Hotel dining all over Australia is currently having a renaissance. Top chefs are being brought in to shake up less-than-inspirational menus. And architects are creating spaces with their own unique identities, separate from the accommodation. Hotel owners are finally seeing the power that comes with turning these restaurants into proper destinations — not just doing the bare minimum to get hotel guests to book a table. One of the latest hotels to really invest in its new restaurant is Hotel Vera out in Ballarat. At the end of January this year, the team launched Babae with Culinary Director Tim Foster (The Gold Mines Hotel and ex-Source Dining) at the helm. This 26-seat fine-diner has no a la carte offerings, instead plating up a seven-course degustation for dinner and a shorter four-course spread for lunch. Foster has worked with farmers, breeders, and providores in and around the Goldfields region for a long time now, so plenty of hyper-local produce will find its way to the plate and into your wine glass. Stuff grown in the hotel's own garden will also feature when possible. Cuisine-wise, it can best be described as contemporary Australian, but it mostly has European influences. Dishes will change frequently, depending on what's in season, but you can expect to find a selection of snacks to start, followed by a bunch of larger dishes and two desserts when heading in for dinner. Wines are unsurprisingly a mostly Victorian affair, with a few sweet Italians also up for grabs when taking on the suggested wine pairings. You won't have a stack of choices when dining at Babae, but with Foster running the show, there's no need to worry. His previous restaurant Source Dining was hatted for nine years in a row, and Babae might just follow suit. You'll find Babae at 710 Sturt Street, Ballarat Central, open for lunch from Friday to Sunday and dinner from Thursday to Saturday. For more details and to book a seat, head to the venue's website. Images Emma Duzhnikov
It's a scenario that many Australians can relate to: it's summer, the temperature has reached scorching levels and you can hear the sounds of someone splashing around in a cool, refreshing pool. Sadly, those noises aren't emanating from your own swimming spot — because you don't have one — and you don't know your neighbours well enough to just pop by for a dip. And, maybe your local waterhole is too far away, you don't live near the beach or the nearest public pool is closed for the day. Combine all of the above, and you're stuck trying to chill out in the bath or under the fan in the sweltering heat. Enter Swimply, a service that's like Airbnb, but for pools. Already operational in the US and Canada, and finally launching in Australia on Tuesday, November 26 — in Sydney, Melbourne and Brisbane so far — it's a fairly typical sharing economy-style platform. One person rents out something they have and don't use all the time, while another person with a short-term need reaps the benefits. In this case, Swimply lets folks with pools lease out their backyard swimming spots when they're not in use, and helps people without pools find a place for a splash, all via an iOS and Android app. If you fall into the latter category, you can hire a spot by the hour. You can also look for pools with specific facilities and inclusions — such as chairs, lounges, towels, wifi, a changing area, access to a bathroom, a barbecue, a shady spot to sit under, night lighting, pool toys and heated waters. Some allow pets, while others are fine with parties and alcohol. Before booking, you can also scope out just how many guests you can bring (and whether kids are allowed), as well as how private the pool is from the neighbours. That said, prices aren't particularly cheap. Splashing around for 60 minutes hovers around the $40 mark, with some pools as low as $20 and others topping out at $50 per hour — all depending on the cost set by the owner. Of course, if you're planning a dip with your pals and can split the price, it's much more affordable. So far, just a small range of pools are available in Australia, with three in Sydney, five in Melbourne and five in Brisbane. Still, if you're keen to hop in one of them, Swimply is offering first-time users a 20 percent discount until December 31, 2019 — just use the code 'SWIMDOWNUNDER'. And if you're wondering about safety, pools are vetted before being added to the platform, in conjunction with pool and spa maintenance company Poolwerx — and checked to ensure compliance with Australian health and safety standards. Swimply is now available to download on iOS and Android.
There are lots of reasons to spend the day hiking along the Murray River in autumn. The weather is perfect and the air is crisp. It's not so cold you have to wear thermals and not so hot you have to dash from shade-patch to shade-patch. You have the glory of nature, of course — and not regular glory but autumnal glory, which studies show is up to 45 percent more glorious than regular nature. But the ultimate best thing about hiking in autumn? The seasonal food that crops up in country restaurants. After a big day hiking, there's nothing better than cosying up to a big, hearty meal. We've paired some of the best hikes around the Murray River with the tastiest treats to indulge in after you return to civilisation. WANDER THROUGH A BILLABONG THEN A WINERY Mildura is the perfect autumn hiking destination for those of us who also love to eat. It sits alongside a natural billabong that was further irrigated when the region was settled, making it an incredibly fertile food bowl and winery region. Head to the Kings Billabong Walk car park, just north of town, and do the 4-kilometre loop. It's an easy, scenic walk through varied bushland and wetlands. Keep an eye out for wildlife (ducks, spoonbills and kingfishers can be seen on the billabong, doing their thang) and at Psyche Bend, you'll see the original pump house that irrigated the region. Once you've worked up an appetite, head over to Trentham Estate Winery, located on the other side of the wetlands and get a taste of the fresh produce from the region. The winery has an award-winning restaurant, with a balcony overlooking the mighty Murray, open for lunch (12pm–3pm). Alternatively, enjoy their excellent cellar door and charcuterie boards before taking a stroll through the grounds. EXPERIENCE COUNTRY LIFE WITH A PUB MEAL AND HISTORICAL RIVER WALK There are lots of historical towns dotted along the Murray River, and Swan Hill is one of the quaintest examples. The River Walk starts just north of the town centre and winds for 4.5 kilometres down the river. It takes you on a journey through the town and the Indigenous history of the region. It's a flat, easy walk that'll take you about two hours. When you eventually make it back to town, you have some classic country-town food options. For a lighter snack, head to Spoons Riverside and grab a coffee on the river. Or head to one of the many country pubs (try the Commercial Hotel or the Federal Hotel) for a nostalgic pub dinner. It's the perfect way to enjoy a brisk autumn night. Parma and a pot, anyone? TEST YOUR STAMINA AND SPICE TOLERANCE IN SWAN HILL If you're in the Swan Hill region and looking for a more intense hiking experience, head south down the Murray and try the Koondrook Red Gum Forest Walk instead. The full walk is a doozy — 13 kilometres of beautiful red gum forest and wetlands in the Gunbower State Forest. It's best to do it in autumn otherwise you'll work up quite a sweat. Keep your eyes peeled for kangaroos, broad-shelled turtles, and giant banjo frogs, which come out at dusk. There's a shorter 9-kilometre walk too, but both paths are relatively flat and easy-going. Afterwards, we recommend heading back up the road to Swan Hill and checking out Java Spice. It's an incredibly cute, kitschy little Balinese restaurant, with flavoursome food and a relaxing outdoor setting. Stretch out your tired limbs and indulge in a fruity cocktail (you've earned it). TAKE TIME OUT FOR COFFEE, CAKE AND ART DECO IN MILDURA Start with morning tea at the beautiful Mildura Arts Centre. The centre started as a classic country house and now has a contemporary wing. Grab morning tea in their outdoor cafe to fuel you for a day of sightseeing. The sculpture park is the perfect setting for a digestive stroll. Mildura has run a sculpture contest since 1961, so their sculpture game is on point. Wander through the grounds to kick off your walking tour. It's a self-guided tour, so you can go at your own pace while taking in the art deco architecture of Mildura. EAT YOUR WAY THROUGH ECHUCA ON A CULINARY TOUR You have a few options for treating yourself in Echuca Moama. Start with a coffee at 7 Beans Coffee on High Street, but don't linger for long, because there are a few more stops on your culinary tour before you're done. Stop in at The Sweet Meadow down the road. It's a cute cafe with an entirely vegan menu. We recommend the creamy avocado served with pesto and spelt sourdough. When you're done, head over to Beechworth Bakery and stock up on sweet bakery treats for your afternoon adventures. From there, head out to Waaia, where you'll rendezvous with Southern Side Eco Tourism. They organise adventure forays into the Barmah Millewa Forest National Park. With their help, you can go kayaking or hiking deep in the national park with all the trimmings (but be sure to organise ahead of time). For more information on the autumn experiences on offer in the Murray region and across the state, head to the Wander Victoria website.
Thanks to the ever-growing array of streaming platforms vying for your eyeballs — and the always-expanding catalogues of films and TV shows hosted on each, too — picking what to watch when you're settling down on the couch is rarely a simple exercise. Before winter is over, Australians will have another option to choose from, with new streaming service Paramount+ launching on Wednesday, August 11. The platform will actually rebrand the existing 10 All Access streaming service, with parent company Viacom CBS Australia and New Zealand bringing it into line with the global Paramount+ subscription offering that launched in America in March this year. For an $8.99 per month subscription fee, viewers can expect to scroll through — and try to pick between – more than 20,000 episodes and movies. That'll include films and series from Showtime, CBS, BET Comedy Central, MTV and Nickelodeon, as well as from Paramount Pictures, the Smithsonian Channel and Sony Pictures Television. If you're the kind of viewer that loves rewatching your favourite flicks, you'll be able to head to Paramount+ to stream movies from the Harry Potter, Lord of the Rings, The Godfather, Mission: Impossible, Indiana Jones, Transformers, Jackass, Batman and Dark Knight Trilogy franchises. Austin Powers in Goldmember, Austin Powers: The Spy Who Shagged Me, Grease and Good Will Hunting will also be available on the service. And, on the TV front, existing series such as The Good Fight, The Twilight Zone, Why Women Kill, Charmed and SpongeBob SquarePants will find a new home. Paramount+ is betting big on new television shows being a big drawcard, though, so you can expect to add a heap of titles to your must-watch list. The new series of Dexter is one of them — and so is the Chiwetel Ejiofor (The Old Guard)-starring TV adaptation of The Man Who Fell to Earth; The First Lady, which sees Viola Davis (Ma Rainey's Black Bottom) play Michelle Obama; Anne Boleyn, with Jodie Turner-Smith (Queen & Slim) as the titular figure; and page-to-screen adaptation The Luminaries. New Australian dramas Five Bedrooms and Last King of The Cross are also destined for the platform, as are Melbourne-shot comedy Spreadsheet and coming-of-age feature film 6 Festivals. The list goes on, including spy drama Lioness, a TV adaptation of video game Halo and The Offer, a scripted drama about on the making of The Godfather. https://www.youtube.com/watch?v=Eaw6mUV3c6o In the US, Paramount+ will also stream Paramount Pictures' big cinema releases — such as A Quiet Place Part II and Mission: Impossible 7 — between 30 and 45 days after they hit cinemas. Whether that'll also happen in Australia from August is yet to be revealed. Paramount+ will launch in Australia on Wednesday, August 11, rebranding the existing 10 All Access streaming platform, with subscriptions costing $8.99. For further information, head to the Paramount+ website.
The best kind of brunch is one that starts during that critical time bracket between 9.45am and 11.30am (a little too late for breakfast, a bit too early for lunch) and lasts until the sun starts going down. In order to make the good times go the distance, you need a well constructed playlist and an extensive spread of food options. And, of course, you are going to need drinks. After all, a well stocked drinks tray is the cornerstone of any successful brunch. What isn't is facing a table full of boozed up guests before the clock strikes 1pm. Now, thanks to an increased demand for delicious low- and no-alcohol options, you can let the brunch beveragino generously flow without getting everyone totalled. We've teamed up with Tempus Two to handpick some liquid inspiration to impress your guests and make your party an affair to remember (literally). THE MOOD: Popping bottles THE SERVE: 2020 Tempus Two Lighten Up Prosecco Nothing kicks off a brunch better than ceremoniously plucking the cork from a bottle of fizz to the sound of wild applause. It's the ultimate sensory trigger that signals a special occasion is going down. The 2020 Lighten Up Prosecco by Tempus Two has the full flavour of a traditional prosecco with crisp notes of citrus and green apple — but at 6.8 percent alcohol volume and a lower calorie count, you can enjoy more than JTO (Just The One). To put that number into context, that's a massive 30 percent less alcohol (and calories) than a standard bottle of prosecco. We'll drink to that. [caption id="attachment_747074" align="alignnone" width="1920"] Walter's Steakhouse[/caption] THE MOOD: Gorgeously garnished THE SERVE: The 'lightly bleeding' mary A good cocktail can be a work of art. And presenting a tray of artfully constructed concoctions can really wow a crowd, especially with some unexpected little touches in the final execution. Like the umami one-two punch of a cornichon and pickled onion alongside a good stalk of leafy celery on your bloody mary. To go the distance, make them what we're going to call a 'lightly bleeding' mary. Top your tomato juice and Worcestershire with a half measure of vodka or gin — or substitute the booze with a quality, non-alcoholic botanical spirits by the likes of Vera, Sea Arch or Seedlip (the Garden 108 is recommended here). All flavour, no regrets. THE MOOD: F Scott Spritzgerald THE SERVE: The springtime spritz Invoke a Gatsby-esque garden party with a bright, signature spritz that not only looks fantastic on the table but can be sipped throughout the duration of brunch. Start with a scoop of ice, then add a generous dash of Lyre's Italian Orange (a very, very good booze-free substitute for Aperol or Campari), pour in your favourite prosecco (the fruity profile of the Tempus Two Lighten Up would work perfectly), and top with soda. Add a twist of orange peel and two slices of strawberry and you're golden. THE MOOD: On the beers THE SERVE: Heaps Normal So you kicked off the morning with bottles of bubbles and a selection of delicately composed treats but now it's afternoon, your guests have settled in and you've just opened a bag of chips. It's beer o'clock, as they say in France. Keep a few tins of Heaps Normal's exceptional Quiet XPA in your fridge. Brewed to less than 0.5 percent alcohol by volume but with refreshing malty sweetness and long finish, it's a great companion for a leisurely day of drinking. THE MOOD: Something smooth THE SERVE: 2020 Tempus Two Lighten Up Pinot Noir Whether you want to serve it lightly chilled or get pouring straight off the wine rack, a good red is always a friend to brunch hosts and guests alike. The Lighten Up Pinot Noir from Tempus Two gives up great wafts of black cherry and a juicy full flavour that makes it as drinkable as any other promising pinot, but with an alcohol content of 6.8 percent, you can keep quaffing this one for that little bit longer — where a standard 750ml bottle would have anywhere between seven to nine standard drinks, there are only four in a bottle from the Lighten Up series. Your cup overfloweth! For more information about the low-alcohol Tempus Two Lighten Up range, head to the website. Top image: Tempus Two
It's always been an excellent concept for a TV series: what happens when 456 people have a chance to make their dreams come true via a huge cash prize simply by playing childhood games? Whether or not there was a murderous edge to this contest — which, of course, there is — this situation was destined to bring out the worst in many of its players. It was also forever bound to stress a point that Squid Game's latest season three trailer utters: "no matter how you look at it, life is just unfair". Those words are directed at Seong Gi-hun (Lee Jung-jae, The Acolyte), who went through this ordeal once in the award-winning Netflix hit's debut season and made it out the other side — only to head back in season two with stopping the game forever his motivation. How he'll fare next is set to play out in Squid Game's third and final season from Friday, June 27, 2025. The mood is unsurprisingly ominous, however, in the newest sneak peek. By now, everyone knows the Squid Game concept: here, trying to win 45.6 billion won means battling 455 other players to the death. Fans will also know that when Player 456 went back into the game with new fellow competitors for company in season two, he found himself closer to the person pulling the strings than he knew. The most-recent batch of episodes dropped at the end of 2024, ended with quite the cliffhanger and seem to have only made the show's protagonist even more determined on his quest — which will again bring him into contact with the Front Man (Lee Byung-hun, The Magnificent Seven). Whatever eventuates, Squid Game's last run will feature a finale written and directed by series creator Hwang Dong-hyuk as it brings its fatal matches to a conclusion. In multiple trailers so far, audiences have been given a glimpse of pleas, big reveals and truths, mazes, jumping rope, a huge gumball machine with red and blue balls, tears, words of advice and more. In Squid Game's second season, Gong Yoo (Train to Busan) also returned as the man in the suit, aka the person who got Gi-hun into the game in the first place — and so did Wi Ha-joon (Little Women) as detective Hwang Jun-ho. That said, a series about a deadly contest comes with a hefty bodycount, so new faces were always going to be essential. That's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all came in. If you've somehow missed all things Squid Game until now, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. As a result, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Watch the latest trailer for Squid Game season three below: Squid Game season three streams via Netflix from Friday, June 27, 2025. Season one and two are available to stream now. Images: Netflix.
