Nineties kids, Disney fans and everyone who's ever cried over a lion cub that just couldn't wait to be king, it's time to climb onto a rock and yell your lungs out. The circle of life has struck again, and The Lion King is back. It's in live-action form this time around, and the second teaser trailer for the new movie has just dropped. You can watch it here courtesy of Beyoncé. Yes, Beyoncé is in the new Lion King. Releasing in mid-2019, the film will once again tell the tale of Simba, who's set to take over the pride from his father Mufasa, only for his malicious uncle Scar to get in the way. You know where it goes from there — and you'll be hearing the voices of Donald Glover as Simba, Beyoncé Knowles-Carter as his childhood pal Nala, and James Earl Jones as his dad. Yes, the latter is reprising his role from the original film. Other big names attached include Chiwetel Ejiofor as Scar, John Oliver as Zazu, and Billy Eichner and Seth Rogen as Timon and Pumbaa. Elton John is back working on the soundtrack with Tim Rice, as they both did on the first film. They'll reportedly have some help from Beyoncé, naturally, while The Jungle Book's Jon Favreau is in the director's chair for the entire production. If you're anxious about how it might turn out, it's worth taking Timon and Pumbaa's advice at this early stage — although this initial look should help get rid of your worries for the rest of your days. The Lion King hits Australian cinemas on July 18, 2019. We'll share the full-length trailer when it hits the internet.
Once fairly short on applaudable dining destinations, the northside suburb of Preston has been busy steadily carving out a different story. Now it boasts neighbourhood food gems aplenty and is welcoming more to the fold each year. The area's multicultural community has helped spawn a diverse lineup of top-notch dining offerings, too, from modern Australian burger joints packed every night of the week, to pizza-slinging cocktail bars to cheery noodle houses dishing up an array of authentic eats. If you're not a local and haven't ventured beyond that Dundas Street-Plenty Road junction in a while, it's time to head north and embrace this suburban pocket's many culinary charms.
Lives don't just thrive in New York City apartment buildings. As Only Murders in the Building keeps showing, sometimes they end, too. Folks connected to the fictional Arconia complex haven't been having a good run in the hit mystery-comedy series, but neighbours and podcasters Mabel Mora, Charles-Haden Savage and Oliver Putnam — as played by Selena Gomez (Emilia Pérez), Steve Martin (It's Complicated) and Martin Short (Grimsburg) — keep investigating their untimely demises, and talking about it. Audiences keep watching, too. You'll next be viewing the trio's antics and sleuthing along with the series' latest whodunnit scenario from spring Down Under, with Only Murders in the Building setting a Tuesday, September 9, 2025 premiere date for its fifth season. There's no trailer as yet, but the show has unveiled its first-look image, and also enlisted Gomez, Martin and Short in a clip announcing the day to pop in your calendar. [caption id="attachment_972138" align="alignnone" width="1920"] Disney/Eric McCandless)[/caption] Yes, it's happening again: to continue to live up to its title, there's been another murder in the building. This time, Charles, Oliver and Mabel refuse to accept that the death of a beloved figure was accidental. As they endeavour to prove that's the case, mobsters and powerful billionaires all become involved, as do more Arconia residents. Michael Cyril Creighton (American Horror Stories) is back among the cast as well, as are Meryl Streep (Extrapolations), Da'Vine Joy Randolph (Bride Hard), Richard Kind (Poker Face) and Nathan Lane (The Gilded Age). Season five also features Bobby Cannavale (Unstoppable), Renée Zellweger (Bridget Jones: Mad About the Boy), Logan Lerman (We Were the Lucky Ones), Christoph Waltz (Old Guy), Téa Leoni (Death of a Unicorn), Keegan-Michael Key (Dear Santa), Beanie Feldstein (Drive-Away Dolls), Dianne Wiest (Apartment 7A) and Jermaine Fowler (Sting). [caption id="attachment_912213" align="alignnone" width="1920"] Patrick Harbron/Hulu[/caption] By now, everyone should already well-aware of Only Murders in the Building's setup. Each season, a new murder takes place in the apartment tower that its main sleuthing trio call home. It was true in 2021's season one, then 2022's season two, 2023's season three and 2024's season four. Also accurate in every season: when Mabel, Charles and Oliver are on the case, a heap of fellow big-name talent both help and hinder their investigations. There's no trailer yet for Only Murders in the Building season five, but check out the date announcement video below: View this post on Instagram A post shared by Only Murders in the Building (@onlymurdershulu) Only Murders in the Building streams Down Under via Disney+, with season five premiering on Tuesday, September 9, 2025. Read our reviews of season one, season two and season three. Top image: Disney/Patrick Harbron.
It's no overstatement to describe Neil Perry — the restaurateur, chef and revered doyen of Australian cooking — as an icon. Now, however, it's official. On Thursday, June 6, Perry was announced as the winner of the Woodford Reserve Icon Award at a glitzy ceremony in Las Vegas for The World's 50 Best Restaurant Awards 2024, one of the culinary scene's most prestigious gongs. The achievement, which is voted for by an international panel of 1080 industry experts, recognises an outstanding contribution to the hospitality industry that's deemed worthy of global notice. "Throughout my career, I've been incredibly lucky to work with some of the finest hospitality professionals in the world, doing what I love and creating memorable experiences for people to enjoy," said Perry of his accomplishment. "I hope this award inspires everyone in our industry to keep going and to never give up." View this post on Instagram A post shared by Neil Perry (@chefneilperry) For more than four decades, Perry has been a guiding light of Sydney's restaurant scene. Cutting his teeth in some of the city's top kitchens, including Sails in Rose Bay, he first made his mark in 1986 when he launched the Blue Water Grill in Bondi. However, it was his next major venture — and arguably his most famous — that would catapult him to global stardom. Opened in 1989, Rockpool quickly asserted itself as not only one of Sydney's top fine-diners, but also one of the nation's — and in 2002, it was ranked the fourth best place to eat on the planet by The World's 50 Best Restaurant Awards. Today it has grown to be a cherished brand, with sister venues in Perth and Melbourne. Despite Perry stepping down as the group's Culinary Director in 2020, it continues his storied legacy, ranking as the eighth best steak restaurant in the world in May 2024. [caption id="attachment_960466" align="alignnone" width="1920"] Kitti Gould[/caption] One of Perry's defining traits is his ability to project his love and understanding of food through many cultural lenses. From Asian to Italian and even burgers and aeroplane food, Perry's menus are a fusion of top-tier produce and craftsmanship with an accessible attitude and a belief that cooking doesn't need to be gastronomically pretentious to be exceptional. Take, for example, his most recent venture Margaret, a deeply personal "neighbourhood restaurant" named for Perry's deceased mother. Despite its humble billing, the judging panel noted that at Margaret, diners experience "a veteran bringing together his love of super-fresh seafood and Asian flavours to outstanding effect". It also currently ranked as the third best steak restaurant in the world. Since opening Margaret in 2021, Perry has extended his presence on Double Bay's Guilfoyle Avenue to the Baker Bleu bakery next door, and he has two more venues preparing to open in the area in late August: Asian-inspired diner Song Bird and cocktail bar Bobby's. [caption id="attachment_961054" align="alignnone" width="1920"] Petrina Tinslay[/caption] The only other Australian to be recognised by this year's The 50 Best Restaurants Awards was Josh Niland, whose revolutionary low-to-no waste seafood diner Saint Peter placed 98th on the 100-venue longlist. Perry is one of Australia's most-decorated chefs, having earned more Good Food Chef's Hats (Australia's answer to Michelin stars) than any other individual in the country, as well as numerous other accolades. However, this latest laurel makes the point most definitively: if you're someone with even a glancing interest in eating well, you need to experience a dish crafted by Perry at least once in your life. [caption id="attachment_961135" align="alignnone" width="1920"] Petrina Tinslay[/caption] For the full rundown of The World's 50 Best Restaurants Awards 2024, head to the list's website. Top image: Petrina Tinslay.
Feeling a big dose of wanderlust and itching to get away? We don't blame you. But sometimes it can be hard to know where to go, and also what you should do when you get there — which is exactly where a trip on the high seas comes in handy. There are more than a few reasons that you should consider hitting the water for your next getaway. Think: taking the stress out of navigating, getting to explore multiple locations, having ample opportunities for 'me time' and finding yourself with an abundance of entertainment options. Need further details? We've partnered with P&O Cruises to run through a couple of things that make cruising a great holiday option. YOU ONLY NEED TO UNPACK YOUR BAGS ONCE One massive benefit of jumping onboard a cruise ship is only having to unpack and repack your bags once. Every seasoned jetsetter knows the pain of having to pack and repack over and over — but on an ocean vessel, you can organise your things in your room and make yourself at home. Your toothbrush can stay in the holder, your clothes can go in the drawers and your skincare will be ready for you in an easy-to-find (and use) arrangement. And you won't ever need to wake up early to try to jam your suitcase shut because you're carting all of your stuff around with you from destination to destination. THERE'S NO CHANCE OF GETTING LOST If you've never been lost while on an adventure, you deserve a round of applause. For most of us mere mortals, this is a problem we're well-acquainted with — along with arguing over directions and getting flustered when driving in new terrain. Cruise ships, however, take all of that stress away by sailing you to exactly where you need to go (no Google Maps required). Instead of getting Siri to help navigate or debating with your travel partner over which turn you were supposed to take, you can just put your feet up and enjoy the ride. YOU CAN EXPLORE MULTIPLE DESTINATIONS Not only do you get to hang out in the fresh ocean air, sip cocktails with a view and relax in the sun when you're on a cruise, but you also get ferried to some amazing locations, which you then get to explore. Think tropical beaches and oceanside towns, plus places where you can take a trip through limestone caves filled with glow worms, snorkel over coral hotspots and hang with wild dolphins. Plus, some cruises also provide shore tours, which take you to hand-picked sights with some stellar tour providers. You get to just hop onboard the ship and be taken straight to a heap of incredible spots. YOU'LL HAVE PLENTY OF OPPORTUNITY FOR 'ME TIME' There's nothing like a bit of time to rest, recoup and recharge — and the pampering on the side is a pretty great bonus, too. Accordingly, one huge positive of cruise getaways is the ample opportunities they provide for a more than a little stint of 'me time'. Enjoy some solo exercise with a bit of yoga or a run around the onboard jogging track. Ease into a deckchair and escape into a good book, or relax in a salon chair as a beautician pampers you or a hairdresser tends to your locks. As a bonus, there's always retail therapy to fill your solo time if that's more your cup of tea. THERE'S AN ABUNDANCE OF ENTERTAINMENT You'll never be bored on a cruise ship with all the entertainment options on offer. While riding the ocean waves, you'll find plenty of music in the evenings, ranging from acoustic to jazz and R&B. You can flit between heading to theme parties, watching movies and checking out screenings of major sporting events. Plus, hitting the pools and waterslides, feasting at a fancy dinner, and taking part in deck games, table tennis and golf putting. You can take special event cruises too, such as an Elvis-themed trip or an onboard comedy festival with The Big Laugh. With so much to watch, listen to, laugh at and participate in, the time onboard will surely fly. For more information about P&O Cruises, head to the company's website.
While working with one of the first female master gin distillers in the world, Joanne Moore of Greenall's Gin, to develop a bluffer's guide to the botanical drop and to get the lowdown on some top gin drinks to make at home, we were inspired by Joanne's story. She's helped pave the way for female distillers and within a heritage company like Greenall's. So, we thought we'd have a look at some other ladies who are also shaking things up, making things happen and pioneering some pretty excellent projects. We've sourced the creme de la femme from a wide range of careers and corners of the globe and asked them, well, pretty much everything from where French mademoiselles hide their croissant crumbs (though, spoiler alert, we still don't know) to how to actually master the barbecue to what it takes to go head-to-head with Tommy Shelby of Peaky Blinders. Here we present some inspiring women to put on your radars — if they're not there already, that is. JOANNE MOORE — MASTER DISTILLER, GREENALL'S GIN Joanne Moore is one of the world's first female master gin distillers, and seventh master distiller for Greenall's, which has been in operation since 1761 — making it Britain's oldest gin distillery. Knowing that she wanted to work with one of the oldest and most revered gin distilleries in the world, Joanne started her way in quality control, where she learned about the production process. Raw ingredients, distilling and bottling eventually led her into the wonderful world of botanicals and creating gins. Around the same time as the Peaky Blinders were creating their fictional gins, Greenall's was creating a single powerful enterprise: they were distillers, rectifiers, wine and spirit merchants, importers, brewers, maltsters and ale, beer and porter merchants. And as much as we'd like to believe it's all sipping and nattering for a master distiller — though, we're not necessarily saying it's not, either — it does take years of expertise. A typical day for Joanne can involve approving samples on the Greenall's tasting panel (raw ingredients or finished products), taking customer visits, doing house tours or hosting masterclasses. Joanne's advice for anyone getting into distilling is "do it for the right reasons…You won't be an expert immediately, but have fun, and don't be afraid to make mistakes. That's how we evolve and learn." [caption id="attachment_668102" align="alignnone" width="1920"] Peter Tarasiuk.[/caption] KATE REID — FOUNDER, LUNE CROISSANTERIE Kate Reid can't remember her first ever croissant, but estimates that "it sure as hell wouldn't exactly have been an artisan one!" She's come a long way since to prove what one innovative woman unbound to traditional methods can truly achieve. Slung in the back streets of Fitzroy, Lune is notorious for selling out of its creations (think cruffins with lemon curd and twice-baked black forest beauties) plus it's been said with authority that the croissanterie is serving up quite probably the best croissants in the world. Yet, when Kate started Lune, she realised her stint in France (where she trained at top Parisian boulangerie Du Pain et des Idees) saw her learning only 15 to 20 percent of the entire artisan craft. "My background in engineering played a big part in the development of techniques. I would change one variable at a time and analyse the differences it made to the final baked product. If it was an improvement, it would become the new baseline technique. "This has the bonus knock-on effect of not being tied to a century-old classic French technique; all of our processes are always up for improvement and development," she says. And when it comes to any advice for us antipodeans oneating a pastry like a French mademoiselle, the whole 'no crumb left behind' sort of deal is still a mystery to her, too. But if anyone were to work it out, it'll surely be Kate. [caption id="attachment_668103" align="alignnone" width="1920"] Izzy Gramp.[/caption] LISY KANE — CO-FOUNDER, GIRL GEEK ACADEMY AND LEAGUE OF GEEKS To those thinking the only roles for women in STEM involve being the social bridge (here's looking at you IT Crowd's Jen Barber), then think again. In a global movement aimed at encouraging women to learn technology and build more of the internet, the Girl Geek Academy (GGA) squad has more arms and intelligence than an octopus. Co-founder Lisy Kane has also curated the first ever Australian all-female game-making day #SheMakesGames and was recognised by Forbes in the prestigious top 30 list, Forbes 30 Under 30 2017: Games. "Whether directly or indirectly, I'm now on the map and I get invited to provide keynotes at really prestigious industry events in Australia, the US and the UK. Through these opportunities, I get to hold myself up as a young woman in the game dev industry and show other young women that it's normal to be a girl in games. That's exactly the image we need to project out there to help bridge the gender gap in the industry." [caption id="attachment_668101" align="alignnone" width="1920"] Madeline Kate Photography.[/caption] JESS PRYLES — PITMASTER AND CO-FOUNDER, AUSTRALASIAN BBQ ALLIANCE Having co-founded the Australasian BBQ Alliance, Jess Pryles is an internationally respected authority on live fire cooking and barbecue and has been breaking the outdated barbecue code (see: male-dominated) for the past ten years. She explains how there's so much more to the title of pitmaster than one may realise. "Generally, the term is bandied about and there's no regulation for it. But there's a consensus that it should be reserved for someone who has reached the top of their art and not just somebody who happens to be a barbecuer," says Jess. Jess was lured into the craft when she had her first taste of intensely smoked meat in Texas. "It's such a different experience for the palate that it became this 'aha' moment." She's now whipping up everything from beef tongue that perfectly falls apart for tacos to whole deer neck that she makes into smoked venison stock. Her advice on smoking meats and firing through to the top? "You've got to have a tremendous amount of patience. It's expensive and laborious, and the reality is, you [need to] cook and fail, and do it again and again and understand how to troubleshoot. That's what it takes." [caption id="attachment_668104" align="alignnone" width="1920"] Greg Holland.[/caption] SIOBHAN MCGINNITY — MUSICIAN AND AUDIOLOGIST, MUSICIANS FOR HEARING The most sensory gigs happening in Australia right now could rightly be the Musicians for Hearing events. Established by Siobhan McGinnity, the company presents live music translated into Auslan and performed in tandem by interpreters. Her quest involves helping raise awareness and creating connections — plus, bridging an ironically unheard of gap in healthcare: hearing. Siobhan found her way into audiology by stumbling into a clinic and quizzing the doctor. She's now on the path to specialise in rehabilitating hearing loss and balance disorders. "I want to work in a niche area: protecting musicians and their hearing," she says. And with one in six Australians being affected by some sort of hearing loss — 74 percent of musicians with a form of hearing injury — it makes sense we should care about how we appreciate music. The gigs according to Siobhan are "a music fruit salad" — rock, pop, contemporary, hip hop, you name it — and funds raised from events being donated overseas toward hearing care in countries like Cambodia. "It's the most beautiful thing seeing people who are deaf and hearing standing side-by-side and being able to communicate through music," says Siobhan.
A quarter-century ago, Christmas changed forever. Sure, the end of the year was filled with plenty of festive cheer before Mariah Carey released 'All I Want for Christmas Is You' — but since 1994, that upbeat ditty has become everyone's go-to seasonal soundtrack. Just last year, in fact, the track topped the US charts. It didn't even achieve that feat back when it was initially released, making it the song that has taken the longest journey ever to the top spot. Carey has re-recorded 'All I Want for Christmas Is You' several times, and it just keeps spreading its festive melody. Yes, we know you now have it stuck in your head just from thinking about it. The singer has several holiday albums to her name, too, which keep prolonging the song's longevity. And if that's all 100 percent okay with you, you'll be particularly excited about her next Christmas-themed project. Sometime before this chaotic year is out, Apple TV+ will release Mariah Carey's Magical Christmas Special — aka the star-studded festive show you didn't know you always wanted until now. Just when it'll head to your streaming queue hasn't been announced but, if that's all you want from the rest of 2020, expect it in the lead up to Christmas (obviously). In its efforts to help salvage the trainwreck that is the past 12 months, Mariah Carey's Magical Christmas Special will feature Carey, of course, alongside a star-studded lineup of other guests. Apple TV+ isn't revealing too much there either — other than the fact it'll be co-directed and executive produced by A Very Murray Christmas alumnus Roman Coppola — but apparently the special "will combine music, dancing and animation driven by a universally heartwarming story that brings the world together". It's Apple TV+'s latest big-name project — with Sofia Coppola's new Bill Murray-starring movie On the Rocks also headed to the service later this year, and its recent live documentary Beastie Boys Story earning a couple of Emmy nominations. And because we already know you're humming it to yourself, you can check out the music video for 'All I Want for Christmas Is You' below: https://www.youtube.com/watch?v=yXQViqx6GMY Mariah Carey's Magical Christmas Special will hit Apple TV+ sometime later this year — we'll update you with an exact date when one is announced.
