For around 140 years, since back in the 1880s, Australians have been able to make calls from public payphones. Most of us might now carry mobile phones around with us in our pockets, but public payphones are still there — in case your battery is flat, you have no signal, you've lost or forgotten your phone, you simply don't have one, or there's an emergency. And, if you need to use one of Telstra's handsets while you're out and about, you now won't have to pay a thing if you're making a local, national or mobile call. Coins, phone cards, credit cards, debit cards: these have been acceptable forms of payment in the past; however, now you won't need them to get dialling in most situations. If you're calling overseas, that'll still cost you, but otherwise you can use Telstra's 15,000 payphones across the country for free. Telstra CEO Andrew Penn announced the news in a statement on the company's website, noting that "since mobiles became nearly universal, a lot of Australians might not give them [payphones] much thought. Until there's a natural disaster. Until you're in vulnerable circumstances, homeless or fleeing domestic violence." He continued: "that's why I decided it's time to make payphones free. Because even in the age of the smartphone, they play such a critical role in our community, particularly in times of need, and particularly for those in need." "I've seen myself how much payphones are part of the fabric of Australia and how important they are in good times, and bad. I've seen queues of people waiting in line, coins at the ready, to use a payphone to call home and tell their family and friends they're safe after a bushfire, a cyclone or some other natural disaster has taken the mobile network down," Penn said. "I know payphones are also a lifeline for thousands of vulnerable Australians — the homeless, the isolated, those escaping domestic violence — and often provide their only link to critical support services and those that care about them." Gone are the days when every 90s kid had a phonecard in their wallet to use when they needed to call home, but Australians still made 11 million payphone calls in 2020, including more than 230,000 to essential services such as Triple Zero. For more information about Telstra's free payphone calls, head to the company's website. Images: Sarah Tee.
Prove your adventure credentials on the first date by booking a picnic hanging from a cliff. We're not suggesting an awkward meal perched on a rocky ledge, but rather one of the fancy cliffnics organised by Shoalhaven-based business Outdoor Raw. You and your date will be suspended on a bench hanging off the side of a cliff, legs dangling, while baskets of locally sourced cheeses, charcuterie, fresh fruits, bread, preserves, wine and beer are lowered to you for feasting. This dramatic cliffside affair pops up at numerous locations with spectacular beach and mountain views and requires little physical exertion to walk to the sites and clamber onto the platform — just a whole lot of gusto to actually relax while suspended high above ground level.
What's better than Ability Fest, Australia's most-inclusive music festival, returning for another year? The fully accessible event, which launched in 2018 as the brainchild of 2022 Australian of the Year Dylan Alcott, taking its setup and live tunes to two spots around the country. The fest started in Melbourne, which is the only place that it has called home since — but in October 2024 it'll play both the Victorian capital and its Queensland counterpart. Melburnians, you have a date for your calendar. Brisbanites, so do you, for a music festival that's arriving in the River City for the first time ever. And for folks everywhere else, you have two locations to choose from if you're keen to book a weekend away to head along. [caption id="attachment_963996" align="alignnone" width="1917"] Chloe Hall[/caption] Ability Fest will first unleash its 2024 lineup — which hasn't yet been revealed — on Saturday, October 19 at Alexandra Gardens/Birrarung Marr in Melbourne. Then, the following week on Saturday, October 26, it'll make its Sunshine State debut at Victoria Park/Barrambin in Brisbane. "First and foremost, Ability Fest is a ripper festival at its core, but with the added plus that it can bring people of all abilities together," said Alcott about bringing the event north. [caption id="attachment_963997" align="alignnone" width="1917"] Glenn Hunt[/caption] "We'll have a completely accessible venue with elevated viewing platforms, pathways, quiet zones and sensory areas, ensuring that everyone has the ability to have an unreal day." "Gaining the support of the Queensland Government means we get to share our passion for great music and good vibes with the Sunshine State, and offer an inclusive and incredible festival experience for every single person," Alcott continued. [caption id="attachment_963992" align="alignnone" width="1917"] Ian Laidlaw[/caption] The Brisbane festival will cater to around 5000 people, and Ability Fest is committed to being financially accessible during the current cost-of-living crisis in both of its stops. Accordingly, tickets will only cost $60 plus booking fee, and carers will receive complimentary entry. The fest is also lowering the age of admission to 16 so more folks can head along. "For many Australians, the cost-of-living crisis has created significant financial strain. We believe that music has the power to unite communities, bring people together and lift our spirits, especially during challenging times," said Alcott. [caption id="attachment_963990" align="alignnone" width="1917"] Chloe Hall[/caption] From the get-go, Ability Fest has been carefully designed to be completely accessible and as inclusive as they come. It features ramps and pathways for easy access, Auslan interpreters working alongside the artists, and elevated platforms to give everyone a shot at seeing the stage. Plus, there's also quiet zones, dedicated sensory areas and accessible toilets. While dishing up primo live tunes and music experiences to Aussies of all abilities, the not-for-profit fest also raises money for the Dylan Alcott Foundation, with 100-percent of its ticket proceeds going to the organisation. Ability Fest 2024 Dates and Venues: Saturday, October 19 — Alexandra Gardens/Birrarung Marr, Melbourne Saturday, October 26 — Victoria Park/Barrambin, Brisbane [caption id="attachment_963995" align="alignnone" width="1917"] Chloe Hall[/caption] [caption id="attachment_963991" align="alignnone" width="1917"] Chloe Hall[/caption] Ability Fest 2024 will hit Melbourne and Brisbane in October 2024. Pre-sale tickets will be available from 12pm AEST on Wednesday, July 10 (register online), with general tickets selling online from 12pm on Thursday, July 11. Head to the festival website for more details.
There's thinking outside of the box, and then there's redesigning the box — and when it comes to the structure certain to be Taiwan's next landscape, Dutch architecture firm MVRDV has done the latter. To be specific, their new home design does away with squares, preferring a rather unusual form instead. Meet Y House, which is shaped just like the letter, and comes complete with a sky-high pool between the inevitable rooftop gap. "Why not?" is what everyone involved in the project must've sad when someone came up with the idea for a holiday home that resembles a giant Y-shaped sponge. While it'll be made out of concrete when it comes to fruition, the mutiple-storey building will also be littered with circular windows from top to bottom. In addition to the eye-catching pool between the sloped surfaces of the structure's roof, Y House will also feature two multiple levels of communal living space (including a solarium, change rooms, and entertaining and dining area), two lower floors filled with bedrooms, and ground-level garden tea room. A landscaped, Feng Shui-friendly garden will surround the home, as will a second decorative pool with stepping stone paths. The structure might sound futuristic; however it'll become a reality sooner than you might think, with the building due to be constructed in 2017 in a new residential community on the outskirts of Taiwan's Tainan city. And the best part: because it'll be used as a holiday house, you can cross your fingers and hope that the owners will list it on an accommodation-sharing website when they're not using the place. Via Dezeen.
It has been almost two years since a Marvel movie hit the big screen. If you're a fan of the Marvel Cinematic Universe, you've probably been feeling their absence. But, since the beginning of 2021, you've likely also been heading to Disney+ to check out a few new small-screen adventures. First came WandaVision, which focused on Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) and Vision's (Paul Bettany) story after Avengers: Endgame. It added something different to the MCU, overtly aping classic sitcoms such as I Love Lucy, Family Ties and Malcolm in the Middle as it puzzled its way through Wanda and Vision's small-town life — and had everyone wondering why Vision was even walking and talking post-Endgame at all. Now, The Falcon and the Winter Soldier is also telling a story set after the last Avengers flick, this time with Anthony Mackie and Sebastian Stan's eponymous characters. Based on its first episode so far, it's much more conventional than WandaVision. It doesn't boast a fabulous performance by Parks and Recreation's Kathryn Hahn, either. But, it does explore the everyday existence of both Sam Wilson and Bucky Barnes, who'll team up over the rest of the show's six-episode season. It seems that plenty of people were keen to see what happened next for Wilson and Barnes, and to keep adding a new Marvel episode to their weekends after WandaVision wrapped up. Debuting last week, on Friday, March 19, The Falcon and the Winter Soldier's first episode has become Disney+'s most watched premiere ever. Although the streaming platform hasn't given any actual numbers — which tends to be the case when such services boast about their viewership, as Netflix has also demonstrated — it has announced that The Falcon and the Winter Soldier earned the feat between Friday and Sunday, and was also the most-watched title overall globally over the three days. That means that more folks took a look than when WandaVision premiered, and when Star Wars series The Mandalorian did too, although those shows sit second and third on Disney+'s list of biggest opening weekends. Over The Falcon and the Winter Soldier's remaining five episodes, the series will bring back Daniel Brühl as Baron Zemo and Emily VanCamp as Sharon Carter. As seen already, Wyatt Russell (The Good Lord Bird) is also joining the MCU as John Walker. And yes, the MCU's fourth phase will include more TV shows after this — such as Loki, which hits in June; Secret Invasion, starring Samuel L Jackson as Nick Fury; and a series set in Wakanda. For now, if you haven't viewed the first episode of The Falcon and the Winter Soldier already, you can check out the trailer below: https://www.youtube.com/watch?v=IWBsDaFWyTE The first episode of The Falcon and the Winter Soldier is available to stream now on Disney+, with new episodes added each Friday for the next five weeks. Top image: Marvel Studios 2021. All Rights Reserved.
Horror fans, your favourite spooky season is fast approaching — and how better to welcome Halloween month than with a spine-tingling new stage show guaranteed to make your palms sweat? (Keep that in mind if you're heading in on a date.) Darlinghurst Theatre Company is back treading the boards this spring in vampire-thriller meets coming-of-age story (oh, that old genre) Let the Right One In, opening at the Eternity Playhouse on October 6. If the name sounds familiar, it's because Tony Award-winner Jack Thorne has adapted it for the stage from the best-selling novel and cult-classic vampire film by Swedish writer, John Ajvide Lindqvist. Thorne is known for writing a little stage show you might have heard of called Harry Potter and the Cursed Child, and his résumé also includes BBC's His Dark Materials and the BAFTA-winning National Treasure. Directed by Alexander Berlage (American Psycho) and starring a bevy of local talents including Heartbreak High's Will McDonald and Convict's Stephen Anderton, this is a vampire tale not all about the jump scares. Instead, it draws on coming-of-age horrors of real life, through the eyes of lonely, bullied teen Oskar (McDonald) and his neighbour Eli (newcomer Sebrina Thornton-Walker). Their social differences as outsiders bond them, but when a series of grisly, unexplained murders strikes throughout the neighbourhood, their unlikely friendship is tested beyond all imaginable limits. This critically acclaimed show racked up a series of five-star reviews during its London run, garnering praise from the likes of Time Out, The Guardian and The Observer. And of course, Darlinghurst Theatre Company is known for creating immersive experiences by transforming its foyer, so your show experience starts the moment you enter the venue. If you haven't ventured back to the theatre since lockdown, put this one on your spring calendar — Berlage says both fans of the film and those new to the story will be equally enthralled. "It's a type of theatre that you don't see a lot of on stage, particularly in Sydney," he says. "It's a genre piece – combining a coming-of-age story with elements that draw on both the supernatural and horror. At its core, the production explores the deeply human experience of desperately trying to find hope and one's place in the world." Running from October 6 until November 20, tickets start at just $54 for an evening of thrills, chills and spookiness in an iconic Sydney location.
