Merivale added this pup-friendly locale to its collection of venues back in 2018, quickly making it into one of the best pubs in Sydney. The Vic on the Park is a Marrickville gem that welcomes the easy going with an appreciation for street murals and creative pub fares. Enjoy the drinks and the dishes as you listen to live music or pick up casual basketball games on their outdoor court. When it comes to the food, the Vic has curated a menu featuring both classics and newbies to satisfy whichever cravings you've got. They've even got a stellar late-night menu that's served on Fridays and Saturdays until 1am. Get around cheeseburgers, chicken wings and toasties before you either call it a night or kick on for a big one. Appears in: The Best Pubs in Sydney
A Dowling Street stalwart, Woolloomooloo's Old Fitz has undergone many a transformation over the past decade, but it's still an old pub at heart. The one thing that remains consistent is the familiar yet elusive je ne sais quoi of any great pub: You always feel like you've made a good choice as soon as you step your feet on that carpet, perch your elbows on the bar and have a tap beer mid-pour. This beloved Sydney pub has really stepped it up when it comes to the food offerings as well. The menu at Bistro Fitz overseen by Head Chef John Hockey (under the direction of the Odd Culture Group's executive chef James MacDonald) sees classic French bistro and Old English pub influences seamlessly combine. Whether you're just after a lengthy session of beers on the sunny sidewalk or pursuing a more elevated pub dining experience, you can find it at the Old Fitz. Images: Tanya Saint James. Appears in: The Best Pubs in Sydney
Muggles, something very magical has landed in Melbourne. While the city has already had a wizarding hotel, a Harry Potter escape room, a magical train trip and a potion-filled rooftop bar, it seems our love for The Boy Who Lived is insatiable — because, the country's biggest Harry Potter shop has today swung open its magical doors and started welcoming in wizards, witches, goblins, centaurs and even mere muggles. Located on the basement level of Myer Melbourne on Bourke Street, the 500-square-metre store is home to a Platform 9 3/4 — so you can finally achieve your dream of heading off to Hogwarts, even if you're much older than 11 — and an Ollivanders with over 20 different wands. As the store is a collaboration between Myer and Warner Bros, it's also home to tonnes of official merchandise, homewares, apparel, stationery, toys and more. We're told there's a heap more 'photo opportunities' from The Wizarding World, and Lego, too — so bring your smartphone and a patient mate. JK Rowling's Harry Potter and the Cursed Child theatre production is still playing at Princess Theatre and you'll be able to snag tickets for that here, too, at a dedicated booth. And to celebrate the Harry Potter at Myer store's opening, the play's cast performed hit track 'Wand Dance' on Bourke Street at midday on Friday, October 18. Of course, the opening of the Harry Potter store coincides with the lead-up to another magical event (which is, mind you, only ten weeks away), so we're sure Myer and Warner Bros are hoping to collect a few galleons from muggles doing their Christmas shopping. But, we're not complaining — the more Harry Potter, the better. The Harry Potter at Myer store will be disappearing — evanesco! — in December 2020, so we suggest if you're located interstate, to book in a trip to Melbourne ASAP. Find Harry Potter at Myer at the basement level, Myer Melbourne, 314–336 Bourke Street. It's open Monday–Thursday 9.30am–7pm, Friday 9.30am–9pm, Saturday 9.30am–7pm and Sunday 10am–7pm. Updated on October 18, 2019.
A lot has happened since Japanese-American songwriter Mitski was last on our shores. She's taken a two-year hiatus, released a pair of albums and risen from the upper echelons of the indie scene to achieve massive mainstream success. Now with an eighth album, Nothing's About to Happen to Me, dropping on Friday, February 27, the superstar artist is making a long-awaited return to Australia to embark on four landmark performances. Taking place exclusively for Vivid LIVE at the Sydney Opera House nightly from Friday, May 29–Monday, June 1, this iconic venue will be the perfect stage for Mitski's raw, poetic lyrics, paired with soaring orchestral arrangements. Delving into her new album alongside a harmonious selection of tunes from her sprawling back catalogue, those lucky enough to score tickets can expect intimate sound, gut-wrenching lyricism and visceral theatricality. Described by Rolling Stone as "the most alluring and enigmatic musician in indie rock," Mitski has earned this high praise with her undeniable ability to reinvent her sound with every new release. With the tear-jerking hit tune 'My Love Mine All Mine' going four times platinum, the ever-evolving artist has also spent the last few years collaborating with other musical icons, including Florence and the Machine and David Byrne. "There are artists who have successful careers, and there are artists who profoundly change people's lives — the utterly brilliant Mitski does both. Years in the making, it's a dream come true to welcome this internationally revered, generation-defining artist to Vivid LIVE at Sydney Opera House for four Australian exclusive performances," says Sydney Opera House Head of Contemporary Music and Vivid LIVE Curator, Ben Marshall. Artist pre-sale tickets are available from 10am on Wednesday, February 11, while tickets go on public sale from 10am on Friday, February 13. Head to the website for more information.
From New York's Rachel Comey to London's You Must Create, Denmark's Henrik Vibskov to Greece's Esiot and Paris's Cuisse de Grenouille, The Standard Store is the place to find international brands in Sydney. Its carefully curated and constantly evolving selection of high-end clothes, shoes, accessories and homewares is always a pleasure to browse — if only to get a good idea of what's happening in fashion and design around the world. Run by Sydney-based Nicola and Orlando Reindorf, the store also hosts small pop-up events from time to time, so it's worth keeping an eye on its Facebook page for workshops and talks. [caption id="attachment_779690" align="alignnone" width="1920"] Cassandra Hannagan[/caption] Images: Cassandra Hannagan.
As the name suggests, this new bar from master mixologist Grant Collins is dedicated to celebrating the evolution of the dry martini, as well as its caffeinated crowd-pleasing cousin, the espresso martini. Through a carefully curated collection of experimental and classic cocktails, Grant Collins and Gin Lane invite patrons into an atmosphere of easy-going sophistication, bringing elements from London's modern martini bars and Spain's laidback cocktail and tapas scene to the heart of Chippendale. Think of Dry Martini's menu as an ode to the evolution of the cocktail classic, where guests can experience different flavour profiles and mixes ranging from original and well-loved Gatsby-coded recipes from the 20s and 30s, to contemporary creative takes such as the salted caramel espresso martini with a nitro frozen foam and Scottish espresso martini with a shortbread infused whiskey and shortbread foam. If you're overwhelmed by choice, simply surrender to the espresso martini tree — a bespoke tower of six curated drinks. Guests can expect cocktails mixed with the highest quality house-distilled gin, unique vodkas, and house-made bitters. A tapas-style food menu has been designed to complement the flavours of the martini selection. The oyster shell gin martini, for example, is ideally served alongside freshly shucked oysters — dished-up with dry ice smoke billowing beneath the platter for a little side serving of theatricality. The menu draws inspiration from San Sebastian's bite-size pintxos, offering both sweet and savoury options, from a martini wagyu slider with rich and silky caramelised onions, cheek-wrinkling sour house-made pickles and a generous amount of martini mayo to sweeter options like their piña colada dome with coconut crumble and caramelised pineapple. Alternatively, if the cocktail sidekick you seek is something simpler, the high-low delight of the truffle and jamon toastie topped with caviar perfectly pairs with the house negroni. Dry Martini's wallet-saving happy hours are banishing cost-of-living worries with $10 martinis and $15 daily cocktail specials available every day from 5.30pm–7.00pm Tuesday - Thursday and 5.30pm–6.30pm Friday and Saturday.
It's been more than 18 months since the world first got a glimpse of Dev Patel going medieval, all thanks to the initial sneak peek at The Green Knight. The action/fantasy-thriller sees him mess with Arthurian legend, swing around a mighty sword and giant axe, and head somewhere completely different after filming two of his last four movies in Australia (Lion and Hotel Mumbai) — and also stepping into a Dickens classic set in Victorian England (The Personal History of David Copperfield). A second trailer for The Green Knight dropped earlier this year, and the movie released in the US in July; however, if you're an Aussie fan of Patel, medieval thrillers or both, you're currently still waiting to see the dark and ominous-looking film. Thankfully, that delay is about to come to an end, with the movie set to stream locally via Amazon Prime Video from Thursday, October 28. Based on the 14th-century poem Sir Gawain and the Green Knight, the film casts Patel as Sir Gawain. Nephew to King Arthur (Sean Harris, Mission: Impossible — Fallout), he's a knight of the Round Table and fearsome warrior. The character has popped up in plenty of tales, but here, he's forced to confront the giant green-skinned titular figure in an eerie showdown. As the poem explains, the Green Knight dares any other knight to strike him with an axe, but only if they'll then receive a return blow exactly one year and one day later. Based on all of the movie's trailers so far, this adaptation looks to be sticking to that story rather closely — and the end result also looks more than a little moody, brooding and creepy. Patel is in great company, too, with The Green Knight also starring Alicia Vikander (Earthquake Bird), Joel Edgerton (Boy Erased) and Barry Keoghan (Calm with Horses). Games of Thrones' Kate Dickie pops up as Guinevere, while her co-star Ralph Ineson — who is also known from the Harry Potter flicks, The Witch, Gunpowder Milkshake and the UK version of The Office — plays the Green Knight. Originally set to release in 2020 until the pandemic hit, The Green Knight is the latest movie by impressive and always eclectic writer/director David Lowery. His filmography spans everything from Ain't Them Bodies Saints and Pete's Dragon to A Ghost Story and The Old Man and the Gun — and The Green Knight isn't like anything on his resume so far. Check out the trailer below: The Green Knight will be available to stream in Australia via Amazon Prime Video from Thursday, October 28.
Sydney is spoiled with a wealth of bars that also offer up top-notch eats alongside their drinks. Uncanny is the latest to join this list, as a King Street cocktail bar offering a selection of delightful Mediterranean share plates. Located just across from Newtown Station in the former digs of Gurdys, the cocktail bar comes from a family of experienced hospitality veterans — Julien, Michel and Laura Bouskila — who have joined forces to open their first venue. "Uncanny came to be through a mutual excitement and desire to create a venue that felt like a home away from home," co-founder Laura Bouskila says. Step into the cosy and inviting venue and you'll be greeted by an array of family photos, movie posters and knick-knacks, all of which come from the Bouskila family home. As with the best cocktail bars in Sydney, you can order all of your standards alongside a selection of house specials. Uncanny's creations stretch from the sweet to the strong, playing on classic mixes. The Julio Ricter takes a mezcal margarita and adds a salt and za'atar rim; while The Ritz features thyme-infused Aperol with sparkling rosé and soda. And, each time you come in you can expect something new, with the bartenders having regular competitions to come up with new exciting creations. While the drinks hit the spot, the food is the big drawcard. The standout is the bed of hummus with hot pieces of lamb reminiscent of donna or shawarma on top. Laura recommends you pair this with the Julio Ricter fo the ultimate Uncanny experience. Elsewhere on the share-friendly menu is eggplant and pomegranate molasses, harissa and sumac potatoes with chilli aioli, 24-hour marinated chicken shwarma and sautéed harissa prawns. Plus, you'll also find trivia, live music and open mic comedy at the bar on three Tuesdays of each month. Originally slated to open in June of 2021, the pandemic hit the bar pretty hard, with delays and closures continuing until the start of this year. "Since opening again in January, we have not looked back," continues Laura. "We are so grateful and excited that the Newtown community is loving the vibe of Uncanny." Images: Elyse Genrich.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to Bali's legendary beachfront resort Desa Potato Head. And right now, we have an unmissable deal for you to take advantage of, which includes daily cocktails and a bunch of other complimentary offers on three-, five- and seven-night stays. WHAT'S SO SPECIAL? Whether Bali is yet to be ticked off your bucket list or you're a seasoned visitor, you probably already know Seminyak is where all the action is — think top restaurants, luxurious day spas and pumping party spots. Of the many hot spots that populate Seminyak, Potato Head Beach Club is an institution. But, Desa Potato Head's offering extends well beyond the famed beach club with its sweeping archipelago views and infinity pool. Billing itself as a self-contained 'village', Desa Potato Head has several restaurants, a range of accommodation options, art installations and a co-working space. And then there is the next-level wellness program. We're talking a 24-hour gym, personal training, outdoor fitness sessions, yoga and guided meditation sessions, IV treatments and the Sanctuary — a space offering ice baths, sound healing and other alternative wellness practices. The resort also has a steadfast commitment to sustainability — it was the first company in Asia to go carbon neutral and is making strides to be a zero-waste operation. THE ROOMS Desa Potato Head has two distinct accommodation offerings. The first is Potato Head Suites (formerly known as Katamama). Each of these 58 suites effortlessly blends ancient Indonesian craftsmanship with modern touches, including floor-to-ceiling windows overlooking the Indian Ocean, private gardens, spacious living areas, and jacuzzis or pools. Your other option is Potato Head Studios, the more traditional hotel offering. Across the 168 rooms, expect luxury amenities, stylish decor and stunning views over the ocean, bamboo garden or resort. All rooms have thoughtful personal touches, like build-your-own-cocktail kits, refillable products (including sunscreen and insect repellent) and zero-waste kits that you can take home with you. FOOD AND DRINK Beach Club is, of course, the most famous of Desa Potato Head's hospitality offerings, so spending a few hours here (at the very least) is a given. Snag one of the daybeds by the infinity pool to enjoy signature cocktails — prepared with local fruits and spices — and a few snacks from the kitchen, including charcuterie boards, pizza and platters of oysters. The Beach Club has two more formal options, too. The first is Ijen, which focuses on fresh local seafood served raw or grilled. The other is Kaum, which showcases traditional recipes, methods of cooking and ingredients from some of Indonesia's lesser-known regions. Elsewhere in the resort, you'll find semi-subterranean plant-based diner Tanaman, casual eatery Katamama and rooftop bar Sunset Park. THE LOCAL AREA When you're ready to explore beyond the boundaries of Potato Head, Seminyak has plenty on offer to keep you busy. Get your caffeine fix from one of the Aussie-style cafes (Revolver Espresso is our pick) and take a wander down Jalan Kayu Aya (otherwise known as Eat Street) to find tasty local food and boutique shops. Want to visit other beach clubs? KU DE TA, Finns and Mrs Sippy are all worth a look-in. Then, of course, there are all the nature-laden day trips and outdoor adventures you can take. Check out this Ubud day tour, which includes visits to Tegenungan Waterfall and the Sacred Monkey Forest Sanctuary, or this full-day of water sports fun — think scuba diving, jet skiing and more. THE EXTRAS A stay at Desa Potato Head guarantees plenty of luxuries. We've already mentioned a few, including the in-room cocktail bar and daily wellness activities, but you can also expect welcome cocktails, daily breakfast, free daily laundry and airport transfers. Plus, if you book a three-, five- or seven-night stay through Concrete Playground Trips, we're throwing in even more to sweeten the already-sweet deal. Specifically: free cocktails daily, a free massage, spa credit of IDR500,000, dinner at Tanaman and priority daybeds at the Beach Club. Get moving on this offer — it's only available until June 13. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
After the last couple of years, many of the metro-bound among us have a case of cabin fever. Now that the holiday season is fast approaching and opportunities for gift-giving are coming thick and fast, this year swap the paper-wrapped presents for the gift of experiences. Around Australia you've got spectacular options. There are luminous art installations at sacred sites, pink-hued salt lakes, transparent bubble tents near jaw-dropping canyons and Scandi-style saunas floating on lakes — and they're all the perfect antidote to the city. In partnership with Tourism Australia, we've put together a list of the most stunning places, activities and tours to provide gifting inspiration for that friend who really deserves an escape. Far more memorable than a pair of socks — and you'll be supporting local tourism while doing so. Result!
With a snap of the fingers, the Marvel Cinematic Universe underwent a huge change back in Avengers: Infinity War, and its movies and TV shows have been dealing with the fallout ever since. But another snap might be coming — not within the ever-sprawling franchise's on-screen narratives, but thanks to a possible slowed-down pace when it comes to filling cinemas and streaming queues with Marvel's heroes. All Marvel all the time: that's seemed to be Disney's approach to building the MCU, and our eyeballs have been busy as a result. In 2021 and 2022 alone, seven films and eight television shows made their debuts, spanning everything from Black Widow, Eternals, Thor: Love and Thunder and Black Panther: Wakanda Forever through to WandaVision, Loki, Moon Knight and Ms Marvel. And, 2023 has already kicked off with Ant-Man and the Wasp: Quantumania, with Guardians of the Galaxy Vol. 3 to come in May. Disney is reportedly thinking about easing the flow of the Marvel Cinematic Universe, however, and also getting better at curating it. Multiple recent reports and interviews, including in The Hollywood Reporter and Entertainment Weekly, have spoken about releasing fewer movies and shows each year, as well as ensuring there's more space between them. "The pace at which we're putting out the Disney+ shows will change so they can each get a chance to shine," Marvel Studios President Kevin Feige told Entertainment Weekly. Just as Ant-Man and the Wasp: Quantumania hit cinemas last week, Marvel pushed back its third big-screen release for 2023, The Marvels, from July 28 to November 9. It teams up Captain Marvel (Brie Larson, Just Mercy), Ms Marvel (Iman Vellani) and WandaVision's Monica Rambeau (Teyonah Parris, Candyman), but viewers will now have to wait a few more months to see the end result. That's one of a few shifts that the MCU has put in place since unveiling its huge phase five and phase six plans in mid-2022, with other dates moving back as well. Now in its multiverse saga, with a big focus on Jonathan Majors (The Harder They Fall) as new big bad Kang the Conqueror, the Marvel Cinematic Universe has delayed the return of Blade — this time starring Moonlight and Green Book Oscar-winner Mahershala Ali — to September 5, 2024. It'll come after a new Captain America movie on May 2, 2024, called Captain America: New World Order, focusing on Sam Wilson (Anthony Mackie, The Falcon and the Winter Soldier) with the cape and shield, plus Thunderbolts on July 25, 2023. 2024 will also see the next Deadpool flick arrive on November 7 co-starring Hugh Jackman, with The Son actor returning to the role of Wolverine, and both Deadpool and Wolverine entering the MCU. From there, expect yet another Fantastic Four film, which'll now release on February 14, 2025 (with no cast yet announced), plus Avengers: The Kang Dynasty and Avengers: Secret Wars following on May 1, 2025 and April 30, 2026, respectively. While slight changes have already been made to the movie slate's dates, more may come in light of Feige's comments — and Disney CEO Bob Iger's own comments that the Mouse House must improve its curating skills with its content. And, the same may prove true of the MCU's small-screen lineup, none of which has set dates so far. 2023 is meant to see five shows arrive: the Samuel L Jackson-starring, Nick Fury-focused Secret Invasion, which was initially expected in autumn Down Under; Ironheart, which features the Dominique Thorne (Judas and the Black Messiah)-played character first seen in Black Panther: Wakanda Forever; season two of Loki; Hawkeye spinoff Echo; and witchy WandaVision spinoff Agatha: Coven of Chaos. But, it's now reported that only Secret Invasion and Loki are certain to hit this year. After that, a new 18-episode Daredevil series starring Charlie Cox (King of Thieves) and Vincent D'Onofrio (The Unforgivable), this time called Daredevil: Born Again, is on the schedule for 2024. These films and series are all still on their way — so, while you might not be watching quite as many new Marvel movies and TV shows over the next few years after all, they're still coming, just better spread out. Maybe this far in, more breaks from the Marvel Cinematic Universe will make the heart grow fonder, especially if you've been feeling a bit of MCU fatigue. For more information about Marvel's upcoming slate of films and TV shows, head to the company's website. Via The Hollywood Reporter and Entertainment Weekly. Top image: Photo by Jay Maidment. © 2022 Marvel. All images: courtesy of Marvel.
When chef Brent Savage and sommelier Nick Hildebrandt of Bentley Restaurant Group transplanted their moody-chic mod-French wine bar-cum-bistro Monopole from Potts Point to the CBD in 2020, the move also ushered in a change of identity. The brooding intimacy, dark decor and wine-bottle-stacked walls of the OG Monopole were replaced with soaring ceilings, a vibrant vermillion colour scheme, abstract pendant fixtures and floods of light through wall-to-wall windows. The menu also brightened, shifting from riffs on French favourites to a broader-spectrum pan-European offering, with Mediterranean, Middle Eastern and, oui, also French flourishes on the plate, alongside a thoroughly considered and impressively worldly wine list. But it seems a passion for all things Français has been a hard obsession to shake. Monopole has come full circle, reaffirming its French affinity but now as a fine-diner, narrowing its focus to a repertoire of classic gourmet cuisine with a firmly tricolore-centric wine, aperitif and digestif selection to match. To be clear, Monopole has not merely joined the ample ranks of Sydney's many casual bistros and brasseries. What Savage and Hildebrandt are offering exists in an elevated strata almost of its own, serving elegant, seldom-seen dishes — quenelles, millefeuilles, vol-au-vents, bisques. These are plates of extraordinary finesse and technical virtuosity — French fare at its very finest. "It's been something we've wanted to do for a while," Hildebrandt says of Monopole's French revolution. "Last year we opened King Clarence and the plan was always, after we've got that one up and running, we'll reimagine Monopole and bring together all the research and travel that has been inspiring us over the past few years." Fans of Monopole 2.0 will be pleased to hear that the fitout of the venue's third incarnation remains almost unchanged, save for the introduction of a heavy velvet curtain by the entrance, some culinary objet d'art, a few framed vintage wine posters, some antique sconces and paper shades for a more intimate lighting design and the addition of crisp, white, linen table cloths. Likewise, while the tone of the food now on offer may have shifted, Hildebrandt insists, the change is less wholesale than it might appear. "We've always been French, but in more of a neo-bistro type of way, like Septime in Paris — relaxed, unpretentious, less about tradition. That's what we've been doing for the past four years, essentially. But it feels like everyone's doing that now — even pubs are putting out modern French menus," he explains. "One of the big things we always ask ourselves in our business is how do we stay relevant? And if we just stuck to doing the same food that we've been doing for a decade, how is that keeping up with what's exciting diners, you know?" During recent trips to France to research new dishes and the wines that will best pair with them, both Hildebrandt and Savage were struck by one emergent dining trend. "We've really been inspired by a move back to traditional recipes, but reinvigorated and reinvented — served with a modern lens. They're dishes that require a lot of skill, a lot of technique, really staying true to these old and very respected recipes. There are a lot of really cool restaurants in Paris right now that are doing this and we just felt so inspired to bring that to Sydney and to really make the identity of this food clear," Hildebrandt shares. Indeed, clarity is a world that springs to mind as you dine at Monopole. A millefeuille d'anguille fume, exquisitely balances the sweet cellulose of a celeriac and apple remoulade with the velvet fattiness of smoked eel and a bite of horseradish, each carefully layered flavour corralled by the crisp counterpoint of three flakey layers of buttery pastry. Each bite is exact and precise — a crafted experience down to the last crumb. The quenelle de poisson offers a similar masterclass in precision, the lightness and subtlety of the steamed marron mousse offering the perfect foil for the bright sweetness of a rich, red, shellfish bisque and the fleshy bite of a grilled marron tail daubed with tarragon butter. Even the most familiar item on the menu — the burger de canard, which, just as it sounds, is a duck burger — is created with an elevated eye. Inspired by a snail burger Hildebrandt discovered on his Gallic travels, it is served with house-made pickles, comté cheese, hot sauce and a generous smear of light-as-a-feather duck liver parfait. Monopole's wine list has been largely French-leaning for a few years now, but the new list fully embraces this Francophilia with both arms, expertly paired upon request. A wide selection of the verdant herbal liqueur chartreuse, all French-made, also star behind the bar, as well as in one of the more revelatory desserts. Much like its faint green colouring, the chartreuse granita with vanilla ice cream and apple is nuanced and delicate. It charms you with a whisper rather than a shout. And therein lies the crucial difference between the common bistro and the rare French restaurant — this cuisine doesn't need to be loud and crowd-pleasing. It's an elegant ballet not a raucous Can-Can. Each has their place, and Sydney, a city with Bistros and Brasseries aplenty, deserves to have both.
