Computing technology has long been praised for its potential paper-saving powers. Now, it's taking on air pollution. We know that the capacity for air purification is probably not the first thing that most laptop shoppers take into consideration. But, when you think about, why not? Why work in a cloud of cigarette smoke, city smog, dust or unpleasant aromas, when your brain (and nasal passages) could be benefitting from clean air? Well, that's the opinion of the designers of the new Fujitsu Lifebook AH78, anyway. Their creation is the world's first laptop to contain an air purification unit. Called a 'nanoe', it's produced by Panasonic. According to Fujitsu, company testing indicates that the nanoe reduces odours and allergens (including fungi, pollen, mold, viruses and mites) by 99% in an area of one square metre around the Lifebook. The technology is already available on Fujitsu's desktop PCs, so it's had a bit of a run in homes around the world. Its introduction to laptops means that those liable to allergic reactions and/or intolerant of nasty smells can work in public spaces in greater comfort. Fujitsu America's Vice-President of Mobile Management and Marketing, Paul Moore, is also excited about the Lifebook AH78's sleek 15.6 inch design. 'Design considerations for the future - delivering a device that fits the decor and can accomplish multiple tasks,' he said. 'Design is critical. Gone are the days when a PC looked like a piece of office equipment.' [via PSFK]
This could be love: a classic 80s film that's been adored for decades, a new date with the big screen, and a live band and singers bringing its soundtrack to life as you watch. Dirty Dancing in Concert isn't new to Australia, but it keeps returning to tour the country because the movie at its centre is one that audiences can't get enough of. If you're a fan, you'll know which phrase fits: ideally, you'll have the time of your film-watching life. In September and October 2025, Patrick Swayze and Jennifer Grey will dance up a storm in the 1987 romantic drama. While the tour is clearly hoping that you've never felt like this before, that'll only apply if you didn't go to 2022's or 2023's shows. Whether you're a Dirty Dancing in Concert first-timer or returning after seeing it before, you'll not only see the movie — you'll also hit up the party afterwards. Accordingly, as you celebrate one of Swayze's biggest and most-charming film roles, you'll be immersed in the world of the picture from the moment that you take your seat. Although no one will be carrying watermelons or checking into Kellerman's Mountain House in the Catskills, the digitally remastered feature will grace the big screen, its iconic songs will get a workout live, then the musicians will stick around afterwards to headline a party that'll naturally have you singing and dancing. If you're feeling adventurous and inspired by the movie, you might even want to try to recreate the famous lift. Here, nobody will put you or Francis 'Baby' Houseman in a corner — and you'd be just a fool to believe otherwise. Your hungry eyes will soak in Baby's first taste of dirty dancing, her eager rehearsals and her growing infatuation with Johnny Castle, as well as her parents' bitter unhappiness about the entire situation. This blast-from-the-past affair has dates locked in for Sydney, Adelaide, Perth, Brisbane and Melbourne — on Saturday, September 6 at the Darling Harbour Theatre, ICC Sydney; Saturday, September 20 at Adelaide Entertainment Centre Arena; Sunday, September 21 at Riverside Theatre, Perth Convention and Exhibition Centre; Saturday, October 4 at Brisbane Convention and Exhibition Centre; and Thursday, October 9 at Hamer Hall, Arts Centre Melbourne. Around the world, Dirty Dancing in Concert has staged more than 200 sessions so far. Dirty Dancing in Concert 2025 Australian Tour Saturday, September 6 — Darling Harbour Theatre, ICC Sydney Saturday, September 20 — Adelaide Entertainment Centre Arena, Adelaide Sunday, September 21 — Riverside Theatre, Perth Convention and Exhibition Centre, Perth Saturday, October 4 — Brisbane Convention and Exhibition Centre, Brisbane Thursday, October 9 — Hamer Hall, Arts Centre Melbourne Dirty Dancing in Concert will tour Australia in September and October 2025 — head to Ticketek for tickets and further details. Dirty Dancing in Concert images: Zdenko Hanout.
We all know there are items we shouldn't be stockpiling right now, but when we're all spending more time at home than usual it's probably a wise idea to stock up on some creature comforts — whether that's making a long list of shows we're planning to binge watch or stocking up the cellar with our favourite wines. Online cellar door Naked Wines launched in 2012 with the aim of connecting at-home wine drinkers with winemakers across Australia and New Zealand. Since then it's grown to include more than 53 winemakers and more than 100,000 'wine angels' — people who pay $40 a month to their Naked Wines account to use as credit to support the wineries they like and to receive discounts on bottles of vino. And those winemakers include the likes of Enfant Terrible from Adelaide Hills, Le Petit Mort from Queensland's Granite Belt and Hilltops, NSW, plus Blindside from Margaret River. You can order cases of six, 12 or 15 bottles. If you're based in Sydney, Melbourne or Perth, Naked Wines could be winging their way to you by the next working day. For Adelaide, Brisbane and Canberra, delivery is within two-to-four business days. It's also free delivery for members if you're in Melbourne, Sydney and Perth, however there are delivery costs of up to $20 outside of those cities. And, as we're all in need of a little comfort right now, we've partnered with our friends at Naked Wines to offer first-time Naked Wines customers over 18 a $100-voucher to spend on your next case of wine. Simply head to this link to make your purchase and double-check the conditions below. To use the voucher you must be 18 years or older. The voucher entitles first-time Naked Wines customers to $100 off their first order of 12 bottles. All orders are a minimum of 12 bottles, and a minimum spend of $155.88. Not to be used in conjunction with any other offer or promotion. *Next day delivery is available to Sydney, Melbourne and Perth metro areas for orders placed before 3pm. Naked Wines does not ship to Northern Territory. Delivery not included. Offer is subject to change. See website for full Terms and Conditions. This story includes affiliate links, which means Concrete Playground may receive a small commission if a reader clicks through and makes a purchase. This does not influence our editorial recommendations or content. For more info, see Concrete Playground's editorial policy.
If you've ever caught two planes, three boats and four different stomach bugs to get to an impossibly blue water, white sand, out-this-world island off the coast off Southeast Asia, you've probably felt its beauty is so paramount that you, mere mortal, weren't even supposed to be there. And as it turns out, you're not. Koh Tachai is the latest small island to feel the sting of strong tourist numbers — so much so that Thai authorities are closing it completely. You can just close an entire island? You sure can. According to the Bangkok Post, the island, which is part of the Similan National Park off Phang-nga province on the west coast, will be a total no-go zone for all visitors starting October 15. This includes the shoreline, beaches and reefs too. The decision to close the island is an attempt to ease the negative effect of tourism and too much human impact on the fragile piece of paradise. The coral reef is one of the best in the world, and attracts a lot of divers and tourists in high season. At times there would be over 1000 people on the beach when, technically, it was only meant to hold 70. "Thanks to its beauty, Koh Tachai has become a popular tourist site for both Thai and foreign tourists. This has resulted in overcrowding and the degradation of natural resources and the environment," Tunya Netithammakul, director general of Thailand's Department of National Parks, Wildlife and Plants Conservation, told the Bangkok Post. "We have to close it to allow the rehabilitation of the environment both on the island and in the sea without being disturbed by tourism activities before the damage is beyond repair." Shutting down an entire island is a drastic measure, but it's part of a growing trend to limit the numbers of people visiting high traffic tourist sites. Earlier this year, Cinque Terre announced they would be capping visitors at 1.5 million to preserve local culture. Something to think about before you plan your next exotic getaway. Via Bangkok Post. Image: Mu Ko Similan National Park of Thailand.
Art exhibitions are fleeting, gracing walls and halls for just days, weeks or months at a time, then moving elsewhere or never being seen again. The Lume, Melbourne's multi-sensory digital art gallery, is also set to be a brief addition to Australia's cultural scene. The venue opened in 2021, and has now announced that it will shut its doors in 2026, after deciding not to extend its lease at the Melbourne Convention and Exhibition Centre. Whether you're an art lover based in the Victorian capital or elsewhere around the country, you've now got just over a year — before January 2026 — to head by. Until early December 2024, Leonardo da Vinci — 500 Years of Genius is filling The Lume with a tribute to the iconic artist. Then, come Boxing Day 2024, the site is bringing back its Vincent van Gogh exhibition, complete with The Starry Night projected large, taking over an entire room; the immersive Sunflower room, where golden petals stretch as far as the eye can see; an immersive cafe inspired by the artist's Café Terrace at Night; and more. "The Lume Melbourne's lease at the Melbourne Convention and Exhibition Centre was up for renewal in January 2026, and we have made the decision to not extend the lease beyond that time. This decision, made in alignment with our parent company Grande Experiences, reflects our ambition to explore new directions and technologies that build on our success here in Melbourne," said the team behind the gallery in a statement. "Since opening in November 2021, The Lume Melbourne has become a beloved cultural destination, inviting audiences to experience art in an inclusive, accessible and engaging way. We are incredibly proud of what's been achieved over the past three years." "Looking forward, The Lume is excited to embrace new technologies that deepen connections with our audiences and will transform the way visitors engage with art and culture. This evolution will guide us toward opportunities best suited to support these creative possibilities," the crew continued. "We look forward to an unforgettable final year at MCEC and to sharing this exciting new chapter of The Lume as we continue to push the boundaries of how technology can bring art and culture to life." When it initially opened, The Lume launched with its immersive van Gogh showcase — making the exhibition's return a full-circle moment. Also wowing audiences at the gallery: a celebration of Monet and his contemporaries, a huge showcase dedicated to First Nations artists and, since early 2024, all things da Vinci. The Lume Melbourne is set to close at Melbourne Convention and Exhibition Centre, 5 Convention Centre Place, South Wharf, Melbourne, in January 2026. Leonardo da Vinci — 500 Years of Genius displays until Sunday, December 8, 2024. Van Gogh at The Lume opens on Thursday, December 26, 2024. Head to the venue's website for tickets and further information. Images: Morgan Sette / Miles Noel Photography / Grande Experiences.
The producers of Serial and This American Life are teaming up on a brand new true crime podcast hitting the digital airwaves next month. Better yet, they're taking a page out of Netflix's book and dropping every single episode at the exact same time. According to a report by Rolling Stone, the non-fiction S-Town is set in rural Alabama and will investigate "the son of a wealthy man who allegedly boasted about getting away with murder." "This story takes so many unexpected turns," said This American Life presenter Ira Glass in a statement. "Every episode is a new surprise. And the story has this feeling and mood that's different from anything else we've done. I don't think people have heard a show like this." S-Town is one of three new podcasts being launched under the 'Serial Productions' banner. It will be hosted by long-time This American Life producer Brian Reed, and is due to be released sometime in March. Image: Peabody Awards, CC.
As if IKEA wasn't already self sufficient enough — what with infinite clothing storage, affordable kitchenware and ready-to-eat meatballs — they've decided they don't just want you to enjoy your home like sleek, contemporary Swedish royalty, they want you to grow your own garden in it too. So they've added a new item to their expansive inventory: hydroponic indoor gardens. Hydroponics is a plant growing method that lets you grown your own greens without soil. It isn't exactly a new thing — the method has been used for years to grow plants in basically any conditions — but IKEA's introduction of their Krydda/Växer indoor gardening kits looks set to bring hydroponics out of the niche and into the mainstream. And, going by the number of people who own those Billy bookcases, it will probably do just that. The kits, which will launch in the UK later this year, are designed to sit on your benchtop so you can grow herbs and lettuce right in the middle of the kitchen, pick them, and pop them straight into your salad bowl like some fancy chef. It comes all ready to use, but you'll have to plant the seeds in absorbent plugs to get them going. Then, when the seedlings have sprouted, you'll need to replant them into tiny adorable planters with pumice stones, give them water, turn on the light (which acts as the sun) and watch them grow. Once they're big enough, you can go right ahead and pick them to eat. Like so: The indoor gardening range will go on sale in the UK in May, with the US set to follow next year. No word on an Australian launch yet, but we'll cross all our not-so green thumbs it won't be far behind. Via Fast Company.
Those currently working from home have probably seen two major changes to their routine: less shoes and more snacks. To help with the latter, Australia's much-loved biscuit maker Arnott's is opening its vault and releasing some of its coveted recipes — for the first time in history. For weeks one and two of the snack expert's Big Recipe Release it unveiled its Monte Carlo and four-ingredient Scotch Finger recipes. Next up is a much-loved childhood-favourite: the Iced VoVo. Topped with pink fondant, raspberry jam and coconut, it's a little like Arnott's answer to the lamington. This recipe has been adapted for home bakers by Arnott's Master Baker Vanessa Horton, who suggests creating love heart shaped bikkies for mum — but, honestly, you can create whatever shape you like. Have a dinosaur shaped cookie cutter? Go wild. None at all? You can just cut them into squares. As you'd expect, you do, in fact, need flour to make Iced VoVos, but we've rounded up some of the spots selling the essential ingredient across the country, which aren't supermarkets. Australia's oldest baker will continue to release a new recipe for one of its famous biscuits every week until social distancing regulations are lifted. Next up, will it be the Tim Tam? Mint Slice? Pizza Shapes? We'll have to wait and see. In the meantime, though, here's the Iced VoVo recipe: ARNOTT'S ICED VOVO 180 grams unsalted butter, softened 1/2 cup (75 grams) soft icing sugar 1/2 teaspoon salt 2 cups (300 grams) plain flour Royal Icing 1 large egg white 1 1/2 cups (200 grams) icing sugar 1 teaspoon vanilla extract 1 teaspoon glucose syrup 1-2 drops pillar box red colouring 1/2 cup raspberry jam 1/2 cup desiccated coconut Heart-shaped cutter (optional) Piping bag and nozzle (optional) Method Pre-heat fan-forced oven to 160°C. Line two baking trays with baking paper. Using an electric mixer, beat the butter, icing sugar, and salt for two minutes or until pale and creamy. Sift the flour into the butter mixture and mix on low speed until combined. Place half the mixture between baking paper and roll out to approximately five millimetre thickness. Using a six centimetre heart shaped cutter, cut out biscuits, transfer to baking sheets. Repeat rolling and cutting heart shapes with remaining mixture, rerolling scrap dough to make more hearts. Bake for 16–18 minutes or when biscuits start to turn golden. Leave on the tray to cool. Royal icing Place egg white in a clean mixing bowl and mix on low speed with the whisk attachment until the whites begin to break up. Gradually add the icing sugar, vanilla and glucose, whisking until combined and glossy. If the mixture is too stiff add a teaspoon of water to loosen it up but ensure it isn't too runny as it will slide off the biscuit. It should form a smooth surface. Add your colour and stir until combined. Cover surface of icing with cling wrap until ready to use to prevent the icing going hard. Place a small round tip (we used a no. 2 nozzle) and fill your piping bag 1/3 full of icing. Don't overfill your bag. Fill another piping bag with raspberry jam. Pipe a jam strip down the centre of the heart biscuit and pipe pink icing around the edges before filling in the remainder of the heart with icing. Sprinkle with coconut. Place iced biscuits in a single layer of an airtight container to set overnight. Tips Be very light handed when adding your colour to ensure a soft pink colour. If you don't have a piping bag, you can use a snap lock bag and snip the corner off. Biscuits can be made into any shape, including the traditional rectangle.
If you have a case of herpetophobia, this mightn't be for you. If you're fascinated by crocodiles, however, an array of Australian museums have snapped up a showcase that'll pique your interest. Making its world premiere in Brisbane, Croc! Lost Giants to Living Legends is the next exhibition that's headed to Queensland Museum Kurilpa, celebrating one toothy creature. It also has three other stops around the country locked in. Exact dates for Croc! Lost Giants to Living Legends' debut run in the Queensland capital haven't yet been announced, but it will pop up before 2025 is out. After that, with timing also still to come, the exhibition will chomp its way into the Australian National Maritime Museum in Sydney, plus the Museum and Art Gallery of the Northern Territory in Darwin. Townsville will also welcome the showcase in the future, too. And if you're wondering why news of Croc! Lost Giants to Living Legends has arrived right now without dates to go with it, the announcement has dropped to mark World Croc Day on Tuesday, June 17. Queensland Museum Kurilpa, Australian National Maritime Museum, and Museum and Art Gallery of the Northern Territory are behind this ode to a critter that some famously love and many deeply fear — and an apex predator that Queensland Museum CEO Dr Jim Thompson dubs "the ultimate survivors". They're "older than the dinosaurs, feared across cultures and still inspiring awe today," Thompson continues, also describing Croc! Lost Giants to Living Legends as a "tale of evolution, culture, conservation and curiosity." "This groundbreaking exhibition showcases the incredible story of crocodiles — from prehistoric superpredators to cultural icons — through cutting-edge science, rich cultural knowledge and captivating interactive experiences. Crocodiles have long fascinated and challenged us, and this exhibition offers visitors of all ages the chance to see these remarkable creatures in a whole new light." The history of crocodiles, how they've outlived dinosaurs and survived mass extinctions, their evolution, the critters today, Egyptian god Sobek, their standing in First Nations knowledge, conservation efforts: expect this all to be covered. How crocodiles have sunk their teeth into pop culture, including movies and music, will also be in focus — if you don't already Elton John's 'Crocodile Rock' stuck in your head. Visitors will peer at specimens and life-sized models, as well as immersive visuals — and getting hands-on is also part of the family-friendly exhibition. "Croc! Lost Giants to Living Legends plunges visitors into the astonishing world of crocodiles — ancient survivors, apex predators and masters of adaptation," adds Australian National Maritime Museum Director and CEO Daryl Karp. "This exhibition not only celebrates the science and natural history of crocodiles but also shines a light on the deep and enduring connections First Nations communities have with these animals. Prepare to meet the crocodile as you've never seen it — powerful, mysterious and more relevant to our world than ever." 'Croc! Lost Giants to Living Legends' is set to premiere at Queensland Museum Kurilpa, South Brisbane, before 2025 is out — and also has dates with Australian National Maritime Museum in Sydney, Museum and Art Gallery of the Northern Territory in Darwin, plus Townsville in its future. We'll update you when more details are announced. Keep an eye on the Queensland Museum website for more details in the interim. Images: Gary Cranitch / Queensland Museum.
