Two words immediately spring to mind while taking a detour through Learning to Drive: modest pleasures. They’re what the film's characters seek, whether they're sitting behind the wheel or walking along the footpath. They’re what the amiable, affectionate and earnest movie does as well. A later-in-life attempt to hit the road gets the feature gently motoring along, with Wendy (Patricia Clarkson) the initially unlicensed party in question. The Manhattan-dwelling literary critic hadn’t previously had a reason to join the commuting masses; however, separating from her adulterous husband (Jake Weber) and seeking to visit her college-age daughter (Grace Gummer) inspires her to reassess her priorities — you're never too late to try something new, and all that. Enter the kindly Darwan (Ben Kingsley), an Indian Sikh working as both a taxi driver and a driving instructor. He has his own personal problems, including his desire for matrimonial happiness with his arranged bride (Sarita Choudhury), as well his efforts to avoid the prejudice that follows his every move. Of course, he's also the wise teacher Wendy needs, even if she doesn't yet know it. That this odd couple will cross paths isn’t a surprise in this introspective effort, nor is the friendship that reluctantly but eventually springs. Wendy and Darwan find commonality despite their differences, learn some obvious life lessons from each other and gain an appreciation of the little things that make their days worth enduring. In fact, everything about Learning to Drive screams standard — and yet it's warm, sweet but never too saccharine too. Director Isabel Coixet, who has worked with both her leads before on the 2008 film Elegy, enjoys spending time in predictable yet thoughtful territory while contemplating well-fleshed-out characters. There's a reason she has enlisted Clarkson and Kingsley again for this task, as based on an autobiographical New Yorker article by essayist Katha Pollitt. As often proves the case in most things either pops up in (witness this year's Maze Runner: The Scorch Trials and Self/Less, for example), they're a pleasure to watch. The former is gifted a role with more shades of complexity than the latter, but both offer rounded portrayals that span well beyond their alternatingly tentative and playful banter. Though plenty of their dialogue serves up road references that cheesily double as nuggets of general life advice — reading the signs, taking in everything around you, and so on — their performances help brighten up a film that's largely confined within a car (and as visually constrained as that sounds). The scenery isn't the point, but the people looking at it. Yes, that's just another of Learning to Drive's modest pleasures.
Fans of a certain time-travelling film trilogy are probably more than a little excited this week. Anyone who has watched Back to the Future Part II (and the first and third movies as well, of course) would know that October 21, 2015 holds special significance, because that's the date Marty McFly zoomed forward to in Doc Brown's flying DeLorean. Of course there's an event to honour such a historic pop culture moment, and of course it's being held by the brewery with the best name for it. That'd be Bacchus Brewing Co, and we can even forgive them for throwing their Bacchus to the Future Party two days late because it means the shenanigans are of the weekend rather than mid-week variety. You'll likely need some time to recover from imbibing their 14 themed beers, particularly given that they come with names such as Biff’s Ruddy Bitter, Hops Capacitor Pale Ale, Marty McRye, Doc Brown's Some Serious S**t and Johnny Be Gose. And yes, Back to the Future will be playing on Bacchus' big screen. Now you just need to use a time machine to score yourself the afternoon off work, because the fun starts at midday on Friday.
Despite the tiny area of its two main islands, New Zealand is a nation of dramatically diverse geographical features and landscapes — so much so that it was able to serve as both the pleasantly rural The Shire and barren, rocky Mordor in The Lord of the Rings film trilogy. Travelling across its volcanic surfaces, snow-covered alps and glassy lakes quickly becomes a series of moments where you can’t help but pause and take in the epic scale of the country. Over four years, photographer and self-described “purist and admirer” Honza captured these moments on 35mm film, collating them into an exhibition that conveys all the energy and mystery of both the North and South Islands. In a seismically active country, where earthquakes rupture the ground, snow falls and melts and glaciers rise and crack, the act of photography freezes an ever-changing landscape in a moment in time, allowing the audience to experience that moment through the photographer’s eyes. In Between Moments exhibits at Maud Creative from October 21 to November 14, with an opening night event taking place on October 23.
'Tis the season for lousy Christmas parties, and while your own at Strike Bowling might be an enticing offer, there’s one we think might deliver far more cheer. Fans Group’s Christmas Party is taking over Brightside this Sunday night and promises an exciting evening of music, drinks and mistletoe, minus the schmoozing. Fans Group know their music, so the band lineup offers the cream of Brisbane’s live music crop. Members of John Steel Singers, Rolls Bayce, Major Leagues, Yves Klein Blue, Love Signs and a couple of other Brissie bands will be collaborating to make one massive, festive ‘Super Christmas Asshole Band’. They’ll be playing all your favourite Christmas hits (read: Mariah Carey’s 'All I Want for Christmas Is You' repeated in as many different octaves as the set takes). Best of all, this Christmas Party is absolutely free! And ain’t that the best present of all?
If New Year’s Eve isn’t an excuse to get all dolled up and treat yourself to a fancy meal at an expensive restaurant, well, nothing is. Whether you’ve been to celebrity chef Matt Moran’s Brisbane establishment before, or if this will be your first time, the three-course set price menu will get your mouth watering. There’s more than the food, of course; there’s also Aria’s extensive wine list to caress your palate. Possibly the classiest and tastiest way to spend the evening, it also puts you in the thick of the city action thanks to the restaurant’s river views and Eagle Street Pier location.
It feels like only yesterday we were pinching Trainspotters' cheeks and cooing over their adorable lineups. It’s hard to imagine it’s been two years since the Central Hotel decided to dedicate every Saturday to showing off Brisbane’s best music and giving local audiences a dance floor to boot. Now, in honour of the two-year mark, they’re throwing together a massive party with an even bigger lineup — there’s a hell of a lot to celebrate after all. It wouldn’t be a killer birthday bash without some great tunes, and Trainspotters have collaborated with Smack Face Records to go above and beyond with the stereo. They’re importing TONSTARTSSBANDHT from the States (Mac Demarco’s guitarist, very big deal) and local favourites Morning Harvey, Tempura Nights, and Twin Haus will be partying right along by their side. Drinks will be flowing and the music will be inducing moves that would have Prince in pure awe. Grab your tickets, and don’t stress too much about the present — it’s a party!
