Life hack: pretending that you're still on your best-ever Tokyo getaway (or the dream one you plan to go on when Japan fully reopens to international travel) is a perfectly acceptable way to get through the daily grind. Eating Pocky as a snack works. Hitting up your favourite ramen joint for lunch does, too. Going home to a few post-work cans of -196 — aka the premix from the makers of Strong Zero — definitely fits the bill as well. The ready-to-drink -196 launched in Australia in 2021, with a double lemon variety that you probably sipped ASAP — it sold out when it first arrived. What's better than one such tipple, which hails from Japanese brewing and distilling company Suntory? Two, naturally. Prepare to start knocking back -196 in double grape, again blending shochu, vodka and soda — but with a whole lot of grape flavour. Wondering about the name? That's because the fruit for both varieties is frozen at -196 degrees Celsius, then crushed, powderised and infused with spirits. In Japan, Strong Zero comes in double grapefruit, double ume and double shekwasha, if you're holding out hope for more flavours in the future. For now, you'll be able to pick up -196's double grape variety from the end of October, available in bottle-os nationwide. Suntory's -196 double grape will hit bottle shops across Australia at the end of October.
High-concept cocktails, leather booths and a distinctly horny vibe are the modus operandi at play in Pleasure Club. The new bar-meets-live music venue-slash-performance space has finally opened its doors on Wilson Street in Newtown after almost a year of preparation and the promise (according to Entertainment Manager Sabrina Medcalf) to "blow up the status quo of what your average live music bar is presenting". So does it deliver? Well, the drinks list is pretty unreal, for starters. For the venue's launch, Creative Beverage Lead Sam Kirk collaborated with booze whisperer Matt Whiley (of Re) on a cocktail series dubbed 'Nostalgia Machine'. And you very quickly get a sense of the 90s breed of nostalgia they are accessing. Our pick is the 'Cherry Ripe', an astonishingly accurate rendition of the polarising chocolate bar created with rum, cherry, dark chocolate, Davidson's plum and coconut. The 'Vegemite' is also a highlight, kind of like a dirty martini but... Vegemitey? Other creations on the menu include 'Mr Whippy', 'Cheese TV' and the more palate challenging 'Chicken Parm' made with vodka, comte cheese, bacon, tomato and chicken salt. We liken it to a chilled alcohol-laced chicken soup. Do with that information what you will. The drinks are accompanied by a simple menu of good hot dogs that pair surprisingly well with the cocktails. The vibe of Pleasure Club is an anything-can-happen horny hedonism. A glowing purple eye greets you at the street level entrance, hinting at the layers of violet hues contained within. Otherworldly decor and stage design are tone-setters for the entertainment program, which will be a true mixed bag of live music, performance art and audience interaction. According to Odd Culture Group's Creative Director Nick Zavadszky, "It really will be a different beast depending on the occasion. There will be some heaving and revelrous late nights as well as some pared back, lo-fi shows. We've spent a lot of time engineering the journey from evening into late-night, with cues for transitioning to what we call Dark Service around the 11pm mark. You'll have to experience that one for yourself." And as of this evening you can. Pleasure Club is now open from Wednesday to Sunday 4pm-4am at 6 Wilson Street in Newtown. For programming details and more follow the venue on Instagram. Images by Parker Blain.
When you're watching Blade Runner 2049, Black Panther: Wakanda Forever and The Creator, or playing Cyberpunk 2077 and Saltsea Chronicles, possible futures unfurl before your very eyes. As these imaginings play out in cinemas and on televisions, how prophetic will they prove? No one can know for certain what tomorrow will bring; however, the tales told on screens big and small, and through games and comics as well, have delivered plenty of visions of what might come. At The Future & Other Fictions, these peering-forward works are in the spotlight. Will androids dream of electric sheep? Will a Keanu Reeves (John Wick: Chapter 4)-voiced rock star and terrorist make their presence known? Will Afrofuturist technologies transform life as we know it? These are some of the potential scenarios conjured up by beloved pop-culture titles — and they're all part of the Australian Centre for the Moving Image's world-premiere exhibition as well, which is filled with 180-pieces, such as artworks, sets, costumes and props, as well as scripts, clips and original design materials. Open since Thursday, November 28, 2024 and running until Sunday, April 27, 2025, this is a love letter to and deep dive into futuristic storytelling, including pondering the significance of humanity's thoughts about what could be in store. It's also the Melbourne screen museum big summer showcase. "Film, TV, videogames and art spark our imagination and help shift our thinking about how the future might, or should, be. The crafts of screen culture — visual effects, costume design, character creation and model building — are powerful tools that bring future visions to life," explained ACMI Director and CEO Seb Chan. "The Future & Other Fictions asks us to consider some of the worlds we're familiar with and imagine the worlds we'd like to see." "For thousands of years cultures have shared ideas through storytelling. It is an extraordinary common language. I hope a key takeaway of the exhibition is the importance of sharing stories about the futures we want to live in — be they greener, more sustainable, more harmonious or more diverse. Stories are products of culture and in turn produce it. As we write stories, we write the world," added director and artist Liam Young, who co-curated The Future & Other Fictions with ACMI's Amanda Haskard and Chelsey O'Brien. Before he was just Ken, Ryan Gosling (The Fall Guy) starred in the 35-years-later sequel to Blade Runner — and before he brought Dune and Dune: Part Two to the screen, Denis Villeneuve directed Blade Runner 2049. The Future & Other Fictions lets attendees follow in their footsteps via miniature sets, which are one of the exhibition's definite must-sees. Black Panther: Wakanda Forever gets the nod thanks to Academy Award-winning costumes by Ruth E Carter, while sketches from comic series NEOMAD also features — as does concept art showing The Creator and Cyberpunk 2077's cityscapes, plus more from Saltsea Chronicles. As it celebrates how screens imagine the years ahead, The Future & Other Fictions also features a film season focusing on Björk, complete with Björk: Biophilia Live on the lineup. Within the exhibition's halls rather than in ACMI's cinema, the Icelandic icon also pops up via the dress and headpiece from her music video for 'The Gate'. This showcase isn't just about well-known renderings of the future, though, thanks to work by Olalekan Jeyifous, Osheen Siva and Tāgata Moana art collective Pacific Sisters. Plus, via new commissions, DJ Hannah Brontë has her own take, and so do Young and Natasha Wanganeen (Limbo). The first, Birth of Dawn, is all about the circle of life. After the End, the second, muses on a future without fossil fuels. On The Future & Other Fictions' events program, visitors can look forward to four days of short films in February that highlight Australian cinema's future, a video-game showcase focused on emerging developers, the return of ACMI's annual symposium, and talks on topics as varied as artificial intelligence and pop-culture predictions. Fancy making your sci-fi movie — or, to be accurate, playing a text-based choose-your-own-adventure game about that very scenario? That's part of the exhibition, too, via INT. SPACESHIP — NIGHT, which you can access for free via the QR code in the ACMI foyer. The Future & Other Fictions is on display at ACMI, Federation Square, Melbourne, from Thursday, November 28, 2024–Sunday, April 27, 2025. Head to the venue's website for more details. Images: Eugene Hyland.
This teeny tiny shop on Enmore Road looks fairly inconspicuous from the outside, but it has become a local gem — especially after it won the title of world's best gelato in Italy in 2014. Cow & the Moon make all of its gelato in-house using a recipes developed over the last 15 years. The traditional flavours are all winners here — including the gianduia, pistachio and tiramisu — as are the lemon cheesecake and the pannacotta with balsanmis strawberries and chocolate. In the lucrative field of sorbets, the chocolate is one of the best around. Cow & the Moon also does a very good coffee (and affogatos).
If jungle vibes while shopping for greenery sounds like your perfect outing, head along to the Jungle Collective's indoor plant sale on Saturday, December 12–Sunday, December 13. It's the latest greenery-filled Sydney market from the Melbourne nursery, which stocks all kinds of weird and wonderful species. Yes, it is trucking its way up north again for another venture — and, after hosting plenty of online-only events this year, this sale is a 100-percent in-person affair. Whether you're after a hanging pot plant, some palms for the garden or a giant Bird of Paradise, chances are you'll find it here. Have a reputation for killing your cacti? Overwatering your ferns? Don't worry — there'll be horticulturalists on site on the night to give you advice and chat through any questions you might have. Get inspired by greenery aplenty and learn to incorporate plants into your home and living spaces, all while browsing and soaking up some tunes. Jungle Collective is turning this event into a bit of a maze, too, so you'll enter in one spot, wander along a designated path and leave in a completely different area. Best get in quick though — these markets are always popular, with more than 170 different species usually on offer. Due to expected demand, the sale will be held in 30-minute sessions across both days, and attendees will need to register for free tickets in advance from midday on Monday, December 7. Plus, if you wear white — and spend at least $10 — you'll also get $5 off your purchase.
There's no official Wes Anderson Cinematic Universe. That label isn't bandied across his trailers and posters to describe connections between his movies, storylines don't continue from one film to the next and characters from past flicks aren't popping up in the writer/director's new works. Fan theories can speculate otherwise however they like; however, rather than any overarching narrative tidbits, it's the inimitable auteur's distinctive style, recurrent themes and familiar troupe of actors that connect Anderson's movies — delightfully so 13 full-length titles into his resume (if you count 2023 shorts The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher and Poison as one charming anthology). Still, being a part of one of the Bottle Rocket, Rushmore, The Grand Budapest Hotel and Isle of Dogs' helmer's features is akin to entering a specific realm for his cast. Starring in an Anderson picture means working with a filmmaker with a precise aesthetic and meticulous direction, the results of which then get splashed across the screen for audiences to cherish in elaborate detail. In The Phoenician Scheme, Benicio del Toro (Reptile) and Michael Cera (Sacramento) are two such players. They're each either relative or literal newcomers to Anderson's world — del Toro first collaborated with him on The French Dispatch, while Cera was slated to be in Asteroid City but the birth of his son understandably took precedence — and they're loving it. Nothing is accidental in the making of a Wes Anderson film. Nothing is anything but intricately planned and orchestrated, in fact. Accordingly, it should come as zero surprise that del Toro and Cera weren't merely cast in the 50s-set The Phoenician Scheme — they're the only actors that Anderson had in mind for the roles of European business magnate Anatole 'Zsa-zsa' Korda and Norwegian tutor/entomologist Bjorn, respectively. Chatting with Concrete Playground, they both use the same word to describe that situation. "It's a hell of a gift," del Toro advises with a smile. "It was really a treat and a gift," says Cera. Zsa-zsa is The Phoenician Scheme's protagonist. The plan that gives the flick its name — as stored in shoeboxes, and involving a range of business partners spread far and wide (as portrayed by Here's Tom Hanks, The Studio's Bryan Cranston, Relay's Riz Ahmed, A Private Life's Mathieu Almaric, The Last of Us' Jeffrey Wright and Fly Me to the Moon's Scarlett Johansson) — is all his. Brought to life by one of Oscar-winner del Toro's greatest performances, he's also wealthy, charismatic, cut-throat in his professional endeavours and, after surviving his sixth plane crash, keen to get reacquainted with Liesl (Mia Threapleton, The Buccaneers), the nun in training that's also his estranged daughter and preferred heir. As for Bjorn, he's enlisted to teach Zsa-zsa about insects, but finds himself acting more as a personal assistant while getting close to Liesl — who is expectedly wary about her father and his endeavours — as they jet around attempting to lock in The Korda Land and Sea Phoenician Infrastructure Scheme. Cera is stellar, too, as well as a seamless fit into Anderson's repertory cast; his work here ranks up there with Arrested Development's George Michael Bluth, Scott Pilgrim vs. The World's eponymous figure, Twin Peaks' Wally Brando and Barbie's Allan among his most-memorable characters. [caption id="attachment_1006881" align="alignnone" width="1920"] Giulia Parmigiani[/caption] For co-stars, del Toro, Cera, Threapleton and the fellow talents listed above also have everyone from Richard Ayoade (Dream Productions), Benedict Cumberbatch (Eric), Rupert Friend (Companion) and Hope Davis (Succession) to Willem Dafoe (Nosferatu), Stephen Park (Death of a Unicorn), Charlotte Gainsbourg (Étoile) and Bill Murray (Ghostbusters: Frozen Empire) for company. And for plot specifics, the ensemble has "disrupting, obstructing, impeding" bureaucrats, the price of bashable rivets, lie detectors, suspicious uncles, locomotives, basketball shots, terrorists, freighters, marriages, grand hotels and heaven to navigate. They're stepping into a redemption story, and also a complex family dynamic with deep emotional resonance. This group is in another Anderson gem, then. Ask del Toro how he approaches plying his skills for Anderson, a filmmaker who is giving him rare comic parts — so much so that the actor was astonished the very first time that the director called — and he speaks about his commitment to telling the truth no matter the role. Ask Cera about conveying complicated bonds for the helmer, and also about the path that's brought him to Bjorn after more than a quarter of a century of acting, and he's all about the people around him. For both, trust and faith in Anderson are pivotal to them giving their all, and the results are on the screen. "You trust him and you try to be as honest as you can, even when you're lying," del Toro notes. On Digging Into a Wes Anderson-Penned Redemption Story That's Characteristically Both Comic and Has Emotional Depth Benicio: "I think I do what I do in every movie — I try to tell the truth. Wes and Roman Coppola, together they wrote this incredible script. You just draw from it. You know, I'm not known to do comedy — and one thing that we tried to keep in mind was 'don't try to be funny'. If the laughs come, good. If not, it's good. Don't try to make the laugh happen. Let the laughs follow. So try to tell the truth. And for me, it's just like what I do in other movies. I mean, this time I have to do it verbally, and there's a lot of dialogue. So for that, you just have to get ready and practice that dialogue. But the bottom line for me is basically what you said — it's the depth of this arc of this character. But also those dream sequences or heaven sequences, that is his subconscious also talking. It just added for the actor to know what was the arc about. It helped. It was like having your psychiatrist explaining the character as well. It's like having the psychiatrist explaining who the character is. Those dreams fed a lot of information to me of where we were on this story — also where was his emotional arc of that particular moment in the story." Michael: "I think the material and the writing takes care of a great deal of that for you. If it's able to get you invested in the story — which, it's just such strong writing — you feel it when you read the script. You feel and you know completely — you know where the feeling is going to come from and how you know it needs to be rendered. But even so, I found the movie much more moving in the end than I even expected, even after having shot it. I find it to be very moving." On How del Toro, Cera and Mia Threapleton Worked Together to Convey Their Characters' Deepening Bond Across the Film Michael: "We did have a little bit of a rehearsal period, fortunately, with the three of us and with Wes. And we just really worked, the four of us privately, for a couple of weeks — like two weeks or so. And it's a great thing to be able to do. It makes you get ahead of things a little bit. It allows you to come up with some observations and ideas that that later can feed into the work. And it also, but most importantly I think, just creates a strong sense of a team and comfort and trust with each other. And that carries into the work, I think. But we discovered, also I think, in reading it, discovered the dynamics and the emotions that these characters feel toward each other. And what it feels like for to be betrayed, when there are betrayals that happen. It was nice to get ahead of all of that and find the specific way in, and what was specific about it — because I love the way it's played. Things are salvaged even though there's a major betrayal. And there's an emotional bond that helps them all pull through that even, which is really nice. A really nice turn, I think." On the Significance of Anderson Writing Specific Parts for Del Toro and Cera Benicio: "Well, it's a hell of a gift. I think that we never talked about anything. 'Hey, did you write this for me? Am I your second choice?'. I never really questioned that. He called me up. He sent me the first 20 pages. I have to go back and explain to you that when I got The French Dispatch and he first called me, I was super elated. It was hard to believe that Wes Anderson was calling me to be in one of his films, because most of the movies I do, even though they're fiction, they tilt towards documentaries. Wes movies, they're fiction but they tilt more to theatrics — to the theatre, let's put it that way. When he called me up the first time, I was a little bit like 'wow, is he, is he really?'. I immediately thought 'wow, he's thinking outside the box, he's going against stereotypes'. Because there's many actors that do comedy better than me, and he could have gone to those actors. But for some reason, he pulled me into that world, his world. And I was really elated by it. When I read the part of The French Dispatch, it was like it was so good, and then I realised that it came to an end and another story happened and that was it — and it was like 'wump, wump, wump'. I was little bit like 'oh, wow, I could really get into this character, the painter Moses'. And so then that happened. I did the film. I had a blast working with him. When you work with Wes, you have to let the kid in you, you've got to let them out, the imagination. You have to play. It's a lot of fun. It reminded me — I was trained in the theatre, so it was kind of like back to the future, in a way. It was like I had travelled back in time to my beginnings, studying with Stella Adler and being on the theatre. And then come to this, when he sent the first 20 pages, I was like 'oh wow, this is amazing'. But I thought that might be it. And then he sent the next 20 pages and I'm still in the movie. And then the next 20 pages — and then I'm going 'oh my god, now this is going to be hard work'. So it was kind of like one of those, and I was really excited — and it's a gift from Wes. But at the same time, you had to really put on, strap on your boots and get to work, because there was a lot of work to do." Michael: "I didn't know that really, to be honest. So I'm not sure — like I don't know exactly what his process was with that or when I came into his mind for it. But obviously just so happy to be considered and invited. Wes had offered me one role once before, in Asteroid City, and I ended up not being able to do it because of the birth of my son interfering with the dates. So I was so disappointed. I mean, obviously it was the most-important kind of life event for me. So it was all good, but it was just horrible timing. I was like 'oh no, I finally got offered by Wes to come along and be a part of his one of his productions and I can't go'. It was heartbreaking. But this more than redeemed it. So I was just happy that he was still thinking of me, and then so delighted to read it and to discover this character — and so caught, really, by surprise by how involved of a role it was too in the whole story, and in the whole play of everything. I didn't expect to be given such an opportunity by him. So it was really a treat and a gift." On Cera's Knack for Taking on Distinctive, Specific Characters That Aren't Going to Be Mistaken for Any Others, Including in Arrested Development and Twin Peaks Michael: "It's the greatest thing when you get a piece that's exciting to read and an amazing opportunity as an actor. I remember reading the script for Arrested Development when I was like 14 or 13, and really, it was very clear how special it was. I don't know — I think there are things that you just gravitate toward and you just want in. There are a lot of things that I have felt that about that I didn't have a chance to work on, too, but you're just like 'oh, I need this. I want this. I get this. I love this world. I love the people making it'. So when you are lucky enough to get onto the ones that you feel that way about, it's the greatest." [caption id="attachment_1006861" align="alignnone" width="1920"] Roger Do Minh/TPS Productions/Focus Features © 2025 All Rights Reserved.[/caption] On How Working with a Filmmaker with Such a Precise Visual Style Influences the Way an Actor Approaches a Role Benicio: "Well, you know his movies are handmade. There's nothing there that is — let's say CGI, very little. You might have to use something but very little is CGI. Everything is built. Everything is put together. Everything is really — you can touch it. So my approach to it was the same way I approach any movie: is just try to tell the truth unless, and trust Wes that if I do what I do, he will take it to the finish line. He will do his thing and take it to the finish line. And, like any actor, you try to tell the truth — even when you lie. So that's what you do in a Wes Anderson movie as that's an actor. You trust him and you try to be as honest as you can, even when you're lying. That's what I did. Hey, there might be other ways, but everybody's different." Michael: "Well, you have a lot of faith in him. You have a lot of trust in Wes, because you know that he's across every inch of the movie and he's not going to let something get through that breaks the spell or destroys the nuance of what he's creating. So you just feel you're in incredibly good hands and he's going to make you shine — and make you look better than what you did, even. So working with someone on that level, it makes you feel very confident. And then you can you can try things and you can work with confidence. That feeling is not always there, and sometimes you have the opposite feeling, and it's really hard to really put yourself out there as an actor when you have that, when you have doubts." On What Cera Makes of His Journey as an Actor Over More Than a Quarter of a Century, Leading Him to The Phoenician Scheme Michael: "I feel really lucky to be doing this for a living and doing what I was attracted to from that age. When I was a kid, it wasn't like a career. It was just something I loved. And then it turned into something that was kind of a job, but I loved that, too. It's an interesting life. I've had a very positive experience of coming up as a child actor and turning into an adult person who's acting. There are obviously the famously unfortunate versions of that. But for me, I was always just around great people. [caption id="attachment_1006880" align="alignnone" width="1920"] Giulia Parmigiani[/caption] It was exciting to be nine years old and having colleagues that were grown people that you admire and that took care of me and showed me how to do it. Even first assistant directors and things, when I didn't even know what I was doing. I didn't know where I was supposed to go, what I was supposed to, what I was supposed to say — and people helped me. So I feel very lucky. I've had a very good road to be where I am now. And it's really nothing but good luck that made it that way. I just have had really good people around me." The Phoenician Scheme opened in cinemas Down Under on Thursday, May 29, 2025. Film stills: courtesy of Focus Features © 2025 All Rights Reserved.
