It has been 12 years since RuPaul's Drag Race first premiered in the US, and its mission to unearth the next drag superstars shows no signs of stopping. Currently, the original series is airing its thirteenth season, while international versions also exist in the UK — also hosted by RuPaul — plus Thailand, Holland, Chile and Canada. Next, it's finally making the leap to Australia and New Zealand. RuPaul's Drag Race already airs locally, but, in exciting news, it's now it's being made here as well — courtesy of the aptly titled RuPaul's Drag Race Down Under. The just-announced eight-part series will focus on Aussie and NZ drag queens battling for supremacy, and will air on Stan in Australia and TVNZ OnDemand in New Zealand sometime later in 2021. And, while not all overseas iterations of Drag Race are hosted by RuPaul, RuPaul's Drag Race Down Under definitely will be. RuPaul will also take on judging duties with show veteran Michelle Visage, with the final judge yet to be announced. Just who'll be competing, and which celebrities will make guest appearances, will also be unveiled later in the year. Fans already know the format — so expect to see fashion challenges, workroom dramas and lip sync battles aplenty. If you're a newcomer to all things Drag Race, you'll watch Australian and NZ drag queens work through a series of contests to emerge victorious, and join the likes of US contenders Jinkx Monsoon, Sasha Velour and Sharon Needles in being crowned the series' winner. Revealing the news, RuPaul said "I cannot wait for everyone to see that Down Under queens have some of the biggest charisma, uniqueness, nerve and talents in the world". If you're eager for more until RuPaul's Drag Race Down Under hits, you can also check out the show's announcement below — featuring RuPaul, of course: https://www.youtube.com/watch?v=MmlnWG_slkk&feature=youtu.be RuPaul's Drag Race Down Under will hit Stan and TVNZ OnDemand sometime later in 2021 — we'll update you with an air date once further details are announced. Top image: RuPaul's Drag Race.
The shows livening up its stages change frequently. The art exhibitions gracing its walls, too. They're not the only things that shift and evolve at Fortitude Valley's Judith Wright Arts Centre, though, with the venue itself now welcoming patrons back in after undergoing a revamp. If you'd noticed that sections of the Brunswick Street spot had been closed of late, that's thanks to a $3.1 million refurbishment, which includes the addition of a corner gallery — and digital projections onto the building's facade. But, it's now back in action after its makeover, complete with new shop fronts and office space, as well as new rehearsal and performance areas. As part of the reopening, three new tenants have also moved into the building. That's where you'll find art gallery Outer Space, which just staged an exhibition about folks moving back to Brisbane due to the pandemic, rather than leaving it for bigger cities down south — and also theatre production group The Little Red Company, the team behind shows such as Christmas Actually, Lady Beatle and The Iso Late Show. And, although it prides itself on hosting shows absolutely anywhere around town — which it is currently doing at the moment — Anywhere Festival has also set up shop in the building. The three newcomers to the Judy join the Aboriginal Centre for Performing Arts, Artour, AusDance Queensland, Blak Dance, Circa, Creative Partnerships Australia, Australasian Dance Company, Flying Arts Alliance, Institute of Modern Art, Musica Viva and Carbon Creative, all of which already call the venue home. [caption id="attachment_812487" align="aligncenter" width="1920"] Elizabeth Willing, Seppeltsfield, 2021, and Unknown (South Australia), 2019, wine press membranes. Installation view, All my friends are (leaving) returning to Brisbane, Outer Space Gallery. Courtesy of the artist and Tolarno Galleries, Melbourne. Photo: Chris Howlett.[/caption] And, if you're looking for an excuse to stop by, the Judy will be hosting 11 new visual arts, dance, theatre, circus and music works and performancees this year, as part of its First Night Showcase Judith Wright Arts Centre program. Keep an eye on the venue's website for further details. Find the Judith Wright Arts Centre at 420 Brunswick Street, on the corner of Berwick Street, in Fortitude Valley. Top image: Maeve Baker, 'Do Your Chores, Try Not To Think Too Much, And Repeat', 2020, IMA Belltower Façade Projection. Commissioned by the Institute of Modern Art for 'Making ArtWork'. Photo: Charlie Hillhouse.
The English writer, director, radio presenter, comedian and actor, Stephen Merchant is in Brisbane for one stand-up performance this Friday night. Although he is probably best known for his collaborations with Ricky Gervais, he also has years of experience and his roots lie in stand-up comedy. Gervais and Merchant have worked together and appeared on hit television shows such as Life's Too Short and Extras. Merchant has also worked behind the scene's as a director on successful television shows such as The Office and An Idiot Abroad which features the lovable simpleton, Karl Pilkington. Merchant is excited to meet his Australian fans, so much so that he stated, “life can be lonely as a TV writer so this tour is a great opportunity for me to get out there and meet my fans. And make at least one of them my wife." Merchant has been the brains behind some of the UK's most successful and hilarious productions, catch him live this Friday and prepare yourself for a night of laughs!
Surf, sun, sand and ice skating? It's not as far-fetched as it might seem. While most holidaymakers headed for hot climes plan to cool off with a dip in the ocean — and not with a roll around the ice — one Maldives resort is offering a little from column A and a little from column B. Now open at the Jumeirah Vittaveli, it's the Maldives' first ice rink, which is hardly surprising given the South Asian country's year-round 25 to 31-degree weather. When it is warm and sunny every single day, the only glistening white surface you'd expect to see by the sea is made of sand; however even folks in the tropics need a dose of winter fun. Due to launch just before Christmas — aka, in the coming days — the rink is comprised of special artificial ice plates that stay cool regardless of the temperature. Made by a company by the name of Glice, the synthetic surface also functions without water and doesn't use any energy. While Sydney has its own beachside ice-skating rink in Bondi Beach each winter, no one would ever have contemplated going for a dip, strolling across the shore and hitting the ice in the middle of a blazing Australian summer. Of course, that's not the only bright idea the Maldives boasts when it comes to novelty beachside activities; think floating golf courses and a waterslide straight into the ocean.
2024 was a year of heartbreaking cancellations in the Australian music scene. Not every festival that took some time out has returned a year later, but 2025 has thankfully seen more than a few comebacks. Here's the latest: Harvest Rock, the Adelaide event that cemented itself as a fest worth travelling to in its 2022 debut and 2023's second spin, has locked in a two-day 2025 instalment in October. It was in August 2024 that Harvest Rock revealed that just two years after initially popping up, the decision had been made to postpone that year's event. The news came after Splendour in the Grass announced its 2024 dates and lineup, then ditched its plans — and following Groovin the Moo going through the same cycle of reveals and cancellations. Spilt Milk, Summergrounds Music Festival and Dark Mofo also sat the year out or said goodbye permanently. Dark Mofo returned for 2025, as is Spilt Milk — and now Harvest Rock is joining them. Only Teenage Joans have been named on the lineup for this year's stint at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina so far, but you can pop Tuesday, August 12 in your diary, as that's when the full roster of acts that'll be taking to the stage will be unveiled. Also crucial, dates-wise: Saturday, October 25–Sunday, October 26, when the festival is taking place. When Harvest Rock was first born, hailing from the Secret Sounds crew — who were also behind Splendour in the Grass — it aimed to get everyone dancing in a park in Adelaide each spring, including interstaters heading to South Australia to enjoy the fest's visitworthy lineups. The first year welcomed Jack White, Groove Armada, The Avalanches, Crowded House and Courtney Barnett, for starters. 2023 backed that up with Jamiroquai and Beck doing Australian-exclusive shows, plus everyone from Sparks and Nile Rogers & Chic to Bright Eyes and Paul Kelly. A two-day blend of music, food and wine — well, it is in SA — Harvest Rock also spans Adelaide's top restaurants and eateries serving up dishes, a culinary-focused stage and wine tastings. 2025's iteration will include Wildwoods & Cellar Door by Duncan Welgemoed and Nick Stock, for starters. "We're thrilled to see Harvest Rock return to its Adelaide home to deliver a festival that brings global stadium-sized artists to South Australia, while also championing the region's world-class food, wine and culture for interstate guests. Harvest Rock not only drives tourism and benefits local businesses, but offers a unique festival experience for all ages across the local community and beyond," advised Festival Director of Harvest Rock Ryan Sabet. "Music to the ears of festival lovers and our hospitality and tourism operators, Harvest Rock will return to Adelaide this October. The beauty of this festival is that it combines what we do best in South Australia — offering premium food and beverages and delivering memorable events," said SA Minister for Tourism Zoe Bettison about Harvest Rock's comeback. "Held in 2022 and 2023, Harvest Rock has contributed a combined $34.5 million to the state's economy. We continue to see the impact major events like this deliver to our economy, while reinforcing our state's reputation as the ultimate destination for bucket-list events — whether you are a sports fan, art lover, foodie or just enjoy a good festival." Harvest Rock 2025 is set to take place across Saturday, October 25–Sunday, October 26 at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide. Head to the festival's website for further details — with presale tickets available from Tuesday, August 19 and general sales from Wednesday, August 20. And check back here on Tuesday, August 12 for the lineup. Image: Ian Laidlaw / Mitch Lowe / Zennieshia Butts.
Film festival opening nights aren't just about red carpets, a jam-packed guest list, plenty of photo opportunities and oh-so-much buzz. They're also about launching a cinema celebration as the event means to go on. So, with SXSW heading Down Under for the first time in 2023, hosting SXSW Sydney from Sunday, October 15–Sunday, October 22, exactly which flick gets pride of place at the fest's Screen Festival is a particularly massive deal. The pick: The Royal Hotel, the latest film from Australian director Kitty Green. Green will bring her second fictional feature and fourth full-length effort to the Harbour City's first-ever SXSW, with the movie enjoying its Australian debut fresh from world-premiering at the 2023 Toronto International Film Festival. The Royal Hotel also marks the second collaboration in a row between Green and star Julia Garner, who was as stunning in the filmmaker's The Assistant as she was in Ozark and Inventing Anna. This time, the Casting JonBenet helmer and her current go-to star are teaming up on a tale about US backpackers who get jobs at an outback Australian pub — and also stay there. Amid the heat, the lack of wifi and drinking wine out of a cask, Hanna (Garner) and Liv (Jessica Henwick, Glass Onion: A Knives Out Mystery) also cross paths with the town's male residents, including Hugo Weaving (Love Me) as the watering hole's owner, plus Toby Wallace (Babyteeth) playing charming and Daniel Henshall (Mystery Road: Origin) getting chilling. "Kitty Green's The Royal Hotel is a deft reworking of the Aussie outback thriller, reoriented with a female gaze, and we could not be more thrilled to open the inaugural SXSW Sydney Screen Festival with Kitty in attendance," said SXSW Sydney's Head of Screen Ghita Loebenstein, announcing the opening-night selection. "The film takes deliberate stabs at the more toxic shadows of the genre, and our culture, in sophisticated but ever entertaining ways. Kitty is a local luminary gaining international acclaim as a writer-director with a fearless vision for nuanced storytelling and this film is the perfect opener to the Screen Festival, which seeks to amplify and celebrate bold voices in film." The Royal Hotel joins ten previously announced titles on the SXSW Sydney Screen Festival lineup from Sunday, October 15–Saturday, October 21, with more to come. Also a big local title on the bill: documentary Hot Potato: The Story of The Wiggles, which will enjoy its world premiere at the fest. And, among nine flicks revealed in July, everything from flicks starring Indonesian rappers and documentaries about Tokyo Uber Eats rider to movies featuring viral Chinese dance crazes will pop up. Can't wait to watch your way through the fest? SXSW Sydney Screen Festival wristbands go on sale on Friday, August 25, starting at an early-bird price of $240 and getting people wearing one into unlimited screenings. [caption id="attachment_910715" align="alignnone" width="1920"] Netflix[/caption] The SXSW 2023 Sydney Screen Festival also features an array of speakers, with Queer Eye star Tan France set to hit Australia to get chatting. Indigenous filmmakers Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Kodie Bedford (Mystery Road: Origin) and Jub Clerc (Sweet As) will also take to the stage; Osher Günsberg is on the SXSW Sydney bill recording an episode of his podcast Better Than Yesterday with a yet-to-be-announced special guest; and Gone Girl, The Nightingale, The Dry, Big Little Lies and Nine Perfect Strangers producer Bruna Papandrea and Binge's Executive Director Alison Hurbert-Burns will also appear. As well as showering viewers with movies and TV shows, with more titles to come — including First Nations Screen Festival programming by Winda Film Festival founder Pauline Clague — SXSW Sydney's film- and TV-focused strand will feature red-carpet premieres; digital and social content; an XR showcase; Q&As and panel discussions; parties and mentoring; and a screen market for industry deals. Free outdoor screenings are also slated, alongside indoor sessions at The ICC's Darling Theatre, Palace Cinemas Central and other yet-to-be-advised venues. SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues, with the SXSW Sydney Screen Festival running from Sunday, October 15–Saturday, October 21 at The ICC's Darling Theatre, Palace Cinemas Central and more venues to be announced. Head to the SXSW Sydney website for further details. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
The #BanTheBag campaign has scored a major win, with New South Wales grocer Harris Farm Markets making good on its promise to ditch single-use plastic bags entirely. As of today, shoppers at all of the retailer's stores will now choose between the more planet-friendly options of bringing or purchasing a reusable bag, or taking advantage of Harris Farm's free paper bags and cardboard boxes. The family-owned store is now the first major retailer to do away with plastic bags at the registers, with competitors Woolworths and Coles expected to phase out their own by the end of the year. Harris Farm has long been a vocal supporter of minimising plastic bag use and and it's continuing the push, calling for the NSW Government to enforce a statewide ban on the single-use bags. South Australia, the ACT, the Northern Territory and Tasmania already have a full ban in place, with Western Australia and Queensland enforcing their own from July 1 this year. Victoria is expected to announce a start date for its statewide ban in the coming months. Here's hoping we won't be waiting too long for other big-name retailers to follow stop stocking plastic bags altogether.
