We're almost halfway through 2022 but Brisbane is just getting warmed up. There's a jam-packed schedule still to be enjoyed, from new gallery exhibitions and boundary-pushing immersive art experiences to international sporting events and the return of pandemic-postponed festival celebrations. This year, the Queensland capital will continue to attract world-renowned creators and performers while spotlighting the best local talent, too. The biggest food festivals are still to come — serving up the best of southeast Queensland on a platter — as well as a brand new brew fest that's exclusive to Brisbane. Adrenaline junkie? Football fanatic? Culture vulture? Fervent foodie? Here are nine must-do events happening in Brisbane in 2022.
Bustling local markets are a thriving part of Tropical North Queensland. In the Atherton Tablelands, the Yungaburra Markets are held on the fourth Saturday of each month (except December, where they are held on the third Saturday). Here, you can expect loads of local produce and unique handmade crafts in the quaint mountain village. Port Douglas has markets held twice a week. On Wednesdays, they're held on the marina boardwalk from noon until sundown and feature entertainment from local musicians. Then on Sundays, a slightly larger market runs weekly from 8am until 1.30pm at Market Park and ANZAC Park. These Sunday markets are in a particularly stunning location, with stalls perched between palm trees and backdropped by sweeping ocean views. Further south, the Mission Beach Markets are held on the first and third Sunday of each month with a bumper edition (the Monster Market) held on the last Sunday of the month from Easter until November. Here you'll find local crafts, food stalls and curated antiques in a shady beachfront park. In Cairns, the Tanks Market is held on the fourth Sunday of the month between April and November (excluding August). Running from 9.00am to 2.00pm, you'll be able to discover local art, vintage clothing, natural health remedies and more. Image: Tourism Tropical North Queensland.
Sold out shows and chaotic scenes at in-store signings are all in a day’s work for Australian rapper 360. As part of his current tour, The Flying Tour, ‘Sixty’ will play his second Brisbane show this coming Monday 11 June. For 360, 2012 has been one success after another. He has graced the cover of Triple J Magazine, had a top 5 Aria album, platinum single and playtime across the major Australian radio networks. The Hi-Fi will host 360’s two Brisbane shows. Despite having more than enough fan interest to hold his shows in stadium-sized venues, 360 looked to reward his devoted fan-base with the opportunity to get up close and personal. Indie-darling Gossling will join 360 onstage to sing her part in the summer-hit “Boys Like You” and Hermitude and Bam Bam will open the show. Judging by 360’s recent successes, Monday’s show is sure to impress.
As all good things should, the 2022 Brisbane International Film Festival will start with an ode to Dolly Parton. Yes, that's literally just the beginning of its stacked lineup for this year. Doing the opening-night honours: Australian comedy Seriously Red, which sees writer/star Krew Boylan (A Place to Call Home) play a Parton impersonator striving to take Dolly's wisdom to heart. "Find out who you are and do it on purpose" is one of Parton's pieces of advice quoted in BIFF's first flick for 2022 — and Brisbane's major annual cinema showcase has been living that idea now for three decades. Indeed, to celebrate that milestone, the fest will also screen the movie that launched the very first BIFF: Baz Luhrmann's Strictly Ballroom, in its newly restored guise. That said, the 2022 festival marks BIFF's 28th thanks to a chaotic few years — after the event was unceremoniously cancelled after its 2013 fest in favour of the short-lived Brisbane Asia Pacific Film Festival, then revived by Palace Cinemas in 2017, and then run by the Gallery of Modern Art from 2018–20. As it did in 2021, it now sits under Film Fantastic, who also organise the Gold Coast Film Festival, with the organisation amassing a 120-film program for its second spin at the helm. That hefty number, eclipsing 2021's 103-movie lineup, is comprised of 79 features — including 21 from Australia — and 41 shorts, covering films hailing from 34 countries. Also, Brisbane cinephiles will watch eight world premieres and 23 Aussie premieres between Thursday, October 27–Sunday, November 6, including a range of big-name festival-circuit favourites arriving Down Under fresh from debuting at fests such as Venice and Toronto. Among those highlights: the Cate Blanchett-starring Tár, which saw the Australian Nightmare Alley and Don't Look Up actor pick up the Venice International Film Festival's Best Actress award for playing a classical composer; fellow Venice-winner The Banshees of Inisherin, an Irish-set drama that nabbed filmmaker Martin McDonagh (Three Billboards Outside Ebbing, Missouri) the best screenplay gong and lead Colin Farrell (After Yang) the Best Actor award; and She Said, with Carey Mulligan (Promising Young Woman) and Zoe Kazan (Clickbait) as the two New York Times reporters who brought Harvey Weinstein's abusive history to public attention. Or, there's 80s-set coming-of-age story Armageddon Time, featuring Anthony Hopkins (The Father), Anne Hathaway (Locked Down) and Jeremy Strong (Succession), and written and directed by Ad Astra and The Lost City of Z's James Gray; this year's Cannes Film Festival Palme d'Or-winner Triangle of Sadness, directed by Force Majeure's Ruben Östlund and his second Palme winner after The Square; and Broker, the latest from acclaimed Japanese filmmaker Hirokazu Kore-eda, who received the Palme d'Or back in 2018 with the sublime Shoplifters. Belgian drama Close, which follows two 13-year-old boys and shared Cannes' Grand Prix prize, comes to BIFF after also winning the 2022 Sydney Film Festival Prize — and Afrofuturist musical Neptune Frost does the same after taking out the Melbourne International Film Festival's inaugural $140,000 Bright Horizons Award. Also on the bill sits Aftersun, led by Normal People's Paul Mescal; New York-focused music documentary Meet Me in the Bathroom; the Berlinale Silver Bear Grand Jury Prize-winning The Novelist's Film by South Korean filmmaker Hong Sang-soo (The Woman Who Ran, On the Beach at Night Alone); Marcel the Shell with Shoes On, the stop-motion comedy based on Jenny Slate's shorts and books of the same name; and Mister Organ, David Farrier's (Tickled) new doco. Plus, from the fest's weird and wonderful choices, there's Something in the Dirt, the latest mind-twister directed by and starring Justin Benson and Aaron Moorhead (The Endless); wild Filipino genre-bender Leonor Will Never Die; Spanish horror Piggy, a Sundance hit; the Rebecca Hall (The Night House)-starring Resurrection; Rubber and Deerskin director Quentin Dupieux's Incredible but True; and Final Cut, a French remake of Japanese cult hit zombie comedy One Cut of the Dead from The Artist director Michel Hazanavicius. Back to the local contingent, BIFF attendees can check out closing night's Sweet As, an outback-set coming-of-age story written and directed by Indigenous filmmaker Jub Clerc (The Heights) that just won an award in Toronto — as well as Greenhouse by Joost, a documentary about zero-waste pioneer Joost Bakker and chefs Matt Stone and Jo Barrett making a self-sufficient, eco-friendly residence; and the Queensland-shot Black Site, starring Michelle Monaghan (The Craft: Legacy), Jason Clarke (Pet Sematary) and Jai Courtney (The Suicide Squad). Venue-wise, BIFF 2022 returns to a heap of its 2021 locations, screening at New Farm Cinemas, The Elizabeth Picture Theatre, Reading Newmarket, Dendy Coorparoo and GOMA's Australian Cinémathèque — with the latter hosting a 'Flying Fists of Joyce Godenzi' Hong Kong cinema retrospective, as well as a 90th-anniversary live music-backed session of Carl Theodor Dreyer's Vampyr — as well as Dendy Portside and Brisbane Powerhouse. Don't say you don't have anything to watch for 11 days in late October and early November, clearly. The 2022 Brisbane International Film Festival runs between Thursday, October 27–Sunday, November 6. For further information, or to buy tickets, head to the festival website.
Nineties kids, Disney fans and everyone who's ever cried over a lion cub that just couldn't wait to be king, it's time to climb onto a rock and yell your lungs out. The circle of life has struck again, and The Lion King is back. It's in live-action form this time around, and the first full trailer for the new movie has just dropped. Releasing in July, the film will once again tell the tale of Simba, who's set to take over the pride from his father Mufasa, only for his malicious uncle Scar to get in the way. You know where it goes from there — and you'll be hearing the voices of Donald Glover as Simba, Beyoncé Knowles-Carter as his childhood pal Nala, and James Earl Jones as his dad. Yes, the latter is reprising his role from the original film. Other big names attached include Chiwetel Ejiofor as Scar, John Oliver as Zazu, and Billy Eichner and Seth Rogen as Timon and Pumbaa. Elton John is back working on the soundtrack with Tim Rice, as they both did on the first film. They'll reportedly have some help from Beyoncé, naturally, while The Jungle Book's Jon Favreau is in the director's chair for the entire production. If you're anxious about how it might turn out, it's worth taking Timon and Pumbaa's advice at this early stage — although this initial look should help get rid of your worries for the rest of your days. Now, grab the tissues and watch the trailer: https://www.youtube.com/watch?v=7TavVZMewpY The Lion King hits Australian cinemas on July 17, 2019.
Start making Easter plans now: Bluesfest has just announced the first acts on its 2023 lineup. From Thursday, April 6–Monday, April 10, the iconic annual festival will return to Byron Events Farm at Tyagarah for its 34th event — with Elvis Costello, Mavis Staples and Gang of Youths leading the bill. Also heading to northern New South Wales as part of the five-day lineup: Jackson Browne, Tash Sultana, King Gizzard and the Lizard Wizard, Jimmy Barnes with The Barnestormers, and Talib Kweli, GZA and Big Freedia as special guests of The Soul Rebels. As usual, Bluesfest's roster of talent spans a hefty array of music genres — blues and roots, obviously, but also soul, rock, hip hop, R&B and more — with Beth Hart, Buddy Guy, Lucinda Williams, Steve Earle and The Dukes, The Cat Empire and Xavier Rudd also set to take to the stage. Rockwiz Live will be doing its thing, too, in the perfect setting. And, would it be a Bluesfest without Michael Franti & Spearhead? In 2023, you won't need to find out. [caption id="attachment_867502" align="alignnone" width="1920"] Mavis Staples by Myriam Santos[/caption] In total, 41 acts have been announced so far — with more to come, for what organisers are calling "the first original style Bluesfest since the world's borders re-opened". While the fest went ahead in 2022 after two years of pandemic cancellations (and a thwarted temporary move to October for the same reason), it showcased a primarily Australian and New Zealand lineup. With the return of international travel, Bluesfest can welcome top-notch acts from around the globe again. Season tickets are on sale now, alongside VIP tickets, with prices remaining at 2022 levels for the 2023 fest. Day and three-day tickets will follow in the near future, at a yet-to-be-announced date, along with more lineup announcements, plus news of sideshows and two special satellite Bluesfest events in Melbourne and Perth. BLUESFEST 2023 LINEUP — FIRST ANNOUNCEMENT: 19-Twenty The Barnestormers Beth Hart The Black Sorrows Bonnie Raitt Buddy Guy The Cat Empire Chain Christone 'Kingfish' Ingram Elvis Costello & The Imposters Eric Gales Femi Kuti & The Positive Force Gang of Youths Greensky Bluegrass Jackson Brown Jason Isbell and The 400 Unit Joe Bonamassa Joe Camilleri Presents: A Star-Studded Tribute to the Greats of the Blues Jon Stevens Kaleo Keb' Mo' Band King Gizzard & The Lizard Wizard Lachy Doley and The Horns Of Conviction Larkin Poe Lp Lucinda Williams Marcus King Mavis Staple Michael Franti & Spearhead Nikki Hill Robert Glasper Rockwiz Live The Soul Rebels & Friends with Special Guests Talib Kweli, GZA and Big Freedia Southern Avenue Spinifex Gum featuring Marliya Steve Earle & The Duke Tash Sultana Xavier Rudd Bluesfest 2023 will run from Thursday, April 6–Monday, April 10 at Byron Events Farm, Tyagarah. Season passes are on sale now. For further information, head to the Bluesfest website.
