Young South Korean artist JeeYoung Lee is generating quite a buzz for herself in the art world these days, and it's not hard to see why. A recent graduate of Seoul's Hongik University, the artist's dreamy, highly imaginative work surpasses our traditional expectations of photography. Plus, it's totally spectacular to look at. It's hard to believe it, but Lee's images aren't Photoshopped. Instead, displaying admirable patience, she spends weeks and often months turning her tiny little studio (only 3 x 6 metres) into an unimaginably intricate, detailed set. Once she's captured the essence of the particular dream, desire, nightmare, hope or conflict she had in mind, she places herself within the image, never facing the camera directly — in fact, often with her back to it. The result is a strangely beautiful kind of reality. JeeYoung Lee is considered an up-and-coming artist in her native South Korea. She won last year's Sovereign Art Prize and has exhibited at Seoul's OCI Museum, the Incheon Foundation for Art and Culture, the Kyoto Photographic Museum in Japan and early next year will open her first European exhibition at France's Opiom Gallery with this ongoing series of self-portraits, entitled Stage of Mind. Broken Heart Black Birds Nightmare The Little Match Girl Maiden Voyage Last Supper Treasure Hunt Top image: Resurrection. Story via Colossal.
Where each new year will take you can be an existential question. If travel is one of your resolutions, it can also be literal. Will 2024 see you basking in Shibuya's glowing lights in Tokyo? Sipping drinks in the pool by sunset in Bali? Finally taking in the wonder that is Uluru? Enjoying an island break on Hamilton Island? They're all options if you use Virgin's latest big sale as your guide. A hefty 500,000-plus fares are up for grabs as part of the airline's Holiday After the Holidays sale sale, covering a range of Aussie and international spots — the carrier's entire network, in fact. Sticking with home turf, you can head to Byron Bay, the Sunshine Coast, the Gold Coast, Cairns, Hamilton Island, Uluru, Hobart, Broome and more. And, if you're eager to journey overseas, you can hit up Bali, Fiji, Samoa, Vanuatu, Tokyo and Queenstown as well. One-way domestic fares start at $49, which'll get you from Sydney to Byron Bay. As always, that's cheapest route. Other discounted flights include Melbourne to Launceston from $59, Brisbane to either Cairns for $105 or Hamilton Island for $115, Brisbane to Uluru from $139, Adelaide to the Gold Coast from $119 and Perth to Hobart from $239. Internationally, the return deals start with Brisbane to Vanuatu from $419, then include Sydney to Queenstown from $435, Melbourne to Bali from $559 and Cairns to Tokyo from $679 among the options. If you're wondering when you'll need to travel, there's a range of dates from Monday, January 29–Saturday, November 30, 2024, all varying depending on the flights and prices. As usual when it comes to flight sales, you'll need to get in quick. Virgin's discounted fares are now on offer until midnight on Monday, January 22 or sold out, whichever arrives first. Virgin's 2024 Holiday After the Holidays sale runs until midnight AEST on Monday, January 22 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
There is only one direction to build in Hong Kong: up. The island is so densely populated by both humans and towering structures that buildings just get taller and taller as the population swells ever larger. These monolithic buildings of commerce and habitation dwarf the masses on the streets below, and this feeling has finally been captured in a series of photographs that truly convey the dizzying depths of the tiny island. Romain Jacquet-Lagreze, a French graphic artist, captured the city from the ground looking up. Using the diverse range of vertical perspectives that Hong Kong has to offer, including shopping centres, commercial skyscrapers and residential towers, he showcases the uniqueness of a "relentlessly growing city" for his book Vertical Horizon. Hong Kong appears to be the subject to capture at the moment, with this series following earlier exhibitions concerning life in Hong Kong. In early April, Michael Wolf showcased the artistry of architecture and density of the nation's skyscrapers for a project celebrating the unseen beauty of Hong Kong's heights. His depiction of stunning symmetry conveys an urban painting that beautifies even the plainest towers. This followed the Society for Community Organisation's commissioning of vertigo-inducing photographs to highlight the claustrophobic nature of Hong Kong life, with whole families living in less than 40 feet of space. With more than 110,000 people per square kilometre in Hong Kong, these artworks highlight the unseen problem of inadequate housing. If more space is to be sourced, expect Hong Kong to get taller and taller. Via PSFK, Inhabitat and PetaPixel.
Crowdfunding is a relatively new concept, but it's also been pretty controversial, especially after big-name artists started using it to fund albums (Amanda Palmer and Eskimo Joe, anyone?). But it's also being used as a starting point for some great ideas and inventions that may not have ever become a reality otherwise. In 2012, cycling enthusiast Izhar Gafni invented a bicycle made out of recycled cardboard, rubber and plastic — the total cost of the materials coming to just $9. Now, Gafni has launched a $2 million Indiegogo campaign to take the project to the next level, which would involve mass producing the bike with the ultimate aim of making it affordable and widely available to people all over the world. Gafni describes the technology behind the bike as 'game changing' and thinks it could be the start of a 'green revolution'. On his Indiegogo page, Gafni says that the bike "means that children in under-developed countries can have access to these bikes to get to school, and their parents can get to work" and "the funds we raise will allow us to establish the first cardboard bicycle production line, thereby creating jobs, affordable transportation and a cleaner environment. For the people, by the people." https://youtube.com/watch?v=jBa0Wy50X5Y Via PSFK.
The last two years might have been a little lighter on travel adventures than we're used to, but if you're keen to make up for lost time, Visit Victoria has come up with a beaut excuse to escape the city and hit the road again. It's just unveiled its latest touring off-grid accommodation experience championing the regions — a tiny home stay for two by the name of Stella the Stargazer. Similarly to Visit Victoria's Wine Down Pop-Up Hotel, which launched in mid 2019, Stella won't be tying herself down to just one location. Rather, she'll move between three idyllic regional settings for eight weeks at a time, starting with a sojourn at Maffra's Blue Gables vineyard from Friday, October 14. [caption id="attachment_869901" align="alignnone" width="1920"] Blue Gables Vineyard, Maffra[/caption] After its Gippsland stint, the environmentally sensitive pop-up will relocate to a spot along the Great Ocean Road for a couple of months, before seeing out its last leg nestled against the mountainous backdrop of the Grampians in April and May, 2023. The accommodation itself is a study in simple luxury, the off-grid tiny home the work of Port Fairy-based design and manufacture crew Ample. Inviting you to switch off, unplug and recharge, without forgoing comfort, it's kitted out with a queen-sized bed, complete with threads from Weave Home Australia, Society of Wanderers and Grampians Goods Co. There's a roll-out sleeping platform that's primed for stargazing, an indulgent shower surrounded by adjustable glass louvres designed to envelop you in the natural surroundings, and a central wood fire that doubles as a hotplate for cooking. Glass sliding doors open onto the modular deck and fire pit, and you'll find plenty of local wares featured throughout; from crockery, to Dindi Naturals toiletries. Meanwhile, famed chef Alejandro Saravia (Farmer's Daughters, Victoria by Farmer's Daughters) will ensure you're dining like royalty, with guests enjoying a curated welcome hamper, a bottle of wine and breakfast provisions showcasing top local produce. A dinner experience is also available to add on to your stay. Stella the Stargazer will make her home in Maffra, Gippsland, from October 14–December 15, 2022. She'll then stop in a new location along the Great Ocean Road from February 3–April 6, 2023, before moving to the Grampians from April 17–June 18, 2023. Rates are $330 per night Monday–Thursday, and $390 per night Friday–Sunday.
After announcing that they would expand to Western Australia this year, the Falls Music & Arts Festival have this morning announced the dates for their four-city schedule and one kickass headliner: Childish Gambino. Yep, musical (and acting and writing) wunderkind Donald Glover will return to Australia to play all four shows over the New Years period. It's his first visit back since playing Listen Out Festival last year. As always, Falls will be heading to Lorne in Victoria for four nights, and Marion Bay in Tassie and Byron Bay on the NSW coast for three nights over New Year's Eve. They'll also be setting up shop in Fremantle for the first time with Falls Downtown, a two-day city festival slated to take place over the weekend of January 7-8. The main stage will be set up in Freo's town square, while an old-world ballroom and a stone-walled church will house the smaller ones. They'll also be taking over the abandoned Myer building, turning it into a creepy crib for art installations, "unexpected performance areas", markets and "bunkered basement danceterias". There'll even be a small number of glamping tents on the roof. It sounds similar to some of Melbourne Music Week's activations of abandoned spaces, and it sounds insane. This new iteration of the festival and the announcement of Childish Gambino as headliner is another win for Falls, who sell out their Lorne event basically every year. Since its inception in Lorne back in 1993, the festival has grown to span three cities, which include the original site on the Great Ocean Road, Marion Bay in Tassie and, since 2013, Byron Bay. But here's the dates. The full festival lineup will be announced on Tuesday, August 23. Start planning. Lorne, Victoria: December 28-31 Marion Bay, Tasmania: December 29-31 Byron Bay, NSW: December 31 - January 2 Fremantle, WA: January 7-8 For more announcements from Falls Festival, visit their website.
I’ve never been sure how the words ‘fun’ and ‘run’ can go together, but when the goal of running is to raise money for charity then I concede that there is a fun element! This is the goal of the Bridge to Brisbane run, which is now in its sixth year. Essentially Queenslanders get kitted out in their shorts and trainers and pound the pavement for 10kms or 5kms, raising funds for their favourite charity in the process. Last year the event attracted over 40,000 participants raising more than $530,000 for charity, including $279,000 for the 2010 major charity partner Autism Queensland. This year’s major charity partner is Legacy, an organisation that supports the families of war veterans. 10km participants will begin their run at Sir Leo Hielscher Bridge – South (formerly Gateway Bridge), head along Sir Kingsford Smith Drive, the ICB and then to Hamilton Place where the 5km participants will join them for the last push to the RNA showgrounds. At the finish they will be greeted by great food, music, entertainment and a well-earned rest. It is now too late to join the run but you can support the participants by donating some money here, and helping Australian charities in the process.
A skating session that's all about exercise rather than rolling freely, RollerFit finally arrived in Brisbane a few years back — and, post COVID-19 lockdowns, it wants you to go for a spin. Two days a week, you can hit the rink at the YMCA Bowen Hills, with separate one-hour sessions for beginners just learning to skate and intermediate to advanced speedsters. Yep, if this is the first time you've ever even thought about living out your Whip It or Xanadu dreams, don't worry — you're covered. The novice class takes place on Tuesdays from 7–8pm, while the more experienced skaters lace up on Wednesday nights at the same time. Dropping in costs $25, or you can take that down to $20 if you plan to visit regularly and sign up for a $25 membership. Five, ten and 20-class passes are also on offer, which can bring your per-session fee down to $14. If you don't have your own wheels, you can also rent them for an extra $5 per session. Rental covers sizes 5–13, and it's a first-come, first-served kind of deal unless you email a week in advance. Rollerfit's Brisbane classes take place at the YMCA Bowen Hills on Tuesday and Wednesday evenings from 7–8pm. Images: Susie Yang.
Due to the laws of nature, 16-metre-high fibreglass pineapples aren't capable of growing — but Queensland's favourite towering attraction is expanding anyway. As part of a $150 million redevelopment, the space around The Big Pineapple is about to look a whole lot different. As well as viewing the giant tropical fruit, you'll soon be able zoom down a zipline, cool off in a water park, sink a few beers at a craft brewery and even stay for the night. For those keen on climbing and soaring, TreeTop Challenge's new course will be a big drawcard. It'll feature 120 activities across eight acres, including a two-kilometre stretch of high ropes and the 120-metre zipline — all up, it'll take half a day to complete. Alongside the water park, it'll form part of an 'adventure precinct', which is bound to get busy during peak tourism periods. Across The Big Pineapple's 170-hectare site, other additions range from a major concert event space — which means more ongoing music gigs like the Big Pineapple Music Festival — to a food hub, which will feature cafes and other eateries down the line. It will also be the new home of Sunshine Coast yoghurt company Coyo, and a new craft brewery and major distillery. [caption id="attachment_698027" align="aligncenter" width="1920"] Anne and David via Flickr[/caption] For those keen to not only make the trip 90 minutes north of Brisbane to Nambour, but to truly make both a day and night of it, you'll soon be able to stay onsite too. Glamping was first mooted back in 2017, when proposals to reinvigorate the huge attraction were originally floated, and it looks set to be featured alongside an RV park, an eco resort and a hotel. In total, there will be 793 different accommodation options according to the Queensland Government's funding announcement. While the high-ropes course and zipline are due to launch in March this year, exactly when the other fresh additions will open also hasn't been confirmed. The Big Pineapple's existing attractions, such as the heritage-listed train, the Wildlife HQ zoo and the lure of snapping a selfie next to the enormous piece of fruit, will all remain. For more information about The Big Pineapple's redevelopment, visit the attraction's website. Top image: The Big Pineapple.
