If you're a perennial re-watcher of the all-timer Christmas classic Love Actually?, you may or may not already be aware of the musical stage adaptation that's getting ready to hit Australia's east coast. After a swathe of nationwide auditions, the production has announced not one but three casts of performers for shows in NSW, VIC and QLD. They've broken past the typical range of stage veterans and hired everything from impressionists and stand-up comedians to musical veterans and internationally touring artists — the producers call it "pure festive chaos". The Sydney cast includes Ellis Dolan (The Rocky Horror Show 50th Anniversary Tour, School of Rock), Tommy James Green (The Fox and the Hunter, Scratch), Hamish Pickering (Hello, Asteroid), Gracie Rowland (Josephine Wants to Dance), Bash Nelson (Once on This Island) and Brittany Morton (Into the Woods). In Melbourne, audiences will see Mitchell Groves (Cruel Intentions: The '90s Musical), Belinda Jenkin (Friends! The Musical Parody), Jeremy Harland (A Zoom Group Project: The Musical), Ian Andrew (Midnight: The Cinderella Musical), Sophie Loughran (50 Shades of Grey — The Musical Parody), and Massimo Zuccara (Opera Australia's West Side Story). Brisbane's production features Dylan Hodge (Legally Blonde The Musical), William Kasper (Rate of Decay), Benjamin Hambley (Godspell), Nicole Kaminski (Urinetown), Stephanie Beza (Chicago), and multi-award-winning Gold Coast actor Ashton Simpson (Romeo & Juliet). "This show is like Christmas dinner after a few too many champagnes — loud, ridiculous, and way too much fun," said Associate Producer Ashley Tickell. The show follows nine quirky couples as they chase love across London, sending up the cult 2003 rom-com with tongue-in-cheek songs such as "He's The Prime Minister of Rom Coms" and "Keira Knightley Actually". Written by the creators of Friends! The Musical Parody, the production promises a night of high-energy laughs for audiences aged 15 and up. Love Actually? The Musical Parody first premiered in Australia in 2024 to rave reviews, hailed as "fabulously hilarious and laugh out loud entertainment" (Musicals Reviewed) and "a surefire way to get into the festive spirit" (Toorak Times). With its cheeky humour, catchy songs, and irreverent take on one of the most beloved Christmas films of all time, the show promises to be the ultimate untraditional holiday tradition. As Tickell puts it: "Whether you love Love Actually, love to hate it, or have never even seen it, you will actually love this musical." 'Love Actually? The Musical Parody' will play at Sydney's Darling Quarter Theatre from November 27 to December 23, followed by Melbourne's Athenaeum Theatre from December 5–23 and Brisbane Showgrounds from December 11-21. Tickets start at $69 via loveactuallymusicalparody.com.
The FIM World Supercross Championship is heading down under in November — and this is your chance to win free tickets. On Saturday, November 29, round four of the Australian GP will take place in Robina, Queensland, at the CBUS Super Stadium. With a variety of ticket options still available, plus family and fan zones to make a day of it, the FIM World Supercross Championship is an adrenaline-filled way to kick off your summer season. From pre- and post-race live entertainment to the thrill-seeking riders carving it up, the WSX has something for everyone. [caption id="attachment_1031891" align="alignleft" width="1920"] Supplied[/caption] There's a packed lineup of riders making the trip down under, with reigning World Supercross 450 Champion and two-time AMA Supercross 450 Champion Eli Tomac returning to the tracks. Two-time German World Supercross 450 Champion Ken Roczen will also be taking part, while three-time AMA Supercross 450 Champion Cooper Webb is making his World Supercross debut. [caption id="attachment_1031892" align="alignleft" width="1920"] Supplied[/caption] It's set to be a night of pure adrenaline and thrills for all ages and fans. Keen to hit the track yourself? In partnership with the World Supercross Championship, we're giving away four Premium Reserved Seating Tickets, each valued at $874.92. There are also four World Supercross Championship hoodies up for grabs, each valued at $140, so you can get 'fitted out before you hit the tracks at CBUS Stadium. To be in with a chance to win, all you have to do is tell us, in 25 words or less, what would your dream adrenaline-filled day would look like? Whether it's getting on a motorbike yourself or bungee jumping off a cliff post-energy drink, your answer may help you score a coveted seat at the World Supercross Championship. [competition]1031904[/competition] [caption id="attachment_1031900" align="alignleft" width="1920"] Supplied[/caption] If you want to be guaranteed a seat (and a thrilling day out), you can buy your own tickets ahead of the World Supercross Championship on Saturday, November 29. Get tickets here. Lead image: FIM World Supercross Championship
Anyone who has tasted The Gidley's extraordinary burger will know it's something special. Now, thanks to the annual rankings compiled by the respected World's 101 Best Steak Restaurants judges, we know just how special it is. Ranked ninth on The World's Top Ten Burgers list, the upmarket CBD steakhouse was the only Australian restaurant to earn a nod this year, making its burger the best in the nation. The two carefully hand-crafted beef patties are sourced from hospitality group Liquid & Larder's in-house butchery, located at The Gidley's sister venue Alfie's in the CBD. Once cooked medium rare, they're topped with mature cheddar and a few judiciously placed slivers of dill pickle, all contained within a soft milk bun. [caption id="attachment_751377" align="alignnone" width="1920"] Dominic Loneragan[/caption] While customers have the option of adding an egg or rashers of bacon to their sandwich, there are no additional condiments included on The Gidley's burger, and trust us, that's a good thing. When the meat is as tender and moist as this, the rich, beefy juices are more than sufficient to self-sauce every succulent mouthful, right down to the last bite. In other great news for Sydneysiders, The Gidley's award-worthy burger is now also available at Surry Hills whisky bar The Rover. The monster burger at Shoreditch barbecue joint Salt Shed in London took out the top spot on this year's rankings., leading an impressive showing for the British capital, including Bleecker in Bloomberg Arcade in third place, Black Bear Market in Exmouth Market in fifth position, and Burger & Beyond, also in Shoreditch, in seventh. Burgers from New York, Tokyo, Copenhagen, Miami and Valencia made up the rest of the top ten list. For the full list of the World's Best Burgers, head to the World's 101 Best Steak Restaurants website. Images: Dominic Loneragan
Over recent years, the not-so humble bubble tea has made its way onto many a Melbourne street, laneway and shopping strip. Recognisable for the addition of chewy tapioca pearls (or boba) that give it its name, it's a drink that is as over-the-top as it is popular. We might have Taiwan to thank for inventing the tea-based concoction back in the 80s, but now our own streets have an abundance of boba stores — both big overseas chains and local boutique players. These days, you'll find a whole swag of different variations and riffs on the OG bubble tea drink, from the milk-driven to the fruity and the downright insane. And let's not forget the array of textural add-ins, moving well beyond a simple scoop of tapioca balls and into the good stuff like cheese foam and egg pudding. So go forth and go wild with your toppings at the nine best bubble tea shops in Melbourne, listed below. You're an adult — you make your own sugary choices. Recommended reads: The Best Coffee Shops in Melbourne's CBD The Best Cafes in Melbourne The Best Bakeries in Melbourne The Best Coffee in Melbourne
Brunswick adds another to a string of recently opened, intriguing new spots. Beautiful Jim Key, situated in Jewell Station Village, calls itself a neighbourhood cafe and luncheonette inspired by the "fantastic and the curious." The new cafe is from Priyam Chovhan and partner Josh Murphy, an experienced restaurateur who has left his mark across many of Melbourne's sought-after spots, including Builders Arms, Cumulus Inc and Harley and Rose. In building Beautiful Jim Key, they sought to create a space where thoughtful hospitality and everyday pleasures were the focus. Chovhan says, "We're excited to become part of the rhythm of Brunswick." The venue's namesake is, surprisingly, an early 20th century performing horse, famous for his intelligence and tricks. The story goes that his owner noted how observant and clever his horse was, and so he began to teach him letters and numbers. They went on to tour America together, even appearing as one of the most popular attractions at the 1904 World Fair and performing for the president. Most importantly, the horse was only ever treated with care and kindness. Murphy and Chovhan intend to reflect this spirit of playfulness, curiosity and quiet wonder in their venue. To ease in, they are starting with breakfast and lunch, with an aim of introducing a limited dinner service in the future. The menu plays into the venue's ethos of whimsy and joy. For brekkie, there's french toast with Montenegro, blood orange and crème fraiche, congee with shiitake and egg or scallops, and curried soft-boiled eggs with golden mango chutney. There's also a broccoli toasted sandwich with pecorino, chilli and anchovies, or a traditional big breakfast with sausage, bacon, beans, tomato and eggs. Come lunch, the menu shifts to considered large and small plates, primed for a cocktail or glass of wine. Start with Appellation oysters with cultured butter and hot sauce, black pepper salami with guindillas and baguette and njuda gougeres with thyme honey. Order a glass of Gamay to accompany your spiced roast duck Maryland with baby turnips and plum, don't miss the lamb schnitzel with green sauce and fennel salad, and finish with a hazelnut and chocolate éclair. Images: Kristoffer Paulsen.
What Bijou lacks in space it makes up for in sheer coolness. The tiny bottle shop and bar is walk-ins only – it's the perfect space to order a wine or two before a show, or have a night cap after dinner. Towering wine-lined shelves are the cosy backdrop to a drink at Bijou, which was founded by Ben Luzz — the same person behind much-loved Melbourne institution Gin Palace and Bar Ampere as well as the newer Black Kite Commune. Luzz knows what he's doing with this space that takes its name from a theatre that once graced Little Collins. [caption id="attachment_1016690" align="alignnone" width="1620"] Carmen Zammit[/caption] Bijou's selection of boutique wine and spirits perennially includes well-known local and international varietals as well as lesser-known ones. They open new wines by the glass every day, or you can select a bottle from any of the shelves looming over you and enjoy it in-store for an extra $25. But you don't only have to be a wine drinker to have a tipple at Bijou – the cocktail list has classics like the Old Fashioned. While Bijou isn't a dining destination per se, it does have snacks to complement its drinks menu. Expect small bites like a truffle and white bean tartinade, charcuterie boards perfect for sharing, or a croque fromage. [caption id="attachment_1016678" align="alignnone" width="1620"] Blake Alcock[/caption] Top images: Dean Schmideg, Carmen Zammit, Blake Alcock
Just like you, your four-legged friend enjoys escaping the daily grind. Only their version of that looks like running laps of the backyard or living room, frolicking after balls and embarking on open-air adventures. They want to feel the earth under their paws, sniff out all the smells and — hopefully — score some playtime with a few other friendly doggos. And there's nowhere better for your pooch to experience this kind of freedom in the city than a glorious off-leash area or big, long walking trail. Luckily, there are a plethora of dog parks, beaches and walking tracks in Melbourne that will welcome you and your fur-baby with open arms. And if you're dog-less but down for pats, that's okay too. These spots offer up some prime pup-watching opportunities, even if you're flying solo. Recommended reads: The Best Dog-Friendly Cafes in Melbourne The Best Dog-Friendly Accommodation in Victoria The Best Coastal Walks Near Melbourne The Best Dog-Friendly Hotels in Australia Merri Creek Trail For an inner-city walk that feels worlds away from the CBD's hustle and bustle, the Merri Creek Trail offers up 21 kilometres of leafy, openair goodness, from Dights Falls up to the Western Ring Road. And, with access to plenty of designated off-leash areas along its length, it's a surefire hit with visitors of the wet-nosed, four-legged variety. Leads are required while you're using the shared trail (for protection of the native wildlife) but there's loads to see and sniff along the way. Plus your pooch should be pretty chuffed with the many other doggos they encounter en route. This walk is also close to countless boutique shops, cafes and nurseries — so be sure to take a peak inside some of the top pit stops along the Merri Creek Trail. Albert Park Not just a popular destination for outdoor fitness fiends and joggers, Albert Park is also a paradise for furry locals keen to stretch their legs. An easy three kilometres from the CBD, the spacious precinct is packed with walking trails, picnic areas, open spaces, drinking fountains and of course, that iconic namesake lake. Most of the park is dog-friendly and you'll find a mix of on and off-leash areas to explore with your furry mate by your side. What's more, both the city skyline and tree-lined lake make for a pretty majestic backdrop. Elwood Beach Outside of the summer months, Elwood Beach proves a popular playground for four-legged mates, with dogs allowed to roam and explore off-leash, 24 hours a day. They've got free rein of the sandy stretch between the beach access ramp by Normandy Road and the rock groyne south of Point Ormond, from April through to the end of October. From November to March, part of the beach is off-limits to pooches completely, while the northern section allows off-leash roaming from 5.30–9.30am each day. Clayton Reserve, North Melbourne Ideally located for northsiders, Clayton Reserve is a small but welcoming fenced-in dog park where furry friends can run, play and socialise to their heart's content. It's known for its strong community feel, so both you and Rufus can bank on meeting some new mates whenever you visit. And of course, a wide variety of friendly visitors means there are always stacks of pats. Other bonus features include a dog fountain, lots of bins and poo bags, and some handily placed seats — ideal for owners of extra energetic pups. Jells Park, Wheelers Hill While it's an on-leash area only, Jells Park in the Dandenong Creek Valley offers up 127 hectares of sniffing and exploring for local dog owners and their pawed pals. Sporting a hefty nine kilometres of winding paths and trails, and a central lake with wildlife galore, this popular spot promises a scenic adventure with plenty to keep the most curious of pups entertained. You'll also find lots of picnic sites dotted throughout, if you and your pooch fancy making a day of it. Just be sure to avoid the dedicated conservation areas when fur-kid is in tow. Sandown Street Beach, Brighton A favourite off-leash area among Bayside dog owners, this fenced patch of beach between Bay and Sandown streets is the perfect combination of surf, sand and pure, unadulterated doggy delight. Free of the restrictions of other nearby spots, pooches are allowed to roam off-leash here, all year round. Exploring opportunities include barrelling over sand dunes, sniffing shrubs and paddling up a frenzy in the water. Owners don't lose out either — it's a lovely stroll along the marina and you'll enjoy a primo view of the CBD skyline in the distance. Caulfield Park. Caulfield North Not just chock full of park amenities and perks for us humans — we're talking BBQs, sheltered picnic spots and stacks of sports facilities — Caulfield Park also has plenty of lush, well-maintained ground suitable for dogs to roam off-leash at their leisure. For a more structured stroll, there's a scenic walking track where you can observe birdlife, sniff out smells and feed some ducks, although you'll need to put Rover back on his lead for this stretch. Leashes are also a must within the Hawthorn Road and Park Crescent ends of the precinct, and whenever you're within 20 metres of a sporting activity. Citizens Park, Richmond Ask any Richmond pooch and they'll tell you Citizens Park is the place to be, running wild and free at the sports grounds just off Bridge Road. Whenever the footy oval isn't being used for training or a match, doggos are allowed to make it their own and you'll likely find the field packed with furry creatures interpreting the green turf as dog paradise. Having a less than fab day? A visit here — and a few hundred pats — is sure to cheer you up. Sir Zelman Cowen Park, Kooyong Well deserving of a five-paw rating, Sir Zelman Cowen Park (formerly Kooyong Park) boasts a smorgasbord of stuff that'll please furry pals. Not only does the park feature stacks of sprawling, manicured green grounds and the picturesque Gardiners Creek running through its heart, but your doggo can be sure of loads of off-leash freedom and handy doggy drinking taps aplenty. Meanwhile, owners are sure to enjoy the many green bag dispensers and free parking. It's a win-win. Port Melbourne Dog Beach For waterfront walkies that are still nice and close to the city, take your pup for a cruise along the coastal strip of Port Melbourne, joining Station and Lagoon piers. The southern half is a designated off-leash zone all year round, with the northern section open to off-leash dogs from April through October (but off-limits through the summer). The beach offers a great vantage point to watch the Spirit of Tasmania setting sail, and ain't a bad spot for a swim. Mentone Dog Beach After a successful year-long trial in 2015, the sandy stretch between Charman and Plummer Roads in Mentone is now officially a 24-hour off-leash dog beach. While it can get busy with furry bodies during peak times, it's a picturesque spot for catching up with other dogs, rolling in sand and chasing the odd seagull. You'll find plenty of bins for disposing of your pup's stinky gifts and there's access to the Bay Trail if you're keen to clock up a few post-beach steps. Just remember to keep your dog on a leash until you hit the sand. Top image: Bianca Ackermann via Unsplash
As far as next-level design goes, the humble bowling alley has quite the tendency to err on the side of OTT. They either take us back in time to the '50s, milkshakes and the halcyon days when bowling was literally the most fun you could have, or they blast us forward in time to a super luxurious, neon space rave. Sometimes they let you play in an underwater grotto. Wherever they take us, bowling alleys are always an adventure. They're the perfect setting for novelty dates or big group outings because they allow everyone, from graceful sports stars to kidults who need bumper bars, to look cute in bowling shoes. We're getting into the Lebowski-loved art that is bowling this winter (even if we have to use bumpers), so we thought we'd take a little desk trip to some of the most unique bowling alleys around the world. If you've a hankering to drink, bowl and party closer to home, check out your local bowling alley's seasonal deals (like these clangers Kingpin are offering right now). It might just be one of the best date ideas under $50 this city's ever seen. [caption id="attachment_578915" align="alignnone" width="1280"] Flickr.[/caption] WHITE HOUSE BOWLING ALLEY, WASHINGTON The President of the United States may spend his days running the country but you know he spends his nights obliterating pins in his swagged out bowling alleys. That's right, plural. There are two bowling alleys in the White House and one is, naturally, decorated in blue and red (patriotism never sleeps). You can access the bowling alley during your overnight stay at the White House (which will set you back a surprisingly doable US$400 a night). ALL STAR LANES, LONDON Now, All Star Lanes may be a franchised restaurant/bar/bowling alley, but they really turn up the charm. Their Brick Lane location in London is dripping in old-school glam, the Holgate iteration takes it back to retro middle America in the '70s while the Bayswater venue is, rather inexplicably, retro-Western. All the venues include break-away dining and bar areas with a killer menu. Come for the bowling, stay for the grilled cheese (with a stacked shake on the side to make your retro experience more authentic and belt-loosening). UNCLE BUCK'S FISH BOWL AND GRILL, TACOMA Uncle Buck's Fish Bowl and Grill, a family restaurant in Tacoma, may boast one of the weirdest bowling alleys in the world. The whole venue is styled in an under-the-sea theme (because, y'know, they serve seafood) but they've reeeally pushed the boat out (yeah we did) on this concept. Nowhere is this more acute, or disturbing, than in the 16-lane bowling alley. The room shimmers like it truly is underwater and large colourful fish hang from the wavy ceiling. Your bowling balls are spat back to you from the terrifying maws of crocodiles, sharks and octopus. In summary: it's amazing, tacky and we want to go to there. BROOKLYN BOWL, NEW YORK Rolling Stone called it "One of the most incredible places on earth" and we can kinda see why. One of New York's best loved establishments any night of the week, Brooklyn Bowl in New York is a hybrid rock 'n' roll music venue and bowling alley. The alley is decked out with Chesterfield lounges and boasts a menu by the world famous fried chicken institution, Blue Ribbon Fried Chicken. And on the other side of the venue, the stage has hosted bands like Gun N Roses, Elvis Costello and the Roots and frequently throw rockin' tribute and DJ nights. Also, it's co-owned by André 3000. So, we're in. PINEWOOD SOCIAL, NASHVILLE The Pinewood Social bowling alley is a retro, yet minimalist, bowling alley in Nashville and it might be the cutest place on earth. It's not like most bowling alleys with its high ceiling, exposed trusses and complete lack of neon lights, the complex also includes a café, dining area, bar, lounge and outdoor area with bocce ball court and a pool — all gloriously retro without crossing into tacky territory. You'll also find a mural alongside the lanes made up of specially printed cans. We'll call it, Pinewood Social may be the hippest place in America. SPLITSVILLE, TAMPA Splitsville is not just a place you temporarily populate after being dumped in primary school. It's also a retro-fantastic bowling alley and funtorium in Tampa, Florida, that looks like it's remained exactly the same since its conception in the '70s. In fact Splitsville has had an upgrade (they serve sushi now!) but despite this, it's still a pretty retro joint. You'll be able to see it from a mile away if you look for the two-storey pin (purportedly the largest in the world) on the front door. THE SPARE ROOM You might not think squeaking across a polished wooden floor hurling hefty balls about as a classy activity, but at The Spare Room it can be. Rich mahogany wood finishes, chandeliers and arched windows pair nicely with the bar's ridiculous, but classic, cocktail list. They've complemented their highly resplendent cocktail bowling facilities with other sophisticated pursuits like chess, dominoes, old school bingo, a wooden Connect Four set and an amazing, old school menu. XLANES LA If you're after an integrated, flashy bowling experience, XLanes in Downtown Los Angeles might be just what you need. It's a big (we mean big) bowling alley with 16 lanes and all the flashing neon lights you could ever dream of. But its real value is in the extras, like the full bar, massive gaming arcade (hello Fruit Ninja, we meet again), darts, karaoke and pool and billiards room. It's like a hedonistic adult playground of excess and bowling. Take our money. THE BROADMOOR, COLORADO The Broadmoor in Colorado is a bonkers holiday destination for the insanely wealthy. It's really damn decadent. It's so fancy the bowling alley doesn't even look like a bowling alley — it's decked out in leather couches, chandeliers, gold gilt and affluent smuggery. You will not be ordering a margarita slushie here or entering your name as ASS on in the scoreboard, no. Instead you can partake of adult shaved ice topped with locally made liqueurs and parmesan white-truffle popcorn (seriously, these are things they serve). You might have to sell a kidney to get onto their six lanes or stay the night in their digs, but you can guarantee you'll have the swankiest bowl of your life. SILVER DOLLAR SALOON, MONTANA If you've found another bar in this crazy world of ours boasting stools that are saddles, please let us know. As well as being a rootin' tootin' bar, the Silver Dollar Saloon also boasts a Western-themed, four-lane bowling alley. This kitted-out saloon also features a billiards table, a private theatre, shuffleboard table and darts. It's part of the Rock Creek Ranch in Montana and while a night there will set you back a minimum of US$800, it does include all alcohol and unlimited bowling time so you might just break even. Inspired? If all this reading about bowling has given you a hankering to knock down some pins, let's get you a lane. Kingpin is doing unlimited bowling and laser tag for a cheeky $30pp from 7pm till close. That's quite simply one of the best affordable (and actually fun) date ideas we've seen in this fine city of ours.