Ladies of Leisure — who you may know from their kickass zine, and associated parties, short films and apparel — are bringing back their workshop series for a second year, kicking off on November 22. LOL's workshops are all about creating a safe space for female creatives to grow and up-skill, and the event emphasises its inclusion of people of all orientations and identifications. On Saturday, November 26 the Socially Conscious Careers panel will discuss how you can incorporate social justice into your career without limiting your options. On Wednesday, November 30 Amrita Hepi will present the Feeling Myself 'anti-dance class' — a movement workshop about listening to your body which will finish with a guided meditation. The last workshop Thursday, December 1 Burn Bright, Not Out workshop will provide participants with strategies for managing stress and anxiety, before the series culminates in a three-day market at Junior Space in Fitzroy. Classes are $25 a pop and are capped at 25 people. Here's the full program of workshops. November 22 — Keeping It Real - Beci Orpin November 24 — Dream Baby Dream - Jo Hook November 24 — Jill of All Trades - Sarah Booth November 25 — Carpe DM Your Career - Wendy Syfret & Ingrid Kesa November 26 — Socially Conscious Careers (panel) November 27 — Know Your Writes (panel)November 28 — Get The Message! - Nevena Spirovska November 29 — Pride and Prejudice - Hana Assafiri November 30 — Feeling Myself - Amrita Hepi December 1 — Burn Bright, Not Out - Rachel Service Image: Heather Lighton.
Vivid Sydney is no stranger to lights. In each year's program — including with 2023's set-to-dazzle lineup, complete with Lightscape in the Royal Botanic Garden Sydney — filling the Harbour City with luminous installations is one of the citywide arts festival's main aims. Whether you're a local or a visitor, a wander around town in June involves stunning radiant sights awaiting at every turn. And this year, that glow will extend down to Wynyard's unused railway tunnels for the first time ever. This is the first time ever that the subterranean spot will be opened to the public, in fact — and turned into a light show beneath the streets. Meet Dark Spectrum, the ticketed installation that's world premiering at Vivid Sydney as a just-announced addition to the 2023 program. We hope you like lasers, secret passageways, bright colours and a one-of-a-kind experience, all on offer from Friday, May 26–Sunday, July 16. A collaboration between Vivid Sydney, Sony Music, Mandylights and Culture Creative, this underground spectacle features eight rooms, all heroing a different hue, with the entire setup inspired by raves and their dance floors. They're each meant to mimic the human experience through life, too, as helped by robotics, visual technology and a pulsating electronic dance music soundtrack. Accordingly, Dark Spectrum will take attendees through rooms themed around separation, constriction, pressure and the unseen, then spaces that are all about reflection, the unfamiliar and connection. The last one? It serves up an end with a revelation — which will obviously need to be experienced rather than explained. Vivid Sydney has given a few hints about what's in store, though. In Construction, 150 LED pipes will hang from the roof, while Pressure will feature 50 archways covered in lights and mirrors — and make Wynyard's tunnels look like a never-ending tunnel. Or, there's Interaction, a sea of hanging string lights and illuminated plants that respond to movement, which takes its cues from Avatar. "We're thrilled to announce this world-first experience for Vivid Sydney 2023. Dark Spectrum is a perfect fit for this year's festival theme, exploring the intersection between human emotions, our natural environment and the urban landscape and relics of Sydney's industrial past," said Vivid Sydney Festival Director Gill Minervini. "Diving beneath the surface of what is now one of the city's busiest railway lines, Dark Spectrum is a truly mesmerising and engaging experience for visitors to explore Sydney in a whole new way. I am excited we get to shine a light on unknown spaces across the city". After its Sydney debut, Dark Spectrum will tour the world — so for folks outside of the Harbour City who can't make it along during Vivid, cross your fingers that it next comes your way. Vivid Sydney 2023 will run from Friday, May 26–Saturday, June 17. For further information and tickets — including to Dark Spectrum from Friday, May 26–Sunday, July 16 — head to the event's website.
Forget only celebrating Christmas for one day, or even just 12. Don't limit yourself to a mere 25 days of getting festive, either. At Lune for the entire month of December — including on Christmas Day at some stores — the specials menu is enjoying a merry makeover. Whether you're after croissants, cruffins or a savoury pastry, there's something to suit the occasion right through until Tuesday, December 31, 2024. Each month, Lune Croissanterie whips up a fresh batch of limited-time offerings, giving you something tasty to look forward to when you flip over your calendar. If you've tucked into hot cross cruffins, lasagne pastries and Tim Tam pains au chocolat this year, you'll have tasted the results. Now, with festive season upon us, the Kate Reid co-founded bakery brand is dishing up appropriate treats. Start with stuffed turkey pastries, then move onto gingerbread croissants. First, the sweet stuff. Lune's gingerbread special is a twice-baked croissant made with pecan frangipane, baked gingerbread and molasses caramel, then topped with frangipane, gingerbread, white icing and gold dusted chocolate pearls. From 2023's specials, the choc peppermint twice-baked pain au chocolat is back for 2024, featuring chocolate frangipane and a peppermint patty, then dark chocolate crumb, melted chocolate and crushed candy cane on top. It wouldn't be Christmas without eggnog and pudding, with Lune whipping up its own versions. You can eat your eggnog, rather than simply drink it, courtesy of Lune's latest cruffin. It's stuffed with rum syrup and eggnog custard, then dusted with icing sugar, and also finished with sweetened meringue cream, nutmeg and a spiced chocolate quill. The bakery's Christmas pudding comes filled with brandy caramel and muscovado brandy soaked fruit cake, and is then brushed with a caramel glaze, before being topped with brandy crème pâtissière, candied orange peel and grated nutmeg. For a savoury option, enter The Stuffed Turkey. This pastry is filled with a turkey and croissant pastry stuffing, with sage powder, cranberry sauce, crispy chicken skin and fried sage leaves added on top. Back on sweet dishes, Lune is giving Brisbane a bonus special. Befitting the River City's sultry weather, the chain's ice cream sandwich will be on offer — only at the South Brisbane store, and only between Monday, December 2–Tuesday, December 31. It takes a pain au chocolat, slices it open, then pops in two scoops of croissant infused ice-cream that's been folded with caramelised croissant pieces. After starting off as an off-menu staff snack, it's now being shared with customers. Lune currently operates in Melbourne and Brisbane, so you'll find its December specials available at its Melbourne CBD, Fitzroy and Armadale stores in the former, plus South Brisbane and Burnett Lane in the latter — but the range varies per venue. Online pre-orders are also available at some shops, for some products. Over the Christmas break, stores will be operating as normal until Christmas Eve, then just Fitzroy and South Brisbane will open from 8–11am on Christmas itself. All venues will be up and running from 8am–3pm from Boxing Day until New Year's Day, then standard operating hours return from Thursday, January 2, 2025. Lune's December specials menu runs from Sunday, December 1–Tuesday, December 31, 2024, with different specials on offer at Armadale, Fitzroy and the CBD in Melbourne, and South Brisbane and Burnett Lane in Brisbane. From some stores, you can also order them online. Images: Peter Dillon.
If you're lucky enough to count Woolworths' Double Bay store as your local, you might soon be in for speedier shopping trips and a whole lot less time spent battling the self-serve checkouts. As reported by the Sydney Morning Herald, the supermarket chain will launch a trial of 'shop and go' technology in the Sydney eastern suburbs store from today, Thursday, September 6. The first of its kind in Australia, the program allows customers to dodge the checkouts completely, instead scanning and paying for products via their smartphone as they shop. The new technology has already been embraced overseas, with retail giant Amazon famously opening its first checkout-free, fully automated shop-and-go grocery store in Seattle earlier this year, and China's bricks-and-mortar Alibaba stores using a similar technology. The Woolworths trial will see a few thousand members of its loyalty program — who are also Double Bay regulars — invited to shop there using a special Scan&Go app, which they can download to their smartphones. The customer can then use it to scan the barcodes of each item they take from the shelves, while specially-designed scales will handle the weighing and scanning of fresh produce. At the end of their visit, the shopper can pay for their haul via the app, 'tap off' on a pole near the exit, then leave the store — without interacting with either a human or robot checkout. As well as being faster and, potentially, easier, the new technology has the added benefit of letting customers track their spending while they're going. So, you'll know when those $2 chocolate bars push you over budget. There's no word on how long the Scan&Go trial will run for, and Woolworths says it currently has no plans to roll out the technology to other stores.
In the almost two decades that Gelato Messina has been in business, over 4000 special flavours have made their way through its gelato cabinets around the country. Yes, that's a lot of frosty and creamy scoops. To celebrate some of these oldies but goodies, the chain brings a selection of these flavours back every now and then — and, sometimes, it busts out its entire top 40 greatest hits. That's happening again between Monday, July 26–Sunday, August 1, which is when lucky Sydneysiders, Melburnians and Brisbanites will be able to treat themselves to an entire freezer-full of limited-edition gelato flavours. While, in the past, the greatest hits specials have been a buy-in-shop-only deal, the chain went with preordered tubs in 2020 — so no one had to worry about long queues and empty cabinets — and it's doing the same thing again this year. Gelato fiends can preorder 500-millilitre tubs of the 40 flavours from Monday, July 26. You'll then need to pick them up from Sydney's Rosebery, Tramsheds, Bondi, Darlinghurst, Parramatta and Brighton Le Sands stores; Melbourne's Fitzroy an East Brunswick stores; and Brisbane's South Brisbane store between Friday, July 30–Sunday, August 1. Individual tubs can be filled with just one flavour and will set you back $16, or you can get three for $45, six for $85, nine for $125 or — if you have the freezer space — 20 for $260. Wondering which flavours will be available? This time around, Messina hasn't announced which faves are making a comeback just yet. But, you can likely expect the beloved Jon Snow (white chocolate gelato with dark chocolate mud cake and almond praline), Fairy Bread (toast and butter gelato with 100s & 1000s), Mango Pancake (mango gelato with vanilla cream and pancake crunch), Old Gregg (Baileys and butterscotch sauce) and Robert Brownie Jnr (milk chocolate gelato, chocolate brownie and chocolate fudge sauce) to return in tub form — and hopefully everything from super duper dulce de leche and pavlova to finger bun and Oreogasm, too, if the flavours available in previous years are any guide. Gelato Messina's Greatest Hits will be available to preorder on Monday, July 26 with pick up between Friday, July 30–Sunday, August 1 from Sydney's Rosebery, Tramsheds, Bondi, Darlinghurst, Parramatta and Brighton Le Sands stores; Melbourne's Fitzroy an East Brunswick stores; and Brisbane's South Brisbane store.
The Holy See — Vatican City — is one of the world's smallest countries, nestled entirely inside of the city of Rome. It normally rates above its size in world attention, but for the next two months it's going to to get a double dose of international focus. Now that His Holiness Pope Benedict XVI has taken the almost unprecedented step of stepping down from the pontificate, a story on which most (but not all) journalists got a slow start, we're bound to be getting a lot of incoming footage of this tiny city. But before you get onto the usual round of Latin glossaries, explanations of Vatican lore and law, and no shortage of betting odds. But it also means a lot of time spent with camera staring at the unmoving windows and quiet chimneys of St Peter's Basilica. If your Latin feels a little rusty, you might feel the need to remind yourself about this tiny city state. To help, Concrete Playground has put together this list of five top Vatican movies to get you in the mood for the next two months of Church and State. 1. The Borgias What The Borgias lacks in HBO-like budget, it makes up for with sheer bloody-minded ambition. It starts with the elevation of Rodrigo Borgia (Jeremy Irons) from cardinal to Pope Alexander VI. Breaking with fictional tradition, it takes the violent ambition of the Borgias and places it in the context of their equally violently ambitious contemporaries. It's also okay (though far from perfect) for historical accuracy. Not least in Gina McKee's depiction of Caterina Sforza: the woman who pulled off the most badass flash in history. 2. The Pope Must Die Shorter on historical accuracy or, indeed, any accuracy, The Pope Must Die is a lightweight film, somewhat held together by the presence of Robbie Coltrane, later to be famous for playing the lead in Cracker and Hagrid in Harry Potter. The film was a farcical, nice-guy power fantasy, much in the vein of Kevin Kline's later, pre-Aaron Sorkin presidential comedy Dave. The film spends time behind the scenes at movie Vatican, but is much more of a Prince and the Pauper fable than anything approaching genuine behind the scenes. 3. We Have a Pope Although director Nanni Moretti is best known as a comedian, his work on serious films like The Son's Room have cemented his ability to cross genre. We Have a Pope is named after the proclamation that accompanies the arrival of a new pontiff, usually announced from the papal balcony to expectant crowds below. Except, in this film that announcement never happens. Pope-elect Melville (Michael Piccoli) gets cold feet the moment before the proclamation, and the rest of the film follows a considered will-he-won't-he as Melville decides if he has a future as the leader of the Catholic world. Audiences expected a papal farce from Moretti. And, while the film has its absurd and funny moments as the Vatican bureaucracy tries to deal with a Pope-free limbo (not the least with some biting, volleyball-based satire of Australia's chances in the World Cup), it's neither pro-church nor anti-church; instead, Moretti's film explores the weight of responsibility resting on this maybe-Pope-to-be's unwilling shoulders. 4. Fellini's Roma Federico Fellini examined, and defined, huge swathes of Italian culture in his post-WWII career. He famously flew a statue of Jesus over St Peters — the church at the heart of the Vatican — at the beginning of La Dolce Vita. But Fellini's lesser-known Roma goes the whole hog. As part of its combination of reporterly and exaggerated depictions of Italian, post-war male life and Italian history (not to mention a cameo from an Italian-speaking Gore Vidal), Fellini takes Roma's audience to an imagined fashion show of papal garments. Nuns with oversized, wing-like wimples. Cardinals on roller-skates. The Pope as sun god. Empty, glittering robes. The parade satirises the financial excess, ornamentation, and mystery of Italian religious ritual. 5. Angels and Demons Swapping out The Da Vinci Code's Audrey Tautou for Ewan McGregor, Angels and Demons had the distinction of being the only film in this list to get close to almost filming in the Vatican itself. Although the Vatican famously banned the production from using St Peter's as a filming location, the production simply sent people in with cameras disguised as tourists to take high resolution background photos later stitched together into a passable vatican using CG.