If keeping your eyes glued to a screen comes as naturally to you as breathing, then awards season brings plenty of news that you already know. You watched the best movies and TV shows of the past year, and now they're winning awards. Sometimes there's surprises. Sometimes everything that everyone expects to nab a shiny trophy does. Sometimes something deserving misses out, or wasn't even nominated. That comes with the territory, including at the Golden Globes, which usually kicks off the year in gleaming pop-culture accolades — and did again in 2024. Hearing everything that you already know in the opening monologue, though? That's something that no one wants. Were you aware that Oppenheimer is long? That Saltburn includes nudity? That Robert De Niro is an icon? So went the first few jokes from this year's host Jo Koy, amid mentioning that he "got the gig ten days ago" — which isn't too far off the mark. Thankfully, while the ceremony's hosting fell flat, as did Jared Leto's gags about himself while co-presenting the first awards with Angela Bassett, the gongs weren't short on highlights. You just had to look to the award recipients and presenters for the gold. So, let's remember the 2024 Golden Globes for Australia's Margot Robbie, Sarah Snook and Elizabeth Debicki all emerging victorious; Lily Gladstone's historic win and unforgettable speech; and Anatomy of a Fall winning Best Screenplay, a category that rarely goes to films in languages other than English. Succession's Matthew Macfadyen dubbing Tom Wambsgans a "human grease stain", then Kieran Culkin winning over Brian Cox and Jeremy Strong; Ayo Edibiri's excitement, including while thanking her managers' and agents' assistants for answering her emails, when she won for The Bear; Kevin Costner reciting America Ferrara's Barbie monologue; The Boy and the Heron getting the nod for Best Animation: they're all standout moments as well. Also worth sitting through this year's first night of nights for all things film and television: Emma Stone ribbing Australia's Poor Things screenwriter Tony McNamara about her attempts to do an Aussie accent, Christopher Nolan calling Cillian Murphy his partner-in-crime for 20 years and Murphy's just-as-touching acceptance speech. Your questions from here? What'll happen when Oppenheimer and Barbie face off at the Oscars, which doesn't separate dramas from musicals and comedies? Will the TV winners be mirrored when the delayed 2023 Emmys hand out its trophies later in January? How many more shades of pink can Margot Robbie don? And if your biggest query now is "who else won?", here's the full list of winners and nominations — and you can also check out our picks for the eight best winners you can watch right now. GOLDEN GLOBE NOMINEES AND WINNERS: BEST MOTION PICTURE — DRAMA Anatomy of a Fall Killers of the Flower Moon Maestro Oppenheimer — WINNER Past Lives The Zone of Interest BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE — DRAMA Annette Bening, Nyad Lily Gladstone, Killers of the Flower Moon — WINNER Sandra Hüller, Anatomy of a Fall Greta Lee, Past Lives Carey Mulligan, Maestro Cailee Spaeny, Priscilla BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE — DRAMA Bradley Cooper, Maestro Leonardo DiCaprio, Killers of the Flower Moon Colman Domingo, Rustin Barry Keoghan, Saltburn Cillian Murphy, Oppenheimer — WINNER Andrew Scott, All of Us Strangers BEST MOTION PICTURE — MUSICAL OR COMEDY Air American Fiction Barbie The Holdovers May December Poor Things — WINNER BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY Fantasia Barrino, The Color Purple Jennifer Lawrence, No Hard Feelings Natalie Portman, May December Alma Pöysti, Fallen Leaves Margot Robbie, Barbie Emma Stone, Poor Things — WINNER BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY Jeffrey Wright, American Fiction Joaquin Phoenix, Beau Is Afraid Matt Damon, Air Nicolas Cage, Dream Scenario Paul Giamatti, The Holdovers — WINNER Timothée Chalamet, Wonka BEST MOTION PICTURE — ANIMATED The Boy and the Heron — WINNER Elemental Spider-Man: Across the Spider-Verse The Super Mario Bros Movie Suzume Wish BEST MOTION PICTURE — NON-ENGLISH LANGUAGE Anatomy of a Fall — WINNER Fallen Leaves Io Capitano Past Lives Society of the Snow The Zone of Interest BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE Danielle Brooks, The Color Purple Da'Vine Joy Randolph, The Holdovers — WINNER Emily Blunt, Oppenheimer Jodie Foster, Nyad Julianne Moore, May December Rosamund Pike, Saltburn BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE Charles Melton, May December Mark Ruffalo, Poor Things Robert De Niro, Killers of the Flower Moon Robert Downey Jr, Oppenheimer — WINNER Ryan Gosling, Barbie Willem Dafoe, Poor Things BEST DIRECTOR — MOTION PICTURE Bradley Cooper, Maestro Greta Gerwig, Barbie Yorgos Lanthimos, Poor Things Christopher Nolan, Oppenheimer — WINNER Martin Scorsese, Killers of The Flower Moon Celine Song, Past Lives BEST SCREENPLAY — MOTION PICTURE Anatomy of a Fall — WINNER Barbie Killers of the Flower Moon Oppenheimer Past Lives Poor Things BEST ORIGINAL SCORE — MOTION PICTURE The Boy and the Heron Killers of the Flower Moon Oppenheimer —WINNER Poor Things Spider-Man: Across the Spider-Verse The Zone of Interest BEST ORIGINAL SONG — MOTION PICTURE Bruce Springsteen, 'Addicted to Romance', She Came to Me Mark Ronson, Andrew Wyatt, Dua Lipa and Caroline Ailin, 'Dance the Night', Barbie Mark Ronson and Andrew Wyatt, 'I'm Just Ken', Barbie Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond and John Spiker, 'Peaches', The Super Mario Bros Movie Lenny Kravitz, 'Road to Freedom', Rustin Billie Eilish and Finneas O'Connell, 'What Was I Made For?', Barbie — WINNER CINEMATIC AND BOX OFFICE ACHIEVEMENT Barbie — WINNER Guardians of the Galaxy Vol. 3 John Wick: Chapter 4 Mission: Impossible — Dead Reckoning Part One Oppenheimer Spider-Man: Across the Spider-Verse The Super Mario Bros. Movie Taylor Swift: The Eras Tour BEST TELEVISION SERIES — DRAMA 1923 The Crown The Diplomat The Last of Us The Morning Show Succession — WINNER BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES — DRAMA Bella Ramsey, The Last of Us Emma Stone, The Curse Helen Mirren, 1923 Imelda Staunton, The Crown Keri Russell, The Diplomat Sarah Snook, Succession — WINNER BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES — DRAMA Brian Cox, Succession Kieran Culkin, Succession — WINNER Gary Oldman, Slow Horses Pedro Pascal, The Last of Us Jeremy Strong, Succession Dominic West, The Crown BEST TELEVISION SERIES — MUSICAL OR COMEDY Ted Lasso Abbott Elementary The Bear — WINNER Barry Only Murders in the Building Jury Duty BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES — MUSICAL OR COMEDY Rachel Brosnahan, The Marvelous Mrs Maisel Quinta Brunson, Abbott Elementary Ayo Edebiri, The Bear — WINNER Elle Fanning, The Great Selena Gomez, Only Murders in the Building Natasha Lyonne, Poker Face BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES — MUSICAL OR COMEDY Bill Hader, Barry Steve Martin, Only Murders in the Building Jason Segel, Shrinking Martin Short, Only Murders in the Building Jason Sudeikis, Ted Lasso Jeremy Allen White, The Bear — WINNER BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION All the Light We Cannot See Beef — WINNER Daisy Jones & The Six Fargo Fellow Travellers Lessons in Chemistry BEST PERFORMANCE BY A FEMALE ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Ali Wong, Beef — WINNER Brie Larson, Lessons in Chemistry Elizabeth Olsen, Love & Death Juno Temple, Fargo Rachel Weisz, Dead Ringers Riley Keough, Daisy Jones & the Six BEST PERFORMANCE BY A MALE ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION David Oyelowo, Lawmen: Bass Reeves Jon Hamm, Fargo Matt Bomer, Fellow Travellers Sam Claflin, Daisy Jones & the Six Steven Yeun, Beef — WINNER Woody Harrelson, White House Plumbers BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE ON TELEVISION Abby Elliott, The Bear Christina Ricci, Yellowjackets Elizabeth Debicki, The Crown — WINNER Hannah Waddingham, Ted Lasso J. Smith-Cameron, Succession Meryl Streep, Only Murders in the Building BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE ON TELEVISION Alan Ruck, Succession Alexander Skarsgård, Succession Billy Crudup, The Morning Show Ebon Moss-Bachrach, The Bear James Marsden, Jury Duty Matthew Macfadyen, Succession — WINNER BEST PERFORMANCE IN STANDUP COMEDY ON TELEVISION Ricky Gervais: Armageddon — WINNER Trevor Noah: Where Was I Chris Rock: Selective Outrage Amy Schumer: Emergency Contact Sarah Silverman: Someone You Love Wanda Sykes: I'm an Entertainer The 2024 Golden Globes were announced on Monday, January 8, Australian and New Zealand time. For further details, head to the awards' website.
Jessi Singh, the mind behind some of the country's best Indian restaurants, now has a home on York Street. Pinky-Ji is Singh's second Sydney outpost, launched with the help of former Chin Chin chef Johann Jay, who built a cult following throughout Australia with his unorthodox eateries in Melbourne, Byron Bay, Adelaide and Surry Hills. "Pinky-Ji is the younger, sassier, and more independent version of our much-loved Daughter In Law," says Singh. "The menu in our venue will bring all of the fun and unauthentic food that Daughter in Law is synonymous with — with a slightly more elevated twist." At Pinky-Ji, you can expect flamboyant decor, including images of Bollywood stars, neon lighting and red velvet furniture to create an extraordinary atmosphere of luxury. When exploring the menu, keep an eye out for the seven key sections — snacks, raw, street, grill, wok, tandoor and curry — plus bread, sides and drinks. Kick things off with a snack like a curry crab croqueta ($8). From there, dip your toes into the Mumbai Corn, accompanied by chilli lime yoghurt, paneer and curry popcorn ($16). If you're looking for a menu item that packs an extra punch, opt for the half-lobster covered in Sri Lankan coconut curry leaf sambal ($48). You'll find that many of the menu items can be shared around the table. From the wok section, you can order crab fried rice with chilli oil ($30), while the curry selection spans from unauthentic butter chicken ($32) and fragrant yellow vegan dahl ($22) to coconut prawns ($32) and lamb rogan josh ($32), all of which can be paired with aged basmati rice ($6), garlic or sesame naan ($5-$12), and roti ($5). There is no shortage of crowd-pleasers. Still feeling indecisive? Opt for the Chef's Selection. For $65 per person, this includes Balls of Happiness for entree, kingfish ceviche, cauliflower, shakarkandi chaat, tandoor chicken, alongside a variety of curries with rice and naan, plus a pistachio dessert. Finally, when the time comes to pair a drink with your curry, you can opt for a classic cocktail or peruse the help-yourself craft beer fridges for a hoppy treat. To top off all of the eccentric fun of Pinky-Ji, the private dining room features a karaoke machine loaded up with songs from the 70s, 80s and 90s. You'll find Pinky Ji in our list of the best degustations in Sydney. Check out the full list here.
Here's your chance to unleash your inner Hulk on a range of household items. Known as a 'smash room', 'rage room' or a 'break room', this unique experience is renowned for the cathartic release it provides its participants — and Sydney has scored a permanent outpost. Open Thursday to Sunday, you can head to this one-of-a-kind activity solo, in a group of up to six, or as a couple for a memorable (if not especially romantic) date. Venture out to Smash Room City and you'll find fragile easy-to-smash items such as old plates, glasses and mugs. Or, if you are up for a challenge, opt for the bigger items on offer, like TVs and printers. Plus, you can bring in items of your own (although they will need approval from the staff prior to your session). Not sure how it works? Simply pick your smasher, equip yourself with the provided safety gear and channel your pent-up rage to start smashing. And, you can also play your allocated rage tunes to keep you going as you smash your way through the room. For further information, or to book your session, check out the Smash Room City website.
Sydney is set to gain a major dose of Filipino culture when the annual Philippine Pasko Festival returns to Darling Harbour for its fourth year running. The two-day Christmas event will take over Tumbalong Park from Saturday, November 9 through Sunday, November 10, and feature live entertainment, lantern making competitions and — most importantly — a whole heap of food stalls. Those stalls will, of course, be slinging sweet and savoury Filipino favourites. Most notable is the holiday season go-to lechón — a whole roasted suckling pig, sliced and served with a spicy vinegar dipping sauce. In previous years, the offering has also included Filipino barbecued skewers (pork, chicken and longaniza sausage varieties), plus plates of whole fried fish and bowls of chicharrón (pork crackling). For those with a sweet tooth, expect cones of ube (purple yam) ice cream, deep-fried banana on a stick and halo halo in a cup. The latter is possibly the Philippines' best known dessert — a shaved ice treat consists of layers of sweetened beans, coconut strips and jellies, all topped with ice cream and a drizzle of evaporated milk. Apart from all the food, there will be Filipino song and dance performances throughout the day. The festival will run from 10am–8pm on Saturday and from 11am–7pm on Sunday. And entry is free, so all you need to bring is your empty stomach. Images: Bronnie Barnett
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Maybe you're in lockdown. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's 12 you can watch right now at home. IN THE HEIGHTS Lin-Manuel Miranda isn't the first lyricist to pen tunes so catchy that they get stuck in your head for years (yes, years), but his rhythmic tracks and thoughtful lines always stand out. Miranda's songs are melodic and snappy, as anyone who has seen Hamilton onstage or via streaming definitely knows. The multi-talented songwriter's lyrics also pinball around your brain because they resonate with such feeling — and because they're usually about something substantial. The musical that made his name before his date with US history, In the Heights echoes with affection for its eponymous Latinx New York neighbourhood. Now that it's reverberating through cinemas, its sentiments about community, culture, facing change and fighting prejudice all seem stronger, too. To watch the film's characters sing about their daily lives and deepest dreams in Washington Heights is to understand what it's like to feel as if you truly belong in your patch of the city, to navigate your everyday routine with high hopes shining in your heart, and to weather every blow that tries to take that turf and those wishes away. That's what great show tunes do, whisking the audience off on both a narrative and an emotional journey. Miranda sets his words to hip hop beats, but make no mistake: he writes barnstorming songs that are just as rousing and moving, and that've earned their place among the very best stage and screen ditties as a result. Watching In the Heights, it's hard not to think about all those stirring tracks that've graced previous musicals. That isn't a sign of derivation here, though. Directing with dazzling flair and a joyous mood, Crazy Rich Asians filmmaker Jon M Chu nods to cinema's lengthy love affair with musicals in all the right ways. His song-and-dance numbers are clearly influenced by fellow filmic fare, and yet they recall their predecessors only because they slide in so seamlessly alongside them. Take his staging of the tune '96000', for instance. It's about winning the lottery, after word filters around that bodega owner Usnavi (Anthony Ramos, a Hamilton alum) has sold a lucky ticket. Due to the sweltering summer heat, the whole neighbourhood is at the public pool, which is where Chu captures a colourful sea of performers expressing their feelings through exuberantly shot, staged and choreographed music and movement — and it's as touching and glorious as anything that's ever graced celluloid. Of course, $96,000 won't set anyone up for life, but it'd make an enormous difference to Usnavi, In the Heights' protagonist and narrator. It'd also help absolutely everyone he loves. As he explains long before anyone even hears about the winning ticket, or buys it, every Heights local has their own sueñitos — little dreams they're chasing, such as his determination to relocate to the Dominican Republic. And that's what this intoxicating, invigorating, impassioned and infectious captures with vibrant aplomb. In the Heights is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. A QUIET PLACE PART II When every noise you make could send savage aliens stalking, slashing and slaughtering your way, it's the waiting that gets you. When you're watching a nerve-rattling horror film about that exact scenario, the same sentiment remains relevant. In A Quiet Place, the Abbott family went into survival mode after vicious creatures invaded, hunted down every sound and dispensed with anyone that crossed their path. For the characters in and viewers of the 2018 hit alike, the experience couldn't have screamed louder with anxiety and anticipation. Evelyn and Lee (Wild Mountain Thyme's Emily Blunt and Detroit's John Krasinski) and their children Regan (Millicent Simmonds, Wonderstruck), Marcus (Noah Jupe, The Undoing) and Beau (Cade Woodward, Avengers: Endgame) all silently bided their time simply trying to stay safe and alive, but their continued existence lingered under a gut-wrenching shadow. The critters were still out there, listening for even a whisper. It was a matter of when, not if, they'd discern the slightest of noises and strike again. That type of waiting drips with tension and suspense, and also with the kind of inevitability that hovers over everyone alive. A certain bleak end awaits us all, a truth we routinely attempt to ignore; however, neither the Abbotts nor A Quiet Place's audience were allowed to forget that grim fact for even a moment. Initially slated to arrive in cinemas two years later, then delayed by the pandemic for 14 months, sequel A Quiet Place Part II isn't done with waiting. Written and directed once again by Krasinski, the film doesn't shy away from the stress and existential distress that marking time can bring, but it also tasks its characters with actively confronting life's inevitabilities. After an intense and impressive tone-setting opening flashback to the first day of the alien attack, when the Abbotts' sleepy hometown learns of humanity's new threat in the cruellest fashion, the storyline picks up where its predecessor left off. It's day 474 — the earlier film spent most of its duration around day 472 — and Evelyn, Regan, Marcus and the family's newborn are grappling with their losses. That said, they're also keenly aware that they can't stay in their Appalachian farmhouse any longer. After spotting smoke on the horizon and setting off in that direction, they reconnect with Emmett (Cillian Murphy, Peaky Blinders), an old friend who has been through his own traumas. Evelyn sees safety in numbers, but he's reluctant to help. Then Regan hears a looping radio transmission playing 'Beyond the Sea' and decides to track down its source — and a film that's less thrilling, potent and unsettling than its predecessor eventuates. A Quiet Place Part II is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. BLACK WIDOW Closure is a beautiful thing. It's also not something that a 24-film-and-growing franchise tends to serve up often. Since 2008, the Marvel Cinematic Universe has operated with the opposite aim — extending and expanding the series at every turn, delivering episodic instalments that keep viewers hanging for the next flick, and endeavouring to ensure that the superhero saga blasts onwards forever. But it's hard to tick those boxes when you're making a movie about a character whose fate is already known. Audiences have seen where Natasha Romanoff's (Scarlett Johansson, Marriage Story) story finishes thanks to Avengers: Endgame, so Black Widow doesn't need to lay the groundwork for more films to follow. It's inexcusable that it has taken so long for the assassin-turned-Avenger to get her own solo outing. It's indefensible that this is just the second Marvel feature to solely focus on a female figure, too. But, unlike the missed opportunity that was Captain Marvel, Black Widow gives its namesake a thrilling big-screen outing, in no small part because it needn't waste time setting up a Black Widow sequel. Instead, the pandemic-delayed movie spends its 143 minutes doing what more MCU flicks should: building character, focusing on relationships, fleshing out its chosen world and making every inch of its narrative feel lived-in. The end result feels like a self-contained film, rather than just one chapter in a never-ending tale — which gives it the space to confidently blend family dramas with espionage antics, and to do justice to both parts of that equation. Sporting an impressive cast that also includes Florence Pugh (Little Women), David Harbour (Stranger Things) and Rachel Weisz (The Favourite), Black Widow begins in 1995, in small-town Ohio. Here, Harbour and Weisz play Alexei and Melina, parents to young Natasha (Ever Anderson, Resident Evil: The Final Chapter) and Yelena (Violet McGraw, Doctor Sleep), and the portrait of all-American domesticity — or that's the ruse, at least. The film doesn't revel in small-town life, neighbourhood playtimes, 'American Pie' sing-alongs and an existence that could've been ripped from The Americans for too long, however, with the quartet soon en route back to Russia via Cuba at shady puppetmaster Dreykov's (Ray Winstone, Cats) beckoning. When the action then jumps forward to 2016, and to the aftermath of that year's Captain America: Civil War, Natasha hasn't seen her faux family for decades. On the run from the authorities, she isn't palling around with the Avengers, either, with the superheroes all going their separate ways. Then the adult Yelena (Pugh) reaches out, because she too has fled her own powers-that-be: Dreykov, the fellow all-female hit squad she's been part of for the last 21 years, and the mind-control techniques that've kept her compliant and killing. There's an unmistakable air of Bourne and Bond to Black Widow from there, but this deftly satisfying flick doesn't trade the MCU's blueprints for other franchises' templates. With Australian filmmaker Cate Shortland (Somersault, Lore and Berlin Syndrome) in the director's chair, this welcome addition to the franchise spins a thoughtfully weighty story about women trapped at the mercy of others and fighting to regain their agency. Black Widow is available to stream via Disney+ with Premium Access. Read our full review. MY NAME IS GULPILIL Lengthy is the list of Australian actors who've started their careers on home soil, then boosted their fame, acclaim and fortunes by heading abroad. Some have won Oscars. Others are global household names. One plays a pigtailed comic book villain in a big film franchise, while another dons a cape and wields a hammer in a competing blockbuster saga. David Gulpilil doesn't earn any of the above descriptions, and he isn't destined to. It wouldn't interest him, anyway. His is the face of Australian cinema, though, and has been for half a century. Since first gracing the silver screen in Nicolas Roeg's Walkabout, the Yolŋu man has gifted his infectious smile and the irrepressible glint in his eye to many of the nation's most important movies. Indeed, to peruse his filmography is to revel in Aussie cinema history. On his resume, 70s classics such as Mad Dog Morgan and The Last Wave sit alongside everything from Crocodile Dundee and Rabbit-Proof Fence to Australia, Goldstone and Cargo — as well as parts in both the first 1976 film adaptation of Storm Boy and its 2019 remake. The latest film to benefit from the Indigenous talent's presence: My Name Is Gulpilil. It might just be the last do to so, however. That sad truth has been baked into the documentary ever since its subject asked director Molly Reynolds and producer Rolf de Heer — two filmmakers that Gulpilil has collaborated with before, including on Another Country, Charlie's Country, Ten Canoes and The Tracker — to make something with him after he was diagnosed with stage-four lung cancer. That was back in 2017, when he was given just six months to live. Gulpilil has been proving that diagnosis wrong ever since. Cue this heartfelt portrait of an Australian icon like no other, which celebrates a star who'll never be matched, reminds viewers exactly why that's the case, but is never a mere easy, glossy tribute. Anyone could've combined snippets of Gulpilil's movies with talking heads singing his praises. In the future, someone probably will. But Reynolds is interested in truly spending time with Gulpilil, hearing his tale in his own words, and painting as complete a portrait of his life, work, dreams, regrets, spirit, culture and impact as possible. My Name Is Gulpilil is available to stream via ABC iView. Read our full review. VALERIE TAYLOR: PLAYING WITH SHARKS Steven Spielberg directed Jaws, the 1975 horror film that had everyone wondering if it was safe to go back into the water — and the movie that became Hollywood's first blockbuster, too — but he didn't shoot its underwater shark sequences. That task fell to Australian spearfisher and diver-turned-oceanographer and filmmaker Valerie Taylor and her husband Ron, who did so off the coast of Port Lincoln in South Australia. If it weren't for their efforts, the film mightn't have become the popular culture behemoth it is. When one of the animals the Taylors were filming lashed out at a metal cage that had held a stuntman mere moments before, the pair captured one of the picture's most nerve-rattling scenes by accident, in fact. And, before Peter Benchley's novel of the same name was even published, the duo was sent a copy of the book and asked if it would make a good feature (the answer: yes). Helping to make Jaws the phenomenon it is ranks among Valerie's many achievements, alongside surviving polio as a child, her scuba and spearfishing prowess, breaking boundaries by excelling in male-dominated fields in 60s, and the conservation activism that has drawn much of her focus in her later years. Linked to the latter, and also a feat that many can't manage: her willingness to confront her missteps and then do better. The apprehension that many folks feel when they're about to splash in the ocean? The deep-seated fear and even hatred of sharks, too? That's what Valerie regrets. Thanks to Jaws, being afraid of sharks is as natural to most people as breathing, and Valerie has spent decades wishing otherwise. That's the tale that Valerie Taylor: Playing with Sharks tells as it steps through her life and career. Taking a standard birth-to-now approach, the documentary has ample time for many of the aforementioned highlights, with Valerie herself either offering her memories via narration or popping up to talk viewers through her exploits. But two things linger above all else in this entertaining, engaging and insightful doco. Firstly, filmmaker Sally Aitken (David Stratton: A Cinematic Life) fills her feature with stunning archival footage that makes for astonishing and affecting viewing (Ron Taylor is credited first among the feature's five cinematographers). Secondly, this powerful film dives into the work that Valerie has spearheaded to try to redress the world's fright-driven perception of sharks. Like last year's David Attenborough: A Life on Our Planet, 2017's Jane Goodall documentary Jane and underwhelming 2021 Oscar-winner My Octopus Teacher, this is a movie about being profoundly changed by the natural world and all of its splendour. Valerie Taylor: Playing with Sharks is available to stream via Disney+. Read our full review. CRUELLA A killer dress, a statement jacket, a devastating head-to-toe ensemble: if they truly match their descriptions, they stand the test of time. Set in 70s London as punk takes over the aesthetic, live-action 101 Dalmatians prequel Cruella is full of such outfits — plus a white-and-black fur coat that's suspected of being made from slaughtered dogs. If the film itself was a fashion item, though, it'd be a knockoff. It'd be a piece that appears fabulous from afar, but can't hide its seams. That's hardly surprising given this origin tale stitches together pieces from The Devil Wears Prada, The Favourite, Superman, Star Wars and Dickens, and doesn't give two yaps if anyone notices. The Emmas — Stone, playing the dalmatian-hating future villain; Thompson, doing her best Miranda Priestly impression as a ruthless designer — have a ball. Oscar-winning Mad Max: Fury Road costume designer Jenny Beavan is chief among the movie's MVPs. But for a film placed amid the punk-rock revolution, it's happy to merely look the part, not live and breathe it. And, in aiming to explain away its anti-heroine's wicked ways, it's really not sure what it wants to say about her. Before she becomes the puppy-skinning fashionista that remains among Glenn Close's best-known roles, and before she's both a wannabe designer and the revenge-seeking talk of the town played by Stone (Zombieland: Double Tap), Cruella is actually 12-year-old girl Estella (Tipper Seifert-Cleveland, Game of Thrones). In this intellectual property-extending exercise from I, Tonya director Craig Gillespie, she sports two-toned hair and a cruel that streak her mother (Emily Beecham, Little Joe) tries to tame with kindness — and she's also a target for bullies, but has the gumption to handle them. Then tragedy strikes, an orphan is born, loss haunts her every move and, after falling in with a couple of likeable London thieves, those black-and-white locks get a scarlet dye job. By the time that Estella is in her twenties, she's well-versed in pulling quick heists with Jasper (Joel Fry, Yesterday) and Horace (Paul Walter Hauser, Songbird). She loves sewing the costumes required more than anything else, however. After years spent dreaming of knockout gowns, upmarket department stores and threads made by the Baroness (Thompson, Last Christmas), she eventually gets her chance — for fashion domination, as well as vengeance. Cruella is available to stream via Disney+ with Premium Access, Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. MARTIN EDEN The last time that one of Jack London's books made the leap to cinema screens — just last year, in fact — it wasn't a pleasant viewing experience. Starring Harrison Ford and a CGI dog, The Call of the Wild forced viewers to watch its flesh-and-blood lead pal around with a needlessly anthropomorphised canine, to groan-inducingly cheesy results. Martin Eden is a much different book, so it could never get the same treatment. With his radiant imagery, masterful casting and bold alterations to the source material, writer/director Pietro Marcello (Lost and Beautiful) makes certain that no one will confuse this new London adaption for the last, however. The Italian filmmaker helms a compelling, complicated, ambitious and unforgettable film, and one that makes smart and even sensuous choices with a novel that first hit shelves 112 years ago. The titular character is still a struggling sailor who falls in love with a woman from a far more comfortable background than his. He still strives to overcome his working-class upbringing by teaching himself to become a writer. And, he still finds both success and scuffles springing from his new profession, with the joy of discovering his calling, reading everything he can and putting his fingers to the typewriter himself soon overshadowed by the trappings of fame, a festering disillusionment with the well-to-do and their snobbery, and a belief that ascribing worth by wealth is at the core of society's many problems. As a book, Martin Eden might've initially reached readers back in 1909, but Marcello sees it as a timeless piece of literature. He bakes that perception into his stylistic choices, weaving in details from various different time periods — so viewers can't help but glean that this tale just keeps proving relevant, no matter the year or the state of the world. Working with cinematographers Alessandro Abate (Born in Casal Di Principe) and Francesco Di Giacomo (Stay Still), he helms an overwhelmingly and inescapably gorgeous-looking film, too. When Martin Eden is at its most heated thematically and ideologically, it almost feels disquieting that such blistering ideas are surrounded by such aesthetic splendour, although that juxtaposition is wholly by design. And, in his best flourish, he enlists the magnetic Luca Marinelli (The Old Guard) as his central character. In a performance that won him the Best Actor award at the 2019 Venice Film Festival, Marinelli shoulders the eponymous figure's hopes, dreams and burdens like he's lived them himself. He lends them his soulful stare as well. That expression bores its way off the screen, and eventually sees right through all of the temptations, treats and treasures that come Eden's way. Any movie would blossom in its presence; Martin Eden positively dazzles, all while sinking daggers into the lifetime of tumult weathered by its titular everyman. Martin Eden is available to stream via Google Play, YouTube Movies and iTunes. I BLAME SOCIETY She's fired by her manager after he finally reads one of her scripts, then deems the topic of Israel "too political". When his assistant wrangles her a meeting with a couple of indie film producers in the aftermath, she's asked to lend her perspective to