Never Mind the Bollocks, Here's the Sex Pistols should never be far from anyone's ears — but there's listening to the iconic 1977 punk album, the only studio record from Sex Pistols, and then there's hearing it played live in full. Down Under in 2025, Australian and New Zealand music lovers will be treated to that very experience, with the group locking in a tour. Band members Paul Cook, Steve Jones and Glen Matlock are heading this way in April, as part of a project dubbed Sex Pistols Featuring Frank Carter. As the band's moniker makes plain, this is a case of punk figures joining punk figures, as first happened back in August 2024 for fundraiser gigs in London. Clearly the setup worked. This will be Sex Pistols' first trip this way in almost 30 years, since 1996 — this time pairing drummer Cook, guitarist Jones and bassist Matlock with Gallows, Pure Love and Frank Carter and the Rattlesnakes alum Carter on vocals. The group have announced seven stops, starting in Auckland in Christchurch in Aotearoa, before playing Aussie gigs in Melbourne, Adelaide, Sydney, Brisbane and Fremantle. John Lydon, aka Johnny Rotten, the band's well-known former lead vocalist, was last part of their lineup in 2008 — which is when Sex Pistols last toured before 2024. Hearing Never Mind the Bollocks live and in full almost five decades since its original release means hearing 'Anarchy in the UK', 'God Save the Queen', 'Pretty Vacant', 'Bodies', 'Holidays in the Sun' and more. If this feels like an incredibly rare chance to experience a slice of music greatness, that's because it is — and if you need any more motivation, Sex Pistols Featuring Frank Carter's UK gigs earned rave reviews. [caption id="attachment_986909" align="alignnone" width="1920"] Henry Ruggeri[/caption] Sex Pistols Featuring Frank Carter 2025 Australia and New Zealand Tour Wednesday, April 2 — Town Hall, Auckland Thursday, April 3 — Town Hall, Christchurch Saturday, April 5 — Festival Hall, Melbourne Sunday, April 6 — Hindley Street Music Hall, Adelaide Tuesday, April 8 — Hordern Pavilion, Sydney Wednesday, April 9 — Fortitude Music Hall, Brisbane Friday, April 11 — Fremantle Prison, Fremantle Sex Pistols Featuring Frank Carter are touring Australia and New Zealand in April 2025, with ticket presales from 11am on Tuesday, January 21 and general sales from 12pm on Thursday, January 23. Head to the Australia and New Zealand tour websites for more details.
If your idea of a good night out involves rubbing shoulders with artists, drinking and getting involved in some electric muscle stimulation, you should probably head along to 107 Projects for Electroscape: The here and now of digital art. The one-night only exhibition features seven contemporary Australian artists, including composer and sound artist Leah Barclay, glass-player Lucas Abela, multidisciplinarian Michaela Davies and new media artist Josh Harle. The night will involve everything from laser etching to robotics to 3D printing to the aforementioned EMS (that's practised by Davies; she attaches electrodes to people and makes them involuntarily play instruments or fight in an arcade game). Not only will you get to see some very cool, experimental creations, you'll also be benefitting the future of the Sydney gallery scene. Funds raised by ticket sales will be used by the Art Gallery of NSW to acquire new contemporary art for its collection.
With every endeavour, there comes a time when you're faced with difficult decisions. Whether it's scaling back, making a major change or trying something different, it's important to know when and how to make a tough call that just might benefit you in the long run. So how do you know when you're making the right choice? There's no one-size-fits-all answer, but we sought out some advice from two Sydney venues who have become beloved local fixtures in the industry, in partnership with Square. Good Ways Deli started slinging sandwiches in Redfern in 2021 and quickly developed so much of a following that they opened a second outpost in Alexandria the following year. The Barber Shop is a fair bit older, having opened in 2013. The city speakeasy is known for its extensive collection of 700-plus gins and has been voted Australia's Best Gin Bar by Australian Bartender Magazine four times. The Barber Shop's co-owner Mike Enright and Good Ways' co-founder Jordan McKenzie share their wisdom on making big changes, unexpected surprises and what they've learnt along the way. [caption id="attachment_960054" align="alignnone" width="1920"] Credit Cassandra Hannigan[/caption] The Barber Shop on Closing the Actual Barbershop The Barber Shop was, aptly, concealed behind a fully operational barbershop that served clients during the day. However, after consistent losses from that portion of the business, the team decided to shut down the front of the venue. "We closed our actual barbershop at the front of the bar. The barbers are a completely different business to hospitality. It was taking up too much time and we barely broke even post-covid," said co-owner Mike Enright. "It meant that we could focus on the bar and not have our bottom line suffering by the losses it was making." When asked whether it was a tough call, Enright answered: "We had to make a few redundancies, but it was a smooth transition." He elaborated, "We tried hard and long to keep that part of the business operating and I didn't want to let it go, but it was the best decision in the end." Did it work? "The space is now a prop for the bar. It still looks like a barbershop but with no cutting hair, which is a shame. It used to be a great business pre-covid." But, Enright added, "It turned out exactly as planned — the losses and the stress of trying to run two businesses disappeared." Another benefit of closing the barbershop was that Enright was able to devote more attention to producing events, which he says are "another source of additional income for us and great promotion for the brand." Thanks to Square, these events, whether on or off-site, can go off without a hitch. "The Tap-To-Pay on iPhone is super useful," Enright shared. "We always have a device to take payments on." Good Ways Deli on Choosing to Bake Their Own Bread Good Ways Deli had been making their own bread for about a year when they made the decision to commit to baking on a bigger scale. "We started to think about what made Good Ways what it is and how we could double down on that. Baking bread in house is a labour of love for a sandwich shop, and we needed a way to make it worthwhile and differentiate us from the market," shared co-founder Jordan McKenzie. McKenzie recalled when they shut down the store to renovate the space. "To make this change we had to close the shop for four days — we ripped apart the bar and benches, and rebuilt them in a way that left more space for a deck oven and a bigger mixer. Our trades came in and upgraded the services to account for the new equipment. It was an ambitious feat in the timeframe we gave ourselves and sleep wasn't really factored into the equation, but we got it done!" So how did they make this decision? "We looked at our business plan and what we'd done up until now, and what would take it to the next level. You can't do everything you want to do when you first open, so change is inevitable," said McKenzie. "We knew that quality, healthy and sustainably minded food were core values for us, and the health benefits of slowly fermented sourdough breads were a big draw in a growing sandwich scene." Once the decision has been made, it can be another challenge entirely to get the staff and customers on board. "We have regular staff meetings to communicate our values and why we have them, but people who come to work at Good Ways can see what we do and it really resonates. There is strong buy-in." As for the customers, "we have some messaging on the website and through social media, but for the most part, we try to let our actions speak. The fact that you can see the bread being made as soon as you walk in really helps," explained McKenzie. Was it a success? "I don't know if I'd pin it as the game-changer, but it's definitely been a step forward for us in this long walk." McKenzie added, "The fact that not only Tom and I, but all of the team are still excited to eat a sandwich for lunch every day after four years is testament to that." McKenzie's additional piece of advice was: "Cafes and restaurants are well-oiled machines that rely on repetition to hone efficiency, so whenever you make changes there will always be teething issues. You can't have business without problem-solving though, so get on with it!" He went on to say, "Ask people smarter than you for advice, plan well and crack on. When you find the problems, fix them." Find out how Square can kickstart your business at squareup.com.
Reckon your pup gets a bit lonely sometimes? Well, now you can find him a bunch of new mates with just a few swipes of your phone. It's all thanks to a clever new smartphone app, which helps dog owners to connect their pooches with other local doggos and dog communities. Created by Queensland University of Technology business student Josh Fritz — who came up with the app when he moved to Brisbane, adopted a cavoodle called Quincy and wanted to find him some buddies — PatchPets works a little bit like Tinder. Users create a personalised profile for their pup, and then use the app to find and network with other fur parents in their area, based on location. You can scroll through photos of local hounds, check out their details and get in touch with their owners to set up doggy play dates. To keep you informed about your pooch's possible new pal, profiles feature information about which vaccinations each dog has had, whether it's been desexed and what their all-important Instagram handle is. Got a particularly picky pupper? You can even filter the results by dog breed and size. PatchPets also comes loaded with plenty of other nifty features, including a directory that lists pet-friendly businesses nearby, plus real-time dog park maps — allowing you to see when four-legged friends are hanging out at your local park. No more rocking up to the park for a play sesh, only to find there's no one else there. And, you can use the app's message function to join group chats with your dog's new mates. Having launched in May, PatchPets has already clocked up over 5000 users — which means your doggo will be totally spoilt for choice in the friends department. PatchPets is now available to download for free, for both iOS and Android, from the iTunes App Store and Google Play. Images: QUT Media
Comfort food, Greek taverna style, has never been so hip. In a room stripped almost bare with vaulted ceilings, peeling cream plaster and warm lighting, The Apollo is the newest dining hotspot in Potts Point. Once you've tasted the food, you'll wish everyone else wasn't so clued in and that it was simply your local Greek. For those who have had a run in with Greek food that was heavy, oily and served with a cucumber-saturated Greek salad, now is the time to give Greek a chance. This is food that it would be tempting to eat most nights: lemony, zesty and full of fresh herbs. Jonathon Barthelmess, last seen serving his fabulous Italian-accented food at Manly Pavilion, has the lightest of touches when it comes to the food of his heritage. Cocktails form a small part of the drinks list but are among the best in town. There are, of course, nods to Greece, including rosewater, and figs and honey. Similar references are dotted through the wine list, although this features fewer Hellenic inclusions. Back to the food. You can go 'The Full Greek' and be sent out all the signatures as part of a very affordable feast for $55, or pick and choose from the small but perfectly formed menu with all dishes designed for sharing. We suggest trying a series of smaller dishes to start. Taramasalata ($12), served in a small Greek style yoghurt pot with warm, slightly charcoaled pita bread, is pale, creamy and topped with pearly mullet roe. It will well and truly ruin you for the bright pink supermarket versions. Deep-fried king prawns ($6 each) are worth the fiddling to remove the shells for fleshy, juicy meat with a hint of charcoal, and grilled octopus with chickpeas and pickled cucumber is as tender as they come. The already renowned wild weed and cheese pie ($18) is a must, like no spanakopita you've ever eaten. It's lemony and light, full of the good weeds. You have gone Greek, so for the main you really should go with the slow-cooked lamb rib. You won't regret it or the lemony potatoes which help to mop up the juices. It might just finish you off and ruin you for a good Greek dessert, but the walnut filo pastry ($12) or, if you fancy boozy fruit, the ouzo-marinated watermelon are worth making room for. You'll find The Apollo in our list of the best degustations in Sydney. Check out the full list here.
On Sunday, December 1, Australian Venue Co — one of the country's largest hospitality groups with more than 200 venues nationwide — announced its decision to no longer host events on January 26 in recognition of the trauma experienced by many of its patrons and staff on Invasion Day. In response, certain swathes of the media, social media users and even notable politicians loudly voiced their opposition to the move, with some calling for a boycott of AVC venues in retaliation. Queensland Senator Matt Canavan said during an interview on the Today Show on Monday, December 3, that Australian Venue Co were acting as "moral guardians," adding: "They should get off their moral high horse. They're a pub, for god's sake. They deal in alcohol … I mean, let people have a good time at a pub." In response to this widespread backlash, Australian Venue Co has issued an apology via its social media platforms and reversed its decision to ban Australia Day events. "We can see that our comments on the weekend have caused both concern and confusion. We sincerely regret that — our purpose is to reinforce community in our venues, not divide it," the statement reads. "It is not for us to tell anyone whether or how to celebrate Australia Day. We acknowledge that and we apologise for our comments. It certainly wasn't our intention to offend anyone … Whether you choose to celebrate Australia Day or not, everyone is welcome in our pubs, always. We have been, and are always, open over Australia Day and we continue to book events for patrons." View this post on Instagram A post shared by Australian Venue Co. (@australianvenueco) Many social media posts highlighted the confusion created by the Australian Venue Co's original announcement, which was misconstrued as suggesting its venues would be closed on January 26, when in reality the group was pledging not to hold Australia Day events while remaining open for patrons independently celebrating the day. Whether or not Australia should commemorate its national day on a date that represents a moment of profound mourning and inter-generational trauma for First Nation's communities continues to be hotly debated. However, local governments, certain major businesses and media organisations, and social groups across the country have made the decision in recent years to acknowledge the contentiousness of January 26. More than 80 councils around the country no longer hold citizenship ceremonies on this date and since 2017, radio station Triple J has announced its popular Hottest 100 rankings on January 25. Earlier this year, major supermarket brands Woolworths and Aldi both pledged to no longer stock Australia Day merchandise in their stores, while Invasion Day rallies attract thousands of peaceful protesters every year.
The long weekend is just around the corner and, really, it couldn't come sooner. Especially since this upcoming break is brought to you by Easter — a time where eating chocolate eggs and hot cross buns morning, noon and night is completely acceptable. But if you're looking to fill yourself up with something other than sweets, we've tracked down where you can have a bit of competitive fun, get a big ol' dose of culture and catch a live music gig. Also, if you're looking for all of the above in one spot, plus heaps of food and some cute baby animals, then you should set your sights on the Sydney Royal Easter Show. A classic, the Show returns to Sydney complete with heaps of rides (over 100), all sorts of carnival eats (from meat pie doughnuts to fried cheesecake) and a whole menagerie of animals (from puppies competing for the Best Baby Puppy award to prized pigs to a whole indoor paddock full of baby farm animals for you to cuddle). If you call Sydney home and haven't gone to the Sydney Royal Easter Show yet, then this is your time. So plan to hit the Show at least once this year and keep the Easter good fun flowing at one of these joints below. [caption id="attachment_710789" align="alignnone" width="1920"] Sydney Royal Easter Show.[/caption] A BIT OF FUN (AND COMPETITION) While the joys of Easter egg hunts may have dwindled with the last years of your childhood, the competition that came from finding the most (and best) chocolates has mostly like not. So, we've tracked down where you can enjoy a bit of friendly competition this long weekend. 9 DEGREES ALEXANDRIA Friday: 9am–10pm; Saturday: 8am–10pm; Sunday, Monday: 9am–10pm 9 DEGREES LANE COVE AND PARRAMATTA Friday, Saturday, Sunday, Monday: 9am–10pm ARCHIE BROTHERS CIRQUE ELECTRIQ Friday: 12pm—12am, Saturday: 10am—12am, Sunday: 10am—10pm, Monday: 12pm-11pm BUBBLE SOCCER Saturday, Sunday, Monday: by appointment ENDURO Friday, Saturday: 9am-10pm, Sunday, Monday: 10am-8pm FLIP OUT CASTLE HILL Friday: 10am —10pm, Saturday: 9am—10pm, Monday: 10am-8pm NOMAD ROCK CLIMBING Friday: 6.30am—10pm; Saturday, Sunday: 8am—9pm; Monday: 6.30am—10pm OLYMPIC PARK, SYDNEY ROYAL EASTER SHOW Friday, Saturday, Sunday, Monday: 8.30am—late, fireworks conclude at 9pm, Showbag Pavilion closes at 9.30pm SKYPEAK Saturday, Sunday, Monday: 11am—4pm SKYZONE Friday, Saturday: 9am—10pm; Sunday: 9am—8pm ST PETERS CLIMBING GYM Friday, Saturday: 9.30pm—9pm, Sunday, Monday: 9.30am—7pm STRIKE BOWLING AND LASER TAG Friday, Saturday, Sunday: 11am—2am; Monday: 11am—10pm TIMEZONE CENTRAL PARK Friday, Saturday: 10am—12am, Sunday, Monday: 10am—11pm [caption id="attachment_712879" align="alignnone" width="1920"] Lu Yang: Electromagnetic Brainology. White Rabbit Gallery.[/caption] A DOSE OF CULTURE A long weekend is the best time to break free from routine weekend activities. It's the perfect occasion to visit the exhibitions and creative spaces that have fallen prey to "I'll go at some point" that often accompanies Saturday mornings. Whether you're strolling the galleries in the AGNSW or lounging in a vintage theatre watching Dead Poets Society at Golden Age Cinema, this Easter weekend there's plenty on to help you feel like the cultured cosmopolitan you are. ART GALLERY NSW Saturday, Sunday, Monday: 10am—5pm ARTSPACE Saturday, Sunday, Monday: 11am—6pm AUSTRALIAN MUSEUM Friday, Saturday, Sunday, Monday: 9.30am—5pm BRETT WHITELY STUDIO Saturday, Sunday: 10am—4pm CARRIAGEWORKS Friday, Saturday, Sunday, Monday: 10am—6pm (The National: New Australian Art); Saturday: 12pm—6pm (Mark Shorter Performance) CASULA POWERHOUSE Friday, Saturday, Sunday, Monday: 9am —5pm COOEE ART GALLERY (BONDI AND PADDINGTON) Friday, Saturday: 10am—5pm GOLDEN AGE CINEMA Saturday: 2.30pm—late (Free Solo, The Kindergarten Teacher, Dead Poets Society plus performances by Mimi Gilbert and Reddenhollow) MCA Saturday, Sunday, Monday: 10am—5pm MUSEUM OF SYDNEY Saturday, Sunday, Monday: 10am—5pm POWERHOUSE Saturday, Sunday, Monday: 10am—5pm WHITE RABBIT GALLERY Saturday, Sunday: 10am—5pm WORK-SHOP Sunday: 10am (Welding for Beginners); Monday: 6pm (Djembe Drumming for Noobs) and 7.30pm (Ukulele for Noobs) [caption id="attachment_518646" align="alignnone" width="1280"] Bad Friday.[/caption] A NIGHT (OR DAY) OF LIVE MUSIC Despite recent happenings, Sydney still has a mix of live music venues scattered around town. Hunt down a nearby music hall and to sate your music cravings this weekend. From inner west music festival's tenth anniversary to dancing it out in everyone's favourite late-night pizzeria, Sydney is turning up the volume this Easter for your listening pleasure. BAD FRIDAY 10TH ANNIVERSARY Friday: 1pm CAMELOT LOUNGE Saturday: 9pm (Malo Malo and The Aretha Franklin Songbook) ENMORE THEATRE Saturday: 7.30pm (Parliament Funkadelic featuring George Clinton); Sunday: 8pm (Snarky Puppy) FRANKIE'S PIZZA Friday: 12pm—3am; Saturday, Sunday, Monday: 4pm—3am THE LANSDOWNE Saturday: 8pm (Philadelphia Grand Jury), Monday: 12pm—3am METRO THEATRE Saturday: 8pm (Nahko & Medicine for the People), Sunday: 8pm (Evolve Origin) OXFORD ART FACTORY Saturday: 8pm (Gasper Sanz), Sunday: 10.45pm (Twenty Three), Monday: 10pm (LOOSE ENDS Easter Sunday Party) SODA FACTORY Friday: 5pm—10pm, Saturday: 6pm—2am, Sunday: 6pm—3am, Monday: 5pm–late THE IMPERIAL IN ERSKINEVILLE Friday, Saturday: 11.30am—3am; Sundays: 11.30am—12am, Monday: 4pm—12am OLD 505 THEATRE Friday, Saturday: 8pm-late THE VANGUARD Saturday: 7pm—1am VIC ON THE PARK Friday: 11am—10pm, Saturday: 10am—3am, Sunday: 11am—10pm, Monday: 11am—10pm WAYWARDS AT THE BANK Friday: 11am—10pm, Saturday: 11am—late, Sunday: 12pm—12am
On the main drag in Woy Woy, a town on the southern edge of the Central Coast, is a pasta joint and cocktail bar that would be equally at home in Newtown or Surry Hills. It's run by a couple of young guns — Dannielle Mills heading up the kitchen and Bryce Gleeson running the floor — and it's serving up house-made pasta and gelato, using ingredients from the compact garden out the back. The only tip-off as to your location, while inside the restaurant, is the space between tables. You can gesticulate to your heart's content without fear of knocking out your neighbour with a wayward elbow. While it's certainly spacious, it's not lacking in atmosphere. It's filled with locals and out-of-towners alike digging into bowls filled with fat tubes of rigatoni, in a hearty sauce of spicy pork sausage and bitter greens, or soft pillows of gnocchi paired with capers, sugo and stracciatella. But, as good as the mains may look, we suggest beginning your feast with one of the small plates. If they're on offer, order the ham hock and potato fritters. A twist on arancini, the balls arrive hot and crisp, stuffed with molten cheese and potato, atop red pepper salsa and mayonnaise. They pair well with a glass of something natural — a vermentino by Delinquente Wine Co, perhaps — or an Aussie twist on the negroni made with Maidenii vermouth. If you're ready to roll out at this point, resist the urge to do so without ordering gelato. It's more of a palate cleanser, and you won't regret it. You will regret making the journey to Young Barons without making a reservation, however — it packs out most weekends. If you're able to make a midweek sojourn, head in on a Wednesday, when you can snag a bowl of spaghetti and an Aperol spritz for a neat $25.
