We download movies onto tiny laptop screens and watch them hunched over in our beds, spilling Red Bull on the keyboard when Ryan Gosling says sexy things like 'Hey' and switching over to check Gmail when he's not onscreen. It's sad, it's solitary, and the suspension of disbelief is, at most, fleeting. What happened to the glory days of yore, when moviegoing was an event? When you were truly transported? Sensing the aching pit in your soul, on December 11-14, World Movies is bringing its Secret Cinema event to a mystery location in Brisbane, in association with the inaugural Brisbane Asia Pacific Film Festival. You don't know what film you'll be seeing, and the location is revealed by text the day of the screening. Secret Cinema pushes a traditional medium into a new level of experiential entertainment. Live performance as well as themed food and drinks tie in with the world of the film. Examples of performative screenings from overseas have included London's 2010 version which re-created LA's Chinatown in 2019 for Bladerunner (two actors dangled from the ceiling during the climactic 'tears in rain' scene) and a 1950s Algerian casbah for The Battle of Algiers. In Sydney, Secret Cinema moviegoers were conveyed by ferry to Goat Island and subjected to a series of 'survival games' before seeing Japan's cult classic Battle Royale, forerunner of The Hunger Games. That event sold out in 15 minutes and drew a crowd of hundreds. Even bigger things were planned for Sydney's most recent event, though it ultimately had to be cancelled after issues with the venue, meaning this Brisbane incarnation marks a bit of a comeback for the WMSC team. What type of venue theming will be going on in Brisbane? This one's a classic: Roaring Twenties. Go back to the decadent and dramatic days of the pre-stock market crash 1920s. Tickets are $55 (plus booking fee) and go on sale at 9am on Thursday, November 6, via qtix. More info is available on World Movies' Facebook page.
I find band names to be strange sometimes. The images that are conjured in my head when I hear the name Bed Wettin’ Bad Boys is, well, strange at the very least. Originally hailing from Cairns, the original Bed Wetters made the big move to Sydney three years ago, screen printing t-shirts, pressing 7”s and practising from home, gaining speed (and a fourth member) along the way. Their DIY-rock sensibilities have placed them as support for the likes of Eddy Current Suppression Rung and The UV Race, as well as sharing the stage with Dinosaur Jr and Eat Skull in recent years. Melbourne’s Woollen Kits are three nice-looking dudes who play rock n’ roll in a The-Cribs-or-The-Vaselines-esque sense, but with a little extra punk thrown in. Both Woollen Kits and Bed Wettin’ Bad Boys have 7”-ers that they’re launching this Saturday at Woodland, and they’re being joined by Bristown’s own Blank Realm! Take a stroll down Coniston Lane for this Bed Wettin’ Woollen Realm combo – it’s only a solid fiver to get in.
If there's one thing Brisbanites like, it's watching Studio Ghibli films in a cinema. In fact, over the last few years, a whole heap of cinemas around town have hosted their own celebrates dedicated to the Japanese animation house. The Elizabeth Picture Theatre joined in earlier this year, and it was such a hit that the venue is brought the film festival back for a second season — and now it's continuing for a third. Screening twice a week throughout September until the beginning of November — on Thursday evenings at 6.30pm and Sunday afternoons at 4pm, to be specific — fans can expect more of Studio Ghibli's gorgeous features to get a run. Yes, you should make like a moving castle to see Howl's Moving Castle this time, and to feel like you've been transported somewhere magical across the rest of the program. Catch My Neighbours the Yamadas, The Cat Returns, Tales from Earthsea and Arrietty — plus Ponyo, Porco Rosso and The Wind Rises too. If you've missed these films in their limited cinema runs or fest appearances in the past, consider this your chance to catch up. At only $12 per session, you'll be positively spirited away. Updated July 17.
In the dramedy that bears his name, which streams in Australia via Stan, Ramy Youssef is a quintuple threat. The standup comic and Mr Robot and Don't Worry, He Won't Get Far on Foot actor created Ramy. He plays the eponymous Ramy. He also executive produces the series and, across all three seasons to-date, he frequently writes and directs. It's a show about a Queens-born first-generation American Muslim raised in New Jersey to Egyptian parents, too, as Youssef himself is. Indeed, there's no doubting that Ramy springs from a personal place, a feeling that echoes in every one of its 30 episodes so far. There's a difference between bringing your own exact existence to the screen and conveying the truth behind your experiences, however. Ramy falls into the second category. As the series charts its titular figure's struggles, specifically as his faith conflicts with his lifestyle, it doesn't pretend for a second that its two Ramys — Youssef off-screen, Hassan on-screen — are one and the same. Instead, it proves deeply steeped in the lived reality of feeling torn between two cultures, and so specific in the details that stem from that fact, while also universal and relatable in its emotions and insights. That's been the case since Ramy's first Golden Globe-winning season in 2019, and none of the above changes in the newly released third batch of episodes, which rank among the show's finest moments yet. In this ten-episode latest run, the lives of Ramy and his loved ones are rarely blessed with fine moments, no matter how eagerly and desperately they seek them. Youssef's on-screen alter-ego keeps threatening his own heart, mind and soul with his choices, and being disappointed with the outcome. Season two ended with a brief marriage to Zainab (MaameYaa Boafo, The Mysterious Benedict Society), the daughter of Sheikh Malik (Mahershala Ali, Swan Song). With one lustful bad decision, Ramy blew up his personal and religious connections, leaving him alone in a car with only an incarcerated pal's dog for company in its last scene. A year has passed on-screen now, but the fallout still lingers because nothing is easy to escape in this series. Zainab won't talk to Ramy, but there's a cash payout that needs settling for breaking their marriage contract. Accordingly, Ramy has thrown himself into making his Uncle Naseem's (Laith Nakli, Ms Marvel) diamond dealership a success — as a distraction, and to take care of his debt — and, as the season continues, he branches out on his own with Jewish friend Michael (Michael Chernus, Severance) and his Israeli-syndicate backers. He now has money, as well as his own place. Soon, he has his own jewellery business, and the boost to his ego that its triumph brings. But none of this herald's happiness, or comfort, or the ability to truly work out who he wants to be as he still tussles with balancing his beliefs with impulses, and overcoming his selfishness in general. It's easy to think of Uncut Gems while watching Ramy stake his sense of self on the money and hustle of the jewellery game, but that isn't the only Safdie brothers film that springs to mind in season three. Youssef doesn't sport bleached hair as Robert Pattinson did in Good Time, but he has a similarly careening vibe — and the same propensity to always put himself first, usually by making the worst move he can, while thinking he's helping others. In the new season's Ramy-focused instalments, the show sports the same feverish energy, too; there's no heists here, but that's the engrained mood. Actually, is Ramy heisting himself all along? He thinks he can bluff his way to contentment by getting big in the jewellery game and boosting his bank balance, but he's just as conflicted in this run of episodes as he's always been. One of Ramy's strengths has always been its willingness to see its protagonist, his flaws and poor choices with clear eyes, while remaining empathetic to his attempts to honour his faith — even as he makes such terrible decisions. Also one of the series' highlights: that it isn't simply about Ramy, with full episodes surveying his family and friends' lives as they grapple with their own woes. For his sister Dena (May Calamawy, Moon Knight), striving hard to take the bar exam isn't paying off, especially when her parents Maysa (Hiam Abbass, Succession) and Farouk (Amr Waked, Wonder Woman 1984) are open about how differently they see her and her future to Ramy's — and she's reassessing not only her dreams, but what's behind them. That's one of the third season's big themes, with a question bubbling up again and again: are the lives that the Hassans have been working towards truly what they want, and what'll bring them emotional, physical, psychological and spiritual fulfilment? That query ripples with an immense sense of melancholy with the elder Hassans, who are adjusting to Farouk being out of work, a bad financial investment that might mean they have to sell the family home and decades of feeling like they're treading water. And, it informs the subplot with Naseem, who is visibly hurt by Ramy leaving him behind, and also frantic about potentially being outed when one of his app-driven hookups turns out to be friends with Dena. Storylines involving Ramy's friends Steve (Steve Way, Nepotism), Ahmed (Dave Merheje, Mr D) and Mo (Mohammed Amer, Mo) are all guided by a similar train of thought, thoughtfully so. Season three serves up character study after character study, and with humour and insight in tandem, including laughs that echo because sometimes that's the only way to cope with life's chaos. Three seasons in, the fact that Ramy boasts one of the best casts on TV isn't new news. That said, an appearance by Bella Hadid as Steve's new The Office-worshipping girlfriend plays awkwardly, but James Badge Dale's (The Empty Man) bit part as televangelical-style Muslim convert is a cringe-inducing scene-stealer — as is Christopher Abbott's (On the Count of Three) efforts as one of Ramy's wealthy customers. No matter who pops up around them, though, the show's core group of actors keep turning in standout work. That Ramy keeps remaining a stunningly perceptive and engaging exploration of the battle to remain true to oneself — and one's hopes, dreams and religion — is firmly a communal effort. That it's a rich, authentic, poignant and devastatingly potent comedy that just keeps getting better and diving deeper is as well. Check out the trailer for Ramy season three below: Ramy streams via Stan.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Brisbane is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to help you celebrate the little things that bring a sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Brisbane. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, pick some leaves from South Bank's free herb garden, enjoy ice cream from a slice of watermelon and spend a Sunday brunching and book shopping. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
Feel like you've experienced every date option that Brisbane has to offer? Run out of new ways to spend an ace night with your mates? Don't want to celebrate the festive season in the usual manner? If glitz, glamour, drinks, dinner and feeling like you're in a speakeasy several decades ago amount to your idea of a good — and novel — time, then make a beeline to Cloudland's returning Big Band Cabaret. This time, it's Christmas-themed. Taking place in the Valley venue's Rainbow Room on Saturday, December 14, the decadent shindig will have you and your loved one dancing to the Swing Central Big Band, listening to Susanne Campbell and Renae Suttie, and lapping up performances by Jacqueline Furey's Burlesque Ensemble — all while eating your way through a three-course meal and enjoying a three-hour package of beer, wine and sparkling. It has been such a hit on previous occasions that it's no wonder that Cloudland has brought the event back for one particularly merry occasion. Tickets aren't cheap at $110 per person, but it's certain to liven up your pre-Xmas routine with something more than a little different.
It seems a pretty hard task to follow Hannah Gadsby's international smash-hit show, Nanette. After all, the one-woman stand-up performance copped serious praise on its 18-month travels across Australia and the UK, even scooping the top honours at both the Melbourne International Comedy Festival and Edinburgh Festival Fringe. It also spawned its very own Netflix special. And when Gadsby used the show to announce she was quitting comedy for good, we thought that was it. But indeed, the beloved Aussie comedian is set to give the follow-up a red hot crack when she returns to the stand-up stage with her latest work, Douglas, named after her own pet pooch. While Nanette pulled apart the concept of comedy itself, dishing up an insight into Gadsby's past, Douglas promises to deliver a serve of "very new ideas", collected during her recent travels around the planet. This show will mark Gadsby's first-ever US tour, although she is hitting up Australia as well — coming to Brisbane on Wednesday, January 29 and Thursday, January 30, 2020. Hannah Gadsby: Douglas tickets will go on sale at 9am on Tuesday, June 11 — head to the venue's website for further details, including pre-sale information. First image: Jim Lee.
For their latest excuse to eat, drink and be merry, the Treasury Casino is taking inspiration from Australia's south. Over one cheese and wine-filled evening, the CBD hotspot will be serving up the best dairy and vino that Victoria and South Australia have to offer. Yep, between 5pm and 8pm on March 23, your tastebuds will think they've ventured to the other end of the country, thanks to a lineup of wares from the Mornington Peninsula, Yarra Valley, Barossa Valley and Adelaide Hills. Your wallet, however, will thank you — sip and sample away for three hours for $49 per person. The tastiness takes place in the Treasury's courtyard, so expect a starry backdrop and some live music as well. And if you're feeling extra peckish, there'll be chargrilled vegetables, assorted dips and artisan breads too — or, you could just dive deep into as much cheese as you can.
A local favourite for years, Ashgrove's The Junk Bar is sharing the community love around this month. On Thursday nights in February, they're looking in their own neck of the woods for their live music lineup — fittingly called The Neighbourhood Sessions. From 7.30pm each week until February 22, a different pairing will take to the stage On February 8, Screamfeeder's Kellie Lloyd playing with Luke Peacock, and on February 15 it's Regurgitator's Ben Ely with Seja, while Tylea and Adele Pickvance step onto the stage on the series' last night. Explaining the concept, Lloyd notes "there are quite of few musicians who live close by on the west side and I thought instead of doing just a one off gig with all of us, we could create a special series of gigs, like a month long festival of Thursday nights." As far as reasons for a mini-festival go, that's a particularly ace one.