If you like watching glitzy Hollywood awards ceremonies that hand out shiny trophies to talented actors and other creative film and TV talents, 2024 has been a particularly dazzling year so far. First came the Golden Globes, as always happens. Next, only a week later, the Emmys have anointed winners. For those thinking that this sounds out of the ordinary, it is. In fact, there'll likely be two Emmys in 2024. This one, as held on Tuesday, January 16, 2024 Australian time, is the 2023 event after being postponed during Hollywood's writers' and actors' strikes. If you like basing your viewing picks on what's been collected prizes, this is clearly a stellar year as well, with a heap of new Emmy-winners now demanding a spot in your streaming queue. Here's seven that you should — and can — watch ASAP. (And if you're wondering what else won, you can read through the full list, too.) THE BEAR The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when bedlam surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate on-screen for Carmen 'Carmy' Berzatto (Jeremy Allen White, Fingernails) and his colleagues — aka sous chef Sydney (Ayo Edebiri, Bottoms), baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), resident Mr Fixit Neil Fak (IRL chef Matty Matheson), and family pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings). For viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. The Bear serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling second season. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and Sydney endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. Episodes that send Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3), get Richie spending a week learning the upscale ropes at one of Chicago's best restaurants and jump back to the past, demonstrating how chaos would've been in Carmy's blood regardless of if he became a chef, are particularly stunning. EMMYS Won: Outstanding Comedy Series, Outstanding Lead Actor in a Comedy Series (Jeremy Allen White), Outstanding Supporting Actress in a Comedy Series (Ayo Edebiri), Outstanding Supporting Actor in a Comedy Series (Ebon Moss-Bachrach), Outstanding Directing for a Comedy Series (Christopher Storer), Outstanding Writing for a Comedy Series (Christopher Storer). Where to watch it: The Bear streams via Disney+. Read our full review. SUCCESSION Endings have always been a part of Succession. Since it premiered in 2018, the bulk of the HBO drama's feuding figures have been waiting for a big farewell. The reason is right there in the title, because for any of the Roy clan's adult children to scale the family company's greatest heights and remain there — be it initial heir apparent Kendall (Jeremy Strong, Armageddon Time), his inappropriate photo-sending brother Roman (Kieran Culkin, Scott Pilgrim Takes Off), their political-fixer sister Siobhan (Sarah Snook, Pieces of a Woman), or eldest sibling and presidential candidate Connor (Alan Ruck, The Dropout) — their father Logan's (Brian Cox, Remember Me) tenure needed to wrap up. The latter was always stubborn. Proud, too, of what he'd achieved and the power it's brought. And whenever Logan seemed nearly ready to leave the business behind, he held on. If he's challenged or threatened, as happened again and again in the series, he fixed his grasp even tighter. Succession was always been waiting for Logan's last stint at global media outfit Waystar RoyCo, but it had never been about finales quite the way it was in its stunning fourth season. This time, there was ticking clock not just for the show's characters, but for the stellar series itself, given that this is its last go-around — and didn't it make the most of it. Nothing can last forever, not even widely acclaimed hit shows that are a rarity in today's TV climate: genuine appointment-viewing. So, this went out at the height of its greatness, complete with unhappy birthday parties, big business deals, plenty of scheming and backstabbing, and both Shiv's husband Tom Wambsgans (Matthew Macfadyen, Operation Mincemeat) and family cousin Greg (Nicholas Braun, Cat Person) in vintage form — plus an early shock, at least two of the best episodes of any show that've ever aired on television, one of the worst drinks, a phenomenal acting masterclass, a The Sopranos-level final shot and the reality that money really can't buy happiness. EMMYS Won: Outstanding Drama Series, Outstanding Lead Actor in a Drama Series (Kieran Culkin), Outstanding Lead Actress in a Drama Series (Sarah Snook), Outstanding Supporting Actor in a Drama Series (Matthew Macfadyen), Outstanding Writing for a Drama Series (Jesse Armstrong), Outstanding Directing for a Drama Series (Mark Mylod). Where to watch it: Succession streams via Binge. Read our full review. BEEF As plenty does, Beef starts with two strangers meeting, but there's absolutely nothing cute about it. Sparks don't fly and hearts don't flutter; instead, this pair grinds each other's gears. In a case of deep and passionate hate at first sight, Danny Cho (Steven Yeun, Nope) and Amy Lau (Ali Wong, Paper Girls) give their respective vehicles' gearboxes a workout, in fact, after he begins to pull out of a hardware store carpark, she honks behind him, and lewd hand signals and terse words are exchanged. Food is thrown, streets are angrily raced down, gardens are ruined, accidents are barely avoided, and the name of Vin Diesel's famous car franchise springs to mind, aptly describing how bitterly these two strangers feel about each other — and how quickly. Created by Lee Sung Jin, who has It's Always Sunny in Philadelphia, Dave and Silicon Valley on his resume before this ten-part Netflix and A24 collaboration, Beef also commences with a simple, indisputable and deeply relatable fact. Whether you're a struggling contractor hardly making ends meet, as he is, or a store-owning entrepreneur trying to secure a big deal, as she is — or, if you're both, neither or anywhere in-between — pettiness reigning supreme is basic human nature. Danny could've just let Amy beep as much as she liked, then waved, apologised and driven away. Amy could've been more courteous about sounding her horn, and afterwards. But each feels immediately slighted by the other, isn't willing to stand for such an indignity and becomes consumed by their trivial spat. Neither takes the high road, not once — and if you've ever gotten irrationally irate about a minor incident, this new standout understands. Episode by episode, it sees that annoyance fester and exasperation grow, too. Beef spends its run with two people who can't let go of their instant rage, keep trying to get the other back, get even more incensed in response, and just add more fuel to the fire again and again until their whole existence is a blaze of revenge. If you've ever taken a small thing and blown it wildly out of proportion, Beef is also on the same wavelength. And if any of the above has ever made you question your entire life — or just the daily grind of endeavouring to get by, having everything go wrong, feeling unappreciated and constantly working — Beef might just feel like it was made for you. EMMYS Won: Outstanding Limited Series, Outstanding Lead Actor in a Limited Series or Television Movie (Steven Yeun), Outstanding Lead Actress in a Limited Series or Television Movie (Ali Wong), Outstanding Directing for a Limited or Anthology Series or Movie (Lee Sung Jin), Outstanding Writing for a Limited or Anthology Series or Movie (Lee Sung Jin). Where to watch it: Beef streams via Netflix. Read our full review. THE WHITE LOTUS Lives of extravagant luxury. Globe-hopping getaways. Whiling away cocktail-soaked days in gorgeous beachy locales. Throw in the level of wealth and comfort needed to make those three things an easy, breezy everyday reality, and the world's sweetest dreams are supposedly made of this. On TV since 2021, HBO's hit dramedy The White Lotus has been, too. Indeed, in its Emmy-winning first season, the series was a phenomenon of a biting satire, scorching the one percent, colonialism and class divides in a twisty, astute, savage and hilarious fashion. It struck such a chord, in fact, that what was meant to be a one-and-done limited season was renewed for a second go-around, sparking an anthology. That Sicily-set second effort once again examines sex, status, staring head-on at mortality and accepting the unshakeable fact that life is short for everyone but truly sweet for oh-so-few regardless of bank balance — and with writer/director/creator Mike White (Brad's Status) still overseeing proceedings, the several suitcase loads of smart, scathing, sunnily shot chaos that The White Lotus brings to screens this time around are well worth unpacking again. Here, another group of well-off holidaymakers slip into another splashy, flashy White Lotus property and work through their jumbled existences. Another death lingers over their trip, with The White Lotus again starting with an unnamed body — bodies, actually — then jumping back seven days to tell its tale from the beginning. Running the Taormina outpost of the high-end resort chain, Valentina (Sabrina Impacciatore, Across the River and Into the Trees) is barely surprised by the corpse that kicks off season two. She's barely surprised about much beforehand, either. That includes her dealings with the returning Tanya McQuoid-Hunt (Jennifer Coolidge, The Watcher), her husband Greg (Jon Gries, Dream Corp LLC) and assistant Portia (Haley Lu Richardson, After Yang); three generations of Di Grasso men, aka Bert (F Murray Abraham, Guillermo del Toro's Cabinet of Curiosities), Hollywood hotshot Dominic (Michael Imperioli, The Many Saints of Newark) and the Stanford-educated Albie (Adam DiMarco, The Order); and tech whiz Ethan (Will Sharpe, Defending the Guilty) and his wife Harper (Aubrey Plaza, Best Sellers), plus his finance-bro college roommate Cameron (Theo James, The Time Traveller's Wife) and his stay-at-home wife Daphne (Meghann Fahy, The Bold Type). EMMYS Won: Outstanding Supporting Actress in a Drama Series (Jennifer Coolidge). Where to watch it: The White Lotus streams via Binge. Read our full review of season two. ABBOTT ELEMENTARY The Office did it, in both the UK and US versions. Parks and Recreation did so, too. What We Do in the Shadows still does it — and, yes, there's more where they all came from. By now, the mockumentary format is a well-established part of the sitcom realm. Indeed, it's so common that additional shows deciding to give it a whirl aren't noteworthy for that alone. But in Abbott Elementary, which has aired two seasons so far, the faux doco gimmick is also deployed as an outlet for the series' characters. They're all public school elementary teachers in Philadelphia, and the chats to-camera help convey the stresses and tolls of doing what they're devoted to. In a wonderfully warm and also clear-eyed gem created by, co-written by and starring triple-threat Quinta Brunson (Party Down), that'd be teaching young hearts and minds no matter the everyday obstacles, the utter lack of resources and funding, or the absence of interest from the bureaucracy above them. Brunson plays perennially perky 25-year-old teacher Janine Teagues, who loves her gig and her second-grade class. She also adores her colleague Barbara Howard (Sheryl Lee Ralph, Ray Donovan), the kindergarten teacher that she sees as a mentor and work mum. Actually, Janine isn't just fond of all of the above — she's so devoted to her job that she'll let nothing stand in her way. But that isn't easy or straightforward in a system that's short on cash and care from the powers-that-be to make school better for its predominantly Black student populace. Also featuring Everybody Hates Chris' Tyler James Williams (also The United States vs Billie Holiday) as an apathetic substitute teacher, Lisa Ann Walter (The Right Mom) and Chris Perfetti (Sound of Metal) as Abbott faculty mainstays, and Janelle James (Black Monday) as the incompetent principal who only scored her position via blackmail, everything about Abbott Elementary is smart, kindhearted, funny and also honest. That remains the case in season two, where Janine is newly single and grappling with being on her own, sparks are flying with Williams' Gregory and James' Ava can't keep bluffing her way through her days. EMMYS Won: Outstanding Lead Actress in a Comedy Series (Quinta Brunson). Where to watch it: Abbott Elementary streams via Disney+. BLACK BIRD 2022 marked a decade since Taron Egerton's first on-screen credit as a then-23 year old. Thanks to the Kingsman movies, Eddie the Eagle, Robin Hood and Rocketman, he's rarely been out of the cinematic spotlight since — but miniseries Black Bird feels like his most mature performance yet. The latest based-on-a-true-crime tale to get the twisty TV treatment, it adapts autobiographical novel In with the Devil: a Fallen Hero, a Serial Killer, and a Dangerous Bargain for Redemption. It also has Dennis Lehane, author of Gone Baby Gone, Mystic River and Shutter Island, bringing it to streaming. The focus: Jimmy Keene, a former star high-school footballer turned drug dealer, who finds his narcotics-financed life crumbling when he's arrested in a sting, offered a plea bargain with the promise of a five-year sentence (four with parole), but ends up getting ten. Seven months afterwards, he's given the chance to go free, but only if he agrees to transfer to a different prison to befriend suspected serial killer Larry Hall (Paul Walter Hauser, Cruella), and get him to reveal where he's buried his victims' bodies. Even with new shows based on various IRL crimes hitting queues every week, or thereabouts — including Inventing Anna, The Dropout, The Girl From Plainville and The Staircase, to name a mere few, also in 2022 when this one arrived — Black Bird boasts an immediately compelling premise. The first instalment in its six-episode run is instantly gripping, too, charting Keene's downfall, the out-of-ordinary situation posed by Agent Lauren McCauley (Sepideh Moafi, The Killing of Two Lovers), and the police investigation by Brian Miller (Greg Kinnear, Crisis) to net Hall. It keeps up the intrigue and tension from there; in fact, the wild and riveting details just keep on coming. Fantastic performances all round prove pivotal as well. Again, Egerton is excellent, while Hauser's menace-dripping efforts rank among the great on-screen serial killer portrayals. And, although bittersweet to watch after his passing, Ray Liotta (The Many Saints of Newark) makes a firm imprint as Keene's father. EMMYS Won: Outstanding Supporting Actor in a Limited Series of Television Movie (Paul Walter Hauser). Where to watch it: Black Bird streams via Apple TV+. Read our full review. DAHMER — MONSTER: THE JEFFREY DAHMER STORY Mindhunter might be over, but Netflix isn't done exploring true crimes or serial killers yet — not by far. In 2022, DAHMER — Monster: The Jeffrey Dahmer Story joined the service's hefty list of TV series based on horrific real-life details. It's coming back for a second season, too, turning into an anthology series as Monsters: The Lyle and Erik Menéndez Story. The show's debut outing wasn't an easy watch, as the IRL story was always going to ensure. With WandaVision and Mare of Easttown actor Evan Peters starring as the titular IRL murderer, it told Dahmer's particularly gruesome story; between 1978–1991, he murdered and dismembered 17 boys and men — and there's more to his crimes, including cannibalism. The inherently unsettling first season reunited its lead with American Horror Story creator and prolific TV producer Ryan Murphy, too, this time getting creepy in a different way. Alongside Peters, Netflix's dramatised step back into Dahmer's murders features Richard Jenkins (Nightmare Alley) as the serial killer's father Lionel and Penelope Ann Miller as his mother Joyce, with the full cast including Niecy Nash-Betts (Never Have I Ever) and Molly Ringwald (Riverdale). There's much about the show that's impossible to shake, Nash-Betts' now Emmy-winning performance for Outstanding Supporting Actress in a Limited Series or Television Movie among them. As Dahmer's neighbour Glenda Cleveland, she's shock, concern and outrage personified. Thanks to her portrayal, imagining being in the same shoes — and being that horrified and traumatised — is the simplest thing about DAHMER — Monster: The Jeffrey Dahmer Story. Of course, that isn't easy either, but Nash-Betts couldn't be more of an effortless force in a difficult role and miniseries. EMMYS Won: Outstanding Supporting Actress in a Limited Series or Television Movie (Niecy Nash-Betts). Where to watch it: DAHMER — Monster: The Jeffrey Dahmer Story streams via Netflix. Top image: Andrew Cooper/Netflix © 2023.
With Snapchat, Facebook Live and Instagram Stories, we thought we'd already seen peak selfie. But last week Nokia unveiled its new flagship device, the Nokia 8, which has been built for just that: streaming selfies. The brand new smartphone is primed for personal content sharing, with world-first technology that allows use of its front- and rear-facing cameras simultaneously. Dubbed the 'bothie' by Nokia, this feature uses the phone's dual sight mode to pull footage from both cameras into a split-screen visual, which can be live-streamed in real-time to your social feeds. You can record what's in front of you and your reaction to it for your fans (read: mum) to watch — most probably on Facebook Live or Instagram Stories. It's a cool little spec for sure, but, as the phone's flagship feature, we can't help but feel Nokia is differentiating the 8 through trend rather than technology. After all, the phone's longevity relies on selfies being a thing. But while the popularity of this bothie feature has a limited lifespan, the phone itself might just have enough to keep you hooked, even after you've grown bored of live-streaming your entire existence. For this device, Nokia has worked with ZEISS optics for the first time to ensure both front and back cameras are as slick as can be. The Nokia 8 is also first smartphone to feature Nokia OZO Audio to capture and play audio with 360-degree surround sound — a function that'll really take those 4K videos to the next level. It 64GB storage and also includes unlimited uploads to Google Photos. The device runs smoothly on Android — much like the Google Pixel — and is powered by the Qualcomm® SnapdragonTM 835 Mobile Platform. A bit longer than in iPhone, it feels nice in the hand and is engineered with a graphite-shielded copper cooling pipe to suck out the heat and keep it running without overheating. The best part about the phone is that is will retail at $899, which is a bit cheaper than many of its competitors — the iPhone 7 128GB and Samsung Galaxy S8 64GB currently retail for round $1200. The Samsung has just announced the Note 8, which is expected to be even more expensive, while Apple will announce the new iPhone 8 early next month. It will be interesting to see how the Nokia 8 compares to the new release of iPhones — but if you're looking for a usable Android phone at a reasonable price, the Nokia 8 is a really solid contender. The Nokia 8 is available now for pre-order from JB Hi-Fi and Harvey Norman for $899. By Libby Curran and Lauren Vadnjal.