It's no secret that when it comes to cocktails, Melbourne can mix it with the best. In the past year alone, the Victorian capital has been named among Punch's top five global drinking destinations for 2023, Bar Liberty's Nick Tesar took out the title of Australia's Best Bartender and CBD bar Caretaker's Cottage nabbed a spot in the latest edition of The World's 50 Best Bars extended 51–100 list. So what more fitting place to host Australia's groundbreaking new immersive cocktail exhibition, Art of Mixology? Transforming Southbank's Kingpin into an interactive gallery space from Friday, March 3–Sunday, March 12, the showcase is set to serve up a heady fusion of art and drink design that'll shine a fresh light on the world of cocktail making. It's being brought to life with the help of award-winning production agency VANDAL and R L Foote Design Studio. [caption id="attachment_888883" align="alignnone" width="1920"] Kingpin[/caption] Gracing the adults-only exhibition are works by six renowned local artists, who've each been commissioned to reimagine a different cocktail as a signature installation, complete with striking visuals, soundscapes and other interactive elements. Among them are interdisciplinary digital artist Mikaela Stafford (whose vibrant works have appeared at the Tate Modern), celebrated artist and food designer Ryan L Foote, and projections maestro and White Night regular Nick Azidis. [caption id="attachment_888877" align="alignnone" width="1920"] Mikaela Stafford[/caption] Making your way through Art of Mixology, you'll encounter their creative interpretations of various Kingpin cocktails, resulting in everything from large-scale sculptures and visual illusions through to aromatic bubbles floating through the space. Highlighted drinks include a lychee rose martini, the Zombie and the elegant Butterfly Flower. The exhibition is designed to be explored as you would a giant interactive cocktail menu, pondering each concoction and its ingredients before settling on your chosen sip. Of course, along with the visuals and other sensory details, your tastebuds are in for a treat here — each of the six featured cocktails will be available for visitors to enjoy while they're soaking up the art. Tickets come in at $20, which includes your choice of one signature cocktail (or booze-free alternative). You can purchase more drinks while you're there, too. [caption id="attachment_888884" align="alignnone" width="1920"] Kingpin[/caption] [caption id="attachment_888879" align="alignnone" width="1920"] Kingpin's Butterfly Flower[/caption] Art of Mixology will run from Friday, March 3–Sunday, March 12 at Kingpin, 8 Whiteman St, Southbank. Tickets are $20, available online.
It's a decades-old inner-west tradition: watching the Newtown Jets' home footy game from up on the hill at Henson Park, that is. But things have been dialled up a few notches over the years with the introduction of The Beer, Footy & Food Festival. After a two-year pandemic-related hiatus — and then multiple weather-related postponements — the beloved festival is finally returning on Saturday, April 23. A yearly ritual for footy lovers, foodies and everyone in between, the event is set to dish up a huge afternoon of family-friendly fun. As well as the match-up between the Jets and the Manly Warringah Sea Eagles, expect a celebration of another inner-west triumph: craft beer. Keep that thirst in check with drops from more than 20 different brewers, including Grifter, Wayward, Batch, Yulli's Brews, Young Henrys, Hawke's, Willie The Boatman and a heap more. Doom Juice and P&V Wine + Liquor will also be onsite pouring glasses of natural, minimal-intervention wines to enjoy while you watch the game. And, organisers have roped in a good number of food vendors, too. Get ready to enjoy snacks form the likes of Bush, Antico, Happy as Larry, Chillato and Yulli's, among others. Topping off the whole affair will be an inflatable world, pro-wrestling between matches and a post-match kick around on the hallowed turf of Henson Park.
Just over two weeks ago, the Australian Government announced a ban on non-essential mass gatherings of more than 500 people. Tonight, Sunday, March 29, that number has dropped to two. During an announcement made after the latest national cabinet meeting, Prime Minister Scott Morrison said that any public gatherings should be limited to two people, excluding family members. If you're not with those you live with — your parents, children or partner, for example — you should only be with one other person. The previous limit was ten. States and territories will decide if this is an enforceable limit. On-the-spot fines are currently in place in NSW, Victoria and Queensland, for individuals and businesses not following other COVID-19 containment regulations, such as self-isolation and unlawful mass gatherings. It was also announced that public playgrounds, outdoor gyms and skate ramps will close from Monday, March 30. The new two-person limit on public gatherings does not apply to weddings (which have a current limit of five people) and funerals (which have a limit of ten), but it does apply to group bootcamps. The Prime Minister also reiterated that Australians should only be leaving their homes for one of four reasons: shopping for what you need — such as food and other essential supplies — "as infrequently as possibly"; for medical care or compassionate reasons; to exercise, in-line with the new two-person limit; and for work or education if you cannot work or learn remotely. Another new announcement made tonight and set to be expanded on by individual states and territories over the coming days is a moratorium on evictions for the next six months. Which means that individuals and businesses cannot be evicted from their residential or commercial properties for not paying rent. The Australian Government also urges anyone that does leave their house to follow its social distancing guidelines. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Kimberley Low
With its latest movie-fuelled event, Immersive Cinema is hoping that you've never felt like this before — and that you love Patrick Swayze and Jennifer Grey dancing up a storm in a much-adored 1987 romantic drama. The second part is easy. As for the first, you might've actually stepped into this interactive Dirty Dancing experience back in 2019 when it first came to Australia. Who doesn't want to have the time of their life twice, though? For its second Aussie stint, Dirty Dancing: The Immersive Cinema Experience is only heading to Melbourne, taking over the Flemington Racecourse on Saturday, April 1–Sunday, April 2, 2023. If Francis 'Baby' Houseman can take a trip to Kellerman's Mountain House in the Catskills with her family, you can hit up the venue — and the Victorian capital if you're not a Melburnian — to get whisked away to the next best thing. Here, attendees will get plunged into the world of Dirty Dancing. Taking over the outdoor venue, Dirty Dancing: The Immersive Cinema Experience won't just screen one of Swayze's biggest film roles, but will recreate the world of the popular film. That means that attendees will travel back to 1963 in spirit, check into the flick's setting, and enjoy a day of painting classes, volleyball, croquet, mini golf and — of course — dance lessons. You can probably also expect a stint of carrying watermelons, and definitely a dance showcase. And yes, it all ends with an evening screening of Dirty Dancing on the big screen. You'd be just a fool to believe that's all that's on the agenda. Actors and dancers will roam around like the wind and, food- and drink-wise, Americana-style eats will be available at 12 different dining spots, while seven pop-up bars will sling summery cocktails — all on offer for those with hungry eyes (and stomachs). Also, there'll be a dedicated watermelon stand, plus a picnic area among the rose bushes. You'll also be able to wander through recreations of Kellerman's famous fictional spaces. That includes the staff quarters where Baby Houseman gets her first taste of dirty dancing, as well as the studios where she learns all the steps from and starts swooning over Johnny Castle. Wherever you head, nobody will be putting Baby in a corner. Like the film version of Kellerman's, the event is also an all-ages affair — and everyone is encouraged to dress up like it's the 60s, but appropriate footwear for dancing is a must. Also, because no one had phones back in the 60s, it's a technology-free experience as well. The only screen that matters: the big one showing the movie, of course. Dirty Dancing: The Immersive Cinema Experience will take over Flemington Racecourse in Melbourne on Saturday, April 1–Sunday, April 2, 2023. Ticket presales start at 10am AEDT on Monday, November 28, with general public tickets available from 10am on Wednesday, November 30. Images: Mushroom Creative House.
The balmy season is here, and we're ready to prance about in sparkling waters with an enthusiastic doggo by our side. If you're lucky enough to have (or have mates with) a fur baby, it's that time of year to plan outdoor adventures aplenty. And, with the scorching Sydney days upon us, you'll need to seek out swimming spots for you and your best mate. Luckily, we've got you covered. Here are five dog-friendly beaches where you can swim with your pooch. Think shallow and sheltered bays, seaside reserves and gorgeous coves — all of which permit your pup to frolic about unleashed. Grab your four-legged friend, smother some sunscreen on your schnoz and head for these Sydney gems. ROWLAND RESERVE, BAYVIEW Go for a frolic at Rowland Reserve, where water access is legally permitted to your off-leash pooch at all times. There's a big sandy spit, and the water's pretty shallow, so your pup won't find itself (literally) in the deep end. But make sure you pay attention to the designated dog-friendly areas at this reserve, which surround the dog park zone — otherwise you could be up for a hefty fine. We suggest making this dip the start or finish of a walk between Rowland Reserve and Church Point, which spans about five kilometres and offers scenic views aplenty. HORDERNS BEACH, BUNDEENA Horderns Beach is a stunning little spot, nestled within a sheltered bay in the sleepy suburb of Bundeena. Sitting at the edge of the Royal National Park, we suggest taking the lovely ferry ride across from Cronulla to reach these shores — yep, the ferry is also dog-friendly. In summer, Horderns is ideal for a twilight dip with your puppo; from September to April, dogs are allowed off-leash Monday to Friday before 8.30am and after 4.30pm. If you're into winter dips, off-leash rules apply at all times May to August too. But be sure not to venture into the national park while you're here, as dogs are prohibited there. [caption id="attachment_792875" align="alignnone" width="1920"] Matt Jones via Unsplash[/caption] SPIT RESERVE, MOSMAN Set at the start of the Spit to Manly walk, Spit Reserve is a picturesque bayside park where doggos are welcomed with open arms. Let your pup roam leash-free while you lounge in the grass, go for little coastal bushwalk or wade into the water to cool down. You and your fur baby can explore both Spit West and East Reserves — with off-leash permitted all day Monday through Friday and before 9am or after 4pm on weekends and public holidays. If you're feeling like a bigger walk is in order, make your way from the reserve over Spit Bridge and on towards Manly. Along the way, you'll hit a few more dog-friendly beaches where you and your doggie can cool off. For the full low-down of where you can take your dog in Mosman, head here. CLONTARF RESERVE, SANDY BAY If you do plan to conquer the Spit to Manly walk with your pooch, stop by Clontarf Reserve for a dip during your hike. Be sure to head straight for the designated off-leash dog beach, as you'll need to keep your pup on a lead until you get there. The beach is just 150-metres long and the bay is rather sheltered and shallow — let's call this one more of a wading opportunity than a full-blown swim — so it's perfect for dogs (and people) who aren't regular Dwayne Johnsons in the waves. When you're not swimming with your doggo, enjoy a BYO picnic under one of the reserve's many trees. [caption id="attachment_769592" align="alignnone" width="1920"] Danny Butler Photography via Flickr[/caption] SIRIUS COVE, MOSMAN At this well-frequented dog beach, you'll spot battalions of boisterous pooches retrieving tennis balls from the waves. Dogs are allowed at Sirius Cove off-leash on weekdays at all times and on weekends/public holidays before 9am and after 4pm. At high tide, it's a great chance for both of you to take a dip, and you can make a whole afternoon of it here. Paddle around the yachts with your sea pup, then enjoy use of the barbecues and picnic tables in the shade. Your dog can also be exercised off-leash in the adjoining park, so you can enjoy your picnic while your puppo explores or lounges comfortably at your feet. For the full low-down of where you can take your dog in Mosman, head here. Not feeling a dip, but still want to soak up some balmy hang time with your pup? Try one of Sydney's best dog parks. Top Image: Joseph Pearson
Fred again.. is currently in Australia, as everyone knows thanks to his Tuesday, February 27 announcement that he was playing Sydney Opera House that night. Missed out? As he mentioned on his Instagram, the British producer and DJ didn't make the trip Down Under just for one show. So, he's gone and announced a three-city tour for the rest of his Aussie stay. Melbourne will next welcome everyone's favourite chaotic electronic musician, for three gigs all at Rod Laver Arena. After that, he's heading to the Gold Coast — at a pop-up location TBC — for a single show. Then, it's back to Sydney, this time to Qudos Bank Arena for another trio of gigs. All seven shows are taking place in March, giving fans more notice this time after 145,000 people attempted to get tickets to Fred again..'s Sydney Opera House set. Also, you've been given more warning about tickets going on sale, too. They'll be available to purchase from Thursday, February 29, with times staggered depending on the city. The tour came out of nowhere, after a post to Fred again..'s Instagram showing him boarding a flight with his buddy and collaborator JOY (ANONYMOUS), teasing that they'd be performing wherever the plane landed. Next, he popped up on top of the Sydney Harbour Bridge, announcing that ultra last-minute performance at the Sydney Opera House Concert Hall. Before now, Fred was last in town for Laneway 2023 alongside Haim, Joji and Phoebe Bridgers, at which time he created pandemonium by performing at a slate of pop-up DJ sets around Australia and New Zealand alongside his festival appearances. At this upcoming shows, he'll be bringing his catalogue of hits, of course. So, if you want to catch 'Delilah (pull me out of this)', 'Marea (we've lost dancing)' and 'Rumble' — and new single 'stayinit' with Lil Yachty and Overmono — this is your latest chance. JOY (ANONYMOUS) will be on supporting duties at all seven shows. Fred again.. Australia 2024 Tour: Monday, March 4–Wednesday, March 6 — Rod Laver Arena, Melbourne Saturday, March 9 — pop-up location TBC on the Gold Coast Tuesday, March 12–Thursday, March 14 — Qudos Bank Arena, Sydney Fred again.. is performing in Australia in March 2024, with tickets on sale on Thursday, February 29 — from 9am AEDT for Melbourne, 10am AEST for the Gold Coast and 1pm AEDT for Sydney. Hit up the tour website for more details. Live images: Maclay Heriot / Daniel Boud, Laneway 2023.
