If you came here to learn about whisky from a snobby expert who will judge you for every wrong move you make, you're in the wrong place. I love a good whisky but I'm no connoisseur. In fact, there's every chance you know more about this fantastic spirit than I. But, if you've come here for some earnest advice from one of the most respected names in the world of whisky then stick around. What follows is a distilled (see what I did there) version of Bruichladdich head honcho Jim McEwan's evening of whisky and tall tales at Spring Hill’s United Service Club. "Right now you don't know anything about me. I'm not your best pal," he said. "But by the end of the night you're going to love me. I will be your best pal, because of this wonderful drink. I've had so many proposals from drunken men it's not funny. Not so much from women." With that, we knew we were off to a good start. Whisky tasting is a science Yes, you should add a few drops of water to a good single malt, but McEwan says you can throw out all scientific formulas suggesting a drop of water for every 4.1364 per cent of alcohol or some such variation. Just test it in your mouth and if it's too 'hot', add water. "Measure the temperature on the tongue and then add water accordingly. It's like rain drops for roses. When you add a little bit of water to whisky it opens it up. There's no right way and wrong way of tasting whisky. There's a lot of whisky snobbery out there and it's rubbish." You have to pay attention to the colour "Colour means absolutely nothing," McEwan says. A darker whisky generally means there is more caramel food colouring added to it. "There's no tree in the world that will make whisky the same colour every single time. Look at the back bar in any bar. Look at some of the colours. Some of the colours are frightening." Ideally, you should drink out of a fancy tumbler No matter how much Mad Men you watch, the best way to drink a good whisky is not with a short, fat glass cupped in the palm of your hand and draped languidly over the edge of an expensive chesterfield armchair from the 1960s*. Instead, grab yourself some good sherry glasses. Just as with wine, the curve of the glass will force the aroma straight up that big schnoz of yours. It's all in the taste buds Jim McEwan is well aware of the sweet, salt, sour progression of taste buds from the tip of your tongue to the back (with bitter around the edges) but he says there's one more element you can’t forget when drinking a good single malt. "Lick your lips straight away," he says. "Lips are so sensitive they send a signal straight to the brain. They're sensitive enough for you to marry a person over a kiss. If the lips don't like it, like sour milk, they'll tell the brain. But if they do, you'll know." Whisky makes you dopey Of all the drops at Bruichladdich, the most experimental is perhaps the most famous: Octomore. Known as the most heavily peated — smoky, like your Uncle Dave’s lounge room — scotch in the world, with 167 phenol parts per million, Jim saved this treat 'til second last for a special performance. He asks the audience to take a big gulp and hold the smokiest whisky they have ever tasted in their mouths until he says to swallow. The seconds tick by, someone has a minor spluttering attack, one or two glasses explode from the sheer suspense of it all. "When you swallow you will get that A-bomb feeling of power," he said. "This is the best orgasm your mouth will ever have." And let us tell you first hand — he's not wrong. Bonus: Best places to taste good whisky in Brisbane Fortunately Brisbane is home to a number of good whisky bars. The Gresham sits in the heart of the city, housed in a historic building and decked out with leather chesterfield couches and rich mahogany — you can't go wrong. Further afield, Nant Whiskey Bar in Fortitude Valley distills its own drops and The Morrison Hotel in Woolloongabba harbours Naked Whiskey Bar within. The Walrus Club tucked underneath The Regatta is a dimly lit rum cavern that also serves up a decent list of whiskies and last but not least, the secret bar at Kwan Brothers has an exciting range of Japanese whisky. What do they all have in common besides whisky? Like everything good, they are a little bit hard to find. *Note: expensive 1960s armchair may or may not improve whisky tasting experience.
If seasonal change has left you in a dizzy headspin of new colours and fabrics and prints and jackets — or if, y'know, you just like some fancy new clothes now and then — you'll be pretty pleased to know that the Big Fashion Sale is back. Usually, it's a physical affair that takes place in Sydney and Melbourne; however like plenty of other events at the moment, the shopping extravaganza is going online — and national — for its next outing. The name pretty much says it all. This thing is big. You'll find a hefty array of lush items from past collections, samples and one-offs from a huge lineup of cult Australian and international designers, both well-known and emerging — including Romance Was Born, Alexander McQueen, Isabel Marant, The Row, Dries Van Noten and more. With discounts of up to 80-percent off, this is one way to up your count of designer threads while leaving your bank balance sitting pretty, too — whether you're keen on clothes, shoes, swimwear or accessories. The Big Fashion Sale's online edition kicks off at 9am on Monday, May 18 on the event's website — and you can register in advance to be notified when it kicks off.
If you class waterslides and festivals under the category of 'things you are into', then boy, are you in luck. Brisbane is set to host Australia's largest waterslide festival, so grab your swimmers, whack on those goggles and start working on your slide form — there's going to be over two kilometres of slides ready for you to slip down at Slideapalooza. Happening over two weekends at Sirromet Wines in Mount Cotton, Slideapalooza will bring huge inflatable waterslides and slip 'n' slides, with single-lane, multi-lane and 'sky-high' slide options — and some of them are up to 150 metres long. Huge — and huge amounts of fun. There'll be food and drink options to keep you going too, with licensed bars on-site. Slides and sipping wine? This is why we love summer. Slideapalooza runs over January 18–20; 25–27. Ticket prices start at $47 for adults (and $34 for kids) for a two-hour slide session. If that's not enough, you can keep sliding for an additional $30 (or $22 for kids). Plus, if you get an early bird ticket, you'll nab a slide ring for free. For more information and to purchase tickets to Slideapalooza, visit the website.
In Disney's non-stop quest to not only remake its animated hits, but to make them look as lifelike as possible, the Mouse House has already brought Dumbo, Aladdin and The Lion King back to our screens so far this year alone. But it's not done yet, with the company's new streaming platform set to welcome another high-profile do-over before the end 2019: a live-action version of Lady and the Tramp. To answer the question you've all been wondering, yes, it'll feature real spaghetti and meatballs. In all seriousness, the film does actually star real dogs — not photo-realistic canines cooked up by a special-effects team. The adorable pooches will still be given human voices, of course, with Tessa Thompson lending her tones to everyone's favourite pampered pupper and Justin Theroux doing the honours for her street-smart love interest. Playing an American cocker spaniel and a schnauzer, Thompson and Theroux aren't the only big-name talents going to the dogs. A Star Is Born's Sam Elliott will get gravelly as a bloodhound, Catastrophe's Ashley Jensen is a Scottish terrier, Avengers: Endgame's Benedict Wong voices a bulldog and Janelle Monae pops up as a pekingese. They'll be joined by a few cast members who'll stick with their two-legged forms, including Hearts Beat Loud's Kiersey Clemons, Me and Earl and the Dying Girl's Thomas Mann, and Community co-stars Yvette Nicole Brown and Ken Jeong. Story-wise, the film will wag the same tale, as the upper middle-class Lady crosses paths with — and then eats pasta with — a downtown stray called Tramp. Directed by The Lego Ninjago Movie's Charlie Bean and co-written by US indie filmmaker Andrew Bujalski (Computer Chess, Results, Support the Girls), Lady and the Tramp will sport a few changes when it drops on Disney+ upon the service's November launch, however. Monae is reworking 'The Siamese Cat Song' to remove the original's offensive connotations, and will also perform two new tunes for the soundtrack. Check out the trailer below: https://www.youtube.com/watch?v=A2ZDDU34gYw The live-action Lady and the Tramp remake will be available on Disney+ when it launches Down Under on November 19.