stories about strong female voices, breastfeeding in public, and either intersexuality or intersectionality — when it comes to the latter two, they aren't quite sure which. So, as I Blame Society gleefully posits in its savage takedown of the film industry today, it's little wonder that Gillian (writer/director Gillian Wallace Horvat) decides to follow up a leftfield idea. Three years earlier, some of her friends told her that she'd make a great murderer, a notion that she took as a compliment and has been fascinated with to an unhealthy degree ever since. Indeed, at the time, she went as far asking her pal Chase (co-writer Chase Williamson) if she could hypothetically walk through the process of killing his girlfriend. The request put a long-lasting pause on their friendship, to no one else's surprise. Now, as she resurrects the project, her editor boyfriend Keith (Keith Poulson, Her Smell) keeps reiterating that it's a terrible idea; however, with no other avenues forward, Gillian is committed to doing whatever she thinks she needs to to kickstart her career. During a mid-film conversation, an increasingly exasperated Keith reminds Gillian that no "there is no movie that is worth hurting someone for". He's endeavouring to get her to agree, but "if it's a very bad person for a very good movie…" is her quick and firm reply. I Blame Society is equally direct. While Horvat plays a fictional character — and, the audience presumes, hasn't ever flirted with or committed murder in real life — she absolutely slaughters her chosen concept. Not every line or moment lands as intended, but this biting satire sticks a knife into every expectation saddled upon women in general and female filmmakers especially, then keeps twisting. The film's recurrent gags about likeability cleave so close to the truth, they virtually draw blood. Its aforementioned parody of supposed allyship among powerbrokers and gatekeepers is similarly cutting and astute. In their canny script, Horvat and Williamson find ample time to poke fun of a plethora of industry cliches and microaggressions, the treatment of marginalised voices both within filmmaking and in broader society, and even the current true-crime obsession, all without ever overloading the 84-minute movie. And, on-screen as well, Horvat is a savvy delight. She wants viewers to both cringe and nod, and everything about her performance and her feature directorial debut earns that response. I Blame Society is available to stream via Google Play, YouTube Movies and iTunes. A FAMILY Just five letters are needed to turn A Family's title into the name of one of popular culture's most famous clans. The Addams crew aren't the subject of this Australian-produced, Ukraine-shot blend of comedy and drama, but it does delve into the creepy, kooky and mysterious anyway. The feature debut of director Jayden Stevens — who co-wrote the script with his cinematographer Tom Swinburn (Free of Thought) — the absurdist gem spends time with the stern-faced Emerson (first-timer Pavlo Lehenkyi). With none of his family around for unexplained reasons, he pays other Kiev locals to play their parts, staging dinners, Christmas parties and everyday occasions. They eat, chat and do normal family things, all for Emerson's camera. His actors (including Maksym Derbenyov as his brother and Larysa Hraminska as his mother) all need to stick to his script, though, or he'll offer them a surly reprimand. Olga (Liudmyla Zamidra), who has been cast as his sister, struggles the most with her role. She's also the member of this little faux family that Emerson is particularly drawn to. Her own home life with her mother Christina (Tetiana Kosianchuk) is far from rosy, with the pair suffering from her dad's absence, so eventually Olga decides that Emerson's role-play game might work there as well. A Family is a film of patient and precise frames, awkwardly amusing moments, and bitingly accurate insights into the ties that bind — whether of blood or otherwise. It's a movie that recognises the transactional and performative nature of many of life's exchanges, too, and ponders how much is real and fake in both big and seemingly inconsequential instances. To perfect all of the above, Stevens walks in Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer, The Favourite), Aki Kaurismäki (Le Havre, The Other Side of Hope) and even the usually inimitable David Lynch's shoes. His feature is austere, deadpan and surreal all at once, and smart, amusing and savage at the same time as well. Indeed, if a bigger-name filmmaker had made this purposefully and probingly off-kilter picture, it would've likely proven a film festival darling around the globe. A Family did start its big-screen run at a fest, at the Melbourne International Film Festival back in 2019. Now reaching Australian cinemas after a year that's seen everyone either spend more time with or feel more physical distance from their nearest and dearest, it feels doubly potent. Every lingering image shot by Swinburn — and all of the pitch-perfect performances that he captures — speak loudly to the cycle of yearning and disconnection that comes with being alive, and that never stops being put under a microscope. A Family is available to stream via iTunes. THE CONJURING: THE DEVIL MADE ME DO IT Starting in 2013 with The Conjuring, expanding with 2014's Annabelle, and also including The Conjuring 2, both terrible and much better sequels to Annabelle, the dismal The Nun and the formulaic The Curse of the Weeping Woman, The Conjuring Universe now spans eight evil-fighting flicks — and they're all as straightforward as it gets when it comes to battling the nefarious. Circling around real-life paranormal investigators Ed and Lorraine Warren, the franchise posits that the supernatural exists, darkness preys upon the innocent and its central couple usually has the tools to combat everything untoward. That template remains firmly in place in The Conjuring: The Devil Made Me Do It. With director Michael Chaves (The Curse of the Weeping Woman) and screenwriter David Leslie Johnson-McGoldrick (Aquaman) doing the honours — taking their cues from James Wan, the Australian Saw and Insidious co-creator who helmed the first two Conjuring flicks — it once again serves up the usual bumps, jumps and scares that have haunted this franchise since day one. That said, the third Conjuring flick within the broader Conjuring realm does attempt a few changes. Rather than getting creeped out by haunted houses, it gets spooked by a kid and then a teenager who are both possessed. True to form, bone-shakingly horrific things can't simply occur without some kind of excuse and entity at play. The Warrens (Patrick Wilson, Aquaman, and Vera Farmiga, Godzilla: King of the Monsters) are first tasked with saving eight-year-old David Glatzel (Julian Hilliard, WandaVision) from a demon after his family moves to stereotypically sleepy Brookfield, Connecticut. Their efforts seem successful, even if Ed has a heart attack mid-exorcism, but the evil force they're fighting has really just jumped ship. Arne Johnson (Ruairi O'Connor, The Spanish Princess), the boyfriend of David's sister Debbie (Sarah Catherine Hook, NOS4A2), is quickly besieged by strange occurrences. He's soon also covered in blood after stabbing his landlord to Blondie's 'Call Me'. The death penalty beckons; however, the Warrens convince Arne's lawyer to plead not guilty by reason of demonic possession — the first time that ever happened in the US — and then commit to unearthing whatever paranormal details they can to save his life. The trailer for The Devil Made Me Do It teases legal thrills, but in a bait-and-switch way, because this film is barely concerned with Arne's court case. The true tale, which was previously dramatised in a 1983 TV movie starring Kevin Bacon, merely provides an easy setup for souped-up demonic antics and a routine, happily by-the-numbers, never remotely terrifying threequel. Indeed, the fact that more flicks will undoubtably still follow is the scariest thing about the film. The Conjuring: The Devil Made Me Do It is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. THE HITMAN'S WIFE'S BODYGUARD Someone involved with The Hitman's Wife's Bodyguard must really love paperwork; that's the only reason anyone could've given its script the go-ahead. Perhaps Australian filmmaker Patrick Hughes, who also directed 2017's The Hitman's Bodyguard, likes nothing more than keeping his documents in order. Maybe returning screenwriter Tom O'Connor (The Courier) falls into that category, or his debuting co-scribes Phillip and Brandon Murphy — they all made the subject the focus of their screenplay, after all. Whoever fits the bill, their attempt to force audiences to care about bodyguard licensing falls flat. So does the misguided idea that the certification someone might need to unleash their inner Kevin Costner would ever fuel an entire movie. Instead, what was already a needless sequel to a terrible action-comedy becomes even more of a dull and pointless slog, with this by-the-numbers follow-up showing zero signs that anyone spent more than a few seconds contemplating the story. A significant plot point here: that Michael Bryce (Ryan Reynolds, The Croods: A New Age) has lost his official tick of approval. He's no longer triple A-rated after a mishap in the line of duty, and he isn't coping well. To be fair, no one watching The Hitman's Wife's Bodyguard will handle that news swimmingly either, but only because they're made to hear about it over and over, all as Bryce rekindles his begrudging association with assassin Darius Kincaid (Samuel L Jackson, Spiral: From the Book of Saw) and the latter's con artist wife Sonia (Salma Hayek, Bliss). When Darius gets snatched up by nefarious folks during his belated honeymoon with Sonia, only Bryce can help — or so says the angry Mrs Kincaid. She interrupts the latter's vacation with swearing, shouting and shootouts, because that's the kind of feisty Mexican wife that Hayek plays. From there, Reynolds primarily complains, Hayek sticks with stereotypes and Jackson attempts to exude his usual brand of couldn't-care-less cool; however, even more than in Spiral: From the Book of Saw, he's on autopilot. As also seen in Jackson's last big-screen appearance, The Hitman's Wife's Bodyguard insists on reminding its audience about its stars' better movies. You don't cast both Hayek and Antonio Banderas (who plays a European tycoon plotting the world's demise) if you don't want to bring Desperado and Once Upon a Time in Mexico to mind (and Frida and even Spy Kids 3, too). Thinking about the pair's shared past highlights is far more enjoyable than enduring their current collaboration, unsurprisingly. Making fun of accents is considered the height of comedy here, women can only be hot-headed nags and manchild daddy issues get almost as much love as paperwork. The jokes aren't just scattershot; they're non-existent. The messy, incoherent and over-edited action scenes fare just as badly. None of the above is likely to save us from a third movie, though, which'll probably be called The Hitman's Wife's Baby's Bodyguard's Lost Birth Certificate. The Hitman's Wife's Bodyguard is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. FATALE Only 14 women have ever won more than one Academy Award for Best Actress, and Hilary Swank is one of them. When she earned the Oscars double for 1999's Boys Don't Cry and 2004's Million Dollar Baby, she beat both Meryl Streep and now three-time recipient Frances McDormand to the feat — but her career hasn't brought the coveted accolade her way again since. Fatale isn't going to change that recent trend. It hasn't earned Swank a Razzie either, but she could've easily been in the running. Playing a Los Angeles cop who has a one-night stand in Las Vegas with an ex-college basketball star turned high-profile player manager, then starts stalking her way through his life while also trying to intimidate her politician ex-husband into giving her back access to her young daughter, she has one mode here: stern-faced yet unbalanced. Even when her character, Detective Valerie Quinlan, is first seen flirting, Swank plays her as if something isn't quite right. That's accurate, plot-wise, but it robs Fatale of any semblance of tension it might've possessed. The film is meant to be an adultery-focused thriller in the Fatal Attraction mould — with even its title blatantly nodding that way — but it just ends up recycling tired, simplistic, overused cliches about unhinged women into a monotonous and unnecessarily convoluted package. Valerie and Derrick (Michael Ealy, Westworld) hit it off at a Vegas bar, then get physical; however, the next morning, he heads home to his wife Tracie (Damaris Lewis, BlacKkKlansman), who he actually suspects of being unfaithful herself. Before Derrick can meaningfully process either his infidelity or his fears about his crumbling marriage, his swanky home is broken into one night — and, because director Deon Taylor (Black and Blue) and screenwriter David Loughery (The Intruder) are content to hit every expected beat there is (and because they've seen every 80s and 90s erotic thriller ever made, too), Valerie is the investigating officer. Despite being woefully predictable from the outset, Fatale doesn't dare have fun with its cookie-cutter narrative. It doesn't evoke thrills, bring anything more than surface style or prove particularly sexy, and it never gets its audience invested in its obvious twists, one-note characters or rote dialogue. And, although having its badge-toting stalker use excessive force and exploit her power to target a person of colour could've been a choice that said something about America's current reckoning with law enforcement, race and police brutality, Fatale doesn't even contemplate anything other than clunky formula. Fatale is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Looking for more at-home viewing options? Check out our lists of movies fast-tracked from cinemas to streaming back in May and June. You can also take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
As much as we all love our coffee, it's no secret that the coffee bean industry is fraught with ethical issues, from exploitation of farmers to deforestation. What's more, coffee is the world's second most traded commodity, deferring only to oil. More than 2.25 billion cups are drunk every day worldwide. Here are five Sydney coffee spots where you can maintain your caffeine addiction while knowing that your cash is supporting chemical-free, ethical agricultural practices. THE O CAFE The O Cafe went certified organic before any other cafe in Sydney. Their coffee comes from Woolloomooloo homies Toby’s Estate, but it’s the Fairtrade Organic Blend. So you get all the earthy tones, spiciness and smooth finish that you’re used to, with minimum wages and humane working conditions added. Plus, there’s a seriously serious menu of potent superfood smoothies, with names like Liverlicious Green Smoothie (kale, spinach, parsley, mint, celery, cucumber, apple, camu camu, flaxseed and coconut water) and Mactac Energy Smoothie (avocado, mango, silken tofu, kale, spinach, almond milk and maca). 487 Crown Street, Surry Hills ESPRESSO ORGANICA At any one time, gourmet boutique roaster Espresso Organica sells up to 30 Fairtrade, Rainforest Alliance and organic single origins and blends. They’re constantly on the hunt for the latest in Grand Cru coffee beans, which they source from all over the world. And whenever they come across an outstanding crop, they buy it up — the whole kit and caboodle. So there’s every chance you’ll find yourself drinking a coffee that can’t be drunk anywhere else on the planet. 43 Majors Bay Road, Concord EARTH FOOD STORE If you need a caffeine hit to boost your swim, surfing session or coastal sprint, do it sans pesticides at the Earth Food Store. The team has been keeping the starving, salty, sandy crowd organic since 1992. Service is especially friendly, the vibe unpretentious and the coffee a delicious nutty, chocolatey house blend. Plus, you can match it with an array of exotic food products, like locally sourced honey from the Urban Beehive and Luvju organic chocolate. 81a Gould Street, Bondi Beach GET YORK COFFEE This light, airy cafe is smack bang in the middle of the CBD. Their coffee comes from Marrickville-based roasters and blenders Sacred Grounds, where the beans are 100 percent Arabica, fully certified organic and Fairtrade. Every producer is featured on the company's site. The Sacred blend has its origins in Nicaragua, Colombia, Papua New Guinea and Ethiopia and delivers a well-balanced flavour, combining sharp acidity, sweet and spicy tones, and a dark chocolate finish. 1 York Street, Sydney ABOUT LIFE Wherever you are in the inner city, you're never more than a hop, skip and jump away from an About Life organic cafe. Their beans are of the premium roasted, Fairtrade variety, and there's a range of organic milks to choose from - including dairy, soy, rice, almond and oat. In an added bonus for our beleaguered environment, coffees come in BioCups, which are sourced from managed plantations and 100 percent biodegradable. At $2.70 each takeaway, they're more affordable than many a non-organic hot beverage. 605 Darling St, Rozelle; 31-37 Oxford St, Bondi Junction; 520 Miller St, Cammeray Top image: Toby's Estate.
By almost every conceivable metric, 2020 wasn't great. It was downright terrible, in fact. We know that you already know this, but let us share a sliver of good news: it was still a fantastic year for cinema. That's true even with picture palaces across Australia, New Zealand and the rest of the world closing for considerable periods. Indeed, when silver screens reopened again Down Under, and everyone was able to once again sit in darkened rooms and stare at celluloid dreams blown up big just as they're meant to be, we all remembered why the term 'movie magic' exists. And, in those theatres with their popcorn smells and booming sounds, we were able to see truly exceptional films. Every year delivers a treasure trove of movies — so much so that, here at Concrete Playground, we always put together multiple lists of film gems. As part of our end-of-year wrap-ups for 2020, we've already highlighted ten excellent movies that hit cinemas but sadly didn't set the box office alight, as well as 20 other standout titles from this year that really you owe it to yourself to have seen. From everything that flickered through a projector in general release in 2020, we're now down to the pointy end. Each year delivers awful, average and astonishing movies, and we've picked the cream of the crop when it comes to the latter. Some released pre-pandemic, in what seems like another life. Some are yet to hit cinemas, but will before the year is out. From movies that'll have you dancing in the aisles to unsettling head trips, these are the ten absolute best films of 2020 that made their way to the big screen. https://www.youtube.com/watch?v=DSFpK34lfv0&feature=youtu.be NOMADLAND Frances McDormand is a gift of an actor. Point a camera her way, and a performance so rich that it feels not just believable but tangible floats across the screen. That's the case in Nomadland, which will earn her another Oscar nomination and could even see her win a third shiny statuette just three years after she nabbed her last for Three Billboards Outside Ebbing, Missouri. Here, leading a cast that also includes real people experiencing the existence that's fictionalised within the narrative, she plays the widowed, van-dwelling Fern — a woman who takes to the road, and to the nomad life, after the small middle-America spot she spent her married life in turns into a ghost town when the local mine is shuttered due to the global financial crisis. Following her travels over the course of more than a year, this humanist drama serves up an observational portrait of those that society happily overlooks. It's both deeply intimate and almost disarmingly empathetic in the process, as every movie made by Chloe Zhao is. This is only the writer/director's third, slotting in after 2015's Songs My Brothers Taught Me and 2017's The Rider but before 2021's Marvel flick Eternals, but it's a feature of contemplative and authentic insights into the concepts of home, identity and community. Meticulously crafted, shot and performed, it's also Zhao's best work yet, and 2020's best film as well. Read our full review. https://www.youtube.com/watch?v=OsWV2qTX21k NEVER RARELY SOMETIMES ALWAYS When some movies mention their titles, they do so via a line of clunky dialogue that feels forced, overstressed and makes viewers want to cringe. Never Rarely Sometimes Always isn't one of those films. It does indeed task a character with uttering those exact words, but the scene in which they're voiced is the most devastating and heartbreaking movie scene of the year. Given the premise of writer/director Eliza Hittman's latest feature, that perhaps comes with the territory. It shouldn't, which is one of the points this layered film potently makes, but it does. Upon discovering that she's expecting — and being told by her local women's centre that she should go through with the pregnancy — 17-year-old Autumn (first-timer Sidney Flanigan) has no other choice but to take matters into her own hands. With her cousin Skylar (fellow feature debutant Talia Ryder), she hops on a bus from her Pennsylvania home town to New York to seek assistance from Planned Parenthood. Given that Skylar has stolen the funds for Autumn's abortion out of the cash register at work, and that they don't have enough to cover a place to stay, this isn't a straightforward quest. Hittman's naturalistic style, as previously seen in 2014's It Felt Like Love and 2017's Beach Rats, makes every second of Autumn's ordeal feel intimate, real and unshakeably affecting, as does Flanigan's internalised but still expressive performance as well. Read our full review. https://www.youtube.com/watch?v=97nnV0fNd30 AMERICAN UTOPIA On paper, American Utopia's concept doesn't just sound excellent — it sounds flat-out superb, stunning and spectacular. A new David Byrne concert film, capturing his acclaimed American Utopia Broadway production, as directed by Spike Lee? Sign the world up, and now. In the most welcome news of the year, the execution matches the idea in this instant masterpiece (and wonderful companion piece to 1984's Stop Making Sense). It'd be hard to go wrong with all of the above ingredients, but Lee's second film of 2020 (after Da 5 Bloods) makes viewers feel like they're in the room with Byrne and his band and dancers like all concert movies strive to but few achieve in such engaging a fashion. Every shot here is designed with this one aim in mind and it shows, because giving audiences the full American Utopia experience is something worth striving for. Byrne sings, working through both solo and Talking Heads hits. He waxes lyrical in his charming and accessible way, pondering the eponymous concept with an open and wise perspective. And he has staged, planned and choreographed the entire performance to a painstaking degree — from the inviting grey colour scheme and the open stage surrounded by glimmering chainmail curtains to the entire lack of cords and wires tethering himself and his colleagues down. Read our full review. https://www.youtube.com/watch?v=W-fxRXzfi0U KAJILLIONAIRE Awards bodies don't tend to recognise performances like Evan Rachel Wood's in Kajillionaire, but they should. It's a career-best effort from an actor with an array of terrific work to her name (most recently in Westworld), and it operates so firmly on the same wavelength as the film she's in that it's impossible to imagine how it would work without her. Kajillionaire is filmmaker Miranda July's latest movie, following Me and You and Everyone We Know and The Future, so it was always going to stand out. It was always going to need a knockout portrayal at its centre, too. Wood plays a 26-year-old con artist called Old Dolio Dyne, who has spent her whole life working schemes and scams with her parents Robert (Richard Jenkins, The Shape of Water) and Theresa (Debra Winger, The Lovers) — to the point that it's all that she knows, and it has made her the closed off yet still vulnerable person she is. But when her mother and father take lively optometrist's assistant Melanie (Gina Rodriguez, Annihilation) under their wing, Old Dolio is forced to reassess everything. That might sound standard, but July has never made a movie that's earned that term and she definitely doesn't start now. Kajillionaire is a heist-fuelled crime caper, and an eccentric and idiosyncratic one; however, it's also a rich and unique character study, an astute exploration of family and a love story — and Wood is essential at every turn. Read our full review. https://www.youtube.com/watch?v=kFqCTIdF7rs POSSESSOR The possibility that someone could hijack another person's brain, then use their body as a vessel to carry out corporate-sanctioned murder, is instantly distressing and disturbing. Whatever your mind has just conjured up reading that sentence, it has nothing on Brandon Cronenberg's vision of the same idea — as Possessor, his sophomore feature, illustrates in a brilliant and brutal fashion. As chilly and also as mesmerising as his first film, Antiviral, this horror-thriller spends its time Tasya Vos (Andrea Riseborough, The Grudge). It's her job to leap into other people's heads and carry out assassinations, and she's very good at it. When the movie opens, however, she experiences difficulties on a gig. Then she takes on another, infiltrating Colin's (Christopher Abbott, Vox Lux) brain, and struggles to maintain control over his personality and actions as she attempts to kill his fiancé (Tuppence Middleton, Mank) and her business mogul father (Sean Bean, Snowpiercer). Possessor's writer/director is the son of David Cronenberg, of Shivers, Scanners, Videodrome and The Fly fame, so exploring unnerving body horror has been implanted into his own head in a way, too. He certainly carries on the family name in a daring, determined and expectedly gruesome manner. Also striking and unforgettable here: the concepts that Possessor probes, including present analogues to Possessor's body-jumping technology. Read our full review. https://www.youtube.com/watch?v=PLNXHJB5Mto BABYTEETH Filmmaker Shannon Murphy made her feature debut with Babyteeth, but she shows no signs of merely cutting her chompers on this heartwrenching film. Based on the Rita Kalnejais-penned play of the same name and scripted for the screen by the writer as well, this Australian drama tackles a well-worn premise — that'd be: terminally ill teen falls in love as she endeavours to manage her grim health situation — with such shrewdness, vivacity and understanding that it puts almost every other movie about the same concept to shame. Milla (Eliza Scanlen, Little Women) is the cancer-afflicted high schooler in question. When she meets and clicks with 23-year-old small-time drug dealer Moses (Toby Wallace, Acute Misfortune), it takes her pill-popping mother Anna (Essie Davis, True History of the Kelly Gang) and psychiatrist father Henry (Ben Mendelsohn, The Outsider) time to adjust. Their struggles have nothing on Milla's own, though, because Babyteeth sees its protagonist as a person rather than an illness, and as someone with their own hopes, dreams, troubles and disappointments instead of the reason the folks around her have their lives disrupted. That's such an important move, but's just one of the many that the movie makes. Aided not only by superb (and AACTA Award-winning) performances all round, but also by arresting visuals and clever but realistic dialogue, Babyteeth proves both raw and dynamic from start to finish. Read our full review. https://www.youtube.com/watch?v=VFOrGkAvjAE SOUND OF METAL It's one thing to tell viewers that the character they're watching is losing their hearing. It's another entirely to ensure that they understand exactly how that feels. Sound of Metal adopts two methods to achieve the latter feat — one expected but still extraordinary, the other truly earning the usually overused term that is 'immersive'. Firstly, Riz Ahmed (Venom) gives his all to the role of heavy metal drummer and ex-heroin addict Ruben Stone. Realising that one of his senses isn't just fading but disappearing obviously upends every facet of Ruben's life, which Ahmed conveys in a powerfully physicalised performance (and his second portrayal of a musician coping with health struggles after this year's festival hit Mogul Mowgli, too). Just as crucial, however, is the soundscape created by debut feature director Darius Marder and his team. It mimics what Ruben can and can't hear with precision, and it couldn't be more effective at plunging the audience inside his head. Both choices — lead casting and the film's audio — invest weight and depth into a story that isn't lacking in either anyway. Putting his tour with his bandmate and girlfriend Lou (Olivia Cooke, Ready Player One) on hold, Ruben reluctantly moves to a rural community for addicts who are deaf to learn to live with his new situation, does whatever is necessary to rustle up the cash for a surgically inserted cochlear implant and faces more than few hard truths along the way. Read our full review. https://www.youtube.com/watch?v=7gOs6gKtrb4 THE LIGHTHOUSE It initially hit cinemas pre-pandemic, but The Lighthouse might just be the most relatable movie of 2020. There are no prizes for guessing where it is set, but The Witch filmmaker Robert Eggers has zero time for scenic seaside escapades, turning his attention to two men holed up in the coastal structure, unable to leave and going stir-crazy (to put it mildly) instead. Those lighthouse keepers are played by Willem Dafoe (At Eternity's Gate) and Robert Pattinson (Tenet), who both commit to the narrative with gusto. The former steps into the shoes of cantankerous sea dog Thomas Wake, while the latter endures quite the uncomfortable welcome as eager newcomer Ephraim Winslow — and, as anyone could predict given their talents and respective filmographies, they're gripping to watch. That sensation only increases when a storm sweeps in, with the fact that Winslow frequently fondles himself while holding a mermaid figurine marking just the beginning of The Lighthouse's claustrophobic chaos. Shooting in black and white, and boxing the film in via the 1.19:1 Movietone aspect ratio that's a throwback to a century ago, Eggers dives right into a vivid and entrancing nightmare that simultaneously unpacks masculinity, unfurls a manic head-trip and explores how people react when they're thrust together in a heightened scenario. Read our full review. https://www.youtube.com/watch?v=EU-Z90SEqGQ CORPUS CHRISTI An Oscar nominee this year — losing the Best International Feature Film category to Parasite — Corpus Christi examines faith with blistering and unflinching intensity. This quietly powerful Polish drama doesn't just contemplate what it means to believe, but how the supposedly pious actually enact their convictions (or don't, as the case often proves). Freshly released from reform school, Daniel (Bartosz Bielenia) is drawn to the seminary after connecting with the facility's head priest, Father Tomasz (Lukasz Simlat), during his sentence. Alas, his record instantly excludes him from following that calling, even though he's only 20 years old. Then, through a twist of fate that always feels organic, he's given the opportunity to act as the new spiritual advisor in a rural town after its residents mistake him for a man of the cloth. Given that this is an imposter tale, Corpus Christi proves inherently tense and bristling from the outset; however, just as much of that mood and tone stems from the way that Daniel's new community say one thing but act in a completely different manner involving a recent tragedy. Warsaw 44 and The Hater filmmaker Jan Komasa willingly steps into thorny territory as he tells the young man's tale (with top-notch help from Bielenia), and wonders why it's so easy for so many to cling to centuries-old concepts and stories, but so hard for most to put them in a modern, realistic and everyday context. Read our full review. https://www.youtube.com/watch?v=nzqevBnUUZU THE ASSISTANT Charting an ordinary day in the life of a junior staff member at a film production office, The Assistant is as unsettling as anything else that reached screens in 2020. Jane (Julia Garner, Ozark) has the titular position, working an entry-level job for a demanding head honcho who everyone in the office indulges — although viewers never get to meet him. She arrives at work before daylight, trudges through menial tasks and is treated poorly by her male colleagues. She's expect to anticipate everything that her boss could ever need or want, or face his wrath if she doesn't. And, as the day progresses, she realises just how toxic her workplace's culture is and how deep its inappropriate conduct burrows. Seeing how predatory the man she works for acts on a daily basis, and how his behaviour has a significant impact, she also learns how those who even try to speak out can still be powerless to effect change to stop it. If you've kept abreast of the #MeToo movement over the past few years, you'll know exactly what has inspired The Assistant, of course. However, Australian filmmaker Kitty Green wants her audience to experience this devastating scenario via Jane, rather than merely read about it. She doesn't just succeed; although she's working in fiction here, she directs a film as searing and perceptive as her last project, the excellent documentary Casting JonBenet.
