We've all heard the jokes about how many folks it takes to change a lightbulb, but here's a new situation to ponder: how many people are needed to turn your overhead light fixtures into a gorgeous mini hanging garden? The answer involves designer Richard Clarkson, possibly someone to help you install a new light (depending on how handy you are), and your plant-loving self. Clarkson has come up with the ultimate way to add a dash of greenery to any room courtesy of Globe, the terrarium lamp. It's as simple as it sounds, involving a suspended handblown glass ball with an intergraded LED light source. And, it's as visually spectacular too, coming complete with a thin power cord that makes the orb look like it's floating, as well as a dimmer letting you control the level of brightness surrounding your new ball of nature. The Globe comes in two sizes — diameters of 12" and 8" — and Clarkson's website also includes instructions about the best types of plants, how to layer everything in the best way, and watering recommendations. While they were designed as a hanging terrarium, with the shape of the glass magnifying the greenery inside to provide a new viewing perspective, they can also be filled with water. Prices range from US$210 - $460, and they ship internationally. Via: inhabitat. Images: Richard Clarkson Studio.
In between running one of Brisbane's favourite vintage cafe bars and teaching us where the best bits of Brisbane are, longtime Aussie music go-to The Grates are back for their first national headline tour since 2011. Brisbanites Patience Hodgson, John Patterson and Ritchie Daniell will be taking their Team Work Makes The Dream Work tour down Australia's east coast with Sydney punk garage band Straight Arrows and Brisbane punk/synth duo Pleasure Symbols. Described as "fun and thrashy pop punk at its best" by triple j, these three have a reputation for giving an incredible live show that'll have you on your feet. The Grates have been seriously productive over the last few months; after releasing their fourth celebrated studio album, Dream Team last year, they went on to absolutely crush it at Splendour In The Grass. The Grates' long-awaited return to the stage is sure to be one of those dance-till-you-drop affairs — here's hoping for a furious '19-20-20' throwback singalong to obliterate our vocal chords once and for all. THE GRATES 'TEAM WORK MAKES THE DREAM WORK' 2015 TOUR: Saturday, August 8 – The Triffid, Brisbane Friday, August 14 – Oxford Art Factory, Sydney Saturday, August 15 – The Corner Hotel, Melbourne The Grates are touring Australia's east coast this August, and thanks to Secret Service, we have three double passes to give away to their Brisbane, Sydney and Melbourne shows. To be in the running, subscribe to the Concrete Playground newsletter and then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Entrecote is the latest restaurant to open a side bar and it's Gigi, an extravagant hidden upper-level bar tucked off Greville Street with soft lighting, crystal chandeliers, velvet finishings and ravishing Persian rugs. Gigi's signature cocktail — the Gigi — features gin enlivened with a sweet green pea syrup, elderflower and lemon, while the Tiki Cinnamon, Pandan Negroni, and Mango and Lemongrass expertly blend eclectic global influences. Wines are predominantly from French regions, with a smattering of Australian and Italian varietals, and bottles range from below $100 to upwards of $700. Digestifs and a curated selection of beers and ciders are also available. You may not be at Gigi for the food, but that doesn't mean the menu that melds luxury with comfort isn't worth trying. There are caviar tartlets. Caramelised French onion drip served alongside potato crisps. The la petite sœur cheeseburger — a jam-packed bite of Emmental cheese, pickles, and the bar's signature café de Entrecôte butter. Toasted chicken 'sandwich points' with cornichons and tabasco, which may just usurp Gin Palace's famed chicken sandwich. Flaky housemade sausage rolls. Gigi's macarons to finish — choose from a holy trinity of chocolate, pistachio and rosewater flavours. Don't forget to catch views of the lush adjoining Grattan Gardens from the open-air terrace. Images: Annika Kafcaloudis.
In the ultimate blend of gastronomy and performance art, dynamic duo Sam Bompas and Harry Parr are about to host the most intimate of Valentine's Day parties. The jelly-lovin' brains behind wobbling, edible houses of parliament and the lava-powered barbecue, Bompas and Parr are about to host a whisky tasting — an anatomical whisky tasting, in which guests are invited to taste 25, 30 and 50-year-old whiskies from the bodies of people born the same year the good stuff was casked up. Poured onto the natural contours of 25, 30 and 50-year-old performers, the whiskies will naturally react to the body heat and surface saltiness of each human, bringing out different flavours within each spirit. So you'll taste a 25-year-old single malt from a 25-year-old body — a predicted contrast to a 50-year-old scotch from a 50-year-old body. After you've slurped the smoky goodness from their body, the performer will then spin tales of their life story — they've been alive as long as that whisky has, so you'll add a bit of context to the matured mouthful you just downed. And any bored hesitation you have to hearing their life story, remember, you just drank whisky from the small of their back. They earned it. You'll have to book an airfare to enjoy Bompas & Parr's sensory experiment; the tastings are being held in collaboration with culture journal The Gourmand on February 14 at Shoreditch's Ace Hotel in London. Via Londonist.
Some desserts always tempt the tastebuds, because there's going wrong with a classic. As well as tasting great every time you bite into them, some of those same sweet treats have inspired a heap of creative takes, too. If you've ever sipped a lamington-flavoured milkshake or plunged a scoop into some Iced VoVo gelato, then you know exactly what we're talking about. The next dessert mashups on offer hail from chocolatier Koko Black — and, if you're particularly fond of nostalgic Aussie favourites, your stomach might just start growling. As part of its new Australian Classics Collection, the Melbourne-founded company is making chocolate versions of plenty of your childhood staples. Think honey joys, chocolate crackles and Golden Gaytimes, plus the perennial go-tos that are Iced VoVos and lamingtons. The artisanal range turns some of the above sweets into separate bars sold in three-packs, and some into slabs of chocolate. So, you can tuck into Gaytime Goldies, which combine vanilla and malted caramel ganache, then dip the bar in dark chocolate, before covering it with hazelnuts — or opt for a block of Koko Crackles, which features rice bubbles, caramelised coconut and white chocolate, as then dipped in dark chocolate. Also available: a Lamington Slice slab, combining chocolate marshmallow and raspberry jelly, as covered in dark chocolate and dusted with coconut; bars of Koko Vovo, aka milk chocolate-coated biscuits topped with strawberry rosewater marshmallow, raspberry jelly and coconut; and Jam Wagons, which top biscuits topped with marshmallow and raspberry jam, then coat them in milk chocolate. Or, there's also Honey Joys, if you like your cornflakes drizzled with honey, then mixed with either milk chocolate or dark chocolate. The Australian Classics Collection is available separately or as one big hamper, with prices ranging from $15.90–$169. If you're keen, they've already hit Koko Black's online store — with delivery available nationally — and will show up in its physical shops from September 24. For more information about Koko Black's Australian Classics Collection, visit the store's website. Images: Studio Round.
Your next road trip through southern New South Wales has gained seven additional stops, all filled with eye-catching pieces of art. Spanning 100 kilometres, and created in response to 2019–20's Black Summer fires, the Snowy Valleys Sculpture Trail now sprawls across the region. It showcases more than 25 giant works by Australian and international artists, all thanks to the team behind Bondi's Sculpture by the Sea. One celebration of sculptures has never been enough for this crew, which also runs another Sculpture by the Sea in Cottesloe in Western Australia each year. Now, instead of heading west or making a date with Bondi's pop-up pieces of art — with both events only running for a short period each year — art lovers can explore a super-scenic part of the country whenever they like. Officially launched on Thursday, May 5, the Snowy Valleys Sculpture Trail is a permanent attraction — all dotted along a backroad from Sydney and Canberra to Melbourne. Your specific destinations: the towns of Adelong, Batlow and Tumbarumba; the hamlet of Tooma; and the Tumbarumba wine region cellar doors at Courabyra Wines, Johansen Wines and Obsession Wines. That's where the 25-plus sculptures now sit in seven specific locations, including a one-kilometre trail-within-the-trail at the Adelong Creek Walk, more along Pioneer Street in Batlow, three stops in Tumbarumba, one at Tooma and some between the latter two spots. You'll also find more at the northern entrances to Batlow and Tumbarumba, welcoming you into both towns. Exactly what you'll spy where is best discovered by driving along the trail yourself — but human-shaped figures, abstract shapes, chimneys, hanging teardrops and more all make appearances along the route. That lineup of pieces hails from impressive art names, too. New South Wales' own Michael Le Grand, Philip Spelman, Harrie Fasher, Stephen King and Elyssa Sykes-Smith are featured, alongside Japanese artists Haruyuki Uchida, Keizo Ushio and Takeshi Tanabe — and Keld Moseholm from Denmark, Milan Kuzica from Czech Republic, and Jennifer Cochrane, Norton Flavel and Ron Gomboc from Western Australia. The list goes on, also spanning eye-catching works by artists from New Zealand, Slovakia and South Africa. The aim, as well as giving tourists plenty to see: helping the communities featured recover after the bushfires, attracting visitors from across Australia and showcasing the region. And it's a fitting year for the Sculpture by the Sea to launch something new, too, given that 2022 marks 25 years since the event first launched at Bondi in 1997. Find the Snowy Valleys Sculpture Trail along the Snowy Valleys Way in southern New South Wales. For more information, head to the trail's website.
What is the one thing better than something excellent? Two excellent things merged into something incredible. That is the beauty of the mash-up, providing the best of both worlds inside a brand new world. We should all say a deafening thank you to all those inspired enough to say 'por qué no las dos' when confronted by the dilemma of choice, who create something ingenious for us all to enjoy. Now, inspired by Red Bull Flying Bach's (think Bach meets breakdancing) forthcoming tour of Australia, we've gathered the top ten mash-ups of anything ever for you. Some you may be pretty familiar with; others may blow your mind. BRUNCH When someone suggests brunch, I get exactly this excited. While this list is not hierarchical, brunch is the greatest mash-up ever. Combining the best elements of breakfast (the food) and the temporal qualities of lunch (that it isn't early), there is no greater meal in culinary history. Brinner deserves an honourable mention here, but given brunch's ability to cure any hangover and save your Sunday, it has to win, hands down. Whoever decided to put the likes of pancakes, bacon and a cheeky bowl of Coco Pops on the menu after a much-deserved sleep-in deserves all of the Nobel prizes. https://youtube.com/watch?v=yfG94k41MrI GIRL TALK When most people think of a mash-up, their brain takes them to the musical kind. In fact googling 'mash-up' returns page after page of remixes. Some are awful, others aren't too bad, and then there are those that excel, and they are made by artists such as Girl Talk. Having sampled songs for over a decade, Girl Talk (otherwise known as Gregg Michael Gillis) knows what he is doing, seamlessly blending around a dozen songs per track into his own musical masterpiece. While hip-hop in the 1970s brought sampling to the fore, artists such as Girl Talk really laid the foundation for the modern mash-up, allowing songs that shouldn't belong together to fuse perfectly into songs such as this. RED BULL FLYING BACH This is a serious clash of cultures, a performance where Bach meets breakdancing and produces brilliance that "turns the international classical world upside down". It is really no surprise it has been so successful; it features music from arguably the greatest composer of all time (who happens to be German) expressed physically by four-times breakdancing world champions Flying Steps (also German). No coincidence, just a collaboration that shatters the suggestion that breakdancing and Bach don't blend and thrusts the cohesion of the classic and the contemporary into the present. The best part? It's coming to Australia, visiting Sydney September 10-12, Brisbane on September 24-26 before heading south to run in Melbourne from October 1-4, so grab your tickets now. SLAMBALL In a nutshell, Slamball is basketball that includes full contact and, most importantly, TRAMAMPOLINES! That's right, while the court remains much the same dimensions as a regular basketball court and retains a hoop at either end, there are also four trampolines at either end of the court for players to gain as much air as possible to dunk spectacularly. Dunking (or 'slamming' in Slamball) is pretty crucial as it scores three points compared to your usual two for non-dunks inside the arc. (You still get three-points shooting from deep as per normal basketball.) I don't know about you but I'm asking my local council to install some trampolines at my local court. Check out some Slamball highlights here. GLAMPING For those not in the know, glamping is glamour camping. It's just like camping, only comfortable, warm and something you want to do regularly. Still trying to paint a picture in your mind? Just imagine that you are in your bed, only the roof is now a nice canvas and you can hear the soothing sounds of nature right on your doorstep. Glamping has taken off in the last few years across the nation as it's removed almost all of the reasons that people use to avoid camping. It's basically an alfresco hotel and no matter where you are there's bound to be a five-star tent pitched nearby. HIP HOP SHAKESPEARE Bach is just a baby compared to old man Will. Joining Red Bull Flying Bach in the classic-meets-contemporary mash-ups are hip hop 'ad-rap-tations' of Shakespeare's classics. It's a perfect fit. After all, Shakespeare was the original lyricist and excellent at smack-talking: "A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-liver'd, action-taking, whoreson, glass-gazing, superserviceable, finical rogue; 1090 one-trunk-inheriting slave; one that wouldst be a bawd in way of good service, and art nothing but the composition of a knave, beggar, coward, pander, and the son and heir of a mongrel bitch; one whom I will beat into clamorous whining, if thou deny the least syllable of thy addition." Building on this wit and transforming it into modern urban classics are troupes such as the Q Brothers, whose Othello: The Remix is about an artist who rises out of the ghetto and wins the respect of the music industry, only be taken down by hip hop purist Iago. SWISS ARMY KNIFE The ultimate mash-up, the Swiss Army Knife is a must-have for general life. Need a knife? Done. Need a screwdriver? Done. Need a corkscrew? Done. Need a warm hug at night? I'm sure it can find a way to do that too, because they can do just about anything. If you don't have one and are now scrambling out the door to buy one (which you can do once you've finished reading this article all the way to the end), then spend the extra cash on a good one that will last as it could end up saving your life. TURDUCKEN A turducken is a deboned chicken stuffed inside a deboned duck, which is then stuffed inside a deboned turkey, which is then stuffed in the oven, cooked and then stuffed into your mouth with absolutely no regrets. Whether you know it as a turducken or a chuckey, this is something that you must try if you enjoy these three birds. Apologies to our vegetarian friends out there, but this really is delicious. If you're really into your meats, you can also wrap bacon around your turducken, but have 000 pre-dialled into your phone just in case you pop. CHESS BOXING If you laughed at the concept of chess boxing, then I don't blame you. It may sound absurd, but once you actually watch a match, you realise the mental and physical strength needed to take part and find yourself having a lot of respect for those who can cop a barrage of punches and then sit down and play chess so well. They do this for 11 alternating rounds of chess then boxing, for a total of six chess rounds and five in the ring. Victory either comes in the form of a knockout or checkmate. (PS Okay, after watching more matches this sport is ridiculous. The players wear headphones while playing the chess rounds in order to not hear the live chess commentary. I find this sport dreadful and yet feel weirdly compelled to play.) THE MEAN GIRLS OF EUROPEAN HISTORY Finally, we have arguably the greatest (and possibly only) Tumblr mashing up the classic Lindsay Lohan film Mean Girls with European history to create The Mean Girls of European History. Words are useless here, just visit the blog and soak in all of it's uncannily appropriate use of Mean Girls quotes and accept that it may have won the internet.
I've sung in lots of choirs in my time. The Australian Youth Choir, for example (is it just me, or was that just so incredibly nineties?) My high school choir, the NSW School's Spectacular combined choir, the Newtown Community Choir, to name a few more. Sure, singing in choirs is one of the many nerdy things I have done in my life so far. But there's nothing quite like the buzz you get from uniting together with other singers as one voice. It gets me through my one obligatory visit to church at Christmas time: I'm a carol-singing tragic. Composer Eric Whitacre believes singing in unison to be a fundamental part of human experience. His Virtual Choir project uses technology to bring people together from around the globe to sing his compositions. The first experiment in 2010 saw 185 singers from 12 countries posting videos of themselves to YouTube singing one of the 4-part harmonies from Whitacre's piece Lux Arumque. Whitacre had previously uploaded a video of himself conducting the piece in silence which participants could watch as they sang their parts. The next installment of the project is a performance of Whitacre's Sleep, and is set to be unveiled on April 7 2011. The choir has increased 100 fold, with over 2000 voices from 58 different countries now taking part. Part of the beauty of it all is the prospect of so many individuals alone at their computer screens, who are nevertheless together as part of a bigger picture, sound and purpose. https://youtube.com/watch?v=zyLX2cke-Lw https://youtube.com/watch?v=D7o7BrlbaDs [Via TedEX]
Let the games begin — again. Following a three-year wait since its award-winning first season, and after teasing the show's 2024 return since January, Squid Game will start playing again on Boxing Day. If you usually spend the day after Christmas shopping, at the cinema or recovering from your food coma by trying to play backyard cricket, you now have other plans if you want to catch the next instalment of the South Korean thriller ASAP. Netflix has not only advised when its huge 2021 hit — one of the best new TV programs of that year, in fact — will finally make a comeback, but has also announced that there's even more in store. After Squid Game season two arrives on Thursday, December 26, 2024, Squid Game season three will drop sometime in 2025. There's no exact date for the latter as yet, but it will be the final season, closing out the Squid Game story. The streaming platform revealed both pieces of news with a date announcement teaser that features a running track, competitors in recognisable green tracksuits, and also-familiar folks in red watching on alongside the masked Front Man — and with a letter from series director, writer and executive producer Hwang Dong-hyuk. "I am beyond excited to be writing this letter to announce the date for season two and share the news of season three, the final season," said Hwang. "Seong Gi-hun, who vowed revenge at the end of season one, returns and joins the game again. Will he succeed in getting his revenge? Front Man doesn't seem to be an easy opponent this time, either. The fierce clash between their two worlds will continue into the series finale with season three, which will be brought to you next year." View this post on Instagram A post shared by Netflix US (@netflix) So, yes, season one's protagonist Gi-hun (Lee Jung-jae, The Acolyte) is back. So is his nemesis (Lee Byung-hun, The Magnificent Seven). If you're wondering what else is in store after the hefty gap — Squid Game was such a huge smash in it first season that Netflix confirmed at the beginning of 2022 that more was on the way, and also released a teaser trailer for it the same year, before announcing its new cast members in 2023 — a few further details were dropped earlier in the year. That's when Netflix previously unveiled a brief snippet of Squid Game season two, arriving in a broader trailer for Netflix's slate for the year — as it releases every 12 months. In the footage, Seong Gi-hun answers a phone call while at the airport sporting his newly crimson locks. He's soon told "you're going to regret the choice you've made". Cue his statement of vengeance; Squid Game meets John Wick, anyone? Wi Ha-joon (Little Women) is back as detective Hwang Jun-ho, as is Gong Yoo (Train to Busan) as the man in the suit who got Gi-hun into the game in the first place. A show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount, which means that new faces were always going to be essential in Squid Game season two — so that's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. If you somehow missed all things Squid Game when it premiered, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. Accordingly, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Here, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out Netflix's season two date announcement clip for Squid Game season below: Squid Game season two will stream via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: Netflix.