Following a disastrous farewell show in their hometown, Pulp move to London in search of success. They find fame on the world stage in the 1990s with anthems like 'Disco 2000' and, 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. What could go wrong? In Pulp: A Film About Life, Death and Supermarkets, New Zealand director Florian Habicht (Love Story) weaves together the band's personal offerings with dream-like, specially staged tableaux featuring ordinary (you might even say 'common') people recruited on the streets of Sheffield. Plenty of platninum wigs, beef carcasses and pink eyeshadow help to unveil the genuine and deep affection that the inhabitants of Sheffield have for Pulp, and the formative effect the town has had on the band's music. This is a film about music, about pop, and about ambition. It's also about living and dying, about growing up and growing old, and it's unique in its capacity to draw these themes together in a way that's as visually beautiful as it is musically iconic. We got Habicht on the line to talk about how the unique music doco came to be. There have been a lot of gremlins tonight. Even my dog was against our interweb communion. I'm glad I've finally got you, because I bloody loved this film. There's this really existential charge to your film. I think that it's nice you picked up on that. Getting older happens to all of us. That was a theme and something I was aware of when I started filming. I was in that mode when I was filming. I got into that zone early on. Trying to make an honest film, I mean Pulp is a band that is older now, so it was really natural for those things to come out. I was incredibly moved by the fact that, twenty minutes in, you have Candida Doyle talking about the fact that she was diagnosed with rheumatoid arthritis at the age of 16, and that at the time she was playing with Pulp it was kind of like the clock was ticking for her. What Candida gave in the film was such a huge thing for her and she's had to keep it a secret with the band for her whole career — which would be pretty damn hard. It just felt right for all of that to come out. Jarvis was surprised Candida talked about that. If she didn't have the band … I'm sure that being in PULP really helped her fight that. I love the way you chose to feature as many older and middle-aged people as you did younger and very young folk. The rendition of Help the Aged, by the aged, is really something. That's my favourite scene. And the Sheffield Harmony's version — there's something about middle-aged women singing hymn-style the lyrics "I want to sleep with common people like you/Well what else could I do/ I said I'll see what I can do" that really does it for me. I got to dance with them all at the afterparty. You know I never once got sick of 'Common People' through this film. Yeah, the band were really surprised. They kind of didn't want that song in the film at all because I guess they don't want to be seen as a one-hit wonder. They were glad the song was at the beginning, because they thought, great, we can get it over and done with, but they really loved how it all worked out. I thought maybe I'd get sick of it but you gave it so many different lives in this film. I think the fact there is no such thing as a common person, I think this message comes through. The film definitely veers away from stereotypes. What was the filming like? We filmed for ten days before the concert. I'd invited Jarvis to see my film Love Story at the London Film Festival, and when we met up we both had similar ideas about a film for Pulp. They'd been on this comeback tour but there was no record of it, they'd not done any interviews, and Jarvis thought it'd be nice to make a film ... We weren't total strangers but we'd never met before, so the fact we were able to lift the project off the ground in two months' time was pretty great. We had the same vision for the film. What was the concert like? It was such an amazing gig. Yeah, like the feeling in the room was incredible. Hard to describe. And it was a really long show. They played for two-and-a-half hours. We ran out of cards on our cameras. We had to get our laptops and go around rearranging memory cards to catch it, which was a bit daunting with Jarvis jumping up and down and not being able to back up footage. The concert was incredible. For myself, for my team, to have all access to the place was a buzz. Are you a fan? Yeah they're one of my favourite bands. In a documentary format like this, how much say do you have in terms of wardrobe and staging? Candida Doyle's first appearance is so totally perfect. Rio's T-shirt is spectacular and Liberty's multiple hair corrections straight down the barrel is just genius. I had no say whatsoever in any of that. We have about twenty seconds left you know. Anything else you want to jump in with? We were just in New York, after the launch of the film, and we had a Pulp karaoke contest judged by Jarvis, and a nine-year-old called Graeme won it. Oh nine-year-olds are such winners. It was pretty great. Hey thanks for the chat. Hey thanks to Concrete Playground for spreading the word. The film has a Facebook page, so your readers can check that out if they like. https://youtube.com/watch?v=jh3nleTUr_w Pulp: A Film About Life, Death and Supermarkets had its world premiere at SXSW 2014. It's available on now via digital download or on DVD from September 10.
With Queensland's COVID-19 cases still remaining low over the past month — including zero new cases since May 28, and only five active cases in total as at June 1 — the state is continuing to relax a number of coronavirus-related restrictions. Since the beginning of May, limits have been eased in stages, as per the government's roadmap. And from midday today, Monday June 1, they're loosening once again. As well as allowing unlimited regional travel within Queensland, the state's cultural institutions can reopen, as can its cinemas. Restaurants, bars and cafes are allowed up to 20 customers — and you can go out for just a drink. But there are, of course, some rules. These new restrictions are set to remain in place until at least July 10, with the government assessing whether to loosen them further before that date. So, what exactly can you do? We've broken it down. The below information is correct as of Monday, June 1. We'll update as any new announcements are made. Can I see my friends and family? Yes, visiting your friends and family is allowed, and has been since early May. You now have 20 people in your home, including those you live with, and gatherings of up to 20 people outdoors — which includes picnics, personal training, hiking, swimming and non-contact sport. Social distancing measures should be followed at all times and 1.5 metres should be kept between you and other people. Can I have a dinner party? Yes, you can — as long as no more than 20 people are in attendance in total. A picnic in a park? Yes, you can have a picnic in a group of up to 20 people. And, you will no longer need to stay within 150 kilometres of your house, with Queenslanders permitted to travel statewide. More on that below. If you're looking for a few local spots, though, here's a rundown. [caption id="attachment_703974" align="aligncenter" width="1920"] Brisbane City Council via Flickr[/caption] How about exercising in a park? Yep, as long as you're with a maximum of 20 people. Brisbane City Council-run outdoor communal gym equipment and playgrounds reopened last month, too, as well as skate parks, BMX tracks, and basketball and tennis courts. And non-contact sport — such as kicking the footy, yoga, tai chi and bootcamps — are all allowed. What other exercise can I do? Fishing, jet skiing and boating are already allowed, as are walking and bike rides. Other permissible social outdoor sport activities include swimming, throwing a frisbee in the park, and playing golf or tennis. Non-contact community sporting activities, both indoors and outdoors, are also allowed from June 1 — with 20-person limits Can I take my pet out for a walk in the park? You sure can. Taking your pet for a walk is considered exercise. Are gyms open? Yes, gyms can now reopen — as can health clubs and yoga studios. Just because your favourite gym is allowed to reopen, however, doesn't mean it will, so check with the venue before making the trip. If you prefer exercising outside, outdoor bootcamps and personal training sessions can now have a maximum of 20 people. What about driving to go for a hike or bike ride? Yes, whether you're staying relatively local or venturing further afield. Here are five scenic walks within 50 clicks of the CBD, if you're keen to explore your own backyard. Here's a list of local bike rides, too. And, here are a few of Queensland's best multi-day hikes, should you want to combine your exercise with an overnight stay now that that's also permitted — more on that next. [caption id="attachment_768822" align="aligncenter" width="1920"] Brisbane City Council via Flickr[/caption] Can I go on a holiday to a coastal/regional town? Yes, you can now travel to anywhere in Queensland. And, you can stay overnight (or for multiple nights) — including camping and other accommodation, such as caravan parks. Queensland's borders remain shut, though, with the government set to next review the closure at the end of June. Queenslanders can still leave to head interstate, but require a permit to return back to the state. Need some inspo? Here are some of our favourite glamping retreats, beachside camping spots and cabins near Brisbane — and our favourite Queensland country towns to visit, whether for a day-trip or a longer stay. What about a trip overseas? Not yet. At the moment Australia's borders are closed, but the Federal Government has flagged the potential of trans-Tasman travel bubble in step three of the Roadmap to a COVIDSafe Australia — which could happen as early as July. Can I visit restaurants, bars and cafes? For dine-in service, yes — at cafes, restaurants and pubs. They're now allowed to open for a maximum of 20 dine-in customers, with one for every four square metres. And dine-in can now include a meal or just sitting down for a drink (you do have to remain seated at a table, rather than standing around a bar). From midday on Friday, June 5, cafes, restaurants, pubs and hotels with more space will also be allowed to permit 20 people per defined area, rather than just 20 customers in total in their entire space — but only if they have an approved COVID Safe Industry Plan in place. If you're still keen on takeaway, the answer is still yes — and at bars, too. Many are even offering delivery. Food courts remain closed to seated patrons, but you can buy takeaway food from an eatery in a food court. Can I go out for a takeaway coffee? Yes. But, if you'd like to stay indoors as much as possible, here are some of our favourite roasters offering delivery. Can I go shopping? Yes, you can go shopping. That said, not all shops are open and some have changed their opening hours, so we suggest giving them a call before you head out. The four-square-metre rule applies to all retail spaces, with patrons advised to keep a 1.5-metre distance. Can I get a haircut, my nails done or a spray-tan? Hairdressers and barbers have been allowed to remain open during lockdown — but you might want to contact your favourite in advance to see if it is trading. Both services must adhere to the four-square-metre rule, and take a record of names and contact details of each customer for contact-tracing purposes. Beauticians and nail salons were allowed to open in May, and can now have a maximum of 20 people inside. Spray tans, tattoo parlours and spas are now allowed to reopen, again with a 20-person limit. Will art galleries and museums be open? Yep, galleries and museums are allowed to reopen with 20-person limits. Most Brisbane venues are yet to announce their reopening plans, so check their websites before heading in. Historic sites, arcades, zoos, concerts, theatres, arenas, auditoriums, stadiums and outdoor amusement parks are also allowed to reopen, with 20 people allowed inside at a time. Again, checking online before making the trip is advised. What about going to the cinema? Drive-in cinemas in Queensland are already allowed to operate and, given that patrons are practising social distancing by viewing films from their cars, there is no limit on the number of vehicles they can have. Southeast Queensland's only permanent drive-in cinema at Yatala is now screening films seven nights a week. Indoor cinemas are now allowed to reopen in Queensland as well, but most are yet to set a reopening date. Palace's cinemas will reopen on July 2; however much of the industry is still working towards a mid-July relaunch. Can I go to church? Yes, all places of worship will be allowed to open for small religious ceremonies of up to 20 people. Weddings can also have up to 20 people, in addition to the couple and the celebrant. Funerals can have up to 50 mourners, whether indoors or outdoors. If you have more questions, visit Queensland's online COVID-19 hub. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Photographer: Tony Smith; supplied by Tourism and Events Queensland
Suffocating repression and blind religious fervour underscore an atmosphere of stomach-clenching dread, in the much-hyped arthouse horror flick that took last year's Sundance Film Festival by storm. The disquieting debut of writer-director Robert Eggers, The Witch unfolds on the very edge of civilisation, where puritanical devotion inevitably gives rise to the very evil it so desperately fears. The Witch isn't a horror film in the way that modern viewers may expect, with Eggers mostly steering clear of graphic violence and sudden scares. Yet while the film's gnawing brand of terror may not be particularly immediate, its lingering effects are also far less easily dispelled. The film takes place in New England in the early days of pilgrim settlement, and concerns the unfortunate affairs of a family of colonists who find themselves exiled from their community for an unspecified religious offence. Travelling into the wilderness, they establish a farm on the edge of an ominous forest, only for further misfortune to befall them when newborn baby Samuel mysteriously disappears. As winter creeps closer and hope stretches thin, suspicion is cast upon eldest daughter Thomasin (Anya Taylor-Joy), who the rest of the family fear may have made a sex pact with the devil. On a production level, The Witch is immaculate. Close attention to period detail – from the threadbare costumes and setting to the carefully researched era-specific dialogue – lends the narrative an authenticity that in turn makes its supernatural elements feel uncomfortably real. A muted colour palette, dominated by greys, off-whites and faded greens, seems to drive home just how grim the family's situation has become, while leaving little doubt in our minds that evil lurks just around the corner. Combine that with a nerve-jangling orchestral score, and it's clear Eggers wishes to unsettle you from the moment the film begins, and leave you feeling that way for many hours after the house lights come up. He's aided in that eerie ambition by the fine work of his cast. As the family patriarch William, Ralph Ineson embodies the world-weariness and internal conflict of a man who believes it's his duty to provide for his family, but whose pride prevents him from seeing that he is leading them to ruin. As his wife Katherine, Kate Dickie captures the calcified intensity of a woman from whom all pity has been driven. So hard has been her life that even her religious conviction is rooted in bitterness. But it is to 19-year-old Taylor-Joy that all eyes will be drawn, her pale, striking features and compelling performance speaking to the true source of the film's terrifying power. For while Eggers makes it clear that there is indeed a witch lurking in the shadows of the woods, her supernatural powers are far less frightening than the threats – both real and imagined – that lie within the four walls of the farmhouse. The true terror of The Witch is that our family might turn against us, for reasons that are entirely beyond our control. The mere fact that Thomasin is a young woman is enough to make her the subject of suspicion, as Eggers explores in no uncertain terms society's ongoing fear of female sexuality. Tellingly, the film's mesmerising final few moments depict exactly what such a society fears most: a woman unchecked by repression, with full control of her body, finally embracing her dark, seductive powers to the ruin of the world. https://www.youtube.com/watch?v=iQXmlf3Sefg
Star Wars fandom has taken over the galaxy, from concert screenings and battle parties to boozy cantinas and saucy burlesque shows. Loving the George Lucas-created space opera isn't just about heading out to see multiple interpretations of the hit franchise, however — you can also wear your affection thanks to BlackMilk Clothing's new Star Wars collection. Pop culture-themed apparel is far from new, of course, and neither is Star Wars clothing. BlackMilk first took inspiration from jedis, rebels, siths and wookiees back in 2012, as its very first licensed collection, to massive sell outs. Now it's doing it all over again, unleashing the range for the third time. But in this collection, everything from leggings to dresses to swimsuits draws upon both the film series' beloved classic characters and on newcomers such as Daisy Ridley's Rey. If you're keen on a R2-D2 one-piece just in time to hit the pool this summer, fancy a pair of cuffed pants filled with droits and sentients that you are actually looking for, or need to get comfy in a big t-shirt adorned with Chewie and a few porgs, you'll find them all here. In total, the range spans 22 pieces, and they all go on sale from 9am on Tuesday, September 18. Unsurprisingly, the clothing items are expected to be popular — this is the company that turned exercise into something magical with its Harry Potter activewear, after all. BlackMilk Clothing's new Star Wars range goes on sale at 9am on Tuesday, September 18. For more information, head to the brand's website.
