One of modern art's most argued-about works has been sold. Tracey Emin's famously debated 1999 work My Bed went under the hammer for the very first time, complete with dirty sheets, cigarette butts and condoms — and taking away a cheeky £2.2 million. Emin, who showed up to the auction yesterday, gained notoriety when her work Everyone I Have Ever Slept With 1963–1995 debuted at a 1997 Charles Saatchi's Sensation exhibition at London's Royal Academy. After getting drunk, going on national TV and getting all sweary, she'd release My Bed two years later to colossal debate. One of modern art's classic "Is this art? What is art? Is this bag of wrenches art?" generators, My Bed was expected to sell between £800,000 and £1.2 million (roughly $1.4 million to $2.2 million) at auction — instead raising the bar to £2.2 million. With the buyer's premium, My Bed really went for £2,546,500; a world record for Emin at auction. Francis Bacon's Study For Head Of Lucian Freud was also put under the hammer, fetching a quiet little price of £10.2 million. The highly-scrutinised installation is a recreation of Emin's actual bed during a rough time — the artist spent days in the bed during relationship difficulties and dealt with suicidal thoughts. Scattered with paraphenalia from the artist's own bedroom (condoms, menstrual-stained underwear, slippers), My Bed caused controversy not for the collective sum of confrontingly personal items but for the stains on the sheets. Gallery-goers saw the traces of bodily secretion as a little too human. "It's a self-portrait, but not one that people would like to see," Emin said. "I took everything out of my bedroom and made it into an installation," Emin said. "And when I put it into a white space, for some people it became quite shocking. But I just thought it looked like a damsel in distress, like a woman fainting or something, needing to be helped." The new owners (who haven't been revealed yet) might be able to recreate the work of two performance artists, Yuan Chai and Jian Jun Xi, who jumped on Emin's bed in a performance creatively titled Two Naked Men Jump into Tracey's Bed. Most interestingly will be the conditions under which the new owner must actually display My Bed. Previously (when not displayed in a gallery setting) the work has been on display at the home of its owner Charles Saatchi. As The Guardian reports, the work — a flurry of seemingly random miscellany — has very meticulous installation instructions. "It's a very complicated piece to put together," Director of Cadogan Tate Fine Art Stephen Glynn says. "It comes with a dossier of photographs of every object, and a list of where exactly everything needs to go." A bit like an Ikea instruction manual, then? "A bit. You're certainly trying to make sure that everything goes in the right place." Displayed at the Tate Modern in 1999, My Bed was shortlisted for the Turner Prize that year. Saatchi can now count its sweet, sweet Emin pennies, with proceeds going straight back to the Saatchi Gallery — the team are moving to make the gallery have free admission. Via BBC, Reuters and The Guardian.
On May 20, 2011, 500 people will explore the Stephen A. Schwarzman building of the New York Public Library (NYPL) from dusk 'til dawn in a new interactive game allowing players to become an author by sunrise. Find the Future is an overnight adventure where participants have specific missions and objectives to complete through the secret underground stacks of the library, where over 40 miles of books are housed. By the end of the excursion the group will have collaboratively written an entire book that will be published and entered into the permanent collection of the NYPL. Participants will observe over 100 objects of monumental significance to mankind and learn over 100 untold stories that are aimed to inspire creativity and encourage people to realize their dreams and goals for their own lives. The entry form to become one of the first lucky few to begin the Find the Future quest asks individuals to imagine a vivid picture of their future and then create a goal to achieve by the year 2021. The most original and determined entries will be selected for the overnight stay. Following the debut on the 20th, anyone can play the game during regular library hours at the NYPL, or online from anywhere in the world, to make history by finding their future.
Relaxing usually means avoiding difficult decisions. Before you chase bliss at The Bathhouse Albion, however, you do need to make some choices. Will a soak help ease your stresses? Would a cold plunge revitalise your senses? Maybe you'd prefer to float away your troubles? Is getting steamy — in a steam room, that is — your path to unwinding? Would you prefer a sauna instead? These are the best types of verdicts to make, of course, because you're plotting out how to level up your self-care. Making them at the latest relaxation spot in Brisbane's inner north — its second in 2024 alone, after also scoring a new bathhouse in Lutwyche — means that you're on your way to forgetting your worries. A European-inspired wellness haven, The Bathhouse Albion has set up shop on Nariel Street as part the Albion Fine Trades precinct. First announced back in April, it started welcoming in patrons in late June. The vibe here is indulgent, opulent and luxurious — all in an architecturally designed space that boasts Hogg & Lamb's fingerprints, as Brisbane restaurants Babylon and Gemelli Italian already do. Travertine stone is a key element, giving the venue not just a Euro look and feel, but an old-school one as well. Moody lighting and high ceilings also feature. Vanderbilt Wellness is behind the wellness spot, which Managing Director James Walsh — an experienced long-distance and ultra-marathon runner — explains aims to "create a space where our guests can re-energise and restore, as part of a balanced lifestyle in an unmatched setting". He's dubbing it "one of the most luxurious bathhouses in the world", too. "I've had the opportunity to run ultra marathons all over the world and the privilege of experiencing some of the world's most well-regarded and award-winning wellness and recovery centres." "Our aim is to transcend the standard of service and experience available in the Australian market." Within the atmospheric bathhouse, patrons can take a dip in both hot and cold pools (the latter gets down to 12 degrees), then get sweaty in traditional and infrared saunas — and in a Finnish sauna with a fireplace. The six-degree ice bath will cool you down. The tiered steam room will heat you back up. If you just want to drift, there's the float room. And, in-between treatments, the relaxation lounge awaits. Turning chasing bliss into a multi-sensory experience, The Bathhouse Albion also features calming fragrances and sounds — and there's no phones allowed, and no alcohol as well. It also has a cap on guest numbers for each session, so you won't have too much company. And yes, there's tea — that bathhouse staple — for sipping, plus cotton towels aplenty. Casual sessions start from $59. At the other end of the pricing scale, those feeling flush, not to mention willing commit a hefty chunk of cash to their relaxation, can opt for the $833-a-month unlimited membership. It gets you unlimited access and priority bathhouse sessions, as well as two monthly guest passes and two float passes. Find The Bathhouse Albion at 64 Nariel Street, Albion — and head to the venue's website for more details.
When a new year rolls around, an annoying change often comes with it, forcing Brisbanites to fork out a bit extra to get around town. That won't be the case when 2020 wraps up, however, with the Queensland Government advising that public transport fares won't be changing when 2021 kicks in. Instead, the price of hopping on all Translink and QConnect services across the state will remain at 2020 levels. So, whether you need to hop on a train, bus, ferry or CityCat, you already know how much that'll cost you based on this year's prices. Announcing the news on Wednesday, December 2, Queensland Premier Annastacia Palaszczuk said that it was partly motivated by trying to "encourage Queenslanders back on to public transport". Unsurprisingly, not as many folks have been using the network in 2020, although that has been slowly changing as the state has opened back up after COVID-19 restrictions. This news means that, in Brisbane's Translink network, an adult one-zone journey will still cost $3.37 in peak times in 2021, $2.70 between 8.30am–7.30pm and 7pm–6am on weekdays and all day on weekends, and $4.90 whenever you buy a paper ticket. At the upper end of the scale, an eight-zone trip — which'll take you from the CBD to Noosa and Gympie — will come in at $20.34 in peak times, $16.27 in off-peak and $29.50 for paper tickets. Top image: Philip Mallis.
Fancy cruising around on a glass-walled boat, partying over three levels, and pairing a killer view with a beach club vibe and plenty of beverages? Then you'll want to book a berth on Australia's new floating bar and party venue, Glass Island. Now sailing through Sydney Harbour until April — and then making its way up north for a Brisbane season, too — it's the country's latest excuse to live it up on the water. If the concept sounds familiar, that's because Seadeck has been doing the same thing in both cities for the past couple of years. In fact, Glass Island is actually the brainchild of one of that luxe vessel's creators. This time around, hospitality entrepreneur Scott Robertson has paired up with his frequent design collaborator Alex Zabotto-Bentley, aiming to mastermind "the most iconic hospitality location afloat in Australia". The resulting boat certainly stands out — surrounding out the ship with glass will do that, of course. Those gleaming, glistening panels are found on Glass Island's middle deck. In a space inspired by Miami pool clubs and beach front hotel lobbies, patrons will also find a seven-metre-long bar covered in mint-hued tiles, raw timber flooring, and a heap of lounges and other seating. The windows slide open, too, so you can enjoy the sea — or river — breeze. Upstairs, Zabotto-Bentley nods to Mediterranean beach clubs. Think dark orange, red and white colours, lounges you can sink into, VIP seating and crimson-toned umbrellas. There's one other big highlight up here as well: the 360-degree views. Both the top and middle decks place a big focus on music, with Glass Island playing host to resident DJs across a number of regular events. The first Sunday of each month sees Sneaky Sundays take over, with Sneaky Sound System's parties hitting up the venue. Also set to hit the boat are Yolanda Be Cool, Poolclvb and Colour Castle, as well nights dedicated to soul and retro 80s tunes. For those eager to chill downstairs, it houses a champagne and cocktail lounge — and a range of natural wines that you can only find on that level. Drinks-wise, the 18-strong cocktail list spans both classic and creative concoctions, so you can choose between espresso martinis and two types of negronis, or opt for a Pretty in Peach (with gin, prosecco and white peach) or Rib Tickler (with tequila, absinthe, pineapple, lime and cucumber). Food is also available, spanning flatbread pizzas; sliders with halloumi, wagyu or friend chicken; charcuterie boards and cheese plates; and Moreton Bay bug rolls. Glass Island is floating around Sydney until Sunday, April 5, setting off from King Street, Wharf 6, Darling Harbour, with tickets starting at $30. It'll return again in October — and head to Brisbane in-between, with exact dates yet to be announced. For more information — or to buy tickets to its current season — visit the venue's website. Images: Glass Island.
When you travel the world, you take your tastebuds on a journey with you, with trying local delicacies all part of the experience. If you find yourself at Sweden's new museum, however, you might not want to get adventurous with your eating — it's completely dedicated to disgusting foods. Of course, what one person considers gross, another entire country might slather on toast for breakfast. Yes, the Malmö-based Disgusting Food Museum will feature Vegemite when it opens on October 29. Other items don't include much-loved but highly polarising Australian spreads, but everything within the site's walls is considered food somewhere. Think Sweden's own surstömming, aka fermented herring; cuy, the Peruvian roasted guinea pigs; casu marzu, a maggot-infested cheese from Sardinia; hákarl, the Icelandic dish comprised of well-aged shark; and Thailand's notoriously pungent durian. In total, 80 foods from around the world will be on display until January 27, with liquorice, jell-o salad, fruit bat and bull's penis among the other exhibits. For an entry fee of 185 Swedish krona (approximately AU$29), visitors will have the opportunity to smell and taste selected items. The museum will also hold 'taste one for the team' sessions for groups of six or more, where you can challenge your friends to the kinds of tastings that you don't get every day. If you're currently asking yourself the obvious question — not 'what's wrong with Vegemite?', but rather 'what would inspire someone to open this kind of place?' — the Disgusting Food Museum is all about challenging accepted ideas of what's edible and tasty. It recognises that what one person finds delicious, another might find revolting and vice-versa. Speaking to Vox, curator and 'chief disgustologist' Samuel West uses Vegemite as an example, explaining that it initially tastes awful, but you can learn to like it. Find the Disgusting Food Museum in Malmö, Sweden from October 29. For more information or to buy tickets, visit the museum's website or Facebook page.
A quick word of warning: If you suffer from FOMO, the following images may send you on a path of unending regret. The first weekend of Coachella has come and gone and not only have you forfeited a chance to soak up the likes of Blur and Phoenix but you've also missed out on chilling with some of the coolest over-50s to ever grace the festival. (And, before you ask, the answer is yes. They've still got it.) 1. Clint Eastwood Pictured here with daughter Francesca, Clint may appear a little dazed and confused. Never fear though; once Benny Benassi dropped the bass on 'Satisfaction', no-one partied harder. 2. Pierce Brosnan Mr Bond is always keen for a mosh. If he looks apprehensive, it's because someone offered him a stirred martini while congratulating him on the success of Skyfall. 3. Danny DeVito Men of Danny DeVito's stature are in short supply at plebeian events such as the Coachella Valley Music Festival. It was no small matter to have Danny present. Because, really, who thinks little of him? Also: Melanie Griffith! 4. David Hasselhoff National hero or national embarrassment? Neither. He is a god. 5. Coachella Rave Dad While you might not recognise this gentleman right away, that doesn't mean that he wasn't born for fame. Say hello to 'Coachella Rave Dad'; the greatest discovery of the weekend. When you're ready, click on each Vine image to witness sweet, sweet moves.
