The plastic rings that hold six packs together are both genius and hazardous. On the one hand, they're really bloody handy when you're carting six tinnies to a barbecue — have you ever tried to hold six loose cans of beer? — but on the other, they have a devastating impact on marine wildlife when they become waste. To combat the effects these pesky pieces of plastic have on the environment, a Florida brewery has developed a type of biodegradable six-pack ring that can actually be eaten by the animals they usually pose a risk to. After seeing the effect plastic has on marine animals like birds and turtles, Saltwater Brewery — a small brewery in Delray Beach, Florida — teamed up with New York advertising agency We Believers to redesign their packaging to make it more environmentally friendly. What they came up with was a biodegradable version of the plastic rings made of the wheat and barley that's left over after brewing. They claim that it's the first 100 per cent biodegradable, compostable and edible packaging in the beer industry. The first batch of rings were made using a 3D printer, and the brewery aims to produce 400,000 per month to cover their current production. It's a great move that we hope bigger breweries take on. Now to tackle aluminium cans... Via Creativity.
The start of the Tour de France is just around the corner, with the peloton soon leaving behind Lille bound for the Champs-Élysées. Returning for the 2025 race, Bobbie Peels will be there every pedal of the way, pouring premium wines by the glass and serving classic French dishes as each stage is screened late into the night over the three-week event. Held from Saturday, July 5–Sunday, July 27, the Tour de Vino sees the North Melbourne pub curate its wine selection depending on the French region that the peloton is passing through. Making for a dynamic spectator-meets-dining experience, noteworthy wines pair with late-night action and the charming countryside footage that cycling fans know and love. With the Tour de France commencing in Lille, aka the beer capital of France, Bobbie Peels has teamed up with Bentspoke Brewing for the very first time, tapping four special brews to enjoy across the three weeks. Meanwhile, premium importer Enoteca Wines has worked closely with the pub to source stage-winning drops produced across several acclaimed regions. To eat, guests can enjoy a rotating selection of French-inspired dishes, like French onion soup, coq au vin and crème brûlée. "Just like the athletes we see on the bikes, the winemakers we are featuring are true masters of their craft," says Bobbie Peels co-owner Phil Gijsbers. "It will be a pleasure to provide the vinous accompaniment to the world's most prestigious race."
As one of Australia's most prestigious arts awards, the Archibald Prize presents the year's most-loved portrait paintings, with artworks typically featuring the full spectrum of celebrities, politicians, sportspeople, authors and artists. The 2017 award was taken out by Sydney-based painter Mitch Cairns, whose figurative painting depicting his wife, and fellow artist, Agatha Gothe-Snape was a near-unanimous winner. Cairns had previously been short-listed for the award four times, and was runner-up twice, but this time came away with the award — and the $100,000 prize to boot. This year's prize is exhibited exclusively in Victoria by the Geelong Gallery and presents the many engaging, and often controversial works, created by Australia's leading and up-and-coming painters. The entire 43 finalist's paintings are on display — use our handy guide to the Archibald to help you navigate it. Plus, don't miss the pop-up cafes, bars and weekly events taking place throughout the exhibition.
The Church Street space once home to the Great Britain Hotel has been given a new lease on life, and has been reborn as multi-faceted good times haunt, Harlow. Offering a little something for all occasions, the new-look pub now boasts a ground floor bar and dining space, a sprawling split-level beer garden and a neon-drenched basement bar that's heavy on the grunge. With room for 250, the dog-friendly courtyard comes decked out in festoon lighting and lively street art, with a separate entrance for those with four-legged mates in tow. The music offering is as diverse as the space itself, with weekend DJs rounding out a broad-ranging soundtrack through the week. More lively flavours come courtesy of the kitchen, where the focus is on cleverly rejigged pub classics. On the menu, openers might include small bites like mini crab doughnuts or duck and bacon sausage rolls, leading into supporting acts like a decadent steak sanga, loaded with barbecue sauce, swiss cheese and maple bacon. A hefty vegan burger and a smoked beer and cheese hot dog make an appearance, too, while larger groups might be lured by the barbecue option, tucking into a feast of charry treats hot off the grill. And downstairs, with its old-school music videos and low booths, the moodily lit basement bar proves an ideal setting for a cocktail offering that references the different tunes you'll hear throughout the pub each week. Sips like the California Girls — blending citrus vodka, peach liqueur, orange juice and pinot gris — bring the summery pop vibes, while the likes of Boyz-N-The-Hood, crafted with Jack Daniels, Apple Jack, Fireball and apple juice, feature in the menu's hip hop-inspired lineup. Find Harlow at 447 Church Street, Richmond.
If were a kid in Australia over the past four decades, your birthday probably wasn't complete without a butter cake mix, vienna cream icing and some lollies. Thanks to The Australian Women's Weekly Children's Birthday Cake Book, that combination has long been the stuff of youthful dreams — and yes, you probably begged for it to be served in various creative shapes and configurations at all of your childhood birthday parties. We all know the book in question. Even when we were months and months away from next blowing out our candles, we all pored over pictures of its cakes for hours and hours, studiously planning which one we wanted next. And, we all should have a copy of that beloved tome on our shelves now; however, you'd best save some room for its new companion. Get ready to bake your way through the Allen's Party Cake Book, a collaboration between the sweet brand The Australian Women's Weekly that reimagines a heap of the cakes we've all grown up loving with Allen's lollies. To answer your number one question, yes, the famed train cake is included. There are 38 cakes in total, obviously all featuring plenty of Allen's lollies — think: snakes, freckles, bananas, strawberries and cream, raspberries and more — in a big way. That's reason enough to bake a cake, naturally. If you're currently in lockdown, consider it an excuse to treat yo'self to something tasty. And if you need another reason, the book has been released to celebrate Allen's 130th birthday, so you can get mixing and baking to commemorate the occasion. To nab a copy of the Allen's Party Cake Book, you'll need to head to Coles, where they're available for a limited time while stocks last. Because you'll need lollies for all of the recipes, you'll get a copy of the recipe book for free when you buy three Allen's or Bakers Choice products in one transaction. The Allen's Party Cake Book is available from Coles supermarkets while stocks last.
Where better to put on a show about gay marriage than Chapel Off Chapel? Though Standing on Ceremony began its life in New York following the legislation of same sex unions in 2011, this old church in Prahran that now enjoys a vibrant new life as a theatre, seems the perfect venue for exploring the changing face of marriage in Australia. The show comprises nine short plays from American playwrights, including celebrated writers such as Neil LaBute (The Shape of Things; Reasons to be Pretty) and Jose Rivera (The Motorcycle Diaries). In America, it seems to have been often performed as dramatised readings, but this local version is a full theatrical production smartly put together with careful attention to detail in costume and effective use of lighting and rear projection. The cast includes some recognisable names too, including Michael Veitch, Pia Miranda and Spencer McLaren — they’re a charismatic bunch who come together to create believable and endearing couples. While the plays are all very American — the days when anything like this can be written about Australian experiences being still, sigh, delayed — the actors do a good job of capturing American cadences and attitudes. With a live band playing jazz and funky pop covers between plays, there is a party vibe that's similar to attending an actual wedding in the Chapel Theatre. Though you can expect tighter scripting and better jokes than from an average wedding speech, there's just as much emotion. As with an actual wedding, I'd suggest bringing tissues. The plays range from light comic vignettes and slice-of-life dramas, to high satire and some real tear-jerkers. Jordan Harrison’s The Revision is a warm hearted but pointed comedy about two men rewriting their wedding vows to reflect the realistic prospects facing gay couples in modern America. This Flight Tonight by Wendy Macleod, is a beautifully observed depiction of pre-wedding jitters, seen through the lens of two young women needing to travel interstate to get married. Mo Gaffney’s Traditional Wedding reframes the newness of gay marriage by having a long-married lesbian couple looking back on their wedding, while Paul Rudnick’s satires The Gay Agenda and My Husband are ebullient lampoons of social attitudes. A highlight of the night is Doug Wright’s On Facebook a slick dramatisation of an actual online argument that will strike a chord with regular users of social media. Moisés Kaufman’s London Mosquitoes, framed as a eulogy by an elderly Jewish man for his long term male partner, is a bittersweet journey through personal and social history, touchingly spoken by Veitch. But the night hits its dramatic peak with LaBute’s Strange Fruit, a heartbreaking and expertly delivered piece set in California during the struggle for legalisation. The overall arc of the night is well constructed, balancing humour and drama well, and the show comes to a celebratory finale with Rivera’s Andrew and Pablo at the Altar of Words, which brings all the cast on stage for a ceremony featuring some very honest vows, neatly closing the circle started with The Revision. All together Standing On Ceremony is a tremendous night of theatre which gives the topic of gay marriage the multi-faceted, warm-hearted and perceptive portrayal it deserves. I do recommend it.
The team behind recently refurbed The Royce purchased The Lyall back in 2021 and immediately started planning its makeover. The vision was to make it feel less like your usual hotel in Melbourne and more like a series of townhouses or Parisian-style apartments all connected to one another. And they seem to have done a pretty bang-up job, achieving just that. Sat on the leafy Murphy Street just off Toorak Road, you could easily mistake it for yet another luxury home in South Yarra. It doesn't scream 'hotel'. This flows throughout the new space, designed by the DKO team, who've also worked on Archer's Restaurant at Marriott Hotel Docklands and Pullman Melbourne on the Park. The lobby feels more like a luxe living room than hotel, decked out with a marble fireplace, plush seating and views through to the Japanese Maple Garden. The 49 rooms and suites are clearly hotel accommodations — there's no getting past that — but the views over either the quiet street lined by homes or the internal garden do help it feel more like a mini apartment. Guests can choose from balcony rooms, a collection of suites that vary in size, and a lavish penthouse suite with two fireplaces and an expansive outdoor terrace. Each is decked out with dark-stained Tasmanian oak furniture, grey marble bathrooms and plenty of luxury amenities. Some even have deep bathtubs looking out over the street. Director of Interiors at DKO Michael Drescher notes how "the inspiration for this transformation is drawn from the idea of a European pied-à-terre, combining Australian and European furniture to create a blend of comfort and style. The approach exudes quiet luxury, emphasising high-quality, minimalist pieces that possess timeless appeal." This is further reflected in the hotel's restaurant and wine bar, which will be open to the public. Here, contemporary Australian cuisine will be served from breakfast through to dinner, accompanied by an extensive international wine list. Everything at The Lyall is fairly understated but clearly luxurious. The Lyall will welcome its first guests on Thursday, March 14 and can be found at 16 Murphy Street, South Yarra. For more information, head to the hotel's website.
What do Heath Ledger serenading Julia Stiles and a monkey playing music have in common? If you head to Moonlight Cinema in February 2025, they're both on the program — and they're indicative of a lineup that's going big on films about love and also flicks where tunes have a prominent part. 'Tis the month for big-screen romances, unsurprisingly. The outdoor picture palace is celebrating a heap of recent pictures that are either musicals or about musicians, too. If you'll be attending with a date, 10 Things I Hate About You is on the bill nationally, as are The Notebook and How to Lose a Guy in 10 Days. With Moonlight Cinema operating in Brisbane, Sydney, Adelaide, Melbourne and Perth, some cities will also get the chance to revisit Notting Hill. And from cinema's brand-new fare, the Florence Pugh (Dune: Part Two) and Andrew Garfield (Under the Banner of Heaven)-starring We Live in Time is popping up multiple times at all sites, while the new Bridget Jones: Mad About the Boy is scoring a preview screening. All of the above pop up in what the venue is calling a 'week of romance' — around Valentine's Day, naturally. Wicked keeps earning a place on Moonlight Cinema's roster, this time with sing-along sessions in all cities. In some locations, A Complete Unknown is another returning title, because who can get enough of Timothée Chalamet (Wonka) as Bob Dylan? So is Mufasa: The Lion King, complete with songs by Hamilton great Lin-Manuel Miranda — and also Better Man, aka the Robbie Williams biopic that brings the British singer to the screen as a CGI chimp. With the specific program varying per venue, viewers can also look forward to the electing-a-new-pope thrills of Conclave, the 1972 Munich Olympics-set September 5, a preview of Gettin' Square sequel Spit, and blasts from the past courtesy of Twilight and The Devil Wears Prada — among other titles, and depending on where they live. If you're in Queensland or South Australia, take note: Brisbane's season is on until Sunday, February 16 in Roma Street Parklands, while Adelaide's runs till the same date in Botanic Park. Elsewhere, Moonlight Cinema's stints at Centennial Parklands in Sydney, Royal Botanic Gardens in Melbourne, and Kings Park and Botanic Garden in Perth all extend through to Sunday, March 30 — so there'll be another lineup drop to come. As always, the films and the setting are just two parts of the Moonlight experience. Also a drawcard: the Aperol spritz bar. Nosh-wise, the event is again letting you BYO movie snacks and drinks (no alcohol in Brisbane, though), but the unorganised can enjoy a plethora of bites to eat onsite while reclining on bean beds. There's two VIP sections for an extra-luxe openair movie experience, too, as well as a platinum package with waiter service in Sydney and Melbourne only, and a beauty cart handing out samples. Plus, dogs are welcome at all sites except Perth — there's even special doggo bean beds. Moonlight Cinema 2024–25 Dates Brisbane: Thursday, November 21, 2024–Sunday, February 16, 2025 in Roma Street Parklands Sydney: Friday, November 22, 2024–Sunday, March 30, 2025 in Centennial Parklands Adelaide: Thursday, November 28, 2024–Sunday, February 16, 2025, 2024 in Botanic Park Melbourne: Friday, November 29, 2024–Sunday, March 30, 2025 in Royal Botanic Gardens Perth: Thursday, December 5, 2024–Sunday, March 30, 2025 in Kings Park and Botanic Garden Moonlight Cinema runs until February 2025 in Brisbane and Adelaide, and until March 2025 in Sydney, Melbourne and Perth. For more information and to buy tickets, visit the cinema's website — and we'll update you with further program details when they're announced.
