Prepare yourself for a serious case of food envy. After months of hype and speculation surrounding the menu, Noma Australia is officially open for business, and it looks totally out of this world. Popping up for a ten-week residency at Sydney Harbour's new Barangaroo precinct, Noma Australia sees head chef Rene Redzepi and his world-renowned team working exclusively with local ingredients. The menu includes Kakadu plum, pepperberry, wattleseed and kangaroo, along with a vast assortment of Australian seafood. "On my many trips around Australia I’ve seen a larder that is so foreign to me," says Redzepi. "Foraging for abalone, eating fresh muntries, nibbling on pepperberries and cracking open a bunya nut — these experiences are so wild compared to what we're used to in Europe." Redzepi has also been influenced by local cooking techniques. "Spending time with indigenous communities in places like Arnhem Land have left the biggest impact on me and the Noma team," he said. "For instance, seeing the use of fire as the main way of cooking ingredients inspired us. Most of what we’re cooking at Noma Australia will be cooked over fire." Standout dishes on the Noma Australia menu include dried scallop and lantana flower pie, abalone schnitzel with bush condiments, a seafood platter of pippies, sea bounty mussels, strawberry clam, flame cockles, oysters and crocodile fat, and — the icing on the cake — a lamington made with rum, dried milk and tamarind. Oof. [caption id="attachment_557122" align="alignnone" width="1280"] Wild seasonal berries flavoured with gubinge[/caption] [caption id="attachment_557123" align="alignnone" width="1280"] Unripe macadamia and spanner crab[/caption] [caption id="attachment_557124" align="alignnone" width="1280"] Rum lamington[/caption] Now for the bad news: bookings for Noma Australia have long been snapped up, despite costing a whopping $485 a head. Still, we can dream. Noma Australia will be serving lunch and dinner at the Barangaroo pop-up until April 2. If you're optimistic, you can put your name on the waiting list at noma.dk/australia. Images: Jason Loucas
These days it seems like just about anywhere can be a cinema. Rooftop viewing is all the rage, drive-ins are popping up all over the place, and even local bars is getting in on the action. But that's only the beginning. Come April in Brisbane, film buffs will be getting locked up for their movie fix. No, going to the movies isn't being outlawed. Instead, cult film guru Kristian Fletcher has put together yet another must-attend event. This time, he's hosting a brand new movie night at Boggo Road Gaol. With a "when in Rome" attitude, Fletcher's regular program will serve up prison films in a prison setting – because flicks about roaming free in wide open spaces really wouldn't work, would they? First cab off the rank is The Great Escape on April 29, followed by 80's classic Brubaker and the Coen brothers' Miller's Crossing. And if you're wondering why we haven't mentioned The Shawshank Redemption yet, don't worry. Of course it will also grace Boggo Road's big screen. Each movie will start at 7:30pm, although anyone after more than just a film is encouraged to arrive an hour earlier. That way you can take an ex-prisoner tour, browse the markets, and peruse the jail art show. Our tip: BYO Rita Hayworth poster if you think you might want to tunnel out of there during the evening. Prison Movie Nights at Boggo Road Gaol kick off on April 29. Tickets will be $15 per film, or $35 for a film and tour combo. For more information keep your eyes on the Boggo Road Gaol website.
Australian cinephiles, meet the cure to your yearly bout of Sundance and SXSW envy. Palace Cinemas has announced a brand new film festival dedicated to the American indie scene — i.e. the closest you can get to heading to Park City, Utah or Austin, Texas without actually heading overseas. Debuting in May 2016, and running two-week-long seasons in Palace's Sydney, Melbourne, Brisbane and Canberra venues, Essential Independents: American Cinema, Now will showcase the past, present and future of US independent filmmaking. In a dedicated screen event, audiences will be treated to a snapshot of current creative directions in America, as well as an exploration of their impact throughout international cinema. Accordingly, expect new features, documentaries and shorts, retrospectives on important figures from both behind and in front of the camera, talks and masterclasses, and a few special guests, too. Basically, in a program overseen by former Australian Centre for the Moving Image Head of Film Programs and current Revelation Perth International Film Festival director Richard Sowada, expect American indie heaven in Australian movie theatres. Considering the wealth of talent that has emerged from the US indie realm — think Inherent Vice's Paul Thomas Anderson, Boyhood's Richard Linklater, Mistress America's Noah Baumbach, Selma's Ava DuVernay, Night Moves' Kelly Reichardt and Sleeping With Other People's Leslye Headland, just to name a few — there are plenty of reasons to be excited about an annual trip through the kinds of flicks that don't always make it to local screens outside of Sydney and Melbourne's major film fests. Indeed, while there seems to be an Australian festival dedicated to every other culture, style and theme, until now non-Hollywood US productions have proven an overlooked niche. Essential Independents: American Cinema, Now will tour Sydney, Melbourne, Brisbane and Canberra in May 2016. For more information, keep an eye on the Palace Cinemas website.
The clocks have ticked forward, and we all know what that means: the outdoor cinema season is almost here. Movie lovers in Brisbane are spoiled for choice when it comes to openair screens — and from the looks of things that doesn't appear to be changing any time soon. Following on from Moonlight Cinema's announcement of their 2016/17 program, Sunset Cinema is the city's latest pop-up picture house — and we can't wait to check it out. Sunset ran outdoor cinemas in North Sydney, Canberra and Wollongong last year, but this is their first Queensland venture. Located at the Mt Coo-tha Botanic Gardens, Sunset Cinema kicks off on Friday, March 17, before running Wednesdays through Saturdays until April 15. The program skews towards more recent films including Captain Fantastic, The Magnificent Seven, Bridget Jones's Baby and The Girl on the Train, although they have squeezed one retro title in there: Dirty Dancing. They've also put together a top-notch food and beverage offering, in order to keep your stomach from grumbling during the film. They'll set up a snack bar and the site will have a fully licensed bar, serving 4 Pines craft beers and MadFish wines. For more information about Sunset Cinema, including the full program, visit sunsetcinema.com.au/brisbane.
Swap your own four walls for some of Brisbane's most famous places: for a few days each year, that's what Brisbane Open House offers. Taking architecture fans, folks keen to explore another side of Brisbane and just anyone who likes to peek behind closed doors on behind-the-scenes tours of the city, the event notched up ten years back in 2019. Now, it's returning in 2022 for the first time since hitting that milestone, and expanding its showcase of Brissie's buildings, structures and precincts across two big weekends. If you've always liked to peer beyond the surface, then this is the event for you — because seeing past Brisbane's famous facades, and even stepping through nooks and crannies that aren't usually open to the public, is on the agenda here. After a couple of years spent at home more often than not, Brisbane Open House might just feel particularly enticing when it hosts its first-ever Villages of Brisbane day on Sunday, August 21, then holds its main two-day program across Saturday, August 27–Sunday, August 28. If you're keen on the first part, it's taking over Sandgate with a lineup of talks and walking tours. Attendees will hear about the history of the seaside spot, and also obviously go for a wander through its heritage-listed buildings. Among the places getting in on the action: Full Moon Hotel, Sacred Heart Church, Shorncliffe Railway Station, Sandgate Museum and Sandgate Town Hall. Over the main part of the fest, there's a focus on precincts — a new initiative for this year's Brisbane Open House. Fish Lane in South Brisbane is in the spotlight, which means making the most of the arts precinct that stretches through to South Bank, covering everything from museums and galleries through to restaurants and boutiques. Elsewhere, you can make a date with a hefty range of locations, and see them like you've never seen them before. In the CBD, that includes Anzac Square, Brisbane City Hall, Museum of Brisbane, Howard Smith Wharves, Parliament House, Queensland University of Technology, Roma Street Fire Station and Roma Street Parkland. Hitting up the Spring Hill heritage tours, which include the Old Windmill and service reservoirs, is always popular. Other sites welcoming folks in include performance venues such as the Brisbane Convention and Exhibition Centre, Queensland Performing Arts Centre, Woolloongabba's revamped Princess Theatre, The Tivoli and The Fortitude Music Hall. And, depending on what kinds of spaces you're interested in taking a gander at, the Cathedral of St Stephen, Brisbane Cruise Ship Terminal, Fort Lytton, Government House and Masonic Memorial Centre are also on the list. So are the Port of Brisbane, Southbank Parklands, State Library of Queensland, Shingle Inn, The University of Queensland, Victoria Park, Wolston Farmhouse and Wivenhoe Dam, too. In total, around 40 venues are taking part — some letting you mosey at your own leisure, others hosting guided tours. Brisbane Open House's Villages of Brisbane program takes place on Sunday, August 21, with the full Brisbane Open House program then running across Saturday, August 27–Sunday, August 28 at a variety of places around Brisbane. For the full program, head to brisbaneopenhouse.com.au. Top images: Walter Taylor Bridget by Jake Churches, Port of Brisbane by Kim Williams, Government House Fernberg and Old Windmill Tower by Paul Knie.
Everyone's dreamed of walking on water, and not only has Bulgarian-American artist Christo Vladimirov Javacheff made that a reality — he's made it look insanely beautiful as well. After 50 years of planning, Christo's The Floating Piers this week opened to the public at Lake Iseo in the north of Italy. And boy does it look incredible. A photo posted by ottaviadrago (@ottaviadrago) on Jun 22, 2016 at 11:00am PDT The floating pier creates a three-kilometre water walkway from the village of Sulzano to the small island of Monte Isola on the lake. Over 220,000 polyethylene cubes have been used to create a floating dock, which moves with the small waves and gives visitors the feeling of walking on water. Sort of like those mats you'd try and walk on in swimming lessons, but more, y'know, secure. To top is all off, the walkway is covered in 100,000 square metres of shimmering saffron fabric. "Those who experience The Floating Piers will feel like they are walking on water — or perhaps the back of a whale," said Christo on his website. "The light and water will transform the bright yellow fabric to shades of red and gold throughout the sixteen days." The Floating Piers were first conceived by Christo and his late wife Jeanne-Claude back in 1970. Realised almost 50 years later, the project cost around $22 million — all of which has been funded by Christo himself. It's totally free for the public to visit, 24 hours a day, until it wraps up on July 3. If you're in Italy in the next two weeks, consider this a vigorous nudge. But for everyone else, here's some of the epic Instagrams that have been taken in the last few days. A photo posted by Simona Maculotti (@simona_maculotti) on Jun 22, 2016 at 2:30pm PDT A photo posted by Carlo D'Andrea (@c_a_rlo) on Jun 22, 2016 at 11:05am PDT A photo posted by The Floating Piers (@floatingpiers) on Jun 22, 2016 at 1:50am PDT A photo posted by Marta sangalli (@marta_sangalli) on Jun 22, 2016 at 12:12pm PDT A photo posted by The Floating Piers (@floatingpiers) on Jun 17, 2016 at 4:43am PDT A photo posted by The Floating Piers (@floatingpiers) on Jun 18, 2016 at 2:15am PDT Top image: The Floating Piers via Instagram.
Whiskey fiends of Brisbane, it's time to add another spot to your citywide bar crawl. Blind Tiger is about to open its doors in Bulimba, not only gifting the riverside suburb with the quaint and quirky speakeasy-style establishment it has always needed, but also treating liquor fans to their favourite beverage thanks to its focus on amber-coloured spirits. Of course, the finest distilled, fermented grain mash-derived alcoholic tipples from around the world aren't the only thing on the Oxford Street dive bar's drinks menu — although there'll be plenty on offer in keeping with the Prohibition theme, don't worry. Its sugarcane-focused counterpart, aka rum, will also feature. So will six taps pouring out tasty, foamy beer, plus a range of boilermakers and a cocktail menu. That's not bad for a tiny space that you could easily fill with two dozen of your closest friends — and with Brisbane bartender Jesse Stowers helping Blind Tiger come up with their complete beverage list, and owner Robert Harding also behind neighbouring men's-only grooming palace The Moustachery Barbery, there's certain to be plenty more goodness in store. For those after a bite to eat with their refreshments, that includes cheeseboards, charcuterie plates, nachos and sliders, all served up amidst an eccentric, antiques-meets-log cabin-style of decor. Find Blind Tiger at 1b/204 Oxford Street, Bulimba from April 29, or check out their Facebook page for more information.
For more than a decade, French cuisine-loving Brisbanites have been making a beeline to Paddington for soufflés, steak frites and Friday night five-course degustations. Come November, however, inner-west mainstay Montrachet will be moving its Gallic gastronomy to the other side of town. Au revoir, Given Terrace, bonjour Bowen Hills' King Street. It's a case of onwards and upwards for the award-winning restaurant, which will not only set up shop in bigger digs, but will also add another venture to the mix. Located on the corner of King and Machinery streets, Montrachet's new 240-square-metre site will offer twice as many seats as its current location — great news for anyone who's tried to score a table at the always-popular bistro — as well as a cellar and an all-day takeaway patisserie. Indulgent diners will find the likes of double baked soufflé with crab meat and gruyere cheese, seafood bouillabaisse and Grand Marnier brulee still on offer for sit-down meals, while those keen on a lunchtime baguette or pastry can take the goods away. As you'd expect, the daytime patisserie also promises a packed cabinet filled with lunch options and French desserts alike. The move marks the latest change for Montrachet, after current owners Shannon Kellam and Clare Wallace came on board back in 2015. It's also the latest joint to head to Brisbane's fast-filling new food precinct, alongside the likes of Sushi & Nori, Il Verde, Super Combo, The Lamb Shop, The Pine Kitchen and Banoi. Find Montrachet's new digs at King Street, Bowen Hills from November. In the interim, find the restaurant at 224 Given Terrace, Paddington. Head to their website and Facebook page for further information.
What a slam dunk of year it's been for Bastille. The British four-piece have spent 2014 touring internationally, and casually celebrated a Brit Award win for British Breakthrough Act off the back of their UK #1 album, Bad Blood. Not too shabby. Singles 'Of The Night' and 'Pompeii' both reached #2 spots on the UK charts, and they’ve been working relentlessly on their second album to be released in 2015. Before we get to wrap our ears around their highly anticipated second effort, Bastille have released their third mixtape VS. (Other People's Heartache, Pt. III), featuring latest single 'Torn Apart'. The lads already visited Australia this year in June, and will be returning for Sydney's Field Day on New Year's Day. We managed to get hold of bassist Will Farquarson, and had a chat about the new album, the art of battling your friends and his unrelenting desire to go shark diving. The Second Album is Going to Sound REALLY Different Bastille’s first album, Bad Blood, is certainly going to be a tough act to follow, but the lads have seized the opportunity to do things very differently second time around. Firstly, there will be guitars in the new album. This sounds like an anticlimax, but guitars actually don't feature at all on Bad Blood. "On the first album, we got halfway through and realised we haven't really used any guitars. It became a little bit of a challenge to finish the record without putting any guitar on,” says Farquarson. "On this new one there’s loads of guitar stuff, which is cool because I play guitar, so it felt like a bit of a promotion. I get to stand on things and do solos at gigs which is all I ever really wanted to do." Despite the introduction of lead guitar, Bastille are conscious of not going too far in one direction; instead working to create a sound that mixes many different genres. "We didn’t want to suddenly sound like a guitar band, so we started to more electro, R&B and hip hop influences coming through. I think there will be quite a broad mix of musical styles," explains Farquarson. Any idea when it might be released? "We’re looking at the [European] summer, but these things can often take longer, so probably more like September. If it's not out by the end of the year we've done something horribly wrong, so hopefully it will come out!" We’ll keep our fingers crossed for. Mixtapes, Ryan Gosling and Side Projects Keep Things Fresh While recording original Bastille material, the band also brewed up a cheeky couple of mixtapes: Other People's Heartache and Other People's Heartache, Pt. 2. They've just released VS. (Other People's Heartache, Pt. III), but before you can accuse these lads of procrastinating the real album game, Farquarson is quick to point out that the mixtapes are not so much a distraction but more of a creative side project. "It gives us a chance to move away from the Bastille sound and the restrictions of having the band identity. It’s a Bastille project but it’s a collaborative thing. It’s not distracting but it’s a nice break." Another creative side project that they recently took part in was a rescoring of the Ryan Gosling-tastic film Drive, orchestrated by BBC Radio 1 DJ, Zane Lowe. "It was really nice to be asked to do that. It was quite interesting because we've not really set music to a film before, and it's quite different to just writing a song, says Farquarson. "We were in the studio and had the Drive scene playing, and we were trying to get a bit of a mood going. Working within the confines of a preexisting visual was an interesting challenge." Other prominent musicians also featured in the rescoring include Foals, Banks, SBTRKT, Jon Hopkins and CHVRCHES. They Enjoy Sporadically Battling Their Friends VS. (Other People's Heartache, Pt. III) will feature much collaboration and head-to-heads with Bastille's buds. "We don’t have any collaborations on Bad Blood or the second album," says Farquarson, explaining the mixtape offered up a great chance to explore new territory and test the waters of other genres. When Farquarson was asked who he particularly enjoyed working with, it was pretty clear he had difficulty choosing a favourite. "I personally was quite excited to work with Skunk Anansie because I'm from a generation that listened to that sort of music. Haim were wicked, we love them a lot. Angel Haze is a crazy rapper chick, and there's also Rag N Bone Man (who's also on the song with Skunk Anansie), who’s going to blow up really big and is a friend of ours. It's nice to get all your friends down." Previous mixtapes have included songs such as 'Of The Night' (a mash up of Corona's 'Rhythm Of The Night' and Snap!'s 'Rhythm Is A Dancer') as well as covers such as City High's ‘What Would You Do?' and reinterpretations ('No Angels' is TLC versus The xx). Interestingly, these songs are not exactly amongst the band's all time favourite tunes. "The idea behind them was to do songs that were not necessarily songs we particularly loved, but were just in our consciousness a lot," says Farquarson. "It's also kind of funny to choose songs that perhaps you wouldn't expect us to cover. Instead of picking a similar genre, we pick something completely different." They've Played Some Pretty Weird (and Somewhat Ancient) Venues Being in an internationally acclaimed indie band, you're bound to perform in some pretty whimsically novelty locations. Around the time their colossal single 'Pompeii' was released, the British Museum were curating an exhibition called Life and Death: Pompeii and Herculaneum. "I made a joke that we should play there because of the collection, and then they actually phoned us up, which was a bit strange, and we got the curator of the exhibition to give us a private viewing of it two days before it opened, which was amazing," says Farquarson. Bastille performed their hit single for the opening of the exhibition in front of an audience of press and leading archaeological figures. "We got to play our song 'Pompeii', we stood in a reconstruction of one of the rooms from the town of Pompeii which was slightly surreal." Funnily enough, the boys were asked to play at a French museum just a short while later. "For a bit it started to become a thing that we were the band that played in museums," chuckles Farquarson. They've Got a Soft Spot for Dangerous Creatures International touring this year saw Bastille performing to massive crowds over the Northern Hemisphere summer, including Glastonbury and huge shows in South Africa. Despite doing three 15,000 capacity shows in South Africa earlier this year, the highlight for Farquarson was going on safari. "We all got to meet baby lions. Holding a baby lion is the highlight of my life,” Farquarson enthuses. When they arrive in Australia for Field Day they also have similar animal adventures in mind. "I want to go shark diving. We went skydiving last time we were in Australia, and it seems like the most Australian thing we can do. Either that or have a barbecue,” he says. Sadly their New Year's resolutions don't include any more baby animal holding. "My New Year's resolution last year was to have more fun and drink more, maybe I should take that one back. I don't really go for New Year's resolutions, but I hope to release the second album, so maybe that can be it. Bastille are playing Sydney's Field Day in the Domain on January 1. More info right this way.
