We're going back ... back to see Back to the Future, this time as a musical on the Sydney Lyric's stage. First floated 20 years ago by the big-screen trilogy's screenwriter Bob Gale, then finally premiering in 2020, the song-filled take on Marty McFly and Doc Brown's exploits has proven an award-winning success in London's West End and on Broadway. In 2025, the DeLorean has finally arrived in Sydney. The power of Back to the Future isn't really a curious thing. As viewers have known since 1985, the Michael J Fox (The Good Fight)-starring sci-fi/comedy is a timeless delight. But as well as making film lovers weep with joy for almost four decades, the iconic movie has been making other folks sing — the casts of the Olivier Award-winning Back to the Future: The Musical, that is. Aussie audiences can now experience the award-winning musical at the Sydney Lyric. Exclaiming "great Scott!" is obviously the only fitting response to this development, and to the production in general — and there's clearly plenty to get excited about. Since initially racing towards clocktowers onstage in the UK since early 2020 (around a pandemic hiatus or two, of course), Back to the Future: The Musical has picked up the Olivier Award for Best New Musical, and then was nominated for two Tony Awards in 2024. And yes, the show does indeed follow the Marty McFly and Doc Brown-led story we all know and adore, but with songs, including renditions of Chuck Berry's 'Johnny B Goode' and Huey Lewis and the News' 'The Power of Love' and 'Back in Time', naturally. [caption id="attachment_1049421" align="alignnone" width="1920"] Daniel Boud[/caption] Australian fans will now want to speed at 88 miles per hour towards the Harbour City, given that it is the only Aussie city where a season of Back to the Future: The Musical has been announced so far, so bookmark a trip to the Harbour City to see it — or pop on your own white lab coat, start tinkering around with electronics and whip up your own time machine to try to make it happen. Also featuring music and lyrics by OG Back to the Future composer Alan Silvestri and acclaimed songwriter Glen Ballard (Jagged Little Pill the Musical), plus a book by Gale — who co-penned all three Back to the Future film scripts with filmmaker Robert Zemeckis (Here) — Back to the Future: The Musical was nominated for seven Olivier Awards. It only won the big one, but emerged victorious over heavy-hitters and fellow screen-to-stage shows Moulin Rouge! The Musical and Frozen. Tickets are on sale now. For more info, head to the website. [caption id="attachment_1049422" align="alignnone" width="1920"] Daniel Boud[/caption]
Move over Matt Damon, French acting icon Alain Delon, the great Dennis Hopper, Lawmen: Bass Reeves star Barry Pepper and John Malkovich: there's a new Tom Ripley in town. Actually, Malkovich hasn't gone far. Netflix's upcoming limited series Ripley stars All of Us Strangers and Fleabag favourite Andrew Scott as its namesake, but he's joined by an actor who has also played the Patricia Highsmith-penned part, as the just-dropped first teaser trailer for one of 2024's most-anticipated new TV titles shows. An eight-part effort arriving on Thursday, April 4, Ripley isn't short on drawcards, then — Scott chief among them. He's stepped into iconic characters' shoes before, and suave yet scheming folks that can't be trusted, thanks to his stint as Moriarty in Sherlock. Now, one of the internet's boyfriends is taking on the fictional con artist that debuted on the page in Highsmith's 1955 book The Talented Mr Ripley. That novel has reached the screen twice before, as 1960 crime-thriller Purple Noon starring Delon, then as the Damon (Oppenheimer)-led The Talented Mr Ripley in 1999. Where the latter also featured Gwyneth Paltrow (The Politician) as Marge Sherwood and Jude Law (Peter Pan & Wendy) as Dickie Greenleaf, Dakota Fanning (The Equalizer 3) and Johnny Flynn (One Life) are doing the honours this time. As seen in the initial sneak peek at Ripley, Malkovich (Billions) also pops up in the series, which follows its eponymous figure to Italy. Tom's gig: being paid by a rich man to persuade his son to come home. Steven Zaillian, who has excellent fellow miniseries The Night Of on his resume alongside screenplays for Martin Scorsese's Gangs of New York and The Irishman, plus an Oscar for Schindler's List, scripted and directed all eight episodes. He takes his cues from the novelist who also gave the world Strangers on a Train and The Price of Salt — with the first brought to cinemas by Alfred Hitchcock and the second adapted as Carol. And if you're wondering about Malkovich's time as Tom Ripley, he played the character in 2002's Ripley's Game, the second adaptation of Highsmith's third Ripley novel of the same name after 1977's The American Friend with Hopper. The author also wrote Ripley Under Ground, which was turned into a 2005 Pepper-led film, plus The Boy Who Followed Ripley and Ripley Under Water. Check out the first teaser trailer for Ripley below: Ripley streams via Netflix from Thursday, April 4, 2024. Images: Lorenzo Sisti / Netflix.
Native ingredients take centre stage at Ochre, a Cairns institution that has been impressing diners with its creative cuisine for almost 30 years. It's a feast for the eyes, too, as its waterfront location on the Harbour Lights boardwalk offers picturesque views of the adjacent inlet and lush mountains beyond, serving as a reminder of the region's rich and abundant food sources. Take it all in as you tuck into signature dishes like salt and native pepper leaf prawn and crocodile with Vietnamese pickle and lemon aspen sambal; char-grilled kangaroo sirloin with sweet potato fritter, bok choy and a quandong and chilli sauce; and wattleseed pavlova with davidson plum sorbet and macadamia biscotti. The dedication to local is also showcased via the drinks offering, which includes an exclusively Australian wine list with over 30 available by the glass, as well as an impressive selection of Australian spirits.
It's a film about searching for treasure, and it is indeed a treasure. La Chimera is also dreamy in its look and, while watching, makes its viewers feel as if they've been whisked into one. There's much that fantasies are made of in writer/director Alice Rohrwacher's fourth feature, which follows Corpo Celeste, The Wonders and Happy as Lazzaro — God's Own Country breakout and The Crown star Josh O'Connor leading the picture as a British archaeologist raiding tombs in 80s-era Italy chief among them. Thinking about Lara Croft, be it the game, or the Angelina Jolie (in 2001 and 2003 flicks)- or Alicia Vikander (2018's Tomb Raider)-led movies, is poking into the wrong patch of soil. Thinking instead about the way that life is built upon the dead again and again, and upon unearthed secrets as well, is part of what makes La Chimera gleam. Rohrwacher's latest, which also boasts her Happy as Lazzaro collaborator Carmela Covino as a collaborating writer — plus Marco Pettenello (Io vivo altrove!) — resembles an illusion not just because it's a rare mix of both magical-realist and neorealist in one, too (well, rare for most who aren't this director). In addition, this blend of romance and drama alongside tragedy and comedy sports its mirage-esque vibe thanks to being so welcomely easy to get lost in. As a snapshot of a tombaroli gang in Tuscany that pilfers from Etruscan crypts to try to get by, it's a feature to dig into. As an example of how poetic a film can be, it's one to soar with. The loose red thread that weaves throughout La Chimera's frames, intriguing folks within the movie, also embodies how viewers should react: we want to chase it and hold on forever, even as we know that, as the feature's 130 minutes tick by, the picture is destined to slip through our fingers. Wearing his crumpled linen suits and residing in his makeshift shack, O'Connor's Arthur knows what it's like to not be able to grasp tightly onto what you want. Just as the movie that he's in transports its audience four decades back, he's stuck in the past, obsessing over the missing Beniamina (Yile Yara Vianello, The Beautiful Summer). Stolen Italian artefacts are his trade, with friends to help with the excavations but his own divining methods (rod included) locating where an invisible X marks the spot. When he's not dowsing and delving, or offloading the loot he extracts to antiquities dealers who profit from and perpetuate the cycle of tombaroli thievery far more than Arthur and his pals, the mansion of Beniamina's mother Flora (Isabella Rossellini, Spaceman) is his frequent pilgrimage. It was equally true of The Wonders and Happy as Lazzaro: a movie by Rohrwacher, and with cinematographer Hélène Louvart (Disco Boy, The Lost Daughter, Never Rarely Sometimes Always) behind the lens, is a movie that looks ethereal and earthy at once. Shot on a mix of different film stocks (35-millimetre, 16-millimetre and Super16), La Chimera's imagery virtually floats, but it similarly sees the dirt and the grit. Arthur's journey couldn't better live and breathe that contrast as he illicitly uncovers riches in a marvellous setting, but not without the grime and the risk that goes with it. He also starts the feature freshly released from jail for his grave-robbing manner of making a living, then spends his time chasing more 2000-year-old pieces — pottery, statues and such — that mysterious broker Spartaco will pay for, as punctuated with chats with Flora and a burgeoning connection with her housekeeper Italia (Carol Duarte, Segunda Chamada). The language of archaeology, whether taking from the dead or studying history through its physical remains, is the language of discovering and seeking — and mine, disinter and pursue, Arthur does, including with his feelings and hopes. He pines for his lost love while burrowing down where valuables, secrets and lives gone by are kept; he's navigating his own Orpheus and Eurydice as well. He's haunted, plunging literally to where such torments spring from in humanity's eternal grappling with mortality, and also emotionally and psychologically into memories that gnaw as if they too are possessed. A mastery of symbolism is among Rohrwacher's many skills as a filmmaker; however, so is a command of effortlessly lingering in the realm, as La Chimera does, between the tangible and intangible. Here's another talent to her name: casting, especially with O'Connor standing in front of the camera. While Rossellini's involvement is a magnificent touch — only she can switch to marauding from warm, and back, so naturalistically and so quickly; also, the link with Italian cinema history that she brings via her director father Roberto Rossellini, the neorealist great, is so wonderfully apt — O'Connor is an exquisite choice as La Chimera's lead. Rumpled charm, lost-soul melancholy, drifting and yearning, a hold on his temper that's flimsier than a deal on the relics black market: as Arthur, he conveys or has them all. A picture as enigmatic as this needs someone at its centre that's able to both go with its flow and be grounded — and again, in a role that joins Mothering Sunday, Emma, Hope Gap and Challengers on his post-God's Own Country resume, that's O'Connor. As La Chimera proves evocative and expressive, and loose and playful, it takes its audience on an adventure so layered and distinctive that Rohrwacher could be the only one guiding it. Thoughtful and contemplative as her film also is, it has clear eyes to stare daggers at social inequality, and towards those who think that they can own the past. Forming a trilogy with The Wonders and Happy as Lazzaro — one about beekeepers, the other about sharecroppers, each fascinated with communities that are far from the everyday now, as with the tombaroli — La Chimera almost feels as if it has pulled off a heist itself, then. In ensuring that every single element of the movie works perfectly, this gem steals itself a place as an unforgettable piece of cinema; long may it keep being cherished.
Maybe you love swimming laps. Perhaps a leisurely soak is your favourite way to cool down. Or, nothing could say summer to you quite like hanging out poolside. Whichever category fits, you might've lived the pool life at one of Brisbane's City Council's public venues, especially if you don't have your own backyard spot to splash in. This upcoming summer, for $2 a pop, you really should. From Friday, December 1, 2023–Thursday, February 29, 2024 Brisbane's City Council is slashing the entry fee to all 22 of its public pools around the River City. For the entire three months of summer, having a splash will only cost you $2. Set to be part of the 2023–24 council budget, the program is named $2 Summer Dips for obvious reasons, and that discounted price will apply to everyone — adults and kids alike. [caption id="attachment_621822" align="alignnone" width="1920"] Brisbane City Council[/caption] If you haven't hit up a public pool for a while, it's a considerable saving, dropping the adult entry price from $6.40 to $2. The reduced rate will also cover every single day across the period, too, which includes all of the Christmas and New Year public holidays. And, there's no other catches or caveats — including no limit on how many times you can take advantage of the deal. Fancy going for a swim at your local every day during summer? Working your way around Brisbane's public pools, diving into a different one daily? Both are options. [caption id="attachment_777650" align="alignnone" width="1920"] Brisbane City Council via Flickr[/caption] The 22 pools include Centenary Pool, Spring Hill Baths and the Valley Pool, plus Musgrave Park Swimming Centre, the Colmslie Aquatic Centre in Morningside, Ithaca Pool in Paddington, Dunlop Park Memorial Swimming Pool in Corinda and Hibiscus Sports Complex Pool in Upper Mount Gravatt. Newmarket Olympic Swimming Pool, Chermside Pool, Bellbowrie Pool, Jindalee Pool and Manly Pool are all covered as well, as are Yeronga Park Memorial Swimming Pool, Mt Gravatt East Swimming Pool and Sandgate Aquatic Centre — and more. [caption id="attachment_777649" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] "Our council is committed to ensuring Brisbane residents have access to free and affordable events and activities. Rising living costs are driving up bills, chewing into people's disposable incomes and impacting their ability to undertake fun and healthy activities," said Brisbane Lord Mayor Adrian Schrinner, announcing $2 Summer Dips. "Slashing the cost of swimming at council's fantastic pools and aquatic centres is a big win for Brisbane residents." [caption id="attachment_904760" align="alignnone" width="1920"] Brisbane City Council via Flickr[/caption] [caption id="attachment_904761" align="alignnone" width="1920"] Brisbane City Council via Flickr[/caption] [caption id="attachment_777652" align="alignnone" width="1920"] Brisbane City Council via Flickr[/caption] Brisbane City Council's $2 Summer Dips program will run from Friday, December 1, 2023–Thursday, February 29, 2024. To find your closest public pool, head to the council website. Check out our list of the best outdoor swimming pools in Brisbane for 2023. Top image: Cieran Murphy.
