Honest, home-style Italian food is the name of the game at this all-day spot. A northside favourite for over a decade, the 200-seat diner exudes a warm old-world charm, and includes balcony and bar seating as well as private rooms where you can tuck into a range of excellent prepared classics for breakfast, lunch or dinner. Come in early for the likes of zucchini and sage scrambled eggs on ciabatta with spicy pork and fennel sausage and butter thyme mushrooms, or a little later for the daily rotating range of panini. The dinner menu also changes by the day, with recent specials including a tender osso bucco with polenta, but the house-made pasta is the must-try here. Wash it down with a selection from the neat wine list, featuring a considered selection of Italian and Australian labels. Images: Hi Sylvia Photography
Residents of 88 Melbourne suburbs are being told to hold off on drinking their tap water today (unless it's boiled), after last night's storms caused electrical damage impacting some of the city's water supply. Yarra Valley Water, which is Melbourne's largest retail water utility, sounded the alert via Twitter this morning. "Some water may have entered our drinking water supply network that had not been treated to the usual standard," the company has warned. Power has since returned and it's addressed the initial issue, though some areas are still being supplied with water that's not been properly treated. https://twitter.com/YVWater/status/1299136129200017408 Until it resolves the problem, Yarra Valley Water is advising residents of the impacted suburbs to take precautions and bring any tap water to a rolling boil before using it to drink, brush teeth, make ice, or prepare food or baby formula. The company Tweeted that the risk of illness from drinking the water is low, but that people should see their doctor if they experience any gastro-type symptoms. It's expecting things to be fixed by this afternoon and says it will send out confirmation when the suburbs' tap water supply is back to normal quality. To make matters worse, Yarra Valley Water's website has been having some issues of its own today and has been down for part of the morning. But if you want to know which suburbs have been affected, here they are: Attwood Bayswater Bayswater North Blackburn Blackburn North Blackburn South Boronia Box Hill North Broadmeadows Bulleen Bundoora Burwood Burwood East Campbellfield Chirnside Park Coburg North Coldstream Coolaroo Craigieburn Croydon Croydon Hills Croydon North Croydon South Dallas Doncaster Doncaster East Donvale Doreen Eltham Epping Fawkner Forest Hill Glen Waverley Greensborough Greensborough Greenvale Heathmont Kalorama Kangaroo Ground Kilsyth Kilsyth South Kingsbury Lalor Lilydale Lower Plenty Meadow Heights Melbourne Airport Mernda Mill Park Mitcham Monbulk Mont Albert North Montmorency Montrose Mooroolbark Mount Dandenong Mount Evelyn Mount Waverley North Warrandyte Nunawading Olinda Park Orchards Plenty Research Reservoir Ringwood Ringwood East Ringwood North Roxburgh Park Silvan Somerton South Morang Templestowe Templestowe Lower The Basin Thomastown Vermont Vermont South Viewbank Wantirna Warrandyte Warrandyte South Warranwood Westmeadows Wollert Wonga Park Yallambie Yarrambat For updates on the water supply issue, keep an eye on Yarra Valley Water's Twitter account.
The house where the Kerrigan family came to enjoy the serenity in the 1997 Australian film The Castle is now up for sale. While there's no pool room, the two-bedroom fibro shack boasts an open-plan kitchen, bathroom, laundry and combined dining and living area which opens onto the verandah, complete with original mozzie zapper. In recent years, the property has been used as a rental home, attracting city dwellers who want to reconnect with nature, family, and the vibe. Located 2.5 hours drive north-east of Melbourne on the banks of Lake Eildon, the beloved Bonnie Doon is a waterfront haven for those who love water sports, carp fishing and the smell of a two-stroke engine. https://youtube.com/watch?v=PmlMv5givwQ The property is enhanced by a magnificent set of power lines adjacent to the property, which stand as an important reminder of man's ability to generate electricity. It's also flanked by a vacant plot, so there's lots of spare ground if you want to dig a hole or practise kickboxing. As well as the property, the buyer will also be the proud owner of other pieces of memorabilia from the film, including Tracey Kerrigan's diploma of hairdressing from Sunshine TAFE, as well as a set of jousting sticks – a must-have for all family holidays. Sydneysider Richard Moseley first bought the property in 2006 for $170,000. It went on the market again in 2011 with an asking price of $195,000 but failed to sell and now it's set to hit the market again next week for $240,000. The last time it went to sale, the real estate agent was bombarded with calls from people who would ask the price — only to be followed with "You're dreamin!" and a dial tone. It apparently began to wear thin quite quickly. Via Domain.
For a city with such a huge Greek population, Melbourne has a woefully small Greek restaurant scene — especially when you look around and see so many Italian, Chinese, French and Japanese diners across the city. But thankfully, Melbourne just scored a new Greek restaurant down in South Yarra thanks to hospo veteran Nik Pouloupatis (Grossi Florentino, Attica, Vue de Monde). He's worked in the industry for a good 35 years, but is only now striking out on his own by opening Astoria Bar Kè Grill in the former Shadowboxer venue on Toorak Road. If you're familiar with Shadowboxer, you'll see that the space's design has not changed much. The Victorian terrace house got a good lick of paint and new furniture, and that's about it. Most importantly, the front terrace remains, which is best for chill sip-and-snack sessions or long lunches in the sun. And what will you be feasting on? Here, classic Greek fare gets a contemporary twist — without straying too far from tradition. You'll tuck into familiar small dishes like house-made spanakopita, zucchini fritters with tzatziki, pan-seared saganaki, prawns with oven-baked tomatoes and feta, and pickled Freemantle octopus. Then you've got the mains, which are really easy to share. Get around a seared snapper with asparagus, mussels and avgolemono, the youvetsi (a lamb stew with kritharaki), and a vegetarian Moussaka. Greek and Aussie wines and beers are up for grabs as well, plus all your usual cocktails and mocktails. There aren't too many surprises here — just good Greek eats in a laidback setting. You don't need more than that.
A singles party, you say? Sounds like something your well-meaning friend drags you along to, that always goes awfully and ends in you getting Lord of the Fries on your own. However, Punch, Drunk, Love is a singles party with an integral twist: it's a ladies-only affair with the intention of meeting new mates, rather than dates. Hosted by event curators The Lonely Hearts Club, the event will run on the afternoon of the AFL Grand Final public holiday. Things will kick off with a 45-minute boxing class, closely followed by boozy times, a cheese platter picnic and talks on Love and Life. It's the ultimate you-day, combining exercise, relaxation, inspiration and a few new gal pals. Speakers will be love expert Emily Chadbourne, life and relationship coach Megan Luscombe and wellness/lifestyle/meditation guru Sam Tallent. It'll be a day of advice, stories, and like-minded ladies for you to find your chillest self with while knocking back some vinos. You (single ladies) will be putting your hands up as high as you can.
Mitch Jones, aka Captain Ruin of Caravan of Doom, brings to Melbourne his playful new show, One Night Stand. Having recently escaped incarceration in a Turkish jail, Ruin's stories of tragedy and misfortune provide a stepping stone for the audience into his world of thrill seeking and living life on the edge. Seductively combining song, strip tease, circus, and comedy, the show leads the audience on a journey through Ruins' experiences and adventures from around the world. Amongst this playful performer's textured web of humorous stories, eccentricity and satire, there is a deep and clear message of prevailing against the impossible. Filled with dry social commentary, satirical wit and a healthy dose of physical humour, this exuberant evening will be a mixture of both excitement and reflection. Described as raunchy, raw and a little bit dirty, Ruin's performance sounds like the perfect One Night Stand.
Hitting the indoor mini-golf course for a few holes of pop culture-themed fun and a few rounds of delightfully named beverages isn't just something Brisbanites should enjoy, or Sydney residents either. After launching in Queensland in late 2016, and announcing their first New South Wales venture just last week, Holey Moley Golf Club has revealed plans for its first Melbourne digs. Come April 20, prepare to tee off at 590 Little Bourke Street in the CBD, with 27 holes of club-swinging antics on offer across two levels. It'll be Holey Moley's biggest venue yet, which means that there's plenty of room for creative courses. How will they top Brissie's glow-in-the-dark room, Big Lebowski offering, putting versions of skeeball, pinball, eightball and Twister, and all-round mini-golf insanity? How indeed. Just what themes Melburnians will be tap, tap, tapping their way through is yet to be revealed, although everyone will be able to break out into song at the same time, with karaoke part of the antics. If you choose to work your way through the Happy Gilmore soundtrack, no one will stop you (at least not any of the staff). Drinks-wise, expect cocktails. Brisbane's Caddyshack Bar boasts a pun-laden drinks list that includes the Putty Professor, the Teeyonce Knowles and a Long Island Iced Tee (just what it sounds like, but with an appropriate name). Beer, cider and wine will also be available, but when you're aiming for a hole-in-one, it seems appropriate to be drinking from one (made from Pampero white rum, cinnamon whisky, half a banana, sugar syrup and a doughnut — yep, a doughnut) at the same time. Holey Moley Golf Club will open at 590 Little Bourke Street, Melbourne from April 20. For more info, check out their website and Facebook page.
Like karaoke? Fond of singing along to well-known songs, especially with a drink in your hand? Happy to belt out a tune in a crowd? If you answered yes to all of the above questions, then it's time to up your crooning game during Pub Choir's new Australian tour — aka the boozy sing-along that's all about giving your lungs a workout between sips. Since early 2017 in Brisbane, Pub Choir has been amassing brew-loving music fans in venues around the Queensland city. The regular event asks its attendees to learn a particular song in three-part harmonies, with talented professionals on hand each time to show everyone the ropes and lead the way. Every evening then culminates in a big boozy singing session, with the event making its way to bigger Brissie locations over the years, as well venturing around the country. Now, it's hitting up every Aussie capital across January and February 2022. The vibe: a far more organised version of exactly what happens whenever someone puts 'Wonderwall' or 'Weather With You' on the pub jukebox. And, now that communal singing in public is back after all the various pandemic-related restrictions that've come our way over the past two years, you can expect this tour to feel particularly celebratory, too. Pub Choir was a big hit during lockdowns, and as life started to return to normal as well; you might've taken part in Couch Choir in 2020, or watched the Australia's Biggest Singalong special on SBS earlier in 2021. Run by Astrid Jorgensen and Waveney Yasso, its IRL events are mighty popular, too — unsurprisingly — with tickets getting snapped up very quickly each time. So if you're keen to sing and drink with a theatre full of people, you'll want to book asap. PUB CHOIR CHEAP THERAPY 2022 TOUR: Tuesday, January 11 — The Kambri Precinct, Canberra Wednesday, January 12 — Enmore Theatre, Sydney Monday, January 17 — Astor Theatre, Perth Tuesday, January 18 — Freo Social, Fremantle Wednesday, January 19 — Adelaide Town Hall, Adelaide Thursday, January 20 — Darwin Entertainment Centre, Darwin Tuesday, January 25 — Odeon Theatre, Hobart Thursday, January 27 — The Palais Theatre, Melbourne Tuesday, February 1–Wednesday, February 2 — The Tivoli, Brisbane Pub Choir's Cheap Therapy tour runs from January 11–February 2, 2022. For further details or to book tickets, head to the Pub Choir website. Top image: Jacob Morrison.
New season of True Detective, new cops, new case: since 2014, that's been the setup for this HBO hit, as viewers will enjoy again in January 2024. When True Detective: Night Country arrives, Liz Danvers (Jodie Foster, The Mauritanian) and Evangeline Navarro (Kali Reis, Catch the Fair One) are in the spotlight, investigating an icy mystery in Alaska. Eight men on an arctic research station disappear without a trace — and it's up to the franchise's latest duo to discover what's going on. Whether or not you believe that time is a flat circle — and everything we've ever done or will do, we're gonna do over and over and over and over again, too — watching new episodes of this sleuthing series is indeed about to become a reality again. When True Detective returns for a six-episode fourth season after a five-year absence, it'll head to the town of Ennis, spend time with a pair that's hardly happy to be working together, and serve up plenty of chills and darkness. In both True Detective: Night Country's initial teasers and its just-dropped full trailer, Danvers and Navarro team up to discover why the Tsalal Arctic Research Station staff have gone missing. In the latest sneak peek, a potential supernatural angle is teased, too — ice zombies, anyone? When it hits Down Under on Monday, January 15 — via Binge in Australia and Neon in New Zealand — True Detective: Night Country will also feature Finn Bennett (Hope Gap), Fiona Shaw (Andor), Christopher Eccleston (Dodger), Isabella Star LaBlanc (Long Slow Exhale) and John Hawkes (Too Old to Die Young) in front of the camera. Behind the lens, every one of the series' episodes is written and directed by Tigers Are Not Afraid filmmaker Issa López, with Moonlight's Barry Jenkins an executive producer. Each season of True Detective tells its own tale, so there's no need to catch up on past chapters if you watched the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led first season in 2014 — as everyone did — but didn't keep up from there. Taylor Kitsch (Painkiller), Colin Farrell (The Banshees of Inisherin) and Rachel McAdams (Are You There God? It's Me, Margaret) starred in season two, while Mahershala Ali (Leave the World Behind) and Stephen Dorff (The Righteous Gemstones) took over in season three. Check out the full trailer for True Detective: Night Country below: True Detective: Night Country will stream in Australia Monday, January 15, 2024 via Binge in Australia and Neon in New Zealand.
