Leave it to the Europeans to design something this good looking. Parisian electronics artisans Withings may have just cracked the code to creating appealing wearable tech devices this week. The secret? More wearable, less tech. This recently announced smartwatch is one of the first offerings that doesn't overshoot its target. Not endeavouring to become an iPhone strapped to your wrist or a creepy maligned face computer, the Withings Activité is a beautiful Swiss-made watch that happens to also track your exercise activity. "We tried to really turn the equation upside down," said Withings CEO Cedric Hutchings. "[We wanted] to stop trying to make a piece of technology with a screen, a piece of rubber, something you need to charge every day. We tried to start with a watch." This minimalist-as-blazes watch, which is set to be released in a few months, comes with a large analogue face and two shades of leather strap. It boasts a regular watch battery with a guaranteed life of one year, and is actually waterproof up to five metres. Its only difference from the analogue standard is a small second dial to the right of the clock's centre. This one measures either your steps or your sleep, then syncs the information to your iPhone via Bluetooth. In another cute feature, the Activité can also act as an alarm clock, gently vibrating to wake you at the lightest point in your sleep cycle. While it may not sound all that revolutionary, it certainly is refreshing in a tech market flooded with unrelentingly hideous gadgetry. Like any burgeoning technological field, there are some design issues that need to get ironed out in the smartwatch market and we need to burn our way through a few Nokia 3315s before we get to the iPhones, if you know what I mean. This is probably one of the first worthwhile products of the bunch. Of course, nerdier types are still holding out for the much-hyped Google smartwatch next month — a nifty little piece of tech that even we got excited about. But for those who are more about simplicity and style, the Activité is the way to go. It's maybe the first thing that can be useful without completely resembling a Tamagotchi. Maybe for that we can forgive its cheesy promo clip. Via The Verge.
When Tasmania's Museum of Old and New Art's (MONA) hosts an arts and music festival, it doesn't just compile a standard lineup of shows and events. It curates talents that will hit other bills in other cities, of course, but it also hunts down the kind of gigs and experiences that you generally won't see elsewhere. Take 2023's just-dropped Mona Foma program as a prime example. It was already packed with Pavement, Bon Iver, Bikini Kill, Angel Olsen and Peaches (and Perturbator, The Chills and Kae Tempest), as announced back in October, but now it includes a tunnel of light, 'Complaints Choir' and punk bunker — because of course it does. MONA's summer fest — aka its sunny alternative to its sinister winter arts and culture festival Dark Mofo — will return in February 2023 in a big way. How big? With 370 artists across two weekends. The dates to get excited about: Friday, February 17–Sunday, February 19, 2023 in Launceston, and Friday, February 24–Sunday, February 26, 2023 in Hobart. Now, here's what you'll be seeing. [caption id="attachment_875442" align="alignnone" width="1920"] Debi Del Grande[/caption] Launceston's weekend-long Mona Foma stint will feature a free three-day party at a new hub in the city's decommissioned old TAFE called the reUNIÓN district, which is where those unusual vocals — singing local Launceston grievances — will echo. It's also where there'll be queer woodchopping in the quad, Soccer Mommy taking to the stage and that punk bunker featuring, yes, punk tunes played loud a bunker. Also on the list in Launceston, where Mona Foma has been hitting up since 2019: underwater electronica by Leon Vynehall in the Basin Pool; dance work Body Body Commodity from Jenni Large; James Webb's Prayer, where you will indeed need to kneel while listening to recordings of prayer, song and vocal worship; and Van Diemen's Band and Ensemble Kaboul teaming up for Afghanistan-meets-baroque music. [caption id="attachment_880157" align="alignnone" width="1920"] Prayer, 2012, James Webb. Photo credit: Anthea Pokroy. Image courtesy of the artist and Mona Foma.[/caption] Plus, there's a Fantastic Futures exhibition, a late-night book club overseen by 'sonic librarians', Kenneth Tam's Breakfast in Bed theatre experiment — featuring seven guys he found on Craigslist — and the delightfully named Anthem Anthem Revolution, where you're asked to beat a robot at a game of table tennis. A certain highlight is Hyperbolic Psychedelic Mind Melting Tunnel of Light, with Robin Fox letting attendees take over the light, sound and motion controls one person at a time. Also set to stun is CHANT, with Tasmanian women's sporting clubs performing historic and contemporary feminist protest chants; Lost in Place, a pairing of electro-ambient psychedelic jazz with live dance; Arnhem Land documentary Christmas Birrimbirr; and Martina Hoogland Ivanow's film Interbeing, which only used thermal cameras to shoot human interactions and capture the heat behind them. [caption id="attachment_880156" align="alignnone" width="1920"] Christmas Birrimbirr, (Christmas Spirit), (video still), 2011, Miyarrka Media. Image courtesy of the artist and Mona Foma.[/caption] MONA's summer event was initially held in Hobart, as seasoned fans will remember, and the fest hasn't forgotten its OG home. If that's where you're getting your Mona Foma fix in 2023, you have a stacked lineup in store as well. Many of the fest's big-name acts are playing there — Bon Iver, Bikini Kill, Peaches and Pavement all included — and the MONA lawns will also host a show featuring songwriters from the Pilbara town of Roebourne singing for freedom on the 40th-anniversary year of John Pat's passing in custody, as guided by Ngarluma and Yinjibarndi Elders. Also, Amber McCartney and Tasdance's dance performance Baby Girl will enjoy its world premiere, Nico Muhly takes over the fest as an artist in residence, and the Theatre Royal's program includes IHOS Amsterdam's time travel-inspired PRIMORDIAL For Piano and Diverse Media and film noir opera A Deep Black Sleep. [caption id="attachment_880154" align="alignnone" width="1920"] Climate Notes, Anna McMichael and Louise Devenish. Photo credit: Lucian Fuhler. Image courtesy of the artist and Mona Foma.[/caption] Or, see Climate Notes in Rosny Park, playing five new works for violin and percussion that all take inspiration from scientists' handwritten letters about global warming — and explore Tomas' Garden by Cici (Xiyue) Zhang, where monsters and spirits will feature in an immersive magical landscape. The list goes on, complete with Morning Meditations in both cities — and Chloe Kim doing 100 hours of public drumming over ten days. [caption id="attachment_784488" align="alignnone" width="1920"] Robin Fox laser installation at the Albert Hall, Launceston, Mona Foma 2019. Photo Credit: MONA/Jesse Hunniford. Image courtesy of the artist and MONA Museum of Old and New Art, Hobart, Tasmania, Australia.[/caption] Already keen to get booking? Fancy a Tasmania trip in the interim? Our Concrete Playground Trips Hobart getaway might also be of interest. Mona Foma will take place from Friday, February 17–Sunday, February 19, 2023 in Launceston, and from Friday, February 24–Sunday, February 26, 2023 in Hobart. Tickets go on sale at 11am on Tuesday, November 29 — head to the festival website for further details. Top image: Regurgitator & Seja & Mindy Meng Wang on guzheng perform The Velvet Underground & Nico. Photo Credit: Mona/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Boasting arguably the best views of Brisbane and Story Bridge, Jellyfish is a must-visit for locals and visitors searching for a fishy feast. As the moniker suggests, seafood is the name of the game at Jellyfish. Each day, the kitchen cures, crumbs, steams or roasts between eight and 14 different species of fish. Other delights from the big blue include Moreton Bay bugs with kombu and wasabi butter, seared scallops served with pork cheek and sweet corn and spanner crab. Sides are kept simple — the fat chips with malt vinegar nailing those nostalgic paper-wrapped fish 'n' chip vibes – while the wine list is hefty and made up of mostly Australian and New Zealand labels.
For not the first time in his career, Steven Spielberg deserves some serious credit. Lincoln is not only the director's most accomplished, audacious, and affecting film of perhaps the past 20 years but also his most surprising given the focus of the story he chose to tell. It's actually hard not to envisage the faces of the DreamWorks executives as he walked into their offices and said: "I'm ready to make another film". Jackpot. "And I want to do it about Lincoln." Double jackpot. Our most beloved president — bring on the inevitable Oscars and fortunes! "But instead of focussing on the Civil War=" ...uh-huh... "-and rather than looking at his assassination" ...yeeeeah… "-I want to spend three hours talking about the passing of some legislation by the House of Representatives." …Okay, umn…Steven, are you SURE you don't want to do it about the War? Because the War was VERY interesting…I mean there were explosions and everything. Well, screw that imaginary Dreamworks executive, because it's precisely that specificity and lack of action that makes Lincoln such an unexpectedly compelling biopic. It's also a notable counterpoint to 2011's Iron Lady in that, instead of covering the president's entire life, it essentially focuses on just a few weeks in January 1865 when Lincoln attempted to enact the 13th Amendment to the Constitution to abolish slavery. The traditional challenge for any historical narrative is that the audience already knows how it ends, meaning tension must be sought elsewhere, in the emotions rather than the events. Apollo 13 is a fine example of this. We all know Lovell and his crew made it back safely, but those final few minutes remain impossibly tense because we're so invested in the characters that didn't know. Hence the drama in Lincoln comes not from 'Would the anti-slavery bill pass?' but rather 'How did it pass, and at what cost?' The result is a beautifully nuanced film about statesmanship, quiet contemplation, and — above all else — principle. After years of devastating Civil War, Lincoln (in another mesmerising performance by Daniel Day-Lewis) finally finds himself presented with an opportunity to end the bloodshed subject only to the southern states' right to maintain slavery. With even his own children on the battlefield, the decision to make peace seems obvious, and yet, so too does equality — something deemed so obvious as to be self-evident. "We are stepped out upon the world stage now," he declares to his cabinet amid fierce opposition to the bill, "with the fate of human dignity in our hands." That he persisted and triumphed is why history reveres him, but how he did it and with whose help is why it's so worth watching.
2022 marks four years since The Westin opened in Mary Street in the CBD, finally filling the giant hole in the ground that sat in the middle of the city for years in the process. The first location in Queensland for the Marriott-owned international brand, the decadent resort-style hotel arrived with all the usual features — 298 rooms and suites with views, onsite eateries and bars, and a spa — but it's Nautilus Pool Bar that's one of its biggest drawcards. The swim-up spot is the first in Brisbane, and still the only bar in the city like it. Obviously, that's wonderful news for guests keen to splash around in the 300-square-metre swimming pool, grab a beverage and gaze out over views over the city skyline. Thanks to the hotel's new summer-long beach club, it's also ace news for Brisbanites in general. This isn't the first time that Nautilus Pool Bar has held public sessions, but this seasonal stint comes with an Amalfi theme, seafood towers, spritzes galore and DJs spinning tunes on the deck. Dubbed Nautilus Beach Club, it kicks off on Friday, December 16, and will run 11am–7pm Friday–Sunday until Sunday, March 5. Attendees have a couple of options for Mediterranean-influenced lounging by the pool, with a $29 ticket including access, a towel to use while you're there and your first spritz. If you and a date or mate are feeling like treating yo'selves, there's also a cabana experience for $239 for two, which gives you your own cabana to hang out in, a seafood platter and a bottle of rosé. On the menu in general: oysters, prawn cocktails, Moreton Bay bug rolls, kingfish ceviche, and both antipasto and seafood platters. The drinks lineup features spritzes made with limoncello, Campari, Aperol and Malfy gin, and there's also two Riot Wine Co vinos on tap. Those live DJ sets run from 3.30–6.30pm, with DJ Vicki Lee doing the honours on Fridays, and DJ Gloria Ansell taking to the decks on Saturdays and Sundays. And the pool itself? It's heated to 28 degrees, perfect for comfortable swims during Brisbane's sultry summer. Nautilus Beach Club runs 11am–7pm Friday–Sunday from Friday, December 16– Sunday, March 5 at The Westin Brisbane at 111 Mary Street, Brisbane. Head to the Nautilus Pool Bar website for further details and tickets.
Andy Warhol. Jean-Michel Basquiat. Keith Haring. From the past century, they're three of the art world's biggest names, and they've all been the subjects of many an exhibition. But only one showcase will pair the three for a world-first 15-week celebration of pop art masters premiering right here in Australia — and featuring 40-plus works never before seen Down Under. That event: Pop Masters: Art From the Mugrabi Collection, New York, which takes its name from the works it will survey and their origins. The exhibition is wholly drawn from the private collection of prominent art collector Jose Mugrabi, and is set to take over HOTA, Home of the Arts on the Gold Coast from Saturday, February 18–Sunday, June 4, 2023. Unsurprisingly, Pop Masters' array of works by Warhol, Basquiat and Haring will form a survey of the 60s, 70s and 80s art scene, and of legends of the pop art and street art movements. There'll be more than ten pieces by Warhol, acting as the showcase's introduction, with 1964's Sixteen Jackies and 1982's Cross among them. As for Haring, one of his earliest-ever works from 1979 will feature alongside others such as Untitled (Dancing Dogs), while the range of Basquiat pieces includes 1981's New York, New York and — fittingly — a Warhol-Basquiat collaboration. [caption id="attachment_878235" align="alignnone" width="1920"] Jean-Michel Basquiat 1985 © Lizzie Himmel. Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.[/caption] Although art by the three icons will provide Pop Masters with its huge drawcard, the exhibition also seeks to celebrate the ongoing legacy of pop art alongside its origins. That means including pieces by Katherine Bernhardt, Kwesi Botchway, George Condo, Damien Hirst, KAWS, Barbara Kruger, Joel Mesler, Richard Prince, Tom Sachs, Julian Schnabel, Mickalene Thomas and Tom Wesselmann — such as KAWS' 2.8-metre-tall 2018 sculpture What Party, plus Barbara Kruger's If it sees, blind it, from a section of her 2009 installation Between being born and dying in New York's Lever House. "Pop Masters: Art From the Mugrabi Collection celebrates the history of pop art, whilst examining its influence on art and artists today. We wanted to explore the intersections in the lives, ideas and practices of this significant group of artists," explains Tracy Cooper-Lavery, HOTA's Director, Gallery and Visual Arts. "Many of them knew each other, collaborated or have been influenced by each other, and we have acknowledged this in the design of the exhibition, which will see these incredible artworks in dialogue with one another." [caption id="attachment_878234" align="alignnone" width="1920"] Keith Haring by Joe McNally, Getty Images[/caption] Pop Masters has been in the making for longer than HOTA's new six-level, $60.5-million gallery has been open — the site launched in 2021 — and marks the most prestigious exhibition the venue has hosted yet. "Pop Masters has been six years in the making and HOTA is delivering a world exclusive exhibition right here on the Gold Coast," said HOTA CEO Criena Gehrke. "Over the years it has evolved into a bespoke exhibition that offers a completely unique experience. Having access to the Mugrabi family personal collection is a real privilege and the artworks rarely leave New York. We are thrilled to be bringing these iconic artists and celebrated artworks to Australia for the first time." 2023 is clearly a great year to be a Warhol fan, and to see blockbuster exhibitions beyond Australia's usual east coast capitals, with the Art Gallery of South Australia displaying Andy Warhol & Photography: A Social Media from Friday, March 3–Sunday, May 14. [caption id="attachment_804623" align="alignnone" width="1920"] default[/caption] Pop Masters: Art From the Mugrabi Collection, New York will display at HOTA, Home of the Arts, 135 Bundall Road, Surfers Paradise, Gold Coast from Saturday, February 18–Sunday, June 4, 2023. Head to the gallery's website for further details, and tickets. Top image: Santi Visalli/Getty Images.