If your seaside memories are painted with velvet pine trees, striped umbrellas and sand yellowed with rose-tinted glasses, look no further than Avoca for your next foray out of the city. Despite becoming a hot spot for tourists chasing great coffee, food, surf and adventure, it's managed to keep a firm hold on that laidback, they-all-must-be-locals ambience by not becoming overdeveloped. Situated just 95km north of the Sydney CBD, Avoca makes a perfect day trip or weekend away, even when a winter wind blows across the beach. Just pull your cable knit around you, stare meaningfully into the sea and then snuggle into the area's characterful cafes, eateries and shops. SEE AND DO Your first priority in Avoca is obviously to visit the beach — a 1km stretch of golden sand protected by headlands and dotted with beach chairs, umbrellas and surfboards. It's a great swimming beach, popular with families, and has patrol flags at each end and a safe shallow kiddie pool by the Avoca Beach Surf Life Saving Club (SLSC). Scramble around the rocks at the south head to find a platform of stunning rock pools and anglers taking advantage of the abundant sea below. Avoca is known for its surf and has great waves for beginners and advanced surfers. The Central Coast Surf School offers group and private lessons as well as two-day courses for all ages. Old hands can rent a board at Three Points Surf on Avoca Drive. If paddle boarding or paddle boating is more your speed, head to Avoca Lake beach behind the Avoca shopping village (or follow the lake's inlet from the centre of the beach), where you can hire a board from Aquafun for just $4, as well as kayaks, canoes and boats. Visiting scuba divers of all levels can explore the ex-HMAS Adelaide just 1.8 kilometres off Avoca Beach. The naval warship was sunk in 2011 creating an artificial reef, now teaming with life. Terrigal Dive run six dives a day to the site on weekends, as well as a number of other dives. Those who want to get off the beaten track should take a short drive down the coast to Bouddi National Park. The 8 kilometre coastal walk is broken into bite-sized sections with bays and spectacular whale-watching lookouts. The beach of Maitland Bay is the gem of the journey and can be accessed via the first leg of the costal track from Putty Beach (3km) or a (steep!) paved track from the car park (1.5km). For a change of pace, wander around the Avoca village on Avoca Drive and indulge in a spot of shopping at Avoca Beach Antiques. The 31-year-old store has the Central Coast's largest collection of antique jewellery, sure to see you part with some cold hard ones. Also not to be missed is the adorable Avoca Beach Picture Theatre, located behind the SLSC on Avoca Drive. The fourth-generation family business, which opened on the Hunter family's front garden in 1948, was named in the BBC's Top 20 Cinemas Of The World in 2014 and has also won awards for its highly curated programming. If the weather is coaxing you to stay outdoors, at least pop in to see the antique decor inside. EAT AND DRINK In the last two years, Avoca has bucked the beach-town trend of revolving seasonal eateries and has developed a stable foodie scene of its own. For the best coffee in town, visit Becker & Co. owned by Dale Hunter, formerly of Bird & Bear Boathouse in Elizabeth Bay. Have your day brightened by the typographic inspirations on the walls while you chow down on a bacon and egg breakfast slider with chilli jam. Oomph Cafe & Food Store, the little sister to popular Oomph Cafe & Foodstore in East Gosford, has an extensive menu featuring specialty products from their store. Their gourmet burgers, the best in town, will force you back into the water to wash the juice from your elbows. If raw, organic or vegan is your jam, see the super-friendly staff at Wise Food Cafe. They have a full breakfast and lunch menu, but their array of sweet health treats is second to none in town. Like Minds, lakeside and slightly back from main drag, is another popular hang with a creative-space vibe. Sit outside with strangers on a garden table or admire the work of local artists on the walls inside, also available for purchase. The best dinner in town goes to Bombini, a modern Italian fine dining restaurant with a seasonal four-course menu of sustainable and local produce- some from it's own 2-acre kitchen garden. Those just after a place to drink can settle into a veranda booth with their choice of French, Italian and Australian wines and cocktails. They also have lunch and brunch on weekends and a pantry store selling their fresh bread baked daily. For a quiet night, dine in or takeaway from All Malay Malaysian Restaurant. Don't be surprised by its popularity night after night; the beef rendang and salt and pepper soft shell crab are exceptional. It's BYO, so pick up a drop from the BWS across the road on your way. If you can't move from the beach, not even for food, never mind. The Surf Life Saving Club kiosk serves Allpress Espresso, takeaway meals and the ever important ice-block. For beachside fish and chips head to Avoca Beach Seafoods. It's BYO and open till 8pm. When it's time for an afternoon beverage, check out Mojito Joe's above the Avoca Sands Cafe. It's known for its punchy rum-based cocktails and Pacific island-inspired share dishes. The Avoca Beach Hotel is the pub of choice, with live music every Tuesday, Friday and Saturday. It's also the best spot in town to watch the footy. Any footy. Words and images by Annabel Campbell.
What's that you can hear? It's the sound of Aussie music fans cheering at their computer screens, because Red Bull Sound Select has finally made it to Australia. Having already taken the US by storm, the artist development program designed to unearth and support new local talent launches in Sydney today, Tuesday, April 12. And it's perhaps the best response to the lockouts yet. Since its start in the States in 2012, Red Bull Sound Select has spread to Canada, New Zealand and now (finally) Australia. Along with their streaming site — where you can discover new songs and artists — the team throws gigs each month, working with the likes of Santa Monica's KCRW, San Francisco's Amoeba Music and NYC's BrooklynVegan to curate kickass, ahead-of-the-curve shows. It's all designed to make discovering new local music easy and affordable. Sydney has been chosen for the Australian launch of Sound Select, which will see a program of monthly gigs curated by massive local legends Johann Ponniah from I OH YOU and Laneway Festival's Travis Banko. Each show will take place on the last Friday of the month and feature a lineup of three acts, starting with two Red Bull Sound Select emerging artists — handpicked by Ponniah or Banko — and finishing up with one Aussie headliner. The first show will kick off this month on Friday, April 29 at the Chippendale Hotel. Presented by I OH YOU, Perth's Methyl Ethel will headline, with Melbourne up-and-comers Rolling Blackouts Coastal Fever and Sydney's own Flowertruck opening, as well as surprise acts too. "As fans of what the program has been achieving internationally, we're incredibly excited to be a part of bringing [Red Bull Sound Select] to Australian shores," said I OH YOU's Johann Ponniah. "Just hoping we can keep pushing the envelope like other curators have been internationally and program some of the best up and coming talent that Australia has to offer." To attend the inaugural Sound Select Sydney show, just RSVP on their website. It costs $3 online or $10 on the door — but if you're buying one on the day, be sure to arrive early as the event will be capped. We couldn't be more psyched to see Australian artists get the recognition (and the opportunities) they deserve from such first rate international players.
Niche eateries are the culinary trend no one seems to be able to get enough of, just like the food items they're devoted to. Add New York's upcoming cream cheese cafe to a list that already includes cereal, avocados, mayonnaise, cookie dough, peanut butter on toast and marshmallows. Sugary treats and spreadables — when it comes to dedicated restaurants, they seem to hit the sweet spot. Indeed, when it sets up shop in NYC's East Village over the American summer, Becky's Bites will offer both. Given that cream cheese is quite the versatile — and delicious — substance, the new venture will serve desserts and savoury snacks. Start off with a bagel filled with the good stuff, then move on to cream cheese parfaits, cream cheese tarts, cream cheese cookie sandwiches and even cream cheese-filled chocolates. A cream cheese-topped hot chocolate might also make an appearance. https://www.instagram.com/p/BVncD3cHEDo/?taken-by=beckysbitesnyc The store, which will be the bricks-and-mortar digs for the existing catering company of the same name, will also offer up cream cheese in more flavours than you might expect. Vanilla, strawberry, peanut butter and cookies n' cream might all sound standard, but apple pie, cappuccino and bacon and egg definitely aren't. For other creative concoctions, there'll also be a cream cheese flavour of the month. Via Gothamist.
It's called the Museum of Old and New Art. As that name makes plain, it fills its walls and halls with examples of pieces that've been around for some time (and then some more) alongside fresh creations. And yet, Tasmania's must-visit Mona hasn't ever hosted an exhibition that only looks backwards — until September 2023 rolls around, that is. Fresh from unleashing another Dark Mofo upon Hobart, complete with an astonishing array of weird and wild wonders, the arts institution has unveiled its big summer plans to see out 2023 and welcome in 2024. Spanning the bulk of spring this year and autumn next year, too — running from Saturday, September 30, 2023–Monday, April 1, 2024 — are three exhibitions: Jean-Luc Moulène and Teams, Heavenly Beings: Icons of the Christian Orthodox World and Hrafntinna (Obsidian). Heading to Australia after showing in a different iteration at Auckland Art Gallery Toi o Tāmaki, Heavenly Beings: Icons of the Christian Orthodox World is responsible for the venue's debut display of only old art. It'll also be the biggest-ever showcase of jewel-like icons and related treasures that Australia has ever seen. Devotional objects depicting saints, virgins and other Christian holy subjects will be in the spotlight — more than 140 of them — as Mona dives into spiritual and aesthetic traditions covering centuries, what drives human behaviour and our motivations as earthbound beings. "Visitors certainly need not be religious believers to enjoy the sheer beauty and emotional power of these artworks. While painting an icon may begin from an act of piety, the resulting object also lives as a work of art far beyond its original purpose," explains Mona curator Jane Clark. "We can look at the icon as a 'window into heaven', as believers believe, but also as a looking glass, through which we may glimpse the deeper purposes — deeper than awe and transcendence, than culture or a higher power — that are served by human creativity." [caption id="attachment_908036" align="alignnone" width="1920"] Proskynetarion or Pilgrim's Memento of the Holy Sepulchre within the City of Jerusalem. Palestine, c. 1795. Collection Museum of Old and New Art (Mona), Hobart.[/caption] With Jean-Luc Moulène and Teams, Mona will also become a temporary home to French artist Jean-Luc Moulène's debut Australian exhibition. Four newly commissioned sculptural objects will feature, alongside some of Moulène's earlier works. So, get ready for new pieces using wax, metal, Triassic sandstone and timber from Tasmanian underwater forests, plus piles of coloured cans and large-scale video projections. "Jean-Luc Moulène has been described as mercurial, experimental, erudite and poetic. His ideas evolve through a deep and considered engagement with material, form, and process. The resulting objects are at once mysteriously beautiful, and forthright about the means of their making," notes Mona curator Sarah Wallace. [caption id="attachment_908034" align="alignnone" width="1920"] Photo Credit: Mona/Jesse Hunniford. Image Courtesy MONA Museum of Old and New Art, Hobart, Tasmania, Australia.[/caption] Completing this trilogy — Mona's second in a row, after opening three showcases simultaneously in 2022, too — is Hrafntinna (Obsidian). Thanks to Sigur Rós vocalist Jónsi, attendees will get a volcano experience inspired by Fagradalsfjall in Iceland, which erupted in 2021 after almost eight centuries of being dormant. This immersive and sensory installation is designed to make visitors feel like they're entering a lava-spewing rupture's depths, using music, sound, smell and almost total darkness. Nearly 200 speakers will vibrate, while a hymn-style composition that takes its cues from Icelandic choral music will play. "Jónsi was compelled by the thought of experiencing this incredibly rare event. He wanted to recreate the phenomenon and capture the essence of what it might feel like to be deep inside the volcano, despite the obstacles of distance and logistics," says Wallace. [caption id="attachment_908031" align="alignnone" width="1920"] Hrafntinna (Obsidian), 2021, Jónsi. Installation view, Obsidian, Tanya Bonakdar Gallery, New York, 2021. Photo by Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles.[/caption] Jean-Luc Moulène and Teams, Heavenly Beings: Icons of the Christian Orthodox World and Hrafntinna (Obsidian) will all display at Mona, 655 Main Road, Berriedale, Hobart, Tasmania, from Saturday, September 30, 2023–Monday, April 1, 2024. Top image: Hrafntinna (Obsidian), 2021, Jónsi. Installation view, Obsidian, Tanya Bonakdar Gallery, New York, 2021. Photo by Pierre Le Hors. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Another week, another new streaming service — or that's the way it feels, at least. By now, we all know that plenty of online platforms are constantly vying for our eyeballs, and that new ones will keep joining the fold. But, even as the list of streamers just keeps growing, we all love having options, too. We like knowing we have oh-so-many things to choose from, all at the touch of a button — because settling in for a binge-watching marathon is taking up a hefty amount of our leisure time these days. So, the fact that Australia has just scored a new streaming service — and that said platform, Paramount+, features 20,000 episodes and films — is obviously welcome news. But if you're now wondering what to watch and what'll help you fill your hours at home (whether you're in lockdown or under other COVID-19 restrictions), that's understandable. If you need some assistance, we've picked ten new and classic shows you can start binging right now. ANNE BOLEYN As an actor, Jodie Turner-Smith's resume isn't all that lengthy yet — but it will be. So far, ever since first popping up on-screen in the likes of True Blood and The Neon Demon, she has gravitated to roles that make the utmost of her presence. See: Queen & Slim, one of 2020's standout movies, and now miniseries Anne Boleyn. In the latter, Turner-Smith plays the titular character, and does so with a clear understanding of just how precarious the famed historical figure's place in her marriage to Henry VIII was. We all know how this story ends, of course. Even if you don't know that chapter of England's past inside out, this tale has played out in films and TV shows before, and will keep doing so. But Anne Boleyn's specific take on the tale draws plenty of power from its central casting, and pairs its formidable lead performance with sumptuous period details across its three-episode run. DARIA Eventually, Daria is set to get a spinoff series, focusing on the eponymous sardonic teen's classmate Jodie and following her post-college life. Until that arrives — or even once it does — the OG show is still a treasure. That'll never stop being the case, especially if you grew up watching it in the late 90s and early 00s. And, even if you didn't, it's never too late to give it a whirl. Nostalgia isn't the only reason that Daria still has a devoted following, because this a supremely savvy animated exploration of being a teenager. A high-school outsider who doesn't ever care about fitting in, and is comfortable with her sarcastic view on the world, Daria, the character, has become an icon for being herself and never wanting to be anyone else. The series overall fits the same description, and spent five seasons combining relatable adolescent angst and spot-on social satire. TWO WEEKS TO LIVE When Two Weeks to Live begins, it does so with a twenty-something woman getting into an altercation with an unpleasant stranger, and refusing to merely grin and bear it. That main character is played by Game of Thrones' Maisie Williams, so it all feels familiar, but this six-part miniseries doesn't just ask its star to follow in her own footsteps. Instead, the show's protagonist Kim Noakes has been raised to be able to fend for herself, because she has also been brought up to believe that the end is near. Most of her life has been spent off the grid with her mother Tina (Sian Clifford, Fleabag), in fact, until she decides to experience the world before it all grinds to a halt. Then, after a chance meeting in a pub, she's told by a couple of strangers that everything really is about to go kaput. That's a prank, but it sets off quite the chain of events — and lets Williams turn in a stellar performance. DETROITERS Netflix's I Think You Should Leave with Tim Robinson is only two seasons in, but it has already proven itself as one of most bizarre and brilliant comedies there is. It's one of the easiest to binge in one sitting, then start rewatching again straight away, too. The sketch show isn't Robinson's first amusing outing, however. He also spent a couple of seasons on Saturday Night Live, and co-starred in (and co-created and co-produced) the hilarious sitcom Detroiters. Featuring opposite Veep's Sam Richardson, Robinson plays a Detroit advertising agency creative with more than a few out-there ideas — but that term encompasses his life working beside his best pal anyway. It only spans two seasons, but the show will never stop being sidesplittingly funny. And, it also includes guest stars such as a pre-Ted Lasso Jason Sudeikis and the always-welcome Keegan-Michael Key. THE REN & STIMPY SHOW It's aimed at kids, it's just as entertaining for adults and, as it celebrates its absorbent, yellow and porous hero, it's one of the most anarchic and eccentric shows there is. We're talking about SpongeBob SquarePants and everything it has spawned — movies and musicals included — but it wouldn't exist if it wasn't for 90s cult favourite The Ren & Stimpy Show. The latter definitely isn't for very young viewers, as everyone who sat up late to watch it back when they were kids knows. That's obvious from its animation style alone, and from its gags and rich vein of all-round dark humour. In fact, plenty of the adult-friendly animated series that've graced screens over the past 30 years owe an enormous debt to this iconic effort about a chihuahua and a cat, their constant fighting, their differing emotional and mental states, and the mania of their exaggerated, acerbic and always absurd lives. KEY & PEELE These days, Jordan Peele has an Oscar to his name for Get Out, while Keegan Michael-Key has his own sitcom thanks to Schmigadoon!. But they'll always be known for their 2012–15 sketch comedy series Key & Peele, which won them some Emmys, showcased their considerable talents as comedians, actors and writers, and constantly delivered clever and ridiculously funny skits episode after episode — bits that weren't just amusing, or commented on popular culture, but tackled race relations in a perceptive and impassioned way as well. The highlights are too many to mention, although you've likely already seen the sublime aerobics sketch that's one of the very best things that hit screens of any size in the past decade. It's always worth watching again, as are all of Key & Peele's skits — from the gushing over "Liam Neesons" to President Obama's anger translator Luther. PENNY DREADFUL If you're going to make a TV series that mixes some of horror fiction's best-known and most iconic characters into the same tale, you need to do three things. Firstly, you need to treat those figures with respect and complexity, because there's a reason that the likes of Frankenstein's monster, Dorian Gray and Count Dracula have stood the test of time. Secondly, you need to embrace a gothic vibe, as that's the era that gave birth to these stories. And, you need to cast every part exceptionally well — including when you're working other characters into the tale as well. Across its initial three-season run, Penny Dreadful ticked all these boxes masterfully. It did so in an intoxicatingly lavish and smart manner, in fact. And, in its 19th-century London-set story, it gifted the world one of the great Eva Green's very best performances, plus also-excellent work from Timothy Dalton and Josh Hartnett. TWIN PEAKS It's the mind-bending small-town mystery-drama that comes with its own menu — and with plenty of thrills, laughs and weirdness. Whether you're watching Twin Peaks for the first or 31st time, you'll want to do so with plenty of damn fine coffee, fresh-made cherry pie and cinnamon-covered doughnuts to fuel your journey to this place most wonderful and strange. And, of course, David Lynch and Mark Frost's seminal TV series doesn't just serve up 90s-era oddness centred around the tragic murder of popular high-schooler Laura Palmer (Sheryl Lee), but returned for a mesmerising third season back in 2017 as well. There's simply never been anything on television like Twin Peaks, because no one can make movies and TV shows like Lynch. No one can play a kind and quirky FBI boss like Lynch either, or a dedicated agent like Kyle MacLachlan as Dale Cooper. THE TWILIGHT ZONE When The Twilight Zone made a return back in 2019, it did so in the best possible hands. After wowing horror movie lovers with Get Out and Us, Jordan Peele took on the task of presenting, narrating and redeveloping the legendary sci-fi anthology show for the 21st century, and did it well. Picking up where Rod Serling's original five-season 50s and 60s show left off (and short-lived versions in 1985 and 2002, too), the two season revival series blends the old with the new — both remaking previous episodes and coming up with fresh, thrilling stories. It's as entertaining as you'd rightfully expect, complete with a cast that features everyone from Adam Scott and Kumail Nanjiani to Steven Yeun and Zazie Beetz. And, because the 20 episodes might not be enough, Paramount+ is also streaming both the 50s/60s and the 80s iteration of the iconic science fiction series as well. OZ Before The Sopranos, the show that everyone thinks of when they think of HBO's early big-name dramas — and before The Wire, the other seminal series that made the US cable network a must-watch destination — there was Oz. Talk about starting out as you mean to go on, because this prison-set show is phenomenal. It's as grim as it is gripping, though, as you'd expect of a drama set inside a maximum-security state penitentiary. Across six seasons, the series follows the daily ups and downs in Oswald State Correctional Facility, spending time with prison newcomers struggling with life inside and hardened crims who've behind bars for years. The end result is an acting powerhouse, too, complete with a sea of familiar faces. If you think JK Simmons well and truly earned his Oscar for his formidable performance in Whiplash, you're right, but his work here is next-level.