In 1997, Christmas changed. With a single episode of Seinfeld, the world became privy to a new form of holiday celebration that eschewed other traditions and denominations. Instead of a tree, an unadorned pole gets pride of place. Rather than share happy stories, everyone gathered airs their grievances. And, instead of settling down on the couch after a hearty meal, attendees compete in feats of strength. Okay, so maybe you still enjoy tinsel, turkey and street cricket with your family on December 25; however Fritzenberger is making sure you can have some Festivus fun as well. It's hosting two trivia nights that are all about Seinfeld's take on the season, with Man vs Bear on hand to ask the questions. The evening quiz takes place at the Petrie Terrace burger joint on Wednesday, December 11, and over at the Wilston abode on Thursday, December 12. Yes, that's a few days before the official Festivus date of December 23 — but hey, if you're not happy about that, add it to your grievance list. We don't know if there really will be a grievances box, but you'll certainly be able to air your unhappiness. Entry is free, and registering in advance is recommended — as is wearing your favourite puffy shirt. Need a Festivus refresher? Let the show itself help: https://www.youtube.com/watch?v=rKdnqjnegEs
Summer barbecues, plenty of cold beverages and whiling away a few hours all go hand-in-hand, including at South Bank's resident German eatery. While the warm weather is here — okay, while it's officially supposed to be here, aka from now until the end of February — Munich Brauhaus is getting into the sweltering spirit with a free daily fry-up. The two-level beer hall will get the barbie pumping every day between 4–6pm, with snags free for those hanging out in the biergarten. They won't cost a cent if you're in the venue elsewhere as well, but you'll need to head outside to pick up a sausage. The Free Summer BBQ does come with one condition; however it's an easy one to fulfil. To take advantage of the deal, you do need to buy a drink — but it can be any type of drink. Knock back some frosty frothies, or opt for something softer if you'd prefer.
Every week over at its Gasworks store, Salt Meats Cheese serves up all-you-can-eat pizza. Yes, it's as delicious as it sounds. If you're a vegan and you've been holding back, the eatery has you covered too. SMC mightn't ditch animal products as often, but when it does, it's something special. Next occurring on Tuesday, December 18, SMC's bottomless vegan pizza feast is back once more — and again, it includes unlimited vegan pasta as well. All you need to do is book a table in advance, with sittings available from 5pm. The pizza and pasta free-for-all will set you back a highly affordable $20, and while you'll also have to buy a drink, you can choose from both boozy and non-alcoholic options. For an extra $5, you can also opt for all-you-can-eat gluten-free vegan pizza as well. Finding decent slices that cater to dietary requirements is hard enough, let alone devouring as many as you feel like in one sitting, so expect this to be popular. Updated December 17.
Video killed the radio star, or so the song goes. New technology killed the maritime use of Morse code too, although that doesn't sound quite as catchy. Still, that hasn't stopped Angelica Mesiti from trying to turn the predicament into art — or from creating a three-channel work inspired by the last Morse transmission sent by the French Navy. "Calling all, this is our final cry before our eternal silence," they conveyed via dots and dashes at the end of 1997. It's a particularly poetic way to cope with technological obsolescence, and you'll probably find yourself thinking something similar as you wander through Relay League. Its trio of parts include a percussive score from musician-composer Uriel Barthélémi, which echoes throughout the gallery space; a form of physical exchange between two dancers, Emilia Wibron Vesterlund and the vision-impaired Sindri Runudde; and dancer Filipe Lourenço creating his own choreography from Barthélémi's sounds. Together, they have quite the sensory impact, as Mesiti ponders communication, language and expression in its many forms. The work is on display at Griffith University Art Museum until February 24, 2018.
Whether you love exercise, or you need a little extra encouragement to get up and moving, getting active with a drink in your hand is a trend we can all get behind. The Flying Cock certainly is, not only holding regular Beer Yoga evenings, but also putting on the class we can't believe no one thought of earlier: Barre at the Bar. As well as scoring points for an ace name, Barre at the Bar offers up a frosé-sipping combo of pilates, ballet and yoga under the guidance of an experienced instructor. First, you'll drink your frosty rosé while running through a series of squats, plies and leg extensions actually at the bar. Then, you'll keep swilling as you head to the mat for some toning work, and while you're stretching and relaxing afterwards. There'll be a suitable soundtrack to keep you in a zesty mood, in a fitness class open to old barre pros, first-timers and everyone else. The next boozy session takes place on January 31, with $20 tickets including your first beverage. Getting fit and enjoying a cold one at the same time is certain to be popular, so booking quickly is recommended.
Forget about decking the halls with boughs of holly. At A Very Vegan Christmas, you'll be piling up your plates with mounds of vegetables. Held at Windsor's The Green Edge, it's a three-course festive feast with a cruelty-free focus — aka the type of seasonal meal you won't find anywhere else. On the menu: no animal products, a gluten-free option (if you need it), gifts, Christmas-themed drinks and an all-round jolly and merry time. And tasty dishes shared with fellow herbivores, too. No one will be fighting over turkey legs here. This year, The Green Edge isn't just dedicating one evening to their festive deliciousness, but two, with sittings available at 5.30pm and 7.30pm on both December 22 and 23. Dinner costs $49 per person, and bring your own booze if you plan on doing some extra celebrating. Plus, if you want to spread the love to animals in need while you're there, a tree will be set up for donations to Deathrow Unchained Animal Rescue.
2019 is shaping up to be a mighty big year for Elton John. Biopic Rocketman launches into cinemas in May, starring Kingsman's Taron Egerton as the singer and covering his wild 70s antics. The live-action version of The Lion King hits screens come July, featuring the musician's iconic tunes from the original, as well as new songs. And to cap it all off, the star himself is headed our way for a huge farewell tour. Bringing his 300-stop Farewell Yellow Brick Road shows to Australia and New Zealand between November 2019 and February 2020, John will be doing over 40 concerts across more than two months — including gigs in capital cities, a number of regional dates, and shows at A Day on the Green. There are still a limited number of tickets available for his three shows at Brisbane Entertainment Centre. He kicked off the extensive tour last September, embarking on a three-year global goodbye trip. When it comes to an end, he'll retire from touring after five decades on the road. If that all sounds rather massive, that's John's career in a nutshell. He's played more than 4000 shows across his career, has sold more than 300 million records worldwide and holds the record for the biggest-selling single of all time thanks to the 1997 version of 'Candle in the Wind'. https://www.youtube.com/watch?v=DtVBCG6ThDk Fans can expect to feel the love through all of his hits, including 'Rocket Man', 'Tiny Dancer' 'Bennie and the Jets', 'Crocodile Rock', 'I'm Still Standing' and 'Saturday Night's Alright for Fighting' — especially the latter, you'd expect, on his six Saturday shows. The concerts will also feature never-before-seen images and videos show from John's 50-year career, which'll be displayed throughout the show, as well as a new tour wardrobe designed by Gucci. Image: Ben Gibson.
Unless you're a real grinch, your end-of-year viewing probably features plenty of red, white, snow, presents, eggnog and Santa. Elf, Home Alone, The Muppet Christmas Carol — you get the idea. Sure, you've seen Will Ferrell take on the festive season before. And, you've seen Macaulay Culkin take on a pair of robbers too. But if you haven't seen them on a 44-metre-long outdoor screen, have you really seen them? Big Screen on the Green, Brisbane's mammoth movie-viewing option, is getting into the spirit of the season with a heap of festive flicks. From Monday, December 17 until Friday, December 22, it'll project something merry every night. All of the above titles are featured, plus The Santa Clause and The Polar Express too. The best part, other than the sack full of nostalgia? Entry is via gold coin donation, so it's a very cheap night at the movies. If you register in advance you'll also get a free frozen Fanta — or you can upgrade to a heap of packages from $10, which includes boozy beverage and a popcorn. The $55 option for two comes with prawns, a charcuterie platter, mini cakes and fruit, while the $85 ramps up the decadent feast, including a soft Christmas meringue. You can also rent picnic blankets for $12 and bean bags for $8. Image: Big Screen on the Green.
Another day, another boozy art class. Brisbanites, we'd have a problem if combining alcohol and creativity wasn't the perfect way to unwind. After Cork & Chroma, Boozy Board Art, Botanical Drawing with Drinks, Pub Painting and Pastels & Plonk comes Watercolour & Wine. The city's vino lovers really should be quite the Picassos by now. Making its return for 2018, this Work-Shop session takes place at the drink-friendly time of 6.30pm on February 22. Attendees will learn the basics of painting with watercolours, all with a glass of wine in their hand. Don't worry, you won't have to literally keep a brush in one mitt and a beverage in the other — unless you want to. Taught by artist Vanessa Wallace, each class includes her tips — including observation skills, methods of drawing and composition, and, of course, a primer in applying watercolours — plus all the supplies and materials you'll need on the day, and grapey drinks. If you've never tried your hand before, it's a relaxed way to give it a go. If you're a more seasoned watercolour fiend, it's a fun way to refresh your skills.
No strangers to a party, the Treasury Casino is getting into the swing of summer with not just one shindig, or two, but several. On the first three Friday nights in December, the inner-city venue is heading to the adjacent Queen's Park, settling in on the paved area and letting the drinks flow. Taking place from 4.30–7.30pm on Friday, December 6, 13 and 20 — Summertime Drinks is really all about kicking back when the working week is done, enjoying the sunny weather and letting the season wash over you. If you're heading out for a big night to celebrate the weekend or the festive season, it's a way to warm up for the evening. If you're just looking for a few tipples on the way home, consider it your stopover before the bus or train comes calling. Entry is free, and includes live entertainment. And while the beverages aren't free (sorry), you'll be able to knock back Byron Bay Brewing beers and a selection of cocktails. Images: Treasury Brisbane.
Bangarra Dance Theatre has been creating poignant theatrical performances since 1989, fusing together contemporary dance, music, poetry, art and design to spotlight First Nations culture and stories. The company's latest work is Horizon — a double bill of contemporary dance works that pay homage to the landscapes, skies and spirits that are considered significant by First Peoples across the Oceania region, from Australia to the Torres Strait Islands and Aotearoa. Sani Townson's Kulka opens the show, honouring his grandfather and highlighting his Torres Strait heritage. This is followed by collaborative work The Light Inside by Bangarra alum and Torres Strait choreographer Deborah Brown and Māori Arts Laureate Moss Te Ururangi Patterson. In partnership with Bangarra Dance Theatre, we spoke to Sani Townson — choreographer, Bangarra alum and presently Bangarra's Youth Programs Coordinator — about creating Kulka, what sparked his passion for dance, and why you need to see Horizon. On What You Love Most About Working with Bangarra Dance Theatre The sense of family. I've been on all sides of this company — I was a dancer and am three years back into the fold of Bangarra again, inspiring and nurturing a new generation of young talent in the Youth Programs team. Now I have this opportunity to create with the company. My heart is full. On the Power of Dance When I was younger, traditional dance was the first time I ever fell in love with movement — how song and dance marry together. But with the contemporary art form of dance, I loved how you can make amazing shapes with bodies; how you can manipulate the muscles on your body with the use of light; and how the human body can act as a paintbrush on a blank piece of canvas. On the Inspiration Behind 'Kulka' In my Grandfather's language of Kalaw Kawaw Ya, 'kulka' means 'blood'. This piece pays homage to my grandfather, Sania Guy Townson. This is merely my interpretation, in contemporary dance form, of a story he passed on to me about how my family got our totem and our clan. I've carried his name my whole life as he was an important man to my Saibai Island families. Carrying a name like his has definitely made me work extremely hard to get to where I am today. I have taken his name all over the globe and I will continue to do so where I can. He has seen me perform as a dancer with Bangarra and now his voice will be in the Drama Theatre in the Sydney Opera House. On Spotlighting Your Torres Strait Heritage Through Your Work All my works have always been in the mother tongues of both Kalaw Lagaw Ya and Kalaw Kawaw Ya. Every time I make a work, I really want to make sure that you, as the audience, will leave the theatre with a bit of the Torres Strait with you. On What Makes 'Horizon' So Special This is a cross-collaboration between the First Nations peoples of Australia and Aotearoa and the one thing we share, which is the night sky. My piece starts coming from the stars and ends looking up to the stars. Our cultures differ but share the night sky. In a world premiere, Horizon will run at the Sydney Opera House from Tuesday, June 11–Saturday, July 13, before touring Canberra from Thursday July 18–Saturday, July 20, Brisbane from Wednesday, August 7–Saturday, August 17, and Melbourne from Wednesday, August 28–Saturday, September 7. Book your tickets to Horizon today, and find out more, at the Bangarra Dance Theatre website.
New South Wales alt rock sensations Stereo Addicts are set to hit Brisbane hard on the Going Away Tour, with music from their debut EP. With a sound fuelled and influenced by other great acts like Birds Of Tokyo, Calling All Cars and Children Collide, the band have developed a strong east coast following and shared the stage with the likes of You Am I and Magic Dirt, causing a rumble within the Australian music industry in the process. Stereo Addicts will be supported by a strong line-up of local Brisbane favourites including My Fiction, The Arachnids and The Moniters. My Fiction are a powerhouse of indie, synth and dance rock. Described as “personal, uplifting, clever, poetic” the band are getting bigger and better, with this show at the Hi-Fi proving to be just another notch on already proud bedpost. The Arachnids, a four piece groove rock band, ooze with energy, a hat tip to 90s legends Regurgitator/Custard. The Moniters play spacey, grungey music about girls and the meaning of life.