Some stories just can't stay away from the screen, and Cinderella is one of them. Filmmakers have been drawn to the fairy tale since the silent era, resulting in beloved animated flicks, playful takes on the tale such as Ever After and Ella Enchanted, and Disney's 2015 live-action adaptation. Arriving next: a new musical that combines glass slippers and pining for a better life with singing, dancing and a fairy godparent named Fab G — with the latter played by Pose's Billy Porter. This version of Cinderella stars singer Camila Cabello as the titular character, while The Craft: Legacy's Nicholas Galitzine plays Prince Robert. Also popping up: Idina Menzel (Frozen II) as Cinders' stepmother, Minnie Driver (Starstruck) and Pierce Brosnan (Eurovision Song Contest: The Story of Fire Saga) as the king and queen, and Romesh Ranganathan (Staged) and James Corden (The Prom) as both footmen and mice. The latter is a producer, too, and came up with the idea for the film, while Pitch Perfect writer and Blockers helmer Kay Cannon sits in the director's chair. Clearly, if a new version of Cinderella doesn't hit the screen every few years, Hollywood must turn into a pumpkin. While musical takes on the tale aren't new — see also: the stage version that's about to hit Australia — this one is set to feature pop songs. So, you'll be seeing Cabello, Menzel and company singing tracks you know, as well as crooning their own new original tunes. Just how that'll turn out will be revealed on Amazon Prime Video on Friday, September 3, with the film originally slated for a cinema release, but then snapped up by the streaming platform instead. In the just-dropped first trailer, there's plenty of songs, colour and also humour. "Do you want to go to that ball?" asks Fab G at the end of the clip, to which Cinders replies: "yes, I was just crying and singing about it like two minutes ago". Check out the Cinderella trailer below: Cinderella will be available to stream via Amazon Prime Video from Friday, September 3. Top image: Christopher Raphael
Since 2011, the LaBoite Theatre Company have been putting together a new series of shows called LaBoite Indie – a platform for independent theatre that provides a nurturing and sustainable environment for independent theatre practitioners to cultivate their work and attract new audiences. The latest in the series of shows being put on at LaBoite is Home; a re-imagining of life portrayed in a unique and enthralling manner. Margi Brown Ash is an experienced actress and theatrical coach who has been a member of the Brisbane theatre scene for many years. Home is a theatrical representation of her life experiences, including her formative high school years in rural New South Wales, the years she spent acting in New York and her work in Australia. Home is being called ‘moving and uplifting theatre’ and hopes to remind us all of the importance and significance of being ‘home’.
Brisbanites are set to fork out a bit extra for their public transport travels, with TransLink announcing it's upping the price of public transport fares by 1.8 percent, from Monday, January 7. Fares have been adjusted in line with inflation, impacting the cost of travelling on trains, buses, ferries and CityCats. The increase will see passengers shelling out between five and 50 cents extra per adult-priced journey across both peak and off-peak Go Card trips, as well as single paper tickets. That means that a one-zone journey will increase from $3.25 to $3.31 in peak times, from $2.60 to $2.65 between 8.30am–7.30pm and 7pm–6am on weekdays and all day on weekends, and from $4.70 to $4.80 whenever you buy a paper ticket. At the upper end of the scale, an eight-zone trip — which'll take you from the CBD to Noosa and Gympie — will jump from $19.61 to $19.96 in peak times, from $15.69 to $15.97 in off-peak, and from $28.40 to $28.90 for paper tickets. Most concession fares will also rise, jumping between two and 30 cents per trip — although, if you happen to be buying a one- or two-zone concession paper ticket, fares will remain at $2.40 and $2.90. Image: Philip Mallis.
If you met a young man with the MTV logo emblazoned across his neck, there are a few assumptions you would probably make. 'This chap is a fan of music television', you might say. Or, 'Surely, at some point in the past, this man had too many drinks too close to a tattoo parlour after reminiscing on highlights of the '90s. What you probably wouldn't deduce is that the character before you runs a YouTube music account with almost 40 million views, that he was a key inspiration for James Franco's latest role as Alien in the Harmony Korine film Spring Breakers or that his mixtapes have garnered applause from Pitchfork, Stereogum and Complex. You definitely wouldn't guess that his soon-to-be-released major label debut, Neon Icon, will feature the likes of Wiz Khalifia, Mac Miller, Drake, A$AP Rocky and Snoop Dogg(/Lion), just to name a few. In fact, instead of gawking, it might be more appropriate to salute respectfully because the young man you've just been introduced to is none other than eccentric Texan rapper RiFF RAFF. Currently on his first Australian tour, the electrifying performer brings his notorious live show to Brisbane this Thursday. Featuring the overblown bling, intelligent rhymes and hilarious antics that have gained him worldwide acclaim, this will be a night for the hip-hop fan with an ear for the weird.
Movement have been making waves for a few months now, earning acclaim for their subtle R’n’B tinged electro masterpieces. Never have vocals and instruments blended so well. 'Ivory' is the latest tune to debut before their first, self-titled EP. Not only is this track great, but the rest are all finely crafted works of art. The trio explore the darker side of the night - the lust, the mistakes, the lonesome introspection and the need for intimate connection. Jesse James Ward, Lewis Wade and Sean Walker are masters of moody atmospherics, but are equally adept at conveying passion and groove as well. The Sydney trio have supported the likes of Darkside, Solange and Rufus and will soon be touring overseas. For now though, they are making their way around Australia and will be stopping in to Black Bear Lodge for a show. Movement will be supported in Brisbane by local electro wunderkind, Tincture. Buy tickets to this show, right now. Also, FYI - their EP has landed and is up for streaming. Do yourself a favour though, listen to it with the lights off.
Time flies when you're obsessing over a big blockbuster fantasy TV series, as HBO's biggest hit of the past decade demonstrates. This April marks ten years since Game of Thrones first hit screens and became a pop culture phenomenon — broadening the world's awareness of George RR Martin's books, pointing out how often Sean Bean meets an untoward end on-screen and delivering more dragon-fuelled drama than anyone ever knew they needed. Keen to celebrate the occasion like you're in a Westerosi tavern? That's an option, all thanks to a new collaboration between Moon Dog Brewing and Warner Bros Consumer Products. The two have joined forces on a new line of GoT beers, so get ready to sip a Breaker of Chains imperial stout and a Watchers on the Wall imperial white ale. The former features chipotle chilli, vanilla and a chocolate finish, while the latter pairs white chocolate with orange and coriander. Winter might be coming, but these brews will be available this month — so, in autumn — with the Melbourne-based Moon Dog pouring them at its Abbotsford and Preston sites from Friday, April 16. The brewery is hosting a launch party in Abbotsford the day before, then dedicating the weekend of April 16–18 to all things GoT in Preston. An Iron Throne will also be onsite, because clearly Moon Dog couldn't pass up the opportunity to let folks sit on one of the most famous chairs there is. [caption id="attachment_744585" align="aligncenter" width="1920"] Moon Dog World, Kate Shanasy[/caption] Lovers of both beer and G0T elsewhere in the country won't miss out on the brews, however, with the two beverages available via the brewery's online store and at craft beer retailers nationwide from Monday, April 19. If you decide to keep some in the fridge so that you can drink it when winter arrives, that's perfectly understandable. And if you're just excited about getting another chance to show your affection for the huge hit series — while you're waiting for the just-announced GOT stage production, and the many TV spinoffs and prequels in the works — that is, too. Moon Dog Brewing's Breaker of Chains and Watchers on the Wall beers will be available from its Melbourne venues from Friday, April 16, and online and in craft beer retailers nationwide from Monday, April 19.
UPDATE, April 7, 2021: Weathering with You is available to stream via Netflix, Google Play, YouTube Movies, Amazon Video and iTunes. To watch as Weathering with You roams around Tokyo, wandering through its alleys and roving beyond its well-known tourist spots, is to almost feel like you're walking through the sprawling city yourself. That's an uncanny achievement for an animated film, however it speaks volumes about the level of detail evident in Makoto Shinkai's first movie since his huge 2016 hit Your Name. The luminous lights, towering structures and Shibuya's famous scramble crossing all feature, rendered as vividly as they demand. Also present: the rows of nondescript buildings that stretch across the Japanese capital, its maze of laneways, the blue vending machines on every block, and everything from everyday cafes to love hotels to small markets. While Weathering with You serves up a mix of romance, fantasy and drama in its narrative, it is fiercely determined to steep even its most fanciful narrative leaps in a realistic setting — and that choice has an impact not just visually, but emotionally. Three years after Your Name became the second-highest-grossing Japanese animated release ever around the globe — a feat that places it behind only Studio Ghibli's beloved Spirited Away — Shinkai's latest film once more ponders love, disaster and whether some things are just meant to be. Like the director's last movie, it also pits star-crossed teenagers against forces outside of their control, and aims for something offbeat yet insightful in the process. Themes of identity and self-exploration bubble to the fore again, albeit without Your Name's body-swap gimmick this time around. Instead, Weathering with You ponders societal and environmental changes, placing its high school-aged protagonists in the middle of both figurative and literal storms. If Hirokazu Kore-eda's Palme d'Or winner Shoplifters swapped actors for anime, added teen relationships and otherworldly elements, and examined global warming as well as life on the Japanese margins, it might actually look like this. Introduced on a boat approaching Tokyo just as a typhoon hits (and just as he's saved from a grim watery end by a stranger), 16-year-old runaway Hodaka (Kotaro Daigo) is a fresh-faced arrival in the big city. He has nowhere to stay, no job and no way to scrape by, failing to even find work in seedy bars or to get a moment's rest behind bins in an alleyway. When he first crosses paths with the orphaned Hina (Nana Mori), she's a fast food employee who gives him a free burger. When they meet again, he saves her from an exploitative new gig. A connection springs, but it's Hodaka's new place of employment that intertwines their fate. Hired as a live-in assistant to the jaunty Suga (Shun Oguri), who runs an occult-focused magazine out of his house, the teen is charged with tracking down people who can reportedly control the weather — and, following an eventful visit to a rooftop shrine during a time of trauma, that's a skill that Hina happens to possess. Writing as well as directing, Shinkai soon tasks his central duo with starting their own business to make the most of Hina's gift. As Tokyo's prolonged spell of unseasonable rain just keeps falling day after day, she brings sunshine to folks needing a reprieve — in small spots, only for short periods and for a fee. Of course, as many a movie has stressed, with great power not only comes great responsibility, but considerable consequences. It's here that Weathering with You starts weaving its various threads together — and although they don't all shine as brightly as the rays that Hina commands, the film still offers a smart and moving contemplation of one's place in, and impact upon, the world. That's true when it's poking into life at street-level and taking the planet's changing weather systems in a drastic direction, and remains the case when it's exploring individual decisions and influential relationships, too. As he did with Your Name, Shinkai packages his tale with an upbeat pace, expressive character animation, delicate voice work and music from Japanese pop band Radwimps, with the group's songs given pride of place across the picture's many montages. Indeed, while the filmmaker helms his sixth movie (with Children Who Chase Lost Voices and The Garden of Words also among his credits), Weathering with You often feels like it's following closely in its immediate predecessor's footsteps. That's where the film's finessed use of detail not only proves pivotal, but makes an immense difference. Its gorgeous frames serve up more than just something vibrant to look at, although they easily tick that box. A strikingly lifelike, never-romanticised vision of Tokyo anchors the narrative's Shinto-inspired spiritual and supernatural leanings. More importantly, it gives weight to both Hodaka and Hina's sizeable struggles, and to the movie's musing on where massive weather events could take today's society. Embracing fantasy, yet always ensuring that it remains equally enchanting and grounded, the result is a dynamic, stunningly animated outsider story with a heart and a conscience. https://www.youtube.com/watch?v=ouLO5iPc1yo
The best thing about Cairns' smaller size is you can cruise around the CBD hot spots on foot with ease. If you love to shop, check out the small boutiques in Oceania Walk or head to Galleria for high end designer stores. There's excellent eating and drinking to be done here, too. For brunch, my pick is the burrito at Cairns institution The Lillipad Cafe. Then, explore the sprawling waterfront parklands along Cairns Esplanade. If you feel like getting wet, there's a massive free outdoor lagoon to cool off in. Or, you can wet your whistle instead with sunset cocktails at seaside bar Salt House. Image: Tourism Tropical North Queensland
Plenty of things can change in just a few days during a pandemic, as everyone around Australia already knows. But in the latest instance in Queensland, a number of COVID-19 restrictions have just been tightened — only days after they were eased on Friday, June 25. Since 1am on Friday morning, Queenslanders have been able to have as many people as they like over to their houses, and to gather in hospitality businesses at a density of three people per four-square-metres. That changed again at 6am this morning, Monday, June 28, however, with stricter requirements now in place for the next two weeks. Wondering what's changed? The at-home gathering limit is now back to 100 people, including children and infants. And, at bars, cafes, restaurants, pubs and clubs, the one person per two-square-metres cap is back in effect. Queensland Premier Annastacia Palaszczuk announced the rule reversions on Sunday, June 27, noting that the changes were being made to help the state counter the potential spread of the Delta variant — the strain of COVID-19 that's behind New South Wales' current outbreak. In an effort to stop the variant spreading to Queensland, the Sunshine State has already closed its borders to Greater Sydney, which was placed under a two-week lockdown on the weekend. https://twitter.com/AnnastaciaMP/status/1408940468331679750 Other eased restrictions that came into effect on Friday haven't been rolled back, so Queenslanders can still hang out with more folks in the great outdoors — and at galleries, museums, convention centres, theatres, gig venues and cinemas. Outside, there's no longer a limit on how many people can gather. For venues with seated and ticketed capacity, they can fill to 100 percent. Of course, whether those looser rules will remain in place will depend upon COVID-19 cases in Queensland. Also yesterday, Queensland Health announced that three community acquired cases had been identified — with an alert first issued for Brisbane and the Sunshine Coast, followed by a further case who transited through the Brisbane Airport before heading to the Sunshine Coast. Queenslanders are asked to keep social distancing, maintaining the hygiene practices that have been in place since March 2020, and checking the state's list of exposure sites — and to get tested if you're feeling even the slightest possible COVID-19 symptoms. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website. Top image: Atlanta Bell.