Bowen Hills' Bavarian beer hall Beerhaüs is getting a major dose of Americana this week as it launches a new barbecue menu. To celebrate, the venue is giving away 500 brisket sliders on Wednesday, July 17 from 11am. The sliders are made with wood-smoked, slow-cooked beef, fresh off the barbecue. It's then loaded onto a potato bun and topped with cabbage slaw and onion jus. Be sure to get in bang on 11am, because these tasty morsels won't last long. If you miss out on the freebie, the new menu of American-style barbecue is now available, too. Expect pulled pork, kielbasa, brisket and chicken — all served with pretzel rolls and house pickles — as well as buffalo chicken and habanero shrimp po' boys, a five-strong schnitty menu and a heap more sides. Lucky for you, this new menu is expected to stick around for a good long while. Free brisket sliders are available from 11am until sold out.
Whether the hankering strikes for a steak, a bowl of pasta or a combination of the two — wagyu sirloin bolognese, perhaps? — Brisbanites have a new restaurant that heroes both to hit up. Open since late November 2023 and boasting Ben O'Donoghue in the kitchen, Fortitude Valley's Establishment 203 serves up beef and Italian dishes. Usually a visit to the Valley's stretch of Ann Street means grabbing drinks; however, top-notch meals are the attraction here. Think: woodfired bone marrow bruschetta, steaks from the fire, beef cheeseburgers, saltimbocca made with Brisbane Valley quail and scampi linguine. Diners who like to watch the chef in action will find that on the menu as well, as the Billykart talent and Surfing the Menu presenter O'Donoghue whips up farm-to-table fare with Queensland produce — including those hero steaks — and also traditional pastas. So, if you go with steak — with angus, wagyu with marble scores of six and ten, and grassfed varieties available — it'll be cooked over wood, which is being sustainably sourced from beef producer Stanbroke to give Establishment 203's meats a unique flavour. The pasta range is drawn from O'Donoghue's Italian favourites, including from time spent travelling in Europe and working at The River Cafe in London. The vibe: sleek, upmarket and elevated, so more than just your average steak joint. Again, that comes through in the menu, where caviar, oysters, kingfish and tuna crudo, beef tartare and chicken liver parfait are also options. While Establishment 203 is owned by a cattle-farming family with Italian heritage — hence the focus — seafood is clearly also on offer. And as for what you'll be washing down your meal with, the drinks lineup spans signature cocktails, Italian red wines and Brisbane craft beers.
Heads up, Mother's Day is just one week away. Yep, you can pucker up on our tootsies later. But there's pressie planning afoot, and we've found quite the showstopper for your dear ol' Mumsie this year thanks to Gelato Messina. Never one to miss an opportunity to experiment with new ways to inhale gelato, Messina have been cooking up quite the delicate novelty dessert for Mum: a Italian-inspired chocolate box of gelato-filled nibbles. Each box comes with 12 handmade chocolate and gelato bon bons; best enjoyed with opera blaring in the background, with a strong, black cup of coffee and a shoulder massage. Go on, your mum put up with you through puberty, you owe her one massage. So which crazy tell-your-friends flavours have Messina come up with for their bitty bon bons? There's six in total, each more decadent than the last: blood peach sorbet with rosewater gel, roasted banana gelato with white chocolate ganache, mandarin puree with salted butter caramel gelato, hazelnut and coffee gelato with roasted hazelnuts, wild strawberry sorbet with pistachio praline and (wait for it) shiraz sorbet with dark chocolate ganache and popping candy. If you can find us something that says 'perfect Mother's Day gift' better than shiraz sorbet bon bons, we'll eat this empty bon bon box. The Messina chocolate and gelato bon bon boxes are going for $39 a box (with a cute little card), available to order from Monday, May 4. They're available for collection from May 8-10 from Darlinghurst, Miranda and Parramatta stores in Sydney, as well as the Fitzroy and Coolangatta stores.
Handheld camerawork can be a gimmick. It can be distracting, too. When imagery seems restless for no particular reason other than making the audience restless, it drags down entire films. But at its best, roving, jittery and jumpy frames provide one of the clearest windows there is into the souls that inhabit the silver screen in 90-minute blocks or so, and also prove a wonderful way of conveying how they feel in the world. That's how Compartment No. 6's cinematography plays, and it couldn't be a more crucial move; this is a deeply thoughtful movie about two people who are genuinely restless themselves, after all. Finnish director Juho Kuosmanen (The Happiest Day in the Life of Olli Mäki) wants what all of the most perceptive filmmakers do — to ensure his viewers feel like they know his characters as well as they know themselves — and in his latest cinematic delight, he knows how to get it. How Kuosmanen evokes that sense of intimacy and understanding visually is just one of Compartment No. 6's highlights, but it's worthy of a train full of praise. With the helmer's returning director of photography Jani-Petteri Passi behind the lens, the film gets close to Finnish student Laura (Seidi Haarla, Force of Habit) and Russian miner Ljoha (Yuriy Borisov, The Red Ghost). It peers intently but unobtrusively their way, like an attentive lifelong friend. It jostles gently with the locomotive that the movie's central pair meets on, and where they spend the bulk of their time together. It ebbs and flows like it's breathing with them. It rarely ventures far from their faces in such cramped, stark, 90s-era Russian surroundings, lingering with them, carefully observing them, and genuinely spying how they react and cope in big and small moments alike. Pivotally — and at every moment as well — it truly sees its key duo. With their almost-matching names, Laura and Ljoha meet on a train ride charting the lengthy expanse from Moscow to Murmansk. She's taking the journey to see the Kanozero petroglyphs, ancient rock drawings that date back the 2nd and 3rd millennium BC, and were only discovered in 1997; he's heading up for work. Laura is also meant to be travelling with Irina (Dinara Drukarova, The Bureau), her Russian girlfriend, but the latter opted out suddenly after an intellectual-filled house party where mocking the former for her accent — and claiming she's just a lodger — threw a pall of awkwardness over their relationship. Making the jaunt solo is still sitting uneasily with Laura, though. Calls along the way, answered with busy indifference, don't help. And neither does finding herself sharing compartment number six, obviously, with the tough- and rough-around-the edges Ljoha. It's been 71 years now since Alfred Hitchcock gave cinema the noir thriller Strangers on a Train. It's been 27 years since Richard Linklater also had two unacquainted folks meeting while riding the rails in Before Sunrise, which started a terrific romance trilogy starring Ethan Hawke and Julie Delpy. Accordingly, the idea behind Compartment No. 6 is instantly familiar. Here, two strangers meet on a train, a connection sparks and drama ensues. Kuosmanen, who nabbed an award at Cannes for The Happiest Day in the Life of Olli Mäki and then earned the 2021 competition Grand Prix, which comes second only to the prestigious Palme d'Or, for this, is clearly working with a well-used setup. But even though this isn't a movie that's big on surprises, it's still a stellar film. It's also a reminder that a feature that's personal and raw, also attuned to all the tiny details of life in its performances, mood and style, and firmly character-driven, can make even the most recognisable narrative feel new. Laura and Ljoha are a chalk-and-cheese pair. He gets drunk almost instantly; is crude and rude to his unimpressed fellow compartment dweller from the get-go; and his hunched, agitated, me-against-the-world posture seethes with boorish anger. But the duo are also virtually trapped in close confines — wandering the train's corridors and using its bathrooms are hardly escapes, even for a few minutes, on a trip that takes several days. They're both lost, lonely and yearning, too, in their own fashions but also in a more similar manner than they each initially expect. So, they rub each other the wrong way at first, then settle into chilly animosity, then begin to thaw. Schnapps plays a part, as does the dining car. Pitstops along the way, stolen possessions and language trickery do as well. Needing love and companionship, even just fleetingly, has the biggest influence. Kuosmanen cowrote Compartment No. 6's screenplay with Andris Feldmanis and Livia Ulman, co-scribes themselves on Estonian TV show Kättemaksukontor — and adapts Rosa Liksom's novel of the same name. In the process, the director and his collaborators move the story by around a decade from the end of the USSR to the end of Boris Yeltsin's time in power. That means that Laura and Ljoha follow in Before Sunrise's Celine and Jesse's footsteps by mere years on-screen (Titanic gets a mention, helping anchor the movie in time), but they're always roaming and locomoting through their own film. Compartment No. 6 is that lived in, that astutely drawn and that naturalistically played, as aided immensely by its meticulous production design. Just as the handheld camera places viewers in the characters' headspace with precision, the immaculate like-you're-there touches that fill every frame are equally as immersive. It's easy to see Hollywood wanting to hop on Compartment No. 6's tracks, riding its way to an English-language remake. If that happens — probably more like when — good luck to whoever's behind it in repeating such casting perfection. All of the expertly and expressively deployed cinematography in the world, or even just across a 35-hour-plus trip to the top of Russia, can't bond an audience to fictional characters if they don't already feel so real that you could be them; the latter springs from extraordinary performances, of course, which Kuosmanen guides out of Haarla and Borisov. In their time together, Laura and Ljoha shift, ruminate and open up, including to themselves. That's a delicate journey, as relatable as it is, and also immensely complex to portray with emotional resonance, honesty and nuance. Compartment No. 6's untethered imagery sees that. It revels in it. That's what two strangers on a train enjoying an unexpected bond en route do with each other's company, eventually — and, again, this unconventional love story has everyone watching share the same sensation.
Standing in a bar, being forced to make small talk with a stranger: we've all been there. Hearing from your parents more frequently than you have time for, despite your best intentions: many of us have experienced that as well. In Toni Erdmann, both scenarios combine in a way that might well give you nightmares. Just imagine if the person accosting you while you try to enjoy a drink turned out to be your dad in a bad wig and false teeth. At its simplest, that's the idea behind writer-director Maren Ade's 162-minute comedy, which has been garnering acclaim since it premiered at the 2016 Cannes Film Festival, and remains the favourite to win his year's Oscar for best foreign-language film. A German consultant living in Bucharest, Ines (Sandra Hüller) is irritated when her practical joke-loving, divorced and lonely father Winfried (Peter Simonischek) arrives for an unexpected visit. But that soon gives way to unbridled horror when his alter ego Toni starts following her around. Once is odd, twice is annoying, and three times… well, that's something else. Then again, one of the basic elements of life is repetition, which Toni Erdmann demonstrates disarmingly well. First, you'll cringe. Then you'll laugh. Before long, you may find yourself crying. Those are the stages audiences cycle through while watching Ade's film, and it's no accident. The mastery evident in ensuring that every detail of the movie imitates life can't be underestimated. The naturalistic camerawork and astute commentary on the importance of humour is not unlike Toni's ridiculous headpiece: it's just what's visible on the surface. With all the buzz around the film in the lead up to the Oscars, it's hardly surprising to learn that we'll soon be getting an American remake (starring Jack Nicholson and Kristen Wiig). Why the world needs an English-language version is a question Hollywood is happily ignoring, but its high-profile cast certainly have huge shoes (and wigs, and false teeth) to fill. As Toni keeps ramping up his antics and Ines keeps struggling to contain her reactions, Hüller and Simonischek prove the film's most important pieces, ensuring their characters are not just likeable, but thoroughly believable as well. https://www.youtube.com/watch?v=j0uwi5EPnpA
Each summer, the Aunty team unleashes the Meredith Music Festival, with 2023's fest on its way in December with Kraftwerk, Caroline Polachek, Alvvays, Alex G and more. Each autumn, it's Golden Plains time at the same Victorian spot — and while the lineup isn't here yet, the ballot for tickets has just opened. Music lovers, 2024's pilgrimage to the Meredith Supernatural Amphitheatre to dance among the autumn leaves will take place from Saturday, March 9–Monday, March 11, 2024. So, mark those dates in your diaries ASAP. Then, go enter the just-launched ticket ballot right this second. This round of Golden Plains will mark the fest's sweet 16th — and if you're wondering what's in store, the Aunty team has provided an evocative description, as usual. "A sublime time in the greatest of outdoors. All singing, all dancing, all afloat in the primordial Sup'. Come as you fancy," the team advised. "Still waters run deep. Enhancement over advancement. Same size, same shape with no commercial sponsors, free range camping, BYO, the No D‑‑‑head Policy, and One Stage Fits All The Golden Treasures," the Aunty gang continued. The online ballot for Golden Plains 2024 will remain open until 10.16pm AEDT on Monday, October 16, which means that clicking ASAP is recommended. Catering to 12,000 punters each year across three days and two nights, the fest has long proven a favourite for its one-stage setup, which skips the need for frantic timetabling. And, like Meredith Music Festival, its sibling, Golden Plains is also known for the Aunty crew's star-studded bills. There's no signs of that lineup just yet, but watch this space — in past years, including in 2023 when Bikini Kill, Carly Rae Jepsen, Soul II Soul and Four Tet led the bill, it has been announced in October. Golden Plains will return to the Meredith Supernatural Amphitheatre from Saturday, March 9–Monday, March 11, 2024. Head to the festival's website for further details, or to enter the ballot before 10.16pm AEDT on Monday, October 16. Images: Benjamin Fletcher / Suzanne Phoenix / Theresa Harrison / Steve Benn.