USB sticks are stripped back to basics with Flashkus, an innovative design by Russian company Art Lebedev Studio. Reflecting on the disposable nature of electronic storage, the design team foresaw a near future in which "all electronics will be contained on the tip of a detachable cardboard module." Each Flashkus is created from thin strips of recyclable cardboard, allowing for easy disk-labeling and the potential to recycle the body of the disk once you're done. The Flashkus is eco-friendly, no-nonsense and minimalistic. The team behind its creation predict it "is going to be an even more convenient storage device than the floppy disk was back then."
While La Niña may be threatening hot vax summer, no doubt you still intend on living it up over the warmer months. After all, you've got mates to catch up with, new bars to check out and a swathe of live gigs to see. And, with all these social occasions coming up, you're probably keeping an eye out for some new summer threads. Lucky for you, top seltzer brand White Claw has teamed up with local fashion brand Barney Cools to bring you the ultimate wardrobe to cruise around in this summer. The brands are basically the epitome of summer, so the collab makes sense. And the best news? You can score it for free. The White Claw x Barney Cools all-white capsule collection includes three epic items: a terry cord party shirt, a breezy vintage-style tee and corduroy cap. Each limited-edition piece is designed to be genderless, too, so they'll suit anyone and everyone who's keen to make the most of summer. Oh, and did we mention that the prize also includes one White Claw variety pack? The new-release pack includes four flavours: watermelon, mango, lime and grapefruit. There are ten White Claw x Barney Cools packs to be won around the country. Should you win, you'll score some White Claws and all three clothing items, so you can don them to the beach, pub, park and just about everywhere else you plan to hit this summer. Keen to win some new summer threads? Enter your details below to go in the running. [competition]836217[/competition]
One of Brisbane's most recent traditions is also one of its most fun: themed mini golf at different times of year at the Victoria Park Putt Putt Course. At Christmas, the site gives itself a festive revamp. At Easter, a candy-themed wonderland pops up. And, the Halloween spirit kicks in for a month and a half leading up to the spookiest date of the year — including in 2023. From Friday, September 15–Tuesday, October 31, the venue's greens will be getting a horror-themed makeover — and, no, missing a hole in one won't be the most terrifying thing about your stint on the course. Creepy clowns, evil dolls, zombies, witches, spiders, toxic waste barrels, tombstones, pumpkins: they're among the petrifying things that'll be improving or scaring your short game again. So is a spot called Broken Bones Boulevard. If a haunted house was to meet up with a mini golf course, this is what it'd look like. Bookings are essential, with the course open from 6am–10pm Sunday–Thursday and 6am–11pm Friday–Saturday. Fancy a few holes before work? Want to add some fun to your lunch break? Need something to look forward to come quitting time? They're all options. Just remember that it's a family-friendly affair, so you'll likely have plenty of company — and tickets cost $23 per adult. Also, for liquid courage, there'll be Altos Tequila slushie margaritas available to purchase.
From its awe-inspiring scenery to its hefty brew tours and the 200 sprawling wineries that call it home, the Margaret River region has become one of Australia's top destinations for those looking to escape the city in style. Situated about three hours from Perth, this bustling coastal setting offers surf beaches, lush forests and ancient underground cave systems all in one spot — which is especially exciting if you're looking for a bit of variety on a weekend trip this winter. With a landscape as diverse as this, it shouldn't come as a surprise that Margaret River is also home to incredible outdoor experiences that are ready and waiting for you to enjoy. There's a lot to choose from, but who doesn't love being spoilt for choice? To help, we've put our heads together with Virgin Australia to come up with the very best activities to make your getaway unforgettable. There'll be wine. There'll be beaches. And, of course, there'll be adventures. [caption id="attachment_719648" align="aligncenter" width="1920"] Phil Whitehouse via Flickr[/caption] EXPLORE THE LIMESTONE CAVES OF LEEUWIN NATURALISTE RIDGE When you're viewing it from ground level, the Margaret River region is rather spectacular — but heading underground also reveals incredible sights. Formed around a million years ago, there are over 100 limestone caves throughout Margaret River. They're considered some of the most extraordinary in Australia. The Leeuwin-Naturaliste Ridge is where you'll find many of them, with this expansive system featuring alluring crystal formations aplenty. Across a variety of guided and self-led tours, you can follow staircases and boardwalks that'll take you right into the depths of the earth. And if you only have time to visit a select few caves, don't miss your chance to see Lake Cave's imposing entrance or Jewel Cave, with its collection of stalactites that are over five metres tall. ABSEIL DOWN THE SEASIDE CLIFFS WITH MARGARET RIVER CLIMBING CO Rising 40 metres above the Indian Ocean, the Wilyabrup Sea Cliffs are among the most picturesque in the Margaret River region, stretching along the rugged coastline for a half-kilometre. If you enjoy a bit of death-defying action to go with your holiday, hook yourself into these towering red granite cliffs with the Margaret River Climbing Co — and step off the edge as you abseil your way down the sheer rock face. There's no need to worry if it's your first time. There are plenty of sections that are suitable for beginners, while experienced abseilers will still find a difficult challenge. Hanging from the cliff face presents you with pretty unbeatable ocean views, naturally. Our tip: keep an eye out for the pods of whales and dolphins that are often seen swimming amid these coastal currents. TREK THE CAPE NATURALISTE TO SUGARLOAF ROCK WALK The Cape to Cape Track is one of the most impressive treks you can complete in the Margaret River region. While you'll likely be a little busy indulging in the local food and wine to make the entire 140-kilometre journey, the Cape Naturaliste to Sugarloaf Rock section offers a pleasant introduction to the outstanding landscape. Setting off from the popular Cape Naturaliste Lighthouse, this relaxing three-and-a-half-kilometre stretch will have you stepping along a mix of gentle walking paths and timber boardwalks as you soak up the peaceful coastal views. To get the ideal experience, aim to reach Sugarloaf Rock just as the sun begins to set. Sitting just off the coastline in the Indian Ocean, this majestic rock formation is lit up daily by quite the striking colours as the sun dips below the horizon. TAKE A SUNSET CANOE RIDE ALONG THE MARGARET RIVER Sticking with the sunset theme, the Sunset Canoe Tour is your chance to float down Margaret River in complete serenity as the day draws to a close. You'll drift upstream flanked by wildflowers and forest — and it won't be long before you spy soaring limestone cliffs. Next, you'll watch as the late afternoon light sets the rock faces alight with a radiant glow, before continuing onwards in search of a secluded beachfront. Once you hit the sand, listen out for the chorus created by the local wildlife. It'll provide the perfect soundtrack as you rest on the beach with a glass of wine, a delicious canapé and a view of the last light as it disappears over the Indian Ocean. SEE THE REGION FROM ABOVE DURING A SCENIC HELICOPTER FLIGHT Make the most of your time by getting high above the Margaret River with a scenic helicopter ride. This part of the world provides a wealth of amazing natural wonders, so why not encounter the vast ocean and coastal landscape from the air? From farmland to forests to golden brown cliffs, you'll also hover above the boutique wineries and their seemingly endless rows of grapes — the ones that have helped put Margaret River on the map. Among the highlights, you'll also get to see Rivermouth, Surfer's Point, the Ellenbrook House and Cape Mentelle Vineyards, one of the oldest and most attractive wineries in all of Margaret River. If you're now eagerly planning a visit to Margaret River, check out Virgin Australia's holiday packages — which offer everything from chilled-out cottages to massive resorts.
The age of anything and everything available online is extending its reach to even the most humanitarian of acts: charity. Lending a hand to New Zealand's earthquake victims has been made simple with the development of the Christchurch Cafe, a virtual coffee shop that donates 100% of its profits to survivors suffering from severe income loss. The inspirational site was created by the workers at Crafted Coffee, a Christchurch shop that was fortunate enough to escape the wrath of the devastating quake in February. The virtual cafe aims to aid business owners that were not so lucky by offering a menu of virtual coffee beverages, beans and equipment, priced from $2 to $300, that can be purchased in the form of a donation by a mere click of the mouse. Each item is linked to a Paypal site, making the process that much easier. Victims in need apply for aid online and Christchurch Cafe offers $200 per month, per person for as many as they can support with the money raised. Although you may not get the kick of caffeine that comes with any other flat white at a cozy coffee shop, every dollar contributed to the Christchurch Cafe helps the struggling New Zealanders afford food and housing that is difficult to come by in the horrific aftermath of the earthquake. Now, let us not rule out boxing up unwanted clothes or extra canned goods to help out victims of natural disasters, but hopefully skipping your morning brew and donating a virtual flat white instead will catch on as a means of giving aid, and the altruistic buzz should more than make up for the missed caffeine kick.
Some days you feel like putting together a vaguely cohesive outfit and getting dressed to leave the house; others, not so much. If you're more familiar with the latter, let us introduce you to Willa & Mae, the New Zealand label that's attempting to make it acceptable to wear your pyjamas in public. Well, your designer pyjamas, anyway. This winter, the sleepwear-turned-lifestyle label makes its foray into Australia with ultra comfortable, effortlessly elegant pieces that are designed to be worn out of the house. Having landed in Australia in February, Willa & Mae's winter 2017 collection is available to purchase from March 31, and fundamentally functions as your new excuse to wear PJs in public and not look like a grub. Creative director Jane Mow brings her background in menswear tailoring and styling to the brand, creating an androgynous line of highly elegant jammies. Navy, cherry and suiting stripes take shape in the old-world style of men's silk pyjamas, while long slip dresses, buttery camisoles and billowing robes recall the halcyon days of elegant women's loungewear. As piping, notched collars and cuffs evoke a certain masculinity, the luxurious silk satins maintain sensual femininity. The foundation of Willa & Mae lies within "taking opposing ideas and asking them to play together" – like wearing your sleepwear out of the house, and still looking great. The label is guided by the unexpected through materials and patterns used, and the way its styles not only suit the bedroom, but also a night out. There's a Dr Jekyll and Mr Hyde relationship happening; on the one hand you have the sharp, feisty trendsetter Willa, and, on the other, there's Mae, keeping things grounded as the elegant, subdued yin to Willa's yang. Willa & Mae's price point may sit a bit high for your pyjama budget — between $300 and $700 — but the dawn-to-dusk-to-dawn versatility, quality silks and promised longevity means that, arguably, you don't ever need to wear anything else. And if you need one last nudge to jump on this pyjamas-in-public bandwagon, everything is made locally and ethically. Tick, tick and tick. Willa & Mae's winter 2017 collection is available online from March 31. Shop the collection here.
International sportswear label Adidas continues its efforts to save the world's oceans, announcing it will contribute $1.5 million USD to the Parley Ocean School Program. The catch? It will donate $1 for every kilometre run, so grab your joggers and pound the pavement for a good cause. Runners can clock their kilometres by joining the Run for the Oceans group within the app Runtastic, which is free to download on iPhone and android. There are also a slew of Adidas and Parley running events happening across Sydney, Melbourne, Auckland, New York, Paris, Berlin, London, Barcelona, Milan and Shanghai, which you can also partake in. The initiative is running globally from June 8–16, 2019, and is capped at $1.5 million USD. Last year, 12 million kilometres were run and $1 million USD were raised for the same initiative. https://www.facebook.com/adidasAU/photos/a.614311325637497/779507399117888/?type=3&theater Parley Ocean School Program is a branch of environmental charity Parley for the Oceans that educates and empowers the next generation about the importance of the ocean, the dangers of plastic waste and what we can do to protect the ocean and its marine live. Together with Parley, this is just Adidas' latest campaign to help save the ocean and reach its 2024 goal of eliminating the use of virgin polyester from all products. The 2019 Parley apparel range will also see the the company produce 11 million pairs of shoes made from recycled plastic pulled from the beach. The planet-friendly range features the new slick Alphabounce+ running shoes, water bottles, training tights and backpacks. Adidas' Run for the Oceans initiative runs from June 8–16, 2019. To find out more info and to signup head to adidas.com.au/runfortheoceans.
Environmentalists from the Sierra Club teamed up with Pact underwear brand to form a bare-skinned project to lessen the use of coal, especially on university campuses where green-minded students are trying to be friendly to the environment. Beyond Coal is the resulting collaboration that sells a collection of comfy underwear with the goal of educating the public about the negative effects of coal on the environment, with hopes of changing the habits institutions that overuse the harmful substance. The ash released into the environment from coal is one of the leading causes of acid rain, smog, global warming and air toxins. 10% of the proceeds from the purchase of Beyond Coal undies goes to protests and petitions to convince universities to reduce their ever-increasing carbon footprint by minimising the supply of coal to power campuses. This generation of students is more conscious of the human impact on the environment, and the project simply points out that it is quite hypocritical for schools to be using so much coal power for students who are constantly searching for green alternatives. Help Beyond Coal prevent the dangerous effects of coal emissions by rocking a pair of pollution-fighting panties, starting at $20 for both men and women.