Step aside Viennetta: there's a new luxe dinner party freezer-treat in town. Connoisseur — that purveyor of luxurious, eat-it-by-the-tub ice cream — has teamed up with artisan Australian chocolate brand Koko Black for a new range of ice cream sticks for more discerning chocolate aficionados. The duo of new flavours serve as a good reminder that, sometimes, you can't go past a classic. The vanilla version sees Connoisseur's vanilla coated in Koko Black's 54 percent dark chocolate. If you're looking for a bit more crunch, make a beeline for the honeycomb stick that stars honeycomb ice cream in Koko Black's signature Tasmanian Leatherwood Honeycomb pieces in 54 percent dark chocolate. It's the first time the Melbourne-born chocolatier has made its way into the frozen aisle, which is surprising given that its more recent collabs have included cake and beer. Connoisseur's Koko Black selections are available as four-packs ($8.40), while the classic vanilla is also available as an individual stick ($4.40). They're available right now from leading convenience and grocery stores around Australia.
When March 18 hits, it will have been 12 months since the Australian Government implemented an indefinite ban on international travel due to COVID-19, only allowing Aussies to leave the country in very limited circumstances. Accordingly, just when jetting overseas will be back on the agenda has been the subject of much discussion. Last year's prediction that opening up to the rest of the world wouldn't happen in 2020 proved accurate — and, earlier this year, Australia's ex-Chief Medical Officer Brendan Murphy (now the Secretary of the Department of Health) said that we might not be going anywhere until 2022. Whether that last forecast comes true is obviously yet to be seen but, thanks to a new extension of the human biosecurity emergency period under the Biosecurity Act 2015, Australians definitely won't be travelling overseas until at least mid-June. Yesterday, Tuesday, March 2, Federal Minister for Health Greg Hunt announced that the emergency period now spans until June 17, 2021, which'll mark 15 months since it was first put in place. The extension comes on the advice of the Australian Health Protection Principal Committee (AHPPC) and Commonwealth Chief Medical Officer, with the former advising "the Australian Government the COVID-19 situation overseas continues to pose an unacceptable public health risk to Australia, including the emergence of more highly transmissible variants". So, it means that the current rules regarding international travel will remain in place for at least another three months, restricting Aussies wanting to fly overseas and folks wanting to return home, and also cruise ships keen to enter Australian territory. It also extends current limits on trade of retail outlets at international airports, and requirements for pre-departure testing and mask-wearing for international flights. This isn't the first time that the emergency period has been lengthened, following several moves in 2020 — however, the government has noted that they "can be amended or repealed if no longer needed". With vaccinations starting to roll out around Australia, Qantas and Jetstar have begun selling tickets for overseas flights for trips scheduled from October, demonstrating hope that the country's international travel rules might ease by then. Of course, the fact that you can book a trip doesn't mean that you'll actually be able to take it — because the current border closure may get extended again — but if you're keen for an overseas getaway, you might want to cross your fingers. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
When The Market Folk first brought a heap of stalls to Newstead's old gasometer a couple of years back, it was clearly a smart move. Browsing and buying beneath one of inner-city Brisbane's most striking sights — what's not to love? Because some ideas are too great to stop, this winning combination has kept returning, including with a pre-Mother's Day event in 2024. From 5–9pm on Friday, May 3, you can spend the evening in Newstead shopping for fashion, art, homewares, plants, pots and ceramics for your mum. [caption id="attachment_814294" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] As they always do, the Gasworks Markets will feature plenty of artisanal goodies to tempt your wallet (not that anyone should need any motivation to spoil the woman who brought you into this world). As always, Brisbane creatives will be in the spotlight, so you'll also be showing them some love as well. And, there'll be live music on the lawn, soundtracking your shopping. Plus, bringing your pooch is 100-percent encouraged. Top image: Andrew S via Flickr.
The annual Improv Everywhere mp3 experiment proves we've come a long way since the Napster debacle of the early noughties. Interestingly, the New York-based prank collective started in 2001, around the same time Napster was given a court injunction to stop the distribution of copyrighted music on its network. But the eighth installment of the annual prank has made good use of mp3 downloads, casting aside any former copyright stigmas for the convergence of thousands of people in one picturesque setting. This year's prank took place along New York's Hudson River with over 3,500 participants downloading two types of mp3s, each with instructions that culminated in a mass 'silent disco' at Nelson Rockefeller Park during sundown. The participants of this year's prank began as two groups and were asked to wear two different coloured shirts, representing the theme of two tribes coming together. Once the two groups were instructed to meet at Nelson Rockefeller Park, on-the-spot jumping, indiscriminate high-fives to random passers-by, handshaking, slow dancing and linking of the arms took place. The Improv Everywhere prank collective has orchestrated over 100 pranks since 2001, and are behind the now iconic Frozen Grand Central flashmob which has been viewed by 27,513,992 people since 2008. https://youtube.com/watch?v=lrCnh9sT_mc
Since the untimely passing of legend David Bowie in January, mourning fans have been creating respectful and fitting ways to remember him. They've held tributes all across the country (and the world) in the form of concerts, karaoke, screenings and dance parties. But fans looking to get closer to the life of the prolific artist now have another avenue to consider: a stay in Bowie's former holiday house in the Caribbean. The house, which is on the luxury Caribbean island of Mustique, has just gone up for rent — albeit for a whopping $52,000 AUD (or $78,000 AUD in high season) per week. That's cool, right? I mean, what you're paying for is priceless. Bowie had the villa built himself back in 1989, and a lot of the original design and fixtures still stand. Everywhere you stand, it's likely you'll be standing in the exact same spot that Bowie once stood (we're not sure how long it will take for that game to get old, but we're guessing a substantial amount of time). Of course, the house — named the Mandalay — comes with a lot of non-priceless things too, like an infinity pool, personal waterfalls, an epic outdoor dining pavilion, views of the Atlantic Ocean and a staff of 10 (including your own personal chef). It has five bedrooms (each with their own private verandah), sits on 6.2 acres and comes with neighbours like Kate Moss, Hugh Grant and royals Will and Kate. It's important to note that the home doesn't come straight from Bowie's hands — he sold the property back in the '90s to publisher Felix Dennis. Following Dennis' death, it was bought by English entrepreneur Simon Dolan, who has now put the house up for rent for the first time. But if you've got $50k to spare on a lavish Caribbean trip, you may as well go all out and holiday like Ziggy Stardust. Via Travel + Leisure.
Last week saw the 135th and final space shuttle mission end when Atlantis touched down at Kennedy Space Center in Cape Canaveral, Florida. For the past 30 years, the shuttle has been the flagship plane for NASA's sometimes controversial, always captivating space program. The decommissioning of the shuttle will undoubtedly make space travel cheaper and safer for the American government, who will continue their program in 1960s-style manned capsules made in Russia, before taking off in American-built vehicles. Every time the shuttle took off, it cost American taxpayers $1.5 billion. Choosing to either abandon the space shuttle or avoid it entirely, the Soviets and China have progressed by using rockets and capsules for manned spaceflights. For now, the space race is back on. National Geographic has compiled a photographic retrospective to mark the occasion, showcasing the most vivid photographs from the shuttle's colourful history. Here are some of our favourites. A huge crowd—many driving recreational vehicles—gathers to watch the space shuttle Columbia land on July 4, 1982, at Edwards Air Force Base in California at the end of STS-4. Sitting on a rolling platform, the space shuttle Challenger emerges from the mist at Kennedy Space Center in Florida as it heads toward the launch pad, just visible in the distance, in November 1982. Curling like bizarre sigils in the sky, plume remnants from the June 8, 2007, launch of the space shuttle Atlantis glow with the light of the setting sun. Earth seems ready for loading into the space shuttle Endeavour's open payload bay in a picture taken in December 1998 using an onboard IMAX camera. Riding piggyback on a Boeing 747, the test shuttle Enterprise glides over the New York City skyline in June 1983. Astronaut Dale Gardner enjoys a moment of levity as he completes a spacewalk to recover two broken communications satellites from orbit on November 14, 1984. Astronaut Joseph P. Allen IV is seen reflected in Gardner's helmet visor. Star Trek cast members from the science-fiction show attend the shuttle's rollout ceremony in Palmdale, California, on September 17, 1976. Atlantis is lifted high inside the Vehicle Assembly Building on May 18, 2011, so it can be attached to the "stack"—the combination of the large external fuel tank and twin solid rocket boosters. A cloud of debris spreads in the sky over coastal Florida as the space shuttleChallenger breaks apart on January 28, 1986. A charred astronaut helmet lying in the grass near Norwood, Texas, was among the debris found after the space shuttle Columbia broke apart during reentry on February 1, 2003. Suspended above the planet, the space shuttle Endeavour is silhouetted against the layers of Earth's atmosphere in a picture taken by an ISS crew member on February 9, 2010. [Via National Geographic]
After eight days in lockdown, residents of southeast Queensland will be permitted to leave their houses for whatever reasons they like from 4pm today, Sunday, August 8. As a result, a heap of restrictions will change throughout the 11 Local Government Areas in the region that's been under stay-at-home conditions since last weekend — but wearing masks isn't one of them. If you live in the Brisbane City Council, Logan, Moreton Bay, Ipswich, Redlands, Sunshine Coast, Gold Coast, Noosa, Somerset, Lockyer Valley and Scenic Rim LGAs, it has been some time since you've been able to flash your smile at people outside of your own home. And, that isn't changing now. Since the end of June, in an effort to stop the region's recent COVID-19 cases from spreading, wearing masks has been compulsory across the region — a mandate that's remaining in place until at least 4pm on Sunday, August 22. This is familiar news, because the State Government has extended the mask requirement for these 11 LGAs not just once but multiple times now. Masks were compulsory under lockdown conditions, obviously. Announcing the extension of the mask mandate for the next fortnight, Queensland Premier Annastacia Palaszczuk said that "until we can get to those 70 and 80-percent vaccination rates, masks are absolutely critical. These masks are absolutely crucial, because they are your protection against the Delta virus, as well as getting the vaccine." https://twitter.com/AnnastaciaMP/status/1424166496717086722 If you need a refresher, the mask rules apply whenever you're spending time indoors somewhere other than your own home — and outdoors as well. In all of these situations, you must wear a mask. Accordingly, you also always need to be carrying a mask with you. They must be worn at all times when you're not in your own house, unless specific conditions apply. So, you don't have to mask up if you are alone in your car or with members of your household, you are alone outdoors or with folks you live with, if you're eating or drinking, if you're doing strenuous exercise, or if it is unsafe to do so. Obviously, these rules cover — but aren't limited to — all indoor spaces other than your house, all indoor workplaces unless it is unsafe to do so, public transport, and in taxis and ride share vehicles. Queensland currently has 148 active COVID-19 cases, with nine new locally acquired cases reported in the past 24 hours. As always, the usual requests regarding social distancing, hygiene and getting tested if you're feeling even the slightest possible COVID-19 symptoms also still apply — as they have since March last year. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website.