For such a tiny island, Jamaica has had a disproportionate impact on global culture. Naturally, Bob Marley's ubiquitous portrait and defiant, uplifting anthems are the first exports to come to mind. But then there's the rest. It's thanks to Jamaica's 10,911 square kilometres of sundrenched Caribbean goodness that we can gawk at physics-defying athletes, fantasise about encountering Sean Connery or Ursula Andress under a waterfall, and luxuriate in the world's finest coffee and rum. THE FASTEST MAN IN THE WORLD One of his legs is a half-inch shorter than the other. During warm ups, when his competitors are stressed to the max, he's usually found dancing. His height measures in at 6 feet, 5 inches — too tall for sprinting, according to convention. And he describes himself as 'lazy'. Against quite a few odds, Usain Bolt, who grew up in a country town in Trelawny, Jamaica, is the fastest man on the planet. At the 2009 World Championships, held in Berlin, he set the current world record for both the 100 metre sprint, at 9.59 seconds, and the 200 metre sprint, at 19.19 seconds. EVERY JAMES BOND NOVEL YOU’VE EVER READ In 1946, Ian Fleming bought fifteen acres on a cliff-face on Jamaica’s north coast, built a house and named it Goldeneye. He then wrangled an agreement with his employer, The Sunday Times, which allowed him to take January and February off work. When each new year rolled around, he'd hole himself up in his Caribbean hideaway and write a new James Bond saga. By his death in 1964, twelve novels and two books of short stories were completed. These days, Goldeneye is a fancypants hotel and resort where people like Richard Branson and Harrison Ford hang out. BLUE MOUNTAIN COFFEE In Jamaica's Blue Mountains grow some of the most expensive coffee beans you'll find anywhere. Online, they'll set you back $180 a kilogram. They're cultivated in small acreages, between 600 and 1500 metres above sea level, where the moist, cool environment increases the ripening period to as long as ten months. Consequently, the natural sugars within the beans have oodles of time to develop, giving them their famous smooth flavour. JERK Finding a local eatery is never difficult to do in Jamaica. That's because the chief national dish, jerk, gives its whereabouts away, as a result of its mouthwatering aroma. Jerk cooking involves rubbing or marinating meat (usually chicken or pork) with a fiery blend of ingredients known as Jamaican jerk spice. Pimento and Scotch bonnet peppers are crucial, but you can also add cinnamon, nutmeg, thyme, cloves, garlic, salt and shallots. PREMIUM AGED RUM FROM APPLETON ESTATE When Christopher Columbus visited Jamaica in the 15th century, he brought with him sugarcane and rum. Thanks to the island’s lush climate, some of the finest spirits to ever pass the lips of humankind were soon in production. One such place is Appleton Estate — Jamaica’s oldest sugar estate and distillery — which is located in the heart of Jamaica on an incredible 4,614 hectares in the picturesque Nassau Valley. Appleton Estate has continued their craft in the traditional way, using copper pot and column stills for the distillation process, American oak barrels for ageing and naturally limestone-percolated water from the hills of cockpit country. A master blender then blends the spirit by hand, creating the distinctive flavour profiles and handcrafted feel for which Appleton is renowned. Fun fact: Appleton is one of the few rums in the world that can claim terroir: the unique flavour that only comes from being wholly produced in a single location. DUNN'S RIVER FALLS Dunn's River Falls is one of the few waterfalls in the world that you can climb without being in constant fear that you're going to tumble to some horrendous watery death. Even though they're 55 metres high, they're 180 metres long, because they're conveniently shaped like stairs, officially referred to as 'travertine terraces'. In Dr. No (1962), Honey Ryder (Ursula Andress) emerges from the sea at the base of the falls, where she runs into James Bond (Sean Connery). REGGAE, SKA, DUB, ROCKSTEADY Bob Marley might be the most legendary of Jamaican musicians, but he's just the start of the record catalogue. Peter Tosh, Jimmy Cliff, and Toots and the Maytals were all raised on the island too. Reggae took hold in the late 1960s, but before that, there was rocksteady, which The Wailers cut their teeth on, and earlier still, ska. With the '70s emerged dub, spearheaded by producers like Lee 'Scratch' Perry and King Tubby. A WAY OF LIFE THAT ISN'T AN –ISM Some people have fallen into the habit of describing Rastafari as Rastafarianism, but it's a term that followers don't use — and don't like to hear. That's because they're generally extremely critical of 'isms'. The Rastafari movement kicked off in Jamaica in the 1930s. Rastas worship Haile Selassie I, who was the Ethiopian emperor between 1930 and 1974. They refer to 'conventional society' as Babylon, rejecting what they see as its oppression, consumerism and way too much focus on quashing sensual pleasures. COOL RUNNINGS Cool Runnings might have been created by Disney, but its story was inspired by Jamaica and parts of it were shot there. The film hit cinemas in 1993, debuting at box office #3, and was the last movie featuring John Candy released before he passed away. It is (very) loosely based on the real-life experiences of Jamaica's national bobsled team, which made its debut at the Winter Olympics in 1998 at Calgary, Canada. CIVIL RIGHTS One of Jamaica's national heroes is civil rights activist Marcus Garvey. He founded the Universal Negro Improvement Association (UNIA) in Jamaica in 1914 before moving to Harlem in 1916. Like Martin Luther King, he was a rousing orator, and spent years travelling across America, attracting thousands and thousands of loyal followers. His major contribution was boosting African Americans' pride in their culture and encouraging their return to their homelands in Africa.
Break out the pink and don't even dream of wearing sweatpants: it's Mean Girls brunch time. Come April, themed mid-morning meals dedicated to the 2004 teen classic will be popping up in yet-to-be-disclosed locations in Sydney and Melbourne. Yes, like Gretchen's devotion to the word "fetch", someone is trying to make this happen. On offer is a get-together filled with prosecco, cocktails and something edible, plus the flick itself playing in the background. It's the latest in what's proving a growing trend, given the enormous popularity of the already sold-out Harry Potter-themed Wizard's Brunch. If the Plastics were to give their opinion on it, however, we're not certain it'd get the Regina George stamp of approval. Other than the pink-hued outfits and just generally gossiping about the Tina Fey-written, Lindsay Lohan and Rachel McAdams-starring movie, there's not that much else to really throw into the mix. Will attendees eat in a school cafeteria-like setting? Will it feature an all-carb menu to go with Regina's all-carb diet? Will tables be split into cliques like "actual human beings" and "desperate wannabes"? Will Kalteen bars feature? Perhaps a Spring Fling King and Queen will be crowned, which is what's happening at London's version of the event. Also on the agenda is immersive entertainment, although just what that'll be hasn't been revealed. The Mean Girls Brunch will take place at locations in Sydney and Melbourne later this year. We'll let you know when you can buy tickets, and you can sign up for updates here.
When Jennifer Kent's The Babadook creeped its way across screens in 2014, it became an Australian horror classic. Now, five years later, the Aussie filmmaker is back with a completely different type of unsettling film. Prepare to feel just as uncomfortable in The Nightingale, which steps back to Tasmania circa 1825 to follow a young Irish convict (Aisling Franciosi) seeking revenge on a cruel British officer (Sam Claflin) — with assistance on her trek from an Aboriginal tracker named Billy (Baykali Ganambarr). Premiering at the Venice Film Festival last year, the movie made an instant splash, winning a special jury prize for Kent and nabbing the best young actor award for Ganambarr — a dancer from Arnhem Land who had never appeared on screen before. The Nightingale then screened at the Adelaide Film Festival, as well as at Sundance; however the bulk of Australia has been waiting for the film to finally hit cinemas. And, to even catch a glimpse of just what's in store. The just-released first trailer for The Nightingale takes care of the latter problem. "You don't want trouble, but sometimes trouble wants you," Claflin's character snarls menacingly in a particularly chilling moment, with the Hunger Games star definitely playing against type. As for when it'll release locally, the film is set to play this year's Sydney Film Festival before rolling out in cinemas around the country at the end of August. Unpacking Australia's colonial history, as well as its treatment of both women and the country's Indigenous population, it's an absolutely essential and shattering masterpiece — something we say from experience. The vengeance-fuelled film is also far from easy to watch, filled as it is with trauma, darkness, visceral shocks and deep-seated pain. Inspiring walkouts at the movie's sessions in Adelaide, Kent can't be accused of holding back. Check out the trailer below: https://www.youtube.com/watch?v=nfPxmnMAyZw The Nightingale releases in Australian cinemas on August 29, 2019.
A year-long program of design events could be headed Sydney's way, and a two years' worth of bragging rights as well. The New South Wales capital is currently in the running to be crowned the World Design Capital, making the shortlist for the 2020 title alongside Lille in Northern France. If successful, Sydney will play host to six signature events between January and October, with an opening ceremony at the Sydney Opera House, a World Design Street Festival throughout the CBD, an array of exhibitions and conferences in the lead up to Vivid, and a forum coinciding with Sydney Fringe Festival all currently outlined in the city's bid. Masterclasses, a new Festival of the Front Yard that focuses on post-war design and a design camp on Cockatoo Island are also mooted, in a proposal that seeks to "engage, collaborate and design a new model of social impact for an increasingly urbanised world." Beyond the showcase events, much of the suggested program focuses on Parramatta and its surrounding suburbs — and if you're wondering why, there's a good reason. The bid hasn't been put together by the City of Sydney, with the Parramatta council helping to lead the charge as part of a not-for-profit organisation backed by 40 other outfits, institutions and agencies. Still, "Sydney, World Design Capital" has quite the nice ring to it. As for that moniker and how it comes about, the World Design Capital is designated by the World Design Organisation, highlighting cities that use of design to drive economic, social, cultural and environmental development. The 2020 choice will be announced in October, with Sydney potentially joining previous picks Torino (2008), Seoul (2010), Helsinki (2012), Cape Town (2014), Taipei (2016) and Mexico City (2018). Via Sydney Morning Herald / ArchitectureAU. Image: Vivid / Ash Bollard
If you're a fan of Gelato Messina and its frosty sweet treats, the past year or so has been mighty kind to your tastebuds. The dessert chain has released all manner of one-off specials, launched a new range of chocolate-covered ice cream bars in supermarkets and dropped a new merchandise line, for starters. And, thanks to a boozy collaboration, it has also been taking care of your cocktail cravings. Teaming up with Cocktail Porter, Messina started serving up DIY drinks kits last year — and Easter this year, too — letting you make your own boozy beverages using Messina products. Unsurprisingly, these make-at-home packages have proven popular, so one has just become a permanent addition to Cocktail Porter's range: the dulce de leche espresso martini kit. Basically, it's the answer to a familiar dilemma. No one likes choosing between tucking into dessert or having another boozy beverage — so these kits combine the two. To enable you to whip at dulce de leche espresso martinis at home, you'll get a box filled with vodka, coffee liqueur, premium cold-drip coffee and Messina's dulce de leche topping, plus Messina's chocolate hazelnut spread and shaved coconut to go on top. Then, you just need to follow the instructions and get drinking. You can pick between two different-sized packs. A mini espresso martini kit costs $85 and serves up six drinks — or you can opt for the large for $149, which makes 18 dessert cocktails. Cocktail Porter delivers Australia-wide, if that's your winter drinking plans sorted. You can also sign up for a subscription, which'll see a kit sent to your door each and every month. To order Cocktail Porter's Gelato Messina cocktail kits, head to the Cocktail Porter website.
The inner north's biggest annual celebration of live tunes, Brunswick Music Festival returns to dish up its next suburb-wide instalment from Sunday, March 5–Monday, March 13. Kicking things off at the Sydney Road Street Party on March 5, you'll catch a roll call of local favourites across eight stages. Punk rockers Cable Ties, Ethio-jazz nine-piece Black Jesus Experience, pop darling Kira Puru and indie artists Pinch Points will be launching things with a bang, alongside June Jones, Ajak Kwai, Mindy Weng Wang and more. [caption id="attachment_844168" align="alignnone" width="1920"] Gilpin Park, by Simon Fazio[/caption] From March 8–12, Melville Road's Estonian House is set to be re-energised as a thumping live music venue, with a five-night program featuring acts like alt-rock legends Camp Cope, US psych-pop outfit Crumb, Niger-based guitarist Mdou Moctar (Niger), Melbourne five-piece CIVIC and UK producer Leon Vynehall. Deeper in, you'll catch a whole swag of events celebrating International Women's Day on Wednesday, March 8, while Monday, March 13 sees a stellar lineup of first nations artists take over Gilpin Park for a free concert named Music For The Mob. And as always, the rest of the festival program will feature scores of gigs taking place in all sorts of iconic local venues, including Howler, The Retreat, Stay Gold, Brunswick Ballroom and even Sydney Road kebab joint Alasya. [caption id="attachment_802255" align="alignnone" width="1920"] Brunswick Ballroom, by Nicole Cleary[/caption]
Arguably the inner north's biggest annual celebration of live tunes, the famed Brunswick Music Festival is back to fill up your gig calendar, dishing up its next suburb-wide instalment from Sunday, March 5–Monday, March 13. And, off the back of a two-year hiatus, it's returning with an appropriately hefty program of musical goodness. Kicking things off across eight different stages at the Sydney Road Street Party on March 5, you'll catch a roll call of local favourites. Punk rockers Cable Ties, Ethio-jazz nine-piece Black Jesus Experience, pop darling Kira Puru and indie artists Pinch Points will be launching things with a bang, alongside June Jones, Ajak Kwai, Mindy Weng Wang and more. [caption id="attachment_888199" align="alignnone" width="1920"] Camp Cope by Kane Hibberd[/caption] And the sonic good times only keep rolling on from there. Melville Road's Estonian House is set to be re-energised as a thumping live music venue, with a five-night program featuring acts like alt-rock legends Camp Cope, US psych-pop outfit Crumb, Niger-based guitarist Mdou Moctar (Niger), Melbourne five-piece CIVIC and UK producer Leon Vynehall. Deeper in, you'll catch a whole swag of events celebrating International Women's Day on Wednesday, March 8, while Monday, March 13 sees a stellar lineup of first nations artists take over Gilpin Park for a free concert named Music For The Mob. And as always, the rest of the nine-day festival program will feature scores of gigs taking place in all sorts of iconic local venues, including Howler, The Retreat, Stay Gold, Brunswick Ballroom and even Sydney Road kebab joint Alasya. [caption id="attachment_844169" align="alignnone" width="1920"] Simon Fazio[/caption] Brunswick Music Festival takes over venues across Brunswick from Sunday, March 5–Monday, 13. Hit the website for the full program and to snap up tickets.
Geelong's waterfront playground is the only place to be when the sun is shining. Built in the 1930s, it's as popular today as it was nearly a century ago, and it's not hard to see why — the beachside reserve boasts lush green areas with barbecue facilities and undercover picnic tables, a historic fountain, public artworks and the city's famous ferris wheel. The centrepiece is the semi-circular, double-platform wooden promenade, one of Geelong's most recognisable sites. The 200-metre boardwalk encloses more than eight acres of seawater, and also features diving towers, slides and swimming pontoons, making it an ideal spot for a day by the water.
No matter who's starring in them, when and where they're set, and whether they're showing on the big or small screen, romantic comedies love telling tales about trying to hold onto a good thing. Two people meet, fall for each other — whether immediately or eventually — and do whatever it takes to enjoy their romantic bliss: that's it, that's the familiar rom-com formula. It's a setup that TV series Starstruck has been both adhering to and unpacking over the past two years, too, thanks to its glorious first season in 2021 and just-as-wonderful second run in 2022. And, because HBO knows that it should also hold onto a good thing, the Rose Matafeo-starring show has just been renewed for a third season. Instantly one of the best of new shows of last year — and already one of the best returning series of this year — Starstruck will continue its take on a trusty rom-com storyline over a third batch of episodes. That premise: falling for a stranger who happens to be a famous actor, then trying to make that fairy tale relationship work. And yes, Matafeo — who stars, writes and created the series — well and truly knows that Notting Hill got there first. She plays Jessie, a New Zealander in her lates twenties who's living in London and, when the show begins, is splitting her time between working in a cinema and nannying. Jessie (Matafeo, Baby Done) also isn't expecting much when her best friend and roommate Kate (Emma Sidi, Pls Like) drags her out to a bar on New Year's Eve. For most of the evening, that lack of enthusiasm proves accurate — but then she meets Tom (Nikesh Patel, Four Weddings and a Funeral). That night, she ends up back at his sprawling flat, only to realise the next morning that he's one of the world's biggest movie stars. In what's proven a wonderful showcase for Matafeo — and a savvily smart exploration of rom-com tropes as well, embracing and subverting them as needed — both Starstruck's first and second seasons have followed what happens next for Jessie and Tom. Obviously, their attempts to hold onto a good thing haven't flowed smoothly. Nodding to romantic comedies such as The Graduate, Love Actually and Bridget Jones' Diary has also come with the territory, amusingly, affectionately and astutely so. Announcing the renewal, Matafeo said "a third? Sure. Fine. I'm truly thrilled to bring this incredibly talented cast back for a third instalment, and equally excited to clamber into the director's seat alongside my nice friend Alice Snedden, who I cannot seem to get rid of." Matafeo co-writes Starstruck with fellow comedians Alice Snedden and Nic Sampson — and, yes, Matafeo and Snedden will also direct the third season. Exactly when the new episodes will arrive hasn't yet been revealed, but the turnaround between season one and two was quick. When they do drop, expect to see them Down Under via ABC iView in Australia and TVNZ OnDemand in New Zealand. In the interim, check out the trailer for Starstruck's second season below: Starstruck will return for a third season, with a release date yet to be announced. Starstruck's first and second seasons are available to stream in Australia via ABC iView and in New Zealand via TVNZ OnDemand. Read our full review of Starstruck's first season — and our full review of its second season, too. Images: Mark Johnson/HBO Max.