When the Aunty team confirmed that Golden Plains would return in 2023 and locked in dates, it was huge news, with pilgrimages to the Supernatural Amphitheatre finally back on the calendar. Indeed, that was probably all the push you needed to enter the fest's ticket ballot, and start crossing your fingers that you score passes to the beloved sibling to Meredith Music Festival, no matter who ended up on the bill. That online ballot has been extended, now running until 10.15pm AEDT on Monday, October 24. Also, the Golden Plains lineup is now here, too. Bikini Kill, Carly Rae Jepsen, Soul II Soul and Four Tet lead the charge, in what's shaping up to be a huge comeback fest from Saturday, March 11–Monday, March 13, 2023. [caption id="attachment_874299" align="alignnone" width="1920"] Debi Del Grande[/caption] Bikini Kill are playing Mona Foma as well, in what'll be the iconic Kathleen Hanna-fronted, Washington-formed, Riot Grrrl movement-instigating group's first Australian show in more than 25 years. Calling all rebel girls, obviously. If you aren't making the trip to Tasmania in February, you can now see them at Golden Plains in March. Carly Rae Jepsen's inclusion on the bill likely now has 'Call Me Maybe' stuck in your head, but that isn't all that's on the Canadian popstar's discography. And Soul II Soul's spot on the lineup is massive, given the British musical collective have been doing their thing since the late 80s, and also helped change UK club culture. Alongside Four Tet, they're joined by Mdou Moctar, Angel Olsen, Rolling Blackouts Coastal Fever, Brian Jackson and more, in what's clearly a gloriously eclectic lineup. Catering to 12,000 punters each year across three days and two nights, Golden Plains has long proven a favourite for its one-stage setup, which skips the need for frantic timetabling. Meredith is also returning, as announced in August, with Caribou, Yothu Yindi and Courtney Barnett leading the lineup from Friday, December 9–Sunday, December 11, 2022. GOLDEN PLAINS 2023 LINEUP: Bikini Kill Four Tet Carly Rae Jepsen Mdou Moctar Soul II Soul Angel Olsen Rolling Blackouts Coastal Fever Brian Jackson Overmono (live) Earthless Rochelle Jordan Methyl Ethel Kokoroko Andrew Gurruwiwi Band Stiff Richards Armand Hammer Soichi Terada Jennifer Loveless Rick Wilhite Freya Josephine Hollick E Fishpool Mulalo Delivery Golden Plains will return to the Meredith Supernatural Ampitheatre from Saturday, March 11–Monday, March 13, 2023. Head to the festival's website for further details, or to enter the ballot before 10.15pm AEDT on Monday, October 24. Top image: Theresa Harrison.
Who hasn't gone on vacation, soaked up their idyllic temporary surroundings but felt pangs of envy towards a few specific fellow travellers who seem to be having a better time than everyone else? That's how Speak No Evil begins — and it's meant to be relatable. The situation that Louise Dalton (Mackenzie Davis, Station Eleven) and her husband Ben (Scoot McNairy, Invincible) find themselves in while travelling to Tuscany with their daughter Agnes (Alix West Lefler, Dead Boy Detectives) is a classic grass-is-greener setup. When the American couple look at the brash but charismatic Paddy (James McAvoy, His Dark Materials) and his wife Ciara (Aisling Franciosi, Stopmotion), and as they get to know them over dinners and drinks, they wish that they too were that happy, that carefree and that relaxed. Hopefully no one has endured IRL what comes next in this Blumhouse horror movie directed by Eden Lake and The Woman in Black's James Watkins, which remakes 2022 Danish film Gæsterne, also called Speak No Evil in English. Reluctantly on Louise's part but eagerly by Ben, the Daltons accept an invitation to spend a weekend with Paddy and Ciara, plus their son Ant (Dan Hough, Hollyoaks), at their rural property back in Britain. Actually, we've all been in a scenario where passive-aggression simmers behind smiles and plastered-on friendliness, social discomfort flavours every interaction and toxic masculinity festers. For the Daltons, however, this second getaway turns particularly grim when they discover what lurks behind the blissful facade that their hosts were such experts at projecting in Italy. Both versions of Speak No Evil take viewers on an unsettling trip — but only the do-over boasts powerful performances by McAvoy and Davis. While no one in the cast puts a foot wrong, including Davis' Halt and Catch Fire co-star McNairy, The Nightingale standout Franciosi and the feature's youngest actors, its two leads are tasked with encapsulating the film's clashing sides. Paddy presents himself as earthy and approachable, packaging up his ideas of manhood — notions that can be called traditional at best and outdated if you're still being polite — with a seemingly wholesome, laidback vibe. Louise is understandably constantly anxious and worried, and yet just as persistently eager not to cause a scene. The more time that she spends in Paddy's farmhouse, the more that she realises that she's being forced to ignore her every instinct about him. Speak No Evil also unpacks why that reaction also feels so familiar. These are complicated and layered roles to play, and a balancing act on both McAvoy and Davis' parts. That's one of the things that attracted them each to the movie, the two tell Concrete Playground. For McAvoy, he's back in the darker psychological terrain that he traversed in Split and Glass for M Night Shyamalan — chatting with us back in 2017, the filmmaker called the actor's work in the former "fearless; he was just very fearless about the whole thing" — and also in the unrelated Filth before that. He credits his excellent, can't-look-away efforts both in Split and Speak No Evil to great writing first and foremost. "I was lucky enough on those two particular jobs, this one as much as any other, to be able to feel really strong going into it and make strong choices," he explains. For Davis, she adds another complex portrayal to a resume teeming with them (see: the aforementioned Station Eleven, Black Mirror's 'San Junipero' episode, Blade Runner 2049, Tully, Happiest Season and more), all while ensuring that she's never repeating herself. "Not retreading footsteps that I've already walked in" is what gets her excited about any new role, she advises. "That's a weird mixed metaphor. Honestly, I read so many scripts and I barely like any of them, and then one comes and you're like 'oh, maybe this is a fucked-up little thing to do'." Davis sums up Speak No Evil perfectly, as audiences Down Under can experience in cinemas from Thursday, September 12, 2024. We also chatted with the film's lead pair about the rollercoaster ride that the movie takes viewers on, where inspiration came from to flesh out their parts, being able to see themselves — or aspects of them — in their characters, digging into what it means not to speak up, ensuring that the movie's emotional journey feels logical and more. On McAvoy Having No Fear When Diving Into Dark Roles, Such as in Split and Speak No Evil James: "I think when you've got a good text and you've got a good character drawn well with a good arc, you've got a solid foundation from which to jump. And that was definitely the case with Split, and that was definitely the case with Speak No Evil. And they both happen to be Blumhouse movies, which is great because they're underpinned by something — not just pieces of entertainment, which they are, which they deliver upon, but they've also got something interesting to say socially. So it was a really strong foundation that it jumped from. I think when the text isn't so strong, maybe I'm not so fearless and maybe a bit more fearful. But I was lucky enough on those two particular jobs, this one as much as any other, to be able to feel really strong going into it and make strong choices." On Davis' First Reaction to the Script, and What She Saw That She Could Bring to the Role Mackenzie: "I loved it. I hadn't seen the original, and I knew it existed but wasn't really familiar with anything else other than the title. So this is my first exposure to the conceit — and I just love things that feel as dangerous as being hunted and killed, being placed on that same plane. Because committing, not like a social faux pas or a gaffe, but like really offending someone or hurting somebody's feelings in a really meaningful way, you can get kind of the same adrenaline response as you do when you're trying to save your life. And they do feel like mortal dangers at the time, and I liked how it how it dealt with that. I wasn't sure at first, honestly, because there's a lot of Louise looking to her husband to act, and that worried me a little bit. But I had lots of long, really meaningful chats with James Watkins, the director, and he assured me that he was really interested in Louise's experience of being silent. Like, it's one thing to not speak, and it's another thing for the camera to be interested in why they're not speaking and what they're thinking while they're not speaking. And as long as that was part of it, then I thought it was a really interesting role. I think James [Watkins], before we started making the movie, convinced me that that was important to him. Then in the movie, I really see that, that he's interested in how Louise is feeling and it's not always through a monologue." On Working Through Speak No Evil's Many Layers James: "I was just so glad that I was getting to be involved in something that could be entertaining, could make people laugh, could make them jump, give them the horror experience or the scary experience that you want in the cinema in a communal, sitting-down environment — but at the same time, it had stuff to say as well, which elevates it. Blumhouse do that time and again, and they do it so so well. So it's a privilege to be a part of something like that because you get to do two things at once. Also part of it was about a conversation about masculinity, which I feel is quite timely as well — and what men are attracted to at the moment in terms of looking for answers. Somebody like Ben, who's really drifting, really lost, really hurt, really damaged, he's looking for answers. And here comes along this sort of totem of toxic masculinity, but he seems to have the answer to one of the questions in life, which is how to be happy. He seems really happy. In fact, I would argue he is really happy. As much as he's rage-filled and anger-filled, he's also capable of great joy and happiness, and he really enjoys his life. And that's an attractive quality, but it's also a scary thing in somebody who's also got such worrying doctrine." On the Film's Relatable Situation, Including the Balance Between Trying to Keep the Peace and Recognising Your Instincts Mackenzie: "What's important to me is that I can see myself in that situation. I relate to the choices she makes, even when they're stupid. I can understand why she's doing the thing that might feel wrong to an audience, because you get that there are other things at play other than the right thing and the wrong thing. There's the marriage and keeping that intact. And then there's 'oh my god, did I just make some sort of enormous, grievous misunderstanding of a situation where I thought I was saving my family, but actually I was villainising myself and really offending these lovely people who are hosting us?. And am I being a snob?'. There's so many currents of thought that are going on all the time, and you kind of have to choose one to follow. And I get why, for a lot of the movie, she's prioritising, with difficulty, keeping the peace — and then at a certain point the dam breaks and she just cannot do it anymore. I think that's really, really relatable, trying to be all things at once." On the Balancing Act Required for McAvoy to Play Someone Who is Charismatic, Earthy and Seemingly Free-Spirited, and Also Angry, Reckless and Unsettling James: "The whole film is a balancing act, and the whole performance for me is a bit of a balancing act, because you can't go too far one way or the other. You can't go too scary or too safe. You've got to be right in the middle, until the end anyway, because you dissipate the tension of horror or a scary movie if you just go full bore too quickly. And that's the same either side. Too safe, too dangerous. Too masculine, too not masculine. Too safe masculine, too toxic masculine. Too politically correct, too politically incorrect. You have to ride this line so that both versions of him are possible at all times without ever jumping down and nailing your colours to the mast on one side or the other. So it's a bit of a balancing act that was orchestrated by myself and by the director definitely on the day, James Watkins. He did a lot of that on the page, but even then on the day, it was about getting shades, colours and levels so that when he was in the edit, he had the opportunity to calibrate as he went in that environment as well." On Acting Opposite McAvoy's Powerful Performance Mackenzie: "There's a moment in the movie where he has this sort of smile and then his eyes go dead, but then his mouth twitches a little bit still, and it's so unsettling. And he's playing three different things in like one second. And that's what it feels like to work across from him. He's really surprising. He's enjoying what he's doing so much, which is so fun, because you shoot one scene for like six hours. You're hearing the same lines over and over, and what you want is an actor that's finding a new way into it every time so that it feels exciting and stimulating to engage with it, and he just does that in spades. He's a wonderful person and a really great actor." On What McAvoy and Davis Each Drew Upon to Help Flesh Out Their Complex Characters James: "I've got a friend who will look into my eyes and sing me an entire song, and there's something weirdly sort of threatening about it — because I don't know the song and I'm not singing it back with him, but he's singing it like he's singing some old favourite that we both know. I drew on that, because that's a kind of masculinity. That's a kind of 'I'm dominating you right now'. And I actually do that in the film with Scoot — and my mate will watch this and be like 'you're totally doing me right now'. He's nothing like Paddy, by the way. What did I draw upon? I guess, weirdly, myself. I'm not like Paddy, but I could be, and I could be if I'd made different decisions or indulged different parts of my personality and animal instincts when I was younger, or if different things had happened to me and I reacted to them differently. So those parts of Paddy that are objectionable or even attractive that aren't immediately apparent or inflated in me, they're still in me. So it's about imagining them growing. It's imagining them into your mind, and imagining them into your soul and into your heart, and then letting them out on camera. They'll never become a part of me properly, but if you just quite imagine who you would become, who you would be if your life had been different and things had changed in different ways. I think the parts of Paddy that we find objectionable and frightening are in us all. We all have the capacity to kill, and we all have the capacity to steal and to hurt others, to be selfish and to put ourselves before everyone else. And that's kind of what he does. And I think we all have that in us. It's just we've had different experiences or made different decisions to get us there. But you can look at yourself and recognise Paddy, I think." Mackenzie: "For me, I just want things to make sense. I'm almost a bit mathematical about it in going through the script and being like 'okay, well, why does she do this and how does that make sense, and if she does this, then what does this mean?'. And as long as I can make the math — and everybody has their own particular math, there is not one unifying, it's just the logic of that person — as long as her logic feels believable and at least consistent enough, to me, that the inconsistencies are exciting and surprising, then I'm great. It's when things just feel random and I can't find the throughline that I'm like 'meh, probably I'm not the right person to play this part'." On What Davis Would Do If She Was in the Same Situation as Louise Mackenzie: "I think you'd be charmed by dreams. I think it would be fun. I think were I in the situation, I can see myself being like 'I don't want to spend two days at their house, we don't even know them'. And then being like 'you know, you've got to have adventure in your life. At the very least, it'll be like a good story'. And it was. So maybe I would make the same decision. I keep saying I wouldn't, but now I guess I've kind of convinced myself it'll be fun to do something weird." Speak No Evil opens in cinemas Down Under on Thursday, September 12, 2024.
