Looking to add another streaming service to your subscriptions? Particularly keen on Amazon Prime Video, the online shopping behemoth's film and television platform? Good news and bad news, Australians. Firstly, you can sign up and stream selected content right now. But (and yes, sorry, there's a but)... it doesn't appear as though it's all that official. Technology website EFTM first broke the news that Aussies could not only register for an Amazon Prime Video account, but start watching Amazon's original programming such as The Man In The High Castle and Red Oaks. And, since then, word has spread that Amazon has launched their video platform in Australia. That's particularly exciting for anyone interested in watching The Grand Tour, aka Amazon's new motoring show hosted by former Top Gear personalities Jeremy Clarkson, Richard Hammond and James May, which kicked off on November 18. Alas, it's not quite that straightforward. On the one hand, yes, you can currently access the aforementioned series, and others that don't have streaming deals with other platforms — although with some restrictions (only the first season of '80s set dramedy Red Oaks is available, for example, despite the second season launching in the US last week; and you can't access shows like Transparent that are available elsewhere in Australia). However, in a pretty significant sign that using Amazon Prime Video in Australia isn't as official as we all want it to be, you can only access it by visiting either the American or UK sites. There's no Prime Video option on amazon.com.au, no Australian pricing, and no information whatsoever about the service being offered to Aussies. In a statement reported by the Sydney Morning Herald, Amazon is adamant that it hasn't launched in Australia, which answers the question, really. Why Aussies can access content through the US and UK sites remains unanswered. Of course, it has long been rumoured that the platform would launch locally soon, largely thanks to The Grand Tour's certain appeal to Australian audiences, and the fact that Amazon has retained the global rights to the show — and it likely will in December as already announced. For now, in what is proving a big week for Amazon on our shores (the retail giant is set to launch a series of bricks-and-mortar stores and an online supermarket here within the next two years), go forth and watch what you can while you can, and watch this space for more developments.
Coolangatta has scored itself a slice of Europe by the sea courtesy of Luna's Deli, the beachside boulangerie, gelateria and sandwich deli by chefs and partners Yazmin Maestre and Loic Trouiller. With experience at Michelin-starred kitchens across Europe, the duo brings a wealth of expertise to their bright and welcoming venue on Marine Parade. Head in for buttery pastries baked fresh each morning — the daily-changing display features handcrafted goodies prepared over three days, using French butter and sustainably sourced flour. You'll also find a tight breakfast menu, a selection of stacked sandwiches made to order on house-made, slow-fermented focaccia and gooey toasties available all day, like a leek cacio e pepe and a sky-high reuben starring Bangalow pastrami. Also on offer: small-batch, preservative-free gelato churned in-house. [caption id="attachment_1018979" align="alignnone" width="1920"] Mathilde Bouby[/caption] The light-filled space pairs coastal ease with European elegance, with its Riviera-inspired yellow-and-white palette, soft textures and views of Coolangatta Beach. It's designed for breezy breakfasts, leisurely lunches and afternoon pick-me-ups, with coffee available well into golden hour. Alongside the daily offerings, Yazmin — a former pastry instructor at Le Cordon Bleu — will also host hands-on classes in baking, chocolate and pastry, sharing her craft with the community. [caption id="attachment_1018980" align="alignnone" width="1920"] Mathilde Bouby[/caption] Images: Mathilde Bouby.
Even the most adventurous of foodies have their limits, don't they? New documentary Bugs aims to put that idea to the test — and to make audiences squirm in the process. You don't make a film about two researchers from René Redzepi's experimental Nordic Food Lab exploring the culinary value and environmental benefits of eating insects without causing a reaction, after all. The eye-opening doco is one of 10 titles set to screen at the Antenna Documentary Film Festival when it tours to Brisbane from October 26-30. Regardless of how experimental your eating habits are, the flicks unveiled should whet the appetite of factual cinema fans thanks to a wealth of thought-provoking content. When the fest isn't trying to get viewers pondering their next meal, it'll be inspiring discussions about everything from a ladies man living with HIV to the impact of nuclear waste in a small Russian town. The former comes courtesy of moving opening night film The Charro of Toluquilla, while the latter informs documentary City 40, which examines the people trying to survive in one of the most contaminated places on earth. Aussie effort A Mother and A Gun, which has its world premiere at the festival, is also certain to get attendees talking as it explores the life of Shelly Rubin, the woman who fell in love with the leader of the Jewish Defense League. Elsewhere, environmental effort The Islands and the Whales and the latest chronicle of Bobby Sands and his famous hunger strike — as previously brought to the screen in Steve McQueen-Michael Fassbender collaboration Hunger — also feature among Antenna's list of films. The fest's 2016 lineup looks as varied as it is interesting. Images: Lloyd Dirks, Tom Truong.
The zero-waste movement started small, with cafes, bars, farmers markets and environmental groups encouraging us to ditch single-use cups, bags and straws. Now, the big guys have finally joined the party. Last month, Maccas pledged to ditch plastic straws by 2020 and Woollies has ditched single-use plastic bags (Coles will hopefully follow suit on August 29). And the latest company to jump on board is 7-Eleven, who has just launched a (surprisingly) great product. The world-first reusable coffee cup, dubbed the rCUP, is made from six recycled takeaway coffee cups. Costing a reasonable $15, the cup is made in collaboration with Simply Cups — a coffee cup recycling company that functions across Australia and the UK. Since launch, Simply Cups has upcycled more than 1.48 million takeaway cups into reusable cups, car park bumpers and hospital trays. The rCUP is 100 percent leak proof (supposedly) and fully insulated, so if you forget about your coffee it'll still be hot half-an-hour later. It's also available at all 7-Eleven stores across the country. To make the rCUPs, 7-Eleven needs single-use takeaway cups — and it's collecting them at over 200 stores across NSW, Vic, Qld and WA, too. The stores are collecting all takeaway coffee cups (not just their own), Slurpee cups and plastic straws to recycle together with Simply Cups. So next time you forget your keep cup, you don't have to feel as guilty. The rCUP is now available at all Australian 7-Eleven stores. You can recycle your takeaway coffee cups, plastic straws and Slurpee cups at select stores in NSW, Vic, Qld and WA.
If you're drinking a cocktail named after The Flash, will you feel like sipping it quicker than usual? If you opt for an alcoholic Doctor Strange concoction, will it taste particularly magical? Alongside wondering if you'll start craving pizza while knocking back Ninja Turtle Negronis, these are the questions that California Lane's newest addition inspires. A comic book-inspired bar and eatery will do that. Meet 1st Edition, the intimate new Fortitude Valley spot that's embracing superheroes and other comic book characters in a big — and boozy — manner. If you thought your caped crusader worship was limited to the page and the screen, think again. Exactly the type of bar that was always bound to open in a world that sees new superhero flicks and series hit cinemas and streaming every month, or thereabouts, it even covers its central benchtop with comic art. Yes, sipping and reading is a thing here, as is sitting under a big Batman mural that peers down over the bar. A 22-seater that will open to patrons on Friday, November 26, and only takes online bookings — so you can't just drop in like Iron Man after saving the world — the venue hails from comic book devotee Marc Grey and chef Steve Maiden (Baja Cantina, Bam Bam Hayman Island). They've created the kind of bar and eatery that you need to actively seek out, thanks to its laneway perch, but that location obviously suits the theming. Batman's base is hidden from the world, after all. Here, as well as those aforementioned tipples — the Ninja Turtle Negroni includes salami Campari, fittingly — you can sip your way through the Harley Quinn (a dry gin number topped with Persian fairy floss and gold flakes), Spidey's Margs (complete with an agave spin) and the Mysterio (which features butter vodka, peach syrup and a passion smoke bubble). Or, there's the Black Adam Espresso Martini, the Storm's Old Fashioned and The Canary, with the full lineup nodding to names from both Marvel and DC Comics. Food-wise, as served up in three 90-minute seatings from 5.30pm between Wednesday–Saturday, the menu takes its cues from Asian, Mexican, American and French cuisine. Think: cheeseburger gyoza, spanner crab with burnt butter emulsion, red duck curry and wagyu with bacon bordelaise, with a big emphasis on shareable dishes. And, from 10pm on Friday and Saturday nights, DJs will hit the decks live in 1st Edition's upper level DJ loft. Presumably, superhero themes will get a spin at some point — so you can dance however a Spider-Man can. Find 1st Edition in California Lane, 22 McLachlan Street, Fortitude Valley, from Friday, November 26 — open from 5.30pm–12am Wednesday–Saturday.
The war on waste isn't just about banning plastic shopping bags, recycling plastic drink containers, phasing out plastic straws and finding alternatives to disposable coffee cups. That's a great start, but humanity's reliance upon single-use plastics includes cutlery, plates, stirrers, cotton buds and more. Europe has pledged to stop using such items by 2021, building upon similar decisions in the UK and France, while Australia is working towards banning all non-recyclable packaging by 2025 — but one Aussie state is considering taking matters into its own hands. As reported by the ABC, the South Australian government is exploring implementing its own ban on single-use plastic items. It has been proposed by SA Environment Minister David Speirs, who is calling for public feedback on the plan by releasing two discussion papers. SA was the first state in the country with a container refund scheme, introducing its 10-cent refund for eligible items back in 1977 — and causing an entire generation of interstate dwellers to grow up making jokes about driving a haul of cans and bottles to Adelaide to collect some cash. It was also the first state to phase out lightweight plastic bags, a move that came into effect in 2009. In comparison, New South Wales only brought in container refunds in 2017 and is yet to commit to banning single-use plastic bags. Victoria doesn't have a container refund scheme on the horizon, but will phase out plastic bags in 2019. And Queensland enacted both container refunds and a plastic bag ban in 2018. According to The Advertiser, SA will also contemplate changing both of its successful existing regimes, including possibly expanding the plastic bag ban to thicker plastics and changing the 10-cent refund amount on recyclable containers. While action at a government level continues to take its time across the country — apart from in Hobart, where takeaway containers are set to be banned next year — companies have been stepping in themselves. McDonalds will remove plastic straws from its packaging by 2020, IKEA is phasing out single-use plastics by the same year, Melbourne's Crown Casino is cutting down its plastic usage and Portuguese charter airline Hi Fly is committed to becoming the world's first single-use plastic free airline by the end of 2019. Via the ABC / The Advertiser.
It's been 14 years since Danny Rogers and Jerome Borazio decided to fill a Melbourne alleyway with tunes in 2005. Thankfully, Laneway Festival has just confirmed it will be heading back to its collection of unconventional venues for another year, revealing its jam-packed 2019 lineup. Returning to Melbourne, Sydney, Adelaide, Brisbane, Fremantle, Auckland and Singapore next January and February, Laneway will raise a plastic cup to the middle of summer with one heck of a lineup. This year's eclectic program is headlined by two huge Aussie names: indie rock group Gang of Youths and acclaimed singer-songwriter Courtney Barnett — while New Zealand audiences will also be treated to UK indie rock band Florence + The Machine and teen sensation Billie Eilish. A few big artists are heading Down Under for the first time, too, including English R&B superstar Jorja Smith, neo-soul singer Rex Orange County and American rapper Denzel Curry. You'll also be able to get down to Camp Cope, Middle Kids and Mitski and sway along to Mansionair, What So Not and Skeggs. If you want to catch Jorja Smith and NYC rapper A Boogie Wit Da Hoodie, you'll have to head along to Laneway — they'll both be playing exclusively at the festival, with no sideshows. This year, the Melbourne leg of the festival will be heading to its new location for the first time: Footscray Park. Its a bigger space, but, supposedly, won't have an increased capacity — so, hopefully that'll mean less lines and more room for dancing. But, enough chit-chat — here's the full 2019 lineup. LANEWAY 2019 LINEUP Gang of Youths Courtney Barnett Florence + The Machine** A Boogie Wit Da Hoodie (exclusive) Baker Boy Bene** Billie Eilish** Camp Cope Charlie Collins* Clairo Cosmo's Midnight Crooked Colours* Denzel Curry* DJDS G Flip High Beams** Imugi** Jon Hopkins Jorja Smith (exclusive) KIAN Lontalius** Mansionair Masego Methyl Ethel Middle Kids Miss June** Mitski* Parquet Courts Ravyn Lenae Rex Orange County Ruby Fields Skeggs Smino The Dead C** What So Not Yellow Days *East Coast only ** New Zealand only LANEWAY FESTIVAL 2019 DATES Auckland — Monday, January 28 Brisbane — Saturday, February 2 Sydney — Sunday, February 3 Adelaide — Friday, February 8 Melbourne — Saturday, February 9 Fremantle — Sunday, February 10 Singapore — Dates TBC Visa pre-sale tickets go on sale at 9am this Thursday, September 20 — you can register here — and the rest of the tickets going on sale at 9am on Tuesday, September 25 from Laneway Festival. Laneway Image: Anthony Smith; Courtney Barnett: Pooneh Ghan.
Welcome to the grid on the Gold Coast. When the Big City Lights* festival makes its 2024 comeback, one of its 39-plus artworks at more than 40 locations will take its cues from TRON. At the Southport TAFE Building, thanks to Mick Ludvik at Event Lasers, beams will turn the skyline into electric pathways — and you'll feel like you're plunging into the 80s-born sci-fi franchise before third film TRON: Ares hits cinemas in 2025. Other artists involved across not only the lights and installations, but on the live music and performance bill, include Joan Ross, Justene Williams, Judy Watson and Vernon Ah Kee, as well as Erik Griswold, Yuriyal Bridgeman, Lawrence English and Julian Day. Their contributions vary; Ross' Always the Last One at the Party will be projected across the surface of Australia Fair Tower, exploring the impact of colonialism in Australia with plenty of fluorescent yellow hues, for instance. Williams is giving Hutong Gardens Light and Breath, a video of skating dancers and psychedelic colours, as inspired by Johannes Itten's colour wheel. Griswold's The Tides Advance on Australia Fair will also be a must-see as it rolls through Southport's streets, taking waves well beyond the ocean. The piece ponders a time when the sea reaches Australia Fair and the lanes around it, with the work featuring music that's in synch wit the IRL waves at Southport Spit. Or, thanks to experiential design consultancy PropMill, Undercover Worlds will add an extra layer to the landscape on Nerang Street. When Big City Lights* debuted two years back, it ran as a four-day pilot program. Now, after attracting more than 15,000 attendees and proving a success, it will span Friday, June 21–Sunday, July 7, 2024, running Friday–Sunday each week. The location is still Southport, clearly, and the focus remains experience stunning art via a self-guided program that gets you walking around the Goldie. You'll just have longer to enjoy it. Big City Lights* is also still free — making the price right to head along, including to scoot down the highway from Brisbane. As the above standouts make plain, attendees will get immersed in audio-visual experiences, such as projections popping up in unexpected locations, towering large-scale digital works and 3D mapping. You'll also see the Southport CBD's facades and laneways in a whole new light quite literally. Top image: Art Work Agency, Claudio Kirac.