There's no such thing as an ordinary trip to the circus. Heading to the big top might've once meant juggling clowns, contorting acrobats and other feats of strength; however that's no longer the case now. Both still feature, but today's ringside action is likely a little more on the artistic side, as seen at Cirque du Soleil — or a bit more extreme, like at Cirque Adrenaline. Indeed, the latter has taken their cues from the former (and some of their performers, too). They've also added the kind of stunts more commonly associated with the likes of the Crusty Demons. With the Wheel of Death and the Sphere of Fear all part of their show, there's no doubting their heart-pounding credentials, with trapeze work and daredevil motorcyclists sharing the same arena. Cirque Adrenaline claims to boast the world's most dangerous and death defying acts, and we're happy to believe them.
Like your creative endeavours with a splash of political commentary? Then Brutal Truths is for you. As the name indicates, there's nothing nice or easy about the works on display. They're designed not only to make a statement, but to provoke discussion. Vernon Ah Kee, the late Gordon Bennett, and collaborators Destiny Deacon and Virginia Fraser are no strangers to encouraging debate, of course. Here, Ah Kee's brutalities series interrogates racism, Bennett's Performance with Object for the Expiation of Guilt (Apple Premiere Mix) from 1995 sees the artist take on the role of the oppressor, and Deacon and Fraser’s Snap out of it focuses on floor-to-ceiling images of towering public housing flats in Melbourne. All three major installations delve into the topic of Australia’s indigenous history, as dissected by of some of the most prominent voices in the nation's contemporary art scene. And while local circumstances provided the inspiration for each piece, they also link in to displacement and oppression in a global context. Image: Vernon Ah Kee, Brutalities, Milani Gallery.
Earlier in the year, Brooklyn Standard made the Eagle Street side of the CBD fun again by throwing a fortnightly series of end-of-week laneway parties. Trust them to do it all over again — but on a grander scale — to celebrate the end of 2015. At their NYE15 Block Party, you can get funky on the pavement to the live sounds of LS Philosophy and Pocketlove, or show your fancy footwork in the basement with some '70s disco tunes spun by Kieron C and DJ Katch. You can also enjoy a meal from Pizzantica and Red Hook, along with a beer, cocktail, basic spirit or sparkling wine. Yes, that's all included in the price of the ticket.
What would 19th century Paris look like if it was depicted on MTV? If you're seeing visions of Baz Lurhmann’s Moulin Rouge!, that's understandable. The courtesan that inspired the film is also the basis for this new Australian musical. Marie Duplessis is the woman in question: a party girl, liar and legend who transitioned from a life of extreme poverty to a position as the most notorious woman in France. Hers is quite the tale, and Songs for the Fallen promises to be quite the show — the extraordinary true story it charts aside, it did just win best show and best actress at the 2015 New York Musical Theatre Festival after all.
Some films are long, slow and serious. Others are brief, quick and fun. There's a place for the former, of course; however Radical Reels champions the latter category, combining the most action-packed mountain movies it can find into a compilation of high-octane shorts. Radical Reels is the adrenaline-loving little brother of the Banff Mountain Film Festival, the most prestigious international film competition and annual presentation of short films and documentaries about mountain culture, sports, and environment. From the most recent festival’s 300-strong submissions, a subset of daring displays have been singled out for their own showcase. Over a three-hour session, nine shorts approach the very edge of action sports and natural highs: the wild rides, long lines, steep jumps, and skilful stunts, as well as the rugged playgrounds thrill-seekers explore on their mountain bikes, paddles, ropes, skis, snowboards and wingsuits. Expect the world's best extreme athletes getting fast and furious when the Radical Reels Tour 2015 stops in at the Brisbane Powerhouse.
Like beer? Like trying local boutique brews? Ever feel a little overwhelmed by the number of options available? While no one should complain about the wide variety of beverages those fond of a tipple can now access, attempting to try them all can prove overwhelming. That's where Five Flavours comes in. Changing its microbrewery of the moment at each event, the festival showcases different varieties to give beer lovers a taste of the options they might be missing. On March 5, Green Beacon and Fortitude Brewing will be competing for the limelight, serving up their finest beers. Yes, it's a brew off — but drinks aren't the only thing on offer at Five Flavours, with the festival also featuring a menu of contemporary morsels ranging from banh mi to kangaroo plum pies. And, the music lineup will keep patrons in the boozing, grazing mood, courtesy of live acoustic sets fromMaddie McHugh, Andy Ellem, Ty Fader, Alex Mather and Emma Rumble.
When it comes to spending time with someone you're fond of, dinner and drinks is an old favourite for a reason. There's nothing quite as simple yet special as great food, a tasty tipple, lively conversation and locking eyes across the table — particularly with the right person at the right restaurant. This Valentine's Day, Vintaged Bar + Grill has the latter part of the equation covered, and the delicious meal and accompanying beverage as well. That just leaves you to usher your date up to level six of the Hilton Brisbane, enjoy a three-course dinner and a glass of Veuve Clicquot champagne upon arrival, and soak up the romantic mood. Plus, Vintaged is sharing the affection when it comes to marking the most amorous occasion of the year, because love refuses to be contained to a single 24-hour period. Their Valentine's special is available on February 13 and well as the day itself. Just remember to make your reservation in advance, with full pre-payment required at the time of booking. Want to make the whole night into a little staycation? Hilton Brisbane is also offering 10 percent off accommodation rates, with a buffet breakfast for two included. To make a booking, head to the Hilton website.