It's a trend so common, it inspired a movie — and it's something that every Brisbane resident is familiar with. Whether they're chasing a specific job, looking for more opportunities (especially in a creative field), following their heart or yearning for a bigger city, people leave Brissie for a new life down south with frequency. Yes, that's exactly what the 2007 film All My Friends Are Leaving Brisbane is about. Exhibition All My Friends Are (Leaving) Returning to Brisbane riffs on this common idea, and also reflects a very recent phenomenon: people flocking back to the Queensland capital, rather than relocating down south. Thanks to the pandemic, Brissie has attracted plenty of folks over the past year, which is what artists Elizabeth Willing, Chris Howlett, Archie Moore, Alice Lang, Sam Harrison and Mia Boe are all pondering in their contributions to this thoughtful and relatable showcase. Curated by Isabella Baker and displaying at Fortitude Valley's Outer Space Gallery until Saturday, May 16, the exhibition also muses on why people leave Brisbane in the first place — and what's driving their return. Pop in to contemplate, too, from 12–6pm Wednesday–Friday and 12–4pm Saturday. Feels Good Man, Feels Bad Man. Alice Lang. Courtesy of the artist. Top image: Grass is Greener, Archie Moore. Courtesy of the artist.
There's only one problem with the beach: it can make you dumb. Seaside days are the most tempting time to read trashy chick lit and airport novels, but what does that do to your brain? And what if you forget your book altogether and are forced to passively admire the glittering horizon while your companions enjoy tales of adventure and romance? Enter the beach pop-up library: a terrific notion from French architect and industrial designer Matali Crasset (whose website is really worth a visit for playtime). Currently popping up at La Romaniquette in Istres, France, the cute 'Bibliotheque de Plage' boasts more than 350 titles, so there's little chance you wouldn't find something that appeals. Adding a personal touch to the venture, the books on offer have been carefully selected and include many of Crasset's own favourites: for example, the classic architecture text The Poetics of Space, Gaston Bachelard's beautiful and influential meditation on how we experience interiors. The beach library creates its own special space to be experienced, composed of a simple steel frame with tarpaulin wings that form three shaded alcoves for peaceful reading. The idea for the project arose partly out of local government's focus on encouraging literacy. It would be great if charming libraries like this one were a common sight beside the food and drink kiosks that appear on beaches, ensuring you would never be stuck without a quality seaside read again. Via PSFK.
Japanese-Australian artist Hiromi Tango has created a new fluorescent art installation that aims to bring joy and comfort to Brisbanites. Brainbow Magic is a continuation of Tango's art practice, in which she explores the therapeutic potential of light, colour and contour. The artist believes these elements can contribute to an improved mental wellbeing, can ease anxiety, and help us feel connected — things we'd all like to experience in 2020. The world-premiere art installation is created in partnership with West Village and Metro Arts. The outdoor artwork has a sister installation in the gardens of West Village, called Rainbow Circles (Healing Circles): luminescent arches in rainbow colours. You can see Brainbow Magic every day during the Festival from 10am. Image: Hiromi Tango
If you find yourself thinking back on Law & Order re-runs, Quentin Tarantino's Reservoir Dogs or Heath Ledger's turn as the Joker in The Dark Knight, you're probably thinking about one particular type of scene. There's an art to a good on-screen interrogation — to seeing characters verbally spar back and forth, as one probes for answers and the other tries to avoid their questions — that's riveting when it's done well. It's also hilarious when it's done comedically (see Brooklyn Nine-Nine); however, nothing beats a grim, serious, eyes-blazing, nostril-flaring confrontation between a suspected criminal and a savvy detective who are both confined to the same small room. Netflix, in its seemingly never-ending quest to turn every single possible idea into highly binge-able streaming content, is taking this concept and running with it in its new anthology crime series Criminal. Love interrogations, but not so fussed about all the stuff around them? Then you'll want to glue your peepers to this newcomer when it arrives later this month, because it's all about heated chats in police interview suites. In fact, that's all it's about. Announced back in June, the streaming platform's latest show will tell a dozen different tales across just as many 45-minute episodes — spending three episodes each focusing on cases in France, Spain, Germany and the United Kingdom. Criminal will also unfurl its tense arguments with some considerable star power, with David Tennant and Agent Carter's Hayley Atwell among the UK cast. You might also recognise Laurence Anyways' Nathalie Baye and The Unknown Girl's Jérémie Renier in the French instalments, plus Phoenix's Nina Hoss in the German episodes. Behind the scenes, the claustrophobic, cat-and-mouse-style program also boasts a heap of talent, which'll again vary from country to country. Killing Eve writer George Kay and She's Out Of My League director Jim Field Smith will oversee the whole thing, and take care of the British chapters, while The Returned and Spiral helmer Frederic Mermoud, Downfall's Oliver Hirschbiegel and Dark Impulse's Mariano Barroso will do the honours in France, Germany and Spain respectively. Check out the trailer below: https://www.youtube.com/watch?v=aAZac21Y9D8 Criminal will release on Netflix on September 20.
First, the Dirty John podcast brought the tale of John Meehan to listeners' ears. Then, as tends to occur with true-crime hits, it was turned into a dramatised television series. Now, as also often happens when a TV show strikes a chord, it's kicking on for a second season — focusing on a completely different case, and once again heading to Netflix Down Under. Launching in Australia and New Zealand on Friday, August 14, Dirty John: The Betty Broderick Story steps into the story of its eponymous figure. If it sounds somewhat familiar, that's because the events covered date back to the late 80s. In the early 90s, they even inspired an episode of Law & Order. More recently, Los Angeles Times podcast It Was Simple: The Betty Broderick Murders also explored the details — with the same publication behind journalist Christopher Goffard's original Dirty John podcast. Starring Amanda Peet and Christian Slater as as Betty and Daniel Broderick, as well as Legion's Rachel Keller in a pivotal role, The Betty Broderick Story is another Dirty John tale about sex, lies and murder. Here, a seemingly idyllic marriage first breaks down, then gives rise to a double homicide. If you don't already know the ins and outs, this is also another true-crime case best discovered by watching, with the mini-series unfurling the minutiae across eight episodes. Prepare for quite a few ups and downs, obviously. The eight-episode series has just finished its week-to-week run on US television, but Netflix will drop all eight episodes at once. Check out the trailer below: https://www.youtube.com/watch?v=RE-GwkeZQmI Dirty John: The Betty Broderick Story drops on Netflix Down Under on August 14, 2020. Top image: Isabella Vosmikova/USA Network.
Back in 2017, when the corner of Constance and Ann streets was reborn as the Osbourne Hotel, Fortitude Valley gained a revamped pub in a historic spot. In one guise or another, the site has been pouring drinks since 1862 — and now the enduring watering hole is adding yet another new reason to stop by. Setting up shop adjacent to the Osbourne — and run by the Fitzgibbons Group, who also oversees the Osbourne — Shhh! Brisbane launches on Friday, October 25. A gin joint that falls somewhere between a lounge bar and club, it'll serve up plenty of strong drinks and snacks to go with them. And, if you're feeling extra luxe, it'll also boast three large booths, VIP bottle service and butlers to pour your selected beverages. Around 70 different gins will sit on its drinks menu, spanning tipples from Australia, France, Germany, the UK, the US and Iceland — with a separate lineup from Adelaide Hills Distillery. Take your pick from a six-drink gin-and-tonic range, which includes strawberry and grapefruit, mulberry, and orange and elderflower versions; opt for one of ten other cocktails, such spritzes, negronis and mules; or get tasting thanks to Shhh!'s four gin flights. If you're keen to pair your chosen drink with something to eat, Shhh!'s food lineup includes plenty of share-friendly favourites; think pork belly bao, haloumi fries, pea and mint arancini, fried chicken tacos, and both charcuterie and cheese boards. Open from dusk from Wednesday–Saturday, the Valley newcomer has been decked out by BSPN — the Osbourne's designers — with dark hues such as maroons, navy, burgundy and gold all featuring throughout. When you're not settling into a booth, you can also take a seat in a chesterfield armchair or along the bar. And for those in a party mood, there'll be live piano tunes on Wednesday and Thursday nights, plus a DJ spinning retro tracks on weekends. Find Shhh! Brisbane adjacent to the Osbourne Hotel, on the corner of Constance and Ann streets, Fortitude Valley from Friday, October 25. It's open Wednesday–Thursday from 4pm–12am and Friday–Saturday from 4pm–3am.
Spotting strange sights is all part of a trip to the Gold Coast — however, giant sand versions of beloved animated figures and over-sized, inflatable octopuses aren't normally within view. But this month, they are. In fact, they're two of the highlights of the tourist hotspot's latest event: Sand Safari. As the name suggests, the free three-week celebration sings the praises of the one substance (well, other than sun and surf) that the Gold Coast has plenty of. Expect more sand sculptures than you can shake a shovel at, and a different take on street art as well. Those keen on the former will find 22 mini sculptures scattered across the coast — but that's not all. The main drawcard is the 2016 Australian Sand Sculpting Championships, which will take place from February 12 to 14. Over the course of three days, ten talented folk will carve ten tonnes of sand into giant creations. And because everything has to have a theme, they're not just fashioning any old over-sized sand statuettes — they're making granular versions of DreamWorks' beloved animated characters. Other than large amounts of tiny grains, the event also boasts the latest in giant inflatable street art and urban interventions from international artists Filthy Luker & Pedro Estrellas. If you remember the hefty blow-up squid that appeared at Currumbin back in 2014, then you're familiar with their work. Prepare for more massive sea monsters in the Cavill Avenue Mall and at both the Islander and the Soul Hotels. And remember: they don't call their pieces "art attacks" for no reason. Sand Safari runs until February 28, with the 2016 Australian Sand Sculpting Championships taking place from February 12 to 14. For more information, visit the event website. Image: Filthy Luker.