It might be the Gold Coast's most popular stretch of sand, capping off the city's busiest tourist strip — but no matter how many times you've seen it, Surfers Paradise's beachfront always knows how to stun. Here's another way to peer at its coastal expanse: from new dining and drinking venue Coast Beach Bar & Kitchen, which will open its doors on The Esplanade in early August. Come Friday, August 5, the latest addition to the new Ocean by Meriton precinct will start welcoming in patrons, with multiple spaces for Gold Coast locals and visitors to choose from. If you're keen for a meal, the 110-seat restaurant awaits. If you're in the mood for a drink, hit up the 160-seat bar. Either way, the venue boasts uninterrupted views — aka the kind of vista that's worth dropping by for alone. Also part of Coast: a lounge area as well as the main dining room, a sizeable outdoor bar, and booths to get cosy in with your mates or date. Drinks will be whipped up at the eye-catching 14-metre-long marble bar, while dishes are cooked in the Spanish-style Josper oven. For vino lovers, your tipples will hail from the venue's 2000-bottle wine cellar, which unsurprisingly takes price of place in the restaurant. There's around 120 drops on the menu, with about 80 percent skewing local. Feeling flush with cash? Coast also boasts the Penfolds Grange Magnum Collection, which is valued at over $60,000. Thirteen signature cocktails are on offer, too, including banana daiquiris, plus a 'Coast Espresso' made with vodka, coffee tequila liqueur and creme de cacao — or you can order all the classics instead. The spritz lineup spans four types, such as rhubarb, quince and lavender versions, and there's also five mocktails available. Owners Justin and Elizabeth Allie, veterans of Longboards Laidback Eatery and Bar in Surfers Paradise, The Fish Shak in Southport and catering company Gourmet en Counter, have enlisted chef Rhett Willis (ex-Jellyfish and Cha Cha Char) to oversee the modern Australian cuisine menu. It hews share-style; think: coal-roasted yogurt bread with smoked eggplant pate; beef fillet tartar with shoyu, avocado and miso-cured yolk; and wasabi leaves with sand crab, chilli, lime and caviar — as well as prawns with XO butter and truffled baked potato chips. Oysters from Stradbroke Island are also on the menu, and mains include cauliflower steaks, lamb shoulder, wild mushrooms with silkened tofu, and a 120-day, grain-fed, dry-aged tomahawk — the restaurant's signature dish. Can't decide? Opt for one of two set menus — a three-course version, or a four-course feast that ends with a banoffee eton mess for dessert. Sprawling over 750 square metres on level one of the building, Coast takes a glam approach, style-wise, but still embraces its beachy surroundings. So, here Tasmanian oak furniture sits alongside rattan, leather, brass accents and marble fixtures, with earthy hues and sea-inspired blues and greens featuring heavily. Coast Beach Bar & Kitchen will open on Friday, August 5 at Level 1 of Ocean by Meriton, 86 The Esplanade, Surfers Paradise — operating from 11am–10pm daily
However you identify, we hope your feed is filled with rainbows and eco glitter this week as we gear up to celebrate Mardi Gras on Saturday, March 6. Whether you're going to events in Sydney, Melbourne or Brisbane — or staying home to watch the parade on SBS — you can share the love and pride with the LGBTQIA+ community on TikTok. We've teamed up with the social media platform to bring you these six pride-filled videos to help get you pumped for the parade. [embed]https://www.tiktok.com/@itsbybrandon/video/6921305046323842306[/embed] Epic transformations are par for the course on TikTok, so how do you stand out from the crowd? @itsbybrandon does it time and time again with their colourful, creative and often unexpected makeup transitions. And, they lip sync like a pro. Take inspiration from this rainbow effect eyeshadow for your Mardi Gras celebrations this weekend. [embed]https://www.tiktok.com/@dom.skii/video/6930381557991542017[/embed] Proving that exceptional makeup talent isn't in short supply, @dom.skii brings us a second inspirational transformation clip full of pride. As Lady Gaga puts it, "Don't be a drag, just be a queen." [embed]https://www.tiktok.com/foryou?is_copy_url=1&is_from_webapp=v2#/@emmahorn/video/6929595838914186497[/embed] Emma Horn jumped on the Domino Lovers TikTok Challenge with her girlfriend, and how can you not beam with pride watching them dance together? Emma's TikTok is full of hilarious reaction videos and relatable content, so if you're in need of a pick-me-up, check out her channel. [embed]https://www.tiktok.com/@the_dancing_farmer/video/6928677043387272450[/embed] Bretty G, aka @the_dancing_farmer, says they're here to spread love and positivity. Here they do it with an enviable pair of pins and a fabulous strut in the countryside dirt. [embed]https://www.tiktok.com/@tomi.queen/video/6930570843546209538[/embed] In one of our favourite videos in the 'I'm So Pretty' makeup transition trend, Sydney drag queen Tomi shows us how it's done. If Reyanna Maria isn't on your Mardi Gras playlist for this weekend, rectify that now. [embed]https://www.tiktok.com/@kevininthecity/video/6931856237550193921[/embed] Sydney's Glitter King, @kevininthecity, isn't afraid to shine like a mirror ball. Here, they give us a masterclass in standing out from the crowd in one bold block of colour. Look out for Kevin in the City at this year's Mardi Gras Parade, as their face will be part of TikTok's official float alongside singer-songwriter G Flip. Download TikTok to watch more, and use the hashtag #JoinOurFloat to be part of TikTok's Mardi Gras float. Top image: Jeffrey Feng; Destination NSW
Canberra's legendary music, art and food festival Spilt Milk is set to return for its fourth edition this summer, though this year, the ACT's not the only place that'll be getting a taste of the action. Regional Victoria is also coming to the party, as the festival expands and adds a second Ballarat outing to its bill. Yep, the one-dayer is doubling in size, hitting Canberra's Commonwealth Park on Saturday, November 23, before making its southern debut at Ballarat's Victoria Park on November 30. That should mean twice as many festivalgoers get to join in the fun, which is a win given Spilt Milk tickets have sold out in under 30 minutes every year. If you're interstate and have missed out previously, this could be your chance to score a look-in. And, in even more exciting news, the festival's jam-packed lineup has just dropped. Heading the bill is American R&B star Khalid, who'll be heading Down Under fresh off the back of releasing his chart-topping debut album, Free Spirit. Khalid has also previously collaborated with the likes of Kendrick Lamar and Billie Eilish — and he's only 21. He'll be joined by fellow international artists, Scottish synth-pop trio Chvrches and Chicago rapper Juice Wrld. There's also plenty of homegrown goodness on the menu, with the likes of indie rock band Middle Kids, Triple J Hottest 100 winners Ocean Alley, electro trio Mansionair and Adelaide rapper Allday all set to take the Spilt Milk stage. But the musical lineup's not to be outdone by the rest of the program, with a ripper serve of visual art, tasty eats and pop-up bars on the cards. As well as mojitos on tap, there'll be eats from the likes of Belle's Hot Chicken, Bluebonnet BBQ, Mr Burger and Sparrow's Philly Cheesesteak. [caption id="attachment_724817" align="alignnone" width="1920"] Khalid[/caption] In the meantime, here's what you came for — the full lineup for Spilt Milk 2019. SPILT MILK 2019 LINEUP Allday Arno Faraji Bene Choomba Chvrches Confidence Man Dom Dolla Dune Rats G Flip Godlands Golden Features Groove City Illy Juice Wrld Khalid Kota Banks Lastlings Lime Cordiale Mansionair Middle Kids Ocean Alley Psychedelic Porn Crumpets Rat!Hammock (Ballarat only) Running Touch Sippy Teen Jesus & the Jean Teasers (Canberra only) Tones and I Winston Surfshirt SPILT MILK 2019 DATES Canberra — Commonwealth Park, Saturday, November 23 Ballarat — Victoria Park, Saturday, November 30 Spilt Milk 2019 pre-sale tickets are released at 8am on Wednesday, June 12 (you can sign-up for those on the website) with general tickets going on sale at 8am on Thursday, June 13. Top images: Jordan Munns and Billy Zammit.
One building, four different places to grab a drink: that's what the space lurking behind a 132-year-old facade on Brunswick Street now serves up. Already home to rooftop bar Cielo, restaurant and bar La Costa, and wine bar and bottle shop La Valle, the location that started its life as Foresters' Hall back in 1889 has now welcomed yet another new watering hole, all thanks to the opening of The Parlour. Just like its sibling venues, The Parlour takes its cues from the Italian riviera. It has a specific far-flung destination in mind, though: the Gulf of La Spezia. Also known as the Gulf of Poets, the region has links to literature greats such as Ernest Hemingway, Virginia Woolf and Lord Byron. It's also where Percy Bysshe Shelley, husband of Frankenstein author Mary Shelley, drowned — although that's probably not the kind of tidbit you'll want to discuss while you're sipping cocktails. Instead, you might prefer to chat about The Parlour's drinks list itself, which has been curated by the folks at Sydney's acclaimed Maybe Sammy. Cielo can claim the same, too, so you now have a couple of choices if you want to knock back beverages by a venue that was named one of the top bars in the world last year (ranking 11th on the 2020 World's 50 Best Bars list). From the 'signatures' section of the cocktail list, you can enjoy the Fenhurst — a mix of Tanqueray No. 10, Massenez Crème De Pêche, Lillet Rouge, citrus and coconut that also comes topped with a citrus bubble. Or, from the literary-inspired 'Classics', The Tilted World pairs Johnnie Walker Black, Domaine De Canton ginger liqueur, citrus, egg white, pear and spiced red wine ice. Every cocktail has been crafted to provide a multi-sensory experience, but you can also opt for wine, beer and spirits if you're after something a little less theatrical. Open evenings until late from Wednesday–Sunday, the bar also serves up a small range of bites, such as beef carpaccio with parmesan, pine nuts and truffle oil; cheese and charcuterie boards; and arancini specials, which change daily. Decor-wise, The Parlour favours a glam retro look; think: dim mood lighting, marble tiles, framed vintage photos, curved booths and cocktail trolleys. And if you head by on a Saturday night, DJs will soundtrack your drinks. Find The Parlour at 209 Brunswick Street, Fortitude Valley — open Wednesday–Sunday.
Since 2016, the cinema-loving world has had a Studio Ghibli-shaped hole in its heart. That's when the acclaimed Japanese animation house released its most recent film, the gorgeous French co-production The Red Turtle. Its last solo production actually came two years earlier, courtesy of 2014's When Marnie Was There. Still, much has happened in Studio Ghibli's world over the past decade. Hayao Miyazaki announced his retirement, then changed his mind. In 2018, fellow co-founder and acclaimed director Isao Takahata sadly passed away. And, over the past few years, the company has been busying itself with its very own theme park. The latter is due to open in 2022 and become quite the tourist attraction — but that doesn't mean that fans aren't keen for more Ghibli movies. Thankfully, the studio revealed earlier this year that it's working on just that, with two new films on its current slate. One of those movies will be helmed by My Neighbour Totoro, Spirited Away and Howl's Moving Castle icon Miyazaki, with How Do You Live? actually first announced a few years back. As for the second film, Australians will be able to watch it in the new year. Called Earwig and the Witch in English (and also known as Aya and the Witch), the movie marks the first Studio Ghibli completely made using computer-generated animation. Director-wise, it's helmed by Hayao Miyazaki's son Goro Miyazaki, who previously directed Tales from Earthsea and From Up On Poppy Hill. It's also based on a novel written by British author Diana Wynne Jones, who penned the book that Howl's Moving Castle was adapted from, too. And, Australian distributor Madman Entertainment has just advised that it'll be releasing the film Down Under sometime early in 2021, with an exact date still yet to be revealed. In terms of story, Earwig and the Witch focuses on a girl at an orphanage in the British countryside. She enjoys living there, but her world changes when she's chosen to live with a couple — including, as the title makes plain, a witch. Earwig doesn't know that her own mother also had magical powers, so she's thrust into a strange new world, all while trying to do what she's always wanted: belong to a family. In its English-language version, the film will feature voice work by Richard E Grant (Can You Ever Forgive Me?), Dan Stevens (Eurovision Song Contest: The Story of Fire Saga) and singer Kacey Musgraves, plus newcomer Taylor Paige Henderson as Earwig. We've said it before about Nicolas Cage's new show about swearing and the brand new full season of Spicks and Specks, but 2021 is definitely looking better than 2020. Earwig and the Witch will release in Australian cinemas sometime early in 2021 — we'll update you with an exact release date when one is announced. Images: Madman Entertainment.
Not for the first time, the eyes have it, but then they always have with Tammy Faye Bakker. Not one but two films called The Eyes of Tammy Faye have told the 70s and 80s televangelist's tale — first a 2000 documentary and now this new Jessica Chastain-starring dramatisation — and both take their monikers from one of the real-life American figure's best-known attributes. In the opening to the latest movie, the spidery eyelashes that adorn Tammy Faye's peepers are dubbed her trademark by the woman herself. They're given ample focus in this biopic, as OTT and instantly eye-grabbing as they they are, but their prominence isn't just about aesthetics and recognition. This version of The Eyes of Tammy Faye hones in on perspective, resolutely sticking to its namesake's, even when it'd be a better film if it pondered what she truly saw, or didn't. In the path leading to her celebrity heyday and the time she was a TV mainstay, Tammy Faye's life saw plenty. It began with an unhappy childhood stained by her stern mother Rachel's (Cherry Jones, Succession) refusal to be linked to her at church, lest it remind their god-fearing Minnesotan townsfolk about the latter's sinful divorce. But young Tammy Faye (Chandler Head, The Right Stuff) still finds solace in religion, the attention that speaking in tongues mid-service brings and also the puppets she starts using as a girl. Come 1960, at bible college, her fervour and quirkiness attract fellow student Jim Bakker (Andrew Garfield, Tick, Tick… Boom!), with the pair soon married even though it gets them kicked out of school. Unperturbed, she keeps seeing their calling to the lord as their way forward, first with a travelling ministry — puppets included — and then with television shows and their own Praise the Lord network. From her mid 20s through until her late 40s, when multiple scandals spelled their downfall — involving Jim's alleged sexual assaults, as well as the misuse of funds donated to Praise the Lord by its loyal viewers — much of Tammy Faye's life was lived in the public eye, too. That gives both Chastain (The 355) and director Michael Showalter (The Big Sick) copious materials to draw upon beyond the original The Eyes of Tammy Faye, and also turns their film into a glossy recreation. There's no shortage of details to convey, but that's primarily what Abe Sylvia's (Dead to Me) script is content with. Depiction doesn't equal interrogation here, and does skew closer to endorsement; Tammy Faye's outsized appearance, her makeup and outfits getting gaudier as the Bakkers' fame keeps growing, can border on parody — it's camp at the very least — but that isn't the same as asking probing questions about the movie's central figure. Chastain serves up a performance that seems primed to delve deeper. With the exceptional Scenes From a Marriage star leading the show, the eyes don't just have it, or the hair that just keeps getting bigger, or the ostentatious clothing. In the twice Oscar-nominated actor's hands — with a third nod likely for this very portrayal — there's heart and soul behind Tammy Faye's larger-than-life persona, thoughtfully and sympathetically so. As she was with The 355, Chastain is also one of The Eyes of Tammy Faye's producers, and her investment in the part is apparent in every aspect of her portrayal. The film was clearly built around her work, which is excellent, but the picture plays like that's its whole point. Indeed, when it comes to seeing past the blatant, already-known and openly endorsed about its subject, and to genuinely unpacking her role in the prosperity gospel her husband promoted, the movie conspicuously stops short. The Eyes of Tammy Faye nonetheless gives its protagonist far more depth than decades of joking about her have afforded. It also keenly draws attention to the ways she masterminded her and Jim's success, pushed to be seen as an equal in male-dominated evangelical circles and broke with right-wing doctrine to promote god's love for all. In one of the feature's best scenes, the film shows her refusing to merely sit and gossip with the other wives as Jim hobnobs with religious media moguls Pat Robertson (Gabriel Olds, Amazing Stories) and Jerry Falwell (Vincent D'Onofrio, The Unforgivable). In another, it recreates Tammy Faye's emotional TV interview with AIDS-positive Christian pastor Steve Pieters (Randy Havens, The Suicide Squad). Still, it never escapes notice that Showalter and Sylvia choose not to connect more than a few dots, or to ponder if they should be. In their retelling, their point of focus is smart, astute and dedicated, but has the scantest of links with Praise the Lord's demise. As a result, there's too often a Wikipedia-meets-cinema air to The Eyes of Tammy Faye. While that's helpful for newcomers to the Bakkers, and there are fascinating titbits to cover — such as Heritage USA, their Christian theme park, which came third in patronage only to Disney World and Disneyland at its height — it's also the marker of a tame and standard film. Of course, the movie is unsurprisingly scathing towards Jim's clutched-to belief that god wants them to be wealthy, the tactics used to fleece his followers to put the idea into action and his preaching that faith is the path to riches, as it should be. (That's a line of thinking still trotted out in theology today, abhorrently so.) If only the rest of the feature had that bite, or more, as it luxuriates in its era-appropriate costuming and decor, and in its leading lady's compelling work. Early in the picture, in one of its displays of childhood dejection, Rachel demands that Tammy Faye "stop performing". Those words loom large over The Eyes of Tammy Faye, even with Chastain's performance its best element (and with Garfield turning in a fine effort as well). Frequently, the movie resembles as much of an act as Tammy Faye's take on femininity does — staging the minutiae for the world to see, but too rarely daring to peer past the caked-on surface. It ensures that its eponymous figure is embraced for more than her makeup, yet still stays skin-deep regarding the bulk of her complexities and contradictions. That doesn't make this a terrible movie, but it does spark a straightforward and simplistic biopic that prays for more gumption, bombast, pluck and verve.