Deck the halls and unpack the plastic tree — the festive season is well and truly upon us. And while that whole Christmas tradition stuff is nice, we're not going to deny what we're most excited about: a whole stocking-load of new films. Along with the cricket and stampeding through shopping centres, going to the movies is one of our favourite Boxing Day traditions. After all, what better place to recover from your post-Christmas food coma than in a nice, dark, air-conditioned cinema? Of course, not all of the end-of-year titles measure up. That's why we're reporting in with our annual Boxing Day Battle Royale, to ensure that you get maximum bang for your Kris Kringle gift voucher buck. Or you could just go see the new Star Wars movie for the third time. That's also a totally valid option. https://www.youtube.com/watch?v=5rgO_TyyOoU CALL ME BY YOUR NAME We give it: 5 stars It's easy to fall in love with Call Me By Your Name on sight. Full of the kind of sumptuous visuals that director Luca Guadagnino (A Bigger Splash) is known for, the '80s-set effort proves a gorgeous piece of filmmaking from its opening frames. That said, it's the movie's sun-dappled dalliance that will really make you swoon, as Guadagnino follows the blossoming romance between 17-year-old Elio (Timothee Chalamet) and grad student Oliver (Armie Hammer) over the course of a sweltering Italian summer. A seductive and sensual queer romance, and a pitch-perfect account of yearning and desire — one that features an emotionally intricate turn from Chalamet in particular — Call Me By Your Name is the film that stories about first love will be judged against for many years to come. – Sarah Ward https://www.youtube.com/watch?v=zNCz4mQzfEI COCO We give it: 4 stars It's with vibrant detail that Coco bursts onto cinema screens. A tale of following your heart while honouring your family, Pixar's latest effort is both a colourful sight to behold and an exuberant journey; a film exploding with dazzling visual and emotional fireworks. Within frames heaving with intricacy, there's never a dull moment as the movie sashays from modern-day Mexico to the Land of the Dead during the country's Dîa de los Muertos celebrations. Often it's the little things that stand out, from the grain of the many flowers never far from view, to the weathered skeleton bones that literally dance through the streets, to the melancholy look on an old woman's face. – Sarah Ward https://www.youtube.com/watch?v=2QKg5SZ_35I JUMANJI: WELCOME TO THE JUNGLE We give it: 3.5 stars Updating itself, quite literally, for more modern times, the new Jumanji sees the board game from the original film transform itself into a mid-90s video game cartridge. Fast-forward 20 years and, in a clear nod to The Breakfast Club, the game is discovered in a storeroom by four motley teens during high-school detention, who soon find themselves sucked in to the perilous jungle. But there's a twist: they're now in the bodies of the game character they chose. Each of the main cast members plays impressively against type: Dwyane Johnson as the allergy-afflicted nerd, Kevin Hart as the jock cut down to size, Karen Gillan as the introverted loner and – most amusingly – Jack Black as the vacuous popular girl. The laughs are frequent, coming mostly from the body-swap setup, but also from the tongue-in-cheek references to point and click video games. – Tom Glasson https://www.youtube.com/watch?v=fN46DCFr2Y0 JUST TO BE SURE We give it: 3 stars As a comedy, Just to Be Sure doesn't always hit the mark. As an insightful look at life, love and family, however, the French film proves both thoughtful and charming. In her third feature, writer-director Carine Tardieu explores the story of widower Erwan (François Damiens) and his pregnant 23-year-old daughter Juliette (Alice de Lencquesaing) — plus the man he has always called dad (Guy Marchand), the man who might be his biological father (André Wilms) and the attractive doctor (Cécile De France) that links them both. With great performances all round, the movie is at its best when it's getting to the heart of the various characters' emotional reactions, rather than trying to find laughs. – Sarah Ward https://www.youtube.com/watch?v=7_YnYrLfjxA BREATHE We give it: 2.5 stars Based on the exploits of polio sufferer Robin Cavendish, Breathe comes to the screen with the best of intentions. Indeed, Cavendish's son produced the film, showing just how personal this true tale is. Sadly, celebrating his father's fortitude and crafting a rousing movie aren't one and the same, despite the fact that many of the right tools are there. As Cavendish, Andrew Garfield (sporting his natural accent) flits between frustration and determination, while Claire Foy gives a moving performance as the dependable wife by his side. The production also boasts thoroughly handsome cinematography that captures its '50s, '60s and '70s setting. And yet the directorial debut of motion-capture actor Andy Serkis (The Lord of the Rings, War for the Planet of the Apes) ultimately proves heavy on sentiment but light on emotional impact. – Sarah Ward https://www.youtube.com/watch?v=UCrBICYM0yM DOWNSIZING We give it: 2.5 stars It's a great concept: to help save the planet, humanity gets shrunk down to size. But the unmistakably odd Downsizing isn't just an eco-friendly, statement-making update of Honey, I Shrunk the Kids, even if it comes with a few ace sight gags. While director Alexander Payne has long been fascinated with ordinary guys struggling with their lot in life — think Sideways, The Descendants and Nebraska — the theme doesn't quite work in this ambitious but messy sci-fi-esque comedy. The film isn't helped by Matt Damon rolling out his usual everyman routine, though other cast members fare better. Christoph Waltz is considerably more jovial than usual, and Hong Chau turns a thinly written, stereotypical character into something more memorable. – Sarah Ward https://www.youtube.com/watch?v=AXCTMGYUg9A THE GREATEST SHOWMAN We give it: 2 stars If Hugh Jackman's mega-watt smile and Zac Efron getting musical out of high school can't save The Greatest Showman, then nothing can. Turning the life of 19th-century American circus whiz P.T. Barnum into a family-friendly musical, the film prefers easy sentiment over anything more than the most obvious of themes and the simplest, flimsiest of narratives. The flat, uninvolving pop songs scattered throughout don't help or demonstrate any depth, and neither does their music video-like staging by first-time Australian director Michael Gracey. There might be warm intentions behind this broad, unsubtle underdog story about dreamers and outsiders, but they're lost in a movie that resorts to painting a critic as the villain — as if to pre-emptively scold anyone who isn't enamoured with its empty spectacle. – Sarah Ward
Australia's creative industry is about to get pretty damn employed — the new Alien and Thor movies will be filmed in Australia. Announced by the Federal Government in a press conference broadcast on ABC News 24 today, the films will start filming in 2016. The Australian government is fronting $47 million so the two films can be made in the country. "What it means is 3000 direct jobs for Australians," said senator Mitch Fifield. "This helps develop skills, skills that couldn't be developed on smaller budget productions." When briefing the cabinet, Senator Fifield apparently got pretty excited about the fact that Prometheus had a character called Fifield, until ol' mate industry and innovation minister Christopher Pyne piped up, "He died." Sir Ridley Scott's new Alien film and Marvel's new Thor film will start filming in 2016. We're pretty sure the casts of both movies will be advised to leave their dogs at home. Via SMH.
Chef Matt Stone wants to you to make a bar out of your own backyard. Really. Melbourne's young gun head chef of Victoria's Oakridge winery, Stone made his industry name as head chef of Joost Bakker's Greenhouse, Silo and Brothl, then as the culinary brains behind IconPark's Sydney pop-up Stanley Street Merchants and a MasterChef regular. At his core, Stone's a stickler for ethical and sustainable cooking, so he's just released his first cookbook The Natural Cook to help fuel some of that philosophy in everyday Aussie kitchens. The (extremely well photographed) cookbook's brimming with recipes meant to make you rethink food, bring you back to basics, try traditional techniques, adopt new sustainable cooking habits and make the best of the bounty of native ingredients Australia's got going on (one of the most sustainable ways Australians can cook). Of course, the book champions Stone's infamous 'zero-waste' philosophy, whether you're making yoghurt, pickling things or making a Bloody Mary. We've taken a couple of recipes out of of Stone's book, to show you how easy it is to incorporate native Australian ingredients into your everyday — well, into your cocktails in particular. Here's a little humdinger of a recipe for a Bloody Mary using native Australian spices — a truly homegrown breakfast of champions. Once you've crafted this gem, try making Stone's ant-rimmed Aussie South Side too (recipe over here). NATIVE SPICED BLOODY MARY "For a fresh kick, you can also add finely chopped veggies such as tomato, cucumber, celery and chilli. Hangover be gone!" INGREDIENTS Serves one ice 3 dried bush tomatoes 60 ml (2 fl oz/¼ cup) vodka 15 ml (½ fl oz) lemon juice 6 dashes of Worcestershire sauce 5 dashes of Tabasco sauce (or other hot sauce) 2 large pinches of ground pepperberry, plus extra to garnish 2 large pinches of Australian Seven Spice (recipe below) (see page 211), plus extra to garnish 1 pinch of pink salt, plus extra to garnish 125 ml (4 fl oz/½ cup) tomato juice celery stalk or cucumber slice, to garnish Fill a serving glass with ice and let it stand. Muddle the bush tomatoes, and any other vegetables you feel like, in your cocktail shaker. Add all the other ingredients except the garnishes to the shaker and fill with ice. Slowly 'roll' your shaker end over end to mix and chill the ingredients without frothing things. Taste-test with a straw and add additional Tabasco if you'd like it spicier. Discard the ice from the serving glass and replace with fresh ice. Single-strain the liquid into the serving glass. Add the celery stalk or cucumber slice and finish with a pinch of salt, pepperberry and Australian seven spice. Note: Online bush food specialists offer a variety of Aussie fruits, herbs and spices, including bush tomatoes and pepperberries. HOW TO MAKE MATT STONE'S AUSTRALIAN SEVEN SPICE This is my version of Chinese five spice and it's perfect on barbecued meats, vegetables and fried bugs. If you don't feel like eating bugs with your beer then perhaps try it rubbed into barbecued chicken wings or slow-cooked beef ribs. The individual spices can vary due to season, availability and personal taste, so think of this as a rough guide. Use double the amount of mountain pepper if you like your spice mixes hot. 1 tablespoon ground bush tomato 1 tablespoon ground lemon myrtle 1 tablespoon ground wattleseed 1 tablespoon ground pepper leaf 1½ tablespoons ground mountain pepperberries 2 teaspoons ground aniseed myrtle 1 tablespoon ground mangrove myrtle Note: While most of the Australian ingredients used in this book can be substituted with something non-native, this is the one recipe I urge you to stick to (otherwise it will become 'mostly Australian seven spice'). Mix all ingredients. Store in an airtight container or jar. Recipe and image from The Natural Cook by Matt Stone (Murdoch Books). Photography by Mark Roper RRP $39.99 available now in all good bookstores and online.
The National Gallery of Victoria has revealed what will be on its agenda at the tail-end of this year, this evening announcing its summer centrepiece in the world premiere of Between Two Worlds | Escher X Nendo. Much like the NGV's 2016's Andy Warhol | Ai Weiwei show, the blockbuster exhibition will celebrate two very different creators: Dutch artist M.C. Escher and Japanese design studio Nendo. It will be the first to unite the two, bringing them together in an assembly of immersive art and design. More than 160 different prints and drawings created by Escher during his career that ran from 1916 to 1969 will be shown, the first time the Dutch artist has had a major exhibition in Australia. Optical illusion being what he is known best for, and the images on display will be drawn from the world's largest collection of his work at the Gemeentemuseum in The Hague. In tandem, Nendo will create an environment to house the works, taking inspiration from Escher to manipulate geometry and space to warp perception. This'll create a fully immersive experience in which to be boggled by Escher's works. It doesn't stop there for the upcoming season, though — the NGV's spring/summer is bursting with art shaped fruit ready for you to pick.Australian artist Polly Borland will also be celebrated via a display of her works of recent times at the Ian Potter Centre. Borland is a locally born, LA-dwelling photographer notable for her photos of well-known figures like Queen Elizabeth II and Nick Cave. Gravitating lately more towards surrealism in her photography and producing disquieting and abstract images, both recent and new works of Borland's will be shown. This'll run from September 28 until February 3. Also on the lineup is an exclusive showing of British artist Julian Opie's mixed media works. To be set in the NGV's gallery and gardens, the exhibition was created specifically to fill these spaces and will incorporate sculpture, video, and art specifically for the children's gallery. Try Hito Steyeri's landmark video installation Factory of the Sun, about workers in a motion capture studio whose actions are used to create artificial sunshine, becoming a metaphor for the way digital screens use and emit light. Or take a bite out of Willian Wegman's work — a man whose Weimaraner dog became his artistic muse, William Wegman: Being Human highlights the artist's versatility across different artistic methods and mediums. And don't forget Designing Women, a 40 year highlight of the role of female designers in shaping the culture and fabric of the design world. Drawing from the NGV's permanent collection, over 50 significant works will be showcased, icons by name and affect, and united by gender. This summer's Triennial was the most visited exhibition in the NGV's 157 years, and this exhibition is sure to get similar numbers through the St Kilda Road doors. Start planning your art viewing now. Between Two Worlds | Escher X Nendo will run at NGV International, Melbourne from December 2, 2018 until April 7, 2019. For more info, visit ngv.vic.gov.au. Image: 'Day and Night', M.C. Escher, © The M.C. Escher Company, The Netherlands.
Whether he's behind or in front of the camera, making his own version of Nosferatu or documentaries about volcanologists, popping up in Parks and Recreation or playing a villain in a Jack Reacher movie, there's no one in the film industry like Werner Herzog. His voice is famous, including get a use in family-friendly animation not once but twice. His work as a director is thoroughly inimitable. He's one of Germany's cinema greats — and Australia's 2024 German Film Festival is recognising him as such. This year's touring event, which has dates with Canberra, Sydney, Brisbane, Melbourne, Adelaide, Perth and Byron Bay between Tuesday, May 7–Wednesday, June 5, boasts a Werner Herzog retrospective on its just-announced full lineup. A documentary about him is on the bill, so get excited to see Werner Herzog: Radical Dreamer on the big screen. Also set to flicker through the projectors: Aguirre, The Wrath of God, about searching for El Dorado; Fitzcarraldo, which focuses on trying to move a steamship over a Peruvian mountain; and Nosferatu the Vampyre, featuring Klaus Kinski, as with the aforementioned two titles, but this time as Dracula. There's also Heart of Glass, which gets experimental in a Bavarian village — and The Enigma of Kaspar Hauser, which celebrates its 50th anniversary in 2024. Clearly, the German Film Festival has the past on its mind with its latest program. That also comes through in a second way, by marking 70 years of German Films, the organisation tasked with promoting the country's movies beyond Germany. As part of that retrospective, the Oscar-nominated Jacob the Liar, Oscar-winning documentary Serengeti Shall Not Die, Rainer Werner Fassbinder's iconic The Marriage of Maria Braun and unforgettable recent standout Toni Erdmann will all play the fest. So will Trace of Stones and Yesterday Girl, both from 1966 — the first from East Germany, the second from West Germany. Looking backwards isn't the only thing on the agenda, however. As it usually does, the event will bring some of the best German and Austrian movies that premiered at this year's Berlin International Film Festival to Australia. 2024's fest spans six such titles, starting with opening night's World War II-set From Hilde, With Love, which follows a young woman in the anti-Nazi resistance movement. From there, centrepiece choice Foreign Language features the always-exceptional Nina Hoss (Tár) in a tale about a friendship playing out through letters, while closing night's Treasure stars Lena Dunham (Sharp Stick) and Stephen Fry (The Morning Show). Plus, Andrea Gets a Divorce brings tragicomedy to the program, Scorched Earth gives the lineup a crime thriller and Every You Every Me is a social-realist drama. Elsewhere, highlights come via One for the Road, complete with a dive into Berlin's nightlife, then a switch to attempting to get sober; the Leipzig-set Dark Satellites, which tells of three love stories; Lubo, the latest must-see starring Franz Rogowski (Passages); Blind at Heart, which takes the leap from the page to the screen; and Not a Word, joining the ranks of recent films — such as Tár — to feature a conductor as a key character. And, as always, the Kino for Kids section returns with movies for younger viewers, making heading to the fest a family affair. A comedy about teen sisters who love skateboarding, an adaptation of the novel The Flying Classroom and Lassie — A New Adventure are all on that part of the bill. German Film Festival 2024 Dates: Tuesday, May 7–Wednesday, May 29 — Palace Electric, Canberra Wednesday, May 8–Wednesday, May 29 — Palace Norton Street, Chauvel Cinema, Palace Central, Palace Moore Park, Sydney Thursday, May 9–Wednesday, May 29 — Palace James St, Palace Barracks, Brisbane Friday, May 10–Wednesday, May 29 — Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, The Kino, The Astor Theatre, Pentridge Cinema and Palace Penny Lane, Melbourne Wednesday, May 15–Wednesday, June 5 — Palace Nova Eastend Cinemas, Palace Nova Prospect Cinemas, Adelaide Thursday, May 16–Wednesday, June 5 — Luna Leederville, Luna on SX & Palace Raine Square, Perth Thursday, May 16–Wednesday, June 5 — Palace Byron Bay, Byron Bay The 2024 German Film Festival tours Australia from throughout May and June. For more information, visit the festival website.
