If you're craving to know what the world's best supper tastes like, you’d best book yourself a flight to Denmark. Restaurant magazine has announced the World’s Best 50 Restaurants for the year and Copenhagen’s Noma has reclaimed the Number One position. Having topped the list in 2010, 2011 and 2012, it fell to second in 2013. Meanwhile, second place went to El Celler de Can Roca in Girona, Spain and third to Osteria Francescana in Modena, Italy. So, how did we fare? The only Australian restaurant to have made the Top 50 is Melbourne’s Attica, which fell from 21 but still came in at 32; also named the Best Restaurant in Australia for the second year in a row. The judges laud head chef Ben Shewry’s "earthly flavours and foraged ingredients", describing the Attica dining experience as "simultaneously sophisticated and deeply grounded". They’re also impressed with Shewry’s commitment to "his principles of sustainability, to his family and to the cooking craft". Meanwhile, Sydney’s Quay, headed by chef Peter Gilmore, slipped from 48 to 60. (Despite the awards being titled ‘World’s Best 50’, the top 100 are named as well). Even though just two of our homegrown restaurants made the list, Aussies chefing abroad have been making an impact. Newcastle’s Brett Graham, who heads The Ledbury, London was pleased to secure tenth place. “It’s a huge surprise,” he said. “We’ve got a great young team, actually half-full of bloody Australians as well, from all over the country.” At the same time, David Thompson’s Bangkok-based Nahm ranked 13th. He expressed that it’s not easy for Aussie restaurants. "One of the difficult things for Australian restaurants is that it’s so distant – or so far away from the circuit of judges," he said. "It’s a matter of luck in the awards ceremony; it really is." Finally, Sydney chef Tetsuya Wakuda came in at 50th with his Singapore-based restaurant Waku Ghin, improving on last year's 68th ranking. Image credit: Ben Hutchison
Sydney has no shortage of history, both owned and borrowed, to learn about this summer. From the long cultural history of the First Nations custodians of the land to the colonial bones of Sydney's architecture to the modern-day melting pot of cultures and stories, every era leaves its mark. We've combed through the Harbour City and found some historical gems that deserve your attention, whether you're a local or a visitor, starting with a new and exciting opportunity that will only be in the city for a few months. RAMSES & THE GOLD OF THE PHARAOHS — THE AUSTRALIAN MUSEUM The Australian Museum is always a top choice for history in Sydney, and this exhibit running until May 2024 is unlike anything the museum has ever hosted before. Ramses & the Gold of the Pharaohs is a multi-sensory, immersive experience for all ages and is exclusive to the Australian Museum. The exhibition explores the life and reign of the late Ramses the Great, Egypt's second longest-reigning Pharaoh, and is comprised of over 180 objects, each dating back approximately 3000 years. Ramses II lived well into his 90s, old even for a monarch, and each object captures important details of the era and his life. Items on display include jewellery, ceramics, small mummified animals, royal masks, and even the actual sarcophagus that Ramses was entombed in in 1213 BC. You'll also find an optional multisensory VR experience that will transport you virtually to two of the era's most significant monuments, the tomb of Queen Nefertari and the temples of Abu Simbel. [caption id="attachment_923966" align="aligncenter" width="1920"] Destination NSW[/caption] QUEENSCLIFF TUNNEL AND HOTEL STEYNE — MANLY Sydney's own history spreads well beyond the centre of the city, from bush to coast. On the coastal side of town is a suburb that is one of the most well-known to the culturally, coastally and historically inclined — Manly. On the north side of Manly Beach, on the border of Queenscliff, is the Queenscliff Tunnel. It could easily be dismissed as a detail in the rocky headland, but it is actually a manmade tunnel, supposedly carved in 1908 by local fishermen to act as a shortcut between Freshwater and Manly Beaches. It's open to visitors but on an elevated cliff face, so remain cautious. Back on flat ground is another historical highlight, Hotel Steyne. Originally built in 1859, the pub has been destroyed by two mysterious fires, but the current building dates back to 1923 and is one of the best pub feeds in Manly. ILLOURA RESERVE AND THE FENWICK — BALMAIN EAST Among some of the lesser-known harbourfront historical areas, specifically in Balmain East, is Illoura Reserve. Before the arrival of European settlers, the area was a swamp, only established in land purchases in the early 19th century as a part of a 222-hectare grant to colonial Surgeon Dr William Balmain. Seeing the connection? Since then, the area has been used as a harbourside industrial precinct and a tip. One building that has stood since the 1880s is The Fenwick. Originally a store for harbour tugboats, it evolved alongside Illoura Reserve and is now a stunning waterfront cafe and art gallery. The menu stars local and seasonal produce, and the second-floor gallery showcases a range of local and international artists, with everything available for purchase. [caption id="attachment_923971" align="aligncenter" width="1920"] Tim Downey via Flickr[/caption] PADDINGTON RESERVE GARDENS — PADDINGTON Away from the harbour, in the inner east hub of Paddington, we find a historical site that holds great significance to the city. More than just a public park, these are the Paddington Reservoir Gardens. This was where most of Sydney's water was pumped from its construction in 1866 to its closure in 1899. In its prime, it had a hefty capacity of just over 9000 megalitres. Still, it was closed and repurposed into a storage yard until 1934, when it was partially converted into a service station. When the roof collapsed twice in the 1990s, the station was again closed. Following a major restoration, the site was reopened as a park in 2009, combining elements of its history with overland reserves that had been constructed prior. Now, it's known for its beautiful but eerie appearance, almost like post-industrial Roman undercity ruins, but on Oxford Street. [caption id="attachment_826667" align="aligncenter" width="1920"] Destination NSW[/caption] CREMORNE RESERVE AND MACCALLUM POOL — CREMORNE POINT Across the city and harbour is the suburb of Cremorne, one of the most disputed shorelines of Sydney Harbour's history. Once a site of great significance to the Cammeraygal people, the land was acquired by Europeans in 1833. Over the following years, it would be a public amusement park, residential development, and even almost a coal mine in the early 1890s. Thankfully, the point and reserve are now protected as a heritage conservation area. One of the gems of the location is MacCallum Pool, a harbour swimming pool originally constructed by local residents. It was maintained by locals until hygiene concerns of harbour swimming prompted North Sydney Council to take over maintenance in 1930. Renamed to MacCallum in tribute to one of its most loyal civilian carers, Hugh J MacCallum, the council has since restored the pool and added decking, landscaping and fencing to secure the pool and its visitors. [caption id="attachment_827016" align="aligncenter" width="1920"] Anna Kucera[/caption] FOUNDATION PARK, FORTUNE OF WAR AND THE DOSS HOUSE — THE ROCKS The Rocks precinct is synonymous with Sydney's history, being one of it's oldest and most iconic heritage precincts. One hidden detail, an unmarked alleyway off Argyle Terrace, is Foundation Park. At first glance, it looks like a collection of discarded furniture, but it's actually a living museum designed to recreate the space and feel of Sydney's oldest homes. The history of The Rocks extends to some of its extremely popular venues, such as Fortune of War and The Doss House. Fortune of War is regarded as Sydney's oldest pub, originally built by a former convict settler in 1828. The name comes from its regulars, sailors and soldiers who were leaving and arriving in Sydney for (or from) war. The Doss House is equally historic, a heritage-listed underground whiskey bar with rooms that pay tribute to the building's many past identities, from a bootmaker workshop to a cheap accommodation for the desperate and even an illegal opium den. [caption id="attachment_923973" align="aligncenter" width="1920"] Ryan Frank via iStock[/caption] BADU MANGROVES AND HOMEBUSH BAY — HOMEBUSH When you think of Homebush, history and nature might not be the first thoughts that come to mind. But one of the best-kept secrets of Sydney can be found in Homebush. Badu Mangroves is a 56-hectare slice of wetland between Homebush Bay and Bicentennial Park. Overlooked for most of Sydney's history, this haven of local wildlife was choked by pollution for decades but is now thriving again thanks to a restoration program and can be explored via an elevated boardwalk. The mangroves, as mentioned, are adjacent to Homebush Bay, and from the boardwalk, you can spot the famous 'floating forest', the wreck of the SS Ayrfield. Originally built in 1911 and part of a fleet of cargo ships that ferried coal, oil and wartime supplies, it survived WWII but is now being slowly broken down by a mangrove forest. A small slice of history, forever locked in the waters of the Parramatta River. For more information on Ramses & The Gold of the Pharaohs, or to book tickets, visit the website. For more experiences in Sydney, keep exploring Concrete Playground.
Australia is set to receive a healthy dose of 1920s razzle-dazzle, as record-breaking Broadway favourite Chicago shimmies onto stages across the country later this year. An Aussie production of the smash-hit musical will debut at Sydney's Capitol Theatre in August, before heading to Brisbane's QPAC Lyric Theatre in November and wrapping up at Arts Centre Melbourne from December. The longest-running American musical in Broadway and West End history, the original Kander & Ebb musical has reached the eyeballs of over 31 million people worldwide. Inspiring 2002's Academy Award-winning film of the same name, it tells the tale of a Chicago housewife and nightclub dancer who twirls through a whirlwind of murdered lovers, jail-time, fierce rivalries and tabloid sensationalism set in the decadent 1920s. Taking the stage for Chicago's local run is a cast of well-known Aussie names — catch acclaimed all-rounder Natalie Bassingthwaighte in the lead role of Roxie Hart, musical theatre veteran Alinta Chidzey as her rival Velma Kelly, and ARIA-winning superstar Casey Donovan playing Matron 'Mama' Morton. Based on a 1926 play by Maurine Dallas Watkins, the production showcases music by John Kander, lyrics by Fred Ebb and choreography by Tony Award winner Ann Reinking. Hot on its black patent heels are two more award-winning musicals heading Down Under. Saturday Night Fever will head to Capital Theatre in Sydney this August, before Waitress hits Aussie shores in 2020. Chicago premieres at Sydney's Capitol Theatre in August 2019, before heading to Brisbane's QPAC Lyric Theatre in November and the Arts Centre Melbourne in December. You can score tickets for the Sydney show or sign up for the Melbourne and Brisbane waitlists over at the website. Images: Paul Kolnik, Peter Brew Bevan, Jeremy Daniel
When it comes to costumes, there are a few simple rules. Have fun. Be creative. Don't act like a twit. Unfortunately, some people still have trouble with that last one, with Native American headdresses and other culturally inappropriate garments still an all too common sight at festivals and dress-up parties alike. Thankfully, the team at Sydney's Secret Garden is here to clear up the confusion. Ahead of next weekend's festivities, they've released a short, helpful video about their costume policy, which you can check out below. https://www.youtube.com/watch?v=KJ9Bhv1iJAk "Our happy place is in some elaborate costume, with a face full of glitter," festival director Clare Downes told Concrete Playground. "There are a ridiculous amount of costume ideas out there. We just want to make sure everyone feels welcome." Secret Garden takes place February 24-25, but bad luck if you don't have tickets because they're sold out.
Once, heading to Nambour was all about gawking at over-sized tropical fruit. Actually, that's still the case. Back in 2013, however, the giant pineapple-owning powers that be added another reason to head to the Sunshine Coast's biggest tourist attraction: an annual music festival with an ace lineup. Well, it's usually annual. The 2020 event has understandably changed its dates a few time in this COVID-19-afflicted year, and now it's moving the whole shebang to 2021. So, you can once again expect some top-notch entertainment across four stages, plus a ferris wheel, food stalls aplenty, arts, crafts and other activities, and camping, all when The Big Pineapple Music Festival returns on Saturday, May 22, 2021. It's enough to make you block out a weekend and start planning a few days spent in the shadow of one of the country's favourite big things. The 2021 lineup hasn't been announced yet, because it isn't as logistically simple as just sticking with 2020's bill — so watch this space regarding who you'll be dancing to. And, ticket-wise, all 2020 purchases are still valid. If you can't attend the new date, you can request a refund between September 9–October 12. If you don't have a ticket yet, fingers crossed that you'll be able to pick one up once the event has processed any returned tickets. [caption id="attachment_760926" align="aligncenter" width="1920"] Charlie Hardy[/caption] The Big Pineapple Music Festival will take place on Saturday, May 22, 2021. For further details about the date change, ticketing and refunds, visit the event's website. Images: Charlie Hardie / Claudia Ciapocaa.
