Sometimes, your tastebuds crave something special. They hanker for the kind of dish you're not going to eat every day, aka a treat yo'self type of culinary experience. Here are three things that they probably demand in that situation: lobster, truffles and champagne. If that's your idea of an indulgent meal, Lobster & Co has you sorted between Friday, February 11–Sunday, February 27, which is when it's popping up in Brisbane on the Clem Jones Promenade at South Bank. You'll only really find those three aforementioned items on the menu, too, because it's solely serving up lobster rolls with truffle fries and glasses of champagne. You'll pay $50 a pop for the food combo, which features a whole confit lobster tail sourced from The Geraldton Fishermans Coop in Western Australia, as served on a caramelised brioche bun with buttermilk fennel slaw, plus a side of parmesan truffle fries. As for the champers, that'll cost you $20 extra. Bringing your own picnic blanket is recommended so you can get cosy on a patch of South Bank's grass while tucking into your lobster, chips and bubbles Images: Karon Photography.
Unsurprisingly, Paul Feig has had Wham!'s 'Last Christmas' stuck in his head for some time. Given that the Bridesmaids, Ghostbusters and A Simple Favour director's latest film is a festive rom-com based on the well-known 1980s hit, and uses 14 other songs by the late, great George Michael, that comes with the territory. "It never goes away — but in a great way," he explains. Feig isn't complaining. "The funny thing is that, when you're working on a Christmas movie, your entire year is Christmas," he says. "So, in the middle of May, when you're singing 'Last Christmas' while you're walking down the street, you're like, 'this is weird'. But now it all comes full circle and you're like, 'I'm all set!'." Starring Emilia Clarke as down-on-her-luck Londoner Kate, and Henry Golding as the handsome stranger who turns her life upside down — again, in a good way — Last Christmas isn't Feig's first Yuletide-themed movie. That honour goes to 2006's Unaccompanied Minors, although considering the higher-profile titles on his resume (he created cult TV series Freaks and Geeks, featured on-screen in the 90s version of Sabrina the Teenage Witch, and also helmed The Heat and Spy), it's hardly his calling card. Indeed, based on his past experience on that feature, he didn't particularly want to make another Christmas movie. But Feig is a seasonal film fan. His favourite picture of all time: It's A Wonderful Life. Guided by his background in the genre, his love of watching Christmas movies himself, and a witty script co-penned by Emma Thompson (after he almost directed her in Late Night), Last Christmas is his attempt to add a new perennial go-to to everyone's end-of-year viewing lists. With recently Feig visiting Australia to promote the release of the movie, we chatted with the filmmaker about all things festive on-screen, creating a "warm hug" of a movie and championing funny women — among other topics. ON RETURNING TO THE CHRISTMAS GENRE "It was really Emma Thompson's script. Honestly, I didn't want to do another Christmas movie — and she said, 'oh I've got this script together, you should read it and we should do it'. And I was like, 'oh how exciting, it's Emma Thompson'. And then you open it up and it says Last Christmas and you're like, 'oh no, it's a Christmas movie'. But it was so good. My favourite movie in the world is It's A Wonderful Life, and to me, this had elements of that. It had elements of just every rom-com I've ever loved, too. And also it had this great lead character in Kate, who's this very challenging woman who is not behaving the way that women are normally meant to act in these movies. And Emma's writing was so smart and so honest about this woman that I couldn't not do it." ON THE ESSENTIAL ELEMENTS OF A CHRISTMAS MOVIE "[On Unaccompanied Minors] I learned that a Christmas movie needs to have a lot of layers. It needs to really have emotion — and characters that people relate to, and feel that the kind of issues that come around Christmas sort are filtering through them. Those layers are what gives you depth and reality. Here, Last Christmas is not only about a women surviving a catastrophic illness, but it's also an immigrant story. And that really appealed to me — this displaced family who were doing well in their country and, because of a war, had to flee, and now they've ended up in this big city where they can't do what they normally did, and how they're all damaged by that. None of us set out to make a political movie, but at the same time, if you're going to make a film about an immigrant family in London in 2017, they are going to be affected by Brexit. It's going to affect their psyche. I really liked that that layer was in there, but not in a way of just being preachy or being anti-anything — just saying 'look, these are the consequences of how people feel because of these things'." ON TRYING TO MAKE A FILM THAT VIEWERS WILL REVISIT EVERY YEAR "You definitely think about it. It's funny — when I made Unaccompanied Minors, I'd never made a Christmas movie before. So you kind of go is 'well, the great thing about this is it's going to be a movie that people are going to watch every year, and it's going to become a favourite, a perennial!'. And then you find out that that's not true. There are a tonne of Christmas movies, and a lot of them are very forgettable. A lot of them just sort of disappear and don't make that once-a-year list. If you look at that list, it's incredibly small. So I just realised that you can't take it for granted, and you just really have to make the best movie you can. Again, it's all about the characters and story. That's the only reason that any movie works. But you also make it, as Emma calls this movie, 'a warm hug' — that, visually, it's got this beauty of Christmas to it, and it's got this happy, lovely glow. I wanted to make Last Christmas something you'd want to revisit, hopefully not just at Christmas time, but definitely when Christmas rolls around — to make it one of these things that you have warm memories about and makes you feel good. Because no Christmas movie doesn't make you feel good at the end. Maybe Black Christmas or some horror movie. Even then, I think probably the protagonist wins and defeats evil. I remember when I first saw It's A Wonderful Life in film school — and saying that if I could make a movie that makes me feel the way that I do at the end of that movie, if I could do that on my own, then I would be very happy. I definitely feel like, for me, our movie gives you that same world of feeling." ON THE CHRISTMAS MOVIES HE REVISITS AGAIN AND AGAIN "Love Actually is such a great one, because it's so uplifting. I love watching that because I can never get over what a master feat Richard Curtis did juggling all those stories in a way that you follow them all and care about them all — that's the hardest thing in the world. But then, I like Die Hard. I think that's a great Christmas movie. I know there's a lot of controversy — people say it's not a Christmas movie, but I'm on the 'it's a Christmas movie' side. And it ends with 'Let it Snow! Let It Snow! Let It Snow!'!" ON CHAMPIONING WOMEN IN COMEDY — AND WEATHERING THE DEBATE SURROUNDING GHOSTBUSTERS "It just shows you how ridiculous and how behind the times Hollywood has been for so long — the fact that we're still arguing that. Especially about should women be in certain franchises or roles and all that kind of thing. But the most onerous part is just the 'are women funny or not?' question. You just have to scratch your head and go 'what year are we in? Is it 100 years in the past? Have I stumbled into a time machine or something?'. It's not even a valid question, but people still seem to bring it up. How many times can we disprove it? How many hilarious women can there be before people wake up. But I think it's the same thing as, when I talk to people and they go, 'oh, the food in London is terrible'. And I say, 'when was the last time you were in London?'. And they go, 'well 20 years ago'. That's the dumbest thing. You're just saying some stupid thing and passing along some trope that you heard somebody else say, and it doesn't even make any sense. So yeah, it's crazy." https://www.youtube.com/watch?v=co5jWMYsr34 Last Christmas is now screening in Australian cinemas — read our full review.
Always wanted to brush up on the Bard, but never progressed past watching Romeo + Juliet and 10 Things I Hate About You? You're not alone. Fear not, your years of thinking you'll get around to it can come to an easy end. Well, kind of. See one theatre performance, and enjoy a comedic crash course in England's most famous poet and playwright. The Complete Works of William Shakespeare (Abridged) condenses all 37 of his stage scribblings into one show, from the ghostly tragedy of Hamlet and the regal bloodbath of Macbeth, to the fairies and follies of A Midsummer Night's Dream and the mischievous matchmaking of Much Ado About Nothing. If it all sounds a bit silly and Python-esque, that's the point, and you're encouraged to be part of the fun. Audience participation ensures that no two performances are the same. Taking place on Sunday and Monday evenings between October 1 and December 18, head along, join in, and you'll be a Shakespeare pro in no time.
Want to get back to nature without actually having to rough it? Lucky for you, you can now take in the rolling hills of Mudgee in New South Wales, with the region's first ever luxury glamping service. Now taking guests, Sierra Escape is located 20 minutes drive from Mudgee's town centre, some 260 kilometres north-west of Sydney. The 280-acre property boasts spectacular views and is home to wildlife including kangaroos, deer and a variety of native birds. So yeah, basically it's paradise. The $350 per night tent — if you can even call something this opulent a tent — includes floor-to-ceiling windows, a king-sized bed, a camp stove and fridge, an ethanol fireplace and a separate bathroom complete with freestanding bath, shower and flushing toilet. It's insulated for all seasons, and there's even a deck out front where you can kick back and watch the sunset. "Sierra Escape aims to provide off-the-grid accommodation for those who love the outdoors but still enjoy the comforts of a luxury hotel," said co-owners Cam and Tasch D'Arcy. "Sierra is close to wineries and restaurants, but far enough from it all that it's the perfect retreat. We're excited to share Sierra with visitors to the area and hope their glamping experiences inspire a new way of travelling." For more information visit www.sierraescape.com.au.
In 2001, the movie-watching world was introduced to Hedwig and The Angry Inch. The story of an East German genderqueer singer who found solace in glam and punk rock had already graced the stage; however when theatre star-turned-film director, writer and actor John Cameron Mitchell took the tale from off-Broadway to the cinema, Hedwig truly stepped into the spotlight. To celebrate just over 15 years of the iconic film, MELT Festival is doing two things in one. First, they're playing the movie on the big screen in all its glory. Then they're hosting HEDWIG in Concert, corralling plenty of vocal and musical talent such as Sandro Colarelli, Josh Daveta, James Halloran, Bertie Page and Lucinda Shaw, and turning the whole night into one heck of a party.
In the guise of her character Jess, Drew Barrymore is crying when Miss You Already starts — and the audience likely will be when the film finishes. Tissues are necessary for what overwhelmingly and shamelessly qualifies as a weepie. Expect tears from a movie that knows how to wring them out of you. Expect to know that's exactly what it is trying to do, too. Barrymore's American in London is the more down-to-earth life-long BFF of outlandish Brit Milly (Toni Collette), their friendship as firm as it is frenetic. They've been there for each other since meeting in primary school, but when Miss You Already opens, Jess is in labour and yearning for her pal before talking viewers through their shared history. That colourful past takes a turn for the catastrophic when Milly is diagnosed with breast cancer, much to the distress of Jess; Milly's rock 'n' roll-roadie-turned-family-man husband, Kit (Dominic Cooper); and their two young children. At the same time, Jess is struggling with trying to get pregnant through fertility treatment with her partner Jago (Paddy Considine). As has constantly happened throughout their years of closeness, when it comes to life-changing drama, Milly's situation trumps her own. If the combination of gal pals, a potentially terminal condition and baby craziness hasn't already given it away — and it should've — Miss You Already is solidly aiming for sometimes gently funny, often waterworks-inducing chick flick territory. That the film stems from the real-life experiences of actress and writer Morwenna Banks (perhaps best known for TV's Saxondale and Skins) helps ensure that its sentiment and depiction of illness doesn't feel fake, even if it comes on thick and paints by the numbers. Indeed, director Catherine Hardwicke moves on from the teen-focused fare of Thirteen and the first Twilight film to offer up an account of the ups and downs of female friendship, with the latter prominent when trouble and tragedy strikes. Her approach is brightly shot to look like fondly Instagrammed memories, though it also barely lingers on anything but the obvious as it flits between Vine-like vignettes. Heartstrings are tugged across the usual moments — news both good and bad, hospital visits focused on life ending and beginning, a road trip to Yorkshire's Moors, and fights and fancy occasions among them — yet every new occurrence seems like the filmmaker is ticking off a checklist. With no hunks in sight here, what the film boasts instead is chemistry between the two leads. The plot points might be routine, but the bond the talented duo of Barrymore and Collette cultivate comes across as authentic. In fact, none of the cast puts a foot wrong, including a brief but well-played appearance by iconic actress Jacqueline Bisset as Milly's TV star mother. They're Miss You Already's most effective element, other than using all the life, death, love, loyalty and friendship pressure points to manipulate salty moisture into streaming from your eyes.
The end of winter means warming temperatures, blooming flowers and summer inching closer. In 2023, it also means looking up. To close out August, a super blue moon will take to the sky — or a blue supermoon, if you prefer. Both terms fit, because the Earth's only natural satellite will serve up both a supermoon and a blue moon. The date to point your eyes to the heavens: Thursday, August 31. Stare upwards with your own two eyes and you'll see a noteworthy sight — but it'll actually be at its peak that morning. Heading outdoors at 11.35 AEST is recommended; however, if you train your peepers towards the sky the evening before or afterwards, you'll still be in for a glowing show. While super full moons aren't particularly rare — several usually happen each year — blue moons only happen every few years. Wondering why else you should check this one out? We've run through the details below. [caption id="attachment_769713" align="alignnone" width="1920"] NASA/Joel Kowsky[/caption] WHAT IS IT? If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know. As we all learned back in November 2016, a supermoon is a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit, making it particularly bright. Again, they're not all that uncommon — and because the supermoon on Thursday, August 31 is a full moon (and not a new moon), it's called a super full moon. A blue moon refers to the second full moon occurring in a calendar month. Despite the name, it isn't blue in colour. Also, despite the saying, they happen more often than you might think, but still only ever few years. The next monthly blue moon after this is set to occur at the end of May in 2026. Normally, the August moon is also a sturgeon moon, too — and while that's the case in 2023 as always, that moon has already been and gone. That's what happens when there's two months in a month, with this year's sturgeon moon happening on Wednesday, August 2. The name, doesn't refer to its shape or any other physical characteristics, but to the time of year. In the northern hemisphere, August is around the time that sturgeon fish start to show up in big numbers in North America's lakes. Of course, that doesn't apply in the southern hemisphere, but the name still sticks. WHEN CAN I SEE IT? As mentioned above, the super blue moon will officially be at its peak at 11.35am AEST on Thursday, August 31, Down Under — but thankfully it will be visible from Wednesday night Australia and New Zealand time. The moon does usually appear full for a few days each month, so you should find the night sky looking a little brighter this week anyway. That 11.35am AEST time applies in Sydney, Melbourne and Brisbane, with folks in Perth needing to look at 9.35am local time and people in Adelaide at 11.05am local time. In New Zealand, get peering at 1.35pm NZST. WHERE CAN I SEE IT? You can take a gander from your backyard or balcony, but the standard advice regarding looking at glowing sights in the sky always applies — so city-dwellers will want to get as far away from light pollution as possible to get the absolute best view. Fancy checking it out online? The Virtual Telescope Project is set to stream the view from Rome at 1.30pm AEST on Thursday, August 31, too. For more information about the super blue moon on Thursday, August 31, head to timeanddate.com.