Music and sport will collide again this summer as AO Live returns to John Cain Arena for its biggest edition yet. The only music series held at a Grand Slam, AO Live has grown into a major drawcard of the Australian Open calendar — and for 2026, it's getting even bigger. Running from Wednesday, January 28 to Sunday, February 1, the series will stretch across five nights of live performances, with a lineup that blends local favourites and global heavyweights. Headlining acts include The Kid LAROI, Spacey Jane, Peggy Gou, The Veronicas and Sofi Tukker, with additional artists still to be announced in the lead-up to summer. [caption id="attachment_1031979" align="alignnone" width="1920"] Sofi Tukker[/caption] The expansion follows record attendance at previous editions of AO Live, which transforms Melbourne Park into a festival-style precinct after the day's matches wrap up. Alongside the main stage at John Cain Arena, fans can expect live music and DJ sets scattered across the grounds — from laidback acoustic sessions in Garden Square to high-energy local talent spinning on Grand Slam Oval. According to organisers, every ticket "unlocks more than just epic music", offering access to both the AO's tennis action and the wider event atmosphere — including premium food, drinks and summer entertainment. It's an experience that continues to blur the line between sport and festival, delivering one of the city's biggest multi-night celebrations each January. Tickets start from $99 and go on sale to the general public on Tuesday, October 14. AO Live 2026 runs January 28–February 1 at John Cain Arena, Melbourne. You can view the full lineup and ticket details via AO Live. Images: Supplied
Laneway Festival has revealed its full 2026 lineup, marking a milestone 21st anniversary edition of the beloved summer series. Returning next February, the festival will expand its route across Australia and New Zealand, adding three new venues to the circuit. Fans can expect another year of sold-out crowds after the 2025 festival drew over 200,000 attendees across main dates and a further 40,000 at sideshows. "It's incredible to be celebrating 21 years of Laneway. What began as a little street party in a Melbourne laneway has grown into a summer ritual across Australia and New Zealand," festival co-founders Danny Rogers and Jerome Borazio said. "Every year we're blown away by the response from the artists, fans, and community that make Laneway so special — 2026 is about honouring that history while looking to the future." See the full lineup below. View this post on Instagram A post shared by Laneway Festival (@lanewayfest) Laneway 2026 will run from February 5–15, with shows confirmed for Auckland, the Gold Coast, Sydney, Melbourne, Adelaide and Perth. Tickets and more information are available now from the Laneway Festival website.
Hidden underground bars, award-winning restaurants, dozens of standout laneway cafes and record stores — Adelaide has more than just delicious wine (although it has a lot of that, too). There are so many places to explore and experiences to be had in this history-rich city, you may struggle to fit it all into one weekend — as they say: so little time, so much to eat. But, we're here to help. We've created this comprehensive guide to the SA capital so you can spend more time drinking cocktails, and less time wandering backstreets. Adelaide is also so much more than just the CBD, too, so if you have the time, immerse yourself in the Fleurieu Peninsula, Clare Valley and the Limestone Coast. There's plenty of wine to be tasted and glamping to be done. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. Under current COVID-19 restrictions in Australia, there are some restrictions on where you can go on a holiday. But, you can start dreaming. Bookmark this for when you can explore once again. [caption id="attachment_679115" align="alignnone" width="1920"] Africola by Andre Castellucci[/caption] EAT Once you've jumped off the plane, your first stop should be Exchange Specialty Coffee. Serving up some of the best coffee in the country, the acclaimed cafe is tucked away behind Rundle Street. Stop here for a brew — a Melbourne-roasted Brazilian with cherry notes, perhaps — and the cafe's take on a reuben sandwich, and you'll be fuelled and ready to tackle the rest of the city. Well, fuelled and prepared to eat more. While you're on the east side of town — for out-of-towners, that's down near Rundle Street and the aptly named East Terrace — stop by the French-inflected all-day eatery Hey Jupiter for escargots and baked camembert, or to the vibrant Kutchi Deli Parwana, which is located literally next door on Ebenezer Place. The latter serves up Afghani-style street food, such as toasties made with flatbread and stuffed with hummus and lamb kofta, and its signature eggplant curry. If the light begins to fade and you still find yourself east, head to Adelaide's two most-lauded restaurants: Africola and Orana. Africola, helmed by Duncan Welgemoed, is serving up North African dishes out of its woodfired oven, including peri peri chicken with chakalaka relish, pork neck and fried cauliflower. And, whatever you do, don't forget to order a round of the tea sandwiches made with hot chicken dripping. A stone's throw away is Restaurant Orana run by acclaimed chef-owner Jock Zonfrillo (yes, the one from MasterChef). Orana has a degustation-only menu, spattered with native ingredients, alongside an impeccable wine list and service — and it's well worth the cash. On the opposite side of the city, near West Terrace, restaurants are a touch more casual, more snack-driven, and where you want to head before or after drinks. Behind a neon-lit entrance on Leigh Street, you'll find mod-Asian fare cooked over fire at Shōbōsho — and its spin-off, the eight-seater yakitori bar Dr Shō. Hop one street over to Peel Street and enjoy Southeast Asian street food and natural wine at Gondola Gondola, woodfired burgers, steaks and ribs at the upstairs Bread and Bone and refined yet simple fare made from quality local ingredients at Peel St. Around the corner, Sunny's Pizza — run by a group of hospitality long-timers — does what it says on the packet: pizza. It serves them topped with traditional and untraditional ingredients — San Marzano tomatoes, pork fennel sausage, lamb and tahini — and alongside creative cocktails. It also has a disco ball, so you can stay and dance till the wee hours. [caption id="attachment_679116" align="alignnone" width="1920"] Pink Moon Saloon[/caption] DRINK Adelaide's west end doesn't just have fancy food, either, the number of bars hidden down laneways, in basements and up hard-to-find staircases rivals even Melbourne's busiest inner city streets. We suggest you start at Pink Moon Saloon, a narrow A-frame bar, which has picked up a neat collection of gongs for its drinks and design. It even has a kitchen in the back, if you want to linger over brisket or grilled haloumi. Underground — and through a hidden door — is art deco bar Maybe Mae. Located in a passage between Peel and Leigh Streets, the bar is lined with green leather banquettes and serves up seasonal cocktails alongside the tastiest complimentary bar snack in the city: curry powder-fried Nutri Grain and peanuts (trust us, it tastes better than it sounds). West end stalwarts Udaberri and Clever Little Tailor mix fun and refined cocktails with finesse, and nearby Leigh Street Wine Room is a chic new wine bar pumping out minimal intervention drops and next-level snacks. Also worth visiting on the western side is sailor-themed Hains & Co, which is lined with plenty of boating paraphernalia — and lots of rum — and Sparkke at the Whitmore, a female-run pub and brewery with a rooftop bar. [caption id="attachment_679112" align="alignnone" width="1920"] NOLA[/caption] Wander back east and Adelaide's seemingly never-ending collection of quality small bars continues. Overlooking Ebenezer Place is the multi-level Mr Goodbar. Its cocktails are strong and its vibe is inspired by the Deep South. On the opposite side of Rundle Street (well, underneath it) you'll encounter Hellbound. Fortunately, when you walk down its steps you won't enter purgatory — you'll encounter plenty of great wine curated by industry expert Mark Reginato. When you're ready to resurface, make a beeline for NOLA, a New Orleans-inspired jazz, whiskey and craft beer bar, speckled with banquettes, touches of turquoise and neon. A few metres away is Mother Vine, serving up an impressive selection of local and international wines, tapas and cheeses. It's also opposite Adelaide CBD's best bottle shop (more on that below). [caption id="attachment_679111" align="alignnone" width="1920"] 2KW by Jonathan Van de Knapp[/caption] DO 2KW is a must-visit for all Adelaide first- (second- or third-) timers. Located on the eighth storey of a historic building, it has some of the best views across the city. Its drinks and food menu are also hard to pass up — and give you more time to soak up the view. Plan in a trip to the CBD's best bottle shop, too. If we're to get technical, East End Cellars has a rep as one of the country's best bottle shops — with an impressive range of local, hard-to-find wines, spirits and craft brews. It often hosts free tastings, too, so keep on eye on the website while you're there. [caption id="attachment_679110" align="alignnone" width="1920"] The Smelly Cheese Shop[/caption] The historic Adelaide Central Markets, established in 1869, is a rite of passage for all visitors to Adelaide. Filled with hawking greengrocers, fishmongers and bratwurst-vendors, the markets are often packed — especially on weekends. Make your way through the crowd to much-loved The Smelly Cheese Shop (yes, they'll let you taste some) and Le Souk for fresh dates and racks upon racks of spices. If you need a break from eating and drinking, luckily Adelaide has another lesser-known gift hidden up its sleeve — its impressive collection of record stores. Rerun Record & Photography, hidden inside Adelaide's Market Bazaar, stocks a massive collection of retro records, alongside historic Adelaide photos and vintage cameras. Also, Streetlight Adelaide, Wolfies Records and Porthole Records are worth checking out. [caption id="attachment_679109" align="alignnone" width="1920"] Majestic Minima Hotel[/caption] SLEEP When you've finished eating, drinking and packing your bags full of vinyls, you'll want to rest your weary head — and prepare to do it all again tomorrow. If you've got the cash, splash out on the most elegant option, The Mayfair Hotel. The heritage-listed building is home to 170 luxe suites, a gym and its own rooftop bar. Slightly more affordable, but equally central, is the Majestic Rooftop Hotel and the Adina Apartment Hotel Adelaide Treasury — both located in walking distance of all the aforementioned hot spots. If you're willing to travel a touch out of the city, you can snag an eclectic art-filled room at North Adelaide's Majestic Minima Hotel for around $100 a night. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Pink Moon Saloon.
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Or, you could be under lockdown — again. Whichever applies, that doesn't mean we aren't eager to see the latest flicks. Film distributors have been fast-tracking some of their recent releases from cinemas to streaming lately — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's ten you can watch right now at home. SAINT MAUD If humanity ever managed to cure or circumvent death — or even just stop being despairingly afraid of our own mortality — the horror genre would immediately feel the difference. Lives are frequently in peril in films that are meant to spook and frighten. Fears of dying underscore everything from serial killer thrillers and body horror flicks to stories of zombies, ghosts and vampires, too. Indeed, if a scary movie isn't pondering the fact that our days are inescapably finite, it's often contemplating our easily damaged and destroyed anatomy. Or, it's recognising that our species' darkest urges can bring about brutal and fatal repercussions, or noting that the desperation to avoid our expiration dates can even spark our demise. Accordingly, Saint Maud's obsession with death isn't a rarity in an ever-growing genre that routinely serves it up, muses on it and makes audiences do the same whether they always realise it or not. In an immensely crowded realm, this striking, instantly unsettling feature debut by British writer/director Rose Glass definitely stands out, though. Bumps, jumps, shocks and scares come in all manner of shapes and sizes, as do worries and anxieties about the end that awaits us all. In Saint Maud, they're a matter of faith. The eponymous in-home nurse (Dracula and His Dark Materials' Morfydd Clark) has it. She has enough to share, actually, which she's keen to do daily. Maud is devoted to three things: Christianity, helping those in her care physically and saving them spiritually. Alas, her latest cancer-stricken patient doesn't hold the same convictions, or appreciate them. Amanda (Jennifer Ehle, Vox Lux) isn't fond of Maud's fixation on her salvation or her strict judgements about her lifestyle. She knows her time is waning, her body is failing and that she needs Maud's help, but the celebrated ex-dancer and choreographer does not want to go gently or faithfully in that good night. Instead, she'd much prefer the solace that sex and alcohol brings over her palliative care nurse's intensely devout zeal. Saint Maud is available to watch via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. JUDAS AND THE BLACK MESSIAH The last time that Daniel Kaluuya and LaKeith Stanfield appeared in the same film, Get Out was the end result. Their shared scene in Jordan Peele's Oscar-winning horror movie isn't easily forgotten (if you've seen the feature, it will have instantly popped into your head while you're reading this), and neither is Judas and the Black Messiah, their next exceptional collaboration. With Kaluuya starring as the Black Panther Party's Illinois Chairman Fred Hampton and Stanfield playing William O'Neal, the man who infiltrated his inner circle as an informant for the FBI, the pair is still tackling race relations. Here, though, the duo does so in a ferocious historical drama set in the late 60s. The fact that O'Neal betrays Hampton isn't a spoiler; it's a matter of fact, and the lens through which writer/director Shaka King (Newlyweeds) and his co-scribes Kenneth Lucas, Keith Lucas (actors on Lady Dynamite) and Will Berson (Scrubs) view the last period of Hampton's life. The magnetic Kaluuya has already won a Best Supporting Actor Golden Globe for his performance, and is bound to be nominated for and likely win an Oscar as well — and if he wants to keep acting opposite Stanfield in movies this invigorating, ardent, resonant and essential, audiences won't complain. It's 1966 when O'Neal falls afoul of the law for trying to impersonate an FBI agent to steal a vehicle. With J Edgar Hoover (Martin Sheen, Grace and Frankie) directing his employees to "prevent the rise of a 'messiah' who could unify and electrify the militant black nationalist movement" — his real-life words — the car thief is offered a deal by actual FBI Special Agent Roy Mitchell (Jesse Plemons, I'm Thinking of Ending Things). If O'Neal cosies up to Hampton, then reports back on his comings, goings, political moves and general plans, he'll avoid jail. Initially apprehensive, he acquiesces to keep his freedom. With Hampton's raging speeches earning him a firm following, and his charisma and canny strategies broadening the crowds hanging on his words, O'Neal's task isn't minor. And the further he ingratiates himself into Hampton's confidence, becoming his head of security, the more he's torn about keeping tabs and doing the government's increasingly nefarious bidding. This isn't just a story about one young Black man coerced into bringing down a rising leader and revolutionary, however. It's also a tale about the figure who mobilised the masses as Martin Luther King Jr and Malcolm X had, until he was shot while he slept at the age of just 21. And, it's an account of the powers-that-be's abject fear of progress, equality, and the crusaders willing to put their lives on the line to fight for justice and a better world. Judas and the Black Messiah is available to watch via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. GODZILLA VS KONG Given that neither of Godzilla vs Kong's towering titans are truly terrors, and therefore neither should really emerge victorious over the other, getting them to face off seems pointless. "They're both big, so they can't get along" is the simplistic concept. This isn't a new train of thought, or new to the American-made Monsterverse that's been nudging the beasts closer together for seven years. Thankfully, in the hands of You're Next and The Guest director Adam Wingard, Godzilla vs Kong has as much in common with its superior Japanese predecessors as it does with 2019's terrible Godzilla: King of the Monsters. The follow-up to 2017's Kong: Skull Island, too, this new battle of the behemoths doesn't remake the duo's first screen showdown in 1962's King Kong vs Godzilla. And, sadly, it hasn't ditched the current Hollywood flicks' love of unexciting human characters. But it crucially recognises that watching its titular creatures go claw-to-paw should be entertaining. It should be a spectacle, in fact. The film also realises that if you're not going to make a movie about this pair with much in the way of substance, then you should go all out on the action and fantasy fronts. In other words, Godzilla vs Kong feels like the product of a filmmaker who loves the Japanese Godzilla flicks and Kong's maiden appearance, knows he can't do them justice thematically, but is determined to get what he can right. Wingard is still saddled with a flimsy script with a tin ear for dialogue by screenwriters Eric Pearson (Thor: Ragnarok) and Max Borenstein (Kong: Skull Island), but his massive monster melees are a delight. Also welcome: Godzilla vs Kong's eagerness to lean into its genre. When it surrenders to its pixels, and to a tale that involves a journey to the centre of the earth, subterranean asteroids, altercations with giant flying lizards and an underground tunnel from Florida to Hong Kong, it's equal parts loopy and fun. That trip to the planet's interior is guided by Kong. Now kept in a dome that simulates the jungle, the jumbo primate is under the watch of researcher Ilene Andrews (Rebecca Hall, Tales from the Loop), and bonds with Jia (newcomer Kaylee Hottle), the orphan also in the doctor's care. But, after Godzilla surfaces for the first time in three years to attack tech corporation Apex's Miami base, CEO Walter Simmons (Demián Bichir, Chaos Walking) enlists geologist Nathan Lind (Alexander Skarsgård, The Stand) on a mission. Testing the latter's hollow earth theory, they plan to track down an energy source that could be linked to both Zilly and Kong's existence — if Kong will lead them there. In a plot inclusion that'd do Scooby Doo proud, teenager Madison Russell (Millie Bobby Brown, returning from King of the Monsters) and her classmate Josh Valentine (Julian Dennison, Hunt for the Wilderpeople) are certain that Apex is up to no good and — with podcaster Bernie Hayes (Brian Tyree Henry, Superintelligence) — start meddling. Godzilla vs Kong is available to watch via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. NOMADLAND Frances McDormand is a gift of an actor. Point a camera her way, and a performance so rich that it feels not just believable but tangible floats across the screen. That's true whether she's playing overt or understated characters, or balancing those two extremes. In Fargo, the first film that earned her an Oscar, McDormand is distinctive but grounded, spouting midwestern phrases like "you betcha" but inhabiting her part with texture and sincerity. In Three Billboards Outside Ebbing, Missouri, her next Academy Award-winning role, she's an impassioned mother crusading for justice and vengeance, and she ripples with deep-seated sorrow mixed with anger so fiery that it may as well be burning away her insides. Now, in Nomadland, McDormand feels stripped bare and still a commanding force to be reckoned with. She's tasked with a plucky but struggling part — defiant and determined, too; knocked around by life's ups and downs, noticeably; and, crucially, cognisant that valuing the small pleasures is the hardest but most rewarding feat. It earned her another Oscar nomination. It saw her nab a third shiny statuette just three years after her last, too. Along with the attention the movie received at the Golden Globes, both are highly deserved outcomes because hers is an exceptional performance, and this was easily 2020's best film. Here, leading a cast that also includes real people experiencing the existence that's fictionalised within the narrative, she plays the widowed, van-dwelling Fern — a woman who takes to the road, and to the nomad life, after the small middle-America spot where she spent her married years turns into a ghost town when the local mine is shuttered due to the global financial crisis. A slab of on-screen text explains her predicament, with the film then jumping into the aftermath. Following her travels over the course of more than a year, this humanist drama serves up an observational portrait of those that society happily overlooks. It's both deeply intimate and almost disarmingly empathetic in the process, as every movie made by Chloe Zhao is. This is only the writer/director's third, slotting in after 2015's Songs My Brothers Taught Me and 2017's The Rider but before 2021's Marvel flick Eternals, but it's a feature of contemplative and authentic insights into the concepts of home, identity and community. Meticulously crafted, shot and performed, it truly sees everyone in its frames, be they fictional or real. Nomandland understands their plights, and ensures its audience understands them as well. It's exquisitely layered, because its protagonist, those around her and their lives earn the same term — and Zhao never forgets that, or lets her viewers either. Nomadland is available to watch via Disney+. Read our full review. WILLY'S WONDERLAND If you've ever wondered how Nicolas Cage might've fared during cinema's silent era, Willy's Wonderland has the answer. A horror film about killer animatronic restaurant mascots, it's firmly a 2021 feature. It wasn't made a century ago, before synchronised sound forever changed the movie business, so it's definitely a talkie as well. Cage doesn't do any chattering, however. He groans and growls, and often, but doesn't utter a single word. The actor's many devotees already know that he's a talent with presence; whether he's cavorting in the streets under the delusion that he's a bloodsucker in Vampire's Kiss, grinning with his locks flowing in the wind in Con Air, dousing himself with vodka and grunting in Mandy or staring at a vibrant light in Color Out of Space, he repeatedly makes an imprint without dialogue. So, the inimitable star needn't speak to command attention — which is exactly the notion that Willy's Wonderland filmmaker Kevin Lewis (The Third Nail) put to the test. First, the great and obvious news: Cage doesn't seem to put in much effort, but he's a joy to watch. Playing a man simply known as The Janitor, he glowers like he