If you want a trip to remember full of endless sunshine, tuk tuk rides and temples (but you don't fancy the idea of going within sniffing distance of Denpasar) then Cambodia might be the place for you. The Kingdom of Cambodia is home to a generous and open people, incredible and fragrant food, staggering temples, and a truly incredibly history. When you combine all of this with 24-hour action, scooters piled high with chooks and kids, and a country still in recovery from recent turmoil, you get a formidable destination for the fearless. Cambodia has been steadily building a reputation as both a place to immerse yourself in history and culture — and, more recently, as a place to party. It's a place of highs and lows. Your first glimpse of the formidable Angkor Wat will leave you in no doubt as to its status as one of the most incredible feats of ancient architecture on the face of the Earth; your last glimpse of the party beaches of Koh Rong Island will remind you of why your liver is hurting. But when you've had your fill of temples and you're sick of the endless party scene in Sihanoukville, you should make for the peaceful riverside town of Kampot. Steeped in French Colonial history — but without the big-names of Siem Reap and Phnom Penh — this beautiful and fascinating spot in southwest Cambodia is well worth a stay, especially when some R&R from constant travel is required. Need some help on how to fill your days? Here's ten things to do while kicking it in Kampot. [caption id="attachment_578323" align="alignnone" width="1280"] Aram Visser via Flickr.[/caption] VISIT AN ABANDONED LUXURY RESORT This remote and once-grandiose luxury resort was dreamed up by colonial French settlers in 1922. Now abandoned, Bokor Hill Station's buildings are still standing (no mean feat, given that this spot was one of the last strongholds of the Khmer Rouge in the 1990s) and make for an eerie day trip. The best way to get out there is to jump on a scooter and ride out yourself — but if you're not confident on a bike, there will be a tour or ten being spruiked in town. Cap your visit off with a drink in the creepy and almost completely patronless, brand spanking new casino which has been curiously constructed on a very out-of-the-way hilltop. Not weirded out enough? Check out the abandoned Catholic church, which is complete with a still-standing altar. WATCH A FILM AT A ROOM SERVICE BED CINEMA So we know you can do this anywhere in the world, but sometimes you just want to take five and watch a film in a foreign country. Watching a film on your laptop will suffice — but watching one in a private bed cinema is approximately one million times better. At Ecran Movie House, you get to splay out over a massive bed in your own private viewing room with air-conditioning, room service drinks and on-demand dumplings from the adjoining noodle joint. Can Hoyts take cues from this? EAT VEGO NOSH BY THE RIVER AT BANTEAY SREY SPA Travelling around Cambodia is tough. Reward yourself with a soothing oil massage or a facial. Banteay Srey Spa is women-only — with the exception of yoga in the morning — and is a great place to enjoy a spa treatment, as well as a swim in the river and some vegetarian and vegan food afterwards. Didn't bring your swimmers? No problem. The spa provides traditional Khmer wraps, which perfect for taking a dip. [caption id="attachment_578321" align="alignnone" width="1280"] James Antrobus via Flickr.[/caption] VISIT THE GIANT DURIAN Surely this one needs no more explanation. The giant fruit sits in the middle of a roundabout in the centre of town and is something of a spiky statue sister to our own Big Pineapple. Plus, there's no smell. [caption id="attachment_578349" align="alignnone" width="1280"] Blake Wheeler.[/caption] ROPE SWING INTO THE RIVER Like swinging off ropes into the river? Great. Get thee to Arcadia Backpackers for the highest of rope swings, the best tower jumps and one of the busiest backpackers in Kampot. If you're looking for a travel buddy as well as a bit of adrenalin, you'll find one here. [caption id="attachment_578333" align="alignnone" width="1280"] Oliver Townend via Flickr.[/caption] EAT PEPPER CRAB AT KEP Unless you're on a secluded romantic vacation (or don't mind everything being a bit of a drive away), don't bother staying in Kep. Head there on a day trip instead. You'll be able to feast on the famous pepper crab, which is local Kep crab served with Kampot green pepper. It's only forty-five minutes away by tuk tuk, so you can be back at your riverside bungalow in Kampot by sundown. EXPLORE KAMPOT'S CAVES Craving caving? Visit the guys at Climbodia. They'll lead you into a dark abyss of limestone caves, and then lead you back out again into the light. No experience needed — just a willingness to explore Kampot and enter dark spaces. [caption id="attachment_578337" align="alignnone" width="1280"] Marie via Flickr.[/caption] TASTE THE BEST PEPPER IN THE WORLD Fun fact: Kampot is the pepper capital of the world. Khmer people have been cultivating the spice in the area from as early as the 13th century — and up until the Khmer Rouge occupation from 1975, there wasn't a hatted restaurant in Paris worth their salt that wasn't using this piquant spice. If you want to try the best pepper in the world, straight from the source, head to one of Kampot's pepper farms for an insight into the industry. [caption id="attachment_578339" align="alignnone" width="1280"] Marie via Flickr.[/caption] WATCH THE FISHING BOATS ON KAMPOT RIVER This massive gulf of water is home to an abundance of fish, and is basically life for the Khmer people in Kampot. Sit by the river at sunset and watch the stream of green fishing boats puttering out to sea for the night. [caption id="attachment_578340" align="alignnone" width="1280"] Ruben I via Flickr.[/caption] HAGGLE AT THE NIGHT MARKETS These markets start from about 4pm down near the durian roundabout and are worth a look — although, be warned, they're super dense and truly packed. Haggle hard, people. Top image: P W via Flickr.
Sundays are all about rounding out your weekend the right way. There's work to be done the next day, no one wants to think about it and we all want to make the most of every single second before that happens. One surefire approach: coast into the week to come with lasting good vibes from the most cruisy activities possible — meaning an afternoon of free live music at Livespark at Brisbane Powerhouse. Slide into a seat in this cathedral-like space, then kick back to live sounds before the working week begins again. You'll be heading to the Turbine Platform, so you'll really feel like you're in the thick of the iconic building. The lineup changes each time, with 2022's Livespark sessions happening monthly — or thereabouts. To kick off the year, head along from 3–5.30pm on January 30, with Freight Train Foxes and Megan Cooper doing the honours to keep you entertained. Top image: Studio Impressions.
In 2024, sustainability is front of mind for consumers and creators. Fortunately, it has also never been easier to incorporate environmentally responsible ethos and practices into daily life and with your purchases. The BCG economy (Bio-Circular-Green) has led to the creation of products on the cutting edge of sustainability, which are the focus of the Naturally Good Expo at the Sydney ICC on Monday, June 3 and Tuesday, June 4. A series of brands and products being showcased at the Expo are part of Thailand's Department of International Trade Promotion (DITP) and the Ministry of Commerce's initiative to position the nation as a global leader in sustainable products and designs conceived and manufactured in Thailand for a global audience. The products on display at the BCG booth range across four key areas: food and drink, decorative and tableware, personal care, and packaging. You'll be able to see all the products firsthand should you visit the expo (hint, it's booth D20), but we can give you an idea of what to expect. To spread the good (and green) word of this initiative, we've gathered some examples of brands leading the charge toward the products of a greener future. Khramer Indigo is traditionally associated with clothing, not skincare, but contemporary skincare brand Khramer aims to change that. That unmistakable deep blue colour is traced back to the indigo root, a plant that holds significance in Thai farming communities. Farmers in the town of Sakon Nakorn harvest the trees and use them to make dye to colour fabrics, which in turn protects farmers' skin from the harsh subtropical sun by keeping them cool and sunburn-free. Khramer knows the town well and took inspiration from the local community and their use of all the plants' elements. Khramer uses the tree's roots, discarded in dye making, to apply the numerous benefits of indigo plants to skincare products. The result is traditional skincare benefits made through contemporary sustainable thinking. SUPP As much as we all enjoy squeaky clean belongings and households, the unfortunate side effect of many high-end cleaning products is toxicity — both for us and our environment. SUPP is leading the charge of environmentally friendly alternatives in Thailand. SUPP has developed three core cleaning products: a floor cleaner, a bathroom cleaner and a dishwashing liquid. All three underwent rigorous testing to ensure they met the strict standards of cleaning materials being safe to use, effective and environmentally friendly. The products all come from natural ingredients and will, depending on conditions, biodegrade within two to thirty days in water. And though the packaging is plastic, it's refillable and completely recyclable. Coco Thumb If you love to highroad your tap-water-drinking friends with your preference for coconut water, this Thai brand is exactly up your alley. This convenient take on the popular healthy drink choice is a product of K Fresh, the world's biggest exporter of Nam Hom aromatic coconuts, which are native to Thailand and commonly grown in the coastal province of Ratchaburi. Coco Thumb sits halfway on the convenience chart in the realm of coconut waters. You don't have to desperately struggle to crack open the coconut on a sharp rock, and you're closer to the source than taking off the lid on a carton you got at the shops. Simply press on the cap, and you will open the still-sealed coconut, which you can sip directly from. Starch-Pac If you find yourself with an abundance of leftovers to be dished out after a dinner party or don't have much in the way of plastic Tupperware to transport your lunch to the office, it might be worth considering an order of these takeaway containers. A product of Global Biopolymers Co. Ltd, Starch-Pac containers are an eco-friendly alternative solution to your food packaging woes. Instead of being made with cheap or even recyclable plastic, the Starch-Pac, if you haven't guessed already, is made with tapioca starch. It's a much more environmentally friendly alternative to petrochemical plastic, capable of breaking down in landfills and soil and actually acting as a fertiliser in soil after degradation. AWA Decor Home furnishings are an art, both in creation and curation. If you ask us, they're what make a house into a home. If you're looking to impress guests with some seriously eye-catching homewares but aren't keen on supporting the big brands, then AWA Decor is a choice worth investigating further. These products range across lighting, kitchen, tabletop, accessories, and more, but specialise in wooden products. Every AWA product is made sustainably, using materials left over from manufacturing. No chemicals are used, and the process is carefully designed not to create any extra waste. They look fantastic, and you know it's come from a good place. Bioplus+iq Another excellent choice in the homewares department is Bioplus+iq, which uses bioplastics to create a wide range of products, from light shades and deck chairs to pet crates and storage bins. What do they all have in common? They're all made with leftover materials from the agricultural and manufacturing centres, mainly hemp stalks, sawdust, rice husks and PIR pellets. The result? Durable and stylish homewares that won't weigh on your conscience. For more information on these products and other sustainable brands, check out BCG at booth D20 at the Naturally Good Expo on Monday, June 3 and Tuesday, June 4. Visit the website for more information, or to get your registration.
When Indigenous Australian artist Archie Moore made history at the 2024 La Biennale de Venezia, aka the Venice Biennale, in April 2024 by winning the event's coveted Golden Lion for Best National Participation, he also did Brisbane's major art galleries proud. When the First Nations talent earned Australia the top gong at the Olympics of the art world for the first time ever, he did so with an exhibition curated by Queensland Art Gallery and Gallery of Modern Art's Ellie Buttrose, and with a date with Brisbane GOMA on its 2025–26 program. kith and kin is displaying in South Brisbane between Saturday, September 27, 2025–Sunday, October 18, 2026 — and it has also been gifted to QAGOMA permanently. The piece didn't just make history with its Venice Biennale accolade. A hand-drawn genealogical chart that spans back 65,000 years, this creation also chronicles it. Both a personal and a political work, kith and kin steps through Moore's Kamilaroi, Bigambul, British and Scottish heritage across the installation's five-metre-high, 60-metre-long black walls. More than 2400 generations are covered. The exhibition uses chalk on blackboard, with a reflective pool sitting in the middle of the room and 500-plus document stacks suspended above it. Every aspect of kith and kin makes a statement. With its size and scale, it speaks to Australia's Indigenous peoples being among the world's longest-continuous living cultures. The use of black is also designed to look like a celestial map, and therefore nod to the resting place of First Nations ancestors. Highlighting the decrease in Indigenous Australian languages and dialects since colonisation, the fragility that stems from not being able to pass down knowledge and injustices such as deaths in custody are all also part of the work — with the aforementioned piles of paper primarily from coronial inquests. Images: Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.
Australia's reigning gelato kings are back at it. Gelato Messina, which transformed from a single Sydney store in 2002 into a bona fide national empire, has just launched two Woolworths-exclusive flavours — and we are running, not walking, to get out hands on these ones, winter be damned. Landing now in freezers nationwide and online, the brand-new P.B. Peanut Butter Fudge & Praline and Super Flan sound exactly like the types of indulgent flavours that has seen Messina become a household name, stacked with in-house sauces and signature mix-ins. Channeling strong 'give the people what they want' energy, each of the new flavours is a riff on a beloved Messina signature. Long-time devotees might find the P.B. Peanut Butter Fudge & Praline familiar, and they wouldn't be mistaken — it's a supermarket-ready take on one of the brand's most in-demand scoop-shop specials. Each tub is a flavour bomb of creamy peanut butter gelato swirled with house-made peanut praline and rich peanut fudge. Meanwhile, Super Flan brings one of the brand's biggest fan faves to the masses: a creamy vanilla custard gelato rippled with Messina's in-house dulce de leche, made the proper Argentinian way. Each flavour comes in a 475ml pint, and joins the five Messina tub flavours lining Woolies shelves — namely, Pistachio Praline, Tiramisu, Dulce de Leche, Hazelnut Praline and Dulce de Leche, and Robert Brownie Jr. Since its October 2024 launch, the tub line has become one of the supermarket's best-selling frozen dessert lines, with over 500,000 pints already having flown off the shelves. While you're likely more concerned with what's going on inside the tub, the artwork on the front is worth a second look. The colourful characters that adorn each tub have been designed by Bondi-born, New York-based artist Jeremyville, who was also responsible for the vibrant murals in Messina's original Darlinghurst store. "Gelato Messina has always been about quality, creativity, and making people happy, and pushing the boundaries of flavour and quality," says Gelato Messina founder, Nick Palumbo. "Expanding into Woolworths has allowed us to share our passion with more Australians, while staying true to our roots." Messina's new P.B. Peanut Butter Fudge & Praline and Super Flan flavours are available now and exclusively at Woolworths, in the freezer aisle or online. For more info, head to the Messina website.