Trump. Inequality. Charlottesville. North Korea. Taylor Swift's 'Look What You Made Me Do'. It's been a, er, testing year thus far. And if it weren't for our ability to talk about it — whether it's desperately debating asylum seeker policy in a pub corner, scrolling through Twitter for solidarity or listening to a critical analysis of covfefe on the way to work — we would probably all be hiding under makeshift bomb shelters in our kitchens by now. But when do we stop talking (and talking) about the state of the world and actually start doing something? That's what the Sydney Opera House set out to address this weekend at ANTIDOTE, a new festival that has replaced the Festival of Dangerous Ideas on their program with the intention of inspiring action. The inaugural ANTIDOTE, which ran over two days, featured a range of speakers, artists and activists whose subject matter moved, for the most part, past the visceral into the practical. They showed us that action isn't always seen through protest — that it can come through satire, by lifting yourself up with 20,000 balloons or just moaning really loudly until someone listens. While it's hard to say if the audiences at ANTIDOTE will put any of their newfound learnings into practice — except perhaps those who are bound by contract from immersive theatre game The Money — here's five things we took away from the festival. It's up to you to crawl out from your bunker and put them into action. [caption id="attachment_635687" align="alignnone" width="1920"] Prudence Upton / Sydney Opera House[/caption] IT'S ACTUALLY DIFFICULT TO SATIRISE DONALD TRUMP — THE ONION America's finest news source has been satirising US politics, everyday life and the power ranking of Mary-Kate and Ashley Olsen since 1988. They've found ways to cover presidents like George W. Bush ('Our Long National Nightmare Of Peace And Prosperity Is Finally Over') and Barack Obama ('Black Guy Asks Nation for Change') — and so, with the election of Trump last year, you'd think it would have made The Onion's job a total cakewalk. Not so. According to managing editor Marnie Shure, video director Katy Yeiser, and senior writer Dan McGraw, who appeared in conversation with The Chaser's Craig Reucassel, Trump's absurd behaviour is inherently hard to satirise because readers often can't tell the difference between satire and reality. Unlike other government figures who usually say one thing but mean another, Trump just says what he means — and there's very little you can do with that. Although they seem to have managed just fine. [caption id="attachment_635686" align="alignnone" width="1920"] Prudence Upton / Sydney Opera House[/caption] PEOPLE WANT TO HELP THE HOMELESS BUT DON'T KNOW HOW — THE MONEY This was no more apparent than at Kaleider's performance of The Money. Held in the Utzon Room — with its views that dissolve into the harbour water — the concept is this: a select number of 'players' sit around the table and decide what to do with a wad of cash. They can put it towards anything legal they can unanimously agree on, but they can't donate it to charity or split it with each other. A group of 'silent witnesses' also present; they don't have a say unless they slap some money on the table, in which case they are then embedded into the decision-making process. At a session on Sunday, discussion quickly turned to acts of non-direct charity. With only $500 on the table — unlike the jackpotted $6000 that went to the YES campaign the night before — the participants wanted to find a way to use the money that would actually make a difference in someone's life. Homelessness — unlike organisations in which members had a vested interest in — was a neutral cause that no one could find a suitable opposition to. But the main question was how. Without giving directly to a charity that would help people without a home, the players decided (after much discussion and disagreement) to put the money on a gift card, that would then be donated to a non-profit to, hopefully, provide food and goods to those who need it. [caption id="attachment_635684" align="alignnone" width="1920"] Prudence Upton / Sydney Opera House[/caption] SOMETIMES YOU HAVE TO SAY THE WORDS TO REALISE PEOPLE WERE WAITING TO SAY THE SAME THING — EVE ENSLER When Eve Ensler started first performed The Vagina Monologues in a Greenwich Village cafe in 1996, the word 'vagina' was rarely spoken out loud. Nowadays it's much less taboo. And while the playwright and activist thought her play would be redundant by now (if only), the ongoing response and shift of how society views women and their bodies is still a prime example of how art has the power to transform thinking and urge people to act. Ensler took to the stage in what can only be described as a fierce powerful takedown of the "predator-in-chief", the Australian Government's policy on asylum seekers and violence against women and girls. She urged the audience to speak out, refuse to be silenced, stop looking away and say the words that everyone's thinking — because that's how they get introduced into the conversation. She then proceeded to perform a monologue that ended in all-in audience moaning. [caption id="attachment_635721" align="alignnone" width="1920"] Letícia Almeida[/caption] TURNS OUT, HELIUM BALLOONS CAN LIFT A HUMAN — CHEROPHOBIA If you've ever watched Up, then the elation of artist Noëmi Lakmaier taking flight by way of helium balloons would not have been lost on you. Especially after the uncertainty and shared suspense of the coming-and-going audience members that visited over the nine-hour work. While her actual lift-off wasn't as dramatic as Carl and Russell's, it did offer a source of contemplation on happiness and fear for those who'd stuck around. Plus, the Concert Hall filled with 20,000 balloons was a pretty lovely sight to see. [caption id="attachment_635685" align="alignnone" width="1920"] Prudence Upton / Sydney Opera House[/caption] WE NEED TO DISMANTLE DOMINANT IDEOLOGIES — RENI EDDO-LODGE Reni Eddo-Lodge refuses to explain race to white people — which is fair enough, really. But after a blog post titled 'Why I'm No Longer Talking to White People About Race' blew up in 2014, Eddo-Lodge has become a prominent journalist and blogger on the topic of, well, just that, having recently released a book of the same name. In her conversation with Benjamin Law she spoke about whiteness as an implicit but ever-present power structure that upholds the dominant ideologies that suit white people. So how do we break the cycle of dominance? Question them. Read up on indigenous history, campaign to change the date of Australia Day — don't accept the structural systems of society just because that's the way they are. Also, read her book. Top image: Letícia Almeida.
If heading to or from Aotearoa is on your to-do list for 2023, booking a flight with Air New Zealand means travelling with the newly crowned best airline of the year. In excellent news for NZ just a week after the country's Hawke's Bay region was named the 12th Great Wine Capital of the world, the carrier has earned some global love from the Airline Excellence Awards. The gongs are decided by AirlineRatings.com, with Air NZ nabbing the number-one position for a number of reasons, including its operational safety, motivated staff, moves in the environmental space and upcoming SkyNest economy beds. The latter, which let passengers lie flat during their trips for four-hour stints, won't be available until 2024, but that hasn't stopped the airline topping the 2023 rankings. Does it also bode well for next year's list? Probably. "In our objective analysis, Air New Zealand came out number one in many key areas, although it was a very close scoring for the top five," said AirlineRatings.com Editor-in-Chief Geoffrey Thomas. This marks the seventh year since 2013 that Air NZ took out the top slot, although Qatar Airways did the honours in 2021 and 2022. Air New Zealand also won Best Economy Class and Excellence in Long Haul Travel from the Australia and Pacific region, while Qatar Airways — which came in second in the Top 25 premium airlines — was named Best Business Class for the fourth year in a row, as well as Best Catering and Excellence in Long Haul Travel in the Middle East. In the main list, the two carriers were joined by Etihad Airways, Korean Air and Singapore Airlines in the top five, with Qantas, Virgin Australia/Virgin Atlantic, EVA Air, Cathay Pacific Airways and Emirate rounding out the top ten. Then came Lufthansa / Swiss, SAS, TAP Portugal, All Nippon Airways, Delta Air Lines, Air Canada, British Airways, Jet Blue, JAL and Vietnam Airlines in the top 20, followed by Turkish Airlines, Hawaiian, KLM, Alaska Airlines and United Airlines. Best First Class went to Singapore Airlines; Virgin Australia/Virgin Atlantic earned the Best Cabin Crew gong; and Emirates was anointed Best In-Flight Entertainment and Best Premium Economy. Qantas also scored an accolade, receiving the Best Lounges award. For travellers on a budget, AirlineRatings.com gave out Best Low-Cost Airlines awards, too, with Jetstar getting the nod for Australia/Pacific, Southwest in the Americas, Fly Dubai in the Middle East, AirAsia in Asia and Ryanair in Europe. For the full AirlineRatings.com list, visit the airline safety and product rating review outfit's website.
Have you ever wandered through a gallery, enjoyed the creative pieces gracing the walls, then felt inspired to pick up a paintbrush, pastel or pencil yourself? That's a regular part of the art experience. When the urge to try to make your own masterpiece strikes, you mightn't know which steps to take next, though. Enter Queensland Art Gallery's new — and free — Drawing Festival. On Sunday, May 21, budding artists will find activities for all ages — and, crucially, all skill levels — with drawing materials supplied, too. So, whether you're keen on taking a workshop guided by local artists or sketching everything from nature to works in QAG's collection, this 10am–5pm event has you covered. [caption id="attachment_901338" align="alignnone" width="1920"] Drawing from the Collection at QAGOMA / Photograph: M Pricop © QAGOMA.[/caption] Bill Platz and Zoe Porter are hosting the instructor-led sessions, both focusing on self-portraiture in different ways. For just drawing when the urge strikes, you can head to multiple spots around the gallery all throughout the day — including the Sculpture Courtyard. Also on the agenda: watching Queensland College of Art students draw live from 10.30am–4.30pm, listening to Queensland Conservatorium musicians play classical and contemporary tunes from 11.30am–4pm, and both curator's and guided tours. [caption id="attachment_901339" align="alignnone" width="1920"] Draw Along: Mirror Likeness with artist Bill Platz at QAGOMA / Photograph: C Callistemon © QAGOMA.[/caption] Top image: Drawing from the Collection at QAGOMA. Robert Macpherson, Australia 1937 -2021 / Mayfair: 4,4,Joe Birch 1999 1999 / Dulux Weathershield acrylic on masonite / Four panels: 122 x 91.5cm (each) / Gift of Patrick Corrigan AM through the Queensland Art Gallery | Gallery of Modern Art Foundation 2016. Donated under the Australian Government's Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Robert Macpherson / Photograph: M Pricop © QAGOMA.
Missoni, Desert Designs, Stella McCartney; not all of us can blow our allowance on these high fashion must-haves. But over the years, Target have made things a little easier with affordable capsule collections aplenty — and today they've announced their next big pull. Bringing things home with one of the industry's most sought after young guns, Target have announced a one-off women’s capsule collection by celebrated Australian designer Dion Lee . Available from July 2, 2015, the limited edition collection marks the latest 'Designer for Target' range; launching in 35 selected stores nationally and online — probably a better option if you're not one to wear mouthguards into stores (things can get hair-pully at these instore launches). Constantly pinned as a 'one-to-watch' young Australian designer, Lee's collections are sought after by cocktail dress-lovers and sharp jacket fiends alike. Lee's 35-piece Target collection marks his very first performance-wear range, with day-to-night clothing, loungewear, performance wear and accessories ranging between $25 and $119. Wanting to harness the brand's rapid expansion into this new performance-wear realm, Lee saw the pair-up as a no-brainer. "As our international business continues to grow, we were excited about the opportunity to create a collection that will give more women across Australia access to the Dion Lee brand,” says Lee. “The Dion Lee for Target collection is designed to reflect the lifestyle of the contemporary woman, mixing elements of tailoring, lounge and active wear, to create the ultimate modern wardrobe." “The active Australian lifestyle inspired me to create a range of stylish and effortless clothing for women to wear every day," says Lee. "The collection features signature tailored detailing, laser cut and technical fabrications, and a first- ever performance capsule... Even though the designs can be technical, I think style and function remain paramount." Dion Lee for Target will launch nationally and online on July 2.
Brisbane's northside is about to look a whole lot different, and sport a Toombul Shopping Centre-sized gap on Sandgate Road. After the precinct was inundated with water during Brisbane's 2022 floods, and then developer Mirvac announced that it wouldn't be reopening the centre as it previously stood, Brisbane City Council has approved the application to tear down the northside complex. "We are pleased to share with you that Brisbane City Council has approved our application to demolish structures at the flood damaged Toombul centre," said Mirvac via its Toombul Renewal website and Facebook page. "This is an important step forward for the regeneration of the site. With demolition planning progressing, we are continuing to consider future uses at the site. We recognise the importance of convenient shopping to the local community and have already committed to including retail within any future plans." The move comes after the shopping centre has sat empty, with fences surrounding the perimeter, since February and March last year. In May 2022, Mirvac advised that it wouldn't be restoring the site to its state prior to that catastrophic bout of wet weather, with future plans still being finalised — with the latter remaining true now. It's been less than four years since Toombul Shopping Centre underwent a huge change, opening a new upstairs dining and entertainment precinct filled with neon and fountains, as well as circus-themed arcade bar Archie Bros Cirque Electriq. That revamp has clearly proven short-lived. Perched between DFO at the airport and Chermside, Toombul gave northsiders a shopping option that wasn't as huge and sprawling as the former, or as focused on discount and outlet wares as the later. And, it boasted its own cinema, too. The centre also attracted Brisbanites from all over town when it became the site of Brisbane's — and Australia's — first-ever Cinnabon back in 2019. Toombul's history dates back to 1967. It was originally the largest shopping centre in the city's north before Chermside started its series of expansions over the past few decades. Exactly when the complex will be torn down hasn't yet been announced, but Mirvac expects the process to take around 12 months. The Toombul bus interchange and park 'n' ride will remain open and operating during the demolition works. Toombul Shopping Centre is located at 1015 Sandgate Road, Toombul. For further information about the site's future, head to the Toombul Renewal website and Facebook page.
Wine lovers of Australia, rejoice: picking your next bottle of plonk just got a whole lot easier. In fact, you don't even need to choose — or leave the house — thanks to top Melbourne sommelier Virginia Selleck and her new, curated online wine shop. Joining the ever-growing ranks of wine delivery options, Magnum + Queens promises a rotating array of specially selected stock brought to your door Australia-wide, with each month's offerings following a different theme. To celebrate their launch, May's batch has been dubbed The New Guard. Customers can opt for small, medium or large packs of three, six or 12 bottles, then enjoy Selleck's favourites from around the globe. Individual bottles are also available, and folks that sign up for a subscription will get access to specials, rare vintages and other hard to find drops. Not your usual online bottle-o, but not a traditional wine service either, Magnum + Queens wants to expand your wine-drinking remit; expect industry stalwarts among their wares, but also expect grape-based goodness from tiny wineries, family-run outfits, new brands, innovative winemakers as well. That could include varieties from France, Germany, Italy, New Zealand and our local efforts, and even Spanish sherry and Japanese sake. "Our aim is to introduce customers to carefully selected, quality wines from all over the globe, and specifically from small, sustainable, craft producers that focus on new varietal wines that are interesting and delicious," says Selleck. A joint venture with photographer Kirsten Dickie, Magnum + Queens arrives at what's proving a busy time for the sommelier — after working at Melbourne's Cumulus, Inc, Rockpool Bar & Grill, The Stokehouse and Prince Wine Store, she's now the wine director at Wilson & Market. Find Magnum + Queens at www.magnumandqueenswine.com.