The summer of you has arrived — now that you've finally shaken that winter cold that held on for weeks, stopped begrudgingly ordering hot toddies at the pub and are now prepared to bring out your bare legs for the first time in months. You're also now saving stacks on not having to get Ubers door to door because of the rain and cold. What can you do to celebrate? Well, there's a bunch of things going on this summer in Melbourne that won't blow the bank — send those Uber funds elsewhere. We've joined up with Bank of Melbourne to pull together a list of what you should be doing before the season's through. Start planning and read on. ROOFTOP POOL PARTY ON FLINDERS LANE It's a hidden gem usually reserved for hotel guests, but come Saturday, January 19, the sun-drenched rooftop pool above Holiday Inn Melbourne on Flinders will open to the public for a one-off summer splash session. Kicking off at noon, the hotel's sky-high astroturfed terrace and adjoining pool will play host to the sort of classic Aussie pool party you don't often find in the heart of the CBD. Switch between taking dips and lounging in the sun, while enjoying free-flowing beer, wine, cider and soft drinks, all included in the ticket price. A sausage sizzle will be doling out yet more pool party staples, while the soundtrack's set to feature a fun-loving mix of classic summer jams and new favourites. Best of all, a ticket to the two-hour rooftop party will set you back just $40. MIDSUMMA FESTIVAL X NOCTURNAL FEAT. NAKHANE Melbourne Museum is good for more than just cool history stuff. The monthly adults-only sessions, Nocturnal, have produced an intriguing lineup for this summer. On Friday, February 1, the museum will host a special event in tandem with Midsumma Festival, presenting Nakhane, the South African artist making waves with his mix of percussive house-pop and speaking up as an important voice in the LGBTQI+ sphere. Joining him will be OKENYO, the project of actor and musician Zindzi Okenyo, with her neo-soul/R&B vibes. More will be announced soon, and without a doubt, a good night is set to be in store. Tickets are $25 for early bird or $35 full price. JUGS OF SANGRIA NEXT TO THE BEACH AT REPUBLICA Dog-friendly, right next to the beach, with comfortable outdoor seating and a menu rich in fresh seafood, Republica is one of St Kilda's finest. The bar also offers cocktail jugs, done in one-litre size. Sit in their sprawling outdoor area post-swim, and order a couple sangria jugs to get you through a warm summer evening on the beach. There'll likely be a pretty good food special on, too, depending on the day of the week. Perfect for sharesies with mates, a date or just you and your pooch (don't give alcohol to dogs, though), the jugs are $35 each and also come filled with Pimm's, Stones & Soda and Traditional Lemonade. NGV FRIDAY NIGHTS: KLP AND EILISH GILLIGAN NGV's Friday Night series has once again kicked off with a bang, with this year bringing a huge lineup of artists, DJs and dancers to keep you feeling arty and cultured and gooey about how much you love Melbourne. The NGV might well be our city's calling card, and it'll be trumping it late on Friday nights through summer. Your ticket includes entry to the gallery's Escher x Nendo: Between Two World exhibition so you can 'two birds one stone' it. Head along from 6pm on January 11 to see musicians KLP and Eilish Gilligan both do DJ sets. While you're there catch live performances of Bach pieces, discover the NGV's architecture commission for 2018 and hit up the pop-up gin bars. Tickets are $28 for museum members and $35 full price. We recommend booking in advance. KIDULTING AT THE ENCHANTED ADVENTURE GARDEN Arthurs Seat's Enchanted Adventure Garden is full of activities for both big and little kids alike. At the adventure park, full-grown adult types will find themselves feeling intrepid and at one with nature as they push past kids to win at the hedge maze — just remember you are actually bigger than them. Along with the three mazes on offer, you'll also find tube sliding, canopy walks and a spooky 3D maze. All day access is $30 for adults. There's also something called tree surfing — like a high ropes course — and a zipline, available at an additional cost. BERRY PICKING AT BLUE HILLS BERRY FARM There's something to be said about food you've grown, harvested and prepared by yourself — and here you'll get two of those three boxes ticked. Head to Blue Hills Berry Farm for its 'u-pick' service, where you can pick as many berries as you can — to add to a pav, or just scoff on the car ride home. Take your pick from the two locations in Silvan (offering either cherries or other berries), don your runners and off you go. Tip: check the farm's fruit report the day before you go to see what's ripe and ready for the pickin'. Entry fee is $13.50, plus whatever you pick (price per kilo varies depending on berry). [caption id="attachment_656151" align="alignnone" width="1920"] Nathan Doran.[/caption] THE ST KILDA FESTIVAL If you're a fan of tasteful tunes and exuberant summer vibes that don't bruise the budget, the annual St Kilda Festival should be at the top of your summer bucket list. The nation's largest free music festival returns to St Kilda's foreshore for its 39th year on Sunday, February 10, bringing eight stages of live music and a ton of food stalls and interactive workshops stretching from Catani Gardens to the south end of Acland Street. As well as bangin' tunes, the air will be filled with the scent of delicious eats emanating from more than 100 food vendors. There'll be everything from curry to burgers, ribs and sushi — providing plenty of sustenance for all that dancing. And since the tunes are free, you'll have plenty of cash to splash on all the good eats expected. [caption id="attachment_638897" align="alignnone" width="1620"] Brook James.[/caption] WINE AND CICCHETTI OUTSIDE AT HEARTATTACK AND VINE Opened by the owners as an homage to the small neighbourhood bars and cafes of Italy and Spain, Heartattack and Vine is a solo diner's dream as well as a place to have a red wine or four with friends. Sit outside in the warm months at the communal wooden table out the front and watch the Lygon Street traffic drizzle past. Heartattack's food speciality is cicchetti, a Venetian type of tapas, which constantly rotate — and at $4 a pop, you can't go wrong. Arm yourself with a negroni and go full Italiano. GERSHWIN AND FRIENDS AT THE SIDNEY MYER MUSIC BOWL The Melbourne Symphony Orchestra presents this ode to old mate George Gershwin, the famous composer, and his other musically inclined mates. At this free concert in the Music Bowl, bring a picnic rug and embrace listening to something this silly season that isn't thumping house music — or Christmas carols on repeat. Let the strains of some of Gershwin's most well-known compositions (Rhapsody in Blue, An American in Paris) wash over you in the 90-minute concert on Friday, February 8. 2019 will celebrate 90 years of MSO free concerts and 60 years at the Bowl so it's a good year to be choosing classical music over cooked times at Revs. Entry is $0 but first in best dressed. BRUNCH OUTSIDE AT THE STABLES OF COMO South Yarra venue The Stables of Como is a more than just a trendy brunch place. It's part of a National Trust area, it's a wedding hotspot, high tea go-to and a picnic lover's dream. The converted stables are a multi-faceted site for occasions, strolls in the gardens or an outdoor meal. So hit up the café for a pink, summery juice (watermelon, strawberries, rose, mint and coconut yoghurt) and fill up on prawn toast soldiers ($18), then grab one of the lush cakes and a takeaway coffee to have yourself a little impromptu picnic on the grounds.
Giving music lovers Splendour in the Grass, Falls Festival, Spilt Milk and Harvest Rock is a massive task and achievement, but that's not all that's on Secret Sounds' festival calendar. This summer, the team is also bringing a lineup led by Flume, Foals and The Avalanches to Melbourne for Heaps Good. To get 2023 started in style, Adelaide scored a brand-new music fest in January, with Heaps Good starting as a one-day, one-city event with Arctic Monkeys headlining. It clearly went well, because Secret Sounds announced back in August that the festival will expand its footprint, taking to the Sidney Myer Music Bowl stage on Sunday, December 31, 2023. [caption id="attachment_918622" align="alignnone" width="1920"] Zac Bayly[/caption] Having Flume and The Avalanches on the same bill is quite the homegrown feat, with Britain's Foals joining them. Also playing Melbourne: Griff, Holly Humberstone, MAY-A, Sycco and Logan. Heaps Good's Victorian stop will score a Basement Jaxx DJ set as well, and SBTRKT is also on the lineup. [caption id="attachment_912808" align="alignnone" width="1920"] Dylan Minchenberg[/caption] HEAPS GOOD 2023–24 LINEUP: Flume Foals The Avalanches Griff Holly Humberstone MAY-A Sycco Logan Basement Jaxx SBTRKT Top image: Ian Laidlaw.
Ever worried about what your fashion habit is doing to the people who make your clothing, especially the women comprising 75 percent of the fashion workforce? Well Made Clothes, an Aussie online marketplace dedicated to ethical garments, is hosting an evening dedicated to this issue, and related problems. And, to celebrate, the company has created a gender equal tote bag. The bag, which features a gender equal image, was designed by Sydney-based artist Caroline Walls. She sent her plans to Freeset, which turned it into a real life product using organic cotton and fair-trade production. Freeset is a business based in Kolkata, India, that provides employment opportunities for women saved from sex slavery. The bag is now available online and you can buy it safe in the knowledge that all profits go straight to Freeset. I believe in gender equality and so does @wellmadeclothes_ . They've been working on a project that supports just that and as part of this project I designed a gender equal tote bag which has been made by @freesetglobal, a certified organic and fair trade company which employs women saved from Kolkata's sex slavery industry. Profits for the sale of these tote bags will be be donated to Freeset to help with the creation of a building at the entrance to the red-light distract which will provide services to women trapped in the sex slave industry. You can buy these bags through @wellmadeclothes_ website.. get behind this amazing cause #genderequality A photo posted by Caroline Walls (@carolinewallsart) on Feb 6, 2017 at 10:07pm PST Plus, if you happen to be in Victoria during Virgin Australia Melbourne Fashion Festival 2017, you can get along to Well Made Clothes' event, which is titled Good Evening: How Fashion Can Empower Women. To happen at Sunmoth, Melbourne, on Thursday, March 2, it'll involve cocktails by 42Below, canapés and a panel discussion featuring fashion journo Clare Press, Ethical Clothing Australia's Sigrid McCarthy, Kuwaii's Kristy Barber and Freeset's Jeff Ward. Just some of the issues up for debate are fair working conditions, media representations of women, designing for all bodies and ethical production. Tickets, available online, include entry and a complimentary tote bag. Book before February 12 to score earlybird prices.
If you've spent the past year with your nose buried in a book, that's about to pay off beyond the everyday joys and thrills of reading. Sydney Writers' Festival's 2023 lineup is here another hefty catalogue of thought-provoking events — 226 of them, with almost 300 writers and thinkers involved. From the recipients of the literary world's brightest honours to some of Australia's household names and faces, a wealth of talent is descending upon the Harbour City, and being streamed nationally thanks to SWF's online program. Every writers' festival converges around an annual theme, with Sydney's focusing on 'Stories for the Future' for its 2023 iteration from Monday, May 22–Sunday, May 28 at various venues around the city — and also beamed digitally. Thinking about what's to come has been an inescapable part of living through the pandemic era, which SWF knows, curating a bill of talks that'll contemplate moving through the chaos of the past few years and into in a different tomorrow. [caption id="attachment_893384" align="alignnone" width="1920"] Eleanor Catton by Murdo MacLeod[/caption] Today's most current Booker Prize-winner, plus three from past years as well, top the lineup: Shehan Karunatilaka, who won in 2022 for The Seven Moons of Maali Almeida; The Luminaries' Eleanor Catton; The Narrow Road to The Deep North's Richard Flanagan and Girl Woman Other's Bernardine Evaristo. Still on highly applauded attendees, two-time Pulitzer Prize-winning American novelist Colson Whitehead — for The Underground Railroad, which was then adapted into a TV series, and for The Nickel Boys — also leads the bill, arriving between Harlem Shuffle's 2021 publication and sequel Crook Manifesto's arrival this July. Among the international names, the above headliners have ample company. When Trinidad-born UK musician Anthony Joseph isn't talking poetry — he is 2022's TS Eliot Prize for Poetry winner — London restauranteur Asma Khan from Darjeeling Express, and also seen on Chef's Table, will chat about comfort food; Daniel Lavery from Slate, who penned the Dear Prudence column from 2016–21, will run through his best advice; and Vietnamese author Nguyễn Phan Quế Mai will introduce her new novel Dust Child. [caption id="attachment_893383" align="alignnone" width="1920"] Colson Whitehead by Chris Close[/caption] On the local front, get ready for two iconic pairings: former Prime Minister Julia Gillard being interviewed by Indira Naidoo, plus Jurassic Park favourite Sam Neill discussing work, life and writing with his Sweet Country, Dean Spanley, Dirty Deeds and Palm Beach co-star Bryan Brown. Also on the must-attend list: Grace Tame chatting about The Ninth Life of a Diamond Miner: A Memoir, Heartbreak High's Chloé Hayden doing the same with Different, Not Less: A neurodivergent's guide to embracing your true self and finding your happily ever after, and Stan Grant on The Queen Is Dead. Also, on Monday, May 15 before the main festival, Tim Winton will discuss writing the ABC TV documentary Love Letter to Ningaloo. Under first-time Artistic Director Ann Mossop, opening night will feature Evaristo, Benjamin Law and Miles Franklin-winner Alexis Wright working through the impact that the past has on the present, as well as poet Madison Godfrey performing. At the other end of the fest, novelist Richard Flanagan will look forward, exploring why we need to tell our own tales to shape the future. [caption id="attachment_893385" align="alignnone" width="1920"] Grace Tame by Kishka Jensen[/caption] And, if your main relationship with the printed word is through recipe books, the 2023 festival is going all in on the topic for one day at Carriageworks Farmers Market. Stephanie Alexander and Maggie Beer will talk with Adam Liaw, while fixing the food system and family recipes will also nab chats by culinary talent. Capping off the bill will be foodie gala The Dinner That Changed My Life, with everyone from Nat's What I Reckon and Jennifer Wong to Alice Zaslavsky and Colombo Social's Shaun Christie-David involved. Among the rest of the program, other highlights include a tribute to Archie Roach and Jack Charles; comedians Wil Anderson and Laurence Mooney; the All Day YA lineup; a deep dive into crime podcasting with journalists Patrick Abboud, Kate McClymont and Hedley Thomas; and The Book Thief and The Messenger's Markus Zusak on bringing the latter to TV. Adaptations in general earn their own session, Shane Jenek aka Courtney Act is part of SWF's stint of Queerstories, Tom Ballard pops up on an OK Boomer panel, Australia's war on hip hop gets its time in the spotlight, and there's a look at AI in the age of ChatGPT. As always free events are a big part of the program as well, with more than 80 on year. And, also in the same category, the spread of venues is hefty — including Carriageworks, Town Hall, and 25 suburban venues and libraries across the Sydney. Sydney Writers' Festival runs at various venues across Sydney from Monday, May 22–Sunday, May 28. Tickets go on sale at 10am on Friday, March 17 via www.swf.org.au.