A tribute to Los Angeles in film. Dreaming about somewhere over the rainbow and defying gravity with Wicked stars Ariana Grande and Cynthia Erivo singing the house down. 2025 ceremony host — and four-time Oscar-viewer — Conan O'Brien making a The Substance-inspired entrance, then regaling the crowd and the watching world with a genuinely funny opening monologue. A Real Pain winner Kieran Culkin telling Jeremy Strong how phenomenal he was in The Apprentice when collecting the first award of the night. Parks and Recreation favourite Nick Offerman announcing the presenters. That's how the 97th Academy Awards began. As they went on, this year's Oscars made dreams come true for the folks behind some of the best movies of the past 12 months. Flow, Wicked, Anora, Conclave, The Substance, Emilia Pérez, No Other Land, Dune: Part Two, The Brutalist, I'm Still Here: with A Real Pain, they're now all Academy Award-winners. Accordingly, 2025 is the year that an independent, dialogue-free film about animals — a movie that marked the first-ever Latvian title nominated for an Oscar, and to make good on that nod — won Best Animated Feature, and Flow couldn't be a more-worthy victor. Wicked costume designer Paul Tazewell made history as well, his award for the stage-to-screen musical making him the first Black man to ever take out the category. Best Supporting Actress Zoe Saldaña is the first American of Dominican origin to collect an Oscar statuette, too. I'm Still Here's Best International Feature prize makes it the first Brazilian flick to win that field. For Anora, Tangerine, The Florida Project and Red Rocket's Sean Baker, one of American cinema's great champions of otherwise untold tales, now has multiple Academy Awards — including for directing, writing and editing. Adrien Brody is now a two-time Best Actor winner, nabbing his second trophy 22 years after his first, again for grappling with the horrors of the Holocaust. By the numbers, this was a night of sharing the love, however. Best Picture's Anora wasn't the only film to get a shoutout more than once, even if it was the big winner with five awards. Also victorious multiple times: The Brutalist, Wicked, Dune: Part Two and Emilia Pérez. And, from the Best Picture nominees, only A Complete Unknown and Nickel Boys went home empty-handed — although both deserved better. Among the ceremony's fun, the 2025 Oscars also delivered an ode from Morgan Freeman to the late, great Gene Hackman to start the in-memorium segment, worked in a Bond song-and-dance spectacle, nodded to Kill Bill, honoured Quincy Jones and saw Mick Jagger receive a standing ovation for presenting the award for Best Original Song. When Quentin Tarantino announced Best Director, he was rewarded with thanks from Baker, noting that Anora wouldn't exist if QT hadn't first cast Mikey Madison in Once Upon a Time in Hollywood. The Oscars featured a pitch for a building dedicated to watching streaming movies on the big screen as well, and a Dune and Dune: Part Two sandworm playing various musical instruments. If you needed a reminder of who was hosting, O'Brien wasn't afraid to skew silly, clearly — and savage in some of his jokes, including about standing up to Russians. Wondering what and who won what, and the films and talents that were also contending, at this year's Academy Awards? Check out the full list below — and if you're curious, you can also see what we predicted would and should win, plus our full list of where most of this year's nominees are screening or streaming in Australia right now. Oscar Winners and Nominees 2025 Best Motion Picture Anora — WINNER The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez I'm Still Here Nickel Boys The Substance Wicked Best Director Anora, Sean Baker — WINNER The Brutalist, Brady Corbet A Complete Unknown, James Mangold Emilia Pérez, Jacques Audiard The Substance, Coralie Fargeat Performance by an Actress in a Leading Role Cynthia Erivo, Wicked Karla Sofía Gascón, Emilia Pérez Mikey Madison, Anora — WINNER Demi Moore, The Substance Fernanda Torres, I'm Still Here Performance by an Actor in a Leading Role Adrien Brody, The Brutalist — WINNER Timothée Chalamet, A Complete Unknown Colman Domingo, Sing Sing Ralph Fiennes, Conclave Sebastian Stan, The Apprentice Performance by an Actress in a Supporting Role Monica Barbaro, A Complete Unknown Ariana Grande, Wicked Felicity Jones, The Brutalist Isabella Rossellini, Conclave Zoe Saldaña, Emilia Pérez — WINNER Performance by an Actor in a Supporting Role Yura Borisov, Anora Kieran Culkin, A Real Pain — WINNER Edward Norton, A Complete Unknown Guy Pearce, The Brutalist Jeremy Strong, The Apprentice Best Original Screenplay Anora, Sean Baker — WINNER The Brutalist, Brady Corbet and Mona Fastvold A Real Pain, Jesse Eisenberg September 5, Moritz Binder, Tim Fehlbaum and Alex David The Substance, Coralie Fargeat Best Adapted Screenplay A Complete Unknown, James Mangold and Jay Cocks Conclave, Peter Straughan — WINNER Emilia Pérez, Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi Nickel Boys, RaMell Ross and Joslyn Barnes Sing Sing, Clint Bentley, Greg Kwedar, Clarence Maclin and John 'Divine G' Whitfield Best International Feature Film I'm Still Here — WINNER The Girl with the Needle Emilia Pérez The Seed of the Sacred Fig Flow Best Animated Feature Flow — WINNER Inside Out 2 Memoir of a Snail Wallace & Gromit: Vengeance Most Fowl The Wild Robot Best Documentary Feature Black Box Diaries No Other Land — WINNER Porcelain War Soundtrack to a Coup d'Etat Sugarcane Best Original Score The Brutalist, Daniel Blumberg — WINNER Conclave, Volker Bertelmann Emilia Pérez, Clément Ducol and Camille Wicked, John Powell and Stephen Schwartz The Wild Robot, Kris Bowers Best Original Song 'El Mal', Emilia Pérez, Clément Ducol, Camille and Jacques Audiard — WINNER 'The Journey', The Six Triple Eight, Diane Warren 'Like A Bird', Sing Sing, Abraham Alexander and Adrian Quesada 'Mi Camino', Emilia Pérez, Camille and Clément Ducol 'Never Too Late', Elton John: Never Too Late, Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin Best Cinematography The Brutalist, Lol Crawley — WINNER Dune: Part Two, Greig Fraser Emilia Pérez, Paul Guilhaume Maria, Ed Lachman Nosferatu, Jarin Blaschke Best Film Editing Anora, Sean Baker — WINNER The Brutalist, David Jancso Conclave, Nick Emerson Emilia Pérez, Juliette Welfling Wicked, Myron Kerstein Best Production Design The Brutalist, Judy Becker, Patricia Cuccia Conclave, Suzie Davies, Cynthia Sleiter Dune: Part Two, Patrice Vermette, Shane Vieau Nosferatu, Craig Lathrop, Beatrice Brentnerová Wicked, Nathan Crowley, Lee Sandales — WINNER Best Visual Effects Alien: Romulus, Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan Better Man, Luke Millar, David Clayton, Keith Herft and Peter Stubbs Dune: Part Two, Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer — WINNER Kingdom of the Planet of the Apes, Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke Wicked, Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould Best Costume Design A Complete Unknown, Arianne Phillips Conclave, Lisy Christl Gladiator II, Janty Yates and Dave Crossman Nosferatu, Linda Muir Wicked, Paul Tazewell — WINNER Best Makeup and Hairstyling A Different Man, Mike Marino, David Presto and Crystal Jurado Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini Nosferatu, David White, Traci Loader and Suzanne StokesMunton The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli — WINNER Wicked, Frances Hannon, Laura Blount and Sarah Nuth Best Sound A Complete Unknown, Tod A Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco Dune: Part Two, Gareth John, Richard King, Ron Bartlett and Doug Hemphill — WINNER Emilia Pérez, Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta Wicked, Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis The Wild Robot, Randy Thom, Brian Chumney, Gary A Rizzo and Leff Lefferts Best Documentary Short Subject Death by Numbers I Am Ready, Warden Incident Instruments of a Beating Heart The Only Girl in the Orchestra — WINNER Best Animated Short Film Beautiful Men In the Shadow of the Cypress — WINNER Magic Candies Wander to Wonder Yuck! Best Live-Action Short Film A Lien Anuja I'm Not a Robot — WINNER The Last Ranger The Man Who Could Not Remain Silent The 2025 Oscars were announced on Monday, March 3, Australian and New Zealand time. For further details, head to the awards' website.
Overseas travel is at the top of many Australian bucket lists right now. And if you're the kind of traveller who prefers fewer stopovers, there's some exciting news on the horizon from Qantas. Dubbed Project Sunrise, the Australian airline has unveiled plans to introduce a fleet of twelve Airbus A350s, which are all capable of flying direct from Australia to London and New York. Direct flights are currently available from Darwin to London, however, for those on the east coast of Australia, this still means factoring in a layover to your journey. Qantas has announced that with these new aircrafts, direct flights will be available from the east coast as well, starting with Sydney-to-London and Sydney-to-New York flights in late 2025. Qantas first toyed with the idea of direct flights from Australia's east coast to New York and London back in 2017, however after two trial flights in 2019 decided to delay the decision. "The A350 and Project Sunrise will make any city just one flight away from Australia," said Qantas Group CEO Alan Joyce. "It's the last frontier and the final fix for the tyranny of distance." With time in the air set to exceed the current 18-hour flight time of the Darwin-to-London route, the new aircrafts are also being designed with comfort in mind. The A350-1000s will carry 239 passengers compared to other airlines' average of 300 passengers, and will feature a designated comfort zone in the middle of the cabin where people can stretch their legs. [caption id="attachment_852120" align="alignnone" width="1920"] A350 wellness zone render[/caption] Alongside this announcement, Qantas has also revealed it will add 40 new A321XLRs and A220 aircrafts to its domestic fleet late next year. These new planes will gradually replace the Boeing 737s and 717s as they are retired. "The A320s and A220s will become the backbone of our domestic fleet for the next 20 years, helping to keep this country moving," continued Joyce. According to Qantas, this new fleet of aircrafts will create over 1000 jobs and Joyce says the aircrafts will help reduce emissions "by at least 15 per cent if running on fossil fuels, and significantly better when run on Sustainable Aviation Fuel". This will play a role in Qantas' commitment that it made in 2019 to reach net-zero by 2050. If you fly Qantas regularly and you're committed to sustainability, you can also sign up for its Green Tier rewards program which unlocks rewards and benefits to customers who complete at least five sustainable activities across six areas in their lives. Qantas' direct flights from Sydney to London and Sydney to New York are set to take to the air in late 2025. For more information, head to the Qantas website. Images: Qantas
First came Princess Diana, then Elvis, then Marilyn Monroe. That's not how it happened in reality, of course, but it's how 2022's big biopics are shaping up Down Under. This year has already seen both Spencer and Elvis sashay onto local screens — and, because star-studded movies about stars are a film buff's best friend, or so studios seem to think, Netflix's Blonde will follow come September. Here's hoping that the long-awaited feature — which started shooting back in 2019, but was delayed due to the pandemic — completes a trifecta of excellent recent films about icons, too. It has just as wild, chaotic and tragic a story to tell, and someone just as famous at its centre. This take on Monroe's life is based on the 2000 novel of the same name by Joyce Carol Oates, so it'll spin a piece of biographical fiction; however, looking at the just-dropped full Blonde trailer, there's plenty that sticks with the facts in the movie's frames. Dresses, moments, that titular hair, the husbands, the fame, the scrutiny: they're all a part of this haunting sneak peek at the film, which sees Ana de Armas hopping from Knives Out, No Time to Die and The Gray Man into her biggest role yet. The trailer features her voiceover throughout, explaining the toll that all that success had. "I can't face doing another scene with Marilyn Monroe. Marilyn doesn't exist. When I come out of my dressing room, I'm Norma Jeane," she says. "Marilyn Monroe only exists on the screen," she continues — and that's clearly set to be a constant point throughout the movie. Blonde will peer back at the days when she was only known as Norma Jeane, explore her rise to stardom, and look at her romances as well, all to unpack the gap between who she was in private and the persona that the public demanded. Blonde hits Netflix on Wednesday, September 28, with Australian filmmaker Andrew Dominik both writing and directing, and the cast also featuring Bobby Cannavale (Nine Perfect Strangers), Adrien Brody (Succession), Julianne Nicholson (Mare of Easttown), Xavier Samuel (Elvis) and Evan Williams (Westworld). Of course, de Armas isn't the first actor to step into the icon's shoes — and twirling frocks and diamonds, too — or to do so in an adaptation of Oates' book. Aussie actor Poppy Montgomery (Christmas on the Farm) did the same back in 2001, in a made-for-TV version also called Blonde. Elsewhere, Michelle Williams (Venom: Let There Be Carnage) did the honours in the unrelated 2011 movie My Week with Marilyn, and earned an Oscar nomination in the process, while Mira Sorvino (Shining Vale) and Ashley Judd (Berlin Station) shared the part — one as Marilyn, the other as Norma — in 1996 TV effort Norma Jean & Marilyn. Check out the trailer for Blonde below: Blonde will be available to stream via Netflix Down Under on Wednesday, September 28. Images: 2022 © Netflix.
If you're a fan of whatever huge HBO hit happens to be airing at any given time, Monday public holidays Down Under are an extra-special joy. They mean watching whichever series is currently showing at the earliest moment possible, and also not having to spend your workday avoiding spoilers. Tuning in to see Succession on Easter Monday wasn't just a normal viewing experience, however. So, if you're now wondering what happens after the award-winning show's monumental third episode in its fourth and final season, HBO has dropped a midseason trailer to tease the series' endgame. This sneak peek comes with the biggest of spoiler alerts, obviously. If you aren't up to date on Succession, you shouldn't even be reading this article. But if you're dying to know where the Roy family saga goes from here, you'll obsess over all two minutes and 13 seconds of this glimpse at the show's last-ever seven episodes. "I just didn't see it coming," says Roman (Kieran Culkin, No Sudden Move) to start off the clip. He isn't alone, although Shiv (Sarah Snook, Pieces of a Woman) is swiftly chatting about "coronation demolition derby". Trust cousin Greg (Nicholas Braun, Zola) to pop up, try to stay relevant as he always does, and stress that he's sad — yes, while also attempting to secure his position in the family. Everyone has an opinion on how to handle things, including Waystar Royco's CFO Karl (David Rasche, Swallow) and general counsel Gerri (J Smith-Cameron, Fleishman Is in Trouble) — and, of course, executive and Shiv's estranged husband Tom Wambsgans (Matthew Macfadyen, Operation Mincemeat). Plenty of stern words are spoken, complete with how "the naysayers might frame it". And the deal to sell the firm to Lukas Matsson (Alexander Skarsgård, The Northman) looks shaky. Kendall (Jeremy Strong, Armageddon Time) is floating in a body of water again, while Connor's (Alan Ruck, The Dropout) bid to become the US President sees him polling well in Alaska — and laughing at the suggestion that he should do what's right for the good of the republic. As for the rest, as always in this high-stakes drama about who'll take over business titan Logan Roy's (Brian Cox, Remember Me) multinational corporation, it's best discovered by watching. "Let the games begin!", as Kendall announces. Check out Succession season four's midseason trailer below: Succession streams via Foxtel, Binge and Foxtel On Demand in Australia and Neon in New Zealand. Check out our review of season four. Images: David Russell/Macall B Polay, HBO.