No one likes Mondays; however, everyone loves a bargain. Combine the two — and throw in vegan and vegetarian eats as well — and you have BrewDog's regular special. On Vegan Mondays, anyone who's keen to tuck into the Scottish brewery's meat-free menu at its riverside Australian base in Murarrie and new beer bar in Fortitude Valley will score two dishes for the price of one. Yes, that's just the kind of news both your stomach and your wallet need to start off the week — and it happens all day every single Monday. [caption id="attachment_877690" align="alignnone" width="1920"] Markus Ravik[/caption] Four types of burgers are on offer, so you can pick between two made with chicken-style patties ($24.95), a beef-style variety ($24.95) and a plant-based reuben ($25.95) — all with fries. Depending on which venue you head to, other choices include three types of pizza ($22.95–24.95), cauliflower wings ($12.95–34.95), mixed bean tacos ($23.95), a tomato and baby mozzarella salad ($24.95). You'll pay extra for your brews, of course — and the offer is only available if you're eating in. Images: Pandora Photography.
When someone mentions staring at the stars, life on mars, the ocean's deeps, volcanoes or fossils, do you instantly start paying attention? Are futuristic visions your catnip? Do you love hearing smart people explore how everything works, and why? Being curious about the world we live in and beyond isn't just the realm of kids — and it's also the reason that World Science Festival exists. The New York-born event dates back to 2008 globally, then started its Brisbane offshoot in 2016. Accordingly, for almost a decade in Queensland's capital, it has been celebrating all things science and technology. That's on the agenda again from Friday, March 15–Sunday, March 24, alongside its fellow focus on where art and science collide, as the just-dropped lineup unveils. If you're keen on installations and interactive creativity, WSFB's past fest-within-a-fest Curiocity Brisbane has evolved into the Art/Science program, swapping a trail of works for heroing large-scale pieces. One certain highlight is Karina Smigla-Bobinski's ADA, with the German Polish artist bringing the three-metre helium sphere to Australia for the first time. It's a piece that you can play with, pushing and spinning the globe — which comes covered in 300 charcoal spikes — to make impressions upon the surrounding walls. Want to see sand rumble? Snooks+Harper and Philip Samartzis's Tectonic Resonance will allow just that using sand 3D printing and geophone recordings from the Pilbara region, all while musing on how humans use geological resources. Svenja Kratz and Bill Hart's Simulated Selves features an AI-filled room with two human forms representing the artists, and chatting with visitors. And with Drawing on Complexity: Experiment 9, Briony Barr wants attendees to contribute to a work that uses coloured paper tape. You'll add your own lines over eight days, helping to create patterns, as complex adaptive systems are in the spotlight. Art's intersection with science is just one part of the full World Science Brisbane 2024 program, of course. Elsewhere across the Queensland Museum-hosted event, talks abound. A reliable headliner, physicist Professor Brian Greene is back, this time for a multimedia trip through the cosmos, diving into artificial intelligence and its implications for humanity, and chatting about what space rocks and moon rocks can tell us about the evolution of our solar system. Also on the bill: Craig Reucassel presenting a session about waste and climate change, enlisting scientists to share practical ways that we can all make a difference; ABC weather presenter Nate Byrne delving into volcanoes, and Leigh Sales and Annabel Crabb leading a panel about scientific discovery. First Nations takes on science will be the focus in a session overseen by Rhianna Patrick — and Mark Humphries hosts the returning Night of the Nerds, where two teams of scientists and comedians do battle, featuring Reucassel, Byrne and astrophysicist Kirsten Banks, as well as a band comprised of The Grates' Patience Hodgson, Velociraptor's Georgie Browning, Ball Park Music's Jen Boyce and Paul Furness, and Simi Lacroix. Obviously Dr Karl pops up, with great moments in science his wheelhouse for 2024's fest. For a great moment in sci-fi cinema history, Fritz Lang's iconic and influential 1927 masterpiece Metropolis is screening at the Gallery of Modern Art, complete with a live score. The overall program also spans the future of food, where medicine is heading, looking back on what Australia has learned since Black Summer, animal consciousness, parasites, shipwrecks and the red planet. If The Abyss isn't just a movie to you, there's a panel that'll pique your interest. And if insect superpowers get you thinking, there's one on that as well. Cocktail-fuelled social science sessions, the pop-up City of Science at South Bank, fighting robots, a walking tour of Brisbane's green infrastructure, fulldome film Earth Above: A Deep Time View of Australia's Epic History at the planetarium and the always-popular (and cute) turtle hatching are also included. And, so is the chance to step inside the Queensland Academy of Sport, Queensland Herbarium, Griffith Sea Jellies Research Lab and QIMR Berghofer. World Science Festival Brisbane 2024 runs from Friday, March 15–Sunday, March 24. For more information and to buy tickets, head to the World Science Festival Brisbane website. Top image:
When June 2023 arrives at Sydney's Capitol Theatre, expect three words to echo with enthusiasm: "be our guest". The Harbour City venue will be home to quite the coup, courtesy of the Australian premiere season of Disney's Beauty and the Beast musical, which is heading Down Under as a newly reimagined and redesigned production. From Wednesday, June 14, the huge show will bring a tale as old as time to Australia to liven up winter — and it marks the latest in a growing line of Disney hits to come our way. Frozen the Musical has done the rounds over the past few years, while the musical version of Mary Poppins has also started floating around the nation. This new Beauty and the Beast first made its way to the stage in the UK in 2021, and reworks the original show that premiered in the US in the 90s — adapting Disney's hit 1991 animated movie musical, of course. Fans can expect the same Oscar-winning and Tony-nominated score courtesy of composer Alan Menken and lyricist Tim Rice, including all the beloved tunes such as 'Be Our Guest' and 'Beauty and the Beast'. It also comes with new dance arrangements by David Chase, and with original choreographer Matt West revisiting his work. Who'll star in the local version and whether it'll tour to other Aussie cities hasn't yet been revealed either — but if you're now planning a trip to Sydney's Capitol Theatre next June, whether or not you live in the city, that's understandable. So is crossing your fingers for Melbourne, Brisbane, Perth and Adelaide seasons afterwards. Images: Johan Persson.
Sure, you’ve seen plenty of films before — but have you smelled one? Well, here’s your chance. The inimitable Odorama experience sends all kinds of scents towards willing nostrils, and it’s coming to Sydney's Golden Age Cinema. The film to smell above all others? Why, it’s John Waters’ Polyester, of course! The cult film to end all cult films, and one intended to be as picturesque as it is pungent, Polyester is the ultimate scratch 'n' sniff movie. When it was released in cinemas in 1981, audiences were famously given numbered Odorama cards to scratch at specific moments, unleashing a wave of odours — some pleasant, some not so. The full bouquet of Polyester features smells ranging from dirty shoes to pizza to new car. Starring the one and only Divine, the film offers a frenzied tale to match its fun gimmick, delving into the anarchic lives of the Fishpaw family. Francine’s world is falling apart, and trouble just keeps on coming. Her husband, Elmer (David Samson), is a polyester-clad pornographer having an affair with his secretary (Mink Stole). Her daughter, Lu-Lu (Mary Garlington), is pregnant by her delinquent boyfriend, Bo-Bo (Stiv Bators). Her glue-sniffing son, Dexter (Ken King), could possibly be the sought-after ‘Baltimore foot stomper’. Francine’s sole ray of sunshine comes in the form a Corvette-driving suitor, the dashing Todd Tomorrow (Tab Hunter). Since 1981's screenings of Polyster, Odorama has had few outings, so this is an very rare treat. Seeing and smelling Polyester takes cinema to another level. Steel your senses for a trip to the movies like no other. Warning: this may not suit those with weak stomachs. Polyster screens at the Golden Age Cinema on Friday, November 7, at 9pm. For more information, visit the Golden Age website.
Stanthorpe is known to celebrate its apples and grapes, hosting an entire festival that's all about the two kind of fruit. But they aren't the only types of only fresh produce that the town, and the Granite Belt region, is famous for. So, that's where the Stanthorpe Berry Festival comes in. Returning for 2023 on Saturday, November 18 at Weerona Park, this sure-to-be-colourful events adores berries in all their forms — but especially strawberries, raspberries and blueberries grown locally. Yes, you know what you'll be eating (and plenty of it), including strawberry ice cream. The festival also features berry food stalls, boutique markets, chefs hitting the stage, a competition to find the best strawberry or mixed berry jam, and a scones and jam eating food-eating contest. Or, you can get sipping thanks to the region's wineries and brewers, meet berry farmers, listen to live tunes and take part in a berry-themed dress up.
Think size is a reflection of quality? Think again. One of Brisbane's quaintest little bars is striving to prove otherwise by showing off some of the nation's emerging talent. Just head down to Ashgrove's Junk Bar this Saturday to catch some of Australia's best acts in the World's Smallest Festival. Playing on two incy wincy stages will be Arbuckle, Scraps, plus Louis Forster and James Harrison from newly signed Brisbane band The Goon Sax. The evening kicks of at 7.30pm, with all of Junk's signature cocktails and drinks guaranteed to be flowing. It's only $8, which probably makes it also one of the world's cheapest festivals, too — and tickets can be purchased at the door. If you've never been to Junk Bar before, this is as good an excuse as any to jump on the Maroon Glider as it heads in the Ashgrove direction and check these humble little digs out. And hey, you might even discover a new favourite band while you're at it.
Set out on a catamaran from Cairns with the award-winning Passions of Paradise and take a tour with a team that is dedicated to eco-friendly explorations. The snorkelling gear is included, so you can get up close to turtles, fish and all the coral-dwelling creatures of the reef with ease before relaxing on board with a buffet lunch. The best bit? Passions of Paradise work with researchers to help grow coral through the Coral Nurturing Program and offset carbon emissions by planting trees in the Daintree. If you're visiting the reef from Port Douglas, consider a trip with Sailaway. The full-day tour with a qualified marine biologist is a top-tier way to appreciate the wonders beneath the shimmering blue waves. The company donates $20 from every passenger's ticket to its reforestation and carbon offsetting project, too.
Inspired by European craft beer vibes and co-founded by Gerard Martin and Matt McIver, Range Brewing takes seasonality very seriously. It doesn't have a specific core range like most breweries do. Instead, its brews are ever-changing, depending on the season and available ingredients. Expect hoppy, dark and sour beers to dominate, all brewed with Californian-designed equipment. At the time of writing, its current list of beers reaches 55. Located in Newstead, just a few blocks north of Gasworks, Range's warehouse-style taproom serves up whatever is pumping through the ten taps from Thursday–Sunday. The space has a Scandinavian-inspired fitout, which was designed and built by the Range crew. Think a beer hall with concrete-topped share tables, steel-based chairs and communal booths that seat 90, with space for 120 all up. For food, Range slings sourdough pizzas from their onsite commercial kitchen. If you're keen to try something other than beer — however blasphemous that may be — the bar also offers wine, gin, whisky and soft drinks from all-Australian and independently-owned producers. And don't forget that Range is within walking distance of Green Beacon Brewing and Newstead Brewing Co., making the suburb your new go-to for a weekend brewery crawl.
It has been ten years of Young Henrys, the Sydney brewery responsible for changing Australia's relationship with craft beer. That's no overstatement. Young Henrys was the first of the small-batch and independent brewers to genuinely crossover into the mainstream and started a movement. And despite ten years of expansion, high-profile collaborations and regular new product development (including the launch of a RTD gin and tonic), the business has remained steadfastly independent. Like all great ideas, Young Henrys was first conceived in a pub after an undisclosed number of schooners. The difference is that unlike most ideas that start out as excitable pub chat, this one actually panned out. THE ORIGIN STORY Founders Richard Adamson and Oscar McMahon were running a beer club at a pub in Glebe where punters could sample and discuss craft beers from far and wide. Their enthusiasm and well-trained palate for beer naturally evolved into a plan to give brewing a whirl themselves. According to the story as McMahon tells it, one thing just kind of led to another. "One night after beer club Richard said to me: 'How cool would it be to make a beer company that was in touch with the people drinking the beer, like the feeling of beer club.' We'd obviously had quite a few," he notes. "And then the next morning we actually followed up with a phone call and said 'hey... are you kind of serious about that?' And that began the journey of getting together some like-minded people and it took us about two years to find this site in Newtown and ten years ago this week we sold our first keg." That keg contained the now-ubiquitous Young Henrys Natural Lager. Ten years later, this loose and instinctive approach to developing the brand is warmly described by Dan Hampton, Young Henrys' Head of Sales, as 'the Young Henrys way'. Hampton explains: "The YH way or Young Henrys way is our way of saying that we don't always need to reinvent the wheel — and you can spin your wheels a lot trying to reinvent the wheel. But we go: how can we take good ideas, proven concepts and do them in our own unique way, and put our unique lens on it? Or take something that already exists and completely spin it on its head." A SPIRIT OF COLLABORATION The Young Henrys way has resulted in projects, events and creative collaborations that cross cultural intersections. They did a project with You Am I to create a collaborative beer 'Brew Am I' for the band's 20th anniversary tour — a partnership the founders cite as one of their favourite ever. They have since followed that up with partnerships with bands like DZ Deathrays and Foo Fighters, multi Grand Slam-winning tennis champ Dylan Alcott and the Rabbitohs, to name a few. Collaboration has been an important part of the business from the beginning. "We assume that people who are into craft beer will seek out and find and educate themselves on craft beer and craft breweries. We always thought it was a really interesting concept to take a craft beer company and find collaborators in other creative, interesting industries and work on a project," Oscar McMahon explains. "It not only brings new audiences into Young Henrys but into craft beer. It actually spreads that conversation. Also, we're a creative company. We're always coming up with new products and designs and themes and events, so pushing yourself to collaborate with someone means you're not only pushing yourself to be creative to your own standards, but to someone else's as well. And that can create some really great internal pressure." [caption id="attachment_610876" align="alignnone" width="1920"] Young Henry's collaboration with Dune Rats in 2017[/caption] THE TEN YEAR BEER No big name collaborations or great internal pressure went into the beer brewed specially to commemorate the 10th anniversary. The limited edition creation '10 Years Strong' is a red ale that was aged in rum and port casks, balancing bitterness and body, and has a hefty ABV of 8%. The beer will be given away to customers whenever they buy any two six-packs or four-packs of any Young Henrys product as a way of saying thanks to the people who have supported them for the past decade. 10 Years Strong is a birthday gift available with any Young Henrys purchase from bottle shops nationally.
