The predictably sole stay available in the Zig-Zag-occupied Republic of Zubrowka, Wes Anderson's mighty Grand Budapest Hotel is quietly killing it over at Trip Advisor. With its own page up for user reviews, photos and generous applause for its cable car access, mountaintop location, satisfying concierge and significant amount of available rooms, the fictional hotel is now rated higher than Paramus, New Jersey's Holiday Inn Express. Seems the marketing team have pulled one humdinger of a stunt, celebrating the UK DVD/Blu-ray release of The Grand Budapest Hotel. If only Trip Advisor had been around for The Shining, they might have pulled a few more winter guests. The official description, as provided by the 200-room 'hotel' reads as follows: Located in the mountainous Republic of Zubrowka and reached by funicular railway The Grand Budapest Hotel has all the advantages of being secluded amongst nature, while having attractions including the Kunst Museum and Mendl’s Patisserie close at hand. Famed for its staffs’ meticulous attention to detail and commitment to the wellbeing of its residents this hotel proves to be the perfect retreat — you’ll never experience anything quite like the Grand Budapest Hotel. True to Trip Advisor form, the comments section is the best bit. Whether fuelled by fans or the marketing team themselves, there's some chortleworthy digs in there for fans of Anderson's wonderfully whimsical hotel: "I am a lady in my 80s and I had the pleasure of staying in this wonderful hotel. Charming, luxurious, soothing, breathtaking... these are just some of the words I'd use to describe the concierge. Simply put, Gustav blew my mind. The hotel wasn't bad either." "Its best days may be behind it, but it's at least quiet, and you never have to wait for a table at dinner time." "As much as I enjoy the solitude, though, it's not perfect. The elevator has the odor of some strong cologne that just won't dissipate, and every so often a VERY creepy old man wanders around and sleeps in the servant's quarters. I'm sorry, but somebody like that has no business amongst the classes that would be staying in a grand hotel." "One of the few genuinely historic buildings remaining in Zig-Zag-occupied Zubrowka. The concierge is lazy, but also quite accommodating." Marketing teams for The Exotic Marigold Hotel, Bates Motel and Hotel Transylvania are face palming right now. Via Indiewire and IWATCHSTUFF.
Over the past few years, Gelatissimo has whipped up a number of creative flavours, including frosé sorbet, gelato for dogs, and ginger beer, Weet-Bix, fairy bread, hot cross bun, cinnamon scroll, chocolate fudge and bubble tea gelato. Most recently, it made Biscoff, Reese's Peanut Butter Cups and Hershey's Kisses varieties, too. For its latest offering, the Australian dessert chain is taking inspiration from another beloved foodstuff — in case you can't choose between tracking down and devouring some Caramilk chocolate or licking your way through a few scoops of ice cream. Yes, that very combination is now on the menu, with Caramilk Hokey Pokey-inspired gelato earning the honours as Gelatissimo's January flavour of the month. Now on sale, it starts with caramelised white chocolate gelato — which is then topped with hazelnut and peanut toffee pieces. If you're only just learning about Caramilk Hokey Pokey bars, that's because they haven't been easy to come by in Australia — but now you can try the next best thing in ice cream form. At Gelatissimo, the new gelato flavour will only be available for the month of January at all stores Australia-wide, and only while stocks last. That includes via delivered take-home packs via services such as UberEats, Deliveroo and DoorDash. Gelatissimo's Caramilk Hokey Pokey gelato is available from all stores nationwide for the month of January.
It's a problem anyone with a Netflix or Stan subscription can relate to: scrolling through a lengthy list of titles but still having trouble finding something to watch. And, it's a problem that gets worse if you're looking for homegrown content; however a new Aussie-focused streaming option is aiming to fix that. Meet Ozflix, the first video-on-demand service dedicated to Australian films. First announced back in 2015, it'll launch at 6pm on January 26 with a pay-per-view library of around 250 titles. With approximately 2000 Aussie-made films in existence, the streaming platform aims to become a one-stop-shop for local movies. "We are committed to making each and every Australian feature film available," says Ozflix CEO Ron V. Brown, who has been involved in the Australian screen industry since the 1970s. That includes the first works crafted in the 1900s, the newest releases, and everything from Newsfront to Strictly Ballroom, The Castle, Ten Canoes, Wolf Creek and The Dressmaker. The service will also feature three free original content shows that will delve into the history of local flicks, curate suggestions based on themes and directors, and discuss the careers of some of the country's most celebrated talent. Further original content is planned once Ozflix is up and running. Viewers will pay $6.79 to stream a new release, and $3.79 for all other films. A curated weekly selection will offer five films for $5.79, and Ozflix will provide 50% of each rental fee directly to the distributor or filmmaker. As well as promising an online home for Australian cinema fans both locally and around the world, the service comes with a hefty roster of high-profile support — actresses Deborah Mailman and Claudia Karvan, The Adventures of Priscilla, Queen of the Desert director Stephan Elliott, and Animal Kingdom producer Liz Watts among them. "This is basically an art gallery for Australian cinema," said Mad Max: Fury Road filmmaker George Miller. Ozflix launches at 6pm on January 26, 2017. For more information, visit their website.
Haute couture. Murder. Disco tunes and Studio 54. Throw in one of the biggest names in fashion — and a tale that's filled with both glam and grim strands, too — and that's House of Gucci. Ranking highly among the most anticipated movies set to hit the big screen across the rest of 2021, this Ridley Scott (All the Money in the World)-directed drama steps inside the Gucci family fashion dynasty, charting its successes and shocking moments over the course of three tumultuous decades. If you've read the book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed, which this new film is based on, then you'll know the details. If you've seen news coverage about or can remember the events that rocked the Italian family back in 1995, you will as well. The focus: Maurizio Gucci, grandson of company founder Guccio Gucci, and the head of the fashion house throughout the 80s and early 90s — until he was assassinated by a hitman in 1995. Adam Driver steps into also Maurizio's unsurprisingly stylish shoes, in what's proving a big year for him in cinemas. He'll also grace the big screen in Scott's next film The Last Duel, which is due to release in October — a month before House of Gucci arrives in November. In the latter flick, he's joined by Lady Gaga in her first big-screen role since A Star Is Born, this time playing Maurizio's wife Patrizia. Obviously, there's quite the tale to tell — and, as the just-dropped first trailer for House of Gucci shows, Scott is going big on striking threads, 70s and 80s tunes and vibes, indulgence and luxury dripping through in every frame, and also an unavoidable air of melodrama. To help, the star-studded cast also includes Jared Leto (The Little Things) sporting plenty of prosthetics and makeup, as well as Al Pacino (The Irishman), Jeremy Irons (Love, Weddings and Other Disasters) and Salma Hayek (The Hitman's Wife's Bodyguard). As the trailer reminds us, that's a whole lot of Oscar-winning and Oscar-nominated talent in one flick. Check out the trailer below: House of Gucci will release in Australian cinemas on November 25.
Japanese food is one of the most popular cuisines worldwide, and it's no wonder. It's flexible, healthy, often served fresh, presented beautifully and perhaps most importantly, it tastes fantastic. You can get a box of takeaway sushi or a bowl of ramen all over the world, but certain elements and specialties of Japanese cuisine have yet to take off worldwide. Whether it's down to unique ingredients, well-guarded local knowledge or a certain…flair that turns away more conservative palates, these dishes you need to seek out in the land of the rising sun itself. So, should you be planning a Japan jaunt, save this guide for some of its lesser-known treats and where to find them. Goya Chanpuru, Okinawa Prefecture Starting in the summery and tropical south of Japan, we have the regional specialty of goya chanpuru hailing from sunny Okinawa. Chanpuru itself is an Okinawan stir fry of vegetables and fresh tofu, but the most popular variety comes with a helping of a bitter gourd called goya. The summer vegetable is sliced and stir-fried in oil with pork, eggs and, crucially, Okinawan tofu (which is prepared differently from other tofu). The result is a bitter but healthy meal, rich in vitamin C. [caption id="attachment_991975" align="aligncenter" width="1920"] Hanasunrise via iStock[/caption] Buri Daikon, Kagoshima Prefecture Moving north to the island of Kyushu and Kagoshima Prefecture, a popular at-home winter dish made with vegetables and fish, takes our eye. Buri daikon is specifically made with yellowtail, commonly fished in Kagoshima Prefecture, and thick slices of daikon, a Japanese radish — especially a sweeter cultivar called Sakurajima daikon. The daikon is chopped and stewed with yellowtail, sake and ginger, then served with shredded ginger — making for a fantastic winter warmer. [caption id="attachment_991976" align="aligncenter" width="1920"] Stossi Mammont via iStock[/caption] Horakuyaki, Ehime Prefecture Ehime Prefecture is home to one of Japan's three major tidal flows, the Kurushima Strait. The fresh seafood that's the main ingredient in horakuyaki is almost exclusively caught in this very strait. Popular in Imabari, horakuyaki is a luxurious dish that's innately connected to the rich maritime culture of the region and is fairly simple to prepare. Commonly made with bream, octopus, shrimps and clams caught in the strait — the catch is prepared, lightly salted, then steamed and roasted in a flat pan called a horaku nabe. It's tender, rich in seafood flavour and a common sight at banquets and celebrations year-round. [caption id="attachment_991978" align="aligncenter" width="1920"] ES3N via iStock[/caption] Fuku Sashi, Yamaguchi Prefecture Fuku sashi is Yamaguchi Prefecture's regional spin on the internationally known dish of fugu, sashimi of the highly poisonous pufferfish. It's a dish that can only be prepared by accredited chefs since one wrong cut can make the meat of the fish fatal when consumed. When a chef in Yamaguchi Prefecture is qualified to serve fugu, it's used in this locally popular dish. The fish is sliced so it's translucently thin, then served with ponzu sauce — made with soy sauce and citrus juice. It's also popular with sliced chives or grated radish. While popular, a decline in fugu stock has made the dish reserved for special occasions. [caption id="attachment_991983" align="aligncenter" width="1920"] TokyoViews via Flickr[/caption] Tekonezushi, Mie Prefecture Local meals often have a simple origin, and that's the case with tekonezushi, tracing its origins to being a simple meal that fishermen could prepare while still out on their boats. Not far from Japan's largest cities, the waters of Mie Prefecture are busy with fishing boats, often hunting skipjack tuna. Hence, local fishermen and now restaurants often prepare tekonezushi. All it takes is tuna or bonito sashimi marinated in soy sauce and placed on a bed of vinegared rice with a sprinkle of nori (dried seaweed) and shiso (perilla) on top. [caption id="attachment_991985" align="aligncenter" width="1920"] Hideya Hamano via Flickr[/caption] Hotaruika no Sumisoae, Toyama Prefecture In central Japan where the mountains meet the Sea of Japan, Toyama Bay is home to a population of stunning firefly squid, which is the centrepiece of hotaruika no sumisoae. Traditionally residents of deep water, these luminescent cephalopods make quite the sight in the shallows. Often served in early spring, coinciding with the fishing season, this dish is prepared by boiling the squid in salted water and then serving with leeks and a generous pour of vinegared miso (miso, vinegar, hot pepper and sugar). Kiritanpo Nabe, Akita Prefecture Nearby in Akita Prefecture is kiritanpo nabe, a local take on hot pot that dates back to when loggers used to climb the region's mountains in search of timber. The key carbohydrate base is kiritanpo — rice that has been boiled, mashed and grilled on a cedar skewer. Cooked in a cylindrical shape, they're added to a boiling hot pot with chicken bone broth and a mix of ingredients. Typically, you'll see sliced root vegetables, mushrooms, thin noodles and chicken as well as sake, salt and soy sauce. It's often served for celebrations and is the star dish in local festivals in the region. Milk and Dairy Products, Hokkaido Prefecture Japan's northernmost island (and prefecture) of Hokkaido might be most famous for its snow resorts, but the area is also home to Japan's dairy industry. The climate is ideal for dairy production and is where over 50% of Japan's milk originates. Supposedly, the milk has a rich, vanilla-esque flavour. As such, there are all sorts of treats to try. Lavender soft serve ice cream, cheese, butter, bread and milk jam (the Japanese equivalent of dulce de leche) are some of the most popular treats, all served in restaurants and the regions working dairy farms. Discover more and start planning your trip to Japan at the Japan National Tourism Organization website. Header image: Green Planet World via iStock. Body images courtesy of the Japan National Tourism Organization unless specified otherwise.
If the impending winter chill has you dreaming of cosy nights spent quaffing drams of whisky, there's a new Melbourne-made creation that deserves a spot in your spirits collection. The team at the city's own Starward Whisky has just unveiled the latest edition of its Ginger Beer Cask series — and this spicy little number promises to keep those winter blues at bay. The sixth annual iteration of Starward's ginger-based program is its most experimental yet — French and American oak barrels were used to brew a citrus-filled ginger beer, which was then left to soak up maximum flavour. Next, the casks were emptied and then refilled with a blend of apera (a fortified wine) and single-malt whisky that had been previously aged in red wine barrels. The result is a boldly-flavoured ginger-forward drop with aromas of orange and dark chocolate, and a juicy taste full of vanilla and pineapple accents. Starward's experts say you can try the whisky any way you please, but they particularly recommend sipping it straight, perhaps alongside some good-quality dark chocolate. Either way, it's safe to say you can expect a very good drop — the last Ginger Beer Cask edition took out a gold medal at the World Whisky Masters, as well as a bronze at the Hong Kong International Wine and Spirits Competition. The special-edition spirit is always quick to sell out, and this year's release is pegged to be no different. In fact, after five increasingly popular runs, Starward is this year using a ballot system to determine who gets first dibs on buying the limited number of bottles available. To be in with a shot, register online before Sunday, May 9. Any remaining bottles will then be available to the general public for purchase on World Whisky Day on Saturday, May 15. And if you'd like to try before you buy, it'll be on the tasting roster at Starward's Port Melbourne distillery bar for a limited time. To get first access to Starward's Ginger Beer Cask #6, register for the ballot online by Sunday, May 9. Ballot holders will then get a few days to purchase a bottle, before any remaining stock goes on sale to the general public on Saturday, May 15. A 500-millilitre bottle will set you back $119, and will be available via the distillery's online store or at its Port Melbourne distillery shop.
A world-first exhibition dedicated to the late Nelson Mandela has opened in Australia, in what would've been the Nobel Peace Prize laureate's 100th year. Travelling exhibition MANDELA My Life runs from September 22, 2018 to March 3, 2019, with Melbourne Museum hosting the most comprehensive collection of the human rights icon's memorabilia ever to be shown outside South Africa. Alongside a huge assortment of artefacts, including the warrants of committal for Mandela's 27-year stint in prison, the exhibition explores his life through a series of film and audio archives. In total, more than 200 pieces from The Nelson Mandela Foundation and Nelson Mandela's private collection are on display, taking up ten galleries. Highlights include an immersive film piece that places attendees in the courtroom as he delivers his 1964 Rivonia Trial speech against apartheid, a seven-metre-long projection wall that charts his journey through childhood, and a gallery filled with small cell-like rooms based on his time in prison. Visitors can also relive the events of Mandela's first day of freedom in 1990, view a selection of the colourful patterned 'Madiba shirts' he was known for wearing, and see the signed boxing glove gifted to Mandela by Muhammad Ali. In addition, MANDELA My Life includes 16 original artworks by South African artist John Meyer, each of which depicts an event from or theme of Mandela's life. An exhibition within the exhibition, it features renderings of Mandela's childhood in Qunu, his years as a dedicated lawyer in 1950s Johannesburg, his time in jail and and his post-release achievements. Victorian Minister for Tourism and Major Events John Eren said that Melbourne's hosting of the centenary exhibition was a huge win for the city. "Nelson Mandela fought every day for freedom, love and human rights — changing the world and making it a better place," Eren said. "We're proud this exhibition is making its world debut in Victoria, continuing Mandela's incredible legacy and reminding us all that it's in our hands to make a difference." MANDELA My Life is supported by the Nelson Mandela Foundation, which is the custodian of most of the revolutionary's personal photographs, documents and memorabilia. After premiering in Melbourne, the exhibition will embark on a world tour of up to 20 cities, expected to be seen by as many as 2.7 million visitors globally. MANDELA My Life is on display from September 22, 2018 to March 3, 2019 at Melbourne Museum, 11 Nicholson Street, Carlton. For tickets and more information, visit the exhibition's website. Images: 'Father of the Innocents' from the series 'Mandela, A Life's Journey' by John Meyer / Keith Bernstein / Jon Augier, Museums Victoria/
Playing ice hockey isn't a regular part of growing up Down Under, but watching a ragtag team of underdogs try their best on the ice has been a childhood staple since the 90s. The reason: the Mighty Ducks franchise. The three Emilio Estevez and Joshua Jackson-starring films hit screens between 1992–6, and have remained nostalgic favourites ever since. The trio of movies also spanned an animated show back in 1996; however, that's not the franchise's only leap into television. Because everything old is new again — including making that observation, because it just keeps proving relevant — Disney+ is bringing Mighty Ducks back courtesy of new series The Mighty Ducks: Game Changers. If Karate Kid can live on via the small screen, then so can this other beloved sports-focused saga, it seems. And like Cobra Kai, Game Changers is bringing back a familiar face when it debuts its ten-episode first season on Friday, March 26. That'd be Estevez, who reprises his role as Coach Gordon Bombay. Sadly, Jackson isn't involved this time around — but Gilmore Girls star Lauren Graham will feature as the mother of a hockey-loving boy who helps him create his own team. Aimed at all ages — so at kids just discovering Mighty Ducks for the first time, and adults with fond memories — the show looks set to follow the underdog formula established in the films, as both its first teaser trailer and its just-dropped full trailer illustrates. The series is set in Minnesota, where the Mighty Ducks are now a big deal, 12-year-old Evan Morrow (Brady Noon) gets cut from the team, and he and his mom (Graham) bring together their own crew in response — with the help of Bombay, of course. Check out the full trailer below: https://www.youtube.com/watch?v=zZTouNvgPCM&feature=youtu.be The Mighty Ducks: Game Changers starts airing on Disney+ from Friday, March 26. Top image: Disney+.