If you're a fan of Gelato Messina and its sweet treats, the past couple of years have just kept on giving. That saying doesn't apply to much at all during the pandemic, but it definitely fits in this situation. The dessert chain has released all manner of one-off specials, launched a new range of chocolate-covered ice cream bars in supermarkets, dropped a merchandise line and brought back its Christmas trifle, for starters — and, as it did in 2021, too, it's also doing Easter cocktails. A collaboration with Cocktail Porter, Messina's DIY drinks kits let you whip up your own boozy beverages — and, because it's that time of year, you'll be doing so inside an Easter egg. Yes, you read that correctly. What's the point of being an adult at Easter if you can't combine sweet treats with alcohol? Basically, these kits answer a familiar dilemma, especially at this time of year. No one likes choosing between tucking into an orb of chocolate and having another beverage, after all. Flavour-wise, get ready to sip and eat a whole heap of salted caramel. These packs come with Messina's popular dulce de leche topping, as well as Baileys, cold-drip coffee and Mr Black Coffee Liqueur. You'll also receive chocolate Easter eggs, obviously, which you'll pour your mixed liquids into — as well as pieces of salted caramel popcorn to pop on top. You can pick between two different-sized packs, with the small kit costing $80 and making five drinks, and the large costing $145 and making 12. Fancy drinking Easter cocktails out of rabbit-shaped mounds of chocolate? That's on the menu as well. This kit doesn't actually feature Messina products, but espresso martinis served out Lindt milk chocolate bunnies should still tempt your boozy tastebuds. This one also comes with vodka, cold-drip coffee, sugar syrup and Mr Black Coffee Liqueur, and the prices for both small and large batches are the same as the salted caramel kits. Cocktail Porter delivers Australia-wide, if that's your Easter drinking plans sorted. It's now doing pre-orders for both packs, which'll start shipping from mid-March. To order Cocktail Porter's Easter cocktail kits, head to the Cocktail Porter website.
Ever convinced yourself that you needed something from Bunnings on a Saturday morning just so that you could down a snag in bread? If you answered no to that question, we don't quite believe you. The hardware chain's sausage sizzles are a beloved Australian weekend ritual, and we all missed them when they were put on hiatus during lockdowns. Come Saturday, July 23, however, they'll cost an extra $1. The price increase marks the first change in 15 years, and will see snags in bread go up from $2.50 to $3.50. And if you're quick to blame inflation, you're right, but it's worth remembering that the whole point of the sausage sizzles is to raise money for community groups. With the price of just about everything going up over the past few months, the community groups, not-for-profit organisations and charities that host the weekend barbecues have asked Bunnings to up the price so that their fundraising activities aren't impacted. When sausages, bread, onions, sauce and oil costs more for them to buy, that's less cash they're making after those snags have been sizzled, then sold to hardware-shopping customers. The entire price increase — the whole price for each snag, in fact — still goes directly to the community group running the barbie. So, while you'll be out an extra dollar, you'll also still be doing an ace deed. Drinks will remain $1.50, which means that you can grab a bite and a beverage for a fiver. On average, each Bunnings sausage sizzle brings in around $800–900, with more than 155,000 held at Bunnings outlets across Australia in the past five years alone — raising more than $140 million in that period. Bunnings' sausage sizzle prices will increase to $3.50 per snag from Saturday, July 23. For more information about the hardware chain, head to its website.
Whether you watched along from 2009–15 when it was in production or you discovered its joys via an obsessive binge-watching marathon afterwards, Parks and Recreation is one of the 21st century's TV gifts — and the beloved sitcom cemented its stars, from its lead roles through to its supporting parts, as audience favourites. Plenty of those talents also share something else in common: a fondness for touring Down Under. Nick Offerman has done it, taking to Australia's stages. Amy Poehler has made multiple promotional Aussie trips for Inside Out and Inside Out 2. Henry Winkler even headed this way to chat through his lengthy career. Now, add the latter's on-screen son to the list. Ben Schwartz, aka Parks and Recreation's Jean-Ralphio Saperstein, has a date with Sydney and Melbourne in 2025. [caption id="attachment_968141" align="alignnone" width="1920"] Disney/Image Group LA[/caption] Don't be suspicious: Schwartz will be performing his Ben Schwartz & Friends live improv show, which begins with just a couple of chairs onstage. Where it goes from there, you'll only discover on the night — because that's the joy of improv. He's doing two gigs, one at the Sydney Opera House on Saturday, May 3 and another at Hamer Hall on Sunday, May 4. Schwartz isn't just known for Parks and Recreation, although that's the first thing on his resume that'll always come to mind for Parks fans. Since his time in Pawnee wrapped up — since he stopped being one of the woooooooorst people in the fictional Indiana town, that is — he's also starred in murder-mystery comedy The Afterparty, voiced a certain spiny blue mammal in Sonic the Hedgehog and Sonic the Hedgehog 2, loaned his vocal tones to Star Wars: The Bad Batch and Invincible, and featured in Space Force and Renfield. You'll find Arrested Development, This Is Where I Leave You, The Interview, The Walk, House of Lies, The Lego Movie 2, BoJack Horseman, Bob's Burgers, DuckTales and Central Park on Schwartz's filmography, too, and a whole heap more. Does his resemblance to Stranger Things' Joe Keery come up in Ben Schwartz & Friends? Again, you'll need to attend to find out. [caption id="attachment_842850" align="alignnone" width="1920"] The Afterparty, Apple TV+.[/caption] Ben Schwartz & Friends Australian Dates 2025: Saturday, May 3 — Sydney Opera House, Sydney Sunday, May 4 — Hamer Hall, Melbourne Ben Schwartz & Friends plays Australia in May 2025, with ticket presales from 10am on Wednesday, July 31 and general sales from 11am on Friday, August 2. Head to the tour website for more details. Top image: The Afterparty, Apple TV+.
Melbourne is adding yet another major live music festival to its jam-packed arts calendar, with The Eighty-Six unveiling a blockbuster program of live music, performance and art from Monday, 23 October–Tuesday, 31 October. Set along Melbourne's iconic 86 tram route, over 200 artists will descend on some of Melbourne's favourite venues along High Street. Topping the bill: Super Saturday, a monumental 22-hour live music affair sprawling from Westgarth to Preston on Saturday, 28 October. Artists, performers and creatives will assemble across 40 venues including bars, nightclubs, bowls clubs, record stores, bocce courts and more. Northcote Theatre, Thornbury Bowls Club, Croxton Bandroom, Moon Dog World, Wesley Anne, The Keys and Northcote Social Club are just a few of the venues that will play host to Super Saturday's hefty lineup of acts. [caption id="attachment_910783" align="alignnone" width="1920"] Image: Thornbury Cinema[/caption] The all-star program includes emerging and established artists, local selectors, and international and interstate guests. Organisers are still teasing specific event details and schedules, but expect to see Collingwood's much-loved Hope St Radio teaming up with cult-favourite All Are Welcome; immersive experience experts The Round Table collaborating with market-favourite Finders Keepers; Melbourne's freshest NYE fest organisers When Pigs Fly; indie record label Jet Black Cat Presents; community radio station 3RRR; and Melbourne-based DJs including Milo Eastwood, Soju Gang and Mike Gurrieri. One Super Saturday event we have the details on is 1800 Lasagne's huge, pooch-friendly music and bevvy party. The béchamel lords of Thornbury are set to host a smorgasbord of local artists throughout the day, while producers and makers are popping up with culinary delights, wine, beer and coffee. Dogs are welcome all day, with a pooch parade and costume contest to raise money and awareness for Pets Of The Homeless. Your best four-legged friend can also indulge in pup-cakes or pup-uccinos, and doggy merch will be available. [caption id="attachment_910780" align="alignnone" width="1920"] Image: All Are Welcome[/caption] Meanwhile, the Independent Music Exchange will celebrate everything vinyl across a free, two-day event. Expect an array of physical products, including vinyl, cassettes and merch, plus artist signings throughout the exchange. Labels are set to include King Gizzard & the Lizard Wizard; Albert's Basement, Butter Sessions, Rice Is Nice, Lulus Sonic Disc Club and more. The best part? The entire Super Saturday lineup and Independent Music Exchange is free to attend, all you have to do is register online for a ticket. Importantly, all Super Saturday events are limited based on individual venue capacity, so get in early as entry will be on a first-in, first-served basis. [caption id="attachment_795678" align="alignnone" width="1920"] Image: 1800 Lasagne, by Parker Blain[/caption] The Eighty-Six will run on Saturday, 28 October from 7am–5am. More details on The Eighty-Six lineup, including Super Saturday party lineups and schedules, will drop over the coming months. We'll keep you updated as more information comes through. In the meantime, check out The Eighty-Six website to register for a ticket, or start planning with the Super Saturday venue map. Top image: Shotkickers, supplied.
For most, thinking about surrealism means imagining melted clocks, sky-high elephants, cloud-filled eyes and giant apples. Thanks to Salvador Dalí and René Magritte, they're some of the art movement's most-enduring images. While Australia is no stranger to exhibitions about the former, the Art Gallery of New South Wales is currently hosting the nation's first-ever retrospective dedicated to the latter, complete with some of the Belgian artist's best-known pieces. Magritte opened on Saturday, October 26, 2024 as part of the 2024–25 Sydney International Art Series, and runs until Sunday, February 9, 2025 as a Harbour City exclusive. If you're keen to peruse this stunning collection of the surrealist's work, you'll need to see it in the New South Wales capital. More than 100 pieces feature, with 80-plus of them paintings — and if you need proof of why he's considered one of the most-influential figures in 20th-century surrealism, it's all over AGNSW's walls. Stare at The False Mirror at Magritte, for instance, and you'll see an instantly recognisable masterwork that's as dreamy as art gets — all while the masterpiece of a painting from 1929 peers right back. One of Magritte's most-famous creations, it features a massive eye looking at the viewer, while also filled with a cloudy blue sky. It's an unforgettable work, and it's one of the stars of AGNSW's exhibition. Another striking painting that can be gazed upon currently in Sydney: Golconda, Magritte's 1953 work that brings two other pieces of popular culture to mind. Just try not to think about Mary Poppins and The Weather Girls' song 'It's Raining Men' while you feast your eyes on the sight of bowler hat-wearing men streaming down from the heavens. Then there's 1952's The Listening Room (La Chambre d'Écoute), which shows an oversized apple, its green flesh filling an entire room. Fruit might be a regular still-life subject, but there's nothing standard about Magritte's use of apples throughout his art. Like bowler hats, they're among his favourite motifs. Archival materials, photographs and films also feature, in a showcase that's filled with the expected highlights — 1928's The Lovers, 1933's The Human Condition, 1947's The Liberator, 1951's The Kiss and 1954's The Dominion of Light among them — but also probes deeper than the works that everyone immediately knows by sight. Visitors embark on a chronological journey through Magritte's career, starting with his avant-garde early efforts in the 20s, then covering four decades from there. "Many years in the making and drawing upon our unsurpassed international network of collaborative partners, Magritte considers the towering artist's innovative contributions to the broader surrealism movement, while also highlighting the uniqueness and individuality of his artistic vision," explained Art Gallery of New South Wales Director Dr Michael Brand, when Magritte opened in October. "Fundamental to this exhibition is our anticipation to share not only the well-known paintings you would expect to see in a Magritte retrospective but also to shine a light on some surprising aspects of his artistic output, particularly from the period when the artist, working from occupied Belgium during and immediately after the Second World War, created some of the most intriguing and subversive paintings of his career," Brand continued. "Magritte was ahead of his time. He saw himself as a 'painter of ideas' and his legacy extends far beyond the world of art. Today we find his work echoed in diverse creative fields, from fiction and philosophy to cinema and advertising. We can imagine his delight at the ways in which his images continue to circulate and take on new meanings in the 21st century," added Nicholas Chambers, the exhibition's curator as well as Art Gallery of New South Wales' Senior Curator of Modern and Contemporary International Art. [caption id="attachment_959955" align="alignnone" width="1920"] René Magritte 'Golconda (Golconde)' 1953, oil on canvas, 80 x 100.3 cm, The Menil Collection, Houston, V 414 © Copyright Agency, Sydney 2024, photo: Paul Hester.[/caption] [caption id="attachment_959956" align="alignnone" width="1920"] René Magritte 'The listening room (La chambre d'écoute)' 1952, oil on canvas, 45.2 x 55.2 cm, The Menil Collection, Houston, gift of Fariha Friedrich, 1991-53 DJ © Copyright Agency, Sydney 2024, photo: Adam Baker.[/caption] [caption id="attachment_959954" align="alignnone" width="1920"] René Magritte 'The false mirror (Le faux miroir)' 1929, oil on canvas, 54 x 80.9 cm, Museum of Modern Art, New York, 133.1936 © Copyright Agency, Sydney 2024, photo © The Museum of Modern Art, New York/Scala, Florence 2024.[/caption] Magritte is on display at Art Gallery of New South Wales, Art Gallery Road, Sydney, until Sunday, February 9, 2025. Head to the gallery website for tickets and further details. Installation images: installation of the Magritte exhibition at the Art Gallery of New South Wales, 26 October 2024 – 9 February 2025, artworks © Copyright Agency, Sydney 2024, photo © Art Gallery of New South Wales, Mim Stirling.
Standing out as a pub in Richmond is no easy feat. But as there's no shortage of multi-level venues equipped with beer gardens, balconies and sports bars, perhaps it's time to mix up the mood with a drink at the inner east's smallest pub, Nixie Nox. But in a case of less being more, the tight space has seen Melbourne hospitality veterans Stu Bellis, Marilla Gair and Chris Dore cram enough personality into the venue to foster something akin to the neighbourhood pub experience of old. So, just how small are we talking? All up, the venue has capacity for 80 patrons, spread among the lively, 40-person public bar, the 25-capacity covered outdoor atrium, and an intimate upstairs dining room that seats just 25. While the kitchen fit-out required a little creativity, Nixie Nox's food punches above its weight, relative to the venue's size. Here, a menu by head chef Stacey Tuara (ex-Meatmaiden) showcases elevated pub classics, as well as dishes catering to vegetarians, vegans and diners with dietary restrictions — no easy feat on a list of just four share plates and four mains. Shares include six-hour beef burnt ends glazed with Wolf of the Willows Hazy Pale Ale and served with preserved chilli mustard and a refreshing green sauce and miso mushroom daikon cakes paired with crispy chickpeas and black vinegar reduction. Mains display similar thoughtfulness and reverence for classic pub fare — a silky and rich lamb ragu pappardelle is given some serious depth with the addition of smoked parmesan and basil oil, while the Hard Nox Parm sees crumbed sous vide chicken breast topped with fresh mozzarella and smoked sugo. The drinks list is similarly considered. Craft beers and hard-nosed brews are poured from a duo of taps or plucked ice-cold from the fridge in tinnies, stubbies and longnecks. Sure, there are complex IPAs and XPAs to mull over — or you can grab a no-nonsense staple like a VB or XXXX Gold. There's also a curated wine list that explores Australian and overseas labels — with almost all available by the glass — alongside an extended cocktail list spanning classic, house and 'elevated' creations like a millilitre-perfect dry martini served in a chilled Nick & Nora glass. "Nixie Nox is more than just a pub — it's a place where locals can come together, connect over great food and drinks, and feel at home," says Bellis. "We've poured our hearts into creating a welcoming space that reflects the spirit of Richmond, and we can't wait to share a drink and a story with everyone who walks through our doors." Nixie Nox is open Wednesday–Thursday from 4pm–late and Friday–Sunday from 2pm–late at 141 Swan Street, Richmond. Head to the venue's website for more information.