A Handmade Christmas Market is the dedicated festive offshoot of the Brisbane Twilight Markets, because it's that time of year. But rather than decking King George Square with plenty of presents, it's taking the gift-buying over to the State Library of Queensland. There'll be a hefty array of stalls staffed by some pretty nifty and talented artists, with more than 100 artisans selling their wares. Expect an eclectic selection of goods on offer, all of the 100-percent locally handmade variety. Plus, this market is all about sound, smell and sales — live music will provide the soundtrack to the evening, a food precinct will take care of your hunger, and expect to be hit with that spring flowerbed smell that always lingers when there's a soap stall around. The markets run on Saturday, December 8 from 10am–4pm. Take along some cash and stock up on all things crafty. Plus, there'll be an on-site artist demonstrations if all that shopping leaves you inspired.
Can you feel a tingling in your toes as your feet start to defrost? That's the feeling of winter slipping away (or maybe you've been sitting cross-legged for too long) and with its demise comes the return of Australia's beloved Moonlight Cinema. Ahhh balmy nights on the grass, we have missed you. Heralding the coming of the warmer months, Moonlight Cinema is a summertime tradition that is thankfully making a comeback despite everything 2020 has thrown our way. The film program is yet to be announced, but we'll keep you updated as soon as it is. Nosh-wise, Moonlight Cinema will again let you BYO movie snacks and drinks (no alcohol in Brisbane, though), but the unorganised can also enjoy a plethora of snacks from food trucks — perfect, messy treats made for reclining on bean beds. This season includes screens in Sydney, Melbourne, Adelaide, Brisbane and Perth, running from November through to April. Only vague dates have been announced for now, but expect to hear a lot more in the coming weeks. MOONLIGHT CINEMA 2019 DATES Sydney: November (Centennial Park) Brisbane: November (Roma Street Parkland) Adelaide: December (Botanic Park) Perth: December (Kings Park and Botanic Garden) Melbourne: January (Royal Botanic Gardens) The Moonlight Cinema kicks off in November. For more information and bookings here.
Brisbane already boasts a 'beach' right next to the riverbank, but when it comes to getting wet and wild in the city's main body of water, it seems that we can do better. Move over South Bank, because everyone might soon be heading to Teneriffe — and to Brissie's new floating pool in the middle of the river. As reported by Quest Newspapers and ABC News, a group of developers revamping the land at 17 Skyring Terrace plan to transform an existing wharf into a public riverside park, complete with a marina, public aquatic area and a 25-metre pool. And, as part of an idea presented to the Brisbane City Council, the latter would actually be located on a barge in the river. Don't worry — if the local and state levels of government agree to help move some powerlines underground, meaning that the plan can go ahead, you won't actually be swimming in the city's questionable river water (phew). Basically, it's the best of both worlds: everyone would get to splash around in the river without actually getting into the river itself. When it comes to man-made swimming spots within natural waterways, it seems that everybody's doing it, with a similar concept floated in Melbourne earlier this year. And we get it. Why wouldn't every city be jumping on the mid-river pool bandwagon, really? We're all for this idea, and we'll keep you posted on any updates. Via Quest / ABC News. Image: Emily Davies.
Annie Leibovitz once famously stated that "there are still so many places on our planet that remain unexplored. I'd love to one day peel back the mystery and understand them". It is in this spirit that National Geographic presents its Photo of the Year winners. In an effort to uncover the "unexplored" and clandestine wonders of the world, National Geographic's annual competition provides a fascinating glimpse into the incredible beauty and complexity of the natural world, the places that define it, and the people that inhabit it. In 2012 a whopping 22,000 photographs from over 150 countries were submitted, with an expert panel of judges whittling this number down to a winner in each of the three categories (people, places, and nature) and the $10,000 Grand Prize Winner. Based on its remarkable creativity and visual flair, this year's "nature" winner and overall champion was Ashley Vincent's image of Busaba, the Indochinese tigress from Thailand's Khao Kheow Open Zoo (above). Have a look below to see the rest of the winners along with the National Geographic readers' favourites and some other honorable mentions. Winner - Places The Matterhorn in Zermatt, Switzerland. By Nenad Saljic. Winner - People Workers in Kenya's Dandora Municipal Dump Site, the only dumping site for waste in Nairobi, East Africa's most populous city. By Micah Albert. Viewers Choice - Nature Female cheetah Malaika and her cub in Masai mara National Reserve, Kenya. By Sanjeev Bhor. Viewers Choice - Places An iceberg frozen in place in Pond Inlet, Nunavut, Canada. By Adam Coish. Viewers' Choice - People Explorers follow a race route over 100km of the Hardangervidda Mountainplateu, Norway to cross Greenland. By Kai-Otto Melau. Honorable Mention - Nature Thousands of fish moving in synchrony in Komodo, Indonesia. By Fransisca Harlijanto. Honorable Mention - People The traditional Chinese entertainment Dragon boating is a water sport, in Yanbu Town, Foshan City, Guangdong Province, China. By ? ??. Honorable Mention - Places The Eiffel tower in Paris on a grey day. By Indra Swari Wonowidjojo. Honorable Mention - Nature A red fox goes after a mouse hidden under 2 feet of snow in Squaw Creek, Park Country, Wyoming. By Micheal Eastman. Honorable Mention - People Stilt fishing in Midigama, Sri Lanka. By Ulrich Lambert.
If nothing says Christmas to you like catching a festive film under the stars, ideally while kicking back on bean beds and eating a picnic, then Moonlight Cinema's November and December 2022 program has you firmly in its sights. The beloved Australian outdoor movie-viewing setup is back for another summer, and it's kicking off with a heap of recent big-name flicks — plus a couple of weeks of the merriest pictures that it can find. Fresh from revealing its dates for the summer 2022–23, Moonlight Cinema has now locked in its first titles, with the openair picture palace heading to Sydney's Centennial Park, Melbourne's Royal Botanic Gardens, Brisbane's Roma Street Parkland, Adelaide's Botanic Park, and Perth's Kings Park and Botanic Garden in a matter of mere weeks. The lineup varies per city as usual, but most spots get the same movies eventually. And yes, everywhere is getting festive. Firstly, the non-Christmas lineup — which starts with Baz Luhrmann's Elvis in Brisbane on Thursday, November 24, 50s-coveting thriller Don't Worry Darling in Sydney on the same date, page-to-screen adaptation Where the Crawdads Sing in Perth on Friday, November 25, and Billy Eichner's gay rom-com Bros in Adelaide and Melbourne on Thursday, December 1. Also on the bill across all five locations: Top Gun: Maverick, Smile and Ticket to Paradise, while the likes of Bullet Train, Thor: Love and Thunder, Minions: The Rise of Gru and Black Adam screening in some cities. Everywhere is hosting a throwback session of Grease – because retro flicks are always a big part of this program — and then the festive fun begins. Yes, Elf, Home Alone, The Holiday and How the Grinch Stole Christmas are on the lineup. So is Die Hard twice and Love Actually a whopping three times. To wrap up December, there's also a preview session of Steven Spielberg's new release The Fabelmans, culinary thrills with The Menu and a preview of Australian drama Blueback — plus the family-friendly Lyle, Lyle Crocodile and Whitney Houston biopic I Wanna Dance with Somebody. The rest of the Moonlight lineup will drop month by month. Nosh-wise, Moonlight Cinema will again let you BYO movie snacks and drinks (no alcohol in Brisbane, though), but the unorganised can also enjoy a plethora of bites to eat from food trucks — perfect, messy treats made for reclining on bean beds. There'll be a VIP section for an extra-luxe openair movie experience, a beauty cart handing out samples, and dogs are welcome at all sites except Perth — and there's even special doggo bean beds, and a snack menu for pooches. MOONLIGHT CINEMA 2022–23 DATES Brisbane: Thursday, November 24–Sunday, February 19 in Roma Street Parkland Sydney: Thursday, November 24–Sunday, March 26 in Centennial Park Perth: Friday, November 25–Sunday, March 26 in Kings Park and Botanic Garden Adelaide: Thursday, December 1–Sunday, February 19 in Botanic Park Melbourne: Thursday, December 1–Sunday, March 26 in Royal Botanic Gardens Moonlight Cinema kicks off in November 2022, running through until March 2023. For more information and to buy tickets, visit the cinema's website — and we'll update you with further program details when they're announced.
It's only a few years young, but Australia's most inclusive music festival just keeps getting bigger and better. Case in point: Ability Fest just announced the jam-packed lineup of artists that'll be joining in the fun for its next instalment on Saturday, March 25 — and it's a cracker. Leading the talent firing up the crowds at Melbourne's Birrarung Marr this autumn: Aussie hip hop legends Hilltop Hoods, dance duo Mashd N Kutcher and ARIA Award-winning songstress Sampa the Great, along with names like Paris, Meg Mac, DZ Deathrays, Linda Marigliano and dameeeela. Unfolding across two stages, including one devoted to dance acts, there's something on this program for all kinds of music fiends — with SHOUSE, Telenova, Juno Mamba, Mulalo and Latifa Tee just some of the other artists who'll be working their magic at Ability Fest 2023. The brainchild of 2022 Australian of the Year Dylan Alcott and Untitled Group (the crew behind Pitch Music & Arts and Beyond the Valley), Ability Fest is carefully designed to be completely accessible and as inclusive as they come. It'll feature ramps and pathways for easy access, Auslan interpreters working alongside the artists, and elevated platforms to give everyone a shot at seeing the stage. Plus: quiet zones, a dedicated sensory area, ticketing for companions and accessible toilets. And tickets start from $89. During its life, the not-for-profit fest has raised close to $500,000 for the Dylan Alcott Foundation, while continuing to dish up primo live tunes and music experiences to Aussies of all abilities. "I'm so proud to see the path Ability Fest has already paved for inclusive events across the country," says Alcott. "First and foremost, our main priority is to create a kick-ass festival that happens to be accessible. And that's something I think we've achieved since launching in 2018." Here's the full lineup: ABILITY FEST 2023: Alex Lahey Alter Boy BROODS Daine Dameeeela DJ Cooper Smith DZ Deathrays Hilltop Hoods Juno Mamba Latifa Tee Linda Marigliano Mashd N Kutcher Meg Mac Mulalo PARIS Sampa the Great SHOUSE Telenova The Journey Tiff Cornish Tyson O'Brien YO! MAFIA Ability Fest 2023 will hit Birrarung Marr in Melbourne on Saturday, March 25. Pre-sale tickets are available from 6pm AEDT on Monday, January 23 (register online), with general tickets selling online from 12pm on Tuesday, January 24.
In 2022, Airbnb had travellers worldwide vying for nights at the Bluey house, the Scooby-Doo Mystery Machine and The Godfather mansion, plus the South Korean estate where BTS filmed In the Soop, the Sanderson sisters' Hocus Pocus cottage, Hobbiton and the Moulin Rouge! windmill, too. That's last year's batch of must-stay destinations. New year, new range of spots that you wouldn't normally get to slumber at, but can if you're lucky enough to score a reservation. And if you're keen on spending the night hearing the music of the night, you'll be excited about the accommodation platform's latest addition. If you don't know the Palais Garnier by name, that's okay — but if you've ever seen or even heard of The Phantom of the Opera, be it on the stage or screen, then you're familiar with the Parisian opera house without realising it. The theatre inspired French author Gaston Leroux's novel back in the early 20th century, after he reportedly heard rumours about the 19th century-built, 1979-seat venue. The rest is literary history, and musical history as well thanks to Andrew Lloyd Webber and company from the 1980s onwards. As an opera house, Palais Garnier doesn't usually let folks slumber overnight — whether they're wearing masks like The Phantom of the Opera's namesake or not. But for two guests, that'll change on Sunday, July 16. This'll be the first time ever that the venue has opened for a sleepover, and whoever nabs the booking will even sleep in an opera box. The theatre's largest box, aka its box of honour, is normally reserved for visiting dignitaries — but that'll mean whoever gets to stay overnight this winter, too. For the Airbnb reservation, the chamber is being turned into a bedroom, complete with heavy splashes of luxurious red and gold. Of course, actually sleeping in such rare and decadent surroundings, and soaking in Palais Garnier's splendid architecture from the best spot in the house, is just one part of the visit. Also included is a tour of the theatre's hidden areas in the Palais Garnier, which usually aren't seen by the public — such as the Opera de Paris' private archives and its famed underground lake. You'll also get a private ballet initiation with one of the company's dancers, and watch a recital by the Paris Opera Academy over champagne and hors d'oeuvres. Dinner will take place in the private Foyer de la Danse, the backstage dancing rehearsal room. Also, a tour of the private dance studios that sit beneath the building's eaves will let you scope out stunning views of the Paris skyline. Your host: Véronique Leroux, the great-granddaughter of French novelist Leroux, who is keen to "welcome 'phans' to the famous setting of his much-loved novel for a once-in-a-lifetime stay". Folks already dreaming of a night — and a Paris trip — to remember will need to get booking on Thursday, March 2 at 4am AEDT / 3am AEST / 6am NZDT. Your stay will cost you 37 euros, which is AU$57, and honours the box of honour's number. You will need to be over 18, have a verified Airbnb profile and boast a good record on the service — and getting to and from Paris is not included in the reservation, so that's at your extra expense (and you'll need to organise it). For more information about the Palais Garnier listing on Airbnb, or to apply to book at 4am AEDT / 3am AEST / 6am NZDT on Thursday, March 2, head to the Airbnb website. Images: Blue Max Media / Thibaut Chapotot.
Like karaoke? Fond of singing along to well-known songs, whether you're solo or in a group? Happy to belt out a tune from your couch? If you answered yes to all of the above questions, then it's time to up your crooning game during Australia's Biggest Singalong. If you love singing when you're in a pub with a beer in your hand, too, then you'll want to join in as well. Since early 2017 in Brisbane, Pub Choir has been amassing brew-loving music fans in venues around the city. The regular event asks its attendees to learn a particular song in three-part harmonies, with talented professionals on hand each time to show everyone the ropes and lead the way. Every evening then culminates in a big boozy singing session, with the event making its way to bigger Brissie locations over the years, as well venturing around the country. Now, it's heading to television. Set to air on SBS, NITV and SBS On Demand at 8.30pm AEST on Saturday, June 5, Australia's Biggest Singalong transports the Pub Choir format to TV — with a few adjustments, obviously. While still feeling like a far more organised version of exactly what happens whenever someone puts 'Wonderwall' or 'Weather With You' on the pub jukebox, it'll have big-name hosts in Julia Zemiro and Miranda Tapsell — and it's asking for viewers at home to record their own videos in advance, upload them and hope they'll be screened during the two-hour-long special. Multiple songs will be covered, but Hunters and Collectors' 'Throw You Arms Around Me' is the big track that eager crooners can film themselves singing in advance. Entries close on Monday, May 17, with all of the details available on the Couch Choir website — which belongs to Pub Choir's pandemic-era spinoff from last year, as you might already be aware. Hunters and Collectors lead singer Mark Seymour will be part of the broadcast, and Pub Choir co-founder and choirmaster Astrid Jorgensen will be guiding the singing, too. So, you just need to decide whether you're fine to take part from home while pouring yourself something cold from your own fridge, or if you'd rather head to the pub and sing with your mates during the show. Pub Choir's IRL events are mighty popular, with tickets getting snapped up very quickly each time, so that's something you don't have to worry about in this format. Australia's Biggest Singalong will screen on SBS, NITV and SBS On Demand at 8.30pm AEST on Saturday, June 5, Australia's Biggest Singalong. For more information, head to the SBS website. To upload your own video before Monday, May 17, visit the Couch Choir website. Images: Jacob Morrison.
It's bright, bouncy, witty and fun, but Bob's Burgers isn't a show to just watch casually while you're doing other things. Unless you give it your full attention, you might miss the details — every line of the hit animated sitcom's delightful food-themed songs, and each one of its culinary puns, too. Both help tell the story as much as the ordinary dialogue. Take the latest trailer for The Bob's Burgers Movie, for instance. It serves up another sneak peek at TV's favourite burger-slinging family on their first-ever cinematic jaunt, following the last trailer drop back in January. And, in a moment that has happened in every single small-screen episode or thereabouts, the chalkboard inside the Belcher family's burg joint sports a glorious and fitting gag. On the menu and in the movie, everything is stuck between a broc and a chard place. Set to hit cinemas in May, The Bob's Burgers Movie sees Bob Belcher (H Jon Benjamin, Archer) and his nearest and dearest facing two big dilemmas: financial troubles, and also a ruptured water main that causes a huge sinkhole right in front of the store. But that isn't all that the film promises to dish up, with a mystery that only Belcher kids Tina (Dan Mintz, Veep), Gene (Eugene Mirman, Archer) and Louise (Kristen Schaal, What We Do in the Shadows) can solve also part of the fun. This flick has been a long time coming — and not just because the series it springs from has been on the air for a whopping 12 seasons now. The Bob's Burgers Movie was originally due to reach the big screen back in mid-2020, but the pandemic got in the way. Think of it as the movie version of IRL supermarket shortages. Thankfully, 2022 is here, and The Bob's Burgers Movie is a real thing that we'll all get to feast our eyeballs on soon — before winter hits, in fact. And if your appetite for a movie-length musical comedy-mystery-adventure flick about the Belchers wasn't already ravenous, it will be after watching the latest trailer. Also, The Bob's Burgers Movie does something that no other episode of the show has been able to do so far. That'd be offer a solution to the feeling that every fan has felt more than once: not wanting this colourful, hilarious and engaging animated meal to end when you're binging through it in 20-minute episode blocks. Check out the new trailer for The Bob's Burgers Movie below: The Bob's Burgers Movie will open in cinemas Down Under on May 26, 2022. Images: Courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.