Chic, sleek and stylish alert: Australia's most stunning places to drink, eat, grab a coffee and spend a night away from home have just been named for 2023. Each year, the Eat Drink Design Awards shower some love — aka its annual hospitality design accolades — on Australia's most stunning bars, eateries and hotels. On this year's list are a heap of Sydney venues, plus spots in Melbourne and Adelaide as well. If soaking in gorgeous surroundings while you sip, snack and slumber is your ideal way of heading out of the house, then consider the awards' yearly picks a must-visit guide. At these spots — all of which were completed between July 1, 2022–June 30, 2023 — chefs, signature dishes, creative cocktails, stellar coffee and comfortable beds aren't the only attractions. [caption id="attachment_929397" align="alignnone" width="1920"] Beau and Dough, Romello Pereira[/caption] For restaurants, cafes and hotels, Sydney emerged victorious. In fact, the Harbour City is so stacked with beautiful and innovative places for a meal that two shared the restaurant category: Beau and Dough in Surry Hills and Kiln at Ace Hotel Sydney. The first was praised for "designing for two separate yet interconnected venues", while the second earned compliments because its "design plugs into current conversations about sustainability, collaboration and community". In the cafe field, S'wich Bondi in Bondi Beach got the nod. "This little gem is a brave circuit breaker; it's not your average pitstop cafe-sandwich bar. A beautifully crafted bespoke space that aesthetically delivers in spades, it manages to weave together urban chic and Bondi's laid-back, fashionable culture," said the 2023 Eat Drink Design Awards jury, which consisted of Good Food journalist Emma Breheny, Akin Atelier director Kevin Ho, Hassell associate Di Ritter, The Bentley Restaurant Group chef and owner Brent Savage, and Artichoke acting editor Amy Woodroffe. [caption id="attachment_929398" align="alignnone" width="1920"] S'wich Bondi, Claudia Smith[/caption] Over in the hotel category, Capella Sydney was singled out. "The jury members were all impressed by this example of adaptive reuse. What used to be a government building has been painstakingly restored such that the original property, once inaccessible to most people, has been given new life and opened up to the public," the statement about this pick noted. For the best bar design, lock in drinks in the South Australian capital, with Adelaide's Dolly in Unley winning the gong. This is a "tactile wine bar" and "boasts a distinctive and timeless ambiance", said the jury, which also called out the fact that "the project's creative vision revolved around transforming the existing space into an experiential haven for locals". Victorian venues took out the retail deign and identity design fields, with the former going to LeTAO in Melbourne and the latter to Kōri Ice Cream in Hawthorn. [caption id="attachment_929400" align="alignnone" width="1920"] Kōri Ice Cream, Architects EAT, Saville Coble[/caption] For the 2023 Hall of Fame Award, Sydney French restaurant Bistro Moncur in Woolhara, as designed by Tzannes, received recognition. As it does every year, this year's Eat Drink Design Awards also named commendations in various categories. Among the venues also getting some praise: Babylon Brisbane, the now-shuttered Butler in South Brisbane, Glory Days Bondi, Convoy in Moonee Ponds, Sydney's Hotel Morris and Bar Morris, Fitzroy's Pidapipó Laboratorio and Glenside's Kin Seafood. [caption id="attachment_929401" align="alignnone" width="1920"] Bistro Moncur[/caption] "There was a diverse aesthetic in this year's winners expressing a lot of individuality, suggesting clients have allowed their design teams to lean into strong concepts and narratives. Plenty of examples of ambitious interiors offer complete sensory experiences, drama and bespoke craftsmanship," said the jury. "The very high level of design execution and attention to detail deserves extra praise this year, given the social and economic climate these works have occurred within. The judges applauded those designs that took risks and tried something innovative; yet at the same time, they praised designs that spoke softly and will likely retain relevance for decades in an industry with a proclivity for impermanence." [caption id="attachment_929402" align="alignnone" width="1920"] Capella Sydney, Timothy Kaye[/caption] [caption id="attachment_924664" align="alignnone" width="1920"] Kiln, Anson Smart[/caption] [caption id="attachment_929403" align="alignnone" width="1920"] Dolly, Jonathan VDK[/caption] 2024 EAT DRINK DESIGN AWARDS WINNERS: Best Restaurant Design: Beau and Dough by Smart Design Studio (Surry Hills, NSW) and Kiln, Ace Hotel Sydney by Fiona Lynch Interior Design (Sydney, NSW) Best Cafe Design: S'wich Bondi by Studio Shand (Bondi Beach, NSW) Best Bar Design: Dolly by Genesin Studio (Unley, SA) Best Hotel Design: Capella Sydney by Bar Studio (Sydney, NSW) Best Retail Design: LeTAO by K Holland Architectural Interiors (Melbourne, VIC) Best Identity Design: Kōri Ice Cream by Principle Design (Hawthorn, VIC) For the full list of winners and commendations, head to the Eat Drink Design website. Top image: Kiln, Anson Smart.
As announced in 2017, officially given a green light in 2018 and then launching a couple of years back, the Art Gallery of New South Wales has been a two-building art museum since late 2022. The first space, the 153-year-old AGNSW's OG structure, boasts a sandstone facade dating back to the 19th century. The second came about as part of the $344-million Sydney Modern Project. But even when the venue's extension opened its doors to the public, it didn't have a name. Meet Naala Badu, then. AGNSW has finally announced a moniker for the space that's been known as Sydney Modern to art-loving visitors for more than a year. The term is the Aboriginal word for "waters" in the Sydney language, and has been paired with Naala Nura, which means "seeing Country", as the new name for the gallery's first building. [caption id="attachment_880685" align="alignnone" width="1920"] Iwan Baan[/caption] Overall, the institution itself is still called the Art Gallery of New South Wales. That hasn't changed. But each part of it now has a distinct title, each reflecting its location and architecture. Naala Badu earned its moniker thanks to its proximity to Sydney Harbour, plus the waters that've long been pivotal to NSW's communities. Naala Nura's counterpart nods to the building's sandstone, as well as Indigenous Country in general. Now displaying on both buildings, the names were chosen after AGNSW consulted with the Metropolitan Local Aboriginal Land Council among other key Aboriginal stakeholders and communities, with the gallery's board of trustees, Indigenous Advisory Group and Indigenous staff in support. "Aboriginal language has a deep and spiritual connection to Country. We hope this can be felt by everyone when the building names Naala Badu and Naala Nura are used by the community and visitors to the Art Gallery of New South Wales," said Indigenous Advisory Group chair Rachel Piercy. [caption id="attachment_749853" align="alignnone" width="1920"] Jenni Carter[/caption] "We are greatly honoured that the Art Gallery's two buildings on this significant site in Sydney will bear the Aboriginal names Naala Badu and Naala Nura. They evoke a powerful sense of place — this place of extraordinary physical beauty with its complex, contested histories. We intend to carry these names with the deepest respect," added AGNSW director Michael Brand. Located on the hill beside Naala Nura, which gives it a view of Woolloomooloo's Finger Wharf, the four-level Naala Badu sprawls across 7830 square metres and is designed by Pritzker Prize-winning Japanese architects SANAA (with Australia's Architectus as the executive architect). One of its highlights is the Yiribana Gallery, which moved over from Naala Nura to showcase Aboriginal and Torres Strait Islander work. "As an Indigenous Australian for whom English is my second language, having not had the opportunity to learn my first language, I applaud the gift of living, breathing language for the Art Gallery's two buildings. With the spotlight on the Art Gallery's new initiatives for Aboriginal art and culture, we've created a globally renowned art destination where visitors can experience the best art and culture Australia has to offer," noted Tony Albert, an Art Gallery trustee and also the inaugural chair of AGNSW's Indigenous Advisory Group. [caption id="attachment_880684" align="alignnone" width="1920"] Iwan Baan[/caption] [caption id="attachment_909005" align="alignnone" width="1920"] AGNSW[/caption] [caption id="attachment_880682" align="alignnone" width="1920"] Iwan Baan[/caption] Find Naala Badu and Naala Nura at the Art Gallery of New South Wales, Art Gallery Road, The Domain, Sydney. For more information, head to the AGNSW website. Top image: © Iwan Baan.
Wanting to brush up on your culinary skills? Look no further as Brisbane is hosting a 14 day festival to showcase the best food and produce that our state has to offer. Food Bowl is a featured event during Delectable and includes 22 of Brisbane's best restaurants serving Queensland's finest produce on July 29. Bring your friends, family and an empty stomach for what is sure to be a finger-licking and delicious day out. Another highlight of the 14 day food extravaganza is the Food Series where Australia's best known and successful chefs will cook up a storm in demonstrations from July 22-28. Watch on as chefs such as Ben O'Donoghue, Poh Ling Yeow and Matt Moran do what they do best. Our sunshine state is known for its scrumptious produce. Be inspired by the pros and have your fill at Delectable this July.
Everyone loves a good read. Embarking on a new, exciting journey to a paper page reality is inspiring, educational, and sometimes just what you need to get you through the ups and downs of our existent reality. But finding the best books in our busy town can be hard. Where do you buy them? Who will give the best recommendations? Which stores stock more than just Nicholas Sparks and Jodi Picoult? Which books can I actually afford? We've got all the answers for you. Behold, Concrete Playground's guide to the top ten bookstores in Brisbane. 1. Avid Reader Where: 193 Boundary Street, West End Avid Reader is one of two stalwarts in the West Brisbane bookstore scene. Most people in the know would recommend it highly to you and with very good reason. The store is exceptionally satisfying and ticks all the book necessity boxes you can imagine. It’s very easy to find the bricks and mortar location on West End’s Boundary Street, however finding the exit once you’re inside is another story. With shelves galore stacked high with everything from Penguin Classics to guides on every topic imaginable (fashion school, geeky dads and eco living) Avid Reader’s selection is ridiculously comprehensive. They also have a large variety of magazines, DVDs and glorious knick-knacks, meaning it’s almost impossible to leave without purchasing something you love. They have a sweet little café where you can enjoy good coffee and food nestled amongst the glorious paperbacks you’ve just been perusing. Avid Reader also has various book clubs and specialist talks, making the store a very customer inclusive and friendly place. 2. Bent Books Where: 205 Boundary Street, West End Bent Books is another West End baby but is by no means lacking in comparison to it’s neighbour, Avid Reader. They live on the same street making it easy for customers to do a 2-for-1 book shopping expedition. The eye-catching colour scheme of bright blue and yellow make the shop front impossible to miss, whilst doubling as a great indication of the vast and eclectic selection of second hand books that exist inside. Quite frankly, the store’s speciality is their variety and range – literally if you can imagine it, they have it, and if not they’ll do their best to help find something similar. Win win! Witchcraft, gay and lesbian history, and mythology are all part of the Bent Books package, so don’t hesitate to look for rarities or diverse genres here. They also have a gorgeous courtyard out the back of their store, perfect for opening a new purchase and starting Chapter One. 3. Folio Books Where: 80 Albert Street, Brisbane Watch out, the winner of Queensland Specialist Book Store 2008, 2009 and 2010 is coming at you! Folio Books is a long time favourite of those who tend to loiter more in the streets of Brisbane than those of West End, but it’s most definitely worthy of a trip across the river and into town for everyone. They fit into the Brisbane book scene by being the everyman for specialist topics. That is to say, for niche creative industries esque topics look no further than this location on Albert Street. Fashion, interior design, and digital art are just three small examples of the topics sprawled across shelves. It seems their aim is to cover topics as extensively as possible, which is admirable and makes for large amounts of crowd-pleasing. They’ll also order in rare or out of print books that take your fancy, or at least try their best to accommodate your arty and intelligentsia needs. 4. Archives Fine Books Where: 40 Charlotte Street, Brisbane If vintage books are your bread and butter, look no further than Charlotte Street’s hidden treasure, Archives Fine Books. With shelf upon shelf stacked high with millions of books on every topic you can possibly imagine, it’s guaranteed you’ll find something you had once given up searching for. Although the shelving and organisation of stock may not be the easiest to sort through, it stands more like a much-loved library. The staff that roam Archives tend to the printed words like book hawks. It’s almost freaky how they just know what book you’re looking for. This bookstore is the place to visit just before you give up hope on finding an out of print novel. Or, alternatively the first place – it would save you a lot of time after all! 5. Riverbend Books Where: 193 Oxford Street, Bulimba For anyone that’s ever passed through Bulimba, it’s probable Riverbend Books ended up playing a big part in the itinerary. Because really, for locals and travelers alike, the charming combination of good books and a tea house is too good to miss. The shop front has graced Oxford Street for many years and is now as familiar as Cineplex Cinema and Oxford 152. Their selection of reading material is vast and spread over two levels, meaning hours can be wasted away perusing. There are also chairs littered around the store inviting readers to go the next step after purchasing and begin a new adventure. As well as their variety of books, Riverbend is also famous for it’s Tea House that features prominently at the front of their store on a beautiful Queenslander deck. It is so renowned that many consumers visit purely for the Tea House and their distinct menus. However it’s much better for your stomach and your imagination if you see them as a complementary pair, rather than separate entities. 6. Comics Etc Where: 79/81 Elizabeth Street, Brisbane Seth Cohen may not appreciate the name of this joint – “they’re graphic novels obviously” – but he sure would love the general premise, enough to work here probably. With an obvious predilection toward the world of cartoons, fantasy and manga, this particular store is heaven for those who prefer their visual stimulation drawn. With an exceptionally large collection of comics from a wide range of series’, authors and publishers, the store gets weekly stock updates meaning it’s super easy to stay on top of your favourite comic. Whether you prefer the classic and loveable storylines that have been around for years, or something a bit off the beaten track, Comics Etc is your new best friend. They also stock a heap of action figures and statures making it a one stop shop for any comic fan looking to live out his or her super hero fantasy, be it Peter Parker, Bruce Wayne or Wonder Woman. 7. Pulp Fiction Where: Anzac Square Arcade, Edward Street, Brisbane If science fiction, fantasy, crime and mystery novels float your boat and you’re a resident of Brisbane you’re probably already aware of this gem. Then again, if you’ve never had to run to Central to catch a train there’s a chance you’ve been missing out due to its underground nature and secretive location. Situated in the Anzac Square Arcade, Pulp Fiction has been kicking around for years serving those with a particular interest in the aforementioned genres. They house a very large range of content within them, and are happy to order stock in should they not already have it. Perfect if you’re looking for a specific Sherlock novel or coffee table book on the universe, this shop knows its strength lies in its niche offerings and plays to them. If you’re one of the many people who seek their entertainment in the far away worlds of aliens and space cowboys, those who prefer their fantasy to involve epic battles, or love getting stuck into a good murder mystery, this is the place for you. 8. Title Where: u2/60, James Street, Fortitude Valley For those of you who spend more of your time wandering around James Street wining and dining or people watching, Title is the bookshop for you. Tucked away down the far end of Fortitude Valley, it’s a very well stocked store that includes enough books, CDs, DVDs and vinyl’s to cater to anyone’s predilection. It’s gorgeous exterior will suck you in off the street whether you mean it to or not, and it’s interior will keep you perusing for hours. Slightly geared towards music enthusiasts, it’s still well worth your time even if that’s not your regular forte. With a fabulous inside layout to rival any of its fancy neighbours, Title is perfectly designed to wander aimlessly without a specific purchase in mind. It’s a guaranteed you’ll come away with a new favourite author to covet. 9. Annerley Community Bookshop Where: 12/478 Ipswich Road, Annerley Although city centric people like to believe it, not everything revolves around them and occurs within Translink’s first zone. Plenty of good stuff happens elsewhere, and the caliber is just as high, no matter how high your brow. Take for example the Annerley Community Bookshop. It has sophistication, it has the physical goods, and it has a feel good factor. The only bookstore of it’s kind in Australia and it’s a not-for-profit community project that has an overall aim of funding literacy classes for refuges and migrants. It’s run by volunteers who are literally working for free in order to benefit your book collection. They have some real treasures hidden amongst their shelves, though it must be said that their best sections include classic literature and Australian literature. Once you’ve selected a bundle of potential purchases, there is a bunch of armchairs located in-store so you can sit down, peruse and make your final choices. Considering how reasonable prices are, you’ll be sure to take home several bargains. 10. Coaldrakes Where: 5-61 Petrie Terrace, Brisbane Coaldrakes is one of the few independent bookstores left in Brisbane that have more than one location. Which in general is a sad fact about the state of people’s relationships with books versus technology. However in terms of Coaldrakes, the more the merrier! The charming mix of bookshop and café may be common, but if it ain’t broke why fix it? Although they stock a healthy range of printed goods that cover the requisite bases for a successful bookstore, it must be mentioned though that they really excel in their children’s section. If you’re after something for a special little sibling or relation, this is the place to go searching. Equally as mesmerizing are their selection of gifts and knick-knacks. The variety is so wide and appealing that it’s hard not to buy a gift for yourself as well. With locations at The Barracks and Emporium, they’re surrounded by hip neighbours who only add to their draw card and make Coaldrakes perfect both as a stop along the way and as a destination.