You know what kind of music sucks? The kind people have heard of. You know what kind of music is good? The kind that is played live, by bands. Fortunately, Brisbane is starting to become a little bit famous for it’s underground gigs, and no one hosts one quite like Spunk. Actually, maybe Hand Games could give them a run for their money. Man, if those two organised a show together it would be amazing… Presenting Spunk X Handgames – Unofficial Big Sound Showcase. Starting at 7pm there will be a whole line-up of awesome music from the likes of Bored Nothing, Kieran Ryan, Ocean Party, Fascinator and others! Haven’t heard of them? That means they are cool. Have heard of them? That means you're cool. The showcase is on the 10th of September, starts at 7pm and will be jamming till 1.50am the next day. So, if you have $11 and you don’t have a bed time, why not come down, listen to some great music, and meet some just as great people. Check out Bored Nothing's 'Popcorn'
There’s something sickly special about The Rocky Horror Picture Show. It may stem from that year nine dance when we were thrusting, jumping teens and the Time Warp was first sewn in our genes, or maybe it’s the fact adult musicals are becoming more and more popular (see Avenue Q, American Psycho the Musical). Or maybe, just maybe, it’s the deep-rooted feeling we all have towards a bit of leather and lace between the buns. Either way, Rocky Horror has always been a staple of the stage and screen world, and now Brisbane get’s its turn with this wild fusion of B-Grade horror, science fiction, and of course, bondage. The name Rocky Horror stands on enough stead by itself, but a re-imagining of this classic on stage presents a whole new layer of nightmare infused delight. Veteran stage menace Craig McLachlan is taking on the infamous role of Frank N. Furter, and guaranteed to be complimented by and equally talented and experienced ensemble. Combine this with the excellent production we’ve come to expect from QPAC productions, and you can expect nothing less than a very naughty night. It’s been scandously long since a mega-mainstream production has graced a Brisbane stage, but from the 8th of January all you Brads and Janets of Brisbane will have reason to do the pelvic thrust again. Have a sneek peak here.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Brisbane is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing a little adventure and spontaneity into your schedule. We've teamed up with Mazda3 to celebrate the landmark 40th anniversary of their iconic small cars, and in turn, help you celebrate the Brisbane landmarks and institutions we all love. This week, discover and rediscover the things that make Brisbane so great, with seven different detours through our city's classic spots. From Monday to Sunday, channel that Brissie spirit, and enrich your everyday with one completely achievable, time-honoured activity that helps bypass any mundane roadblocks in your routine. This week, rediscover the classics of Brisbane we know and love, from a heated swim at heritage-listed baths, to an iconic photography exhibit at a Brissie art institution, to the alternative styles of DJ Andrew at the Brisbane German Club. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
We all know there are items we shouldn't be stockpiling right now, but when we're all spending more time at home than usual it's probably a wise idea to stock up on some creature comforts — whether that's making a long list of shows we're planning to binge watch or stocking up the cellar with our favourite wines. Online cellar door Naked Wines launched in 2012 with the aim of connecting at-home wine drinkers with winemakers across Australia and New Zealand. Since then it's grown to include more than 53 winemakers and more than 100,000 'wine angels' — people who pay $40 a month to their Naked Wines account to use as credit to support the wineries they like and to receive discounts on bottles of vino. And those winemakers include the likes of Enfant Terrible from Adelaide Hills, Le Petit Mort from Queensland's Granite Belt and Hilltops, NSW, plus Blindside from Margaret River. You can order cases of six, 12 or 15 bottles. If you're based in Sydney, Melbourne or Perth, Naked Wines could be winging their way to you by the next working day. For Adelaide, Brisbane and Canberra, delivery is within two-to-four business days. It's also free delivery for members if you're in Melbourne, Sydney and Perth, however there are delivery costs of up to $20 outside of those cities. And, as we're all in need of a little comfort right now, we've partnered with our friends at Naked Wines to offer first-time Naked Wines customers over 18 a $100-voucher to spend on your next case of wine. Simply head to this link to make your purchase and double-check the conditions below. To use the voucher you must be 18 years or older. The voucher entitles first-time Naked Wines customers to $100 off their first order of 12 bottles. All orders are a minimum of 12 bottles, and a minimum spend of $155.88. Not to be used in conjunction with any other offer or promotion. *Next day delivery is available to Sydney, Melbourne and Perth metro areas for orders placed before 3pm. Naked Wines does not ship to Northern Territory. Delivery not included. Offer is subject to change. See website for full Terms and Conditions. This story includes affiliate links, which means Concrete Playground may receive a small commission if a reader clicks through and makes a purchase. This does not influence our editorial recommendations or content. For more info, see Concrete Playground's editorial policy.
Traipsing through a decaying apartment complex, getting his rotting teeth checked, and munching on roasted dog leg: all part of an ordinary day for Dr. Robert Laing (Tom Hiddleston). It wasn't always this way though. Just three months earlier, the surgeon was a fresh resident in the gleaming tower, filling his new home with boxes, meeting his neighbours, and talking about starting over with a clean slate. He soon discovers, however, that a strict hierarchy rules the titular structure, and when it starts to falter, so does anything resembling a civilised existence. All it takes is a power outage and an unauthorised dip in a communal swimming pool for classes to clash and all hell to break loose. Welcome to the world of High-Rise, with director Ben Wheatley and his regular screenwriter and co-editor Amy Jump bringing the dystopian vision of J.G. Ballard's cult 1975 novel to the screen. They're the perfect pair for the task, particularly in light of their previous output. Psychological horror Kill List, murderous black comedy Sightseers and hallucinatory historical thriller A Field in England all examined the bleak and brutal side of the human psyche. If those films aren't the ideal stepping stones towards exploring the mayhem of the masses when left to their own devices, then we don't know what are. The eponymous property's descent into anarchy runs in parallel to Laing's ascent through its social ranks, though the smooth, suave newcomer proves a friend to those who inhabit all levels. He mingles with seductive single mother Charlotte (Sienna Miller), who lives directly above him, as well as documentary filmmaker Wilder (Luke Evans) and his pregnant wife Helen (Elizabeth Moss), who dwell several stories below. Much to the dismay of the folks that consider themselves at the top of the pecking order, he also befriends Royal (Jeremy Irons), who created the block and resides in its penthouse. Just as Wheatley and Jump are the best off-screen team to make High-Rise scale the satirical heights its seeks, so too is Hiddleston the ultimate leading man for the job. Managing to lure the audience into the twisted tale while still making sure that his protagonist keeps a little distance from the disorder around him, the actor proves as fascinating a point of focus as the film's true main character: the building itself. Given the attention-grabbing antics that take place within its walls, that's saying something. Indeed, as the alcohol flows freely, the sex grows more debauched and petty arguments spiral rapidly out of control, everything plays out like a big, bold, busy bash that slowly turns oh-so-sour. With dance sequences aplenty and the increasingly frequent sight of ordinary life turning to the stuff of nightmares, Wheatley ensures that every frame of High-Rise looks the part as well. Whether crafting a quick-cut montage out of carnage and carnality, or switching between a sublime Portishead cover of ABBA's SOS and Clint Mansell's ominous score, the '70s-set film proves a slick but festering affair in its aesthetics and themes from start to finish. It's little wonder that it's also incredibly divisive. If you don't adore the film's deliciously dark and unashamedly scathing depiction of humanity, you'll probably abhor it.
With The Big Short and Nightcrawler still fresh in moviegoer's memories, Money Monster isn't the first film to ponder the impact of the global financial crisis, or peer into the television business in times of trouble. Nor is the best, boldest or even most star-studded contemplation of either topic. Instead, it's a solid thriller that may repeat a few statements we've already heard, but does so with a stellar command of tension and tone. If the pressure-fuelled dramas of the '70s combined with the beat-the-clock action efforts of the '90s, something like Money Monster would be the end result. Lee Gates (George Clooney), the host of the financial TV program that gives the movie its name, certainly seems like a remnant from another decade. His show would've been huge in the late '00s, and his exaggerated on-screen persona, loud proclamations, cheesy costumes and skimpily clad back-up dancers along with it. But a week after one of Gates' hot stock tips crashes, Money Monster's live broadcast is hijacked by the gun-wielding Kyle Budwell (Jack O'Connell). The Queens delivery guy has lost all his savings, wants answers, and is willing to strap a bomb to Gates' chest to get them — while the world, and the show's director Patty Fenn (Julia Roberts), watch on. Screenwriters Jamie Linden, Alan DiFiore and Jim Kouf are content to litter their script with more than a few convenient, predictable developments: Gates knows the failing company's head honcho (Dominic West), Budwell has a pregnant girlfriend at home, and Fenn is about to jump ship for a job at a rival network. However director Jodie Foster (The Beaver) proves determined to let the unease of the situation, and the performances it inspires, drive the film. The result is a film that's stressed and enraged from beginning to end, content in the knowledge that its audience feels the same. Foster endeavours to capture the incredulous, furious reaction the bulk of the population had to recent economic circumstances, channeling it into one heightened scenario and bearing witness to the fiery results. Every technical choice, be it the grey sheen of the film's visuals, the swift speed of its editing or the terse beats of its score, is calculated to promote a very precise mood. Even when the formula behind the film is obvious – and even with Foster offering a few humorous moments to lighten things up – Money Monster still delivers an urgent, edge-of-your-seat experience. She's aided in her efforts by the top work of her cast. Playing charismatic and controlled, Clooney and Roberts demonstrate why they've stayed at the top of the acting game for so long, though it's O'Connell that commands attention. Against his high-profile co-stars, he proves a bundle of raw, restless energy perfectly suited to the film's tone.