Film fans, your spider-senses should be tingling: there's a new batch of Spider-Man-adjacent characters swinging onto the big screen. Get ready to meet Dakota Johnson (Cha Cha Real Smooth) as Madame Web, aka clairvoyant paramedic Cassandra Webb. Get ready, too, for Sydney Sweeney (Reality) as Julia Carpenter, who has a stint as Spider-Woman in her story in the comic books. Johnson and Sweeney lead Madame Web, the fourth film in Sony's Spider-Man Universe. That's the name for the studio's franchise of flicks that have been spun off from its Spider-Man movies — so from Spider-Man: Homecoming, Spider-Man: Far From Home and Spider-Man: No Way Home — but aren't part of the the Marvel Cinematic Universe. Hitting cinemas on Wednesday, February 14, 2024, it slings in alongside Venom, Venom: Let There Be Carnage and Morbius, plus the delayed Kraven the Hunter when it arrives later the same year, to spread another web of superhero-related pictures. Given its name, there's no chance of thinking that Madame Web would be subtle about its Spidey links. The just-dropped first trailer for the film makes that plain not just in multiple Spider-Woman sightings, but in an explanatory line from Johnson designed to drop some backstory: "he was in the Amazon with my mum when she was researching spiders right before she died". In the first SSU movie with a female lead, the man that Webb is talking about is Ezekiel Sims (Tahar Rahim, Extrapolations), a character who also hails from the page. He factors into a narrative that has Webb almost drowning, then discovering that she can see the future, with not just Sims but Carpenter linked to her fortunes. Also, would this be a Spider-Man-related movie, or a comic book movie in general, if a complicated past didn't also play a part? Also featuring on-screen in Madame Web: Celeste O'Connor (Ghostbusters: Afterlife), Isabela Merced (Rosaline), Mike Epps (I'm a Virgo), Emma Roberts (American Horror Story) and Adam Scott (Party Down). Veteran TV helmer SJ Clarkson (Succession, Vinyl, Jessica Jones) directs, and also co-wrote the script with producer Claire Parker (Life on Mars). Check out the trailer for Madame Web below: Madame Web opens in cinemas Down Under on Wednesday, February 14, 2024.
What's your age again? Old enough to remember when blink-182's classic lineup of Tom DeLonge, Mark Hoppus and Travis Barker were initially together — and old enough to be excited that DeLonge has now rejoined the band, too. If that's you, then you will have been mighty excited about the above news, as well as the fact that the trio is hitting the road on a huge world tour, including heading to Australia. To the surprise of no one, blink-182's upcoming trip Down Under has been getting a huge response, even before general tickets to its February 2024 shows go on sale. So, also unsurprisingly, the band has just added extra gigs in Melbourne, Sydney and Brisbane. [caption id="attachment_873239" align="alignnone" width="1920"] Jack Bridgland[/caption] Melburnians can now choose between Tuesday, February 13 and Wednesday, February 14 at Rod Laver Arena; Sydneysiders can opt for either Friday, February 16 or Saturday, February 17 at Qudos Bank Arena; and Brisbanites have Monday, February 19 and Tuesday, February 20 at Brisbane Entertainment Centre to pick from. Well, assuming you nab tickets quick smart from 1pm on Thursday, October 20 local time — or hop on the Live Nation and Spotify pre-sales at 1pm on Wednesday, October 19. That feeling you get when a decades-old band either reforms its beloved lineup and hits the road, or tours your way with a huge history behind them, kickstarting all those nostalgic old memories? If you're blink-182 fan, you clearly know the right words for that: well I guess this is growing up. DeLonge, Hoppus and Barker — with Rise Against in support — will start their Australian run in Perth, then head to Adelaide, Melbourne, Sydney and Brisbane. For three decades, blink-182 have been the voice inside punk and rock fans' heads, especially in the late 90s and early 00s thanks to albums Enema of the State and Take Off Your Pants and Jacket. Now that they're back together after DeLonge left the band in 2015, blink-182 are also recording new music together, with single 'Edging' out now. Expect to hear everything from 'Dammit', 'Josie' and 'What's My Age Again?' to 'All the Small Things' and 'I Miss You' live, though — and yes, the latter feels oh-so-apt right now. BLINK-182 2024 AUSTRALIAN AND NEW ZEALAND TOUR: Friday, February 9 — RAC Arena, Perth Sunday, February 11 — Adelaide Entertainment Centre, Adelaide Tuesday, February 13–Wednesday, February 14 — Rod Laver Arena, Melbourne Friday, February 16–Saturday, February 17 — Qudos Bank Arena, Sydney Monday, February 19–Tuesday, February 20 — Brisbane Entertainment Centre, Brisbane Friday, February 23 — Spark Arena, Auckland Monday, February 26 — Christchurch Arena, Christchurch Blink-182 will tour Australia and New Zealand in February 2024. Live Nation and Spotify pre-sales start at 1pm on Wednesday, October 19 — and general sales from 1pm on Thursday, October 20 (all local time). For more information, head to the Live Nation website.
Writing a prescient tale is the science-fiction holy grail, and a feat that Philip K Dick firmly achieved. Making a movie that becomes the prevailing vision of what the future might look like in the entire world's minds? That's a stunning filmmaking feat, and one that Ridley Scott notched up as well. The reason for both? On the page, 1968's Do Androids Dream of Electric Sheep?. In cinemas, 1982's Blade Runner. And if you need reminding of how stunning a story that the iconic sci-fi author penned, or how spectacular a film that the legendary director then turned it into, look no further than Blade Runner's return to the big screen — with a live score. When Dick pondered the difference between humans and artificial intelligence more than half a century back, he peered forward with revelatory foresight. When Scott followed fresh from Alien, he did the same. Now, with the clash between the organic and the digital a daily part of our lives in this ChatGPT-heavy reality, of course it's time for Blade Runner to flicker again. Film lovers, get ready for another dream movie-and-music pairing. Get ready for synths, too. Vangelis' stunning score will echo as Scott's feature screens in at the Brisbane Convention and Exhibition Centre on Saturday, February 10, 2024 for Blade Runner Live — an event that premiered in London in 2019, made its way around the UK, then hit Japan earlier in 2023. This session will screen the Final Cut version of the movie. Wondering how it differs from the OG release, and also the House of Gucci, The Last Duel and Napoleon filmmaker's Director's Cut? First unveiled in 2007 for the feature's 25th anniversary, it's the only version that Scott truly had full artistic control over. Blade Runner's narrative, if you're new to the franchise — which also includes exceptional 2017 sequel Blade Runner 2049 and recent animated series Blade Runner: Black Lotus, with a new Blade Runner TV series also on the way — focuses on the one and only Harrison Ford (Indiana Jones and the Dial of Destiny) as cop Rick Deckard. His task: finding replicants, aka androids, which turns into quite the existential journey. It's almost impossible to name a movie or TV series in sci-fi that's popped up over the four decades since Blade Runner first arrived that hasn't owed Scott's film a massive debt — and any synthesiser-fuelled score that hasn't done the same with Vangelis.
Winter is not traditionally ice cream weather. However, when that ice cream is being served up by Gelato Messina — voted best gelato in Australia, officially by Good Food Guide and unofficially by our taste buds — seasons no longer matter, only taste and the chance to devour as much as you can. With sadly no Messinas opened (yet) in Brisbane, that chance just became a whole lot easier thanks to Uber. The on-demand private driver service has teamed up with the Sydney-founded cult gelato giant for Friday, July 18 only to deliver their deliciousness directly to your door. From 11am, Uber ice cream trucks will be transporting specially prepared packs of Messina around Brisbane (and to cities in over 130 countries), all lucky spots who are in for a very good Friday. And you can enjoy this service with the simple flick of a finger. To order, download the Uber app, then just open it, move the slider to the 'Ice Cream' option and request a delivery to your door in minutes — $20 will get you a 500ml tub ($15 for a cheeky extra one) and some Uber merch. It's easier than serving your own ice cream at home, and definitely more delicious (no offence to your sub-par, store-bought ice cream, but this is pretty much the best there is). If you're a first time user, the tub is free. FREE. Just use the promo code ICECREAMBNE when you sign up for Uber and you'll nab $25 off your Messina purchase (covers the tub and some). You can keep up to date with all of the action on Twitter and Instagram at #UBERICECREAM and @Uber_Brisbane whilst devouring your mouthwatering treat but remember, this is for tomorrow Friday, July 18, only (or Ice-Cream Christmas if you will), so take advantage of this offer whilst you can. Maximum of two tubs per customer, so maybe steer clear of your friends afterwards if you're precious with your iced confections. Get ready Brisbane. We're talking delivered Messina here.
June is here, so is the cold weather — and usually the Sydney Film Festival also would be in full swing right about now. But in 2021, SFF is unleashing its cinematic wonders a little later than normal. That doesn't mean that you can't spend its traditional time slot thinking about all the things that you're going to watch between Wednesday, August 18–Sunday, August 29, though. Also a bit later than usual, SFF has just announced its first program sneak peek for 2021, ahead of the full lineup drop in July. The short version: even based on the list revealed already, your eyeballs are going to be busy at this year's 12-day fest. So far, the event has named 22 movies that'll help it make its proper return to cinemas after a two-year gap. The 2020 event moved online due to the pandemic — and when a summer season brought cinephiles back to the glorious State Theatre in January, it only screened a handful of movies. If these first 2021 titles are anything to go by, film buffs are in for quite the treat come August. Leading the charge: New Zealand's The Justice of Bunny King, which stars Essie Davis (Babyteeth) and Thomasin McKenzie (Jojo Rabbit); Riders of Justice, a revenge-fuelled Danish comedy led by the inimitable Mads Mikkelsen (Another Round); 2020 Sundance hit Zola, which is based on a lengthy 148-tweet Twitter thread; 2020 Berlinale Golden Bear winner There Is No Evil, a searing Iranian drama about the death penalty; and Undine, the alluring and beguiling latest film from German auteur Christian Petzold. Festival director Nashen Moodley has also programmed documentary The Kids, which sees Australian filmmaker Eddie Martin (All This Mayhem) explore Larry Clark's 1995 film Kids; climate change doco The Magnitude of All Things, which includes Greta Thunberg chatting about the topic; Shoplifters of the World, a drama about a fan of The Smiths trying to cope with the band's breakup; and three-time Sundance 2021 winner Hive, the first film to ever win the fest's Grand Jury Prize, Audience Award and Directing Award. Or there's also the tense and engaging Night of the Kings, which takes place in a rough Côte d'Ivoire prison; The Beta Test, a Hollywood-set horror flick that's been getting comparisons to The Twilight Zone; and the Taika Waititi-executive produced sci-fi film Night Raiders. And, on the local front, Wash My Soul in the River's Flow hones its focus on Archie Roach and Ruby Hunter, following the couple as they prepare for 2004's Kura Tungar — Songs from the River — a collaboration between the First Nation artists, Paul Grabowsky and the Australian Art Orchestra. Plus, Step into Paradise explores the collaboration and friendship between Aussie fashion designers Jenny Kee and Linda Jackson. The 2021 Sydney Film Festival will run between Wednesday, August 18–Sunday, August 29. Check out the event's just-announced titles by heading to the festival website. The full program will be released on Wednesday, July 22. Top image: Zola. Anna Kooris / A24 Films.
Acclaim, awards, and Josh and Julie Niland all go hand in hand. The Sydney duo have been winning fans locally since 2016, when they opened Saint Peter, and the praise has kept flowing and growing from there. Josh's applauded The Whole Fish Cookbook earned him the prestigious James Beard Book of the Year Award back in 2020, becoming the first Australian to ever take out the prize. Earlier in 2022, he was the only Australian chef to feature in The Best Chefs Awards for 2022 — aka the list of the top 100 best globally — too. Now, with Julie, another gong has come the Nilands' way: the Game Changer Award from France's La Liste. La Liste is known for picking the best 1000 restaurants in the world annually, and it has also just done exactly that for 2023. But it gives out awards as well, with its latest round handed out on the evening of Monday, November 28 in Paris. That's where Josh and Julie earned some love for their approach to seafood, and the businesses that've sprang from their efforts. [caption id="attachment_771911" align="alignnone" width="1920"] by Rob Palmer, from Josh Niland's The Whole Fish Cookbook[/caption] "Australian chef Josh Niland, whose wife Julie runs his ever evolving Sydney business, has changed the way chefs use fish all over the world with his zero-waste 'fish butchery' approach," La Liste notes in its explanation for its 2023 Game Changer pick. "His methods seemed radical when he started talking about them, but make sense — use the whole fish, from fin-to-gill, as we do nose-to-tail with animals. Age and cure fish. Don't forget the offal. As many chefs lack the knowledge to do this, he shares his ideas in two cookbooks, The Whole Fish and Take One Fish," the statement continues. [caption id="attachment_878784" align="alignnone" width="1920"] Rob Palmer[/caption] Clearly, Sydneysiders will be familiar with the Nilands courtesy of Saint Peter, and also thanks to Fish Butchery since 2018 — with the latter now in both Paddington and Waterloo — plus sustainable fish and chip shop Charcoal Fish in Rose Bay. They have more venues in the works, with Saint Peter moving into The Grand National Hotel, the Nilands taking over the whole place, and new 60-seat restaurant and bar Petermen coming to St Leonards, all in 2023. The Nilands' La Liste prize saw them earn international recognition alongside fellow Aussie chefs James Henry and Shaun Kelly, who scored one of the Hidden Gems awards for Le Doyenné in Saint-Vrain in France. Also picking up a win among the global recipients: Michel Guérard, who nabbed a special Award of Honour; Chika Tillman from New York's ChikaLicious Dessert Bar, who received the Top Pastry Chef Award; and Yotam Ottolenghi for championing the Mediterranean region, which scored him the New Destination Champion Award. Plus, Italy's Niko Romito was given the Innovation Award, France's Yannick Alléno the Community Spirit prize, and Brazil's Manoella Buffara took home the Ethical and Sustainability Award. Among La Liste 2023's 1000 restaurants, Saint Peter obviously featured, as did a nice lineup of other Australian spots. In Sydney, Oncore by Clare Smyth, Quay, Tetsuya's, Bentley Restaurant and Bar, Bennelong, Ormeggio at The Spit, and Rockpool Bar and Grill made the list, while Melbourne's inclusions span Vue de Monde, Attica, Cutler and Co, Minamishina, Lume, Grossi Florentino Upstairs and Flower Drum. In regional Victoria, Brae, Lake House and Provenance got the nod, as did Penfolds Magill Estate in Adelaide. [caption id="attachment_690417" align="alignnone" width="1920"] Brae[/caption] For La Liste's full list of awards, and best restaurants, head to the guide's website. Top image: Rob Palmer.