If your Easter routine usually involves a seafood feast, you don't need to alter your plans in 2020. While heading to the shops looks a bit different in these COVID-19 times — and going out for a meal is on hold indefinitely — Betty's Burgers is serving up plenty of prawns for the occasion. Combining four juicy fried prawns, the chain's special garlic mayonnaise, lettuce and tomato, Betty's new prawn roll is available for takeaway from its restaurants spotted across Australia. If your stomach is already rumbling, you can tuck into one for $15 — or order a meal for you and your housemate and get two rolls and two serves of fries for $35. You'll need to get in quickly, though, with the prawn roll only available for a week from Thursday, April 9–Thursday, April 16. And, if it's anything like the chain's lobster roll, expect it to sell-out — fast. Known for its Shake Shack-style burgs and frozen custard desserts (called concretes), Betty's foray into prawns is also a celebration of its beachy roots. While you can now grab a Betty's burger at over 20 locations across Australia, including six Sydney outlets, four Melbourne spots, four Brisbane outposts, one Toowoomba eatery and one location in Adelaide, the company first began in Noosa, and then expanded to the Gold Coast. Over the Easter long weekend, Betty's Burgers stores are open from 11.30am–9pm daily, with the following stores temporarily closed: Coomera and Pacific Fair in Queensland, Central Station and Market Street in NSW, and The Glen and Exhibition Street in Victoria. The rest of the chain's stores are open for takeaway and most of them offer delivery via UberEats and Deliveroo. To check what options your local has, head to the Betty's Burgers' website or download the app for iOS or Google Play. Betty's Burgers' prawn roll is available at all Australian stores — except Coomera and Pacific Fair in Queensland, Central Station and Market Street in NSW, and The Glen and Exhibition Street — for takeaway for a limited time. To order, download the Betty's Burgers app for iOS or Google Play. If you choose to pick up these burgers, have a look at the latest COVID-19 advice and social-distancing guidelines from the Department of Health.
When winter hits — and you know when it really hits — pressing command+A and delete on all your iCal entries seems like a rational thing to do. But hold your horses, cold one — there are a few festivals happening that you won't want to miss out on. In recent years, Australia has developed quite the winter events calendar. With Vivid's lights hitting every visible surface in Sydney, Melbourne's White Night moving to August for the first time, and hedonistic shenanigans happening down in Hobart for Dark Mofo, there is plenty to inspire a break from hibernation. So pull your calendar back up and block out a weekend to have a winter adventure out of town or interstate.
Thanks to Brisbane's enviable winter weather, picnics in the park, wandering through gorgeous greenery and hitting up outdoor food festivals aren't off the agenda when the middle of the year hits the River City. So, to make the most of the Queensland capital's sunny climes even when it's supposed to be frosty, Roma Street Parklands is hosting a new July food festival, Providore Park, complete with a croquet club, a garden dedicated to sparkling, DJs and live tunes. Free to attend in general, but with paid experiences also on the lineup — and your wallet needed for whatever you'll eat and drink, of course — this two-day affair will debut across Saturday, July 8–Sunday, July 9. Over one big weekend, Brisbanites can drop by the 16-hectare inner-city spot for bites while you're there and to take home, craft brews, food-and-drink matching masterclasses, swinging a mallet and more. At The Village, a lineup of stalls will welcome attendees for browsing, buying and sampling. From oysters, cheese and deli goods to chocolate and pastries — plus a spread of wine, spirits, craft beer and non-alcoholic beverages — there'll be plenty of options. Goose on the Loose, Hum Honey, Lisboa Caffe, Margarita Margarita, Silver Tongue Foods, Nodo, Church Mouse Cheese, Gelato a Go-Go and Yarra Valley Caviar will be among the producers slinging their wares. Also, the folks behind them will be on hand, all chatting about their goods as well. For anyone keen to up their culinary knowledge, the ticketed masterclasses will pair a trio of snacks with their ideal matching drinks — and, with limited places and prices from $30, they're bound to sell out when they go on sale on Thursday, June 8. Also ticketed is the Chandon Secret Garden, aka Providore Park's VIP lounge, which'll be serving attendees tasting platters paired with three drinks for $85. For fans of Heathers, or just croquet otherwise, the pop-up croquet club will let groups of up to six people give the game a whirl for $60. Groups can hire out the entire grass court and get competitive while enjoying Minuty Rosé. And, if you're keen to hang out in a private cabana with your pals, there'll be a picnic spot just for that, starting at $120 for four people. There, you'll get 90 minutes with a tasting platter and a selection of Chandon drinks. Providore Park's daytime DJ lounge will take over the Lakeside Meadow with retro and new beats from 10am–6pm, while live tunes will echo from the Celebration Lawn's main stage across the same hours. [caption id="attachment_784308" align="alignnone" width="1920"] Brisbane Marketing[/caption] Providore Park runs across Saturday, July 8–Sunday, July 9 at Roma Street Parklands. Head to the festival website for further details.
We've seen plenty of iPhone camera extensions before but this one takes the cake. Don't go wild just yet – it's still only in concept stage – but with the optical zoom of a Leica lens combined with the functionality of the Apple iPhone, the Leica i9 is sure to take iPhoneography to new heights. This week Black Design Associates announced the Leica i9 concept, which lets you slip your iPhone 4 into a Leica camera casing. The result? A point and shoot camera with internal flash memory, a 12.1 megapixel sensor and 8x optical zoom. In developing the concept, BDA asked the question: "How do you combine a great smart phone with a great digital camera when your brands may speak to very different categories?" BDA approached the brief with the strategy of compliment without compromise, allowing the strengths of both Apple and Leica products to shine through in tandem. Sweet features of the Leica i9 include: Camera/iPhone Toggle: turns on your camera with an instant start-up time of 0.3 seconds, while simultaneously loading the Leica app on your iPhone 4 Flash and Light Meter: offers higher quality photos and videos in low-light conditions Camera Back Dock: harks back to traditional 35mm film, the back swinging open like a traditional film door to reveal the standard Apple 30-pin connector dock [Via Engadget]
Hip hop used to be associated with overt displays of machismo, but there has been a steady evolution since those days. Arguably, this advancement and modernisation is represented nowhere better than with the rise to prominence of Cakes Da Killa. Originating on New York's queer rap scene, Cakes Da Killa has earned plaudits for his fusion of hip hop, house and dance over the last decade, alongside acts such as Mykki Blanco and Le1f. With the beats from his latest album, Killa Essentials (2021), in tow, the game-changing creative's impending trip to Sydney is sure to bring an unforgettable evening to Oxford Art Factory. Images: Ebru Yildiz
A couple of years back, a ramen joint in Sydney served up $400 bowls of brothy, noodle-filled goodness, complete with a full lobster and a golden head as a garnish. If you wanted to give it a try, you clearly needed deep pockets. But it now looks positively cheap and affordable compared to Australia's new $15,000 gold-infused cocktail. Yes, you read that amount correctly. Yes, that's a ridiculous sum of money for a drink. No, we didn't add an extra zero, or two or three — because $150 or $1500 cocktails would still elicit the same reaction. The bank balance-crushing tipple — called the Woodford Gold Fashioned — will clearly be the most pricey old fashioned you ever come across, and has unsurprisingly been dubbed Australia's most expensive cocktail. It's also only on offer for a limited time at two Australian bars for Woodford Reserve Old Fashioned Week. That celebration, as the name makes plain, hails from booze brand Woodford Reserve and is all about showcasing one specific type of boozy concoction. The fest itself is popping up at 200-plus bars Australia-wide, running from Saturday, November 5–Monday, November 14. Only Sydney's Dean and Nancy on 22 and Melbourne's Sky Bar will be serving up the $15,000 versions, though. What do you get for that hefty cost? An old fashioned made with Woodford's XO cognac-finished Baccarat Edition, as paired with a gold-infused Chateau d'Yquem reduction, plus handmade saffron and vanilla bitters. Even the ice that's popped in it is fancy — it'll be specially engraved — and the whole sip is poured into a hand-cut French crystal Baccarat tumbler. If you're wondering, the Ritz-Carlton in Tokyo has a Diamonds Are Forever martini that costs US$19,000, so a more expensive drink does exist. The Woodford Gold Fashioned one comes in after that, making it the second-most expensive cocktail worldwide. Somehow manage to stump up the cash for a Woodford Gold Fashioned and you'll also get an at-home cocktail kit, which includes a pair of the same Baccarat tumblers and a bottle of Woodford Reserve Baccarat Edition. If you're paying $15,000 for a cocktail, it really does need to come with freebies to enjoy afterwards. The Woodford Gold Fashioned will be available from Saturday, November 5–Monday, November 14 at Sydney's Dean and Nancy on 22 and Melbourne's Sky Bar for Woodford Reserve Old Fashioned Week.
Turning a movie into a TV show can be a tricky prospect, but add What We Do in the Shadows to the list of series that completely nail the task. Crucially, it doesn't remake Taika Waititi and Jemaine Clement's hilarious New Zealand mockumentary. Instead, it expands upon it — peering inside a different share house, this time in Staten Island in New York, that's filled with completely different vampires. The television sitcom is set in the same universe as its predecessor, too, so keeping your eyes peeled for links and familiar faces is 100-percent recommended. And yes, both Waititi and Clement have been involved behind the scenes, so it all has their stamp of approval. Also, and we cannot stress this enough, getting the great Matt Berry to play a pompous bloodsucker ranks among the best TV casting moves ever made.
As part of the month long Queensland Festival of Photography, The Hold Artspace is hosting some amazing artists and their photography works. Alana Hampton, Mari Hirata, Mandana Mapar and Kathy Mackey are the featured artists of this exhibition, which explores some of the practices in photography, whether traditional or experimental. The exhibition utilises video, audio, sculpture and installation practices to force audiences to reconsider the relationship between an image at moment of capture, and its relation to its subsequent form on display in a gallery setting. Four Performative Acts of Photography will be at the Montague Road gallery, The Hold Artspace until the 12th of April. Also be sure to see what will be taking place during the Queensland Festival of Photography by checking out their website.
Festival FOMO is real, and festival sideshows are one solution: the gigs you go to when you're not going to the main gig. Can't make it to Adelaide for two music-filled October days at Harvest Rock II? Loving the South Australia-only fest's lineup? Four of the event's highlights have just announced dates along Australia's east coast. Chief among them are Sparks, which will draw upon a whopping 57 years of making ridiculously catchy and smartly funny tunes on their first tour of Australia since 2001. Thanks to 2021's double of Edgar Wright-directed documentary The Sparks Brothers and Cannes Film Festival opener Annette, brothers Ron and Russell Mael have been everywhere of late — and that's now about to include Sydney, Melbourne and Brisbane, busting out tracks like 'The Number One Song in Heaven', 'This Town Ain't Big Enough for the Both of Us' and latest single 'The Girl Is Crying in Her Latte'. In a glorious move, they've been beginning their recent sets with 'So May We Start' from Annette, too, which won them the Best Composer award at Cannes. Fresh from releasing her fourth studio album Spirituals in 2022, Santigold will extend her trip to Australia with sideshows in Sydney and Melbourne. 2023 marks 15 years since the genre-defying artist first demanded attention with her debut record Santogold, and sparked a career that's seen her influence and team up with plenty of others. Drake, Lil Wayne and Future have sampled the Philadelphia-born talent's tracks, while Beastie Boys, David Byrne, Karen O and Nick Zinner of Yeah Yeah Yeahs, Basement Jaxx, Jay Z, Mark Ronson, Pharrell and Lykke Li have enlisted her as a collaborator. Following their fifth stint at Coachella earlier in 2022, Chromeo will also hit Sydney and Melbourne, bringing Dave 1 and P-Thugg our way almost two decades since their 80s-influenced electro-funk sound started echoing from intial album She's in Control. The Lemon Twigs are also veering beyond Adelaide, with visits to Sydney, Melbourne and Brisbane. Brothers Brian and Michael D'Addario will draw upon their four-album span since 2016, as bookended by debut Do Hollywood and this year's Everything Harmony. All Harvest Rock sideshows will take place around the festival's dates, both before and afterwards, across Thursday, October 26–Thursday, November 2. And no, there won't be Jamiroquai and Beck gigs, with both playing their only Aussie sets at in Adelaide. To see either this October in Australia, only a Harvest Rock ticket will do. HARVEST ROCK II SIDESHOWS: SPARKS Thursday, October 26 — Palais Theatre, Melbourne Tuesday, October 31 — Sydney Opera House, Sydney Thursday, November 2 — Fortitude Music Hall, Brisbane SANTIGOLD Friday, October 27 — Metro Theatre, Sydney Saturday, October 28 — Prince Bandroom, Melbourne CHROMEO Thursday, October 26 — Metro Theatre, Sydney Sunday, October 29 — 170 Russell, Melbourne THE LEMON TWIGS Thursday, October 26 — Corner Hotel, Melbourne Saturday, October 28 — Manning Bar, Sydney Tuesday, October 31 — The Outpost, Brisbane Harvest Rock 2023 will take at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide, on Saturday, October 28–Sunday, October 29, 2023. The festival's sideshows will tour Australia's east coast from Thursday, October 26–Thursday, November 2, with pre-sale tickets from 9am local time on Thursday, August 24 and general sales from 9am local time on Friday, August 25. Head to Concrete Playground Trips for a VIP Harvest Rock package for two, including tickets and accommodation.