Chocolate gelato works deliciously when you can't choose between chocolate and ice cream. When Easter hits, however, that won't do the trick. Hankering for a chocolate egg, because it's the time of year for it, but also want something creamy and frosty? That's where Gelato Messina's gelato-filled chocolate eggs usually come in. In 2023, the dessert chain whipped up packs with three eggs inside. This year, it's giving everyone the treat that we all coveted when we were kids: a hefty-sized egg. This one is even better than the foil-wrapped supermarket versions, of course, because it comes filled with Messina's gelato. The chain's 2024 Easter offering weighs a kilogram and is designed to serve six (but if you're keen to keep it to yourself, we understand). The shell is made of milk chocolate, which is then painted in bright Messina brand colours. Inside, as made at Messina HQ in Marrickville, is a wealth of flavours and textures. Milo gelato is one of the chain's tastiest varieties, and you'll find it inside this Easter egg. You'll also find Milo mousse as well. Among the other layers, the treat includes Oreo crumble and Oreo cookie chunks, plus malted vanilla chantilly. Finally, there's both hazelnut praline and a hazelnut caramel centre, too. Messina's 2024 Easter eggs can only be ordered online on Monday, March 11 for collection over Easter — of course — between Thursday, March 28–Sunday, March 31. Messina now opens its orders at various times for various places, so you'll want to hop online at 12pm AEDT for Queensland, South Australian, Western Australian and Australian Capital Territory stores; 12.15pm AEDT for Victorian shops; and at either 12.30pm, 12.45pm or 1pm AEDT depending on where you are in New South Wales. Gelato Messina's 2024 gelato Easter eggs are available to order from Monday, March 11 for pick up between Thursday, March 28–Sunday, March 31 — head to the Messina website for further details.
For more than a decade, a movie version of Monopoly has been mooted, but hasn't yet reached screens. There's no need to hope for a Jumanji-style big-screen take on the game, however. Instead, from Wednesday, November 15 in Melbourne, you can just head to Monopoly Dreams and enjoy playing your way through Australia's first theme park-esque Monopoly experience. Here, the property-buying family favourite is no longer just a game: it's an immersive 1700-square-metre attraction. Monopoly Dreams is already open in Hong Kong, making the Aussie venue only the second in the world. Initially slated to launch in October, it's now officially ready to welcome in Monopoly lovers. If you're wondering what happens when the game that's caused many a childhood dispute — and plenty more between adults as well — makes the bricks-and-mortar leap on Melbourne Central's lower ground level, that's as understandable as being annoyed about being sent directly to jail. The answer isn't just a life-sized version of the game that everyone has played more than once. Rather, the venue is taking a chance on bringing Monopoly elements beyond the board, building a Monopoly city that includes water works, the electric company, the bank and Mr Monopoly's mansion. Yes, there is indeed a jail. Presumably you don't go directly there upon entering, but you can get your mugshot taken within its walls. When you walk through the doors, you'll also find carnival games. It wouldn't be an attraction based on a board game if playing games wasn't a big part of the setup, of course. Expect challenges as well — and, in the mansion, there'll also be a vault and gallery, alongside a 4D cinema screening a movie about Mr Monopoly and his dog Scottie touring Melbourne locations — plus the opportunity to create your own customised Monopoly title deed. For bites to eat, patrons can hit up the Monopoly cafe. And if all this Monopoly talk has you wanting to play Monopoly or buy Monopoly merchandise, Monopoly Dreams will also feature Australia's first and only dedicated Monopoly store. Catering for audiences of all ages — so, you'll have kids for company, but it's open for adults without children in tow — Monopoly Dreams will take visitors around 60–90 minutes to enjoy the full experience. "The opening of Monopoly Dreams has been highly anticipated by Monopoly fans since the news broke that we'd be making Melbourne our home," said Monopoly Dreams General Manager Mark Connolly. "We are absolutely thrilled to now be opening the doors and welcoming guests into the incredible world of Mr Monopoly." Monopoly Dreams will open on Wednesday, November 15 at Melbourne Central, Lonsdale Street, Melbourne. Head to the venue's website for tickets and further details.
If you're looking to escape the hustle and bustle of city life and reconnect with nature, then it's time to pack the car, cruise through Anglesea and Lorne and head to the Otways. Not only does the National Park have rugged coastland, beaches, rainforest and mountains, but it's also home to Otway Fly Treetop Adventures where you can walk in the treetops, climb to the canopy and zip through lush greenery. Located just 20 minutes from the Great Ocean Road, the adventure park features a stunning 600-metre treetop walk ($25). The elevated track is 25 metres from the ground (acrophobics beware), putting you right among the branches so you can observe the flora and fauna more closely. There's also a cantilevered lookout above Young's Creek and, for those wanting to scale to new heights, the 45-metre tall Spiral Tower provides unparalleled views. For those seeking thrills, Otway Treetops Fly Adventures has a forest zipline tour ($120), where you'll be flying through the trees at 30 metres above the forest floor. The guided tour lasts about 2.5 hours and you'll learn all about the forest's history. Your ticket also includes access to the Treetop Walk. Otway Fly Treetop Adventures is open from 10am–5pm every Thursday–Monday, with last entry at 3.30pm. Prices range from $20–120.
It was one of the best new shows on television — well, streaming — in 2022. It's the reason that everyone has been exclaiming "yes chef!" for the past six months. It's also the source of your beef sandwich obsession, deliciously so. And, it just picked up star Jeremy Allen White a shiny Golden Globe. That'd be The Bear, the first season of which ranked among the most stressful but stellar ways to spend four hours-ish last winter. Expect the show to repeat the feat when the chilly season hits this year, too, because that's when this dramedy gem will return for its second season. The Bear was renewed for season two before the show even made its way Down Under, after debuting in the US in June, then reaching Australia and New Zealand via Disney+ at the end of August. Whether audiences here will experience a delay again in 2023 is yet to be seen — hopefully not, given that it's now an established success — but either way, the series will return in America during our winter. FX's The Bear S2 premieres early summer, with 10 episodes. Only on @hulu. 🐻🥫#TheBearFX @TheBearFX pic.twitter.com/Y5QUBTlzcj — FX Networks (@FXNetworks) January 13, 2023 US network FX, which screens The Bear stateside, announced the news on social media — confirmed that season two will run for ten episodes. That's two extra servings of chaos surrounding Carmen 'Carmy' Berzatto (White, Shameless) and his culinary endeavours. While season one already saddled him more than his fair share of troubles and struggles, there's no way that season two is going to a cruisy dream for the kitchen ace. If you missed the first season, it jumped into the mayhem after Carmy took over The Original Beef of Chicagoland, his family's business, after his brother Mikey's (Jon Bernthal, We Own This City) suicide. Before returning home, the chef's resume spanned Noma and The French Laundry, as well as awards and acclaim. Accordingly, trying to bring that fine-dining level of meticulous to a neighbourhood sandwich shop didn't go smoothly. That's just the beginning of the story, in a series that truly conveyed what it's like to work in the hospitality industry — including navigating a restaurant kitchen's non-stop intensity. Yes, the mood is anxious from the outset, with The Bear's creator Christopher Storer (who also has Ramy, Dickinson and Bo Burnham: Make Happy on his resume) starting the series as he definitely meant to go on, but still expertly managing to balance drama and comedy. Also a crucial part of the show: the rest of the impressive cast, such as Ebon Moss-Bachrach (The Dropout) as Richie, aka Cousin, aka Carmy's brother's best friend; Ayo Edebiri (Dickinson) as new sous chef Sydney; Abby Elliott (Indebted) as Carmy's sister Natalie, aka Sugar; and Lionel Boyce (Hap and Leonard), Liza Colón-Zayas (In Treatment) and Edwin Lee Gibson (Fargo) among the other Original Beef staff. You've now got a few months to perfect your sandwich-making skills, ready for The Bear's second helping. Check out the trailer for The Bear season one below: The Bear streams via Disney+. We'll update you with an exact season two release date when one is announced. Read our full review of season one.
The 'art world' is a concept just as tricky to define as 'art' itself. Opinions on what distinguishes 'good' from 'poor', 'high-brow' from 'low-brow', 'contemporary' from plain bizarre are essentially endless. No one seems quite sure what qualifies an 'artist' to be labeled as such. And what is this 'world', this community, they belong in? One thing all artists and art enthusiasts cannot dispute, however, is a cold, hard fact. The Art Newspaper serves up an annual batch of exhibit attendance figures to reveal which exhibitions were best attended. No matter what your taste or opinions, 2011 brought an eclectic jumble to the forefront; here are 10 of the most attended exhibits. 1. The Magical World of Escher Where: The Centro Cultural Banco do Brasil Visitors per day: 9,677 This exhibition brought together the best-known trippy drawings and prints by the Dutch artist. 2. Kukai’s World: the Arts of Esoteric Buddhism Where: The Tokyo National Museum Visitors per day: 9,108 Featuring 99 items - some certified national treasures - related to Kukai, the famous Japanese Buddhist priest, this exhibit celebrates 'Esoteric Buddhism'. Kukai brought the practice with him from China during the early 9th century. 3. Landscape Reunited Where: The National Palace Museum Visitors per day: 8,828 Reuniting the two halves of Huang Gongwang's Chinese scroll painting Dwelling in the Fuchun Mountains, this exhibit pieced together the 660-year-old work from the sections formerly split between China and Taiwan. The piece, considered one of the most important in Chinese painting, has not been exhibited in its entirety since 1940. 4. Alexander McQueen: Savage Beauty Where: Metropolitan Museum of Art Visitors per day: 8,025 The Costume Institute's posthumous tribute to Alexander McQueen featured his groundbreaking works of fashion. 5. Claude Monet (1840-1926) Where: The Grand Palais Visitors per day: 7,609 The likes of this exhibit had been MIA in Paris for years, making this collection of over 200 impressionist Monet works even more of a must-see. 6. Photoquai Where: Musée Quai Branly Visitors per day: 7,304 A free, outdoor celebration of non-Western photography, Photoquai held its third edition in 2011. 7. Mariko Mori: Oneness Where: Centro Cultural Banco do Brasil Visitors per day: 6,991 Toyko-born, New York-raised Mariko Mori designed this contemporary exhibit to be interactive, with some pieces visually interpreting attendees brainwaves, and others lighting up when touched. 8. Monumenta: Anish Kapoor Where: The Grand Palais Visitors per day: 6,967 Kapoor's temporary, site-specific installation challenged the confines of the Grand Palais belle epoque exhibition hall. 9. Laurie Anderson Where: Centro Cultural Banco do Brasil Visitors per day: 6,934 For her first solo show in Brazil, Anderson chose to feature 31 works that "told stories". 10. The Prado Museum Where: The Hermitage Visitors per day: 6,649 Madrid's Prado Museum created its own little 66-piece museum inside of St. Petersburg's State Hermitage Museum as the first of a two-part exhibition exchange. The Hermitage Museum will be featured at the Prado through March 2012. [via Flavorwire]