Seven First Nations artists have been celebrated at the Telstra National Aboriginal and Torres Strait Islander Art Awards on Friday, August 7. Held for the first time in a special live-streamed virtual ceremony, this year's Telstra NATSIAA was presented by journalist and Gamilaroi woman Brooke Boney, who announced the winners across several categories, each with a cash prize. The artists were chosen from a suite of 65 finalists by this year's judging panel: Director of Injalak Arts Donna Nadjamerrek, Darwin-based visual artist Karen Mills, and Curator of Araluen Arts Centre Stephen Williamson. Each artist represents a different community, and they've shared stories of their land, the sea, their history, creation and healing through a variety of styles and mediums, highlighting the enormous and diverse talent of Indigenous artists from across the nation. You can see all the finalists' works in this year's Telstra NATSIAA via the virtual exhibition, and you can also sling a vote for your favourite artwork online in the Telstra People's Choice Award. Check out the seven winners from this year's awards, below. NGARRALJA TOMMY MAY Winner of the Telstra Art Award 2020 — prize $50,000 Wangkajunga/Walmajarri man Ngarralja Tommy May has been awarded this year's major prize in the Telstra NATSIAA. The piece, titled 'Wirrkanja' (2020), depicts flood time on the artist's country in the Great Sandy Desert. The now Fitzroy Crossing-based artist has been pioneering his unique style in a career spanning three decades; this year's judging panel noted 'Wirrkanja' shows May at his peak with a work that displays "exquisite beauty and power". May says his work shows a place significant to him; "It's the country where I lost my brother, it's jilji (sand dune) and flat country. There's a jila (living spring waterhole). It's not far from Kurtal, over two sand dunes. In flood time, the water runs down the jilji (sand dunes). This is my country and my family's country. This is my job, it's a good job." JENNA LEE Winner of the Wandjuk Marika 3D Memorial Award (sponsored by Telstra) — prize $5,000 Larrakia/Wardaman/Karajarri artist Jenna Lee lives in Brisbane. Her entry artwork was created in response to the 250-year anniversary of Lieutenant James Cook's arrival at Botany Bay, marked this year. 'HIStory Vessels' is a reconstruction of the cover of a Ladybird History Book, The Adventures of Captain Cook. The interdisciplinary artist was inspired to create the artwork during an artist residency in the UK, to reclaim the omnipresent, white, patriarchal narrative of Cook and its impact on First Nations stories. She says, "I aim to take this narrative and reconstruct it as a story of personal and cultural resilience, beauty and strength." CECILIA UMBAGAI Winner of the Telstra Emerging Artist Award — prize $5,000 Painting on bark that was harvested from her country in the West Kimberley region, young Worrorra woman Cecilia Umbagai says she likes to use traditional materials to create her contemporary depictions of Wandjina Wunggund law, the dreaming stories of her people. The artist usually works across several mediums including acrylic on canvas and photography, and she only started working with bark in 2019. The artist says she loves the texture of the bark with its "curves and irregularities". Using earth pigments on stringybark, Umbagai's winning entry 'Yoogu' is based on traditional cave drawings of the Wandjina spirit of the boab tree, a story she remembers being told as a child. SIENA MAYUTU WURMARRI STUBBS Winner of the Telstra Multimedia Award — prize $5,000 The youngest finalist in this year's Telstra NATSIAA is 18-year-old artist Siena Mayutu Wurmarri Stubbs. The winning artwork is a poem and film inspired by a school trip in 2019. Shinkansen was made on the Shinkansen (bullet train) from Nagoya to Kyoto in Japan. The Yolŋu Matha woman has grown up surrounded by her culture, family and Yolŋu lore, which she explores in all of her artistic endeavours. In such a short career the artist and filmmaker has already won multiple awards for her non-fiction, and curators remark that her work conveys a maturity beyond her years. ADRIAN JANGALA ROBERTSON Winner of the Telstra General Painting Award — prize $5,000 In his artworks, Alice Springs-based Warlpiri artist Adrian Jangala Robertson often refers to his mother's country, Yalpirakinu. Revering the ridges, trees and desert mountains that make up the landscape, Robertson's painting style is described as being loaded with energy and drama. Born in Papunya in 1962, Robertson witnessed the emergence of the Western Desert painting movement, which informs his style to this day. Typically using a minimal range of colour, the widely respected landscape artist injects character and movement into his work with brushstrokes that he says are his connection to his country and "loaded with memories". His winning artwork is a synthetic polymer paint on canvas titled 'Yalpirakinu' (2020). MARRNYULA MUNUŊGURR Winner of the Telstra Bark Painting Award — prize $5,000 Coming from a lineage of prolific and award-winning bark painters, Yirrkala-based Munuŋgurr, of Djapu and Balamumu clans, has carried on the tradition of her family in her creation of ground-breaking bark installations. The artist grew up assisting both of her parents with their own bark work, and in particular her father Djutjadjutja with his sacred Djapu paintings that also won him the Bark Painting Award in the 1997 NATSIAA. For this year's award, Marrnyula created a cross hatching grid pattern — a sacred design for the freshwaters of the Djapu clan at the clan's homeland of Waṉḏawuy. Unlike her other well known artworks in which the artist creates large-scale installations using hundreds of small pieces of bark, this time the artist has chosen to create the same effect on just one piece of bark. The winning stringybark is titled 'Muṉguymirri' (2020), which means 'in small pieces'. ILUWANTI KEN Winner of the Telstra Works on Paper Award — prize $5,000 Pitjantjatjara artist Iluwanti Ken, who is from Watarru and now based in Rocket Bore community in the NT, says birds have lessons for Anangu women about how to hunt and how to care for one's children. A highly respected ngangkari (traditional healer) and a skilled tjanpi (grass sculpture) weaver, Ken is mostly known for depictions of hunting eagles. Ken's winning ink on paper entry, 'Walawulu ngunytju kukaku ananyi (Mother eagles going hunting)', tells the story of female adult eagles hunting for food and bringing it back to feed their babies. The artist says birds are like Anangu mothers in that they protect their babies from outside dangers. Take a look at the virtual gallery and vote for your favourite artwork in the 2020 Telstra NATSIAA People's Choice Award. Top image: Njarralja Tommy May by Damian Kelly.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to Monte Pacis in Lithuania, an outrageously grand monastery that's been partly transformed into a luxury hotel. If you're planning a big European getaway this summer, think about spending a few nights here. WHAT'S SO SPECIAL? It's a 17th century monastery located on a gorgeous lagoon surrounded by nature — need we say more? THE ROOMS The 13 rooms and apartments at Monte Pacis are decorated in baroque style, each complete with a minibar and private bathroom. Large canopy beds sit in rooms with double-vaulted ceilings and chandeliers dripping from large wooden beams. Ornately decorated and grand in scale, it feels more like a royal castle than the home of monks. And with so few people staying here at one time, you are almost guaranteed peace and quiet. FOOD AND DRINK The restaurant at Monte Pacis is known as one of the very best places to eat in the Baltics. It offers a four- or six-course tasting menu that changes seasonally (notably, much of the produce comes from the monastery grounds). Head chef Raimundas Dambrauskas is known for creating challenging dishes that rival Michelin-starred restaurants. On the booze front? The team has won awards for the extensive wine list, with some wines coming from other monasteries in the region. Be sure to add the (very) reasonably priced wine pairings onto your tasting menu experience. THE LOCAL AREA The hotel sits on the bank of Lithuania's Kaunas Lagoon, where you can swim and sail during summer and take wintery walks in the colder months — you might even be able to walk across some of the frozen parts. If that sounds too risky, you can simply stick to some of the many hiking trails that wind around the protected forests. The local city of Kaunas must be explored too. In 2022, it was named the European Capital of Culture thanks to the abundance of galleries, festivals and dining venues. There's stacks going on in this little known city — both ancient and modern. Next time you go gallivanting around Europe, be sure to add Lithuania to your list of must-visit countries. THE EXTRAS When staying at Monte Pacis, you are surrounded by history and tradition. That's why it's imperative you take a tour of the monastery and its grounds — seeing how monks, both past and present, use the space while marvelling at all the baroque artworks. The hotel's residents even have access to the historical literature library and spiritual literature room. Either attempt to read something from the shelves or bring your own book to enjoy within the staggering space. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
The northern British city of Sheffield has given the music world many gifts, but for the last decade, one band has sat at the top at the heap. The Arctic Monkeys got toes tapping with the fastest selling debut album in UK chart history, and kept oozing out indie-rock tunes across four more albums. You own their records. You saw their shows. If you lived in Brisbane last time they came to town, you were probably there when the PA system stopped working but Alex Turner kept singing. Now, you can head to The Foundry for an evening dedicated to loving everyone's favourite Yorkshire group. With the band rumoured to be releasing their first new album in five years in 2018, consider it an hearty Arctic Monkeys entree before they finally deliver new songs. And, it's taking place on January 6, which is frontman Alex Turner's birthday. Taking the group's advice, snapping out of your everyday life and putting on your dancing shoes for a piledriver waltz or two of is recommended, because the bulk of their tracks will get a spin over the course of the evening. And if you need a palette cleanser between servings, they'll also be playing other indie tunes amidst all the Arctic Monkeys love, spanning everything from The Strokes, Phoenix and Pulp to Violence Soho, The Cure and MGMT.
Tasmania is famous for its heritage-listed wilderness, exquisite pinot noir, epic art festivals and, of course, the Museum of Old and New Art (MONA). But, are you sure you know everything there is to know about the little island off the big island — also known as the Apple Isle? Beyond the magnificent snow-capped mountains, wild rivers, wineries and landmarks, there's a stack of unexpected adventures to be had — and Tassie's wintry sights make them all the more special. Are you aware that Tassie is home to a museum devoted to poo or a farm devoted to sea horses? Or that there's a village that's precisely like one you'd find in Switzerland? Strap in and get yourself to Tassie this winter. There's a whole slew of curiosities to discover. [caption id="attachment_718931" align="alignnone" width="1920"] Whisky tasting at Old Kempton Distillery by Samuel Shelley.[/caption] IMBIBE AT A WEEK-LONG FESTIVAL DEDICATED TO WHISKY Every August, in the dark depths of winter, Tasmanians warm themselves up during Tasmanian Whisky Week. Running from August 12-18 this year, the celebration of local drops takes over the entire state with tours, tastings and special events, like film screenings, cocktail parties and chef feasts — all whisky-inspired, of course. Among the highlights are bus tours of Tasmania's remote distilleries, a progressive dinner across four of Hobart's top restaurants, a whisky-fuelled twilight sail down the River Derwent and Shene Estate's 200th birthday party. Check out the rest of the program over here. [caption id="attachment_722067" align="alignnone" width="1920"] Aurora Australis from Strahan by Dietmar Kahles.[/caption] SEE THE SOUTHERN LIGHTS Stargazers, great news — there's no need to travel all the way to Iceland or Norway if you're keen to view one of the sky's technicolour ballets. Australia has our own, and Tassie is the best place to see it. The Aurora Australis, aka the Southern Lights, might not get as much press as its northern counterpart but it certainly is just as beautiful. There's no telling when the stunning spectrum of light is likely to appear, but your safest bet is to head as far south as possible. There's also a handy Facebook group that reports on possible activity, so it's a good idea to keep an eye on that, too. [caption id="attachment_718929" align="alignnone" width="1920"] Tourism Tasmania and Graham Freeman.[/caption] FOLLOW AN UNDERGROUND RIVER (AND SEEK OUT GLOW WORMS) Deep in Mole Creek Karst National Park in Tasmania's central north are more than 300 limestone caves, caverns and sinkholes. However, just two are easily accessible, one of which being the Marakoopa Cave, an underground world of stalactites, stalagmites, crystals, serene pools, babbling rivers — and the biggest glow worm population found in a publicly accessible cave in Australia. Also, look out for the Tasmanian cave spider, a special type of creepy crawly that's learned to live without light. Tours of the cave go for 45 minutes and depart several times a day. [caption id="attachment_717924" align="alignnone" width="1920"] Seahorse World.[/caption] VISIT A SEAHORSE FARM You'd have to spend a lot of time snorkelling to get up-close to a seahorse. But, at Beauty Point on Tassie's north coast, there's Seahorse World, a farm where you can meet loads without even getting wet. From big-bellied ones to bright orange pacific seahorses (also known as giant seahorses), you'll wander through the mysterious Cave of the Seahorse, find out how such a farm operates and stroll through the Wonders of the Southern Ocean Aquarium. While here, you can also catch a glimpse of teeny-tiny baby seahorses — which are about the size of a thumbnail — and hold a fully grown one in the palm of your hand. [caption id="attachment_722075" align="alignnone" width="1920"] Thalia Haven.[/caption] TAKE THE MOST SCENIC BATH OF YOUR LIFE This tub takes scenic bathing to a whole new level. Perched on a private deck at Thalia Haven, it overlooks incredible views of Great Oyster Bay on Tasmania's charming east coast. Even in the nippy winter air, not much can beat soaking in a bubble bath with such views and a glass of wine in hand. Sink into the steaming depths of this tub and lose yourself in a dreamy sunrise or, by night, endless stars. To try it out, you'll need to book a stay at Thalia Haven, an ancient stone dwelling set on 130 acres of woodland on its own private peninsula — with its own private beach. There's room for up to eight guests, so you can take a bunch of friends with you, too. [caption id="attachment_717921" align="alignnone" width="1920"] Grindelwald Swiss Village.[/caption] STROLL THROUGH A SWISS VILLAGE Head to this magical spot and you could easily believe that you're in Switzerland — particularly when you're in the depths of Tassie winter. Found within Tamar Valley Resort, Grindelwald village, built in the 1980s, is a replica of a Swiss original — think enchanting houses with oversized eaves, window shutters and bright flower boxes. In between admiring the uber-kitsch town, its architecture and manicured gardens, warm up in the chocolate cafe where you can feast on handmade truffles, or take a stroll around the village's sparkling lakes and take in the crisp country air. This wonderland lies a 20 minutes' drive northwest of Launceston and is the perfect pitstop before heading to Tamar Valley's many vineyards. [caption id="attachment_717910" align="alignnone" width="1920"] Pooseum.[/caption] TALK FREELY ABOUT POO AT A POOSEUM Anything you've ever thought, questioned or wanted to say about poo is fair game at the Pooseum, "where talking about poo is not taboo". You'll find this paean to the mighty number two in Richmond, a village 30 minutes' drive northeast of Hobart. The exhibition covers poo of all shapes, sizes and types. And you're bound to discover a few things that'll come in handy at your next trivia night — from the poo cheese that Sardinians consider a delicacy to the rising popularity of poo facials in Australia. Top image: Shene Estate by Samuel Shelley.