The life and times of 20th century music and cultural icon, Bob Marley, are explored through the deeply raw and poignant documentary, Marley. Kevin Macdonald directed the film in an attempt to allow audiences to get to know the man behind the myth a little better. The two and a half hour documentary features never before seen footage and photos from Marley's early life and final years; from his years as a mixed-race farm boy, Marley's time on the streets in Kingston's Trenchtown, his worldwide fame, through to his cancer diagnosis and slow subsequent demise. Marley reinforces the cultural significance of this Jamaican hero, who still resonates in music lovers' hearts all over the world almost 30 years after his death. Commentary is provided by the family members and friends who knew him best, and the film includes concert footage of four previously unseen songs. All of this is woven together in a seamless stream of revelations to sate the appetites of even the most ardent, die-hard Marley fans. Macdonald and Marley's children and grandchildren also wished to preserve Marley's legacy through the documentary and highlight his driven and ambitious work ethic, whilst quelling the notion that his marijuana smoking led him to lead a slow-paced or lazy lifestyle. The film powerfully captures the quirkiness of the Marley clan as well as providing a musical journey that outlines the development of the sub-culture of reggae and the instrumental role Marley had in this. Concrete Playground has ten double passes to giveaway to see Marley. To go in the running to win tickets, make sure you're subscribed to Concrete Playground then email your name and postal address to us at hello@concreteplayground.com.au
Hayao Miyazaki took five years to complete his latest animation, but you can make yours near instantly, with a new piece of software called Plotagon. The democratically easy-to-use and pretty much mind-boggling technology transforms your screenplay into an animated film. lt turns your layperson's screenwriting into code, creating an animated movie just as you envisioned it, with the set, dialogue, tone, movement, sounds and music to boot. That's right; you type the words, and then they just happen. But with an aesthetic reminiscent of The Sims, animations can be pretty wooden, and unless you buy from the Plotagon in-built store, your character and setting choices are limited. Okay, so maybe the program almost creates the movie you envisioned. But with software fast developing and designers constantly making tweaks, we can soon expect to create our own 3D characters.On the plus side, some of the characters have been created specifically for the app by legendary comic book creator Stan Lee (Spiderman, Hulk), so they may be better than the ones you'd spun yourself anyway. For the moment, it’s the ultimate platform for fan-fiction writers, and a space for 13-year-olds to live vicariously through a better-looking or more popular avatar. But with the possibility to add canned laughter after every line, a satirical sitcom will be this writer’s first project. Plotagon is free to download and currently in beta. Story via PSFK.
So, you read one of 2023's huge literary sensations. And, you engaged with one of TikTok's biggest memes. What comes next? Diving into them both at All About Women. Notching up 12 years when its 2024 edition takes place, this Sydney Opera House event enlists impressive talents to dig into gender, justice and equality, including by exploring the hits, trends and issues of the 12 months prior. Accordingly, naming Yellowface author Rebecca F Kuang and Roman Empire scholar Mary Beard for next year's one-day festival couldn't make more sense. Kuang will be heading to Sydney to chat about her satirical novel, which dives into cancel culture, cultural appropriation and diversity in the world of publishing, and has been a must-read since arriving on shelves in May. As for Beard, she's coming to the Harbour City fresh off the release of her latest book The Emperor of Rome, and will explore misogyny, power, murder and gossip in the ancient world — and its relevance to now. So, how often will All About Women think about the Roman Empire? At Beard's session, plenty. [caption id="attachment_929572" align="alignnone" width="1920"] John Packman[/caption] So far, Kuang and Beard are the first headliners on the 2024 event's program, with both getting talking in Australia for the first time. But they'll have company when the full lineup drops in January. All About Women brings together international and Australian artists, thinkers and storytellers to examine a broad variety of topics relevant to its main focus — so, to gender, justice and equality — via panels, conversations, workshops and performances. After expanding to two days in 2022 and then to three in 2023, Sydney Opera House's key feminist festival is running as a one-day event again in 2024. The date to mark in your diary: Sunday, March 10. Won't be in Sydney that day, because you'll be away or you live elsewhere? All About Women will also take place online again. "It will be such an honour to host both Rebecca F Kuang and Mary Beard on their first speaking tours in Australia. We look forward to announcing our fierce and fearless co-curators and the full lineup in the new year, and can't wait to welcome audiences back to the festival for its 12th year in March," said Sydney Opera House Head of Talks and Ideas Chip Rolley. 2024 marks the third year that the fest is enlisting a team of co-curators to put the program together. 2023's cohort gave audiences everyone from riot grrrl pioneers Bikini Kill to child actor-turned-I'm Glad My Mom Died author Jennette McCurdy. [caption id="attachment_837698" align="alignnone" width="1920"] Jacquie Manning[/caption] [caption id="attachment_844647" align="alignnone" width="1920"] Prudence Upton[/caption] [caption id="attachment_844646" align="alignnone" width="1920"] Jacquie Manning[/caption] All About Women 2024 will take place on Sunday, March 10 at the Sydney Opera House, and also stream online. The full program will release on Tuesday, January 16, 2023 — check back here then for further details. Tickets for the just-announced first sessions go on sale at 9am on Thursday, December 7, with pre sales from 9am on Tuesday, December 5. Top image: Jacquie Manning.
When the UNESCO's World Heritage Committee sends some attention Australia's way, it often comes bearing good news. Back in 2019, it added the stunning Budj Bim Cultural Landscape to the World Heritage List, for instance. The body has also given Kakadu National Park, K'gari, the Tasmanian wilderness, the Greater Blue Mountains area, the Sydney Opera House, and the Royal Exhibition Building and Carlton Gardens the same status, too — and, among 20 Aussie places that've earned a spot on the list, the Great Barrier Reef as well. At the moment, the organisation has turned its focus to the Great Barrier Reef again. This time, though, it's doing something other than highlighting its splendours. In a new report by the offshoot of the United Nations Educational, Scientific and Cultural Organisation, the WHC has recommended that the coral reef system off the coast of Queensland should be added to the list of world heritage sites that are in danger. Explaining its rationale, the WHC said that "the long-term outlook for the ecosystem of the property has further deteriorated from poor to very poor" since 2015, and that it has "suffered significantly from coral bleaching events in 2016, 2017 and most recently in 2020, as a result of global warming." It noted that in the past five years, "both the current condition and the long-term outlook for the property have deteriorated. Therefore, there is no possible doubt that the property is facing ascertained danger." The Australian and Queensland governments have a Great Barrier Reef policy — the Reef 2050 Plan — which outlines how they're working to protect and manage the reef until the middle of this century. But the WHC noted that so far "progress has been insufficient in meeting key targets." It also stated that the plan "requires stronger and clearer commitments, in particular towards urgently countering the effects of climate change, but also towards accelerating water quality improvement and land management measures. The widespread effects of the consecutive coral bleaching events further add to the significant concerns regarding the future of the property." [caption id="attachment_796501" align="aligncenter" width="1920"] Tourism and Events Queensland[/caption] The Guardian reports that if the recommendation to place the Great Barrier Reef on the in danger list goes ahead, Australia will be a pioneer in all the wrong ways — because it'll mark the first time that a natural world heritage site has been classed as "in danger" primarily due to climate change. UNESCO has asked Australia to work with the WHC to "address the threat posed to the property by climate change and determine a pathway for accelerated actions in other areas affecting the conservation of the property"; however, Federal Minister for the Environment Sussan Ley has said that the country will challenge the draft reef recommendation. "I agree that global climate change is the single biggest threat to the world's reefs but it is wrong, in our view, to single out the best managed reef in the world for an 'in danger' listing," the Minister said in a statement. To read the full UNESCO World Heritage Committee report head to the UNESCO website.
You've forsaken smashed avocados, saved all your cash and somehow have enough money to purchase your own property — and, naturally, you want to make the transaction count. May we suggest a 16th-century British cottage that's been dubbed the most haunted house in the UK? Anyone can buy an apartment in the suburbs, but only one person can nab a notorious spot that was once a medieval witch prison. Located in St Osyth in Essex, the property in question is known as The Cage. Back in the late 1500s, it was used to house 13 women accused of witchcraft while they were awaiting trial. Three were ultimately sentenced to death by hanging, including the infamous Ursula Kemp — a midwife and healer who came under suspicion after people in her neighbourhood, including children, became sick and died. That's not the end of The Cage's unnerving story. In the years until 1908, the house was also used to detain men, women, and children. Unsurprisingly, the spot has featured on local ghost tours and as the subject of a television docudrama, with current owner Vanessa Mitchell even co-writing a book about her spooky experiences living in the property. [caption id="attachment_726177" align="aligncenter" width="1920"] Right Move[/caption] Mitchell's time onsite was short-lived — she moved out "because of the relentless paranormal activity" according to Home Domus, who've listed the house for sale — however she has owned the spot since 2004. If you're keen to follow in her footsteps and you have £240,000 or more to spare, the two-level house features three reception rooms, a kitchen, a ground floor cloakroom, two bedrooms and a bathroom. Outside, a walled courtyard comes complete with a door to a walkway known as "Coffin Alley", where dead bodies were once transported on the way to the local cemetery. Top image: Home Domus 360.
This article is sponsored by our partner, Toshiba. Acclaimed around the world for its delicate complexity, Japanese cuisine has an attention to detail that is exquisite. No wonder it’s seen as an art form to many. Consequently, the dining scene is equally as impressive, in every sense of the word. Yes, they have 32 Michelin-starred restaurants in the country, but it's not all fancy, elegant and expensive. Think complete opposite to fine dining. Think of cafes where you can pat owls, restaurants where you throw your rod out of the boat and fish for your dinner, and cafes where French maids serve you chicken katsu and write ‘love’ on it. These places will literally change your notion of what is possible in the culinary showground. For a seriously Japanese experience that's a little closer to home, check out Toshiba's Pop-Up Zushi Roller-Coaster, a totally free and fantastic dining set-up on for a limited time only. Dine with a furry friend Created by a Finnish artist back in 1945, the Moomins are a fairytale family of white, roundish hippopotamus-like creatures that live in Moominvalley. We all know that Japan has paved the way for these kinds of things, with Hello Kitty cafes left, right and centre, so it’s only natural that a Moomin cafe exists in Tokyo. And Moomin fans will hit the roof. From the cutlery right through to your food, everything is in the shape of Moomin, and if you're a solo patron, you can even dine with a giant stuffed Moominpapa as your companion. It’s Moomin madness. Don’t be surprised if you end up talking like Thingumy and Bob. "Hmmmm….this yushi is really summy", etc. Dine with a feathered friend Cat cafes are so 2013. The quirky hangout craze in Japan now is places where you can drink your coffee with some friends — of the feathered sort. Owl cafes have become quite the hoot (excuse the pun) since Fukuro no Mise in Tokyo gained popularity in 2012. And we’re talking real owls here. Here you can eat your owl-inspired food while patting a barn owl. Understandably, this is not normal interaction for owls and humans, so there are strict guidelines to follow once you’re inside, such as washing of hands, not talking too loudly and having a staff member present should you want to hold one. The queues can get lengthy due to number restrictions, so make sure you don’t get too excited once you're in; it could send them into a flutter. Fish for your Food Like the idea of fishing for tea, but not hanging out in a dinghy for hours in the hopes of catching a feed? Zauo restaurants in Tokyo are taking fresh seafood to the next level. Ushered to a seat in the boat-shaped area, you can then request a fishing rod and some bait and commence fishing for your dinner from the moat beneath, swarming with various kinds of fish. The rule is that once you’ve caught it, you’ve bought it. So be careful should you be the adept trawler — you better hope that ¥16,000 ($170) lobster you snagged is tasty. There is fun in this though; the whole restaurant cheers you on if you’ve had success. Furthermore, the chef can prepare it however you like. Alternatively, if your patience is wearing thin and you feel like a floundering angler, simply order direct from the menu and beat the others to it. Dine on a cute, fake train Railway enthusiasts, unite! Little TGV is one of Tokyo’s distinctively themed cafes, with train-themed decor and booth seating similar to that of a railway carriage. A model railway chugs around the eatery, and as well as train-shaped food, the menu is inspired from railroads and trains all over the country. A cross between an izakaya and a maid-cafe, this place runs along the same lines, with waitresses dressed in train conductor uniforms. This, however, doesn’t mean it’s solely male clientele; Little TGV is popular with both local and foreign patrons wishing to soak up some of the cutesy/randomness of Japanese culture. High-speed sushi No longer do you have to wait five minutes till that California roll glides past you again. The high-tech sushi train at Uobei is all about delivering dishes via a high-speed chute. Customers place their order from the computer touch screen from their bench and within 60 seconds the high-speed rail sends the sushi careening down the chute, stopping right in front of you. After you’ve taken the plates (maximum three on one rail at a time), a simple press of a button sends the dishes flying back to the kitchen. Not quite sure how your green tea could fare at this speed, but that is what we call fast food.
Residents of Auckland, Adelaide, Wellington, Perth, Melbourne and Brisbane, rejoice — you're living in some of the world's most liveable cities. Thanks to lockdowns and other pandemic restrictions, life in both Australia and New Zealand has been far from normal over the past year and a half; however, six Down Under spots have ranked in the top ten in The Economist Intelligence Unit's Global 2021 Liveability Index. Auckland took out first place, unseating Vienna, which nabbed the top spot for three years between 2018–20. Adelaide came in third, Wellington placed equal fourth and Perth ranked sixth. Also, Melbourne tied for eighth — after coming in second in 2019, and topping the list between 2010–2017 — while Brisbane closed out the top ten. The six Australian and NZ cities were joined by Osaka, which ranked second; Tokyo, which tied for fourth with Wellington; and Switzerland's Zurich and Geneva, which came in at seventh and equal eighth respectively. The annual index ranks 140 cities on stability, healthcare, education, infrastructure, culture and environment, giving each city a rating out of 100. Auckland achieved a score of 96.0 overall — and, at the other end of the list, Damascus in Syria scored 26.5, ranking in 140th spot. It'll come as no surprise that the overall liveability score dropped seven points compared to before the pandemic — or that cities fared better if they had implemented strong border closures, been able to handle the health crisis and/or rolled out vaccines quickly in response to COVID-19. According to the EIU, Auckland soared to the top thanks to "the city's ability to contain the coronavirus pandemic faster and thus lift restrictions earlier, unlike others around the world." The dominance of Australian and NZ cities also came about because "tight border controls have allowed residents to live relatively normal lives." Just missing the top ten: Sydney, which came in 11th. It had ranked third back in 2019. That's hardly a big slide, though, with Vienna now sitting 12th — and the EIU noting that Frankfurt, Hamburg and Dusseldorf, all in Germany, have had the biggest falls among all 140 cities. To read the full Global 2021 Liveability Index, head to the Economist Intelligence Unit's website.