A longtime festival favourite among foodies, the Good Food & Wine Show, is back for its 2022 run. And, like always, the event packs a flavourful punch — there's the Good Food Village, which showcases artisan producers (with tastings galore); the Riedel Drinks Lab and its roll call of vino masterclasses; and The Kitchen by Harris Scarfe and its supercharged list of hospo heavyweights sharing their tips, tricks and favourite recipes. Here at Concrete Playground, good food and wine is our religion. We're up on the latest openings and frequent the delicious mainstays, we try out the hot-ticket ingredients (be it yuzu or alc-free liqueurs) and we happily attend events celebrating the tip-top of Aussie producers, dining venues and culinary talents. So, bringing it all under the one roof — with tickets for just $28 (or $35 with a tasting glass to keep) — is a sure-fire way to have us racing to plan a tasty itinerary for the day. After successful weekenders in Melbourne, Sydney and Perth, the annual extravaganza is set to hit Brisbane Convention & Exhibition Centre from October 21–23. This year is truly not one to be missed — read on for our picks at this year's shows. NOODLE SMACKDOWN AND DINNER INSPIRATION As someone who learns best by seeing things in action, I can guarantee you I'll be spending most of my Good Food & Wine Show at The Kitchen by Harris Scarfe. There'll be a bunch of live cooking demonstrations courtesy of well-known chefs sure to equip you with new kitchen tricks and some much-needed dinner inspiration. With so many incredible options available, it's tough to decide which class to attend. So far, I've got my eyes firmly fixed on Brendan Pang's Noodle Smack Down Street Food demonstration. Courtney Ammenhauser, Branded Content Manager A CHEESY WONDERLAND The food show is always a cheese wonderland, and tasting your way up and down Cheese Lane (and then up and down again) is a delicious way to spend your day — just mentally prepare yourself for those cheese dreams afterwards. Here are three little words that should get nearly everyone excited: cheese, chocolate and sparkling. This Good Food & Wine Show masterclass — hosted by cheese expert and owner of Smelly Cheese Project Valerie Henbest — is dedicating 45 minutes to the not-so-common pairing of cheese and choccie (with a glass of bubbles on the side), and is sure to tempt a crowd. You'll want to nab a ticket, stat, if you don't want to miss it. Sarah Ward, Associate Editor CULINARY STARS AND BIG, BEAUTIFUL BAROSSA REDS Since wine always tastes better when you know a bit about whatever the heck it is you're sipping, I'll be heading to the free palate appreciation classes at the Riedel Drinks Lab. The sessions are led by resident wine guy Nick Ryan and involve some expert tutelage, as well as tastings. In the midst of winter's chill, the class dedicated to big, beautiful reds is calling out to me. Libby Curran, Staff Writer A TICKET ESPECIALLY FOR THE WINE LOVERS First things first, I will definitely be nabbing myself a Wine Lovers Ticket. If you're into your fine drops, the extra dollars are well worth it — you'll take home a Riedel magnum tasting glass and an expert-selected bottle of vino, get exclusive access to back vintages and a tote bag to haul your goodies around in. The highlight in my eyes? Is it Really Better to be Single?, the punny wine-tasting masterclass that will have Nick Ryan chatting through the ins and outs of blending (and shining a light on why it's one of the most important skills in a winemaker's toolbox). A stop by the Good Food Village for a refuel by way of tastings and my day is made. Grace MacKenzie, Branded Content Manager EVENTS WORTH CROSSING THE DITCH FOR Confession: this is a hypothetical recommendation as I'm stuck over here in New Zealand and can't head to the show. But it may surprise Aussies to know that here in Aotearoa we are fanatical about MasterChef Australia. And no contestant has had an impact on me or my mother more than Brendan Pang during his tenures in 2018 and 2020. We were women obsessed. So, seeing him in real life whipping up dumplings and street eats during the Noodle Smack Down Street Food masterclass is absolutely worth booking flights across the ditch for. While I'm at the show, I'd definitely head to the Wine and Dine Tasting Room for Perfetto! Italian Food and Varietals, which combines two of my greatest loves: pasta and wine. Learning how to effectively match bold local drops to the diversity of Italian cuisine is almost as good as heading away on my own Euro-summer vacation. Almost. Sarah Templeton, New Zealand Editor Ready to start planning your tasty day out? Head to the website to explore the full lineup and book tickets. Top images: Jessica Wyld and Joseph Byford (last image)
Promoters Live Nation have been forced to postpone tonight's Sydney instalment of Janelle Monae and Kimbra's Golden Electric tour, due to Monae coming down with a sudden illness. The Grammy-nominated singer had to step out of the first show of the tour in Melbourne on Saturday and will hang back in the Victorian capital today — Live Nation issued a statement saying Monae "has been required to remain in Melbourne under medical supervision to assess her recovery." The postponement of the Sydney Opera House show comes at an unfortunate time for moving things around, as the rescheduled show would have to land before Friday when Vivid LIVE takes control of the House for the next few weeks. After the tour-commencing Perth show was already cancelled, it seems The Golden Electric tour is in need of a few lucky rabbit feet. Live Nation are set to make an announcement tomorrow, recommending ticket holders sit tight and hang on to their stubs. https://youtube.com/watch?v=SyqltX5lRhQ Via TheMusic.com.au.
Bright lights, performances around the city and interesting chats aren't the only things on Vivid Sydney's lineup when it pops up in the middle of each year. Since 2023, Vivid Food has also been its own festival within the broader festival, putting all things culinary in the spotlight. It's heaven for your tastebuds, and it's coming back for the second time in 2024 — and, based on the just-dropped program, you'll have plenty of must-attend events to choose from. At the top of the list: visits from acclaimed international chefs, all showing the Harbour City their gastronomical prowess. Manoella Buffara of Brazil's Manu Restaurant will get cooking in Sydney from Friday, May 24–Sunday, June 2 for Vivid's annual residency, with Ploós on the Vivid Sydney Light Walk set to showcase her focus on local produce and sustainability. This'll be the first time that 2022's Best Female Chef in Latin America hops into the kitchen Down Under, working with the Ploós team to put on two fine-dining menus: a nine-course tasting dinner which'll cost $420 and a seven-course lunch option that'll set you back $320. "I'm incredibly excited to be part of Vivid Food in Sydney, an event that highlights the importance of cuisine in our culture. As the culinary capital of Australia, Sydney becomes a hub for vibrant flavour exchanges, bringing together top chefs and local producers to create memorable food experiences," said Buffara about her impending visit. "In the heart of this bustling city, I will launch a pop-up that showcases my love for high-quality ingredients and authentic flavours. Sharing my cooking and stories with Sydney is a true honour, and I look forward to being part of this amazing food event that Vivid Food offers." Michelin-starred chefs Sally Abé, Ivan Brehm and Max Coen are on their way to Sydney as well, thanks to the Vivid Chef Series. Abé from The Pem in London is teaming up with Billy Hannigan at The Charles Brasserie & Bar, serving up three lunches and dinners that mix British cuisine with European influences. From Nour in Singapore, Ivan Brehm has a date with AALIA for two dinners that'll pair Middle Eastern cuisine with global flavours, working alongside the Sydney spot's Paul Farag. And Coen from London's Dorian is joining forces with Ben Greeno from Fred's to hero wood-fired grilling, farm-to-table ingredients and being hyper-seasonal. When the bulk of the 2024 Vivid lineup dropped in March, unveiling its theme of "humanity" and outlining most of what's occurring in Harbour City for 23 nights between Friday, May 24–Saturday, June 15, the fest detailed a few Vivid Food elements. So, the fact that Vivid Fire Kitchen will go big on barbecue in its new location at The Goods Line isn't new news; however, it is exciting, and the event has also dropped its own roster of talent. Fire sculptures and flame shooters will help set the mood, as will fire drums — and Firedoor's Lennox Hastie will be among the folks putting on demonstrations. He'll be joined by chef and author Christine Manfield, the World Food Championships' Seafood Champion John McFadden, Karkalla owner Mindy Woods, the Texas-based Jess Pryles, Niklas Ekstedt from Sweden's Ekstedt at The Yard and Shalamar Lane from My Father's Barbeque in Los Angeles, for starters. Also a Vivid Food standout: the nostalgic Messina Milk Bar, where the beloved gelato chain will be giving classic desserts and chocolates its own twist. A warm Milo fudge sundae is just one of the dishes to look forward to. As announced previously, Vivid's 2024 program also spans Kyiv Social's Plates with Purpose: A Taste of Ukraine, a ten-course degustation that will make you feel like you're sat at a Ukrainian family's table; the VividPlace Food Trail, which'll turn Sydney Place and Bulletin Place's laneways into a night food market each night of Vivid; and Our Shared Humanity at Refettorio OzHarvest, with Manfield, Darren Robertson, Mitch Orr and more whipping up three-course vegetarian menus using rescued produce And, there's also Aurorae at Bennelong Bar, Bennelong's pop-up snack and cocktail bar — and A Culinary Canvas by Danielle Alvarez celebrates women in the Australian food and wine scenes in Sydney Opera House's Yallamundi Rooms. [caption id="attachment_898138" align="alignnone" width="1920"] Destination NSW[/caption] [caption id="attachment_898139" align="alignnone" width="1920"] Destination NSW[/caption] Vivid Sydney runs from Friday, May 24–Saturday, June 15 at various locations around Sydney. Head to the festival website for further details and tickets. Top image: Destination NSW.
Jurassic Park still hasn't become a reality, but plenty of people are trying to build the next best thing. Brisbane played host to a virtual dinosaur zoo, Queensland could be getting a Jurassic Park-themed amusement park, an American attraction lets visitors roam through the desert with life-sized renderings and Jurassic World movies keep being made.. Now, an open-air dinosaur exhibition has popped up in Australia. Dinosaur Canyon is the latest addition to the Australian Age of Dinosaurs, aka the dinosaur-focused museum you mightn't realise sits in central Queensland. Perched on a cliff, the new section boasts a 300-metre floating, treetop-style concrete walkway that takes patrons over a gorge and past five galleries filled with dinosaur replicas. Cast in bronze and built to scale, they're not just statues of any old dinos — they're versions of the types of dinosaurs that have been found in the region. Yes, if you're wondering why the country's dinosaur haven resides in the middle of the outback — it's located just outside of Winton, which is approximately 1500 kilometres from Brisbane — it's because that's where dino fossils were found back in 1999. Local grazier David Elliott came across a piece while mustering, and then turned his attention to transforming the site into a natural history museum that delves into its previous inhabitants. Dinosaur Canyon opens to the public on April 16, offering a fresh attraction for dinosaur fiends who happen to find themselves in the dusty centre of Queensland. As well as checking out the new replicas against a stunning natural backdrop, visitors to the Australian Age of Dinosaurs can view bones, touch them — yep, touch actual dinosaur bones — and participate in both dinosaur digs and fossil preparation. Via ABC. Images: Sarah Ward / Australian Age of Dinosaurs.
Finding a designated driver on New Year's Eve is not an easy feat — no one's putting their hand up to find a park near the fireworks, South Bank or anywhere near the city. TransLink understands, and is easing the pain of commuting on the big night (slightly) by offering all public transport for free. On Monday, December 31, all trains, buses, ferries and CityCats will be free from 8pm through until 5.30am on Tuesday, January 1. This doesn't apply to the Airtrain or to long-distance services, but if you're travelling within Brisbane, Logan, Ipswich, the Gold Coast and the Sunshine Coast, you're in luck. As there will most likely be hordes of people flocking to and from the fireworks, shuttle buses will be running every ten minutes between 5.30–11.30pm inbound from Eight Mile Plains, Carindale and Chermside — and between 8.40–10.15pm and between 12.10–1.30am outbound to the same stops from Ann Street and Woollongabba. The NightLink service will also run at an increased frequency, and you can check out a comprehensive rundown of New Year's Eve services at the TransLink website. Find more information on the free travel periods here and check for updates on the TransLink website.
2021 marks 40 years since author Thomas Harris first introduced the world to Hannibal Lecter in his 1981 novel Red Dragon. It's the 35th anniversary of the character initially making the leap to the screen in 1986 movie Manhunter, too. But it was the Oscar-winning 1991 film adaptation of 1988 book The Silence of the Lambs that made the character a pop culture mainstay — and helped ensure that big and small screen versions of Harris' work were never far from view for long. In cinemas, 2001's Hannibal and 2007's Hannibal Rising each adapted Harris' books of the same name. 2002's Red Dragon gave audiences another movie based on that novel, too. And, on television, 2013–5 series Hannibal also focused on the psychiatrist and cannibalistic serial killer. Across all of the above, Lecter has remained the constant — as played by Succession's Brian Cox originally, then earning Anthony Hopkins an Academy Award, then portrayed by French actor Gaspard Ulliel (It's Only the End of the World) and Danish star Mads Mikkelsen (Arctic). Next in the franchise: TV series Clarice, which starts airing in Australia from Friday, February 12 via streaming platform Stan, and just dropped its first full trailer. The new show continues the saga's fondness for titles that share their name with a character and, obviously, pushes someone other than Lecter to the fore. Clarice Starling was a student at the FBI Academy when she was sent to interview Lecter, and it changed her career — with Clarice picking up her story in 1993, a year after the events of The Silence of the Lambs, as she returns to the field. While Jodie Foster nabbed an Oscar for the role, and Julianne Moore stepped into Starling's shoes in Hannibal, this time the character is played by Australian actor Rebecca Breeds (Blue Water High, Home and Away, Pretty Little Liars, The Originals). She'll portray Starling as the FBI agent faces new cases and confronts her own past — and she'll be joined on-screen by co-stars Michael Cudlitz (The Walking Dead), Lucca de Oliveira (SEAL Team), Kal Penn (House), Nick Sandow (Orange Is the New Black), Devyn Tyler (The Purge), Jayne Atkinson (Criminal Minds) and newcomer Marnee Carpenter. Check out the trailer below: https://www.youtube.com/watch?v=agjDfPTfMTY&feature=youtu.be Clarice starts streaming via Stan on Friday, February 12, dropping new episodes weekly. Top image: Brooke Palmer ©2020 CBS Broadcasting Inc.
