Brisbane is burger crazy. We're a meat between bread kind of folks — and veggies between rolls, too — and we're proud of it. Before every corner boasted what's become one of the city's dietary staples, though, someone had to lead the way. Meet Ohio Café, the place that literally brought the burg to Brissie. You can't get any more iconic than that. In fact, Ohio even pre-dates the golden arches in Australia. Mosey over to Clayfield for one of seven types of burgers, spanning ham, steak, chicken, chicken with bacon, bacon, fish, lamb and veg, or order delivery if you live in the area — although, part of the fun of eating somewhere with so much history is actually visiting, nestling into the booths and kicking back old-school style.
Doughnuts might be Brisbane's current sweet treat craze, but before the city's residents fell in love with circular orbs of pastry, they couldn't get enough of cold, creamy confectionary. Who are we kidding — that's still true. And if all of the other ice cream and gelato shops around town haven't convinced you, Sonder Dessert will. Making its home on Farne Street in Sunnybank Hills, Sonder serves up the kind of dishes that you'll happily venture south of the CBD to devour — and at any time of the year, too. The eatery's minimalist, booth-lined interiors allow their mouth-watering morsels of frosty goodness to garner all the attention they deserve; however with flavours like peanut butter crunch, toasted marshmallow, sticky rice, black sesame, lamington and strawberry jam, their ice cream was always going to do that anyway. Don't worry if you can't choose your favourite; that's why 4, 6 and 8-variety mini-cone flights were invented. An array of cakes are also on offer, so leave soon room to feast your eyes — and then your stomach — on something from the in-store display case. And, in good news for those that liked their chilled scoops served with a hot beverage, the latter might just prove Sonder's second claim to fame. Matcha and hojicha are the drinks of choice here, whether you like them hot or iced, or as a float, affogato, frappe, parfait or creme brûlée.
This time around 100 years ago, a series of buildings popped up on Colmslie Road in Morningside, and they've enjoyed multiple roles over the century. Constructed between 1917–20 and now heritage-listed, the Commonwealth Acetate Chemical Works has been used as an ammunition factory, a naval base and a smallgoods factory — and now one of the riverside structures is hosting an experimental and immersive art exhibition. Mon Abri 2.0 is all about making the most of its unique space, while also showcasing local creativity. And, it's also focused on the art group's purpose: to break up everyday routines, activate unused spaces and engage with the community on a grass-roots level. Just what you'll see while you're wandering around the exhibit's four gallery spaces is best discovered while you're there; however attendees are advised to start by looking for the dragon — and to expect a blend of immersive installations and artworks that blur the lines between art and architecture. Mon Abri 2.0 runs from 4–8.30pm daily until Saturday, November 29, with entry costing $5 and different activities popping up on certain nights. Head by on Tuesday, November 26 for yoga and pilates, or Wednesday, November 27 for life drawing.
Since opening in October 2018, West Village has provided West End with grassy spaces, lively festivals and multiple places to eat. But, the expanding development isn't done yet. Over the coming months, it's adding a new dining and retail precinct, starting with the just-opened Middle Eastern eatery Beirut Bazaar. Taking up residence on the ground level of the Peters Ice Cream Factory building, the 75-seat restaurant is serving up traditional-style feasts, with cumin, sumac and coriander featuring heavily. Expect to taste the spices in specialty dips and breads, Lebanese mezze, savoury pastries and sweet treats — and in the shawarma, the main attraction. Shawarma is Beirut Bazaar's signature dish, in fact. Patrons can expect to tuck into a fillet of lamb, beef or chicken that has been marinated in traditional spices for 48 hours, and is then served on pita with parsley, tomato and legumes. A vegan and vegetarian selection is also on the menu and, drinks-wise, Beirut Bazaar's cocktail list is curated by the bar team from Nineteen at The Star. Owner Andre Samra has taken inspiration from his father, who migrated from Lebanon to Australia — and, continuing the family connection, he has launched Beirut Bazaar with his daughter Vanessa. Featuring both indoor and outdoor seating, Beirut Bazaar will be joined in mid-May by a larger range of stores. Locals will be able to head by to go to a new Woolworths supermarket, check out Harris Farm Markets' second Brisbane location, hit the gym, and shop at specialty and lifestyle retailers. Just which other restaurants will also make the precinct home is yet to be revealed. Find Beirut Bazaar at West Village, 97 Boundary Street, West End — open seven days from 11am–late.
Drawing in nine million viewers in the US for the final episode of season two, The Walking Dead is breaking ratings records all over the world. Fast-tracked to Australian fans, The Walking Dead season three is already available to download from iTunes for $49.99. As the fight for survival continues, Rick Grimes (Andrew Lincoln) and friends attempt to take refuge from the 'walkers' in an abandoned prison and in a (possibly too good to be true) town of survivors run by The Governor (David Morrissey). To mark the launch of season three, Concrete Playground has the ultimate catch-up giveaway: seasons one and two on DVD. Get up to speed with the action or simply indulge in a thrilling undead bloodbath marathon! Concrete Playground has five sets of DVDs to giveaway. To be in for a chance to win, make sure you're subscribed to Concrete Playground, then email your name and postal address to hello@concreteplayground.com.au
When it comes to spotting the show's '80s movie references, watching an episode of Stranger Things is like taking a quiz. Which poster will we spy on someone's wall? Which films will get a nod? Which flicks will you feel a need to watch immediately afterwards? How much do the Duffer brothers, aka the folks behind the series, love Steven Spielberg and Stephen King? As well as proving a rather fun viewing experience for movie buffs, all of Stranger Things' nodding and winking also serves another purpose. If you've been paying close attention while you binged and re-binged on the first season, you probably know the program back-to-front. And, as a result, you're ready to enter the upside down of the trivia world — aka Man vs Bear's latest evening dedicated to the show. Head to Black Bear Lodge in Fortitude Valley from 7pm on December 29 to slay the demogorgons — i.e. your fellow competitors — with your knowledge of Hawkins' geography, the recipe for Eggos and #justiceforbarb. Given the festive timing, we think you should be allowed to answer each question using Christmas lights. Or via walkie talkie.
Winter in Brisbane doesn't always mean pulling out your wooliest jumpers, comfiest trackies and cosiest blankets — but it is a great time for wintry bar makeovers. Whenever the middle of the year hits, the Regatta is one such watering hole that likes to spruce itself up for the season. And this time, from Wednesday, June 1–Wednesday, August 31, it's turning into a forbidden forest. Head to the Toowong spot's courtyard for florals aplenty, all in deep shades that suit the winter vibes. Also a huge highlight: the fruity cocktail menu that features brightly hued sips poured into highballs. Drinks available include the Winter Warmer (Plantation Original Dark, Edge of the World Shiraz, agave, ginger ale), Peach Fizz (Seven Seasons Yam Vodka, peach liqueur, lemon, soda), Starry Night (Hendricks Midsummer Solstice, butterfly pea, lemon, tonic), Lunar Eclipse (Hendricks Lunar, yuzu, lime, soda, tonic) and Aloe There (Bati rum, lychee liqueur, aloe vera juice, lemon, soda). There'll be a food menu to match, all on offer during the Coronation Drive venue's regular operating hours — from the very first official day of winter until the very last.
