It's the film that first made the world fall in love with Hugh Grant, screenwriter Richard Curtis and their brand of British rom-coms — and, just like everything else with a well-known name in the entertainment game, Four Weddings and a Funeral is coming back. This time around, the hit flick has been remade as an American TV miniseries. If you're unsurprisingly a little skeptical, the news that Mindy Kaling is one of the show's creators and writers should change that. Kaling's six-season sitcom The Mindy Project was basically a long-running ode to the romantic comedy genre, complete with plenty of references to plenty of classic flicks. As a result, reworking one of the huge rom-com successes of the past 25 years really does feel like the logical next step. Across a ten-episode series made for US streaming service Hulu, the new Four Weddings and a Funeral will follow four American friends who meet up in London for a wedding. Clearly, given the title, three more ceremonies are in their future, as is a tearful farewell to someone they know. The show tracks a year in their lives, their romantic escapades and even political scandals — all with a cast that includes Game of Thrones' Nathalie Emmanuel as Maya, plus Rebecca Rittenhouse (The Mindy Project), Brandon Mychal Smith (You're the Worst) and John Reynolds (Search Party) as her best buddies. Nikesh Patel (Doctor Who) also features as Maya's potential love interest, who she first encounters in an airport meet cute, naturally. And while Hugh Grant doesn't show up in the trailer — sorry, 90s obsessives — original Four Weddings star Andie MacDowell does. Because Kaling isn't averse to nodding to other rom-com favourites of the era, My Best Friend's Wedding's Dermot Mulroney also makes an appearance. Watch the charming first trailer below: https://www.youtube.com/watch?v=604JeF9RNu8 While Four Weddings and a Funeral drops on Hulu in the US on July 31, it doesn't yet have an Australian platform or airdate — we'll update you if and when that changes.
"I love it here. I fucking love it!" Same, Logan Roy, same. Those words are yelled with fiery passion by Brian Cox as Succession's patriarch, and they're part the first sneak peek that HBO has just dropped at the award-winning series' upcoming fourth season. "This is not the end. We're tearing the opposition. I'm going to build something better, faster, leaner, wilder," Cox also shouts. So, season four will clearly see Logan Roy doing what Logan Roy does, all while navigating the sale of his media conglomerate Waystar Royco to a tech visionary played by Alexander Skarsgård (The Northman). Unsurprisingly, that business move is going to cause some Roy family angst. It was back in 2021 when HBO announced that Succession would return for a fourth run, after its third season proved that exceptional — and popular. Set to arrive sometime in 2023, with an exact date yet to be announced, season four will also see the Roys working out how their lives will look after the Waystar Royco deal goes through. Given that the whole show has always been about Logan's children Kendall (Jeremy Strong, The Trial of the Chicago 7), Connor (Alan Ruck, Gringo), Shiv (Sarah Snook, Pieces of a Woman) and Roman (Kieran Culkin, Infinity Baby) trying to be named his successor, no one is going to adjust to the new status quo easily. For viewers, it'll mean more power struggles — aka more of what Succession has always done best. If you're a fan of twisty TV shows about wealth, privilege, influence, the vast chasm between the rich and everyday folks, and the societal problems that fester due to such rampant inequality, there's been plenty of ace examples of late, including The White Lotus and Squid Game. No series slings insults as savagely as this Emmy, Golden Globe, BAFTA, Critics' Choice, Writers Guild and Directors Guild Award-winner, however. No show channels feuding and backstabbing into such an insightful and gripping satire of the one percent, either. HBO's brief sneak peek at Succession season four, running for just ten seconds, can be found in the US network's latest promotional video to showcase its upcoming slate — and there's plenty more to get excited about. That includes The White Lotus' soon-to-release second season, which starts airing on Monday, October 31; game-to-TV adaptation The Last of Us; a four-part documentary about Shaquille O'Neal; and season four of Barry. And, there's The Idol, from The Weeknd and Euphoria creator Sam Levinson; more Perry Mason, Gossip Girl and The Sex Lives of College Girls; another season of Winning Time — The Rise of the Lakers Dynasty; Larry David's latest antics in the long-running Curb Your Enthusiasm; and the Elizabeth Olsen (Doctor Strange in the Multiverse of Madness)-starring Love & Death. Also on the list: the return of Our Flag Means Death, Starstruck and Hacks, as well as Tokyo Vice and Minx — and newcomer Full Circle, which is directed by Kimi and Magic Mike's Steven Soderbergh. Check out the HBO clip below: I fucking love it here. New originals, returning series, and more are coming soon to HBO Max. pic.twitter.com/7P2oOSu7CD — HBO Max (@hbomax) October 17, 2022 Succession season four will arrive sometime in 2023, including via Foxtel, Binge and Foxtel On Demand in Australia and Neon in New Zealand — we'll update you with exact details when they're announced. Check out our review of season three.
A quiet spot for coffee and cake can be hard to find on Queen Street. Hidden up on the gallery level of the Brisbane Arcade, Room with Roses offers a brief respite from the hubbub of the Mall. This English style tea room serves an assortment of desserts, scones and cakes (the passionfruit sponge and the lemon curd roulade are two of their best). The breakfast and lunch menus are made up of traditional, even sentimental dishes (corned beef fritters, shepherd’s pie, dainty ribbon sandwiches) not often seen on other Brisbane cafe menus, Prices are pretty hefty (a flat white alone will set you back $5.20) but you are paying for the atmosphere — the 1920s architecture of the Heritage listed Arcade, the fresh cut roses at each table, the wall mounted chandeliers and floral upholstered armchairs, the friendly but unobtrusive service –as much as you are paying for the food. The olde worlde ambience makes Room with Roses an ideal setting for high tea, and they do one of the best in the city. Fully licensed, the drinks menu at Room with Roses lists several wines and some beers, as well as one cocktail – a Classic Pimms and Dry.
Google's glasses may be set to bring our eyes back up from the tiny screen, but until then we're happily on the path towards having a permanent earthbound gaze. It is no wonder then that our love for the portable, digital universe has caught the imagination of publishers seeking to enhance the quality of our heads-down attention. Enter Branches Publishing and their freshly sprouted, digital-only anthology of new Australian writing, Cuttings. Having budded from arts app composers The Nest, Branches Publishing launches with a well-designed experience for electronic letter lovers. Cuttings Issue Zero is now available for free on Apple and Android tablets and what you'll download is a time capsule about Australian life in 2013. Editors Angela Bennetts and Alice Fenton (of Even Books) have ensured that this memorial contains the right balance of humour and solemnity from a local suite of talented posteritists*, all presented with wit by senior designer Dave Fernandes. Every work in Issue Zero is shorter than a Borges and kept to its own page (there will be longer pieces from Issue One onwards in May), which is great news for the scrambled brains of overloaded content junkies. Some pieces are presented as contemporary artefacts, such as Sophie Braham's '2012 Job Description', which efficiently captures the plight of every 20/30-something in a 20km radius. Other works act as framing text for a series of curated hyperlinks — Wilfred Brandt's hypothesis of skateboarding as alien technology and Steph Harmon's historiography of dog fashion both succeed as tap-and-swipe pecha kucha equivalents. A result of these short pieces occupying their own pages is that your reading slows down. Your eyes will not melt from the fatigue of gleaning conversation pieces out of cluttered content sewers, and in turn you'll calm down enough to actually meditate on the world observed by Cuttings' contributors. This is a world populated by M.B. Windle's graphic epiphany about Hollywood's lies, Tessa Lunney's nostalgic dancers, and Max Lavergne's suggestion of what might happen should a savvy Mexican girl be dropped into the West Bank. Fernandes and the contributing illustrators and photographers have equally crafted something poetic. Cuttings is attractive in both landscape and portrait, and each piece is augmented by an interface design that reminds readers that they're looking at a tablet and not a print article with some hyperlinks. Two lovely visual effects pop up, for example, in A.H. Cayley's meditation on how ineffectual jacarandas are as barometers, and in Cleo Braithwaite's sketch of impending feline dominion. One slight tarnish is that as several of the articles are hyperlink-enhanced, you will need an active internet connection on your tablet to gain the full experience of Cuttings. Though copyright does make it difficult to include certain things in the downloaded content — such as a Taylor Swift video clip — Matt Roden's fantastic illustrations are bundled with the issue and pop up within the body of his words with an elegance that could ideally appear throughout the whole publication. That said, Cuttings has launched with an auspicious debut and stands to only gain in quality as it opens its submissions to a horde of head-bowed Australian talent. *this will be a real word when the time capsule is unearthed
In summer 2025, the Brisbane Convention and Exhibition Centre is hosting a sales event of most peculiar stock. Strange things they are, full of pages, rampant with words and with covers of the most beautiful colours. You can't charge them, they don't run out of battery, their brightness is unalterable, and they won't smash when you drop them. Lifeline Bookfest is coming back for another round of vintage bargains between Saturday, January 18–Monday, January 27. It's where you'll find everything from Australian Women's Weekly cookbooks to a bit of cheeky erotica, as well as games, DVDs and puzzles. If you've been before, you'll know there are warehouse quantities of books for sale – your grade five diary is probably hidden under a copy of Shantaram, and you'll come across at least three copies of Cooking with Days of Our Lives. In fact, over this four-day run, more than one million items will be up for grabs. As debuted in 2023, this round will also feature more than 10,000 comics, manga and graphic novels. Prices range from $2.50 to the big bucks, and you'll have plenty to choose from. Whenever Bookfest hits Brisbane, it always brings hundreds of crates of reading materials with it. You'll still want to bring a trolley and your glasses, obviously, and to clear some space on your shelves at home. And, you'll want to bring your cards, because this Bookfest is cashless. Also, you'll need your own bags, as books won't be wrapped for you this time around. Images: Bookfest.
Kicking off this year's Brisbane Festival in vibrant style, The Tivoli is getting a one-night-only makeover, becoming the Heaps Gay Trash Palace on Saturday, September 8. Just what does that entail? Think dumpster decadence, which is a term we've just coined to describe the shabby chic vibe. Also, think DIY frocks, a celebration of all things queer, and a heap of performers, live acts and DJs. It's an 80s-themed trash wedding, after all. And, the shindig won't just take over The Tiv's interior, but will spill out into the car park too, becoming a block party. It's a ticketed affair, for $40 per person — and it's the finale to eight actual LGBTIQ weddings, which are taking part on King Street down the road as part of Qweens on King. Image: Ezra Qua-enoo.
Perhaps it isn't the most groundbreaking piece of literature, but the D.O.Double G's fans will certainly find inspiration in Snoop Dogg's new book: Rolling Words: A Smokable Songbook. The aptly titled literary work features pages of Snoop's lyrics which double as (what else?) rolling papers. The pages are conveniently perforated and bound by hemp material. Even the book's spine comes in handy, functioning as a match-striking surface. "This thing can also be smoked with some of your finest, where you at or however you at," Snoop says in his promo video. Looks like Snoop still has his mind on his money, and his money on his mind. https://youtube.com/watch?v=HkfC2dfNHGM [via Gawker]
There are few places in Brisbane that you can order dark chocolate waffles. In fact, we can only be certain of one place that serves them, and that is Kettle & Tin. Served with a raspberry and blueberry compote and vanilla ice cream, this a the breakfast indulgence to break you new-year-resolution - and only two weeks into 2014. #sorrynotsorry Waffles are god's gift to sauce lovers - a vessel created with optimal liquid-holding pockets, and a morsel coveted for its soft yet crunchy design. Kettle & Tin realise waffles are a superior and underrated option and will serve them any way they can - sweet with passionfruit ice cream or savoury - think sweet potato waffles with jamon, corn relish and a poached egg. The problem with making a new years resolution is that in telling yourself you can't have something means you simply want it more. Though, resolving to eat waffles once a month is a resolution we could get behind, and probably achieve. Set in one of those charming Queenslanders Paddington is so well known for, Kettle & Tin, however, do more than waffles and a mean eggs benedict. Pop in after dark when the relaxed day-time crowd start to get rowdy as beer and cocktails creep onto the menu (well, admittedly you can order alcohol from 10am). Just 18 months young, this venue is already proving a classic in Brisbane's dining market and it is not hard to see why. Offering an array or craft beer, cocktail punches and quality food at night, they specialise in a relaxed style dining to be shared with friends. If the venue itself weren't already cool enough, it must be noted that they have a herb garden out the back and a bee hive on the roof - we'll drink to that. A final note to Kettle & Tin: If you remove those aforementioned dark chocolate waffles, you will break hearts and we may break you. Much love, CP.