Fancy chowing down on Los Pollos fried chicken for reals? Breaking Bad fans, hold on to your tortugas. There's a very real possibility that the Los Pollos fried chicken chain from the now-finished AMC series could become a real restaurant. During his recent Reddit AMA, Breaking Bad creator Vince Gilligan dropped a sneaky teaser; that there have indeed been serious chats to make Gustavo Fring's fictional chicken empire into a real fast food joint. "[T]here is talk of a Pollos Hermanos becoming a real restaurant," he said. "This is not an idea that I generated personally. But it's one that's been presented to me, through the good folks at Sony, and the idea came to them from a businessman who has an interest in doing just that. Speaking for myself, I'd love to see that happen!" Whether or not this goes ahead remains to be seen, but for now we're happy to join the inevitable fan-brainstormed wishlist of novelty Pollos features. Reddit user elijoker suggested every store should have a Gus Fring look-a-like and ask random customers if their food is to their satisfaction. immorta1 pitched every purchase of a combo meal as coming with a free GPS tracker installed under your car by a serial killer. Bic_Parker practically pondered menu items like ice cream covered with blue pop rocks, while Ivanbulls suggested blue rock candy in baggies for dessert. We're also pretty sure the restaurant could smuggle anything they damn well wanted to, crying 'theme' if the Feds started to raise an eyebrow. Hardcore fans who can't wait for Sony negotiations can find their way to a pretty great Next Best Thing. Pointed out by Vanity Fair, Albuquerque burger and burrito restaurant Twisters functioned as a stand-in for Los Pollos Hermanos during shooting, training their employees to answer Los Pollos FAQs. Understandable. Very understandable. Via Vanity Fair.
Spring means plenty of fresh produce at outdoor markets and hours spent lounging by the water. What's better than a day that combines both? Cambridge Markets is popping up in Watsons Bay with the return of the beloved market in 2024. Head to Robertson Park from 10am–4pm on Sunday, October 20, to browse over 150 stalls against the backdrop of the picturesque harbour scene. From boutique homewares and independent fashion labels to speciality crafts and local purveyors, you can shop for a mix of essentials, gifts and items for the home, and feel good knowing you're investing in small independent businesses and local vendors. And don't forget about the food. Between purchases, fill up on market favourites such as paella, bagels, pastries and gozleme, and enjoy a picnic with those sweeping water views. The Cambridge Markets team is behind huge markets across Sydney, from Pittwater to Cronulla, Ryde Wharf and the Entertainment Quarter, so to call the group experienced would be an understatement. The Watsons Bay iteration is for one day only, so prepare a crew and find your deepest tote bag — you'll need it. Head to the website to find out more.
UPDATE, August 18, 2023: This screening is no longer showing at Roseville Cinemas, aka Sydney's oldest cinema, playing at The Reservoir Cinema in Surry Hills instead. This article has been updated to reflect that change. They're the world's most fearsome fighting team, or so the catchy theme tune goes, and they're heading back to the big screen. There's always a Teenage Mutant Ninja Turtles movie in the works of late, or so it seems — a couple of new flicks released back in 2014 and 2016, and a new animated flick is on its way in 2023 — but seeing the 1990 live-action film in a cinema is a rare treat. Mark 7pm and 9.15pm on Saturday, August 19 in your diary, Sydneysiders. This isn't any old screening, though. Haus of Horror is behind it, after showing horror movies at Parramatta Gaol and Camperdown Cemetery earlier this year. This time, The Reservoir Cinema in Surry Hills is the setting. Because the next Haus of Horror season won't begin until the weather gets warmer, the horror event fiends are heading indoors, going green and showing Teenage Mutant Ninja Turtles in stink-o-vision. Yes, you'll receive scratch 'n' sniff cards, which you'll use to emit appropriate scents as you watch. Already thinking about pizza, as TMNT always inspires? You'll be able to smell it during the session as you watch Leonardo, Donatello, Michelangelo and Raphael (and Sam Rockwell in a blink-or-you'll-miss-it part). Also, there'll be pizzas to purchase, a bar serving drinks, pre-film trivia testing your Turtles knowledge and a photo booth. Tickets start at $35, or cost $57 with a pepperoni ooze pizza and $60 with a vegan version.
Darlinghurst venue The Taphouse and its sun-soaked rooftop bar Elm Rooftop are saying cheers to Sydney for getting through more than three months of lockdown — by offering 49-percent off their entire food and drink menus every Monday–Friday throughout November. Head to the venue between 5–7pm every weekday throughout the month and you'll nab nearly half-price off your dinner or after-work drinks. "We are stoked to be doing what we can to bring the good times back to our beautiful city," The Taphouse owner Joshua Thorpe said. "We want to launch into the silly season with a bang, giving everyone an excuse to get out and have fun." The Taphouse is known for its wide array of local and unique beers, as well as its top-notch pub food. Make the most of the deal with $13 schnitzels, $11 chicken sandwiches or a massive two-person barbecue plate for under $30. Upstairs at Elm Rooftop, you can enjoy 49-percent off your cocktails, seltzers and selections from the small plates menu as you enjoy a post-work drink and feed in the sun. Plus, new additions to the cocktail menu include a blackberry Jack Daniel's cocktail called the Black Jack Fizz and a jalapeño-infused spicy margarita. Head over on a Monday during November and you'll be able to enjoy the limited-time deal while securing your spot for Doggo Rooftop Trivia, a classic pub trivia that encourages you to bring along your furry friends from home.
Every now and again, a bunch of musicians meet and it's like they've played together in some other time or some other place. That's exactly how things felt for American folk singers Sara Watkins, Sarah Jarosz and Aoife O'Donovan, who performed as a trio for the first time in 2014. All were already established artists, with multiple Grammy Awards between them. Fast-forward four years and the trio is known all over the world as I'm With Her. In February 2018, debut album See You Around propelled a tour across Europe and the US, with its mix of contemporary folk, gospel and country-influenced tunes. Come April, the trio is gracing Byron Bay's Bluesfest with their ethereal harmonies. But if you can't manage a jaunt up north, their performances will be prefaced by a sideshow here in Sydney. You can catch them on Tuesday, April 16 at City Recital Hall. Tickets for I'm With Her start at $40 for under-30s and can be purchased here. Co-presented with Bluesfest Touring.
South African Magnum photographer Mikhael Subotzky has descended upon the Sherman Contemporary Art Foundation with an epic installation. Titled WYE, this triple screener immerses you in the past, present and future — all at once. Visions of 19th century history, when colonial powers were busy forcing their way into strange lands, interweave with impressions of the present, lurching from ambivalence to trauma. Meanwhile, the future is depicted in a dystopic light, ravaged by humanity's carelessness. The work simultaneously takes us on a geographical adventure, spanning Australia, South Africa and England, the epicentre of the British Empire. Subotzky spent two years developing his narrative before shooting on location in South Africa with German cinematographer Jörg Schmidt-Reitwein (Werner Herzog's Nosferatu the Vampyre and Woyzeck). Born in 1981, Subotzky has exhibited in the Museum of Modern Art and the Guggenheim in New York, as well as the V&A Museum and Tate Modern in London, and won a slew of awards, including the 2012 Standard Bank Young Artist Award, the 2012 Discovery Award at Arles, the 2009 Oskar Barnack Award and the 2008 ICP Infinity Award.
A snowy camp, crosses, bad dreams, creepy houses, lurking shadows, ringing phones and an immensely unsettling mask: welcome to the world of Black Phone 2. Four years after writer/director Scott Derrickson (The Gorge) adapted a short story by Joe Hill — an author with a hefty horror pedigree as the son of Stephen King — into The Black Phone to box-office success, he's now helming his first sequel to his own work. Derrickson began his feature career on follow-up flicks courtesy of 2000's Urban Legends: Final Cut (which he co-penned) and Hellraiser: Inferno (which he directed), but was absent from the hot seat when his Sinister and Doctor Strange continued their stories. A second Black Phone film wasn't originally the plan, though. For fans of the first feature, 2025's return to the movie's world also raises a question within its narrative. In the just-dropped first trailer for Black Phone 2, however, Ethan Hawke's (Leave the World Behind) villainous The Grabber utters a pivotal line to Mason Thames' (Monster Summer) Finney Blake, who survived his clutches the first time around: "you of all people know that dead is just a word". How important is that sentiment to Black Phone 2? "Very essential and fundamental is my answer to that," Derrickson tells Concrete Playground. Audiences will find out how and why for themselves in the best horror-movie month on every annual calendar, with the film set to reach cinemas Down Under on Thursday, October 16, 2025. For now, though, the picture's initial trailer teases snowball fights, a stint at the Alpine Lake Youth Camp, photos of other kids and blood. Also featured: The Grabber asking "did you think our story was over?" before stating "vengeance is mine". In The Black Phone, The Grabber did what his name suggests: he snatched up children. Circa 1978, Finney, his sister Gwen (Madeleine McGraw, The Curse of the Necklace) and their friends were already scared of his insidious presence, too, before Finney became his next target. Back to things living up to their monikers: yes, there was a black phone, disconnected yet still ringing, offering a link to The Grabber's prior victims. It wasn't just Hawke getting nefarious that made the movie a hit and piqued viewer interest for more, but also its full impressive cast, immersive tale, and the expert sense of tension cultivated by The Exorcism of Emily Rose and Deliver Us From Evil alum Derrickson. With Black Phone 2, a few years have passed on-screen as well — which meant that Derrickson could find his ideal way into a Black Phone sequel. He wasn't interested in the kind of next effort that just repeats the first, so the fact that Thames and McGraw are now older was pivotal. Black Phone 2 is "a high-school coming-of-age movie instead of a middle-school coming-of-age movie", then, he explains. Now that he's focusing on teenage characters, that does indeed enable him to heighten some of the horror elements, including gore. "Absolutely. All true. That's very perceptive. And yeah, I think a high-school horror film requires a certain degree of intensity and violence that a middle-school horror film really doesn't want or need," Derrickson told us. Alongside Hawke, Thames and McGraw, Jeremy Davies (Adventures of the Naked Umbrella) and Miguel Mora (So Help Me Todd) are also back. Getting Hawke onboard in the beginning, even after Derrickson had directed him in Sinister, wasn't assured, but The Black Phone was all the better for his efforts. For Thames, Black Phone 2 arrives in what's already a huge year, given that he plays Hiccup in the live-action How to Train Your Dragon. We also chatted with Derrickson about the franchise's core casting, how the second movie came about, his essentials for the sequel, the approach when you're stepping back into a film's world and that oh-so-key skill of dripping unease through a horror flick. On Whether Making Sequel to The Black Phone Was Initially the Plan "After the first movie, I didn't feel obliged to make a sequel. The studio, as soon as the movie was a hit, was asking me 'will you please make a sequel?'. And I didn't feel necessarily that I wanted to do that. I didn't have any ideas at that point. And it started, the idea for Black Phone 2 started, with an email from Joe Hill — with my friend Joe, he sent me an email and he said 'hey, I have an idea for a sequel', and he wrote out this pitch. I didn't respond to all of it, but there was an idea, a central idea in it, that I thought was fantastic that I'd never thought of. So I began to sort of noodle on that idea — and then, as I was toying with the idea, I started to realise that if I went and made another movie first, then by the time I finished that film these kids that I've had loved so much, and did such a good job in the in the first movie, would be in high school. And so I thought 'I'm going to go do that'. So I told the studio I would do the sequel, but I'm going to go make another movie first — because I wanted to make a high-school coming-of-age movie instead of a middle-school coming-of-age movie. And so it's been a little bit of a wait, but that was intentional, because I wanted these kids to be older. Mason, when we shot this, was 17 — and Maddie was 15. And both are in high school, and that's a very different kind of film and a very different genre to work in." [caption id="attachment_861837" align="alignnone" width="1920"] The Black Phone[/caption] On Casting Ethan Hawke as The Grabber — and Getting Him to Agree to Play a Villain "I wrote the first movie without him even knowing anything about it. And I sent him the script, and he told me before he read it, he said 'look, I don't really do villains. I don't play villains. I probably won't do this'. And then that night, he left me a voicemail saying one of the lines of The Grabber in The Grabber's voice. And I thought 'oh, that's all it was'. I knew that that was his way of saying he was going to do it. And I think he really loved the movie. So when it came to doing a sequel, I did the same thing. I sent him the script, and he told me he was very nervous to read it because he had never done a sequel. And I said 'what about the Before Sunrise movies? You made three of those'. He goes 'yeah, but I wrote those. That doesn't count'. But he read the script and was so excited afterwards. And it was just a very similar story — he read it, and called me immediately after and said 'I love this. I think it's great'. And we scheduled the movie right away." On the Importance of This Being a Sequel That Continues the Story with the Same Characters, Not One That Basically Remakes the First Film "I didn't want to make the same movie again. And I think that sequels that disappoint are sequels that try to do the same thing, only bigger — or the same thing, only more. I knew that I would want to make a very different kind of movie, but I also probably wouldn't have considered doing a sequel of any kind if it didn't involve those characters. Because I love those characters. I love those kids. They're all really good actors, and the idea of being able to make a movie with characters who are in a different stage of life and played by actors who were in a different stage of life — Mason was 17 when we shot this and Maddie McGraw was 15. And Miguel Mora comes back as well in this movie. And it was really a delight to be able to, again, tell a different kind of story about a different stage of life. And I wouldn't have done it if it wasn't with all those same characters." On How Mason Thames' Career Has Blossomed Since The Black Phone, Including Black Phone 2 and Playing Hiccup in the Live-Action How to Train Your Dragon "It's so wonderful to watch. And part of the reason that it's so wonderful is because Mason is a kid who really has his head on his shoulders. He's not seduced by the fame. He's not interested in celebrity. He told me, he said 'if I could get rid of all my social media, I would'. He said 'the only reason I keep it is because it's important to studios for the marketing of their movies'. He's just got such a solid perspective and grounded point of view for such a young man — for somebody who's, I think he's 18 now. It couldn't happen to a better kid is what I'm saying. So it's wonderful to know that I gave him, I just sort of discovered his raw talents and gave him the shot that I did. He did such a good job and he does an amazing job in this movie as well." On What Goes Into Cultivating Unease, Dread and Disquiet in a Horror Film for Derrickson "I think that's the essential thing about the horror genre. It's not gore. It's not acts of violence. Ultimately, what makes a horror film a horror film is tone. There are some horror films that are very, very scary without any violence. And there are some very violent movies that aren't very scary. And the difference is that dreadful tone. I think that I'm interested in that aspect of horror more than jump scares, more than gore. The horror films that I love are films that crawl under my skin and have a captivating tone. And the best ones stay with me after the movie. I remember when I saw The Witch — it took me three days to shake the feeling of that movie from me." [caption id="attachment_861838" align="alignnone" width="1920"] The Black Phone[/caption] On the Approach When You're Stepping Back Into an Existing World with a Horror Sequel "I think that, including those early things that I did, the goal is to try to bring something fresh and original while maintaining the elements that our audience wants to see return. And that's always a tough thing to do as a director, but you have to be in tune with your audience and understand 'well, these are the things they definitely want to see. They want to see this. They want to see that. They want this to happen. They want these elements from the original film within their franchise picture'. [caption id="attachment_873778" align="alignnone" width="1920"] The Black Phone[/caption] But at the same time, what they can't tell you is that they want most of it to be fresh. They want to be surprised. They don't want to watch the same movie again. And so as a director, it's about threading that balance. And in this movie, I think it was the characters that they wanted to see returning. And the fact that the movie has a kind of tonal shift, I think is something they're going to find satisfying." Black Phone 2 opens in cinemas Down Under on Thursday, October 16, 2025.