Overwater dining, meals and sips with a waterside view, taking dinner and drinks up a few levels: around Brisbane, none of these are new experiences. That said, grabbing a bite or a beverage at a restaurant that's not only perched over the water — ten metres above the Brisbane River, in fact — but is also part of one of the city's bridges is something that the Queensland capital has never seen before. Meet Stilts, which is now open on the Kangaroo Point Bridge. The modern-Australian eatery is not just Brisbane's first-ever restaurant on a bridge, but also Queensland's first of its kind — even if it's the second that hospitality company Tassis Group has launched with ties to the River city's newest river crossing. Mulga Bill's Kitchen & Bar, which is sat at the foot of the structure on the Alice Street side, opened before it. Where that venue is a casual all-day diner, Stilts is all about an elevated experience (including literally) in unique surroundings. "Stilts is more than just a restaurant — it's a destination in itself, where guests can experience firsthand the things that make our city so unique. I wanted to create a place where every last detail celebrated the spirit of our community, from the people, culture and lifestyle to our access to some absolutely incredible produce," said Tassis Group's Michael Tassis. "Not only is it raised to capture the stunning views, it's designed to share with loved ones, create memories, and to enjoy the best produce and talent Queensland has to offer." If the 100-seater restaurant's design looks familiar, that's because it takes inspiration from a Sunshine State staple: Queenslander homes. Of course, most such structures around Brisbane don't boast a 180-degree vantage peering out over the Story Bridge, Kangaroo Point Cliffs and Brisbane City Botanical Gardens, including through floor-to-ceiling windows. Also key elements of Stilts: an alfresco balcony, a casual bar area and an indoor dining room that allows ample light in, as well as a 12-person private dining room. Under Head Chef Dan Hernandez (formerly of fellow Tassis venture Fosh, and also ex-Restaurant Dan Arnold and Agnes), the Queensland-focused menu starts with beef tartare in cannelloni shells and potato pavé, serves up caviar three ways — in blinis and beef tartlets among them — and then spans everything from Australian wagyu dumplings and Moreton Bay bug linguine to pistachio gelato and yuzu curd. If you're keen on a surf-and-turf option, Stilts' version features 28-day aged sirloin and swordfish steak, and will set you back $135. Diners can also treat themselves to angus and wagyu steaks from the grill, charcoal or miso-yuzo glazed lobster, and a wagyu tasting experience with three cuts of meat. For those feeling spoiled for choice, three different banquets will make your picks for you, ranging from $155–240 in price — the latter with the three caviar options. Drinks-wise, more than 180 drops are on the wine list, alongside beer, spirits and non-boozy sips. As well as Mulga Bill's, Stilts joins Tassis Group's growing lineup of Brisbane restaurants; see also: Opa Bar + Mezze, Yamas Greek + Drink, Massimo Restaurant and Bar, Longwang, Fatcow on James St, Fosh Portside, Rich & Rare, Pompette and Dark Shepherd. Find Stilts Dining at 147E Alice Street, Brisbane CBD, on the Kangaroo Point Green Bridge — open from 11am–9.30am Sunday–Thursday and 11am–10pm Friday–Saturday. Head to the venue's website for more details. Images: Allo Creative / Markus Ravik / Brisbane City Council.
Comfort food and winter go hand in hand. Since 2022, so have chaotic culinary dramedies and the frostiest time of the year Down Under. Two years back, The Bear debuted in winter in Australia and New Zealand to become one of the best new shows on television. In 2023, it returned in winter for its second season to become one of the best returning shows on TV that year. And in 2024, it has a return reservation with the middle of the year again. Even after the delays in Hollywood caused by 2023's strikes, American viewers will see the Golden Globe- and Emmy-winning hit in June, with an exact date not yet announced. When Aussie and NZ audiences will get their latest taste of Jeremy Allen White (The Iron Claw) hasn't been revealed either, but it should also be this winter — but perhaps not the same day as our US counterparts. Another pattern that surrounds The Bear is delays between its American debuts and arriving Down Under, affecting both seasons so far. Season one hit in June in America, then in August in Australia. With season two, US viewers still had a June date, while Aussies and New Zealanders had to wait till July. So, fingers crossed that the third time is the charm for a same-date release. The Bear was renewed for season three in November 2023 to the surprise of no one, but to the joyous shouts of "yes chef!" from everyone. If you've missed The Bear so far, its first season jumped into the mayhem when White's Carmy took over the diner after his brother's (Jon Bernthal, We Own This City) death. Before returning home, the chef's resume featured Noma and The French Laundry, as well as awards and acclaim. In season two, Carmy worked towards turning the space into an upscale addition to his hometown's dining scene, with help from the restaurant's trusty team — including Ayo Edebiri (Bottoms) as fellow chef Sydney, plus Ebon Moss-Bachrach (No Hard Feelings) as Richie, aka Cousin, aka Carmy's brother's best friend. Also key to The Bear: truly conveying what it's like to work in the hospitality industry and weather a restaurant kitchen's non-stop pressures. In both of its seasons so far, The Bear's creator Christopher Storer (who also has Ramy, Dickinson and Bo Burnham: Make Happy on his resume) has expertly balanced drama and comedy — and, in season two, he also delivered spectacular self-contained episodes that featured everyone from Olivia Colman (Heartstopper) and Will Poulter (Guardians of the Galaxy Vol. 3) to Bob Odenkirk (Lucky Hank) and Jamie Lee Curtis (Haunted Mansion). Guest stars aside, The Bear's regular roster of talent also spans Abby Elliott (Indebted) as Carmy's sister Natalie, aka Sugar — plus Lionel Boyce (Hap and Leonard), Liza Colón-Zayas (In Treatment) and Edwin Lee Gibson (Fargo) among the other Original Beef staff. Check out the trailer for The Bear season two below: The Bear streams via Disney+ in Australia and New Zealand. We'll update you with an exact season three release date when one is announced. Read our review of season one and review of season two. Via Variety.
A new year has begun, and for us that means one thing — it's time to book new travel destinations for 2020. This time around, instead of searching for things like 'best beaches' or 'best cities', plan your travel from a different angle. An arts and culture angle, that is. Planning your calendar around the world's many festivals is a fun way to change up your regular trip routine. Think a biennale in India, a mountain burning festival in Japan and one celebrating 24-hours-of daylight in Russia. Here are seven lesser known arts/culture festivals to travel overseas for this year. [caption id="attachment_757197" align="alignnone" width="1920"] Jirka Matousek via Flickr.[/caption] PINGXI LANTERN FESTIVAL, PINGXI DISTRICT, TAIWAN Taking place just outside of Taipei, the Pingxi Lantern Festival marks the end of Chinese New Year with one stunning illuminated display. Visitors write a message and place it inside a paper sky lanterns, then set it aflame and release it into the night — alongside thousands of others. It's an impressive sight that holds an air of magic around it. While the lanterns float overhead, the streets are filled with folk performances, street carnivals and contests. The annual festival has been taking over Taiwan for over 2000 years, having begun during the Xing Dynasty. We can't think of a better way to ring in the (lunar) new year. When? February 1–8, 2020 KOCHI-MUZIRIS BIENNALE, FORT KOCHI, INDIA Every two years, the charming seaside town of Fort Kochi becomes a mecca for all things art in India. The Kochi-Muziris Biennale showcases contemporary Indian and international art in heritage properties around the city — this year includes a townhouse, project space, art cafe and converted warehouse. Each biennale is curated by an artist who is chosen by a committee of artists, scholars and collectors. Now in its fifth edition, the 2020 curator for the festival is artist and writer Shubigi Rao. She was born in India but is based in Singapore, and is known for her layered installations across mediums like books, etchings, drawings and puzzles. The festival runs for over three months each year, so you have a good window in which to book your trip, too. When? December 2020 – March 2021 [caption id="attachment_757203" align="alignnone" width="1920"] Nwhitely via Flickr.[/caption] WAKAKUSA YAMAYAKI, NARA, JAPAN For one seriously fiery sight, make sure you're in Nara, Japan on the forth January of the year. An ancient version of Burning Man festival, the Wakakusa Yamayaki festival sees the dead grass on Mount Wakakusayama set on fire — and that's followed by one big ol' fireworks display. No one quite knows the origin of the festival, leaving it shrouded in mystery. Some accounts claim the mountainside burning began due to boundary conflicts between the Kohfukuji and Todaiji Temples. Others claim the fires are meant to scare away wild boars, and even ghosts. Regardless of the origin, it's an impressive sight. The blazing mountain can be seen from any point in the city — with Nara Park being the best lookout. When? January 25, 2020 [caption id="attachment_757204" align="alignnone" width="1920"] This Is Edinburgh via Flickr[/caption] HOGMANAY, EDINBURGH, SCOTLAND Scotland's capital city of Edinburgh really knows how to ring in the new year. While parties happen all over the world on New Year's Eve, no one does it quite like the Scots — their celebration runs for two full days and features street parties, carnival rides, Christmas markets and a full on music festival to boot. The multi-stage festival takes place on December 31 straight into the new year, with at least five bands playing simultaneously. Alongside the festival is a torchlight procession on December 30. Also on the docket is an ice rink, ferris wheel, polar bear plunge in icy waters (dubbed he Loony Dook race) and even an arts festival that takes over nine unusual venues across the city. When? December 30, 2020 – January 1, 2021 ART FAIR PHILIPPINES, MANILA PHILIPPINES The Philippines' vibrant art scene is on full display each February when Art Fair Philippines transforms The Link carpark into a cultural marketplace. The weekend-long festival was only just founded in 2013, and has since become the top art event in the country. A wide range of contemporary art is available to view and purchase, ranging from paintings and sculptures to photographs and more experimental installations. All of the artists are on hand alongside their work, so you can chat to the makers of your favourite pieces. If you're travelling with a friend or partner, it's also a fun way to start out the evening — the exhibition stays open until 9pm each night and there are heaps of food and drink vendors available, so you can peruse with bubbly in hand. And entry tickets cost just a tenner. When? February 21–23, 2020 [caption id="attachment_757202" align="alignnone" width="1920"] Sandra Cohen-Rose and Colin Rose via Flickr.[/caption] WHITE NIGHTS FESTIVAL, ST PETERSBURG, RUSSIA While images of Russia's picturesque city of St Petersburg often depict a blanket of snow, the summer months actually see nearly 24 hours of daylight here. And the city celebrates these long days for three full months each year — specifically from mid-May through mid-July. Stars of the White Nights is a massive collection of arts and culture events spanning music, film, ballet and opera premieres (including at the Mariinsky Theatre, pictured above) and outdoor festivities. Many of the city's top museums stay open overnight during this period, too. Or simply wander along the River Neva, where gypsy bands, jugglers, fire eaters and other carnival acts can be seen performing all night long. When? May 22 – July 21, 2020 ART BASEL, MIAMI BEACH, USA Started over 40 years ago, Art Basel is considered to be the premiere art event of the year by many. It's held annually across Hong Kong, Basel, Switzerland and Miami Beach. The USA instalment takes place over three days in December and features works from over 250 leading galleries across North America, Latin America, Europe, Asia, Africa and even Australia. It showcases masterpieces from modern and contemporary artists, alongside exhibitions by emerging artists — and this year has partnered with KickStarter specifically to support up-and-comers. Art forms span paintings, sculptures and photographs, as well as large-scale installations films, and editions from master artists. And you have the added benefit of being next to one of the States' best beaches, too. When? December 3–6, 2020 Top image: Jirka Matousek via Flickr.
There's never been a show on TV quite like Kevin Can F**k Himself — or on streaming, where the series is now available in Australia via Amazon Prime Video. But, there have sadly been far too many programs over the years that resemble one half of this clever and cutting dark comedy. Even if you aren't a fan of the fare this newcomer riffs on, you know the type. For too long, screens have been littered with sitcoms about families, and about specific kinds of couples and their kids. Accordingly, a different one probably springs to mind for each of us. You might've started thinking about Home Improvement, or Everybody Loves Raymond — or, thanks to Kevin Can F**k Himself's title, you could've just remembered all the shows starring Kevin James. Kevin Can F**k Himself's moniker does indeed conjure up the words many of us have thought to ourselves after stumbling across awful sitcoms led by James. Here, Kevin McRoberts (Eric Petersen, Sydney to the Max) is the obnoxious manchild of a husband, while Allison (Annie Murphy, Schitt's Creek) is his put-upon wife — and whenever they're together, generally at home, she's clearly in a sitcom. The lights glow brightly, her house resembles every other cosy abode in similar shows about comparable characters, and multiple cameras capture their lives. Also, canned laughter chuckles whenever something apparently amusing (but usually just cringeworthy) occurs. And, that source of terrible humour tends to be Kevin, who skates through his days with the arrogance and obliviousness of a white thirty-something man who has always been told he can do no wrong. Helping to reinforce that mindset, he always has his ever dimwitted best pal and neighbour Neil (Alex Bonifer, Superstore) by his side, gushing over his every move. Also frequently hovering around: Neil's one-of-the-guys sister Patty (Mary Hollis Inboden, The Righteous Gemstones) and Kevin's own ever-present dad (Brian Howe, Chicago Fire). We've all seen this setup before, and Kevin Can F**k Himself's creator Valerie Armstrong — who also worked on the excellent, underrated, cancelled-too-soon Lodge 49 — definitely knows it. She isn't trying to recreate these abysmal sitcoms for fun, though. Instead, she knows that Allison and the women who've been in her place are devastatingly miserable, and she's determined to give them their time in the spotlight and explore what happens when they're not supporting player to a man they don't even want to be with. That's where the twist comes in, and it's oh-so-savvily handled. (It's also laid bare in the show's first episode, because it's that important to the series' premise.) So, whenever Kevin Can F**k Himself's leading lady is blissfully free of her horrible hubby, her life becomes a premium cable drama. Murkier tones and a much more realistic vibe kick in, just one camera films her struggles, and no one is giggling. Also, Allison starts trying to do something about her soul-crushing marriage. The visual and tonal contrast between the show's two halves is big, stark and obvious. It hits you over the head. It's meant to. On paper, the creative decisions behind Kevin Can F**k Himself stem from a high-concept gimmick, and purposefully so — but the show's central idea is also exceptionally smart. This series needs to be as blatant as it is in contrasting Allison's time with Kevin with her experiences whenever he's not around. It needs to make flagrant moves to illustrate how the world still sees marriages like theirs as bright and inviting, even when Allison endures a grim struggle. Subtlety isn't usually the best way to make a statement, after all, and that applies when you're calling out how an entire genre of TV has long treated women; that its instantly recognisable toxic tropes have become not just accepted, but imitated; and that real-life relationships based on this dynamic aren't healthy or happy. These notions bubble away throughout Kevin Can F**k Himself, including when over-lit scenes of Allison putting up with Kevin segue into dark-hued shots as soon as she's out of his presence. Usually, the change kicks in because she's walked into the kitchen and left him on the couch with his pals, or she's gone to work while he gets up to standard sitcom-style hijinks; however, Allison is desperate to make a permanent change. The series follows not just her efforts to leave Kevin, but her quest to ensure that she'll be free of him forever. You could say that she breaks bad, but she's doing good — just for herself for once. Allison's path forward is messy, naturally, and only gets more chaotic the more she commits to achieving her Kevin-free new life. Her high-school crush Sam (Raymond Lee, Made for Love) moves back to town, too, while Patty becomes an unexpected ally. Soon, the two women have a police detective (Candice Coke, Indemnity) snooping around their lives as well. Everything Allison faces could've easily fuelled a drama that didn't include sitcom-savaging segments, but the show is all the better for embracing its gimmickry. It pulls back the curtain on the glossy way that its protagonist's existence is presented to the world, exposes the reality and finds ample ways to interrogate why this sitcom fantasy has proliferated for so long. Thanks to weighty key performances by Murphy and Inboden, it also dives deep into the internalised miseries that women who've been caught in the orbit of men like Kevin keep navigating — and, episode by episode, it grows and fleshes out the pair's complicated friendship as well, and unpacks the "cool girl" archetype Patty initially represents. In the process, amidst all of its layers and switches, Kevin Can F**k Himself quickly becomes one of the best new shows of 2021. Thankfully, it has already been renewed for a second season, too, so more of its incisive charms and astute social commentary — and Murphy and Inboden's stellar work — awaits. Check out the trailer for Kevin Can F**k Himself below: The first four episodes of Kevin Can F**k Himself's first season are available to stream via Amazon Prime Video, with new episodes dropping weekly. Images: Jojo Whilden/AMC.