Guys, we did it. We helped art happen in the face of corporate suckiness. You may remember how last month Lego refused to fulfil Chinese artist and political commentator Ai Weiwei's order for bulk bricks on the grounds that they “cannot approve the use of Legos for political works”. This bizarre and freedom of speech denying move — one that should shock nobody who’s ever stood barefoot on a tiny plastic brick — came just two months before Weiwei's huge blockbuster summer exhibition at Melbourne's National Gallery of Victoria, Andy Warhol | Ai Weiwei, which will kick off on December 11. When news broke of Lego's tyrannical response, it wasn’t long before the good people of the internet were offering up their own Legos for Weiwei’s use instead. So what did Weiwei do? He announced that he would be collecting donated Lego in different cities to create the exhibition anyway. A collection point was set up in in the NGV sculpture garden in Melbourne as a repository for the Lego blocks. Donors were encouraged to bring in their Lego blocks and drop them through the sunroof of a car parked in the garden. And it worked. In the wee hours of this morning, Weiwei started posting images of his new artworks to Instagram. The portraits are of activists who fight for human rights and free speech, and so far include privacy activist Edward Snowden and the Republic of The Gambia's opposition treasurer, Amadou Sanneh. A photo posted by Ai Weiwei (@aiww) on Nov 19, 2015 at 8:11am PST A photo posted by Ai Weiwei (@aiww) on Nov 19, 2015 at 8:26am PST A photo posted by Ai Weiwei (@aiww) on Nov 19, 2015 at 8:11am PST We love you Weiwei. Andy Warhol | Ai Weiwei comes to the National Gallery of Victoria, Melbourne from December 11 to April 24, in collaboration with The Andy Warhol Museum, Pittsburgh. For info and tickets, head to the NGV website. Words: Imogen Baker and Lauren Vadnjal
No, you’re not mistaken in thinking it’s not usually time for the Brisbane Queer Film Festival yet. The festival has come around a little earlier this year, and that’s not the only change. Normally, the long-running event livens up makeshift Brisbane Powerhouse screens in late March and early April, but now it runs alongside MELT, and has moved to nearby Palace Centro. The program kicks off with 2014 Berlinale Teddy Award winner The Way He Looks, before working through a wealth of other queer-focused films. The delightful Appropriate Behaviour is a certain highlight, but wait — there’s more! Also in the 16-session schedule, Lyle plays tribute to Rosemary’s Baby, Xenia takes teens on a Greek odyssey, and Gerontophilia explores an attraction to the elderly. Then there’s The Foxy Merkins, owner of the best title since — and hailing from the director of — the cult hit Codependent Lesbian Space Alien Seeks Same. The Brisbane Queer Film Festival is one of our top six picks of MELT Festival. See the other five here.
Following 14 months of restrictions, postponements and cancellations, Australia's arts sector is in need of support. Arts institutions have struggled with capacity caps, and with restrictions on dancing and singing — as well as snap lockdowns and continued last-minute cancellations. In response, the Federal Government has announced nearly $300 million worth of financial support for the arts sector as part of the 2021–22 Budget. As announced last night, on Tuesday, May 11, the government will direct funds to the art, music and film industries through several programs across the next two years. The Restart Investment to Sustain and Expand (RISE) fund will receive $125.6 million over the next two years. So far, RISE has helped fund an array of the country's major COVID-era arts and entertainment events including Summer Sounds, Jurassic World by Brickman and Synthony. The fund is also helping to support upcoming cultural events like Rising Melbourne, Next Exit, Fresh Produce, Moulin Rouge! The Musical and Dark Mofo, plus some yet-to-be-announced events including a new mini festival from the team behind Laneway Festival and the return of The Tivoli's Open Season this winter. The $125 million investment is expected to help fund around 230 new projects. Mental health and crisis relief organisation Support Act, which works with artists, crew and music workers, will receive $10 million — alongside the landmark $2.3 billion investment in mental health services included in the rest of the Budget. [caption id="attachment_779827" align="alignnone" width="1920"] Golden Age Cinema, Cassandra Hannagan[/caption] The film industry is set for a boost as well, with $20 million dedicated to supporting independent cinemas, $50.8 million set to go to the local film and television sector to fund productions, and $3.3 million allocated to Ausfilm in order to continue to attract international film productions to Australia. And, regional arts and tourism will be supported through an $11.4 million investment in the Festivals Australia's Regional Arts Fund and the Indigenous Visual Arts Industry Support program, plus an additional $5 million towards performing arts touring through Playing Australia. Head to the Australian Government's website for more information about the 2021–22 Federal Budget and the Restart Investment to Sustain and Expand fund.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from March's haul of newbies. (Yes, we're assuming that you've already jumped on A Dog's World with Tony Armstrong already.) BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW FRESH Finally, a film about dating in the 21st century with real bite — and that's unafraid to sink its teeth into the topic. In this hit Sundance horror-comedy, Normal People's Daisy Edgar-Jones plays Noa, and once again gets entangled in a romance that'll leave a mark; here, however, the scars aren't merely emotional. Swiping right hasn't been doing it for Fresh's protagonist, as a comically terrible date with the appropriately named Chad (Brett Dier, Jane the Virgin) demonstrates early. Then sparks fly the old-fashioned way, in-person at the supermarket, with the curiously offline doctor Steve (Sebastian Stan, Pam & Tommy). Soon, he's whisking her away to a secluded spot for the weekend — a little too swiftly for Noa's protective best friend Mollie's (Jojo T Gibbs, Twenties) liking, especially given that no one can virtually stalk his socials to scope him out — and that getaway takes a savage and nightmare-fuelling twist. If Raw met Ex Machina, then crossed paths with American Psycho and Hostel, and finally made the acquaintance of any old rom-com, Fresh still wouldn't be the end result — but its tone stems from those parts, as do some plot points and performances, and even a few scenes as well. First-time feature director Mimi Cave doesn't butcher these limbs, though, and screenwriter Lauryn Kahn (Ibiza) doesn't stitch them together like Frankenstein's monster. As anchored by the excellent Edgar-Jones and Stan, there's care, savvy, smarts and style in this splatter-filled, satirical, brutal, funny, empowered and sweet film. Its twists, and its cutting take on predatory dating, are best discovered by watching, but being turned off apps, men and meat in tandem is an instant gut reaction. Fresh is available to stream via Disney+. OUR FLAG FLAG MEANS DEATH In the on-screen sea that is the never-ending list of films and television shows constantly vying for eyeballs, Taika Waititi and Rhys Darby have frequently proven gem-dappled treasure islands. When the immensely funny New Zealand talents have collided, their resumes have spanned four of the most endearing comic hits of the big and small screens in the 21st century so far, aka Flight of the Conchords, What We Do in the Shadows, Wellington Paranormal and Hunt for the Wilderpeople — and now, with pirate parody Our Flag Means Death, they've given viewers another gleaming jewel. This show was always going to swashbuckle its way into streaming must-see lists — and into comedy-lovers' hearts — based on its concept alone, but it more than lives up to its winning idea and winsome casting. Come for the buccaneering banter and seafaring satire, stay for a thoughtful and sincere comic caper that's also a rom-com. The inimitable Darby stars as Stede Bonnet, a self-styled 'gentleman pirate' and a great approximation of Flight of the Conchords' Murray if he'd existed centuries earlier. Meanwhile, Waititi dons leather, dark hues aplenty, an air of bloodthirsty melancholy and an eye-catching head of greying hair as Edward Teach, the marauder better known to the world as Blackbeard. The two real-life figures eventually cross paths after Bonnet leaves his life of wealth, privilege and comfort to rove the oceans, captains a ship staffed by a motley crew to end all motley crews, and initially gets captured by Blackbeard — or Ed, as he calls him. As these two opposites bond, riding the waves from adversaries to co-captains to potentially something more, Our Flag Means Death truly and gloriously opens up its warm heart. The first season of Our Flag Means Death is available to stream via Binge. Read our full review. ASCENSION Ascension may not be an Oscar-winner, losing out to Summer of Soul (...Or, When the Revolution Could Not Be Televised), but it'll always be one of 2022's nominees. More than that, this two-time Tribeca Film Festival winner will forever remain one of the most arresting documentaries of the past year as well. Helming her first feature-length doco, filmmaker Jessica Kingdon turns her gaze to the Chinese dream — and what she sees, while situated in a very specific cultural context by design, is a clear and easy sibling to its American counterpart. That's part of the statement her film makes, all just by watching on patiently but meticulously as people go about their lives. Starting with factory recruitment on the streets, then stepping into mass production, then climbing the social hierarchy up to the rich and privileged, Ascension explores employment and consumerism — and what they mean in an everyday sense in modern-day and modernised China. It's a portrait of the needs that make working on assembly lines a necessity, and of the dreams that inspire every step up the societal ladder. Some folks build sex dolls, their uncanny valley-esque forms adding an eerie mood. Others take lessons on etiquette for service jobs, including about not letting your face betray your emotions, and the tone is also unsettling. Observational to a mesmerising degree, Kingdon's exceptional film lets its slices of life and the behaviour, attitudes and patterns they capture do the talking, and they all speak volumes. Indeed, what a clever, telling, incisive and surreal story they unfurl. Ascension is available to stream via Paramount+. TURNING RED What'd happen if the Hulk was a teenage girl, and turned into a giant, fuzzy, super-cute red panda instead of going green and getting ultra-muscular? Or, finding a different riff on the ol' werewolf situation, if emotions rather than full moons inspired a case of not-quite-lycanthropy? These aren't queries that most folks have thought of, but writer/director Domee Shi certainly has — and they're at the core of Pixar's Turning Red, her debut feature after winning an Oscar for 2018 short Bao. As many of the animation studio's movies do, the film takes its title literally. But, it also spins the usual Pixar question. Turning Red does indeed wonder what'd happen if red pandas sported human-style emotions; however, the Disney-owned company has been musing on people becoming other kinds of critters of late, with particularly astute and endearing results here. The movie's focus: 13-year-old Chinese Canadian Meilin Lee (Rosalie Chiang, also making her film debut). The year is 2002, and she loves meeting her strict but doting mum Ming's (Sandra Oh, The Chair) expectations, hanging out with her pals and obsessing over boy band 4*Town. And while her mother doesn't approve of her friends or her taste in music, Mei has become accustomed to juggling everything that's important to her. But then, after a boy-related mishap, the red panda appears. Mei goes to bed feeling normal, albeit angsty and upset, only to wake up looking like a cuddly creature. Like werewolf tales about teenage boys tend to be, Turning Red is all about puberty and doesn't hide it — and whether it's tackling that head-on, pondering generational trauma or showing its rampant love for boy bands, it sports sweetness, soul and smarts. Turning Red is available to stream via Disney+. Read our full review. UPLOAD In its first season in 2020, Upload gave The Office and Parks and Recreation writer/co-creator Greg Daniels his own existential-leaning comedy. Think: The Good Place meets virtual reality, which is basically the premise. After a car accident at the age of 27, computer programmer Nathan (Robbie Amell, Resident Evil: Welcome to Raccoon City) is uploaded to a luxurious digital afterlife called Lakeview, which takes more than a little adjusting. Following his troubles with his still-breathing girlfriend Ingrid (Allegra Edwards, Briarpatch), as well as his growing bond with the IT employee, Nora (Andy Allo, Pitch Perfect 3), who works as his virtual handler or "angel", the series found plenty of ways to interrogate its concept. Indeed, while clearly a satire of capitalism, technology and their combination, it also inched towards unnerving Black Mirror territory. In season two, Upload dives deeper — and those Black Mirror comparisons only grow, too. Just like with that dystopian hit, it's plain to see how this reality could come true in a not-so-distant future, which no one watching this could ever want. Nathan now knows that all isn't well in Lakeview, or with the profit-hungry tech company behind it. Nora is well aware also, starting off the new batch of episodes by immersing herself with the anti-tech anarchists the Ludds. And Ingrid has spotted that Nathan isn't as enamoured with their relationship or his new virtual abode, so she decides to join him. Upload is still a comedy, but it knows that getting dark and being smart couldn't be more crucial given its concept. This season cleverly dives deeper, and only disappoints by being just seven half-hour episodes long. Consider your appetite whetted for season three, though. Season two of Upload is is available to stream via Prime Video. LUCY AND DESI Icons celebrating icons: when Amy Poehler directs a documentary about Lucille Ball, as she does here, that's the end result. It's fitting that Lucy and Desi includes a letter read mere days after Desi Arnaz's death, about his ex-wife and longterm professional partner, that included a touching line: "I Love Lucy wasn't just the name of the show". Poehler loves Lucy, too, understandably. Watching the compilation of clips curated here — spanning Ball's movie career in the 30s and 40s, as well as her TV shows such as the pioneering I Love Lucy, follow-up The Lucy–Desi Comedy Hour, and later sitcoms The Lucy Show and Here's Lucy — it's impossible not to see Ball's influence upon the Saturday Night Live and Parks and Recreation star, and upon the generations