couldn't care less that furry robots are trying to kill him. He swaggers around while cleaning the titular long-abandoned Chuck E Cheese-esque establishment, dances while hitting the pinball machine on his breaks, swigs soft drink as if it's the only beverage in the world and proves mighty handy with a mop handle when it comes to dispensing with his supernaturally demonic foes. Somehow, though, he's never as OTT as he could be. Cage plays a character who doesn't deem it necessary to convey his emotions, and that results in more restraint on his part than the film demonstrates with its undeniably silly premise. Accordingly, cue the bad news: as entertaining as Cage's wordless performance is — even without completely going for broke as only he can — Willy's Wonderland is often a ridiculous yet routine slog. Willy's Wonderland is available to watch via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. THE LAST VERMEER Dutch artists Johannes Vermeer and Han van Meegeren picked up their brushes more than two centuries apart. Mention the latter, though, and you need to mention the former. Just why that's the case makes for a fascinating tale, as The Last Vermeer tells — one filled with twists, subterfuge, investigations, a trial and post-World War II efforts to punish anyone who conspired with the Nazis. Directed by producer turned first-time helmer Dan Friedkin (All the Money in the World, The Mule), and adapted from Jonathan Lopez's 2008 book The Man Who Made Vermeers, The Last Vermeer relays the Hollywood version of the story, of course. Big speeches and massaged details consequently abound. Attention-grabbing performances jump across this cinematic canvas, too, with Guy Pearce (Bloodshot) resembling Geoffrey Rush as van Meegeren and Claes Bang (Dracula) adding his third recent art-centric feature to his resume after The Square and The Burnt Orange Heresy. There's enough here to keep viewers interested, as there should be given the real-life basis, cast and handsome staging, but this is the type of film that's nicer to look at than to dive into. Its subject: art forgery, a topic that leaves an imprint beyond the movie's narrative. The Last Vermeer doesn't steal from elsewhere, but it also sinks into a well-populated list of other dramas about art and the war (see also: The Monuments Men and Woman in Gold ) far too easily and generically than a feature about this specific tale should. Bang plays Dutch Jewish officer Captain Joseph Piller, who is tasked with hunting down artworks illegally sold to the Nazis during the war and bringing everyone responsible to justice. That leads him to Christ and the Adulteress, a piece credited to Vermeer but found after his death — and to van Meegeren, the man who is suspected of selling it to key Nazi figure Hermann Göring in the world's biggest art sale at the time. Turning on the rakish charisma even when he's being interrogated by Piller and his offsider (Roland Møller, The Commuter), van Meegeren denies the accusation. Piller isn't convinced, but then police detective Alex De Klerks (August Diehl, A Hidden Life) tries to take over the case. Soon, van Meegeren has been secreted away, is painting while in hiding and, when eventually charged and brought to court, offers an astonishing theory. Also arising in The Last Vermeer: an exploration of the costs of and sacrifices involved in surviving wartime, although Friedkin and screenwriters John Orloff (Anonymous), Mark Fergus and Hawk Ostby (The Expanse) happily stick to the surface as they do elsewhere. As a mystery, the film suitably zigs and zags. As a courtroom drama, it boasts stirring moments. But, as well as wasting Vicky Krieps (Phantom Thread) in a thankless part, The Last Vermeer is never more than passable. The Last Vermeer is available to watch via Google Play, YouTube Movies and Amazon Video. SONGBIRD If there are any words that absolutely no one wants to see when they're watching a COVID-19-inspired movie, it's these: produced by Michael Bay. The filmmaker who gave cinema the Bad Boys franchise and five Transformers flicks isn't behind the lens of Songbird, but writer/director Adam Mason and his frequent co-scribe Simon Boyes (Hangman) have clearly mainlined Bay's work, then decided to use its worst traits as a how-to manual. Set in 2024, when a virulent mutation of the coronavirus known as COVID-23 is on the loose, their tactless thriller is gimmicky and misguided at best. It's derivative, dull and has a plot that's so stale it really should also feature a tornado full of sharks, too. Wondering what might happen if the pandemic was even more horrendous and tragic than it is — and if America's handling of it, as based on 2020's response at least, was skewed even further towards corporate interests and the rich — the film decides to opt for quarantine concentration camps and a gestapo-like sanitation department. When it's not tastelessly taking cues from the holocaust to supposedly turn a shattering event the world is still experiencing into entertainment, it also attempts to tell a Romeo and Juliet-style love story about a couple separated by lockdown. And, if you've ever wondered what might happen if a Bay wannabe remade David Lynch's Blue Velvet, Bradley Whitford's (The Handmaid's Tale) role as an oxygen-huffing record executive preying on a young singer (Alexandra Daddario, Baywatch) answers that question as well. Bicycle courier Nico (KJ Apa, Riverdale) is resistant to COVID-23, and has an immunity bracelet to prove it; however, his girlfriend Sara (Sofia Carson, Feel the Beat) and her grandmother (Elpidia Carrillo, Euphoria) aren't so lucky. The coveted wristwear can be bought on the black market, though, which is why Nico is trying to make as much cash as he can working for delivery kingpin Lester (Craig Robinson, Dolemite Is My Name). The obvious happens, of course, sending unhinged sanitation head Emmett Harland (Peter Stormare, John Wick: Chapter 2) to Sara's building — and putting a deadline on Nico's quest, which wealthy couple William (Whitfield) and Piper Griffin (Demi Moore, Rough Night) might be able to assist with. The latter are also meant to be a picture of stay-at-home disharmony, all while trying to protect their immunocompromised daughter Emma (Lia McHugh, The Lodge) from anything outside their sprawling mansion. A PTSD-afflicted ex-veteran (Paul Walter Hauser, Richard Jewell) who flies drones to experience life beyond his walls also forms part of the story, although not a single character is given enough flesh to make viewers care about their plight. Even only clocking in at 84 minutes, this thoroughly unsubtle and exploitative film overstays its welcome — and the fact that it's shot and edited like Bay's glossiest and most bombastic action fare doesn't help. Songbird is available to watch via Google Play, YouTube Movies and Amazon Video. MORTAL KOMBAT No one enjoys watching someone else mash buttons. While it's a passable way to spend a few minutes, losing interest quickly simply comes with the territory. That's how viewing Mortal Kombat feels as well, except that watching your friends play any of the martial arts video game franchise's 22 different arcade and console titles since 1992 (or any game at all) would be far more entertaining. Shot in South Australia and marking the feature debut of filmmaker Simon McQuoid, the latest attempt to bring the popular series to the big screen — following a first try in 1995 and a sequel in 1997 — feels like watching cosplay, too. The movie's cast literally dresses up in the outfits needed to recreate the game's characters, of course, but the film shouldn't so overtly resemble fans donning costumes at a pop culture convention. And yet, Mortal Kombat evokes this situation from the moment its 17th century Japan-set prologue, which is also its best scene, comes to an end. After establishing a mythic and bloody backstory for the movie's narrative as a whole, the character that'll become an undead ninja ghost called Scorpion (Hiroyuki Sanada, Westworld) and his prophecised descendants, this B-grade flick is happy to, in fact. It's not just the violence that's cartoonish here; it's every glare exchanged and word uttered, with much of the script trading in cliches, dramatic pauses and catchphrases. Mortal Kombat's gaming fanbase may be eager to see their beloved characters given flesh and blood, face off against each other and spout lines that usually emanate from a much smaller screen, but that doesn't make a movie engaging. Nor can a flimsy screenplay by first-timer Greg Russo and Wonder Woman 1984's Dave Callaham, which follows the battle between Earthrealm and Outworld — one that'll be lost by the former if an MMA fighter named Cole Young (Lewis Tan, Wu Assassins), who bears a dragon birthmark, doesn't team up with the other figures with the same marking to stop humanity from losing for the tenth time. That's where the no-nonsense Sonya Blade (Jessica McNamee, Black Water: Abyss) comes in, and also the grating, wisecracking Kano (Josh Lawson, Long Story Short). The villainous Sub-Zero (Joe Taslim, Warrior) might be threatening to freeze all of earth's champions so that Outworld's Shang Tsung (Chin Han, Skyscraper) can rig the tournament before it even happens, but Mortal Kombat still has time — and far too much of it — to spend pondering supernatural destinies and letting an over-acting, always grating Lawson mug for attempted laughs. The end result is intentionally ridiculous, and presumably unintentionally dull, all while setting up an unearned sequel. And although brutal enough amidst the silliness for an R rating, even the film's fight scenes merely go through the motions, especially given the heights that films like The Raid and John Wick have scaled in with their eye-popping action choreography over the past decade. Mortal Kombat is available to watch via Google Play, YouTube Movies, iTunes and Amazon Video. CHAOS WALKING Adapted from the book series of the same name, Chaos Walking has weathered a difficult path to cinemas. The tedious and generic space western releases ten years after the rights to turn Patrick Ness' novels into films were first acquired, four years since the movie was originally shot and two years after major reshoots following unfavourable test screenings. It went through a plethora of rewrites, too, with I'm Thinking of Ending Things' Charlie Kaufman on scripting duties at one point, and Ness (A Monster Calls) and Spider-Man: Homecoming's Christopher Ford getting the final credit. Navigating such a mess rarely bodes well for a movie, so the fact that Chaos Walking proves dull and derivative shouldn't come as a surprise. Even with its cast filled with impressive talent, and with Edge of Tomorrow filmmaker Doug Liman begin the lens, it's hard to see how it might've fared better, with its premise an instant struggle. Set in 2257, the film follows colonists from earth on a planet called New World, who are plagued by a strange phenomenon. A multi-coloured haze hovers around men's heads — and only men — showing their every thought. The sensation has been dubbed 'the noise', and experiencing it while watching sure is rackety. Indeed, 'noise' is the absolute right word for the entire movie. In his pioneer village, teenager Todd (Tom Holland, The Devil All the Time) can rarely control his noise. While the Mayor (Mads Mikkelsen, Another Round) is able to filter the words and images that project from his mind — and also rock a furry red coat and wide-brimmed hat far better than anyone should — few others have the same ability. Seeing what everyone is thinking is a tricky way to live at the best of times, and it applies to the entire population, because women have been wiped out in a war attributed to the planet's original inhabitants. But Todd's troubles multiply when he discovers a spaceship, as well as Viola (Daisy Ridley, Star Wars: Episode IX — The Rise of Skywalker), its sole surviving occupant. The mayor and his followers don't take kindly to the first female in their midst for years; however, supported by his adoptive fathers Ben (Demian Bichir, The Midnight Sky) and Cillian (Sons of Anarchy creator Kurt Sutter), Todd isn't willing to surrender the only girl he's ever seen to an angry mob. Cue a tale of toxic masculinity that dates back to 2008, when first instalment The Knife of Never Letting Go hit bookshelves, and feels timely in the current social, political and cultural climate. That said, this isn't a complex, layered or thoughtful film. Instead, it's content to stress its themes in such a broad and easy manner that getting Holland to hold up a sign saying "the patriarchy is bad" would've been more subtle. Indeed, Chaos Walking really just uses these notions as a backdrop for a predictable and formulaic dystopian story, and as a handy reason to motivate its conflicts, in a movie that plays like a hodgepodge of far better sci-fi and western fare. Chaos Walking is available to watch via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. TOM & JERRY Before Itchy and Scratchy started terrorising each other well beyond the bounds of normal cat and mouse antagonism, another feline and rodent pair got there first. Of course, The Simpsons' adversarial four-legged critters were designed to parody the characters created by William Hanna and Joseph Barbera more than 80 years ago, but they've long since supplanted Tom and Jerry as popular culture's go-to fighting animal duo. Perhaps the new Tom & Jerry movie is an attempt to push its titular creatures back to prominence. Perhaps it's just the latest effort to cash in on nostalgia while hoping that a new generation of children will be interested enough to warrant more big-screen outings, and therefore more chances to make some cash. Watching this all-ages-friendly hybrid of cartoon and live-action, it doesn't seem as if anyone involved knows quite why the film exists — not director Tom Story (Ride Along and Ride Along 2), who cares more about stressing the feature's hip hop soundtrack than paying much attention to its eponymous figures; not screenwriter Kevin Costello (Brigsby Bear), who pens a dull and derivative script about celebrity wedding chaos; and definitely not a cast that spans Chloë Grace Moretz (Shadow in the Cloud), Michael Peña (Fantasy Island), Rob Delaney (Catastrophe), Ken Jeong (Boss Level), Colin Jost (Saturday Night Live) and Pallavi Sharda (Retrograde), all of whom will forever have this misfire on their resumes. The animated animal action starts with Tom's latest vendetta against his long-time rival Jerry, after the latter destroys the former's keyboard and his music stardom dreams along with it. In his quest for revenge, the cat follows the house-hunting mouse to his newest abode at Manhattan's upmarket Royal Gate hotel, where the pair soon wreak havoc. Story and Costello prefer to focus on the resourceful and human Kayla (Moretz) at almost every turn, though. After talking her way into a job onsite, she's soon given two important tasks. The first: help ensure that the nuptials of two nondescript celebs (Jost and Sharda) go smoothly, which of course doesn't happen. The second: track down Jerry, which involves hiring Tom to assist. Somehow, Tom & Jerry is both lazy and overcomplicated. It does the bare minimum with its flesh-and-blood and pixel characters alike, all while completely forgetting that viewers have always loved Tom and Jerry for its fast, smart and entertaining slapstick antics (and definitely not because one day the duo might become bit-players in yet another flick about bland wedding dramas). When the film starts with pigeons rapping A Tribe Called Quest's 'Can I Kick It?' in its entirety, it begs an obvious question: who is this for? No one that's brought this movie to fruition seems to know the answer there, either — and they certainly haven't expended any energy on trying to make the feature funny, because laughs are absent from start to finish. Tom & Jerry is available to watch via Google Play, YouTube Movies, iTunes and Amazon Video.
From the moment it opened its doors in early 2024, Bistra became a Carlton classic. A white-tablecloth affair with a decidedly Australian flair, an evening at Bistra is always sophisticated, never stuffy. The romantic two-storey venue on Elgin Street is owned by Henry Crawford, Alexei Taheny-Macfarlane, and Joseph Ho, a trio of hospitality and wine experts. Studio Wonder designed the space to feel intimate and inviting, freshened up with playful art and sculpture from local artists such as Darren Sylvester, Carol Crawford and Riley Payne. Manning the pans and leading a team of ambitious up-and-comers is head chef Alex Nishizawa. When your resume includes gigs at Bar Liberty, Falco and working as Ben Shewry's sous chef at Attica, it's no surprise you've landed the top spot in one of Melbourne's hottest kitchens. The traditional yet undeniably intelligent menu is the kind that causes diners to consider ordering one of everything. How should we be able to choose between chicken liver pâté with traditional accompaniments, tiger prawns with fermented chilli and parsley, or an asparagus salad with poached egg, parmesan, croutons and tarragon? And you can't miss the crowd favourites, spinach and ricotta dumplings with butter and sage, and agnolotti with Long Paddock Cheese and pistachio. For mains, many cannot resist the classic cheeseburger, or an eye fillet with peppercorn sauce and fries. However, the Sommerland chicken with Jerusalem artichoke and truffled jus is also a quiet contender for a winner. Whichever you choose, there is sure to be an expertly picked wine to match, with Bistra's wine list comprising a collection that the owners have been building together for over ten years. You must save room for a dessert, or two (or three). Nostalgic, comforting flavours in the form of apple crumble with créme fraiche, banana cake with chocolate butterscotch and cream, and cream puffs with ice cream and chocolate ganache, will be a sweet end to a wonderful evening. Top image: Becca Crawford.
The much-hyped 80 Collins Street dining precinct might be a good 320 kilometres away from Gippsland. But, even so, resident Farmer's Daughters is dedicated almost entirely to celebrating and showcasing the region's finest produce and ingredients. The three-level restaurant is the work of acclaimed chef Alejandro Saravia (Pastuso) — not only a longtime champion of the area, but the Official Food & Beverage Ambassador for Gippsland. With this homage to all things Gippsland, Saravia is out to take guests on a full-blown exploration of his favourite Victorian region, minus the four-hour road trip. On the first floor, you're greeted by a gourmet deli, food store and eatery, turning out share-friendly fare like handmade mozzarella paired with macadamia and black garlic and Amber Creek confit pork belly matched with pepperberry and roasted quince. Available to go, there's a strong curation of pantry items and food products, heroing both Gippsland and other renowned Victorian regions. One storey above, the Farmer's Daughters restaurant plates up a more formal celebration of provenance, complete with an open kitchen fuelled by charcoal and wood. A sophisticated space by Agents of Architecture's Luke Hickman marries a nature-inspired colour palette of gentle greens and greys with tabletops made from reclaimed Gippsland timber. But it's the custom-made campfire kitchen at the dining room's heart that will really transport you, nodding to nights spent out bush beneath the stars. Expect a seasonal set menu (from $125, with matching wines available), featuring plates like baked Baw Baw alpine trout with mountain pepper cream, or Yarragon rabbit elevated with preserved carrot. It's backed by a Gippsland-focused drinks list, showcasing drops from the likes of William Downie, Patrick Sullivan and Loch Brewery & Distillery, alongside other wines sourced from across Australia and Europe. [caption id="attachment_833163" align="alignnone" width="1920"] Farmer's Daughters Rooftop, by Dan Castano for City of Melbourne[/caption] Finally, there's the venue's crowning glory: the rooftop bar, where you can unwind against a backdrop of native mountain pepper trees and potted herbs. Up here, you'll find a botanical-driven cocktail list featuring the exclusive Farmer's Daughters Gippsland vermouth in many iterations, along with wines by the glass and a range of beer that includes multiple pours from Orbost's Sailor's Grave Brewing. Images: Arianna Leggier. Updated August, 2023.
Chances are, you're well overdue for a relaxed group getaway with your besties, and it just so happens that Australia's chock full of world-class vacation spots to suit all types. And for that group escape, Byron Bay is delivering the goods, as always. In northern NSW, you'll find a healthy dose of sun, sea and subtropical rainforest awaiting your arrival. Plus, an array of waterfront villas and roomy coastal retreats ideal for a beach vacay with your besties. We've done the hard work and rounded up the best group Airbnbs you can book in Byron Bay. Pack those bags and get set for a hard-earned beach adventure. Recommended Reads: The Best Places to Go Glamping in NSW The Best Tiny Houses You Can Book Around NSW The Best Hotels in Sydney The Best Places to Stay in the Blue Mountains Elevation, Byron Bay Luxe vacation vibes abound at this newly renovated architectural stunner, complete with heated pool and spa, and enormous sun-drenched deck. From $1321 a night, sleeps eight. Paradiso Property, Byron Bay Sporting soothing whites and natural finishes, this group retreat feels instantly relaxing. There's loads of space indoors and out, plus a brand-new pool. From $750 a night, sleeps eight. Belongil on the Beach, Byron Bay Swap city life for a weekend of blissful Byron beachfront. This sprawling house boasts cheery nautical styling and a backyard right on the water's edge. From $700 a night, sleeps six. Havana Lodge, Byron Bay With its contemporary boho styling, nature-filled surrounds and dreamy meditation loft, this eclectic retreat is the ultimate antidote to fast-paced city living. From $449 a night, sleeps four. Byron Superluxe, Byron Bay Boasting loads of outdoor living, a pool and space to sleep 14, this supersized retreat is group holiday perfection. And the beach is just metres away. From $1220 a night, sleeps 14. Beaumonts House, Byron Bay Perched overlooking the sand, this spacious beach house is a true surfer's dream. Expect incredible views and plenty of room to move. From $799 a night, sleeps ten. Eternity Beach House, Byron Bay A leafy oasis just moments from Belongil Beach, this relaxed holiday retreat comes complete with luxury furnishings and state-of-the-art features. From $990 a night, sleeps six. Ayana at the Pass, Byron Bay With its tropical setting and designer interiors, this modern abode is a study in holiday luxury. Enjoy a heated spa, outdoor shower and dedicated yoga deck. From $1380 a night, sleeps eight. Old 55, Byron Bay This beautifully restored Wategos Beach treehouse makes for an inviting beach escape, with roomy open-plan living and lots of outdoor space. From $949 a night, sleeps 11. Memories at Wategos, Byron Bay Just a short six-minute walk from Wategos Beach, this fabulous modern abode is perfect for a day in the sand or lounging by its top-tier pool with your best friends. From $1190 at night, sleeps eight. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: courtesy of Airbnb.