While an airport's not usually the kind of place you scramble to spend time in, Singapore's Changi Airport has a knack for making the whole transit thing a little more fun. And right now, the major transport hub — which welcomes a cool 65 million visitors each year — is embracing the festive season, unveiling a new immersive Frozen-inspired winter wonderland pop-up. Running until January 5 in celebration of Disney's soon-to-be-released Frozen 2, the installation will see various parts of the airport transformed into snow-dusted fantasy worlds, evoking all those white Christmas feelings. The airport's new nature-themed retail and entertainment precinct Jewel will play host to a program of dazzling themed light and sound shows, splashed across its Rain Vortex: the world's tallest indoor waterfall. There'll also be a festive market selling a wide array of handmade goodies for last-minute Christmas present shopping, as well as an offering of workshops covering crafty endeavours like terrarium-making and ukulele-painting. Meanwhile, the T3 Departure Hall will feature an immersive enchanted forest pop-up, with four challenge zones inspired by the four elements of nature. Sure, it's a total kids' paradise, but there's also plenty to charm the young at heart, from jolly stilt-walkers to larger-than-life installations and roving carollers. The faux snow will be a-flying at regular intervals and Changi will even be graced by its biggest Christmas tree ever – a 16-metre-tall stunner, decked out head-to-toe in full festive finery and lit-up dramatically at 6.30pm each evening. Keep an eye out for it at the Jewel entrance near Terminal 1. Changi Airport sure knows how to keep a travel-weary person entertained between flights. During last year's Christmas period, it hosted an immersive Harry Potter-themed world, while earlier this year, it unveiled its new 14,000-square-metre Canopy Park, complete with mirror and hedge maze, topiary walk (which is currently filled with snow) and slide-filled sculptural playground. A Frozen Wonderland at Changi is located in Terminal 1-3 at Changi Airport until January 5, 2020.
December 10 isn't an Australian public holiday. The nation doesn't stop to remember or celebrate it, or to look back at our past. But, thanks to a speech that took place in 1992, that date will always remain significant in the country's history. Taking to the stage in Sydney's Redfern Park, then-Prime Minister Paul Keating gave a groundbreaking address about the country's treatment of Indigenous Australians. He spoke six months after the High Court's Mabo decision, and didn't pay mere lip service to the topic. Rather, he directly discussed the negative effects of white settlement upon First Nations peoples. Keating also did all of the above after quite the opening act — with Bangarra Dance Theatre, just three years into its now 32-year existence, performing before what's been known ever since as the Redfern Park Speech. Even if your knowledge of Bangarra is limited to the many dance productions that have unleashed their beauty and potency across Australia's stages — which include Blak, Patyegarang, Lore, OUR land people stories, Bennelong and Dark Emu just in the last decade — the company's presence at Keating's famed address shouldn't come as even the slightest surprise. The Sydney-based organisation repeatedly confronts Australia's colonial history head-on in its works. As an Aboriginal and Torres Strait Islander arts outfit, it can't avoid it, the impact that the nation's past has had upon Indigenous culture, and the trauma that's rippled across generations as a result. Seeing footage from that fated day and speech has an impact, though. Such clips form just a small part of the excellent new documentary Firestarter — The Story of Bangarra, but co-directors Wayne Blair (The Sapphires, Top End Wedding) and Nel Minchin (Matilda & Me, Making Muriel) know their power. Indeed, the two filmmakers are well aware that they can't tell Bangarra's tale without placing the acclaimed dance theatre in its rightful social, political and cultural context. What audiences have seen on stage over the years is stunning, astonishing and important, of course, but all of those exceptional performances haven't ever existed in a vacuum. For those unacquainted with the details of Bangarra's origins, evolution, aims and achievements, Firestarter recounts them, starting with its leap out of the National Aboriginal Islander Skills Development Association and the Aboriginal Islander Dance Theatre. Actually, it jumps back further, not only stepping through Bangarra's predecessors, but also charting how Stephen, David and Russell Page became its most famous names. Just as it's impossible to examine the dance company's accomplishments and influence without also interrogating and chronicling Australia's history, it's simply unthinkable to do so without focusing as heavily on the Page brothers as Blair and Minchin choose to. Stephen would become Bangarra's artistic director, a role he still holds. David was its music director, while Russell was one of its best dancers — and their path from growing up in Brisbane in the 60s, 70s and 80s to helping shape and guide an Aussie arts powerhouse is a pivotal component of Bangarra's overall journey thus far. If it sounds as if Firestarter has been set a hefty task — doing triple duty as a celebration of Bangarra, a record of Australia's past and a portrait of three siblings with dreams as big as their talents — that's because it has. But this dense and yet also deft documentary is up to the immense feat, and dances through its massive array of material, topics and themes as skilfully as any of Bangarra's performers ever have. It also never loses sight of what it's about, even though it covers a range of subjects. Again and again, whether chatting through the company's formation with co-founders Carole Johnson and Cheryl Stone, hearing the Pages discuss what they learned from connecting with their culture in Arnhem Land, and inevitably facing the fact that life hasn't only brought happiness and success to Stephen, David and Russell, Firestarter demonstrates the relevance to and through the organisation's works. Attendees at Bangarra's shows have been receiving history lessons for years — some overt, some subtle — and the film makes it apparent how that applies not just in a broad fashion but, for the Pages, in a personal sense as well. Even if Blair and Minchin hadn't plunged as deeply as they do into everything that's made Bangarra what it is to this point, they were likely to make an entertaining, engaging and informative documentary. The old clips and home videos; the frank interviews from both the past and present; the glimpses at the company's stage productions; the snippets of Stephen Page's equally stellar 2015 film Spear, which adapts one of the organisation's dance works — they're a treasure trove, and Firestarter always treats them as such. It allocates just the right amount of time to approving chats with other prominent arts industry figures such as Sydney Festival's Wesley Enoch and Sydney Dance Company's Graeme Murphy, too, ensuring that their perspectives are valued but never allowed to take over. The movie doesn't merely look backwards, however. Seeing how Bangarra's history continues to mould its future, its creative decisions and the dancers that star in its productions today is just as crucial to the film. Also part and parcel of Firestarter — which should almost go without saying — is the strong feeling it leaves with viewers. Wanting to soak in and experience everything that Bangarra has to offer is a natural consequence of seeing the company's stage performances, and of watching the aforementioned Spear as well, but Firestarter doesn't let that sensation wane for a second. https://www.youtube.com/watch?v=e3REMs9I9Tg Top image: Bennelon, Sydney Coliseum Theatre, by Daniel Boud.
We've said it before and we'll say it again: Nicolas Cage cures all woes. Whether you're having an average 2022 so far, or you're sad that the long weekend is over — or you're in parts of the country that don't get a long weekend mid-June and you're sad about that — watching one of the greatest actors alive make on-screen magic as only he can is always a thrill. Yes, that's true whether he's in an excellent or awful movie, too. Your latest excuse to see Nicolas Cage do his thing comes courtesy of The Unbearable Weight of Massive Talent, aka a movie that's gotten a fair amount of attention for one huge reason: it stars Cage as Cage. It was first announced back in 2021, then hit Australian cinemas back in April. Now, as a mid-winter gift — and because fast-tracking flicks from cinemas to digital has become the pandemic-era status quo — the film has made the very quick leap to video on demand. That means that you can now spend your next at-home movie night watching Nicolas Cage play Nicolas Cage — and playing a whole lot of different styles of Cage, too. There's serious Cage, comedic Cage, out-there Cage, OTT Cage, short-haired Cage, floppy-haired Cage, slick Cage, gun-toting Cage and every-facial-expression-imaginable Cage. Whichever kind of Cage you can think of, it's accounted for. All your favourite Cage titles also get a nod or mention in The Unbearable Weight of Massive Talent, which sure does love absolutely everything about its leading man. There is a story behind the film's Cage-obsessed premise, of course. The fictionalised Cage is in a career lull, and is thinking about giving up acting, when he accepts an offer to attend a super fan-slash-billionaire's birthday. Getting paid $1 million is just too much to pass up, and he needs the money. But when it turns out that he might now be working for and palling around with one of the most ruthless men on the planet (played by Pedro Pascal, Wonder Woman 1984) — as a couple of intelligence agents (The Afterparty co-stars Tiffany Haddish and Ike Barinholtz) eventually tell him — things get mighty hectic. Also joining Cage playing Cage — not to be confused with his work in Adaptation, where he played two characters — are Sharon Horgan (This Way Up) as his fictional wife and Neil Patrick Harris (The Matrix Resurrections) as his manager. And, Are We Officially Dating? filmmaker Tom Gormican sits in the director's chair, because if there's anything else that this movie also needs, it's the director of a Zac Efron and Michael B Jordan-starring rom-com pivoting to total Cage worship. Yes, we've seen Cage break out of Alcatraz, sing Elvis songs, run around the streets convinced that he's a vampire, let his long hair flap in the wind and swap faces. He's voiced a version of Spider-Man, driven fast cars, fought space ninjas, hunted for his kidnapped truffle pig and stolen babies as well. Staying in his own shoes definitely stands out, though — as Cage himself always does. Check out the trailer for The Unbearable Weight of Massive Talent below: The Unbearable Weight of Massive Talent is available to stream via Google Play, iTunes and Prime Video. Read our full review.
First, there was the Weekend of Darkness. Then came the Weekend of Tartness — aka the sister festival The Scratch just had to have. Where the former has celebrated ales, porters, stouts and other tipples at the dark end of the spectrum since 2013, the latter cartwheels to the opposite end of the extreme spectrum of beer styles. If it is tart and tangy, it is likely to be on the menu. Between Friday, February 21–Sunday, February 23 in 2025, beers from more than two dozen breweries will take over the taps of the Milton hangout — tipples of the funkiest, sourest, most refreshing beers being produced in Australia and around the world. It might sound like a gimmick, but these biting brews have been around longer than you might think. In fact, historically, all beers used to be sour. Drinking is only part of the fun, whenever the need for a sour brew hits over the five unique sessions across the three days. As for what you'll be knocking back, breweries that usually take part include Queensland's own Black Hops, Felons, Newstead, Range and Sea Legs, plus Garage Project, Puhaste, Tiny Rebel, Wildflower, Fairweather, Cascade, Batch and Blood Brothers from elsewhere.
Forget the host's monologue, when there is one. Jimmy Kimmel was on MC duties for the 2023 Academy Awards, and he did indeed start the show by making jokes about a heap of nominees — and about Batgirl being the first superhero taken down by studio accountants, and what'll happen if someone tried to follow in Will Smith's 2022 footsteps this year. But each Oscars ceremony truly begins when winners start being announced and those recipients give barnstorming speeches. With that in mind, the 2023 festivities began with a bang. If you didn't have tears in your eyes watching Guillermo del Toro, Jamie Lee Curtis and Ke Huy Quan, then you weren't watching. As predicted, the latter's speech about never giving up on your dream — and how he almost did, but his wife told him his time would come — was an all-timer. He even gave a shoutout to Jeff Cohen, his co-star from The Goonies and his entertainment lawyer now. Of course, the excited words kept flowing from there. The An Irish Goodbye team singing happy birthday to star James Martin was another early highlight. So was the arrival of Jenny the donkey from The Banshees of Inisherin, and the thrilled look on Colin Farrell's face when it happened. When Everything Everywhere All At Once kept adding to its awards, you could see the joy among the film's team. And when records were made — the first Best Actress winner who identifies as Asian (Michelle Yeoh for Everything Everywhere All At Once), the first song from India to win Best Song (for 'Naatu Naatu' from explosive action-musical RRR), and the first Black woman to win two Oscars (Black Panther: Wakanda Forever's Ruth Carter) — it was tremendous. Among the many deserving winners, there were missed opportunities as well. Kimmel's opening joke about James Cameron not getting a Best Director nomination just as plenty of women didn't called out a glaring ongoing struggle with the Oscars. Also, the awards couldn't find a way to make Elvis' Mandy Walker the first woman to win Best Cinematographer in its 95-year run. Great work is great work — and great films are great films — no matter whether they earn shiny trophies. Some movies and talents end up with statuettes to their names, some come close and miss out, others don't even get nominated. All are worthy of attention. Here's the latest round of winners batch to join the Oscars' ranks — and who they were up against as well. You can also check out our rundown of the ten winners you should watch right now as well, plus our full lists of where most of this year's contenders are screening or streaming in both Australia and New Zealand. OSCAR WINNERS AND NOMINEES 2023: BEST MOTION PICTURE All Quiet on the Western Front Avatar: The Way of Water The Banshees of Inisherin Elvis Everything Everywhere All At Once — WINNER The Fabelmans Tár Top Gun: Maverick Triangle of Sadness Women Talking BEST DIRECTOR Martin McDonagh, The Banshees of Inisherin Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once — WINNER Steven Spielberg, The Fabelmans Todd Field, Tár Ruben Östlund, Triangle of Sadness PERFORMANCE BY AN ACTRESS IN A LEADING ROLE Cate Blanchett, Tár Ana de Armas, Blonde Andrea Riseborough, To Leslie Michelle Williams, The Fabelmans Michelle Yeoh, Everything Everywhere All At Once — WINNER PERFORMANCE BY AN ACTOR IN A LEADING ROLE Austin Butler, Elvis Colin Farrell, The Banshees of Inisherin Brendan Fraser, The Whale — WINNER Paul Mescal, Aftersun Bill Nighy, Living PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE Angela Bassett, Black Panther: Wakanda Forever Hong Chau, The Whale Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All At Once — WINNER Stephanie Hsu, Everything Everywhere All At Once PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE Brendan Gleeson, The Banshees of Inisherin Brian Tyree