The holiday blues are probably coming in strong right about now. Summer has come and gone and dreams of a lazy mid-year escape feel like a lifetime away. Throw in the fact that you're probably out of annual leave and have even less cash than usual to splash on a luxe resort (#costofliving, amirite?), and any ideas about sipping a margarita on a sunny island are slipping away. So, would you believe us if we told you we've found a single solution that will solve every one of your 'I need to find a way to make money without eating into my holiday allowance while also enjoying a fresh cocktail' dilemmas at once? Unofficial title: Operation Working Holiday in Thailand. Start by doing the hard yards and figure out how that digital nomad thing works (note: we're using the term 'hard' loosely here, because it's actually pretty easy). Then, the only thing you need to decide on is where you want to base yourself for that first bowl of Pad Thai. Whether you dream of urban style or beachy chic, we chatted to Tourism Authority of Thailand and got their suggestions for the best accommodation options for those considering a remote working holiday. BANGKOK According to the classic 80s banger, "One night in Bangkok and the world's your oyster". So imagine if you had a couple of months up your sleeve! Basing yourself in Bangkok is a brilliant option for those digital nomads who just aren't quite ready to quit their big-city creature comforts. With both bustling bars and traditional temples in touchable proximity, the two hotels below offer excellent remote work accommodation options in the city known by locals as Krung Thep (or the City of Angels). Four Seasons Hotel Bangkok at Chao Phraya River This standout hotel is Four Seasons by name and four seasons by nature. The Bangkok branch of this iconic international five-star hotel chain gives digital nomads plenty of reasons to visit, all year round. The amenities are extensive and include fast wifi, fitness studios, two riverfront infinity pools, 24-hour room service and a dry cleaning service for all those times you need to Zoom in your best suit and tie. We also love the location. It's right next to the Chao Phraya River, just over a 30-minute drive from Suvarnabhumi International Airport and even closer (5.8 kilometres, to be exact) to Siam Paragon Mall — extremely useful for those times when you need an emergency laptop charger replacement! 137 Pillars Suites & Residences, Bangkok These serviced apartments in Bangkok's Prom Phong/Thonglor area are committed to the digital nomad cause, offering a range of packages specifically designed to cater to long-term stays. Think complimentary high-speed wifi, a daily maid service, a Thai SIM card available for purchase and weekly yoga, meditation and Muay Thai classes. You also get access to the Daily Baan Borneo Club for all-day breakfast, afternoon tea, coffee, snacks and sundowner drinks, plus level-27 infinity pool access and regular aromatherapy massages at Nitra Serenity Centre — for those times when deadlines are kicking your butt. CHIANG MAI Charming Chiang Mai is proof that there's no shame in second place. Capital of the north and the second largest city in the country, Chiang Mai offers a unique brand of laidback luxe. The landscapes are lush (all rugged mountains and green farmlands), the food scene is fabulous and the culture game is strong — with traditional Thai arts and crafts workshops among the mix. If your work from home style is cool, calm and collected — with a preference for having excellent coffee close by — then these two Chiang Mai hotels are our recs. Akyra Chiang Mai Fun fact: Chiang Mai is rated as the cheapest place in Thailand to live and work on a digital nomad budget, making it the ideal option for those bent on a working holiday but bound by a tight budget. And at the heart of it is the Akyra Chiang Mai hotel — a luxurious home away from home that has been transformed into a hub for aspiring entrepreneurs from all types of online businesses. The impressive downtown location, amazing rooftop infinity pool (perfect for a couple of quick laps between Skype calls), excellent wifi and abundant upskilling opportunities (including a number of in-house classes) draw many digital nomads in. But it is the chance to connect and network with other like-minded humans that generally keeps them at Akyra a little longer than anticipated. Kantari Hills Chiang Mai A quick squiz of Kantari Hills' online reviews reveals a ton of satisfied guests who have used the hotel for long-term stays. It could have something to do with the brilliant work facilities — like a business centre with secretarial service, fax, email, computer and photocopying — and an executive lounge with complimentary tea, coffee, snacks and ice. There's also round-the-clock security and concierge services, and of course, free wifi. Call it a hunch, but a fancy whirlpool, sauna and steam rooms probably don't hurt either. KO PHA-NGAN If Ko Pha-Ngan's white sands, turquoise waters and lush coconut trees aren't enough to entice you to swap your desk for the digital nomad life in Thailand, then perhaps the idea of a Full Moon Party celebrated every single month will do the trick? That's right, instead of end-of-quarter drinks, every 30-ish days (it's based on the lunar calendar, so it varies) Ko Pha-Ngan celebrates the new full moon with a big bash on the beach. Expect booze, music blasting out of the bungalows and neon-painted backpackers lighting up lanterns at dusk, just as the moon starts to show up and illuminate the shores. Want in? These hotels are our recommendations when it comes to setting yourself up with a remote work situation in Ko Pha-Ngan. Anantara Rasananda Koh Phangan Villas Team bonding but make it tropical. Yes, it's pretty fun watching your boss make a fool of himself in a group laser tag session, but for the ultimate team building exercise, consider a stay at Anantara Rasananda Koh Phangan Villas. Kick things off with meetings in a boardroom by the beach, lock in an evening of sunset canapés and cocktails aboard a luxury yacht, and challenge every staff member to find their strengths and weaknesses with a host of recreational activities on land and sea. With 64 pool suites and villas, every single one of them set among towering palms and crystal sea waters, this is the ideal accommodation option for those who want to do the digital nomadic life a little decadently. Panviman Resort Koh Phangan We're going to be up front and flag our concerns with the Panviman immediately. Just so you know what you're dealing with before you book your stay. Our main issues relate to its location (in the mesmerising Gulf of Thailand), stunning landscapes (it's surrounded by cerulean seas that gently lap golden beaches fringed with coconut palm trees), onsite restaurants (that focus on organic produce and fresh seafood direct from local fishermen) and VIP lounge (the one with a breathtaking sea-view infinity pool replete with Jacuzzis and sun loungers). So it's going to take a fair bit of dedication and discipline not to spend your nine-to-five completely distracted by all of the above. However, if you're confident in your ability to stay on target, then the Panviman Resort Koh Phangan offers one of the best digital nomad accomodation options in all of Thailand. PHUKET If we had to entrust Thailand's status as the Land of Smiles to a single region, we'd pick Phuket. After all, it's almost impossible not to settle in to the island on the country's western shore and grin once you realise you are in the company of some of Southeast Asia's best resorts, restaurants and shops. The two hotels below are our picks for the best place to base yourself if you're leaning towards Phuket for your remote-work vibe. Twinpalms Phuket The first thing you need to do, to convince your boss that you're taking your digital nomad job seriously, is check out Twinpalms Phuket's library. Here, you can explore literature, magazines and movies while using its free high-speed internet and computers. Then, when the coast is clear (or better yet, after hours, to minimise the risk of being fired!), book in a spa treatment, arrange a snorkelling excursion or step directly into the hotel's large lagoon pool, and log it in your time sheet as office admin. Cape Panwa Hotel If you're a C-Suite exec — or just dream of CEO status — then Cape Panwa is the place for you. Its former guests include kings, queens and big-screen stars, so it's definitely a great base for those who want to manifest a promotion or pay rise. A dedicated business centre will help you keep the process professional; however, we also strongly suggest taking advantage of the hotel's fun facilities too. Think the beachside bamboo bar, access to the state-of-the-art Panwa Princess yacht and two onsite palm-fringed pools. After all, if you've got your sights set on CFO (but you're working with an intern budget), you'll need to work hard, but nobody said you can't work hard from paradise with a tropical drink in hand, right? Tourism Authority Thailand has plenty more suggestions for the top places to work remotely in the Land of Smiles, so for more options, head to the website. Images: Tourism Authority of Thailand
When Brisbane Festival takes over the River City for 2023, it'll do so with more than 1000 performances across 23 spring days. Between Friday, September 1–Saturday, September 23, everything from fireworks and kazoos to gospel-meets-dance music parties and glowing gardens are on the bill — plus brand-new musicals, including one by Kate Miller-Heidke; Paul Kelly getting behind the microphone; and a day-long music festival headlined by Groove Armada and The Avalanches, too. From Brisbane Festival's full highlights, Nieergoo: Spirit of the Whale is set to literally soar. It's a never-before-seen mass drone performance that'll tell a First Nations narrative. And we mean mass: 400 drones will fly through the sky above the river in front of Queen's Wharf. Also certain to stun is Circa's new world-premiere show Eternity, which will see eight acrobats and artists tumble into St John's Anglican Cathedral — and Maxine Doyle, Es Devlin and Australasian Dance Collective's Salamander, which'll head to Northshore, settle into a riverside warehouse, and ponder the future, labyrinths and landscapes beset by floods. Other standouts include The Making of Pinocchio, which hits Brisbane with international acclaim and a personal tale about gender transition; Hiromi Hotel: Yu Ka 夢花, aka Hiromi Tango's latest towering installation; and Bangarra Dance Theatre's new show Yuldea, which makes its Queensland premiere. In Tracker, Wiradjuri choreographer and Australian Dance Theatre Artistic Director Daniel Riley steps through his great-great uncle's story. In Stunt Double, film fans and theatre lovers alike can delight in a piece about the shooting of a 70s Aussie action flick filled with, yes, stunts. Love rom-coms? There's Something About Music will sing through a heap of movie soundtracks. And, with The Party, Strut & Fret return to Brisbane Festival after Blanc de Blanc and LIMBO to live up to their latest show's name. Bite Club is similarly back, courtesy of Briefs Factory, this time with Sahara Beck joining the saucy cabaret, drag and burlesque blend. Also, South Bank Piazza is welcoming in circus again thanks to Cirque Bon Bon, which hails from former Cirque Du Soleil Assistant Creative Director Ash Jacks (McCready) and choreographer Julieann Nugent. While almost every inner-city venue you can think of will host part of Brisbane Festival's 2023 program, this fest isn't just about the middle of town. The returning Brisbane Serenades takes tunes to the suburbs, with more than 23 places across the Queensland capital playing host. Also, Moorooka's block party with First Nations and World Music talents is on the bill again, as is MOSAIC Multicultural Festival. A newcomer: West End Stories, a world-premiere session heroing storytelling and songwriting about Meanjin through an Indigenous lens. Common People Dance Eisteddfod graces the lineup for the fifth year, puppeteers Erth will get you diving with sharks without actually diving with sharks and Dead Puppet Society is unleashing full-size flamingos. Bowen Hills' King Street is going retro with inflatable gaming consoles and an 80s street party complete with rollerskating, while South Bank will host the fest's wine and food hub. Given the massive number of performances — including 19 world premieres, two Australian premieres and 11 Queensland premieres, plus more than 1400 Queensland-based artists and arts workers taking part, 57 arts organisations getting involved and over 170 First Nations artists joining in — the program clearly doesn't end there. When it all comes to an end, however, All Together Now will do the honours. A closing concert at Victoria Park / Barrambin, it'll feature the already-announced 10,000-kazoo orchestra and the 100-drum percussive sounds of Noise.
Our footballers adore them. Plenty of our musicians do, too. Yes, Australia's love affair with the most chaotic of hairstyles — the short-at-the-front, long-at-the-back do that is the mullet — runs deep. But here's something that'll surprise even the most devoted aficionados of this cult-favourite cut: mullet shoes. Shoes with a mullet. Sneakers with long hair attached. Kicks that are all business in front, party in the back. However you choose to describe them, the idea remains the same. And, while it might seem like a gag, these just-launched Volleys are 100-percent real. April 1 has been and gone for another year, and Volley's Heritage High Mullet Edition shoes weren't part of it. That said, Volley's latest limited-edition to its range is meant to inspire a few giggles. Again, they're sneakers with a detachable mullet velcroed onto the back — footwear that people are meant to slip on their feet and walk around in while letting that hairy patch drag along the ground in all its glory. But they've also become a reality for a cause that's no laughing matter, with Volley teaming up with the Black Dog Institute to release the shoes for the latter's Mullets for Mental Health campaign for 2022. "Volley is honoured to have joined forces with Black Dog Institute to create this mullet masterpiece. We feel that partnering with the Institute, particularly for the Mullets for Mental Health campaign, allows us to instil our light-hearted, larrikin spirit into a difficult topic to broach, making it less daunting and easier to spark conversation," says Volley Australia General Manager John Szwede. And don't go thinking that you can only run around in your mullet-adorned Volleys with their long hair swishing away. "We want people to be interactive with their mullet volleys – cut them, dye them, braid them and most importantly, wear them," explains Szwede. "We look forward to continuing this relationship with Black Dog Institute ongoing and we hope to create something truly unique and special for our audience and beyond." All profits from Volley's mullet kicks are being donated to the Black Dog Institute, too, so you'll be doing a good deed by adding them to your wardrobe. Sure, you'll also be committing a crime against fashion — and that synthetic hair will probably get quite grimy when you're stepping all over it — but rocking a mullet, whether on your head or now on your feet, has always meant throwing caution (and long locks) to the wind. For more information about Volley's Heritage High Mullet Edition shoes, or to buy a pair, head to the brand's website.
Meatlovers, keep it together. Richmond's carnivore-frequented restaurant, Meatmother, has opened their second offering: Meatmaiden. Creators Neil Hamblen and Nick Johnston have teamed up with Melbourne chef Justin Wise for their latest meat-focused dining project; Wise has already made a name for himself with his handiwork at The Point Albert Park and Press Club. Its new digs are located in the basement of the Georges Building at 195 Little Collins Street, all decked out den-style by Urchin Associates. Prepare to sink your teeth into 12-hour F1 Tajima wagyu brisket smothered in a native Tasmanian pepper berry rub, or a ten-hour pasture-fed beef short-rib from Gippsland, both pulled from a custom-made Silver Creek smoker. Meatmaiden also boasts some great sharing morsels if a mountain of meat is a little daunting — check out the southern fried chicken ribs with jalapeño mayo. While this is a particularly carnivorous affair, vegetarians have not been forgotten — give the smoked eggplant a try, or if you're pescetarian there's a sumptuous lobster mac and cheese. As for the drinks, there's be a six-tap system constantly rotating a mix of local and American craft beer. If you're after something a little punchier, the sharp cocktail menu is generous on the bourbon and best enjoyed paired with Meatmaiden's bar snacks. The wine list is concise and champions local winemakers, as well as stocking some exceptional international bottles. The house of meaty shenanigans can accommodate 120 in its den of iniquity, with sprawling communal tables made larger groups. Prepare to feast on some juicy, fall-apart-in-your-mouth meaty goodness.