Arts and culture fans already flock to Brisbane Powerhouse with frequency, gluing their eyes to the New Farm venue's walls and stages. In March 2023, then in October, then twice a year afterwards, food lovers will want to make the same trip. As part of the site's slate of additions and changes — which has already seen a new riverside events and performance space with bars and al fresco lounges pop up permanently — the beloved spot will now host culinary and arts event Night Feast. Back in June when Brisbane Powerhouse's ambitious plans were first announced, a night market was on the list, then called Hap Wah Night Market. Now rebadged Night Feast, it features all of the same highlights: an almost month-long program in autumn and spring annually, taking over the Powerhouse forecourt and surrounding parks in March and October, as well as Blade Runner-meets-Queensland theming with a dash of Cantonese culture. [caption id="attachment_776880" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Immersive, dreamlike and serving up a multi-sensory experience, Night Feast will sprawl across its own temporary village, in fact, as curated by restaurant critic Lizzie Loel and Brisbane Powerhouse Arts Program Director Brad Spolding. As for the design of the site itself, that comes courtesy of Bruce McKinven (Dark Mofo). Thanks to Loel, Spolding and McKinven's handiwork, Brisbanites will find 20-plus gourmet food stalls, an open fire pit for roasting and a dedicated dessert bar, too, as well as art installations, DJs and live music. The debut edition will run from Wednesday, March 1–Sunday, March 26, 2023, followed by a second event from Wednesday, October 4–Sunday, October 29 later that year — operating 4.30–9.30pm Wednesday–Sunday within those dates. While it's too early for Night Feast to announce stallholders for its premiere event, Longrain's Martin Boetz will be one of the headliners. Also, diners can expect Thai, Vietnamese, Japanese, Middle Eastern, Italian, Greek and modern Australian cuisine — and more. [caption id="attachment_882045" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Among the food and drink offerings, there'll be cocktails and wine as well, plus a big emphasis on communal feasting. Another key feature: getting the restaurants taking part in Night Feast to dish up the absolute top thing on their menus. "Night Feast gives visitors an opportunity to sample the best of Brisbane's gourmet food scene within an immersive outdoor neon-noir environment," explains Loel. "Our handpicked restaurants have been invited to showcase their signature dishes only, meaning you can experience the city's most exclusive gastronomic delights in one location." [caption id="attachment_824340" align="alignnone" width="1920"] "What's That?" Amanda Parer, Portside Wharf in Hamilton, Brisbane on Monday, August 31, 2021. Photo: Claudia Baxter[/caption] As for the art program, it'll also span roaming performances, plus work from visual and performance artists. Amanda Parer leads the bill so far, which likely means more glowing, towering, eye-catching pieces (see: her past Brisbane works Intrude, What's That, Lost and Fantastic Planet). Night Feast's premiere overlaps with Powerhouse's also-debuting "festival of other music" ΩHM, and is set to share Australian audiovisual artist Robin Fox on its lineup with that other newcomer. And, Swiss site-performance designer and fog artist Tom Mùller will also bust out his best for Night Feast. [caption id="attachment_880277" align="alignnone" width="1920"] Robin Fox, Single Origin, Diego Figueroa[/caption] The evening market is the third of the Lamington Street spot's new initiatives to come to fruition, following Keith Courtney's 700-square-metre maze of mirrors Kaleidoscope, which only stopped by temporarily, as well as the November launch of the aforementioned Pleasuredome in its glow-in-the-dark Nordic-style tent. A permanent outdoor cinema was also announced back in June, initially to launch this past spring and run year-round, screening movies under the stars — and taking advantage of the fact that that's something you can do no matter the season in Brissie, even in winter. Exactly when that'll now arrive hasn't yet been revealed. Night Feast will take place at Brisbane Powerhouse, 119 Lamington Street, New Farm, from Wednesday, March 1–Sunday, March 26, 2023, and again from Wednesday, October 4–Sunday, October 29 — and twice a year after that — operating 4.30–9.30pm Wednesday–Sunday. For more information about the venue, head to the Brisbane Powerhouse website. Top image: Wonderland Festival, Brisbane Powerhouse.
If you are ordering pizza for home delivery, there is generally one mood you are in: a lazy one. There's nothing like laying on the sofa after a hard day at work, turning on some trashy TV, and sinking your teeth into slice after slice of your favorite pizza. But, folks, pizza delivery just got better. Red Tomato Pizza in Dubai has introduced one-button pizza delivery. Simply press the button on your Red Tomato fridge magnet, and your favorite order will be delivered to your door. Impressed yet? Each magnet can be synced to your smartphone via Bluetooth and set up with your order. Every time you push the button, your phone will notify the pizza company. You do still have get up and answer the door when the delivery guy arrives, unfortunately. https://youtube.com/watch?v=AU0KYo8_9Zs [via Gizmodo]
Everyone has a favourite 80s tune, whether it's something timeless by David Bowie or Prince, or a track that's become an enduring classic such as John Farnham's 'You're the Voice'. You know the kind of song we're talking about — a retro banger that, the moment it starts playing, instantly brightens up your mood. Thats 80s sounds in general, really. If you agree — and, more than that, have become a bit of an 80s music maestro — then it's time to show off your love. Barbara is teaming up with Man vs Bear to host a trivia night dedicated to 80s tunes, and there's prizes on offer for folks who love their beats and ballads with big hair and bigger shoulder pads. Given the location, there'll also be drinks specials; however the most exciting part of the shindig stems not only from the theme, but from the soundtrack that's certain to come with it. Listening to 80s tunes, answering questions about 80s tunes — it's the next best thing to jumping in a DeLorean or a telephone booth, depending on your preferred 80s time machine.
Australian film has long been celebrated in our nation and abroad, as we have some of the most skilled filmmakers in the world. The Australian spirit can be felt in each and every one of our productions and it is in saying this that the State Library of Queensland have chosen to honour some of the greatest in Aussie cinema. Over the next four Sundays, you will be able to enjoy specially chosen films from different styles of Australian film, each with their own story and exception film work. The movies are classics Picnic at Hanging Rock, Mad Max, The Adventures of Barry McKenzie, and recent film, Not Quite Hollywood. Picnic at Hanging Rock starts off this cinematic journey – it's a must see for any movie buff or Australiana lover. It follows the story of a girls' school trip that goes horribly wrong when a student goes missing at the Hanging Rock. Cue moviegoers thinking the premise was actually true and it becoming a long standing rumour that someone actually did vanish at Hanging Rock (they didn't!). The 1970s theme is rife with the next two movies, and finishes with 2008's Not Quite Hollywood, which is a self-confessed story of 'Ozploitation'. Make sure you feast your eyes on some timeless Australian mavericks' work and appreciate the movies you were always too young to understand.
When winter hits — and you know when it really hits — pressing command+A and delete on all your iCal entries seems like a rational thing to do. But hold your horses, cold one — there are a few festivals happening that you won't want to miss out on. In recent years, Australia has developed quite the winter events calendar. With Vivid's lights hitting every visible surface in Sydney, Melbourne's White Night moving to August for the first time, and hedonistic shenanigans happening down in Hobart for Dark Mofo, there is plenty to inspire a break from hibernation. So pull your calendar back up and block out a weekend to have a winter adventure out of town or interstate.
Boaz Yakin's 'Safe' follows the two-headed mission of former special forces operative Luke Wright (Jason Stratham) as he sets out to outwit Chinese Triads and the Russian Mafia. 12-year old Mei (Catherine Chan) is Wright's unlikely sidekick: a girl who holds potentially deadly knowledge. Mei has been gifted with mathematical genius, a skill which enables her to memorise the code to a coveted safe containing $30 million. Her secret cannot remain under wraps for long, however. Once word gets out that Mei is the only person who knows the safe's code, the underbelly of the crime world comes clamouring. Wright must protect Mei as together they attempt to outwit the Triads, corrupt NYC officials, and Russian Mafia. From the producer of 'Kill Bill' and 'Inglourious Bastards', this breakneck-speed crime thriller will keep you on-edge, hoping that Wright can successfully complete his trickiest and most important mission yet: to keep Mei safe. To win one of ten double passes to see Safe, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au https://youtube.com/watch?v=Mv2VZi5RD6c
Just when you thought Laneway couldn't add much more to its already-heaving lineup, the festival addition has added a brand new 'street party' into the mix that'll recreate the energy of Laneway's early days. Presented in conjunction with I OH YOU and Red Bull Music, Block Party is set to feature at the Melbourne, Sydney, Brisbane and Fremantle editions of the festival, showcasing a banging new lineup in each city. The exact locations of the stages are yet to be announced, though we're told the parties will channel the vibe of the very first Laneway outing that took over Melbourne's Caledonian Lane back in 2004. Which means it'll probably be super crammed. And the lineup's an absolute ripper, pulling together local acts like Sydney-based producer Basenji, hip hop star Jesswar, legendary DJ Andy Garvey, the genre-bending Haiku Hands and dance floor favourite CC:DISCO. Laneway co-founder Danny Rogers says it'll take the festival's offering to a whole new level. "There was such a creative, magic feeling at the original Laneway Festivals. I think it was because of the spontaneity they had," he explained. "I wanted to recreate that same feeling at the 2018 event and this idea just made total sense." Laneway Festival 2018 hits Melbourne on February 3, Sydney on February 4, Brisbane on February 10 and Fremantle on February 11. To buy tickets or to get more information, visit lanewayfestival.com.