In The Lost Flowers of Alice Hart, blooms are rarely out of sight and petals never evade attention. Adapted from Holly Ringland's 2018 novel, the seven-part Australian miniseries is set on a farm that cultivates native flora. It dubs the women who tend to them, an ensemble from various backgrounds largely seeking refuge from abusive pasts, "flowers" as well. Whether stem by stem or in bunches, its characters use florets as their own secret language. And yet, as much as bouquets linger, getting all things floral on the mind, star Sigourney Weaver burns rather than blossoms. Fire is another of the Prime Video newcomer's strong recurring motifs, so it's still fitting that its biggest name is as all-consuming as a blaze. As seen via streaming from Friday, August 4, Weaver needs to be that scorching: this is a story about endeavouring to survive while weathering woes that ignite everything in their path. She also draws upon almost five decades of thriving before the camera, often playing steely, smart and sometimes-raging women. Her on-screen career began sparking with Alien, the film that made her an instant icon. Since then, everyone has heard her performances scream. Weaver's resume also boasts the Ghostbusters franchise and fellow 80s hit Working Girl, everything from Copycat and Holes to Baby Mama and My Salinger Year, and the Avatar saga — playing a 14-year-old Na'vi girl in Avatar: The Way of Water included — and, in The Lost Flowers of Alice Hart, she's again dazzling. Flowers frequently surround Weaver's June Hart far and wide, and in all hues and shapes. With a carefully selected cutting — be it of wattle, Sturt's desert pea or other Australian natives — she can say all she needs to. Indeed, June is a woman of few words if she can help it. The shotgun-toting matriarch of Thornfield Flower Farm, she knows how to make her presence felt as much as the most striking bloom, and favours action over talk. That's what the eponymous Alice (Ayla Browne, Nine Perfect Strangers) quickly learns about her grandmother when she arrives at the property following a tragedy. She too becomes one of the farm's flowers, moving in after losing her pregnant mother Agnes (Tilda Cobham-Hervey, Hotel Mumbai) and violent father Clem (Charlie Vickers, The Lord of the Rings: The Rings of Power). This is a tale about traumas, secrets and lies that lurk as deeply as the earth — about the choices and cycles that take root in such fraught soil, too. When nine-year-old Alice relocates fresh from hospital, her whole existence has been darkened by her dad's temper, but the determined June, her doting partner Twig (Leah Purcell, The Drover's Wife The Legend of Molly Johnson) and their adopted daughter Candy Blue (Frankie Adams, The Expanse) aim to shower the girl with sunlight in their own manners. You can't just bury problems, however, then hope that something vivid and colourful will grow over the top. Dedicating its first half to Alice's childhood and its second to 14 years later, when she's in her early twenties (Alycia Debnam-Carey, Fear the Walking Dead) and making her way away from Thornfield, The Lost Flowers of Alice Hart understands this immutable fact in its core. When it spends time with its namesake while she's young, The Lost Flowers of Alice Hart sees a slip of a kid who dreams of an escape, snatches what solace she can from borrowed books and loses her voice literally when fire sweeps in. The show's initial episodes witness the forces influencing Alice's life — some stormy, some luminous, many in-between — including as librarian Sally Morgan (Asher Keddie, Rams) and her police-officer husband John (Alexander England, Black Snow) contemplate battling June for custody. When it leaps forward to watch Alice flee all that she knows after a devastating revelation, it spies her heading to the Red Centre, collecting a stray pup along the journey, switching from floriography to being a park ranger, and falling for colleague Dylan (Sebastián Zurita, How to Survive Being Single). It also spots how the past keeps finding new routes to sprout no matter where she is or what she's doing. Add The Lost Flowers of Alice Hart alongside Deadloch, The English and Big Little Lies on the growing list of series that interrogate the brutality that too often surrounds women. Where Kate McCartney and Kate McLennan's excellent fellow Australian series adopted humour and satire, and the Emily Blunt-led series was a western, The Lost Flowers of Alice Hart joins Big Little Lies in embracing melodrama. Forget the term's soap-opera connotations; the best examples understand that some stories demand telling with heightened emotions and by plunging viewers into a world of feelings, but can also be relayed thoughtfully, smartly and sensitively. That's exactly what showrunner Sarah Lambert (Lambs of God), fellow writers Kim Wilson (A League of Their Own) and Kirsty Fisher (Deadloch), and director Glendyn Ivin (Penguin Bloom) perfect in a series that's constantly probing, pondering and empathising. Still, it's easy to see how a lesser version of The Lost Flowers of Alice Hart could've played out — and how formulaic, neat and straightforward it would've proven. Thankfully, the show that's reached streaming queues always digs in, flourishes in its own patch and turns its specific elements, familiar as some may be, into something powerful. There's no shying away from the horrors that haunt the series' characters, some passing down through generations, others tied to Australia's atrocious treatment of First Nations people and many sadly remaining far too prevalent IRL. There's no ignoring the potency of its mysteries as savage events beget long-hidden truths. And, there's no looking away from cinematographer Sam Chiplin's (The Stranger) meticulous imagery, which enthrals and immerses whether surveying the Australian landscape, focusing on minutiae, or peering intently at Weaver and her co-stars. As phenomenal as Weaver is, she isn't short on excellent company in a miniseries flowering with lived-in performances. Also portraying formidable women with harrowing histories that will never wilt, Purcell, Adams and Keddie always have pain and perseverance simmering in their eyes even when they're at their most caring. Conveying the fields upon fields of troubles and struggles shaping Alice via their expressions and physicality, Browne and Debnam-Carey are both exceptional — especially the former when nothing can be spoken, and the latter while navigating another fight to truly have a voice. Those blooms that are used to communicate? The farm's women have a dictionary, The Thornfield Language of Flowers, explaining them. With its cast, The Lost Flowers of Alice Hart takes a leaf out of that book, too, knowing how to say everything even when no one utters a thing. Check out the full trailer for The Lost Flowers of Alice Hart below: The Lost Flowers of Alice Hart streams via Prime Video from Friday, August 4. Images: H Stewart.
"Texting is tacky," proclaims filmmaker/artist/writer Miranda July. "Calling is awkward. Email is old." So she's come up with a brand new way to communicate in the 21st century: an app called Somebody. Here's how it works. You send your friend a message, but rather than going directly to their phone, it goes to the Somebody user in closest proximity. This individual delivers the message, in person. Hence, the app facilitates all the instantaneity of modern digital communication, as well as a dose of good, old-fashioned face-to-face contact. As the Somebody site quips, it's 'half-app/half-human'. It's also a public art project. July first came up with the concept in March 2014 and developed it with the help of designer Thea Lorentzen and a team from StinkDigital, along with support from Miu Miu. The app and an accompanying film — the eighth commission in Miu Miu's Women's Tales series — premiered on August 28. https://youtube.com/watch?v=iz13HMsvb6o "Somebody is a far-reaching public art project that incites performance and twists our love of avatars and outsourcing — every relationship becomes a three-way," states the official site. "The antithesis of the utilitarian efficiency that tech promises, here, finally, is an app that makes us nervous, giddy and alert to the people around us." Your messages don't have to be restricted to words — your messenger can also follow actions and directions (i.e. dance, hug, cry and so on) — as long as they're game. If the timing isn't right, the recipient can decline involvement. Plus, the sender can select from a variety of potential messengers by previewing photos and performance ratings. When there's a lack of users in the vicinity, the message can be floated until someone turns up. July will speak publicly about Somebody at New York City's New Museum on October 9, and the app will be progressively launched throughout the Northern Hemisphere over Spring. Right now, hotspots are in action at the Los Angeles Country Museum of Art; Yerba Buena Center for the Arts, San Francisco; the Portland Institute of Contemporary Art; the Walker Art Center, Minneapolis; and Museo Jumex, Mexico City. It's in these places that you're likely to find a high concentration of Somebody users. If you want get the trend happening here in Australia, get the ball rolling and download the app for free from the Apple store. Image: Miranda July and Miu Miu.
If there's a surefire way to brighten any average day, it's this: looking at YouTube videos of charming animals. We were all doing it before the pandemic. Thanks to plenty of live feeds, we kept doing it when we were all staying home, too. And now Guide Dogs Australia wants you to keep watching — and to start going "awwwwwwwwwwww" while checking out its new eight-episode behind-the-scenes series. Born to Lead is the insider look at adorable guide dogs you did actually always know that you needed. Dropping new ten-minute instalments weekly, it follows super-cute guide dogs from birth through to retirement. In the process, it also tells the tales of the people who help the pups' development, plus those who benefit afterwards — spanning volunteers and trainers, as well as Australians with low vision or who are blind who welcome a guide dog into their homes. Launching at 4pm AEST today, Monday, June 27 via the Bondi Vet YouTube channel, and filmed this year at Guide Dogs campuses and cities in Victoria, New South Wales, Queensland and South Australia, Born to Lead also aims to give an insight into what it takes to raise a guide dog — from being a tiny little newborn pooch through to making an enormous difference in someone's life. "It takes up to two years and $50,000 to breed, raise and train just one guide dog, so we are beyond excited to have this incredible journey and many amazing stories from within the Guide Dogs community captured on film," said Charlie Spendlove, Head of Marketing and Communications at Guide Dogs Australia. If you're the kind of person who considers looking after a pup every time that Guide Dogs Australia puts out a callout, this is obviously the show for you. If you'll watch anything about humanity's barking besties — Tony Armstrong's ABC series from earlier this year, Netflix's two seasons of the docuseries Dogs and big-screen release Stray all included — then this is clearly as exciting as throwing a ball or heading to a dog park is to a pooch. Born to Lead hits screens courtesy of producers WTFN, who are also behind Bondi Vet and Mega Zoo. And, although it's only airing online for now, that might just be the beginning. "While Born to Lead will get a run on our Bondi Vet digital channels, which have over 2.5 million subscribers itself, we envisage it becoming a broadcast project in the future," said Daryl Talbot, WTFN's CEO. Check out the first episode of Born to Lead below from 4pm AEST Monday, June 27: Born to Lead will start streaming via the Bondi Vet YouTube channel from 4pm AEST on Monday, June 27, with new episodes dropping weekly.
Fable is taking the concept of sky-high sips to a whole new level — at a lofty 14 storeys above Lonsdale Street, it has swiftly claimed the title of Melbourne's tallest rooftop bar. The latest venture from hospitality veteran Gehan Rajapakse (The Sofitel, Hyde Bar, Rah Bar), it's a plush, Mediterranean-inspired affair. The space rocks an elegant fit-out, along with exceptional panoramic views on show through the bar's huge wraparound windows and retractable roof. You'll also find a creatively charged menu of libations led by Bar Manager Chantalle Narith. It's a considered lineup with a penchant for storytelling and history, filled with many clever — sometimes cheeky — reworkings of the classics. Expect two pages of martini variations, and a stiff scotch and brandy cocktail that pays homage to the Icarus myth which arrives at the table alight ("be careful not to get too close to the flame, or like Icarus, down you will fall"). Each page of the menu is a pleasure to read, and the cocktails are as good as they sound. Meanwhile, Executive Chef Alex Xinis (Press Club) is plating up a Mediterranean-accented food menu with a taste for decadence. Match those sunset views with Yarra Valley trout caviar blinis, grilled halloumi with blistered grapes and sherry vinegar, or hot focaccia bites dipped in white taramasalata. [caption id="attachment_832319" align="alignnone" width="1920"] Aaron Francis[/caption] Images: Aaron Francis and Nicole Cleary
Plenty of movies have hit cinemas and streaming in 2022, including ace and terrible flicks alike, but few films have sparked as much chatter as Don't Worry Darling. First up, it earned attention thanks to its director and cast, with the twisty thriller marking actor-turned-filmmaker Olivia Wilde's second stint behind the lens after Booksmart, and starring Florence Pugh (The Wonder) and Harry Styles (My Policeman). Then, the picture started causing talk due to a whole heap of off-screen chaos, such as awkward press conferences, possible spit and other rumoured scandals among its main figures. So, by now, everyone has heard about Don't Worry Darling. If you haven't yet seen it since it released in Australian cinemas at the beginning of October — and it is worth seeing — you can now do that at home, too. Like everything from Dune, The Matrix Resurrections, Spencer and West Side Story through to Everything Everywhere All At Once, The Unbearable Weight of Massive Talent, Elvis and Nope this year, the film has joined the list of fast-tracked flicks making their way to digital while still brightening up the big screen. Here, Pugh plays Alice, who gets stranded in the worst kind of 1950s-style ordeal despite all initial appearances to the contrary. Victory, the community where she lives with her husband Jack (Styles), appears picture-perfect; however, we all know how that can be deceiving. Indeed, the dreamy facade unravels quickly. The town is home to the men who work for the top-secret Victory Project — such as Jack — and their families, and it's where Don't Worry Darling's central duo are meant to enjoy nothing but bliss. They're given two rules to abide to, though: exercising the utmost discretion and committing 100-percent to Victory's vision, even if the town's wives don't actually know what their husbands get up to all day. That's all well and good — and terrific, in fact for most of Victory's residents — but it stops being the case for Alice. Despite a pervasive mood of optimism around the place, as well as overt reassurances by company CEO Frank (Chris Pine, All the Old Knives) and his wife Shelley (Gemma Chan, Eternals), Alice is certain that all isn't quite what it seems — or that she can or should trust what the company is so determined to impress upon the town's inhabitants. Yes, as immaculate as Don't Worry Darling looks, it's 100-percent a psychological thriller. It gives off huge The Truman Show vibes, too, as Alice refuses to acquiesce. The film also co-stars Wilde herself, playing another Victory employee's spouse, as well as Nick Kroll (Our Flag Means Death), KiKi Layne (The Old Guard), Sydney Chandler (The Golden Rut), Kate Berlant (A League of Their Own), Asif Ali (WandaVision), Douglas Smith (Big Little Lies), Timothy Simons (Station Eleven) and Ari'el Stachel (Zola). Check out the trailer for Don't Worry Darling below: Don't Worry Darling is currently screening in Australian cinemas, and is also available to stream online via video on demand from Monday, November 7 — including via Google Play, YouTube Movies and Prime Video in Australia. The film is also still showing in NZ theatres as well, and can be streamed in Aotearoa via Neon, Google Play and iTunes. Read our full review.
Since dropping a trailer back in September 2022, the instantly stunning-looking Suzume has sat high on animation fans' must-see lists. Given that the Japanese movie is the new release from Your Name and Weathering with You director Makoto Shinkai, it was always going to. The filmmaker's resume speaks for itself, also spanning The Place Promised in Our Early Days, 5 Centimetres per Second, Children Who Chase Lost Voices and The Garden of Words — and his features deserve to be as eagerly anticipated as Studio Ghibli's. Whether you've been excited about Suzume for months or this is the first you're hearing about it, you'd best mark your diary — because Shinkai's latest now has a release date Down Under. The film opened in Japan back in November, and will make its way to cinemas in Australia and New Zealand from Thursday, April 13. As seen in lively trailer, Suzume puts Shinkai into familiar territory visually, with the animation and art direction alone spectacularly and breathtakingly gorgeous. Every detail-filled frame of his films could easily sit on a wall — and, from the sneak peek, Suzume easily continues the trend. Story-wise, the movie follows its titular high school girl as she teams up with a mysterious young man to travel through otherworldly gates. The pair cross paths in a quiet Kyushu town, with the stranger telling the with 17-year-old Suzume that he's looking for a door. From there, they get hopping as disasters start to strike around Japan. As more doors open, more destruction follows — and it's up to Suzume to close the portals to stop the cycle. The coming-of-age tale doesn't just include doors that keep opening up in Japan's "lonely areas people have forgotten" — doors in places that'll make you want to travel far and wide through Japan, as Weathering with You did with Tokyo — but also talking cats, swirling red clouds and scampering chairs. "At its core, Suzume is based on the massive disaster that occurred in Japan twelve years ago. I'm eager to see how this film translates to international audiences: what makes sense, what doesn't, and what common ground we have across cultures," said Shinkai. "The film's imminent international release will hopefully give me the answer to those questions. And, I cannot thank our team members enough for their unprecedented talent and perseverance throughout the film's production. On behalf of the entire team, I would also like to give thanks to all the fans who have cheered us on, making Suzume possible." As they did with Your Name and Weathering with You, Radwimps provide Suzume's soundtrack. The film heads Down Under after playing the Berlin International Film Festival in February, in the prestigious event's official competition — becoming the first Japanese animated film to do so since Studio Ghibli's Spirited Away, which won the coveted Golden Bear in 2002. Check out the trailer for Suzume below: Suzume opens in Australia and New Zealand on Thursday, April 13.
When Super Mario Kart first rolled onto Super Nintendo consoles back in 1992, it came with 20 inventive courses and endless hours of fun. Nearly three decades later, the game has become a beloved phenomenon — not just speeding through desert tracks and rainbow roads, but onto Google Maps and mobile phones, and also into reality. The hugely popular game's next stop? Theme parks. Come Thursday, February 4, 2021, you'll be able to enjoy a real-life Mario Kart experience as part of the first-ever Super Nintendo World. Initially announced back in 2017, the new site is joining Universal Studios in Osaka. Its launch was pushed back due to the COVID-19 pandemic but, after revealing back in October that it'd open early in the new year, the fresh addition to the theme park has an official date. Actually, Universal Studios Japan has done more than lock in an exact date. It has dropped a heap of new details — and a couple of sneak peeks, too. The fact that there'd be Mario Kart and Yoshi-themed rides isn't new news; however, until now, only a few clues about what they'd entail had been released. For those keen to hop on Mario Kart: Koopa's Challenge, prepare to race through familiar Mario Kart courses that've been recreated in real life. And yes, as you're steering your way along the track, you'll be surrounded by characters such as Mario, Luigi and Princess Peach. You'll also be able to throw shells to take out your opponents — because it wouldn't be Mario Kart without them. If you're wondering how it all works, expect physical sets, plus augmented reality, projection mapping and screen projection, all designed to make you feel like you're really in the game. As for Yoshi's Adventure, it'll see you climb on Yoshi's back — and it's designed to be family-friendly. So, you'll hop on, then set off on an adventure. You'll follow Captain Toad to find three coloured eggs, plus a golden egg as well. Taking over multiple levels — fitting for a gaming-themed space — Osaka's Super Nintendo World will also feature Bowser's Castle, complete with spiked fences and heavy iron doors. Peach's Castle is part of the park, too, as are other rides, restaurants and shops. A certain highlight: the world's first Mario cafe, which has already launched ahead of the rest of the site. Here, patrons are surrounded by oversized Mario and Luigi hat sculptures, the whole space is kitted out with a red and green colour scheme, and Mario Kart-style checkered floors are a feature. As for snacks, there are Mario pancake sandwiches and cream sodas, plus other drinks available in 'super mushroom' souvenir bottles. The theme park is also introducing wearable wrist bands, called Power Up Bands — which connect to a special app and allow patrons to interact with the site using their arms, hands and bodies. That mightn't sound all that exciting, but the bands will enable you to collect coins just like Mario does in the Super Mario games. Like the red-capped plumber, you'll also be able to hit question blocks to do reveal more coins. And there'll be collectible items to gather, such as keys and character stamps, which you'll find after achieving various goals. The stamps will also earn you even more coins — so you really will be basically playing Super Mario in real life. You will have to buy a Power Up Band separate to your entry ticket to enjoy that element of the park, though. If you're keen to take a look, Nintendo has released two videos that take you through Super Nintendo World — one brief, and the other running for 15 minutes. The latter is hosted by 'Mario's dad', aka Shigeru Miyamoto, the video game designer who created Super Mario Bros all those years ago. It provides a detailed walkthrough, so you'll spy everything from huge piranha plants to giant bob-ombs, all with Miyamoto's commentary . You can check out both videos below — and yes, the music will sound very familiar: https://www.youtube.com/watch?v=i4Nc9au7FjY https://www.youtube.com/watch?v=hQaRBOI-9kg Nods to other Nintendo games are expected to pop up around the park but, for now, all other specifics remain sparse. Given that Nintendo's game stable includes everything from Donkey Kong to Tetris and The Legend of Zelda, there's plenty more to play with. Our suggestions: real-life Tetris, where you move bricks around in person, or a Donkey Kong water ride that uses the game's iconic aquatic music. While no one is travelling far at present, Universal Studios is also planning Super Nintendo Worlds for its other parks in Hollywood, Orlando and in Singapore — if you need to add more places to your must-visit list when international tourism starts returning to normal. The latter was just announced last year, and is set to open by 2025. Super Nintendo World is slated to open at Universal Studios Osaka on Thursday, February 4.