Pop quiz: what's 78% nitrogen, 21% oxygen, became breathable 2.4 billion years ago and is the focus of an upcoming exhibition at Brisbane's Gallery of Modern Art? If you guessed 'air', you'd be right. Over a delightfully lengthy five-month tenure — from Saturday, November 26 until Sunday, April 23 — Air will be transforming the ground floor of GOMA into an interactive exploration of the "cultural, ecological and political layers" of the air we breathe. It's not easy to make physical art from something invisible. Still, the collection works of Ron Mueck (the staggering In Bed), Jonathan Jones (the feathered and multifaceted Untitled (giran)) and Anthony McCall (the beaming Crossing), plus new (and floating) commissions from Tomás Saraceno and Jemima Wyman alongside a monumental chalk cliffscape by Tacita Dean and dozens of other prominent artists will do so. [caption id="attachment_878453" align="aligncenter" width="1920"] Anthony McCall's 'The Crossing'[/caption] The exhibit has been organised around five key themes, each focusing on details we can take for granted: atmosphere (the space between us and the cosmos), burn (the mortality and vulnerability of clean air), shared (the collective need of humans, plants and animals for the element), invisible (an exploration of the unseen) and change (the nature of our vulnerable, ever-evolving world). What's certain is you're set to leave this cultural outing with a more concrete understanding of the ethereal and vital element. 'Air' will be open daily at GOMA from Saturday, November 26 till Sunday, April 23, 2023. Entry to last session is 4pm. Head to the website to secure your ticket. Top image: Ed Mumford
When it comes to loving a particular film, not all affection is created equal. There's the type of fondness that inspires a fan to tell all their friends about something great that they've seen, and then rewatch it over and over again. Then there's the kind of adoration that becomes a fully fledged obsession. Kumiko (Rinko Kikuchi) fits the latter bill, but even then her fascination is a little more passionate than most. Joel and Ethan Coen's Fargo is the object of her excessive attention, and she doesn't just fixate over it, she believes it. It's not the bickering hitmen, inept car salesman and determined local sheriff — as anyone who has seen the blackly comic crime classic will be familiar with — that strikes a chord. Instead, it's the briefcase filled with money buried in the Minnesota snow. To understand why she's so intent on thinking the movie is more than fiction is to understand her largely solitary existence in Tokyo. Kumiko is 29 years old and still working as an office lady, a position her boss thinks she should've well and truly outgrown. Her mother only calls to scold her about her dismal personal life, and her only friend is her pet rabbit, Bunzo. So when she happens across a VHS copy of Fargo, embracing its tall tale as truth adds purpose to her days, and trekking across America to find the stack of cash it tells of becomes her destiny. Reality is actually at the heart of Kumiko, the Treasure Hunter, though the filmmaking Zellner brothers — writer, director and actor David and co-writer and producer Nathan — aren't just living this fantasy themselves. They're delving into an urban legend that sprang up around the death of a Japanese woman in the US, which was first chronicled in 2003 documentary This Is a True Story. Indeed, those exact words are the first seen in Fargo itself, sparking reports at the time that it was based on real-life circumstances. Keeping that in mind, Kumiko, the Treasure Hunter makes its own fable out of diving into the strangeness that can stem from both truth and fiction, as well as the tenuous relationship between the two. The basis for its premise aside, the film also offers an offbeat look at isolation, and the lengths someone will go to in order to escape into a dream rather than face their reality. There's no mistaking the magical realism at work in the Zellners' approach, as their gorgeous icy frames make Kumiko's quest seem larger than life, and the atmospheric score by The Octopus Project proves both haunting and hopeful. There's no avoiding the questions it raises about the protagonist's fragile, lonely state, either. Kikuchi plays the titular character with perfection, her performance as slow in building as the movie itself, but also as beguiling the longer she's on screen. It's one of quirks and details adding up to something you can't look away from, even if you're simultaneously enthralled and frustrated. That's the reaction Kumiko, the Treasure Hunter elicits: whole-hearted intrigue in its ideas, and traces of exasperation in its meandering. Well, that, and making you want to rewatch Fargo as soon as possible — and as long as you don't book a plane ticket to America to search for the briefcase yourself, that's not a bad thing.
The Melbourne International Film Festival is back for 2022, and has been screening flicks across the Victorian capital's cinemas since Thursday, August 4 — but that's not the only way to get your MIFF fix this year. Here's another: MIFF Play, the festival's digital offshoot, which is also returning for another spin. That's fabulous news both for Melburnians and for movie buffs interstate — and an unsurprising move given that in 2020, when it first made the leap to streaming the fest in a big way, it enjoyed its biggest audience ever. In 2022, MIFF Play will be available from Thursday, August 11–Sunday, August 28, and will show 105 features and shorts. Among the 77 features, there's plenty of highlights — and, like at all good film fests, something for all tastes. Starting with the local picks, you can explore the history of Melbourne on film thanks to classics Noise and Love and Other Catastrophes, or check out new Aussie gems including First Nations anthology We Are Still Here, Back to Back Theatre's Shadow and Petrol from Strange Colours filmmaker Alena Lodkina. Or, Spanish horror-thriller Piggy spins a savage coming-of-age tale, Neptune Frost serves up an Afrofuturist musical and Give Me Pity! parodies 70s and 80s musical variety television. Hit the Road marks debut feature from Jafar Panahi's (x) son Panah Panahi, while meta Filipino action film tribute Leonor Will Never Die won Sundance's Special Jury Award for Innovative Spirit, and Indonesia's Yuni picked up the Platform Prize at the Toronto International Film Festival There's also Mass, starring Jason Isaacs (Streamline) and Ann Dowd (The Handmaid's Tale) and set in the aftermath of a school shooting; New Zealand gem Millie Lies Low, about a uni student who fakes going to New York for a big internship; and existential drama The Humans with Beanie Feldstein (Booksmart), Steven Yeun (Nope) and Amy Schumer (Only Murders in the Building). The list obviously goes on — kicking off with a one-night-only session of Funny Pages, as produced by Uncut Gems and Good Time's Benny and Josh Safdie. And, on the doco lineup, Citizen Ashe steps into tennis great Arthur Ashe's life, Jane by Charlotte sees Charlotte Gainsbourg focus on her mother Jane Birkin, Navalny follows Vladimir Putin's political rival as he investigates his own state-sponsored poisoning, and We Were Once Kids looks back at 1995 indie hit Kids. Price-wise, you'll pay as you watch — all from your couch.
The latest work from Natalie Abbott is all about extremes. Big and small, toned and flabby — for something so diverse, it's nothing short of amazing that our bodies all operate in much the same way. In Maximum, Abbott is set to explore these differences and push them into the extreme. Joined on stage by a bulky male body-builder, this small lithe dancer will investigate the universal nature of the body and test its limits via the oh-so-gruelling medium of physical movement. Featuring dance, posing, lifts and even fake tan, Maximum seems more like a durational live art piece than a formal show. This is exacerbated by the fact it has nearly 10 performances in under two weeks. Yikes. Our muscles are hurting already (but we can't wait to see the results).
Before the pandemic, heading overseas for your end-of-year break — for Christmas, New Year's Eve, or just because you've got some time off — might've been part of your summer plans. That wasn't possible over the summer of 2020–21; however, it looks set to be back on the cards from this December, with Australia's Federal Minister for Trade, Tourism and Investment Dan Tehan announcing that the country's international border will open back up "at this rate, by Christmas at the latest." The Trade, Tourism and Investment Minister discussed international borders on Wednesday, September 22 as part of his National Press Club address, noting that "it's another reason why everyone should get vaccinated, and we have to stick to the national plan." Back in July, the Federal Government unveiled Australia's roadmap for dealing with the pandemic moving forward, which has been dubbed the National Plan to transition Australia's National COVID Response — and it includes allowing Aussies to travel overseas again without restrictions when 80 percent of the nation's eligible population has been fully vaccinated against COVID-19. "We continue to do all that preparatory work to make sure that when those international borders open, hopefully at the latest by Christmas," Tehan continued. "Australians will be able to travel with a QR code linked to their passport, which will be able to show a proof of vaccination." Providing documentation to show you've been vaxxed is set to become a standard part of Australian life moving forward, and is also highlighted in New South Wales and Victoria's roadmap out of their respective lockdowns. Under both plans, looser restrictions will apply to people who've been fully vaccinated in both states, who'll need to prove they've been double jabbed. Also on Wednesday, September 22, NSW announced that it's about to conduct a trial of a vaccine passport that'll link COVID-19 vax certificates to the existing Service NSW app. Exactly how reopening Australia's international borders will work is yet to be explained, including where the nation will open up to — and if it'll reopen to all of the globe at once, or in stages, or via bubble arrangements. Earlier in 2021, Australia and New Zealand implemented the trans-Tasman travel bubble, allowing quarantine-free travel between the two countries; however, it has been suspended due to COVID-19 outbreaks since July, and isn't set to resume until at least mid-November. The Australian Government has also floated the possibility of opening a similar arrangement with Singapore — and extending travel bubbles to some countries, such as Singapore and places in the Pacific, is specifically mentioned in the nation's roadmap. Unsurprising, just when Australia will reopen its international borders has been the subject of much discussion over the 18 months since the Federal Government implemented an indefinite ban on international travel, only allowing Aussies to leave the country in very limited circumstances. Last year's prediction that opening up to the rest of the world wouldn't happen in 2020 proved accurate — and, earlier this year, Australia's ex-Chief Medical Officer Brendan Murphy (now the Secretary of the Department of Health) said that we might not be going anywhere until 2022. Back in May, the Trade, Tourism and Investment Minister and Prime Minister Scott Morrison both advised that mid-2022 was the likeliest time for reopening. With Australia's vax campaign gathering speed, Qantas and Jetstar have begun selling tickets for overseas flights for trips scheduled from December, demonstrating hope that the country's international travel rules could ease by then. That said, the airlines did start selling the same types of tickets earlier in 2021, working towards a planned October date that was subsequently postponed. At the time of writing, 48.5 percent of Australians over the age of 16 have had both doses of a COVID-19 vaccine. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Just when you thought drowsy Sunday afternoon grill-ups couldn’t possibly get any more deliciously lazy, Lynx comes up with a voice-activated barbecue, aka Smart Grill. That’s right, all you have to do now is kick back on your banana lounge and tell the barbie how you want your steak done. Well, that’s a slight exaggeration. But the MyChef interface promises to take a whole chunk of guesswork out of the process. No more black-on-the-outside-scary-pink-on-the-inside culinary disasters. Instead, the system links you to an online database providing all the information necessary for grilling perfection. Simply answer a couple of questions and MyChef advises you on the big decisions — when to turn, when to season and when to call it. At this stage, you'll have to stop resting on your laurels and do some flipping, salting and peppering, but the voice-controlled system does have the power to take care of other major jobs, such as getting the burners to optimum temperature. Plus, MyChef can keep you informed of developments via text messages and audiovisual cues through the companion app, so you can hang out by the pool, mix some cocktails and see to your guests without having to worry about messing up the steaks. And, just in case you indulge in one too many mojitos, misplace your phone and forget all about your feast, there’s an automatic safety shutdown mechanism. Having previewed at this year’s Consumer Electronics Show, Smart Grill is currently in prototype stage. Lynx is hoping to have it on the market next year. ViaGizmag.
UPDATE, APRIL 4: Due to concerns around the coronavirus, Candyman will no longer release on its initially scheduled date of Thursday, June 11, 2020, with the film now hitting cinemas on September 24, 2020. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. For nearly three decades, horror movie lovers have fallen into two categories: those who've dared to say the word 'candyman' five times while staring into a mirror, and those who haven't. That's the kind of impact this spooky supernatural franchise has had over the years, with the film about a fictional urban legend almost becoming an urban legend itself. To the joy of slumber party-throwing teens everywhere, the 1992 original sparked follow-ups in 1995 and 1999 — and, thanks to a new 21-years-later third sequel, that's no longer the end of the story. Given that everything old just keeps coming back again, and that 90s nostalgia is the gift that keeps on giving, another Candyman flick was always going to happen eventually. If you're still a little wary — despite its cult status, the initial movie is hardly a masterpiece, and Candyman: Farewell to the Flesh and Candyman: Day of the Dead won the series absolutely zero new fans — Candyman circa 2020 has a few tricks up its sleeves. Firstly, it's produced and co-written by Jordan Peele, who adds another frightfest to his resume alongside Get Out and Us. Secondly, it's directed by Nia DaCosta, whose Tessa Thompson-starring 2018 film Little Woods deserved more attention. And last but by no means least, it features the OG Candyman, Tony Todd, among its cast. As the just-dropped first trailer shows, the new flick focuses on an artist called Anthony McCoy (Aquaman and Watchmen's Yahya Abdul-Mateen II), who decides to start exploring the Candyman legend through his art. His girlfriend Brianna (If Beale Street Could Talk's Teyonah Parris) thinks the story is just that, but, as bad luck would have it, the bee-covered figure starts wreaking havoc again. That's what happens when folks say his name while looking at their own reflection, after all. For Candyman aficionados, Anthony's own name should ring a bell — he's the son of one of the first film's main characters, which might explain just why he's so obsessed with the eponymous ghoul. That said, while he might think he knows what he's getting himself into, the movie's first sneak peek leaves no doubt that Candyman still knows how to unsettle and unnerve. Check out the trailer below: https://www.youtube.com/watch?v=tlwzuZ9kOQU After being delayed from its original release date of June 11, 2020, Candyman will now open in Australian cinemas on September 24, 2020.