Henry, Causeway Judd Hirsch, The Fabelmans Barry Keoghan, The Banshees of Inisherin Ke Huy Quan, Everything Everywhere All At Once — WINNER BEST ORIGINAL SCREENPLAY The Banshees of Inisherin, Martin McDonagh Everything Everywhere All At Once, Daniel Kwan and Daniel Scheinert — WINNER The Fabelmans, Steven Spielberg and Tony Kushner Tár, Todd Field Triangle of Sadness, Ruben Östlund BEST ADAPTED SCREENPLAY All Quiet on the Western Front, Edward Berger, Lesley Paterson and Ian Stokell Glass Onion: A Knives Out Mystery, Rian Johnson Living, Kazuo Ishiguro Top Gun: Maverick, screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks Women Talking, Sarah Polley — WINNER BEST INTERNATIONAL FEATURE FILM All Quiet on the Western Front — WINNER Argentina, 1985 Close EO The Quiet Girl BEST ANIMATED FEATURE Guillermo del Toro's Pinocchio — WINNER Marcel the Shell With Shoes On Puss in Boots: The Last Wish The Sea Beast Turning Red BEST DOCUMENTARY FEATURE All That Breathes All the Beauty and the Bloodshed Fire of Love A House Made of Splinters Navalny — WINNER BEST ORIGINAL SCORE All Quiet on the Western Front, Volker Bertelmann — WINNER Babylon, Justin Hurwitz The Banshees of Inisherin, Carter Burwell Everything Everywhere All At Once, Son Lux The Fabelmans, John Williams BEST ORIGINAL SONG 'Applause', Tell It Like a Woman (Diane Warren) 'Hold My Hand', Top Gun: Maverick (Lady Gaga and BloodPop) 'Lift Me Up', Black Panther: Wakanda Forever (music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyrics by Tems and Ryan Coogler) 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) — WINNER 'This Is a Life', Everything Everywhere All At Once (music by Ryan Lott, David Byrne and Mitski, lyrics by Ryan Lott and David Byrne) BEST CINEMATOGRAPHY All Quiet on the Western Front, James Friend — WINNER Bardo, False Chronicle of a Handful of Truths, Darius Khondji Elvis, Mandy Walker Empire of Light, Roger Deakins Tár, Florian Hoffmeister BEST FILM EDITING The Banshees of Inisherin, Mikkel EG Nielsen Elvis, Matt Villa and Jonathan Redmond Everything Everywhere All At Once, Paul Rogers — WINNER Tár, Monika Willi Top Gun: Maverick, Eddie Hamilton BEST PRODUCTION DESIGN All Quiet on the Western Front, Christian M Goldbeck and Ernestine Hipper — WINNER Avatar: The Way of Water, Dylan Cole, Ben Procter and Vanessa Cole Babylon, Florencia Martin and Anthony Carlino Elvis, Catherine Martin, Karen Murphy and Bev Dunn The Fabelmans, Rick Carter and Karen O'Hara BEST VISUAL EFFECTS All Quiet on the Western Front, Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar Avatar: The Way of Water, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett — WINNER The Batman, Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy Black Panther: Wakanda Forever, Geoffrey Baumann, Craig Hammack, R Christopher White and Dan Sudick Top Gun: Maverick, Ryan Tudhope, Seth Hill, Bryan Litson and Scott R Fisher BEST COSTUME DESIGN Babylon, Mary Zophres Black Panther: Wakanda Forever, Ruth Carter — WINNER Elvis, Catherine Martin Everything Everywhere All At Once, Shirley Kurata Mrs Harris Goes to Paris, Jenny Beavan BEST MAKEUP AND HAIRSTYLING All Quiet on the Western Front, Heike Merker and Linda Eisenhamerová The Batman, Naomi Donne, Mike Marino and Mike Fontaine Black Panther: Wakanda Forever, Camille Friend and Joel Harlow Elvis, Mark Coulier, Jason Baird and Aldo Signoretti The Whale, Adrien Morot, Judy Chin and Anne Marie Bradley — WINNER BEST SOUND All Quiet on the Western Front, Viktor Prásil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte Avatar: The Way of Water, Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges The Batman, Stuart Wilson, William Files, Douglas Murray and Andy Nelson Elvis, David Lee, Wayne Pashley, Andy Nelson and Michael Keller Top Gun: Maverick, Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor — WINNER BEST DOCUMENTARY SHORT SUBJECT The Elephant Whisperers — WINNER Haulout How Do You Measure a Year? The Martha Mitchell Effect Stranger at the Gate BEST ANIMATED SHORT FILM The Boy, the Mole, the Fox and the Horse — WINNER The Flying Sailor Ice Merchants My Year of Dicks An Ostrich Told Me the World Is Fake and I Think I Believe It BEST LIVE ACTION SHORT FILM An Irish Goodbye — WINNER Ivalu Le Pupille Night Ride The Red Suitcase
We can't yet zipline around the entire world, though it does sound like something Elon Musk might dream up. We can, however, come up with an increasingly impressive holiday itinerary by touring the globe's scenic zipline spots. From this week, the Grand Canyon joins the list. Zooming along tightly stretched cables is already a reality at the world's longest zipline opening at Jebel Jais in the United Arab Emirates and across Dubai's skyline. London recently had one, currently letting locals and visitors fly across the city, as did Sydney did, stretching between two skyscrapers 75 metres above Circular Quay. Seeing the Grand Canyon from such lofty heights is now on offer at Grand Canyon West, at the Hualapai Ranch in Arizona, reaching 300 metres above the floor of the rock formation. Capable of accommodating 350,000 visitors each year, two ziplines have been strung across the natural wonder, one measuring 335 metres and the other spanning 640 metres while traversing a steeper run. Each consists of four steel cables running side-by-side, which means that groups can enjoy the experience together. Riders will reach speeds of up to 80 kilometres per hour. For those planning a high-adrenaline sight-seeing stint as part of their next US trip, tickets cost AU$115, with the zipline operating from Tuesday to Friday from 9am to 4pm. The ziplines join the resort's helicopter tours and 1.2-kilometre-high skywalk among its sky-high attractions. Via PR Newswire.
Sick of waiting in line to pick up a coffee? Have a drone fly one to you instead. Costa Coffee in the UAE has trialled "coffee-copter" delivery, ferrying caffeinated beverages to Dubai beachgoers. If there's an occasion that calls for aerial beverage service, it's lazing on the sand getting some sun. Coffee-loving customers had iced versions of their drink of choice in their hands within 15 minutes of ordering, with Costa's Jumeirah Beach Drive-Thru store stepping into the future to test out the concept. The move came after a survey of their patrons revealed 82 percent were open to getting their brews via drone. Really, the most surprising part is that 18 percent said no. Delivering food, drinks and more by drone is a concept that isn't going away, so prepare for more such instances in the future. Sushi, burgers, slurpees and pizza have all received the same treatment in the past, while Amazon wants drones to bring its packages to your door, and Aussie beaches will deploy the technology to patrol the beaches for sharks over summer. https://www.youtube.com/watch?v=1S3OiTOemxY Via The National.
Sydney trio Little May could be Australia's answer to folk warblers First Aid Kit. They've certainly been compared to the Swedish duo, and to New Zealand's Tiny Ruins, but at the moment they are carving out their own path. They've recently put out their debut, self-titled EP and just wrapped up an Australian tour with the legendary Rodriguez. But there's no rest for the wicked (or the wickedly charming, in this case). Little May are about to embark on a 12-date national headline tour to promote the EP. With hype following Little May wherever they wander — from appearances at Splendour and Laneway, to an intimate showcase in London, a string of shows at CMJ in New York, and now this tour back home — the trio know a thing or two about being on the road. With summer road trip season coming up, we thought we'd check in with Liz Drummond, Hannah Field and Annie Hamilton to get us all geared up for hittin' the ol' frog and toad. What's been your best road trip so far, whether with the band or on your own steam? Annie: When I was in Mexico a couple of years ago I hired a car and drove through the desert for a few days to a tiny town called Xilitla, where there is a magical rainforest filled with surrealist scultpures, towers, pools and waterfalls. I got lost in a maze and slept in a teepee that had teapots hanging from the ceiling. It was crazy and weird and amazing. Liz: The trip up to Splendour was probably the best. I always love road trips up to Byron, but having the excitement of playing Splendour was pretty unreal. Hannah: I went on a six-week road trip with my best friend, Kandis, when I was 19. We did a big chunk of Australia's East Coast in my old Nissan Pulsar 'Bruce'. At one point Kand vomited in her handbag, lost her wallet, replaced wallet, withdrew all her money from the bank as she didn't have an ATM card, then had said wallet stolen from the caravan park we were staying at in Coff's. It was so fun. Where are you heading on your road trippin' tour this time around? Liz: I think we will probably be flying to most places on this tour in November. On our last tour we drove everywhere. It was a bit touch and go at points, we left Brisbane and arrived in Melbourne just in time to go on stage. I think that was what was the most fun about it though. We will be driving down to Wollongong and Canberra though, which is always fun. Looking forward to any stop in particular? Annie: I've never been to the Sunshine Coast before, so definitely looking forward to that! We're up there in early December so will hopefully have a bit of spare time to go to the beach. Liz: I'm looking forward to driving down the South Coast, it's so beautiful. I love visiting Wollongong and playing there, and seeing friends and other bands we haven't caught up with in a while. We always play at Yours and Owls (it's now called Rad), which is the smallest but coolest venue. Hannah: I'm excited for Perth. We have a day off in between shows, so it will be really great to just hang out at the beach, explore and have adventures. https://youtube.com/watch?v=HwV2GCooJlg What do you drive on the road? Annie: Our amazing bass player, Mark, has a pretty awesome yellow troopie van from the 90s. He let us borrow it for the last few road trips, so fingers crossed we can use it again this time round! Then again, it has no air-con or radio, so we may not be too happy with it after a month-long summer tour... Hannah: It's the best. It hurts your bottom after a while though. What's on your road trip playlist? Liz: Cloud Control, Thom Yorke's new album, The National, Fink, Father John Misty. Hannah: You can't really go past Springsteen. He's my only necessity. Annie: At the moment it's the new alt-J album on repeat. What's your preferred road trip snack? Liz: Apples. And lollies. I am addicted to sugar. Hannah: Frosty Fruits and/or Nerds. Annie: After several long drives to Melbourne and Brissy earlier this year we all got pretty over Maccas and started packing hummus and carrots as car snacks. This is a great idea until you lose the lid and end up with warm hummus all over everything... Watch out for that. Know any good car games? Liz: We make up a lot of stupid games. Mark usually inspires something absurd. We have spent a lot of road trips listening to him make up characters, and then interviewing them. He is an awesome actor, so it can get really weird at times. It's not always funny — sometimes his characters are really sad, and we asked them really intense questions. Hannah gets really wigged out by it, it's pretty funny. Annie: All the classics. I Spy never gets old. If you're a tragic holiday Instagrammer like the best of us, got a favourite filter for roadies? Liz: I am pretty bad at taking photos, I don't take enough. But in all honesty, if I'm in the photo, I basically just go through the filters until I think I look the best. Everyone is guilty of doing that. Hannah: I am really bad at social media… But I think there is one I have used called Amaro? Quite nice. Nice vibes. Annie: After just browsing through all of the filters trying to decide I'm going to say anything except Kelvin (sorry Kelvin). Where would you like to road trip in the future? Hannah: Would love to do the States, that would be incredible. Annie: I would love to do a road trip around Europe. I've never been there before so hopefully we'll get a chance sometime in the future to tour there! https://youtube.com/watch?v=A1nnYFgidnI Catch Little May on their national tour this November/December: Fri 21 Nov Northcote Social Club, Melbourne With Winterbourne and HOWQUA. Tickets $15 through Northcote Social Club or 1300 724 867. Sat 22 Nov The Front Gallery & Cafe, Canberra With Winterbourne and HOWQUA. Tickets $15 through Oztix or 1300 762 545. Thurs 27 Nov Newtown Social Club, Sydney With Winterbourne and HOWQUA. Tickets $15 through Newtown Social Club or 1300 724 867. Fri 28 Nov Newtown Social Club, Sydney With I Know Leopard and HOWQUA. Tickets $15 through Newtown Social Club or 1300 724 867. Sat 29 Nov Gorgeous Music Festival, McLaren Vale Tickets through Oztix or 1300 762 545. Fri 5 Dec Solbar, Sunshine Coast With Winterbourne and HOWQUA. Tickets $15 through Oztix or 1300 762 545 Sat 6 Dec Black Bear Lodge, Brisbane With special guests Winterbourne and HOWQUA. Tickets $15 through Oztix or 1300 762 545 Little May's debut EP is available digitally now via Dew Process and UMA Recordings. Words by Jessica Surman. Interview by Shannon Connellan.
Two big-name Hollywood stars. One movie. One helluva face off. If that setup didn't exist, there'd be far few action-thrillers reaching screens — and Netflix's latest, the Ryan Gosling- and Chris Evans-starring The Gray Man, wouldn't exist either. Based on the novel by Mark Greaney, The Gray Man follows CIA operative Court Gentry (Gosling, First Man). Also known as Sierra Six, he was once the agency's most skilled killer — after being recruited out of a federal penitentiary — but now he's on the run after discovering secrets that his employer doesn't want anyone to know. That's where his ex-colleague Lloyd Hansen (Evans, Free Guy) comes in, putting a target on his head, sparking a manhunt by international assassins, and leaving Gentry fighting for his life with only the help of Agent Dani Miranda (Ana de Armas, No Time to Die). It all sounds as standard as action-thrillers go — and the just-dropped first trailer for the flick, which'll hit cinemas on July 14 and Netflix on July 22, is filled with exactly the kinds of things that all action-thrillers are. Gosling runs, Evans taunts, everyone smoulders and brood, things explode, fists are thrown and chases ensue. Gosling chats about his ego getting hurt, too, and Evans also gets saddled with quite the moustache — and quite the cheesy line. So, if you've ever wanted to hear the former Captain America say "if you want to make an omelette, you've got to kill some people", then this is for you. From its first sneak peek, The Gray Man also looks moodily shot — and, as the John Wick franchise and Atomic Blonde have both proven, an ace cast and style for days can be huge assets in this genre. Indeed, oh-so-many action-thriller flicks have served up a premise so familiar that audiences have seen it countless times before, but made up for it in the way it all comes together. Fingers crossed that The Gray Man is one of those movies. As well as heralding Gosling's first film since 2018 — so if you've been missing him in movies, that's why — and Evans getting villainous, The Gray Man also features Bridgerton's Regé-Jean Page, plus Billy Bob Thornton (Goliath), Jessica Henwick (The Matrix Resurrections), Indian star Dhanush, Wagner Moura (Shining Girls) and Alfre Woodard (The Lion King). Behind the lens, the movie marks the latest directorial effort by Avengers: Infinity War and Avengers: Endgame filmmakers Anthony and Joe Russo — and reportedly didn't come cheap, costing $200 million and ranking as Netflix's most expensive production to-date. Check out the trailer for The Gray Man below: The Gray Man will screen in cinemas from July 14, and will be available to stream via Netflix on July 22. Images: Stanislav Honzik and Paul Abell/Netflix © 2022.