Newstead residents looking for nutritious dining options, your suburb is about to get a whole lot healthier. Of course, anyone keen on grabbing their groceries from a wholefood market, eating wholesome cafe meals and learning to cook dishes that are delicious and good for you can get in on this hype too. Regardless of where you live, new food hub About a Boy and a Girl will be worth heading to the inner-city outskirts to visit. Taking over a massive 430 square-metre space on Proe Street, the new venture from former Fundies Wholefood Market nutritionist Jodi Lanchester and wine-buyer partner Stephen Hazlett aims to nourish and educate. Oh, and provide a spot to pick up organic plonk and natural skin care products as well. Yep, it's a one-stop healthy-eating and -living shop, with its classes on topics such as on fermentation and gluten-free cooking certain to be a drawcard. When you're not cooking up a storm or selecting something to take home with you, you can snack on something tasty in-store — even if food allergies usually make dining out tricky. Now that should get you rushing through the door. Find About A Boy & A Girl at 18 Proe Street, Newstead from mid-September. Check out their Facebook page for further updates.
Perhaps the most active, on-the-ground way to explore the islands is via a kayak. Salty Dog Sea Kayaking runs six-day tours to explore Whitsunday, Haselwood and Hook Islands for $1850 per person. But if a six-day kayaking tour sounds like way, way too much arm-work — and your idea of a holiday is less laborious — you might like to try your hand at kayaking in shorter stints. Salty Dog also offers half and full-day tours for $90 and $145 respectively. If you want to go it alone (and are an experienced paddler), you can hire a single or double kayak, too, with rates starting from $60.
Chosen by a panel of leaders in the fields of curation and editing, the works in this exhibition are those shortlisted for the FotoVisura Spotlight Grant, awarded to an outstanding student of photography. The recipient of the grant will be one who has demonstrated great commitment to the cause, as they are willing to go to great lengths for the sake of the priceless shot. They have also shown mastery of the visual story or the development of a unique concept. All in all, theirs is to be an image that shows the potential for positive societal change—an aspect worth celebrating all on its own. Since 2010, the FotoVisura Grant has aimed to promote and foster photography in a individual sense; telling a personal story rather than promoting for a commercial sense demonstrates a unique and unconditional love for the art. Come and see the works of artists whose love stretches as far as their imagination will take them, who have worked harder and gone further than their competitors to bring to you an image full of care and passion.
When it comes to the Institute of Modern Art's sound scouring skills, they don't disappoint. Their latest musical import is a goody, too worthy for us simple Brisbanites — Swans' guitarist Norman Westberg. On Thursday April 14, Westberg will be performing at Mono.21 in his first solo concert outside of North America. His guitar playing with Swans influenced a generation of musicians through his provocative and focused methods. His solo work strays from the rigid structures of Swans, producing composition of deep texture and harmonic intensity. His works generate an affecting quality that drives the listener towards reductive transcendence — and that's reductive transcendence that won't cost you a buck, because this event is free. Joining Norman Westberg is An Infinity Room, the spatial drone project of Australian artist Julian Day.
There's nothing quite like staring at a glorious ocean vista while feeling the sand between your toes and knocking back your favourite cold (and boozy) beverage. That's a classic beach club experience, but for a country surrounded by stunning coastlines, Australia hasn't quite been pulling its weight in that department — and the Gold Coast definitely hasn't, either. The Goldie has toyed with the idea before — more than once, in fact — and it's obviously no stranger to waterside bars. Surfers Paradise even just got its own manmade version of a beach club, which does overlook the ocean and include its own patches of sand; however, it's perched up on a rooftop. But when Kurrawa Beach Club launches on Saturday, December 4 on Kurrawa Terrace in Broadbeach, it'll be serving up all the things that scream beach club. And yes, it'll be on the beach, too. Think: cabanas, daybeds, volleyball nets, cocktails, live tunes, seafood and salads, and just generally having a cruisy yet still luxe trip to the seaside, all while surrounded by oh-so-much sand, Queensland's dazzling sun and plenty of blue salty water. Given the go-ahead for a temporary run until Sunday, January 30, 2022, Kurrawa Beach Club is the latest venture by Australian Venue Co, who've been awarded the opportunity to host a trial run over the coming summer. At this stage, it's locked in for a two-month stretch — and whether it could lead to a permanent beach club hasn't yet been revealed. Across its test stint, Broadbeach's European-style stint of lounging, sipping and relaxing by the shore will pair cocktails and brews — including sips from Black Hops Brewing, Wheel & Spoon and Hard Fizz — with a food menu from its container kitchen. So, you'll be tucking into seafood skewers, salads, burgers, and other summer-friendly snacks made using local and seasonal produce. Also on the agenda: live tunes from Gold Coast locals, yoga beach sessions and beach volleyball games, as well as hanging out on those aforementioned daybeds and in the VIP cabanas. If you're keen on the latter, you'll need to book. Kurrawa Beach Club will be a family-friendly affair, too, with a kids' menu and a Sunday Family Day lineup. And, showing some love to the community, it'll rollout a Local Heroes program, donating funds to local causes — with one menu item nominated on one day per week, and a dollar from each sale going to the initiative. While beach clubs aren't a regular part of Aussie beach-going, this isn't Australia's first beach club or beach club-style hangout. Indeed, Adelaide's Moseley Beach Club, Fremantle's Bathers Beach House and St Kilda's The Exchange Beach Club have all made an appearance interstate. Melbourne's version is also run by Australian Venue Co, so the hospitality company will be bringing some experience with it when it unfurls the concept on the Gold Coast. Kurrawa Beach Club will pop up on Kurrawa Terrace, Broadbeach between Saturday, December 4–Sunday, January 30, with dates and hours varying each week. For further information, head to the beach club's website. Images: Exchange Hotel Beach Club.
In 1960, the men that worked in advertising on Madison Avenue were known as Mad Men – obviously, they gave themselves that stellar title. And now in a marketing ploy that is so good Don Draper could have thought it up himself, QueensPlaza will be exclusively hosting a collection of original costumes from the television show. In a world first, the exhibit will show off the clothes that some would say help make the show what it is. Janie Bryant, the costume designer behind the show’s Emmy Award winning wardrobe, has compiled a collection that showcases the various character’s styles. To add to the atmosphere, various retailers throughout QueensPlaza will also be styling their windows in the fabulous 60s fashion. As it is a free exhibition, any aspiring Don Drapers and Joan Harris’ of Brisbane should shine their shoes and find their dress hats and head into the city quickly.
This travelling exhibition brings the best photos from across the world right to our doorstep. Provocative and powerful, the World Press Photo exhibition will make the Powerhouse its home for the next month. Feast your eyes over the work of esteemed creative geniuses at this spectacular exhibition. The photos are showcased in nine themed categories, ranging from nature, to portraiture and daily life. World Press Photo features 54 photographs from 33 countries and visits 45 countries attracting over three million viewers. The 2013 winner is Paul Hansen of the Swedish Daily Dagens Nyheter. His photo depicts a group of men carrying the bodies of two children and their father through a Gaza street. The family had been killed after an Israeli missile strike had hit their home. Hansen's photo captures a moment in time that is drenched in grief and suffering and will compel you to respond emotionally. Similarly, the rest of the photos in this collection speak of universal human emotions and unique experiences. Marvel at the skill of these photographers and their ability to capture grief, loss, ecstasy and love. Image: Joy at the End of the Run by Wei Seng Chen (Sports Action, first prize singles).
Want to see a burlesque show that tells it like it is? Or circus cabaret that contemplates race relations in contemporary Australia? How about singing and striptease while smashing stereotypes? Or a performance that packs a punch of hip hop politics? All that makes up Hot Brown Honey, as well as dance, poetry, drama and a reflection of everyday problems. These bold performers aren’t just trying to entertain. They’re also working through issues of colour and culture — and courting controversy — in a show that’s certain to get people talking. The story jumps from the simmering shores of Polynesia to the bogan streets of Australia, peering through the eyes of an Indigenous drag queen and stepping through the life of a single mother who just happens to be a DJ. Hailing from Polytoxic Dance Theatre, Circus OZ and Briefs, the Luscious Lisa Fa’alafi, the Curvaceous Candy B and the Bodacious Busty Beatz package their tale and topics in spicy humour and simmering honesty. Some like it hot, indeed.
