumping by more than 9 percent between 2013 and 2014 alone. If you’re wondering why Australia doesn’t have similar legislation on the books, then welcome to the club. A recent global survey that took into account rental prices as well as various other cost of living factors including food, transport and utilities found that Sydney was the fifth most expensive city in the world, with Melbourne right behind at number six. Brisbane came in at 21, while Perth and Adelaide tied at 24. By comparison, New York City was number 26. That’s right. Living in New York is less expensive than Perth. The NSW Greens Party actually proposed changes to Sydney rental laws during their state election campaign earlier in the year. Under their proposal, rises in rent would be tied to the rate of inflation, and landlords would be restricted to one price increase per year. Member for Newtown Jenny Leong has pledged to introduce the legislation to the state’s lower house. In the meantime, Flight Centre has tickets to Berlin starting at $1499. Via The Guardian. Image: Dollar Photo Club.
This year's Oscars belonged to one man, much like the last year in cinema has. It doesn't happen all that often, but the best film of the past twelve months dominated the Academy Awards — as did the filmmaker behind it. By winning Best Picture, Bong Joon-ho's Parasite became the first movie in a language other than English to do so. Let that sink in: it's the first film to score the top prize in the Oscars' 92-year run. By winning four trophies, all of which went to Bong thanks to his work as the movie's director, co-writer and co-producer, Parasite also became this year's most awarded feature. Given that before 2020, a South Korean film had never even been nominated for an Oscar — not even in the Best International Feature category — Bong well and truly made history. What a delight it was to see him so overwhelmed by the recognition, whether paying tribute to Martin Scorsese, a filmmaker he himself studied in film school, or thanking Quentin Tarantino for championing his movies from the get-go. How relatable it was, too, to hear Bong reveal his post-Oscars plans several times: "I will drink until the next morning". Still, while Parasite deservedly came out on top, 2020's ceremony spread the love across a heap of worthy films. A whopping 14 features won gongs, ranging from Once Upon a Time in Hollywood, Judy and Rocketman's respective renderings of showbiz history to Taika Waititi's 'anti-hate' comedy Jojo Rabbit — with the latter making him the first Maori person to win an Oscar. Among the other highlights: Janelle Monae and Billy Porter wowing everyone with a lively song-and-dance number right out of the gate, Maya Rudolph and Kristen Wiig demonstrating that they would've killed it if they'd emceed the host-less ceremony, and Chris Rock mentioning how vaginas are missing from the director's nominees this year. Among the oddities: Eminem taking to the stage to sing his 2003 Oscar-winner 'Lose Yourself' for some unknown reason. That's the ceremony done and dusted. Now, if you haven't already, it's time to enjoy all the flicks that just received shiny accolades. From the second movie to nab an actor a prize for playing the Joker, to two Netflix films you can stream right now, here are all of the winners that you should add to your viewing list. https://www.youtube.com/watch?v=w_0KJAzyUJc PARASITE Won: Best Picture (Kwak Sin-ae and Bong Joon-ho, producers), Best Director (Bong Joon-ho), Best Original Screenplay (Bong Joon-ho and Han Jin-won), Best International Feature Film Our thoughts: "Bong Joon-ho has crafted a bleak, twisty blend of black tragi-comedy, pulsating thrills and socially relevant horror — a movie that's such a phenomenal example of all that cinema can and should be that you'll want to high-five the filmmaker after watching it... This isn't just a killer picture on all of the standard levels, however. Contemplating society's growing class collisions and inequities, Parasite also makes a killer statement." Where to watch it: In cinemas, still — and it's also available to rent or buy on DVD. Read the full review. https://www.youtube.com/watch?v=gsL_spv4yEw ONCE UPON A TIME IN HOLLYWOOD Won: Best Actor in a Supporting Role (Brad Pitt), Best Production Design (production design: Barbara Ling; set decoration: Nancy Haigh) Our thoughts: "Incessantly keen to splash his affection for celluloid history across the screen as always, Quentin Tarantino is in his element recreating Hollywood's golden days, its big names and LA's gleaming sights, and nodding to westerns once again. But, befitting a flick about weathering seismic personal, cultural and societal shifts, Once Upon a Time In Hollywood is a glorious character piece first and foremost." Where to watch it: Available to rent or buy on iTunes, YouTube, Google Play and DVD. Read our full review. https://www.youtube.com/watch?v=IwRL0u87nbc 1917 Won: Best Cinematography (Roger Deakins), Best Sound Mixing (Mark Taylor and Stuart Wilson), Best Visual Effects (Guillaume Rocheron, Greg Butler and Dominic Tuohy) Our thoughts: "The storytelling gimmickry is obvious, jamming in chaos and peril across a wealth of scenarios, but the overall impact is inescapably immense and heartbreakingly intense. What Dunkirk did for a pivotal World War II event, 1917 does just as commandingly for an entire earlier war." Where to watch it: In cinemas. Read our full review. https://www.youtube.com/watch?v=C61wB6DTwiA JUDY Won: Best Actress in a Leading Role (Renee Zellweger) Our thoughts: "Stepping into a famous figure's shoes might be one of acting's most difficult feats, especially when that person is cinema royalty, but Renee Zellweger doesn't ever feel like she's just impersonating Judy Garland. Rather, she wears Garland's ruby slippers as if they're her own — and they fit perfectly." Where to watch it: Available to rent or buy on iTunes, YouTube, Google Play and DVD. Read our full review. https://www.youtube.com/watch?v=gr-Lg-_KFHU JOKER Won: Best Actor in a Leading Role (Joaquin Phoenix), Best Original Score (Hildur Guðnadóttir) Our thoughts: "Joker is unflinchingly bold and brilliant in one inescapable fashion, as it was bound to be when it cast its lead. All skin, bone and sinew as he cavorts, frolics and chortles, Joaquin Phoenix is in stunning, mesmerising, awards-worthy form yet again. His raspy cackle isn't easily forgotten; neither is his off-kilter demeanour." Where to watch it: Available to rent or buy on YouTube, Google