If you're looking to escape the hustle and bustle of city life but want to switch it up from your usual beachside getaway, head to one of Australia's most stunning patches of river country and reconnect with nature — the Murray Region. Boasting picturesque landscapes, serene waterways and abundant wildlife, it's an ideal destination for some rejuvenation. Journey through some of the most beautiful spots in the state — exploring stunning gardens and reserves, cruising along the river, or simply relaxing in some seriously serene surroundings. Together with Destination NSW, we've compiled this guide to ensure you get the absolute most out of your stay. It's time to hit the road and explore our beautiful river country. CIRCA 1928 DAY SPA AND HOTEL Looking for some small-town charm to kickstart your weekend rejuvenation? Albury is the ideal regional hub for you — managing to perfectly balance the old school and trendy. The best example of this is the CIRCA 1928 Art Hotel, sitting pretty in the centre of town. What's more, you and a date (or mate) can enjoy a night here while saving some pennies. At this spot, you'll be greeted with luxe eclectic interiors, considered design features and a night-cap delivered straight to your door — plus in-suite brekkie and 20% off at the renowned onsite spa. Combining Indonesian techniques with Australian-made botanical products, the treatments here will have you blissed out in moments. [caption id="attachment_893890" align="alignnone" width="1920"] Destination NSW[/caption] MURRAY RIVER CANOE TRAILS If you're looking for a bit more adventure, why not cruise down the flowing Murray River on a scenic canoe trail? There are four trails to pick from in the neighbouring Murray Valley National Park and Barmah National Park. All have easy water access and offer something special for every paddler. Go for a quick 30-minute trip from Barmah Lakes to Rices Bridge; or, opt for a lengthier 3.5-hour canoe from Picnic Point to Barmah Lakes, stopping for a picnic on the way at the scenic Swifts Creek campground. [caption id="attachment_893966" align="alignnone" width="1920"] Wendy McDonald[/caption] MURRAY DARLING SCENIC FLIGHT Get a new perspective and fly high above the Southern Murray Darling Basin for a truly unforgettable experience. Soar above Yanga National Park and the vibrant Gayini wetlands or gaze in awe over the swirling hues of the desert meeting the water with Murray Darling Scenic Flights. Embrace the stunning vistas of the River Country, including red gum forests and ancient desert lakes. You'll also catch a glimpse of the glowing colours of nearby Lake Tyrrell. Flights depart from Swan Hill, Echuca, Deniliquin and Kerang airports. [caption id="attachment_894063" align="alignnone" width="1920"] Destination NSW[/caption] STAY ON THE EMMYLOU PADDLESTEAMER Three nights atop the river on a delightful slice of local history — that's what you'll get if you book this all-inclusive trip for two. Immersed in the riverscape, you'll be relaxing as you float on the Emmylou. Check in to your air-conditioned queen suite when you board your vessel and get ready to cruise down the Murray in the charming paddlesteamer. Sip wine and beers and savour regionally inspired meals prepared by your onboard chef. Enjoy all this, plus barbecues under the stars, stop-offs at riverside wineries and late-night campfires while you listen to the local Aussie wildlife. [caption id="attachment_894605" align="alignnone" width="1920"] Visit Albury Wodonga[/caption] ALBURY BOTANIC GARDENS If you want a healthy dose of serenity and history, be sure to visit the Albury Botanic Gardens during your Murray explorations. Established in 1877, the gardens have been a highlight of the charming regional town for well over a century. Here, you're free to take a self-guided stroll along the Heritage Walk, picking up some of the local history. Or, simply get lost in the grounds, immersing yourself in more than 1000 plant species — and even an extremely rare rainforest collection. [caption id="attachment_894067" align="alignnone" width="1920"] Destination NSW[/caption] MUNGO WALK THE WALLS OF CHINA TOUR Embrace the natural landscape and rich cultural heritage of Mungo National Park with an expert First Nations guide. Explore the ancient lakebeds and the spot where some of modern humanity's oldest remains were found, before embarking on the Walls of China Tour, which will take you on a journey back in time through the ancient sites that hold over 40,000 years of Aboriginal history. There is much to learn from this immensely significant area's Traditional Owners. Over two hours, you'll hear of the secrets of the expansive Willandra Lakes region, with plenty of time to photograph the Mars-like landscape — which formed naturally with the movement of wind and water. You can only visit the awe-inspiring Walls of China via a guided tour. [caption id="attachment_893892" align="alignnone" width="1920"] Destination NSW[/caption] STAY ON THE RIVER OF ISLANDS HOUSEBOAT If you prefer to rejuvenate with absolute alone time, opt for a stay on the River of Islands, a drive-yourself houseboat that'll have you exploring the gorgeous Murray River at your own pace. The boat sleeps seven people across three bedrooms, with a shady deck for lazing around and a rooftop (boat-top?) hammock for enjoying the afternoon sun. Located between Mulwala and Corowa, the simply stunning River of Islands docks at the perfect spot to explore the river's wildlife and sweeping gums. Relax and recharge by soaking in your vista on a sunset swim, kayaking around your floating home, or by dropping a line. Or simply sit back and enjoy the view. [caption id="attachment_894060" align="alignnone" width="1920"] Destination NSW[/caption] WAGIRRA TRAIL AND YINDYAMARRA SCULPTURE WALK Along the Murray River pathway, in West Albury, you'll find a unique cultural experience. The Yindyamarra Sculpture Walk is a peaceful and scenic route through soaring red gums and First Nations art pieces. The walk is along the Wagirra Trail, a 15-kilometre return journey with plenty of picturesque spots to take a picnic break and really soak up the scenery. Between Kremur Street and the Wonga Wetlands, the trail tells a series of First Nations stories with 15 sculptures made by contemporary Aboriginal artists. There's plenty of info along the way, so you'll be learning about the artistic processes and fascinating local Indigenous history while you wander. [caption id="attachment_894607" align="alignnone" width="1920"] Murray River Council[/caption] MOAMA BOTANIC GARDENS Located in the charming riverside sister towns of Moama and Echuca, you will find the beautiful Moama Botanic Gardens. A peaceful stroll through these gardens is the ideal spot for a rejuvenating hit of nature. While you're soaking up our natural world, wander through Indigenous plantings, learning of our beautifully unique arid and semi-arid Australian landscapes. After your explorations, sit back and relax in a shady spot — and don't forget a loaded picnic basket. Check out where to stock up on local supplies using our food guide to the region. For more ways to enjoy the Murray region, check out our food and drink guide or history and culture guide. To start planning your rejuvenating trip to the Murray region with the exclusive packages curated by CP's editors, head to the website. Top images: Destination NSW (first, Lake Mulwala; third, Emmylou Paddlesteamer; fourth, Wagirra Trail and Yindyamarra Sculpture Walk); Visit Albury Wodonga (second and fifth, Albury Botanic Gardens).
It's been a tough ol' year on many, not least of all Melbourne's prized hospitality industry, which has borne the brunt of extended lockdowns and ongoing capacity restrictions. But here's a little feel-good story to boost your faith in its certain comeback: Alejandro Saravia's 80 Collins restaurant Farmer's Daughters has been recognised in the annual Melbourne Awards, taking out the Hospitality Award for 2021. Launched in January after a suite of COVID-related delays, Farmer's Daughters has spent a fair chunk of its debut year in lockdown. During the brief time its doors have been open, it's clearly left quite the impression, winning fans for its innovative spirit and quality culinary offering. [caption id="attachment_711871" align="alignnone" width="1920"] Saravia[/caption] The brainchild of acclaimed chef Saravia (Pastuso), the restaurant, deli and rooftop bar is dedicated to championing the very best produce and flavours out of Gippsland. Its regionally-inspired menus hero elements like Baw Baw Alpine trout, Terramirra Park venison, Maffra cheddar and Eaglehawk Creek pork, along with a swag of exciting Gippsland-born spirits, wines and beers. It's this commitment to local sourcing and sustainability that earned the venue its Melbourne Award. 2021 marks the 19th edition of the City of Melbourne-run awards, which celebrate the significant contributions of Melburnians across a variety of industries each year. Farmer's Daughters is spread across three stylish levels within the 80 Collins precinct, encompassing a casual deli, retail pantry, restaurant and rooftop cocktail bar. You can read more about the Melbourne Awards and this year's winners here. Farmer's Daughters is located at 6/80 Collins Street, Melbourne (entry via Exhibition Street). Top Images: Interiors by Brook James, Rooftop by Dan Castano for City of Melbourne
You can see Oprah, and you can see Oprah, and you can see Oprah: Oprah Winfrey has announced a December 2025 trip Down Under, including bringing her latest in-conversation events to Melbourne. At Plenary, Melbourne Convention and Exhibition Centre on Thursday, December 11, you'll be able to see the famed talk-show host get chatting — in an intimate session rather than on TV, where The Oprah Winfrey Show ran for 25 years. This is Winfrey's first jaunt this way in a decade — and that tour sold out, so expect this one to be popular as well. Authenticity and resilience will be among the topics of conversation, in what's designed to be an inspirational natter. [caption id="attachment_1015691" align="alignnone" width="1920"] Disney/Eric McCandless[/caption] "One of the things I have always enjoyed is sitting down for real, honest, enlightening conversations, and this experience is all about that," said Winfrey, announcing the tour. "The energy, warmth and spirit I feel in Australia and New Zealand have stayed with me, and returning will be an opportunity to reconnect, reflect, and be reinspired — together. I look forward to sharing stories, ideas, and meaningful connection about what's possible in our lives moving forward."
We're off the see The Wizard again: in not one but two movies, the first arriving in cinemas in November 2024 and the second in 2025, the wonderful world of Oz is returning to screens. It took a mere two years for L Frank Baum's 1900-published book to reach the theatre, with the debut film version following almost four decades later. Now, 85 years have passed since The Wizard of Oz initially entranced cinemas. Its latest big-screen comeback owes debts to both the page and the stage, but beyond the novel that started it all. Wicked first enchanted in print in 1995, when author Gregory Maguire conjured up an alternative Oz-set tale. Since 2003, it has worked its magic as a Tony-winning Broadway musical, before it too makes the eagerly anticipated leap to picture palaces. The Life and Times of the Wicked Witch of the West, the novel's subtitle, explains Wicked's focus. Whether reading the book, seeing the play or watching the upcoming two features, audiences are whisked into origin-story territory — not only for the green-skinned Elphaba but for Glinda. At the Land of Oz's Shiz University, the pair meet and, despite their differences, cement a friendship. Even before they cross paths with The Wizard, everyone who has ever seen Judy Garland follow the yellow brick road with the Scarecrow, Cowardly Lion and Tin Man knows Elphaba and Glinda's destinies. Giving Wicked the movie treatment: a wide-ranging cast and crew led by director Jon M Chu, with the Crazy Rich Asians filmmaker making his second and third stage-to-screen musicals in succession following In the Heights. On-screen, he's enlisted Emmy-, Grammy- and Tony-winner Cynthia Erivo (Pinocchio) as the misunderstood Elphaba, Ariana Grande (Don't Look Up) as Glinda and none other than Jeff Goldblum (Kaos) as The Wizard, plus Michelle Yeoh (A Haunting in Venice), Jonathan Bailey (Bridgerton), Bowen Yang (Saturday Night Live) and more. Off-screen, a six-time Oscar-nominee — five of them for Christopher Nolan (Oppenheimer) films — also couldn't be more pivotal. When Academy Award recognition comes your way for art direction on The Prestige and The Dark Knight, then for production design on Interstellar, Dunkirk and Tenet — and for Damien Chazelle's First Man as well — jumping to Oz on Wicked's two parts might seem like a massive change. But English production designer Nathan Crowley is interested in world-building first and foremost, and has been ever since his first screen credit on as a junior set designer on 1991's Hook. Also on his resume recently: The Greatest Showman and Wonka. And, he's a veteran of Bram Stoker's Dracula, Braveheart, Mission: Impossible II, Escape From LA, Insomnia, Batman Begins, The Dark Knight Rises, John Carter and the Westworld TV series as well. When you're taking a well-trodden path thanks to multiple books, the Wizard of Oz movie that's been beloved for generations, blockbuster stage musicals, and everything from The Wiz to Oz: The Great and Powerful, you're embarking on an enormous task. That isn't lost on Crowley, he tells Concrete Playground, although the full scope dawned on him slowly. Not only does he need to bring Oz to life beyond the painted backdrops of the Garland-starring film, but he has the job of creating Shiz University — not to mention a field filled with nine-million tulips as part of Munchkinland and a throne room featuring a mechanical version of Goldblum's head, plus various forms of transport, such as by rail, river and air. Ahead of the first Wicked film's release in cinemas — including premiering at Sydney's State Theatre on Sunday, November 3, with Erivo, Grande, Goldblum, Bailey, fellow stars Marissa Bode (a screen debutant) and Ethan Slater (The Marvellous Mrs Maisel), plus director Chu, all in attendance — we also chatted with Crowley about those nine-million flowers, the joy of practical effects, aiming to get audiences to fall into a fantastical world, what he makes of his career so far and more. On How Planting a Field of Nine-Million Tulips in Norfolk Is Symbolic of the Scale of the Task of Bringing Wicked to the Screen "It was the first major challenge for me. My thing is, I love doing things practically because there's a colossal joy to it. So one of the first challenges was: what do all the munchkins do? I need something for them to do in their village. Okay, they're flower farmers and they use the dyes to make colours, because they're colourful people. And so each house, that allowed me lots of scope with the colours of the buildings. So then it was like — and I think it must have been Jon — 'well, what if it's the colours of the rainbow?'