When was the last time that you went to one of the Gold Coast's theme parks, or Currumbin Wildlife Sanctuary? Took a tour on Tamborine Mountain? Hit up one of the coastal city's other attractions, such as Dracula's or the SkyPoint Observation Deck? Whether it's been forever or you're a local, the Queensland Government wants southeast Queenslanders to play tourist on the Goldie over the next few months — and it's giving away $50 vouchers to help. Since the beginning of the pandemic, everyone knows how these tourism initiatives work, and why. This one comes after the Gold Coast suffered severe weather over the period at the end of 2023 and beginning of 2024, impacting summer getaway bookings. Accordingly, the state's powers that be are attempting to assist the industry by encouraging folks to add the area to their plans sometime soon. [caption id="attachment_912105" align="alignnone" width="1920"] Shiftchange via Wikimedia Commons[/caption] Under the name GC Summer FUNds, and as part of a partnership with Tourism and Events Queensland and Experience Gold Coast, there's 50,000 vouchers up for grabs. The government has committed $2.5 million to the program. Queensland Premiere Steven Miles announced the scheme on Monday, January 15, with vouchers available for redemption from midday the same day. You have until 11.59pm AEST on Friday, March 29, 2024 to get in on the action — or until 50,000 redemptions have been made "The Gold Coast is one of Queensland's tourism hot spots because of the world class attractions and experiences on offer," said the Premier. "This summer, our tourism operators have been some of the hardest hit here and in Cairns, so it's time we help them get back on their feet." As always, there are caveats. Using the vouchers involves entering the code "GCSUMMERFUNDS" when you're making a new booking via the initiative's website, but you have to spend $100 or more to qualify. There's also only one voucher available per southeast Queensland resident — and, as well as needing to be 18 or over, you do need to live in Brisbane metro or CBD, the Gold Coast, Ipswich, Lockyer Valley, Logan, Moreton Bay, Noosa, Redland, Scenic Rim, Somerset, the Sunshine Coast or Toowoomba. You'll be required to enter your residential address when you book, and the scheme's terms and conditions advise that it will be adding extra verification via checking IP addresses. And that end date? It's just as the Easter long weekend kicks off — so you'll need to have Gold Coast plans before then. Applications for the 50,000 $50 GC Summer FUNds travel vouchers are opening now until 11.59pm AEST on Friday, March 29, 2024 — or until 50,000 redemptions have been made. For more information, or to apply during the aforementioned window, head to the initiative's website.
Summer might be over, but when winter adventures abound somewhere like Tasmania, there's no excuse for hiding indoors. Surrounded by views so awe-inspiring, you really won't care if you need to pack an extra jacket or two. Tasmania may be Australia's smallest state, but it's got a massive reputation, especially among hikers and adventurers from all over the globe. From epic multi-day coastal walks and summit lookouts to remote islands that display the state's famously rugged landscape, Tasmania is a natural wonderland that'll satisfy your explorer spirit. To help you get prepped and planned, we've tracked down five breathtaking places to hike that perfectly express why folks just can't get enough of this beauty. THREE CAPES TRACK Considered one of Australia's most impressive bushwalks, the Three Capes Track combines soaring clifftops that offer incredible views of the Southern Ocean with a myriad of rugged windswept landscape and the possibility of peeping some glittering Aurora Australis. Over the course of 48 kilometres, this multi-day hike tours across the southeast's most famous capes: the trio of Cape Pillar, Cape Hauy and Cape Raoul. Along the way, the natural landscape shifts from woodland to eucalypt forest — before you arrive at the coastline and get a spectacular view of the Blade, which juts out into the ocean. If you feel like making your visit extra-special, consider taking the Three Capes Lodge Walk, dotted with boutique overnight eco-stays and making your adventure a little cosier. [caption id="attachment_718814" align="alignnone" width="1920"] Painted Cliffs on Maria Island. Courtesy of Flow Mountain Bike.[/caption] MARIA ISLAND Just off Tassie's celebrated east coast, Maria Island boasts a seemingly endless variety of wildlife and plants. Whether you're keen on spotting wallabies, Tasmanian devils or wombats, you're bound to see at least one. Plus, in the winter, there are fewer crowds here so you'll get all of these sights practically to yourself. There's also an astounding range of natural landmarks, such as the island's famed marbled sandstone marvels, The Painted Cliffs and Haunted Bay, which showcases enormous granite cliffs overlooking the sea — a very dramatic site to see during Tasmania's rugged winters. Accessible only by ferry, Maria Island is covered by dozens of spectacular walking tracks with lots of picturesque spots to pitch a tent. There are also firepits already stocked with wood for you to cosy up to at night. If you have less time on your hands, e-bike trips around this World Heritage Listed island are another great way to cover some ground. It'll be quite the active stay and a seriously scenic trip, too — with all those trails highlighting the very best of Tassie's coastline from an offshore vantage. [caption id="attachment_718811" align="alignnone" width="1920"] Tourism Tasmania and James Bowden.[/caption] PANDANI GROVE The drive to Mount Field National Park is almost as special as the destination, with the park located 80 kilometres west of Hobart through the Derwent Valley. Your trip isn't over yet; in fact, you'll have to trek deep into the state's oldest national park, which is often dusted with snow in winter. On your hike, you'll pass rushing waterfalls before reaching the Pandani Grove. This otherworldly nature walk winds its way alongside Lake Dobson and features the rather odd looking pandani fern, which only grows in Tassie and is quite the marvel, especially when cloaked in snow. Even compared to Tasmania's wealth of natural landmarks, Pandani Grove stands out — it's the kind of place you won't find anywhere else in a hurry. MOUNT RUFUS CIRCUIT Starting from the Lake St Clair visitor centre, the Mount Rufus Circuit walk takes hikers on a journey through an incredible display of natural beauty. Take the Watersmeet Nature Trail through a peppermint gum forest and, eventually, you'll come to the Mount Rufus summit track junction. Make a turn upwards and trek seven-and-a-half kilometres to the peak where you'll be welcomed with panoramic vistas that are hard to beat. As well as looking over Lake St Clair far below, you'll also score views of Mount Olympus, the immense Frenchmans Cap and the Franklin River that winds its way through the landscape. And the fact that all of these sights will be dusted with snow, will make your trek through this veritable winter wonderland all the more magical. [caption id="attachment_721403" align="alignnone" width="1920"] Paul Fleming.[/caption] MARIONS LOOKOUT Cradle Mountain is possibly Tasmania's most popular mountain, typifying the rugged terrain that the island is known for. The sprawling region is filled with highlights just about everywhere you look, but few can match the beauty of Marions Lookout — especially when it's covered in snow. To get there, you'll have to be willing to take on a rather strenuous three-hour return trek, but the gradual climb will take you through stunning scenery like snowy forests, white-frosted peaks and around some glacial lakes. Of course, once you reach the summit, you'll almost certainly forget that your legs feel a bit like jelly — unsurprisingly, the 360-degree views of spectacular winter wonderland provide the perfect distraction. Roam the summit and admire the vantage over the rest of Cradle Mountain and the surrounding lakes. Yep, this is quite the hike. Top image: The Candlestick at Cape Hauy by Jason Charles Hill.
Some films are made for the critics. Other films are made for the fans. But some films are made for a third audience: specifically, 13-year-old boys with mild-to-severe concussion. Transformers: The Last Knight falls into that latter category. Michael Bay's latest robot rumble is a two and a half hour special-effects fiasco in which so much happens. So much...and yet nothing at all. The film begins in the Dark Ages, with King Arthur and his knights facing imminent defeat at the hands of the Saxons until a Transformer helpfully intervenes and saves the day. Later, we learn that they also hung out with Da Vinci, inspired Tesla and turned the tide against the Nazis. In fact, there's so much revisionist Hasbro history going on in this movie you genuinely expect to learn Jesus didn't turn water into wine – he transformed it (cue robotic morphing sound effect). Transformers: The Last Knight is something of a paradox, in that it's simultaneously one of the dumbest and most needlessly complicated stories ever told. The short version is that there's a super-weapon hidden on Earth that everybody, both human and alien, is desperate to get their hands on. The longer version involves Merlin, British noble lineage, a Transformers deity, robot-hunting humans, robot-saving humans and, for some reason, John Turturro playing basketball in Havana. This is a film that assumes nobody outside of England knows London isn't a five minute drive from Oxford. It's a film that begins in Chicago, then has its characters commute – only minutes later – to a Native American reserve in the desert. And in that desert, there's a tiny one-street shanty town that inexplicably boasts a 20-storey hotel. It's a film that says things like "the object is growing three metres a day" then, just two lines later, "it's growing exponentially". It's a film where nobody bats an eyelid at an alien robot t-rex, but if you believe in the possibility of magic well then you're obviously a crazy person. Perhaps worst of all, it's a film that has Sir Anthony Hopkins deliver the line "what a bitchin' car she is!" Perhaps it's too much to expect that the fifth film in a franchise based on a children's toy line would offer anything more than the cinematic version of kids slamming their action figures together whilst yelling 'Blam! Ka-Pow! Pew Pew Pew!' And yet, the original Transformers found a way. Its characters had clearly defined motivations and its story was broadly comprehensible. By part five, however, the humans have been reduced to caricatures, while the Transformers exist only to destroy things and mumble the occasional rap lyric. As a showreel for the extraordinary capabilities of special effects departments, Transformers: The Last Knight is great. On every other front it's an abysmal waste of time. https://www.youtube.com/watch?v=AntcyqJ6brc
It's with a seemingly devil-may-care attitude that A Bigger Splash indulges in the dreams of many, as Tilda Swinton channels her rock star-like essence into actually playing one, and Ralph Fiennes writhes, dances, swims and just generally throws about all of his charms. With Matthias Schoenaerts and Dakota Johnson, they form a smouldering quartet holidaying on an island off of the coast of Italy, eating, drinking, partying and enjoying the kind of sun-drenched, picturesque vacation most can only fantasise about. Of course, situations that appear relaxed and people who come across as carefree rarely remain that way under scrutiny. In loosely remaking the 1969 Italian-French film La Piscine for his English-language debut, director Luca Guadagnino (I Am Love) teams with writer David Kajganich (True Story) to present a picture of ostensible bliss, then breaks down its many moving parts. Swinton's singing superstar Marianne Lane is recovering from a vocal injury that has left her speaking only in whispers, with her cameraman boyfriend Paul (Schoenaerts) keeping her company. Enter Fiennes' Harry Hawkes, Marianne's ex-producer, ex-lover and whirlwind of a friend who has shared in many of her personal and professional ups and downs. His arrival is unexpected, as is the fact that he has his newly discovered adult daughter Penelope (Johnson) in tow. The movie flirts with a dark, devious tone, teasing the desire-fuelled tension that simmers between the four characters, particularly in light of Marianne and Harry's shared past, as well as the obvious attraction Penelope quickly harbours towards Paul. Still, there's little that's surprising in A Bigger Splash. The best movies manage to present insights into human behaviour that feel inevitable, relatable and still revelatory, which the movie manages at times. Yet it's equally as fond of simply luxuriating in the company of its characters, and in their lush backdrop, as it is dissecting their relationships. With cinematographer Yorick Le Saux (Clouds of Sils Maria) ensuring every image looks like it could have been lifted from a postcard or glossy magazine spread, and the main cast as ablaze as the visuals, the feature's affection for both is understandable. The combination of Swinton and Fiennes proves mesmerizing — and while the always-enigmatic former is in her element in a largely non-verbal role, it is the latter that steals the show. If ever an actor could capture the all-round force-of-nature that is Harry, it's Fiennes. That Schoenaerts and Johnson seem somewhat subdued in his shadow is more a reflection of his prominence than of their individual performances. Accordingly, A Bigger Splash is a film filled with standout, cast-fuelled moments that dare you to try to peel your eyes away: Harry letting loose to the Rolling Stones' aptly titled 'Emotional Rescue', the glimpses of Marianne's past glories, and the glances shared between Penelope and Paul chief among them. It's also a feature in which the triumphs linger, overpowering the less effective aspects, though never quite erasing them. Given the importance of music to the four main players, the end result comes to resemble an album that can't find the right balance between its smash hits and its non-single tracks, but keeps you listening over and over again regardless.
The vast majority of those who dine at Sugo IT do so for the pizza. The pizzas are thin crust but not over-crisp or brittle. The dough is oven-charred but elastic in texture, offering the right amount of bite and resistance. The flavours are simple, straightforward and complementary — not too crowded. The pizza menu is divided into rosso (red) and bianco (white). Rosso refers to the red sugo base used in classics like the margherita and the spicy piccante (with soppressa salami and fresh chilli). The sugo itself is sweet and flavoursome, but the sugo-less bianco pizzas are just as popular as their red counterparts. The quattro formaggi (mozzarella, parmigiano, gorgonzola, bocconcini and fresh sage) and the patate (potato, pancetta, mozzarella, parmagiano and rosemary) are favourites with the punters thanks to their incredible flavours. There are also many Italian classics on the Sugo IT menu including porcini arancini, spaghetti vongole and pannacotta. To accompany your meal there is a modest selection of wines from Australia, New Zealand and Italy from which to choose, as well as local beers. The restaurant interior is very small, but tables overflow out onto the footpath, resulting in a bustling outdoor dining area. 5pm – 6pm Sunday to Thursday is an ideal time to go, not only to avoid the worst of the dinner rush, but for the $18 pizza hour. On your way out, perhaps visit the adjacent Sugo Mi groceria, which stocks Italian food products and take-home gelati.
You've watched your way through every episode of Stranger Things to date, including the just-dropped first part of the show's fourth season. Thanks to your latest binge, you've now got Kate Bush's 'Running Up That Hill' stuck in your brain permanently, too. You've eaten a demogorgon burger, seen an Upside Down rift open up in Bondi and played Netflix's Stranger Things mobile game as well. Yes, there's no shortage of ways to indulge your love for the 80's-set streaming hit — but only one involves both singing and laughing. Stranger Things is heading to the stage — well, Stranger Sings! The Parody Musical is, to be exact. Because every popular TV show and movie seems to tread the boards eventually, whether in a serious (Back to the Future, Moulin Rouge!, Amelie) or satirical (Friends, Shrek, The Simpsons) guise, everyone's favourite tale about kids fighting monsters in Hawkins, Indiana has also made that leap. Even better: it is now venturing Down Under for the first time. Already an award-winner in the US, where it picked up seven 2021 BroadwayWorld Off-Broadway Awards — including Best New Musical (Off-Broadway) — Stranger Sings! The Parody Musical retells the tale we all already know, but on-stage, with amusing songs and while making fun of the whole thing. So, you'll be watching Mike, Eleven, Dustin, Lucas and the rest of the Hawkins gang navigate the wild antics that've made their town the worst place to grow up in since Buffy the Vampire Slayer's Sunnydale, and both tapping your toes to tunes and giggling along. Obviously, creepy creatures are a feature — singing and dancing ones, in fact. And, so are pop-culture references aplenty, big hair, throwback fashions, a synth-heavy soundtrack and possibly justice for Barb. Penned by Jonathan Hogue — book, music, lyrics and all — Stranger Sings! The Parody Musical will make its Australian debut thanks to Melbourne's Salty Theatre, with co-founders Ashley Taylor Tickell directing and Sarahlouise Younger assisting. So far, only dates for the Victorian capital have been announced — so lock November 3–19 in your diary, and get ready to hear a song-filled account of Hawkins' weirdness at Meat Market Melbourne. Tickets aren't yet on sale, but you can sign up to be notified when they do at the production's Australian website Fingers crossed that Stranger Sings! The Parody Musical eventually brings the Upside Down to other Aussie cities, obviously. Stranger Sings! The Parody Musical will play Meat Market Melbourne from November 3–19, 2022. For more information, or to sign up to be notified about tickets, head to the production's Australian website. Images: Bruce Glikas / Danny Hildago.