December is here, and we're sure the sound of jingling bells is well and truly lodged in your head — but if your TV isn't screening an endless festive movie marathon, is it really Christmas? This portion of year isn't just the prime period for gift-giving, lots of eating, and spending quality time with your nearest and dearest, but also for watching and rewatching all those flicks that make you feel merry. Or, if you're hardly the jolly type, to get a dose of Christmas with some offbeat, action-packed and/or darkly comic picks. Just what makes a Christmas film has been hotly debated. Some folks, like Last Christmas director Paul Feig, rightly believe that Die Hard counts. Others stick firmly to movies that weave in the season in a more overt way. Whichever category you fall into, and however you feel about the season, we have a list of suggestions for your Yuletide viewing pleasure. Pour yourself some eggnog, get cosy on your couch and start streaming. Home Alone (and Its Sequels) In 2021, a brand new Home Alone movie arrived to demand your attention. Yes, the 90s classic was remade — by Disney+, and with Jojo Rabbit's Archie Yates, Unbreakable Kimmy Schmidt's Ellie Kemper and Deadpool & Wolverine's Rob Delaney among the cast. Nostalgia might draw you to it, but the Mouse House's streaming platform is already serving up classic Home Alone delights, with the 1990 original, 1992's Home Alone 2: Lost In New York and 1997's Home Alone 3 all available (and also 2002's Home Alone 4, if you're a completist). Naturally, the original is the one that calls everyone's names whenever they're feeling festive. It was the highest-grossing live-action comedy at the US box office for more than two decades for a very good reason. Watch as Macaulay Culkin (Entergalactic) puts in a star-making performance, Joe Pesci (Bupkis) and Daniel Stern (For All Mankind) play bumbling burglars, and plenty of inventive booby traps get in the way. Home Alone, Home Alone 2: Lost In New York, Home Alone 3, Home Alone 4 and Home Sweet Home Alone stream via Disney+. Happiest Season Forget Twilight. Yes, it's the film franchise that Kristen Stewart (Love Lies Bleeding) is best known for, but her resume spans much further than sparkly vampires. And, courtesy of Happiest Season, it includes a festive rom-com that gives its well-worn genre a much-needed queer focus. Stewart plays Abby, the girlfriend of Harper (Mackenzie Davis, Speak No Evil). The former usually hates Christmas, but she's willing to give the usual trimmings a go for the latter. Alas, it turns out that Harper hasn't come out to her family, which cause more a few complications over the holidays. From the get-go, it's easy to see where the film is headed, but Happiest Season willingly sticks to a formula in order to update it. And, it's likely this LGBTQIA+-friendly dose of merriment wouldn't have found the right mix of festive familiarity and emotional substance with other leads. Happiest Season streams via Binge. Read our full review. The Nightmare Before Christmas More than a quarter-century ago, filmmakers Tim Burton (Beetlejuice Beetlejuice) and Henry Selick (Wendell & Wild) served up one of the most-enchanting holiday films to hit the big screen — and one that doubles as both Halloween and Christmas viewing. It's Burton's name that everyone remembers; however, a pre-Coraline Selick is actually in the director's chair on The Nightmare Before Christmas, which charms with both its offbeat story and its gorgeous stop-motion animation. Burton came up with the narrative though, because Jack Skellington only could've originated from the Beetlejuice and Edward Scissorhands filmmaker's brain. Imaginative, original and engaging (even as it nods to Dr Seuss a few times), it still remains a festive treat for all ages. The Nightmare Before Christmas streams via Disney+. The Holdovers Melancholy, cantankerousness, angst, hurt and snow all blanket Barton Academy in Alexander Payne's (Nebraska) The Holdovers. It's Christmas 1970 in New England in this thoughtful story that's given room to breathe and build, but festive cheer is in short supply among the students and staff that give the movie its moniker. Soon, there's just three folks left behind: Angus Tully (debutant Dominic Sessa), whose mother wants more time alone with his new stepdad; curmudgeonly professor Paul Hunham (Paul Giamatti, Billions), who's being punished for failing the son of a wealthy donor, but would be hanging around campus anyway; and grieving cook Mary Lamb (Da'Vine Joy Randolph, Only Murders in the Building, and an Oscar-winner for her work here), who is weathering her first Christmas after losing her son — a Barton alum — in the Vietnam War. The Holdovers streams via Netflix and Binge. Read our full review. Last Christmas Some Christmas movies — many festive movies, let's be honest — get the usual carols stuck in your head. Fancy a little George Michael whirling around your brain instead? That's what's on offer with Last Christmas, for obvious reasons. Just read the title and you'll already be humming the appropriate tune. This recent festive rom-com is both extremely likeable and very predictable. In other words, it's perfectly suitable feel-good Christmas in July viewing. The cast, which includes Emilia Clarke (Secret Invasion), Henry Golding (The Ministry of Ungentlemanly Warfare) and Emma Thompson (Roald Dahl's Matilda the Musical) are all an absolute delight, Paul Feig (Bridesmaids, A Simple Favour) directs with a light touch, and the George Michael hits just keep coming. Last Christmas streams via Netflix, Stan, Prime Video and Paramount+. Read our full review, and our interview with Paul Feig. It's a Wonderful Life It's been 78 years since Frank Capra's It's a Wonderful Life first warmed hearts, and started to become a festive tradition. The ultimate 'what if?' tale, the five-time Oscar nominee is also a shining example of a movie that didn't do well at the box office originally but has more than made up for it since. Featuring a pitch-perfect performance from the great James Stewart as the downtrodden George Bailey, the film's charms are many. It's sweet, optimistic but still willing to look at grim realities. That's what happens when Bailey has bleak thoughts one Christmas Eve, and contemplates ending it all, before a guardian angel shows him what life would've been like in his home town of Bedford Falls without him. It's a Wonderful Life streams via Stan. Eyes Wide Shut It isn't by accident that Eyes Wide Shut, Stanley Kubrick's last complete film and one of the masterful director's absolute best, takes place during the holidays. The late, great filmmaker plunges into a fraying marriage at a time of year that's either blissful or fraught in relationships, or seesaws between the two, with then real-life couple Nicole Kidman (The Perfect Couple) and Tom Cruise (Mission: Impossible — Dead Reckoning Part One) as his leads. And, in the process, he has plenty to say about the institutions, traditions and expectations that society tells us will bring contentment — the wealth and romantic ideals that fall into the same categories, too — and the gaping chasm between those glossy notions and reality. When it hit cinemas, Eyes Wide Shut was marketed as an erotic thriller — 'twas the 90s — but despite the sex, masquerades and relationship games, that's only one layer of the feature. Following Bill (Cruise) and Alice (Kidman) Hartford as they navigate the festive period, complete with indulgent parties and strung-up lights aplenty, this probing film has zero cheer for Christmas' shiny facade, or the annual promise that forced jolliness will make anyone's lives better. Eyes Wide Shut streams via iTunes. How to Make Gravy Normally when it comes to watching Christmas movies, you can pick whichever day in December takes your fancy and press play. But How to Make Gravy is best watched on December 21, because that's the date that's been known as Gravy Day since 1996 thanks to Paul Kelly's classic tune 'How to Make Gravy'. Yes, this is a movie adaptation of the song, with musician Meg Washington and writer/director Nick Waterman behind it. And yes, it spins a story around the many characters that Kelly names in his track. The Royal Hotel co-stars Daniel Henshall (RFDS) and Hugo Weaving (Slow Horses) feature as Joe and Noel. The first hails from the tune — he's the prisoner who writes to his brother Dan (Brenton Thwaites, Titans) to kick things off — while Noel, a new addition to the tale, is a veteran inmate that he crosses paths with inside. With a cast that also spans Kate Mulvany (The Clearing), Damon Herriman (Better Man), Kieran Darcy-Smith (Mr Inbetween) and Kym Gyngell (The Artful Dodger), plus Titane's Agathe Rousselle in her first English-language film, How to Make Gravy charts the events that lead to Joe being away from his family come festive season, how they're coping without him and the underlying factors that he needs to face to spend next Christmas at home. How to Make Gravy streams via Binge. Read our interview with Daniel Henshall and Hugo Weaving. The Muppet Christmas Carol It's time to play the music, light the lights and see Charles Dickens' classic play out in felt — and with Michael Caine (The Great Escaper) as Ebenezer Scrooge. Any Muppets movie is ace seasonal viewing because they're all so warmhearted, but The Muppet Christmas Carol was obviously made for the merriest time of year. The movie follows Dickens's tale, with the miserly Ebenezer Scrooge given a change of perspective by the ghosts of Christmas Past, Christmas Present and Christmas Yet to Come. Here, however, Jim Henson's beloved creations join in, with Kermit the Frog playing clerk Bob Cratchit, Miss Piggy as Emily Cratchit, Gonzo narrating the story as Dickens (with help from Rizzo the Rat), Fozzie Bear as Fozziwig and Robin the Frog as Tiny Tim. Other Muppets show up, because of course they do. The Muppet Christmas Carol streams via Disney+. Rare Exports: A Christmas Tale Calling all festive horror fans — and fans of deadpan comedy. You'll get a bit of both with Finnish thriller Rare Exports: A Christmas Tale, because sometimes, that's just what the season needs. Taking inspiration from the Joulupukki, a pagan and folkloric figure that's helped shape Santa Claus-centric stories, this creative film starts as all sinister tales do: with the unearthing of something eerie and perhaps best left forgotten. Here, after a British research team disturbs an ancient burial mound, the local reindeer become the first casualties. Twisted and off-kilter, eager to play with mythology and unafraid of gruesome imagery, this is the kind of Christmas flick that doesn't come around very often — all from Jalmari Helander, the filmmaker behind 2023's underseen Sisu. Rare Exports: A Christmas Tale streams via iTunes and Prime Video. Tangerine Before writer/director Sean Baker gave the world 2024 Palme d'Or-winner Anora, plus The Florida Project and Red Rocket before that — each among the best movies of their year — he spent Christmas Eve with two transgender sex workers as one learns that her boyfriend and pimp has been unfaithful. Sin-Dee Rella (Kitana Kiki Rodriguez) is fresh from a 28-day stint in jail when she teams up with her best pal Alexandra (Mya Taylor, High Tide) to chase down her other half Chester (James Ransone, The Black Phone). While getting revenge on cheating spouses isn't a new topic on film, Tangerine is its own raw and delightful effort. Baker also shot the Los Angeles-set feature solely on iPhones, which proves quite the technical feat, and doesn't stop it from being visually inventive again and again. Tangerine streams via iTunes. Christmess "Happy holidays" might be two of the most-used words each and every December, but this time of year isn't jolly for everyone. With the gripping and affecting Christmess, writer/director Heath Davis (Broke, Book Week and Locusts) stares clear-eyed at the haunting regrets, aching loneliness and complicated family dynamics that are part of the festive season for many — and has his characters chat about the best Christmas movies, too. Fresh-out-of-rehab actor Chris Flint (Steve Le Marquand, The Twelve) is at this Australian dramedy's centre, as he tries to get his life back on track — a job playing a shopping-centre Santa included — while living in a halfway house with his sponsor Nick (Darren Gilshenan, Colin From Accounts) and fellow recovering alcoholic Joy (musician Hannah Joy). Christmess streams via Binge. Nutcrackers After a few years spent making horror movies — and building upon genre classics at that, thanks to Halloween, Halloween Kills, Halloween Ends and The Exorcist: Believer — filmmaker David Gordon Green has swapped scares for heartwarming seasonal hijinks. Consider that one of his latest feature's big returns. Opening the 2024 Toronto International Film Festival before making its way to streaming, Nutcrackers also gets Ben Stiller back in front of the camera (although he can be forgiven for his time behind the scenes given that he's been busy directing Severance). Long-term Stiller fans should spot echoes of Reality Bites, which he helmed as well as co-starred in, in his Nutcrackers character Mike Maxwell. Looking the corporate part and devoted to his job, he's not fond of the idea of shaking up his routine — or jeopardising his career advancement prospects. Then tragedy strikes, leaving him to find new guardians for his four rambunctious nephews who definitely don't want to go into foster care, and also have a creative take on classic ballet The Nutcracker that they're eager to stage. Nutcrackers streams via Disney+. White Reindeer If your attitude towards Christmas is 'bah humbug' or something similarly grinchy, then White Reindeer might just be the festive film for you. It starts with the festive season approaching, and with real estate agent Suzanne Barrington (Anna Margaret Hollyman, Sister Aimee) happy with her weatherman husband Jeff (Nathan Williams, Younger) — and super excited about the most wonderful time of the year. Then, tragedy strikes, and Zach Clark's (The Becomers) black comedy leans firmly into its genre. Tackling dark subjects, as well as the fact that Christmas isn't all presents, big hugs and glittering lights for everyone, this is a very funny, savvy and astute movie. It's also purposefully awkward, and remains a great example of low-budget indie filmmaking no matter the time of year. White Reindeer streams via YouTube Movies. Carol Carol falls into the category of films that, purely because they're set at the right time of year, automatically qualify as Christmas movies (see also: a few other flicks on this list). If that's the excuse you need to revisit Todd Haynes' (May December) aching romantic drama, then that's completely fine. Any excuse will do, really. The more eyeballs soaking in this sumptuous tale of forbidden love either for the first time or the hundredth, the better. Starring Rooney Mara (Women Talking) as a shopgirl who falls for Cate Blanchett's (Disclaimer) titular character, and based on Patricia Highsmith's novel The Price of Salt, the 50s-set drama fills the screen with emotion as the two women confront their feelings. Haynes' resume isn't short on highlights (Velvet Goldmine and Far From Heaven, for example), but might be his crowning achievement. Carol streams via ABC iView. Read our full review. Batman Returns Why so seasonal? No, the Joker doesn't say that in Batman Returns. In fact, that villain isn't even the Dark Knight's nemesis in this 1992 film. The sentiment still fits, though. Given the amount of times that Batman has graced cinemas, one of those movies was always going to be appropriate Christmas viewing — and Tim Burton's (Beetlejuice Beetlejuice) second stint unpacking Bruce Wayne's alter ego, plus Michael Keaton's (also Beetlejuice Beetlejuice) second round of playing the titular character, is 100-percent that movie. Christmas provides the backdrop for Oswald Cobblepot (Danny DeVito, It's Always Sunny in Philadelphia) and Selina Kyle's (Michelle Pfeiffer, Ant-Man and the Wasp: Quantumania) antics — aka The Penguin and Catwoman — in this sequel to 1989's Batman, and lights up Gotham City as its namesake endeavours to save the day. Again, there's never any shortage of Dark Knight flicks to choose from, including two more follow-ups in the 80s and 90s franchise, Christopher Nolan's trilogy, Ben Affleck in the cape and cowl and 2022's Robert Pattinson-starring The Batman, but 'tis the season for this one. Batman Returns streams via Binge. Elf Will Ferrell (The Boys) plays an elf. It sounds like the idea for a Saturday Night Live sketch, really. To the joy of Christmas-themed film fans everywhere, that's not the case with Elf — and even though it was written with Jim Carrey (Sonic the Hedgehog 3) in mind, and even though he went seasonal again with Spirited in 2022, this festive comedy ranks alongside Anchorman as one of the movies that Ferrell will always be remembered for. He's both amusing and endearing as Buddy, a human raised by Santa's elves who only realises that he's not like everyone else he knows when he grows up. It's a basic fish-out-of-water setup, but showered with humour, heart and festive goodwill. Also, long before he directed Iron Man, The Jungle Book and the photorealistic version of The Lion King, this is what actor-turned-filmmaker Jon Favreau served up. Elf streams via Binge and Stan. Gremlins Fun fact for Breaking Bad fans: Jonathan Banks, aka Mike Ehrmantraut, plays a deputy in Gremlins. He's not the star of the show, though, and nor are any of the movie's humans. No, that honour goes to its furry creatures that definitely shouldn't be exposed to water or sunlight, or fed after midnight. That's the warning that Randall Peltzer (Hoyt Axton, King Cobra) receives when he buys an unusual gift for his teenage son Billy (Zach Galligan, Midnight Peepshow) from a Chinatown store and, as Joe Dante's (Nightmare Cinema) upbeat, anarchic comedy demonstrates, it's advice that should be heeded. Another trusty tidbit that's worth remembering: no matter how old you are, watching Gremlins will make you want a mogwai for yourself. Gremlins streams via Binge. Black Christmas A fun, feisty remake with a female perspective and a refreshing sense of sisterhood, Black Christmas is a college-set slasher flick for the #MeToo era. The latter gets thrown around a helluva lot, but with this updated version of a 1974 cult movie, writer/director Sophia Takal (Always Shine) firmly leans into the term. Indeed, Black Christmas circa 2019 lives and breathes its #MeToo mindset, particularly in its story and characters. In this Imogen Poots (Outer Range)-led, Cary Elwes (Knuckles)-costarring effort, a masked predator stalks women as the festive season swings into gear, specifically targeting sorority sisters at a stately university. There's a mounting body count, but these gals aren't merely a parade of powerless, disposable victims. Black Christmas streams via Netflix. Read our full review. Die Hard Yippee ki-yay, fans of both action and seasonal hijinks (and of Bruce Willis crawling around in vents trying to fight off terrorists, too). It's time to follow in the footsteps of Brooklyn Nine-Nine's Jake Peralta and love Die Hard unconditionally, because — by virtue of being set on Christmas Eve — this is a Christmas-appropriate film. The story, if you somehow don't know it, involves NYPD cop John McClane (Willis, Assassin), a Los Angeles building attacked by the nefarious Hans Gruber (Alan Rickman, Eye in the Sky) and plenty of explosive antics. We know, we know, Rickman also features in that other, more overtly festive-themed favourite, aka Love Actually, but there's nothing quite like a couple of hours spent at Nakatomi Plaza. Die Hard streams via Disney+. In Bruges Before The Banshees of Inisherin, filmmaker Martin McDonagh teamed up with actors Colin Farrell (The Penguin) and Brendan Gleeson (Joker: Folie à Deux) on another darkly comic gem. In Bruges is writer/director McDonagh's first feature, in fact, and what a stunning debut it is, diving into hitmen chaos in Belgium over the Christmas period. McDonagh's whip-smart script only mentions the time of year a few times, but its titular setting is lit up for the occasion. Farrell's Ray is hardly thrilled, though; "For two weeks? In fucking Bruges? In a room like this? With you? No way," is his response to being holed up and hiding out with his mentor Ken (Gleeson) at the behest of their handler Harry (Ralph Fiennes, The Wonderful Story of Henry Sugar). Blackly comedic amusement springs from their predicament, and so does mayhem, melancholy and even hope. In Bruges streams via Netflix and Stan. That Christmas Richard Curtis is getting festive again. The screenwriter behind Four Weddings and a Funeral, Notting Hill and the first two Bridget Jones movies — and a big driver of Hugh Grant's (Heretic) early career, clearly — will forever be associated with the jolliest part of the calendar thanks to Love Actually. Now he's added That Christmas to his resume, and a clip of his past end-of-year flick that everyone knows and has thoughts about even features in this animated all-ages-friendly affair. That Christmas springs from the page, from Curtis' books That Christmas, The Empty Stocking and Snow Day with illustrator Rebecca Cobb. On-screen, he's intertwined those tales, with Simon Hunter (A Tale Dark & Grimm) directing, Peter Souter (Married Single Other) co-scripting, and the film's account of home-alone kids both lonely and mischievous featuring voicework by Bill Nighy (The Wild Robot), Brian Cox (The Lord of the Rings: The War of the Rohirrim) and more. That Christmas streams via Netflix. Bad Santa The sequel didn't stuff anyone's stocking full of laughs, sadly, but the original Bad Santa is a masterclass in seasonal misanthropy and utterly inappropriate humour. Now two decades since Billy Bob Thornton (Landman) first popped on the red suit to play the world's most begrudging Father Christmas — actually a professional thief that uses his gig as a department-store Santa as a cover to case the place — he's still one of the most memorable festive figures there is. Everything that can go wrong does for Thornton's character Willie, and every boundary that director Terry Zwigoff (Art School Confidential) and writers Glenn Ficarra and John Requa (Jungle Cruise) can test gets pushed as well. Grinches, this comedy understands your Yuletide disdain and milks it — and finds hilarious uses for a sack full of the festive film genre's cliches, child sidekicks and all. Bad Santa streams via Prime Video. Scrooged Every Christmas, real or otherwise could use a dose of Bill Murray (Ghostbusters: Frozen Empire) — even when he's hardly brimming with festive cheer. So, back in 1988, Scrooged delivered just that in a modern retelling of A Christmas Carol. Murray plays arrogant, selfish TV executive Frank Cross. He doesn't share the same name as Charles Dickens' famous grouch, but he's just as lacking in feel-good spirit. Everyone knows how the broad story goes, with ghosts of Christmas past, present and future popping up to teach this cynical crank the error of his ways. When Murray is involved, though — and when he's also leading a sing-along — even what seems like the umpteenth adaptation of a well-known story doesn't feel routine. Scrooged streams via Binge. Carry-On What if Die Hard met TV series Hijack, but starring Taron Egerton (Tetris) and Jason Bateman (Air), and with Non-Stop director Jaume Collet-Serra on helming duties? That's Carry-On, 2024's addition to the festive thriller subgenre. Egerton plays a Los Angeles TSA officer with a newly pregnant girlfriend (Sofia Carson, Purple Hearts) and therefore fresh motivation to ask his boss (Dean Norris, Law & Order: Organised Crime) for a promotion, who's given a chance to show he's worthy of climbing the airport's corporate ladder on Christmas Eve. Baggage scanning duties await, then, as a test — but a trial of a different kind swiftly arrives. Via a voice speaking to him through an earpiece, Carry-On's protagonist is soon being told to let a particular piece of luggage through or face deadly consequences. Bateman is a treat playing firmly against type, in what proves a well-cast picture all round. And while it's easy to see where the story is going, the writing remains smart and the setpieces are lively. Carry-On streams via Netflix.