When Brisbanites initially stepped inside Naldham House in the 1800s, they weren't greeted by a brasserie and terrace, then a supper club upstairs. In a building with history across three different centuries, that's firmly a 2024 experience. Behind its white facade on Felix Street, this heritage-listed former shipping office is now all about drinking and dining — and, decor-wise, about strikingly rich colours adorning every surface, with a huge 1110 different hues used. It was back in June that the venue's latest guise was announced. Venturing to the Eagle Street side of Brisbane's CBD has long meant being dwarfed by gleaming skyscrapers, but this is the building that predates them all. Although the year listed above its entrance is from four decades back, the structure was first built 140 years ago. The site began its life as a shipping office, then underwent major renovations in 1988. From there, it became the Brisbane Polo Club from 1994–2015. Now, since mid-July, it's the River City's newest drinking and dining destination — still under the name Naldham House. Thank DAP & Co to transforming this patch of the inner city into a three-venues-in-one hub. The hospitality group co-owned by Andrew Baturo, Denis Sheahan and Paul Piticco, which is also behind The Gresham, Popolo Italian and Walter's Steakhouse and Wine Bar, has launched the first two of those venues together, with the other to come in spring. So, while you wait to hit up the site's third level, you can still be hang out at Naldham House Brasserie & Terrace on the ground floor, plus supper club-style cocktail bar and lounge Club Felix on the second storey. Part of the Waterfront Brisbane project that's revamping this area of town, the new Naldham House is a project four years in the making. DAP & Co can't be accused of holding back, be it on ambition for the site, on multiple experiences at one address or, via that plethora of jewel tones, on colour in the fitout by interior designer Anna Spiro. How do you put so many hues to use? They've been deployed to ensure that each level has its own identity and vibe. Naldham House Brasserie & Terrace takes its cues from both European brasseries and grand hotel lobbies around the globe. If you can't be elsewhere, pretend, basically. The markedly old-school atmosphere extends to the pianist playing the grand, and also the service, whether you're among the 95 people that the venue can cater to inside or the 120 outside on the terrace with its own bar. Meal options in the brasserie include hand-cut beef tartare, chicken liver parfait and a beetroot tart among the snacks, then oxtail ragu pasta, crumbed rock flathead and noisettes of lamb from the mains. You can also share a pork tomahawk, the market fish or rib steak, then finish up with a berry mille-feuille — aka a vanilla slice — plus crème caramel, three cheeses and a chocolate Paris-Brest. Outside, the terrace menu sports the likes of crispy chicken skin with whipped cod roe and caviar, smoked mortadella and potato croquettes, steak frites, a wagyu cheeseburger and a king salmon gravlax sandwich. Whether you choose to get comfortable indoors or out, a 28-page drinks list awaits, filled with European and Australian wines both by the glass and the bottle, beers both local and international, and a hefty array of spirits. The cocktail selection hops from spritzes to signatures, and then from classics to zero-alcohol sips. A mandarin spritz might take your fancy, or a Yuzito made with gin, orange curacao and yuzu soda — or perhaps a negroni or the non-boozy Watermelon Sugar. Head upstairs after 5pm Wednesday–Saturday for Club Felix and you'll be greeted by an oak timber bar that came with the building, a big focus on blue, a French-heavy menu, a covetable champagne list, and capacity for 150 standing and 110 seated. While the aim is for Naldham House Brasserie & Terrace to become an after-work hangout for both dinner and drinks, Club Felix is taking the fun into the night with a 2am closing time — and the space can also be used for weddings and parties. Here, small plates and charcuterie accompany the libations, so snacking on salumi with gnocco fritto, a jamon and comte toastie, fried whiting sandwich fingers, salted cod and potato croquettes, and caramel profiteroles will line your stomach. Then, beverage-wise, expect rich tastes from the cognac- and Madeira-based Brulee Flip with chocolate bitters and grated chocolate, and from the Raspberry Tea Julep with black tea-infused bourbon — among other cocktails. French wines, including dessert tipples, are also a drawcard. As well as Baturo, Sheahan and Piticco, Naldham House boasts Executive Chef Douglas Keyte (ex-Grill Americano in Melbourne), General Manager Christian Green (ex-Rockpool, The Botanical, Aria, Chin Chin, and Longrain) and Restaurant Manager Steven Ham (ex-Soho House Group in London) at its first two venues. Start looking forward to what's to come when the third space launches, with details still scarce — other than that it'll sit atop its siblings and, as they do, possess its own unique look and feel. Find Naldham House at 33 Felix Street, Brisbane City, with Naldham House Brasserie & Terrace and Club Felix now open. Naldham House Brasserie & Terrace's brasserie operates from 11.30am–3pm and 5–10pm Monday–Saturday, and its terrace from 11.30am–11pm Monday–Saturday. Club Felix trades from 5pm–2pm Wednesday–Saturday. Head to the Naldham House Brasserie & Terrace website and Club Felix website for more information. Images: Dexter Kim.
Port Macquarie's Festival of the Sun has been running for 16 years, and the boutique summer music festival is still bringing the goods. The lineup for this December has just been released and it looks like it'll be another doozy. Methyl Ethel and Briggs will headline the three-day fest, with Julia Jacklin, Trophy Eyes, Lime Cordiale and Baker Boy lending their voices too. Amyl and the Sniffers, Tired Lion, I Know Leopard, Nathan Ball and Good Doogs — among others — round out what looks like it'll be a big couple of days of music, with more acts still to be announced. The camping festival is also — excitingly — BYO, so you don't need to spend your hard-earned cash on overpriced UDLs. Alongside the lineup of live music, there will also be a heap of food trucks (serving everything from burgers to vegan fare), silent discos and silent comedy. The festival is themed each year, and this year it's the "ghouls and unicorns" edition — looks like it's time to whip out your Halloween costumes and anything you own that's rainbow-coloured. Festival of the Sun runs from Friday, December 13 to Sunday, December 15. Tickets go on sale at 10am on Thursday, August 8. FESTIVAL OF THE SUN 2018 LINEUP Methyl Ethel Briggs Julia Jacklin Trophy Eyes Lime Cordiale Baker Boy Amyl and the Sniffers Tired Lion I Know Leopard Nathan Ball (UK) Good Doogs Genesis Owusu Milan Ring Arno Faraji JEFFE Tasman Keith Stevie Jean FRITZ Bakers Eddy VOIID Surf Trash Georgia June Johnny Hunter The Buoys Garage Sale
It’s a sad news day for all the swashbuckling pirates among you. Australian film company Village Roadshow has started a court action to shut down movie streaming website SolarMovie. After the Federal Government passed a bill to amended Australia’s copyright right laws in June of 2015, we were all expecting the worst. We’re sorry to say that while it’s taken eight months to affect any change, the laws are finally being utilised to our disadvantage. We’re assuming that half of you reading this zoned out, opened IMDB in a new tab and are now slowly finding torrents to download every film in the top 1000 while you still can. Graham Burke, co-chief executive of Village Roadshow told the ABC they’ll be targeting SolarMovie, because they’re a “vicious bunch of thieves.” Burke went on to say the site's advertising was harmful to children “If your kids go to that website, they're encouraged to gamble with no age limit; there's sexual ads there." For the record, it’s called ad-blocker dude, look it up. SolarMovie will most likely be black-listed for Aussies using DNS blocking, whereby the the DNS (domain name system), which connects readable site addresses with their internet address (IP address), is diverted and unable to connect the site name and the IP address. It's the simplest way to block sites but doesn't take the site offline at the source, so thankfully there are some easy ways around it. A VPN will do the trick, or there are more comprehensive (and free) services like TOR, which allows you browse anonymously but can seriously slow down your internet speeds as protects you by rerouting your web browsing over an encrypted network It’s only the first in a series of court actions aimed at decimating our human right to watch Broad City for free. Foxtel is expected to announce in the coming days that they will seek to block four of the biggest piracy websites, including dear friend to all poor students, The Pirate Bay. People around the world are up in arms about harsh anti-piracy legislation, often because it errs on the side of media conglomerates, can strip people of their autonomy and doesn’t address the problem at the core of it all ($14.95 for an overnight release from Blockbuster was too much, damn it). Australians have shown that they’re willing to spend money on legit streaming services (hello Netflix, Stan, maybe Presto) if easy and available and studies keep turning up the same data: people who pirate often spend more on media than people who don’t. Sigh. Guess it’s a good time to start shopping around for a VPN that works, guys. Via ABC.
After sell-out shows in the UK, everyone's favourite Queen rock anthems are coming to Australia this September, with four candlelight gigs coming to Sydney, Brisbane and Perth. While British rock band Queen still performs occasionally (bar the iconic Freddie Mercury) under the name "Queen + Adam Lambert", you can now can experience the band's musical genius as they once were, thanks to The Concert by Candlelight series. Returning for its fourth year, the series will host a live rock band and a cast of singers all the way from London's West End, busting out the group's legendary tracks set against the backdrop of hundreds of flickering candles. For those on the east coast, Queen by Candlelight will kick things off at Darling Harbour Theatre at ICC Sydney at 7.30pm on Friday, September 12. The show will then take the stage at The Great Hall at Brisbane Convention & Exhibition Centre on Tuesday, September 23, before making the journey west to the Perth Convention and Exhibition Centre on Friday, September 26. The shows are one night only in each location. While it might not be the members of Queen themselves, with world-class singers and a live band taking to the stage to play iconic ballads like "Bohemian Rhapsody", "It's a Kind of Magic" and plenty more, it's the closest thing to the real deal you can get. So get in quick; we have a feeling these tickets aren't going to last long. Queen by Candlelight will be held in September in Sydney, Brisbane and Perth. Performances start at 7.30pm. For more information or to book tickets, visit the website. Images: Supplied.
He went from being the cute kid in Batman Begins to the most hated character in Western pop culture. Jack Gleeson, the actor who played King Joffrey Baratheon in Game of Thrones is coming to Australia next month as part of the national nerd-out that is the Supanova expo. Prepare your poisons — but seriously, please don't poison him — Joffrey lives again. Unfortunately (or very fortunately, depending on where you live) Gleeson will only be hitting up the Brisbane and Adelaide legs of the show. He will be filling the spot made available by Natalie Dormer (Margaery Tyrell) as she had to withdraw from the expo to fulfil commitments for her role in The Hunger Games. Gleeson will also be joined by Peter Cullen, the voice actor who plays Transformers' Optimus Prime. This appearance will be made all the more interesting as, after 'leaving' Game of Thrones, Gleeson has actually quit acting completely. Though he's now focusing on his university studies instead, there's undoubtedly a lot to be said about the devastating consequences Joffrey's character has had on his career. Really — how can we see him as anything else but the evil boy king? His Q&A should prove for some really interesting insight into the mechanics of intense fandom. Those in Melbourne and Sydney will have to wait until April and June respectively. And, at that point, the expo will be making the rounds without Gleeson. Hardcore fans and haters will have to take this clip as some kind of small consolation: Supanova will be at the Brisbane Convention and Exhibition Centre from November 28-30 and at the Adelaide Showgrounds November 22-23. For more information about the lineup or Sydney and Melbourne offerings, see the website.
For four decades, The Shining has been responsible for many a nightmare — not only due to Stephen King's 1977 bestseller, which helped cement him as a horror maestro, but courtesy of Stanley Kubrick's unnerving and acclaimed 1980 film. If you've ever been spooked by twins, garish hexagonal hotel carpet designs, sprawling hedge mazes, elevators filled with blood, someone shouting "here's Johnny!" or just Jack Nicholson in general, you have this macabre masterpiece to thank. From parodies to homages to overt recreations, The Shining is also the unsettling gift that keeps giving. Everything from The Simpsons to Buffy the Vampire Slayer to Ready Player One has nodded the movie's way — as has documentary Room 237, which attempted to delve into its many secrets, meanings, theories and interpretations, too. But they've got nothing on the actual sequel to the eerie story. It picks up decades later, following the now-adult Danny Torrance as he tries to cope with the fallout from his supernatural gift. (Oh, and the memory of being terrorised by his axe-wielding dad as well.) In the just-released first trailer for Doctor Sleep — which is based on Stephen King's 2013 novel of the same name — all work and no play make Danny (Ewan McGregor) something something. He's perturbed, mainly, as he grapples with the trauma he experienced in The Shining. Then he meets a mysterious teenager (Kyliegh Curran) who also has the gift, and things get creepier than a ghastly woman peering out of a bath or the word 'redrum' written on a mirror. In a teaser filled with references to its predecessor, both of these appear. Rebecca Ferguson, Bruce Greenwood and Room's Jacob Tremblay also star, with The Haunting of Hill House's Mike Flanagan in the director's chair. While King was famously unhappy with Kubrick's take on The Shining — even writing the script for a three-part TV mini-series version in the 90s — here's hoping that he approves of Flanagan's vision. This is actually the filmmaker's second King adaptation, after Netflix flick Gerald's Game. Check out the Doctor Sleep trailer below: https://www.youtube.com/watch?v=wFEVyTlTqYo Doctor Sleep releases in Australian cinemas on November 7, 2019.
Edge of Tomorrow tells the story of a cocky, unlikeable man trapped in an inescapable temporal loop where he must relive the same day over and over again. From the trailer alone it was clear this new film by director Doug Liman (The Bourne Identity) had borrowed heavily from 1993's outstanding live-die-repeat karmic comedy Groundhog Day. The only questions were: how much, and how well? Over the past 20 years, a number of attempts have been made to match the Groundhog Day formula, with Source Code and Deja Vu perhaps the most on point, while Looper — though not specifically a 'repetition' film — offered the most refreshing perspective on what it called "that time travel crap [that] just fries your brain like an egg". In Edge of Tomorrow, the allusions to Ramis' film are at their most pronounced, yet — thankfully — they are also perhaps at their best. Tom Cruise, putting in his best performance in years, plays the spineless advertising exec turned military spin-doctor Will Cage, who's railroaded by his commander (Brendan Gleeson) and dispatched to the western front as a regular grunt on the eve of a major military offensive. The enemy is an alien species whose arrival, objective and anatomy most closely resemble those of the bugs in Starship Troopers. As the waves of troop carriers, aircraft and boats swarm across the English Channel towards France, it's hard not to think the timing of this film's release wasn't just a little bit strategic given this week's 70th anniversary of D-Day, yet it neither grates nor bears any significance to the wider implications of the compelling plot once Cruise dies and begins his seemingly endless loop. Edge of Tomorrow was written by Hiroshi Sakurazaka, whose background in IT and video games unmistakably impacted on both the visuals and narrative. For one thing, the soldiers resemble something between human Mech-Warriors and Titan Convertibles, yet it's in the nature of the temporal loop that the gaming analogy is most apposite. Every time Cage dies, he immediately restarts from the same time and place. It is, in effect, his 'save point', and — just as in gaming — he uses both the pain and knowledge from his previous deaths to extend the time before his next one in order to beat the eventual 'Boss'. In Groundhog Day, the main character taught himself piano. In Edge of Tomorrow, it's martial arts and weaponry. In Groundhog Day, he got to know a woman in order to sleep with her. Here, it's to keep her alive. That woman is Rita Vrataski (Emily Blunt), a war hero and propaganda darling whose nickname is either 'The Hero of Verdun' or 'Full Metal Bitch' depending on whether she's there to hear it or not. Blunt is spectacular in the role, playing an entirely plausible warrior without having to resort to hackneyed tough-talking or turning her body into a giant muscle in a sports bra. She's less a love interest than she is a trainer, motivator and ally, and the partnership is a delight to watch. Funny, suspenseful and terrifically imaginative, Edge of Tomorrow is a thinking-person's action film that will surely stand as one of 2014's best blockbusters. https://youtube.com/watch?v=vw61gCe2oqI
Dishing up desserts across Sydney, Melbourne, Queensland the Australian Capital Territory, Gelato Messina obviously specialises in frosty sweet treats. But, because the chain has amassed quite the following, it also has a range of merchandise. Earlier this year, for instance, you could nab one of its gelato-scented candles (and presumably give yourself a constant craving for a few scoops). Now, you can also grab yourself an item of clothing decked out with a picture of its towering ice cream cones. Messina's new 2020 merch line is now available to purchase, spanning black and grey hoodies, grey and navy sweatshirts, and t-shirts in white, navy, rust (aka a red-orange colour) and black. Each has an image of gelato on the front or back — with those pics varying between different styles of clothing and different colours. After releasing a selection of flavours inspired by fashion brands back in October, all to celebrate Incu's 18th birthday, Messina has teamed back up with the retailer on its new threads. It's also showcasing the work of artist Ella Grace, who specialises in detailed watercolour paintings and illustrations — as you'll see from the images of gelato on Messina's merch. Yep, expect it to make you mighty hungry. For those keen on wearing gelato-adorned items while eating gelato, you'll pay $45 for a t-shirt, $65 for a sweatshirt and $75 for a hoodie. All garments are unisex, and made from 100-percent cotton — and they ship Australia-wide. For tiny dessert fiends, Messina's online store also has onesies for babies — because you're never too young to love ice cream. And, you can grab Messina caps with its logo and socks with its wallpaper print as well. For more information about Gelato Messina's merchandise — and to make a purchase — head to its website.