Dig out those once-a-year novelty gumboots, because Groovin the Moo has unveiled its 2019 lineup. Taking the large-scale music festival out of the city and into regional centres for another year, GTM will hit Townsville on Sunday, May 5. This year sees local talent new and established taking the stage, with the lineup spanning up-and-comers like Jack River, G Flip and Haiku Hands right through to recent Hottest 100 top tenner Billie Eilish, Aussie favourites Nick Murphy and Thelma Plum, Australian hip hop legends Hilltop Hoods and rockers Regurgitator. International talent like Coolio — who'll you'll most likely recognise from his hit track 'Gangsta's Paradise' — Danish pop singer MØ and American rapper A$AP Twelvyy will make their way to the Moo, too. Groovin the Moo is also moving its ACT festival to Exhibition Park for the first time as it conducts its second pill testing trial. Pill testing is still a much-debated topic around the country with five people recently dying from suspected overdoses in as many months and the NSW Government remaining staunchly opposed to the idea of pill-testing, despite international research and the success of last year's pill-testing venture at the Canberra fest. Here's the full lineup. GROOVIN THE MOO 2019 LINEUP A$AP Twelvyy (USA) Angie McMahon Aurora (Nor) Billie Eilish Carmouflage Rose Coolio (USA) Crooked Colours DMA's Duckwrth Fisher Flosstradamus (USA) G Flip Haiku Hands Hermitude Hilltop Hoods Holy Holy Jack River Just a Gent MØ (Dnk) Nick Murphy Nicole Millar Regurgitator Rejjie Snow (Irl) Sofi Tukker Spinderella Thelma Plum TOKiMONSTA (USA) Trophy Eyes Images: Jack Toohey.
If you've wandered past the Gallery of Modern Art over the last couple of years, you've probably noticed the elephant in the room. Well, the overturned mammoth on the front lawn by the river, to be more accurate, as commissioned to commemorate GOMA's fifth birthday. That piece — called The World Turns — was sculpted by Michael Parekowhai. In his first-ever major Australian exhibition, the New Zealand artist returns to the gallery with a full show, The Promised Land, proving that there's more to his work than animals tipped over the wrong way. With over 50 works on display, you can walk through more then 20 years of his art — and we really do mean walk through. In something that has to be seen to be believed, a two-storey family home has been built inside GOMA as the centrepiece of a show that also includes a large sculpture of Captain Cook, an intricately carved, functioning red Steinway grand piano and giant, kitset pick-up-sticks. Admit it, you're intrigued. Image: He Korero Purakau mo Te Awanui o Te Motu: story of a New Zealand river, 2011
More than three decades since it was first published, the Watchmen series of comics is still considered one of the all-time greats of the medium. Brought to the page by writer Alan Moore and artist Dave Gibbons, the premise says plenty: in an alternative version of the world we all live in, superheroes definitely exist — but their presence has drastically altered history. Here, the Cold War turned out differently, caped crusaders largely work for the government and anyone else enforcing law and order while wearing a costume has been outlawed. Now, imagine that tale told with a satirical edge that deconstructs the superhero phenomenon, and you can see why it has hordes of devotees. Back in 2009 when comic book flicks were just starting to pick up steam — and when 22-film franchises were a mere dream — Watchmen was turned into a movie by Zack Snyder (who was fresh from 300, but hadn't made the jump to Batman v Superman or Justice League yet). Sequels clearly didn't follow; however, HBO is now hoping that the story will flourish on the small screen, enlisting Lost and The Leftovers co-creator Damon Lindelof to make it happen. Obviously, with Game of Thrones finishing, the network is in the market for a new pop culture phenomenon. This isn't just a straight adaptation. Apparently the series "embraces the nostalgia of the original groundbreaking graphic novel of the same name while attempting to break new ground of its own," according to HBO. An exact release date hasn't yet been revealed, other than fall in the US (aka spring in Australia and New Zealand) — but if you can't wait until then, HBO has dropped the first teaser for the new series. It's your first chance to catch a glimpse of the show's stacked cast, which includes Jeremy Irons, Don Johnson, Tim Blake Nelson, this year's Best Supporting Actress Oscar winner Regina King, Hong Chau, Louis Gossett Jr and Aussie actress Adelaide Clemens. Check out the trailer below: https://www.youtube.com/watch?v=zymgtV99Rko Watchmen will air on HBO in the second half of the year, with an exact release date yet to be announced. We'll keep you updated — including about air dates Down Under.
There's never a bad time to party while you're perched above the rest of the world, especially when there's a new year to celebrate. December 31 isn't the only time to do just that, of course, with Brisbanites able to climb up high from 4–9pm on Saturday, February 4 to mark the start of the new lunar calendar on a shopping centre's rooftop. As it has in the past, the 2023 BrisAsia Festival is throwing a huge Lunar New Year Rooftop Party. To join in the fun you'll want to head to Sunnybank Plaza and head up to the top of the Hoyts Cinema carpark. Expect dragon and lion dancers, lantern workshops, Asian pop and plenty to eat. Expect to feel like you're at a traditional lantern festival, too, but without leaving Brisbane. Past years have featured tea ceremonies, calligraphy classes and more — and fireworks are always a big highlight. Entry is free, but bring your wallet to feast on dinner from the nearby restaurants.
If you are thinking about planning a really big trip in the next couple of years, the sky may no longer be your limit. Space tourism has long been touted as the new frontier for the seriously adventurous traveller, and it looks like it may become more commonplace in the not-so-distant future. Orbital Technologies, Sierra Nevada Corporation and NASA have collaborated to develop the Dreamchaser Vehicle, a multi-purpose commercial space craft which will primarily be dedicated to scientific research and tourism. The Dreamchaser, which will also act as an emergency station for passing space craft, will include a space hotel with four hotel cabins to accommodate seven guests. And while guests will not be able to expect all the conveniences of home (internet access may prove a bit tricky), they will have access to zippered sleeping bags, waterless flushing loos, shower facitlities and gourmet meals —a little more luxury than your average astronaut is afforded. And, no doubt, the views from the hotel portholes will be entirely out of this world. Five nights in the space hotel will set you back about $165,000, and the transfer to and from your hotel another $826,000 - a pretty penny for an experience that gives a whole new meaning to sleeping under the stars.
Australia's hospitality industry scene has done it tough over the past year — again — but it still boasts some of the best bars on the planet. Don't just take our word for it; according to this year's just-revealed World's 50 Best Bars list, we're home to four of the top 50 watering holes worldwide. Our highest-ranking spot to get sipping in 2021: Sydney's Maybe Sammy. It's the third year in a row that the innovative bar in The Rocks has made the list, taking 22nd place. That's a drop from 2020, when it came in at number 11, but higher than in 2019, when it sat at 43rd. Coming hot on its heels is another World's 50 Best Bars list veteran, Cantina OK!, which moved up from number 28 last year to number 23 in 2021. Next, Melbourne's Above Board earned a spot at number 44, while Sydney newcomer Re jumps in at number 46. So, whether you're a Sydneysider, Melburnian or a future visitor to either city, you now have an excuse to hit up a globally acclaimed venue. [caption id="attachment_714475" align="alignnone" width="1920"] Cantina OK!, Kimberley Lo[/caption] For those yet to be acquainted with Maybe Sammy, its luxurious styling nods to old-school Vegas glamour, all blush pink velvet banquettes and lush indoor greenery, while the list of theatrical signature drinks pays homage to the classics. At Cantina OK!, you'll find a pint-sized mezcal bar in an old garage down a service laneway — complete with bright pink and purple walls, Mexican vibes and laneway seating. Collingwood's minimalist Above Board skews super-intimate, boasting only 16 seats and with no standing permitted — while Re, which is located in Sydney's ever-growing South Eveleigh precinct, hails from hospitality stars Matt Whiley (Scout) and Maurice Terzini (Icebergs Dining Room & Bar, Ciccia Bella). The latter also has a zero-waste focus, and nabbed The World's Best 50 Bars 2021's Ketel One Sustainable Bar Award as well. [caption id="attachment_836460" align="alignnone" width="1920"] Above Board[/caption] While Sydney was better represented in the top 50 than Melbourne, the Victorian capital was the only Australian city to feature in the 51–100 list, which was announced late last week. Cocktail haven Byrdi scored a place on the extended rundown for the second year in a row. The annual World's 50 Best Bars awards are voted on by bar industry experts from around the world, including bartenders, consultants, drinks writers and cocktail specialists. And if you're wondering what topped the list worldwide, that'd be London's Connaught Bar, which emerged victorious for the second year in a row — so there's somewhere to add to any future UK itineraries. For the full World's 50 Best Bars 2021 rundown, head to the list's website — and you can check out the 51–100 list online as well. Top image: Maybe Sammy.
2020 might've temporarily taken away our ability to head overseas, hit up big events and, for portions of the year, leave our houses; however, it hasn't robbed us of our collective fascination with Christmas lights. Luminous festive decorations really shouldn't cause such a fuss. They pop up everywhere every year, after all, and we're all well and truly aware of how electricity works. But those twinkling bulbs are just so hard to resist when it's the merriest portion of the calendar — especially after a 12-month period with a noticeable downturn in joy otherwise. Perhaps you're a casual Christmas lights fan, and you're completely fine just checking out whichever blazing displays you happen to pass in your travels? Maybe you have a few tried-and-tested favourite spots, and you return to them every year? Or, you could want to scope out the best and brightest seasonal-themed houses and yards? Whichever category you fall into, an Australian website called Christmas Lights Search is likely to pique your interest. It's as nifty and handy as its name suggests, and it covers festive displays all around the country. To locate all the spots that you should head to, it's as easy as popping in your postcode or suburb — or those of places nearby — and letting the site deliver the relevant options. Christmas Lights Search also rates the lights displays, if you want to either go big or stay home. And it's constantly being updated, so, like the best combos of glowing trees, sparkling bulbs and oversized Santas, you might want to check it out more than once. When you pick an individual address listed on the site, you'll be greeted with some key information, too. The level of detail varies per listing, but expect to peruse photos, the ideal hours to swing by, a date range, a description of what's on offer and even COVID-19-safe info. All that's left is to get searching, plot out where you'll be heading every night between now and Christmas Eve, and get ready to see oh-so-many reindeer, candy canes and snowmen. Check out the Christmas Lights Search online now.