Maybe Sammy is no stranger to winning an award. The Sydney bar has been named in the top 50 bars in the world every year since 2019 and took out the Best International Bar Team at the Tales of the Cocktail 2022 Spirited Awards. Now, all of those accolades have culminated in it taking out the top spot in the data-driven Top 500 Bars list for 2023. The international award compiles its list based on over 2000 sources, including hospitality experts, journalists, online reviews, search engine results and social media. It announced the list in Paris on the morning of Monday, November 13, Australian time, and the boundary-pushing Harbour City cocktail bar Maybe Sammy came out on top, being named the number-one bar in the world. [caption id="attachment_639976" align="alignnone" width="1920"] Black Pearl (#119)[/caption] Maybe Sammy was listed at number 17 in the 2022 list, jumping all the way to the top spot following another busy year for the inner-city haunt. Maybe Sammy Venue Manager Sarah Proietti and Bar Manager Hunter Gregory were in attendance to accept the award, with the venue beating out acclaimed bars around the world for the title. New York's Double Chicken Please, Barcelona's Paradiso, Paris' Little Red Door and Singapore's Jigger & Pony rounded out the top five, while 22 other Australian bars made the top 500. [caption id="attachment_707971" align="alignnone" width="1920"] The Baxter Inn (#87), Leticia Almeida[/caption] The next highest spot on the list from Down Under was The Baxter Inn at 87, followed by Black Pearl at 119, Re- at 122, Cantina OK at 132 and Dean and Nancy on 22 at 134. The Gresham Bar was Brisbane's top-ranked venue, clocking in at number 475, while Adelaide's Maybe Mae snuck into the list at 485. "To be named number-one bar in the world by the Top 500 Bars feels very surreal," said Maybe Sammy co-founder Stefano Catino. "It's such an honour for our bar team to be recognised for the time and effort they put into making the experience at Maybe Sammy exceptional, and for that to be acknowledged on a global scale is so humbling." It follows a huge year for Maybe Sammy, which included the opening of the team's Paddington tequila bar El Primo Sanchez, a new Maybe Frank outpost at The Federal, and the launch of Maybe Cocktail Festival featuring guest bartenders from international cocktail bars — many of which also made the Top 500 Bars list. [caption id="attachment_795641" align="alignnone" width="1920"] The Gresham (#475), Millie Tang[/caption] For the full Top 500 Bars list for 2023, head to the ranking's website.
Longrain's Sydney home is set to expand into a multicultural cuisine powerhouse when new eater occupies the basement in February 2015. To be owned and run by the Longrain team, the restaurant will deliver not only an array of Indian dishes, but tasty morsels from the likes of Nepal and Sri Lanka, too. Hence the region-encompassing name. In the view of co-owner Sam Christie, Sydney is wanting when it comes to high-quality Indian food. "Everyone I know says, 'Where do I go for good Indian?'" he told Good Food. "The food will be our interpretation, and probably lighter than most Indian going around." Christie has charged Longrain head chef Victor Chung, who hails from Kolkata, to design the menu. He'll be adopting the same approach that has been providing Sydney with a steady supply of hatted Thai goodness for years. That is, taking traditional flavour profiles and giving them a lighter, healthier makeover. If you're wondering what will happen to Shortgrain, which currently inhabits the Longrain sub-terrain, you can rest assured that it will continue to exist — but somewhere else. According to Good Food, Barangaroo is one contender. Meanwhile, Bunker Bar won't be going anywhere. In fact, there's talk of a convenient, tasty snack menu, as well as gin and tonic slushies. Via Good Food.
Just over two weeks ago, the Australian Government announced a ban on non-essential mass gatherings of more than 500 people. Tonight, Sunday, March 29, that number has dropped to two. During an announcement made after the latest national cabinet meeting, Prime Minister Scott Morrison said that any public gatherings should be limited to two people, excluding family members. If you're not with those you live with — your parents, children or partner, for example — you should only be with one other person. The previous limit was ten. States and territories will decide if this is an enforceable limit. On-the-spot fines are currently in place in NSW, Victoria and Queensland, for individuals and businesses not following other COVID-19 containment regulations, such as self-isolation and unlawful mass gatherings. It was also announced that public playgrounds, outdoor gyms and skate ramps will close from Monday, March 30. The new two-person limit on public gatherings does not apply to weddings (which have a current limit of five people) and funerals (which have a limit of ten), but it does apply to group bootcamps. The Prime Minister also reiterated that Australians should only be leaving their homes for one of four reasons: shopping for what you need — such as food and other essential supplies — "as infrequently as possibly"; for medical care or compassionate reasons; to exercise, in-line with the new two-person limit; and for work or education if you cannot work or learn remotely. Another new announcement made tonight and set to be expanded on by individual states and territories over the coming days is a moratorium on evictions for the next six months. Which means that individuals and businesses cannot be evicted from their residential or commercial properties for not paying rent. The Australian Government also urges anyone that does leave their house to follow its social distancing guidelines. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Kimberley Low
For actress and model Sarah Stephens, fashion has never been about following the rules. Instead, it's about experimentation, performance, and storytelling. Between her auditions, acting roles, modelling and events, the multi-hyphenated Australian often switches between characters and identities. Whether she's on set or scouring stores, Sarah sees style as an extension of her identity and career — a way to experiment. "Clothes are costumes to me. My everyday look is quite classic and feminine, but I'm not tied to one particular look. I like to experiment depending on my mood, event or character." Sarah's fluid approach to fashion mirrors her layered career. After winning the Girlfriend Magazine model search competition in 2006, the young girl from Sydney jetted to the glamorous world of fashion and modelling. "I sort of stumbled into modelling without a clear direction for my life, and soon found myself completely immersed in the fashion industry," Sarah tells Concrete Playground. [caption id="attachment_1028485" align="aligncenter" width="1920"] Image by Declan May - Galaxy Z Flip7 is featured[/caption] From walking 14 shows at her debut New York Fashion Week to being photographed by famed German photographer Ellen Von Unwerth for Italian and Russian Vogue, Sarah hit dizzying international success early on in her career. In Europe, she was the face of Lacoste's Love of Pink campaign, and just a few months after her 18th birthday, the model walked a coveted international runway show. Reaching these milestones so quickly came at a cost, though. "It was all too much too soon. I burnt out. I couldn't cope with the loneliness and pressure," she reflects. "As a shy and conscientious kid thrown into a ruthless, cutthroat industry, you often find yourself vulnerable to mistreatment and abuse," says Sarah. "I often didn't question what photographers, agents or clients asked of me because I didn't want to seem rude or ungrateful." A young Sarah had to make a decision. Continue down the modelling route or head home and regroup. "I was struggling both physically and emotionally. Being far from home left me feeling incredibly lonely, and the constant pressure to maintain a certain size took a serious toll on my mental health." [caption id="attachment_1028486" align="aligncenter" width="1920"] Image by Declan May[/caption] Sarah decided to head home to Australia and "reconnect with reality". It was during this time that Sarah stumbled upon another passion — acting. "I attended a summer course at the National Institute of Dramatic Art and discovered a deep passion for acting. It felt therapeutic, and the structure kept me engaged, challenged, and energised." Sarah's acting break came in the form of A24 movie The Witch, directed by Robert Eggers. Her proudest acting achievement, however, was playing Mary in The Flood, a four-person play that ran Off-Broadway in New York and at the Lyric Theatre in Belfast. Now, as the actress reaches her mid-thirties and returns to the acting industry post-COVID and U.S. writers' strike shutdowns, Sarah is leaning into her self-expression. She's just finished shooting an independent film in which she portrays an ASIO detective and is currently working on a short film with a friend. "I love how acting lets me step into entirely different lives. I have a deep passion for storytelling and the immersive nature of film." When it comes to styling herself, Sarah believes that having an everyday uniform is overrated. For the actress and model, a wardrobe full of vintage blazers, polkadots, Mary Janes, and puffy-sleeved blouses means she can transform into whichever character she's tapping into (both on and off screen). "Every outfit I put on that day dictates the role I play. It could be bold and cinematic, or it could be soft and intimate and feminine." But, it's statement pieces, she says, that make you feel the most powerful. When we met with Sarah while she was sourcing clothes from For Artists Only, UTURN Bondi and Ekoluv for an upcoming event, the actress shared how technology is instrumental for her day-to-day life, schedule and also style exploration. "For someone like me who plays with identity and storytelling, technology has become this amazing bridge between imagination and reality," Sarah says of devices like the Samsung Galaxy Z Flip7. Powered by Google Gemini*, it's a handy tool for the on-the-go person with multiple passions. As for what's going into the model and actress' schedule next, the acting world's Sarah's oyster. "Hopefully something in a period drama or maybe even a supervillain. Time will tell, and that's exactly what makes this career so exciting," Sarah shares. Explore more at Samsung. *Gemini is a trademark of Google LLC. Gemini Live feature requires internet connection and Google Account login. Available on select devices and select countries, languages, and to users 18+. Fees may apply to certain AI features at the end of 2025. Gemini is a trademark of Google LLC. Requires internet connection and Google Account login. Works on compatible apps. Features may differ depending on subscription. Set up may be required for certain functions or apps. Accuracy of results is not guaranteed. Editing with Generative Edit results in a resized photo up to 12MP. Accuracy of results is not guaranteed. Results may vary per video depending on how sounds present in the video. Accuracy is not guaranteed. If you or anyone you know is experiencing emotional distress, please contact Lifeline (131 114) or Beyond Blue (1300 22 4636) for help and support.
Want to ring in New Year with Young Henrys, picnic rugs, smoked meats, massages and an entire dessert garden by Anna Polyviou? Your NYE dream date might just be the new harbourside NYE party New Year's Eve Above the Harbour. Taking place at the south-eastern side of Circular Quay in the Tarpeian Precinct, NYEATH will take over a spacious site adjacent to the Royal Botanical Gardens, complete with green, rolling lawn perfectly positioned for those multimillion-dollar Sydney fireworks. It's a more laidback NYE party than others in the area, with picnic rugs and a lavish outdoor dining experience from the culinary team behind the five-star Shangri-La Hotel, Sydney. Ticketholders can feast all evening, with four pop-up food stands planned for the night. There'll be Asian-inspired street food, American-style smokehouse meats, fresh seafood and salads, and (the clincher) an entire dessert carnival by the hotel’s celebrated executive pastry chef Anna Polyviou. Of course, you'll be after a bev or two to ring in the new year, and everyone's favourite Newtonian brewers Young Henrys are on board with their beloved craft beers. The YH crew will be serving a special batch of session beer, a fruity pale ale exclusively available on the night. The event's meant to take the stress out of hectic Sydney NYE parties, so you don't have to get there early, fight crowds, pack picnics or smuggle booze. There'll be a hair and makeup station for both ladies and gents, alongside masseuses available all the way until midnight. You'll probably see midnight more invigorated than when you arrived — instead of drunkenly, tiredly missing the whole bloody thing. Tickets to NYE on the Harbour are $395 including the unlimited five-star food & beverage package, but we're giving one reader and a friend the chance to go along for free — and to name Young Henrys' special NYE Above the Harbour beer. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.sydney@concreteplayground.com.au with the name you'd give to the beer and why. In addition to naming rights and your 2x GA tickets, you'll also get to take home a case of Young Henrys tinnies. Entries close November 22, and the winner will be drawn on November 23.
The Hills is getting a luxurious new rooftop restaurant with the arrival of Ciel in 2024. Chef Joshua Mason, the mind behind Baulkam Hills' acclaimed French restaurant Quoi Dining, will lead the charge at this lush new opening in Sydney's northwest. Translating to "sky" in French, Ciel will take over half of the seventh floor at Infinity Park, a new development that will boast 287 apartments by the time it's completed in 2025. The dining room will boast views of the neighbouring Castle Hill Country Club and the Sydney city skyline in the distance. Mason describes the soon-to-open restaurant as: "A woodfired-inspired dining experience honouring the south of France and the light finesse of the Mediterranean cuisine." "Ciel is inspired by my Sicilian heritage, celebrating a seafood-forward menu. There will be an ice well at the front of the restaurant featuring an array of fresh oysters, lobsters, crustaceans and Australian fish." A custom-made grill built in Barcelona has been shipped in to ensure the seafood is given the exact woodfired touch that Mason has envisioned, and the green stone bar has been imported from Argentina. Ciel will bolster the Hills District's fine dining chops, joining Mason's Quoi Dining and the Mullane's Hotel's Italian diner Sarino's in a neighbourhood more known for casual eateries and takeaway favourites like Frango, El Jannah and Good Fella Coffee. If you want to stay up-to-date with the restaurant you can sign up for the Ciel mailing list, or learn more about Norwest's massive new residential development at the Infinity Park website. Ciel is set to open inside Infinity Park, Norwest in mid-2024.
It's impossible to think about Mythic Quest without the fellow television show that helped it come to fruition also springing to mind. If there was no It's Always Sunny in Philadelphia, this Apple TV+ series about a video-game studio wouldn't exist. 2025 marks two decades since the world first met the Paddy's Pub gang in Rob McElhenney's initial small-screen hit. Midyear, TV's longest-running live-action sitcom will drop its 17th season. With his It's Always Sunny co-star Charlie Day and Megan Ganz, one of the show's writers, he also created Mythic Quest in 2020 — and five years later, it's been streaming its fourth season since late in January, will be accompanied by a companion anthology series Side Quest in March and has cemented itself as another beloved workplace-set favourite. One of the reasons that Mythic Quest has returned not once, not twice, but three times now since its debut run: its stellar cast. McElhenney (Deadpool & Wolverine) plays Ian Grimm, the man behind both the studio that shares the show's name and the hugely successful game that it makes; however, this is an ensemble effort. As crucial at MQ as its original architect is Australian Poppy Li, the lead engineer who has joined Ian as co-creative director over the years. On the business side of the company, high-strung executive producer David Brittlesbee endeavours to keep everything running smoothly. Charlotte Nicdao (The Strange Chores) and David Hornsby (Merry Little Batman) are among the show's standouts — but when the roster of talent also includes Community alum Danny Pudi as a ruthless money man, Ashly Burch (Chibiverse) and Imani Hakim (Will Trent) starting out as testers, and Jessie Ennis (Better Call Saul) as a determined personal assistant, there's no weak links. With Mythic Quest, Nicdao continues a mini trend across her career: tales with media ties. For Australian comedy queens Kate McLennan and Kate McCartney (Deadloch), she was part of breakfast TV-skewering delight Get Krack!n. Then came the also-excellent Content, the short-form web series that enlisted Nicdao as a wannabe influencer willing to do pretty much anything for fame. Building on a resume that also spans A gURLs wURLd, The Slap, Please Like Me, Top of the Lake and Bluey, her path to Poppy hasn't always stuck to the topic, but she's happily at home portraying a successful woman in the gaming world — a well-rounded character with ups and downs, as Concrete Playground describes the role to her; "really flawed and kind of an arsehole" is Nicdao's take, she tells us. And, she's also eagerly expanding the world's view of Australians on-screen. Nicdao's Filipino Australian dad Alfred Nicdao was one of the first Asian actors on Aussie television. Although she initially auditioned for Mythic Quest with an American accent, getting to bring her Asian Australian heritage — keeping her natural voice in the process — to international TV is a rare feat, as she's well aware. "Honestly, it's an honour for me. I don't think that that's overstating it," she advises. When he joined Mythic Quest at the outset, Hornsby came onboard not just as a star but also as an executive producer. Thanks to It's Always Sunny, it's a balancing act that he knows well — and it was "working with friends" that got him excited about being part of the MQ cast alongside playing Sunny's Rickety Cricket, plus his off-camera roles on both, he notes. On the two shows, the Pearl Harbour, Minority Report, Six Feet Under, Flags of Our Fathers, Jake in Progress, How to Be a Gentleman, Idiotsitter and Good Girls actor is also among the writers. Mythic Quest's second-ever episode was penned by him, in fact. Plenty has indeed changed for both Poppy and David over the course of the show so far — and evolves again in the fourth season, too, through romances, pregnancies, friendships and the like. They're both far more sure of who they are and what they want, and willing to fight for it. They're both much more comfortable beyond MQ. This is a workplace comedy, but it's also a series about dreams and fulfilment, and the mental and emotional toll of chasing both. Increasingly, it's as interested in not forgetting to put yourself first, even when you might be working on your dream. Indeed, one of the key themes of its latest batch of episodes is knowing when to make space for something beyond your job or an obsession — and that working on, creating, overseeing or loving something doesn't need to be anyone's defining trait. As a series, Mythic Quest keeps levelling up and broadening its focus, including among MQ team members, their loved ones and players within the narrative. That all-embracing approach equally applies off-screen. Hornsby and Nicdao have both made their directorial debuts with the show — the former in season three, the latter this season on an episode that Hornsby wrote. Burch, Pudi and Hakim have stepped behind the lens as well. Hornsby sees Mythic Quest as facilitating its key players reaching new stages together. "It moves the marker forward and makes you feel like you're growing in your life, and in your in your profession," he advises. Our chat with him and Nicdao also covered the initial appeal of being in a workplace sitcom set in a video-game studio, stepping into the shoes of layered characters as David and Poppy, potential Aussie It's Always Sunny episodes and more. On What Interested Nicdao and Hornsby About Starring in a Workplace Sitcom Set in a Video-Game Studio When Mythic Quest First Came Their Ways David: "It was a job." David to Charlotte: "Is that what your answer's going to be?" Charlotte: "Well, definitely — I mean, at the time, I was very much an unemployed actor. So yeah, it was a job. But also, I say this all the time, I feel like I manifested this show into existence. Because I feel like if you had've asked me to write down my absolute dream gig before I was cast in Mythic Quest, it would have been a heartwarming workplace comedy that was really funny, where I got to stretch my dramatic chops sometimes. And one of my favourite shows ever was Community, and I think Always Sunny is one of the greatest shows on TV. So the fact that now I get to be on this show that I feel like I dreamed up with these people who have already created some of the greatest shows of our time, I'm like 'how did I land this?'." David: "I think a workplace comedy is really great, just because it's really relatable. You can set the tone from the beginning — and I'm really, really happy with the tone that we've forged over these four seasons, of being able to be ridiculous and absurd sometimes, but always hopefully tethered to reality. And then being able to break away and explore some different episodes that really pay tribute to the complexities of stories related to video games. It felt like it was surprising, I think, when it came across my desk of sorts, that there was not already a show that truly lived in the video-game world that was an office-based comedy." On the Number of Projects, From Get Krack!n and Content in Australia to Mythic Quest, with a Media Angle on Nicdao's Resume Charlotte: "That's so funny. I hadn't thought about that before, but you're right, there is kind of a media bent to a lot of my work. I don't know what that is, and sometimes I wonder if it's — I mean, all of those things are fairly contemporary or modern themes to get into, and so sometimes I wonder that's something that I'm particularly comfortable in, for whatever reason. Those projects that you mentioned — Kate McCartney and Kate McLennan, who created Get Krak!n, are the some of the funniest people working in Australian television, and everything that they do is brilliant. So the fact that they wrote that role in for me was really exciting. And then with Content, Daley Pearson brought me that project. I'd worked with Ludo Studios before on an animated show, and when he brought me Content I was like 'I've never seen anything like this before and I have no idea how we're even going to shoot it, but I definitely want to be part of that'. So I'm glad that it lives on." On What Excited Hornsby About Taking His Collaboration with the It's Always Sunny Team Into a New Series David: "Working with friends, initially — it usually starts with Rob and Charlie calling me up and asking 'hey, we've got a part for you. We were thinking of a new show. We were thinking of you. Would you want to act on it and write on it?'. What more can you want except to do the thing that you love with your friends, who make you laugh and raise your bar? That in itself is a door I'm willing to walk through and then see what adventure it leads to." On What Nicdao Draws Upon to Play a Smart, Successful Woman in the Gaming World — But Also a Very Well-Round Character with Flaws and Struggles Charlotte: "I love that you're calling it well-rounded, when really what we all mean is that she's really flawed and kind of an arsehole. Yeah, that's a great question. Coming into the role without that gaming background — and I certainly didn't know anything about programming, that's definitely not how my brain works — I did speak to some game developers about what drew them to their particular jobs. And I loved hearing about this idea of programming being very much about solving puzzles, like being able to take something apart and put it back together in new ways that you wouldn't expect. So I feel like that was my way into understanding a little bit about how Poppy's mind works. It's like she doesn't really have control over most of her life, but this is a space that she fully understands and she can do anything in this world of programming. And that's kind of what makes her so good at her job, is that confidence that she has in this area and maybe no other area. I feel like I relate to that a little bit in terms of — I don't think, I would never think, that I am as good at acting as Poppy is at coding, but I definitely know that feeling of when you lock into something that you love doing and the rest of the world fades away, and you finish shooting a scene and you're like 'whoa, where am I?'. I don't really do that, but that's the feeling." On Hornsby's Task Playing the Most Sensitive and Vulnerable Character in the Series — and One Who Is Steering the Ship, But Is Also Often the Butt of the Office's Jokes David: "It involves me taking my ring off and walking in front of a camera, and then when I'm done, I put my ring on and I go home. No, it's really fun. I enjoy pushing the stories forward and serving the crazier egos in the show, but also having, when I was able to be the wolf back in a previous season, something like that. The specificity of this character and being able to then have earned that storyline is, is super fun. The wins taste sweeter, the victories taste sweeter, for this character when he gets them. So whether he's being a pawn in Brad's game or being overlooked by Poppy or Ian, it's always fun for me, for this character, to get a little victory here and there, and just to see what he does with it." On Knowing When to Make Space Beyond Work or an Obsession Being a Key Theme in Season Four — But Not a Sign That the Show Is Winding Down Charlotte: "I also hope that it's not leading to the end of the show. I don't think that's the intention. I actually think it opens up a whole lot of new story actually. And specifically with Poppy, this season is very much about her trying to discover who she could be outside of work. We see that right in the very first episode, with her having a boyfriend, which is something you never — I never, certainly — expected for the character. But I also think that it's something that we continue to explore and realise, that her whole life, since she was a child, has been about work. And in episode six we get introduced to her sister, who's played by another Asian Australian actress, Natasha Liu Bordizzo [Ahsoka], who I'm sure you know is fantastic — and a close friend. And we had so much fun on set. And this character comes in and reveals a little bit to the audience about who Poppy has always been — and I think that makes it all the more poignant that Poppy is now trying to break outside of that way of being. And I would be really interested to see, with the progress that Poppy makes this season, what that would mean for her in seasons to come in terms of her relationship with Ian and with the game." On the Parallels Between Mythic Quest Broadening Its Focus Among Its Characters and the Show's Cast, Such as Nicdao and Hornsby, Expanding Their Involvement by Writing and Directing David: "When a show's cast well, I think sometimes it's a fine line between who we are and who the characters are — certainly with my character in some ways — but we've all grown into our characters more. We've grown into ourselves more over time. A lot has happened since we started the show. We went through COVID and the pandemic. We made a show during it. That brings us together. That shows us what we're capable of. We've got to do our own makeup. We've got to shoot our own thing. We grow to appreciate the other person's job, especially when you have to do your own makeup. So at the end of the day, at five years later, I think we all have grown and feel, having gone through all this together — from professional firsts, like directing when I did it or when she did it, to doing a new episode or going to a new place with your character — it does make you, it moves the marker forward and makes you feel like you're growing in your life, and in your in your profession." On What It Means for Nicdao to Help Expand the World's View of Australians — and Initially Auditioning for Mythic Quest with an American Accent Charlotte: "Yeah, it's honestly, it's an honour for me. I don't think that that's overstating it. I feel like the world has a very particular idea of what an Australian looks like, and the fact that I get to show a different kind of Australian on an international level is, yeah, I'm really proud of that. And I'm so grateful that during that audition process, I think it was Rob, that was like 'wait, wait, stop'." Charlotte to David: "Well, maybe it was even you. I definitely remember you being in some of my early auditions and this conversation starting around 'well, but what if you just did your natural accent?'. I was so used to auditioning in my American accent at that time." David: "I wanted us to all become Australian." Charlotte: "He wanted everyone to do an Australian accent." David: "But then it just came like 'no, what if she just does it?'." Charlotte: "Yeah, it was like 'maybe just the Australian should do it'. But yeah, I was particularly proud of the episode 'Sarian' in season three that portrays Poppy with her young Filipino Australian family. Filipinos are the fifth-largest migrant group in Australia, there's a big community of us there. And since that episode has come out, I've spoken to people who have stopped me on the street in Australia, in Melbourne, who were like 'I loved that episode because that's what my family looked like growing up — like we spoke Tagalog at home and we had Australian accents at school'. I'm so grateful to the show for helping to tell that story." Concrete Playground: "Everyone becoming Australian sounds like it's going to be a future episode of It's Always Sunny." Charlotte: "Yes! 'The Gang Goes Australian'." David: "Yeah — yeah, that's fun." Mythic Quest streams via Apple TV+. Read our reviews of season one, season two and season three.