2013 is the year organisers were promising Future be their "biggest festival lineup yet", and after rifling through the massive line-up piñata it seems they have indeed delivered. After an already big 2012 outing Future Entertainment has topped that with a bill straddling nearly every sub-genre of pop or dance, ensuring they'll draw not only a larger but a more diverse crowd. 2013's Day of the Dead-Set Awesome will be headlined by English electronic dance commanders The Prodigy, grime MC Dizzee Rascal, indie rockers Bloc Party and reformed rockers The Stone Roses, making it more of a Brit-fest than a Mexican one. Other exciting acts joining the bill include Harlem femcee Azealia Banks, Rita Ora, electro house mainstay Steve Aoki and our own The Temper Trap. And PSY will also be there, just in case you feel like contracting a South Korean virus without actually paying for a ticket to his own upcoming show. https://youtube.com/watch?v=i3Jv9fNPjgk
With international travel set to be off the cards until mid 2021, many Aussies are looking to explore their own backyards a bit more. One of the ways we're doing that is by hitting the trails and mountain paths. While your regular trainers and favourite leggings are probably all good for a one-day hike (depending on terrain), if you're looking to do something a bit longer — like a multi-day adventure across NSW, Victoria of Queensland — you might want to invest in some slightly more serious hiking gear. This can usually cost a pretty penny, but, thankfully, good ol' Aldi is about to drop a heap of adventure gear that won't empty your bank account. Available at stores across the country from Saturday, July 4, the gear includes everything from down jackets to hiking shoes and backpacks. You can snag headlamps for just $4.99, wool hiking socks for $11.99, $12.99 gloves , shoes for $29.99, a $34.99 30-litre backpack, merino thermals from $26.99 and a waterproof jacket starting at $39.99. There's also an Ultralight down jacket, which is water repellent, insulated and can be packed into a easy-to-carry pocket, is on offer for just $49.99 — still less than a pineapple — as well as some outdoor-appropriate technology such as binoculars ($39.99), handheld radios ($49.99) and GPS watches ($79.99). Once you're all kitted out, it's time to start planning your adventure. We suggest you aim high (literally) and tick off these ten epic mountain walks across Australia. The Aldi Adventure Range is available from Aldi stores nationally from Saturday, July 4. From 11.59pm on Wednesday, July 1, until at least Wednesday, July 29, stay-at-home orders have been reintroduced in ten Melbourne postcodes, which means their residents can only leave for one of four reasons: work or school, care or care giving, daily exercise or food and other essentials. For more information, head to the DHHS website.
Sydney and Brisbane have a new player in the boutique hotel scene with the launch of Ode Hotels — a curated collection of unique properties created by EVT Hotels & Resorts in collaboration with Invictus Developments. The new brand includes three iconic hotels: the stylish, pooch-friendly The Old Clare Hotel in Chippendale, Sydney, cityside mainstay Harbour Rocks Hotel in The Rocks, Sydney and the singularly chic The Inchcolm in Spring Hill, Brisbane. [caption id="attachment_975684" align="alignnone" width="1920"] The Old Clare Hotel[/caption] Each of these heritage-rich properties has been thoughtfully designed to blend history with contemporary luxury, reflecting Ode Hotels' ethos of authenticity and charm. The Old Clare Hotel, a former brewery turned cultural hotspot, offers a distinct architectural experience in the heart of industrial suburb Chippendale — and boasts numerous eateries and bars, including Longshore, TOCH bar, Clare Bar and The Rooftop pool bar. The Harbour Rocks Hotel brings a modern twist to Sydney's historical district of The Rocks while also showcasing an international bend with its on-site restaurants and bar, including Tayim, Creperie Suzette and Eric's Bar and Garden Terrace. The Inchcolm in Brisbane showcases neo-Georgian design, with thoughtful nods to its past as a physician's residence sprinkled throughout the hotel and its dark academia-designed on-site bar and restaurant. [caption id="attachment_975681" align="alignnone" width="1920"] Inchcolm Hotel[/caption] "Ode Hotels brings together three exquisite properties, each with its own unique character, under a brand that celebrates authenticity and individuality," said Callum Kennedy, Group General Manager of EVT Hotels & Resorts. "These hotels are some of Australia's finest, and we're excited to share the Ode brand with travellers seeking something beyond the ordinary." The concept behind Ode Hotels is to elevate the boutique hotel experience in Australia, offering spaces rich in history while delivering modern, personalised hospitality. Plans don't stop with these three hotels, as the group has designs to expand its offerings in the coming years. [caption id="attachment_975678" align="alignnone" width="1920"] Harbour Rocks Hotel[/caption] For more information on Ode Hotels, head to the group's website or social media pages. Top Image: The Inchcolm
The films we like to classify as big, dumb fun haven't had a great run of things so far in 2018. They've made money, definitely, but the balance has been out. Be they clangers like Pacific Rim: Uprising or mindless popcorn offerings like Rampage, there's been a lot of big and even more dumb, but the fun has been noticeably absent. The latest contender, Skyscraper, fares a little better, although ultimately its preposterous script and story render it little more than a passing diversion. Set in Hong Kong and starring Hollywood's most bankable star Dwayne 'The Rock' Johnson, Skyscraper is a thriller centred around The Pearl, the world's tallest and (supposedly) safest building. Johnson plays Will Sawyer, a former FBI agent turned high-rise security expert who finds himself in the midst of a convoluted terrorist plot to steal a valuable flash drive by setting fire to The Pearl in order to flush out its billionaire owner. Allusions to both Die Hard and Towering Inferno have been embraced by the film's distributor, so much so that they even created homage movie posters. Sadly, Skyscraper possesses neither the wit and gritty action of Die Hard nor the suspense of Inferno to see it come close to either. As always, Johnson does his level best to keep the film entertaining. But he's robbed of his usual charm-fuelled asides, left instead to deliver bizarre non-sequiturs like "if you can't fix it with Duct Tape, y'aint using enough Duct Tape" (this also ranking as perhaps cinema's most unexpected product placement). The movie's villain, too, is entirely forgettable – and whilst it might be unreasonable to hope for another Hans Gruber, writer-director Rawson Marshall Thurber could at least have endeavoured to give us something a little meatier than the generic hired gun he serves up. Refreshingly, Neve Campbell appears as Johnson's wife, who proves a far more capable action-movie heroine than the traditional spouse-in-distress. Multilingual, combat-trained and a surgeon, she's the first to clue in to the terrorists' plot and doesn't back down when the guns are pointed in her direction. And then there's that jump. Every poster, promo spot and trailer has focussed on Johnson's physics-defying leap from a towering crane into the blazing building. Every part of the sequence is ludicrous, from the impossibly short space of time it takes for Johnson to ascend the crane in a free-climb, to the Olympic gold medal everything a leap of that magnitude would win, to the police shooting at him from a helicopter despite him being unarmed and no threat to anyone. Of course, in the end he does land the jump and the crowds both on screen and off cheer in unison. It's an A+ example of big, dumb and fun existing in perfect harmony. The great shame is how few of these moments exist in Skyscraper despite a setting of such scale and design offering so many more possibilities. At the end of the day, there's not much of Skyscraper that holds up to any real level of scrutiny. Still, as a park your brain at the entrance type distraction, it mostly gets the job done. https://www.youtube.com/watch?v=t9QePUT-Yt8
A Matter Of Time is a moving photo documentary about the lives of eight lesbians residing in Queensland, during the socio-politically conservative mid-to-late twentieth century. It tells of their experiences and how these have shaped their lives in present times. Some led double lives, some hid in remote pockets of far north Queensland, while others lived openly, and in spite of the consequences. This is a project by doctoral candidate Heather Faulkner, a photographer and immersive storyteller. She turned her skills as a photojournalist into an art of addressing histories and realities of marginalised queer communities. Her passion stems from personal experience, as she addresses her own place in the alternate after she came out in Vancouver in the late 80s. As the struggle for rights continues, the importance of historical understanding has never been so great, so too as the understanding of those living outside the norm. For further insight, head along to this free exhibition.
If you're a vegetarian, worshipper of eggplant or just a keen home cook, chances are Yotam Ottolenghi has had some impact on your life. In fact, we bet you've got at least one of his bestselling cookbooks in your cupboard. In 2023, you'll be able to learn a few more tips and tricks from the renowned Israeli chef as he heads to Down Under for a speaking tour. The trailblazing chef, author, TV personality and restaurateur whose name has become its own cooking style is touring the country off the back of his book Ottolenghi Flavour, which builds on his love for innovative vegetable-based recipes — and his new Ottolenghi Test Kitchen title Extra Good Things, too. And yes, this'll sound familiar, as he was planning to head Down Under in 2021 and at the beginning of 2022, but we all know what got in the way. Yotam Ottolenghi — Flavour of Life will hit Brisbane's QPAC for two shows at 2pm and 7pm on Saturday, January 28. As well as dishing up a few spicy secrets behind his mouthwatering hits (his miso butter onions and spicy mushroom lasagne are always favourites), the show will provide an opportunity to hear directly from the man himself about his influences and experiences. It also promises to delve into Ottolenghi's experience as the owner of famed London restaurants Nopi and Rovi, how he approached home cooking during the COVID-19 pandemic and how you can dial up the flavour in your own kitchen. And, chatting with author and broadcaster Alice Zaslavsky, expect Ottolenghi to discuss food pairings, next-level cooking methods and more. Plus, Ottolenghi and Zaslavsky will get cooking, using ingredients selected by each show's audience. Have a stash of burning questions for the chef? The speaking events will end with a Q&A.
Whistler is most famous for the mountains that surround the village, Whistler and Blackcomb, and in turn the eponymous ski resort that just so happens to be the biggest in North America. But there's much more than ski runs to explore. To begin, the scenery is jaw-dropping in every direction, and you can take it all in from way above or by getting in the thick of it. Soar over all the snow, trees and idyllic scenes via helicopter or gondola, or get up close on foot, along lakeside cross-country ski trails. And when you're looking to relax after a day of exploring, you can kick back in Scandinavian-inspired hot pools or friendly boutique hotels laden with private baths, day spas and mountain views. Meanwhile, the food and drink scene is all about local produce, independent brewers and, thanks to the cold climate, comfort — think delicious bakery treats, melted cheeses, handmade pastas and tasty ales. The trick is avoiding the tourist traps and making tracks for the locals' favourites. Luckily, we've done some research for you, and with a little help from Tourism Whistler, have developed a full guide to doing Whistler like a local. [caption id="attachment_632302" align="alignnone" width="1920"] @PurebreadWhis.[/caption] EAT AND DRINK When there's some serious, snowy adventuring ahead, it's important to start the day right: with a massive, hearty breakfast. Make your first stop Elements, where you can choose from seven different benedicts (including one with crab meat) or one of the most decadent French toasts we've ever heard of, stuffed with honey ham and double-cream brie. If your cholesterol levels are threatening a heart attack though, then head to The Green Moustache for a just as delicious brekkie, like their superfood-charged, all-organic Buddha bowl with quinoa, veg, sprouts and avocado. And if you're on the move or in need of a warming snack with your coffee, look to one of Whistler's best bakeries, Purebread, for their buckwheat sour cherry scones. [caption id="attachment_632434" align="alignnone" width="1920"] Facebook/Bar Oso.[/caption] When the midday stomach rubbles start up, set your sights on Ingrid's Village Cafe. The delicatessen has been nourishing Whistler locals and visitors for over 20 years, serving up burgers, salads, sandwiches and a daily selection of soups. And come evening, after a day out and about, the most satisfying way to refuel is with a bowl of house-made pasta and a good Italian wine at Pasta Lupino. Otherwise, it's Bar Oso for excellent tapas, including wild chilli-garlic prawns, scallop crudo and hearty fresh and cured charcuterie boards. Plus, Bar Oso has an extensive cocktail menu, with a whole section dedicated to gin and tonics using gins from around British Columbia. Finally, it'd be plain rude to visit Whistler without finding out what the local brewers have been up to. Swing by Coast Mountain to sample the signature IPA and Whistler Brewing, where, in case you're feeling homesick, you can sip an Aussie Sparkling Ale. [caption id="attachment_632417" align="alignnone" width="1920"] Tourism Whistler/Mike Crane.[/caption] DO It goes without saying that most holidays in Whistler involve a bunch of skiing, boarding, snow shoeing and dog sledding in nearby mountains. But, there are plenty of less obvious escapades to be had in and around town. To get some perspective, take a helicopter tour. You'll soar over the region's famous peaks, valleys and rivers, and fly scarily close to a glacier. You can even book into a tour that'll take you on an exploration of ice caves, ending with a dip in some natural hot springs. [embed]https://www.youtube.com/watch?v=yF7DJBGk2U8[/embed] Another ethereal experience is the PEAK 2 PEAK Gondola. Instead of taking the Whistler Village Gondola up to then ski back down with everyone else, head up and stay at the summit to take in the views and enjoy the idyllic, snowy surrounds from a journey on the PEAK 2 PEAK. As you ride over the Fitzsimmons Valley, you'll get a full view of the snowy dreamscape below from this extraordinary feat of engineering. Linking Whistler and Blackcomb summits, the PEAK 2 PEAK holds three world records: longest continuous lift system, highest lift of its kind (436 metres above the ground) and longest unsupported span for a lift of its kind (3.024 kilometres). If you prefer to see some spectacular scenery with your feet firmly planted on the ground, a snowshoeing journey around the lesser known sights for Whistler will have you feeling like a local. Transporting you to a time before Whistler existed, Parkhurst sits on the banks of Green Lake, where it started life as a logging town in the 1920s, but was emptied out by the time the '60s came around. [caption id="attachment_629882" align="alignnone" width="1920"] @katstjames.[/caption] As you wander through, you'll come across derelict cabins splashed with street art-style paintings, collapsed houses, rusty cars and a mammoth-sized tractor that looks like it froze mid-use decades ago. Snowshoe to Parkhurst from Whistler Village along the Sea-to-Sky Trail to discover the eerie, abandoned town. And to keep up the adventure, you can hoof it to Rainbow Park, Cheakamus River and the Train Wreck, featuring box cars from a 1956 wreckage that have become works of art among the trees. [caption id="attachment_632415" align="alignnone" width="1920"] Tourism Whistler/Justa Jeskova.[/caption] Meanwhile in town, there's the Audain Art Museum. Opened in March 2016, the understated building made of local materials holds a huge collection of British Columbian art, beginning with works by First Peoples and culminating in those of contemporary artists. Architect John Patkau designed the building to feel like a part of the surrounding spruce forest. "The feeling is that the museum will be quietly inserted into a void within the forest," he says. And within you'll find an exhibition program that changes three times a year, as well as 200 permanent works depicting the history of art from coastal British Columbia. [caption id="attachment_632422" align="alignnone" width="1922"] Nita Lake Lodge.[/caption] STAY There's only one stay in Whistler right on the waterfront, and that's Nita Lake Lodge, 500 metres from Whistler Mountain and the Creekside Gondola. If you choose this lakeside retreat during your time in Whistler, you'll be snoozing in a mega-sized villa on a king-sized bed, relaxing your tired muscles in a private hot tub and hanging out in front of your very own gas fireplace. There's also an onsite day spa, yoga studio and an outdoor plunge pool by the lake. The best news of all? Your dog is welcome with open paws. [caption id="attachment_630995" align="alignnone" width="1920"] Summit Lodge.[/caption] Another boutique hotel to check out is Summit Lodge, smack bang in the middle of Whistler Village. Another pet-friendly stay — in fact there are two Rottweilers among the staff members — the wintry lodge holds rooms varying from deluxe studios to one-bedroom suites. All come with kitchenettes, hot tubs and bright design features, including walls covered in colourful geometric shapes, hand-knitted toys and art works. There's also an outdoor pool, hot tub, cedar sauna and an onsite day spa. [caption id="attachment_632419" align="alignnone" width="1920"] Whistler Platinum.[/caption] Another option outside of the boutique hotel is, of course, to hire your own chalet — preferably with a few mates as a lot of these places can hold ten or more people. There are many lovely accommodations to find on Whistler Platinum. Go for rustic with the warm and cosy log-walled Horstman 4590, which comes with sleeping room for ten across five bedrooms, plus awesome panoramas. And if you're keen to wake up, strap on your skis and hit the slopes immediately, book into Kadenwood 2939. Located in one of Whistler's swishest on-snow villages, this accom has its own forest-encircled hot tub, as well as five ensuite bedrooms, a log fireplace, massive windows looking onto the mountains, a pool table and floor heating. Plan an adventure into the great Canadian outdoors, and discover all Whistler as to offer here. Top image: Tourism Whistler/Mike Crane.