If you only managed to watch a handful of 2021's best new TV shows, odds are that you still saw one knockout newbie starring Jean Smart. The veteran actor turned in two stellar performances in two exceptional television series last year, starting with murder-mystery drama Mare of Easttown, then following it up with comedian-centric comedy Hacks. Clever, hilarious and insightful, the latter earned her both an Emmy and a Golden Globe, too, and deservedly so. And, if the about-to-drop season season of Hacks proves anywhere near as great, she might just repeat both feats in the next 12 months. It's obviously impossible — and also flat-out ridiculous — to pick whether someone will nab a shiny trophy for their work based on a trailer alone. Smart was that phenomenal in Hacks' first season, though, so it's a fair prediction even without seeing any upcoming footage. In the just-released full sneak peek for season two, she's once again playing seasoned Las Vegas comic Deborah Vance, of course, who viewers saw notch up 2500 shows in last year's episodes. Now, after taking stock of her career, the character is headed out on the road. Still by the acerbic Deborah's side: Ava Daniels (Hannah Einbinder, North Hollywood), who started as her assistant last time around. As the first season charted, the chalk-and-cheese pair hardly got along. Deborah is a comedy legend, while Ava is a 25-year-old who made the move to Hollywood, has been living out her dream as a comedy writer, but found her career plummeting after a tweet crashed and burned. That said, the series is far, far more than just an odd-couple comedy. Season two's eight episodes will follow the duo as they workshop Deborah's new standup set around the US — and will start dropping Down Under on Friday, May 13 via Stan. They'll arrive the same day as they air in America, in fact, which means that you'll be watching two episodes per week rather than binging on all of Hacks' next season in one go. Also returning: Broad City's Paul W Downs as Deborah and Ava's mutual manager Jimmy, Megan Stalter (The Megan Stalter Show) as his clueless assistant Kayla, It's Always Sunny in Philadelphia's Kaitlin Olson as Deborah's daughter DJ, Carl Clemons-Hopkins (The Chi) as Deborah's Chief Operating Officer Marcus and Christopher McDonald (Ballers) as casino owner Marty. They'll be joined by Hacks newcomers Laurie Metcalf (Lady Bird), Martha Kelly (Euphoria), Ming-Na Wen (The Book of Boba Fett) and Susie Essman (Curb Your Enthusiasm), as well as guest stars Margaret Cho (The Flight Attendant) and Devon Sawa (Chucky). And if you're wondering why Hacks has proved so ace so far — other than Smart and her co-stars — it was created by three of the talents behind Broad City: writer Jen Statsky; writer/director Lucia Aniello; and Downs, who does double duty in front of and behind the lens. Check out the trailer for Hacks season two below: Season two of Hacks will start streaming via Stan from Friday, May 13. Season one is available to stream now. Read our full review of season one.
The force is strong with this one — the Lego-building force, that is, with the largest collection of life-sized Lego Star Wars models ever assembled, as well as the biggest touring Lego exhibition, hitting Australia in 2025 (and world-premiering Down Under). Melbourne has locked in the first-ever Lego Star Wars: The Exhibition season. And yes, of course it'll open on Sunday, May 4. Melbourne Museum will be filled with more than eight-million bricks, all making models based on the George Lucas-created space saga. What music goes best with turning all that Lego into a Star Wars fan's dream? 'Luke's Theme', aka the franchise's main tune? 'The Imperial March' when things get tricky? 'Parade of the Ewoks', just because? That's a question for Ryan McNaught aka Brickman, who has indeed been spending time turning plastic rectangles, squares and other shapes into a recreation of a galaxy far, far away. The exhibition is set to take 25,000-plus hours of building, which is occurring at McNaught's headquarters in Tullamarine. Here's a question for attendees, too: which tunes will pair well with walking through this Lego Star Wars wonderland? The full list of models that'll feature hasn't been unveiled so far, but one will be life-sized — and that'll be a Lego Star Wars first. A huge 64,759 bricks are being used to craft the three-metre-high X-wing Red-5, taking 382 build hours. Attendees can also expect to see battle scenes between Luke Skywalker and Darth Vader, plus Qui-Gon Jinn and Darth Maul duelling, and also Emperor Palpatine's throne flanked by two Royal Guards. If you're keen to check it out, you'll need to be in the Victorian capital to wander through Lego Star Wars: The Exhibition. As well as the hosting the world-premiere season, which will run until Monday, January 26, 2026, the stint at Melbourne Museum is an Australian exclusive. While you're there, you won't just be looking at all things Star Wars in Lego — you'll be able to get building yourself. Images: Museums Victoria.
FBi Radio's boots are getting bigger, better and shinier by the day —for the first time ever, Sydney's independent radio legends are launching an Australia-wide competition. Extending their Northern Lights competition nationwide — in which FBi flies two above-and-beyond newbies to Iceland Airwaves Festival in Reykjavik — FBi are looking for talent across Australia this time. A hotly-anticipated date on the music festival calendar, Iceland Airwaves has seen everyone from Bjork to Omar Souleyman, Savages to Harpa Silfurberg playing to packed halls of Icelandic and international fans. FBi competition's now in its third year, offer two winning spots to join the Airwaves lineup — one solo producer/artist, one band. With the help of philanthropist Mitchel Martin-Weber, this marks one of FBi's biggest-scale competitions to date, kicking another goal after yesterday's FBi Click launch. Winners of the first Northern Lights, Oliver Tank and Rainbow Chan, have seen super success following their Icelandic escapade (with Tank supporting Lorde on her recent national tour and Chan joining the lineup for Vivid LIVE's recent Avalanches tribute Since I Left You, no biggie). "It really changed my life that whole trip. It was so incredible," says Tank. "I got to play music overseas before I’d even done that many gigs in Australia. And there were people over there that were interested in my music and that just blew my mind. It was like a dream come true. It was such an experience." A national callout means a national road trip for FBi, taking their Music Open Day (a monthly staple event for FBi where new bands/artists can meet FBi music director Stephen Goodhew and learn how to get their music on radio) to community stations around the country. "Over 300 artists have been to Music Open Day in the last 12 months," says Goodhew. "Oliver Tank, Cloud Control, Gang of Youths, Movement are all examples of the kind of talent that have responded to and engaged with our Music Open Day in the past and gone on to establish themselves as prominent figures in the Australian music scene. It’s a great way to discover new talent and give emerging musicians some valuable advice about the industry." To apply for a spot at Iceland Airwaves and enter FBi Radio's Northern Lights competition, you simply have to be an emerging solo artist/producer or band (and an Australian resident). Head to FBi's website to throw your name in the ring from June 26 - July 21. Music Open Day is on the road from July 11-18. 11 July - Brisbane's 4ZZZ 15 July - Adelaide's Fresh FM 16 July - Perth's RTR FM
Throughout Japan's history, the country has gone through several periods of rapid transformation. The NGV's latest exhibition, Japanese Modernism, explores one of them: the prosperous era from the early 1920s until the late 1930s, a time that spawned financial independence for women and access to international travel. As movie theatres, department stores and modern transport became widespread, life quickly changed for Japan's urban dwellers. Featuring 190 works that consider the country's shifting social and cultural values, Japanese Modernism highlights these changes through an array of creative mediums that see traditional Japanese techniques blended with European influence. There are colourful woodblock prints that fuse ancient ukiyo-e methods with modern elements, plus a plethora of kimonos, street posters and glassware. Running until Sunday, October 4, Japanese Modernism is completely free to attend. You'll be amongst the first to see these works in Australia, too — the NGV has spent the last five years amassing this impressive collection from around the world. To give you a quick primer before you head along to the NGV, we've picked out five inspirational works to see at Japanese Modernism. [caption id="attachment_763292" align="alignnone" width="2000"] Installation view of Japanese Modernism at National Gallery of Victoria. Photo: Tom Ross.[/caption] PREPARING TO GO OUT (1935) BY TANIGUCHI FUMIE As a key figure in Japan's emerging generation of the time, known colloquially as 'moga' and 'mobo' — modern girls and modern boys — Taniguchi Fumie burst onto the scene to great success in the 1930s. However, Fumie's glowing artistic career came to an early halt with the onset of World War II, as she was evacuated to the countryside and her work faded into obscurity. One of Fumie's most lasting works, Preparing to go out, was produced as a large-scale, sixfold design that draws directly from the 17th-century style of Matsuura screens. This modern take on a fundamentally traditional art form sees Fumie depict a group of friends getting ready for a fun night out, leaving behind their previously reserved existence. [caption id="attachment_763296" align="alignnone" width="1920"] Saeki Shunkō, Tea and coffee salon, Sabō 1939, ink, colour, paper, lacquer, National Gallery of Victoria, Melbourne. Purchased with funds donated by Alan and Mavourneen Cowen, The Myer Foundation and the NGV Supporters of Asian Art, 2015[/caption] TEA AND COFFEE SALON, SABŌ (1939) BY SAEKI SHUNKŌ With many Japanese cities being quickly redeveloped during this era, a large population of women waved goodbye to the countryside and went in search of jobs and a modern lifestyle in the metropolis. This change gave rise to the first generation of financially independent female artists, who set about creating art that explored their new reality. Saeki Shunkō was one of these pioneering artists. Her 1939 painting, Tea and Coffee Salon, Sabō, presents two modern Japanese women wearing Western-style uniforms, highlighting the shifting dynamics of the country. This changing way of life for the nation's youth, especially women, showcased how they were no longer beholden to their parent's conservative values. [caption id="attachment_763302" align="alignnone" width="1920"] Takei Takeo (illustrator), Tōkyōsha, Tokyo (publisher), Children's land 1928, colour offset lithograph. National Gallery of Victoria, Melbourne. Purchased NGV Foundation, 2018[/caption] CHILDREN'S LAND (1928) BY TAKEI TAKEO Inspired by popular European art movements like Cubism, Futurism and Fauvism, Japanese artists began mixing these styles within their own work. One magazine in particular, called Kodomo no kuni or Children's Land, which was groundbreaking at its time, began using these styles throughout its pages and on its cover. The magazine was popular with children and young adults, as it encouraged the new generation to embrace individuality. Takei Takeo was one of the magazine's key contributors, producing works that blended geometric shapes with shadows and bright colours. His 1928 cover design had a two-fold appeal to children of the time, as it linked an exciting style of art with the modern train system, which was beginning to roll out across Tokyo. [caption id="attachment_763303" align="alignnone" width="1920"] Hisui Sugiura, The first subway in the East 1927, colour offset lithograph. National Gallery of Victoria, Melbourne, Purchased NGV Foundation, 2018 © Estate of Hisui Sugiura[/caption] THE FIRST SUBWAY IN THE EAST (1927) BY HISUI SUGIURA Described as a pioneer of Japanese graphic design, Hisui Sugiura was at the forefront of the nation's commercial art industry. Although he had a traditional painting background, his interest in Europe's art nouveau movement led him to form the artist collective known as Shichinin-sha, aka the Group of Seven. Through his position as the Mitsukoshi Clothing Store's chief graphic designer, he exposed Tokyo's residents to a wave of contemporary design. Created in 1927 to celebrate the opening of the Tokyo Metro Ginza Line — the first subway in Asia — this poster is regarded as a cornerstone of Japanese modernist design. Expressing the changes occurring across Japanese society, Sugiura draws those at the distant end of the platform in traditional garments, while the families at the front of the scene appear in distinctly modern clothing. [caption id="attachment_763304" align="alignnone" width="1920"] Koike Iwao, Tokyo Mitsukoshi clothing store 1927, colour lithograph, National Gallery of Victoria, Melbourne. Purchased NGV Foundation, 2018[/caption] TOKYO MITSUKOSHI CLOTHING STORE (1927) BY KOIKE IWAO The Tokyo Mitsukoshi Clothing Store is the oldest-surviving department store in Japan, with its origins as a kimono maker dating all the way back to the 17th century. Having opened as a modern-day department store in 1904, it was partially destroyed by the Great Japan Earthquake of 1923. However, it relaunched in 1926 with modernist architecture and a host of retailers that sold products that appealed to the new Japan. The above poster, by graphic designer Koike Iwao, announces the store's reopening and features Mitsukoshi's famed entrance lions. Iwao was also part of Sugiura's influential Shichinin-sha artist collective, which produced a vibrant magazine that signalled a new direction for Japanese artistry. Japanese Modernism is on display at the National Gallery of Victoria, Melbourne until October 4, 2020. It's free to attend. Find more exhibition details at the NGV website. Top images: Installation views of Japanese Modernism at National Gallery of Victoria. Photos by Tom Ross
When you wish upon a star, do you wish for all things Disney to be worked into your daily life? If so, then you'll be familiar with Sydney fine-dining institution NEL and its Once Upon a Time degustations. Since 2019, the Harbour City restaurant has been regularly plating up 11-course meals featuring dishes inspired by the Mouse House and its movies. In fact, it's done so four times so far. 2024's run will mark the enchanting dining experience's fifth chapter, then — and NEL's Executive Chef and namesake Nelly Robinson has new film-themed culinary creations in store. From Tuesday, April 16–Saturday, August 10, fans of top-notch meals and Disney alike can flutter into the Surry Hills eatery to enjoy courses that take their cues from Frozen, 101 Dalmatians, The Jungle Book and more. Both savoury and sweet dishes are on offer, with or without beverages — including cocktails — that also help tell a magical tale. For those who'll never be able to let their Mouse House obsession go, cured ocean trout Nordic-style — complete with a pickled onion snowflake, snow made out of cream cheese, and dustings of lemon and dill done at your table — is on the menu. Of course the Cruella de Vil-themed plate goes with a black-and-white colour scheme, featuring ricotta gnocchi, pan-seared mushroom and a celeriac velouté. And there'll be far more than the bare necessities tempting your tastebuds with the banana-shaped cream paired with roasted white chocolate and peanut butter brittle. Other courses include a nod to Peter Pan via a golden sweet pastry crumble, aka the Once Upon a Time degustation's version of pixie dust; saying "hi ho, hi ho" to a Snow White-inspired dish; and also paying edible tribute to Mulan, The Lion King, Bambi and The Nightmare Before Christmas. There's even NEL's version of a wand, aka a chicken and eggplant pastry that comes in a crisp tulle. "I am taking our diners on a journey of nostalgia. It is so much fun creating this menu. The films continue to inspire me. With the team at NEL, we have crafted the menu to ensure a moment of joy and wonder in every single dish," says Robinson about his fifth Once Upon a Time menu. NEL is known for its themed degustations, also spanning KFC-inspired dinners, Moulin Rouge!-themed and Christmas degustations, and heroing native Australian ingredients in the past. Unsurprisingly, the Once Upon a Time spread is especially popular — and because it serves up new and fresh dishes riffing on the Mouse House's favourites each time, it's always a different experience each year for locals and Disney-adoring visitors to Sydney. Price-wise, this childhood-inspired feast will require an adult salary, costing $185 per person, with beverages matched for an extra $165. Reserving a spot ASAP for dinner Tuesday–Saturday from 5.15pm, and for lunch from 12pm on Saturdays as well, is recommended — this always books out. NEL's Once Upon A Time (Chapter Five) degustation is on offer from Tuesday, April 16–Saturday, August 10, 2024 at 75 Wentworth Avenue, Sydney. For more information or to book, head to the NEL website.
Thanks to COVID-19, the wait was a lengthy one. But finally, seven months after its planned launch date, Moonee Ponds' long-anticipated new mess hall and beer garden has opened its doors. The latest venture from The Ascot Lot's Jacob Bettio, Lachlan Taylor and David Bartl, Holmes Hall debuted in November 2020, taking over the sprawling 500-square-metre space once home to Russo's Supermarket. Adjacent to the boys' existing craft bottle shop Fizz & Hop, the historic building has been stripped back to its bones, now featuring plush velvet booths, warm timber accents, terrazzo tabletops, lots of greenery and a touch of neon to complement the original brickwork and concrete flooring. [caption id="attachment_797546" align="alignnone" width="1920"] Parker Blain[/caption] The newcomer boasts space to seat 400 punters, while its expansive bar offering ensures none of them will be going thirsty in a hurry. Beer-lovers will find a huge 20-strong tap lineup pouring a diverse rotation of brews, most recently including the likes of Mountain Goat's Botanical IPA and the Petal Head summer ale from Preston's Tallboy & Moose. There's a tight list of wines from both near and far — perhaps the Gilbert skin contact sauv blanc out of Orange — and crafty cocktails ranging from a Nutella-infused espresso martini, to the vegan-friendly Crumbly Cob, which features apple pie moonshine, spiced syrup and Dewar's scotch. Inside, choose from an array of nooks, booths and spaces to settle in and enjoy your sips, or make the most of the summer rays with a table in the sun-drenched beer garden. In the kitchen, chef James Curby is turning out a share-friendly menu of gastropub eats, for both lunch and dinner. Graze your way through plates like the spicy Szechuan-style squid, patatas bravas served with olive aioli, loaded vegan boards and the Meat Lover's Beer Platter: a hefty assembly of barbecued meats, homemade pretzel and beer jam, with extras like sauerkraut and pickled chilli cauliflower. There's a trio of burgers, a verdant summer risotto and a daily-changing pasta special, while Thai-style chicken comes tossed in a lemongrass and lime caramel, matched with herby slaw. [caption id="attachment_797551" align="alignnone" width="1920"] Parker Blain[/caption] No one's about to go bored outside of the eating and drinking, either. You can unleash some competitive spirit on the shuffleboard table or rotating pinball machines, and kick back to tunes from resident DJs every Friday and Saturday. Plus, just like its sibling The Ascot Lot, Holmes Hall is set to deliver a jam-packed calendar of weekly happenings and one-off events, promising a different experience every time you step through the doors. Find Holmes Hall at 15 Holmes Road, Moonee Ponds. It's open from 5–11pm Wednesday–Thursday and 12pm–1am Friday–Saturday ad 12–11pm on Sunday. Images: Parker Blain
When March 18 hits, it will have been 12 months since the Australian Government implemented an indefinite ban on international travel due to COVID-19, only allowing Aussies to leave the country in very limited circumstances. Accordingly, just when jetting overseas will be back on the agenda has been the subject of much discussion. Last year's prediction that opening up to the rest of the world wouldn't happen in 2020 proved accurate — and, earlier this year, Australia's ex-Chief Medical Officer Brendan Murphy (now the Secretary of the Department of Health) said that we might not be going anywhere until 2022. Whether that last forecast comes true is obviously yet to be seen but, thanks to a new extension of the human biosecurity emergency period under the Biosecurity Act 2015, Australians definitely won't be travelling overseas until at least mid-June. Yesterday, Tuesday, March 2, Federal Minister for Health Greg Hunt announced that the emergency period now spans until June 17, 2021, which'll mark 15 months since it was first put in place. The extension comes on the advice of the Australian Health Protection Principal Committee (AHPPC) and Commonwealth Chief Medical Officer, with the former advising "the Australian Government the COVID-19 situation overseas continues to pose an unacceptable public health risk to Australia, including the emergence of more highly transmissible variants". So, it means that the current rules regarding international travel will remain in place for at least another three months, restricting Aussies wanting to fly overseas and folks wanting to return home, and also cruise ships keen to enter Australian territory. It also extends current limits on trade of retail outlets at international airports, and requirements for pre-departure testing and mask-wearing for international flights. This isn't the first time that the emergency period has been lengthened, following several moves in 2020 — however, the government has noted that they "can be amended or repealed if no longer needed". With vaccinations starting to roll out around Australia, Qantas and Jetstar have begun selling tickets for overseas flights for trips scheduled from October, demonstrating hope that the country's international travel rules might ease by then. Of course, the fact that you can book a trip doesn't mean that you'll actually be able to take it — because the current border closure may get extended again — but if you're keen for an overseas getaway, you might want to cross your fingers. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
After its inaugural take in 2017, Pitch Music & Arts Festival is coming back in 2019, this time with an even bigger lineup of electronic acts and visual art on display. The four-day event will again take over Mafeking — about three hours northwest of Melbourne — from Friday, March 8 to Monday, March 11. The BYO camping festival is brought to you by the team behind Beyond the Valley, who will set up a satellite community out in the bush and invite festival-goers to pitch a tent — with glamping setups on offer — then fully immerse themselves in the weekend's festivities. Those festivities primarily centre around the live music offering, with 45 acts already announced (up from 30 in 2017) and more to follow. The 2019 international lineup features UK techno trendsetter Daniel Avery, the State's emerging techno heavy hitter Avalon Emerson and live electronica by Germany's David August. Denmark's DJ Courtesy, UK dance king Denis Sulta and warehouse techno DJ Eclair Fifi also make the docket, alongside local Aussie acts like Toni Yotzi, Banoffee and 30/70 live. You can check out the full lineup here. On the arts side of things, you can expect CGI, spacial design and light installations from a host of Australian artists and creative companies, all of which are arranged to interact with the festival at large. Pitch Music & Arts Festival will run from March 8–11, 2019, in Mafeking, Victoria. You can register for pre-sale tickets here — they go on sale at midday on Tuesday, October 30.