What started as a lockdown pop-up is now one of Sydney's best bakeries with the opening of Fabbrica Bread Shop inside a delightful grocer in Rozelle. Back in 2021, Sydneysiders were pining after any treat they could get their hands on as they stuck out a four-month lockdown. During this time, the Love Tilly Group (the team behind favourites like Ragazzi, Fabbrica and Love, Tilly Devine) was one of many Sydney businesses that made a pivot to something more takeaway-friendly, utilising its King Street pasta and wine shop as a bakery on weekends. The name: Fabbrica Bread Shop. Following the success of that venture, the crew transformed the concept into a permanent bakery and 12-seat cafe in the Rozelle location within the new Maloneys Grocer just down the road from Egg of the Universe and across from The Red Lion pub on Darling Street. Expect a mix of classic baked goods and experimental items, including hot honey focaccia, Tathra Place porchetta croissants, metre-long pizzas, cookies the size of your hand and basque cheesecake. The pick of the bunch is the banoffee tart, which has a banana bread energy to the filling and is topped with fluffy banana cream. It's truly indulgent but not so sweet that you can't start your day with it. Leading the kitchen is Love Tilly Group's super talented Head Baker Aniruddha Bhosekar and Fabbrica Pasta Shop's Alyce Bennett (formerly Humble Bakery). Raised in Thane in India, Bhosekar was trained at Mumbai's oldest hospitality institute and brings a wealth of experience to create this unreal slate of bakery items. Inside the grocer, you'll find fresh produce, bouquets of flowers, artisan pantry items and more Fabbrica goodies — including sourdough baked right there at the bread shop, plus the team's beloved ready-to-cook pasta packs and jarred sauces, can be found on the shelves of the store. Images: Jana Langhorst for Buffet Digital
Spring is in the air, the greenery is blossoming — and it's time to sip a beverage that shares its name with a flower (well, the spelling of its name). That's not the only thing on the menu at Bistro Rex's Languedoc Long Lunch, but it's one of the attractions every Saturday between 12–5pm. Food-wise, you'll be feasting on a menu that will make your tastebuds think they've gone to France, all thanks to beetroot crackers with pickled eshallots and créme fraîche, cauliflower and gruyére pastries and confit chicken with eggplant. The list goes on, as does the rosé. For two hours, the latter is bottomless. Bookings are essential, and this lazy lunch — for you while you sit there and eat, not for the chef's cooking it up at the Potts Point restaurant — will set you back $75 per person.
Not sure how to top last year's Halloween? Celebrate the holiday like they do in Guadalajara, at one humdinger of an all-night party at Barrio Cellar in Martin Place. The Mexican-themed basement bar is throwing a huge October 31 shindig inspired by Dia de los Muertos. We're talking serious amounts of street food, free face painting, cheap tacos, DJs and live music. Also tequila. Lots and lots of tequila. The sinister celebration begins at 5pm on Halloween. Partygoers can get feasting on $3 tacos before washing them down with mezcal or $10 Black Widow Margaritas. Don't have a costume? Stop by the free face painting area — but if you're gung-ho on taking out the best-dressed bar prize, a little more preparation may be required. The music roster, meanwhile, will feature a solid lineup of locals including Daniel Lupica, Michelle Owen, Marc Jarvin and Karim. It's free entry, and if you're feeling fancy you can book a table for the VIP treatment — shoot an email to info@barriocellar.com.au. The Day of the Dead party is just one of several killer events Barrio Cellar have in the works this spring. Check out their Melbourne Cup Mexican Degustation — for just $65pp you can indulge in an huge Mexican canapé degustation ranging from poached lobster wraps to braised short rib croquettes and confit pork belly tacos. It's a top spot for the Cup, with large screens, prizes and cocktails, and a huge afterparty from 4pm with $10 margaritas and $3 tacos to celebrate your wins or forget your losses.
The spirit of cabaret is alive and well in Sydney, with one of the world's most-celebrated chanteuses lighting up Sydney Spiegeltent for two months. Her particular mix of debauchery, dark humour and biting social commentary make this one of 2024's must-see shows. German kabarett superstar Bernie Dieter — described as "an electrifying cross between Lady Gaga, Marlene Dietrich and Frank-N-Furter in sequins" — is bringing her infamous gin-soaked haus band and her troupe of bombastic bohemians to the Harbour City from Wednesday, May 29–Sunday, July 28. Gather your fellow deviants for this one. [caption id="attachment_841679" align="alignnone" width="1920"] Johannes Reinhart[/caption] The show encapsulates the spirit of the notorious kabarett clubs of Weimar Germany, and features a vibrant lineup of international talent. The billing includes the dangerous art of hair hanging (we're getting split ends just from the mere mention of this one), flame breathers, gender bending aerial performances and plenty of strip teasing and pole dancing. The colourful show celebrates freedom and diversity in all its forms — Dieter herself describes it as "the ultimate party at the end of the world".
Taking a hidden garden in Rozelle’s Callan Park as their stage, De Quincey Co will present their latest multidisciplinary dance performance Inner Garden for just three exclusive performances. Showcasing their company’s trademark sculptural choreography, the work explores imagination and obsession, inviting audiences into a lush space filled with plants, dancers, musicians and installations. The work was conceived by associate director Tess de Quincey, who says, "This isn’t sitting in a concert hall, the performance is happening all around you. Once you enter the Inner Garden you’re surrounded by artists and dancers doing strange, beautiful things and telling the stories of their own obsessions and past.” With an immersive sound design, striking costumes and dazzling installations (including a mountain constructed from tables surrounding a gigantic palm tree) this sounds like fun for anyone interested in dance, spectacle and imagination.
Today, oysters are synonymous with elite dining, but this wasn't always the case. They were once a common feed for the lowly masses, easily plucked and shucked from riverbanks and craggy shores. In Sydney, oysters have been harvested for thousands of years, long before the arrival of European settlers and longer still before the advent of fine diners and shallot mignonettes. So it's fitting that during this current moment of soaring interest rates and cost-of-living concerns, oyster happy hours are popping up all over Sydney, once again making this seafood treat accessible to all. From fancy cellar doors to come-as-you-are boozers, here are some of the best spots to find bargain bivalves in the Harbour City right now. Pier One X East 33 Oyster Deals Pier One's PIER Bar will be celebrating oysters during sunset hour with $2 oysters from 5–6pm, Mondays to Fridays. Keeping with the fresh, summer atmosphere, you'll be able to chase your oysters with new PIER Bar signature Mini Margarita Oyster Shooter Flights. For the cherry on top, the hotel will open the Oyster Hotline in homage to its namesake's aphrodisiac qualities. Overnight hotel guests will be able to order a half-dozen ($39) or a dozen ($79) oysters to be delivered to their room within thirty minutes, complete with a bottle of champagne. Bottomless Bubbles and Oysters at The Hook Kicking off on October 26, this deal delivers the ultimate opportunity to elevate your weekend plans with a cozzie-livs-defying night of bargain bivalves and free-flowing fizz. For $99 per head, punters can enjoy two hours of unlimited Chandon Blanc de Blanc sparkling wine, a dozen oysters per head plus olives and beer nuts. Those who really want to make a night of it should opt for the premium package. For $149 per head, you can up the ante with two hours of bottomless French champagne, a dozen oysters per head and a selection of top-quality cheeses, curated by the legendary Penny's Cheese Shop. Handpicked Wines Oyster Flight At Handpicked Wines' Chippendale cellar door, visitors can enjoy freshly shucked oysters paired with curated wine flights, complete with a range of regionally expressive drops, edible floral garnishes and an array of condiments. A $3 oyster special, allowing diners to explore a variety of wine and oyster combinations, is available every Sunday between 3-5 pm until the end of the year. 1$ Oysters at Bat & Ball Hotel [caption id="attachment_912285" align="alignnone" width="1920"] Steven Woodburn[/caption] After receiving a renovation and a whole new vibe courtesy of a gaggle of ten hospitality veterans, Redfern's Batt & Ball Hotel reopened to the public in late August. Aside from a magnificent schnitty, the uber-cool boozer is also offering a buck-a-shuck deal every Saturday. That's right, you can get your fill of oysters for just $1 a slurp but we suggest you get in early — at such a bargain price, they sell out quick. Oyster Happy Hour at The Rover This former Surry Hills speakeasy is far easier to find these days, and that's a very good thing. Not only is the whisky bar serving up the best burger in Australia (and the ninth best in the world), it's also offering $2 oysters every night from 4–6pm. While you might be more accustomed to washing down your slurps with a glass of bubbles, we recommend a peaty scotch as your chaser — the smoke and soil offers the perfect foil for the briny trickle of a freshly shucked oyster. Pier One Sunset Hour Today, Walsh Bay is the epicentre of Sydney's arts scene, home to Sydney Theatre Company, Sydney Dance Company, Bell Shakespeare and The Australian Chamber Orchestra to name only a handful of the organisations that now call this waterfront home. Turn back time a century or so however, and it would be fisherman and dockworkers busying themselves around these wharfs, rather than dancers and actors. The historic wharf at Pier One, now one of Central Sydney's smartest hotels, was once renowned for its bounty of seafood, with crab cookers, fish mongers, and oysters shuckers trading off fresh, local delicacies for pennies. In that spirit, the hotel's weekday happy hour, running Monday–Friday, 5–6pm, is offering cheap oysters, just like the tradies of yore enjoyed, for $2 a shuck. Unlike those old-timey dock workers, however, you can wash down your oysters with $12 cocktails too.
UK singer-songwriter Olivia Dean will make her ARIA Awards debut in Sydney this November, performing live just one day before a special headline show. ARIA confirmed the news today, announcing that Dean will take the stage at the Hordern Pavilion on Wednesday, November 19. The London-born artist will stick around for a one-off Sydney gig the following evening, before returning in 2026 for a full arena tour. "I love Australia and I'm so excited to perform at the 2025 ARIA Awards," Dean said in a statement. "This will be my first time at the awards ceremony, it's going to be lots of fun!" The announcement follows the release of Dean's sophomore album The Art of Loving, which dropped last week and is already climbing the ARIA charts. Its third single, 'Man I Need,' is sitting at #2 on the Singles chart and is tipped to go Platinum within a fortnight. This year's ARIA Awards are shaping up to be a big one, with Ninajirachi, Dom Dolla and RÜFÜS DU SOL among the top nominees. The ceremony will stream live on Paramount+ and air on Channel 10. Check out the full list of ARIA Award nominees. Images: Getty
We've all wondered what goes on behind closed doors. It's the whole reason that gossip magazines and reality TV exist, after all. But, there's a difference between reading about it or watching it on television, and actually walking into someone's hotel room and seeing it with your own eyes — and QT Gold Coast is currently letting people do the latter. At the first Hotelling program in what is hoped will become a regular event, audiences explore the building from the penthouse down to the tennis court; however they're privy to more than fancy '80s-style baths in the former and somewhere to play sports at the latter. They also meet the inhabitants, from a hostess living right at the top, to a visiting IT exec fighting with his wife, to an otherworldly presence channelling a rock star. Okay, okay, so they're actually actors that are playing a part in a site-specific performance piece put together by Bleached Arts, QT Gold Coast and City of Gold Coast, but they're replicating the weird, wonderful, over-the-top and ordinary things that go on the mini society that is a hotel (and a hotel on the Gold Coast in particular). First cab off the rank is Slavka, partying on the highest level of the place that just last week hosted the Thor: Ragnarok wrap party. She greets attendees warmly, gets them dancing, and then sends them on their merry way. With the event called Down The Rabbit Hole, that's mostly the direction everyone is then headed, with multiple stops. At one of them, the aforementioned Larry from Perth lets you into his room, where you'll overhear his phone conversation, help sing happy birthday to his son Morgan, and watch his reaction as his marriage almost falls apart. Also on the itinerary: a homage to rock-gods like Mick Jagger, Iggy Pop and Patti Smith, which will make you feel like you're in their rooms. Plus, there's some more adventurous fun on the agenda when you enter the domain of a Gold Coast-based sex counselling service, Rhythm Stick, that has chosen QT Gold Coast as a venue to solicit new clients. Or, do what absolutely everyone does when they're somewhere with plenty of high-rises: try to look into a neighbouring tower. Here, international surveillance artist Joao Montessori customises his signature artwork, In-Focus, to Gold Coast's hotel landscape, inviting you to stare in at a neighbouring block. Yep, it's a little bit like Rear Window. Over the course of the three-hour event, attendees go up and down between different rooms and peering into different lives in four groups — and no group has the same experience, or sees the exact same performances. Don't think the hallways are safe, though. There, you just might spy a Russian wrestling his bear-hat; a tall, twitchy and somewhat creepy Donnie Darko-esque rabbit, a pyjama-clad woman looking for her best bunny buddy (yep, rabbits are a thing), a go-go dancer who doesn't dance and a lost Kiwi. There's more, including several interactive components — but, at something like Hotelling, much of the fun is about experiencing it for yourself. And, about getting into the swing of things; everyone's a voyeur and a performer down deep, after all. Just a word of warning, though: you'll be in close quarters with many, many people in a whole lot of elevators. And, even if you've never had vertigo before, the experience of continually getting into a lift just might cause your first bout (we're speaking from experience). Hotelling takes place at QT Gold Coast from November 4 to 5. For more information, visit the event website and Facebook page. Images: Matt Marny. Slavka, Penthouse, performed by Nadia Sunde; Like A Rolling Stone, Room 706, performed by Kate Harman; The Crying Man, Room 306 performed by Todd MacDonald; In-Focus, Room 1915 performed by Hayden Jones with Steph Pokoj, Reuben Witsenhuysen, Marco Sinigaglia and Tammy Zarb; The Otherworld, Hallways.