In Greek, 'Ela ela' means 'come here', which is exactly what chef Peter Consistis (ex-Alpha) hopes Sydneysiders will do to sample his new menu of reimagined Mediterranean fare. Ela Ela is the sixth and final venue to open at the new dining and nightlife hotspot The Bristol. Once a historic Sydney pub, The Bristol Arms Hotel was permanently closed during the pandemic. Following a multimillion-dollar refurbishment, the building has been reborn as a multilevel hospitality haven, complete with a rooftop bar, an art deco cocktail lounge, a pumping nightclub, a sports bar and a casual public bar on the ground floor – an homage to building's pub heritage. The arrival of Ela Ela, the site's main dining space, completes The Bristol's comprehensive offering, delivering a complete night out from pre-dinner drinks to late-night revels. The restaurant's 80-seat dining space takes its design cues from a traditional Greek mezedopolio, but with a modern sheen. Green and orange jewel tones complement the rustic design of the furnishings, giving the revamped restaurant a warm and inviting atmosphere. Consistis has created a menu that champions the classic flavours of Greek cuisine, infused with his signature contemporary flare and notes from Greece's Mediterranean neighbours. Ela Ela's kitchen is centred around its woodfired grill, where charred octopus with gigantes beans and fire-roasted king prawns are imbued with a rich smokiness. For a more refined interpretation of classic Greek cuisine, Consistis presents a goat moussaka with globe artichoke and goat feta bechamel. Diners can wash their meal down with their choice of an extensive selection of beers and wines, carefully picked to pair perfectly with Ela Ela's pyro-powered menu. And as for cocktails, there are a selection of Greek-inspired mingles — in sizes 'mini' and 'not mini' — including a dirty Greek martini, featuring a tea made from tomatoes, cucumbers, green olives and feta brine, olive-infused vodka, vermouth and finished with a Greek salad skewer. [caption id="attachment_977926" align="alignnone" width="1920"] Peter Consistis[/caption] Images: Paul Papadopulos
New Shanghai's genre-busting soupy and crispy pan fried pork buns have achieved a certain level of fame. No one else in these parts does their dumplings quite like it. The crystal prawn dumplings and crab xiao long bao are also not to sniffed at. The striking interiors of their restaurants aim to take you back to the 1930s Shanghai streets, with a live dumpling making theatre where diners can watch the chefs in action. New Shanghai is also at Chatswood Lemon Grove, Bondi Junction and Ashfield.
Technology has changed the way we travel, and as the world gets smaller it's becoming an increasingly complex place to navigate. Where once we relied on the endorsements of friends and family to help shape our plans, we now treat the opinions of total strangers on TripAdvisor, Expedia and Stayz as gospel. As Lonely Planet roll out their trusty guide books in every digital format imaginable, niche publishers like Wallpaper and le cool are getting in on the act by creating city guides for people seeking experiences that complement their new Paul Smith socks. And what's more, social networking sites Facebook, Path and Google+, paired with photography apps like Instagram and Hipstamatic, let us share things as they happen and make us look like we actually know how to use our SLRs. But what generally lies at the heart of a traveller's wishlist is not the desire to micromanage every detail of their holiday, but to witness something truly beautiful. What these new technologies provide us with is rapid access to the places and people that capture the imagination. Here are 21 locations from around the world that do just that. Mount Roraima, Venezuela Wineglass Bay, Tasmania Multnomah Falls, Oregon, USA Preikestolen, Norway Paterswoldsemeer, Netherlands Blue Caves, Zakynthos, Greece Petra, Jordan Huangshan, China Skaftafell, Iceland Ebenalp, Switzerland Kawasan Falls, Philippines Anse Lazio, Seychelles Yi Peng Festival, Thailand Sagano Bamboo Forest, Japan Santorini, Greece Bora Bora, French Polynesia Moraine Lake, Alberta, Canada Soufriere, St Lucia Capilano Suspension Bridge, British Columbia, Canada Siminopetra, Greece Seljalandsfoss Waterfall, Iceland [Images via Coolhunter]
When the term 'direct-to-video' was uttered in decades gone by, it was rarely used in a positive way. 'Direct-to-DVD' wasn't either, when the switch from VHS to discs hit — but shaking up the idea that a film that skips cinemas can't also be exceptional is one of the many consequences of the streaming era. Every week — every day, it sometimes seems — brand new movies join the seemingly endless array of streaming platforms. That's been especially handy during 2021, which saw us all spend more time at home than usual (yes, again), and also delivered plenty of straight-to-streaming highlights. Indeed, some of this year's finest movies didn't flicker across the silver screen. Some were meant to, others were never destined to, but they're all exceptional either way. Here are the 12 best films that should've made their way to your streaming queue in 2021 — and if you haven't watched them yet, you can remedy that at the click of a few buttons. THE GREEN KNIGHT Mesmerising and magnetic from its first moments till its last, The Green Knight is a moving musing on destiny, pride, virtue, choice, myths and sacrifice, all wrapped in a sublime spectacle. The medieval fantasy hums with haunting beauty and potency as it tells of Arthurian figure Gawain (Dev Patel, The Personal History of David Copperfield), nephew to the King (Sean Harris, Mission: Impossible — Fallout), and the only man who accepts a bold challenge when the eponymous figure (Ralph Ineson, Gunpowder Milkshake) — a mystical part-tree, part-knight — demands a duel one Christmas. The catch: whichever blows the eager-to-prove-himself Gawain inflicts on this towering interloper, he'll receive back in a year's time. So, when this initial altercation ends in a beheading (and with the Green Knight scooping up his noggin and riding off), Gawain faces a grim future. Twelve months later, that bargain inspires a quest, which The Green Knight treats as both a nightmare and a dream. There's an ethereal look and feel to every inch of this stunning movie, where the greenery is verdant, and the bloodshed and battlefield of skeletons just as prominent. Playing a man yearning for glory yet faced with life's stark realities, Patel is in career-best form — and the latter can also be said of writer/director/editor David Lowery. Every film he makes has proven a gem, from Ain't The Bodies Saints and Pete's Dragon to A Ghost Story and The Old Man and The Gun; however, The Green Knight is a startling and riveting feast of a feature that's as as contemplative as it is visionary. The Green Knight is available to stream via Amazon Prime Video. THE VELVET UNDERGROUND Excellent filmmakers helming exceptional documentaries about music icons just might be 2021's best movie trend. It isn't new — see: Martin Scorsese's filmography as just one example — but any year that delivers both Edgar Wright's The Sparks Brothers and Todd Haynes' The Velvet Underground is a great year indeed. Both docos are made by clear fans of the bands they celebrate. Both films find creative and engaging ways to approach a tried-and-tested on-screen formula, too. And, both movies will make fans out of newcomers, all while delighting existing devotees. They each have killer soundtracks as well, obviously. They're each tailored to suit their subjects, rather than leaning on the standard music bio-doc template. As a result, they each prove the kind of rich, in-depth and electrifying features that only these two directors could've made. With The Velvet Underground and Haynes, none of this comes as a surprise. As well as the astonishing Carol and the just-as-devastating Dark Waters, he has experimental short Superstar: The Karen Carpenter Story, glam-rock portrait Velvet Goldmine and the Bob Dylan-focused I'm Not There on his resume, after all. Here, he makes two perceptive choices: splitting his screen Andy Warhol-style to show both archival materials and new interviews simultaneously, and avoiding the allure of giving the late, great Lou Reed all his attention. The result is an inventive, impassioned and wide-ranging doco that charts the band's story and impact; captures the time, place and attitudes that gave rise to them; and proves as dazzling as The Velvet Underground themselves. The Velvet Underground is available to stream via Apple TV+. PROCESSION For filmmaker Robert Greene, it started with a press conference, where six sexually abused men sought justice — and publicly so — for the horrors they endured at the hands of the Catholic Church. After reaching out to their lawyer Rebecca Randles, and also bringing drama therapist Monica Phinney onboard, Procession started to take shape — a film that tells their stories like no other documentary would've. Anyone who's seen Greene's also exceptional Kate Plays Christine and Bisbee '17 will know that he sifts through trauma via re-enactments, an approach used to interrogate dark incidents and abhorrent moments. Here, it's deployed as a healing technique, too. To watch Tom Viviano, Joe Eldred, Ed Gavagan, Michael Sandridge, Dan Laurine and Mike Foreman participate in Procession is to watch them not just grapple with what was done to them, but to try to undercut its power. Talking-head interviews still litter the documentary, but Procession is far more interested in the short films that Viviano, Eldred, Gavagan, Sandridge, Laurine and Foreman conceive and make — starring child actor Terrick Trobough as all of them — based on their own experiences. Greene captures the behind-the-scenes process, and also presents the finished product, both of which trawl through memories that none of his subjects will ever forget. Unsurprisingly, this isn't an easy movie to watch. It's essential and unforgettable viewing, though, examining heartbreakingly awful acts, the men who've spent a lifetime trying to cope, the cathartic nature of art and the resilience needed to soldier on. Procession is available to stream via Netflix. ONE NIGHT IN MIAMI Pondering the conversations that might've occurred between four pivotal historical figures on one very real evening they spent in each other's company, One Night in Miami boasts the kind of talk-heavy concept that'd obviously work well on the stage. That's where it first began back in 2013 — but adapting theatre pieces for the cinema doesn't always end in success, especially when they primarily involve large swathes of dialogue exchanged in one setting. If Beale Street Could Talk Oscar-winner and Watchmen Emmy-winner Regina King doesn't make a single wrong move here, however. The actor's feature directorial debut proves a film not only of exceptional power and feeling, but of abundant texture and detail as well. It's a movie about people and ideas, including the role the former can play in both bolstering and counteracting the latter, and the Florida-set picture takes as much care with its quartet of protagonists as it does with the matters of race, politics and oppression they talk about. Given the folks involved on-screen, there's clearly much to discuss. The film takes place on February 25, 1964, which has become immortalised in history as the night that Cassius Clay (Eli Goree, Riverdale) won his first title fight. Before and after the bout, the future Muhammad Ali hangs out with his equally important pals — activist Malcolm X (Kingsley Ben-Adir, High Fidelity), footballer Jim Brown (Aldis Hodge, The Invisible Man) and musician Sam Cooke (Leslie Odom Jr, Hamilton) — with this equally meticulous and moving Oscar-nominee ficitionalising their time together. One Night in Miami is available to stream via Amazon Prime Video. NO SUDDEN MOVE Up until late August, No Sudden Move couldn't have sat on this list. The latest film from prolific director Steven Soderbergh (Unsane), it was scheduled to release in Australian cinemas; however, then lengthy lockdowns hit Sydney and Melbourne, and its theatrical run was sadly canned across the country. This crime thriller would've looked dazzling on a big screen, and for a plethora of reasons. Soderbergh is no stranger to helming capers — he has Ocean's Eleven, Ocean's Twelve and Ocean's Thirteen on his jam-packed resume, plus both Out of Sight and Logan Lucky — and No Sudden Move is as energetic as the rest of his heist fare. Here, he also revels in period details, with this Ed Solomon (Bill & Ted Face the Music)-scripted tale unfurling in the 1950s. As he's known to do, Soderbergh both shot and edited the movie himself, too, and that exceptional craftsmanship is another of this playful neo-noir's many delights. Spinning an engaging story steeped in Detroit's crime scene, No Sudden Move has something to say as well. Don Cheadle (Space Jam: A New Legacy) in is career-best form as Curt Goynes, who gets out of prison, then gets enlisted for a job by a middleman known as Jones (Brendan Fraser, Trust). That gig? With two colleagues (The French Dispatch's Benicio Del Toro and Succession's Kieran Culkin), he's tasked with babysitting the Wertz family (Archenemy's Amy Seimetz, A Quiet Place Part II's Noah Jupe and debutant Lucy Holt), all so the Wertz patriarch (David Harbour, Black Widow) can steal a document from his work. There's no shortage of plot — No Sudden Move keeps twisting from there — but capitalism's worst consequences also bubble prominently underneath. Soderbergh and Solomon savvily tease out the details, though, keeping their audience guessing as much as their characters. No Sudden Movie is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. BO BURNHAM: INSIDE Watching Bo Burnham: Inside, a stunning fact becomes evident — a life-changing realisation, really. During a period when most people tried to make sourdough, pieced together jigsaws and spent too much time on Zoom, Bo Burnham created a comedy masterpiece. How does he ever top a special this raw, insightful, funny, clever and of the moment? How did he make it to begin with? How does anyone ever manage to capture every emotion that we've all felt about lockdowns — and about the world's general chaos, spending too much time on the internet, capitalism's exploitation and just the general hellscape that is our modern lives, too — in one 90-minute musical-comedy whirlwind? Filmed in one room of his house over several months (and with the growth of his hair and beard helping to mark the time), Inside unfurls via songs about being stuck indoors, video chats, today's performative society, sexting, ageing and mental health. Burnham sings and acts, and also wrote, directed, shot, edited and produced the whole thing, and there's not a moment, image or line that goes to waste. Being trapped in that room with the Promising Young Woman star and Eighth Grade filmmaker, and therefore being stuck inside the closest thing he can find to manifesting his mind outside his skull, becomes the best kind of rollercoaster ride. Just try getting Burnham's tunes out of your head afterwards, too, because this is an oh-so-relatable and insightful special that lingers. It's also the best thing that's been made about this pandemic yet, hands down. Bo Burnham: Inside is available to stream via Netflix. BARB AND STAR GO TO VISTA DEL MAR Throughout 2021, on screens big and small, few films have been as fun as Barb and Star Go to Vista Del Mar. Nothing has been as ridiculously, hilariously, gleefully silly, either — as you'd expect of a movie about a titular twosome who obsess over culottes, and where Jamie Dornan (Synchronic) kicks sand on the beach while singing a prayer to seagulls. A talking crab features, too, as do dance remixes of Celine Dion tunes, because this is the delightfully entertaining comedy that has it all. The setup: middle-aged Soft Rock residents Barb (Annie Mumolo, Queenpins) and Star (Kristen Wiig, Wonder Woman 1984) head to Florida for a holiday, despite their apprehension to break up their routine, while nervous, lovesick henchman Edgar Pagét (Dornan) also makes the same trip, but to help nefarious villain Sharon Fisherman (also Wiig) with her plan to kill everyone. Wiig and Mumolo also wrote Barb and Star Go to Vista Del Mar, as they did Bridesmaids. This time, though, they've piled in enough glorious absurdity to fill several beaches. From its throwaway gags to its big musical numbers — and including its character details — there's nothing too goofy for this infectious frolic. Sometimes the film is a Romy and Michele's High School Reunion-style ode to female friendship, sometimes it's a kooky world-domination comedy, and it's also a fish-out-of-water satire and a goofy holiday flick as well. It wouldn't work quite as well if its cast weren't so committed to their parts, and to the offbeat sense of humour — and if director Josh Greenbaum (New Girl) didn't ensure that every element of the movie goes all-in on every single joke. Barb and Star Go to Vista Del Mar is available to stream via Google Play, YouTube Movies and iTunes. BURNING "This could be the new normal," a snippet from a news report comments early in Burning. The reason for the statement: Black Summer, the Australian bushfire season of 2019–20 that decimated large swathes of the country, sent smoke floating around the world and attracted international media attention. Australians don't need a documentary to confirm how horrific the situation was, and this is now the second in months — after the gripping first-person accounts in A Fire Inside — but this powerful film from Chasing Asylum's Eva Orner also lays bare all the factors that coalesced in the tragic events of just two years ago. Accordingly, this is a doco about inaction, government indifference to the point of failure, and the valuing of fossil fuels over their destruction of the environment. It's a movie about climate change as well, clearly, because any film telling this tale has to be. Orner, an Oscar-winner for producing 2007's Taxi to the Dark Side and an Emmy-winner for 2016's Out of Iraq, takes a three-pronged approach: providing context to the bushfires, including charting the Australian government's choices before and after; amassing expert and experienced testimonies, spanning activists and those on the ground alike; and bearing witness. Facts — such as the three billion animals killed — sit side by side with personal recollections and devastating images. The latter includes not only the fires and their ashy aftermath, but political arguing and Scott Morrison's Hawaiian holiday; all hit like a punch to the gut. The result is urgent, important and stunning — and absolutely essential viewing. Burning is available to stream via Amazon Prime Video. I CARE A LOT She didn't end up with an Oscar for her efforts, but Rosamund Pike's Golden Globe win for I Care a Lot was thoroughly well-deserved. The Radioactive and Gone Girl star is stellar in a tricky part in a thorny film — because this dark comic-thriller isn't here to play nice. Pike plays Marla Grayson, a legal guardian to as many elderly Americans as she can convince the courts to send her way. She's more interested in the cash that comes with the job, however, rather than actually looking after her charges. Indeed, with her girlfriend and business partner Fran (Eiza González, Bloodshot), plus an unscrupulous doctor on her payroll, she specifically targets wealthy senior citizens with no family, gets them committed to her care, packs them off to retirement facilities and plunders their bank accounts. Then one such ploy catches the attention of gangster Roman Lunyov (Peter Dinklage, Game of Thrones), who dispatches his minions to nudge Marla in a different direction. She isn't willing to acquiesce, though, sparking both a game of cat and mouse and a showdown. Dinklage makes the most of his role, too, but I Care a Lot is always the icy Pike's movie. Well, hers and writer/director J Blakeson's (The Disappearance of Alice Creed), with the latter crafting a takedown of capitalism that's savagely blunt but also blisteringly entertaining. I Care a Lot is available to stream via Amazon Prime Video. CODA When CODA screened at the Sundance Film Festival back in January, it made history. Film distributors always clamour to snap up the event's big hits, and this four-time award-winner — which received the fest's US Grand Jury Prize, US Dramatic Audience Award, a Special Jury Ensemble Cast Award and Best Director — was picked up by Apple TV+ for US$25 million. Even though the sophomore feature from writer/director Sian Heder (Tallulah) remakes 2014 French hit La Famille Bélier, that's still a significant amount of money; however, thanks to its warmth, engaging performances and a welcome lack of cheesiness, it's easy to see why the streaming platform opened its wallet. Fans of the earlier movie will recognise the storyline, which sees 17-year-old Ruby Rossi (Emilia Jones, Locke & Key) struggle to balance her family commitments with her dreams of attending music school. She's a talented singer, but she's only just discovered just how skilled she is because she's also the child of deaf adults (hence the film's title). At home, she also plays a key part in keeping the family's fishing business afloat, including by spending mornings before class out on the trawler wither her dad Frank (Troy Kotsur, No Ordinary Hero: The SuperDeafy Movie) and older brother Leo (Daniel Durant, Switched at Birth). Heder helms this still sweet and moving feature with a distinct lack of over-exaggeration, which plagued its predecessor. The fact that Kotsur, Durant and Marlee Matlin (Entangled), the latter as the Rossi matriarch, are all actors who are deaf playing characters who are deaf really couldn't be more important. Their portrayals are naturalistic and lived-in, as is much about this rousing but gentle crowd-pleaser — including tomboy Ruby's blossoming romance with fellow wannabe musician Miles (Ferdia Walsh-Peelo, Sing Street). CODA is available to stream via Apple TV+. THE ELECTRICAL LIFE OF LOUIS WAIN If there's a real-life figure that needs to be brought to the screen, call Benedict Cumberbatch. He's done just that in The Imitation Game, The Current War and The Courier, and also in everything from The Other Boleyn Girl and Creation to 12 Years a Slave and The Fifth Estate as well. The Electrical Life of Louis Wain sees the British actor add another such role to his resume; however, while it steps through its eponymous artist's life and career, this biopic instantly stands out from the rest of the pack. The key: a fabulous decision by director Will Sharpe (Flowers) to style this poignant and lively film after its subject and his work. When he came to fame in the late 19th century, Wain was known for his surreal cat paintings, after all — and while this is a movie that also tracks his sorrows, as well as his struggles with his mental health, it does so with a winning mix of energy and sincerity. Indeed, it'll come as no surprise that The Electrical Life of Louis Wain was shot by Erik Wilson, the same cinematographer who added such a whimsical look to both Paddington and Paddington 2. Animals abound amidst these entrancing visuals, too, but none of the cats that Wain (Cumberbatch, The Power of the Dog) becomes obsessed with eat marmalade. That feline fixation stems from a frowned-upon romance with Emily Richardson (Claire Foy, The Girl in the Spider's Web), the governess to his younger sisters — and it, just like Richardson, changes his life. Playing an eccentric artist who firmly took his own route, and was also just as fascinated with electricity as adorable mousers, Cumberbatch finds both the enchanting and the melancholy sides to Wain, while the rest of the stellar cast even includes Olivia Colman (The Lost Daughter) on narration duties, plus Richard Ayoade, Taika Waititi and Nick Cave in cameos. The Electrical Life of Louis Wain is available to stream via Amazon Prime Video. SLAXX Ask any style guru for their opinion on denim, and they'll all likely give the same answer. Everyone needs a pair of killer jeans, after all — the type that fit perfectly, flatter every inch of your lower half, and that you just don't want to ever take off. In Slaxx, CCC is the store aiming to make all of the above happen. Already priding itself on its eco-friendly, sustainable, sweatshop-free threads, the chain is set to launch a new range of denim that moulds to the wearer's body, with the company's buzzword-spouting CEO (Stephen Bogaert, IT: Chapter Two) certain that they'll change the fashion industry. On the night before the jeans hit the shelves, employees at one store are tasked with making sure everything goes smoothly; however, as new hire Libby (Romane Denis, My Salinger Year), apathetic veteran employee Shruti (Sehar Bhojani, Sex & Ethnicity) and their over-eager boss Craig (Brett Donahue, Private Eyes) soon learn, these are killer jeans in a very literal sense. Quickly, the ravenous pants start stalking and slaying their way through the store. It's a concept that'd do Rubber's Quentin Dupieux proud and, in the hands of Canadian filmmaker Elza Kephart (Go in the Wilderness), the results are highly entertaining. Slaxx wears its equally silly and savage attitude like a second skin, smartly skewers consumerism and retail trends, and possesses stellar special effects that bring its denim to life — and, although never subtle (including in its performances), it's exactly as fun as a film about killer jeans should be. Slaxx is available to stream via Shudder. Looking for more viewing highlights? You can also check out our list of film and TV streaming recommendations, which is updated monthly. Plus, we picked ten standout new straight-to-streaming movies and specials in the middle of the year, too.