If crowds aren’t your caper, but fine food is, then you'd best treat yo'self this New Year's Eve. At E'cco Bistro, you can sit back and relax, enjoy a six-course menu and end 2015 while savouring all things tasty. A glass of Louis Roederer on arrival will certainly set the mood, but this event is all about the culinary creations of head chef Simon Palmer. Start with crab and watermelon salad, then work your way through chicken liver parfait with chambord jelly and cranberries, as well as slow-cooked heirloom carrots with toasted tahini cake, buffalo curd and dukkah. There's more — including confit ocean trout with puffed fish skin, pomegranate, rye and tahini yoghurt, roast lamb with glazed eggplant, green tomato, labna and mint, and strawberries and cream. Don't worry, it's okay if your mouth is watering while reading this.
It has only been five years since the Stones Corner Festival launched, unleashing a day of food and music on the inner east; however it has swiftly become one of the city's must-attend street fests. With the 2018 event fast approaching, they've announced the first taste of things to come on May 6. And, like last year, it comes local legends and a beer garden. In fact, the latter was such a hit when it was introduced in 2017, that this year it's going to be even bigger. Leading the music lineup is Custard, once more turning the festival into a celebration of one of the city's best and longest-running bands. They'll be joined by The Mavis's as part of a 20th anniversary reunion tour celebrating their ARIA-nominated 1998 album Pink Pills, plus Screamfeeder, Diana Anaid, Shag Rock, Eliza & The Delusionas and The Brains Trust, with others set to be added before the event. As for that huge outdoor drinking area on the corner of Logan and Old Cleveland roads, expect it bring together a host of breweries and wineries, including a ticketed VIP experience with Canadian Club & Byron Bay Brewery. Food trucks, market stalls, a petting zoo and a range of activities will round out what's shaping up to be another great day out, all on a Sunday that's oh-so-conveniently before a public holiday. Image: Stones Corner Festival.
The Russian Resurrection Film Festival is back for 2015, showcasing the best of Russian cinema from Vladivostok to Moscow. The largest festival of Russian filmmaking anywhere outside of the motherland, this year's lineup features a wide mix of genres and includes a program stream dedicated to classic and contemporary war films. Because nobody makes war movies like the Russians. Headlining the program is Dmitriy Meskhiev's Battalion, which tells the real-life story of the First Russian Women's Battalion during the height of WWI. Other films in the sidebar include 1959's Oscar-nominated Ballad of a Soldier, and Alexei German's 19756 epic 20 Days Without War, as well as the recent Russian-Ukrainian co-production Battle for Sevastopol — which opens the festival in Brisbane. Moving beyond the canon fire, other standouts on the program include Teacha, a thriller about a high school teacher holding her students hostage, and Sunstroke, a three-hour historical drama about the last days of the Russian Empire.
The annual Brisbane International Jazz Festival is back, and is set to steam up your chilly winter days. Australian and International jazz artists alike will be in town over three days of jazz jiving. A variety of award-winning acts will be leading the show, including jazz vocalist Erin Dickins, two-time Grammy Award-winner Ernie Watts, plus crowd favourites Trichotomy, The Vampires and Vince Jones Band. There are free events scattered around the program of events, however tickets for select shows should be bought sooner rather than later to avoid disappointment. The following links will take you to the appropriate sites to purchase tickets: Vince Jones (Friday May 31) , Ernie Watts Quartet (Saturday June 1), Trichotomy featuring Stephen Magnusson + The Vampires (Saturday June 1), Erin Dickins (Sunday June 2). There will be a number of venues showcasing the festival – for the full line up and details, visit the official website.
When Boxing Day rolls around each year, it brings sales, heat, a huge food hangover from Christmas lunch and a reminder to take down your festive decorations. Increasingly, it also sparks the beginning of the annual hot cross bun debate. Should those baked morsels of bread pop up on supermarket shelves the moment that the Christmas merriment is over? Does selling hot cross buns before the new year epitomise commercialism at its worst? Or should the tasty treats simply be available all-year-round, voiding the whole argument? Now, there's a new question to be bandied about: should you opt for traditional hot cross buns in a variety of flavours, or should you enjoy your them in ice cream form? Yes, the latter exists thanks to Woolworths, with the supermarket chain giving the whole notion of slinging hot cross buns at this time of year a summery twist. Currently available in stores, the limited-edition dessert features raisins, Australian cream and a ripple of flavour that tastes like hot cross buns. That's good news for everyone who loves their Easter treats in classic mode with fruit baked in, and bad news for anyone who prefers chocolate, salted caramel or basically anything other than raisins in their rolls. The tubs of hot cross bun ice cream aren't quite as decadent as New Zealand's version — a hot cross bun impaled on a waffle cone then filled with ice cream, which became available in 2018 at Auckland's Giapo. Still, if you love a good hot cross bun regardless of the time of year, then it just might be the new dessert to get you from summer until Easter. Image: Dallas Kilponen/PPR.
On the lookout for a dope new denim jacket? Or do you want to be rid of that weird-looking lamp taking up space in the living room? Then, by golly, you're in luck. The Garage Sale Trail works with local council partners Australia-wide to get as many trash-and-treasure troves happening on the same day as possible. In past years, more than 400,000 Aussies have taken part, and held more than 18,000 sales. While life is a little different in 2021, a huge array of events are still expected to open their doors to bargain hunters, selling more millions items. And, when the event returns across three weekends between Saturday, November 6–Sunday, November 21, online garage sales will also be part of the trail. According, whether you're buying or selling, you have two options: do so in person, or take the virtual route. It's only the second time ever that the Garage Sale Trail is going digital, too. And, digital tutorials are also on the bill, so you can learn everything from DIY wardrobe tips to hosting the best sale. Aside from the retro goodies up for grabs, the Trail is all about sustainability. Instead of ending up in landfill, unwanted clutter becomes a fantastic find. So get that tight pair of sunnies for peanuts and help the environment at the same time. The Garage Sale Trail began humbly in Bondi in 2010 and is growing bigger every year. There'll be a right slew of sales happening all around Brisbane, so keep your eyes on the event website — or register online to make a quick buck from your old junk and hang out with the friendly folks in your hood. [caption id="attachment_783811" align="aligncenter" width="1920"] Jo Lowrey[/caption] Images: Garage Sale Trail.
It's hard work seeing movies sometimes and it's actually pretty expensive to see just one, let alone a few. Thank your lucky stars because for the first time, the well-loved Flickerfest is in Brisbane showcasing the best shorts films from some of the world's most acclaimed filmmakers. For the past 21 years, Flickerfest has let its freakishly short film flag fly, but we are only having a taste of it now. Not to worry, the cinematic goodness is going to be held over a three night program, testing out the bite sized reels on keen Brisbane audiences. These aren't just any run-of-the-mill home videos, these Australian and international films have been given the nod by the Academy® and BAFTA, and were carefully selected out of the record amount of entries this year - a whopping 2200 (there's usually around 1500). If you lose attention quickly, you're a film buff, or you want to experience world class motion pictures in all their glory, you shouldn't look any further than the Flickerfest screens. It will be money well spent any way you look at it.
Global warming, renewable energy, sustainable farming and animal rights — these are just a few of the big topics on the agenda at this year's Environmental Film Festival Australia. Heading to Brisbane for three days on October 13 after a stint in Melbourne, the seventh edition of this green-themed film fest shapes up as the biggest one yet. Standout films on this year's program include Sonic Sea — about the effects of noise pollution on marine life — and Time to Choose, a climate change documentary by Oscar winner Charles Ferguson (Inside Job). Those of you with iron stomachs might also want to check out Bugs on the Menu, a sustainable food doco about exactly what it sounds like. In Melbourne they're even pairing it with a special gourmet dinner at Grub Food Van. Yum!(?)
Do your 2020 plans involve heading to the beach, hanging out with your friends and drinking cocktails? If so, you'll want to start the year as you mean to go on. No need to organise a last-minute coast trip, either — Riverbar & Kitchen is throwing a NYE Beach Party so you can sip beverages by the river and pretend you're staring at a sandy shore. On the menu: Coronita cocktails, so prepare to drink Coronita spritzes, corojitos, palomita and corona-ritas. What else would you want to knock back while you're wearing beachy outfits — and trying to win the best dressed prize? Entry is free, live music will get you dancing and, by virtue of Riverbar's Eagle Street Pier location, you'll be in prime fireworks viewing position. Head along on Tuesday, December 31, obviously — with the fun kicking off from 5pm.