When it comes to eating your way through a few scoops of ice cream, no one really needs an excuse. But when there's free ice cream on offer, well, that's obviously as good a reason as you're ever going to get. And it just so happens that Ben & Jerry's is serving up exactly that across Australia until Sunday, November 15 — including at its own stores in Mooloolaba, Noosa, Pacific Fair and Surfers Paradise, plus at Hoyts in Sunnybank. We hope you like your ice cream stuffed with dough — cookie dough, that is — because that's what's on the menu. To celebrate 30 years since it first started mixing cookie dough into its desserts, Ben & Jerrys is whipping up 35,000 free scoops from its dough-filled range. Yes, you'll have to choose between the old favourite that is chocolate chip cookie dough, the caramel and peanut butter-heavy 'The Tonight Dough' and the 'Totally Baked' flavour with bits of brownies, too. Or, you can opt for 'Boots on the Moooo'n', with toffee and sugar cookie dough; 'Peanut Butter Half Baked', which is clearly self-explanatory; and a non-dairy version of choc-chip cookie dough. To score your free ice cream, you'll need to register online first. You'll also need to select a times and a location — and then you can get licking.
Sometimes, you just want to stroll out of the office, gather the gang and enjoy a long boozy lunch that goes right through until late afternoon. That's hardly a practical wish on most days of the year, sadly. But on the first Tuesday in November, ducking out early and partying during the day isn't just encouraged — it's almost expected. Regardless of your thoughts on the day's main event, plenty of Brisbane bars and restaurants will be hosting shindigs and soirees. So, whether you're into sipping and snacking in a leafy courtyard, soaking in a river view or keeping things as casual as possible, you'll find something that suits your style. To help you whittle down the options, we've put together a list of killer parties going down around town.
Hans van Vliet is a Brisbane-based electronic musician. He is recognised as a synth and beat craftsman who hand-draws his own waveforms, and his music combines chiptune samples, old-school gaming as well as live instruments, the result being a feast of aural pop music that presses all the right buttons. By day, Hans is a game and motion designer, recently creating a rhythm skateboarding game for iPhone, iPod, and iPad called Penny Time, the soundtrack to which he also wrote, and has been compared to the likes of Gotye and Foster the People. Now, his passions for music and digital art have combined to birth 7bit Hero. 7bit Hero is a bit-pop band that uses video games, audience interaction, and visuals that turn your smart phone into a joystick. You play alongside strangers in the crowd to perform as part of a band. It sees sound and technology perfectly paired, where music and video games high-five.
Luck, be a lady tonight: when Handa Opera on Sydney Harbour's famed floating stage returns for 2025, Guys and Dolls will be sweeping audiences off to 50s-era Manhattan from the city's — and the country's — most-stunning performance venue. As one production does each year, the hit five-time Tony-winning musical will unleash its showgirls and gangsters, as well as its incredibly catchy tunes, against a helluva backdrop. Guys and Dolls will play the unique waterfront opera venue at Mrs Macquaries Point from Friday, March 21–Sunday, April 20, following in the footsteps of West Side Story in 2024, Madama Butterfly in 2023, The Phantom of the Opera in 2022 and La Traviata in 2021 — to name just a few shows that've gotten the Handa Opera on Sydney Harbour treatment over the years. This time, expect a new version of a musical that first premiered on Broadway in 1950, then on West End in 1953, and has enjoyed many a revival in the seven decades since. [caption id="attachment_968000" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2016 — Turandot, Hamilton Lund.[/caption] The story, as also conveyed in the 1955 Marlon Brando- and Frank Sinatra-starring film — which was nominated for four Oscars — follows Sky Masterson as he endeavours to win big, then crosses paths with missionary Sister Sarah Brown. Also weaved into the narrative: the tale of Nathan and Adelaide, with the former also immersed in gambling and the latter his fiancé. Tunes such as 'Luck Be a Lady', also 'Sit Down You're Rockin' the Boat', 'Adelaide's Lament' and 'I've Never Been in Love Before' will echo across the harbour in the latest take on Guys and Dolls, as directed by Opera Australia's Artistic Director Jo Davies. "Handa Opera on Sydney Harbour is so magical, just the walk through the venue to reach your seat creates such a sense of anticipation. I'm thrilled to be bringing a beloved musical like Guys and Dolls, with its wild ensemble dance numbers and brilliantly sharp comedy, to this incredible stage," said Davies. [caption id="attachment_968002" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2021 — La Traviata, Hamilton Lund.[/caption] Helping make the season even more of a spectacle is Handa Opera on Sydney Harbour veteran set designer Brian Thomson, who also demonstrated his talents on La Traviata, Carmen and West Side Story. As always, also included in this Guys and Dolls experience is not just the show on the overwater stage, but also fireworks each evening, dazzling Sydney skyline views and hitting up pop-up dining spots that are constructed onsite each year. [caption id="attachment_968003" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2022 — The Phantom of the Opera, Hamilton Lund.[/caption] [caption id="attachment_968006" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2024 — West Side Story, Richard Milnes, Alamy Stock Photo.[/caption] [caption id="attachment_968004" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2019 — West Side Story, Hamilton Lund.[/caption] [caption id="attachment_968001" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2017 — Carmen, Hamilton Lund.[/caption] Guys and Dolls at Handa Opera on Sydney Harbour will run from Friday, March 21–Sunday, April 20, 2025 — with tickets via Opera Australia subscription packages available and general tickets on offer from Tuesday, August 13, 2024. Top image: Opera Australia's Performance of West Side Story on Sydney Harbour 2019, Hamilton Lund.
Throughout the last 12 months of gathering restrictions and lockdowns, many music festivals have teased returns, announced dates and even lineups. While a few COVID-safe music events have been able to take place, we've yet to see any of the major music festivals return. Despite this, Byron Bay Bluesfest has been persistent in forging ahead with its plan for its 2021 edition of the festival. Those plans have now been given a provisional green light, with the festival announcing it's been given NSW Government approval to run the festival at 50 percent capacity this April — if no outbreaks occur beforehand. In an announcement made on Wednesday, February 17, Bluesfest Festival Director Peter Noble OAM said, "The NSW Government has indicated that, if the current COVID-19 situation continues in NSW, Bluesfest would be permitted to proceed, following our comprehensive COVID-19 safety plan." [caption id="attachment_800518" align="alignnone" width="1920"] Hiatus Kaiyote Bluesfest 2016 by Andy Fraser[/caption] The festival is scheduled to take place over the Easter long weekend, Thursday, April 1–Monday, April 5, at the Byron Events Farm (formerly Tyagarah Tea Tree Farm). Under the approved safety plan the festival will run at around 50 percent capacity, all patrons will be required to be seated while watching performances and COVID-19 safety marshals will be on hand to ensure social distancing is maintained. Camping will be allowed to go ahead and face masks will not be required. A full statement on the festival's COVID-safe protocols is expected next week. Following the cancellation of Bluesfest 2020, the festival announced its 2021 dates and lineup back in July. This lineup was later amended after it became clear border restrictions would remain in place for the beginning of 2021 and international acts would be unable to make the journey over. The new all-Australian lineup features Jimmy Barnes, Tash Sultana, Ocean Alley, John Butler, Hiatus Kaiyote and Kev Carmody. The news follows a turbulent few years for Bluesfest and the NSW music festival industry as a whole. Prior to the cancellation of its 2020 event, Bluesfest had threatened to leave NSW in 2019 citing the governments overbearing regulations surrounding music festivals at the time. The approval of the 2021 festival hopefully indicates a brighter future for the industry, with Noble declaring, "this is a great day, not only for Bluesfest, but also for the Australian Live Music Industry and our unrelenting efforts to get back to presenting Live Music Safely." Byron Bay Bluesfest has been given approval to run Thursday, April 1–Monday, April 5, at the Byron Events Farm. Find all the details and purchase tickets at the Bluesfest website. Top image: Andy Fraser
Their impressive 2023 Women's World Cup efforts mightn't have ended in a medal, the 2024 Paris Olympics sadly didn't turn out as planned and the next Women's Asian Cup, which Australia is hosting, isn't until 2026 — but the Matildas have an opportunity to emerge victorious on the international stage in 2025. The contest: the SheBelieves Cup, a four-nation annual competition that's been held by US Soccer for a decade now. This is the first time that Australia is taking part, and you can watch along between Friday, February 21–Thursday, February 27. Australia's national women's soccer team will play three other squads that also competed in Paris: Japan, the USA (unsurprisingly) and Colombia. First up is the Japan match in Houston, then battling it out with the contest hosts — and Olympic gold medal-winners and world number-one team — in Glendale, before facing Colombia in San Diego. While the time difference means that none of the games are being played in Aussie prime time, they're still on in Australian-friendly slots — all mornings. On the east coast, you might want to go into work late on Friday, February 21 (8.30am AEDT / 7.30am AEST / 8am ACDT / 5.30am AWST) and Monday, February 24 (8.30am AEDT / 7.30am AEST / 8am ACDT / 5.30am AWST), or have an early lunch on Thursday, February 27 (11am AEDT / 10am AEST /10.30am ACDT / 8am AWST). To watch, Paramount+ is your destination, showing the games live exclusively Down Under. For this batch of matches, Steph Catley is donning the captain's armband, with Ellie Carpenter and Emily van Egmond as her deputies. After Tony Gustavsson left following the Olympics, the Matildas don't yet have a new permanent full-time coach, so Tom Sermanni — who did the job between 1994–97 and 2005–12 — remains at the reins, after stepping in temporarily in late 2024. Mary Fowler is back in the squad after sitting out the Matildas' last 2024 games to put her mental and physical health first — and, as well as Catley, Carpenter and van Egmond, she has plenty of company. The team also includes Mackenzie Arnold, Caitlin Ford, Kyra Cooney-Cross, Katrina Gorry, Michelle Heyman, Alanna Kennedy, Hayley Raso and Tameka Yallop. As for Sam Kerr, she hasn't yet returned to the field following her ACL injury last year, so isn't taking part in the SheBelieves Cup. The Matildas 2025 SheBelieves Cup Games Friday, February 21 — Matildas v Japan at 8.30am AEDT / 7.30am AEST / 8am ACDT / 5.30am AWST Monday, February 24 — Matildas v USA at 8.30am AEDT / 7.30am AEST / 8am ACDT / 5.30am AWST Thursday, February 27 — Matildas v Colombia at 11am AEDT / 10am AEST /10.30am ACDT / 8am AWST The Matildas' SheBelieves Cup 2025 games take place between Friday, February 21–Thursday, February 27 — and you can watch via Paramount+. Images: Tiffany Williams, Football Australia.