Hayao Miyazaki took five years to complete his latest animation, but you can make yours near instantly, with a new piece of software called Plotagon. The democratically easy-to-use and pretty much mind-boggling technology transforms your screenplay into an animated film. lt turns your layperson's screenwriting into code, creating an animated movie just as you envisioned it, with the set, dialogue, tone, movement, sounds and music to boot. That's right; you type the words, and then they just happen. But with an aesthetic reminiscent of The Sims, animations can be pretty wooden, and unless you buy from the Plotagon in-built store, your character and setting choices are limited. Okay, so maybe the program almost creates the movie you envisioned. But with software fast developing and designers constantly making tweaks, we can soon expect to create our own 3D characters.On the plus side, some of the characters have been created specifically for the app by legendary comic book creator Stan Lee (Spiderman, Hulk), so they may be better than the ones you'd spun yourself anyway. For the moment, it’s the ultimate platform for fan-fiction writers, and a space for 13-year-olds to live vicariously through a better-looking or more popular avatar. But with the possibility to add canned laughter after every line, a satirical sitcom will be this writer’s first project. Plotagon is free to download and currently in beta. Story via PSFK.
It's been a long wait in Australia if you want to rock 'n' roll with AC/DC live. 2025 marks ten years since the iconic Sydney-formed band last took to the stage Down Under. It's also the year, thankfully, that they're making their Aussie concert return. After kicking off in 2024, the group's Power Up tour has finally locked in Australian dates, with Brian Johnson, Angus Young and company hitting up five cities in November and December 2025. Getting thunderstruck: Melbourne to kick off the Aussie leg on Wednesday, November 12; Sydney on Friday, November 21; Adelaide on Sunday, November 30; Perth on Thursday, December 4; and Brisbane to wrap up the Australian shows on Sunday, December 14. As one of the biggest bands that the country has ever produced, AC/DC are putting on huge gigs at every one of their homegrown dates. Let there be rock at Melbourne Cricket Ground, Accor Stadium, the bp Adelaide Grand Final, Optus Stadium and Suncorp Stadium, then. This is the first time that the legendary Australian rockers have toured Down Under since their 2015 'Rock or Bust' world tour. For this run of dates, Amyl and The Sniffers are onboard in support to make these massive Aussie concerts even more so, and to give attendees a taste of two different generations of Aussie rockstars. Playing Sydney isn't just part of a fitting homecoming for AC/DC, but comes more than half a century since the band played their first-ever show in the Harbour City. Their 2025 gig will be just over a month and a half short of 52 years since that 1973 debut. Power Up is also the name of the group's 2020 album, their most-recent record — which debuted at number one on the Billboard 200, made multiple best-of lists for that year and scored Grammy nominations. For those about to rock, AC/DC's high-voltage current set list spans their entire career, however, including everything from 'If You Want Blood (You've Got It)', 'Back in Black' and 'Hells Bells' to 'Highway to Hell', 'Dirty Deeds Done Dirt Cheap' and 'You Shook Me All Night Long'. So far, the Power Up tour has played Europe and North America, selling more than two-million tickets across 24 shows in the former and notching up ten soldout gigs in the latter. AC/DC will be back in Europe, hitting the Czech Republic, Germany, Poland, Spain, Italy, Estonia, Sweden, Norway, France and Scotland, before their Aussie dates. AC/DC Power Up 2025 Australian Tour Wednesday, November 12 — Melbourne Cricket Ground, Melbourne Friday, November 21 — Accor Stadium, Sydney Sunday, November 30 — bp Adelaide Grand Final, Adelaide Thursday, December 4 — Optus Stadium, Perth Sunday, December 14 — Suncorp Stadium, Brisbane AC/DC are touring Australia in November and December 2025, with tickets on sale from Thursday, June 26, 2025 — at 9am AEST for Sydney, 10am ACST for Adelaide, 11am AEST for Brisbane, 1pm AEST for Melbourne and 1pm AWST for Perth. Head to the tour website for further details. Images: Christie Goodwin.
The first sip of an oat flat white from your local cafe tells you everything you need to know. On a good day, it's smooth, balanced and creamy — on a bad day, it's flat, split or watery. So what makes the difference between a great (or not so great) dairy-free coffee? According to Anthony Douglas, World Barista Champion, long-time team member at Melbourne's Axil Coffee Roasters, and MILKLAB Global Brand Ambassador, it all comes down to the milk. Anthony knows a thing or two about making great coffee. And he's spent more hours than most perfecting the relationship between espresso and milk. "When I first touched a coffee machine I had no idea there were even competitions let alone that I would be up there myself on stage," he tells Concrete Playground, when asked how he became one of the world's best baristas. "About five years into my career, that was my first exposure to competition. I decided to give it a go, and realised how much I could learn and grow through competition. That's what kept me going until I finally won." Now, his approach is all about the fundamentals. In fact, he believes a great cup of coffee should be simple. "I've always found the best results by keeping the process simple, focusing on the basics and executing them well," he says. For Anthony, a good coffee using plant-based MILKLAB comes down to three things: temperature, texture and integration. "[It's about] being really present as you're steaming the milk and breaking down those bubbles. [Also] being conscious of how you're integrating the milk with the espresso so you preserve the flavour, while still ensuring it's integrated properly from top to bottom," he says. It's something most people have tried at home, but it seems easier said than done. That is, until you've got a few of Anthony's go-to techniques up your sleeve to help achieve the perfect jug of silky milk. "I think it's important to achieve an even whirlpool and really maximise the power of the steam wand," he recommends. "Tilting the wand to the side enough so it spins, but not too close to the side, and ensuring it's angled low enough to really break down any bubbles on top." If you really want to level up your milk game, he suggests introducing the air quickly so you have more time to texturise the bubbles into that delicious, creamy microfoam. And his final tip is temperature. "Too hot and the quality of the milk degrades, is more dilute (due to the extra time spent introducing steam). Too cool and the milk can overpower the flavour of the coffee due to the lack of dilution." "Drinking temperature also has a massive impact on the types of flavours we experience and is one of the first things most customers notice when drinking a milk-based coffee." [caption id="attachment_1014856" align="alignnone" width="1920"] Anthony Douglas, World Barista Champion[/caption] When it comes to plant-based options, Anthony has a clear favourite — but rates them all. "Each milk does have its own unique flavour and texture based on the ingredient it's centred around," he says. "I think my favourite would be MILKLAB Oat as it is the most versatile and works well to showcase any coffee it's paired with. MILKLAB Almond has a beautiful natural sweetness from the almond and is quite easy drinking. MILKLAB Soy I find has a great rich sweetness and body. MILKLAB Macadamia has this beautiful lush texture. And MILKLAB coconut once again has an amazing texture and tropical flavour that really works well with coffee." It turns out, not every milk behaves the same way with every coffee and there's quite a bit of science behind making sure things go smoothly. "The key is understanding how they interact with different coffee. Coffee that is highly acidic, very fresh, or roasted darker often doesn't integrate as smoothly and can cause separation or curdling," he says. If you're running into this issue, Anthony has one simple trick. "[You can] add a small splash of cold plant-based milk to the espresso before steaming and pouring. Cold milk has a higher tolerance for acidity and heat, and this step can help neutralise the compounds in the coffee that might otherwise cause a negative reaction." So, there you have it. To get a plant-based coffee worthy of a world champion, go back to basics, perfect your steam wand technique and don't forget the power of temperature. With a little intention and the right milk, you can get cafe-level results at home. Discover the full barista-approved MILKLAB range on the website.
In Melbourne we are known for our coffee and our laneway cafes. The latter, which can often be very tricky to find, regularly serve up the aforementioned tasty coffee. Here, we select our favourite laneway spots to grab a latte or two in the shade. League of Honest Coffee From the team behind Padre and the Brunswick East Project, these guys know a thing or two about coffee. You can expect a few choices when deciding on your single origin for the morning. The menu is small, offering a range of noisette pastries for a start. But the real drawcard here is the brew and the relaxed atmosphere that the staff and the space offer. 8 Exploration Lane, Melbourne, padrecoffee.com.au Silo by Joost Joost Bakker, the passionate eco-entrepreneur that he is, has created Silo by Joost and has done so with no waste. Food scraps and napkins don’t go into the bin here, they go into the on-site dehydrator out the back. The menu is small and to the point. Toast, oats, and coddled hens eggs sum it up. Snacks and local alcohol are served into the night. If you are looking to do your part for the environment, you can start with a breakfast at Silo. 123 Hardware Street, Melbourne, byjoost.com Journal Cafe Located in the same building as the City Library, this little cafe is sure to make you want to delve into some Austen or Fitzgerald as you sip your espresso. It’s very cozy here, and with the big communal table in the middle it can feel like everyone is a friend of a friend. The menu offers simple breakfast fare done well. They also have six bruschettas on offer, both sweet and savoury. 253 Flinders Lane, Melbourne, journalcafe.com.au Bar Americano Known for its serious cocktails, little sister of Der Raum – and we do mean little – is also a great stop for a quick coffee and bite to eat. There is only standing room for 10 so don’t plan to linger here. As homage to Harry’s Bar in Venice, Bar Americano embraces the Italian way of sipping on the run. If you can find it, down not one but two laneways; they will sort you out, day or night. 20 Presgrave Place, Melbourne, baramericano.com Hardware Societe Hardware Lane is nothing if not bursting with cafes and restaurants, and down the end on Hardware Street, you’ll find Hardware Societe. With a French and European influence, you’ll find more than just your typical breakfast fare. You are likely to have to wait on the weekends, as this bad boy is no well-kept secret. Get there early if you’re in a rush. 120 Hardware Street, Melbourne Jungle Juice This one is small, and as the name suggests they do know their juices. Changing regularly, you’ll often land something different. If you can get a seat, grab a bagel with your juice, or takeaway if all the seats in this little one are occupied. 20 Centre Place, Melbourne Manchester Press Good coffee, serious legroom and delicious bagels, what more could you want really? Manchester Press, once a gallery is open and spacious and a great retreat from the chaos that is Little Bourke Street. With about 10 bagel varieties to choose from, they are your best bet. Venture through the roller door and take your time. 8 Rankins Lane, Melbourne Chez Dre Laneway cafes don’t always have to be found in the CBD. Chez Dre, located in a converted warehouse down a little alley at the rear of Coventry Street in South Melbourne, is where you can find some of the best pastries in Melbourne. With a pastry chef who spent years in Paris honing her art, expect a French influence. If you’re not in the mood for something sweet, hot breakfasts and a range of baguettes are also available. Rear of 285-287 Coventry Street, South Melbourne, chezdre.com.au View all Melbourne Cafes.
From dead characters to killer plants, M Night Shyamalan's films are known for veering off in out-there directions, as everything from The Sixth Sense and The Village to The Happening and Split has shown. So, when a trailer for one of his movies drops, you can expect that it'll tease a strange twist. That's what the first sneak peek at Old did back in February, with the feature's new full trailer now fleshing out a few more details. As already established in the first 30-second clip, Old follows a family led by Gael García Bernal (Ema) and Vicky Krieps (Phantom Thread) as they head off on a beachside holiday. Finding a particularly secluded spot online, they lap up their scenic surroundings — even when a few more people show up. But then a dead body is spotted floating in the water, putting everyone on edge. Next, the couple's kids disappear behind a few rocks, only to return looking much older than they did mere seconds ago. There's an eerie tone to both the initial sneak peek and the new trailer, unsurprisingly. If you're wondering where Shyamalan will take the concept from there, you'll have to wait until the thriller releases in cinemas in July. The filmmaker has penned the movie's script, too; however, he's based it all Pierre Oscar Lévy and Frederik Peeters' graphic novel Sandcastle. Hoping that it turns out more like Unbreakable and less like The Visit is understandable. As well as Bernal and Krieps, Old has amassed a hefty cast, including Rufus Sewell (The Father), Alex Wolff (Hereditary), Australian actors Abbey Lee (Lovecraft Country) and Eliza Scanlen (Babyteeth), and New Zealand's Thomasin McKenzie (Jojo Rabbit) — the latter of whom will be hitting our screens a few times this year, given that she also stars in Last Night in Soho. If you're already getting big Lost vibes, Ken Leung (Star Wars: Episode VII — The Force Awakens) also features. And no, neither him nor any of his co-stars say "I see old people" in the new trailer. Hopefully that'll remain the same in the movie itself. Check out the new trailer below: Old opens in Australian cinemas on July 22. Top image: Universal Pictures.