If a mid-year holiday is on your upcoming agenda, you might want to make a date with one of the regions of Australia that usually depend heavily on overseas tourists. To encourage Aussies to enjoy a getaway at home, and to support areas of the country that have taken a huge tourism hit while the nation's international border is closed, Prime Minister Scott Morrison has today, Thursday, March 11, announced that the Federal Government is halving the cost of 800,000 flights to 13 spots over the next few months as part of a $1.2 billion package. Australians will be able to nab discounted fares to a range of scenic places. In Queensland, the Gold Coast, the Sunshine Coast, the Whitsundays and Cairns are all on the list; in the Northern Territory, the package focuses on the Lasseter region which includes Uluru, and Alice Springs; and in Tasmania, Launceston, Devonport and Burnie all feature. You can also head off to Broome in Western Australia, Avalon in Victoria, Merimbula in southern New South Wales and Kangaroo Island in South Australia. Exactly which routes will be included is still being decided, as is the number of tickets on each, but they'll be available from Thursday, April 1 through until July. It's expected that around 46,000 half-price flights will be on offer each week during that period, and that you'll be travelling with Qantas, Virgin and Jetstar. The tickets will go on sale via the respective airline websites and, if the demand is there, the Federal Government may add to the scheme later in the year — in terms of locations and routes. "I think we'll see more opportunities for this program," said the Prime Minister in today's press conference, when asked about future plans. As well as helping support the tourism industry in regions that usually rely upon international visitors — not just by getting folks there at a discounted price, but by leaving them more money in their budgets to spend on tours, attractions, venues, places to stay and hospitality, too — the plan will also provide an incentivised excuse for Aussies to take a local getaway while international travel is still off the cards. The cut in price will be delivered via a subsidy to the participating airlines, which'll receive government funds to cover the difference in fare. That's just one part of the overall package, with funding to keep 8600 of Qantas and Virgin's international flight employees in their jobs, extended financial support for zoos and aquariums, and loans for small- and medium-sized businesses also included. The 800,000 half-price flights will be available in weekly batches from Thursday, April 1. For further details, keep an eye on the Qantas, Virgin and Jetstar websites.
Put together in only nine days and watched by more than 1.4 million Australians, 2020's Music From the Home Front was the nationally televised music event created by late Australian music industry icon Michael Gudinski. Last year, the ANZAC Day home concert came about to bring live music into viewers' homes during the peak of the COVID-19 lockdown. Now, with Australians once again able to converge on concert venues together to watch music in-person, Music From the Home Front is not only returning to screens, but will also be happening live. Going down on Saturday, April 24, the live event will take place at Melbourne's Sidney Myer Music Bowl and be broadcast via Channel 9 and YouTube. Folks that physically head along will be treated to performances from some of the country's biggest talents including Amy Shark, Vance Joy, Tash Sultana and Lime Cordiale, plus Bliss n Eso performing with Kasey Chambers. All these performances will be broadcast live across the country, with home viewers also being treated to additional pre-recorded streamed performances from the likes of Tina Arena, You Am I, Gordi, The Kid Laroi, and both Jimmy and Mahalia Barnes. Gudinski had been planning the live concert until his tragic passing on Tuesday, March 2. Newly appointed Mushroom Music Group Chief Executive Officer Matt Gudinski — who is also Michael Gudinski's son — said his father was working on the event right up until his last day. "That we can bring to life a broadcast concert version from his hometown of Melbourne, supporting the industry he loved, in a city he long promoted as the leading music capital of Australia, resonates deeply with all of us at Mushroom." Tickets for the Sidney Myer Music Bowl concert start at $69 and will go on sale from Friday, April 16, with pre-sales from Wednesday, April 14. More acts are set to be announced, but you can find the full lineup for both the live and streamed events at present — as well as ticket details — on the event's website. [caption id="attachment_806979" align="alignnone" width="1920"] Lime Cordiale[/caption] MUSIC FROM THE HOME FRONT LINEUP Performing live at the Sidney Myer Music Bowl: Amy Shark Bliss n Eso with Kasey Chambers Budjerah Jerome Farah Lime Cordiale Mia Wray Tash Sultana Royal Melbourne Hospital Scrub Choir The Rubens Vance Joy Streamed performances: Ben Lee Dean Lewis Gordi Hayley Mary Jess Hitchcock Jimmy Barnes Mahalia Barnes Sam Fischer The Kid Laroi Tina Arena You Am I Music From The Home Front 2021 will take place at the Sidney Myer Music Bowl, and will be broadcast on Channel 9 and YouTube on Saturday, April 24. For further details and ticket information — and to buy tickets from Friday, April 16, with pre-sales from Wednesday, April 14 — head to the event's website. Top image: Wade Malligan.
The team behind The Legend of Tarzan has done something very interesting with their film. Rather than simply giving us another version of the boy becomes man, man becomes hero, hero becomes legend tale, the film plays out much more like the final instalment of a trilogy, in which its hero's days of daring and valour are already all but behind him. Not unlike the bearded and beleaguered Bruce Wayne of Christopher Nolan's The Dark Knight Rises, Tarzan (Alexander Skarsgård) is, at the start of this story, Tarzan no more. Seated opposite the British Prime Minister in his most fashionable three-piece, the iconic jungle man now lives a secluded life in his remote castle and goes by his rightful birth name and title: John Clayton, Viscount of Greystoke, Member of the House of Lords. That introduction alone gives The Legend of Tarzan a more complex and compelling platform from which to launch its story than many of its superhero contemporaries, whose protagonists consistently flounder and fall for lack of any clear-cut motivation other than generally being super. In this instance, it's the suspicion of slave trading in the Congo that compels Tarzan to resume his moniker and return to his beloved Africa, along with his wife Jane (Margot Robbie) and the real-life American Civil War hero turned politician and lawyer George Washington Williams (Samuel L Jackson). This undercurrent of slavery, along with allusions to ivory trading and ethnic cleansing, all serve to ground The Legend of Tarzan in something more than unadulterated comic book fun. The result is a superhero movie with a social conscience that continually flits in and out of getting the balance right. In the titular role, Skarsgård looks every bit the part. With his flowing blond locks and unreasonably buff physique, you could comfortably sell just about any cologne or luxury watch simply by placing its logo on top of him and gently whispering its name. For a role so ridiculous (and truly, a man raised by gorillas who commutes via jungle vine is about as ridiculous as it gets), Skarsgård does an extraordinary job of keeping the audience's disbelief at bay. His dialogue is sensibly sparse, opting instead to speak through impressively expressive eyes and CGI-heavy action that's not nearly as awful as the early trailers made out. Opposite him in the role of the villain, Christopher Waltz (Inglorious Bastards) again offers up his signature cocktail of eloquent menace paired with a spine-chilling grin. In truth it's a more nuanced and credible performance than his turn as Bond's arch-nemesis in last year's Spectre. Robbie, too, puts in a charming turn as Tarzan's wife Jane, yet despite every effort to establish her character's strength, courage and independence, she still ends up very much on the sidelines; an underutilized spectator to the action rather than an active participant. In all, critics have been quick to condemn The Legend of Tarzan for both its hobbled story and themes, asking what place such an antiquated tale has in the modern world. Well the answer is 'fun', which the film most definitely is. Yes, the action is scattershot and often feels hurried, which is why its strongest scenes are also its most subtle ones – be they fireside singalongs, candlelit dinners or silent interactions with the jungle's magnificent creatures. The Legend of Tarzan could very easily have ended up another Lone Ranger-style disaster. Instead, director David Yates has managed to orchestrate an old-school adventure with an unshrinking social conscience. It's far from perfect, but it's darned good fun. https://www.youtube.com/watch?v=Aj7ty6sViiU
The full bloom of television should come as no surprise to pop culture junkies. TV isn't the new film. It's just TV — a mature medium capable of developing its own conventions and arcs. Just like film, the quality of the 2013 offering inevitably ranged from abysmal (Two Broke Girls) and 'meh' (Sex Box) to polarising (Girls) and breathtaking (Top of the Lake). But where the major movie studios indulged in a catalogue of cinematic idiocy in the form of sequels, threequels and movie-park adaptations, home viewers were part of the beautifully conceived conclusion of Breaking Bad and the continued excellence of Mad Men, Enlightened, Rake, Puberty Blues and Boardwalk Empire. After all, when were stories ever wholly defined by the medium of their communication — they're all just stories, and they're beamed via digital transit onto small screens as well as projected into cinemas. David Lynch and Michael Frost knew that a whole two decades ago, as did those who grieved for Laura Palmer and loved all the freaks of Twin Peaks. The existential angst of Travis Bickle lives on in Don Draper, the maudlin chaos of Woody Allen in Michael Bluth, and the bleak search for optimism of Lester Burnham in Louie. Hopefully we can start looking forward to full-blooded, cinematically conceptualised feature films that merely debut on TV, with the respect and glory of Steven Soderbergh's HBO work Behind the Candelabra, which scarcely fits the old-school notion of a 'telemovie'. It's 2014, and everything's up for grabs. Here's what looks good in 2014 from the vantage point of January. Gracepoint Although the human race is already surely inundated with gratuitous US remakes, the fact that original lead actor David Tennant is also starring in the American version is a good sign of what's to come. The British original, Broadchurch, has received cultish worship and critical adoration for its exploration of a beachside community in the aftermath of a boy's mysterious murder. How and Why Film's transportation to the medium of television may be well and truly complete with Charlie Kaufman's new FX comedy series. Starring Michael Cera (perfect!), and telling the "story of a man who can explain how and why a nuclear reactor works, but is clueless about life", the longform series could be the peak vehicle for the funny, deadpan, melancholic musings we know from Being John Malkovich and Adaptation. https://youtube.com/watch?v=dunRvRJIm18 Believe Mexican super-director Alfonso Cuaron and The Forgotten's Mark Friedman are writing and steering this sci-fi mystery, executive producing with Lost's J.J. Abrams. The ingredients for profound awesomeness are all there: behind-the-scenes talent, obligatory supernatural child character, potential alien subplots, a solid trailer. In the wake of Gravity's impact on Earth, let's hope Believe will showcase the same science-fiction combo of smart visual effects and big ideas (what are we doing here?!). Jonah Takalua This is a controversial one, given the division in opinion around this year's relentless Ja'mie: Private School Girl. But Jonah was always Chris Lilley's most rounded and interesting character — a disadvantaged, endearing ratbag with a foul mouth and a lost-boy need for affection (from his violent father and Gumnut Cottage remedial teacher, Jan Palmer). Jonah let Lilley flesh out the best and the worst aspects of high school: the boredom, the institution's carelessness, the ill-equipped teachers' frustration, the kids' inflamed sense of injustice and their diehard devotion to their friends. Lilley clearly hasn't forgotten that young people's problems (their social cliques, family, love affairs) are just as real and important to them as adults' problems (rent, career, social cliques, family, love affairs) are to adults. Jonah will be vital viewing. Sense8 More film heavyweights defect to television — in fact, internet television (Netflix)! Matrix directors Andy and Lana Wachowski's ability to create complex longform narratives, engaging characters, surprising cinematic visual worlds and innovative special effects (remember when 'bullet time' didn't even exist?) will be stretched by their ten-episode science-fiction drama, Sense8. A mass of ostensibly disparate characters are linked by a shared and violent vision (of the past, future, or another world?). After the confusing and disappointing narrative experimentation of the duo's last feature, Cloud Atlas, perhaps television will afford them the slow-unfolding freedom they need to realise their filmic aspirations. Also on our radar Better Call Saul (A Breaking Bad spinoff centring on Walter White's crooked lawyer Saul Goodman); the animated and clearly shambolic BoJack Horseman (voiced by Will Arnett with Aaron Paul aka Jesse Pinkman of Breaking Bad); The Secret River, an ABC adaptation of the landmark Australian novel and play; Utopia, a satire from the guys from Frontline that "explores that moment when bureaucracy and grand dreams collide"; and two (two!) untitled Tina Fey Projects to air on Fox and NBC and quench the hollowness in our post-30 Rock lives.