When Premier Annastacia Palaszczuk announced Queensland's latest stage of eased COVID-19 restrictions, she gave cinephiles a particularly exciting piece of news. Movie theatres have been closed around the country since mid-March; however, as of Monday, June 1, projectors have been allowed to start whirring again in the Sunshine State. And, while that doesn't mean that it's popcorn-munching business as usual quite yet, local cinemas are gradually beginning to reopen. The first to start welcoming movie buffs back into darkened rooms was New Farm Cinemas, which opened its doors on Friday, June 5. It's now showing flicks on Fridays, Saturdays and Sundays, including movies that were screening in March when cinemas shut, such as Sonic the Hedgehog, 1917, Dark Waters, Emma, Honey Boy, Jojo Rabbit, Richard Jewell, The Lighthouse, The Way Back, The Current War and The Gentlemen. It's also playing new films that were originally slated to hit cinemas during their closure, then switched to video-on-demand releases, and are now brightening up the big screen anyway. That means that if you haven't yet caught the Hugo Weaving-starring Hearts and Bones at home, or watched Rob Brydon and Steve Coogan eat and banter their way through The Trip to Greece, you can now do so in a theatre. While New Farm is currently open — and Yatala Drive-In, which is also run by Five Star Cinemas, too — the company's other sites remain closed. No general relaunch dates have been announced as yet for the Elizabeth Picture Theatre or Red Hill Cinemas, but they are both taking bookings for private hires from Friday, June 12. Also getting back into action is Cineplex Cinemas, with the discount chain's Hawthorne, Hawthorne Deluxe and Victoria Point venues reopening on Friday, June 12 — and screening The Invisible Man, The Trip to Greece and Dolittle. It's also keeping some locations closed for the time being, so don't go heading to Balmoral, South Bank, Nerang or Redbank just yet. And, come Thursday, July 2, Palace's two Brisbane locations at Barracks and James Street will also relaunch. Even better — they'll do so with brand new movies that haven't screened in Aussie cinemas or hit VOD as yet. On that date, film fans will be able to check out The Booksellers and bakery-set British drama Love Sarah. The week after, Waves and A White, White Day will follow suit, before (hopefully) Christopher Nolan's Tenet hit the following week. If Tenet does release on Thursday, July 16 as planned — which depends not only on Australian cinemas, but whether enough US and worldwide cinemas have reopened — it's safe to expect that plenty of other Brisbane picture palaces will relaunch on or around then. In fact, that's the date that the local industry has been working towards. At the time of writing, big chains such as Event, Hoyts and Reading haven't revealed their reopening dates, nor smaller groups like Dendy, or independent Brissie sites such as Blue Room Cinebar, Eldorado or the Regal — but, again, expect that to change as mid-July creeps up. And, like attending any business reopening in the time of COVID-19, patrons can also expect significant changes to the movie-going experience — including online bookings, allocated seating, gaps between patrons, contactless payment, social-distancing requirements and extra cleaning. For more information about what's screening in Brisbane, or to book tickets, visit the websites for New Farm Cinemas or Cineplex. For details about Palace's reopening from July 2, visit the chain's website
Roll up, roll up — but not to the usual placed filled with carnival-themed antics at this time of year. Over at Kangaroo Point, Sea Legs Brewing Co is also getting in on the Ekka-themed action. And, sure, the real thing is great, but here you can also sip strawberry milkshake IPA. Also on offer at the inner-city brewery's four-day festivities: a heap of food, such as dagwood dogs, loaded fries, churros and pizza rolls; plenty of games, spanning both the carnival and arcade-type; and, unsurprisingly, fewer people than you'll find at the showgrounds. The last one really can't be overstated, especially if you're fond of avoiding the annual Ekka flu. If that sounds like your ideal way to get into the spirit of show season, head along from midday daily between Tuesday, August 13 and Friday, August 16. That includes the Ekka public holiday, should you be in need of a watering hole to while away your day off.
Living up to its splendid first date with audiences has never been a problem for Starstruck. When the Rose Matafeo (Baby Done)-starring BBC and HBO series first strode into streaming queues in 2021, its initial episode was an all-timer in the charming stakes, as was the show's entire six-instalment debut season. When Starstruck returned for a second run in 2022, its next go-around instantly proved as much of a smart, savvy and charismatic delight. Streaming via ABC iView from 9.30pm on Wednesday, September 6 and in New Zealand via TVNZ+ since 8.30pm on Saturday, September 2, season three continues the trend — and keeps demonstrating that no romantic rendezvous, no matter how idyllic, can just keep repeating itself. Plot-wise, Starstruck has always had one couple at its centre: New Zealander-in-London Jessie (Matafeo) and British actor Tom (Nikesh Patel, Four Weddings and a Funeral). Frequently, however, they're not actually together, with the show charting the ins and outs of a complicated relationship that started with a New Year's Eve meet-cute and one-night stand. The hook from the get-go: that Tom is an A-list star, which Jessie doesn't know until after they've hooked up. So, Starstruck asks what it's like to live the Notting Hill life. In season three, more accurately, it ponders what comes after that's been and gone. Season two might've finished with a scene right out of The Notebook, and with echoes of Bridget Jones' Diary as well, but its follow-up quickly establishes that Jessie and Tom didn't get their happy-ever-after ending — they're no longer together, and haven't been for some time. Starstruck season three starts with a bold move, spending a few minutes zipping through Jessie and Tom's romance since season two via a heartbreaking montage. That choice is also deeply fitting for a show that's exceptional at endings. One of the best newcomers of its debut year and best returning series of its second, Starstruck's excellence is like a perfect bouquet, with vibrancy blooming everywhere — in Matafeo's lead performance, the show's ability to unpack a genre it clearly loves, its glorious nods to rom-coms past, and its astute insights into 2020s-era dating and life, to name a mere few. How its star, creator and co-writer wrapped up both season one and two was equally as sublime, though. So, season three goes all in on something cherished and blissful approaching its conclusion. If that train of thought has you wondering if this is it for Starstruck itself, a fourth season hasn't yet been locked in. The green light for season three came four months after season two dropped, so not having a future confirmed so far isn't an ominous sign for fans. Matafeo and co-scribes Alice Snedden and Nic Sampson have always treated their series as something to treasure there and then, too; it's the epitome of revelling in the here and now, as anyone in love should. No one knows where life will take them, including Starstruck's guiding hands. So, every season could put a bow on the tale and say farewell — but unboxing more after each finale, whether it involves a The Graduate-style stint on a bus or frolicking in a pond, wouldn't destroy the storytelling, either. Thanks its rush through Jessie and Tom's attempts to make their relationship work, then its huge leap forward afterwards, as much time has passed in Starstruck's world as it has for viewers. Two weddings now loom over the narrative: Jessie's now-pregnant best friend Kate's (Emma Sidi, Black Ops) to Ian (Al Roberts, What We Do in the Shadows), and Tom's to his fellow-actor fiancée Clem (Constance Labbé, Balthazar). It's at the first set of nuptials that Jessie and Tom cross paths again, sparking a torrent of emotions that neither has worked past (some knowingly, some not). While awkwardly trying to avoid her ex and endeavouring to make it appear that she has powered on happily without him, Jessie also connects with kindly Scottish electrician Liam (Lorne MacFadyen, Operation Mincemeat). Chronicling Jessie's blossoming bond with someone other than Tom might seem like another of Starstruck's bold season-three moves, but it's a vintage choice for a series that's obsessed with tearing into rom-com tropes. The idea that there's only one big, sweeping, heart-aflutter, existence-defining affair in anyone's life is foundational in the romantic-comedy genre, and yet that's rarely a guaranteed outcome. In a six-episode batch that's as bingeable as ever, Starstruck grapples with grappling with that fact. Jessie and Tom keep tumbling back into each other's orbits, finding themselves caught between yearning for yesterday, wishing today was different and forging a fresh tomorrow — and tossing and turning over which outcome they want. Deepening their dilemma is Starstruck's focus on reaching that late-20s, early-30s stage where committing and picking a way forward is the norm. Indeed, instead of the tension between the celebrity realm and everyday existence, this season's main clash arises from the contrast between getting settled and still feeling like you'll never have it together. There Starstruck goes, interrogating rom-com conventions again, including the notion that falling in love immediately solves or smooths life's other messes. It's no wonder that the sitcom has become one of the most-relatable romantic comedies there is — and best all round. In the show's writing, performances and directing alike, Matafeo and company understand why their chosen genre spins the fantasies it does. They're well-aware why audiences swoon over such tales as well. And, they're eager to face the reality, but with warmth, humour and empathy. Starstruck's version of laying the truth bare: a sidesplittingly frank chat directed Jessie's way, where she's told that her life mightn't be living up to her wildest dreams but, given that she has a house and a job — and she's "not even that bad of a person" — it's actually not awful. There goes Starstruck's main season-three takeaway again, as given voice: "just appreciate what you have while you have it". Being grateful for this wonderful sitcom as a whole, and for Matafeo's luminous turn at its centre, isn't just easy — it's automatic. Season after season, Starstruck keeps painting a portrait of love, life, friendship and chaos that's both clear-eyed and rosily affectionate, complete with fleshed-out and lived-in performances that embrace the fact that every person and every romance has flaws and joys in tandem. This far in, Jessie, Tom, Kate, their pals and partners are as rich and resonant as any group of long-term friends and acquaintances on-screen and -off. Matafeo, Patel, Sidi and their co-stars' efforts are also that emotionally honest. Everything about Starstruck keeps evolving, too, other than how stellar it has always been. Check out the trailer for Starstruck season three below: Starstruck season three streams in Australia via ABC iView from 9.30pm on Wednesday, September 6, and in New Zealand via TVNZ+ from 8.30pm on Saturday, September 2. Starstruck's first and second seasons are also available to stream in Australia via ABC iView and in New Zealand via TVNZ+. Read our full review of Starstruck's first season — and our full review of its second season, too. Images: Mark Johnson/HBO Max.
When Fortitude Valley restaurant Agnes hosted bakery pop-ups during Brisbane's lockdowns, it quickly became one of the city's favourite pastry spots. The sole problem: it only served up its baked goods while we were all stuck at home. Yes, that's why there was often a line stretching around the block. Making stay-at-home stints brighter — and tastier — is a worthy cause, which Agnes Bakery has championed multiple times now. Giving Brisbanites all the pastries they're hankering for all-year-round is just as great an aim, though. So, Agnes is now spinning out its bakery to its own site on the corner of James and Harcourt streets in Fortitude Valley, with the doors opening on Thursday, October 21. Making its new home in a heritage-listed cottage, Agnes Bakery will serve up a range of different sourdoughs and other pastries, spanning both sweet and savoury options. And, while the full menu hasn't been revealed as yet, it's also bringing over a few dishes from Agnes restaurant — so diners can enjoy them in a far more casual setting. Here, the Agnes team is keen is to keep exploring the art of cooking with fire — and how that specifically applies when you're working with grains. Coffee from a yet-to-be-revealed local roster will also be on the menu, with Agnes Bakery operating from 7am–2pm Wednesday–Sunday. Design-wise, Agnes Bakery's eye-catching home has been given an interior revamp by local architects Richards and Spence. The pastry spot joins not only the OG Agnes — which is located in an old brick warehouse at 22 Agnes Street, hence the name — but also a growing list of venues by the same crew, with the team of Ben Williamson, Tyron Simon, Bianca Marchi and Frank Li also behind Same Same, Honto and Bianca. Find Agnes Bakery at 85 James Street, New Farm, from Thursday, October 21 — open from 7am–2pm Wednesday–Sunday.
When you see a tiger standing on a New York City street corner, it stands out. Of course, that's the point. What better way to force audiences to reassess nature and everything it entails than to thrust a wild animal out of its comfort zone, into an urban environment, and into a crowd astonished onlookers? At Joel Rea's latest exhibition, Outsider, attendees will share the same experience depicted in the Australian artist's painting, witnessing the natural world in a different light. In surreal works, horses weather the surf, skeletons and towering waves combine, and Mick Fanning pops up. We said it was surreal. Displaying at Mitchell Fine Art from September 27 to October 21, the showcase marks the Gold Coast-based Rea's first in Brisbane in five years. The official opening night takes place on October 6, with Rea in attendance — and he'll be on hand at 2pm on October 7 for an artist talk as well. Image: Crossroads, Joel Rea.