If you eagerly drink your way through the taps at most craft beer bars, then a host of tell-tale signs await the next day: headaches, cold sweats, dehydration, a queasy stomach and a strong craving for greasy food, usually. That won't be the case at BrewDog's latest venture, however, with the Scottish brewery opening up the world's first alcohol-free craft beer joint. Called BrewDog AF — with the final two letters standing for "alcohol-free", rather than the other term that instantly popped into your head — the bar launches in London on Monday, January 6. Every one of its 15 taps will pour booze-free brews, focusing on draught craft beer sans alcohol. That includes both zero-percent and 0.5-percent tipples, with the latter also officially classed as alcohol-free. On the menu: BrewDog's 0.5-percent pale ale Nanny State, as well as the alcohol-free version of their flagship Punk IPA, Punk AF. It's also creating two new booze-free brews: a coffee stout called Wake Up Call, and Hazy AF, an alcohol-free version of its New England IPA, Hazy Jane. Alcohol-free spirits and cider will be available too, as will burgers, salads and buffalo wings — and if you're looking for something to do over your booze-free pint, get ready for karaoke and bingo, among other activities. While BrewDog has been busy opening bars and breweries around the globe over the past decade — launching its first Australian site in Brisbane late in 2019, in fact — BrewDog AF marks its first fully alcohol-free venue. It's not London's first booze-free bar, or the world's, but it is the first to focus on alcohol-free (and hangover-free) craft brews. To celebrate that fact, as well as the new range of booze-free beers, the brewery has also dubbed the entire month 'drink all you can Jan' — when it comes to alcohol-free beers, that is. Not only at BrewDog AF, but at all of BrewDog's bars and breweries worldwide, drinkers can score free refills of all alcohol-free beers throughout January. BrewDog AF and its increased non-alcoholic craft brew range forms part of the company's mission to whip up a craft beer for everyone, including folks who like their brews sans booze. As brewery founder James Watt explains, "drinkers opting for low or no alcohol are in danger of compromising on quality, taste and experience. And that's just the beer – forget about places in which to enjoy it. We are going to change that. We exist to be a point of difference, and our first BrewDog AF Bar is just that." Even if a trip to London isn't in your future, BrewDog's new venture is a welcome development for anyone who has tried to forgo alcohol during Dry July, doesn't drink booze but would still like to sink a few cold ones with their mates, or can't imbibe for a number of reasons — medication interactions, other health reasons or just by choice. With non-alcoholic spirits like Seedlip and Brunswick Aces gaining more attention, bars such BrewDog AF are the natural next step. Yes, you can get non-boozy beverages like juice and soft drinks anywhere, but it's not the same as knocking back booze-free beers in a spot that celebrates the drink but not the alcohol. Find the BrewDog AF Bar at the Mews Unit of the Bower Development at 211 Old Street, London, from Monday, January 6 — open 12pm–11pm Sunday–Thursday and 12pm–11.30pm Friday–Saturday. For booze-free beer lovers in Brisbane, BrewDog's first Aussie brewery — DogTap at Murarrie — is serving up unlimited refills of BrewDog alcohol-free beers until January 31.
UPDATE, March 30, 2021: Raya and the Dragon is currently screening in Australian cinemas, and is also currently available to stream via Disney+ with Premier Access (so you'll pay $34.99 extra for it, on top of your usual subscription fee). It'll hit Disney+ without any extra fee on June 4. Featuring a vibrant animated spectacle that heroes vivid green and blue hues, a rousing central figure who is never a stock-standard Disney princess and lively voice work from an all-star cast, Raya and the Last Dragon boasts plenty of highlights. The Mouse House's new all-ages-friendly release also embraces southeast Asian culture with the same warm hug that Moana gave Polynesia and Pixar's Coco sent Mexico's way — and it's always detailed, organic, inclusive and thoughtful, and never tokenistic. But perhaps its biggest strength, other than the pitch-perfect vocal stylings of Awkwafina as the playful, mystical half of the film's title, is its timing. Disney first announced the feature back in August 2019, so the company can't have known what the world would suffer through from early 2020 onwards, of course. But a hopeful movie about a planet ravaged by a destructive plague and blighted by tribalism — and a feature that champions the importance of banding together to make things right, too — really couldn't arrive at a more opportune moment. COVID-19 has no place in Raya and the Last Dragon; however, as the picture's introductory preamble explains, a virus-like wave of critters called the Druun has wreaked havoc. Five hundred years earlier, the world of Kumandra was filled with humans and dragons living together in harmony, until the sinister force hit. Now, only the realm's two-legged inhabitants remain — after their furry friends used their magic to create the dragon gem, which saved everyone except themselves. That's the only status quo that Raya (voiced by Star Wars' Kelly Marie Tran) has ever known. Her entire existence has also been lived out in a divided Kumandra, with different groups staking a claim to various areas. With her father Benja (Daniel Dae Kim, Always Be My Maybe), she hails from the most prosperous region, Heart, and the duo hold out hope that they can reunite the warring lands. Alas, when they bring together their fellow leaders for a peaceful summit, Raya's eagerness to trust Namaari (Gemma Chan, Captain Marvel), the daughter of a rival chief, ends with the Druun on the rampage once again. Directors Don Hall (Big Hero 6) and Carlos López Estrada (Blindspotting), co-directors Paul Briggs and John Ripa (both Disney art and animation department veterans), and screenwriters Qui Nguyen (Dispatches From Elsewhere) and Adele Lim (Crazy Rich Asians) mightn't have had much of a tale to tell if Raya and Namaari had gotten on without a hitch from the get-go. But the latter's early betrayal of the former, and her quest to steal the dragon gem, serves more than a key storytelling function. This is a movie about believing not just in yourself, but in others, and it doesn't shy away from the reality that trusting anyone comes with the chance of peril and pain — especially in fraught times where the world has taken on an every-person-for-themselves mentality and folks are dying (or being turned to stone, which is the Druun's modus operandi). If the narrative hadn't been willing to make this plain again and again, including when it picks up six years later as Raya tries to reverse the devastation caused by Namaari's actions, Raya and the Last Dragon wouldn't feel as genuinely affecting. Rolling around desert wastelands on her giant armadillo-meets-pill bug Tuk Tuk, Raya's mission involves collecting every part of the now-fractured gem — which has been scattered across Kumandra — as well as investigating a legend about Awkwafina's Sisu. It's rumoured that the aquamarine-coloured dragon still lives, and Raya is as intent on finding it as she is on piecing her homeland back together. Tracking down the perennially optimistic Sisu actually happens quickly (it's right there in the movie's buddy-comedy moniker, after all) and the film is all the better for it. So giddily buoyant that she's like a teenage girl, the friendly creature becomes the supportive, exuberant cheerleader encouraging Raya to be her better self and to see the best in others, and their match-up — and the meeting of stellar vocals behind them — works a treat. That said, there is an episodic feel to the pair's jumps from place to place, as they enlist the help of a baby pickpocket, plus orphaned ten-year-old and boat restaurant proprietor Boun (Izaac Wang, Good Boys) and lonely warrior Tong (Benedict Wong, The Personal History of David Copperfield). If you're cynical or even just practical, you can also see how all these characters and settings could give rise to their own toys, other merchandise and spinoffs, too. And yet, this is always a deeply moving feature, thanks to its commitment to recognising the risks as well as the rewards of placing your faith in others, its warmly beating heart, and the complexities of Raya and Namaari's relationship — which is never straightforward, and puts the one-note rivalries between young women so often seen in live-action high school-set movies to shame. A familiar Disney formula is at work underneath, and noticeably, but those easily spotted aspects provide Raya and the Last Dragon with its skeleton rather than driving every detail into well-worn territory. Also hitting the mark: the film's comic notes, especially through Awkwafina's voice performance; its balance of world-building fantasy and epic adventure, and of both hopeful and melancholy tones; and the way it equally plays like a fable and also feels ideally suited to the current moment. Tran, Chan and the rest of the movie's cast, including Sandra Oh (Killing Eve) as Namaari's mother, are just as wonderful, and the feature's finale leaves an imprint. Amid these fine-tuned elements and the always-breathtaking imagery also lingers another message, and one that's just as important as the flick's missive of unity. Clouds of familiarity linger over Raya and the Last Dragon, but they never hide the movie's many charms — because judging something based on its most obvious traits is ill-advised within this touching tale, and when it comes to the film as a whole as well. https://www.youtube.com/watch?v=0T4GIqEYyNk&feature=youtu.be Top image: © 2020 Disney. All Rights Reserved.
Ted Lasso fans, rejoice — the Magic Mike franchise is taking its lead from the hit sitcom now. Swap soccer for stripping, obviously. From there, the sports-themed favourite and Magic Mike's Last Dance both transport their namesakes to London, then give them jobs under wealthy women managing publicly beloved assets after bitter marriage breakdowns, all as those ladies try to spite their exes while also finding themselves and sorting out their lives. In the third film in the Channing Tatum (Bullet Train)-starring series, there's a team to oversee featuring players from around the globe, too, plus a gruff butler doing his best not-AI Roy Kent impression. And, it all climaxes with a showcase event demanding dedicated training. That said, only this exceptionally choreographed but never earth-shattering flick fills its final quarter with wall-to-wall gyrating, including a male-revue number soundtracked by 1998 Dandy Warhols' single 'Boys Better' that has to be seen to be believed. New Magic Mike movie splashing glistening chiselled abs across the screen, same Magic Mike, though. Tatum and filmmaker Steven Soderbergh (Kimi) — the prolific creative force who helmed, shot and spliced the first instalment; then just lensed and cut the second with his regular assistant Gregory Jacobs (Wind Chill) directing; and now returns to his trio of OG roles (still credited as Peter Andrews for his cinematography and Mary Ann Bernard for his editing) — have Mike Lane living his own Groundhog Day in a way. The more things change, the more that plenty stays the same for the saga's hero. This series started out not just putting its star's ripped physique and knack for erotic dancing to eye-catching use, but drawing upon his own story thanks to Tatum's past onstage Florida. He isn't currently getting by stripping while striving to follow his passion, of course. Before Magic Mike was scorching the screen, he'd already made it big. But these films, all three of which are penned by Reid Carolin (Dog), understand that Tatum's reality isn't the way that this tale usually goes. In the franchise's first 2012 strip, Mike strutted in g-strings to make cash to design custom furniture, but little was turning out as planned. In 2015 sequel Magic Mike XXL, Mike and his fellow Kings of Tampa (Archenemy's Joe Manganiello, The Boys in the Band's Matt Bomer, John Wick's Kevin Nash and Criminal Minds' Adam Rodriguez) kept disrobing on the road to other fully attired goals, but the group and film wholeheartedly appreciated the joy and empowerment that the series' central line of work gifts women. This time, Mike's business went bust in the pandemic, so he's bartending in Miami. When ultra-rich socialite Maxandra Mendoza (Salma Hayek Pinault, House of Gucci) tempts him back with a $6000 private sensual gig — because she needs a distraction from her messy separation — his prowess moving his hips and removing his clothing firmly remains a means to an end. Pouring drinks at a waterside charity gala, crossing paths with a former client from the first flick and spending a night dazzling Max: that's how Mike winds up on a plane to the UK, once more just following the money. Soon he's staying in Max's home — where valet Vincent (Ayub Khan-Din, London Bridge) frowns and Max's teen daughter Zadie (Jemelia George) proves cynical — and also turning director. In her divorce proceedings from adulterous media mogul Roger Rattigan (Alan Cox, New Amsterdam), she's now the owner of a theatre that shares his surname, and she has a Mike-inspired itch she wants scratched. Ditching the stuffy period drama that's been treading the boards there for years, she tasks him with spreading his talents by putting together an upmarket performance. Not that Magic Mike Live needs it, but Magic Mike's Last Dance doubles as an ad for the IRL tour, while having Tatum and company work towards staging exactly that kind of production. To address the 'Pony' in the room, Ginuwine's track gets another spin, its slinky, sultry beats again capturing the mood throbbing through this steamy, sweaty, lusty and thrusting — and sex- and body-positive — saga. Magic Mike's Last Dance makes viewers wait for the tune the series is virtually synonymous with, a delay that doesn't matter at all to the movie itself yet also echoes the underlying approach. Unlike round one, this isn't primarily a playful drama about the struggle to pursue the American dream. Unlike this stripper-verse's second swing, it isn't a joyous comedy, either. Teasing out what it knows the audience wants, it's primarily a will-they-won't-they romance and a backstage musical instead — a move that, although packaged with Tatum's smooth moves alongside his mostly personality-free fellow dancers, and given its pulse through Tatum and Hayek Pinault's chemistry, comes oiled with by-the-numbers melodrama. Viewers might remember that Magic Mike XXL was touted as a last ride, too; this second final hurrah isn't as focused or as thrilling a swan song. There's a clunkiness and awkwardness to Magic Mike's Last Dance that begins with the film's narration, which waxes lyrical about the seductive and connective power of dance, yet also feels distancing as it waves about an unnecessary fairy-tale vibe. Compared to its predecessors, this supposed farewell is tamer and politer in tone even at its raciest. It yearns for more titillation, and more flesh to back up Max's certainty that the world needs and women want Mike's skills — and it longs for more of Manganiello, Bomer, Nash, Rodriguez and their male camaraderie. Midway through, Magic Mike's Last Dance temporarily twists into Ocean's- and Logan Lucky-style caper, adding pointless padding. And while championing female pleasure, desire and erotic fantasies still thrums through the movie, it's with a light buzz rather than anything deeply penetrating. Still, at their weightiest (part one) and most entertaining (part two, also the horniest), the Magic Mike movies have never been flawless — and Magic Mike's Last Dance has other charms. Whenever dancing bumps and grinds across the screen, presses up against windows, dangles from beams or slides through onstage puddles (giving 2023 its second Singin' in the Rain nod in as many months), the film is ecstatic, as well as varied in its types and forms of fleet footwork. Whenever the committed Tatum and Hayek Pinault share the frame, flirting, bantering and getting acrobatic in that helluva opening tango, intimacy and radiance pierces through Soderbergh's uncharacteristically dark lensing. Indeed, when there's genuine heat to Magic Mike's Last Dance, it sizzles from that choreography and that core duo. Everything else too often feels like foreplay at its most routine and half-hearted.
Paying tribute to great authors and writers is easy. Libraries beckon, as do whatever happens to be on your own bookshelf or Kindle. Getting the chance to celebrate the talents behind some of the greatest works of literature ever committed to paper in a stunning exhibition is far more rare, however. Indeed, Writers Revealed: Treasures From the British Library and National Portrait Gallery, London is a world-first. Clearly, it's a special treat for word nerds — especially if you're a fan of Jane Austen, William Shakespeare, JRR Tolkien, Bram Stoker, the Brontë sisters, Virginia Woolf, Sir Arthur Conan Doyle and more. What goes on display at a showcase dedicated to wordsmiths? Featuring at HOTA, Home of the Arts on the Gold Coast from Saturday, April 12–Sunday, August 3, 2025, Writers Revealed spans author portraits, plus rare handwritten manuscripts and first editions. Over 70 pieces of art include the likenesses of the writers responsible for Pride and Prejudice, Romeo and Juliet, The Lord of the Rings, Dracula, Wuthering Heights, Sherlock Holmes and other masterpieces. More than 100 texts are on the lineup, too, with six centuries of literature covered. [caption id="attachment_987065" align="alignnone" width="1920"] Jane Austen by Cassandra Austen, pencil and watercolour, circa 1810. © National Portrait Gallery, London[/caption] As the exhibition's full name states, this is a collaboration between the British Library and the National Portrait Gallery, London. If you're wondering why the two institutions are pairing portraits with texts, one of the showcase's aims to explore how literature and visual expression are linked. Also in the spotlight: the legacy of influential writers, plus digging into their creative processes. Oscar Wilde, Harold Pinter, William Blake, Charles Dickens, Lewis Carroll, Lord Byron, TS Eliot, Thomas Hardy, James Joyce, DH Lawrence, John Keats, William Wordsworth and Rudyard Kipling are some of the other greats earning Writers Revealed's attention, as are AA Milne, Beatrix Potter, Dylan Thomas, Sir Kazuo Ishiguro and Zadie Smith. Among the highlights that's filling 1000 square metres in HOTA's Gallery 1 for 16 weeks: Austen's writing desk, what's thought to be the only Shakespeare portrait to be painted while he was alive, illustrated letters from Tolkien to his grandson, Lewis Carroll's diary entry about Alice in Wonderland and Virginia Woolf's handwritten Mrs Dalloway manuscript. [caption id="attachment_987063" align="alignnone" width="1920"] Charles Dickens by Daniel Maclise, oil on canvas, 1839. © National Portrait Gallery, London[/caption] Top images: William Shakespeare, associated with John Taylor, oil on canvas, feigned oval, circa 1610. © National Portrait Gallery, London. Beatrix Potter by Delmar Harmood Banner, oil on canvas, 1938. © National Portrait Gallery, London. Harold Pinter by Justin Mortimer, oil on canvas, 1992. © National Portrait Gallery, London.