May 5 isn't just May 5 — it's Cinco de Mayo. That's when the spotlight shines on Mexico; however, despite beliefs to the contrary, it isn't the country's Independence Day. Instead, the celebration marks the nation's 1862 victory against French forces in the Battle of Puebla. Back then, the day was declared a holiday. These days, the occasion is actually a bigger deal in the US. That said, it's still a great chance to appreciate Mexico's culture and heritage. There are plenty of ways to do this, although we suggest taking the traditional path: a party. So just how do you throw your own Cinco de Mayo gathering? What should you eat, drink and listen to? Follow our guide, and you'll be having a fiesta in no time. AVOID STEREOTYPES Starting on a serious note, Cinco de Mayo should celebrate Mexican culture, not stereotype it. Avoid the easy route when it comes to theming — so that means no sombreros, no fake moustaches and no Day of the Dead (which actually happens in October, so the timing doesn't work anyway). In fact, just discourage people from dressing up altogether. You'll be more likely to avoid accidental cultural appropriation. Focusing on the colours of the Mexican flag is one good option, with splashes of green, white and red certain to look festive. Or, you could champion the country's creative talents. Frida Kahlo deserves many parties in her honour, with her paintings considered iconic for good reason. Mexican cinema is among the world's best (think: Del Toro, Inarritu, Cuaron, Rodriguez), so if you have screens or projections going, look to these guys. Or just bring a splash of summer to your bash — grey, late-autumn Australia will thank you. FIND YOUR HERO FOOD This might be the easiest part of the party-planning process, but you don't just want the food to be good — you also want it to be authentic. That means tacos made with corn tortillas, chorizo, guacamole, salsa, onions and coriander, and quesadillas filled with stringy Oaxaca cheese. Put your focus into the central component of the dish and no one will notice if you go with store-bought stuff for the rest. A good option is always to take your cue from Neil Perry — his chicken (or pork) adobo for tacos sings with chipotle, honey and vinegar. You might also have time to try making your own churros for dessert. Yum. You can also get your guests in on the action (and take the heat off yourself) by asking them to bring their own homemade guacamole or salsa. Add a competitive element, and call it a guac off. The chef behind the best wins bragging rights, and everyone else wins by getting to eat it. Just stock up on corn chips beforehand, because there's going to be plenty of dipping to do. THREE DRINKS TO COVER ALL BASES When it comes to Mexican beer, it's an easy choice. Chill some Coronas in as big a bucket as you can find, and make sure you have plenty of extra lime slices lying around for people to pop in the tops. If you want something stronger, it wouldn't be Cinco de Mayo without margaritas making an appearance. Just combine 2 parts tequila to 1 part Cointreau (or another triple sec) and 1 part freshly squeezed lime juice. Choose a silver tequila, and look for the words '100% agave' on the label. That means it's the real stuff. Pour over or blend with ice, but don't forget the glass rimmed with salt. For a non-alcoholic option, agua fresca is your beverage of choice. It couldn't be easier to make or tastier to drink. Watermelon is a popular flavour, and all you need to do is blend cubes of the fruit then mix it with the juice of four limes, three quarters of a cup of castor sugar and a cup of mint leaves. Stir, stand for an hour, strain and top up with sparkling water. GO TO CONTEMPORARY MEXICO WITH YOUR PLAYLIST A party isn't a party without a soundtrack to match the occasion. Here you have multiple options, but we're only going to recommend two. Acoustic guitar fans need look no further than Rodrigo y Gabriela (fans of nuevo flamenco, rock and heavy metal too). The duo's sound is certainly diverse, which isn't surprising given that they mix traditional Mexican music with European influences over their five studio albums and three live records. For a more unpredictable playlist, there's always Spotify. Any one of their hundreds of Mexican playlists will spit you out a party-ready concoction of mariachi music, contemporary Latin songs and questionable Ricky Martin numbers. HIT THINGS WITH STICKS There's one party staple that never gets old, even as you get older. That'd be the piñata, something that the Spanish brought to Mexico, and also links in with Mayan culture. You know how it works: you wear a blindfold, swing a stick and try to break open a suspended, decorated container filled with goodies. That's the fun part — but making your own is just as fun, too. Papier mache away using newspaper scraps and a paste made from equal parts flour and water, plus a tablespoon of salt. Balloons work well as a sturdy base, as you might remember from primary school. Once everything has dried, decorate it with paint and crepe paper, and then stuff it full of goodies. Lollies are fine, but you might want something a bit more age-appropriate. We were thinking mini bottles of tequila or hot sauce, individually packaged T2 teabags, discs of pour-over hot chocolate, playing cards or obscure Mexican lollies — or a combination of the lot. Top image: Dollar Photo Club.
After a year full of lockdowns and restrictions, travelling around Australia is finally possible again. Now, the bumper-to-bumper summer season of the country's top galleries is within reach to out-of-town art lovers too. We've pulled together a taster of major exhibitions that span both new and recognisable art and will encourage reflection on this crazy year. Each state is offering something unique, from an expansive all-women artist exhibition in Canberra to shows revealing the diversity of contemporary Aboriginal and Torres Strait Islander art from across the country. Join us in celebrating culture and open borders with an Australian summer full of art, performance, community talks and tours.
The man who conquered Melbourne’s laneways has set his eyes on the sky. Co-creator of Laneway Festival and the man behind Thousand Pound Bend, Ponyfish Island and Sister Bella, Jerome Borazio will stake his claim to a prime piece of high-altitude Melbourne real estate, with an upscale camping ground on the Melbourne Central roof set to open on May 20. "I was literally just looking at the building, and I had this idea," Borazio tells us. "I’ve worked with Melbourne Central on and off on projects for five or six years now, and I know they’ve been trying to activate it, so I knew the space was available. But I wasn’t just going to put another pop-up restaurant or pop-up bar up there." Christening the project St. Jerome’s – The Hotel, Borazio promises "five-star intelligent design" and "high level personalised service" to go along with panoramic views of the Melbourne skyline. The accommodation consists of 30 canvas bell tents, with a combination of standard 'rooms' and suites. There's the 'Luxe' (a four-metre Homecamp bell tent) and 'Luxe Plus' (five-metre Homecamp bell tent, with mini-bar, electric blankets and heating) option to pick from, both fitted out with pretty stunning bed linen from Linen House's latest collection — and they'll provide you with one of their fluffy white robes too. Guests will have access to a range of amenities including 24-hour concierge service, free wi-fi, a guest-only communal lawn area, complimentary breakfast hampers, morning coffee by Plantation, goodies from the Swisse Body Care range and free Tai Chi and meditation sessions every morning. The St. Jerome’s – The Hotel General Store will be stocked up with everything from postcards to bed socks, amenities to Laurent Perrier Champagne, Victorian wines from Treasury Estate to Melbourne-based Fire Drum Vodka (yeah, not your average camping ground kiosk). The five-star trappings also mean a five-star bill, and Borazio says prices would start from around $330. That puts it about in line with other high-end CBD accommodation, but a tad more expensive than just pitching a tent in your own backyard. But this is a pretty unique stay in a significantly epic setting. The Melbourne Central rooftop has seen sporadic use over the years, and was recently home to a pop-up tennis court during last year’s Australian Open. The space is expected to open for business on May 20, and Borazio remains undeterred by Melbourne’s notorious winter weather. "We actually think it’s quite romantic," he says. "You’ll be in the tent, hearing the rain on the canvas. It's a pretty unique experience." St Jerome’s – The Hotel currently intends to occupy the space for a limited time only. St. Jerome's — The Hotel opens on May 20. Stay glued to their Facebook page for more updates.
Whether you're heading to the cinema with friends or curling up on the couch with your significant other, a night watching movies remains a fantastic source of entertainment, enjoyment and escapism. Sitting in the dark, switching your mind away from your regular worries and slipping into another world — if you're catching the right flick, few things can top it. Cinema-wise, 2018 has thrown up plenty of films that tick all of the above boxes — and now we're just past the halfway mark, it's time to look back. Maybe you missed one of this year's hits when it was in theatres. Perhaps it's still showing and you haven't made it yet. Or, there could be a few gems that just slipped your attention. Of course, there's always the ace movies you saw, loved and want to see again. Whichever category fits, here's 12 films from 2018 that you you need to catch up on. Head to the cinema and grab a choc top or organise your streaming queue and cook up some popcorn, as we've sorted out your viewing for the near future. https://www.youtube.com/watch?v=EQH3jqetJoY THE SHAPE OF WATER What our critic said: A sea of perfectly assembled elements, The Shape of Water truly feels like a film that no one else could have made. Working from a script co-written with Vanessa Taylor (Divergent), director Guillermo del Toro is operating at the top of his game, and his fingerprints can be seen in every exquisitely detailed image. Read the full review. https://www.youtube.com/watch?v=KKbjnLpxv70 FACES PLACES What our critic said: If everyone looked at strangers in the same way as French New Wave icon Agnes Varda (Cléo from 5 to 7, Vagabond), the world would be a much kinder place. Roaming through small yet lively villages, Varda makes new memories while reminiscing about older ones — about love, work, times passed, friends lost and past moments immortalised in earlier photos. Read the full review. https://www.youtube.com/watch?v=wCYB28iknIM PHANTOM THREAD What our critic said: Every textile metaphor you can think of applies to Phantom Thread. It's a film that's carefully woven from the fabric of human urges, teeming with hidden layers and positively bursting at the seams with emotional detail. It's also one made by the finest possible craftspeople, with Anderson and his three stars fashioning the cinematic equivalent of haute couture. Read the full review. https://www.youtube.com/watch?v=pzgTHyEv5Ng LADY BIRD What our critic said: As impressive a list of plaudits as Lady Bird has amassed, they pale in comparison to the movie itself. While it can seem like high school coming-of-age films are more common than actual high schoolers, Greta Gerwig gets everything right with her entry into the genre. Read the full review. https://www.youtube.com/watch?v=PJHex4ZitgA A FANTASTIC WOMAN What our critic said: It can't be overstated how wonderful it is to see transgender representation on the big screen (no offence Eddie Redmayne, but this is how it should be). Vega's performance as Marina feels authentic, in no small part because it is authentic. Every movement, every delivery is subtle, considered and real. Read the full review. https://www.youtube.com/watch?v=fNtLIcyjsnI GAME NIGHT What our critic said: At its best, Game Night is laugh out loud funny, subverting some classic comedy tropes and delivering scores of killer one-liners. It's probably one of the better Hollywood black comedies we've seen in the last few years, and ultimately entertains enough to justify the price of admission. Read the full review. https://www.youtube.com/watch?v=eqy27Bk0Vw0 A QUIET PLACE What our critic said: John Krasinski's stripped-back use of sound reflects his entire approach, crafting a masterfully sparse movie from start to finish — and a downright masterful one too. Forget questions about why the monsters are there and where everyone else is: they couldn't matter less in this taut, fast-paced thriller, and they shouldn't even cross your mind. Read the full review. https://www.youtube.com/watch?v=j9iVra2kdD4 TULLY What our critic said: Tully's motherhood scenario inspires rich performances from a particularly raw Charlize Theron and a suitably sparkling Mackenzie Davis — the former committed to conveying the hardships of maternity in all of its unglamorous glory, the latter calm and kind as Tully brings Marlo back from the brink of desperation. Read the full review. https://www.youtube.com/watch?v=z4_79dnJeNU BPM (BEATS PER MINUTE) What our critic said: Set to a soundtrack that flits from electronic beats to sorrowful piano, to the pleading chants of ACT UP taking to the streets, what emerges is a movie that's both intimate and expansive. Just as BPM's first scenes leave a definite imprint, so does the cumulative effect of its 143 minutes, weaving personal tales into a sprawling snapshot of a real-life movement. Read the full review. https://www.youtube.com/watch?v=3__y-uPwbe8 HEREDITARY What our critic said: Ari Aster plagues the movie's protagonists with weird occurrences, including strange words etched into walls, odd flashes of light, upsetting strangers and alarming seances. He is making a horror film, after all. But more than that, the writer-director doubles down on tragedy, stretches the characters' emotional limits and heightens their psychological strain, Read the full review. https://www.youtube.com/watch?v=gEnRNIvEKu8 UPGRADE What our critic said: Bone-crunching, blood-splattered revenge is a dish best-served with an AI sidekick in Upgrade. Although the concept might sound more tired than wired on paper, it makes for a sharp, sleek and savage wander into genre territory. Read the full review. https://www.youtube.com/watch?v=K6o5WPcCgT0 FOXTROT What our critic said: Foxtrot asks the audience to stare at its main cast harder than most films; to feel their aching hearts, to dive into their despairing minds, and to experience their unshakeable sorrow. Writer-director Samuel Maoz doesn't just call upon his actors to attract attention, though, but ensures that every meticulous shot reflects the characters' internal states. Read the full review.
It has been almost a decade since Petrie Terrace's former gaol-turned-barracks was transformed into a retail, restaurant and cinema complex — and it just keeps evolving. There's always seems to be somewhere new to eat here, with Nativo Kitchen and Wine Bar the latest addition to the precinct, bringing Tuscan-style food and dining to Paddington. With NKB Group running the show, Nativo joins their alliterative stable of culinary haunts, which also includes Nickel Kitchen and Bar in Fortitude Valley and NKB Express in Indooroopilly. It's a case of one door closing and another one opening for the company, however. Their other Indro joint, Nantucket Kitchen and Bar, is set to shut on May 14. But back to all things new, shiny and delicious. Nativo plays up the rustic-style atmosphere the Barracks has in spades, turning the former French Twist site into a little Italy, complete with exposed brick, a cosy courtyard and a mural of the Italian countryside. Open for breakfast, lunch and dinner seven days a week, the menu keeps the same vibe flowing, favouring classic, regional dishes. Start the day with a Nativo breakfast board, which features Parma ham, dried tomatoes, basil pesto, smashed avocado, sourdough and marinated eggplant, or get fresh and fruity with fresh strawberry and basil salad, whipped ricotta, fresh honeycomb and vincotto. The lunch and dinner selection ranges from crisp fried baby calamari with squid ink aioli and house-made rabbit and pistachio terrine for starters, a choice of ten pizzas and five pastas, plus mains such as osso bucco, pan-roasted duck breast and three types of scallopini. For dessert, opt for more old favourites, with gelato, affogatos and tiramisu on offer. And as for the drinks list, Italian wines — including nine rather pricey varieties labelled 'collector wines' — lead the charge, as well as a hefty array of grappa (of course), and trusty tipples such as Bellinis, Americanos, Negronis and Milano martinis among the cocktail choices. Nativo Kitchen & Wine Bar is now open at 61 Petrie Terrace, Paddington. For more information, check out their website and Facebook page.