Whether serving up truffle degustations, hosting upmarket wine tastings or just plating up its regular menu, Bacchus was among Brisbane's go-to spots for an indulgent restaurant experience before the pandemic. Over the past two years, though, it's been one of the things that the city has been missing in these chaotic times — but that'll change come Friday, May 20. After a two-year hiatus, the swanky South Bank restaurant is reopening its doors to once again give Brisbanites its decadent fine-diner experience. The ornate, old world-style look and feel is still in place, but the space has had a bit of a revision, including via a new colour scheme that goes heavy on deep mahogany, tobacco and teal. And, Executive Chef Matthew Wood (ex-Stokehouse, Aria Brisbane, Urbane and Hilton Brisbane) and Chef de Cuisine Isaia Dal Fiume (who started his career at the two Michelin-starred restaurant San Domenico in Imola, Italy) are now overseeing the menu. Under their reign, diners can expect a strong focus on responsibly sourced, seasonally focused Australian produce — and a wine list that features more than 600 vinos, as well as an impressive cheese trolley. [caption id="attachment_853697" align="alignnone" width="1920"] Josh Woning[/caption] Entrée highlights span kangaroo tartar with beetroot and camel cheese; champagne lobster with macadamia, red cabbage and tarragon; and mushroom with smoked burrata and mushroom broth. They're joined by seven mains, including risotto made with quail from Brisbane Valley, a tagliolini featuring Tasmanian sea urchin, Glacier 51 Heard Island toothfish paired with celeriac textures and celery, and two dishes heroing Queensland wagyu. For dessert, when you're not opting for chamomile and honey or spiced pineapple with coconut sorbet and lime, there's also the chocolate cigar — which boasts coffee, gianduja cremeux, smoked mousse and Irish whiskey ice cream. Also part of the revitalised Bacchus: an 11-course degustation — including a vegan option — with or without matched wines, classic cocktails at the bar, and a luxe high tea that dishes up lemon meringue tarts, tiramisu spheres, quiche lorraine and more. Find Bacchus on level one at Rydges South Bank, 9 Glenelg Street, South Brisbane, from Friday, May 20. For more information or to make a booking, head to the restaurant's website.
A collaboration that's immersed in colour and vibrancy, Sydney-based visual artist Dreamcatchersdreamtime, aka George Barnes, regularly teams up with the brains behind Think Positive Prints, Emilie Cacace. And they'll be doing so again for another iteration of the Miller Design Lab — an innovative event series we're hosting with Miller Genuine Draft at SoHigh Gallery in Melbourne, featuring some of the most exciting contemporary artists and musicians Australia has to offer. Here, we speak with Barnes and Cacace about creative inspirations and their latest project that brings a colourful, experimental spectacle to the Miller Design Lab on Saturday, March 23. George Barns and Emilie Cacace are more than just artistic collaborators. They're also partners outside of work, having recently turned their duo into a trio, with the arrival of son Louie, who has become a helpful source of inspiration. "I'm generally working on a few projects at once," says Barnes. "I always have creative chats with Emilie, talk about dream projects with my friends, and our son Louie always keeps me feeling inspired." As Dreamcatchersdreamtime, Barnes constructs powerful narratives that explore the universe through art, culture, lifestyle and ideas, all while he moonlights as the senior textile designer for much-loved Australian fashion label Sass & Bide. These collaborations between him and Cacace are something of a match made in heaven; she plays a leading role at Think Positive Prints, an internationally renowned digital printer specialising in ultra high-coloured and detailed fabrics. "I've been working with digital printing for the past 12 years, and I want my next major thing to be figuring out how to bring new life into the industry," explains Cacace. "I still want to create beautiful textiles and products, but treat them differently and not so literally." Since the pair has lived and worked together over the last nine years, they find great satisfaction whenever they have the chance to combine their skills."I watch George working on creative projects every night, dreaming up his next creation and collaboration — it's exciting to be able to print what he comes up with," explains Cacace. So for their latest collaboration, the Sydney-based duo is turning to a variety of unconventional fabrics to produce a spectacular array of new textures and patterns. They'll take over the SoHigh Gallery on Saturday, March 23, hosting a Miller Design Lab event that's set to stimulate audiences with intense music, light projections and flickers of gold. "Emilie and I are producing two large-scale textile pieces that will be integrated into the space down in Melbourne," says Barnes. "I think they're going to look really wonderful — rippling moire textures meet high-gloss, golden goodness!" Outside of their own work, the duo finds much artistic inspiration all over the world. Some of their favourites include the large-scale resin installations by Sterling Ruby, the environmental works of Olafur Eliasson and Jedda-Daisy Culley's spirited paintings. They also have a few regular Melbourne spots that they often gravitate towards whenever they need to recharge. "Baker Bleu has the best bread in Australia," says Barnes. "But we also love heading to Supernormal for a dope snack or Bar Americano for one of their next-level cocktails. And if we're after something a bit fancy, there's great French cuisine and vino at France-Soir." Despite all their successes, neither Barnes nor Cacace are thinking about slowing down. Soon, the pair are moving their creative practices to the United States. However, in the meantime, they have a range of projects to finish up in Australia. Undoubtedly an exciting time for the young family, they offer some advice for any hopeful artists out there: "do what you love doing deep down," says Barnes, before Cacace adds, "Start somewhere, grow and be proud of each stage. Experience is everything, so give it your all and talk, collaborate and get involved." Images: Kitti Gould.
Few actors have splashed into Hollywood like Maria Bakalova. Few actors have had Sacha Baron Cohen completely change their lives, too. Jump back to 2020 and the Bulgarian talent was 24, working since she was 12, but a fresh face internationally. Then, mere months into 2021, she was the Oscar-nominated breakout star of Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan — for playing Borat's teenage daughter Tutar Sagdiyev with fierce comic commitment that upstaged everyone around her, even Baron Cohen. How do you follow up that kind of whirlwind? For Bakalova, the challenge is seeking out interesting approaches, "because at the end of the day, all of the scripts, all of the stories have been written back in the day," she tells Concrete Playground from a hotel room in New York. "It's only the way that this production company, this director of photography, this filmmaker are going to share the story that's the difference between stories that have been the same over and over and over," Bakalova notes. Cue Bodies Bodies Bodies. Bakalova is spot on; there's much that's familiar about the latest horror gem from audience-darling studio A24. It brings together a group of wealthy twentysomethings in an empty mansion, where a party naturally ensues. It strands them with an encroaching hurricane, but that's the whole reason they're drinking tequila by the pool anyway. As the Halina Reijn (Instinct)-directed film's name makes plain, there are soon bodies, bodies, bodies, starting when the gang play the Mafia- and Werewolf-style game that also shares the movie's moniker. Avoiding becoming the next victim, pointing fingers among themselves while looking for the culprit, working through their Gen Z baggage: if you've seen a slasher flick, a whodunnit or Euphoria, you've seen plenty of Bodies Bodies Bodies' components before. Bodies Bodies Bodies isn't the film that audiences expect from there, though. It's savage, hilarious, playful, twisty, raucous and chaotic all at once — and it makes the utmost of a cast that enlists Bakalova as Bee, the quiet, working-class girlfriend to Amandla Stenberg's (Dear Evan Hansen) Sophie, and the outsider in the group of rich kids played by Pete Davidson (The Suicide Squad), Rachel Sennott (Shiva Baby), Chase Sui Wonders (Generation) and Myha'la Herrold (Industry). It's another movie-stealing performance and, with Bodies Bodies Bodies opening in Australian cinemas on September 15, Bakalova chatted us through fangirling over A24, seeking out a character far removed from Tutar and, yes, playing Bodies Bodies Bodies with her costars. ON DECIDING WHAT TO DO AFTER BORAT SUBSEQUENT MOVIEFILM "To be honest, I believe that most of the actors I like and most of the people that I look up to — I have been acting for a while, because I started when I was 12, it's been 14 years so far — most of the people that I admire in their work have always wanted to have longevity. That's pretty relevant to me as well. So that's why I always try to find something that is different than what I did before, something that is completely the opposite of my last character. Reading the script of Bodies Bodies Bodies and seeing that there is a character like Bee — somebody that is exactly the opposite of Tutar in Borat, the role that took me to America and made people somehow relate to me and root for the character — was challenging and interesting to approach and try to work on. Because she has nothing in common with Tutar, and she has nothing in common with myself. And I wanted to work with A24 as well — a lot. I love most of their movies, if not all of them. I believe they're all of them, but to not sound like a creeper, I will say most of them. Plus, I loved Halina's work. She's also a theatrically trained actress, as I am, and I was interested to work with her. I always like to work with women in charge, because every time you see a movie that has been led by a woman, there is this specific sensitivity that somehow triggers you in a different way. So with this script, with Halina in charge, with all of these female characters involved, I was excited to explore what's happening." ON GETTING DRAWN INTO BODIES BODIES BODIES' TWISTS "I was very happy to read a script where people are speaking the way that we're speaking. Bee is not the most outspoken person in the script, but the dialogue itself is just beautifully written, so all my respect towards Sarah DeLappe [Bodies Bodies Bodies' screenwriter]. You see these people, you hear them, you feel them. You see a real person in front of you. So I was excited while I was reading it, and I was questioning myself: 'Who is it? Who is it? You have to know! You have to feel it! You have to sense it!'. And at the end of the script when I get to the point that, 'oh my god, it's this!'. It's quite relevant to the decade that we live in, because we're all a little bit manipulated by some of the tools that we have access to. And we often forget to communicate, and just sit down and discuss what's happening — 'who are you, why are we friends, why are we a couple, what are we doing now?'. You just jump and judge and start blaming each other because the trust doesn't exist and you're not honest with each other. I was very thrilled by the script and the twist at the end, because that's what's the most exciting part of every single script that you're reading — you cannot wait to get to the end and see how this mystery will be solved." ON PLAYING THE OUTSIDER OF THE GROUP — AND FINDING AUTHENTICITY "I respect Bee's decisions — some of her decisions… She's way smarter than people think she is, and way stronger than their perception of her. The only similarity between me and Bee is that we're both from different countries, but that can be universal as well, because every one of us has felt sometimes where you're in a place and around people that you do not really know, do not really relate to, and you try to belong. So as much as she's similar to people like me, like Halina, as newcomers to this new big beautiful country dreamland, it's also a universal feeling of the desire to belong somewhere with someone. The process of Bodies Bodies Bodies has been really interesting because we got to work, to experiment, to think, and then shoot for a very quick period of time — and work with one location and a lot of settings, a lot of physical blocking. That's difficult for a theatrical play, which of course came from Halina and her desire to make this as authentically as possible — and with as long takes as possible. And Jasper Wolf, our director of photography, has just been a dream because he was following every single movement and every single decision we make in the moment. He captured things that haven't been written, haven't been rehearsed, they just happen in this moment, because Halina never said — not never, but a lot of times — she didn't say cut or stop, and we just kept going." ON PLAYING BODIES BODIES BODIES WITH THE CAST OF BODIES BODIES BODIES "We were shooting in this humongous, tremendous villa in the middle of Chappaqua [in upstate New York] in the woods, and we were staying at this very scary hotel around Chappaqua. Every single night, we wanted to spend time together rehearsing — and just hold hands and tell each other that we're worth it, we're loved and we're good, we're not bad people, because we were traumatised by the movie we were shooting somehow, and by the horrible people that we had to play. One of the nights we wanted to play Bodies Bodies Bodies, or as we call it, Mafia or Werewolf. And if was very interesting. I think it made us more into the game. And it was one of the first nights we were together, so it was interesting to explore what happens there." ON HOW LIFE HAS CHANGED SINCE BORAT SUBSEQUENT MOVIEFILM "It became more bicoastal, universal. I've been working like crazy ever since I was a child, and trying to do as many things as possible — if they're good quality — but I just want to keep working, it makes me happy. It makes me happy to have the chance to portray all of these different people and try to think like them. And maybe somehow, it makes me understand people more, because I have to read the lines of this character, create their backstory and believe them. When you get the chance to explore different characters and their reasons, you are not so judgemental when you meet people in real life. That's why I'm passionate about acting and working. But the biggest change is that I hope people will pay more attention to people from my region of the world, people like me, people who haven't been in the spotlight yet and haven't been given a chance." Bodies Bodies Bodies screens in Australian cinemas from September 15. Read our full review. Images:Erik Chakeen / Gwen Capistran / The cast and crew of Bodies Bodies Bodies / A24.
The world-renowned violinist, acclaimed author, sassy singer and all-round enthralling performer Emilie Autumn is stepping on to Australian shores this week and is ready to amaze audiences around the country. The show was announced last year following the release of Autumn's third and most successful studio album, Fight Like a Girl, which was inspired by her book The Asylum for Wayward Victorian Girls and her own intimate personal experiences. Emilie Autumn describes her musical style as 'victoriandustrial', largely because she draws inspiration from poetry, plays, novels and history, particularly from the Victorian era. Think punk meets classical meets burlesque mixed in with a dash of darkwave and synth pop to create a theatrical musical feast like no other — and, of course, we can't forget the avant garde stage constumes which have helped develop Autumn as a fashion icon over recent years. The beats of all-girl backing band the Bloody Crumpets will add to the already dazzling performance, ensuring that the violin fireworks will be a humdrum point in the evening. With a stage presence as bright and extravagant as her hair, Emilie Autumn is a refreshingly unique addition to the 21st-century music scene who has to be seen to be appreciated. https://youtube.com/watch?v=8NGKQ1UUD40
History is repeating in the latest change to Fortitude Valley's music scene. When disco started to wane in popularity from the late 70s and early 80s, rock slid in to help take its place — and that's exactly what's now happened on McLachlan Street in Alhambra Lounge's former home. In October 2022, the space welcomed in SuperFly Disco, which even sported a light-up dance floor. Half a year later, the retro nightclub has been reborn as SuperFly Studios, and now focuses on live tunes. The new approach kicked in at the beginning of March 2023, complete with a hefty stage and sound system to match. In its rebranded guise, SuperFly can fit in 400 people, and also now welcomes in patrons for free — including until 3am on Friday and Saturday nights. The dress code is also more casual, too. And, in the future, Thursday and Sunday gigs are on the agenda. Given that the venue always hailed from the Drunken Monkey Group team, which also boasts Brooklyn Standard and Suzie Wong's Good Time Bar in its portfolio, the switch from DJs to bands is hardly surprising. A bonus: Superfly Studios can now ensure that the company can host larger shows and names. In its initial form, SuperFly leaned into the tunes, attitude and decor of five decades back, including a fitout boasting walls of records, neon lights, disco balls aplenty — including in the bathrooms — and murals featuring famous music faces from the bar's celebrated era. Some of that remains, including mirrored tiles and all that vinyl, but you'll now spot Amy Winehouse, for instance, gracing the plaster. Drinks-wise, the venue pours beers and classic cocktails, with its bartenders still on hand to mix something up.