Where would we be without movies in 2020? While we'd usually say that there's no such thing as a bad year for the filmic medium, this year has been something else. Yes, cinemas have been closed for a hefty portion of the year, and have closed again in Melbourne. Yes, plenty of big blockbusters have shifted their release dates or ditched their in-cinema release for streaming instead. But the joy and escapism that watching a flick provides — even when you're in lockdown, quarantining or isolating at home — has been particularly cathartic in 2020. Still keen to queue up a big heap of movies, and a hefty dose of couch time? Enter Movie Frenzy, the week-long online film rental sale. Until Thursday, August 13, it's serving up a sizeable lineup of popular flicks from the past year, all at $3 or less per movie. On the lineup: the murder-mystery thrills of Knives Out, standout horror remake The Invisible Man, the war-torn tension of 1917 and a candy-hued take on comic book mayhem in Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). You can also spend some time with Taika Waititi's Jojo Rabbit or Guy Ritchie's The Gentlemen, watch Daniel Radcliffe with weapons nailed to his hands in Guns Akimbo, and see Kristen Stewart get scared under the sea's surface in Underwater. Jumanji: The Next Level, Sonic the Hedgehog, Just Mercy and Midway are also on offer, as are Like a Boss, Dolittle, Bloodshot and Bad Boys for Life — and while some are more worth your attention than others, we'll let you do the choosing. You can nab the cheap flicks via your digital rental platform of choice, including Apple TV, Fetch, Google Play, Microsoft Store, PlayStation Store, Amazon Prime Video, Telstra TV Box Office and YouTube — although just what's available, and the price, will vary depending on the service. And you won't need a subscription, unless you decide to join in the fun via the Foxtel Store. Movie Frenzy runs until Thursday, August 13 — with film rental costing up to $3 per movie.
Even if you really, really can't stand films/TV/books about self-involved twenty-something-year-old white people trying to figure their lives out, Frances Ha is poised to charm. Its secret? That's not easy to pin down, although it almost certainly has to do with star Greta Gerwig, and the total her-ness that pervades the film. It's full of energy and optimism and is, for a black-and-white arthouse film, utterly devoid of pretentiousness. Gerwig wrote this script together with director (and love friend) Noah Baumbach (Greenberg). Though she didn't necessarily envision herself in the lead role, it fits her perfectly, serving as a vehicle for an actor who doesn't quite fit the Hollywood mould to show off her charms. Goofy, socially awkward and totally "undateable", Gerwig's Frances Halladay is one of the most loveable characters you'll meet this year. Her 28th year ends up being a difficult one, as her best friend Sophie (Mickey Sumner) drifts away and she misses out on a position at the dance company she's been training with. These two challenges — BFF break-ups and self-actualisation — are the ones that matter here, though there's also the peripheral distraction of boys: the one who leaves her when she won't move in with him (Michael Esper), and friends Lev (Girls' Adam Driver) and Benji (Michael Zegen), who end up her (sometimes awkwardly) platonic roomies. Frances Ha is a story about coming of age, the late way we tend to do it now. Our heroine is sorting through which parts of so-called maturity are sensible to leading a good life, and which parts are just bullshit. And she's doing it with a scrappy pluck we can all get behind. It's all wonderfully tangential, sweet and unerringly funny, and it will have you dancing to Bowie's 'Modern Love' for days and days. https://youtube.com/watch?v=cw1euaNtuXM
Already named one of the world's greatest places of 2023 by TIME magazine, Brisbane has just scored another massive global tick of approval: it's now home to the best hotel in Oceania, the best in Australia and the only accommodation spot in both to make the World's Best 50 Hotels list in 2023. The Calile has earned that honour, with the Fortitude Valley venue coming in 12th in the world for "channelling a luxe 1950s-style Miami beachside vibe in the heart of the city". The World's Best 50 Hotels is the latest addition to the 50 Best stable alongside the World's 50 Best Restaurants, the World's 50 Best Bars, Asia's 50 Best Bars, Asia's 50 Best Restaurants and more. Debuting this year, the new countdown highlights excellence among places to stay, and favoured Europe heavily among its selections. Across a list featuring 35 destinations on six continents, European hotels scored 21 slots, with hotels in Asia notching up 18, North American hotels nabbing six, accommodation in Africa getting three and South America joining Oceania with one apiece. [caption id="attachment_694717" align="alignnone" width="1920"] Sean Fennessy.[/caption] In flying the flag for luxe stays Down Under, The Calile's location on James Street, design by Brisbane-based architects Richards & Spence, 1960s Aussie motel-meets-Palm Springs air, tropical feel, pastel colour scheme and 30-metre pool surrounded by cabanas all earned a shoutout. The World's Best 50 Hotels dubbed its vibe a "relaxed, barefoot Australian style of luxury", while also celebrating onsite restaurants Hellenika, Same Same, Sushi Room, Bianca, SK Steak & Oyster and Lobby Bar. Brisbanites, that's your next staycation spot sorted. Folks elsewhere, you now have a number-one place to check into on your next River City visit. Wondering where else you should be booking in around the world? The top ranking overall went to Passalacqua in Moltrasio in Italy, while Rosewood Hong Kong came in second and Four Seasons Bangkok at Chao Phraya River ranked third. [caption id="attachment_918889" align="alignnone" width="1920"] Passalacqua © Ruben Ortiz[/caption] The rest of the top ten featured Hong Kong's The Upper House in fourth place, Aman Tokyo in fifth, Marrakech's La Mamounia at sixth, Soneva Fushi in the Maldives nabbing seventh spot, One&Only Mandarina in Puerto Vallarta at eighth, Four Seasons Firenze in Florence placing ninth and Mandarin Oriental Bangkok perched at tenth. And, sitting between the top ten and The Calile at 12th is another Bangkok spot: Capella Bangkok, which was also named the Best New Hotel as well. Per continent, Passalacqua was named Europe's best hotel, Rosewood Hong Kong the same in Asia, La Mamounia did the honours in Africa, One&Only Mandarina in North America and Rosewood São Paulo in South America. [caption id="attachment_819667" align="alignnone" width="1920"] Rosewood Hong Kong[/caption] Also, London's hotels enjoyed a particularly strong showing, taking out four places. On the list: Claridge's (at 16th), The Connaught (number 22), NoMad London (coming in at 46th) and The Savoy (ranking 47th). The World's Best 50 Hotels winners were picked by 580 international travel experts, all with a significant number of stamps on their passports — and also with a 50/50 gender split among them. Their votes come in as a ranked list of the seven best hotels that they've each stayed at during the last two years. [caption id="attachment_909119" align="alignnone" width="1920"] The Calile[/caption] [caption id="attachment_895685" align="alignnone" width="1920"] Four Seasons Bangkok[/caption] [caption id="attachment_694714" align="alignnone" width="1920"] Sean Fennessy[/caption] For the full World's 50 Best Hotels list for 2023, head to the awards' website. Top image: Sean Fennessy.
Ever trekked across town for a jaffle? Until now, few people can say that they have. Thanks to Ronny's at Carseldine, expect that and your idea of toasted sandwiches to completely change. Here, they're both savoury and sweet. Traditional-style fillings are certainly on offer when it comes to these pockets of deliciousness, such as barbecue pulled chicken and pastrami; however if you're after a different kind of taste sensation, so is the likes of white chocolate and mixed berry with popping candy and pistachio ice cream, and Nutella and banana. It's one of those situations where the list goes on, with one jaffle even featuring a doughnut in the middle. Yes, really. We wouldn't joke about that Sugary hits aren't just confined to what's swiftly proving Ronny's signature dish either, with toasted brioche ice cream burgers, biscuit sandwiches and cake jars also on the menu — and cheesecakes, muffins and shakes of the Ferrero Rocher, Reese's Pieces and Oreo-flavoured variety too. Add coffees, croissants and salads, and it's an impressive selection of tasty treats for any eatery, let alone a kiosk set up in a car park. Image: stephbunnyxo via Instagram.
"Kidnapping, cults, death. Your friendships are a little more complicated than most." So says Elijah Wood in the new trailer for one of 2023's most-anticipated TV returns: Yellowjackets, which'll finally be back for season two from late March. Fans of the show would expect nothing less than Wood's concise summary, given this instantly intriguing (and excellent) series follows a New Jersey high school's girls soccer team in the 90s after they crash in the forest and possibly turn to cannibalism — plus the aftermath among the survivors 25 years later. Indeed, already in season one, life and friendship have proven complex for Yellowjackets' core quartet of Shauna (Don't Look Up's Melanie Lynskey as an adult, and also The Kid Detective's Sophie Nélisse as a teenager), Natalie (Welcome to Chippendales' Juliette Lewis, plus The Book of Boba Fett's Sophie Thatcher), Taissa (Billions' Tawny Cypress, and also Scream's Jasmin Savoy Brown) and Misty (Wednesday's Christina Ricci, as well as Shameless' Samantha Hanratty). Also in the works in the show's second season, as based on the just-dropped sneak peek: Natalie been guided through her memories, snowy climes aplenty, the eerie symbol that's always been at the heart of the series, frantic dances, long treks, guns and axes, and a new connection between Misty and newcomer Walter (Wood), a citizen detective. Ominous words abound, too, such as "darkness, we brought it back with us", "it's happening again, isn't it", "we weren't alone out there" and "this isn't where we're supposed to be". The setup, for Yellowjackets first timers: back in 1996, en route to a big match in Seattle on a private plane, Shauna, Natalie, Taissa, Misty and the rest of their teammates entered Lost survivalist territory. The accident saw everyone who walked away stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. After proving one of 2021's best new series and quickly getting picked up for a second season, Yellowjackets will start unfurling its next batch of episodes from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand, as announced in late 2022. Season two will pick up after a heap of chaos in both timeframes, and with new faces among the cast. Introducing more of the team in their adult guise is very much on the agenda, including Simone Kessell (Muru) playing the older Lottie and Lauren Ambrose (Servant) as the older Van. In their younger years, both characters are played by Australian actors, with Courtney Eaton (Mad Max: Fury Road) as Lottie and and Liv Hewson (Santa Clarita Diet) as Van. Also, this won't be the end of the story, with the show already renewed for season three before its second season even airs. Check out the new teaser for Yellowjackets season two below: Season two of Yellowjackets will start streaming from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand. Read our review of season one.
Nothing says winter in Brisbane like the Royal Queensland Show taking over the RNA Showgrounds each August. Get ready for rides, show bags, giant vegetables, cute animals, possible Matt Damon sightings (it happened in 2023) and Brissie's favourite dessert: those coveted strawberry sundaes. There's always plenty to see, do and eat — and a reason that the event comes with its own midweek public holiday. Brisbanites get set free from work to rush along, fill themselves up with fried and sugary goodness, then brave the rides and gaze at the fireworks. While this year's day off falls on Wednesday, August 14, the Ekka still runs for its usual nine days between Saturday, August 10–Sunday, August 18. That means plenty of time to enjoy sideshows, animal competitions, cooking demonstrations, live music and more — patting pigs, crashing dodgems, throwing balls in a clown's mouth for a prize and taking home all the Bertie Beetles you can eat all included. Almost 380 different types of show bags will be up for grabs, with 77 new bags on offer in 2024 and prices still starting at $2 each (then ranging much, much higher in some instances). For the evening Ekka Nites lineup's return, live performances will shine when the sun goes down. As well as lighting up the heavens with fireworks and drones, expect everything from galloping horses and stunt performers to country karaoke. Because attending the Ekka usually isn't kind on anyone's wallet, this year's event also boasts a new Ekka Tuckshop, letting you get a bite to eat for $5 and under. [caption id="attachment_861552" align="alignnone" width="1920"] Rommel Carlos Photography[/caption]
In I Am Mother's vision of the future, humanity has almost become extinct, the earth is a wasteland and the only known person alive is a teenager (Clara Rugaard) born, raised and living in an underground facility. Known only as Daughter, the adolescent has been brought up by a robot that she calls Mother (voiced by Rose Byrne) — but when a woman (Hilary Swank) comes knocking on their door, the girl begins to doubt everything she knows, including her android protector's motives. So far, so familiar, especially if you're a fan of sci-fi thrillers and dystopian tales. Australia has made a few, including the hugely successful Mad Max franchise; however this homegrown sci-fi thriller definitely finds its own niche. Shot in Adelaide, screening as a work in progress at the 2018 Adelaide Film Festival, premiering internationally at this year's Sundance and also slated for this year's Sydney Film Festival, it's now heading to Netflix from June 7 as well. Get ready for a bleak, tense and twisty effort that makes the most of its premise, nods to both the Alien and Terminator sagas, features immersive production design, and should bring its stellar young Danish lead Rugaard to further attention. It's also the debut feature from Australian filmmaker Grant Sputore, who directs and co-penned the underlying story with fellow big-screen first-timer Michael Lloyd Green. Check out the trailer below: https://www.youtube.com/watch?v=N5BKctcZxrM I Am Mother drops on Netflix on June 7.