Based on the classic novel by Jack Kerouac, On The Road follows Sal Paradise (Sam Riley), an aspiring New York writer, and Dean Moriarty (Garrett Hedlund), a young and dangerously seductive ex-con, as they hit the road in pursuit of freedom and life's greatest teacher: experience. Directed by Walter Salles (The Motorcycle Diaries) and starring Kristen Stewart, Amy Adams, Kirsten Dunst, Viggo Mortensen and Steve Buscemi, the film is in cinemas from September 27. Concrete Playground has 10 double passes to giveaway to see On The Road. For a chance to win, make sure you're subscribed to Concrete Playground then email your name and postal address to hello@concreteplayground.com.au
As Australia grieves the loss of some of our favourite music festivals — plagued by fatally low ticket sales (see Harvest and Homebake) — Laneway has come out the other end of the tunnel and found the light. Its killer lineup has a taste for everyone, and while The Jezabels, Cloud Control, Haim, Lorde and Unknown Mortal Orchestra have committed to playing St. Jeromes Laneway exclusively, a few crowd-pleasing sideshows have today been announced. Among the announced sideshows is American R&B boy Autre Ne Veut for his first Aussie visit, along with London trio Daughter and Scottish trio Chvrches, who cemented a huge Aussie fan base with their recent sell-out tour and will this time be supported by Sydney producer Elizabeth Rose. Also joining the list is Sydney duo Jagwar Ma, with support from fellow Laneway alumni and Sydney boy Jonti. London punk chicks Savages will be supported by Sydney muso Kirin J Callinan for what'll undoubtedly be some unpredictable shows. British singer/songwriter and teen King Krule incorporates elements of jazz, dubstep and hip-hop in his tunes. Support for his over 18 shows are to be announced, while Scottish indie rock band Frightened Rabbit will also have Sydney and Melbourne shows across January and February. Autre Ne Veut Tickets on sale now through Handsome Tours. Melbourne Tuesday February 4 - Northcote Social Club Sydney Wednesday February 5 - Oxford Art Factory Daughter Tickets via Ticketek. For pre-sales sign up at Heavenly Sounds. Sydney Tuesday February 4 - St Stephen's Uniting Church Melbourne Monday February 10 - St Michael's Uniting Church Chvrches Tickets from the Laneway Festival website. Melbourne Wednesday January 29 - Forum Theatre Sydney Tuesday February 4 - Metro Theatre Jagwar Ma Melbourne Thursday January 16 - The Hi-Fi Sydney Friday January 17 - Metro Theatre Savages Tickets from the Laneway Festival website. Melbourne Thursday January 30 - The Hi-Fi Sydney Wednesday February 5 - Metro Theatre King Krule Tickets from the Laneway Festival website. Melbourne Tuesday January 28 - The Corner Hotel Sydney Tuesday February 4 - Oxford Art Factory Frightened Rabbit Tickets from the Laneway Festival website. Melbourne Wednesday February 5 - The Palace Sydney Thursday February 6 - Metro Theatre Top image: Daughter photographed by Stacey Hatfield.
In disappointing news for Sydneysiders, Luke Nguyen's Red Lantern will close its doors for a final time this November. After a remarkable 23 years influencing Vietnamese dining not only in Sydney but around the world, owners Luke Nguyen, Pauline Nguyen, and Mark Jensen have made the tough decision not to renew the lease. Red Lantern, one of the most awarded Vietnamese restaurants in the world, will continue service until November 22. Over the coming months, there will be special events and chef collaborations to celebrate the legacy of the beloved venue. The crew behind Red Lantern pioneered a new appreciation for Vietnamese cuisine in Sydney as something much more than cheap takeout. With premium produce, impeccable service and a refined menu, Red Lantern helped shape the way Australians think about Southeast Asian cuisine. Menu favourites include turmeric corn cakes with tea-smoked salmon, crispy pork belly with oyster and coriander seed marinade, and crab fried rice. Regulars returned often for Red Lantern's famous chilli salted squid with lemon and pepper dipping sauce, the roast duck salad with banana blossom and pickled vegetables and the chargrilled chicken with curry paste and green chilli chutney. The closure of such a prominent restaurant is indicative of the challenges facing the hospitality industry across the country. As reported by the Sydney Morning Herald, the owners cited a number of reasons behind the decision not to renew the lease, including declining diner numbers, persistent rain during a harsh winter, the current state of the economy and the cost of living crisis, and a trend of diners being preoccupied with trying new restaurants. Pauline Nguyen says, "If there's one thing I'm really proud of, between the three of us we've built a real ecosystem that will continue", as reported by the Sydney Morning Herald. Red Lantern will continue service until November, so you still have a few months to go and support the team and enjoy your favourite dishes one last time. Images: Leigh Griffiths. Red Lantern will close its doors on November 22, 2025. Over its final two months of service, the restaurant will run special events with chef collaborations, so follow @redlanterngroup on Instagram to find out whats on.
In Swiss Army Man, Daniel Radcliffe plays a dead guy with a rather particular set of skills. Manny is prone to excessive bouts of flatulence, and uses his explosive gift to assist his only friend. After he washes up on a deserted island, he's just what Paul Dano's stranded and suicidal Hank needs to help him find his way back to civilisation. Manny also comes in handy in a host of other ways: his erections act as a compass, he spits fresh water out of his mouth, and he simply gives Hank some much-needed company. You may have already heard about the so-called farting corpse movie, particularly after it reportedly prompted mass walk-outs at this year's Sundance Film Festival (where it also won the Best Directing award). In truth, there's a lot more to Swiss Army Man than the emphasis on bodily functions would suggest. The feature filmmaking debut of Dan Kwan and Daniel Scheinert (known collectively as DANIELS), consider it the sweetest film you're likely to see about a deceased dude who looks like Harry Potter letting rip. Indeed, every burst of air expelled from Manny's buttocks provides a reminder of why everyone is so obsessed with the noisy but amusing phenomena. Put simply, to fart is to be human. Remembering what it is to be alive is just what Hank needs after much too long spent in isolation — and if it takes being forced to explain the ins and outs of love, family, masturbation and more to a cadaver whose chatter could simply be a figment of his imagination, then so be it. Sure, it's a rather absurd way for a film to address existential concerns, but hey, it works. As silly as it all appears, there's a careful balancing act at the heart of Swiss Army Man as it charts the unlikely duo's time together, including the stories Hank tells Manny about the girl (Mary Elizabeth Winstead) he had a crush on before his current predicament changed his life forever. Kwan and Scheinert might seem to spend a little too much time revelling in scatological humour, but after inspiring laughs, they also spin a story that contemplates plenty of hard truths. Actually, it's not just the toilet gags that may throw viewers off, but also the film's dream-like look and feel. Yet it's also why the end product isn't only insightful, but also so utterly disarming. It takes confidence to go from boy wizard-level fame to zipping around the ocean like a human jet ski. Radcliffe proves not just up to the challenge, but adept at bringing his dead character to life. While some sequences follow in the footsteps of '80s comedy Weekend at Bernie's, Manny is more than a prop — he's the film's not-quite-beating heart. Across from Radcliffe, Dano does what he does best, although he's much more effective when he has his co-star to bounce off of. With that in mind, you can add tender buddy comedy to Swiss Army Man's list of qualities. In short, this fart-filled flick will move you in more ways than one.
"Do you remember the first time you saw a dinosaur?" asks Bryce Dallas Howard in the latest instalment of the Jurassic Park franchise. We do. It was 25 years ago, as John Williams' iconic score built to its majestic climax and the cast of Steven Spielberg's iconic blockbuster rose from the seats of their jeep, tore off their glasses and stared wide-eyed at a beautiful, towering Brachiosaurus. It's been a quarter of a century since the first Jurassic Park captured the imagination of moviegoers the world over and ushered in the brave new world of CGI-enhanced filmmaking. The whole thing was classic Spielberg: a rollicking, family-friendly adventure that pushed the boundaries of innovation whilst remaining grounded in entirely relatable human stories. Its extraordinary success made sequels inevitable, but unfortunately none except perhaps 1997's The Lost World have come even close to recapturing the magic and wonder of the original. In Jurassic World: Fallen Kingdom we have a film significantly better than its immediate predecessor, yet one that still falls well short of the bar set back in 1993. Much of the problem with this instalment lies with the franchise's so-called villains. In Jurassic Park the combination was perfect: flawed human antagonists in Dennis Nedry and John Hammond, existential menace in the form of technological hubris, and, of course, those dinosaurs. Between the thuggery of the T-Rex, the cunning of the raptors and the toxic spit of the Dilophosaurus, every step through the failing park held unbearable peril for its characters, instilling a dread that overflowed into the audience. Since then, however, the Jurassic movies have relied largely on a generic recurring villain: InGen, the unscrupulous genetics corporation behind all that Dino-DNA splicing. Even worse, the raptors and T-Rex have become, thanks to their broad popularity, inadvertent heroes, leaving the Dino-threat to come from species that never even existed. Here again in Fallen Kingdom it's that same formula at play: InGen is secretly cooking up some new dinosaurs to sell as weapons (still as ridiculous a concept as it was in Jurassic World), and the big scary dinosaur is a genetically-engineered ultra raptor. Around them are cookie-cutter human bad-guys in the form of mercenaries, big game hunters and money-hungry suits, as well as franchise regular Dr. Henry Wu (B.D. Wong), the original Jurassic Park geneticist who continues to learn precisely zero from all his past mistakes. There is still a lot of fun to be had here, and even a few unexpected feels as director J.A Bayona (A Monster Calls) reminds us that monsters of choice are always worse than monsters of instinct. The film's central conceit, too, is a compelling one: a volcano on the island upon which the dinosaurs currently reside is poised to erupt, meaning they will again become extinct without human intervention. To rescue or not to rescue becomes the burning question for Owen Grady (Chris Pratt), Claire Dearing (Dallas Howard) and returning fan favourite Dr. Ian Malcolm (Jeff Goldblum). InGen, predictably, wants the animals saved for far less noble reasons than preservation. The scenes set on the island are the strongest in the movie, and include perhaps the most affecting moment in the entire franchise in the form of a heart-wrenching callback to that iconic Brachiosaurus shot from all those years ago. Thereafter, Fallen Kingdom transforms into a semi Gothic horror film as the action shifts to an isolated mansion in which the characters are stalked by Wu's latest creation. Toby Jones and James Cromwell give spirited performances during this phase, but the weaknesses of the script refuse to be covered up. The bad get eaten whilst the good survive, and it honestly never feels like our heroes are in any genuine peril. As part two of a planned trilogy, the end-point of Fallen Kingdom certainly offers some interesting possibilities for the final instalment. That said, absent a more nuanced and, dare we say, sympathetic villain, this franchise, like Dr. Wu, seems destined to repeat the mistakes of its past. https://www.youtube.com/watch?v=vn9mMeWcgoM
A string of long weekends is a joy while it's happening, such as the current Easter and ANZAC Day run (plus Labour Day, too, if you're in Queensland). When it's over and five-day work weeks become a reality week after week again, however, holiday dreams start calling. Clearly Jetstar wants you to get a jump on planning your next vacation, given that the Australian airline has just kicked off its latest big flight sale. Both domestic and international fares are on offer at discounted prices, with 40,000-plus seats available between now and 11.59pm AEST on Sunday, April 27, 2025. You'll want to get in quick, though, given that sale tickets mightn't last that long — and these deals run until sold out if that happens before the scheduled end date. One-way prices start at $49 for Club Jetstar members and $54 for everyone else this time, which covers routes from Brisbane and Melbourne to and from Newcastle. Next up, $97/102 will get you between Adelaide and Sydney, $99/104 from Melbourne to Cairns, and $114/119 between either Sydney or Melbourne and Uluru — and flights to and from the Gold Coast, Whitsunday Coast and Margaret River are also among the discounts. With the overseas options, one-way fares kick off at $159/165 from Cairns or Darwin to Bali, while Melbourne–Singapore ($179/189) and Brisbane ($279/289) or Sydney ($299/319) to Seoul are some of the other choices. Expect to primarily take winter getaways no matter where you're heading, although the international routes cover dates from mid mid-May to late-August 2025 and the domestic fares are for mid-July to late-September 2025 travel. The usual caveats apply: all prices apply to one-way fares; checked baggage is not included, so you'll want to travel super light or pay extra to bring a suitcase; and, as per above, dates vary according to the route. [caption id="attachment_938861" align="alignnone" width="1920"] Destination NSW[/caption] Jetstar's Just Plane Good Sale runs until 11.59pm AEST on Sunday, April 27, 2025 — or until sold out if prior. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Take a typical tapas bar in Barcelona then polish slightly, adding cut crystal glasses and a pinch of Almodóvar references. Add one chef with a talent for experimentation, a selection of well-sourced, top notch ingredients and a crowd willing to stay all night, then mix well. Serve up atop a plate in the shape of a leaf, and you have Jah Bar: one of the best of Manly's new breed. Turn up just after 5pm and you can expect a peaceful dining experience. While the interior is tempting, in summer we recommend the courtyard to make the most of the fading sun and the cool evening breeze. Spanish tapas is the speciality, though there's a few sections of the menu to choose from. The tapas dishes are supplemented by options from the boqueria and the oven, as well as the chef's specials, so it's worth taking your time to choose. While you're browsing, try one of the signature cocktails ($15). There's more than enough on offer to sustain you throughout the night, from Mint Juleps to rum and sherry-based concoctions. Now, the food. Vegetarians and pescatarians will be well looked after, while chorizo and jamon serrano will keep meat-eaters satisfied. We opted for the Croquetas ($9.50), a selection of Spanish croquettes that change depending on the night, and the Empanadas (3 for $12), with beef, chicken, pumpkin and ricotta available. From there, we moved to the Jamon Serrano ($11.50), incredibly tender cured ham, and Aged Queso Manchego ($10.50), with the cheese a nice end to the meal alongside drinks. We did, however, manage to squeeze in a serve of Churros ($10) with hot chocolate sauce at the last post. While I'd find it hard to go past these simple yet delicious options, particularly the Jamon Serrano, it's tempting to revisit and try more of the tapas proper. Particularly the Chorizo ($10.50) and the talked about Sweet Potato and Fennel Seed Salad ($10.50). On the other hand, we hear great things about the chef's penchant for experimentation. We sadly passed up a special of Braised Beef Cheeks ($19) with Manzanilla olives and creme cauliflower, instead staring greedily at tables nearby. Best to use these inevitable regrets as motivation for return visits. By the time you've finished your meal, Jah Bar is likely to be filling up. The later crowd, firmly focused on the bar inside, is starting to arrive. And, let's face it, by this time you've had a few cocktails yourself. The lesson is that it's okay to turn up after dinner time and, if you do make dinner, it's best to stay late and enjoy the changed atmosphere. As the chefs swap out behind the bar, replaced by additional barmen, go with the flow. You are in Barcelona, after all. [nggallery id=122]
Upstate's pace isn't letting up, with its brand of high-octane fitness studios ready to debut in Sydney. Having swept Melbourne by storm over the last 15 years, Upstate recently launched its first interstate location in Palm Beach on the Gold Coast. Now, Sydneysiders are invited to discover this cult-favourite pilates hub, renowned for its bold, bright and upbeat approach to movement — and the studio is celebrating its opening with free classes all weekend. Touching down in Five Dock on Saturday, September 20, this buzzing Great North Road location is more than just a place to get a solid workout in. Featuring vivid interiors, community-fuelled energy and fitness classes that ensure each session gives you a full-body burn, bringing new vibes to your next sweat session is made easy. Inside the new two-room studio, expect Upstate's signature Hot Mat Room and a dedicated Reformer Pilates space, where a full schedule of classes delivers the dynamic movement guests crave. Choose from Hot Mat Pilates, Hot Power Yoga or Reformer Pilates when amping up, then wind down with restorative classes like Yin and Sound Bath Meditation. Keen to experience the new space? We've got two unlimited three-month memberships to give away to readers. "Five Dock has this amazing mix of local charm and energetic pace — it's a perfect match for our brand," says Upstate Co-Founder and Co-CEO Gail Asbell. "We're thrilled to continue Upstate's journey into Sydney with a studio that reflects everything we stand for: positivity, movement, and connection." Slotting into Five Dock's leafy streets, the latest Upstate location is also set within touching distance of top-notch cafes and lush waterfront havens. This way, getting a pre- or post-workout coffee and snack is but a few steps away. Like most of the brand's studios, it's all about combining fitness with a vibrant lifestyle-driven ethos. "As with every Upstate space, the Five Dock studio has been created to feel empowering, inclusive, and high-vibe," says Asbell. "It's an exciting step forward in our growth, while staying true to our mission of uplifting and energising through movement." Upstate Five Dock will open on Saturday, September 20, at 156 Great North Road, Sydney, and will offer free classes from September 20–21. Visit the website for more information and enter to win a three-month membership.
On his first-ever trip Down Under, on a tour that'll see him become the first Latin act to headline stadiums globally, one gig was never going to be enough for Bad Bunny in Australia. Accordingly, before general tickets for that already-announced show go on sale, Benito Antonio Martínez Ocasio has locked in a second Aussie concert due to presale demand — also in Sydney. Bad Bunny has won three Grammys and 11 Latin Grammys, starred in Bullet Train and hosted Saturday Night Live, among plenty of other achievements; however, he hasn't hit the stage in Australia — yet. By the time that summer 2025–26 is out, he'll tick a trip Down Under off of his list, with his DeBÍ TiRAR MáS FOToS world tour now including two shows in the Harbour City. ENGIE Stadium in the New South Wales capital is set to play host to Bad Bunny on both Saturday, February 28 and Sunday, March 1. He's playing the New South Wales capital in-between dates in Brazil and Japan, two other countries where the 'Mia', 'Callaíta', 'Qué Pretendes' and 'Vete' singer will perform live for the first time ever. Also on his itinerary: Dominican Republic, Costa Rica, Colombia, Mexico, Peru, Chile, Argentina, Brazil, Japan, Spain, Portugal, Germany, Netherlands, United Kingdom, France, Sweden, Poland, Italy and Belgium, all between November 2025–July 2026 so far. His DeBÍ TiRAR MáS FOToS-themed jaunt around the world is named for his latest album, which released in January this year and spent three weeks in a row atop the Billboard 200 chart. The Puerto Rican superstar's global tour will follow his upcoming No Me Quiero Ir de Aquí gigs, a 30-date residency at José Miguel Agrelot Coliseum in his homeland, which has sold over 400,000 tickets. Before that, he toured North America in 2024, and both North and Latin America in 2022. His DeBÍ TiRAR MáS FOToS shows will take him to Europe for the first time since his 2019 X 100pre tour. On the charts, DeBÍ TiRAR MáS FOToS, his sixth album, has kept garnering love — also sitting in the Billboard 200 top ten for 13 weeks, taking the number-one slot on Billboard's Latin Albums chart for 16 consecutive weeks and helping him become the first-ever Latin artist with 100 Billboard Hot 100 entries. Prior to both his No Me Quiero Ir de Aquí residency and DeBÍ TiRAR MáS FOToS world tour, Bad Bunny also has another date with SNL, this time as the musical guest on the season 50 finale that's being hosted by Scarlett Johansson (Fly Me to the Moon). Bad Bunny DeBÍ TiRAR MáS FOToS World Tour 2026 Australian Tour Saturday, February 28–Sunday, March 1 — ENGIE Stadium, Sydney Bad Bunny is playing ENGIE Stadium in Sydney in February and March, 2026. General ticket sales start at from 11am on Friday, May 9, 2025 —head to the tour website for more details.