Since 2016, the cinema-loving world has had a Studio Ghibli-shaped hole in its heart. That's when the acclaimed Japanese animation house released its most recent film, the gorgeous French co-production The Red Turtle. Its last solo production actually came two years earlier, courtesy of 2014's When Marnie Was There. Still, much has happened in Studio Ghibli's world over the past decade. Hayao Miyazaki announced his retirement, then changed his mind. In 2018, fellow co-founder and acclaimed director Isao Takahata sadly passed away. And, over the past few years, the company has been busying itself with its very own theme park. The latter is due to open in 2022 and become quite the tourist attraction — but that doesn't mean that fans aren't keen for more Ghibli movies. Thankfully, the studio revealed earlier this year that it's working on just that, with two new films on its slate for 2020. One of those movies will be helmed by My Neighbour Totoro, Spirited Away and Howl's Moving Castle icon Miyazaki, with How Do You Live? actually first announced a few years back. As for the second film, information have been scarce to date; however the company has just provided more than a few details. Called Aya and the Witch — and also known as Earwig and the Witch in English — the movie will mark the first Studio Ghibli completely made using computer-generated animation. Director-wise, it's helmed by Hayao Miyazaki's son Goro Miyazaki, who previously directed Tales from Earthsea and From Up On Poppy Hill. It's also based on a novel written by British author Diana Wynne Jones, who penned the book that Howl's Moving Castle was adapted from, too. And, it'll head straight to Japanese television, with the film airing on local broadcaster NHK TV sometime during Japan's winter. Just when audiences elsewhere will get to see Aya and the Witch is yet to be revealed; however it was announced this week that it would've screened at the 2020 Cannes Film Festival if the event had gone ahead this year. In lieu of holding a physical fest, the prestigious event announced a lineup of 56 movies it would've shown, giving them the 'Cannes 2020 Official Selection' label — and Ghibli's latest is one of them. In terms of story, Aya and the Witch focuses on a girl at an orphanage. She enjoys living there, but her world changes when she's chosen to live with a couple — including, as the title makes plain, a witch. Fingers crossed that Aya and the Witch will head to screens Down Under sooner rather than later. In the interim, you can get your Ghibli fix by checking out the company's online tours of its museum on the outskirts of Tokyo: https://www.youtube.com/watch?v=Ccgm1Pp5Whw Via Studio Ghibli. Top image: Howl's Moving Castle.
In the past few weeks, a bunch of restrictions have come into place in a bid to contain COVID-19 in Australia. Bans of non-essential events of 500 people or larger became events of 100 people, restaurants, cafes and bars across the country have shut and all international and interstate travel has been indefinitely banned. Most recently, new restrictions on social distancing and two-person limits on public gatherings were introduced on Monday, March 30. While restrictions differ state-to-state, federal and state governments have said that Australians should only be leaving their homes for four key reasons: shopping for food and other essential supplies; for medical care or compassionate reasons; to exercise, in-line with the new two-person limit; and for work or education if you cannot work or learn remotely. Those who don't comply with these new social distancing and public gathering rules risk hefty penalties, too, with on-the-spot fines of $1652 in Victoria, $1000 in NSW (with maximum penalties of $11,000 and six months in jail) and $1334.50 in Queensland for individuals. And a heap of people across Australia have already been slapped with fines since these rules were introduced. In Queensland on the weekend, Saturday, April 5, police fined 58 people at a 150-car rally at a warehouse in Rochedale and five men were arrested for travelling to Palm Island, which is a designated remote community that can not be visited for non-essential reasons. Queensland Police also said they were disappointed with the number of people loitering at lookout points in parks and visiting large shopping centres for non-essential needs and would be increasing their presence at these locations. "If you are sitting at a lookout, having coffee in a park, loitering in a shopping centre outside the parameters of the directions, you may be fined," Acting Chief Superintendent Mel Adams of Logan Police District said. "Public safety comes first and we urged people to stay at home." [caption id="attachment_750943" align="alignnone" width="1920"] Destination NSW[/caption] Victoria Police issued 108 fines on Sunday, April 6, alone. While exact details of the fines have not been released, one 17-year-old L-plater was pulled over and fined $1652 while on a driving lesson with their mother, as driving lessons are deemed non-essential in Victoria. In NSW, however, driving lessons are allowed — with either an instructor or a family member — as they fall under 'education'. Last week, a Fitzroy restaurant was also fined almost $10,000 for operating, with the ABC reporting there were six staff working and customers eating and drinking on the premises. Eighteen on-the-spot fines were handed out in NSW on Sunday: one man was charged for ignoring "beach closed" signs at Bondi Beach — he also ignored directions from the police to move on and coughed at an officer; and a women was fined for accompanying a food delivery driver. While the driver was working, the women "was only there because she said she was bored being at home", according the NSW Police. Since the laws were introduced, other Sydneysiders who have been charged include two people in a vehicle who did not have "a reasonable excuse not to be at home", a man who had left his home in order to visit his drug dealer and a man who had ignored two warnings and was found a third time on a Market Street bench eating a kebab. Restrictions are changing every day, you can read more about the state-specific public gathering and social distancing laws in NSW, Victoria and Queensland. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Laughing Waters feels like it's a world away, but it's really just a 45-minute drive from the CBD. It's still the Yarra River, but unlike you've ever seen it. This peaceful spot has native bushland surrounds — the kind of landscape that has drawn artists to Eltham for more than a century. It's refreshingly cool all through summer and very rarely crowded, so it's perfect for you and your crew to unwind and reconnect with nature. Bring your picnic lunch and blanket, but also be prepared to take your rubbish with you: there aren't any usual park amenities. That's a small price to pay for splendid, idyllic isolation.
If the term 'aquatic centre' conjures memories of chlorine-soaked indoor humidity and school swimming lessons, don't panic. Located in Princes Gardens, Prahran Aquatic Centre's openair pool is surrounded by green lawns, towering palms and the South Melbourne skyline. The pool maintains a pleasant 26 degrees, a godsend in Melbourne's changeable weather. Lap-swimmers and recreational water-lovers alike are welcome to take a dip. When you're done, grab something from the cafe and relax on the lawn or deck. Or, satisfy your post-swim appetite by hitting the nearby foodie hotspots in Prahran. Images: City of Stonnington
What if Quentin Tarantino made spaghetti and meatballs? Or Wes Anderson made s'mores? They're not questions most people ponder — but food artist and commercials director David Ma did. In his new Food Film series, he offers up cooking tutorials made in the style of famous movie directors. When it comes to the Kill Bill filmmaker and making bolognaise, for example, expect plenty of blood. So far, Food Films features not only juicy Italian and intricately created marshmallow and cracker combinations, but also a Michael Bay-esque take on making waffles and Alfonso Cuaron-type interpretation of pancakes. As well as coming up with an artistic and clever concept for revitalising the rather routine recipe video trend, Ma has savvily matched his chosen filmmakers with his food dishes. S'mores are perfect fit for the creative mind behind the visual precision of The Royal Tenenbaums and The Grand Budapest Hotel, of course, and you can't make waffles without some machinery, which the Transformers-directing Bay clearly loves. A second series is currently in the storyboarding phase, which means more stylised culinary cinema fun will be coming our way soon. Just who he'll be emulating, and what meals he'll be shooting, hasn't been revealed — but surely a David Lynch-style cherry pie or doughnut video (or something with creamed corn, thanks to Twin Peaks' darker side) would go down a treat. Check out QT's take on a pasta staple below, and head to Ma's website for the full series. Via Fast Company.
If you don't already have a date with Bluesfest in 2025, here are two new reasons to head along: ten-time Grammy-winner Chaka Khan and rains-blessing rock group Toto. The pair have joined the Byron Bay festival as part of a new lineup drop — the fest's fourth for this year's event — that showcases its commitment to variety. There aren't many fests in Australia where audiences will find the Queen of Funk and the yacht-rock favourites behind 'Africa' on the same bill. Across the Easter long weekend, so from Thursday, April 17–Sunday, April 20, 2025, Bluesfest will also welcome 'Sailing' and 'Ride Like the Wind' singer Christopher Cross — another yacht-rock inclusion — as well as the Polynesian tunes of Maoli. Clarence Bekker Band, Hussy Hicks, Eric Stang, The Steele Syndicate and The Royals round out the latest batch of artists. Khan is playing an Australian-exclusive set to celebrate 50 years in music, and returns to Australia two years after headlining the 2023 Melbourne International Jazz Festival. Among the Chicago-born singer's hits: 'I'm Every Woman', which was later covered by Whitney Houston; the Prince-penned 'I Feel for You'; and 'Ain't Nobody' with her funk band Rufus. As well as hearing the drums echoing tonight in 'Africa', Toto's discography includes fellow anthems 'Hold the Line' and 'Rosanna' — and its members are known for playing on a wealth of albums from other artists in the 70s and 80s, including 'Thriller'. [caption id="attachment_986631" align="alignnone" width="1920"] Michelle Brody[/caption] Bluesfest's 2025 lineup already features Crowded House, Ocean Alley and Vance Joy, plus Hilltop Hoods, Budjerah, Kasey Chambers and The Cat Empire — and Xavier Rudd, John Butler, Tones and I, Missy Higgins, George Thorogood & The Destroyers and many more. Before it started announcing its roster of talent in August 2024, the festival advised that it would bid farewell with its 2025 event, marking the end of an era — and coming at a time when Australian fests have been struggling and cancelling (see: Groovin the Moo, Splendour in the Grass and Spilt Milk, for just three high-profile examples). Bluesfest saying goodbye may no longer be happening, however, with reports that discussions are underway about the festival's future and also that artists are already being booked for 2026. [caption id="attachment_969986" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_969990" align="alignnone" width="1920"] Joseph Mayers[/caption] Bluesfest 2025 Lineup: First announcement: Crowded House Vance Joy Ocean Alley Tones and I Gary Clark Jr Rag'n'Bone Man RY X Allison Russell Christone 'Kingfish' Ingram Brad Cox Here Come the Mummies The California Honeydrops Marc Broussard Pierce Brothers Taj Farrant Fanny Lumsden 19-Twenty WILSN Cimafunk Neal Francis Second announcement: Hilltop Hoods Xavier Rudd John Butler The Cat Empire Kasey Chambers Melbourne Ska Orchestra CW Stoneking Budjerah Lachy Doley Group Ash Grunwald Kim Churchill Miss Kaninna The Beards Velvet Trip FOOLS ROSHANI Sweet Talk The Memphis Three featuring Fiona Boyes, Jimi Hocking and Frank Sultana Third announcement: Missy Higgins George Thorogood & The Destroyers Rodrigo y Gabriela Nahko BJ The Chicago Kid Melody Angel Don West Fourth announcement: Chaka Khan Toto Christopher Cross Maoli Clarence Bekker Band Hussy Hicks Eric Stang The Steele Syndicate The Royals [caption id="attachment_969988" align="alignnone" width="1920"] Roger Cotgreave[/caption] [caption id="attachment_969989" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_969987" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_867504" align="alignnone" width="1920"] Kurt Petersen[/caption] Bluesfest 2025 will run from Thursday, April 17–Sunday, April 20 at Byron Events Farm, Tyagarah. Tickets are on sale now — for further information, head to the Bluesfest website. Top image: Lachlan Douglas.