of female comedians that've followed Ball. Lucy and Desi loves Arnaz as well, though, and truly adores the pair's tumultuous love story — one that changed the course of comedy history. Forget Being the Ricardos, the average-at-best Aaron Sorkin film that inexplicably earned Oscar nominations — including for its one-note performances — and doesn't even dream of being funny. A deeper, meatier, far more interesting dance through Ball and Arnaz's life comes from Lucy and Desi, which benefits not just from Poehler's affection and her eagerness to ensure that her subjects' personalities shine through, but also from previously unreleased audio tapes of the pair talking about their ups and downs. Recent interviews pepper the film as well, including with daughter Lucie Arnaz Luckinbill, and both Bette Midler and Carol Burnett. Still, this doco's points of focus truly do speak best for themselves, whether chatting frankly or seen in all of those wonderful sitcom snippets. Lucy and Desi is is available to stream via Prime Video. WINDFALL Films can arrive at the perfect time, but usually they're actually products of their time. With Windfall, the former feels true, but this twisty thriller couldn't have been made at any other moment. It's an account of the haves and the have nots, and the widening gap between them — and it's told now, after years of that chasm growing visibly, the privileged largely lapping it up while hardening their disdain for anyone less fortunate, and the latter increasingly refusing to accept such inequality. The setting: a sprawling vacation home owned by a CEO worth billions and his wife. The setup: a break-in interrupted by said couple. The showdown: between two sides of the income divide (struggling versus obscenely comfortable), as brought to the screen by director Charlie McDowell (The One I Love, The Discovery). In a story credited to the filmmaker, star Jason Segel, McDowell's regular screenwriter Justin Lader and Seven scribe Andrew Kevin Walker — and also earning all the above either producer or executive producer billing, and fellow on-screen talents Lilly Collins and Jesse Plemons as well as — talk is largely the name of the game. Nobody (Segel, Dispatches From Elsewhere), as the movie's burglar is dubbed, argues with the CEO (Plemons, The Power of the Dog) and his other half (Collins, Emily in Paris) after taking them hostage at gunpoint, and their conversation is constantly revealing. He's initially bought off by the small stack of cash secreted away in the well-appointed abode but, after leaving then returning when he spies security cameras, he wants more money for his mercy. What follows is a perceptively shot and compellingly performed dissection of having it all (the CEO), grasping for some of it (Nobody) and realising that riches can't buy happiness (the wife). Windfall is available to stream via Netflix. NEW SHOWS TO CHECK OUT WEEK BY WEEK MOON KNIGHT Marvel's knack for casting is one of its superpowers, and it flexes those talents in Moon Knight. Enlisting Oscar Isaac fresh from the phenomenal 2021 trio that is Dune, Scenes From a Marriage and The Card Counter is as shrewd a casting move as the behemoth responsible for the Marvel Cinematic Universe has made, especially given that he plays two roles in one. The series starts with Isaac as Steven Grant, who works in the gift shop of a British museum, wishes he could lead tours instead, studies Egypt and sports a broad English accent. Oh, and chains himself to his bed every night, even though he has trouble sleeping. But as gaps in his days lead him to learn, Steven is also American mercenary Marc Spector — or, to be exact, vice versa. Complicating matters further, he's the on-earth conduit for the Egyptian moon god Khonshu as well. Even within franchise confines, Isaac is mesmerising in Moon Knight, playing a man grappling with dissociative identity disorder — as complex a character as the MCU has delivered so far — who's also drawn into a continent-hopping mystery-adventure. Also complicating matters: shadowy cult-like figure Arthur Harrow (Ethan Hawke, The Good Lord Bird), who has unfinished business with Khonshu and big plans of his own. Welcomely, the Marvel formula feels fresher here. Also pivotal: that, because it branches off with a previously unseen protagonist rather than the sprawling saga's usual heroes, this is the first MCU Disney+ series that doesn't feel like homework. Having filmmakers Mohamed Diab (Clash) and Justin Benson and Aaron Moorhead (Synchronic) also leaves an impression, in what's easily the most intriguing small-screen Marvel effort so far. The first episode of Moon Knight is available to stream via Disney+, with new instalments dropping weekly. Read our full review. MINX When home video, the internet and mobile phones with inbuilt cameras each arrived, six words could've been uttered: get ready to look at dicks. New HBO comedy Minx is set the early 70s, so before all three, but the same phrase also applies here. It's true of the show itself, which isn't shy about displaying the male member in various shapes and sizes. It also stands tall in the world that Minx depicts. When you're making the first porn magazine for women — and, when you're making an ambitious, entertaining and impeccably cast The Deuce meets Mrs America-style series about it, but lighter, sweeter and funnier (and all purely fictional) — penises are inescapable. Also impossible to avoid in Minx: questions like "are erections consistent with our philosophy?", as asked by Vassar graduate and country club regular Joyce Prigger (Ophelia Lovibond, Trying). Idolising the magazine industry and unhappily working for the dispiritingly traditional Teen Queen, she has long dreamed of starting her own feminist publication — even penning a bundle of articles and making her own issues — but centrefolds splashed with male genitalia don't fit her ideal pitch. No one's buying what Joyce is selling, though; The Matriarchy Awakens, her dream mag, gets rejected repeatedly by the industry's gatekeepers. Only one is interested: Bottom Dollar Publications' Doug Renetti (Jake Johnson, Ride the Eagle), but he's in the pornography business. The first four episodes of Minx are available to stream via Stan, with new instalments dropping weekly. Read our full review. THE DROPOUT Dramatising the Theranos scandal, eight-part miniseries The Dropout is the third high-profile release in the past two months to relive a wild true-crime tale — following not only the Anna Delvey-focused Inventing Anna, about the fake German heiress who conned her way through New York City's elite, but also documentary The Tinder Swindler, which steps through defrauding via dating app at the hands of Israeli imposter Simon Leviev. It also dives into the horror-inducing Dr Death-esque realm, because when a grift doesn't just mess with money and hearts, but with health and lives, it's pure nightmare fuel. And, it's the most gripping of the bunch, even though we're clearly living in peak scandal-to-screen times. Scam culture might be here to stay as Inventing Anna told us in a telling line of dialogue, but it isn't enough to just gawk its way — and The Dropout and its powerful take truly understands this. To tell the story of Theranos, The Dropout has to tell the story of Elizabeth Holmes, the Silicon Valley biotech outfit's founder and CEO from the age of 19. Played by a captivating, career-best Amanda Seyfried — on par with her Oscar-nominated work in Mank, but clearly in a vastly dissimilar role — the Steve Jobs-worshipping Holmes is seen explaining her company's name early in its first episode. It's derived from the words "therapy" and "diagnosis", she stresses, although history already dictates that it offered little of either. Spawned from Holmes' idea to make taking blood simpler and easier, using just one drop from a small finger prick, it failed to deliver, lied about it copiously and still launched to everyday consumers, putting important medical test results in jeopardy. The first six episodes of The Dropout are available to stream via Disney+, with new instalments dropping weekly. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September, October, November and December 2021, and January and February 2022 — and our top new TV shows of 2021, best new television series from this year that you might've missed and top straight-to-streaming films and specials as well. Top image: Photo Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.
There's never a bad time to explore the centre of Australia, but if you're keen on a trip this Easter, you've got quite the dazzling motivation. While plenty of Australian cities boast radiant arts and culture festivals that brighten up their streets and spaces, Alice Springs' Parrtjima - A Festival In Light takes the whole concept to several different levels. It celebrates Indigenous arts, culture, music and storytelling, including via an eye-catching array of light installations, and also takes place against a 2.5-kilometre stretch of the majestic, 300-million-year-old MacDonnell Ranges. It's the type of event to add to your travel bucket list, and it has brought its luminous presence back in 2022 — with the event currently running until Sunday, April 17. And, if you're wondering exactly what's brightening up the already-striking Red Centre and how it looks, Parrtjima has unveiled images from its first weekend that just might get you planning a last-minute Easter holiday. As always, the event has taken over the Alice Springs CBD's Alice Springs Todd Mall, plus tourism and conservation facility Alice Springs Desert Park Precinct just out of town — and the festival's main annual attraction, aka a huge artwork that showers the MacDonnell Ranges with light each night of the festival, looks as glorious as ever. When it comes to staring at the stunning natural landmark, this is a 'desert of light experience, as Parrtjima has dubbed it. And yes, from the images, that description is accurate. Also on the lineup: Grounded, which turns traditional and contemporary stories into a projected animation — complete with an immersive soundscape — and consistently proves a crowd favourite. There's Water Tree, too, with the piece inspired by the artwork of Karen Napaljarri Barnes, using acrylic glass to replicate the sight of thousands of budgerigars flocking together, and strung across four archways. Or, attendees can check out Flight, which similarly goes with budgies, this time featuring artwork by Farron Jampitjinpa Furber printed on sheer fabric spears to represent the birds' journey along the Lander River. Another must-see is Eagle's Eye, which takes inspiration from irretye (the wedge-tailed eagle) constellation, and brings a tunnel to life with animation of works by Jeannie Nungarrayi Egan — as well as Wild Wind, by Raelene Ngala Williams, which uses her artwork to celebrate the stories of the whirly whirly through a series of floating and moving structures. There's also the Bindi Mwerre Anthurre Artists' Energy, comprised of eight static bikes and wheelchairs, which attendees jump on and spin the pedals to illuminate and revolve the artworks. And, the 15-metre-high Night Sky, as created in collaboration with artist Carmen Glynn-Braun and Common Ground, is filled with 1200 glowing orbs that are suspended to look like a blanket of stars. Although the ten-night event has been underway since Friday, April 8, Parrtjima's full lineup also includes live tunes, talks, and the films of Sweet Country, The Beach, Firebite and Samson and Delilah director Warwick Thornton. Of course, Parrtjima is just one of Northern Territory's two glowing attractions in 2022, with Australia's Red Centre lighting up in multiple ways. The festival is a nice supplement to Bruce Munro's Field of Light installation, which — after multiple extensions — is now on display indefinitely. Parrtjima – A Festival in Light runs until Sunday, April 17 around Alice Springs in the Northern Territory. For more information or to book tickets, visit the festival website. Images: Parrtjima 2022.
In 2020, Brisbane made history, becoming the only city outside of Melbourne to ever host an AFL Grand Final. This year, the Queensland capital looks poised to land another huge sporting event — although it won't happen for another 11 years. That'd be the 2032 Olympic Games, with Brisbane named the preferred host for the Games of the XXXV Olympiad back in February. Now, overnight, that quest has progressed. Following a meeting on Thursday, June 10, the International Olympic Committee Executive Board has announced that it is recommending that the Queensland capital gets the official nod. The IOC Executive Board's proposal now moves to the broader International Olympic Committee itself, which will vote on the matter at its next session on Wednesday, July 21. So, in just over a month, Brisbane will likely be named as the actual host of the 2032 Olympic and Paralympic Games — not just the preferred host. The move follows a recommendation by the Future Host Commission for the Games of the Olympiad, as happened when Brisbane was named the preferred 2032 host earlier this year. This time, the commission has put together a detailed report, which just earned the Executive Board's unanimous support. Announcing the news and outlining why the city has won its endorsement, the Executive Board listed eight core strengths identified in Brisbane's bid. They include the fact that Australia is apparently a "sports-loving nation"; the use of either existing or temporary venues to cover 84 percent of the Games; the support of the government, the public and the private sector; a commitment to sustainability; and the social and economic benefits — US$6.1 billion in value to Queensland and US$13.4 billion to Australia, according to commission's impact study. https://twitter.com/iocmedia/status/1403007957424611328 If Brisbane is officially named next month, the 2032 Games will be the first held in Oceania since 2000 — when Sydney did the honours — and will mark just a 32-year gap between Australia's most recent hosting slots. The Games were first held on our shores back in 1956, in Melbourne. It'll also mean that southeast Queensland will host the Olympics just 14 years after hosting the 2018 Commonwealth Games on the Gold Coast. Brisbane has staged the Commonwealth Games, too, back in 1982. Brisbane's bid includes three clusters of venues — in Brisbane itself, on the Gold Coast and on the Sunshine Coast — and proposes that the Games take place between July 23–August 8, 2032. As revealed in April, the Gabba will also undergo a huge revamp if the city hosts the Games, which'll basically involve tearing the stadium down and rebuilding it again. After Tokyo holds the postponed 2020 Games in July and August — without overseas spectators — Paris is on hosting duties in 2024. Then, in 2028, Los Angeles will take the torch. For further details about the International Olympic Committee's announcement, and about Brisbane's bid for the 2032 Olympics, head to the Games' website. Top image: Tokyo 2020 and TMG.