If your dream European holiday includes vineyard picnics, forest hideouts and mountainside stargazing, Tiny Away have got you sorted. The eco-friendly Australian accommodation brand, known for its off-grid stays locally and in Southeast Asia, has unveiled a cluster of tiny houses in France, Spain and Italy — and just in time for Euro summer. Designed for nature lovers, slow travellers and anyone looking for a different kind of escape, these compact retreats are at the meeting point of sustainability and comfort. The new European houses, like their Australian stablemates, are located in picturesque off-grid locations that give you direct access to seriously stunning natural surrounds, perfect if you're looking to switch off. In France, you can check into Loire River Tranquility, a peaceful riverside outpost near the historic city of Orléans, where you can spend your days exploring vineyards, castles and art galleries in the city of Joan of Arc. If enchanted forests are more your thing, La Tiny Alchimiste awaits in the verdant village of Cressanges in central France, where you can soak up views of rolling meadows from your terrace or explore charming nearby towns like Bresnay and Tréban. Spain's tiny homes bring a mix of mountain solitude and Mediterranean sunshine. De la Luz Ecolodge sits 400 metres above sea level in Andalusia, offering solar-powered serenity, pine-covered mountain trails and night skies made for stargazing — and that's in addition to the sweeping views across the region and out to the ocean beyond. Meanwhile, in Girona's Llémena Valley in northern Spain, Caseta Wald offers a minimalist woodland haven just a short drive from Costa Brava's beaches, the volcanic landscapes of La Garrotxa and Girona's famous Arab Baths, built in the year 1194. Over in Italy, Casa della Montagna Sila is providing alpine vibes all year round. Located in Calabria's Sila National Park, near Lake Arvo in the mountain village of Lorica, this cabin offers a year-round base for mountain hikes, lake swims and access to nearby landmarks, like I Giganti della Sila, Monte Botte Donato and the 11th-century Castello di Santa Severina. Plus, the rugged beaches and coastline of Isola Capo Rizzuto are just a short drive away. "With Europe summer getaways on the travel radar for Australians, Tiny Away's five new properties arrive at the perfect time," says Jeff Yeo, co-founder of Tiny Away. "Australian holidaymakers are increasingly seeking eco-friendly stays that allow them to connect with nature and local culture. By expanding our offering in Europe, we're bringing unique and sustainable accommodation options that align with the values of modern travellers — combining comfort, minimal impact, and a deep connection with place." Tiny Away's new European properties are available for booking now. For more information, head to the brand's website. Images: Tiny Away
Paddington has long been a cultural melting pot, with everything from food and wine to fashion, art and music found throughout its tree-lined streets. So, naturally, all five will be showcased at the suburb's Five Ways Festival during Sydney Solstice. The free street party will see restaurants, bars and shops around the buzzing intersection open their doors for pop-up events, limited-edition offers and art shows. There'll be live music, a bake sale pop-up from renowned chef Phil Wood and even a margarita and magazine matching event at Journals. You can also pop into Tequila Mockingbird for beef barbacoa tacos and mezcal and pair linguine vongole and americanos at Vino e Cucina. Image: Visit Paddington
Vivid might have started as a light festival, but it's become so much more. These days, the program ranges from talks to live performances and immersive experiences. And, beyond the official program, venues all over the city are getting on board with Vivid-inspired eats and drinks. One of them is Untied, Barangaroo's original rooftop bar. Throughout the festival, it's serving fairy floss fizz: a glass of sparkling wine topped with a cloud of fairy floss. You have four flavours to choose from: blue raspberry, green sour apple, pink watermelon and purple berry crunch. As soon as the glass lands, you'll want to get your phone out. The floss creates a shimmering, swirling effect that's very much Instagram friendly. Plus, it gives your wine a sweet kick. Glasses of fairy floss fizz are going for $14 each. They're only available from Friday, May 23–Saturday, June 14. Top and bottom images: Onecut Studios.
Even if plans for a globe-trotting overseas holiday aren't in the cards for you this year, there's an easy fix for your travel blues, and it's located just three hours south of Sydney in the picturesque South Coast region of Shoalhaven. With white sandy beaches and a breezy pace of life, this coastal stretch makes for a dream getaway destination, whenever you need a timeout from big city living. And it's brimming with beautiful stays located by the water, befitting your next, much-deserved break. We've done the hard work for you and rounded up 12 of the most blissful coastal escapes you can book in Shoalhaven. Choose a winner, pack that swimsuit and get set for a hard-earned beachside getaway. Recommended reads: The Best Places to Go Glamping in NSW The Best Tiny Houses You Can Book Around NSW The Best Hotels in Sydney The Best Places to Stay in the Blue Mountains Bayview Magnificent, Mollymook Beach This cheery coastal getaway boasts its own backyard pool and space for the whole gang. Plus, a top-notch deck, overlooking North Mollymook Beach. From $270 a night, sleeps 12. Escape at Shady Acres, Narrawallee Soak up the serenity at this self-contained coastal retreat, featuring thoughtful modern touches, private sunny backyard and a primo location close to Narrawallee Beach. From $446 a night, sleeps eight. Drop In, Bendalong Break from reality with a stay at this gorgeously updated 50s beach cottage, rocking a suite of luxurious features, plus firepit and outdoor tub. From $392 a night, sleeps two. Banniester Head Cottage, Mollymook Beach A breezy modern cottage, boasting absolute ocean frontage. Unwind in style, with luxe furnishings, epic views and an in-ground pool overlooking the water. From $750 a night, sleeps four. Atra, Callala Beach This is the kind of stunning beachfront home you'll never want to leave. Enjoy luxurious, group-friendly spaces, dedicated media room and private beach access. From $1553 a night, sleeps 12. Barefoot, Callala Beach A luxe, modern riff on the classic beach house, with open-plan living spaces spilling right out onto private lawn and sandy shoreline. From $900 a night, sleeps four. Izba, Callala Bay Revel in your own Mediterranean-inspired paradise right on Callala Bay. This one's a lofty pad with dreamy outlook, luxury features and absolute water frontage. From $867 a night, sleeps nine. Gorgeous Beachside Cottage, Vincentia With its stylish fit-out and peaceful setting amongst sandy shoreline and natural bushland, this beachside bungalow makes for an idyllic couples' coast escape. From $229 a night, sleeps two. Cloud Nine Luxury Villa, Vincentia This architectural stunner boasts an incredible outlook over Jervis Bay, with luxurious interiors to match. Expect high-end features and a stunning deck for soaking up those views. From $690 a night, sleeps six. The River Retreat, Sussex Inlet A pet-friendly holiday paradise, set right on the river's edge. This one's got a breezy indoor-outdoor set-up with sunny waterfront lawn and its own private jetty. From $632 a night, sleeps six. The Old Bottleshop, Currarong If you're after irresistible ocean views, direct beach access and a bright, modern pad to unwind in, this is it. Pool table and roomy verandahs, included. From $814 a night, sleeps eight. Prince Edward Escape, Culburra Beach Metres from the sand, with newly renovated interiors, an enviable outdoor set-up and a separate studio apartment, this chic coastal cottage is a summer holiday dream. From $665 a night, sleeps eight. Top image: Atra FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Do call it a comeback: in 2023, beloved TV shows dropped new seasons everywhere. Whether you're a fan of thoughtful dramedies about Indigenous American teenagers, savage family feuds or culinary chaos, this year delivered another serving — and of vampire sharehouse antics, British spies, and angels and demons palling around as well. Some of the above series not only waved hello again, but also goodbye forever after releasing their latest episodes. Others among the year's absolute best returning series have at least one more round in their future. Either way, 2023 hasn't been short of tried-and-tested gems that've kept proving why that's the case again. When the year reached its halfway point, we named and celebrated the top already-obsessed-over TV shows of the year so far. Now that 2023 is saying farewell itself, we've surveyed the entire past 12 months of small-screen efforts. Here's the results: the best 15 returning television shows of the year, and one helluva list of recommendations for finally seeing what everyone's been talking about or spending time with an old favourite. RESERVATION DOGS There's only one thing wrong with the third season of Reservation Dogs: now that it's over, the show has come to an end. There's a skill in knowing when something's time has come, but this teen-centric comedy about restless Indigenous North American adolescents is so rich in stories, perspectives and minutiae — and so resonant as well — that it feels like more and more could (and should) just keep following. Ending Reservation Dogs with this ten-episode run is also an example of the series taking its own message to heart, however. As co-created, executive produced and written by Sterlin Harjo (Mekko) and Taika Waititi (Thor: Love and Thunder) — the former as its guiding force — Reservation Dogs knows that little lasts. It hangs out with its characters as they learn about life's transience at every moment, whether they're chasing their dreams of leaving the reservation that they've always called home or they're grappling with loss. So, of course the series is moving on. In the process, its farewell season proved even more moving and thoughtful than ever, even after its debut year delivered one of the best new TV shows of 2021 and its second spin served up one of the best returning shows of 2022. The last time that viewers saw the Rez Dogs — the OG quartet of Bear (D'Pharaoh Woon-A-Tai, Beans), Elora (Devery Jacobs, Rutherford Falls), Willie Jack (Paulina Alexis, Ghostbusters: Afterlife) and Cheese (Lane Factor, The Fabelmans), plus Jackie (Elva Guerra, Dark Winds), the somewhat-reluctant newcomer to the group — they had finally made the trip to California that they'd been working towards their entire lives. Season three picks up with the crew still far away from home, and still journeying even when they do return. Elora considers both her past and her future. Bear goes wandering on his own, including through several revelatory encounters. Harjo still isn't afraid to veer away from his leads along the way, whether sliding into history to explore myths, traditions or horrors inflicted upon Indigenous children. Reservation Dogs finds a story, be it big or small, for everyone within its frames. Bear, Elora, Willie Jack and Cheese especially will be deeply missed, but Woon-A-Tai, Jacobs, Alexis and Factor shouldn't ever be far from screens after this exceptional breakthrough. Reservation Dogs streams via Binge. Read our full review. SUCCESSION Endings have always been a part of Succession. Since it premiered in 2018, the bulk of the HBO drama's feuding figures have been waiting for a big farewell. The reason is right there in the title, because for any of the Roy clan's adult children to scale the family company's greatest heights and remain there — be it initial heir apparent Kendall (Jeremy Strong, Armageddon Time), his inappropriate photo-sending brother Roman (Kieran Culkin, Scott Pilgrim Takes Off), their political-fixer sister Siobhan (Sarah Snook, Pieces of a Woman), or eldest sibling and presidential candidate Connor (Alan Ruck, The Dropout) — their father Logan's (Brian Cox, Remember Me) tenure needed to wrap up. The latter was always stubborn. Proud, too, of what he'd achieved and the power it's brought. And whenever Logan seemed nearly ready to leave the business behind, he held on. If he's challenged or threatened, as happened again and again in the Emmy-winning series, he fixed his grasp even tighter. Succession was always been waiting for Logan's last stint at global media outfit Waystar RoyCo, but it had never been about finales quite the way it was in its stunning fourth season. This time, there was ticking clock not just for the show's characters, but for the stellar series itself, given that this is its last go-around — and didn't it make the most of it. Nothing can last forever, not even widely acclaimed hit shows that are a rarity in today's TV climate: genuine appointment-viewing. So, this went out at the height of its greatness, complete with unhappy birthday parties, big business deals, plenty of scheming and backstabbing, and both Shiv's husband Tom Wambsgans (Matthew Macfadyen, Operation Mincemeat) and family cousin Greg (Nicholas Braun, Cat Person) in vintage form — plus an early shock, at least two of the best episodes of any show that've ever aired on television, one of the worst drinks, a phenomenal acting masterclass, a The Sopranos-level final shot and the reality that money really can't buy happiness. Succession streams via Binge. Read our full review. BARRY Since HBO first introduced the world to Barry Berkman, the contract killer played and co-created by Saturday Night Live great Bill Hader wanted to be something other than a gun for hire. An ex-military sniper, he was always skilled at his highly illicit post-service line of work; however, moving on from that past was a bubbling dream even before he found his way to a Los Angeles acting class while on a job. Barry laid bare its namesake's biggest wish in its 2018 premiere episode. Then, it kept unpacking his pursuit of a life less lethal across the show's Emmy-winning first and second seasons, plus its even-more-astounding third season in 2022. Season four, the series' final outing, was no anomaly, but it also realised that wanting to be someone different and genuinely overcoming your worst impulses aren't the same. Barry grappled with this fact since the beginning, of course, with the grim truth beating at the show's heart whether it's at its most darkly comedic, action-packed or dramatic — and, given that its namesake was surrounded by people who similarly yearn for an alternative to their current lot in life, yet also can't shake their most damaging behaviour, it did so beyond its antihero protagonist. Are Barry, his girlfriend Sally Reid (Sarah Goldberg, The Night House), acting teacher Gene Cousineau (Henry Winkler, Black Adam), handler Monroe Fuches (Stephen Root, Succession) and Chechen gangster NoHo Hank (Anthony Carrigan, Bill & Ted Face the Music) all that different from who they were when Barry started? Have they processed their troubles? Have they stopped taking out their struggles not just on themselves, but on those around them? Hader and his fellow Barry co-creator Alec Berg (Silicon Valley, Curb Your Enthusiasm) kept asking those questions in season four to marvellous results, including after making a massive jump, and right up to the jaw-dropping yet pitch-perfect finale. Barry being Barry, posing such queries and seeing its central figures for who they are was an ambitious, thrilling and risk-taking ride. When season three ended, it was with Barry behind bars, which is where he was when the show's new go-around kicked off. He wasn't coping, unsurprisingly, hallucinating Sally running lines in the prison yard and rejecting a guard's attempt to tell him that he's not a bad person. With the latter, there's a moment of clarity about what he's done and who he is, but Barry's key players have rarely been that honest with themselves for long. Barry streams via Binge. Read our full review. THE BEAR The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when bedlam surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate on-screen for Carmen 'Carmy' Berzatto (Jeremy Allen White, Fingernails) and his colleagues — aka sous chef Sydney (Ayo Edebiri, Bottoms), baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), resident Mr Fixit Neil Fak (IRL chef Matty Matheson), and family pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings). For viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. The Bear serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling second season. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and Sydney endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. Episodes that send Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3), get Richie spending a week learning the upscale ropes at one of Chicago's best restaurants and jump back to the past, demonstrating how chaos would've been in Carmy's blood regardless of if he became a chef, are particularly stunning. The Bear season two streams via Disney+. Read our full review. THE OTHER TWO Swapping Saturday Night Live for an entertainment-parodying sitcom worked swimmingly for Tina Fey. Since 2019, it also went hilariously for Chris Kelly and Sarah Schneider. Not just former SNL writers but the veteran sketch comedy's ex-head writers, Kelly and Schneider gave the world their own 30 Rock with the sharp, smart and sidesplitting The Other Two. Their angle: focusing on the adult siblings of a Justin Bieber-style teen popstar who've always had their own showbiz aspirations — he's an actor, she was a ballerina — who then find themselves the overlooked children of a momager-turned-daytime television host as well. Cary (Drew Tarver, History of the World: Part II) and Brooke (Heléne York, Katy Keene) Dubek were happy for Chase (Case Walker, Monster High: The Movie). And when their mother Pat (Molly Shannon, I Love That for You) gets her own time in the spotlight, becoming Oprah-level famous, they were equally thrilled for her. But ChaseDreams, their little brother's stage name, was always a constant reminder that their own ambitions keep being outshone. In a first season that proved one of the best new shows of 2019, a second season in 2021 that was just as much of a delight and now a stellar third go-around, Cary and Brooke were never above getting petty and messy about being the titular pair. In season three, however, they didn't just hang around with stars in their eyes and resentment in their hearts. How did they cope? They spent the past few years constantly comparing themselves to Chase, then to Pat, but then they were successful on their own — and still in a shambles, and completely unable to change their engrained thinking. Forget the whole "the grass is always greener" adage. No matter if they were faking it or making it, nothing was ever perfectly verdant for this pair or anyone in their orbit. Still, as Brooke wondered whether her dream manager gig is trivial after living through a pandemic, she started contemplating if she should be doing more meaningful work like her fashion designer-turned-nurse boyfriend Lance (Josh Segarra, The Big Door Prize). And with Cary's big breaks never quite panning out as planned, he got envious of his fellow-actor BFF Curtis (Brandon Scott Jones, Ghosts). The Other Two streams via Binge. Read our full review. PARTY DOWN Sometimes, dreams do come true. More often than not, they don't. The bulk of life is what dwells in-between, as we all cope with the inescapable truth that we won't get everything that we've ever fantasised about, and we mightn't even score more than just a few things we want. This is the space that Party Down has always made its own, asking "are we having fun yet?" about life's disappointments while focusing on Los Angeles-based hopefuls played by Adam Scott (Severance), Ken Marino (The Other Two), Ryan Hansen (A Million Little Things), Martin Starr (Guillermo del Toro's Cabinet of Curiosities) and more. They'd all rather be doing something other than being cater waiters at an array of California functions, and most have stars in their eyes. In the cult comedy's first two seasons back in 2009–10, the majority of its characters had their sights set on show business, slinging hors d'oeuvres while trying to make acting, screenwriting or comedy happen. Bringing most of the original gang back together — including Jane Lynch (Only Murders in the Building) and Megan Mullally (Dicks: The Musical) — Party Down keeps its shindig-by-shindig setup in its 13-years-later third season. Across its first 20 instalments as well as its new six, each episode sends the titular crew to a different soirée. This time, setting the scene for what's still one of the all-time comedy greats in its latest go-around, the opening get-together is thrown by one of their own. Kyle Bradway (Hansen) has just scored the lead part in a massive superhero franchise, and he's celebrating. Ex-actor Henry Pollard (Scott) is among the attendees, as are now-heiress Constance Carmell (Lynch) and perennial stage mum Lydia Dunfree (Mullally). Hard sci-fi obsessive Roman DeBeers (Starr) and the eager-to-please Ron Donald (Marino) are present as well, in a catering capacity. By the time episode two hits, then the rest of the season, more of the above will be donning pastel pink bow ties, the series keeps unpacking what it means to dream but never succeed, and the cast — especially Scott and the ever-committed Marino — are in their element. Party Down streams via Stan. Read our full review of season three. YELLOWJACKETS For Shauna (Melanie Lynskey, The Last of Us), Natalie (Juliette Lewis, Welcome to Chippendales), Taissa (Tawny Cypress, Billions), Misty (Christina Ricci, Wednesday), Lottie (Simone Kessell, Muru) and Van (Lauren Ambrose, Servant), 1996 will always be the year that their plane plunged into the Canadian wilderness, stranding them for 19 tough months — as season one of 2021–2022 standout Yellowjackets grippingly established. As teenagers (as played by The Kid Detective's Sophie Nélisse, The Boogeyman's