The chef behind of Brisbane's favourite Japanese eateries is opening an izakaya at one of the River City's top new events for 2023. The figure: Taro Akimoto from Taro's Ramen, one of Brissie's best spots to get slurping. The new venture: a pop-up at Brisbane Powerhouse. And the event: Night Feast, the neon-lit night food market that returns for a month of delicious dishes in October. Akimoto is joining forces with Sapporo for Sapporo Izakaya by Taro, one of the new additions to Night Feast's second season from Wednesday, October 4–Sunday, October 29. The chef responsible for Taro's Ramen's four outposts will be in charge of the menu, while Sapporo ambassador and beer sensei Shinichiro Shimo will pair his dishes with brews, all in a space that's been designed and crafted to bring a classic Japanese restaurant experience to New Farm's riverside. That's just one of Night Feast's upcoming October highlights. Coming back for season two in 2023 was always in the works, with the event announced in 2022 as a twice-yearly affair. It debuted in March to great success — more than 125,000 people ate and drank their way through the night market's first-ever season, with 67,258 wontons, 28,352 skewers and 6306 oysters devoured in the process — and now aims to beat that with its winning blend of food, booze and art. One key difference, of course, is celebrating spring instead of autumn. Eateries Donna Chang, Gerard's Bistro, E'cco Bistro, Dalton Catering, Saison Salumi, LouisB, Lek's Thai, Mary Mae's, Hoy Pinoy, Wonderbao, Anchelee and Bugsters don't care about the change of season, locking in their second round at Night Feast after also serving up bites in March. This time, they'll be joined on the food lineup by Essa, Nota, Southside, Bar Alto, The Green and Nosferatu Gin (who'll also be doing dessert), as well as MAYA and La Mano. Exactly what each eatery will be dishing up hasn't been revealed as yet, but duck, waffles and birria tacos are being teased, along with a mezze spread. Communal dining is one of Night Feast's big focuses — including in the returning garden lounge — plus having the restaurants taking part in Night Feast to dish up the absolute top thing on their menus. In March, that meant tucking into every spot's signature options, just by the river in New Farm. Entertainment-wise, attendees can look forward to For Whom the Bell Tolls, Bridie Hooper's mix of circus and the sounds of, yes, a bell; a wandering serenade by The Huxleys, who are also on Brisbane Powerhouse's LGBTQIA+ MELT Festival's lineup for spring; and Multitudes by Tin and Ed, aka ten lit-up giants that'll tower over the precinct (and, thematically, offer a fitting successor to Amanda Parer's Fantastic Planet in March). Live tunes will provide by a soundtrack by a roster of talents that includes Hol Hibbo, Aunty Stan, Benny Chiu, Dameeeela, Josh Armour, Neesha Alexander and more — and QUIVR DJs will bring the beats. Images: Pixel Frame / Markus Ravik / Lachlan Douglas.
Fancy grabbing a banh mi in a carpark at South Bank? Well, now you can. Hello Please has set up shop in Fish Lane, though they're not letting the increasingly busy and crowded nature of the popular area get in their way. Instead, they've plonked down a container, carved out their own space adjacent to Maker, Gauge and Julius Pizzeria, and started serving up everyone's favourite Vietnamese dishes. You could say that makes Hello Please a bit of a hidden gem, though it won't stay that way for long. Opening to the public on August 5, the new venture from The Stables Craft Bar and Kitchen owner Daniel Ward and seasoned hospitality professional Maris Cook brings the casual, quaint, high-quality style of Melbourne's street-focused haunts Saigon Sally and Kong BBQ to Brisbane. Food-wise, that means quick, consistent, fresh and affordable options like bao, dumplings and rice-paper rolls from an evolving but flavour-filled menu, with dinner selections designed with matching cocktails in mind. If you're dining by day, expect it to be a speedy affair. If you're eating in the evening, two sittings will be available. A focus on swiftness and structure in getting everyone in and out reflects the small size of the restaurant, which accommodates 30 people at the bar and another 60 in the outdoor eating area. Murals by local artist Drapl give the place the requisite laidback feel — and, let's face it, who doesn't want to relax over a bite to eat and a few beverages in a space that just would've remained empty and unused otherwise? Find Hello Please in Fish Lane, South Brisbane. Check out their website and Facebook page for more information.
Flight sales pop up all the time, which is excellent news for everyone that's obsessed with taking holidays. So, it's great for everyone. But Virgin Australia's latest batch of cheap fares is a once-in-four-years offering. It's doing big discounts for Leap Day, because February 29 is worth celebrating when it rolls around. For today, Thursday, February 29 only, then, more than 200,000 sale flights are up for grabs across a range of both domestic and international destinations. In other budget-friendly news, the cheapest starts at $35. As is always the case with these kinds of specials, that's the price from Sydney to Byron Bay — but Melbourne to Launceston will only cost you $39, too. Other options include Sydney to the Sunshine Coast from $55 and to the Gold Coast from $59, Melbourne to Uluru from $89 and to Hamilton Island from $99, and Brisbane to Cairns from $75 and to Hobart from $99. Folks in Adelaide can hit the Gold Coast from $85, while Perth residents can go to Cairns from $129. And they're just some of the one-way deals available. Internationally, the return deals start with Adelaide to Bail from $385, and also include Melbourne to Bali from $439, Sydney to Queenstown from $405 and Brisbane to Fiji from $479 — with more where they came from as well. If you're wondering when you'll need to travel, there's a range of dates from Monday, April 1–Sunday, June 30, 2024, all varying depending on the flights and prices. Getting in quickly is always recommended when it comes to flight sales — but when they only run for a day, finishing at 11.59pm AEST, you need to take that advice seriously. Virgin's 2024 Leap Day sale runs until midnight AEST on Thursday, February 29 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Call it the circle of cinema. Call it the movie that was always bound to happen once technology was rolled out to bring The Lion King franchise back to the screen with photorealistic visuals, too. After remaking its 90s animated hit with imagery that helps its animals to appear as if they've walked out of a documentary — well, almost — with 2019's The Lion King, Mufasa: The Lion King is hitting cinemas in 2024 to tell the story before the saga's beloved story. If you just can't wait to spend more time in the lifelike iteration of The Lion King's world, here comes a film about the lion that's king of the Pride Lands before Simba gets the job. As both the initial teaser trailer and just-dropped full sneak peek show, Mufasa: The Lion King is again styled to look like reality, not animation. It also shares Donald Glover (Mr & Mrs Smith), Beyoncé, Seth Rogen (Dumb Money), Billy Eichner (Bros) and John Kani (Murder Mystery 2) with its predecessor, reprising their roles as Simba, Nala, Pumbaa, Timon and Rafiki. As the feature's moniker makes plain, however, Mufasa: The Lion King isn't focusing on any of those characters' tales. Mufasa, aka Simba's father, sits at the centre of a picture directed by Moonlight Oscar-winner Barry Jenkins. The movie is presented as a story told by Rafiki, Timon and Pumbaa to Kiara, the daughter of Simba and Nala, who is voiced by Blue Ivy Carter. So goes a narrative about an orphaned cub who is taken in by a lion with royal blood, then set on a path that leads to the events of The Lion King. Among the voice cast, Aaron Pierre (Foe) does the honours as Mufasa. Kelvin Harrison Jr is Taka (Chevalier), the lion prince who takes Mufasa in like a brother. Tiffany Boone (Hunters), Mads Mikkelsen (The Promised Land), Thandiwe Newton (Chicken Run: Dawn of the Nugget), Lennie James (Genius), Anika Noni Rose (Pantheon), Keith David (Rick and Morty), Kagiso Lediga (The Umbrella Men) and Preston Nyman (A Small Light) also lend their vocals to the flick. As well as Jenkins, Mufasa: The Lion King boasts another huge off-screen name, with Hamilton great Lin-Manuel Miranda writing the movie's tunes. "Elton John. Tim Rice. Hans Zimmer. Lebo M. Mark Mancina. Beyoncé, Labrinth, Ilya Salmanzadeh. Beau Black, Ford Riley, the incredible music team on The Lion Guard, and so many musical contributors over the years. The Lion King has an incredible musical legacy with music from some of the greatest songwriters around, and I'm humbled and proud to be a part of it," said Miranda. "It's been a joy working alongside Barry Jenkins to bring Mufasa's story to life, and we can't wait for audiences to experience this film in theatres." Check out the full trailer for Mufasa: The Lion King below: Mufasa: The Lion King releases in cinemas Down Under on Thursday, December 19, 2024. Images: courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
In what might be the bravest marketing move of the decade, ice cream manufacturers Ben and Jerry's are rumoured to be creating a new flavour called 'Schweddy Balls' based on an incredibly popular Saturday Night Live skit from 1998 involving Alec Baldwin. In an interview last night former SNL cast member Anna Gasteyer said of the Schwetty Balls skit "It has this crazy, massive popularity that's kind have had a half life since I left the show. Ben and Jerry's is coming out with a Schwetty Balls ice cream for Christmas this year." Bowery Bogey claims this delicious dish will be available to consumers as soon as September. A Ben and Jerry's representative has refused to either confirm or deny the sweaty speculations, instead choosing to say "we like all our new flavours to have an element of surprise." Surprise indeed, one can only imagine what constitutes a Schweddy Balls flavour. And while this all might seem too be good to be true, it wouldn't be the first time that Ben and Jerry's have released a pop culture inspired flavour. Previous flavours include Stephen Colbert's Americone Dream, Cherry Garcia, in honour of Grateful Dead singer Jerry Garcia, and Yes Pecan in honour of Barack Obama's 2008 presidential victory. https://youtube.com/watch?v=yVChao15oDw [Via Gothamist]
While wallet-friendly price points and a penchant for the flat-pack can often see IKEA's designs pitched as short-term furniture, the Swedish retailer is keen to shake off those perceptions. And how better to do so than by teaming up with an acclaimed design company for a clever new collection? The latest move in IKEA's push towards longevity is a statement range called Ypperlig, created in collaboration with Danish designers HAY. Launching this October, it's a collection of basics crafted for contemporary styling, drawing on HAY's flair for functionality and aesthetics. According to Rolf Hay, one half of the husband-and-wife duo behind the design company, the project proved an all-round win. "It's fair to say that HAY and IKEA are two very different companies," he acknowledged. "But when we started talking to IKEA it became very clear that we shared many perspectives on design." Unlike some of IKEA's more ubiquitous designs, this is a range of furniture and accessories you won't want to get rid of in a hurry — each piece clever, yet understated, sleek and undeniably Danish. Expect nifty products like a slimline LED lamp complete with in-built touch dimmer, hand-painted stoneware vases, a contemporary take on the classic Scandinavian plank table and a spring mattress sofa bed that's actually comfy enough to sleep on. HAY has even redesigned the iconic blue Ikea shopping bag, working in a range of new colours and weave patterns. The best part about this HAY x IKEA collaboration is that you can purchase a HAY piece for IKEA prices. While a HAY chair retails for around $200–400, one from their IKEA collaboration will set you back less than $100. The HAY x IKEA Ypperlig collection will go on sale this month. To browse the collection, visit ikea.com.
Step aside Viennetta: there's a new luxe dinner party freezer-treat in town. Connoisseur — that purveyor of luxurious, eat-it-by-the-tub ice cream — has teamed up with artisan Australian chocolate brand Koko Black for a new range of ice cream sticks for more discerning chocolate aficionados. The duo of new flavours serve as a good reminder that, sometimes, you can't go past a classic. The vanilla version sees Connoisseur's vanilla coated in Koko Black's 54 percent dark chocolate. If you're looking for a bit more crunch, make a beeline for the honeycomb stick that stars honeycomb ice cream in Koko Black's signature Tasmanian Leatherwood Honeycomb pieces in 54 percent dark chocolate. It's the first time the Melbourne-born chocolatier has made its way into the frozen aisle, which is surprising given that its more recent collabs have included cake and beer. Connoisseur's Koko Black selections are available as four-packs ($8.40), while the classic vanilla is also available as an individual stick ($4.40). They're available right now from leading convenience and grocery stores around Australia.