. Which is a massive thing. So then what goes in strips of colour? Tulips? You grow tulips in strips of colour. So that's kind of where 'oh we need tulips'. And then it was like 'well, let's grow them'. It was myself and the location manager Adam [Richards, Wonka], who I've worked with many times before. It like 'where can we grow tulips? We can go up to Norfolk'. He found a tulip farmer and was like 'let's go up there and see if we can grow'. I'm going quickly, but there's lots of between. I planted 500 acres of corn in Interstellar in Canada. So I've been a farmer before and I knew if could find the right farmer — and with Adam's help, because ultimately it was crown property; I needed it to be without trees, because in Oz trees are circular. I needed it to be a perfectly large sky, a tulip sky. So we found Mark the farmer, who's just simply brilliant, and he got us our bulbs. Then I had to go back to the production and explain: 'we have a field, we have permission from crown properties to plant, you need to write a check for tulips. You've got to get them from Holland. And we've got to get them in the ground quickly before it freezes'. When you're a flower farmer, you've got to get the bulbs in the ground. And so there's a lot of umming and aahing, and it was difficult, but I think it set the pace of what we were trying to achieve. And Jon, and Donna Langley from Universal, was very into it. She was like 'I love it. Let's do it'. We planted them and we got to know the farmer. He was into it, and we got the colours — and it was just a great life experience. You need to step out of your department occasionally and get into the real world. So, practical filmmaking. So that started it off, and then of course, it snowballs. But they all grew, they all worked. It was brilliant." On Valuing Practical Effects in Age Where CGI Is Everywhere in Visual Effects — and Combining the Two "That [CGI] is very powerful tool now. But you have many tools. We have 120 years of filmmaking experience. My thing is if we can make it enough for real, and light it and get real photography, we can tell visual effects what it should look like and their job becomes symbiotic with ours — and we become one rather than working as a line. So I always feel the balance is essential and we can do it. I guess it's so obvious to me that you build as much as you can until you can't foe whatever reasons: landscape, weather, money, time. So you have to balance it — and then if you balance it, and this really goes back to the audience in the cinema, can you not make them not notice how you did it? Can you do a film, especially a fancy film, where they don't pay attention, they're into the film, they're not paying attention, nothing bounces them out, so you fall into the film? Ever since I was little, when I go to the cinema, I want to fall into the telling of the story. And so I believe that we almost have to go quietly — and to do that, I strongly believe you have to do it practically, because if you suddenly cut to visual effects, I think audiences know that. The emotion is taken away from the audience. It flattens it. So if you can make it seamless, I don't want the audience to notice. Because then you're just in it and you're into the emotion of it." On the Massive the Scope in Not Just Bringing One of the 21st Century's Biggest Stage Musicals to the Screen, But Reimagining Much That's Crucial to The Wizard of Oz "I guess I was a little naive about how big Wicked, the stage show, was. I had three daughters who had grown up and they were like 'what, oh my god!'. And The Wizard of Oz, to me, they sit side by side. What was brilliant is that Wicked is the alternative story to The Wizard of Oz — so together, what a piece of cinema. The realisation I had to recreate Oz kind of slowly dawned on me. And that was like 'oh'. It was like 'Jesus, we've got to remake, we've got to figure out Emerald City'. And Emerald City was just a painting on a backdrop, and everyone's childhood, everyone's reimagined what that is — it's very clever. Everyone's filled in all the blanks of what they didn't show you. So we're going to tread on people's nostalgia for Emerald City — and how do we do that? And then you've got the Wicked fans, there's little things that they want in the film, Shiz details, and it's very important. But luckily we had Marc Platt [the film's producer, and also the stage musical's], who's all things Wicked. So he was my constant guide to Wicked. And then Wizard of Oz was just making sure I didn't hurt and I enlarged people's opinion of what Oz is, rather than shrunk it. So, it was a massive challenge. The biggest challenges, the two films in my career that sit as giant design challenges: Wicked and Interstellar. And they both hurt your head. It's not a physical thing, it's like they hurt your design brain. On How the Wicked Set Became the Most Complex of Crowley's Career So Far "First of all, it was the design, because Shiz, there's so many versions of Shiz — the school, Hogwarts, Cambridge, there's all these perceived ideas. So, one, you have to find a design. And secondly, I realised that the first day of school when everyone comes in, we've got no horse and carriages because the animals aren't enslaved. We've got no trains because they belong to The Wizard, and we have to introduce them later. We can't come by airship, because the balloon belongs to The Wizard. There's no cars. So how do you get anywhere in Oz? And then it was like 'oh, we go by a river' — which is a tradition. Of course we go by river. But what that means is the set, we have to build a giant water tank for the set so we can row the boat into the Shiz courtyard. And of course I like everything practically, so it's like 'we've got to build a giant water tank that takes seven days to fill'. And that was a challenge because, if you know about practical filmmaking, there's never been a tank that didn't leak. So you have a servicing problem with it. Every tank always leaks. Then Shiz for me was about finding architecture. The Wizard of Oz is an American fairy tale, so I need Americana, so White City of Chicago, 1893 World's Exposition, those giant Burnham and Root arches. I need to put some Americana in it. I need to put the scale of America in it. But then I need the nostalgia of every great ancient educational facility. So I need you to, when you walk into to Shiz, you feel this sort of ancient learning vibe. I need to take architecture from all over the world and change the materials of it, and try to blend it — from onion domes to Venice staircases. So I was really trying to make it fantastical, but familiar. So when you watch it, you'll see something that's kind of familiar to you. And if you've been a tourist in in Italy, you'll feel it a bit — or if you've been to Spain, to the Alhambra, you'll feel it a bit. Or maybe a little bit of Melbourne. Not much Georgian architecture, I'm afraid. On the Once-in-a-Lifetime Opportunity of Building a Throne Room Around a Mechanical Version of Jeff Goldblum's Head "It was so exciting. Every film has influenced the last one. So back on The Prestige — and really Bram Stoker's Dracula, we did automatons and mechanics, and we had to puppeteer the head and get expressions. So the joy of realising we had, one, a phenomenal special effects scene. Who could do that? And puppeteer it? And then secondly, okay, we've got the head, and if we could come through the curtain and say 'I am Oz' and put an eye through it, that's exciting. But then you think, 'well, what about the curtain?'. And so we came up with all these string curtains, it's almost like an art installation. We sat there for a very long time with drapers and mechanical people. We'd sit there at the end of the day and try all different things. And we had Joss [Carter, Aquaman and the Lost Kingdom], the puppeteer, who was just brilliant. It comes down to just trying something, developing it and and being with the right people. And it's people — you're with all these people, and they're all creative, and the fun out of it is remarkable." On What Crowley Makes of His Career Three-Decade-Plus Career in Cinema So Far — and What Gets Him Excited About a New Project "I think when I look back, I just think 'wow, I got a bit lucky with the people I met'. There's a huge part of luck in if you happen to bump into the right people when you're younger. It's just like if you turn left at a certain time. So I look back at it and wonder 'how did all that happen?'. And I just like to get excited. So what does that mean now? Still to this day, I remember walking on to the old MGM lot for my first day at Hook and there was a ship on stage 27. They built a water tank. There was a ship in it, the Hook ship. It was giant, and it was just like 'this is incredible'. [caption id="attachment_614251" align="alignnone" width="1920"] Interstellar[/caption] So I'm really just looking to world-build. Films like Wonka and Wicked opened those doors — things I've not done before. I wouldn't have said, I couldn't have said to you that I would end up making lots of musicals. To me, that wasn't even in my mind when we were doing Interstellar. 'I do lots of musicals? You're going to do four musicals?' I couldn't imagine that, but they've been some of the most-interesting design jobs I've ever had. So definitely new experiences, new journeys. You've got to keep yourself interested, you especially as you get older." Wicked releases in Australian cinemas on Thursday, November 21, 2024, with limited previews on Wednesday, November 20 — and tickets for the latter on sale now.
The minds behind the multi-layered delight that is the legendary Strawberry Watermelon Cake — which has lit up Instagram feeds across the world since its inception in Sydney over a decade ago — are heading south. Sydney's Black Star Pastry is whipping up something just for us Melburnians, opening the doors to a summer-long pop-up in St Kilda from today, Monday, November 25. Making its home beneath Acland Street's Jackalope Pavilion — where you'll find blockbuster exhibition Rain Room — the temporary bakery follows a successful 2017 pop-up in Carlton, as well as plenty of outings at Melbourne's Night Noodle Markets over the years. The new pop-up store is serving up a selection of Black Star smash hits, the bill headlined, of course, by that Strawberry Watermelon Cake. Sporting layers of almond dacquoise, rose-scented cream and watermelon, this little beauty sells around one million slices annually across the brand's four Sydney stores and was even dubbed the "world's most Instagrammed cake" by the New York Times. Other favourites making the journey south include the Pistachio Lemon Zen Cake — another layered sensation featuring pistachio ganache, white chocolate mousse, lemon curd and crunchy pistachio dacquoise — and the Raspberry Lychee Cake, which fuses chocolate biscuit, raspberry marshmallow and vanilla cream. When Easter rolls around, Melburnians will also get to try the brand's famed hot cross buns. The sweet stuff is complemented by St Ali coffee and a contemporary, minimalist store space, featuring neon signage by UK artist Tracey Emin proclaiming "you loved me like a distant star". And, in a win for those who don't like waiting, customers can also pre-order a range of cakes online and skip the queues with express pick-up. While this Melbourne store is only a pop-up, Black Star Pastry has plans to open stores across Australia (and overseas) in 2020 — fingers crossed one of those lands in Melbourne. Find Black Star Pastry's Melbourne pop-up at 2a Acland Street, St Kilda until Easter 2020. It's open 7am–4pm Monday to Friday and 8am–5pm Saturday and Sunday.
Godzilla is dominating the screen, as the giant creature always should be, with TV series Monarch: Legacy of Monsters currently streaming, Japanese movie Godzilla Minus One in cinemas and monster mash Godzilla x Kong: The New Empire just dropping its first trailer. Both the small-screen show and the American film form part of the Monsterverse, the US franchise that links together a heap of kaiju and critters — so if you've seen 2014's Godzilla, 2017's Kong: Skull Island, 2019's Godzilla: King of the Monsters and 2021's Godzilla vs Kong, you'll be primed for the next flick to come. If you're also thinking "didn't Godzilla take on King Kong before", you're right, but that isn't what Godzilla x Kong: The New Empire is about. Both Godzilla and King Kong movies are better when neither is a villain, so that's exactly what the Monsterverse is delivering. In the new film that's due in cinemas in April 2024, the two titular towering critters need to team up to tackle a new threat to life as they — and humanity — know it. The brand-new debut sneak peek at Godzilla x Kong: The New Empire teases the reason that Godzilla and King Kong join forces with some carnage in a very familiar spot, proving that Napoleon isn't the only one messing with the pyramids on-screen at the moment. From there, it also gives a glimpse at Zilly lit up with pink, not blue — and, as Brian Tyree Henry (Atlanta) puts it, a mini Kong. Taking care of the human side of the story alongside Henry: Rebecca Hall (Resurrection), Dan Stevens (Welcome to Chippendales), Kaylee Hottle (Magnum PI), Alex Ferns (Andor) and Fala Chen (Irma Vep). Henry, Hall and Hottle all return from Godzilla vs Kong. Godzilla x Kong: The New Empire's narrative also promises a deeper dive into Skull Island's mysteries, why the franchise's huge creatures exist and what links them to people. Arriving 70 years since the first-ever Godzilla feature, the new Monsterverse entry boasts Adam Wingard in the director's chair, just like Godzilla vs Kong. On screenplay duties: the also-returning Terry Rossio (The Amazing Maurice), Wingard's regular collaborator Simon Barrett (You're Next, The Guest, Blair Witch) and Jeremy Slater (Moon Knight), with the underlying story hailing from Rossio, Wingard and Barrett. Check out the first Godzilla x Kong: The New Empire trailer below: Godzilla x Kong: The New Empire opens in cinemas Down Under on Thursday, April 11, 2024. Image: Courtesy of Warner Bros. Pictures.
Melbourne is no stranger to the work of Julien Moussi, whose Only Hospitality Group is behind a stack of loved local venues — including Bentwood, Glovers Station, Hotel Collingwood and Juliette Coffee & Bread. But now it's Geelong's turn for a taste of the action, as the team ventures out of town to open the doors to their new twin venues Pavilion and Caledonia Shores. The pair are neatly cohabitating in the former red brick bathers' pavilion overlooking the Geelong Waterfront, with the two-level space reworked with natural tones and a breezy coastal-inspired fitout. [caption id="attachment_864992" align="alignnone" width="1920"] Pavilion[/caption] Occupying the ground floor and promenade terrace, you'll find daytime cafe Pavilion. Coffee here comes courtesy of Only Hospitality's own Inglewood Roasters, while the food menu packs enough flair to satisfy even the most discerning inner-city brunchers. There's a dish of tom yum-inspired beans on sourdough with fried ginger and an egg; a prawn and kimchi omelette; cauliflower and haloumi fritters paired with beetroot hummus and tabouli; and a french toast starring roasted macadamia and a white chocolate milk crumb. Pavilion also has its own kiosk, slinging coffee, cold drinks and a fitting lineup of beachy snacks — chicken burgers, fish and chips, and potato cakes all make an appearance. [caption id="attachment_864984" align="alignnone" width="1920"] Caledonia Shores[/caption] Then, as the day wraps up, the upstairs space that's home to bar and restaurant Caledonia Shores comes alive. Up here, sweeping bay vistas provide a backdrop to an offering of punchy, Asian-accented fare and considered cocktails. Kickstart the party with snacks like Sichuan calamari, wagyu puffs teamed with wasabi mayo, and corn on the cob slathered with coconut sambal butter, curry salt and 'snowing' cheese. Deeper in, you'll find the likes of XO clams with Chinese doughnuts, DIY brisket bao, sticky Xinjiang-style lamb ribs and a lively papaya salad dressed with tamarind. Meanwhile, the cocktail list also features plenty of big flavours, with sips like a gochugaru-spiced margarita, the Thai Basil Smash, and a lavender- and lychee-infused riff on a Tom Collins. Find Pavilion and Caledonia Shores at 95 Eastern Beach Road, Geelong. Pavilion is open daily from 6.30am–4pm, while Caledonia Shores opens from 5–10pm Monday to Thursday and 4pm–late Friday to Sunday.
Sweden has always been renowned for its ability to build and innovate. Vikings built incredible vessels to cross the North Sea, Ikea emerged as the home of furniture and now Swedish media company Meganews has built a print-on-demand magazine kiosk in Stockholm. So next time you find yourself walking through Sweden's capital and craving Time or Sweden's popular gossip magazine Se og Hör, you can just waltz up and receive a fresh addition. Filling less then 4 square metres, the kiosk currently stocks more then 200 assorted magazines and journals in pdf form. Publishers upload the latest issue to a remote server, meaning that purchasers can access the most current issue. All they need do is select the periodical they desire via touchscreen, pay by credit card and within two minutes a newsstand-quality colour version will be printed ready for fingers to flick through. The environmental benefits are significant. With issues printed on demand rather than printed and distributed en masse, it has the potential to save forests' worth of foliage. Other benefits of the machine include the lack of space it occupies, its ability to provide access where retail space is absent and (huzzah!) no creases or torn pages from casual shop browsers. Whilst currently only residing in Stockholm, it surely will not be long before cities across the world appreciate this innovation and become populated by the kiosks. In the meantime, feel free to fly to Sweden and give it a go. Via Gizmodo.