For the chilli lovers among us, that endorphin rush from a good capsaicin burn — or the component of peppers that makes them spicy — results in the exhilarating desire for more. Apparently, we're all gluttons for punishment. Thankfully, there's a world of fiery sensation out there for us chilli-chasing folk. Once the need takes hold and you start searching for that next my-face-is-on-fire-and-I-regret-nothing hit, you need not look further, we've got some Brissie hotspots to share with you. Maybe you're a sucker for the Sichuan numbness, or you live for the slow-building curry sweats, or you just want to push your personal Scoville-scale limits in a tongue-burning challenge; whatever you prefer, we've partnered with Zantac to ensure you don't have to miss the best spice in town. So, all you hot-sauce-carrying heat aficionados out there, hit up these Brisbane-based burns and get ready to sweat. [caption id="attachment_669545" align="alignnone" width="1920"] Cole Bennetts.[/caption] FIRE TONKOTSU RAMEN AT TARO'S RAMEN, VARIOUS LOCATIONS Not only does this ramen have an ultra-fiery pork broth — with chilli oil and chilli sauce topped with chilli powder and shredded fresh chilli for good measure — but it can also be turned up another notch (somehow) thanks to Taro's 'high heat' option available for no extra charge. (How much more chilli elements are there?) Thankfully, the renowned ramen joint doesn't sacrifice flavour for heat. While it builds from a spicy frisson to a satisfying chilli glow with each slurp, this beautiful bowl delivers the usual craftsmanship you'd expect from the ramen joint: hand-made noodles, a rich broth base, nori sheets, shallots, Bangalow sweet pork and a gooey boiled egg. A well-stocked condiments station means you can add all the chilli oil and shichimi you may need to hit the spot. CHONGQING CHILLI CHICKEN AT HAPPY BOY, FORTITUDE VALLEY This chilli fan favourite has made it back on the menu after a hiatus, and, boy, we couldn't be happier. Even the most stoic have been known to shed a tear over Happy Boy's Chongqing chilli chicken: a garlicky, salty Sichuan stir-fry with rich little morsels of chicken wok-fried alongside an abundance of dried chillies. And with its fiery oiliness, the spicy number makes sure that mouthwatering Sichuan buzz lingers on the tongue long after your last bite. Even beyond all that heat, there are a lot of flavours going on, so balance accordingly with rice. RON JEREMY HOTDOG AT BUFFALO BAR, CBD Please give a warm welcome to Buffalo Bar's Ron Jeremy hotdog. Not only is this 'dog not one but two feet long, but it also comes with a four-chilli rating and an eating challenge — if you can scoff this baby down in ten minutes, you'll get it for free plus a $50 bar tab. The hotdog comes topped with bacon and smoked sour cream and the spice factor from lashings of 'Hell Bound' chilli sauce and American mustard. If you're not so keen to down this hot, hot heat in a mere few minutes, you can also get the hot dog to share. And, if hotdogs just aren't your thing, you can get the 'Hell Bound' hot sauce on a basket of Wet Wings instead. SICHUAN BOILED FISH AT THE LITTLE CUBE, SUNNYBANK Hands down one of the best Sichuan places in Brisbane, The Little Cube offers a range of chilli-packed options perfect for every kind of spice lover. But, the go-to dish if you really want some heat is the Shui Zhu Yu: poached white fish swimming in a sea of dried chillies and enough Sichuan peppercorns to get that unmistakable electric-current tingle with each bite. Warning: this huge portion comes in a group-size serve only — so bring your chilli-chasing mates unless you are especially daring. DEATH SENTENCE WINGS AT YARD DOGGS, FORTITUDE VALLEY A menu item that comes with a spice warning? Yes, please. If you crave watering eyes and singed sinuses, chow down on a plate of these deep-fried wings and drummies slathered in high-octane heat. Slicked all over with a searing habanero sauce — you can actually see the chilli skins and seeds — these succulent bites are not for the faint-hearted. Mercifully though, Yard Doggs (formerly Yard Bird) provides cool ranch dipping pots to rescue your flame-engulfed mouth. You'll concentrate so hard on beating the burn you won't stop to wipe your hands and face. Prepared to get messy and sweaty — and definitely, don't touch your eyes until you've thoroughly washed this sauce off. CHICKEN HAI HAI AT CURRYVILLE, MORNINGSIDE The menu description starts with "Australia's hottest curry" and ends with a prayer, so trust us when we say this curry packs military-grade firepower. With chicken, onion, capsicum and lots and lots (and lots) of chillies, the dish is the most serious of Curryville's fresh, home-style curries. This fella carries a spice-radius that'll make even your dining companion's eyes water. The restaurant strongly recommends sharing this one for your own wellbeing, but if you think you can take it, just don't forget the extra raita. HOTTEST BURGER IN THE WORLD AT OFF THE WALL DINER, WELLINGTON POINT If none of the other suggestions seems serious enough, and you're really just craving a punishing chilli bodyslam, head out to Wellington Point for this infamous mega-burger challenge. Not only is it a mighty big burger, but it also possesses the most fearful of chillies: the Carolina Reaper (regularly judged the hottest in the world). Even spice enthusiasts struggle with this one — sweating, gasping, hiccupping, fighting against their body's instinct to run for the soothing safety of milk. If you've got a point to prove and nothing to lose except your dignity, get into it. ACHAARI CURRY AT KLAY OVEN, TENERIFFE You've gotta love any restaurant with a customisable spice level. To that end, most curries on Klay Oven's menu can be heightened to whatever extreme heat you desire. For some real fire, we'd recommend the Achaari curry to get the full chilli hit. Since it's not as creamy as other curries, there isn't much of a cool factor to soften the blow. With pickling spices and tomato, it's a sharp, slightly sweet and very rich main dish. Kick the experience up a notch with a Lahriya Mirch starter — pastry-wrapped stuffed chillies — to get a base-layer of embers before lighting the flame. AYAM GORENG AT SHALOM, SUNNYBANK HILLS Shalom serves legit Indonesian heat in a no-frills Sunnybank setting. And quite frankly, you wouldn't want to be somewhere fancy when facing spice like this. Rated five chillies, the Ayam Goreng Shalom —marinated fried chicken with fresh chilli sauce — is not for a spice newbie, but it's worth the burn and sinus cleanse. You'll be glad it also comes with a crisp salad to take some of the edge off so you can appreciate the soft, moist flesh of the bird. Shalom does chicken really, really well, guys. Kick it up with extra house-made Shalom sambal for a zingy, fiery burst. AUSSIE CRY THAI BEEF SALAD AT MY THAI, AUCHENFLOWER Infamous among Brisbane's spice seekers, this sassy little number issues a challenge with its very name. Don't be turned off by the fact that it's a salad; My Thai's Aussie Cry comes in at a shocking six-chilli rating on the menu, where most of the regular curries sit at two. Oh, and there's no buffer of coconut milk or rice between you and the fire. With vibrant, fresh Thai flavours, this warm salad included sliced beef, birds eye chillies, onion, lemongrass, lemon juice, Thai herbs and a burn that'll wreck the tastebuds of the unwary — at least for a little while, that is. To find out more about Zantac, visit the website. Zantac relieves heartburn. Always read the label. Use only as directed. If symptoms persist consult your health professional. Top image: Happy Boy.
Here's one thing that Brisbane will never get tired of: new waterside spots to while away a day at, especially over drinks and a bite to eat. Rivermakers Heritage Quarter has been around for more than a year now, but it's still a newcomer in this town of ours. So, Saturday, January 28 is your chance to stop by if you haven't already. This patch of Colmslie Road in Morningside has turned into a new must-visit destination, and is now marking two big January countdowns in the appropriate way. That'd be with beers — strawberries and cream sour ales, to be specific — while both the GABS Hottest 100 and Triple J Hottest 100 run. Listen to the best 100 tunes of the past year while celebrating the best 100 brews: that's what's on the agenda from 11am. Make a beeline for Revel Brewing Co's Rivermakers site for one of the biggest dates on the calendar whether you like tunes, beers or both. Bookings are recommended, though — two celebrations means plenty of folks saying cheers.
If you thought that the White Lotus resorts in Hawaii and Sicily were luxe, Thailand's counterpart has news for you: "our hotel is the best in the world," guests are told upon checking in, as viewers can see in the just-dropped full season-three trailer. A new batch of travellers is making the chain their temporary home away from home, and a new round of chaos is certain to ensue. Also exclaimed in the latest sneak peek: "what happens in Thailand stays in Thailand". The acclaimed series returns for its third run in mid-February 2025 — and while a vacation at an opulent hotel is normally relaxing, that isn't what folks find in this show. It was true in the first season in 2021, then in season two in 2023, each with a largely different group of holidaymakers. Based on the various glimpses at season three over the last few months, that's of course set to be accurate again in the eight-episode run that arrives from Monday, February 17 Australian and New Zealand time. Walton Goggins (Fallout), Carrie Coon (Ghostbusters: Frozen Empire), Jason Isaacs (The Crowded Room), Michelle Monaghan (MaXXXine), Leslie Bibb (Palm Royale) and Parker Posey (Mr & Mrs Smith) are among the vacationers hoping to enjoy a White Lotus stay this time, alongside Sam Nivola (The Perfect Couple), Patrick Schwarzenegger (Gen V), Sarah Catherine Hook (Cruel Intentions) and Aimee Lou Wood (Sex Education). Families, couples and friends on getaways: they're all covered by the above cast members. From season one, Natasha Rothwell (How to Die Alone) is back Hawaii spa manager Belinda, who advises that she's there on an exchange program to take some knowledge back to Maui. Season three also stars Lisa from BLACKPINK, Lek Patravadi (In Family We Trust), Tayme Thapthimthong (Thai Cave Rescue), Nicholas Duvernay (Bel-Air), Arnas Fedaravičius (The Wheel of Time), Christian Friedel (The Zone of Interest), Scott Glenn (Bad Monkey), Dom Hetrakul (The Sweetest Taboo), Julian Kostov (Alex Rider), Charlotte Le Bon (Niki), Morgana O'Reilly (Bookworm) and Shalini Peiris (The Ark). Bad feelings, seeking pleasure but finding pain, threatening to drink oneself to sleep, wanting to always live like this, family reunions, angry rich men, possible prison sentences, protecting the hotel: alongside guns, dancing, judgemental pals, missing pills, snakes, swims, monkeys, ambulances, complaints about gluten-free rice and a body bag, they're all featured in the clips from season three, which takes place over the course of a week. Where the Mike White (Brad's Status)-created, -written and -directed satire's first season had money in its sights and the second honed in on sex, eastern religion and spirituality is in the spotlight in season three. What'll be in store after this? While the third go-around is 2025's must-see viewing, HBO has already renewed The White Lotus for its fourth season. Check out the full trailer for The White Lotus season three below: The White Lotus returns on Sunday, February 16 in the US, which is Monday, February 17 Down Under. At present, the series streams via Binge in Australia and on Neon in New Zealand. Images: HBO.
Is there anything more soul-crushing than doing your weekly grocery shopping? The packed aisles, the irritated checkout operator, the trolley that won't steer straight? No thanks. Take your food shop up several notches by stopping by Davies Park Markets for a big box of farm-fresh produce. Need a little more encouraging to get out of bed on a Saturday? The food stalls at Davies Park are worthy of the trip alone — every imaginable cuisine is represented, plus there is plenty of seating so you can enjoy your brekkie comfortably (without the usual din of your regular brunch haunt).
No shade on regular escape rooms but the lack of prizes after all that hard work is a little disappointing. Sure, you gain a sense of camaraderie with your fellow escapees but what if you could also walk out with the domestic holiday of your dreams? That's what's on offer at The Wotif Great Summer Escape, which is popping up in King George Square between Wednesday, March 26 and Friday, March 28. In this free immersive experience, guests are invited inside the multi-sensory escape room and virtually transported to some of Australia's most iconic holiday destinations to complete a series of puzzles. You've got just three minutes to solve as many puzzles as you can to unlock the views of stunning Australian locations, from lush tropical rainforests and dazzling coral reefs to pristine beaches and luxury hotels. Each door you open earns you a token to enter the draw to win a Wotif Domestic Travel credit worth $5000. There are also spot prizes up for grabs, too, including hotel coupons worth between $250-500. The escape room will be open daily from 8am to 6pm but if you can't make it in person, the competition can also be entered online. The Wotif Great Summer Escape is running from Wednesday, March 26 to Friday, March 28 between 8am-6pm. For more information or to enter the competition online, head to the website. AU residents 18+ only. Runs 26-28 March '25 Entry method 1: during promo period, go to game room activation at King George Square, Bne (8am – 6pm) & solve puzzles (in 3 mins) to unlock doors to find tokens - each token = 1 entry into draw (must fill in entry form via Rep's iPad onsite). Max 1 turn in game p/person p/day. Play as individual or as a team (max. 6 ppl). For teams, each person in team (18+) gets same # of entry/ies into draw as any token/s collected by team. Entry method 2: during promo dates (between 12.01am – 11.59pm AEST) visit www.wotif.com/vc/blog/summerescape & solve puzzle on screen to fill out entry form to get 1 entry into draw. Max 1 entry p/person for this entry method. Entries from both entry methods combined for draw, held at 12pm AEST 01/04/25, L13, 447 Collins St, Melb Vic. 3 prizes: 1st drawn wins $5000AUD Wotif.com Travel credit, 2nd drawn wins $500 Wotif hotel coupon, 3rd drawn wins $250AUD Wotif hotel coupon (use coupons to make booking by 31/08/25. Max 1 prize p/person (except in SA). Winners told by email & published on website 28/04/25. See website for full conditions incl. privacy statement. Promoter: Expedia Australia Pty Limited (ABN 12 101 694 946). SA Permit: T25/306 ACT Permit: TP25/00409
Star Wars Christmas is here for 2024, and may the force be with you on May the fourth. If you're looking for a way to celebrate beyond viewing the many, many movies and TV shows in the space saga, and you're also fond of dancing like no one in the galaxy is watching, May the 4th — Star Wars Rave is your port of call. The cantina to head to in Brisbane: Wonderland, with the party kicking off at 7pm. On the right date to commemorate the huge sci-fi franchise on the dance floor, you'll get free glow sticks and lollipops as part of your entry fee — and you'll be able to drink Skywalker Spritzes, Jedi Juice and Darth Drank. This Saturday-night shindig follows in the stormtrooper boot-wearing footsteps of Shrek and Hello Kitty raves, because every pop culture favourite can be an excuse to make shapes in an adoring crowd if you want it to be. Dressing up is encouraged, obviously. Are jedi robes comfortable to dance in? Here's your chance to find out. The best outfit on the night will win a $100 voucher.
Guess what’s all the rage in Hollywood these days? No, I don’t mean Botox. And no, I’m not talking about Oxy Cotin or Adderall or whatever prescription drugs people abuse these days. No, no no no. I am talking about the opera darling! Pleasing to the senses without having to go to rehab after wards, the opera theatre’s the latest and greatest hangout graced by lovely ladies such as Emmy Rossum and Chloë Sevigny. QPAC’s getting in on the action with its first production of the season, The Girl of the Golden West. Set amongst the rough-and-tumble of a Californian mining camp, this new production blends all the action, romance and pace of the greatest Hollywood westerns with a treasure trove of Puccini’s melodies. It’s the perfect opportunity to dress up pretty and drink some nice champagne while watching an amazing show – and it’s all in the name of getting cultured a la Sevigny.