Plenty of us think we have seen the most terrible film in existence, but Twilight pales in comparison to the actual, literal, worst movie ever made. Plan 9 From Outer Space was made in 1959 and it's one of those movies you can tell how old it is not by the timid nostalgic notions, but the overall crap quality of production. The special effects, the acting, the entire movie is laughable, but somehow endearing, and like any shitty flick, you just can't look away. The premise is a tad bit hard to follow, but hey, they didn't have the biggest budget or best director to work with. Hint: the director was cross-dressing afficiando Edward D. Wood. The story follows an old couple that die a day apart (don't worry, I'm not spoiling anything), and space 'soldiers' try and resurrect them. The plan 9? To have a dead army rule the earth. Cue the worst graphics ever, plot holes, and an eerie mess of motion picture all in one. There's something therapeutic about watching rubbish films, but even more so when you get a drink included in the entry fee. Room 60 is waiting for you to find out about that pop-culture reference you never knew they were referring to.
Brisbane is gearing up for another balmy season, and, at the city's busiest new food precinct, Tex Mex hot-spot El Camino Cantina is set to join the party on the first weekend of summer. El Camino comes from Sydney where is has two outposts, and is part of Rockpool Dining Group, which also owns Sake, Burger Project and the nearby Bavarian Beerhaus. This loud venue is casual and over-the-top with giant cocktails, rock 'n' roll jukeboxes, lively Tex-Mex fare and sprawling 300-seat dining room and bar. At the big L-shaped bar, eight slushie machines signal big nights and brain freezes — El Camino's margaritas come in a swag of flavours and multiple sizes, including a group-friendly two-litre tower. Other options include a host of beers from near and far, and a collection of over 100 mezcals and tequilas. To match, the food lineup is equally vibrant. Think fiery buffalo wings, sizzling fajitas, plump burritos, soft shell tacos loaded with punchy flavour combinations and unlimited complimentary corn chips and salsas, It's all rounded out with a solid selection of daily specials, including 10-cent chicken wings on Tuesdays, $2 tacos on Wednesdays, brunch on weekends and a weekday happy hour from 4–6pm. The venue will launch on Friday, November 30 with a weekend-long fiesta, starting with a ticketed party on Friday night and continuing with $2 tacos, 10-cent wings, free tortilla chips and $7.50 margaritas across Saturday and Sunday. El Camino Cantina will open at 45 King Street, Bowen Hills on Friday, November 30. To head to El Camino's launch night, you'll need to snag a ticket here. Images: El Camino Cantina Manly by Tom Ferguson.
The American-style eatery has several outposts in Brisbane, slinging its New York-influenced street food all over the city. Burgers of the classic, cheese, bacon-filled and vegan variety are the main attraction, but there's plenty more on offer like baby back ribs in Bulldog Bourbon sauce or ginger-pepper caramel chicken wings, for example.
Oh Mercy are back with their new album and a string of shows with the Deep Heat Tour. Fresh from their successful North American Tour, as well as their recording stint in the States, the band is celebrating their third and most colourful offering. This time they are stretching their musical legs, delving into heavier grooves with reggae influences, still maintaining the wholly pop-rock sound they have garnered a strong following from in previous albums. Their latest single ‘Drums’ is a bass-driven dance-worthy track that showcases the best of frontman Alexander Gow’s vocals. Supported by Brisbanites Millions and Split Seconds, alt-rockers from Perth, the trio of talented bands are a treat in the flesh.
Remember those childhood days sat in front of the television, watching your beloved Disney flicks over and over? Of course you do. In fact, you might even be spending some of your social-distancing time recreating that period in your life — thanks to Disney+, there are plenty of nostalgic flicks to stream. Of course, back in the day when you were binging on The Lion King or The Little Mermaid on repeat, you probably weren't thinking about your future adult self partying to 'Hakuna Matata' or 'Under the Sea'. Let Beyond Cinema blow your inner kid's mind, because even in lockdown it's putting on a virtual Disney-themed party. From Beauty and the Beast and Pocahontas to Aladdin and Frozen, if it's a piece of music from a Disney flick, you'll likely hear it at the Magical Sing-Along. A heap of Sydney performers will croon out the studio's best tunes, which'll be streamed to ticketholders — and you're encouraged to dress up, let out your best renditions, play games (including dance-offs and lip sync battles) and win prizes. https://www.youtube.com/watch?v=GibiNy4d4gc Kicking off at 7pm on Thursday, April 30, this virtual shindig will get you dancing to your Disney faves and belting out many a tune while you do so — all in your lounge room. Tickets cost $10 per household, so you can share the fun with everyone who lives under your roof.
Summer is coming to an end, but — thankfully — that doesn't mean your time at the beach is. We're blessed with sunny weather for a lot of the year here in Aus, which means we need a few pairs of togs to get us through. If you're looking to snag a new pair, Jets has just launched its new collection of swimwear. To celebrate, the brand is offering Concrete Playground readers 15 percent off, too. Elysian is Jets' first collection under new Creative Director Rachel Allen. The star of the collection is the range of burnt clay swimwear. For example, this sophisticated high neck one piece and this high waist bikini. Jets also has a range of resortwear including dresses, kaftans, flowing shirts and sarongs that'll make you feel like you're holidaying in the Maldives, even if you're just enjoying a cocktail on your back porch. Jets' print collections are made using Renew Plus fabric, which utilises recycled and regenerated Econyl as a replacement to nylon. If you want the first look at the new collection, head to the Jets website and score yourself 15 percent off you order while you're at it. Just use the code CONCRETE15 before 11.59pm on Tuesday, March 30. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Megan Washington redefines the act of wearing your heart on your sleeve. The Melburnian artist is performing for one night only at The Zoo as part of an intimate national mini-tour kicked off in Melbourne and finishing up right here in Brisbane. Crediting her time in London for reigniting the ol' songwriting flame, Washington will be promoting her first singles in two years, the recently released 'Who Are You' and 'Limitless', as well as snippets from her upcoming new album There There (due September). The 28-year-old's shows have a rep for selling out fast, so get in quick if you want to catch the multi award-winning artist belting out her heartfelt, brutally honest tunes. Since winning triple j's unearthed competition way back in 2008, Washington has gained a truly loyal following and massive critical acclaim thanks to her witty, sometimes acerbic lyrics sweetened by upbeat, compulsive, play-me-over-and-over pop. Her 2010 debut album I Believe You Liar was a colossal hit and casually went multi-platinum. Next month sees the release of her highly anticipated, second full-length album, with longtime Washington fans super curious to see how her recent collaboration with bigwig producer Samuel Dixon (think Sia, think Adele) has influenced her style. https://youtube.com/watch?v=R8LsswiDj_o
It’s Lost Movements time again, and their seventh instalment promises a line-up of up-and-comers worth savouring. Hosted by Coniston Lane and executed by the never straggling Lost Movements team, this bi-monthly event promises art, music and everything unimaginable in between. Mercury Sun and West End’s Moski Jo will play ring leaders to this musical showcase, with a number of tasty acts warming the stage for them beforehand – Soupy LaRoue first up, followed by local jazz works of funk-heroes, GUSTAV. In classic Lost Movements style, audiences will walk amongst the impressive and intricate productions of live-body artists – you won't find a never-nude in sight. Gaps in musical acts will only provide area for a string of performances from Kenetik Dance, Dio Toro, Lady Victoria, and Miss Frankie Mae Felon to name a few of many. Like every Lost Movements before, and like every one to follow, expect the best in Brisbane art, music, dance and performance rolled together in one afternoon of spectacle.