There's something about the mix of music and comedy that's particularly alluring. Perhaps everyone likes jokes accompanied by a melody, or wants to laugh while tapping their toes? Maybe it's not just the fusion of gags and tunes, but the underlying creativity? Either way, as everything from This is Spinal Tap to Tenacious D to Flight of the Conchords has demonstrated, musical comedy is a certain hit. The folks at The Foundry obviously agree, which is why they're launching a regular evening dedicated to the idea. From December 6, the first Sunday of every month will be dedicated to Haha Singsong — aka a night that promises to satisfy your musical and comedic cravings in one neat package. A packed lineup of Damien Power, Dan Rath, Jackie Morgan, Reuben Brown, Emerson Snowe, Corporate Vibes and Cool Music World will christen the concept, so expect flailing limbs and giggle fits aplenty. And, if this gets you grooving and tickles your funny bone, you should also expect to carve out a regular spot on your calendar for a repeat visit.
Every year since 2013, QPAC has spent a week celebrating the cultural practices of the world’s first inhabitants. Via a lineup of performances, workshops and conversations, Clancestry delves into traditional and contemporary creative endeavours, with a particular focus on the works of Aboriginal and Torres Strait Islanders. Whether you’re keen to appreciate art or analyse issues, the 2015 festival promises another diverse lineup of free events. Indeed, the bulk of the program does both. Discussions about identity, activism and sovereignty are a highlight, as is an installation that provides a visual and oral history of the South Brisbane area, as well as a screen showcase highlighting Australian indigenous tales and filmmakers. To sample a little bit of everything that Clancestry has to offer, stopping by on community day on December 5 is recommended. That's when you can enjoy performances from choirs, dance groups, musicians and poets, browse the markets for art, craft and design, and take part in activities and workshops — aka become truly immersed in indigenous culture.
More than a month has passed since the death of David Bowie; however his isn't a loss the world can just get over. Arcade Fire and Ewan McGregor are among those who have paid tribute to the iconic performer in recent weeks, and now it's The John Steel Singers, WAAX, Born Joy Dead, MKO Sun and Inigo's turn. They'll all be taking to the stage at Ziggy Played Guitar, aka the Foundry's aptly titled celebration of one of music's enduring heroes. And they'll be joined by Dean McGrath from Rolls Bayce, Spencer White from Morning Harvey and Orphans Orphans, Joe White and Nathan Kendall from The Jensens, Jonathan Boulet, Emma Dean and more. Yes, there's an ever-growing list of talent keen to recognise the life and influence of an artist like no other. Watch this cast of local greats belt out classic Bowie tracks and do their best to channel the spirit of Ziggy Stardust, Aladdin Sane and the Thin White Duke — and know that you're doing your part to help, too. Proceeds from the evening will be donated towards helping cancer charities, in an effort to not only assist others suffering from the disease, but to mirror the great man's passion for addressing the world's many problems.
So, you're looking for love — and you've tried hanging out in bars, swiping through online apps and enduring awkward set-ups, all to no avail. We're betting that you haven't taken your search to a muddy obstacle course. Yes, sparks really can fly in the unlikeliest of places. At Tough Mudder's first ever singles start wave, the globally renowned 18-20 kilometre trek won't just be testing your teamwork, strength and mental grit. The May 7 outing will also challenge you to connect with other singles — helping each other through the ordeal, and then hopefully hanging out afterwards. Given that the event has previously seen a few engagements and even a wedding take place on its muddy fields, perhaps this different twist on speed dating isn't that much of a stretch after all. Finding a like-minded companion in one of the most unusual of ways isn't the only attraction at Tough Mudder's south-east Queensland outing for 2016, however, with the event also introducing two new obstacles. The Block Ness Monster involves water, of course, while the Pyramid Scheme is all about scrambling up a slippery incline. Doesn't that sound romantic?
It’s film festival time in Brisbane, and yes, a busy calendar of cultural-orientated movie offerings means that could be true on any given weekend; however the period spanning November 19 to 29 stands out. It belongs to the city’s major cinema celebration — and while the Brisbane International Film Festival is no more, the replacement that is the Brisbane Asia Pacific Film Festival has been trying to pick up some of the slack since 2014, at least when it comes to movies from its area of interest. In its second year, the 11-day event presents an 83-feature program from a lineup of 102 films in total, complete with 33 Australian premieres and 23 Queensland premieres. Highlighting the movie-making prowess of the Asia Pacific region is its focus, covering 42 countries and showcasing 34 movies that have earned nominations at the forthcoming Asia Pacific Screen Awards. Indeed, from festival circuit hits to retrospective screenings of restored classics feature — and including a program of virtual reality shorts, too — BAPFF's 2015 selection serves up a bustling bunch of screen fare for cinema fans. As always, the most difficult part isn't rushing between the event's five venues (Palace Barracks, GOMA, New Farm Cinemas, Griffith Film School and The Courier-Mail Piazza), or fighting film festival fatigue when you're in the thick of BAPFF craziness, but trying to pick which flicks to go along to.
Reimagining fairy tales: in film and on television, everybody’s doing it. You can be excused for thinking every conceivable variation has been done before; however, ImproMafia is set to prove you wrong. Combining the art of improvisation with the bedtime stories you know and love, Grimm twists familiar tales in directions even the players on stage can’t anticipate. Every show and every night, anything can happen — and as an audience member, your suggestions could be incorporated into the performance. After wowing audiences at the Brisbane Fringe Festival, Grimm returns to swing once more from the grisly to the absurd. Grimm is part of Wonderland at the Powerhouse. Check out our top five picks of the festival.
There’s only one thing better than a free gig, and that’s a free gig for a band who will be charging whatever they want for tickets in a year’s time. The Furrs are Brisbane’s up-and-coming band well on the road to becoming our next big musical export, and they've got the paperwork to prove it. They’ve been featured in Rolling Stone Australia, have just signed with High Road Touring in the States, and have a pretty addictive new single called '66'. So to celebrate everything coming up Furrs, they’ll be headlining a free show/party at Black Bear Lodge on Friday, December 5. The Trotskies and Soviet X-Ray Record Club will be playing support, and a gentle reminder: entry won’t cost you a cent. The gig kicks off at 8pm, and you better get in early if you want a front-row spot, plus plenty of leg room to dance along to these Queensland rockers.