The huge dose of nostalgia that Milan Ring's latest release 'Are Your Friends Alright?' generates is only partially intentional. The Sydney-based artist and producer explains that she drew inspiration from parties she had been to throughout her teens and twenties where gatecrashers or uninvited people brought negative energy. "I was playing with the idea of not allowing that to make your night with your friends a bad vibe." It's an idea that most people could relate to. But, with the very notion of socialising and partying with mates seeming quaint and far away right now, the song strikes an even deeper chord. It's about focusing on the good things and channelling positive energy. Produced in collaboration with Sydney-based artist Blessed, 'Are Your Friends Alright?' is a charged track, packed with sensual vocals, soulful harmonies and a funky bassline. It's a prime example of why Ring was chosen as one of the visionary artists to collaborate with Miller Design Lab, the home of creativity and self-expression built by Australia's leading minds in design, art, technology and fashion. The platform is a celebration of our nightlife and its impact on culture to deliver exceptional moments to you and your home. To that end, we spoke with the Sydney-based talent to talk about life as an artist — from having a flexible process to seeking inspiration from her city and collaborating with some of the best in the biz. Artist is a broad term, but it's an important distinction when referring to someone like Milan Ring — she can't be pigeon-holed into one category. Throughout her teens, she spent time jamming on guitar and experimenting on an analogue drum machine, before getting a diploma in sound engineering and technical production. She started performing professionally in her twenties, first as a guitarist in bands and then progressively as a backup vocalist. Now, not only does she write and compose all of her music, but she also produces and mixes it all — and masters some of it, too. And most of that magic happens in her studio, which she built in a Marrickville warehouse with her best friend two years ago. This loaded skillset affords Ring a lot of flexibility in her creative process. "There are times when I just want to create, do something fresh and improvise. And then there are times I just want to fix things and do all the technical stuff. I listen to myself. Sometimes I go in with the intent to create a new song. I start and I'm like 'I'm not really feeling it', so then I'll pull up a song to finish the mix." Though Ring admits that she mostly works alone, she also places enormous value in teaming up with other artists and producers, including Blessed and American band The Social Experiment (who in turn have worked with Chance the Rapper). "It's down to finding the right collaborators, but you don't know until you try. Every collaboration, even if it doesn't end up with a song that's released — there's something to take away from that and something to learn." And, for Ring, there's a direct relationship between collaborating and customisation. "The way I interpret customisation would be drawing inspiration from something and making it your own. Someone like BLESSED might send me some beats and then I'll use this, change this sound, delete that, move that over here and then record it. Therefore, I've customised, added to and changed his initial concept into something else". The idea of customisation is also evident in the stitching together of Ring's various sources of inspiration. Her music is known for sampling from various genres — she specifically mentions Latin, Afro-Cuban and American-style jazz and soul music, which she spent a lot of time listening to growing up. But when it comes to lyrical content, Ring looks to her community in Sydney's inner west. "I'm definitely inspired by the area I grew up in and different people I know or have met and their stories. Things I've observed or had people tell me their story, I've written about it and taken the essence of the story and then gone off on a tangent." Ring specifically mentions a number of places around her studio in Marrickville that she frequents for inspiration, including cafes like Matinee, West Juliett and Two Chaps, the cluster of craft breweries and a handful of pubs like The Henson, The Vic on the Park and The Marrickville Hotel. And even just going and sitting Enmore Park. "It is nice being surrounded by people even if you're not talking to them. That's one of the things that I've been missing in this time [during lockdown] is just being surrounded by the hustle and bustle of everyone's lives." Speaking to this hiatus period due to COVID-19, which resulted in Ring cancelling her national tour Switch Off, Milan explains, "I haven't been as inspired to go into the studio and hustle. With everything that's going on, I'm not particularly pushing myself — it's a bit of a respite." Instead, she is spending quality time with her dog, cooking and collaborating with a friend on a kids' play-along book. And she's been working her way through a Stevie Wonder songbook on the guitar. "I'm trying to get back into my jazz theory, which I put on the back foot as I've been working on being the best producer and mixer I can be. It's been quite therapeutic for me." But there's no doubt that once lockdown is over, she'll be back out there making the most of Sydney's nightlife. "Being out with friends, going to restaurants, then going to bars and then going to a show — it about being part of culture and the community and feeling connected to all these people. Even though you don't know who they are, you're all there for the same reason." For more, check out Milan Ring's collaboration with Miller Genuine Draft here. For more ways to celebrate your city's nightlife and recreate its energy in your own space, head this way. Images: Reuben Gibbes
You've binged your way through HBO's excellent Chernobyl mini-series. If you're a Melburnian, or you've taken a trip to the Victorian city recently, you may have wandered through a recreation of the exclusion zone around the exploded nuclear reactor as well. Soon, you also might be able to sip shots of vodka from the region — made from grain from the Ukrainian area that has been off limits for more than three decades. The tipple in question is called Atomik Vodka. Brewed by a team of scientists from the UK and Ukraine, it's part of a three-year research project investigating the transfer of radioactivity from the soil to crops grown in the closed-off spot, as well as in the Narodychi District within the Zone of Obligatory Resettlement. (People still live in the latter location, but the land isn't officially allowed to be used for agriculture.) While the grain itself showed some signs, all traces of Chernobyl-derived radioactivity was lost in the distilling process, which inherently reduces impurities — leaving the vodka with the same level of natural radiation that you'd find in any other spirit. The vodka also uses local mineral water, sourced from a deep aquifer below the town of Chernobyl, around 10 kilometres south of the nuclear power station. It's been found to possess chemistry similar to water from limestone aquifers, like the one in the Champagne region of France, and was used to dilute the distilled alcohol to 40 percent. At present, only one bottle of the vodka exists. And, if you're curious about giving it a taste, it's not for sale. But the team behind Atomik hope that will change, and, that after clearing a few legal hurdles, they'll be able to begin a small-scale experimental run of the grain spirit by the end of this year. If they're successful in their efforts, they plan to donate 75 percent of Atomik Vodka's profits back to the affected Ukrainian community. It's also hoped that the research project will assist residents around the exclusion zone by showing that the land is now safe to be used for agriculture, opening up further investment and economic benefits. For more information, visit the Atomik Vodka website. Via the University of Portsmouth.
Every year, Australia's finest horse riders converge on stunning Werribee Park for three days. And you're invited to watch them in action. The competition will start on Friday, June 6 with dressage, which carries into Saturday. The following day, the riders will let loose on a cross-country course around the property's beautiful grounds. Then, come Monday, it's show-jumping time. Whoever performs best across all three events will be announced champion and take home some serious prize money. In between watching, head to the Trade Village to wander among horsey-related stallholders. You'll come across apparel (for animals and people) by Valley Horsewear, saddles by Bates, equestrian gear by Castlefin and loads more. Plus, on Sunday evening, catch the indoor speed jumping competition, set to music. Entry on Friday is free; tickets range from $12.50–$110 Saturday–Monday. You can book ahead online.
While it doesn't always feel like it, Melbourne is closing in on the home-stretch of this latest lockdown. A handful of restrictions were eased from 11.59pm on Sunday, October 18 and Premier Daniel Andrews has also confirmed the state's on track to November 1. But just in case you were thinking there'd be some wiggle room during step two, the Victorian Government is cracking down hard on rule-breakers and bumping up the penalties for any illegal gatherings. Break the rules now and you could cop a hefty fine of almost $5000. The Premier has warned that the penalties for flouting current restrictions on public and private gatherings will now be increased to match the fines given for travelling into regional Victoria without a valid reason: $4957, to be exact. The no-nos include having a picnic with more than ten people, or people from more than two households, and having anyone over to your house that isn't an intimate partner or in your 'single social bubble'. You can brush up on all the gathering rules over here. Victoria Police has also confirmed it'll maintain a strict approach in enforcing the rules. In a press conference, Chief Commissioner Shane Patton urged the public to help police by phoning in any suspected rule-breakers to the Police Assistance Line. And, ahead of the balmy picnic weather forecast for this weekend, he warned police would be stepping up its presence, keeping an eye on busy parks and even knocking on doors. "We will be out and we will be enforcing," he said in the Facebook video. "We'll be doing everything we can to make sure that people are adhering to these guidelines." If you are caught doing the wrong thing, it seems there'll be little chance of walking away with just a slap on the wrist, with the Chief Commissioner saying, "The use of discretion will be only in the most extreme circumstance and very rarely applied". While the penalty increase was announced on Sunday, September 27, Victoria Police today confirmed it's doled out over 67 fines to individuals for breaching the Chief Health Officer directions in the past 24 hours. They included penalty notices issued to six men gathered at a home in Greater Dandenong, with police tipped off after multiple cars registered to different addresses were seen in the driveway. For more information about the status of COVID-19 and the current restrictions, head over to the Department of Health and Human Services website — and for further details about Victoria's steps for reopening, head to the roadmap itself. Updated October 20, 2020.
Keen for a beachside beverage and in the vicinity of the St Kilda foreshore? Don't go rushing to the sand with a drink in hand just yet. The City of Port Phillip has extended its existing temporary ban on boozing, which was initially put in place after a wild Christmas day party and will now last through until April 3. That means that coastal Easter shindigs will also need to be drink-free, as the council contemplates its next steps. A long-term ban has been under consideration since approximately 5000 people gathered at the popular spot on December 25, resulting in unruly behaviour through the afternoon and evening, 29 tonnes of rubbish and a clean-up bill of around $23,000. "This is about doing our best to balance safety with celebration," said Mayor Bernadene Voss following the Council meeting on February 7. "We heard, and sympathised, with some residents who told us they want the right to be able to drink responsibly on our beautiful St Kilda foreshore... but we also heard local traders, residents and emergency services personnel telling us that alcohol is a problem and is getting worse." The council will engage with the community to ascertain views on the effectiveness of the current trial ban, and whether it was encouraging or deterring use of the area. Possibly permitting well-managed events to supply alcohol on Christmas Day, rather than visitors bringing their own, will also be explored. Restrictions were initially planned to run over the New Year's Eve period, were first extended prior to Christmas and then subsequently increased to continue until February 15 following the unruly incident. The area affected spans from Marina Reserve to West Beach. Via The Age.
Been spending the first half of 2021 pondering the future? Given how the past year has panned out, that's only natural. But in the early hours of Friday, June 25, you might want to look to the skies as well — and feast your eyes on this month's noteworthy lunar sight. For folks located Down Under, this is when you'll see this year's 'strawberry' full moon. According to NASA, it could also be considered a super full moons, with different publications split on the matter. If you choose to deem it a supermoon, you'll know that they aren't particularly rare — one occurred back in April, and then another took place in May — but there are still plenty of reasons to peer upwards this time around. If you're wondering what else you need to know, we've run through the details below. WHAT IS IT? If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know. June's full moon is called a strawberry moon not because it's pink or red — it isn't — but because that's when strawberries traditionally ripen in the northern hemisphere. Of course, it's currently winter in the southern hemisphere, but the name still sticks. And, if you're going with the supermoon school of thought, that name applies to a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit, making it particularly bright. Again, they're not all that uncommon — whether or not you want to claim this one as a supermoon. WHEN CAN I SEE IT? If you're keen to catch a glimpse, you'll want to peek outside on Friday, June 25. In Sydney, Melbourne and Brisbane, the moon will be full at 4.39am according to Timeanddate.com. In Adelaide, that time moves forward half an hour, so it'll take place at 4.09am — and in Perth, it'll be earlier still, at 2.39am. Those times refer to the exact full moon time. Of course, the moon will still be visible in the sky before then — and looking rather full, even if the exact minute hasn't arrived. So, if you'd prefer to take a gander at a more pleasant hour on Thursday, June 24 or even in the evening on Friday, June 25, that's understandable. WHERE CAN I SEE IT? You can take a gander from your backyard or balcony, but the standard advice regarding looking into the night sky always applies. So, city-dwellers will want to get as far away from light pollution as possible to get the absolute best view. If you can't get a clear vantage, The Virtual Telescope Project will be live-streaming from the skyline above Rome from 5am AEST on Friday, June 25 . The 'strawberry' full moon occur at 4.39am AEST on Friday, June 25 along Australia's east coast — although the moon itself will be visible in the sky all evening before that. For further information, including about timing, head to Timeanddate.com.