Development of inner city suburbs means that the classic Aussie pub — much like the endangered corner store or a Paddle Pop in the sun — is at risk of disappearing. Like many Melbourne pubs, The Corner Hotel underwent a refurb a few years back — but, unlike some, it emerged all the better for it. The respectful renovation and careful design of the rooftop bar left local fans happy and no doubt introduced a new generation of pub-goers to one of the city's best live music venues. Overlooking the Richmond Station train lines, The Corner's indoor-outdoor rooftop bar has an air-conditioned area for hot days, a large smoking area and an even bigger heated non-smoker deck for any weather. It also boasts a private bar and function space and the rooftop is also completely wheelchair accessible, a rarity in Melbourne. With all this new space to play with, it's worth getting a pint of one of the many craft beers on tap and taking a moment to explore. To match the space, The Corner Hotel has created a fresh menu of premium pub food with a new focus on shared dishes. This sees pub classics rub shoulders with modern dishes — for example, a parma with chips and salad sits alongside pan-fried barramundi with pearl cous cous, eggplant kasundi and fried curry leaves. Our pick is the pumpkin and sage risotto with toasted walnuts, blue cheese and fried sage leaves — we were thinking about it days after the fact. Alternatively, there's a high chance you'll find yourself here looking for a pre-gig snack. If that's the case, the old-school five-spice fried chicken ribs with pickled cucumber and yuzu glaze or the sweetcorn arancini should do the trick. There are plenty of vegan and vegetarian options on the menu, too. As well as great food and drinks, the Corner Hotel in Richmond has made a name for itself by hosting gigs since the 1940s. Artists who've appeared there include the likes of the Violent Femmes, The White Stripes, Public Enemy, Joan Jett, Joe Strummer, Crowded House and the Deftones. Even Mick Jagger and Pink Floyd have graced the stage, as well as a surprise gig by Billy Joel. They still put on great acts to this day, with plenty of big local names taking the mic.
Since 2017, watching The Handmaid's Tale has meant wishing for one thing: the end of Gilead, the totalitarian, male-dominated society that rules the show's dystopian version of the United States. (No, not the masterplanned Sydney community of the same name.) In the award-winning series adapted from Margaret Atwood's book, that outcome is finally coming in a way — with American streaming platform Hulu announcing that the hit show will finish up when its sixth season airs. That said, it's highly likely that The Handmaid's Tale won't truly wrap up with the destruction of Gilead, because Hulu also has revealed that The Testaments in the works. It too is based on an Atwood novel — on her sequel to The Handmaid's Tale, which hit shelves in 2019 — which means that her fictional nightmarish realm isn't going far. The news that The Handmaid's Tale will end after season six comes ahead of the show's fifth season, which starts airing from Thursday, September 15 — so fans still have two more batches of episodes to soak up, sweat and stress through, and enjoy. "It has been a true honour to tell the story of Margaret Atwood's groundbreaking novel and chillingly relevant world, and we are thrilled to bring viewers a sixth and final season of The Handmaid's Tale," said creator, showrunner and executive producer Bruce Miller in a statement announcing the news. "We are grateful to Hulu and MGM for allowing us to tell this story, which unfortunately has remained as relevant as ever throughout its run, and are in awe of our incredible fans for their unwavering support, and without whom we never would have gotten to this point," Miller continued. If this all sounds a bit familiar, that's because The Handmaid's Tale isn't new to plotting out its future a couple of seasons in advance. Back in 2020, it was renewed for this fifth season before the fourth even dropped, too. Miller will also work on The Testaments, which doesn't yet have a release date — and neither does The Handmaid's Tale season six. If you haven't read the book, The Testaments is set 15 years after the events of its predecessor, and also includes familiar characters. How that'll play into the end of The Handmaid's Tale on-screen obviously hasn't been revealed. For now, blessed be your streaming queue with The Handmaid's Tale season five, which promises one helluva reckoning. Of course, things are never well here — but now June (Elisabeth Moss, Shining Girls) faces the fallout from her actions in the show's last go-around, and Serena's (Yvonne Strahovski, Stateless) in-mourning getup speaks volumes. In the show's recent trailers, June doesn't just navigate more than a few consequences. Still fighting Gilead from afar, with Luke (O-T Fagbenle, Black Widow) and Moira (Samira Wiley, Breaking News in Yuba County), she admits how much she enjoyed her most recent choices. As for Serena, she's in profile-raising mode in Toronto, as Gilead's influence creeps into Canada — and Commander Lawrence (Bradley Whitford, Tick, Tick... Boom!) and Aunt Lydia (Ann Dowd, Rebecca) are endeavouring to reform Gilead. Also returning among the cast in season five: Max Minghella (Spiral: From the Book of Saw), Madeline Brewer (Hustlers), Amanda Brugel (Snowpiercer) and Sam Jaeger (The Eyes of Tammy Faye). Check out the trailer for The Handmaid's Tale season five below: The fifth season of The Handmaid's Tale will hit start airing in Australia and New Zealand from Thursday, September 15 — on SBS TV, and to stream via SBS On Demand and Neon, with new episodes arriving weekly. Season six doesn't yet have a release date and neither does The Testaments, but we'll update you when they do. Images: Sophie Giraud/Hulu.
Bathhouses certainly aren't novel in Melbourne's inner streets, but it does feel like the pace of new openings has quickly picked up steam. Well, add one more to the list, as else Bathhouse has announced a mid-2026 arrival in South Melbourne. Where some bathhouses are increasingly intertwining wellness with our social lives, else is maintaining a ritualistic approach, where stillness remains sacred and the simple act of bathing can be transformative. Rising to that aspiration is no mean feat, but else's impressive location won't do its prospects any harm. Settled into Emerald Hill, one of Melbourne's oldest suburbs, the bathhouse will reimagine its century-old building. Formally home to a wool trader and a Croft's Store — a once-thriving grocery chain — the three-level space is carefully being reworked to integrate a serene sense of calm within its historic context. "We wanted to offer something that would help people unwind and take care of themselves, a peaceful space woven into the rhythm of local life. Bringing else to South Melbourne felt natural," says else founder Paul Absalom. Serving as an architectural reminder of Melbourne's past, the building is flooded with natural light while being framed by exposed brick, timber beams, wool bale pulleys and an old-world lift shaft. That's a storied setting for a curated wellness journey, with guests invited to move through thermal baths, cold plunges, saunas, tranquil lounges and a mud and steam room. Plus, openair rooftop pools provide a sweeping view of the not-too-distant skyline. While this first else Bathhouse is plenty ambitious, the team has already announced a second location. Trading an urban oasis for the High Country, wellness enthusiasts will soon encounter a peaceful outpost in the scenic mountain town of Bright. Meanwhile, plans are also underway for future Melbourne locations, with hopes to redefine wellness across the region. Although the modern wellness space is constantly evolving, else is looking to rewind a little. Rather than viewing itself as a day spa, a recovery centre or a social club, it aims to revive the tradition of communal bathing, where a shared sanctuary offers pure relaxation. Say Absalom: "Else is about presence, it's about slowing down and stepping away from the noise of everyday life." Else Bathhouse is expected to open in April 2026 on Bank Street, South Melbourne. Head to the website for more information.
Rustica Sourdough, the Melbourne institution and baker of all things sour and delicious, has opened a new bakery and cafe in Melbourne's central business district. Located on the corner of Little Collins and Queen Street and adjacent to the famous Gothic Bank building, this new 70-seat outpost of Melbourne's iconic bakery-brunch hybrid has both easy grab-and-go options for busy inner-city workers in need of a brew and a bite, as well as a dine-in menu for those wanting to leisurely take their time over lunch. Developed by head chef and long-running team member Chatelle Saba, the menu features delights like a breakfast surf-and-turf lineup of lobster and prawn eggs benedict, accompanied by crispy potatoes and salmon roe. For those who can't go past a pasta, there's a prawn, clam and mussel linguine with white wine, chilli and garlic, and if you're in desperate need of a burg, wrap your laughing gear around a buttermilk fried chicken burger, complete with Korean hot sauce, aioli, pickles and slaw — all stuffed inside a milk bun. As for the pastries, expect to see all the goodies Rustica is known for holding court in the cabinet, including almond and chocolate croissants, brioche doughnuts, cronuts, and other sweet treats. Because no pastry is complete without a good brew to accompany it, the team are serving up their signature coffee blend First Love Coffee, a roast that has become synonymous with Rustica cafes city-wide and now even has its own signature flagship cafe in Collins Arch. Rustica Little Collins and Queen Street is open seven days a week, from 7am-4pm Monday to Friday and 8am-4pm on weekends.
When you're feeling a little bit fancy, Left Bank Melbourne offers pretty great views of the Yarra and the city skyline, with the cocktails and lounge vibes to match. This bar and restaurant is open from the early morning to late into the night with a wide-ranging menu to suit any occasion. Kick the afternoon off right with a round of oysters prepared three ways ($16.50 for three and $29.50 for six) to try these slimy morsels drizzled in a raspberry mignonette, chilli mint mango and decadent caviar pickled ginger. Add a bottle of bubbles or a round of spritzes to the order and you're well on your way to having a luxurious day out in the city. As the day stretches on, you can opt for a series of small and large plates of modern Australian food as well as some classic pizzas and burgers. Left Bank Melbourne's supper menu is also a great win for those needing late night nibbles — served from 10:30pm. Grab some aged mozzarella and leek arancini ($18), wagyu sliders ($21) and some more pizza until the kitchen closes late in the evening Cocktails from the impressive bar menu will certainly be on the agenda, too. Grab La Dolce Vita ($23) made from blood orange gin, lemonade, blackberries sage and Prosecco or the Agave Inferno ($25) made with cumin infused tequila, lime juice, agave syrup, coriander and chilli. Alternatively, you can have a big day on the wines, beers or ciders. Whatever you choose, you'll have a super glam day or night down by the Yarra River. Head to Left Bank Melbourne's website to book a table.
From Lyndon Kubis and Mark Nelson — the team behind Toorak Wine Cellars and Milton Wine Shop — The Moon is a touch moodier and a little more refined than previous ventures, and has made a stamp on the northside bar scene at the bottom of a Collingwood apartment building. The wine offering has a focus on small producers across the board in a curation that reflects places and regions, rather than processes and technique. A hefty by-the-glass selection celebrates locals and foreign finds in equal measure, alongside two craft beer tap options and a rotating bottled range of boutique brews. There's a serious retail collection sitting pretty along one wall — you can grab a bottle to enjoy then and there, or pick something up on your way home. Foodwise, the menu's all about things you can feast on with just one hand. Keep the other firmly on that glass of Luke Lambert 'Crudo' shiraz, while you tuck into a katsu sando ($13), chilli-doused fried cauliflower ($10), or your pick of cheese and charcuterie.
It's no surprise the humble banana is a lunchbox staple. After all, they pack in essential vitamins while being ripe to eat on their own or paired with myriad ingredients. What's more, this much-loved fruit can even score you a free workout this Wednesday, October 8, in celebration of National Banana Day. Made possible by Australian Bananas — the national peak body advocating for the potassium-packed powerhouses — the Banana Gym Pass returns for a second year following its 2024 debut. Just show a banana to the team at over 900 participating gyms nationwide to receive a free guest pass for the day. Featuring more than double the gyms included in the first year, the campaign has been embraced with open arms by boutique studios and massive chains like Virgin Active, Fitness First and Anytime Fitness. That means it's likely a nearby gym is ready to peel open its doors so you can get in a session — just check for a participating location. "Bananas have always been one of my go-to snacks," says Australian Bananas ambassador Tim Robards. "They're natural, easy to grab and full of the energy you need for a great workout, to chase after the kids, or just keep on top of a busy day. National Banana Day is a great reminder that looking after your body and keeping it fuelled doesn't have to be complicated."
Speedsters of Australia, it's time to don your best red cap, slide into a pair of overalls and jump behind the wheel. If you want to take part in Mushroom Racing, the outfit isn't optional — if that's not your style, you could pick a green hat or a dinosaur costume instead. Not content with zipping through the streets of Tokyo and causing quite a stir, a real-life version of Mario Kart is headed to Australia. At yet-to-be-disclosed dates and sites in Sydney and Melbourne, participants will dress up as their favourite character, get cosy in a go-kart, race till their heart's content and collect stars to win prizes. While Tokyo's MariCar lets racers zoom along the city's actual roadways — yes, really — we find it hard to believe that's what'll happen here. And, we're certain that throwing shells or bananas at your opponents won't be allowed either. Sure, that's all well and fun when you're mashing buttons and trying not to fall off the Rainbow Road while you're playing one of Nintendo's many console versions (or counting down the days until the first Mario Kart smartphone game is released), but it's definitely not cool in real life. If you're keen, you can sign up to receive further information when it comes to hand. Organisers are calling it "the rally of a lifetime", and while that's definitely overstating the significance of driving around pretending you're Mario, Luigi, Yoshi, Wario or whichever other character you like, you know you're eager to give the novelty a go. And, let's face it, it's not quite as ridiculous as human bowling. Mushroom Racing is coing to Sydney and Melbourne in 2018. Tickets will be limited — register on the Mushroom Racing website for further updates.
King & Godfree, the historical Carlton grocery shop, is to enter a new era with plans just announced for three fresh, new venues to make their home in the iconic corner building site. The new venues will open over the coming summer and throughout 2026. The first of the three venues, slated to open in December, will see the space previously occupied by Agostino transformed into a casual and fun pizzeria. In time, the basement cellar will reopen as a late-night cocktail and music bar, and the much-loved deli will be reimagined as an all-day neighbourhood osteria and wine bar. That casual pizzeria, Garfield, set to open at the end of January 2026, is inspired by the pizzerias of Naples, Rome, and even Tokyo, which, if you haven't heard, is producing some of the best pizzas in the world. Named for an orange cat that wandered into the building site and helped himself to leftover pizza, Garfield is set to be just as playful, reimagining classic techniques with bold flavour pairings. With celebrated chef Karen Martini leading the charge, inventive offerings are set to include the likes of blended Italian staples (such as a Margherita x Marinara number) and modern takes on old favourites, such as Garfield's Hawaiian, featuring house-roasted leg ham, fermented pineapple, and barbecue sauce on a white base. "We've taken the essence of classic Italian pizzerias and reinvented it," says owner Jamie Valmorbida. And with Pidapipo next door, it's no surprise that dessert will feature rotating Pidapipo soft serve. Owner, Jamie Valmorbida (of Pidapipo and Johnny's Green Room) says, "Letting go of the deli wasn't easy, but it was time to move forward. What we're building still carries that same spirit — just in a new way. Our goal is to create venues that become part of Carlton's story for years to come." That the King & Godfree building is an integral part of Carlton's history is undeniable, with the original store dating back to 1884. Carlo Valmorbida, Jamie's grandfather, is said to have brought Italian staples such as olive oil, Parmesan cheese and pasta to the Carlton community, and was central to Melbourne's evolving hospitality landscape. [caption id="attachment_936276" align="alignnone" width="1920"] Johnny's Green Room, Arianna Leggiero[/caption] Valmorbida has gathered a stellar team around him to bring these new concepts to fruition. The same creative group returns from Johnny's Green Room, including Karen Martini (who has also been busy taking over the kitchen at Bar Carolina) as Culinary Director and Dion Hall, leading the design. Joel Penno, with over 30 years of experience in the industry at venues such as Chin Chin and Stokehouse, will serve as General Manager. Mark Glenn, with over 20 years of experience in acclaimed kitchens such as Dinner by Heston and Cumulus Inc., joins as the Executive Chef. "Building on the success of Johnny's Green Room, we're creating a family of hospitality venues that honour the site's heritage while looking to the future. This is about realising the King & Godfree building's vision and creating a true neighbourhood precinct — generous, welcoming, and connected to its history." Images: Griffin Simm. Garfield is slated to open at the end of January 2026. To keep up to date with further details, check out @garfield_pizzeria on Instagram. If you're craving a slice of pizza or a bowl of pasta in the meantime, check out the best Italian restaurants in Melbourne.
True Detective started with Matthew McConaughey (The Rivals of Amziah King) and Woody Harrelson (Last Breath) as its leads. Next came Taylor Kitsch (American Primeval), Colin Farrell (The Penguin) and Rachel McAdams (Are You There God? It's Me, Margaret). Mahershala Ali (Jurassic World Rebirth) and Stephen Dorff (Bride Hard) did the honours, too, followed by Jodie Foster (Nyad) and Kali Reis (Rebuilding). And if the world is lucky, Nicolas Cage (The Surfer) could join that list. Variety is reporting that Cage is in talks to star in True Detective's fifth season — which The Hollywood Reporter notes is expected to arrive in 2027. So far, the only details confirmed include that the new episodes will be set in New York's Jamaica Bay area, and that Tigers Are Not Afraid filmmaker Issa López, who wrote and directed every one episode of True Detective: Night Country, is due to return. [caption id="attachment_793116" align="alignnone" width="1920"] Jim Bridges/HBO[/caption] Cage can and has played everyone from Dracula, a man who thinks he's a vampire, himself, a heartbroken lumberjack and an alpaca-milking dad to black-and-white film noir-style Spider-Man, twins, an Elvis obsessive, a terrorist switching faces with an FBI agent, a man everyone dreams about, a serial killer and an Aussie expat who just wants to hit the waves at his childhood beach (and much, much more). A cop on the case in True Detective? It'd be dream casting. The series was renewed for season five after its fourth season dropped in January 2024 and became the most-watched season of the show ever. Across the show's run, it's always been a case of new batch of episodes, new police officers, new case, as the series has been delivering since 2014. "Issa Lopez is that one-of-a-kind, rare talent that speaks directly to HBO's creative spirit. She helmed True Detective: Night Country from start to finish, never once faltering from her own commendable vision, and inspiring us with her resilience both on the page and behind the camera," said Francesca Orsi, Executive Vice President, HBO Programming, Head of HBO Drama Series and Films, back when season five was revealed. "From conception to release, Night Country has been the most beautiful collaboration and adventure of my entire creative life. HBO trusted my vision all the way, and the idea of bringing to life a new incarnation of True Detective with Casey, Francesca and the whole team is a dream come true. I can't wait to go again," added Lopez. There's obviously no trailer yet for True Detective season five, but check out the full trailer for True Detective: Night Country below: Season five of True Detective doesn't yet have a release date, but we'll update you when more details are announced. True Detective: Night Country streams via Max in Australia and Neon in New Zealand. Read our review. Via Variety/The Hollywood Reporter. Top image: Jason Bollenbacher/SXSW Conference & Festivals via Getty Images.