With what feels like a new food truck popping up on Brisbane roads every week, it's due time to show them off in one, massive festival. Hosted by the Brisbane Powerhouse and put on by their Wonderland festival, the World Food Markets bring together everything delicious Brisbane has to offer, and it's sure to have tastebuds going off. More than 20 food trucks will be lined up at the Powerhouse, and there will be a hive of cabaret, live circus, music, burlesque and comedy to pair your feed with. The Bun Mobile, Juan More Taco, Little Back and King of The Wings are just a few Brisbane favourites who will be parking at the Powerhouse Plaza over the weekend. You can check out the full lineup here. The World Food Markets kick off this Friday, December 5, and will take place each Friday, Saturday and Sunday across the first two weeks of December from 5pm–10pm.
The line between visual and performing arts isn’t just blurring; it has well and truly blurred. One inspires the other and back again, as live works inform the efforts of artists and vice versa. It is in this space that Performance Now explores what has become an intriguing and established continuum of creativity. If you’ve ever wondered how the transitory nature of live performance is captured and transformed into new works that still manage to contain the power and content of the original, then this exhibition adds further fuel to your ponderings. Compiling the output of artists such as Marina Abramovic, William Kentridge, Clifford Owens, Santiago Sierra, Marvin Gaye Chetwynd, and Jerome Bel, the collection of pieces show how the visual realm can be enlivened by performance. The exhibition also aims to demonstrate the impact on an individual level in its array of objects, installations, video and photography.
Jennifer Lawrence, Bradley Cooper and a panther circle around a film, and each other. Who will come out alive? That’s the crux of Serena, a romantic melodrama tantalisingly bleak, though too beholden to its too-obvious symbolism. It strives for the emotional complexity of times and films long since passed, but can only offer a shaky — albeit pretty — approximation. Starting in North Carolina’s golden-hued Smoky Mountains in 1929, a wilful woman and a wild cat enter the life of a Depression-era logger; of course, for all their sleek allure, they’re both omens of worsening times. She is the titular Serena, determined to become involved in a waning timber empire beyond the bounds normally expected of her gender. He is George Pemberton, in love not only with his new wife but with making as much money from his woodland as he can. The feline threatens their livelihood, but no more so than their own vices. Adapting Ron Rash’s 2008 novel of the same name, Serena charts the troubles and tragedies that spring in their wake: feuds, premonitions, medical emergencies and illegitimate children among them. Tangled up in the drama are a jealous business partner (David Dencik), interfering sheriff (Toby Jones), single mother (Ana Ularu), and loyal enforcer (Rhys Ifans). If that sounds over the top and outlandish, that’s because it is. A host of problems and people test the lovers’ fates well into the realm of contrivance and convenience. Serena aims to hark back to features of the Golden Age, where spirited femmes headlined tales of moral corruption as fully realised figures. Here, as the catalyst for drama, the central sultry dame is only ever painted as brash or unhinged. As a love interest, she is only ever idolised or maligned. Starkly absent is the nuance needed to render the film a throwback in anything more than superficial terms — and the insistence upon linking Serena’s untamed nature with the creature stalking through the trees certainly doesn’t help matters. With 2010 foreign-language Oscar winner In a Better World among her output, director Susanne Bier is no stranger to heightened circumstances and the quandaries that arise as a result, though her pedigree amounts for little. A clumsy script proves her undoing, alongside an approach favouring slow reveals at the expense of tension. Plot machinations aplenty aren’t the same as a genuinely involving narrative. Reunited after Silver Linings Playbook and American Hustle, both Lawrence and Cooper are effective, suffering as they are from the same over-stretched material. Too often, they are reduced to smouldering separately or sliding through a series of sex scenes, always looking the part but never really fitting in. Alas, that’s the attractively shot and staged Serena from start to finish, lumbering along and constantly felling any source of interest. As everything builds towards the inevitable finale, audiences will strain to care just who lasts the length of the feature’s running time.
Melbourne four-piece The Harpoons have just released their debut album Falling For You, which features singles such as the utterly gorgeous 'Unforgettable' and slightly more chilled gem 'Can We Work This Out'. To celebrate this long-awaited LP, they’ll be playing shows in Melbourne, Brisbane and Sydney. The Harpoons consist of brothers Jack and Henry Madin, stunning vocals from Bec Rigby and man about town Martin King (you might remember him from the likes of Oscar and Martin) Sweet one moment, breathtakingly soulful the next, get ready to go through a kaleidoscope of emotions and feel all the feels. The Harpoons pair flawless vocals with hypnotic beats and Aunty aptly described them as the R'n'B of both today and yesteryear. Their album launch at The Brightside will include other favourites like The Jensens and The Delicates.
Music curators A Love Supreme, have done it again, and brought to a Brisbane stage an international act we’ve long been hungry to hear. From the Jazzy Sport crew out of Tokyo, DJ Mitsu the Beats is an ex-hip hop battle DJ, studio savant and one of the world’s most praised beat makers. He’s had years to fine tune his sound, and is known for a technique that filters through the best beats and plays them with symphony perfection. If you want a real taste for his sound, and have some time up your sleeve, check out his Boiler Room performance. For the first time, A Love Supreme will take place at the newly opened Ben's Burgers in Winn Lane. You can catch the soulful beats of DJ Mitsu, pair it with a tasty burger, and ride the afternoon out in a super cruisey, musically-happening atmosphere. Tickets are $15 and you can grab them in store at Apartment in the city, or online here.
Billy Bragg has had 36 years in the music biz and he's showing no signs of slowing down. Bringing a full band along to perform his signature politically charged folk rock, Bragg is touring the entire country with his latest album, Tooth & Nail — his first in five years. Incredibly the album only took five days to make and has been met with great critical acclaim, highlighting the fact that this is a man and a musician fully revitalised. For those who are after the old stuff you can be assured that Bragg will be digging around in his war chest of songs to give the people what they want. Songs like ‘A New England’, ‘There is Power in a Union’, ’Take Down the Union Jack’ and ‘You Woke Up My Neighbourhood' are looking like distinct possibilities, so get excited.