Play and DVD. Read our full review. https://www.youtube.com/watch?v=BHi-a1n8t7M MARRIAGE STORY Won: Best Actress in a Supporting Role (Laura Dern) Our thoughts: "While Marriage Story does indeed tell the tale of a marriage, this devastatingly astute and empathetic drama does so within a portrait of the relationship's dying days and its rocky aftermath... In his ever-perceptive way, Noah Baumbach hones in on figures whose lives are a shambles, then watches as they natter their way forward — revealing their fragile core while revelling in the minutiae of their existence." Where to watch it: On Netflix. Read our full review. https://www.youtube.com/watch?v=4MCOpNti_pQ LITTLE WOMEN Won: Best Costume Design (Jacqueline Durran) Our thoughts: "Greta Gerwig works wonders with her script and her actors — tasks that might seem easy, but still bear her fingerprints — however she also directs a visually sumptuous film. Little Women sparkles with warmth and charm, not only when dresses catch alight and catastrophic haircuts inspire laughs, but across tender and heartbreaking moments." Where to watch it: In cinemas. Read our full review. https://www.youtube.com/watch?v=m36QeKOJ2Fc AMERICAN FACTORY Won: Best Documentary Our thoughts: The first film produced for Netflix by Barack and Michelle Obama, fly-on-the-wall documentary American Factory tackles a subject of paramount importance — not just to the former President and First Lady's own country, but worldwide. Across three years, directors Steven Bognar and Julia Reichert chronicled the operations of a Chinese-owned plant in Ohio, crafting an eye-opening portrait of the human impact of the global economy. Where to watch it: On Netflix. https://www.youtube.com/watch?v=Pl9JS8-gnWQ TOY STORY 4 Won: Best Animated Feature Film Our thoughts: "Reflective, sweet, sensitive and virtually guaranteed to wring a response out of even the most cynical of viewers, Toy Story 4 is a classic Pixar piece... At its best, this saga is as imaginative, amusing and fun as it is thoughtful, with bright, bouncy animation to match — and, returning to the heights of the first film, the franchise is at its best again here." Where to watch it: Available to rent or buy on iTunes, YouTube, Google Play and DVD. Read our full review. https://www.youtube.com/watch?v=NTm5DWgL-MU ROCKETMAN Won: Best Original Song ("(I'm Gonna) Love Me Again — music by Elton John, lyrics by Bernie Taupin) Our thoughts: "There's a vibrant spark to Rocketman as it charts Reginald Dwight's transformation into Elton Hercules John. A glorious tone, too, which couldn't work better. Showing how fantastical the ups and downs of fame, fortune and rock stardom can be by sashaying through a sea of surreality, the result is a winning marriage of form and feeling." Where to watch it: Available to rent or buy on iTunes, YouTube, Google Play and DVD. Read our full review. https://www.youtube.com/watch?v=tL4McUzXfFI JOJO RABBIT Won: Best Adapted Screenplay (Taika Waititi) Our thoughts: "Waititi's irreverent, irrepressible sense of humour is usually a delight (see: his aforementioned films, plus What We Do in the Shadows and Thor Ragnarok), but Jojo Rabbit is at its best when it actually dials back the gags, mockery and pointed current-day parallels, and instead hones in on its central trio in less overt moments." Where to watch it: In cinemas. Read our full review. https://www.youtube.com/watch?v=I3h9Z89U9ZA FORD V FERRARI Won: Best Film Editing (Andrew Buckland and Michael McCusker), Best Sound Editing (Donald Sylvester) Our thoughts: A car-racing film that branches beyond speeding vehicles driving in circles around a track, Ford v Ferrari is more than just a dramatised account of two automotive companies battling it out in a prestigious race, too. With particular thanks to Christian Bale's performance as British driver and engineer Ken Miles, this is a celebration of smarts, hard work and ingenuity — and one that's engaging, thrilling and superb on a technical level as well. Where to watch it: In cinemas. https://www.youtube.com/watch?v=jjOdDd4NEeg BOMBSHELL Won: Best Makeup and Hairstyling (Kazu Hiro, Anne Morgan and Vivian Baker) Our thoughts: "Bombshell is the slick, shiny version of a ripped-from-the-headlines story, which earned global attention when it broke back in 2016. Airbrushed to buffer away blemishes and avoid tricky spots, it's watered down to deliver an easy, glossy, simplified narrative. " Where to watch it: In cinemas. Read our full review. Top image: Parasite.
If you're a female chef, sommelier, waiter, restaurateur or manager — in short, if you're a woman and you work in hospo — there's a brand new not-for-profit in Australia dedicated to you. It's called WOHO and it's already attracted the support of some big names in the industry, including Christine Manfield, Danielle Alvarez and Nadine Ingram, who'll be acting as mentors. Even though 51.8 percent of Australian hospitality workers are women, only 15.4 percent of CEOs in the same industry are. So, when it comes to the top jobs, females are seriously underrepresented. WOHO will be bringing educational opportunities and forums to professionals at all stages of their careers. Members will be able to share experiences, ask questions, discuss issues, seek advice and access a supportive network. There'll be a formal mentoring program, regular events and meet-ups. "It is a very exciting time for Australian hospitality, which is now getting more recognition on the world stage," says Julia Campbell, founder and chair of WOHO. "While our forward-thinking approach to food and concepts is well-recognised, it is imperative that we face the issue of female underrepresentation at a senior level in the industry. WOHO is a vehicle for us to inspire, recruit and retain more females and to give them the confidence to support themselves and each other in their professional development." The rest of the WOHO Board is made up of Anna Pavoni (Ormeggio), Jane Hyland (4fourteen), Claire van Vuuren (Bloodwood), Michelle Maiale (A Tavola), Jane Strode (Bistrode CBD), Lisa Hobbs (Dedes Group), Lisa Margan (Margan Estate), Kerrie McCallum (delicious and Stellar) and Lyndey Milan (OAM). WOHO will launch on May 29 at 6pm at Three Blue Ducks, 1/85 Dunning Avenue, Rosebery. There'll be food by Bloodwood, 4Fourteen, Pastry Project and Bistrode CBD, and drinks by Printhie, Lisa McGuigan, Margan Estate, Young Henrys and Santa Vittoria. Tickets are $25 (members) or $30 (non members). WOHO membership is $10/month.