Exercise comes easy in the Harry Potter world. Between playing quidditch, evading dementors, waving wands about, bounding after Hagrid and hunting down horcruxes, Harry, Ron, Hermione and company have plenty of opportunities to get active — even when they're not hopping on a broom or apparating between places. And while the rest of us can't join them, we can imagine otherwise while wearing enchanting activewear. In their latest pop culture-themed range, Brisbane's BlackMilk Clothing is releasing a treasure trove of Harry Potter items for wizarding fans to spend their galleons on. It's the real, official deal, and it's their second HP-centric line this year. But, where their Hogwarts collection included Great Hall and Marauder's Map skater dressers, Daily Prophet leggings and house-themed high-waisted leggings, this time you can get kitted out in Gryffindor, Ravenclaw, Hufflepuff or Slytherin tanks, tights and tunics, and pretend you're training for the Triwizard Tournament. A full preview of the 16-piece range is available on the BlackMilk website, with the magical selection going on sale on December 19. If it's a Harry Potter Christmas you're after, it'd make the perfect gift — or something to wear when you're doing Harry Potter yoga, watching the films with a live orchestra, watching The Cursed Child or waiting for the Pokemon Go-like Harry Potter game to come out. For more information about BlackMilk Clothing's Harry Potter activewear range, head to their website.
The late, great Jim Henson gave the world many things, including the Muppets in general, Sesame Street's loveable puppet characters, Kermit the Frog's memorable voice and all things Fraggle Rock. He also turned filmmaker three times, creating three of the great puppet movies of the 1980s — The Great Muppet Caper, The Dark Crystal and Labyrinth. While Labyrinth still earns plenty of attention for plenty of reasons — David Bowie being one of them, obviously — The Dark Crystal also deservedly holds a place in fans' hearts. Co-directed with his Muppets colleague Frank Oz, the fantasy-adventure flick follows a Gelfling called Jen, who is trying to bring back balance to his own world by finding and returning a broken shard from a powerful gem. Henson and Oz also worked their puppeting magic on the movie, of course. Over the years, a sequel has been mooted more than once, including one with Australian Daybreakers, Predestination and Winchester filmmakers Michael and Peter Spierig at the helm. No follow-ups have ever come to fruition, but Netflix has done the next best thing, reviving the beloved film for a ten-part series. Set to release at the end of August, The Dark Crystal: Age of Resistance is a prequel to the movie — and yes, it uses puppets for its protagonists, not CGI, as the just-dropped first teaser shows in stunning detail. Seemingly picking up where the film left off, it's based on Dark Crystal companion novels Shadows of the Dark Crystal and Song of the Dark Crystal. Age of Resistance also boasts quite the cast, with Rocketman's Taron Egerton, Glass' Anya Taylor-Joy and Game of Thrones' Nathalie Emmanuel voicing three elf-like Gelflings. They're joined by a hefty list of names, so prepare to hear the vocal tones of Helena Bonham Carter, Natalie Dormer, Eddie Izzard, Theo James, Toby Jones, Shazad Latif, Gugu Mbatha-Raw, Mark Strong, Alicia Vikander, Mark Hamill, Jason Isaacs, Keegan-Michael Key, Simon Pegg, and Andy Samberg as well. Check out the trailer below: https://www.youtube.com/watch?v=4KYLwTGx7uU The Dark Crystal: Age of Resistance hits Netflix on August 30.
Trust Kate McCartney and Kate McLennan, Australia's favourite Kates and funniest double act, to make a killer TV show about chasing a killer that's the perfect sum of two excellent halves. Given their individual and shared backgrounds, including creating and starring in cooking show sendup The Katering Show and morning television spoof Get Krack!n, the pair unsurprisingly add another reason to get chuckling to their resumes; however, with Deadloch, they also turn their attention to crime procedurals. The Kates already know how to make viewers laugh. They've established their talents as brilliant satirists and lovers of the absurd in the process. Now, splashing around those skills in Deadloch's exceptional eight-episode first season — which streams via Prime Video from Friday, June 2 — they've also crafted a dead-set stellar murder-mystery series. Taking place in a sleepy small town, commencing with a body on a beach, and following both the local cop trying to solve the case and the gung-ho blow-in from a big city leading the enquiries, Deadloch has all the crime genre basics covered from the get-go. The spot scandalised by the death is a sitcom-esque quirky community, another television staple that McCartney and McLennan nail. Parody requires deep knowledge and understanding; you can't comically rip into and riff on something if you aren't familiar with its every in and out. That said, Deadloch isn't in the business of simply mining well-worn TV setups and their myriad of conventions for giggles, although it does that expertly. With whip-smart writing, the Australian series is intelligent, hilarious, and all-round cracking as a whodunnit-style noir drama and as a comedy alike — and one of the streaming highlights of the year. The place: Tasmania, in the fictional locale that gives Deadloch its name (that Deadloch Lake means 'dead lake lake' doesn't go unmentioned). That first body: a local gym owner and ProBro entrepreneur ("it's protein for bros," is the sales pitch), who'll soon have burning pubic hair, too ("holy shit, his dick's on fire," is the response). The key police duo: Senior Sergeant Dulcie Collins (Kate Box, Stateless), a by-the-book type who traded being a stressed Sydney homicide detective for a quieter life for her vet wife Cath (Alicia Gardiner, Wakefield); and Darwin Major Crimes division's Eddie Redcliffe (Madeleine Sami, The Breaker Upperers), who asks "how long has shrivel dick been dead for?" about the deceased, is as loud as her Hawaiian shirts and fluoro camouflage getup, and intends to catch the easy culprit ASAP so she can hightail it back north. That Deadloch's initial victim is male gives the standard dead-girl trope an instant a gender-switched twist — even the genre's best, from Twin Peaks and The Killing to True Detective and Top of the Lake, have leaned upon it — but that isn't the source of Deadloch's humour, nor should it be. As recent comedy hits Only Murders in the Building and The Afterparty also know, murder itself isn't amusing either. Rather, it's the chaos around it and the people who get caught up in it that can be comic, which is where Deadloch frequently tickles ribs — that, and lampooning everything from small-town gentrification and tourist-courting winter festivals to arrogant detective archetypes and the male-centric world order, plus the show's glorious way with dialogue and Aussie swearing. Again, the series isn't funny because heterosexual white men comprise its rising body count, or because women are doing the investigating. The way that Deadloch's blokes react, the pressure piled on from the top and the frenzy swirling around is pointedly sidesplitting, though. This is a whodunnit with something to say, because there's no escaping the vast difference between the urgent demands for action from its fictional males and the off-screen reality when women are killed. Who did it? As Eddie leaps to obvious conclusions amid spitting out a non-stop barrage of insults, Dulcie's detective muscle memory kicks in. Deadloch's odd couple have help from constables Abby Matsuda (Nina Oyama, Koala Man) and Sven Alderman (Tom Ballard, Fully Furnished) — one as eager as can be, especially with forensics; the other affable but seeing policing as just as job — and hear theories from almost everyone. That includes doctor and mayor Aleyna Rahme (Susie Youssef, Rosehaven), the driving force behind Deadloch's just-commenced Dark Mofo-influenced Winter Feastival, who is determined to keep the festivities going. And, as Eddie struggles with baggage from back home and Dulcie grapples with investigating her friends, their quest also leads them to Margaret Carruthers (Pamela Rabe, Wentworth), the town's most powerful figure, whose husband was Deadloch's previous mayor. Also adding thoughts and complications: new widow Vanessa Latham (Katie Robinson, Five Bedrooms); bakery owner Vic O'Dwyer (Kris McQuade, Irreverent) and her gastropub chef daughter Skye (Holly Austin, Miss Fisher & the Crypt of Tears); the rabble-rousing Phil McGangus (Shaun Martindale, Sissy); obnoxious pathologist James King (Nick Simpson-Deeks, Winners & Losers); and aspiring AFLW player Tammy Hampson (Leonie Whyman, Mystery Road: Origin) and her studious cousin Miranda Hoskins (Kartanya Maynard, The Messenger). The list goes on, with the pool of suspects similarly broad. Whether they're vocally vicious — Phil spews misogynist vitriol, particularly about Deadloch's influx of lesbian tree-changers — or seemingly oblivious, this cast of characters is also aware that the town's facade isn't as calm and cosy as it appears. Indeed, McCartney and McLennan examine Australia's horrific race-relations history as well as the country's gender politics, interrogating how both blighted the show's setting long before multiple murders upset its supposed idyll. If The Kates had penned Deadloch as a book, it'd be a can't-put-down page-turner. On streaming, as cinematographers Katie Milwright (The Clearing) and Simon Ozolins (Heartbreak High) revel in a Tasmanian gothic look, their tale is that propulsive and addictive. And, the show's deeply layered writing — with Sami, Kim Wilson (Wentworth), Christian White (Clickbait), Anchuli Felicia King (Class of '07) and Kirsty Fisher (Mustangs FC) scripting with McCartney and McLennan — couldn't have a better roster of actors bringing it to life under directors Ben Chessell (The Great), Gracie Otto (Seriously Red) and Beck Cole (Black Comedy). Playing it straight and giving the series its emotional centre, Box could've walked straight in from Broadchurch. Tasked with thundering in, Sami is a comic genius as Eddie, ensuring that the character's unflinching honesty couldn't be more pivotal, and that Eddie is never a one-note OTT outsider. Trust McCartney and McLennan to give TV another tremendous pairing, swapping their own The Katering Show and Get Krack!n dynamic for Box and Sami killing it. Trust them to leave viewers with the feeling that every The Kates' project leaves: wanting more right now. Their time as a food intolerant and an intolerable foodie ran over two seasons, then their breakfast television stint repeated the feat. Here's hoping that Deadloch at least matches them — while its creators don't grace the screen this time, this crime-comedy ranks among The Kates' best work in every other way. Check out the trailer for Deadloch below: Deadloch streams via Prime Video from Friday, June 2.
Across ten extremely amusing initial episodes in 2022, Loot had a message: billionaires shouldn't exist. So declared the show's resident cashed-up character, with Molly Wells (Maya Rudolph, Teenage Mutant Ninja Turtles: Mutant Mayhem) receiving $87 billion in her divorce from tech guru John Novak (Adam Scott, Madame Web), then spending most of the Apple TV+ sitcom's first season working out what to do with it (and also how to handle her newly single life in general). That she had a foundation to her name was virtually news to her. So was much about everything beyond the ultra-rich. And, she was hardly equipped for being on her own. But Loot's debut run came to an entertaining end with the big statement that it was always uttering not so quietly anyway. So what happens next, after one of the richest people in the world decides to give away all of her money? Cue season two of this ace workplace-set comedy from Wednesday, April 3. Created by former Parks and Recreation writers Alan Yang and Matt Hubbard, in their second Rudolph-starring delight — 2018's Forever was the first — Loot splices together three popular on-screen realms as it loosely draws parallels with Amazon founder Jeff Bezos and his philanthropist ex-wife MacKenzie Scott. At her charity, as Molly's staff become the kind of friends that feel like family while doing their jobs, shows such as 30 Rock and Superstore (which Hubbard also has on his resume) score an obvious sibling. As its protagonist endeavours to do good, be better and discover what makes a meaningful life, The Good Place (which Yang also wrote for) and Forever get company. And in enjoying its eat-the-rich mode as well, it sits alongside Succession and The White Lotus, albeit while being far sillier. Nothing was broken about this mix and setup in season one, so there's no fixing required the second time around — just leaning in further and letting Loot's talented cast make the most of it. Co-starring alongside Rudolph: Michaela Jaé Rodriguez (American Horror Story) as foundation head Sofia, Joel Kim Booster (Fire Island) as Molly's assistant Nicholas, Ron Funches (Good Burger 2) as her cousin Howard and Nat Faxon (Our Flag Means Death) as company accountant Arthur, plus Stephanie Styles (Curb Your Enthusiasm) and Meagen Fay (9-1-1) as the cheery Ainsley and hippie-ish Rhonda to round out the office gang. As motley crews dictate, everyone has a personality archetype. Sofia is dedicated and determined. Nicholas chases clout. Howard and Arthur both bring sweetness, the latter as a daggy dad who also becomes Molly's everyman love interest, for instance. Loot has a clear lead, but it also patently adores its ensemble; with this group, there's plenty to love. After Molly's huge announcement, she has downsized mansions in season two, while also grappling with John's rekindled romantic interest and trying to make good on her word — and to get her homelessness-tackling project Space for Everyone off the ground. Loot knows that the path back from such an extravagant existence isn't straightforward, though. Plenty of its humour comes from Molly attempting to do what she thinks is right, but being the type of out-of-touch that money literally buys. Still, she has a caring heart and noble intentions, which Loot always sees. This is a series that's teeming with designer attire, jet-setting, lavish spiritual retreats and opulent dream homes, and watches them gleam, yet is keenly aware that nothing sparkles as brightly as truly being yourself, learning what makes you feel fulfilled, real connection and genuine benevolence, all of which are priceless. It's hard to imagine anyone but Rudolph selling Loot as wholeheartedly, or ensuring that the concept hits its mark. It isn't a simple task, parodying the ridiculously affluent while humanising a lead character who can't remember anything but rolling in dosh — and also showing her well-to-do trappings without undercutting the show's eat-the-rich mantra by making her life, or even just the materialism, freedom and security of a an abundant bank balance, seem aspirational. By now, however, almost three decades since she made her screen debut and nearing a quarter century since her first Saturday Night Live days, it's been proven several times over that Rudolph can do everything. Playing Molly requires that flexibility, as honed so expertly in sketch comedy. It also hinges on Rudolph committing to being the joke again and again, while digging past satirising Molly to unearth the person beneath the billions. Put Loot's lead in any show or movie and it's worth watching (see also: everything from Away We Go, Bridesmaids, The Way Way Back and Sisters to Up All Night and Maya & Marty). That said, also harking back to her SNL stint, she's a spectacular team player even when giving a star turn, which this recognises. Yang and Hubbard have filled Loot's cast perfectly with actors who bounce off of Rudolph flawlessly, including in guest roles in season two. When Ana Gasteyer (American Auto), Rudolph's SNL co-star, pops up as another obscenely well-off ex-wife, audiences can be forgiven for wanting a spinoff that pushes them both to the fore. And when Benjamin Bratt (Poker Face) joins the series briefly, it's a sublime inclusion. For the show's regular ensemble, season two delivers more subplots and supporting-character arcs. Sofia gets a boyfriend (O-T Fagbenle, Secret Invasion), plus more time away from the job that she's devoted to. Nicholas dives into his cultural heritage, adopted upbringing and dating behaviour. Howard follows an opposing route to Molly, endeavouring to free himself from debt rather than giving away money, while also embracing a passion as a side hustle. Chemistry still lingers between Molly and Arnold, but no workplace sitcom lets romance come easily — and no series about a person bettering themselves, and also unearthing themselves in a midlife crisis, allows new love to blossom quickly, either. From Molly doing Vogue's 73 Questions and Taylor Swift obsessions becoming a plot point to runway appearances and weaving in a hilarious nod to a movie masterpiece, Loot isn't short on other reasons to get giggling — or other ways to flesh out Molly and the gang. Another pivotal element that it boasts in abundance: the potential to keep growing, especially as Molly's bank balance dwindles. Skewering levels of wealth that no one should have, and that only the one percent of the one percent can grasp, will never stop proving rich and necessary comic material. Loot has bite, laughs, thematic capital to keep building upon and a roster of talent making it one of Apple TV+'s comedy standouts. It was true in its first season and remains the case in its second: this is a series to invest in. Check out the trailer for Loot season two below: Loot streams via Apple TV+, with season two starting on Wednesday, April 3, 2024.
After the work-week marathon, holing up at home all weekend can be mighty tempting, especially in 2020. And while technology has gifted us with the amazing ability to get both food and entertainment without changing out of our PJs, you might still feel like sunshine and socialising. So, once a month, swap the hermit life for an outside hangout. The Sound Society is an initiative that fills Roma Street Parkland with music. If a slow Sunday morning and afternoon accompanied by live tunes is your style, meander down to the Banyan Lawn between 11am–2pm — picnic blanket in hand. The lineup is eclectic, with the Jess Spina Quintet slated to perform on August 2. You can then head by on September 6, October 4, November 1 and December 6 as well. You can also order a picnic hamper from the Parkland's Garden Cafe to pick up on the day — or, of course, you can bring your own. The Sound Society takes place at Roma Street Parkland's Banyan Lawn from 11am–2pm on August 2, September 6, October 4, November 1 and December 6.