Sometimes, waiting in line at a restaurant is inevitable. Heading out to dinner and planning ahead don't always go hand-in-hand, or maybe you're travelling, or perhaps you're simply keen on a particular type of popular cuisine. Of course, no one likes standing about, biding their time and hoping for a table. It might be a part of life, but even the most patient among us can get frustrated — particularly when your stomach is grumbling. Now, thanks to Google's latest feature, you can find out just what kind of delay you're in for — even when you're grabbing a bite to eat on the fly. The technology company has added estimated wait times to Google Search, expanding upon its popular times and live status function. You won't just discover when an eatery is typically busy, or how hectic it is at the moment, but when your chances are of getting a seat. The feature will also be rolled out to Google Maps, in excellent news anyone looking for some nosh while they're in an unfamiliar city or part of town. Almost a million places currently have their wait times included, as based on anonymised historical data, with that number set to increase. And, even if you're just trying to do something simple like treat yourself to something sweet, you can work out if that decadent dessert is really worth the wait.
As happens each and every year, more than a few Australian films will hit screens big and small throughout 2021. More than a few have already actually, given that the year is in its home stretch. Some have proven exceptional, others have earned the exact opposite description and plenty fall somewhere in the middle. But only one happens to be the best Aussie film of the year, as well as the homegrown title that's been grabbing attention since it was first announced in 2020. That movie: Nitram. Read the movie's moniker backwards, and you'll see why it started garnering plenty of notice before anyone had even seen it. Now, Aussies are getting the chance to watch the movie themselves — with the film currently screening in Australian cinemas where they're open, and then heading to streaming service Stan from Wednesday, November 24. When it was initially announced last year, the film sparked debate about whether any feature should explore this traumatic chapter of Australia's past. Now that the end result is here, it's both intense and exceptional, as well as extremely careful about its subject matter. The latter shouldn't come as a surprise given that Nitram reunites Snowtown and True Story of the Kelly Gang filmmaker Justin Kurzel with screenwriter Shaun Grant, who penned both movies. With their two earlier collaborations, Kurzel and Grant amassed an impressive history when it comes to tackling the nation's darker and thornier moments, and that doesn't change here. Only ever referring to the gunman responsible for murdering 35 people and wounding 23 others via the movie's moniker, Nitram steps through the lead up to those events in Port Arthur 25 years ago. Caleb Landry Jones (Three Billboards Outside Ebbing, Missouri) plays the eponymous figure, who lives with his mother (Judy Davis, The Dressmaker) and father (Anthony LaPaglia, Below), and finds a friend in a reclusive heiress named Helen (Essie Davis, Babyteeth). The film isn't specifically about the tragedy of April 28 and 29, 1996, instead focusing on the time leading up to those dates, but every Australian knows where the story goes from there. Earlier in 2021, Nitram became the first Aussie feature to play in the Cannes Film Festival's coveted competition in a decade. It won Jones the prestigious fest's Best Actor prize, too. And you can expect to hear more about it again — and for the movie to collect more shiny prizes — as Australia's film awards season pops up at the end of the year. Check out the trailer below: Nitram is currently screening in Australian cinemas where they're open, and will be available to stream via Stan from Wednesday, November 24. Read our full review.
UPDATE, March 26, 2021: Raw is available to stream via Stan, Binge, Shudder, Google Play, YouTube Movies and iTunes. Cinematic explorations of teen sexuality are fairly common. So is finding the horrific side of adolescent desires and urges. Indeed, there are plenty of scary big screen stories about teens battling their feelings as well as a deadly figure or force, with the filmmakers practically yelling "METAPHOR!" at the audience. But pairing such tales with cannibalism? That's something a little more unusual. Here's hoping that your stomach is empty, because Raw offers quite the filling meal. First, the rotting carcass in the room. When Julia Ducournau's debut feature screened at the Toronto International Film Festival last year, an ambulance had to be called to look after fainting movie-goers. Raw isn't actually the wall-to-wall gore-fest you might have been led to believe, but red bodily fluids do flow freely, severed limbs certainly feature, and downing rabbit kidneys with vodka is one of the more tame occurrences to fill the film's frames. Basically, the film isn't recommended viewing for those who easily get queasy. Thanks to its far-from-standard take on the savagery of growing up, however, it's absolutely vital viewing for everyone else. When the quiet and studious Justine (Garance Marillier) is dropped off at veterinary school by her vegan vet parents, she's awash with both excitement about what's to come and reluctance about leaving her old existence behind. Marillier delivers an astonishingly astute and fluid performance, and you can see both emotions swirling behind her expressive doe eyes. The look remains when Justine is dragged out of bed in the middle of the night as part of a hazing ritual, and when she's forced to attend a raucous, rave-like subterranean party. It flickers strongly when she's told, despite her protests, to eat meat, receiving absolutely no assistance from her older sister Alexia (Ella Rumpf) who also attends the same college. And, when Justine breaks out in a rash soon after gulping back her first mouthful, it positively beams from her gaze. With a ravenous appetite for dissecting what it means to chew upon adulthood when you're still just a teenage girl — one that aptly matches her protagonist's new craving for human flesh — Ducournau slices through the typical cliches to create a film that is both thought-provoking and a sensory feast. Saying that the movie is meaty might seem a little bit easy, but as its writer-director cooks up a distinctive platter of body horror musings – taking inspiration from genre king David Cronenberg while carving out her own space – such an adjective really couldn't be more fitting. To put it simply, if you have the constitution for it, you're going to want to consume every last morsel of Ducournau's film. Your eyes will drink in the visceral thrills that come from the bites and the splatter. Your ears will soak in a score that knows when to keep things simple and when to season with pounding pressure. Finally, your brain will hunger for more as it gnaws upon the onslaught of emotional and physical carnage. Bon appétit. https://www.youtube.com/watch?v=rDiVGDmgsFY
Throw on your robes, whip out your wand and fly your pet Hippogriff down to the BrisCentre in Paddington, where Pastel Palace will be hosting an enormous Harry Potter themed market. On Saturday March 26, Brisbane will be bustling with all manner of magical folk, selling everything local witches and wizards could possibly need. Even your Muggle mates will be welcome. Just nobody bring any trolls. The entrance to this pop-up Diagon Alley will be open from 1:30pm. Vendors will include Pastel Pixie, Kareki Art, Bonnie's Bathhouse, Enchanted Light and Ruby Kawaii, who'll be selling Potter inspired art, candles, soaps and accessories, as well as merch and memorabilia from the movies. There'll also be magical trivia and a costume competition, to help separate the wizards from the squibs. We just hope someone is stocking Bertie Botts Every Flavour Beans. Most vendors on site will have credit card facilities, but maybe bring a sack of galleons just in case. And if you're busy on the day, don't worry – unsold items will be made available for purchase online after the event. For more information about Pastel Palace's Evening at Hogwarts, go here. Via AWOL.
If only there was a comic about the fast food industry (Aqua Teen Hunger Force doesn't count!) when I started at McDonald's, I could've been contributing scoops for years now! Burger Force is the latest local independent comic that's sure to quench Brisbane's insatiable thirst for new talent. It's about a fast food chain with fries, and wait for it, spies. Oh yeah. We've always thought there was a greater power, us gullible humans. Turns out the rumours are true, masterminds are lurking in a secret bunker below Burger Berserker, ditching fries and sundaes for elaborate schemes to thwart such hilarious things as those damn pesky dating agency execs and cock-rockers. All hope for humanity will be lost unless the elite secret agents can become acquainted with stranger, Mercury, before time runs out. 'Would you like spies with that?' features storyboards and concept art from the strips of filmmarker Jackie's independent comic. Word on the street is that some fancy Aussie actors will be at the launch, as well as Brisbane's own Polytoxic, Briefs and The Brides of Frank. Indulge yourself at the Brew Wine Bar at 5.30pm on June 22 for the opening night celebrations. Burger Force is just like fast food – you know you want it, and it's tasty and fulfilling!
When Gang of Youths announced their upcoming Australian tour, there was something missing: a Brisbane show. There was a method to that madness, however. Rather than head to our fine city for any old gig — or bypass us completely — they're dropping by the Riverstage and just casually launching their own festival. That'd be A More Perfect Union, which will make its debut from 2.30pm on Saturday, November 24. In the fest's maiden outing, the band will be joined by a stellar lineup, with Luca Brasi, Jack River, Thelma Plum and Charlie Collins also taking the stage. Tickets go on sale from 11am on Thursday, August 9, and as well as nabbing entry into the Sydney outfit's very own day of music, you'll also be helping a good cause. From every ticket purchased, $1 will be donated to the Aboriginal Legal Service. Image: Sergey Osipov.