If you've ever watched the films of Studio Ghibli and wished you could walk right into their gorgeous frames, you're not alone. In fact, you're only human. The beloved animation house already boasts one site that basically lets you do just that, thanks to its museum in Mitaka, a city on the western outskirts Tokyo — but, come 2022, it'll also unveil its very own theme park. The studio initially announced the news in 2017, with a plan to open in 2020. Then, in 2018, it pushed back its launch timeline to 2022. It's still aiming to open at least parts of the park next year, which should have you crossing your fingers that international travel starts returning to normal by then. Need more motivation? A few more details about the park have been revealed, and they're worth getting excited about. In big news for fans of Howl's Moving Castle, Ghibli's park will feature a life-sized replica of the titular structure. It'll reach about 16 metres in height, and you'll be able to step inside to check out Howl's bedroom. Hideaki Ōmura, the governor of Nagoya's Aichi Prefecture where the park will be located, tweeted a CGI concept image of the castle — and, while the structure is only depicted in white, it still looks as impressive as it sounds. It won't move, though, but the cannon on the front will. [caption id="attachment_799539" align="aligncenter" width="1920"] Studio Ghibli[/caption] Also slated to feature in the park: nods to the cat from Whisper of the Heart and The Cat Returns, buildings with design elements that take their cues from Laputa: Castle in the Sky, and a super-sized garden that'll make you feel like you're one of the tiny characters in Arrietty. There'll also be a permanent exhibition room, a special exhibition room, a video exhibition room, a playground, and a shop and cafe, so you'll have plenty of places to explore, eat and browse. Yes, the Ghibli site will spirit visitors away to a whole realm dedicated to its considerable catalogue of movies — although it was initially described as a My Neighbour Totoro-focused park. Totoro-themed attractions are still part of the design, including a replica of Satsuki and Mei's house, which already exists at the 200-hectare Expo Park site. However, you'll also be able to check out the antique shop from Whisper of the Heart, Kiki's home from Kiki's Delivery Service and a village area that pays tribute to Princess Mononoke. The latter certainly looks the part, as Governor Ōmura also tweeted. [caption id="attachment_799541" align="aligncenter" width="1920"] Studio Ghibli[/caption] Expect more nods to Ghibli's various features to follow, recreating other aspects from its three-decade-old body of work — and possibly its latest movie, Earwig and the Witch, too. If the end result is even half as wondrous as the studio's aforementioned museum, then fans are in for a treat. There, you can climb up to the building's rooftop garden to see one of the robots from Laputa: Castle in the Sky; watch exclusive shorts, including a sequel to My Neighbour Totoro; and touch a life-sized cat bus, which kids under 12 can climb and play on. Indeed, the museum is such a tourist attraction, you have to buy tickets over a month in advance — and experiencing the rush of folks in the merchandise-packed gift shop will make you feel like a susuwatari (Totoro's gorgeous little balls of floating soot). Incorporated into the existing parklands, the theme park will be heavy on greenery and the natural surroundings, which matches the environmental messaging that plays a prominent part in Ghibli's movies. The site will also encourage "enjoying walking", according to the draft concept outline, while aiming to offer "a one-of-a-kind park loved by more people". We don't think either will be difficult. The Studio Ghibli theme park is slated to start opening in 2022. For more information, keep an eye on the animation company's website.
He's a hip-hop and fashion trailblazer. His latest album Chromakopia dropped in 2024. He's also heading to Australia again in 2025. That'd be Tyler, The Creator — and he's coming with friends, with the genre-bending rapper boasting Lil Yachty and Paris Texas in support. Tyler, The Creator last headed this way on a headline tour in 2022, and played Splendour in the Grass as well. On his latest trip, he has a four-night date with Melbourne, playing Rod Laver Arena on Wednesday, August 20, then each night across Friday, August 22–Sunday, August 24. Luis 'Panch' PerezThe Chromakopia tour follows his 2024 Coachella headlining set, on a bill that also included Lana Del Rey, Doja Cat, No Doubt and plenty more. Before 2022 — which marked Tyler's first set of headline shows down under in over eight years — the last time that the star graced Australian shores was for a series of festival appearances over New Years 2020–21, hitting up the likes of Beyond the Valley and Field Day. [caption id="attachment_823369" align="alignnone" width="1920"] Demxx via Flickr[/caption] Top images: Raph_PH via Flickr.
There's a seductive, undeniable appeal in the familiar. It's the reason you've ordered takeaway Thai twice already this week, how you justify hanging onto that band tee with more holes than an aged block of Swiss, and why you believe that seat on the bus is undeniably and eternally yours alone. Seriously, we thrive on routine; we love trying to know what to expect in the hopes of guaranteeing as little disappointment as possible. For most of us, visiting the ballet falls well outside the realm of our normal weekly routine. But when you begin to break it down, there's a lot of reason to give this often inaccessible artform a go. Not just the stuffy, 100-year-old performances of yore, modern ballet can be just as fun and contemporary as your regular night at your local indie cinema. And this year, The Australian Ballet have just what you need to break from the familiar. They're kicking off their stellar 2016 season with a production perfect for tentative first-timers. It's called Vitesse, and it's an exhilarating, high-energy triple bill showcasing dances from top contemporary choreographers from around the world. Still unsure if the ballet's for you? We chatted with The Australian Ballet's dancer and Vitesse cast member Vivienne Wong to get to the bottom of what this latest production is all about. So, let's clear a few things up. IT'S ABOUT MORE THAN JUST TUTUS AND TIARAS Throw out your misconceptions of what ballet is supposed to be with this one; Vitesse is an undeniably modern show. Unlike its more traditional counterparts Swan Lake and Romeo and Juliet, this production is rooted firmly in the present. Comprised of three unique ballets, each piece challenges dancers to push themselves to their limits. Wong, who is featured in two of the three ballets, believes it's Vitesse's emphasis on physicality that makes this a must-see production. "It's totally different to our traditional ballets," she says. "It's three amazing works that are really influential to contemporary ballet these days." Donning plain leotards and flowing dresses, Wong reveals these simple costumes further highlight the dynamic shapes and lines made by the dancers on stage. "Everyone gets to really push themselves in a fun way. It's so physically different to the straight, classical ballet. It's challenging on our bodies." [caption id="attachment_563663" align="alignnone" width="1280"] NYC Ballet, DGV: Danse à Grande Vitesse[/caption] IT TAKES CUES FROM CULTURAL HISTORY Despite its contemporary grounding, Vitesse doesn't lose sight of the past. The triple bill's first ballet, Christopher Wheeldon's DGV: Danse à Grande Vitesse, sees English composer Michael Nyman's 1993 musical score Musique à Grande Vitesse transformed into a spectacular display of agility and motion. So what's the significance behind all this? Basically, the composition was created for the inauguration of France's fast train, TGV. Now, this might sound like the dullest means of inspiration — but hear us out. As Wong explains, Wheeldon wanted to "capture the feeling travelling in time or being suspended in space". Which might help paint a picture of the choreographed reimagination of the work. This movement is played out in a pas de deux (translation: a duet where dancers move through ballet steps together), where performers, hurtling and bounding across the stage, capture the movement of this high-speed train. The ballet unfolds with sequences that capture the intensity of the music through geometric shapes and sculptural positions, which, as Wong describes it, is "really quite athletic". IT'S FAST PACED AND VARIED That's right folks, along with DGV, there are still two more ballets on this bill to keep you entertained. Czech choreographer Jiří Kylián's Forgotten Land brings a somber tone to the night, capturing the loneliness and heartache contained within the paintings of Edvard Munch. As Wong explains, the work is "inspired by a painting of a woman alone on a beach. He [Kylián] wanted to express these feelings of time lost...it's about recalling time's past". Six couples will fill the stage, flowing through an emotional and passionate ballet. And to round it all off, William Forsythe's 1987 ballet In the Middle, Somewhat Elevated promises to blow audiences away with explosive, ultra-stretched poses. Challenging dancers to extend and test their athletic abilities, this slick composition of complex movements ends Vitesse on a deservedly dramatic note. It seems an apt end to a bill that showcases the beautiful extremes of dance, and how powerful, athletic and complex it can be. Vitesse runs from April 26 to May 16 at the Sydney Opera House as part of The Australian Ballet's 2016 season. You can book tickets here.
If alcohol appreciation is your thing, this festival has your name written all over it. Top Shelf focuses on the best of the best when it comes to beer, wine and spirits, so whatever your tipple of choice may be, there’s something for every taste. The weekend of festivities is all about fun, learning a few tips and tricks along the way, and our favourite two works in the English language: free samples! There will be a number of guest speakers, panel discussions and demonstrations for those looking to maximise their experience. Whether you want advice on how to open a bar, tips for brewing your own beer, or are after some killer cocktail recipes for your next dinner party, there’s an event for you at Top Shelf. A few of the top guests for the weekend include New York’s PDT royalty Jeff Bell and Jim Meehan; company mixologist with William Grant & Sons, Charlotte Voisey; The Gin Queen herself Caroline Childerley; as well as local heroes Daniel Lemura from The Noble Experiment; and Bad Frankie’s Seb Costello. You'll be well covered on the dinner front as well, with food vendors such as Huxtaburger, Meatmother and Frencheese on hand to help soak up some of the alcohol. Just make sure you leave room for boozy macaroons for dessert. Tickets to Top Shelf are $25 online until 10am Friday, or $40 on the door.
While cats aren't known for being overly affectionate, there are many ways you can show them love. You can have their face plastered across a mask (or a pair of swimmers), channel your inner Picasso and recreate them on a canvas, or just buy them a box — because if there's one thing cats like, it's a plain ol' box. Only one adorable cat can get immortalised in Lego, however. We're not talking about just sticking a few bricks together at home, either. Inspired by International Cat Day, Melbourne's Legoland Discovery Centre will build a life-size replica of one lucky cat. If you're already clearing a spot for your new Lego addition to the family — and wondering how your fluffball will react to their own likeness — you'll need to submit a photo of your cat on the Legoland Discovery Centre's Facebook page, specifically to its competition post between now and 11.59pm on Tuesday, August 25. You'll also need to explain why your russian blue or ragdoll should get the Lego treatment, which shouldn't be hard. Serve up the best answer, and Master Model Builder Kieran Jiwa (yes, that's a real job) will recreate your cat with in tiny plastic bricks. Expect the final product to look a little like this: https://www.facebook.com/LEGOLANDDiscoveryCentreMelbourne/posts/1320438718159066 While the contest terms and conditions don't require entrants to live in Melbourne, the winner will need to head by in person to pick up their prize (restrictions allowing, of course). You'll also need to like the Legoland Discovery Centre's Facebook page to enter, and include your pet's name, age, breed and one crazy fact about them with your submission. If your cat loves swimming, can dance or has learnt to play 'Chopsticks' on the piano, don't keep that detail to yourself. To enter the Lego Cat Competition, visit the Legoland Discovery Centre Facebook page before 11.59pm on Tuesday, August 25.
Pour red wine down the front of it. Cover it in tomato sauce. Sweat in it till you can sweat no more. The Silic self-cleaning T-shirt will act like you're not even there, because it's pretty much impervious to stains. Set to be funded via a Kickstarter campaign that's gone bananas, having met its stretch goal 13 times over, the Silic represents a breakthrough in fabric technology. Created by Aamir Patel, in collaboration with an ex-Vera Wang designer, the T-shirt depends upon what's known as 'hydrophobic nanotechnology'. In other words, the fabric is covered in billions of microscopic silica particles. These create a layer of air, causing any liquids that hit to form a sphere and roll away immediately. Many similar technologies tend to disappear as soon as the garment is cleaned, but the Silic remains stain-proof after 80 sessions in the washing machine. Plus, according to the designers, it's been created according to safe, non-cancerous processes. Production is set to happen in Silicon Valley, in a facility that's been responsible for manufacturing goods for Nike and Levi's. Currently available in black and white, the Silic boasts a simple yet stylish design. It's said to "enhance any torso, which gives a bold look". If you're interested in committing to a pledge before the campaign finishes up on Australia Day, US$48 will buy you one shirt, US$88 two, US$138 three and US$199 five.
Western Edge Youth Arts present a bold new take on Shakespeare's The Tempest. Transplanting the iconic text to a not too distant future on the brink of environmental catastrophe, Caliban reimagines Ferdinand as an oil baron, Prospero as a scientist and Ariel as an AI capable of saving the world. But with the tides on the rise, how will the Bard's characters survive? The Edge Ensemble consists of six young, emerging performers from a plethora of cultural backgrounds, including Afghanistan, Samoa, Vietnam and South Sudan. Their most ambitious work yet, Caliban promises to give voice to those often left out of the climate change debate, despite being the ones who are most heavily affected by its outcome. The play will run for three nights only, from November 24-26 at The Coopers Malthouse in Southbank.
With less than a month of summer to go, we're pretty keen to make the most of the last of the warm weather. And what better way to do so than by hosting a summer soirée for you and your mates to sip on tasty tropical cocktails? You don't need to be an experienced bartender to impress your guests with delicious drinks. With a bottle of Malibu rum and a few other key ingredients you can serve up some seriously refreshing and summer-ready bevs. Whether you're hosting a boozy brunch with friends or a tropical-themed pool party, we've put together four foolproof cocktail recipes that'll keep you in that summer mindset til season's end. TO SIP ON POOLSIDE Nothing screams summer more than a refreshing piña colada. It's sweet, it's fruity and it has just a touch of creamy coconut goodness, making it the ideal poolside companion. Ingredients 50ml Malibu Original 75ml pineapple juice 25ml coconut cream Method Pour everything into a shaker filled with ice. Shake and pour into a tall glass before garnishing with a pineapple wedge. FOR A BOOZY BRUNCH You can kiss your mimosas goodbye in favour of this juicy cocktail — a Malibu Bay Breeze. It's a simple and surefire way to step up your brunch bev game, whether you're playing host or guest. Ingredients 50ml Malibu Original 50ml cranberry juice 50ml pineapple juice Method Load a tall glass with ice and top with Malibu Original, cranberry juice and pineapple juice. Finish with a wedge of lime for added refreshment. THE ULTIMATE PRE-PARTY DRINK If you are hosting pre-drinks, add this crowd-pleasing pour to your pre-party plans. It's light, refreshing and has a tropical twist on your classic spirit and soda combination. Ingredients 50ml Malibu Original 100ml soda water Wedge of lime Method Pour the liquids into a tall glass filled with ice. Squeeze in some lime juice and drop in the wedge. FOR YOUR NEXT GARDEN PARTY There is nothing fresher than sipping lemonade in the sun at a garden party. So, why not step it up a notch with a dash of Malibu? It's simple enough to make for multiple guests and delicious enough that it will leave everyone asking about the secret ingredient. Ingredients 50ml Malibu Original 15ml lemon juice 100ml soda water Methods Fill a tall glass with ice and top with Malibu, lemon juice and soda water. Add a wedge of pineapple or lemon to garnish and enjoy. Ready to serve tropical tipples at your next summer soirée? For more drink inspiration, head to the Malibu website.