Twisted true tales getting the TV treatment: that's 2022 in a nutshell. The trend isn't confined to this year alone, it won't go away once December 31 hits, and it isn't new or a passing fad; however, the list of crime dramas based on IRL events has just kept growing in recent months. From Pam & Tommy to Inventing Anna, and The Dropout through to The Girl From Plainville and The Staircase, one case after another has been filling streaming queues — and that's just to name a few such shows. Still, even with such a hefty roster reaching screens of late, Black Bird grabs attention. It also boasts an immediately compelling premise: the quest to get a serial killer to confess to his crimes to ensure that he'll never be released from prison. Now available to stream in full via Apple TV+, the six-episode miniseries focuses on Jimmy Keene (Taron Egerton, Rocketman), a former star high-school footballer turned drug dealer. A charmer — with women and in his illicit line of work alike — he's happy in his narcotics-financed life, even if facing hairy situations comes with the territory. But that all crumbles when he's arrested in a sting, and has zero chance of escaping jail time. Offered a plea bargain with the promise of a five-year sentence (four with parole) by prosecutor Edmund Beaumont (Robert Wisdom, Barry), he takes the deal on the advice of his former cop dad Big Jim (the late Ray Liotta, The Many Saints of Newark), but ends up getting ten anyway. Seven months afterwards, still fuming at Beaumont and worried about Big Jim's ailing health, Keene is given the opportunity to go free. The catch: as put to him by FBI agent Lauren McCauley (Sepideh Moafi, The Killing of Two Lovers), he needs to transfer to a different maximum-security prison out of state, where the most vicious and violent are held, and where hellish conditions await. While there, he'll have to befriend suspected kidnapper and murderer Larry Hall (Paul Walter Hauser, Cruella), an avid civil war reenactment attendee. Hall is accused of abducting, raping and killing up to 14 girls young teenage girls, possibly more, and Keene's job is to get him to reveal where he's buried his victims' bodies. The first instalment of Black Bird is unsurprisingly instantly gripping, charting Keene's downfall, the out-of-ordinary situation put to him and the police investigation into one Hall's suspected victims. When Jessica Roach (debutant Laney Stiebing) is found dead, Vermilion County sheriff's investigator Brian Miller (Greg Kinnear, Crisis) tracks the clues to the man considered a harmless weirdo by those who know him — and given that includes local law enforcement in Hall's own hometown, the cop's intuition is dismissed. The slow-spoken, sideburn-sporting person of interest, and grave-digger's son, also has a history of confessing to murders, then routinely recanting and proving unreliable. Accordingly, Hall is labelled an attention-seeking serial confessor, but Miller isn't convinced that's all there is to his story. Black Bird takes its tale from Keene's autobiographical novel In with the Devil: a Fallen Hero, a Serial Killer, and a Dangerous Bargain for Redemption, making two things plain from the outset for those who don't know the tale. Clearly, he'll have to get to the point where there's a memoir to write — and he'll have to be alive to do so. But that doesn't make the series any less compelling, tense or chilling; in fact, the wild and riveting details just keep on coming in each episode. With Dennis Lehane, author of Gone Baby Gone, Mystic River and Shutter Island, as its behind-the-scenes driving force, Black Bird dives deep into its complicated scenario as Keene starts to truly realise that his own life and freedom aren't the most important things at stake. A prison drama, a catch-a-killer game of cat and mouse, a psychological thriller, a redemption journey: Black Bird ticks all of these boxes. As Keene strikes up a tentative friendship with the reluctant Hall, the series also features a sadistic guard (Joe Williamson, All Rise) extorting Keene for cash under threat of blowing his cover, plus a mafia old-timer (Tony Amendola, Father Stu) with his own veiled threats — and Miller and McCauley's continued investigations, especially after one of Hall's appeals is granted. It covers Hall's relationship with his handsome twin brother Gary (Jake McLaughlin, Quantico) as well, and Big Jim's guilt over failing to stop Jimmy ending up behind bars, which compounds his health woes. These all add emotion and detail, but if Lehane had solely focused Black Bird's grey-hued frames on its two central inmates, the series wouldn't have been any less powerful. At its core, this is an intense two-hander about two men laying bare their true natures in thorny, anxiety-dripping back and forths, and Keene learning the cost of getting his life back in the process. In a weighty acting showcase, the look on Egerton's face frequently says it all in; Keene will always have to live with what he discovers from Larry, with crimes like these impossible to forget. 2022 marks a decade since Egerton's first on-screen credit as a then-23 year old, and he's rarely been out of the cinematic spotlight since — but Black Bird is his most mature performance yet. The confidence that's so crucial to his work in the Kingsman movies dissipates the further that Keene is plunged into a nightmare. The adaptability that worked so well for Egerton as he hopped through Eddie the Eagle, Robin Hood and Rocketman also comes in handy. It's a multi-faceted turn, and it's fantastic. Black Bird is home to excellent performances all round, each one proving pivotal. Liotta makes a firm imprint as Big Jim, and is particularly heartbreaking to watch after the actor's sudden passing in May. Hauser's menacing efforts won't ever be forgotten, either — and ranks among the great on-screen serial killer portrayals. That too is a packed field, but from the sluggish, wheezy voice through to the distinctive casual-yet-taught body language, his time as Hall is that unnerving, that raw, and that eerily extraordinary. If you were to come across the actor in-character after watching the series, you'd want to run the other way. That, and feeling echoes of Mindhunter as well, couldn't be more of a compliment. Check out the trailer for Black Bird below: Black Bird streams via Apple TV+.
Every year is a big year for movies, but 2023 is set to be downright explosive, all thanks to one of the most-anticipated films of the year. That feature: Christopher Nolan's latest, and his first flick since Tenet. It just explores a little thing called the atomic bomb, focusing on J Robert Oppenheimer. "They won't fear it until they understand it. And they won't understand it until they've used it," says the titular figure in the just-dropped full Oppenheimer trailer. Played by Nolan regular Cillian Murphy (see also: The Dark Knight, Inception, The Dark Knight Rises and Dunkirk), the "father of the atomic bomb" narrates the new sneak peek with plenty of such telling comments. Here's another: "I don't know if we can be trusted with such a weapon, but we have no choice". Yes, Nolan is going back to the Second World War again, focusing on the eponymous American physicist, aka the man who helped develop the first nuclear weapons as part of the Manhattan Project. Also earning the director's attention: the fact that Oppenheimer needed to risk destroying the world to save it. Charting his life, his part in birthing the atomic bomb and how it changed the world — and the fallout — should make for gripping viewing, although viewers will need to wait until July 20, 2023 Down Under to find out. The new trailer follows a brief teaser in mid-2022, and provides a bigger glimpse of what's in store. Oppenheimer's story also includes heading up Los Alamos Laboratory — and observing the Trinity Test, the first successful atomic bomb detonation in New Mexico on July 16, 1945 — as this latest bit of footage shows. Nolan is always in serious mode, but this is a solemn affair even by the Memento, Interstellar and Dark Knight trilogy filmmaker's standards. And, it looks like a spectacle, in no small part thanks to being shot in IMAX 65mm and 65mm large-format film photography, including sections in IMAX black and white analogue photography for the first time ever. Based on Kai Bird and Martin J Sherwin's Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, the film boasts an all-star cast, including Emily Blunt as the physicist's wife, biologist and botanist Kitty (reteaming Blunt with Murphy after A Quiet Place Part II) — plus Matt Damon (The Last Duel) as General Leslie Groves Jr, director of the Manhattan Project; Robert Downey Jr (Dolittle) as Lewis Strauss, a founding commissioner of the US Atomic Energy Commission; and Florence Pugh (The Wonder) as psychiatrist Jean Tatlock. Also set to pop up: Josh Hartnett (Wrath of Man), Michael Angarano (Minx), Benny Safdie (Stars at Noon), Jack Quaid (The Boys), Rami Malek (No Time to Die) and Kenneth Branagh (Death on the Nile). Oh, and there's Dane DeHaan (The Staircase), Jason Clarke (Winning Time: The Rise of the Lakers Dynasty), Olivia Thirlby (Y: The Last Man), Alden Ehrenreich (Solo: A Star Wars Story) and Matthew Modine (Stranger Things) as well. Check out the full trailer for Oppenheimer below: Oppenheimer will release in cinemas Down Under on July 20, 2023. Images: © 2022 Universal Studios. All Rights Reserved.