Maybe you're desperate to hit up a Super Nintendo theme park. Perhaps you've always wanted to walk across Shibuya's famous scramble crossing. Or, you might just want to sing karaoke in a ferris wheel. Whichever applies — and if you'd prefer to scope out the Studio Ghibli museum, wander through a kaleidoscopic maze of digital art, or hit up all the izakaya or ramen joints possible, too — travellers from Australia and New Zealand now can on a trip to Japan. Before the pandemic, Japan had cemented itself as a favourite holiday destination for tourists from Down Under, but making the journey has been impossible for the past few years due to both local and Japanese border restrictions. Then, back in May, the Japanese government started trialling letting strictly controlled package tours — including with Aussies — into the country. Now, from Friday, June 10, it has broadened its entry rules and reopened to visitors from a heap of nations, albeit still with strict requirements in place. So, if a Tokyo trip has been at the top of your post-restrictions bucket list, that's now a possibility. The huge caveat: you can only head to Japan as part of controlled package tours. That means that travellers from Australia and NZ will need to be visiting with organised tours in conjunction with travel agencies, and must be chaperoned during their whole stay. Visitors also need to test negative to COVID-19 before leaving for Japan, wear masks everywhere — including outdoors — and have private medical insurance to cover your trip. And, physical distancing, sanitising and washing your hands frequently, and minimising time in shared dining areas is also required. The changed rules place Australia and New Zealand into the 'blue' band of countries under Japan's new border entry system, alongside 50-plus other nations. That's the highest tier, above yellow (which has vaccination and testing requirements) and red (which has even tighter vaccination and testing rules). In total, folks from 98 countries can now head to Japan — but there's also an entry cap of 20,000 people per day. Japan has reopened for package tours from 98 countries from Friday, June 10. For further details about visiting Japan and its border restrictions, head to the Government of Japan website.
Witch Hats are the kind of band that helps you to remember what it feels like to be 17 again. You know the days, when no one admitted to liking pop music and everything you listened to had to have angry and gritty overtones to be acceptably cool. Described by Mess & Noise as creating “pop songs that sound as if they’d spent twenty years in a trashcan”, Melbourne quartet Witch Hats manage to marry melodically dysfunctional pop with lo-fi dirty noise. The band have evolved considerably since their early ‘caps locked’ days and have stepped their songs up a notch musically by teaming up with producer Casey Rice (Tortoise, The Dirty Three, Ben Lee) for their newly released LP Pleasure Syndrome. Bringing a medley of post-punk, pop and noise rock with a live show that’s been described by the band as an idiotic and loose affair, get set to throw your inhibitions aside and party like an underage teenager. Witch Hats are set to make a mess of Alhambra Lounge this February, buy a ticket and join in on the frivolity.
Summer, glorious summer: we spend all year waiting for the perfect weather and a respite from the responsibilities of everyday life but, too often, the holidays pass us by without any noteworthy adventures. No longer. To help you take full advantage of this summer break, we've teamed up with Expedia to select five destinations that are guaranteed to take your holidays from average to exceptional. Each location is less than a nine-hour flight from Sydney — perfect for a cheeky little trip — you'll be soaking up the good life in exotic surroundings before you know it. Because we know that you're all just as into food as we are, we've hunted down somewhere to eat once you get there, from fine dining, to cafe and street food and waterside restaurants. Happy adventuring. AUCKLAND, NEW ZEALAND FLIGHT TIME: THREE HOURS Overlooked by many tourists who rush onwards to the North Island's more famous landscapes, Auckland is something of a hidden gem. There are waterfront vistas that give Sydney a run for its money, world-class restaurants and a burgeoning art scene all to be explored. Book at room at the colourful boutique Hotel DeBrett and start your visit with a wander around Viaduct Harbour, a glittering precinct with numerous bars and restaurants offering gorgeous views over the harbour. With its acclaimed seafood dishes, Euro is a particular highlight. For your culture fix, head to the Auckland Art Gallery, home to over 15,000 works by Māori, Pacific Island, and international artists. Pop into the gallery cafe for delicious pastries and coffee served in a bright, airy space. Still hungry? If you're in town during a weekend, don't miss French-inspired farmers market La Cigale, where you can gorge yourself silly on a selection of cheeses, pastries, artisanal bread and other delicacies. Next, it's time to get outdoors. No visit to Auckland is complete without a trek up one of the city's 53 volcanic peaks. Mount Eden is a favourite for its jaw-dropping crater and sweeping views over the city. For a unique beach experience, head to the western shore, where black sand beaches are flanked by dramatic cliffs and dunes. More of a classic white sand/emerald waters person? Catch a 40-minute ferry to stunning Waiheke Island. The retreat of choice for Auckland's affluent types, the island is also home to dozens of world-class wineries (try the secluded Te Whau for its delicious blends and award-winning restaurant). EAT: KAZUYA Auckland's legendary Japanese restaurant Kazuya is not something to miss. At this fine dining establishment the waiters wear white gloves. Try the signature dish 'Texture' — 30 different types of vegetables, from tiny shavings of baby beetroot to exquisite mustard greens and perfectly cooked, bright green broccoli. Check out Concrete Playground Auckland for an entire city's worth of more handy eating, drinking and playing tips. [caption id="attachment_580107" align="alignnone" width="1280"] Levi Morsy.[/caption] BALI, INDONESIA FLIGHT TIME: SIX HOURS With its lush landscapes, gorgeous beaches, rich culture, and relative affordability, it's not surprising that Bali is on practically every Aussie's bucket list. Plus, the paradisiacal island offers something for everyone: from the party animal to the surf bum to the yogi. If it's nightlife you're after, skip overdone Kuta and head to still busy but less saturated Seminyak. Hang out at Ku De Ta, an upscale restaurant and bar that morphs into a club in the evenings or catch a live gig at Potato Head bar. If it's gourmet eats you want, Seminyak's buzzing foodie scene offers endless options. Two standouts are Sardine, where oh-so-fresh seafood is served in a bamboo structure overlooking emerald rice paddies, and Barbacoa, a South American joint with stunning decor. More of a beach type? Don't miss Uluwatu, an area famous for its pristine beaches, amazing surf, and awe-inspiring sunsets. Grab your board and spend the day riding world-class surf breaks, or simply grab a book and a cocktail and while the afternoon away on the sand. Keen to create your own version of Eat, Pray, Love (stay with us)? Then Ubud is the place for you. Bali's cultural heart offers yoga and meditation studios aplenty, and has spas on practically every street corner. Our pick is Putri Bali Spa, which offers an insanely affordable five-hour package that will leave you glowing. Book your visit just before you hop on the plane, and you'll return to Sydney entirely blissed out. EAT: DAMAI This poolside restaurant serves award-winning cuisine using local Balinese ingredients, many of which are grown in the restaurant's kitchen garden. Meat and shellfish come from the villa's boutique farm, and eggs and poultry are gathered from locals. Book a room in the accompanying, stunning villa and treat yourself. SUVA, FIJI FLIGHT TIME: SEVEN HOURS With dazzling sand, crystal clear waters, and palm trees at every turn, there's almost no better place than Fiji for a beach-heavy holiday (plus, your Instagram photos are guaranteed to make your mates cry with envy). Composed of 333 islands, choosing where to spend your time in Fiji will be the hardest part of your holiday. We suggest you start with Viti Levu, Fiji's largest island and home to the nation's capital city, Suva. Filled with striking colonial architecture, temples, mosques, and museums, this is the perfect place to get your culture fix before heading to the beach. If you're in town on a Saturday morning, don't miss the municipal market for a heady taste of local life and a great selection of fresh produce, clothing, and souvenirs. Once you've fully explored Suva, it's time to make a beeline for the ocean. For stellar snorkelling and diving, look no further than the impossibly picturesque Mamanucas and Yasawa Islands. For some of the world's best surfing breaks, head to Namatou Island, where you'll be spoiled for choice. In between your water activities, try some yaqona (or kava). This ceremonial drink is ubiquitous in Fiji and should be tried at least once — in fact, if you're invited to join a local kava ceremony, it's considered impolite to say no. Once you've soaked up the idyllic beachside lifestyle for a few days, tear yourself away from the water and venture into some lush island interiors. For gorgeous hikes through a protected rainforest with plenty of waterfalls and deep pools, try the Bouma National Heritage Park on Taveuni Island. For a stunning accomodation option, we reccomend the Tokoriki Island Resort — it has fishing, snorkelling and sailing on site. EAT: TRADITIONAL DELICACIES There are a wealth of restaurants to eat at when you're in Fiji, but the local cuisine trumps it all. Heavily influenced by the water that surrounds it, Fijian food is filled with seafood options — like octopus, sea urchin and fish. Each island in Fiji will have their own version of Kokoda — finely chopped raw fish dressed with a thick coconut cream, onions, spices and lime juice. It's traditionally served in half a coconut shell, or a clamshell. [caption id="attachment_574226" align="alignnone" width="1280"] Image: Kai Lehmann via Flickr[/caption] SINGAPORE FLIGHT TIME: EIGHT HOURS Once just somewhere to kill time during a layover, the Lion City has reinvented itself as a destination in its own right. A melting pot of Asian cultures, the bustling city-state is a foodie's heaven and you could easily spend your entire holiday stuffing your face. In fact, that's exactly what we suggest you do — plan your itinerary around food and fill time between meals with a few of the city's top attractions. Of course, Singapore offers a lot beyond incredible food. For a slice of nature, head to the stunning Botanic Gardens, Singapore's first UNESCO World Heritage site, or spend hours wandering around the Bukit Timah Naturae Reserve. And don't miss the Singapore Zoo — the only place in the world where you can have breakfast with an orangutang family (really). Of course, no trip to Singapore is complete without a little shopping: for the best retail therapy, head straight to Orchard Road, which boasts 22 (!) shopping malls and six department stores. For a good home base, book a room at the stunning Park Royal — it's surrounded by the city's beautiful greenery. EAT: WAKU GHIN Seafood is the focus at Waku Ghin, a Singaporean restaurant by Tetsuya Waduka (of the legendary Sydney Japanese restaurant Tetsuya's). Save up and sit down for a degustation in a stunning, fine dining restaurant within the Marina Bay Sands hotel — which overlooks the Singapore bay. Cocktails and sake options are just as innovative as the food. While Singapore is home to many upscale restaurants, make like the locals and eat at the city's hawker centres, where you can sample the city's iconic dishes without burning a hole in your wallet. For the best Hainanese chicken rice, look no further than Hong Kong Soya Sauce Chicken Rice and Noodle in the Chinatown Complex hawker market. Other musts are chilli crab (head to Palm Beach Seafood Restaurant for this) and nasi biryani (Tekka Centre for South Indian cuisine serves up some of the city's best). OAHU, HAWAII FLIGHT TIME: NINE HOURS If you like your beach holidays with a generous helping of non-beach activities, you'll fall head over heels for Oahu. Hawaii's most populous island offers laid-back island living on its eastern and northern shores and the bustle of urban life in the capital Honolulu. What's not to love? Start by checking in and blissing out at The Royal Hawaiian hotel, then spend a few days on iconic Waikiki Beach, where you can snorkel, swim, or learn to surf during the day and relax over a few drinks and nibbles at night. To enjoy Oahu from a different vantage point, hike up Diamond Head crater for epic views over the island. For a more challenging climb, try the Olomana hike: your efforts will be rewarded with striking panoramic vistas. Make time to catch one of the island's legendary sunsets from the aptly-named Sunset Beach. Then, it's time to head to the North Shore. If you're an advanced surfer, you'll know this corner of the island is famous for its giant waves. Once you've worked up an appetite, feast at one (or a few) of the many food trucks or tiny restaurants that dot the area. Make sure to try the iconic poke (Pupukea Grill serves up particularly tasty bowls) or shrimp from Giovanni's Shrimp Truck, which has become something of a local institution. EAT: PEACE CAFE Maybe Honolulu's only vegan restaurant, Peace is located in a tranquil, tropical cottage in Honolulu. They serve up delicious sandwiches, sweets and lunchboxes made with organic vegetables and local ingredients. Pick up a healthy Vietnamese tofu or teriyaki tempeh sandwich for sustenance before heading off on a hike. Become an Expedia+ member and book your summer holiday — you'll have access to prices that others don't see.
If you have an opinion about crying in baseball — if you're a big fan of baseball Down Under in general, actually — then you might have classic 1992 film A League of Their Own to thank. It starred Geena Davis, Madonna and Rosie O'Donnell as members of a 1940s women's baseball team, with Tom Hanks playing their manager — and famously deciding that tears didn't have a part in the bat-swinging game. Like almost everything ever made, including from the 90s, that movie has now scored a remake — and it's sliding into your streaming queue this winter. This time around, Broad City's Abbi Jacobson leads the show, and also co-created and executive produced it. She's joined by Voyagers' Chanté Adams and The Good Place's D'Arcy Carden among her teammates, plus Parks and Recreation favourite Nick Offerman as well. The new A League of Their Own marks Jacobson's first ongoing on-screen TV role since Broad City said goodbye — and it'll follow the same story as its big-screen predecessor. So, when it hits Prime Video from August 12, it'll again jump back to World War II, and follow a group of women who dream of playing professional baseball. That said, the new series also promises to expand further, charting a whole generation of baseball-loving ladies with that dream — and looking at both race and sexuality on and off the field in the process. All eight episodes of A League of Their Own will drop on the same day, ready for binging. And, Prime Video has just released a sneak peek teaser trailer of exactly what's in store. Also appearing on-screen alongside Jacobson, Adams, Carden and Offerman: Gbemisola Ikumelo (The Power), Roberta Colindrez (Vida), Saidah Arrika Ekulona (Better Call Saul), Kate Berlant (Search Party), Kendall Johnson (Sexless), Kelly McCormack (George & Tammy), Alex Désert (Better Things), Priscilla Delgado (Julieta), Aaron Jennings (Grand Crew), Molly Ephraim (Perry Mason), Melanie Field (The Alienist) and Dale Dickey (Palm Springs). Check out the first teaser trailer for A League of Their Own below: A League of Their Own will start streaming via Prime Video on August 12.