Australia's hospitality scene continues to kick big goals when it comes to wining and dining; but of course, it's about much more than the food and the drink. Those venues have to look the part, too — and thanks to some talented local designers, stunning bars, eateries and hotels keep popping up on the regular. In fact, the cream of that crop has just been highlighted once again at the 2022 Eat Drink Design Awards. This year's pick of Australia's most stylish haunts were announced at a ceremony in North Melbourne, identifying a cast of beautiful spaces located right across the country. That said, Victoria reigned supreme among the list of finalists, with the state home to five out of the eight main award-winners. [caption id="attachment_877798" align="alignnone" width="1920"] Music Room by Earl Carter[/caption] Melbourne's latest certified stunners include Di Stasio's new Carlton outpost — a slick laneway venue by Hassell, which took out the title of Best Restaurant Design for its "flawless" fusion of the old and the new. Meanwhile, Dion Hall's vision for Music Room, located within HER, won the intimate space the award for Best Bar Design, applauded for its interactivity and considered detailing. Also in Melbourne, the work of Congrats Agency nabbed Rocco's Bologna Discoteca the title of Best Identity Design, while Baker Bleu Hawksburn (IF Architecture) and Pronto by Via Porta (Studio Esteta) shared the award for Best Retail Design. And, with 68 years under its belt, the legendary Pellegrini's — designed by Smith, Tracey, Lyon and Brock — was inducted into the Eat Drink Design Awards Hall of Fame. [caption id="attachment_854324" align="alignnone" width="1920"] Ace Hotel[/caption] Best Cafe Design went to Brisbane Airport newcomer The Common, for its genre-bending Sullivan Skinner fitout; while Sydney's impressive new Ace Hotel — the first southern hemisphere outpost for the brand — was named Best Hotel Design courtesy of Flack Studio's minimalist yet warm interiors. Further afield, CO-AP's Adelaide Festival Pavilion commission The Summerhouse scored the title of Best Installation Design. The judging panel determining this year's awards was made up of some very familiar names in the hospitality and design space, including chef-restaurateur Shannon Bennett, March Studio Director Rodney Eggleston, Masterchef Australia's Melissa Leong, Fiona Lynch (founder of design studio Fiona Lynch Office) and Artichoke editor Cassie Hansen. [caption id="attachment_877794" align="alignnone" width="1920"] The Common by David Chatfield[/caption] 2022 EAT DRINK DESIGN AWARD WINNERS: Best Bar Design: Music Room by Dion Hall (Melbourne, VIC) Best Restaurant Design: Di Stasio Carlton by Hassell (Carlton, VIC) Best Cafe Design: The Common by Sullivan Skinner (Brisbane Airport, QLD) Best Hotel Design: Ace Hotel Sydney by Flack Studio (Sydney, NSW) Best Installation Design: Adelaide Festival Pavilion — The Summerhouse by CO-AP (Adelaide, SA) Best Retail Design: Baker Bleu Hawksburn by IF Architecture (Prahran, VIC) and Pronto by Via Porta by Studio Esteta (Kew, VIC) Best Identity Design: Rocco's Bologna Discoteca by Congrats Agency (Fitzroy, VIC) Hall of Fame: Pellegrini's Espresso Bar (1954) by Smith, Tracey, Lyon and Brock (Melbourne VIC) [caption id="attachment_877801" align="alignnone" width="1920"] Baker Bleu by Sharyn Cairns[/caption] For the full list of winners and commendations at the 2022 Eat Drink Design Awards, head to the Eat Drink Design website. Top image: Di Stasio Carlton by Peter Bennetts.
Woolloongabba's South City Square keeps spending some of its Friday nights hosting market-fuelled food festivals. Haven't made it along to past events? Give its European Food Safari, the site's next pop-up, a visit. On Friday, May 16, heading to the Logan Road spot after work means eating dishes from a selection of Brisbane's European food stalls while listening to live tunes. From 5–9pm, the culinary spread will include German and Hungarian cuisine — and that's just for starters. Alongside music for a soundtrack, there'll be face painting for the kids and other all-ages activities. Entry is free, as is onsite parking for two hours. You'll obviously need your wallet for whatever you're eating and drinking. Keen to see a movie as well while you're there? That isn't part of the European Food Safari, but South City Square is home to Brisbane's — and Australia's — only Angelika Film Centre.
Don't you hate it? You finish carving it up on the black run, having linked together some pretty sweet tricks, only for your buddy to claim his jumps were airier and his landings smoother. If only you had some way of objectively measuring just who was the more extreme… Perhaps you can. Nokia have teamed up with leading snowboard company Burton to develop Push Snowboarding, adding sensors to the board and rider that track your every action. Motion data and biometrics such as heart-rate and skin conductivity are collected wirelessly by the phone sitting in your pocket, allowing you to back up your bragging, or just monitor your progress. The development of 'connected' products can sometimes be an unnecessary gimmick, but in the sports world performance data is priceless for elite athletes. Innovatively, rather than keep the tech in-house and hush-hush, the platform is open to the boarding world, allowing the end-users to hack their own uses for the technology. It's a clever strategy from Nokia, effectively crowd-sourcing their customers to help develop ideas for the product. It could lead to purely entertaining uses, such as loading real runs up to video games, or improved safety features that aid in search and rescue. Whether it ends up as the next must-have accessory for the slopes, or is consigned to the tech junk heap along with the internet fridge, now rests in the hands of the boarders themselves. [via PSFK] https://youtube.com/watch?v=1y8nMUAUeKM
Already in 2024, South Brisbane has scored a British pub, a boozy mini-golf hangout, a new burger joint and a poke spot. Next up: Calida, the latest eatery to join South Bank's Little Stanley Street precinct. Giving this part of the inner city a new Argentinian steakhouse, it hails from Alemré Hospitality Group, which is expanding a portfolio that includes Olé Restaurant, Mucho Mexicano, Vici Italian and Downtown Istanbul. Announced in early June, open since the middle of the same month and seating 180, Calida naturally has plenty of meat on its menu. Think: empanadas to start with; dishes such bistec tartar, marinated lamb rump skewers, pressed beef short ribs, chorizo pork sausages and slow-cooked whole lamb shoulder; and an array of different cuts of steak from the grill, all served with chimichurri sauce and Australian red gum smoked salt. Even the bread comes with a beef jus. If it's sizzling steak that tempts your tastebuds, the options under Alemré Executive Group Chef Adam Starr's guidance all use S.Kidman beef — whether you're eager for a 220-gram eye fillet, 300-gram sirloin or 400-gram wagyu rump. And if you're keen to sample several choices without having to make too many decisions, you have two ways to go about it: a $120 mixed-grill platter for two or a $63 banquet with a minimum of two diners, with the latter also covering a dulce de leche sandwich cookie for dessert. Those keen for seafood instead can pick between span oysters with vinegar and chives, grilled octopus with potato salad, salmon ceviche and grilled barramundi. There's also a number of cheese-heavy dishes for vegetarians, including ricotta and mozzarella empanadas, smoked baked cheese and roasted portobello mushrooms with manchego cheese. And for sweets beyond the dulce de leche sandwich cookie, Calida offers dulce de leche lava cake with vanilla ice cream; guava and passionfruit mousse with flourless white-chocolate sponge; and the traditional Argentinian torta rogel made from layers of crisp pastry and vanilla meringue, plus, yes, dulce de leche. Whatever satisfies your stomach, you can wash it down with wine from both Argentina and Europe, Quilmes beer and Latin-inspired cocktails such as the Fernet con coca — aka Fernet-Branca and Coke. If you order a Margarita de Roca, one of the restaurant's signature sips, you'll be enjoying tequila, dragonfruit, and jalapeño. With the Mermalada, bourbon and marmalade combine. And for something that catches the eye as well, the ¡Viva la Argentina! layers gin, blue curaçao and citrus flavours. Going for a warm vibe to match its food, Calida's design aesthetic favours raw brick and stonework, moody lighting and Argentinian textiles — and, if you're sitting in the booths, look out for the ficus. The fitout backdrops not just everyday meals, but also events focused on the country in the eatery's spotlight, Latin celebrations more generally, and beef and wine dinners. In other words, you have a heap of reasons to head by more than once. Find Calida at 164c Grey Street, South Brisbane — open 11.30am–9pm Sunday–Thursday and 11.30am–10pm Friday–Saturday. Head to the venue's website for further details.
Even if you think that spoken word isn’t your thing, Scott Wings’ latest offering, Icarus Falling, just might prove otherwise. A one-man aural assault, his raw and personal hour of performance poetry rumbles like rap but resonates like only the best, blistering stories can, delivered with poignancy and stunning physicality. As the clearly title intimates, the famed ancient Grecian myth provides his starting point, and is intertwined with an account of the impact of mental illness through the contemplation of flight. Humour and lyricism combine in a mesmerising effort that comes back to Brisbane for the first time after proving a standout of the Edinburgh Fringe. Icarus Falling is part of Wonderland at the Powerhouse. Check out our top five picks of the festival.
Here's a fun cheese fact: scientists recently discovered that eating fistfuls of your favourite fromage can induce a euphoric effect, similar to that produced by taking morphine. And far be it from us to argue with the smart guys in white coats — we've been cheese addicts since day dot. That's why we're giddy with excitement over this tasty morsel of news: Cheese to Please, Newstead House's dedicated cheese festival, is returning on Sunday, September 30. From 10am to 5pm, attendees can enjoy an eye-watering selection of cheese, charcuterie and condiments at the stunning, heritage-listed property. If cheese isn't your steeze (or if you need something to wash it down with), then there will also be beer and wine masterclasses with which to while the afternoon away. Plus, there's a lineup of live music and entertainment to help keep you out of that (inevitable) cheese coma. Entry is free, with all of the above edibles available to purchase on the day.
There's nothing better than receiving a "guys, you've gotta see this!" message in your crew's group chat. Have they found elusive cheap return tickets to Tokyo? Did they finally pop the big question? Is there a new puppy about to join their family? Big life milestones aside, heading off on a trip with your mates is the next most special thing. It's a chance to switch off, escape the big smoke and explore our beautiful backyard. And the cooler months are the time when we all need a break from the daily grind with a long weekend or a well-earned week away. If you've done the cosy cabin retreat to death, why not shake things up with a bit of adventure this winter? Hit the slopes, strap on your helmet and gear up for a chance to try something new, from thrilling aerial adventures over World Heritage sites to snowy escapes filled with snowshoeing and fondue-ing. Partnering with Hugo Boss, we've whittled down the endless list of Aussie adventures to just five that will leave you feeling amped up and ready to take on the world — much like its newest fragrance, BOSS BOTTLED Infinite. Go on, give these pulse-racing sports a go and you'll get a new perspective on the stunning land of Oz. [caption id="attachment_720491" align="alignnone" width="1920"] Tourism and Events Queensland.[/caption] CAPE TRIBULATION HELICOPTER AND LAND ADVENTURE TOUR It's not every day you get to knock not one but two UNESCO World Heritage-listed areas off your bucket list. But then again, this ain't your average adventure tour. You'll spend a jam-packed day exploring the best of tropical north Queensland, including the Great Barrier Reef, Daintree Rainforest and Cape Tribulation. The tour kicks off with a two-hour scenic helicopter flight over world-class reefs and cascading waterfalls before touching down in the oldest living rainforest in the world. Then, the choice is yours: spend your afternoon on horseback as you weave through the Daintree to the ocean's edge, or head straight for the treetops with a zipline experience. Head to Red Balloon to book. [caption id="attachment_720598" align="alignnone" width="1920"] Luke Tscharke.[/caption] CRADLE MOUNTAIN HUT WALK: WINTER OVERLAND TRACK It takes guts (and possibly a swig of gin) to sign up for a multi-day trek through the icy terrain of Tasmania's Cradle Mountain in the dead of winter. There's no wifi out here, friends. Just ancient landscapes, frozen lakes and long nights enhanced by a glass or two of Tasmanian wine. The eight-day Cradle Mountain Huts Walk winter overland track is one of the most challenging routes that the Tasmanian Walking Company offer, but it comes with plenty of rewards. Climb the peaks of Cradle Mountain, explore Lake Will and finish at Lake St Clair, Australia's deepest natural lake. [caption id="attachment_720745" align="alignnone" width="1920"] Skydive Noosa.[/caption] SKYDIVE NOOSA Jumping out of a plane at 15,000 feet is one way to get the blood pumping in the morning. But when you're freefalling over the sparkling Sunshine Coast, the terrifying drop can't be that bad, right? Strap in for an adrenaline junkie's dream with Skydive Noosa. The experience sees you spend 60 seconds in freefall — a minute the company describes as "life-changing" — before your instructor opens the parachute and you gently cruise your way to solid ground while soaking in the views. [caption id="attachment_720600" align="alignnone" width="1920"] Kane Naaraat and Pinkbike.com.[/caption] BLUE DERBY MOUNTAIN BIKE RIDING TRAILS The historic town of Derby in Tasmania's north-east hasn't always been known for its 125 kilometres of purpose-built mountain bike trails. It was tin mining that first put Derby on the map before the tragic bursting of Briseis Dam ended that. The town has been revitalised since the opening of the first section of the Blue Derby Trail Network in 2015. Today it boasts trails to suit every experience level, meaning it has something for you and all of your crew. HOTHAM SHOWSHOE TO FONDUE If exploring Australia's mountains and sleeping under the stars are on your to-do list, this is the tour to make it happen. Say hello to Alpine Nature Experience's Snowshoe to Fondue trip, an unforgettable overnight adventure set on the outskirts of Victoria's Alpine National Park. You'll snowshoe your way to your tipi-style eco-village accommodation before spending a night sipping hot glühwein, dipping your way through gooey French cheese fondue and soaking in the warmth of the outdoor campfire. When the sun comes up, the crew will make sure you leave fed and watered with a hearty warm breakfast. Hitting that work-life balance is hard. But shutting your laptop, splashing on some new BOSS BOTTLED Infinite and getting out in nature will help you seize the day and live your best life. Top image: Snowshoe to Fondue Experience.