Four decades back, and three as well, Clown in a Cornfield would've stood out on a video store's shelves. It would've proven an instant hot rental, in fact. The slasher film just has that kind of title. The immediately evocative name comes from the page, where this tale of a killer jester sparking bloody mayhem rather than big laughs in a rural Missouri community initially appeared courtesy of author Adam Cesare. Not just for its moniker, the book won the 2020 Bram Stoker Award for Best Young Adult Novel. Eli Craig, the director of Clown in a Cornfield as a film — and its and co-screenwriter with Carter Blanchard (G vs E) — is no stranger to terrific titles himself. He was initially interested in this as his third feature due to its name, because who wouldn't be? That tracks across his career, however; his first two movies also had marvellous monikers. Fifteen years ago, Craig's Tucker and Dale vs Evil started earning horror- and comedy-loving devotees, and now is deservedly considered a 21st-century classic. When Little Evil arrived in 2017, it also had a title that stood out. How much stock does Craig put in a great name for a movie? "I think a great title is what gets people's attention more than almost any marketing. And it's very fun to me to mashup a title in a way that feels provocative — like you say, and unique. And feels like it tells the story," he tells Concrete Playground. "But then when you go see the movie, it actually has a lot more depth and complexity than the title gives you. So for Tucker and Dale vs Evil, it seems kind of silly and goofy — and, of course, it is a very heightened comedy. But it also has these layers of things it's about, and that is much deeper than you would think." "And it's the same with Clown in a Cornfield," Craig continues. "I think once people see it, they'll be like 'oh, this is actually saying a lot of things. It's not just a goofy movie about a clown and a cornfield'." Clown in a Cornfield is definitely a flick about a clown and a cornfield. It makes good on that promise. It also pushes horror further to the fore than Craig's past features did. This is equally a slasher that uses that high-concept premise to dig into generational divides, economic uncertainty, and both capitalism and the American dream gone wrong, though. As it follows high schooler Quinn Maybrook (Katie Douglas, Ginny & Georgia) and her widower father (Aaron Abrams, Children Ruin Everything) to Kettle Springs, where the latter is about to be the new town doctor — and where the existing resident adults, such as Sheriff Dunne (Will Sasso, George & Mandy's First Marriage) and Mayor Arthur Hill (Kevin Durand, Kingdom of the Planet of the Apes), yearn for the locale's past, while teens such as Arthur's son Cole (Carson MacCormac, Shazam! Fury of the Gods) are looking forward instead — it has societal bite to go along with its blood and gore. In Clown in a Cornfield, the character that lives up to the movie's moniker is Frendo, the mascot for the local Baypen Factory, which once kept much of the town employed. Since the corn outfit closed down, its harlequin has become a symbol of happiness and prosperity corrupted, embodying everything that Kettle Springs has lost — and sparking that chasm between its authority figures and everyone of their age with the next generation. In both the picture's 90s-set opening and its present-day bulk, a slicing-and-dicing Frendo is hardly a pal, then. It's positively homicidal, with dispensing with Quinn and her peers its aim. Craig himself has a phobia of them — "I'm terrified of clowns," he shares — but these makeup-adorned figures have long been both jovial and creepy characters in pop culture. His isn't the first feature to play up their eerie side, of course, including in the last decade. IT and IT: Chapter Two became huge box-office hits in 2017 and 2019, and a TV prequel is on the way to HBO. The currently three-strong Terrifier franchise has been getting gruesome on-screen since 2018, with a fourth flick in development. Is making a movie about a murderous clown cathartic when you're already afraid of them? Our chat with Craig started there. Also covered: Clown in a Cornfield's clear love for other slasher and horror films, what goes into a great scary-flick kill, and how the gulf between the film's younger and older characters also provides inspiration for some of its humour, including a pitch-perfect moment with a rotary phone — plus why Douglas was the right choice for Quinn, and fleshing out Sasso and Durand's parts. What does the affection now held by horror-movie lovers for Tucker and Dale vs Evil 15 years on, even if it wasn't the success that Craig was expecting when it released, mean to him, too? That was part of our discussion as well. On Being Afraid of Clowns While Making a Movie About Murderous Jesters — and No, It Isn't Cathartic "I've always found them to be very duplicitous and very not-trustworthy. And I always thought it was kind of funny that clowns would go to kids' birthday parties. I find magicians kind of scary, too. And we once had a magician to my son's birthday, but we elected not to have a clown. But in my last film Little Evil, I had a scene with a clown that spontaneously combusted on fire, because the kid had superpowers — and I really was thinking 'I have to do more with these clowns because they are just naturally disconcerting'. You'd think that maybe I'd have less fear of clowns now, but it's actually the opposite. I think Frendo has surprised me at various publicity events already, where he sneaks up behind me — and I'm always the one that's like 'aah'. So I haven't gotten over my fear of clowns, but there is something quite magical and fun about them, too. So it's that mixture of fear and loathing." On Clown in a Cornfield's Societal Bite — aka Making a Killer Clown Flick About Generational Chasms, Capitalism Gone Wrong and Economic Uncertainty "That was in the book, and that's why I wanted to make the movie, because I was really surprised at what Adam Cesare was able to get at about this generational anger, I think — and this divide between a younger generation that's more progressive and maybe cares about the earth and cares about their future, and maybe an older generation that just feels like they're just harvesting the earth for their own greed. And I thought that frustration is just really apropos to our time. And also, I would say the thing that's so interesting about using a clown to tell that story is that originally clowns were like court jesters, and they were the only ones that were kind of allowed to tell truth to power and to tell the king what maybe was really up — but they had to do it with a sense of humour and satire. So this movie, in a way, it's fun because it has these layers of truth underneath it, and it's a clown telling that story to people. That isn't necessary to love the movie. You could love the movie and not really care about anything deeper. But I think through humour and entertainment is a lot of the ways we get some of our ideas that break through the walls to meet us. So that was quite fun to play with." On Balancing the Film's Evident Love for Slasher and Horror Greats That've Gone Before with Being Its Own Addition to the Genre "I just want to embrace all the movies I saw as a kid. I grew up in the 80s and early 90s, and watched everything from the Halloween movies, Friday the 13th, all of Freddy Krueger stuff — and I also loved the comedy-horror movies like Evil Dead 2. And so a lot of it, to me, just lives in like this bouillabaisse inside my brain, and I don't necessarily know when I'm picking a trope from this movie or that, but they kind of live there. And it's funny to watch other people pick them out and say 'oh, you did this here and this here'. I just kind of feel the tropes and I start writing them, and I don't necessarily pick them all out. The one thing is Jaws, I did play directly to Jaws in this movie, because that is probably my favourite horror movie that goes under the radar as not really being a horror movie — but it definitely is. It scared the pants off me." On What Makes a Memorable Slasher-Movie Kill for Craig — and How Easy or Difficult That Is to Achieve "Well, I think a lot about how to heighten it, how to make it just a little bit more than say — I always love the Scream movies, but I find that Ghostface with this knife gets a little repetitive, so I'm trying to come up with a new way for each kill to be just slightly different. And what are the tools this farmer-type Frendo the clown might use? And so you come up with pitchforks and chainsaws and axes and sledgehammers and all kinds of tools, and then you just try to heighten that and make it something people will grin at and laugh and cheer, and also be freaked out about, all at the same time." On Skewing More on the Horror Side of the Scale Than Comedy Compared to Craig's Previous Features "I did a real comedy-first horror with Tucker and Dale, and then I did almost just a comedy with horror elements with Little Evil. And I really wanted to dive back into horror and do kind of a hard-R, gritty in some ways, horror film — but with some levity because that's just the way I am. I'm not a really dark person — and I like humour in my stories. And I think there's just humour in the darkest parts of life." On Layering the Film with Comic Touches That Also Get to the Heart of Its Generational Clash "When you have the opportunity to nail a joke that also is just inherent in the theme, it really makes me smile. It makes me really excited when I'm sitting there writing and I go 'oh, oh, this is going to be really good' — because you're not breaking out of the story to make a joke. It's just very much within the context of the film. So it's really exciting when those present themselves. I don't feel like I'm making a joke. I feel like comes to me out of the ether. And it just presents itself to me, and then that's the opportunity to do it. There's a few points in this movie that grabbed the theme and make a joke out of it." On Knowing That Katie Douglas Was Clown in a Cornfield's Lead "You'd be surprised — I wanted to cast her before even auditioning her. I had watched a ton of her work. I saw that she had been working since she was about six years old, and she actually has a ton of work under her belt — and all of the stuff I saw from her from, like Ginny & Georgia and also this show called Pretty Hard Cases, and she did some Lifetime movies and she did some short films, and I literally went in and I watched them all. And I just always saw this sort of grounded, natural performance with the toughness and an edge to her, and sort of a sarcasm to her, that I felt just was Quinn. She auditioned for it, and completely nailed the audition. And I couldn't have been more blessed to have somebody that was so ready for being number one on the call sheet. She was so ready to lead this film. And she carried the film — and she does a fantastic job." On the Kind of Guidance That You Give Actors Like Will Sasso and Kevin Durand When They're Tasked with Fleshing Out Horror-Movie Characters That Could Be Cartoonish in Other Hands "I tell them kind of exactly what you just said. I wanted this character to be deeper, and we talk about what their motivations are. So usually they're not thinking about the characters being a villain — they're thinking about them being justified. So every good actor is always justifying their hatred or villainy for their character, and it make has to make sense to them. So anytime it doesn't make sense, we have to work on it. But those guys are so talented. They brought so much of themselves to the role. Will Sasso, as the sheriff, was just fantastic because he's threatening and creepy, but he's also just funny. He just brings a sense of humour and life to everything he does. And Kevin Durand, I don't think I could get an actor that could be this role without playing into something that we've seen before. He really created a new character. And that was really important that we weren't like the Joker or something. He was really, really his own — and very grounded and more gritty and real — character." On the Response to Tucker and Dale vs Evil 15 Years on — and What It Means for It to Be So Beloved as a Horror-Comedy Cult Classic "It actually means I'm not crazy. So when I first made that film, I just believed in it naively, like with all of my heart. And I thought 'well, this is just going to be the biggest hit since Evil Dead 2'. And it wasn't that way. It didn't come out as a big hit. I thought I was making the next Shaun of the Dead or Evil Dead 2 — and it went to some great film festivals, but then once we came out, it kind of disappeared for a while. And then over the years, people discovered it, and it truly became what I always believed it would be by now. And it's kind of validated my own feeling of art and my feeling of 'what entertains me should entertain other people'. Because I'm just ultimately trying to make a film that that I want to go see. And if people start telling me they don't like what I would want to go see, it becomes much harder to make a movie. And now I feel like 'wait a minute, maybe, maybe my sensibility is a sensibility a lot of other people share'. So that means a lot." Clown in a Cornfield released in cinemas Down Under on Thursday, May 8, 2025.
If you spent a few days this winter attending a Twin Peaks-inspired ball and seeing a giant teddy bear with laser eyes — watching a stunning new take on Dante's classic examination of hell, purgatory and paradise, too — then you went to Dark Mofo's 2023 run. Organised by Tasmania's Museum of Old and New Art, the winter arts festival fills Hobart with all manner of weird and wild surprises every year. In 2024, however, it's pausing its usual sprawling event to plan for the future. The fest's team has announced that it'll largely sit out next year, after celebrating its tenth year this year. Apart from its beloved Winter Feast and Nude Solstice Swim, Dark Mofo will take a break in 2024 in order to work out what the next decade looks like for the fest. "Dark Mofo has always been dedicated to enriching and transforming lives through ambitious art and ideas. We want to make sure that we have a festival that continues to deliver incredible art and artists, that continues to expand its artistic boundaries and remains a beacon of creativity, innovation and cultural significance," said Dark Mofo Artistic Director Chris Twite. "While this was a tough decision, it ensures we move forward in a viable manner. The fallow year will enable us to secure the future of Dark Mofo and its return at full force in 2025." The moves comes after a hit year that saw Dark Mofo smash it with attendances and at the box office — notching up record figures, in fact. Despite the most event's success, the crew behind it will now work towards "a more sustainable model for a full return in 2025, and set the foundation for the next ten years", taking rising costs and other changing elements into consideration. So, no full Dark Mofo is the not-so-great development for your winter 2024 plans. That the culinary-focused Winter Feast and the frosty Nude Solstice Swim will still take place next year even without the broader festival around it is better news. "We are excited that in June 2024 — amidst the rebirth and renewal of Dark Mofo — that Tasmanians and visitors alike will still be able to meet and commune around the fires of Winter Feast and cast off the weight of another year at the Nude Solstice Swim once more," said Twite. This year's Winter Feast was headlined by Chef's Table alum Ana Roš from two-Michelin-starred Hiša Franko, cooking up fare inspired by her homeland but made with Tasmania's top seasonal produce with help from The Agrarian Kitchen's Stephen Peak and Rodney Dunn. Exact details for the 2024 food-centric event, and for the next chance to bare all and brave the cold while taking a dip, are yet to be announced. Dark Mofo won't take place in 2024 — apart from the Winter Feast and Nude Solstice Swim — with plans to return in full from 2025 onwards in Hobart, Tasmania instead. Head to the festival's website for further details. Winter feast images: Jesse Hunniford, 2023, courtesy of Dark Mofo 2023. Nude Solstice Swim images: Rémi Chauvin, 2023, courtesy of Dark Mofo 2023.
A skating session that's all about exercise — and sometimes rolling freely — Rollerfit finally arrived in Brisbane a few years back. It's still going strong in 2024, and it still wants you to go for a spin. Two days a week, you can hit the rink at the PCYC Lang Park at Suncorp Stadium in Milton, including if you're a beginner just learning to skate. If this is the first time you've ever even thought about living out your Whip It or Xanadu dreams, don't worry — you're covered. The novice classes take place on Fridays from 6.30–7.30pm and Sundays from 3.30–4.30pm, while the more experienced skaters lace up on Friday nights from 7.30–8.30pm. And if you do just fancy rolling around openly, without instructors giving you tips, that's also on the agenda during the social hour from 7.30 on Friday evenings. Dropping in costs $25, or you can take that down to $20 if you plan to visit regularly and sign up for a $45 membership. Five, ten and 20-class passes are also on offer, which can bring your per-session fee down to $16.50. If you don't have your own wheels, you can also rent them for an extra $5 per session. Rental covers sizes 5–13, and it's a first-come, first-served kind of deal. Images: Susie Yang.
It's the longest-running American musical in Broadway and West End history. It's the longest-running production now currently playing Broadway, too. It's been seen by over 34-million people worldwide in 38 countries, and played more than 33,500 performances in 525-plus cities. And, it's won six Tony Awards, two Olivier Awards and a Grammy. The show: Chicago. It has also locked in a return date with Australia, including splashing a healthy dose of 1920s razzle dazzle in Brisbane from Tuesday, January 2, 2024 in the musical's big Aussie comeback. Come on babes, why don't we paint the town? With all that jazz, the the record-breaking smash will shimmy back onto QPAC's Lyric Theatre stage to put on one helluva show. Get ready to see Zoë Ventoura (Home and Away) as Velma Kelly and Lucy Maunder (Mary Poppins) as Roxie Hart, plus Aussie theatre star Anthony Warlow (The Phantom of the Opera, The Wizard of Oz, Annie, Sweeney Todd: The Demon Barber of Fleet Street) as Billy Flynn. [caption id="attachment_714916" align="alignnone" width="1920"] Jeremy Daniel[/caption] Also featuring: Peter Rowsthorn (Kath & Kim) as Roxie's husband Amos, Asabi Goodman (Hairspray) as prison warden Mama Morton and S. Valeri as crime reporter Mary Sunshine. Inspiring 2002's Renée Zellweger (Judy)- and Catherine Zeta Jones (Wednesday)-starring Academy Award-winning film of the same name, Chicago tells the tale of housewife and nightclub dancer Roxie Hart. In the decadent 1920s, she twirls through a whirlwind of murdered lovers, jail time, fierce rivalries and tabloid sensationalism — all set to a toe-tapping soundtrack. Based on a 1926 play by Maurine Dallas Watkins, the production showcases music by John Kander, lyrics by Fred Ebb and choreography by Tony Award-winner Ann Reinking. [caption id="attachment_714915" align="alignnone" width="1920"] Paul Kolnik[/caption] Top image: Jeff Busby.
Unless you've spent the past few years north of the wall, you'll know that House of the Dragon is coming — the long-in-the-works prequel series to Game of Thrones, that is. HBO wasn't going to completely say goodbye to its huge fantasy hit when the original show wrapped up, of course, and plenty of other spinoffs are under consideration (including a Jon Snow-focused sequel); however, the first of the bunch starts airing on Monday, August 22 in Australia. House of the Dragon is set 200 years before the events of GoT, and focuses on House Targaryen. Yes, that means that dragons are obviously part of the series, and so is a Succession-style battle over who should sit on the Iron Throne. Always thought that you should park your butt on the hefty chair yourself? Thanks to Binge, which'll stream House of the Dragon when it starts, that's about to become a reality. No, you won't be making a trip to the show's sets — rather, the Iron Throne is coming Down Under. And yes, you really will be able to sit on it when it makes its way to your city. [caption id="attachment_864676" align="alignnone" width="1920"] Ollie Upton[/caption] House of Dragon's version of the Iron Throne looks a bit different to the OG — newer, you'd expect, given it exists two centuries before the seat seen in GoT — and is covered in 1000 swords. This full-scale replica isn't small, either, measuring 3.7 metres wide, 2.8 metres high and 3.3 metres deep, and weighing 226 kilograms. Sydneysiders will get to live out their House Targaryen dreams first, with the throne first appearing at Sydney Town Hall, from 9am–5pm on Friday, August 19. It'll also head to the University of Sydney, in front of The Great Hall, from 9am–4pm on Wednesday, August 31–Thursday, September 1. Melbourne dates have been locked in as well, at Westfield Southland, on level one near Brioche by Philip, from 9am–5pm on Saturday, September 10 and 10am–5pm on Sunday, September 11. [caption id="attachment_864683" align="alignnone" width="1920"] Ollie Upton[/caption] If you're a Game of Thrones fan elsewhere around Australia, start hoping like Arya crossing off her list that the Iron Throne will come your way — we'll update you when further dates are announced. And if you've forgotten the throne's backstory, it was forged from the blades of Aegon Targaryen's defeated foes, which were melted together by a dragon — of course — after he conquered Westeros. Check out the full House of the Dragon trailer below: IRON THRONE AUSTRALIAN TOUR DATES: Friday, August 19 — Sydney Town Hall from 9am–5pm. Wednesday, August 31–Thursday, September 1 — University of Sydney, in front of The Great Hall, from 9am–4pm. Saturday, September 10–Sunday, September 11 — Westfield Southland from 9am–5pm on Saturday and 10am–5pm on Sunday. House of the Dragon's Iron Throne will tour Australia from mid-August. House of the Dragon will start airing on Monday, August 22 Down Under via Foxtel and Binge.