New year, new list of huge events to look forward to — but only one will make LGBTQIA+ history. That'd be the first-ever WorldPride held in the Southern Hemisphere, which'll hit Sydney from Friday, February 17–Sunday, March 5. And, although Sydney WorldPride announced its massive 2023 lineup late in 2022, it's still adding big-name additions. Joining the program alongside everyone from Kylie Minogue and Charli XCX to Kelly Rowland and Nicole Scherzinger: German pop star Kim Petras. Fresh from nabbing a Grammy nomination for 'Unholy' with Sam Smith, the 'If Jesus Was a Rockstar', 'Heart to Break', 'Future Starts Now', 'Coconut' and 'Malibu' singer will headline Sydney WorldPride closing gig Rainbow Republic alongside the already-announced MUNA and G Flip. View this post on Instagram A post shared by Sydney Mardi Gras (@sydneymardigras) "I'm so happy to be back in Sydney supporting WorldPride! Headlining Mardi Gras was a really inspiring moment back in 2019 and it was one of my favourite Pride events ever, so I'm really excited to see my Australian fans again and take everything to a whole new level," said Petras, announcing the news. She'll take to the stage in The Domain, where WorldPride is hosting both its opening and closing events, as part of a a seven-hour show filled with live music, DJs and dancing — a queer megamix, if you like. On hosting duties: Keiynan Lonsdale (Love, Simon, The Flash, Eden), who'll also perform. Peach PRC, Alter Boy, BVT and Vetta Borne have also been named on the bill. Sydney WorldPride has been announcing parts of its lineup since June last year, including the return of the Sydney Gay and Lesbian Mardi Gras Parade to Oxford Street after the 2021 and 2022 events were held at the Sydney Cricket Ground due to the pandemic. Among the other highlights: pride villages set up in sections of Crown Street and Riley Street, rainbows all around Greater Sydney, a Bondi beach party that'll turn the iconic sandy stretch into a club for 12,000 people, and a Blak & Deadly First Nations gala concert. RAINBOW REPUBLIC SYDNEY WORLDPRIDE CLOSING CONCERT LINEUP: Kim Petras MUNA G Flip Keiynan Lonsdale Peach PRC Alter Boy BVT Vetta Borne Sydney WorldPride will run from Friday, February 17–Sunday, March 5, 2023, with closing concert Rainbow Republic taking place at The Domain on Sunday, March 5. Tickets for Rainbow Republic are on sale now. For more information about Sydney WorldPride, or for general ticket sales, head to the event's website.
No longer just an empty old Blockbuster store or a vacant lot where said video shop used to be, the patch of land at 458 Brunswick Street is giving Brisbanites plenty of reasons to drop by. First, Hotel X opened its doors and treated the city to a new staycation spot. Then, the building welcomed lavish restaurant Bisou Bisou, complete with an oyster and caviar bar. Next, come Friday, April 30, rooftop bar and restaurant Iris will join the party. The latest venture from the Ghanem Group — which already has Bisou Bisou, Boom Boom Room Izakaya, Donna Chang, Byblos Bar and Restaurant, Blackbird Bar and Grill, and Lord of the Wings to its name — Iris sits alongside Hotel X's pool in its sky-high location. Yes, that means that you'll have quite the view while you're sipping and eating, including of the adjacent water, Fortitude Valley, New Farm, the Story Bridge and the city skyline. While its downstairs sibling has opted for a French theme, Iris is taking its cues from the Mediterranean coast, including everywhere from Beirut to Barcelona. Design-wise, that translates through the exposed stonework entranceway, the rooftop wisteria and olive trees, and the fairy lights twinkling above. You'll also be surrounded by plum, rose and indigo hues accented with gold finishings, plus marble touches. While the full food and drink menu is yet to be revealed, diners can expect Greek and Spanish-style share plate dishes that bring European summers to mind, and have also been made to suit Brisbane's warm climate. Think: barbecue pork rib pinchos, red claw crayfish tails with smoked chorizo butter and spiced toothfish tacos, as well as sangria to wash it all down. Doing the honours in the kitchen is Head Chef Lloyd Evans, who makes the move from Blackbird's private event space. Expect to have company if you're keen to head up — literally — from 11am daily, with Iris seating 200 people in its restaurant space and also featuring a private dining area for 14 people. Poolside bungalows are a feature, too, as is an evening dance floor that'll get patrons cutting shapes to DJs as the sun sets. Find Iris atop Hotel X at 458 Brunswick Street, Fortitude Valley — open from 11am–late daily from Friday, April 30.
Mondays tend to be a day of rest for most restaurants in the Los Angeles area. But for friends Aliza Miner, Savita Ostendorf and Marjory Garrison it's the busiest night of the week. A few months ago the three girls combined their skills as a chef, graphic designer and PR activist for non-profits, respectively, to create Closed on Mondays, a business that hosts fundraiser dinners for charity at empty restaurants on Monday nights. They offer a fixed price menu at $35, hire waitstaff from the host restaurant and serve customers on a first come, first serve basis from 5 to 9p.m. The profits go directly to local food initiatives or community projects. They don't force-feed their guests with information about the charities, they just want people to come and eat. Better yet, the dishes offered will leave your taste-buds begging for more, with choices like Yucatan pulled pork, wild Mexican shrimp with pumpkin seed sauce and stuffed poblanos, kabocha squash and chihuahua cheese in romesco (each served with homemade tortillas). Yum. The first three dinners were hosted at L.A's Canele, which raised $7000 for the Micheltorena School Garden community project in Silver Lake. Although the girls realize that they still have a long way to go to build up the non-profit, other chefs in the area have already approached them about bringing Closed on Mondays to their restaurants. Mondays are soon to be the biggest night out of the week for good food and a good cause.
Attention all wannabe heroes: something big is coming. This March, much-loved comic company Marvel will bring its world-class Avengers S.T.A.T.I.O.N. exhibition to Melbourne. The immersive exhibition, held at Federation Square, will give would-be caped crusaders the chance to delve into the history, engineering, genetics and technology behind Captain America, Hulk, Thor, Iron Man and the rest of their superhero team. Visitors will also undergo training, as if they were learning to become agents of S.H.I.E.L.D., and can explore bespoke equipment and costumes including the Hulkbuster suit, Captain America's uniform and shield, Iron Man's MK armor and Thor's hammer, Mjölnir. Avengers S.T.A.T.I.O.N. combines complex science and technology, developed by Marvel to help bring the successful film franchise to life. Space agency NASA have also contributed to the interactive experience, helping to enhance its scientific authenticity. After successful stints in cities including New York, Seoul and Paris, the exhibition will now head down under for the very first time. Organisers hope it will be an epic fan experience as well as a way to pique visitor interest in real-world science and technology. Earlier this year Marvel broke records when it brought its Creating the Cinematic Universe exhibition to Brisbane, drawing in close to 270,000 fans. Avengers S.T.A.T.I.O.N. is expected to be even bigger. Marvel's Avengers S.T.A.T.I.O.N. will open at Federation Square in March 2018. More information on ticketing will roll out in the coming months – you can sign up for updates here.
'Do one thing and do it well' used to be a mantra of many successful businesses. Google did search. Car makers made cars. Hotels gave you a place to sleep. But now, following the diversification model others have set, Vibe Hotels are releasing music. Vibe: The Chillout Suite is the fourth in the series featuring local talents such as Angus & Julia Stone, Lior and Washington, as well as international acts like Florence + The Machine and Gomez. There's even room for a few classics like Mazzy Star's Fade Into You and Jeff Buckley's Last Goodbye. To celebrate the launch of the album, Vibe are offering one lucky Concrete Playground reader a chillout accommodation package valued at $490 including a one night stay for two people at any of their hotels in Sydney, Melbourne or the Gold Coast, including buffet breakfast, a copy of Chillout Suite, and a late check-out so you can really relax. To enter, just make sure you're a CP subscriber then email us at hello@concreteplayground.com.au by 5pm on Friday, July 8.
'The mormons are coming', posters popping up all around Sydney started promising this week. Come February, they'll officially be here. If you thought you were going to have to head down to Melbourne to catch The Book of Mormon, think again, because Trey Parker and Matt Stone's hit musical is bringing its hilariously irreverent self to the Sydney Lyric Theatre. After playing most of the year down south, with the show's Victorian run due to end in November, the multi-award-winning production will settle in for a Sydney season from February 28, 2018. Tickets go on sale on September 5 for its second Australian stint, and given that all of its 250-plus performances have sold out in Melbourne, it's certain to prove a hot ticket. Written by South Park and Team America's notoriously puerile creators Trey Parker and Matt Stone, together with Robert Lopez of genius grown-up muppet show Avenue Q, The Book of Mormon is probably one of the most lauded comedies ever to have centred on the Church of Latter Day Saints, African missions, AIDS, bum jokes and super ironic racism. If it wasn't so smart and so funny, few would forgive it. But since it is, The Book of Morman has picked up nine Tonys, four Olivier Awards, a Grammy and two Helpmanns since it debuted in 2011, and has been called "one of the most joyously acidic bundles Broadway has unwrapped in years". If you've been envious of the throngs seeing the musical in New York, Chicago or London, then you'll be plenty excited that you'll now get the chance to go learn all the idiosyncratic details of Mormonism, meet war criminal General Butt-Fucking Naked and know the true meaning of the hakuna matata-like saying 'Hasa Diga Eebowai'. The Book of Mormon plays the Sydney Lyric Theatre from February 28, 2018. Tickets go on sale on September 5, with the waitlist now open at BookOfMormonMusical.com.au. Image: Ryan Bondy, Zahra Newman, Nyk Bielak and company in The Book of Mormon, AUS 1411. (c) Jeff Busby. By Sarah Ward and Libby Curran.
With the last film finally released, the Harry Potter juggernaut has finally ground to a halt. No more books. No more films. For many fans it marks the end of childhood and for a few people, it will thankfully mean the end of acting careers. Sure, JK Rowling has moved the empire online with Pottermore, but for many, the magic is gone. If you find life a little empty without Hogwarts perhaps you should give quidditch a try. The muggle version is a little like lacrosse or handball, but with broomsticks, and an extra person dressed in yellow playing the role of the snitch. Some Australian universities have founded teams, and there's talk of a trans-Tasman competition. All eyes will soon be on the 5th annual quidditch world cup, contested by American colleges and teams from around the world, being held in New York in November. The event has been described by Fox sports as "a cross between the superbowl and a medieval festival" and although people might dress up to go along, the competition on the field is fast-paced and hotly contested.
The name might not ring a bell, but his creations would certainly be familiar. Yoram Gross is the man behind classic cartoons such as Blinky Bill and Dot and the Kangaroo. Now, rather than telling the tale of a mischievous koala, he is publishing his own memoirs. As is often the case, fact can be more interesting than fiction. As a Jewish boy in Nazi-occupied Poland during World War II, Gross was forced to move between over 70 hideouts, even passing himself off as a séance host. After the war he settled in Israel, where he became an award-winning film maker, and in 1968 he was on the move again, this time heading to Australia with his family where he would eventually create some of the country’s most iconic cartoon characters. Looking back on the films — if you need a recap Blinky Bill has his peaceful bush home destroyed by invading humans and must rescue his mother from captivity, Dot is lost in the bush and must rely on her new animal friends to find her way home — it is enlightening to see the stories with adult eyes, recognising that the light-hearted adventures that entertained us as children have much more serious layers with their roots in Gross’ own experiences. As his life, and his films show, you can always make the best of a bad situation. And you should enjoy the kangaroo rides while you can! My Animated Life is published by Brandl & Schlesinger.