Murdering some dance floors should be on every Brisbanite's must-do list this November. That's just what you do when Sophie Ellis-Bextor comes to town to headline this year's Melt Festival. Also on the festival's full bill alongside the British singer: a Queensland-exclusive show by Big Freedia, who you'll know from Beyoncé's 'Formation' and 'Break My Soul', plus Jesswar and JessB. They'll have a heap of company between Thursday, November 10–Sunday, November 27, too, including Shane Jenek, Polytoxic, Brendan Maclean, festival artist-in-residence Dylan Mooney and a Cher-inspired cabaret by Larissa McGowan. As overseen by Festival Curator Daniel Evans, the 18-day fest will welcome Jenek – aka Courtney Act — to chat about his memoir Caught in The Act. Yes, expect his stint on RuPaul's Drag Race season six to get a mention. Meanwhile, McGowan's solo show Cher includes contemporary dance, chameleonic displays, and a pop culture-fuelled exploration of gender and power. Polytoxic's In Your Dreams will enjoy its world premiere at the fest, heroing genderqueer and intersectional artists, and performed as an awards ceremony for the future. As for Maclean, he's bringing his solo show Alone At Last! to Brisbane after its successful debut season at Adelaide Cabaret Festival. And Yuwi, Torres Strait and South Sea Islander man Mooney will continue his impressive recent run of exhibitions, spreading his art across multiple Brisbane Powerhouse spaces and surfaces. Also a highlight: Meltdown, a night of tech house beats from Soul of Detroit featuring John 'Jammin' Collins of Underground Resistance, Sophie Forrest and DJ Enn, as curated by Joel Devereux. It'll also span installations, guest appearances, drag acts and performances, aka one helluva party. There's the Melt Comedy Gala, too, which'll be hosted by Mel Buttle and feature New Zealand comic Chris Parker; Queerstories making a comeback, complete with Benjamin Law among its LGBTQIA+ storytellers; and the similarly returning Lesbian Love Stories. Both the LGBTQIA+ Elders Dance Club hosted by All the Queens Men, and Backbone Youth Arts' Revel in the Queer, will be free to attend — with a huge focus on providing uplifting and safe spaces for queer culture. Keep an eye out for The Good Room's The Chapel of Love, which'll build a chapel — yes, really — on Brisbane Powerhouse's Turbine Platform (taking inspiration from everything from Dolly Parton to Hallmark and Vegas' neon dreams, naturally). Some Melt events will make use of Brisbane Powerhouse's new Pleasuredome, an outdoor venue that's set to join the New Farm site. [caption id="attachment_716453" align="aligncenter" width="1920"] Dylan Evans[/caption]
When it comes to street art exhibitions, it really doesn't get any bigger than this. A retrospective of Banksy's is making its way back to Australia, featuring 80 of the artist's off-street masterpieces. Opening on Friday, September 13 at Moore Park's Entertainment Quarter, The Art of Banksy is a massive collection of pieces by the art world's chief enigma — including the darkly satirical, overtly political work that has turned the stencil-loving artist into such an infamous icon. Endeavouring to take audiences on a journey through Banksy's output and mindset, the exhibition includes the well-known Flower Thrower, Rude Copper and Girl with Balloon (a version of which was shredded after sale in a highly publicised prank late last year). [caption id="attachment_592447" align="alignnone" width="1280"] Image: Olga Rozenbajgier[/caption] If it sounds epic, that's because it is. The art featured has been sourced from over 40 different private collectors around the world, and comprises the world's largest showcase of Banksy pieces. As curated by the artist's former manager Steve Lazarides, the exhibition is also a little controversial. While every piece is original, unique and authentic, The Art of Banksy proudly boasts that the entire show is 100 percent unauthorised. No, Banksy hasn't signed off on the event. This isn't the first time the huge exhibition has head Down Under, either. It was on show in Melbourne back in 2016, too — and you can check out our full gallery from that exhibition here. The Art of Banksy will run from Friday, September 13 at the Entertainment Quarter, Moore Park, Sydney. Tickets go on sale from 4pm on Friday, August 2. Images: The Art of Banksy, Melbourne, 2016 by Olga Rozenbajgier
First came the return of the Kirra Beach Hotel, pouring drinks again after three years out of action while the surfside pub was rebuilt as an all-new 1300-square-metre watering hole with a sunny beer garden. Then arrived Kirra Beach House, with multiple spaces to eat and drink — and cabanas for both — on the beachfront. Now, for everyone heading to the Gold Coast to take advantage of the two venues, or just in general, Kirra Point Holiday Apartments is up and running. Out-of-town visitors and staycationers alike have a new spot to stay at Kirra Point, the precinct that's reshaping this part of southeast Queensland's coast. If you're keen to slumber for at least two nights — with longer trips welcome, too — this sleek new accommodation boasts one-, two- and three-bedroom options, all in a prime location. Killer views from each apartment overlooking the beach are a huge highlight. So are expansive balconies that are designed for hanging out outside as much as in, whether you're going solo, or you're with your partner, mates or travelling as a family. No one usually books a holiday apartment with more room than they need — and with prices starting at $395 per night, that'll prove the case here — but whichever size abode you pick, you'll still be peering at the water. Beach vistas are part of every apartment, so you won't miss out on making the most of the scenic surroundings. Fancy taking a splash, too? That's where the block's elevated pool deck comes in, also with stunning views. As you swim in the 25-metre heated pool or kick back on the poolside lounges, you'll have an uninterrupted vantage of the beach. The communal al fresco area also includes barbecue facilities and an outdoor shower. Back inside, expect a contemporary aesthetic; sizeable bedrooms, with the main featuring a king-sized bed; a full kitchen with European appliances and a Nespresso coffee machine; a 65-inch television with a Chromecast; internet access; and a full laundry. Plus, Kirra Point Holiday Apartments has its own air-conditioned gym, and hires out beach carts, umbrellas and bikes for exploring the area. Need a charcuterie platter or picnic hamper to make your stay even better? They can be delivered. If you're new to Kirra, you'll be venturing 70 minutes from Brisbane, 30 minutes from Broadbeach and 45 minutes from Byron Bay. And if this is the first that you're hearing about the Kirra Point precinct, it's all about giving folks the beach life whether they're dropping by for a sip and a meal, residing onsite or temporarily calling it their home away from home. Find Kirra Point Holiday Apartments at 4 Miles Street, Kirra, Queensland — head to the apartments' website for bookings and further details. Images: Elise Hassey.
UPDATE, December 2, 2020: Disobedience is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Prime Video. There's a moment in every Sebastian Lelio film that cuts to the core of the writer-director's protagonists; that lets audiences peer into their hearts and souls. As seen in Gloria and A Fantastic Woman, it's usually a contemplative pause amidst a hectic frenzy — one heightened not only by the filmmaker's empathetic gaze, but by the stellar talent he's always pointing his lens towards. In Disobedience, this moment comes early. Photographer Ronit Krushka (Rachel Weisz) segues from busy days taking pictures to frantic nights finding comfort in bars, clearly masking her true feelings behind a carefully controlled facade. And so she sits for mere seconds, catching her breath, her eyes darting around as she looks towards the camera, and her hands ripping at her shirt with frustration and yearning. If Ronit is inwardly restless just going about her regular New York routine, then she's almost jumping out of her skin when she's called back to North London upon the death of her rabbi father. The Orthodox Jewish community she once belonged to is barely cordial, with the traditional greeting "may you have a long life" cutting like a weapon. But childhood friends Dovid (Alessandro Nivola) and Esti (Rachel McAdams), now married and still devout, welcome Ronit into their home, black sheep though she may be. Grief about her dad and guilt over their estrangement aren't the primary source of Ronit's distress, however. Nor is the rebellious, defiant reputation she's instantly given upon her homecoming. Rather, it's the torrid relationship that Ronit shared with Esti when they were teenagers — and the rekindled feelings sparked by her return. Adapted by Lelio and co-writer Rebecca Lenkiewicz (Ida) from Naomi Alderman's 2006 novel of the same name, Disobedience isn't a film about romance with religious tension layered on top, or one about religion with romance thrown in. Matters of affection and matters of theology are both involved, but characterising this complex, nuanced and soulful movie as one or the other does it a disservice. This is a story that recognises the many competing factors that shape a person's identity and choices, as well as the ongoing tussle between being true to oneself and meeting the expectations of others. Accordingly, desire, duty and faith intertwine in a picture that charts the influence each has had upon each member of its central love triangle. And make no mistake: while the film follows its two female protagonists as they try to follow their hearts amidst oppressive circumstances, Disobedience is a love triangle as much as it's a lesbian love story. The sensitivity Lelio brings to the forbidden romance is also applied to Dovid, a rabbi-in-training who embodies the fundamentalist principles blocking Ronit and Esti's bliss, yet proves just as torn about what's right. A lesser film would paint him as the villain, but that's the kind of easy depiction Disobedience shies away from at every turn. Although the movie delves into a cloistered world that's set in its ways and unwilling to change, nothing about its characters, their emotions or their struggles is anywhere near as straightforward or clear cut. There's a reason that Lelio favours shades of grey, visually, after all. Weisz, McAdams and Nivola are similarly multifaceted — so much so that, in the ultimate compliment to each actor, their respective characters feel as though they could walk right off the screen. The blend of steeliness and vulnerability Weisz brings to the bulk of her work courses through Ronit's veins, with the star also one of the movie's producers. Nivola plays Dovid as decent but conflicted, weathering every narrative beat with quiet poignancy. But it's McAdams who is in rarely-seen form. Earlier this year, she stole the show while showcasing her comedic chops in the vastly dissimilar Game Night. Now, she dons a kosher wig to lay bare the devastating pain of a woman torn between her head and her heart. https://www.youtube.com/watch?v=NnCLTbLKfv4
As far as operettas go, The Merry Widow stands out from the crowd — particularly in Opera Queensland's latest production. It's an account of romance, which might sound like usual opera fare. But, directed and choreographed by Graeme Murphy, it's also a Parisian-set art deco treat in its glittery look; think free-flowing Champagne, luxe ballroom costuming and a French salon vibe. Story-wise, the show follows lovers Hanna and Count Danilo. She's an unexpected heiress after just eight days of marriage, while he's the playboy suitor society wants her to wed next. Their tale floats across the stage in a sea of singing and dancing, in OQ's first mainstage production for the year — taking over QPAC's Lyric Theatre from June 22–30. It's also the company's fastest-selling production in more than a decade; however if you're under 30 and want to go along, you're in for a bargain. In a Broadway-style rush ticketing system, just head to the box office on the day of the show, show your ID and nab a $30 ticket. It's a one-ticket-per-person kind of deal, but bring your friends and they can pick up their own.
Brisbane's balmy spring weather, a varied spread of seafood and a day spent embracing both: that's what's on the menu at The Prince Consort on Sunday, November 10, 2024. From 12pm, the Wickham Street spot is going all in on the ocean's finest by hosting the returning Spring Fling Seafood Festival. The fest will be serving up everything from prawns and paella to sashimi and a heap of other seafood bites, with multiple stations set up around the place. Roaming oyster shuckers will be wandering about, too, while live cooking demonstrations are also on the menu — and you can try your hand at the prawn-peeling competition. Entry is free, but bookings are encouraged if you're keen to add a seafood platter for two — which features half-shell scallops with devilled butter and salmon roe, Moreton Bay bugs, beer-battered fish, prawn cutlets, cooked prawns, natural oysters, salt and pepper calamari, sashimi, chips, salad and more — to your fest. And yes, Brisbane is rarely short on seafood festivals — but just like everything that you can eat on the day at this one, you can never have too much of a good thing.
A quarter of a century is a long time to spend with Larry David, even with gaps along the way. Friends and acquaintances of the fictionalised and heightened version in Curb Your Enthusiasm might have some not-so-positive things to say about investing that chunk with one of TV's great curmudgeons. If you're a fan of the satirical series that premiered in 2000, however, 12 seasons isn't enough. But David has called time on his second small-screen smash. While CYE hasn't beaten Seinfeld's episode count, going out with 120 instalments versus 180, it stayed on-screen on and off for far longer than the ultimate show about nothing — and, right up until its final moments, it didn't avoid for a second the fact that Seinfeld was always going to cast a shadow. Streaming in Australia via Binge and New Zealand on Neon, Curb Your Enthusiasm isn't Seinfeld 2.0 for a lengthy number of reasons that'd get anyone saying "yada, yada, yada". But in riffing on David and his life, playing with his fame for co-creating one of the all-time sitcom hits has been baked into the premise from day one. Cue appearances from Seinfeld cast members, also as themselves. Cue dedicating a season focusing on making a Seinfeld reunion special as well. Accordingly, when CYE's ending first came into sight, of course the inimitable force behind both shows began the last season with the series' iteration of Larry going where Seinfeld's characters closed out their tale: jail. In season 12's debut episode of ten, he isn't incarcerated due to criminal indifference. Rather, Larry's stint behind bars comes about thanks to the opposite. In Atlanta to attend a rich fan's (Sharlto Copley, Beast) birthday party, on a paid gig courtesy of the success of Young Larry — CYE's in-show show about David's childhood, in the style of Young Rock and Everybody Hates Chris — he gives a bottle of water to Leon's (JB Smoove, Música) Auntie Rae (Ellia English, Blood Pageant) while she's in line to vote. That's illegal in the state of Georgia. The cops pounce immediately. So, with the nudging and winking — and reshaping and tinkering — that Curb Your Enthusiasm does exquisitely well, one of the season's key threads is born. Larry being Larry, he wasn't really trying to make a stand against ridiculous voter-suppression laws. Larry still being Larry, he's also content to capitalise upon being regarded as a hero, complete with droves of media attention. And, Larry never able to be someone other than Larry, he's his petty normal self regardless of how much praise flows from Bruce Springsteen — or ire, because getting to know Larry even when he's being commended and congratulated doesn't always mean actually liking him, as the plot strand involving The Boss, his final Los Angeles gig, COVID-19 and whose drinking cup is whose screams. Before Beef was winning Golden Globes, Emmys and other awards for trivial squabbles, David got there first. Before The Rehearsal and The Curse's Nathan Fielder was inspiring cringing so vigorous that you can feel it in your stomach, David was as well. Almost anything can happen and has happened to Larry, and being argumentative and awkward, holding grudges and rarely having his foot out of his mouth in response is a constant. Since season one, whatever has come his way has usually involved his manager and best friend Jeff Greene (Jeff Garlin, Never Have I Ever), alongside the latter's perennially suspicious wife Susie (Susie Essman, Hacks). Initially as his spouse and then as his ex, Cheryl David (Cheryl Hines, The Flight Attendant) has frequently weathered the fallout in his vicinity. So have his friends, such as Ted Danson (Mr Mayor) and the late, great Richard Lewis (Sandy Wexler) as themselves from the get-go, plus the aforementioned Leon Black, who moved in with Larry when the Davids took in his sister Loretta (Vivica A Fox, Bosco) after Hurricane Katrina. The show's swansong season is vintage Curb Your Enthusiasm, including when a lawyer who looks like one of David's many enemies, overhearing golfing lessons, throwing things at CODA Oscar-winner Troy Kotsur, getting disgruntled over breakfast menus cutting off at 11am and shirking reading scripts for old colleagues are involved. Season 12 also sees Larry try to date Sienna Miller (Extrapolations), sponsor Lori Loughlin (Blessings of Christmas) to join his country club and attempt to befriend Conan O'Brien (Conan Without Borders) when he moves into the same neighbourhood. He learns the Gettysburg Address while urinating, conditioning himself to feel the urge when he hears it afterwards. He's suspected of drawing penises on billboards. Also on his list: conjuring up schemes to ditch his girlfriend Irma (Tracey Ullman, Death to 2021) that he despises and get out of looking after an acquaintance's daughter if he passes away. From its premiere at the turn of the century to its farewell now, Curb Your Enthusiasm has been fascinated with whether someone as set in his ways as David — who was the inspiration for George Constanza — can and will ever change. He doesn't, and watching why that's the case only stopped being comedy gold when the credits rolled on the very last episode. That goodbye is named 'No Lessons Learned'. David gives voice to the idea, too: speaking to a young boy being told how to behave by his mother, he's unrepentantly Larry, telling the child "I am 76 years old and I have never learned a lesson in my entire life". As he bickers with a flight attendant about turning off his phone on the plane to Atlanta, gets crude hand signals from a driver who won't let merge on the highway and questions something about an ex-girlfriend of Richard's that's never normally spoken about (because when would that stop Larry?), his own words keep ringing true. When season 12 sent Larry to jail early, echoing how Seinfeld ended, it was always working towards more overt nods in its predecessor's direction. Cycling through legal representation (Will & Grace's Sean Hayes plays one attorney), Larry has been bound for court ever since. Airing grievances, all coming from folks who believe that they've been wronged by him over the years, was the natural — and gloriously, gleefully intertextual — path for Curb Your Enthusiasm's climax, then. David has learned lessons, though, since penning the end of Seinfeld. How that pans out, and CYE's conclusion overall, is pretty, pretty, pretty perfect. Check out the trailer for Curb Your Enthusiasm season 12 below: Curb Your Enthusiasm streams via Binge in Australia and Neon in New Zealand. Images: HBO.
A glass of bubbly is always a pleasure, but the return of World Champagne Day provides ample excuse to add a little more sparkle to your upcoming weekend. Taking over QT Hotels & Resorts across Australia from Friday, October 24–Sunday, October 26, the brand's lineup of luxe off-beat stays have teamed up with true-brut style Perrier-Jouët for a cork-popping experience. To mark the occasion, guests are invited to double-down on their love of champagne, as your first flute purchase scores a second pour of top-quality champers on the house. Just swing through any of QT's signature restaurants — like Gowings & Parlour at QT Sydney, Pascale Bar & Grill at QT Melbourne and Yamagen at QT Gold Coast — to toast yourself with a fizzy encore to match.