All things come to an end, including beloved West End hangouts. Lock 'n' Loaded is shutting up shop and making way for something new, so they're ending their ten-year Boundary Street run in the expected fashion: with one last blowout. At Loose 'n' Loaded, bands, food and fun come together in the Sunday session to end all Sunday sessions — here, under this name, literally. Kicking off at 3pm on September 10, the free farewell party will mark the end of an era in style. The bar says they've poured 13,189 Bloody Marys over the past decade, and we believe them. Cheap Fakes, Som de Calçada, Age Champion and a secret headliner will crank out the live tunes for the occasion, while LnL themselves will hand out free nibbles (until stocks last). And, while you'll have to buy your beverages, there'll be plenty on offer, with the venue serving up plenty of their last brews.
The year was 1992. Aladdin, Home Alone 2: Lost in New York, Batman Returns, Lethal Weapon 3 and A Few Good Men ruled the international box office. Slipping into a habit and sliding in next on the list, becoming the sixth-biggest hit of the year: Sister Act. The film about singing nuns spawned a sequel, with word of a third movie floating around for years since — and, as everything from Mean Girls and Muriel's Wedding to Groundhog Day and Beetlejuice has also done, it inspired a stage musical as well. The theatre take on the Whoopi Goldberg (The Color Purple)-led film franchise debuted in California in 2006, then hit West End in 2009 and Broadway in 2011. Now, it's finally Australia's turn — including in Brisbane. After seasons in Sydney and Melbourne, Sister Act has locked in a stint at QPAC's Lyric Theatre in the River City from Saturday, February 8, 2025. The first movie was filled with songs like 'Rescue Me', 'My Guy' and 'I Will Follow Him', ensuring that its soundtrack was a smash, too, so the film was always primed to tread the boards. The Sister Act musical features original tunes, with Alan Menken (The Little Mermaid) doing the honours. Among the show's rewards so far: five Tony Award nominations and six Olivier Award nominations.Story-wise, the production follows Deloris, who witnesses a murder and has to go into protective custody. Her hideout: a convent. It's there that the nightclub singer finds a struggling choir, which she begins to help. For the Australian run, Casey Donovan (& Juliet) is leading the cast, while Genevieve Lemon (Billy Elliot) co-stars as Mother Superior. Images: Daniel Boud.
Edgar Wright must own a killer record collection. Weaving the perfect playlists into his films has ranked high among the British writer/director's trademarks ever since he made such a horror-comedy splash with Shaun of the Dead, and his own love of music is frequently mirrored by his protagonists, too. This is the filmmaker who set a zombie-killing scene to Queen's 'Don't Stop Me Now', and had characters wield vinyl as weapons. He made zoning out the world via iPod — and teeing up exactly the right track for the right moment — a key trait of Baby Driver's eponymous getaway driver. Earlier in 2021, Wright also turned his avid fandom for Sparks into his delightful first documentary The Sparks Brothers, because wearing his love for his favourite songs on his sleeves infiltrates everything he makes. So, the fact that his second film of this year is about a giddy devotee of 60s tunes really doesn't come as the slightest surprise. Last Night in Soho takes its name from an era-appropriate song that gets a spin in the film, naturally. It boasts a cleverly compiled soundtrack teeming with hits from the period, and has one of its central figures — called Sandie, like singer Sandie Shaw, who croons '(There's) Always Something There to Remind Me' on that very soundtrack — seek chanteuse stardom. As Wright is known to do, his latest movie also sports sequences that could double as music videos, and possesses a supple sense of rhythm that makes his picture virtually dance across the screen. It's a feature shaped by music, made better by music, and that recognises that music can make anyone feel like they can do anything. A partly swinging 60s-set thriller that adores the giallo films of the time with equal passion, it also flits between a cinematic banger on par with the glorious tracks it peppers throughout and the movie equivalent of a routine needle drop. Cilla Black, Petula Clark, Dusty Springfield: these are the kind of talents that Eloise (Thomasin McKenzie, The Power of the Dog) can't get enough of, even though she's a Gen Z aspiring fashion designer; they're also the type of stars that aforementioned blonde bombshell Sandie (Anya Taylor-Joy, The Queen's Gambit) wants to follow onto London's stages. Last Night in Soho starts with its wannabe fashionista, who's first seen donning her own 60s-inspired designs in her Cornwall bedroom that's plastered with posters and pictures from the period, and also dancing to 'Peter & Gordon's 1964 track 'A World Without Love'. Soon, Eloise is off to college in the big and, hopefully, working towards the fashion world. Then she meets Sandie, but only in her dreams. Actually, as she slumbers, she becomes Sandie — and navigates her chiffon-adorned quest for stardom, her breathy 'Downtown' covers and her thorny relationship with slippery bar manager Jack (Matt Smith, Official Secrets). Some of Last Night in Soho's most dazzling scenes play with these doppelgänger characters, and with the time-travelling dreamscape where they both exist, as if Wright is helming a musical. The choreography — both by McKenzie and Taylor-Joy, playing chalk-and-cheese roles, and by the film's lithe and glossy cinematography — is stunning. The effect is mesmerising, as well as whip-smart in tapping into the feature's ongoing musing on identity. This is also a horror movie and a mystery, however, so exploring what's behind these nocturnal visions is the primary focus. As a mousy girl bullied by her roommate (Synnøve Karlsen, Medici) to the point of leaping into the too-good-to-be-true Soho attic studio leased by the cranky but obliging Ms Collins (Diana Rigg, Game of Thrones), it's easy to see why Eloise flees into her dreams. But the who, what, why and how of it all — when and were clearly being answered already — isn't as simple as pure retro escapism. Eloise and Wright must share another trait, other than being musicophiles: nostalgia for a time neither was alive to see. In charting Eloise's journey from growing up with her gran (Rita Tushingham, The Pale Horse) to being haunted by evening reveries that begin to infect her days, Wright packs Last Night in Soho with Quentin Tarantino-level references to pop culture of the era. The detail, cast, songs, fashion and borrowings from Italian horror cinema's giallo genre — including vivid colours, plenty of blood and a love of yellow hues, because that's what giallo translates as — all nod backwards cannily. Visually, the film is a lavish wonder, in fact; Chung Chung-hoon, who regularly lenses Park Chan-wook's work (see: Oldboy, Lady Vengeance, Thirst, Stoker and The Handmaiden) luxuriates in sights, spaces, textures, mirrors angles, spins and swoops. Wright doesn't shy away from the 60s' sleaze, either, or from nightmarish men, objectified women and the lack of sexual agency for the latter. Scripting with 1917 Oscar nominee Krysty Wilson-Cairns, he confronts the seedier side of the period he otherwise places on a pedestal — but his first film about female protagonists is plodding rather than bold in trying to spin a feminist story. Last Night in Soho's lurid, adrenaline-fuelled shimmy with psychological thrills is still engaging, and gorgeous. Its eagerness to takes cues from Mulholland Drive is ambitious, although trying to emulate David Lynch rarely suits anyone. Still, there's more than a whiff of "is that it?" — and of cliche — to how it all culminates. Even with its sensational sense of style, that underwhelming feeling might've invaded more of Last Night in Soho if Wright hadn't cast his leads so well. The 60s icons he's enlisted, including Rigg in her last role, Tushingham and Terence Stamp (Murder Mystery), all play their parts in the plot, but this is McKenzie and Taylor-Joy's show. Again, the scenes that pose the pair as reflections of each other in 60s nightclubs are spectacular. The performances they provide to match share other echoes, too; one initially innocent and wide-eyed, the other confident and determined at first, they find common ground in their characters' vulnerabilities. Life is definitely making Eloise and Sandie lonely, but as the women behind them linger where the neon signs are pretty, things can be great — for viewers, at least. Their efforts won't make audiences forget Last Night in Soho's troubles, but the film is so much brighter with them in it.
"If I told you I was going to make a film about a poor black boy raised by a single mother struggling with addiction who has questions about his sexuality, you assume certain things about that film," says Barry Jenkins about Moonlight. He's right. But his second feature isn't the movie you might expect from that description. Watching his applauded and lauded effort — the winner of this year's Golden Globe for best drama, and an eight-time Oscar nominee — proves an experience in witnessing all of those assumptions melt away. Indeed, based on a dramatic work by Tarell Alvin McCraney, and set and shot in the same Florida area where both Jenkins and McCraney grew up, Moonlight is anything but your average coming-of-age movie about dire circumstances. Jumping between three chapters of a young black man's life, it charts the progression of a teased and taunted Miami boy nicknamed Little (Alex Hibbert) into the awkward, still-bullied teen Chiron (Ashton Sanders), and finally into hardened Atlanta drug dealer Black (Trevante Rhodes). As relayed with a commitment to reflecting reality and capturing a rare perspective — and an ability to render its central journey and the accompanying emotions like cinematic poetry — specific moments and interactions shape his growth, worldview and identity. With Moonlight now showing in cinemas, we chatted with Academy Award-nominated writer/director Jenkins about reactions to the film, the importance of representation, making immersive cinema, and more. ON THE REACTION TO THE FILM "The only way I can really sort of reason or rationalise it [the acclaim for the film] is that I remember first falling in love with cinema as a film student. And it wasn't like the big Hollywood cinema. It was mostly foreign cinema. And I remember watching films by Wong Kar-wai or Claire Denis or Jean-Luc Godard, and I remember thinking "wow, this is a world that I'm never going to visit. I'm never going to go to France. I'm never going to go to Hong Kong, and I certainly don't speak these languages." And yet, I could relate to the characters that made the worlds feel extremely small to me. I mean that in the best way — that I wasn't so far removed from these people, these characters. And so it just gives me just such an amazing feeling that now my film is doing the same thing for audiences, because the world this movie takes place in is very small, you know, and these characters are very specific to the time and place Tarell and I grew up in. And yet it's travelling far, far away from Miami and people are seeing themselves in the film, and it is lovely to give back to cinema what cinema, I believe, gave to me." ON THE RESPONSIBILITY OF REPRESENTING CHARACTERS THAT AREN'T OFTEN SEEN ON SCREEN "Here's the thing: there are just certain characters that aren't represented as often as others are in cinema. Or in arts and letters in general, I'll say. And even when those characters are present, they aren't centred. They aren't the focus of the narrative. I think because of that, when you have this kind of lack, when the character is present in the film, is centred, it inherently takes on added importance. Because people, I believe, are very hungry to see themselves represented. And so there was this feeling in the back of my head — I try to keep it in the back of my head — not that what we were doing was important, but that we had to get it right. Because it would do more harm, because of the lack of these centred characters, it would do more harm to finally present the character and get it wrong. You know, I didn't want to do an injustice to people whose stories align with Chiron's." ON CONVEYING CHIRON'S CONSCIOUSNESS — AND BLACK CONSCIOUSNESS — RATHER THAN JUST TELLING HIS TALE "We approached the film as a piece of immersive cinema. And part of that has to do with the structure of the film — because we're not telling a traditional narrative in a traditional format. We felt like it allowed us the space to do certain things that maybe wouldn't fit into a more traditional narrative framework. For us, it was really important to have the audience take the journey with Chiron, and we wanted the visuals to arise from the consciousness of the main character. If I told you I was going to make a film about a poor black boy raised by a single mother struggling with addiction who has questions about his sexuality, you assume certain things abut that film. If I'm working from the idea that I want to make a film that is rooted in the consciousness of the main character — you know, consciousness is a very beautiful, beautiful thing. And this is something I haven't talked about much, but I think the idea of black consciousness or the way black minds work is often not presented. Or not framed in the way that it actually exists. By which I mean, black people dream. We have dreams and we have daydreams and we have dreams when we sleep. And yet, I very rarely see the personification or the presentation of a black person dreaming in a piece of cinema, you know? And that's because we always tie cinema to the conventions of the story form, and not to the consciousness of these characters. But in Moonlight, the visuals, the aesthetic, the craft, arises from the consciousness of the character. So when Chiron is feeling disoriented, you will look directly into his mother's eyes, and her lips are moving but sometimes you can't hear her voice, and then her voice catches up — because the character is being disoriented. You know, we tried to take our cues from moments like that. And it was great, because as a filmmaker, you know that sound and image is the tool that carries both my voice and the character's voices. And that tool should not be beholden to an A, B, C, D, E progression of plot." ON INTERROGATING MASCULINITY AND VULNERABILITY "It was about, you know, reflecting those things in the story of Chiron — and I say reflecting because Tarell and I saw those things living our lives growing up in this place. And this aspect of vulnerability over time is denied to young men, is denied to young boys — and not only boys like Chiron, boys everywhere. What's that saying? 'Boys don't cry.' It was very important to us that this is the currency of this film — it's not a plot-heavy film. I think the story of this film traverses, or travels in, these gestures, quite a bit of these gestures between and amongst men. I've never seen a black man cradle a black boy in a film before. I just haven't. I haven't seen a black man cook for another black man in a film before. I've never seen a black man, I think, cook for anyone in a film before. And these are very simple gestures that, one, are very nurturing, but also, two, are implicitly vulnerable on the part of the person extending the nurturing. They were very important because again, they keyed into this depiction of the full humanity of these characters." ON FINDING THE RIGHT ACTORS TO PLAY CHIRON AT DIFFERENT STAGES "It wasn't this idea of a physical similarity. It was the idea of this sort of spiritual essence that could be viewed in the eyes of the characters. Which is really hitting on this idea of this feeling in their eyes, because of this book by [three-time Oscar-winning editor] Walter Murch that I've always loved called 'In the Blink in an Eye.' And so we just tried to find these guys that had the same feeling. Because, when you look at Trevante Rhodes as Black in the third chapter, it was of the utmost importance to me that you could see that little boy who played him in the first story. You could still see Alex Hibbert. I think we see people that we pass all the time on the subway or the bus or the sidewalk, who look like Trevante Rhodes as Black in the third chapter of this film, and we would never believe that this person would dance in a mirror in his elementary school when he was ten years old. But they're the same person, you know? And when we were casting, it was very important to us that we could see that continuum between the characters." Moonlight is now showing in cinemas. Read our review here.