When you're sitting in a cinema, you want to hear one thing and one thing only: the film that you're watching. No one likes having their movie-going experience ruined by excessive noise from those around them; however, shooshing and scowling are only somewhat effective at combating the problem. Sure, you can ask an incessant talker to pipe down, but requesting that the person behind you devours their movie munchies at a lower volume isn't so easy, particularly in a place that sells far-from-quiet foods such as popcorn and potato chips. Enter Silent Snacks, aka the invention someone really should've thought of earlier. The brainchild of theatre ticketing app company TodayTix, they're exactly what they sound like — or ideally don't, thanks to products such as Quiet (Pop)corn, Muffled Truffles, Silent Slices and Anti-Gas Lime and Mint Drink. Basically, the new snack range takes your usual cinema treats and gives them a few twists to tone down any annoying munching, crunching and slurping sounds. The popcorn has been ground down, mixed with dates, coconut butter, cocoa butter and coconut blossom nectar, and rolled into balls; chocolates have been switched with truffles; and chips swapped for dehydrated pears. And when it comes to washing it all down, Silent Snacks' beverage of choice is not only designed to reduce burping noises coming out, but is served in silicone to ensure that it's also stealthy while you're sipping it. Yep, soft, soundless packets and wrappers are all part of the package, because everyone knows that it's not just loud eating that can echo throughout a cinema, but the crinkling and rustling that goes with it. Of course, given that TodayTix only operates in the US and UK at present, you won't find these super-quiet foods at a local candy bar any time soon. Instead, we'll live in hope that something similar will pop up here soon — silently, of course. Via TodayTix.
While older Aussies might be more familiar with bat tennis — from back in the days when it was played around primary schools — the US-born game of pickleball has become far more popular. That's even more true throughout January when the Australian Open returns to Melbourne, and bars and hotels all over the city set up pop-up courts. And this year, the city has got a heap to choose from. [caption id="attachment_986676" align="alignnone" width="1920"] Rooftop at QT[/caption] You've got a court up at the Rooftop at QT — which was first played on by Naomi Osaka, Nick Kyrios and Frances Tiafoe earlier this month — that's been put together in partnership with Red Bull and The National Pickleball League. This pop-up pickleball court is open every day until Monday, March 3, but those seeking glory (and prizes) should rock up from 4–8pm from Thursday–Sunday. Winners score a round of free Red Bull cocktails and the very best performers have the chance to win an exclusive AO Live Red Bull experience, complete with an overnight stay at QT Melbourne. If one rooftop pickleball location isn't enough for you, you can also head over to Hilton Melbourne Little Queen Street for more of the same action. Up at this sun-soaked space, you'll find another court open until Friday, February 28. The space is available to non-hotel guests throughout this period, but the best time to arrive is between 4pm and 9pm. This is when the crew gets out the DJ decks and serves curated cocktails at the adjacent Chateau La Gordonne rooftop lounge. [caption id="attachment_986576" align="alignnone" width="1920"] Ichi Ni Nana Izakaya[/caption] Lastly, the Ichi Ni Nana Izakaya crew has also joined the pickleball action in 2025, setting up a court on level one. Here, you can battle out with mates while sipping sake cocktails and barrelling through epic sushi platters. This has been set up in collaboration with the National Pickleball League, so do expect a top-quality court and all the gear needed to have a proper game. [caption id="attachment_986678" align="alignnone" width="1920"] Hilton Melbourne[/caption] [caption id="attachment_986572" align="alignnone" width="1920"] Ichi Ni Nana Izakaya[/caption]
Your winter art itinerary just got a little fuller, with regional Victoria's famed Silo Art Trail unveiling its latest creative addition — a large-scale work titled Yangga Dyata ('Walking on Country'), by photo realism artist Smug AKA Sam Bates. Gracing a silo and flour mill in Horsham, the newcomer marks the 13th mural for the cultural attraction, which winds over 200 kilometres through the state's northwest to form Australia's largest outdoor gallery. Commissioned by Horsham Rural City Council via international street art agency Juddy Roller, Smug's new work is a two-part celebration of historic Wotjobaluk warrior Yanggendyinanyuk. The tracker, cricketer and cultural icon is depicted in a colourful realist portrait wrapped across the silo, while the adjacent flour mill bears the likeness of Yanggendyinanyuk's totem, the black cockatoo. The new addition is actually Smug's third work to feature in the Silo Art Trail — you'll spy the artist's painting of a flannel-clad farmer and his work dog on a concrete silo in Nullawil, and in Arkona, his tennis-themed tribute to local legend Roley Klinge. First dreamt up back in 2016, evolving from a small community art project, the now famed Silo Art Trail features a growing lineup of mural portraits, painted by a collective of artists in conjunction with Juddy Roller. They aim to capture the spirit and history of this unique corner of the world, with each work offering a snapshot of its host town and residents. If you're visiting the art trail from Melbourne, the first silo mural you'll hit is Julia Volchkova's artwork in Rupanyup, around 3.5 hours' drive from the CBD. Yangga Dyata sits about 30 minutes west of this. Find 'Yangga Dyata' at 35 Wawunna Road, Horsham. For more details on the Silo Art Trail and to plan your visit, see the website.
Brazilian beer company Antarctica Beer has created one of the most innovative products to ever come out of a brewery, the Beer Turnstile. Created for the Rio de Janeiro Carnival, one of the world's biggest parties, of which Antarctica Beer is the official sponsor, it was designed to inspire partygoers to catch public transport to and from the festival. When they arrived at the subway station to head home, they did not have to buy a ticket; all the drinkers had to do was pop their empty beer can into the turnstile and, once it was recognised by the reader in the machine, they gained access to their ride home. Whilst the turnstile was an excellent business move — if people do not have to drive they can of course drink more Antarctica Beer throughout the evening — it likely contributed to the 43 percent decrease in drink driving recorded at this year's event and lowered the impact of the festival on the environment, as every can submitted was recycled and the turnstile averaged more than 1000 patrons an hour. It also created less mess for the city to clean, music to the ears of some happy Brazilian workers. Via PSFK.
Want to keep your building cool in summer but are self-conscious of the impact it may have on the environment? Well, those worries could soon be a thing of the past, thanks to the environmentally friendly wooden skin erected by French architect Stephane Malka on student housing in Paris. The wooden skin is constructed on the exterior of buildings and consists of a host of pallets of varying dimensions that can be mechanically expanded or contracted, via horizontal hinges, to let in more or less ventilation and daylight as required. Stephane constructed The AME-LOT project, named after the rue Amelot the housing resides on, in response to ecological strategies that "often generate an over-production of materials". By building on top of pre-existing structures, Malka hopes to showcase a sustainable and ecological alternative that does not require new construction by 'energyvores'. As well as its environmental benefits, it would certainly look incredible on the body of a skyscraper. [Via PSFK]
Ever since floundering onto Australian screens in Race Around the World, John Safran's established a reputation for daring and provocative comedy. He's been (literally) crucified, gone through Ray Martin's rubbish, set himself on fire in St Kilda (to protest the suspension of Spida Everitt), and got a radical Islamic cleric to put a fatwa on Rove McManus. But Safran's brand of confrontation has been tempered throughout by a documentarian's eye for the issues, with satire as the framework for serious investigations of religion, race, and social identity. In his talk at the Wheeler Centre, he'll be discussing his newly-launched book, Murder in Mississippi, a hefty tale of true crime in the tradition of In Cold Blood. The book was spawned from Safran meeting an avowed racist while filming in America's Deep South. After returning to Australia and hearing of the man's death, he began to unravel the rich contradictions at the heart of this character. Guiding us through the making of his book, Safran might just give away his secret — how did he document a story in such a powerful and effective way without sacrificing any part of his own deeply distinctive voice?
You'll find big things in small packages at the St Kilda Film Festival this year. That's true every year, of course, even when Melbourne has been under lockdown. But in these pandemic-adjusted times, you'll also find bite-sized flicks gracing screens both big and small — because while Australia's oldest short film festival is very much happening in-person in 2022, physically descending upon St Kilda venues, there's also still an online option that screens to movie buffs at home and nationally. This hybrid version of the fest — the event's 39th outing, in fact — places the emphasis on the in-cinema experience, though. And, it's just as devoted as ever to showcasing works by some of the best up-and-coming filmmakers in the country. So, across ten days between Friday, May 27–Sunday, June 5, 13 out-of-the-house sessions will pop up all around St Kilda, kicking off with opening night at The Astor Theatre. As always, the backbone of the festival is Australia's Top Short Films, featuring filmmakers from every corner of the country competing for prizes. Also on the bill at ticketed screenings: programs dedicated to queer, documentary, student, horror-themed, family-friendly animation, Aussie animation, homegrown in general, Australian drama, female-directed, First Peoples' and Victorian-made shorts. And, for those playing along from their couches, online sessions include a couple of programs curated by the Scottish Documentary Institute, highlights from the Obu Short Film Festival in Japan (aka the City of Port Phillip's sister city) and the closing night awards. Plus, there's also a look at acclaimed Aussie filmmaker Warwick Thornton's (Sweet Country) early works as a cinematography student, and then cinematographer and director. [caption id="attachment_572561" align="alignnone" width="1280"] Jim Lee[/caption]
Whether you're a summer lover or someone who spends the season beneath the air-con, sometimes the only cure for beating the January heat is a sweet scoop of ice cream. Mercifully, Pidapipo is back with another month of limited-edition flavours designed to make the hot weather a little more bearable. While the likes of chocolate and vanilla basically never go out of style, Pidapipo is turning its attention to gelato and sorbet over the next four weeks. That means fruity goodness, from mangoes and strawberries to peaches and passionfruit, that'll bring some much-needed refreshment to a sweltering day or night. Best of all, there's no shortage of options, with a dozen short-run flavours to explore. Think inventive creations like mascarpone and peach swirl, strawberry rose and cream, mango lassi, and nectarine cream with nectarine and amaretti crumb swirl. Of course, the full range of Pidapipo's signature house flavours is also ready for scooping at all stores. So, double down alongside a limited-edition flavour or opt for a single classic Italian-style delight, such as Nutella swirl, salted caramel or vanilla and honeycomb. Either way, the heat won't seem so bad, at least for a few moments.