Perhaps Peter Pan was onto something. The famous literary character didn't want to grow up — and, once you've become an adult, it's hard not to agree with him. Alas, flying through the air and cavorting with pirates isn't a reality for anyone, well, real, but it's easy to pretend otherwise. Brisbane boasts a hefty array of activities that'll unleash your inner kidult, bouncing around, taking a few boozy swings and playing giant board games included. HIT A FEW BALLS AT HOLEY MOLEY Brisbane's mini-golf bar sure happened upon one hell of an appropriate name. Just try not to exclaim "Holey moley!" several times while you're there. It's impossible, unless you're a big ol' boring grown-up. You heard us. Putting your way around a former church — and through courses that glow in the dark, are filled with creepy clowns, take a swing at Twister and feature a nine-iron throne the entire Stark and Lannister clans would be envious of — will incite that reaction. Cap it all off with a drink at the Caddyshack Bar, where Long Island Iced Tees and Happy Gilmoreo cocktails await. MASH BUTTONS AT NETHERWORLD It's a simple idea, but a good one. Whenever you come across an arcade or pinball game in a bar, lumped into a corner somewhere, it's always popular — so why not fill an entire pub full of them? Turning a space that has housed plenty of seedy watering holes into a gaming mecca, Netherworld doesn't just want you to pump tokens into machines, with video game consoles and board games on offer too. If you're after the same retro fun without the booze, head to Morningside's 1Up instead. TAKE MARIO KART INTO REAL LIFE AT SLIDEWAYS Think Mario Kart's Rainbow Road is hard? It is — but, so is sliding around a real-life multi-coloured space at Slideways. Don't worry, it's also fun as well, courtesy of a 425-metre, two-level indoor track, complete with a bridge, tunnel and loop of the carpark. It's the best kind of car-related activity Eagle Farm has to offer. No, getting stuck in traffic on Kingsford Smith Drive doesn't count. JUMP AROUND AT SKYZONE Is there anything as simplistically enjoyable as jumping up and down? There's a reason countless musicians instruct you to do so. Skyzone at Macgregor will help you bounce until your heart's content — on huge trampolines, between huge trampolines, off of walls, into pits of foam, while shooting hoops and while dodging balls. And when you're done hopping around, you can also take in a game of laser tag in a massive three-storey arena. Indoor rock climbing is also in the works, making Skyzone a one-stop kidulting bonanza. GET ZAPPY AT LASERFORCE Speaking of running around wielding flashing pretend weapons, Laserforce is a Brisbane mainstay. Most folks would have ventured to the Woolloongabba centre as a kid — if you didn't hold a birthday party there, you went to someone else's. Still running after 29 years (yep, that'll make you feel old), it still offers all of the fun you knew and loved, plus a few new attractions. Walk through a glowing portal into the time vortex, pretend you're in an action movie as you crawl under laser beams, or just run, hide and blast away. GET YOUR SKATES ON AT STAFFORD SKATE CENTRE Another place that time seems to have forgotten, but you shouldn't. Stepping inside Stafford Skate Centre will make you feel like you've gone back to the '80s; if the decor doesn't do the trick, then the soundtrack will. But, that's all okay. Rolling onto the rink, clutching the wall trying not to fall over or imagining that you're in Whip It are all timeless activities. If you'd prefer to bust out your best Blades of Glory impression, you can get icy instead at Iceworld at Acacia Ridge and Boondall. PAINT AND SIP WINE AT CORK AND CHROMA Lurking inside all of us is an artist waiting to emerge and smash out a masterpiece worthy of GOMA. For some of us, however, that creative side needs a bit of encouragement. That's where painting with a glass of Pinot in your hand comes in, with Cork and Chroma taking an activity you mightn't have dabbled in since high school and adding alcohol to the mix. You bring the bottle, they'll provide all of the necessary art supplies. Themed evenings include everything from pineapples, surf shacks and Brisbane itself to Frida Kahlo, Vincent van Gogh and Ziggy Stardust. GET SLEUTHING AT ESCAPE HUNT Six rooms. Three games. Only one way to work your way through each — or is there? Puzzling over mysteries and plotting your escape from a locked space is what's on offer at the aptly named Escape Hunt. Can you discover who killed a jockey, find explosives at Government House or locate stolen jewellery? Of course you can! Round up your best pals and find out (and, likely learn plenty about your friends' problem-solving skills, too). In a nice touch, each of the experiences is Brisbane-themed. GET SOME BOARD GAME ACTION Good news, fans of rolling dice, moving counters and shuffling cards — if that's your idea of a kidulting great time, this is the town for it. As well as the aforementioned Netherworld, Brisbane has plenty of places just waiting to make your board game-playing dreams come true. Here's five to start with, and Paddington also has a dedicated space, Club Sosay. Or, head to Woolly Mammoth to not only get your giant-size jenga on. [caption id="attachment_623917" align="aligncenter" width="1920"] Riverlife, Kevin O'Matta.[/caption] HIT THE WATER AT RIVERLIFE You can't miss the massive body of water snaking its way through Brisbane, and nor should you. Sure, the powers that be keep building bridges and tunnels to bypass it, however, thanks to Kangaroo Point's Riverlife, it's a great place for some splashy fun. In fact, with the city lacking in water parks since Amazons was torn down back in 2001, it's one of the only places offering something other than just taking a dip. Hire a kayak for an evening paddle, or give standup paddleboarding a try, all with killer views of the CBD.
Kween Yonce is about to tower over Melbourne. A skyscraper inspired by Beyonce’s fierce aesthetics in the 'Ghost' video clip is set to be built near Melbourne’s Southern Cross Station. Although 'Beyonce' is not yet a recognised religion (give it time), the 76-storey tower will pay homage to the mother of us all by mimicking her monochromatic twists and turns in 'Ghost'. The 13012 Premier Tower will house retail space and hotel rooms as well as apartments and creates those curves with an innovative vertical cantilever system designed to make Beyonce fans weep (and effectively redistribute mass and stabilise the building but whatever). The tower has been designed by the architectural firm Elenberg Fraser, who have a monopoly on the chic apartment market; they're responsible for 42 percent of the apartments under construction in Melbourne right now and we're stoked they're Beyonce fans too (can we please have a 'Crazy In Love' apartment block next?). It may just be a marketing strategy but if so, boy do they have our number. We would love to live inside Beyonce. And we can even discern some graceful and svelte curves in the initial renderings of the 13012 Premier Tower. It’s a case of art mimicking life and who better to mimic than the Kween herself. Bow down bitches. Via The Guardian. Images: Elenberg Fraser.
Those who were mad fans of Bill Cunningham, or watched and loved the 2010 documentary Bill Cunningham: New York (that Venn diagram is probably a single circle), would be unsurprised to hear that the legendary fashion photographer was still shooting less than a month before his death last Saturday. Cunningham's tenacity and single-minded focus, along with his modesty and warmth were just some of the things that made the street style photographer such a joy to watch. As a reporter and historian of fashion he displayed an extraordinary depth of understanding of his subject. It's a little dismaying therefore to discover that finding photos taken by Bill Cunningham is harder than you might expect. Trawl the usual channels (Google, Tumblr, Pinterest) and inevitably nearly every image will contain a telltale flash of blue — the French workman's jacket that Cunningham made his now-iconic uniform. Though I can't blame anyone for wanting to swoon over Cunningham himself, it seems fitting to honour the reluctant celebrity by turning our attention back to his work — if nothing else, there's no doubt that's what he would have preferred. [caption id="attachment_578295" align="alignnone" width="1280"] William J. Cunningham, Facades, Penguin Books, 1978.[/caption] NEW YORK IS ITS OWN STAGE Cunningham's muse, friend and co-star Editta Sherman poses in full Edwardian get-up in this shot from Cunningham's 1978 book Facades. Many of the photographs from the book depict authentic period costumes (which Cunningham himself had collected) placed against a backdrop of iconic New York architecture. The photos are contemplation on a city that, perhaps more than any other, has made progress and modernity into an aesthetic. Though Cunningham is better known for his (generally) unstaged street photography, this photo of the Lady Bracknell-esque Sherman includes elements of the photographer's sense of humour which are familiar. Note the advertisement hanging on the graffitied subway car above Sherman: "A woman of good taste". [caption id="attachment_578296" align="alignnone" width="1280"] Bill Cunningham, Vogue, (Conde Nast, March 1974).[/caption] AMERICAN FASHION "OOZES VITALITY" If you're interested in 20th century fashion history then don't walk, RUN to watch this 2014 interview in which Cunningham describes "the most exciting fashion show" of his life. Cunningham is momentarily reduced to tears as he recalls details of the 1973 'Battle of Versailles' fashion show, in which French and American designers were pitted against one another. The two nations' designers represented two different fashion ideologies, and Cunningham wasn't shy about naming his victor. In the Chicago Tribune, he wrote that the Yanks "devastated" their French counterparts, with their "uncluttered American taste oozing vitality". Halston was among the American contingent who showed at Versailles, and though this 1974 photograph by Cunningham displays the more overt, embellished glam of the coming decade, one can still recognise in the dress' cut the kind of simplicity of design that Cunningham was still championing 40 years later. [caption id="attachment_578297" align="alignnone" width="1280"] Bill Cunningham, 'Make Your Own Art: On the Street', New York Times (OCT. 31, 2014)[/caption] FASHION NEEDS EXPERIMENTATION TO AVOID SIMPLY BEING COMMERCE So here's a fun fact: Bill Cunningham literally invented the application of the word 'deconstructionism' to fashion (Bonnie English, Japanese Fashion Designers: The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo, Berg, 15 Aug. 2013 , p.170). It is a rare thing indeed to encounter someone with so fierce, varied and long-lasting an appetite for fashion. In a 1989 video interview, Cunningham described how he first recognised parallels between the early 1980s designs of Rei Kawakubo, and the clothes worn by New York's homeless women. His tone is not uncritical as he makes this extraordinary observation, but you can also detect his exhilaration as he goes on to make a further link to the proportions of medieval European dress. More recently in his 'On The Street' video series for the New York Times, Cunningham showed his continued fascination with the avant-garde by comparing the red of mainstream fashion to Kawakubo's "blood and roses". He concluded: "Fashion as we know it today is absolutely commerce. Very little artistic expression. Lots of it is very beautiful and women look wonderful in it. There's nothing wrong with that! But you have to have this wild experimentation." [caption id="attachment_578300" align="alignnone" width="1280"] Bill Cunningham, 'Dashing', New York Times (February 24, 2012).[/caption] COLOUR IS POWERFUL AND DEMANDS YOUR RESPECT Many of Cunningham's most enticing collage spreads for the New York Times were based around a colour theme. Cunningham sensitivity to and appreciation of colour was something else. In 1965, the New York Times reported on a presentation given by Cunningham at Carnegie Recital Hall (the same building in which he lived and from which he was evicted in 2010). Cunningham spoke to an audience of fashion designers and students and described the colours he had seen at the recent Paris couture shows. To illustrate the colours he "sliced a pumpkin in half, peeled a banana and held up a raw beefsteak to illustrate the major colours…", documented by Bernadine Morris in her 'Two Views on Fashions: One Scholarly, One Pop' piece. Cunningham never lost his voracious appetite for fashion, and it's hard to imagine that we'll see his like again.
What's better than a microbrewery that serves both food and brews? A venue that pumps out its own beers and offers patrons two distinctive dining and drinking spaces. That's what happened at The Charming Squire, with the South Bank venue splitting its floorplan to welcome a new woodfired grill and rotisserie restaurant. Having opened its doors in 2021, Embers at The Charming Squire is the fancier sibling to the existing Brewhouse. Where the latter skews casual, this relative newcomer is all about levelling up your lunch or dinner. And while it's definitely located inside The Charming Squire, this space-within-a-space has its own entrance, vibe, and wood-heavy decor. Able to seat 177, including in booths for five to ten people, at low tables and outdoors, Embers at The Charming Squire is filled with timber. Seasoned Charming Squire guests will recognise the layout, but the look has been tweaked — including via dashes of greenery. The look suits the culinary theme, given that it focuses on a fire-fuelled menu that heroes wood-roasted, smoked and grilled dishes and meals finished over ironbark coals. Standout options include dishes with lamb, given that a whole lamb is slow-cooked every weekend and then broken up into plates — such as the wood-roasted lamb with potatoes, peppers and pebre salsa. The grain-fed rib fillet is served with bearnaise sauce, carrots and jus, while the charcoal chicken comes with pickles, lemon and green beans. Other highlights span gnocchi with local mushrooms, truffle, stracciatella and sage butter from the vegetable-focused section of the menu, and grilled octopus with tomato, peppers, shallots and olives from among the seafood dishes. Or, there's Moreton Bay squid, mushroom and truffle arancini balls, and fresh natural or kilpatrick oysters — all from the small-plates range. If you're after something sweet following your meal, dessert options include pineapple souffle with coconut crumble, banoffee pie and an affogato with salted caramel ice cream. Drinks-wise, more than 100 bottles of wine will tempt your vino-loving tastebuds, with Australian reds comprising more than half the list. James Squire's beers obviously feature, including tipples brewed in-house. And the cocktail selection skews towards the classics, with the highly skilled bartenders willing to make you whatever you like, so long as they've got the ingredients at hand.
UPDATE, May 22, 2021: Black Panther is available to stream via Disney+, Google Play, YouTube Movies and iTunes. There is one dull moment in Black Panther. Exactly one. And the fact that it comes courtesy of Stan Lee's now-inevitable cameo speaks volumes about this rich and electrifying instalment in the Marvel Cinematic Universe. When the man who ostensibly founded the franchise shows up, it feels like a predictable, obligatory inclusion in a film that runs from those labels every other chance it gets. Lee's presence nods to the usual formula that's been deployed for 17 big-screen chapters — but, coming in at number 18 in a series that shows no signs of slowing down, Black Panther refuses to stick to that template. It's one of the few comic book flicks in living memory that doesn't spend its time setting up the next movie or shoehorning in links to past titles. The film stands on its own merits, and it's absolutely glorious. Although viewers first met Chadwick Boseman's T'Challa, aka Black Panther, back in Captain America: Civil War, his debut solo outing is still something of an origin story. Despite this, in exploring who the newly crowned Wakandan king is, where he's from and the struggles he's facing, the film prowls down its own path. After the death of his father, T'Challa finds himself at a crossroads about the future of his nation — a place that has long chosen to hoard its considerable technological advancements, close its borders and hide its true nature from the world. Some close to him, such as his head of security W'Kabi (Daniel Kaluuya), support the insular status quo. Others, including his ex-girlfriend turned secret special forces operative Nakia (Lupita Nyong'o), advocate for helping those in need. A Marvel movie that weighs up the merits of isolationist policies versus social responsibility, all while grappling with race and class as well? With its eyes firmly on current world affairs, Black Panther certainly isn't afraid of getting topical. Directed and co-written by Ryan Coogler, the film blends the rousing politics of his debut, Fruitvale Station, with the earnest spectacle of his follow-up, the Rocky-spinoff Creed. It's a superhero flick with something to say and no qualms about saying it. At the same time, the ambitious effort nods effectively to Shakespeare in its family dynamics, and offers up smart spy action complete with its own gadget guru (Letitia Wright, a scene-stealer as T'Challa's younger sister Shuri). Packed to the brim (although it never feels overstuffed), the movie also makes a stand for formidable women through General Okoye (Danai Gurira), the king's loyal, lethal and highly memorable bodyguard. Marvel's last title, the wonderfully distinctive Thor: Ragnarok, successfully carved its own niche within the MCU's usual confines. While that film proved an impressive feat, Black Panther goes one step further, effectively smashing the standard mould to pieces. This shines through in two areas in particular. The first is in the film's treatment of its primary antagonist, with unruly weapons dealer Ulysses Klaue (Andy Serkis) a mere distraction on the road to the determined Erik 'Killmonger' Stevens (Michael B. Jordan). Villains aren't typically Marvel's strong suit, but here the fight between opposing forces feels refreshingly astute and even-handed. Casting assists considerably in this regard, with both Boseman and Jordan bringing considerable gravitas to their roles. Coogler also demonstrates an exceptional command of tone, delivering a film that serves up a few well-earned laughs, but takes its overall task seriously. In a picture positively teeming with highlights, however, Black Panther's greatest quality is its all-round embrace of African culture. In every aspect of its look, sound and feel, this chapter is like nothing else in the Marvel universe, and that's clearly by design. Twice during the film, outsiders enter Wakanda and try not to let their jaws drop to the floor — and it's easy to understand their reactions. Frankly, it's the same one we had as the end credits rolled. Coogler has crafted an entertaining, engaging and impassioned movie that is both proud of and confident in its differences, and is also committed to shining the spotlight on the people that blockbuster cinema so often ignores. What could be more awe-inspiring than that? https://www.youtube.com/watch?v=ph9_oITIefE
If someone hasn't already reminded you that today is the first of March (with a petrified look of a person on the brink of a mid-life crisis, no less), this bit of news should well and truly confirm that summer is over. Vivid Sydney has this morning given us the first tidbit from their 2017 program, announcing indie folk-rock band Fleet Foxes as their first visiting artist. The US band will bring their bright dance-around-the-forest songs to the Sydney Opera House for four exclusive shows on May 26–29 this year. These will be the band's only shows in Australia — and their first here in five years — so tickets will be allocated via a ballot system. Anyone who sat online to get (or miss out on) tickets to the Opera House's Bon Iver show last year will appreciate this method of allocation. Fans of Fleet Foxes will know the band have been extremely quiet of late; they haven't released an album since Helplessness Blues back in 2011. The band is set to release their third album this year — which, according to Consequence of Sound, is called Ylajali — and has already locked in some European tour dates post-Vivid, meaning that we could potentially be the first to hear their new material. The Fleet Foxes gig is the first announcement for Vivid 2017, which will this year run from May 26 until June 17. The full program will be announced later this month. That should get you excited for winter. Fleet Foxes will play four shows at the Sydney Opera House from May 26–29. The ballot is open now until 11.59pm on Sunday, March 5. You can enter here.
You might fancy yourself a bit of a dancefloor master in the safe, dark confines of a nightclub (or you know, lounge room) — but how fancy is your footwork when it's on display in a more public, open air environment? That's the question this year's Brisbane Festival is asking the city's residents. All you have to do is jump on over to Queen's Park and strut your stuff to find out. In fact, You Should Be Dancing is more of an order than anything. If you're heading along to the free event, moving and grooving is pretty much mandatory. Different styles will be showcased over the popup dance party's nine nights — and yes, that really is just the beginning of Bris Fest's onslaught of music, performance, arts, culture and participatory fun for 2016. In his second year as the festival's artistic director, David Berthold isn't holding back when it comes to the big, busy program that will brighten up Brisbane from September 3 to 24. A whopping 70 productions and 540 performances will feature across the five key venues of QPAC, Brisbane Powerhouse, South Bank Piazza, QUT's theatre precinct, and the two-Spiegeltent setup that comprises Arcadia at South Bank's cultural forecourt. Highlights include Rules of the Game, a multidisciplinary dance work from renowned choreographer Jonah Bokaer, visual artist Daniel Arsham and none other than Pharrell Williams that comes direct to Brisbane after its Dallas premiere — and before it even shows in New York. And, for seasoned Bris Fest attendees accustomed to indulging in Strut & Fret's latest food-and-entertainment combo, Blanc de Blanc brings a champagne celebration to the festival is several senses of the word. Elsewhere, expect everything from an interactive take on the act of buying sex and Circa going Troppo to queer feminist sci-fi and a feast of music docos, plus — for fans of fresh takes on old classics — theatre, ballet and film versions of Snow White and a new, superhero-centric staging of Shakespeare's A Midsummer Night's Dream as well. Next, prepare to have all your pre-existing memories of the Little Mermaid completely shattered after seeing Meow Meow's interpretation of the tale, complete with an underwater themed stage and new music by Amanda Palmer, Kate Miller-Heidke and Megan Washington. Music-wise, there'll be plenty of killer sounds to get your ears buzzing courtesy of a lineup international acts and local legends that features Montaigne, Kim Gordon, Pink Martini, Robert Forster, Custard, a reunion show by george and more. And yes, for those that like watching bright explosions light up the sky, Riverfire is back for its 19th year. So, that's your September well and truly sorted — if you don't have anything to do for the first three weeks of the month, you're just not looking hard enough. Brisbane Festival runs from September 3 – 24 across Brisbane. For more the full 2015 program, or to book tickets, visit the festival website.