The World Press Photo Foundation is a global platform connecting professionals and audiences through raw visual journalism and storytelling. The organisation was founded in 1955 when a group of Dutch photographers organised a contest to expose their work to an international audience. Since then, the contest has grown into the world's most prestigious photography competition and global travelling exhibition. The 66th edition of the World Press Photo Exhibition will touch down in Brisbane this year and be on display at Brisbane Powerhouse from Saturday, July 29–Sunday, August 20. The winners from this year's contest were chosen by an independent jury that reviewed 60,448 photographs by 3752 photographers from 127 countries — and while the exhibition only showcases a selection, get ready to peer at the best of the best. [caption id="attachment_902957" align="alignnone" width="1920"] Jonas Kako, Panos Pictures[/caption] Taking top honours for 2023: Evgeniy Maloletka's image of the Mariupol maternity hospital airstrike for the Associated Press. As the winner each year always proves, it's a hauntingly striking photo. This will be on display alongside other finalists, plus eye-catching images in categories that span contemporary issues, the environment, general news, nature, portraits and sports. [caption id="attachment_902958" align="alignnone" width="1920"] Mhammed Kilito VII[/caption] Top image: Alessandro Cinque, Pulitzer Center, National-Geographic.
Over the weekend, thousands of punters pulled on their gumboots and descended on Canberra for the annual Groovin the Moo festival. And, while they were there, many festivalgoers had their illicit substances tested at the the country's second ever pill testing trial. Taking place on Sunday, April 28, the trial was deemed "an overwhelming success" by organisers, with 171 illicit drug samples tested on the day — a huge increase from the trial's debut at the same festival last year, when 85 substances were examined. Headed up by harm reduction advocates Pill Testing Australia, again with the backing of the ACT Government, the 2019 trial tested samples from 234 participants and identified seven dangerous substances containing potentially deadly n-ethylpentylone. The punters carrying those were advised of the dangers and all turfed them in the amnesty bin provided. Among all of the day's tested substances, MDMA appeared most often, with cocaine, ketamine and methamphetamines also identified. Health warnings and safety information were given to every festivalgoer who had their drugs tested. Our second #pilltesting trial in Canberra was an overwhelming success with over 171 samples tested and 7 dangerous substances identified. All used the amnesty bin to discard these drugs. We have published our full media release here: #harmreductionhttps://t.co/yEzfcc1JtO pic.twitter.com/dYaWpYJUJm — Pill Testing Australia (@pilltestingaus) April 28, 2019 Despite a stack of international research, support from local experts and now two successful local pill testing trials, many Australian politicians — including the NSW and Victorian Premiers — have stuck firm on their anti-pill testing stance, even in the wake of a spate of deaths from suspected drug overdoses at NSW music festivals last year and a thousands-strong rally in Sydney earlier this year. In response to the deaths, NSW Premier Gladys Berejiklian introduced a strict new licensing regime for festivals — which doesn't include pill testing. However, according to the ABC, the pill testing trial did attract interest from Queensland Health and New South Wales Coroner's Office representatives — along with a group of Victorian crossbenchers — who visited the testing site as it was being set up on Saturday. So, while the ACT is currently the only state that allows pill testing, maybe this means we'll see pill testing once again up for debate across the rest of Australia. Especially since, just last week, according to the SMH, Premier Berejiklian gave the go-ahead for a government inquiry into illicit drug use to examine the merits of pill testing. Pill Testing Australia is also currently raising funds to roll out free trials across the country. It will need the support of the respective state governments to do so. Image: Groovin the Moo by Jack Toohey.
Since late in 2020, if you've been near the South Bank and North Quay stretch of the river – or even just driven along the Riverside Expressway — then you've likely seen Will & Flow. It's the overwater bar that's perched right on top the river on the CBD side, and it's hard to miss. It's also back up and running after the floods forced a revamp. You can stop by whenever you like to pair a bite to eat and a few drinks with the venue's view, of course. Or, you can make a visit on a Sunday between 11.30am–6pm. That's when Will & Flow hosts Sundaze sessions — and yes, they're really just an excuse to kick back in a scenic spot over a couple of beverages and a snack. [caption id="attachment_860072" align="alignnone" width="1920"] Mitch Lowe[/caption] Entry to Sundaze is free to, but there is one special that'll tempt your tastebuds: a $50 deal for two that includes a spritz each and a grazing platter to share. Whether you go for that option or sip and munch on whatever else you feel like, you'll pay as you go — and you'll also be treated to live tunes. The music lineup changes weekly, but you might find yourself listening to 42 Band, Nik Conomos Duo, Parallel Duo or Becky Rhodes.
Cutesy name, likeable stars, stylised brutality, a familiar revenge scenario: blend them all together, and that's Gunpowder Milkshake. There's one particular ingredient that's missing from this action-thriller's recipe, though, and its absence is surprising — because much about the film feels like it has jumped from the pages of a comic book. That's one of the movie's best traits, in fact. The world already has too many comics-to-cinema adaptations, but although Gunpowder Milkshake doesn't stem from a graphic novel, it actually looks the part. Its precise framing and camera placement, hyper-vibrant colours and love of neon could've easily been printed in inky hues on paper, then splattered across the screen like the blood and bullets the feature sprays again and again. Writer/director Navot Papushado (Big Bad Wolves) and cinematographer Michael Seresin (War for the Planet of the Apes) have made a visually appealing film, and a movie with evident aesthetic flair. All that gloss is paired with a generic assassin storyline, however, and a half-baked feminist thrust. It's Sin City meets John Wick but gender-flipped, except that the Kill Bill movies and Atomic Blonde have been there and done that. Gunpowder Milkshake is entertaining enough, but largely in a mechanical way. Its look hits the mark, with every colour popping a shade or two brighter than might otherwise be expected. Its action choreography is impressive, albeit nowhere near as kinetic as the pictures it is patently aping. With Avengers: Endgame's Karen Gillan leading the charge, Game of Thrones' Lena Headey playing her on-screen mother, the impressive trio of Angela Bassett (Black Panther), Michelle Yeoh (Last Christmas) and Carla Gugino (a Sin City alum) also featuring, and child actor Chloe Coleman (Big Little Lies) holding her own, the movie's key women all do what's asked of them. And, when it comes to female-fronted action fare, there's no such thing as too much. But Gunpowder Milkshake's cast is also only tasked with navigating an inescapably clear-cut scenario, and the film's girl-power credentials are only skin deep, too. The focus on motherhood couldn't be more stereotypical, and the movie undercuts its empowering vibe by using its older women far too sparingly. Papushado and co-scribe Ehud Lavski (a feature first-timer) attempt to complicate their narrative, as opening narration explains, but the basics are hardly complex. As skilled killer Sam (Gillan) notes, she works for a group of men called The Firm, cleaning up its messes with her deadly prowess. It's an inherited gig, in a way. Fifteen years earlier, she was a fresh-faced teen (Freya Allan, The Witcher) with a mum, Scarlet, who did the same thing. Then her mother abandoned her after a diner shootout, leaving Sam to fend herself — and, to ultimately get her jobs from Nathan (Paul Giamatti, Billions), one of The Firm's flunkies. It's on just that kind of gig that Sam kills the son of a rival crime hotshot (Ralph Ineson, Chernobyl), and he wants revenge. Soon, her employers are also on her trail, after she takes another assignment in an attempt to sort out her first problem, then ends up trying to save eight-year-old Emily (Coleman) from violent kidnappers. Bassett, Yeoh and Gugino play librarians, and that term could be capitalised as a code name. They're surrounded by books, but they're also assassins themselves who trade in supplies for their fellow hitwomen. Running their business in an eye-catching dome-shaped Berlin building — which is where the film was shot, although it never mentions where it is set — they basically oversee Gunpowder Milkshake's equivalent of John Wick's The Continental. And, they have links to Scarlet, and to Sam's childhood, but they're used as weight and texture rather than given meaty parts. It's almost unforgivable for a movie that's all about formidable ladies to waste Bassett, Yeoh and Gugino in such minor roles, in fact. Again, they do all that's asked of them. They do it well, obviously. Still, they're both the most interesting aspect of the narrative and the least utilised. A secret society of killer women that camouflage their strength behind their knowledge, pass down skills through generations, and blush to no one in a male-dominated realm? Now that's a great premise. A kick-ass heroine who grew up with mummy issues, but now must care for a girl who also doesn't have a mother, all while actually reconnecting with her own and simultaneously laying waste to villainous men? That's clearly far more standard. Even when it's at its most engaging, Gunpowder Milkshake always leaves viewers wishing that it'd taken another path and spent more time with characters it mostly leaves in the background — unsurprisingly given what it pushes to the fore, and what it lets sit on the side. Wanting Bassett, Yeoh and Gugino to play bigger parts isn't a criticism of Gillan, or of her time with Headey and Coleman — even if cracking the facade of a stone-cold killer by getting them palling around with a kid is now a genre cliche (Coleman also had a similar role in espionage comedy My Spy). Gillan takes to her character with stony efficiency. That too is a trope — see: oh-so-many movies in your streaming platform of choice's "strong female lead" category — but she's been doing it swimmingly in the Marvel Cinematic Universe as well. What might've served her better, however, is a female filmmaker behind the lens. For all the style that Papushado brandishes, he's lacks the same fun, frenetic and fluid touch Cathy Yan gifted 2020's Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), and the same poignancy and smarts that Cate Shortland has given this year's Black Widow. Of course, that's the thing about making a movie that looks like a comic book flick, and that also tries to set up its own franchise, too: it's always going to earn and suffer from those comparisons.