You know when you're travelling and you receive a red-hot tip from a local? They point you in the direction of the best fried chicken joint, a secret underground bar or an offbeat gallery — something that transforms your trip and lets you see the real city as you would've never seen it. It can really make a trip. So to help you uncover some local gems on your next Sydney visit, we've partnered with the City of Sydney to create a local's guide to the city. We've honed in on ten inner-city suburbs and pulled out experiences to take you past the Opera House and Harbour Bridget and deeper into the local's locales. [caption id="attachment_696573" align="alignnone" width="1920"] Continental CBD by Kitti Smallbone.[/caption] SMALL BARS IN THE CBD There was a time when after the hustle and bustle of Sydney CBD's nine-to-five crowd subsided, the streets turned tumbleweed quiet. But thankfully, that time has passed. Over the last ten years or so, the CBD has acquired several top-notch venues. While you may have visited some of the small bar stalwarts — The Baxter Inn, The Barber Shop, SILY, Bulletin Place (just to name a few) — there are several newcomers to discover, too. Be sure to stop by Old Mate's Place rooftop bar with a warm and welcoming library-esque aesthetic, head to Continental Deli, Bar and Bistro CBD to enjoy a mar-tinny (a martini in a can) with a plate of charcuterie and cheese at the luxe marble-top bar or seek out 1950s-inspired Maybe Sammy where cocktails come in tubes or matched with passionfruit-scented hand cream. [caption id="attachment_660514" align="alignnone" width="1920"] Paramount House Hotel by Tom Ross.[/caption] A HUB OF COOL IN SURRY HILLS The effortlessly cool Surry Hills is bursting at the super-stylish seams with must-visit bars and eateries — a few of which conveniently reside together in Paramount House. The heritage-listed building on Commonwealth Street is home to Golden Age Cinema and Bar, new natural-wine-plenty restaurant Poly, a lush boutique hotel, rooftop fitness centre complete with on-call massage therapists and a cafe which serves arguably the best coffee in Sydney. Start your day with a cup of joe at Paramount Coffee Project in the lobby of the building, then make your way up to the Paramount Recreation Centre. Even if you aren't a guest at the Paramount House Hotel, you can still grab a day pass to the gym and attend one of the classes on offer. Come evening, park yourself at Poly for pre-cinema seasonal share plates and excellent wine before making your way to a showing at the in-house cinema's petit theatre — the former Paramount Pictures screening room. [caption id="attachment_705398" align="alignnone" width="1920"] The Social Outfit by Luisa Brimble.[/caption] SUSTAINABLE SHOPPING IN NEWTOWN Newtown is known for its abundance of street art, eccentric residents and overall buzzing vibe. To really do the suburb like a local, we suggest spending a day sustainably shopping along main drag King Street — before checking out one of the best bars in the area. From the top of King down, you'll come across the likes of U-Turn, Cream on King and SWOP Clothing Exchange where you'll find well-curated, secondhand fashions to dig into, plus Good Times Vintage, Vintage 585, Faster Pussycat and Retrospec'd, which house fashion, homewares, decor and plenty more from decades past. If that isn't quite enough, you can exercise your gem-finding prowess at the Red Cross and Vinnies shops, too. And if you're really after something new, check out The Social Outfit. While you won't find any vintage, the store is an ethical enterprise that supports people from refugee and migrant communities by providing training and employment in the fashion industry. You can pick up a unique piece that tells an amazing human story all while financially empowering people. It's a win-win. [caption id="attachment_652447" align="alignnone" width="1920"] Ellery by Kitti Gould.[/caption] AUSTRALIAN FASHION AND DESIGN IN PADDINGTON If vintage and op shopping is not your forte (we get it, not everyone has the eye and/or patience), head for a shop in Paddington. This Australian fashion hub has a host of homeware shops and fashion boutiques to browse. If you're keen to get up close and personal with our best and brightest designers, The Intersection should be your starting point. Flagship after Australian designer flagship line the street here and pull you deeper into the suburbs via the likes of Alice McCall, Camila and Marc, Dion Lee, Ellery, Manning Cartell, Scanlan Theodore and Zimmermann (to name but a few). As for homewares and decor, independent design shop Opus will sort you out with vintage board games, quirky gadgets and retro video consoles; Dinosaur Designs will help you find some statement resin jewellery and free-form wares for your home; and Jardan will indulge any design addict with a shop full of gorgeous furnishings — you'll wish the space itself was your actual home. [caption id="attachment_664457" align="alignnone" width="1920"] White Rabbit.[/caption] ART GALLERIES IN CHIPPENDALE The suburb with more independent galleries than you can poke a paintbrush at, Chippendale is a must-visit for any art lover. Start by checking out Galerie Pompom on Abercrombie Street — a space dedicated to developing and nurturing mid-career artists from Melbourne and Sydney — and White Rabbit, a four-storey gallery showcasing a beautifully curated, impressive private collection of contemporary Chinese art. Other art spaces championing Australian (and some international) artists in the area include Wellington St Projects, Nanda/Hobbs, Harrington Street Gallery and Verge Gallery. And for an even deeper dive into the arty precinct, you can join the Chippendale and Redfern walking tour by Culture Scouts, who'll take you beyond the galleries to discover the local public artworks, architecture and street art. [caption id="attachment_705409" align="alignnone" width="1920"] Frenchies Bistro and Brewery.[/caption] A HUB OF FOOD, DRINK AND SHOPPING IN ROSEBERY If you've visited Sydney before, you've almost certainly been to The Grounds. A cafe, bakery, florist, restaurant, farm and mini market all in one, the place is a mecca for highly likeable Instagram posts. It's also a brunch mecca, with locals and visitors alike making the pilgrimage to Alexandria each weekend. If you're after something a bit more subdued, set your sites on The Cannery in the neighbouring Rosebery. Similar to The Grounds in how its helped transform this former industrial area into a food lover's haven, The Cannery is home to an even larger variety of food, drink and shopping options. It's here where you'll find Archie Rose, Sydney's first distillery to open in over 160 years Archie Rose; Frenchies Bistro and Brewery (with an on-site brewing facility); and boutique bottleshop Drink Hive, which slings natural wines, independent brews and local spirits. There are also several eateries in the precinct including the Aussie-Japanese-serving Stanton and Co, purveyors of watermelon cakes (and other sweets) Black Star Pastry and Argentinian grill masters Three Blue Ducks, to name but a few. Visit on an empty stomach, guys. [caption id="attachment_635940" align="alignnone" width="1920"] The Bearded Tit by Katje Ford.[/caption] LOCAL CREATIVES IN REDFERN When a place is called the Bearded Tit, you know it's going to be good. This brazen art bar on Regent Street is just one of many left-of-centre venues in Redfern and, beyond the crocheted penises and taxidermy boar, it highlights what the suburb does best: intersect art and culture with a good drink. 107 Projects is another creative space where you can experience regular art shows, gigs and performances by local artists, musicians, comedians and theatre groups, all while enjoying a tipple or two. You can even channel your own creative energy with some locals at one of the weekly Wednesday Night Creative Hangouts or Life Drawing Socials. While in the area, make sure to pop into Indigenous-owned cafe The Tin Humpy. Run by Bundjalung woman Yvette Lever and her family, the cafe slings homemade pastries alongside coffee from The Grounds and presents a stunning Indigenous art collection to boot. [caption id="attachment_653243" align="alignnone" width="1920"] Dae Jang Kum by Kitti Gould.[/caption] A CULINARY JOURNEY THROUGH ASIA VIA HAYMARKET Running adjacent to the CBD, Haymarket is a melting pot of different Asian cultures and cuisines. Whichever eats you're craving, you'll find them here (along with muchos bubble tea to wash it all down with). Keen for Chinese? Hit up yum cha favourite Marigold for a morning feast of dim sim, pork buns, rice noodles and creamy mango pancakes, or stop by the noodle and dumpling haven at the Prince Centre for some of Sydney's favourite cheap eats — there are at least four dumpling eateries to choose from but many Sydneysiders are quite partial to the spot lovingly known as 'grapes on the roof'. In the mood for Korean? Make tracks to Koreatown for barbecued sizzling meats at 678 Korean BBQ, steamy spicy hotpots at Dae Jang Kum or some finger-lickin' Seoul-style fried chicken at Arisun (a favourite spot for many Sydney chefs). Have a hankering for Japanese? Pop by Menya Noodle Bar and take your pick from 17 different types of ramen (the black garlic ramen is a go). We could continue with Thai, Vietnamese, Malaysian… but it's best you just check it out yourself. [caption id="attachment_524715" align="alignnone" width="1280"] The Old Fitzroy Hotel.[/caption] DINNER AND A SHOW IN KINGS CROSS The Cross has undergone a pretty drastic transformation. The days of teapots at World Bar and rowdy all-nighters may be gone, however, excellent restaurants and independent theatres have helped keep the neighbourhood alive. Step into the 1930s at Dulcie's basement bar and enjoy a punchy espresso martini with a side of nostalgia. The bar is a homage to the Cross's past with an art deco aesthetic and stage that hosts theatre, dance and cabaret shows after midnight. There are also several small theatres in the area conveniently located within a few blocks of each other (and some of Sydney's top restaurants), including the Griffin, Hayes Theatre Co and The Old Fitz. At the Griffin, you'll find brand new works and Australian stories; cabaret and musical theatre are the go at Hayes Theatre Co (the Monty Python's Spamalot will run from Wednesday, March 6 to Saturday, April 6 this year); and The Old Fitz, run by Red Line Productions and located inside a pub, offers quality independent productions for as little as $20 a ticket. LOCAL SOUVENIRS IN GLEBE For boho vibes, a throng of neighbourhood eateries and some of Sydney's most chill humans, head to Glebe. Before heading for this incredible burnt butter hummus at Middle Eastern eatery Thievery, pay a visit to The Works. At this three-storey space on Glebe Point Road, local creatives design, make and exhibit their work. It functions as a cafe and coworking spot, as well as a pop-up shop where local designers can showcase their wares. This is the spot to hit for some truly local souvenirs with everything from jewellery, shoes and environmentally conscious activewear to prints, greeting cards and screen-printed totes to vegan soaps and hand-poured soy candles. With an ever-changing roster of local artisans, each visit will bring something new to the table (and probably your home). Forgo the tourist traps and instead traverse the great City of Sydney like a local. Discover more around the city here. Top image: Continental CBD by Kitti Gould.
If all you want for Christmas is a trip to a part of Australia like no other, then there's no need to ask Santa for tickets in your stocking. You can, of course, but for five days from Thursday, December 8—Monday, December 12, discounted fares to the Northern Territory are on offer as part of Jetstar's big pre-Christmas flight sale. Treat yo'self to an early festive holiday booking and get a jump on your 2023 vacation planning all at once, with $89 flights to Uluru up for grabs. That's how much it'll cost to get to the Red Centre from Melbourne, but you'll also only pay $109 one-way from either Sydney or Brisbane. [caption id="attachment_840264" align="alignnone" width="1920"] Tourism NT[/caption] For NT visitors keen on scoping out Darwin instead, all fares are under $150, with prices varying depending on the departure point. For Brisbanites, the starting price is $109, while Adelaide residents can get $129 fares, and Sydneysiders and Melburnians can book $149 flights. If it feels like these kinds of sales pop up often, that's because they have been lately. 'Tis the season after Black Friday and Cyber Monday, after all. That said, no travel aficionado will ever complain about too many opportunities to nab cheap flights. The usual Jetstar caveats apply: all sale fares are one-way, and they don't include checked baggage — so you'll need to travel super light or pay extra to take a suitcase. [caption id="attachment_813586" align="alignnone" width="1920"] Darwin Festival, Elise Derwin[/caption] And if you're wondering what to do when you're there, fares are on sale for trips between May and September 2023, which means checking out Darwin's BASSINTHEGRASS music festival headlined by Tones and I, Baker Boy, Amy Shark and Ocean Alley — or enjoying the Darwin Aboriginal Art Fair, Country to Couture, the Telstra National Aboriginal and Torres Strait Islander Awards, the National Indigenous Music Awards and Darwin Festival. Or, obviously, there's Uluru itself, all of the tours and experiences around the sacred spot, and Bruce Munro's dazzling Field of Light. [caption id="attachment_847444" align="alignnone" width="1920"] Tourism Central Australia[/caption] Jetstar's 'post-Chrissy recovery' sale runs from 12am AEDT on Thursday, December 8 till 11.59pm AEDT on Monday, December 12 — or until sold out, if snapped up earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
"Kidnapping, cults, death. Your friendships are a little more complicated than most." So says Elijah Wood in the new trailer for one of 2023's most-anticipated TV returns: Yellowjackets, which'll finally be back for season two from late March. Fans of the show would expect nothing less than Wood's concise summary, given this instantly intriguing (and excellent) series follows a New Jersey high school's girls soccer team in the 90s after they crash in the forest and possibly turn to cannibalism — plus the aftermath among the survivors 25 years later. Indeed, already in season one, life and friendship have proven complex for Yellowjackets' core quartet of Shauna (Don't Look Up's Melanie Lynskey as an adult, and also The Kid Detective's Sophie Nélisse as a teenager), Natalie (Welcome to Chippendales' Juliette Lewis, plus The Book of Boba Fett's Sophie Thatcher), Taissa (Billions' Tawny Cypress, and also Scream's Jasmin Savoy Brown) and Misty (Wednesday's Christina Ricci, as well as Shameless' Samantha Hanratty). Also in the works in the show's second season, as based on the just-dropped sneak peek: Natalie been guided through her memories, snowy climes aplenty, the eerie symbol that's always been at the heart of the series, frantic dances, long treks, guns and axes, and a new connection between Misty and newcomer Walter (Wood), a citizen detective. Ominous words abound, too, such as "darkness, we brought it back with us", "it's happening again, isn't it", "we weren't alone out there" and "this isn't where we're supposed to be". The setup, for Yellowjackets first timers: back in 1996, en route to a big match in Seattle on a private plane, Shauna, Natalie, Taissa, Misty and the rest of their teammates entered Lost survivalist territory. The accident saw everyone who walked away stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. After proving one of 2021's best new series and quickly getting picked up for a second season, Yellowjackets will start unfurling its next batch of episodes from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand, as announced in late 2022. Season two will pick up after a heap of chaos in both timeframes, and with new faces among the cast. Introducing more of the team in their adult guise is very much on the agenda, including Simone Kessell (Muru) playing the older Lottie and Lauren Ambrose (Servant) as the older Van. In their younger years, both characters are played by Australian actors, with Courtney Eaton (Mad Max: Fury Road) as Lottie and and Liv Hewson (Santa Clarita Diet) as Van. Also, this won't be the end of the story, with the show already renewed for season three before its second season even airs. Check out the new teaser for Yellowjackets season two below: Season two of Yellowjackets will start streaming from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand. Read our review of season one.
Take a nod to one of Melbourne's first public houses, add hospitality legend Andrew McConnell and the team behind Gimlet, shake well over ice and serve — that's the recipe behind Apollo Inn, the CBD's newest cocktail bar. Apollo Inn occupies the ground floor of McDonald House at 165 Flinders Lane: a neo-Renaissance-style building that dates all the way back to 1924. Just the sort of heritage you want for a classic, moody European cocktail lounge. The name 'Apollo' is a nod to one of Melbourne's first public houses, located on the corner of Flinders Lane and Russell Street, where Gimlet now sits. This place is technically Gimlet's little sister, and you can see the team's fingerprints all over it. For example, ACME, the Sydney-based design firm that handled Gimlet's dining room, were called back to help with Apollo Inn. Still, the two venues aren't quite the same. Gimlet often feels light and airy, like a brasserie. Apollo Inn is going more for that underground, triple-distilled, wood-panelled, High Society vibe. The bar seats just 28 patrons, which keeps everything feeling intimate, and Gimlet's bar manager, Cameron Parish, is moving across the oversee the transition. As you'd expect from the latest venue in McConnell's Trader House portfolio, the attention to detail is bang-on, from the leather-studded front doors to the paper-topped table lamps. "We're excited to dedicate such a beautiful, intimate space to the refinement of great spirits," says McConnell. "It's a singular focus at Apollo Inn; to ensure that what's in the glass and on the plate are delicious and benchmark." Drinks-wise, you can expect wines by the glass and bottle, curated by Trader House beverage director Leanne Altmann, plus signature cocktails like the Lucien Gaudin, which combines gin, Campari, dry vermouth and Grand Marnier. Martinis come in four speeds: dry, dirty, Gibson (with the obligatory pickled onion), and café. Apollo Inn is more about booze than food, but there will be a stripped-back menu featuring snacks and small plates, designed to match whatever's in your glass. Expect prawn and spanner crab club sandwiches, raw tuna with cured sobrasada, or old-school classics like beef carpaccio. The menu is designed for snacking rather than feasting. Everything bite-sized, spiked with big flavours like anchovy and truffle. The perfect nightcap before calling an Uber. Following the success of other old-world Melbourne venues like Trinket and Bar Margaux, Apollo Inn looks like it's been time-warped straight out of 1956. And that's just fine by us. Lock it in for your next date night. Apollo Inn is now open at 165 Flinders Lane, every day from 5pm to 1am. Bookings can be made via the Apollo Inn website but walk-ins are encouraged. Images: Earl Carter
As first announced back in 2018, Melbourne's Australian Centre for the Moving Image will soon look rather different, with the screen culture-focused Federation Square site currently undergoing extensive $40 million renovations. When it reopens in 2021, visitors can expect revamped exhibition spaces, new immersive experiences and added interactive activations, including a permanent ode to Mad Max. Also part of the huge makeover: increasing the ways that everyone can engage with ACMI digitally, both when heading by in-person and from home. As revealed back in October, ACMI will usher in a heap of new ways for folks to interact with its exhibitions. That includes giving visitors a handheld device made out of compressed cardboard, which they'll be able to while they're wandering around the place — and when they go home as well. ACMI's fresh additions also span online exhibition space Gallery 5, which is up and running already, and its own video-on-demand service called Cinema 3. Of course, 2020 has already seen a very lengthy list of new streaming and VOD options hit the market, all competing for film and TV fans' eyeballs in a year that's seen us all spend more time on the couch — such as horror streamer Shudder, architecture and design-focused platform Shelter, short-form platform Quibi (which'll actually call it quits in December), female-focused service Femflix, and platforms from cinemas such as Palace and Golden Age, plus the team behind Sydney's Ritz and Melbourne's Lido, Classic and Cameo venues. Accordingly, ACMI joins a very busy space, but it's doing so with a tightly curated range of classics and new movies that's selected by its Director of Film Programs Kristy Matheson, and is updated fortnightly. Available since Thursday, November 19, Cinema 3 currently features a digital restoration of Claire Denis' 1999 standout Beau Travail, plus 2019's acclaimed Romanian flick The Whistlers — neither of which you can currently watch in Australian cinemas. In the classic camp, it has grouped a number of movies into themes. So, you can check out 'fine films for grown-up tastes' such as The Two Faces of January, Our Little Sister, The Deep Blue Sea and The Third Wife, or opt to delve into cinema history via Berberian Sound Studio, Be Natural: The Untold Story of Alice Guy-Blaché, Last Man in Aleppo and Parasite. Cinema 3 also presently features an Aussie-focused section as well, showing Noise, The Darkside, and documentaries Jill Billcock: Dancing the Invisible and Defiant Lives. The idea is that each area of the service acts as a shelf — for you to peruse and pick from at your leisure, depending on what piques your interest. Films are available on a pay-per-view rental basis, with the current titles ranging from $4.99 to $14. To check out ACMI's Cinema 3 video-on-demand service, head to the platform's website.