How do you start the first-ever WorldPride held in the Southern Hemisphere? With an already-announced opening concert starring none other than Kylie Minogue, of course. How do you farewell the fun when the massive LGBTQIA+ festival is finished taking over Sydney in February and March 2023? The event has just started locking in those plans, too, with MUNA and G Flip headlining closing gig Rainbow Republic. Like the kick-off festivities, this one will take place in The Domain — and indie popsters MUNA will be making their Australian debut when they take to the stage. As for G Flip, the pivotal slot comes after they just played the AFL Grand Final, following one iconic event with another. When it takes place on Sunday, March 5, attendees can expect a seven-hour show filled with live music, DJs and dancing — a queer megamix, if you like. On hosting duties: Keiynan Lonsdale (Love, Simon, The Flash, Eden), who'll also perform. Peach PRC, Alter Boy, BVT and Vetta Borne have also been named on the bill. This is just the first lineup announcement, however, so expect more to follow. Sydney WorldPride has been announcing parts of its lineup since June, including the return of the Sydney Gay and Lesbian Mardi Gras Parade to Oxford Street after the 2021 and 2022 events were held at the Sydney Cricket Ground due to the pandemic — and it will drop its full 300-event program in November. As well as the parade, Kylie and Rainbow Republic, Sydney WorldPride will feature pride villages set up in sections of Crown Street and Riley Street, a giant weekend-long street party on Oxford Street, a Bondi beach party that'll turn the iconic sandy stretch into a club for 12,000 people, and a Blak & Deadly First Nations gala concert. Plus, there'll be another huge gig in The Domain — a dance party for 10,000, which is being dubbed as the biggest LGBQTIA+ outdoor dance party in Australia. RAINBOW REPUBLIC SYDNEY WORLDPRIDE CLOSING CONCERT LINEUP: MUNA G Flip Keiynan Lonsdale Peach PRC Alter Boy BVT Vetta Borne Sydney WorldPride will run from Friday, February 17–Sunday, March 5, 2023, with closing concert Rainbow Republic taking place at The Domain on Sunday, March 5. Tickets for Rainbow Republic are on sale now. For more information about Sydney WorldPride, or for general ticket sales, head to the event's website. Thinking about Sydney WorldPride's big opening gig, Live and Proud: Sydney WorldPride Opening Concert, too? General admission tickets have sold out, with only Sydney WorldPride's affordability option left — but you can still head along thanks to Concrete Playground Trips. The Sydney WorldPride package includes tickets to the Domain Dance Party and Live and Proud: Opening Concert, plus three nights at the PARKROYAL Darling Harbour Sydney.
As Alfred 'Paper Boi' Miles in Atlanta, Brian Tyree Henry has been given plenty to utter. Across the hit Donald Glover-created series' three seasons so far, his rapper character has soared from up-and-comer to global star touring Europe, as chronicled with the show's banter-filled dialogue. But there's one thing that hasn't ever fallen into his remit in his best-known role, and is highly unlikely to in the fourth and final season that's set to arrive this September: obsessing over Thomas the Tank Engine. Henry might be as synonymous with Atlanta as Glover, complete with a 2018 Emmy nomination for his stellar performance, but his resume spans far further than the acclaimed series. In movies as varied as Widows, If Beale Street Could Talk, Spider-Man: Into the Spider-Verse, Joker, Godzilla vs Kong and Eternals — and shows such as Boardwalk Empire, The Knick and This Is Us as well — he's kept proving a compelling presence. There's no Thomas the Tank Engine fixation among them either, though. Instead, waxing lyrical about blue British locomotives is the domain of Henry's part in action-comedy Bullet Train. He plays blonde-tressed assassin Lemon, half of a chalk-and-cheese killer duo with Aaron Taylor-Johnson's (The King's Man) Tangerine. Dubbed "the twins" but clearly brothers in friendship rather than blood, they're just two of the movie's many killers, as led by Brad Pitt (The Lost City) — all of which, fittingly for Lemon, find themselves speeding across a neon-drenched vision of Japan via the titular shinkansen. In other films, it's easy to predict how Henry's part would go. But, working with John Wick and Atomic Blonde filmmaker David Leitch, Henry was determined that Lemon would transcend tropes — and be a hitman that viewers cared about, even as he's using Thomas the Tank Engine to decide whether people are trustworthy or not and, obviously, as he's hopping around the train killing people. Ahead of the movie's local release on August 4, we chatted to Henry about Bullet Train, childhood favourites, busting tropes, gravitating towards banter, and a shoot that felt like "a bloody summer camp". ON 'THOMAS THE TANK ENGINE' AND CHILDHOOD FAVOURITES "Is anyone really a fan of Thomas the Tank Engine? It has always been a part of our childhood, right? He's just always been there… I think what's really great is that with this movie, we get to really go into the characters' details, because Lemon truly studied and loves Thomas the Tank Engine. And he's right about it. Every time that he says that somebody is a Percy or an Edward or a Diesel, he's right. So there is a little truth to the characters of Thomas the Tank Engine, for you to tell if somebody is trustworthy or not. But, when I was a kid, it came on after the good stuff. Like Thomas the Tank Engine kind of wrapped your day, and you were like 'where are the explosions? I want to see more stuff with candy.' I didn't do an in-depth Thomas the Tank Engine study when I got this part, but I did play the theme song on set though to really piss everybody off. I was like 'come on guys, we need this levity, let's listen to Thomas the Tank Engine'. Care Bears was my thing. Fraggle Rock, anything Muppet-related, I was all about it. I was a huge Jim Henson head, I mean anything that had Jim Henson on it, I was there for it. And I'm not going to lie, I still do, I still care a lot about anything Jim Henson-related." ON GOING BEYOND THE COMEDIC BLACK GUY TROPE "I got a call from David Leitch who said that he was making this movie, and my jaw kind of fell on the floor because I know David Leitch's repertoire and I was really excited — and I was also very suspicious. I loved Deadpool 2. I know he produced all the John Wicks which I love as well. I remember loving Atomic Blonde and these universes he created, but I was very much like 'where am I going to fit in this?'. And then he told me that there was a character named Lemon that was one half of a duo called Lemon and Tangerine. I read the script, and I did love it, but there were some parts that I really wanted to delve a little deeper into — because the first draft kind of seemed like Lemon was there to just be there for laughs, and I didn't want him to just be the comic foil. I wanted him to be cared about. There's usually a trap that happens sometimes when you're Black and doing action movies or any kind of certain genre, that you're the funny person and usually the first person that dies — you know all these weird, terrible, microaggressive tropes that are put on Black people. I didn't want that for this movie, and I pled this to him. I was like, 'look, if you are putting me in this atmosphere, being on Japan on a bullet train, I want people to care that I'm there — it's not like I can hide anywhere, it's not like people won't notice when I'm there'. This is also during 2020 when shit was hard. It was really hard in America, it was really difficult. We didn't know what this virus was, there was social injustice going on outside of our door, we were dealing with an election that would change our fate, and I was angry — and I hate saying that I was an angry man, but I was. And I was also very fearful of what was going on, and I had to find some trust to take this movie, and David reassured me, he was like 'we really want your voice in this'." ON PLAYING A KILLER PEOPLE WOULD CARE ABOUT "When I was paired with Aaron Taylor-Johnson, I was like 'this can play a few ways', because it says we're twins and we're clearly not. A sense of brotherhood can be there and that can be authentic, and I let David know that. Aaron and I both wanted to find the heart of who both of these characters are. Whenever we see these movies, where the tropes are a black man and a white guy coming together, it's all different kind of hijinks — and look these tropes have a place, and I admire them and the actors who played them, they have their own place in history. But if we were going to add to that, we wanted it to come from a different place. With most of these duos, you see these men coming from two different sides of the world, or two different walks of life, they come together and they form a partnership. But with our duo, we literally grew up together. And part of me was like 'maybe we were passed around in the foster care system together, maybe we were used to having each other to protect each other, to care about each other, and that just went on until we grew up?'. So that brotherhood was what was really important, because we wanted the audience to really believe that there was a brotherhood between the two of us. David heard that, and really allowed us to play with that — because I wanted the audience to care, I really did. I know that we're sociopathic killers, and yes we're funny and we have this banter that goes back and forth, but I wanted you all to care if we got separated. I wanted you all to care if one made it and one didn't. I wanted the audience to really care about these brothers, because they're the only assassins on the train that are a duo, that's a partnership — and I wanted people to care because I needed to figure out how to care again. I needed to figure out what a brotherhood meant with someone who didn't look like me, someone who wasn't from where I was. I needed to really find a way to feel a connection with somebody, and Aaron just brought his heart and brought his soul to this thing‚ and we instantly hit it off. And we gave David Leitch no choice but to kind of like accept that. Most of the things that we were doing were improv. Most of the things that we said, that we volleyed off one another were just off the top of our heads, and David Leitch was like, 'yeah, let's keep going with that' because he saw how close we were. It restored a kind of faith in me again when playing this role because I cared about Lemon so much, and I wanted people who were watching Lemon so much… I owe a huge thanks to David Leitch for hearing me out, hearing me say that I wanted these things and I wanted to play with Lemon this way, because he let me." ON ALL OF THOSE STUNTS — AND A SHOOT THAT FELT LIKE "A BLOODY SUMMER CAMP" "I remember going to Dick's Sporting Goods, and I was like 'kneepads, gloves, shorts, everything, because I'm going to do it all'. I was so ready to get ready for this movie. I really wanted to do all these crazy stunts that I'd seen David Leitch choreograph throughout his career. I really wanted to do wire work. I wanted to find different ways to kill somebody with a tray table. I wanted to really get in there. We couldn't go to studios like you would if you were trying to learn fight choreography, so they had to improvise and made this makeshift fight playground, basically, on the rooftop of a parking deck on Sony's lot. And it was the coolest thing I've ever seen. So you've got padded floors, boxes are that are the walls of the train, tables, fold-up chairs — and with the help of Greg Rementer, who is the stunt coordinator for 87 North [David Leitch's production company], we had the time of our lives. The collaboration that David Leitch has in his work is really fun. Especially, I think about the fight between Brad and I that is taking place on a quiet car. My character tells him that he needs to keep his voice low because it's the quiet car, and all the while I'm going to do what I can to kill him on this quiet car. So doing the fight choreography, to map out how we're going to do that, was like taking me to like a bloody summer camp. You're signing up to just go bash each other's faces in, but how how many different ways can we do that on a quiet car? How many ways are Brad and I going to be in a headlock and punching each other in the nuts? How many ways are you going to avoid a snake that's now loose on this train? It was some of the most therapeutic scene work I've ever done in my life, and it was incredibly fun." Bullet Train screens in Australian and New Zealand cinemas from August 4. Read our full review.
How do you celebrate an occasion linked to a British monarch? With a day of knocking back more than a few British beers — obviously. That's what Bacchus Brewing Co. have in store on Saturday, October 1 anyway, courtesy of their second Harvey's Real Ale Beerfest. As the name suggests, the day-long drinking extravaganza is dedicated to Harvey's Brewery, who are actually the oldest independent brewery in Sussex. Bacchus will be pouring four of their best brews, as well as their own English-themed creations — and they'll be putting on a ploughman's lunch as well.
In the era of #cleaneating, how can the less sanctimonious among us get our foodie jollies and an unhealthy serving of trans fats? The answer is deep-fried and covered in sauce: American food, of course. Fare from the US of A has enjoyed a steep increase in popularity among Brisbanites lately, and though it's not helping us keep our waistlines in check, the food on offer is just too good to ignore. Here are five of the best American food joints in town, and the dishes you mustn't miss. 1. Yard Bird Ale House Despite its Fortitude Valley location, this is one Ale House that's easy to miss — and regulars wouldn’t mind keeping it that way. Yard Bird is tucked into the Brunswick Central complex behind Bravo bar, and is regularly packed to the gills with ravenous patrons washing down wings, pizzas and burgers with a pint of Little Creatures or Monteiths cider. Everything on the menu is top notch, but the star has to be the chilli cheese fries. Shoestring fries perfectly deep-fried then heaped with beef chilli, cheese, jalapenos and Yard Bird’s special sauce. How could something that tastes so good possibly be wrong? Whether you're hungover or just really hungry, these fries will hit the spot. They're also available with bean chilli for those of the veggie persuasion. 6/24 Martin Place, Fortitude Valley 2. Tippler's Tap Heading back towards Fortitude Valley, you'll find Tippler's Tap in Newstead. Light on the wallet and heavy on the calories, this is definitely an establishment you should enter hungry. With prices so low it's easy to over-order, so bringing a few hungry friends won’t hurt either. There is an impressive range of craft beers on tap, and the lovely bar staff can point you in the direction of your ideal brew. With a menu including hot dogs, jaffles and onion rings, it's tough to pick a favourite, but the chilli and sliders are probably the ones to beat. 1/22 Masters, St Teneriffe 3. Carolina Kitchen The most unassuming of American food havens, Carolina Kitchen can be found on a quiet corner in suburban Coorparoo. This doesn't deter its loyal customers, though, who come in droves for the delicious hoagies (subs), burgers, wings, fries, and most of all, the ribs! Falling off the bone and smothered in rich and smokey BBQ sauce, these could tempt almost anyone away from their quinoa and kale. Pair these meaty beauties with a classic root beer, and finish your Carolina Kitchen meal off with a slice of pie — some of the varieties regularly available are pumpkin, key lime, pecan and cherry. Yum. 2/38 Macaulay Street, Coorparoo 4. Lefty's Old Time Music Hall Lefty's doesn’t just offer an American food menu; it’s a little slice of Americana in the heart of Caxton Street. Described by co-founder Jason Scott as "themed like Deadwood meets Carnivale in a Louisiana brothel," this new bar and music venue has ambience to burn. The food menu is short and sweet, featuring snacks like popcorn shrimp and onion rings, but if you’re peckish, don’t miss the po’ boys. The blackened catfish po’ boy in particular is a tasty treat — full of smoky Cajun flavour on a crusty bun, and of course, a side of fries. You’ll love the mini Tabasco sauce bottles that come with the meals. 15 Caxton Street, Petrie Terrace 5. Shady Palms The latest venture from Mal and Bec of Lady Marmalade Cafe, Shady Palms has already become Stones Corner’s hottest new Sunday session location. More importantly, it also features an excellent American-inspired menu stretching through breakfast (yay!) into the late evening. A Shady Palms brekky might include a bagel, salted cod croquettes or pork tacos, while the sliders, po’ boys and share plates make great afternoon snacks. For a full-on kilojoule walloping, try the fried chicken with a side of macaroni cheese — it’ll beat your bucket of drumsticks any day of the week. This chilled new venue also hosts live music and cult theatre nights. 427 Logan Road, Greenslopes View all Brisbane Restaurants.