Can you believe 2023 is coming to a close? Time has truly flown by and during the whirlwind 12 months Sydney welcomed a swathe of brilliant new openings. From ultra-lavish bistros to affordable neighbourhood diners, the year has has been rich with new ideas and passion projects springing forth to elevate our hospitality scene. Pulling together a list of the year's best openings is no easy feat. The shortlist for this article was over 40 venues long. But after much thought and some robust debate we've narrowed it down to a compact selection of our favourite 15 openings of 2023, newcomers that've been impressive since the day they swung open their doors. Before we get to the top 15, there are some honourable mentions we wanted to shout out. Smoking Gringos garnered lines around the block thanks to its juicy birria tacos, Alfie's flipped the idea of a CBD steakhouse on its head, Famelia nailed the wine bar brief, and Nu'u effortlessly delivered a passion for southern Mexican cuisine and small-batch spirits. Poetica blew away North Sydneysiders, as did Chez Blue with Rozelle locals. Caravin and Deux Freres both delivered the moody European holiday vibes, and Bobby's is a sure-fire summer hit in Sydney's south. Now, without further ado, in no particular order, here are our picks for the 15 best openings in Sydney this year.
Nature's Energy is gearing up to reveal the newly renovated Balmain Bathhouse on Friday, September 12, bringing a whole new level of relaxation to the inner west. Primed for post-gym recovery or pre-work clarity, there are few better ways to treat yourself. And with the brand named 'Australia's Best Day Spa' by the World Spa Awards three years running, it's safe to assume the new-look bathhouse will offer myriad indulgent experiences ready to reawaken your spirit. In terms of facilities, it's hard to beat. No matter your idea of rest and recuperation, delving into a magnesium-enriched mineral pool, a traditional Finnish sauna or stone-carved ice baths will have you feeling new again. Meanwhile, copper showers with sea salt scrub, a dedicated steam room and red light therapy space adorned with medical-grade panels take your experience to even greater heights. The recovery lounge doesn't skip a beat either, featuring complimentary herbal teas and Celtic hydration salts. Alongside the reimagined amenities, the Balmain Bathhouse has also upgraded its service. For instance, the standard 60-minute bathhouse has now been upgraded to 90 minutes, ensuring guests get the full experience with every visit. The team is also introducing new Sunrise Sessions, where early birds are invited to enjoy 60 minutes of complete access to the bathhouse every day from 6.30–9.30am. Priced at $40 per session, it's difficult to envision a better start to the day. Nature's Energy Balmain Bathhouse will reopen on Friday, September 12, at 312 Darling St, Balmain. Head to the website for more information.
Radiance in the face of conflict, determination amid oppression, striving for basic human rights at your most vulnerable: these aren't easy experiences to live through, or to bring to the screen. Iranian Australian filmmaker Noora Niasari knows both firsthand, with her debut feature Shayda based on her childhood. Aged five, she resided in a women's shelter with her mother. The latter fought for freedom by moving to the other side of the world, away from everything that she knew, and carving out an existence anew. As Niasari's mum battled for agency and independence, and for the ability to divorce and also retain custody of her daughter, she still taught the young Noora Farsi, and Persian dance. She passed on Nowruz, or Persian New Year, traditions as well. "I think that was the element of the process that I underestimated — how challenging it would be, just on a very psychological, emotional level," Niasari tells Concrete Playground about the sifting through her own experiences to make the Melbourne-set and -shot Shayda. "It's one thing to direct your first feature film with a much bigger crew than you've ever had, much bigger cast, a lot of different personalities. And then to be triggered by your childhood trauma every day in the process — it's not something I would recommend to anyone." "It's something that I'm still struggling with, to be honest," Niasari continues, noting that she continually comes back to why she made the movie. "The fact that this story is much bigger than me and my mum, that it's already touching women and families all over the world, that really means something to me. I feel like it's a catalyst for healing, not just for me and my mum, but for so many people. That's what drives me to keep going and keep putting the putting the story out there." [caption id="attachment_910860" align="alignnone" width="1920"] Taylor Jewell/Associated Press[/caption] Niasari started Shayda from her mother's unpublished memoir, adapting it and fictionalising elements — and while it doesn't tell an easy tale, it's an easy film to fall for. Named for her mum's on-screen surrogate, who is played by 2022 Cannes Best Actress-winner Zar Amir Ebrahimi (Holy Spider), Shayda is clearly deeply personal. With engaging first-timer Selina Zahednia as Mona, Niasari's own in-film double, naturally it feels not only lived-in but like it has materialised as a movie from memories. As it charts its eponymous character's quest to start afresh, it tells of resilience and perseverance, strength and self-determination, and courage and community. It doesn't ever shy away from its protagonist's struggle to be permitted to be her own person, or from the pain and distress that she's forced to feel as she maintains that mission; however, in heroing its eponymous figure's fortitude, bravery and spirit, Shayda is also a hopeful film. Audiences at the 2023 Sundance Film Festival agreed; in January, Shayda won the US fest's World Cinema — Dramatic Audience Award. That world-premiere berth in Park City was just the start of the feature's festival run. Next stops: opening this year's Melbourne International Film Festival, then closing Switzerland's Locarno Film Festival. Internationally, Amir Ebrahimi's name is a drawcard. Cate Blanchett's, too, given that the Australian Tár and The New Boy actor executive produced the feature. The Tehran-born, Australian-raised Niasari is equally as talented behind the lens, after studying architecture then film; being mentored by iconic Iranian director Abbas Kiarostami; making documentaries in Wales, Lebanon and Chile; and beginning to focus on the Iranian diaspora community with her shorts and now this. Ahead of Shayda launching MIFF in early August, then hitting Australian cinemas in late September, Niasari chatted Concrete Playground through turning her own childhood into this powerful and important feature — plus balancing darkness and hopefulness, casting, engaging Melbourne's Iranian community, the Sundance experience, MIFF's coveted opening-night slot and her journey to becoming a filmmaker. ON NIASARI REALISING THAT SHE NEEDED TO TURN HER CHILDHOOD INTO A FILM "I lived in that women's shelter with my mum when I was five years old, and the woman who was running the shelter, who the character Joyce [played by Leah Purcell, The Drover's Wife The Legend of Molly Johnson] is based on, she's kind of my godmother now. She's been a family friend, my mother's close friend, for over 25 years. We often talk about those times, and it's an experience that's stayed with me through my whole life. Whenever I told people about living in a women's shelter, they were so surprised. I feel like there's not enough awareness of what services are available, and what those experiences are. But I was compelled to tell this story of female empowerment, and to show the world of a women's shelter that we haven't really seen on screens before." ON DECIDING WHERE TO STAY TRUE TO REALITY, WHERE TO FICTIONALISE AND WHY "I was lucky to have an amazing script editor throughout the scriptwriting process. The first draft was very much adapted from my mum's unpublished memoir, which I encouraged her to write before I did the adaptation. But the drafts after that were a departure from the autobiographical details of our life, of that memoir. There's certain things that in real life seem far too dark for a cinema audience — and it's important to prioritise the cinematic experience over what really happened. It very about finding the cinematic potential of the story beyond what happened to us. Thankfully I had my script editor, and a lot of amazing notes from producers — and also just a lot of kind of soul searching, and finding the moral compass of each character, and what they would do in this given scenario and that given scenario. It very much became a fictional exercise at a certain point, and it also incorporated not just my mother and I's story, but stories from my godmother — a lot of her personal experience of working in the shelter is in the film as well. So it's really an amalgamation of fact and fiction, and blurring those lines in order to tell a cinematic story." ON MAKING A FILM THAT SEES BOTH DARKNESS AND HOPE "From the start, I wanted there to be a lot of grounding in the mother-daughter connection, which is a beautiful one that they have. And in the celebration of Persian New Year — the film takes place over the course of that time. Celebrating the cultures and traditions, the poetry, the dance, those are things that kept my mother and I buoyant through those difficult times, and that's something I wanted to capture in the film. Whenever there's darkness, there's light as well. Finding that balance was really a priority for us — my cinematographer, production designer, all of us, we were always thinking about that, whether it came to the lighting or the set dressing or the costumes. Despite the fact that there's difficult themes, we wanted the audience to feel the hope and the joy, and the strength of Shayda and the other women in this in this shelter and in this situation, because there's more to life than the darkness." ON CASTING ZAR AMIR EBRAHIMI AS SHAYDA "We cast her before she won Cannes. It was very, very fortunate timing. Zar is an incredible woman, incredible human being, what she's been through. Just her story is amazing, but I'll leave that to for readers to Google. From the very first self-tape I received from Zar, within a few seconds I knew she was Shayda. It was that powerful. She has this dual strength and vulnerability happening all at once, just in her gaze, in her presence, the way she carries herself. This is a quality that I was always looking for in the character. And Zar also brings so much of her life experience to this film, and has so many parallels to my mother. They also became good friends