Fans of Trainspotting will probably want to check out Filth, the new film adaptation of the 1998 Irvine Welsh novel. Jon S. Baird directs James McAvoy as Bruce Robertson, a bipolar, misanthropic junkie detective (role of a lifetime) who, when he's not awash in drugs, alcohol and sex games, spends his time plotting the downfall of his fellow colleagues. In his quest to trump them and secure a coveted promotion, he stops at nothing — stealing their wives, exposing their darkest secrets. Oh, and there's a murder to be solved, too. Things escalate to the point of madness, with plenty of manipulation, hallucination and downright insanity. McAvoy won critical praise for his performance upon the film's UK release and is supported by some stellar UK actors including Jim Broadbent, Jamie Bell and Eddie Marsan (who was so good in Mike Leigh's Happy-Go-Lucky and Paddy Considine's Tyrannosaur). The film will no doubt give a typically Welsh-ian insight into the grim, violent underbelly of Edinburgh — with a few laughs. Filth is in cinemas on November 21, and thanks to Icon Films, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
He made movies that no one else could've. He changed what the world, viewers and fellow filmmakers alike, thought was possible in cinematic storytelling. The greatest television show ever created sits on his resume, a label that would've applied even if it had only received a two-season run in the 90s, but was proven all-the-more accurate when he revisited it two and a half decades later to gift audiences an unforgettable 18-episode achievement. There has never been an artist like David Lynch, and won't be again. Anyone who has had the chance to explore his paintings, drawings and sculptures, too — which made a spectacular Australian showing at a dedicated exhibition at Brisbane's Gallery of Modern Art in 2015, with the man himself in attendance — can't shake them from their mind. Movies, TV, acting, animation, art, music, books, furniture, photography, advertising, music videos, transcendental meditation, comic strips, coffee, weather reports, cooking quinoa, gravity-defying hair: before his death on January 15, 2025, Lynch made an impact upon all of them. "He was in touch with something the rest of us wish we could get to," shared Kyle MacLachlan, Lynch's Special Agent Dale Cooper in Twin Peaks, Paul Atreides in 1984's Dune and Jeffrey Beaumont in Blue Velvet. "David was in tune with the universe and his own imagination on a level that seemed to be the best version of human," he continued. "Every moment together felt charged with a presence I've rarely seen or known. Probably because, yes, he seemed to live in an altered world, one that I feel beyond lucky to have been a small part of. And David invited all to glimpse into that world through his exquisite storytelling, which elevated cinema and inspired generations of filmmakers across the globe," said his Mulholland Drive lead Naomi Watts. For Wild at Heart's Nicolas Cage, Lynch "was a singular genius in cinema, one of the greatest artists of this or any time," he told Deadline. "He was brave, brilliant and a maverick with a joyful sense of humour. I never had more fun on a film set than working with David Lynch. He will always be solid gold." "The world is going to miss such an original and unique voice. His films have already stood the test of time and they always will," noted Steven Spielberg, who gave Lynch one of his last role sas an actor, casting his fellow helmer as another Hollywood great, John Ford, in the autobiographical The Fabelmans. For another filmmaking icon adoring a filmmaking icon, Martin Scorsese also provided his ode in a statement: "I hear and read the word 'visionary' a lot these days — it's become a kind of catch-all description, another piece of promotional language. But David Lynch really was a visionary — in fact, the word could have been invented to describe the man and the films, the series, the images and the sounds he left behind. He created forms that seemed like they were right on the edge of falling apart but somehow never did. He put images on the screen unlike anything that I or anybody else had ever seen — he made everything strange, uncanny, revelatory and new. And he was absolutely uncompromising, from start to finish." When Lynch committed his journey to paper with 2018's must-read Room to Dream, the talent that crafted the most-stunning debut feature there is with Eraserhead, earned a Best Director Oscar nomination for his second film The Elephant Man (and later for Blue Velvet and Mulholland Drive), and has nine Emmy nods to his name for the first and third seasons of Twin Peaks, couldn't have chosen a better moniker for his memoir. When Twin Peaks: Fire Walk with Me advises that "we live inside a dream", it also couldn't have felt more apt. To watch Lynch's work is to fall into his dreams — surrealist visions filled with clashes and contrasts, such as his career-long fascination with the sublime and the terrifying sides of suburbia and domesticity — then be inspired to have your own, whichever places both wonderful and strange that they might take you. [caption id="attachment_987090" align="alignnone" width="1920"] Suzanne Tenner/SHOWTIME[/caption] For Lynch, where his output transports fans to has always been personal, including to them. Famously, he eschewed explanations, letting his creations speak for themselves, and giving everyone watching, viewing, listening and appreciating the room to draw their own interpretations. "It's the ideas that come. And many of the ideas that come are conjured by our world. And we all know that there's many mysteries. I always say that human beings are like detectives: we want to know what's going on and what the truth of a thing is, and we see our world, we feel it, we feel there's things going on," he said to David Stratton at a public in-conversation event during his trip to Brisbane. "I always say that the filmmaker has to understand the thing for himself or herself. But when things get abstract, or a little bit abstract, there's room for many interpretations, and each person should be able to make up his or her mind to feel what the things mean." To pay tribute to Lynch, damn fine cherry pie should be on the menu. So should a damn fine lineup of viewing, because there's no better way to honour a filmmaker like no other than to relish his on-screen dreams. When his family announced his passing at the age of 78, they noted that he'd remind everyone to "keep your eye on the donut and not on the hole". Take that advice by enjoying everything that's available to stream right now — and Lynch's version of a small-town-set TV murder-mystery, its big-screen prequel, a documentary about him, several acting roles and a monkey interrogation are just the beginning. (Sadly, Eraserhead, The Straight Story and Inland Empire aren't available at the time of writing, but they'd be on the list otherwise.) The Elephant Man David Lynch has never been shy about how unlikely it was for the director of Eraserhead to score a job making a Victorian era-set period drama in England with John Hurt (Jackie), Anne Bancroft (Keeping the Faith), John Gielgud (Elizabeth) and Anthony Hopkins (Those About to Die) — or how he thought that once Mel Brooks (Only Murders in the Building), who executive produced the film, saw his debut feature that he wouldn't get the gig. Thankfully Brooks was wowed, and so cinema gained an affecting movie from Lynch that's restrained compared to much of his other output, but also deeply compassionate and unflinching. With Hurt astonishing as its lead, the eight-time Oscar-nominated The Elephant Man tells of the IRL life of Joseph Merrick, whose physical deformities saw the movie's moniker slung his way. The Elephant Man streams via iTunes and Prime Video. Dune Before Timothée Chalamet (A Complete Unknown) became cinema's ultimate spice boy — Paul Atreides, as he plays in 2021's Dune and 2024's Dune: Part Two for Denis Villeneuve (Blade Runner 2049) — Kyle MacLachlan (Blink Twice) walked without rhythm first, in his debut collaboration with David Lynch. The latter disowned his adaptation of Frank Herbert's sci-fi novel, his third feature, his only attempt at a blockbuster and a movie that wasn't met warmly when it released in the mid-80s; however, there's no mistaking the visual ambition that the director attempts to bring to the page-to-screen space opera. Everyone knows the film's narrative due to the two Chalamet-starring flicks, but those versions didn't also star Sting (playing Feyd-Rautha before The Bikeriders' Austin Butler) or Patrick Stewart (as Gurney before Outer Range's Josh Brolin). Dune streams via Netflix and Stan. Blue Velvet What lurks behind seeming perfection is a lifetime-long on-screen obsession for David Lynch, beginning with parenthood in Eraserhead and applying to white picket-fence life in every iteration of Twin Peaks, plus Blue Velvet. Returning home to Lumberton, North Carolina from college, Kyle MacLachlan's Jeffrey Beaumont is soon drawn into the nightmare lived by lounge singer Dorothy Vallens (Isabella Rossellini, Conclave) at the hands of gangster Frank Booth (Dennis Hopper, Crash) — all after he finds a severed human ear in a field near his house. The film's exploration of darkness lingering within also applies to its protagonist, with MacLachlan stellar in a movie that also marks Lynch's first collaboration with Laura Dern (Lonely Planet), features a haunting performance by Hopper and ensures that you'll never hear Roy Orbison the same way again. Blue Velvet streams via iTunes. Twin Peaks It's the mind-bending small-town mystery-drama that comes with its own menu — and with plenty of thrills, laughs and weirdness. Whether you're watching Twin Peaks for the first or 131st time, you'll want to do so with plenty of damn fine coffee, fresh-made cherry pie and cinnamon-covered doughnuts to fuel your journey. David Lynch and Mark Frost's seminal TV series doesn't just serve up 90s-era oddness with backwards talk, log-carrying ladies, couch-jumping monsters and fish in percolators, as centred around the murder of high-schooler Laura Palmer (Sheryl Lee, Limetown), though. It returned for an astonishing third season in 2017 as well that's the finest thing to reach the small screen in the 21st century. There's never been anything on television like Twin Peaks. No one can play a kind and quirky FBI boss like Lynch either, or a dedicated agent like Kyle MacLachlan as Dale Cooper. Twin Peaks streams via Paramount+. Twin Peaks: Fire Walk with Me Twin Peaks: Fire Walk with Me is a prequel to Twin Peaks, as well as the exceptional TV show's leap to cinemas. The film is also a masterpiece in tragedy, and the same in empathy. Before she's "dead, wrapped in plastic" in the program's debut instalment, David Lynch truly sees Laura Palmer and everything that she goes through. Set in the lead-up to her demise, the flick burrows deep into the menacing forces at play. It's a movie of sheer dread, even though viewers know what's going to happen. As only he can, Lynch steeps every frame in the brutal pain, terror and suffering of his doomed protagonist, ensuring that his audience walk in her shoes, feel what she's going through and see how ravenously that the world tears into her, all while baking in his adored surrealist touches. He also works David Bowie into the Twin Peaks cast, magnificently so. Twin Peaks: Fire Walk with Me streams via YouTube Movies. Wild at Heart David Lynch directing Nicolas Cage: of course it had to happen, and thankfully did. That's one helluva filmmaker-actor combination — and when the unrivalled helmer had the incomparable star in front of his lens, the Palme d'Or at the Cannes Film Festival came his way. The movie that Lynch made between Twin Peaks' initial run and the series' big-screen prequel Fire Walk with Me, it features one of Cage's greatest performances. Cage playing one half of a couple on the run (opposite Laura Dern), singing Elvis tunes like he was born to and navigating a Lynchian crime-romance flick truly is what dreams are made of. Adapting the 1990 novel of the same name — by author Barry Gifford, who went on to co-write Lost Highway with Lynch — Wild at Heart is also as distinctive as crime road movies get. Wild at Heart streams via iTunes and Prime Video. Lost Highway It's thanks to Lost Highway that Nine Inch Nails' 'The Perfect Drug' exists; before he was composing Oscar-winning The Social Network and Golden Globe-winning Challengers scores, Trent Reznor also produced this 1997 film's soundtrack for David Lynch. Tunes by NIN, David Bowie, The Smashing Pumpkins and Lou Reed are just one of movie's highlights, however. Initially with Bill Pullman (Murdaugh Murders: The Movie) as a saxophonist, then with Balthazar Getty (Megalopolis) playing an auto mechanic — and with Patricia Arquette (Severance) acting opposite each, featuring in both of the flick's two parts — Lost Highway embraces its sinister tone from the get-go, with its guiding force strapping in for an eerie and audacious ride filled with mysterious VHS tapes, murder convictions and sudden swaps, and refusing to pump the brakes for a moment. Lost Highway streams via Stan. Mulholland Drive In dreams, Mulholland Drive lingers. In reality, the Los Angeles-set masterpiece has as well since 2001. Although the term naturally applies to his entire filmography, movies don't get much more Lynchian than this shimmering neo-noir and tribute to Tinseltown that started as a TV project, and stars Naomi Watts (Feud) as eager aspiring actor Betty Elms and struggling thespian Diane Selwyn. One is fresh from Deep River, Ontario and chasing her dreams. The other no longer has stars in her eyes. Reflections and doppelgängers, fantasies and alternate realities, accidents and surprises, hopes and failures, how Hollywood demands reinvention, the roles that people play for and without the cameras: they're all part of a mesmerising picture (as are Father of the Bride's Laura Harring and Beetlejuice Beetlejuice's Justin Theroux among the cast). Mulholland Drive streams via Binge, Stan and ABC iView. Duran Duran: Unstaged Inland Empire will always be David Lynch's last narrative feature, but it wasn't his last full-length film. Five years after the movie that he wanted Laura Dern to win an Oscar for so badly that he took to Sunset Boulevard with a cow by his side, he helmed Duran Duran: Unstaged. Before making his one and only concert flick, he'd directed music videos for Chris Isaak's 'Wicked Game' and Moby's 'Shot in the Back of the Head', among others. Afterwards, he'd do the same on Nine Inch Nails' 'Came Back Haunted' and several of his own tunes with Chrystabell, too. But just once, for two hours, he brought an entire live gig to the screen — as shot in Los Angeles on the British band's The All You Need Is Now tour, complete with 'Hungry Like the Wolf', 'Girls on Film', 'Notorious', 'Rio', 'A View to a Kill', 'Come Undone', 'Planet Earth', 'Ordinary World' and more on the setlist. Duran Duran: Unstaged streams via Docplay David Lynch: The Art Life Even when a David Lynch-directed project is diving into nightmares, which is often, the filmmaker's movies and TV shows get audiences yearning to spend time in their company, lapping up his unequalled vision of the world. That's the reason that documentary Lynch/Oz, about his obsession with The Wizard of Oz in his work, exists. Watch doco David Lynch: The Art Life and viewers can spend time in Lynch's company as well. For helmers Rick Barnes, Olivia Neergaard-Holm and Jon Nguyen — all directing their only feature so far — Lynch takes everyone on a tour of his upbringing, efforts to make Eraserhead in the 70s, and artistic and musical output. Of course, don't expect any answers. Again, Lynch wants to let his work speak for itself, rather than him speak about it. But do expect to spend an enjoyable time with the unparalleled master auteur. David Lynch: The Art Life streams via Docplay. What Did Jack Do? In a dimly lit room in a grimy train station, a capuchin monkey sits at a table. In walks a detective, who then starts smoking a cigarette and interrogating the animal in front of him. They chat, bantering back and forth as the cop asks questions and the primate answers. At one point, the monkey even sings. Queries range from "do you know anything about birds?" to "you ever ride the rodeo?", all in a quest to solve a murder. A chicken also pops up, and a waitress. If the above scenario sounds more than a little surreal, that's because it is — especially given that it's part of David Lynch's 17-minute short film What Did Jack Do?. The black-and-white piece also stars the inimitable Lynch as the detective. It's a unique, delightful and characteristically eccentric work by one of the most distinctive folks to ever stand behind a camera. What Did Jack Do? streams via Netflix. Lucky Six times throughout their careers, David Lynch directed Harry Dean Stanton. In the year that delivered their last collaboration in one of Lynch's projects — the third season of Twin Peaks, which followed Wild at Heart, miniseries Hotel Room, Twin Peaks: Fire Walk with Me, The Straight Story and Inland Empire — and sadly saw Stanton pass away at the age of 91 after 200-plus acting credits, they teamed up as fellow performers in the delightful Lucky. In the directorial debut of actor John Carroll Lynch (Babes), the veterans are thrust to the fore as Stanton plays a 90-year-old small-town loner who is forced to face his mortality. The landscape of his face pairs perfectly with the arid dessert surroundings, while his specific brand of cantankerous charm finds its match in Lynch as his monologue-spouting, tortoise-loving pal. Lucky streams via Brollie. Read our full review. The Fabelmans With The Fabelmans, Steven Spielberg pays tribute to cinema in as many ways as he can fit into a single feature, all while relaying how he grew up as a movie-loving kid — and sharing the affection with his family, too, as he explores the complicated dynamics that shaped his childhood. The director behind everything from Jaws and Indiana Jones to E.T. the Extra-Terrestrial, Jurassic Park and West Side Story also tips his hat to two other filmmaking forces in his coming-of-age affair: four-time Best Director Oscar-winner John Ford, who Spielberg met when he was starting out, and David Lynch. The latter fellow helmer plays the former, in an inspired stroke of casting. Although any acting performance by Lynch is a treat, this one, as he makes a point about interesting filmmaking using the horizon to Gabriel LaBelle (Saturday Night) as Spielberg's surrogate, couldn't be more perfect. The Fabelmans streams via Netflix and ABC iView. Read our full review.
Almost every bakery in town is spruiking their limited-time Easter creations, so making the best choice for your long weekend won't be easy. If you're weighing up the (many, many) options, just know that Penny for Pound has years of form in this area, having served up in-demand hot cross buns to huge fanfare for nearly a decade. However, in 2025, the bakery is taking things up a notch, with a full range of limited-time goods on its Easter lineup. Hot cross bun fanatics will be happy to know that Penny for Pound's sought-after versions will be available until April 20. There are a two flavours on offer: a dressed-up take on the classic which sees earl-grey soaked raisins, currants and sultanas elegantly balanced with orange zest and cinnamon and a triple-chocolate bun that packs decadent dark chocolate chunks into every bite. But the fun begins with Penny for Pound's new Easter inventions — the hot cross-ant and the hot cross cinnamon scroll. For the former, co-owners Matilda Smith and Ben Wilson put their clever and creative heads together to create a genius mash-up, where flaky croissant meets classic hot cross bun flavours. Filled with cinnamon, orange-spiced almond frangipane and the traditional fruit, these treats are available fresh in-store or as convenient bake-at-home frozen packs. Plus, they're topped with the classic Easter cross. Meanwhile, the hot cross cinnamon scroll features a light, fluffy scroll dough infused with spiced brown sugar, cinnamon and plump sultanas. Glazed with vanilla sour cream and topped with a cinnamon cross, these special edition baked goods are bound to give your Easter long weekend a sweet lift. Founded in 2018, Smith and Wilson have expanded beyond Penny for Pound's original Richmond location, with bakeries now thriving in Camberwell and Moorabbin. Renowned for its intricate and inventive cakes and handcrafted baked goods, the bakery has become a go-to for pastry fans seeking a sweet, flaky bite to kickstart their weekday morning or weekend ritual. Penny for Pound's limited-time Easter treats are available in-store until April 20 at Richmond, Camberwell and Moorabbin locations. Head to the bakery's website for more information.
Nothing says summer like a novelty apron, a hot barbecue and a cold beer. If the size of your outdoor space has held you back from being able to make this sunny dream come true, look no further than the Weber Lumin. The Lumin is a compact, multi-functional, fully electric barbecue that can be used in the smallest of spaces, including apartment balconies or patios. All you have to do is plug the barbecue into a power outlet and you're ready to fire up. Whether you're prepping a picnic, wooing a date or hosting family and friends in your summer-ready outdoor space, we've teamed up with Weber to round up five of our top barbecue recipes for summer. Barbecued BLAT Bagels Whether you're fuelling up for a day at the beach or packing a scenic picnic lunch, you can't go wrong with these barbecued bagel sandwiches. The foolproof recipe can be pulled together in a pinch with ingredients you likely already have in your fridge. Prepare your barbecue to cook with direct medium heat and then throw the bacon and bagels on for less than five minutes. While that's going, season the tomato slices with salt and pepper. Once it's all crisp and cooked, just add some cream cheese, tomato slices, lettuce and avocado, and you're ready to pair that with a glass of orange juice or refreshing lemonade. Grilled Prawn and Guacamole Bites With grilled prawns and fresh avocado, these bite-sized appetisers are summer in a mouthful. The Mexican-inspired recipe calls for only three components and can be ready to serve in under half an hour, making it an effortless option for any hosting duties this festive season. Prepare the guacamole and Cajun seasoning while the barbecue preheats. Coat the prawns in the spices and grill them on skewers until cooked through. To serve, simply top a corn chip with a spoonful of guacamole, a prawn and coriander. Barbecued Barramundi with Quick-Pickled Onion and Salsa Verde If you've got an exciting summer evening planned, the last thing you want is to fall into an afternoon slump after a heavy meal. Opt for a hearty and nutritious feed instead with this simple barbecued barramundi. The buttery, mild fish is paired with tangy pickled onions and herbaceous salsa verde for a hit of flavour with every bite. The only advance prep you'll need to tackle are the quick-pickled onions, which should sit for at least 30 minutes. Otherwise, it's as easy as seasoning the fish fillets with olive oil, salt and pepper before cooking until the skin is crispy, and blending the chopped herbs, capers, lemon juice and olive oil for the salsa verde. Greek Lamb Share Plates with Baba Ganoush This heaping plate of lamb and accompanying sides may look daunting, but actually only takes ten minutes of prep and 25 minutes on the barbecue. That said, it's a surefire way to impress a group of guests at a laidback long lunch on your balcony or in the backyard. Be sure to have an apron and icy bev on hand, as the recipe requires a fair bit of work on the barbecue. Along with the lamb rump steaks, you'll be grilling eggplants, cherry tomatoes, olives, lemon and flatbreads. Your efforts will be well worth it in the end though, as the charred eggplant and caramelised lemon will create a smoky and aromatic Baba Ganoush. Grilled Donut S'mores with Chocolate Dipping Sauce Level up your camping game with these decadent s'mores that use donuts instead of graham crackers. Fluffy melted marshmallows and tart strawberries are sandwiched between warm, brûléed donuts and topped with a rich chocolate sauce. Whisk cocoa powder, cream, brown sugar and a sprinkle of salt over low heat to make the chocolate sauce. On the barbecue, halve and grill the donuts to create a caramelisation on the glaze, and melt the marshmallows on half of the donut slices. Lay strawberries on the other half and assemble it together, and you're ready to coat it in as much chocolate as you wish. Find out more about the Lumin at the Weber website.
Size might not always matter, but when it comes to a sun-drenched rooftop? Well, that's when that saying about bigger being better most certainly rings true. And Melbourne's CBD is about to score a sizeable sky-high destination that's on track to be its biggest rooftop bar yet. The crew behind barbecue joint Fancy Hanks and openair upstairs sibling Good Heavens first revealed their expansion plans for the two Bourke Street venues back in late 2021, after acquiring multiple levels of the site next door. On the cards: a tripling of Good Heavens' sky-high footprint, a refreshed look for the space, and the addition of new bar and pub Springrock downstairs in the former Grand Trailer Park Taverna digs. While the project has been met with delays across the past 12 months, the build is now underway — and the team's dropped a few more details as to what we can look forward to when it's all done and dusted. [caption id="attachment_890060" align="alignnone" width="1920"] Mike Patrick and Kent Bell, by Eugene Hyland[/caption] Slated to open in June is Good Heavens' new and improved rooftop, occupying a record-breaking monster of a space above the corner of Bourke and Exhibition Streets. Under its next guise, executed by Ewert Leaf, the venue's set to embrace a modernised 70s look, sporting a central al fresco fireplace and brutalist-inspired bar façade. As hinted last year, an expanded bar offering will include up to 40 taps, celebrating beer, spritzes and cocktails for all palates. Good Heavens will remain open as normal while the works continue. The wait will be slightly longer for the next phase of the expansion, Springrock, which is set to launch towards the end of the year. Here, the owners are out to offer a destination dedicated to "uncomplicated fun" — a casual, unpretentious pub-style haunt that'll have a 3am license, footy on the big screens and live tunes playing until late. Springrock's menu will take some cues from the taverns of NYC, while also taking advantage of Fancy Hanks' impressive smoker. It's a playful, creative lineup set to feature the likes of crab cake sandwiches, hotdog beef tartare, chicken nuggets paired with Yarra Valley caviar, and a nod to the age-old favourite banana split. Local wines and a hefty range of Long Island iced tea varieties will headline the drinks list. In the meantime, Fancy Hanks is kicking on as usual. Once the whole project is complete, the three venues will work as separate haunts, although you'll be able to easily hop between them all. [caption id="attachment_635010" align="alignnone" width="1920"] Fancy Hanks[/caption] The next phase of Good Heavens will open at Level 2, 79 Bourke Street, Melbourne, from June. Springrock is set to open in late 2023. Top image: Chip Mooney.