The global pop icon — known for massive hits like 'Tik Tok', 'We R Who We R' and 'Joyride' — will headline Mighty Hoopla's Australian debut when it lands on Bondi Beach on Saturday, February 21, 2026. Expect an explosion of sequins, pop nostalgia and unapologetic joy, as the cult festival makes its long-awaited leap from London to our shores. "We're honoured to bring Mighty Hoopla to the other side of the world," said co-founder Jamie Tagg. "After Kesha's incredible headline performance with us in London earlier this year, we knew she was the only artist we wanted to make our Australian debut with." View this post on Instagram A post shared by Mighty Hoopla Sydney 🦘 (@mightyhoopla_sydney) Since launching in 2016, Mighty Hoopla has become the UK's biggest pop festival — a kaleidoscopic celebration of inclusivity, freedom and pure fun, with past lineups featuring Nelly Furtado, Kelly Rowland, Sugababes, Years & Years and Jessie Ware. The Sydney edition promises the same mix of pop icons, drag royalty, DJs and queer collectives from both the UK and Australia, with the full lineup still to come. "To finally bring the Hoopla magic to Sydney is a dream come true," added founder Glyn Fussell. "Expect joy, chaos and the campest day of your life." Tickets go on pre-sale from 10am AEDT Wednesday, October 22, with general sale from 10am Thursday, October 23. Prices start at $169.90 + BF, with concessions available. For more information or to sign up for pre-sale tickets, visit the Mighty Hoopla website. Images: Supplied
UPDATE, August 27, 2021: From Friday, August 27, Cruella will be available to stream via Disney+ — and as part of your regular subscription. A killer dress, a statement jacket, a devastating head-to-toe ensemble: if they truly match their descriptions, they stand the test of time. Set in 70s London as punk takes over the aesthetic, live-action 101 Dalmatians prequel Cruella is full of such outfits — plus a white-and-black fur coat that's suspected of being made from slaughtered dogs. If the film itself was a fashion item, though, it'd be a knockoff. It'd be a piece that appears fabulous from afar, but can't hide its seams. That's hardly surprising given this origin tale stitches together pieces from The Devil Wears Prada, The Favourite, Superman, Star Wars and Dickens, and doesn't give two yaps if anyone notices. The Emmas — Stone, playing the dalmatian-hating future villain; Thompson, doing her best Miranda Priestly impression as a ruthless designer — have a ball. Oscar-winning Mad Max: Fury Road costume designer Jenny Beavan is chief among the movie's MVPs. But for a film placed amid the punk-rock revolution, it's happy to merely look the part, not live and breathe it. And, in aiming to explain away its anti-heroine's wicked ways, it's really not sure what it wants to say about her. Here, the needle drops have it. If compiling Cruella's soundtrack involved more than typing "60s, 70s and 80s hits" into Spotify, it doesn't show. A snarling rendition of The Stooges' 'I Wanna Be Your Dog' proves as blatant as it sounds. When a plan comes together to The Beatles' 'Come Together', you'll wonder if the laziest algorithm in the world made that choice. And would it really be a film about someone called de Vil — a naming choice that's spelled out with such force, you could spot it from the moon — if The Rolling Stones' 'Sympathy for the Devil' wasn't given a spin? As the Mouse House keeps exploring its antagonists' nefarious urges (see also: the two Maleficent movies), it routinely just covers the bare necessities, story-wise. Here, it takes that approach in as many places as it can. Indeed, in telling viewers that Cruella is saddled with childhood traumas, too, it seems to think that two-plus over-stretched hours of 70s cosplay will suffice. Before she becomes the puppy-skinning fashionista that remains among Glenn Close's best-known roles, and before she's both a wannabe designer and the revenge-seeking talk of the town played by Stone (Zombieland: Double Tap), Cruella is actually 12-year-old girl Estella (Tipper Seifert-Cleveland, Game of Thrones). Sporting two-toned hair and a cruel that streak her mother (Emily Beecham, Little Joe) tries to tame with kindness, she's a target for bullies, but has the gumption to handle them. Then tragedy strikes, an orphan is born, loss haunts her every move and, after falling in with a couple of likeable London thieves, those black-and-white locks get a scarlet dye job. By the time that Estella is in her twenties, she's well-versed in pulling quick heists with Jasper (Joel Fry, Yesterday) and Horace (Paul Walter Hauser, Songbird). She loves sewing the costumes required more than anything else, however. After years spent dreaming of knockout gowns, upmarket department stores and threads made by the Baroness (Thompson, Last Christmas), she eventually gets her chance — for fashion domination, as well as vengeance. It worked for director Craig Gillespie in I, Tonya, but the wry narration that guides Cruella's story quickly overstays its welcome. The knowing tone, obvious observations and taunts of a death that can't stick in a prequel all purely hit the expected beats, as almost everything here does. Co-screenwriter Dana Fox also penned Isn't It Romantic, but trades satirising one genre's tropes for leaning into another's (yes, villain origin stories are their own genre now). Fellow scribe Tony McNamara was nominated for an Oscar for The Favourite and an Emmy for The Great, so the fact that Stone often feels like she has stepped out of the former and into this — right down to her subterfuge and scheming beneath the Baroness' feet — is no surprise. The Devil Wears Prada's Aline Brosh McKenna gets a story credit, too, because Disney isn't attempting to conceal its inspirations. Cruella may stem from Dodie Smith's book, then the cartoon, then the live-action remake, but it has been cut from a clear pattern. There's zero vampishness in the end result, but plenty of botched ideas and muddled themes. When Estella is driven to succeed, rebel against being treated poorly at work and punish the person responsible for her pain, they're far more fascinating aspects of her character than the movie meaningfully examines — perhaps because they don't quite fit her journey to the monochrome side. Empathising with her plight is easy several times over. After an early incident, understanding why she doesn't love dalmatians is as well. Gillespie and company don't come close to selling the leap from ambitious and avenging to future animal cruelty, though. The latter isn't actually a part of Cruella, but in giving its central figure the Joker treatment, the film's character arc is always a stretch. It also undercuts the much more potent notion that some people are just evil, and don't need a sob story as an excuse. If, in all of their eagerness to stick to a template, Cruella's powers-that-be just wanted to pair Stone up with another English acting titan — swapping The Favourite's Olivia Colman for the on-screen treasure that is Thompson — and then let them have at it, that's understandable. It's also as a good enough reason as any for this or any movie to exist. Alongside Beavan's Vivienne Westwood- and Alexander McQueen-influenced costumes, plus Nicolas Karakatsanis' (another I, Tonya alum) constantly moving camerawork, the acerbic Oscar-winning Emmas are the reason that the film has any bite to go along with its empty barks. But the duo's gleeful cartoonishness, flamboyance and winning ability to wear the hell out of their outfits only takes Cruella so far. Even with their obvious commitment, this intellectual property-extending exercise is more filler than killer. After you give it a whirl, you'll put it back on the rack and rarely spare it another thought. https://www.youtube.com/watch?v=pgZgFHDGHrY&feature=youtu.be Top image: Photo courtesy of Disney. © 2021 Disney Enterprises Inc. All Rights Reserved.
Nothing warms the heart like the company of those you love, and with these cooler temps, we could all use a little extra warmth. Also, with the sun setting so early these days, you've probably found yourself cold, in the dark but still looking for something to do after work. So, take the social coordinator role this month, hit up your group message and let the gang know you're all heading out. You don't have to do the usual dinner and drinks either. In fact, to help you plan, we've teamed up with RACQ to round up some top after-dark activities to do with your mates. RACQ offers some pretty decent discounts on Brissie activities for their members — and even if you're not a member, you can still join as a Lifestyle member just to gain access to all those sweet, sweet discounts. Time to keep spirits high as we enter the thick of winter this July; here are our five picks of things to do once the sun goes down. NIGHT NOODLE MARKETS July in Brisbane gets a little colder than we Queenslanders are typically comfortable with. Luckily, we have Brisbane Good Food Month to warm our bellies and compensate for this chilly weather. As part of the tasty month, the Night Noodle Markets pop up with twinkling fairy lights, a stunning riverside location and a massive amount of incredible Asian dishes to try. Grab the gang and head down to South Bank to indulge in a night of bao, gyoza, pad thai, something called a 'phorrito' (where pho meets a burrito) and even more dishes from abroad. This year, there'll be 23 food stalls to choose from, so you may even plan a few visits to the markets to eventually make your way through all the eats on offer. Pull up some grass, enjoy the live music and feast on all the treats, washed down with a refreshing brew from the pop-up bar. And maybe after, why not take it all in from above with a cheeky ride on the Wheel of Brisbane? NIGHT KAYAKING Get out and see Brisbane from a whole new perspective on a night kayaking tour. Kayak under a starry night, as the lights of Brisbane's skyline glitter across the water. The evening kayaking tour goes for an hour and half, taking you from Kangaroo Point Cliffs, up to the iconic Story Bridge, to Mowbray Park and past the Brisbane Botanic Gardens, Maritime Museum and South Bank Parklands. And once you've finished, reward yourself for all that arm effort and opt in to the big Aussie barbecue complete with prawns, lamingtons and Aussie beer, all to be enjoyed while overlooking the beautiful Brissie River. THURSDAY NIGHT KARAOKE Are you that person who's always singing along to the radio and secretly wishing you were Mariah Carey? Well, maybe it's time to find out what your vocal chords are made of by heading along to the Brunswick Hotel's Thursday night karaoke. Grab a few friends and head to this New Farm local early to grab a prime spot in the sports bar. Flag down the karaoke masters, make your request and wait your turn to flaunt your vibrato for all to hear. If you're truly stuck on which tune to choose, drag some friends up with you to take turns belting out verses from No Scrubs, or play it safe with basically anything by Queen. GLOW WORM TOUR If you and your mates are the type of people who are always up for an adventure, consider journeying into the Gold Coast hinterland for an evening tour of the mesmerising glow worm caves within Springbrook National Park. Like a real life tour through Pandora or Ferngully, you'll wander through lush rainforest, past a beautiful cascading waterfall and into the illuminated caves. As a bonus, you'll also get to learn about the history, culture and lifestyle of the traditional Aboriginal landowners. A wintry adventure into a World Heritage-listed rainforest with magical sights and a rich history, how could you lose? NIGHT ROCK CLIMBING Fire up that competitive streak by challenging your mates to an evening rock climb; book the crew in for a night of scaling up Kangaroo Point Cliffs. Forgo the indoor, colour-coded, plastic 'rocks', for an outdoor climb up the 20-metre rocky facade. Once you've made it to the top, take a long moment to look out over sweeping views of our fine city and river at sunset. Remember to pack a picnic (and maybe a few blankets) so you and your friends can cook up a dinner under the stars with onsite barbecues after. Want more after-dark activities? RACQ offers its members access to a huge selection of deals from night kayaking to glow worm cave tours. Check out their full offering here. Words: Arabella Anderson and Laura Dawson.
You've just sat down on the couch with Aunty Donna's new $30 bottle of wine. You're done reading the Always Room for Christmas Pud picture book, however, and you've already watched Aunty Donna's Big Ol' House of Fun — aka one of 2020's best new shows — more times than you can count. What's a comedy fan left to do while they sip their $30 vino, other talk about it a heap? From sometime early in 2023, you can feast your eyes on new ABC sitcom Aunty Donna's Coffee Cafe. Morning brown, morning brown, this bit of news is better than a cup of morning brown — because Aunty Donna is heading back to your TV, and to the ABC, as initially announced earlier in 2022. Yes, Mark Samual Bonanno, Broden Kelly and Zachary Ruane are heading to Aunty, in a return of what just might be Aussie television's most fitting pairing. This isn't the first time that the two have joined forces, after all, with Aunty Donna's Fresh Blood hitting iView back in 2014. This time, though, Bonanno, Kelly and Ruane are starring in a Melbourne-set comedy. The premise: three best mates run a cafe in one of Melbourne's laneways. Their coffee-slinging establishment is trendy, but the stretch of pavement it's in on isn't. You can expect cups of morning brown to be served, clearly. Hopefully, the song about them will get a whirl. Will the cafe be open on Christmas and serve up a little bit of pud, too? You'll have to watch to find out. From the just-dropped sneak peek, which sees Bonanno, Kelly and Ruane chat through what's in store and also includes snippets of footage, Aunty Donna's absurd sense of humour is firmly intact. Sniffing pastries, wearing Batman costumes, donning crowns, jumping on counters, cults, and guest appearances by Miranda Tapsell (Christmas Ransom), Pia Miranda (Mustangs FC) and Richard Roxburgh (Elvis) — they're all included. "This is a heightened, ridiculous sitcom about three friends who are trying to run a cafe. They get up to bizarre adventures, and we really hope it's going to be the latest, greatest addition to Australia's incredible history or ridiculous, stupid comedies," Bonanno says in the clip. "We cannot wait to make you laugh on ABC and ABC iView early next year" adds Ruane, before cutting a clip of him in-character asking "how is this going to sit on a Wednesday night on ABC"? Exactly when the show hits hasn't been revealed, other than that early 2023 timeframe, but you can check out the first teaser for Aunty Donna's Coffee Cafe below: Aunty Donna's Coffee Cafe will hit ABC and ABC iView sometime in early 2023 — we'll update you when an exact release date is announced.