It sounds like an obvious premise, and one that countless films and TV shows have already mined in the name of laughs. In Hacks, two vastly dissimilar people are pushed together, with the resulting conflict guiding the series. Ava Daniels (Hannah Einbinder, North Hollywood) and her new boss Deborah Vance (Jean Smart, Mare of Easttown) couldn't be more different in age, experience, tastes and opinions. The former is a 25-year-old who made the move to Hollywood, has been living out her dream as a comedy writer, but found her career plummeting after a tweet crashed and burned. The latter is a legendary stand-up who hasn't stopped hitting the stage for decades, is approaching the 2500th show of her long-running Las Vegas residency and is very set in her ways. They appear to share exactly one thing in common: a love for comedy. They're an odd couple thrust together by their mutual manager Jimmy (Paul W Downs, Broad City), neither wants to be working with the other, and — to the surprise of no one, including each other — they clash again and again. There's no laugh track adding obvious chuckles to this HBO sitcom, though. In other hands, guffaws would've come on cue, only the most blatant beats would've been hit, and the performances would've been big and broad. It would've been a series that tried to fill every space in the room, as Deborah has spent years doing in her gigs, and it would've been happy to give its easiest viewers what it already knows they want. But that isn't Hacks' approach. Just like its title, its basic concept isn't indicative of the series that results. Created by three of the talents behind Broad City — writer Jen Statsky; writer/director Lucia Aniello; and Downs, who does double duty in front of and behind the lens — Hacks isn't solely interested in setting two seemingly mismatched characters against each other. This is a smart and insightful series about what genuinely happens when this duo spends more and more time together, what's sparked their generational conflict and what, despite their evident differences, they actually share beyond that love of making people laugh. The straightforward clashes still bubble up, as Ava and Deborah's entire world views constantly niggle and jostle. Ava doesn't think twice about discussing everything from her sex life to her menstrual cycle with anyone she meets, and deems nothing too personal to bring up in conversation or make jokes out of — and she's certain that comedy is all the better for it, even if that perspective has cost her her dream job, made it impossible to get another gig in Los Angeles and brought her to Deborah's doorstep as a last resort. She's also sure that her new boss could improve her crowd-pleasing sets by taking her advice, but that isn't an idea that Deborah initially warms to. An ex-sitcom star who made the leap to stand-up back when the industry was even more unwelcoming to women than it is now, Deborah has worked tirelessly for her success, wealth and lavish mansion, and knows that Home Shopping Network appearances and attending the opening of fast food chains are as important as the residency she's being pushed out of. As a result, she's also fiercely protective of her current fame and status quo, and everything that goes with it. Other characters bob in and out of the pair's daily lives — Jimmy and his clueless assistant Kayla (Megan Stalter, The Megan Stalter Show), Deborah's daughter DJ (Kaitlin Olson, It's Always Sunny in Philadelphia), her Chief Operating Officer Marcus (Carl Clemons-Hopkins, The Chi) and casino owner Marty (Christopher McDonald, Ballers), mainly — but it's the push and pull between Ava and Deborah that's at Hacks' core. Through that dynamic, the show keeps probing what makes these women who they are, what they've faced and who they want to be moving forward, all while interrogating the reality of showbusiness without a trace of sugarcoating. Making a life out of being funny isn't easy for this pair, or for any woman in comedy, and nor is navigating everything that the entertainment industry constantly throws their way. Some of the sharpest observations about today's Hollywood landscape come in tiny but knowing moments, too; "what if first girl band during Salem witch trials but prestige drama?" an intoxicated Ava pitches, and that series definitely wouldn't look out of place on most streaming platforms' catalogues. Hacks wouldn't be the show it is without two key inclusions: Smart and Einbinder. Deborah feels like a part that Smart could play in her sleep, but that isn't how the exceptional Fargo, Legion and Watchmen actor handles the character. Deborah has fought for everything in her life, and that determination comes through amid the Joan Rivers-style brassiness and flashiness of her favoured lifestyle. Smart's is a textured performance that's keeps diving deeper and, although almost everyone watching has never been a famous comic, it's a relatable portrayal as well. She ensures that all those desires and yearnings we all have — to succeed, be respected, be valued for our talents and truly be ourselves — sit at the heart of Deborah's every move, even when she's hardly sympathetic. The same proves true of Einbinder's work as Ava, too, as relevant to the character. Ava projects an over-chatty air of confidence and wades her way through the world unfiltered, but she's also awkward, prone to failing as much as succeeding, and is really just trying to weather life's chaos like the rest of us. When the 2021 Emmy nominations were announced, Hacks collected 15 nods — including for Smart, Einbinder and Clemons-Hopkins for their on-screen work, and for Statsky, Aniello and Downs for their off-screen efforts. Plenty of great shows don't ever win shiny trophies or even get nominated, but every accolade thrown this series' way is thoroughly well-deserved. It's been picked up for a second season by HBO Max, just like the platform's other standout 2021 sitcom Starstruck. Australians had to bide their time for a local streaming platform to air both programs' first seasons but, when they've each arrived in easy-to-binge blocks, both have proven worth the wait. Watching Hacks is the best way to spend five hours on the couch right now, in fact, and its frank, funny and biting assessment of being a woman in entertainment is as always as canny as it is hilarious Check out the trailer below: Season one of Hacks is available to stream via Stan.
If your idea of a relaxing pastime involves moseying through Australia's picturesque landscape by foot, bike or horse, then add the Brisbane Valley Rail Trail to your must-visit list. Spanning 161 kilometres, it runs through southeast Queensland from Wulkuraka, west of Ipswich to Yarraman in the Great Dividing Range. And, with its final stage completed and opened this month, it's now Australia's longest continuous hiking, cycling and horse riding trail — exceeding the Great Victorian Rail Trail's 134 kilometres in length. Inaccessible to cars, the track follows the now-defunct Brisbane Valley railway line, which dates back to the 1880s. Upon closing to trains in 1991, it was converted to a recreational trail; however the final link between Toogoolawah and Moore has only just come to fruition through $3.354 million in funding from the federal, Queensland and local governments. Visitors can now make their way through an array of scenery — including farms, country towns and bushland — across the trail's entire expanse, with the track winding through the likes of Fernvale, Lowood, Esk, Toogoolawah, Moore, Linville, Blackbutt and Yarraman, and including both coffee stops and campsites along the way. Further work is planned along the trail, including a $4.5 million upgrade to the heritage-listed Lockyer Creek Railway Bridge. Image: Brisbane Valley Rail Trail Users Association Inc.
When Studio Ghibli was first formed back in 1985, the Japanese animation house came about thanks to three parties: filmmakers Hayao Miyazaki and Isao Takahata, and producer Toshio Suzuki. While Miyazaki has become synonymous with the company in the three decades since and Suzuki is now one of Japan's most successful producers, Takahata deserves just as much acclaim and attention. Indeed, it was his first stint behind the camera that helped establish Ghibli on the international stage. Further, his most recent movie earned him an Academy Award nomination for best animated feature. Before his passing this week at the age of 82, Takahata's career also spanned a busy stint in television during the '60s and '70s, as well as producing roles on three important animated titles — Miyazaki's pre-Ghibli flick Nausicaä of the Valley of the Wind, his first studio effort Castle in the Sky, and the company's gorgeous collaboration with Dutch animator Michaël Dudok de Wit, The Red Turtle. As a filmmaker himself, he may have only helmed five features, but they're all Ghibli classics. In fact, if you're a fan of the beloved outfit, they're definite must-sees that demonstrate the studio's visual, emotional, thematic and narrative range. https://www.youtube.com/watch?v=4vPeTSRd580 GRAVE OF THE FIREFLIES The most heartbreaking animated film ever made — and one the most heartbreaking films ever made in any format, too — Grave of the Fireflies proved Studio Ghibli's first masterpiece. In fact, it's a movie the studio has never come close to matching since, even though the company's stellar flicks continually enchant and delight. Given the war drama is a rare Ghibli effort that plunges into dark territory, telling the tale of two siblings desperately struggling to survive in the last days of the Second World War, that's completely understandable. Takahata's handling of the film's moving and sorrowful story couldn't be more astonishing, from the fleshed-out characters tussling with life and death, to the striking visuals, including the titular glowing bugs. https://www.youtube.com/watch?v=OfkQlZArxw0 ONLY YESTERDAY Like his filmmaking debut, Takahata's second directorial effort doesn't resemble much of Studio Ghibli's output. Based on the 1982 manga of the same name, Only Yesterday eschews child-focused fantasies for the incredibly relatable inner turmoil of 27-year-old Tokyo worker Taeko. Rather than entering fanciful worlds, the film follows its protagonist's attempt to reconcile her childhood dreams with the life she's now living. It's a mature, thoughtful effort — and one that was only re-released two years ago, with an English-language voice cast of Daisy Ridley and Dev Patel. Upon its initial stint in cinemas in Japan in 1991, it became the highest-grossing Japanese film of the year. https://www.youtube.com/watch?v=_7cowIHjCD4 POM POKO Another box office hit — in fact, Pom Poko was the highest-grossing Japanese film in Japan in 1994 — Takahata's next flick introduced the world to mischievous racoon-like critters. Called tanuki and finding their basis in folklore, the creatures can transform into almost anything; however their habitat outside of Tokyo is under threat from developers. With ecological matters a common thread in Ghibli movies, this touching delight proves a quintessential addition to the fold, combining magical wonder with a message. It's an endearing fable, and one that matches its narrative with memorable imagery, as always. https://www.youtube.com/watch?v=1C9ujuCPlnY MY NEIGHBOURS THE YAMADAS My Neighbours the Yamadas is the studio's most visually distinctive effort. Based on the manga Nono-chan, it's the company's first fully digital film, but it favours the look of a hand-drawn, watercolour-painted comic strip over the usual Ghibli aesthetic. The stylistic choice suits the content perfectly, not only immersing audiences into the series of vignettes about the Yamada family, but offering a visible reminder that nothing is ever as simple as it appears. That's a statement that keeps bubbling to the fore as the quirky flick delves into recognisable situations with humour and heart. https://www.youtube.com/watch?v=I9QnebAVHVk THE TALE OF THE PRINCESS KAGUYA In The Tale of the Princess Kaguya, the eponymous girl blossoms within a bamboo shoot. She's not the only thing that blooms in this hand-drawn beauty, which marked Takahata's first film as a director in 15 years. Rumoured at the time to be his last feature and sadly proving to be case now, it's a gentle, elegant and entrancing story that charts the princess' growth, depicts her turmoil as her own desires clash with everyone else's expectations, and evolves from a seemingly standard setup into something subversive and meaningful. And, like almost everything throughout the filmmaker's career, it's a movie that no one else could've made in the same way.
When Heston Blumenthal announced that Fat Duck was coming to Melbourne for six months in 2015, he was overwhelmed with interest at the rate of 40,000 requests within the first few days. So, to make matters manageable and, he hoped, fair, he set up a ballot. Of the 89,000 entries received, only 14,000 were lucky enough to win a spot. But, as it turns out, luck wasn’t the only factor in determining success. In an exclusive published today, Fairfax Media's Good Food has revealed that the Fat Duck ballot was hijacked by fat cat corporate scalpers. According to the report, three groups are involved. The first is a trio of financial professionals, based in Collins Street, Melbourne. Apparently they employed an IT expert to cook up a computer programme that enabled them to apply as many times as they liked. "We looked at the source code for the booking site and noted that it didn’t record IP address, just email address and phone details," Fairfax was told. "From that moment we realised it was going to be pretty easy to book multiple tables." After putting in 800 applications, they managed to score more than fifty tables, which they’re planning on giving away and selling. The report states that a second group used a similar strategy to bag just over forty tables. They're intending to sell places at $500 a head (that’s on top of the Fat Duck’s $525). And Fairfax Media also believes that 'a third party, which brings in gambling tourists from Asia' has also failed to play fair. Crown Resorts certainly aren't happy about the whole affair. They've got their legal team on the job, trying to overturn some of the counterfeit bookings. Executive general manager of hotels, food and beverage, Peter Crinis, told Fairfax, "Crown Melbourne is committed to upholding the integrity of the ballot process and has flagged a small number of reservations for further investigation. The on-selling of reservations is prohibited by the ballot terms and conditions and internal measures have been put in place to ensure this process remains fair and equitable for all Fat Duck diners." The restaurant does have the power to cancel reservations but, at the end of the day, the scalpers don’t seem to have broken any particular laws. MEANWHILE, AT GORDON RAMSAY'S NEW DIGS... In other bad news for the high-end dining scene, Gordon Ramsay's brand new restaurant, Heddon Street Kitchen, had its opening night undermined by an unknown prankster, who made 100 or so fake reservations. Even though the 140-strong establishment was 'booked out', two-thirds of tables remained empty. "I think there’s all that level of envy," Ramsay said on the Jonathan Ross Show. "Saturday was our first big day; we had 140 on the books and we had a 100 no show. So someone would have been on a computer... It's bad spirit. You see the staff and they are down and frustrated. I was there to pick them up and make sure we stay focused... Now we’re going to reconfirm every table." Via Good Food.
It may well be time for chauffeurs around the world to come up with a backup plan. With every new insight, it seems that Google's self-driving car could have the potential to put them out of business. The above photo illustrates exactly what the Knight Rider-esque invention can see. As deducible from the orange concentric circles, it's capable of 360 degree vision, which is kind of like having someone with four heads in the driver's seat. Moreover, according to Bill Gross, who first Tweeted the image in late April, the car processes a whole gigabyte of information every second. So far, Google's prototypes have successfully covered 400,000 miles of road. Even though it has long been thought that self-driving vehicles wouldn't go public for another twenty years, it's now looking as though they'll be widely available within five. The law has yet to catch up, however - driverless cars are illegal in every state in the U.S., with the exception of Nevada, California and Florida. Of course, the enforcement of road rules becomes a tricky issue when there's no one behind the wheel. According to Google, the future promises less traffic and fuel consumption, as well as increased mobility and safety. Those incapable of driving can start looking forward to some new-found freedom. [VIA boing boing]
Walking around Tokyo at night should rank high on everyone's travel bucket list. The glittering lights, the towering buildings, the hustle and bustle in busy streets and tiny alleyways, the sprawling city that seems to go on forever: they're all at their best when the sun goes down. And, that's when the Japanese capital's futuristic aesthetic shines brightest too — as Australian photographer Tom Blachford has captured in his new series, Nihon Noir. Across his array of images, Tokyo gleams with a sci-fi-like sheen, cloaked in shades of blue and red. It's part of a project with Asahi, with the Melbourne-based photographer aiming "to communicate the feeling that struck me the first time I visited Tokyo, that somehow you have been transported to this advanced and amazing parallel universe," as he explained to Wallpaper. Blachford cites Blade Runner as inspiration, which is gorgeously apparent in every image, as well as the distinctive visuals of Drive, Only God Forgives and The Neon Demon filmmaker Nicolas Winding Refn. The photos are the result of six nights straight spent scouring the city and showcase the striking architecture on offer, as seen both from afar and up close. And, they'll make you want to book a Japan trip asap, of course. Via Wallpaper. Images: Tom Blachford.