When Sally Rooney's first page-to-screen hit arrived in streaming queues in 2020, it made instant stars out of Daisy Edgar-Jones and Paul Mescal. The pair's recent respective roles in Fresh and The Lost Daughter sit among plenty more to come, but part of what made Normal People work so devastating well was watching its disarmingly relatable romance play out with fresh faces that could've been anyone. That same idea sits at the heart of Conversations with Friends, too, Rooney's debut novel but second book to leap to television. The quietly magnetic Alison Oliver makes her debut at the 12-part Dublin-set series' centre, and it's a perfect stroke of casting. Available to stream in full via Prime Video from Monday, May 16 — dropping ready to binge, revel in and obsess over, as Normal People did — Conversations with Friends doesn't opt for newcomers across the board, though. That's another savvy move, placing Oliver amid well-known actors Sasha Lane (Loki, American Honey), Jemima Kirke (Sex Education, Girls) and Joe Alwyn (The Souvenir: Part II, The Favourite), who immediately exude engrained confidence. Oliver's character, pensive literature student Frances, is in the same situation. She's always on-edge and on the verge of withdrawing whenever the show's four key characters spend time together, like she feels overwhelmed by everyone else's company. Conversations with Friends didn't have Oliver go method and live Frances' life, of course, but compared to her co-stars, she's a blank slate ready for viewers to see themselves in. Peeking into intimate connections and feeling as though they've been lifted from your own life, or from emotions you've navigated and weathered, is one of Rooney's key skills as a writer. It's true of both Conversations with Friends and Normal People in print, and it's a knack that the same creative team — Rooney as an executive producer, co-screenwriter Alice Birch (Lady Macbeth) and co-director Lenny Abrahamson (Room, Frank) — have brought to both TV adaptations. In text and flickering across the screen, both tales step into complicated romances that simmer with intensity. They confront class clashes and the difficulties that spring from them as well. And, they force contemplative women to confront what they want, who they are, how they'll grow as people and the others they might give their hearts to. In Conversations with Friends, 21-year-old Frances is first poised as the other half in a couple that's not a couple, at least anymore; she went to school with and used to date the outspoken and outgoing Bobbi (Lane), but now the two university students are best friends and spoken-word poetry partners. It's during one of their performances that successful writer Melissa (Kirke) spots the duo's act, compliments them afterwards and invites them over for a swim, then back to her well-appointed house for a drink. Enter Nick (Alwyn), Melissa's actor husband, who holds himself like he'd rather be anywhere but there but is too polite to upset the status quo. He's as reserved and introverted as Frances — and they catch each other's eyes, while Bobbi and Melissa gravitate towards each other. Soon, Frances is part of another couple, one that's only secretly a couple: between the sheets, in stolen moments, and with much awkwardness while trying not to be discovered by either Bobbi or Melissa. As was also such an influential part of Normal People, she's caught in a relationship that's as filled with terse, tense yet deep discussions as it is with instances where saying nothing says everything there is. Despite its name, cut out Conversations with Friends' loaded silences and you could likely reduce its running time by half, but you'd also rip away much of its heart and soul. It's a show about what can't or won't be said; about the interiority that we all live within, some more than others; and about how, when and why we open ourselves up to and allow ourselves to truly become vulnerable with others. Conversations with Friends is catnip for Normal People fans, in other words — and rewardingly so. There's no escaping the similarities, including in the midseason trip abroad, and in the dreamy-yet-naturalistic approach that Abrahamson and fellow director Leanne Welham (His Dark Materials) use to anchor viewers in the show's dramas. Watching along feels like sliding into the series' love quadrangle, observing along even more quietly than Frances often does, but experiencing every emotion — blatant and unspoken — along the way. The mood: swooning melancholy. The look: the kind of cosiness and uncertainty that drips from Ireland's overcast skies and sweater-friendly climes. The sensation: sensitive, realistically messy and deeply lived-in. Hitting bookshelves in 2017, Rooney's novel was her first success, earning buzz after a seven-way auction for the publishing rights, and garnering award nominations. It's a portrait of entangled lives, and the intricate webs that love, lust, friendship and loyalty weave, but it's also a character study of one woman learning how to face and reveal her true self. Frances' affair with Nick, and the ripples it sends through her bond with Bobbi, Bobbi's infatuation with Melissa, and Melissa and Nick's marriage, fuels just one of its narrative threads. Frances' complex relationship with her divorced parents (Derry Girls' Justine Mitchell and Tommy Tiernan), her view of her health and her unwillingness to ask for help even when she needs it most leave just as big of an imprint. It's little wonder, then, that Oliver is Conversations with Friends' most pivotal player — but she's also in fantastic company. Wanting to spend more time watching Bobbi and Melissa's growing connection isn't just a result of Rooney's layered story, but of Lane and Kirke's textured performances and bubbling chemistry. The same proves true of Melissa and Nick's stressed relationship, with Kirke and Alywn compellingly ebbing and flowing through the couple's ups and downs. "Who knows what happens between two people when they're alone?" Frances comments early, chatting to Bobbi about Melissa and Nick — and Conversations with Friends makes its audience desperate to know the answer no matter which possible combination of its four main characters it happens to be focusing on at any given moment. Check out the trailer for Conversations with Friends below: All 12 episodes of Conversations with Friends are available to stream Down Under via Prime Video on Monday, May 16. Images: Enda Bowe/Hulu.
Craig O'Shanesy doesn't just enlighten bright young minds about visual arts — the educator also puts his teachings into practice. It's fitting, then, that an exhibition of his work will adorn the walls at Gallery 61 at the Queensland Academies Creative Industries Campus. Confluent Decay tries to reconcile two parts of modern life. One one side sits the fact that the possibility of a dystopian future isn't just something we see in science fiction films, but lurks in the back of our minds; and on the other, the on-the-go, always-online enthusiasm we pump into cyberspace each and every day. Where the two concepts combine, an interrogation of control, order and categorisation blossoms. That's the theoretical side of things. In his technique, O'Shanesy merges landscapes and portraits with virtual imagery. Expect a collection of oil paintings that blend the real world with its internet counterpart as a result, as well as an emotional journey into fiction, memory, reality and history.
Come October 2025 in Brisbane, Tomato Day will be back on the big screen, all thanks to Looking for Alibrandi's inclusion in this year's Italian Film Festival lineup. A quarter of a century has passed since the Pia Miranda (Invisible Boys)-starring Australian page-to-screen classic reached cinemas, so the nation's annual celebration of Italian movies has programmed the beloved picture based on Melina Marchetta's 1992 book in its closing-night slot. Audiences will get a particular filmic treat, too, given that the 4K restoration of the film will be gracing the screen. So, as well as surveying the latest in Italian cinema — as IFF does every year, 2025 being no exception — there's an Aussie flavour to the festival this time around. Another example: the Greta Scacchi (Darby and Joan)-narrated Signorinella: Little Miss, with the team responsible for Lygon St — Si Parla Italiano turning their attention to Italian women who helped make the Italian Australian community what it is. 2025's Italian Film Festival kicks off in September, running across Saturday, September 24 September8–Wednesday, October 22 at Palace Barracks and Palace James Street in Brisbane. While Looking for Alibrandi is on closing duties, romantic comedy Somebody to Love will get IFF 2024 started, as hailing from Perfect Strangers filmmaker Paolo Genovese. In the festival's centrepiece slot is La Grazia, the latest from Paolo Sorrentino (Parthenope) — and, like The Hand of God, Loro and The Great Beauty, starring Toni Servillo. Its inclusion is quite the get for IFF, given that the movie will head to Australia direct from having its world premiere opening the 2025 Venice International Film Festival. Servillo is a significant feature of IFF's lineup this year, too, thanks to also appearing in Sicilian Letters and The Illusion, with the first focusing on Cosa Nostra boss Matteo Messina Denaro's time as a fugitive and the second heading back to Giuseppe Garibaldi's efforts in 1860 to unify Italy. In another highlight, Napoli — New York sees Gabriele Salvatores (Cassanova's Return) chart the path of two Neapolitan children to New York in 1949 — and continue, as also evident courtesy of Looking for Alibrandi and Signorinella: Little Miss, the festival's celebration of migrant stories. The must-sees keep coming from there, with IFF also screening 2024 Venice Film Festival Grand Jury Prize-winner The Mountain Bride — Vermiglio; Diamonds by Ferzan Özpetek; The Great Ambition, which won Elio Germano (Trust) the Best Actor Award at the David di Donatello Awards for portraying former Italian Communist Party leader Enrico Berlinguer; Italian box-office hit The Boy with the Pink Trousers; and the Valeria Golino (Maria)-led Fuori, a biopic about Italian feminist writer Goliarda Sapienza. Or, attendees can catch post-WWII-set drama My Place Is Here, as based on the novel by Daniela Porto; The Life Apart, which sports Vicenza as a backdrop; and Gianni Versace — Emperor of Dreams, as focused on the fashion icon. And, for its blast from the pasts for 2025, the fest is embracing giallo, to the delight of horror and thriller fans. Think: a new 4K restoration of Dario Argento's Deep Red, alongside Lucio Fulci's A Lizard in a Woman's Skin, Mario Bava's Blood and Black Lace, Pupi Avati's The House with Laughing Windows and Sergio Martino's All the Colours of the Dark.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to Pan Pacific Singapore. [caption id="attachment_892011" align="alignnone" width="1920"] Singapore Tourism Board[/caption] WHAT'S SO SPECIAL? This five-star hotel is right in the heart of Singapore, boasting views across Marina Bay, the South China Sea and surrounding city skyline. It also boasts a heap of extra luxe features, including three pools and an in-house spa. THE ROOMS This is a mighty big hotel, with 790 lavish rooms and suites available to guests. You can go for the more modest Deluxe Room — which is still an impressive 38 square metres in size and has sweeping views across either the city or bay. Alternatively, you can opt for one of the more luxurious suites or studios that have separate living and dining rooms, additional bedrooms and little kitchenettes. There's even the Urban Jungle suite which is made for families. It has a super fun jungle-themed room with an inflatable rocking hippo, a tepee and a treehouse bunk bed that sleeps two kids. FOOD AND DRINK As you'd expect in a city known for its food, this opulent hotel boasts a series of spectacular restaurants and bars. There is the fine-dining Cantonese restaurant Hai Tien Lo and the Keyaki Japanese Restaurant which has its own Japanese rooftop garden. But one of our favourites has to be Edge. Here, you get to feast on a high-end buffet that includes fresh oysters and lobster, roast meats with all the trimmings and a massive selection of local dishes. Quantity and quality combine at this spot. [caption id="attachment_864958" align="alignnone" width="1920"] Singapore Tourism Board[/caption] THE LOCAL AREA Pan Pacific Singapore is close to most of the city's best bits. Head to the adjoining Marina Market for boutique stores, walk along the nearby Singapore River for more entertaining and dining options or take a quick cab ride to any of the city's other great sites. Be sure to check out Little India, Chinatown and Arab Street as well as the famous island of Sentosa, if you seek beach clubs and water activities. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world.