When you live in a city that's usually streaming with sunshine all year round, the onset of colder weather can be a shock. Fear not, brrrrrrrr-yelling Brisbanites — the frosty season comes bearing gifts. Indeed, at Riverbar and Kitchen's Winter Festival, there's plenty of things to heat you up. In June, there's negronis in six varieties, including hot mulled negronis. Throughout July, hot mulled cider, red wine sangria and porter punch are on the menu, as are pizza cob loaf every day and the decadent dessert that is s'mores dip. And in August, there'll be Sunday lamb roasts, baked camembert, rum punch and hot buttered rum. Because the last month of winter also marks Ekka time, Winter Festival is also adding a chillier component — a strawberry overdose thanks to strawberry margaritas and strawberry ice cream sandwiches. No matter the weather, it wouldn't be show time without them. Winter Festival kicks on every day until the end of August, complete with open flames, fire pits and faux fur loungers. Entry is free, as is the warm, fuzzy feeling you'll get when you've been heated head-to-toe by hot cocktails, hot food and hanging out by the fire. Updated July 31.
These days we take a lot of things for granted. For most of us there is always something to enjoy on a night out; places where we can fit in. Although we have a vibrant party community, sometimes we forget that there are those who find themselves unable to find a place that is welcoming or where they feel they belong. Cheated Hearts is a monthly party night aimed at bringing together the queer community (and everyone else, they don't discriminate) for a good time. Playing alternative music choices and all the new genres, the crew behind CH have found huge success with each night getting bigger and better. The team is about to launch their third party brand, Lucky, this Sunday at Oh Hello. We spoke to mastermind Roxy Burt about how everything came together and what we can expect in the future. When did the idea for Cheated Hearts come about? I've been running events for over five years now and I felt like I needed to come up with a new idea. The event that I organised before Cheated Hearts was very similar to a lot of the events that were already happening so I scrapped that and started fresh. What was the Brisbane scene missing that you thought you could bring to the table? In the queer scene, it was definitely the music. A lot of the gay venues and events play mainstream/commercial music and my friends and I wanted to be able to go out somewhere that didn't play that music. We play so many different genres other than mainstream/commercial to try and cater to those people who don't like that particular type of music. How has the response been over the past year or so? The response has been beyond amazing. Cheated Hearts has grown so much in the last year. We started out at a 200-capacity venue and now have three different events in three separate venues. Our crowds usually reach 400-500 people. The support has been incredible as well — people have really responded well to what we stand for. You have a new event, Lucky, to go alongside your other events. What sets each one apart? We've been wanting to kick off a Sunday event for a while now and fortunately Oh Hello wanted to as well, so we've teamed up! All three events are different in terms of music. At Lucky, we play deep house and disco, Poetic Justice is hip hop- and R&B-focused and Cheated Hearts is trap, indie remixes and electro. What is the key to your longevity? What do you do to keep things fresh? Change things up! It's boring if we do the same thing every month so we like to have themes. People love dressing up. We've had so many in the past. We've had a Mexican theme, a moustache party, a prom (which we're doing again in June), Halloween and Christmas themes. I also like to book different DJs who always bring something fresh to the events. Each of your events are queer-friendly, which is awesome. What would you say Cheated Hearts has done for the queer community in Brisbane since it began? As I said before, it's definitely about giving the scene more of a choice in where they choose to go out. Cheated Hearts has also brought people together like a family. A lot of people message me and tell me how they love to be able to come to Cheated Hearts and feel comfortable and at home. I have transgender friends who feel the same way too. Because they are in the middle of transitioning, it might be harder for them to go out to an event or venue that's not queer-friendly. What are your plans for the future? So many plans! We applied for a government grant to run a festival so we'll find out in July if we've been successful! I'm also in the middle of organising to take Cheated Hearts to Sydney as well. We have lots of cool parties in Brisbane coming up too! What you do think about the Brisbane cultural scene these days? I think it's grown a lot but we still have a bit of a way to go before we're on par with Sydney or Melbourne. I still think people are too scared to go outside their comfort zones and are afraid to try something new because the scene has been the same for a really long time. In saying that though, it's great to see people actually come and experience Cheated Hearts for the first time and they always come back! What are your favourite places to go out in Brisbane? Where do you eat, drink and party? I'm really digging Southern food at the moment so Tippler's Tap is up there. I need to go and check out the Wickham since it's been renovated, and I only party at Cheated Hearts, of course. Lucky is taking place at Oh Hello this Sunday. Read more about it here. The next Cheated Hearts party is taking place on May 10 at Coniston Lane and Poetic Justice is happening on May 23 at Ellement Lounge. Images by Claudia Ciapocha, Thomas Oliver and Logan Shaw.
Considering there are film festivals for the French, and the German, and for Australia and New Zealand, and for pretty much any country imaginable, I have no idea why I’d never thought to ponder the existence of a Japanese Film Festival. Luckily, someone rectified my naïve ways and I can happily confirm that there is one that occurs annually in most capital cities of Australia. Now, I can’t promise that there will be an unlimited buffet of sushi, gyoza and sake, nor can I say with authority that everyone who works at the festival will be wearing kimonos and socks with sandals. However, what I can guarantee is that the movies showing at the 2011 Japanese Film Festival will be an even bigger insight into their culture than clichéd food options and stereotypes. Over the four days it runs in Brisbane, your options are Railways, Yamakoshi: The Recovery of a Tiny Japanese Village, Space Battleship Yamato and Arrietty. These films span the genres so whether you’re after a fun Studio Ghibli movie or an inspiring documentary, this festival’s got you set. On top of that it’s free upon booking, so organize tickets, embrace another culture, and maybe enjoy some (stereotypical but enjoyable) sushi afterwards.
While we may not envy the Spanish economy at the moment, it is hard not to covet their history of great architecture and innovative design. And that envy is sure to continue with the recent completion of the Metropol Parasol, not only the world's largest wooden structure but also one of the most beautiful. Designed by Berlin-based architecture Juergen Mayer H, the inspiration for the building came from a 2004 design competition brief which aimed to provide the people of Seville with an architectural heart and a distinctly urban space for the 21st century. The design also had to take into account some recently unearthed ancient roman ruins in the ground beneath. Mayer's winning structure does all of this, as well as housing a market place, a restaurant, walkways and panoramic views of the city, becoming a mecca for locals and architectural buffs alike. New technology was integral in both the design and production processes. The light sculptural curves and flow of the building were largely influenced by digital technology, while the interconnecting wooden panels used to create this effect are held together by a new — and one would imagine — some very strong glue. Marrying aesthetics and functionality, the Metropol Parasol has provided the city of Seville with a new focal point. And some much needed shade.
Wool&Prince, the team that brought us 'The Better Button-Down' shirt, which you can wear for 100 days straight without washing, is back. This time, they're tackling the humble T-shirt. They've come up with a 100 percent wool garment that's odour-resistant, offers 'natural climate control' and is super-soft. To get it on the market in a way that maximises quality and minimises prices, though, they need to submit a US$35,000 initial factory order. So they're looking for help via Kickstarter. The Wool&Prince crew spent eight months investigating and experimenting with hundreds of fabrics, trying T-shirt styles and testing out various fits. The rigorous research process involved putting the three final prototypes through stressful situations, including a 20,000km road trip across 45 US states, a 23-day cycling and camping trip in Alaska, a messy week at Oktoberfest, Germany and an extended feel test/vox pop with New Yorkers. In the end, they decided on 16.5 superfine micron Merino wool. Its extreme sweat-absorption capacity prevents the odour created by the breakdown of sweat via bacteria. Plus it's both naturally insulating and naturally breathable, meaning that the wearer is kept warm in cold weather yet cool in hot weather. The Wear-More, Wash-Less T-Shirt is currently available in crew-neck and v-neck styles, and in two different colours: black and heather-grey. If the stretch goals are reached, the repertoire will extend to include a polo and the palette to include bright navy and red. According to Wool&Prince, the fit is neither too baggy nor too tight, being akin to the T-shirts sold at American Apparel. Fifteen days remain in the Wear-More, Wash-Less campaign. Of the US$35,000 goal, just over US$26,000 has been pledged by 225 backers (as of 14 January). US$58 buys you one T-shirt, US$108 buys two, US$158 buys three and US$208 buys four.
After six years of inspiring plant-based living among a growing vegan community in Brisbane, Vegan Expo is taking its final bow. For one last weekend at the Exhibition Building in the Brisbane Showgrounds, celebrate the biggest and boldest Vegan Expo yet. Expect to see more than just delicious food, but a vast array of cruelty-free fashion, natural wellness products and sustainable homewares. Not to mention, a special appearance by MasterChef finalist Simon Toohey, known for his plant-based and zero-waste recipes. Wander through endless stalls and find local favourites, Vega Cafe, known for specialising in vegan comfort food with a Thai twist. Then, for the best meat alternatives, head to the Lamyong stall and enjoy their plant-based beef, chicken and more. There will also be stalls from Grassfed Burgers offering melt-in-your-mouth plant-based patties, and Asian-fusion flavours from Chef 365. Over the years, Vegan Expo has donated $50,000 worth of free sites to animal sanctuaries, rescues and charities. This has allowed those groups to raise vital funds, connect with the community and amplify their life-saving work. It's this kind of generosity that has defined the expo from the beginning. "This event has helped shape a kinder, more sustainable Brisbane," says Leizl Estioko, organiser of the Brisbane Vegan Expo. "Now we're inviting everyone to join us for one last time and make this farewell something truly special." On Saturday, August 30 from 10am–5pm and Sunday, August 31 from 10am–4pm, head to the Vegan Expo one last time and celebrate the wonderful plant-based community of Brisbane. Tickets start at $11, but be sure to get in quick as they are expected to sell out fast.
While social distancing and public gathering rules are still in place across the country, some companies are starting to look to the less-restricted future. Qantas yesterday said interstate travel could be back on the cards by July, Restaurant and Catering Australia wants hospitality venues reopened in June and, now, Falls Festival has announced it's powering ahead with plans for its New Year's festival — with some big changes. In a statement released this morning, Falls Co-Producers Jessica Ducro and Paul Piticco said they'd decided to push ahead with the end-of-year festival. "As Australia heads towards the recovery phase of COVID-19 we have decided to move forward with optimism, and work towards presenting our Dec 2020/Jan 2021 event in a way that will best bolster Australia's live music industry," the statement said. Details of the summer festival, which usually takes places at Tassie's Marion Bay, Lorne in Victoria, North Byron and Fremantle, are scarce for now, but the duo has announced one big change: an all-Aussie lineup. With Australia's borders currently closed and even travel between just Australia and New Zealand "still some time away", keeping the lineup local does seem the smart choice — and it has the added bonus of helping Aussie musicians, many of which have been financially impacted by the COVID-19 lockdown. According to website I Lost My Gig, Australian music industry workers have lost approximately $340 million worth of income since the crisis began. Falls Festival hopes it'll be able to help support some of those impacted with its locally focused festival. "We have some of the most exciting acts in the world and this special 'home grown' edition of Falls will ensure that money stays in our local economy, providing maximum financial benefit for the Australian music community – artists, management, crew, agents, roadies, production etc — as well as the thousands of contractors and suppliers who rely on our events for their income," Ducro and Piticco said in the statement. The festival will also help raise funds for Support Act, a charity delivery crisis relief services to those in the music industry. https://www.instagram.com/p/B_04sZGhybw/ It's positive news for those in the industry and music fans alike, but the the festival is not yet set in stone. Two-person public gathering rules are still currently in place in Victoria, NSW and Queensland, and Australia's ban on non-essential mass gatherings of over 500 people was one of the first restrictions implemented — way back on March 13, 2020 — so could, if we're to work backwards, be one of the last lifted. The Australian Government has also said some level of social distancing measures will need to remain in place until a vaccine is found, which Federal Science Minister Karen Andrews told the ABC earlier this week was still 10–15 months away. So, if the festival is to go ahead, it could look a little different — and a have a lot less punters in tow. Falls Byron usually has around 25,000 attendees, while Falls Lorne has 9000. Last year, the music festival was impacted by the bushfires, with the Lorne leg cancelled one day in because of extreme and hazardous weather. Falls Festival is hoping to go ahead in December 2020/January 2021. We'll let you know if and when more details are announced.
Wake up, Prime Video viewers: in 2023, your streaming queue is getting nostalgic. If The Wiggles can top the Hottest 100, take their rainbow-hued skivvies to Mardi Gras and make a date with Falls Festival (and maybe Little Nas X), then of course they can be the subject of a new documentary that'll hit the online service next year. Hot Potato: The Story of The Wiggles will tell exactly the tale you think it will, following the group's career over more than three decades, including the new levels of fame and popularity that 2022 has thrown their way. Sure, Dorothy the Dinosaur mightn't need an origin story, but OG Wiggles Anthony Field, Murray Cook, Greg Page and Jeff Fatt are getting one, with Sally Aitken (Valerie Taylor: Playing with Sharks, David Stratton: A Cinematic Life) directing. Prime Video is promising never-before-seen behind-the-scenes footage, too, as part of the feature-length film. "When we first formed The Wiggles more than three decades ago, our aim was to educate and inspire children through music, and that continues today," said Field. "Looking through the archives has brought back so many incredible and emotional memories, from our first shows for 30 children to touring America and the world, playing to arenas. It's been such an incredible and evolving journey and we can't wait to share our story with everyone." Hot Potato: The Story of The Wiggles forms part of Prime Video's 2023 slate of original Australian content, with the streaming platform running through all the Aussie-made efforts you'll be able to watch next year — some newly revealed, others already announced. Sitting in the latter category but certain to be a must-see is Deadloch, the latest series from The Kates. This time, The Katering Show and Get Krack!n's Kate McLennan and Kate McCartney are writing, executive producing and showrunning a mystery-comedy starring Kate Box (Stateless) — yes, another Kate — as a Tasmanian cop. When a local man turns up dead on the beach, the sleepy titular town is thrown into chaos. (And no, it won't be by accident that Deadloch subverts the usual dead girl trope that's such an engrained part of these kinds of TV series.) Also on Prime Video's 2023 list: five-part doco series Dance Life, following students at Brent Street; plus movie The Defenders, a documentary about Bahraini footballer Hakeem al-Araibi's arrest while honeymooning in Thailand, and former Socceroos captain Craig Foster's efforts in response. And, similarly among the highlights, there's Class of '07, about the mayhem that follows when an apocalyptic tidal wave hits during an all-girls college's 10-year reunion; and The Lost Flowers of Alice Hart, an adaptation of Holly Ringland's debut Australian novel starring Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Asher Keddie (Nine Perfect Strangers), Alycia Debnam-Carey (Fear the Walking Dead), Tilda Cobham-Hervey (Hotel Mumbai), Alexander England (How to Please a Woman) and none other than Sigourney Weaver (Ghostbusters: Afterlife). Comedians Joel Creasey, Rhys Nicholson, Dave Hughes, Tommy Little and Lizzy Hoo will score specials, too. And if you're wondering exactly when you can get watching, release dates for the whole slate still to be revealed. The just-announced titles Prime Video's 2023 Australian slate don't yet have exact release dates. Keen an eye out on the streaming service itself for further details.