Technology just keeps getting smaller and smaller. UK game developer David Braben has created the prototype for a mini computer, so tiny and efficiently manufactured that it could be provided to school kids for free. It's called the Raspberry Pi USB computer, and it functions as a real PC, with USB and HDMI ports meaning you can hook it up to a keyboard and television screen in no time. The Raspberry Pi Foundation exists to promote the study of computer science and related topics, especially at school level, and to put the fun back into learning computing. "We plan to develop, manufacture and distribute an ultra-low-cost computer, for use in teaching computer programming to children. We expect this computer to have many other applications both in the developed and the developing world," reads a description of the Pi project on the foundation Web site. https://youtube.com/watch?v=pQ7N4rycsy4 [Via Mashable]
Australia's war on waste has received a significant boost, with the Federal Government pledging to ensure that 100 percent of the country's packaging is recyclable, compostable or reusable in the next seven years. Announced by Minister for the Environment and Energy Josh Frydenberg, the target will be implemented by 2025 or earlier. The Commonwealth will also work with state and territory governments to increase the nation's recycling capabilities — and prioritise 'waste-to-energy' projects, which convert waste that is unable to be recycled into energy. Also on the agenda: ramping up the purchase of recyclable materials by the various levels of government by using more recycled paper, and building roads and construction projects out of recycled mattter. The focus not only on mandating the widespread uptake of recyclable packaging, but also finding ways to use and process it forms part of the country's response to China's decision to stop importing waste. Since the beginning of 2018, Australia has been struggling to find solutions for the 1.3 million tonnes of recyclable materials it previously sent to Chinese facilities each year, a figure that accounts for 35 percent of our recyclable plastics and 30 percent of our recyclable paper and cardboard. Earlier this month, it was discovered that one Queensland council had been sending recyclable matter to landfill instead. The promise to scrap non-recyclable packaging in general arrives as several other eco-friendly bans are coming into effect — or, in the case of Hobart's Australia-first commitment to get rid of single-use plastic containers, are set to by 2020. Single-use bags are on their way out in most states, with Queensland joining the fold this coming July and Victoria following suit, leaving New South Wales as now the only state that hasn't made the same pledge. Elsewhere, Aussie bars venues have begun phasing out straws, and campaigns to reduce the use of single-use takeaway coffee cups also continue.
Parisian label Kitsune is coming back to hang. As cool and sharp as a post-toothpaste drink of lemonade, the record and fashion label know what's up well before it's up. Specialising in eclectic electronic and minimalist dance music as clean and tailored as a French cuff, the label have been taking their Kitsune Club Nights worldwide to dance lovers in Tokyo, Berlin and London. The crew cranked some serious parties in Australia last year, with the likes of Jerry Bouthier, Clubfeet, RUFUS and Softwar. Returning for the second edition this May, Kitsune are heading back to Australia to throw down a whole lot of excellent beats, fronted by one of their favourite dudes, Pyramid. One heck of a laptop wizard, the French producer won his way into Kitsune hearts and compilations after winning a remix contest. The 22-year-old DJ will be promoting his new EP, The Phoenix, out now through the label itself. He'll be joined by Aussie electronic alt-popster Chela, who linked arms with Melbourne outfit Clubfeet for the Kitsune club series last year. There'll be five stops on the Kitsune Australian tour, creating a ruckus in Fitzroy's Laundry Bar, Fortitude Valley's Chinese Whispers, The Bakery in Northbridge and Sydney's Civic Underground before heading on to Warehouse 82 in Seminyak, Bali. So if you're fan of disjointed nu-disco (which, everybody clearly is), get amongst it in May. Tour dates: Fri 9 May - Laundry Bar, Fitzroy Sat 10 May - Chinese Whispers, Fortitude Valley Fri 16 May - The Bakery, Northbridge Sat 17 May - Civic Underground, Sydney Image by BAM.
iPhone photography apps like Instagram and Hipstamatic recreate a Polaroid-feel in our piccies. We can Lomo-fi and Poprocket our way to nostalgia-town, but still, there's something not quite right. According to the creators of Instaprint, a location-based photography booth launched last Monday, "deep down we all still miss the uniqueness of those square little photos you'd hold comfortably in your hand." Created by Breakfast, a New York interactive agency, Instaprint is the modern day equivalent of a photo booth, but with all the digital mobile perks modern technology has to offer. The device automatically detects and prints photos marked with a particular location or hashtag using old-school inkless printing techniques developed by Zink. Two Instaprint machines will be showcased at the SxSW conference in Austin this week, where tech enthusiasts can road-test the device. It's still in beta-stage, but will be officially available by March 18. That's not the only way to get your Instagrams in ink. StickyGram turns your miniature masterpieces into delightful magnets, perfect for jazzing up shopping lists, menus and notes living on the door of your fridge. The service is currently limited to select UK and US users, but as the website assures us, StickyGram will be open to the public soon.
It begins with a ghost story, then a chilling diversion away from its main characters that's heartbreakingly ripped from the headlines. It ends with the most OTT yet incisive Amelie parody — and reckoning with restlessness, too — that's ever likely to grace screens, complete with baguettes wielded as weapons. In-between, it may or may not attend Tupac's date with death in Amsterdam, literally takes to history with a chainsaw and calls out Karens who are quick to snipe at others with their "I want to speak to the manager" sense of entitlement. Also, Alexander Skarsgård (The Northman) pops up and masturbates furiously, and cannibalism plays a part. The show in question: Atlanta. It took four years for the Donald Glover-created and -starring (and often -written and -directed) series to return for its third season, but the deservingly acclaimed program sashays through its latest batch of ten episodes like no time has passed. That said, when its latest stint first arrived back in March, launching with two episodes at once before reverting to weekly single-instalment drops, it made its comeback with two pieces of fantastic news and one inevitable but not-so-welcome reality. Wonderfully, this is one of two seasons of Atlanta that'll air this year. Surreal, insightful and exceptional, it's also as great as the show has ever been since it initially debuted in 2016. But when season four does appear later in 2022, that'll be the end. Knowing that Atlanta's time is numbered makes revelling in what it has for viewers now all the more special, although this series has long earned that description anyway. That quick list of season-three highlights above demonstrates that anything and everything can happen in Atlanta — and frequently does. But there's always an underlying point to stress, and one that'll never get old. Just as Jordan Peele has on the big screen with Get Out and Us after building upon his excellent sketch comedy show Key & Peele, Glover lays bare what it's like to be Black in America today with brutally smart and honest precision, and also makes it blisteringly apparent that both horror and so-wild-and-terrifying-that-you-can-only-laugh comedy remains the default. Atlanta's third season goes big on white bullshit, and also on the way that the white-centric world will forever be haunted by how it still treats and has historically treated people of colour. And, in the episodes that focus on Glover's Earnest 'Earn' Marks, his cousin and rapper Alfred 'Paper Boi' Miles (Brian Tyree Henry, Eternals), their Nigerian American pal Darius (Lakeith Stanfield, Judas and the Black Messiah) and Earn's ex Vanessa (Zazie Beetz, The Harder They Fall), the lived experience of being a Black American anywhere is thrust into the spotlight. Atlanta has now evolved to the point where it can be Atlanta anywhere, including well beyond its titular city. A lesser show might feel as Van visibly does from the moment that she meets Darius at the Amsterdam airport — careening, unmoored, uncertain of where to fit — but Atlanta is never anything but its ambitious and incredible self. Now all wrapped up and ready to binge — if waiting week to week isn't your style of viewing — the series' current spin has Al on tour in Europe, after his fame has rocketed since viewers last saw him. One of season three's bold moves: jumping into a stratospheric phase in the rapper's career, with money and success now just a given for the talent that the show saw strive, struggle and hustle through seasons one and two. When he's jailed in The Netherlands, he's treated like royalty. He's chased in the street, too, and recognised wherever he goes. And when Earn has to rustle up a fat stack of cash to get him out of prison, it's as easy as demanding an advance on that night's gig. Al's new luxury-dripping status quo, and Atlanta's drastic change of scenery, results in an on-the-road onslaught of antics that repeatedly put the program's key foursome at the mercy of white bullshit. Racist traditions, money-hungry rich folks looking to cash in on someone else's culture, scheming hangers-on, brands using Black artists for politically correct PR stunts, culinary gentrification, not just literal commodification but also voracious consumption — they're all included, and unpacked scathingly and exactingly. Also covered, particularly in the season's sublimely ridiculous final episode: the way that navigating this constant swirl of white-fuelled chaos isn't just exhausting, but dispiriting to the point that joining can seem like the safest move. Closing out with the only Van-focused entry from the new batch, season three's closer is as farcical and funny as Atlanta gets, and also deeply steeped in the everyday exasperation of battling to exist. When Glover, Henry, Stanfield and Beetz are on-screen — albeit never together as much as audiences hope — Atlanta is as comfortable as it gets while also always throwing up a non-stop array of surprises. Then there's the season's standalone stories, all of which would fuel excellent movies. Proving astute, incisive, sometimes-absurd, always-stellar and relentlessly inventive, here Atlanta examines the welfare system and its inequalities, reparations for slavery, the emotional and physical labour outsourced to Black workers, and how the world enforces all things white as the default — and preferred — option. Sometimes the takeaway points are obvious, but that doesn't mean they're any less searing. The cast, as always, are a powerhouse. Few actors can convey wearingly resigned yet still determined like Glover, or make Darius' ethereal vibe run deep as Stanfield does. Henry fleshes out Al's growing dissatisfaction with the trappings and expectations of fame, while Beetz steals every scene she's in — even when, for most of the season, she's flitting around the edges as Van free falls from the crew's most sensible member to its most erratic. Some of season three's stunt casting doesn't pay off, though, with obviousness rearing its head again and less successfully, but Atlanta still boasts the best core quartet currently on television. It's still the best among at almost everything it does, in fact, including sliding onto Glover's always busy resume. Obviously, season four now can't come quickly enough. Check out the full trailer for Atlanta's third season below: The third season of Atlanta is available to stream via SBS On Demand in Australia and Neon in New Zealand.
Kids have all the fun. Always covered in craft supplies, shimmering with the remains of runaway glitter, primary schoolers are treated to a pretty luxurious life. They spend all their day running around, making art and eating. It's the dream. Now, one element of your amazing childhood is becoming acceptable for adults — the colouring book. Inspired by the work of the art world greats, illustrator Marion Deuchars has created a colouring book for grown ups. Schooling you on the styles of Dada, pop art and surrealism to name a few, Draw Paint Print Like Great Artists runs through the life and work of artists such as Salvador Dali, Henri Matisse, Frida Kahlo, Jasper Johns and Joan Miro. Full to the brim with beautiful illustrations, interesting facts and surprisingly fun activities, the book effortlessly combines your long lost primary school craft time with some of the art history you missed in high school. Alternatively, if you're up to date on your modern art theory, you could use the book as a little creative kickstart. "Every artist learns by looking at the work created by others, and then picks up bits of that and makes their own art in their own way," Deuchars said. "It may be something as simple as using scissors rather than a pencil, or being fascinated by a new shape or a playful exercise to take your imagination somewhere unfamiliar." Once regarded as child's play, creative exercises like this have been gaining prominence recently. In a simlar style, MOMA's Art Lab app offers its users an opportunity to unwind and experiment with digital technologies. Keri Smith's Finish This Book was packed full of outlandish tasks and artsy activities to complete, and it was a bestseller! This is definitely a trend we can get behind. Now we just need to get some quality crayons and convince our boss that nap times are a valid way to spend the afternoon. Draw Paint Print Like Great Artists is available via Laurence King. It's approximately $23 plus shipping. Via Huffington Post.
Comfort food and winter go hand in hand. Since 2022, so have chaotic culinary dramedies and the frostiest time of the year Down Under. Two years back, The Bear debuted in winter in Australia and New Zealand to become one of the best new shows on television. In 2023, it returned in winter for its second season to become one of the best returning shows on TV that year. And in 2024, it has a return reservation with the middle of the year again. Even after the delays in Hollywood caused by 2023's strikes, American viewers will see the Golden Globe- and Emmy-winning hit in June, with an exact date not yet announced. When Aussie and NZ audiences will get their latest taste of Jeremy Allen White (The Iron Claw) hasn't been revealed either, but it should also be this winter — but perhaps not the same day as our US counterparts. Another pattern that surrounds The Bear is delays between its American debuts and arriving Down Under, affecting both seasons so far. Season one hit in June in America, then in August in Australia. With season two, US viewers still had a June date, while Aussies and New Zealanders had to wait till July. So, fingers crossed that the third time is the charm for a same-date release. The Bear was renewed for season three in November 2023 to the surprise of no one, but to the joyous shouts of "yes chef!" from everyone. If you've missed The Bear so far, its first season jumped into the mayhem when White's Carmy took over the diner after his brother's (Jon Bernthal, We Own This City) death. Before returning home, the chef's resume featured Noma and The French Laundry, as well as awards and acclaim. In season two, Carmy worked towards turning the space into an upscale addition to his hometown's dining scene, with help from the restaurant's trusty team — including Ayo Edebiri (Bottoms) as fellow chef Sydney, plus Ebon Moss-Bachrach (No Hard Feelings) as Richie, aka Cousin, aka Carmy's brother's best friend. Also key to The Bear: truly conveying what it's like to work in the hospitality industry and weather a restaurant kitchen's non-stop pressures. In both of its seasons so far, The Bear's creator Christopher Storer (who also has Ramy, Dickinson and Bo Burnham: Make Happy on his resume) has expertly balanced drama and comedy — and, in season two, he also delivered spectacular self-contained episodes that featured everyone from Olivia Colman (Heartstopper) and Will Poulter (Guardians of the Galaxy Vol. 3) to Bob Odenkirk (Lucky Hank) and Jamie Lee Curtis (Haunted Mansion). Guest stars aside, The Bear's regular roster of talent also spans Abby Elliott (Indebted) as Carmy's sister Natalie, aka Sugar — plus Lionel Boyce (Hap and Leonard), Liza Colón-Zayas (In Treatment) and Edwin Lee Gibson (Fargo) among the other Original Beef staff. Check out the trailer for The Bear season two below: The Bear streams via Disney+ in Australia and New Zealand. We'll update you with an exact season three release date when one is announced. Read our review of season one and review of season two. Via Variety.
It swept cities across the nation into a sugar-dusted frenzy when its pop-up 'dessert museum' travelled the country. Now, the team behind the nostalgic Sugar Republic and festive Christmasland is taking its sweet-toothed fantasies to a whole new level, announcing plans to open Australia's first-ever sweets-inspired accommodation. Not a whole lot of info has dropped just yet, but we do know the Sugar Republic Sweet Retreat will be opening its doors in Daylesford, Victoria, this autumn. And it's set to be a true candy-coated affair, complete with sugar-themed suites you can stay in, play in and take some rather dashing snaps in. https://www.facebook.com/SugarRepublic.au/posts/456179658379936 Expect a B&B-style getaway, decked out with sweet additions like private ball pits, free candy and even cherry-scented wallpaper. If the original Sugar Republic pop-ups are anything to go by, you can bank on some pretty wild, OTT styling, with a healthy dose of pink, lots of textures and primo selfie opportunities aplenty. While only one has been announced for now, we're hoping more will open across the country in due time, too. Sugar Republic Sweet Retreat is set to open in Daylesford this autumn. We'll keep you posted with more info as it drops. Top images: Sugar Republic's Christmasland by Kate Shanasy.