Escaping from the hustle and bustle, soaking in greenery-filled views and spending time next to a national park don't usually go hand in hand with sipping cocktails, but The Paddock restaurant and bar boasts all of the above. Being situated on a 75-acre wagyu and polo farm that doubles as a luxe retreat will do that, with this Scenic Rim newcomer forming part of Hazelwood Estate in Beechmont. That means that you can stay in a cabin, but still spend your meals eating and drinking in style. Or, you can head down just for lunch, dinner and drinks from Wednesday–Sunday. Opt for the latter, and you'll still need to enter a passcode to enter the estate. The Paddock restaurant boasts Cameron Matthews (ex-Spicers Group) as chef-in-residence, and has adopted a big focus on local products — including from the venue's own market garden and beehives. The food menu spans dishes such as beef tartare, camel milk gnocchi with brown butter and coal-grilled beef with salt baked potato, or you can treat yo'self to a two-course or three-course spread. The Paddock also features the estate's cocktail bar, which spills out onto a terrace with views out over the valley — and serves up drinks that hero seasonal ingredients. Or, you can choose from sommelier Luis Buchan's wine list, with Australian and European drops getting pride of place. Aussie beers are also on offer, including an exclusive New England-style lager from Victorian craft brewery Edge Brewing Project that's only available onsite.
First, it was a popular 80s comedy starring Dolly Parton, Jane Fonda and Lily Tomlin. Then, it became a five-season television sitcom led by Parton's real-life younger sister. In 2009, 9 to 5 made the leap to the stage too, because you just can't stop a good story about female empowerment in the workplace. Revived in the West End earlier this year, it's still a huge hit — and now the latest version of the production is coming to Sydney. Just by reading the show's title, we know that you already have Parton's catchy song of the same name stuck in your head. Pour yourself a cup of ambition, because that tune isn't going away anytime soon. Indeed, you'd best get ready to exclaim "what a way to make a living" more than once when 9 to 5 The Musical plays its Australian premiere season, with its local run playing the the Sydney Lyric Theatre from April 21, 2020. Ahead of its time when it first reached cinemas, this tale of three women who take on their sexist, egotistical and all-round despicable male boss is obviously still highly relevant today. Before #TimesUp and #MeToo, workmates Doralee, Violet and Judy decided to turn the tables by kidnapping their supervisor and reforming their office. Expect the same story in 9 to 5 The Musical, as penned by the original film's screenwriter Patricia Resnick, just with more songs. With Parton herself writing the score — and earning Tony and Grammy nominations for her efforts — expect plenty of feel-good music as well. Although she doesn't appear on stage, the famous country star is still involved with the show, and with bringing it to Australia. While the show will premiere in Sydney, it's possible it'll head to other cities around the country after — cross your fingers and we'll let you know if more dates and locations are announced. While you're still singing 9 to 5 to yourself, check out Parton's announcement video below: https://www.youtube.com/watch?v=-eLfds3BNk8 9 to 5 The Musical will hit Sydney Lyric Theatre at The Star from April 21, 2020, with tickets on sale from 4pm on Friday, September 13. For more information, or to join the ticket waitlist, visit the musical's website.
A quarter of a century ago, M Night Shyamalan started coaching audiences to associate his surname with on-screen twists. Now that The Sixth Sense writer/director's daughter Ishana Night Shyamalan is following in his footsteps by making her first feature, decades of that viewer training across Unbreakable, Signs, The Visit, Split, Glass and more laps at The Watchers' feet. The question going in for those watching is obvious: will the second-generation filmmaker, who first worked as a second-unit director on her dad's Old and Knock at the Cabin — and also penned and helmed episodes of exceptionally eerie horror TV series Servant, on which her father was the showrunner — turn M Night's well-known and -established penchant for surprise reveals that completely recontextualise his narratives into a family trademark? Viewing a Shyamalan movie from The Sixth Sense onwards has always been an exercise in piecing together a puzzle, sleuthing along as clues are dropped about how the story might swiftly shift. It's no different with The Watchers, which Ishana adapts from AM Shine's novel and M Night produces. The younger filmmaking Shyamalan leans into the expectations that come with being her dad's offspring and picking up a camera, making a supernatural mystery-thriller horror flick and living with his brand of screen stories for her entire life. That said, while it's easy to initially think of The Village when The Watchers sets its narrative in isolated surroundings where the woods are filled with threats, and also of Knock at the Cabin given that its four main characters are basically holed up in one, Ishana demonstrates her own prowess, including by heartily embracing her source material's gothic air. This is a tale with a Mina at its centre, after all, because Shyamalan isn't the only name attached to The Watchers that means something in horror. As gothic stories in the genre long have told, it's also a tale of being haunted — here, by the monsters that lurk among the trees in a mysterious patch of western Ireland, and also by the kind of loss and sorrow that reshapes entire lives. As Ishana dials up the foreboding while dancing with fantasy, too, The Watchers proves a reckoning with identity as well. Yearning for the ability to define your own sense of self is another familiar gothic notion (Mary Shelley's Frankenstein puts it among the ideas at its centre), and also a fitting theme and statement for a person who's leaping into a field where they're immediately standing in someone else's shadow. Hours from Galway, shade also looms as The Watchers kicks off. As captured with a moody gaze by cinematographer Eli Arenson — and an eye for the claustrophobia that can simmer in expansive natural spaces, as he also splashed around in 2021's Lamb — warm rays barely filter through the forest even when the sun is high in the sky. In a state of near-perpetual twilight, the woodland possesses an otherworldly and ominous feel. A man (Alistair Brammer, Ancient Empires) is spied trying to flee its sprawling cover; however, the signs about not being able to turn back keep proving accurate. Birds flutter in a swooping and circling flock, the thicket buzzes with its own noise — both with unease as dense as the canopy above — and the picture advises that this location is absent from maps and a beacon for lost souls. A command of atmosphere bubbles through the movie from the outset, then, even before Mina (Dakota Fanning, Ripley) wanders through the same grove. She's entering rather than trying to leave — at first. An American artist working in a pet shop in a biding-her-time fashion, the 28-year-old is tasked with a normal albeit time-consuming delivery, but then her car breaks down and her phone dies shortly after driving into the greenery. Prior to Mina hitting the road, The Watchers dapples her everyday existence with a disquieting vibe. In her life in the Irish city, she's plastering literal wigs and metaphorical masks over her unhappiness while avoiding calls from her sister Lucy and grappling with the death of their mother 15 years earlier. En route to being stranded in a bunker called The Coop, which is sat in a tract where no one should go down to the woods by dark, she's also already feeling as caged as the parrot that she's about to try to ferry to a Belfast zoo. The Coop is no ordinary cabin in the woods, not that many on-screen are, with kudos deserved by The Watchers' production designers. Mirrored glass lines one of its walls, letting interested eyes peer in unseen (their audible reactions provide a soundtrack as well) as the motley crew that is Madeline (Olwen Fouéré, The Tourist), Ciara (Georgina Campbell, Barbarian), Daniel (Oliver Finnegan, We Are Lady Parts) and now Mina navigate their new routine. Each strangers going in and each trapped, they're all endeavouring to survive the creatures that demand to observe them eating, watching an old dating-style reality TV series and sleeping every evening — and, without their captors realising, to ascertain how to escape a place that appears impossible to exit. There are rules to enduring. There are grim consequences for not abiding by them. No one has made it out to seek help and returned, the stern Madeline cautions. When a reflective surface plays such a pivotal part, it's hardly astonishing when a film trades in parallels, including with an IRL world that's frequently becoming one giant online performance (to stress the point, one of The Watchers' most-striking shots shows how Mina and company inhabit a stage for their keepers). As well as absorbing her father's fondness for spinning unsettling tales, Ishana has inherited his ambition, clearly, as she also works in Celtic lore and the impact of colonialism. While it's one thing to aim big and another to thoroughly wrestle everything that you're eager to explore and touch upon into one movie, her directorial debut sports an instantly intriguing premise that draws viewers in effectively, a flair for imagery and tension, and an excellent lead. When Fanning is playing the feature's protagonist as someone who can't see anything but her own pain — who can't see the forest for the trees, aptly — she wears Mina's fragility and vulnerability like a second skin. When her character is forced to confront being put on display, she's just as mesmerisingly relatable.
Last summer, Queensland Museum was overrun with spiders. Now that the weather is getting warmer again this year, it's letting a different category of formidable creatures take over the place. Just when you thought it was safe to go looking at fossils from millions of years ago, the South Bank site has unleashed Sea Monsters: Prehistoric Ocean Predators — which runs until Monday, May 3. You won't need a bigger boat to get through the exhibition, but you will see a huge array of exhibits related to hefty ancient creatures from the deep. That includes giant animal replicas, complete with life-sized casts made from real specimens. Look out for a 1.4 metre kronosauras jaw, which comes from a marine reptile that would've spanned least nine metres — and for replicas of a 13-metre-long elasmosaur and 9-metre-long prognathodon. There are also hands-on interactive multimedia elements on offer, such as a 180-degree video that'll make you feel like you're surrounded by the critters. Obviously, if you're not fond of the kind of monstrous ancient marine creatures that would put the Jaws' shark to shame, then this won't be for you. Images: Kate Pentecost/Andrew Frollows via ANMM.
Three years after launching its first southeast Queensland on the Gold Coast, TGI Fridays is bringing another first to the coastal city, and to the region: the big American food brand's first-ever beachside venue. In the coming months, with an exact date yet to be confirmed, the US-based chain of bar and grill-style restaurants will open its latest outpost in Surfers Paradise. And yes, you can stop by on days other than Fridays. Of course you can. Setting up shop in the new $40-million Paradise Centre dining precinct above Cavill Avenue, the venue will be the third TGI Fridays in Queensland, following Sunshine Plaza on the Sunshine Coast, too. If you're familiar with the brand, you'll know what's in store: tucking into the chain's array of steaks, ribs, wings and burgers while sipping a hefty array of cocktails, just this time with ocean views. Those waves will be visible from the eatery's level-one location within Paradise Centre — and this isn't just the first beachside TGI Fridays in Queensland or Australia, but worldwide. The venue will also become the chain's Australasian flagship store, so it's clearly a big deal. "The Gold Coast has really embraced TGI Fridays and we're so excited to have secured this unmatched seaside address for our largest restaurant on the Gold Coast and Australasian flagship — it's something new for us but we think this iconic location will be incredibly popular with our patrons and complement our Queensland portfolio perfectly," said Signature Hospitality Group CEO James Sinclair, announcing the news. "We want TGI Fridays Surfers Paradise to be a place for everyone to meet, mingle and enjoy some fantastic food and drinks in a casual setting — whether they're coming off the beach after a day of relaxation or partying by the pool, meeting family for an early dinner, enjoying a sunset cocktail during happy hour, or catching up with mates for a beer whilst watching a live game on our big screens." Expect the store's menu to fall in line with the brand's other Aussie eateries. Food-wise, the general range includes wraps, salads, starters such as mozzarella sticks and mac 'n' cheese-loaded potato twisters, and mains that span chicken tenders, cracked pepper calamari with fries, whisky-glazed salmon and bruschetta pasta. The dessert selection goes heavy on American favourites; think brownies, sundaes and strawberry cheesecakes. As for drinks, TGI Fridays takes its beverages seriously, with its standard menu serving up over 30 types of cocktails and ten kinds of low- and no-alcohol concoctions. Wine, plus beer by the bottle and on tap, is also on offer. And, TGI Friday's famed daily happy hour will run from 4–6pm daily Seating 180 in timber booths, at stools at the central island bar and at high tables, the Surfers Paradise store will feature neon lighting — including a sign stating 'Paradise is only one cocktail away' when you walk in — plus huge windows to make the most of that seaside vista. And, it'll combine the signature TGI Fridays look, which includes timber accents and industrial-style lighting installations, with coastal furniture and a heap of greenery. When it comes to the venue's vibe, TGI Fridays pitches itself as part-way between a restaurant and a hangout spot. Back when the brand launched in the 60s, it was actually a singles bar; but these days it's focused on casual, novelty-based American dining. TGI Fridays will open on level one in the Paradise Centre, 2 Cavill Avenue, Surfers Paradise, sometime in the coming months — we'll update you with an exact launch date when it is announced.