in the making of the film, which was a beautiful thing as well because you could feel the sisterhood and bonding, and the deeply felt connections — which I feel came across in the performances, too." ON FINDING SOMEONE TO BASICALLY PLAY NIASARI HERSELF AS A CHILD "We auditioned Iranian girls all over Australia, through Persian schools, mostly grassroots casting. And Selina was one of the shortlisted applicants in Melbourne, which was lucky because we were shooting in Melbourne. She came to the callback and to the audition room, and my assistant and I were just blown away by her ability to lock into a situation emotionally and respond to it. For a six-year-old, her emotional intelligence was just phenomenal. She cried in the audition, not prompted by anything but the actual situation we gave her. Then she was able to snap back to the joy and dancing that she loves. She's actually very different to who I was as a child. She has a really happy family. She's got a beautiful childhood, no trauma — she's a really happy kid. As soon as the audition finished, when knew it was her, we were like 'that was remarkable, she's the one'. But then we were like 'but we have to protect her; we have to protect that joy and that light and spark'. So that's what we went about doing — protecting Selina from the material, and making sure that she stayed who she is. She has, and I'm glad that we went above and beyond to do that." ON ENGAGING WITH FELLOW MEMBERS OF MELBOURNE'S IRANIAN COMMUNITY "Their collaboration was really important when it came to preproduction and the making of the film. There's a place called House of Persia in in Melbourne — one of the founding members is my cinematographer's mum. We ran a lot of our rehearsals and auditions there. And we had huge amounts of volunteer extras and people helping us set up the fire-jumping festival, like multiple stall owners. It was a remarkable show of support from the community. They were very excited, very collaborative and just happy to be a part of something like this. It doesn't happen every day for there to be an Iranian Australian feature film financed by Screen Australia. I'm pretty sure that ours is the first. People were really, really excited, and generous and kind and supportive. And we're super grateful to everyone who supported us in the community." [caption id="attachment_910852" align="alignnone" width="1920"] Michael Loccisano/Getty Images[/caption] ON PLAYING SUNDANCE AND WINNING AN AWARD WITH NIASARI'S DEBUT FEATURE "It was definitely a dream come true to screen at Sundance, and to win an award was such a huge honour. It meant a lot to me, and to the whole team, because it just showed that the film is not just a film about my mother and I's personal experience — that it's a universal story that crosses borders, that audiences from all over the world and all different backgrounds are connecting with the film. That's what the audience award meant to me. For me, the most important thing is making a connection with the audience, so it was a wonderful thing to happen." ON OPENING MIFF "It feels surreal at the moment. I've had three shorts at MIFF. I was in the Accelerator Lab [a workshop for emerging short-film directors]. I became a filmmaker in Melbourne, and I really love Melbourne. In so many ways, it feels like a graduation to even just be at the festival with my feature. The opening-night spot, it's important in so many ways, but at the same time I just want to have fun with it and celebrate our hometown screening. But it does signify something new, in a sense, because I don't know how many Australian films have opened MIFF that are the majority in the different language, from a different cultural perspective to what we're used to, from a filmmaker who's lived that and who is from that world. I'm proud, and I'm grateful that my community is being seen and represented in this way." [caption id="attachment_910851" align="alignnone" width="1920"] Matt Winkelmeyer/Getty Images[/caption] ON THE JOURNEY FROM ARCHITECTURE TO DOCUMENTARIES TO SHAYDA "My mum used to take me to the Brisbane Film Festival, and I think one of the first films I saw in the cinema was a Jafar Panahi film. He was Kiarostami's assistant, and then I continued watching his films and Kiarostami's films. Just Iranian cinema in general was pivotal in my adolescence through to university. It always stayed with me, and the poetry and everything. I feel like I always had that undercurrent or simmering desire to tell stories, but I just didn't see it as a possible career path. It was never made mention to me until I was in architecture school. Even when I was in high school, I wanted to go to art school and I had a great art teacher, but filmmaking — nobody ever handed me a camera and said 'you could be a director one day'. It just never came to be. And especially with my mum, it was a single-parent family, and she was working, she was studying, she was hustling my whole childhood and adolescence. It was kind of amazing to discover it at that age of 19. I'm not one of those filmmakers who's like 'oh yeah, I watched E.T. when I was growing up and decided I want to be a director'. I think it was just something that was inside me, and was discovered slightly later based on the circumstances of what I was doing. I loved architecture school, too. I did work for a year and was definitely at a crossroads. But I just fell in love with storytelling, with making movies and being able to make a connection with people through that medium, so I haven't looked back since then." Shayda opens the 2023 Melbourne International Film Festival on Thursday, August 3, then releases in Australian cinemas on Thursday, October 5. Read our review.
As that sweaty, gamer dude with greasepaint dripping from his nose that you bumped into on the bus who was cosplaying Emperor Palpatine en route to Oz Comic-Con said: Let the nerd flow through you. Despite sounding like one of the most horrendous pick-up lines of all time, he had a point. Nerd culture is inescapable, and unless you want to look back on a life haunted by the zeitgeist, it's time to get on board. Dragon Friends is a Dungeons and Dragons game played live on stage by some of Sydney's best comedians. While that may sound niche, the kicker is that none of the comedians have played D&D — the cult tabletop fantasy role playing game — before. DM'd by Dave Harmon, the creator of Australia's largest real world zombie survival game, Zedtown, together with Story Club co-creator and regular Chaser collaborator, Ben Jenkins, are Dragon Friends. And it's silly, unashamedly nerdy, and utterly delightful. The core cast of comedians/D&D newbies is compromised of triple j presenter and Good Game Well Played host, Michael Hing, BuzzFeed Australia's Alex Lee, national Theatresports champion Simon Greiner, and one third of the Axis of Awesome, Benny Davis. Having just performed at PAX Australia in Melbourne — where they were joined on stage by Lawrence Leung and none other than Senator Scott Ludlam — Dragon Friends won't be little known for long. If this piques your interest, you can catch up on the adventure so far via their podcast.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next escape. In this instalment, we go to The Henry Jones Art Hotel in Hobart, Tasmania, where you'll encounter hundreds of artworks adorning the walls, views of the harbour and boutique interiors with exposed timber beams and walls of hand-cut stone that nod to the building's former life as a waterfront jam factory. Stay here as part of one of our curated itineraries on Concrete Playground Trips that includes a four-nights stay with daily breakfast included, scenic flights for two over Wineglass Bay, and Posh Pit tickets to MONA. Book it now. WHAT'S SO SPECIAL? Located in the Hunter Street precinct, this building is one of the oldest waterfront warehouses in Hobart named for the one-time building owner who started working in the former jam factory as a 12-year-old kid, working his way up the ranks until he eventually took over the business and ultimately made the jam trade his bitch. While art hotels are no longer new-news, the Henry Jones does has the claim to fame as Australia's first dedicated art hotel and the extensive collection of works and ongoing artist in residence program upholds its place as a leader within the onslaught of art-devoted stays that has followed. There are some 400 artworks throughout the property with a strong representation of emerging Tasmanian artists. Stroll the hallways, guest rooms, drinking and dinings options and public spaces, including The Packing Room Gallery, which hosts a roster of themed exhibitions. THE ROOMS At the Henry Jones Art Hotel no two rooms are the same. Organic materials, tones and polished timber meets rich accents of primary colours and thoughtfully curated decor in each of the hotel's lodgings. In many rooms, large harbour-facing windows let in natural light to show off sleek contemporary design elements amid the building's original features. Like much of Hobart, it's a collision of old and new influences. As for the details: luxurious bedding, original artworks and beautifully-appointed modern bathrooms complete with ample fluffy white towels. There's also the requisite free wifi and in-room coffee machine, and in some rooms you'll find an ultra-deep Kohler bath tub for soaking between strolls and sampling the sensational local dining scene. FOOD AND DRINK Speaking of dining, the in-house offering is a step above your usual hotel lobby bar. There's the IXL Long Bar, for innovative cocktails and snacks. At the front of the hotel is the Landscape Restaurant and Grill with a menu by Head Chef Nathaniel Embrey designed around the Asado grill and inspired by the region's exceptional local produce and artworks of legendary landscape artist John Glover that surrounds diners. Then there's the hero of the lineup: Peacock & Jones. Culinary Curator Ben Milbourne (chef and former Masterchef Australia contestant) and Head Chef Julian Volkmer (MONA) have crafted a menu that celebrates the very best of seasonal Tasmanian produce from sea urchin to truffles. And, of course, the drinks program showcases a carefully considered selection of Tasmanian wines, whiskies and spirits. [caption id="attachment_869996" align="alignnone" width="1920"] Maria Island[/caption] THE LOCAL AREA It's no secret that we are serious devotees to all that Tasmania's got on offer. Here's a quick guide to some of our Hobart favourites, and a more comprehensive exploration of all the flavours of Tassie can be found here. Head to The Henry Jones Art Hotel website to book a stay or, if you'd rather we sort your itinerary for you, book our curated Bucket-List Hobart Getaway here.