When October hits Brisbane, almost every venue in town busts out the Oompah bands, sauerkraut, wursts and pretzels, with Oktoberfest shindigs happening all around the city. The biggest of them all: Oktoberfest Brisbane, which has been filling steins and serving schnitzels since 2008. In 2023, however, it won't be returning. The always-hefty, always-boozy, always-merry German-themed celebration has experienced a difficult few years, as all events have, including a two-year hiatus due to the pandemic. But after making a comeback in 2022, Festival Directors Kim and Boris Zoulek have announced that the big six-day event is saying auf wiedersehen. "All our pretzels were crossed that this message would never need to be written, but the time has come to announce the toughest decision of all — to say auf wiedersehen to The Only Oktoberfest Brisbane," the Zouleks said in a statement. "They talk about decisions not being made lightly, but this one takes the cake. The past few years have brought about the biggest challenges our industry has ever faced. But just last October the team were as excited as they'd ever been to bring back Australia's most traditional Bavarian experience to the people of Brisbane, no less than three years in the making!" "However, over the past few months it has become clear that if the festival were to take place in 2023 we would not be able to deliver the same authentic German experience you have come to expect and love. And if there's one thing we won't do, it's compromise on your experience. So, it's with a very heavy gingerbread heart that we say auf wiedersehen for now (but with one very carefully trained German eye on the future)." Thankfully, the door isn't completely closed on future occasions for Brisbanites to dust off their lederhosen or dirndl at Brisbane Showgrounds — or for the sizeable German culture festival's traditional live music tents, Munich-style biergartens and carnival rides, including yodelling and dance — but there's no immediate plans for another Oktoberfest Brisbane yet. In the past, the event has taken place across two weekends, pairing its entertainment with the opportunity to eat, drink and celebrate all things Bavaria, and attracted more than 35,000 people per year in the process. "When The Only Oktoberfest Brisbane was birthed back in 2008, we had no concept of the authentic, all-yodelling, all-dancing, bratwurst-eating, magnificent teenager it would become." the Zouleks added. "Over the past 15 years, we've welcomed nearly half a million honorary Germans into our family, downed around two million bratwursts, munched on over 1.5 million pretzels, danced to nearly 800 hours of Oompah music and sipped on over a million traditionally brewed biers. While Oktober 2023 will be tough, we say farewell knowing Brisbane was privy to the most authentic celebration of German culture outside of Bavaria." For more information about Oktoberfest Brisbane coming to an end, head to the event's website.
You might normally associate the rockstar lifestyle with big boozy nights and sure-fire hangovers, especially when you're talking about a band that actually owns a bar. But Peking Duk are completely bucking that trend with their latest project — the electro duo of Adam Hyde and Reuben Styles have just released their own booze-free brew, dubbed the Fake Magic Lager. Named after one of the ARIA Award-winning band's hit tracks, the new beer has been crafted in collaboration with the experts at First Nations non-alcoholic drinks company Sobah Beverages. "We've been riding the non-alcohol wave for a while now — especially when we're on tour and want to have a few pre-show drinks, without the headache," explained Styles in a statement. It's this lifestyle shift that inspired the pair to team up with Sobah, which has set out to destigmatise the art of socialising sober. Not only has it got some additional healthy connotations thanks to an infusion of lion's mane mushroom, but the limited-edition canned sip will be helping a great cause, with all proceeds going straight to supporting Sobah's work promoting First Nations' arts, culture, language and history. [caption id="attachment_874695" align="alignnone" width="1920"] Peking Duk with Sobah's Dr Clinton Schultz[/caption] If you're keen to try the booze-free beer, you've got just one place to head. The lager will be available exclusively via the new ING Good Finds Market — the banking company's new online store dedicated to social enterprises that are committed to doing good in the world. Think: The Social Outfit, TABOO Period Products, Juluqarly Art Group, Two Good Co, Kua Coffee and stacks more. Profits from all products sold on the site will be funnelled right back into the organisations' various causes and initiatives. It's designed to make it a whole lot easier for Aussies to shop from and support businesses with a conscience. Running across four Saturdays from October 29–November 19, the Good Finds Market will be launching three other exclusive collaboration products over the coming month. That includes a new limited-edition collection by Good Citizens Eyewear featuring all-recycled frames crafted from plastic bottles. Find the Fake Magic Lager exclusively online at the ING Good Finds Market from Saturday, October 29. It'll cost you $19 for a four-pack of tinnies, with a 24-pack coming in at $92.
Rekordelig, Strongbow, Bulmers, Pipsqueak, Magners. Cider fans will know that these are all some of the most popular brands currently on the market. But what about some international flavours? Cider has steadily become one of the most popular beverage choices in Australia but what most don’t realise is that cider has been a big thing for many years all over the world. The New Globe Theatre and InCider Trading are hosting a night dedicated to cider of many varieties. Cider House Blues will have over 40 brands from nine different countries on offer – there will be more cider than you can shake a stick at. There will be live entertainment from Ali Penney, Badlands and DJ Gosper. Tickets are $5 presale or $10 at the door. We’ve heard that space is limited though, so maybe do yourself a favour and make sure you get ‘incide’ quickly.
If you've been kicking yourself because you can't make Billy Bragg's rare solo showcase in Sydney this weekend, you can now give your legs a rest. The maverick song writer has just announced that he'll be back in March 2014. For a national tour. With his entire band. That's right, every State and one of the Territories (sorry, NT) will be treated to a show, and he'll also be popping over to New Zealand for a couple of appearances. In Sydney, he'll be playing the Opera House for the first time ever. The tour is largely about bringing Bragg's new LP, Tooth and Nail, to Antipodean audiences. Bragg's first album since 2008, it was recorded in California last year. He was invited to the basement studio of Grammy-winning producer Joe Henry, where he holed up with some of the world's most in-demand session musicians — Greg Leisz (Bon Iver), Patrick Warren (Lana Del Rey), Jay Bellrose (Regina Spektor) and David Piltch (Ramblin' Jack Eliott) — and was urged to sing live. Bragg has described the album as "the follow-up to Mermaid Avenue I never made". Influenced by soul, folk and country, Tooth and Nail is more personal than some of his previous offerings. "Most people, when they hear my name, think of polemical anthems born in struggle," Bragg says. "I often find myself having to remind people that I am also the Sherpa of Heartbreak, writing songs about the struggle to maintain our relationships with those we love the most." Tickets are on sale on Tuesday, 16 September, at 9am. The full tour dates are: Sunday 8 March – Perth Concert Hall – Perth www.ticketek.com.au Monday 10 March – Womad Festival – Adelaide www.womadelaide.com.au Wednesday 12 March – Federation Hall – Hobart www.tso.com.au Tuesday 13 March – Palais Theatre – Melbourne www.ticketmaster.com.au Sunday 16 March – Sydney Opera House – Sydney www.sydneyoperahouse.com Wednesday 19 October – Canberra Theatre – Canberra www.canberratheatrecentre.com.au Thursday 20 March – Tivoli – Brisbane www.ticketmaster.com.au
UPDATE, March 15, 2021: Skate Kitchen is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Skate Kitchen begins with a board, a banged-up pelvis and blood gushing down a leg. But stacking it once isn't going to keep Camille (Rachelle Vinberg) from shredding, grinding and nosesliding. Nor are stitches in her nether regions, or her mother's (Elizabeth Rodriguez) insistence that she give up her hobby. Instead, the film takes Camille gliding from the parks and pavements of Long Island to the streets of Manhattan, where a gang of girls skate like the city is their playground. They're the Skate Kitchen of Skate Kitchen. An all-female collective, they air, ollie and amble around town. They hang out, smoke joints, and shoot the breeze about anything and everything. They snap and record their tricks and kickflips, immortalising their antics on Instagram. And when they welcome Camille into the fold, it changes everything for the reserved, quiet 18-year-old. Early in what proves a laidback but layered movie, filmmaker Crystal Moselle captures Skate Kitchen's leisurely vibe and the effect it has on her picture's teenage protagonist. The irrepressibly catchy beats of Junior Senior's 'Move Your Feet' take over the soundtrack as the girls walk, dance and skate their way through New York City, and Camille couldn't look happier. As well as sending the film's frames freewheeling along with the group, cinematographer Shabier Kirchner cloaks his images in a warm glow — the kind that exists in your mind when you're simply content, regardless of what your eyes actually see. It's an ethereal sequence, and yet it's also grounded in naturalism. Sunny, carefree, comforting, vibrant: that's just how being part of Skate Kitchen feels. That's how watching Skate Kitchen feels as well, although Moselle's isn't a rosy coming-of-age portrait devoid of drama. Narrative-wise, the movie charts the push-and-pull that characterises Camille's life — first between the freedom of skating and the scolding of her overprotective mum, then between friends and family, and later between her new buddies and the wannabe photographer Devon (a flame-haired Jaden Smith) who they try to warn her away from. And, while the film marks Moselle's first fictional movie, Skate Kitchen itself is real. The endlessly fascinating Vinberg is one of its crew members. So is the scene-stealing Nina Moran, who plays the joker of the gang, as well as the affectionate Ardelia Lovelace, who becomes Camille's closest friend. Here, art both imitates life and does its utmost best to represent it accurately — even when sometimes packaged with a visual sheen that'd do Sofia Coppola proud. It's unmistakably rare to see a film featuring such authentic and candid conversations between teen girls. Such a diverse yet nuanced female group, spanning different races, sexualities and personalities, is hardly regular screen fodder either. And that's before noting the obvious: that depicting young women as skateboarders, letting them carve out a place in a male-dominated domain, and spending time with them just kicking around is so uncommon that it's almost revolutionary. Indeed, that's exactly why the movie's dreamy aesthetic is such a fitting choice. Until now, a film set in this world — that's intent on fighting back against gendered expectations, and that seems so achingly real — was basically a dream. Moselle knows a thing or two about stepping into an overlooked or undiscovered realm and revealing it to the masses. In 2015, her documentary The Wolfpack was a festival circuit hit, centring on seven home-schooled New York siblings — six boys and their sister — who were virtually forbidden to leave the house by their strict father. To experience the outside world, the factual flick's subjects escaped into movies, which they not only devoured on DVD but re-enacted and re-staged in an elaborate fashion. Skate Kitchen is The Wolfpack's fictionalised female-focused counterpart in many ways, and it also sees Moselle take her doco's core idea to the next level. There, cinema helped a sheltered family feel like they existed. Here, skateboarding does just that for a lonely soul, while the overall film will provide the same sensation for anyone who has ever been a teenage girl. https://www.youtube.com/watch?v=1VTFLvLtdYw
At this point, it's not really a surprise when Uber announces some strange, attention grabbing promotion. Sometimes they bring you ice cream. Other times, it's puppies. And this Australia Day/Invasion Day/January 26, they're delivering the most important (and oft-forgotten) addition to any barbecue: bags of ice. Now, there's a heap of things to do for tomorrow's public holiday — we've put together a handy list for Sydneysiders, Melburnians and Brisbanites. You can attend one of the rallies happening around the country, head to a Survival Day festival, take the opportunity to learn up on Australian history or simply go to see an Australian film (Lion just got a heap of Oscar noms), but if you're attending a barbecue, this delivery service might come in handy — especially when you run out of ice and all your mates are already four beers in. Starting from 11am on January 26, UberEATS users in Sydney, Melbourne, Brisbane, Perth and Adelaide will be able to log onto the app and, by typing 'backyard hero', see all the locations selling bags of ice and order one. If you've never used Uber before, use the code 'backyard hero' for free ice — otherwise it'll cost you $10. By Tom Clift and Lauren Vadnjal.