Want to run your own cinema? Well, here’s your chance. 346 George Street, the address most recently known as Tribal Theatre, is up for rent. You might have your work cut out for you though, with the state of the venue pretty ambiguous. When it was last operational, it was the type of place you might say 'has character' if you were being nice. Think decades-old chairs, furniture hardly made for comfort, stained carpet and a rather specific smell. It has been more than a year since Tribal Theatre hosted events of any kind, and longer still since it boasted anything resembling normal film sessions. Their website is no longer up and running, and their Facebook page has become an echo chamber of uncertainty about the venue’s outcome. The saga of the site is longer than a horror movie marathon, and comes with more meandering diversions than The Room — and yes, upon hearing it, you’ll want to start throwing spoons at something. Weekly screenings of cult films, alternative programming and retrospectives started winding down towards the end 2011 amid widespread reports of the cinema’s closure. Thankfully, new operators swooped in and saved the day — well, kind of. Tribal's doors remained open, but its focus turned to hired events over film. After a parade of gigs, hypnosis shows, stand-up, burlesque, and even live grindhouse wrestling — yes really — it has sat empty and unused since late 2013. In its most recent versions, Tribal Theatre was always unconventional — and not just because of the ghosts alleged to haunt the place. The name stems from the travel agency that was based in its foyer from 2010 to 2013, spruiking tours to backpackers. Again, we’re not joking — and it was something that needed to be seen to be believed. A coffee cart and a bank of computers also took over parts of the entryway, similarly aimed at travellers. Indeed, despite its beloved program of weird and wonderful movie delights and its use as a base for the now-defunct Brisbane International Film Festival from 2010 to 2012, film increasingly felt like an afterthought. Plans to renovate, add a bar, and revamp the site into a live music venue were rumoured, but didn’t eventuate. It’s a sad state of affairs for a cinema that had been running in one form or another since 1910. The site started as the Lyceum Theatre, before becoming the George from the 1960s. Dendy took over in 1994, adding a second screen and running the place as Brisbane's premier arthouse cinema until 2008. This isn't the first time the building has faced an unknown fate, but just what comes next is anyone’s guess. For now, it remains home to ghosts, stories and memories, unless someone new comes to its rescue. Perhaps you? Just think of what you could do with the place.
For many, the idea of camping — packing the car with a tent, sleeping bag or swag and going bush for a healthy dose of nature – is fun. For others, the idea of getting out into the great outdoors sends a shiver of displeasure up the spine. But no matter which camp you fall into, we're happy to report that there's a middle ground. And that middle ground is glamping. A portmanteau of glamour and camping, glamping has gained popularity among those of us who are happy to camp as long as we have small luxuries such as wifi, coffee and comfortable bedding. Take a coffee break and scroll through ten of the world's most incredible, luxurious glamping experiences — from Queensland to Tanzania, via Chile. NIGHTFALL, LAMINGTON NATIONAL PARK, QUEENSLAND Breathe in the pure, fresh mountain air at Nightfall, and you'll feel like you've finally arrived at the life you should have been living all of these years. This super-exclusive camp is limited to six guests at a time, so you'll be guaranteed privacy. Take a dip in a natural spa pool in nearby rapids, or just laze in your private luxury tent accommodation. Located in a 'Lost World' paradise, this luxury camping accommodation would be absolutely perfect for a special anniversary, a birthday holiday, or just because you want to. MERZOUGA LUXURY DESERT CAMP, MOROCCO Imagine enjoying a sumptuous Moroccan feast under the stars in the heart of the desert, before retiring to your tent for a sound sleep in a squishy-soft bed. And when you open the traditional camel-skin door on your tent the next morning, a sea of red sand dunes rise up to greet you. Well imagine no more, because this is exactly what you're going to get when you head to the Merzouga Luxury Desert Camp in Morocco. Located in the quiet and idyllic sand dunes of Erg Chebbi, this tastefully appointed and endlessly glamorous camp is perfect for those seeking a luxury stay in one of the most incredible deserts in the world. WILD RETREAT, TOFINO, BRITISH COLUMBIA Few wilderness camps even come close to the experience you're going to have at Wild Retreat. ScarJo and Ryan Reynolds honeymooned here (that's enough reason in itself to visit), and since it's only accessible by seaplane or boat, you're at greater risk of being accosted by a bunch of raccoons than being overrun by tourists. Enjoy the charming vintage-style tents, and then get out there and explore the incredible wilderness of British Columbia. PAWS UP, MONTANA, USA If you have something special to celebrate and you happen to find yourself in Montana, then we suggest that you get yourself to the Paws Up luxury camping park and indulge in the Cliffside Camp experience. Each safari-like tent comes complete with a private bathroom, fans, heaters, fine bed linen and a chef and butler at your beck and call. There's a dining area with a view you'll never find in Australia, and you won't have to sacrifice a good coffee and breakfast in the morning. LEWA SAFARI CAMP, KENYA If seeing the "big five" (lions, elephants, buffalo, leopard and rhino) is on your list of things to do, then you might just want to fling yourself in the direction of the Lewa Safari Camp. Spread out in your comfortable private tent under your thatched roof, and enjoy the sight of animals sunning themselves on the stunning Lewa plains through your opaque tent. Perhaps you might feel like taking a picnic out onto the plains. That's totally acceptable, and indeed encouraged. SPICERS CANOPY, SCENIC RIM, QUEENSLAND There are only ten tents at the Spicers Canopy accommodation in Queensland's Scenic Rim, so you're not going to be grappling with the crowds when it's brekky time. Meals are prepared from local produce by Spicers' experienced chefs, so you're about as far from the 'traditional' camping fare of beer-cooked barbecue as you can get here. Rejoice. Pull up a log at the open fire by night, and then snuggle up in your luxury tent (complete with hot water bottle turn down service) to sleep the night under the stars. SANCTUARY RETREATS PRIVATE CAMPING, TANZANIA Go on a safari trip in the game-filled wilderness of Kenya by day, and then enjoy a perfectly heavenly naval bucket bubble bath under the stars at this glamorous safari camp in Tanzania. Afterwards, slink back to your tent and sink into your bed, which has been tastefully draped with fabrics and covered in the softest of mosquito nets. You'll enjoy finding nods to Balinese and Italian styling throughout your luxury accommodation. Sanctuary Retreats encourage you to spend two weeks glamping with them in the wilderness — that's how luxe this place is. PATAGONIA CAMP, CHILE Enjoy the luxury of kipping in a yurt in the heart of the Chilean wilderness. Feel ever so spoiled as you laze in your cosy king-sized bed, tastefully decorated with local handcrafted textiles at the luxury Patagonia Camp in Chile. Thanks to a large central dome, you can look up at the clouds by day, and then enjoy the sight of a million and one stars overhead at night. PAMPERED WILDERNESS, WASHINGTON, USA Switch on your flat screen TV, snuggle up on the king-sized platform bed and then toast some marshmallows for s'mores on your outdoor fire pit when you stay in the Safari Suite cabin at Pampered Wilderness in Washington. Nestled in the heart of the historic 842-acre Millersylvania State Park, you can enjoy relaxed rambles though old growth cedar and fir forests, or take a dip in the freshwater Deep Lake. After tiring yourself out on a walk, head back to your cabin to enjoy a drink from your minibar as you watch the sunset from your deck. PRIORY BAY HOTEL, ISLE OF WIGHT, UK While most of the guests who stay at the Priory Bay Hotel live it up in the hotel, you're going to buck the trend and get what is arguably a far better experience when you stay in one of the designer crafted yurts. Enter your yurt home through stable doors with French windows before stepping down onto your secluded terrace. Maybe laze on a beanbag if the ordeal of standing on your own feet all becomes too much. Spend your days gazing out on sandy Priory Bay beach, taking bracing countryside walks, or rambling along woodland paths, nibbling on blackberries, and spotting squirrels. Top Image: Wild Retreat, Tofino, British Columbia.