When you're watching The Room, or reading behind-the-scenes memoir The Disaster Artist, or seeing the star-studded film the latter spawned as well, one big fact is always glaringly apparent. It's inescapable. It's as obvious as Tommy Wiseau's lanky hair and awkward demeanour. It's as plain as the spoons scattered throughout The Room. Yes, Greg Sestero went through one helluva experience. Of course, if it wasn't for The Room, Sestero mightn't have enjoyed his current fame. When you're in a movie that's so bad it's bad but also someone great to watch — but definitely not great itself by any standards — that's a particular kind of success. So, Sestero has made the most of it. He penned The Disaster Artist. He popped up in the flick based on it. He reteamed on-screen with Wiseau for the two-part Best F(r)iends. And he heads to screenings, doing Q&As to chat about all things The Room, too. It's been five years since Sestero last came to Australia to indulge the nation's The Room fixation, but for a week from Sunday, February 12–Saturday, February 18, he's back. His timing is perfect given that Wiseau's disasterpiece notches up 20 years in 2023. Spoons at the ready, clearly. Sestero is heading to Sydney, Brisbane, Perth, Adelaide and Melbourne to do two things: get talking about The Room as part of 20th-anniversary sessions, and also show his new horror film Miracle Valley. This one is a horror movie on purpose, rather than accidentally like The Room, and also marks Sestero's feature directorial debut. "Few other countries have embraced The Room as Aussies have," said Sestero, "so it feels right to celebrate twenty years of a film few expected would be remembered beyond the premiere with the fans Down Under. This will be my fifth visit to Australia, and I can't wait to get back there." For newcomers to The Room — with your pristine minds currently untainted by its wonders, and your vocabulary free from constantly saying "oh hi Mark" — it tells the tale of a banker, his adulterous fiancée, his conflicted best friend, a local teen caught up in a drug deal, a mother with cancer, a particularly tense party, a bunch of guys playing football in tuxedos and the worst apartment decorating scheme you've ever seen. Wondering how all of these things come together? Even the wildest combination you can come up has nothing on The Room. As for Miracle Valley, it's about an obsessive photographer and his girlfriend, who head off on a desert getaway but get threatened by sinister forces. No — disappointingly or welcomely, depending on how you feel about The Room — Wiseau is not among the credited cast. GREG SESTERO AUSTRALIAN TOUR 2023: Sunday, February 12 — Hayden Orpheum, Sydney Tuesday, February 14 — Dendy Coorparoo, Brisbane Wednesday, February 15 — Luna Palace, Perth Friday, February 17 — Palace Nova, Adelaide Saturday, February 18 — Cinema Nova, Melbourne Greg Sestero is touring Australia from Sunday, February 12–Saturday, February 18. Head to the Hayden Orpheum, Dendy Coorparoo, Luna Palace, Palace Nova and Cinema Nova websites for tickets and further details.
The woods are a dank and dreary place in Disney's big screen adaptation of this beloved Broadway show. A star-studded fairy tale mash-up, Into the Woods contains no shortage of great actors, none of whom can do anything to distract from the film’s horribly awkward pacing or the apparent visual indifference of its director. Combine that with the script's (mostly) toothless treatment of Steven Sondheim’s subversive source material, and this is one Hollywood musical that sounds hideously out of tune. The story takes place in a generic far away kingdom, where a lowly baker (James Corden) and his cheery wife (Emily Blunt) enter into a bargain with the neighbourhood witch (Meryl Streep): locate four magical objects, and in return she'll lift the curse that prevents them from conceiving a child. The search takes them deep into the nearby woods, where they encounter a multitude of bedtime characters, including Cinderella (Anna Kendrick), Little Red Riding Hood (newcomer Lilla Crawford) and Jack the Giant Slayer (Daniel Huttlestone). Sondheim doesn't just include these names because they're familiar. Although fairy tales are aimed at children, they're inevitably packed with plenty of adult subtext. Into the Woods, in its best moments, subverts our expectations, delving more explicitly into the ideas lurking under the surface of these kid-friendly fables, or in other cases turning them totally on their head. The sexually suggestive interplay between the pre-teen Little Red Riding Hood and the lecherous Big Bad Wolf (Johnny Depp) is seriously un-Disney, while Chris Pine's delightfully hammy performance as the somewhat less than charming Prince Charming speaks to the folly of unrealistic romantic expectations. His rendition of 'Agony' is the highlight of the film by far. Sadly, these tongue-in-cheek moments rarely go as far as you would like. The instances of morbid and self-aware humour are great, but they're ultimately secondary to a dull, drawn-out story. Furthermore, although the songs are generally well written and performed, they increasingly tend to bog down the narrative as opposed to driving it forward. At the same time, despite the endeavour feeling too long, a number of the major character arcs feel seriously short-changed. The witch, in particular, simply up and disappears once the movie has nothing more for her to do. Then there's the matter of director Rob Marshall, who between Nine and the most recent, nigh-unwatchable Pirates of the Caribbean movie seems determined to prove that his Oscar for Chicago was a complete and utter fluke. His unimaginatively framed musical sequences make Tom Hooper's super-extreme Les Miserables close-ups look positively artful, while the overcast grey-green colour palette of cinematographer Dion Beebe saps the film of whatever energy was left. For a film about magic, Into the Woods contains next to none. Here's hoping this isn't an indicator of what 2015 movies have in store.
After an unseasonably warm winter, anyone who has been outside this month will have noticed the trend continuing, with Sydney's weather seeming to forget that spring comes before summer. Indeed, fresh from experiencing one of the hottest winter days on record, the city has just hit the same milestone when it comes to September evenings. Earlier this week, Weatherzone predicted that the temperature would reach sweltering heights this weekend, and they weren't wrong. Overnight, the mercury didn't dip below 26 degrees, ready for a high of 33 degrees today. The Sydney Morning Herald reports that when the temperature did make it to 25.7 minimum this morning, it still eclipsed the September record by 3.7 degrees. And, the records keep coming. The September high for the entire state was broken yesterday according to the ABC, with temperatures topping out at 40.5 degrees in Wilcannia in western New South Wales. With White Cliffs and Bourke, the town became the first in the state to venture over 40 degrees during September. Just over the border, Mildura hit the highest temperature ever recorded in Victoria during September, making it to 37.7 degrees. https://twitter.com/weatherzone/status/911539706302676993 Things are expected to cool down on Monday, for those in need of a reprieve — aka everyone. For now, total fire bans are in place across large parts of the state. And if you're feeling some anxiety about global warming, and what the rest of the year holds in store, that's completely understandable. We've said it before and we'll say it again: best grab a fan now; it's going to get quite the workout. By Sarah Ward. Via ABC / Sydney Morning Herald.
What's more difficult a feat: to ponder everything that the universe might hold, as writer/director James Gray did in 2019's sublime Ad Astra, or to peer back at your own childhood, as he now does with Armageddon Time? Both films focus on their own worlds, just of different sizes and scales. Both feature realms that loom over everyone, but we all experience in their own ways. In the two movies, the bonds and echoes between parents and children also earn the filmmaker's attention. Soaring into the sky and reaching beyond your assigned patch is a focus in one fashion or another, too. In both cases, thoughtful, complex and affecting movies result. And, as shared with everything he's made over the past three decades — such as The Yards, The Immigrant and The Lost City of Z as well — fantastic performances glide across the screen in unwaveringly emotionally honest pictures. In Armageddon Time, Gray returns to a favourite subject: the experience of immigrants to New York. With a surname barely removed from his own, the Graff family share his own Jewish American heritage — and anchor a portrait of a pre-teen's growing awareness of his privilege, the world's prejudices, the devastating history of his ancestors, and how tentative a place people can hold due to race, religion, money, politics and more. The year is 1980, and the end of times isn't genuinely upon anyone. Even the sixth-grader at its centre knows that. Still, that doesn't stop former Californian governor-turned-US presidential candidate Ronald Reagan from talking up existential threats using inflammatory language, as the Graffs spot on TV. Armageddon Time also takes its moniker from a 1977 The Clash B-side and cover; despite the film's stately approach, the punk feeling of wanting to tear apart the status quo — Gray's own adolescent status quo — dwells in its frames. Banks Repeta (The Black Phone) plays Paul Graff, Gray's on-screen surrogate, and Armageddon Time's curious and confident protagonist. At his public school in Queens, he's happy standing out alongside his new friend Johnny (Jaylin Webb, The Wonder Years), and disrupting class however and whenever he can — much to the dismay of his mother Esther (Anne Hathaway, Locked Down), a home economics teacher and school board member. He dreams of being an artist, despite his plumber dad Irving's (Jeremy Strong, Succession) stern disapproval, because the elder Graff would prefer the boy use computing as a path to a life better than his own. In his spare time, Paul is happiest with his doting, advice-dispensing, gift-bearing grandfather Aaron (Anthony Hopkins, The Father), who's considered the only person on the pre-teen's wavelength. Gray fleshes out Paul's personality and the Graffs' dynamic with candour as well as affection, as seen at an early home dinner. There, Paul criticises Esther's cooking, orders dumplings even after expressly being forbidden and incites Irving's explosive anger — and the establishing scene also starts laying bare attitudes that keep being probed and unpacked throughout Armageddon Time. Indeed, Paul will begin to glean the place he navigates in the world. Even while hearing about the past atrocities that brought his grandfather's mother to America, and the discrimination that still lingers, he'll learn that he's fortunate to hail from a middle-class Jewish family. Even if his own comfort is tenuous, Paul will see how different his life is to his black, bused-in friend, with Johnny living with his ailing grandmother, always skirting social services and constantly having condemning fingers waggling his way. And, Paul will keep spying how Johnny is at a disadvantage in every manner possible, including from their instantly scornful teacher and via Paul's own parents' quick judgement. Filmmakers diving into their own histories is one of the prevailing flavours of recent few years, including Alfonso Cuarón's Roma, Paul Thomas Anderson's Licorice Pizza and Kenneth Branagh's Belfast — all Oscar-nominees, with Roma and Belfast also Oscar-winners. Don't call the trend navel-gazing, though. As much as these movies, and now Armageddon Time as well, are products of personal experience, all four films are also time capsules steeped in specific places and confronting corresponding realities. In Gray's addition to the fold, he doesn't like, love or appreciate everything that he surveys, with the director delving into happy and sorrowful slices of the past with wide-open eyes. There's another movie to be made that hones in on Johnny instead, but Armageddon Time knows what its audience does, and what Paul doesn't see as clearly but Gray can thanks to the passage of time: that small moments leave an imprint, small deeds left undone cause craters, and everyday aggressions and acts of oppression allowed to run rampant make the world shatter. That soul-searching hindsight explains Armageddon Time's overall neatness; when someone reflects upon what's come before and what it really meant, it's easy to spot intricacy and complexity that went unnoticed at the time, and to also simultaneously view the bigger picture. Still, while the film's conclusions might be blatant, this is a layered and subtle feature, as any coming-of-age contemplation set against a fraught social and political backdrop must be. With cinematographer Darius Khondji behind the lens as he was on Gray's The Immigrant and The Lost City of Z — and adding a different vision of New York to his resume compared to the frenetic Uncut Gems — Armageddon Time brings that texture to its visuals, which always have the look and feel of a memory. Painting in shades of brown is a straightforward, instantly evocative and significant choice; nothing in this powerful feature is ever rose-tinted. There's nothing simple about Armageddon Time's performances, either. In fact, Repeta and Webb manage something remarkable, more than holding their own against the reliably excellent Hopkins, Hathaway and Strong. The young pair's camaraderie shines, whether Paul and Johnny are getting sent to detention, bonding over space and Sugarhill Gang's 'Rapper's Delight', skiving off from a school excursion or smoking the joint that'll get Paul moved to his older brother's snobbish private school — where racism and classism is overt among the offspring of rich Republicans, and where then-Assistant United States Attorney Maryanne Trump (Jessica Chastain, The Good Nurse), Donald Trump's sister, addresses assembly. In Hathaway and Strong's work, complications and contradictions abound, with the former getting the thinner-written role and the latter the best redemptive moment, but the two combining to offer a snapshot of being seemingly progressive in a country engrained with intolerance. As for Hopkins, he's so naturalistic and effortless that even the harshest truths feel digestible in his presence. Armageddon Time is largely that sensation in filmic form, too — tenderly, poignantly and unflinchingly.