Melbourne's bar culture and its music scene are friendlier than ever these days, as listening bars continue to sprout across the city. You've got beloved spots like Waxflower and Music Room ingraining themselves into our lives, not to mention newcomers like the soon-to-launch Stella's within the newly revived Saint Hotel. And now, Fitzroy has scored a music-fuelled drinking den of its own, with the arrival of Brunswick Street bar and record store Old Plates. This one's got some serious musical pedigree behind it, too, as the long-planned brainchild of Ethan Hill. Best known by the moniker DJ Manchild, Hill's been the guy behind PBS FM's The Breakdown for almost two decades, and has been spinning funk and soul records around town since his high school days. "I've wanted to do something like this forever," explains the DJ, who's also had a hand in opening other local venues with friends. "I'm bringing all my skills together with Old Plates. It's about the discovery of music for me and the customer." Here, Hill has combined his passions to create a cosy laidback joint where punters can explore his impressive, ever-growing collection of rare vinyl with a tipple in hand. It's got a comfy DIY feel, with a courtyard hidden out the back and DJ decks that play host to a rotation of local selectors Thursday through Saturday. As the owner describes it: "Like a lounge room where you can listen to records, the sound is good and the drinks are nice." Old Plates' record collection is as diverse as it is considerately curated. Though thanks to Hill's own travels and his long friendship with Nigerian artist Fela Kuti, you'll find an extra abundance of love for African tunes, spanning Ghanese soul, voodoo funk, Afrobeat and everything in between. As for the food and drinks offering, it's as laidback as the space itself. A handful of taps host brews from the likes of Bodriggy and Alchemy, while a concise yet well-travelled wine selection features a half-litre carafe in case you're settling in for a groove. And a crop of classic cocktails is backed by fun creations like a vodka-infused Strawberry Shortcake and the Spiced Rum Monty. The snack lineup's simple, yet makes all the right noises — Cuca sardines, fresh oysters, cheese platters and toasties lead the charge, or you can grab a plate laden with pastries from A1 Bakery. Find Old Plates at 384 Brunswick Street, Fitzroy. It's open 12–11pm Wednesday to Thursday, 12pm–1am Friday and Saturday, and 12–11pm Sunday. Images: Duncographic
Melbourne's best Indian restaurants come in so many forms. You've got local neighbourhood eateries with BYO licenses and incredibly friendly staff who treat their regulars like family. Then there are the more contemporary Indian restaurants in Melbourne's CBD and inner suburbs that aim to reinvent the cuisine, experimenting with classic recipes to create altogether new and exciting dishes. A handful of the best Indian restaurants in Melbourne are also totally vegetarian or, at the very least, have an extensive selection of vegetarian and vegan options. These are the kinds of Melbourne dining spots where everyone can find something on the menu — whether it's a simple butter chicken served with piles of garlic naan or a spinach, cashew and goat curry that's packed with spice. Wash it all down with some ice-cold beers or fine wines and treat yourselves to a huge feast that's still mighty affordable. Find all of Melbourne's best Indian restaurants right here. Recommended reads: The Best Restaurants in Melbourne The Best Italian Restaurants in Melbourne The Best Japanese Restaurants in Melbourne The Best Mexican Restaurants in Melbourne The Best Thai Restaurants in Melbourne
Some music festivals head on tour, be it the nation or the world, to share their fun. Others livestream. Tomorrowland ticks both boxes, hopping between countries and broadcasting live. The electronic dance music fest that first started in Belgium in 2006 also has a different way of spreading the love: taking its CORE stage to other locations, including to Australia in 2026. After expanding to Colombia for two editions so far, CORE has confirmed bigger plans for next year, embarking upon a global festival tour. First comes a return to Medellín in February, before making its US debut in Los Angeles in May, then hitting up Melbourne for its first-ever trip Down Under in November. While the two other cities will get a two-day CORE experience, its Aussie stint will make the most of just one: Saturday, November 28. So far, there's no other details on offer, including venue or lineup; however, the latter is due to be revealed in early 2026. This is the first time, too, that CORE will host standalone festivals on a trio of different continents — growing from its beginnings within Tomorrowland. It started as part of the overarching event back in 2017, but think of it as a fest within a fest that's now expanded to become its own unique experience, host its own dates and take on its own tour of the globe. So, the full Tomorrowland production isn't journeying to Australia — but CORE, one of its most-beloved stages, popping up in Melbourne is still huge news. The Aussie jaunt is a collaboration with agencies Framed and Pitch Control, and promises attendees "a natural, enchanting setting" for its alternative house and techno tunes, as paired with vivid multisensory staging. Think: lights, an immersive audiovisual approach and even scents. "We are thrilled to bring the iconic CORE stage to Australia. As one of the signature experiences of Tomorrowland, CORE represents the essence of our music, art and stage design. We look forward to sharing this unique atmosphere with fans in Australia and around the world," said Debby Wilmsen, spokesperson for WEAREONE.world, which is behind CORE and Tomorrowland. CORE Melbourne is taking place on Saturday, November 28, 2026, with venue details yet to be announced and the lineup set to be revealed early in 2026. Head to the event's website for more information and to pre-register for tickets.
A short meander from Richmond station, Lenny's was started by four friends — former AFL player Angus Brayshaw, hospitality maven Kirra Pemberton, and their two friends Jack Munro and Danielle Frawley. The wine list is over 130 bottles-strong, and can be enjoyed either while you're at Lenny's or taken away to be drunk in the comfort of your own home. There's a short list of snacks that range from olives and cheese plates to focaccia, but for something more substantial, order pizza from the adjacent Homeslice — a tradition adopted from our favourite Melbourne wine bars like Joe's Shoe Store and the like. Themed days are the go at this quaint wine bar. Sunday Spritz features all-day $10 spritzes. Monday is Vinyl Mondays with records spinning all night, $12 negronis and no corkage on all bottles of wine purchased in-house. Between the witching hours of 4 and 4pm, it's aperitivo hour with $10 spritzes, $12 negronis and $11 wines. In warmer months, avail yourself of the 25-person, leaf-lined courtyard out the back, or sit inside in the sun-filled interiors on the custom-made wooden benches for a chance to enjoy local artist Luke Tarlinton's murals. Like any of Melbourne's best wining and dining destinations, Lenny's is good year-round.
If your wildest dreams right now are all about getting in on Taylor Swift's Eras tour, then the pop superstar comes bearing gorgeous and enchanted news. The singer will play Melbourne and Sydney in early 2024, but she's splashing her massive show across cinema screens first, confirming that Taylor Swift: The 'Eras' Tour Concert Film will show Down Under when it rolls out worldwide this spring. Look what the world made Swift do: turn her current smash-hit tour into a movie that's hitting picture palaces and sharing all things Eras with the globe. The film was first announced a few weeks back, when it dropped a trailer, but only North American screenings were locked in at the time — and, it was feared that the flick mightn't play Australia and New Zealand until Swift visited this part of the world in February. Thankfully, Swift isn't making Aussie and NZ cinemagoers wait for this big-screen view of her huge show. "The tour isn't the only thing we're taking worldwide," the singer announced via social media. Taylor Swift: The 'Eras' Tour Concert Film will roll out across more than 100 countries, most on Friday, October 13 — including Australia and Aotearoa — and some in early November. View this post on Instagram A post shared by Taylor Swift (@taylorswift) Fans are in for a money-can't-buy view of the 'Shake It Off', 'We Are Never Getting Back Together' and 'Bad Blood' musician's gig — working through her entire career so far, playing tracks from each of her studio albums in a three-hour, 44-song, ten-act spectacular. The Eras Tour kicked off in March in the US, ending that run in August. Swift also headed to Mexico in August as well. Brazil is her last stop in 2023, before playing Japan, Singapore, France, Sweden, Portugal, Spain, the UK, Ireland, The Netherlands, Poland, Austria and Australia until August 2024. She'll then return to the US, and then visit Canada next November. Check out the trailer for Taylor Swift: The 'Eras' Tour Concert Film below: Taylor Swift: The 'Eras' Tour Concert Film will hit cinemas worldwide, including in Australia and New Zealand, from Friday, October 13 — head to the film's website for further details and bookings.
In summer, Brico's sun-dappled courtyard is the place to be. If you've been to former local favourite Little Andorra, you'll be familiar with it — Brico sits in the very same spot. Nestled in an unobtrusive corner spot along Nicholson Street in Fitzroy North, 30-seater Brico is a worthy addition to the coterie of wine bars in Melbourne's inner north. The space was conceived in 2024, by five friends who met in London a decade ago. The service here is underpinned by the owners' collective experience at spots like Embla, Bar Liberty and Carlton Wine Room. The wine list focuses on minimal intervention drops from small local and international producers, while the cocktails lean classic like a house Martini shaken with Four Pillars Olive Leaf Gin, a yuzu-forward Highball and an Italian vermouth Spritz. Created by Simon Ball-Smith, the European-inspired food offering is designed for sharing and stars seasonal produce from small local suppliers. Expect fresh dishes like devilled crab on fried green tomato; vongole steamed with fregola, vermouth, spinach and cream; and rock flathead from Corner Inlet wrapped in fig leaves with a tomatillo chermoula. To finish, the adorably-named choccy pot with blueberry is a decadent end, or opt for a chilled shot of herbal liqueur as a digestif. Images supplied
For some movies, only the biggest of screens will do. For a literally huge cinemagoing experience in Melbourne, film lovers can head to the city's IMAX in Carlton, then, where both new and classic flicks get the massive treatment. Come November 2025, you'll also have a second option: Village Cinemas Fountain Gate, which is about to give the Victorian capital another IMAX. Launching a second venue in Melbourne comes hot on the heels of two new IMAX cinemas elsewhere around Australia in 2024, after both Canberra and the Gold Coast scored their own sites. They joined not only Carlton's IMAX, but also Sydney's, as part of expansion plans to open 40 new IMAX screens across the country. Village Cinemas Fountain Gate will mark the first partnership between IMAX, Village Cinemas and Scentre Group, the latter of which runs the Westfield Fountain Gate shopping centre. Movie fans can look forward to an auditorium featuring IMAX with Laser, aka a 4k laser-projection system that's designed for bright images, a wide range of colours, deeper contrast and increased resolution. There's no exact launch date yet — only the month — but the timing means that 2025 releases Wicked: For Good and Avatar: Fire and Ash, plus 2026's The Odyssey from Christopher Nolan (Oppenheimer), are all set to screen at IMAX at Village Cinemas Fountain Gate. "We're absolutely thrilled to bring IMAX to Fountain Gate. With demand for premium cinema at an all-time high, IMAX represents the next evolution of Village Cinemas' blockbuster experience. Village Cinemas has deep roots in Australian cinema and our mission has always been to deliver world-class experiences to our guests. We can't wait to deliver this incredible new cinema to audiences in Melbourne's southeast," said Village Cinemas CEO Clark Kirby. "This partnership brings a new IMAX location to one of the Australia's top moviegoing locations, underscoring our incredible momentum across network and box office growth in the country," added IMAX Chief Commercial Officer Giovanni Dolci. "It's clear the demand for the IMAX experience is only growing in Australia, one of the world's premiere moviegoing markets, and we look forward to meeting that demand with our expanding roster of world-class partners." IMAX will open at Village Cinemas Fountain Gate, 55 Overland Drive, Narre Warren, sometime in November 2025. Head to the cinema's website for more details. IMAX images: IMAX Pacific Fair and IMAX Queensgate NZ.
Pipi's Kiosk is a hidden gem along Melbourne's generally underutilised foreshore. The picturesque restaurant, which sits unassumingly on the Albert Park waterfront adjacent to Kerferd Road Pier, is changing the way Melburnians perceive seaside dining — for the better. Self-described as a contemporary Australian Kiosk, this refined beachside diner is the work of Jordan Clay and Tom Hunter, both of whom have decades of experience in hospitality. Tom was an integral part of the original management team at Coda, which he ran for eight years, before venturing out on his own with Ôter. More recently, he was engaged as a project manager to establish Bistro Omnia, while also dedicating time to his Master of Wine studies. Jordan worked under Mark Best at Pei Modern as Sous Chef, at Ôter as Executive Chef, and as Head Chef for Andrew McConnell at Cumulus Up. Impressively, he was awarded Chef's Hats at each establishment. Jordan and Tom have distilled their years of experience and knowledge into creating the beautiful Pipi's Kiosk, named for the pipi shells that crunch beneath your feet as you walk along the white sand below. For them, it's a dining space "that looks to encapsulate the Melbourne Bistro…while sitting at the bay…A place to rest, reflect and watch the boats go by." While not strictly a seafood restaurant, given the uninterrupted views of the sparkling sea and the smell of salty ocean wafting by, it's no surprise that seafood features strongly on the menu. Snack on the likes of Sydney Rock Oysters with rhubarb mignonette, grilled calamari skewers with ink sauce, salted cod croquettes and seaweed sourdough. Pending what's seasonably available, you might try snapper crudo with Tokyo turnips, octopus with romesco sauce or John Dory, pan-seared and served with grilled sprouts and champagne cream sauce. Sip on a Pipi's Spritz, with St Felix Bitter Citrus, rhubarb, salted coconut and pét-nat, and you might forget you're not actually on vacation. Images: Supplied.
As the sun sets, the orange glow emanating from the unassuming facade of Carnation Canteen on a tucked-away corner in Fitzroy draws you in like a moth to a lantern. It's enticing and warm, and feels like an intimate and chic dinner party you're so grateful to have been invited to. Carnation Canteen is a pink-pastel-hued, petite and charming neighbourhood bistro owned by Head Chef Audrey Shaw and her husband, Alexander Di Stefano. The loosely Mediterranean menu is strictly seasonal and changes weekly. Shaw's approach to cooking is intuitive and produce-led, driven by her close relationships with suppliers and growers who share her ethos towards food. The alluring handwritten menus deliver a selection of ever-changing snacky nibbles, food that mandates another glass of wine. You'll find something intriguing sitting atop charry toast, whether it's braised leeks with pistachios, tuna crudo with prosciutto butter, or olive tapenade crostini primed for scooping fresh buffalo ricotta. There will likely be thinly sliced meats such as San Danielle Prosciutto with pear, veal girello with tuna sauce, or Jamon Iberico with hazelnuts and dates. More substantial dishes may be along the lines of pork and fennel sausages atop braised lentils with parsley and mustard sauce, charcoal grilled chicken with yoghurt and pepperonata, or roast pork with prunes and pistachio. In her former life, Shaw's creativity was channelled through her career as an architect. So of course, she lent her architect's hand to designing the space, cleverly making the most of its svelte size. Carnation Canteen is imbued with character, with layered, cracking paint on the walls juxtaposed with fresh flowers atop an enviable pink marble bar that grounds the space. Glowy lamps give off a romantic and dreamy feel and make you want to stay for another drink and something sweet — usually something rich and chocolatey, such as semifreddo with fudge sauce, or profiterole with chocolate sauce (always using Melbourne-made, organic Huntered+Gathered chocolate). The warm welcome Carnation Canteen received from the very beginning is the result of hands-on hard work, perseverance, and an unwavering dedication to quality — both in terms of food and service. Shaw's confidence in her produce and skills in creating considered dishes make this the kind of restaurant you'd feel smug showing off to an out-of-towner. Carnation Canteen exudes the essence of unpretentious yet exceptional dining, reminding Melburnians how lucky we are to have restaurants like this at our fingertips. Images: Coco and Maximillion.
Simultaneously a wine shop and a wine bar, Public Wine Shop has been satiating the tastebuds of North Fitzroy-ians since opening at the end of 2020. Minimal intervention wines that contain organically farmed grapes and no additives are the stars of the show at Public Wine Shop. But the accompanying food is nothing to be sneezed at. [caption id="attachment_1018339" align="alignnone" width="1920"] Dominic Xavier[/caption] Squeeze into the intimate setting that can fit up to 20 people and enjoy a selection of seasonally changing, French-leaning dishes put together with produce from small, dedicated local farms. Enjoy kimbito olives — that is, olives stuffed with mini gherkins — in chilli oil. Avail yourself of neighbouring baking institution Loafer's bread with cultured butter and the add-on options of salami and cervelle de canut, a Lyonnaise fresh cheese dip. [caption id="attachment_1018338" align="alignnone" width="1920"] Dominic Xavier[/caption] Bigger dishes on the eclectic menu range from spaghetti with delicata squash and basil pistou to pork and crab wontons doused in a mushroom xo sauce and garnished with chervil. To finish, the dessert menu includes as many sweet treats as it does cheese. If you prefer to end your meal on a more savoury note, choose from the likes of Shropshire hard cow's cheese, Lombardy semi-hard cow's cheese and a Basque sheep's blue. [caption id="attachment_1018340" align="alignnone" width="1920"] Dominic Xavier[/caption] Images: Dominic Xavier.
Swinging into Melbourne Park or Kooyong this summer? Add a sky-high tennis destination to your plans, as QT Melbourne launches the Rooftop Racquet Club. Running from Thursday, January 8–Sunday, March 1, this sun-soaked vantage point will pair rallying energy with a little rooftop glamour, dovetailing with one of Melbourne's great summer cultural events. As such, the creative crew behind QT Melbourne have transformed the space into something more than a sporting arena. Bringing a fresh twist on the members-only tennis club vibe, guests encounter icy palomas and margaritas poured with Altos Tequila, alongside Mexican-inspired grazing platters loaded with stacked crispy tortilla chips, pico de gallo and tequila-infused avo dip. If you're keen to grab your racquet and crisp whites, a pop-up pickleball court invites would-be champions to compete against their pals or perhaps the table right next door. Plus, the atmosphere ramps up further on Fridays and Saturdays from 6pm–late and Sundays from 3–6pm, with DJs guiding guests to sunset and beyond as you serve up aces. You can also win at the bar; just purchase three event cocktails in one transaction to score a limited-edition Rooftop Racquet Club cap. "Rooftop Racquet Club is about capturing that post-game buzz — the moment where sport turns social and the afternoon stretches effortlessly into night," says QT Melbourne General Manager, Kristen Foat.
This urban beer bar occupies a prime Southbank location, offering plenty of beers, garden vibes, killer food and river views. Pull up a stool in Hopscotch's leafy beer garden with a pint from one of the 52 taps, or a tasting paddle for the true beer enthusiasts. As well as a rotating selection of Aussie wines, there's a decent list of sweet and fruity cocktails, plus spiked slushies and cocktail tasting paddles. The food menu is divided into bar snacks, dishes you can eat one-handed, and those that'll take two. Then there are bowls, a Winner Winner Chicken Dinner to share between four, a nitro ice cream bar and mega steak and chicken sangas — these come as one- or two-foot sandwiches with bottomless fries on the side.
2026's Down Under live music calendar already boasts David Byrne, Lorde and G Flip, to name just a few big-name acts hitting the stage. Now, in another of the year's must-see tours, Nick Cave and The Bad Seeds have announced a slate of shows in Australia and New Zealand in January and February. The group's Wild God tour is finally making its way to this part of the globe, after dates across UK, Europe and North America in 2024 and 2025. Fans can get excited about a two-and-a-half-hour show focused on the band's 2024 record Wild God, but also spanning their four-decade career. 'Red Right Hand' and 'Into My Arms' have indeed been on the set list so far. Fremantle Park in Perth will host the first Aussie gig on Saturday, January 17, with Cave, Warren Ellis and company then heading to Adelaide Entertainment Centre on Tuesday, January 20. Two shows will take over The Domain Sydney on Friday, January 23–Saturday, January 24, before a single-night stop at Victoria Park in Brisbane on Tuesday, January 27, then three concerts on Friday, January 30–Sunday, February 1 at Alexandra Gardens in Melbourne. In New Zealand, Nick Cave and The Bad Seeds are headed to TSB Arena in Wellington over Thursday, February 5–Friday, February 6, in their only NZ gigs — which are taking place in association with the Aotearoa New Zealand Festival of the Arts. "I can't wait to get to Australia and New Zealand with The Bad Seeds and to bring you our epic Wild God show. It's been a long time coming, and I've missed both Australia and New Zealand very much. It will be a wild and mighty joy," said Cave, announcing the Aussie and NZ leg of the tour. Cave and Ellis last hit the stage Down Under sans the rest of The Bad Seeds on the Aussie run of their Carnage tour in 2022, supporting the 2021 album that shared the tour's name — which actually marked Cave and Ellis' first studio album as a duo. Bandmates across several projects since the 90s — including Nick Cave and The Bad Seeds, and Grinderman — Cave and Ellis are Aussie icons, with careers spanning back decades. Together, they also boast more than a few phenomenal film scores to their names as well, including for The Proposition, The Assassination of Jesse James by the Coward Robert Ford, The Road, West of Memphis, Far From Men, Hell or High Water and Wind River. Nick Cave and The Bad Seeds Wild God Australia and New Zealand Tour 2026 Saturday, January 17 — Fremantle Park, Perth Tuesday, January 20 — Adelaide Entertainment Centre, Adelaide Friday, January 23–Saturday, January 24 — The Domain, Sydney Tuesday, January 27 — Victoria Park, Brisbane Friday, January 30–Sunday, February 1 — Alexandra Gardens, Melbourne Thursday, February 5–Friday, February 6 — TSB Arena, Wellington Nick Cave and The Bad Seeds' Wild God tour hits Australia and New Zealand in January and February 2026. Tickets go on sale at 10am local time in each city on Friday, August 29, 2025 — for more information, head to Nick Cave's website. Images: Megan Cullen.
Melbourne Place was one of the city's most anticipated new openings in 2024, and it more than delivered when it opened towards the end of the year. The new hotel on Russell Street is 14 stories high, boasts 191 luxury rooms and suites, and houses a basement bar and rooftop restaurant that are already destinations in their own right. When it comes to places to rest their heads, guests can choose from a number of room formations, from simple studios to a totally lavish penthouse purpose-built for the rich and famous. The team isn't shying away from colour or multiple textures throughout the rooms (you won't find a white wall anywhere in the building), and is adding luxury elements with bespoke finishes and furnishings. Mars Gallery has also been brought on to fill the hotel with local art — even though the entire building is more or less an art piece as it is. Melbourne Place is taking its drinking and dining destinations very seriously as well. Hatted Young Chef of the Year Nicholas Deligiannis (ex-Audrey's) has been enlisted to run the hotel's culinary program, giving particular attention to its 150-person restaurant Mid Air. Located up on the 12th floor, Mid Air is championing Mediterranean eats throughout its breakfast, lunch and dinner menus. Either tuck into these bites inside or out on the terrace when Melbourne's weather is behaving. When it comes to the ground-floor dining room and basement bar, Ross and Sunny Lusted (Sydney's Woodcut and Aman Resorts) are in charge. They're running the Portuguese restaurant Marmelo and late-night bar My Mills, which are well worth individual visits — whether you're staying at Melbourne Place hotel or not. Marmelo (the Portuguese word for quince) features vibrant snacks like silver-served anchovy fillets and two savoury takes on the much-loved pastel de nata. The first version comes with crab meat and custard, and the second is filled with sheep's cheese crisp and salted pork. Ross is also well-known for cooking with charcoal and wood, so you can expect plenty of flame-kissed eats to slide across the pass. You'll find dishes like wood-grilled southern calamari with green coriander seeds and goat milk butter; suckling pig shoulder served with oranges and bitter leaves; whole john dory with kale; and O'Connor grass-fed beef with pickles. You can also head down a grand chartreuse-hued staircase to find the duo's Mr Mills basement bar. It has an altogether moodier and cosier feel with intimate booths as well as the option to dine at the bar or open kitchen. Here, the inspiration is also Spanish and Portuguese, but drinks are more the focus. Small plates of Iberian classics and more substantial bites are paired with an extensive cocktail menu and wine list showcasing drops from Victoria and Europe. This Melbourne hotel might be a newbie, but it is already one of the city's finest — much thanks to the food and drink lineup and the next-level interiors. Seriously, this has got to be Melbourne's most beautiful hotel.