God knows we all spend way too much time looking at our phones. Whether you're texting, tweeting or chasing imaginary Japanese monsters, it seems like people constantly have their eyes glued to tiny screens. At best, it can be a wee bit anti-social. At worst, it can actually be really dangerous. Case in point: this teenager who got hit by a car while playing Pokémon Go. Fortunately for the technology-addicted, artist and designer Ekene Ijeoma has created a new mobile app designed to get people to tear their faces away from their phones. Look Up New York City causes your phone to vibrate whenever you're approaching an intersection, while also drawing data from the New York Department of Transportation to give each intersection an "energy score." The higher the score, the more frequent the number of accidents that take place there, and the more users should maybe think about paying attention to where it is they're walking. The purpose of the app is twofold, with its creators hoping to reduce the number of accidents while also encouraging social interaction. "Whether it's strangers making eye contact and saying hello or friends hugging, Look Up hopes to tear down the digital walls we build up, opening us to seeing, acknowledging and valuing the people and city around us," reads a statement on the Look Up website. Look Up is currently available on Android devices, with an iOS app coming soon. No word on whether they're planning on branching out beyond NYC, although we can easily imagine it taking off across the world. In the mean time, if you're reading this on your phone, please keep an eye on where you're going. https://vimeo.com/171683941 Via PSFK.
Just four kilometres long and three kilometres wide, Hayman Island might be small, but it be fierce. In one day, you can snorkel with swirling schools of tropical fish, play Robinson Crusoe on very own private beach and trek through lush rainforest to Baraka-worthy sunsets. When you're ready to leave shore, there are uninhabited islands to explore, outer reef coral kingdoms to dive among and luxury yachts to climb aboard. Want to enjoy all this without spending a cent? Mastercard is giving away an all-expenses-paid Hayman Island adventure worth $6000 to one lucky, lucky Nemo. Jump over here to go in the running. This highly opulent prize includes flights, accommodation in a luxe suite in Hayman Island's only resort and a VIP dining experience with Neil Perry. In the meantime, start planning your itinerary with these ten tips. SNORKEL THE GREAT BARRIER REEF Hayman Island's busiest aquatic community is on its north-western side, at Blue Pearl Bay. Prepare to meet local resident Priscilla, an enormous Māori wrasse, among rainbow-coloured parrot fish and striped angel fish. For an off-shore escapade, catch a private boat to pocket-sized Langford Island, where you'll come across magical underwater gardens. Afterwards, you can kick back on the long, sandy spit, picnicking, swimming and lazing about. Another option is the outer reef — at the legendary giant Stepping Stones, which drop away to 40 metres. You'll be gliding among magnificent rays and scary-looking-yet-utterly-harmless reef sharks. TAKE A HIKE To get your bearings, start with a short climb to Cook Lookout, Hayman Island's highest point. At 250 metres above sea level, it gives you a bird's perspective on surrounding reef formations and the rugged shores of neighbouring Hook Island. Come late afternoon, set off for Whitsunday Lookout, from where you can see the sun setting over the Whitsunday Passage, or to Dolphin Point, Hayman Island's northernmost tip. Alternatively, for a d0-nothing day on perfect white sand, take a stroll to Blue Pearl Bay. Don't forget your swimmers and snorkelling gear. STAY IN AN ULTRA-LUXE SUITE Hayman Island is privately owned and there's but one accommodation option, appropriately named One&Only Hayman Island Resort. Fortunately for you, it's a bloody masterpiece. An array of room types are available and they're all ultra-luxe. We're talking Royal Family-level linen draped across four-poster beds, massive ensuites with separate showers and baths, dressing rooms fit for Marilyn Monroe and private balconies overlooking the resort's tropical gardens or the ocean — depending on where you are. Facilities include two pools, seven bars and restaurants, a spa and a fitness centre, for those who, inexplicably, can be bothered moving. GET PADDLING To see Hayman Island from the water, at human-powered speed, jump in a kayak or man a paddleboard. If you're a newbie — or not very brave — there's no need to travel far for beautiful views and, thanks to the island's crystalline waters, flashes of aquatic life. Meanwhile, Bear Grylls types can venture further afield, perhaps even attempting a circumnavigation. Along the way, be sure to stop by Coconut Beach, where you can regain your energy by sinking into a sun lounge, and Blue Pearl Bay. SWIM IN A 'LAGOON' SEVEN TIMES THE SIZE OF AN OLYMPIC POOL The likelihood of bumping into another guest in the One&Only Hayman Island Resort's behemoth of a pool is next to nix. It's seven times the size of your average Olympic Pool. So, whether you're lapping, synchronised swimming or simply bobbing about in between cocktails, no one's going to get in your way. There are day beds aplenty and four private cabanas. Super-keen swimmers can book a suite in the Hayman Pool wing, where the rooms open directly onto the water. Should you find yourself working up an appetite, swing by the nearby On The Rocks Restaurant and Bar. EAT DINNER WITH NEIL PERRY Even a multi-hat winning chef's gotta go troppo every now and again. So, why not join him for the ride? In July, Neil Perry AM (of Rockpool and $10 burger fame) will be cooking up a feast on Hayman Island and then hosting you while you munch your way through it. He hasn't given away any of the culinary details yet, but we imagine there'll be no shortage of seafood inspiration, as well a handpicked selection of fancy wines to match. The only catch is, the only way you can experience this hedonistic evening is by entering the comp mentioned above or by laying your card down — it's one of Mastercard's Priceless Dinners and spots are strictly limited. GET A MASSAGE FLOATING IN THE SEA No tropical holiday is complete without a massage. And, on Hayman Island, you can take yours next level by ordering it outdoors. For water babies, there's the 90-minute 'Ocean Dreaming' experience, which involves pretty much what you see in the pic above: lying on a bed, floating on still water and surrounded by clear sky. If you're more Jungle Book, book into a 'Rainforest Massage'. You'll be ushered into a private, canopy-sheltered cabana and given a massage according to your specific bodily needs. Yogis might also be interested in the 'Sun Salutation', inspired by Oriental techniques and involving acupuncture, stretching and rocking motions. LEARN TO SCUBA Yet to scuba? There's no more classic place to learn than the Great Barrier Reef. Except, of course, that it might make dives closer to home seem somewhat anti-climactic. On Hayman Island, you'll kick off with a basic coaching session, before starting your underwater explorations in the safe, shallow waters of Blue Pearl Bay. Next up is a guided tour of nearby The Maze, so named because wandering through it feels a bit like twisting and turning through a coral labyrinth. You'll then be taken to The Fish Bowl, which is absolutely teeming with diverse fish species. RIDE A SEAPLANE Many a traveller has seen the Great Barrier Reef through a snorkelling mask or from the deck of a boat, but, there's no more startling way to get your head around its extraordinary proportions than from the window of sea plane. So, if you can scrape some dosh together, make it happen. You'll soar high above the Great Barrier's 350,000 square kilometres (which is divided into 2800 separate reefs altogether) swoop down for a closer look, and even take a break for a spot of snorkelling in Hardy Lagoon. CLIMB ABOARD A LUXURY YACHT Go James Bond-style and travel to and from Hayman Island via luxury yacht. Or, while you're there, charter one and design your own Great Barrier Reef cruise. You can loll about on the deck doing not much, cruise on the bow pretending to be Kate Winslet or watch the crew in action. Needless to say, fine dining and premium beverages will be at your disposal. You're the boss, after all. Want to enjoy all this without spending a cent? Mastercard is giving away an all-expenses-paid Hayman Island adventure worth $6000 to one lucky, lucky Nemo. Jump over here to go in the running. Images: One&Only Hayman Island/Mastercard.