As winter closes in, you might be tempted to take anything that requires leaving your warm and toasty home off of your schedule. We get it. But it's no excuse. Even if it's cold outside, there are plenty of winter-friendly (and delicious) reasons to get out and about this season — especially down south. Tasmania might be known for its chilly weather, but, these days, it's also got quite the reputation as a culinary destination — and for good reason. Top-notch culinary menus make use of the freshest, seasonal and local produce and can be found all over the Apple Isle. That's why we've made it our mission to discover the Tassie restaurants that'll warm both your belly and your cold little hands this winter. Here are five of the best. Hope you're hungry. [caption id="attachment_719307" align="alignnone" width="1920"] Chris Crerar.[/caption] STILLWATER — LAUNCESTON Stillwater is quite possibly the best-known restaurant in Tasmania. Situated on the edge of the Tamar River in Launceston — and set within a restored 1830s flour mill — the space is cosy, with warm lighting and timber furnishings, and boasts stunning views. The seasonal menu is a love letter to the island state, celebrating fresh, local produce and the region's best vineyards, distilleries and brewhouses. Our tip: opt for the Arras sparkling, which some might call Australia's best answer to Champagne, paired with flavour-packed seafood dishes like the fresh Moulting Bay oysters or the Tasmanian blacklip abalone with whipped tofu, brown butter ponzu, enoki and avruga caviar for a particularly indulgent experience. A visit on a clear winter day is something special — not only will you get a great view over the water, but be treated to the spoils of a Tassie winter. Expect a menu that makes the most of the abundant and rich produce available in winter like cauliflower, beetroot and brussels sprouts along with treats like oysters and black truffle. TEMPLO — HOBART Tucked away in the back streets of Hobart, Templo is all about intimacy. Which makes it a dream find on a cold winter night. Eating at this 20-seat restaurant feels as if you're at a friend's dinner party, with the exposed brick walls, low hanging lights and close quarters creating a warm atmosphere and cheerful vibe. Choose from a concise list of unique wines, and look to the large blackboard for the ever-changing, seasonal food offering. But while the dishes rotate often, they have a consistently Italian flair to them that's unmistakable and are all made with the freshest produce. If it's available, the gnocchetti with crunchy fried bread will knock your socks off. While seemingly simple, Templo is about shared food, unique wines and a solid communal vibe, making it a charming neighbourhood stalwart and an absolute must during Tasmanian winters. FRANKLIN — HOBART There's a confidence to Franklin that's reflected in every aspect of the restaurant. The contrast of the raw, exposed concrete interior and the soft kangaroo hides and heated floors (which are a real godsend when you step in from the cold) elevates the large space from a classy wine bar to something unexpectedly elegant. Housed in an old Ford showroom within Hobart's historic Mercury Newspaper Building, Franklin is the epitome of industrial-chic. And it's not just the interior design that's special — the food is distinctive, too. With one of Australia's most talented young chefs, Analiese Gregory, and a ten-ton woodfired scotch oven both in the open kitchen, the restaurant serves a menu featuring a made-from-scratch mentality. Everything occurs on-site — whole beasts are broken down, bread is baked daily, cheeses are made and meats are cured. It's a feast for both the eyes and the tastebuds that truly champions local produce. GERONIMO APERITIVO BAR AND RESTAURANT — LAUNCESTON The second you walk into Launceston's Geronimo Aperitivo Bar and Restaurant, your winter blues will disappear. Packed with old-school charm, the space is adorned with Carrara marble, recycled timber, Greek metals, Italian ceramics and lots of warming Euro food on every table. Each dish is designed to share, so it's best to cosy up with some mates and order up. When it's cold outside you'll want to make a beeline for the confit duck leg — which is spiced with orange and star anise and comes with hazelnuts and cabbage — or maybe the fried polenta dumplings and a serve of winter veg. The bar's cherry-tinted take on the manhattan will send you home warm, full and slightly boozed. DIER MAKR — HOBART Dier Makr is made for winter. Broody and a little bit dark, the eatery sits within a large, nondescript, grey building. It doesn't exactly scream "this is one of the best restaurants in town" — but that's beside the point. Once you've found your way inside, you'll find a sleek, intimate bistro and bar where a playful degustation menu will take you on a journey of the senses. Try the seared mussels with chicken fat and mizuna-spiked golden ale. And opt for the cauliflower cooked so many different ways — you'll never look at the humble vegetable the same. Dier Makr is all about showing off the best Tasmanian produce, with a selection of natural and minimal intervention wines to match. Plus, there's a walk-in cellar if you want to bring back a souvenir. Top image: Stillwater, courtesy Tourism Tasmania and Rob Burnett.
Home to everything from breweries and restaurants to scenic patches of grass, the Howard Smith Wharves precinct has completely revamped Fortitude Valley's riverside stretch beneath the Story Bridge. Indeed, since launching in late 2018, the lively and popular inner-city spot has given Brisbanites plenty of reasons to stop by — and now that includes boat tours. Unsurprisingly given its location, a new CityCat terminal has long been part of the HSW plan, with construction starting this month. But back in September 2020, the Queensland Government also advised that the site will also become home to three pontoons for tourism purposes. While the first was supposed to open before Christmas, it has just launched today, Friday, March 26, and will allow access to commercial tour operators and private vessels up to 24 metres long. That means that you can now rock up to HSW by boat — including as part of the watery brewery tours run by River to Bay. It's adding the inner-city site to its itinerary, which runs from Northshore down to Kangaroo Point, then heads back via Sea Legs, Black Hops, BrewDog and now Felons. Also on the overall agenda: letting Brisbanites hop on a boat in the CBD, then cruise up the river and make their way to North Stradbroke Island. Last year, it was advised that day tripping from HSW to Moreton Bay would be possible by Christmas 2020; however, it hasn't yet come to fruition — but that's still the plan. The other two pontoons are due to open in 2024, with all three part of the Queensland Government's $5.5 million project to promote Brisbane's links with Moreton Bay. Once the entire facility is up and running — and international borders reopen, reigniting Brissie's tourism industry — it's expected to service up to 360,000 passengers per year. Launching the first pontoon, Member for McConnel Grace Grace said that HSW "has been a game-changer for Brisbane and this new pontoon will make it an even better experience for the public". She continued: "it'll be far easier to get from the Port of Brisbane to the CBD and from Howard Smith Wharves out to the Moreton Bay islands". Howard Smith Wharves' new pontoon is now open. For further details, check out the State Government's full statement.
In the ultimate food-meets-fashion fusion, Ralph Lauren has opened his first New York City restaurant next door to the brand's flagship store on Fifth Avenue. Polo Bar is Lauren's third restaurant, following his original RL Bar and Grill in Chicago and Ralph's in Paris. Inspired by the brand's signature Polo range, the lamp-lit New England style design takes luxury to new and heady heights. Caramel tones dominate the interior, with parquet floors underfoot and wood panelling extending onto the ceiling, while equestrian-themed art and an exclusive Henry Koelher polo match mural adorn the walls. If you're popping in for oysters and cocktails, then the brass-topped bar is where you'll head, with its rows of gleaming bottles and oversized silver champagne coolers. For those power lunches (and dinners-to-impress), sink into the tan banquettes of the restaurant itself. Polo Bar's menu features American classics, served on the restaurant's own tableware. There's a meat-heavy bent to the homestyle fare, with steaks and burgers the apparent focus of the kitchen, and beef sourced periodically from Lauren's own ranch in Colorado. We like the sound of the New York strip steak with brown butter, or the famous Polo Bar Burger with cheddar and crispy bacon. Alternatively, go for the roast chicken or the Loch Duart wild salmon, and succumb to outfit-envy as the Ralph Lauren models — or rather, waitstaff — serve you in their leather wingtips and silk ties. While there's apple pie and five-layer chocolate cake for dessert, you can’t go past Ralph's Coffee Ice Cream with dark chocolate shortbread cookies, made with the brand's own custom blend coffee. So while you're saving for that airfare, scrounge up a little more for a luncheon or two at this pretty establishment. Polo shirts welcome, of course. Via Grub Street. Images: Polo Bar.
Just a few short months ago, no one could've predicted that the Queensland border would become one of 2020's most debated topics. It's a subject that has inspired plenty of comments, especially among interstate and federal politicians calling for Queensland to open back up — with the state closing its border to help stem the spread of COVID-19, then keeping it shut while other restrictions have been easing. Today, Tuesday, June 30, that chatter can finally stop — with Premier Annastacia Palaszczuk confirming Friday, July 10 as Queensland's official date for reopening to interstate visitors from all states and territories except Victoria. That date was initially outlined in Queensland's COVID-19 roadmap, and discussed earlier in June, with a final call on opening up the border always expected at the end of this month. That's great news for folks who live in New South Wales, South Australia, Western Australia, Tasmania, the Northern Territory and the Australian Capital Territory, of course — however, with coronavirus case numbers spiking in Victoria over the past couple of weeks, residents of that state won't be allowed into Queensland as yet. In fact, as Premier Palaszczuk announced, "Queensland has very large concerns about the state of Victoria", which means that, "due to current community transmission levels, the border with Victoria will remain closed — and will be strengthened". https://twitter.com/AnnastaciaMP/status/1277816426724638721 A week prior to the Queensland border opening to all other areas of the country, the state will implement a new regime for visitors from Victoria — to come into effect from noon on Friday, July 3. Anyone travelling from Victoria, including Queenslanders, will be refused entry unless they go into forced quarantine for 14 days, in a hotel, at their own expense. Folks coming to Queensland from other states from July 10 will also need to complete a border declaration form. On it, they'll need to certify that they haven't travelled to Victoria in past 14 days — and the government has advised it'll be checking these statements, and that making a false statement will be an offence. Also, while Victoria has been singled out at present due to its COVID-19 situation, Queensland will review its border position with other states should outbreaks occur elsewhere. The aim is to avoid community transmission in Queensland, with Premier Palaszczuk noting that "if the Chief Health Officer reviews any state or territory at any time, and there is community transmission like Victoria, we may have to take action". If you're a Queenslander hoping to hop over the border for a mid-year holiday — and come back home without any hassle — the confirmation of July 10 as the official border reopening date is also a welcome development. That said, Premier Palaszczuk has urged all Queenslanders not to go to Victoria. Queensland's announcement comes on the same day that South Australia revised its plans to open its borders, revealing that it won't open to Victorian residents on July 20 as initially advised — with details to come regarding NSW and ACT residents, and inhabitants of other states already allowed to enter SA. To find out more about Queensland's COVID-19 restrictions, and the status of the coronavirus in the state, visit Queensland's online COVID-19 hub. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Hill Inlet in the Whitsundays by Tourism and Events Queensland.
Captain Planet, he's a wellness inspiration? When SOL Elements opens its doors on Mount Tamborine in early 2024, you can be forgiven for getting that vibe. Like the early-90s eco-superhero animated series, this new place to chase bliss will go big on earth, fire and water. A focus on air takes care of Captain Planet and the Planeteers' love of wind, too — and as for heart, hopefully yours will beat with pure relaxation while you're onsite. Nestled amid the Gold Coast hinterland's tropical rainforests, SOL Elements is an elemental bathhouse, hence the emphasis placed on exactly what's in its name. The aim: to use the elements to help patrons find the kind of serenity and inner peace that onsens, float rooms, a clay room, a Himalayan salt cave, saunas and massages can bring. [caption id="attachment_682545" align="alignnone" width="1920"] Tamborine Mountain, Tourism and Events Queensland[/caption] The new wellness haven hasn't released many details as yet, so exactly where it will be based, when it will launch, its treatments and their prices is still to be revealed. But the information provided so far paints a picture that's all about chilling out in stunning surroundings — and switching off your digital devices as well. So, the earth part of the SOL Elements experience will involve getting immersed in that clay room, and also kicking back beneath the ancient Bodhi tree at the centre of the bathhouse. With the venue's air focus, there's the salt cave, plus teaching breathwork. And with water, soaking in the communal onsens or private suites — and cold plunge pools as well — is on the menu. So is a steam room that makes good use of essential oils. The heat of the saunas will bring fire into play, as will a communal fire pit. And, if you can't visit a bathhouse, wellness centre or day spa without getting a massage — and who can? — there'll be a full range of styles, including Swedish and Thai, and using both ancient and modern techniques. The whole setup will take its cues from the Japanese philosophy of wabi-sabi, which is about searching for beauty in imperfection and transience. Feeling tranquil just reading and thinking about SOL Elements? That's understandable. Find SOL Elements on Tamborine Mountain sometime from early 2024 — we'll update you with more details when they're announced, and you can head to the venue's website and Instagram in the interim,
It's May and Brisbane has gone a little mad with art. Breaking down barriers between artistic styles, this month's exhibitions explore cultural divides, femininity in portraits and even Brisbane's own cultural history. There's a lot to take in, so we've picked out a few of our must-sees for the month, from woodworkers doing their thing to some of the country's weirdest pop art.
Chamomile gin, quinoa vodka and moonshine are among the spirits now available for tasting just outside of Melbourne in Healesville, following the opening of brand new distillery Alchemy. The business has taken over a century-old bakery, which you'll find hidden away up a laneway, off the main street. And not only is there a cellar door, there's a cocktail bar and accommodation too. At the centre of Alchemy's operations is a hybrid pot still with a 100-litre capacity. This mighty machine enables founders Evan Kipping and Jannick Zester to experiment with a variety of left-of-field flavours and ideas. While the aforementioned chamomile gin, quinoa vodka and moonshine are Alchemy's core products, there's also a bunch of small-batch spirits on the go at all times. "Sinking our teeth into making multiple spirits has allowed us to collaborate with local producers," says Zester. "We've been overwhelmed with support and are currently playing with local strawberries, cumquats and grapes from the Yarra Valley." You're invited to taste Alchemy's offerings and/or settle in for a signature cocktail, craft beer or local wine — either indoors, at the bar, or out in the sunny beer garden splashed with greenery. If you want or need to sleep over, there's a two-bedroom apartment overlooking the main street that'll sort you out. To get more deeply involved, join Alchemy's barrel-ageing program. The crew is giving 100 people the opportunity to own their own 20-litre barrel. You'll start by going through the whiskey-making process, including mashing, distillation and fermentation, then, throughout maturation, make return visits to sample your creation. Two years down the track, choose to release the whiskey, stick with it as it continues to age or pop it in a bottle and take it home. Alchemy Distillers is now open at 242 Maroondah Highway, Healesville. For more info or to book a room, visit alchemydistillers.com.