The changes of the past couple of weeks have hit Australia's hospitality industry hard. First, there were the tighter restrictions on venue numbers and spacing; then the government's closure of all non-essential businesses means hospitality venues were forced to shut their doors and rely solely on whatever takeaway service they had operating — or adapt and launch new ones. As a result, a huge number of hospitality workers have been left without jobs. According to website I Lost My Hospo Shift, as of Thursday, April 23, 2594 Aussie hospo workers had lost their jobs and 13,237 shifts had been cut, equating to around $2.1 million in lost wages this week alone. Thankfully, some industry legends are coming to the rescue, lending a helping hand in the form of a few much-needed free feeds. And they're not just helping out unemployed hospo workers either, they're providing free meals to frontline health workers, international students and those just generally doing it tough right now. In Sydney, James Thorpe — co-owner of Petersham's Oxford Tavern and The Taphouse in Darlinghurst — announced both his venues will continue serving up free takeaway meals for any struggling hospo workers. "If you are a casual hospo worker who is currently underemployed, I will pay for your meal," he said in a post on The Taphouse Instagram page last week. "Simply make yourself known at the bar with your RSA in tow (or just let us know where you work if a cafe worker) and our team will hook you up with a menu." https://www.instagram.com/p/B95Th-Np__4/?utm_source=ig_web_copy_link Meanwhile, Newtown restaurant Hearth & Soul made a comeback especially to throw some support behind struggling Sydneysiders. Owner Rachel Jelley closed the venue in November, but has thrown open the doors for a series of free Friday meal services, catering to both staff and employers in any industry who've lost jobs or income as a result of the COVID-19 pandemic. Alongside a crew of volunteers, she's serving up a rotating menu of produce-focused dishes from 12–2pm each week, inviting diners to register via the website. "These are the people who have been working tirelessly to provide you with the dining-out experiences you love," Jelley explained. "They've also been cutting your hair, doing your physio, making your coffee and baking your croissants, and now their livelihoods have simply evaporated overnight, in silence. So, I want to feed them." https://www.instagram.com/p/B9-5LUHjva2/ Over in Enmore, Colombo Social is a Sri Lankan restaurant that provides employment opportunities and support to asylum seekers and refugees. But in response to these turbulent times, it's now expanded its focus, teaming up with Mission Australia and a bunch of other local charities to feed as many vulnerable community members as possible. The kitchen's being put to good use, whipping up over 4600 hot, nutritious meals for free to those who are hungry or struggling to feed their families. Italian chain Fratelli Fresh is also donating 650 meals every week to healthcare workers via its Feed the Front Line program, which is running until the end of June. You can donate a meal for $10 over here, too. Then, there's the group of Manly venues that have banded together in an effort to feed vulnerable hospitality workers. Via a new Go Fund Me campaign, spots like The Cumberland, The Hold, Hugos Manly and 4 Pines are raising money to fund free meals for those in the industry who've lost income and work. Impacted workers are invited to get themselves verified, then to register for any of the nightly-changing, home-delivered dishes. The meals are created using leftover food stocks donated by local restaurants. And Chippendale local Sneaky Possum has transformed into soup kitchens, dishing up free feeds to hard-hit hospitality staff with complimentary hospo meals from 8pm nightly. Down in Melbourne, Attica has set up its own soup kitchen. It's selling $25 Thai-inspired chicken broths, with $5 from each one sold going towards preparing food for unemployed hospitality workers on temporary visas. The crew from Brighton barbecue restaurant Coal Blooded Griller are drumming up donations to enable them to whip up free meals for those in need. Having already raised over $3500, they're able to serve hundreds of ready-to-heat, two-person food packs. https://www.instagram.com/p/B_N8a2rg0wD/ Meanwhile, Essendon burger joint Dribbles is handing out four free meals each week to people who've lost their jobs as a result of the pandemic. It's currently taking nominations for the freebies via its Facebook and Instagram. Newly-hatched non-profit event organisation The Issue X has made a mission to shed honest light on the issues and obstacles faced by the hospitality industry. And in these troubled times, it's turned its attentions to our city's hard-hit hospo staff, especially those on temporary visas who can't bank on any government support. The Issue X team knocked up a heap of nightly meals for those in need. And Brunswick's Viet-inspired restaurant Shop Bao Ngoc is giving back to its hard-hit hospo community by offering up a nightly changing meat-free dish, available for contactless delivery within three kilometres of the venue. The crew's encouraging a $10 donation for the meals — think, tofu pad thai and vegetable shepherd's pie — but say no one will be turned away for lack of funds. You can even pay it forward by donating money towards someone's future feed. https://www.facebook.com/baongocbrunswick/photos/a.439164586552477/841547599647505/?type=3&theater In the Brisbane suburb of Annerley, South Indian restaurant Sankalp is lending a hand by cooking up a swag of free vegetarian meals each Monday, Tuesday and Wednesday. The dishes are on offer to international students and any locals in need, to collect from the restaurant between 6.30pm and 8.30pm. Having pivoted its business in response to new public health regulations, Gold Coast eatery The Henchman is now operating as both a takeaway restaurant and food store. For as long as is possible, the owners are inviting anyone feeling the pinch to pop by and fill a bag with pantry supplies, on the house. And on the Sunshine Coast, a group of Noosa Junction venues have joined forces on a mission to support both their local hospo community and international students staying in the region. Together, eateries including Pasta Pronto, Bombetta and Moto are serving a stack of free breakfasts, lunches and dinners, across a range of daily offers. If and when you do decide to head out to get food, remember to follow the Australian Government Department of Health's social distancing guidelines. Know of any other restaurants, cafes or bars doing their bit to help the community? Let us know at hello@concreteplayground.com.
Pastels and poop. Step inside Unko Museum: The Kawaii Poop Experience and that's what will await. The colour scheme is soft and soothing, but the point of focus is literal crap (well, fake versions). If you've ever called something "cute shit" before, those words have never applied quite as they will here. This Japanese-style installation takes its cues from not only Japan's kawaii poop trend, but from the Unko Museum's sites across the nation, including in Tokyo, Hiroshima and Shizuoka. Now, Unko Museum will make its Australian debut in Melbourne, launching on Wednesday, December 20 to add some adorable crap to the silly season and summer. The focus: "max unko kawaii", aka "the maximum cuteness of poop". Also one of the mains attractions: getting everyone taking snaps and filling their social-media feeds, so expect a heap of pastel emoji-esque shit to fill Instagram. Unko Museum: The Kawaii Poop Experience will be split into zones and areas, spanning displays to take pictures of and other inclusions that are more immersive. Think: images of poop projected around the place, snapping selfies with poop props and flying poop, and retro-style games with a poop theme in a space called the Crappy Game Corner. Pastel-hued toilets are also a feature, lined up along a wall under a sign calling them "my unko maker". So are neon poop signs, giant poops, a ball pit where the balls are shaped like poops, poop hats, walls filled with toilet seats, glowing poop lights and a towering toilet-shaped doorway. Plus, exiting through the gift shop here means picking up kawaii poop merchandise and souvenirs. In Japan, as at October 2023, 1.4-million people had flushed the interactive experience into their itineraries. In Australia, Melburnians and tourists who now want to add some poo to their next Victorian visit can expect to spend 30–60 minutes revelling in endearing crap, in a family-friendly experience — because poop is for everyone. There's no word yet if Unko Museum: The Kawaii Poop Experience will make its way to other Australian cities, but cross your fingers if you can't make it to Melbourne this summer. Unko Museum: The Kawaii Poop Experience will open on Wednesday, December 20 at 360 Bourke Street, Melbourne — head to the pop-up's website to join the waitlist for tickets, which go on sale on Tuesday, November 28.
Sydney has the Sydney Gay and Lesbian Mardi Gras Parade, which takes over Oxford Street for a night of celebration. Melbourne has the Midsumma Pride March, its equivalent in Fitzroy Street, St Kilda. From November 2024, Brisbane will share the show of pride, but in a way befitting the River City: with the first-ever River Pride Parade as part of the new Melt Open festival. Boats will float from William Jolly Bridge to Brisbane Powerhouse, all embracing everything that a pride parade should be — just on the water. The River Pride Parade will take place on Saturday, November 9 in the afternoon, with Courtney Act leading the charge as Melt Open's just-announced inaugural ambassador. "A pride parade on the Brisbane River — what a brilliant twist on a cherished favourite! Just imagine the magic as we all come together to celebrate on the water, surrounded by the beauty of the city," said the Brisbane-bred Act. "As I lead the river parade, you can bet there'll be plenty of SPF beneath my makeup! This is truly a unique and fabulous way to honour pride and the stunning Brisbane River." "Prepare for a dazzling spectacle with the River Pride Parade fronted by the fabulous Courtney Act. Picture dykes on jetskis, drag-clad waterskiers, iconic queer boat parties and that's just the beginning. We welcome watercraft of all shapes and sizes to join the river parade and encourage everyone to get their spots along the river to view the carnival," added Pieta Farrell, Executive Producer of Melt Open. Registrations are open now for the River Pride Parade, which will help close out Melt Open's first year, with the entire fest running from Wednesday, October 23–Sunday, November 10. Don't have a boat? Organisers advise that watercraft of all shapes and sizes can take part. Melt Open was announced in 2023 as a fringe-style event to celebrate LGBTQIA+ art and performance everywhere from Fortitude Valley to Woolloongabba, showcasing queer work, talents, legends and allies. Brisbanites should already know that Brisbane Powerhouse has hosted Melt Festival for eight years and counting, with that event considered a predecessor to this newcomer. As its name makes plain, Melt Open is broadening its scope by building upon Melt's success — spreading beyond the Powerhouse, featuring more artists and venues, and operating as an open access-style shindig. The River Pride Parade is the second major program announcement for the debut Melt Open, and the second that'll make spectacular use of the fest's Brisbane location. The other: New York-based artist Spencer Tunick returning to Brisbane after 2023's Melt Festival stint, this time to close the Story Bridge to fill it with nudes for a new photography work. If you're eager to get your kit off in the name of art, celebrating the LGBTQIA+ community and diversity, registrations are still open for the installation, which will take place on Sunday, October 27 — and there's no limit on the number of participants. Melt Open 2024 will run from Wednesday, October 23–Sunday, November 10, with the River Pride Parade taking place on Saturday, November 9. Head to the Brisbane Powerhouse website for additional information, and to register for the parade. Images: Jack Martin.
From the family who once owned West End’s beloved Trang, comes Mrs Luu’s. Open only a month Mrs Luu’s is fast becoming a Milton institution with a line of customers flowing out of its French doors most weekday lunchtimes. (Tip: to avoid lines go before 12pm or after 1pm) Mrs Luu’s sits between a dance studio, and a Crossfit gym, fittingly the food will be easy on that summer belly. Frequented by the dress shirts, and high heels of Milton’s many office buildings this is authentic Vietnamese food is presented in a way that perfectly fits the working day. Mrs Luu’s bright pink sign, matches both the smiles on the faces of the staff, and the satisfied grins of the suits on the deck. Gratefully, Mrs Luu’s menu has been simplified for the Aussie lingo. No more staring blankly at a list of 60 dishes that you have no idea how to pronounce. Take a bite out of your Banh Mi, a French baguette filled with Vietnamese salad, Mrs Luu’s homemade pate and mayo, and your choice of filling (I opted for the sweet glazed chicken fillet). The crazy combination of flavors will get those tastebuds excited in a way that Subway never has. The best $7 I’ve spent in a long time. Other options are Goi Con ($6) spring rolls for the health and taste conscious, the Bun ($10.50) which funnily is enough is a vermicelli salad, the Com ($10.50) with pickled veggies, rice, your choice of marinated meat and Mrs Luu’s special Nuoc Nam dressing. Mr Luu is a very lucky man.
As a sci-fi TV series about alien abductions, unexplained happenings, UFOs, conspiracies and all manner of odd occurrences, plenty of strange things have happened on The X-Files. The sewer-dwelling man-like monster. The talking tattoo. The Cops episode. Jerry Springer showing up. Mulder dancing at a cowboy bar. The list goes on, and with the show set to return in early 2018, it's only going to grow. Only Brisbanites can enjoy Brisbane Arts Theatre's X-Files: The Musical, however. In an Australian premiere production running from April 15 to June 4, the truth is out there all right — in song, and on the stage. Tape an X to your window, pack yourself some sunflower seeds as snacks and grab your best super-bright torch, as Mulder and Scully are coming to Petrie Terrace. You'll want to believe in this song-filled parody about a half-human, half-animal hybrid that could be Mulder's long-missing sister. Trust us (when you're not trusting no one, that is). And if that's not enough off-screen weirdness for you, David Duchovny himself is also touring Australia next year — as a singer, at his own concerts, and sadly not as part of this show. Still, it's quite the coincidence.