Do you live in a dog-friendly house? Do you have some spare time on your hands? Do you fantasise about hanging around at dog parks with an actual dog? If the answer to any of these questions is yes — and especially if the answer to all of them is yes coming into Christmas — then the good folks at Vision Australia's Seeing Eye Dogs need you. As part of the organisation's dog-training program, it has puppies running around the place quite often, and it's in need of volunteers to raise them. That includes right now, with 45 pooches requiring homes before the merriest day of the year. In other words, Vision Australia is giving away puppies — although you will need to give them back. If you put up your hand to become a puppy carer, you'll get a puppy for about a year, from around its eight-week birthday to when it turns turns between 12–15 months old. During that time, you'll be responsible for introducing the sights, sounds and smells it'll meet when it starts working as a seeing eye dog (and giving your new friend heaps of cuddles). Of course, it's not all just fun, games and cuteness. You'll have to be responsible enough to take care of regular grooming, house training and exercise, and be available for regular visits. A fenced-in backyard is mandatory, too. In return, the organisation provides a strong support network, and all food, training equipment and vet care. You'll also need to be home most of the time — so you won't be leaving the puppy alone for more than three hours a day, sat in front of Dog TV — and to be able to put effort into training and socialising the pup. View this post on Instagram A post shared by Seeing Eye Dogs Australia (@seeingeyedogsaustralia) Seeing Eye Dogs Australia is looking for people across the majority of local government areas across metropolitan Melbourne, as well as Geelong, Bendigo and Ballarat. In Queensland, Brisbane's north and Sunshine Coast areas are the current priorities. Once the pups reach 12-15 months old, they'll return to Vision Australia — and complete their journey to become four-legged companions for people who are blind or have low vision. Keen to help? You can apply online right now. If you're eager but can't commit to the full year, there's also a six-month caring option. Or, for workplaces, there's corporate caring, too. For more information about Seeing Eye Dogs Australia's puppy carers, and to apply for the volunteer roles, head to the organisation's website. Top image: Nicola Cotton.
When Vivid Sydney took place in 2016, wearing pyjamas was acceptable. As Max Richter performed Sleep at the Sydney Opera House, the composer did so while attendees slumbered, which is what the eight-hour performance is specifically designed for. Did anyone taking a kip to the music dream up a future idea for a Vivid event? Audiences might find out when the festival returns in 2025 for its 15th year across Friday, May 23–Saturday, June 14. It's save-the-date time, with Vivid locking in its next winter return, aka when it'll next take over the Harbour City with its showcase of tunes, luminous sights, culinary events and conversation. Also revealed: 2025's theme, which is where dreaming comes in again. "Dreaming is something we all do. It's as old as time and as universal as life itself. Dreams don't discriminate — they are borderless, ageless and endless. They can be personal or public. When shared, our dreams can become a movement. They can inspire, motivate, spark excitement and connection," explains Vivid Sydney Festival Director Gill Minervini about the event's next focus. "The whole world dreams, it is something we have in common, something that unites us. Our human story is embedded in dreams, they help explain our existence and our past," Minervini continued, also opening the call for expressions of interest to take part in 2025's Vivid. "We want the very best in homegrown talent to be part of our vibrant Vivid Sydney event program, with a unique opportunity to foster community connection, spark imagination and showcase the multitude of ways creativity can enrich our lives." "Each year, Vivid Sydney aims to deliver unparalleled artistic brilliance, and we look forward to welcoming the inspirations within our community that will help shape Vivid Sydney 2025 into a show-stopping cultural phenomenon." Vivid's lineup won't be announced until 2025, but you can lock in one venue: Taronga Zoo. Whatever pops up at the iconic spot can link into light, music, ideas and food, the four pillars that Vivid has at its core. If you're excited about which events will follow in past years' footsteps — 2024's lineup included Amy Poehler, Air, Budjerah, Yasiin Bey, Tekno Train by Paul Mac, a fan of light from Sydney Tower, artwork by Archibald Prize winner Julia Gutman on the Sydney Opera House's sails and plenty more, all ruminating on the theme 'humanity' — then mark your diaries accordingly. If you have a dream-inspired idea that you'd love to see come to life at Vivid 2025, no matter whether you're an artist, musician, chef, speaker or something else, then head to the fest's website to go through the expression of interest process. Vivid Sydney will run from Friday, May 23–Saturday, June 14, 2025 at various locations around Sydney. We'll update you when the program is announced next year — head to the festival website for further details in the interim. Images: Destination NSW.
Just a couple of months ago Brisbane was turned into a Marvel movie set for the filming of Thor: Ragnarok. Well, comic book and film fans — there's more where that came from. Come next year, you'll be able to grab your Mjölnir, your best Tom Hiddleston wig, an Infinity Stone and anything else that ties into the now 14-strong Marvel Cinematic Universe, and head to Brisbane's Gallery of Modern Art for a massive exhibition dedicated to all things superhero. Talk about great timing. To be precise (and to state the obvious), Marvel: Creating the Cinematic Universe — which was announced by the Queensland Government yesterday — will showcase all things Marvel when it takes over GOMA from May 27 to September 3, 2017. Consider it a great lead up to Ragnarok's release in cinemas next October. It'll be the largest ever Marvel presentation in an art museum worldwide, and will feature original artworks, film props, costumes and more from the likes of Iron Man, Ant-Man, Captain America and Guardians of the Galaxy. We'd keep listing movies, but their box office success proves that you already know what we're talking about. And yes, you read that correctly — this isn't just a retrospective screening series featuring all the flicks you've been watching since Robert Downey Jr put on a robotic suit and wisecracked his way into starting the franchise back in 2008. Instead, it's a gallery-wide, government-championed, tourist-courting, super huge event. Of course, checking out all of the relevant movies on GOMA's big screen will be part of the program. After you've seen hundreds of MCU pieces drawn from Marvel Studios, Marvel Entertainment and private collections, you'll probably want to rewatch the films. If you've been to GOMA, you're probably used to seeing curated art and movie choices rather than such a pop culture blockbuster showcase. This will certainly be their most mainstream (and possibly most popular) event of either art or cinema to date. That said, their Australian Cinematheque typically dallies with bigger movie selections featuring better-known, broader titles at least once a year (the recent Monsters, Fairytales and Fables, and Myths and Legends programs, for example), albeit not quite on this mammoth level. However, if you've already donned your costume and possibly booked a trip to Brisbane, you'd better get your tickets — they're on sale now. Marvel: Creating the Cinematic Universe will show at GOMA from May 27 to September 3, 2017. Tickets are on sale now at qagoma.qld.gov.au.
It might just be Australia's brightest festival, and it's returning to light up Alice Springs once again. That'd be Parrtjima - A Festival In Light, which delivers its fourth and most expansive annual program so far between Friday, April 5 to Sunday, April 14 — a shift from the event's previous timeslot, moving from spring to autumn. The nation's first indigenous festival of its kind, Parrtjima announced its shift of dates earlier this year, as well as its continued focus on dazzling light installations. Now, the free ten-day public celebration of Indigenous arts, culture and storytelling has started to reveal its lineup. In 2019, as well as a closing night performance by Baker Boy, the festival will feature seven luminous displays gracing both Alice Springs Desert Park Precinct and Alice Springs Todd Mall. While Alice Spring's CBD will light up with new installations and events, just out of town, tourism and conservation facility Alice Springs Desert Park will also come alive with the festival's main attraction. Once again, a huge artwork will transform a 2.5-kilometre stretch of the majestic MacDonnell Ranges, showering it with light from 6.30–10.30pm each night of the festival — and featuring an audio track voiced by Aussie acting legend Aaron Pedersen. Visitors will also be able to immerse themselves in art and storytelling as part of the returning Ahelhe Itethe – Living Sands (Grounded), where installations are projected onto the earth accompanied by a striking soundscape. While Parrtjima's returning slate is strong, new additions to this year's lineup include an illuminated tunnel that'll greet attendees as they enter the festival space, called Angkentye Anpernirrentye-kerte – The Language of Kin; an array of over-sized sculptures that'll relay the social history of First Nations station workers and their language of the land, dubbed Angkentye Stockmen Mape-kenhe – The Language of Stockmen; and a series of sculptured large-scale moths, badged The Language of Moths, which'll brighten up Todd Mall. There'll also be a huge maze for kids and a set-up of three bush taxis displaying works by First Nations artists. As 2019 is the UN's Year of Indigenous Languages, the festival will also have a linguistic edge — as many of the light installations' names make plain. With a theme of 'Language Expressions', the full program will feature many talks and workshops focused on Central Australia's many Indigenous languages, with details to be announced in the coming weeks. Also on the bill is jam-packed program of dance, music, workshops and talks, sharing stories and celebrating First Nations' culture. It's a nice supplement to the area's Field of Light installation, which has been extended until 2020. Parrtjima – A Festival in Light runs from April 5–14, 2019 around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: James Horan.
Sydneysiders have always liked writing obscurely profound things on the walls of the city. Sydney's the kind of city that breeds people like Arthur Stace, a reformed illiterate alcoholic who spent thirty-five years writing the word 'Eternity' in chalk all over the streets of Sydney in copperplate script, which can still be seen inside the bell of the GPO clock tower. And you still see street writing everywhere, from the scrawled messages on bus stops and railway underpasses, to the 'I have a dream' mural on King Street and heartfelt declarations like 'hands held violently onto words that meant nothing' on the back of St Stephen's Church in Camperdown Memorial Park. Now we can add to this list the moss poetry which has recently popped up in Sydney's own version of the Hanging Gardens of Babylon, Paddington Reservoir Gardens. The walls of the reservoir are currently covered in growing poetry, as part of a typographic installation entitled ''Modern Day Mossages. Created from locally sourced mud and moss, the words and phrases have been contributed by emerging Sydney poets paying tribute to John Thompson, founder of the resident action group The Paddington Society, after whom one of the Reservoir's gardens is named after. The moss poem is the product of a collaboration by members of Popperbox, a collective of Sydney-based artists, designers, illustrators and software engineers, who have been making experimental and accessible pieces since their formation in 2007. The installation aims to make you think about growth, nourishment, rejuvenation and the future, and was attached to the sandstone walls of the historic reservoir using a pungent mixture of heavy clay soil, beer and yoghurt. The artists are monitoring the growth of the moss daily in the hopes that it will continue to grow, although that shouldn't be a problem given the deluge which appears to be sticking around for the rest of the month. Modern Day Mossages is a short-term installation, one of three projects commissioned by the City of Sydney for the Paddington Reservoir Gardens in 2012. [Via D*Hub]
If you don't mind waiting 97 minutes for a really cute little animation at closing credits, then check out Filth. If waiting annoys you, then give this one a miss. If you must see it, do yourself a favour and read the book first. That might help. Adapted from the acclaimed novel by iconic author Irvine Welsh, Filth falls short of even the most casual of expectations. Directed by Jon S. Baird from his own screenplay, Filth stars James McAvoy with a supporting cast including Jamie Bell, Jim Broadbent, Imogen Poots and Eddie Marsan. McAvoy is Bruce Robertson. He's a tormented, bigoted cop who snorts, smashes and sleazes his way through the festive period. What he really wants for Christmas is a promotion and he'll do whatever he needs to get it — screwing wives, exposing secrets and trampling self-esteems is all in a day's work. The problem is, well, just about everything. Take Bruce. There's no descent into despair, no spiral out of control, no ride for us to belt up for and settle in. When we meet him he's an asshole, and he stays an asshole, with a few tears and moments on stairs with understanding colleagues thrown in. I laughed twice, once about a boat and once because the c-word was very well-placed. The characters are half-baked and predictable — when the next line is in your head before its spoken then something has gone very wrong. Any aspect of Bruce's personality or past we're even vaguely interested in gets resolved in a lazy tell-all monologue revealing just what we had figured out 80 minutes and two buckets of popcorn ago. And this is no Trainspotting situation; the violence is lame and without context, the sex is nothing to hang your hat on, the madness is stereotyped and disjointed and there's next to no opportunity for us to even begin to understand any of the two-dimensional characters or why they do all the annoying things they do. Except for the little piggy, right at the end, who is not annoying, and is completely adorable. Filth gets one small point for the smashing soundtrack and the animation and McAvoy's beard, which is very neat and coped well with all the jaw clenching. https://youtube.com/watch?v=tymWDB7gtK4
If this is the first time you've seen a story about Harvest Rock on Concrete Playground, you're either a first-time reader or you need to pay attention, because we're quite excited. It's the delight of South Australians and visiting festivalgoers alike, and we're here to run you through it one last time — tickets are still available but going fast, so read on quickly to find your ideal package before someone beats you to it. HARVEST ROCK 101 Firstly, some context, in case you haven't been keeping up with the news. Harvest Rock isn't quite a festival mainstay. It's actually a newcomer in the game — this year's festival is only the second iteration. After seeing 15,000 guests per day in 2022, the Festival is returning to Murlawirrapurka, also known as Rymill Park, and Ityamai-Itpina, also called King Rodney Park, Adelaide. Both sites are inner city parks, so this isn't a festival that requires extra travel beyond your flight. When it comes to the lineup, it's all hit and no miss. Starring acts include Jamiroquai, who will be performing their first Aussie show in over a decade, Beck will bring a full band to belt out 90s Californian anthems alongside new hits (both Jamiroquai and Beck are coming to Australia exclusively for Harvest Rock), musical satire and comedy specialists Sparks will draw from 50+ years of repertoire and many more. Expect to be wowed by legends since Harvest Rock is a project of Secret Sounds, one of Australia's leading festival organisers. BUDGET-FRIENDLY Where else to start but good old fashioned general admission tickets? Available in either one-day or weekend options, this is the basic go-to ticket for any first-time or financially-conscious visitor. Single-day tickets for either Saturday, October 28 or Sunday, October 29, are $239.48 for 18+ guests or $169.13 for guests aged 13-17. Two-day passes grant entry for the full festival at $412.79 for 18+ or $290.45. To make the experience even more memorable, you can upgrade to a collector's ticket for an extra $15.29 on either age group ticket fee and get some exclusive Harvest Rock II merchandise — perfect if you're a big fan of Harvest Rock. General admission, of course, grants you entry to the festival precinct and all the activities within, from catching tunes from the 30+ acts, enjoying a celebrity chef experience at the HELLO CHEF stage, accessing food from top-notch South Australian restauranteurs and imbibing in bespoke drinks from SA cellar doors. To unwind between activities, head to The Grape Escape wellness centre, where you'll find hot drinks, tarot readings, massages and more. TREAT YOURSELF There's nothing wrong with a little bit of self-love, as living without an occasional treat is pointless. Treating yourself at Harvest Rock II means booking your experience via the VIP Village or Harvest Lounge tickets. These two tiers offer the same basic VIP experience, with a few minor upgrades on the Harvest Lounge end. Being a VIP at Harvest Rock means you have access to the following: An express entry lane, an elevated viewpoint of the main stage, a concierge, fancy toilets, a cocktail bar, premium food, shading and seating and a complimentary drink daily. That's the VIP Village, comfortable, elevated, worthy of a treat yourself moment. The Harvest Lounge offers all of the above, plus a private lounge bar, an exclusive lawn area by the main stage, exclusive drinks at the VIP cocktail bar, and perhaps most importantly — complimentary phone charging. VIP tickets are only available to guests aged 18 and older. VIP Village tickets start at $341.43, and Harvest Lounge tickets start at $514.74. FEELING LUXURIOUS If treating yourself isn't enough, if you must go absolutely all out for your Harvest Rock II experience, then you've come to the right place. We've arrived at the most luxe and exclusive ticket options. The highest-end packages start with Platinum tickets, perfect to hit Harvest Rock like a rockstar. Platinum tickets include full access to the VIP Village and Harvest Lounge plus a whole range of extra goodies: front row or elevated seats to the main stage, an air-conditioned private bar, complimentary food and drinks, the Wildwood Restaurant dining experience, wine tasting, an exclusive entrance, private parking, lockers and phone chargers. And then, there are the suites. These are luxurious but also quite exclusive tickets — available only to groups of 30 to 50 people. If you have a large group of fellow festivalgoers, this is the ticket for you. Each suite includes elevated views of the main stage, shaded lounge seating and a viewing deck, a private bar, screens and speakers connected to the stages and options for food and drink packages to add on. Both Platinum and Suites are enquiry only, as price varies on the number of guests per booking. For more information on Harvest Rock 2023, including the lineup, how to get there or to book your tickets, visit the website.