Some places have all the luck, and when it comes to combining brews with a view, Felons Brewing Co has plenty. Nestled into the CBD's revitalised Howard Smith Wharves area, it shares that luck with Brisbanites keen for a frosty beverage by the river — but on Wednesday afternoons, it's also giving you some boozy motivation to exercise. Felons' beer yoga classes take place from 5pm each week under the Story Bridge — and, while you're there, you'll want to put one of the outfit's tipples in your hands. Pick your favourite beer, then both work up and take care of your thirst. You'll also be immersed in the city's newest precinct with one of the city's best vantage points. Nina Lee from Sukhino will run you through your moves across 45 minutes, and attendance is free. BYO mat and just show up — although arriving early is recommended, because these sessions are certain to be popular. Felons Brewing Co's beer yoga sessions take place from 5–5.45pm each Wednesday.
Music venues across Melbourne and regional Victoria are set to take part in a pilot anti-sexual harassment and assault program, launched by the State Government this week. To begin, staff members in nine venues will receive training in identifying and responding to incidents. This will be followed in late April with the distribution of posters and related materials. Officially titled the Sexual Harassment and Assault in Licensed Live Music Venues Pilot Program, the initiative was created by a taskforce and working group convened in mid-2015. Members include representatives of LISTEN, SLAM (Save Live Australian Music), Music Victoria, Live Music Office and Victorian Police. The Victorian Government, under Labor Premier Daniel Andrews, provided funding. Venues taking part in the pilot, which will run for twelve weeks, are Corner Hotel, Richmond; Howler, Brunswick; Revolver Upstairs, Prahran; The Toff in Town, Melbourne CBD; The Gasometer, Collingwood; The Croxton Bandroom, Thornbury; The Chelsea Heights Hotel, Chelsea Heights; The Workers Club, Geelong and Karova Lounge, Ballarat. "This ground-breaking program will enable staff and patrons to step in and better respond to sexual harassment when it happens, and to prevent it from happening in the first place," said Minister for Gaming and Liquor Regulation Marlene Kairouz. In 2012, UNSW researcher Dr Bianca Fileborn surveyed 230 women and found that 96 percent "thought harassment happened in bars and clubs", with 80 percent describing it as common.
The MCA's Anna Davis has curated this survey exhibition of leading Australian artist Jenny Watson, which features works from the 1970s up to the present day ranging from her early realist drawings and paintings to several series of works on fabric. Evidencing Watson's naive, unaffected style, The Fabric of Fantasy showcases her special ability to blend autobiography and psychology with imagination, wit and deadpan delivery to explore her dreams and desires. Based in Brisbane but an avid traveller, Watson often incorporates textiles purloined during her adventures into the surface for several of her paintings — which could be anything from sequins to horsehair to magazines. Influenced by punk and the feminist movement, a significant part of Watson's work involves self-portraits or alter egos — think longhaired Alice in Wonderland-like figures in dresses, ballerinas, rock guitarists, plus the odd horse or cat — and often uses hand painted text alongside distilled imagery to bring to life an unusual interior world. Whether you're a fan or not, don't miss this chance to see over four decades of work from a truly fascinating conceptual painter. Image: Jenny Watson, 'The Pretty Face of Domesticity' (2014).
Some of Australia's dreamiest contemporary spaces have been given the ultimate tick of approval, taking out top honours at the Australian Interior Design Awards 2019. From the daring to the downright dapper, the esteemed awards recognised next level talent displayed in bars, hotels, cafes, public spaces and retail stores, all across the country. The top gong, known as the Premier Award for Australian Interior Design, went to George Livissianis for his work on sleek Sydney hair salon USFIN. The space was described by the 2019 awards jury as "genuinely clever" and "a bit sexy", with "a real joyfulness to it, despite its futuristic laboratory aesthetic". [caption id="attachment_724332" align="alignnone" width="1920"] USFIN[/caption] Elsewhere, BVN took out the Award for Interior Design Impact for North Strathfield's Our Lady of the Assumption Catholic Primary School, while the newly rebuilt Waltzing Matilda Centre in Winton, Queensland, took home the award for Best Public Design. The designers behind some of your go-to hospitality spaces were also given serious props, including Melbourne firm Pierce Widera, which was awarded the title of Emerging Interior Design Practice. This is the team that brought us contemporary favourites like Cheek (and its rooftop bar Peaches), Richmond's Sister of Soul and Northcote cafe Bicycle Thieves. [caption id="attachment_724328" align="alignnone" width="1920"] United Places Botanic Gardens. Image: Sharyn Cairns[/caption] Melbourne-based studio Carr scooped up the Hospitality Design Award for South Yarra hotel United Places Botanic Gardens, which is also home to chef Scott Pickett's fire-driven restaurant Matilda 159 Domain. Further north, Herbert & Mason scored a Commendation in the Retail Design Award category, in honour of its work on Surry Hills' multifaceted wellness hub Paramount Recreation Club. [caption id="attachment_724331" align="alignnone" width="1920"] Escher X nendo: Between Two Worlds. Image: Takumiota[/caption] And the Installation Design Award honoured some familiar activations, with the top prize going to the National Gallery of Victoria and Nendo for the Escher X Nendo: Between Two Worlds exhibition. Anna Tregloan pulled a Commendation for her work leading us all down the rabbit hole at ACMI's Wonderland. You can check out the full list of award winners at the AIDA 2019 website. Images 1–2: Sister of Soul by Derek Swalwell. Images 3–4: Cheek by Jana Langhorst. Image 5: Waltzing Matilda Centre by Casey Vallance.
When it was announced back in 2016 that Moulin Rouge! was being turned into a stage musical, fans around the world thought the same thing in unison: the show must go on. Since then, the lavish production premiered in the US in 2018, then hit Broadway in 2019, and also announced that it'd head Down Under in 2021 — and if you're an Aussie worried about whether the latter would actually happen after 2020's chaos, the same mantra thankfully applies to its planned Melbourne season. After the Australian production put out a casting call for auditions late in 2020 — and, in the process, revealed that it was working towards June rehearsals and August previews as part of its timeline — it has been confirmed that Moulin Rouge! The Musical will indeed hit Melbourne's stage in the second half of this year. So, from Friday, August 13, you'll be able to watch the spectacular show at Melbourne's revamped Regent Theatre. Based on Baz Luhrmann's award-winning movie, the stage musical brings to life the famed Belle Époque tale of young composer Christian and his heady romance with Satine, actress and star of the legendary Moulin Rouge cabaret. Set in the Montmartre Quarter of Paris, the film is known for its soundtrack, celebrating iconic tunes from across the past five decades. The stage version carries on the legacy, backing those favourites with even more hit songs that have been released in the two decades since the movie premiered. Indeed, when Moulin Rouge! The Musical makes its Aussie debut this year, it'll help mark the movie's 20th anniversary year. https://www.youtube.com/watch?v=p68Q1G1A_k4&feature=emb_logo The musical is heading to Melbourne in the hands of production company Global Creatures, along with the Victorian Government. The Government is also a big player behind the Regent's upgrade works, having dropped a cool $14.5 million towards the $19.4 million project. It co-owns the site, along with the City of Melbourne. At present Moulin Rouge! The Musical's season will run through until at least December, with general public tickets going on sale from 9am AEDT on Friday, February 19 for performances up until Sunday, December 5. You might want to get in quickly if you're keen on heading along, though — when pre-sale tickets were put up for grabs on Monday, February 15, they broke the Regent Theatre's record for the most pre-sale tickets sold in a single day. Moulin Rouge! The Musical will hit The Regent Theatre, at 191 Collins Street, Melbourne from Friday, August 13. General public tickets go on sale via Ticketmaster from 9am AEDT on Friday, February 19 — and for further details, head to the production's website. Moulin Rouge! The Musical image: Matthew Murphy.
Not content with getting a superhero and supervillain experience on screens big and small, and jumping into multiverse mania in cinemas and on TV as well? Head to Brisbane's bar scene, where a trio of drinking spots themed after caped crusaders and their antagonists will get you hopping between different IRL worlds. Fortitude Valley's 1st Edition opened its doors in 2021, but it has gained two sidekicks, also in California Lane. Harley Quinn launched first back in May 2024, and now Poison Ivy is also up and running. If you're making the rounds at this trio of watering holes, do you need a change of outfits Superman-style for each one? Should you conjure up an alter ego to bust out, at least? However you answer those questions, you can now enjoy the River City's very own comic book-inspired quarter — all slinging cocktails, as well as leaning into their theming as heartily as a spandex-clad saviour does vanquishing world-threatening foes. Each venue has its vibe, though. Taking over the site that was previously home to Viva La Cali, 40-seater Poison Ivy splashes around green aplenty (of course) and sports a mural of its namesake. Across the rest of the 100-person-capacity precinct, Harley Quinn pairs a more casual atmosphere — it operates as a cafe by day — with its a likeness of its own key influence, while 1st Edition savours a moody air as it heroes a roster of characters in its artwork. Also tying the trio together: a multiverse menu, which is on offer at all three locations. It applies to both drinks and food options, so you'll know what's on offer to sip and eat if you're turning a visit to this patch of California Lane into a bar crawl. Beverages include the Poison Ivy, naturally, which is made with gin, bay leaf cordial, celery shrub, sea salt and a burnt bay leaf garnish; the also-expected Harley Quinn, featuring gin, lemon, rosé prosecco and fairy floss; and The Tesseract!, with gin, Italicus and blue curacao, as served under a smoke-filled glass dome with a glowing light. Or, opt for the Constantine's Old Fashion and you'll be indulging in Jameson stout, Mr Black liqueur, maple syrup, a milk-washed doughnut and chocolate. Yes, there's drinks named after Batman, Deadpool, The Riddler, The Flash, Dr Doom, Mysterio, Invisible Girl and Steve Rogers, too. Accordingly, patrons won't just be thinking about characters played by Uma Thurman (Red, White & Royal Blue) in Batman & Robin, and by Margot Robbie (Barbie) in Suicide Squad, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) and The Suicide Squad — and that Lady Gaga (House of Gucci) is taking on in the upcoming Joker: Folie à Deux. To line the stomach, the food side of the multiverse menu features KFC ribs with kimchi and shallots, bang bang cauliflower, beef carnita gyoza with pineapple and spring rolls, salt and vinegar calamari, and more. Or, Harley Quinn's daytime spread will get you tucking into curry pies — both lamb and vegetables — muffins, and bacon and egg rolls, plus coffee from Almanac. Now that both Harley Quinn and Poison Ivy are welcoming in Brisbanites, laneway parties are also on the bill, with the last Saturday of every month getting the disco ball spinning to house music from sunset. Find Poison Ivy Bar and Harley Quinn Bar in California Lane, 22 McLachlan Street, Fortitude Valley. Poison Ivy opens from 4.30pm–late Friday–Saturday, with Sunday trading coming soon. Harley Quinn operates from its bar from 5.30pm–late Friday–Saturday, and also its cafe from 11.30am–4pm Wednesday–Saturday. Head to the 1st Edition website for more details and bookings.
When it comes to this cheap way to get a bite brought to your door across Friday, August 25–Sunday, August 27, Larry Emdur and Ian 'Turps' Turpie spring to mind: the price is indeed right. Across the three days, DoorDash is bringing back its $1 Weekend. Not that you'll be paying with actual gold coins, but that's all you'll need denomination-wise for a heap of dishes. Running across the country, this weekend special has enlisted Fishbowl, Lord of the Fries, Betty's Burgers and San Churro — and Soul Origin, Pizza Hut, Red Rooster and Oporto, too. Prefer Ribs and Burgers instead? That's also on the list, as is The Yiros Shop, Burrito Bar and Broken Hearts Burger Club. Each state has more than 2000 offers available across the three days, including Queensland. Of course, as there always is, there are caveats. The big one: the deal is available from 2–5pm AEST each day, so you'll either want a late lunch or early dinner. Another crucial point: there's a unique promo code for each day displayed on the DoorDash app for each store, which you need to use at checkout. And, you will 100-percent need to order via that app. Also, you can only get one $1 menu item per order — and one $1 special per day, too. Unsurprisingly, only some menu items are available for $1. And, some places will only let you get one $1 special across the whole weekend. Delivery and service fees are still applicable, and an order fee will be added if your subtotal is less than $15. Still, in this economy, a bargain is a bargain.
When Australian wine festival Pinot Palooza does the rounds each year, it's heaven for fans of the type of vino that's in its name. When dairy fest Mould pops up, cheese dreams are indeed made of this. The two initially ran as separate events, but that's been changing in some Australian cities in recent years. In 2025, Brisbane, Melbourne and Perth are on that list, getting the Mould x Pinot Palooza experience. It's a wine fest. It's a cheese fest, too. It's a celebration of an iconic pairing, clearly. Brisbane is hosting the first festival of the year, across three days in May at the RNA Showgrounds. Then, come winter, Melbourne gets a two-day stint in July at the Royal Exhibition Building, before it's Perth's turn for three days at Claremont Showgrounds in August. On the vino side, being spoilt for choice can be overrated. Sometimes, like when deciding which wine varieties you feel like at any given moment, it's easier to have someone else do the picking for you. With that in mind, Pinot Palooza goes all in on pinot noir — and here, the sound of a light- to medium-bodied red wine sloshing around a glass is the standard soundtrack. For cheese fiends, imagine a place where cheese reigns supreme, other than in your own kitchen. Imagine a wide array of different varieties on offer for the tasting. Imagine being able to sample whatever you liked from this dairy feast, too. And, picture just buying one ticket to devour all the cheddar, brie, camembert, raclette and whichever other cheeses take your fancy. Is this the real life? Yes — it isn't just a cheesy fantasy. Bringing Pinot Palooza and Mould together is both a stroke of genius and the result of the two events both being organised by the same company. Revel first starting clinking glasses filled with pinot noir in 2012, then turned its attention to cheese, cheese and more cheese in 2017. The full lineup of folks that'll be letting you sample their wares hasn't yet been revealed, but it will include Innocent Bystander, Vinteloper, Yering Station, Meadowbank Wines, Charteris Wines and Howard Vineyards on the wine front, plus Milawa Cheese and Bruny Island among the cheesemongers — and Bee One Third honey and Women's Work relishes, too. And yes, your $59 ticket still includes unlimited tastings at the fest's featured stalls. You'll also get a free cooler bag, wine glass and tote. "Mould x Pinot Palooza is the ultimate celebration of two of life's greatest pleasures — cheese and wine. This year, we're bringing together Australia's best artisan cheesemakers alongside a stellar lineup of pinot noir producers from Australia, New Zealand and beyond. It's a chance for food and wine lovers to immerse themselves in the incredible diversity of local cheese and world-class pinot," said Jessica Audas, Head of Revel. "More than just a tasting experience, this event is about discovering the magic of perfect pairings — where the right cheese and pinot can elevate each other in unexpected and unforgettable ways." Mould x Pinot Palooza 2025 Dates: Friday, May 23–Sunday, May 25: John Reid Pavilion, RNA Showgrounds, Brisbane — Friday (5–9pm), Saturday (11am–3pm and 4–8pm), Sunday (11–3pm) Friday, July 4–Saturday, July 5 — Royal Exhibition Building, Carlton, Melbourne — Friday (5–9pm), Saturday (11am–3pm and 4–8pm), Friday, August 8–Sunday, August 10: Silver Jubilee Pavilion, Claremont Showgrounds, Perth — Friday (5–9pm), Saturday (11am–3pm and 4–8pm), Sunday (11–3pm) Mould x Pinot Palooza is touring Australia between May–August 2025. For more information, and for tickets, head to the Mould and Pinot Palooza websites. Select Mould images: Dexter Kim.