In a perfect world, all films would get a run on the big screen everywhere that shows them. Alas, that isn't the world that we live in. But just because a feature misses a season at the cinemas in Australia — playing at film festivals before hitting digital, perhaps, or made for and only ever set to stream — that doesn't mean that it can't be a gem, as our picks for the 15 best straight-to-streaming movies of 2023 makes plain. Indeed, the finest films of the year didn't only play on the silver screen. See: Michelle Williams' latest stellar performance, an Oscar-nominated documentary and a playful vampire effort from the director of Spencer, plus new treats from Wes Anderson, inventive horror movies, standout biopics and revived franchises, too. In fact, even cinephiles who basically live at their local picture palace know that theatres aren't the only place to catch the year's standout flicks. After we surveyed the best straight-to-streaming movies of 2023's first half in June, we've now done the same from across the entire year. Make your own popcorn, grab a drink, get comfortable on your couch, and there's your next at-home movie night — or 15 — taken care of. (And yes, we're bunching Anderson's recent shorts together and counting them as one project, because that's how they are best watched.) SHOWING UP Kelly Reichardt and Michelle Williams are one of cinema's all-time great pairings. After 2008's Wendy and Lucy, 2010's Meek's Cutoff and 2016's Certain Women, all divine, add Showing Up to the reasons that their collaborations are an event. Again, writer/director Reichardt hones in on characters who wouldn't grace the screen otherwise, and on lives that rarely do the same. With her trademark empathy, patience and space, she spends time with people and problems that couldn't be more relatable as well. Her first picture since 2019's stunning First Cow, which didn't feature Williams, also feels drawn from the filmmaker's reality. She isn't a sculptor in Portland working an administration job at an arts and crafts college while struggling to find the time to create intricate ceramic figurines, but she is one of America's finest auteurs in an industry that so scarcely values the intricacy and artistry of her work. No one needs to have stood exactly in Showing Up's protagonist's shoes, or in Reichardt's, to understand that tussle — or the fight for the always-elusive right balance between passion and a paycheque, all while everyday chaos, family drama and the minutiae of just existing also throws up roadblocks. Showing Up couldn't have a better title. For Lizzy (Wiliams, The Fabelmans), who spends the nine-to-five grind at her alma mater with her mother (Maryann Plunkett, Manifest) as her boss, everything she does — or needs or wants to — is about doing exactly what the movie's moniker says. That doesn't mean that she's thrilled about it. She definitely isn't happy about her frenemy, neighobour and landlord Jo (Hong Chau, Asteroid City), who won't fix her hot water, couldn't be more oblivious to anyone else's problems and soon has her helping play nurse to an injured pidgeon. Reichardt spins the film's narrative around Lizzy's preparations for a one-night-only exhibition, including trying to carve out the hours needed to finish her clay pieces amid her job, the bird, advocating for a liveable home, professional envy and concerns for her alienated brother (John Magaro, Past Lives). The care and detail that goes into Lizzy's figurines is mirrored in Reichardt's own efforts, in another thoughtful and resonant masterpiece that does what all of the filmmaker's masterpieces do: says everything even when nothing is being uttered, proves a wonder of observation, boasts a pitch-perfect cast and isn't easily forgotten. Showing Up streams via Google Play, YouTube Movies, iTunes and Prime Video. ALL THAT BREATHES Pictures can't tell all of All That Breathes' story, with Delhi-based brothers Nadeem Shehzad and Mohammad Saud's chats saying plenty that's essential. In the documentary's observational style, their conversation flits in and out of the film — sometimes, there's narration, too — giving it many meaningful words. Still, the images that Shaunak Sen (Cities of Sleep) lets flow across the screen in this Sundance- and Cannes-winner, and also 2023 Oscar-nominee, are astonishing. And, befitting this poetic meditative and ruminative doco's pace and mood, they do flow. All That Breathes' main pair adore the black kites that take to India's skies and suffer from its toxic air quality, tending to the creatures' injuries. As Sen watches, he adores them as well. Viewers will, too. Indeed, if there wasn't a single syllable uttered, with the movie just leaning on cinematographers Ben Bernhard (Talking About the Weather), Riju Das (14 Phere) and Saumyananda Sahi's (Trial by Fire) sights, plus Niladri Shekhar Roy ('83) and Moinak Bose's (Against the Tide) sound recording, the end result still would've been revelatory. This film trills about urban development, its costs and consequences, and caring for others both animal and human — and it chirps oh-so-much. It notes how everything that the earth's predominant inhabitants do has environmental impacts for the creatures that we share the planet with, including quests for economic dominance and political control. All That Breathes peers on as its subjects' tasks get harder even as they earn global attention, receive more funding and build their dream hospital. It sees how they put the majestic kites' wellbeing above their own, even as the numbers of birds needing their help just keeps growing. This is a documentary about animals falling from the skies due to pollution, two siblings trying to help them soar again, why that's so vital and what the whole situation says about life on earth — and it's vital and spectacular viewing. All That Breathes streams via Binge. THE WONDERFUL STORY OF HENRY SUGAR, THE SWAN, THE RAT CATCHER AND POISON Fresh from stepping into a play as a live production in a TV show in Asteroid City, and also flicking through a magazine's various articles in The French Dispatch before that, Wes Anderson now gets an author sharing his writing in The Wonderful Story of Henry Sugar. The 39-minute short film features Ralph Fiennes (The Menu) as Roald Dahl, who did indeed pen the tale that gives this suitably symmetrically shot affair its name — the book it's in, too — with the account that he's spilling one of several in a film that enthusiastically makes Anderson's love of layers known in its playful structure as much as its faux set. So, Dahl chats. The eponymous Henry Sugar (Benedict Cumberbatch, Doctor Strange in the Multiverse of Madness) does as well. And, Dr Chatterjee (Dev Patel, The Green Knight) and his patient Imdad Khan (Ben Kingsley, Shang-Chi and the Legend of the Ten Rings) also have a natter. The stories within stories within stories (within stories) share the fact that Khan has learned to see without his eyes, Chatterjee couldn't be more fascinated and Sugar wants to learn the trick for himself — to help with his gambling pastime. In his three decades as a filmmaker, Anderson has only ever made both features and shorts with one of two people responsible for their ideas: himself, sometimes with Owen Wilson (Haunted Mansion), Noah Baumbach (White Noise), Jason Schwartzman (The Hunger Games: The Ballad of Songbirds & Snakes) and/or Roman Coppola (Mozart in the Jungle) contributing; and Dahl. With the latter, first came Anderson's magnificent stop-motion Fantastic Mr Fox adaptation — and now The Wonderful Story of Henry Sugar sits among a series of four new shorts based on the author's work. This is still a dream match, with the director's beloved jewel and pastel colours, dollhouse-esque visuals, moving sets, love of centred framing and dialogue rhythm all proving a treat in this account of personal and spiritual growth. The cast is as divine on-screen as it sounds on paper, too, especially Cumberbatch and Patel. The next in the set, the 17-minute The Swan, pushes Rupert Friend (High Desert) to the fore in a darker tale about a bully. Throw in The Rat Catcher (about a small village with a vermin issue) and Poison (charting a life-and-death situation in British-occupied India) — each similarly 17 minutes in length — and there's only one thing to do: package them together as an anthology film. The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher and Poison stream via Netflix. Read our full review. EMILY THE CRIMINAL Enterprising, astute, intelligent and accepting zero garbage from anyone: these are traits that Aubrey Plaza can convey in her sleep. But she definitely isn't slumbering in Emily the Criminal, which sees her turn in a performance as weighty and layered as her deservedly Golden Globe- and Emmy-nominated portrayal in the second season of The White Lotus — something that she's been doing since her Parks and Recreation days anyway. Indeed, there's more than a touch of April Ludgate-Dwyer's resourcefulness to this crime-thriller's eponymous figure. Los Angeles resident Emily Benetto isn't sporting much apathy, however; she can't afford to. With $70,000 in student loans to her name for a college art degree she isn't using working as a food delivery driver, and a felony conviction that's getting in the way of securing any gig she's better qualified for for, Jersey girl Emily breaks bad to make bank when she's given a tip about a credit card fraud ring run by Youcef (Theo Rossi, Sons of Anarchy). Her simple task: purchasing everything from electronics to cars with the stolen numbers. Writer/director John Patton Ford makes his feature debut with this lean, sharp, keenly observed and tightly paced film, which works swimmingly and grippingly as a heist thriller with plenty to say about the state of America today — particularly about a society that saddles folks starting their working lives with enormous debts, turning careers in the arts into the domain of the wealthy, and makes even the slightest wrongdoing a life sentence. Emily the Criminal is angry about that state of affairs, and that ire colours every frame. But it's as a character study that this impressive film soars highest, stepping through the struggles, troubles and desperate moves of a woman trapped not by her choices but her lack of options, all while seeing her better-off classmates breeze through life. As she usually is, Plaza is mesmerising, and adds another complicated movie role to a resume that also boasts the phenomenal Ingrid Goes West and Black Bear as well. Emily the Criminal streams via Binge and Netflix. EL CONDE What if Augusto Pinochet didn't die in 2006? What if the Chilean general and dictator wasn't aged 91 at the time, either? What if his story started long before his official 1915 birthdate, in France prior to the French Revolution? What if he's been living for 250 years because he's a literal monster of the undead, draining and terrifying kind? Trust Chilean filmmaking great Pablo Larraín (Ema, Neruda, The Club, No, Post Mortem and Tony Manero) to ask these questions in El Conde, which translates as The Count and marks the latest exceptional effort in a career that just keeps serving up excellent movies. His satirical, sharp and gleefully unsubtle version of his homeland's most infamous leader was born Claude Pinoche (Clemente Rodríguez, Manchild), saw Marie Antoinette get beheaded and kept popping up to quell insurgencies before becoming Augusto Pinochet. Now holed up in a farm after faking his own death to avoid legal scrutiny — aka the consequences of being a brutal tyrant — the extremely elderly figure (Jaime Vadell, a Neruda, The Club, No and Post Mortem veteran) is also tired of eternal life. The idea at the heart of El Conde is a gem, with Larraín and his regular co-writer Guillermo Calderón plunging a stake into a despot while showing that the impact of authoritarianism rule stretches on forever (and winning the Venice International Film Festival's Best Screenplay Award this year for their efforts). The execution: just as sublime in a film that's both wryly and dynamically funny, and also a monochrome-shot visual marvel. A moment showing Pinoche licking the blood off the guillotine that's just decapitated Antoinette is instantly unforgettable. As Pinochet flies above Santiago in his cape and military attire in the thick of night, every Edward Lachman (The Velvet Underground)-lensed shot of The Count — as he likes to be called by his wife Lucia (Gloria Münchmeyer, 42 Days of Darkness), butler Fyodor (Alfredo Castro, The Settlers) and adult children — has just as much bite. El Conde's narrative sets its protagonist against an accountant and nun (Paula Luchsinger, Los Espookys) who digs through his crime and sins, and it's a delight that punctures. As seen in the also magnificent Jackie and Spencer, too, Larraín surveys the past like no one else. El Conde streams via Netflix. FLORA AND SON No filmmaker believes in the power of music quite like John Carney. In Flora and Son, the Once, Begin Again and Sing Street writer/director again lets his favourite refrain echo, this time with an Irish single mother, her rebellious teenage boy and the American guitarist who she pays to give her lessons via zoom. The eponymous Flora (Eve Hewson, Bad Sisters) feels like she's never had an adulthood of her own after falling (swiftly, not slowly) pregnant at the age of 17 to musician Ian (Jack Reynor, The Peripheral) — whose big claim to fame is that his band once opened for Snow Patrol — then being a mum through their relationship highs and lows. When she salvages a thrown-out instrument for now-14-year-old Max (Orén Kinlan, Taken Down) but he doesn't want it, she decides to give it a try herself. It's an escape from simply getting by, arguing with Ian, coping with Max's run-ins with the law and young mother-style existential malaise. It could be a path to a new future, too. And, with her teen also into music — but hip hop, rap and EDM, or whatever will impress his crush (feature first-timer Alex Deegan) — it's a way to bring Flora and son closer together. Music is in Hewson's blood given that she's the daughter of Paul Hewson, aka U2's Bono, with the Behind Her Eyes and The Knick star well-cast — and magnetic, and also endlessly charismatic — as the forthright, sweary, just-trying-to-get-by Flora. There's both yearning and energy in her electrifyingly lived-in performance, and in the melodic and soulful tunes that her character pens with teacher Jeff (Joseph Gordon-Levitt, Poker Face) via video chats as they reflect upon their lives, loves, hopes and dreams via songwriting. Flora and Son boasts lovely performances all round, in fact. Kinlan is a dynamic find who deserves many more credits on his resume, Gordon-Levitt charms quietly and softly, and sparks fly when Carney gets the latter in the same space as Hewson through an easy but nice visual touch. The movie's moniker makes plain where its heart belongs, though, as Flora and Max learn not just about themselves but about their complicated bond with each other by making music. As always with this filmmaker's work, the original soundtrack is sublime. Also, the mood feels like a warm but clear-eyed hug. Flora and Son streams via Apple TV+. RUSTIN After Selma, One Night in Miami and Judas and the Black Messiah arrives Rustin, the latest must-see movie about the minutiae of America's 60s-era civil rights movement. All four hail from Black filmmakers. All four tell vital stories. The entire quartet boasts phenomenal performances, too — complete with a Best Supporting Actor statuette for Judas and the Black Messiah's Daniel Kaluuya, plus nominations for his co-star Lakeith Stanfield and One Night in Miami's Leslie Odom Jr (Selma's David Oyelowo was robbed). Colman Domingo, an Emmy-winner for Euphoria and Tony-nominee for The Scottsboro Boys, deserves to join that Academy Awards list for his turn as Rustin's eponymous figure. His performance isn't merely powerful; it's a go-for-broke portrayal from a versatile talent at the top of his game while digging into the every inch of his part. Domingo doesn't only turn in a showcase effort in a career that's long been absent on-screen leading role, either; he's everything that Rustin hangs off of, soars around, and lives and breathes with. Focusing on Bayard Rustin, Ma Rainey's Black Bottom director George C Wolfe's latest feature already had a riveting and important tale to tell, but Domingo proves its stunning beating heart. Rustin's namesake holds a place in history for a wealth of reasons, but here's one: it was at the event that he conceived, organised and gave almost everything he had to ensure took place that Martin Luther King Jr have his "I Have a Dream" speech. That moment at the March on Washington for Jobs and Freedom in August 1963 will never be forgotten. Nor should Rustin's efforts in ensuring there was a protest — a historic demonstration with more than 200,000 attendees, in fact— to begin with against overwhelming pushback. Dr King (Aml Ameen, I May Destroy You) is a supporting player in this film, which explores the behind-the-scenes hustle and bustle from idea until the day, as well as Rustin's fight not just against racism but also homophobia as an openly gay Black man (including the battles he's forced to wage among his fellow crusaders for civil rights). Even while only covering a sliver of his subject's life, Wolfe largely takes the traditional biopic route, working with a script by Julian Breece (When They See Us) and Dustin Lance Black (an Oscar-winner for Milk); however, the potency of the Rustin's deeds and struggles, the importance of everything that he was rallying for and Domingo's electrifying lead performance all make his movie anything but standard. Rustin streams via Netflix. EARTH MAMA Add Savanah Leaf's debut feature to 2023's phenomenal first films from female directors, slotting in alongside Aftersun and Past Lives. Earth Mama mightn't riff on her own story as those two movies do for their filmmakers, but the former Olympic volleyballer and Grammy-nominee for Best Music Video (for Gary Clark Jr's 'This Land') does still draw upon reality to potent and empathetic effect. In 2020, Leaf and actor Taylor Russell (Bones and All) co-directed documentary short The Heart Still Hums, which dedicated its frames to single mothers forced to interact with the child welfare, fostering and adoption systems. In fiction, focusing on one young mum with two kids that she's desperate to reunite with and a third on the way, that's Earth Mama's story as well. Leaf won Best Debut Director at the 2023 British Independent Film for the confident and revelatory end result, which feels as initiate and raw as cinema gets — and, while firmly telling a social-realist tale about the plight of women in its protagonist's situation, balances its bleakness with hope, a sense of community, and astute and insightful doses of magical realism. Tia Nomore also makes a staggering debut herself as Gia, the 24-year-old whose pain at being away from her son Trey (Ca'Ron Jaden Coleman, This Is Us) and daughter Shaynah (Alexis Rivas, another first-timer) seeps from her pores. Getting their family back together isn't simple, though, as the authorities splash their disapproval at everything Gia does: her history wth drugs, which she's in recovery for; her new pregnancy, especially given that she isn't in a stable relationship; and being late to her supervised once-a-week sessions with kids, despite the fact that she's doing her best to meet all of child services' demands while also keeping her job. In some of the movie's visually brightest moments that come tinged with the surreal, Gia works in a mall photo store helping to take happy snaps of beaming couples and their