Well-known for his visual distinctive style and fondness for symmetry across films such as The Royal Tenenbaums, Moonrise Kingdom, The Grand Budapest Hotel and Isle of Dogs, Wes Anderson is now playing museum curator. Alongside his partner, set designer and illustrator Juman Malouf, he's put together an exhibition for Vienna's Kunsthistorisches Museum: Spitzmaus Mummy in a Coffin and Other Treasures. The creative couple were given a task that plenty would envy: trawling through the Kunsthistorisches Museum's more than four million objects, and selecting their favourites from the incredibly broad collection of in-house artifacts. The end result includes items from all 14 of the museum's collections, which span old master paintings, Greek and Roman antiquities, Imperial coins and more. Think pieces like historical musical instruments, suits of armour, foreign antiques, carriages and sleighs, plus a fully illustrated catalogue. If you're wondering what inspired Anderson, he explains in the exhibition catalogue that, with Malouf, he harbours "the humble aspiration that the unconventional groupings and arrangement of the works on display may influence the study of art and antiquity in minor, even trivial, but nevertheless detectable ways for many future generations to come". And if you're not planning to be in Austria before April 28, 2019 — or in Italy afterwards, with the exhibition set to travel to the Fondazione Prada in Milan at a yet-to-be-announced date — here's a look at what's on offer. [caption id="attachment_703302" align="aligncenter" width="1920"] Exhibition view. © KHM-Museumsverband[/caption] Exhibition view. © KHM-Museumsverband [caption id="attachment_703299" align="aligncenter" width="1920"] Exhibition view. © KHM-Museumsverband[/caption] Exhibition view. © KHM-Museumsverband Exhibition view. © KHM-Museumsverband Spitzmaus Mummy in a Coffin and Other Treasures exhibits at Vienna's Kunsthistorisches Museum until April 28, 2019. Images: © KHM-Museumsverband.
If Twin Peaks can return after 25 years, then holding out hope for Mindhunter's comeback eight years since its second season remains perfectly reasonable. According to star Holt McCallany (Mission: Impossible — The Final Reckoning) — the Bill Tench to Jonathan Groff's (Étoile) Holden Ford — there might be reason to be optimistic. He's shared the tidbit that David Fincher (The Killer) could continue the acclaimed serial-killer series, but as three movies rather than a new season. Mindhunter debuted in 2017, then released its second season two in 2019 — both of which were exceptional. Since then, however, viewers keen for more of the show's look into the origins and operations of the FBI's Behavioural Science Unit haven't been showered with good news. Netflix let the cast's options expire in early 2020. In 2023, Fincher himself said that there'd be no more. But McCallany now notes that the door to reviving Mindhunter is open, even if only slightly. "I had a meeting with David Fincher in his office a few months ago, and he said to me that there is a chance that it may come back as three two-hour movies," said the actor in an interview with CBR. "But I think it's just a chance," he continued. "I know there are writers that are working but, you know, David has to be happy with scripts." Fincher not only executive produced and directed episodes of Mindhunter for Netflix, but did the same on House of Cards — and on Love, Death & Robots as well. His last two movies, Mank and The Killer, were also made for the streaming platform. Next up on his filmography is a follow-up to Quentin Tarantino's Once Upon a Time in Hollywood, as penned by QT, directed by Fincher, starring Brad Pitt (Wolfs) as Cliff Booth and backed by Netflix. Both as a true-crime series and a streaming series in general, Mindhunter has always stood out from the crowd. Combine Fincher, the serial-killer domain that he dug into earlier in Seven and Zodiac, non-fiction book Mindhunter: Inside the FBI's Elite Serial Crime Unit and a whole heap of real-life cases, and you get the greatest show that the streamer has ever made. Its focus: the folks who interview mass murderers to understand how they think, then use the learnings to help stop other killings, with the series drawing on its factual source material to dramatise the Behavioural Science Unit's beginnings. In its first two seasons, McCallany and Groff starred alongside Anna Torv (Territory) — and IRL notorious figures such as Ed Kemper, David Berkowitz and Charles Manson were part of the narrative, with help from Cameron Britton (Mickey 17), Oliver Cooper (Burt) and Damon Herriman's (The Bondsman) performances. There's obviously no word yet as to when Mindhunter could return if it does return. Check out the trailer for Mindhunter's first and second seasons below: Mindhunter's first and second seasons are available to stream via Netflix. We'll update you about any Mindhunter movies if and when more details are revealed. Via CBR. Images: Merrick Morton/Netflix.
The common wisdom, as taught to us by John Howard, that most progressive of reformers, is that less guns on the street equals less gun violence. Seems like a simple enough equation. It seemed to work in Australia after the 1996 Port Arthur massacre and its been the driving idea behind New York's tighter gun legislation. Yet in 8 unbelievable seconds all of our assumptions about gun control and gun legislation became frighteningly and irrevocably obsolete. Thanks to a little thing called 3D printing, a group of Texan anarchists and libertarians known as Defense Distributed have made printable weapons not only conceivable but 100 percent possible. With nothing more than a few-thousand-dollar printer, a couple chunks of plastic and an online file (which you can download for free right now!), you can make a lethal weapon from the comfort of your own living room. As of March, more than 10,000 people had already downloaded one such gun-making file. Unsurprisingly, this development has got US legislators going into overdrive. Earlier this week, New York became the first state to take decisive action on the issue introducing a bill that would make it illegal for anyone but a licensed gunsmith to create a firearm using a 3D printer. The bill also includes a number of important restrictions such as compulsory police notification, registration of any weapon within 72 hours of creation and limits on bullet production. California is expected to introduce a similar bill in the coming weeks. While such legislative action is understandably important, the New York bill ain't about to put a stopper on the production of homemade weapons. According to New York University's resident gun law expert, James B. Jacobs, the Second Amendment will be the least of legislators' worries. He argues that while printable weapons can be restricted in much the same way as assault weapons have been, banning the files that allow you to print 3D guns is a much more difficult prospect. "The First Amendment will not permit banning posting software that would allow 'printing' such a weapon, just as we can't ban Al Qaeda literature on building pipe bombs,” Jacobs says. Whether this technology will make any discernible difference to America's already gun-enriched culture remains to be seen, but for the moment the thought of 'gun labs' popping up in the garages of wayward youths across the country has me scared shitless. Between this and a few fairly spine-tingling videos, it seems fair to say that the possible repercussions of having printable weapons are only just beginning to emerge.
Melbourne's food scene might be world-famous, but it's not all fancy fine-diners and lavish degustations. This fine city of ours also boasts a smorgasbord of top-notch culinary options to suit even the tiniest of budgets. Just because you're saving your dollars — or it's a few weeks out from payday — doesn't mean you've gotta give up the good stuff. We've scouted the streets for Melbourne's best cheap eats under $20 that'll fill your belly without emptying too much from your wallet. There are big bowls of ramen, towering Korean sandwiches and cheesy pizza slices, each one yours for less than $20. Step away from the mi goreng and check out these budget-friendly food finds all over the city. Recommended reads: The Best Pizza in Melbourne The Best Ramen in Melbourne The Best Burgers in Melbourne The Best Banh Mi in Melbourne
Plenty of sun. A little shade. Icy, refreshing beverages. Proximity to a body of water. On a hot summer's day, that's exactly what you want from a bar. Thankfully, Melbourne currently has seven bars that tick all of those boxes — and, they're only around for a short time. Yep, they've only popped up for the hotter months. You'll find an Amalfi-themed oasis on a CBD rooftop, a vodka-fuelled pop-up in St Kilda, a games-filled garden at Fed Square and even one right on the sand at Port Melbourne Beach. Check BOM, round up your mates, head out for an arvo at one of these extremely summery pop-up bars before they disappear
When a film casts a universally adored actor as an unlucky-in-love character, it sends the world a message: that romance's joys and heartbreaks spare no one. When a movie tasks its protagonist with grappling with technology, it makes another statement: that the advancements meant to makes our lives easier can, and often do, have the exact opposite effect. Not just tried-and-tested, but commonplace, these cinematic choices have become cliches. The truisms they represent are already well-known and well-worn, too. And yet reminders don't go astray when they're not only clever and compelling, but baked into a catfishing thriller as twisty, perceptive and engaging as Who You Think I Am, which turns subverting expectations into its very mission. Nothing is what it seems in this French standout. As the picture's moniker makes plain, that includes its protagonist, as played by Juliette Binoche. Starring in a film that initially appears a kindred spirit to last year's rom-com Let the Sunshine In, the acclaimed talent again steps into the shoes of an unhappily single 50-something who's newly navigating the dating pool. Where Claire Denis' rom-com poignantly revelled in the ebbs and flows of being unattached later in life, filmmaker Safy Nebbou uses the scenario as a springboard to examine the contradictions of today's always-online, always-connected society. Finding a partner, whether for now or forever, may be as straightforward as swiping across a screen these days, but it's also burdened with complications and deceptions. There's a glimmer of defiance twinkling in Binoche's eyes when her character, university academic Claire, takes her love life in a drastic direction after her divorce. Adjusting to the new status quo, she still wants to be desired. So, if her ex can run off with someone much younger, then she can have flings with men half her age. When her latest squeeze starts fading out of her life, she also takes up cyberstalking. To discover why Ludo (Guillaume Gouix) has called time on their dalliance without any real explanation, Claire becomes Clara, a fresh-faced fashion intern aged just 24. Soon, the professor isn't just trawling through social media looking for answers about her latest breakup — under her new persona, she's cosying up to Ludo's friend and assistant Alex (François Civil). The ordinary act of clicking "like" on Facebook sparks a thread of direct messages, then texts, then hot-and-heavy phone calls, with Clara and Alex's online affair getting serious quickly. Adapted by Nebbou and co-screenwriter Julie Peyr from Camille Laurens' novel, Who You Think I Am isn't content to just inch towards the expected revelation one keystroke at a time. Nor is it happy to merely probe the unfair importance placed on appearances in the online dating realm, or the ageist tendency to erase women over a certain age. All of the above play a part in this icily, meticulously shot flick, but its insistence on never fitting neatly into any category extends to a narrative that keeps branching off in different directions. Framed by chats between Claire and her therapist (Nicole Garcia), as obsessed with duality as any Hitchcock classic, and also purposefully referencing the notoriously slippery and seductive Dangerous Liaisons, the end result is snaky thriller, a contemplative drama and even a thorny romance. Or, much like Claire, it's a movie with more than one identity. Continuing an exceptional recent run that also includes witty literary comedy Non-Fiction and the stellar, space-set High Life, it goes without saying that Binoche is the glue holding Who You Think I Am together. The film is impressively scripted, structured, shot and styled, and would retain these facets even with a different lead — however the right performer can always elevate a great picture to a higher level. While investing in the story's twists and turns is crucial, and something that Nebbou achieves with aplomb, believing in Claire is even more vital. Whether agonising over the right wording for her next message, itching for the phone that becomes her portal to another world, or confidently embracing not just her online charade, but the chance to rewrite her own tale, Binoche ensures that audiences are with her lonely, yearning character every step of the way. A catfishing movie that makes you empathise with the perpetrator? That's just one of the delights of this sharp, smart and savvily layered surprise package. https://www.youtube.com/watch?v=ShwXIOszzIM
2023 marks eight years since one of the greatest living American directors last released a film. While he did direct an episode of Tokyo Vice's first season in 2022, Michael Mann hasn't had a movie flicker across the big screen since 2015's Blackhat. Thankfully, that's changing with a picture that also gives the world Adam Driver as a race car driver-turned-sports car entrepreneur: Ferrari. Mann adds Ferrari to a resume that also includes 80s masterpiece Thief, The Last of the Mohicans and Heat in the 90s, plus Collateral, Miami Vice and more. For Driver, the film proves another case of living up to his name on-screen. He's played a bus driver in Paterson, and piloted a spaceship in the Star Wars sequel trilogy as well as 65. So, zipping through the Italian streets here fits easily. As both Ferrari's first teaser trailer and just-dropped new full sneak peek show, Driver is behind the wheel in a film that focuses on its namesake when he's an ex-racer. As adapted from Brock Yates' book Enzo Ferrari: The Man, The Cars, The Races, The Machine, Mann's movie hones in on specific chapter of Enzo Ferrari's life: 1957, as potential bankruptcy looms over his factory, his marriage is struggling after a heartbreaking loss and his drivers approach the Mille Miglia race. Accordingly, Ferrari promises to peer behind the Formula 1 facade, into Enzo's relationship with his wife Laura (Penélope Cruz, Official Competition), the death of their boy Dino, and the son Piero with Lina Lardi (Shailene Woodley, Robots) that he doesn't want to acknowledge. If you know your racing history, you'll also know that 1957's Mille Miglia — which spanned 1000 miles across Italy — was its last due to multiple deaths during the event. So, that race won't be an insignificant part of the film. Set to release at Christmas in the US and on January 4, 2024 Down Under, Ferrari also stars Patrick Dempsey (Disenchanted), Jack O'Connell (Lady Chatterley's Lover), Sarah Gadon (Black Bear) and Gabriel Leone (Dom). Check out the trailer for Ferrari below: Ferrari releases in cinemas Down Under on January 4, 2024. Images: Lorenzo Sisti / Eros Hoagland.
Whether it's been six weeks, six months or six years, there's nothing quite like a romantic getaway to add a sense of excitement to a relationship. And now's the perfect time to explore even more of what our fine country has to offer for your next romantic escape. Canberra definitely fills the brief for a romantic getaway — and it's certainly much closer (and more affordable) than Paris. You and your plus one can enjoy stunning views from both the ground and the sky, plus luxe dinners and unique experiences that you may be able to tell the grandkids about one day. Here are five experiences you can have in and around the city that'll help you woo your boo. Please stay up to date with the latest ACT Government health advice regarding COVID-19.
It's about to get a whole lot harder for any NSW driver to get away with using their mobile phone while driving — and it's thanks to a world-first move by the NSW Government, which has agreed to adopt speed camera-style technology to detect the illegal behaviour. As reported by The Sydney Morning Herald, the legislation giving the tech the go-ahead was passed in NSW parliament this week. It's hoped the decision to use the cameras will have a huge positive impact on the number of road fatalities — much like when breath testing was introduced back in 1982 and slashed fatal accidents by almost 50 percent. "The community wants safer roads and better driver behaviour," NSW Minister for Roads Melinda Pavey told The Sydney Morning Herald. "Three quarters of those surveyed supported the use of cameras to enforce illegal mobile phone use." But the technology doesn't actually exist yet. The government will now put the call-out to companies who are interested in providing the technology. Whatever that technology may be. Most drivers will probably see this as a cash grab — fully licensed drivers are looking at a $330 fine and four demerit points if caught — but Mrs Pavey said that money raised from the camera fines will go back into a Community Road Safety Fund. And considering that the dangerous use of phones involved in 184 crashes between 2012 and 2017, it's not hard to see why the decision's got so much backing. Via The Sydney Morning Herald.
If you're a fan of the Apple iPad be sure to pencil March 7, 2012 into your diaries. According to tech site iMore.com, this is the day that Apple will unveil the iPad 3 — or iPad HD. These predictions are in sync with AllThingsD's earlier report that the iPad 3 will be announced in the first week of March. In addition, Apple insider, Jim Dalrymple of The Loop, has indirectly accepted this rumoured announcement date with a solid "Yep." Citing "sources who have been reliable in the past", iMore suggests that features of the next-gen iPad are to include 4G LTE networking, a 2048 x 1536 Retina Display and a quad-core A6 processor. These are considerable upgrades when considering the current iPad 2's specs. Other circulating rumours anticipate an improved camera (either 5 or 8-megapixels), a HD front camera and the possibility of a mini 7" iPad. Considering Apple's world domination in the business of technology, one thing that's for certain is that you'll have to fight off a hoard of iPad-loving vultures before you can get your hands on Apple's newest edition to the iPad family.