Can't pick a theme for New Year's Eve? Or a costume? Or a price range? Well, who says you have to? Not the Story Bridge Hotel, given that they're clearly quite indecisive themselves. That's why they're throwing not one, not two, but three parties. In the Shelter Bar and Outback Bar, patrons can wander into wonderland for the Mad Hatters NYE Garden Party. If you don't have appropriate headwear but you do have a tux, then you can revel in Bond in the Martini and Heritage Rooms. Or, if you just want a classy, theme-free evening, The Piano Room's classy night out is probably your best bet. Wearing a suit and hat will get you into all three, but that will prove a little expensive.
Because you’re reading this, we know you’re not someone who received a pet for Christmas, only to decide it wasn't for you. We know you're one of the good folks. You're probably wishing that you did receive a loveable animal as a gift, even if you already have one — or several — that you adore. We understand your yearning, and so does RSPCA Queensland. In trying to find permanent homes for dogs, cats, puppies and kittens surrendered into their care from all over the state, they’re bringing all those cuddly creatures to the Brisbane Convention and Exhibition Centre on Saturday 16 January for their second pop-up adoption event. Entry is free, and includes demonstrations, entertainment, food, and activities, as well as RSPCA stalls and information. And then there’s the hundreds of animals waiting for your affection — and for you to take them home with you. Although you can't put a price on the happiness a new four-legged friend will bring, discounted rates do apply on the day for those willing to adopt an older cat or dog. Kittens and puppies aged under four months will also be looking for someone to love them. The time and place is perfect for many a Brisbane resident, coinciding with the first day of the biannual secondhand free-for-all that is Lifeline Bookfest. Who doesn’t want to go out for a day of book browsing, puppy perusing and cat patting? You might just come home with six month's worth of reading, and a new pal to keep you company. There's more to pet adoption than overdosing on cuteness, of course, with making the commitment to care for an animal serious business. For further information, read RSPCA Queensland’s FAQs.
Who doesn't like a trip to Tassie? The riesling is crisp, the oysters are fresh and the landscapes are stunning. It's a popular destination, with eager travellers regularly making the trip across the Bass Strait in search of rolling vineyards, empty beaches and contemporary art. This weekend, an adventure down to the island state will be a lot more affordable thanks to Spirit of Tasmania's first ever Black Friday sale, with 30 percent off passenger fares. Over the Black Friday weekend sale, starting Friday, November 29, and ending at midnight on Monday, December 2, you can secure tickets for the ship from just $62 per adult, or $21 for kids, each way. All you have to do is select travel dates between February 3 and June 30, 2020 (with exceptions over the Easter period). Those of you planning on going to Dark Mofo 2020 will notice those dates cover the 12-day winter festival. So, round up the crew to bag a Mofo bargain — well, at least on the travel. Perks of travelling with Spirit of Tasmania include the ability to drive your car onto the ship, so you can embark on a dream Tassie road trip without the hassle of hire car fees and luggage restrictions on planes. Plus, your holiday starts as soon as your feet hit the deck. If you're looking to save on accommodation costs, book a night voyage and make the most of the three bars, restaurant, two cinemas and live music on board, too. If you don't want to let this offer sail you by, jump online between Friday, November 29 and Monday, December 2 to snap up tickets.
First, Coachella excited music fans worldwide with its 2020 lineup, with Travis Scott, Frank Ocean and Rage Against the Machine topping the bill. Then, when COVID-19 started having an impact on gigs around the globe — and travel to gigs, too — the huge Californian fest postponed this year's event from April to October. Now, in a move that's hardly surprising, it's scrapping 2020's festival altogether. Instead, it'll aim to return in 2021 in its regular April time slot. Revealing the news, fest organisers announced that "Under the continuing health guidance of the County of Riverside, Coachella and Stagecoach 2020 will not take place this October as previously rescheduled". Just what'll happen with Coachella's much-anticipated 2020 lineup — and whether Scott, Ocean and RATM will feature next year — is yet to be advised, with the festival saying, "we look forward to sharing our new lineups and more information." The cancellation comes after Coachella's parent company, Anschutz Entertainment Group (AEG), told staff earlier this week that it'd be cutting back its workforce, including layoffs, furloughs and pay cuts, the Los Angeles Times reports. Coachella ticketholders will be able to use their passes for the 2021 festival and the company will be emailing information about refunds by Monday, June 15. https://www.instagram.com/p/CBT6AgsHdY5/?igshid=70jfi1nudmg Fallout from the coronavirus on this scale has been predicted for the music industry for months, with some experts forecasting that concerts, festivals and international touring won't return to normal until late 2021. Just this week, Australia's own Splendour in the Grass also canned its 2020 fest, after earlier announcing a move to October, just as Coachella had. Splendour will instead celebrate its 20th-anniversary event in July 2021. Of course, since Australia and New Zealand's international borders are currently firmly shut — and, if they reopen anytime soon, they only look likely to open to each other as part of an Australian–New Zealand travel bubble — music lovers from Down Under weren't going to be able to attend this year's Coachella anyway. If you had been preparing to to watch the always-popular livestream across the weekends of October 9–11 and 16–18, though, you'll need to cancel your plans. Or, you can check out the free YouTube documentary Coachella: 20 Years in the Desert, which does an entertaining — albeit highly official, and therefore highly celebratory — job of exploring the fest's origins, growth and success. The doco also includes some killer performance footage, highlighting performers who've graced the Indio stage over the past two decade, such as Jane's Addiction, Bjork, Daft Punk, Madonna, Amy Winehouse, Beyonce and Prince, plus Tupac in hologram form. Coachella will no longer take place in 2020, and is expected to return from April 9–11 and April 16–18, 2021. For further information, visit coachella.com.
Romance. Kidnapping. A farm girl called Buttercup. A scheming prince. A swashbuckling saviour. A giant. When William Goldman threw them all together, The Princess Bride was the end result — first in his 1973 novel, and then in the 1987 film that the late, great writer also penned. For more than three decades, viewers have watched Fred Savage hear the world's best bedtime story, Robin Wright and Cary Elwes frolick in fields, and Andre the Giant tower over everyone around, with The Princess Bride one of those beloved 80s flicks that never gets old. That said, if you've ever found yourself enjoying all of the above and thinking "a musical number or two wouldn't go astray", you're about to be in luck. Despite what outlaw boss Vizzini (Wallace Shawn) might exclaim, a musical version is no longer inconceivable. Instead, Disney is channelling another famous Princess Bride line: as you wish. While the project has been in various stages of development for more than a decade, a new creative team has been hired to finally make this all-singing take on the tale a reality, The Hollywood Reporter notes. Fresh from nabbing a 2018 Tony Award for The Band's Visit, David Yazbek will take care of The Princess Bride's original music and lyrics, while book fellow Tony winner Bob Martin (The Prom, The Drowsy Chaperone) will pair up with Rick Elice (The Cher Show, Jersey Boys) on the book. If The Princess Bride musical does come to fruition this time, it'll join the ever-growing list of movies leaping to the stage, including Matilda, Charlie and the Chocolate Factory, Bring It On, Mean Girls, Clueless, The Bodyguard, Amelie, Waitress, Muriel's Wedding and Moulin Rouge!, with versions of The Devil Wears Prada, Empire Records, Mrs Doubtfire, The Notebook and Aussie classic Starstruck also in the works. No timeframe has been given for The Princess Bride; however the film's trailer will help tide you over until more news comes to hand: https://www.youtube.com/watch?v=P9FRDyTerZA Via The Hollywood Reporter.
Superheroes aren't subtle. Some endeavour to blend in as ordinary people — sporting glasses that somehow trick the world into not spotting their real identities, for instance — but wearing brightly hued spandex suits isn't a low-key move. And, neither is busting out super strength or speed, or invisibility or being able to shrink, or any other preternatural abilities that caped crusaders have at their disposal. Superheroes are also everywhere, or that's how it feels when you're watching a screen big or small. So if you're going to satirise this super-powered genre, throwing nuance out the window is as essential as retaining a super-sized dose of self-awareness. For three seasons now, The Boys has understood this. Prime Video's page-to-screen parody first arrived in 2019, making the leap from Garth Ennis and Darick Robertson's comic book series of the same name. It returned in 2020 with more, and now follows that up with a third spin (dropping three episodes on Friday, June 3, then releasing the remaining five week by week). Across every instalment in all three seasons, The Boys has also gleaned something else crucial: that superhero fatigue is real and in non-stop supply. It knows that it dwells in an IRL world where every second blockbuster movie and every third TV show is about lycra-clad folks, and where anything else is becoming an outlier at the box office and in streaming queues alike. So, from day one, it has savvily set itself up as a much-needed antidote. A show about supes that's a tonic to all those flicks and other series about supes? Yes, That's The Boys. It's also gleefully OTT, unflinchingly violent, immensely funny, and so eager to push boundaries that you could be forgiven for wondering if its powers-that-be are just whipping up with the most outlandish things they think they can get away with. But The Boys isn't a respite from all that other never-ending superhero fare merely due to its tone, but thanks to its smarts. Indeed, in season three, it goes all in on one of its most pressing topics: the ideas and ideals about life that get passed down when worshipping the super-powered (and the wealthy, and just the powerful, and generally the white and male as well) is the unthinking cultural status quo. For the uninitiated, The Boys lurks in a version of reality that has supes in the flesh, not just in flickering frames. And while the marketing-driven, profit-chasing narrative pumped out around them by supe-peddling corporation Vought International hails these heroes as being better than everyone else, this show is well aware that buying that line about any celebrities is foolish. Names are changed and some details, too, but spying parallels off-screen is easy by design. Accordingly, that Vought has layered its famous figures across every platform it can, including theme parks, isn't surprising. That the supposed best of the best are packaged together as the ultimate hero team, The Seven, isn't either. Nor is the avid fandom they receive, or the film franchises sprawling around them, or the notion that spouting fawning adoration should be automatic. It's been evident since episode one that The Seven leader Homelander (Antony Starr, Banshee) uses his public persona as a shield for his twisted ego, soul-devouring insecurities, arrogance and selfishness — and, instalment by instalment, his sinister true nature keeps burning. In The Boys' third season, he may as well be America's most recent ex-President, complete with unhinged rants and an at-any-cost desperation to retain control. The comics were actually published from 2006–12, but the show they've spawned is firmly steeped in the polarised US of the past six or so years. That's another reason that subtlety hardly comes with the territory, and yet it doesn't make The Boys any less potent. The in-show alternative to Homelander's psychopathic, egotistical, world-threatening existence: the ragtag gang of vigilantes that shares the series' name. Led by cynical-as-fuck Brit Billy Butcher (Karl Urban, Thor: Ragnarok), they remain intent on bringing down Vought and The Seven, as always. About year has passed, however, and Hughie (Jack Quaid, Scream) now works with congresswoman Victoria Neuman (Claudia Doumit, Where'd You Go, Bernadette) at the Federal Bureau of Superhuman Affairs, countering misbehaving superheroes the legal way. That involves overseeing Butcher and fellow pals Frenchie (Tomer Capone, One on One) and Kimiko (Karen Fukuhara, Suicide Squad), but this wouldn't be The Boys if their battle was that straightforward. So much that happens in season three stems from that one underlying concept: that the penchant for passing on automatic superhero fandom is a symptom of a society — and of people, too — happier to rot mindlessly than do what's right. It's there in the reality TV show that The Seven's Starlight (Erin Moriarty, Captain Fantastic), also Hughie's girlfriend, hosts to find new members for the supe team. It's also in Mother's Milk's (Laz Alonso, Wrath of Man) multilayered subplot, which sees him in and out of The Boys, avenging his traumatic past and worrying about who's influencing his pre-teen daughter. Butcher's relentless quest to vanquish Homelander, also at any cost, fits as well. And, it's an inescapable part of the tale around long-missing hero Soldier Boy (Jensen Ackles, Supernatural) and everything that being a supe stood for in his heyday between the 40s and 80s. The Boys isn't saying much that's new in its third season, but it continues to bite deeper — and sharper. Finding more ways to spell out how insidious caped-crusader mania keeps getting must be as entertaining a task as conjuring up bloodier, gorier, more audacious setpieces; this season ups the ante on both, and it's equally entertaining to watch. Taking Honey I Shrunk the Kids to a brazen extreme, bringing one of its source material's most jaw-dropping storylines to the screen, tearing into toxic masculinity in a plethora of ways, getting just as savage about corporate domination: that's all on the menu, too. So is riffing on pandemic-era pop-culture moments, serving up impressive cameos, spewing guts and other bodily substances, and throwing in Britney Spears and Fast and Furious winks, plus song-and-dance numbers. Much of the above happens within season three's first episode, in fact, but The Boys definitely starts its latest go-around as it continues. And yes, that includes doubling down on the two performances that couldn't sum up this darker-than-dark, unshakeably bleak, constantly perceptive show better, with New Zealanders Starr and Urban each as hypnotic as ever as two sides of the same coin. Just don't go thinking that either of them play heroes. Check out the trailer for The Boys season three below: The third season of The Boys streams via Prime Video from Friday, June 3.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are nine that you can watch right now at home. LIMBO When Ivan Sen sent a police detective chasing a murdered girl and a missing woman in the Australian outback in 2013's Mystery Road and its 2016 sequel Goldstone, he saw the country's dusty, rust-hued expanse in sun-bleached and eye-scorching colour. In the process, the writer, director, co-producer, cinematographer, editor and composer used his first two Aussie noir films and their immaculately shot sights to call attention to how the nation treats people of colour — historically since its colonial days and still now well over two centuries later. Seven years after the last Jay Swan movie, following a period that's seen that character make the leap to the small screen in three television seasons, Sen is back with a disappearance, a cop, all that inimitable terrain and the crimes against its Indigenous inhabitants that nothing can hide. Amid evident similarities, there's a plethora of differences between the Mystery Road franchise and Limbo; however, one of its simplest is also one of its most glaring and powerful: shooting Australia's ochre-toned landscape in black and white. Limbo's setting: Coober Pedy in reality, but the fictional locale that shares its name on-screen. It unmistakably sports an otherworldly topography dotted by dugouts to avoid the baking heat, and hasn't been able to overcome the murder of a local Indigenous girl two decades earlier. The title is symbolic several times over, including to the visiting Travis Hurley (Simon Baker, Blaze), whose first task upon arrival is checking into his subterranean hotel, rolling up his sleeves and indulging his heroin addiction. Later, he'll be told that he looks more like a drug dealer than a police officer — but, long before then, it's obvious that his line of work and the sorrows he surveys along the way have kept him hovering in a void. While he'll also unburden a few biographical details about mistakes made and regrets held before the film comes to an end, this tattooed cop with wings inked onto his back is already in limbo before he's literally in Limbo. Limbo is available to stream via ABC iView and Prime Video. Read our full review. RENFIELD It's a bloody glorious setup: Nicolas Cage, actor of a million unmissable facial expressions, star of almost every movie he's asked to be in (or so it can seem) and wannabe bloodsucker in 1988's must-be-seen-to-be-believed Vampire's Kiss, playing the dark one, the lord of death, the one and only Dracula. In Renfield, that stellar idea makes for frequently bloody viewing — cartoonishly, befitting an OTT horror-comedy with Nicolas Cage as Dracula. And the pièce de résistance that is Cage getting his fangs out as the Bram Stoker-created character, who was inspired by the IRL 15th-century Wallachian prince Vlad