There's only one thing wrong with the third season of Reservation Dogs: it's the show's last. After three years and 28 episodes spent with Muscogee Nation residents in Oklahoma — and also on a journey to California and back — this coming-of-age dramedy says farewell as sublimely and soulfully as it's said everything else since 2021. When Reservation Dogs initially arrived, including on Binge in Australia, its debut season delivered one of the best new TV shows of that year. Next, its second spin served up one of the best returning shows of 2022. The show's swansong achieves the same for 2023, and in a ten-episode run that takes many of the series' own messages to heart. There's a skill in recognising when something's time has come, as Reservation Dogs knows. As co-created, executive produced and written by Sterlin Harjo (Mekko) and Taika Waititi (Thor: Love and Thunder), this series is also well-aware that little lasts in life, but anything that's truly great always leaves an imprint and makes an impact. And, the show lives and breathes the idea that doing the best that you can with the time that you have is one of the noblest of purposes. Accordingly, while the teen-centric comedy about restless Indigenous North American adolescents feels like it could (and should) keep telling its stories forever, it wraps up with a season that's a rich and resonant goodbye — and continues to expand its slice-of-life tales, hero its distinctive perspectives and sink into minutiae that's seen nowhere else on television. Waititi gave Reservation Dogs its biggest name when it began with four Okern residents, aka the titular Rez Dogs, stealing a Flaming Flamers delivery truck to try to sell it to raise cash for their dream escape to the west coast. On the filmmaker's resume, it's one of a trio of brilliant half-hour comedies, premiering after the What We Do in the Shadows television spinoff was already a couple of seasons in and preceding pirate rom-com Our Flag Means Death. It's Harjo who is Reservation Dogs' guiding force, however, steering a series that couldn't be more original — and perfect. The casting, the cinematography, the equal parts dry and offbeat humour, the mix of clear-eyed reality and deeply felt spirituality, the thoughtfulness that swells through every touch: episode by episode, including in its masterful last season, these elements combine to make outstanding television. From its first-ever instalment, Reservation Dogs has hung out with its characters as they chase dreams and face truths, and realise that life is all about flitting between the two. So, it has enjoyed Bear (D'Pharaoh Woon-A-Tai, Fitting In), Elora (Devery Jacobs, Rutherford Falls), Willie Jack (Paulina Alexis, Ghostbusters: Afterlife) and Cheese's (Lane Factor, The Fabelmans) company as they learn about the transience of existence at every moment, whether they're striving to see more than the place that they've always called home, grappling with loss or pondering what the future means. Of course moving on was always going to come for this show, then. Of course it's finishing on its own terms, too. And of course its final season is more moving, ruminative and mesmerising than ever. When viewers last saw the Rez Dogs at the end of season two, the OG quartet plus Jackie (Elva Guerra, Dark Winds), their once-rival and now somewhat-reluctant newcomer to the group, had finally made the trip to California that they'd been working towards their entire lives — but with added urgency after the death of their friend Daniel. Season three picks up with the gang still far away from home, and still journeying even when they do return. Elora considers both her past and her future, complete with an excellent guest appearance by Ethan Hawke (Moon Knight) in an episode that Jacobs directed. Bear goes wandering on his own, including through several revelatory encounters (and with the spirit of The Battle of Little Big Horn warrior William Knifeman, as played by another Rutherford Falls alum in Dallas Goldtooth, still popping up). Both Cheese and Willie Jack keep discovering new learnings within their community. All continue to utter and inspire the term "shitass", all while navigating everything from grief to hope. Harjo remains unafraid to depart from his leads along the way, whether sliding into history to explore myths, traditions or horrors inflicted upon Indigenous children; hanging with the Rez Dogs' parents and elders now as well as in their younger days; and taking the revenge-fuelled Deer Lady (Kaniehtiio Horn, Alice, Darling) out of folklore and into a denim jumpsuit. A true portrait of community — and, of it teens embracing what it means to be a part of it — Reservation Dogs finds a story, be it big or small, for everyone within its frames. In season three, Bear's mother Rita (Sarah Podemski, Resident Alien) contemplates a big promotion that'll take her away from Okern, Elora's forever-20 mum Cookie (Janae Collins, Killers of the Flower Moon) still has messages to send as a spirit, and Jackie's aunt Bev (Rutherford Falls lead Jana Schmieding) has a spark with Officer Big (Zahn McClarnon, No Hard Feelings). Indeed, Reservation Dogs floats between characters as skilfully as it jumps between genres, in a series that can be anything in any given episode. During this last stretch, it's a road-trip awakening and an adventurous magical-realist odyssey. Then it dives into horror akin to Jordan Peele's work (see: Get Out, Us and Nope), as well as workplace comedy. Reservation Dogs flirts with 70s-set Dazed and Confused territory after that, plus an Ocean's-esque heist and sincere family drama as well. Harjo and his creative team nail each and every one — and ensure that every turn reinforces the show's survey of Native American life. This is a series that revels in the daily specifics, including the triumphs and joys; honours cultural conventions and how they're passed down; parodies cliches; and never forgets for a moment the plight that First Nations Americans have endured since colonial times. Everyday facts, ghostly visitors, decrying the worst of history, watching the next generation find its own way while balancing tradition and modernity, championing Indigenous talents emerging and experienced (including Killers of the Flower Moon's Lily Gladstone, Dead Man's Gary Farmer, The Last of the Mohicans' Wes Studi and Dances with Wolves' Graham Greene in the latter category): that's the juggling act that Reservation Dogs couldn't handle better. As Atlanta also achieved while similarly musing on race in the US, serving up surprises in every single episode and proving a creative masterpiece, it sees the moment-by-moment scene and the broader view. That both pictures take in the Oklahoma landscape also helps Reservation Dogs look like little else, as well as feel it. The show's legacy is equally pivotal; Bear, Elora, Willie Jack and Cheese especially will be deeply missed, but Woon-A-Tai, Jacobs, Alexis and Factor shouldn't ever be far from screens after this exceptional breakthrough. Check out the trailer for Reservation Dogs season three below: Reservation Dogs streams via Binge. Read our review of season two, too. Images: Shane Brown/FX.
Most of us are conscious of the climate emergency the planet is facing and are trying to be more ethical consumers as a result. But how many of us really know where our home furnishings, fashion or lifestyle products come from? It's too easy to go to a chain store and not question the manufacturing process behind many of its goods, but there's often a more sustainable alternative. And while there's an array of brands around the world championing sustainable practices, The Royal Thai Government has committed to positioning Thailand as a world leader in sustainable design. It's recently announced the creation of its BCG (Bio, Circular and Green) Economy to drive economic growth via the production of goods from renewable resources. Want to see how it comes to life? We've found ten Thai innovators who are doing their bit for the planet while still making quality products that are hard to pass up. BOPE When it comes to recycling, plastic is often the planet's real bête noire. It can take around 450 years for a plastic bottle to break down in landfill and every year, the world produces 380 million tonnes of the stuff. Bope is on a mission to do its bit to rescue some of that plastic. Its products — bags, purses, coasters, pots and more — are as stylish as they are practical, coming in a range of eye-catching designs and bright colours. Operating since 2014, this Chiang Mai design studio really knows how to get the best out of plastic. PIN The concept underpinning (pun intended) this award-winning brand is "new life of waste, new life of welder". As well as finding an innovative use for scrap metal, PiN encourages the craftspeople working on its products to take pride and dignity in the work they are doing. Founded by an artist who grew up in a family-owned steel company, PiN takes unremarkable waste metal and transforms it into beautiful homewares and decorations including hanging planters and stunning artworks. PASAYA Luxury and sustainability aren't always two concepts that go together, but Pasaya is looking to change that. Its range of rugs and carpets are high-end, durable and available in a whole host of patterns. Made from upcycled plastic bottles and manufactured using cutting-edge weaving techniques, Pasaya furnishings are made with the warm Thai climate in mind — something which is also ideal for many Australian homes. The company is also committed to reducing waste in all parts of the process including monitoring water utilisation, bacterial digestion and chemical reduction in the creation of its products. TRC TRC has over half a century's experience in stone polishing. The brand incorporates the ethos of sustainability into all it does, not just finished products, with even the moulds the company uses comprising of cement debris that other contractors would throw into a skip. Its signature collection is now made from entirely recycled materials including polished stone tables with bright, geometric patterns created from smashed and repurposed stone samples. CIRCULAR Fashion company Circular is extremely aptly named. Its garments are made of recycled materials, as you may expect, but if you donate your old clothes to Circular, you can also get a 10% discount off your next purchase, thus continuing the loop. Circular doesn't just use pre-loved items — it also sources waste from textile manufacturers, so it's never wholly reliant on generous donations. The brand also make a point of keeping the original colour of any materials used, therefore helping the environment by avoiding the use of harmful bleach or other chemicals. KH EDITIONS As well as a commitment to being eco-friendly, apparel brand KH Editions also has a strong focus on the local community. The company collaborates with locals, garnering ideas and materials, but also creating income and opportunities. What this means for the customer (as well as supporting an ethical brand) is the opportunity to purchase unique items of clothing which celebrate Thai culture made from materials like galangal and banana stem. And the designs are just as innovative as the manufacturing process — KH Editions clothing stands out in the best way. EARTHTONE Using materials like water hyacinth, rice husk and hemp, eco-fashion brand Earthtone's manifesto is to "spread love, not chemicals". Founded by husband-and-wife team Sayuri Okawa and Atthapon Pongsawat in 2019 after observing the degradation of Southern Thailand's coral reefs, Earthtone strives for efficiency, sustainability and spreading the message of conservation through clothing. The brand isn't stopping there, though — it's also looking to expand into home décor. Given its website proudly states the brand has preserved over 400,000 litres of drinking water and avoided over 500 kilograms of carbon emissions through its production methods, you truly want them to succeed. DD PAPER CUPS Many of us are getting better with our keep cups these days, but there are still times when you forget your reusable vessel and can't resist the lure of a barista-made coffee. The number of single-use cups thrown away is truly frightening — and that's where DD Paper Cups comes in. The business produces disposable cups, food containers, lids, tissues (basically any kind of packaging you'd associate with food and drinks to go) that are all environmentally friendly. The coffee cup line is even biodegradable, with the "plastic" that coats the inside made from plant material, meaning they break down within six months and can be used as fertiliser. HIDE & SEEK Let's talk kitty litter. It's usually made of rocks which you have to throw away when your beloved feline friend has done what they need to do. However, Hide & Seek has a new solution: cat litter that's produced entirely from cassava — a South American shrub that's also a staple food in many regions. Cassava has the same liquid and odour-absorbing qualities as the rock ore that most kitty litter is made from, only it's biodegradable, non-toxic and won't clog the pipes if flushed down the dunny. That would be a waste, however, as Hide & Seek cat litter can have a second life as plant fertiliser. KHRAMER You may normally just think of indigo as one of the colours of the rainbow but its origins are as a dye extracted from roots. For generations, people have used indigo root for its medicinal qualities as well as for giving colour to fabric. Khramer seeks to bring this benefit and wisdom to a wider group of people via its range of cosmetics made from indigo roots which is as safe and sustainable as it is effective. The brand's core products are a facial serum and a sunscreen, meaning you can take care of your skin and the planet at once. Keen to explore more sustainable brands? For more information, visit the DITP website, or explore more of Thailand's incredible creative scene here.
Designer stationery company Moleskine are getting into the hospitality game, with the launch of their first ever café, library, retail store and art gallery in Milan. With an aesthetic inspired by the brand's iconic notebook (think clean layout and plenty of neutral colours), the Moleskine Café is split into two levels. The ground floor will be home to the café and exhibition space, along with shared seating areas and an 'experience table' (yeah, alright guys) laden with various Moleskine products. The mezzanine level will be more secluded, featuring private seating and sofas for reading and studying. "We will provide our guests with an innovative retail experience, bringing the socialising dimensions of food, creativity and shopping to a single space designed to reflect the distinctive, clean aesthetics of Moleskine," said Moleskine CEO Arrio Berni. "I believe this vision fully reflects the growing interest people show for retail formats that go beyond the sheer act of shopping and I look forward to validating this concept for global expansion." The café in Milan comes on the back of a trial café in Geneva Airport. The brand is planning to open a number of other locations in major cities around the world, although they're remaining tight-lipped as to exactly which. Via Daily Coffee News and Design Week. Image: Moleskine/Interbrand.
Don't let truffle season slip by without experiencing the umami bliss this decadent fungus brings to every dish. And if you want to taste the best of the best, now is your chance at chef Adrian Richardson's meat-heavy BŌS Brisbane. Available throughout July and August (or until the fresh truffles run out), the luxe restaurant is serving an appropriately opulent truffle-led tasting menu. Featuring seven courses adorned with top-notch black truffles gathered from Manjimup, WA, this earthy ingredient always remains the hero. Starting with house-baked focaccia spread with truffle butter, each dish sounds more deluxe than the last. Grated truffle tops Hokkaido scallop and morcilla, while bringing even more flavour to the wagyu rump cap MB 8-9, served with celeriac puree and Pedro Ximenez jus. This aromatic delight even headlines the dessert, as wagyu truffle ice cream rounds out this limited-run menu. Priced at $160 per person, indulge further with a wine pairing for $80 each. Plus, if you want extra truffle goodness, it costs $20 per five grams.
Spending time with your loved ones, exchanging gifts with your nearest and dearest, enjoying hearty feasts and the boozy sips that go with them, decking the halls with boughs of holly, singing jolly carols: they're all tried-and-tested ways to celebrate the festive season. But sometimes, you just want to get tap, tap, tapping around a mini golf course, competing against your date, mates and/or family for putt-putt supremacy — and you want it to be Christmas-themed, too. Across the merriest part of 2022, the above situation is about to become a reality at Victoria Park's mini golf course. As it has done in previous years, the venue is giving its greens a temporary seasonal makeover, pairing swinging a club at a ball with plenty of festive cheer, decorations and sculptures. Head along from Friday, November 11–Tuesday, January 3, where you'll find bells, bows and twinkling lights. In past years, the course has also sported holly, giant candy canes, gingerbread houses, elves, toy soldiers and everything else festive that it can think of. Reindeers and Santa are usually involved, too, and different sections of the 18-hole site will be designed around ideas like Chrissy Down Under, Santa's mailroom and Christmas morning — plus there'll be a festive feast fairway, The North Pole and a 'deck the halls' hole. Find out whether you're naughty or nice at Christmas Putt Putt from 6am–10pm Sunday–Thursday and 6am–11pm Friday–Saturday — which means that you can stop by on your way to work, during your lunch break or after quittin' time as well. If you drop by post-6pm, you'll take to the green beneath Christmas lights, naturally. Victoria Park's Christmas putt putt follows hot on the heels of its Halloween shenanigans, which only wrapped up on that spooky date. Christmas Putt Putt takes over the Victoria Park Putt Putt Course at 309 Herston Road, Herston from Friday, November 11–Tuesday, January 3, open 6am–10pm Sunday–Thursday and 6am–11pm Friday–Saturday — with tickets costing $23 for adults. For more information, head to the venue's website. Images: Pandora Photography.