Roaring fire? Check. An expansive drinks list? Check. A proper hearty roast with a touch of modern flair, served all weekend long? You've got it. Yep, Albert Park's contemporary gastropub The Bleakhouse is a surefire crowd-pleaser. Pull up a seat in one of the cosy booths and enjoy a $30 rotating 'Proper Roast' lunch (or dinner, if it hasn't sold out) with all the trimmings all weekend long. It could be pork belly with buttery mash and spiced quince, slow-cooked lamb leg sided with a Spanish tomato stew, or even duck a l'orange with caramelised onions and heirloom carrots. Plus, each week staff offer a recommended vino match from one of Australia's top wine regions, to enjoy by the glass or bottle. They also have a $28 steak day every Thursday and Friday and you can treat yourself to oysters at $2.50 a pop and $35 cocktail jugs — perfect for a leisurely session of after-work drinks with your mates. Take in views of Port Phillip from the top terrace balcony or cosy up next to the fireplace or in one of the stylish booths on the main pub floor. Whether you're seeking a tranquil retreat, a memorable dining adventure, or vibrant social gatherings, Bleakhouse Pub is the perfect destination to unwind and indulge.
Just a few short weeks ago, when we were craving comedies to watch, we noted an important fact: that Parks and Recreation's Leslie Knope knows how to handle herself in a pandemic. She's already done so once, in a fifth-season episode of the beloved sitcom — and, while the show came to an end in 2015, viewers are about to see how the Pawnee, Indiana resident copes with the coronavirus. In a one-off special to raise money for US charity Feeding America, the cast of Parks and Recreation are reuniting to tackle COVID-19. And, more importantly, they'll be showing the world how their adored characters are managing at the moment. Adding another scripted instalment to the series, the show's stars will be resuming their on-screen alter egos, courtesy of a brand new episode that follows Leslie's (Amy Poehler) efforts to keep in touch with her friends while everyone is social distancing. The whole gang will be back, including not only Poehler as Leslie and her Making It co-host Nick Offerman as Ron Swanson, but Aubrey Plaza as April Ludgate-Dwyer, Chris Pratt as Andy Dwyer, Aziz Ansari as Tom Haverford, Adam Scott as Ben Wyatt, Jim O'Heir as Jerry/Garry/Larry/Terry Gergich and Retta as Donna Meagle. Although Rashida Jones' Ann Perkins and Rob Lowe's Chris Traeger left the series halfway through its sixth season, they'll be back as well, Variety reports — and you can also expect a few other yet-to-be-revealed guest stars from the show's original run, too. https://twitter.com/parksandrecnbc/status/1253461556102197251 As Poehler reveals in the above video announcing the news, it was all filmed individually from each cast member's home. That means that when this Parks and Rec special hits US screens on Thursday, April 30 (with an airdate Down Under yet to be announced), it'll look a little different to the show's usual episodes. Of course, no Parks fan will mind. Indeed, if you fall into that category, a new episode is literally the best news you could receive right now — so start making waffles, gather all the bacon and eggs you have, and make sure you've got plenty of whisky on hand. A Parks and Recreation Special airs on Thursday, April 30 in the US. There's no word yet about screening details Down Under, but we'll update you when they come to hand. Via Variety.
Seven First Nations artists have been celebrated at the Telstra National Aboriginal and Torres Strait Islander Art Awards on Friday, August 7. Held for the first time in a special live-streamed virtual ceremony, this year's Telstra NATSIAA was presented by journalist and Gamilaroi woman Brooke Boney, who announced the winners across several categories, each with a cash prize. The artists were chosen from a suite of 65 finalists by this year's judging panel: Director of Injalak Arts Donna Nadjamerrek, Darwin-based visual artist Karen Mills, and Curator of Araluen Arts Centre Stephen Williamson. Each artist represents a different community, and they've shared stories of their land, the sea, their history, creation and healing through a variety of styles and mediums, highlighting the enormous and diverse talent of Indigenous artists from across the nation. You can see all the finalists' works in this year's Telstra NATSIAA via the virtual exhibition, and you can also sling a vote for your favourite artwork online in the Telstra People's Choice Award. Check out the seven winners from this year's awards, below. NGARRALJA TOMMY MAY Winner of the Telstra Art Award 2020 — prize $50,000 Wangkajunga/Walmajarri man Ngarralja Tommy May has been awarded this year's major prize in the Telstra NATSIAA. The piece, titled 'Wirrkanja' (2020), depicts flood time on the artist's country in the Great Sandy Desert. The now Fitzroy Crossing-based artist has been pioneering his unique style in a career spanning three decades; this year's judging panel noted 'Wirrkanja' shows May at his peak with a work that displays "exquisite beauty and power". May says his work shows a place significant to him; "It's the country where I lost my brother, it's jilji (sand dune) and flat country. There's a jila (living spring waterhole). It's not far from Kurtal, over two sand dunes. In flood time, the water runs down the jilji (sand dunes). This is my country and my family's country. This is my job, it's a good job." JENNA LEE Winner of the Wandjuk Marika 3D Memorial Award (sponsored by Telstra) — prize $5,000 Larrakia/Wardaman/Karajarri artist Jenna Lee lives in Brisbane. Her entry artwork was created in response to the 250-year anniversary of Lieutenant James Cook's arrival at Botany Bay, marked this year. 'HIStory Vessels' is a reconstruction of the cover of a Ladybird History Book, The Adventures of Captain Cook. The interdisciplinary artist was inspired to create the artwork during an artist residency in the UK, to reclaim the omnipresent, white, patriarchal narrative of Cook and its impact on First Nations stories. She says, "I aim to take this narrative and reconstruct it as a story of personal and cultural resilience, beauty and strength." CECILIA UMBAGAI Winner of the Telstra Emerging Artist Award — prize $5,000 Painting on bark that was harvested from her country in the West Kimberley region, young Worrorra woman Cecilia Umbagai says she likes to use traditional materials to create her contemporary depictions of Wandjina Wunggund law, the dreaming stories of her people. The artist usually works across several mediums including acrylic on canvas and photography, and she only started working with bark in 2019. The artist says she loves the texture of the bark with its "curves and irregularities". Using earth pigments on stringybark, Umbagai's winning entry 'Yoogu' is based on traditional cave drawings of the Wandjina spirit of the boab tree, a story she remembers being told as a child. SIENA MAYUTU WURMARRI STUBBS Winner of the Telstra Multimedia Award — prize $5,000 The youngest finalist in this year's Telstra NATSIAA is 18-year-old artist Siena Mayutu Wurmarri Stubbs. The winning artwork is a poem and film inspired by a school trip in 2019. Shinkansen was made on the Shinkansen (bullet train) from Nagoya to Kyoto in Japan. The Yolŋu Matha woman has grown up surrounded by her culture, family and Yolŋu lore, which she explores in all of her artistic endeavours. In such a short career the artist and filmmaker has already won multiple awards for her non-fiction, and curators remark that her work conveys a maturity beyond her years. ADRIAN JANGALA ROBERTSON Winner of the Telstra General Painting Award — prize $5,000 In his artworks, Alice Springs-based Warlpiri artist Adrian Jangala Robertson often refers to his mother's country, Yalpirakinu. Revering the ridges, trees and desert mountains that make up the landscape, Robertson's painting style is described as being loaded with energy and drama. Born in Papunya in 1962, Robertson witnessed the emergence of the Western Desert painting movement, which informs his style to this day. Typically using a minimal range of colour, the widely respected landscape artist injects character and movement into his work with brushstrokes that he says are his connection to his country and "loaded with memories". His winning artwork is a synthetic polymer paint on canvas titled 'Yalpirakinu' (2020). MARRNYULA MUNUŊGURR Winner of the Telstra Bark Painting Award — prize $5,000 Coming from a lineage of prolific and award-winning bark painters, Yirrkala-based Munuŋgurr, of Djapu and Balamumu clans, has carried on the tradition of her family in her creation of ground-breaking bark installations. The artist grew up assisting both of her parents with their own bark work, and in particular her father Djutjadjutja with his sacred Djapu paintings that also won him the Bark Painting Award in the 1997 NATSIAA. For this year's award, Marrnyula created a cross hatching grid pattern — a sacred design for the freshwaters of the Djapu clan at the clan's homeland of Waṉḏawuy. Unlike her other well known artworks in which the artist creates large-scale installations using hundreds of small pieces of bark, this time the artist has chosen to create the same effect on just one piece of bark. The winning stringybark is titled 'Muṉguymirri' (2020), which means 'in small pieces'. ILUWANTI KEN Winner of the Telstra Works on Paper Award — prize $5,000 Pitjantjatjara artist Iluwanti Ken, who is from Watarru and now based in Rocket Bore community in the NT, says birds have lessons for Anangu women about how to hunt and how to care for one's children. A highly respected ngangkari (traditional healer) and a skilled tjanpi (grass sculpture) weaver, Ken is mostly known for depictions of hunting eagles. Ken's winning ink on paper entry, 'Walawulu ngunytju kukaku ananyi (Mother eagles going hunting)', tells the story of female adult eagles hunting for food and bringing it back to feed their babies. The artist says birds are like Anangu mothers in that they protect their babies from outside dangers. Take a look at the virtual gallery and vote for your favourite artwork in the 2020 Telstra NATSIAA People's Choice Award. Top image: Njarralja Tommy May by Damian Kelly.
Under current COVID-19 restrictions in Australia, you can't go on an interstate holiday just yet. But, Prime Minister Scott Morrison has said it could be back on the cards by July, 2020 — so, it's time to start dreaming. There's no shortage of on-snow accommodation in Australia — from ski lodges to chalets. But a lot of it is designed for function, rather than romance. Finding a cosy cabin of your own, however, where you can snuggle in front of a roaring fire with a glass of wine in your hand, while watching the snow fall all around you isn't easy. But it's not impossible. We've searched far and wide, to scope out five cabins where you can stay right on the snow. Just don't forget to pack your skis — or snowshoes. NUMBANANGA LODGE, SMIGGINS HOLES, NSW Opened in July 2018, this secluded lodge is just minutes (by skis) from Smiggin Holes ski resort and two kilometres from Perisher Valley. Whether you want to ski or snowboard downhill all day or go on a cross-country adventure, you can – from your door. Plus, there are loads of restaurants, bars and pubs nearby, too. Three bedrooms provide room for up to six guests. The only catch is, you'll need to be quick. This is one of the only isolated, free-standing huts on snow in Kosciuszko, so it's pretty popular. Bookings, at $1200 per night in winter, are available via NSW National Parks. How much? From $1200 a night. [caption id="attachment_733860" align="alignnone" width="1920"] Lean Timms[/caption] THE EASTERN, THREDBO, NSW For incredible views of Mount Kosciuszko, the highest mountain in Australia, stay at the Cedar Cabin, which makes up one half of The Eastern: a pair of beautifully designed, luxe stays in Thredbo. The open-plan, loft-style space features vaulted ceilings, exposed timber and a piping hot Japanese-inspired onsen — the perfect place to relax after a day spent outdoors. You'll find this haven on the village's western side, around four minutes from restaurants, bars, shops, and Thredbo's diverse, scenic ski runs. How much? From $700 a night. MOONBAH HUT, SNOWY MOUNTAINS, NSW Moonbah Hut is located on private frontage on the Moonbah River, the Snowy Mountains' cleanest, most unspoilt home for trout. Give your fishing muscle a flex from your front doorstep, while keeping an eye out for wildlife – from wombats to deer to brumbies. Or bunker down inside, with a huge, open stone fireplace for company. Previous guests have taken the experience next level and invited personal chefs along for an evening. Moonbah Hut is around 20 minutes' drive west of Jindabyne. How much? From $245 a night. FOREST VIEW BUSH CABINS, CRADLE MOUNTAIN, TAS Smack bang in the middle of Tasmania's Cradle Mountain National Park are two bush cabins surrounded by forest and run by Highlanders Cottages. Hand-built with local Tasmania timber, each offers two bedrooms, den lounges and a log fireplace, plus a private deck and a fully stocked kitchen. Meanwhile, in the bathroom, you'll find a soaking tub and a shower. This is an ideal spot to unwind after wandering around Cradle Mountain's magical, snow-covered forests. How much? From $215 a night. WOMBAT CABIN, MT BAW BAW, VIC Located on the edge of Victoria's Mount Baw Baw Village, the simple, super-cute Wombat Cabin is just a quick shuffle away from both Maltese Cross T-Bar and the Frosti Frog Hollow Toboggan Park — so there's fun to be had for skiers, boarders and tobogganers of all kinds. There are two cosy bedrooms, with room for up to five guests, plus a private deck, where you can surround yourself with snow gums. When you're not adventuring on the slopes, explore Mount Baw Baw's many offerings, including Howling Huskys' husky sled dog tours. How much? From $419 a night. Looking for more? Check out these seven cosy cabins around the country. Top image: Numbananga Lodge
There are 8222 islands within Australia's watery borders. You could spend your entire life hopping from one to another and never quite make them all (well, unless you're very, very quick). So, we thought we'd save you some time and handpick ten of the best. They should at least get you started. Next time you start imagining yourself on a white-sanded beach with quokkas close by, sea lions in the distance and your desk a few hundred kilometres away, these are the spots to catch a boat/plane/ferry to. Remember: when you leave the mainland, you leave all your worries there, too. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've put together a list of some of our favourite island escapes — no passport or immense jet lag required. [caption id="attachment_688571" align="alignnone" width="1920"] Paul Ewart/Tourism and Events Queensland[/caption] NORTH STRADBROKE ISLAND, QLD Located 25 minutes by ferry off the Queensland coast, Stradbroke Island is an easy day trip from Brisbane. It's the second biggest sand island in the world after Fraser Island (more on that later). For swimming in gentle waves, head to idyllic Cylinder Beach; for wilder surf, make your destination 38-kilometre-long Main Beach. Overnight stays include beach camping, as well as an array of cottages, hotels and B&Bs. Just north of Straddie is Moreton Island, a wonderland of long beaches, clear lakes and a national park. And, consider sleeping over at Tangalooma, an eco-friendly resort where you can hand-feed wild dolphins and swim around a shipwreck. [caption id="attachment_688550" align="alignnone" width="1920"] Trevor King/Destination NSW[/caption] LORD HOWE ISLAND, NSW Just 11 kilometres long and two kilometres wide, Lord Howe, a two-hour flight east of Sydney, is explorable within a few days. Whenever you travel, you won't have to fear tourist crowds: only 400 visitors are permitted at any one time and the population was just 382 at last count back in 2016. Prepare to have pretty beaches, spectacular diving sites and rugged terrain all to yourself. Among the best adventures are the Mount Gower Trail, a steep, eight-hour trek that carries you 875 metres above sea level, and Erscott's Hole, a natural wonder where you can snorkel among staghorn coral, bluefish and double-headed wrasse. [caption id="attachment_688568" align="alignnone" width="1920"] Khy Orchard/Tourism and Events Queensland[/caption] MAGNETIC ISLAND, QLD There are hundreds of islands in the Great Barrier Reef area, offering everything from secluded campsites to five-star luxury resorts. But, for convenience, outdoor adventures and, most importantly, koala spotting, Magnetic Island is hard to go past. You'll find it just 20 minutes from Townsville. Get active with sea kayaking tours and yoga classes, get artsy at beachside markets and galleries or relax at stunning beaches like Horseshoe Bay. If you're keen to venture further, jump aboard a Great Barrier Reef snorkelling, diving or sightseeing tour. [caption id="attachment_688400" align="alignnone" width="1920"] Isaac Forman/SA Tourism Commission[/caption] KANGAROO ISLAND, SA With a whopping 509 kilometres of coastline, Kangaroo Island could have you exploring for weeks. The island was pretty badly affected by bushfires back in 2020, but this guide will help you navigate — including which businesses to support. To get there, take a 45-minute ferry ride from Cape Jervis, on the Fleurieu Peninsula, around 100 kilometres south of Adelaide. Then gear up to share your holiday with sea lions, fur seals, little penguins, echidnas, koalas and, you guessed it, kangaroos. The island is a haven for creatures who've struggled to survive elsewhere, especially Australian sea lions, who were hunted to the brink of extinction in the 19th and 20th centuries. There are numerous national parks and conservation areas, and the over 4000-strong population is big on food and wine. ROTTNEST ISLAND, WA This island is a 90-minute ferry ride from Barrack Street Jetty, Perth, or 25 minutes from Fremantle. Like Kangaroo Island, Rottnest has given a big dose of much-needed love to our wild creatures, particularly quokkas, which now number 12,000 or so. Dedicate some time to spotting them (though please don't go touching, patting or feeding), before visiting pristine beaches — such as The Basin, where you'll find an underwater playground, and Little Parakeet Bay, backdropped by striking rock formations. [caption id="attachment_724590" align="alignnone" width="1920"] Visit Victoria[/caption] PHILLIP ISLAND, VIC Phillip Island's biggest drawcard is its penguin parade. Every night, at sunset, the island's resident little penguins return to their terrestrial homes, having spent the day out and about fishing. Beyond wildlife watching, go wine and craft beer tasting, bliss out with a massage or spa treatment, or conquer a trail on foot — such as the Cape Woolamai Walk, which traverses dramatic clifftops along Phillip's southernmost point. Find suggestions on where to eat, drink and stay in our guide. Unlike all the other islands on this list, you can reach this one by road: it's around 90 minutes south of Melbourne. [caption id="attachment_770035" align="alignnone" width="1920"] Tourism Australia[/caption] BRUNY ISLAND, TAS Bruny feels completely remote, yet it's just a 20-minute ferry ride from the coast and, with driving time added, 50 minutes from Hobart. The beauty of this proximity to the city is that, despite all the wilderness, you can find some top nosh: for fish and chips head to Jetty Cafe; for pub grub swing by Hotel Bruny; for cheese visit Bruny Island Cheese Company; and for a tipple, there's the Bruny Island House of Whisky. Meanwhile, nature lovers will find white wallabies at Inala Nature Reserve, windswept headlands at Cape Bruny Lighthouse and head-clearing watery views at Cloudy Bay. [caption id="attachment_688565" align="alignnone" width="1920"] Matt Raimondo/Tourism and Events Queensland[/caption] K'GARI (FRASER ISLAND), QLD World Heritage-listed K'gari (Fraser Island) is the biggest sand island in the world. There are 184,000 hectares of the stuff, comprising of 72 different colours and mostly in the form of magnificent dunes, many of which are covered in rainforest. If you've time on your hands, take on the Great Walk, an eight-day epic that visits many of Fraser's 100 freshwater lakes. If not, jump aboard a 4WD and cruise along 75 Mile Beach, take a dip at Champagne Pools along the way and pay a visit to awe-inspiring Boorangoora(Lake McKenzie), a perched lake made up of rainwater and soft silica sand. [caption id="attachment_688583" align="alignnone" width="1920"] Andrew Wilson/Tourism Tasmania[/caption] KING ISLAND, TASMANIA You might have no idea where this island is, but you've no doubt seen its cheese at your local supermarket. King Island Dairy's decadent triple cream brie is an Aussie gourmet staple. But it's far from the only treat you'll be sampling in this lush place, which lies in the Bass Strait, halfway between Victoria and Tassie. Count, too, on super-fresh seafood, flavourful beef and a cornucopia of produce from local growers. When you're finished feasting, stroll along the white sands of Disappointment Bay, visit a 7000-year-old calcified forest and go horse riding by the sea. [caption id="attachment_688591" align="alignnone" width="1920"] Coral Coast Tourism[/caption] ABROLHOS ISLANDS, WA The Houtman Abrolhos isn't just an island, it's an archipelago. There are 122 isles that make up the marvel, more or less clustered in three groups, across 100 kilometres. They lie around 60 kilometres off the Coral Coast, west of Geraldton, which is four hours' drive north of Perth. Lose yourself snorkelling or diving among colourful coral, spotting Australian sea lions and looking out for more than 90 species of seabirds, including majestic white-breasted sea eagles. For mind-blowing views, jump aboard a scenic flight. Top image: Lord Howe Island, tom-archer.com via Destination NSW