Here at Concrete Playground, we're big proponents of the night-time economy. Cities that keep things moving after dark often offer the best in food, beverages and culture. And while Australians are notorious morning people (who love their 8am flat whites), data from Visa has shown that we still find a lot of value in getting out in the evening. The Visa Australia Night-time Economy Index 2025 is a new in-depth analysis measuring data such as spending, vibrancy, venues open and even the number of nightworkers who are boosting the economy after dark. According to the data, Melburnians are getting off the couch the most frequently and spending their hard-earned dollars on bars, restaurants, and late-night feeds. Sydney and its surrounding metro areas also nabbed 12 of the 20 top night-time hotspots, proving that the city is slowly bouncing back from its lockout laws. Of course, it's not exactly surprising that the two most populous East Coast cities are ruling the after-dark economy. However, there are also several regional areas, such as Newcastle and Lake Macquarie, that are tapping their cards once the sun sets. Canberra is also increasing its evening spending, thanks to tourists and the opening of more eateries. To learn more about the future of the night-time economy and what's trending after dark right now, Concrete Playground's Managing Editor, Eliza Campbell and Staff Writer Alec Jones shared their insights. CP: Melbourne was named the number one night-time hotspot in Australia according to data from Visa. Does this surprise you? Eliza: It doesn't surprise me at all. This city has an inherent underground nature that invites you to always be exploring and looking beyond the surface — particularly after dark. And nightlife isn't limited to weekends, either. Between gallery exhibitions, secret music gigs and speakeasy bars, there's something to get lost in at all hours, any day of the week. CP: 12 out of 20 of the night-time hotspots were in Sydney and its metro areas. What's your favourite thing about Sydney after dark? Alec: This began to pick up in late 2023 after we all shook off the last of lockdown fever, but it's that feeling of merriment in the air. It's like static electricity. Walking past busy bars and restaurants in suburbs like Darlinghurst, Surry Hills, and Newtown, hearing the chatter and seeing people share food and drinks with their friends and family, it never fails to make me smile. CP: What's one trend you're seeing emerge in the night-time economy that excites you? Eliza: The resurgence of secret gigs and DJ sets. I love the idea of last-minute announcements to see some of the world's best artists in intimate settings — first-come, first-served. There's less of a distinction between going to a live gig and going to a bar now. We want once-in-a-lifetime cultural experiences that blend seamlessly into the fabric of our city's nightlife, and I'm so here for it. Alec: Venues in Sydney that are really performing are the ones with a loyal audience, but also a hook. Something you can't find anywhere else, whether it's on the menu or just in the space. People aren't going out just to get drunk or have a feed; they're doing it to go to these specific places. [caption id="attachment_885691" align="alignleft" width="1920"] Above Board[/caption] CP: What's your top tip for planning the perfect night out? Eliza: Have a rough outline of the kind of evening you want to have — but leave room for spontaneous adventures. There's nothing worse than not knowing where to go or what to do next, but equally, some of the best nights are all about the memories you make getting from point A to point B. CP: What's a venue or precinct that gets the night-time experience right? Alec: YCK Laneways in the Sydney CBD has actually done a great job of revitalising an area that doesn't really scream "nightlife." The bars in that area are some of the most interesting venues you'll find in the city and are all within walking distance of one another (and your bus or train home). Eliza: One of my favourite Melbourne venues that absolutely nails the night-time experience is Collingwood's Beermash — and its (somewhat secret) adjoining speakeasy bar, Above Board. Beermash spotlights independent craft beer and wine producers and lets you take-away or drink-in at bottleshop prices. Al fresco drinks on the Smith Street terrace can be followed by award-winning cocktails upstairs in what's, in my opinion, one of Melbourne's most unique hidden bars. From casual and fun to cosy and intimate — the perfect evening trajectory. View this post on Instagram A post shared by Beermash (@beermash) [caption id="attachment_1025682" align="alignleft" width="1920"] Hyde Park[/caption] CP: How is nightlife intersecting with other parts of culture (like art, fashion, live music) in interesting ways right now? Eliza: What's interesting about the intersection of nightlife and culture right now is that there's less separation than ever before. With the rise of low- and no-alcohol trends, nightlife in 2025 isn't just about partying or bar-hopping anymore. People still want to experience their city after dark — but that now spans the full spectrum of the arts: galleries and museums staying open late, fashion infiltrating the food and drink scene, and live music spilling out from bandrooms into public (and often free-entry) spaces across the city. CP: Where's your favourite after-dark venue? Eliza: An after-dark venue needs good music, good drinks and just the right amount of grunge. For me, that's Heartbreaker in the CBD. Catch me screaming post-punk revival with a negroni in hand in the early hours of the morning. View this post on Instagram A post shared by Heartbreaker Bar 💔 (@heartbreakerbar) Alec: Crows Nest on the lower North Shore has exploded since the Metro station opened, Parramatta is packed with great venues, and love it or hate it, Bondi continues to be iconic without trying very hard. Ask a local who lives in a different part of Sydney from you and follow their advice. [caption id="attachment_994726" align="alignleft" width="1920"] Carriageworks[/caption] CP: What do you hope to see more of in our after-dark spaces from both venues and councils? Eliza: I'll always scream and shout about supporting the Arts. Free entertainment like live music, performance and exhibitions not only supports our incredible local arts community but also helps people stay connected to the endlessly inspiring, exciting and thought-provoking creative industries — especially in tough political and economic climates. The more we can bring people together, the better. Alec: Regular events like night markets consistently draw big crowds from locals, but what if instead of the same old gozleme and chips-on-a-stick stands, we got famous restaurants from around Sydney to get involved? That'd help connect communities with food and drink they can't usually find on their side of whatever the closest bridge is (we don't cross any of them enough). CP: For people who say, "There's nothing to do after 9pm anymore", what would you tell them? Alec: You're not trying very hard. You can find something really cool if you just look a little bit harder. Eliza: I'd say, "Where are you? Obviously not in Melbourne." Discover the vibe near you. Lead image: FG Trade Latin / Getty
Birthdays are generally considered a mixed bag. While some of us luxuriate in celebrating our special day with week-long parties, some of us pretend like it isn't happening and plan a few quiet ones to observe the occasion in peace. But, no matter how you choose to celebrate the birthday bonanza, there's one thing you have to consider: moolah. We've all been there, making the tricky choice between celebrating a birthday with the Attica tasting menu and not entering into poverty. But remember: happy, well-fed friends (who aren't selling their kidneys on the black market) make celebrations worthwhile, and you don't want to box anyone out because of price. But don't fret. We've done the research for you, so that you can celebrate in style and not send your friends broke. Ideally, you want a venue with a broad menu, options for all different budgets and preferences, hearty servings and staff who won't judge your off-key caterwauling when it comes time to sing 'Happy Birthday'. So here we have our list of the best bars and restaurants for birthday parties in Melbourne. Recommended reads: The Best Melbourne Restaurants and Bars with Private Dining Rooms The Best Bars in Melbourne The Best Restaurants in Melbourne The Best Underground Bars in Melbourne
The thought of taking a dip in the Yarra's not-so-clear waters is more appalling that appealing. But a blissful splash in an infinity-edge pool sitting atop the river? That, we can definitely get around. And it's exactly the situation that now awaits you aboard Arbory Afloat's latest incarnation, after the floating bar today launched its final offering — a new pool nestled up the venue's western end, flanked by towering palms and cabanas. Inset into Arbory Afloat's lower deck with views across the river and the city, the pool is laid with imported Italian tiles and comes complete with a hydraulic floor allowing lifeguards to adjust the water depth as required. The surrounding pool deck area is also kitted out with day beds and cabanas, primed for those post-dip cocktails and snack sessions. And of course, it's all rocking a similar Balearic Islands-themed look to the rest of the over-water bar. The new swimming spot will be open every day, but with visiting times varying throughout the week — you can keep track of opening hours via Arbory Afloat's Instagram page. A towel concierge service is also running if you'd like to travel light, and essentials like hats and sunscreen are available to buy onboard. Arbory Afloat's 2022 design pulls inspiration from the free-spirited energy of Ibiza, Formentera, Menorca and Mallorca, dishing up holiday vibes in abundance to match a Spanish-accented food and drink offering. Find Arbory Afloat and its new pool at 2 Flinders Walk, Melbourne. For pool opening hours, see Instagram. Images: Arianna Leggiero
Sydneysiders, start bragging. Folks across the rest of Australia, start making cocktail plans for your next trip to the Harbour City. The World's 50 Best Bars list for 2022 has just been announced — the top 50, after dropping the extended 51–100 rundown in late September — and two Aussie spots have made the cut. They're both in Sydney, and they've both been in this position before. Indeed, in a piece of familiar news, the nation's highest-ranking spot to get sipping in 2022 is Sydney's Maybe Sammy. And, it's the fourth year in a row that the innovative bar in The Rocks has made the list, taking 29th place. That's a drop from 2021 when it came in 22nd, and from 2020's 11th spot, but higher than in 2019 when it sat at 43rd. Also pouring a big glass of déjà vu is Cantina OK!, another World's 50 Best Bars list mainstay. After placing 23rd in 2021, it came in 41st this year — after sitting at 28th in 2020, too. [caption id="attachment_704012" align="alignnone" width="1920"] DS Oficina[/caption] For those yet to be acquainted with Maybe Sammy in The Rocks, its luxurious styling nods to old-school Vegas glamour, all blush pink velvet banquettes and lush indoor greenery, while the list of theatrical signature drinks pays homage to the classics. At Cantina OK!, you'll find a pint-sized mezcal bar in an old garage down a service laneway — complete with bright pink and purple walls, Mexican vibes and laneway seating. That's it for Aussie showings in the top 50; however, in the longlist from last week, Melbourne's Caretaker's Cottage came in at 60th spot and Sydney's Re took out 87th position. [caption id="attachment_714476" align="alignnone" width="1920"] Kimberley Low[/caption] The overall winner this year, and marking the first time the gong has been won by a bar that isn't in New York or London: Paradiso in Barcelona. Also, Brisbanites, rejoice — the acclaimed venue has been teaming up with W Brisbane's Living Room Bar since May, with the North Quay venue serving up a range of ten tipples created by Paradiso's owner and mixologist Giacomo Giannotti. Paradiso took out this year's top spot ahead of London's Connaught Bar, which did the same in 2020 and 2021 and now sits eighth. In the rest of the top ten: London's Tayēr + Elementary in 2nd, Barcelona's Sips in third, Licorería Limantour in Mexico City in fourth and Paris' Little Red Door in fifth, as well as Double Chicken Please in New York at number six, Barcelona's' Two Schmucks at seventh, New York's Katana Kitten in ninth spot and Cartagena's Alquímico in tenth. Making holiday plans based on the globe's best watering holes? It's as good a reason for a getaway itinerary as any. The annual World's 50 Best Bars awards are voted on by bar industry experts from around the world, including bartenders, consultants, drinks writers and cocktail specialists. For the full of the World's 50 Best Bars for 2022 (and the longlist, and past years' lists), head to the website. Top image: Kimberley Low.
Charming hand-drawn menus on blackboards, exposed brick walls, vinyl collections and an abundance of natural light are what await you when you step into Bar Holiday in Lincoln Square — the former airy home of Kaprica. A succinct selection of wines, beers, Victorian spirits and Italian aperitifs are available at Bar Holiday, which is one of those bars where you can sit down for a hearty meal instead of having to adjourn to a restaurant after. Think casarecce blanketed in a pork and fennel ragu — a mainstay on the menu — pasta e fagioli, barramundi served alongside a prawn bisque, and tarragon chicken with brussels sprouts and a mustard sauce. [caption id="attachment_1017320" align="alignnone" width="1920"] Danielle Castano[/caption] If you're hankering for a snack, Bar Holiday does those too — Sicilian olives, white anchovy toast, and eggplant chips are some of the many on offer. If you'd like to skip straight to dessert, there's the likes of a burnt cheesecake or French cheeses like a triple cream brie and comté. More than capable of holding its own in the sea of Italian eateries in Carlton, Bar Holiday is — much like Kaprica was in the same space — a spot you'll keep returning to time and time again. It's both a classic neighbourhood bar and a destination worth travelling for. [caption id="attachment_1017319" align="alignnone" width="1920"] Matthew Hurst[/caption] Top images: Danielle Castano.
The minds behind Terror Twilight, Convoy, Tinker and Hi-Fi — Ben Argentino, Bec Moore and Kieran Spiteri — know how to cafe. They've figured out the magic algorithm to make a successful breakfast and lunch spot, and are now taking it one step further with Ophelia. Here, right on the Westgarth end of Northcote's High Street, the team runs Ophelia as a somewhat classic cafe in the morning before switching things up as the day goes on — becoming more of a long lunch destination and, on Tuesdays, Fridays and Saturdays, a cosy neighbourhood wine bar. [caption id="attachment_976026" align="alignnone" width="1920"] Dave Green[/caption] On the seasonally evolving, all-day menu, you'll find Euro-leaning dishes like the savoury buckwheat galette layered with roast pumpkin, buffalo milk ricotta, rocket pepita pesto, aleppo pepper and nigella seeds; a caramelised onion jam, ash brie, tarragon, and radish omelette; and a sticky date porridge with poached pears, butterscotch dates and macadamia granola. You can also take your pick of grab-and-go options like breakfast sandwiches and freshly baked goods — including a selection from Coburg's Back Alley Bakes — from the bountiful cabinet. After 10am, the menu expands with hefty sandwiches and freshly made salads. The team describes the menu as not quite a classic breakfast nor your usual lunch, but instead filling the space between these mealtimes. Whatever you're in the mood for, you can pair your meal with coffee, house sodas, cocktails, mocktails or wine. [caption id="attachment_976016" align="alignnone" width="1920"] Dave Green[/caption] Much like its siblings, Ophelia also has a strong focus on vinyl. Music is chosen from the floor-to-ceiling record wall, and is played from open to close. The venue will lean even further into those wine bar vibes from Tuesday, June 17, when it opens after dark on Tuesdays, Fridays and Saturdays. Swing by on a Tuesday night for weekly rotating $20 pasta specials, or snacks and sips soundtracked by vinyl-spinning DJs on Friday and Saturday evenings. Top images: Dave Green.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, or quit your desk job and start that business you've always wanted to give a red hot go? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of ten bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. No stranger to the idea of taking a massive risk and steering one's life on to a completely new path, founder and co-owner of Sydney's Ramblin' Rascal Tavern Charlie Lehmann had a completely different plan before opening his own bar. From his early days as a bright-eyed bar back to the opening of his first venue, Charlie affords much of his recent success to the talents of those around him. Encouraged to turn away from politics and dive head first into the bartending world, his story shows just what can unfold when you're willing to take a chance. CHOOSE BARTENDING OVER POLITICS — REALLY Like a lot of us, Charlie first found himself behind the bar as a way of putting himself through university. Spending his days at UTS with his head in the books, his nights were filled with the less than glamorous duties of a bar back at the Hilton Hotel's swanky Marble Bar in Sydney. "I was clearing glasses like any great bartender starts off... and at the time I was studying, I thought I was going to go into politics or something like that," says Charlie. After paying his dues here for nearly a year, Charlie landed his first lucky break as a 22-year-old-student. "I got a chance to work up in Zeta Bar [the Hilton's premier cocktail bar] one night when they were down a man, and I watched the sequence of service, the professionalism and standards set by some great bartenders," he explains. But it didn't all go quite as planned. "I was making a whisky sour and completely kooked it — I forgot to put egg white in," he says. After being "taken aside and shown everything that's put into the cocktail and why," a burning curiosity for knowledge was sparked that, to this day, remains very much alive. SEIZE OPPORTUNITY IN UNEXPECTED PLACES "Studying politics, I became very jaded, and watching people who are a part of the political machine... I really didn't like it." Three unhappy months in the big smoke were more than enough to get Charlie searching for greener pastures — working casually for a share trading company didn't help either. Itching for an escape, his nights kicking back with a well-earned drink coincidently happened to offer up the perfect solution. "During that time I had been going to The Baxter Inn heaps and saw a job opportunity going there," says Charlie. Built on the philosophy 'everyone's welcome', owners Anton Forte and Jason Scott (responsible for the Swillhouse locations Shady Pines and Frankie's Pizza) gave Charlie the change he'd been craving for with a full-time post at Baxter's. A far cry from the cutthroat corporate attitudes of his last gig, Baxter's "had this family culture... We look after each other. Every single shift was like having a party, but with the highest of standards of service and interactions with customers," Charlie says. And it didn't take long for his 'rents to jump onside, with the venue placed in the Top 10 of the World's Best Bars for 2015, as voted for in Drinks International. TAKE A BIG OL' CHANCE — LIKE OPENING YOUR OWN BAR Amidst the tower seas of liquor, Charlie pulled long nights at The Baxter Inn for the next two years. "Learning the ins and outs of the bar, that's how you get to that level where my mentors or idols were," he says. Quenching his thirst for knowledge with every cocktail book he could get his hands on, Charlie rose up the ranks to become one of the most senior bartenders of the Swillhouse Group. Surrounded by such a talented crew of bartenders (turned fully-fledged mates) got Charlie considering his next projects. Alongside ex-Swillhouse pals Sebastian Soto and Dardan Shervashidze, years of bartending expertise and a few friendly knock-off sessions inspired the lads to open up a bar of their very own. Spoiler: it's a damn good one too. Not one to shy away from a challenge, Charlie rose to the task of delivering a knock-out proposal to secure a space for what would become the inner-city drinking den Ramblin' Rascal Tavern. "We were one of twelve people to put in our proposal for the site," he says. "I sat for two days busting out this proposal of what we wanted to do. It's pretty much just like selling yourself and your vision for the site." ENJOY THE BIG PAYOFF (AND TAKE A LITTLE ADVICE) Charlie's unwavering gusto worked and saw the birth of Ramblin' Rascal in April 2014, specialising in tongue-in-cheek cocktails, dark spirits and $6 tinnies. Charlie still nods back to the influence of his time working as a bar back and the general sense of camaraderie he felt as crucial to pushing him towards this latest venture. So what nuggets of wisdom does this seasoned bar owner have to offer up? First rule: "You have to do the hard yards." All of us have to start somewhere, as Charlie reveals, "I watched some of the best people in the game... and read a lot." Sure, turning down a stable corporate spot might seem like a step in the wrong direction. But as Charlie shows, taking a bit of a chance, channelling a little 'Sine Metu' and venturing into the unknown can go on to pay off big time in the end. "I have a degree. I finished my degree and really didn't want to use it. I was going out into the world and finally finding this place where I was really comfortable." Want to experience a little bit of 'Sine Metu' yourself? Thanks to Jameson and The Rewriters, one extremely fortunate Concrete Playground reader (and their even more fortunate mate) will get the chance to 'fear less' and go on a big ol' adventure to Ireland. In addition to two return flights departing from your choice of Sydney, Melbourne or Brisbane, this epic giveaway comes with five night's accommodation and $500 spending money you can use to paint the Emerald Isle red. ENTER HERE. For more about how 'Sine Metu' influenced John Jameson's journey visit Jameson's website.