There's a lot to learn about the gin and tonic. The classic combination of bitter and sweet has become a cocktail staple — mixed with a little lime and a lot of ice, it's endlessly refreshing and easy to make. We've all gone into a bar and had a bad G&T, but we've all gone into a bar and had a decent one too. How can the combination of two ingredients have such a different outcome? In partnership with Bombay Sapphire, we investigated. This is how you make the perfect G&T — from the tonic water, all the way to the garnish. OBVIOUSLY, YOUR CHOICE OF GIN IS EXTREMELY IMPORTANT We've been treated to a gin resurgence of late. Hundreds of distilleries across the world are now creating their own gin — there are smaller, craft gin companies that have popped up and larger, more established brands that will hopefully stay around and bless us with gin forever. Gin is made with a base spirit, and botanicals (like coriander, orris root and juniper berries) are added during the distillation process in order to produce a certain, sweet flavour. Every gin company uses botanicals in its own way to produce its own unique flavour. "It's what you do with the botanicals that differentiates gin," says Sean Forsyth, Bombay Sapphire ambassador. "Bombay Sapphire is the only London dry gin to infuse the botanicals by steaming them instead of boiling them, which produces a brighter, more vibrant, kind of fresher, uplifting flavour." Gin is an incredibly varied drink, so it's important to figure out what brand (and flavour) suits your palette before you start using it in your G&Ts. Luckily, "never has the consumer had more choice available to them", says Forsyth. Try out a few brands and decide on one that you like. TONIC WATER MAKES UP THREE QUARTERS OF YOUR COCKTAIL Tonic water is not to be underestimated. Like gin, its flavour also varies drastically between brands. Smaller craft producers, according to Forsyth, focus on "natural cane sugars, using high quality, filtered waters, and of course using real botanicals, real quinine and real spices to flavour their mixers." The result is a tonic that isn't overly sweet, syrupy, and is generally more approachable than one you would find on a supermarket shelf. Many bartenders favour the brand Fever Tree in their drinks, because they focus on all of the above factors, as well as making sure their tonic has a decent level of carbonation. "A lot of bubbles is really important to a great gin and tonic," says Forsyth. The fizz tickles your nose and the smell of the gin becomes more apparent." But again, "it all comes down to preference and taste," he says. Don't be too hasty to chuck out the Schweppes if that's what you prefer. GET A LITTLE INVENTIVE WITH YOUR GARNISHES Arguments over the best garnish for the G&T are heated, but the answer arguably lies in the geography. Limes grow in India, and lemons usually don't, so it's most likely that "the original garnish for the gin and tonic was actually lime, not lemon", as Forsyth says. If you choose to garnish with lime, rub the rind around the rim of the glass before dropping it into your drink. Half of what you taste is what you smell first, and this tactic will take the lime flavour to the next, subtle level. But don't get bogged down in tradition — mix up your garnish with something that complements or contrasts with the botanicals. For example, Forsyth recommends you sling a little black pepper and strawberry, or some cassia bark in there to get a "really delicious, almost Christmas inspired gin and tonic". YOU MIGHT NOT LIKE THE CLASSIC G&T, AND THAT'S OKAY Maybe you don't like the combination of gin and tonic water, no matter how hard you try to get involved. That's completely okay. Maybe you prefer your drink a little sweeter. If so, add a touch of sugar syrup, or something like a melon syrup to your drink to jazz up your adventure a little further. Better yet, try out some cocktails that play with the G&T tradition, like a Lemon Collins, a Gin Rickey, or a Gin Basil Tonic, a drink that the guys at PS40 knocked up just for Forsyth that uses gin, lemon, fresh basil, a touch of sugar and a healthy dose of tonic. If you're just not that into tonic water, try mixing your gin with soda, or opting for a stronger Negroni or martini. If you like drinking gin, you have so many options of things to do with it — the cocktail world is your oyster. Images: Kimberley Low and Steven Woodburn (top image).
Aunty's done it again; inviting the whole country round for a cup o' chai and a grand ol' hootenanny — the 2015 lineup for Meredith Music Festival is here. Returning to beloved Meredith Supernatural Amphitheatre, near Golden Plains over December 11-13, Meredith's more eclectic than ever — it's the Silver Jubilee 25th anniversary after all. Following the recent major announcement of Ex-Fleet Foxes minstrel Father John Misty as this year's top headliner, Aunty's added the likes of Unknown Mortal Orchestra, Ratatat, The Thurston Moore Band, Tkay Maidza, Neon Indian, Big Daddy Kane, Shellac, Fatback Band, Jessica Pratt, Briggs, and many more to the bill. As always, Meredith's a BYO paradise, and of course, the 'No Dickhead Policy' stands stronger than ever. There's just one ticket type (none of this fancy schmancy VIP tiered business) and it'll set you back $338.70 + $10BF + $7.50 post. Like every year, it's a ballot system and first round ticket offers will be made today, the second on August 20. Enter over here. But enough chatskies, here's who's ringing in 25 years of glorious Meredith fun with Aunty this year. MEREDITH MUSIC FESTIVAL 2015 LINEUP Big Daddy Kane Bully Father John Misty Floating Points Fatback Band GL Goat Harvey Sutherland Jessica Pratt Julia Holter Levins Lucy Cliche The Peep Tempel Master Khalil Gudaz MC Jane Clifton Mighty Duke and The Lords Briggs Moon Duo Neon Indian Optimo Pearls Power Ratatat Shellac Steve Miller Band The Thurston Moore Band Tkay Maidza Totally Mild Uncle Acid and The Deadbeats Unknown Mortal Orchestra Meredith Music Festival is happening December 11 to 13 in the Meredith Supernatural Amphitheatre, Meredith. Enter the ballot here. Image: Meredith Music Festival.
Jackson Browne dropping a cover of The Eagles' 'Take It Easy'? Classic Bluesfest. Kendrick Lamar echoing across Tyagarah Tea Tree Farm with "This. Dick. Ain't. Freeeeeeeee."? New Wave Bluesfest. Bringing over 200 performances to seven stages over five 12-hour days, Bluesfest returned to the hallowed, well-gumbooted grounds of Tyagarah just out of Byron Bay over the Easter weekend. This outrageously-loved festival brought in its 2016 chapter with one of its most eclectic lineups yet (but importantly, brought back the festival's renowned yearly menu of fish tacos, Yemen rolls and organic doughnuts). From Celtic voodoo to pre-WWII 'minstrel blues', Icelandic indie folk to truly avant garde performance art rock, this year's festival took the genre-spanning game next-level. Kicking off the first night, Kendrick Lamar drew one of the most dominantly Young Person crowds of the festival. Following widely praised shows in Melbourne and Sydney, the 'King Kunta' gamechanger brought his wildly eloquent unpacking of race and identity to the festival's opening night — from 'Backseat Freestyle' to 'Alright'. Lamar gave ups to fellow festival headliner and R&B legend D'Angelo, who, helped the Bluesfest crowd find new hinges in their pelvises with his two highly seductive sets — even though multiple reports from Thursday's set saw Kendrick fans actually booing the R&B icon. Really. Booing D'Angelo. Kids today. Big favourites Tedeschi Trucks Band and Grammy award-winning, face-melting multi-instrumentalist Grace Potter made most Bluesfesters highlight lists, alongside a swathe of relative newcomers to many Aussie ears. Jerron"Blind Boy" Paxton had the festival well abuzz, the twenty-something multi-instrumentalist specialising in '20s and '30s blues a la Fats Waller and "Blind" Lemon Jefferson. Our jaws are still on the floor in the Delta tent after seeing San Francisco's super fun outfit Con Brio, lead by the unforgettable Ziek McCarter — the lovechild of Michael Jackson and Bruno Mars with better abs. Punters stood open-mouthed and wonderfully freaked out watching legendary avant garde experimental art rock collective The Residents. We raised plastic cups to Mojo Juju's "love song to Newcastle", attempted terribly to sing along Nai Palm-style with Melbourne's Hiatus Kaiyote, madly Googled 'Shooglenifty' and generally flailed around in bona fide Dad Dancing style to Mick Fleetwood. Big ups have to be paid to Friday night's heart-in-mouth set from The National, ending with frontman Bryce Dessner genuinely gobsmacked by one heck of an emotional, to-the-syllable singalong. Bluesfest delivered yet another feelgood, like-clockwork festival, nabbing only one and a half days of downpour and less mud than usual. More than one artist, including the legendary Jackson Browne, called it "the best festival in the world". With police happy, punters happy, sleeping kids in wheelbarrows happy and artists happy, we reckon that calls for another organic doughnut. Images: Andy Fraser. Words: Shannon Connellan.
The butt-numbing marathon that is the Melbourne International Film Festival has once again come to a end, but we're not quite ready to stop talking about the movies. For 18 days straight our critics devoured all the festival program had to offer, uncovering hidden gems and suffering through the worst of the worst so that you, dear reader, won't have to. From 3D sex epics to psychological thrillers and an early look at one of the mostly hotly anticipated Shakespeare adaptations ever made, here are our picks of the best, the worst and the most utterly bizarre films of MIFF 2015. THE BEST FILMS MACBETH On paper, the latest film adaptation of Macbeth has all the makings of a winner. William Shakespeare's tragedy of power and ambition has regaled audiences for four centuries; Aussie director Justin Kurzel showed he knows a thing or two about making moody, brooding movies with serial killer chiller Snowtown; and stars Michael Fassbender and Marion Cotillard are among the finest actors of their generation. On screen, this bubbling potential isn't just realised — it is exceeded in brutal, blistering fashion. Nary a piece of cinema this year will gift audiences with such a sensory yet stark audio-visual showcase while uttering such iconic monologues; however it is the tackling of the original play's sound and fury with raw energy and a western-like savagery and sorrow that truly lingers. Fassbender and Cotillard are breathtaking, as are supporting players Sean Harris, Paddy Considine and Jack Reynor. A finer film in 2015, we may not see — all hail Macbeth, indeed. -Sarah Ward https://www.youtube.com/watch?v=eM2tblIkL4g TEHRAN TAXI Of the three films veteran director Jafar Panahi has made since the Iranian government sentenced him to a 20-year ban on filmmaking in 2010, Tehran Taxi is by far his best. Gone is the (justifiable) atmosphere of frustration and impotence that coursed through This Is Not a Film and Closed Curtain, replaced instead by a renewed sense of purpose and political resolve. Shot almost entirely within the confines of a taxi that Panahi himself is driving, this surprisingly light-hearted film takes us around the streets of the Iranian capital and introduces us to various colourful characters, including an illegal DVD salesman, a pair of superstitious old women and even the directors own quick witted niece. Thing is, not all of whom seem to realise they're in a film. By blurring the line between documentary and fiction in such a playful manner, Panahi is able to deliver an impassioned cry for social change. Rarely is a film so clearly important while also being so much fun. -Tom Clift THE LOBSTER After wowing arthouse viewers with the Oscar-nominated Dogtooth and the Sydney Film Festival-winning Alps, Greek director Yorgos Lanthimos makes his English-language debut with something that both is and isn't a little bit different. Here, he enlists a recognisable cast, including Colin Farrell, Rachel Weisz, Ben Wishaw, John C. Reilly, Olivia Colman and Léa Seydoux, to enact a situation that skewers society's penchant for pairing off; in other words, his players might have changed, but his fascination with slyly cynical exaggerations of societal norms remains. That The Lobster's story revolves around single folks trying to meet their match to avoid being turned into animals demonstrates the humour on display, but the film's beauty must be experienced to be believed. That the end product is as satirical as it is movingly sweet and wryly amusing isn't just emblematic of its shifting tone — it's a stroke of cinematic genius. -SW https://www.youtube.com/watch?v=y0E2Qh6wLS4 THE GUEST As late night genre films go, they don't get much better than The Guest. A follow-up their 2013 home invasion horror movie You're Next, director Adam Wingard and screenwriter Simon Barrett pay homage to the crazed war vet films of the post-Vietnam era with this intense, clever, hugely entertaining action thriller. Downton Abbey star Dan Stephens is simply brilliant as David Collins, a mysterious soldier who arrives on the small town doorstep of the Peterson family with a message from their eldest son Caleb, who was recently killed in action. But it soon becomes clear that there's more to David than he's letting on. Funny one moment, frightening the next, with a couple of fantastic action scenes thrown in, The Guest is the kind of movie that knows exactly what it wants to be, and nails it every step of the way. It hits DVD and VOD next month, so make sure to track it down. -TC THE BOLDEST EXPERIMENTS https://www.youtube.com/watch?v=K-S6xiie4RQ LOVE 3D Hands down the most divisive film of MIFF 2015, Love is the latest picture from provocateur Gaspar Noe, who previously shocked audiences with his gruesome rape-revenge thriller Irreversible before taking them on a drug-fuelled afterlife trip through neon-lit Tokyo in his follow up Enter the Void. Both those films are tough acts to follow, but this two hour 3D sex epic certainly delivers. Plenty of people hated this movie – and yes, some of the dialogue is unforgivably clunky, and the protagonist is one of the most unlikeable leads we've been burdened with in quite some time. And yet even its detractor's would be hard pressed to deny the film's visual panache, including what is for our money the most artful use of 3D since Avatar reinvigorated the format (and no, we're not talking about the 3D cumshot, although that's definitely memorable.) Whether it'll ever get another theatrical screening in this country isn't really clear, but if it does then you should jump at the chance to check it out – even if it's just to say you did. Just maybe leave the kiddies at home. -TC QUEEN OF EARTH After tackling sibling and romantic bonds in The Color Wheel and Listen Up Philip, respectively, writer/director Alex Ross Perry turns his attention to another kind of connection in his latest feature. In Queen of Earth, long-term female friendship is in the spotlight, with Catherine (Elisabeth Moss) and Virginia (Katherine Waterston) seemingly in the final throes of their bond. Over the course of a week spent at a remote cabin, their differences are heightened — as is Catherine's already-fragile emotional and mental state. The story might sound straightforward, as the BFFs fight and recall better times; however the ever-versatile Perry — his handling of internal battles as much as external conflicts, and his crafting of a claustrophobic character thriller — is anything but ordinary. Comes complete with textured 16mm cinematography, a haunting score, and equally demanding and devastating lead performances. -SW MOST WTF MOMENTS https://www.youtube.com/watch?v=ftOMkr9eYS8 SPRING When is a body horror movie not a body horror movie? When it's actually a deeply touching love story. Written and directed by relative newcomers Aaron Moorhead and Justin Benson, Spring is a weird beast indeed. The film contains all the trappings of a gruesome creature feature, and yet it never quite goes in that direction. Instead, we're treated to a surprisingly affecting tale about a young American backpacker who falls head over heels for a pretty Italian girl, only to discover that she's harbouring a fairly significant secret. This low-budget production benefits from great central performances and some pretty elaborate makeup effects, but its biggest strength is that it consistently refuses to follow the expected path. A thoroughly strange but extremely gratifying flick that has us excited to see what the filmmakers tackle next. -TC RYUZO AND HIS SEVEN HENCHMEN In Ryuzo and His Seven Henchmen, legendary Japanese actor and director Takeshi Kitano ponders three questions. First, he wonders what a yakuza gets up to when his action-packed days are long behind him. Next, he applies the same query to filmmakers known for making yazuka movies. Finally, he explores what happens when both get back into the crime and violence game. The amusing, crowd-pleasing offering that results careens between kinetic laughs and outlandish action — as such a film should — as it attempts to answer all three concerns. Expect antics and insights to combine, even if the momentum of the first third can't quite be maintained. An effort that's perhaps less "what the fuck" than "why the fuck not." -SW DISHONOURABLE MENTIONS THE NIGHTMARE Back in 2012, Rodney Ascher made the conspiracy movie to end all conspiracy movies, with Room 237 delving into theories surrounding Stanley Kubrick's The Shining. What it lacked in polish it made up for in the affection it showed in indulging its subjects, and in celebrating its inspiration. Sadly, his latest effort — the part-documentary, part-thriller offering The Nightmare — is all pandering and no purpose, apart than repetitively rambling about and reenacting what sufferers of sleep paralysis experience. The concept is fascinating, but Ascher seems more concerned with scaring the audience — and referencing A Nightmare on Elm Street and Insidious — than actually exploring the topic. His purpose might be to make you not want to go to sleep, but his outcome achieves exactly the opposite. -SW https://www.youtube.com/watch?v=1kmOX11PdR4 THE ASSASSIN Taiwanese filmmaker Hou Hsiao-hsien took home the Best Director Award at the most recent Cannes Film Festival for his slow-moving martial arts drama The Assassin – and far be it from us to question the decision of the esteemed Cannes jury. Actually, scratch that. Sure the film may look pretty (although it's got nothing on last year's The Grandmaster), but that's little consolation when you're struggling to stay awake. The narrative, about a young female assassin in ninth-century China, is totally inscrutable, which wouldn't be as much as an issue if the characters weren't likewise. It's very difficult to care about anything happening on screen when you don't care about the people it involves. The film does contain a few impressive fight sequences, shot from a distance in a manner that emphasises the balletic qualities of martial arts. Ultimately however, it's nowhere near enough. -TC
Our modern obsession with packing into cities means that increasingly massive skyscrapers are inevitable. After all, if we don’t head upwards, well, there’s only so much land. One of the problems with skyscrapers, though, is that their behemoth shadows seriously shorten the day of their surroundings. Even a spacious, sunny city like Sydney can feel cold and dark when you’re wedged between towers (just look at the long shadow Barangaroo's casino is expected to cast). Now imagine how gloomy things can get in densely populated metropolises like London and New York — if you've visited, you'll know how gloomy things can get in the financial districts. But a London-based architecture company by the name of NBBJ has come up with a solution: the 'No Shadow Tower'. The concept involves two twisting skyscrapers, to be built side-by-side, which redirect sunlight to the area around their base — right where dreary shadows are usually found lurking. The idea was developed with London’s North Greenwich in mind, at the request of New London Architecture, and was first published in New London Quarterly. "The algorithm design for the tower is based on the law of reflection," the design team told Dezeen. "Our facade has varying angles of panels that distribute light over a certain area at multiple times during the day." The algorithm works by recording the sunlight's angle every single day for an entire year. With this information, the team can predict how light will play on the building at various points during the day, and then construct the skyscraper’s facade to reflect it accordingly. The use of individual panels allows reflection on a pane-by-pane basis; creating circles of light, rather than a single, extremely hot area. NBBJ was motivated by its passion for the public and their environment-determined happiness. "One of [our] principle concerns is public space and the ways the public use and interact with these spaces," the designers explained. "The No Shadow Tower places public space at the heart of the project, along with human interaction and the impact of skyscrapers at street level... The research that we have undertaken could be applied in many locations in the world, each time creating a different form that would relate to its specific context and solar conditions." Where do we sign up? Via Dezeen. Images: NBBJ.