If battling zombies in your lounge room through a games console no longer cuts it, an augmented audio running game called Zombies, Run! might be the answer. London-based games and app developers, Six to Start, have combined mobile GPS technology with augmented audio technology to create a game whose story unravels in the outside world. The game's storyline may be based on an old cliché - a player runs from zombies in a post-apocalyptic world - but its method of delivery is certainly new. Players are presented with location-specific challenges in their mission to rebuild civilisation, completing the game by listening to atmospheric audio commands on their headphones and finishing a series of runs in which they collect medicine, ammo, batteries and spare parts. Adrian Hon, CEO and co-founder of Six To Start, told PSFK: "The idea is that we want to make running – and exercise in general – more fun and more captivating through game-play and story." The game for iPhone, iPod and Android devices has over 30 unique missions to be completed and most recently featured on Kickstarter. It can be pre-ordered online at their site.
Italian mainstay Marameo has brought back its pasta-fuelled date night for you and yours. Every Wednesday night, expect an evening filled with candlelight, mood-setting tunes, half-litres of wine and a three-course menu to boot. Set in the heart of Melbourne's CBD, Marameo boasts Italian dinner party vibes and features a stunning outdoor terrace. This is not a night at nonna's; instead, the menu puts a twist on traditional Italian fare. The menu will change regularly based on seasonal availability, so you could easily make this a weekly go-to. For the launch, diners will start with house-made rosemary focaccia alongside a selection of salami, prosciutto and mortadella. For the main course, its baked cavatappi with Bolognese ragu and pecorino béchamel, paired with a garden salad topped with fennel and radish. The evening wraps with dessert, which is currently zeppole dipped in chocolate sauce. For wine, simply choose from an Italian red or white, enough to share between two. Since romance isn't just for lovebirds, Marameo is accepting reservations for tables of two, four or six. So you can grab your mates, dates or coworkers if you fancy, too. [caption id="attachment_747585" align="alignnone" width="1920"] Marameo, by Kristoffer Paulsen[/caption] Images: Kristoffer Paulsen.
Electronic festival Let Them Eat Cake managed an eight-year run of tune-filled New Year's Day parties before COVID-19 hit pause on its 2021 edition. But, you can bet it's making up for that skipped beat, announcing today that the festival will return for a huge comeback outing on Saturday, January 1, 2022. The much-loved music and arts celebration returns to its Werribee Mansion home in just over six month's time. It is Australia's first New Year's Day festival that has been announced since the pandemic hit. Organisers, Novel — the same minds behind Pitch Music & Arts and Smalltown — are yet to reveal full details about the event's music lineup, though they're aiming high, with festival director Daniel Teuma saying, "We want to ensure this is our best one yet." Teuma also hinted that the musical offering will be largely local, saying "with the uncertainty around international borders re-opening, we decided to take a more sensible approach to the lineup. We can't say too much, but we are confident our 2022 edition will have something for everyone." The crew at Full Throttle Entertainment will be making the music side of things extra memorable, installing what's set to be the biggest sound system in town on New Year's Day. There'll also be a diverse lineup of food vendors, curated specifically to complement the tunes, artworks and visuals under the organisers' new, more cohesive approach. Delivering a finely tuned COVID-Safe festival has been top of the planning agenda — Let them Eat Cake 2022 will activate the sprawling Werribee Mansion grounds in a whole new way, with improved traffic flow and more opportunities for exploration beyond the main stage set-up. Under current public health guidelines, the new-look event would be allowed to safely host up to 7500 attendees. Let Them Eat Cake will descend on Werribee Mansion on Saturday, January 1, 2022. Pre-registration for tickets opens from 4.30pm Tuesday, June 22, with pre-sale tickets up for grabs on July 6 and general tickets available from July 7. The full program will be announced in September — hit the website for details and to buy tickets. Top Image: Duncographic
UPDATE: SEPTEMBER 23, 2020 — Black Widow has moved its release date again, and will now hit cinemas on Thursday, April 29, 2021. This article has been updated to reflect that change. UPDATE, APRIL 4: Disney has announced a new release date for Black Widow, with the film now hitting cinemas on November 5, 2020. UPDATE, MARCH 18: Due to concerns around COVID-19, Disney has announced that Black Widow will no longer release on its initially scheduled date of Thursday, April 30, 2020. At present, a new release date has not been announced — we'll update you when one has been revealed. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Over the course of 23 films in 12 years, the Marvel Cinematic Universe has grown into a big-screen behemoth. Just this year, Avengers: Endgame became the biggest worldwide box office hit of all time — and all three other Avengers films also sit in the global top ten, with Black Panther coming in at number 11. Basically, the MCU has become the Thanos of the cinema world, decimating its competition with ease. But, over all that time, all those movies and all that success, it has taken nearly a decade to give Black Widow her own standalone film. When it comes to pushing women to the front, the MCU's track record isn't great. As everyone knows, Captain Marvel, the Disney-owned company's first movie solely focused on a female character, only came out this year. Now Marvel is following that up with a film that really should've eventuated years ago — Natasha Romanoff, the highly trained ex-KGB assassin known as Black Widow and played in the MCU by Scarlett Johansson, first debuted on-screen in 2010's Iron Man 2 after all. Perhaps it's a case of better late than never. Perhaps, if Black Widow had been made earlier, it mightn't have attracted the extra scrutiny that's certain to follow given Johansson's track record when it comes to misguided public comments of late. Either way, thanks to Endgame, the film is obviously a prequel — as the just-dropped first teaser trailer makes plain. Also starring Florence Pugh (Midsommar, Fighting with My Family), Rachel Weisz and Stranger Things' favourite David Harbour, Black Widow jumps back a few years, setting the bulk of its story just after the events of 2016's Captain America: Civil War. On the run, Romanoff is forced to face her complicated (and violent) past, as well as a new masked opponent. We're sure a few familiar MCU faces will also show up. When it hits cinemas Down Under at the end of April 2021 — after a year delay due to COVID-19 — Black Widow will close a considerable gap for the MCU in more ways than one — not only will it finally give one the Avengers figure a solo moment to shine, but it'll mark the first Marvel film since mid-2019's Spider-Man: Far From Home. Behind the scenes, the movie boasts another reason to get excited, with Australian filmmaker Cate Shortland (Berlin Syndrome, Lore, Somersault) in the director's chair. And, she's actually the first female filmmaker to helm a Marvel flick solo (after Anna Boden and Ryan Fleck co-helmed Captain Marvel). Check out the Black Widow trailer below: https://www.youtube.com/watch?v=RxAtuMu_ph4 After being delayed from its original release date of April 30, 2020, Black Widow will now open in Australian cinemas on April 29, 2021.
A visit to New Zealand's South Island is filled with breathtaking views, invigorating treks and some seriously fine drops of wine. What to do is the easy part. But, with so many accommodation options out there, deciding where to stay can become a bit tricky. While camping within the country's incredible national parks is an excellent choice, camping may not be your thing — even if it is glamping. But, there are still tons of out-of-the-ordinary stays available. On your next trip to the South Island, do things a little differently when it comes to your accommodation — whether that's by staying in tiny homes, converted railway wagons, two-storey silos or on a floating catamaran. Here, you'll find five alternative places to book on a South Island journey. SILOSTAY, LITTLE RIVER Little River's multi-award-winning SiloStay "goes against the grain" and puts up visitors (instead of farm grain and feed) in two-storey cylindrical silos. Inside the one-bedroom metal structures, the ground floor is fitted with a custom-built kitchenette, living room, small toilet and balcony. Take the winding steel staircase to the upper floor bedroom, and you'll find the bedroom and a balcony. While the silos may have a rustic feel (originally being grain-holders and all), each comes with a flat-screen TV, DVD player, a mounted stereo unit in the headboard and free wifi, as well as bike and kayak racks. Plus, the silos are eco-friendly, using a sustainable pellet boiler system, a planet-friendly waste-water system and natural wool insulation. SiloStay also offers one-level accessible silos with the same features. Prices range between $200–$230 depending on the season, with discounts available for bookings of two nights or more. AQUAPACKERS, ABEL TASMAN NATIONAL PARK Comforting, soothing — there's just something about being rocked to sleep. Those babies really have it good. Enter Aquapackers. This converted catamaran offers floating accommodation set in Anchorage Bay in the centre of the Abel Tasman National Park where you can be rocked to sleep by the gentle ripples of the bay. And when you're not enjoying that rock-a-bye sleep, you can relax with some sun on the upper deck or a trek around the peaceful national park. After something a bit more energetic? Sign up for a coastal trek or water sports like sailing and kayaking — Aquapackers specifically offers guided kayaking and coastline walking tours. Rooms range from shared backpacker dorms ($110 per person) to private cabins ($245 per cabin) and each night's stay includes breakfast and a barbecue dinner, plus complimentary tea and coffee throughout the day. GOLDEN BAY HIDEAWAY HOUSE TRUCK, WAINUI BAY Though Wainui Bay's Golden Bay Hideaway offers five secluded, solar-powered and energy-efficient eco-home options, our favourite is the House Truck. Set in a remote bush location and overlooking the sea, this restored 1950s Commer truck has been transformed into a two-storey tiny house. The home features a woodfire stove, fully equipped kitchen, outdoor picnic table, two queen beds and, the best part, an outdoor bath looking out over the bay towards the mountains. The isolated setting means guests can comfortably enjoy a long bath under the stars with a glass of the region's finest wine in hand. All of Golden Bay Hideaway's homes are also solar-powered and energy efficient so you won't be Prices range depending on the season, with discounts for longer bookings — which can get you down to $110 per night if you book four or more nights. WAIPARA SLEEPERS, WAIPARA Set in the heart of New Zealand's wine country, 45 minutes from Christchurch, the team at Waipara Sleepers has converted a group of 1940s railway cars into stationary accommodation. The owners have maintained the original features of each upcycled wagon, securing each to a piece of train track in their country garden. Cars range from traditional four-berth bunk rooms ($25 per person) to more homey fit-outs with brass double beds, refrigerators and televisions ($50–$70 per room). All wagons have internal heating, a balcony and a separate seating area. Accommodation ranges from $25 per person in the shared bunk rooms to $50–$70 a night in private accommodation. For a cheaper, private space, there's also the Railway Hut ($40–$60 per night) — a tiny cabin that once housed railway workers. ST BATHANS POLICE CAMP, OTAGO If you've ever been even the teensiest bit intrigued by what it's like to spend the night in gaol, St Bathans Police Camp is happy to give you a little (but certainly more luxe) taste. The owners have repurposed the tiny town's historic 1864 gaol into a self-contained apartment. Plan a trip to the historic St Bathans, founded during the goldfields mining era (and now only home to six permanent residents), to wander the reserve formed by the gold mining processes and to check out some of the town's historic architecture. The gaol cell accommodation is located near the old constable's cottage — a much bigger three-bedroom option you can also rent — and looks out over the pristine Blue Lake. The old cell is now fitted with a queen bed, and the former lobby and office are now the kitchen, with an ensuite bathroom and veranda also installed. It's an old-fashioned fit-out, complete with rocking chair, timber walls and jail-house door. St Bathans Jail (Gaol) is available for $145 per night, including a continental breakfast. Start planning your trip to New Zealand's south with our guide to the South Island journeys to take here.
Turning hit movie franchises into TV shows is one of Warner Bros' current strategies, as HBO's recent and upcoming slate demonstrates. The Batman sparked The Penguin, the recent Dune movies are giving rise to Dune: Prophecy, and IT and Harry Potter are also getting the same small-screen treatment. With Game of Thrones, however, it looks like the company is set to take the opposite path. First came George RR Martin's books. Then Game of Thrones reached television, became a monstrous hit and, when it ended in 2019, sparked more TV. Prequel series House of the Dragon premiered in 2022, returned for season two in 2024 and has confirmed that it has two more runs to go before wrapping up with season four. The third Westeros-set series, called A Knight of the Seven Kingdoms: The Hedge Knight, will arrive in 2025. More have been floated, but a stint on the big screen might also be in the works. As per The Hollywood Reporter, apparently a Game of Thrones movie is coming. The publication reports that the film is in its very early stages, and that there isn't any other details so far — "but the company is keen on exploring the idea of Westeros invading cinemas". Accordingly, what the film will be about, who will star, if any familiar characters will return, where it fits in the franchise's timeline, who'll direct and when it might reach viewers are all still unknown for now. But audiences have always known that all things Game of Thrones were never going to simply fade away. Given the saga's love of battles and dragons, and the special effects to bring them to life, making the move to silver screens is also far from a surprise. The latest development in the franchise's fortunes follows news earlier this year that the Jon Snow-focused sequel series that HBO was potentially producing is no longer happening, as confirmed by none other than Kit Harington himself. That show was set to explore Jon Snow's story after the events of Game of Thrones' eighth and final season. You might recall that that last batch of episodes were rather eventful for the character, even more than normal. He found out that he was born Aegon Targaryen, and that he has a claim to the Iron Throne. He also ditched Westeros — after being exiled — to head North of the Wall. Among the other Game of Thrones spinoff rumours, a second new series to the Targaryens has also been mentioned. And as for the forthcoming Knight of the Seven Kingdoms: The Hedge Knight, it is based on the novella series Tales of Dunk and Egg, as has been rumoured for a few years now. The story follows knight Ser Duncan the Tall and his squire Egg as they wander Westeros a century before the events of GoT, when the Targaryens remain on the Iron Throne and everyone still remembers dragons. There's obviously no trailer for the Game of Thrones movie yet, but check out HBO's most recent sneak peek of its upcoming releases, including a glimpse at A Knight of the Seven Kingdoms: The Hedge Knight, below: The Game of Thrones movie doesn't yet have a release date — we'll update you with more details when they're announced. Via: The Hollywood Reporter. Images: Helen Sloan/HBO.