In 2013, the Oxford Dictionary deemed 'selfie' the word of the year. Given that advances in mobile phone technology mean that no one can stop taking them, that's hardly surprising. When everyone started carrying around compact, high-resolution cameras in their pockets, taking a constant stream of self-portraits was kind of inevitable. We're sure that Marisa Georgiou, Kristian Fracchia and Chloe Waters have captured more than a few happy snaps of themselves over the years; however you won't see those at Self Imag(in)ing. Instead, you'll find an exploration of the way in which navigating issues of identity, gender and corporeal experience via a perpetual state of self-imaging has become the norm. Think of it of an artistic dissection of how and why we're compelled to not only photograph ourselves, but share the resulting pictures with the world via social media, and construct a visual narrative of our lives as a result. You'll never look at your Instagram feed the same way again, because you haven't thought about selfies quite like this before. Image: Marisa Georgiou Afternoon Fountain Reverie 2016, Video still.
Back in the 17th century, writing a play about religious hypocrisy was more than a little frowned upon. When Molière did just that with Tartuffe, the Archbishop of Paris actually issued an edict threatening excommunication for anyone who watched, performed in or read the play. There's getting a reaction, and then there's that Why? Well, that's a question Queensland Theatre and Black Swan State Theatre Company's new production just might answer while it plays at the QPAC Playhouse from November 12 to December 4. And even if it doesn't, it is going to have amusing fun trying. In a new version of the French playwright's classic work by Jason Fleming, Tartuffe tells a tale about a con man, a wealthy mark and a scheme promising salvation put designed to pilfer a fortune. Oh, and the fake spiritual advisor has designs of his potential victim's wife and daughter, too. Yep, farcical controversy abounds.
On February 11, 2010, Parks and Recreation created history. While the all-round excellent sitcom was already fantastic and hilarious for many reasons, that's the date that the series aired its Galentine's Day episode. The specifics are simple: on the day before Valentine's Day each year, Leslie Knope (Amy Poehler) throws a party to celebrate female friendship. And the impact has been huge, with Parks and Rec's made-up holiday now commemorated in real life in a big way. At Brisbane Powerhouse on Thursday, February 13, Galentine's Day means heading to an openair cinema and watching some of Poehler's Saturday Night Live co-stars in hit big-screen comedy Bridesmaids. Obviously, you'll want to gather the gals, then mosey down to the New Farm site's Performance Lawn from 5.30pm — with the film kicking off at 6.30pm. Even better — heading along will only cost you $5. All proceeds will donated to the Brisbane Powerhouse Foundation, too, which helps fund new performances at the venue. https://www.youtube.com/watch?v=pr0Mk3hjc20 If you fancy spending $20, you'll also nab a picnic box filled with continental meats, dips, pickles, cheese, olives, crostini and artisan breads. And while it has been rather rainy in Brisbane of late, the film will screen regardless of the weather.
Whenever a kitchen knife gleams, a warped mask slips over a killer's face or a piano score tinkles in a horror movie — whenever a jack-o'-lantern burns bright, a babysitter is alone in someone else's home with only kids for company or October 31 hits, too — one film comes to mind. It has for four-plus decades now and always will, because Halloween's influence over an entire genre, slasher flicks within it and final girls filling such frames is that immense. That seminal first altercation between then 17-year-old Laurie Strode and psychiatric institution escapee Michael Myers, as brought to the screen so unnervingly by now-legendary director John Carpenter, also valued a concept that couldn't be more pivotal, however. Halloween was never just a movie about an unhinged murderer in stolen mechanic's overalls stalking Haddonfield, Illinois when most of the town was trick-or-treating. In Laurie's determination to survive Michael's relentless stabbing, it was a film about trauma and fighting back. As played by Jamie Lee Curtis (Everything Everywhere All At Once) for 44 years — her big-screen debut made her an OG scream queen, and she's returned six times since, including now in Halloween Ends — Laurie has never been anyone's mere victim. In the choose-your-own-adventure antics that've filled the franchise's ever-branching narrative over 13 entries, her tale has twisted and turned. The saga's has in general, including chapters sans Laurie and Michael, films that've killed one or both off, and remakes. But mustering up the strength to persist, refusing to let Michael win and attacking back has remained a constant of Laurie's story. That's all kept pushing to the fore in the current trilogy within the series, which started with 2018's Halloween, continued with 2021's Halloween Kills and now wraps up with an instalment that flashes its finality in its moniker. Laurie keeps fighting, no matter the odds, because that's coping with trauma. This time, though, is a weary Haddonfield ready to battle with her? First, a just-as-pressing question: is this David Gordon Green-directed and co-written, Jason Blum-produced movie ready to fight back itself? Green (Stronger, The Righteous Gemstones) has been the mastermind behind the franchise's revival with co-scribe Danny McBride (The Legacy of a Whitetail Deer Hunter) — and while their first dance with the boogeyman (James Jude Courtney and Nick Castle), and the woman pursued by him, gave the Halloween series its best sequel yet, their second lurked in lacklustre been-there, done-that territory. Despite a title that's bound to be proven wrong down the line because that's just the way Hollywood goes, Halloween Ends leaps forward after its average-at-best most-recent predecessor, thankfully. It does so weightily, eerily and gorily, in fact, albeit sometimes clumsily as well, in a mostly fitting swan song for Curtis that understands what it means to spend half a lifetime shrouded in tragedy. Halloween circa 2018 and Halloween Kills sliced into the same night, 40 years after Michael initially attacked Laurie, but Halloween Ends covers two other October 31s. In the first, a year later, a babysitter, a child and Haddonfield's understandably on-edge vibe are all present — as is Carpenter's 1982's masterpiece The Thing, playing on a TV — and a bloody end results. Jumping forward three more years, Laurie is penning a memoir about moving on from her ordeals, and has begun to re-embrace life while living with her granddaughter Allyson (Andi Matichak, Foxhole). Still, around them, their home town is uncertain in Michael's absence. Accustomed to having a big bad responsible for their woes, fears and misery, its residents now point fingers at twentysomething Corey Cunningham (Rohan Campbell, The Hardy Boys), who's already escaped a murder accusation but is forever branded in the community's eyes. Seizing new chances — to avoid adding to Michael's body count, to hold one's own against him and to welcome the future — has always been part of Laurie's story, too, and Halloween Ends knows it. Accordingly, it's little wonder that she feels for the outcast Corey, or that she's swiftly setting him up with Allyson. That clunky plot thread and the inevitable return of Michael are intertwined, because Haddonfield is that festering an emotional and psychological mess; see: the viciousness skewered Laurie's way as well, blaming her for her tormentor's decades of horrific crimes. That Green adapts the franchise's usual pumpkin-filled opening titles to show jack-o'-lanterns swelling, birthing new carved and hollowed-out vegetables inside, then exploding as new ones take over, is telling — by design, obviously. (Carpenter provides a new score, as he has for all three recent titles, which also keeps setting the perfect creepy mood.) Green and McBride's love for all things Halloween, and for Carpenter and his imprint upon horror, has never surprised; why hop into the saga otherwise? Alas, adoring nods and knowing use of the series' template can be a double-edged cleaver — clever in 2018, tired in 2021, but now mostly savvy again. That perhaps there can be somewhat of a conclusion to all the pain Michael has inflicted after all plays powerfully, especially given how past flicks have acknowledged that truly awful things can and do happen for absolutely no reason, and that their imprints slash oh-so-unshakeably deep. Thematically, Halloween Ends is still about that choice to fight back against unspeakable trauma, although it also recognises the choice to take control by other means. This trilogy-concluding movie doesn't skimp on the engagingly staged visceral threats, though, including new and throwback bumps and jumps, plus a hefty willingness to get grisly — or, once he re-emerges, on Michael as a source of terror. Just as Haddonfield one year on, then four, seems to be drifting, Halloween Ends might've if it didn't buy into everything with such gusto. The winks, the trauma, the truth about life's darkness, the straightforward but on-point social commentary, the gruesome deaths, the determination to just keep fighting back, a few splashes of utter silliness: there's intensity in them all, notably so after Halloween Kills' treading-water mood. Whether facing off against The Shape, as Michael is always credited, or crossing Corey's path and weathering its aftermath, Curtis always ripples with the same force — and with the gravity of a woman whose life has kept leading to this. That's accurate for final girl-turned-final woman Laurie, clearly, and one of Halloween Ends' biggest strengths is grappling with that fact. It's also accurate for Curtis herself, who adds this to 2018's Halloween and the ceaselessly iconic original as undying career highlights.