If you find yourself in our fair capital this summer, don't leave without checking out Hyper Real at the NGA. Featuring nearly 50 extraordinary digital art and ultra-real sculptures by 32 international artists including Ron Mueck, Patricia Piccinini, Sam Jinks, John DeAndrea, Carole A Feuerman and Marc Sijan, you can expect to see everything from a frozen sculpture made from an artist's blood, a virtual journey through a human skull floating in space and a transgenic creature giving birth. An incredible opportunity to see sculpted forms so true to life you'll get goosebumps (prepare to suppress the urge to reach out and touch them), Hyper Real takes humanity and amplifies it, asking 'what makes us human?' whilst displaying the ever-expanding artistic potential of the genre itself. "Contemporary hyperrealism has pushed beyond static sculpture and into the digital realm. It is a shape-shifting genre, simultaneously traditional and innovative, familiar and provocative" says Jaklyn Babington, NGA Senior Curator of Contemporary Art. Trust us, you won't have seen an exhibition like this before. Image: Patricia Piccinini, The long awaited, 2008, silicone, fibreglass, human hair, plywood, leather, clothing, Collection of Detached Cultural Organisation and the artist, Hobart. Courtesy of the artist, Roslyn Oxley9 Gallery, Sydney, Tolarno Galleries, Melbourne and Hosfelt Gallery, San Francisco.
The glitz! The glamour! The millionaires patting each other on the back! Yes dear friends, the Academy Awards are getting closer by the day. This year's nominations range from big, populist blockbusters to itsy bitsy indie films, once again celebrating the very best that Hollywood has to offer. As long as what it has to offer was...y'know...white. The #OscarsSoWhite problem has become one of a number of talking points in the wake of the recent nominations, along with the dodgy shut-out of critical darling Carol and the hype around Leonardo DiCaprio. He's finally going to win you guys! While a few of the nominees, including Room and Steve Jobs, are yet to reach our shores, we've otherwise managed to see just about everything in contention. And after running them all through our Oscar predicting super computer, here's how we think Hollywood's night of nights is going to pan out. BEST PICTURE The Nominees The Big Short, Bridge of Spies, Brooklyn, Mad Max: Fury Road, The Martian, The Revenant, Room, Spotlight. What Will Win This is going to be a close one. Although it won't be released in Australia until the end of January, journalism drama Spotlight was thought to be leading the race, until The Revenant swooped in and nabbed the top prize at the Golden Globes. And with the most nominations out of this year's Oscar contenders, we reckon momentum is only going to build. The Revenant by a nose. What Should Win Putting aside our national bias, it's pretty obvious that Mad Max: Fury Road should take home the big banana. It's thrilling, inventive and phenomenally made, and was a hit with critics and audiences alike. Not only that, but the film's strong feminist overtones and kickass female characters are exactly the kind of thing that Hollywood needs to reward. The Snubs The biggest snub of the bunch is undoubtedly Carol. Todd Haynes' lesbian romance set in 1950s New York has been rightfully adored by critics, and its surprising omission here is seen as a sign by many that Oscar voters still aren't ready to embrace queer stories. So much for liberal Hollywood. It's also disappointing not to see Creed or Straight Outta Compton nominated, as two of the best reviewed and most popular films of the year about people of colour. Hell, even a Star Wars nom would have been something. BEST DIRECTOR The Nominees Lenny Abrahamson (Room), Alejandro G. Inarritu (The Revenant), Tom McCarthy (Spotlight), Adam McKay (The Big Short), George Miller (Mad Max: Fury Road). Who Will Win This race will likely come down to George Miller for Mad Max and Alejandro G. Inarritu for The Revenant. Both men made ambitious, visually spectacular films, something the Academy increasingly tends to reward. The fact that Inarritu won last year for Birdman might make some voters want to look elsewhere, but we're still tipping him to go back-to-back. Who Should Win George Miller. He's a veteran of the industry, and unlike Inarritu, there's more to his movie that just style for the sake of style. Here's hoping George can become the first Australian ever to win Best Director. Celebratory Mad Max screening at our place if he does! The Snubs Most people assumed Ridley Scott would get a nomination for his rock solid work on The Martian. Todd Haynes for Carol is likewise a very disappointing omission, as is Ryan Coogler for Creed. The fact that the category is entirely male is more a condemnation of the wider film industry than it is of Oscar voters... although it's certainly depressing none the less. BEST ACTRESS The Nominees Cate Blanchett (Carol), Brie Larson (Room), Jennifer Lawrence (Joy), Charlotte Rampling (45 Years), Saoirse Ronan (Brooklyn). Who Will Win While Cate Blanchett seemed like an early favourite for her sublime work in Carol, the scales appear to be tipping in favour of Brie Larson in Room. She's coming fresh off a win at the Golden Globes, and the film obviously resonated with Academy voters given its unexpected nomination for Best Director as well as Best Picture. Who Should Win The good thing about this category is that there really is no bad option. For our money Blanchett is still the strongest contender, but we'd be just as happy seeing it go to any one of them. The Snubs There's a strong argument that both Alicia Vikander and Rooney Mara should be here, for their work in The Danish Girl and Carol, but their respective studios successfully campaigned to have them nominated for Best Supporting Actress instead. And let's face it, it just wouldn't be the Oscars without a little bit of category fraud. BEST ACTOR The Nominees Bryan Cranston (Trumbo), Matt Damon (The Martian), Leonardo DiCaprio (The Revenant), Michael Fassbender (Steve Jobs), Eddie Redmayne (The Danish Girl). Who Will Win Leonardo DiCaprio, although it would be kind of funny if he didn't. His turn in The Revenant is far from his best work, but it's exactly the kind of big, committed performance that the Academy tends to favour. Subtlety be damned! Honestly, the field is pretty weak this year. Michael Fassbender is reportedly great in Steve Jobs, but the buzz around the film is basically non-existent. Who Should Win Honestly, anyone aside from Eddie Redmayne for his insipid work in the regressive, cliché-riddled transgender weepie The Danish Girl. How anyone thinks that's a good performance is just totally beyond us. Just give it to Leo. Think of how happy it'll make him. The Snubs Steve Jobs isn't out in Australia until February, but it's hard to imagine Fassbender gives a better performance as the Apple co-founder than he does as Macbeth in Justin Kurzel's phenomenal Shakespeare adaptation. Michael B. Jordan is terrific in Creed, and there's been a lot of good said about Will Smith in the NFL medical drama Concussion as well. BEST SUPPORTING ACTRESS The Nominees Jennifer Jason Leigh (The Hateful Eight), Rooney Mara (Carol), Rachel McAdams (Spotlight), Alicia Vikander (The Danish Girl), Kate Winslet (Steve Jobs). Who Will Win Putting aside the dodgy Oscar politics that sees Mara and Vikander nominated in the wrong category, we suspect this award will go to the actress from Carol. That said, it's entirely conceivable that Vikander or Winslet could swoop in for the steal. Who Should Win Rooney Mara is wonderful in Carol, and a very deserving recipient. If you're looking for something a little bolder, we'd go with Jennifer Jason Leigh, who steals The Hateful Eight from her seven male co-stars. The Snubs It was always a long shot, but we'd have been thrilled to see transgender actress Mya Taylor score a nomination for her remarkable turn in Sean Baker's Tangerine. The other disappointing omission is Kristen Stewart. You may scoff, but her work in Clouds of Sils Maria is a total revelation. BEST SUPPORTING ACTOR The Nominees Christian Bale (The Big Short), Tom Hardy (The Revenant), Mark Ruffalo (Spotlight), Mark Rylance (Bridge of Spies), Sylvester Stallone (Creed). Who Will Win Unless The Revenant makes a clean sweep and thus the award goes to Tom Hardy, we expect to see this trophy in the hands of Sylvester Stallone. Everybody in Hollywood loves him, and he's genuinely terrific in Creed. Besides, his acceptance speech at the Golden Globes was absolutely adorable. Who wouldn't want to see more of that? Who Should Win Seriously, did you see that acceptance speech!? https://www.youtube.com/watch?v=Bs3aqt4O4ng The Snubs The most notable absence is Idris Elba, who was widely expected to be nominated for his chilling turn in Netflix's Beasts of No Nation. Are you noticing a theme here? It's also a little surprising that Michael Keaton missed out for his work in Spotlight, and we'd have loved to see Benicio Del Toro, for Sicario, and Michael Shannon, for 99 Homes, make the cut as well. BEST ORIGINAL SCREENPLAY The Nominees Bridge of Spies, Ex Machina, Inside Out, Spotlight, Straight Outta Compton. What Will Win Spotlight seems like an easy pick here. The story, about a newspaper investigation into sexual abuse in the Catholic Church, is just the right mix of worthy and compelling, plus the screenplay categories are often the place where the Academy gives its consolation prize to the film that missed out on Best Picture. What Should Win As much as we liked Spotlight, for us this award deserves to go to the folks behind Inside Out. Once again, Pixar have demonstrated that children's films don't need to talk down to their intended audience, and that it's possible to craft jokes that both kids and adults will enjoy. Inside Out is one of the funniest films of the year, while at the same time dealing with concepts of grief and loss with a level of maturity that puts most grownup movies to shame. We also really liked Ex Machina, but this should go to Pixar, not close. The Snubs Although it's divided critics and may be too controversial for some, Quentin Tarantino's savage, racially-charged western The Hateful Eight deserved to at least get a nomination. We'd have loved to see absurdist black comedy The Lobster get some attention too, but honestly that was never particularly likely. BEST ADAPTED SCREENPLAY The Nominees The Big Short, Brooklyn, Carol, The Martian, Room. What Will Win Adam McKay's financial crisis comedy The Big Short is the frontrunner in this category. It's smart, funny and has just the right amount of righteous indignation, which Oscar voters tend to love. The Martian and Room also seem like reasonable possibilities. What Should Win The more we think about it, the more we like The Martian in this category. It's funny, it's thrilling, it's wonderfully optimistic, and in an age of increasing anti-intellectualism, it actually makes science seem cool. The Snubs Aaron Sorkin seemed like a lock for his work on Steve Jobs, but as mentioned above the movie just didn't seem to resonate with viewers. We'll also give one final plug to Macbeth, for stripping Shakespeare down to its raw, grim essentials. The winners of the 88th Academy Awards will be revealed on February 28.
Billionaire entrepreneur and possible mad scientist Elon Musk is one step closer to making his Futurama-style transportation system a reality. After first proposing the high-speed, compressed air-powered Hyperloop back in 2012, the Tesla, PayPal and Zip2 cofounder has just put down a lease on a warehouse in downtown Los Angeles, establishing the headquarters for Hyperloop Technologies Incorporated. Described by Musk as a "cross between a Concorde and a railgun and an air hockey table," the proposed Hyperloop system would consist of a long route of elevated vacuum-sealed steel tubes, through which pressurised capsules ride cushions of air at speeds of up to 1220km/h. Designed to transport both freight and brave human passengers, Musk’s first proposed route would run from LA to San Francisco, cutting the roughly six and a half-hour drive time to just 35 minutes. If you think that this idea sounds awesome, then you’re right — it's straight-up awesome. There are however still a few small details to work out. Despite Musk’s initial assertions that the project would cost a 'mere' US$6 billion to complete, several economists have put the price tag closer to ten times that, if not more. There’s also the possibility that people might be a little reluctant to seal themselves inside a windowless metal pod travelling at breakneck speeds through the desert — although if the proposed US$20 ticket price holds true, it may be a preferable alternative to flying. For those of you who geek out over science, Gizmag published a pretty comprehensive breakdown of Musk’s 2013 proposal over here. The next step in the system’s development will involve an 8km test track, with Musk identifying Texas as a possible location. Hyperloop Technologies CEO Dirk Ahlborn last year estimated that a commercially operable Hyperloop “can be built within the decade.” Via LA Times.
The National Gallery of Victoria's 2019 program continues to pull in the big guns, with an ever-growing lineup of internationally acclaimed artists — including Keith Haring and Jean-Michael Basquiat — heading to the gallery. And from Friday, September 20, that list will include Brooklyn-based Kaws (aka Brian Donnelly), who's bringing his instantly recognisable pop-culture sculptures to Aus. Kaws is best known for his large-scale sculptures, vivid murals and distinctive, pop culture-inspired characters. You're probably familiar with his reinterpretations of iconic figures like Mickey Mouse, Snoopy and The Smurfs, all reworked with those signature Xs over the eyes. While it's a stable of work that's laced with a healthy dose of humour, this NGV exhibition, entitled Kaws: Companionship in the Age of Loneliness, focuses on the rest of those underlying emotions. You'll get a glimpse at how KAWS celebrates generosity and explores our need for companionship, offering up an antidote to the world's current 'Age of Loneliness'. Off the back of solo exhibitions at the Yuz Museum Shanghai and the Contemporary Art Museum St. Louis in 2017, as well as the Hong Kong Contemporary Art Foundation earlier this year, Kaws' NGV presentation has plenty of never-before-seen goodies. It features a sprawling collection of his pop culture reworkings, human-size figures and collaborative pieces, while a newly commissioned monumental work will be the artist's largest bronze sculpture to date: Gone (2019), a seven-metre-tall bronze sculpture standing imposingly in the NGV's Federation Court. The main event is be backed by Kaws: Playtime – an interactive, touch-focused installation centred around Kaws' bright blue BFF character, complete with soft sculptures and a hands-on multimedia game. While it's created for 'children', we'll sure you'll find a few kidults exploring it, too. Top images: Kaws, Gone (2019); Kaws, What Party (2019); Kaws, Kawsbob (2007); and installation views of Kaws: Companionship in the Age of Loneliness at the NGV International. All photos by Tom Ross.
This mind-blowing photograph of an erupting volcano hit by a lightning bolt has just won Mexico's Sergio Tapiro Velasco the distinguished title of 2017 National Geographic Travel Photographer of the Year. Take a moment to just absorb how inconceivable that shot is. His prize-winning photo, titled The power of nature, was taken outside Colima, Mexico. Velasco has been studying and photographing the Volcán de Colima for over a decade, and for good reason — known as the 'Volcano of Fire', it is one of the most active volcanos in Latin America. As the award recipient, Velasco received a envy-inducing ten-day trip for two to the Galápagos Archipelago with National Geographic Expeditions, along with a cool $2500 USD prize. Selected from over 15,000 entries from participants in more than 30 countries, this year's contest recognised photos in three categories — 'Nature', 'People' and 'Cities'. Velasco's photograph was so impressive that it didn't only win the grand prize, but was also awarded top prize in the 'Nature' category. In order to capture the photo, Velasco closely tracked the increase in activity around the volcano for nearly a month. On the night this photograph was shot, Velasco was stationed only 12 kilometres away from the crater. "When I looked on the camera display, all I could do was stare," says Velasco. "What I was watching was impossible to conceive, the image showed those amazing forces of nature interacting on a volcano, while the lightning brightened the whole scene. It's an impossible photograph and my once in a lifetime shot that shows the power of nature." Apart from the grand-prize winner, other top photos were selected in each of the three categories, with first, second and third place winners also awarded sizeable sums of $2500, $750 and $500 USD, respectively. The entries must have been taken in the past two years to be considered. In the 'Cities' category, Hungarian Norbert Fritz was awarded the top prize for his photo titled Levels of reading, and Turkey's F. Dilek Uyar took home the top prize in the 'People' category with his photograph, Worship. Judges for this year's competition included Nat Geo's senior photography editor Molly Roberts, award-winning underwater photographer Benjamin Lowy and award-winning adventure sport and documentary photographer Jody MacDonald, The rest of the winning and honourable mention photographs are included in our photo gallery above, or can viewed on the Nat Geo website. There's some real good'uns in there.