Whether you're the kind of person who likes chasing waterfalls, heading out on a challenging bush walk or venturing to a long stretch of sand for the day, the best all-day adventures are usually enjoyed in summer. And, now our work alarms are set for the year, we're as keen as ever to make the most of summer's sunshine-filled weekends. So, to make sure you squeeze every last drop of the season, we've teamed up with Jim Beam to bring you three essential items to pack on your next adventure. Don't forget the water, your best mates and a sun hat, of course. [caption id="attachment_796762" align="alignnone" width="1920"] Kendra Kamp; Unsplash[/caption] SWAP DIGITAL PICS FOR A REUSABLE FILM CAMERA If you're going to make this day trip a memorable one, then you'll need some happy snaps to capture all the best bits. And if you really want to immortalise that time you lived your best lives, why not ditch the digital in favour of a trusty (and very cute) film camera? This classic M35 number from Kodak is full of minimalist retro charm, boasting a fixed-focus lens and manual winding function. Plus, it comes in a range of playful colours that you'll be more than happy to show off while snapping photos of your out-of-town adventures. Be sure to pack a few extra rolls of 35mm film, and you'll be able to relive your day trip all over again when you get the shots developed. You can find a range of M35 cameras on Etsy from $99.35. PACK A LIGHTWEIGHT BEACH TOWEL We all love a good beach visit, but a sandy car for the drive home? Well, that's just never fun. Handily, you can avoid any extra grainy tag-alongs when you pack one of these sand-free beach towels from Aussie label Tesalate. They're made using a special high-tech fabric that repels sand, absorbs water easily and dries extra fast — all handy features when you're packing in a big day of activities. The full-size towels are also super compact, so they'll fit in your swag bag no matter how light you're travelling. And there are stacks of fresh, bold designs to choose from — including this breezy blue number inspired by dancing pool ripples ($79). [caption id="attachment_796763" align="alignnone" width="1920"] Arthur Poulin; Unsplash[/caption] MAKE A BATCH OF PICNIC-READY HIGHBALLS On any good day trip, you'll find yourself stopping somewhere to soak up the sights, whether you're overlooking sparkling ocean vistas, a majestic rainforest or a lush countryside view. And that's the perfect time to kick back and cheers the occasion with a crisp, summery highball. To make yourself a simple yet celebratory drink, prepare a flask of Jim Beam and lemon. Simply pour 15ml of lemon cordial per person and 30ml of Jim Beam bourbon per person into a flask. To ensure it's cool, you can prep the base and keep it in the fridge overnight before adding to a flask. Then, on your adventure, pour a serve of the batched base into your travel cups and top up with soda. You'll be ready to sip when you chance upon the ideal spot. Top image: Jesse Lindemann via Tourism and Events Queensland
If you missed the first Boy&Girl back in April 2014, you can be excused. The seductive pop-fuelled cabaret was one of the surprise hits of the year, and it sold out – fast – just to prove it. If you miss the show this time around, however, you won’t be as easily forgiven. Oscar Theatre Company brings gender-bending back in Boy&Girl 2: Mercury Rising for a steamier second season, and we’re giving you fair warning. Yes, the title intimates a raise in temperature, and with a bigger cast and bolder material, that’s hardly unexpected. A live band and an ensemble of over 30 singers and dancers will take to the stage to push boundaries – in performance, in physicality, and in who plays and sings which parts. Everything from Chicago and Cabaret to Beyonce and Bruno Mars features among the soundtrack, instantly getting pulses racing. This is sexy subversion that you can sing along to. You’ve never seen musical theatre quite like it.
If you've been making plans to revamp your style, but haven't been able to rustle up the coin, here's your chance. For two weeks, Hugo Boss will be hosting a mega sale at its outlet stores. You'll be able to score a further 50 percent off a massive range of premium clothing — from comfy t-shirts and soft sweaters to suave suits and women's dresses. Whether you're after a suit for a special occasion or looking to level-up your wardrobe, Hugo Boss's end-of-year outlet sale will have you sorted for a fraction of the fashion label's usual prices. You'll have to get in quick to score though, with the sale running from Wednesday, December 16 to Friday, January 1. Hugo Boss end-of-year outlet sale will run from Wednesday, December 16 to Friday, January 1. To find your closest outlet store, visit the website.
The World Press Photo Foundation is a global platform connecting professionals and audiences through raw visual journalism and storytelling. The organisation was founded in 1955 when a group of Dutch photographers organised a contest to expose their work to an international audience. Since then, the contest has grown into the world's most prestigious photography competition and global travelling exhibition. The 64th edition of the World Press Photo Exhibition will touch down in Brisbane this year and be on display at Brisbane Powerhouse from Saturday, June 26–Monday, July 18. The winners from this year's contest were chosen by an independent jury that reviewed 74,470 photographs by 4315 photographers from 130 countries — with more than 150 images from 45 photographers in 28 countries included in the exhibition. Taking top honours for 2020: Mads Nissen's First Embrace. The COVID-19 pandemic was always going to play a part in this year's batch of winners, with the image showing 85-year-old Rosa Luzia Lunardi being embraced by nurse Adriana Silva da Costa Souza at the Viva Bem care home in São Paulo, Brazil. This will be on display alongside other finalists, such as Luis Tato's stunning image of locust swarms in Kenya — and eye-catching images in other categories, such as contemporary issues, the environment, general news, nature, portraits and sports. [caption id="attachment_812191" align="aligncenter" width="1920"] The First Embrace © Mads Nissen, Denmark, Politiken/Panos Pictures[/caption] Top image: Fighting Locust Invasion in East Africa © Luis Tato, Spain, for The Washington Post.
Last night was the official launch of new place in town, Next Door Kitchen and Bar. Built with the aim of having a 1920's speakeasy feel, Next Door is going to be a unique new addition to the South Bank family. Harun Gencerler known for Ahmet's and Olé (both in South Bank) is the brains behind this new establishment. “Our goal is to create a cocktail bar with an emphasis on shared dining.” He said. Things you can expect on the menus include oysters with gin and cracked pepper, Gangster chicken wings, flash fried shrimp to start; and whiskey beef cheeks, pulled duck leg and slow-cooked lamb neck to share. Venue manager David Yates said the cocktail list had been designed to tell the story about the advancement of the modern cocktail. “The cocktail menu has been divided into three prohibition-inspired categories,” Mr Yates said. "Moonshine and Marketplace, Bootleggers and Baptists and Housemade Hooch (shared cocktails)." The decor has the 1920s classic style including smooth timber, vintage decor and mirror detailing. To make the most of your New Year Eve you should book in for a night of burlesque, dinner and undoubtedly prohibition-era debauchery. Shop B11 Little Stanley Street; 07 3846 6678; www.nextdoorkitchenbar.com.au
If you're a film buff, then you're also a travel buff. Even if you don't venture further than your nearest cinema, you're often journeying to other countries when you sit down to watch a movie. Thanks to the Cine Latino Film Festival, the sights and sounds of Latin America await Australian filmgoers in November, taking them on a trip to Argentina, Mexico, Uruguay, Cuba, Colombia, Peru, Venezuela, Brazil, Chile, Ecuador and the Dominican Republic. Australia's second Spanish-language film festival (after the Europe-centric Spanish Film Festival), the Cine Latino Film Festival will bring 26 titles from Central and South America to Aussie screens from November 14 to 29. The fun kicks off with You're Killing Me Susana, a marital comedy featuring Mexican star Gael García Bernal. Other highlights span a variety of genres and nations. Audiences can check out Inseparables, the Argentinian remake of French film The Intouchables, or get an authentic glimpse into prison romance in the Dominican Republic with Woodpeckers – about inmates from neighbouring jails communicating via their own form of sign language. Elsewhere, Cannes Critics' Week hit Gabriel and the Mountain combines documentary and drama to tell the true tale of a Brazilian traveller; Tales of Mexico asks eight filmmakers to spin stories about Mexican history; and Lost North tracks a man trying to find his girlfriend across the 900 miles between Santiago and the Bolivian border. Other notable titles include Peruvian musical-comedy Crazy in Love, Colombian paramilitary thriller Guilty Men, and Ecuador's submission to next year's foreign-language Oscar category Such is Life in the Tropics, about a battle between a land owner and squatters. The festival will also shine a particular spotlight on Argentinian and Mexican filmmaking in two specific program strands. The latter is a collaboration with the Hola Mexico Film Festival, while the former will thrill fans of familiar faces, with The Secret in Their Eyes star Ricardo Darín playing an Argentinian president in The Summit, and Gloria's Paulina García going soul searching in The Desert Bride. https://www.youtube.com/watch?v=gALX8_SHP68 The 2017 Cine Latino Film Festival will screen at Sydney's Palace Norton Street and Palace Verona from November 14 to 29, Melbourne's Palace Cinema Como and Palace Westgarth from November 16 to 29, and Brisbane's Palace Centro from November 16 to 29. For more information and to buy tickets, visit the festival website.