Ivan Sen has always gone it alone. In the world where we live, filmmakers have set decorators, editors, production managers, post-production technicians, concept artists, storyboard artists and legions of other scurrying assistants. Not Ivan Sen. He's an Australian filmmaker who does it all himself, and his outsider approach has so far taken him from his native rural New South Wales to places like Sundance, Cannes and Berlin film festivals. This directive — hands-on, honest, thoughtful, singular filmmaking — now stretches into the guts of his latest film, an outback murder case, Mystery Road. It's a quiet, steady yet thrilling film, held together by Aaron Pedersen's staggering performance as a lone, Aboriginal detective. To talk about Ivan's films, you have to talk about equality. In Sen's film worlds (Toomelah, Beneath Clouds), as in this world, some people are more equal than others. When Julie Mason, an Indigenous girl, is found with her throat cut off Mystery Road near Massacre Creek, no one gives a shit — not the cops, not anyone. This is the crime genre plot-point that opens up to a chasm of inequality. Underneath the high skies and low plains of Mystery Road, something else surfaces — a frighteningly beautiful, dead-on look at a troubled country. THE START OF MYSTERY ROAD "It's been a bit of a journey, this film," says Ivan. "I first mentioned it to Aaron in 2006 in Kings Cross, around midnight. We were passing like ships in the night, and I said, 'brother, I got an idea for you'. And he said, 'alright'. Then five years later, I ring him up and say, 'here's this idea, here's the script, it's time to do it'. It's a story that's come from my own experiences, my own heart, from my family and their experiences. So everything you see in some way comes from reality. The whole thing about Jay Swan being this cop caught between two worlds is something that's very close to my heart, coming from a small town, growing up, not quite belonging to the Aboriginal part of town, and not quite belonging to the white part of town. That's what I've always been fascinated by: the turncoat, the black tracker, the black trooper, the Native American scout. The person who's got a foot in both worlds, walking along the edge." Mystery Road comes at the crest of a wave of Indigenous storytellers making movies for all audiences — films like Bran Nue Dae and The Sapphires. "There are all kinds of young warriors trying to change the face of the industry, trying to tell our stories," says Aaron. "I've done a lot of mainstream material before on television. People used to always tell me, 'you play too many coppers!' Not now, because all those cops got me this job! Ivan wrote the role for me. It's something I'll never forget and a job I'll never get again." "I think [the murder storyline] is something that affects a lot of Indigenous families," says Ivan. "A distant cousin of mine was found underneath the roadway in very similar circumstances, a long time ago now. The killer has never been brought to justice. If you actually pursue reality in a film, that can make things more interesting and suspenseful than all this artificial and contrived conditioning." Adds Aaron, "This film is important to this country, the lessons of healing and understanding. It's about our lives. There are a lot of cold cases in this country, a lot of people left behind after murders." THE ONE-MAN BAND What's behind the all-encompassing role of director, writer, camera operator, editor and composer? "It's just easier to do it yourself," Ivan says. "I just started doing it a long time ago, back in the 1990s. And now technology's caught up and I can edit on the laptop, soundtrack on the plane, write in a cafe. For me, why should film production be the way Hollywood says it is? What right do they have to define all these things?" "Let's hope he doesn't learn how to act, because then there'll be no work for actors!" Aaron's having a go, but you suspect he might be right. "Ivan had all these hats that he'd been wearing [on set], but I'll keep saying 'till the day I die, if he was stressed out, you wouldn't have known. Incredible leader. I was so glad to be part of the project on this big scale — not just as a hired gun, but as someone who helped implement the operation. It was kind of like ceremony in a way. It was really beautiful, really personal. You don't usually have that relationship with a director. We became brothers." SEN GOES SCI-FI I've heard Ivan's next film is a science-fiction epic set in China, his new home. "Yeah, sci-fi," says Ivan. "Set in the future. Big action, romance. Commercial." At first it seems worlds away from the art-film vibe of Mystery Road. How do you cater for the largest possible audience without turning your film to shit? "Someone like Christopher Nolan is in massive demand," Ivan continues. "He puts his heart and soul into what he does, and really wants to give the audience something unique. There's not many other guys with the talent and heart trying to give the masses something special. Because it's all controlled by suits. Chris Nolan's not a suit, but he wears one. He gets the deals without losing any freedoms or destroy his personal approach." It's true — you see a big budget movie with heart and talent and intelligence (Robert Zemeckis's classic space movie, Contact, springs to mind), and you think, hey, that's what Hollywood could be for, that's what all those big budgets and beautiful faces could be doing all the time. They could have big ideas, too. "There's a big hole there, in the commercial arena, for quality," says Ivan. "There's so many shit films for big audiences. You go to the cinema and it's like, 'which crap movie do I have to pick?'" "I actually don't go to the movies very much 'cause of that," admits Aaron. "Too many people are spoon-fed their opinions in this world. That's another audience [than the one for Mystery Road]." Ultimately, for Ivan, leaping into sci-fi just makes sense to him as a filmmaker. "I don't want to make the same film over and over. It's boring. I'm a lover of cinema. Watching cinema gave me emotions that I'd never felt before in my whole eight-year-old life. I'd never felt that connection before." Mystery Road carries this sensibility — beyond being a genre piece, is cuts to the emotional heart of a country that's been torn by dysfunction for too long. At a screening of the film in Sydney's inner west, Aaron spoke plainly, and passionately. "History did not start 225 years ago in this country ... This role is more than a job, it's a chance for me to show my ancestral trauma. This film is larger than this script: it's a cinematic campfire. Sit around it. Take something from it. Be smarter for it. Be a better nation for it."
Imitation may be considered the sincerest form of flattery, but when one movie spends its duration seemingly trying to ape another, it also proves one of the most grating methods of filmmaking. Staring at its grey colour scheme, listening to its moody score, jumping along with its shifting timeline and unpacking its narration-heavy, twist-filled story, there's little doubt that The Girl on the Train is trying to follow in the footsteps of another recent adaptation of a page-turning novel. Alas, this movie is no Gone Girl — although thanks to its own stylistic choices, the comparison isn't going to go away any time soon. Working from Paula Hawkins' best-selling book, The Girl on the Train intertwines the plights of three women in a whodunnit thriller, while attempting to dissect — and find commonality within — the many roles women are forced to play in life. Sadly, with a flimsy script by Erin Cressida Wilson doing the source material few favours, director Tate Taylor fails to live up to expectations with this hotly anticipated adaptation. Instead, the film alternates between serious and trashy, without finding the right balance between the two. So it is that alcoholic divorcee and New York-based Englishwoman Rachel (Emily Blunt) rides the train every day, staring out the window at people she assumes are happier than she is. In the case of her ex-husband Tom (Justin Theroux), his new wife Anna (Rebecca Ferguson) and their baby, she knows that's the case. When it comes to their neighbours Megan (Haley Bennett) and Scott (Luke Evans), she's just guessing. But when Megan goes missing on the very same day that Rachel spots her on her porch with another man, questions start being asked. Before long, some of the hardest ones are directed at Rachel herself, who was seen drunk in the area but can't piece her memory together. Characters peering into the seemingly perfect lives of others is a concept that has fuelled many a movie in years gone by. And yet, you can add a distinctive lack of Hitchcockian intrigue to the list of ways that The Girl on the Train disappointments. Narrative developments are clearly foreshadowed, clichés fly thick and fast, and attempts to bust gender stereotypes remain superficial at best. In this light, even appreciating the film's place in voyeurism-obsessed cinema history offers little solace. Thank goodness for the quality cast. Whether acting erratic like Blunt, suspicious like Ferguson or furtive and discontent like Bennett, none of the picture's lead actors are quite at their best, but at least they're reliable, which makes them the best thing the film has going for it. That said, when paying close attention to how Blunt plays boozy becomes more interesting than the story itself, you know something has gone seriously wrong. There's an interesting-enough thriller at the heart of The Girl on the Train. Unfortunately, we never get to see it.
If you're starting to pencil in some strategic long weekends and well-deserved trips this year, here's one to add to the mix: Sheraton Grand Mirage Resort in Port Douglas has just launched a Bali-inspired floating breakfast. Designed for a loved-up pair or two partners-in-crime, this luxurious floating breakfast is available exclusively for guests staying as part of the Sheraton's Float Into Paradise accommodation package, which includes a three-night stay in a Mirage Studio Garden View Room. The menu runs to the likes of smashed avocado with perfectly poached eggs, charred sourdough and kale with whipped feta and seeds. A vegan-friendly scrambled tofu is paired with avo and tomato bruschetta, or a climate-appropriate coconut acai bowl is made with an almond-milk base and loaded with yoghurt, banana, macadamia and goji berries. If you take a more flexible approach when it comes to holiday nutrition, look towards the indulgent part of the menu. You can expect a three-cheese and tomato sourdough toastie, fresh banana bread or a brekkie burger with hash brown, smoked bacon, cheese and a fried egg. [caption id="attachment_888044" align="alignnone" width="1920"] Image: Ellen Seah[/caption] The crowning jewel of the floating breakfast menu is a succulent half-lobster, served stuffed with creamy scrambled eggs, chives and garlic Turkish bread. Fresh fruit, yoghurt, pastries, a pair of coffees and juice are also included. The Sheraton Grand Mirage Resort itself boasts over two hectares of sparkling saltwater pools in Tropical North Queensland, meaning you can spend more time lounging by the water and less time travelling. Lagoons on-site include spots with sandy beaches, as well as serene private cabanas nestled on the waterfront. The five-star resort is also home to 147 hectares of lush tropical gardens, an 18-hole golf course and seven restaurants and bars on-site. In particular, the hatted Harrisons headed up by Spencer Patrick is a must-visit as one of Port Douglas' best restaurants. [caption id="attachment_888046" align="alignnone" width="1920"] Image: Sunset Sessions[/caption] While the pool (and poolside) food and cocktails will keep you plenty busy, the hotel also runs Sunday sunset sessions complete with tapas and live tunes, or you can head along to a monthly rum masterclass. If you are keen to venture further during your stay, there are a variety of eco-friendly and sustainable tour options you can book. Locally-run Back Country Bliss runs swimmable tours through the Daintree Rainforest, which includes a snorkel and float tour of Mossman Gorge. Sailaway is a family business running half-day and full-day charters to Great Barrier Reef, including the Low Isles and Mackay Coral Cay on the Outer Reef. Finally, Four Mile Beach adventures with a twist can be booked with locally-operated Port Douglas Segway Tours. You can book the Sheraton Grand Mirage Resort floating breakfast via the hotel website. It is available until December 18, 2023. If you want to extend your Queensland getaway, check out our curated Whitsundays packages on CP Trips which includes a four-day stay, snorkel and sail adventure with a day cruise.
If you haven't done it before, flying solo can be a little daunting — especially to something like the opera. But, hey, you shouldn't have to miss out on indulging your operatic passions just because your mates aren't huge Puccini fans. That's presumably why Opera Australia has come up with a nifty solution for its solo guests. The new initiative, named Opera for One, offers a a special package for those going it alone at select Sydney and Melbourne shows. No more standing awkwardly in the foyer before the performance or during interval, wishing you had someone to dissect the show with. Under the new scheme, solo punters will get access to a discounted B Reserve ticket (at a tidy 10 percent off), then kick off their evening at a complimentary pre-show drinks and nibbles session. An expert from Opera Australia's creative team will give a casual talk about the show and you'll have the chance to mingle with other solo opera fans, before heading in to take your seats together. To help take some of the edge off, guests will also score a handy guide before the show, packed with conversation starters, information about your chosen opera and insights into what you can expect on the night. If you're keen to give it a whirl, Opera for One is currently taking bookings for a handful of Sydney and Melbourne shows. NSW fans can see the likes of the compelling Salome or Puccini's Turandot, while Melburnians can access Il Viaggio a Reims, Mozart's Così fan tutte, and beloved classic Rigoletto.
A village in Oxfordshire is about to become home to England's first hotel gardening school. From July 2017, Belmond Le Manoir aux Quat'Saisons — an extremely stately hotel with a two Michelin-starred restaurant — will open The Raymond Blanc Gardening School, giving guests the chance to green up their thumb in between luxe spa treatments and croquet matches. Belmond Le Manoir is already pretty well-known for its 30 acres of landscaped gardens, particularly its lush kitchen garden. There are two acres of edibles, including 90 veggies and 70 herbs. Head gardener Anne Marie Owens knows a thing or two about growing — she's been running the garden for more than 30 years. If you've ever wondered how to trick your tomatoes onto a trellis or pump up your pumpkins, she'd be the person to ask. Just some of the things that Anne Marie and her crew will be teaching include courses on understanding soil and growing organics, micro greens, mushrooms, seasonal veggies. On top of those, occasional classes will be run by special guests, covering more left-field topics, such as the medicinal properties of herbs and pruning fruit trees. You can attend for a half-day or a full day. Either way, you'll be learning in the Hartley Botanic Glasshouse, within the hotel's Heritage Garden. And of course, you could always book a night at the hotel — although, rooms sit at around a quite ludicrous £1000 a night. The school gets its name from hotelier and head chef Raymond Blanc OBE. Born in France, he's been running the Quat'Saisons restaurant since 1977 and the hotel since 1984. The Raymond Blanc Gardening School will launch in July 2017 at Belmond Le Manoir aux Quat'Saisons in Great Milton, Oxford, UK. For more info, visit their website.
You'd think that after seven books, eight films, just as many video games, a real-life MOOC that lets you study magic and 17 years of worshipping a fictional teenager, we'd have run a little dry on news about Harry Potter. Instead, this week has featured news of a West End play, a spinoff film trilogy, and new material being written for the '2014 Quidditch World Cup'. It seems like the wizarding world is still very much alive, and nowhere more so than the Universal Studios Harry Potter theme park in Orlando. The Wizarding World of Harry Potter was first established in 2010, but this year sees its first major expansion effectively doubling its size. The upgrades include a surprisingly functional Platform 9 3/4, a full Hogwarts Express experience, and most spectacularly of all, a Gringotts ride that replicates the ornate mayhem of the characters' dramatic expedition in Harry Potter and the Deathly Hallows. It was announced today that the ride will include high-def animation, 3D projection, live special effects courtesy of Bellatrix Lestrange and the Death Eaters, incredibly realistic (if not kind of anti-Semitic) Gringotts goblins and — best of all — a 60-foot dragon. Hurtling through the bank vaults on a rickety old cart just like the one in the film, Escape from Gringotts is definitely a ride for the hardcore fans. And, though it's a world away from our local equivalents like Dreamworld or Movieworld, it's worth keeping in mind if you're ever up for spilling a few galleons on flights to the States. Via Variety and MTV.
When it comes to shopping in Melbourne, Richmond represents the best of both worlds. It doesn't matter if you prefer the trends of northside or the stylish south, as Richmond has soaked up the influence of its neighbours, offering you an eclectic mix of shops that are tough to beat. The area showcases a collection of cafes and restaurants that highlight just about every conceivable cuisine, and a wide array of fashion boutiques, design studios and fine food suppliers. To help make your next visit to the lively streets of Richmond even more rewarding, we've teamed up with American Express to present you with a few of the suburb's top independent shopping destinations for you to shop small at. These ten spots keep Richmond buzzing and all of them will accept your American Express Card.
Irish-French singer Camille O’Sullivan left a burgeoning career as an architect after embracing the cabaret on display in Berlin and Dublin. Since then she’s won international acclaim for her singular interpretations of the songs of artists like Nick Cave, Kurt Weill, Tom Waits and Jacques Brel, drawing on the German tradition of “art song”, and the narrative music of Weimar composers. In O’Sullivan’s modern incarnation, this tradition manifests itself in radical retellings of classic songs — her rendition of Nick Cave's 'The Ship Song' is well worth a listen. On tour in Australia, for her show at the intimate Fairfax Studio at the Arts Centre O’Sullivan will be playing songs from her album Changeling, including works from Radiohead, David Bowie and Arcade Fire.