Hey there, lonely freelancers working in cafes, on couches and in front of Netflix worldwide. Want some company? We've got a big ol' warm fuzzy home for you. Well, someone else’s home to be specific. Meet Hoffice, the social site dedicated to connecting you with people who've turned their houses into fun, creative workspaces. Whether you've only just quit your nine-to-fiver or you've been cruising solo for quite some time, chances are you're familiar with the challenges that come with the crazy world of freelancing. On one hand, taking charge of your career gives you loads of freedom — you can work in your pyjamas, clock on and off when you want to, and enjoy strictly virtual relationships with your bosses/clients. On the other hand, it's not all strawberries and cream. Unless you became a freelancer mainly because you hated group work at school (and you’re a misanthrope), you might feel a little lonely every now and again. You're productive, sure. But you probably look as relaxed as this: That's where Hoffice steps in. If you’re a freelancer, simply register and start searching your area for a host, who’s set up their home as a place for you to treat as your office. As far as we can see, this new service only has limited Australian/NZ options but we're sure there'll be a few as Hoffice picks up. While some hosts have an open policy, inviting everyone in, others just accept newbies every now and again. If you’d like to offer up your home, find out how right here. On top of mediating between space owners and freelancers, Hoffice also suggests a schedule. Designed to help you get the most out of your workday, it includes time for meeting and greeting, taking breaks, eating and partying. Of course, you don’t have to stick to it if you'd rather not — or you're between projects. Right now, Hoffice is operating in Europe, the States, Brazil, India, China, Japan, Singapore, New Zealand and Australia (Melbourne). No network in your area? Start one yourself. Via PSFK.
She became the Queen of France at the age of 18, is famously associated with the phrase "let them eat cake", and got the biopic treatment courtesy of Sofia Coppola and Kirsten Dunst. Now, Marie Antoinette has her own bar. Not bad for someone who lost her head, literally, back in 1793. No, you won't need to travel back in time to check out the long-deceased monarch's new digs — but you will need to head to New York. Brooklyn restaurant Chez Moi has converted the basement space beneath their French eatery into a decadent lounge bar fit for royalty, using Antoinette's own bedroom in the Palace of Versailles as inspiration. Adorned with all things velvet and vintage as far as the eye can see, Le Boudoir endeavours to recreate Antoinette's inner sanctum, complete with reproductions of 18th century oil paintings, sconces sourced from actual French castles, an exact replica of her private powder room and an original monogrammed doorknob from Versailles. Plus, patrons enter through a secret passageway hidden behind a bookshelf — just like the Queen's had in her personal library. It's a very lavish, rouge-laden, late-night version of the royal boudoir. Here's Sofia Coppola's pastel-happy interpretation: And here's Brooklyn's: The theming doesn’t stop there, courtesy of snacks ranging from French fries to crispy frog's legs to truffle mushroom croquettes, and a drinks list boasting plenty of wine from the Austrian-born Antoinette's adopted country. Alas, cake isn't on offer — but cocktails served in silver-plated and crystal goblets are. With concoctions such as the 1793 (with toasted sunflower seed-infused rye and oloroso sherry) and the Guillotine (mescal, blended scotch, banana liqueur and honey), you'll want to have a tipple and drink it too, of course. Book that airfare and this'll be you: Via Travel and Leisure. Images: Nicole Franzen, Le Boudoir.
The process of making sourdough is a complex one, and the Swedes talk it as seriously as they take their creamy meatballs and minimalist furniture design. If you're doing it by the book, creating one loaf is a very long and complicated task, and like the art of making whiskey, ramen, craft beer, cold drip and growing a beard, it has amassed a devoted niche following. But in an adorable move, Sweden has opened its own 24-hour hotel, just for sourdough. You'll find this adorable land of loaves in the Arlanda airport in Stockholm, run by the RC Chocolat bakery. You can check in your sourdough any time of day, 24/7, for about 100 Swedish krona [about $17] a week. They'll keep your sourdough, care for it, feed it with an organic flour of your choice and massage water into the dough, then hand it back, all ready for baking. But why the need for a hotel? The process of making sourdough involves ‘refreshing’ or massaging the dough and, depending on a host of factors, may need to happen every 24 hours for two weeks. So if you’re a hip Swede, living in an airy loft apartment in Stockholm, cultivating a batch of pungent sourdoughs but you need to travel to a typography convention, what do you do? Before, you had to stay home with the loaves and tend to them lovingly, like they were your children, and then eat them with jam while sad-drunk because you’ve spent your youth raising loaves of fashionable bread instead of a family. But now you can check your dough-children into a hotel while you jet around the world and know they’re receiving top-class care and attention. Charlotta Soor, the owner of RC Chocolat, told Munchies that the Scandinavian love of food with an acid component (such as sour milk and yoghurt) might explain the nationwide obsession with sourdough. She also added, “One has to remember that a sourdough can live for generations as long as you take good care of it, which is pretty amazing.” You’re not wrong, Charlotta, this is all pretty amazing. Well there you have it folks, a hotel for bread. Now back to the studio. Via Munchies. Image: Dollar Photo Club.
Five generations back, the Hamilton family planted some of the first vineyards in South Australia. It was 1837, a mere year after the arrival of European settlers in the state, and to this day they continue to produce top-quality, award-winning wine under the name Hugh Hamilton Wines. Mary Hamilton, Hugh Hamilton’s daughter, has been the CEO for the last seven years and explains that her father has always been considered the black sheep of the Hamilton flock. “He was a very spirited young boy and got up to a fair bit of mischief," she says. "He was never going to be corralled into anything and has always remained an elusive character.” Hugh’s lively sense of humour and his ability to march to the beat of his own drum has never wavered, so it makes sense then that the wines have names such as The Scallywag Chardonnay and The Scoundrel Tempranillo. Quality, flavoursome wine is the number one priority for Hugh Hamilton Wines and they have ensured this by sourcing grapes from their three vineyards. McLaren Vale hosts perfect conditions for ripening grapes and viticulture, as it’s located between the Adelaide Hills and the coast. “Most people are not aware of this, but McLaren Vale has the most diverse geology of any wine region in the world,” explains Hamilton. Each of the three vineyards have very different soil types which greatly influence the flavour of the grapes, from the black clay at their cellar door vineyard, producing darker-style shiraz (think bitter dark chocolate and black olives) to their next vineyard 500 meters down the road that produces more red-fruit flavours due to a different soil type and climate. Hamilton refers to this as their "big comfortable red velvet chair" with a generous and juicy yield. As part of the FreeWines app, Hugh Hamilton Wines have contributed two of their expert drops; 'The Trickster' Pinot Grigio and 'The Rascal' Shiraz. The Trickster is made from grapes sourced from the Adelaide Hills and came about due to Hugh’s love of freshly shucked oysters and his desire to create a wine that would pair with it perfectly. Described as “racy, upbeat and brisk,” Hamilton would recommend pairing this wine with seafood dishes such as salt and pepper squid, prawns and, of course, fresh oysters. The Rascal, described as “the quintessential McLaren Vale Shiraz, with lots of fruit ripeness but also elegance,” goes beautifully with a scotch fillet or beef casserole. When it comes to selecting a wine for herself, Mary is often influenced by her mood first, rather than having a constant go-to drop. At the moment Hamilton is particularly taken with the medium-bodied 'The Mongrel' Sangiovese, “It’s got lots of lovely, juicy cherry-flavoured fruit, and it tends to be a great partner with the food I cook, which is often Mediterranean or Middle Eastern.”
In huge art news, the National Gallery of Victoria has announced that a massive exhibition will be hitting our shores in June 2018, coming direct to us from New York's Museum of Modern Art. Over 150 works from some of the most renowned modernist artists, sculptors, photographers, furniture designers, graphic designers and illustrators will be shipped over for the exhibition, named Masterworks from MoMA (literal and direct, we likey), showing exclusively at the NGV. The exhibition will run from June 8 – October 7 2018 and feature pieces from seminal artists, including Paul Cézanne, Salvador Dalí, Marcel Duchamp, Edward Hopper, Jeff Koons, Henri Matisse, Piet Mondrian, Pablo Picasso, Jackson Pollock, Lyubov Popova, Mark Rothko and Vincent van Gogh. It's a big deal for the Australian art scene, as we often miss out on international blockbusters like this due to the logistics and cost of transporting priceless art halfway around the world. But not this time. So which works are coming? In goes without saying MoMA has a world-famous collection of works to select from including Dali's The Persistence of Memory (arguably his most well-known piece), Pollock's infamously divisive drip painting Number 1A, Mondrian's controversial Compositions series and Vincent Van Gogh's outrageously famous The Starry Night. It's not clear exactly which pieces will travel with the exhibition but with this catalogue, expect masterpieces. While 2018 is a distant dream right now, but modernist art lovers can get their fill this winter at the NGV's epic Degas exhibition, which starts on June 24. Masterworks from MoMA will show at the NGV International, ground level, from June 8 - October 7 2018. Image: Salvador Dali, The Persistence of Memory, WikiArt.
For decades, television screens have been filled with renovation shows. Every type of house has been transformed. However, no one on TV has ever tried to transform an East Brisbane basement into a work of art, without being able to paint anything, for only $500, and while making a political statement against Queensland's Homosexual Advance Defense at the same time. No, of course they haven't, but Ashgrove designer Kaylee Gannaway is going to try. At The Boy with the Rainbow Umbrella, expect astroturf, milk crates and a show that speaks out against injustice. Now that's a combination you don't see every day.
Maybe you're old enough that you can remember where you were when you heard the news of his death 21 years ago. Maybe you grew up only ever knowing of his loss and his legend. Either way, Nirvana fan or not, Kurt Cobain: Montage of Heck is essential viewing. This isn't your usual music documentary, or the standard package of talking heads, childhood photos and backstage pics — though they're all there in some shape and form. As the name suggests, this is a mosaic of his tumultuous life as it happened, drawn from the most intimate resources and largely spoken in his voice. Filmmaker Brett Morgen uses art, music, journals, home videos and audio montages provided by Cobain's family to journey, step by step, from the birth to the death of the rock icon. First he's a bright child, then a disaffected teen, a creative genius, a reluctant star, a drug-addicted celebrity and a doting father. What he rarely seems, though, is happy. Indeed, think of Montage of Heck less like a portrait of Cobain and more like his thoughts and emotions being allowed to roam free. Biographical information is included, but this is about who he really was, rather than interesting trivia. Things get dark, clearly; however, the fleshed-out image the film composes of the troubled musician is probably the most complex audiences have ever seen. Examinations of tortured artists rarely come across as quite so honest, or so genuine in peeking behind the veil of their public personas, or so willing to embrace the complications of their subjects. Morgen's style has much to do with the movie's air of authenticity, the writer, director and co-editor piecing everything together with a lived-in mood and a stitched-together look unlike the bulk of similar offerings. From animation that brings Cobain's drawings to life and scrawls his handwritten lyrics, lists and love letters onto the screen, to footage of his brand of wedded bliss with Courtney Love, to revealing chats with those who knew him best (Love, Cobain's parents and sister, his ex-girlfriend Tracey Marander and Nirvana bassist Krist Novoselic), it never feels anything less than hand- and home-made. The wealth of content the feature has at its disposal is certainly astonishing, both in providing much more than a glimpse Cobain's most personal moments, and in allowing fans a few opportunities to really geek-out — such as spying his sketches for Nevermind's album cover and his suggestions for 'Smells Like Teen Spirit''s music video. That Montage of Heck is the first effort made with the support of his loved ones shows, though this is as far from a glossy tribute as you can get. It might be light on performances, but the film also has an amazing soundtrack, obviously — and the way Morgen weaves Nirvana's music into the mix is so well done, it causes goosebumps. That's the kind of reaction Montage of Heck inspires. By the time it makes it to the MTV Unplugged clips from what turned out to be one of the band's last major performances, expect your eyes to get misty. With so much said about Cobain for the past two decades, it feels fitting that a compilation of his own words actually says the most. Never basking in the cult of his fame, nor wallowing in his demise, this is Cobain being Cobain. It's not just a montage: it's a haunting, heartbreaking cinematic poem about a lost icon — and perhaps the finest music documentary of its generation.
Whether you're heading to the cinema with friends or curling up on the couch with your significant other, a night watching movies remains a fantastic source of entertainment, enjoyment and escapism. Sitting in the dark, switching your mind away from your regular worries and slipping into another world — if you're catching the right flick, few things can top it. Cinema-wise, 2019 has thrown up plenty of films that tick all of the above boxes — and now we're just past the halfway mark, it's time to look back. Maybe you missed one of this year's hits when it was in theatres. Perhaps it's still showing and you haven't made it yet. Or, there could be a few gems that just slipped your attention. Of course, there's always the ace movies you saw, loved and want to see again. Whichever category fits, here's 12 films from 2019 that you you need to catch up on. Head to the cinema and grab a choc top or organise your streaming queue and cook up some popcorn, as we've sorted out your viewing for the near future. https://www.youtube.com/watch?v=ZoxKy3d7Wno EIGHTH GRADE What our critic said: As effective as every narrative beat, probing shot and well-deployed blast of Enya (yes, Enya) proves, writer/director Bo Burnham's savviest move is also his most straightforward. Actually casting a teenager in a movie about a teenager is much more rare than it should be, and Eighth Grade wouldn't be the success it is without Golden Globe nominee Fisher as its star. Read our full review. https://www.youtube.com/watch?v=7XhsuT0xctI FREE SOLO What our critic said: As well as chronicling an awe-inspiring story, every frame of Free Solo offers a palpable, visceral reminder of life's enormous risks and immense rewards — and to the filmmakers' credit, you're all but certain to feel the impact in your constantly sweaty palms. Read our full review. https://www.youtube.com/watch?v=d8qbq6Z6HYk IF BEALE STREET COULD TALK What our critic said: Black lives devastated by discrimination, young lovers braving seemingly insurmountable obstacles: both tales have played out across countless pages and screens before, although not as they do so here. There's a bewitching alchemy to the combination of James Baldwin's words and Barry Jenkins' direction — never shying away from the despairing truth of the situation, but never wallowing in inescapable bleakness either. Read our full review. https://www.youtube.com/watch?v=fMCYE9hKP68 VOX LUX What our critic said: In Vox Lux, the difficulties and complexities of success slash savagely and hack furiously, with Brady Corbet writing and directing a blunt yet brilliant onslaught of a movie. As he did in The Childhood of a Leader, the actor-turned-filmmaker relentlessly charts the ascension of an influential fictional figure who owes their rise to struggle and trauma. Read our full review. https://www.youtube.com/watch?v=KcKinfILGDk DESTROYER What our critic said: Conflicted cop Erin Bell could walk alongside any of noir's dogged investigators and hold her own. Stepping into the character's shoes, Nicole Kidman could do the same among any of the genre's best stars. Destroyer lives and breathes through its complicated protagonist and phenomenal lead performance, with each putting on a stunning show. Read our full review. https://www.youtube.com/watch?v=bavqDA_3vIo US What our critic said: Us is a creeper in multiple senses of the word. It's disquieting from the outset (even more so when it spends its opening credits staring at caged rabbits), but Jordan Peele knows how to let that unease fester and grow. While the 'master of suspense' label was bestowed decades ago, the comedian-turned-filmmaker is just as devastating at cultivating distress as Hitchcock or any other iconic horror or thriller director. Read our full review. https://www.youtube.com/watch?v=eI9UYcEwUYA BURNING What our critic said: A ruminative mystery, a fine-tuned character study and an intricately observed examination of human relationships all at once, one of the joys of Burning is its wholesale aversion to simplicity. Here, as in reality, nothing is straightforward. Indeed, Lee Chang-dong takes life's enigmas and puzzles, thrusts them into view and forces the audience to ponder along with him. Read our full review. https://www.youtube.com/watch?v=hA6hldpSTF8 AVENGERS: ENDGAME What our critic said: There's very little that's simple about this picture, marking as it does the extraordinary culmination of several dozen intricate and intertwined story arcs that extend all the way back to 2008... Where Infinity War was all bombast, Endgame offers reserve. Where Infinity War wrought intergalactic devastation and destruction, Endgame delivers intimacy and an examination of grief, loss and very private regret. Read our full review. https://www.youtube.com/watch?v=wQ5X75F1YJw LONG SHOT What our critic said: After a five-year stretch that's included Mad Max: Fury Road, Atomic Blonde and Tully, Long Shot is the latest example of its star's chameleonic talents — a political rom-com that's as irreverent (and often inappropriate) as you'd expect of a flick that also features Seth Rogen, and genuinely heartfelt and hilarious as well. Charlize Theron, romantic-comedy standout? You'd better believe it. Read our full review. https://www.youtube.com/watch?v=_BULB0aX4lA JOHN WICK: CHAPTER 3 — PARABELLUM What our critic said: Cinematic beauty comes in many forms, and the John Wick franchise perfects one of them. The term 'balletic' couldn't better describe the series' hypnotic action sequences, with its array of frenetic fights and carnage-dripping set pieces all meticulously choreographed like complex dance routines. In fact, when ballerinas actually pirouette across the screen in John Wick: Chapter 3 — Parabellum, they seem bland in comparison. Read our full review. https://www.youtube.com/watch?v=JZeIHrx7Oyc HIGH LIFE What our critic said: While shooting into the stratosphere to ponder what it all means has become a genre of its own, High Life proudly stands in its own space boots. Perhaps that's why both the film and Robert Pattinson seem like such a perfect fit, and why the final product both soars high and burrows deep: you won't catch either meekly treading where everyone else has before. Read our full review. https://www.youtube.com/watch?v=w_0KJAzyUJc PARASITE What our critic said: Parasite proves exceptional in every single frame and detail that it flicks onto the screen... Internationally renowned and beloved as the auteur behind The Host, Snowpiercer and Okja, Bong Joon-ho has crafted a bleak, twisty blend of black tragi-comedy, pulsating thrills and socially relevant horror — a movie that's such a phenomenal example of all that cinema can and should be that you'll want to high-five the filmmaker after watching it. Read our full review.