In the film that bears her name, Wadjda (Waad Mohammed) resides within a system of oppression, yet refuses to accept her restrictions. On the cusp of adolescence, the ten-year-old rallies against her surroundings in Saudi Arabian capital Riyadh, be it the strictness of her schooling or the expectations of her gender — appropriate interests, friends and public behaviour included. In class, Wadjda is admonished for laughing, leaving her head uncovered and trading forbidden items. At home, she watches her mother (Reem Abdullah) worry about her husband taking a second wife, and struggle with the rude driver who escorts her to work. In response, Wadjda's manifestation of rebellion comes in the humblest — and most age-appropriate — manner. She desires a green bicycle, but is told no. She wants to cycle in the street, but is strongly discouraged. She yearns to enjoy the same freedoms as her male counterparts, such as her neighbour, Abdullah (Abdullrahman Al Gohani). The feature's missive of female empowerment is evident in its protagonist, though its message is never bluntly handled. Wadjda, the film, carefully and thoughtfully presents the reality of the role of women in Saudi society, without hiding or heightening the difficulties. Wadjda, the character, remains a shining emblem of possibility and potential, her choices complex and considered, not easy or simple. Of course, Wadjda's on-screen statement and subversion bears the weight of its revolutionary off-screen status, as the first feature shot entirely in Saudi Arabia, and the first full-length film made by a female Saudi director. Again, writer/director Haifaa Al-Mansour (Who studied at the University of Sydney) remains subtle in her debut fictional effort, with documentary Women Without Shadows her sole other helming credit. Her story says it all, the parallels obvious but the narrative independently affecting. Lightness, rather than solemnity, provides the pervasive tone. Her images are plain and stark against a dusty background, yet her atmosphere is one of optimism — for the little things. The broader truth is not forgotten; indeed, as Wadjda moves towards triumph, the tale remains one of tragedy. Being able to ride a bike in the street is no small feat, though life in Saudi Arabia is repeatedly filled with similar — and often insurmountable — challenges. The non-professional cast incisively articulates the dichotomy between the feature's dream and the production's actuality, none more so than Waad Mohammed in her only film role to date. Her wide eyes and expressive face convey Wadjda's determination, but also her growing acceptance. Her performance is feisty and finessed in turn, straddling the line between youthful exuberance and dawning realisations. Mohammed's portrayal truly gets to the centre of the hopeful and heartbreaking feature: cognisant of limitations, but forever striving for change. https://youtube.com/watch?v=v-4kosdSXR8
Where would Brisbane be without Lost Movements – in a void of musical isolation probably. They’ve thrown some of our biggest names into the musical spotlight, and done in a way that’s been fun, frenzy filled hella cool. So if you haven’t been dancing along and clapping furiously to the success of Lost Movements, then you’ve really and truly messed up – shame on you. But don’t be so quick to tilt your head in shame – lift it, and bop it along to the sounds of Lost Movements IX – 9 for those not fluent in Roman numerals. Here’s the list of bands playing: Jekks and The Priests of Heka Rivermouth Super Black And even more or less importantly, depending on your preferred sense, there will be a bunch of great artists doing their stuff. Go join in and have fun – for once in your darn life.
Uni sucks. But if you add the suffix palooza to it, it doesn’t suck at all. In fact, it kind of rocks. Here’s a Simpsons clip to explain why. Here are some words to explain why even further: Trainspotter’s – you know, the guys who host one of the best weekly nights of gigs and ferociously fun bands in the city – are stretching their fingertips and curating a week of rock at QUT Gardens Point, with some roll at Kelvin Grove. It’s Unipalooza! The Good Sports and Babaganouj (pictured) will be doing some silly things on stage – if you enjoy your music silly. And Hound and the Bacchanales will also be there, doing some guitar stuff. There will also be free fairy bread – linger on that for a moment. Fairy bread! Doesn’t matter if you don’t go to QUT, or if you have diabetes, or if you find rock music the audible aphrodisiac of the devil – it’s a party, and you’d be a real narc not to go.
Some of the greatest – and most dance worthy - songs of our time, and the times before us, are about dreaming. From Mac Demarco to Fleetwood Mac, the best musical minds take dreamscapes over landscapes in a heartbeat, and run wild with it like they’ve never been to sleep. Brisbane’s newest musical adventure, Daydream Festival, can’t be anything short of high flying and free then – because life is the best in dreams after all. The day kicks off with a buffet of drinks from 3pm to 5pm plus market stalls, fresh food and even fresher music pumping the day along. The line up of music is just as fabulous, with Young Franco ( and his seemingly amazing resemblance to James), Little Casino, Brat Camp and about a dozen more – all of equal talent, taking the stage through various parts of the evening. There’s a strict dress code for Daydream Festival – white t-shirt that you could throw out in a heartbeat, and stretchy shorts because you’ll be doing a lot of dancing and twice as much Dreaming.
If you’re kind of skeptical about an event that’s title is succeeded with expo, then don’t feel alone. With years of Sex Expo advertising divulging our billboards, and the even worse Psychic Expo commercial causing manic anxiety to anyone who watched 5 seconds of it, the term 'expo' doesn’t come along with the nicest of connotations - unless it’s the expo in Travel Expo! No matter where your long or short term plans lie, you’re bound to be travelling in the near future, and the Travel Expo has everything to make it all just a little bit easier, and twice as exciting. There will be stalls from all the big travel names, and even the smaller ones, if you’d prefer the cosy hospitality that comes with ‘boutique’. Have a peruse, or jump right in and book into something out of this world – I hear Chad is great this time of the year. Because let’s face it, going to the Gold Coast or Bali isn’t really travelling – let the Travel Expo show you what is!
As far as print publishing goes, zines are always going to be the rage. They’re the one stop, budget preserving method of getting work into circulation, and heaps cool at the same time. So whether you’re an artist, writer or just love using a stapler, you should be making zines like there’s no tomorrow – and Southside Tea Room can help. With the help of Lovecraft and Nancy Zine, they’re hosting a 1.5 hour workshop on zine making. You’ll learn to design, write and produce your own zine, as well as picking up on the tricks of the trade. Everyone who rocks on up and has a go will also receive a free copy of Nancy Zine – one of the best zines on Brisbane streets. It’s only $5, so pop along with your craziest ideas and have them put into print. Check out our list of Brisbane's best zine's here.