Let them entertain you: with Better Man, the Robbie Williams biopic that takes its name from one of the British singer's tunes, filmmaker Michael Gracey and actor Jonno Davies have a clear mission that's shared with the man in the spotlight himself. The Australian-made, 16-time AACTA-nominated movie tells the warts-and-all tale of the boy from England's Midlands who has become an international superstar. It charts Williams' path through a complicated childhood, teen boy-band fame, relentless press attention, struggles with drugs and alcohol, tabloid-fodder relationships, a well-publicised reputation for partying, going solo, huge hits, sizeable scandals and plenty of reinvention — and, while never shying away from the tumultuous times that its subject has endured, it matches its unflinching view of his ups and downs with his love of monkeying around and putting on a show. The simian aspect of Better Man is literal. More than 20 years after 'Me and My Monkey' was a track on Williams' fifth studio album Escapology — a record that skewed personal to explore his experiences with pop stardom, and made hits out of 'Feel' and 'Come Undone' — his story reaches the screen with the former Take That member portrayed by a CGI chimpanzee. The approach renders Williams both a cheeky monkey and a performing monkey, and also reflects a journey that's had him swinging from limb to limb in life's jungle. The conceit was Gracey's choice, but based on the musician's own descriptions when chatting the Australian filmmaker through his existence. Better Man's helmer and subject first met when the director needed the singer's assistance with the former's debut feature. One of The Greatest Showman's original tunes won a Golden Globe and was nominated for an Oscar; however, star Hugh Jackman (Deadpool & Wolverine) had doubts about the songs going in — and, because the actor kept referencing Williams as a touchstone for his lead portrayal in the movie, Gracey hit him up for his thoughts and powers of persuasion. From there, the pair kept talking, then started recording Williams recounting his life story in the latter's studio. Next sprang the idea to make Better Man, which is how an Aussie talent came to craft a homegrown flick about one of the UK's biggest music figures of the past three decades. The film was initially announced in 2021, and news of Davies playing Williams arrived in 2022. That Better Man was going ape remained a secret until initial viewers cast their eyes on the flick at its world-premiere at the 2024 Telluride Film Festival, which was no easy feat. "I was astounded, because we really didn't want people to see any images from the film, and it blew me away that we managed to keep that under wraps for so long — just because we did scenes where we had 2000 extras, so at any point someone could've even given away shots of Jonno in the motion-capture suit. Or some image from the work that Wētā were doing could've found its way online. And it just didn't," Gracey tells Concrete Playground. "We tried really hard to make that the case because we wanted it to land in a way that was a very unique way to lens this story. And also having pitched it unsuccessfully for many years to financiers, I also knew that it would never make sense until people got to watch it," the filmmaker continues. "So there was really no point having chatter about an image and the conversation of whether that looks like Robbie or doesn't look like Robbie. I think that the most overwhelming response has been from people who are even sceptical about the conceit, that once they watch the film, they understand. And so I just desperately wanted to get in front of people before the conversation about 'why the monkey?'." [caption id="attachment_985602" align="alignnone" width="1920"] Monica Schipper/Getty Images for Paramount Pictures[/caption] A decade on from his screen debut in British TV's Casualty, Kingsman: The Secret Service and Hunters alum Davies has notched up what might prove the most-unique role of his career: playing Williams via motion-capture, and also voicing him in his younger years (Williams lends his own vocals to the movie, too). For his efforts, he's among the AACTA contenders for Best Actor. A fan going in of the man that he's portraying and of The Greatest Showman, Davies was instantly keen to take on the part, and has been revelling in the reactions that the movie has been earning since. "What's brilliant is seeing different audiences respond to the movie, whether that's an age thing, whether it's different continents, people that are Robbie Williams fans, people that have never heard of Robbie at all, and seeing how different people respond to it in different ways," Davies shares. "And seeing it being universally accepted — I think that was something we always wanted to focus on, is that Robbie is an everyday man. There's something in him, whether it's the relationship he has with his nan, whether it's his fear of imposter syndrome, there's something in him that anyone can relate to. There's something there that people connect [to]. I know Michael's had people coming up to him and saying 'I spoke to my dad for the first time in seven years' or people watch it and go 'you know what, it's made me want to ring my mum more or get in touch with the people I love'. Having those different connections and different responses is why you want to make cinema, why you want to make a film — is to affect people. It's been a joy." Down Under, Better Man was already making a splash before it reached Aussie cinemas on Boxing Day 2024; breaking the record for the most AACTA nods in a single year will do that. In a country with well-known fondness for Williams — if a biopic wasn't going to come out of Britain, Australia always seemed the next logical place for it — its main man has been popping up headlining the ABC's New Year's Eve coverage and doing a free gig in Melbourne's Federation Square, helping to give the movie a push, too. For viewers not instantly enticed by its subject or approach, the flick's biggest enticement sits within the feature itself, though. When 'Rock DJ' breaks out in a sequence filmed on London's Regent Street, it's a spectacular movie-musical moment. Gracey and Davies are relaying the tale of another great showman, after all, although that standout scene almost didn't happen. We also spoke with Better Man's director and co-writer, plus its star, about that unforgettable segment of the film, stepping into Williams' shoes — or a chimpanzee's feet, to be more accurate — and why monkeying around was the best way to tackle Williams' tale, as well as fandom, resilience and the full impact of Hugh Jackman's Williams obsession on The Greatest Showman. On Davies Playing the Man Responsible for One of His First Music Memories Jonno: "I was definitely a fan growing up. I saw him concert when I was nine with mum and dad. It's one of my earliest music memories, really. And when you're a child, you have no idea what your identity is, you're just in for a good time — and seeing this rock star on stage, peacocking about like he does, connecting with an audience, seeing how he's there to entertain the crowd rather than entertain himself. So then to 25-odd years later to be the one to play him is quite a pinch-me moment. I think it helped being from the UK, understanding the peak of his fame, how heavily, heavily documented his life was — much to his detriment, the lack of privacy there when he was suffering — I think that was a nice insight to have. But then also meeting in-person when we were in Melbourne when we first started, and then getting the rest of the story and sitting down with him, and him sharing some of his more vulnerable parts of himself — because he wants to make sure that this was an honest depiction. It takes someone very brave to allow themselves to be painted in quite a bad light a lot of the times in the movie. And so the fact that he then gave us his trust to collectively tell his story in a very honest and truthful way, I think it shows a calibre of a person." On How The Greatest Showman and Hugh Jackman Helped Bring Better Man About Michael: "It all stems back to working on The Greatest Showman with Hugh Jackman. Whenever we would talk about PT Barnum and what it was to be a great showman, he would always reference Robbie Williams — which used to make me laugh, and then after a certain period of time really annoyed me, because it was just always his go-to reference. Whether he was talking about music, whether he was talking about his swagger, or his charisma, or whether we were talking about choreography, he's like 'you know, the way that Robbie sort of moves' and I was like 'you know, every reference can't be Robbie Williams'. So at a certain moment when we were close to going into production, Hugh had a lot of voices in his ear about the music not being good enough, and he started to question the music. And at that point, we'd been working on the film together for six years, so I'd lost a lot of weight in my voice — because I was always the boy who cried wolf, who was like 'no, it's going to be great. This'll be the year we make it'. After six years, people start losing faith a little bit. So in a moment where Hugh felt that we should start again on the music, and I knew that that would mean the end of the film — and this is the music that is in the final film that Benji Pasek and Justin Paul wrote — I got in touch through my lawyer, because his daughter is friends with Ayda [Field], who is married to Robbie Williams. You know how you're always just like three people away from the person you want to get to? So I got a meeting with Robbie on a Sunday at his house, where I told him the story of The Greatest Showman, and then I played him the music. And at the end of the meeting, I said 'look, the only thing more bizarre than me showing up at your house on a Sunday is what I'm about to ask you now. It's one thing for me to tell Hugh Jackman what you think of the music. It's another thing for you to tell him entirely. So if you don't mind, can I just video you and you just talk into the camera as if you're talking to Hugh Jackman?' And that's what he did. He did this video message, which, to this day, if I'd written the script and said 'can you please read this to convince Hugh that this music is going to be great?' — what he did off the top of his head with ten-seconds' notice is why he is such an amazing showman. He was so compelling, the way he spoke about the music, he basically said to Hugh 'I've spent the last year working on my new album. I would scrap that album to sing these songs'. He literally was that effusive about how great the music was for The Greatest Showman. And he was right. The music was great. And history went on to prove that. But in that moment, that's exactly what Hugh needed to hear to have the confidence to move forward and make the film. So in many regards, there would be no Greatest Showman if there wasn't that video message from Robbie Williams. That's how we started then talking, and I just really enjoyed whenever we would talk, when he would tell me stories about his life. And with no intention to make a film — because unlike Jonno, I didn't grow up a Robbie Williams fan. Obviously growing up in Australia, you can't escape him. He's everywhere, but it's not like I listened to him. [caption id="attachment_985603" align="alignnone" width="1920"] Monica Schipper/Getty Images for Paramount Pictures[/caption] But what I really did love is I loved the way in which he talked about his life — and not just the events, but actually his delivery. I really enjoyed the manner in which, whether he's writing lyrics as a storyteller or telling you a story, he's a great storyteller. So I then just asked, knowing that he had a recording studio, when I was in LA, I would just drop over to his house and we would just sit in his recording studio and just chat. And those conversations took about a year and a half, and at some point during that, I started thinking 'wow, I could probably chop these up and make a radio play'. Then I went from there to 'actually this could make a really powerful film'. And in fact, those some of those recordings are in the actual voiceover of the film — those original recordings. But it was never the intention to make the film. It all stemmed from him and me just sitting in a studio just talking." On Why Portraying Williams as a Chimpanzee Was the Right Way to Tell His Story Michael: "I think that creatively, I just wanted to come at it with a unique angle. And also, I knew that narratively I wanted to explore both his internal life and his external life. So it was trying to find a device that would allow us to step between those two worlds, the world of the imagination and the world of reality. I think in a musical you're already in a heightened reality, because people are breaking into song, but I wanted something creative that would allow us to see more of Robbie than if it was just an actor playing him. And when I went back to those original recordings and I was listening to them, just time and time again Rob would refer to himself as a performing monkey. He would just say things like 'I was just dragged up on stage to perform like a monkey' or 'I'm up the back dancing around like a performing monkey'. And he said enough times that I was like 'there's definitely something to this performing monkey'. And when I looked at his story, whether it's him pretending to be tougher than he is in front of the kids in Stoke-on-Trent, where he grew up, or whether it's jumping up in front of the TV hoping that his dad would look at him the same way that he looks at Sinatra, there were just all these moments within the story that I was like 'he's always been that little performing monkey'. And the moment that I framed the entire film in that conceit, it just made me smile. I just thought 'this is going to work and it's going to work unbelievably well'. Convincing other people of that was the difficult part, but not convincing Rob. Rob was onboard in two seconds. I literally went to him and said 'if you're an animal, how would you see yourself?'. And he immediately said 'lion' and looked very proud. Then I sort of went 'really?'. And after about 30 seconds, he went 'nah, more of a monkey'. On Davies' First Reaction to Such a Unique Part Jonno: "There are so many challenges in this thing for an actor that every one is like 'oh my god, another reason to do it, another reason to do it'. One: motion-capture. Two: you are telling someone's story that's still alive, and someone that has many predetermined opinions on them, and so it's kind of up to you to try to shift those things. And I think that's what's useful about the monkey, is it separates people from Robbie Williams, and you follow this monkey story rather than necessarily this global superstar that people think they already know. But I was blown away by the concept. And I was I was blown away by the dream of it really. That's one of Michael's best assets, is he sells you the dream — but unlike many others, you get to actually go along with it. You get to join it. I was a massive fan of The Greatest Showman. I have always loved musicals. I love dancing, I love singing, but never thought I really had the chops to be a part of that world — certainly not a Broadway or a West End singer. So to be able to have Rob do the singing and me do the dancing, I was like 'how could I possibly not try to make this mine?'." On the Film's Celebration of Resilience and Persistence — and What That Concept Means to Davies and Gracey Jonno: "Resilience certainly comes in with the life of an actor. You are told 'no' many more times than you are told 'yes.' And you often value yourself on your last job, or the last job you did not get. I think it's about trying to stay resilient and trying to remember that you are authentically you, right? And so even though you're getting your nos, it doesn't mean you're crap, it means that you're just not right for this opportunity. It's a hard memory to keep inside, but I think it's one that is premier above all else. Otherwise you start to lose your identity. If you start thinking that 'I'm getting nos because I'm not good enough' or 'I'm not the right person', you start shifting your identity. Then you don't become what makes you, and that's essentially your best asset. And so resilience for me is about staying true to yourself, and if you're going to do something — Guy Chambers says it in our film, he says 'own it'. If it's crap, make it your crap. And I think that's a form of resilience that we can all take onboard." Michael: "Resilience is my entire life, because you have these grand ideas and it's up to you to continue to believe in them year after year after year. Showman took seven years to make, and at one point or another every single person involved in that project gave up hope — and you as the director cannot. Everyone else can lose faith, and you just have to keep on, you have to stand in that burning building and tell everyone it's going to be okay. This took six years. It was a high-concept idea that scared a lot of people, because the concept of the monkey immediately doubled the budget of the film. It made it a much more risky prospect. And it scared a lot of financiers away. The number of meetings that I had to do where people would just flat-out, the moment the monkey was mentioned, were like 'what are you talking about?' — and 'this is the end of the meeting'. That was the much more common response to that idea. And yet, I knew if there was a way to bring it into reality, it would be unique and it would be something that I'd be incredibly proud of. And so resilience is my entire career, and I would not be a director if I did not have that resilience. I think the joy you get as a director is finding other people to believe in that impossible dream, who stand alongside you and make it a reality, and that is the greatest privilege that you have as a director." On What It Took to Make the 'Rock DJ' Scene a Reality Jonno: "A lot of pogo-stick practice. It was the pinnacle of joy, right, in the film. It's the one moment that Robbie and the audience gets to really just live in dreamland, and there's no darkness that encases it, there's no version of himself telling him telling him he's rubbish. And so we were determined that when we arrived on Regent Street, that would be the feeling that we would feel. And, of course, you can only have that joy if you've put in the graft beforehand. And that's not just Michael. It's every department. It's Ash and Jen [Ashley Wallen and Jenny Griffin, both returning from The Greatest Showman], the choreographers, making sure that not only us, the Take That boys, but the 500 dancers were drilled so that we were never getting a bad take because of the dancing. You only have a set amount of time on Regent Street, so everyone had to just be shit hot, for want of a better term. We taped out a hangar, so the minute details, so every bush, every lamp post, was in its exact spot, so that when we arrived on the street, we were ready to go. It wasn't figuring out any proximity, etcetera. But it was a joy. It was one of my favourite experiences on set. I think you see it on our faces when we when we do Regent Street. I think you can probably see it in our pupils as well. There's kind of joy, combating a bit of 'we've got to get this done'. But it's such an iconic street, and it demanded an iconic routine — and I think Michael has delivered with that. Michael: "The practicalities of pulling that off were enormous. It was a year and a half in the planning. As Jonno mentioned, we rehearsed in a hangar the week before with the entire cast and crew, and double-decker bus and taxi, all those elements — only because the moment we got on the street, we had to start shooting, and we had very limited time overnight where we could lock down the entire street and film. It was shot over four nights, but after that week of rehearsal in the hangar, literally the day before we were about to start filming, the Queen passed away. And so we got shut down. There's ten days of mourning after the death of the Queen. Regent Street is crown land. So it was devastating because we paid out all of the costs to shoot. We'd locked down all those stores for those dates. We'd booked all of those dancers. So we lost all that money. There was no insurance for the death of the Queen. At that point, there were a lot of very serious conversations about cutting the number from the film. And I was like 'we've got to go out, we've got to raise that money again, we've got to get back onto Regent Street and we have to shoot this number — it is absolutely a cornerstone of this story'. It took another five months to find a window where we were allowed back on the street, and to raise the money again. And so every time that number plays, I just go in my head 'we were this close to that never happening' — but that comes back to your question about persistence. Better Man opened in cinemas Down Under on Thursday, December 26, 2024. Michael Gracey will chat about the film at the 2025 AACTA Festival, which runs from Wednesday, February 5–Sunday, February 9, 2025 at HOTA, Home of the Arts, 135 Bundall Road, Surfers Paradise, Gold Coast.