What is it? Can I sit on it? Do I put my coffee on it? Mindbending origami furniture that confuses us all is by no means a new idea, but this designer has put a stunning modern spin on a tried and true design tactic. UAE-based designer Aljoud Lootah has created a brand new furniture collection called the 'Oru Series', which both fascinates and terrifies us with its perplexing angularity. But yes, you can put your books, coffee and butt on all of them. Designed for Dubai's Design Days 2015 event, Lootah's series debuted this just week. Taking cues from the ancient Japanese art of paper folding, the bite-sized 'Oru' series is made up of a chair, table lamp, mirror and cabinet; all created from copper, felt and the glorious, glorious badassery that is teak wood. "The name 'Oru' originates from the Japanese words 'to fold', and the idea behind the designs is to show that folding a flat, two-dimensional sheet can create aesthetically appealing functional three-dimensional forms," says Lootah on her website. "The products, with their faceted design looking like complex folds but with sophisticated simplicity, are a modern interpretation of an ancient form of art." Oru collection Oru cabinet Oru lamp Oru chair Oru mirror Via Design Boom. Images: Aljoud Lootah.
French filmmakers are a busy bunch. Every year, the country's cinematic talent pumps out nearly 300 new movies — enough to rank among the top five film-producing nations in 2016, behind only India, the US, China and Japan. It's no wonder, then, that Australia's annual Alliance Francaise French Film Festival is always jam-packed with flicks, spoiling viewers for choice when it comes to Gallic cinema's latest and greatest. The fest's team clearly has plenty of picks to choose from, with their 2018 event touring 47 features, two documentaries and one television series around local screens until mid-April. This year's fest kicks off with the laughs of C'est la vie! thanks to The Intouchables duo Éric Toledano and Olivier Nakache, ends with rom-com 50 Is the New 30, and features everything from multiple Isabelle Huppert appearances to multiple César Award winners among its lineup. In short: there's more than enough on offer to make you think you're on the other side of the world, and not just in your nearest cinema. And if you need some help deciding what to see, that's where we come in. https://www.youtube.com/watch?v=4ietLhsUOuQ BPM (BEATS PER MINUTE) When last year's Cannes favourite (and award-winner) BPM (Beats Per Minute) didn't make this year's Oscars shortlist for the best foreign-language film category, it was considered quite the shock. Come French cinema's own night of nights, the Césars, and the AIDS activism drama fared much, much better, taking out best film, editing, screenplay, score, male newcomer and supporting actor. It's easy to see why, the latest from Eastern Boys' filmmaker Robin Campillo is both intimate and wide-ranging as it explores the efforts of a passionate group to fight for acceptance and affordable HIV treatment in the early '90s. The writer-director himself was a member of ACT UP, the organisation at the movie's centre, adding an extra layer of authenticity — something the film already oozes courtesy of its naturalistic style, personal approach and exceptional performances. https://www.youtube.com/watch?v=h-haop2Ini0 LET THE SUNSHINE IN In Let the Sunshine In, Juliette Binoche plays a just-divorced 50-something artist attempting to find love again — and causing audiences to fall for the great French actress's many charms in the process. Take our word for it: if you weren't already a fan before seeing this thoughtful romantic comedy (and if not, why not?), then you will be afterwards. Headlining a distinctive change of pace from acclaimed filmmaker Claire Denis, Binoche glows even as her character struggles with re-entering the dating scene, navigating the ups and downs that go with it, and working out what she actually wants as she flits through a series of varying dates. When we saw and loved the feature at last year's Melbourne International Film Festival, we said it was "a smart, spirited and soulful exploration of affection and intimacy — as driven by Binoche's enigmatic candour — that cuts deep". We still think so. https://www.youtube.com/watch?v=y1KzHPDN1JI MRS. HYDE Another year, another Isabelle Huppert film in the AFFFF program. Anything else really is virtually unthinkable. The adored French star actually features in two of this year's festival flicks, but if the prospect of seeing the inimitable actress in a version of Dr. Jekyll and Mr Hyde doesn't get you excited, then nothing will. Lighter in tone than Robert Louis Stevenson's literary classic, and filled with commentary about class clashes in contemporary French society as well as laughter, Serge Bozon's effort is set within a Parisian high school. It also features a pivotal lightening strike and sees Huppert's stressed teacher undergo quite the transformation. https://www.youtube.com/watch?v=mXSnlxctWLY BARBARA French singer Barbara gets the biopic treatment in the film that shares her name, but it's also much, much more than that. The third feature directed by actor-turned-filmmaker Mathieu Amalric, it's a tale about an actress (Jeanne Balibar) preparing to play Barbara in a biopic, and a director (played by Amalric) who's obsessed with his subject. Yes, there's a film within a film, as well as archival footage of the real figure herself, just to keep things even more ambitious. Adding further layers to the flick, Balibar — who just won the Cesar for best actress for her excellent efforts — was once married to Amalric. https://www.youtube.com/watch?v=ihiS-A8yT2c REDOUBTABLE What's the French Film Festival without a dose of French film history? This year, they're delivering it in biopic form, focusing on one of the country's great directors and pioneers of the French New Wave. In Redoubtable, Louis Garrel steps into Jean-Luc Godard's shoes, following his relationship with his Weekend and La Chinoise muse Anne Wiazemsky (Stacy Martin), his career in the late '60s, and the surrounding French political and social unrest. Plus, for director Michel Hazanavicius, it's a return to making movies about movies after his Oscar-winning The Artist. https://www.youtube.com/watch?v=6iIkM6OvK78 CUSTODY The heartbreaking drama, anxiety and tension of a hard-fought custody battle sits at the centre of this aptly titled effort, which first premiered at last year's Venice Film Festival and has been garnering praise ever since. Actor-turned-writer/director Xavier Legrand plunges viewers into a social realist look at a divorcing couple and the 12-year-old son stuck in the middle, which might sound like a familiar situation. It is; however the first-timer favours naturalism and observation over heavy sentiment, and has earned many a comparison to the Dardenne brothers (Lorna's Silence; Two Days, One Night) as a result. https://www.youtube.com/watch?v=-KK-uzPspoA DOUBLE LOVER Another AFFFF favourite — but behind the lens — François Ozon (Frantz) is back in psychological sexual thriller territory with Double Lover. Yes, as the name gives away, there's duplicity involved. It's rarely a good idea to fall in love with a psychoanalyst in these kinds of films, so when former model Chloé (Marine Vacth) does just that with Paul (Jérémie Renier), there's unexpected consequences. Fans of Swimming Pool, In the House, Young & Beautiful and The New Girlfriend will know just the mood, tone and simmering unease they're in for, as well as the all-round provocative air. https://www.youtube.com/watch?v=IgHtE9OzrhU ISMAËL'S GHOSTS Films about filmmakers are a definite trend at this year's AFFFF. And not just that — films starring Mathieu Amalric as a filmmaker, too. The aforementioned Barbara director and star plays the titular Ismaël in Ismaël's Ghosts, who's just about to get immersed in his latest project when the past comes calling. Also featuring Marion Cotillard, Charlotte Gainsbourg and Redoubtable's Louis Garrel, the movie is the latest from My Golden Days' Arnaud Desplechin, and opened the Cannes Film Festival last year. https://www.youtube.com/watch?v=qbsuPXa9KJA THE WORKSHOP Another effort with a connection to Cannes, The Workshop not only premiered there last year, but was directed by 2008 Palme d'Or winner Laurent Cantet (The Class) and co-written with BPM's Robin Campillo. The drama unfolds at a creative writing workshop, where participants clash over more than just writing, and their novelist teacher (Marina Foïs) doesn't quite know how to react. With Cantent known for his naturalism, like Campillo, a portrait of modern-day France emerges as the feature plays out, delving into fears, fractures and friction. https://www.youtube.com/watch?v=w7nw6RhYwgI IF YOU SAW HIS HEART It mightn't be a French Film Festival without Isabelle Huppert, but it's often not a film festival at all without Gael Garcia Bernal. This time, the Mexican favourite stars in this French-language effort from first-time writer/director Joan Chemla. Taking inspiration from the work of Cuban author Guillermo Rosales, If You Saw His Heart follows a man holed up in a hotel and at a loss after the death of his best friend. The result promises a hefty dose of existential malaise, plus South of France scenery, all served up with Bernal's usual charm. The Alliance Française French Film Festival tours Australia from February 27, screening at Sydney's Chauvel Cinema, Palace Norton Street, Palace Verona, Palace Central and Hayden Orpheum Picture Palace from February 27 to March 27; Melbourne's Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, Kino Cinemas and The Astor Theatre from February 28 to March 27; and Brisbane's Palace Barracks and Palace Centro from March 8 to April 4. For more information, visit the festival website.
We're always on the hunt for new things to do, scouring the city for not-boring Brisbane activities — and that includes different ways to spend time with your special someone. Need an idea that's guaranteed to take your next date way beyond done-before beers at the pub? We have suggestions. Whether you're taking someone on a second date or doing your 100th with your significant other, we've got some killer (and, yes, cute) options for dates to go on this week and long weekend, no matter how much money you've got to spend. Just think of us as your cultural wingman. You're welcome. Under $20 Revamp Your Wardrobe Just in Time for Winter Pre-loved fashion sales tick two pivotal boxes: helping add new items to your closet in a sustainable way, and also letting you pass on the threads that you're no longer wearing to someone else to make the most of. You and your special someone don't have to participate in both sides of the equation, of course. So when a secondhand fashion pop-up takes over Rocklea's weekly Saturday Fresh Market on Saturday, May 31, you can just buy or just sell (if you book a stall in advance). The event: Closet Cleanout, which is running from 6am–12pm to see out May and also end autumn. The market's usual range of fresh produce, food and other goods will still be on offer, but it'll add a fashion focus for the day. Reducing fashion waste, plus celebrating and supporting eco-conscious shopping, are among Closet Cleanout's aims. Not just buying and selling but swapping is also on the agenda. Clothes, shoes, accessories: they're all covered, as are designer pieces, vintage items and everything in-between. For those heading along to browse, entry to the Saturday Fresh Market costs $2 per person, or $6 with parking. Under $50 Enjoy a Taste of Italy by the Brisbane River When an event's first and second runs have proven a hit, so much so that it's coming back for another year, you can't quite say that the third time will be the charm. Still, Festa Italiana has big things in store for 2025. Howard Smith Wharves' annual taste of la dolce vita is returning for two four-day weekends with a feast of Italian dishes, pop-up bars, a special dessert from Gelato Messina and plenty more. Naples-born and -raised, Sydney-based chef Orazio D'Elia of Bondi Beach's Da Orazio is again making the trip to Brisbane, too, leading the festivities. When Festa Italiana launched in 2023, the aim was to give its waterfront CBD home its first-ever Italian food market, and to celebrate cuisine and beverages from the country in focus. That's on the agenda again in 2025. This year's dates for you and your other half: Thursday, May 29–Sunday, June 1 and Thursday, June 5–Sunday, June 8. Joining in alongside D'Elia: fellow chefs Carmine Guarino (another Naples-born culinary figure) and Dean Anning (Ciao Papi's Executive Chef). And yes, it's timed to wrap up autumn and say hello to winter over its two weekends. Entry is free, with everything that you're keen to eat and drink purchased as you go. Again, D'Elia will be serving up a range of dishes that he's known for. His vodka rigatoni (made with tomato, chilli, cream and vodka) is back on Festa Italiana's menu. This year, attendees can tuck into his strozzapreti ai gamberi, aka twisted pasta with prawns, zucchini and cherry tomatoes as well. Thanks to a grill station on HSW's main lawn, there'll also be porchetta-stuffed focaccia and chicken rolls, all to enjoy by the river. Guarino's contribution: traditional Italian street food, specifically Roman-style pizzas served by the slice. You'll be able to pair them with natural Italian wines, all while Italo disco tunes play. For more sips, the festival is hosting a spritz bar (think: Lambrusco spritzes and frozen white peach Aperol slushies, for something beyond your usual drinks) and Felons Brewing Co is whipping up a Festa Italiania-exclusive Italian lager. At Ciao Papi, Anning's menu includes stracciatella with grilled leeks, hazelnut and truffle — plus rigatoni alla amatriciana with sugo, garlic, chilli and pancetta. Here, beverages will also be a highlight, with eatery's garden becoming an Aperol garden with orange hues to match and a dedicated Aperol spritz bar. Feast Your Way Around a Twilight Market When Christmas hits each year, the Nundah Markets stay up late, swapping one of its usual daytime events for a twilight shindig. That kind of fun isn't just for getting festive, though. For the past few years, it's also been for celebrating winter. Meet Nundah by Night, which is taking place from 4–10pm on Saturday, May 31 in 2025. On the agenda: shopping, eating, drinking and being merry midyear, just before the coldest season arrives. There'll be quite the lineup of places to grab handmade items from — 120-plus stalls, in fact — with clothes, jewellery, art, homewares, soap, candles and all things edible available. You'll find gourmet foods on offer as well (including bites to eat while you and your significant other are there). For your $3 entry fee, you can enjoy a stint of browsing and buying under the site's fairy lights at Nundah Markets' usual spot on Station Street. And, you can stop in at the pop-up bar for a local craft brew, too — or warm up with some mulled wine. Live music is also on the lineup, as is a travelling and roving performers. And if you're wondering what you'll be snacking on, brisket, pulled pork, taco rice bowls and churros are just some of the dishes on the menu. Under $100 [caption id="attachment_997960" align="alignnone" width="1920"] Christoph Thoresen Ofa[/caption] Get Your Pulse Racing From Your Cinema Seat In need of some new procrastination material? Well, you're in luck. Google image search 'Banff' and spend a few minutes (or half an hour) taking in the gorgeous pictures of snow-capped mountains, aqua water and towering pines. It's impossible to not daydream about holidaying somewhere far-flung and exciting while ogling these picture-perfect views, as we're sure you'll agree. Thankfully, you and your favourite person have the opportunity to slip into this magical world without ever leaving Brisbane. The River City's Brisbane Powerhouse is hosting Banff Mountain Film Festival's 2025 tour — the event's latest stopover, after beginning back in 1976. Its stunning cinematography attracts film buffs and adventurers alike, making the festival mighty popular across the world today. Each year, hundreds of films enter the competition with the cream of the crop chosen to entertain and amaze festivalgoers. Some of the featured flicks battled it out in categories including Best Film on Mountain Sport, Best Film on Mountain Environment, Best Film on Mountain Culture, Best Film on Exploration and Adventure, and more. Check out seven of them from Wednesday, May 28–Saturday, May 31 at Brisbane Powerhouse, in a package featuring films about snowboarding on Antarctic icebergs, wingsuit flying in the Swiss Alps, ultra-marathon running, mountain biking in the Dolomites and more. One Big Blowout [caption id="attachment_954337" align="alignnone" width="1920"] Markus Ravik[/caption] Hang Out in a Waterside Igloo It never gets all that cold in Brisbane. It doesn't snow, for instance. Still, it's fun to pretend that it's frostier than it is. One way for you and your date to do exactly that: the Winter Chalet pop-up at Customs House, which sets up igloos and wintry decor by the river each year. It's the Queen Street venue's regular seasonal makeover when the mercury drops, and it comes complete with see-through domes for you and your mates to hang out in — while getting cosy under faux-fur blankets, peering at the river and knocking back a range of Veuve Clicquot tipples. Or, if you'd prefer cocktails for your chalet-style waterside hangs, the Clicquot sidecar, espresso martinis, negronis and Tommy's margaritas are on offer. Open Tuesdays–Sundays weekly until the end of winter for 2025, the pop-up is also serving up a selection to line your stomach. Dining is available from Tuesday–Thursday, as is a winter high tea. The first costs $160 per person and the second $105 per person, both for two–six people. Opt for dinner and you'll be tucking into wagyu beef tartare, pork belly, potato gnocchi and wood-smoked buffalo mozzarella, among other options. For high tea, bites include smoked salmon and caviar waffle sandwiches, curried lobster brioche, vanilla cream cheese scones and Baileys mousse petit fours. Both packages come with a glass of Veuve Clicquot NV. The site is operating as a chalet bar Friday–Sunday, too — for dome bookings from $75 per person, and also just hanging about. That's where the always-popular half Moreton Bay bug croissants come in, as well as duck liver parfait, burrata arancini, and baked whole brie. Top image: Markus Ravik.
Have you ever wanted to run away and join the circus? Well now it looks like you finally can. Cirque du Soleil, the world famous circus troupe, is heading to Australia, and they're inviting all of us to audition. What could possibly go wrong? Preliminary auditions will take place in Sydney, Melbourne, Brisbane and Perth throughout the second week of February, with talent scouts on the lookout for artists, acrobats, sportspeople, singers, musicians and dancers, as well as "everyday Australians" who are looking to show off their "creative performance talent." We don't know about you, but that description sounds just vague enough to mean pretty much anything. Time to bust out the hula hoop people! If it all sounds a bit like an episode of Australia's Got Talent, you're actually not that far off the mark. Turns out the audition process is part of an as-of-yet unnamed reality show. A selection of talented and/or ridiculous candidates from each city will be flown down to Melbourne for a second audition on February 14. Hurrah! If you dream of being the next Philippe Petit or are just happy to make an idiot of yourself on TV, you can register for an audition in your home city at the following website. Registrations close at 5pm on Monday February 8.