More totes, less plastic: that's been the motto of supermarkets and state governments around the country over the past few years, as plastic shopping carriers have been phased out by stores and the authorities alike. But if you're the kind of shopper who always leaves their own bags at home, you might've simply swapped the thin, single-use plastic variety for their thicker, reusable counterparts. Now, Woolworths and Big W are ditching those nationally as well. Announced to celebrate World Environment Day on Sunday, June 5, the two chains will phase out all of its remaining plastic shopping bags — which includes 15-cent versions at Woolies, and both 15-cent and 45-cent versions at Big W. The move also covers bags not only in stores, but for online orders as well. Exactly when they'll stop being available depends on the brand, with Woolies gradually making the move over the next year, and Big W committing to scrapping them completely by the end of June 2023. Those two timelines are very similar, though — so, by July 2023, you won't be buying reusable plastic bags if you've forgotten your own totes. Woolies will still keep its recycled paper carriers on offer, however, saving you from lugging out your purchases in your arms if you gone shopping without bags. And, Big W is introducing additional bag options alongside its existing printed totes and other fabric bags. Western Australian Woolies stores have already made the switch, since back in March. South Australia and Northern Territory will follow from September 2022, with other states doing the same afterwards — with exact dates for New South Wales, Victoria, Queensland, Tasmania and the ACT yet to be announced. Yes, that means that your shopping will help do the environment a solid — although, there'll still be plastic bags available for fruit and vegetables, but the supermarket is exploring more sustainable options for those as well. Woolworths will start phasing out reusable plastic bags over the next year, while Big W will ditch them by the end of June 2023. For further information, head to the Woolworths and Big W websites.
The latest exhibition taking place at Bird Gallery is shrouded in a bit of mystery. That is to say, there isn’t a whole lot of information floating around aside from an abstract abstract (repetition intentional) that gives nothing away except a morsel of intrigue that makes the idea much more interesting. What we do know is that Go Art Ur Self is a collaborative affair that includes live creations by three artists, interactive installations, a live DJ set and mixed media, stencil and street artworks. Sounds pretty cool, right? We think so. So, this weekend, if you have some time to spare, head down the small brick lane to Bird Gallery and see what all the fuss is about. Grab a coffee while you're there – it is some of the best in town.
After what has felt like an endless, unrefreshed eternity, the boycott of Carlton United Breweries and their products can finally come to an end. It was announced by the Australian Unions on Twitter this morning that the workers at the heart of the bitter feud had "won all their demands" and would be heading back to work for the brewery. A statement released by the Australian Council of Trade Unions this morning confirms that the 55 workers who were effectively sacked from the Abbotsford brewery would be returning to their jobs under "fair and decent union terms and conditions, which provide job security to the workers". BREAKING: #CUB55 just WON all their demands and will RETURN TO WORK! No matter how strong a multinational corp, we can fight them. And win. pic.twitter.com/PtRYs9cI3h — Australian Unions (@unionsaustralia) December 7, 2016 The whole debacle kicked off in June, when 55 maintenance workers were told that their contracts would be handed over to a new company, and that this new contract would include a pay cut that the workers, and the unions behind them, deemed unfair. This led to worker strikes in both Sydney and Melbourne, a national boycott by many members of the public on Carlton United products, and even attracted the ire of respected political commentators, The Simpsons Against the Liberals. Although Carlton United Breweries have publicly denied any allegations of wrongdoing, it appears that the brewing giant behind some of Australia's most treasured beers and beer ads has caved to the pressure applied by the workers, the unions and the general public. Lauded by secretary of the Australian Council of Trade Unions, Dave Oliver, as a win for the 'little guy', he's clear about leaving the past in the past — although called on the Federal Government to introduce changes to labour hire and subcontracting laws. "We hope that the unqualified success of this campaign is a clear indication to all employers that sham contracting and abuse of the labour hire system will not be tolerated," he said in a statement. "We are glad to finally be able to end the boycott on CUB products, which are once again proudly union made at Abbottsford." So, now that the system has actually worked, we can let bygones be bygones and enjoy the first guilt-free Reschs in six months.
No longer a mere science-fiction movie concept or a gag in The Simpsons' Stonecutter's song, electric cars have slowly been riding their way into greater use. Last year, Tesla started production on its first mass-market electric vehicles — and, for those planning a road trip in Queensland, Australians now have an 'electric super highway' to drive them along. While the name sounds like something your grandparents might say — and will likely bring back cringeworthy memories of calling the internet the 'information super highway' — the idea itself is worth getting buzzed about. Over the past six months, the State Government has installed 17 electric vehicle charging stations between the Gold Coast and Cairns, enabling electric car drivers to trek the length of the state. Apart from the fact that the highway is the longest in one state in the entire world, as Transport and Main Roads Minister Mark Bailey announced, it mightn't sound like that big a deal; however, one of the crucial aspects of using an electric car is being able to juice them up. Regular cars need petrol, electric cars need power — it makes sense. That's all well and good if you're only driving close to home, but if you want to take your electric ride further afield, you need somewhere to plug them in. A network of fast-charging stations, which will power up vehicles in around 30 minutes, solves that issue. For those dreaming of an electric road trip, stations are located in Cairns, Tully, Townsville, Bowen, Mackay, Carmila, Marlborough, Rockhampton, Miriam Vale, Childers, Maryborough, Cooroy, Brisbane, Coolangatta, Springfield, Gatton and Toowoomba — with an 18th to come in Helensvale after the Commonwealth Games. They're also available for free for an initial phase, in an even bigger attempt to encourage more car owners to make the switch.
With music videos becoming ever more complex and expensive, entrepreneurs in India are providing aspiring musicians with film clips at a reduced cost. One such musician is Drew Smith, who recently outsourced the video services to a dancing school in Bangalore, India. With a distinct Bollywood feel and guys in Hindu masks, it's quite bizarre but certainly interesting and unique. Smith stated that he turned to India after realising that "the last thing the world needed was another low-budget singer songwriter video." Furthermore, he received the video after just a few emails and phone calls. If you're looking for your big break and sick of recording videos on your iPhone and webcam, India might be your next option for some stimulating visuals. Take a look at Smith's finished product below and see if it caters to your musical style. https://youtube.com/watch?v=DkurGf0e5MU [Via PSFK]
Dinner then gelato? A movie followed by some ice cream? Grabbing a scoop just because? Whichever takes your fancy, everyone in South City Square's vicinity can now put La Macelleria's artisanal desserts on their list, with Matteo Zini and Matteo Casone's Brisbane-based chain opening its latest outpost in Woolloongabba. The Logan Road digs still keep La Macelleria's footprint at four, with its Coorparoo Square venue closing down. So, Zini and company are retaining a presence in the city's east, but in a different new precinct (and with another cinema, this time Australia's first-ever Angelika Film Centre, nearby). Don't expect to wander inside the latest La Macelleria, however. This is a pint-sized joint, putting its focus on scooping up gelato rather than giving patrons somewhere to sit. "We are introducing a genuine 'hole-in-the-wall' gelateria, reminiscent of those you would typically encounter in Italy," explains Zini of La Macelleria's new nine-square-metre space, which he's also dubbing "the smallest Gelateria in the southern hemisphere". Setting up shop in a precinct that also includes hole-in-the-wall taqueria Los Felix, Italian bar and eatery Sasso, Chinese Peruvian joint Casa Chow, Palm Springs-inspired gin-pouring garden bar Purple Palm, and European-influenced wine bar and wine shop South City Wine, La Macelleria's South City Square venue arrives just in time for ice cream season — aka Queensland's warming spring and summer weather when Brisbane's best gelaterias and ice creameries get an even bigger workout than usual. Joining La Macelleria's existing Teneriffe and West End joints, plus its Mermaid Waters venue as well, the new spot to get a scoop boasts the same creamy artisanal Italian gelato that has made the brand such a hit, of course. Think: flavours such as tiramisu, salted caramel, raspberry cheesecake, mandorla al caffe (aka roasted almond and roasted coffee beans) and bacio Australiano (white chocolate with caramelised macadamia chips). And, to celebrate scooping up dessert in a new location in Brisbane's east, the chain is throwing a grand opening shindig in its usual fashion — that is, with free gelato. The fun kicks off at 1pm on Saturday, November 25, with freebies available for the first 100 people. After that, you'll pay $4 for a small cup with up to two flavours, $5 for a medium cup with up to three varieties and $6 for a large with up to four types. Find La Macelleria at South City Square, 148 Logan Road, Woolloongabba — open 1–9pm Monday–Thursday and 1–10pm Friday–Saturday.
In The Boys, wins and chaos are rarely far away from each other. Something goes right for its characters — its namesake group fighting corrupt caped crusaders, or vice versa — and then something often goes pear-shaped. Fans of the series are in that situation themselves right now, with season four about to start streaming from Thursday, June 13, 2024, but showrunner Eric Kripke freshly revealing that there's only one more season left after this. The Boys was renewed for season five back in May, before season three hits, but now Supernatural alum Kripke has advised that it'll be a last hurrah. "The Boys season four premiere week is a good time to announce: season five will be the final season! Always my plan, I just had to be cagey till I got the final okay from Vought. Thrilled to bring the story to a gory, epic, moist climax," he tweeted. #TheBoys Season 4 Premiere Week is a good time to announce: Season 5 will be the Final Season! Always my plan, I just had to be cagey till I got the final OK from Vought. Thrilled to bring the story to a gory, epic, moist climax. Watch Season 4 in 2 DAYS, cause the end has begun! pic.twitter.com/3p7Wt4jGA6 — Eric Kripke (@therealKripke) June 11, 2024 Since first making the jump from the page to the screen from Garth Ennis and Darick Robertson's comics series of the same name in 2019, The Boys has told of a version of earth where caped crusaders are real, as are superpowers, and a group called The Seven are placed above all superheroes. But, digging into the dark side of the scenario, not everyone thinks that should be the status quo. The series has always stood out as an antidote to narratives about powerful folks who are supposedly better than most, by both satirising and questioning that very idea. Here, superheroes work for Vought. They're still the main form of entertainment, but they're real, the most-famous celebrities there are and inescapable in daily life. While The Seven are the absolute top talent, most are hardly role models when the public isn't looking. Yes, that has made quite the change from the usual cinematic universes as the Prime Video show has kept notching up the seasons. The Boys has never been afraid to splash OTT violence — gory carnage, too — across its frames along the way, or to parody reality within its superhero tale. The same proved true in 2020's second season and 2022's third, and also in college-set spinoff Gen V, which arrived in 2023 and has been renewed for a second season as well. In the cast: Karl Urban (Thor: Ragnarok), Jack Quaid (Oppenheimer), Antony Starr (Guy Ritchie's The Covenant), Erin Moriarty (Captain Fantastic), Claudia Doumit (Where'd You Go, Bernadette), Chace Crawford (Gossip Girl), Jessie T Usher (Smile), Laz Alonso (Wrath of Man), Tomer Capone (One on One), Karen Fukuhara (Bullet Train), Colby Minifie (I'm Thinking of Ending Things) and Cameron Crovetti (Boy Kills World) — with Jeffrey Dean Morgan (The Walking Dead), Susan Heyward (Hello Tomorrow!) and Valorie Curry (The Lost Symbol) joining for season four. There's obviously no trailer for season five yet, but check out the trailer for The Boys season four below: The fourth season of The Boys starts streaming via Prime Video from Thursday, June 13, 2024. Read our reviews of The Boys season three and Gen V. Season five doesn't yet have a release date — we'll update you when one is announced.