Melbourne knows how to start off winter well. Its answer: RISING. It is almost an Australian tradition to fill the coldest part of the year with an arts festival — see also: Vivid Sydney, Illuminate Adelaide and Dark Mofo, including its events in its off year — and the Victorian capital takes the custom seriously. So, while RISING already announced its lineup for Saturday, June 1–Sunday, June 16 back in March (and also a few event details earlier, such as Counting and Cracking and Communitas), it isn't done packing its program yet. As the fest gets closer, it's adding everything from late-night DJs at Night Trade Stage Door — aka RISING's after-hours club — through to a third Dirty Three gig, two more Hear My Eyes sessions of Hellraiser, Melbourne Symphony Orchestra doing a secret pop-up show and a party in ACMI's Beings exhibition. Festival-within-the-festival Day Tripper, the block party that'll use Melbourne Town Hall as a hub and span to the Capitol Theatre and Max Watt's as well, has also unveiled its full lineup. [caption id="attachment_945439" align="alignnone" width="1920"] Damien Raggatt[/caption] The new additions boost RISING's 16-night lineup to 116 events and 651 artists, up from 105 events featuring 480 artists back in March. "With only a few weeks to go till opening, we're excited to reveal a whole new layer to the 2024 program" said RISING co-artistic directors Hannah Fox and Gideon Obarzanek. "The full Day Tripper lineup is super dynamic and brings in some of our local idols and more international gems. The festival's social heart, Night Trade, now includes psychic readings, karaoke, art and dance classes, and a full club program ranging from classical to R&B and techno. The beginning of winter in Melbourne can feel like standing at the bottom of a grim mountain and RISING is here to shake that feeling right off." Night Trade Stage Door will feature Shannon Michael Cane: Someone Great — A Celebration as its opening-night shindig, complete with Hot Chip's Alexis Taylor, Gerard Frank Long (aka Sugar Plump Fairy), Andee Frost and Stereogamous (Paul Mac and Johnny Seymour) on the decks. Also on the venue's overall lineup: Grumble Boogie from Betty Grumble and DJ HipHopHoe, Evian Christ with jjjacob and DJ ALI, and Crown Ruler presenting club nights. Night Trade as RISING's social club will also get a sip-and-paint session, LA artist John Kilduff doing a version of TV show Let's Paint TV live, karaoke with Mummy's Plastic and exhibition In the Future Everybody Will Be Cancelled for 15 Minutes by Jeremy Deller. [caption id="attachment_954467" align="alignnone" width="1920"] Laura Pemberton[/caption] New highlights at Day Tripper include Surprise Chef, Alastair Galbraith, Richard Youngs, Sarah Mary Chadwick, The Tubs, WET KISS, Scott & Charlene's Wedding, POSSESHOT and Polito. And, for HTRK's 21st birthday, Astrid Sonne, Still House Plants, CS + Kreme, James Rushford, Pandora's Jukebox, YL Hooi and DJ Emelyne, too. RISING's latest additions join a program that already includes Yasiin Bey, who was formerly known as Mos Def, leading the Day Tripper bill with a tribute to MF Doom; The Blak Infinite, a showcase of First Peoples' art and politics, taking over Federation Square; 24 Hour Rock Show, which will play rock documentaries back to back for a whole day and night, and for free; and tunes from ONEFOUR, Fever Ray, Sky Ferreira, Tirzah, Blonde Redhead, Snoh Aalegra and Moktar and more. The list goes on, for what's set to be a glorious full start to June 2024. [caption id="attachment_950694" align="alignnone" width="1920"] Ben Searcy 2010.[/caption] RISING 2024 runs from Saturday, June 1–Sunday, June 16 across Melbourne. Head to the festival's website for further information and tickets. Night Trade images: A Caygill.
A piece of history is making history in Australia. Until October 2024, Melbourne Museum has a must-see sight on display for everyone interested in dinosaurs — so, everyone — courtesy of its Victoria the T. rex exhibition. The titular fossil isn't any old Tyrannosaurus rex, not that such a description ever fits the first kind of dino that always comes to mind when anyone thinks about dinos. This one happens to be one of the world's largest and most-complete T. rex skeletons, and also the biggest and most-complete specimen ever to display Down Under. Showing until Sunday, October 20, 2024, Victoria's fossil has made Aussie debut in the state with the absolute best name for the occasion. In the process, it also marks the first time that a real T. rex has ever been on display in Victoria. And it isn't small: found in South Dakota in 2013 but dating back 66 million years, Victoria is comprised of 199 bones, including a skull that weighs 139 kilograms. The fossil reaches 12 metres in length and 3.6 metres in height. And, because the skull is so heavy, it has to be displayed separately as it can't be mounted upon Victoria's body. The Victoria the T. rex exhibition also features interactive elements, such as multi-sensory installations that let you experience how the Tyrannosaurus rex saw and smelled, plus dioramas and a section where you can make your own customised 3D T. rex. Welcome to... the cretaceous period, then. The informative side of the showcase steps through recent palaeontological findings, so that you can get an idea of what Victoria's life was like all that time ago — and also find out what brought about her end. If that's not enough dino action to make you feel like David Attenborough — or his brother Richard in Jurassic Park and The Lost World — Victoria the T. rex is displaying alongside Triceratops: Fate of the Dinosaurs, which has been open at Melbourne Museum since 2022. The latter permanently features Horridus, the world's most complete Triceratops fossil, and entry to both exhibitions is included in one ticket. At IMAX Melbourne, 45-minute documentary T.REX 3D is also be showing, complete with footage of Horridus. "Victoria the T. rex is a monumental addition to our world-class exhibition lineup. Melbourne Museum is the home of dinosaurs in Australia, and currently the only place on earth where visitors can see two of the finest examples of a real T. rex and a real Triceratops under one roof." said CEO and Director of Museums Victoria Lynley Crosswell. As Museums Victoria Research Institute senior curator of vertebrate palaeontology Dr Thomas Rich explains, there's another highlight, too. "Not only can visitors to Melbourne Museum see one of the world's finest examples of a T. rex; they can also see a related and extremely rare fossil cared for in the State Collection: Timimus hermani, one of the state of Victoria's most unique dinosaurs and possibly a great-great-great grandfather of T. rex. This 105-million-year-old fossil is an example of the only undoubted tyrannosauroid from the southern hemisphere and is on public display in the exhibition 600 Million Years." Victoria the T. rex is on display from Friday, June 28–Sunday, October 20, 2024 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the museum's website for tickets and further information. Images: Eugene Hyland.
Heading off on holidays should feel like an adventure, right down to the place you choose to rest your head after a fun-filled day. With this in mind, London's Miller Kendrick Architects have come up with what might be one of the most imaginative and impressive hotels possible. Created for Visit Wales's 'Year of Legends 2017' design contest, not only does it celebrate the Welsh landscape, but it is inspired by the legend of King Arthur — and the cave him and his knights allegedly stayed in. As far as unique accommodation goes, the aptly named Arthur's Cave proves a two-for-one affair: soak in the natural surroundings in a cabin that really has been crafted to emulate a cave, and soak in a slice of British legend. It's also a case of blending the old with the new, namely all of the above with building materials and techniques. Inside the timber and glass structure — which uses locally sourced sheep's wool insulation for thermal insulation against the elements — you'll find a cosy sleeping space with a double bed, chair and woodburner, aka everything you need for snuggling up and staring out over the landscape around you. Don't spend all of your time looking outside, though; with the cabin made from plywood rib-like shapes that expand and contract, the undulating and sinuous interior is a sight to behold too. Sadly, Arthur's Cave is only available for a short season, taking bookings between now and mid-September in two sites: Snowdonia and Llŷn Peninsula. Stays range between £795 and £1995; however, you're not just getting somewhere to sleep — you're getting a one-of-a-kind pop-up glamping hotel that should be on everyone's travel bucket list. Via AWOL.
Early in We Live in Time — early in the film's running time for watching audiences, but not early in its central romance thanks to the movie's non-linear storytelling — Florence Pugh's Almut reacts to significant news about her health by delivering her own to Andrew Garfield's Tobias. Years after a meet-cute involving a hospital (and also a car accident, with her behind the wheel and him lightly struck by the car), they're again at one. Their relationship has never been much of a stranger to them, in fact. This time, however, as the chef and the Weetbix employee stand in the carpark after an appointment, they ponder a question that lingers over everyone but never as much as those forced to reckon with the knowledge that their future might not be guaranteed: is life best lived for quantity or quality? Charting a decade in its characters' existence, from a surprise encounter to falling in love, weathering heartbreak, starting a family, pursuing professional dreams, navigating challenges and facing mortality, We Live in Time isn't a strict two-hander in terms of casting. Still, it's so intimately a double act between Pugh (Dune: Part Two) and Garfield (Under the Banner of Heaven) that it feels like one. See: this crucial moment, which conveys everything about Almut and Tobias' dynamic. She speaks carefully but passionately. He listens devotedly. Nothing else could be more important to either of them. Pugh's performance simmers with raw emotion. This interaction isn't about him, but Garfield turns in some of cinema's most-moving reaction work as Tobias takes in what he's being told. Asked how important that scene is for him, Garfield is quick and decisive: "very pivotal," he tells Concrete Playground. It also cuts to the core of exactly what helps make We Live in Time so affecting. This is a heartfelt romance dealing with the fleeting nature of life — and in other hands than Garfield and Pugh's, and director John Crowley (Brooklyn) and screenwriter Nick Payne's (The Last Letter From Your Lover), it'd risk being dismissed as a weepie — but it's always about who Almut is regardless of anything that she can't control. It's about how people endure, create a life together and cherish their time together, while the hourglass empties, too. The impact that a person has beyond just being someone's parent, someone's partner or someone's child also sits at the centre of the film as much as Almut and Tobias' relationship. And, as it delves into weighty topics for its genre while stepping through Almut and Tobias' tale, We Live in Time firmly never falls into the common trap of heroing what Tobias is going through over Almut's experience — as a person, not just as someone with an unwanted diagnosis. It doesn't dream of defining her or them through the worst thing that they'll ever confront, either. In some features, letting time jump around can be a gimmick, but here it is done with touching purpose. As the movie flits between the duo's first weeks and months together, one specific day spent in the bathroom of a service station and also their well-established romance, the non-linear structure ensures that the full wave of life and love — not specific pieces of news, or coping with their aftermath — are always pushed to the fore in an immensely well-rounded narrative. For Garfield, Tobias is the role that brings him back to the screen. 2025 marks 18 years since his film debut in Boy A, another empathetic and sensitive film directed by Crowley — as well as a feature that earned its star a BAFTA TV award — and he's rarely been far away the viewers' gaze since, until 2022. Before half a decade had passed from his first movie, he'd made an imprint in three-time Oscar-winner The Social Network opposite Jesse Eisenberg (A Real Pain) and slung webs in a comic-book blockbuster in The Amazing Spider-Man. Another five years later, he had his first Best Actor Oscar nomination for Hacksaw Ridge. Before, in-between and afterwards, Garfield kept adding interesting projects to his resume, the page-to-screen Red Riding crime saga, dystopian romance Never Let Me Go, housing-crisis drama 99 Homes, the Martin Scorsese (Killers of the Flower Moon)-helmed Silence, LA-set neo-noir Under the Silver Lake and Lin-Manuel Miranda's (Hamilton) Jonathan Larson biographical musical Tick, Tick... Boom! — the source of his second round of Best Actor love from the Academy Awards — among them. Two more stints as Peter Parker also eventuated, including in the Marvel Cinematic Universe. Then, after television's Under the Banner of Heaven, he took some time off. One of the things that made We Live in Time a must-star for him: a memorable birth scene that Garfield likens to an action sequence. What did it mean to join forces with Crowley again after the filmmaker gave him his initial movie role? And to dive into the meaning of life and what truly matters in We Live in Time — and to create such a deep sense of intimacy with Pugh, too? Over a cup of tea, we chatted with Garfield about all of the above, the film's efforts to avoid the tearjerker label and two key instances, one off- and the other on-screen: the "this is it!" moment that made him know he wanted to make this movie, and that carpark scene. On Reteaming with John Crowley on We Live in Time After Boy A — and Collaborating with the Director on Empathetic and Sensitive Films "It's quite natural because John is naturally that, and I think I'm quite naturally that, and I think it just works. There's nothing better than on a film set feeling like you have room to take ownership over a moment, to breathe as the character, to not feel like you have to get it right — and it's an important thing for me to feel when I'm on a set. John is one of those filmmakers that provides that for his actors. He creates a lot of space for breath. He creates a lot of space for exploration and nuance, and interior life and subtlety, and for life to unfold. I felt that when I was first working with him and then it's remained now." On Diving Into Weighty Notions Such as How People Create a Life, Cherish Their Time Together and Have an Impact in a Romantic Drama "I love these ideas and I think that you said it perfectly — they are weighty and they are about the meaning of life, and they are about what matters and what doesn't, and how we keep our attention and our hearts trained on that which is nourishing and that which is mysterious and meaningful. So I love these ideas, and I love being able to hang out in them and to ask questions within them, within the question. And to explore these themes with great artists and collaborators is a dream, and with such great writing. I think that these are the questions that I ask myself on a daily basis anyway. So it felt very natural to slide into this character's skin, and all of the difficulty and beauty of the experience he was having." On What Excited Garfield About Starring in We Live in Time as His First On-Screen Project Since 2022's Under the Banner of Heaven "I think while I was reading the script, and I was reading how this dynamic was unfolding and how it built particularly to the birth scene, I thought 'my gosh, this is such an epic action sequence in domesticity'. I thought: 'oh, man, I want to see this, and how this plays out'. And there were a few scenes of just deep beauty and tenderness, and funny — they were just so sweetly funny within such pain. And I thought 'that just feels like a balm'. It feels like a balm for me, as a person that's been through his own grief. But also it will feel like a balm for other people in the audience who are going through their own version of what these people are going through in this film. So it felt like an act of service. It felt like a real act of service to make this film for myself, but also for an audience, hopefully." On Building Deep Intimacy with Florence Pugh as Tobias and Almut "So the writing is very good. The writing was the jumping-off point and thank god it was a great script, otherwise I don't think we'd be talking — I don't think the film would have been made. So that was the beginning. And then it was me and Florence just finding this natural trust and depth of intimacy and nakedness and vulnerability together. And joy and play together. We can go from being feeling like two childhood friends to feeling like parents. That's a really important thing, I think, for this film. That was rather easy for us to find together. I think we're both just up for it. We're both just two actors and two people who are just like 'what are we doing today, and how do we make it as fun and as silly and as real and as deep as possible?'. That's what we came into every day looking for — and not just for ourselves, but for the other, too. We were two actors who really, really loved being a part of the other person flying. And that's a really special thing." On Ensuring That The Film Tells a Well-Rounded Story That Reflects Life and Is Never a Weepie, Even as It Deals with Love and Mortality "We didn't want it to feel sentimental or saccharine. We didn't want it to feel imbalanced. We didn't want it to feel manipulative. We wanted it to feel, as you say, like life. We wanted it to be very, very rich, diverse experience that felt like watching life unfold for these two people — in all of the agony and all of the ecstasy and all of the complication. What's amazing about Florence's character is she's not this lionised, idealised survivor/victim. And I think the same thing with Tobias, he's not some overly soppy, wet, sympathetic, sentimental character. They both have flaws. They both have fallibility. And they're both deeply human. So that was very, very important for us to keep our eye on." On What Garfield Was Hoping to Express in the Movie's Pivotal Carpark Scene "I was hoping to convey just an impossible contradiction in impulses. I think there's no easy path in that moment for these two characters. And for Tobias, I wanted to convey a thousand things at once. I wanted to convey overwhelm. I wanted to convey being unable to offer anything concise or rational or useful. I wanted to convey deep understanding of where she was while also wanting to kick and scream — and I wanted to convey, on top of that, 'all I've got to do right now is not make this about me. I've just got to listen and I've just got to support and let this moment be this moment, not have an answer'. Just the humility of 'I don't have anything to say here and I'm not going to force it' — like I think most of us want to do in those situations, we want to have a fix-it answer. We want to have some kind final solution. But I think Tobias, in that moment, is humble enough or overwhelmed enough to be able just to stand there, not having anything to offer apart from comfort." We Live in Time opens in Australian cinemas on Thursday, January 16, 2025 and in New Zealand cinemas on Thursday, January 23, 2025.