When Australia was saying goodbye to border restrictions, the country's various states started giving away vouchers and incentives to get folks travelling around the nation again. Those days are gone, but Queensland still wants everyone — Queenslanders, interstate residents and New Zealanders alike alike — to make holiday plans in the Sunshine State. To help, it's giving away five impressive getaways over five weeks. The catch: you will need to actually answer your phone. If you're the kind of person who always texts about everything over calling, you'll need to change your ways if you want to score a free vacation. First, you'll need to register online, too, to be on the Sunshine State's call list. Then, it's time to wait for the phone to ring. [caption id="attachment_842401" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] On offer: a different free getaway each week, starting with a 12-night road trip for two through Queensland's outback. The first holiday focuses on the Sunshine State leg of the Savannah Way, and will see you start off in Mount Isa, get a 4x4 hire vehicle with rooftop tent for hitting the bitumen, camp in Burketown and Croydon, go up in a hot air balloon, spend two nights in Karumba, glamp (and soak) at Talaroo Hot Springs, stay at (and tour) Undara Volcanic National Park, then end with an evening at Crystalbrook Flynn in Cairns before flying home. You'll need to be able to go between July 8–21. After that, you could nab an island-hopping stint in the Torres Strait for four nights, which covers four people and will happen from May 28–June 1; a four-night Sunshine Coast Hinterland trip for two that's all about artisanal experiences, and runs from July 28–August 1; and six nights in the Bundaberg and Capricorn regions, including hiking the Carnarvon Gorge, from August 15–21. [caption id="attachment_650357" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Or, there's a gather-the-gang getaway in the Granite Belt wine region, flying you and five mates to Brisbane, then sending you out Stanthorpe way. Running from July 14–17, it includes three nights staying at the Barrel View Luxury Cabins. Tourism and Events Queensland is teaming up with Virgin Australia, Air New Zealand, Webjet, MyQueensland, Accor, Helloworld, Luxury Escapes, Expedia/Wotif and Experience Oz on the giveaways, which folks from around Australia and in New Zealand can enter. Do so once and you're in the draw for all five holidays — or however many are left after you sign up before 5pm AEST on Wednesday, April 19. You can only win one, however, and you don't get to choose. Also, if you get lucky, you will be up for some costs such as food. [caption id="attachment_702568" align="alignnone" width="1920"] Tourism and Events Queensland / Jewels Lynch[/caption] To go in the running for the Queensland Is Calling giveaways, sign up online — and find out more via the Queensland.com website, too. Top image: Talaroo Hot Springs. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
It's not every day someone asks you to steal their things. Stolen Rum did just that. They posted notices to telegraph poles asking "Is this your sofa?" and kindly let the good people know where to steal them from. You steal it, you keep it; that was the deal, no tricks. On the same day across three countries — Sydney, Australia; Miami, USA; and Dunedin, New Zealand — people lined up for hours hoping to secure a sofa. Needless to say, all 150 sofas were burgled, plundered and nicked in less than seven minutes. Seven. With the average sofa weighing at least over 30kg, that's some speedy thieving. The Stolen Sofas Project generated a gargantuan amount of public interest, with budding thieves nabbing a spot in line hours before kick-off in each city. The first 50 lounge bandits in Sydney, Miami and Dunedin then had one job to do: nick the lounge and get the heck home. Punters scraped together their best burglary getaway vehicles, trucks, cars, bikes, even skateboards. But the purists simply came with ready hands and previous experience in moving house for their mates. The result? Pure, debaucherous international chaos. Stolen Rum, a new drop on the market, has been winning over hearts in bottle shops across Australia, New Zealand and the States. The company’s inspiration is a rebellion against the “tedious existence of work and pay”. “We cannot buy our lives back, nor can we beg them back,” writes the vagabond theorist on their site. “Our lives will only be our own when we steal them back — and that means taking what we want without asking permission.” Want to know where you can taste Stolen Rum? It's on the shelf at BWS Australia wide and in some of your favourite Sydney bars. Check out all the happy couch thieves from The Stolen Sofa Project day below. Sydney Dunedin Miami
How do you follow up Game of Thrones? So asks one of the biggest questions in pop culture over the past decade. HBO's hit adaptation of George RR Martin's A Song of Ice and Fire series ended five years ago, but the network behind it, the TV industry in general, and everyone involved in it on- and off-screen has been grappling with that query since the series became a worldwide smash. For the cable station that made it, more Game of Thrones shows is the answer, aka House of the Dragon, the upcoming A Knight of the Seven Kingdoms: The Hedge Knight and other floated spinoffs. For Hollywood, leaning in on fantasy franchises has been a solution. And for David Benioff and DB Weiss, the showrunners on the Westeros-set phenomenon, bringing another complex book saga to the small screen is the chosen path. Those novels: Liu Cixin's Remembrance of Earth's Past trilogy, which reaches Netflix named after its debut entry, in another of its similarities with Benioff and Weiss' previous success. So arrives 3 Body Problem, streaming all eight of its first-season episodes from Thursday, March 21, with 2008 book The Three-Body Problem as its basis. Invasions, feuds, jumping timelines, a hefty cast of characters: they're all still in place. So are John Bradley (Marry Me), Liam Cunningham (Dracula: Voyage of the Demeter) and Jonathan Pryce (Slow Horses) among the cast, answering the "what comes next?" question for three Game of Thrones actors. Also, that composer Ramin Djawadi (Jack Ryan) is on music duties again isn't difficult to notice. With 3 Body Problem, which sees Benioff and Weiss team up with True Blood and The Terror's Alexander Woo to bring Cixin's text to the screen, sprawling high fantasy gives away to time- and space-hopping hard sci-fi, however. The danger to global stability still springs from a battle for supremacy, but one where countdowns start dancing in front of some people's eyes, particle accelerators stop functioning properly, other folks can't be seen in security footage, scientists seem to be killing themselves and aliens linger. The series begins with a physics professor being beaten to death in front of a crowd containing his daughter during the Chinese Cultural Revolution. Then, it flits to London today to watch the entire sky wink, gleaming helmets spirit whoever dons them into a complicated and intricate virtual-reality game, and what lurks beyond the earth — and who — play a significant part. This isn't the only attempt to bring Cixin's novels to the screen, with 2023's 30-part Chinese series Three Body getting there first. 3 Body Problem also isn't concerned with creating as faithful a take on its source material as possible; rather, its main aim is to do for science-fiction mindbenders what Game of Thrones did for epic fantasy. Accordingly, this is a propulsive and addictive drama within its chosen genre — and one where pressing "next episode", since the whole first season drops at once, doesn't feel optional. Given how crucial that advanced maths and physics concepts are to its plot (its moniker is taken from orbital mechanics, after all), sparking a must-binge reaction is far from a simple mission. Structurally, cliffhangers are used liberally. Thematically, all of the scientific minutiae, and sci-fi as well, always comes back to people, families by blood and by choice, and humanity as a species. 3 Body Problem's grim 60s-set opening introduces Ye Wenjie (TV first-timer Zine Tseng), who is also punished by the anti-intellectual movement for being her father's offspring and protege. When she discovers Rachel Carson's Silent Spring at the logging camp where she's forced to toil, prison then awaits — then a secretive mountaintop base, where her work changes not just her life, but the planet's future. In 2024, then, as numbers haunt fields of vision and bright scientific minds commit suicide, old choices made by Ye (who is now played by Rosalind Chao, Sweet Tooth) start having an impact. If it all seems like a mystery, 3 Body Problem purposefully plays out like one, complete with detective Da Shi (Benedict Wong, Doctor Strange in the Multiverse of Madness) investigating what's happening for shadowy government agency head Thomas Wade (Cunningham). Enter a sextet with ties to Oxford: Vera Ye (Vedette Lim, FBI) and five of her former students. Saul Durand (Jovan Adepo, Babylon) is her research assistant, not that their studies can continue now that technology is failing them; Jin Cheng (Jess Hong, The Brokenwood Mysteries) also remains in science; Auggie Salazar (Eiza González, Mr & Mrs Smith) is trying to revolutionise nanofibres; Jack Rooney (Bradley) has sold out, making a fortune in junk food; and Will Downing (Alex Sharp, One Life) now teaches high schoolers. Trauma brings them back together. Hallucinations, VR, disappearing strangers and odd occurrences in the heavens keep them connected. Also linked to their plight is Mike Evans, who Ye in the earlier timeline (with Y: The Last Man's Ben Schnetzer in the part), but segues from being an eco-activist to living on a tanker (with Pryce taking over the role). Then there's the headsets, which appear randomly and selectively like the present that no one knows that they want (because no one knows about them before they materialise). Popping one on means tussling with the eponymous quandary in a realm so lifelike that everyone who visits is convinced that they're really seeing, hearing, smelling and tasting everything around them. 3 Body Problem proves a spectacle when it slides into VR. Benioff, Weiss, Woo and their directors — Derek Tsang (Better Days), Andrew Stanton (who made WALL-E in his Pixar days), Minkie Spiro (Pieces of Her) and Jeremy Podeswa (Station Eleven, and another Game of Thrones alum) — understand the allure of escaping, of hoping that something better exists beyond our everyday reality and of dreaming big. With the threat of extra-terrestrials taking over looming large, however, their series also recognises the mundanity, brutality and beauty that surrounds humanity daily. One gruesome sequence, arriving just past the halfway mark of the season, won't be forgotten. When a series has such a wealth of narrative to dig through, and so many ideas unearthed in the process, characters can feel like mere pawns. Thankfully, Benioff and Weiss have also been here before. As they did with Game of Thrones, the duo never let the fact that this is a tale about people first and foremost get out of sight. Among the cast, the always-welcome Wong, both Tseng and Chao as Ye, plus Adepo, Hong and Sharp all leave the biggest imprint — and give 3 Body Problem's story several weighty anchors. In no small part due to their efforts, the show's first season inspires another question as it wraps up: how do you now follow that? Check out the trailer for 3 Body Problem: 3 Body Problem streams via Netflix from Thursday, March 21, 2024. Images: courtesy of Netflix.
Melbourne seems to be following the pattern of another day, another new development. But instead of completely decimating the environment around it, Melbourne's newest mini suburb development in the city's inner-northeast looks like it might the most sustainable yet. It's set to become the world's first 'Tesla Town', with Tesla Powerwalls built into every home along with solar panels and electric car recharging points. The new 2500-home development is called YarraBend, and it will border Alphington, Ivanhoe and Kew in Melbourne's northeast. It's being developed by local property group Glenvill, who, on the YarraBend website, have billed the new residential space as "a world-first Tesla suburb" which is "designed to achieve the highest level of sustainability and quality of life". So what exactly does having a Tesla Powerwall in each home mean? Well, quite a lot. A Tesla Powerwall is a battery that not only powers your home but one that stores power for when you need it. It's designed to hook up with your power source, which is either solar power, or the grid, where most people get their electricity from. And it's really smart, because depending on which power source you have, the Powerwall will either store the solar energy for later or charge itself from the grid in off-peak times. This not only saves you and your household some cash, but it's a step away from Australia's reliance on dirty coal and fossil fuels for power, and means that we can move towards cleaner energy like solar, wind and geothermal. Plus, with Australia only getting its first shipment of the batteries earlier this year, this will be the first large-scale project to utilise them. According to the Urban Development Institute of Australia, YarraBend will be one of the most environmentally sustainable developments in the country. "This development leads the way in sustainability," the UDIA's Danni Addison told the Heidelberg Leader. "Some areas that are a standout include water reduction of 43 per cent, landfill reduced by 80 per cent and the potential to reduce energy use by 34 per cent." Along with the Powerwalls, solar panels will also be a standard on houses in YarraBend. Making it even more futuristic, residents will also be connected through their own app and have access to a complimentary tech-concierge, who'll be on hand to help when your internet goes down. Which, if your internet connection's anything like ours, is all the goddamn time. Via Heidelberg Leader.
Frontmen rarely come as charismatic as Henry Wagons. A storytelling character and a half, the Melburnian native has returned from the dark desert highways of the US to reunite with his band and bring Wagons' shiny new album to the townspeople. Seeing music as a joyous occasion rather than a moment to wallow in your sorrows, Wagons' shows are downright shindiggerous in their approach. "'Music is a public activity — the very birth of music was designed to be joined in on,'' Wagons told SMH. ''The first music was played at celebrations. The insular emo songwriter in the bedroom is this recent offshoot of what music is at its core. Music for me is for other people. I write it alone, but with the idea of playing it for other people.'' Wagons have just released their latest single, 'Beer Barrel Bar', taken from brand new, sixth studio album Acid Rain and Sugar Cane and nabbing a four-star rating from Rolling Stone. With Mick Harvey (The Birthday Party/Nick Cave And The Bad Seeds) behind the mixing desk and Wagons himself bringing his US-inspired country stomping style to the plate, Acid Rain and Sugar Cane has quite the Nashville twang to it. Best enjoyed with a whiskey in hand and a soulmate far away, the LP is a natural evolution of Wagons' indie country blues into an Ameristralian tavern hootenanny. WAGONS AUSTRALIAN TOUR DATES: Thurs May 22 – Pirie & Co Social Club, Adelaide Fri May 23 - Fly By Night, Fremantle Sat May 31 - Republic Bar, Hobart Fri June 6 - Barwon Club, Geelong Sat June 7 - The HiFi, Melbourne Sun June 8 - Karova Lounge, Ballarat Thurs June 12 - The Abbey, Canberra Fri June 13 – Rad (Yours & Owls), Wollongong Sat June 14 - Factory Theatre, Sydney Sun June 15 - Lizottes, Newcastle Fri June 20 - The Zoo, Brisbane Sat June 21 - Railway Hotel, Darwin Thanks to Spunk Records, we have three double passes to give away to Wagon's Acid Rain and Sugar Cane tour — one double pass each for the Sydney, Melbourne and Brisbane shows. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=WXoiX2bFPDY
Boom, boom, boom, boom: Vengaboys want Down Under audiences in a whole heap of rooms when the 90s Dutch Eurodance favourites return to Australia and New Zealand on their latest nostalgic tour. The Vengabus has headed this way for similar throwback gigs in 2019 and 2023, because this group likes to party — and it'll be back again in 2025. Pull out that old Discman, break out the cargo pants and start practising your smoothest dance moves from three decades back — you've got 90's Mania to prepare for. Vengaboys, aka Cowboy Donny, Captain Kim, PartyGirl D'Nice and SailorBoy Robin, will be busting out all of their well-known favourites, such as 'We Like to Party! (The Vengabus)', 'Boom, Boom, Boom, Boom', 'We're Going to Ibiza' and 'Up & Down', when they headline a series of shows that'll also feature DJ SASH!, Alex Party and Livin' Joy. All four acts will play at every one of the tour's nine Down Under dates in January 2025, starting on Friday, January 17 at Metro City in Perth. From there, 90's Mania will make its way around Australia, hitting up Sydney's Enmore Theatre, Waves in Wollongong and Southern Cross Club in Canberra, before pulling into Wrest Point Entertainment Centre in Hobart, Festival Hall in Melbourne and Brisbane's Eatons Hill Hotel. In NZ, Christchurch and Auckland's respective town halls will be jumping to close out the month. Yes, you'll now have Vengaboys tunes stuck in your head just from reading this — and likely DJ SASH!'s 'Encore Une Fois', 'Ecuador', 'Stay' featuring La Trec, 'Mysterious Times' featuring Tina Cousins, 'Move Mania' and 'La Primavera' as well (plus 'Wrap Me Up', 'Don't Give Me Your Life', 'Read My Lips', 'Saturday Night Party' and 'Cause I Can Do It (Right)' from Italy's Alex Party, alongside 'Dreamer', 'Don't Stop Movin', 'Where Can I Find Love', 'Something Beautiful' and 'Follow the Rules' from Livin' Joy). In all Australian stops except Melbourne, Nick Skitz is also on the bill. And in the Victorian capital only, Mark Pellegrini and Joanne join the lineup. 90's Mania 2025 Dates Friday, January 17 — Metro City, Perth Saturday, January 18 — Enmore Theatre, Sydney Sunday 19 January — Waves, Wollongong Wednesday, January 22 — Southern Cross Club, Canberra Thursday, January 23 — Wrest Point Entertainment Centre, Hobart Friday, January 24 — Festival Hall, Melbourne Saturday, January 25 — Eatons Hill Hotel, Brisbane Tuesday, January 28 — Christchurch Town Hall, Christchurch Wednesday, January 29 — Auckland Town Hall, Auckland 90's Mania 2025 Lineup Vengaboys DJ SASH! Alex Party Livin' Joy Australia only, excluding Melbourne: Nick Skitz Melbourne only: Mark Pellegrini Joanne 90's Mania tours Australia and New Zealand in January 2025, with presale tickets from 12pm local time on Monday, November 4 and general sales from the same time on Thursday, November 7. Head to the tour website for more details. Top image: Sven Mandel via Wikimedia Commons.
Move over Egypt: this summer, visiting the Australian Museum means venturing to South America. After dedicating the end of 2023 and beginning of 2024 to blockbuster exhibition Ramses and the Gold of the Pharaohs, the Sydney institution is wrapping up this year and starting 2025 with another massive must-see blast from the past. In an Aussie-exclusive season, Machu Picchu and the Golden Empires of Peru will display 134 priceless artefacts and head back over 3000 years. When it opens on Saturday, November 23, 2024, this historical showcase from Peru's Museo Larco and Museo de Sito Manuel Chavez Ballon will feature jewels, masks and other treasures, some of which have been found in royal tombs. As the name makes plain, gold is a focus. In fact, Machu Picchu and the Golden Empires of Peru boasts the most-opulent collection of Andean gold that's ever left Peru. As well as peering at its items across the exhibition's six-month stay, attendees will be able to explore Machu Picchu via virtual reality — although that part comes at an extra fee. This highlight of the program is the first-ever VR 'fly-through' of the famous site, organisers advise, and will get Australian Museum visitors feeling like they've been transported both back in time and to the other side of the world via not just VR, but also 360-degree motion chairs and drone footage. "One of the Seven Wonders of the World, Machu Picchu is a top bucket-list destination for many Australians, and this exhibition will further inspire visitors with its state-of-the-art storytelling alongside treasures from these intriguing ancient empires," said Australian Museum Director and CEO Kim McKay AO, announcing the exhibition. "I'm delighted that the Australian Museum will be hosting this exhibition highlighting the rich history and culture of ancient Peru, enabling the people of NSW and beyond to experience Machu Picchu and all our country has to offer," added Consul-General of Peru Mr José Alberto Ortiz. "Through the representation and interpretation of the myths and rituals of Andean civilisations and their rediscovery and reappraisal in the 21st century, it seems possible to reconstruct the foundational images of modern Peru." "I know the public will be captivated by our unique culture dating back more than 3000 years and will be fascinated by the stories of five empires which are still present in our country today," Ortiz continued. Sydney is just the fourth place in the world to welcome Machu Picchu and the Golden Empires of Peru, after the exhibition's stops in Boca Raton in the US, Paris in France and Milan in Italy. Expect the Australian season to be busy, given the nation's love of historical exhibitions at the Australian Museum — breaking attendance records, Ramses and the Gold of the Pharaohs, which was also produced by Neon Global, sold more than 508,000 tickets. Machu Picchu and the Golden Empires of Peru opens at the Australian Museum, 1 William Street, Sydney, from Saturday, November 23, 2024 — head to the exhibition website for further details, and tickets from Tuesday, October 8, 2024. Images: Neon Global.