Obliterating your eardrums by throwing mad shapes too close to the speakers at Listen Out is one thing. Wearing a subwoofer on your own personal wrist so you can feel that bass is another. One of these things is much better for your body, and it's being funded on Kickstarter as we speak. Because 2016, the world's first wearable subwoofer is seeking crowdfunding, claiming "sound is meant to be felt, not just heard." Created by a Berlin-based startup founded by Daniel Büttner and Gwydion ap Dafydd from Ableton and Native Instruments, The Basslet is a watch-like gadget that sits on your wrist and delivers the beats directly to your body, letting you "experience powerful bass — anywhere you go." Best bit? It's 100 percent silent to the rest of the world. Y'hear that, beats-hungry commuters? SILENT. Intending to block out every other sound from the world around you, The Basslet works with music, gaming and VR, connecting to your smartphone, laptop, console, VR headset — even with your old Walkman. It doesn't need an app and promises a powerful, wholly immersive sound experience beyond headphones — with the full bass spectrum (10-250 Hz). Rather than being just a mere force to eat up hectic Hud-Mo drops, The Basslet could have some serious potential for people who are deaf or have limited hearing. Sound isn't the only way to enjoy music. Check out The Basslet's Kickstarter page. Via Protein.
With beloved cult series Broad City now entering its fourth season, co-creator Abbi Jacobson is taking on a new podcast project that could push My Dad Wrote a Porno off our daily hitlist. A Piece of Work delves into the enigma that is modern art and answers questions you may have been too afraid to ask — like what significance a bicycle wheel atop a stool could possibly have, or why Andy Warhol was so obsessed with soup cans. A collaboration with WNYC Studios and MoMA, the ten-episode series will premiere on July 10 and air twice weekly on Mondays and Wednesdays. Each episode focuses on a different theme, from everyday objects and pop art to abstraction, performance and text-based art. Jacobson will specifically discuss individual works by big name (and at times, especially confusing) artists including the above mentioned Warhol, along with Jackson Pollock, Yves Klein and Marcel Duchamp, whose noted Bicycle Wheel will be topic of discussion in the first episode. Jacobson also welcomes a legendary roster of guests each episode, including musician Questlove, comedian Hannibal Buress, actress Tavi Gevinson and television personality RuPaul — who features in the not-to-be-missed episode six, in which they'll discuss Yoko Ono's provoking 1964 Cut Piece performance. If you're wondering how Jacobson became an authority on modern art, she actually holds a degree from Maryland Institute College of Art and has also published a colouring book series, Color This Book, and a book of illustrations, Carry This Book — in which Jacobson imagines items found in the pockets and bags of celebrities like Oprah, historical figures like Amelia Earhart and artists like Frida Kahlo and Banksy. A Piece of Work will be available on Apple Podcasts and WNYC, with a teaser and full list of themes, guests and artworks available on Entertainment Weekly. Via Entertainment Weekly. Image: MoMA.
Brunswick Street Mall boasts a plethora of bars, markets on weekends and a once-a-year festival, but it doesn't have a permanent indoor space where thousands of people can watch a band or show. Come mid-2019, that will change, with the folks behind The Tivoli, The Triffid and Splendour in the Grass teaming up to build a brand new live entertainment venue. 312 Brunswick Street is the address that'll be undergoing quite the revamp, in what'll be a massive $40 million project bound to change both Fortitude Valley's and Brisbane's live music scenes. The 2500-square-metre site next door to McWhirters will be repurposed to become a mid-sized venue for concerts, events and productions, with a capacity of 3300. By comparison, The Tivoli holds 1500 and The Triffid only 800. In addition to theatre and functions facilities, the space — which was first built as a Coles in 1957 and most recently known as The Optus Centre — will include retail stores, restaurants, cafes and bars. Inside, the live venue will be designed by the same acoustic and service team responsible for The Triffid. Outside, the exterior will feature a modernised '50s-style exterior that nods to the place's history. Given the city's lack of comparable places since Festival Hall was turned into apartments over a decade ago, there's certainly room for it — and if anyone would know Brissie's needs in this area, it'd be Scott Hutchinson of Hutchinson Builders, who helped rescue The Tivoli when it was slated to become units; former Powderfinger bassist John Collins; and Paul Piticco from Secret Sounds, the group behind Splendour in the Grass, Falls Festival and more. Together, they own and operate The Triffid at Newstead — so they've all already played a part in adding a new live music venue and hangout to Brissie's cultural scene. "We've learned a lot since the early days of The Triffid," explains Collins. "I guess our hunch about the potential growth of the live music scene back then has paid off in spades… I think that venues created for music by musicians add something extra to the whole experience for both audiences and performers." Image: The Triffid.