Six albums into their career, Ball park Music have cemented themselves as one of most consistent and beloved Australian bands of the past two decades. Pulling from the infectious and heartfelt ballads of bands like Powderfinger and Crowded House, the Brisbane five-piece never fail to produce catchy blends of pop and rock with a hint of self-aware humour. After treating Sydneysiders to one of their first post-COVID sets during Summer in the Domain, the band is returning to NSW on Friday, March 25, as part of Great Southern Nights. This time, they're popping up in regional hub Bathurst for a one-off set at Charles Sturt University. In support will be upcoming pop singer Yorke, who recently sold out The Lansdowne and is now heading around the country to support the likes of Amy Shark, San Cisco and The Veronicas. Great Southern Nights is facilitating a heap of gigs across Sydney and regional NSW, ranging from icons like Jimmy Barnes popping up in western Sydney or Archie Roach performing in Wagga Wagga, through to smaller acts like hyped young R&B singer Liyah Knight headlining a night of local music and DJs at Zetland's 107 Projects. You can find the full program at the Great Southern Nights website. https://www.youtube.com/watch?v=u2ydbGRaoXI
Chances are, you think you know your Snowy Mountains adventures pretty well. In winter, they're all about skiing, snowboarding and apres. Come summer, you're thinking hiking, biking and white water rafting. But what about all the escapades you haven't thought of? Among the Snowies' thousands and thousands of hectares of snow gum forests, open plains, rugged peaks and waterfalls, there are surprises of many kinds. Get started with these ideas — from bobsledding down a mountain in Thredbo to spotting wild brumbies in remote wilderness. From coastal getaways to outback adventures, Australia is home to a wealth of places to explore. Every trip away offers the chance to not only reconnect and recharge, but also to support the communities that have been affected by bushfires. Your visit plays an important role in Australia's recovery, which is why we've partnered with Tourism Australia to help you plan your next Holiday Here This Year. Some of the places mentioned below may still be closed due to COVID-19 restrictions. Please check websites before making any plans. [caption id="attachment_746526" align="alignnone" width="1920"] Thredbo Media[/caption] HURTLE DOWN A MOUNTAINSIDE ON A BOBSLED Skiing a black run isn't the only way to get your adrenaline hit in the Snowies. Come summer, you have the option of hurtling down the mountain in quite another fashion. From October each year, Thredbo's Alpine Bobsled opens for play. This twisting, turning feat of engineering travels down a steep slope for 700 metres, delivering thrills (not spills) all the way. Rides, available at Thredbo Sports Valley Terminal, are just ten bucks a pop. But, if you're a bobsled fiend, you'd best invest in a ten-ride pass for $60. [caption id="attachment_749012" align="alignnone" width="1024"] Murray Vanderveer/DPIE[/caption] WALK THROUGH A LIMESTONE GORGE TO A WATERFALL If you like your adventures with a side of spectacular scenery, the Clarke Gorge walking track is for you. This five-kilometre return journey takes you through a narrow gorge, carved out over millions of years by Cave River and flanked by sheer limestone cliffs. Reach the end to be rewarded with even more beauty in the form of the 15-metre-high Cave Creek Falls. You might well have wedge-tailed eagles and grey kangaroos for company along the way. Check the NSW national parks website for current alerts before you venture to this walking track, as it was affected by the 2019/2020 summer bushfires. The track begins at Blue Waterholes campground, where you can book in to stay the night. Note: all camping in NSW national parks now requires advance bookings. [caption id="attachment_746554" align="alignnone" width="1920"] Destination NSW[/caption] SPOT WILD BRUMBIES FROM LONG PLAIN DRIVE Some of Australia's most beautiful — yet under-visited — summer landscapes are the Snowy Mountains' High Plains. Wherever you are, keep an eye out for herds of wild brumbies, galloping across open grass, like something out of an American Western. The most breathtaking views are along Long Plain Drive, an 18-kilometre route that, for the most part, is free of trees. Be sure to stop by Coolamine Homestead, an 1800s home with a shady verandah, where you can relax and contemplate times past. Several campgrounds are in the area, including Coleman Mountain and Cooinbil Hut. GO ON AN OVERNIGHT HORSE TREK If there's a classic Australian way to experience the Snowy Mountains wilderness, it's on horseback. You could, of course, settle for a one-hour trail ride. But an overnight trek is a much more epic adventure. On top of trotting and galloping through grasslands, snow gum forests and rocky terrain, you'll spend an evening in front of a roaring fire, sleeping beneath the stars, in the company of your trusty speed. To book an experience, contact Cochran Horse Treks or Reynella Rides. [caption id="attachment_624129" align="alignnone" width="1920"] Murray Vanderveer[/caption] SWIM IN A THERMAL POOL Warm up with a dip in Yarrangobilly Caves thermal pool. It's quiet and secluded, with heaps to explore in the surroundings. Filled with water from a natural hot spring, the 20-metre pool remains at a perfect 27 degrees all year round. Get there via a short (but steep) 700-metre walk from the nearby car park, or wind your way along the three-kilometre River Walk. Afterwards, have a post-swim feed in the adjacent picnic area. The surrounding caves are currently closed, however, check the NSW national parks website before you travel for the latest information. DINE IN A REPURPOSED CINEMA In the picturesque mountain village of Tumbarumba, you'll find Nest Cinema Cafe Books. And it does exactly what the name suggests — provides a cosy space with a cinema (currently closed), cafe and lots of books. Fair warning: once you've settled into a couch here, you won't want to leave. During COVID-19, the Nest has transformed its cinema screening area into a dining space, so you can book in to enjoy cake, coffee, pizza and a couple of beers in the boutique cinema — or opt for a spot by the fireplace or outdoors on the deck. It's best to book ahead to secure a spot, and if you're unlucky but still want to sample the food, it also offers takeaway. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Tourism Snowy Mountains
On a hot summer's day, a sweet frozen treat will always hit the spot. A new brand has just launched in Australia that's providing a dairy-free solution to your sweet summer cravings. Originating in Thailand, Buono has created 100 percent plant-based frozen desserts that are vegan, gluten-free and contain no artificial colours or flavours. Buono has two types of frozen treats available in Australia currently. The first, Buono Boru Boru, is a tub of bubble tea-inspired ice cream. It's vegan, of course, made using coconut milk and containing flavour-filled balls reminiscent of the those you get in bubble tea. The Buono Boru Boru comes in two different flavours: classic Thai tea and genmaicha, which combines the flavours of green tea and roasted rice. The second range of dessert goodness Buono has created are called Mochi Ice. Made with coconut milk, these ice cream-filled mochi balls are a great bite-sized snack, but, be warned, you might find yourself returning to your freezer multiple times a day to grab one. They come in a range of flavours including strawberry, black sesame, vanilla, mango, coconut, chocolate and Japanese green tea. If you find yourself craving a cold creamy treat this summer, the Buono range is available at Coles and Woolworths stores nationally — and can be delivered to your door via Coles Online. Buono's range of plant-based desserts are available to order online or at select Coles, Woolworths and specialty stores nationwide. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
While it may be a household name in Australian aviation, Jetstar hasn't exactly made waves within the LARPing community until now. Not sure what LARPing means? To get you up to speed, it's live-action role-playing. Similar to cosplaying, it involves dressing as historical or fictional characters with a fantasy theme, but it goes a step further by encouraging participants to play the role of their character as an actor would, often partaking in a friendly duel or battle. It might sound like a big commitment to get into this community, but with the oh-so-tempting offer of winning a share in a $50,000 flights voucher on the cards, now is the best time to give it a go. 21st birthdays often involve a lot more alcohol and live music than this, but historically, a 21st birthday marks a transition into adulthood and a time when a squire can earn the honour of knighthood. Jetstar isn't subverting expectations of birthdays with ancient traditions just to have a laugh — it's taking its 'Knights of the Skies' tournament on Sunday, May 25, very seriously. To put together this contest of champions, it's partnered with Swordcraft, Australia's largest LARPing organisation, who are lending trained LARPer warriors to bolster the ranks of the competition. And since every battle needs an overseer, radio host Liam Stapleton will play host… and a wizard, too. On the day, each participant will be divided into one of two teams. The last eight participants not to be felled by a mightier opponent will get the chance to claim a share in the prize: a $50,000 flight voucher, while runners-up can claim $1,000 vouchers. To enter, all you need to do is craft a medieval costume, the more DIY the better, and share it on Instagram, tagging @jetstaraustralia and #KnightsOfTheSkies, or sharing it via Instagram DM. The field of battle is yet to be decided, but will be somewhere within the kingdom of Melbourne, so keep an eye on Jetstar's social media to find out more. Jetstar's Knights of the Skies tournament will take place at an as-of-yet undecided location on Sunday, May 25. Follow Jetstar Australia on Instagram for more information.
The posters for what's tipped to be Lars von Trier’s masterpiece — his upcoming five-hour sexual epic, Nymphomanic — have been unleashed, with the likes of Charlotte Gainsbourg, Willem Defoe and Stellan Skarsgard showcasing their best 'O' faces. The squirm-inducing effect of the promotion, shot by photographer Casper Sejersen, is only a taster for what's to come. Doubtless, the film will not shy away from unflinching portrayals of erotic ecstasy. In a typical von Trier rejection of cinematic convention, reportedly the genitals of porn actors will be spliced onto the bodies of the cast in the production process. Although it's not the first film to use unsimulated sex, evidently the avant-garde provocateur is continuing to uphold his reputation for revelling in a taboo style of filmmaking and subject matter. For example, according to Shia LeBeouf, a disclaimer at the top of the script reads: "Everything that is illegal, we’ll shoot in blurred images." Indeed, producing audience discomfort and sparking controversy is not new terrain for von Trier. Take, for instance, his grotesque tour de force Antichrist, a hard-hitting arthouse horror film that caused uproar for its scandalous depiction of genital mutilation. (If you haven’t eaten lunch yet, perhaps don’t read up on it now.) Although his films strongly divide audiences and critics, he is without question a major powerhouse of contemporary avant-garde cinema. His work is thought-provoking, technically assured, aesthetically radical and forever pushing boundaries. It is the dream of actors and cinematographers alike to work with this enigmatic artistic visionary. Nymphomaniac is due to be released in December of this year. Via Fast Co.Create
Fresh from hosting the Foo Fighters at Geelong's GMHBA Stadium, Victoria's new statewide contemporary music celebration Always Live has just added two new gigs to its lineup: the first stops in the Australian leg of Nick Cave and Warren Ellis' Carnage tour. Mark Friday, November 25 and Saturday, November 26 in your diaries and prepare to head to the Macedon Ranges, because the two Aussie music legends and their must-attend 2022 shows are heading to Hanging Rock. The pair are hitting the stage to support the 2021 album that shares the tour's name, which actually marks Cave and Ellis' first studio album as a duo. Bandmates across several projects since the 90s — including Nick Cave and the Bad Seeds, and Grinderman — Cave and Ellis are Aussie icons, with careers spanning back decades. Together, they also boast more than a few phenomenal film scores to their names as well, including for The Proposition, The Assassination of Jesse James by the Coward Robert Ford, The Road, West of Memphis, Far From Men, Hell or High Water and Wind River. Cave and Ellis will head home after an American Carnage tour, and following Cave's subsequent tour with the Bad Seeds in Europe. Yes, this is some news to come sail your ships around — although, given that Cave announced that the tour was in the works back in early February via his The Red Hand Files email list, you might've already started getting excited last month. [caption id="attachment_845538" align="alignnone" width="1920"] Laurine Payet[/caption] The Hanging Rock shows will have a limited capacity, with getting in quickly when tickets go on sale — at 12pm AEDT on Tuesday, March 15, with general sales available from 12pm local time on Thursday, March 17 — highly recommended. Courtney Barnett will join the duo for the two gigs — and details of shows in other cities around the country is expected soon, so keep watching this space. Fans of the pair have something else to look forward to, too: film This Much I Know to Be True, directed by Chopper, The Assassination of Jesse James by the Coward Robert Ford and Killing Them Softly filmmaker Andrew Dominik, about Cave and Ellis' creative relationship. Dominik also made 2016 Cave doco One More Time with Feeling, and his latest flick will hit Aussie cinemas on Wednesday, May 11. Nick Cave and Warren Ellis' Australian Carnage tour will kick off at Hanging Rock in the Macedon Ranges on Friday, November 25 and Saturday, November 26, then continue throughout November and December 2022 — with other cities, dates and venues still to be announced. Pre-sale tickets for the Hanging Rock shows go on sale at 12pm AEDT on Tuesday, March 15, with general sales available from 12pm local time on Thursday, March 17. For more information or to register for pre-sales, head to the tour website. Top images: Laurine Payet, Palma Sabina.
Solotel, the 30-venue strong hospitality empire whose portfolio includes Matt Moran's five restaurants, bought Newtown's Marlborough Hotel three months ago. And the group's latest move is a major sprucing up of Tokyo Sing Song, the beloved underground entertainment space beneath the Marly, where, after midnight on a Friday or Saturday, pretty much anything can happen — from drag and cabaret to live bands to club nights. The biggest change is that there's more room — for people, for dancing and for shows. "Tokyo Sing Song has been a King Street institution for a while," says Adam Lewis, Solotel's group entertainment manager. "The space has an incredible history and a lot of wonderful art. We wanted to make sure we did everything we could to make it as good as it could be, so it could host as much great entertainment as possible." If you haven't been down for a while, the first thing you'll probably notice is the new carpet, which doesn't carry the olfactory history of every beer that ever was drunk at the Marly. "The old carpet was pretty unpleasant, in terms of smell," says Lewis. "That was one of the biggest complaints we had." On top of that, the furniture has been reconfigured, to eradicate bottle necks and open up the dancefloor. Plus, there's a roomier stage and a louder, crisper PA. This trio of changes allows for a greater diversity of performances and bigger club nights. One of these is Ricardo's, which started earlier this year in a Portuguese club in Marrickville and is now Tokyo Sing Song's first permanent resident. Every Friday night, DJs from around Sydney and interstate drop by. What hasn't changed is the overall aesthetic and the free-spirited, open-ended feel. In fact, Lewis is hoping to bring in more eclectic programming and different artists from around Newtown and the inner west. Ultimately, he'd like to turn the venue, which now opens on weekends only, "into a week-long, reliable dancefloor." Consider us significantly on board. Find Tokyo Sing Song downstairs at the Marlborough Hotel, 145 King Street, Newtown. Open Friday 10pm–6am and Saturday 10pm–5am. Images: Katje Ford.