If you like venues with punning names, the Gold Coast is already home to an ace one thanks to Chinese restaurant Miami Rice. Also taking its moniker from the same source of inspiration: newcomer Tropic Vice, which you'll now find sporting big summer vibes on a Mermaid Beach rooftop. In this instance, the nod to a certain 80s TV crime drama — and 2006 Colin Farrell and Jamie Foxx-starring movie remake — stems from the bar's Palm Springs-meets-Miami vibe. And with pastel hues almost as far as the eye can see, umbrellas aplenty, oh-so-much greenery and even neon flamingos around the place, it certainly looks the part. Patrons have multiple sunny spaces to choose between — starting with the grassy-heavy garden bar with its brollies, and also including a deck covered with creeping vines and high tables, as well as a neon-lit podium space. And yes, almost every surface here is either pink, teal, green, white, or covered in tropical prints and/or plants. While you're pretending you're on a holiday without actually going on holiday — although, for Brisbanites, a night or two on the Gold Coast definitely counts as a getaway — you can tuck into a menu that takes its cues from Caribbean and South America. Highlights span oysters topped with watermelon chilli vinaigrette, kingfish ceviche, fish and potato balls, jackfruit and black bean salsa tacos, as well as chilli and garlic prawns paired with fresh mango salsa. For dessert, you can pick between coconut rice with homemade dulce de leche and fried bananas. The cocktail list sticks to the venue's theme, starting with the Miami Spice (with whisky, vanilla liqueur, lemon juice and spice syrup), Flamingo Spritz (pink gin, prosecco, blood orange seltzer and soda water) and Vice Martini (vodka, passionfruit puree, pomegranate syrup and mint leaves). Three kinds of margaritas are on offer, too — guava and goji, coconut and mandarin, and lychee and chilli — plus boozy slushies and salted caramel espresso martinis. And if you're keen to stick around for the long haul on a Sunday, there's both $79 and $89 boozy bottomless brunches from midday each week. Find Tropic Vice at 2215 Gold Coast Highway, Mermaid Beach — open from 4–10pm Wednesdays–Thursdays and 12–10pm Fridays–Sundays. Images: Mondae Studio.
Think Lunar New Year, and you likely think Chinatown. That understandable — but it's not the only Fortitude Valley spot celebrating the occasion. Over at Bakery and California lanes, the two patches of pavement are putting on a Lunar New Year party. There'll be food. There'll be booze. There'll be lion dances and live music as well. From 6pm on Saturday, January 21, the festivities for the Year of the Rabbit will get into full swing with a lively laneway shindig. Fat Dumpling will be serving up its titular dish (naturally), Gung Ho! Dumpling Ramen Bar will also help fill your stomach, and Chicken of Rock and Jeon's Kitchen will similarly be doing their respective things. Also on offer: cocktails and other boozy beverages at the two laneways' bars, complete with flavours to suit the occasion. All that celebrating is thirsty work, after all. Plus, there'll be lion dances and traditional Chinese music — and you're just a short stroll from the rest of the Valley's celebrations, including in the Brunswick Street Mall, too. Top image: Fat Dumpling.
Sometimes, your tastebuds crave something special. They hanker for the kind of dish you're not going to eat every day, aka a treat yo'self type of culinary experience. Here are three things that they probably demand in that situation: lobster, truffles and champagne. If that's your idea of an indulgent meal, Lobster & Co has you sorted between Friday, February 11–Sunday, February 27, which is when it's popping up in Brisbane on the Clem Jones Promenade at South Bank. You'll only really find those three aforementioned items on the menu, too, because it's solely serving up lobster rolls with truffle fries and glasses of champagne. You'll pay $50 a pop for the food combo, which features a whole confit lobster tail sourced from The Geraldton Fishermans Coop in Western Australia, as served on a caramelised brioche bun with buttermilk fennel slaw, plus a side of parmesan truffle fries. As for the champers, that'll cost you $20 extra. Bringing your own picnic blanket is recommended so you can get cosy on a patch of South Bank's grass while tucking into your lobster, chips and bubbles Images: Karon Photography.
Despite copping the worst of this year's freak floods, Brisbane's beloved West End is back on top and ready to showcase some of the nation's innovative and up and coming film makers with the annual West End Film Festival. Now in its second year, the festival features short films from all around the country. This year 23 films have been selected as finalists out of the 150 entries that were received. These films will be screened in front of hundreds of people at the festival's gala event which spans a range of different screenings throughout the night. In true West End style, the opening gala will take place at Rumpus Cinema, a makeshift movie house situated behind the eclectic and bohemian Rumpus Room bar, in the cultural heart of West End. WEFF will also reward some of the festivals outstanding film makers on the night with cash prizes (this year there is a total of $3, 500 to give away) as well as public recognition of their work and priceless exposure to the creative appetites of Brisbane’s cultural participants. Previous winners at WEFF include Joe Brumm for his animated film Economic Hitmen and Odette Best and Sally Madgwick for the Indigenous film My Country. Image still from film Push Bike, a finalist at this year's WEFF
Ah piano lessons, takes me back to being an eager 4-year-old pianist (which eventuated in boredom by the time I was in my mid-teens). I thought I knew everything there was to know about sitting at a piano and bashing the keys, but now it appears I was wrong. Which is why I'm attempting to regained my enthusiasm and see the difference between my past and the stage adaptation of Anna Goldsworthy’s Piano Lessons. As a concert pianist herself, the half book/half memoir recounts Goldworthy’s years of scales and recitals whilst also illustrating the relationship she had with her Russian mentor. The QPAC adaptation has transformed the written words into a play-concert extravaganza, including pieces by Mozart, Liszt and Chopin, but also drawing on Anna’s life experience. Described as an inspiring and exciting show to all that witness it, it may not be enough for me to take up the piano again, but I am certainly keen to relive all the years I put into those black and white keys.
Welcome to the Crush City Exhibition, a one-night-only celebration featuring a wide array of artists with one key passion. John Lupo Avanti, an illustrationist by many trades, works for business and pleasure. He does brightly-coloured, semi-traditional tattoos, as well as hyper-real acrylic illustrations of dreamscapes brought to intriguing reality. Eric Bruckner’s realistic tattoos are comic book look-a-likes to the point of unreal. Pop culture is his game, which he plays with finesse and imagination; from Halo to Marilyn Monroe, there is no sphere he won’t cross with great ease. Street art talents meets tattoo refinery with Sam Hillcoat. His bold, colourful works have graced the walls of buildings around Brisbane, as his designs grace the skin of fans throughout the city. This is not the first exhibition for Hillcoat; his works have been widely praised for some time now in art circles as well as business frontiers. Other Crush City artists you’ll find at this exhibition include JB Diz, Sam Hillcoat, Mechso, NITE, Reals, Blex and Jay Christensen. Get in early!