After a successful run in Melbourne a couple of years back, the stage adaptation of Hitchcock's classic suspense film North By Northwest is coming for two weeks this November and December. Originally mounted by Melbourne Theatre Company and fresh from runs in Toronto and the UK, this theatre version the famous movie comes from director Simon Phillips and writer Carolyn Burns from MTC, and it looks to be as visually stunning as the original. For those who need a recap, protagonist Roger O. Thornhill is a savvy advertising exec who is kidnapped by gangsters who believe he's a man called George Kaplan. When Thornhill denies such allegations, the thugs relentlessly chase him across the country — and he meets a beautiful and mysterious blonde along the way. Starring Matt Day and Amber McMahon in the roles immortalised by Cary Grant and Eva Marie Saint, prepare for all of the thrills and spills of the classic film, with heightened suspense played out in live theatre. In true Hitchcock style, you'll find yourself on the edge of your seat. North By Northwest hits the stage at QPAC's Lyric Theatre from November 27 to December 9, with tickets on sale from 9am on Friday, August 3. Image: Jeff Busby.
What's better than an annual ice hotel that lets frost-loving travellers stay in snowy surrounds every winter? A chilly accommodation provider that offers all of the above all year round. After falling into the former category since 1989, Sweden's Icehotel has made the leap to the latter. Yes, that means that you can now head to the village of Jukkasjärvi, check into rooms moulded from snow and ice, and enjoy keeping cool — in several senses of the word — every day of the year. Unsurprisingly, it's the world's first permanent place to stay of its kind, and there's more in store for anyone visiting the not-so-humble abode on the banks of the Torne River 200 kilometres north of the Arctic Circle. The new venture covers 2,100 square metres and features 20 ice suites, a champagne ice bar and an ice art gallery. Among the sights you'll see within the appropriately named Icehotel 365's frosty -5°C walls: private saunas and spas for an added touch of warmth in such cold surroundings, and artist, architect and designer-fashioned rooms inspired by everything from fairy tales to dancing — and featuring ice chandeliers and winding ice staircases, too. Plus, the gallery also boasts the largest permanent art exhibition north of Stockholm. Stopping the year-round attraction from turning to slush is when summer comes and near-constant daylight hits is a solar-powered undulating roof that achieves a particularly impressive feat: harnessing the warmth from above to maintain the requisite cold state below. That makes the venue sustainable as well as icily spectacular, in case it needed any more drawcards. Icehotel's seasonal section will continue as normal, with the non-permanent part of the site built when the weather starts to cool each year and then melts when the sun comes out. And with good reason: in previous years, artists have crafted rooms that riff on Tron: Legacy, Mary Shelley's Frankenstein, 1920s cult horror film The Cabinet of Dr Caligari, UFOs and giant sea monsters, to name a few previous themes. For more information about Icehotel, visit www.icehotel.com. Images: Asaf Kliger.
Where in the world do you want to go shopping today? If you were asked that question a few years ago you probably would have scoffed. Now we do more and more of our shopping online, yet finding (and remembering) that little boutique that matches your personal taste from the other side of the world still isn't so easy. That's where District8 comes in. The site, which went live last week, is a compilation of boutiques from the best shopping districts in Sydney, London and New York City (Hong Kong and Paris coming soon). Want to see what the Upper East Side has to offer? No problem, you can browse through 30 different boutiques in the neighbourhood without getting out of bed. District8's fashion editor, Sara Kaplan, described the experience to Vogue as "that feeling you get when you spot a store while walking down a side street in Notting Hill, say, along with the ease of shopping online at one of the big e-boutiques". Clearly, this is no Amazon or eBay, as District8 is taking online shopping to the next, less mass-consumer level. District 8 creates a unique, online-meets-offline shopping experience. The easily navigable platform is a clever cross between Pinterest and Tumblr, which makes it totally tailor-able to the shopper. The motto? "The world has a new shopping district: yours." In a nutshell, District8 lets you digitally browse different locations, select your favourite shops, and add them to 'your district'. Conveniently for oft-frustrated Australians, you can limit your browsing to just shops that ship to your location. The site, which has scouted and sorted through hundreds of shops, includes detailed descriptions of every district and boutique so you know what you're getting into. Like the boho look? Go to Bondi. Want Trendy? Try Soho. By 'following' all your faves in a newsfeed-type setting, you can stay up-to-date on their latest news, collections and sales in one place. You can even safely unsubscribe from all those pesky mailing lists that clutter your inbox. The site also functions like a blog with tags and labels, so you can filter your search for shops based on categories like price, attire type and style. Sounds like it's time to build your dream district, whip out the plastic and get down to business.
Students from the University of Adelaide have created an odd new two-wheeled vehicle that seeks to solve inner city transport problems. The 'Edward', or Electric Diwheel With Active Rotation Dampening, looks like something out of an eco-friendly sci-movie. It also happens to share a resemblance with South Park's It, which Mr. Garrison created as an alternative mode of transport to airplanes for those willing to try anything but. The Edward can reach 40 kilometres per hour and at a mere incline of 12 degrees, and is the first diwheel vehicle (a vehicle with two wheels on the same axle with a cabin mounted between them) that uses stabilising technology that stops the driver from being rocked back and fourth as the vehicle moves. The vehicle is battery powered, meaning that it is incredibly environmentally friendly and also almost silent. Not to mention that its size would make it ideal for parking and driving down crowded and busy city streets. And while it may not be roadworthy just yet - the South Australian Transport Department recently rejected an application for the Edward to be driven on the streets - this contraption provides an interesting solution to the problems associated with traveling by car in inner city areas. https://youtube.com/watch?v=Uf6Gh-hPDeo Via [Fast Company]
Whether you're already heading out of town for the weekend or you're in need of an excuse to do just that, Nightquarter has you covered — in a brand new spot. Southeast Queenslanders are used to heading south, down to the Gold Coast, to hit up the weekend venue's market stalls, gigs and rides. But, as of late 2020, it has made the move north. You'll now find it operating on the Sunshine Coast. Nightquarter has become a permanent part of Kawana, so Brisbanites will need venture between Caloundra and Mooloolaba. Every Friday and Saturday from 4–10pm and every Sunday from 12–6pm, the event will keep doing what it has always done best, including serving up plenty to eat from its shipping containers. Sunday sessions are a new feature inspired by the move, making the most of the Sunny Coast weather — and, in the same spirit, patrons will also be able to while away the afternoon at the Eumundi Backyard space, where Eumundi Brewery's craft beers are on offer. The space is operating under COVID-19-safe requirements, and you can choose from one-off entry passes ($5) to six-month unlimited passes ($69). Tickets to some gigs cost extra, if you're keen on 80s tribute shows — or seeing San Cisco or Butterfingers. [caption id="attachment_788865" align="aligncenter" width="1920"] Peter Wheeler Photography[/caption]
Running from October 16 through January 31, 2021, the annual Tarnanthi program brings together the best of contemporary Aboriginal and Torres Strait Islander art from around the country and showcases it across multiple Adelaide venues — with the largest exhibition taking centre stage at the Art Gallery of South Australia. The guiding theme for this year's edition is Open Hands, which pays tribute to the role of senior artists who share cultural knowledge with the younger generations; it also calls attention to the unseen cultural work of women in Indigenous communities. Including works from 87 artists, the exhibition features mother-daughter collaborations, grand installations, talks and tours — all of which aim to fully immerse visitors in the rich culture of Australia. Online art sales and other AGSA activations are on the docket, too. [caption id="attachment_792442" align="alignnone" width="1920"] Saul Steed[/caption] Images: Tarnanthi: Open Hands installation by Saul Steed
When the ABC announced that Spicks and Specks would return in 2024 after sitting 2023 out, it was big news, as anything to do with the hit Australian take on the UK's Never Mind the Buzzcocks always is. IRL, here's something just as exciting: the Brisbane-born and -based Not on Your Rider is also back for this year, although it didn't take a year off. On the agenda: playing a music quiz show filled with well-known faces live not just in the River City, but also in Sydney and Melbourne as well. And yes, the audience gets to play, too. You'll be peering at a stage, rather than a screen. You'll be answering questions, of course. And if it has you thinking about pub trivia nights, they don't include The Creases' Aimon Clark — who is also behind Isolation Trivia — hosting, or Patience Hodgson from The Grates and Jeremy Neale from Velociraptor captaining the two teams, let alone a heap of entertainment-industry guests. At past events, guests have included Murray Cook from The Wiggles, Broden Kelly and Mark Samual Bonanno from Aunty Donna, Boy Swallows Universe author Trent Dalton, Agro, Cal Wilson, Ben Lee, Steven Bradbury, Kate Miller-Heidke, Robert Irwin, Ranger Stacey, Craig Lowndes and Tim Rogers. Among the other musicians who've featured, Powderfinger, Dune Rats, DZ Deathrays, Ruby Fields, Ball Park Music, The Jungle Giants and The Go-Betweens have all had members take to the stage. Brisbane's 2024 season kicked off in mid-February, and now has seven more dates locked in for the rest of the year, all at The Triffid. Yes, given there's a Thursday, October 31 event, you can probably expect another Halloween celebration. And, come Thursday, December 19, a Christmas show as well. In Sydney and Melbourne, Not on Your Rider has a show in each city locked in. For the Melbourne International Comedy Festival, it's popping up on Thursday, April 18 at Brunswick Ballroom. And at Sydney's equivalent, head to Factory Theatre on Sunday, May 5. Here's how it works: Not on Your Rider takes something that everyone loves — showing off their music trivia knowledge — and dials it up a few notches. While the two on-stage teams are always filled with musos, comedians, drag queens and other guests, anyone can buy a ticket, sit at a table and answer questions along with them. The quiz element is accompanied by chats about the music industry, plus other mini games involving attendees. Not on Your Rider 2024 Dates: Brisbane: Thursday, April 4 — The Triffid Thursday, May 9 — The Triffid Thursday, June 13 — The Triffid Thursday, August 1 — The Triffid Thursday, September 12 — The Triffid Thursday, October 31 — The Triffid Thursday, December 19 — The Triffid Melbourne: Thursday, April 18 — Brunswick Ballroom Sydney: Sunday, May 5 — Factory Theatre Not on Your Rider's 2024 season runs on various dates until Thursday, December 19 at The Triffid in Brisbane, and on one-off occasions in Sydney and Melbourne. For more information or to buy tickets, head to the Not On Your Rider website. Images: Dave Kan / Bianca Holderness.
In Brisbane across the weekend of Saturday, August 31–Sunday, September 1, 2024, temperatures are set to hit the 30s. It's forecast to be 35 degrees to end winter, then 33 degrees to start spring. Here's one way to cope: by escaping into the cool confines of a cinema and seeing the latest movies for just $5 a pop. If you've missed a few flicks at the pictures lately because your wallet hasn't wanted to play ball, call Dendy Cinemas' latest special a case of great timing. For two days only, the chain is offering up discounted tickets that'll solve your problem. Across both dates, regardless of whether you purchase online or in person, you'll only pay $5 for your movie of choice at Portside and Coorparoo. Or movies. Picks include Alien: Romulus, Trap, Deadpool and Wolverine, Inside Out 2, Blink Twice, Kneecap, The Crow and It Ends with Us, so there's plenty to watch if you're keen to spend as much time in a darkened room as possible. The special isn't available for special events, Dendy Arts sessions or premium lounge sessions, but you're certain to find something to watch regardless. A PSA: book online and there will be a fee; however, your basic ticket will still just be $5. And if you'd a premium lounge seat, they're cheap as well at $20.