Sitting in a middle seat is few people's favourite way to fly, so Virgin Australia ran a lottery that gave away prizes to make the dreaded perch more enticing. Not knowing where your bag is when you disembark the plane is a downright travel nightmare — and now the airline is tackling that, too, this time by rolling out a baggage-tracking tool. Virgin Australia has been testing the new feature since May, but Monday, August 28 marks its launch on almost 70-percent of domestic flights. Accordingly, the next time you fly there's a high chance that you'll be able to track the status of your luggage via the carrier's app. The function marks a first for an Australian airline, and is included free on the routes that it's available on. Obviously, this feature covers checked luggage only. If you're carrying your bags into the cabin with you, you'll know where they are. For those stowing their suitcases in cargo, you'll be able to see where they are across your entire journey. Here's how it works: you'll need that aforementioned app, and to check your bag. You'll also want to enable push notifications. From there, you'll be informed via your phone when your luggage is checked in, when it's available for collection on the ground once you land and also when it is transferred to an international partner airline if you're travelling overseas. The app will tell you which baggage carousel to head to as well, solving another airport annoyance. The routes covered so far include select flights out of Melbourne, Sydney, Brisbane, Adelaide, the Gold Coast, Canberra and Newcastle, and also from Ballina/Byron, the Sunshine Coast and Hamilton Island. Joining them on the list right now: Launceston and Hobart, plus Townsville, Rockhampton and Mackay. In Western Australia, the service will become available on select flights out of Perth soon. "We know the potential of lost baggage is a concern for travellers globally and anticipate this announcement will give many guests that extra level of comfort knowing where their bag is at every step of the journey," said Virgin Australia Group Chief Customer and Digital Officer Paul Jones, announcing the rollout. Virgin Australia's baggage-tracking tool starts rolling out from Monday, August 28. Find out more via the airline's website, and download the app online as well.
UPDATE, September 27, 2021: The Big Bounce has changed its Brisbane dates to January 2022, and will now take place from January 14–16. This article has been updated to reflect that change. No longer confined to children's birthday parties, bouncy castles, inflatable obstacle sources and blow-up labyrinths have become hot property for adults (and their inner kids, of course). And the next blow-up event to return to Brisbane is big. Really big. Dubbed 'The Big Bounce Australia', it's an inflatable theme park made up of the world's biggest bouncy castle — as certified by the Guinness World Records — plus a 300-metre long obstacle course, a three-part space-themed wonderland and a sports slam arena. You're going to need a lot of red cordial to bounce your way through all of this. Set to take over the Eagles Sport Complex in Mansfield between Friday, January 14–Sunday, January 16, The Big Bounce is open to both littl'uns and big'uns, but there are a heap of adults-only sessions — so you don't have to worry about dodging toddlers on your way through. Tickets for adults will set you back $59, which gives you a whole three hours in the park. Yes, you'll need it. Inside, you'll encounter the aforementioned bouncy castle — aptly named The World's Biggest Bounce House — covering a whopping 1500 square metres and, in some spots, reaching ten metres off the ground. In this house, you'll encounter a heap of slides, ball pits, climbing towers, basketball hoops and (if you can believe it) a stage with DJs, confetti cannons and beach balls. Then, there's The Giant, with 50 inflatable obstacles, including giant red balls and a monster slide. Before you hit the next, three-part section of the extremely OTT theme park, you may need to pause, down some red frogs and maybe even have a nap. Or not, as you do only have three hours to explore it all. Either way, at Airspace, aliens, spaceships and moon craters collide with a five-lane slide, some more ball pits and an 18-metre-tall maze. After that, you'll certainly need a nap. And, new for 2022, there's also the Sport Slam, which is rather self-explanatory — and will be a must of you're keen to add a competitive spin to all that bouncing. [caption id="attachment_825374" align="aligncenter" width="1920"] Sarasota Experience[/caption]
Brisbane is a river city and always will be — but it's now a rooftop city as well. Only a few years ago, sky-high bars were rare across this town of ours; however, that's been changing. In fact, these days, we're spoiled for choice when it comes to drinks with a lofty view. The latest watering hole that's asking you to look at Brissie from a different vantage: Ooh La La Rooftop, which has made its home in Woolloongabba. It's an upstairs offshoot of beloved French restaurant C'est Bon, and it's serving tipples and bites to eat three days a week — from Friday–Sunday. First, when it comes to a view, you'll be peering over a different part of the city than usual — given that this sky-high spot isn't in the CBD or Fortitude Valley. The Mater Hospital and its carpark will be in your eye line, but so will the rest of this inner-city pocket. When the suburb's revamped Princess Theatre reopens in August, that'll just be around the corner, too. So, you know what you'll be looking at after you climb up the rear steps from C'est Bon, with entry to Ooh La La Rooftop via the rear laneway and carpark. As for what you'll be eating and drinking while you sit at high tables — or in regular chairs — the French theme unsurprisingly travels upstairs. Food-wise, both Siberian and Oscietra caviar is on the menu, including as part of a blini caviar set with potato rye blinis. From the seafood-heavy lineup, you can also tuck into Appellation oysters, Fraser Island crab, mussels, barbecued prawns and kingfish crudo. Or, there's duck liver parfait eclairs, angus tartare and confit suckling pig terrine, as well as a cheese and charcuterie selection for snacking. On the beverage list, the vino hails from either France or Australia — and while there's only four signature cocktails on the menu, Ooh La La is clearly about quality over quantity. Warm up with a hot whisky grog, opt for passionfruit or elderflower-heavy concoctions, or drink your way through a Tasmanian pinot negroni. Whatever you're sipping, you'll be doing so in a spot designed by Brisbane's JDA Co — who looked to open up the space, highlight its views and pay tribute to the building's history. Another key aspect of this makeover: ensuring that the structure's 1900s facade still has pride of place, too.
It was the follow-up that had to happen. The sequel we crossed everything for. After gaining viral status and worldwide applause for her 2013 book Shake, photographer Carli Davidson is back with a brand new series to follow her comical, high-speed images of dogs mid-shakedown. Yep, you guessed it. This time, it's cats. Shake Cats is the brand new book from Davidson, who actually took the photos of cats shaking themselves dry back in 2011, at the same time as taking the Shake dog photos. "I had originally thought I would do cats and dogs in the same book, but looking back I think it was best to give each animal its own book so their unique features could be highlighted," says Davidson. Shooting with Nikon D4s at a very rapid frame rate, this animal-loving photographer shot close to 100 cats for the series, including her own cat Yushi and hectic cat celeb Lil' Bub. Almost all of the cat models are local Portlandians, or from rescue shelters. In addition to the shake shoot, Davidson would get a pretty headshot of the kitty for the rescue shelter to post on their website — and most of these cats were adopted almost immediately as a result. "Taking a good photo of an animal in a shelter can go a long way to help that cat or dog find a home. So much of rescue is done online; people pick out a pet before they even get to the shelter. They fall in love online with an expression, so capturing that personality in a photo is really important." So how exactly did Davidson get those money shots? How do you make a cat shake itself clean (we're pretty sure you're asking yourself this question daily)? Simple, you pamper them like crazy. "Getting the cats to shake was actually more of a grooming process than a waiting game. We basically treated the shoot like a mini grooming session with lots of treats and cat cuddles... Ear cleanings are what generally caused the shake to happen, I just had to be ready." Apparently the cats weren't too hard to wrangle either — apparently they couldn't get enough of the warm studio lights. Cuuuute. It goes without saying that Davidson's tapped into social media's favourite thing, cats and dogs. But this animal-lover sees more in internet kitties than a grumpy face. "Cats are popular because they are awesome, independent thinkers and humans love to worship them. We have been worshipping them as spiritual icons for 10,000 years," she says. "The rise of the cat back into worship status on the Internet seems natural if you look at their historic significance... Cats combat internet negativity with their sheer visual presence." Shake Cats is out now via Harper Design, available to purchase from Booktopia. All images courtesy Carli Davidson with permission.
Thanks to its not-so-inventive title, there's no need to worry about who the main players in Me and Earl and the Dying Girl are. There's the 'me' of the moniker, i.e. movie-loving high schooler Greg (Thomas Mann). There's his classmate and filmmaking partner-in-crime, Earl (RJ Cyler), who he describes as a colleague rather than a buddy. And then there's the unwell Rachel (Olivia Cooke), who Greg's mother forces him to befriend upon hearing that she has cancer. If you think it all sounds like a recipe for a coming-of-age effort steeped in feelings, peppered with pop culture references and always working towards everyone learning something, well, you'd be right. And the movie is as contrived and cliched as it sounds, even if it does strive to conjure up several layers of emotions. It won the audience award at both the Sundance and the Sydney film festivals — as well as the grand jury prize at the former — so it seems to be working on someone. Greg prides himself on neither fitting in nor standing out, which also means he doesn't really connect with anyone. Spending time with Rachel, rather awkwardly at first, threatens to change that. His world opens as hers starts to end, and for once, he can't avoid the consequences of actually caring about something. So, he channels his efforts into working with Earl on their latest short film following a series of comic recreations of classics, with previous efforts including Senior Citizen Cane and The 400 Bros. Movies about movie buffs, which are consequently littered with knowing nods and sly winks to movies gone by, can make for painful viewing for even the most avid cinephiles in the audience. Surprisingly, the affection for the medium that Me and Earl and the Dying Girl shows is actually among its most genuine and least calculated elements. Indeed, filmmaker Alfonso Gomez-Rejon played in similar territory with his previous effort, the remake/update/next instalment that was horror offering The Town That Dreaded Sundown. Both features share a winning way of making a love of movies part of their celluloid (or digital, as is more likely these days) fabric. Sadly, the alternating slivers of authenticity, ingenuity and subtlety evident in the cinema shout-outs are absent when it comes to the main event of chronicling the impact Rachel's circumstances have upon Greg — and almost as an afterthought, upon the scarcely used sidekick Earl's character clearly is, too. Stereotypical subplots abound as much as untraditional camera angles, yet all seem as flimsy and ill-deployed as the high-profile supporting cast (with Nick Offerman, Connie Britton, Molly Shannon and Jon Bernthal among the actors briefly sighted). It should all add up to more, especially when you consider that the script is written by Jesse Andrews, who penned the bestselling young adult book of the same name that Me and Earl and the Dying Girl adapts for the screen. Alas, trying too hard to convey both quirkiness and sentiment, including in the performances, just doesn't hit the mark the film is clearly aiming for.
When it came to naming Range Brewing's latest beer-drinking venue, inspiration arrived from an easy source. As its moniker makes plain, Patio is all about enjoying a drink while sitting out on its namesake. And to help, it comes complete with a leafy, sunny beer garden that makes the most of Brisbane's usually warm weather. Range's latest venture has settled into the Rosalie space that Moga Izakaya & Sushi previously called home, giving it a revamp and leaning on Aussie pub vibes. On Baroona Road in the former suburb-turned-Paddington locality, the neighbourhood craft beer, wine and cocktail bar has turned an eye-catching brick building into an Aussie pub-influenced watering hole. And yes, to make the most of the weather, the focus is on al fresco experiences — including in that beer garden, which also features a fairy light-lit tree in the middle of the courtyard. Thanks to Myers Ellyett Architects, patrons will find both a layout and fitout that pays tribute to the corner bar and the front bar of old pubs, with Melbourne drinking spots an influence. Inside, the venue features the bar, cosy booths and window tables, plus burgundy hues and dark oak amid the rustic brick. The mood: warm, welcoming and relaxed, a feeling that is designed to fill the whole place. Range's beers pour through the ten beer taps, naturally, with the lineup set to rotate. Upon launch, brews include Jam Mixed Berry double-fruited sour ale, the chocolate- and coffee-heavy Early Morning Ritual pastry stout, and the peaches-and-cream esque Name of the Game oat cream IPA. Two other taps are devoted to wines that the Range team has made with LATTA Vino, too, while cocktail highlights span Patio's own take on the old fashioned, a mandarin spritz and the Red Rosalie, which is made on spearmint-infused vodka and strawberry and rose syrup. And, after launching Jacopo's Pizzeria in Newstead, Patio slings its Roman-style sourdough slices, snacks and sweets. Seven types of pizza are on the menu, plus gildas, radish sardine toast, cheese and meat boards, and the Patio sub with beef and 'nduja meatballs. Down the line, there's plans to broaden the culinary range with a focus on fresh Italian options.
Maybe your house needs the kind of colour and flair that only art can bring. Perhaps you're keen on supporting artists. If the first applies, the second should as well. Whichever fits, one event has you covered without requiring you to bust your budget to enjoy art on your walls. Even better: Affordable Art Fair is doing the rounds of Australia's east coast again, heading to Brisbane over the Mother's Day weekend from Thursday, May 7–Sunday, May 10. Everyone should be able to fill their home with art, no matter their bank balance. That's the idea behind this event, and has been since 1999. Back in the 20th century, Affordable Art Fair initially popped up in London to share eye-catching pieces with the world at manageable prices, and then started spreading its art-for-all ethos around the world. It only came to Brisbane a quarter-century later — in 2024 — but Australia is no stranger to this event, thanks to Sydney and Melbourne stops before that. Held at the Brisbane Showgrounds, the offer is simple: thousands of original artworks, with prices starting at $100. But if you do happen to be flush with cash, costs will max out at $10,000 per piece. In 2025, over 13,300 visitors browsed the massive collection, resulting in a record $3.3 million being spent on art. This year, Affordable Art Fair Brisbane is stepping things up again, with returning galleries like Good Work Gallery, Mint Art House and Aspire Gallery joined by newcomers such as Rich & Strange, Oddball Gallery and more. Beyond the striking artworks up for grabs, the 2026 fair also brings a packed program of artistic experiences. Catch the Artist in Action series to witness a live painting demonstration or explore the Discover: Young Talent Exhibition, where emerging artists take centre stage during this major international art fair. Plus, celebrated muralist Jason Parker has created a rotating, suspended piece for the occasion, while he's also taking part in a live painting demonstration during opening night. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox. Images: Supplied.
Fancy grabbing a banh mi in a carpark at South Bank? Well, now you can. Hello Please has set up shop in Fish Lane, though they're not letting the increasingly busy and crowded nature of the popular area get in their way. Instead, they've plonked down a container, carved out their own space adjacent to Maker, Gauge and Julius Pizzeria, and started serving up crowd-pleasing Vietnamese dishes. You could say that makes Hello Please a bit of a hidden gem, though it won't stay that way for long. The new venture from The Stables Craft Bar and Kitchen owner Daniel Ward and seasoned hospitality professional Maris Cook brings the casual, quaint, high-quality style of Melbourne's street-focused haunts Saigon Sally and Kong BBQ to Brisbane. Food-wise, that means quick, consistent, fresh and affordable options like bao, dumplings and rice-paper rolls from an evolving but flavour-filled menu, with dinner selections designed with matching cocktails in mind. If you're dining by day, expect it to be a speedy affair. If you're eating in the evening, two sittings will be available. A focus on swiftness and structure in getting everyone in and out reflects the small size of the restaurant, which accommodates 30 people at the bar and another 60 in the outdoor eating area. Murals by local artist Drapl give the place the requisite laidback feel — and, let's face it, who doesn't want to relax over a bite to eat and a few beverages in a space that just would've remained empty and unused otherwise?