A supermarket in Denmark has committed to fighting food wastage by only selling produce past its use-by date. Located in Copenhagen, the recently opened Wefood has been set up by not-for-profit organisation Folkekirkens Nødhjælp, selling expired food at a discounted rate with the hope of reducing the 700,000 tonnes of food that goes to waste in Denmark each year. "Wefood is the first supermarket of its kind in Denmark and perhaps the world as it is not just aimed at low-income shoppers but anyone who is concerned about the amount of food waste produced in this country," spokesperson Per Bjerre told The Independent. The supermarket came into being on the back of a successful crowdfunding campaign, which raised one million Danish kroner, or just over $200,000. The supermarket is staffed by volunteers, with profits being used to help fund Folkekirkens Nødhjælp's work in some of the poorest countries in the world. The supermarket also has the support of local government officials. "It's ridiculous that food is just thrown out or goes to waste," said Eva Kjer Hansen, Danish Minister for Food and the Environment. "A supermarket like Wefood makes so much sense and is an important step in the battle to combat food waste." According to the United Nations, human beings throw away around 1.3 billion tonnes of food each year. Given that one in nine people around the world don't have enough to eat, that's a fairly depressing statistic. In Australia alone we waste more than four million tonnes a year, although organisations like Second Bite and OzHarvest are doing their best to reduce that number. Perhaps we could use a Wefood of our own? Via The Independent.
It won't be the liquor that's making your head spin at Mexico's Biré Bitori. Designed by architectural firm Tall Arquitectos on behalf of chef Maria Andrea Payne, the proposed two-story bar and restaurant would stick out over the edge of a cliff near the Basaseachic Falls, the second highest waterfall in the country. And if that weren't enough to kick your vertigo into gear, the bar and dining area will feature a transparent glass floor, offering breathtaking/terrifying views of the canyon below. The bar and restaurant (and nausea-inducing glass floor) would be located on the first level, while upstairs patrons would find a panoramic observation platform and pool. No word on what the menu might look like, although given the incredible surroundings we can't imagine it would be all that cheap. The falls themselves are located in the Basaseachic Waterfalls National Park, around three and half hours drive west of Chihuahua in the country's north. Via Traveller.
Musicians dream of many things: playing packed-out gigs, releasing a hit album that rockets up the charts, and attaining Kanye-levels of fame and fortune, just to name a few. Getting your own beer has to be on the list as well — and that's a rockstar achievement DZ Deathrays now has covered. No, bandmates Shane Parsons and Simon Ridley haven't cooked up a batch of homemade ale (well, that's not what they're unleashing upon the world right now, at least). And no, there's no rum involved, even though the duo both hail from Bundaberg. Instead, the ARIA-award winning Brisbane outfit has teamed up with the fine folks from Sydney brewery Young Henrys to make their very own brew. If Queen and Pearl Jam can have their own tipple, why can't they? Called Pils 'n' Thrills (Wellington's Garage Project will be raising a few eyebrows, they've already released a beer called Pils 'n' Thrills), DZ Deathrays' beverage of choice is a Czech-style pilsner complete with a stripped-back, classic, compact malt bill and a surprisingly hoppy palm to the nose. If you don't speak beer speak, that means that it's flavoursome, tasty and refreshing, i.e. all the things you want in a pint. Of course, Pils 'n' Thrills is a limited-edition affair, so you'd best head to your local stockist to get your fix quick smart. Then, next time you indulge in one of life's simple pleasures — aka enjoying an ice-cold beer while listening to your favourite band — you can do it with DZ Deathrays' very own drinks in your mitts. For more information about Pils 'n' Thrills, check out the Young Henrys website. Image: Luke Henery.
How does chicken salt work? What's the deal with cereal puffing guns? What is the future of meat? If you're into your food and drink in a nerdier way than most, you'd better book yourself a ticket to New York this Halloween. The Museum of Food and Drink (MOFAD) is about to open in Brooklyn on October 28 — with exhibits you can eat. Food's had its fair share of pop-up museums and major exhibitions worldwide. There's even museums dedicated to individual foods like cheese, chocolate and Spam (yep, The Museum of Spam is opening in 2016). But after furiously fundraising for years, New York's first museum focused on food will find a permanent bricks and mortar space in Brooklyn this year. "Our mission is to change the way people think about food and inspire day-to-day curiosity about what we eat and why," says the MOFAD website. With a series of rotating exhibitions, visitors will be able to see, touch, smell and taste food, while learning about the culture, history, science, production, and commerce of food and drink. Think tastings, live demos, hands-on activities, talks, debates, heated roundtables. It's a whole multisensory, interactive museum experience to get to the bottom of noshing. How did the search for spices drive the age of exploration? What is the socioeconomic role of street food in cities? Where does soil come from, and why does it matter? How is breakfast cereal made? What is the impact of coffee on world trade? The idea is to enable people to make better, more informed food choices for themselves, their communities, and the environment, through kickass museum interactivity, like this cereal puff installation MOFAD did last year. "Why isn't there a museum devoted to food at the same level of something that's like the Natural History Museum or the Smithsonian?" MOFAD president and founder Dave Arnold asked CNN. "If I want to learn about you, I'm going to go to your house and we'll break bread. We'll have dinner. Then I feel like I'll know who you are. And it's that idea that we can experience cultures through what we eat and how we eat and the history of how we eat. That (idea) needs a museum because you can't eat on TV. You can't read about food and have tasted it." MOFAD's first exhibition, according to NPR, will focus on the flavour industry and the modern quest to manufacture smell and taste. You can probably assume it'll touch on ol' wafty Subway. The Museum of Food and Drink will open its permanent site on October 28 in Brooklyn, site yet to be revealed. For more info, check out the website. Via NPR. Images: MOFAD, Dollar Photo Club.