If you're a film and TV obsessive, how do you know that a new year has kicked off? Hollywood starts handing out awards. Tinseltown loves starting off the annual calendar by looking backwards, giving away trophies and having parties, with the Golden Globes 2025's first ceremony to celebrate on-screen achievements from the past 12 months — in cinemas and on television. 2025's accolades, rewarding 2024's big- and small-screen fare, took place on Monday, January 6 Australian time. Accordingly, there's now a brand-new batch of Golden Globes recipients for viewers to watch — or rewatch. Some, like The Brutalist and Emilia Pérez, haven't made their way Down Under just yet (they each arrive later in January), but plenty of others are ready and waiting for audiences to catch ASAP. Haven't seen Jesse Eisenberg (Fleishman Is in Trouble) and Kieran Culkin (Succession) play bickering cousins yet? Keen to relive every thrilling, heartbreaking and tense moment of Shogun? Fancy watching Baby Reindeer on your iPhon iPhone? Need a reason to shout "yes chef!". Feel like defying gravity? Eager for a dose of The Substance? They're just some of the 11 movies and TV shows that you can make a date with right now. (Wondering what else won, too? Read through the full list as well.) Movie Must-Sees A Real Pain He didn't feature on-screen in his first film as a writer/director, but 2022's When You Finish Saving the World couldn't have sprung from anyone but Jesse Eisenberg. Neither could've 2024's A Real Pain. In the latter, the Fleishman Is in Trouble actor plays the anxious part, and literally. He's David Kaplan, with his character a bundle of nerves about and during his trip to Poland with his cousin Benji (Kieran Culkin, Succession) — a pilgrimage that they're making in honour of their grandmother, who survived the Second World War, started a new life for their family in the US in the process and has recently passed away. David is highly strung anyway, though. One source of his woes: the ease with which Benji seems to move through his days, whether he's making new friends in their tour group within seconds of being introduced or securing a stash of weed for the journey. With A Real Pain as with When You Finish Saving the World, Eisenberg is shrewdly and committedly examining an inescapable question: what is real pain, and who feels it? Are David's always-evident neuroses more worthy of worry than the despondency that Benji shuttles behind his carefree facade, and is it okay for either to feel the way they do, with their comfortable lives otherwise, in the shadow of such horrors such as the Holocaust? As a filmmaker, Eisenberg keeps interrogating what he knows: A Real Pain's main train of thought, which was When You Finish Saving the World's as well, is one that he ponders himself. Although he's not penning and helming strictly autobiographical movies, his latest does crib some details from reality, swapping out an IRL aunt for a fictional grandmother, as well as a trip that Eisenberg took with his wife for a cousins' act of tribute. It's no wonder, then, that he keeps crafting deeply felt features that resound with raw emotion, and that leave viewers feeling like they could walk right into them. With A Real Pain, he also turns in a stellar performance of his own and directs another from Culkin, who steps into Benji's shoes like he wears them himself everyday (and takes on a part that his director originally had earmarked for himself). Thrumming at the heart of the dramedy, and in its two main players, is a notion that demands facing head-on, too: that experiencing our own pain, whether big or small, world-shattering or seemingly trivial, or personal or existential, is never a minor matter. Globes Won: Best Performance by a Male Actor in a Supporting Role in Any Motion Picture (Kieran Culkin). Where to watch it: A Real Pain is screening in cinemas Down Under. Read our interview with Jesse Eisenberg. The Substance If you suddenly looked like society's ideal, how would it change your life? The Substance asks this. In a completely different way, so does fellow Golden Globe-winner A Different Man (see: below), too — but when Revenge's Coralie Fargeat is leading the charge on her long-awaited sophomore feature and earning Cannes' Best Screenplay Award for her troubles, the result is a new body-horror masterpiece. Pump it up: the sci-fi concept; the stunning command of sound, vision and tone; the savagery and smarts; the gonzo willingness to keep pushing and parodying; the gore (and there's gore); and the career-reviving performance from Demi Moore (Landman). The Substance's star has popped up in Feud, The Unbearable Weight of Massive Talent, Please Baby Please and Brave New World in recent years, but her work as Elisabeth Sparkle not only defines this period of her life as an actor; even with an on-screen resume dating back to 1981, and with the 80s- and 90s-era likes of St Elmo's Fire, Ghost, A Few Good Men, Indecent Proposal and Disclosure to her name, she'll always be known for this from this point onwards, regardless of whether awards keep rolling in. Turning 50 isn't cause for celebration for Elisabeth. She's already seen film roles pass her by over the years; on her birthday, she's now pushed out of her long-running gig hosting an aerobics show. Enter a solution, as well as another 'what if?' question: if you could reclaim your youth by injecting yourself with a mysterious liquid, would you? Here, The Substance's protagonist takes the curious serum. Enter Sue (Margaret Qualley, Drive-Away Dolls), who helps Elisabeth wind back time — and soon wants Elisabeth's time as her own. Just like someone seeking the glory days that she thinks are behind her via any means possible, Fargeat isn't being subtle with The Substance, not for a second. She goes big and brutal instead, and audacious and morbid as well, and this is the unforgettable picture it is because of it. No one holds back — not Elisabeth, not Sue, not Moore, not the also-fantastic Qualley, not Dennis Quaid (Lawman: Bass Reeves) eating shrimp, not Fargeat, and definitely not cinematographer Benjamin Kracun (Promising Young Woman) or composer Raffertie (99). Globes Won: Best Performance by a Female Actor in a Motion Picture — Musical or Comedy (Demi Moore). Where to watch it: The Substance streams via YouTube Movies, iTunes and Prime Video. A Different Man Two of 2024's best films have one person in common: Sebastian Stan. In cinemas in Australia, The Apprentice and A Different Man released within weeks of each other; as well as making a helluva double feature, they boast two of the finest performances of the year as well. In both movies, the former Gossip Girl star with the best taste in picking interesting parts — see also: Logan Lucky, I, Tonya, Destroyer, Monday, Fresh and Pam & Tommy — plays men chasing a dream that turns out to be a nightmare: once as a certain US real-estate tycoon-turned-reality TV host and then president, and once as a struggling actor who desperately wants a new face. When A Different Man's Edward Lemuel undertakes an experimental treatment for neurofibromatosis, his disfigurement disappears; however, his hopes for stardom, or even just to feature in his playwright neighbour's (Renate Reinsve, Presumed Innocent) off-Broadway production about his own life and attract her romantic interest, can't be grasped that easily. Also turning in an excellent portrayal is Adam Pearson (Ruby Splinter) as Oswald, who has a firmer grasp on the existence that Edward so feverishly covets without any medical intervention. Writer/director Aaron Schimberg (Chained for Life) knows that The Elephant Man will spring to many audiences' minds — and astutely probes and questions why in a film that is unflinching in its exploration of perception, prejudice, identity, authenticity and self-worth. As it muses on what it takes to accept yourself and ignore the world's feedback, too, and whether external change can bring about an internal transformation, A Different Man also pairs exceptionally well with The Substance (see: above). Styling his feature as a psychological thriller as much as a black comedy, Schimberg refuses to let any moment pass by without needling, probing and unpacking. He digs into not only the mindsets that surround Edward, but equally explores the character's own view as he reinvents himself — with his new Sebastian Stan good looks — as newcomer Guy Moratz. It might have a few kindred spirits in various ways among 2024's highlights, but nothing else truly like this has reached screens in years. Globes Won: Best Performance by a Male Actor in a Motion Picture — Musical or Comedy (Sebastian Stan). Where to watch it: A Different Man streams via YouTube Movies, iTunes and Prime Video. Challengers Tennis is a game of serves, shots, slices and smashes, and also of approaches, backhands, rallies and volleys. Challengers is a film of each, too, plus a movie about tennis. As it follows a love triangle that charts a path so back and forth that its ins and outs could be carved by a ball being hit around on the court, it's a picture that takes its aesthetic, thematic and emotional approach from the sport that its trio of protagonists are obsessed with as well. Tennis is everything to Tashi Duncan (Zendaya, Dune: Part Two), Art Donaldson (Mike Faist, West Side Story) and Patrick Zweig (Josh O'Connor, La Chimera), other than the threesome themselves being everything to each other. It's a stroke of genius to fashion the feature about them around the game they adore, then. Metaphors comparing life with a pastime are easy to coin. Movies that build such a juxtaposition into their fabric are far harder to craft. But it's been true of Luca Guadagnino for decades: he's a craftsman. Jumping from one Dune franchise lead to another, after doing Call Me By Your Name and Bones and All with Timothée Chalamet, Guadagnino proves something else accurate that's been his cinematic baseline: he's infatuated with the cinema of yearning. Among his features so far, only in Bones and All was the hunger for connection literal. The Italian director didn't deliver cannibalism in Call Me By Your Name and doesn't in Challengers, but longing is the strongest flavour in all three, and prominent across the filmmaker's Suspiria, A Bigger Splash and I Am Love also. So, combine the idea of styling a movie around a tennis match — one spans its entire duration, in fact — with a lusty love triangle, romantic cravings and three players at the top of their field, then this is the sublime end product. Challengers is so smartly constructed, so well thought-out down to every meticulous detail, so sensual and seductive, and so on point in conveying Tashi plus Art and Patrick's feelings, that it's instantly one of Guadagnino's grand slams. Globes Won: Best Original Score — Motion Picture (Trent Reznor and Atticus Ross). Where to watch it: Challengers streams via Prime Video, YouTube Movies and iTunes. Read our full review, as well as what Zendaya, Josh O'Connor and Mike Faist had to say about the film when they were in Australia. Wicked The colour scheme was always a given. "Pink goes good with green," Galinda (Ariana Grande, Don't Look Up) tells Elphaba (Cynthia Erivo, Luther: The Fallen Sun). "It goes well with green," the grammar-correcting reply bounces back. The songs, beloved echoing from the stage since 2003, were never in doubt as both centrepieces and a soundtrack. As a theatre-kid obsession for decades, it was also long likely that the big-screen adaptation of Wicked — a movie based on a musical springing from a book that offered a prequel to a film that walked the celluloid road 85 years ago, itself jumping from the page to the screen — would have big theatre-kid energy as it attempted to ensure that its magic enchants across mediums. Enough to fill every theatre on Broadway radiates from Grande alone, someone who, as a kid, won an auction to meet the OG Wicked good witch Kristin Chenoweth (Our Little Secret) backstage. That enthusiasm is impossible not to feel. No one would ever want a muted Wicked, where the hues, in yellow bricks and emerald cities and more, weren't trying to compete with Technicolor — and the tunes, with Chenoweth and Idina Menzel's (You Are So Not Invited to My Bat Mitzvah) voices previously behind them in such full force, weren't belted to the rafters. Jon M Chu has a knack as a filmmaker of stage hits reaching cinemas: matching the vibe of the show he's taking on expertly. It was true of his version of In the Heights. It now proves the case in its own different way with Wicked. Achieving such a feat isn't always a given; sometimes, even when it does happen, and blatantly, any stage spark can be lost in translation (see: Cats). Again, movie viewers can feel that synergy, and how much it means to everyone involved. Globes Won: Cinematic and Box Office Achievement. Where to watch it: Wicked is screening in cinemas Down Under, and streams via YouTube Movies and Prime Video. Read our interview with production designer Nathan Crowley. Small-Screen Standouts Hacks Sometimes you need to wait for the things you love. In Hacks, that's true off- and on-screen. The HBO comedy gave viewers a two-year wait, after its first season was one of the best new shows of 2021 and its second one of the best returning series of 2022 — a delay first sparked by star Jean Smart (Babylon) requiring heart surgery, and then by 2023's Hollywood strikes. But this Emmy- and Golden Globe-winner returned better than ever in season three in 2024, this time charting Smart's Deborah Vance finally getting a shot at a job that she's been waiting her entire career for. After scoring a huge hit with her recent comedy special, which was a product of hiring twentysomething writer Ava Daniels (Hannah Einbinder, Julia), the Las Vegas mainstay has a new chance at nabbing a late-night hosting gig. (Yes, fictional takes on after-dark talk shows are having a moment, thanks to Late Night with the Devil and now this.) At times, some in Deborah's orbit might be tempted to borrow the Australian horror movie's title to describe to assisting her pitch for a post-primetime chair. That'd be a harsh comment, but savage humour has always been part of this showbiz comedy about people who tell jokes for a living. While Deborah gets roasted in this season, spikiness is Hacks' long-established baseline — and also the armour with which its behind-the-mic lead protects herself from life's and the industry's pain, disappointments and unfairness. Barbs can also be Deborah's love language, as seen in her banter with Ava. When season two ended, their tumultuous professional relationship had come to an end again via Deborah, who let her writer go to find bigger opportunities. A year has now passed when season three kicks off. Ava is a staff writer on a Last Week Tonight with John Oliver-type series in Los Angeles and thriving, but she's also not over being fired. Back in Vanceland , everything is gleaming — but Deborah isn't prepared for being a phenomenon. She wants it. She's worked for years for it. It's taken until her 70s to get it. But her presence alone being cause for frenzy, rather than the scrapping she's done to stay in the spotlight, isn't an easy adjustment. Globes Won: Best Television Series — Musical or Comedy, Best Performance by a Female Actor in a Television Series — Musical or Comedy (Jean Smart). Where to watch it: Hacks streams via Stan. Read our full review. Shōgun Casting Hiroyuki Sanada (John Wick: Chapter 4), Cosmo Jarvis (Persuasion) and Anna Sawai (Monarch: Legacy of Monsters) as its three leads is one of Shōgun's masterstrokes. The new ten-part adaptation of James Clavell's 1975 novel — following a first version in 1980 that featured Japanese icon and frequent Akira Kurosawa collaborator Toshiro Mifune — makes plenty of other excellent moves, but this is still pivotal. Disney+'s richly detailed samurai series knows how to thrust its viewers into a deeply textured world from the outset, making having three complex performances at its centre an essential anchoring tactic. Sanada plays Lord Yoshii Toranaga, who is among the political candidates vying to take control of the country. Jarvis is John Blackthorne, a British sailor on a Dutch ship that has run aground in a place that its crew isn't sure is real until they get there. And Sawai is Toda Mariko, a Japanese noblewoman who is also tasked with translating. Each character's tale encompasses much more than those descriptions, of course, and the portrayals that bring them to the screen make that plain from the moment they're each first seen. As Game of Thrones and Succession both were, famously so, Shōgun is another drama that's all about fighting for supremacy. Like just the former, too, it's another sweeping epic series as well. Although it's impossible not to see those links, knowing that both battling over who'll seize power and stepping into sprawling worlds are among pop culture's favourite things right now (and for some time) doesn't make Shōgun any less impressive. The scale is grand, and yet it doesn't skimp on intimacy, either. The minutiae is meticulous, demanding that attention is paid to everything at all times. Gore is no stranger from the get-go. Opening in the 17th century, the series finds Japan in crisis mode, Toranaga facing enemies and Blackthorne among the first Englishmen that've made it to the nation — much to the alarm of Japan's sole European inhabitants from Portugal. Getting drawn in, including by the performances, is instantaneous. Shōgun proves powerful and engrossing immediately, and lavish and precisely made as well, with creators Justin Marks (Top Gun: Maverick) and Rachel Kondo (on her first TV credit) doing a spectacular job of bringing it to streaming queues. Globes Won: Best Television Series — Drama, Best Performance by a Male Actor in a Television Series — Drama (Hiroyuki Sanada), Best Performance by a Female Actor in a Television Series — Drama (Anna Sawai), Best Performance by a Male Actor in a Supporting Role on Television (Tadanobu Asano). Where to watch it: Shōgun streams via Disney+. Read our full review. Baby Reindeer A person walking into a bar. The words "sent from my iPhone". A comedian pouring their experiences into a one-performer play. A twisty true-crime tale making the leap to the screen. All four either feature in, inspired or describe Baby Reindeer. All four are inescapably familiar, too, but the same can't be said about this seven-part Netflix series. Written by and starring Scottish comedian Richard Gadd, and also based on his real-life experiences, this is a bleak, brave, revelatory, devastating and unforgettable psychological thriller. It does indeed begin with someone stepping inside a pub — and while Gadd plays a comedian on-screen as well, don't go waiting for a punchline. When Martha (Jessica Gunning, The Outlaws) enters The Heart in Camden, London in 2015, Donny Dunn (Gadd, Wedding Season) is behind the counter. "I felt sorry for her. That's the first feeling I felt," the latter explains via voiceover. Perched awkwardly on a stool at the bar, Martha is whimpering to herself. She says that she can't afford to buy a drink, even a cup of tea. Donny takes pity, offering her one for free — and her face instantly lights up. That's the fateful moment, one of sorrow met with kindness, that ignites Baby Reindeer's narrative and changes Donny's life. After that warm beverage, The Heart instantly has a new regular. Sipping Diet Cokes from then on (still on the house), Martha is full of stories about all of the high-profile people that she knows and her high-flying lawyer job. But despite insisting that she's constantly busy, she's also always at the bar when Donny is at work, sticking around for his whole shifts. She chats incessantly about herself, folks that he doesn't know and while directing compliments Donny's way. He's in his twenties, she's in her early forties — and he can see that she's smitten, letting her flirt. He notices her laugh. He likes the attention, not to mention getting his ego stroked. While he doesn't reciprocate her feelings, he's friendly. She isn't just an infatuated fantasist, however; she's chillingly obsessed to an unstable degree. She finds his email address, then starts messaging him non-stop when she's not nattering at his workplace. (IRL, Gadd received more than 40,000 emails.) Globes Won: Best Television Limited Series, Anthology Series or Motion Picture Made for Television, Best Performance by a Female Actor in a Supporting Role on Television (Jessica Gunning). Where to watch it: Baby Reindeer streams via Netflix. Read our full review. The Bear Serving up another sitting with acclaimed chef Carmy Berzatto (Jeremy Allen White, The Iron Claw), his second-in-charge Sydney (Ayo Edebiri, Inside Out 2) and their team after dishing up one of the best new shows of 2022 and best returning shows of 2023, the third season of The Bear is a season haunted. Creator and writer Christopher Storer (Dickinson, Ramy) — often the culinary dramedy's director as well — wouldn't have it any other way. Every series that proves as swift a success as this, after delivering as exceptional a first and second season as any show could wish for, has the tang of its prior glory left on its lips, so this one tackles the idea head on. How can anyone shake the past at all, good or bad, the latest ten episodes ruminate on as Carmy faces a dream that's come true but hasn't and can't eradicate the lifetime of internalised uncertainty that arises from having an erratic mother, absent father, elder brother he idolised but had his own demons, and a career spent striving to be the best and put his talents to the test in an industry that's so merciless and unforgiving even before you factor in dealing with cruel mentors. Haunting is talked about often in this third The Bear course, but not actually in the sense flavouring every bite that the show's return plates up. In the season's heartiest reminder that it's comic as well as tense and dramatic — its nine Emmy wins for season one, plus four Golden Globes across season one and two, are all in comedy categories — the Faks get to Fak aplenty. While charming Neil (IRL chef Matty Matheson) is loving his role as a besuited server beneath Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings), onboard with the latter's commitment to upholding a Michelin star-chasing fine-diner's front-of-house standards and as devoted to being Carmy's best friend as ever, he's also always palling around with his handyman brother Theodore (Ricky Staffieri, Read the Room). They're not the season's only Faks, and so emerges a family game. When one Fak wrongs another, they get haunted, which is largely being taunted and unsettled by someone from basically The Bear equivalent of Brooklyn Nine-Nine's Boyles. For it to stop, you need to agree to give in. In Storer's hands, in a series this expertly layered as it picks up in the aftermath of sandwich diner The Original Beef of Chicagoland relaunching as fine-diner The Bear, this isn't just an amusing character-building aside. Globes Won: Best Performance by a Male Actor in a Television Series — Musical or Comedy (Jeremy Allen White). Where to watch it: The Bear streams via Disney+. Read our full review. The Penguin Ambition courses through The Penguin, both within its storyline and in bringing the spinoff from 2022's The Batman to the small screen. HBO might be giving a swathe of its cinema hits the TV treatment, including Dune, IT, Harry Potter and The Conjuring; however, there's nothing by the numbers about Oswald Cobb's time in the television spotlight. With Colin Farrell reprising the show's titular role, and starring in two of 2024's standout new series in the process alongside Sugar, The Penguin isn't a mere attempted caped-crusader cash-in, as some fare about nefarious folks connected to well-known heroes have proven (see: Morbius, Madame Web and Kraven the Hunter). Across its compulsively watchable eight-episode first season, this crime drama has more than a touch of The Sopranos and The Godfather films about it — and not only is it aiming high in endeavouring to follow in the footsteps of two of the greatest mob stories ever told but, as developed and co-written by Lauren LeFranc (Impulse, Agents of SHIELD), it heartily earns its place in their company. Never forgetting who it is about and what Oz's future path is, no matter how much viewers start to warm to him throughout the series, The Penguin is also responsible for one of the most-heartbreaking moments of the past year. Set after the events of The Batman — a big-screen sequel to which, aka The Batman — Part II, is on the way — the show steps back into Oz's life as he's chasing his own ambitions. After years spent as an underling, including as the righthand man to Carmine Falcone (Mark Strong, Dune: Prophecy), he has his sights set on more than just doing everyone else's bidding. Complicating this quest for power: that it coincides with the release of Carmine's daughter Sofia (Cristin Milioti, The Resort) from Arkham, and she isn't willing to simply do what she's told by the new Falcone underboss (Michael Kelly, Pantheon). As Oz navigates a turf war also involving incarcerated rival Sal Marone (Clancy Brown, Gen V), The Penguin keeps his exploits personal through his demential-afflicted mother (Deirdre O'Connell, The Big Door Prize) requiring his care, and with kindhearted teenager Vic Aguilar (Rhenzy Feliz, Encanto) trying to steal Oz's rims but ending up with a job as his driver. A grounded waddle into the supervillain realm, and boasting exceptional — and rightly Golden Globe-winning and -nominated, respectively — performances from Farrell and Milioti, this is comics-to-screen storytelling at its best. Globes Won: Best Performance by a Male Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television (Colin Farrell). Where to watch it: The Penguin streams via Binge. True Detective: Night Country Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, True Detective has returned as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. This is a return to form and a revitalisation. Making it happen after two passable intervening cases is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. In handing over the reins, Pizzolatto's police procedural never-standard police procedural is a powerhouse again, and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date the investigation in the new season, a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. Globes Won: Best Performance by a Female Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television (Jodie Foster). Where to watch it: True Detective: Night Country streams via Binge. Read our full review.