offspring; immortalising their perfect dream is how she makes a living, while constantly chasing her own. There's poetry to Leaf's imagery, anger in her survey of how Black women are treated and defiance in Gia's determination — plus both complexity and compassion everywhere. Earth Mama streams via Google Play, YouTube Movies, iTunes and Prime Video. HUESERA: THE BONE WOMAN The sound of cracking knuckles is one of humanity's most anxiety-inducing. The noise of clicking bones elsewhere? That's even worse. Both help provide Huesera: The Bone Woman's soundtrack — and set the mood for a deeply tense slow-burner that plunges into maternal paranoia like a Mexican riff on Rosemary's Baby, the horror subgenre's perennial all-timer, while also interrogating the reality that bringing children into the world isn't a dream for every woman no matter how much society expects otherwise. Valeria (Natalia Solián, Red Shoes) is thrilled to be pregnant, a state that hasn't come easily. After resorting to praying at a shrine of Our Lady of Guadalupe in desperation, neither she nor partner Raúl (Alfonso Dosal, Narcos: Mexico) could be happier, even if her sister Vero (Sonia Couoh, 40 Years Young) caustically comments that she's never seemed that interested in motherhood before. Then, two things shake up her hard-fought situation: a surprise run-in with Octavia (Mayra Batalla, Everything Will Be Fine), the ex-girlfriend she once planned to live a completely different life with; and constant glimpses of a slithering woman whose unnatural body movements echo and unsettle. Filmmaker Michelle Garza Cervera (TV series Marea alta) makes her fictional narrative debut with Huesera: The Bone Woman, directing and also writing with first-timer Abia Castillo — and she makes a powerfully chilling and haunting body-horror effort about hopes, dreams, regrets and the torment of being forced into a future that you don't truly foresee as your own. Every aspect of the film, especially Nur Rubio Sherwell's (Don't Blame Karma!) exacting cinematography, reinforces how trapped that Valeria feels even if she can't admit it to herself, and how much that attempting to be the woman Raúl and her family want is eating away at her soul. Solián is fantastic at navigating this journey, including whether the movie is leaning into drama or terror at any given moment. You don't need expressive eyes to be a horror heroine, but she boasts them; she possesses a scream queen's lungs, too. Unsurprisingly, Cervera won the Nora Ephron Award for best female filmmaker at the 2022 Tribeca Film Festival for this instantly memorable nightmare. Huesera: The Bone Woman streams via Shudder. ROBE OF GEMS In the very first moments of her very first feature as a director — after working as an editor on films such as 2012's Post Tenebras Lux and 2014's Jauja — Natalia López demands her audience's attention. She earns it and ensures it as well, and looking away while Robe of Gems unfurls its story is impossible afterwards. To kick things off, a patient and painterly glimpse at the rural Mexican landscape comes into sight, fading up and bringing more and more dusty grey details with it with each second. Then, without the frame moving, a frenetic man is seen bashing and slashing through the plants. Next, it becomes apparent that there's a reflection as part of the image. And, it's also quickly evident that viewers are seeing someone else's vantage as they look on at the landscape. In fact, a couple peers out, in the middle of getting intimate (and immediately before flinging wooden furniture around, strewn pieces flying everywhere). With the 'start as you mean to go on' maxim in mind, it's a helluva opening. López does indeed begin as she goes on, in a film that scored her 2022's Berlinale's Silver Bear Jury Prize. The pivotal villa belongs to Isabel's (Nailea Norvind, Julia vs Julia) family, and offers somewhat of a respite from a marriage that's splintering like that thrown-about furniture, with the clearly well-to-do woman settling in with her children Benja (first-timer Balam Toledo) and Vale (fellow debutant Sherlyn Zavala Diaz). But tension inescapably lingers, given that the onsite caretaker María (newcomer Antonia Olivares) is unsettled by the disappearance of her sister, a plot point that makes a purposeful statement. The police are investigating, the cartel has a local presence, corruption is an ever-present force, and the gap between the wealthy and not-so is glaring. Progressing carefully from that powerhouse opening, Robe of Gems quickly seeps under your skin — and as its first visuals make abundantly clearly, every second is a marvel to look at. Robe of Gems streams via Prime Video and Madman on Demand. CASSANDRO The story of luchador Saúl Armendáriz hits the screen in Cassandro, which takes its title from the American-born Mexican performer's ring name. As writer/director Roger Ross Williams (Life, Animated) works through with help from his charismatic star Gael García Bernal (Werewolf By Night), Armendáriz first came to wrestling in a mask — as an amateur living in El Paso but heading over the border to Juarez to get scrapping — then made a big switch to take on an exótico identity. That's where the openly gay competitor not only found himself, but also earned fame. He takes convincing, however, as this affectionate and thoughtful feature unpacks. Of course he wants to be able to express himself, bounce between the ropes with glamour and joy, carve out an accepting space and have crowds showering him with love. But exóticos have been traditionally positioned to lose. Dressed in drag, they've been used to show up the masculine strengths of their opponents. That homophobic situation isn't one that Armendáriz wants to embrace, but trainer Sabrina (Roberta Colindrez, A League of Their Own) thinks that he could make a difference, subvert the trend, stand out and become a better wrestler. Frequent documentarian Williams, who won an Academy Award for Best Documentary Short for Music by Prudence, knows a great story — and stellar talent. Cassandro has both, including Armendáriz's rise to become the 'Liberace of Lucha Libre', the many ups and downs on that path, his relationship with his mother Yocasta (Perla De La Rosa, Villa, itinerario de una pasión), and Bernal's layered performance in his shoes and spandex. There's both passion and heartbreak in the actor's portrayal — shyness as Saúl and blossoming confidence as Cassandro as well — in another of Bernal's big career highlights. Indeed, he puts in a tour-de-force effort as the film explores Armendáriz's devotion to his mum; his complicated feelings about his absent, disapproving dad (Robert Salas, Family Portrait); his secret liaisons and not-so-clandestine love for married fellow luchador Gerardo (Raúl Castillo, The Inspection); his flirtations with the assistant (Benito Antonio Martínez Ocasio aka Bad Bunny, Bullet Train) to his key promoter (Joaquín Cosio, Narcos: Mexico); and what it means to get a shot in the ring with icon silver-masked El Hijo del Santo (as himself). Cassandro streams via Prime Video. THEY CLONED TYRONE Jordan Peele's Get Out and Us would already make a killer triple feature with Boots Riley's Sorry to Bother You. For a smart and savvy marathon of science fiction-leaning films about race in America by Black filmmakers, now add Juel Taylor's They Cloned Tyrone. The Creed II screenwriter turns first-time feature director with this dystopian movie that slides in alongside Groundhog Day, Moon, The Cabin in the Woods, A Clockwork Orange, Invasion of the Body Snatchers and They Live, too — but is never derivative, not for a second, including in its 70s-style Blaxploitation-esque aesthetic that nods to Shaft and Superfly as well. Exactly what drug dealer Fontaine (John Boyega, The Woman King), pimp Slick Charles (Jamie Foxx, Strays) and sex worker Yo-Yo (Teyonah Parris, The Marvels) find in their neighbourhood is right there in the film's name. The how, the why, the specifics around both, the sense of humour that goes with all of the above, the savage satire: Taylor and co-writer Tony Rettenmaier perfect the details. Ignore the fact that they both collaborated on the script for the awful Space Jam: A New Legacy, other than considering the excellent They Cloned Tyrone as a far smarter, darker and deeper exploration of exploitation when the powers that be see other people as merely a means to an end. On an ordinary day — and amid vintage-looking threads and hairstyles, and also thoroughly modern shoutouts to SpongeBob SquarePants, Kevin Bacon, Barack Obama, Nancy Drew and bitcoin — Fontaine wakes up, has little cash and doesn't win on an instant scratch-it. He chats to his mother through her bedroom door, tries to collect a debt from Slick Charles and, as Yo-Yo witnesses, is shot. Then he's back in his bed, none the wiser about what just happened, zero wounds to be seen, and going through the same cycle again. When the trio realise that coming back from the dead isn't just a case of déjà vu, they team up to investigate, discovering one helluva conspiracy that helps Taylor's film make a powerful statement. They Cloned Tyrone's lead trio amply assists, too, especially the ever-ace Boyega. Like Sorry to Bother You especially, this is a comedy set within a nightmarish scenario, and the Attack the Block, Star Wars and Small Axe alum perfects both the humour and the horror. One plucky and persistent, the other oozing charm and rocking fur-heavy coats, Parris and Foxx lean into the hijinks as the central threesome go all Scooby-Doo. There isn't just a man in a mask here, however, in this astute and inventive standout. They Cloned Tyrone streams via Netflix. NO ONE WILL SAVE YOU Thanks to Justified, Short Term 12, Booksmart, Unbelievable and Dopesick, Kaitlyn Dever has already notched up plenty of acting highlights; however, No One Will Save You proves one of her best projects yet while only getting the actor to speak just a single line. Instead of using dialogue, this alien invasion flick tells its story without words — and also finds its emotion in Dever's expressive face and physicality. Her character: Mill River resident Brynn Adams, who has no one to talk to long before extra-terrestrials arrive. The local outcast due to a tragic incident from her past, and now living alone in her childhood home following her mother's death, Brynn fills her time by sewing clothes, making models of her unwelcoming small town like she's in Moon and penning letters to her best friend Maude. Then she's woken in the night by an intruder who isn't human, flits between fighting back and fleeing, and is forced into a battle for survival — striving to save her alienated existence in her cosy but lonely abode from grey-hued, long-limbed, telekinetic otherworldly interlopers with a penchant for mind control. With Spontaneous writer/director Brian Duffield's script matched by exacting A Quite Place-level sound design and The Witcher composer Joseph Trapanese's score, this close encounter of the unspoken kind is a visual feat, bouncing, bounding and dancing around Brynn's house and the Mill River community as aliens linger. Every single frame conveys a wealth of detail, as it needs to without chatter to fill in the gaps. Every look on Dever's face does the same, and every glance as well; this is a performance so fine-tuned that this would be a completely different film without her. Bringing the iconic 'Hush' episode of Buffy the Vampire Slayer to mind, No One Will Save you is smartly plotted, including in explaining why it sashays in silence. Just as crucially — and this time recalling everyone's favourite home-invasion film, aka Home Alone — it's fluidly and evocatively choreographed. There's also a touch of Nope in its depiction of eerie threats from space, plus a veer into Invasion of the Body Snatchers, all without ever feeling like No One Will Save is bluntly cribbing from elsewhere. The result: a new sci-fi/horror standout. No One Will Save You streams via Disney+. RYE LANE When Dom (David Jonsson, Industry) and Yas (Vivian Oparah, Then You Run) are asked how they met, they tell a tale about a karaoke performance getting an entire bar cheering. Gia (Karene Peter, Emmerdale Farm), Dom's ex, is both shocked and envious, even though she cheated on him with his primary-school best friend Eric (Benjamin Sarpong-Broni, The Secret). It's the kind of story a movie couple would love to spin — the type that tends to only happen in the movies, too. But even for Rye Lane's fictional characters, it's a piece of pure imagination. Instead, the pair meet in South London, in the toilet at an art show. He's crying in a stall, they chat awkwardly through the gender-neutral space's wall, then get introduced properly outside. It's clumsy, but they keep the conversation going even when they leave the exhibition, then find themselves doing the good ol' fashioned rom-com walk and talk, then slide in for that dinner rendezvous with the flabbergasted Gia. It's easy to think of on-screen romances gone by during British filmmaker Raine Allen-Miller's feature debut — working with a script from Bloods duo Nathan Bryon and Tom Melia — which this charming Sundance-premiering flick overtly wants viewers to. There's a helluva sight gag about Love Actually, as well as a cameo to match, and the whole meandering-and-nattering setup helped make Before Sunrise, Before Sunset and Before Midnight an iconic trilogy. That said, as Rye Lane spends time with shy accountant Dom, who has barely left his parents' house since the breakup, and the outgoing costume designer Yas, who has her own recent relationship troubles casting a shadow, it isn't propelled by nods and winks. Rather, it's smart and savvy in a Starstruck way about paying tribute to what's come before while wandering down its own path. The lead casting is dynamic, with Jonsson and Oparah making a duo that audiences could spend hours with, and Allen-Miller's eye as a director is playful, lively, loving and probing. Rom-coms are always about watching people fall for each other, but this one plunges viewers into its swooning couple's mindset with every visual and sensory touch it can. Rye Lane streams via Disney+. CONFESS, FLETCH Since Mad Men had Don Draper want to buy the world a Coke to end its seven-season run back in 2015, comedy has been Jon Hamm's friend. He's the ultimate TV guest star, building upon stints in 30 Rock and Parks and Recreation while Mad Men was still airing with Toast of London, Unbreakable Kimmy Schmidt and Curb Your Enthusiasm, on a resume that also includes The Increasingly Poor Decisions of Todd Margaret, Childrens Hospital, Medical Police, Angie Tribeca, The Last Man on Earth and Wet Hot American Summer: First Day of Camp as well. So, casting him as the new Irwin Maurice 'Fletch' Fletcher couldn't be an easier move. Having fellow Mad Men standout John Slattery (The Good Fight) also appear in the latest flick about the investigative reporter, and the first since the Chevy Chase-led movies in the 80s, is another winning touch. Even if that reunion wasn't part of the film, Hamm is so entertaining that he makes a killer case for a whole new Fletch franchise — on whatever screen the powers-that-be like — with him at its centre. Hamm clearly understands how well he suits this type of character, and the genre; he's a comic delight, and he's also one of Confess, Fletch's producers. Superbad and Adventureland's Greg Mottola directs and co-writes, scripting with Outer Range's Zev Borow — and ensuring that Hamm and Slattery aren't the only acting highlights. Working through a plot that sees Fletch chasing a stolen artwork, discovering a dead body, and both looking into the crime and considered a suspect himself, the film also features engaging turns by always-welcome Twin Peaks great Kyle MacLachlan and Barb and Star Go to Vista Del Mar gem Annie Mumolo. There have been several attempts to revive Fletch over the past three decades, including separate projects with Ted Lasso duo Bill Lawrence and Jason Sudeikis — on the page, the character spans nine novels — but viewers should be thankful that this is the action-comedy that came to fruition, even if it skipped cinemas everywhere but the US. Confess, Fletch streams via Paramount+ and Binge. Looking for more viewing highlights? We also rounded up the 15 top films of 2023, and another 15 exceptional flicks that hardly anyone saw in cinemas this year — plus the 15 best new TV series of 2023, another 15 excellent new TV shows of 2023 that you might've missed and the 15 best returning shows as well. And, we've kept a running list of must-stream TV from across the year, complete with full reviews. Also, you can check out our regular rundown of film and TV streaming recommendations, which is updated monthly.
Miley Cyrus has cancelled her trip to Australia, and her performance at this week's World Tour Bushfire Relief, due to health concerns surrounding COVID-19. The US pop star took to Twitter to make the announcement, saying the decision was made after recommendations from "local, state, federal and international authorities, including the Center for Disease Control". Cyrus also said she'll still be making a donation to help the victims of the bushfires, and that she'll be "back soon". https://twitter.com/MileyCyrus/status/1237210910835392512 As a result, the charity concert has itself been cancelled. All ticket holders will be contacted by Ticketek shortly and receive a full refund. World Tour Bushfire Relief was due to take over Lakeside Stadium on Friday, March 13, with country music star Lil Nas X (of 'Old Town Road' fame), Aussie pop duo The Veronicas and DJ Seb Fontaine also on the lineup. Money raised would've gone to the WWF Australian Wildlife and Nature Recovery Fund, and the Foundation for Rural and Regional Renewal. Would Tour Bushfire Relief will no longer take place on Friday, March 13. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Flickr via Karina3094.
Darbotz is bringing his distinctive graffiti art to Melbourne this December, but you won't find it adorning laneway walls. This Indonesian street artist has collaborated with Melbourne’s Fame Agenda designer, Monica Lim, and their work will be displayed for two free fashion shows at the State Library of Victoria. The garments will feature prints developed from photos of actual graffiti Darbotz left on Melbourne’s walls during his last visit here in April. Fame Agenda is a label that has become known for its striking prints, so this partnership is sure to produce some eye-popping pieces. The first show will start at 12.30pm, and the second will be during the afternoon at 5.30pm. This event is part of Mapping Melbourne, presented by Multicultural Arts Victoria, which celebrates the creative connections between Australia and Asia.
One of Australia's largest Greek Festivals, Antipodes is a bit of an institution. It has taken over Lonsdale Street in the CBD with dancing, loukoumades and ouzo every year for more than three decades — and it shows little sign of slowing down. This year, the festivities start on Saturday, February 29, with market stalls, live music, dance and cultural performances, and all of the delicious Greek food and drinks your stomach can handle. Sip an iced cold kafe kai frappe, enjoy a yiros, load up on sugary loukoumades, and unwind with a few Mythos beers and an ouzo or two. The festivities continue on Sunday, with more food (and more ouzo). Also on the bill: a zorba till you drop contest, songs by top Greek performer Yiota Nega and a pastito cooking competition — as well as a cocktail party that'll have you dancing on tables. Antipodes Lonsdale Street Greek Festival will run from 10am until late on Saturday and Sunday. Images: The Greek Centre.