No one likes it when their phone rings from an unknown number, whether "no caller ID" or digits that you don't recognise flash up on your mobile's screen. Telemarketers isn't going to change that response. It won't dampen the collective ire that the world holds towards the pushy people on the other end of the line, either. HBO's thrilling three-part docuseries doesn't just reinforce what viewers already feel about the nuisance industry that thinks it can interrupt your day and life with a spiel that no one wants, and impact your bank balance in the process. In addition, it spins a true tale that demonstrates why a deep-seated dislike of telemarketing is so well-founded, and also why cold-calling operations can be so insidious. This true-crime story about the New Jersey-based Civic Development Group surpasses even the most call centre-despising audience member's low expectations of the field — and it's gripping, can't-look-away, has-to-be-seen-to-be-believed stuff. "Every other telemarketer who drives you crazy in the whole world is because of CDG," advises one of the series' interviewees. That might seem like a big claim, but co-directors Sam Lipman-Stern (Live From the Streets) and Adam Bhala Lough (The New Radical) step through its truth. The former knows the outfit's approach from experience, working there for seven years from the age of 14 after dropping out of high school, while the latter is the filmmaker cousin he wasn't aware of. Lipman-Stern is Telemarketers' on-screen guiding hand, too, but his ex-colleague Patrick J Pespas is its heart and soul. As seen early — with the show streaming its trio of chapters weekly via Binge since Monday, August 14 — Pespas is called a "telemarketing legend". Although he's happy snorting heroin on-camera in 2000s-era footage, he's switched on to CDG's shonkiness; more than that, he's determined to expose it even if it takes two decades. When Lipman-Stern began earning $10 an hour convincing ordinary Americans to donate to charities represented by CDG, he found himself at a place where anyone could get hired with few questions asked. The only requirement: bringing in funds while hitting the phone. As long as the company's employees kept making money, anything went. Those workers are a motley crew of vulnerable misfits in Lipman-Stern's low-res fly-on-the-wall footage, spanning not just dropouts and addicts but also ex-cons recruited directly from halfway houses and folks who didn't fit the usual nine-to-five grind. And their work environment? It "was like you was just going to a big-ass cookout every fucking day," one past staff member notes. Drinking, drugs, sex, nodding off on the phone, getting tattoos in the office, baby turtles crawling over keyboards, general seediness and raucousness that even telemarketing sitcom Workaholics didn't dream up: that was all a part of cashing a CDG cheque, as Lipman-Stern captured at the time, then uploaded to YouTube. Telemarketers' main pair and their boiler-room colleagues were paid to ring their way through the organisation's sales lists, rustling up financial support for police officers, their widows, veterans, firemen, dying children and cancer survivors. When it's the cops they're touting — typically under the Fraternal Order of Police, which is akin to a law-enforcement union — they also send out stickers emblazoned with the particularl lodge's logo. It usually goes unspoken, but those decals come with shifty promise: if you display them on your car, house or shop because you've slung some funds towards the police, you might get favourable treatment if an officer ever has cause to cross your path. Yes, that's dodgy. If only it was the most dubious aspect of CDG's gambit. Everywhere that Lipman-Stern and Pespas look, this tale gets worse. It's no wonder that Uncut Gems and Good Time filmmakers Benny and Josh Safdie are among Telemarketers' executive producers, plus Eastbound & Down's Danny McBride, Jody Hill and David Gordon Green. Barely giving any of the money raised to any of the charities represented? Tick. Using underhanded and forceful tactics, flat-out lying and adopting voices resembling a "cartoon caricature of police officer", all to con people into donating? Check there, too. Unsurprisingly attracting legal attention across several states, and multiple levels of government, yet managing to keep operating? Tick again. Slippery founders — two sets of brothers, one of which includes the member of a Christian rock band — who aren't fussed about CDG's ongoing legal troubles? Check once more. Turning nonprofit fundraising into a complete sham? Keep on ticking. Constantly devolving, whether by letting fear-inducing convicted murderers loose on the phones, using artificial intelligence to keep calls going without needing staff or capitalising upon America's increasingly polarised political landscape? That's all part of this story as well. Making for jaw-on-the-floor viewing, Telemarketers is a wild portrait of greed, exploitation and corruption — and while screens aren't short of those of late, this isn't a Succession or Squid Game-style eat-the-rich effort. There's nothing luxurious or stylish here. All that's on display is pure predatory behaviour from CDG's owners and their cronies towards everyone below them, employees and folks picking up the phone alike alike. Lipman-Stern and Pespas are as much scam victims as the people they called. But, when a disguised player in the industry notes that "it's not the telemarketers you should be worried about", Telemarketers gets even more sinister. When the strikes end, expect Hollywood to pounce on a dramatised remake. The Bear's Ebon Moss-Bachrach could easily slip into Lipman-Stern's shoes, and Saturday Night Live and Mr Mayor's Bobby Moynihan into Pespas'. Fantasy casting aside, any future retelling of CDG's exploits needs Lipman-Stern and Pespas at its centre — because Telemarketers wouldn't be what it is without them, or even exist. As much as HBO's series is a takedown of a horrific swindle, it's also an ode to guerrilla journalism by a couple of average guys fighting back, and a character study of the pair as well. As the show jumps across 20 years, it surveys who Lipman-Stern and Pespas are, what changes in their lives, their evolving friendship, their commitment to exposing their old workplace and why they took up this battle. It also doesn't shy away from the fact that they're plucky amateurs doing what they feel compelled to. The Safdies were approached to direct Telemarketers, only to glean what audiences can now see: that authenticity couldn't be more crucial. When 2022 became a banner year for true-crime deceptions on-screen, unravelling real-life stories through Inventing Anna, The Dropout and more, polish reigned supreme. Getting an inside view from everyday sleuths taking on the crooks who gave them a gig, as chronicled through rough-around-the-edges footage and scrappy chats — that's a raw, like-you're-there experience, and it's both powerful and electrifying. So too is Lipman-Stern and Pespas' transformation as they get immersed in their investigation over the years. Initially, Lipman-Stern just wants to film office pranks, while the ever-earnest Pespas has his own personal tussles. Before our eyes, they become the tenacious duo revealing a billion-dollar fraud and bringing this stunning whistleblower documentary to the world. Check out the trailer for Telemarketers below: Telemarketers streams via Binge from Monday, August 14.
It's safe to say Gami Chicken and Beer has secured its status as one of Australia's go-to fried chicken joints, slinging its signature, Korean-style chook from 23 locations across the country. Now, it's set to launch its third Sydney store on Market Street in the CBD. And, to celebrate, Gami is giving Sydneysiders a few very good reasons to jump on board, handing out a whopping 1000 pieces of its boneless fried chicken — for free. These fried chicken morsels — RSPCA-approved and rocking Gami's signature blend of 17 herbs and spices — will be up for grabs at midday and again 5pm, on both Thursday, October 3 and Friday, October 4 at the new location. The chain has yet to mention any restrictions, such as one piece per person, but there will only be 250 pieces available at each session — so you should head in early if you want a freebie. Once you're hooked, you're probably going to want to schedule a return visit pretty quick, to try other Gami favourites like the chicken spare ribs, the vegetarian chicken and the aptly named Potato Heaven, featuring three layers of cheesy potato goodness. Sydney-exclusive dishes will be on the menu, too, like beef bulgogi and a chicken parma. And if you can't make it down for a free piece, the Market Street store is already open for lunch and dinner daily.
Have you ever been to a play where, no matter how prominent the lead was, your attention was always drawn to one of the secondary performers off to the side? That's the case with X-Men: Dark Phoenix, a film where everything's pretty decent except for anything to do with the actual title character. Ultimately it's an issue of interest. There just isn't enough in the Jean Grey character (or at least, not in this iteration of the character, played by Sophie Turner, compared to Famke Janssen's version from the origial X-Men trilogy) to justify giving her such a prominent role in a universe already jam-packed with compelling fan-favourites like Magneto (Michael Fassbender), Mystique (Jennifer Lawrence), Charles Xavier (James McAvoy) and Beast (Nicholas Hoult). To appropriate that iconic line from Mean Girls: stop trying to make Jean Grey happen. In a franchise that adroitly positioned itself as one of 'films with special effects' rather than 'special effects films', the masterstroke of the early X-Men movies was ensuring there were always human stories at their core, even if they were about super-humans and mutants. On that front, the original trilogy stands as a sublime allegory for the discrimination of minorities, no matter the kind. The franchise's first ever scene took place in a Nazi concentration camp, bars and restaurants featured mutant and non-mutant sections, and a narrow-minded mother asked her son: "have you tried... not being a mutant?" Beyond the us and them theme, they then added two more critical threads: a complex friendship between Magneto and Professor X, and a love triangle between Wolverine, Cyclops and Jean. It was these stories that made the films so engaging, whilst the special effects just added loads of cool. X-Men: Dark Phoenix forgets that lesson after its first few (excellent) scenes, placing far too much emphasis thereafter on visual pageantry that adds very little to the story. Set mostly in 1992, Dark Phoenix begins with a confronting car-crash sequence, followed by a dramatic space rescue. Both, in their own way, set in motion plot lines involving Professor X arguably overstepping his mark, which inevitably has dire consequences. The problem is, until now, Turner's Jean Grey was little more than a bit-part, so her elevation to leading lady and the subsequent transformation (or descent?) into the all-powerful Dark Phoenix both feel rushed and unearned. You know you're meant to think oh no, but you simply don't care. Added to that is a subplot so forgettable that this writer literally forgot about it until just now. An alien villain named Vuk (Jessica Chastain) pursues and manipulates Jean's transformation into Dark Phoenix for reasons that are barely clear and even less interesting. Chastain's staid, hollow stare throughout the film feels neatly reflective of the audience's expression as it watches another actor of incredible talent relegated to spouting cliched nonsense. With the exception of its early scenes, the only other high point in Dark Phoenix is its climactic battle aboard a speeding armoured train (and it speaks volumes that throughout that scene, Jean Grey is passed out and largely ignored). Mutants being mutants and deploying their abilities in means as violent as they are inventive is ultimately why you'd see this film over other, more conventional action movies. To give us so little of that condemns it to forgettable status from the get-go. Dark Phoenix is almost certainly the last entry in the franchise before the reigns are handed over to Marvel, courtesy of Disney's recent acquisition of 20th Century Fox. Hopefully in their capable hands we'll see a return to the quality delivered in the early days of the saga. https://www.youtube.com/watch?v=azvR__GRQic