If you're a fan of iconic late-90s/early-00s high school-set dramedies, big-name Hollywood comedies, entertainingly twisty mysteries and TV shows about teenage witches, then SXSW Sydney 2025 is doing you a simple favour: Paul Feig, the director, writer, producer and actor who created Freaks and Geeks, helmed Bridesmaids and A Simple Favour, and co-starred in the OG Sabrina the Teenage Witch, is heading Down Under for this year's event. Not only is Feig the 2025 SXSW Sydney Screen Festival keynote speaker and also the filmmaker in the spotlight at the fest's big-screen retrospective, but he's also being celebrated with a brand-new accolade. When the event runs between Monday, October 13–Sunday, October 19, 2025, it'll debut the SXSW Sydney Screen Pioneer Award, and Feig is its inaugural recipient. If you're a fan of The Heat, Spy, Last Christmas and this year's Another Simple Favour, too — and also Feig's excellent 2018 Ghostbusters with an all-female spirit-hunting team — then this keeps proving great news. Exactly which titles among those flicks will be among SXSW Sydney's screenings is yet to be revealed, however. The same is the case with whether the Feig-helmed Unaccompanied Minors, The School for Good and Evil and Jackpot! might pop up. Here's something to cross your fingers for, though: The Housemaid, Feig's latest movie, is due to make its way to cinemas at the end of 2025. So, while there's absolutely no word yet that it'll be playing SXSW Sydney before its general release, you can start hoping that the Sydney Sweeney (Echo Valley)-, Amanda Seyfried (Long Bright River) and Brandon Sklenar (Drop)-starring film might score a spin when Feig makes the trip Down Under to get chatting. "I'm so honoured to receive the first-ever Screen Pioneer Award from SXSW Sydney. SXSW is my favourite festival in the world because they are committed to entertaining audiences. They've been supporters of mine for so many years and to have my work celebrated in this way, and to be able to share it with Australian audiences through this retrospective, is incredibly special. I look forward to the conversations, the Q&As, and the Tim Tams come October!" said Feig. Added Fenella Kernebone, Head of Conference Program, "Paul Feig's films have reached huge audiences — from Bridesmaids, The Heat and Spy to Ghostbusters and A Simple Favour, his career has been defined by genre-shaping stories that put powerful, complex and hilarious women front and centre. Paul has spent his career breaking moulds, challenging industry norms, and proving that female-led films can be both critically acclaimed and wildly successful. We're thrilled to welcome him to SXSW Sydney and can't wait to hear his insights from a career built on visionary storytelling, sharp comedy and a deep commitment to elevating others." Also big: SXSW Sydney's Screen Festival has announced its first six features beyond the Feig retrospective, so get excited about seeing By Design, $POSITIONS, Dead Lover, Zodiac Killer Project, The Last Sacrifice and Bokshi. Among that group, body-swap effort By Design features Juliette Lewis (The Thicket), Mamoudou Athie (Kinds of Kindness) and Robin Tunney (Dear Edward); horror-comedy Dead Lover is a SXSW Austin award-winner; Charlie Shackleton (The Afterlight) digs into a famed serial killer; and everything from comedy to folk horror features. Shorts Stomach Bug and Chasing the Party have a date with the fest as well, among other titles, with the former a BAFTA-nominee and the latter boasting Sam Rockwell (The White Lotus) as a producer. The new round of SXSW Sydney announcements for 2025 — following its dates, that its free programming is expanding, plus a few batches of speakers and music artists — also span Slo Mo podcast host and former Google X Chief Business Officer Mo Gawdat, Google Maps co-founder Lars Rasmussen, Passes founder Lucy Guo and MIT Technology Review Executive Editor Niall Firth as fellow speakers across the rest of the technology, music, film and gaming event. Signal President Meredith Whittaker is already on the keynote list from past program drops. The initial 50 Conference Program sessions and the first 40 titles at the Games Festival Showcase have been revealed, too, which is ace if you're keen to learn more about exploring space, sustainable design, the creator economy, people living in the ocean, writing true stories for TV, indie game marketing, cutscenes, cyber intelligence, digital sovereignty and AI ethics — or to mash a whole heap of buttons. SXSW Sydney 2025 runs from Monday, October 13–Sunday, October 19 at various Sydney venues. Head to the SXSW Sydney website for further details. Top image: Frank Micelotta.
UPDATE, June 10, 2021: Before the lockdown ends, the Victorian Government has changed the mask rules that'll come into effect from 11.59pm on Thursday, June 10. Under this change, which stems from updated public health advice, masks will still be mandatory outdoors. Usually when winter hits, it's tempting to spend more time at home to escape the cold. Melburnians haven't had any other option so far in 2021, with the city under lockdown since the end of May — first as part of week-long statewide stay-at-home conditions to combat Victoria's latest COVID-19 outbreak, and then during a further week of lockdown just in metropolitan Melbourne itself. Come 11.59pm on Thursday, June 10, the city's current stay-at-home stint will come to an end, with Acting Premier James Merlino advising today, Wednesday, June 9, that "significant steps" will be taken. So, from Friday, June 11, you'll be able to leave your house for whatever reason you like. As Melburnians are used to by now, though, some restrictions will be in place. In fact, the rules that'll apply once lockdown lifts are all very familiar. Firstly, the five reasons to leave the house will be scrapped — so you can head out for whatever reason you like. But, you can't venture too far, with ten-kilometre rule giving way to the 25-kilometre rule. Accordingly, travel to regional Victoria will remain off the cards, including over the upcoming long weekend. To exceed your 25-kilometre bubble, you'll need to be heading to work, education, caregiving or to get a vaccination. It's expected that this rule will only be in effect for a week, but further details will be provided next week. https://twitter.com/JamesMerlinoMP/status/1402444545082593281 Other changes coming into effect largely mirror the settings that have been in place in regional Victoria over the past week. You still won't be able to have anyone come over to your house, for instance, but you will be able to gather outdoors with up to ten people. Also, food and hospitality businesses will be able to open for seated service only — with a cap of 100 people per venue and a maximum of 50 people indoors. Retail stores can also reopen, with a density limit of one person per four square metres. Offices can welcome in 25 percent of their employees, too — or ten people at a time, whichever is greater. Religious gatherings and ceremonies can return with 50 people, weddings can have ten attendees and 50 mourners can go to funerals. And, while masks will still remain mandatory indoors, the rules are changing outdoors. You won't have to wear them outside, but only if you can maintain a 1.5-metre distance from other people. https://twitter.com/VicGovDH/status/1402398048232349698 Announcing the end of lockdown and the new rules that'll come into effect, Acting Premier Merlino said the government expects that "next Thursday night, that the original metro divisions will come down and we will be able to travel more freely around the state again." He also noted that the city will be hopefully able to further ease restrictions on venues. "We will continue to assess the data each day and provide more detail, more certainty, as soon as we can," he advised. Victoria now has 83 active COVID-19 cases, including just one new local case identified in the 24 hours to midnight last night. Melbourne's lockdown will end at 11.59pm on Thursday, June 10. For more information about the rules that'll be in place from that time, head to the Victorian Department of Health website. Top image: Visit Victoria.
When the Mr Black Festival of the Espresso Martini first hit Melbourne in 2016, caffeinated cocktail lovers rejoiced — and forgot all about sleep for a few days. It's far from surprising that the fest is back for another round of chilled coffee and vodka. Best get some rest now because you won't in November. After last year's event expanded from one to three days due to demand, the 2017 iteration knows it'll need to spread out its buzzing boozy fun from the outset. Taking over North Melbourne's Meat Market from November 3 to 5, it'll serve up six different bar areas, a range of workshops and classes, food aplenty, live music from Australian musicians and, yes, the drink in question. Thanks to the fine folks at NSW cold-pressed (and damn fine) coffee liqueur brand Mr Black, attendees can try espresso martinis topped with doughnuts, other variations on the tasty cocktail and even white russian slushies. A garden tiki bar and hidden speakeasy will also boast their own range of special tipples, while a gin and tonic bar will offer a reprieve from the coffee — if that's what you feel you need. Holgate Brewing's beer will also provide a non-espresso option. With Fancy Hank's, Zeus Street Greek Food, That Arancini Guy, Toasta & Co and Butter Mafia on food duties, there'll be a range of eats to help line the stomach (and soak up the caffeine). Tickets start at $30 + booking fee, with multiple sessions running each day. Entry includes a Mr Black tasting on arrival, and if you head along to the brunch slot from 10.30am until 2pm on November 4, you'll also get brunch and your first espresso martini included. The Mr Black Festival of the Espresso Martini takes place from November 3 to 5 at Meat Market, 5 Blackwood Street, Melbourne. For more information or to buy tickets, head to espressomartinifest.com.
Some shows should always be on TV, and The X-Files is one of them. Across nine initial seasons between 1993–2002, an additional two seasons that aired in 2016 and 2018, and two big-screen movies as well, this sci-fi favourite investigated all manner of weird and wonderful cases — usually with FBI Special Agents Fox Mulder (David Duchovny, You People) and Dana Scully (Gillian Anderson, Sex Education) doing the sleuthing. Anything could happen in The X-Files. Almost everything did, in fact. If it involved the paranormal, supernatural and conspiracies, spanning aliens, psychic abilities, sewer-dwelling man-worm creatures, teenagers who could channel lightning and more, it helped make the series a smash while it was airing, and also a science-fiction classic ever since — as well as a show that might just be making another comeback. Fittingly, there's almost always a rumour about The X-Files popping up again. A few years back, an animated series was floated, going the comedic route to cover investigations considered too ridiculous for Mulder and Scully. Now, the word is that a new live-action TV show could be on its way from filmmaker Ryan Coogler, who has Fruitvale Station, Creed, Black Panther and Black Panther: Wakanda Forever on his resume. The Hollywood Reporter and Variety report that the aim is to reboot the series with a diverse cast. The news came from The X-Files' creator Chris Carter during a radio interview to celebrate 30 years since the show launched, made Duchovny and Anderson into huge stars, and had plenty of folks wanting to be FBI Agents just like Mulder and Scully, There's no word on when The X-Files latest go-around will reach screens, who'll star, if Anderson nor Duchovny will be involved in any way, or any other specifics. If the truth is out there on this, all hasn't been revealed as yet. The X-Files does like to keep on keeping on, though, including the OG show itself's hefty run, its big-screen adventures, the revival, and two spinoffs: 1996–9's Lance Henriksen-starring Millennium, which was set in the same universe; and 2001's The Lone Gunmen, about the three conspiracy-obsessed characters initially seen helping Mulder and Scully. The X-Files' existing 11 seasons are currently available to stream via Disney+ and SBS On Demand. We'll update you with news regarding the reboot if and when more details are announced. Via The Hollywood Reporter / Variety.
Le Splendide is the newish Parisian-style bar from French fine dining institution France-Soir, mirroring a trend of restaurants such as Gimlet, Entrecote and Scopri that have opened up proximate bars. Obscured by burgundy drapes and neighbouring the 40-year venue, Le Splendide has an unusual rule to match its pedigree — no photography is allowed. Everyone who steps into its opulent confines must paper over their phone camera with a supplied pink heart-shaped sticker. Le Splendide's appeal lies then not in the virality of platforms such as TikTok, but in the mystery of what it is in this age of social media and relentless documentation. [caption id="attachment_1018105" align="alignnone" width="1920"] Kristoffer Paulsen[/caption] French-leaning wine by the glasses across a variety of price points, Kronenbourg beer on tap and classic cocktails (you'll want to try the martini) are on offer. There's no kitchen per se at Le Splendide, but you'll be able to avail yourself of a small list of finger food assembled by the bar staff themselves — think oysters, terrine, lobster rolls, salmon gravlax, duck rillettes and caviar. Timber panelling, luxurious rugs and a zinc bar top round off the cosy space, which can fit up to 40 people. Waitstaff are exclusively clad in salmon-coloured jackets, many of them from the adjoining France-Soir. [caption id="attachment_1018110" align="alignnone" width="1920"] Kristoffer Paulsen[/caption] Images: Kristoffer Paulsen.
East Brunswick Village has a new arrival, with a second To Be Frank location adding to the community's ethical and sustainable options. With its Collingwood location generating a cult following for its "respectus panis" — meaning minimal yeast and an extended fermentation process that's good for your gut — bread and pastry lovers exploring the new outpost can look forward to the same uncompromising quality and communal passion. Founded by Franco Villalva and Lauren Parsons in 2019, To Be Frank's East Brunswick Village location will maintain its focus on honest bread, pastries and sandwiches, featuring a daily selection that honours traditional baking methods. Of course, that means another store to get your hands on their popular baguette, fruit loaf and focaccia, but you'll also be able to take home To Be Frank's two-kilogram wholemeal sourdough 'miche', available in quarter, half or full-sized portions. "East Brunswick Village already feels like home. We've been welcomed so warmly by the community, and we can't wait to return that warmth — in the form of good bread, coffee, and connection," said Villalva and Parsons. Just like Collingwood, To Be Frank's new digs will be well-stocked with sweet and savoury pastries, including the debut of its chocolatine: a decadent croissant made with Melbourne-based Cuvèe Chocolate's Amphora 65% dark chocolate. The coconut and dulce de leche bomb pays tribute to Franco's Argentinian heritage, while the savoury sausage croissant features top-notch ingredients from neighbouring butcher, Hagen's Organics. Sandwich-lovers will have even more reason to visit, as Villalva and Parsons extend their selection at the East Brunswick locale. Drop by year-round for a ham, cheddar and Emmental toastie, catch a hot honey stracciatella open focaccia through periodic bakes, or discover new seasonal creations as they land in the cabinet. While there, order a stellar coffee with beans roasted by Blackburn's Symmetry Coffee Roasters. As for the new bakery's design, Corso Interior Architecture conceived the space as an open, purpose-built pastry kitchen, where customers get an up-close look at the action. "We've designed East Brunswick Village to be a place for people to enjoy at any time of the day – whether it be for a grab-and-go loaf in the morning for breakfast, a mid-morning coffee and pastry, or a dine-in sandwich or savoury pastry for lunch – the choice is yours," explained Villalva and Parsons. To Be Frank EBV is open Wednesday–Saturday from 7.30am–3pm and Sunday from 8am–3pm at 3 Village Avenue, East Brunswick. Head to the website for more information.
Dom Dolla just keeps making history. Back in December 2023, the Australian DJ and producer notched up a hefty achievement, playing his biggest-ever hometown show in Melbourne at the Sidney Myer Music Bowl. Then, come 2024, his national tour became the largest ever by an Australian electronic artist, selling 170,000-plus tickets in four cities. What does 2025 hold, then? Oh, only the Grammy-nominee doing his first-ever Aussie stadium show and biggest headline gig ever. He's played Coachella, Lollapalooza, Wildlands, Spilt Milk and more — including soldout Madison Square Garden gigs with over 30,000 attendees, plus Ultra Miami and EDC Las Vegas. When Europe's summer hits, he's doing a ten-week residency at Hï Ibiza. Then, on Saturday, December 20, 2025, Dom Dolla will head home in a massive way, headlining Sydney's Allianz Stadium. The three-time ARIA-winner (and 16-time ARIA-nominee) also has something else sizeable to add to his resume in 2025: with 'No Room for a Saint' featuring Nathan Nicholson, he's making his film soundtrack debut. The movie: the Brad Pitt (F1)-starring F1. Also this year, Dom Dolla has released two other tracks: 'Dreamin' featuring Daya and 'Forever' with Kid Cudi. On his 2024 Aussie tour, the venues weren't small, given that he played Melbourne's Flemington Racecourse, Sydney's Domain, Brisbane's Riverstage and Perth's Wellington Square. But making the leap to a headline stadium gig is no minor feat. Only the sole Allianz Stadium show has been announced, so if you're keen to head along and you're outside of the Harbour City, you'll also want to make travel plans. Dom Dolla is playing Allianz Stadium, Sydney on Saturday, December 20, 2025. You can sign up for ticket presales from 11am AEST on Monday, May 19, then buy presale tickets from the same time on Thursday, May 22, with general sales from 12pm on Friday, May 23. Head to Dom Dolla's website for more details. Images: shevindphoto / Beyond the Valley, Chloe Hall.