First, in its initial fourth-season sneak peek back in May, Westworld called upon Lou Reed's 'Perfect Day'. Now, dropping the full trailer for the dystopian drama's next batch of episodes, it enlists Nine Inch Nails' 'The Day the World Went Away'. Big things are coming in the hit HBO series, clearly — and if those music cues mean anything, so is quite the eventful day, or several. Also leaving an impression in the new Westworld trailer is a chilling statement: "we're not here to transcend, we're here to destroy." Actually, the entire glimpse at the upcoming season — which finally starts arriving from Monday, June 27 via Foxtel, Binge and Neon Down Under — is filled with eerie and creepy pieces of dialogue and images. Here's another: "maybe it's time you questioned the nature of your own reality." That's classic Westworld for you. Since it first hit HBO back in 2016 — and made its way to Australia and New Zealand as well — the series has been unnerving from the get-go. It's all there in the concept, which first unfurled on-screen back in 1973 thanks to the Michael Crichton-directed movie of the same name. Here, in the eponymous android amusement park, humans pay to live out their fantasies while surrounded by supremely realistic-looking androids. What could go wrong? Everything, obviously. Across its second season in 2018 and third batch of episodes in 2020, the TV version of Westworld has built upon this premise, twisting in wild, strange, violent and surreal directions. Naturally, when season four hits, that's only going to continue. Neither trailer so far is particularly big on plot, but they do set a huge mood — or reinforce the tone that Westworld fans already know and love, to be more precise. While narrative details are scarce, the show is bound to keep wading through the fallout that's been shaping its story from day one, after some of the robot theme park's electronic hosts started to break their programming, make their own decisions and question their creators. What the show's season four trailers lack in plot specifics, they make up for in atmosphere and recognisable faces, including Evan Rachel Wood (Kajillionaire), Thandiwe Newton (All the Old Knives), Ed Harris (The Lost Daughter), Jeffrey Wright (The Batman), Tessa Thompson (Passing), Luke Hemsworth (Young Rock), Aaron Paul (Truth Be Told) and Angela Sarafyan (Reminiscence). Joining them as a newcomer this season: newly minted West Side Story Oscar-winner Ariana DeBose. If you feel like you've been hanging out for new Westworld for years, that's because the show always seems to bring its android dramas back in two-year intervals. Still, it's worth remembering that the first season of the show arrived 43 years after the Michael Crichton-directed movie that it's based on, and 40 years after the film's sequel Futureworld. If you haven't done so already, both are worth viewing while you're waiting for the TV series to return. Check out the full trailer for Westworld's fourth season below: Westworld's fourth season will start streaming via Binge in Australia from Monday, June 27 — and via Neon in New Zealand. Images: Photograph by John Johnson/HBO.
Australians, it's time to roll up your sleeves — because the nation's slow-moving COVID-19 vaccine scheme has just been given a crucial boost. In a newly announced change, all Australian adults of any age can now get the AstraZeneca jab. All you need to do is go to your GP and specifically request the AZ vaccine. Prime Minister Scott Morrison revealed the news during a late-night press conference yesterday, Monday, June 28, in which he addressed several aspects of the country's vaccine rollout. Specifically, he announced a new no-fault indemnity scheme for general practitioners who administer COVID-19 vaccines, so they're covered if their patients have any adverse reactions. Australia's current health advice notes that the AZ vaccine is preferred for folks over the age of 60, and that anyone younger should have the Pfizer vaccine; however, if you're below that cutoff and would still like the AZ jab, your doctor can now give it to you. "This relates to encouraging Australians to go and chat to their GP about their vaccination, and to have their vaccination administered," said the Prime Minister. "The advice does not preclude persons under 60 from getting the AstraZeneca vaccine, and so if you wish to get the AstraZeneca vaccine, then we would encourage you to go and have that discussion with your GP," he explained. "We are also providing the indemnity scheme for those general practitioners so they can actively engage with you and you can make the best decision for your health." While that part of the Prime Minister's press conference didn't mention age limits, he was specifically asked about under 40s, and confirmed that any Aussie adult of any age can now go to their GP to get the AZ shot. "If they wish to go and speak to their doctor and have access to the AstraZeneca vaccine, they can do so," he said. That's welcome news for everyone under 40 that's keen to get jabbed, but hasn't been able to due to Australia's staged vaccine rollout. Until last night, adults aged between 16–39 weren't eligible to get vaccinated unless they fell into a number of specific categories. You had to either be of Aboriginal and Torres Strait Islander descent; work in quarantine, border or healthcare roles; work or live in an aged care or disability facility; work in a critical and high-risk job such as defence, fire, police, emergency services and meat processing; have an underlying medical condition or significant disability; or participate in the NDIS, or care for someone who does. Aussies under 40 who'd prefer the Pfizer vaccine will still need to fall into one of the aforementioned groups. Since Thursday, June 17, the Australian Technical Advisory Group on Immunisation has recommended the use of AstraZeneca vaccine in people aged over 60 only due to the risk of rare blood clotting disorders that've been linked to the vaccine when given to younger folks. That change followed an early recommendation back in April, which noted the AstraZeneca vaccine wasn't preferred for anyone under 50. But anyone of any age, including those under 60, can now still get the AZ jab — after making an informed decision by talking to their doctor. For further information about Australia's vaccine rollout, head to the Australian Department of Health website.
Brisbane's Eat Street Northshore is following in the footsteps of culinary big-wigs like Brae, Biota and Dunkeld's Royal Mail Hotel, now boasting its very own onsite kitchen garden. Thought that was a little unlikely, given the precinct's lack of free space? Well, it's all thanks to Canada's Modular Farms Co, which has chosen the precinct as the first Australian location to host one of its state-of-the-art vertical hydroponic farms. With inner-city space at a premium these days, this little beauty is a bit of a game-changer, able to grow food cleanly and sustainably no matter where it's placed or what the climate might be. Eat Street's new addition will allow market vendors to tap into a consistent supply of fresh herbs and veggies from right there on site, minimising food miles and wastage in the process. It doesn't get much fresher than that. What's more, the farm's modular design fits right in with the rest of Eat Street's vibe, working perfectly against that backdrop of repurposed shipping containers. The new vertical farm will supply produce to both Eat Street Northshore and OzHarvest. Images: Chris Jack
However you identify, we hope your feed is filled with rainbows and eco glitter this week as we gear up to celebrate Mardi Gras on Saturday, March 6. Whether you're going to events in Sydney, Melbourne or Brisbane — or staying home to watch the parade on SBS — you can share the love and pride with the LGBTQIA+ community on TikTok. We've teamed up with the social media platform to bring you these six pride-filled videos to help get you pumped for the parade. [embed]https://www.tiktok.com/@itsbybrandon/video/6921305046323842306[/embed] Epic transformations are par for the course on TikTok, so how do you stand out from the crowd? @itsbybrandon does it time and time again with their colourful, creative and often unexpected makeup transitions. And, they lip sync like a pro. Take inspiration from this rainbow effect eyeshadow for your Mardi Gras celebrations this weekend. [embed]https://www.tiktok.com/@dom.skii/video/6930381557991542017[/embed] Proving that exceptional makeup talent isn't in short supply, @dom.skii brings us a second inspirational transformation clip full of pride. As Lady Gaga puts it, "Don't be a drag, just be a queen." [embed]https://www.tiktok.com/foryou?is_copy_url=1&is_from_webapp=v2#/@emmahorn/video/6929595838914186497[/embed] Emma Horn jumped on the Domino Lovers TikTok Challenge with her girlfriend, and how can you not beam with pride watching them dance together? Emma's TikTok is full of hilarious reaction videos and relatable content, so if you're in need of a pick-me-up, check out her channel. [embed]https://www.tiktok.com/@the_dancing_farmer/video/6928677043387272450[/embed] Bretty G, aka @the_dancing_farmer, says they're here to spread love and positivity. Here they do it with an enviable pair of pins and a fabulous strut in the countryside dirt. [embed]https://www.tiktok.com/@tomi.queen/video/6930570843546209538[/embed] In one of our favourite videos in the 'I'm So Pretty' makeup transition trend, Sydney drag queen Tomi shows us how it's done. If Reyanna Maria isn't on your Mardi Gras playlist for this weekend, rectify that now. [embed]https://www.tiktok.com/@kevininthecity/video/6931856237550193921[/embed] Sydney's Glitter King, @kevininthecity, isn't afraid to shine like a mirror ball. Here, they give us a masterclass in standing out from the crowd in one bold block of colour. Look out for Kevin in the City at this year's Mardi Gras Parade, as their face will be part of TikTok's official float alongside singer-songwriter G Flip. Download TikTok to watch more, and use the hashtag #JoinOurFloat to be part of TikTok's Mardi Gras float. Top image: Jeffrey Feng; Destination NSW
When Chloé Zhao adds her contribution to the Marvel Cinematic Universe later this year, the history-making Oscar-winner won't merely be leaping into a blockbuster franchise. With Eternals, the Nomadland filmmaker will unveil Marvel's next crew of superheroes — ancient and immortal alien beings who've been working in the shadows for thousands of years after arriving on earth via an eye-catching spaceship. Led by Ajak (Salma Hayek, Like a Boss), these heroes are now forced to band together again to save the world from an evil threat. The catalyst: the events of a little film called Avengers: Endgame. So, it's standard MCU stuff, at least on paper. But with Zhao the helm, the film doesn't look or feel like your average Marvel movie — at least based on the very brief sneak peek at the flick a few weeks back, as well as the movie's just-dropped first trailer. Also battling it against an enemy called The Deviants: Ikaris (Richard Madden, Game of Thrones), Sersi (Gemma Chan, Captain Marvel), Kingo (Kumail Nanjiani, Stuber), Makkari (Lauren Ridloff, Sound of Metal), Phastos (Brian Tyree Henry, Godzilla vs Kong), Sprite (Lia McHugh, Songbird), Gilgamesh (Don Lee, Ashfall), Druig (Barry Keoghan, Calm with Horses) and Thena (Angelina Jolie, Those Who Wish Me Dead). One GoT star is never enough for any movie, so Kit Harington also features, presumably knowing little. Ajak and her pals might've spent much of their past trying to blend in — "throughout the years, we have never interfered," she notes in the trailer's voiceover — but when they're not disguising themselves as humans, they certainly don superhero outfits and unleash quite the array of superpowers. Eternals is one of four MCU movies set to drop in 2021, alongside Black Widow, Shang-Chi and the Legend of the Ten Rings and the latest Spider-Man flick. It's also Zhao's first feature after the vastly different film that's been winning her so much praise this year, as well as her first leap into the blockbuster realm. And, the filmmaker's visual sensibilities definitely shine through so far — even though she's working on a far bigger scale than seen in her first three movies. Check out the trailer below: Eternals opens in cinemas Down Under on November 4.
The New York City Public Library is one of the most instantly recognisable buildings in the world. The grand entrance to its marble halls has been guarded majestically by twin stone lions, Carrere and Hastings, for nearly a hundred years. This weekend, the building and the lions celebrate their centenary. Although it is the fifth largest library in the United States, to celebrate its centenary the Library is proving it’s more than just books. The Library’s artifact collection is absurdly steeped in historical importance and draws on four main themes - Observation, Creativity, Contemplation and Society - and includes items such as Charles Dickens’ letter opener, Charlotte Bronte's desk, Thomas Jefferson’s copy of the Declaration of Independence, Jack Kerouac's personal affects and Christopher Columbus’ first letter from the Americas. In recent years, the Library has come across hard times. Recently, New York Mayor, Michael Bloomberg has tabled over $40 million in cuts. Paul Gunther of the Huffington Post sees the greatest hurdle for the library as not budgetary but a question of relevance, stating that ‘the challenge for its second century is that this thriving architectural masterpiece not fossilize into merely an historic monument to some greater yet abandoned neo-classical past.’
Move over dive bars and gastropubs — there's a new kind of watering hole in town. That'd be the alehouse, home to foamy alcoholic liquids aplenty, plus all the delicious bites to eat that help the craft brews go down. Indeed, Mr Edward's Alehouse & Kitchen champions its food as much as its drinks, as the venue's early morning opening hours and Euro-centric, share plate focused and slow-cooked-heavy menu makes plain. The charcuterie board of artisan cured meats and cheeses is the cream of the crop, and the perfect partner for the biggest selection of Coopers beer in Queensland, a special selection of Bacchus Brewing Co's dessert concoctions, or their signature sour pale ale cocktail (made with pale ale, of course). The new addition to Edward Street — where else? — is also fond of creating a relaxed, rustic atmosphere in its little corner of the Botanic Gardens end of the CBD. Witness their tables made from wood recycled from old Queenslanders and wall covered in photos of its location more than a century ago for further laidback evidence as you're enjoying an ale or several. Find Mr Edward's Alehouse & Kitchen at 46 Edward Street, Brisbane. For more information, visit their website and Facebook page.