The View is a series of conceptual paintings by Sydneysider Sebastian Moody. It focuses on the two-way process of perspective. At the core of this exhibition is “thinking about looking” and “looking at thinking”. Moody is originally from Sydney, but completed his Bachelor of Visual Arts at the Queensland University of Technology and a Master of Museum Studies at The University of Queensland. So obviously, Brisbane has claimed him as one of our own. He has a diverse range of artistic skills and his text pieces have been featured in everything from swimming pools to kitchen splashbacks and hang gliders. Moody has had his pieces featured in spaces including Splendour in the Grass, Queensland Art Gallery, The Goodwill Bridge and Southbank Parklands. You have probably seen some of Moody's artwork just by wandering around the city. Visit k.o.m.a before 23 February to catch The View. You'll view the process of gaining perspective in a whole different light.
Two of Australia's best party throwers are joining forces for a one night affair of riotus live music. Brisbane workhorses, Trainspotters, are getting together with cutting edge party animals, Hand Games, for a night to remember. On the bill are Sydneysiders, Step Panther, who will be shredding heavy grooves to leave your night of free tunes on a high note. The trio are enticing as they are satisfying; expect great numbers and minimal dancing room. You Beauty will pave the path for those unmistakable heavy droning beats with some of their own, a dash of synth and velvet contours added for good measure. Thigh Master are far more fun than the name suggests, though require an intensive work out for the ears and dancing legs. These guys are beyond fun, a perfect warm up for the night ahead. First up for the evening is the entrancing, intricate sounds of The Bear Hunt, a stellar outfit with tunes that will have you swaying beyond control. Heavy sounds indeed. When two people put their minds together, good things happen. When two parties combine, it will be one hell of a good time.
After headlining Splendour in the Grass earlier this year, The National are bringing their moody, Nick Cave-esque brand of indie rock back to Australia in February 2014. The tour kicks off in Adelaide before heading to Sydney (where they'll be performing on the Opera House forecourt), Melbourne, Brisbane and Perth. Given we're an island on the other side of the world, it took the New York-based band a while to make their way Down Under, but better late than never right? We've loved them doubly ever since. The National first came to Australia in 2008 to promote their fourth album, Boxer, before coming back in 2010 and 2011 for the Falls Festival and Harvest. They took a break for a few years before returning with their sixth album, Trouble Will Find Me, which is being hailed as their best to date. After appearances at several major festivals like Reading and Leeds and Lollapalooza, The National are fast building a reputation as a must-see live act. Fans can expect to hear some of their older songs, like 'Demons', 'Bloodbuzz Ohio' and 'Fake Empire' (which was controversially used in a Mitt Romney election video without their knowledge) as well as newer stuff from Trouble Will Find Me. https://youtube.com/watch?v=N527oBKIPMc
Sisters Maia and Serena have joined together to pay tribute to the iconic personalities that have influenced and inspired them. The exhibition Abstract The Realest is a series of 19 portraits that walk the line between the real and the hyperreal. The accurate yet interpretive artworks feature identities from music and art, individuals from the streets and friends of the pair. The aim is to not only make the subject identifiable but represent their general aura, their “vibe”. Multicoloured impressionistic linear marks dive in and around the subject, bringing their inside inspiration to the fore. Head along to this special event to experience the startling talents of the pair, plus the sonic talents of artists/musicians 8M?N and New Klear Sounds.
Jamie Mumford and Amanda Wolf are the two exhibiting artists who are showcasing their amazing work at The Hold Artspace this week. Coming together to display their work, both artists have a unique worldview that influences their work, yet both are extremely dynamic in their techniques and artistic styles. Disco Dilettante is the exhibition by Jamie Mumford; an in-depth look at the nature of glitz and glamour and the superficiality of the bright lights, big city façade of the 1970s disco period. Jamie Mumford examines how illusory aspects of the fantastical belie the skin-deep nature of a scene. Amanda Wolf is showcasing Peepshow/Creepshow; an exhibition that plunges elbow deep into the murky well of eroticism. Fantasy, voyeurism and intimacy are all examined as each idea is plucked from the minds of the perverse. The need to masquerade behind façades and devices in order to pursue sexual desire anonymously is also examined through sculpture and video installations. This exhibition is on for a limited time only, so if you are into some new age visuals be sure to check this out.
A play entitled Cock is sure to have the makings of a playful performance. Yet Cock is filled with so much more than just cheeky humour. It tells the story of John, a man who is currently dissatisfied with his relationship with his long-term needy boyfriend, M. Confused about what he wants and overwhelmed by heartache, John is completely in over his head. Enter W and the situation progresses from a disintegrating relationship to a full blown love triangle fixed well and truly in the contemporary. John is forced to decide with whom his love lies and is faced with the seemingly impossible task of figuring out who the hell he is. Snatch up one of the limited number of VIP opening night tickets. You'll be able to enjoy the show from the best seats in the house, receive a souvenir show program and have your chance to ask the cast members those burning questions. Read Concrete Playground Melbourne's review of the play here.