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue from May's haul. Brand-New Stuff You Can Watch From Start to Finish Now Hacks Sometimes you need to wait for the things you love. In Hacks, that's true off- and on-screen. It's been two years since the HBO comedy last dropped new episodes, after its first season was one of the best new shows of 2021 and its second one of the best returning series of 2022 — a delay first sparked by star Jean Smart (Babylon) requiring heart surgery, and then by 2023's Hollywood strikes. But this Emmy- and Golden Globe-winner returns better than ever in season three as it charts Smart's Deborah Vance finally getting a shot at a job that she's been waiting her entire career for. After scoring a huge hit with her recent comedy special, which was a product of hiring twentysomething writer Ava Daniels (Hannah Einbinder, Julia), the Las Vegas mainstay has a new chance at nabbing a late-night hosting gig. (Yes, fictional takes on after-dark talk shows are having a moment, thanks to Late Night with the Devil and now this.) At times, some in Deborah's orbit might be tempted to borrow the Australian horror movie's title to describe to assisting her pitch for a post-primetime chair. That'd be a harsh comment, but savage humour has always been part of this showbiz comedy about people who tell jokes for a living. While Deborah gets roasted in this season, spikiness is Hacks' long-established baseline — and also the armour with which its behind-the-mic lead protects herself from life's and the industry's pain, disappointments and unfairness. Barbs can also be Deborah's love language, as seen in her banter with Ava. When season two ended, their tumultuous professional relationship had come to an end again via Deborah, who let her writer go to find bigger opportunities. A year has now passed when season three kicks off. Ava is a staff writer on a Last Week Tonight with John Oliver-type series in Los Angeles and thriving, but she's also not over being fired. Back in Vanceland , everything is gleaming — but Deborah isn't prepared for being a phenomenon. She wants it. She's worked for years for it. It's taken until her 70s to get it. But her presence alone being cause for frenzy, rather than the scrapping she's done to stay in the spotlight, isn't an easy adjustment. Hacks streams via Stan. Read our full review. Bodkin When podcasting grasped onto IRL mysteries and the world listened, it started a 21st-century circle of true crime obsessions. First, the audio format dived into the genre. Next, screens big and small gave it renewed attention, not that either ever shirked reality's bleakest details. Now, movies and TV shows are known to spin stories around folks investigating such cases to make podcasts, turning detective as they press record. And, as Only Murders in the Building did, sometimes there's also a podcast venturing behind the scenes of a fictional affair about podcasters sleuthing a case. While Bodkin mightn't come with an accompanying digital audio series stepping into its minutiae, it does take its fellow murder-mystery comedy's lead otherwise. Swaps are made — West Cork is in, New York is out; deaths pile up in an Irish village, not an apartment building; three chalk-and-cheese neighbours give way to a trio of mismatched journalists — but the shared format is as plain to see as blood splatter. Call that part of the 21st-century circle of true crime obsessions, too, as one hit inspires more. Bodkin is easy to get hooked on as well, even if it's not as guaranteed to return for additional seasons. Siobhán Cullen (The Dry), Will Forte (Strays) and Robyn Cara (Mixtape) give this seven-part series its investigating threesome: Irishwoman-in-London Dove Maloney, a hard-nosed reporter who just lost a source on a big story; American Gilbert Power, who capitalised upon his wife's cancer for his first podcast hit; and enthusiastic researcher Emmy Sizergh, who wants to be Dove and, much to her idol's dismay, is fine with following Gilbert's lead to get there. They're thrown together in the show's titular town not by Dove's choice, but because she's bundled off by her editor. Gilbert and Emmy are well-aware that she's not there willingly — Dove isn't the type to hide her disdain for anything, be it her latest assignment, Gilbert's medium of choice and his approach, and Emmy's eagerness. Bodkin beckons courtesy of a cold case from a quarter-century back when the village gathered for its then-annual Samhain festival (an influence upon Halloween). Three people disappeared, which Gilbert is certain is a killer hook for the next big hit he desperately needs for the sake of both his reputation and his finances; however, Dove is adamant that there's much more going on than the narrative that Gilbert has already decided to tell. Bodkin streams via Netflix. Read our full review. Outer Range It was true of season one of Outer Range and it doesn't stop proving the case in season two: thinking about Twin Peaks, Yellowstone, Lost, The X-Files, The Twilight Zone and primetime melodramas while you're watching this sci-fi western series is unavoidable. In its second go-around, throw in Dark, too, and also True Detective. Here, an eerie void on a Wyoming cattle ranch sends people hurtling through time, rather than a cave beneath a nuclear power plant — and that concept, time, is dubbed a river instead of a flat circle. The idea behind Outer Range, as conjured up creator Brian Watkins for its debut season in 2022, has always been intriguing: what if a tunnel of blackness topped by a mist of floating energy suddenly opened up in the earth? Also, where would this otherworldly chasm lead? What would be the consequences of taking a tumble into its inky expanse? What does it mean? It isn't literally a mystery box Dark Matter-style, but it also still is in everything but shape — while contemplating what effect such a phenomena has on a rancher family that's worked the land that the ethereal cavern appears on for generations, as well as upon the broader small-town community of Wabang. Getting trippy came with the territory in season one, in an entrancing blend of the out-there and the earthy. Season two doubles down, dives in deeper and gallops across its chosen soil — a mix of the surreal and the soapy as well — with even more gusto. Just like with a vacuum that materialises on an otherwise ordinary-seeming paddock, no one should be leaping into Outer Range's second season unprepared. This isn't a series to jump into with no prior knowledge, or to just pick up along the way. It isn't simply the premise that Outer Range takes its time to reveal in all of its intricacy, a process that remains ongoing in season two; the characters, including Abbott patriarch Royal (Josh Brolin, Dune: Part Two), his wife Cecilia (Lili Taylor, Manhunt), their sons Perry (Tom Pelphrey, Love & Death) and Rhett (Lewis Pullman, Lessons in Chemistry), and stranger-in-their-midst Autumn (Imogen Poots, The Teacher), receive the same treatment. Outer Range streams via Prime Video. Read our full review. Jim Henson Idea Man Making a documentary about Jim Henson can't be a difficult task. He's the man who created The Muppets, co-created Sesame Street, co-helmed The Dark Crystal and directed Labyrinth — and stepping through all four, complete with footage from them and behind-the-scenes clips as well, could fuel several portraits of the iconic puppeteer. Jim Henson Idea Man features plenty from that key Henson quartet, all teeming with insights. When viewers aren't getting a peek at The Muppet Show being made, they're exploring the technical trickery behind Kermit singing 'Rainbow Connection' in the swamp in The Muppet Movie. Or, if you're not hearing about how the Bert and Ernie dynamic was fuelled by Henson and Frank Oz's real-life personalities, you're being taken through the first version of The Dark Crystal where little was in any known language, then hearing from Jennifer Connelly (Dark Matter) about the picture that made "dance, magic dance" one of the most-famous lines from a movie song. Ron Howard (Thirteen Lives) has a dream job, then. He also makes the most of everything that a tribute to Henson needs. But, affectionate as it was always going to be — Henson is that rightly beloved, and always will be — his doco also dives deeper. Talking heads, including Oz (Star Wars: Episode IX — The Rise of Skywalker), other colleagues and Henson's four surviving children, are on hand to chat through the man behind the on-screen magic amid the treasure trove of material. Again, this Cannes-premiering documentary is a tribute and an authorised one, but it also examines the impact of its subject's devotion to his work on his marriage, as well as on his wife and fellow puppeteer Jane's career. Howard and screenwriter Mark Monroe (The Beach Boys) are loving but clear-eyed in their approach — and wide-spanning in their range for anyone who hasn't delved into much of Henson's work beyond The Muppets, Sesame Street, The Dark Crystal and Labyrinth. As it hops through a birth-to-death timeline, the attention given to Henson's experimental films is essential and a delight. For 1965's Time Piece, he was nominated for an Academy Award, with the short held up here as a key to understanding the inner Henson beyond his public persona. Getting viewers discovering or rediscovering that piece, and what it conveys about its creator, is high among Jim Henson Idea Man's many gifts. Jim Henson Idea Man streams via Disney+. Eric In the space of a mere two days to close out May, two tales of two puppeteers have popped up on streaming. Eric is pure fiction, but it's impossible not to think about Jim Henson while watching it, regardless of whether you also have a small-screen date with Jim Henson Idea Man. Creator and writer Abi Morgan — who has previously penned the likes of Shame, The Iron Lady, The Invisible Woman, Suffragette, River and The Split — puts a Henson-esque figure with his own hit TV show for kids at the core of her six-part miniseries. Played by Benedict Cumberbatch (The Wonderful Story of Henry Sugar) in a performance that's bound to receive awards attention, Vincent Anderson even physically resembles the man behind The Muppets and Sesame Street, but he definitely isn't Henson. Firstly, Anderson is an abusive alcoholic. Secondly, his nine-year-old son Edgar (debutant Ivan Morris Howe) goes missing one morning on his walk to school. And thirdly, the eponymous Eric is a seven-foot-tall monster muppet who his boy scribbled to life on the page and then starts following Vincent as his mental health struggles after Edgar disappears. As a series, the 1985-set Eric is ambitious — and, as well as exceptionally acted, also instantly involving and deeply layered as it ponders how a sunny world can turn unkind, cruel and corrupt. It's an ordinary day when Edgar trundles out his New York City door alone, and routine even in the fact that Vincent and his wife Cassie (Gaby Hoffmann, C'mon C'mon) have been fighting. But soon the Anderson family is plunged into crisis. As he frays visibly, Vincent still can't tear himself away from work, becoming obsessed with turning Eric into his show's newest character. Cassie is certain that reward money from her husband's rich parents, who he's estranged from, will help rustle up information on her son's whereabouts. At the NYPD, detective Michael Ledroit (McKinley Belcher III, One Piece) is working the case while handling his own baggage. He's still trying to find another missing kid from 11 months ago, too, but with far less support because that child is Black. Ledroit is also a closeted gay Black man in a workplace and at a time that's hardly welcoming, with a dying partner at home. Eric streams via Netflix. Read our full review. The Veil It's simple to glean how and why Elisabeth Moss (Next Goal Wins) was cast as The Veil's Imogen Salter, the MI6 agent whose speciality is complex undercover gigs, even if the part in this six-episode miniseries initially seems like the opposite of her recent work. In The Handmaid's Tale, Shining Girls and The Invisible Man, trauma and abuse came her characters' ways — but the flipside, of course, is persisting, enduring and fighting back. The inner steeliness that it takes to survive dystopian subjugation, domestic violence and an assault isn't far removed from the outward resolve that Imogen wears like a second skin. The more that The Veil goes on, the more that the show and Moss unpack why its key intelligence agent sports such armour, plus the emotional underpinning that's definitely familiar territory for the actor. The role by the end of the series screams her name, in fact, but the cool, calm, collected and ass-kicking Imogen does as well. Watching Moss as a top-of-her-game spy who puts everyone in their place is the kind of idea that should always get an immediate green light. The Veil is gripping from start to finish, and also a better show because it has Moss at its centre. Imogen isn't her character's real name, a detail that's par for the course in espionage antics and also symbolic of someone trying to construct a new facade atop pain that won't fade. Her latest gig puts Adilah El Idrissi (Yumna Marwan, The Stranger's Case) in her sights, a woman who similarly mightn't be who she says she is. At a snowy refugee camp (Australian Wakefield actor Dan Wyllie plays its man in charge) on the border of Turkey and Syria, the latter is attacked for her purported ties to ISIS — not just as an operative but as a mastermind, which she denies. Working with French DGES agent Malik Amar (Dali Benssalah, Street Flow 2) and American CIA agent Max Peterson (Josh Charles, The Power), Imogen's task is to obtain the truth out of Adilah, who says that she just wants to get back to her young daughter. It's also plain to see why creator and writer Steven Knight (Peaky Blinders, SAS Rogue Heroes), plus directors Daina Reid (a Shining Girls and The Handmaid's Tale alum) and Damon Thomas (The Big Cigar), put Moss and the also-excellent Marwan together for much of the series. The Veil streams via Disney+. The Idea of You He's just a boy, standing in front of a girl, asking her to love him. The Idea of You doesn't use specific those words, aka a gender-flipped version of the Notting Hill quote that became entrenched in popular consciousness a quarter century ago, but it follows the same broad tale and conveys that exact sentiment. He is Hayes Campbell (Nicholas Galitzine, Mary & George), the twentysomething pop idol who fronts British boy band August Moon. She is divorcee Solène Marchand (Anne Hathaway, Armageddon Time), an art dealer hitting her 40s who's a mother to teenage Izzy (Ella Rubin, Masters of the Air). And as they meet-cute — not at a bookstore but at Coachella, where Solène is escorting her daughter and her friends to see August Moon, including a VIP meet-and-greet with Hayes and his bandmates backstage — there's no avoiding thinking about Hugh Grant (Unfrosted) and Julia Roberts (Leave the World Behind). Thanks to the internet, although author Robinne Lee has rebuffed the idea that she wrote the novel The Idea of You as fan fiction, there's no escaping Harry Styles popping into your head, either. Actor-turned-writer Lee (Kaleidoscope) knows a thing or two about fanfic: she featured in the movie adaptations of the Fifty Shades books. But the potential Styles of it all doesn't matter when the style of the tale, especially on-screen, is a rom-com about a woman being seen at a time in her life when traditionally the opposite happens. There shouldn't be an air of wish fulfilment to this story in a perfect world, or a race to join the dots to connect it to a celebrity and make that the crux of the narrative's importance. Writer/director Michael Showalter (Spoiler Alert) and co-screenwriter Jennifer Westfeldt (The First Lady), both of whom are actors themselves, thankfully don't opt for that path. Instead, while the movie's characters could've used more flesh in the script and cliches remain apparent, The Idea of You gets layered performances out of Hathaway and Galitzine to make its setup feel emotionally authentic. The details: that cute meeting, her reluctance, his perseverance, chasing their hearts on August Moon's tour of Europe, then navigating the reality behind the fantasy. The Idea of You streams via Prime Video. The Tattooist of Auschwitz How do you bring a tale of the holocaust's horrors and the human spirit's tenacity to the screen when it's as complicated as The Tattooist of Auschwitz? Many of complexities surrounding Heather Morris' book aren't on the page, but rather in the story's dialogue between truth and fiction — with the narrative based on a real-life concentration camp survivor's recollections, but questions raised about inaccuracies in the text's account. As a six-part miniseries, The Tattooist of Auschwitz confronts the queries surrounding its contents, which reached shelves in 2018, by constantly noting how unreliable that memories can be. Each episode opens with "based on the memories of holocaust survivor Lali Sokolov" before sections of the phrase fades, leaving just "the memories of Lali Sokolov" lingering. Backtracking as the elderly Lali (Harvey Keitel, Paradox Effect) recounts his time at Auschwitz to probe how true the specifics are, offer different versions, revise the minutiae and sway the perspective is also an element of the show, as are other figures — such as Stefan Baretzki (Jonas Nay, Concordia), an SS officer overseeing the younger Lali (Jonah Hauer-King, The Little Mermaid) — appearing like ghosts to put forward another viewpoint. Screenwriters Jacquelin Perske (Fires), Gabbie Asher (Sanctuary) and Evan Placey (Soulmates) — and also director Tali Shalom-Ezer (The Psychologist), who helms the entire miniseries — frame The Tattooist of Auschwitz as a portrait of a man looking back at his life and an examination of the fact that every recounting is always guided by storytelling choices. It's a canny move, recognising that Lali's experiences as a Slovakian Jewish prisoner during World War II can only be filtered through his eyes, especially as gutwrenching horror surrounds him but love still springs. Being enlisted with the titular job, which brings a sliver of benefits and freedoms within the camp; falling for fellow detainee Gita (Anna Próchniak, Unmoored) while he's inking; the fraught nature of their fight to be together in such grim circumstances; the reality of death everywhere around them; his relationship with the volatile Baretzki: as Lali at age 87 chats through it with aspiring writer Morris (Melanie Lynskey, Yellowjackets), that this is his journey and that his recounting isn't infallible remain constantly in mind. Keitel is particularly excellent, but the most haunting element of the compelling series, unsurprisingly, is the moments that it spends with the dead — moments where there's no possibility of different perceptions — who stare straight to camera when they pass. The Tattooist of Auschwitz streams via Stan. New and Returning Shows to Check Out Week by Week Colin From Accounts When Colin From Accounts arrived for its first season in 2022 with a nipple flash, a dog and strangers committing to take care of a cute injured pooch together, it also began with a "will they, won't they?" story. Ashley (Harriet Dyer, The Invisible Man) and Gordon (Patrick Brammall, Evil) crossed paths in the street in Sydney when she gave him a random peek, then he was distracted behind the wheel. Thanks to the titular pet, the pair were soon intricately involved in each other's lives — and a delightful small-screen Aussie rom-com was the end result as they endeavoured to work out what that actually meant. In season two, which picks up after the duo gave Colin From Accounts to new owners and then immediately regretted the decision, a couple of things are different from the outset: Gordon and Ashley are on a quest to get their pup back and they'll stop at almost nothing for their family to be reunited, and this award-winning series is now in "should've they or should've they not?" territory about its central romance. Falling in love is easy. Being in the honeymoon period, whether or not you've actually tied the knot — Colin From Accounts' protagonists haven't — is clearcut, too. Taking a relationship further means peeling away the rosy and glowing surface, however, which is where the series follows its medical student and microbrewery owner in its second season. Accordingly, through surprising news, meeting family members, historical baggage and more, Ashley and Gordon are still trying to navigate the reality of intertwining their lives, and also who they are as a couple. Creators, writers and stars Dyer and Brammall keep performing their parts to perfection; given they're married IRL and no strangers to working together (see: No Activity), the chemistry and naturalism isn't hard to maintain, but they're not just playing themselves. They're also particularly gifted with dialogue, ensuring that everything that the show's characters are saying — be it amusing, heartfelt, acerbic, insightful or all of the above — always feels authentic. Colin From Accounts streams via Binge. Read our full review. Dark Matter When an Australian actor makes it big, it can feel as if there's more than one of them. Joel Edgerton, who has been on local screens for almost three decades and made the leap to Hollywood with the Australian-shot Star Wars: Episode II — Attack of the Clones, is such a talent. He's usually everywhere and in almost everything (such as The Stranger, Obi-Wan Kenobi, Thirteen Lives, Master Gardener, I'm a Virgo, The Boys in the Boat and Bluey in just the past two years), and viewers would follow him anywhere. Dark Matter wasn't written to capitalise upon that idea. Rather, it hails from the page of Blake Crouch's 2016 novel, with the author also creating the new nine-part sci-fi series that it's based on. But the show's lead casting leans into the notion that you can never have too much Edgerton by multiplying him in the multiverse. For the characters in Dark Matter, however, the fact that there's more than a single Jason Dessen causes considerable issues. The series' protagonist is a former experimental physics genius-turned-professor in Chicago. He's married to artist-turned-gallerist Daniela (Jennifer Connelly, Bad Behaviour), a father to teenager Charlie (Oakes Fegley, The Fabelmans) and the best friend of award-winning college pal Ryan Holder (Jimmi Simpson, It's Always Sunny in Philadelphia). And, he's been happy living the quiet family life, although pangs of envy quietly arise when he's celebrating Ryan's prestigious new accolade. Then, when another Jason pops up to pull off a kidnapping and doppelgänger plot, he's soon navigating a cross between Sliding Doors and Everything Everywhere All At Once. Everything is a multiverse tale of late, but Dark Matter is also a soul-searching "what if?" drama, exploring the human need to wonder what might've been if just one choice — sometimes big, sometimes small — had veered in a different direction. While a box is pivotal mode of transport like this is Doctor Who, as are all manner of worlds to visit, this is high-concept sci-fi at its most grounded. Neither version of Jason wants to hop through parallel worlds in the name of adventure or exploration — they're simply chasing their idea of everyday perfection. Dark Matter streams via Apple TV+. Read our full review. Excellent Recent Films You Might've Missed on the Big Screen Anatomy of a Fall A calypso instrumental cover of 50 Cent's 'P.I.M.P.' isn't the only thing that Anatomy of a Fall's audience won't be able to dislodge from their heads after watching 2023's deserving Cannes Film Festival Palme d'Or-winner. A film that's thorny, knotty and defiantly unwilling to give any easy answers, this legal, psychological and emotional thriller about a woman on trial for her husband's death is unshakeable in as many ways as someone can have doubts about another person: so, a myriad. The scenario conjured up by writer/director Justine Triet (Sibyl) is haunting, asking not only if her protagonist committed murder, as the on-screen investigation and courtroom proceedings interrogate, but digging into what it means to be forced to choose between whether someone did the worst or is innocent — or if either matters. While the Gallic legal system provides the backdrop for much of the movie, the real person doing the real picking isn't there in a professional capacity, or on a jury. Rather, it's the 11-year-old boy who loved his dad, finds him lying in the snow with a head injury outside their French Alps home on an otherwise ordinary day, then becomes the key witness in his mum's case. Also impossible to forget: the performances that are so crucial in telling this tale of marital and parental bonds, especially from one of German's current best actors and the up-and-coming French talent playing her son. With her similarly astonishing portrayal in The Zone of Interest, Toni Erdmann and I'm Your Man's Sandra Hüller is two for two in movies that initially debuted globally in 2023; here, she steps into the icy and complicated Sandra Voyter's shoes with the same kind of surgical precision that Triet applies to unpacking the character's home life. As Daniel, who couldn't be more conflicted about the nightmare situation he's been thrust into, Milo Machado Graner (Alex Hugo) is a revelation — frequently via his expressive face and posture alone. If Scenes From a Marriage met Kramer vs Kramer, plus 1959's Anatomy of a Murder that patently influences Anatomy of a Fall's name, this would be the gripping end result — as fittingly written by Triet with her IRL partner Arthur Harari (Onoda: 10,000 Nights in the Jungle). Anatomy of a Fall streams via Stan. Read our full review. May December A line about not having enough hot dogs might be one of its first, but the Julianne Moore (Sharper)-, Natalie Portman (Thor: Love and Thunder)- and Charles Melton (Riverdale)-starring May December is a movie of mirrors and butterflies. In the literal sense, director Todd Haynes wastes few chances to put either in his frames. The Velvet Goldmine, Carol and Dark Waters filmmaker doesn't shy away from symbolism, knowing two truths that stare back at his audience from his latest masterpiece: that what we see when we peer at ourselves in a looking glass isn't what the rest of the world observes, and that life's journey is always one of transformation. Inspired by the real-life Mary Kay Letourneau scandal, May December probes both of these facts as intently as anyone scrutinising their own reflection. Haynes asks viewers to do the same. Unpacking appearance and perception, and also their construction and performance, gazes from this potently thorny — and downright potent — film. That not all metamorphoses end with a beautiful flutter flickers through just as strongly. May December's basis springs from events that received ample press attention in the 90s: schoolteacher Letourneau's sexual relationship with her sixth-grade student Vili Fualaau. She was 34, he was 12. First-time screenwriter Samy Burch changes names and details in her Oscar-nominated script — for Best Original Screenplay, which is somehow the film's only nod by the Academy — but there's no doubting that it takes its cues from this case of grooming, which saw Letourneau arrested, give birth to the couple's two daughters in prison, then the pair eventually marry. 2000 TV movie All-American Girl: The Mary Kay Letourneau Story used the recreation route; however, that was never going to be a Haynes-helmed feature's approach. The comic mention of hot dogs isn't indicative of May December's overall vibe, either: this a savvily piercing film that sees the agonising impact upon the situation's victim, the story its perpetrator has spun around herself, and the relentless, ravenous way that people's lives and tragedies are consumed by the media and public. May December streams via Binge and Prime Video. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March and April this year, and also from January, February, March, April, May, June, July, August, September, October, November and December 2023. You can also check out our running list of standout must-stream shows from last year as well — and our best 15 new shows of 2023, 15 newcomers you might've missed, top 15 returning shows of the year, 15 best films, 15 top movies you likely didn't see, 15 best straight-to-streaming flicks and 30 movies worth catching up on over the summer. Top image: Christine Tamalet / FX.
New panoramic sky bar, Henry Deane, will have you falling in love with Sydney all over again. We've all had our doubts from time to time. Perhaps you took a trip to Melbourne and chanced upon a warm, sunny day or maybe you just don't like the idea of being forced to rent (or live in sharehouses) your entire life. But when you're drinking champagne, slipping down creamy rock oysters and staring out across our city's magnificent waterfrontage — boats cruising below, twinkling city lights and a sunset so beautiful you'll have to fight back the tears — you'll remember all the reasons why you chose to make Sydney your home in the first place. Located on the top two levels of the historic Hotel Palisade in Millers Point, Henry Deane is one of the most beautiful bars Sydney has ever seen. Of course, much of that credit goes to interior design goddess Sibella Court, renowned for her work on Palmer & Co, Ms G's and Mr Wong. Flatly ignoring the trend for palm tree wallpaper and exposed brick walls, Sibella has chosen a new style to play with: 1920s Hollywood glamour. Drawing on a palette of dusty pink and dove grey, Sibella has filled the glass-walled salon with pink leather lounges, Malawi rattan chairs, opulent copper furnishings and colourful swirls of marble which stain the tabletops and walls. Now, just add a multi-million dollar view that puts the Sydney Tower Eye to shame. Hell, even a freak tornado makes for a charming view from here. Henry Deane's menu is dominated by boutique spirits — pages and pages worth. Whisky alone is divided into eleven subheadings; don't even get me started on the gin. But let's flip back to the first two pages: food and cocktails. Forego the beer, you can drink that anytime, and live it up like Rita Hayworth with a coconut and pandan daiquiri ($19) made with Coconut Havana 3-year-old rum, lime and salted sugar, infused with fresh pandan leaves (not the cheap paste) and served in fine crystal glassware with a precariously long stem. Like many of the cocktails here, it's not a loud, cheap drink — the flavours are subtle and sophisticated, mingling in perfect harmony. The second page of the menu is filled with sexy little share plates. The oysters with merlot vinegar ($4.50) and the scallops with vanilla miso butter served in the shell ($4.80) are an absolute treat — and proof that you don't need a black American Express card to enjoy the finer things in life. With chopsticks in hand, we pick our way through a plate of deftly-carved kingfish sashimi topped with pickled ribbons of cucumber and bok choy with wasabi and bonito dressing ($19), but the real showstopper is the horseradish spiced lamb tartare ($23). Pile it high on the house-made lavosh with a stem of watercress and you're in heaven. The mixed grains with confit potato, bell peppers, roman beans and soft egg ($24) marks a lull in the otherwise impressive lineup — it's the kind of healthy salad you probably should eat, but don't necessarily want to. However, we're soon back on track with a sweet pudding of coconut and vanilla sago sprinkled with macadamia nut crumble and astringent pearls of pomegranate and passionfruit ($12). Sure, Sydney's hectic housing market might mean you will never be able to afford that Darling Point apartment — but you can always go to Henry Deane's and pretend it's all yours.