For much of the past six months, audiences worldwide have spent their movie dates watching Sydney on-screen. When two big Hollywood productions transform the Harbour City into their production playground and setting, as both Anyone But You and The Fall Guy did, cinema's spotlight shines bright and wide. Now, for 12 winter days between Wednesday, June 5–Sunday, June 16, Sydney Film Festival patrons can turn the tables, watching the world via almost 200 flicks gracing local silver screens and fluttering before their eyes. Again curated by Festival Director Nashen Moodley as every fest since 2012 has been — which gives him that honour on 13 of the event's 71 festivals across its entire run so far, too — SFF's 2024 lineup also guides its gaze towards Sydney. Opening with a tribute to the power and the passion of Midnight Oil, with the band formed in the New South Wales capital more than half a century ago, is only one example. So, to be more accurate, this year's Sydney Film Festival continues a trend that started on Boxing Day 2023 as well as its usual annual tradition: surveying everywhere from Sydney itself to the edges of the earth, space and time. Maybe you're keen to keep a homegrown flavour to your SFF schedule this year. Perhaps you're eager to roam anywhere that you can from your cinema seat. Whether a dose of weirdness is your ideal film fest flavour, or you're buzzing to catch the latest titles that've been getting the international festival scene talking, they're all on the program. And, you'll also find all of the above among our 12 suggestions below to help you narrow down your choices. Kinds of Kindness Since winning the 2012 Sydney Film Festival prize with Alps, Yorgos Lanthimos has technically bid the Greek Weird Wave goodbye by making his movies in English. That's one clear trend among his five features after nabbing SFF's prestigious award in Moodley's first year at the helm. Another pattern applies to his last three flicks, and it's a killer move: teaming up with Emma Stone, a collaboration that scored her her second Best Actress Oscar earlier in 2024 for the Frankenstein-esque delight that is Poor Things. Kinds of Kindness isn't a Poor Things repeat, just as that wasn't a do-over of The Favourite. This time, Lanthimos and Stone have teamed up on a triptych fable that tells the tales of a man without choice, a policeman with a wife who returns after going missing and a woman on the hunt for a spiritual leader. In a feature that also stars Poor Things' Willem Dafoe (Asteroid City) and Margaret Qualley (Drive-Away Dolls), plus Hong Chau (The Menu), Joe Alwyn (Stars at Noon), Mamoudou Athie (The Burial) and Hunter Schafer (The Hunger Games: The Ballad of Songbirds & Snakes), the picture's three-time creative partners are still making accolade-garnering magic, however, with Jesse Plemons (Killers of the Flower Moon) picking up 2024's Cannes Best Actor award. The Seed of the Sacred Fig The Seed of the Sacred Fig isn't merely another must-see SFF 2024 title, but also another new work by a Sydney Film Festival prizewinner. Mohammad Rasoulof's There Is No Evil took home the Berlinale's Golden Bear in 2020 before winning the Harbour City's ultimate movie gong in 2021 — and, as it told four stories connected to the use of the death penalty in Iran, it haunted and broke the hearts of everyone who saw it. Watching the Iranian writer/director's work has always been essential (including 2011's Goodbye, 2013's Manuscripts Don't Burn and 2017's A Man of Integrity), but more so since then. Even before playing to audiences in Sydney, The Seed of the Sacred Fig is impossible to forget due to the situation surrounding the picture off-screen. When the movie was selected by Cannes this year — where it won the Jury Special Award — Rasoulof was sentenced to a flogging and eight years in prison, sparking him to flee. On-screen, the film doesn't shy away from Iran's legal system or political unrest, following a Revolutionary Court investigator and his family amid protests sweeping the nation, and as fighting back against oppression isn't only on display on the country's streets. The Pool It's far too cold in Sydney in June for dive-in movies, but playing The Pool in its namesake location would've been a dream pairing of a film and its setting if the season had been right. SFF cinemagoers will instead get cosy indoors rather than splash around in their bathing costumes at Bondi Icebergs, but stepping through the swimming spot's history, allure and place in the Harbour City is on the itinerary regardless. Here's one guarantee: given how photogenic that the famous venue is anyway even just in everyday snaps, as everyone in Australian can instantly recognise, this documentary about it isn't going to be hard on the eyes. Filmmaker Ian Darling has a thing for chronicling Sydney icons in his two recent docos to wash across Sydney Film Festival's screens. The other: The Final Quarter, about Sydney Swans legend Adam Goodes and his treatment by the press and fans towards the end of his career, which earned a standing ovation at its State Theatre SFF world premiere in 2019. With The Pool, Darling switches from unfurling details through media clips to enlisting Icebergs regulars to share their recollections — and likely another warm hometown response beckons. Copa '71 SFF 2024 kicks off just two days after the Matildas took to the turf in Sydney to play their 14th soldout game in a row in Australia, notching up a 2–0 win over China in a friendly. It runs at the same time as Vivid is welcoming Mackenzie Arnold and Tony Gustavsson as speakers. And, it arrives almost a year after the Harbour City was one of the host spots for the 2023 Women's World Cup. So, the timing couldn't be better for Copa '71 to sit in the festival's program. This documentary jumps five decades back and heads to Mexico, to the 1971 Women's World Cup. If you think that you should know more about this event than you currently do, that's one of the movie's points as well. Filmmakers Rachel Ramsay (a producer earning her first directing credit) and James Erskine (Skandal! Bringing Down Wirecard) share the competition's story. They unpack how 100,000 fans can fill a stadium to support women's football but the tournament can fade into history, too. Also, the vast disparity between how men's soccer is managed, marketed, treated and regarded compared to women's is also on the doco's agenda. The Substance It was true of 2017's Revenge, her exceptional debut feature, and the word out of Cannes is that it's also true of her seven-years-later sophomore effort: French talent Coralie Fargeat is a helluva filmmaker. Matching style with substance and a feminist statement worked strikingly in her blood-soaked vengeance movie. Now, she's in sci-fi body-horror territory as a celebrity attempts to address the warring forces of time's inevitable passing and Hollywood's obsession with youth by opting for an experimental medical treatment. (Fargeat also just received the Cannes Best Screenplay award for her efforts.) Whether or not you've ever thought that Margaret Qualley, an actor with multiple appearances on SFF 2024's lineup, resembles not only her mother Andie MacDowell (her Maid co-star) but also Demi Moore (Feud), Fargeat draws the latter connection. Qualley is Sue, Moore is Elisabeth Sparkle, with one the younger version of the other. In a film that also enlists Dennis Quaid (Lawman: Bass Reeves) as a television executive — with the actor stepping in after Ray Liotta (Cocaine Bear), who was originally cast, passed away — messing with the natural order of things via a temporary clone has consequences. The Moogai Indigenous horror film The Moogai is making its Australian premiere at 2024's Sydney Film Festival, but the pair are no strangers to each other. Before writer/director Jon Bell, a creator of Cleverman and a scribe on the Mystery Road TV series, helmed his first feature with this name, he made a 2020 short of the same moniker that played SFF (and SXSW, and was nominated for an AACTA Award). It too starred Shari Sebbens (Her Dark Reflection) and Meyne Wyatt (Strife). Expanding that short film to full length, Bell's second take on The Moogai did the rounds of both Sundance and SXSW — the Austin version — earlier this year before heading home. In the two flicks, a malevolent spirit awaits and the trauma of the Stolen Generations fuels an eerie flick. Sebbens plays Sarah, a young mother who has just had her second child with Watt's Fergus when the movie's titular figure makes its presence known. The Moogai is also a contender for Sydney Film Festival's brand-new First Nations Award, which is offering a prize of $35,000 for the winning First Nations filmmaker, with ten flicks competing for that honour. The Outrun Since the 2020s arrived and her third decade as a actor began, Saoirse Ronan has played a young wife who falls in love with fossil collector Mary Anning in Ammonite, a showgirl in The French Dispatch, a police constable in See How They Run and a woman trying to find a path through a dystopian future in Foe. Variety has always been the spice of the Irish actor's on-screen life. In The Outrun, the four-time Oscar-nominee (for Atonement, Brooklyn, Lady Bird and Little Women) is Rona, who is trying to move past a history of addiction. Ronan's involvement in any film is enough to put it high on the must-watch list, but she isn't the only drawcard here. The Outrun adapts Amy Liptrot's 2017 memoir of the same name, about the Scottish author and journalist's experiences returning to the Orkney Islands. Liptrot also co-wrote the screenplay. Hitting the keyboard with her is director Nora Fingscheidt — who might've first followed up her excellent 2019 feature System Crasher with the mixed Sandra Bullock (Bullet Train) vehicle The Unforgivable, but is a helmer to watch nonetheless. The Contestant Films about people trapped in a sole space aren't rare. But no matter what Cube or Buried or Devil conjured up, or everything from Oldboy to Bodies Bodies Bodies as well, the scenario at the heart of The Contestant stands out because it actually happened. In 1998, Tomoaki Hamatsu aka Nasubi became a TV star by doing nothing more than existing in a single room alone and sans clothing on reality series Susunu! Denpa Shōnen. To survive, he had to win competitions to obtain the necessary supplies. Also, he had no idea that audiences were watching. Of course a documentary was eventually going to to chronicle this months-long ordeal, how it happened and the repercussions, with Clair Titley (One Born Every Minute) examining the reality of a situation that could've come straight from a horror movie in The Contestant. Nasubi became immensely famous in Japan for his role in the show — footage from which is included in the doco — but as a result of a Faustian bargain with a television producer that he didn't really know that he was making. If you're not already a fan of the format at its far less extreme, this film definitely won't change that. I Saw the TV Glow In Jane Schoenbrun's We're All Going to the World's Fair, a screen became a portal to another world when its teenage protagonist embraced an online trend by playing a virtual horror game. I Saw the TV Glow, the filmmaker's next feature, also gets young eyes trained at a small screen and plunging into what they find awaiting. If you've ever loved a television show so much that you felt like it completed you, saw you and understood you far more than anything flesh and blood around you ever could — and you also couldn't stomach that series coming to an end — then you'll understand Owen (Justice Smith, Dungeons & Dragons: Honour Among Thieves) and Maddy (Brigette Lundy-Paine, Atypical) in one of the most-talked-about flicks out of 2024's Sundance and Berlinale film festivals. That pop culture, including the screen dreams that we eagerly insert ourselves into in our minds while watching, is an escape isn't a new revelation. But after exploring the digital allure in We're All Going to the World's Fair, Schoenbrun now brings their perspective to a tale of connection through the broadcast stories we take into our heads and hearts. The writer/director makes deeply layered films about the loneliness and isolation of growing up, and working out who you want to be, the relationships with screens that we all have, and gender dysphoria — and their latest has Limp Bizkit's Fred Durst (Y2K) among the cast, plus Emma Stone (The Curse) and her husband Dave McCary (Brigsby Bear) as producers. Dahomey 2024's Berlin International Film Festival Golden Bear-winner shares a name with a West African kingdom that existed for three centuries, on land now situated within the Republic of Benin — a place that earned the great Werner Herzog's attention in 1987's Cobra Verde and also provided the setting for 2022's The Woman King. The focus of Dahomey for Both Sides of the Blade actor and Atlantics filmmaker Mati Diop in her latest directorial effort: 26 royal treasures taken from the country in the 1800s by French colonial troops, plus their journey home now. How do these statues and objects feel about their their path? One of Diop's creative touches is to give the artifacts a voice and turn them into characters, rather than keep them as mere items discussed by everyone else. It's a telling choice in a documentary that traces the treasures' repatriation and unpacks the bigger picture not just surrounding the contents of museums around the world, but the impact of colonialism, especially in North Africa — all within 67 minutes. All We Imagine as Light Love and hope flow within All We Imagine as Light, and also in nurse Prabha (Kani Kusruti, Poacher) and her roommate Anu (Divya Prabha, Family), who are each grappling with affairs of the heart in their own ways. So unfurls this sensual film that bases its characters in Mumbai, then takes them on the road to an otherworldly beach town. The romantic drama has earned love itself off-screen and proven a beacon of hope IRL as well, as writer/director Payal Kapadia makes her first fiction feature. Kapadia's full-length debut came via 2021 documentary A Night of Knowing Nothing, which premiered at that year's Cannes Film Festival in the Directors' Fortnight and picked up the Golden Eye for Best Documentary. Before that, her short Afternoon Clouds also played the fest. Kapadia's ties to the French event continue with All We Imagine as Light, which made history just by being selected in competition — a feat an Indian film hasn't achieved in three decades prior. And while it didn't take out the Palme d'Or, it came as close as anything could, earning the Grand Prix, the festival's next gong, which Oscar-winner The Zone of Interest received in 2023. Problemista It's currently a great time to be a Julio Torres fan. That's been true for almost a decade thanks to his work as a writer on Saturday Night Live — 2017's famous 'Papyrus' sketch with Ryan Gosling, which earned a sequel also starring the Barbie and The Fall Guy talent in 2024, was penned by him — and then due to two seasons of glorious HBO comedy Los Espookys in 2019 and 2022. 2024 brings two treats, however, and both at the same time if you're heading to Sydney Film Festival. On the big screen, Problemista sees Torres write, direct and star, making his feature debut as a helmer and acting opposite none other than Tilda Swinton (The Killer). On the small screen, his comedy series Fantasmas will debut on Binge on Saturday, June 8. Accordingly, after you watch Problemista you can start Fantasmas, or vice versa. With Torres' new movie, he plays a man who wants to design toys in New York, then loses his job and looks set to be deported, with a job working for Swinton's demanding art collector Elizabeth his possible lifeline. Wu-Tang Clan's RZA (Minions: Rise of Gru) also pops up. So does Past Lives star Greta Lee. And narrating the whole thing? The iconic Isabella Rossellini, who also appeared in Los Espookys, and hasn't been far from screens of late courtesy of Marcel the Shell with Shoes On, Cat Person, Julia, La Chimera and now this. Sydney Film Festival 2024 takes place from Wednesday, June 5–Sunday, June 16 at various cinemas and venues around Sydney. For more information — and for tickets — head to the festival's website.
Chattanooga, Tennessee is poised for a creative comeback. After cleaning up its past image as a dirty city, and experiencing an influx of artistic talents, Chattanooga is on the cusp of a turnaround. D.J. Trischler, a local brand consultant, explains the missing component: "If you think of a brand as a story, [Chattanooga] has an amazing story. If you look at the visual brand, it doesn’t back up that story.” Trischler has recently joined forces with Chattanooga resident and typeface designer Jeremy Dooley to restore the city's look and feel by creating and applying a new font to city signage and print media. The concept of a distinguishing city typeface is common throughout Europe, yet has only been attempted (and failed) once in the United States. The efforts of Trischler and Dooley represent the first attempt to create this city-customized typeface at the grassroots level. The pair teamed up with a second typeface designer, Robbie de Villiers, and Trischner's business partner Jonathan Mansfield. Together, they consulted a local historian to gather inspiration for their Chattanooga-inspired font, including the old Cherokee Native American writing system and Coca-Cola's first bottling plant. The result was what the team describes as a "geometric slab serif", a font simultaneously industrial and futuristic. Chattanooga now had a Chatype. Public events have gathered community support and funding for the launch of Chatype, and the team expects residents to see the font popping up on signage, business cards and city government websites soon. Trischner and Dooley express hopes that Chatype will one day be seen on start-up businesses, road signs, fire trucks and police cars. [Via GOOD]
Planning a Sydney getaway? Need an excuse for a trip to the Harbour City? How's chasing bliss at a new two-storey spa overlooking Darling Harbour for motivation? In January 2023, global hotel chain Sofitel will unveil a new addition to its Darling Harbour site: Sofitel Spa, which is being billed as a holistic retreat in the heart of the city. Overlooking the water and featuring an array of wellness treatments and spa facilities, it will join Sydney's existing impressive supply of luxe spa experiences. The spa will feature seven spacious treatment rooms, including two serene suites with soft timbers, alongside sandstone and marble finishes. Other elements include an infrared sauna, a meditation zone and relaxation deck that will sit on level four of the hotel. The spa will sit alongside the hotel's previously opened level-four infinity pool. The pool is heated year-round and offers guests the ability to enjoy a dip while soaking in panoramic views of Darling Harbour and the Sydney CBD skyline. "We have designed our new day spa to nurture and empower guests in their wellness journey, assisting them in identifying their needs and gently guiding them in accomplishing their own goals, whether that relates to fitness, stillness of the mind, replenishment with nutrition or achieving glowing skin," Director of Spa and Wellness Cecilia Ferreyra says. "Our aim is to create bespoke journeys for each of our guests which means all treatments are tailor-made, so guests walk out feeling the full benefits of being in our care." Traditional treatments like massages, facials, body wraps and exfoliation will all be available alongside more holistic half-day experiences that combine exercise, healthy eating, a variety of treatments and introspection. French beauty brand Biologique Recherche and fast-rising Australian company Waterlily have been enlisted to provide the spa with its cosmetic treatment products, each of which will be personalised to any one guest's needs. Sofitel Sydney Darling Harbour is located at 12 Darling Drive, Sydney. Sofitel Spa is set to open at the hotel in January 2023.
It's not every day that a city gets a new film festival — and yet, in just the last year, Brisbane has opened its doors to two. When the death of the long-running Brisbane International Film Festival saw the Brisbane Asia Pacific Film Festival pop up as a replacement, it also inspired the Queensland Film Festival. In fact, QFF aims to help fill the void left by BIFF's cancellation, and to showcase the kind of international movie gems that no longer make it to Brisbane. The festival's full inaugural program is filled with films that will never, ever show in a multiplex near you. That includes documentaries about land-locked fisherman to comedies about submission and domination. You know the types of flicks we're talking about. Festival co-directors Dr Huw Walmsley-Evans and John Edmond are starting small, with 12 features, two shorts and three free discussion panels — including four Australian premieres — largely concentrated over a three-day period in one venue. Of course, it's quality, not quantity that matters. Given the movies on offer from July 24 to 26 at New Farm Cinemas, there's plenty of the former. Academy Award nominee and Cesar winner Timbuktu opens the festival, kicking things off with a powerful portrait of life under jihadist rule. At the other end of the spectrum, both in terms of QFF's schedule and in tone, the previously announced The Forbidden Room brings everything to a close with a delightfully unhinged love letter to the very medium of film. In between, Brisbane cinephiles can feast on features such as The Strange Colour of Your Body's Tears, a freak-out horror movie that ravishes the senses and then some in its Australian premiere. There's also the Viggo Mortensen-starring colonialist Argentinian western Jauja, minimalist gem The Strange Little Cat, blockbuster French TV miniseries P’tit Quinquin, and a restoration of the landmark The Colour of Pomegranates. For movie fans that just can't wait for QFF to get started, a free screening of the otherworldly The Vanquishing of the Witch Baba Yaga precedes the festival. And for those keen on chatting and contemplating as well as watching, two discussions about film criticism talk the talk about analysing movies. Yes, it sounds like a film festival all right, as well as an ideal way to spend a cold July weekend. That's when BIFF once used to run, those with long memories might recall. Hopefully QFF can follow in its footsteps for years to come. The Queensland Film Festival runs from July 24 to 26 at New Farm Cinemas. Check out the festival website for more details.