The owners of Burger Urge give their customers a much needed message: 'warning - Burger Urge is addictive'. Beginning as a humble store in Fortitude Valley several years ago, Burger Urge has now turned into something of a Brisbane burger empire, with stores in West End, St Lucia, QUT Gardens Point and QUT Kelvin Grove as well as the flagship Valley location. Their rapid growth can be attributed to the fact that their burgers are amazing, the chips are sensational, and their customers absolutely love them. But let’s go back to where it all began. The New Farm Burger Urge underwent a makeover a couple of years ago, transforming an endearing but somewhat dingy space into a stylish melting pot of exposed brick, polished concrete and red accents. There is now a fairly large dining area both inside and outside the store, suitable for singles, couples and groups who choose to eat in. The slick, stainless steel kitchen is manned by capable staff churning out favourites from the extensive gourmet burger menu, such as the Red Hot Chilli Pepper (a beef patty with cheese, salad and homemade chilli sauce), the Zorba The Greek (lamb patty, onion jam, haloumi cheese and salad), and the Bert & Berry (chicken breast, camembert cheese, salad and cranberry sauce). There are also three vegetarian options on offer, including the delicious Magic Mushroom (grilled mushroom, roasted capsicum, haloumi, pesto and salad) and buns are available in wholemeal and white options. It is an absolute must to order a side of either thick cut potato or sweet potato chips to accompany your burger. These chips are the stuff deep-fried dreams are made of. Several dipping sauces are available; the wasabi lime mayonnaise in particular is a cracker. Complete your meal with a soft drink, milkshake or BYO beer.
There's something about a trip up or down the coast that brings out the kidult in all of us, as any Brisbanite who's ever made a mini golf pitstop on their visits north or south already knows. Here's something new to add to your next Sunshine Coast jaunt: a day at Maroochydore's three-in-one Holey Moley, Archie Brothers and Strike Bowling precinct at the Big Top Shopping Centre. Two of those venues — Holey Moley and Strike Bowling — aren't new at all; however, when Archie Brothers Cirque Electriq joins them, it'll create the first Funlab precinct in Queensland. Funlab is the group responsible for these boozy yet nostalgic spots, a niche that's clearly been going well for it. But even Brissie doesn't boast this trio of chains in the one location. Opening on Thursday, December 2 (yes, just in time for Christmas), Archie Brothers Cirque Electriq will bring its circus-themed arcade bar to its second Queensland venue. That means more dodgem cars, air hockey, basketball hoops, virtual reality games and arcade games, including perennial favourites Mario Kart and Dance Dance Revolution. (And, yes, you'll now have another spot to try to win tickets, then use them to nab something from the OTT assortment of random objects and plastic toys at the prize bazaar.) If the food menu is anything like its Brisbane sibling, it'll focus on over-the-top novelty American diner grub — and fit right in with the circus decor. Think three-meat burgers, giant pretzels, and potato gems and garlic aioli that's served in a syringe. You get the idea. The drinks lineup will definitely follow suit, with a ridiculously involved cocktails such as the boozy strawberry shakes (topped with whipped cream and candy kebabs) and butterscotch schnapps concoction garnished with popcorn. And, back to the activities, Archie Brothers includes bowling as well — so you'll have two places to knock down pins. Archie Brothers Cirque Electriq is opening at the Big Top Shopping Centre, 20 Ocean Street, Maroochydore, on Thursday, December 2. Images: Funlab/Zennieshia Butts.
When Botanica: Contemporary Art Outside returns to light up the Brisbane City Botanic Gardens for another year, it won't just host its own standalone festival. The luminous mix of art and nature forms part of the broader Brisbane Art Design fest, which is also on the River City's agenda for 2023. As the name gives away, this event is all about both art and design, complete with that radiant patch of nature in the middle of the CBD, celebrating ceramics, a wearable art and fashion parade, and up-late gallery parties. BAD 2023 will run across three weekends between Friday, May 12–Sunday, May 28, with each three-day stint offering something different. Think of it as three programs in one, all focusing on its own part of the city, and spanning more than 150 events all up. First, the heart of town gets some love from Friday, May 12–Sunday, May 14, then it's the northside's turn from Friday, May 19–Sunday, May 21. Finally, the fest will head south from Friday, May 24–Sunday, May 28. Weekend one will indeed start with Botanica, and also feature the flagship Clay: Collected Ceramics at MoB — which includes five new exclusively commissioned works, plus plenty of pieces by Brisbane's best ceramicists. The CBD's time in BAD's spotlight will welcome pop-up art studious around the place as well, live projections at Howard Smith Wharves, and exhibition talks at Birrrunga Gallery and QUT Art Museum. [caption id="attachment_827605" align="alignnone" width="1920"] Finders Keepers[/caption] Then, for weekend two, the action focuses on Fortitude Valley, Newstead, Albion, Bowen Hills, Northshore and Toowong. The Finders Keepers markets are part of the bill, as is an In Conversation series hosted by Design Institute of Australia. A hefty highlight will be the weekend's Up Late parties, thanks to shindigs held after hours in independent art spaces such as FireWorks Gallery in Bowen Hills, POP Gallery and The Station Brisbane in the Valley, Superordinary at Northshore and Toowong's Land Street Gallery. Also, Fortitude Valley's industrial, product and architectural studios will be showcased on a walking tour, The Black Market Albion is doing live art and food trucks, and ceramics get pushed centre stage again via a workshop at Mas & Miek Ceramic House in Newstead. Last but by no means least, Brisbane's south gets its time to shine over the final three-day stretch, heroing South Brisbane, Woolloongabba, West End, Yeronga and Yeerongpilly — and specifically their creative outlets and fine art institutes. So, visits to Dead Puppet Society's space, Queensland College of Art at Griffith University, Metro Arts, The Paint Factory and Bag End Studio are all on the lineup. So too is Clayschool's latest alumni show and market. Like art that you can strut around in? That's where Fish Lane's fashion parade comes in. At Southside, the precinct will also host an art dinner. And if you're keen on a soundtrack, Echo & Bounce in Woolloongabba is welcoming in local DJs at a laneway soiree. Don't forget to hit up the closing party, too, at Yeerongpilly's Station Road Creative Precinct. [caption id="attachment_892874" align="alignnone" width="1920"] Botanica via Brisbane City Council[/caption] Top image: Andre Cois.
The Kid LAROI hasn't locked in exact dates for his rescheduled Down Under shows for 2024 as yet, after his first-ever Down Under stadium tour was postponed from February, and will now take place in October instead. You can still spend time with the Australian singer-songwriter before summer is over, however, thanks to the just-announced Kids Are Growing Up — because The Kid LAROI is getting the feature-length documentary treatment. Directed by Michael D Ratner, the film features interviews with The Kid LAROI, obviously, as well as Justin Bieber, Post Malone and more. Fans will know the general story that the doco follows, exploring how Charlton Kenneth Jeffrey Howard became a teenage star with global fame. But, as it charts not just the successes but also the pressures along the way — especially for someone Howard's age — this is a behind-the-scenes story. Arriving on Prime Video worldwide on Thursday, February 29, Kids Are Growing Up started filming before 'Stay' became a huge hit, and also covers Howard navigating his mentor Juice WRLD's death. The path from being an unknown talent to selling out arenas is also covered, as is mental health, love, and getting ready for The Kid LAROI's first studio album The First Time and corresponding world tour — plus the quest for happiness along the way. "I can't wait for audiences to see this behind-the-scenes portrayal of my journey, which perfectly encapsulates some of the most rewarding and challenging years of my life and career so far," said Howard, announcing the documentary. Director Ratner also helmed 2021's Justin Bieber: Our World, and founded OBB Pictures, the production company behind both Bieber's and now The Kid LAROI's films. There's no word yet when the 'Without You', 'Thousand Miles', 'Love Again' musician's Down Under shows will lock in their new dates, after they were postponed so that Howard could confirm a "really big surprise and special guest" — alongside ONEFOUR, who will also be on the bill — and also due to "a bunch of other logistical stuff". In the interim, he's touring Europe in April. Kids Are Growing Up will be available via Prime Video from Thursday, February 29. Top image: Adam Kargenian.
There's nothing better than receiving a "guys, you've gotta see this!" message in your crew's group chat. Have they found elusive cheap return tickets to Tokyo? Did they finally pop the big question? Is there a new puppy about to join their family? Big life milestones aside, heading off on a trip with your mates is the next most special thing. It's a chance to switch off, escape the big smoke and explore our beautiful backyard. And the cooler months are the time when we all need a break from the daily grind with a long weekend or a well-earned week away. If you've done the cosy cabin retreat to death, why not shake things up with a bit of adventure this winter? Hit the slopes, strap on your helmet and gear up for a chance to try something new, from thrilling aerial adventures over World Heritage sites to snowy escapes filled with snowshoeing and fondue-ing. Partnering with Hugo Boss, we've whittled down the endless list of Aussie adventures to just five that will leave you feeling amped up and ready to take on the world — much like its newest fragrance, BOSS BOTTLED Infinite. Go on, give these pulse-racing sports a go and you'll get a new perspective on the stunning land of Oz. [caption id="attachment_720491" align="alignnone" width="1920"] Tourism and Events Queensland.[/caption] CAPE TRIBULATION HELICOPTER AND LAND ADVENTURE TOUR It's not every day you get to knock not one but two UNESCO World Heritage-listed areas off your bucket list. But then again, this ain't your average adventure tour. You'll spend a jam-packed day exploring the best of tropical north Queensland, including the Great Barrier Reef, Daintree Rainforest and Cape Tribulation. The tour kicks off with a two-hour scenic helicopter flight over world-class reefs and cascading waterfalls before touching down in the oldest living rainforest in the world. Then, the choice is yours: spend your afternoon on horseback as you weave through the Daintree to the ocean's edge, or head straight for the treetops with a zipline experience. Head to Red Balloon to book. [caption id="attachment_720598" align="alignnone" width="1920"] Luke Tscharke.[/caption] CRADLE MOUNTAIN HUT WALK: WINTER OVERLAND TRACK It takes guts (and possibly a swig of gin) to sign up for a multi-day trek through the icy terrain of Tasmania's Cradle Mountain in the dead of winter. There's no wifi out here, friends. Just ancient landscapes, frozen lakes and long nights enhanced by a glass or two of Tasmanian wine. The eight-day Cradle Mountain Huts Walk winter overland track is one of the most challenging routes that the Tasmanian Walking Company offer, but it comes with plenty of rewards. Climb the peaks of Cradle Mountain, explore Lake Will and finish at Lake St Clair, Australia's deepest natural lake. [caption id="attachment_720745" align="alignnone" width="1920"] Skydive Noosa.[/caption] SKYDIVE NOOSA Jumping out of a plane at 15,000 feet is one way to get the blood pumping in the morning. But when you're freefalling over the sparkling Sunshine Coast, the terrifying drop can't be that bad, right? Strap in for an adrenaline junkie's dream with Skydive Noosa. The experience sees you spend 60 seconds in freefall — a minute the company describes as "life-changing" — before your instructor opens the parachute and you gently cruise your way to solid ground while soaking in the views. [caption id="attachment_720600" align="alignnone" width="1920"] Kane Naaraat and Pinkbike.com.[/caption] BLUE DERBY MOUNTAIN BIKE RIDING TRAILS The historic town of Derby in Tasmania's north-east hasn't always been known for its 125 kilometres of purpose-built mountain bike trails. It was tin mining that first put Derby on the map before the tragic bursting of Briseis Dam ended that. The town has been revitalised since the opening of the first section of the Blue Derby Trail Network in 2015. Today it boasts trails to suit every experience level, meaning it has something for you and all of your crew. HOTHAM SHOWSHOE TO FONDUE If exploring Australia's mountains and sleeping under the stars are on your to-do list, this is the tour to make it happen. Say hello to Alpine Nature Experience's Snowshoe to Fondue trip, an unforgettable overnight adventure set on the outskirts of Victoria's Alpine National Park. You'll snowshoe your way to your tipi-style eco-village accommodation before spending a night sipping hot glühwein, dipping your way through gooey French cheese fondue and soaking in the warmth of the outdoor campfire. When the sun comes up, the crew will make sure you leave fed and watered with a hearty warm breakfast. Hitting that work-life balance is hard. But shutting your laptop, splashing on some new BOSS BOTTLED Infinite and getting out in nature will help you seize the day and live your best life. Top image: Snowshoe to Fondue Experience.