Step into the strange and seductive world of Greek cinema as it lights up the screen at Palace Cinemas in Brisbane, as well as locations around the country. Now in its 23rd year, the latest edition of the Greek Film Festival boasts an expectedly eclectic program, ranging from fiction features to documentaries and a couple of Australian productions as well. The festival will begin with an opening night screening of Worlds Apart, a romantic anthology film from writer-director-actor Christopher Papakaliatis co-starring Oscar winner J.K. Simmons. It's one of a number of critically acclaimed contemporary films on the bill, with skewering social satire Chevalier and darkly comic thriller Suntan both deserving of a look. Other highlights including a pair of local productions by Greek-Australian filmmakers, in bold religious drama Sacred Heart and medicinal marijuana documentary A Life of Its Own.
If your creative juices start flowing after a beverage or several, then you're probably a fan of Cork & Chroma. The BYO art studio has been hosting paint and sip sessions across Brisbane, Sydney and Melbourne for years — and now it's bringing the boozy, arty fun into your home. From Wednesday, April 1, Cork & Chroma is moving its alcohol-fuelled art classes online, so you can join in without leaving the house. The general setup remains the same, with each session teaching wannabe artists how to paint a specific picture. Whip up a gorgeous midnight scene, capture your houseplants on canvas, busy your brush painting Joshua trees or go manic for mandalas. Sessions cost $20 each, and are hosted by Cork & Chroma's artists — who'll be live-streaming their step-by-step painting instructions from 6.30pm AEST on select weeknights, and at 10am and 2pm on weekends. Classes are currently scheduled until the end of May. And if you're wondering about supplies, you can either use what you've got at home or you can order one of Cork & Chroma's new At Home Studio Kits. The latter comes in three sizes, setting you pack $60 for one person, $100 for two and $160 for four — and includes a range of acrylic paints, two canvases per person, and a palette and a set of brushes each. Pick them up from C&C yourself, or contact them about delivery options. As for the wine, beer, cocktails or whatever other booze gets you in the painting mood, you'll need to provide that yourself, as always. https://www.youtube.com/watch?time_continue=50&v=_7wmobTAPWY&feature=emb_title Updated April 25.
Next time you bust out your trivia skills, you'll do more than vie for bragging rights among your mates. At Fur Get Me Not's Animal Trivia Night Bushfire Fundraiser, you'll also be helping critters affected by the current Australian crisis. In other words, you'll be showing your love for all creatures great and small in two ways. Battle it out for trivia supremacy while answering animal-themed questions, and know that your entire $20 entry fee will be donated to WIRES Australian Wildlife Rescue. Given the extent of the current devastation, WIRES has been especially busy assisting wildlife over the past few months. [caption id="attachment_756832" align="aligncenter" width="1920"] Fur Get Me Not[/caption] Know everything there is to know about animals, and eager to do your part via a competitive quiz? You'll want to head along at 7pm on Saturday, February 1. You'll also need to book in advance — and if you don't have seven friends to make a team of eight, prepare to make some new two-legged pals on the night. Attendees can BYO food and drinks, including booze — and cash to take part in other fundraising games on the night.
Leonardo DiCaprio making his first movie in four years, a swaggering Brad Pitt spitting out wry dialogue, 60s showbiz laid bare, and Australians Margot Robbie and Damon Herriman playing Sharon Tate and Charles Manson — it must be Quentin Tarantino's Once Upon a Time in Hollywood. One of 2019's most anticipated titles, the acclaimed filmmaker's ninth stint behind the camera travels back five decades to tell the tale of fading TV star Rick Dalton (DiCaprio), his trusty stunt double Cliff Booth (Pitt), his neighbour Tate (Robbie) and an industry that's changing fast. Set in Los Angeles in 1969, it's a story that charts the end of Hollywood's golden age, the Manson Family murders and everything going on around Tinseltown at the time. Tarantino loves jumping into the past — thanks to Inglourious Basterds, Django Unchained and The Hateful Eight, this is his fourth consecutive period piece — but he might've found his ideal niche. For this journey back to fame, fortune and crime gone by, he's also amassed a who's who of the film's titular town. Get ready — it's a long list. Tarantino regulars Kurt Russell, Tim Roth, Bruce Dern, Zoe Bell and Michael Madsen all feature, as well as Dakota Fanning, Lena Dunham, Al Pacino, Timothy Olyphant, James Marsden and the late Luke Perry. Nodding not only to Hollywood's past and present, but to its future, up-and-comers Maya Hawke and Rumer Willis also pop up (they're the daughters of Uma Thurman and Ethan Hawke, and Demi Moore and Bruce Willis, respectively). Basically, Tinseltown today delves into Los Angeles' darker days, a behind-the-scenes Hollywood caper meets US crime history, and Tarantino might've taken some inspiration from the Coen Brothers' Hail, Caesar! — at least if the ace and amusing initial teaser for Once Upon a Time in Hollywood is any indication. The film is set to be premiere at the Cannes Film Festival in May, before releasing worldwide from late July. Check out the first sneak peek below: https://www.youtube.com/watch?v=gsL_spv4yEw&feature=youtu.be Once Upon a Time in Hollywood releases in Australian cinemas on August 15. Image: © 2018 CTMG, Inc. All Rights Reserved.
Returning for a second year after a widely-publicised Parklife rebrand, national electronic dance music festival Listen Out has locked in dates for another year. Spearheaded by organisers and promoters Fuzzy (the team behind Field Day, Shore Thing and Harbourlife), Listen Out marked its debut last year to generally upward thumbs and rants about Azealia Banks' smokebomb. Stopping by Sydney, Perth, Melbourne and Brisbane in spring, Listen Out's so-called 'boutique' set-up will "showcase the best dance music in a small but perfectly formed setting," according to Fuzzy. The nationally-touring festival will return to Sydney's Centennial Park, Perth's Ozone Reserve and Melbourne's Observatory Precinct, with a change in Brisbane venue from Southbank's Cultural Forecourt to the Brisbane Showgrounds. Headlined by staggeringly popular UK duo Disclosure last year with highlights including Azealia Banks (very briefly), AlunaGeorge and Classixx, the roaring pub debates will simmer until the lineup announcement to come. LISTEN OUT 2014 DATES AND VENUES: SYDNEY — Saturday 27 September, Centennial Park PERTH — Sunday 28 September, Ozone Reserve MELBOURNE — Saturday 4 October, Observatory Precinct, Royal Botanic Gardens Melbourne BRISBANE — Sunday 5th October, The Avenues & Expo Place, Brisbane Showgrounds Full lineup announcement and ticket details to come. Image by Dominic Loneragan.
Having said au revoir to the French Film Festival, it's now time to slip over the border into Spain. Returning to Palace Cinemas around the country, this year's Spanish Film Festival will once again showcase some of the biggest and most critically acclaimed Spanish and Latin American films from the past 12 months. How's that for a cinematic siesta? The festival — which will feature at the CBD's Palace Barracks and Palace Centro in Fortitude Valley — begins with the highest grossing film at last year's Spanish box office: rom-com sequel Spanish Affair 2. Other comic standouts include espionage spoof Spy Time, madcap ensemble My Big Night, and dark domestic comedy Happy 140. Of course, not everything on the program is quite so light and breezy. Critically acclaimed drama Much Ado About Nothing confronts legal and political corruption in modern day Chile, while Ma Ma stars Penelope Cruz in one of her most nuanced roles to date, as a put-upon single mother diagnosed with breast cancer.