Sophie Thatcher, Scream VI's Jasmin Savoy, Shameless' Samantha Hanratty, Mad Max: Fury Road's Courtney Eaton and Santa Clarita Diet's Liv Hewson), they were members of the show's titular high-school soccer squad, travelling from their New Jersey home town to Seattle for a national tournament, when the worst eventuated. Cue Lost-meets-Lord of the Flies with an Alive twist, as that first season was understandably pegged. All isn't always what it seems as Shauna and company endeavour to endure in the elements. Also, tearing into each other occurs more than just metaphorically. Plus, literally sinking one's teeth in was teased and flirted with since episode one, too. But Yellowjackets will always be about what it means to face something so difficult that it forever colours and changes who you are — and constantly leaves a reminder of who you might've been. So, when Yellowjackets ended its first season, it was with as many questions as answers. Naturally, it tore into season two in the same way. In the present, mere days have elapsed — and Shauna and her husband Jeff (Warren Kole, Shades of Blue) are trying to avoid drawing any attention over the disappearance of Shauna's artist lover Adam (Peter Gadiot, Queen of the South). Tai has been elected as a state senator, but her nocturnal activities have seen her wife Simone (Rukiya Bernard, Van Helsing) move out with their son Sammy (Aiden Stoxx, Supergirl). Thanks to purple-wearing kidnappers, Nat has been spirited off, leaving Misty desperate to find her — even enlisting fellow citizen detective Walter (Elijah Wood, Come to Daddy) to help. And, in the past, winter is setting in, making searching for food and staying warm an immense feat. Yellowjackets streams via Paramount+. Read our full review, and our interview with Melanie Lynskey. I THINK YOU SHOULD LEAVE WITH TIM ROBINSON Eat-the-rich stories are delicious, and also everywhere; however, Succession, Triangle of Sadness and the like aren't the only on-screen sources of terrible but terribly entertaining people. I Think You Should Leave with Tim Robinson has been filling streaming queues with assholes since 2019, as usually played by the eponymous Detroiters star, and long may it continue. In season three, the show takes its premise literally in the most ridiculous and unexpected way, so much so that no one could ever dream of predicting what happens. That's still the sketch comedy's not-so-secret power. Each of its skits is about someone being the worst in some manner, doubling down on being the worst and refusing to admit that they're the worst (or that they're wrong) — and while everyone around them might wish that they'd leave, they're never going to, and nothing ever ends smoothly. In a show that's previously worked in hot dog costumes and reality TV series about bodies dropping out of coffins to hilarious effect, anything can genuinely happen to its gallery of the insufferable. In fact, the more absurd and anarchic that I Think You Should Leave with Tim Robinson gets, the better. No description can do I Think You Should Leave with Tim Robinson's sketches justice, and almost every one is a comedic marvel, as again delivered in six 15-minute episodes in the series' third run. The usual complaint applies: for a show about people overstaying their welcome, the program itself flies by too quickly, always leaving viewers wanting more. Everything from dog doors and designated drivers to HR training and street parking is in Robinson's sights this time, and people who won't stop talking about their kids, wedding photos and group-think party behaviour as well. Game shows get parodied again and again, an I Think You Should Leave staple, and gloriously. More often than in past seasons, Robinson lets his guest stars play the asshole, too, including the returning Will Forte (Weird: The Al Yankovic Story), regular Sam Richardson (The Afterparty), and perennial pop-ups Fred Armisen (Barry) and Tim Meadows (Poker Face). And when Jason Schwartzman (The Hunger Games: The Ballad of Songbirds & Snakes) and Ayo Edebiri (The Bear) drop in, they're also on the pitch-perfect wavelength. I Think You Should Leave with Tim Robinson streams via Netflix. Read our full review. WHAT WE DO IN THE SHADOWS Following in Taika Waititi and Jemaine Clement's footsteps isn't easy, but someone had to do it when What We Do in the Shadows made the leap from the big screen to the small. New format, new location, new vampires, same setup: that's the formula behind this film-to-TV series, which has notched up five seasons so far. Thankfully for audiences, Matt Berry (Toast of London and Toast of Tinseltown), Natasia Demetriou (Eurovision Song Contest: The Story of Fire Saga) and Kayvan Novak (Cruella) were enlisted as the show's three key bloodsuckers in this US spinoff from the New Zealand mockumentary, all in roles that they each seem born for. The trio play three-century-old British aristocrat Laszlo, his 500-year-old creator and partner Nadja and early Ottoman Empire warrior Nandor, respectively, who share an abode and the afterlife in Staten Island. In cinemas, the film already proved that the concept works to sidesplitting effect. Vampire housemates, they're just like us — except when they're busting out their fangs, flying, avoiding daylight, sleeping in coffins, feuding with other supernatural creatures and leaving a body count, that is. On TV, What We Do in the Shadows illustrates that there's not only ample life left in palling around with the undead, but that there's no limit to the gloriously ridiculous hijinks that these no-longer-living creatures can get up to. It was true as a movie and it's still true as a television show: What We Do in the Shadows sparkles not just due to its premise, but when its characters and cast are both as right as a luminous full moon on a cloudless night. This lineup of actors couldn't be more perfect or comedically gifted, as season five constantly demonstrates via everything from mall trips, political campaigns, pride parades and speed dating to trying to discover why Nandor's long-suffering and ever-dutiful familiar Guillermo (Harvey Guillén, Werewolves Within) hasn't quite started chomping on necks despite being bitten himself. Berry's over-enunciation alone is the best in the business, as is his ability to play confident and cocky. His line readings are exquisite, and also piercingly funny. While that was all a given thanks to his Toast franchise, Year of the Rabbit, The IT Crowd, Snuff Box, The Mighty Boosh and Garth Marenghi's Darkplace history, What We Do in the Shadows is a group effort. Demetriou and Novak keep finding new ways to twist Nadja and Nandor's eccentricities in fresh directions; their characters have felt lived-in since season one, but they're still capable of growth and change. What We Do in the Shadows streams via Binge. Read our full review. SLOW HORSES In gleaming news for streaming viewers, Mick Herron's Slough House novel series boasts 12 entries so far. In an also ace development, several more of the British author's books have links to the world of veteran espionage agent Jackson Lamb. That thankfully means that Slow Horses, the small-screen spy thriller based on Herron's work, has plenty more stories to draw upon in its future. It's now up to its third season as a TV series, and long may its forward path continue. Apple TV+ has clearly felt the same way since the program debuted in April 2022. In June the same year, the platform renewed Slow Horses for a third and fourth season before its second had even aired. That next chapter arrived that December and didn't disappoint. Neither does the latest batch of six episodes, this time taking its cues from Herron's Real Tigers — after season one used the novel Slow Horses as its basis, and season two did the same with Dead Lions — in charting the ins and outs of MI5's least-favourite department. Slough House is where the service rejects who can't be fired but aren't trusted to be proper operatives are sent, with Lamb (Gary Oldman, Oppenheimer) its happily cantankerous, slovenly, seedy and shambolic head honcho. Each season, Lamb and his team of losers, misfits and boozers — Mick Jagger's slinky ear worm of a theme tune's words — find themselves immersed in another messy case that everyone above them wishes they weren't. That said, Slow Horses isn't a formulaic procedural. Sharply written, directed and acted, and also immensely wryly funny, it's instead one of the best spy series to grace television, including in a new go-around that starts with two intelligence officers (Babylon's Katherine Waterston and Gangs of London's Ṣọpẹ́ Dìrísù) in Istanbul. When the fallout from this season's opening events touches Lamb and his spooks, they're soon thrust into a game of cat-and-mouse that revolves around secret documents and sees one of their own, the forever-loyal Catherine Standish (Saskia Reeves, Creation Stories), get abducted. The talented River Cartwright (Jack Lowden, The Gold) again endeavours to show why being banished to Slough House for a training mistake was MI5's error, while his boss' boss Diana Taverner (Kristin Scott Thomas, Rebecca) reliably has her own agenda. Slow Horses streams via Apple TV+. Read our full review. I HATE SUZIE TOO Watching I Hate Suzie Too isn't easy. Watching I Hate Suzie, the show's first season, wasn't either back in 2020. A warts-and-all dance through the chaotic life, emotions and mind of a celebrity, both instalments of this compelling British series have spun as far away from the glitz and glamour of being famous as possible. Capturing carefully constructed social-media content to sell the fiction of stardom's perfection is part of the story, as it has to be three decades into the 21st century; however, consider this show from Succession writer Lucy Prebble and actor/singer/co-creator Billie Piper, and its blood pressure-raising tension and stress, the anti-Instagram. The unfiltered focus: teen pop sensation-turned-actor Suzie Pickles, as played with a canny sense of knowing by Piper given that the 'Honey to the Bee' and Penny Dreadful talent has charted the same course. That said, the show's IRL star hasn't been the subject of a traumatic phone hack that exposed sensitive photos from an extramarital affair to the public, turning her existence and career upside down, as Suzie was in season one. Forget The Idol — this is the best show about being a famous singer that you can watch right now. In I Hate Suzie Too, plenty has changed for the series' namesake over a six-month period. She's no longer with her professor husband Cob (Daniel Ings, Sex Education), and is battling for custody of their young son Frank (debutant Matthew Jordan-Caws), who is deaf — and her manager and lifelong friend Naomi (Leila Farzad, Avenue 5) is off the books, replaced by the no-nonsense Sian (Anastasia Hille, A Spy Among Friends). Also, in a new chance to win back fans, Suzie has returned to reality TV after it helped thrust her into the spotlight as a child star to begin with. Dance Crazee Xmas is exactly what it sounds like, and sees her compete against soccer heroes (Blake Harrison, The Inbetweeners), musicians (Douglas Hodge, The Great) and more. But when I Hate Suzie Too kicks off with a ferocious, clearly cathartic solo dance in sad-clown getup, the viewers aren't charmed. Well, Dance Crazee Xmas' audience, that is — because anyone watching I Hate Suzie Too is in for another stunner that's fearless, audacious, honest, dripping with anxiety, staggering in its intensity, absolutely heart-wrenching and always unflinching. I Hate Suzie Too streams via Stan. Read our full review. JUSTIFIED: CITY PRIMEVAL The man knows how to rock a hat: Timothy Olyphant (Full Circle), that is. He knows how to play a determined lawman with a piercing stare and an unassailable sense of honour, too, and television has been all the better for it for nearing two decades. Pop culture's revival culture has benefited as well — first with HBO's 2004–06 western masterpiece Deadwood returning as 2019's Deadwood: The Movie, and now with 2010–15's US Marshal drama Justified making a comeback as miniseries Justified: City Primeval. Olyphant was perfect in both the first time around, and proves the same the second. Indeed, Deadwood: The Movie's only problem was that it was just a made-for-TV film, not a another season; Justified: City Primeval's sole issue is that it spans only eight episodes, and that a next date with the Stetson-wearing Raylan Givens hasn't yet been locked in. This continuation of Justified's initial six seasons arrives eight years after the show ended for viewers, but also finds Raylan with a 15-year-old daughter. And it's with Willa (Vivian Olyphant, Timothy Olyphant's real-life offspring) that he's hitting the road when a couple of criminals reroute their plans. Now based in Miami, Florida rather than Justified's Harlan, Kentucky, Raylan is meant to be taking Willa to camp, only to be forced to detour to Detroit, Michigan to testify. It isn't a brief stop, after the Deputy US Marshal makes the wrong impression on Judge Alvin Guy (Keith David, Nope), then is personally requested to investigate an assassination attempt against the same jurist — teaming up with local detectives who are adamant about Detroit's particular ways, including Maureen Downey (Marin Ireland, The Boogeyman), Norbert Beryl (Norbert Leo Butz, The Girl From Plainville) and Wendell Robinson (Victor Williams, The Righteous Gemstones). You can take Raylan out of rural America and into the Motor City, as Justified: City Primeval does, but even with silver hair atop his calm glare he's still Raylan. So, he'll always stride around like a lone gunslinger who has seen it all, will confront anything, and is perennially valiant and resolute — and silently exasperated about humanity's worst impulses, too — as Justified: City Primeval welcomes. New location, passing years, the responsibilities of fatherhood, more and more lowlife crooks (including Boyd Holbrook, Indiana Jones and the Dial of Destiny): they haven't changed this character, and audiences wouldn't have wanted that to happen. Justified: City Primeval streams via Disney+. Read our full review. GOOD OMENS Since 2019, witnessing David Tennant utter the word "angel" has been one of the small screen's great delights. Playing the roguish demon Crowley in Good Omens, the Scottish Doctor Who and Broadchurch star sometimes says it as an insult, occasionally with weary apathy and even with exasperation. Usually simmering no matter his mood, however, is affection for the person that he's always talking about: book-loving and bookshop-owning heavenly messenger Aziraphale (Michael Sheen, Quiz). With just one term and two syllables, Tennant tells a story about the show's central odd-couple duo, who've each been assigned to oversee earth by their bosses — Crowley's from below, Aziraphale's from above — and also conveys their complicated camaraderie. So, also since 2019, watching Tennant and Sheen pair up on-screen has been supremely divine. Good Omens, which hails from Terry Pratchett and Neil Gaiman's award- and fan-winning 1990 novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch, was always going to be about Aziraphale and Crowley. And yet, including in its second season, it's always been a better series because it's specifically about Sheen as the former and Tennant as the latter. In this long-awaited return, neither Aziraphale nor Crowley are beloved by their higher-ups or lower-downs thanks to their thwarting-the-apocalypse actions. Season one saw them face their biggest test yet after they started observing humans since biblical times — the always-foretold birth of the antichrist and, 11 years later, cosmic forces rolling towards snuffing out the planet's people to start again — and saving the world wasn't what their leaders wanted. One fussing over his store and remaining reluctant to sell any of its tomes, the other continuing to swagger around like Bill Nighy as a rule-breaking rockstar, Aziraphale nor Crowley have each carved out a comfortable new status quo, though, until a naked man walking through London with nothing but a cardboard box comes trundling along. He can't recall it, but that birthday suit-wearing interloper is the archangel Gabriel (Jon Hamm, Fargo). He knows he's there for a reason and that it isn't good, but possesses zero memory otherwise. And, in the worst news for Aziraphale and Crowley, he has both heaven and hell desperate to find him — which is just the beginning of season two's delightful journey. Good Omens streams via Prime Video. Read our full review. ONLY MURDERS IN THE BUILDING Corpses and killings don't normally herald joy on-screen, even in pop culture's current murder-mystery comedy wave, but Only Murders in the Building isn't just another amusing whodunnit. There's a particular warmth to this series. In each of its three seasons to-date, the New York-set show has unleashed amateur gumshoes upon a shock death, with its key trio sifting through clues and podcasting the details. Along the way, it has also kept telling a winning story about second chances and finding the folks who understand you. Only Murders in the Building's ten-episode third season relays that tale again, expanding its portraits of artist Mabel Mora (Selena Gomez, The Dead Don't Die), theatre director Oliver Putnam (Martin Short, Schmigadoon!) and veteran actor Charles-Haden Savage (Steve Martin, It's Complicated) — and of their friendship. Once more, it embraces the power of chemistry, both within its narrative and for audiences. That isn't new; when the show debuted in 2021, it felt like the murder-mystery comedy genre's version of a cosy embrace because its three leads were so perfectly cast and their odd-throuple characters so full of sparks. While Mabel, Oliver and Charles wouldn't be a trio if it wasn't for a building evacuation, a murder and a love of true-crime podcasts, their connection isn't merely fuelled by chatting about the murders in their building, with crossing each other's paths changing their respective lives. There's a death in season three's initial episode — it first occurred in season two's dying moments, to be precise — and, of course, ample sleuthing and talking about it follows. The victim: Ben Glenroy (Paul Rudd, Ant-Man and the Wasp: Quantumania), a silver-screen star best-known for playing a zoologist who fights crime by turning into a snake in the blockbuster CoBro franchise. (Yes, if those movies weren't just Only Murders in the Building's Ant-Man gag, existed IRL and starred Rudd, they'd be a hit.) But Only Murders in the Building's latest run also opens with Mabel, Oliver and Charles in places that they wouldn't be if they were solo. Largely, that applies emotionally: Mabel is more grounded and open, and now thinking about the future more than the past; Oliver has faced his career fears, resurrecting his showbiz bug with a new show; and Charles is less misanthropic and more willing to take new chances. They're also frequently in a different location physically thanks to Oliver's comeback production Death Rattle (which is where Meryl Streep fits in). No, the series isn't now called Only Murders in the Building and on Broadway. Only Murders in the Building streams via Star on Disney+. Read our full review. FARGO This is a true story: in 2014, Hollywood decided to take on a task that was destined to either go as smoothly as sliding on ice or prove as misguided as having a woodchipper sitting around. Revisiting Fargo was a bold move even in pop culture's remake-, reboot- and reimagining-worshipping times, because why say "you betcha" to trying to make crime-comedy perfection twice? The Coen brothers' 1996 film isn't just any movie. It's a two-time Oscar-winner, BAFTA and Cannes' Best Director pick of its year, and one of the most beloved and original examples of its genre in the last three decades. But in-between credits on Bones, The Unusuals and My Generation, then creating the comic book-inspired Legion, writer, director and producer Noah Hawley started a project he's now synonymous with, and that's still going strong five seasons in. What keeps springing is always a twisty tale set in America's midwest, as filled with everyday folks in knotty binds, complicated family ties, crooks both bumbling and determined trying to cash in, and intrepid cops investigating leads that others wouldn't. Hawley's stroke of genius: driving back into Fargo terrain by making an anthology series built upon similar pieces, but always finding new tales about greed, power, murder and snowy landscapes to tell. Hawley's Fargo adores the Coenverse overall, enthusiastically scouring it for riches like it's the TV-making embodiment of Kumiko, the Treasure Hunter's namesake. That film hailed from Damsel's David Zellner instead, and took cues from the urban legend surrounding the purported Fargo ties to the IRL death of Japanese office worker Takako Konishi; however, wanting the contents of the Coen brothers' brains to become your reality is clearly a common thread. Of course, for most of the fictional figures who've walked through the small-screen Fargo's frames, they'd like anything but caper chaos. Scandia, Minnesota housewife Dot Lyon (Juno Temple, Ted Lasso) is one of them in season five. North Dakota sheriff, preacher and rancher Roy Tillman (Jon Hamm, Good Omens) isn't as averse to a commotion if he's the one causing it. Minnesota deputy Indira Olmstead (Richa Moorjani, Never Have I Ever) and North Dakota state trooper Witt Farr (Lamorne Morris, Woke) just want to get to the bottom of the series' new stint of sometimes-madcap and sometimes-violent mayhem. Fargo streams via SBS On Demand. Read our full review. Looking for more viewing highlights? We also rounded up the 15 best new TV series of 2023, as well as 15 excellent new TV shows of 2023 that you might've missed — plus the 15 top films, another 15 exceptional flicks that hardly anyone saw in cinemas this year and the 15 best straight-to-streaming movies of the year as well. And, we've kept a running list of must-stream TV from across the year, complete with full reviews. Also, you can check out our regular rundown of film and TV streaming recommendations, which is updated monthly.