Do your summer plans involve hanging by the beach? Splashing around in several pools? Enjoying a few games of volleyball on the sand? Watching a movie under the stars? Would you also like to spend your sunny days and starry nights kicking back in a cabana, hopping between multiple restaurants and bars, dancing to DJs and gathering the gang on a rooftop with a view? Sometime early in 2021, Surfers Paradise will welcome a brand new attraction — and it'll feature all of the above in one spot. It's called Cali Beach Club and, yes, it's going to be more than a little jam-packed with things to do. Although an exact opening date hasn't yet been revealed, the new precinct will open on the corner of Surfers Paradise Boulevard and Elkhorn Avenue in the coming months — perched four levels about the street, sprawling across more than 5000 square metres, and boasting vantages over both the ocean and the Surfers' skyline. The Gold Coast might be known for its theme parks, but this is shaping up to be the boozy adult alternative, as run by Australian hospitality group Artesian Hospitality. Whether you're a Brisbanite heading down the highway, a Sydney or Melbourne resident enjoying the new lack of border restrictions, or hail from elsewhere in the country, you'll find quite the spread awaiting once you step inside. That includes four pools to swim in, and plenty of daybeds, sun lounges and cabanas where you can while away the hours. There'll also be exercise areas and sports facilities, such as the aforementioned beach volleyball court, and a dance floor as well. In terms of food and drink, you'll have options, thanks to two restaurants and four bars. Exact details of what they'll be serving, and what'll make them different from each other, haven't yet been revealed — but one eatery will sit right by the ocean. Come evening, a moonlit cinema will screen flicks by the water — again, though, no other details have been revealed. Showing Jaws and Point Break seems like a must, however, because everyone like catching movies about the sea while they're literally right next to it. [caption id="attachment_793063" align="aligncenter" width="1920"] Map of Cali Beach Club[/caption] All the other questions you're currently pondering — such as opening hours, cost, capacity and social distancing measures — haven't been answered yet either. But, while it looks set to open during summer, Cali Beach Club plans to operate year-round. The Gold Coast does have the weather for it, after all. Cali Beach Club will open on the corner of Surfers Paradise Boulevard and Elkhorn Avenue, Surfers Paradise, sometime early in 2021 — we'll update you when an exact date is announced.
A sleepy small town. A body on a beach. A local detective trying to solve the case, plus an outsider dropping in to lend their expertise. Viewers have seen this scenario plenty of times before, complete with secrets swirling, a killer lurking among a close-knit community and ample friction between the new arrival and the town's inhabitants — but until now, we've never seen Kate McCartney and Kate McLennan's take on the situation. Anything that The Katering Show and Get Krack!n's duo make is an instant must-see — see: those two very shows — and Deadloch, their newest effort, is clearly no different. Announced in 2022 and set to hit Prime Video from Friday, June 2, this mystery-comedy series is created, written and executive produced by the comic duo, with McCartney and McLennan acting as showrunners as well. They're not listed among the cast, sadly, but The Kates are still back. Another Kate — Kate Box (Stateless) — stars as local senior sergeant Dulcie Collins. When a local man turns up dead on the beach, her life and Deadloch's titular seaside spot are thrown into chaos, as the just-dropped first trailer for the show illustrates. And no, it isn't by accident that the series subverts the usual dead-girl trope that's such an engrained part of these kinds of TV setups, even when they're at their best as in Twin Peaks. Enter Darwin-based senior investigator Eddie Redcliffe (Madeleine Sami, The Breaker Upperers), too, who isn't afraid to make a splash as she teams up with Dulcie to get to the bottom of the case. There's also junior constable Abby (Nina Oyama, Koala Man), who couldn't be more eager to join in, all while Deadloch is busy getting ready to launch its annual Winter Feastival — an arts, food, and culture festival. "We are both so thrilled to share the dark, strange little town of Deadloch with the world. We're particularly excited for everyone to meet Dulcie and Eddie, performed by the powerhouses Kate Box and Madeleine Sami, who are far better actors than we'll ever be," said The Kates. "The supporting cast is sublime, the crew are a delight, and the experience of making this story with Prime Video globally on the incredible land of lutruwita (Tasmania) is one we'll never forget." As well as Box, Sami and Oyama, Deadloch's cast spans a heap of recognisable faces, including comedian Tom Ballard, Alicia Gardiner (Wakefield), Susie Youssef (Rosehaven), Pamela Rabe (Wentworth), Kris McQuade (Irreverent), Duncan Fellows (The Letdown), Harvey Zielinski (Love Me) and Shaun Martindale (Sissy). Shot in and around Hobart, Deadloch's eight-episode run also sports a stacked roster of directors: Ben Chessell (The Great), Gracie Otto (Seriously Red) and Beck Cole (Black Comedy). Check out the trailer for Deadloch below: Deadloch streams via Prime Video from Friday, June 2, 2023.
'Tis the season for buying prezzies. And if you like your gifts green, we've found a one-stop shop for all your Christmas shopping needs. Online store Garner Plants has launched a bricks-and-mortar pop-up shop in Richmond, where it'll be slinging a huge array of leafy goodies from now until Thursday, December 23. In a win for those who love a package deal, every plant in the store comes with its own cute ceramic pot, which means no mucking about trying to choose something nice for your purchase to sit in. You'll find a diverse collection of leafy varieties for the green thumb or Secret Santa recipient in your life, from ficus to fiddle leaf figs, with prices starting from an easy $45. Also on offer is a range of plant accessories — think, foliage spray, clippers and plant food — and a bunch of other gift options. And if you can't get there in person, simply jump online to shop a hefty range of Garner goodies, which can be shipped speedily to your door. The Garner Pop-Up Plant Store is open from 9am–5pm weekdays, and from 10am–2pm Saturdays.
Icy poles and booze — they're the two staples of a long, hot Aussie summer. Back in October, we told you that the two had finally come together as one. Now, those Calippo-style Champagne icy poles we've all been hankering for since are finally on sale in Australia. The genius creation from POPS, a UK brand that has been keeping folks stylishly cool since 2014, have started popping up around Melbourne. Head to online alcohol delivery service tipple.com.au to order one of four flavours: the Champagne pop (called The Classic) contains half a glass of Champers (wahee!), while the Bellini blends hibiscus flowers, blood orange juice, peach Schnapps, and half a glass of Prosecco. Plus, there are a couple of all-ages products too, which see the alcohol swapped out for real fruit combinations (apple and elderflower, plus strawberry and mint). The timing couldn't be better, with the frozen delights arriving in our eskies just in time to be eaten in front of the fan (or, y'know, in the sun) this summer. As part of the Melbourne-first launch, they'll also be available at Arbory Bar and Eatery — and showering festival attendees with lickable icy alcohol goodness, including at The Pleasure Garden, Let Them Eat Cake and the Inverloch Sound of Summer. The POPS website also teases POPScycle bikes, so keep your eyes peeled. When POPS launched its first frozen Champagne treat, supermodels like Kate Moss and Bella Hadid were apparently quick to jump on board, if that's something to sway you. No word yet if you'll be able to buy a box for the freezer, but let's hope. For more information about POPS in Australia, visit wearepops.com. By Libby Curran and Sarah Ward. Via Food Mag.
Fill your mid-week with cosy vibes, as the Winter Night Market returns to QVM for another 13-week run. Kicking off at 5pm every Wednesday from Wednesday, June 4–Wednesday, August 27, expect another fascinating program brimming with tantalising street food, hot drinks, retail experiences, live music and free entertainment. Taking up residence in the Queen Victoria Market's sprawling laneways and sheds, the event has a host of foodie newcomers ready to serve up comfy cuisine that ensures your chilly evening is a snug one. Think Cannoleria's Sicilian-style treats, La Trafila's artisan pasta and The Little Paris's raclette and garlic butter snails. There's also plenty of returning favourites from past editions of the Winter Night Market, with the likes of Churro Kitchen, Smashville and the Soup Factory serving everything from chocolate-drizzled desserts to king crab chowder spooned into bread rolls. Plus, there's mulled wine, alongside spiced Milo cocktails and warm butter beer, to enhance the rugged-up ambience. Beyond the extensive food and drink selection, the Winter Night Market is home to stellar shopping and entertainment. Stock up on vintage clothing and handmade jewellery, or see what awaits in your future with tarot card reading. Meanwhile, the Guru Dudu Silent Disco returns, taking groups on a 20-minute dance tour through the market.
Pastels and poop. Step inside Unko Museum: The Kawaii Poop Experience and that's what will await. The colour scheme is soft and soothing, but the point of focus is literal crap (well, fake versions). If you've ever called something "cute shit" before, those words have never applied quite as they will here. This Japanese-style installation takes its cues from not only Japan's kawaii poop trend, but from the Unko Museum's sites across the nation, including in Tokyo, Hiroshima and Shizuoka. Now, Unko Museum will make its Australian debut in Melbourne, launching on Wednesday, December 20 to add some adorable crap to the silly season and summer. The focus: "max unko kawaii", aka "the maximum cuteness of poop". Also one of the mains attractions: getting everyone taking snaps and filling their social-media feeds, so expect a heap of pastel emoji-esque shit to fill Instagram. Unko Museum: The Kawaii Poop Experience will be split into zones and areas, spanning displays to take pictures of and other inclusions that are more immersive. Think: images of poop projected around the place, snapping selfies with poop props and flying poop, and retro-style games with a poop theme in a space called the Crappy Game Corner. Pastel-hued toilets are also a feature, lined up along a wall under a sign calling them "my unko maker". So are neon poop signs, giant poops, a ball pit where the balls are shaped like poops, poop hats, walls filled with toilet seats, glowing poop lights and a towering toilet-shaped doorway. Plus, exiting through the gift shop here means picking up kawaii poop merchandise and souvenirs. In Japan, as at October 2023, 1.4-million people had flushed the interactive experience into their itineraries. In Australia, Melburnians and tourists who now want to add some poo to their next Victorian visit can expect to spend 30–60 minutes revelling in endearing crap, in a family-friendly experience — because poop is for everyone. There's no word yet if Unko Museum: The Kawaii Poop Experience will make its way to other Australian cities, but cross your fingers if you can't make it to Melbourne this summer. Unko Museum: The Kawaii Poop Experience will open on Wednesday, December 20 at 360 Bourke Street, Melbourne — head to the pop-up's website to join the waitlist for tickets, which go on sale on Tuesday, November 28.
There are lots of ways to spot a bad film while you're watching it. The audience laughing during the intended scary bits, for example, is a strong indication of a directorial misstep. So, too, is the moment you find yourself checking your watch and discover it's only 15 minutes in. Perhaps the most telling sign is when you realise that you've already picked everything that's going to happen on screen, and you start re-writing the script in your head in an attempt to make it more interesting. When all of these indicators make themselves known to you so early on, however, the only real question becomes: why are you bothering at all? That same question could well be asked of the phenomenal cast assembled for Life – a space-based horror film that only succeeds in being based in space. Jake Gyllenhaal, Ryan Reynolds, Rebecca Ferguson and Japanese A-lister Hiroyuki Sanada all lend their star power to a film that falls well short of deserving it, especially in light of such a generic screenplay. To be fair, both the premise and opening scenes offer promise. The crew of the International Space Station retrieve a Mars Rover carrying soil samples from the Red Planet that contain a microscopic living organism, the first indisputable proof of life beyond Earth. Rather than explore the inevitable and fascinating religious implications such a discovery would have back on earth, however, Life immediately turns its tiny sentient blob into an ingenious killing...blob. What follows is a by-the-numbers affair that's far closer to Gravity than it is Alien. Moreover, from go to woe, Life suffers from a collection of bizarrely muted performances operating within a remarkably limited emotional range. The differences, for example, between the celebrations over a crew member becoming a father, and the horror of witnessing a different crew member torn apart from the inside out are almost impossible to spot. There are innumerable unpredictabilities in filmmaking, but one surefire rule is that when a cast doesn't seem engaged in its own project, the audience's concomitant apathy is assured. Here the cast looks more bored than terrified. All in all, there's little to like about Life – and even less hope for the sequel it so blatantly attempts to set up in its final stages. https://www.youtube.com/watch?v=LeLsJfGmY_Y