He's directed a mockumentary about sharehouse-dwelling vampires in Wellington, one of the most offbeat and adorable fugitive films there is, and the best big-budget blockbuster about a certain cape-wearing, hammer-wielding Norse god- turned-superhero that's reached screens so far. Now, after winning hearts and laughs with not only What We Do in the Shadows, Hunt for the Wilderpeople and Thor: Ragnarok, but New Zealand comedies Eagle vs Shark and Boy too, Taika Waititi has turned his attention to making fun of Hitler. His latest movie is called Jojo Rabbit, with the beloved filmmaker not only writing and directing, but starring as the Nazi. It's a satire, obviously, following a bullied but nationalistic young German boy called Jojo (newcomer Roman Griffin Davis) who discovers that his mother (Scarlett Johansson) is hiding a Jewish girl (Thomasin McKenzie, Leave No Trace) in their attic. He doesn't quite know what to do, so he asks the obvious person for help: his imaginary friend Adolf Hitler. World War II-set films are a very common sight on the big screen, so if you feel like you've seen every possible take on that period of history, Jojo Rabbit is here to change your mind. As the just-released first teaser for the movie shows, this isn't your usual grim, serious war flick. Premiering at the Toronto International Film Festival in September, and based on the book Caging Skies by Christine Leunens, it's being badged as an "anti-hate" comedy, should you need more of an idea of the tone that Waititi is going for. As well as the writer/director himself, the film co-stars the high-profile likes of Sam Rockwell, Rebel Wilson, Stephen Merchant and Alfie Allen. It's not the only project that Waititi has in the works — it was just announced last week that he'll be directing the next Thor film, Thor: Love and Thunder — but it is the only one where he gets Hitler to call himself a lunatic and a psycho. Check out the trailer below: https://www.youtube.com/watch?v=VTqd4yNFuSw Jojo Rabbit releases in the US on October 18 and it doesn't yet have an Australian release date — we'll update you when that changes.
Rebecca Ross' new exhibition, Grid Trip, is an embodiment of the artists time in Rome last year. Her artwork uses the motif of the grid as a way of recording and expressing her travels. Colourful pieces with bold intersecting lines serve to depict select moments in time and map out Ross's travels over the past year. A few of the works on show are finished products that she commenced whilst studying at the British School at Rome. Included in her influences are major fashion houses such as Gucci and Prada, as well as a wide array of artists, making this show an eclectic exhibition. Her artworks reflect the chaos of travelling in an organised way. Each piece encapsulates the colour and scope of her travels whilst recording latitude and longitude. Get lost in the intricate world of Ross' artworks. You can view the vivid colours and carefully thought out complex designs at her exhibition from 19 April – 11 May.
UPDATE: APRIL 1, 2020 — Due to government restrictions on public gatherings, the Suitcase Rummage event on April 4 is no longer going ahead. Instead, Suitcase Rummage is hosting an online market via its Instagram account. You can find more details here. If one man's trash is another man's treasure, then a trunk full of junk may as well be a treasure chest. Suitcase Rummage gets that when it comes to shopping, second-hand reaps the best bang for your buck. For years, it has been hosting regular events around town, and now it's back for 2020. Next happening from 12–5pm on Sunday, February 16 at Brisbane Square, the event will feature a crowd of open suitcases filled with the type of clothes, knick-knacks and craft you probably don't need but definitely deserve. If you can't make it this time around, try again on the first and third Sundays of each month — and, if you've got a pile of unwanted bits and pieces that someone else could love, you could always take your own suitcase along. [caption id="attachment_760661" align="aligncenter" width="1920"] Suitcase Rummage[/caption] Those who wanting to sell their wares must register — and it'll cost $25 for a 'stall'. You can bring up to three suitcases, so you can lug in all those shoes you've been promising to wear but certainly will not. Top image: Yan Chen via Suitcase Rummage.
Spend a night in Fortitude Valley listening to bands, help Brisbane recover from the past week's devastating weather: that's on the agenda at The Zoo on Friday, March 4. To support the city, plus flood-affected regions in Queensland and New South Wales in general, the Ann Street venue has quickly thrown together a big fundraiser gig that it has dubbed Float On — and if you head along, you'll pay your way in by making a donation. The show is only doing tickets at the door, and only selling them via donation — with a $5 minimum entry fee. But the more you spend to get in, the more you'll be giving to a hugely worthy cause, with all ticket sales donated to GIVIT's campaign in partnership with the Queensland Government to help those affected by the current storms and flooding. On the bill: acoustic performances from The Dreggs, Peach Fur, Young Lions, Brixton Alley, Mozza, Cooper Riley from Bad Neighbour and The Dandy's, with doors opening at 6.30pm. Everyone involved, including the artists, organisers and the venue, have all donated their time — so 100-percent of the cash raised is going to those in need. The Zoo is also donating a portion of the proceeds from every Young Henry's schooner and Zoopreme Pizzeria pizza sold to GIVIT, too, so your brews and bites to eat will help out as well. Plus, you can also enter a flood-relief raffle on the night, with prizes donated by Ball Park Music, The Jungle Giants, Bugs, Hope D and more up for grabs.
With winter finally digging its claws in, there's nothing like a quality, spiced spirit to get you through those long, cold nights. Luckily, Baron Samedi — not only an Haitian voodoo spirit, but a spirit of the liquid kind too — is coming to your rescue. Having popped up in Sydney last month, the good ghost is making his way north to Brissie. You'll find him in residence at West End's London Fields, serving up cockle-warming cocktails featuring Baron Samedi Spiced, ginger beer, lime and bitters, as well as cups of Voodoo Punch. Yet to be acquainted with Baron Samedi Spiced? Well, it's a Caribbean spirit laced with an exotic mix of spices, including vanilla, cacao, cinnamon and Haitian native, vetiver. Its namesake, Baron Samedi, is a master of all trades, from voodoo to guédé to gatekeeper of the afterlife. We're afraid we'd be ruining the fun, were we to let you in on too many more specific details. But we will say that on July 1 and 2 there'll be special appearances from some colourful characters. So get on down to London Fields this winter and experience Baron Samedi Spiced for yourself.
Sometimes, getting out of your car to purchase food is just too much effort. For those occasions, humanity invented the drive-thru. It's a fast food staple, and the concept has been getting quite the workout during the pandemic — so, when a drive-thru dedicated to lasagne first popped up, it felt inevitable. Now, with Brisbane back under stay-at-home conditions until at least 4pm on Sunday, August 8, Brisbane's lasagne drive-thru is back. From Wednesday, August 4, it'll be serving up layered pasta with bechamel sauce again right through until Saturday, August 7. If lockdown is extended again, though, the drive-thru will stick around longer. The venture is the latest project from Jerome Dalton, owner of Dalton Catering and — since July 2021 – of CJ's Pasta as well. The latter no longer operates as a bricks-and-mortar business, instead focusing on selling pasta to restaurants and wholesalers. But for folks at home who love a bit of lasagne, CJ's Pasta now lets you roll up to Fortitude Valley's Prospect Street in your car, remain seated, and take home one of three different lasagnes (or a mixture of the trio). The idea first came about in response to Brisbane's March lockdown, with the drive-thru kicking into action while everyone was staying at home for three days. When it proved popular, Dalton brought it back every Friday afternoon. And now, with a longer lockdown currently in place, it's clearly prime drive-thru lasagne time. Brisbanites can choose from beef lasagne, sand crab lasagne, and black truffle and beef ragu lasagne, all of which come in one-kilogram servings paired with focaccia. Prices range from $50–60, or you can grab all three for $120. Different types of freshly made pasta are also on offer, ready for you to cook and add to sauce at home. So are salumi boxes filled with mortadella, salami, aged pork, bread and pickles. If you're keen, you'll need to order in advance via phone, then motor on over to pick up your ready-to-eat meal. You can still try your luck by just showing up with without preordering, but you'll be getting a chilled lasagne that you'll need to heat up at home. Also, this time around, the drive-thru is also setting up what it's calling a 'slide-thru' — which'll give free meals to hospitality workers every Saturday during lockdown, from 5.30pm until there's no lasagnes left. Ordinary customers can also donate to the 'slide-thru' fund to help CJ's Pasta give out even more dishes to folks doing it tough in the hospo industry. Find the CJ's Pasta Lasagne Drive-Thru at 22 Prospect Street, Fortitude Valley from 2–5pm on Wednesday, August 4, and from 12–5pm from Thursday, August 5–Saturday, August 7. The 'slide-thru' will operate from 5.30pm on Saturday, August 7. If lockdown continues, the drive-thru will run from 12–5pm Tuesday–Saturday weekly, and the 'slide-thru' will pop up every Saturday from 5.30pm.
They played the first game of their 2023 Women's World Cup campaign in Sydney. They took on Denmark there in the round of 16, then England in the semi-final loss. The next reason that the Matildas will hit the Harbour City: a match against China PR on the way to the 2024 Paris Olympics, and also for goalkeeper Mackenzie Arnold and coach Tony Gustavsson to take to the Vivid stage. The duo are on the already-packed Vivid Sydney 2024 lineup for a Vivid Ideas session at Sydney Town Hall on Monday, June 10. At Champions of Change: Mackenzie Arnold and Tony Gustavsson, the pair will have plenty to talk about — all things Matildas, of course, including the team's achievements over the past year, the challenges along the way, the squad's impact, the pressures and the coach-athlete dynamic. What has the last 12 months been like for the Matildas? How does it feel to represent your company on the global stage? What do the Matildas' successes — and the love showered their way — mean for women's sport? They'll all get a mention, too. Arnold and Gustavsson's addition to the Vivid lineup comes after Amy Poehler recently also joined the bill, to discuss her career and the upcoming Pixar sequel Inside Out 2.