the Impaler? It is indeed glorious. The Transylvanian is the latest part he was born for, after stepping into his own shoes in The Unbearable Weight of Massive Talent, getting revenge over a pet pig in Pig, milking alpacas in Color Out of Space and screaming while dousing himself in vodka in Mandy (and, well, most things on his four-decade resume). Some movies have learned a simple truth, however: that putting Nicolas Cage in front of a camera and letting him unleash whatever version of Cage the film needs isn't always enough. That disappointment is usually on everything but Cage (see: his entrancing work in the otherwise average-if-lucky Willy's Wonderland, where he wordlessly battled demonic animatronics and made viewers wish he was around in the silent era), but Renfield has pre-emptively staked that lesson through its own heart. As the title makes plain, Cage's Dracula isn't the lead character. Instead, the long-suffering, insect-eating servant played by the feature's other welcome Nic, The Great's Nicholas Hoult, is in the sunlight. Accordingly, The Lego Batman Movie and Robot Chicken director Chris McKay doesn't even try to get his feature by on the Cageness of it all alone. That's a miscalculation. In fact, it's up there with the flick's Robert Montague Renfield pledging allegiance to the vampire that started all vampire obsessions. Renfield is at full power when Cage is front and centre, and feels like its blood is slowly being drained when he's out of the frame. Renfield is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. INFINITY POOL Making his latest body-horror spectacle an eat-the-rich sci-fi satire as well, Brandon Cronenberg couldn't have given Infinity Pool a better title. Teardowns of the wealthy and entitled now seem to flow on forever, glistening endlessly against the film and television horizon; however, the characters in this particularly savage addition to the genre might wish they were in The White Lotus or Succession instead. In those two hits, having more money than sense doesn't mean witnessing your own bloody execution but still living to tell the tale. It doesn't see anyone caught up in cloning at its most vicious and macabre, either. And, it doesn't involve dipping into a purgatory that sports the Antiviral and Possessor filmmaker's penchant for futuristic corporeal terrors, as clearly influenced by his father David Cronenberg (see: Crimes of the Future, Videodrome and The Fly), while also creating a surreal hellscape that'd do Twin Peaks great David Lynch, Climax's Gaspar Noe and The Neon Demon's Nicolas Winding Refn proud. Succession veteran Alexander Skarsgård plunges into Infinity Pool's torments playing another member of the one percent, this time solely by marriage. "Where are we?", author James Foster asks his wife Em (Cleopatra Coleman, Dopesick) while surveying the gleaming surfaces, palatial villas and scenic beaches on the fictional island nation of Li Tolqa — a question that keeps silently pulsating throughout the movie, and also comes tinged with the reality that James once knew a life far more routine than this cashed-up extravagance. Cronenberg lets his query linger from the get-go, with help from returning Possessor cinematographer Karim Hussain. Within minutes, the feature visually inverts its stroll through its lavish setting, the camera circling and lurching. As rafters spin into view, then tumble into the pristine sky, no one in this film's frames is in Kansas anymore. Then, when fellow guest Gabi (Mia Goth, Pearl) gets James and Em into a tragic accident, which is followed by arrests, death sentences and a wild get-out-of-jail-free situation, no one is anywhere they want to be, either. Infinity Pool is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FAST X If you don't believe that Fast X will be one of the Fast and Furious franchise's last films, which you shouldn't, then it's time to face a different realisation. Now 22 years old, this family-, street racing- and Corona-loving "cult with cars" saga — its own words in this latest instalment — might one day feature every actor ever in its always-expanding cast. Dying back in 2013 hasn't stopped Paul Walker from regularly appearing a decade on. He's the first of the core F&F crew to be seen in Fast X, in fact, thanks to a flashback to 2011's Fast Five that explains why the series' flamboyant new villain has beef with the usual Vin Diesel (Guardians of the Galaxy Vol 3)-led faces. Playing said antagonist is Jason Momoa (Dune), who adds another high-profile name to a roster that also gains Brie Larson (Ms Marvel), Rita Moreno (West Side Story), Daniela Melchior (The Suicide Squad), Alan Ritchson (Reacher) and Walker's daughter Meadow this time around. It's no wonder that this 11th flick in the franchise (yes spinoff Hobbs & Shaw counts) clocks in at an anything-but-swift 141 minutes. It's also hardly surprising that living on-screen life a quarter mile at a time now seems more like a variety show than a movie, at least where all that recognisable talent is involved. There are so many people to stuff into Fast X that most merely get wheeled out for their big moment or, if they're lucky, a couple. Some bring comedy (the long-running double act that is End of the Road's Ludacris and Morbius' Tyrese Gibson), others steely glares and frenetic fight scenes (The School for Good and Evil and Dungeons & Dragons: Honour Among Thieves' always-welcome Charlize Theron and Michelle Rodriguez, respectively), or just reasons to keep bringing up Walker's retired Brian O'Conner (which is where Who Invited Charlie?'s Jordana Brewster still fits in). When more than a few actors pop up, it feels purely obligatory, like the F&F realm just can't exist now without a glimpse of Jason Statham's (Operation Fortune: Ruse de Guerre) scowl or getting Helen Mirren (Shazam! Fury of the Gods) going cockney. Fast X is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. YOU HURT MY FEELINGS When Seinfeld was the world's biggest sitcom, the show about nothing was also about everything. Its quartet of yada, yada, yada-ing New Yorkers was oh-so-specific, too, but also relatable. It's no wonder that the 90s hit made a star out of Julia Louis-Dreyfus, who ensured that Elaine Benes was a work of comedic genius — with a Best Supporting Actress Emmy and six other nominations to show for it — and someone who could've walked straight in off the street. In razor-sharp political farce Veep, the actor did much the same to ample accolades. Making a Vice President in a gleeful satire feel real is no mean feat. But Louis-Dreyfus is at her best, and a true sensation, whenever she's in leading-lady mode in front of writer/director Nicole Holofcener's lens. That's only happened twice so far; however, both 2013's Enough Said and now 2023's You Hurt My Feelings are as excellent as engaging, lived-in and astute character-led dramedies come. Holofcener's preferred type of tales rarely get a silver-screen run in these days of blockbuster franchises, endless sequels and remakes, and ever-sprawling cinematic universes. That battle earns an in-script parallel in You Hurt My Feelings, with novelist Beth (Louis-Dreyfus, You People) also struggling. Her first book, a memoir about her childhood with an emotionally abusive dad, didn't notch up the sales she would've liked. At lunches between Beth, her sister Sarah (Michaela Watkins, The Dropout) and their mother Georgia (Jeannie Berlin, Hunters), the latter still protests about how it was marketed. And, when she finally submits a draft of her next tome after toiling for years, Beth's editor (LaTanya Richardson Jackson, Grey's Anatomy) isn't as enthused. None of these situations give the movie its name, though, which stems from Beth's therapist husband Don (Tobias Menzies, This Way Up) and his opinion. When she overhears him tell her brother-in-law Mark (Arian Moayed, Succession) that he isn't that fussed about the new text, it's shattering, especially when he's been nothing but her heartiest cheerleader otherwise. You Hurt My Feelings is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE INSPECTION If war is hell, then military boot camp is purgatory. So told Full Metal Jacket, with Stanley Kubrick's masterpiece making that observation echo and pierce with the relentlessness of machine-gun fire. Now, The Inspection stresses the same point nearing four decades later, plunging into the story of a gay Black man enlisting, then navigating the nightmare that is basic training. This too is a clear-eyed step inside the United States Marine Corps, but drawn from first-time fictional feature filmmaker Elegance Bratton's own experiences. New Yorker Ellis French (Jeremy Pope, One Night in Miami) is the Pier Kids documentarian's on-screen alter ego — an out queer man who has spent a decade from his teens to his mid-20s homeless after being kicked out by his ashamed mother Inez (Gabrielle Union, Strange World), and pledges his post 9/11 freedom away for a place to fit in, even if that means descending into a world of institutional homophobia and racism. It would've been easy for Bratton to just sear and scorch in The Inspection; his film is set in 2005, "don't ask, don't tell" was still the US military forces' policy and discrimination against anyone who isn't a straight white man is horrendously brutal. Life being moulded into naval-infantry soldiers is savage anyway; "our job is not to make Marines, it's to make monsters," says Leland Laws (Bokeem Woodbine, Wu-Tang: An American Saga), Ellis' commanding officer and chief state-sanctioned tormentor. And yet, crafting a film that's as haunting as it is because it's supremely personal, Bratton never shies away from Ellis' embrace of the Marines in his quest to work out how he can be himself. There's nothing simple about someone signing up for such heartbreaking anguish because that's the only option that they can imagine, but this stunning movie is anything but simple. The Inspection is available to stream via iTunes and Prime Video. Read our full review.. SWEET AS On the silver screen, Australia's golden landscape is frequently the place where pain dwells. Even when spinning fiction, films such as Mystery Road, Goldstone, Sweet Country, High Ground, The Furnace and The Survival of Kindness scorch reality's horrors and heartbreaks into celluloid with ample help from an ochre-hued backdrop that can only belong to the land Down Under. In Sweet As, the red earth of Western Australia's Pilbara region similarly couldn't be more pivotal; however, this coming-of-age drama from first-time feature director and writer Jub Clerc (The Heights) — who previously contributed segments to anthology movies The Turning and Dark Whispers: Volume 1, draws upon her own adolescent experiences for her full-length debut, and crafts the first WA flick that's helmed and penned by an Indigenous female filmmaker — deploys its patch of Aussie soil as a place where teenagers find themselves. Murra (Shantae Barnes-Cowan, Firebite) is one of Sweet As' adolescents learning to be shutterbugs, albeit not by choice. With her mother Grace (Ngaire Pigram, also a Firebite alum) grappling with addiction, the 16-year-old is traversing a path to child services' care when her police-officer uncle Ian (Mark Coles Smith, Mystery Road: Origin) enrols her on a trip that she doesn't initially want to take. With youth workers Mitch (Tasma Walton, How to Please a Woman) and Fernando (Carlos Sanson Jr, Bump) as their guides and chaperones, Murra, Kylie (newcomer Mikayla Levy), Elvis (Pedrea Jackson, Robbie Hood) and Sean (fellow first-timer Andrew Wallace) are soon hurtling into the outback on a minibus with cameras in their hands — to snap the sights away from their ordinary lives, and also step beyond everything that they know, form new friendships, gain a different perspective and gaze as intently at themselves as they do at the earth from behind a lens. Sweet As is available to stream via iTunes and Prime Video. Read our full review. GUARDIANS OF THE GALAXY VOL. 3 Bickering and bantering. Battling all over space. Blasting retro tunes. That's Guardians of the Galaxy's holy trinity, no matter where its ragtag crew happens to be in the Marvel Cinematic Universe. Since 2014's Guardians of the Galaxy Vol. 1, Peter Quill aka Star-Lord (Chris Pratt, The Super Mario Bros Movie) and his pals have offered the MCU something shinier than the gold-hued Adam Warlock (Will Poulter, Dopesick): a reprieve from the ever-sprawling franchise's standard self-seriousness. Friends but really family, because Vin Diesel is involved, this superhero team got gleefully goofy in their initial big-screen outing, 2017 sequel Guardians of the Galaxy Vol. 2 and 2022's straight-to-streaming The Guardians of the Galaxy Holiday Special. They've popped up elsewhere across the comic-book film saga plying a sense of silliness, too. Welcomely, even when they're slipping into Avengers and Thor flicks, they've always felt like their own distinctive group surfing their own humorous but heartfelt wavelength, a power that isn't generally shared across Marvel's output. Arriving to close out the Guardians' standalone trilogy, Guardians of the Galaxy Vol. 3 zooms into the movie series' fifth phase with a difference: it's still a quippy comedy, but it's as much a drama and a tragedy as well. Like most on-screen GotG storylines, it's also heist caper — and as plenty of caped-crusader flicks are, within the MCU or not, it's an origin story. The more that a James Gunn-written and -directed Guardians film gets cosy within the usual Marvel template, however, the more that his branch of Marvel's pop-culture behemoth embraces its own personality. Guardians of the Galaxy Vol. 3 couldn't cling tighter to its needle drops, of course, which leap to the 90s and 00s this time and hit with all the subtlety of a Zune player being thrown at the audience. It also stuffs out its duration and over-packs its plot. But, the obligatory post-credits sting aside, this farewell to part of the MCU always feels like a zippy, self-contained Guardians of the Galaxy movie — including when it's also a touching dive into Rocket's (Bradley Cooper, Nightmare Alley) history — rather than a placeholder for more and more future franchise instalments. Guardians of the Galaxy Vol. 3 is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE FLASH Living with your choices, and facing the fact that you can't always take back mistakes and fix traumas, fittingly sits at the heart of The Flash's narrative. While the Barry Allen (Ezra Miller, Fantastic Beasts: The Secrets of Dumbledore) that audiences have also seen in Suicide Squad, Justice League and Shazam! enters The Flash calling himself "the janitor of the Justice League", answering Alfred's (Jeremy Irons, House of Gucci) calls to clean up Batman's (Ben Affleck, Air) chaos offers a handy distraction from his family situation. Understandably, he's still grief-stricken over his mother's (Maribel Verdú, Raymond & Ray) murder. He's also struggling to prove that his incarcerated father (Ron Livingston, A Million Little Things) wasn't the killer. Cue messing with the space-time continuum, using his super speed to dash backwards to stop his mum from dying — and, as Bruce Wayne warns, cuing the butterfly effect. Back to the Future devotees know what follows when someone tinkers with the past. The Flash director Andy Muschietti (IT, IT: Chapter Two) and screenwriter Christina Hodson (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) count on viewers being familiar with the consequences, and with the Michael J Fox-starring 80s classic. Amid navigating various iterations of its protagonist and, as revealed in its trailers, getting Michael Keaton (Morbius) back in the cape and cowl as the Dark Knight three decades after the last Tim Burton-helmed Batman flick — plus finding time for Supergirl (Sasha Calle, The Young and the Restless) — this DCEU entry splashes around its broader pop-culture nods with gusto. Given that was Gunn's tactic in Marvel's Guardians of the Galaxy movies, right down to also mentioning Kevin Bacon and Footloose, perhaps Barry might have a DCU future after all? Whatever happens, The Flash's riffing on and namechecking other beloved films isn't its best trait. There are multiples of much in this movie, which includes multiple ways to slather on fan service. The Flash is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May and June, too. You can also peruse our best new films, new TV shows, returning TV shows and straight-to-streaming movies of 2023 so far
With international travel set to be off the cards until mid 2021, many Aussies are looking to explore their own backyards a bit more. One of the ways we're doing that is by hitting the trails and mountain paths. While your regular trainers and favourite leggings are probably all good for a one-day hike (depending on terrain), if you're looking to do something a bit longer — like a multi-day adventure across NSW, Victoria of Queensland — you might want to invest in some slightly more serious hiking gear. This can usually cost a pretty penny, but, thankfully, good ol' Aldi is about to drop a heap of adventure gear that won't empty your bank account. Available at stores across the country from Saturday, July 4, the gear includes everything from down jackets to hiking shoes and backpacks. You can snag headlamps for just $4.99, wool hiking socks for $11.99, $12.99 gloves , shoes for $29.99, a $34.99 30-litre backpack, merino thermals from $26.99 and a waterproof jacket starting at $39.99. There's also an Ultralight down jacket, which is water repellent, insulated and can be packed into a easy-to-carry pocket, is on offer for just $49.99 — still less than a pineapple — as well as some outdoor-appropriate technology such as binoculars ($39.99), handheld radios ($49.99) and GPS watches ($79.99). Once you're all kitted out, it's time to start planning your adventure. We suggest you aim high (literally) and tick off these ten epic mountain walks across Australia. The Aldi Adventure Range is available from Aldi stores nationally from Saturday, July 4. From 11.59pm on Wednesday, July 1, until at least Wednesday, July 29, stay-at-home orders have been reintroduced in ten Melbourne postcodes, which means their residents can only leave for one of four reasons: work or school, care or care giving, daily exercise or food and other essentials. For more information, head to the DHHS website.