Fall down the rabbit hole with artists Hans Berg and Nathalie Djurberg, as they exhibit their work in Australia for the very first time. Installed at the Australian Centre for Contemporary Art, The Secret Garden is an original work presented by Melbourne Festival. Combining film, light, sculpture and sound, the piece promises to showcase the Swedes in all their surreal, hallucinogenic glory. ACCA will also host a marathon screening of the duo's early claymation short films that helped catapult them to international acclaim. This event is one of our top ten picks of the Melbourne Festival. Check out the other nine.
Melbourne's trams aren't just a handy way to get from A to B. Each year, six of the city's public-transport carriages also become mobile artworks. Melbourne Art Trams gives the vehicles a vibrant revamp — and, since 2021, the designs gracing each one have hailed from Victorian-based First Nations artists. The initiative has fallen into winter arts festival RISING's remit since then, too, with the end results for 2023 now rolling around the Victorian capital. The theme for this year's Melbourne Art Trams series: Blak futurism. As well as celebrating and exploring history, Country, community and connection, that's what the latest round of artists has responded to, as curated by visual artist Jarra Karalinar Steel (Boonwurrung/Wemba Wemba) — an alumni of the 2021 trams. "This year's First Peoples Melbourne Art Trams truly embody the transformative narratives of First Peoples Artists' creative expression, and the diversity that is often overlooked when it comes to Aboriginal Art in Australia. For me, the theme this year — 'Blak futurism' — is about reclaiming and taking back space, and breaking the status quo while maintaining culture and connection to country. It' also about learning from our past and those who came before," said Steel. "Blak futurism plays with nostalgia, pop culture and the desire to see ourselves represented in a world where we feel unseen and heard. Changing the way we are seen and the way we see ourselves." "I was looking for works that truthfully spoke to how these artists saw a Blak bright future for their community, families and country. This year's Art Trams will provide a world of colour to our grey city streets, exploring themes of community, togetherness, intergenerational collaboration, protection and care for country and our animals, future folklore, nostalgia, representation, and pay tribute to our beloved city." The first art tram to start doing the rounds boasts work by Amina Briggs (Boonwurrung/Erub). It hit the streets on Tuesday, June 13, featuring a portrayal of Bunjil the creator and Waa the protector, key figures in Boonwurrung culture. Also included, in a piece that's about reclaiming land: the Australian raven and the wedge-tailed eagle, the symbolic animals for both figures, plus a diamond, which is the traditional Boonwurrung symbol. By Friday, June 23, the remaining five trams will also get zooming, giving Melbourne a moving exhibition. Rubii Red's (Lama Lama) contribution is an ode to Naarm, including its protests, music and nightlife; Charlotte Allingham (Wiradjuri and Ngiyampaa) has created a piece envisioning a future that values Blak freedom, self-expression, sustainability and innovation; and Jay Van Nus (Pibelman Noongar, and a Chilean Australian brotherboy) celebrates Indigenous knowledge and community, including diverse skills and ideologies coming together. For their tram, Lyn Thorpe (Yorta Yorta/Wurundjeri/Wamba Wemba/Wadi Wadi) and her son Coree Thorpe (Yorta Yorta/Wurundjeri/Gunnai/Gunditjmara) hone in on the Aboriginal continuum, which spans connections to ancestors and being caretakers for knowledge. And Peter Waples-Crowe's (Ngarigu) work focuses on the alpine dingo, using it as a symbol of ecosystem restoration, while contemplating restoring Indigenous knowledge. Melbourne Art Trams is a collaboration between RISING, Creative Victoria, Department of Transport and Planning and Yarra Trams, allowing local First Nations artists submit their own original tram-inspired designs — and ran as part of the Melbourne International Arts Festival before RISING's arrival. The first of Melbourne's 2023 art trams hits the tracks on Tuesday, June 13, with the rest of the fleet joining them by Friday, June 23. For further details, head to the RISING website. Images: James Morgan.
To choose the life of an artist means choosing canned tuna dinners, free beer at openings across the city and what is often a constant battle between maintaining artistic integrity whilst trying to put those aforementioned cans of tuna and that free beer on the (dirty share house) table every night. Each year, in association with the philanthropic Balnaves Foundation, the Australian Centre for Contemporary Art gives a handful of Australia's most exciting emerging artists a massive leg up, inviting them to create site-specific pieces for the annual NEW exhibition. NEW 13 is curated by ACCA's associate curator Charlotte Day and features the work of Benjamin Forster, Jess MacNeil, Alex Martinis Roe, Sanne Mestrom, Scott Mitchell, Joshua Petherick and Linda Tegg. The vastly divergent offerings include a sculpted weeping woman that cries actual tears, the ghosts of imaging technology captured and a piece that sheds sunlight on previously overlooked crevices of ACCA. Image — Alexis Martinis Roe, The Practice of Doing, 2013
You've listened your way through multiple seasons of Serial. You've tuned your ears to plenty of other similar podcasts, too. And, when you've been sat on your couch, you've watched your way through the seemingly non-stop array of shows about real-life cases as well — whether you're more interested in lurid stories such as Tiger King, or shows with a more personal focus like I'll Be Gone in the Dark. If all of the above applies to you, you're clearly a fan of true-crime tales. It's a great time to be interested in the subject, because more and more cases gone by keep getting the podcast or small-screen treatment. Dropping on Stan on Sunday, November 29, After the Night is the latest. And, if you feel like you've already seen and heard every story there is — especially regarding US crimes — this one focuses on an Australian serial killer. Known as 'The Night Caller', Eric Edgar Cooke terrorised Perth in the early 1960s. He's known to have murdered eight people, and he also assaulted and tried to kill many more, but local police took their time in connecting him to his horrendous acts. As created and directed by Perth-born filmmaker Thomas Meadmore (The Spy Who Fell to Earth), After The Night explores the details across a four-part series — spanning Meadmore's own return to Perth and also featuring interviews, including with two men wrongly convicted of Cooke's crimes. Viewers can expect a true-crime investigation with plenty of twists and turns — which is exactly what the genre always promises, of course. Here, though, you'll also watch your way through a series that ponders not only Cooke's heinous deeds, but the quest for justice they inspired and the impact the whole ordeal has left on the local community. Check out the trailer below: https://www.youtube.com/watch?v=TqQSfltwvuk&feature=youtu.be After the Night will be available to stream via Stan from Sunday, November 29.
Myers Place: That tiny laneway capillary between Bourke and Little Collins streets, flowing with booze and the aroma of exotic cooking. As one of Melbourne's original inner-city small-bar destinations, it's now home to a small fortune in restaurants, art venues and drinking holes — all within metres of each other. This time we move beyond the solid stuff, as Eat Streets shows you not only where to get fed but watered and cultured too. Lily Black's Boasting the 'largest collection of bitters in world', Lily Black's prides itself on the cocktail craft. The seasonal cocktail menu is testament to the claim, best attacked using their ingenious visual key — choose between bitter, boozy, dry, hot, refreshing, rich, savoury, smoky, sour or sweet flavours, and let your bartender do the rest. Take a seat in the speakeasy-style surrounds and watch the staff chisel hand-cut shards from the ice block and shake drinks like they're Ricky Martin with a set of maracas. On the last Sunday of every month, check out the Iron Bartender competition — an opportunity for Melbourne's best mixers and shakers to demonstrate their flair and brew up their cocktail best. Until then, drop by after dinner for a Hot Forest (Maker's Mark bourbon, maple, lemon and charred cedar; $19) or a Japanese Cigar (Courvoisier VS cognac, Ardbeg whisky, hickory-smoked orgeat and bitters; $19) — they're open late. 12 Meyers Place, Melbourne, (03) 9654 4887, lilyblacks.com.au San Telmo After a cocktail next door, don't be surprised if you find yourself on the doorstep of San Telmo, succumbing to the enticing pull of the Argentinean grill. Inside, carnivores congregate around the Parilla (the imported Argentine charcoal grill, pronounced par-ee-sha) — feasting on slabs of tender, smokey charred meat. Order by cut: short ribs, flank, rib eye and all the steaks of rump are on offer here. The menu is designed to share, which means that our vegetarian friends needn't miss out. The sweet-burnt carrots with thyme and goats cheese ($13), provolone, mozzarella, basil and capsicum empanadas ($6), or Brussels sprout, roasted shallots, hazelnuts and agave vinaigrette will appease the non-animal eaters, while desserts like the dulce de leche creme caramel with salted peanut praline ($14) will have both tribes fighting over the fork. 14 Meyers Place, Melbourne, (03) 9650 5525, santelmo.com.au The Waiters Club It's been around since 1947 and still resembles an old Coles canteen from the 70s, but, despite missing out on the neighbouring Meyers Place revolution, the Waiter's Club remains a city stalwart. Originally a members-only, after-work venue for Melbourne's new-Australian waiters, the restaurant now hosts a cross-generational legion of foodie fans. Tuck in to a welcoming bowl of pasta or a generous slice of tiramisu; fine dining it's not, but it's homely and dependable. In fact, its no-frills service, laminex tables and daggy curtains might remind you of Nan's kitchen as it remains immune to the evolving trends of the streetscape downstairs. Let's hope it never changes. 20 Meyers Place, Melbourne, (03) 9650 1508 Meyers Place Meyers Place was a pioneer of Myers Place when it first opened in 1994 (as one of the first on the scene, its owners probably didn’t realise how confusing their name would one day become). Part of Melbourne's original hole-in-the-wall bar revolution, the venue was first conceived by a group of mates who lived in the city and wanted somewhere nearby for a drink. From there, 6 Degrees Architects took responsibility for the build, using recycled materials such as ex-government office fittings, train armrests and timber panelling ripped from the old stage of Melbourne's town hall. Doubling as an art space, the regular program of exhibitions allows punters to feels cultural while imbibing in a $5 house wine. After all, it's all part of the arts experience — and there's nothing wrong with that. 20 Meyers Place, Melbourne, (03) 9650 8609, meyersplace.com.au Senoritas While Mexican food might not be as in-vogue as it once was (long surpassed by the dude food trend, food trucks, and science-lab gelato), people are still willing to queue down the street for a taste of taco, suggesting its popularity remains strong. Joining the likes of Touche Hombre and Mamasita, Senioritas gains a competitive advantage over their popular peers by allowing bookings — saving diners an agonising wait in the queue. This allows maximum time to sit back and try the tequila — perhaps matched to grazing the selection of tacos like the roasted pork shoulder with cinnamon, orange, thyme, frijoles and pickled red onion ($14), or the sweet potato, epazote and black bean taco with queso fresco and chipotle mayo ($12). Eating amongst the dramatic neon-lit interior and ghoulish, Day of the Dead-themed decor isn't as authentic as grabbing a quesadilla from the dusty Mexican roadside, but it sure makes for an entertaining night out. 16 Meyers Place, Melbourne, (03) 9639 7437, senoritas.com.au Unfortunately Senoritas has temporarily closed, but hopes to reopen again shortly. Loop Part bar, part performance venue, Loop provides a space for artists, film makers and live audiovisual performers (and fans of all the above) to share their creative energies — over a pizza and pot of beer. With an event calendar that offers something different almost every night of the week, expect film festival screenings, performances of buzzing electro-pop and DJs every weekend. Loop is also a pillar of the local filmmaking community, presenting Comfortable Shorts each month — a series of short films from local and international creatives. 23 Meyers Place, Melbourne, (03) 9654 0500, looponline.com.au Lane's Edge Fuss free, friendly and a bit of fun, Lane's Edge serves as casual entry point to the off-Bourke laneway. It takes a multidisciplinary approach to hospitality — the kind that warrants anything from a morning coffee with the paper, a lunch break with your work colleagues or a late night passed with a stranger on a loose night out. Accompany any of the above with a bowl of pumpkin soup. The bamboo-clad beer garden provides offers a discrete vantage point from which to enjoy sneaky lunchtime beers, while still keeping an eye on the laneway antics. Chances are you might catch a glimpse of your boss at the bar next door. 39 Bourke Street (cnr of Bourke and Meyers Place), Melbourne, (03) 9654 2409, lanesedge.com