If you've been wondering about the story behind today's rainbow Google doodle, here's the low-down. With the Winter Olympics opening ceremony to be held tonight in Sochi, the online giant has put its weight behind the protest against Russia's discriminatory laws. Six stylised athletes are depicted participating in various winter sports, from ice hockey to figure skating to bobsledding. Underneath, a quotation from the Olympic Charter reads, "The practice of sport is a human right. Every individual must have the possibility of practicing sport, without discrimination of any kind and in the Olympic spirit, which requires mutual understanding with a spirit of friendship, solidarity and fair play." Activists all over the world have spoken out against the International Olympic Committee's decision to hold the Games in Russia, where the law bans the promotion of non-traditional sexuality and prevents under-18-year-olds from having access to information about homosexuality. On Wednesday, February 5, protests were held in 19 different cities. Yesterday, UN Secretary-General Ban-Ki Moon acknowledged the issue in his speech to the IOC, stating, "Many professional athletes, gay and straight, are speaking out against prejudice. We must all raise our voices against attacks on lesbian, gay, bisexual, transgender or intersex people. We must oppose the arrests, imprisonments and discriminatory restrictions they face."
Ah, googly eyes. Such an expressive medium for the Millennial epoch, almost on par with the emoticon. There's something about the vacant, perpetually stunned and/or confused gaze that really captures our time. As you would know from this handy video, Christopher Walken uses googly eyes for protection. This is a helpful master text for us because as Walken explains, googly eyes help you to know where you stand with someone (or, in the case of his plants, something). Now artist Aiden Glynn has taken the guesswork out of relating to inanimate objects with the addition of a few well-placed teeth, tongues and eyes to the local urban terrain of Liberty Village, Toronto. As we all know, the world is full of anthropomorphic beings like this drunk octopus who wants to fight. Of a sunny afternoon Glynn likes to unveil monsters with queasy smiles and stunned expressions all over town, as a kind of public service. His adorable googly-eyed creatures include mustachioed intercoms and cigarette disposal chutes waiting to chomp your hand off. And who's that on the median strip? Why, it's Big Bird with a disproportionately large beak. Glynn's inventions don't come from nowhere: he's an animator by trade. Much like Michelangelo, who could look upon a block of marble and see the exquisite sculpture inside waiting to be revealed, Glynn can see the sensitive, drooling monster inside a garbage can. His blog Pizza and Pixels has many more cute and whacky characters for you to enjoy. Via Colossal.
If it wasn't for composer and theatre impresario Andrew Lloyd Webber, the world of musicals would've looked mighty different over the past half-century. His songs and compositions echo through everything from the Phantom of the Opera and Jesus Christ Superstar to Evita and Cats. (Yes, he's one of the folks who helped the word "jellicle" become lodged in everyone's brains for nearly four decades now.) In short, Lloyd Webber boasts quite the resume — and, while his musicals aren't treading any boards in the present circumstances, they are coming to a brand new YouTube channel called The Shows Must Go On. Starting from April 4, it'll release a different high-profile production each week, with the chosen show playing for 48 hours from 5am AEST each Saturday. And, unlike tickets to Broadway or the West End, these streams are free. It all starts with the 2000 adaptation of Joseph and the Amazing Technicolour Dreamcoat starring Donny Osmond, Maria Friedman, Richard Attenborough and Joan Collins. The following week, over the weekend of Easter, the 2012 version of Jesus Christ Superstar will be available to watch — complete with Aussie comedian Tim Minchin as Judas and Spice Girl Mel C as Mary Magdalene. And, from April 18, The Phantom of the Opera will hit the stream, courtesy of the 25th anniversary staging of the famous musical. On the channel's penultimate weekend, By Jeeves will be available to watch from Saturday, May 9 till Sunday, May 10. Closing out the shows is Andrew Lloyd Webber's one and only Cats — let's hope this one is less of a catastrophe than last year's nightmarish film adaptation. Starring Elaine Paige and Sir John Mills and an eighty-piece orchestra, Cats will be available to stream from 4am AEST, Saturday, May 16 till Sunday, May 17. Plus, if you're eager to peek behind the scenes, you'll be able to take a gander at backstage footage and clips of famous performances as well. [caption id="attachment_766768" align="aligncenter" width="1920"] A scene from Jesus Christ Superstar by Andrew Lloyd Webber and Tim Rice @ O2 Arena, London. (Opening 20-09-12) ©Tristram Kenton.[/caption] The Shows Must Go On will release a different production each week for six weeks, with future shows yet to be announced. Top images: Cats; By Jeeves; Jesus Christ Superstar, Tristram Kenton; and The Phantom of the Opera. Updated May 11.
Oooh, it’s exciting when a piece of theatre is heralded as being ‘non-theatre, theatre’, theatre that takes the piss out of ‘real theatre’. It means that we don’t know at all what to expect. Black Lung Theatre and Whaling Company are really being touted as the bad boys of the Australian theatre scene, and now they are bringing their brand of cutting edge, unpredictable performance to Brisbane with a new work especially commissioned by the Queensland Theatre Company. There are hints as to what we can expect: there will be some jumping and stomping all over traditional notions of theatre, but apparently they will also take us on theatrical journeys to Vietnam, China and Turkey, fabulous. Of course there will be adventurous humor to boot, and I’ve heard rumors of a glitter cannon… In terms of actual content, who knows? These are guys who aren’t afraid to get naked for their art (hellooo ladies!), and who have been known to tell a quality crass jokes be damned the consequences. Essentially, if you like cutting edge, ballsy (perhaps literally), unique theatre then this is the show for you.
When you're a bar that nods to all things spooky in your name, and you boast more than a couple of monster-themed pinball and arcade machines, then you're going to like the end of October. Netherworld does, of course. Indeed, the Valley pub celebrates Halloween in the expected style each and every year. So, what's on the agenda, other than a few pumpkins around the place? The venue's themed beer fest is back, and so is its annual A Netherworld Halloween party. The latter hits on Tuesday, October 31, getting into the spirit of the occasion on the appropriate date. Expect a ghoulish night of scary fun, complete with those horror-centric pinball tables. Yes, you can call it a monster mash if you like. You know that the track will get a spin, and you know that you're going to dance to it, creepy cocktail in hand. [caption id="attachment_605021" align="alignnone" width="1280"] Sarah Ward[/caption] iiWii and Grieg will also help provide tunes, singing live onstage — and the Hellmouth Diner is catering its menu to suit the theme, too. And, there'll be a karma keg for Bat Conservation and Rescue Qld Inc, so your drinks will help a good (and apt) cause. Plus, if you dress up for this evening of Halloween gaming goodness, you'll score five free tokens for your trouble. You might also win the costume contest. Entry is free, with the spooky fun going down between 6pm till late. And there is a theme within the theme, if you fancy dressing up like a vampire. [caption id="attachment_669756" align="aligncenter" width="1920"] Cole Bennetts[/caption] Top image: Sarah Ward.
UPDATE: OCTOBER 6, 2020 — Due to worldwide cinema closures and other concerns around COVID-19, Dune will no longer release in December 2020. Instead, it will now release on Thursday, September 30, 2021. This article has been updated to reflect that change. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. A beloved science fiction title. A star-studded cast. A Hans Zimmer score. Combining all three worked rather spectacularly in Blade Runner 2049, and now filmmaker Denis Villeneuve is hoping that it'll just turn out just as swimmingly with his Timothée Chalamet, Oscar Isaac and Zendaya-led version of Dune. In the latest adaptation of Frank Herbert's 1965 novel, Chalamet plays Paul Atreides — son of Duke Leto Atreides (Isaac), who has just been given stewardship of the planet Arrakis. In this futuristic tale, Arrakis is the source of 'the spice', the most valuable substance in the universe. It's also home to a population of people known as the Fremen, as well as to giant sandworms, and it's known for being dangerous partly due to the latter. And, once Paul, Leto and Paul's mother Lady Jessica (Doctor Sleep's Rebecca Ferguson) move to the planet, it's the subject of a bitter battle with malicious forces over the spice trade. If all of the above sounds more than a bit familiar, that's because David Lynch brought Dune to the screen back in 1984, with his Kyle MacLachlan-starring movie becoming one one of the most unfairly maligned sci-fi films ever made. Fellow director Alejandro Jodorowsky also tried to make his own version — a feat that wasn't successful, sadly, but was explored in the excellent documentary Jodorowsky's Dune. Just how Villeneuve's take will fare is still yet to be seen, obviously, with the film initially due to hit cinemas Down Under on Boxing Day 2020, but now slated to release on September 30, 2021. But the French Canadian director has an impressive resume — see: Arrival, Sicario, Enemy, Prisoners and Incendies, just to name a few titles on his resume — and with Dune, he's clearly reaching for epic territory. The long-awaited, just-dropped first trailer makes that case quite heartily. As well as serving up plenty of Call Me By Your Name and Little Women's Chalamet as the film's brooding hero, the sneak peek features sandy expanses aplenty, a scream-inducing box of pain, and many a confrontation. And, a stellar cast that also includes Josh Brolin, Stellan Skarsgård, Dave Bautista, Charlotte Rampling, Jason Momoa and Javier Bardem, all getting caught up in a spice war. Check out the trailer below: https://www.youtube.com/watch?v=n9xhJrPXop4 Dune was originally scheduled to release in Australian cinemas on December 26, 2020, but will now hit screens on September 30, 2021. Top image: Chiabella James. Copyright: © 2020 Warner Bros. Entertainment Inc. All Rights Reserved.
When it takes three years for one of the world's favourite shows to make a comeback — on one of the planet's most-popular streaming platforms, too — everyone can be forgiven for getting a little excited. Netflix itself has about the return of Stranger Things for season four, setting up a huge Upside Down rift on Bondi Beach, albeit only for a few hours. But, if a burger is on your menu in the near future, that's not the only way to show your love. Grill'd is getting into the Stranger Things spirit in two ways — one that you'll need to be in Sydney to enjoy IRL, and one that's available all around the country. First, for Sydneysiders, making the trip to Grill'd at The Galeries means eating your burg in an otherworldly dimension. The CBD burger joint has been decked out like somewhere that'd creep out Eleven, Mike, Will, Dustin, Lucas and Max. Think: a cavernous rift-style entryway, because they're popping up everywhere (see above), floating spores, creeping vines and other touches from the show. It all looks suitably on-theme, and it's likely the most dramatic place you'll ever eat a burg. That interactive experience is only taking over Grill'd at The Galeries for a limited time, so getting in quickly is recommended — as it is when it comes to binging Stranger Things' new season. Also only available temporarily, until June 16 at all Grill'd locations except Melbourne Airport: a demogorgon burger. No, it isn't made using eggos. Yes, it's monster-sized (well, huge enough). It comes filled with a grass-fed Australian beef patty, roasted peppers, cos lettuce and dill pickles (because of course a demogorgon would like pickles). You'll also find burger sauce and sour cream inside, and you can dip it in buffalo dipping sauce as well — if you want make it look like something a giant creature has just thrown at you, or just like the taste, whatever fits. Costing $15.90 a pop, that burg can be munched on in-store, or ordered for delivery via Grill'd Delivery and Uber Eats. Find Grill'd's Upside Down-themed eatery at Grill'd Galeries, 500 George Street, Sydney — or grab a demogorgon burg from Grill'd stores nationwide (except Melbourne Airport) until June 16.
One of the beautiful, beautiful things about living in a pluralistic society is that you can turn pretty much any cause, interest or activity into your raison-d’etre. Gather a few like-minded mavericks around you, and call it a club. Create a website and you’re an international force to be reckoned with. That’s right, you need never feel alone again (no matter how odd you are). Because on some far-flung corner of the earth, there’ll be a club for you. For example, are you ridiculously smart? I’m not talking about matching up to those sub-standard wannabe intellectuals over at Mensa. I’m talking about meeting entrance standards for The Giga Society. Only one in a billion people qualify. But if you’re more, let’s say, run-of-the-mill, how about sharing your passion for poodles? Or your penchant for swapping coffee cream lids? Or your need to dress up like Santa Claus, even in February? Or your fancying of pigeons? Or your love of, simply, getting naked? Photographers Ursula Sprecher and Andi Cortellini have made it their mission to capture some of the world’s most fun, eccentric and cutest clubs; collating them in a coffee table book titled Hobby Buddies. In every staged portrait, club members are shown holding the object most important to them, wearing the costume (or lack of costume) that gives them common ground or taking part in their favourite activity. According to Sprecher and Cortellini, the series is inspired by the "joy of pursuing a common cause or shared idea". Camping and Caravanning Club Swiss Garrison Dintefisch Diving Club Tram Club Tupperware Party Santa Claus Group Warriors Cheerleaders Coffee Cream Lids Swap Meet BDSM Regular's Table Orchid Club Association of Scientific Preparators Board Games Club Merriment Pipe-Smokers Club Via Beautiful Decay. Images by Ursula Sprecher and Andi Cortellini.