In 2011, in this very country and galaxy, a pop culture favourite gained a singing, stripping burlesque parody. It's the mash-up that was bound to happen. Who hasn't looked at George Lucas' space opera, its sprawling drama and ample spectacle, and wondered what a steamier, funnier version with more visible butt cheeks would look like? Russall S. Beattie clearly did, and had a good feeling that other people would give it a shot. The Empire Strips Back was the end result. It became a hit around Australia, then took itself overseas to much acclaim. Now it's returning home for a 2019 tour — once again showing local audiences that lightsabers aren't the hottest thing in the Star Wars galaxy. The saucy show promises "seriously sexy stormtroopers, a dangerously seductive Boba Fett, some tantalising Twi'leks, a delightfully lukewarm Taun Taun, a lady-like Skywalker [and] the droids you are looking for", according to its website. Apparently Yoda doesn't get the sexed-up treatment, but there is plenty of song, dance, acrobatics and — because it's burlesque — the removal of clothing. A dancing Chewie and Han is just the beginning of this cheeky take on Star Wars cosplay. Given that it's got an upbeat soundtrack, the costumes are extremely detailed and the show throws out lots of references to George Lucas' original plot, it's not surprising that local audiences — presumably the same ones that pack out Star Wars parties and large-scale screenings with a live orchestra — have latched onto the production. Heading to Sydney, Melbourne, Brisbane and Perth, The Empire Strips Back sits alongside Dame of Thrones in Beattie's pop culture parody stable — so if you've already seen one of your fantastical screen obsessions get the burlesque treatment, then you know what you're in for. If you're super keen, you can also nab a Wookieerotica magazine online: a 116-page, 70s-style men's mag, just casually featuring all of your favourite jedis, siths, ewoks and other Star Wars characters. Either way, it could be a great introduction to burlesque or Star Wars, depending on which way you're coming at it. The Empire Strips Back tours Australia early 2019. It will be at Perth's Regal Theatre on January 11–12, Melbourne's Palais Theatre on January 18, Brisbane's The Tivoli from January 31 to February 2 and Sydney's Enmore Theatre on February 15–16. Ticket pre-sales commence at 9am on Thursday, September 13 — visit the show's website for further details. Images: Jon Bauer, Leslie Liu and Josh Groom.
After sitting out the last couple of years, 2019's Caxton Street Festival has big shoes to fill. Of course, if there's any street party that's up to the task, it's this once-annual, now-returning Paddington party. Think food, music and a good time all round. On the culinary side of things, the fest is returning the word "seafood" to its name, which might come as welcome news to those with long memories. While the specifics of the Caxton Hotel Seafood Festival will be revealed closer to the date — Sunday, May 5, so mark your calendar accordingly — expect plenty of fresh ocean bounty to feast on, as well as drinks to wash it down with. Also on the agenda: food trucks, pop-up bars and fun in The Caxton Hotel's beer garden. It'll all kick off from 10am, with the aforementioned pub driving the whole shindig. That's another blast from the past, with the watering hole a fest staple since the event first launched 25 years ago. And in yet another nod to times gone by, the 2019 timing also returns the shenanigans to the Sunday of the Labour Day long weekend.
Summer is still two months away, but it seems that the sizzling weather has hit Brisbane early in 2021. Yes, Brissie doesn't ever get particularly cold. Yes, it starts warming up here again after winter rather quickly once spring arrives. But a 36.6-degree day in early October is still unusual. That's where the mercury climbed to on Monday, October 4, as the city took a day off for the Labour Day public holiday. So yes, if you were feeling particularly toasty yesterday, there's a reason for that. The Bureau of Meteorology has advised that Monday's maximum temperature was actually Brisbane's highest in October for almost two decades — since 2004 in fact. Back then, the mercury got up to 38.7 degrees. If you're wondering how high the mercury has gone in October as far back as records have been collected, it hit 40.7 degrees back in 1958. Yep - it's warm 🌡️out there today! Noted in #SEQ that the sea breeze didn't beat the westerly and the temperature in Brisbane was 36.6°C at 2pm. That's the warmest Oct day since 2004 (38.7°C). Cooler temperatures in the south tomorrow, warm in the north. https://t.co/wb7o8hSbC5 pic.twitter.com/Qfagkh2WW1 — Bureau of Meteorology, Queensland (@BOM_Qld) October 4, 2021 If you're still feeling a little warm while you're reading this, that's because the weather is set to hover around the 30-degree mark all week. It'll reach a maximum of 30 degrees today, Tuesday, October 5, then sit at around 27–28 degrees until Sunday, October 10, which is when it'll hit 32 degrees again. Brisbane's average temperature in October is 26.1 degrees. So while it's currently a bit toastier than that, the week won't exceed the norm too much. For more information about Brisbane's weather, head to the Bureau of Meteorology website.
Take advantage of the Labour Day holiday and get out of town. Dance the night away and recover in style at Establishment Hotel, indulge in award-winning food at Lake House or sample the best wine the Margaret River has to offer at Empire Retreat and Spa. Whether you go bush at Arkaba Station, swim with the manta rays at Pinctada Cable Beach or pamper yourself at Lyall Hotel and Spa, it will be a weekend well spent. Establishment Hotel, Sydney The building that holds the decadent Establishment Hotel is an all-in-one affair, with a two-hatted restaurant, nightclub, speakeasy and exclusive cocktail bar at your fingertips. For the ultimate opulent experience, book the top-floor Loft Penthouse or huge two-level Duplex Penthouse. Either way, you’ll want a room on the higher levels; the all-inclusive set-up means noise from the revellers downstairs is unavoidable. Head to .est on level one for a fine dining experience like no other, and continue the party with drinks at Hemmesphere, the luxurious cocktail lounge on level four. When the music calls, venture downstairs to Establishment Main Bar to dance until the early hours. Step outside the door to be in the heart of the city — the Harbour Bridge and Opera House are literally a hop, skip and a jump away. Smith Extra: VIP access to Establishment’s lounge bar Hemmesphere, nightclub Ivy and Pool Club, and a bottle of sparkling wine. QT Port Douglas, Qld Soak up the spring sun at QT Port Douglas, the tropical getaway tucked away from the bustle of the main town. Lounge by the lagoon-shaped pool with a good book; the island deck will ensure you’re the centre of attention. Use the free guest bikes to explore the town or take the path down to Four Mile Beach for a leisurely ocean swim. Recover with a luxurious treatment at spaQ before spying on the shenanigans by the pool’s swim-up bar from the balcony of your One-Bedroom Pool View Villa. In winter and spring, QT also hosts Moonlight Cinema — enjoy a delicious snack while watching a classic or latest release on a state-of-the-art outdoor screen. Indulge with a meal at Bazaar, the resort’s main restaurant. The glass fridges hold fabulous produce that the chefs cook to order. Start with salad and seafood, before moving onto dishes from around the world (just make sure to leave room for dessert). Smith Extra: A bottle of bubbly plus late check-out (12 noon). Arkaba Station and Walk, Flinders Ranges Find your inner farmer at Arkaba Station and Walk, a 60,000-acre homestead and sheep station. Nature is king here; watch for kangaroos and emus or listen for the pink-hued galahs flocking the trees around the property. The exclusive homestead has five rooms, meaning you can bring friends along for an adventure. Each room brings a little of the outdoors inside, with cowhide rugs and wool-sack-wrapped bedside tables. Escape the spring heat with a dip in the outdoor pool, admiring the view of Arkaba Creek, hills and bush. The more adventurous can book a three-night guided walk, sleeping in comfy campsite swag beds for two nights before a night at the station. Eat food made over the fire, have an alfresco bush shower and fall asleep with a sheepskin hot-water bottle keeping you warm. Smith Extra: An assortment of Australian bush spices. Pinctada Cable Beach, Broome Perched between one of Australia’s most iconic beaches and the vast Kimberley, Pinctada Cable Beach delivers both beachside relaxation and rugged desert adventures. Rooms reference the town’s Asian heritage: the Honjin (meaning ‘most honoured guest’ in Japanese) Courtyard Suites share a serene courtyard and a plunge pool between four. Ocean adventurers can go swimming with manta rays on Cable Beach or take a camel ride along the white sand. Meanwhile, guests in search of rejuvenation can be pampered with an Aboriginal-influenced treatment at Pinctada Spa, which champions Li’Tya products and local plants and spices. Finish the day at Selene Brassiere, where the menu blends North African, Middle Eastern and Mediterranean flavours with a taste of the Kimberley. Pair your meal with an excellent selection of Australian wines. Smith Extra: A bottle of wine and canapes. Lake House, Daylesford The runner-up for Best Hotel Restaurant in the Smith Hotel Awards 2013, Lake House boasts an award-winning restaurant, rural lodge and a state-of-the-art spa just outside the rustic town of Daylesford. Indulge in a signature Salus Bliss treatment at the Salus Spa, or unwind in the hot mineral-water tubs looking over the lake. For a private experience, try the Spa Villa, which boasts a courtyard with a sunken hot tub and direct access to the lake. Sample the local produce at chef Alla Wolf-Tasker’s destination restaurant — almost everything on the menu is grown in the kitchen garden or in the region. Alla’s husband Allan is responsible for the paintings that adorn the interiors, adding a splash of exuberance to an otherwise tranquil space. Smith Extra: Elemis spa products presented in a satin travel pouch. Lyall Hotel and Spa, Melbourne For a stylish mini-break with designer shopping on your doorstep, look no further than Lyall Hotel and Spa. The spacious one-bedroom suites are a sleek affair, resembling deluxe city apartments. For extra room, try the Platinum Suite — it comes with a living room, ensuite bathroom, double spa bath and full kitchen. You’ll find the space filling up after an afternoon in the boutiques of South Yarra; the credit card — and your legs — will be given a proper workout. Comfort your weary pins with a signature treatment at the hotel’s destination day spa, a three-storey space perfumed with mandarin and ylang-ylang. Unwind in one of two steam rooms or just relax in the indoor-outdoor area. Wear your latest purchase to the sexy Lyall Champagne Bar, an intimate space with a soundtrack of easy listening tunes. Choose between an apple crumble martini and a selection of champagne by the glass. Smith Extra: A bottle of Chandon NV on arrival. Empire Retreat and Spa, Margaret River While the weekend away at the slick Empire Retreat and Spa, smack-bang in the centre of Margaret River wine country. Tour the onsite vineyard and sample the estate’s chardonnay and cabernet sauvignon, the region’s dominant varieties. Sip a glass in front of the open fireplace in a Luxury Villa or have a shower in your private courtyard. There’s no pool, but a secluded Jacuzzi should satisfy your watery whims. Achieve full relaxation with a treatment at Empire Spa — the three-hour Opulence session lives up to its name with an exfoliation, wrap, massage, bath and facial. There’s no restaurant, but the communal kitchen in the heart of the property is open to guests, meaning you can whip up a meal to match your wine. You can find excellent examples of the local offerings at Moss Wood, Cullen Wines and Leeuwin Estate. Smith Extra: A bottle of Empire Estate wine and a cheese plate. Saffire, Tas Just minutes from the azure water and white sand of Wineglass Bay, Saffire goes back to nature with a blend of stone and timber, beach views and locally sourced food and wine. For the ultimate in private comfort, book one of four Private Pavilions — they each have their own courtyard plunge pool, spacious living and bedroom areas, a front deck and a kitchen where a hotel chef can rustle something up for you. Room rates also include a treatment at Spa Saffire, so you’d be silly not to visit. The facials in the Jewel Collection are particularly special — all of the therapists have been trained by celebrity facialist Marionne De Candia. Other free activities include exploring the secret life of oysters at Freycinet Marine Farm, learning about the local produce with the hotel’s award-winning chef or quad biking around the wetlands. Smith Extra: A bottle of champagne. The Australasian Circa 1858, Fleurieu Peninsula With the facade of a heritage pub and graced with light, Asian-inspired interiors, The Australasian Circa 1858 offers the weariest of weekenders an intimate and stylish retreat from reality. The Parlour Room whispers extravagance with a huge tub in a step-up area of the bedroom, perfect for a spot of reading and relaxing. This adults-only sanctuary specialises in fine dining, with co-owner and head chef Juliet Mitchell preparing meals with an Asian theme. The restaurant is only open to guests (except Saturday night), but for extra privacy, dine in your room. The hotel is only open from Wednesday to Sunday each week, but its location makes it a perfect stopover before continuing onto Kangaroo Island — only a 45-minute ferry ride away. Smith Extra: A tasting selection of ales from the Steam Exchange Brewery at Goolwa Wharf Kingsford Homestead, Barossa Valley, SA Put your station-owner hat on at Kingsford Homestead, an historic estate with an impressive cellar in the Barossa Valley. The rooms are named after the former owners of the property — the Kerry Packer suite catches the afternoon sunshine and has a gorgeous claw-foot bath tub, and the Stephen King suite (named after the founder, not the famous author) is perfect for families as it connects to the John Angas Suite. There’s no pool, but the alfresco bush bath, located in a secluded corner of the grounds, is big enough for two. Follow up with an in-room massage or facial — but be sure to book in advance. Local produce dominates the menu here; chef Stuart Oldfield has developed strong relationships with local farmers. The menu changes by the season, but the wine will always be Barossa. Enjoy drinks and canapes on the veranda while watching the resident kangaroos have their dinner. Smith Extra: A picnic hamper. Browse other long weekend stays, or contact Smith’s expert Travel Team on 1300 896 627.
The days are dwindling down, and you've come to a stressful realisation: you've left your Christmas shopping until the last minute again. Let's face it, you're not alone. Thankfully, trawling the mall isn't your only option when it comes to finding a gift or grabbing ingredients for a delicious meal. Returning for another year, the Carseldine Markets is hosting a twilight event brimming with the spirit of the season. Get your list ready, because all the art, craft and fresh produce stalls you know and love will be on site, just waiting to help you out of a festive fix. More 180 of them, in fact. They'll also be joined by an array of festive (because you'll need to eat while you browse), including Gelato Messina, Kokopod Chocolates and Gnocci Gnocci Brothers, as well as ample entertainment. Yes, it's a Christmas wonderland. Warning: if you're more of a Grinch than one of Santa's elves, you'd best prepare yourself for an overdose of holiday cheer. Image via Carseldine Markets.