Inimitable frozen dessert guru Nick Palumbo is responsible for making gelato the hottest thing in Sydney served below 0°C. His revered Gelato Messina sets the benchmark for gelato in Australia, taking a traditional Sicilian craft (everything is made from scratch using raw, natural ingredients) and carefully folding in an avant-garde approach towards flavours (there are six to seven specials released each week, with even the most deceptively unassuming beige ones accumulating Facebook likes in the hundreds). Now he's been tasked with the duty of finding one Australian craftsman blending tradition with inspiration. Ketel One has snagged Nick to sit on the judging panel of their Modern Craft Project, which you might remember us talking about here and which you should probably enter if you have a traditional craft, an entrepreneurial spirit and a partiality towards $100,000 cash prizes. Before the competition kicks off we stole a few minutes out of Nick's busy schedule to get the scoop on his idiosyncratic approach to artisan gelati. Concrete Playground (CP): Why gelato? Nick Palumbo (NP): In Messina, Sicily (where we are from) there is a huge culture of gelato and I wanted to create a brand that used traditional craftsmanship but was flexible in the sense that there is no limit to how creative you want to be. CP: What flavours did you launch Gelato Messina with back in 2002? NP: We only had 20 basic flavours back then but there was always a focus on quality. The innovation started to come in about two years later once we gained the trust of our customers. Coconut lychee, which sounds boring now, was our first "experimental flavour" back then. CP: Why did you decide to do the Gelato Messina Lab? NP: Because in the gelateria, we thought we had taken the quality side of things to quite a high level and all we had now was innovation of flavours. We wanted to push the boundaries a bit and marry in the world of high end patisserie with gelato, and saw it as a huge challenge and something that, to our knowledge, no one had done before. CP: The cakes are incredibly intricate — which one is the most satisfying to assemble? NP: The Black Forest, there are lots of components and the end result looks amazing. CP: They also incorporate many ingredients that aren't normally found in frozen desserts. Which ingredient poses the most problems? NP: All the jellies, they are hard to make soft at -18°C! CP: How do you come up with new flavours? NP: Basically we look for inspiration everywhere, especially from the world of patisserie, but it's also about continually finding flavours that work together. CP: What flavour has been the biggest surprise for you in terms of popularity? NP: Salted Caramel and White Choc Chip. It's now our best seller yet but when it first came out I actually heard a few people saying they didn't like it. Now those same people love it. CP: Obviously coming up with flavours must involve a lot of trial and error. What have been some of the errors? NP: Tomato sorbet. CP: I read a story about the frontman of Amy Meredith turning to his Facebook fans to demand the return of this favourite flavour (Elvis the Fat Years, which was then reborn as Christian Skinny Jeans). Is there anyone else you would like to reincarnate as gelato? NP: My three-month-old boy! The Milky Bar Kid. CP: Why did you want to become involved with the Ketel One Modern Craft Project? NP: Because Ketel One is an amazing brand full of history, which is my dream for Messina, and because there is not much in the way of support in this country for young people with a passion to do good things so anything that will help support artisans is something I'd like to be a part of. CP: What is next for Gelato Messina? NP: We open in Bondi in the middle of next year and we open in China (Hangzhou) in April next year. CP: And finally, cup or cone? NP: Silly question, CONE!
Across six seasons, Netflix's Chef's Table added plenty of high-profile additions to everyone's culinary bucket lists, celebrating the stellar kitchen skills of talents such as Massimo Bottura, Francis Mallmann and even Attica's Ben Shewry. For the streaming platform's next delicious adventure, it's re-teaming with the documentary series' creators for another food excursion — this time focusing on both famous and lesser-known players in the global street food scene. Available to binge now, the aptly titled Street Food hops around the planet to showcase hawker stallholders, food carts and other folks making a big impact in their small street kitchens. In the show's first nine-episode season, Asian cuisine is on the menu. Get ready to get hungry for dishes from Thailand, Japan, India, Indonesia, Taiwan, South Korea, Vietnam, Singapore and The Philippines. Each country earns its own episode, focusing on various local street food heroes, their stories of hard work and perseverance, and the cultural context behind their cuisine. In Bangkok, the well-known Jay Fai takes viewers through her story, while Delhi's Mohamed Rehan whips up a buffalo stew that's been tempting tastebuds since the 1800s, and Chiayi's Uncle Goat cooks in a giant oven cave. Over in Osaka, Mr. Kita has one of the oldest takoyaki stalls in the city, and Singapore's 85-year-old Master Tang has been making wanton noodles since he was orphaned in World War II. Already feeling your stomach rumble? Check out the trailer below: https://www.youtube.com/watch?v=eI_LjETc_Ak Street Food is available to stream on Netflix now. Images: Martin Westlake/Jisang Chung/M.Synchrony/Netflix. Updated: May 28, 2019.
Album artwork, gig posters, band t-shirts, on-stage theatrics — music is mainly about the sound, but it’s also about the look. From endless highways snapped from the window of a tour bus to Capybaras that look like Rafael Nadal, Concrete Playground rounds up ten Instagram accounts that give you a look inside the intoxicating life of a modern muso. 1. ED DROSTE OF GRIZZY BEAR Username: @eddroste If you want to believe that rock stars survive solely on beer, passion and leftover pizza, look away now. According to his Instagram feed the frontman of indie rock band Grizzly Bear halts the tour bus to capture isolated beaches, sundrenched city skylines and pretty pink Peonies. Droste’s mastery of digital filters makes the Brooklyn Botanic Garden look like a scene from Tim Burton’s Alice in Wonderland, and he’s one of the few people who can Instagram his lunch without you wanting to poke him in the eye. 2. BENJAMIN CURTIS OF SCHOOL OF SEVEN BELLS Username: @benjamincurtis Benjamin Curtis’ spacey, psychedelic guitar sound is echoed in his trippy Instagram shots. Capturing everything from dead birds to dilated pupils and blurry neon signs, this futuristic photo feed is the antithesis of Ed Droste’s comparatively tranquil digital scrapbook. Not recommended for pregnant women or sufferers of motion sickness. 3. CATCALL Username: @catcallmusic Catcall’s Instagram feed confirms everything you thought you knew about her — she’s cute, funny and hangs out at cool spots. She’s also a huge fan of tennis, which is a fact you might not ascertain just from listening to her music, and has posted photos of Capybaras that look like Rafael Nadal on more than one occasion. 4. AZEALIA BANKS Username: @azealiabanks A life it would be particularly enjoyable to steal is the life of Azealia Banks. In between rubbing shoulders with Karl Lagerfeld and Kanye West at Chanel parties Banks hangs out with bottles of Veuve Clicquot and Prada handbags, but shots of funny cats and novelty condoms show she’s really just like us. Sometimes. 5. GROUPLOVE Username: @grouplove Grouplove’s Hannah Hooper is a painter as well as a singer and has a BFA from New York’s Parsons School of Design, so she’s probably overqualified for the post of managing her band’s Instagram feed. Her sharp eye has given Grouplove’s Instagram account a pleasantly consistent, colourful aesthetic, kind of like an action-packed hippie convention with less dried kale and more Texas BBQ. 6. BIG SCARY Username: @bigscarymusic Big Scary’s unique blend of indie pop has provided the busy duo with travel opportunities aplenty, and with touring around California comes In-N-Out Burger and Jimmy Dean’s meal sized breakfast biscuits. Big Scary have Instagrammed only 23 times to date, which isn’t great in the fast-paced world of social media, but in this case it’s a matter of quality over quantity. 7. THEOPHILUS LONDON Username: @theophiluslondon Theophilus London’s Instagram bio warns that the feed contains “emotional photos”. The emotion he’s referring to is probably jealousy because the photos are primarily of amazing sneakers, but Instagram’s most stylish rapper also has a penchant for gig posters and his equally stylish friends. 8. TWERPS Username: @twerps “We’ll get drunk, we’ll get stoned, we’ll get high, we’ll get drunk…” A satisfying mix of gig shots, scenery, alcohol and delicious/hilarious food, Twerps have got the workings of a great Instagram feed down pat. The jangly Melbourne quartet might sing about getting sauced, but their digital album is surprisingly coherent (and munchies like Klondike’s frozen Choco Tacos do make for great photographs). 9. PEAKING LIGHTS Username: @peakinglights The Wisconsin duo with an eight-and-a-half minute song called “Marshmellow Yellow” has an equally psychedelic and sun-drenched Instagram feed filled with highway scenery, neon signs and old motorcycles. There’s even a picture of a miniature leather motorcycle jacket for baby Mikko’s birthday present. Cute! 10. SOULJA BOY Username: @souljaboytellem “thanks for liking my pictures if you have time sign up on sodmg.com”. Grammar might not be Soulja Boy’s forte, but he’s incredibly skilled at taking selfies while flexing his muscles, pulling gangsta signs and wearing copious amounts of bling. Instagram is available via the Apple App Store or Google Play
They topped Triple J's Hottest 100 in 2002. They've featured Dave Grohl on drums. Their third studio album Songs for the Death is one of the all-time-great 00s records. They're Queens of the Stone Age, of course, and now they're bringing their latest tour Down Under in 2024, with the band heading our way for the first time in six years. The Josh Homme-fronted group's The End Is Nero tour will be their first trip to Australasia since 2018, and comes after their eighth album In Times New Roman... released in June this year. Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita and Jon Theodore are giving their latest shows an apocalyptic theme, which fans can look forward to seeing at 11 stops in February and March. [caption id="attachment_923130" align="alignnone" width="1920"] Andreas Neumann[/caption] On the itinerary: kicking off the tour in Perth, then heading to Adelaide, Hobart, Torquay, Melbourne, Sydney, the Gold Coast and Brisbane — plus Auckland, Wellington and Christchurch. The Hobart gig will take place on the Mona Lawns, with the date coinciding with Mona Foma 2024 — and yes, they're the Tasmanian fest's first act, with the rest of the event's lineup yet to be revealed. Concertgoers can look forward to a setlist that steps through QOTSA's 27-year history, including their Hottest 100 winner 'No One Knows', plus everything from 'Go with the Flow' and 'Make It Wit Chu' to 'Emotion Sickness' and 'The Lost Art of Keeping a Secret'. In support: Pond and Gut Health on most Australia shows, with The Chats, Spiderbait and Lola Scott joining them in Torquay and on the Gold Coast. In NZ, Pond and Earth Tongue will do the honours. [caption id="attachment_923129" align="alignnone" width="1920"] Wünderbrot via Wikimedia Commons[/caption] Queens of the Stone Age formed in Seattle in 1996 after Homme's prior band Kyuss split up, is linked to the Palm Desert music scene and have seven Grammy nominations to their name. Despite the long gap since their last trip Down Under, they're no strangers to playing Australia, including a joint tour with Nine Inch Nails back in 2014. See QOTSA in February after catching Foo Fighters on their November–December Australian and New Zealand tour and you'll have quite the 00s rock experience. QUEENS OF THE STONE AGE 'THE END IS NERO' AUSTRALIAN AND NEW ZEALAND TOUR 2024: Saturday, February 10 — Red Hill Auditorium, Perth Tuesday, February 13 — The Drive, Adelaide Friday, February 16 — Mona Lawns, Hobart Sunday, February 18 — Lookout, Torquay Common, Torquay Monday, February 19 — Sidney Myer Music Bowl, Melbourne Wednesday, February 21 — Hordern Pavilion, Sydney Saturday, February 24 — Lookout, Broadwater Parklands, Gold Coast Sunday, February 25–Monday, February 26 — Fortitude Music Hall, Brisbane Thursday, February 29 — Spark Arena, Auckland Friday, March 1 — TSB Arena, Wellington Sunday, March 3 — Wolfbrook Arena, Christchurch Queens of the Stone Age are touring Australia and New Zealand in February and March 2024, with presales from 11am local time on Wednesday, October 25 and general ticket sales from 1pm local time on Monday, October 30 — head to the band's and ticketing websites for more information. Top image: Raph_PH via Wikimedia Commons.
Already in 2023, streaming viewers have watched Sam Richardson get spiteful in one of the most kindhearted sitcoms in recent years, and get nominated for his second Emmy for it. They've witnessed him host oh-so-silly game shows, too. It isn't just Ted Lasso and I Think You Should Leave with Tim Robinson that've been keeping him on-screen, but also rom-com Somebody I Used to Know and voicing Shaggy in new Scooby Doo take Velma. Only The Afterparty, which returned to Apple TV+ for season two on Wednesday, July 12, has him playing buddy cop with Tiffany Haddish, however. Actually, The Afterparty has the ever-busy Richardson playing a wealth of roles, but only stepping into one character's shoes. Aniq Adjaye is a wedding guest, doting boyfriend and eager-to-please potential future son-in-law. He's the guy who finally made good on his high-school crush at his reunion in season one, after getting accused of murder when a classmate would up dead at, yes, the afterparty. And, he's whatever his fellow revellers see — because this murder-mystery comedy from Cloudy with a Chance of Meatballs, 21 Jump Street and 22 Jump Street, and The Lego Movie's Christopher Miller is a whodunnit about perspective. The clever, inventive and entertaining twist? Every episode not only takes a different character's viewpoint, but filters their recollections through a parody of a different genre. Sometimes, then, Richardson dives into a romantic comedy within the ensemble murder-mystery comedy. That's what the show's two Aniq-centric episodes — the opening chapters of both 2022's season one and now 2023's season two — have delivered, and delightfully. Richardson is the series' lead no matter which on-screen figure's memories guide each instalment, though, teaming up with Haddish's (The Card Counter) Danner to interrogate his fellow partygoers. So, sometimes Richardson is also plunged into the world of action. Or, he's whisked into a musical, a teen drama or police procedural. In season two, the list includes a Jane Austen-style period romance, both Hitchcockian and erotic thrillers, Wes Anderson's aesthetic and film noir. The Afterparty's second go-around takes Aniq and his other half Zoe (Zoe Chao, Party Down) to her younger sister Grace's (Poppy Liu, Dead Ringers) nuptials to the wealthy-but-awkward Edgar (Zach Woods, Avenue 5). After the ceremony, then the reception, then the post-proceedings, there's a body, a winery full of suspects and questions to ask. There's also Richardson proving as versatile as ever, a skill that's served him exceptionally on everything from underseen Tim Robinson-costarring comedy Detroiters to stealing scenes upon scenes as Veep's Richard Splett — plus a six-episode run on The Office, cinema stints as varied as Spy and Promising Young Woman; and Werewolves Within and Hocus Pocus 2 as well. With The Afterparty season two now streaming, Richardson chatted us through the joy of the show's comedic layers, his odd-couple dynamic with Haddish, living the murder-mystery dream as a big fan of the genre, how he'd respond if one of the series' situations crossed over to his real life, I Think You Should Leave's unhinged reactions and more. ON MAKING A MURDER-MYSTERY COMEDY THAT'S ALSO A ROM-COM, AN ENSEMBLE COMEDY AND A SPOOF OF EVERY GENRE IT CAN FIT IN "There's so much that I love about all these things. I'm a big fan of a murder-mystery — Sam Richardson is. I'm a big fan of a rom-com. And I'm a big fan of an ensemble comedy. So the show is all three of those things. So I got to do that the first season, and then the second season we get to heighten all of that. Now Aniq is investigating not just to protect himself, but to try to figure out actually who the murderer is with him outside the gaze of suspicion. He's now trying to solve this mystery, and also his retelling of the story is a rom-com sequel. So now everything's all heightened when he's telling the story — big setpieces and big physical-comedy bits. That's a really fun thing for me to do, and to get to work with the new cast — everybody's so funny —and all these new genres." ON MAKING A BUDDY-COP COMEDY WITH TIFFANY HADDISH, TOO "They're an unlikely pair [Aniq and Danner], but it turns out they're good partners. One balances the other. And getting to perform with Tiffany — she's so funny. So it's good to play off of that dynamic and that energy. It was such a great thing to do and to get to play with. The two of them — her methods are unorthodox at first, and then his methods are maybe a little sloppy. So together they're able to get through this thing, but [make] an unlikely pair." ON TICKING MURDER-MYSTERY OFF THE ACTING BUCKET LIST "There's nothing more fun than being the one to get to put the pieces together at the end of the mystery — that sort of monologue that Sherlock Holmes has where he explains all the pieces that he's seen, that you've seen as the audience, but now I'm giving you the grand thing, the Colombo sort of speech, the "one more thing, you thought I didn't know this, but ha!". Getting to be in that role is a dream come true for me." ON THE CHALLENGES AND FUN OF JUMPING BETWEEN GENRES FROM EPISODE TO EPISODE "It's definitely both, because you are getting pulled in a bunch of different ways. But that is the fun of it, because you get to explore your character and these genres from all these different perspectives. As an acting exercise, and as a challenge to an actor, you get to say not only 'what is the perspective of this character whose story I'm in, the person who's telling the story, what's their perspective on me?' but also 'what is the trope of this genre?'. 'What is this character in a film noir? And who who is the person within that trope? Who is this person in this Jane Austen story? What is that person in this trope?' But then also at the same time, 'what does the character telling the story think of me? Does this person think I'm untrustworthy? Do they think that I'm a weak person? Do they think that I'm more maybe more bold than I am? Do they think that I'm behaving surreptitiously?'. So that's a fun thing to explore in a show like this." ON THE BEST GENRE TO DIVE INTO SO FAR — AND A DREAM PICK FOR THE FUTURE "I really do love the the big rom-com sequel that I got to do this season — big set pieces and physical comedy. I also really enjoyed the Wes Anderson-style episode, the costumes of the Jane Austen [episode]. Each one has it's [merits] — it's so hard to pick one. But if there was another genre that I would want to do, it'd would be a kung-fu movie. That would be so much fun." ON PLAYING OLD HIGH-SCHOOL BUDDIES WITH SEASON ONE'S CAST — THEN STRANGERS AT A WEDDING WITH SEASON TWO'S "The first season, the cast, and getting to play with that cast, was terrific. And then also the idea that you have this shared history and so you're looking back on these relationships that you've had — but what's the dynamic now? — was such a great thing to get to do. So in this season, there are some dynamics that have existed before. But for Aniq especially, he's meeting so many people for the first time. And so getting to be introduced to these characters, and then to get to work with some of these actors for the first time as well, it was such a great fertile playground for reactions. You're absorbing these people for the first time — whereas on the other side of the coin, you get to fall back on 'oh, this guy behaves like this and I know they do'; this time, you get to be like 'this guy behaves like this, what are they doing?'. So it's two sides of the coin, but the coin is still 25 cents." ON HOW RICHARDSON WOULD REACT IF HE WAS LIVING A MURDER-MYSTERY IRL "I fear that day happening greatly. But I do wonder how I would react, because you want to hope that you'd be bold and be like 'no, it has to have been this'. And you'd answer all the things. I myself, I do like to solve things. So I really would be trying to look at things objectively and be like 'well, no it couldn't have been this because these three people were here at this time, that person was there, and I know they were, and they said that before'. That's kind of how I approach things anyway, so I think if somebody got murdered in my high school, I'd figure out who it was." [caption id="attachment_903580" align="alignnone" width="1920"] Netflix © 2023[/caption] ON WHAT RICHARDSON LOOKS FOR IN A ROLE "Good money. I look for, you know, does it pay my insurance? I am entirely joking — but also not. I really just like characters who have very fun wants, and characters who are able to react to things. So for I Think You Should Leave — I Think You Should Leave is its own sort of thing. That's my best friend's show, and it's sketch, and I very much love sketch and I love playing these characters who have wants that are a little bit unrealistic, and then the reaction to not getting those wants is also unhinged. That's a fun thing to get to do. But then with with shows like Detroiters, the wants there are to spend time with your best friend and represent your city in the best way. I think it ultimately comes down to wants — the interestingness of what characters want, and getting to see how these characters go about trying to achieve them, is what I look for most." Season two of The Afterparty streams via Apple TV+ from Wednesday, July 12. Read our full review of season two.