It may have taken 15 years and two full blown reboots, but the Spider-Man movies finally have a decent villain. Gone are the Green Goblins and anthropomorphic sandpits, replaced at long last by...a guy. Just a guy; a vulnerable, human, salt-of-the-earth labourer trying to carve out a little something of his own amongst the rubble and ruin of a post-Avengers New York City. Played by Michael Keaton, Adrian Toomes is an ordinary character in an extraordinary world, whose bare bones simplicity helps ground this refreshingly low-key entry in the Marvel Cinematic Universe. And low-key is the key to this movie's appeal. Spidey (Tom Holland) isn't a world saver, but a hero for the little guy; intervening in grocery store holdups and helping grandparents with their luggage. The problem is that he wants more. He's fought alongside Iron Man and taken on Captain America, and the expectation of future avenging is what drives his daily routine. Expectation, however, soon falls short of reality, as he's told by Tony Stark (Robert Downey Jr) that which no teenager ever wishes to hear: "you're not ready". What's worse is that Stark is plainly right. Thing is, gaining super-powers doesn't mean you automatically gain super skills, and Spidey/Peter Parker is a superhero still very much in the training wheels phase. It's a clever device by director Jon Watts, whose hero – like a giraffe attempting its nervous first steps – repeatedly fumbles his landings, misses his web castings and wreaks low-level havoc in suburban backyards while chasing down the bad guys. Paired with raging hormones in a body that's also transforming in a more typically teenage way, and Peter makes for an immensely likeable lead. It helps that Holland makes for a far more plausible teen than either Tobey Maguire or Andrew Garfield. The teenage superhero setup has always given Spider-Man an added complexity (one perhaps only shared by Superman), in that his public persona is painfully weak and nerdy. Bruce Wayne and Tony Stark get to be billionaire playboys when they're not battling criminal kingpins, but Peter Parker is perceived as a weedy, bookish, scatter-brained dork who rolls over for bullies and can never keep an appointment. His life would be immediately and immeasurably better if he simply revealed his true, courageous self. But to do so would invite sudden and deadly peril upon all those he cares about. That dilemma, in turn, passes on to the audience, as you find yourself grappling with your desire to see Spider-Man take down the villains but also make his date with the dream girl. Even better, it all comes without another version of Uncle Ben's 'great power comes with great responsibilities' speech, or another retelling of Parker's spider-bite origins. Spider-Man: Homecoming is a film that knows what we already know, and just gets on with telling its story. If there's a drawback to all of this, it's that the final product feels a little bit childish. Yes, it's a film about a teenage superhero, but plenty of movies have captured the teenage experience without feeling like they were written by teenagers as well. There's far too much 'whoa, awesome, dude, bro, cool' going on here for our liking, although thankfully the adults (Downey Jr, Jon Favreau, Marisa Tomei and Keaton) provide plenty of counterbalance. Minor flaws aside, Spider-Man: Homecoming is a fun cinema experience, and a refreshingly human story amidst the surfeit of superhero movies that continue to flood our screens. Oh, and yes, there are the additional Marvel scenes – so if you're so inclined, remember to stay through to the very end of the credits. https://www.youtube.com/watch?v=n9DwoQ7HWvI
Over the past decade, perhaps the greatest collective strength of the 18 (yes, 18) movies in the so-called Marvel Cinematic Universe has been their relative independence. From the very first Iron Man through to the most recent Black Panther, each film has (mostly) achieved an impressive balance of telling its own, distinct story while also servicing the ultimate end-game. Each new entry had enough in-jokes and easter eggs to satisfy the super-fans, but never so many that a newcomer couldn't enjoy the experience from an entirely cold start. The same cannot be said for Avengers: Infinity War, but then again, for directors Anthony and Joe Russo, that was never the intention. This isn't just the 19th film in the MCU, it's the culmination of the entire franchise; a sprawling, non-stop action movie purpose built, this time, for the fans. It's relentless, entertaining and more than a touch surprising. Unfortunately it's also starved of substance and likely to leave many feeling shortchanged. Ultimately, it all comes down to scale. Perhaps for the first time, this cinematic universe is truly universal in its scope. It moves from one galaxy to the next with bewildering speed, including planets so ancient and remote many of the characters have either never heard of them or dismissed their existence as the stuff of legend. And of those characters, where to even begin? In January of this year Chris Hemsworth, who plays Thor, casually dropped mention of an extraordinary 76 separate Marvel characters set to appear in Infinity War. Even if he was being slightly hyperbolic (one quickly loses count, so the number might actually be bang on), his comments nonetheless captures the magnitude of this gargantuan blockbuster. But like the pop culture references in the recent Ready Player One, many of these inclusions offer little substance beyond an excitable Pavlovian response triggered by recognition ("Heeey, it's Black Widow! Ooo it's…whatshisface!"). Even with the film's indulgent 156-minute run time, the decision to pack so many characters into a single film inherently means Infinity War must choose between cameo and character, with the former largely winning out. That means that many of the incredible cast members are saddled with just a handful of lines each, with perhaps the fewest coming from Chadwick Boseman's Black Panther (despite the fact that a significant section of the film taking place in his kingdom of Wakanda). Again though, the Russos have knowingly committed to the 'as read' nature of this film, opting instead to devote the lion's share of screen time and dialogue to the only real newcomer: the villain, Thanos (Josh Brolin). Thanos first appeared during the end credits of the original Avengers movie back in 2012. Since then he's been a constant (if fleeting) reference point for the coming storm that is Infinity War. He is nothing if not formidable – a softly-spoken juggernaut whose vision for a harmonious universe involves the mass genocide of precisely half its inhabitants. To achieve that he requires the fabled 'infinity stones', several of which are unfortunately located on earth in the hands (or foreheads) of various Avengers. He is a worthy antagonist for such an enormous project, and what really separates him from all the other Marvel villains is his capability; an indomitable strength that renders void the efforts of every other hero he encounters. Teamwork has always been the name of the game in the MCU, but even the combined efforts of the entire super-powered lineup seems destined to fall short. Of course Infinity War is actually just part one of two films, with the second instalment scheduled to drop in May 2019. Its ending, hence, leaves a lot to be resolved, and it's difficult not to assume much of that will centre upon some extensive Dr. Strange time reversal. There's a serious chance the series could be veering toward shark-jumping territory, so fingers crossed the Marvel boffins have something far grander and more unexpected planned. Until then, brush up on your backstories and strap in for one helluva ride. https://www.youtube.com/watch?v=QwievZ1Tx-8
The city is about to get greener, thanks to the City of Melbourne's new $500,000 investment in five sprawling greening projects worth an estimated $3.8 million, announced Saturday, December 10. The spaces are expected to deliver 1,000 square metres of lush new green cover across the city. In partnership with the Department of Transport and Yarra Trams, four Melbourne tram stops will score rooftop green spaces including planters filled with local flora and Indigenous wildflowers from the Volcanic Plains Grasslands. Port Melbourne-based developer, Plant Based Building Solutions, has been tasked with the complicated growing and installation process. The team plan to use drought-tolerant plant palettes to combat Melbourne's dry summers, with installations expected to be completed in mid-2023. [caption id="attachment_882118" align="alignnone" width="1920"] Image: Realview Studio, Yarra Trams[/caption] You'll be able to spot these mini ecosystems at Stop 3 at Collins and William Streets and Stop 5 at William and Bourke Streets. Two native community gardens are also on the cards, with the historic North Melbourne fire station and a Jolimont apartment block on Agnes Street both earmarked for developments. Finally, a wall of greenery is expected for Collins Street's Hero apartments. [caption id="attachment_836582" align="alignnone" width="1920"] Image: Skyfarm[/caption] The final project will be announced in early 2023. The five projects are funded by the City of Melbourne's Urban Forest Fund Grant Program, which also supported Skyfarm — the rooftop urban farm nestled on a CBD rooftop. This is the third round of funding announced to support green projects across the city. Top image: Realview Studio, Yarra Trams
If you're a wannabe wizard or witch looking for more Harry Potter magic in your life, there's no shortage of ways to accio up some enchanting fun. Harry Potter-themed potions bars have been popping up across Australia and New Zealand for a few years. Pokemon Go-style game Wizards Unite is available to play whenever you like. In London, the Fantastic Beasts films have even inspired a natural history exhibition. And Harry Potter and the Cursed Child is still casting its spell on Melbourne, a city that's also home to Australia's biggest Harry Potter store — and screenings, parties, escape rooms, scavenger hunts and other HP-centric events are extremely common everywhere, really. Soon, all of above might pale in comparison to the kind of space HP fans can really lose themselves in — and one that, hopefully, visitors would need a Marauder's Map to get around. That'd be a dedicated Harry Potter theme park, which could be coming to Tokyo soon, The Japan Times reports. It seems that the owners of the Toshimaen amusement park in Tokyo's Nerima ward are thinking about closing down, ending its 94-year run. And, at the same time, it seems that Warner Bros. Entertainment Inc is contemplating taking over the venue — waving a few magic wands about and turning it into a Harry Potter-theme park. [caption id="attachment_761496" align="aligncenter" width="1920"] Toshimaen. Image: Rsa via Wikimedia Commons[/caption] Few other details have been revealed as yet but, if it does happen, it's unlikely to open until at least 2023. Variety notes that it'll probably feature sets that patrons can tour, rather than rides — so if you were hoping to play quidditch, travel by portkey or ride the floo network, that doesn't seem to be on the agenda. Generally, it appears that the Tokyo park will be modelled after the existing Harry Potter attraction in London, which also spans costumes, props, exhibitions and special events. For Valentine's Day, it's hosting romantic feasts in the Great Hall, for example, while 'A Celebration of Slytherin' will also deck the place in shades of green and silver later this year. Japan is already home to a Harry Potter theme park zone at Universal Studios Japan in Osaka — so diehard devotees just might have to visit two of the country's cities. If it does come to fruition, add the dedicated Harry Potter theme park to Japan's hefty range of pop culture-themed attractions. A Super Nintendo amusement park zone is due to open at the aforementioned Universal Studios Japan in Osaka by mid-2020, a forthcoming Godzilla attraction will let you zipline into the monster's mouth, and a Studio Ghibli theme park is in the works — and Tokyo already boasts huge Godzilla and Gundam statues, as well as the Studio Ghibli Museum just outside the city. Via The Japan Times / Variety. Top images: Warner Bros Studio Tour London.
Australian author Christos Tsiolkas is back with a new novel, Barracuda, sure to get the nation talking. The follow-up to 2008's agenda-setting, TV-destined hit, The Slap, it's an exploration of failure and how to come back from it. Ahead of his sold-out talk at the Festival of Dangerous Ideas, Christos spoke with Marcus Costello about the nature of failure. You're a winner. And you don't have kids. Who are you to talk about teaching kids to fail? Fair call. To be honest I'm very wary of telling anyone how they should lead their lives. The thing is, I believe you can only ever truly talk from your own lived experience. Everyone's failures and, for that matter, everyone's experience of parenthood is unique, so to speak on behalf of anyone else under the pretence that you're all part of a select group [parents] isn't really fair either. That said, you know, maybe because I'm not a parent I can think what's in the best interest of a generation of children, not just my child, my flesh and blood. I can ask the question: Have you come here to learn how to raise your kid to be the best or how to think about what's best for your kid's generation as a whole? I mean, if we care to think about it, the wholesale derailment of the education system by the private sector has failed so many underprivileged children. And yet, my guess is, were they able to afford it, most parents would want to send their kid to a private school, and in so doing, feed the beast. But my talk isn't only about teaching children the virtues of failure. My talk is going to focus on how failure marks a certain adult relationship with Self and the world by way of moments in my life where I feel I've failed and the lacerating but ultimately rewarding experience of atoning for that failure. But if one can atone then it's not true failure; it's just part of an eventual success story, no? I see what you mean. Like, if you flick through any of those in-flight magazines there's always a profile of some celebrity that reads like an elaboration of a Nike advertisement or some dot-com entrepreneur in Forbes talking about how "failure made me stronger". My talk isn't going to be like that. The kind of professional failure I'm interested in exploring isn't so much a book that didn't sell well, but a book I've put out that betrayed my integrity or where I made lazy choices. I feel this way about my second novel, Jesus Man. On a personal level I've failed as a friend, as a son, as a lover ... On a national level, and this is a central theme of my talk, the culture of ruthless materialism and political self-regard that has emerged over the past two generations strikes me as a moral failing. That makes me think of a quote by Po Bronson I found while researching, "Failure is hard, but success is far more dangerous. If you're successful at the wrong thing, the mix of praise and money and opportunity can lock you in forever." Yes! That's so accurate. The seduction of success is something we all need to keep in check because when we step into smaller and smaller social circles it's so easy to fall out of touch with the broader community. How will you feel if your new novel Barracuda flops? Come what may, I feel I've reached a certain point in my life where I know that, for the rest of my time here, writing is what I will do. In that way you're fail-proof. I mean, if you think of yourself as destined to write, compelled by a force greater than commercial success, then you've beat the system. I guess you're right. As an artist it's folly to single out any one work as the mark of failure or success — if you're true to what you do then you see everything you produce as building towards something greater. That said, if Barracuda flops I will be upset, but for other reasons. There are so many people around me who are invested in this book and in my success — I don't want to let them down. Like The Slap your FODI talk is for an elite audience. The sad truth is that if anyone thinks anything of a child being slapped at a BBQ, that marks them as elite. To that end, how dangerous is any idea if you're only talking to those people who actually care to think about ideas? Ah, yes, this is true, and such a hard thing to deal with. I guess I can only hope that what I say will spark conversations beyond the Opera House; that someone will listen to what I have to say and take that message to someone else and the word will filter out that way. I wish I had a better answer to that but I don't. Barracuda is out now through Allen & Unwin. The Festival of Dangerous Ideas is on at the Sydney Opera House from November 2-4. Top image by John Tsiavis.