Queensland is known for more than a few things. Endlessly warm weather, fearsome footy, particularly wild wildlife and a bustling arts and culture scene to name a few. But it's also home to a long legacy of scientific discovery. This history — and that of the science community the world over — is celebrated annually at World Science Festival Brisbane, which is returning this March for its 2023 edition. Taking over several venues citywide over its five-day run, World Science Festival Brisbane is here to both delight and educate across a range of scientific fields. Just like last year, the event is coinciding with Curiocity Brisbane, which runs until Saturday, April 22 — so you're guaranteed a double dose of thought-provoking attractions. If you plan on seeing it all, you're in for a jam-packed five days. Head to QPAC for one or all of Professor Brian Greene's four conversation sessions, which are set to cover astrology, neurology, history and more. For a good laugh, visit QPAC on Saturday, March 25 for the live comedy quiz show Night of the Nerds, or Sunday, March 26 for a live recording of A Rational Fear, the award-winning podcast series that explores – and manages to laugh at – all the ways the world could end. Fascinated by the oceanic realm? Artistically inclined? Head to Brisbane Planetarium between Thursday, March 23 and Sunday, March 26 to catch a screening of the award-winning short film CORAL: Rekindling Venus. And, excitingly, Curiocity's city walk returns. From Wednesday, March 22 till Saturday, April 22, your stroll through South Bank will be dotted with 14 immersive artworks and displays that explore everything from cat-babysitting AI to T-Rex farts. Beyond all of that science-fuelled fun, the loggerback turtle hatchery is returning to Queensland Museum (a true fan fave), interactive experiments are popping up across Brisbane, there's the chance to picnic amongst prehistoric animals at the South Bank Piazza and more. For more information and to nab your tickets to World Science Festival Brisbane, visit the website.
With the 2025 Australian Open in full swing, plenty of folks are feeling the urge to pick up a racquet and book a local court. But most of us aren't so great at full-size tennis nor do we have the gear to do it properly. Enter the National Pickleball League and its pop-up courts over at Ichi Ni Nana Izakaya. From Thursday, January 9—Thursday, February 6, you'll find a pop-up pickleball court up on level one, all set up for friendly games with mates or strangers who are also dropping by for sushi and cocktails in the sunshine. It is a first-come, first-served (excuse the pun) situation with the court, so be sure to get in early — it's open from 5pm from Thursday–Sunday each week. This is a fairly easy and fun way to get around the Australian Open mania taking over Melbourne right now — all the while dining out at one of Melbourne's best Japanese restaurants.
Director Takashi Miike transports us back in time — not only into the cruelly executed hierarchy of the 17th century samurai but also into Japanese cinema's Golden Age. His expressive tale of solitary heroism moves with an arthouse patience and poise, and the violence is deeply affecting, rather than for effect. In this respect, Hara-Kiri: Death of a Samurai represents a departure from the spectacularly bloody epics for which Miike is known, such as 13 Assassins and Audition. This should come as no surprise, though, for those intimately acquainted with the prolific Japanese director's work, which includes at least 70 productions. His filmmaking has never been confined to creativity-crunching limitations — he's dabbled with comedy, children's films and period drama. A story-within-a-story structure propels the narrative. Hanshiro (Ebizo Ichikawa), an out-of-work samurai, seeks permission from the House of Li to commit seppuku (honourable self-disembowelment). Suspicious that Hanshiro might be another in a line of poverty-stricken warriors who have been attempting "suicide bluffs" for financial gain, the feudal lord, Kageyu (Koji Yakusho) regales him with the tale of Motome (Eita). A young man who came seeking a few coins to save his dying family, Motome was forced to self-disembowel on a bamboo sword, having already sold his own. What Kageyu does not realise is that Motome and Hanshiro knew each other well. Hanshiro is on a mission to avenge Li's lack of humanity and expose the lie beneath the front of "honour", which enables the condemnation of the lower classes to unemployment, sickness and death. Miike does not hold back in his critique of sadism. Putting aside broad-brush depictions of bloodletting, he reaches his viewers through specific experiences and emotional investment in character. Motome's horrendously slow suicide is depicted so viscerally, it's not easy to keep your eyes on the screen. As his increasing physical and mental agony is mirrored by the gradual snapping of his pathetic bamboo sword into impossibly blunt pieces, the feudal authorities seem to have no limits on their capacity for brutality. Cinematographically, Hara-Kiri inhabits a shadowy world. Symmetrically positioned characters and 17th-century architecture frame the drama. Contrast is subtle, rather than extreme, achieved through the natural rhythms of day and night and the passing of the seasons — bursts of spring sunshine, fiery autumn leaves and silent snow showers — intensified by Ryuichi Sakamoto's restrained yet haunting score. Hara-Kiri: Death of a Samurai is one of Miike's finest, saddest and most important films. It's a brave depiction of a brutal world whose romantic mythology has often curtained a pitiless and unjust reality. https://youtube.com/watch?v=R-sp6Xw0jJU
When Paul Mescal (All of Us Strangers) and Pedro Pascal (Drive-Away Dolls) were cast in Gladiator II, audiences instantly knew what they wanted to see. The film doesn't release until mid-November 2024, but the trailers for it so far — a first sneak peek back in July and the just-dropped latest preview — have been delivering. The pair face off, Mescal gets shirtless, and there's sandals and swords aplenty, too. There's also odious Emperors, of course, and even a rhinoceros and seafaring clashes in the Colosseum. Mescal's Lucius watched the climactic events of 2000's Russell Crowe (The Exorcism) and Joaquin Phoenix (Napoleon)-starring film, as the initial trailer explained, which is just one of the on-screen ties that Gladiator II boasts with its predecessor. Another: Connie Nielsen (Origin) returning from Gladiator as Lucilla, Lucius' mother. And, behind the lens, there's also the not-at-all-minor fact that director Ridley Scott is back to make this 24-years-later sequel. If Gladiator II's protagonist didn't have his own date with Rome's iconic amphitheatre, and his own rage to unshackle, there wouldn't be much of a film. His stint comes after Emperors Caracalla (Joseph Quinn, A Quiet Place: Day One) and Geta (Fred Hechinger, The White Lotus) take over his home. Queue a quest for revenge, plus glory for Rome, with Pascal's general Marcus Acacius becoming Lucius' target. As for Denzel Washington (The Equalizer 3), he plays power broker Macrinus. Alien, Blade Runner and Thelma & Louise director Scott has been in blast-from-the-past mode for over a decade now, first revisiting the Alien realm with Prometheus and Alien: Covenant, then reteaming with Phoenix on Napoleon, and now helming his second Gladiator flick. Of late, he's also been fond of making movies set in the past — long ago and more recent — as not only seen with Napoleon, but also with House of Gucci, The Last Duel and All the Money in the World. With Gladiator II, the British filmmaker teams up two of the internet's boyfriends in Mescal and Pascal, and promises a battle-filled time following up the feature that picked up Best Picture, Best Actor (for Crowe), Best Costume Design, Best Sound and Best Visual Effects at the Academy Awards. Scott also earned his second Best Director nomination, after Thelma & Louise and before Black Hawk Down gave him a third. Gladiator II hits cinemas Down Under on Thursday, November 14, 2024, which means that local audiences will see it a week before American audiences — and a week before Wicked Part One arrives in picture palaces, too, so there'll be no Barbenheimer-style release day here. Check out the latest trailer for Gladiator II below: Gladiator II opens in cinemas Down Under on Thursday, November 14, 2024.
If you're currently working from home, your pet is either loving or hating your never-ending company. Dogs, typically, will be very excited about the possibility of more walks and pats. Cats, on the other hand, are most likely exasperated and wondering why you won't just let them sleep. Either way, if you're spending more time with your pet, you might be thinking it deserves a few new toys. A perch to hide on. A few new balls to chew. A new addition to the fish tank, perhaps. So you can get them more toys and food without having to leave the house, Petbarn has teamed up with Uber to offer same-day delivery across Melbourne. Which is good news for you and your animal. Available seven days a week for orders made before 4pm (and 3pm on Sunday), the delivery will set you back $9.95 and will arrive by 8pm. It's currently available for a heap of Melbourne suburbs, from Frankston in the south to Sunbury in the north, Mooroolbark in the east and Werribee in the west. You can check out the full map here. To help pet parents that are elderly and vulnerable, health care workers or people in mandatory self-isolation due to COVID-19, Petbarn is also giving away 20,000 same-day deliveries. To register, or help someone who needs it register, you can fill in this form over at the Petbarn website. Petbarn same-day delivering is available for $9.95 seven days a week when you order before 4pm (and 3pm on Sunday).
It might sound like a impossible task to pack a city's entire essence into one single venue, but new Melbourne laneway joint Archie Green is giving it a red hot crack. Now open in Katherine Place, it's an all-day bar and eatery inspired by some of the best bits of Melbourne life — innovative cocktails, top-notch food, vibrant street art and forward-thinking architecture. Inside the cafe-style space, a blend of industrial elements and lush greenery pays homage to some familiar Melbourne cityscapes, complementing two striking murals by acclaimed street artist ELLE. The technique-driven menu, the handiwork of head chef Gomez Braham, is one that trips across the globe while giving small local producers pride of place. Breakfast features creations like blue swimmer crab scrambled eggs, as well as braised veal hash brown with salt and vinegar kale, while dinner might find you chowing down on a Millbrook roast pork teamed with smoked eggplant, grapefruit and jalapenos. Meanwhile, former Atlantic sommelier Stuart Quinn heads up the boutique drinks offering, where small producers reign supreme throughout both the wine list and spirits selection. And you can prepare to be wowed by the cocktail lineup — a collaboration between Quinn, Braham and a food scientist that promises some pretty adventurous boozing, with names such as Lygon Street Spritz, Avalon Airport and South Yarra Iced Tea. Also on offer: cocktails in a can. Find Archie Green at 10 Katherine Place, Melbourne. It's open from 7.30am weekdays and from 8am weekends.
Leonardo DiCaprio making his first movie in four years, a swaggering Brad Pitt spitting out wry dialogue, 60s showbiz laid bare, and Australians Margot Robbie and Damon Herriman playing Sharon Tate and Charles Manson — it must be Quentin Tarantino's Once Upon a Time in Hollywood. One of 2019's most anticipated titles, the acclaimed filmmaker's ninth stint behind the camera travels back five decades to tell the tale of fading TV star Rick Dalton (DiCaprio), his trusty stunt double Cliff Booth (Pitt), his neighbour Tate (Robbie) and an industry that's changing fast. Set in Los Angeles in 1969, it's a story that charts the end of Hollywood's golden age, the Manson Family murders and everything going on around Tinseltown at the time. Tarantino loves jumping into the past — thanks to Inglourious Basterds, Django Unchained and The Hateful Eight, this is his fourth consecutive period piece — but he might've found his ideal niche. For this journey back to fame, fortune and crime gone by, he's also amassed a who's who of the film's titular town. Get ready — it's a long list. Tarantino regulars Kurt Russell, Tim Roth, Bruce Dern, Zoe Bell and Michael Madsen all feature, as well as Dakota Fanning, Lena Dunham, Al Pacino, Timothy Olyphant, James Marsden and the late Luke Perry. Nodding not only to Hollywood's past and present, but to its future, up-and-comers Maya Hawke and Rumer Willis also pop up (they're the daughters of Uma Thurman and Ethan Hawke, and Demi Moore and Bruce Willis, respectively). Basically, Tinseltown today delves into Los Angeles' darker days, a behind-the-scenes Hollywood caper meets US crime history, and Tarantino might've taken some inspiration from the Coen Brothers' Hail, Caesar! — at least if the ace and amusing initial teaser for Once Upon a Time in Hollywood is any indication. The film premiered at the Cannes Film Festival — with Variety reporting it received a six-minute standing ovation — and will release worldwide from late July. Check out the first full trailer below: https://youtu.be/ELeMaP8EPAA Once Upon a Time in Hollywood releases in Australian cinemas on August 15.
UPDATE, November 6, 2020: A Cure for Wellness is available to stream via Netflix and Prime Video. When you're sitting through a bland attempt to remake a decades-old radio series, or a spate of diminishing sequels in an average-at-best franchise, you can forget that filmmakers don't just make movies — they also watch them and love them. With The Lone Ranger and the first three Pirates of the Caribbean flicks on his resume, it's rather easy to do just that where Gore Verbinski is concerned, but every now and then he does something to remind you. Back in 2011, the Oscar-winning animated western Rango did the trick, ensuring every viewer knew just how fond Verbinski is of the genre. Likewise, with A Cure for Wellness, his first horror film since The Ring, Verbinski wears his inspirations on his sleeve. And while it mightn't stand out as a landmark scary effort, it still makes for intriguingly creepy viewing. For the record, the veteran filmmaker appears to have seen and adored Rosemary's Baby, The Shining, Shutter Island and Crimson Peak, as well as countless '30s gothic fright fests, '70s Italian giallo films, '80s body horror flicks and everything Alfred Hitchcock ever made. Over the course of 146 minutes, A Cure for Wellness plays like the kind of feverish dream you might have after marathoning all of your favourite spooky movies, with your brain trying to mash everything into one over-the-top package. A labyrinthian sanitarium filled with complacent patients, eerie lullaby-like singing, ravenous eels no one else seems to see, and a history of unrest and incest: you can already spot how some of those filmic influences come into play, can't you? Along with a mysterious young woman (Mia Goth), this is what Wall Street up-and-comer Lockhart (Dane DeHaan) finds when he makes the trip to a wellness centre in the Swiss Alps looking for his company's CEO (Harry Groener). Lockhart thinks that he'll be in and out within 20 minutes, but after an accident he's stuck in plaster and unable to head home, which seems to suit the water therapy-loving doctor-in-charge (Jason Isaacs) quite nicely. There's no missing the fact that all of the folks seeking some rest and relaxation are high-flying business executives. Verbinski, who came up with the story with his Lone Ranger screenwriter Justin Haythe, isn't particularly subtle with some of the movie's ideas — and that's without even getting into a subplot involving pure bloodlines. But he's also largely unconcerned with splashing around in anything other than H20 galore, a mood of dread and tension, and gorgeously unsettling visuals in pale, icy shades. Diving deep into all three results in the cinematic equivalent of a gloriously macabre synchronised swimming routine; an intricately choreographed sight to behold that keeps the most interesting parts on the surface. And what a surface it is. Mastering a tone of unease, serving up a sleek, sinister feast for the eyes, and throwing in a wealth of affectionate nods to genre greats mostly keeps the feature afloat. Mostly. Unsurprisingly, A Cure for Wellness struggles with thin characterisations, and even more so when the predictable yet twist-heavy plot tries to wrap up its stretched-out antics. Still, if you've fallen down its well of unhinged delights you'll probably find them part and parcel of the fun. https://www.youtube.com/watch?v=4mcVodJmBlU
If you stream it, they will come: so discovered the Melbourne International Film Festival in 2020, when its biggest commitment to putting its lineup online resulted in the event's larget audience ever at the time. Now that the early days of the pandemic are over, the fest has been back in cinemas for a few years, and gloriously so. But for those located elsewhere around Australia, or folks who can't fit in as many IRL trips to the flicks as they'd like, or Melburnians who want to deploy every way there is to see as many movies possible during the festival, MIFF is still embracing its digital component. MIFF Online kicks off after the IRL event and runs past its in-person counterpart's end, too. To stare at the big screen, you'll be heading along between Thursday, August 7–Sunday, August 24. To play along from your small screen of choice, the dates are Friday, August 15–Sunday, August 31. While the range of films available to view on your couch via ACMI's Cinema 3 is smaller, there's still plenty to see — including both features and shorts. A post-apocalyptic musical starring Tilda Swinton (The Room Next Door), Michael Shannon (The Bikeriders), George MacKay (The Beast) and Moses Ingram (Lady in the Lake), The End hails from The Act of Killing and The Look of Silence's Joshua Oppenheimer — and it's one of the highlights on 2025's MIFF Online program. Fittingly, so is Videoheaven, with Alex Ross Perry (Her Smell) paying tribute to the video-store era via a Maya Hawke (Inside Out 2)-narrated film essay solely comprised from movie and TV clips. Or, you can visit Inner Mongolia's plains courtesy of To Kill a Mongolian Horse, catch coming-of-age tale Little Trouble Girls, explore a sunny sailing voyage with Kyuka Before Summer's End and join John Magaro (Materialists) for a road trip from Utah to Nebraska in Omaha. Tomorrow We Move from MIFF's 2025 Chantal Akerman retrospective is also available for viewing online, as is the new stop-motion animation Sanatorium Under the Sign of the Hourglass from the Brothers Quay (The Piano Tuner of Earthquakes) — plus SXSW-winning documentary Ghost Boy from Rodney Ascher (Room 237, The Nightmare, A Glitch in the Matrix), about a man with locked-in syndrome. 2025's MIFF spans Footy Shorts, a partnership with the AFL that's resulted in five short flicks focusing on the sport — and they're on the MIFF Online lineup as well. For more filmmaking in brief, the Australian shorts package is also making the leap to digital.