When Baz Luhrmann (Elvis) decided to bring The Great Gatsby to the screen, he enlisted 2010s Sydney to double for 1920s Long Island and New York. Then, a decade after the Australian director's Oscar-winning movie hit cinemas, a The Great Gatsby-themed club popped up in the Harbour City to host a The Great Gatsby-inspired cabaret variety show. Cut to 2025 and that event, aka GATSBY at The Green Light, now has a different Aussie city in its sights: Brisbane as part of this year's Brisbane Festival. This time, the River City's Twelfth Night Theatre in Bowen Hills is following in Luhrmann's footsteps, with GATSBY at The Green Light making its Brisbane debut between between Tuesday, September 2–Sunday, September 28. The production is taking over the Bowen Hills venue with an array of excuses to pretend that it's a century ago — and that you're on the other side of the globe. The GATSBY part of the big spring event's moniker refers to the entertainment, while The Green Light is the temporarily rebadged venue where this party-esque experience will occur. First, the show: taking its cues from F Scott Fitzgerald's book, which is marking its 100th anniversary in 2025, GATSBY gives the classic text the aerial, burlesque, dance and circus treatment. As performers show off their skills, live contemporary music accompanies their efforts. Then, the club: The Green Light gleans inspiration from prohibition-era speakeasies. Yes, drinks are involved. Indeed, while you watch, you'll be able to say cheers to the entertainment with a martini in hand. Images: Daniel Boud / Prudence Upton.
While the beach is often the first port of call for us when summer hits, it's not the only activity on offer in the hotter months. When the heat gets too hot to handle — or when those storms roll in — a trip to the shaded, air-conditioned haven of an art gallery is always a good idea. And while a visit to an art gallery is a noble enough activity on its own, we think it's made that much better by heading to a nearby bar afterwards to discuss what you've just seen. We've teamed up with Bombay Sapphire to showcase nine leading art galleries in Brisbane (and one on the Gold Coast) to head to this summer, and where to go afterwards to really make an evening of it. [caption id="attachment_836709" align="alignnone" width="1920"] 'The 10th Asia Pacific Triennial of Contemporary Art' (APT 10) Members Preview GOMA[/caption] QUEENSLAND ART GALLERY & GALLERY OF MODERN ART Many a summer's day has been spent by many a Brisbanite inside QAGOMA, avoiding the heat and taking in whichever exhibition is on at the time. At the moment, the 10th Asia Pacific Triennial of Contemporary Art is holding court in the South Bank precinct, an exhibition featuring 69 artworks from more than 150 Asia Pacific creatives, covering more than 30 countries. Where to go afterwards: Head down Fish Lane and make a pitstop at The Fox for a cold drink and a quality pub feed. Continue the art talk streetside or head up to the rooftop for city views, cocktail jugs and handmade pizza. WOOLLOONGABBA ART GALLERY Since 2004, Woolloongabba Art Gallery has showcased works by some of Australia's best emerging and established artists within its three exhibition spaces. Pop in to this heritage-listed building on Stanley Street for its summer group exhibition, which includes contemporary works by 20 Australian artists spanning a range of mediums. Where to go afterwards: Once you've checked out the gallery, head next door to Can You Keep A Secret. This vintage store-meets-cocktail bar is fitted out like Nan's house, with an old piano, humble chandeliers, antique landscape paintings and knick-knacks galore. There's also a year-round calendar of live music, as well as curated vintage finds available to purchase. PHILIP BACON GALLERIES No Brisbane art tour would be complete without a stop at this Fortitude Gallery veteran. Established by renowned Australian art dealer Philip Bacon AO in 1974, the commercial gallery — which boasts five distinct exhibition spaces — is known for representing some of Australia's most influential contemporary artists, as well as its stockroom that houses an expansive range of Australian artworks from the 19th century to today. Where to go afterwards: Set on the corner of Arthur and James Streets, Sixes and Sevens is a prime al fresco locale for an afternoon bev. Nibble on plates of mushroom arancini, popcorn chicken and burgers while sipping on cocktails made for summer — the Pineapple Gin Fizz is particularly refreshing. [caption id="attachment_820754" align="alignnone" width="1920"] Millie Tang[/caption] INSTITUTE OF MODERN ART The Institute of Modern Art's multifaceted performances, workshops and exhibitions make it one of Brisbane's best contemporary arts spaces. This summer, catch artists playing electronic music with handmade instruments and a free exhibition showcasing works by Australian First Nations and diasporic artists exploring the competing forces of cultural preservation and innovation. Keep an eye out for IMA's regular series of evening events — perfect for a pre-nightcap culture fix. Where to go afterwards: Complement the thought-provoking art you've just seen at IMA with an equally intriguing cocktail at nearby Savile Row. Look for the orange door on Ann Street and take a seat beneath the venue's dazzling chandelier or in a handsome leather-lined booth as you sip on a cocktail made from a selection of the bar's 900-plus bottles of liquor. [caption id="attachment_838871" align="alignnone" width="1920"] Supplied[/caption] EDWINA CORLETTE GALLERY If the bright artworks hung behind the glass windows of Edwina Corlette Gallery have ever caught your eye while you've been in New Farm, consider this your sign to go and check out the inside. The Brunswick Street space represents a select group of artists from Australia and the Asia Pacific region who exhibit contemporary works across a range of disciplines. Where to go afterwards: Just a block down from the gallery is Gerties, a bona fide New Farm institution that has been slinging cocktails on Brunswick Street for nearly 30 years. Here, the extensive cocktail list is paired with Latin-American style eats — think patacones, arepas and tostadas — which you can enjoy from a window seat, the perfect spot to watch the New Farm crowd traverse in and out of the Valley. [caption id="attachment_839826" align="alignnone" width="1920"] Supplied[/caption] LETHBRIDGE GALLERY Contemporary and fine art lovers alike know to head to Lethbridge Gallery in Paddington for a well-rounded display of works. The renovated cottage shows works by emerging and established artists, with a regular rotation of exhibitions that means there's always something interesting to see. Where to go afterwards: Amble along Latrobe Terrace post-gallery and settle in the courtyard or within the exposed brick-laden interior of old English-style bar Hope & Anchor for craft beers, cocktails and a menu of pub food favourites. Being a British-inspired watering hole, it should come as no surprise that beer and gin selections here are very impressive. With a dose of historic charm and a laidback atmosphere, Hope & Anchor is an ideal spot for your post-gallery hangs. METRO ARTS As one of the biggest arts organisations in Brisbane, Metro Arts develops, presents and supports contemporary works from artists throughout Queensland working in multiple disciplines including theatre, visual art and music. Its main venue in West End is a purpose-built precinct, ideal for checking out the latest in forward-thinking exhibitions and performances. Where to go afterwards: A proverbial stone's throw away in the hustle and bustle of Boundary Street is Covent Garden. This laidback oasis is a gin lover's dream, thanks to its selection of over 400 botanical drops on hand (including three different types of Bombay Sapphire) as well as a substantial selection of beer, wine, cocktails and a fully coeliac-friendly food menu. TW FINE ART TW Fine Art's modern industrial-style exterior almost hides in plain sight among the apartments and offices of Newstead. The local and international artists on this gallery's roster represent an eclectic range of styles, with works displayed in a light-filled, airy gallery space. Like what you see? Collectors, enthusiasts and casual browsers alike can feel at home here with gallerists ready to assist with purchasing originals and prints of the often colourful works on display. Where to go afterwards: Go from fine art to fine wine at intimate wine bar Carl's. Named after one of Brisbane's first winemakers, Carl Gerler, this cosy bistro is a go-to for locals to explore new- and old-world drops alongside a seasonal dining menu of bar snacks, charcuterie and sharing-style plates. If you're meeting a friend post-gallery tell them to bring their dog — our four-legged friends get bottomless treats here. [caption id="attachment_835753" align="alignnone" width="1920"] Installation view of 'Thinking into Being: QUT Alumni Triennial', QUT Art Museum, Brisbane, 9 October 2021 to 27 February 2022. Photo by Louis Lim.[/caption] QUT ART MUSEUM This Gardens Point gallery exhibits QUT's impressive art collection, and is also home to touring exhibitions and commissioned pieces. The gallery takes pride in being inclusive and welcoming to both art lovers and the art curious, with its free exhibitions complemented by a series of community events and education programs. This summer, you can catch works by notable QUT alumni that examine the thought process that brings objects, products and experiences to fruition. Where to go afterwards: Venture further into the city to find Boom Boom Room, a luxe underground izakaya-inspired bar and eatery. Settle in under the dazzling chandeliers and snack on plates of sashimi and yakitori, and pair your bites with cocktails like Southside of Tokyo, a sharing serve which features Bombay Sapphire, pineapple, mint, chocolate, lime and matcha. 19 KAREN CONTEMPORARY ART SPACE Heading down to the coast this summer? You can get your art fix at Mermaid Beach's 19 Karen Avenue. This art gallery represents over 100 artists across a huge range of styles. Six different exhibition spaces feature a year-round program of solo and group shows, each curated by gallery director Terri Lew. There's also a private gallery, in which Lew displays some of her impressive private collection. Where to go afterwards: If it's beer, cocktails and hearty food you're after when you leave 19 Karen, drop anchor at The Cambus Wallace. This old-world nautical-themed haunt is a five-minute drive down the Gold Coast Highway and is known for live music and easy-going vibes, as well as its extensive selection of rum and whisky. For more summer inspo, head to the Bombay Sapphire website. Top image: QAGOMA
"Think of a powerful memory. Make it the happiest you can remember." They're Daniel Radcliffe's words, uttered in the opening moments of the trailer for Harry Potter 20th Anniversary: Return to Hogwarts — and, just like the title for this HBO reunion special, they say it all. First announced in November, and headed to Binge in Australia on Saturday, January 1 and TVNZ On Demand in New Zealand on Sunday, January 2 — to start 2022 off with some magic, obviously — this nostalgic special will celebrate 20 years since the Harry Potter franchise first hit cinemas screens. Yes, HBO is doing with all things wizarding what it did with the cast of Friends earlier this year, in great news for everyone that's been chanting "accio more Harry Potter" for the past decade since the eight-film series wrapped up. Like the Friends special, this one will reteam all of Harry Potter's famous on-screen faces — Radcliffe, Rupert Grint and Emma Watson among them, because it wouldn't be worth going ahead if they weren't involved. Harry Potter 20th Anniversary: Return to Hogwarts won't feature anyone in-character; however, they do indeed head back to everyone's favourite wizarding school, as the just-dropped full trailer for the special also shows. Also taking part is filmmaker Chris Columbus, who directed the franchise's first two movies. Plus, you can expect to spot a huge list of other actors from across the series, including Helena Bonham Carter, Robbie Coltrane, Ralph Fiennes, Jason Isaacs, Gary Oldman and Tom Felton, plus James Phelps, Oliver Phelps, Mark Williams, Bonnie Wright, Alfred Enoch, Matthew Lewis, Evanna Lynch and Ian Hart. You'll notice some missing names — Maggie Smith and Robert Pattinson, for instance, to name just two — but clearly there'll be a whole lot of HP cast members reminiscing about their time in the wizarding world. Whether you're a muggle, a wannabe witch, or someone who spent far too much of their childhood reading the books and watching the flicks, you'll want to mark 7.01pm AEDT / 6.01pm AEST on Saturday, January 1 in your diary in Australia — and 7pm NZST on Sunday, January 2 in your calendar in New Zealand — as that's when the special will hit locally. In the interim, you can check out the full trailer for the Harry Potter 20th Anniversary: Return to Hogwarts special below: HBO's Harry Potter 20th Anniversary: Return to Hogwarts special will be available to stream in Australia via Binge from 7.01pm AEDT / 6.01pm AEST on Saturday, January 1, 2022 — and in New Zealand via TVNZ from 7pm NZST on Sunday, January 2. Top image: Binge / Warner Bros Entertainment Inc.
In 1947, one country became two and the world was forever altered. Following centuries of governance by the British, India was divided into distinct, independent territories along religious lines. One would still be known as India. The other would become Pakistan (and later, Bangladesh as well). Unsurprisingly, it was a massive task requiring significant contemplation and causing considerable repercussions, both for the officials charged with overseeing the partition, and for the locals who would be forced to live with the change. Such a chapter of history seems an obvious candidate for a dramatic film treatment — and that's just what Bend It Like Beckham's Gurinder Chadha delivers, stepping through the upheaval and exploring just how the two groups coped in such a turbulent period. But while she focuses firmly on the emotional toll of the partition, it's hard not to think that the director has actually missed the best story. Viceroy's House concludes on a rather touching personal note, explaining that Chadha's own grandmother lived through the events depicted on screen. Frankly, you could be forgiven for wishing she'd told that tale instead. Instead it's the last British head of India and his staff that drive the narrative of Viceroy's House. Accompanied by his wife Edwina (Gillian Anderson) and daughter Pamela (Lily Travers), Lord Louis Mountbatten (Hugh Bonneville) tries to negotiate an arrangement for the future of the sub-continent that keeps the various conflicting parties and his English superiors happy. Meanwhile, within Mountbatten's luxurious Delhi mansion, servant Jeet (Manish Dayal) yearns for his childhood sweetheart Aalia (Huma Qureshi), a situation complicated by the fact that he's a Hindu and she's a Muslim. Accordingly, a quest to determine the shape of two nations and a Romeo and Juliet-style affair combine, albeit somewhat awkwardly at times. Jumping between bureaucratic manoeuvring and matters of the heart isn't always packaged with the smoothest transitions, and doesn't give either side of the story much depth. Nevertheless, Chadha's main aim, of examining the ramifications for the country as well as its people, is successfully achieved. The film wrings most of its feeling from its many contrasts, be they ideological, political, religious or romantic. Standard as it all might be, Viceroy's House still proves a handsome effort. Think lush visuals and a rich score, plus fine performances. Downtown Abbey's Bonneville stays nicely in familiar territory, while Anderson couldn't be more enjoyable to watch. She mightn't be the movie's main star, but she's given the job of embodying its chief message of rising above prejudice and finding the right path in times of turmoil. https://www.youtube.com/watch?v=T4ZnofZJCD8
Sometimes an exhibition gets gallery patrons exploring one artist's work. Sometimes it pays tribute to a specific person, heads back to a certain chapter of the past, or fills walls and halls around a theme. A particular object might be in the spotlight, or a movie franchise. Then there's The NBA Exhibition, which will celebrate hoop dreams and all things basketball when it makes its first-ever Australian visit. After premiering in Warsaw, Poland in 2021, The NBA Exhibition will bounce into Brisbane from Thursday, November 9 — and bound through basketball history at the same time. Catnip for fans of Air and Winning Time: The Rise of the Lakers Dynasty, this sports-focused showcase is big in scope and size, surveying the culture of hopping onto the court and the lifestyle that goes with basketball, too, in a hefty two-level display. Visitors will traverse 1000 square metres and make their way through 20 themed sections. Created with the National Basketball Association, The NBA Exhibition aims to lure in b-ball diehards, casual followers and folks that haven't thought about the sport since their school PE lessons alike — and attendees of all ages. Looking at basketball memorabilia is part of the presentation, but so is throwing a ball around yourself and, thanks to the virtual and augmented reality aspect of the showcase, taking snaps with your favourite NBA players. So, you can get a photo with the Larry O'Brien Championship Trophy, too — aka the coveted prize that each year's NBA Finals' winner receives — and shoot hoops, see how far you can jump and test your reflexes as well. Fancy a picture showing that you can slam dunk, even if you can't? There's a section of The NBA Exhibition for that. Eager to watch NBA highlights using VR goggles? That's also on the agenda. Keen to get surrounded by iconic NBA moments? That's what the infinity room is for. With names like Michael Jordan and Shaquille O'Neal obviously featuring — and Kobe Bryant, Steph Curry, Giannis Antetokounmpo, Magic Johnson and Larry Bird as well — other elements of The NBA Exhibition include a heap of balls and shoes on display; footwear and hand prints from past and present players; art that was commissioned for a pop-up NBA Gallery exhibit in Sydney in 2022, featuring Australian and First Nations artists; and celebrating NBA players that've made the jump from Australia, which is likely to feature Patty Mills, Ben Simmons, Luc Longley, Andrew Gaze and more. Brisbane's Queens Plaza will host The NBA Exhibition's debut Aussie stop — just as it did with The Art of Banksy: Without Limits, which also hails from entertainment platform Fever, earlier in 2023 — with details of any future stints elsewhere around the country not yet revealed. The NBA Exhibition will display at Queens Plaza, 226 Queen Street, Brisbane from Thursday, November 9 — head to the exhibition's website for further details and to join the ticket waitlist.