Spring Hill Deli is another fine establishment that has realised that using real chocolate on top of cappuccinos makes them approximately 1000% better. We probably don’t need to say much more, but if you still need convincing, the beans come from celebrated locals Cup Coffee Roasters and the moreish food menu is the perfect accompaniment.
Girls called Cinderella only find their Prince Charming in fairytales, so what's someone named Cindy supposed to do in the age of Tinder dates and internet porn? Local comedienne and theatre-maker Genevieve Butler explores the complexities of modern romance in her latest show, while also delving into the stuff that comes after flowers and chocolates. That'd be commitment, scandal and desolation — aka the more serious side to chance encounters and ideas of living happily ever after. This isn't your usual rom-com, but if you've seen it in a cheesy flick or sappy story, it probably informs this awkward, humorous dissection of love.
There are three types of people: those who love whisky; those who've tried it, tried to get into and know it isn't for them; and those who haven't really dabbled in drams, for whatever the reason. All are welcome at The Whisky Social's new whisky appreciation night — aka the launch of their Brisbane events — but it's probably the first and last categories that'll have a sipping good time. At Style vs. Substance, you'll drink whisky, talk whisky and even ask the question "what's the difference between whisky and whiskey?" An evening for seasoned Scotch aficionados as well as eager newcomers, it involves five pours of the drink in question, two hours of information and conversation, and plenty of bites to eat. It all takes place from 6pm on November 16, and given that the Melbourne-based outfit is making their first Brissie splash, expect it to be a vibrant night. Expect more events to follow, too — which is great news if you're a whisky diehard, or if you want more chances to become one.
If life was a musical, there'd be a simple solution to most of your daily troubles: singing. It's too cold to get out of bed? Get crooning. You spilled your coffee on the way to work? Strike up a tune. You don't like Mondays? Start warbling. It's only noon but the day seems to be going on forever? Give your lungs a workout. Of course, life isn't a musical, sadly; however if you just feel like belting out a ballad to cope with the beginning of the working week, you can still do that at The Flamin' Galah's Bad Karaoke Mondays. On Mondays in July and August through until September 3, it's time to pick the one song that'll brighten up your day and do your best — or worst. As the name suggests, this isn't about becoming a star, with bad songs and not-so-great performances all welcome. It all kicks off at 7pm, and entry is free — although you'll probably want to bring your wallet for some liquid courage.
On Tuesday, November 26, Salt Meats Cheese Gasworks is adding a new all-you-can-eat event to its lineup: all-you-can-eat arancini and meatballs. Unlike the restaurant's weekly bottomless pizza and pasta feast, this is a once-off, so you'll want to clear your night if the idea is already making you hungry. Tuck into arancini and meatballs in four varieties, including beef, barramundi, falafel and vegan arancini, then smother them in toppings. That's where you can choose from napoletana or carbonara sauce, go traditional with bolognese, opt for mushroom and cream, get super cheesy with four cheeses, or even slather them with truffles — and the list of goes on. Vegan and vegetarian options are available, so everyone can enjoy indulging in as many arancini and meatballs as you can possibly stomach. The night kicks off at 5pm, and costs $25 with a drink purchase. Unsurprisingly, bookings are recommended. And, take note: this is only happening at SMC's Gasworks store. Image: Salt Meats Cheese.
Get ready to toss a coin to your witcher, again — but they'll look more than a little different. For two seasons so far, Henry Cavill (Zack Snyder's Justice League) has played monster hunter Geralt of Rivia in Netflix's hit fantasy series The Witcher, and he'll be back again in season three when it arrives in 2023. After that, however, The Hunger Games, The Dressmaker and Independence Day: Resurgence's Liam Hemsworth will don the character's icy locks. The Witcher has indeed been renewed for a fourth season before its third even airs — something that happened with season three before season two dropped as well, and with season two before season one debuted before that — but a huge change is afoot. Netflix has revealed that Cavill is stepping away from the show, with Hemsworth replacing him. The two actors also shared the news on social media. "My journey as Geralt of Rivia has been filled with both monsters and adventures, and alas, I will be laying down my medallion and my swords for season four," said Cavill in a statement. "In my stead, the fantastic Mr Liam Hemsworth will be taking up the mantle of the White Wolf. As with the greatest of literary characters, I pass the torch with reverence for the time spent embodying Geralt and enthusiasm to see Liam's take on this most fascinating and nuanced of men. Liam, good sir, this character has such a wonderful depth to him, enjoy diving in and seeing what you can find." It's official: The Witcher is returning for Season 4, and Henry Cavill will be handing his swords to Liam Hemsworth as the new Geralt of Rivia after Season 3. Welcome to the Witcher family, @LiamHemsworth! Read more: https://t.co/ABQMdqkzXX pic.twitter.com/xyIaRBbiRT — The Witcher (@witchernetflix) October 29, 2022 As for Hemsworth, he added that "as a Witcher fan I'm over the moon about the opportunity to play Geralt of Rivia". He continued: "Henry Cavill has been an incredible Geralt, and I'm honoured that he's handing me the reins and allowing me to take up the White Wolf's blades for the next chapter of his adventure. Henry, I've been a fan of yours for years and was inspired by what you brought to this beloved character. I may have some big boots to fill, but I'm truly excited to be stepping into The Witcher world." Need a refresher on the story so far? Haven't watched the first two seasons yet? If The Witcher's name sounds familiar, that's because it's based on the short stories and novels of writer Andrzej Sapkowski — and, as well as being turned into comics, it was adapted the video game series of the same name. A Polish film and TV show also reached screens in the early 2000s, although they were poorly received. [caption id="attachment_875705" align="alignnone" width="1920"] Liam Hemsworth in upcoming film Poker Face. Image: Brook Rushton.[/caption] In the Netflix show, Cavill plays the witcher of the title, aka the part that Hemsworth is taking over. Geralt of Rivia is a monster hunter who prefers to work — aka slay beasts — alone in a realm called The Continent. But life has other plans for the lone wolf, forcing him to cross paths with powerful sorceress Yennefer of Vengerberg (Anya Chalotra, Netflix's Wanderlust) and young princess Ciri (newcomer Freya Allan). The Witcher franchise doesn't just include the show itself, but also animated flick The Witcher: Nightmare of the Wolf, which hit Netflix in 2021. And, there's upcoming prequel series The Witcher: Blood Origin, too — which'll take place 1200 years before Geralt's time, span four episodes, star Everything Everywhere All At Once's Michelle Yeoh and arrive this December. There's no sneak peek at the OG series' fourth season yet, or season three, but here's the trailer for season two in the interim: The Witcher's third season will hit Netflix sometime in winter 2023 Down Under. The show's first and second seasons are currently available to stream.
One of modern art's most argued-about works is finally up for auction. Tracey Emin's famously debated 1999 work My Bed is going under the hammer for the very first time, complete with dirty sheets, cigarette butts and condoms. Emin gained notoriety when her work Everyone I Have Ever Slept With 1963–1995 debuted at a 1997 Charles Saatchi's Sensation exhibition at London's Royal Academy. After getting drunk, going on national TV and getting all sweary, she'd release My Bed two years later to colossal debate. One of modern art's classic "Is this art? What is art? Is this bag of wrenches art?" generators, My Bed is expected to sell between £800,000 and £1.2 million (roughly $1.4 million to $2.2 million) at auction in July. The highly-scrutinised installation is a recreation of Emin's actual bed during a rough time — the artist spent days in the bed during relationship difficulties and dealt with suicidal thoughts. Scattered with paraphenalia from the artist's own bedroom (condoms, menstrual-stained underwear, slippers), My Bed caused controversy not for the collective sum of confrontingly personal items but for the stains on the sheets. Gallery-goers saw the traces of bodily secretion as a little too human. "It's a self-portrait, but not one that people would like to see," Emin said. "I took everything out of my bedroom and made it into an installation," Emin said. "And when I put it into a white space, for some people it became quite shocking. But I just thought it looked like a damsel in distress, like a woman fainting or something, needing to be helped." The new owners might be able to recreate the work of two performance artists, Yuan Chai and Jian Jun Xi, who jumped on Emin's bed in a performance creatively titled Two Naked Men Jump into Tracey's Bed. Most interestingly will be the conditions under which the new owner must actually display My Bed. Previously (when not displayed in a gallery setting) the work has been on display at the home of its owner Charles Saatchi. As The Guardian reports, the work — a flurry of seemingly random miscellany — has very meticulous installation instructions. "It's a very complicated piece to put together," Director of Cadogan Tate Fine Art Stephen Glynn says. "It comes with a dossier of photographs of every object, and a list of where exactly everything needs to go." A bit like an Ikea instruction manual, then? "A bit. You're certainly trying to make sure that everything goes in the right place." Displayed at the Tate Modern in 1999, My Bed was shortlisted for the Turner Prize that year. Christies will put the Saatchi-owned work to auction, with proceeds going straight back to the Saatchi Gallery — the team are moving to make the gallery have free admission. Via Reuters and The Guardian.
What's better than a film festival that brings the best and brightest new Japanese movies to Australian cinemas each year? One that also returns a few months later with a solely digital lineup that you can check out from your couch. Yes, after the IRL Japanese Film Festival last hit locations around the country in late 2021, it's now time for the Japanese Film Festival Online for 2022, aka your next excuse to indulge in your Japan obsession without hopping on a plane. This year's online program spans 17 films over two weeks, screening from Monday, February 14–Sunday, February 27. That gives you plenty of choices, plus ample time to catch comedies, mysteries, dramas, documentaries and more — some from the past year or two, others dating back to 2008. And, in particularly exceptional news, they're all streaming for free. Highlights include the food focused Mio's Cookbook and The God of Ramen, with the former offering up a period drama about a young chef and the latter honing in on famed Tokyo figure Kazuo Yamagishi; mystery Masked Ward, which unleashes its thrills and twists in a hospital; It's A Summer Film, about a high schooler obsessed with old samurai flicks; and comedy Happy Flight, as set during an emergency flight from Tokyo to Honolulu. While you won't pay a thing to watch, you do still need to register via the fest's website.
It's the season of must-see TV we've known was coming since way back in 2020, and it finally has a release date. That'd be The Handmaid's Tale's fifth batch of episodes, which'll return this spring. The words you're looking for: praise be. With this hit series, blessed be the dystopian dramas, which is exactly what The Handmaid's Tale has been serving up since 2017 now. Of course, on the page, this bleak look at a potential oppressive existence has been drawing in fans since the 1985, when Margaret Atwood's book first hit shelves. A film followed in 1990, and opera in 2000 — plus a sequel novel in 2019, too. Yes, there have been many ways to dive into The Handmaid's Tale over the years, but only one keeps winning small-screen awards and stars a phenomenal Elisabeth Moss (Shining Girls). Thankfully, the wait between the show's fourth and fifth seasons is shorter than the gap between its third and fourth — a year rather than two. The date to mark in your diary: September 15, given that the show will return in the US on September 14. Down Under, episodes usually air weekly on SBS in Australia, and stream via SBS On Demand — and hit Neon in New Zealand — at the same time as in America. There's no trailer just yet, but The Handmaid's Tale's fifth season will arrive with two episodes to start with, then drop new instalments weekly afterwards. And, story-wise, it'll step back into June's (Moss) life after season four's climactic events. Accordingly, that also means watching Serena (Yvonne Strahovski, Stateless) try to raise her profile in Toronto, with season five seeing Gilead's influence creeps into Canada. Commander Lawrence (Bradley Whitford, Tick, Tick... Boom!) and Aunt Lydia (Ann Dowd, Rebecca) endeavour to reform Gilead, too. And June, Luke (O-T Fagbenle, Black Widow) and Moira (Samira Wiley, Breaking News in Yuba County) will keep fighting the totalitarian regime. Also returning among the cast: Max Minghella (Spiral: From the Book of Saw), Madeline Brewer (Hustlers), Amanda Brugel (Snowpiercer) and Sam Jaeger (The Eyes of Tammy Faye). The fifth season of The Handmaid's Tale will hit start airing in Australia and New Zealand in September — on SBS TV, and to stream via SBS On Demand and Neon, with new episodes arriving weekly.
When Yours and Owls announced that it wasn't going ahead in 2024, joining the long list of music festivals scrapping plans for this year, it thankfully only put its fun on hold for a year. Returning in 2025 was always the intention, and now that big comeback has dates. Mark your calendars for Saturday, March 1–Sunday, March 2. Yours and Owls didn't completely sit 2024 out, however. Earlier in October, it held a pre-party, aka the event you put on when you can't put on the full festival experience at your usual time of the year because it doesn't work for your headliners' calendars. So, a tunes-filled shindig still took over the University of Wollongong campus — complete with Golden Features, Peking Duk, Alice Ivy, Anna Lunoe and more — to keep things warm for next year. [caption id="attachment_965220" align="alignnone" width="1917"] Ian Laidlaw[/caption] There's no word yet as to who'll be taking to the stage when Yours and Owls starts autumn 2025 in the best possible way, but organisers have advised to expect details soon. It's been a rollercoaster ride of a few years for the fest. It only turned into its new site in 2023 after it was forced to cancel in 2022 when La Niña flooded its Stuart Park venue. Affectionately labelled 'Gong Christmas', Yours and Owls moved to UOW as part of the fest and university's three-year partnership, with the all-weather solutions available at the campus cited as one of the driving factors behind the team-up — plus the uni's picturesque green spaces and a mutual commitment towards carbon-emission reduction. [caption id="attachment_906428" align="alignnone" width="1920"] Jess Gleeson[/caption] 2023's Yours and Owls featured Oliver Tree, Chet Faker and Descendents, and also Hilltop Hoods, Earl Sweatshirt, Golden Features, Ocean Alley, Flight Facilities and Pendulum — so expect 2025's fest to be worth waiting for. Confirmation that the event will be back next year follows locked in details for the end of 2024 and the beginning of 2025 for a heap of fellow festivals, such as Laneway, Golden Plains, Bluesfest (for the last time), Wildlands, Good Things, Lost Paradise, Beyond The Valley and Meredith. [caption id="attachment_906426" align="alignnone" width="1920"] Ruby Bowland[/caption] [caption id="attachment_906427" align="alignnone" width="1920"] Ian Laidlaw[/caption] Yours and Owls will return to Wollongong on Saturday, March 1–Sunday, March 2, 2025. Head to the festival website for more details.