If there's ever been a dish that's tailor-made for winter, it's fondue. Sure, it instantly conjures up visions of the 60s and 70s, but dipping bread, fruit, marshmallows and more into hot, melted cheese or chocolate is as timeless as it is delicious. It's also the centrepiece of Living Room's new menu, with W Brisbane's resident bar getting gooey in a big way. Designed for at least two people, there's two options available. Feeling like something sweet? Then stick strawberries, mini waffles, honeycomb, raspberry muffins, or pancake and croissant pieces into a tub of Valrhona chocolate. Fancy something savoury? Do the same with apricots, figs, dates, charcoal breadsticks, dehydrated banana pieces, seasonal mushrooms, and Woombye washrind and triple cream brie. Your fondue date will set you back $49, and you get your gang in on the action for an extra $24.50 per person — up to six people in total. You can also spike your chocolate fondue for an extra $20, with espresso martini, brandy alexander, whisky and Kahlua on offer Running from Thursday to Saturday each week from 4pm, Living Room's new menu also features oysters, truffle fries, sardines with sourdough, soft lobster sandwiches and charcoal sliders. And, if you're looking for something to wash it all down with, you'll find plenty of bubbles. Champagne flights are available, each featuring three different glasses for between $48–100, so consider this a treat yo'self kind of outing.
How many times can you listen to Toto's 'Africa' in one sitting? Not sure? Well, you're about to find out — again. For the fourth year in a row, drums will echo and quiet conversation will be whispered at Black Bear Lodge's entire evening dedicated to appreciating the 37-year-old song. And yes, the rains will be blessed. It's gonna take a lot to take anyone away from a whole night focused on Toto's finest moment, even though the American band actually had some other catchy tracks. You'd expect that you won't be hearing 'Rosanna', which is commonly assumed to refer to actress Rosanna Arquette. Or 'Hold the Line', the tune that first put them on the map. Instead, it's 'Africa' all the way from 7pm on Wednesday, January 8. There's nothing that a hundred men or more could ever do to stop the song repeating over and over — and if you think you might find some long forgotten words or ancient melodies, think again. But, as sure as Kilimanjaro rises like Olympus above the Serengeti, we're betting that somewhere there'll be a screen playing the music video as well.
They're taking the hobbits to Amazon — and, in just over a year, fans of Lord of the Rings will be able to see the end result. Mark Friday, September 2, 2022 in your diary, as that's when you'll be trekking back to Middle-earth via Amazon Prime Video's new LOTR show. It's called The Lord of the Rings, too, but it isn't just serving up a rehash. The series' existence shouldn't be new news, given that the streaming platform first announced it back in 2017, and then gave it the official go-ahead in mid-2018. Since then, the LOTR show has sat at the top of fans' most-anticipated list, obviously. Over the years, we've also heard that it wouldn't just remake Peter Jackson's movies, and learned a few concrete details regarding what it's about as well. Now, however, there's a specific date to look forward to — albeit a year later than when it was originally expected to drop, with sometime in 2021 initially floated. That was before the pandemic, though, and we all now know how much havoc COVID-19 has played on, well, everything, Amazon Prime Video announced the 2022 premiere date to mark the end of filming the show's initial batch of episodes. If you're wondering how it'll look — and how New Zealand's scenic landscape will be used this time around — the streaming service also dropped a first image from the series. Greenery abounds, naturally, as does a towering city surrounded by mountains, as well as a glowing sky. Also wondering what the series will cover if it's not retelling the events of JRR Tolkien's The Hobbit and The Lord of the Rings books? The show will spend time in Middle-earth's Second Age — and bring that era from the LOTR realm to the screen for the very first time. According to the official synopsis, it'll follow "the heroic legends of the fabled Second Age of Middle-earth's history," with the action set thousands of years before the novels and movies we've all read and watched. The series will also "take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien's pen threatened to cover all the world in darkness." https://twitter.com/LOTRonPrime/status/1349519737655611392 If you're a little rusty on your LOTR lore, the Second Age lasted for 3441 years, and saw the initial rise and fall of Sauron, as well as a spate of wars over the coveted rings. Elves feature prominently, and there's plenty to cover, even if Tolkien's works didn't spend that much time on the period — largely outlining the main events in an appendix to the popular trilogy. Naturally, you can expect Sauron to feature in the new show, and to give its main figures some trouble. "Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth," the official synopsis continues. "From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone," it also advises. In terms of stars, LOTR will feature an unsurprisingly large cast — and some impressive talent behind the scenes. Among the actors traversing Middle-earth are Tom Budge (Judy & Punch), Morfydd Clark (Saint Maud), Ismael Cruz Córdova (The Undoing), Joseph Mawle (Game of Thrones), Cynthia Addai-Robinson (The Accountant), Maxim Baldry (Years and Years), Peter Mullan (Westworld), Benjamin Walker (The Underground Railroad) and comedian Lenny Henry. And, the series is being overseen by showrunners and executive producers JD Payne and Patrick McKay, while filmmaker JA Bayona (A Monster Calls, Jurassic World: Fallen Kingdom) directs the first two episodes. Amazon's new Lord of the Rings series will premiere on Friday, September 2, 2022.
Not content with hosting the Brisbane Comedy Festival, queer culture fest Melt, and a jam-packed calendar of other events all year every year — and just adding a new outdoor venue, too — Brisbane Powerhouse is gifting music and art fans a brand-new boundary-pushing celebration of sound, tunes and performance. Meet ΩHM (pronounced "ohm"), a fresh venture that's all about getting adventurous. The New Farm venue has dubbed the event a "festival of other music", with a growing lineup that includes Peaches, Future Islands and Hear My Eyes doing Pan's Labyrinth to back up that statement. Across February and March 2023, ΩHM will take over the riverside spot with a program curated by Room40's Lawrence English alongside Brisbane Powerhouse Arts Program Director Brad Spolding, serving up a mix of big-name international headliners and emerging local acts — and gigs, cutting-edge shows and immersive installations. Peaches does the honours while she's in the country for Mona Foma, and Future Islands hits the fest as part of their first Aussie tour since 2017. Those two impressive headliners are part of ΩHM's previously announced first lineup drop, which also spans Monolake + Electric Indigo and The Chills, as well as Kae Tempest, Nakhane and black midi. There's more where that list of acts came from, too, with ΩHM turning its second program announcement into its big launch. Just announced today, Tuesday, November 29, ΩHM is screening Guillermo del Toro's Pan's Labyrinth like viewers have never seen it before — with a brand-new live score by Sleep D. This premiere performance marks Hear My Eyes' return to Brisbane, and continues its spate of stunning film-and-music combos (see: its take on Chopper in 2022 in Sydney and Melbourne, plus past tours of No Country for Old Men with Tropical F*ck Storm and Suspiria with King Gizzard & The Lizard Wizard). Also joining the bill are audiovisual artist Robin Fox, Los Angeles-based composer Yann Novak and Iranian sound artist mHz, who'll serve up a triple bill of audiovisual performances. ΩHM will host the Australian premiere of Fox's Triptych straight from UNSOUND KRAKOW, featuring three RGB laser projectors working in synchronicity. If you've seen his past works — Night Sky for Brisbane Festival, Aqua Luma for Mona Foma 2021, BEACON for Mona Foma 2022 and MONOCHORD for Rising Festival 2022, for instance — you'll know you're in for something special. As for Novak, he'll be using sound and light to explore how both can focus one's awareness on their experiences, as informed by his partial colour blindness and dyslexia. And, New Zealand-based Iranian sound artist mHz will take inspiration from material and architecture to hone in on sound and light production. [caption id="attachment_880277" align="alignnone" width="1920"] Robin Fox, Single Origin, Diego Figueroa.[/caption] Also, Swiss artist Zimoun will present two installations, both Australian premieres and exclusive to Brisbane. His ΩHM berth marks his debut exhibiting to Aussie audiences in general, and will showcase his work with everyday and industrial materials to mix sound and architecture. "Works like Zimoun's kinetic sound sculptures, Robin Fox's expansive audiovisual laser environments and Hear My Eyes: Pan's Labyrinth x Sleep D exist at a special nexus of sight, sound and space," said English, announcing ΩHM's new additions. "These dynamic pieces capture intensity and energy matched with a fearless sense of focus. The works are simply mind-blowing." ΩHM runs throughout February and March at Brisbane Powerhouse, 119 Lamington Street, New Farm. For more information and to buy tickets, head to the Powerhouse website. Top image: Hadley Hudson.
In the '50s and '60s, Sun Records' name proved rather appropriate. Everything shone brightly at the little label from Memphis, Tennessee, which boasted some of music's biggest names on its roster. Think Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins and Roy Orbison — and yes, that's just the beginning. Indeed, Sun's founder Sam Phillips had a knack for spotting talent and the stories to prove it, with both informing Sun Rising – The Songs That Made Memphis. In fact, there are so many tales and tunes at the heart of this rock 'n' roll cabaret that you're not just seeing a show — you're getting a musical history lesson. This is one of our five top picks from this year's Queensland Cabaret Festival. Read the full list.
If there's one thing that 2020 could use to help distract us from the year's struggles, it's a big dose of rampaging, ravenous dinosaurs. That's the Jurassic Park franchise's remit, of course, and while it won't release its latest live-action big-screen outing until 2021, the series is expanding to Netflix via an animated show. Yes, when it comes to an island filled with dinosaurs, humanity just won't learn. Since Michael Crichton's Jurassic Park hit bookstores in 1990, spawning not only Steven Spielberg's 1993 blockbuster film, but two direct sequels and the recent Jurassic World movies, people just keep clamouring to share the same landmass as re-animated prehistoric beasts. That remains the case in Netflix's Jurassic World: Camp Cretaceous, which links in with the events of 2015's initial Jurassic World flick — and to the franchise's familiar setting, Isla Nublar. This time, six teenagers have been chosen to attend a new adventure camp on the other side of the remote deathtrap. If you've seen the movie, you already know that the dinos break loose, because of course they do. That leaves the plucky youths fighting to survive. As for what happens next (hint: it'll involve stampeding beasts and fleeing humans), you'll find that out when Camp Cretaceous hits the streaming platform on September 18. Executive produced by Spielberg — as well as Jurassic World executive producer Frank Marshall, plus two-time series director Colin Trevorrow — the show is aimed to help fill the gap until Jurassic World: Dominion film releases in 2021. You're probably already excited about that movie, given that it brings back Sam Neill, Laura Dern and Jeff Goldblum; however no one is going to complain about more excuses to watch out-of-control dinosaurs. Camp Cretaceous forms part of Netflix's family slate, so you can probably expect less scares than usual — although the official teaser below is a little creepy. And as for who is voicing Camp Cretaceous' characters, the cast includes Paul-Mikél Williams, Jenna Ortega, Ryan Potter, Raini Rodriguez, Sean Giambrone and Kausar Mohammed as the campers — as well as The Good Place's Jameela Jamil and Set It Up's Glen Powell as camp counsellors. Check out the official teaser trailer below: https://www.youtube.com/watch?v=TKJwbsx1BSc Jurassic World: Camp Cretaceous will hit Netflix on September 18, 2020.