Nothing says winter like a hearty Sunday roast. Whether you're after the whole hog or a contemporary take on the traditional feast, the perfect hot meal is being served up weekly at some of the best venues in Sydney. Here are 11 to tick off your list, from a giant Yorkshire pudding packed with meat and veggies at Forrester's to a ten-course degustation at Nel Restaurant. Wherever you go, you can count on a belly full — and that fancy feeling you're a million miles from Monday. WATSON'S BAY BOUTIQUE HOTEL, WATSON'S BAY You might think of Watson's Bay Boutique Hotel as a classic summer destination, but it's now embracing winter just as wholeheartedly. Swing by from midday on a Sunday, and you can swap 35 bucks for a plate loaded in the traditional style. That means the meat of the day, plus Yorkshire pudding, potatoes, greens and, most importantly, lashings of gravy. If you can, nab a table in the sunset room upstairs. Floor-to-ceiling windows afford views of the harbour while roaring fires keep things warm and cosy. It's extra special at sunset. FORRESTER'S, SURRY HILLS Every year since 2021, The Big Yorkie at Forrester's in Surry Hills has been one of Sydney's most popular winter dishes. The key to its success is simple yet ingenious: everyone knows that Yorkshire pudding is the best part of the roast, so Head Chef Patrick Friesen made it the main event. That's right, The Big Yorkie is a massive Yorkshire pudding. And it's filled to the brim with roasted meat, crispy spuds, seasonal veggies and loads of gravy. Even better, it's available every single day of the week, from midday till sold out. THE CUT BAR & GRILL, THE ROCKS For an especially indulgent Sunday afternoon, book a table at The Cut Bar & Grill in The Rocks. For $49, you'll be feasting on a smoky, slow-cooked Cape Grim prime rib, alongside Yorkshire pudding, hassleback potatoes, roasted onions, sautéed baby carrots and crushed baby peas. They all come bathed in a rich, red wine-infused gravy, with horseradish cream on the side. Do be tempted to follow up with a hot fudge sundae at $21. The roast is available every Saturday and Sunday from midday–3pm. BISTRO MONCUR, WOOLLAHRA Winter in Woollahra has become unimaginable without Sunday roast at Bistro Moncur. And, now that the chilly weather has set in, it's back for another round — with a menu that changes every six weeks. This season kicked off with Dewsbury pork belly, before moving onto Riverina lamb rump. It arrives at your table with Yorkshire pudding, duck fat potatoes, pumpkin puree, petits pois à la francaise and rosemary jus, at 45 bucks a plate. Every dish is the creation of London-born chef Tom Deadman, who took over the 30-year-old kitchen in 2022 after working at Read's in the UK (which had a Michelin star at the time) and Becasse in Surry Hills. WOOLLAHRA HOTEL, WOOLLAHRA In the same building as Bistro Moncur, you'll find the Woollahra Hotel. And it has a Sunday roast all of its own. For $32, you'll get a plate loaded with slow-roasted pork belly, alongside braised red cabbage, glazed carrots and crispy potatoes — all lathered in house-made gravy. Red wine is always a good idea on a cold day, and you'll find plenty of drops to choose from on sommelier Mark Blake's list, including many that are organic, vegan and preservative-free. Grab a seat in the shiny public bar, which was polished within an inch of its life during a major reno in 2023, or head for the neon-lit, greenery-splashed courtyard. NEL RESTAURANT, SURRY HILLS The traditional roast is such a good formula, it's hard to mess with it without, well, messing it up. But one chef who challenges convention every year — and seriously pulls it off — is Nelly Robinson, owner and Head Chef at NEL Restaurant. In his cosy bunker near Central Station, he's transformed the roast into a ten-course degustation. Every mouthful brings you those familiar, comforting, centuries-old flavours, but with a fun twist. Look out for dark ale-and-treacle crumpets, cauliflower mac and cheese, and at the heart of it all, a superb piece of lamb. It's on every Sunday throughout June and July. RED LION HOTEL, ROZELLE Sometimes, there's nothing better than keeping your Sunday roast simple at a neighbourhood pub. If that sounds like you, factor the Red Lion Hotel in Rozelle into your weekend plans. Every Sunday, you can kick back with a hearty feast for just $27. Chilly day? Grab a seat by the fire, where you'll warm up in no time. There's nothing quite like dining in front of roaring flames while the wind's howling outside. Alternatively, rug up and head out to the balcony, where you'll catch lovely sunset views. CASA ESQUINA, BALMAIN Another spot that's taken a new approach to tradition is Casa Esquina, an Argentinian restaurant in Balmain. Here, you can eat your roast in your hands — because it fits into a tortilla. As you settle in, your table will be covered in share plates of flame-roasted chicken, succulent porchetta, Old Bay fries with chipotle aioli, and mixed leaf salad dressed in black pepper-garlic vinaigrette. Spoon a little (or a lot) of each into a warm tortilla, top it with house-made salsa espanola — and voila, you'll have a roast keeping your fingers warm. The pleasure will set you back 60 bucks a pop, and is made for sharing. THE GOLDEN SHEAF, DOUBLE BAY In the Golden Sheaf's pretty, warmly lit, greenery-filled beer garden, you can tuck into a roast for $30. Your plate will arrive loaded with roast beef, Yorkshire pudding, golden potatoes, honey-and-mustard parsnips, carrots and rainbow chard — all doused in gravy. Add an entree in the form of charred Tassie octopus or crispy calamari, along with a glass of Untitled pinot noir from Victoria or a Right Bank shiraz from the Barossa Valley, and you'll be all set for a long and cosy afternoon. The beer garden is well heated — but if you're still cold, it's even warmer inside. THE GIDLEY, SYDNEY Like NEL Restaurant, The Gidley takes humble Sunday tradition to the next level. On the first Sunday of the month, the decadent underground steakhouse is dishing up four roast-inspired courses alongside matching fine wines — for $160 per person. Start with posh bites like confit duck cigars and tuna tartare, before moving on to charred red emperor grapes with mint and garlic butter beans. The main is a rib roast served with red wine jus and sides of potato gratin, creamed spinach and iceberg salad. And for dessert? Warm apple crumble with Grand Mariner custard and buttermilk ice cream. If you want to get even fancier, add caviar or a cheese plate featuring local and imported cuts.
Say 'wanna play a board game?' in Australia and most people usually mind-glance over their childhood bookshelf stack of Monopoly, Risk and Pictionary. Maybe there are a few awkward memories or some vague association with being a terrible strategist. Those feelings can be discarded because we're adults now, we can play whatever board games we want, wherever we want and we can drink while we do it. There are few things more enjoyable during an Antarctic vortex than huddling over a crisp pale ale and board game in a warm pub. THE LORD DUDLEY HOTEL This thirty-five-year-old family-run pub looks like it's been transported from an English country street corner. Inside it's similarly unpretentious; there's an old timber bar circled with puffy green stools, a fireplace and a herd of pillowy couches that look like they've been aged to perfectly match the human posterior. Look around the lounge for sets of Scrabble and Connect Four and behind the counter for a Young Henrys natural ale and a wagyu beef pie. 236 Jersey Road, Woollahra, 9327 5399, www.lorddudley.com.au THE LITTLE GUY It's almost as small as the name makes out. Get there early and secure one of the back rooms before it's completely inundated with Glebians. Once your couch and tabletop have been conquered, delve into the bar's extensive and well-researched craft beer list. If you want to go for something local, try Port Mac's Wicked Elf. If you haven't brought your own fancy games, grab Balderdash from the house stack, it's rather silly. 87 Glebe Point Road, Glebe, 8084 0758, www.thelittleguy.com.au BITTER PHEW If your favourite board game is Risk or Monopoly, then Bitter Phew is the pub for you. Not because it stocks Monopoly or Risk, but because every Monday the bar brings an incredible range of amazing board games that people who enjoy Monopoly or Risk have never played. Let's just say if Top Gun was the only movie you'd ever seen, it would be your favourite movie. Along with having an enviable cast of craft beers, you can also supplement your board game enlightenment with Griffin Jerky or a portly masterpiece delivered from Mr Crackles. 1/137 Oxford Street, Darlinghurst, www.bitterphew.com AUSTRALIAN YOUTH HOTEL Upstairs is what they call the Nude Room, a historical tip of the hat to the brothel that once operated there. It's a whole lounge of velvet seats all enveloped by a wall-spanning collection of vintage nude art. It's like being in a sexy aquarium; you can enjoy all the captured sexiness without ever having to dive in. Where else would you rather play board games? We recommend bringing two things to the fireside tables: a beer, preferably a White Rabbit dark ale, and some board games — the house lot are missing some vitals. 63 Bay St, Glebe, 9692 0414, www.australianyouthhotel.com.au THE HENSON Marrickville's shrine to gentrification isn't harbouring a good selection of board games; in fact it's hardly harbouring any at all. What it does have is ample space, great pub food and an atmosphere that would welcome both a quiet game of cards and riotous friendship breaking campaign of Cattan. Also, depending how liberally you classify the board half of board games, you can take part in the pub's Tuesday dart competitions. 91 Illawarra Road, Marrickville, 9569 5858, www.thehenson.com.au VENUE 505 Every Monday at 505 has two things: impromptu jazz jams and board games (a combination we'd like to see much more of). The artist-run venue unsurprisingly does both elements well. The jam sessions often include hugely talented interstate and international musicians and the in-house board game selection is large and good quality. If the small venue's range of craft beers hasn't distracted you from crafting a perfect solo strategy, get a boozy affogato to steer it home. 280 Cleveland Street, Surry Hills, www.venue505.com DUCK INN PUB AND KITCHEN The Duck Inn is one of the most un-pub feeling pubs we've ever seen. It's somewhere between a well-financed club house and an artful home. That's what makes it such a nice place to balance a Jenga stack (they once ran a month-long Jenga tower comp) or to rearrange a jumble of letters on a Scrabble stand. 74 Rose Street, Chippendale, 9319 4415, www.theduckinnpubandkitchen.com SPAWN POINT SMALL BAR Spawn Point Bar doesn't have many board games (just Cards Against Humanity and Adventure Time-themed Monopoly) but we felt like it needed to be included in this list for the simple reason of its magnificent nerdiness. We mean that in the most sincere and flattering way. We love that you have almost all of the Nintendo gaming systems, we love that you stock Sonic 1 and 2 and we love that we can drink Peronis, James Squires and themed cocktails while we play. Basement, 199 Clarence Street, Sydney, www.spawnpoint.com.au Top image: thebarrowboy - Flickr CC.
As far as next-level design goes, the humble bowling alley has quite the tendency to err on the side of OTT. They either take us back in time to the '50s, milkshakes and the halcyon days when bowling was literally the most fun you could have, or they blast us forward in time to a super luxurious, neon space rave. Sometimes they let you play in an underwater grotto. Wherever they take us, bowling alleys are always an adventure. They're the perfect setting for novelty dates or big group outings because they allow everyone, from graceful sports stars to kidults who need bumper bars, to look cute in bowling shoes. We're getting into the Lebowski-loved art that is bowling this winter (even if we have to use bumpers), so we thought we'd take a little desk trip to some of the most unique bowling alleys around the world. If you've a hankering to drink, bowl and party closer to home, check out your local bowling alley's seasonal deals (like these clangers Kingpin are offering right now). It might just be one of the best date ideas under $50 this city's ever seen. [caption id="attachment_578915" align="alignnone" width="1280"] Flickr.[/caption] WHITE HOUSE BOWLING ALLEY, WASHINGTON The President of the United States may spend his days running the country but you know he spends his nights obliterating pins in his swagged out bowling alleys. That's right, plural. There are two bowling alleys in the White House and one is, naturally, decorated in blue and red (patriotism never sleeps). You can access the bowling alley during your overnight stay at the White House (which will set you back a surprisingly doable US$400 a night). ALL STAR LANES, LONDON Now, All Star Lanes may be a franchised restaurant/bar/bowling alley, but they really turn up the charm. Their Brick Lane location in London is dripping in old-school glam, the Holgate iteration takes it back to retro middle America in the '70s while the Bayswater venue is, rather inexplicably, retro-Western. All the venues include break-away dining and bar areas with a killer menu. Come for the bowling, stay for the grilled cheese (with a stacked shake on the side to make your retro experience more authentic and belt-loosening). UNCLE BUCK'S FISH BOWL AND GRILL, TACOMA Uncle Buck's Fish Bowl and Grill, a family restaurant in Tacoma, may boast one of the weirdest bowling alleys in the world. The whole venue is styled in an under-the-sea theme (because, y'know, they serve seafood) but they've reeeally pushed the boat out (yeah we did) on this concept. Nowhere is this more acute, or disturbing, than in the 16-lane bowling alley. The room shimmers like it truly is underwater and large colourful fish hang from the wavy ceiling. Your bowling balls are spat back to you from the terrifying maws of crocodiles, sharks and octopus. In summary: it's amazing, tacky and we want to go to there. BROOKLYN BOWL, NEW YORK Rolling Stone called it "One of the most incredible places on earth" and we can kinda see why. One of New York's best loved establishments any night of the week, Brooklyn Bowl in New York is a hybrid rock 'n' roll music venue and bowling alley. The alley is decked out with Chesterfield lounges and boasts a menu by the world famous fried chicken institution, Blue Ribbon Fried Chicken. And on the other side of the venue, the stage has hosted bands like Gun N Roses, Elvis Costello and the Roots and frequently throw rockin' tribute and DJ nights. Also, it's co-owned by André 3000. So, we're in. PINEWOOD SOCIAL, NASHVILLE The Pinewood Social bowling alley is a retro, yet minimalist, bowling alley in Nashville and it might be the cutest place on earth. It's not like most bowling alleys with its high ceiling, exposed trusses and complete lack of neon lights, the complex also includes a café, dining area, bar, lounge and outdoor area with bocce ball court and a pool — all gloriously retro without crossing into tacky territory. You'll also find a mural alongside the lanes made up of specially printed cans. We'll call it, Pinewood Social may be the hippest place in America. SPLITSVILLE, TAMPA Splitsville is not just a place you temporarily populate after being dumped in primary school. It's also a retro-fantastic bowling alley and funtorium in Tampa, Florida, that looks like it's remained exactly the same since its conception in the '70s. In fact Splitsville has had an upgrade (they serve sushi now!) but despite this, it's still a pretty retro joint. You'll be able to see it from a mile away if you look for the two-storey pin (purportedly the largest in the world) on the front door. THE SPARE ROOM You might not think squeaking across a polished wooden floor hurling hefty balls about as a classy activity, but at The Spare Room it can be. Rich mahogany wood finishes, chandeliers and arched windows pair nicely with the bar's ridiculous, but classic, cocktail list. They've complemented their highly resplendent cocktail bowling facilities with other sophisticated pursuits like chess, dominoes, old school bingo, a wooden Connect Four set and an amazing, old school menu. XLANES LA If you're after an integrated, flashy bowling experience, XLanes in Downtown Los Angeles might be just what you need. It's a big (we mean big) bowling alley with 16 lanes and all the flashing neon lights you could ever dream of. But its real value is in the extras, like the full bar, massive gaming arcade (hello Fruit Ninja, we meet again), darts, karaoke and pool and billiards room. It's like a hedonistic adult playground of excess and bowling. Take our money. THE BROADMOOR, COLORADO The Broadmoor in Colorado is a bonkers holiday destination for the insanely wealthy. It's really damn decadent. It's so fancy the bowling alley doesn't even look like a bowling alley — it's decked out in leather couches, chandeliers, gold gilt and affluent smuggery. You will not be ordering a margarita slushie here or entering your name as ASS on in the scoreboard, no. Instead you can partake of adult shaved ice topped with locally made liqueurs and parmesan white-truffle popcorn (seriously, these are things they serve). You might have to sell a kidney to get onto their six lanes or stay the night in their digs, but you can guarantee you'll have the swankiest bowl of your life. SILVER DOLLAR SALOON, MONTANA If you've found another bar in this crazy world of ours boasting stools that are saddles, please let us know. As well as being a rootin' tootin' bar, the Silver Dollar Saloon also boasts a Western-themed, four-lane bowling alley. This kitted-out saloon also features a billiards table, a private theatre, shuffleboard table and darts. It's part of the Rock Creek Ranch in Montana and while a night there will set you back a minimum of US$800, it does include all alcohol and unlimited bowling time so you might just break even. Inspired? If all this reading about bowling has given you a hankering to knock down some pins, let's get you a lane. Kingpin is doing unlimited bowling and laser tag for a cheeky $30pp from 7pm till close. That's quite simply one of the best affordable (and actually fun) date ideas we've seen in this fine city of ours.
If you're a fan of Better Call Saul, Brooklyn Nine-Nine, Dead to Me or The Good Place, you've probably spent plenty of time in front of your TV screen over the past six months. But, even when we're all staying inside revisiting our favourite shows, 2020's television and streaming viewing isn't just about the programs you already love. If you're always eager to add some fresh favourites to your pile, the year so far has well and truly delivered. They're the new series that, in years to come, will sit atop your rewatch list. From ominous and ambitious science-fiction thrillers and contemplative slow-TV documentaries to comic takes on history and bold reworkings of literary classics, 2020's batch of new shows has proven a varied bunch — and an excellent one as well. It's enough to make you hole up in your living room and never want to leave. Or, to spend the year's colder months catching up. With the year at its halfway point, here are our picks of 2020's best TV and streaming series that you owe it to yourself to seek out now. https://www.youtube.com/watch?v=ODYjA9H4qcw NORMAL PEOPLE When Sally Rooney's Normal People first hit bookshelves in 2018, it thrust readers into a disarmingly relatable love story, following the amorous ups and downs of an on-again, off-again couple from Sligo, Ireland. Teenagers Marianne and Connell have known each other for years, as tends to happen in small towns. And although she's aloof, intense and considered an acerbic loner, while he's outgoing and popular, a torrid and tumultuous secret romance blooms. That's just the beginning of the Irish author's novel, and of the both tender and perceptive TV series that brings the book to the screen. As it dives deep into a complex chronicle of first love, it not only charts Marianne (Daisy Edgar-Jones, Cold Feet) and Connell's (newcomer Paul Mescal) feelings for each other, but details the recognisable and realistic minutiae of being a high schooler and then a uni student. This is first and foremost a romance, and a passionate and intimate one at that; however the series can't tell this complicated couple's story without touching upon everything else that pops up along the way. Normal People is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=1htuNZp82Ck&feature=youtu.be TALES FROM THE LOOP If Black Mirror set all of its bleak futuristic tales in one small town, followed interconnected characters and sported a low-fi, retro sheen, the result would be Tales From the Loop. This patient, beautiful, poignant and incredibly moving sci-fi series is actually based on a series of paintings by Swedish artist Simon Stålenhag — and even if you didn't already know that fact while you were watching, you'd notice the show's distinctive aesthetic. The title refers to a mysterious underground machine, called The Loop, that's designed to explore and unravel the mysteries of the universe. For the folks living above it, their lives soon take strange turns. Anchoring jumps and pauses in time, body swaps, giant robots and more in everyday situations and emotions (such as being envious of a friend, falling in love, betraying your nearest and dearest, and trying to connect with your parents), Tales From the Loop is as perceptive as it is immersive and engaging. And, its eight episodes are helmed by an exceptional array of fantastic filmmakers, including Never Let Me Go's Mark Romanek, WALL-E's Andrew Stanton, The House of the Devil's Ti West and actor-turned-director Jodie Foster. Tales From the Loop is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=t8klax373ds DEVS Radiating unease from its very first moments, yet sporting both a mood and a futuristic look that prove simultaneously unsettlingly and alluring, Devs is unmistakably the work of author-turned-filmmaker Alex Garland. His first jump to the small screen, it instantly slots in nicely beside Ex Machina and Annihilation on his resume — and it's just as intriguing and involving as each of those excellent movies. The setting: Amaya, a US technology company that's massive in size yet secretive in its focus. When Sergei (Karl Glusman) is promoted to its coveted, extra clandestine Devs division, his girlfriend and fellow Amaya employee Lily (Sonoya Mizuno is thrilled for him. But when Sergei doesn't come home from his first day, Lily starts looking for answers — including from the company's guru-like leader Forest (a long-haired, very un-Ron Swanson-like Nick Offerman). Devs is available to stream via Foxtel Now and Binge. Read our full review. https://www.youtube.com/watch?v=G5vLgpdXz0g THE GREAT It takes its title from its central figure, Russian empress Catherine the Great. It's filled with lavish period-appropriate costumes, wigs, sets and decor. And, it explores an immensely famous time during the 18th century that had a significant impact upon the world. Normally, that'd all smack of a certain kind of drama; however The Great is firmly a comedy as well. As starring Elle Fanning as the eponymous ruler, Nicholas Hoult as her husband Peter III and Bohemian Rhapsody's Gwilym Lee as a fellow member of the royal court, that means witty, laugh-out-loud lines, an irreverent and often cheeky mood, and having ample fun with real-life details — much in the way that Oscar-winner The Favourite did with British royalty on the big screen. Of course, the comparison couldn't be more fitting, with that film's BAFTA-winning screenwriter, Australian Tony McNamara, using his savagely hilarious satirical skills to pen The Great as well. The Great is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=qaMIcuVH83M&feature=emb_logo THE BEACH Whenever Warwick Thornton makes a new project, it demands attention — and the Indigenous Australian filmmaker has never made anything quite like The Beach. The director of Samson & Delilah and Sweet Country turns the camera on himself, chronicling his quest to escape his busy life for an extended soul-searching getaway. With only chickens and wildlife for company, Thornton bunkers down in an electricity-free tin shed in Jilirr, on the Dampier Peninsula on the northwest coast of Western Australia. He fishes, cooks, chats to the chooks, wanders along the shoreline and reflects upon everything that's led him to this point, with this six-part documentary series capturing the ups, downs, sublime sights and epiphany-inspiring moments. Unfurling quietly and patiently in the slow-TV tradition, Thornton's internal journey of discovery makes for both moving and absorbing viewing. Indeed, combined with stunning cinematography (as shot by Thornton's son and Robbie Hood director Dylan River), it just might be the best piece of Australian television you see this year. The Beach is available to stream via SBS On Demand. https://www.youtube.com/watch?v=-TA3B8Z5lcQ DISPATCHES FROM ELSEWHERE It has been a few years since Jason Segel was seen on-screen with any frequency; however the Freaks and Geeks, How I Met Your Mother and The Muppets star returns in a big way with Dispatches from Elsewhere. As well as leading the cast, he created, co-wrote and co-directed the intriguing and enigmatic puzzle-like drama series, which is based on the documentary The Institute and tracks a group of strangers who find themselves drawn to a strange, game-like mystery. IT worker Peter (Segel), the lively Simone (Eve Lindley), the overly cautious and paranoid Fredwynn (Andre Benjamin), and the upbeat Janice (Sally Field) all don't know what they're getting themselves in for when they start spotting flyers around town about offbeat topics (communicating with dolphins and trialling human force fields, for example), then each individually call the number printed on them. And, for maximum immersion and enjoyment — and to go on the ten-part show's weird and wonderful ride with its characters — audiences should approach it with as little prior knowledge of any details other than the above as well. Dispatches from Elsewhere is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=KDKYJwih5-Q BREEDERS Catastrophe, that great, smart, acerbically funny British comedy about a couple's experiences with parenthood, attempts to navigate life's all-round chaos and just general effort to try to stay together, sadly finished up its four-season run last year. Let worthy successor Breeders fill the gap — with Martin Freeman starring as exasperated dad Paul, Daisy Haggard (Back to Life) playing his partner Ally, and The Thick of It's Chris Addison and Simon Blackwell on directing and writing duties. Basically, if the aforementioned political satire featured parents swearing profusely at their kids instead of government staffers unleashing at their colleagues, this is how it would turn out. The show is partially based on Freeman's own experiences, too, and stems from the Sherlock, The Office and The Hobbit actor's idea. Breeders is available to stream via Foxtel Now and Binge. https://www.youtube.com/watch?v=-zVhRId0BTw UNORTHODOX Deborah Feldman's best-selling 2012 autobiography Unorthodox: The Scandalous Rejection of My Hasidic Roots makes the leap to Netflix as a four-part mini-series. And, as the book's title makes plain, both explore her decision to leave her ultra-Orthodox Jewish community in Williamsburg, New York, flee her arranged marriage and everyone she's ever known, and escape to Berlin to start a brand new life. Names and details have been changed, as tends to be the case with dramas based on real-life stories; however Unorthodox still follows the same overall path. In a tense but instantly commanding opening to the show's first episode, 19-year-old Esther 'Esty' Shapiro (Shira Haas) slips out of the apartment she shares with her husband Yanky (Amit Rahav), picks up a passport from her piano teacher and nervously heads to the airport. The end result proves a unique and intriguing coming-of-age tale, a thoughtful thriller, and an eye-opening but always careful and respectful look at a culture that's rarely depicted on-screen in such depth. Israeli actress Haas (The Zookeeper's Wife, Foxtrot, Mary Magdalene) turns in a nuanced, weighty and gripping performance as Esty, too — which is absolutely pivotal in making Unorthodox so compelling to watch. Unorthodox is available to stream via Netflix. Read our full review. https://www.youtube.com/watch?v=nyxdf2TvcJE STATELESS A flight attendant (Yvonne Strahovski) unhappy with her life, trying to find solace in a cult-like dance school run by a creepy duo (Cate Blanchett and Dominic West), and eventually making a drastic decision. An Afghan refugee Ameer (Fayssal Bazzi) attempting to escape to Australia with his wife and daughters in search of a better life. A struggling father (Jai Courtney) in a remote town who takes a job at the local detention facility because it pays well. A bureaucrat (Asher Keddie) brought in to manage said location when it attracts negative media attention. They're the four characters at the heart of six-part Australian mini-series Stateless — a show that doesn't just feel as if it is ripped from the headlines but, in one specific instance, is 100-percent drawn from real-life events. This is bold, topical television filled with fantastic performances, although that's to be expected given the cast. Stateless is available to stream via ABC iView. https://www.youtube.com/watch?v=BMUPp_hNMlM THE EDDY A fantastic cast, a Parisian setting and oh-so-much jazz. As executive produced and partly directed by Whiplash and La La Land filmmaker Damien Chazelle, that's what's on offer in eight-part drama The Eddy. The title refers to the French club run by former pianist Elliot (Andre Holland) and his business partner Farid (Tahar Rahim), with every episode following the daily life of a different person — including Elliot's rebellious teenage daughter Julie (Amandla Stenberg), as well as Maja (Joanna Kulig), the lead singer of the venue's resident jazz band. Like almost everything that Chazelle touches, other than First Man, jazz features heavily. That's really just a given with his work by now. But whether you're as fond of the style of music as he clearly is, you could take or leave it, or you're just keen on virtually visiting Europe, The Eddy unfurls a moody and engrossing tale that benefits from its excellent on-screen talent. The Eddy is available to stream via Netflix. https://www.youtube.com/watch?v=pMaPCYRPhY0 MYTHIC QUEST: RAVEN'S BANQUET For the past 15 years, Rob McElhenney, Charlie Day and Glenn Howerton have co-written and co-starred in one of the best shows on TV: the so-ridiculous-its-hilarious It's Always Sunny in Philadelphia. Hopefully, that'll never change — Sunny just aired its 14th season last year — but McElhenney and Day have also just launched a new sitcom. Trading a sleazy Philly bar for a video game development studio, Mythic Quest: Raven's Banquet sees McElhenney play a gaming visionary who's having trouble with the latest expansion pack of his big online role-playing hit. Big troubles, actually. A workplace comedy, Mythic Quest takes some time to find its feet, but it's worth sticking with. It also stars Community's Danny Pudi, Oscar-winner F. Murray Abraham and Australian Content actress (and #Flipgirl) Charlotte Nicdao. And if you're a fan, you'll be pleased to know that Apple renewed it for a second season before the first even premiered. Mythic Quest: Raven's Banquet is available to stream via Apple TV+. https://www.youtube.com/watch?v=TVQ9-XH3hc8 DRACULA After giving Sherlock Holmes plenty of twists in Sherlock, writers Steven Moffat and Mark Gatiss have decided that another famous character could use a once-over — and not just any old figure, either. Bram Stoker's Dracula has been adapted for the screen so many times, the bloodsucker actually holds the record, but this version isn't like any other. Starring The Square's Claes Bang as the undead count, the BBC and Netflix three-part series has plenty of tricks up its sleeves. So many, in fact, that we won't say too much in order to preserve the mystery. In a smart, lush, gleefully theatrical and cleverly scripted affair that blends gothic horror with sly amusement, the basic framework of the 123-year-old story remains — spanning both Romania and Britain, and following his altercations with lawyer Jonathan Harker, his lust for Lucy Westenra and his run-ins with Van Helsing — but not as you'd ever expect. Bang is fantastic, but keep a particular eye out for Dolly Wells (Can You Ever Forgive Me?) as a pivotal nun. Dracula is available to stream via Netflix. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly.