Come the end of next year, you won't need to hit the beach to catch a few waves. A site near Tullamarine, around 23 kilometres outside the Melbourne CBD, is set to become the location of Australia's first ever urban surf park. Owned and operated by Perth company Wave Park Group, Urbnsurf Melbourne will boast a 320 metre long pool and employ Wavegarden technology to generate man-made waves between 0.6 and 1.9 metres high. The facility will cater to both experienced surfers and beginners, while LED lagoon lighting will ensure visitors can keep surfing after dark. Wavegarden technology is currently utilised at the Surf Snowdonia wave park in Wales, while another park is set to open in Austin, Texas later this year. In addition to the wave pool, Urbnsurf will include a licensed cafe, a surf shop, board and wetsuit rental services, surf classes, playgrounds, a rock climbing wall, skate ramps and a mountain bike course. Wave Park Group founder Andrew Ross told The Age that the park would eliminate typical marine hazards that come with surfing on the ocean, and described the facility as a kind of "driving range for surfers." Entry prices are yet to be confirmed, although Ross estimated a one-hour session would cost between $20 and $50 depending on the season. Urbnsurf Melbourne is currently slated to open in late 2017. To stay up to date, visit their website or check them out on Facebook. Via The Age. Header image via Dollar Photo Club.
If you're a fan of author, comedian and NPR humorist David Sedaris, then you'll know that he's a frequent visitor Down Under. Missed him on his last trip in 2023? 2025 is your next chance to experience his snappy wit, as well as his discerning and astute ability to observe life's moments — both trivial and extraordinary — in both an observational and unique way. This will be Sedaris' seventh trip Down Under, spanning stops in both Australia and New Zealand — in Auckland, Canberra, Perth, Adelaide, Melbourne, Sydney and Brisbane — across January and February. If you haven't seen Sedaris live before, his shows are part of the reason that he's built up such a following. Onstage, he regularly weaves in new and unpublished material, too — and the satirist will throw it over to the crowd for a Q&A as well, and also sign copies of his books. Sedaris has more than a few tomes to his name, so you have options for him to scribble on, including Happy-Go-Lucky, Calypso, Theft by Finding, Let's Explore Diabetes with Owls, Squirrel Seeks Chipmunk, When You Are Engulfed in Flames, Dress Your Family in Corduroy and Denim, Me Talk Pretty One Day, Holidays on Ice, Naked and Barrel Fever. [caption id="attachment_862850" align="alignnone" width="1920"] Anne Fishbein[/caption] Sedaris is equally celebrated for his constant This American Life appearances and must-read pieces in The New Yorker, and boasts everything from the Terry Southern Prize for Humor and Jonathan Swift International Literature Prize for Satire and Humor to the Time Humorist of the Year Award among his accolades. If you've been searching for a supportive environment to use the phrase "how very droll", this is it. [caption id="attachment_862851" align="alignnone" width="1920"] Prudence Upton[/caption] An Evening with David Sedaris 2025 Australia and New Zealand Tour Dates: Friday, January 31 — Auckland Town Hall, Auckland Saturday, February 1 — Canberra Theatre Centre, Canberra Sunday, February 2 — Regal Theatre, Perth Tuesday, February 4 — Norwood Concert Hall, Adelaide Thursday,February 6–Friday, February 7 — Arts Centre Melbourne, Melbourne Saturday, February 8 — Newcastle City Hall, Newcastle Tuesday, February 11 — Sydney Opera House, Sydney Thursday, February 13 — Brisbane Powerhouse, Brisbane David Sedaris is touring Australia and New Zealand in January and February 2025. For more information, or for general ticket sales from 9am on Thursday, June 27, 2024, head to the tour website. Top image: Anne Fishbein.
We don't know how things go down in your household, but the only food we generally pair a cider with is a packet of salt and vinegar chips on a balmy afternoon. But while this is undoubtedly a terrific use of an ice-cold bottle of the alcoholic apple beverage, it turns out that cider is great when used as an ingredient in your food as well. It's not just us saying that, by the way. Melbourne's Scott Pickett, chef and restaurateur at Saint Crispin and Estelle Bistro, agrees. "It adds an interesting element to a sauce or dish or puree, as opposed to using your standard red or white wine," says Pickett, who after reopening his Northcote restaurant The Estelle as Estelle Bistro earlier this year, has just opened the second phase of the space: Estelle by Scott Pickett. And what does cider complement best? According to Scott, it goes best with cured salmon and fish, charcuterie and — of course — pork. Pork jowl — which, for the record, is the cheek of the pig — is somewhat of a signature for Scott, who has continually used the jowl on the menu at his evolving High Street restaurant. With Estelle Bistro opening in February, the lineup changed, but jowl still stands as a stalwart. Only now it benefits from the addition of an ingenious cider gel. Adding the blobs of cider to the plate adds a whole other taste to the pork, says Scott. '"The sweet, yet dry flavour profiles of the cider and the fragrant apple add an extra element to the dish." So if you want to get a bit fancy with your cider and experience the true culinary chemical reaction that occurs when pork and apple are combined in the same mouthful, try making Scott Pickett's signature pork jowl with cider gel and boudin noir (that's a French blood sausage) this weekend. Fancy, fancy recipe below: Ingredients 3 pork jowls, skin on 500ml apple juice 375ml James Squire cider 200g boudin noir (blood sausage) 4 pickling onions 5g agar agar 1tsp seeded mustard Red mustard leaves 500g rock salt 1 bunch of thyme 1 bunch of sage 4 cloves of garlic For the pork jowl Place the rock salt, thyme, sage and garlic in a food processor and process all ingredients until well combined. Trim any excess fat and skin from the pork jowls, cover them in the salt mix and leave to sit in the fridge overnight. The next day, rinse off the salt and place jowls on a roasting rack lined with baking paper and roast at 230 degrees for 80 minutes. For the cider gel Pour the cider into a saucepan and, on the stove, reduce it until there's only half the liquid left. Add the apple juice and agar agar. Bring the liquid back to the boil, and when it's boiling, pour into a bowl and place it in the fridge to set. Once it has set, place the liquid into a blender and puree until a smooth gel forms. For the Boudin Noir crumb Roughly break up the boudin noir and place it on a baking tray lined with baking paper. Bake in the oven at 150 degrees until the sausage has dried out and resembles large breadcrumbs. To serve Cut the pickling onions in half and roast with the layers facing down in a very hot pan. Continue to roast until slightly charred and tender, and when you remove them from the oven, separate the layers to get a shell-like shape. Take out the pork and cut it into 2cm slices. Place one slice of the pork jowl in the centre of the plate, and surround it with three dabs of the cider gel and three of the onion shells. Top with the boudin noir crumbs, dribble the grain mustard over the plate and garnish with the mustard leaves.
Each year, the Berlin International Film Festival premieres a treasure trove of flicks that movie buffs will be talking about for months to come, and longer, including when said titles make their way to Australia. It also understandably goes big on new German cinema, which often heads Down Under via the German Film Festival — and that touring event now has the 2023 program to prove it. Heading to Sydney, Canberra, Melbourne, Brisbane, Adelaide, Perth and Byron Bay throughout May, this year's German Film Festival sees Palace Cinemas team up with German Films, which is devoted to promoting the nation's movies internationally, on an impressive lineup. Here, recent and retro features sit by side, including five new efforts that debuted at Berlinale back in February, all of which are now making their Australian premieres. Film lovers can look forward to The Teacher's Lounge with Babylon Berlin's Leonie Benesch, which follows a teacher struggling over a series of thefts at her school; Sisi, the latest take on Empress Elisabeth of Austria-Hungary after Corsage, this time featuring Toni Erdmann's Sandra Hüller as her lady-in-waiting; and Ingeborg Bachmann — Journey into the Desert, as led by Corsage star Vicky Krieps as the titular writer. And, there's also the 1990-set Someday We'll Tell Each Other Everything, which stems from the page — plus crime-thriller Till the End of the Night, which won actor Thea Ehre Berlinale's Silver Bear for Best Supporting Performance. The German Film Festival kicks off with A Thousand Lines, hailing from Balloon filmmaker Michael Herbig, and diving into the IRL 2018 fake news scandal involving a journalist disgraced from Der Spiegel. At the other end, it'll close with Over & Out, Germany's addition to the spate of flicks about women reuniting with their old pals years later (see also: Off the Rails). Another hefty highlight: big focuses on the glorious city that is Berlin and also music, both via retrospective picks. So, add Christiane F, which follows the eponymous 14-year-old through 70s-era West Berlin and features David Bowie as himself, to your must-see list on the big screen. Add Wim Wenders' stunning Wings of Desire, about angels observing daily life but unable to interact with it, too. And, B-Movie: List & Sound in West Berlin 1979–1989 belongs in the same category with its archival footage and interviews, complete with Nick Cave, Joy Division and '99 Luftballons' band Nena. Other standouts include In a Land That No Longer Exists, as based on director Aelrun Goette's experiences in the 80s; documentary Merkel, about Germany's first female chancellor; crime comedy The Peacock; and body swapping in sci-fi Skin Deep. The German Film Festival is also celebrating Austrian and Swiss films, such as World War II drama The Fox and Vienna-set love story First Snow of Summer from the former, as well as And Tomorrow We Will Be Dead, about two Swiss citizens held hostage by the Taliban, from the latter. GERMAN FILM FESTIVAL 2023 DATES: Tuesday, May 2–Wednesday, May 24 — Palace Norton Street, Chauvel Cinema and Palace Central, Sydney Wednesday, May 3–Wednesday, May 24 — Palace Electric, Canberra Wednesday, May 3–Wednesday, May 24 — Palace James St and Palace Barracks, Brisbane Wednesday, May 3–Wednesday, May 24 — Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas, Adelaide Thursday, May 4–Wednesday, May 24 — Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, The Kino, Pentridge Cinema, Palace Westgarth and The Astor Theatre, Melbourne Thursday, May 4–Wednesday, May 24 — Luna Leederville, Luna on SX and Palace Raine Square, Perth Thursday, May 4–Wednesday, May 24 — Palace Byron Bay The German Film Festival Australia tours the country from throughout May 2023. For more information, visit the festival website.
Ethical shopping is really goddamn hard sometimes. On one hand, you don’t want clothes that have been painstakingly made by someone earning a dollar a day in a sweatshop. On the other hand are a bunch of shopping bags because you've no idea where to even start shopping ethically. Like everything, an ethical mindset happens incrementally and the first step you can take is here — the Good On You ethical shopping assistant app is seeking crowdfunding. Intended to help you make better consumer choices, the Good On You app amalgamates information on the ethical rating of fashion brands, either by search term or in your local area. The app also measures different production impacts and processes such as child labour, treatment of animals and contribution to climate change. Basically, the app tells you all the real ingredients that went into making your must-have leather jacket, leaving no stone unturned. At times, it may be a hard pill to swallow if your favourite brands don’t pass the test, but the GOY team don't want you to stop shopping — the app also feature alternative suggestions, based on your style, that do better ethically. And perhaps the feature with the greatest potential to catalyse change is the ability to directly message brands who don’t pass muster (fire up your emoji dictionary for maximum emotional impact). There are a few ethical shopping assistant apps on the market right now, however this is the first that systematically catalogues Australian fashion and beauty brands — and it’s about time. Ethical shopping needn’t be a time-consuming ordeal and with an app that creates brand transparency it hopefully soon won’t be. Image: Dollar Photo Club and Good On You. UPDATE DECEMBER 18, 2015: Thanks to awesome crowdfunded dollars, Good On You reached their target of $15,000 and the app is now live. You can download it from their website. Go team!
The term ‘boutique’ has accrued a lot of synonyms since coming into common parlance in recent years. When attached to a festival, it usually means ‘overpriced’, ‘obscure’ and ‘painfully hip’. But in a depressing festival landscape of hot, sticky summer sameness, one Brisbane crew is restoring the glory to the boutique festival name. The second Jungle Love is coming in November and they’ve carried on the integrity that defined their debut 2014 festival. So how does a festival do ‘boutique’ justice? Oh let us count the ways. Despite a relatively limited budget, the two-day lineup is impressive and mostly locally-sourced (all power to homegrown produce). It currently includes The Cairos, The Belligerents, Baskervillain, The Bombay Royale, The Cactus Channel, Bullhorn, The Durries, Resin Dogs, The Tommyhawks plus a fair few more and there’s still another artist announcement coming. Jungle Love's lineup was chosen not necessarily for their ability to court triple j airtime but their stage presence, crowd-wooing tricks and the quality of the music they make. It’s a refreshing change from the standard festival shuffle of the top-played radio darlings and a return to what the summer festival should be: just a small group of people, hanging out in nature and enjoying some quality tunes. And don't forget the nosh — local culinary crews Lost Boys and Kettle and Tin will be there serving up organic chow to the happy masses. Location-wise, Jungle Love also solves the whole deadly-summer-heat thing (something most festivals overlook) by picking a spot with an onsite swimming creek. So bring your cutest togs and inflatable ring for dips between sets. It's just two hours' drive north of Brisbane, at Borumba Deer Park. But the best thing about Jungle Love, the thing that will melt hearts and draw crowds? It’s BYO, as nature intended. No more $10+ cans of Smirnoff Festival Edition™ that taste like sugary nuclear runoff. No more waiting in bar lines and missing important sets and feeling obliged to give your dog mates front cutsies. No more! All good things happen from the ground up, and you can have a hand in making Jungle Love a reality. The festival's Pozible campaign is running for another 22 hours and they’re close to their funding target. You can buy your tickets through the Pozible page or just donate some love to a worthy cause. Jungle Love Festival runs November 27-28 at Borumba Deer Park, 1133 Yabba Creek Road, Imbil (Sunshine Coast Hinterland). For more info, visit Jungle Love's website. Images: Chelsea Heaney, Freya Lamont and Irie Langlois.
It's time to make the pilgrimage to the Supernatural Amphitheatre once again, Golden Plains has opened the ballot for 2017. Taking place over a long weekend under a full moon, Meredith's other beloved festival returns for March 11-13, 2017. And they've announced on heck of a legend to top the bill: Neil Finn. As always, the lineup will appear on one stage in the Supernatural Amphitheatre, fronted by one of history's greatest songwriters. Crowded House legend Neil Finn will play a special career-spanning set under the full moon. It's been seven years since Finn played The Sup', so this should be pretty special. The full lineup will drop soon. Meanwhile, Golden Plains is set to be the same festival you know and love — no dickheads, no need to hide your goon sacks, no commercial sponsors — but with a new sound system, new campaground, new foods and kids under 12 can attend the festival free. The ballot for GPXI is open now until 10pm on Monday, October 17. Visit www.goldenplains.com.au for details.