All of the burger goodness, none of the meat: since opening in South Brisbane in 2019, that's been the Grassfed equation. Sadly, Brisbanites keen on a plant-based burg won't be heading to Fish Lane for much longer, with the beloved eatery announcing the worst kind of news: after more than four-and-a-half years on the stretch between Grey and Manning streets, it's closing down. On Instagram, the Grassfed team said that it will stop trading on Sunday, September 24 — and thanked burger lovers for their patronage over the years. "A huge thank you for your incredible support and the happy memories you have given us. You'll see more soppy posts from us as we draw nearer to our closing date," the Grassfed advised. Initially opening as a collaboration between ex-Urbane chef Alejandro Cancino and Brisbane Vegan Markets' Jonny Garrison, Grassfed gave Fish Lane a vegan burger bar that takes the meat out of everyone's favourite bread-based meal, but keeps plenty of flavour. Think: mock pork, chicken and beef, as well as stacked veggie burgs, plant-based sides, beers, vegan shakes topped with soy spray cream and vegan ice cream. Specific menu highlights include the katsu Japanese curry burger, which comes with its own pot of curry sauce (whether you dip your burger in it or pour the sauce on top is up to you). Among the specials, the nachos burger does indeed include tortilla chips on a bun. Or, there's the loaded Biscoff sundae as made with I Should Coco coconut soft serve, Biscoff biscuits, Biscoff spread and Biscoff sauce. Before Grassfed shuts its doors, it's doing price specials on select days, such as $6 and $7 burgs — depending on the type of burg — on some Tuesdays and Wednesdays. Keep an eye on its Instagram feed for the details. Known not just for its regular menu but also for its limited-time burgers, Grassfed is bringing back some of the latter before it says goodbye, such as its prawn burger Here's hoping that Grassfed will keep up its market presence after its South Brisbane bricks-and-mortar spot shuts up shop, given that it has proven a big favourite among the stalls as well. View this post on Instagram A post shared by Grass Fed Plantbased (@grassfedplantbased) Find Grassfed at 67 Fish Lane, South Brisbane, until Sunday, September 24 — trading from 11.30am–2.30pm and 5–9pm Monday–Friday and 11.30am–9pm Saturday–Sunday.
Australians, it's finally time to drop it like it's hot again — because Snoop Dogg is coming back to our shores. For the first time since 2014, the rapper is hitting stages Down Under as part of this new 'I Wanna Thank Me' tour, which'll be playing arenas in Perth, Sydney, Melbourne, Brisbane and Adelaide in February and March 2023. If this sounds familiar, that's because this tour was initially due to happen in 2022, only to be postponed. Now, Snoop Dogg has locked in the rescheduled dates, complete with extra shows in both Sydney and Melbourne — and adding Adelaide to his tour itinerary. Clearly, fans of the musician/actor/cook book author/wrestling MC/wine brand owner will be breaking out the gin and juice as he raps his way through the RAC Arena, Qudos Bank Arena, Rod Laver Arena, Brisbane Entertainment Centre and Adelaide Entertainment Centre. Snoop will also be inspiring hip hop aficionados to be the life of the party and, if you can remember his time as Snoop Doggy Dog and Snoop Lion across his career, to ask about his name as well. Yes, you can expect to hear singles such as 'What's My Name?', 'Gin and Juice', 'Drop It Like It's Hot' and 'Snoop's Upside Ya Head', as well as tracks from his last few albums — with his 17th record from 2019, I Wanna Thank Me, sharing its moniker with the tour. Since then, he's also dropped two more albums: From tha Streets 2 tha Suites in 2021 and BODR in 2022, with another, Missionary, also in the works. SNOOP DOGG 'I WANNA THANK ME' 2023 AUSTRALIAN TOUR DATES Monday, February 27 — RAC Arena, Perth Wednesday, March 1–Thursday, March 2 — Qudos Bank Arena, Sydney Saturday, March 4–Sunday, March 5 — Rod Laver Arena, Melbourne Tuesday, March 7 — Brisbane Entertainment Centre, Brisbane Wednesday, March 8 — Adelaide Entertainment Centre, Adelaide Snoop Dogg is touring Australia in February and March 2023 — visit the tour website for tickets and further details.
The space at 22 Wyandra Street in Newstead was never going to stay closed for long. While Carl's Bar and Bistro shut its doors at the address back in September 2022, the City Winery crew has been busy filling the venue with new ventures. First came a seasonal bar and bottle shop over the holiday period, and now Ardo's is making the spot its own for the long haul. City Winery is behind Carl's, too, which initially opened to give the team an outlet before its Wandoo Street flagship in Fortitude Valley launched. When it was announced that Carl's was moving to a yet-to-be-revealed new location, it company also advised that something different would make the most of the popular Wyandra Street berth — and now Brisbanites can check out the end result. Ardo's is a neighbourhood wine bar and bottle shop, so patrons can peruse its curated range of vino while getting sipping onsite over pintxos, cheese and charcuterie — or pick up their favourite tipple or a new discovery to take away. Offering a selection that you wouldn't just find at any bottle-o is a big source of pride, with Ardo's staff on-hand to chat you through its drops, help you make a pick and impart their expert knowledge. "Our wine selection showcases the rising stars and pioneers of the minimal-intervention wine movement in Australia plus a small selection of European options to showcase the benchmarks," says Ardo's Operations Manager and Wine Guide Luke Reimers. "It's a really bespoke offering that we think brings something unique to the community," he continued. [caption id="attachment_883133" align="alignnone" width="1920"] City Winery's seasonal pop-up at Wyandra Street.[/caption] Open for after-work drinks Tuesday–Friday and from lunch onwards on weekends, the venue does wines by the glass and the bottle to enjoy while you're settling in. The lineup rotates, but everything you see on the shelf can be drunk onsite or taken away. As you're getting cosy, you'll be surrounded by vino all across the walls, a wine tap that looks like an altar, and neutral colours aplenty amid feature pink stone. The food menu is all about being communal, with bar snacks inspired by pintxos — so bites to be washed down with a glass or several. Currently available, although this lineup also rotates based on availability and the seasons: baby beet and goat's cheese tartlets, blue cheese mousse with baby fig on sourdough, smoked salmon mousse with crispy capers and salmon skin on brioche, and both mini lemon meringue and Mississippi mud pies. "It's that classic afternoon session — you get a glass of wine and there's a selection of food at the bar and you pay per piece. It's all very relaxed, and then you have takeaways available to take home or out to dinner afterwards," says General Manager Doug Gilmour. View this post on Instagram A post shared by Ardo's (@ardoswine) Find Ardo's Wine Bar at 22 Wyandra Street, Newstead — open from 3pm Tuesday–Friday and from 12pm Saturday–Sunday. Head to the venue's booking page for reservations.
In these music-mad movie times, the following scene has become a familiar big-screen sight. Loitering backstage, the camera spies a talented, charismatic star. It catches a quick glimpse of its chosen figure in an unguarded moment, then charts their footsteps as they burst out the door, into a cavernous room, auditorium or arena. They're greeted by an adoring, screaming, near-ecstatic crowd — and when the person in the spotlight is doing what they do best, they're simply magic, with everything else seeming unimportant. This has proven true whether the real-life Amy Winehouse or Whitney Houston have been behind the microphone in recent documentaries, or whether Rami Malek is strutting his stuff as Freddie Mercury in Bohemian Rhapsody. In Mystify: Michael Hutchence's opening minutes, we see the same thing from the eponymous Aussie rocker and INXS frontman. Before he was dead at 37, Hutchence knew how to flash a cheeky smile when no one else was looking. With thousands of people staring back at him, he knew how to keep an audience hanging off of his every word. Alas, even when he was dripping raw charm in the middle of a gig, he knew how to hide a world of sorrow behind his grin as well. After Mystify's recognisable introduction, there's much in this passionate and intimate documentary that also feels familiar. Movies comprised of never-before-seen behind-the-scenes footage about troubled famous faces often unravel in a similar fashion, and accounts of music superstars who've died before their times tend to take a comparable path, too. If the increasing prevalence of such films, mirroring the increasing body count, isn't reason enough for society to rethink our celebrity worship and eager celebration of a sex 'n' drugs 'n' rock 'n' roll lifestyle, then nothing ever will be. Of course, that's a much bigger concern. In these tragic true tales, the home video, media interview and live performance clips obviously vary. While the broad strokes remain the same, the intricate minutiae also remains unique. Falling somewhere between sincere tribute and warts-and-all snapshot, these gone-but-not-forgotten portraits tend to ape their subjects, which Mystify does to an impressive degree. It's tender, thoughtful, energetic and electrifying, even when it's breaking your heart. Indeed, just like Hutchence himself, Richard Lowenstein's film about the singer's rise and fall has its own distinctive spark. More than two decades after his death, which was ruled a suicide by hanging, the rockstar is alive again in the movie. Naturally, it helps that the Australian filmmaker knew Hutchence personally. Not only did Lowenstein direct more than 15 of INXS' music videos throughout the 80s and 90s, but he gave the vocalist his first acting role in Dogs In Space. It also helps that Hutchence's nearest and dearest lend their frank, unfettered recollections to the doco — all unfurling as emotional snippets of voiceover laid over the archival visuals, rather than through talking heads. Although they're never seen on screen, except in old footage, the interviewee list spans siblings, family members, childhood pals, INXS bandmates, lifelong friends, staff, celebs such as Bono, and girlfriends including Kylie Minogue and Helena Christensen. What truly shapes Mystify, however, is that so much of the movie involves peering intently at its main man, and seeing what he did and didn't want everyone to see. First he's a shy yet lively kid growing up in a difficult household. Then he's a teenager drawn into the band because that's what his mates were doing. Later he's one of the biggest rock gods on the planet. Finally, he's someone understandably struggling with the trappings of fame — and coping however he can, frequently with the help of illicit substances. His eyes genuinely are the window to his soul, and to the documentary's. That's the case when Hutchence is gleaming excitedly while surveying a mass of people at the 1983 US Festival in California, and exclaiming "fucking hell" with a distinctive Australian drawl. It still applies when he's in speedos with Kylie on a boat in the middle of Hong Kong harbour, or beaming excitedly while sitting next to her on a cross-continental European train trip. And it's the same when he's looking far too sorrowful in his later years in Britain, as the tabloid scrutiny over his relationship with Paula Yates, and its role in breaking up her marriage to Bob Geldolf, reaches fever pitch. The revelations come and go, sometimes emanating from the screen in Hutchence's silent gaze, sometimes echoing in shared tidbits from Mystify's long list of candid discussions. The expected soundtrack weaves in and out as well, with the film equally pulsating with many of INXS' huge tunes — 'Never Tear Us Apart', 'What You Need' and 'Bitter Tears' among them — and taking time to dwell on the man Hutchence was beyond the music. If performing on-stage is a dance, and if navigating stardom is one too, then the metaphorical jig continues in Lowenstein's documentary. With finessed editing, plus an evocative sense of pace and tone, this is a fluid and insightful piece of cinema that finds the most effective, involving and moving way to relay its well-known story. Hutchence's plight will never be overlooked in Australia, where his songs will always remain beloved hits (and will always be pumping on a classic rock radio station somewhere). What Mystify ensures is that not only will his highs and lows always be remembered, but also his innate, unshakable allure when he was just being himself. https://www.youtube.com/watch?v=JRIFR3hkIpo
Golf courses have always tried to mimic the natural: undulating hills, thick forests, deep water and unforgiving sand. It's been a trend of recent years to flip this, instead opting for the unusual: whether that be the lush greens and rolling sand dunes of Dubai's desert golf, the foreboding doom presented by a recently dormant volcano at Lanzarote or the thrill (chill?) of ice golf in Uummannaq in Greenland. So we really shouldn't be surprised to discover a recent venture from Troon Golf and Dutch Docklands to create an 18-hole floating golf course in the Maldives, should we? A series of man-made floating platforms containing a number of holes each will be linked together by underwater tunnels. Although seemingly an exercise in extravagance, it is not without conscience. The project will be entirely carbon neutral, using solar energy, sustainable desalination and water cooling technology. The Maldives approval of the project is more than just a cash grab. With rising sea levels, precipitated by climate change, predicted to submerge a series of the Maldives islands, the government is looking offshore for solutions. President Mahamed Nasheed is even looking to purchase new land in other countries to house his people. The verdict is still out on the project, drawing out such loaded terms as 'obscene' and 'indulgent' but also 'responsible' and 'socially inclusive'.