Seligman (Stellan Skarsgård) comes across Joe (Charlotte Gainsbourg), lying broken and beaten in the street. She refuses an ambulance, so he takes her back to his house, where she tells him the story of lifelong obsession with sex. Nymphomaniac is, in many territories around the world, released in two separate parts. In Australia, we are getting the whole thing in one massive four-hour go, albeit with some of the more extreme material cut. Although it's hard to imagine they cut much, given what's left in. There's a good chance that Nymphomaniac will confirm your preconceived notions of director Lars von Trier. To his fans, it is a bold, funny, challenging film that dives headlong into a difficult subject. To his detractors, it is further evidence that von Trier's idea of provocative cinema is a rote combination of mental illnesses and genital close-ups. I should confess at this point that I am traditionally a von Trier detractor, but one who claimed his previous work, Melancholia, to be one of 2011's best films. Nymphomaniac, however, is a litany of his worst tendencies. He seems terrified of sincerity; every moment that comes dangerously close to a human emotion is immediately undercut with a cynical aside as we cut jarringly back to the 'present -day' story. What should be a clever framing device becomes a get-out-of-jail free card for von Trier. Joe and Seligman fall over themselves to acknowledge the extraordinary coincidences in Joe's story, as if von Trier thinks this makes up for lazy writing. Or is winking at us to show us the lazy writing is deliberate. Either way, he seems to believe a veil of self-aware cynicism insulates him against potential criticism. It does not. Now, it must be acknowledged that making fun of Shia LaBeouf these days is like shooting fish in a barrel, and must only be attempted when the situation absolutely calls for it. This is one such situation. Casting LaBeouf as one of the 'English' characters feels like von Trier's biggest prank, and LaBeouf enters each scene as if he was asked to try some sort of Britishy accent moments before 'action!' was called. I'm not saying it's bad; I'm saying nobody's allowed to make fun of Dick Van Dyke ever again. There's an adage in filmmaking that if you have a great ending, audiences will forgive any trespasses. And Nymphomaniac, I must confess, has a great ending. It went out on such an impressive note, it almost made me forget my problems with the proceeding four hours. Almost. Ardent fans of von Trier will find much to enjoy in this film, as he continues exploring the themes and styles of works such as Breaking the Waves, Dogville and Dancer in the Dark. If you do not count yourself as a fan, then I suggest you stay well away. https://youtube.com/watch?v=Gdxzno5Xp2Y
Long ago, Stu Larsen made the decision to leave the sturdy monotony of everyday normality to be a resident of the world. A worldly traveller, storyteller, gypsy-of-sorts, Stu has found himself continually on the road - a state of being he finds most comfort in - visiting such terrains as New Zealand, Japan, the UK and Europe, as well as across his home soil of Australia. After some acclaimed releases from Stu, as well as a supporting gig alongside the revered folksy Passenger, he’s back in town for a string of rarely-seen intimate shows. He has an album in the works, which he will be debuting at the shows, as well as playing the better known songs that have garnered him an adoring following. You have the opportunity to get your tickets early, so grab it with both hands; this is an opportunity you might not see again, to see a talent on the rise.
John Lennon's life has fascinated many around the world. From the silver screen, to lyrics and the traditional stage, many creative souls have decided to pay homage to the man who insired them. One such production is, Looking Through a Glass Onion, showing in Brisbane from 25 February to 2 March. This is not the first time that the play has hit the stage. In 1992, John Waters and Stewart D'Arrietta performed the production at the Tillbury Hotel, Wooloomooloo. The two performers initially decided it would be a one-week producton, but due to high demand the stage show transformed into a six-week sell out season. Waters plays Lennon in a way that doesn't seek to wholly imitate him, rather it encapsulates Lennon's differing personalities and various emotions to display a complex representation of a fascinating man. The performance features classics such as 'A Day in the Life', 'Strawberry Fields Forever', 'Lucy in the Sky with Diamonds' and 'Imagine'.
After a critically-acclaimed debut album, a hugely successful tour on home soil and overseas with Cut Copy and Bloc Party and an appearance at Meredith Music Festival, World’s End Press are ready to explode in 2014, and are kicking things off with a sweet set at Brisbane’s Black Bear Lodge. Their self-titled debut release has been described as “anthemic” and “ambitious”, making unprecedented strides with their indie-electro goodness. Catch these mega-talented lads before they busy themselves with their supporting slot for Phoenix next month; World’s End Press will be joined by special guests Young Franco and Palindromes for this headlining show of their own right. Now is your chance to see what has been making serious ripples in the Australian talent pool. Black Bear Lodge is a beautiful venue for live music, but also for making your night out complete. Catch their infamous “hunting hour” between 5-7, then the resident DJs after the live show until late.
The Operatives have teamed up with Earth Frequency Festival, Silo Arts, DRTY SHDWS PRJKT and Dank Morass to present their rad Espionage Series in Brisbane. Comprising of DJ's, producers, singers, songwriters, audio engineers, writers, photographers and more, The Operatives consist of basically anyone involved in the music scene who is doing cool things and is immensely talented. The team are right behind Australian music and to have their famed Espionage Series stop in at The Hi-Fi is a pretty big deal. The night will include sets by the headline act Flying Lotus along with Om unit, Operatives JPS and Silent Jay. Californian music producer and rapper, Steven Ellison, is the man behind Flying Lotus. Over the past few years he has developed a loyal following especially in the wake of his successful and downright epic audio-visual gig, Layer 3. He has performed Layer 3 across Australia at venues including the Sydney Opera House and Melbourne's Forum. Now it's out turn to see (and hear) what all of the fuss is about! Get amongst it or regret missing out!
Caroline Mudge has made her very unique stamp on the art world, and now her one-of-a-kind pieces are visiting Brisbane. Caroline takes a pre-loved or otherwise-intended surface, such as an old painting or a road sign, and makes it into a work of art. Her palette of pastels - cutesy colours of candy, distinctly beautiful and delicate - create overlays to cover drab or industrial intent. The result is a juxtaposition of imagery, a new perspective of both intention and result. The images Carolyn has carefully and masterfully hand-painted onto the makeshift canvas are highlighted by the lacklustre of the background, and perhaps given a more individual meaning by design. Head along to Poly Gone Cowboy for the opening night of Caroline’s exhibition to celebrate the artistry of her works on Friday, July 18th from 5pm; otherwise the exhibition runs until August 15th. Don’t miss out!