Alex Chinneck carved up the road today, and not in a Top Gear way. Literally ripped it up. The Hackney-based installation artist, who recently made a section of Covent Garden 'levitate', has today unveiled his latest work at London's Southbank Centre, Pick Yourself Up and Pull Yourself Together. Sitting in the Hungerford Car Park of the Southbank Centre, the work sees a sizeable bit of tarmac pulled up in a wave, casually suspending a Vauxhall Corsa 4.5 metres above the ground. Using cars in installation art is no mean feat; if you caught Cai Guo Qiang's Inopportune at the 2010 Biennale of Sydney you'll know what we're saying. Commissioned by Vauxhall as a made-you-look type of spectacle activation, Chinneck's installation uses hidden steel to keep the car in place — the work involved a whole bunch of metal workers, carpenters, tarmac layers, structural engineers, steel benders and road painters. Best bit? The team installed the artwork overnight. Crafty devils. Via Dezeen.
The eighth season of Game of Thrones won't hit our screens until 2019 — and while waiting it out might just be the less-frosty equivalent of facing a White Walker, there's something more painful in store. As you probably already know and have tried to forget, the next run of episodes will be the show's last. That said, HBO isn't letting go of its hugely popular commodity completely While we'll all be saying goodbye to Jon Snow, the scheming Lanisters, and Daenerys and her dragons when the series wraps up, Westeros isn't going anywhere. Last year, the US network announced it was considering five different prequel ideas, and it's now doing more than that, greenlighting a pilot for a spinoff set thousands of years before the events of Game of Thrones. Co-created by A Song of Ice and Fire author George RR Martin with British screenwriter Jane Goldman (Kick-Ass, X-Men: First Class, X-Men: Days of Future Past, and the two Kingsman movies), the unnamed series will chronicle "the world's descent from the golden Age of Heroes into its darkest hour", Variety reports. Although HBO have only agreed to make an initial episode to test the waters, you don't have to be the Three-Eyed Raven to see that it's highly likely the show will get the final go-ahead. If/when that eventuates, expect to start feasting on your new favourite show in 2020 at the earliest. Via Variety.
When it comes to showcasing up-and-coming Australian musical talents, and also celebrating the country's music industry in general, Brisbane's BIGSOUND has never held back. Going big is right there in its name, after all. So, with the event finally making its in-person return after a pandemic-afflicted couple of years — and also marking its 21st birthday — it should come as no surprise that it's set to host its biggest lineup ever. Back in April, BIGSOUND confirmed its comeback details for 2022, including dates and basic numbers — a four-day event including the conference side of things, running from Tuesday, September 6–Friday, September 9, and popping up in 21 different venues, to be precise. It also promised that more than 150 bands and artists would take to its stages, too. Now that the full bill is here, that figure has gone up to a whopping 182. [caption id="attachment_861893" align="alignnone" width="1920"] Jess Gleeson[/caption] That's 38 artists more than the last in-person event, in 2019, boasted — and they'll take to 23 stages at those 21 Fortitude Valley venues over three nights. Leading the charge: Adrian Dzvuke, Budjerah, flowerkid, Dallas Woods, Mia Wray and Teenage Joans, as well as Dulcie, Ghost Care, Ashwarya, Birdz, Jem Cassar-Daley, Concrete Surfers and VOIID. The list goes on, and also includes the event's first BIGSOUND Country lineup, spanning country The Buckleys, Hinterland, DARLINGHURST, Loren Ryan, Melanie Dyer, Taylor Moss and The Wolfe Brothers. A contingent from New Zealand will head over as well, with JessB, Soaked Oats, Troy Kingi, TE KAAHU, Church & AP, MELODOWNZ and Jenny Mitchell making the trip. [caption id="attachment_861894" align="alignnone" width="1920"] Lachlan Douglas[/caption] Wondering which venues will be doing the honours? The list features everywhere from Black Bear Lodge and both inside and outdoors at The Brightside through to The Wickham and The Zoo. If you're a BIGSOUND regular, you'll know what all of this entails: jumping between as many spaces as possible, all teeming with as many bands, industry folks and music-loving punters as possible, and enjoying the latest and greatest tunes and talent that's on offer. Expect 2022's iteration to be no different to usual — well, the pre-pandemic usual — although the vibe is set to jump up a few notches given that there's so much to celebrate. [caption id="attachment_851420" align="alignnone" width="1920"] Bianca Holderness[/caption] Past events have showcased everyone from Gang of Youths, Flume, Tash Sultana and Courtney Barnett to San Cisco, Violent Soho, Methyl Ethel and The Jungle Giants, making the BIGSOUND program a very reliable bellwether of current and up-and-coming musos. This year's fest will also include 300 artist showcases and more than 20 parties, while the conference side of things will welcome in 150-plus speakers over 55 sessions (and more than 1500 delegates as well). Leading the conference bill so far: 'Friday' singer Rebecca Black; activist, author and #MeToo movement founder Tarana Burke; Mushroom Group CEO Matt Gudinski; and Jaguar Jonze and Example. BIGSOUND's return to the Valley's streets follows a virtual event in 2020, and comes after 2021's fest was originally slated to go ahead in-person, but had to cancel due to COVID-19. [caption id="attachment_851423" align="alignnone" width="1920"] Lachlan Douglas[/caption] BIGSOUND 2022 FESTIVAL LINEUP: Adam Newling Adrian Dzvuke AGUNG MANGO Alter Boy Andrew Gurruwiwi Band Andrew Swift Andy Golledge Anesu Aodhan Asha Jefferies Ashwarya Ayesha Madon Baby Cool Banjo Lucia Beckah Amani BIG SKEEZ BIG WETT Birdz BLOODMOON Blusher Bones and Jones BOY SODA Brekky Boy Bud Rokesky Budjerah Bumpy C.O.F.F.I.N Caroline & Claude Chanel Loren Chloe Dadd Church & AP CLOE TERARE Club Angel Cody Jon COLLAR CONCRETE SURFERS cookii Dallas Woods dameeeela Daniel Shaw DARLINGHURST Dean Brady Death by Denim Diimpa Dulcie Eastbound Buzz EGOISM Eilish Gilligan Eliza Hull Eluize Enclave ENOLA Evie Irie Fash Five Island Drive flowerkid FLY BOY JACK Folk Bitch Trio Forest Claudette FOURA Franko Gonzo Full Flower Moon Band Future Static Germein Ghost Care Girl and Girl Gold Fang Grace Cummings and Her Band Grand Pine Great Sage Greatest Hits grentperez Greta Stanley Grievous Bodily Calm Hallie HANNI Hauskey Hinterland Holliday Howe Hope D ISUA JACOTÉNE JELLY OSHEN Jem Cassar-Daley Jenny Mitchell Jerome Farah Jess Day JessB June Jones KANADA THE LOOP Kee'ahn KEYAN Kid Pharaoh Kutcha Edwards LÂLKA Lee Sugar LION Liyah Knight Loren Ryan LOSER MALi JO$E Melaleuca Melanie Dyer MELODOWNZ Memphis LK merci, mercy Mia Wray Mitch Santiago Molly Millington Monnie Moonboy Moss MOUNTAIN WIZARD DEATH CULT Mr Rhodes Mulalo MUNGMUNG Mvlholland Newport Nick Griffith Nick Ward Noah Dillon OK HOTEL Old Mervs Phoebe Go Pink Matter Platonic Sex Queen P RinRin Romero Roy Bing Ruby Gill Ryan Fennis & Voidhood Saint Ergo Sam Windley San Joseph Sappho Sarah Wolfe SayGrace Selfish Sons Selve Shanae (FKA MADAM3EMPRESS) Shannen James Siobhan Cotchin Skeleten Soaked Oats SOPHIYA South Summit Srirachi Stevan Suzi Talk Heavy Tasman Keith Taylor Moss TE KAAHU Teenage Dads Teenage Joans Teether & Kuya Neil Tentendo The Atomic Beau Project The Buckleys The Last Martyr The Rions THE RIOT The Terrys The Wolfe Brothers To Octavia Toby Hobart Troy Kingi Tulliah VOIID VOLI K Waxflower WIIGZ Wildheart Woodes Yb. Yen Strange yergurl YNG Martyr Zeolite ZPLUTO BIGSOUND 2022 VENUES: Black Bear Lodge Blute's Bar The Brightside The Brightside Outdoors EC Venue Ivory Tusk King Lear's Throne La La Land O'Skulligans The Outpost Press Club The Prince Consort Hotel Prohibition Ric's Bar + Backyard Stranded Bar Summa House Tomcat The Warehouse The Wickham Woolly Mammoth Mane Stage The Zoo BIGSOUND 2022 will take place between Tuesday, September 6–Friday, September 9 in Fortitude Valley, Brisbane. For more information, or to buy tickets, visit bigsound.org.au. Top image: Bianca Holderness.
Punching has never been what matters most in the Creed movies, no matter how fast and furiously fists frequently fly. One of the key things that's always set this boxing franchise apart — with its first instalment landing in 2015 and sequel Creed II hitting in 2018 — is its focus on character and emotion first and foremost, including favouring both above going round for round in the ring. Blows are traded, obviously. Bouts are fought, bruises inflicted, bones broken and titles won. But the Creed saga has kept swinging again and again, leading to latest instalment Creed III, because it's still about its namesake, who he is as a person, and his feelings, demons and conflicts. When you have Michael B Jordan (Just Mercy) leading a series — even when it's a part of the broader Rocky series, or perhaps especially when that's the case — you give him the room to dig deep. You also give him weighty material to bear, as well as the space to bare Adonis 'Donnie' Creed's soul. Jordan gives himself that room, weight and space in Creed III, in the actor's first stint as a director. Notching up a ninth chapter for the overall saga that dates back to 1976's three-time Oscar-winner Rocky, this is also the first film to sport either that character or Creed's moniker but not feature Sylvester Stallone on-camera — or his involvement beyond a producer credit. Creed III is all the better for Rocky Balboa's absence, despite Stallone turning in his best performance yet in the initial Creed film. Understanding what it means to move on and openly unpacking what that truly entails is something else this franchise-within-a-franchise has long gotten right. So, Donnie has moved on from struggling with his father's legacy, and from his need to live in the past. He has another date with history, but Jordan and screenwriters Keenan Coogler (Space Jam: A New Legacy) and Zach Baylin (King Richard) — with a story also credited to the original Creed's director Ryan Coogler (Black Panther: Wakanda Forever) — aren't just mindlessly repeating the series' pattern. Creed III begins by going back to where Donnie's story started on-screen — actually, by venturing even further back, meeting him as an idolising teen (Thaddeus J Mixson, The Wonder Years). It's 2002, he lives in a group home, and the slightly older Damian 'Dame' Anderson (Spence Moore II, AP Bio) is a best friend as close as a brother, his mentor, and also a boxing prodigy. But a night showered in glory turns traumatic and violent, ending with Dame being incarcerated for the best part of two decades. Jump to the film's present, where Donnie has thrown in the gloves but remains tied to his chosen sport thanks to his Los Angeles boxing gym, plus managing a stable of champions and hopefuls. Jump, too, to Dame (Jonathan Majors, Ant-Man and the Wasp: Quantumania) resurfacing fresh out of prison, wanting not just to reconnect but a title shot. The Rocky and Creed world sure does love an underdog. That's Dame, with only adolescent boxing achievements on his resume, but a certainty that he should challenge Donnie-managed reigning victor Felix Chavez (IRL pro boxer Jose Benavidez) for the belt. Even with plenty of its attention floating like a butterfly to the past, and stinging like a bee in what it sees, the movie wouldn't progress from there, of course, if its titular figure could himself resist the little guy — in the sport's hierarchy, not in stature. A hallmark of all things Rocky and Creed has always been giving the up-and-comer a go, as happened with Balboa and as he provided Donnie. So, true to the template but never only making itself about that tried-and-tested template, Creed III follows suit. This threequel-slash-ninequel isn't handing over the spotlight to its latest contender, though, no matter how magnetic and compelling Majors reliably proves (see also: The Last Black Man in San Francisco, Da 5 Bloods, Lovecraft Country and The Harder They Fall). He's Hollywood's current go-to for new villains in third efforts, and impressively so — particularly against the fellow heavyweight acting talent Jordan — but it's a touch unfortunate that Creed III drops in such short succession after the third Ant-Man rather than giving his efforts in both time to breathe. Inevitably, getting Jordan and Majors facing off in the ring, and getting Donnie back in the ring to do so, is a matter of when not if. The script obliges after Dame plays nice with Donnie's musician spouse Bianca (Tessa Thompson, Thor: Love and Thunder) and daughter Amara (Mila Davis-Kent, The Resident), who is deaf, but turns on his childhood pal on dime when he gets a taste of success and years of festering resentment bleeds out. Jordan directs with tension, intensity, energy, heft and a welcome willingness to get trippy with fight scenes, as aided by cinematographer Kramer Morgenthau (The Many Saints of Newark) — and with pace to the requisite training and match montages, with help from editors Tyler Nelson (The Batman) and Jessica Baclesse (Breakwater). Creed III is visually and viscerally immersive and engaging; in the process, Jordan also crafts a movie that plots a showdown between hard work and entitlement. In one corner sits someone committed to the toil, and to earning his rewards. In the other lurks a force driven by believing he's owed, that his wins must be someone else's losses, that his enemies must suffer for him to be happy, and by spite and revenge. The Cooglers and Baylin layer in genuine and complicated reasons for Dame's bitterness towards Donnie, but never justify his unhealthy way of handling his emotions — something that the Creed films have spent two prior instalments working through with his target. If a long-held grudge linked to childhood events sounds familiar, especially with Jordan involved, that's unsurprising. So should a suddenly arriving antagonist desperate to settle a score with someone enjoying power and prominence, plus duels over a throne of sorts. Jordan sparred through them all in Black Panther, which Ryan Coogler helmed after the first Creed (the pair's third collaboration, after 2013's exceptional Fruitvale Station before both). That leaves Creed III moving on from the Italian Stallion by following in footsteps other than its own franchise's — but still following in footsteps. It asks similar questions about masculinity, strength and heroism as Black Panther. It thrives on the dynamic between its two warring men, and on the performances the actors behind them give, too. It nods towards a different future for the saga as Wakanda Forever does as well. Also, it doesn't pack as hard a punch lingering beneath that shadow; Creed III is no knockout it's still a worthy bout.
Sundays are all about rounding out your weekend the right way. Coast into the week-to-come with lasting good vibes from the most cruisy activities possible — bonus points if this includes food and drink. So tick all the boxes with an afternoon of free live music at Livespark, hosted by the SUGARRUSH Music crew at the Powerhouse Turbine Platform. Slide into a seat in this cathedral-like space, and listen to the mellow sounds of I Heart Songwriting Club. Post-gig you can slip downstairs to keep your Sunday session going with a jug of Pimm's and tasty share plates at the riverside Watt Restaurant. Image: Brisbane Powerhouse.