Guns N' Roses just busted out 'November Rain' there on a November evening. Elton John will hit it up in January, closely followed by Red Hot Chili Peppers the same month. That venue: Suncorp Stadium. When a band or musician plays the Milton site, they're always a big name — and more of them might now be coming to town over the next few years. To host mega-popular acts, you need a stadium that can welcome a hefty crowd, and the Castlemaine Street location is a Brisbane go-to. But, it's also surrounded by homes and shops, as well as small streets that aren't well-equipped for the traffic — and parking — that a big gig can bring. So, there's a cap on the number of concerts that Suncorp Stadium can host in order to not annoy the neighbours. In 2023 and 2024, however, that figure is going up temporarily — doubling from six to 12. The idea is to attract more major concerts and help give the Queensland economy a boost, announced Tourism and Sport Minister Stirling Hinchliffe. "We're seeing a stream of major international music acts putting together plans to get back on the road with world stadium tours after Covid," Hinchliffe said in a statement. "Right now, Suncorp Stadium — with its central location, capacity and public transport capability — is highly sought-after by promoters bringing music events to Australia. Whether it's Ed Sheeran or the Red Hot Chili Peppers, major concerts bring visitors who spend millions of dollars in the tourism economy and support local jobs." "Five concert events are already locked in for Suncorp Stadium in the first two months of 2023." [caption id="attachment_861847" align="alignnone" width="1920"] Ben Gibson[/caption] There's no word yet on which big names might be tempted Brisbane's way to fill the extra concert slots. Still, if you've ever been annoyed because your favourite superstar musician or band has played Sydney and Melbourne, only to give Brissie a miss — a familiar scenario — consider this a promising move. In the past, the venue has played host to U2, The Police, Foo Fighters, Eminem, Paul McCartney, Taylor Swift, One Direction, Bon Jovi, Queen, Justin Bieber, Phil Collins, Robbie Williams and more, so thats the calibre of acts the Queensland Government is hoping to attract. Before locking in the temporary change, the Queensland Government sought community feedback, with 78 percent of folks responding supporting the concert cap's increase, including 168 local residents and businesses in the Lang Park Traffic Area. [caption id="attachment_859836" align="alignnone" width="1920"] Pavel Suslov[/caption] Find Suncorp Stadium at 40 Castlemaine Street, Milton. For more information about upcoming gigs at the venue, check out the Suncorp Stadium website. Top image: Richard Greenwood via Tourism and Events Queensland.
There are few things in this life as uniquely satisfying as lounging in a hotel room. The sheets are softer and straighter and somehow cleaner than you can ever achieve at home. That fluffy robe inscribed with the hotel's initials elicits an overwhelming sense of contentment as soon as you throw it on. The kettle always works. And if it doesn't? Call reception and someone will magically spirit one onto your door step. Whether it's on a work trip, a sneaky staycation, or a blowout weekend away with your bestie or beau, if you're in the market for the next hotel to put on your list, we have the stay for you — no matter your budget — with our Hotel Hitlist 2024. BUDGET: Holiday Inn Express Southbank If Melbourne is on your travel list in 2024, you can't beat the location of this Holiday Inn Express — or its budget. Located in the Southbank arts hub, where you can count the National Gallery of Victoria, Arts Centre Melbourne and the Australian Centre for Contemporary Art as next-door neighbours. Experience this hotel's smart rooms that include a pillow menu, complimentary grab-and-go express breakfast (as well as a breakfast buffet), and free wifi. Ink Hotel Melbourne Another spot along the Melbourne Southbank is the stylish Ink Hotel. Designed to suit all kinds of travellers, the chic hotel offers guest rooms from pocket-size (just there to sleep) through to spacious suites. You don't have to go far for a good cup of coffee (it's Melbourne, after all) but breakfast and brunch are available from 7.30am until 3pm daily, and the cafe is open from 7am until 11pm. There's also an on-site bar serving drinks and bar snacks every day until late — there's even a daily happy hour from 5–8pm. Holiday Inn Sunshine Coast If the Sunshine Coast is calling, this Holiday Inn Express and Suites is another can't-beat stay when you're travelling on a budget. Located in Maroochydore, it's an ideal spring-off point for exploring one of Queensland's most popular regions. Each morning, sit down to a complimentary breakfast buffet or choose a grab-and-go option. Whether you're here for work or play, the hotel offers all the essentials and some fun extras, like the pillow menu, guest-only rooftop pool and shopping hub at the ground-floor level. Waters Edge Port Macquarie The once-sleepy town of Port Macquarie is now a popular vacation location for hikers, kayakers and beach lovers (there are eighteen beaches in the area to choose from). The picturesque spot is now home to plenty of Gen X and millennials who left city life for more scenic shores. Explore the area for yourself while staying at Waters Edge Port Macquarie. Perched on the banks of the Hastings River and only a short stroll from beaches, retail hubs and all the sites. BOUTIQUE: Kimpton Margot Sydney If a city stay is on your trip list for 2024, head to Sydney's CBD and stay in one of the city's iconic Art Deco buildings, reinvented as a stylish boutique hotel: Kimpton Margot Sydney. This hideaway heritage hotel boasts a great location, a recently opened rooftop bar (the biggest in the city), and restaurants and bars helmed by legendary Australian chef Luke Mangan. It's pet-friendly, too. Hotel Indigo Potts Point If Sydney is calling, you could stay in the cosmopolitan inner east suburb of Potts Point at this just-opened retro hotel tucked behind the iconic Kings Cross Coca-Cola sign. Only officially open on January 29, Hotel Indigo Potts Point celebrates the area's famed cabaret scene with homages to the locale's entertainers and musicians. The lobby features artist portraits, lush velvet red curtains, digital NFT artwork projections, and a vintage vinyl collection you can play on the lobby's turntable. In your room, you will find similar artwork, retro phones and an in-room cocktail station to get you in the party mood. VOCO Brisbane If BrisVegas is your destination in 2024, get involved in the hustle and bustle of Queensland's sun-drenched capital city from your comfy stay at voco® Brisbane City Centre. It is located along the city's waterfront, close to many of the city's top sights, including King George Square, the Museum of Brisbane and the South Bank Art Precinct. Enjoy some sips at Kraft & Co. restaurant and bar, take a dip in the rooftop pool or borrow a bike (for free) and explore the city on two wheels. Hotel Indigo Melbourne If you're looking for a creative haunt in the heart of Melbourne's CBD, you can't get better than Hotel Indigo Melbourne on Flinders. You'll be ideally located in the culture hub of Flinders Lane from hole-in-the-wall bars, fresh street art, museums, galleries, and excellent eateries and cafes. Situated close to photographer Helmut Newton's studio (whose artistry inspired the hotel's kit-out), this hotel is a celebration of fashion photography. Explore its large collection of artworks by local artists or take your own Newton-esque selfie at the on-site photo booth. BLOWOUT: Next Hotel Melbourne Located in Melbourne's CBD east end district, Next Hotel Melbourne is a super chic city stay next to hospitality and high-fashion hot spots and footsteps away from the city's theatres. Relax in the hotel's guest-only Club — with an aperitivo hour every evening with local wines by the glass, local spirits and snacks to graze on — or dine at the on-site restaurant La Madonna. It encompasses the entire third floor with a cocktail bar and Italian-Asian-inspired restaurant run by chef Paul Turner. Southern Ocean Lodge This local favourite on Kangaroo Island was damaged during the Black Summer bushfire of 2019, leading to its closure. It has been lovingly restored and reopened in late 2023, making it a must for luxury lovers heading to Kangaroo Island in 2024. Its guest suites now point southeast so guests can enjoy uninterrupted views of the Southern Ocean. All suites have private decks, an EcoSmart fireplace and a sink-in bathtub. There's even an ultra-premium Ocean Pavilion, where guests can stay in a single four-bedroom owner's residence; or two separate two-bedroom suites, an on-site spa, and a wet-edge pool at The Great Room terrace. Intercontinental Sorrento Mornington Peninsula Forget heading to Sorrento, Italy, for a luxe summer; instead, head down to Victorian wine country and sip on some local sangiovese at the luxury seaside hotel Intercontinental Sorrento Mornington Peninsula. It's got a Mediterranean-inspired guest-only pool deck you won't want to miss, Aurora Spa & Bathhouse to relax in, and a suite of food and drink venues from the dapper speakeasy Barlow, the terrazzo-floored public bar and lofty, glass-ceilinged beer garden to the light-filled Atrium with all-day wining and dining. [caption id="attachment_936260" align="alignnone" width="1920"] Diah Lateri[/caption] W Sydney Sydneysiders had long awaited the opening of this luxury hotel in Darling Harbour. The hotel has 588 stylish rooms and a bevy of world-class amenities, including an openair infinity pool, a restaurant and dessert bar, two cocktail bars and a luxe spa. Footsteps away from Friday fireworks, the ICC, Imax cinema, and the waters of the iconic Sydney Harbour, W Sydney is definitely one hotel that should be on your list for 2024 — maybe even more so if you're based in Sydney and are keen on a budget blowout staycation.
Brisbanites, if you've ever tried to stop for an impromptu brunch at Picnic Cafe, you'll have experienced the Camp Hill spot at its busiest. This eastside favourite is always jam-packed mid-morning, although its all-day breakfast and lunch menu repeatedly draws a crowd all day long. So, you've probably stood outside on Martha Street, chatting to your pals and scoping out the local dogs trotting past while you're waiting for a table. That's all part of the experience — but if you'd like to try your luck elsewhere instead, Picnic has just launched a sibling venue. Meet Picnic West End, the newest addition to the inner-city suburb's growing West Village precinct. Opening its doors on Thursday, September 23, and operating seven days a week from 7am–5pm — so, staying open later each day than the OG Picnic — it's West End's new breakfast, brunch and lunch go-to; however, you won't find exactly the same menu on offer here. On the brekkie lineup, which is served from 7am–2pm, highlights include haloumi, fried egg and spinach on a brioche bun; cream cheese pancakes topped with fresh fruit salsa, berry compote and salted caramel sauce; and the pork bulgogi benny, complete with a mushroom, leek and potato croquette, plus poached eggs. Or, there's the wagyu scotch egg, which is quite the eye-catching dish — and comes with a pickle salad and hash browns. For lunch, you can opt for a chicken burger coated with 25 spices, or udon noodles done pasta-style with tiger prawns and chorizo. There's also a snack range that includes fried haloumi sticks, popcorn chicken, and salt and pepper squid, which you can tuck into from 2–4pm daily. Here, drinks are a big focus, too — bringing over the Camp Hill cafe's lattes, chais, long blacks and mochas over ice, as well as the coffees and chocolates over ice cream and cream. A selection of cold press juices and smoothies have made the jump, but you can also pick from seven different cocktails. Obviously, the Biscoff martini stands out, given that it includes Irish cream, coffee liqueur, Biscoff spread, Lotus crumbs and whipped cream. The Toblerone does as well, thanks to its blend of Baileys, Kahlua, Frangelico, creme de cacoa, cream, honey and whipped cream — and two options, the Lady Lavender and Lychee Crush, both come in either boozy or alcohol-free versions. Coffee fiends will be sipping Paradox Coffee Roasters' Paper Moon Blend, and everyone can take advantage of the light and airy look and feel. Think: pastel hues, timber tables, stone tiling, and big splashes of green both plant-wise and in the colour scheme. Find Picnic Cafe at West Village, 45 Mollison Street, West End — open 7am–5pm seven days a week.
Never believe someone who tells you that salted caramel is overrated. They probably just haven't tried the right one. And if any version of the sweet-but-salty treat is going to convert the salted caramel agnostic, it's Pepe Saya's — because Australia's famous cultured butter maker has branched out into desserts. Pepe Saya already does pancake packs, brown butter chocolate-chip cookie dough, scone packs and more, of course, but now it has added buttery salted caramel bon bons to its range. The added bonus with these: you can can pop them in your pocket or bag, then get snacking whenever the urge strikes. If you're wondering why Pepe Saya decided to move into caramels — and yes, the easy answer is 'why not? — it's calling its version an Australian homage to the caramel au beurre salé. It has company, too, with the mouth-watering squares made by hand by Adora Handmade Chocolates in Marrickville, and not only using Pepe Saya's cultured butter but also Olsson's sea salt. Even better: the bon bons come in two varieties. Stick with the OG buttery salted caramel version and you'll obviously taste all the requisite flavours (that'd be butter, salt and caramel), or opt for the chocolate buttery salted caramels for something even more decadent. That said, if your tastebuds are now well and truly tempted, you'll want to get in quickly. While the caramels have been added to Pepe Saya's lineup on an ongoing basis, they're being made in limited-edition batches — and only 250 boxes are available each week. You can nab them online from Pepe Saya's website and Olsson's website, with ten in a box. The original version costs $19.95, while the chocolate variety costs $24.95. Announcing the bon bons, Pepe Saya co-founder and buttermaker Pierre Issa said that "any butter or salt company worth their weight should have a salted caramel. Caramelising our butter brings out the true flavour of cultured butter, perfectly rounded with sea salt. It quite literally melts in your mouth with more and more flavour appearing as it dissolves." "I've always dreamt of being able to carry a little taste of Pepe Saya butter around in my pocket to share with people, and now I can, with a pocket full of these bon bons," Issa continued. The caramels also come in quite the eye-catching packaging, as designed by Aussie artist Michael Whooley. Inspired by the butteries that Issa and fellow co-founder Melissa Altman have been to overseas, it features a cat to pay tribute to felines who call butteries home around the globe. Pepe Saya's new range of caramels are available online from Pepe Saya's website and Olsson's website, with ten in a box. The original version costs $19.95, while the chocolate variety costs $24.95 Images: Rob Locke.