Get your groove on ten minutes at a time at a short burst dance party in Melbourne's west. Part of the Due West Immersive Arts Festival, the Maddern Square Block Party will take over the open space just around the corner from Footscray Station, and will combine live art, music, food, drink and dance. The centrepiece of the free event will be 10 Minute Dance Parties, delivered by dance-based artist Joseph O'Farrell. Participants will step inside an enormous shipping container, at which point the music will start pumping. Maddern Square will also play host to The Art of Fighting, a community art project that combines paint, canvas and a set of boxing gloves. There'll also be food trucks on-site, plus a bar by the team from Two Birds Brewing. It all goes down from 6pm to 9pm this Friday and Saturday night. Image: Joseph O'Farrell/YouTube.
So you've just finished a big day on the slopes and you're looking for a way to warm up. Luckily there's a bevvy of bars and pubs at your fingertips. In Queenstown at the bottom of New Zealand's South Island, the practice of après-ski ('after-ski') is as important as the time spent skiing or snowboarding — or spectating, if that's more your vibe. Perhaps you're after a quiet cocktail while enjoying mountain views, or maybe you're with a large crew and want to sink some cold brews by the fire — there will be something in this stunning alpine region that takes your fancy. But with over 150 bars and pubs to choose from, you need to make sure you're heading to a spot suited to your exact needs. We've put together some of our favourite spots for après-ski in Queenstown (and Arrowtown) so you're set to order the first all-important beverage of the evening — as well as the last one of the night. CARGO AT GANTLEY, ARTHUR'S POINT Built in 1865, this stone pub once catered to miners during the gold rush — now it caters to the many winter holidaymakers in the region. Head straight off the mountain and through the door of this cosy fireside spot, which is one minute from the base of Coronet Peak. That makes it an essential place to start your après-ski experience and suck down an extremely hard-earned beer — we're not here to waste any precious minutes. Don't just take our word for it — this historic spot pot also just won the Supreme Award at the Lion Hospitality Awards for Excellence. So yeah, you might say it's pretty high on the list. Find it: 172 Arthurs Point Road, Arthurs Point, Queenstown LODGE BAR, LAKEFRONT This might be a controversial inclusion due to its position alongside a Rodd & Gunn store, but we maintain Lodge Bar to be one of the best bars in Queenstown thanks to its warm wood ambience and picturesque views. You'll feel like you've stepped into an alpine retreat thanks to the strong supply of blankets, furs and rugs to wrap up in while you order a few apéritifs and catch up with a friend or loved one. On holiday in Queenstown alone? No problem. Park up in one of the single seats by the window and people-watch to your heart's content while watching an incredible sunset. Find it: 2 Rees Street, Queenstown RED'S BAR, QT HOTEL It's not often a hotel bar is the place to be, but when it comes to Queenstown's excellent QT hotel, it's no surprise this bar is a cut above the rest. You won't just find miscellaneous hotel patrons in this chic and colourful spot: Reds caters to tourists and locals alike, thanks to its cool decor and excellent service. The highlight has to be the jaw-dropping views. One long wall of floor-to-ceiling windows allows you to take in the mountains and Lake Wakatipu, which would probably heighten the taste of any drink — but these bevvies barely need it. If you like your spicy margaritas extremely spicy, get the crew to whip one up for you — it's exactly what you need to warm up from the inside out. Find it: 30 Brunswick Street, Queenstown LITTLE BLACKWOOD, STEAMER WHARF With a prime location on Steamer Wharf, this bar recently won Best Bar at the Lion Hospitality Awards for Excellence and we can see why. Fuel up after a big day on the slopes by making your own custom cheese and charcuterie boards — that means all the meats and cheese you love, and none you don't. This spot also has one of the best cocktail menus in the area, including a list of five (we say again, FIVE) different types of espresso martini — perfect if you need a pick-me-up. Get decision-making anxiety? Play 'Trust the Bartender' — the talented team behind the bar will do the hard yards for you. Chic and industrial cool, this cosy bar often plays host to some of the country's best live musicians, making the vibes 10/10. Find it: 88 Beach Street, Queenstown View this post on Instagram A post shared by The Fork and Tap Arrowtown (@theforkandtaparrowtown) THE FORK AND TAP, ARROWTOWN If you're more on the Arrowtown side of the region, head to this pub which gives all the wholesome winter vibes thanks to its open fire and historic stone building. It's one of those spots where everyone seems to know each other and the daily specials are chalked up on the blackboard, so nab a table near the fire and enjoy the great energy. If you're looking for the perfect winter warmer, opt for the mulled wine which comes in a cinnamon-sugar-crusted glass. It's like a hug in a mug. Find it: 51 Buckingham Street, Arrowtown SUNDECK, CENTRAL QUEENSTOWN Cocktails? Check. Open fire? Check. DJ spinning club bangers at 5pm? Check. A rooftop bar boasting epic views, you have to get in early to nab a table at this popular spot. Sure, you have to head up three flights of stairs to find it, but don't let that put you off. It's an absolute go-to if you feel you've gone a little bit too hard too early, and need somewhere to burn off the post-ski beers. With about five people behind the bar at any one time and constant hordes of patrons reaching for spare seats, it's chaos in the best way — but the staff won't baulk at making you a margarita or martini even when the line is six-deep and we love them for that. Find it: Top floor, 4 The Mal, Queenstown LITTLE AOSTA, ARROWTOWN From notable chef and restauranter Ben Bayly, this rustic Italian spot is serving up all the Euro-inspired cocktails, pizza and pasta to soothe the wounds of not being overseas for Euro summer with your friends. Order a Negroni Sbagliato ("Negroni by mistake") and cosy up by the open fire outside from 3pm — and no, no actual skiing experience required. Our tip? Stay for dinner, and warm up with an Italian feast, served family-style. Find it: 18 Buckingham Street, Arrowtown Top image: Steamer Wharf, Little Blackwood
Both Bret McKenzie and Jemaine Clement will be present when Flight of the Conchords make a long-awaited, eagerly anticipated return to television — as part of a one-off live special filmed during the duo's recent sold-out tour. Announced earlier in 2018, Flight of the Conchords: Live at the London Apollo has now been given a US airdate, with the special screening on HBO in America on Saturday, October 6. As the name really does makes plain, it was recorded in the UK, where Flight of Conchords took their show on the road in March and then returned in late June and early July, following a forced break after McKenzie broke his hand. Yes, it'll be business time, Bowie will be in space and no one will have hurt feelings. Fans can expect to hear the classic tracks that everyone has had stuck in their heads since the folk parody pair's TV series aired between 2007 and 2009, of course, as well as a few new songs. It's also a case of Conchords almost coming full circle, with nabbing a spot on HBO's One Night Stand in the mid-00s one of their big breaks. Just when and where the new special will appear on TVs outside of the US has yet to be revealed, but in the interim, check out the date announcement video featuring McKenzie and Clement: https://www.youtube.com/watch?list=PLZQfnFyelTBOQ15kmHSgEbdjzLMWzZpL7&v=xz_-9PlcouE
Hey, remember Pokémon Go? That insanely popular augmented reality mobile game that seemingly everyone was playing until suddenly they weren't? Well, it turns out the developers behind said game are branching out into another beloved fictional universe: the wizarding world of Harry Potter. Niantic, which developed Pokémon Go as well as Ingress, will team up with Warner Bros. Interactive Entertainment on Harry Potter: Wizards Unite. According to a Niantic announcement, "players will learn spells, explore their real world neighbourhoods and cities to discover and fight legendary beasts and team up with others to take down powerful enemies." It also said the game "will leverage the full stack of the Niantic Platform while also providing an opportunity to pioneer all new technology and gameplay mechanics." That's about all we know for now – although it does sound as though players may encounter a few familiar faces, with the game's website promising appearances by "iconic characters". Please let it be Dobby (#neverforget). If you're interested, you can sign up for more information about the game via www.harrypotterwizardsunite.com.
The start of the Tour de France is just around the corner, with the peloton soon leaving behind Lille bound for the Champs-Élysées. Returning for the 2025 race, Bobbie Peels will be there every pedal of the way, pouring premium wines by the glass and serving classic French dishes as each stage is screened late into the night over the three-week event. Held from Saturday, July 5–Sunday, July 27, the Tour de Vino sees the North Melbourne pub curate its wine selection depending on the French region that the peloton is passing through. Making for a dynamic spectator-meets-dining experience, noteworthy wines pair with late-night action and the charming countryside footage that cycling fans know and love. With the Tour de France commencing in Lille, aka the beer capital of France, Bobbie Peels has teamed up with Bentspoke Brewing for the very first time, tapping four special brews to enjoy across the three weeks. Meanwhile, premium importer Enoteca Wines has worked closely with the pub to source stage-winning drops produced across several acclaimed regions. To eat, guests can enjoy a rotating selection of French-inspired dishes, like French onion soup, coq au vin and crème brûlée. "Just like the athletes we see on the bikes, the winemakers we are featuring are true masters of their craft," says Bobbie Peels co-owner Phil Gijsbers. "It will be a pleasure to provide the vinous accompaniment to the world's most prestigious race."
In I Am Mother's vision of the future, humanity has almost become extinct, the earth is a wasteland and the only known person alive is a teenager (Clara Rugaard) born, raised and living in an underground facility. Known only as Daughter, the adolescent has been brought up by a robot that she calls Mother (voiced by Rose Byrne) — but when a woman (Hilary Swank) comes knocking on their door, the girl begins to doubt everything she knows, including her android protector's motives. So far, so familiar, especially if you're a fan of sci-fi thrillers and dystopian tales. Australia has made a few, including the hugely successful Mad Max franchise; however this homegrown sci-fi thriller definitely finds its own niche. Shot in Adelaide, screening as a work in progress at the 2018 Adelaide Film Festival, premiering internationally at this year's Sundance and also slated for this year's Sydney Film Festival, it's now heading to Netflix from June 7 as well. Get ready for a bleak, tense and twisty effort that makes the most of its premise, nods to both the Alien and Terminator sagas, features immersive production design, and should bring its stellar young Danish lead Rugaard to further attention. It's also the debut feature from Australian filmmaker Grant Sputore, who directs and co-penned the underlying story with fellow big-screen first-timer Michael Lloyd Green. Check out the trailer below: https://www.youtube.com/watch?v=N5BKctcZxrM I Am Mother drops on Netflix on June 7.
Yellowjackets wants viewers to be its bloody Valentine in 2025 — and more cannibalism, more haunting reminders of what it takes to survive in the wilderness after a plane crash, and more hunting in both of the hit thriller series' timelines are in store. In November 2024, not only was a Friday, February 14, 2025 return date locked in for the show's third season, but fans scored a first glimpse. Now comes a proper trailer, complete with chases, the faces of the dead popping back up and pondering who should be eaten (or should've been by now). Two years after its second season, Yellowjackets will make is comeback on Valentine's Day to kick off its latest round, again following its characters both in the immediate aftermath of their traumatic accident and when the past keeps intruding on their present after decades have gone by. As viewers discovered when it debuted in 2021 and became one of the best new shows of that year, the instantly intriguing (and excellent) series follows a New Jersey high school's girls soccer team in the 90s after their plane plummets into the forest, and also checks in with everyone that's made it out alive 25 years later. Across two seasons so far, life and friendship have proven complex for Yellowjackets' core quartet of Shauna (The Tattooist of Auschwitz's Melanie Lynskey as an adult, and also No Return's Sophie Nélisse as a teenager), Natalie (I'm a Virgo's Juliette Lewis, plus Heretic's Sophie Thatcher), Taissa (Law & Order's Tawny Cypress, and also Scream VI's Jasmin Savoy Brown) and Misty (Wednesday's Christina Ricci, as well as Atlas' Samantha Hanratty). The latest trailer for season three puts it this way: "once upon a time, a bunch of teenage girls got stranded in the wilderness — and they went completely nuts." The full setup: back in 1996, en route to a big match in Seattle on a private aircraft, Shauna, Natalie, Taissa, Misty and the rest of their teammates entered Lost territory. The accident saw everyone who walked away stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. Thanks to the new sneak peek at what's to come, get ready for howling, masks, more fighting, ghosts and the present-day crew trying to work out who is after them. After swiftly getting picked up for a second season because its first was that ace, Yellowjackets was then renewed for a third season before that second group of episodes even aired. In Australia, viewers can watch via Paramount+. In New Zealand, the series streams via Neon. In season three, the returning cast — which includes Simone Kessell (Muru) as the older Lottie and Lauren Ambrose (Servant) as the older Van, characters played in their younger guises by Australian actors Courtney Eaton (Mad Max: Fury Road) and Liv Hewson (Party Down) — will be joined by Hilary Swank (Ordinary Angels) and Joel McHale (The Bear). And from season two, Elijah Wood (Bookworm) is also back. Check out the latest trailer for Yellowjackets season three below: Season three of Yellowjackets will start streaming from Friday, February 14, 2025 via Paramount+ in Australia — and streams via Neon in New Zealand. Read our review of season one and review of season two, plus our interview with Melanie Lynskey. Via Variety.
It's always summer somewhere, right? Not exactly, but that's long been the idea behind swapping Australia's winters for a midyear trip to Europe. And if that's on the cards for you at the moment — or you're thinking about it given how genuinely cold the last month has been already Down Under — then you can now hop on one of Qantas' new direct flights to Rome. To truly get the non-stop experience, you'll need to live in Perth. If you hail from another part of the country, you will have to make your way to the Western Australian capital first. But, either way, that flight from Perth to Rome won't make a layover — getting you from Down Under to continental Europe faster, and without switching planes, worrying about connecting legs and navigating other airports. The direct-to-Rome routes were first announced back in late 2021, but they've just started taking to the air since Saturday, June 25. They follow the airline's direct flights from Perth to London, and will make the trip three times a week between now and October. And yes, that timing is 100-percent aimed at letting Australians take full advantage of European summer holidays. As well as being the only flights that connect Australia to continental Europe, the new Rome trips are speedier than other routes to the Italian city — more than three hours faster than the current quickest travel time from Australia to Rome. That means fewer hours spent in transit, and more to actually soak in Italy. It also means spending a big unbroken block of time in the air, which still sounds a bit like science fiction after so long without international travel. If you're keen to head elsewhere on the continent, you can use Rome as a connection point to fly to 16 other European destinations, including Athens, Barcelona, Frankfurt, Nice, Madrid and Paris. You can also venture to 15 other spots in Italy, Milan and Venice among them. Also, if you fancy flying into Rome but coming home from London, or vice versa, Qantas will let you combine the two direct routes on the one return ticket. The airline has also added a few Italian-inspired food and drink items, including negronis, to its lounge and inflight menus — and it's screening films that link in with Italy, too, such as Rome, Open City and Life Is Beautiful. And if you're wondering about the possibility of travelling non-stop to Europe from Sydney, Melbourne and Brisbane, which Qantas has been looking into for a few years now, the carrier has locked in direct Sydney-to-London flights (and direct Sydney-to-New York routes as well) to start in late 2025. Qantas' new Australia–Rome direct flights are flying three times a week from Perth until October. For more information, or to book tickets, head to the airline's website.