At St Kai, classic Japanese and modern breakfast flavours combine in a brunch-filled flurry. Discover masterful dishes like the donburi rice bowls tossed with ground Wagyu beef, an array of pickles, the secret house sauce and a fried egg (delicately placed atop the whole thing). It's essentially a deconstructed cheeseburger in a bowl with rice instead of a milk bun. If you're not after a steamy bowl of noodles to start your day, you can turn your attention to the bagels topped with the likes of avocado, furikake (seaweed flakes), chilli oil and an onsen egg for a tasty makeover of the classic avocado toast. Those that head in for lunch should go right for a warming bowl of ramen — made fairly classically. The Yaki-style ramen (with fried noodles rather than boiled) comes with house-fermented kimchi, furikake and a fried egg; and the spicy tantanmen ramen is made from miso-soaked pork mince, chilli oil, soybean broth, bok choi, an onsen egg, nori and shallots. If you want something that can easily be eaten on the go, the wagyu beef brekkie roll with a fried egg and Tokyo mac sauce. Then there's the coffee. Few countries share the diehard love for this caffeinated nectar of the gods quite like the Japanese — a fact that is well and truly on show at St Kai. It sources Diggy Doo's beans to serve up classic coffees as well as a few special creations. The Bebop drink consists of coffee jelly, iced milk and two shots of espresso. And the Ghost in a Shell option comes with a coffee flower tea, iced cascara and a decent splash of cold brew. St Kai is one of Sydney's best cafes because it expertly creates authentic Japanese dishes while also thinking up totally unique things to eat and drink. Come here once, and you'll be dying to come again — trying something different every time. Appears in: The Best Cafes in Sydney
Located at the dividing line between Enmore and Newtown — on one of Australia's best roads, Enmore road — Macellaria is billed as the butcher that sells you your meat and then politely cooks it for you. Starting out in Bondi, Peter Zaidan opened the Newtown iteration back in 2017, and hasn't looked back since, with Macelleria now open in five locations across two states. If you're keen to dine in with mates or get some takeaway for the barbie, they've got you covered. This place is basically a carnivore's paradise, with only the finest MSA grade beef, free from hormones and antibiotics. It source its beef from across Australia, be it South Australia, NSW, Tasmania, Gippsland or Flinders Island. Alongside Cape Grim beef, they also offer Tajima wagyu, which originated from the Hyogo prefecture in Japan and is amongst the most famous cuts in the world. The interior itself is akin to a big and bustling foodcourt, with copious amounts of space and an airy open layout. If you're planning lunch out with the whole family, then know this is the kin of place where they'll be welcomed warmly. And there is plenty on the menu to excited the kids. If you're vegetarian or looking to take it easy on the meat, they have you covered too. For a place that is literally a butcher shop, the vegetarian burger and eggplant parmigiana, as well as fresh salads, are surprisingly good. On your way out, be sure to window shop at the open counters and grab some sausages and lamb chops for the freezer. In a world where butcher shops have all but disappeared, Macelleria has found a way to not only survive, but thrive. Appears in: Where to Find the Best Steak in Sydney
If you had to pack up and run for your life, what would you grab? Clothes? Food? Phone charger? Australians and New Zealanders are in one heck of a lucky situation, we haven't had to throw essentials in a bag and flee because of war, genocide or unbridled violence. But nearly 100,000 people from the Middle East, South Asia and North Africa have had to do just that — this year alone. Refugees don't have the luxury of packing ten Louis Vuitton suitcases of unnecessary crap for their travels. They travel light, for the road is incredibly dangerous. It's only necessities that refugees throw into their bags before getting the hell out of their home country: medication, little food, phones, maybe a toothbrush. To get an insight into exactly what refugees are travelling with, the International Rescue Committee and photographer Tyler Jump asked an artist, a mother, a family, a child, a teenager and a pharmacist, who are all refugees from war-torn areas like Syria and Afghanistan, to show us what they'd managed to bring with them on their journey — what they'll need on the road to a (hopefully) more peaceful future. All images and quotes were originally published by Medium. A FAMILY OF 31 From Aleppo, Syria “I hope we die. This life is not worth to live anymore. Everyone closed the door in our face, there is no future.” 1 shirt 1 pair of jeans 1 pair of shoes Toiletries 1 diaper, 2 small cartons of milk and some biscuits Personal documents and money Sanitary pads A comb A TEENAGER Iqbal, 17, from Kunduz, Afghanistan “I want my skin to be white and hair to be spiked — I don’t want them to know I’m a refugee. I think that someone will spot me and call the police because I’m illegal.” 1 pair of pants, 1 shirt, 1 pair of shoes and 1 pair of socks Shampoo and hair gel, toothbrush and toothpaste, face whitening cream Comb, nail clipper Bandages 100 U.S. dollars 130 Turkish liras Smartphone and back-up cell phone SIM cards for Afghanistan, Iran and Turkey AN ARTIST Nour, 20, from Syria “I left Syria with two bags, but the smugglers told me I could only take one. The other bag had all of my clothes. This is all I have left.” Small bag of personal documents A rosary (gift from his friend; Nour doesn’t let it touch the floor) A watch (from his girlfriend; it broke during the journey) Syrian flag, Palestinian charm, silver and wooden bracelets (gifts from friends) Guitar picks (one also a gift from a friend) Cell phone and Syrian SIM card Photo ID 1 shirt A MOTHER Aboessa, 20, from Damascus, Syria “Everything is for my daughter to protect her against sickness. When we arrived in Greece, a kind man gave me two jars of food. Another man gave us biscuits and water when he saw my baby.” Hat for the baby An assortment of medication, a bottle of sterile water, and a jar of baby food A small supply of napkins for diaper changes A hat and a pair of socks for the baby Assortment of pain relievers, sunscreen and sunburn ointment, toothpaste Personal documents (including the baby’s vaccination history) Wallet (with photo ID and money) Cell phone charger Yellow headband A BOY Omran, 6, from Damascus, Syria 1 pair of pants, 1 shirt A syringe for emergencies Marshmallows and sweet cream (Omran’s favorite snacks) Soap, toothbrush and toothpaste Bandages A PHARMACIST Anonymous, 34, from Syria “I had to leave behind my parents and sister in Turkey. I thought, if I die on this boat, at least I will die with the photos of my family near me.” Money (wrapped to protect it from water) Old phone (wet and unusable) and new smart phone Phone chargers and headphones (plus extra battery charger) 16GB flash drive (containing family photos) Via Medium. Images: Tyler Jump/International Rescue Committee.
OneWave is a non-profit surf community tackling mental health issues with a simple recipe: salt-water, surfing, good mates and Fluro Fridays. Since March 2013, every Friday has become Fluro Friday. At 6.30am the crew dress up in the brightest fluro outfits they can find and surf/swim/do yoga at sunrise to raise awareness for mental health. OneWave was founded by Grant Trebilco, along with mates Sam Schumacher and Joel Pilgrim. "After a week partying at the Australian Surf Open three years ago I ended up in hospital and was diagnosed with bipolar," says Trebilco. "When I got out of hospital I moved back home to Mount Maunganui and it was surfing with my family and mates that helped me the most. I remember getting this one good wave and it was the first time I had smiled in so long. Sometimes OneWave really is all it takes. "The ocean was also the first place I told my friends about having bipolar. The support and understanding they showed me was unreal and I will never forget it. This was the inspiration behind launching OneWave. I wanted to share this recipe of saltwater therapy and start as many conversations as I could about mental health to help any one stuck in a funk. When I moved back to Australia, we were not sure how to launch OneWave and then on Friday, March 22, 2013 I randomly decided to get up at sunrise, throw on a shirt and tie and go surfing solo at Bondi to get people asking questions about mental health. That was OneWave's first 'Board Meeting' which 4 weeks later became 'Fluro Friday' and 2 1/2 years later there has been Fluro Friday's at more than 60 beaches Worldwide, run by locals who are passionate about the ocean and raising awareness of mental health in their community." Find OneWave at Bondi and Manly every Friday at 6.30am. You can't miss them.
UPDATE, May 22, 2021: Black Panther is available to stream via Disney+, Google Play, YouTube Movies and iTunes. There is one dull moment in Black Panther. Exactly one. And the fact that it comes courtesy of Stan Lee's now-inevitable cameo speaks volumes about this rich and electrifying instalment in the Marvel Cinematic Universe. When the man who ostensibly founded the franchise shows up, it feels like a predictable, obligatory inclusion in a film that runs from those labels every other chance it gets. Lee's presence nods to the usual formula that's been deployed for 17 big-screen chapters — but, coming in at number 18 in a series that shows no signs of slowing down, Black Panther refuses to stick to that template. It's one of the few comic book flicks in living memory that doesn't spend its time setting up the next movie or shoehorning in links to past titles. The film stands on its own merits, and it's absolutely glorious. Although viewers first met Chadwick Boseman's T'Challa, aka Black Panther, back in Captain America: Civil War, his debut solo outing is still something of an origin story. Despite this, in exploring who the newly crowned Wakandan king is, where he's from and the struggles he's facing, the film prowls down its own path. After the death of his father, T'Challa finds himself at a crossroads about the future of his nation — a place that has long chosen to hoard its considerable technological advancements, close its borders and hide its true nature from the world. Some close to him, such as his head of security W'Kabi (Daniel Kaluuya), support the insular status quo. Others, including his ex-girlfriend turned secret special forces operative Nakia (Lupita Nyong'o), advocate for helping those in need. A Marvel movie that weighs up the merits of isolationist policies versus social responsibility, all while grappling with race and class as well? With its eyes firmly on current world affairs, Black Panther certainly isn't afraid of getting topical. Directed and co-written by Ryan Coogler, the film blends the rousing politics of his debut, Fruitvale Station, with the earnest spectacle of his follow-up, the Rocky-spinoff Creed. It's a superhero flick with something to say and no qualms about saying it. At the same time, the ambitious effort nods effectively to Shakespeare in its family dynamics, and offers up smart spy action complete with its own gadget guru (Letitia Wright, a scene-stealer as T'Challa's younger sister Shuri). Packed to the brim (although it never feels overstuffed), the movie also makes a stand for formidable women through General Okoye (Danai Gurira), the king's loyal, lethal and highly memorable bodyguard. Marvel's last title, the wonderfully distinctive Thor: Ragnarok, successfully carved its own niche within the MCU's usual confines. While that film proved an impressive feat, Black Panther goes one step further, effectively smashing the standard mould to pieces. This shines through in two areas in particular. The first is in the film's treatment of its primary antagonist, with unruly weapons dealer Ulysses Klaue (Andy Serkis) a mere distraction on the road to the determined Erik 'Killmonger' Stevens (Michael B. Jordan). Villains aren't typically Marvel's strong suit, but here the fight between opposing forces feels refreshingly astute and even-handed. Casting assists considerably in this regard, with both Boseman and Jordan bringing considerable gravitas to their roles. Coogler also demonstrates an exceptional command of tone, delivering a film that serves up a few well-earned laughs, but takes its overall task seriously. In a picture positively teeming with highlights, however, Black Panther's greatest quality is its all-round embrace of African culture. In every aspect of its look, sound and feel, this chapter is like nothing else in the Marvel universe, and that's clearly by design. Twice during the film, outsiders enter Wakanda and try not to let their jaws drop to the floor — and it's easy to understand their reactions. Frankly, it's the same one we had as the end credits rolled. Coogler has crafted an entertaining, engaging and impassioned movie that is both proud of and confident in its differences, and is also committed to shining the spotlight on the people that blockbuster cinema so often ignores. What could be more awe-inspiring than that? https://www.youtube.com/watch?v=ph9_oITIefE
The wildflowers are a-blooming, the sun is a-shining and the air is clear. Now that summer has stolen the cooler weather away for keeps, it's time to make a beeline for the Blueys. The days are warm enough for walking, but the evenings still cool enough to get cosy before a log fire (bushfire warnings permitting). So don't forget your walking boots or your whiskey. Here's our guide for squeezing the most out of a mountains weekender this summer. SEE The Three Sisters and Katoomba Falls are bound to be high on your list. For the most magical views (and the fewest tourists), visit by night. Or try checking them out from a new angle at Sublime Point Lookout (Sublime Point Rd, Leura). Other lookouts worth visiting include Cahills (258-276 Cliff Drive, Katoomba), Evans (Evans Lookout Rd, Blackheath) and Govetts Leap (Govetts Leap Road, Blackheath). For more water, head to Wentworth, where you can picnic while watching the most majestic waterfalls in the mountains, and Leura, to explore cascades of more fairy-like dimensions. If you feel like a dip, take on the 1 kilometre walk to Minnehaha Falls. Image: Gary P. Hayes. DO The quintessential Blue Mountains experience is to be had at Scenic World (corner Violet St and Cliff Drive, Katoomba; (02) 4780 0200). Your adventure starts with an invigorating ride on the 270-metre high Scenic Skyway, taking in some of the mountains' most spectacular vistas, including Jamison Valley and Katoomba Falls. Once you're safely back on land, jump on the Scenic Railway (the steepest railway in the world), which descends 310 metres, dropping you on the valley floor, where the Scenic Walkway takes you on a 2.4 kilometre stroll through ancient rainforest, passing local lyrebirds. Make a gentle return via the Scenic Cableway's slow, 545 metre climb. If you're after some more intensive hiking, leave time for an all-day walk. Two of the best are the 6 kilometre Grand Canyon track and the relentlessly scenic Mount Banks trail. Alternatively, get into some local culture. The Blue Mountains have long provided a refuge for Sydney artists, so there's no shortage of galleries and exhibitions. You'll find diverse touring shows of both minor and major varieties at The Blue Mountains Cultural Centre (30 Parke St, Katoomba; (02) 4780 5410; Mon-Fri, 10am-5pm; Sat-Sun, 10am-4pm). Or revisit your childhood at the Norman Lindsay Gallery and Museum (14 Norman Lindsay Crescent, Faulconbridge; (02) 4751 1067; daily, 10am-4pm) and at Leura's Toy and Railway Museum (36 Olympian Parade, Leura; (02) 4784 1169; daily, 10am-5pm). EAT At least one (if not all) of your dining experiences should come with dreamy mountain views. Katoomba's Scenic World (corner Violet St and Cliff Drive, Katoomba; (02) 4780 0200) is home to two eateries looking over uninterrupted vistas of Jamison Valley and the Three Sisters. Book at EATS270 (10am-3pm daily) for local produce, craft beers, a killer Angus beef burger and a seat right on the giddy edge of the escarpment. Or, for a casual snack or coffee, there's the Terrace Cafe (10am-5pm daily). Occupying an equally extraordinary position is the airy, elegant Solitary Restaurant (90 Cliff Drive, Leura Falls; (02) 4782 1164; Wed-Sun, 11am-4.30pm, Fri and Sat, from 6.30pm). On a clear day, you can see as far as the Southern Highlands. The seasonal menu includes dishes like roasted sage spatchcock with Dutch finger carrots, Parma ham, asparagus and carrot puree. More refined dining is on offer at nineteen23 (1 Lake St, Wentworth Falls; 0488 361 923; Thu-Sun, from 6pm, Sat-Sun, from 12pm) and Blackheath's Vesta (33 Govetts Leap, Blackheath; (02) 4787 6899; Wed-Fri, 5pm-10pm, Sat-Sun, from 12pm), where the specialty is slow roast, cooked in a 120-year-old scotch oven, fuelled by good ol' Mudgee vintage ironbark. For a more casual munch, head to Leura Garage (84 Railway Parade, Leura; (02) 4784 3391; daily from 12pm), an arty, community-minded cafe-restaurant. The menu is hearty and the coffee is a special, Umami-created Ethiopian-Brazilian blend. DRINK After a ten-year closure and $35 million reno, the glamorous Hydromajestic Hotel, built in 1904, reopened in October 2014. Drop by the Shanghai-inspired Salon du The Bar & Lounge (52-88 Great Western Highway, Medlow Bath; (02) 4782 6885; Fri-Sun, 3pm-9pm) for a cocktail, wine or high tea and amazing views of Megalong Valley. For a more old-school, classic hotel experience, visit Mount Victoria's Imperial Hotel (1 Station St, Mount Victoria; (02) 4787 1878), built in 1878, where you can kick back in front of a crackling fire. Lilianfels Lounge & Bar (5-19 Lilianfels Avenue, Katoomba; (02) 4780 1200; daily, 11am-11pm) offers a long wine and beverage list covering local and international wines, single malt whiskeys and signature cocktails. STAY Those travelling in a group should explore Airbnb to nab a cracking deal on a private residence. An eco-friendly, passive-solar house, Nagual Retreat in Leura comes with incredible views over Mount Hay and sleeping space for 11 across five bedrooms and two levels. But if you want to go all-out deluxe, check out Katoomba's stunning, architect-designed The Last Straw. Meanwhile, rowdy crews might consider surrounding themselves with land. There's this gorgeous, four-bedroom timber home on 2 acres at Medlow Bath, this tranquil property on 7 acres at Blackheath with its own tennis court, trampoline and cubby house (yay!), or the immense Dantosa Retreat, which sleeps 16 and is set on 9 acres of landscaped gardens, private lake included. If you're more in the market for a romantic hideaway, there are loads of rustic mountain cottages to choose from. Stay within walking distance of Leura at the sunny, spacious Little Haven, with its own courtyard, king bed, spa bath and log fire. Or plant yourself in nature at the irresistibly cute Jemby Rinjah Eco Cabin, with its Japanese spa and treetop-level bedroom. And then there's this Enchanted Cave. GET ME THERE By car: The Blue Mountains is 90 minutes from Sydney via the M4 motorway. Alternatively, take the scenic route through the Hawkesbury along Bells Line of Road. By train: The journey from Sydney's Central Station to Katoomba is two hours on the Blue Mountains Line. Scenic World: Scenic World is 3km from Katoomba's town centre. Park in the all-day free parking, or hop on either a Blue Mountains Explorer or Trolley Tours bus and disembark at Scenic World main building.
They say people in glass houses shouldn't throw stones, which is excellent practical advice for when visiting a glass greenhouse, but they never really mention what people in glass houses should do, or even where to find glasshouses. They're pretty common in Europe, where harsh winters prevent many southern hemisphere plants from thriving, nearly every botanical garden boasts a glasshouse full of exotic species. But Australia doesn't get too many chances at glass glory. If you're in the market for a round the world trip full of steamy glass greenhouses, or if you're looking for inspiration for your indoor garden, check out ten of the best and biggest greenhouses from around the world. [caption id="attachment_574059" align="alignnone" width="1280"] Kew Conservatory.[/caption] KEW CONSERVATORY The Kew Conservatory is one of the most well known greenhouses in the world. Established in 1987 by Princess Diana and housing over 30,000 plant species, the conservatory is designed to be energy efficient and uses some passive heating and cooling design techniques to moderate each climatic area. In one of the glasshouses, you'll find giant water lilies that span over two metres and a basement level that gives you a view of the underbelly of the pond. However, you can only visit the glasshouse by purchasing a ticket for the Kew Gardens at large, so we recommend heading over in the spring or summer to soak up as much quaint English garden as you can possibly stand. [caption id="attachment_574285" align="alignnone" width="1280"] Flickr.[/caption] PALMENHAUS AT SCHÖNBRUNN PALACE The Palmenhaus Schonbrunn in Vienna is a glasshouse built in the garden of the royal palace of Schonbrunn. It bucked the dainty white trend to be built with a dusky green steel and, like many glasshouses built before WWII, it's had a long and colourful history. Palmenhaus was partially destroyed in 1945 when the palace was heavily firebombed, but has since rebuilt — and has grown its herbarium to one of the most prestigious in the world. Among the planned chaos of the overgrown garden, you'll find oldest plant in the world, an olive tree donated by Spain in 1974, is estimated to be roughly 350 years old. KAISANIEMI BOTANIC GARDENS GREENHOUSES In the Kaisaniemi Botanic Gardens in Helsinki sit three plump glasshouses laced with white. They're laid out in a more rambling fashion than traditional greenhouses, with quaint benches and tables scattered throughout, and are used as much as an education facility as a peaceful retreat from chilly Helsinki. The rooms are organised by plant variety and the most striking include the Asian waterlily rooms (think water lilies the size of a picnic rug), the desert room and atmospheric rainforest room. [caption id="attachment_574280" align="alignnone" width="1280"] Flickr.[/caption] ROYAL GREENHOUSES OF LAEKEN In the 1800s, advancements in construction techniques made the greenhouse, a building that's pretty much just a stack of delicate glass panes, possible. Many greenhouses that were built around that time followed the popular art nouveau style of looking like a glorious wedding cake — and those built on the grounds of Laeken, the Belgium royal castle, were no exception. The greenhouses were untouched during WWII and retain most of their original collections, however they're only open to the public for three weeks during the spring, which makes them all the more mysterious. [caption id="attachment_574286" align="alignnone" width="1280"] NYBG.[/caption] ENID A. HAUPT CONSERVATORY New York Botanical Garden's pretty greenhouse is named after Enid Anneberg Haupt, who donated US$10 million in 1978 to save and restore the old conservatory. The conservatory (which is just a fancy way of saying greenhouse, don't be fooled) specialises in unique exhibitions for gardeners who really know what they're doing, including orchid shows (with vertical walls lush with orchids), the flora of the Japanese garden, recreations of Monet's gardens, wild medicine gardens and edible gardens. You'll also find greenhouse mainstays, such as a hot desert room and a steamy tropical rainforest room to get lost in. THE EDEN PROJECT The Eden Project is technically not made of glass, but it's definitely earned a place on this list for its sustainable (and stunning) design and eco-friendly initiatives. It was built in 2000 on a disused kaolinite pit, near the town of St Blazey in Cornwall, after the pit reached the end of its life. The structure consists of multiple linked geodesic biomes that house the largest rainforest in captivity and a rambling garden that cascades down the edges of the pit. An education centre was built in 2005 that includes classrooms and exhibitions to educate visitors about sustainability — the central message of the Eden Project. And in winter, the tropical biome is probably the warmest place in the UK and stuffed full of rare carnivorous plants. [caption id="attachment_574288" align="alignnone" width="1280"] Wiki.[/caption] JARDIN DES PLANTES It's fitting that some of the oldest and prettiest greenhouses are found in Paris. The three greenhouses in the Jardin des Plantes are almost as lovely as the plants they house and are but one element that make up the rich and rambling garden. They were built in the art deco style (similar to the Paris metro stations) and house exotic plants from around the world, including desert plants, tropical plants from New Caledonia, and a greenhouse that tracks the evolution and history of plant life across the planet. [caption id="attachment_574289" align="alignnone" width="1280"] Flickr.[/caption] COPENHAGEN BOTANICAL GARDEN GREENHOUSES If you want to get immersed in greenhouse culture, the Botanical Garden in Copenhagen is your best value for money. Entry to the gardens is free and they have 27 greenhouses (although some aren't open to the public) scattered throughout the gardens that cover every type of plant you could imagine. Put Greenhouse #12 on your list, as it's dedicated to rare and endangered species of plants from idiosyncratic climates, such as Madagascar, the Galapagos Islands and the Mascarenes (which you will likely never see in the wild). Also Greenhouse #10, the succulent and cacti room, to get inspiration for your own succulent garden back home. THE TROPICARIUM IN FRANKFURT'S BOTANICAL GARDEN Germany experiences some achingly cold winters, so it's no wonder the vast majority of their gardens are safely cultivated inside greenhouses. Some of the most glorious of these can be found in the Palmengarten Botanical Gardens in Frankfurt. The Palmengarten is a 22 hectare botanical garden (the largest in the country) that's been open for over 140 years. The Tropicarium and the Palmenhaus (two weird names you won't forget in a hurry) both house tropical plants and cacti from warmer parts of the world inside beautiful architectural halls designed by Friedrich Von Thiersch in 1868. Like all the greenhouses built in the 1800s, it's a visual smorgasbord of greenery punctuated by delicate lattice work and flowery sconces. [caption id="attachment_574290" align="alignnone" width="1280"] Flickr.[/caption] MT COOTHA TROPICAL DOME The Tropical Dome in Brisbane's Mt Cootha Botanical gardens may not be as large or as fancy as the greenhouses of the northern hemisphere. Hell, it might not even be necessary for a sub-tropical city that is constantly humid to build a tropical dome that's even more humid. But people do love it. The bold geodesic dome pattern encloses a lush, if small, forest and pond and makes the perfect photo op. On the rolling landscape around the dome, you'll find a wide array of cacti and succulents (no greenhouse necessary to keep them alive, thank you very much) that look and feel like a tacky Western movie set. It's plant heaven and entry to the gardens is free all year.