One of Australia's most redeeming qualities is its ability to give good afternoon sun. There's something about its familiar glow that almost demands casual drinks – whether it's cracking open a cold beer after a day out, heading to the pub after a long day of work, or deciding on a whim that your backyard is perfect for having friends over. We love summer afternoons, so we've spoken to a few of our favourite chefs, musicians and artists, to get their insights on creating the perfect balmy afternoon. And what's better than a barbecue? For advice, we asked the boys from Three Blue Ducks. Mark LaBrooy specifically — he's one of the co-founders of the restaurant-cafe hybrid that was born in Bronte but ended up being so popular it expanded to Byron Bay and, most recently, Rosebery. He and the team at Three Blue Ducks have made working with barbecue flames and smoke a priority at their venues. At their Rosebery location, there's a barbecue, a wood-fired oven and an outdoor charcoal pit. They're experts in barbecue. And more than that, they're experts in taking the standard barbecue fare you usually whip up to the next level, and LaBrooy has shared some tips so you can do the same. He's also given us some recipes, for a burrata salad, a seafood prawns main, and a charred pineapple dessert. "They're all about spring and summer flavours," he says. "Inspired by warm weather and catching up with friends." The burrata salad is a green (but hearty) vegetarian option for your barbecue friends who don't eat meat, while the prawn dish is "light, and great for entertaining because it's not rocket science to prepare". The pineapple recipe is LaBrooy wanting you to try something a little different by charring your fruit. "People should experiment more with fruit on the barbecue, vegetables too," he says. He says the first thing to think about when you're cooking is that produce is key to a good barbecue. He suggests going elsewhere than the supermarket to grab your ingredients. "Go to a real butcher, not a supermarket. Go to the fish markets to get your prawns, and a local organic growers market for your fruits and vegetables." Let the ingredients lead you — if the produce is good, just put it on the barbie and see what happens. "Like a whole bunch of Dutch carrots or something, just give them a wash, put on some good quality olive oil, salt and pepper and char it up. Don't be shy — the hotter the better." "Barbecuing is the cooking technique that fits in best with us," he says. "It's connected to the environment and there's something really intimate about using the fire — it's inconsistent, there's a real element of maintenance and care in the cooking process." When finished, all three dishes will look incredible, but don't get too caught up with perfection when you're hosting a barbecue. Part of the fun is that barbecue-ing isn't always pretty. "It's a bit ugly and charred," he says. "You can get those really aggressive, black tones in the appearance and colouration of your cooking." Follow these three recipes and transform your afternoon barbecue into one that's worthy of being on the menu at Three Blue Ducks. BURRATA WITH CHARRED ZUCCHINI AND SPRING ONIONS Ingredients: 4 pieces of burrata (about 100 grams each) ¼ bunch parsley ¼ bunch basil 1 clove garlic 100ml virgin olive oil 1 tsp Dijon mustard 1 lemon zest and juice salt and pepper 1 bunch spring onion 3 zucchini cut in ¼ 100g toasted hazelnuts roughly chopped Method: Make a nice coal fire on the grill side of your barbecue. Char off the zucchini and the spring onions after giving them a good season and a splash of olive oil. When the zucchini and spring onions get some good colour, take them off the heat and start plating up. Take a food processor and place the herbs, olive oil, garlic, lemon juice, zest and Dijon inside. Give it a good whizz until a bright green paste forms. Season well and set aside. Take a plate or bowl and arrange the zucchini and spring onions around the outside, making a well for your burrata to sit in. Flick in a few teaspoons of the herb puree, place the burrata in the centre and sprinkle over some hazelnuts. Season the burrata and drizzle a bit of olive oil if you feel you need it. Squeeze a bit of extra lemon juice over everything to finish off. CONFIT GARLIC AND CHILLI BBQ PRAWNS WITH BUTTERMILK AVOCADO AND RADICCHIO Ingredients: 1 bulb garlic peeled 3 long red chillies deseeded 1 cup olive oil 16 large king prawns cleaned and butterflied 3 avocados 1 lemon juice and zest 2 tablespoons olive oil 100ml buttermilk 1 large radicchio with the outer leaves pulled off and cut in ¼ Salt and pepper Method: Take the chillies and garlic and place in a small saucepan. Add the cup of olive oil and cover with foil. Bake at 160-degrees for 1-30 mins, then place in a food processor and give it a whizz. Using a pastry brush baste the prawns just before grilling on the barbecue. Take your food processor and add the avocado, olive oil, lemon juice and zest and the buttermilk, give it a whizz and set aside for when your plating up. Grill your prawns and radicchio on super high heat, season well and brush with olive oil. This should only take a few minutes. Give a good whack of buttermilk avo purée. CHARRED PINEAPPLE WITH CASHEWS, THAI BASIL AND LEMONGRASS GRANITA Ingredients: 1 pineapple skinned and cut into quarters 1 tablespoon brown sugar For the granita: 350ml water 180g sugar 3 stalks lemongrass, roughly chopped 2 chillies roughly chopped 80g ginger roughly chopped 100ml lemon juice 100g yogurt 1 vanilla bean scraped and deseeded ¼ bunch Thai basil 80g toasted and salted cashews Method: The granita needs to be made the day before and set in the freezer over night. To serve all you have to do is scrape it with a fork or give it a quick whizz in a food processor. Make sure you put the bowl in the freezer first so you don't melt the granita too much. Take a medium sized pot and add the sugar, lemongrass, chilli, and water. Bring to the boil and then set aside and let it cool down on the bench, then strain and add the lemon juice, and put in the freezer to set overnight. Sprinkle the pineapple with brown sugar and place on the grill on high heat. You're looking to get some good colour and charring on the pineapple, cooking it at the same time. Cut into chunks and set aside. Take a small bowl and add the yogurt and the vanilla give it a good mix. To plate up, arrange the pineapple on the base of the plate and a few dollops of the vanilla yogurt. Take a large spoon of granita and place in the centre, then sprinkle with cashews and Thai basil. Images: Kimberley Low.