Choose life, Trainspotting's iconic opening monologue told us. Choose a job, a career and plenty of other things as well, it continued. Whether or not you've taken that advice to heart, here's something else for you to choose — watching the cult classic film after hearing insights from the man behind it. He literally wrote the book that started it all, and now Irvine Welsh is coming to Brisbane to chat about the wild and chaotic world that he's been building upon across the past two decades. In town for the Brisbane Writers Festival, he'll be talking about Dead Man's Trousers, his latest account of Mark Renton, Frank Begbie, Sick Boy and Spud's antics. He'll also be signing books, too. Stick around after the discussion, however, and you can feast your eyes on Trainspotting after gleaning Welsh's take on the novel that brought him to fame. All that's left is to block out Tuesday, August 28 in your diary, and choose to head along from 7pm, with tickets costing $42.57.
It's festival time at Brisbane Powerhouse once again, all thanks to the return of the venue's MELT: Festival of Queer Arts and Culture. Every year since 2015, the New Farm spot has celebrated the city's LGBTIQ+ community, as well as queer creativity in general — and in 2019, that means nearly 35 productions over ten days between Friday, June 28 and Sunday, July 7. Guest directed by producer and director Emily Gilmore (Spring Awakening, The Last Five Years), this year's MELT is jam-packed with music, cabaret, comedy, theatre, talks, panels and creativity — which means there's plenty to do, see, hear and dance to. From paying tribute to queer rock royalty to brightening up the place with important art, here's our five must-attend picks.
Throughout October, Greece is the word in Australian cinemas. That's right, Hellenic-loving cinephiles — it's Greek Film Festival time. Now in its 24th year, the annual showcase of the European country's film output is set to do the rounds once again, highlighting the best contemporary efforts being made across the Aegean Sea. Accordingly, prepare for the kind of backdrops that'll make you want to book your next holiday, probing insights into the nation's migration situation, and for a few strange and wonderful confusions — they don't call their current spate of movies "the Greek Weird Wave" for nothing, after all. If you're after more, prepare for a snapshot of not only features and documentaries being made in Greece, but a showcase of talent and tales that have spread around the world. To help you whittle down your viewing list, we've picked five must-sees from this year's lineup. https://vimeo.com/192731022#at=0 DOGS OF DEMOCRACY Anything cats can do, dogs can do too, right? If you've ever had both feline and canine four-legged BFFs, you'll know that the latter frequently wants to follow in the former's footsteps. In Dogs of Democracy, that's just what's happening — as anyone who saw and fell in love with Turkish cat doco Kedi will recognise. This time around, it's playful pooches on the streets of Athens that are in the spotlight, in an effort by Greek-Australian philosopher and filmmaker Mary Zournazi. What can the city's strays teach us about tumultuous everyday life? You'd be barking mad not to watch and find out. Dogs of Democracy screens in Sydney, Melbourne and Brisbane. https://www.youtube.com/watch?time_continue=6&v=CQFdGfwChtw THE KILLING OF A SACRED DEER Ever the master of exposing humanity's true nature in unexpected, unnerving and bleakly amusing ways, and of serving up clinical visuals and a commanding tone in the process, Yorgos Lanthimos is up to his usual tricks in The Killing of a Sacred Deer. Of course, where the Dogtooth, Alps and The Lobster writer/director is concerned, there's no such thing as usual. Here, in his second successive feature to star a career-best Colin Farrell, he steps inside the struggles of a doctor whose family is forced to cross paths with the son of one of his patients. Nicole Kidman, Alicia Silverstone and Dunkirk's Barry Keoghan round out the cast — the latter in an astonishing performance — as Lanthimos serves up a savagely accurate exploration of self-interest, sacrifice and the horrors of everyday life. The Killing of a Sacred Deer screens in Sydney and Melbourne. https://vimeo.com/211444789 ROZA OF SMYRNA There's a reason that filmmakers keep coming back to Romeo and Juliet, or R+J-like stories. Conflict, love, tragedy, heartbreak — even if real life often has a happier ending, the Bard's story of a star-crossed but ill-fated romance captures its ups and downs. Add Roza of Smyrna to the pile following in its footsteps, in a Greco-Turkish tale that blends its amorous affairs with a portrait of relations between the two country. Greek veteran Leda Protopsalti stars as the titular character, a formidable family matriarch whose youthful exploits drive the movie. Roza of Smyrna screens in Sydney, Melbourne and Brisbane. https://www.youtube.com/watch?time_continue=7&v=goJzKqpAdEk AMERIKA SQUARE After making a splash in Chevalier, Greek actor Makis Papadimitriou stars in Amerika Square — and gets immersed in a different kind of battle. Here, he's playing a Greek nationalist in a country still tussling with immigration and refugees, and his character has strong feelings about it. An African singer looking to escape with her tattoo artist boyfriend and a Syrian doctor trying to leave with his daughter also form part of the film's narrative. Exploring the current state of the nation, the powerful drama is Greece's submission for the best foreign-language film category at the 2018 Oscars. Amerika Square screens in Sydney and Melbourne. https://www.youtube.com/watch?v=L98Lc1F7UtA KISSING? Mumblecore, the American low-budget indie movement that gave us Greta Gerwig, Joe Swanberg, Mark Duplass and more, is going Greek. You won't find any of them in Kissing?, sorry, but you will find a raw, candid effort about the ordinary existence of almost thirtysomethings trying to get by. Yes, Danny (Thanassis Petropoulos) and Stella (Iro Bezou) are navigating the maze of life and love tahat you'd expect; however filmmaker Yannis Korres' feature is made all the more resonant due to his country's economic turmoil. Kissing? screens in Brisbane. The Greek Film Festival runs from October 10 to 22 at Palace Norton Street in Sydney, October 11 to 22 at Palace Como and The Astor Theatre in Melbourne, and October 12 to 15 at Palace Barracks in Brisbane. Head to the festival website for further details.
For the first time in Australia — and more than four decades after his death — American artist Robert Smithson receives a dedicated exhibition. On display at the UQ Art Museum from March 10 to July 8, Robert Smithson: Time Crystals delves into the work of a figure considered one of the most inventive and influential of his time, particularly in his use as the land as a canvas for his sculptures. Indeed, his piece Spiral Jetty still exists today: a 460-metre-long coil of mud, salt crystals, and basalt rocks, spiralling from the shore of the Great Salt Lake in Utah. That's not making its way to St Lucia, but plenty of sculptures, photographs, films, drawings and texts are, as borrowed from major Australian and international collections. Also included are archival and research materials, both from Smithson and others looking into his work, helping to provide visitors with even more detail about his career and artistic practice. "As the most expansive presentation of Smithson's personal papers ever to be publicly exhibited, including a number of important unpublished writings, the exhibition will offer an extraordinary insight into the artist's methods, processes, connections and influences," explains co-curator Dr Amelia Barikin. Image: Robert Smithson, Yucatan Mirror Displacements (1–9) 1969 (detail), nine chromogenic prints from original 126 format slides. each image 61 x 61 cm. The Solomon R. Guggenheim Museum, New York. Purchased with funds contributed by the Photography Committee and with funds contributed by the International Director's Council and Executive Committee Members: Edythe Broad, Henry Buhl, Elaine Terner Cooper, Linda Fischbach, Ronnie Heyman, Dakis Joannou, Cindy Johnson, Barbara Lane, Linda Macklowe, Brian McIver, Peter Norton Foundation, Willem Peppler, Denise Rich, Rachel Rudin, David Teiger, Ginny Williams and Elliot K. Wolk, 1999. Photo: The Solomon R. Guggenheim Foundation / Art Resource, NY © Holt-Smithson Foundation/VAGA. Licensed by Viscopy, 2017.
If you think Christmas has become a bit too much about shopping and spending, then you're probably a fan of Festivus. Yes, we mean the alternative to the over-commercialised holiday proposed in an episode of Seinfeld, as conjured up by none other than George Costanza's dad. The Foundry certainly like the idea of an all-inclusive December gathering, which is exactly what they're throwing to mark the end of their first year. Moses Gunn Collective, Baskervillain and If I Had Antlers will be cranking out some tunes, and if you're lucky, there might also be an unadorned aluminium pole in place of a tree. Now that'd be a Festivus miracle.