Summer is here and oh don't we know it, Brisbane. The days are longer, the sun scorches all it touches and the humidity hangs heavy in the air. Whether you seek the arctic embrace of the air-conditioned indoors, want to splash around in your new swimmers or prefer to stay hydrated with a glass of ice-cold craft beer, there are plenty of ways to beat the heat in the city this summer. STREETS BEACH AND SOUTH BANK SURF CLUB The white sands, turquoise waters and shady palms of the Streets Beach at South Bank Parklands create the River City's most iconic watering hole. The artificial beach is patrolled by lifeguards six days a week and is free to the public. After taking a dip at the beach, dive into a meal at the South Bank Surf Club and continue to enjoy amazing views of the city. While you can't surf at Streets Beach, the South Bank Surf Club is making waves on the Brisbane casual dining scene serving a menu that defies traditional surf club fare. Think fresh seasonal seafood, BBQ pork ribs, grass-fed Cape Grim scotch fillet, creme brulee, and not a schnitty in sight. 30a Stanley Plaza Parklands, South Brisbane LA MACELLERIA GELATERIA A scoop (or two) of cold, creamy and utterly delicious gelato from La Macelleria will have you mistaking Teneriffe for the cobblestone streets of Rome. Cup or cone? Gelato, sorbet or granita? The choices are tough. Arguably the best gelato in Brisbane, it boasts classic flavours like pistachio, espresso and hazelnut scooped alongside special creations whipped up by the two boys from Bologna. Just one lick and you'll be screaming amore. 29 Florence Street, Teneriffe SOLEIL POOL BAR Soleil Pool Bar might just be the hottest new spot to stay cool around town this summer. The digs previously known as Bacchus Pool Bar have been renovated, revamped and relaunched to celebrate the sun that shines brightly over the River City. An extensive cocktail list will be guaranteed to quench your thirst as you lounge by the pool and listen to the sounds of summer. Corner of Grey and Glenelg Streets, South Brisbane SPRING HILL BATHS Don your cossie in the vivaciously coloured Victorian changing cubicles and make a splash at Brisbane's heritage-listed Spring Hill Baths. Holding the title as the oldest surviving swimming baths in the Southern Hemisphere, the 23.43 metre aqua-blue pool and wooden grandstand seating exude old world charm. The baths are suitable for all swimmers from those learning to swim to those staying fit or just trying to keep cool. 14 Torrington Street, Spring Hill NEW FARM CINEMAS Air-conditioning — check. Entertainment – check. Ice cream – check. The New Farm Cinemas are the perfect place to escape the sweltering sun on a hot summer's day. Chill out in comfort at the recently renovated, retro-style cinemas and catch the latest blockbusters or a flashback film. The Purple Bar and Lounge serve light snacks and beverages to be enjoyed in front of the big screen, and Scoop Café and Gelato Bar stock goodies from neighbourhood favourites Dello Mano and La Macelleria. 701 Brunswick Street, New Farm WOOLLY MAMMOTH ALEHOUSE Boasting Queensland's largest selection of craft beer, the Woolly Mammoth Alehouse in Fortitude Valley is the place to stay hydrated this summer. With a beastly 23 beers on tap (rotating small-release batches), a decent cocktail list and wines by the glass or bottle, a summer's afternoon is likely to melt away faster than the ice age. A plentiful share menu will whet your appetite while you stay entertained with indoor bocce, giant Jenga, shuffleboard and live music across three distinct spaces within the beer hall. 633 Ann Street, Fortitude Valley QPAC Queensland Performing Arts Centre is a haven on a hot day (or night), as ice-cold air-conditioning meets live entertainment. Their December lineup includes smash-hit musical Les Miserables as well as the Queensland Ballet's performance of The Nutcracker. Grey Street, South Brisbane BRISBANE CITY COUNCIL POOLS With 20 council pools splashed across the city, there is no shortage of H2O to dive into. Depending on your 'hood you'll find facilities that cater for learn to swim, stroke development, water polo, aqua aerobics and cooling off. Some pools offer slides and play equipment, barbecues and kiosks. Grab your cap, goggles and Speedos, and head down to your local pool. We've rounded up our favourite outdoor swimming pools across the city here. Locations across Brisbane QAGOMA The Queensland Art Gallery and Gallery of Modern Art are wonderfully airconditioned spaces that offer Brisbanites the chance to engage with Australian and international exhibitions. Both galleries hang a combination of permanent and visiting exhibitions, many of which can be enjoyed for free. And if art ain't your thing, maybe science is. Try the Sciencentre at the Queensland Museum — it's also air conditioned. Stanley Place, South Bank ACAI BOWL CRAWL Whats cooler than being cool? Acai. That little purple berry is right on trend as a #superfood of the moment. We've compiled a list of our favourites to get you through the hot days. But hey, if clean eating is not your game, the infamous CP Milkshake Crawl should be added to your foodie bucket list asap to get you milk drunk on a lazy day.
Bringing NYC-inspired deli vibes to the Gold Coast in 2022, Joe's Deli quickly expanded its reach to Brisbane. Now established as a serious player in the street food scene — think meatball subs, cubans, hoagies, tempura prawn po' boys and Italian flatbreads — the crew is hosting a special one-night takeover with the beats to match. Happening from 3.15–9pm on Friday, April 17, Joe's Deli Brisbane City is shedding its daytime skin to bring after-dark energy. Teaming up with Compa Tequila just for the occasion, you'll catch global hitmakers Yolanda Be Cool and rising selector Paluma in back-to-back sets, evoking the glory days of New York City's underground music scene. Expect the deli to be rocking, but don't hang back if you're keen to party. That's because the pint-sized venue only has capacity for 100 guests, so registering early is the best way to make sure you make the cut. Throughout the evening, expect the lines to blur between cult-followed sandwich spot and in-the-know dance floor. Serving as the ideal start to the weekend, this big night on the town means there's no queues to navigate or post-night-out snacks to hunt down. Instead, Joe's Deli will have free-flowing favourites and Compa Tequila until close, helping you see this much-loved NYC-esque deli in a brand-new light. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
The DC Extended Universe is dead. With Aquaman and the Lost Kingdom, the comic book-to-screen franchise hardly swims out with a memorable farewell, hasn't washed up on a high and shouldn't have many tearful over its demise. More movies based on the company's superheroes are still on the way. They'll be badged the DC Universe instead, and start largely afresh; 2025's Superman: Legacy will be the first, with Pearl's David Corenswet as the eponymous figure, as directed by new DC Studios co-chairman and co-CEO James Gunn (The Suicide Squad). Aquaman and the Lost Kingdom ends up the 15-feature decade-long current regime about as expected, however: soggily, unable to make the most of its star, and stuck treading water between what it really wants to be and box-ticking saga formula. Led by Jason Momoa (Fast X) — not Adrian Grenier (Clickbait), as Entourage once put out into the world — the first Aquaman knew that it was goofy, playful fun. Its main man, plus filmmaker James Wan (Malignant), didn't splash around self-importance or sink into seriousness in giving DC Comics' aquatic hero his debut self-titled paddle across the silver screen (after Momoa played the same part in Batman v Superman: Dawn of Justice and Justice League). Rather, they made an underwater space opera that was as giddily irreverent as that sounded — and, while it ebbed and flowed between colouring by numbers and getting winningly silly, the latter usually won out. Alas, exuberance loses the same battle in Aquaman and the Lost Kingdom. In a film that sets sail upon a plodding plot and garish CGI, and can't make an octopus spy and Nicole Kidman (Faraway Downs) riding a robot shark entertaining, any sense of spirit is jettisoned overboard. Having spent its existence playing catch-up with the Marvel Cinematic Universe, the DCEU does exactly that for a final time here. It isn't subtle about it; see: calling Aquaman's imprisoned half-brother Orm (Patrick Wilson, Insidious: The Red Door) Loki and ripping off one of the most-famous throwaway MCU moments there is. As with 2023's fellow Ant-Man and the Wasp: Quantumania, there's also such a large debt owed to Star Wars that elements seem to be lifted wholesale from a galaxy far, far away (and from a competing company, although it was still terrible when Disney was plagiarising itself). Just try not to laugh at Jabba the Hutt as a sea creature, as voiced by Martin Short (Only Murders in the Building), introduced reclining in a familiar pose and, of course, surrounded by a school of amphibious ladies. Not intentionally by any means, it's Aquaman and the Lost Kingdom funniest moment. 2018's initial Aquaman used past intergalactic flicks as a diving-off point, too, including Jupiter Ascending, but with its own personality — no trace of which bobs up this time around. Wan helms again, switching to workman-like mode. While he's co-credited on the story with returning screenwriter David Leslie Johnson-McGoldrick (Orphan: First Kill), Momoa and Thomas Pa'a Sibbett (The Last Manhunt), there's little but being dragged out with the prevailing tide and tonal chaos on show. Worse: ideas from abandoned spinoff The Trench, which was first floated as a horror effort about a villainous Atlantean kingdom but later revealed to be a secret Black Manta (Yahya Abdul-Mateen II, Ambulance) movie, get clunkily flushed in. While this should be Saw, Insidious and The Conjuring alum Wan's wheelhouse, Aquaman and the Lost Kingdom feels like the narrative equivalent of pouring the dregs of whatever's in Arthur Curry's liquor cabinet into one tankard. Now king of Atlantis as well as a father to Arthur Jr — the water-controlling Mera has become his wife, too, but that doesn't mean that Amber Heard (The Stand) says more than 50 words — the half-human, half-Atlantean best-known as Aquaman has another tussle with pirate David Kane to face. Bumped up to chief baddie, Black Manta is aided by dark magic manifested in the black trident, as found by a marine biologist (Randall Park, Totally Killer) who's endeavouring to prove that Atlantis exists. Aquaman and the Lost Kingdom's evil threat is also climate change, as exacerbated by its nefarious enemy on his vengeance mission after the events of the first movie. With the human and undersea realms alike beginning to boil, only Aquaman teaming up with Orm will give the planet a chance to survive. Pairing Momoa and Wilson odd-couple comedy-style like they're Hobbs and Shaw would've been one of Aquaman and the Lost Kingdom's best moves if the material was up to it. Their escapade amid the foliage on a volcanic South Pacific island — where the film wants to be a tropical creature feature, and also a Journey to the Centre of the Earth- and Jumanji-esque jaunt — is certainly the most promising visually. But here as across the entire flick, relying upon Momoa's charm to do the heavy lifting appears to be the number-one approach. In some pictures with some stars, that can work. Rom-com Anyone But You manages it thanks to Sydney Sweeney (Reality) and Glen Powell (Top Gun: Maverick), for instance. In Aquaman, Momoa had a mischievous ball and was a delight to watch. What everyone involved in Aquaman and the Lost Kingdom hasn't factored in is that this version of Arthur has swapped underdog roguishness for the overblown kind. Momoa remains visibly enthusiastic as the wettest of the DCEU's world-saving cohort, but Aquaman's cockiness is laid on as thickly as a kelp forest. Although there's no doubting that the movie's star can handle the part, it's a less-engaging, more one-note turn than his last jump into this ocean, and sells him short. Momoa commits, though, with the kind of gusto that Aquaman and the Lost Kingdom lacks virtually everywhere else. What happens when a film that clearly wants to be as ridiculous as it can be, or as dark, clashes with staying within the genre's routine lane? This shipwreck, which ends the franchise it's in and the saga's busiest year — after Shazam! Fury of the Gods, The Flash and Blue Beetle — with one of its worst entries. At least it didn't have to worry about setting up sequels or connecting to other DCEU fare, aka a welcome lifeboat.
Inspiration strikes in plenty of places, including while watching movies — and if you've ever sat down in a cinema or on your own couch, directed your eyes towards a film and seen your style dreams flicker across the screen, then you might be interested in Melbourne's latest pop culture-themed pop-up. You'll need to make a choice, though: do you want to look like Ryan Gosling or Chris Evans? To be specific, would you prefer a goatee like Gosling wears in Netflix flick The Gray Man, or a moustache — a "trash 'stache", as Gosling's character calls it — that's donned by Evans as the film's villain? That's what's on offer for three days only in Melbourne, from Friday, July 29–Sunday, July 31, as part of the streaming platform's Good Guy Goatee/Bad Bro Mo Barber Shop in Fitzroy. No, you can't go rogue and ask for Gosling's Barbie look or Evans' Captain America aesthetic — this is all about The Gray Man, so looking like you've stepped out of the spy thriller is the only thing on the menu. This movie-inspired makeover is free, too, and open to everyone. Walk-ins are welcome, or you can reserve a spot online in advance. If you don't have facial hair of your own, but you'd like some, there are even stunt goatees and 'staches on offer. Otherwise, you'll slide into the barber's chair to get Gosling's rugged stubble or ape Evan's top lip. [caption id="attachment_855170" align="alignnone" width="1920"] Stanislav Honzik/Netflix © 2022[/caption] The barbershop setup has also been decked out to suit the film, so patrons will find other bits and pieces in store, including posters and pictures. If you want to spend time arguing with your mates while you're there about that Evans-style mo — to really mirror the on-screen Gosling and Evans banter — that's obviously up to you. For those who haven't seen the movie, The Gray Man stars Gosling as off-the-books CIA assassin Sierra Six, who finds himself being hunted by another killer who fits that description — Evans' gleefully unhinged Lloyd Hansen. Cue a globe-hopping espionage-fuelled affair that's brings together familiar pieces, but also isn't without its charms, in no small part thanks to its impressive cast. And yes, these kinds of pop culture experiences are popping up frequently in Australia lately. Just a few months back, an Everything Everywhere All At Once-inspired multidimensional laundromat did the honours in Melbourne, too — and Cinema Nova also decked itself out The French Dispatch-style over summer. Up in Sydney, the giant 'Red Light, Green Light' doll from Squid Game made an appearance by the harbour, and a Stranger Things rift opened up on Bondi Beach. Now, are you a Gosling or an Evans? Find the Good Guy Goatee/Bad Bro Mo Barber Shop at 306–308 Brunswick Street, Fitzroy — open from 12–7pm on Friday, July 29–Saturday, July 30, and from 10am–5.30pm on Sunday, July 31. Walk-ins are welcome, or you can reserve a spot online in advance. The Gray Man is currently playing in Australian cinemas, and is available to stream via Netflix — read our full review. Top image: Paul Abell/Netflix © 2022.
If the waning summer temperatures have got you feeling frosty about the cooler months to come, here's something that'll warm up your outlook again. Melbourne's major citywide arts festival RISING is back and it promises to be the bright spark in Victoria's winter, unveiling the blockbuster 185-event program it's bringing to town from Wednesday, June 7–Sunday, June 18. RISING's 2023 instalment is set to be a monumental affair, assembling more than 400 artists for almost two jam-packed weeks of art, culture, music, performance and culinary goodness. There are 35 works commissioned exclusively for the festival and an impressive 12 world premieres set to hit. Alongside the already-announced Euphoria, which will take over Melbourne Town Hall with an immersive multi-screen film installation starring Cate Blanchett, the program is filled with a hefty and diverse array of happenings. [caption id="attachment_888892" align="alignnone" width="1920"] Euphoria by Katja Illner.[/caption] Large-scale events abound, not least of which is Shadow Spirit — a showcase of First Peoples-led projects across the realms of art, performance, music, food and more. Put together by renowned Yorta Yorta writer and curator Kimberley Moulton, it'll grace the legendary space above Flinders Street Station for eight weeks, displaying major works from artists like Brian Robertson (Maluyligal/Wuthathi), Karla Dickens (Wiradjuri), Vicki Couzens (Keerray Wooroong/Gunditjmara), Paola Balla (Wemba Wemba/Gunditjmara) and more. At Federation Square, a mass participatory work by composer Ciaran Frame will feature 10,000 biodegradable kazoos played simultaneously by eager locals, while Dutch artist Daan Roosegaarde's SPARK takes the form of a wondrous floating light show, animating thousands of 'fireflies' crafted from biodegradable materials. Festival hub Night Trade takes over the grounds of St Paul's Cathedral for the duration, coming to life with super-sized surrealist art from Poncili Creción, performances from the likes of Debby Friday and London DJ ESA, hawker-style dining by Free to Feed and even a smattering of drag karaoke. [caption id="attachment_892640" align="alignnone" width="1920"] Paola Balla[/caption] Head inside the cathedral to experience Anthem — an equally majestic installation of sound and video courtesy of singer Beverly Glenn-Copeland and artist Wu-Tsang, which comes to Melbourne fresh from the Guggenheim. RISING's ice-skating rink will be reborn bigger than ever, this time perched at Birrarung Marr, set beneath an installation of luminous orbs, and complemented by a wintery offering of mulled wine, hot chocolates and popcorn. Music lovers of all persuasions will be kept busy with RISING's sonic lineup, spanning everyone from bass legend Thundercat and Afrofuturist pioneer Flying Lotus to UK punk icons The Damned and hit US singer-songwriter Weyes Blood — and Ruth Radelet from Chromatics, too, performing her first-ever solo show. [caption id="attachment_892641" align="alignnone" width="1920"] The Rink by Shannyn Higgins.[/caption] Uncle Kutcha Edwards is assembling an all-star lineup of First Nations talent for Waripa, Paul Kelly will take his mix-tape album Drinking live to the stage for two shows at Melbourne Recital Centre, and Japanese composer Cornelius joins Shintaro Sakamoto for a double bill at The Forum. The program is brimming with theatre and dance, too, including two Australian Ballet commissions by Daniel Riley and Alice Topp, Florentina Holzinger's famously unsettling body-horror ballet Tanz — while she's in Australia for Dark Mofo as well — and a deep-dive into the history of alternative Aussie tunes with Robyn Archer: an Australian Songbook. And, it features sound work Consort of the Moon, a communal listening experience by twilight at Fitzroy Gardens — plus Buŋgul, with live Yolŋu dancers and songmen celebrating the inspiration behind Dr G Yunupiŋu's album Djarimirri (Child of the Rainbow). Meanwhile, catch Hear My Eyes give the Robert Pattinson-starring Good Time the live score treatment, then check out a 20-strong flock of three-metre-tall wallabies in a technicolour work by Archibald Prize finalist Matthew Clarke. You can also see Chapter House transformed into an ever-evolving living museum celebrating Haitian street culture, and take to the high seas with all-ages First Nations comedy Hide the Dog. Plus, you'll soon spot six striking new First Peoples artworks rolling through the city for the latest instalment of Melbourne Art Trams. [caption id="attachment_892650" align="alignnone" width="1920"] Hide the Dog by Pat Stevenson.[/caption] RISING will descend on venues and spaces across Melbourne from Wednesday, June 7–Sunday, June 18. For the full program and to sign up for pre-sale, see the website.