Every Brisbanite has driven over the Story Bridge, and more than once. If you've headed over from Kangaroo Point to Fortitude Valley, then turned right to go down McLachlan Street, you've also been past the 123-year-old Stewart & Hemmant building on the corner of Marshall Street. In recent months, anyone making that journey would've noticed a major makeover taking place at that very structure — and, since late July, that's where the city's newest Italian restaurant has been serving up Sicilian-inspired dishes. Rosmarino opened its doors before Brisbane's latest lockdown, and has pivoted to running a pop-up bakery and doing takeaway and delivery orders while the city is under stay-at-home conditions. But when it can open for business as usual again, patrons will find a 60-seat dining room and courtyard inside the building's heritage-listed brick walls. Natural lighting streams through, timber furniture complements the brickwork, and the view alternates between looking out over the Valley and peering up at maps of Italy, Germany and France. The venue stems from Lauren Smith and Andrea Gatti, Hellenika's ex-manager and sommelier, with Head Chef Dario Manca (ex-Za Za Ta) leading the kitchen. Smith and Gatti were initially planning to move to Europe, but then COVID-19 got in the way. So, they decided to draw upon Gatti's experience working in Milan's hospitality industry and open their own modern Italian restaurant instead. Diners can choose between four types of pasta, savoury crepes with porcini mushrooms, and mains such as slow-cooked rolled lamb belly, dry-aged duck breast and risotto ossobucco, as well as beef tartare and kingfish crudo on the antipasti menu. Two degustation options are on offer for dinner, either spanning four or six courses (plus bread), and there's a three-course lunch spread for $49. Head by just for a drink, and the bar snacks lineup spans three pages — and features an entire page of cheese. Beverage-wise, you can pick between four different negronis, the same number of spritzes, nine other cocktails and a small range of beers. Wine is obviously a big feature, especially biodynamic vinos and affordable champagnes, all curated by Gatti. And if you're wondering what's on the lockdown menu, the bakery specials change daily, spanning everything from stuffed focaccia and stuffed fried pizzas to duck pie. Meanwhile, the pick-up and delivery range includes burrata with truffle honey and caramelised onion, lasagne bolognese and deconstructed white chocolate cheesecake. Find Rosmarino at 15 Marshall Street, Fortitude Valley — with the restaurant open 12–2.30pm Friday–Sunday and 5.30–9.30pm Wednesday–Sunday, and the wine bar open from 5pm from Wednesday–Sunday, when Brisbane isn't under lockdown. During lockdown, the restaurant is running a pop-up bakery from 7.30am–12pm Thursday–Sunday, and is also doing takeaway and delivery orders from 5.30–7pm Wednesday–Sunday. Images: Markus Ravik.
As mooted for a few years now, Brisbane's Eagle Street Pier is about to undergo a significant revamp. While that takes place, it's also welcoming in a new riverside eatery, with Naga opening its doors on Wednesday, September 30 to serve up contemporary Thai dishes in Pony's old digs. It's the latest venture from The Gresham and Libertine's Andrew Baturo, alongside partner Jaimee Baturo, as well as ex-Libertine chef Suwisa Phoonsang. Open five days a week to start with — from Wednesday–Sunday — Naga will serve up a range of modern favourites for lunch and dinner. In fact, Phoonsang is drawing upon her family recipes and giving them a twist, while favouring dishes with ginger, garlic, tamarind, turmeric and herbs. [caption id="attachment_784871" align="alignnone" width="1920"] #dontbekoi by Darcy Starr[/caption] On the menu: massaman beef milk buns, five-spice soya duck, pork and tiger prawn egg nets, and spicy pork and jasmine rice balls, and that's just from the starter selection. Diners can also opt for a barramundi stir-fry, six types of curry including fish dumpling green curry, Moreton Bay bug pad thai, and a salad with braised banana blossom and poached coconut chicken — plus chilli vodka dark chocolate mousse with ginger coconut sticky rice pudding for dessert. To pair with the above, Naga's drinks list spans wines that go well with spicy dishes, beers from both local and Asian breweries, and a range of low-alcohol and no-alcohol options that include creative iced teas, sours and a chai vanilla shake. For those who prefer a cocktail, expect signature drinks like the Plum Nagaroni (with gin, Campari, plum juice, sweet vermouth and bitters) and the Wango Mango (bourbon, peach, mango and lime), plus the #dontbekoi (strawberry and cream tea-infused gin and rhubarb bitters, topped with strawberry coconut mousse and served in a fished-shaped glass). [caption id="attachment_784872" align="alignnone" width="1920"] Darcy Starr[/caption] As for the 150-seater's decor, designer Anna Spiro is nodding to the 60s and 70s in colour choices, fabrics, retro furniture and the heavy use of lamps. Look up, and you'll spy 150 lanterns hanging from the ceiling, too — if you're not too busy sitting on the terrace and soaking in the river view, of course. Technically, given Eagle Street Pier's changing state, Naga is a pop-up; however, it won't be going anywhere soon. That means you've got ample time to head by the long-term spot — whether settling in for a meal, or opting for a drink and a bite from the snack menu while sitting at the ten-metre-long bar. Find Naga Thai at Eagle Street Pier, 45 Brisbane Street, Brisbane — open from 11.30am–3pm and 5.30–10pm Wednesday and Thursday, 11.30am–11pm Friday and Saturday, and 11.30am–10pm Sunday. Images: Darcy Starr
After the disrupted and predominantly domestic-only ski seasons in 2020 and 2021, thrill-seekers from both sides of the ditch could be hitting New Zealand's pristine slopes from as early as June. That means it's less than 70 days until some of our major fields, including Coronet Peak and The Remarkables in Queenstown and Canterbury's Mount Hutt, are up and running for winter. If you're making the trip across the ditch, you're in luck: there's plenty set for this season, including new trails and night-skiing events. Mount Hutt is set to be the first to open from Friday, June 10 until Sunday, October 16. It will be open seven days a week, with capacity on the mountain having increased thanks to the last year's recently opened Nor'west Express eight-seat chairlift. With a ride time of only two minutes, the lift has the capacity to carry up to 3000 skiers per hour. It also features a loading carpet to assist those who are new to using chairlifts. The field's full moon skiing event will also return on Saturday, June 11. [caption id="attachment_849337" align="alignnone" width="1920"] NZSki[/caption] Coronet Peak will be open from Friday, June 17 right through until Sunday, September 25. The ski field plans to operate its popular after-hours night skiing nights every Wednesday and Friday from June 22 onwards. The 48th dog derby is also on the cards. Fellow Queenstown favourite The Remarkables will be open every day of the week from Saturday, June 18 through to Sunday, October 16. The mountain's Sugar Bowl development includes two recently opened trails and a new snowmaking system, which means better snow coverage on the Serpentine side of the mountain. [caption id="attachment_849335" align="alignnone" width="1920"] NZSki[/caption] Cardrona Alpine Resort's Olympic-sized superpipe will be open from Saturday, June 11 until Sunday, October 16. The ski field also added another chairlift to its network last year, which opened up a new major section of skiable terrain on the southern face. Sibling ski field Treble Cone is scheduled to open from Saturday, June 25 until Sunday, September 25, and for cross-country skiers and snow-shoers, Cardrona's Snow Farm is intending to open for the 2022 winter from mid-June — dates are yet to be confirmed. The largest ski area in the nation, Mt Ruapehu, is preparing to open its Happy Valley (Thursday, June 23), Turoa (Saturday, July 9) and Whakapapa (Friday, July 8) fields, too, which will give skiers and snowboarders access to the mountain's natural pipes, steep chutes and a vertical drop of 722 metres. The alpine village says the opening will be subject to snow conditions. With the borders set to open, quarantine-free, to Australian tourists from Tuesday, April 12, this ski season will definitely see a rise in visitor numbers across all the country's fields. Tourists will be required to test negative for COVID-19 with a PCR or RAT before leaving for New Zealand, then provide negative tests on day one and day five of their stay. If you need a refresher on the rules, check out the Government's COVID-19 website. All ski field 2022 season plans are dependent on snow conditions, as well as COVID-19 guidelines and expectations set out by the New Zealand Government. Images: NZSki.
Love community radio? Can't stop playing Pokemon Go? Or maybe you fall into the former category, and your bestie is in the latter camp. Don't worry — local music fiends and poke-addicts alike can band together at 4ZZZ's latest event. Consider it the best of both worlds. Actually, it's a very savvy way to get more than the usual listeners interested in the 41-year-old station's annual radiothon — and one that deserves to be rewarded. They'll throw open the doors to their Barry Parade digs for a People Powered Open Day, and pair it with a Pokemon Go party, too. The least you can do is throw open your wallet. Those keen on getting a tour of the place responsible for broadcasting many a Brisbane band can check out the new studios, meet station announcers and enjoy a barbecue in the carpark. And those wanting to hit the Valley's best pokestops can follow 4ZZZ volunteers on a 2.5 kilometre walk around the area before joining the rest of the fun.
When Jurassic World Dominion was being written, three words must've come up often. No, they're not Neill, Dern, Goldblum. Those beloved actors reunite here, the trio appearing in the same Jurassic Park flick for the first time since the 1993 original, but the crucial terms are actually "but with dinosaurs". Returning Jurassic World writer/director Colin Trevorrow mightn't have uttered that phrase aloud; however, when Dominion stalks into a dingy underground cantina populated by people and prehistoric creatures, Star Wars but with dinosaurs instantly springs to mind. The same proves true when the third entry in this Jurassic Park sequel trilogy also includes high-stakes flights in a rundown aircraft that's piloted by a no-nonsense maverick. These nods aren't only confined to a galaxy far, far away — a realm that Trevorrow was meant to join as a filmmaker after the first Jurassic World, only to be replaced on Star Wars: Episode IX — The Rise of Skywalker — and, yes, they just keep on coming. There's the speedy chase that zooms through alleys in Malta, giving the Bond franchise more than a few nods — but with dinosaurs, naturally. There's the plot about a kidnapped daughter, with Taken but with dinosaurs becoming a reality as well. That Trevorrow, co-scribe Emily Carmichael (Pacific Rim Uprising) and his usual writing collaborator Derek Connolly (Safety Not Guaranteed) have seen other big-name flicks is never in doubt. Indeed, too much of Dominion feels like an attempt to actively make viewers wish they were watching those other movies. Bourne but with dinosaurs rears its head via a rooftop chase involving, yes, dinos. Also, two different Stanley Kubrick masterpieces get cribbed so blatantly that royalties must be due, including when an ancient critter busts through a door as Jack Nicholson once did, and the exact same shot — but with dinosaurs — hits the screen. What do Star Wars, Bond, Bourne and The Shining have to do with the broader Jurassic Park film saga, which started when Steven Spielberg adapted Michael Crichton's book into a box-office behemoth? That's a fantastic question. The answer: zip, zero and zilch, other than padding out Dominion as much as possible, as riffs on Indiana Jones, The Birds, Alien, Mad Max: Fury Road, Austin Powers, the Fast and Furious movies, cloning thrillers, disaster epics and more also do. In nearly every scene, and often at the frame-by-frame level, another feature is channelled so overtly that it borders on parody. And, that's on top of the fact that recycling its own history is just Dominion 101. There's no theme park, but when it's mentioned that dinosaurs are being placed in a sanctuary, everyone watching knows that the film's human characters will get stranded in that spot, trying not to be eaten by a Tyrannosaurus rex and the like. From all of the above, a loose narrative emerges — an overstuffed and convoluted one, too. A few years on from 2018's Jurassic World: Fallen Kingdom, people are endeavouring to co-exist with dinosaurs. Unsurprisingly, it's going terribly. Run by Mark Zuckerberg-esque entrepreneur Lewis Dodgson (Campbell Scott, WeCrashed), tech company BioSyn owns that safe dino space in the Italian Dolomites, although palaeobotanist Ellie Sattler (Laura Dern, Marriage Story) and palaeontologist Alan Grant (Sam Neill, Rams) also tie the firm to giant dino-locusts wreaking existence-threatening havoc. Plus, ex-Jurassic World velociraptor whisperer Owen Grady (Chris Pratt, The Tomorrow War) and his boss-turned-girlfriend Claire Dearing (Bryce Dallas Howard, Rocketman) head BioSyn's way when the adopted Maisie Lockwood (Isabella Sermon) — who links back to the first Jurassic Park thanks to Forbidden Kingdom's ridiculous storyline — is snatched. Oh, and mathematician Ian Malcolm (Jeff Goldblum, Search Party) works there, as does cloning whiz Henry Wu (BD Wong, Mr Robot). Just by finally managing to corral Neill, Dern and Goldblum back together, Dominion already had three exceptional elements going for it. None of its powers-that-be give the returning stars much to do, though, other than help the movie up its fan-service nostalgia quota. They're still among the best parts of the film because Neill and Dern's chemistry still sparks, and Goldblum's line delivery is still as winning as ever — because they're actors as talented as Neill, Dern and Goldblum, basically. They certainly make more of an impression than Pratt and Howard, who are saddled with the dullest versions of their characters yet. Also standing out far beyond the movie's top-billed duo: The Harder They Fall's DeWanda Wise as pilot Han Solo Kayla Watts, plus Archive 81's Mamoudou Athie as BioSyn employee Ramsay Cole, who is assigned to show Sattler and Grant around. If this franchise doesn't go extinct after this giant lizard-sized crater, fingers crossed that Wise and Athie are its future. Six movies and three decades into all things Jurassic, this dino series now has itself a dino problem as well. Dominion shoehorns dinosaurs into pale imitations of other pictures, gets Pratt to break out his now-routine raised hand movement at Blue and her baby Beta, and has various characters point out how big different creatures are. It doesn't seem to care about its jurassic-era critters, however, which are treated as an afterthought. Despite boasting bigger and new species, the film's dinos also look less impressive and distinctive than they ever have in this franchise. It doesn't help that Dominion arrives so soon after David Attenborough's Prehistoric Planet, which basked in observational nature-doco intimacy even with all of its animals merely CGI renderings. Here, the pixels and green screen of it all are bland rather than awe-inspiring or frightening. And when Dominion does glimmer visually, it's always aping another movie (but with dinosaurs) or lifting iconic shots straight from other Jurassic films. Being generous, you could say it's fitting that Dominion is the mess it is. Life finds a way and all that, even to give an awful feature some purpose. Mirroring the saga's own repeated narrative, Dominion rampantly splices together disparate parts and gleefully reanimates the past — and it pays a price for doing so, and carelessly. But making a film this trying clearly wasn't the point, even if that end result neatly matches the movie's themes. Also, displaying any depth about anything at all seems to concern Trevorrow as much as serving up a logical plot and directing coherent action setpieces, aka not at all. There's always been a hefty case of Frankenstein-meets-slasher flicks to the Jurassic realm, but smartly, thoughtfully, thrillingly and entertainingly when it's at its best — so, back in 1993. Dominion is a devolution, and primarily shows that bloated blockbuster franchises keep finding a way to chew up screens, time and attention, no matter the consequences.