Maltesers Moonlight Cinema is back for its 18th season of open-air cinema. The summer staple has put together another cracking program to tickle the cinematic tastebuds of old and young alike — from advance screenings of the hottest blockbusters to cult classics, blood-rushing action flicks to heart warming rom-coms. This year's venue is the Royal Botanic Gardens. Embrace the serenity of the gardens at day's end — look, not a personal trainer in sight! Hire yourself a beanbag or simply sprawl out on the grass under the stars with a loved one. Movies aren't the same without a few delicious snacks and perhaps a few beverages to complete your cinematic experience. It's the perfect way to unwind after a hard day and usher in those balmy summer nights. There's also the option of 'Gold Grass' tickets, which gets you a bean-bed in the front rows and designated waitstaff. New releases include the much-anticipated return of Ron Burgundy in Anchorman 2: The Legend Continues as well as sneak previews of big Boxing Day releases The Railway Man and The Secret Life of Walter Mitty. Sometimes it's the classics that can be most fun, however. Embrace your inner dag and negotiate how much a set of jousting sticks should cost with the much-loved and highly quote-able Aussie comedy The Castle. Or roll out the picnic rug and share a meal fit for Jehovah over Monty Python's 1979 gut-buster, The Life of Brian. If there's one thing Moonlight Cinema has proven itself more than capable of, it's cherry-picking the most enjoyable moments in cinema and creating a relaxed and sociable atmosphere to boot. Maltesers Moonlight Cinema runs from December 5, 2013, to March 30, 2014, and Concrete Playground has five double passes to give away (valid for a screening of your choice). To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address at win.melbourne@concreteplayground.com.au.
This American Life no longer requires any introduction. You and your youngish, globalised, culture-hungry friends are probably all over this podcasted hour of digestible journalism and storytelling. What's slightly less well known is the producers' experiments in translating the show's trademark style to visual media, including through a Showtime TV show and stage show The Invisible Made Visible. They're playful, inventive forays for our cross-platform age. Now comes phase (approx.) four: the movie. Co-written and produced by Ira Glass, Sleepwalk with Me is the feature-length adaptation of Mike Birbiglia's very memorable extreme-sleepwalking/relationship-breakdown stand-up routine, which was included in the TAL episode 'Fear of Sleep'. He has to preface this story with an assurance that it's true, because as he goes from fighting an imaginary jackal to falling off a shelving unit he's climbed in the belief it's a winner's podium to waking up bloodied on a hotel lawn, it increasingly doesn't sound like the cute, ha-ha version of sleepwalking we know. As Mike (or 'Matt Pandamiglio' as he's known in the movie) tells it, his sleepwalking gets worse as his girlfriend of eight years, Abby (Lauren Ambrose), starts to hint at marriage, babies and other grown-up things he's not ready for. He starts using the relationship concerns he can't vocalise to her in his stand-up, getting laughs for the first time. If you've heard the comedy routine that underlies Sleepwalk with Me on TAL, you'll know its engrossing, winningly self-deprecating and very funny. But it's as if the creative team felt that to make it worthy of a feature film they had to emphasise the relationship element, and that's just not the story's strong point. The idea of the man-boy who can't commit is rather '90s, and neither the narrative nor style brings it forward two decades, to where it should be. Sleepwalk with Me is still funny, but nothing in its bones suggests the creativity, forward-thinking or immediacy that This American Life has cultivated as its brand. And that dulls the experience of watching it. Birbiglia certainly makes some adorable, true-ringing observations about life and love. Just be prepared that the laughter-to-irritation ratio may not be one you find favourable. https://youtube.com/watch?v=u9tRN7bok4o
A long time ago, in this very galaxy, brass instruments sounded, a text crawl started and the first Star Wars film burst onto the screen. Thanks to director George Lucas and composer John Williams, it's one of the most iconic movie openings in history — and, in all of its force-wielding, Death Star-destroying, orchestra-scored glory, the sci-fi classic is making a kriffing special return. With Star Wars: Episode VII — The Force Awakens getting the concert treatment in 2017, every jedi, wookiee, droid and even sith around the rest of the country has been crossing their fingers and toes for a similar blend of Star Wars movies and music. Those hopes and dreams are being answered with three screenings of Star Wars: Episode VI — A New Hope at Hamer Hall in February 2018. The film will roll, the Melbourne Symphony Orchestra will perform Williams' Oscar-winning compositions, and you'll burst with a Millennium Falcon's worth of happiness. Whether you're a huge Star Wars buff eager to ride a wave of excitement past Star Wars: Episode VIII — The Last Jedi's December release, just have a casual interest, or have no idea what the term R2-D2 means, mark February 2 and 3 in your diary and prepare to experience history — it's the first time that a live performance has accompanied A New Hope in Melbourne. The MSO's associate conductor Benjamin Northey will once again lead the charge, as the city's finest provide the soundtrack to Luke Skywalker meeting Obi-Wan Kenobi, Princess Leia sending a message for help, Han Solo oozing his usual attitude and Darth Vader just being a power-hungry jerk.
December 25 might be the big Christmas dance, but celebrating the season happens all throughout December (let's be honest, it now actually starts on November 1). So, you can spend your time leading up to the merriest day of the year getting jolly in a heap of ways. Lune's December specials are among them. Each month, Lune Croissanterie whips up a new batch of limited-time offerings, giving you something tasty to look forward to when you flip over your calendar. Iced Vovo cruffins, twice-baked finger bun croissants, pumpkin pie cruffins, lasagne pastries, lamington cruffins, its own take on baklava, sprinkles-topped birthday cake croissants: they've all been on the list in 2023, just for a month. Now, with festive season upon us, the Kate Reid co-founded bakery brand is dishing up appropriate treats. Start with a pavlova croissant, then move onto a brandy Christmas pudding. Pavlova and croissants, together at last: that's one of the tastebud-tempting December specials. Lune is taking its twice-baked croissants, then adding layers of coconut frangipane, pavlova and fresh passionfruit — and topping it with whipped cream, summer fruits and shards of meringue. You'll find it on offer everywhere except the Melbourne CBD, and you can order it online from Fitzroy and Armadale in Melbourne, plus South Brisbane and Burnett Lane in Brisbane. Christmas pudding fiends can tuck into a new festive pastry that goes heavy on brandy, making it an adults-only treat. Lune's iteration of the festive staple includes brandy-soaked fruit cake, brandy caramel and brandy pastry cream, then candied orange peel and fresh nutmeg on top. This one is on offer everywhere except the Melbourne CBD outpost again, and for pre-order at Brisbane's two venues. Still keeping things sweet, a choc peppermint twice-baked pain au chocolat is also on the menu. It features chocolate frangipane, mint fondant, dark chocolate crumb, melted chocolate and crushed candy cane, and can be nabbed at all stores (with pre-orders everywhere but the Melbourne CBD). Rounding out the December range are the mango, lime and tajin cruffin, plus the margherita pizza escargot — so, a taste of Mexico and Italy, respectively. The first fills a Lune cruffin with lime gel, mango curd and fresh mango, then dusts tajin sugar on top, as well as diced mango, lime zest and tajin (and can be found in-store at and pre-ordered everywhere except the Melbourne CBD). The second pairs one of Lune escargot's with Napoli sauce, smoked scamorza cheese, fior di latte, pesto, fresh basil and chilli oil, which you can enjoy at all sites and for pre-order everywhere but the Melbourne CBD. Lune's December specials menu runs from Friday, December 1–Sunday, December 31, with different specials on offer at Armadale, Fitzroy and the CBD in Melbourne, and South Brisbane and Burnett Lane in Brisbane. From some stores, you can also order them online. Images: Peter Dillon.
One of Australia's largest contemporary multi-arts centres has gone into voluntary administration as the industry is hit hard by the COVID-19 pandemic. After being forced to close in late March and standing down almost half its core staff in mid-April, Carriageworks in Sydney's inner city has this morning, Tuesday, May 5 announced the appointment of Phil Quinlan and Morgan Kelly of KPMG as its administrators. In a statement, the Eveleigh multi-arts centre said, "the sudden cancellation or postponement of six months of activities due to restrictions on public gatherings has resulted in an irreparable loss of income." Upcoming events set to take place at Carriageworks included Sydney Writers' Festival, Mercedes-Benz Fashion Week and Semi Permanent, all of which have been cancelled or postponed in line with the government's restrictions on mass gatherings. The ongoing Farmers Market, which saw up to 5000 Sydneysiders visit each Saturday, has also been put on hold during the pandemic. [caption id="attachment_716971" align="alignnone" width="1920"] Carriageworks Night Market by Daniel Boud.[/caption] On the closure, Carriageworks CEO Blair French said in a statement: "Since opening in 2007, Carriageworks has enjoyed the support of both the NSW and Federal Governments, and the generosity of its many partners and donors. With restrictions on social gatherings likely to remain in place for some time to come, the Board determined that it had no alternative but to place the company into Voluntary Administration." While Carriageworks relies partially on government funding, it generates 75 percent of its revenue from "on-site events and programs". Carriageworks administrator Quinlan said that "all options are on the table" for the future of the arts organisation, with stabilising its financial position and allowing it to "continue its important role for Australian arts and culture" being one of them. French echoed this sentiment, saying, "the Board remain hopeful that the Carriageworks facility will be able re-open to artists and community alike once NSW emerges from the effects of the current pandemic." Top image: Jacquie Manning
Well before Margaret Atwood's dystopian novel The Handmaid's Tale was turned into a TV series, it was transformed into an opera. And this October, the show will make its Australian premiere as part of the inaugural Yarra Valley Opera Festival. Among the historical buildings and landscaped gardens of Olinda Yarra farm, you'll experience Offred's story taken to new dramatic heights, thanks to Melbourne-based opera company Gertrude Opera. The work was originally created by Danish composer Poul Ruders and librettist Paul Bentley and, since premiering in Denmark in 2000, The Handmaid's Tale opera has appeared in the UK, the US and Canada. We can safely say there will be no Talking Heads in this version. If you don't yet know the story by way of your high school reading list or SBS On Demand, here's the gist: a handmaid, Offred is sent to a barren household, where, once a month, she is forcibly inseminated in the expectation that she'll bear a child for The Commander, Fred Waterford. The Yarra Valley Opera Festival will take place over ten days, from October 12–21. Other highlights include the Gala Opening Concert, Mozart's Cosi Fan Tutte sung in English and an evening combining opera trivia and dinner.
In an era when plastic waste is on all our minds and packing a serious threat, Melbourne's got a new eco hero. And this one happens to be of the four-wheeled variety. Introducing Roving Refills — a new local environmental initiative that's set out to put a big dent in our container habit. The vehicle operates a bit like your favourite food truck, with locations posted to social media. But instead of takeaway fare, this one's loaded with bulk cleaning and laundry products. Think detergent, dishwashing liquid, disinfectant, shampoo and conditioner, plus ingredients for DIY products such vinegar, bicarb soda and coconut oil. Rather than racking up more plastic waste with each trip to the supermarket cleaning aisle, you can bring your own reusable containers to Roving Refills to fill up on the go. It's the brainchild of Environmental Management and Sustainability Masters student Claudine Lagier, who runs the van as a part-time side project with her sister Raphaelle. Right now, they're operating using a borrowed ute and a mobile vendor permit for the City of Maribyrnong, but have plans to expand to more locations — and hopefully obtain a new solar-powered or hybrid vehicle to keep those carbon dioxide emissions to a minimum. You'll also spy them popping up at a handful of markets, in areas like Kensington and Altona. The Roving Refills concept sets out to take a direct hit at plastic waste, inspire action and give consumer habits a big ol' shake-up. While most of us are becoming more mindful of the waste generated by our food products and things like straws and plastic bags, Lagier wants to extend the focus onto other plastic-filled aspects of daily life. And she's certainly leading by example — aside from the products themselves, which are bought wholesale from mindful operations like Williamstown's Back to Basics and Robyn's Soap House in Knox, Roving Refills uses almost only recycled items. We're talking ice cream containers upcycled into storage boxes and chipped cups used as scoops, sourced from places like Urban Upcycle in Geelong. Keep track of the Roving Refills van — its movement are posted on its Facebook page. Updated: June 4, 2019.
In the early 1970s Patti Smith and Sam Shepard illicitly shacked up in the notorious Chelsea Hotel and co-wrote a play in just two nights, literally shoving a typewriter back and forth across the table until Cowboy Mouth was complete. Forty years on director Emily O'Brien Brown and Exhibit A: Theatre pay homage to the self-destructive lovers' attempt to immortalise their young wild selves through the play’s two characters, Slim and Cavale. Cavale is French for “escape” and Slim is “a rock ‘n’ roll Jesus with a cowboy mouth” — a far cry from Slim Shady. Cavale and Slim fight, drink and wrestle with their own egotistical fantasies of themselves; their unravelling mental states mirrored by the literal deterioration of their decrepit, rundown hotel room. Like a rock royalty version of Vladmir and Estragon in Waiting for Godot, both express a desire to leave but neither follow through. Instead, they play games or musical instruments and survive, barely, on dreams, Cavale’s stories and lobster take-out. Adorned with a baseless mattress, tatty drawings and a drum kit, the stage at GoodTime Studios is cleverly used to show the two characters trapped in their perceived corner. Cavale cuddles a dead bird and tells stories of dead French poets as she avariciously stalks Slim across the stage. He is edgy and practically aquiver with artistic torment: he’s left a wife and child (or she’s left him) for Cavale’s feverish artistic blatherings. Partnered in psychotic torment the two ricochet from happy to wretched, from lustful to fearful, from psychiatrists to podiatrists. Comic relief comes, happily, when they call up the Lobster Man — an inarticulate delivery dude outfitted in full crustacean uniform. The theatre group has breathed new life into this rock ‘n’ roll tale of psychotic infatuation with two impossibly attractive leads, an eclectic soundtrack and even a Rock Lobster. Regardless of whether Cavale and Slim are drunk, demented or simply defiant of spiritual demarcation it's surprisingly easy to relate — we all know what it's like to look around and find ourselves trapped in a corner. Image via Exhibit: A Theatre