Clare Bowditch is a pretty busy lady. She writes killer songs, acts in Offspring (haters be quiet, that show is incredible), runs Big Hearted Business (a company aiming to help creatives make money and vice versa), has two kids and boasts a knack for making you feel like you're the only person in the room when she performs. This is rather good news for you, because she's coming to the Powerhouse. Bowditch is lacing up the tour boots this July for her Winter Secrets Tour, the perfect lure to get out and about in the middle of winter. We probably should have mentioned she has eight successful albums and a 15 year music career to pack on the tour. Why should you go? Because Bowditch describes the shows as an 'Interactive Co-Creative Transformative Absurd Joyful Experiences between Audience and Performer'. How can you say no to that? Ex-Magic Dirt frontwoman turned solo artist, Adalita, will be the opening act in each state with tunes from her latest album All Day Venus. She'll also be joining Bowditch onstage for a joint performance. Bowditch is continuing her Winter Secrets tour tradition. One local musician in each state is getting the chance to join Bowditch on stage to perform one of her songs and be in the running to win $1000. Hello music career. This year, the song to nail will be 'I Thought You Were God'. Winners will be announced closer to each date. https://youtube.com/watch?v=aqppMH8_uYQ
You are invited to step inside a mysterious world created by artists Glen Skien and Tachika Yokota. Held at The Hold Artspace, Ash, needle, pencil, match is a creative exhibition that explores the process of hand-made objects. Skien and Yokota have focused on the artistic process of creating and transforming every day objects into something special. Each artist has retained the history that is wrapped up within familiar household objects as they breathe new life into their meaning and form. Both Skien and Yokota use a variety of media to express their artistic vision. Both artists have impressive resumes. Skien is an associate lecturer in printmaking at Griffith University Queensland College of Art where he is also competing his Doctorate in Visual Arts. Yokota has recently returned to Australia after travelling Europe for six months. Before she set off on her adventures, she completed her Honours Degree in Photography. The opening evening will be held on Friday 8 August from 6-9pm.
Watching a man painstakingly recreate an oil painting doesn't exactly sound like the basis for a winning documentary. Yet in the hands of popular TV double act Penn and Teller, that's exactly what it turns out to be. Told in clear, accessible terms that laymen can understand, Tim's Vermeer is a lively, intriguing look at the line between artist and inventor, one that challenges the very notion that the distinction should be made at all. Johannes Vermeer was a 17th-century Dutch artist, best known these days for Girl with a Pearl Earring. His paintings have been lauded for their photorealistic look. Various theories exist as to how he was able to achieve such detail, one of which suggests that he made use of optical aids — mirrors, curved lens and so on. One subscriber to this theory is San Antonian inventor Tim Jenison. Despite having no artistic training, Jenison believes that by following what he thinks were the Dutchman's methods, he'll be able to produce similar results. An unassuming project about an unassuming man, this film is an ode to quiet determination. Jenison pours years into his hobby, teaching himself the skills to build a life-size replica of Vermeer's studio, and even finagling a private viewing in Buckingham Palace of the piece he wishes to recreate. His painting technique, which involves matching colour to an image reflected in an elevated mirror, is rather difficult to do justice in writing. Rest assured though that it's fascinating to behold. Penn provides the narration — his verbosity and humour helping viewers follow the science behind the art. Teller, meanwhile, does solid work in the director's chair, keeping the movie moving at a reasonably rapid pace. If the film has an issue, it's that it leaves little room for viewpoints other than its own. Apparently the optics theory is quite controversial in the art world, but everyone in the movie dismisses the sceptics out of hand. Then again, it's rather hard not to be convinced by Jenison's hypothesis, particularly when you see what he's able to put on the canvas. Whether or not his was the same technique that Vermeer used, the final product is certainly remarkable. At the end of the day, that may be more important. This film doesn't work because you care about Vermeer. It works because you care about Tim. https://youtube.com/watch?v=cxVxti5Fnf8
The incredible Australian photographer, Carol Jerrems captured iconic images during the 1970s. She focused her attention on moments of change and photographed people who were propelled by the desire for a better world. She was behind the camera to capture key moments during women's liberation movement, Indigenous justice and land rights protests and supported the country's many homeless youths. Jerrems was the first Australian female photographer whose work was showcased in numerous museums, including the National Gallery of Australia. Some of her large body of work has made its way to the QUT Art Museum and will be available to view from 5 July – 7 September. The exhibition includes signed prints by the artist and photographs taken between 1968-1978. Wander through the QUT Art Museum and be inspired by Jerrem's attention to detail and ability to tell a story with a single photograph.
Still rubbing their eyes from a two-month-long European tour, Sydney post-rock outfit sleepmakeswaves are hoping to wake up their Aussie fans with a national tour. In celebration of their second album, Love of Cartography, the lyricless four-piece will bring their heavy riffage and delay pedals to nine different cities over this July and August with support from Breaking Orbit and Teal. After two years touring across the globe and supporting the likes of Karnivool, Dead Letter Circus and 65daysofstatic, sleepmakeswaves thought it was time to channel their new experiences into a new album. The humble lads turned to Pozible and their dedicated fan base to raise some funds (which they did) and then dutifully thanked them for their support, despite their self-confessed "weirdness and lack of vocals". Ahhh-dorable. The first taste of sleepmakeswaves’ newest music in two years — 'Something Like Avalanches' — was premiered on triple j last month and you’ll be able to hear more of their epic instrumental tunes when Love of Cartography is released in Australia on 4 July. Gives you just enough time to practice their lyrics— oh wait.
Get ready to feel insecure about your age. That dynamo 17-year-old with the Grammys and the dance moves and the best friend named David Bowie is set to finally hit our shores in July. Lorde will play eight massive shows across the country including Melbourne, Adelaide, Perth, Sydney, Newcastle and Brisbane. After a heartbreaking cancellation and an illness postponement earlier in the year, this will be Lorde's first Australian stadium tour after playing smaller clubs and the Laneway circuit. Ever the social media savvy teenager, Lorde announced the rescheduled tour dates with a Twitter pic, sprinkled with crystal ball and lightning bolt Emojis. While we're sure to get the full Royal(s) treatment from her 2013 breakthrough album Pure Heroine, the highly-anticipated tour is said to have some big surprises in store. It's been announced there will be a large-scale light show component, but we're keeping our fingers crossed for a cameo from Ziggy Stardust. In good news for wunderkinds nationwide, every show on the tour will also be all ages. Stands to reason, really — if the main act is underage why should you have to flash ID? https://youtube.com/watch?v=f2JuxM-snGc