Cinema is one of humanity's greatest artistic inventions — and the joy of sitting in a darkened room, locking your eyes on the screen and becoming immersed in the movie in front of you will never grow old. But, now that the medium is well into its second century, it's worth acknowledging a bleak truth: most movies are average. It's a numbers game, really. With thousands of new films hitting screens and streaming platforms each and every year, they can't all be masterpieces. They're not all rubbish either, which is why so many sit in the middle. Some are watchable trash, others are almost better than okay, but a whole heap fall between those two points. If you're thinking "hang on, isn't this an article about the best films of the 2019?", you're not mistaken — the two topics are related. When a movie isn't average, it stands out. When it's something special, magnificent, glorious and astounding, it sticks in your mind for days, weeks, months and more. In fact, the best films are even more exceptional because they've found the perfect blend of components to soar far beyond the standard. They're the movies that make you excited when you leave the cinema, even if you've just been put through the emotional wringer or scared out of your wits, because you're ecstatic that these films exist. 2019, like every other year, had its share of great, excellent and outstanding movies — and with all of the above in mind, we've picked our best. We could've gone on, so apologies to the films that barely missed the cut. The Souvenir, If Beale Street Could Talk, Midsommar, Vox Lux and Ad Astra are all worth seeking out. So are Knives Out, Booksmart, Weathering with You, Apollo 11 and Hustlers. But we could only choose ten, which is a tiny fraction of the 550-plus movies that released on Australasian screens this year — and our favourites are the absolute opposite of average. https://www.youtube.com/watch?v=SEUXfv87Wpk PARASITE 2019 may be the year that the best film of the past 12 months wins cinema's top two awards. At the Cannes Film Festival in May, Bong Joon-ho's Parasite nabbed the Palme d'Or — and the twisty thriller is one of the frontrunners to be named Best Picture when the Oscars roll around in February. If it scores the latter as well, it'll be the first movie since 1955 to win both — and only the second film ever. Parasite deserves to earn that feat, but it'll still remain an astonishing, smart and supremely enjoyable picture if it doesn't. Following the intersection of two South Korean families — one wealthy, entitled and oblivious to their privilege, the other unemployed and scraping by however they can — this is a precisely layered feature that unravels an engrossing mystery while making a decisive statement about class disparities. The puzzle-like social satire is also written, shot and acted to perfection by the Okja and Snowpiercer helmer, with Bong regular Song Kang-ho leading a dynamite cast. Read our full review. https://www.youtube.com/watch?v=nfPxmnMAyZw THE NIGHTINGALE Back in 2018, after The Nightingale first screened for media at the Venice Film Festival, it hit headlines. Barely a handful of people had seen it, but word of its tough nature spread quickly — as did news of vocal reactions and walkouts. Such reports would only continue as the film toured the festival circuit overseas and in Australia; however Jennifer Kent's second feature after The Babadook wants to evoke that response. Tracking an Irish convict (Aisling Franciosi) on a quest for revenge against the British soldier (Sam Claflin) who brutally took away everything she loved, and following her trek through Van Diemen's Land with an Indigenous guide (Baykali Ganambarr), this isn't meant to be an easy watch. Clawing through the misogyny, racism and oppression baked into Australia's history, and the violence with which it has been dispensed, should leave a visceral impact. Making a different kind of horror movie, Kent uses every tool at her disposal to put viewers in her protagonists' shoes, including a boxed-in 4:3 aspect ratio that stares at assault, death and more front-on. The results don't just leave an imprint — they leave a scar. Read our full review. https://www.youtube.com/watch?v=Bn_-YoG69Sw PORTRAIT OF A LADY ON FIRE In a film that's sumptuous and striking from start to finish, Portrait of a Lady on Fire's approach to its love story stands out. This is a subtle, slow-burning movie that simmers with restraint and yearning as its central women fall for each other, but it's also bold and uncompromising in depicting what society demands of their lives — and how the expectations placed upon them are incompatible with their happiness. In the 18th century, artist Marianne (Noémie Merlant) has been commissioned to paint the portrait of bride-to-be Héloïse (Adèle Haenel). With Héloïse reluctant about both her nuptials and being immortalised on canvas, Marianne must pose as her new companion, study her closely as they spend time together and paint in secret. As romance blooms within Celine Sciamma's (Girlhood) radiant, exquisitely detailed frames, her equally luminous feature explores both the freedom they find in each other's arms and the stark reality of their future. Read our full review. https://www.youtube.com/watch?v=pJEDh4ikcWA PAIN AND GLORY It's impossible to look at Antonio Banderas in Pain and Glory and not think of the man who put him there. Pedro Almodovar has directed the Spanish actor to many of his top performances over the past four decades, and here he gives him a formidable task — with Banderas virtually playing a fictionalised version of the filmmaker. His character, Salvador Mallo, looks like Almodovar and even wears his clothes. He's also a director and, via a collaboration with a star from his past, he's in the process of taking stock of his life in a new project. The result is a rich and deep exploration of choices made, dreams forgotten, paths followed and possibilities lost, as rendered with Almodovar's usual bright, expressive colour palette. Penelope Cruz also features in flashbacks to Mallo's childhood, playing his mother, but it's the marriage of Cannes Best Actor-winning Banderas and Almodovar in reflective mode that makes this gorgeous, heartfelt, bittersweet movie a piece of cinematic perfection. Read our full review. https://www.youtube.com/watch?v=bavqDA_3vIo US As a filmmaker using genre to lay bare society's oppressive ills — and to entertain audiences with audacious and ambitious horror stories in the process — Jordan Peele is now two for two. Just a couple of short years ago, Get Out felt like a breath of fresh air with its smart and savage tale of racial alienation. That feeling remains with his second feature, Us, which simultaneously splashes in the same thematic pool and rides its own narrative wave. Focusing on a family of four, a summer vacation to Santa Cruz and sinister lookalikes who start stalking their every move, Peele finds a new way to ponder America's divisive reality both historically and at present, all while making an immensely unnerving addition to an already unsettling genre: the doppelgänger movie. Playing dual roles, Lupita Nyong'o puts in one of the year's very best performances as the matriarch doing whatever it takes to fight for both her family and her freedom, while many of the film's meticulously crafted visuals are pure nightmare fodder. Read our full review. https://www.youtube.com/watch?v=JZeIHrx7Oyc HIGH LIFE Not only sending Robert Pattinson into space with a baby, but marking the first English-language film by acclaimed French director Claire Denis (Let the Sunshine In), High Life was always going to stand out. Pattinson plays Monte, who's caring for an infant alone on a space station when the film opens. Sci-fi history dictates that this was never going to be a cosy situation, with said intergalactic vessel hurtling towards a black hole. While flashbacks fill in the story, they never tell the expected tale. In a film that also stars Juliette Binoche as a twisted doctor experimenting on convicted criminals — and features a masturbation chamber called The Box — nothing was ever going to fit a nice, neat template. Belonging to the contemplative side of space-set sci-fi, High Life is unflinching in its depiction of the dark, cruel side of human nature, with its haunting and distinctive portrait of our species at its worst not easily forgotten amongst its weighty existential musings. Read our full review. https://www.youtube.com/watch?v=eI9UYcEwUYA BURNING On cinema screens Down Under, 2019 has been an exceptional year for South Korean movies by acclaimed auteurs. Parasite has earned so much deserved attention that it's easy to forget that it was the second of this year's big-name theatrical releases from the country — and the second to explore class and gender divisions in a thrilling manner, too. The first was Burning, the visually detailed and emotionally loaded masterpiece by Lee Chang-dong that's based on a short story by Haruki Murakami. Here, society's inequities come to the fore in a blend of contemplative mystery, intricate character study and exquisitely observed examination of human relationships. It all starts when part-time deliveryman Jongsu (Yoo Ah-in) crosses paths with his former neighbour Haemi (Jun Jeong-seo), feels a connection between them, but finds himself pushed to the side when she returns from an African holiday with the wealthy Ben (Steven Yeun) by her side. Read our full review. https://www.youtube.com/watch?v=ELeMaP8EPAA ONCE UPON A TIME IN HOLLYWOOD Three words: Rick fucking Dalton. In Once Upon a Time in Hollywood, Leonardo DiCaprio is fantastic as the 60s TV cowboy who pines for a career renaissance; however, he's just one of the film's stellar components. As the stuntman and driver that Dalton relies so heavily on, Brad Pitt oozes complicated cool. As Dalton's neighbour Sharon Tate, Margot Robbie sits at the heart of the film — and demonstrates that dialogue isn't the only indicator of an excellent performance. Jumping back to 1969, and to the summer that the Manson family famously wreaked murderous havoc, Quentin Tarantino plays with real-life details, but he's in the revisionist mode that served Inglourious Basterds so well. The end product is an intricate, mature, laidback and thoroughly enjoyable film that's also purposefully shaggy, and invites audiences to not only ponder its perspective on weathering seismic personal and cultural shifts, but to enjoy the time spent hanging out in its world. Read our full review. https://www.youtube.com/watch?v=BHi-a1n8t7M MARRIAGE STORY Noah Baumbach makes movies about unhappiness, whether he's following titular New Yorker in a state of arrested development (as seen in Frances Ha), a middle-aged couple at a crossroads (While We're Young) or dysfunctional adult siblings sorting through their issues (The Meyerowitz Stories (New and Selected)). And, although Marriage Story commences with odes of love penned carefully and thoughtfully, the film's once blissfully wed protagonists Charlie (Adam Driver) and Nicole (Scarlett Johansson) are far from content. Rather, in a story that spans both US coasts, they're divorcing. In the process, they're locked in a bitter custody battle over their young son (Azhy Robertson). Sharp, naturalistic and devastatingly astute, this always-empathetic drama follows the pair's efforts to adjust to their new status quo — with Driver in particularly blistering form as a New York-based experimental theatre director expending all of his energy on a fight that his heart might not be in. Read our full review. https://www.youtube.com/watch?v=WHXxVmeGQUc THE IRISHMAN Only the very best filmmakers can continually return to the same domain, but still make each new visit feel like something new. Martin Scorsese is one of them, as The Irishman illustrates. On paper, it seems like a typical Scorsese-directed movie. It's about gangsters, it stars Robert De Niro, and it even coaxed the great Joe Pesci out of retirement. As anyone with even a passing interest in cinema knows, that's Goodfellas and Casino territory. But with this lengthy epic, the masterful auteur shows that he's not one for needlessly repeating himself. Based on the life of truck driver-turned-mob hitman Frank Sheeran (De Niro) and his time working for union boss Jimmy Hoffa (Al Pacino), this potent saga may revisit familiar themes — but, as pieced together with patience and impeccable performances (especially from Pesci), its portrait of two forces constantly fighting for supremacy, even to their own detriment, is also keenly relevant today. Read our full review. These are our ten favourite films of 2019, and we listed ten other standouts above as well. But we've also put together a list of the best films hardly anyone saw this year — y'know, the ones that sort of went in and out of cinemas without much fanfare but definitely deserve a watch.
If you were a kid of the 90s, you probably have an innate curiosity with exploring lighthouses fuelled by many afternoons of watching Round the Twist. And on Fingal Island, you can do just that. First things first: it's not actually an island, but rather an irregularly shaped headland at the northeastern end of Fingal Bay. It's connected to the mainland via a sand spit but, due to hazardous conditions at the spit, it's impassable on foot. But you can reach the landmass via boat. To make the most of your trip, we recommend joining one of Imagine Cruises' eco-tours. The tour, which takes approximately three hours, includes a guided walk to some of the island's best spots, including the legendary Port Stephens Lighthouse. Here, you'll get to climb the spiral staircase of the sandstone structure, take a peek at the keepers' quarters, learn stories of its long history and perhaps spy a whale or two from the balcony in the winter months. The tour also includes visits to Government Cove, Shark Bay and a secluded Aboriginal fish trap lagoon — the latter two are great swimming and snorkelling sites during warmer weather, too. Images: Destination NSW
The year 2015 has come and gone, and the kind of microwave-rehydrating instant pizzas featured in Back to the Future Part II haven't yet come to fruition. Neither has a holographic 19th Jaws film. However, something just as great is on its way to becoming a reality thanks to a Danish brewery — and it'd go mighty well with Marty McFly Jr's favourite food. Copenhagen-based outfit To Øl has invented something many a yeasty beverage fan has dreamed of: instant craft beer. It comes in powdered form, ready to be mixed with some of the original alcohol and sparkling water. Add the three together, and voila, you've got some fresh booze ready for drinking. Basically, the gypsy brewers — aka two beer-loving pals who don't have their own facilities, but work out of others with spare capacity — figured out how to freeze-dry their tipples, and also how to then transform it back into the drinkable form (thanks, science!). According to Tobias Emil Jensen & Tore Gynther's post on online food culture platform Aorta, they were motivated by "wanting to provide quality beers in situations which normally doesn't encourages it due to the natural physics of beer," such as climbing a mountain or transporting beverages by plane. Four of their brews have undergone the freeze-drying treatment so far: "a heavy deep beer brewed with coffee, a fruity IPA brewed with different tropical fruits, a Wild Yeast hop forward IPAs and a fairly dry pilsner". No word yet as if or when To Øl will ever release their new concoctions to the public, so we'll all just dream of these futuristic bevs until more news come to hand.