First it was The Guardian. Then came The Huffington Post. And now The New York Times is the latest international publication to launch in Australia. After vague affirmations that the daily newspaper was looking to expand into Australia in August last year, the Times has today — Tuesday, May 2 — officially launched a Sydney bureau and, with it, extended coverage of news and issues that affect Australians. Unlike The Guardian and HuffPost, the The New York Times' Australian coverage will not have its own edition, but will be integrated into its global site. The addition of an Australian newsroom — which is being led by Damien Cave, who was the publication's deputy national editor in the US — will serve to insert Australian issues into the global agenda. This new coverage, which kicks off today, will include news, investigations, opinion pieces and cultural coverage. The New York Times Australia coverage can be found under the world section of the site. Though the Times works on a subscription model, Australians have unlimited access the site for free until May 8.
If you’ve been on Instagram, food blogs, Twitter, Facebook or the internet in general lately, you've probably heard the term 'clean eating’. What on Earth does it mean, you ask? Is it washing your hands really, really well? Well it's time to find out. We chat to Melbourne clean eating and nutrition queen Lola Berry about what clean eating is, how we do it and where she goes to get her fix. We even tried a few of the recipes out ourselves. All in the name of research, of course. 1. What is 'Clean Eating'? Clean eating essentially means eating foods that haven't been processed and are as close to their natural state as possible. Think vegetables, fruits, legumes and lean meats. "It's about eating foods that nourish your body, forget all the packet stuff. Our bodies aren't designed to thrive of chemicals, additives and numbers, we thrive of real, wholesome food," says Lola Berry. Now, don't think it has to be raw. That's a whole other can of worms (which, as a clean eater, would be a no-no). Cooked wholegrain wheat breads, brown rice dishes, chia bread and all sorts of other weird and wonderful concoctions are clean. 2. Why should we eat clean? What is the point of going to the trouble of eating clean when it seems like a little bit of hard work? "You become the best version of yourself," Berry told us. "It's that simple. Don't knock it it'll you've tried it, proof is in the pudding. Eat clean for two weeks and watch the dramatic changes that take place in every single aspect of your life. I promise being healthy will change everything." When it comes down to it, 'clean' foods have more of the good stuff that your body wants and needs and less of the bad stuff. Some of the benefits that can come from clean eating include blood sugar control, cholesterol control, more energy, better immune system, better sleep, better mood and an overall increased health. 3. How is 'clean eating' different from 'healthy eating'? Okay, so this all seems like a good idea right? Eating fruit and vegetables and making your body happy? But how is it different to healthy eating? One thing we run into here is the philosophy of everything in moderation — even moderation. While healthy eating allows you a chocolate brownie covered in chocolate sauce and ice cream for dessert, as long as you don't have it every day, clean eating suggests you start making you desserts and 'treats' out of clean ingredients. This introduces some troubling issues like obsession and rigidity in diet. While we're not experts, this idea, in a society fixed on body and image may run the risk of hurting not helping. Strictly clean eating doesn't allow for flexibility, which can bring guilt to meals — not ideal. It can also run the risk monopolising one's time and brain power. No one wants to go out for dinner and listen to someone talk all about why they can't eat the bread or drink the wine. Most health professionals will tell you that if you eat 'healthy' foods 80 percent of the time, you can indulge 20 percent of the time. The cheese loving, chocolate munching side of us loves this idea. 4. How to eat clean "Think simple," says Berry. "Try not to complicate things. Real food is so simple, easy to prep and most importantly, so tasty!" These are the principle foods in healthy eating: Fresh fruit and vegetable are a free for all. Go hard people. When it comes to protein, stick to the lean cuts of beef, pork, most fish, chicken, turkey and eggs. We didn't say bacon, we know, it’s depressing. Whole grains including oats, wholewheat pasta, brown rice, barley and the like. This is the same for flours. Stick to the wholewheat flours, coconut flours and almond flours where you can. Nuts! All of them. Raw is the way to go. Seeds. Now these bad boys are your best friends. Quinoa, sunflower seeds, sesame seeds and chia seeds. What about flavouring up your meals? Again stick to natural things like spices and herbs, honey and pure maple syrup. Now dairy can get confusing. Raw milk is hard to find, so the easiest bet is organic. Plain unsweetened yoghurt is a star, as are your substitutes like almond milk, rice milk and coconut milk. 4. Buzz words 101 So if you do want to introduce some principles of healthy eating, you might stumble upon ingredients you've never heard of. Here are some goodies: Quinoa: This seed looks a little like couscous and a little like rice. What you might not know is it's a close relative to beets, spinach and tumbleweeds. Great for breakfasts and salads. Chia seeds: This ancient superfood from Paraguay is pretty much just a sprinkling of goodness. These are tiny black and white seeds packed with manganese, calcium and potassium. Goji berries: These little suckers have been used in Chinese medicine for thousands of years and are said to boost one's life force of ‘chi’ — oh so yogi. They're a little sour and are great sprinkled on your breakfast. Raw cacao: This is like the chocolate of the clean eating family. Take the raw cacao product — what chocolate looks like before the Cadburys of the world get to it — and don't touch it. It's packed with antioxidants and has a bitter strong chocolate flavour. Agave Syrup: This is a naturally occurring sweetener found in the agave plant in Mexico. This plant is also used to make tequila (Margaritas anyone?). 5. Recipes to try Breakfasts and snacks are often filled with processed ingredients. A great clean breakfast can look like this: oats cooked in almond milk, just like normal porridge, topped with fresh fruit, chopped dates, walnuts, agave syrup and a sprinkling of chia seeds. This can be played around with, adding any fruits and nuts you like. It also works well with quinoa flakes. When it comes to snacks. There are some great brands out there making clean sweets like Loving Earth and Emma & Tom's, but if you're in the mood for whipping something up, give Lola Berry's chewy almond truffles a go. Dates, walnuts, almonds, coconut oil, goji berries and raw cacoa nibs blended together and rolled in coconut. 6. Best spots in Melbourne to buy and try clean products We turned this one over to Lola Berry: "I eat out lots and there's always something yummy for me to try. I love St.Ali south and north, and I'm lucky enough to write a few recipes which are featured on the menu, and they're all super healthy. I also love the raw foodie spots like Yong Green Food, Shokuiku and Monk Bodhi Dhama and, of course, Cumulus Inc for that amazing fine dining experience. "I love local farmers markets … Prahran market, and there are some awesome health stores around. Prahran Health Foods, The Staple Store, Pure Organics, The Fruit Peddler are all pretty amazing, such inspiring places to visit!" Berry told us. Well folks, at the end of the day it seems that all the fuss around clean eating is about taking things back to simplicity. We will propbably still be found eating Mars bars and drinking cocktails, but you never know, next time we're feeling the healthy vibe, we might whip up something clean. It's not for everyone, but hey, next time someone asks you at a dinner party, "So how do you feel on the clean eating front?", at least you'll be able to tell your chia from quinoa. Images courtesy of Lola Berry and Amy Collins.
On May 20, 2011, 500 people will explore the Stephen A. Schwarzman building of the New York Public Library (NYPL) from dusk 'til dawn in a new interactive game allowing players to become an author by sunrise. Find the Future is an overnight adventure where participants have specific missions and objectives to complete through the secret underground stacks of the library, where over 40 miles of books are housed. By the end of the excursion the group will have collaboratively written an entire book that will be published and entered into the permanent collection of the NYPL. Participants will observe over 100 objects of monumental significance to mankind and learn over 100 untold stories that are aimed to inspire creativity and encourage people to realize their dreams and goals for their own lives. The entry form to become one of the first lucky few to begin the Find the Future quest asks individuals to imagine a vivid picture of their future and then create a goal to achieve by the year 2021. The most original and determined entries will be selected for the overnight stay. Following the debut on the 20th, anyone can play the game during regular library hours at the NYPL, or online from anywhere in the world, to make history by finding their future.
Any Questions for Ben? and House of Lies' Josh Lawson writes, directs and stars in an effort destined to be labelled a sex-fuelled Love Actually. Sex Actually? Different types of fetish, kink and between-the-sheets behaviour are explored through the relationships of four couples. Maeve (Bojana Novakovic) wants Paul (Lawson) to fulfil her rape fantasies. Rowena (Kate Box) finds herself aroused whenever husband Richard (Patrick Brammall) cries. Phil (Alan Dukes) finds Maureen (Lisa McCune) at her most attractive when she is sleeping. Dan (Damon Herriman) and Evie (Kate Mulvany) make a foray into roleplaying that backfires. There's laughs both out loud and cringey to be had as the adventurous comedy unfurls. The Little Death is in cinemas on September 25, and thanks to Entertainment One, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=BnnhesQ8Rxc
When Jetstar launched a hefty domestic flight sale last June, it sold 70,000 seats in just five hours, with Australians keen to travel when and where they can in these pandemic-afflicted times. Unsurprisingly, discounted airline tickets have become a common occurrence since travel around Australia restarted — and the airline has just kicked off another sale. The latest Return for Free sale is already running, with discounted fares available until 11.59pm AEDT on Sunday, March 7 — if it doesn't sell out prior. In the sale, you'll find cheap flights across a heap routes from destinations right across the country. And, as the name suggests, it's doing return flights for free. So, you buy your ticket to your destination and then Jetstar will cover your trip home. There are a few caveats, as there always is. You have to depart and leave from the same airports and, if you need to make changes down the line to your flight dates, you will have to pay change fees and any difference in fare. The discounted flights don't include checked baggage, either — so you'll need to travel super light, or pay extra to take a suitcase. [caption id="attachment_785574" align="aligncenter" width="1920"] Tourism Australia[/caption] Now that you know some of the things you'll need to take into consideration, here's where you can go. Sydneysiders can snag return tickets to Victoria for $65, Launceston for $89, Brisbane from $92, the Sunshine Coast for $96 and Hamilton Island for $151. Melburnians can book trips to Uluru for $185 and Darwin for $184, and to Hobart from $84, the Gold Coast from $107, and Ballina and Byron Bay from $116. And Brisbanites can head to the Whitsundays for $91, Cairns from $115 and Adelaide from $141. Yes, the list goes on. Tickets in the sale are for trips from April–December 2021, with exact dates varying in each region. If you're keen to get away, book some now and start planning. And, as always, keeping an eye on interstate border requirements is recommended. Jetstar's Return for Free sale runs until 11.59pm AEDT on Sunday, March 7, or until sold out.