If you endured Morbius in 2022, finding joy only in the 'it's morbin' time' meme, you weren't alone: the annual Golden Raspberry Awards also deemed it one of the past year's worst movies. Famously designed to recognise that all films can't be great, good or even watchable, the accolades always drop its winners for the year just before the Oscars — and as the current awards season comes to an end, it's that time again. Morbius took home Worst Actor for Jared Leto and Worst Supporting Actress for Adria Arjona, with the supervillain flick tying with Blonde and Elvis for the most amount of wins: two apiece. Blonde, starring Ana de Armas in her Oscar-nominated role as Marilyn Monroe, was anointed 2022's Worst Picture and Worst Screenplay, while Baz Luhrmann's king of rock 'n' roll biopic Elvis notched up a pair of awards for Tom Hanks. Firstly, the beloved actor nabbed the Worst Supporting Actor prize for playing Colonel Tom Parker. Secondly, he took out the Worst Screen Combo Award for his partnership with his latex-laden face (and, in the words of the Razzies, "that ludicrous accent"). Elsewhere, Disney's live-action Pinocchio — which isn't the same as Guillermo del Toro's Pinocchio, as the Razzies also point out — won Worst Remake, Ripoff or Sequel. And, Machine Gun Kelly's stoner comedy Good Mourning collected the Worst Director accolade for Machine Gun Kelly and Mod Sun. The Razzies also gave itself a gong: the Worst Actress Award. Back when its 44th nominations were announced, child actor Ryan Kiera Armstrong was among the Worst Actress contenders for Firestarter, which unsurprisingly sparked a backlash. So, the Razzies removed her from the nominees and took the prize itself instead. "The Razzies, for the first time in their history, took a Razzie themselves. After their blunder of nominating someone who should not have been considered, the organisation was put through the cyberworld blender," the awards said in its winners announcement. "They publicly apologised to the actress, changed the rules for anyone under 18, rescinded the nomination and put themselves in her place on the ballot — which won by a landslide," the Razzies continued. These accolades aren't just about calling out terrible movies, or terrible aspects of them — a task that, like handing out all awards, is subjective. The Razzies also give a prize to someone it decides has redeemed themselves from their past Razzie-level work. This year's recipient: Colin Farrell, awarded for going from 2004 Worst Actor nominee to 2022 Best Actor Oscar frontrunner (for The Banshees of Inisherin). Check out the full list of 44th Annual Razzie Award nominees and winners below: GOLDEN RASPBERRY NOMINEES 2022: WORST PICTURE Blonde — WINNER Disney's Pinocchio Good Mourning The King's Daughter Morbius WORST ACTOR Colson Baker (aka Machine Gun Kelly), Good Mourning Pete Davidson (voice only), Marmaduke Tom Hanks (as Gepetto), Disney's Pinocchio Jared Leto, Morbius — WINNER Sylvester Stallone, Samaritan WORST ACTRESS The Razzies for their 43rd worst actress nominations blunder — WINNER Bryce Dallas Howard, Jurassic Park Dominion Diane Keaton, Mack & Rita Kaya Scodelario, The King's Daughter Alicia Silverstone, The Requin WORST SUPPORTING ACTOR Pete Davidson (cameo role), Good Mourning Tom Hanks, Elvis — WINNER Xavier Samuel, Blonde Mod Sun, Good Mourning Evan Williams, Blonde WORST SUPPORTING ACTRESS Adria Arjona, Morbius — WINNER Lorraine Bracco (voice only), Disney's Pinocchio Penelope Cruz, The 355 Bingbing Fan, The 355 and The King's Daughter Mira Sorvino, Lamborghini: The Man Behind the Legend WORST SCREEN COMBO Colson Baker (aka Machine Gun Kelly) and Mod Sun, Good Mourning Both real life characters in the fallacious White House bedroom scene, Blonde Tom Hanks and his latex-laden face (and ludicrous Aaccent), Elvis — WINNER Andrew Dominik and his issues with women, Blonde The two 365 Days sequels (both released in 2022) WORST DIRECTOR Judd Apatow, The Bubble Colson Baker (aka Machine Gun Kelly) and Mod Sun, Good Mourning — WINNER Andrew Dominik, Blonde Daniel Espinosa, Morbius Robert Zemeckis, Disney's Pinocchio WORST REMAKE, RIPOFF or SEQUEL Blonde Both 365 Days sequels: 365 Days: This Day and The Next 365 Days Disney's Pinocchio — WINNER Firestarter Jurassic World Dominion WORST SCREENPLAY Blonde — WINNER Disney's Pinocchio Good Mourning Jurassic World Dominion Morbius RAZZIE REDEEMER Colin Farrell for going from 2004 Worst Actor nominee to 2022 Best Actor Oscar frontrunner.
It was back in September 2022 that Weird: The Al Yankovic Story first hit screens, premiering at the Toronto International Film Festival with its happily ridiculous take on its namesake's life, and with Daniel Radcliffe (The Lost City) sporting a mop of curls to play the titular part. And, it was in November last year that the film became available to stream in the US, releasing via The Roku Channel. Since then, however, there has been no sign of the movie Down Under. That is, unless you took Weird Al's advice. The man himself noted on Twitter at the time that "Roku's working on it. In the meantime there's VPN (Very Probably No) way to watch it legally. I'm sure you have a TORRENT of other questions, but I have to move along, sorry." Roku's working on it. In the meantime there's VPN (Very Probably No) way to watch it legally. I'm sure you have a TORRENT of other questions, but I have to move along, sorry. — Al Yankovic (@alyankovic) November 5, 2022 Thankfully, come Thursday, March 2, Weird: The Al Yankovic Story will finally hit streaming in Australia thanks to Paramount+. When you're not getting yourself and egg and beating it, you might want to mark that date in your diary. This is the 100-percent Weird Al-authorised take on his own accordion-playing existence, so expect 'weird' to be the word in more ways than one. Indeed, in too many music biopics to count, a star is born — and also rises to fame after putting their talents towards a dream that's inspired them as long as they can remember. Weird: The Al Yankovic Story follows that same formula, but also parodies it. It wouldn't be a movie about Weird Al if it didn't take something that already works, then give it a satirical spin, now would it? "My whole life, all I wanted was to do... was make up new words to a song that already exists," Yankovic, as played by Daniel Radcliffe (The Lost City), says Weird's full trailer — which, yes, looks gloriously ridiculous. This line bookends glimpses of a childhood Al happily thumbing through accordion magazines and getting caught at a polka party. In other words, this humorous look at the man behind oh-so-many humorous songs takes the exact approach a film about Weird Al really has to. Viewers can also expect: accordions, obviously; recreations of Weird Al's film clips and live performances; oh-so-many Hawaiian shirts; chaotic meetings with Madonna, as played by Westworld's Evan Rachel Wood; and origin stories behind tracks like 'My Bologna' and 'Like a Surgeon'. Beneath wire-framed glasses, those shirts, that hair and Yankovic's instantly recognisable moustache — and in a piece of casting that seems like it jumped straight from the internet — Radcliffe looks to be having the time of his life as the musician behind 'Another One Rides the Bus', 'Smells Like Nirvana' and 'Amish Paradise', plus comedic riffs on pretty much every other big song of the past four-plus decades that you can think of. Yankovic is one of the screenwriters, alongside director Eric Appel (a TV sitcom veteran with Happy Endings, New Girl, Brooklyn Nine-Nine and top-notch cop-show parody NTSF:SD:SUV on this resume). If the man in the spotlight's career has taught us all anything apart from the wrong words to pop hits, it's that he doesn't take a single thing, including himself, seriously. Weird: The Al Yankovic Story will hit Paramount+ in Australia with perfect timing, because Yankovic is touring the country in March, playing Melbourne, Adelaide, Sydney, Perth and Brisbane. Check out the trailer for Weird: The Al Yankovic Story below: Weird: The Al Yankovic Story will stream in Australia from Thursday, March 2 via Paramount+.
When cinemas around the globe started temporarily shutting down in March 2020 due to the COVID-19 pandemic, horror sequel A Quiet Place Part II was only weeks away from opening. The film's release was quickly moved to September 2020, when it was hoped that life might've returned normal — and, when that didn't end up panning out, to April 2021. Now, the film has just shifted its release date again, this time staking out mid-September as the new time that cinephiles will be able to see the John Krasinski-directed, Emily-Blunt-starring follow-up to 2018 hit A Quiet Place. Cinemas Down Under are currently up and running, and have been for months (although Melbourne's reopened, then closed down again during the city's second lockdown in the latter half of 2020, then relaunched once more). But with COVID-19 numbers still enormously high in places such as the US and UK — with many cinemas closed in America and all of them presently shut in Britain — Hollywood studios aren't willing to release their big movies on the silver screen and risk low box office returns. Over the past week, the companies behind a heap of high-profile films that had already been delayed at least once over the past year announced that they'd be postponing them yet again. That includes No Time to Die, the latest Bond flick and the last that's set to star Daniel Craig. It was actually the first big movie to reschedule its 2020 release, moving from April to November, then to April 2021. It's now set to reach screens on October 8 this year. https://twitter.com/007/status/1352416833815633922 If you were looking forward to more Ghostbusters, you'll need to wait longer for that as well, with the Paul Rudd-starring Ghostbusters: Afterlife making its latest shift to November. The Spider-Man-related Morbius, featuring Jared Leto, moved from October 2021 to January 2022, while The King's Man — the next instalment in the Kingsman franchise — postponed its release from March to August this year. At the moment, both Black Widow and Fast and Furious 9 are still set to release in the first half of 2021 — on April 29 and May 27 Down Under — but don't be surprised if they move back as well. Actually, as has proven the case for almost a year now, constantly moving release dates is just a regular of pandemic life for the time being. Some flicks that shouldn't be changing their release plans in Australia and New Zealand: Dune, Godzilla vs Kong, The Suicide Squad, The Matrix 4, In the Heights and the latest Conjuring film. All of the above were produced by Warner Bros, who announced in 2020 that it'd launch movies in cinemas were they could and on streaming platform HBO Max at the same time where the latter is available, enabling it to keep to a schedule and not have to continually push releases back. New movies are still hitting in cinemas Down Under each week at the moment, of course, and will continue to do so; however, you can probably expect the next few months to be light on big-name flicks — and possibly even longer depending on how the pandemic continues to play out. And, as for whether any of the above repeatedly delayed movies will shift to streaming platforms as Mulan, Soul and Hamilton did in 2020, it doesn't seem overly likely while studios are willing to just keep pushing their dates for them back instead. To check out the new releases screening in Australian cinemas from this week, check out our weekly rundown and reviews. Top image: Jonny Cournoyer. © 2019 Paramount Pictures. All Rights Reserved
Australians, it's time to break out the gin and juice again — because Snoop Dogg is coming back to our shores. For the first time since 2014, the rapper is hitting stages Down Under as part of this new 'I Wanna Thank Me' tour, which'll be playing arenas in Perth, Sydney, Melbourne and Brisbane in October and November 2022. Clearly, the musician/actor/cook book author/wrestling MC/wine brand owner will be dropping shows like they're hot as he raps his way through the RAC Arena, Qudos Bank Arena, Rod Laver Arena and Brisbane Entertainment Centre. He'll also be inspiring hip hop fans to be the life of the party and, if you can remember his time as Snoop Doggy Dog and Snoop Lion across his career, to ask about his name as well. Yes, you can expect to hear singles such as 'What's My Name?', 'Gin and Juice', 'Drop It Like It's Hot' and 'Snoop's Upside Ya Head', as well as tracks from his latest album — which shares its moniker with the tour. His 17th record, I Wanna Thank Me came out in 2019. So did a documentary with the same title, which you can watch in parts on Snoop's offical YouTube channel if you need something to tide you over while you wait for his new live shows. After a lack of big international tours coming our way for the past two years due to the pandemic, Snoop joins a growing list of musicians that are planning to head to Australia in 2022. So, you might need to slot his shows into your diary alongside gigs by Tyler, The Creator, Alanis Morissette, Lorde and My Chemical Romance. SNOOP DOGG 'I WANNA THANK ME' 2022 AUSTRALIAN TOUR DATES Perth — Wednesday, October 22, RAC Arena Sydney — Friday, October 28, Qudos Bank Arena Melbourne — Saturday, October 29, Rod Laver Arena Brisbane — Tuesday, November 1, Brisbane Entertainment Centre Telstra pre-sale tickets for Snoop Dogg's 'I Wanna Thank Me' tour go on sale at 12pm local time on Friday, September 10. Then, general public tickets on sale at 4pm local time on Monday, September 13. Visit the tour website for further details.
As state and international borders have been closed for much of the year, many of us are taking the opportunity to explore our own backyards. We were all spoilt for choice when the borders were open and often forgot to appreciate what was in our own cities or states. Now, Ovolo Hotels is helping you level up your staycation with its new range of activity add-ons that'll have you enjoying your city from atop the Harbour Bridge, in a boat or from the comfort of a massage table. Ovolo has two hotels in Sydney (Woolloomooloo and Darling Harbour) and Brisbane (Inchcolm and The Valley), one in Melbourne (Laneways) and one in Canberra (Nishi), with each one offering different staycay option. In Sydney, you can choose between a Tesla hire with a chauffeur, a Harbour Bridgeclimb, boat and walking tours, eight-course degustations and in-room massages. Canberra is offering electric scooters and picnic hampers, Brisbanites can experience a wine blending workshop and, as restrictions lift, Melburnians will be able to go on a tour of the cities secret bars (with cocktails included). [caption id="attachment_787765" align="alignnone" width="1920"] Bridge Climb[/caption] You can build the staycay packages as you like, picking the room — Ovolo Nishi's Meandering Atrium with a giant bathtub, perhaps, or a Rockstar Suite at the Ovolo The Valley with a cocktail bar and king-sized bed — and adding on the activities that interest you most. Ovolo hotels are also pet friendly, so you can bring your fur-baby with you on your staycation. After all, your dog could use a break just as much as you — they live a busy life. Each hotel also comes with complimentary breakfast, sundowner drinks, in-room mini bar and 24-hour gym access. Ovolo Hotels is now offering Staycay Your Way packages at all its Australian hotels. A two-night minimum stay is requires and you can book over here. Top image: Ovolo Nishi
Plan a trip to South Australia, and spending time surrounded by grapes is probably on your agenda. In 2022, you can pair all those winery visits with plenty of pumpkins, too, because Yayoi Kusama's pumpkin-focused infinity room The Spirits of the Pumpkins Descended into the Heavens will display at the Art Gallery of South Australia from Friday, April 1. Australia just keeps going dotty for Kusama. Brisbane's Gallery of Modern Art's hosted a kaleidoscopic exhibition dedicated to the Japanese artist back in 2017, her Obliteration Room has proven a hit in the Sunshine State several times and, going one better, Canberra's National Gallery of Australia acquired The Spirits of the Pumpkins Descended into the Heavens back in 2018. While the latter is a permanent addition to the NGA's collection, it's also going on the road on — which is why Adelaide is your next place to see oh-so-many dots. The piece was first exhibited in 2015. Comprised of a mirrored cube filled with yellow, dot-covered pumpkins, it's a quintessential Kusama work. Whether you're a devoted fan who considers visiting the artist's own Tokyo museum a bucket-list moment, or someone who has simply placed stickers around one of her obliteration rooms, you would've noticed that dots and the concept of infinity are crucial to her art — "our earth is only one polka dot among a million stars in the cosmos," she says. Inside the cube, the bulbous vegetables appear to create an endless field thanks to the shiny surface. On the outside of the cube, the structure's mirrored exterior reflects the yellow-and-black walls in the surrounding installation room — again, making it appear as though the pattern stretches on forever. The NGA's acquisition was made possible via a gift from Andrew and Hiroko Gwinnett, which is also supporting the infinity room's tour. AGSA hasn't revealed how long it'll be on display, but entry will be free — and it's obviously a must-visit addition to any Adelaide itinerary. The Spirits of the Pumpkins Descended into the Heavens forms part of the gallery's just-announced 2022 program, which also includes the 2022 Adelaide Biennial of Australian Art from March, a showcase of Japanese sculptural ceramics from May, and Robert Wilson: Moving portraits from July — with the latter displaying video portraits of international stars such as Lady Gaga, Brad Pitt, Isabella Rossellini, Robert Downey Jr and Winona Ryder, as created by the New York artist, designer and director. Find The Spirits of the Pumpkins Descended into the Heavens 2017 at the Art Gallery of South Australia, North Terrace, Adelaide, from Friday, April 1, 2022. Images: Installation view, THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS by Yayoi Kusama, 2017, National Gallery of Australia, Canberra. © Yayoi Kusama, courtesy of Ota Fine Arts, Tokyo/Singapore/Shanghai.
Today, Public Transport Victoria released its twice-yearly fare compliance figures, stating that 95 percent of travellers on metropolitan services have been touching on and off. But what about the other five percent — namely, those that have no choice but to fare evade to get to where they need to go? In an attempt to help out on this front, the Victorian Government has today launched a trial 'emergency relief' ticket system for those that need it. This will allow homeless and disadvantaged Victorians to access free weekly and monthly travel passes so that they can get to appointments and access basic services. Approved schools and community organisations (like the Red Cross and the Asylum Seeker Resource Centre, for example) will purchase the passes at a "heavily discounted" rate, and then pass the onto the people they support for no cost. The passes are valid in zones one and two, and on regional buses . The decision comes after a review found that those that can't afford to buy a ticket are often forced to fare evade — and, in turn, get fined and stuck in the legal system — to get access the services and care they need. This trial will attempt to avoid this. Previously, disadvantaged Victorians could access free day passes, but these longer passes will allow for more flexibility and changing circumstances. "This is the next step in our ongoing work to make our public transport ticketing system simpler and fairer for passengers across Victoria," said Minister for Housing Martin Foley today in a statement. The trial will run for 12 months — if it's deemed successful, it's likely that it will continue indefinitely. And, hopefully, be introduced in other states.