The realisation that eventually comes to everyone underscores Once My Mother, one that dawned slowly upon filmmaker Sophia Turkiewicz. She grew up listening to stories her mother, Helen, would tell of her life, but could only see as far as the intersection with her involvement. More immediate family history weighed upon Sophia, driving a desire for distance as she grew from a girl into a woman. Unforgiving about time spent in an orphanage, she also demonstrated an unwillingness to look past the emotional scars of her upbringing. It follows that Once My Mother takes a universal process — that of discovering the real personality of our parents, of understanding the true impact of their past not just upon their lives but our own, and of showing compassion for any missteps along the way — and relates it to the audience in the only way possible: as a personal journey. Turkiewicz's documentary is dedicated to dissecting Helen's resilience through decades marked by difficulties of destruction, discrimination and displacement; however, it is also shaped by a daughter's burgeoning awakening to things only age and experience could help her appreciate. Read our full review here. Once My Mother is in cinemas on July 24, and thanks to Change Focus Media, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=-fos7dm2inE
If 11-time world champion surfer Kelly Slater wants to catch a wave, but doesn't feel like going to the beach, he can hop on a board at his inland surf ranch in Lemoore, California. Next time the surfing champ is in Australia, he'll be able to hang ten at a second facility on the Sunshine Coast. While no dates have been announced, the second surf ranch is set to open in Coolum, a 90-minute drive from Brisbane. It'll sprawl over a 510-hectare site, with 75 percent of the space dedicated to wetlands, public areas and lakes — although the surf ranch is clearly the main attraction. Like the Californian spot, the Sunny Coast's surf ranch will use the Kelly Slater Wave System — which, after taking ten years to develop, is crucial to the whole concept. It creates "repeatable man-made waves that convincingly deliver the power and shape of ocean waves most sought after by accomplished surfers, including a hollow barrel allowing for long tube rides". It was the impressiveness of these man-made waves that convinced surfing's governing body World Surf League (WSL) to acquire a majority stake in the Kelly Slater Wave Company (which created the wave technology and owns the Lemoore ranch) back in 2016. Opening more surf ranches was always part of WSL's plans — and, thankfully for us, it's launching the next one in Australia. [caption id="attachment_747864" align="aligncenter" width="1920"] Kelly Slater surfing at World Surf League's surf ranch in Lemoore, California.[/caption] As well as serving up all of the waves and none of the rips, unpredictable conditions and not-so-friendly sea creatures, the $1.1 billion development surrounding WSL's first Aussie ranch will also feature an eco-resort, a hotel, shops, a 'farm to plate' restaurant, serviced apartments, a sports centre, a school and houses. That means that you can head by for a surfing vacation or, if you're super-dedicated and have always wanted an excuse to pretend that you're in Point Break, you can move into the residential area. Like the Lemoore facility, the surf resort will be used for both competitions and coaching purposes. And if you're wondering why WSL has Queensland on its radar, the reasons are twofold. Firstly, surfing is set to become an Olympic sport at the Tokyo games next year. Secondly, the Sunshine State is contemplating putting in a bid for the 2032 Olympics. Australia already has a few man-made surfing spots for the public in the works, with Urbnsurf Melbourne launching this summer, and a Sydney location due to open next year. An outfit called Surf Lakes has also built a prototype spot at Yeppoon in regional Queensland, but it's only for testing — although the ultimate hope is that commercial versions will follow. WSL Surf Ranch is set to open in Coolum, Sunshine Coast. We'll let you know when exact dates are announced. Images: WSL Surf Ranch in Lemoore, California.
For a fortnight each May, one French city becomes the centre of the film world. If you're not lucky enough to be there, then you're likely to have a huge case of cinephile envy. Stars, scandals, movies that are applauded, flicks that half the theatre walks out on — that's the Cannes Film Festival each and every year. And, of course, 2018 didn't prove any different — even for those watching from afar. Indeed, taking place from May 8 to 19, this year's fest was filled with off-screen highlights. Firstly, the stacked main jury was led by Australia's own Cate Blanchett — alongside Kristen Stewart, Blue Is the Warmest Colour star Léa Seydoux, A Wrinkle in Time director Ava DuVernay and Blade Runner 2049 filmmaker Denis Villeneuve, among others. Then there was the 82-woman march, protesting the paltry number of female filmmakers who've had titles selected in the festival's competition (if you're wondering, 1866 movies directed by men have made the cut over Cannes' 71 years). Finally, Melancholia and Nymphomanic auteur Lars von Trier was allowed back after famously being banned in 2011, only to make a flick that caused throngs of people to leave. Oh, and Netflix was shut out and people weren't allowed to take selfies on the red carpet. That's all well and good, but it's what's on the festival's screens that really matters — and this year's program boasted plenty of movies to add to your must-see list. Some are definitely headed our way, with release dates already set, like Spike Lee's BlacKkKlansman. And some will show up at Sydney Film Festival this month (three on this list, in fact), with others bound to be announced in the Melbourne International Film Festival full lineup. Others we might have to cross our fingers for, including Jean-Luc Godard's Image Book. With all of that in mind, here's our top five to look out for. https://www.youtube.com/watch?v=Rwcb5ki1f-4 SHOPLIFTERS One of Japan's most prolific and consistent filmmakers of late, Hirokazu Kore-eda is also one of the country's best — and he has the resume to prove it. His last movie, The Third Murder, only premiered at the Venice Film Festival last year and then went on to win six awards at Japan's version of the Oscars. His newest, Shoplifters, premiered at Cannes and is now this year's Palme d'Or winner. Well known for his thoughtful, emotionally resonant explorations of family life in films such as I Wish, Like Father, Like Son, Our Little Sister and After the Storm, he's up to his usual, wonderful tricks in Shoplifters, which tells of a family of small-time crooks who take in a young girl they find on the streets. Kore-eda's works always challenge their scenarios in unexpected ways, and by all reports, this applauded effort delivers. This film will screen at Sydney Film Festival 2018. https://www.youtube.com/watch?v=mwgUesU1pz4 UNDER THE SILVER LAKE It has been four years since David Robert Mitchell creeped everyone out with his smart, unsettling take on the horror genre. If you followed It Follows into Aussie cinemas, you'll want to follow his latest flick, Under the Silver Lake, there as well. This time around, the writer/director spins a Los Angeles-set mystery about a directionless 33-year-old (Andrew Garfield) suddenly caught up in the disappearance of his attractive neighbour (Riley Keough). If that doesn't intrigue you enough, then the fact that It Follows composer Disasterpiece will make another appearance should. As demonstrated in his last film, Mitchell knows how to nod to his influences but still deliver his distinctive sense of mood and tone, so seeing how he does just that with LA noir is certainly enticing. https://www.youtube.com/watch?v=ij9C3Ej5CaE HAPPY AS LAZZARO Italian actress Alba Rohrwacher has already starred in one of the best movies doing the rounds of the international festival circuit this year, thanks to the Berlinale-bowing Daughter of Mine. Now, with Happy as Lazzaro, it seems like she might've featured in another. This year's winner of Cannes' best screenplay award — tying with 3 Faces — it was written and directed by her sister Alice Rohrwacher. And while the story might seem straightforward, the film has a few twists up its sleeves. The feature steps into the life of its titular character (Adriano Tardiolo), a peasant, who forms a bond with Tancredi (Tomasso Ragno), a nobleman. If you're keen on movies that start out one way and end up as something different, this sounds like it'll be right up your alley. https://www.youtube.com/watch?time_continue=85&v=wi6Kw7V8gXk BURNING Plenty of films won plenty of awards at this year's Cannes, as always, but Burning seems to have won the most hearts. It also took home the festival's FIPRESCI prize, which is awarded by a panel of film critics — so that should tell you how widely it was loved. Directed by South Korean filmmaker Lee Chang-dong (2010's Poetry, a best screenplay winner at Cannes) and featuring The Walking Dead's Steven Yeun, the slow-building effort focuses on three characters connected in different ways, with a romance between former neighbours only part of the ambiguous, enigmatic narrative. Plus, Burning is based on a Haruki Murakami short story — and while it also clocks in at 148 minutes, it'll be worth it. This film will screen at Sydney Film Festival 2018. https://www.youtube.com/watch?v=gNp0jlfbgqM CLIMAX Everyone has an opinion on Gaspar Noé. Indeed, his movies are nothing if not divisive. Irreversible, Enter the Void and Love all have their passionate fans and their avid haters, and Climax is bound to fall into the same camp. The French-based Argentinian filmmaker was reportedly annoyed that not enough people walked out of his latest picture, which featured in one of the Cannes Film Festival's sidebars, Directors' Fortnight. Its clearly provocative title aside, the movie has been called Noé's best, so perhaps that's why most of the audience stuck around. The Sofia Boutella (Atomic Blonde)-starring effort also been praised for the director's typically vivid visuals, in a film that's an ultra-violent dance movie as well as a lurid horror flick. It features acid-spiked sangria, which says plenty, really. This film will screen at Sydney Film Festival 2018.
In cinemas, 2024 will feature fewer superheroes than normal. Marvel is only releasing Deadpool & Wolverine, while DC is taking the year off as it prepares to start its franchise anew. On the small screen, there mightn't be as many Marvel Cinematic Universe TV shows, either. But if you like your caped-crusader fix to be as chaotic as possible — and if you have a big dose of superhero fatigue with the usual sprawling sagas — you'll be pleased to know that The Boys will be back in your streaming queue midyear. After college-set spinoff Gen V arrived in 2023, earning a season-two renewal in the process, The Boys itself will return for season four from Thursday, June 13, 2024. The exact release date comes after a first trailer for the new season was dropped in December, teasing plenty of mayhem — to the utter lack of surprise of viewers of 2019's first season, 2020's second effort and 2022's third go-around. When The Boys makes its comeback, it'll see the world dealing with Homelander (Antony Starr, Guy Ritchie's The Covenant)-versus-Starlight (Erin Moriarty, Captain Fantastic) factionalism, and just being ready to tear itself apart in general. Victoria Neuman (Claudia Doumit, Where'd You Go, Bernadette) is getting closer to the Oval Office, too, with Homelander pulling the strings. Also on the way: no-nonsense Brit Billy Butcher (Karl Urban, Thor: Ragnarok) dealing with the fact that he's only got months left, and that he's no longer leading The Boys — aka the eponymous ragtag team intent on bringing down Vought International, Homelander, and the company's caped-crusader industry and dominance. And, there's a new face, with Jeffrey Dean Morgan (The Walking Dead) joining the cast, adding another Supernatural link after Jensen Ackles did the same in season three. The Boys focuses on a group of caped crusaders, like most things seem to these days; however, in a world where viewers have been conditioned to lap up narratives about powerful folks who are supposedly better than most, this series both satirises and questions that very idea. Here, superheroes work for Vought. They're still the main form of entertainment, but they're real, the most famous celebrities there are and inescapable in daily life, too. The absolute top talent is known as The Seven, but most are hardly role models when the public isn't looking. That has made quite the change from the usual cinematic universes as the Prime Video show has kept notching up the seasons, all coming to the small screen after being adapted from Garth Ennis and Darick Robertson's comic book series of the same name. As well as Starr, Moriarty, Doumit and Urban, Jack Quaid (Oppenheimer), Jessie T Usher (Smile), Laz Alonso (Wrath of Man), Chace Crawford (Gossip Girl), Tomer Capone (One on One), Karen Fukuhara (Bullet Train), Colby Minifie (I'm Thinking of Ending Things) and Cameron Crovetti (Goodnight Mommy) will all return — with Susan Heyward (Hello Tomorrow!) and Valorie Curry (The Lost Symbol) also set to be season four newcomers. Check out the first trailer for The Boys season four below: The fourth season of The Boys will start streaming via Prime Video from Thursday, June 13, 2024. Read our reviews of The Boys season three and Gen V.