It's not every day that an inner-city street shuts down for an onslaught of queer music and fun. No, just Big Gay Day. Hitting its 22nd year in 2022, the annual event will return to The Wickham and the surrounding roadway on Sunday, May 1 for an afternoon and evening of tunes and celebratory mayhem. Stand amid the Big Gay Day crowd and it feels like absolutely everybody is there. This year, on the stage, 'Absolutely Everybody' singer Vanessa Amorosi will be on of them. On the bill, she's joined by Courtney Act, Faker, DJ Glitter, Kinder and Jawbreakers, as well as Super Disco Club, Ellen Reed, Sellma Soul, Being Jane Lane, Garret Lyon and Beks — plus DJ Dolly Llama, Vollie and Friends, Coast to Coast Drag Bingo and Cult Burlesque. This hefty lineup of performers, musicians, DJs and drag stars will be taking to the stage to mark Big Gay Day's 2022 rainbow galaxy concept. This is the first time the fest has gone with a theme, and it's aiming to go as out of this world as it can with the notion. The event has proven to be the city's most colourful and diverse street festival for the past two decades, after all, and will no doubt continue to be so again in 2022. As always, there'll be carnival acts, multiple performance spaces, food trucks, themed pop-up bars and plenty of partying people on the agenda, as well as raising funds for LGBTQIA+ community charity partners Diverse Voices and 2Spirits. Tickets go on sale on Thursday, March 17. Updated March 15.
There's usually a bandwagon of popular music lovers that get on board the good ship 'BDO' every year, but for the first time in forever, loyal attendees have rejected the most recent lineup despite it being pretty impressive. Admittedly, the hike in ticket prices and the economic pinch have seen festival numbers plummet in recent years, but there should be no excuse not to see Soundgarden, Kasabian and perennial crazy lead man, Noel Gallagher, who is flanked by his High Flying Birds. It feels like a nostalgic lineup from 2 years ago with Hilltop Hoods back in their usual slot on the main stage, as well as the Getaway Plan, Girl Talk and Bluejuice who all shared the bill back in 2010. Also returning are My Chemical Romance, The Jezabels, The Living End, Frenzal Rhomb, Regurgitator and Faker. Some newcomers to Australia's arguably biggest music cohort are Foster The People, Das Racist, Cage The Elephant, Best Coast, Boy & Bear, Kimbra, Royksopp and The Vaccines. In true style, I've left the best til last. Joining the epic list before you is also Odd Future (OFWGKTA), who are coming to our fine land despite being banned from New Zealand due to their lyrics; they are still killer on stage. And finally, the humongous draw card for me/everyone is one Mr Kanye West who, after absolutely blitzing it at last year's Splendour In The Grass, is returning to no doubt plug his massive release with Jay-Z, Watch The Throne, as well as smash out some old tracks plus those from his critically acclaimed 2010 record, My Beautiful Dark Twisted Fantasy. If you need any reason to go last minute, Yeezy should be that reason!
Grief. Love. The desire to protect one's family. Nothing is sacred in the films of Yorgos Lanthimos, and nor should it be. The ringleader of Greek cinema's so-called weird wave, the writer-director is adept at exposing the pretence and routine at the foundations of our society, and revealing the transactional side of modern-day life. While completely his own distinctive creations, Lanthimos' absurd, audacious movies recall the work of auteurs like Stanley Kubrick, David Lynch and Michael Haneke, as he strikes at the very heart of what it means to be alive. Driven by needs and wants, and self-serving to a truly horrifying degree, his vision of humanity as seen in The Killing of a Sacred Deer is unmistakably bleak. When cardiologist Steven Murphy (Colin Farrell) and teenager Martin (Barry Keoghan) meet for a meal, their conversation is distant but well-meaning. They're not close, though the right sentiments appear to be in place — a kindly adult looking out for a somewhat wayward youth. But before long, Martin's demand for Steven's attention increases, intruding into the doctor's professional and domestic bliss. The boy comes over for dinner, and meets Steven's ophthalmologist wife Anna (Nicole Kidman), and children Bob (Sunny Suljic) and Kim (Raffey Cassidy). Soon after, Steven dines at Martin's house, fending off some obviously orchestrated advances from his mother (Alicia Silverstone). Then Bob mysteriously falls ill — and Martin issues an ominous warning. The awkwardness you feel when someone answers a question a little too brusquely: that is Lanthimos' domain. So too is the sense of unease that lingers when you know, deep down, that you're just going through the motions with your loved ones, friends and colleagues. Like Dogtooth, Alps and The Lobster before it, the filmmaker's latest is filled with examples that show how automatic, insincere responses, designed to help us get what we want with minimal fuss, comprise most of our daily encounters. That said, The Killing of a Sacred Deer also comes with a particularly chilling twist. As conveyed through the twisting narrative as well as Lanthimos' aesthetic trademarks — glossy visuals, an icy mood and purposefully stilted performances — the leap from pleasantries and small talk to making tragic, life-altering decisions is a very short one indeed. Of course, there's more to the movie than the plot laid out above — one which, at the thematic level, smartly and savagely toys with accountability, sacrifice and revenge, and is partially inspired by Greek mythology. But discovering where Lanthimos takes this dark, discomforting tale is part of the unsettling joy of watching. There's not only tension and intrigue in the film's terse exchanges and increasingly brutal stakes, but ample black comedy as well. The Killing of a Sacred Deer presents a moral quandary that turns commonplace interactions into a map of how ludicrous, cruel and calculating our existence can be, while also laying bare the costs and consequences of our actions. Faced with that reality, the audience can do little more than laugh. Thankfully, the cast couldn't be better suited to guiding viewers through this uniquely unnerving, often amusing experience. At times, Lanthimos shoots them from a distance, dwarfed by picture-perfect hospital hallways and suburban houses. In other moments, they're so close that you can almost feel the rapid beating of their pulse. Like their director, Farrell, Kidman and Keoghan all find the sweet spot between detached and invested, as though they're navigating a hazy waking nightmare. Still, as fantastic as the work of the two big-name stars may be, viewers will want to keep their eyes firmly on the young man from Dunkirk. Mixing menace and vulnerability with near-alarming precision, Keoghan is undoubtedly a star in the making — and here, he will chill you to the bone. You won't forget his performance easily, nor the jaw-dropping film in which it's found. https://www.youtube.com/watch?v=UVeYmGliO4Y
It's a space usually reserved for local crime alerts, missing persons' notices and the odd cringeworthy dad joke, but the Victoria Police Facebook page stirred up quite the social media frenzy last week, when it popped up a public poll asking one little question: "When using a fast-food outlet's drive-thru service, can I use my phone to pay?" https://www.facebook.com/victoriapolice/posts/2927840057288111 A bit of a frenzy followed, as 55,600 votes came flooding in. Victoria Police, mercifully, gifted us with the answer a few hours after the initial August 2 post, dropping this bombshell: "No. Using a handheld mobile phone while driving carries a $484 fine and accrue four demerit points." They go on to explain, "If you intend to use your mobile phone to pay at the drive-thru window, apply the hand brake, switch the engine off and then access your mobile phone. In doing so, you are not considered driving." Punters haven't seemed overly happy with the response, or the news that using a smartphone to tap and go might not always be quite as "convenient" as it's cracked up to be. Plenty of commenters argued that the law was bizarre and needed to be reviewed — words like "pathetic", "revenue raising" and "dumbest thing I've ever read" were thrown around a whole lot. It seems Victoria's not alone, either. The NSW Government has similar legislation, telling Concrete Playground: "It is illegal to use a hand-held mobile phone at any time while driving or riding. If you want to use a hand-held mobile phone your vehicle must be parked out of the line of traffic." And as for that Macca's run? "Mobile phone rules apply to drivers on all roads and road related areas. A road-related area is an area that is open to or used by the public for driving, riding or parking vehicles and therefore includes Drive-Thrus," the NSW Government confirmed. If you do decide to tap and go with your phone in NSW, you could be fined $344 and five demerit points. While the Queensland Government hadn't respond to Concrete Playground's request for a comment at time of publication, its website states that you can only use a mobile phone "held in your hand" if you are legally parked. If you do use your phone, you could be fined $400 and penalised three demerit points. So, next time you have a late-night junk food run remember to whip out the plastic (or cash) instead. To find out more about the use of mobile phones in cars in your state, head to the Transport for NSW, Vic Roads and Queensland Government websites.