You might not have heard of Minor Figures, Australia's new cold brew-on-the-go coffee popper distributors, but you will soon. The coffee wizards, comprised of Jonathan Chiu, Stuart Forsyth and Will Rixon, have had a massive year since setting up their own microbrewery in London in August of 2014. After taking out the 'Most Innovative Product' award at the London Coffee Festival, they found their particular brand of ethically-sourced, ready-to-drink, long-life cold coffee on the shelves of Whole Foods, Selfridges and Harvey Nichols. Now they’ve conquered the north, their sights have been turned to us here in the Southern hemisphere. Jonathan and Stuart are both Melburnians at heart and when they collectively decidedly to bring their on-the-go cold brew to Australia, Jonathan packed up and came with it. Attempting to offer an alternative to the coffee powder-made, factory-produced iced coffees dominating the Australian market, Minor Figures has just launched two cold brews: a straight black version and one with organic milk. We had a chat to him about what it's like to move halfway around the world for the love of good coffee. So Jonathan, what made you come back to Australia after such a long sabbatical? I’ve been over in London for eight years. We started the Minor Figures business in August last year and one thing we realised pretty quickly was that it’s a summer drink and we were going straight into winter and we wanted to be able to sell all year round. Stuart Forsyth, one of the co-founders, and I are both from Melbourne, so we thought it seemed like the logical market to open a second office. From #bellsbeach to #bournemouth. #coldbrew #beach #esky #surf #takeanywhere #specialtycoffee A photo posted by Minor Figures (@minorfigures) on Oct 8, 2015 at 10:09pm PDT So the idea is specialty coffee in a stay-fresh popper. How exactly do you make it? Ours is a cold brew, we use an immersion method. We put our coffee straight into a tank, we control the oxygen and temperature of the tank and brew it for around 18 hours, using cold filtered water, and then we filter it out, catch all the coffee grounds and make sure it’s super clean. Can you walk us through why we should trade in our flat whites for cold brew? What happens when you brew in cold water over a long period of time, it reduces the acidity and bitterness of the drink and it leaves a naturally sweeter, clean coffee. It’s different from, say, if you had hot coffee that’s gone cold, that would be bitter, thicker almost, whereas this is cleaner, lighter and it’s a great alternative to a hot milky coffee on a hot day. It's just water and coffee, so you can’t hide behind anything — it has to be really high quality. Who brought the #ducks to the #swan party? #InDisguise #coldbrew #coffee A photo posted by Minor Figures (@minorfigures) on Apr 25, 2015 at 4:25am PDT What’s your aim with Minor Figures? What’s in the future for the brand? The future for us is to be the ones who make cold brew coffee more mainstream accessible so that more and more people drink good quality coffee, rather than the rubbish iced coffees that are out there. This is in a Tetrapak so you just stick a straw in and you’ve got real, specialty, single origin coffee ready to go whenever you want. We want it to be for everyone, not just the cool kids in the know who’ve got the disposable cash to buy it. It’s not about being just for the cool kids. I was out sampling at Narre Warren a couple of weeks ago and I was happiest to see the mums of Narre Warren buying it to go on their caravan holidays, rather than the cool kids in Collingwood. Find a Minor Figures cold brew coffee distributor here and get gulping the good stuff. Images: Simon Shiff.
What, you haven't just spent two weeks watching movies in the snow with celebrities? Sadly, us neither. But just because we can't all head to a film festival in Utah and hang out with Robert Redford, doesn’t mean we can’t enjoy the main attractions — or at least hope that we can in the near future. Since the one-time on-screen Sundance Kid first started his celebration of movies in 1978, the festival has given many of your favourite filmmakers and films their big breaks. Steven Soderbergh’s Sex, Lies and Videotape, Quentin Tarantino’s Reservoir Dogs, and Darren Aronofsky’s Pi all debuted there, as did Clerks, The Blair Witch Project, Donnie Darko, Napoleon Dynamite, Moon, What We Do in the Shadows and Animal Kingdom. Like Paul Thomas Anderson or Wes Anderson? They worked their way through Sundance’s short film section. Last year, three big hits of the festival went on to bigger things, including the AACTA Award for Best Film and likely Oscars later this month. We’re talking about The Babadook, Boyhood and Whiplash, all of which premiered at Sundance 2014. The Babadook has wowed critics around the world, and just days ago shared Australia’s top film prize, also winning best director for Jennifer Kent in her own right. At the upcoming Academy Awards, Boyhood director Richard Linklater and supporting actress Patricia Arquette top the odds for their respective fields, as does the film in the best picture category. Whiplash’s JK Simmons is expected to take out the best supporting actor award for playing the jazz drumming teacher that frightened us all. Without a crystal ball, we don't if this year’s crop of Sundance features will have the same success, but we do know this: there are plenty of movies from the festival’s 2015 slate that we want to see. Some are guaranteed, thanks to local distribution. More than a couple will pop up at the Sydney and Melbourne film festivals mid-year. Others might earn a DVD, VOD or streaming release. A rare few — ’71, It Follows, and White God — have already screened at Aussie fests. Regardless, we’ve selected ten we hope Australian audiences get the chance to watch, and named some more we’ll also be looking out for. MISTRESS AMERICA If any film was guaranteed to make our list, it is this one — and with good reason. Who didn’t love the combination of writer/director Noah Baumbach and writer/actress Greta Gerwig in the delightful Frances Ha, their version of a quarter-life crisis comedy filtered through a black-and-white homage to French New Wave? And who doesn’t want to see them do it all again, this time jumping back to the troubles of college years with Lola Kirke, sister of Girls’ Jemima Kirke? The answer to both those questions is no one. If you’re not convinced, the synopsis promises cat-stealing. What more could you want? Also watch out for: Greta Gerwig also features in Eden, Mia Hansen-Løve’s journey through the French house music scene of the early 1990s and beyond. THE END OF THE TOUR One of the most talked about films of the festival sees Jason Segel leave How I Met Your Mother long behind to turn into acclaimed author David Foster Wallace. In 1996 after the publication of his groundbreaking novel Infinite Jest, Wallace agreed to be interviewed for five days by Rolling Stone reporter David Lipsky, who is played here by Jesse Eisenberg. Following on from Sundance hits Smashed and The Spectacular Now, director James Ponsoldt delves into the story that was never published in the magazine, but did fuel Lipsky’s memoir after Wallace’s suicide. The movie itself is earning considerable acclaim, as are the two central performances. Also watch out for: Taking out the dramatic category double of Grand Jury Prize and Audience Award that Whiplash achieved last year, Me and Earl and the Dying Girl is a teen cancer comedy hopefully worlds away from The Fault in Our Stars. DOPE Dope tells you that it is great in its title — and if the buzz coming out of the festival is accurate, such bragging should be believed. That’s not just because of the retro ‘90s vibe that sees a high school geek sport a high-top fade and wear Cross-Colours, nor because of the DIY punk meets YouTube aesthetic. What excites is that this underdog coming-of-age film is being called the ultimate teen movie for '90s kids, as well as earning comparisons to greats gone by. Most of the young actors won’t be familiar, not that it matters, but you will spot The Grand Budapest Hotel’s lobby boy Tony Revolori among the cast. Also watch out for: Seoul Searching, a 1980s-set Korean teen comedy that pays homage to the films of John Hughes, and The Diary of a Teenage Girl, set in the counterculture haze of the 1970s. KNOCK KNOCK It’s okay, Keanu fans: you’re finally cool again. It's about time! John Wick readjusted the way everyone now thinks of the man beloved as Ted, Neo and Johnny Utah, and Knock Knock keeps him in the same dark, violent territory. The film shares a few storyline similarities with Reeves’ most recent hit, as a happy life unravels once again after strangers come calling; however, here director Eli Roth is in the driver’s seat. It might not be quite like the filmmaker’s unsettling Hostel or his recent cannibalism homage The Green Inferno, but expect to feel disturbed during this psychological horror effort. Also watch out for: Two ten-year-olds take a police vehicle for a joyride in Cop Car, but have Kevin Bacon to contend with. THE WOLFPACK No, this isn’t about the gang of annoying guys in The Hangover movies — and thank goodness for that. In The Wolfpack, six brothers grow up in the confines of a New York City apartment, watching movies and re-enacting them with elaborate props and costumes. Film is their teacher, friend and window to the outside world, in a scenario that would probably be hilarious if it wasn’t real. Yes, Crystal Moselle’s effort is a documentary, winning the field’s Grand Jury Prize, in fact. Given extraordinary access into the family's lives and their home movies, she tells the tale of children literally raised by the movies. Also watch out for: Canada’s Guy Maddin pays homage to the lost movies of the silent era in The Forbidden Room, with the off-kilter assistance of Mathieu Amalric, Charlotte Rampling and Udo Kier. SLOW WEST Michael Fassbender plays a mysterious stranger. Australia’s Kodi Smit-McPhee is a 17-year-old Scottish aristocrat. They meet on the untamed American frontier towards the end of the 19th century as the latter tries to find his lost love, and the former helps him traverse his troubles. Shot in New Zealand by first-time filmmaker John Maclean, Slow West delves into a genre too little seen these days, the western, and impressed Sundance attendees in the process. Not that you need any more cause for excitement, but did we also mention that it won the Grand Jury Prize in the World Cinema – Dramatic category? Also watch out for: Another film hailing from New Zealand, Turbo Kid sounds a bit like BMX Bandits meets Tank Girl meets every ‘80s synth-scored sci-fi flick, and that can only be a very good thing. KURT COBAIN: MONTAGE OF HECK Some can remember where they were when they heard the news of Kurt Cobain's death. Others discovered Nirvana’s grungy tunes afterward. Either way, the story of the singer has entranced several generations for multiple decades, and shows no signs of fading. Brett Morgen, the filmmaker behind the also excellent The Kid Stays in the Picture, delves into the man rather than the music after spending eight years — yes, you read that correctly — sifting through private journals, recordings and home movies. This isn’t the usual rock star biography, but something much more intimate and revelatory. Also watch out for: Another personal effort that challenges expectations, fictional transgender sex-trade film Tangerine was shot almost entirely on an iPhone. DIGGING FOR FIRE Mumblecore maestro Joe Swanberg has been knocking it out of the park of late, as anyone who saw Drinking Buddies and Happy Christmas knows. Could he be three for three in his adventure into more mainstream fare? With Digging for Fire, starring and co-written by New Girl’s Jake Johnson, it certainly sounds like it. The film tells of a husband and wife on separate adventures over an unusual weekend. Rosemarie DeWitt, Anna Kendrick, Brie Larson, Jennie Slate, Melanie Lynskey, Sam Rockwell, Chris Messina, Ron Livingston, Mike Birbiglia and Orlando Bloom also pop up, in a cast any movie wishes it had. Also watch out for: Reviews have been mixed for Results, but fans of Andrew Bujalski’s Computer Chess will be keen to see his next film, starring Cobie Smulders and Guy Pearce. THE WITCH The Witch is yet another award winner, this time recognised in the dramatic category for its direction by debut filmmaker Robert Eggers. In horror movies, New England is perhaps best known for its association with the 1692 trials in Salem, Massachusetts; however, colonial farm life generations prior is the focus, as recreated in painstaking detail in the name of historical realism. Given the setting and the title, superstition plays a large part in proceedings, but the usual account of the occult this ain't. Anxieties, myths, inherent malevolent traits and sources of hidden menace come to the fore, helped by a creeping camera and ominous score. Also watch out for: Similarly steeped in its sense of place, Last Days in the Desert lets Ewan McGregor play both Jesus and the devil. SLEEPING WITH OTHER PEOPLE A sex addicts' meeting morphs into one of the age-old movie dilemmas: can platonic friendship exist between men and women? In Sleeping with Other People, Alison Brie and Jason Sudeikis are college lovers who reconnect to put the question to the test, but while it may sound a bit like When Harry Met Sally, this isn't your standard rom-com. Writer/director Leslye Headland’s Bachelorette was divisive a few years back, but whether you loved it or not, the premise and roster of talent here is certain to pique your interest. Adam Scott, Amanda Peet, Natasha Lyonne and The League’s Jason Mantzoukas also feature. Also watch out for: In The Overnight, Adam Scott fools around with Taylor Schilling and Jason Schwartzman in another adult-oriented sex comedy.
After a successful 2013 collaboration between Dion Lee and angel-voiced Sarah Blasko on the killer show De Novo, the Sydney Dance Company is once again bringing to the stage a fusion of music, choreography and high fashion. This year the talent comes from costume designer Toni Maticevski and soprano Katie Noonan, who will weave their magic around a trio of dances by Rafael Bonachela, appropriately titled Triptych. Maticevski is better known for his red-carpet gowns than anything, but he’s turned his considerable talent towards interpreting the mood and music of the three pieces of choreography, and his designs range from pale nude chiffon twists for Simple Symphony to black and mesh for the “darker, sexier and more suggestive” mood in Les Illuminations. Rafael’s world premiere work, Variation 10, will feature the entire ensemble of the Sydney Dance Company swathed in shades of grey and silver, sheer ruffles, frayed edges and outlined cut-outs. Maticevski describes the look as “distressed ballerina”. It’s not the first time Maticevski has collaborated with the Sydney Dance Company. He crafted the costumes for the premiere 2013 season of Les Illuminations, which has been reimagined for the 2015 season. The images above are some sneaky shots of the as-yet-unfinished products in action. Triptych plays at the Roslyn Packer Theatre from September 25 – October 10. Book tickets via the Roslyn Packer Theatre website.
If you, like us, have been struggling to maintain your bank balance this Christmas (the shopping, holiday plans and festival tickets all take their toll), we feel ya. To help you out, we've teamed up with Melbourne's biggest and best inner city festival, Sugar Mountain, and V MoVement, to give you the chance to win an epic festival experience. The stress of the festive season will melt away when you're grooving to Blood Orange with an 8bit burger in one hand and a beer in the other. Bliss. Up for grabs here are two VIP Sugar Mountain passes (yes), return flights to Melbourne from any major capital city (yessss) and we'll even put you up for two nights at QT Melbourne (a thousand times yes!). Prepare yourself for fluffy-robed luxury. But that's not all. Thanks to our buds at V MoVement, you'll be their VIP too with two side of stage passes to get up close and personal with the line-up on their own personal stage. V MoVement, just FYI, is an initiative by (you guessed it) V energy drink that aims to support grass roots dance music so it's no surprise they're popping up at the weird and wonderful Sugar Mountain. If you're a fan of EDM, this is the prize for you. Check out the line-up and read up on last year's Sensory Lab to yourself excited. We're even throwing in a year's worth of V energy drinks to bolster your energy levels after such an intense weekend. Damn. Not sure if anything under the tree can top this present. Head here to enter.
We know. We've all done it. Home alone with a block of cheddar, a few scraps of brie and a lone Kraft Single. It all seemed so promising. When your mum/housemate/significant other returned, though, the truth became apparent. You'd made a cheese quagmire in your microwave, hadn't you? Hadn't you. Fortunately, the guys behind PappaRich, the ST Group, are now getting set to help you realise all of your cheese dreams without the weird kitchen smell three weeks later — they're bringing Malaysian chain Hokkaido Baked Cheese Tart to Brisbane. With multiple stores in Kuala Lumpur and other areas of the country — plus a handful in Melbourne and Sydney, as of last year — the cheese tart connoisseurs will expand to open not one, but five Australian stores by the end of the year — four in Melbourne and one in Sydney. And now, they're heading for Pacific Fair early July. Their namesake is the cornerstone of their offering: a savoury-sweet three-cheese situation encased in a shortcrust shell, designed to be eaten either hot or cold. The cheese, while made with local produce, is based on the distinct taste and texture of the dairy products of Hokkaido. The Japanese island is known for their dairy — it produces half of Japan's total milk and a huge 90 percent of their natural cheese — and HBCT have worked tirelessly to replicate it. Malaysia has gone nuts for it, and Melbourne and Sydney have jumped firmly on board; people have been queuing out the door to get their hands on one (or 12). For those of you interested in more than just shovelling ludicrous amounts of cheese and pastry down, the tarts themselves will apparently be "displayed like precious gems, much like an elegant high-end jewellery shop". We're waiting for a self-serve option that makes you feel like you're committing a diamond heist. HBCT is planning to open further stores in QLD, however Pacific Fair is currently the only confirmed location. Hokkaido Baked Cheese Tart will open at Shop No. K1017, Ground Level, Pacific Fair in early July 2017. For more info and to look out for an opening date, keep an eye on their Facebook page. Images: Tim Grey.
Thirty years since Expo 88 lit up the Brisbane River's southern banks, the area we all know as South Bank still has a few luminous tricks up its sleeves. Flowstate is one of them, a new temporary creative space taking over the former Arbour View Café precinct, featuring an immersive digital art installation, an open-air performance pavilion and a grassy relaxation zone. It's the first aspect, JEM by design studio ENESS, that'll immediately capture the city's attention — and have Brisbanites rushing to the South Brisbane parklands. A glowing arc-like structure fashioned from LEDs, it responds to movement, meaning that everyone can influence its display of light and sound. Or, to put it another way, it emits a symphonic and visual experience when approached. In addition to JEM's eye-catching wonders, the 3000-square-metre space will also boast an array of performances, including a year-long free program during its first year of operation. On the just-announced 20-show-plus bill: CIRCA showing off their acrobatic skills in Aura, Dead Puppet Society unleashing their roving installation Megafauna and live, immersive, moonlit orchestra event Song to the Earth. Other highlights include participatory dance performance Planets, South Bank art tour What I'm Here For, and whispered storytelling from Brisbane writers, poets and artists in These Frozen Moments. Also on offer are talks, classes and workshops, from an evolving lineup that features Magda Szubanski, Luke Ryan and Margi Brown Ash. And, because South Bank's grassy areas are made for relaxing, Flowstate Green will host a resident DJ set every Friday evening. Officially opening on January 29, Flowstate has been planned as interim-use site by Australian architecture and performance design firm Stukel Stone. It's intended to be in place for between 18 months and three years. Find Flowstate at South Bank Parklands near the Epicurious Garden, and visit flowstate.southbankcorporation.com.au for further information. Image: Tony Gwynn Jones.