After hosting everything from live gigs to cult film screenings to craft afternoons since 2005 — and operating as a cinema in the decades before that — Fortitude Valley's New Globe Theatre is set to close its doors in April. Announced via a Facebook post in February, the venue will celebrate its last day of operations on April 29, a decision that has come about "after extensive discussions with landlords, banks and just about every other stakeholder". What will happen to the site at 220 Brunswick Street is yet to be revealed, but the New Globe's loss will leave a significant gap — with its distinctive personality and eclectic roster of events, there's no other venue quite like it across the city. Shows, events and everything else on its calendar will proceed as normal in the interim, but if you're looking to say goodbye in style, don't worry. One last party is planned for the final day of trade, and while full details are yet to be revealed, it'll include live music all day across the New Globe's stages. Taking place from 10am until midnight on April 29, entry to the farewell bash is free — and expect the venue to unleash one heck of a final shindig. They'll be using up any remaining stock, so prepare to have a big one. Image: Google Maps.
Short on the sides, long at the back, goes well with fries — and it's going free before State of Origin's second 2023 attack. We're talking about the humble mullet, of course. If it's your hairstyle of choice or you've always wanted it to be, you can get one thrown in with your pre-rugby league meal at The Lord Alfred on Wednesday, June 21. Just hit up the Caxton Street pub between 3–6pm prior to the game, order a burger with chips and a beer, and get ready for new tresses. Jimmy Rods Barbershop will be onsite to do the snipping, so you'll be getting a professional haircut. While the mullet is free, you do need to pay for the food and booze as part of The Lord Alfred's Mullet Meal Deal, which'll cost you $35. Obviously, the idea is that you get a new head of hair, then head to the game at Suncorp Stadium to show off your look.
Pubs, clubs, gyms, indoor sporting venues, cinemas, casinos and places of worship will be forced to close from midday today, Monday, March 23, with the Australian Government introducing a stricter crackdown on mass gatherings in a bid to slow the spread of COVID-19. Prime Minister Scott Morrison made the announcement last night, after the national cabinet meeting, saying "social distancing is our biggest weapon in fighting this virus". The Prime Minister also slammed those who disregarded social distancing practices over the weekend — including those who crowded Sydney's Bondi Beach — telling Australians to "do better". [caption id="attachment_640478" align="alignnone" width="1920"] Bondi Beach is now closed. Maxim 75 via Wikimedia[/caption] The stage one closures, as the above have been called, will be reviewed after one month and will likely remain in place for six months. In Victoria, Premier Dan Andrews has announced the closures will remain in place to at least midnight on April 13. At the moment, schools are not impacted by the closures — except for in Victoria, where school holidays have been brought forward to Tuesday, March 24 — and bottle shops, attached to pubs and clubs, will be allowed to stay open. Restaurants and cafes will also be allowed to continue running as takeaway and delivery only. Even more local closures are likely to be announced this morning in NSW, Victoria and ACT, where statewide shutdowns of non-essential services are being rolled out over 48 hours. While restaurants, cafes and bottle shops are allowed to continue offering takeaway and delivery, you can continue supporting them. We've rounded up some of the spots offering at-home eats in Sydney, Melbourne and Brisbane. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Julia Sansone
A world-first exhibition dedicated to the late Nelson Mandela has opened in Australia, in what would've been the Nobel Peace Prize laureate's 100th year. Travelling exhibition MANDELA My Life runs from September 22, 2018 to March 3, 2019, with Melbourne Museum hosting the most comprehensive collection of the human rights icon's memorabilia ever to be shown outside South Africa. Alongside a huge assortment of artefacts, including the warrants of committal for Mandela's 27-year stint in prison, the exhibition explores his life through a series of film and audio archives. In total, more than 200 pieces from The Nelson Mandela Foundation and Nelson Mandela's private collection are on display, taking up ten galleries. Highlights include an immersive film piece that places attendees in the courtroom as he delivers his 1964 Rivonia Trial speech against apartheid, a seven-metre-long projection wall that charts his journey through childhood, and a gallery filled with small cell-like rooms based on his time in prison. Visitors can also relive the events of Mandela's first day of freedom in 1990, view a selection of the colourful patterned 'Madiba shirts' he was known for wearing, and see the signed boxing glove gifted to Mandela by Muhammad Ali. In addition, MANDELA My Life includes 16 original artworks by South African artist John Meyer, each of which depicts an event from or theme of Mandela's life. An exhibition within the exhibition, it features renderings of Mandela's childhood in Qunu, his years as a dedicated lawyer in 1950s Johannesburg, his time in jail and and his post-release achievements. Victorian Minister for Tourism and Major Events John Eren said that Melbourne's hosting of the centenary exhibition was a huge win for the city. "Nelson Mandela fought every day for freedom, love and human rights — changing the world and making it a better place," Eren said. "We're proud this exhibition is making its world debut in Victoria, continuing Mandela's incredible legacy and reminding us all that it's in our hands to make a difference." MANDELA My Life is supported by the Nelson Mandela Foundation, which is the custodian of most of the revolutionary's personal photographs, documents and memorabilia. After premiering in Melbourne, the exhibition will embark on a world tour of up to 20 cities, expected to be seen by as many as 2.7 million visitors globally. MANDELA My Life is on display from September 22, 2018 to March 3, 2019 at Melbourne Museum, 11 Nicholson Street, Carlton. For tickets and more information, visit the exhibition's website. Images: 'Father of the Innocents' from the series 'Mandela, A Life's Journey' by John Meyer / Keith Bernstein / Jon Augier, Museums Victoria/
Your next road trip through southern New South Wales has gained seven additional stops, all filled with eye-catching pieces of art. Spanning 100 kilometres, and created in response to 2019–20's Black Summer fires, the Snowy Valleys Sculpture Trail now sprawls across the region. It showcases more than 25 giant works by Australian and international artists, all thanks to the team behind Bondi's Sculpture by the Sea. One celebration of sculptures has never been enough for this crew, which also runs another Sculpture by the Sea in Cottesloe in Western Australia each year. Now, instead of heading west or making a date with Bondi's pop-up pieces of art — with both events only running for a short period each year — art lovers can explore a super-scenic part of the country whenever they like. Officially launched on Thursday, May 5, the Snowy Valleys Sculpture Trail is a permanent attraction — all dotted along a backroad from Sydney and Canberra to Melbourne. Your specific destinations: the towns of Adelong, Batlow and Tumbarumba; the hamlet of Tooma; and the Tumbarumba wine region cellar doors at Courabyra Wines, Johansen Wines and Obsession Wines. That's where the 25-plus sculptures now sit in seven specific locations, including a one-kilometre trail-within-the-trail at the Adelong Creek Walk, more along Pioneer Street in Batlow, three stops in Tumbarumba, one at Tooma and some between the latter two spots. You'll also find more at the northern entrances to Batlow and Tumbarumba, welcoming you into both towns. Exactly what you'll spy where is best discovered by driving along the trail yourself — but human-shaped figures, abstract shapes, chimneys, hanging teardrops and more all make appearances along the route. That lineup of pieces hails from impressive art names, too. New South Wales' own Michael Le Grand, Philip Spelman, Harrie Fasher, Stephen King and Elyssa Sykes-Smith are featured, alongside Japanese artists Haruyuki Uchida, Keizo Ushio and Takeshi Tanabe — and Keld Moseholm from Denmark, Milan Kuzica from Czech Republic, and Jennifer Cochrane, Norton Flavel and Ron Gomboc from Western Australia. The list goes on, also spanning eye-catching works by artists from New Zealand, Slovakia and South Africa. The aim, as well as giving tourists plenty to see: helping the communities featured recover after the bushfires, attracting visitors from across Australia and showcasing the region. And it's a fitting year for the Sculpture by the Sea to launch something new, too, given that 2022 marks 25 years since the event first launched at Bondi in 1997. Find the Snowy Valleys Sculpture Trail along the Snowy Valleys Way in southern New South Wales. For more information, head to the trail's website.
Sculpture meets spectacle and acrobatics meets outdoor art when Bleach* 2024 arrives. The annual Gold Coast festival has announced its latest program, aka the feast of 110-plus performances that'll fill the Glitter Strip this winter, with Playbook among its standouts. One of several shows by circus company Gravity & Other Myths, it uses people and light to create an immersive piece about connection and life's franticness, and it's a firm reasons to head to the fest's North Burleigh hub. Each year, Bleach* makes the most of being a coastal event by setting up shop at North Burleigh, and will do so again in 2024 from Thursday, August 1–Sunday, August 11. Attendees will also kick off the festival with the First Light opening service at the same spot, this time showcasingf vocalist Mohini Cox and four-piece band The Snack. Ten, a new performance by dance company The Farm, is also on the bill. So is The Walking Track, a suite of six performance works curated by Indigenous dance group Karul Projects, which are designed to be experienced along the Burleigh Esplanade. When you're not spending Bleach* by the water, the festival's three other hubs await: at HOTA, Home of the Arts, the Broadbeach Cultural Precinct and in the Tallebudgera Valley. A range of events will fill the first two, while the third will take you to a 20-acre Gold Coast hinterland spot for three-hour show Slow Art — Sounds of the Valley. Featuring pianists Karl S Williams and Erik Griswold, percussionist Bree van Reyk and singer Christine Johnstone, the performance plays out amid the greenery as 30-minute mini concerts, complete with picnics by HOTA's Palette Restaurant. Back at HOTA itself, Gravity & Other Myths wants audiences to peer at The Mirror, which uses an LED wall and cameras on selfie sticks to ponder what entertains us and why screens are such a focus. Or there's Fourteen, Shake & Stir Theatre Co's stage adaptation of Shannon Molloy's memoir about being a queer teenager at an all-boys Catholic school; Locked In, with Shock Therapy Arts stepping into the shoes of someone with locked-in syndrome; and rockers Selve unveiling part of their visual album Red Desert Dream. [caption id="attachment_961242" align="alignnone" width="1920"] Andy Phillipson[/caption] In Broadbeach, music is a highlight. The hub's tunes will again echo from a floating 15-metre stage, whether 100 Pasifika voices are forming a community choir or the Queensland Conservatorium Griffith University Brass Orchestra is picking up their instruments. Gravity and Other Myths is also back again, this time with Us and All of This featuring 100 local dancers. And if you'd like to see the Nerang River lit up, River of Gold is here to do just that. Across all its 2024 locations, the Bleach* lineup continues, including with live tunes free by the beach in North Burleigh from Friday–Sunday, a daily outdoor bar in Broadbeach, and both a series of two-person performances heroing Lucy Guerin and an installation built from 21 screens that steps through 21 years of her past works. [caption id="attachment_961243" align="alignnone" width="1920"] Art Work Agency[/caption] In total, the 110-plus performances will spring from more than 30 shows — eight world premieres among them — boasting over 400 artists. "It's an incredible privilege to be delivering the 13th Bleach* festival for the City of Gold Coast. The program is full of heart, full of soul and has place, this place, our place, the Gold Coast, at its core," said Artistic Director Rosie Dennis. "With a program full of free performances in Broadbeach and North Burleigh as well as a Bleach* HOTA takeover and a special 'slow art' concert series in Tallebudgera Valley, I encourage everyone to brace the winter chill and immerse themselves in this year's festival." [caption id="attachment_961246" align="alignnone" width="1920"] Shuttermain[/caption] [caption id="attachment_961245" align="alignnone" width="1920"] Gregory Lorenzutti[/caption] [caption id="attachment_961244" align="alignnone" width="1920"] Lindsay Moller Productions[/caption] [caption id="attachment_786592" align="alignnone" width="1920"] Art Work Agency[/caption] Bleach* 2024 runs from Thursday, August 1–Sunday, August 11 at various locations around the Gold Coast. For further information, head to the festival website. Top image: Gravity & Other Myths.
As the country that gave the world Cate Blanchett, Nicole Kidman and Margot Robbie, to name just a few world-famous Aussie actresses owning the silver screen in recent years, Australia is no stranger to celebrating formidable women in cinema. It tracks, then, that the country's national centre devoted to moving pictures — aka the Australian Centre for the Moving Image in Melbourne — has curated a world-premiere exhibition dedicated to femininity across film history. Girls to the front at this six-month-long showcase, with Goddess declaring its affection for ladies of the screen right there in its name. Displaying from Wednesday, April 5–Sunday, October 1, it's both a massive and a landmark exhibition. More than 150 original objects, artworks, props and sketches will grace the Federation Square venue's walls and halls, all championing oh-so-many talented women and their impact upon cinema. [caption id="attachment_882188" align="alignnone" width="1920"] Britt Romstad, 2022, photo by Phoebe Powell. Costume: Kitty (Elaine Crombie) costume, Kiki and Kitty, Australia, 2017, designed by Amelia Gebler, courtesy of Jetty Distribution Pty Limited. Backdrop: Marilyn Monroe on the set of Some Like It Hot, photo by Don Ornitz, © Globe Photos / ZUMAPRESS.com. Image courtesy of ZUMA Press, Inc. / Alamy Stock Photo.[/caption] That lineup includes costumes that've never been displayed before, various cinematic treasures, large-scale projections and other interactive experiences. While exploring the female footprint upon film is an immensely worthy subject, Goddess will also chart how representations of femininity have changed over the years — not just in different eras, but in different places, too — and inspire a rethink of plenty of cinema's memorable female characters. Silent-era sirens, classic Hollywood heroines, unforgettable femme fatales and villains, Bollywood stars, women in China and Japan's cinematic histories: they're all being given the spotlight. Goddess will also dive into provocative on-screen moments from Hollywood's silent days through to today that've not only left an imprint, but also played a part in defining (and altering) what's considered the feminine ideal. Expect an interrogation of how women on-screen have helped to redefine fashion expectations, sparked a boundary-breaking genre and spearheaded the #MeToo movement — and to spend time thinking about how screen culture has shaped societal views of gender. [caption id="attachment_882194" align="alignnone" width="1920"] Blonde Venus, 1932, Marlene Dietrich. Image courtesy of PARAMOUNT PICTURES / Ronald Grant Archive / Alamy Stock Photo.[/caption] ACMI hasn't revealed the full slate of women highlighted, or films, or items that'll be on display, but the details revealed so far are impressive. Think: Marlene Dietrich in 1930's Morocco, Pam Grier's spectacular Blaxploitation career, Tilda Swinton in 1992's Orlando and the aforementioned Robbie via 2020's Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). Plus, Mae West's sky-high heels from 1934's Belle of the Nineties, costumes worn by Geena Davis and Susan Sarandon in 1991's Thelma & Louise (1991) and Michelle Yeoh's fight-ready silks from 2000's Crouching Tiger, Hidden Dragon will also feature. The list goes on, clearly, spanning Anna May Wong, Marilyn Monroe, Laverne Cox and Zendaya as well. And, expect everything from Glenn Close's Cruella de Vil in 102 Dalmatians to the Carey Mulligan-starring Promising Young Woman to get time to shine. [caption id="attachment_882191" align="alignnone" width="1920"] Crouching Tiger, Hidden Dragon, 2000, Yu Xiulian costume.[/caption] "The women of Goddess are bold, rebellious and defiant. Their power is expressed in numerous ways — in what they wear, how they move and the stories they tell," said ACMI Director of Experience and Engagement Dr Britt Romstad, announcing the exhibition. "ACMI's exhibition honours their influence and daring, and explores how they have transformed the face and expectations of on-screen femininity for audiences, time and time again," Romstad continued. [caption id="attachment_882195" align="alignnone" width="1920"] Thelma and Louise, 1991, L-R Susan Sarandon, Geena Davis, © MGM. Image courtesy of Moviestore Collection Ltd / Alamy Stock Photo.[/caption] Goddess will pair its wide-ranging display with soundscapes by Melbourne-based composer Chiara Kickdrum, and also feature a sprawling events program complete with late-night parties, performances and talks — and film screenings, of course. The full program, including guests, will be announced in February 2023, which is when tickets go on sale. Unsurprisingly, the exhibition is ACMI's big midyear blockbuster — and its 2023 contribution to the Victorian Government's Melbourne Winter Masterpieces series, as Light: Works from Tate's Collection was in 2022. After showing in Melbourne for its premiere season, Goddess will then tour internationally, taking ACMI's celebration of women on-screen to the world. [caption id="attachment_882197" align="alignnone" width="1920"] Limehouse Blues (AKA. East End Chant), 1934, L-R Anna May Wong, George Raft. Image courtesy of Everett Collection Inc / Alamy Stock Photo.[/caption] Goddess will display at the Australian Centre for the Moving Image, Federation Square, Melbourne, from Wednesday, April 5–Sunday, October 1, 2023. For more information, and to join the ticket waitlist, head to the ACMI website. Top image: Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, 2020, Margot Robbie, © Warner Bros. Image courtesy of LANDMARK MEDIA / Alamy Stock Photo.