The oldest floral festival in Australia, the Grafton Jacaranda Festival focuses on the hundreds of lilac-blossomed trees that line the town's streets. First held in 1935, the festival brings together art exhibitions, live music, markets and parades for a week-long celebration from October 27 through November 4. While the jacaranda blooms are of course the main attraction, it's by no means the only event you'll have to look forward to during the festival — think a dragon boat race and a riverside circus and carnival, along with buskers, fireworks and stallholders aplenty. Grafton takes their tree heritage seriously and currently holds the title for biggest jacaranda on the National Tree Register of Big Trees (yes, it is a real registry). While in town, visit 'The Gorge', a tree which measures at a massive 30 metres high with a six-metre circumference. It deserves a nice big hug, we reckon.
English comedian Russell Brand is in town on Monday for a night of belly laughs. This December sees Brand return to Australia for his first full national tour entitled, I Am A Walrus. Brand first broke onto the scene as the stand out character Aldus Snow in Forgetting Sarah Marshall. Since then, he has a list of successful movies and books under his belt and an equally long list of celebrity flings. However, Brand is no stranger to stand-up comedy and his history of stand-up runs back to 2003. The I Am A Walrus tour will be the last time that Brand will feature in the spotlight for a while as he plans to have a crack at directing and weave his magic behind the scenes. Make sure you catch the show and prepare for an onslaught of hilarity. Brand has led a colourful life and is now a former sex and drug addict, so, keep in mind that the show will contain strong adult themes and coarse language.
Melbourne will be stepping up its hotel game in the coming years, with Adina's new Pentridge Prison development, Bennetts Lane's proposed jazz-era hotel, and the upscale CBD outpost of Mornington Peninsula's Jackalope. And now the city's is set to welcome yet another luxury accommodation offering into the fold, as the internationally renowned St. Regis Hotels & Resorts makes its Aussie debut, with a 168-room hotel slated to open in 2022. The grand hotel will spread over ten floors of the yet-to-be-built, 33-storey Flinders Bank precinct, towering above the CBD on the corner of Spencer and Flinders Streets. And it's set to be a pretty swanky operation, sporting luxury interiors by famed design studio Chada and a cutting-edge building design by Melbourne's own Fender Katsalidis Architects. It will have an onsite wellness and fitness centre, too, complete with a spa, a salon and a 25-metre indoor pool, and the acclaimed St. Regis Butler Service will let guests customise every last detail of their stay. The hotel will also feature a bunch of upscale wining and dining options, including a specialty restaurant and the elegant St Regis Bar. For the uninitiated, the St Regis New York's King Cole Bar was the supposed birthplace of the Bloody Mary back in 1934 and the hotel brand has claimed the spicy cocktail as its signature sip ever since. Here, the bar will be whipping up a special Melbourne edition of the drink — we wonder just what that entails. The St Regis Melbourne has 40 hotels worldwide — including in New York, Mallorca and the Maldives — and is one of the Marriott International's brands. The parent company has announced more plans to open hotels Down Under, too, with the recent launch of the W Hotel in Brisbane and W Hotels also planned for Sydney and Melbourne. St Regis Melbourne is slated to open in the new Flinders Bank precinct in 2022.
For the past few months, Australia's pandemic-era rules and restrictions around travelling have been easing — covering both heading interstate and venturing abroad. If spending more time at home over the last two years has left you with a hefty case of wanderlust, you've likely noticed another big trend, too: flight sales aiming to make your next getaway far more affordable. Just after New Zealand announced that it'd be letting Aussies head across the Tasman for holidays earlier than expected, Virgin has started a sale that'll help you scratch that ditch-crossing itch. Actually, with 1.5 million fares up for grabs to both Aussie and international destinations, it'll help you get flying to wherever your next vacation spot may be. So, whether you're keen to see your mates interstate or head overseas for some rest and relaxation, you've got options. Among the domestic routes, one-way fares start at $45, which'll get you from Sydney to Ballina. Other sale flights include Melbourne–Hobart from $55, Brisbane–Whitsunday Coast from $59, Sydney–Sunshine Coast from $65 and Melbourne–Adelaide from $89. And if you're wondering when you'll need to travel, you can book trips between July 27–December 14, 2022. Internationally, one-way fares cover getaways to Bali, Fiji and Queenstown — including from Sydney (from $269 to Bali, $229 to Fiji and $289 to Queenstown), Melbourne ($269 / $259 / $279) and Brisbane ($239 / $249 / $309). Again, that means you've got choices, including if multiple getaways to different spots are in your ideal future. As always when it comes to flight sales, you'll need to get in quick. Virgin's discounted fares are now on offer until midnight AEST on Monday, April 4 or sold out, whichever arrives first. In a bonus for anyone travelling with kids, Virgin is also taking an extra 25 percent off sale fares booked for children between the ages of 2 and 11. Across all of its sale flights, only some fares cover seat selection and checked baggage, however, with the airline announcing last year that it is now splitting its economy range into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. Also, depending on where you're travelling to internationally, you'll obviously need to check border restrictions and any entry requirements. Virgin's Back to Holidays sale runs from until Monday, April 4 — or until sold out. Find out more about current Australian border rules via the Australian Government's Health Direct website and its Smart Traveller website.
If you’re a chocaholic and a Hunger Games fan, take a deep breath and try not to hyperventilate with greedy excitement. Two American chocolate companies have teamed up to create a range of chocolate bars inspired by The Hunger Games. Only in America, right? Themed around both the districts and lead characters, the range created by Vosges Haut Chocolates and Wild Ophelia includes a 'Katniss' bar — milk chocolate combined with what they describe as the “subtle, salty crunch of hickory smoked bacon accented by sweet, crisp apples. Yum. But some dozen times better is the 'Chocolate Bar Library' — a collection of 12 bars representing all 12 districts of Panem. Included are such imagination- and tastebud-stirring numbers as the mined salt and milk chocolate (District 12, which specialises in mining), beef jerky and smoked mesquite in milk chocolate (District 10, livestock), smoked chipotle chilli and milk chocolate (District 7, lumber) and crispy crunchy caramel corn and dark chocolate (District 5, power). The smartarses at BuzzFeed pitted the whole range of bars — or chocolatey 'tributes' — against each other and ranked them in order of deliciousness. The victor? District 9's milled oats, vanilla, hemp seeds and dark chocolate (representing grain). Sadly they don’t ship to Australia, but if you’re in the US, Canada or the UK (or are willing to test out parcel forwarding on a meltable item) you can get your gluttonous little hands upon these slightly ridiculous, slightly overpriced yet undeniably tempting goodies. Via Buzzfeed.
It’s not super hard to be cool – all you’ve got to do is grow a beard, get heaps of cryptic, messy tattoos and cuff your jeans like the floods are coming. Or you could get Beats by Dre's and sport expeno nikes, drink beer out of brown paperbags, or sit on milk crates instead of real, life chairs. Your options are endless, but if you’re a after a quick fix to being cool then free up this Friday night – Alhambra Lounge is getting ice cold. As an unofficial element next to the BIGSOUND showcases, they’ll be having a bit of a ‘cool’ party that showcases some pretty ‘cool’ musicians, and some pretty ‘cool’ DJs and some pretty ‘cool’ attendees (you could be one). Anthony Fantano DJ Set (aka The Needle Drop), Oscar Key Sung, Oisima, Tincture and Fossils are just a few of the bands/DJs that will be creating dance music to do your cool moves to. We suggest you split the dance floor, get all eyes on you, and attempt the Elaine – that would be very very cool. There’s free entry for Bigsound delegates, and tickets are $5 for passholders and $10 for the general public – that’s dirt cheap for the talent on show. Go be cool.
You can never have too many places to fling bladed weapons at targets, and safely, all while hanging out in viking-worshipping surroundings. Or, that's what the team at Maniax clearly believe. The chain has been offering Australians this exact experience for almost a decade, after launching in 2014. In Queensland, it has notched up five years since initially opening in Brisbane in 2018. And just as that latter milestone hits, it's giving the River City a second venue. Maniax also boasts a Gold Coast site, two in Melbourne, plus one apiece in Sydney, Adelaide, Perth and Newcastle — and will launch in Canberra in November 2023. That month is when the brand's second Brissie venue will welcome in hatchet hurlers, with the axe throwing beginning in an Adelaide Street basement from Thursday, November 23. A big drawcard at the new Brisbane location: a full bar and a restaurant. Ragnar & Sons takes its cues from all things vikings, as the venue around it does, and will pour appropriately themed cocktails in drinking horns. As for the food, there'll be house-made pizzas, burgers, and also vegan and vegetarian options. The brisket and pulled pork burgs come highly recommended, while the snack range will feature chips and chocolates if you're not having a meal. The Ragnar and Sons bar concept debuted on the Gold Coast, and also serves up local craft beers, cider and wine, as well as non-alcoholic sips. That said, although Maniax's Brisbane CBD locale will be licensed like Newstead and the Goldie, there are rules given that you're in a place where chucking around sharp implements is the main attraction. There's a limit of three drinks per person during any axe-throwing session — and if you're under the influence, you can't join in. BYO booze also isn't allowed. When it comes to the flinging, patrons will get hurling in special axe-throwing lanes, with the Adelaide Street venue featuring six private lanes with two targets, as well as 12 lanes with single targets. As is always the case, no one lifts a hatchet without being shown the ropes — and taught all the necessary safety essentials, crucially — by one of Maniax's axe-perts first. From there, folks will be able to pick between a range of blade-hurtling activities. The chain's locations do solo and small group sessions, axe-throwing events for larger parties and also date-night options (because the couple that hurls hatchets together stays together). And, if this seems like your kind of sport, it also hosts a competitive league. As for how it all works, it's comparable to darts. Basically, you chuck axes at a board and try to hit a bullseye. Don't even know the first thing about picking up a hatchet? Again, that's completely to be expected, which is why those lessons are included in every session, as well as in the league competition. And, the axe-throwing experts are also on hand to help even when you think you've mastered the basics. You won't need any guidance if you want to sit on Maniax's warrior's throne and take some snaps — including of the helmets, shields, axes and horns around the place — of course. Find Maniax on the basement level at 79 Adelaide Street, Brisbane from Thursday, November 23. Visit the venue's website for further details and to make a booking.
Take in the vista of Anzac Square from the floor-to-ceiling window of the Cuvée Lounge. Watch, negroni in hand, as the city lights blink to life. Chat over the chilled-out jazz filling the open-plan French-inspired bar. Cuvée is a spot for sophisticated socialisation, with a champagne and wine list to match. The whisky selection features some significant single malts, and the bar offers a range of Australian and imported beers. The cocktail menu includes a signature espresso martini and, if you can't see what you're looking for, Cuvée's skilled mixologists will indulge your fancy. The main restaurant of the Sofitel, Prive249, sits right beside Cuvée but the lounge also caters for various appetites, offering gourmet platters, all-day desserts and delectable nibbles. After all, what's a martini without a prawn cocktail, or champagne without fresh oysters? Cuvée provides a little Continental flair in the heart of Brisbane CBD.