For a gig that switches from heat to heat faster than Marty McFly into Johnny B. Goode, there ain't nothing like a Hot Dub Time Machine party. Busting out all your favourites from 1954 through to today, Hot Dub is 'powered' by the energy of the crowd, all of whom are nothing short of ecstatic to hear the classics belted out by Sydney's own DJ Tom Loud. And he's bringing the extravaganza to a city near you on a nationwide tour. Bursting onto the scene at the Sydney Fringe Festival in 2011, the Hot Dub concept is simple. The Time Machine runs on the energy of the crowd as it makes its way from the '50s to the modern day. If the energy at the show slows down to anything under extreme, you're literally stuck in time, listening to the tunes of whatever era you crashed in, until you can get crazy enough for lift-off. Coming off the back of a sold-out run across the festival circuit last year, including the Sydney Festival, Hot Dub is more than guaranteed to get your feet, legs, torso, arms and everything else moving to the beat. With balloon drops, glitter bombs and a two-storey-high visual accompaniment, Hot Dub is sure to be a spectacle for the ages. Full tour dates below. SUN 16 MAR – SYDNEY @ TBA (Secret Show) SAT 22 MAR – BRISBANE @ Chalk Hotel SAT 29 MAR – QUEENSTOWN @ World Bar FRI 4 APRIL – FREMANTLE @ Metropolis SAT 5 APRIL – PERTH @ Capitol FRI 11 APRIL – MELBOURNE @ Northcote Social Club. Tickets from northcotesocialclub.com THURS 17 APRIL – CANBERRA @ Academy SAT 19 APRIL – SYDNEY @ Metro Theatre. Tickets from www.metrotheatre.com.au THURS 24 APRIL – BALLARAT @ Karova SAT 3 MAY – BYRON BAY @ Beach Hotel SUN 4 MAY – DARWIN @ Discovery SAT 10 MAY – NEWCASTLE @ Argyle House SAT 17 MAY – COFFS HARBOUR @ Plantation For more info, head to the Hot Dub website. https://youtube.com/watch?v=iIVVvtWSBZo
In a normal year, the Sydney Film Festival doesn't just host the huge city-wide event that it's best known for, but also takes a touring program around the country via its Travelling Film Festival. We all know that there's little that's normal about 2020, of course, so the fest has been adapting accordingly — firstly, by going virtual for its big attraction; and now, by launching a new film event designed to encourage movie buffs to head back to the nation's independent cinemas. Running across November and December, My Cinema My Film Festival is a collaboration between SFF's Travelling Film Festival and Independent Cinemas Australia — and it's hitting up 19 picture palaces across New South Wales, Queensland, Western Australia, South Australia and the ACT. Crucially, the event is heading to both cities and regional locations, with different programs and timeframes for each. So, whether you're a cinephile in Sydney, Brisbane, Canberra, Bunbury or Mt Gambier, you'll be able to head to the flicks and check out new indie and arthouse movies. When the mini film fest arrives in regional and rural cinemas from November 19–30, and then metropolitan cinemas from November 27–December 10, viewers will be able to check out Adam, a moving Casablanca-set drama about a pregnant woman and the single mother who helps her; documentary The Painter and the Thief, which picked up a prize at Sundance; and Descent, a doco about free diver Kiki Bosch. Max Richter's Sleep peeks behind the scenes of Richter's eight-hour Sleep performance, while drama Charlatan steps inside the Nazi Occupation of Czechoslovakia — and, in regional areas only, powerful Aussie western High Ground is also on the bill. https://www.youtube.com/watch?v=3yJ4r7ON974 Across both legs of the event, 12 features will screen in total, as will five Australian short films. Announcing My Cinema My Film Festival, SFF CEO Leigh Small noted that "Australian cinemas everywhere have been struggling under the weight of COVID-19 factors such as lockdowns, reduced audience capacities, or access to films due to delayed and limited theatrical film releases globally". She continued, "this is one step we can take together to help bring audiences back to the cinemas responsibly, with outstanding films they are unlikely to see anywhere on streaming platforms". MY CINEMA MY FILM FESTIVAL LOCATIONS: New South Wales: Dendy Newtown, Forum Cinema Wagga, Scotty's Cinema Raymond Terrace, Picture Showman Merimbula, Forum 6 Cinema Tamworth, Odeon 5 Cinema Orange, Gala Cinema Warrawong Queensland: Dendy Coorparoo, Dendy Portside, Big Screen Cinemas Hervey Bay, Gympie Cinema, Gladstone Cinema Western Australia: Bunbury Grand Cinemas, Grand Cinemas Armadale, Grand Cinemas Joondalup South Australia: Oatmill Cinema Mt Gambier, Wallis Mt Barker, Wallis Mitcham ACT: Dendy Canberra My Cinema My Film Festival screens in regional and rural cinemas from November 19–30, and in metropolitan cinemas from November 27–December 10. Head to the festival website for further details, session times and to buy tickets.
June is here, so is the cold weather — and usually the Sydney Film Festival also would be in full swing right about now. But in 2021, SFF is unleashing its cinematic wonders a little later than normal. That doesn't mean that you can't spend its traditional time slot thinking about all the things that you're going to watch between Wednesday, August 18–Sunday, August 29, though. Also a bit later than usual, SFF has just announced its first program sneak peek for 2021, ahead of the full lineup drop in July. The short version: even based on the list revealed already, your eyeballs are going to be busy at this year's 12-day fest. So far, the event has named 22 movies that'll help it make its proper return to cinemas after a two-year gap. The 2020 event moved online due to the pandemic — and when a summer season brought cinephiles back to the glorious State Theatre in January, it only screened a handful of movies. If these first 2021 titles are anything to go by, film buffs are in for quite the treat come August. Leading the charge: New Zealand's The Justice of Bunny King, which stars Essie Davis (Babyteeth) and Thomasin McKenzie (Jojo Rabbit); Riders of Justice, a revenge-fuelled Danish comedy led by the inimitable Mads Mikkelsen (Another Round); 2020 Sundance hit Zola, which is based on a lengthy 148-tweet Twitter thread; 2020 Berlinale Golden Bear winner There Is No Evil, a searing Iranian drama about the death penalty; and Undine, the alluring and beguiling latest film from German auteur Christian Petzold. Festival director Nashen Moodley has also programmed documentary The Kids, which sees Australian filmmaker Eddie Martin (All This Mayhem) explore Larry Clark's 1995 film Kids; climate change doco The Magnitude of All Things, which includes Greta Thunberg chatting about the topic; Shoplifters of the World, a drama about a fan of The Smiths trying to cope with the band's breakup; and three-time Sundance 2021 winner Hive, the first film to ever win the fest's Grand Jury Prize, Audience Award and Directing Award. Or there's also the tense and engaging Night of the Kings, which takes place in a rough Côte d'Ivoire prison; The Beta Test, a Hollywood-set horror flick that's been getting comparisons to The Twilight Zone; and the Taika Waititi-executive produced sci-fi film Night Raiders. And, on the local front, Wash My Soul in the River's Flow hones its focus on Archie Roach and Ruby Hunter, following the couple as they prepare for 2004's Kura Tungar — Songs from the River — a collaboration between the First Nation artists, Paul Grabowsky and the Australian Art Orchestra. Plus, Step into Paradise explores the collaboration and friendship between Aussie fashion designers Jenny Kee and Linda Jackson. The 2021 Sydney Film Festival will run between Wednesday, August 18–Sunday, August 29. Check out the event's just-announced titles by heading to the festival website. The full program will be released on Wednesday, July 22. Top image: Zola. Anna Kooris / A24 Films.
If you've decided to take an experience-based approach to gift giving this year, we will always suggest that you go with the satisfaction-guaranteed gift of food. You could, for example, extend an invitation to enjoy a meal and merriment at an iconic Brisbane institution like The Regatta Hotel. The breezy and versatile venue's open-air courtyard, private dining rooms and award-winning restaurant all deliver a reliably summer-friendly backdrop for myriad festive season occasions. However, if you'd rather give your gift recipient the chance to pick their own venue of choice, then the good people at Australian Venue Co. have made it completely foolproof. You can purchase a gift voucher to use at any of their 200+ pubs and bars across Australia — including 50 right here in Brisbane. Australian Venue Co gift cards are an extremely easy gift solution for your fun friends or hard-to-impress corporate clients. Bonus if they invite you to come along. With no need to lock in a specific location or book a time, picking the perfect Australian Venue Co. gift card really is as simple as browsing their extensive list of bars, pubs and restaurants for inspiration.
Let’s get this out of the way early: As pretty much every article ever written of The Tallest Man on Earth will tell you, no, folk troubadour Kristian Matsson is not particularly tall, and no, he doesn't make any secret out of channeling his hero, Dylan. But you wouldn’t call Mattson derivative. As anyone who has ever seen this not-so-tall man live will tell you, Matsson has become known for coming on stage alone with just an acoustic guitar, and blowing everyone away with his charisma and stage presence. This tour offers a great chance to get a taste of songs off the back of his latest offering, There’s No Leaving Now, a home recorded album which explores different territory to his last two releases. To his intricate guitar work he’s added layers of woodwinds, drums and songs that explore more grounded, relaxed territory. The stage might be bigger, and the arrangements more complex, but Mattson’s reputation as a performer will remain. If you’re a seasoned fan, chances are you’re already salivating over the chance to see Mattson again. If you’re not, chances are he’ll win you over with his honest, humble performance that has charmed audiences the world over.
Name a season — there are only four, so it isn't hard — and, in Australia, it's likely that the weather will be hotter than average. The nation experiences toastier than usual summers, warmer than normal autumns and hotter than average winters every year, or so it seems. And, in news that will come as zero surprise, winter 2021 is expected to continue the trend. That's according to the Bureau of Meteorology, which releases an updated climate outlook every week — something that, with winter so close to arriving, is definitely worth a look. Much of the country is in for both warmer and wetter conditions than normal over the coming months, although exactly how that'll affect you obviously depends on where you live. If you reside in Australia's northern tropics, along New South Wales' coast, in southeastern Australia in general and in southwest of Western Australia, expect toastier winter temperatures this year, with a more than 80-percent chance that that'll be the case between June and August. Folks pretty much everywhere else except central Australia can also expect above average winter days, with a 60-percent likelihood. Nights in particular are also expected to be warmer over the same period, covering most of the country — with only parts of western WA expected to experience average or cooler conditions. To give an idea of exactly what that all means, the average daily maximum temperature for June sits at around 17 in Sydney, 14.1 degrees in Melbourne, 20.9 in Brisbane, 19.5 in Perth and 15.8 in Adelaide. In July, it's around 16.4 in Sydney, 13.5 degrees in Melbourne, 20.4 in Brisbane, 18.5 in Perth and 15 in Adelaide. And, come August, the figures usually come in at 17.9 in Sydney, 15 degrees in Melbourne, 21.8 in Brisbane, 19.1 in Perth and 16.1 in Adelaide. In good news for farmers, plenty of the nation east looks set for more rain, too. That's predicted to be the case in inland areas especially, with a 60-percent possibility. Along much the east coast, it could go either way — and in northern Queensland, which enters its dry season at this time of year, there's less than a 40-percent chance of more rain than usual. If you're wondering how BOM comes up with its models for the next few months, it draws upon the physics of our atmosphere, oceans, ice and land surface, as well a heap of observations — from satellites, as well as on land and sea. And, it also incorporates the effects of the climate change, with Australia's temperatures rising by around 1.44 degrees between 1910–2019. For more information about forecast weather conditions between this winter, keep an eye on the Bureau of Meteorology's climate outlook.
After adding German-themed drinking spots to Chermside, South Bank and Bowen Hills, Rockpool isn't done with its new mission to spread steins and schnitzels across Brisbane. The hospitality group has set its sights on a new location for one of its brands, The Bavarian, which'll open at the top of Petrie Terrace in July. Situated on the edge of the Barracks complex, the site is no stranger to hearty meals paired with hefty brews — for 26 years, up until April 2018, it was home to the city's most prominent Hog's Breath Cafe. When The Bavarian takes over the currently empty premises, the two-level spot will become a huge restaurant and beer hall that can accommodate 600 people. It'll also feature a mix of indoor and outdoor seating, including in its beer garden. [caption id="attachment_670022" align="alignnone" width="1920"] The Bavarian Beerhaus, King Street.[/caption] While further details are thin on the ground, visitors to any of Rockpool's other Bavarian joints — including those on Eagle Street, at Broadbeach and Coomera, and on the Sunshine Coast — will know what they're in for. As well as a range of 40 Australian, German and international brews on top, plus a sizeable schnapps selection, the menu will include pretzels, pork knuckles, sausages and platters piled with meat. And, although it might seem as if The Bavarian's latest outpost is rather close to its sibling venues in the CBD and just over the river in South Brisbane, setting up shop on Petrie Terrace is a smart move. The inner-city area is already home to more than a couple of watering holes, with two pubs and a burger brew bar just along Caxton Street; however, the proximity to Suncorp Stadium means that there are always plenty of hungry, thirsty Brisbanites in close range. Find The Bavarian at 5 Petrie Terrace, Brisbane from July. We'll keep you updated regarding an opening date.
Whether you live in an airy apartment or spend your time in a cosy cafe, the physical spaces you inhabit are likely to be warm and welcoming. They're a careful product of architecture and design calculated to make you feel comfortable; however not all places boast the same look, feel and atmosphere. Some spaces can be hostile and exclusionary, acting as a deterrent or enforcing forms of power and control. For audiences largely unaccustomed to this relationship with the walls around them, Melbourne-based creative Lachlan Anthony explores the more formidable side of the built environment. Geometric Asylum will turn Metro Arts into the kind of restricted area no one usually wants to find themselves within, imposing limitations on each patron's movement throughout the gallery in order to explore the harsher side of spatial strategy. Wander through the world Anthony has created from July 13, then head back on the exhibition's closing day on July 30 to hear the sculpture, performance and installation artist reflect upon the experience. Image: Lachlan Anthony, Vast Impenetrability, 2015.
Throughout 2014, Anita Holtsclaw has held the esteemed position of Metro Arts' Artist in Residence. Now, she brings her year in the spotlight to an end with an exhibition that continues her career-long screen-based experimentation. Holtsclaw is known for focusing on vision and representation in her work, particularly how female protagonists are depicted and seen in cinema. Searching continues this focus, enacting the poetic definition of the titular term in a contemplation of dialogues of longing and loss in the landscape. The output of Bas Jan Ader proves influential too, with the Dutch conceptual and performance artist lost at sea during his final work, 1975's In Search Of The Miraculous. Using video shot off the shores of Bundaberg (her home town) combined with sea soundscapes and sail-like textiles, Holtsclaw shapes Searching as a continuation of Ader's efforts and a response to his tragic end, while also furthering her own theoretical framework and filtering through various personal experiences.