How do you react when part of Brisbane is officially named a suburb? In Teneriffe, you throw a party, which is what locals did back in 2010. It's now 2023 and that shindig is now attracting 45,000 people a year — and, still going strong, the Teneriffe Festival is returning for another year with GANGgajang and Odette among its live music lineup. 2023's event will boast another wide-ranging day of fun, aka the kind of shindig that previous attendees have come to expect. When 10am–9pm rolls around on Saturday, May 27, there'll be tunes, food, markets and more, all helping locals and visitors alike make the most of the bustling locale. This is all familiar news, because the fest had already announced its date for this year; however, now the event has also revealed its roster of onstage talent. There's still a secret headliner to be unveiled, but the bill so far also includes Flowertruck, Felivand, The Moving Stills, Betty Taylor and Dizzy Days, with the crew from The Triffid — they are right there in the neighbourhood — doing the curating. Also hitting Teneriffe Festival's two stages: Kurilpa Reach, Doggie Heaven, Tjaka, Radium Dolls and Ghost Mutt, as well as Neish, Smallest Horse, Melody Graves and The Hokum Redemption and Dave & The Mudcrabs. Between stints of dancing in the street — including the return of the fest's a jazz-fuelled, wine-pouring riverside garden — Brisbanites will be able to sample the area's bars and restaurants, find a feast of from a food truck, hit up a pop-up beer garden overseen by Stone & Wood, then walk around bespoke market stalls. Tickets are now on sale, with an extra incentive: a free drink. Be one of the first 200 people to purchase and you'll score a voucher for a free glass of wine in that aforementioned waterfront spot. TENERIFFE FESTIVAL 2023 LINEUP: GANGgajang Odette Tijuana Cartel Flowertruck Felivand The Moving Stills Betty Taylor Dizzy Days Kurilpa Reach Doggie Heaven Tjaka Radium Dolls Ghost Mutt Neish Smallest Horse Melody Graves and The Hokum Redemption Dave & The Mudcrabs Teneriffe Festival 2023 takes place from 10am–9pm on Saturday, May 27 on Vernon Terrace, Teneriffe, with tickets on sale now.
Blessed be the TV screens — because on April 26, The Handmaid's Tale is back. After becoming 2017's number one must-watch show with its compelling first season, everyone's favourite dystopian drama returns for a new 13-episode round of bleakness. Yes, that means more time trawling through the oppressive society of Gilead and watching women forced into child-bearing servitude, thanks to this grim but gripping adaptation of Margaret Atwood's iconic 1985 novel. It also means once again trying to shake the feeling that this fictional future really isn't all that hard to imagine. Elisabeth Moss putting in another fierce performance, Alexis Bledel stealing every scene she's in, the all-round stacked cast showing why the series won eight Emmys and two Golden Globes: yep, that's all on the agenda as well. It's enough to make you cancel your plans every Thursday night for the next 12 weeks, with this season airing weekly on SBS and SBS On Demand after the two-part premiere. Sure, that means that you can't binge it all in one sitting — but, it also means that your time with Offred and company will last even longer. If you're eager to extend the experience further still, then get a jump start by working through our five pieces of Handmaid's homework. Praise be, obviously. RE-BINGE THE FIRST SEASON It's an easy starting point, we know, but the best way to prepare for the new season is by rewatching the first. Also, it's something else for you to watch if you've already replayed the season two trailer over and over and over again. Scour for clues about what might come next, and come up with theories about Offred's fate; given that the show left audiences with a cliffhanger, there's plenty of questions to ponder. Or, see if there's anything you missed the first time around (like Atwood's early cameo), or introduce all things Handmaid's to your friends that were clearly hiding under a rock last year and somehow haven't seen the show. They're all great reasons to dive back in again, not that you need them when a program is as engrossing as this. As it was last year, the full first season is currently available on SBS On Demand. READ (OR RE-READ) THE NOVEL Maybe you were already a fan of Atwood's 33-year-old book long before the TV version was announced. Maybe you segued from watching the first season of The Handmaid's Tale to devouring the novel. Maybe you meant to get around to pouring over the text (you really, truly did mean to), but life just got in the way. Whichever category you fall into, now is the perfect time to read or re-read the piece of fiction that started it all — and, to set the scene for what might happen in the television program's second outing. As thorough as the first series was, it doesn't include everything that Atwood initially dreamed up. We won't spoil the details, but if you don't have time to stick your nose in the printed tome, here's a rundown. There's also an audiobook version too, if you'd rather listen, as read by Claire Danes. https://www.youtube.com/watch?v=oTnhx_N7nro WATCH A COMPLETELY DIFFERENT TAKE ON THE TALE The Handmaid's Tale that we know and love isn't the only screen version of the story. In fact, if the timeliness, insightfulness and hugely enthralling nature of the show got you thinking "why hasn't the book been adapted before?", well, the short answer is: it has. Back in 1990, German filmmaker Volker Schlöndorff joined forces with poet and Nobel laureate Harold Pinter on an American film based on the novel, starring Natasha Richardson at Offred, Faye Dunaway as Serena Joy and Robert Duvall as Fred. Saying that it's completely different to the current take is quite the understatement, right up there with saying that Gilead isn't the best place to live if you're female. If you're keen to seek it out, it's available to watch on Stan. https://www.youtube.com/watch?v=A-fofQ9VpPQ SEEK OUT LAST YEAR'S OTHER GREAT ATWOOD ADAPTATION 2017 didn't just deliver one adaptation of Atwood's work, but two. Yep, when it rains, it pours, as the saying goes. While Alias Grace didn't attract anywhere near as much attention as The Handmaid's Tale, the Netflix miniseries is definitely well worth your time. Directed by American Psycho's Mary Harron and starring Sarah Gadon (11.22.63), Zachary Levi (Chuck), Anna Paquin (True Blood) and legendary The Fly filmmaker David Cronenberg, the six-part show takes inspiration from famous 19th-century murders. Gadon plays the real-life figure of Grace Marks in this somewhat fictionalised version of true events, with the series exploring a question that has been pondered for nearly two centuries: what was Marks' actual involvement in the crime? GET COOKING Food has special significance in The Handmaid's Tale. No, we're not talking about the "blessed be the fruit" greetings exchanged by handmaids — it refers to the children they're supposed to be bearing, rather than the goods they're often seen shopping for — but, rather, the way it's used to denote status. Handmaids buy it for the household, Marthas prepare meals and the Gilead elite eat fancy spreads while everyone else tucks into something much less appetising. In one first-season episode, for example, a macaron is used to signify the divisive role that food plays, with Serena Joy (Yvonne Strahovski) offering Offred a rare treat. There are plenty more instances where that came from, and it's enough to make you both horrified and hungry. Unsurprisingly, there's no shortage of Handmaid's-themed party menus floating around, but if you whip up something crimson red (cupcakes with red icing are a favourite), then you're on the right track. Or, you could turn your hand to something particularly elaborate. When season two started filming, Elisabeth Moss received a cookie shaped like a music box — something else of significance within the series.
There's no need to try to understand it: John Farnham's 1986 anthem 'You're the Voice' is an instant barnstormer of a tune. An earworm then, now and for eternity, it was the Australian song of the 80s. With its layered beats, swelling force and rousing emotion, all recorded in a garage studio, it's as much of a delight when it's soundtracking comedy films like the Andy Samberg-starring Hot Rod and the Steve Coogan-led Alan Partridge: Alpha Papa as it is echoing out of every Aussie pub's jukebox. Making a noise and making it clear, 'You're the Voice' is also one of the reasons that Farnham's 1986 album Whispering Jack remains the best-selling homegrown release ever nearing four decades since it first dropped. But, as John Farnham: Finding the Voice tells, this iconic match of track and talent — this career-catapulting hit for a singer who'd initially tasted fame as a teen pop idol two decades prior — almost didn't happen. Whispering Jack also almost didn't come to fruition at all, a revelation so immense that imagining Australia without that album is like entering Back to the Future Part II's alternative 80s. Writer/director Poppy Stockwell (Scrum, Nepal Quake: Terror on Everest) and her co-scribe Paul Clarke (a co-creator of Spicks and Specks) know this, smartly dedicating a significant portion of Finding the Voice to that record and its first single. The titbits and behind-the-scenes anecdotes flow, giving context to a song almost every Aussie alive since it arrived knows in their bones. Gaynor Wheatley, the wife of Farnham's late best friend and manager Glenn, talks about how they mortgaged their house to fund the release when no label would touch the former 'Sadie (The Cleaning Lady)' crooner. Chris Thompson, the English-born, New Zealand-raised Manfred Mann's Earth Band musician who co-penned 'You're the Voice', chats about initially declining Farnham's request to turn the tune into a single after the latter fell for it via a demo. A whole documentary about 'You're the Voice' might've been indulgent even for the biggest Farnham fans — a short doco about its role in the aforementioned Hot Rod needs to be made ASAP, however — but that's not Finding the Voice from start to finish. Stockwell and Clarke take the birth-to-now approach, although they're really building towards Farnham finding that smash, and exploring why it was such a jolt of lightning for the musician's life and legacy. With editors Scott Gray (Mortal Kombat) and Steven Robinson (The Endangered Generation?) stitching together a wealth of archival material, the journey begins in earnest with the plumber's apprentice with the impressive pipes, the novelty track he was never all that fond of, and the immediate success and screaming girls that followed. Pop music history is littered with teenage sensations who didn't enjoy more than one hit song or two, which might've been Farnham's fate; through several pivots and comeback attempts, it did indeed appear his destiny. Finding the Voice doesn't take the pressure down, or avoid the lows before the highs: the singles that charted but couldn't shake the 'Sadie' vibes, the mismanagement before Wheatley, the RSL gigs with bandmates who couldn't play, the lack of interest in the UK and the frequent rejection at home. It doesn't avoid the frustrations before 'You're the Voice' and Whispering Jack gave Farnham more than a touch of music stardom paradise, either, or the yearning to be something other than 'The Cleaning Lady' guy. The film weaves in the then-Johnny's time doing stage musicals, including 1971's Charlie Girl, which started his romance with dancer and his now wife-of-five-decades Jill. It steps through his Little River Band era, and the passion and statement of intent resonating in their Farnham-sparked tune 'Playing to Win'. In addition to its ode to its namesake, Finding the Voice was always going to double as a trip through Aussie rock history as well as a homage to former The Masters Apprentices bassist Glenn Wheatley, who died in 2022 due to COVID-19 complications ‚ and it's a balancing act that's handled expertly. Many a music biodoc has mined untold treasures from bygone footage and the shared memories that go with them, a format that Finding the Voice doesn't challenge. The unearthed clips also survey a glorious range of hairstyles — the famous golden flowing 80s mullet is merely one, the five-time TV Week King of Pop era gifting others — while context comes via family, friends, colleagues and admirers offering their thoughts and recollections. After Glenn's passing, Gaynor proves a key source, also illuminating her role in both Farnham and her husband's careers. Jill Farnham and sons Robert and James assist with fleshing out the man behind the mane and music, with Farnham's children noting how sheltered they were from his tough times. And singing his praises? Jimmy Barnes and Daryl Braithwaite, neither voicing any envy — yes, this is briefly a Farnsy-and-Barnsey flick — plus everyone from Celine Dion and Robbie Williams to Richard Marx and Olivia Newton-John. The one that Farnham always wanted professionally — and wanted to emulate the Grease star's overseas triumphs — Newton-John joins Finding the Voice's chorus via voiceover only. Given her death in 2022 as well, the documentary is also a tribute her way without stealing the spotlight from its main figure. With Farnham's own recent health battles with cancer and a respiratory infection well-documented, he too is only heard recently and seen via materials from across his career. That might've left a gaping hole at the movie's middle, but Stockwell ensures that it never feels like a lost opportunity. Cannily, not pointing the camera the 'Age of Reason', 'Two Strong Hearts', 'Chain Reaction' and 'Burn for You' singer's way helps the filmmaker be judicious with her talking-head interviews, and find freedom beyond merely making a hagiography or a glossily authorised bio. It also reinforces two core contrasts: that great music is eternal, but even superstars are only flesh and blood; and that the tunes that last seem like easy hits, but so often spring from a lifetime of hard work. Accompanying the blast-from-the-past visuals, the adoring-but-never-fawning discussions and the exhaustive then-till-now chronicle is the expected stacked roster of Farnsy hits. Finding the Voice was never going to sit in silence, and nor has anyone who has ever heard 'You're the Voice'. Among its astute choices, the film also veers into concert footage — and seeing the power ballad performed by a leather pants-clad, sleeveless tank-wearing, unmistakably sweaty Farnham in pre-unification West Germany, one of the two countries beyond Australia where it reached number one on the charts (the other: Sweden), is a pure seeing-is-feeling moment. How long can we appreciate this Aussie icon? Always, as long as we're all someone's daughters and sons, as the triumphant and insightful Finding the Voice understands.
Part of Bowen Hills' ever-expanding King Street precinct, Il Verde has become the inner-city area's unofficial home of all things cheesy. Think pasta tossed around in a wheel of parmesan, gooey raclette and the aptly named twice-weekly combination of both: Death by Cheese. And, then there's the Italian joint's signature four-cheese dish, which serves up pasta with melted grana parano, in a cream sauce filled talegio, plus soft montasio and provolone. If just reading about it has your tastebuds salivating, then you'd best sit down: for National Cheese Day, Il Verde are giving away 200 takeaway servings of this cheesy extravaganza for free. Arrive at midday on Monday, June 4 to make all your four-cheese pasta dreams come true without spending a cent — but it you can't make it during the day, then drop by for dinner for something extra special. That's when the restaurant is premiering its new offering, aligot, as part of a quatro formaggi meal for $55. As well as a four-cheese linguine entree, cannoli for dessert and a glass of wine, you'll be among the first in Brisbane to try this combo of melted cheese and mashed potatoes, all blended together, then drizzled over a house-made sausage.