Sunny Sunday afternoons are made for rolling a few bowls; however, even a crackerjack idea like that can benefit from a few boosts. Throw in some of the city's favourite food trucks, as well as a few great brews and tipples, and you've got yourself the perfect way to see out the weekend. Taking place at Bardon Bowls Club from 12–5pm on Sunday, August 16, that's exactly what the venue's Show Day Food Truck Pop-Up is serving up. Hop on the grass to do your sporting best, grab a feed from Micasa Burger Truck, Rolls Pho Mi, Rolling Stone Pizza, Donut Kitchen and Gelato a Go-Go, and knock back a few beverages. You'll be so relaxed, you'll completely forget that Monday is just around the corner. You'll also be able to listen to live tunes, while making the most of your long weekend. Yes, the Ekka isn't happening, but that doesn't mean you can't enjoy some of its best elements elsewhere: food, music and hanging out with your mates, obviously. Bardon Bowls Club's Show Day Food Truck Pop-Up runs from 12–5pm on Sunday, August 16, and entry is free. Top image: Bardon Bowls Club.
It's been a long wait in Brisbane if you want to rock 'n' roll with AC/DC live. 2025 marks ten years since the iconic Sydney-formed band last took to the stage Down Under. It's also the year, thankfully, that they're making their Aussie concert return. After kicking off in 2024, the group's Power Up tour will play Australian dates, with Brian Johnson, Angus Young and company hitting up Brisbane on Sunday, December 14 and Thursday, December 18. Let there be rock at Suncorp Stadium, then. This is the first time that the legendary Australian rockers have toured Down Under since their 2015 'Rock or Bust' world tour. In November in Queensland capital, Amyl and The Sniffers are onboard in support to make this massive concert even more so, and to give attendees a taste of two different generations of Aussie rockstars. This tour isn't just a fitting homecoming for AC/DC, but comes more than half a century since the band played their first-ever show in Australia. This 2025 gig will be just over a month and a half short of 52 years since that 1973 Sydney debut. Power Up is also the name of the group's 2020 album, their most-recent record — which debuted at number one on the Billboard 200, made multiple best-of lists for that year and scored Grammy nominations. For those about to rock, AC/DC's high-voltage current set list spans their entire career, however, including everything from 'If You Want Blood (You've Got It)', 'Back in Black' and 'Hells Bells' to 'Highway to Hell', 'Dirty Deeds Done Dirt Cheap' and 'You Shook Me All Night Long'. Images: Christie Goodwin. Updated: Thursday, June 26, 2025.
Everyone should be able to fill their walls with art no matter their bank balance. That's the idea behind Affordable Art Fair, and has been since 1999. Back in the 20th century, the event initially popped up in London to share eye-catching pieces with the world at manageable prices, and then started spreading its art-for-all ethos around the world. A quarter-century later, it's now set to make a Brisbane appearance. For four days in May 2024 — from Thursday, May 9–Sunday, May 12 — the first-ever Affordable Art Fair Brisbane will debut at Brisbane Showgrounds. On offer at the Bowen Hills venue will be original artworks by the thousands, with prices starting from $100. If you are feeling flush with cash, however, costs will max out at $10,000 per piece. The fair's arrival in the River City adds to a footprint that spans 17 fairs in 16 cities, including in Melbourne and Sydney already. The 2024 run will also see both Berlin and Austin join Affordable Art Fair's ranks as host spots. Making repeat visits, the event will return to London, Brussels, Hamburg, Stockholm and Amsterdam in Europe, Singapore and Hong Kong in Asia, and New York in the US as well. Unsurprisingly, democratising art has been proving the hit as Affordable Art Fair notches up the years. Across its stops worldwide since 1999, the event has sold 568,000 artworks at a value of over AU$820 million. In Brisbane, more than 40 independent Australian galleries will have pieces up for sale, alongside Asia-Pacific institutions. Among the Aussie contingent, Studio Gallery, Revival Art & Design, The Toowoomba Gallery, Wentworth Galleries, MG and Co and JUMBLED will all be represented. Buying art isn't the only drawcard, though, with talks, tours, workshops, live tunes, bites to eat, drinks and live artist demonstrations all also on the agenda. "Affordable Art Fair focuses on the fun side of viewing and buying art and seeks to put art into every home, no matter the size or buyer's budget," explains Australian Fair Director Stephanie Kelly. "The mission of the fair is to democratise and demystify the art world and make art accessible to all. Unlike traditional art fairs, every exhibited work is from a living artist, every artwork on display lists a sale price and every artwork is looking for a new home." Affordable Art Fair Brisbane will take place from Thursday, May 9–Sunday, May 12, 2024 at the Brisbane Showgrounds Exhibition Building, 600 Gregory Terrace, Bowen Hills — head to the event's website for tickets and more details.
Southeast Queensland's penchant for a party boat has a long history, from The Island to Seadeck and now Yot Club. Haven't had the joy of revelling on the water on Halloween? Give it a try while cruising around the Gold Coast on Saturday, October 26, 2024. Yot Club has been making quite a big splash over the past few years, as you'd expect from a huge yacht with two bars, a stage, a dance floor and a 400-person capacity. The glamorous, custom-built vessel calls itself "the world's first super yacht entertainment venue", and it's certainly something that the region hadn't seen before it hit our waters. Sprawling over two levels, it measures nearly 40-metres long and over 22-metres wide, and blends a licensed floating club and a luxe function space. With lounges across an open deck and undercover, a VIP room in the hull, and the promise of bands and DJs on its lineup, Yot Club wants to be the region's one-stop watery hangout. It serves up more than water, of course, thanks to a menu of classic and creative cocktails, plus brews chilled in the 45-keg-capacity cool room. Yot Club is setting off from Arm C, Mariners Cove, Main Beach for its Halloween bash, boarding at 6pm for a 6.30pm departure. On offer: spooky-themed cocktails, a photo booth to snap all those costumes and prizes for best dressed as well. Yes, you do need to don something to suit the occasion to hop onboard; "only guests in full costume can board this ghost ship of a party," the venue advises. Prices vary, starting at entry from $49.95 with drinks and food purchased separately, and also including a $99.95 option with a sip upon arrival. Images: Richard Greenwood / Yot Club.
For the first time in history, Sydney Film Festival's Official Competition and the Cannes Film Festival's Palme d'Or have been won by the same film: Bong Joon-ho's Parasite. The final feature to screen as part of this year's SFF competition — and the recipient of rapturous audience applause after its first session in the State Theatre — the twisty family thriller took out 2019's $60,000 prize. Visiting Sydney for the second time in three years, after presenting Okja as the festival's closing night film back in 2017, Bong was on hand to receive the award. "This festival is really amazing, especially the audience… really special and extraordinary," the South Korean filmmaker said in his response to the accolade. "This is the most meaningful prize for me — in this beautiful city and beautiful theatre, and one of the most beautiful audiences in the world." A dark, devious, devastatingly smart and deceptively hilarious movie about two South Korean families — one struggling to get by, the other living in the lap of luxury — Parasite couldn't be a more deserving winner. From its slippery narrative that plays with several genres, to its exceptional performances from a cast led by Bong regular Song Kang-ho (The Host, Snowpiercer), to its scathing statement on class and its exquisite and astute production design, this tense, urgent and constantly surprising piece of cinema is one of the best films of the year so far. Also, as Bong told the Sydney audience, it was inspired by the time the director spotted a smudge on his pants. https://www.youtube.com/watch?v=SEUXfv87Wpk Selected by a jury consisting of Australian producer John Maynard (Jirga), Australian director Ana Kokkinos (Head On), Brazilian actor and filmmaker Wagner Moura (Marighella), New Zealand director Gaylene Preston (My Year with Helen), and Indian artist and filmmaker Ritu Sarin (The Sweet Requiem), Parasite emerged victorious in a hotly contested field — competing against Berlinale Golden Bear winner Synonyms, Oscar nominee Never Look Away, Pedro Almodovar's sumptuous Pain and Glory, the Tilda Swinton-starring The Souvenir, gentle New Zealand drama Bellbird and the Australian duo of Judy & Punch and Hearts and Bones, among others. It joins an impressive list of previous SFF prizewinners, including The Heiresses (2018), On Body and Soul (2017), Aquarius (2016), Arabian Nights (2015), Two Days, One Night (2014), Only God Forgives (2013), Alps (2012), A Separation (2011), Heartbeats (2010), Bronson (2009) and Hunger (2008). https://www.youtube.com/watch?v=WtLKQ09ikBg Also receiving a gong at SFF's closing night was She Who Must Be Loved, a documentary about pioneering Indigenous figure Alfreda Glynn, which took out the Documentary Australia Foundation Award for Australian Documentary (a $10,000 prize). It's slated to hit NITV on Sunday, July 14 at 8.30pm. Short film All These Creatures also nabbed the Dendy Live Action Short Award and the Rouben Mamoulian Award for Best Director, while fellow shorts Sohrab and Rustum and Ties That Bind picked up the Yoram Gross Animation Award and the Event Cinemas Australian Short Screenplay Award, respectively. The 2019 Sydney Film Festival ran from June 5–16. If you missed Parasite at the festival, you'll be able to catch it at Australian cinemas from Thursday, June 27.
Music festival lineups are always cause for excitement, but sometimes spending a whole day at a fest doesn't fit into your schedule. Thankfully, life found a way to ensure that you can still see your favourite acts: festival sideshows, which a heap of talent on the 2024 Groovin the Moo lineup just announced. Can't head to Newcastle, Canberra, Bendigo, Adelaide Showground, the Sunshine Coast and Bunbury this April and May to catch GZA, Claire Rosinkranz, Kenya Grace, Stephen Sanchez and The Beaches? All five have announced their own gigs while they're Down Under. In great news for folks in Sydney, Melbourne and Brisbane, they're all playing all three cities. Perth gets a few sideshows as well; however, if you're elsewhere, you'll have to travel. Wu-Tang Clan's GZA is taking to the stage with full live band The Phunky Nomads, on their Liquid Swords Live Australian tour — starting at Sydney's Liberty Hall, then heading to 170 Russell in Melbourne, The Triffid in Brisbane and Magnet House in Perth. And yes, the set usually includes a heap of the tunes that GZA is best-known for, because Wu-Tang Clan covers ain't nuthing ta f' wit. Rosinkranz has her debut 2023 album Just Because to play through at Max Watts in Melbourne, Oxford Art Factory in Sydney, The Zoo in Brisbane and Perth's Rosemount Hotel. Making her first trip to Australia, 'Strangers' artist Grace will play Melbourne's The Night Cat, Fremantle's Freo.Social, and also Oxford Art Factory and The Zoo just like Rosinkranz. After hitting our shores last year, Sanchez returns to bust out 'Until I Found You' again, this time at Enmore Theatre in Sydney, Forum Melbourne, The Tivoli in Brisbane and Perth's Astor Theatre. And Toronto's The Beaches have dates at The Lansdowne, The Zoo and Howler in Sydney, Brisbane and Melbourne, respectively. [caption id="attachment_939692" align="alignnone" width="1920"] Caity Krone[/caption] Groovin the Moo 2024 Sideshows: GZA + The Phunky Nomads Thursday, May 2 — Liberty Hall, Sydney Friday, May 3 — 170 Russell, Melbourne Tuesday, May 7 — The Triffid, Brisbane Friday, May 10 — Magnet House, Perth Claire Rosinkranz Tuesday, April 30 — Max Watts, Melbourne, Wednesday, May 1 — Oxford Art Factory, Sydney Tuesday, May 7 — The Zoo, Brisbane Friday, May 10 — Rosemount Hotel, Perth Kenya Grace Tuesday, April 30 — The Night Cat, Melbourne Thursday, May 2 — Oxford Art Factory, Sydney Wednesday, May 8 — The Zoo, Brisbane Saturday, May 11 — Freo.Social, Fremantle Stephen Sanchez Monday, April 29 — Enmore Theatre, Sydney Tuesday, April 30 — Forum Melbourne, Melbourne Monday, May 6 — The Tivoli, Brisbane Wednesday, May 8 — Astor Theatre, Perth The Beaches Wednesday, May 1 — The Lansdowne, Sydney Monday, May 6 — The Zoo, Brisbane Thursday, May 9 — Howler, Melbourne Groovin the Moo is touring Australia in April and May 2024. For tickets and more information, head to the festival's website. The festival's sideshows are touring across the same months, with presale and general sale dates varying — head to the tour pages for GZA, Claire Rosinkranz, Kenya Grace, Stephen Sanchez and The Beaches for all the details. Top image: Azuree Wiitala.
Across six seasons, Netflix's Chef's Table added plenty of high-profile additions to everyone's culinary bucket lists, celebrating the stellar kitchen skills of talents such as Massimo Bottura, Francis Mallmann and even Attica's Ben Shewry. For the streaming platform's next delicious adventure, it's re-teaming with the documentary series' creators for another food excursion — this time focusing on both famous and lesser-known players in the global street food scene. Available to binge now, the aptly titled Street Food hops around the planet to showcase hawker stallholders, food carts and other folks making a big impact in their small street kitchens. In the show's first nine-episode season, Asian cuisine is on the menu. Get ready to get hungry for dishes from Thailand, Japan, India, Indonesia, Taiwan, South Korea, Vietnam, Singapore and The Philippines. Each country earns its own episode, focusing on various local street food heroes, their stories of hard work and perseverance, and the cultural context behind their cuisine. In Bangkok, the well-known Jay Fai takes viewers through her story, while Delhi's Mohamed Rehan whips up a buffalo stew that's been tempting tastebuds since the 1800s, and Chiayi's Uncle Goat cooks in a giant oven cave. Over in Osaka, Mr. Kita has one of the oldest takoyaki stalls in the city, and Singapore's 85-year-old Master Tang has been making wanton noodles since he was orphaned in World War II. Already feeling your stomach rumble? Check out the trailer below: https://www.youtube.com/watch?v=eI_LjETc_Ak Street Food is available to stream on Netflix now. Images: Martin Westlake/Jisang Chung/M.Synchrony/Netflix. Updated: May 28, 2019.