Imagine that you could spend an entire week or so at an overseas film festival. If time and money wasn't a concern, and you could put your everyday life on hold, which movie bonanza would you go to? Cannes, Berlin, Venice, Toronto: they're all good choices. If you're after new indie flicks, you're probably already thinking about packing your bags for Sundance. Of course, Robert Redford's annual Utah event isn't the only early-in-the-year American film festival worth dreaming about. Come March in Texas, there's another fest making movie buffs envious. Since 1987, South by Southwest has proven a launching pad for music and technology — and, from 1994, for indie flicks, too. On the film front, SXSW's 2016 program keeps the good stuff coming with 137 features, including 89 world premieres and 52 efforts by first-time filmmakers. Alas, here at Concrete Playground we're watching from afar between March 11 to 20, rather than hopping on a plane to Austin. To soothe our jealousy, we've put together a list of the ten films from SXSW we're hoping will come to Australia. If we can't go to them, fingers crossed that they can come to us. DON'T THINK TWICE If you saw Sleepwalk With Me back in 2012, you're probably a fan of Mike Birbiglia. The comedian's first directorial effort, based on his one-man off-Broadway show and accompanying book of the same name, offered a breezy but insightful look at the problems of relationships, careers and planning for the future. His next film effort sounds just as subtly charming, with an improv troupe at its centre. Birbiglia stars again, joined by Keegan-Michael Key and Gillian Jacobs, should you need any more reasons to get excited. COLLECTIVE:UNCONSCIOUS Five filmmakers. Five dreams. Five attempts by the former to make movies out of the latter. Cinema is often called dreamlike, but collective:unconscious takes that description to another level. In stories involving the Grim Reaper hosting a television show and a sports class taking place inside of a volcano, among others, the group of indie directors doesn't just bring their own nocturnal imaginings to their screen. Instead, Lily Baldwin, Frances Bodomo, Daniel Patrick Carbone, Josephine Decker and Lauren Wolkstein attempt to make movies out of each other's unconscious musings. BEWARE THE SLENDERMAN You might've heard of the Slenderman. The very thin, very tall creature started popping up online in 2009, and was rumoured to stalk, abduct and generally terrorise and terrify people, particularly children. Slenderman was actually the creation of an online forum user, who created the figure as part of a Photoshop contest. That didn't stop two 12-year-old girls from killing their best friend in the hopes of meeting the faceless man, with documentarian Irene Taylor Brodsky dissecting their story, the impact of the darker side of cyber space, and how an internet meme inspired a murder. UNDER THE SHADOW We might've left Under the Shadow off of our Sundance list, but we won't make the same mistake twice. There's a reason that the Farsi-language film from Jordan, Qatar and the United Kingdom is playing a US festival again so soon after its world premiere in January, after all. Compared to The Babadook, Babak Anvari’s feature debut tells of a mother and daughter who begin to suspect that they’ve been targeted by evil spirits. Netflix has the rights to the frightening flick, but this sounds like something that really needs to be seen on the big screen. MY BLIND BROTHER Admit it: even the most serious film fans out there can't resist the lure of an impressive cast. Getting a group of great actors together doesn't always pay off, but when it does, it's magic. Here's hoping that's the end result for My Blind Brother, which stars Adam Scott, Nick Kroll and Jenny Slate. Yes, the fact that they've all either starred or popped up on TV sitcom Parks and Recreation is part of their appeal, but they're not the movie's only drawcards. Director Sophie Goodhart might be a first-time feature filmmaker; however she's adapting her own short film of the same name, which screened in competition at the 2003 Cannes Film Festival. TOWER Sadly, mass shootings in US schools are a much-too-common occurrence — but it wasn't always this way. In 1966, when an ex-Marine sniper turned University of Texas engineering student started gunning down people from a tower looming over the tertiary institution's campus, no one had ever contemplated the possibility of such horrors occurring at a place dedicated to learning and education. Keith Maitland's documentary explores this bleak chapter in American history, albeit in an unusual fashion. Telling the previously untold stories of the witnesses, heroes and survivors, he not only delves into archival footage, but combines it with surreal, animated recreations. THE TRUST Two words: Nicolas Cage. We have more words to share about The Trust than that, of course — but we'd be lying if we didn't confess that the man who can be either the world's best or worst actor, depending on the film, wasn't the main attraction. With Elijah Wood, he plays a cop who stumbles upon a mysterious bank vault. If the combination of Cage and the storyline doesn't pique your curiosity, this might: writer/directors Alex and Ben Brewer are better known for their music video work, including winning an MTV Video Music Award for working with Justin Bieber. Yes, really. KARAOKE CRAZIES Karaoke and cinema go hand in hand. Plenty of movies feature everyone's favourite form of amateur singing; however surprisingly few make it their main focus (and yes, we're ignoring Gwyneth Paltrow vehicle Duets for a reason). In Karaoke Crazies, Korean filmmaker Kim Sang-Chan sets his feature in a karaoke bar, lets a serial killer loose, and makes the latter obsessed with the former. If that's not an ingenious idea for a movie, well, we don't know what is. IN A VALLEY OF VIOLENCE Ti West has played with satanic panic in The House of the Devil, and toyed with found footage and religious fanaticism in The Sacrament. He also charmed Aussie audiences in person when he visited the Melbourne International Film Festival in 2011 to present his haunted hotel effort, The Innkeepers. In his next film, In A Valley of Violence, West swaps scares for revenge and horror for the western genre. Ethan Hawke and John Travolta tag along for the ride, stalking through a small town in the 1890s, and playing a drifter and marshal, respectively. EVERYBODY WANTS SOME Okay, okay, so Richard Linklater's latest film — and his first after the awarded and applauded Boyhood — is one of the titles we know for certain will grace Australian cinema screens. That doesn't make us any less enthused about Everybody Wants Some, which has the honour of opening SXSW's film lineup, and has been called a spiritual sequel to his 1996 effort Dazed and Confused. Don't expect a sleazy Matthew McConaughey trying to hit on high school girls, this time around. Do expect another wild series of events, this time set over a weekend in college in the '80s.
Until the Internet becomes a universal, ever-present thing that radiates down from the sky and lets us check Instagram anywhere in the world, we're apparently destined to be stuck with offline maps and or paying through the nose for international roaming when travelling (read: getting lost) overseas. Until that blessed day comes, Google is trying to make life easier for travelling smartphone-wielding folk with their new travel planner app, Google Trips. Earlier this week Google unveiled the new app (which is available on iOS and Android), which is designed to help you plan your trip and help you explore your destination when you get there. It's both a planning tool and a place to store all your important travel docs in one place — and it lets you access that information when you're out and about and without access to 4G or Wi-Fi. So what can you use it for? First off, it will pull all your important travel info like flights, bookings and reservation numbers from your Gmail inbox and organises them into a chronological 'trip'. You can save these to access offline; it's meant to help you avoid that momentary panic where you get off the plane, go to look up the information for your Airbnb and then realise you can't access your emails. The more fun aspect of Trips though are the planning features. The Things to Do feature will give you a list of, well, things to do in the city you're in. These are pulled from what both you and other Google users have searched for in that city, and can be filtered by area of interest. The Day Plans feature gets a little more specific. The app will suggest a whole heap of things to do based on where you're staying and how much time you have — so if you only have an afternoon in a city, it will bring up the best things to do based on what's around you and what's open. You can then create a point-to-point itinerary that will show you where everything is and how to get there. You can save this offline too. Google have called this app "magic", and while we certainly wouldn't go that far (can tech companies stop calling themselves wizards?), it is a very useful tool if you're travelling without access to internet and is a handy way to use Google Maps offline. The planning tool looks like a smoother version of Stay.com, an app we've found useful for pinning places on a map when travelling. You can download the Google Trips app here.