Brisbane's riverside dining and drinking scene just reclaimed a beloved favourite: the reopening Riverbar + Kitchen. For the past ten years, the Eagle Street spot has been an easy go-to for drinks by the water, and with a view of the Story Bridge. Out of action since late-February due to the city's floods, the Solotel and Matt Moran co-owned venue has now started welcoming patrons back in. From Wednesday, October 19, Riverbar + Kitchen is back doing what it always has: serving up bites to each and beverages by the old brown snake. It took eight months to get the venue up and running again after it was fully submerged during the flooding — with just the tops of its yellow-and-white striped umbrellas sticking out of the water — but now the bar is back with a Miami Beach shack look and a new menu. "To rebuild from a completely blank canvas has been amazing – it's a great refresh, a reinvigoration of what it used to be with a newer design, new branding and an elevated concept," says Moran. Still nestled into Riparian Plaza's promenade level, where it first opened a decade ago, the new-look Riverbar + Kitchen now sports bright hues and white-washed wooden features, but one thing has definitely remained the same: those brollies. Menu-wise, the new all-day menu includes eggs benedict, house pasties, buttermilk pancakes and honey-roasted granola for breakfast; then spanner crab spaghetti, cheeseburgers and chargrilled cauliflower for lunch and dinner. The latter selection also covers grilled half-shell scallops, Moreton bay bug sliders, kingfish crudo and a range of pizzas, plus a Buderim ginger tart for dessert. That culinary range heroes locally sourced seafood, plus plenty of fresh local produce in general. As for the refreshed drinks list, it features sips by the glass and jug. Brunch service — booze included — starts at 10am daily, with new cocktails such as 'Rome Away From Rome' (with wild rosé, Campari and grapefruit), 'Wham Bam Jam' (Bombay Bramble Gin, strawberry jam, rose and a shiraz float) and 'Is This Mai Tai?' (Bacardi Blanca, raspberry and no.8 rums, triple sec, falernum, pineapple and yuzu). As for those tipples to share, that's where 'Cherry Pie' (Sailor Jerry, cherry heering, cranberry, orgeat, lime and soda) and 'A Walk in the Tropics' (42 Below Vodka, peach, passionfruit, mint, moscato and soda) come in. Find Riverbar + Kitchen at Riparian Plaza, Promenade Level, 71 Eagle Street, Brisbane — open 7am–12am daily.
Wes Anderson is partial to a few things. Bill Murray. Primary colours. Owen Wilson. Folk music. Natalie Portman's bottom. And overhead shots, to name but a few. Here, all of the auteur's beautifully crafted bird's eye views have been compiled into one stylish montage, featuring scenes from films including The Royal Tenenbaums, The Darjeeling Limited and The Life Aquatic with Steve Zissou. [Via Best Week Ever]
Can you feel a tingling in your toes as your feet start to defrost? That's the feeling of winter slipping away, or maybe you've been sitting cross-legged for too long. Either way, with the cold weather fading into the past for another year comes the return of a warm-weather favourite: Australia's beloved Moonlight Cinema. Ahhh balmy nights on the grass, we have missed you. Heralding the arrival of the sunnier months, Moonlight Cinema is a summertime tradition that will make its usual annual comeback at the end of 2022, then roll into 2023. As it always does, it'll hit up screens in Sydney, Melbourne, Adelaide, Brisbane and Perth for a few months of movies in the open air, under the stars and soaking in another Aussie summer. Nosh-wise, Moonlight Cinema will again let you BYO movie snacks and drinks (no alcohol in Brisbane, though), but the unorganised can also enjoy a plethora of bites to eat from food trucks — perfect, messy treats made for reclining on bean beds. The overall season runs from November through to March, although it varies city by city. As for what'll be screening, expect to hear what's on the bill closer to the outdoor cinema's return for the year — before the season kicks off in Brisbane and Sydney on Thursday, November 24, obviously. And, while the 2022–23 locations haven't yet been confirmed, Brisbane's season tends to pop up in Roma Street Parkland, Sydney's in Centennial Park, Perth's in Kings Park and Botanic Garden, Adelaide's in Rymill Park and Melbourne's in the Royal Botanic Gardens. MOONLIGHT CINEMA 2022–23 DATES Brisbane: Thursday, November 24–Sunday, February 19 in Roma Street Parkland Sydney: Thursday, November 24–Sunday, March 26 in Centennial Park Perth: Friday, November 25–Sunday, March 26 in Kings Park and Botanic Garden Adelaide: Thursday, December 1–Sunday, February 19 in Rymill Park Melbourne: Thursday, December 1–Sunday, March 26 in Royal Botanic Gardens Moonlight Cinema kicks off in November 2022, running through until March 2023. For more information, visit the cinema's website — and we'll update you with program details when they're announced.
If you live with your significant other, it's likely you've already reached the stage where you dine together in PJs with unwashed locks and something distracting playing in the background. And while there's no shame in being comfortable, perhaps you'd like to bring a sense of occasion back to your date nights? And, if you're visiting your date for dinner, maybe you'd like to take the pressure off your partner by ordering takeaway for one night during lockdown. While ordering-in share dishes like tacos, curries and decadent desserts will bring you both back to the dining table for some all-important eye contact time and fresh conversation (we bet your chat game is starting to dry up), you might want to spice things up a little more. If you usually reach for a white wine to pair with your takeaway pizza, or a beer to wash down those dumplings, we've got some more unexpected drinks to match with your meals. We've teamed up with Pernod Ricard to bring you four at-home dining suggestions that you can order (booze included) to your door, so you can pop that well-worn cookbook back on the shelf and try your hand at boozy iced tea or whisky highballs next time date night rolls around. [caption id="attachment_744418" align="alignnone" width="1920"] Baja[/caption] SHARE CITRUSY-SWEET TACOS AND BOOZY ICED TEA You may not be able to plan a casual weeknight date at one of your favourite Mexican restaurants right now, but you can recreate the experience at home. Instead of cracking into a tropical lager to knock back with your fiesta-worthy feast, try making a jug of spiked iced tea that you can share along with a selection of meaty or vegetarian tacos. Include a squeeze of lime or a side like pineapple salsa, as the citrus pairs particularly well with the zesty fruit flavours of a single malt whisky in that iced tea. What to order: In Melbourne, you can get Mamasita's DIY taco packs via Mr Yum with prawn, jackfruit and barbacoa beef options, or El Sabor's nachos and burritos via Deliveroo. In Sydney, order the chargrilled chicken or beef brisket tacos from Mejico via Deliveroo, or takeaway vegan and gluten free cauliflower or stir fried oyster mushroom corn tortillas from Bad Hombres. Brisbane's The Burrito Bar has pulled pork, steak and crispy fish tacos, which you can order in from Deliveroo, or swing by Baja, which has takeaway set up for its Mexican-inspired menu. Pair with: The Glenlivet Founder's Reserve and T2 Iced Tea. Order a packet of Packs a Peach loose leaves as it creates a fruity cocktail that's naturally sweet, so there's no need to add sugar. [caption id="attachment_745926" align="alignnone" width="1920"] Mary's Burgers by Nikki To[/caption] PAIR A JUICY BURGER WITH WHISKEY DRY AND LIME Just because it's date night, doesn't mean you have to use cutlery. If you're feeling the call of comfort food, and want to move onto that episode of Unorthodox without having to stack the dishwasher, make your date night feed a handheld treat. Order a couple of new-to-you burgers and go splitsies, that way you can taste-test beyond your go-to patty and (as no one else is around to judge you) go large on the sides. A simple whiskey cocktail, such as a classic ginger and lime mixer, helps cut through the fat with a refreshing aftertaste. What to order: In Brisbane, you can order a wagyu or soft shell crab burger from Yuzu Burger and Co in Milton, or a vegan and gluten free Biggie from Lord of the Fries, both on Deliveroo. In Melbourne, you can get Huxtaburger's Andrew (grilled or fried chicken, bacon, cheese, jalapeños) for $14, or Royal Stacks has its Prince Harry, Queen Bey or Regina George patties — both available on Deliveroo. In Sydney, Ume Burger is slinging its karaage, fish katsu and cheeseburgers to your door, as is Mary's with its signature beef patties, plus mushroom and chicken options. Pair with: a highball glass of Jameson Irish Whiskey, dry ginger ale and a wedge of lime. [caption id="attachment_728897" align="alignnone" width="1920"] Colonel Tso's cauliflower at Daughter in Law by Peter Tarasiuk[/caption] COSY UP WITH CABERNET SAUVIGNON AND A CURRY Feeling that wintery chill? Warm yourself from the inside out with an elegant Indian takeaway. Though a cold beer or creamy lassi is a more traditional pairing for a spicy subcontinental feed, you might want to try matching a fruity, full-bodied red wine with a mild lamb-based curry, such as rogan josh. The backbone of tannins and subtle oakiness makes for a wine you can take from the dining table to the couch after your belly-warming banquet. What to order: In Sydney, Indu delivers a Kashmiri-style lamb shoulder curry, and Darlinghurst's Malabar has lamb shank rogan josh as well as a creamy lamb khurumah made with cashew nuts and a touch of mint. In Brisbane, Halims Indian Taj Restaurant has madras, vindaloo, nariyal and korma, which can all be made with lamb as the hero ingredient. All three of which can be ordered to you door via Deliveroo. And, in Melbourne, you can get Daughter in Law's Kashmiri-style lamb rogan josh (or its famed Colonel Tso's cauliflower dish, pictured), or lamb biryani from Mukka in Fitzroy. Pair with: a bottle of St Hugo Coonawarra Cabernet Sauvignon — expect mint and blackcurrant aromas with a silky mouthfeel. [caption id="attachment_716965" align="alignnone" width="1920"] Lukumades[/caption] INDULGE IN PLAYFUL CHOCOLATE DESSERTS AND GROWN-UP HIGHBALLS If you're snatching meals between Zoom calls, or bickering over whose turn it is to do the supermarket run, it's possible that you've lost some childlike joy in your day-to-day life with your partner. We get it — there's a lot to juggle right now. To bring back some of that fun and frivolity, make your date night especially decadent with a chocolatey dessert (or, forget the mains altogether). If a boozy nightcap is in order, match your malty or dark, bitter chocolate snacks — such as a warm chocolate brownie — with a whisky highball. The spirit's nutty and vanilla flavours are a grown-up complementary tipple to your otherwise nostalgic sugary snack. What to order: In Melbourne, go all out with handmade Greek doughnuts from Lukumades, including oreo, twix and tella classics. In Brisbane, Cakes & Sh!t has oreo cheesecake and double choc brownies with toasted marshmallows. Sydneysiders and Melburnians can stock up on Koko Black choccies, and diners in every city can have Gelato Messina's tiramisu tarts delivered to your door. Pair with: a classic highball made with Chivas Regal Extra, which has a toffee and milk chocolate flavour. Right now, Pernod Ricard is offering a $10 Deliveroo voucher for every $50 spent on a select range of its wine and spirits — bought online or in-store at its partner liquor stores. Find out more, here. Top image: Bad Hombres.
An unassuming Brunswick silo has become a towering new mural showing New Zealand Prime Minister Jacinda Ardern embracing a Muslim woman. But the large-scale artwork has also rustled up plenty of controversy, with backlash over the depiction of a foreign leader, rather than a local. The original photo of an emotional, hijab-clad Ms Ardern was taken as she comforted members of Christchurch's Muslim community, following the March 15 terror attacks on two of the city's mosques. Captured by New Zealand-based photographer Hagen Hopkins, it's since become an iconic image, reproduced in various large-scale iterations across the world. Locally, a GoFundMe page drummed up $11,000 — in a single day — to fly renowned street artist Loretta Lizzio to Melbourne, so she could capture the image in paint, on the side of the 25-metre-tall Tinning Street silo. Any extra money has gone to supporting the attack victims' families, through the Christchurch Shooting Victims' Fund. Having lived and worked in Melbourne previously, Lizzio is a renowned artist and muralist whose work has appeared everywhere from Vancouver and New York, to London. She donated nine days of her time to creating the project, which was completed last Sunday. While the silo is privately owned and the project had full the support of its owner, it still managed to cop a bit of backlash. Some locals aren't on board with the idea of using the large-scale work to reference an attack that happened overseas, instead of something more locally focused. One Change.Org petition had 14,696 signees calling for the mural to be stopped, citing its so-called irrelevance to the Melbourne community. https://www.instagram.com/p/Bxeo-irAmLN/?utm_source=ig_web_copy_link On her latest Instagram post for the mural, the artist shared her own views on the matter, in response to one of the critics. "Appreciate the feedback, though this has everything to do with Aus, as anywhere in the world," she writes. "Hate crimes are a global issue... This particular project is about love and acceptance of all that call Aus home no matter your background." Loretta Lizzio's mural of Prime Minister Jacinda Ardern is located at 20-24 Tinning Street, Brunswick.
Just how many finished cigarettes have been stamped out on the footpath, or casually flicked into the gutter? According to Greenbutts, no less than 4.5 trillion annually. And while these trillions of cigarette butts (typically made from cellulose acetate) are technically biodegradable, they take between 10 and 15 years to decompose. In 2006, cigarette butts amassed to 24.7% of the rubbish collected during the International Coastal Cleanup. Greenbutts has introduced a 100% natural alternative to traditional, chemical-laden cigarettes. Greenbutts' cigarette filters are composed of plant seeds, natural flax, cotton and de-gummed hemp, all bound together by natural starch and water. When covered by a thin layer of soil, discarded Greenbutts will sprout into flowers: a much lovelier and eco-friendly sight than a squashed butt. [Via Lost At E Minor]
The Ironmen of Cooking are here. Here. Reppin' Australia's '90s love for the glorious, glorious competitive Japanese cooking show, two of the original Iron Chefs have landed in Melbourne for an epic cooking battle, one the public can eat for a cheeky $380 per person. Could be a publicity stunt for Iron Chef Australia, which was cancelled at the end of its first season in 2010. Could be (is) a KIRIN thing. Could just be a hair-brained jaunt from the Japanese TV crew. Either way, Kitchen Stadium has been left behind for Melbourne's RACV City Club this week. Over two nights on February 14 and 15, the mighty Iron Chef Hiroyuki Sakai (reppin' all things French cuisine, winner of 70 ICs) and Iron Chef Masahiko Kobe (the Don of Italian Iron Chef cooking, but winner of only 16 ICs) will take the stage with the son of Iron Chef Kenichi Chen (the once-master of IC Chinese cooking and winner of 66 ICs), banding together to cook up one monster of an Iron Chef feast. The theme ingredient? Australian local produce. Yep, it's more vague than river eel, summer corn or Alaskan king crab, but they're keeping it geographically-themed. Held over two sittings, the Iron Chefs will be chopping, mincing and frying up seven courses. According to Good Food, the menu's main focus will be pretty seafood heavy — spanner crab, ocean trout — alongside local duck. Paired with sake and Aussie wines by executive sommelier Masahiko Iga, the seven-course dinner is already well sold out — even with that $380pp price tag. It's not clear whether the legendary commentator Yukio Hattori (or his straight-up boss Canadian dub counterpart Scott Morris) will be in attendance to point out every last heroic detail, or whether the immortal, ever-dramatic host Takeshi Kaga will be there to kick off the proceedings. If you're wondering whether your face will end up on Japanese TV, it probably will — the Iron Chefs have brought an entire Japanese media entourage with them, as the battle will be televised. While tickets for the event have indeed sold out, you can peruse this list of every last Iron Chef ingredient ever featured or watch this SEA CUCUMBER BATTLE: Via Malay Mail and Good Food.
Ah, gluten. Scourge of coeliacs, this humble wheat protein has been making life difficult for as long as we've been eating sliced bread. But fortunately for all the folks out there with gluten intolerances, VEND Marketplace in Virginia will be a gluten-free zone for two days — again. After a first run back in February, this Gluten-Free Festival returns from 8am–2pm on both Saturday, May 27 and Sunday, May 28. On the menu: mobile food vendors setting up their stalls and rolling in their trucks to sling tasty treats without a single bit of wheat, rye or barley in sight. At the debut fest, SoCal Tacos, The Dagwood Dog Guy, King of the Wings and Big J Woodfired Pizza were among the eateries making an appearance, alongside OMG Donuts, Roll It Ice Cream, Golden Churros and Mama Mac's Macarons — and others. There'll also be a number of stalls selling a variety of gluten-free products to take home, so you can stock your pantry as well. The dog-friendly event will let you take advantage of VEND's usual 130-plus small businesses, too, for a stint of shopping with your gluten-free eats. Entry is free, but reserving a spot online is recommended.