For the past 18 years, two things have sat at the top of Brisbane's Myer Centre: cinemas and arcade games. Prior to 2000, however, the shopping complex's upper levels were home to an indoor theme park — and, as anyone who headed up from 1988 through until the end of 1990s will remember, the beloved dragon coaster. It was everyone's favourite school holiday pastime, making the Myer Centre precinct — called Tops — an absolute must-visit destination for the young and the young at heart. And, not only has the now-discarded rollercoaster been found, but a plan to bring it back to Brisbane and transform it into a trackless train is currently being considered, according to the ABC. Photos of the dragon coaster surfaced on the Old Brisbane Album Facebook group on Friday, with Brisbane's Dean Davis sharing snaps taken at his friends property in Geelong. The coaster has reportedly sat there for the past decade, and is now the subject of talk about restoring it to its former glory and getting it operational. Just how that would play out is yet to be seen, though Davis suggested number of inner-city spaces such as South Bank, the Queen Street Mall, Botanical Gardens and Roma Street Parklands to the ABC. For the time being, even just hearing about the dragon coaster is a big blast from the past for theme park-loving '90s Brisbanites. Via the ABC. Image: Twenty20.
A few decades ago, marijuana becoming legal in parts of the western world while cigarettes were banned in public venues would have seemed unthinkable. Now, who knows what the future holds for drugs? In this panel discussion, psychoactive medicines are unpacked by Australian experts. Professor Iain McGregor and Dr Samuel Banister work in the field of medicinal cannabis and will be drawing on the findings of their investigations into the changing stance of big pharma. The pair will be joined by Dr Margaret Ross, who is currently running the country's first clinical trial using psilocybin (found in magic mushrooms) and has views that challenge conventional medical perspectives. Chairing the session is journalist and drug advocate Jenny Valentish, so prepare to have your horizons widened.
He has serenaded Laura Dern with an Elvis song, swooned over Cher, swapped faces with John Travolta, voiced a version of Spider-Man and won an Oscar for playing an alcoholic. He's appeared on-screen as brothers, professed his love for milking alpacas and fought ninjas from outer space, too. We're talking about Nicolas Cage, of course, and the list of amazing inclusions on his resume just goes on. Indeed, he's about to step into Joe Exotic's shoes — and, via a new Netflix series, teach the world about the history of swear words as well. Nicolas Cage's History of Swear Words is a very real series that definitely exists, and will hit the streaming platform on Tuesday, January 5. So yes, if you were hoping that 2021 would be better than 2020, we can think of one very good reason why that's likely to prove the case. The concept behind the show is extremely self-explanatory. For that very reason, Netflix didn't release too many details when it first announced the show earlier in December. But, via a just-dropped new full trailer, it has given Cage-loving viewers more of a glimpse at what's in store. Prepare for Cage on hosting duties, plus experts and famous faces like Sarah Silverman and Nick Offerman popping up to talk through the origins, pop culture usage, science and cultural impact of oh-so-many expletives. Obviously, you don't get Cage involved in this kind of project without having fun with the concept. The first teaser trailer for the series made that plain — and nodded to Face/Off fans, too — and this new sneak peek does as well. Cage starts the latest trailer by screaming one word, then ends it by giving the audience quite the invitation. Clearly, it's glorious. Check out the latest trailer for Nicolas Cage's History of Swear Words below: https://www.youtube.com/watch?v=XByiHpUvrj0 Nicolas Cage's History of Swear Words hits Netflix on Tuesday, January 5. Top image: Adam Rose/Netflix.
Brisbane has lost yet another well-loved eatery, with Madame Rouge Bar & Bistro announcing it's shut up shop for good. With its red velvet curtains and soft jazz soundtrack, the restaurant proved a favourite French-style escape for many locals since opening its doors in 2016. Mary Randles, owner of the Fortitude Valley venue, took to Facebook yesterday to announce news of its closure, explaining that she wouldn't be renewing the lease and that the dinner service on Saturday, July 21, had been the final act. In the social media post, Randles also praised Madame Rouge's loyal customers and employees, saying "we can't fully express our sincerest gratitude for your custom and support. Serving you has been nothing but an absolute pleasure." "We feel privileged we were able to watch you share memorable times over many meals with your friends, family and associates," she continued. Randle, who also owns modern Australian Newstead restaurant E'cco Bistro, revealed she'll now be focusing her full attention on her remaining venture, with plans for some "exciting new additions" come September.
Restauranteur and culture whisperer, Maurice Terzini (Icebergs Dining Room and Bar, CicciaBella, RE), is the latest member of Sydney's food scene to head north with a brand new dining venture that's been 20 years in the conjuring. The aptly named Belongil Beach Italian Food leaves the waiters in white coats and silver service in Bondi, and trades it for a casual, coastal vibe more fitting of the ultra laidback, village-y pocket of beach a few minutes outside the heart of Byron Bay. The space is primed for long lunches and languid sundowners — all open-plan, airy and pink toned. The menu, designed by Head Chef Danny Rossi (Elements of Byron), showcases the best of local producers and growers, from fresh sliced charcuterie to butterflied local sand whiting with oregano butter and a Moreton Bay Bug roll served on a potato bun with vadouvan mayo. The wine list has a focus on small production or family run wineries from Italy, coastal Mediterranean and coastal Australia. The food nods to Terzini's modus operandi of uncomplicated, classic Italian food with a focus on fantastic produce and ingredients. And, for that, he's come to the right place. The region's reputation of excellence as a producer continues to draw some of Australia's most prestigious food talent. Recent adoptees of the area include rising culinary superstar, Alanna Sapwell, who is set to inject new life into Beach Byron Bay, one of Australia's most covetable pieces of restaurant real estate. She'll soon be steering the kitchen, alongside Seamus Brandt (former head sommelier at Bennelong) who joined Beach as Operations and Beverage Manager earlier in 2021. Sustainable food powerhouses, Matt Stone and Jo Barrett (Oakridge Wines estate), were recently added to the lineup at hinterland food haven, Harvest Newrybar, under innovative creative director David Moyle. Belongil Beach Italian Food is now open at 35 Childe Street, Byron Bay. For booking and menu information visit the website. All images by Nikki To.
Gone are the days when gin was simply a clear spirit that tasted good with tonic. It still is, but it now comes in so many varieties that you could dedicate an entire liquor cabinet just to juniper-based beverages. Shiraz gin, chardonnay barrel-aged gin, spiced Christmas gin, pink gin made from cherries and raspberries, green ant gin and even non-alcoholic gin — they're just some of the recent types tempting your tastebuds. And if most of the above sound great for an Australian summer, then consider Bass and Flinders' truffle-infused gin your new winter go-to. Returning for 2018, the limited-edition truffle gin blends fresh Australian Black Perigord truffles — sourced from Red Hill farms, where possible — with a vapour-infused mix of juniper, angelica root and calamus root. Like all of the distillery's tipples, it also uses Bass and Flinders' grape-based eau de vie spirit, which creates a particularly smooth texture. "It is a standalone gin that's wonderful neat, or alongside creamy sauces and strong cheeses," says head distiller Holly Klintworth — or, you could opt to make your own truffle martini. Whichever way you'd like to drink it, the truffle gin is available from Friday, July 13 from Bass and Flinders' cellar door in Victoria's Red Hill, as well as via the distiller's website. If you happen to be in the vicinity of the former on Saturday, July 14, you can also take part in a truffle hunt, which includes truffle gin tastings plus cocktails with cheese platters.
When Christmas rolls around each year, Brisbane gets a little bit brighter. As soon as Halloween passes, houses around the city start setting up their external decorations, giving the suburbs a glow; however, one of the most-dazzling spots in town is Roma Street Parkland. The reason: The Enchanted Garden, which has been popping up annually for festive runs for a few years now, and has locked in its return for 2024. Get ready to get lit: this luminous show lets you see one of the city's favourite green spaces in a completely new light, and is switching on its seasonal brightness for a month leading up to the jolliest day of all again — complete with food trucks and a bar so that you can make a night of it. This year's dates for your diary: Friday, November 22–Saturday, December 21, 2024. TheEnchanted Garden fills 22,000 square metres of Roma Street Parkland with lights flickering in, around and over the top of its lush greenery. As every home renovation-focused TV show has told us time and time again, a splash of colour can make a world of difference — and at this event, it can turn an already picturesque location into a glorious festive wonderland. This year, the setup will feature lasers, LED tubes, fairy lights, festive soundscapes, UV lighting and projections, all designed to immerse attendees. As you wander along the 30–40-minute walk, you'll get merry and celebrate nature at the same time. Unsurprisingly, it's a family-friendly affair — and, as there has been since 2021, there is a fee. You'll pay $9 to head along and stare up at all that dazzling brightness. Once you're in, you can soak up the luminousness for as long as you like. Attendees shouldn't go expecting the kind of setup that features on every street corner in Brissie's suburbs, though. Lights will twinkle and decorations will sparkle; however, this isn't a DIY display at all. That said, a word of warning: people love all things glittery, so prepare to a heap company. Also, tickets usually get snapped up quickly, with this year's going on sale at 9am on Friday, November 8. Sessions run from 6.30pm, letting folks in every 15 minutes until 9.15pm — and, if you're organised enough, you can always pack a picnic, arrive early and enjoy dinner beforehand. Food trucks will also be onsite at the Celebration Lawn from 5–9.30pm daily, as will a licensed bar, if you don't get around to taking care of your own nosh.
With The Crown, Netflix has spent four seasons so far — five come November — dramatising the story of the current British royal family; however, that isn't the streaming platform's only dalliance with the UK's sovereigns. While Bridgerton focuses on a firmly fictional aristocratic family in the 19th century, it does include a very real monarch: Queen Charlotte (Golda Rosheuvel, Dune). The Regency era-set show is a work of imagination as well as alternative history — but it is still giving its actual historical queen her own spinoff. As announced in 2021, prequel series Queen Charlotte: A Bridgerton Story will delve into the figure's backstory, including her rise to power and prominence. Also covered: her relationship with King George, as well as Violet Bridgerton and Lady Danbury's early years. While the end result, a limited series, won't arrive until sometime in 2023, Netflix has just dropped a first glimpse at Queen Charlotte: A Bridgerton Story. In it, the young titular figure (India Amarteifio, The Tunnel) is desperate to climb a wall to escape marrying George (Corey Mylchreest, The Sandman), who she hasn't yet seen. She asks for help from a man — and, if you've seen even a second of Bridgerton, and therefore have a feel for its tone and the way it likes to unfurl its narrative, you can likely guess how the clip ends. Queen Charlotte: A Bridgerton Story will also feature Rosheuvel, as well as Ruth Gemmell (Deep State) as Violet Bridgerton and Adjoa Andoh (The Witcher) as Lady Danbury. They'll be joined by Connie Jenkins-Greig (Solitary) as young Violet, Arsema Thomas (Redeeming Love) as young Lady Danbury, Michelle Fairley (Gangs of London) as Princess Augusta, Sam Clemmett (Cherry) and Hugh Sachs (Bridgerton) as the young and old Brimsley, Richard Cunningham (The Witcher) as Lord Bute, Tunji Kasim (Nancy Drew) as Adolphus, Rob Maloney (Coronation Street) as the Royal Doctor and Cyril Nri (The Witches) as Lord Danbury. When it was announced, Queen Charlotte: A Bridgerton Story hardly came as a surprise. If you live in one of the 82 million households that gave Bridgerton a stream during its first month on Netflix — making it the platform's most-watched new series ever at the time — then you would've noticed that the Queen stole every scene she was in so convincingly and savagely that all around her withered in comparison. The prequel series will chart how the Queen's marriage to King George also created a societal shift, sparking the world of the ton, as seen in Bridgerton — and it's being called part of "the Bridgerton-verse" by Queen Charlotte and Bridgerton executive producer (and Grey's Anatomy and Scandal creator) Shonda Rhimes. So yes, as well as the already-announced third and fourth seasons of Bridgerton itself, you can probably expect more spinoffs to arise. Check out the first clip from Queen Charlotte: A Bridgerton Story below: Queen Charlotte: A Bridgerton Story will stream via Netflix sometime in 2023 — we'll update you with an exact release date when one is announced. The first and second seasons of Bridgerton are available to stream now.