The word institution gets thrown around a lot when it comes to restaurants in Sydney — especially when talking about old school Italian joints — but no where quite lives up to the moniker than Darlinghurst's famed Beppi's. This spot has been serving up delicious Italian fare for over 67 years. It is often thought that five years is a good run for a restaurant, and ten years exceptional, but anything over fifty is almost unheard of these days. Beppi's is the exception to the rule, and it has its focus on quality meals and exceptional service to thank. When it opened its doors, Dwight D. Eisenhower was the president of the USA and Elvis had barely broken into the charts. A lot has changed since then, but thankfully Beppi's has not. The number of a-listers who have dined at Beppi's is somewhat intimidating, and includes the likes of Frank Sinatra, Neil Armstrong, Shirley Bassey, Mick Jagger and Sir Edmund Hillary. Legend has it that Bob Hawke and John Howard once dined on the same night although at different tables. Recent guests include Bono and Rhianna and its such a favourite for the megastars due to the focus on respect and privacy. Whether you're selling out Accor Arena or you've caught the train in from Penrith, everyone here is equal and afforded the same treatment. The menu includes antipasti staples such as rock oysters with lemon granita, fresh figs wrapped in prosciutto and mussels and pipis simmered in fish stock, wine, parsley and garlic. The pasta highlights include old-school favourites such as tagliolini tossed with scampis in butter, garlic and parsley. For a main, look no further than the half-roasted duck served with orange sauce and caramelised fig. If you're looking for classy and traditional Italian in a seductive dining room, Beppi's is your pick. The only thing that matches the food is the quality of the service. Images: Alana Dimou Appears in: The Best Italian Restaurants in Sydney for 2023
When Restaurant Hubert arrived in Sydney in 2016, it marked the first full-service restaurant from the Swillhouse Group and another successful venue in the hospo group's streak of beloved Sydney drinking dens including The Baxter Inn, the dearly departed Frankie's and Shady Pines Saloon. In the years since, Hubert has built a reputation as a true gem of the Sydney restaurant landscape. From the moment you open the door, this Bligh Street spot will hurtle you headfirst into a C.S. Lewis-style adventure, taking you from dreary city streets to the resplendent old-world opulence of post-war Paris. It's like an adult's version of Narnia, only this time there's steak and wine. Once you reach the bottom of their winding stairwell, you'll be presented with a series of doorways. If you take a left, you'll end up in the dining room — a ruby-hued, wood-panelled hall, where ruffled curtains and a baby grand piano take centre stage. One long, expansive bar dominates the left-hand side of the room and, behind it, a two-storey wine library, where waiters scuttle up and down, in search of the right burgundy. Such a beautifully dressed venue will immediately have you looking down and regretting the decision to wear Birkenstocks. These venues are few and far between in Sydney, so take the opportunity to suit up. Air out your dinner jacket, buy a backless dress and give the old monocle a Windex. Having made a booking long in advance, you'll be escorted to a romantic, candle-lit table for two. Be prepared for some serious mood lighting and daily live jazz. This won't be a problem if you're here to celebrate six months since your first Tinder date; you might want to think again if you plan on having the "it's not you, it's me" conversation. [caption id="attachment_673758" align="alignnone" width="1920"] Cole Bennetts[/caption] The beautifully-designed food menu reveals classic French brasserie dishes. The selections progress from lighter, entree-style dishes — like XO escargots and prime beef tartare — to heavy cream-laden mains, like the Angus sirloin with bone marrow butter and the whole chicken with green garlic. Ease into your meal with charcuterie. The Hubert Baguette is the perfect place to start — just make sure you don't fill up on bread — alongside a duck neck sausage or the duck parfait. From there take your pick from the larger share dishes including the whole Australian rock lobster with green garlic butter and chives. The dessert menu has just six options. There's a gateau au chocolate made with rich chocolate mouse, hazelnut crumb and almond biscuit, along with a passionfruit souffle, and a crème caramel made with a bitter, burnt caramel to balance out the sweet egg custard. Then there's the huge selection of beverages; you could take the hefty leather-bound wine menu to an airport lounge and still miss your plane. The selection is largely French and can be ordered by the glass, half bottle, bottle and magnum. Cocktails come classic — think martinis, negronis and whiskey sours — and a range of premium cocktails with some seriously high-end spirits involved (and prices to match). While Hubert is drenched in lavish luxury, it knows how to have a little fun. Head down every day between 5-6pm, and you can treat yourself to the restaurant's famous cheeseburger for cheap, and keep an eye out for its Mangums and Movies sessions where diners are treated to a French feast and a screening of a classic film in the venue's in-house theatre. [caption id="attachment_661174" align="alignnone" width="1920"] Daniel Boud[/caption] Images: Bodhi Liggett. Appears in: The Best Restaurants in Sydney Where to Find the Best Burgers in Sydney for 2023 Sydney's Best Underground Bars for 2023 Where to Find the Best Steak in Sydney
"This is an actual restaurant in a warehouse. Where else is that happening in Sydney?" Baba's Place co-owner Alexander Kelly queries. Following a series of pop-ups that started in Newtown's Rolling Penny, Baba's Place has found a permanent home in a red brick warehouse on Sloane Street in Marrickville. Kelly started Baba's Place with longtime friend Jean-Paul El Tom, but the team has quickly expanded. Co-owner James Bellos, Jean-Paul's sister running the front of house and Brand Director Zaal Kaboli are just some of the many figures you'll find floating around the inner west restaurant. The young team brings together an eclectic mix of experiences and fresh exciting ideas. "One of the things we try and stress, we're all learning," says Kelly. "This is a school." The menu here pulls from Kelly and El Tom's south-west Sydney upbringing, from family meals to eating out in Burwood and Hurstville. You'll find some of the best taramasalata toast going around, a perfectly creamy and sour house yoghurt served with burnt butter, almonds and fried bread and pan-fried rice noodles dressed in chickpea miso, tarator and garlic oil. The fit-out in the warehouse is designed to drop you straight into a family dinner at your Eastern European baba's house, illuminating the beauty of the suburban home with family photos, white frilly table cloths and 80s tableware. These hallmarks of your childhood home, or your school friend's house, is what Kelly, with the help of Kaboli wants to highlight. "Aspects of Sydney and Sydney's culture, like pillars and red bricks and doilies, they're all fucking beautiful." As with any meal around the family table, the dishes are all designed to be shared. While the smaller dishes are impressive and can be combined to create a top-notch spread, there are also heftier dishes if your group arrives ravished. The beef stroganoff infuses dry-aged sirloin with a mushroom sauce, and the half roast chicken is accompanied with toum and fermented garlic caramel. The drinks menu is always evolving, with love shown to rakia and to a range of minimal-intervention Middle Eastern, Baltic and Australian wines. "[At the Rolling Penny pop-ups] I was just excited to have somebody say Baba," he says. "Now we have bigger goals. Now we have goals to really highlight suburban Sydney and southwest Sydney." Outside of your meal at Baba's Place, the music and art is just as central to the restaurant. Head on the right night and you'll find some of Sydney's most exciting and cutting-edge DJs in charge of the music, while art and the further reaches of culture are spaces the team explores with weekend galleries and event series. Finally, the Baba's Place ethos extends past just the restaurant. The team also runs an online store where you can extend your experience into your day-to-day with apparel and pantry goods. Ranging from Baba-branded jerseys to jars of fermented garlic caramel, it's a real party. Images: Cordelia Williamson Updated Tuesday, March 21, 2023. Appears in: The Best Restaurants in Sydney
It's a fact of film-loving, cinema-going, Netflix-watching life: try as you might, you can't always catch them all. Maybe you saw all of this year's top films. Maybe you missed some great ones when they were first released. Maybe you've got a hefty list of flicks to seek out over summer. However you fared with 2016's crop of cinematic gems, they're about to have some friends, with a whole new year of films descending upon movie theatres in 2017. As always, both the big and the small end of town is covered. Keen for more fast and furious vehicle action? Eager to see a great Aussie novel make it to the screen? They're all coming. In fact, there's so much hurtling towards a darkened room near you that whittling our picks down to just ten was by no means easy. With that in mind, here's the films you absolutely shouldn't miss over the next 12 months. Happy viewing. JACKIE Natalie Portman doesn't need a second Oscar to validate her astonishing her portrayal of Jackie Kennedy in Pablo Larraín's Jackie, but she's probably going to get one anyway. The whirlwind of horror, grief and trauma surrounding the First Lady's life following the assassination of President John F. Kennedy oozes from the actress in every scene — and she's just one of highlights of the film. After directing No, The Club and Neruda, Larraín remains in top form, the supporting cast of Peter Sarsgaard, Greta Gerwig and Billy Crudup are all stellar, and the overall effect couldn't be more haunting, revealing and devastating. T2: TRANSPOTTING Choose life. Choose catching up with the long-awaited sequel to the Danny Boyle-directed, Ewan McGregor-starring '90s hit that well and truly put both on the map. A small amount of apprehension about delving back into the Edinburgh drug life after more than two decades might've been understandable when the long-awaited film finally became a reality, but then the ace trailer quelled all those fears. On-screen and off, the gang's back — older, but not necessarily wiser, of course. JOHN WICK: CHAPTER 2 If you'd told us a few years ago that a sequel to a Keanu Reeves-starring action flick would be so eagerly anticipated, we actually would've believed you, honestly — just watch the original Point Break, and then watch it again, and you'll understand. Thanks to the first John Wick film in 2014, everyone's a Keanu fan these days, and so they should be. The follow-up to that surprise hit promises more ultra-stylish shoot-em-up carnage and more Keanu at his cool, calm and collected best, plus a reunion with The Matrix's Laurence Fishburne. BLADE RUNNER 2049 Sequels, sequels, sequels seems to be the theme of every year at the movies (plus remakes, reboots and re-imaginings), however it's difficult not to be excited about a second Blade Runner. Even if you didn't love Ridley Scott's first film or just haven't seen it, a futuristic sci-fi starring Harrison Ford and Ryan Gosling, directed by Sicario and Arrival's Denis Villeneuve, and cloaked in a neon glow looks like more than just a replica. With Scott himself also helming 2017 release Alien: Covenant, the sequel to Prometheus, who knew it was going to be such a big year for follow-ups to his movies from more than three decades ago? THOR: RAGNAROK Like superhero films? Prefer the goofier, quirkier, weirder instalments to the grim and serious flicks? Us too. Given that it's about a hammer-wielding god, the Thor movies have always proven a little livelier than most of their Marvel brethren, with Hunt for the Wilderpeople's Taika Waititi certain to continue that trend on Thor: Ragnarok. Chris Hemsworth, Tom Hiddleston and Idris Elba all return, Cate Blanchett and Jeff Goldblum join the cast, and the Gold Coast and Brisbane get starring roles. Following this year's Doctor Strange and April's Guardians of the Galaxy Vol. 2, it's a busy time for fun comic book adaptations. THIS WINTER After directing the best Australian film of 2016, Goldstone (pictured), Ivan Sen jumped straight back behind the camera. Details are scarce about his next effort, This Winter, however it was made in Sen's hometown of Tamworth, tells the tale of an Indigenous family torn apart by suicide and incarceration, and was written, directed, produced, shot and edited by the multitalented filmmaker. Expect to see it on the festival circuit — and expect another powerful contemplation of issues of race in Australia. THE BEGUILED Sofia Coppola's latest film is called The Beguiled — and, call us suitably intrigued, entranced and all-round keen. Her first feature since 2013's The Bling Ring is a remake of a 1971 western melodrama of the same name, as set in a girl's boarding school during the civil war. The Virgin Suicides' Kirsten Dunst and Somewhere's (pictured) Elle Fanning feature among the cast, alongside Coppola newcomers Nicole Kidman, Colin Farrell and Angourie Rice. HAPPY END Come 2017, it will have been five years since Austrian director Michael Haneke broke hearts with his harrowing elderly-focused effort Amour, and won his second successive Palme d'Or at Cannes in the process. After planning and then seemingly moving on from a film called Flashmob in the time since, he's back. In Happy End, he reunites with Isabelle Huppert after The Piano Teacher (pictured) and dives into refugee-centric family drama. If you've seen either version of Funny Games, or Cache or The White Ribbon, you'll know that that description could mean anything, really. LADY BIRD If you can't get enough of Greta Gerwig, and love the two films she has co-written with Noah Baumbach (Frances Ha and Mistress America, pictured), then Lady Bird should rocket right to the top of your must-see list. Gerwig doesn't feature on screen, but she does write and make her solo directorial debut (after co-helming 2008's Nights and Weekends with Joe Swanberg). The movie is set in Sacramento, where the actress-turned-filmmaker grew up, and stars Brooklyn's Saoirse Ronan. While the plot is yet to be revealed, it's a comedy, so you can already guess the kind of affable antics that are set to ensue. VALERIAN AND THE CITY OF A THOUSAND PLANETS Before there was Star Wars and its many episodes and side-stories, and before there was The Fifth Element, too, there was Valérian and Laureline. The French sci-fi comic series reportedly inspired George Lucas — and it definitely made an impact on Luc Besson, who is finally adapting it for the big screen. With Lucy bringing the director back to his best, here's hoping there's more where that came from. There'll certainly be time and space travelling, a cast that includes Dane DeHaan, Cara Delevingne, Rihanna and Ethan Hawke, and futuristic visuals aplenty.
There's a moment when you're drinking mead from a polished, gilded cow horn in a Redfern basement that you become smugly aware that Sydney's restaurant scene had a strong start to 2017. It's not every year that begins with an underground contemporary Viking luxe bar. Or a 1920s-style city coffeehouse with tea trolleys and shoe shines while you wait. Or a George Orwell-inspired moody bar with 350-strong wine list. With so many openings hitting the city in a six-month period, we whittled it down to our favourite newcomers raising the bar for Sydney's hospitality scene. Well, our favourites so far — and there's still another six months to go.
People of the gluten-free world, do we have some news for you. Nutie, Sydney's much-loved maker of GF doughnuts, has moved into Surry Hills. But, instead of focusing solely on baked goods, it's doing breakfast and lunch as well — meaning that there's a whole menu of sweet and savoury gluten-free goodness to get into. Nutie opened its first shop in Balmain in 2017 and, since May this year, has been running a pop-up cafe on Pitt Street in the CBD. These venues have been super popular but can only do coffee and an array of baked goods due to the kitchen size. The new Holt Street has a full-service kitchen to produce a breakfast and lunch menu that is entirely free of any trace of gluten. This includes porridge, Scandinavian-style topped toast and vegan sans-egg 'huevos rancheros'. While this is particularly good news for coeliacs, it's also a win for vegans. Many of Nutie's goods are dairy-free and vegan, including the cakes, brownies, tarts, cookies and — of course — a selection of doughnuts. Look out for the lamingtons, lemon meringue pies and s'more cookie sandwiches.
Daryl Braithwaite-style horse riding on the beach, sandboarding at breakneck speed down enormous dunes and boating alongside breaching whales — you can pack this all into one weekend. Port Stephens is only a 2.5-hour drive north of Sydney, yet feels like some exotic, faraway, nature adventurer's dreamscape. The bay, its entrance marked by spectacular Tomaree Head, is twice the size of Sydney Harbour. There are 26 beaches, plus numerous waterfront villages, where restaurant menus boast just-caught fish, local oysters and Hunter Valley wines. Here's your guide to an easy weekend away from Sydney. [caption id="attachment_774063" align="alignnone" width="1920"] Little Beach Boathouse, Destination NSW[/caption] EAT AND DRINK The quintessential Port Stephens feed is a long lunch at Little Beach Boathouse, overlooking Little Beach, Nelson Bay. Watch local pelicans glide and soar as you tuck into oysters with wild pepperberry vinaigrette and squid ink spaghetti loaded with seafood. Another option is Sandpipers Restaurant, which you'll find in town. Here, the kitchen whips up all kinds of seafood wonders, like prawn hot pot with Turkish bread, seafood chowder and crab and parmesan arancini. For the ultimate sunset drink setting, make tracks to The Point Restaurant, Soldiers Point. You'll be tempted to stay on for dinner, which — yep, you guessed it — involves a lot more fresh local seafood. Get around the epic sharing platter chock full of oysters, prawns, crabs, bugs, mussels, scallops, squid, market fish, chips and sauces. You can even add lobster to the feast, if you're feeling fancy. Not a big fan of seafood? Head to Shoal Bay Country Club, which is lauded for its Neapolitan-style woodfired pizzas. [caption id="attachment_774062" align="alignnone" width="1920"] The Little Nel, Destination NSW[/caption] Come breakfast, hit Little Nel Cafe. This local favourite has a cosy indoor space and a sunny outdoor terrace. Start with a coffee — it has nitro cold brew on tap — while you peruse the extensive brekkie menu that's packed with dishes made with local ingredients. Try the Medowie garlic mushies with whipped fetta, Morpeth red kale and chimichurri, or the Wagon Wheel Waffles, loaded with vanilla bean ice cream, strawberry gel and house-made marshmallow. Meanwhile, for a dash of history and an old-school Devonshire tea with panoramic views, swing by the Inner Light Tea Rooms. On nearly every drinks list you meet on your weekend away, you'll notice craft beers by Murray's. Opened in 2006, this quirky brewery has won much love in Port Stephens and further afield. Staples like Whale Ale and Middle Man Golden Ale have well and truly displaced mainstream beers, and, nearly every week, a new, left-of-field drop emerges. Past hits have included passionfruit wheat beer, Easter egg beer and pumpkin ale. Drop into Murray's HQ for tastings, lunch and a brewery tour held from Wednesday to Friday at 2.30pm. [caption id="attachment_774068" align="alignnone" width="1920"] Destination NSW[/caption] DO Every local you meet will ask if you've topped Tomaree Head Summit yet. The 45-minute walk is steep, but rewards you with epic views, taking in local islands and seemingly endless coastline. Next up, it's time to brave the water. Port Stephens is undeniably one of the best places to spot whales on Australia's east coast between May and November. So, if you're visiting during the peak period, jump aboard a cruise with eco-warriors Imagine. Its fast cat Envision holds just 22 people, so it feels more like a private adventure than a touristy experience. In between chasing breaching humpbacks, sneaking up on a fur seal colony and finding dolphins, the skipper will take you close to Cabbage Tree Island, one of the only nesting sites in the world for the threatened species of seabird, Gould's petrel. Go at sunset if you can — the views on the return journey are magical. You can also whale watch from the shore in Port Stephens — check the Destination Port Stephens website for the best vantage points. [caption id="attachment_774065" align="alignnone" width="1920"] Destination NSW[/caption] On the surf side of Port Stephens' southern peninsula at Birubi Beach, Anna Bay, some hair-raising escapades are to be had. Been hankering for a horse ride ever since you read Black Beauty? Book a beach adventure with Sahara Trails. If you're a beginner (or full of nerves — or both), your guide will stick to a casual stroll. Alternatively, try some trotting or even a canter through the surf. Behind the beach is Stockton Sand Dunes — the biggest dunes in the entire Southern Hemisphere. Meet the crew from Sand Dune Safaris in the car park, strap yourself into a 4WD and, as soon as the surf is out of sight, you'll feel as though you're exploring some remote desert. Sandboarding involves sitting or standing on a plastic board and sliding down super steep slopes — it's guaranteed to be the most fun you've had since you threw yourself down a grassy hillside as a kid. Extend your safari with a 25-minute drive over the sand to Tin City, which you might recognise from Mad Max (1979). This 11-shack village, which started in the early 20th century and expanded during the Great Depression, is off-the-grid. We're talking no power, no water and no sewage. [caption id="attachment_731892" align="alignnone" width="1920"] The Anchorage[/caption] STAY Anchorage Port Stephens is as waterfront as it gets. Many suites come with their own north-facing balcony or terrace, giving you dreamy views of the bay, foregrounded by the Anchorage Marina and backdropped by Corrie Island. The spacious interiors take inspiration from The Hamptons — think crisp, white linen and pale timber furnishings, splashed with blues and oranges. There's a variety of rooms on offer, from one- and two-bedroom loft suites to self-contained villas. This luxe resort also boasts a pool, day spa and two onsite restaurants, making it a true escape from your day-to-day. If you'd rather opt for a cheaper spot (that still has absolute beachfront views), then check out Ingenia Holidays One Mile Beach. There are a series of small cabins located right off One Mile Beach — each coming with a kitchenette, private verandahs and ensuite bathroom. It has all the homey essentials to let you explore Port Stephens on a budget. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Destination NSW
Mexican cuisine has been flourishing in the spotlight lately, with the likes of MAIZ, El Primo Sanchez and Ricos Tacos cementing their status as Sydney staples and new openings such as Gitano, The Happy Mexican and Cancun Boat Club fuelling further excitement. Joining the ranks of newbies slinging quality south-of-the-border fare is Comedor, Australia Street's new restaurant, which celebrates community through food. This modern diner in a converted warehouse spotlights modernised Mexican dishes, with Head Chef Alejandro Huerta (ex-El Primo Sanchez, Chica Bonita, No.92) and Venue Manager Kieran Took (ex-Tio's Cerveceria, Big Poppa's) at the helm. "I want to make sure Comedor is seen as a place where you go to have a great time and experience new flavours," Huerta explains. "I'm looking forward to being able to really show who I am and what I'm passionate about." [caption id="attachment_965179" align="alignnone" width="1920"] (L–R) Kieran Took and Alejandro Huerta[/caption] The 100-year-old building where the restaurant is housed is owned by Newtown local Walter Shellshear, who shares a mutual appreciation for the culture and food of Mexico with the duo behind the venue. The vision to create a sense of connection and community through food is one that's been realised by all three, whose collaborative efforts have created an inviting and relaxed dining space for guests to enjoy. "I love my culture and Mexican food, but I don't like doing the same thing everyone else is doing," said Huerta. Huerta's ethos shapes the menu, which showcases the modern techniques he picked up working at some of the very best restaurants in the world, Noma in Copenhagen and Pujol in Mexico City, blended with traditional elements that pay homage to his heritage and carry the comfort of a home-cooked meal. The share-focused set menu includes smaller plates like a kingfish tostada with nduja, pineapple and spring onion and scallops coated in a corn miso vinaigrette and notes of wattleseed and saltbush. For heftier options, you can dig into a mushroom-glazed steak served with enoki and XO sauce, Murray cod in a honey-infused fermented black bean sauce or a pipis-starring linguine finished with chilpachole butter and nasturtium. Rounding out the menu are desserts like a persimmon and manchego tart or chocoflan topped with dulce de leche. The dinner tasting menu will set you back a quite reasonable $79 — you can also add on an agave or wine pairing for an additional $65 — but lunch is just as good a deal, with a weekly-rotating three-course chef's choice for $35. For drinks, expect an agave-forward selection. Took takes charge of the beverage offering, with hopes to encourage guests to explore spirits such as tequila, mezcal, sotol and raicilla. The cocktail menu stars a fresh and fruity raicilla-spiked strawberry spritz, a Tommy's-style marg with a rose almond and cardamon twist and a mezcal colada with honeycomb, coconut and pineapple for a sweet sip. You'll also be able to pair curated cocktails with each dish if you're feeling adventurous, while non-alc options include house-made sodas in a range of flavours. As for the fitout, the airy, natural light-filled space encourages casual dining by day while summoning a more sophisticated feel by night. Welsh + Major have led the charge on Comedor's design, drawing on artist Josef Albers' Mexico-inspired works to create an ambient earth-toned venue awash with vibrant reds, buttery yellows and deep blues. You'll also spot a 16-foot stone bar, as well as timber banquette seating lining the walls and a huge communal dining table, perfect for a slice of community paired with overlapping conversations and thought-provoking cuisine. Images: Dexter Kim
What's hot in Sydney right now? That would be Firedoor, Sydney's home of wood-smoked goodness. Behind the project is Lennox Hastie, a British-born chef with a string of Michelin stars on his belt; so as you can imagine, Firedoor was an instant hit once it opened back in 2015. These days, you'll need to book your table well in advance or try your luck for one of twenty highly coveted walk-in spots (knock on wood). There's no question that smoking is on the rise in Sydney, and at Firedoor it's used to enhance the natural characteristics of the ingredients, not to smother them like cheap perfume. Firedoor uses ten different woods to flavour and accent its menu, including gnarly mallee root, chestnut, pearwood, wine cask and native ironbark to name a few from the woodpile. [caption id="attachment_641664" align="alignnone" width="1920"] Nikki To[/caption] Wood also forms the central ingredient in the restaurant's décor, and the aged wood pillars and timber tables, coupled with the smell of sweet smoke, deliver a multi-sensory experience. The menu is short and changes daily, depending on what's in season and looks fresh at the markets. We start with a serve of woodfired bread with olive oil and smoked cultured butter. The butter has absorbed rich aromas from the coals; just one light spread and it tastes like you're eating a meat sandwich. This is butter to eat like no one's watching. The bread can be a consistent entry, but the rest of the menu is in flux. To give you an idea of the potential offering, past entries on the seafood front include Moreton Bay bug with green apple and a creamy smear of mullet roe underneath, garnished with snow pea tendrils and Jarrod Day calamari with smoked pork broth and quail eggs. Surf may be good, but turf is the hero. On our initial visit we tried the robust and earthy lamb rump, cooked to a wobbly medium rare and served with creamy, buttery borlotti beans lightly coated in jus and cavalo nero which has crispy singed edges. We're also impressed by the grilled leaves with pecans and guanciale, a fatty Italian cured meat which has been shaved into thin, transparent slivers. Radicchio and sweet cos are served lukewarm in a sharp vinaigrette, and the dish cleverly sits somewhere between a fresh salad and braised vegetables. Browsing the menu on other days, you'll spy entries like Bundarra pork with radish and mustard or wagyu ribs with baby blue oyster mushrooms and black garlic. From the dessert menu there are daring combinations — spaghetti squash, pumpkin ice cream and pepitas, or a Firedoor spin on the grilled pineapple craze, this time served with tahini and finger lime. As for drinks, the wines have been well curated and the cocktails are well priced. The Swiss pear bellini is lemony and mellow, while a clever negroni adds pistachio Cinzano to the mix. Bold flavour, pretty plates and technique-driven dishes have been trending in Sydney for a while now and that's where Firedoor goes against the grain. Instead, you'll get a completely new food philosophy, which puts the ingredient at the very centre, accentuated by the subtleties of woodfire. Just remember the menu changes daily, so don't expect the same experience we had, for every evening is unique at Sydney's Firedoor. Images: Nikki To. Appears in: Where to Find the Best Steak in Sydney