The cultural renaissance in Canberra continues its unfurling across the dining and arts scenes, bringing more interest from interstate — and international — visitors than ever before. The standard of options for places to stay has also leapt vertically in the past five years, and among the list is the East Hotel. The family-owned boutique hotel is located in the increasingly happening suburb of Kingston. It's stand-out characteristics are warm accommodating service, handsomely-appointed contemporary rooms with all the important details considered (the fluffy white guest robes well and truly pass the comfort test), and the onsite options for drinking and dining. East Hotel's lobby bar, Joe's Bar, has an eclectic, jewel toned fit-out and a generous lineup of creative cocktails (if you have a yen for a good martini try the Tokyo Martini or the signature Joe's Martini). There's also a decent selection of Italian and Australian wines and a showcase of local Canberran beers on tap, bottled and by the tin. Soak up some of those martinis with Italian-inspired bar snacks or pizzas. Calamari fritte and a particularly excellent focaccia served hot and fresh from the enormous clay pizza oven. The clientele of Joe's Bar is a mix of East Hotel guests having a pre-dinner drink but but it's also highly populated with the after-work crowd of Canberra locals, particularly on Thursday and Friday evenings once 5pm has rolled past. The other dining option is Agostini's. It's a relaxed and super-buzzy Italian diner that's focused on creating the atmosphere and dining experience of an authentic Italian family restaurant. As such, you'll find a multi-generational crowd here, from white collar long lunchers to holidaying family tables. The pasta is very good and made fresh daily. The real hero here is the pizza though. The 'Salsiccia' layered with Italian sausage, 'nduja and Fior di Latte mozzarella on a fluffy wood-fired dough with just the right hint of char is excellent. Or if you're feeling a little less traditional, give the 'Granchio' of crab meat, rocket and cherry tomato a whirl. Finish things off with the house tiramisu and an amaro, or sample the negroni selection. Just bring an appetite and a loud voice to cut through the rowdy buzz of an extremely well-attended restaurant.
On most weekends, somewhere in Sydney, Melbourne and Brisbane is hosting a beer festival. They might not happen every single weekend, but they definitely pop up with frequency. Only one is called the Great Australasian Beer Spectapular, however, and dedicates itself to weird, wild, wonderful and inventive varieties that are made exclusively for the booze-fuelled party. And that very fest has locked in its dates for 2023. If you're a newcomer to GABS, as the festival is known, it started off as a Melbourne-only celebration of ales, lagers, ciders and more. Then, it started spreading along Australia's east coast capitals, as well as to New Zealand. So far, its 2023 plans will see it return for its Aussie run to see out autumn and welcome in winter. While only dates and venues have been confirmed so far, and not brewers heading along or the beers they'll be whipping up, attendees can look forward to an event that's considered to be one of the best craft beer and cider festivals in the Asia Pacific region. One big reason: it'll pour at least 120 brews, which in past years have been inspired by breakfast foods, savoury snacks, desserts, cocktails and more. In 2022, peanut butter, coffee, earl grey tea, chicken salt, pizza, fairy floss, bubblegum and sour gummy bears all got a whirl. The event surveys both Australian and New Zealand breweries, with more than 60 set to be pouring their wares this year. Also on the bill: other types of tipples, including non-alcoholic beers, seltzers, whiskey, gin, cocktails and wines. GABS is known for dishing up a hefty lineup of activities to accompanying all that sipping, too, which'll span a silent disco, roaming bands, circus and sideshow performers, games and panels with industry leaders in 2023, as well as local food trucks and vendors to line your stomach. GREAT AUSTRALASIAN BEER SPECTAPULAR 2023 DATES: Friday, May 19–Sunday, May 21 — Royal Exhibition Building, Melbourne Friday, June 2–Saturday, June 3 — ICC Darling Harbour, Sydney Saturday, June 10 — Brisbane Convention and Exhibition Centre, Brisbane GABS will take place across Australia's east coast throughout May and June— head to the event's website for further details.
You know the part in The Wizard of Oz where Dorothy first enters the Land of Oz and everything transforms into glorious technicolour? That's what it feels like when summer hits the UK. Every single corner of the country pulls out all stops to make the most of the sunshine and clear skies which, let's face it, don't last long. Suddenly, everywhere from teeny country villages to the massive cities are abuzz with markets, festivals, live performances and general merriment. With so many festivities to choose from, it's hard to know where to start. To make sure you don't miss out, we've partnered with Contiki to scope out ten of the best things to see and do in the UK this (Northern Hemisphere) summer. We've covered everything from age-old classics, like wandering among the prehistoric mysteries of Stonehenge and seeing a play at Shakespeare's Globe in London, to rocking out to your favourite musicians at one of the country's biggest music festivals. We hope you know where your passport is — you're going to need it very soon. [caption id="attachment_719400" align="alignnone" width="1920"] Andrew and Annemarie via Flickr.[/caption] CATCH 'MACBETH' AT SHAKESPEARE'S GLOBE Opened in 1997 on the banks of the River Thames, Shakespeare's Globe is a replica of the original theatre, which was built just 250 metres away in 1599 (and then demolished in 1644). Each year, from April to October, the stage fills with larger-than-life actors, performing Shakespeare's works. There are 700 standing room ('groundling') tickets available to every show for just £5. So, even if you're travelling on a budget, you don't have to miss out. Afterwards, take a stroll along the river to visit the Tate Modern and South Bank — a hub of theatre, live music, talks and more. [caption id="attachment_719453" align="alignnone" width="1920"] Martie Swart via Flickr[/caption] DISCOVER A NEW ACT AT EDINBURGH FRINGE FESTIVAL Edinburgh Fringe Festival is the biggest arts event in the world. To give you an idea of the scale, 2018 saw 55,000 performances of 3548 shows across 317 venues over 25 days. Yep, it's absolutely huge. Whatever you're into — from cabaret and comedy to storytelling and live music — it's on the program. You can even put on a show of your own. Quite a few legends cut their teeth here — Rowan Atkinson, Billy Connolly and Tim Minchin, among them. If there's a show you need to see, book tickets in advance. But, if you're open-minded, it's just as fun to turn up and see what happens. As you wander down the street, burgeoning performers will hand out tickets to their shows for free. It's a great way to discover some up-and-coming talents — we know how everyone loves to proclaim "I saw them before they were famous". DANCE ALL NIGHT AT READING FESTIVAL Since the inaugural event in 1989, Reading Festival has become a major happening on the UK's musical calendar. Every August, it takes over Little John's Farm for three days of live music. Some of the musical heavyweights to have played there over the years include Nirvana, The Rolling Stones, Fleetwood Mac, Radiohead and Arctic Monkeys. Head along this year and you'll be grooving to the likes of Foo Fighters, The 1975, Post Malone, Billie Eilish and loads more. To make the most of this epic musical experience, hop on board Contiki Sounds. This ten-day (or seven-day) tour will be like a roaming musical education with visits to the country's best towns and cities (and their most historically important musical sites) and will finish with a VIP camping experience at Reading. [caption id="attachment_719456" align="alignnone" width="1920"] Gary J. Wood via Flickr[/caption] GRAZE YOUR WAY THROUGH BOROUGH MARKET For more than 1000 years, farmers, fishers, bakers and cheesemakers have been gathering at Borough Market to peddle their wares. It's London's oldest market. You'll find it just south of London Bridge, which for hundreds of years, provided the only river crossing into the city. Grab a coffee from the ever-popular Monmouth Coffee Company, located just outside the market entrance, and spend a morning roaming through the stalls and filling up on samples. Prepare for a cornucopia of bread, baked goodies, fruit, veggies, olive oils, cheeses, meats and much more. There's a busy events program, too, covering workshops, talks and tours. The market is open Monday to Saturday — the best days to go are Wednesday to Saturday when it's in full operation. WANDER AROUND STONEHENGE One folk story goes that the devil bought the stones in Ireland, wrapped them up and carried them to their present position. Another says that Stonehenge was created by Merlin the wizard in the age of King Arthur. Many mysteries still surround the history of Stonehenge, but historians are now fairly convinced it was built 5000 years ago by thousands of hardworking Neolithic humans. This World Heritage-listed site lies around 140 kilometres west of London near the village of Amesbury. EAT FISH AND CHIPS BY THE SEA IN CORNWALL No summer in the UK is complete without at least one serving of fish and chips (with a liberal dousing of vinegar) by the sea. And one of the prettiest places to partake is Cornwall, England's most southwestern county. If you're in the north, head to the coastal village of Padstow for Rick Stein's Fish & Chips. For a longer feast, visit The Seafood Restaurant — Stein's flagship — which opened over 40 years ago. If you're in the south, go to Looe and eat at The Catch, a chippy run by celebrity chef James Tanner and his brother Chris, who serve only premium quality, sustainably fished seafood. [caption id="attachment_719446" align="alignnone" width="1920"] Shawn Spencer-Smith via Flickr[/caption] IMMERSE YOURSELF AT BRISTOL HARBOUR FESTIVAL This entirely free festival attracts 250,000 people to Bristol every July. Now heading into its 48th year, it's a cornucopia of live bands, dancers, circus acts, spoken word, street performers and food stalls, all backdropped by Bristol's sparkling harbour. In 2019, the party is slated for the weekend of July 19–21. While you're in town, be sure to explore the cobbled laneways of Bristol Old Town, walk over the Clifton Suspension Bridge — built in 1864 to span the dramatic Avon Gorge — and swing by 6 O'Clock Gin for an exceptional G&T. [caption id="attachment_719840" align="aligncenter" width="1920"] Image via The Fat Duck Restaurant[/caption] SPLURGE ON DINNER AT THE FAT DUCK Heston Blumenthal has cooked all over the world, but his adventures began in Bray, a village on the River Thames situated around 50 kilometres west of London. In 1995, he took over a 16th-century building formerly called The Bell Pub and transformed it into The Fat Duck restaurant. By 2004, it had earned three Michelin stars. Dinner here isn't so much a meal as a journey into the unexpected, so kick back, relax and let the chefs take over. Reservations aren't easy to get, especially in the height of summer, so be sure to book in advance. EAT YOUR WAY AROUND A HUGE FOOD FESTIVAL Foodies Festival was founded in Edinburgh in 2006 and has since grown into a nationwide celebration of good food. Between May and August, events take place in Brighton, Bristol, London, Birmingham, Cambridge, Tatton Park, Edinburgh and Oxford. So, wherever you are heading, there's bound to be a festival there at some point. Count on an array of food stalls, masterclasses, live music and a chefs theatre, where Michelin-starred chefs and MasterChef champions take to the stage. This year, Foodies Festival is teaming up with Musicians Against Homelessness, which will coordinate hundreds of performers across the country to raise money for UK charity Crisis. [caption id="attachment_719451" align="alignnone" width="1920"] Rozsagab via Flickr[/caption] DRINK A PINT IN A PROPER BRITISH PUB British pubs have been imitated all over the world, but there's quite like drinking a pint — or two — in an original. On a sunny day, seek out one on a river or canal, like The Angel on the Bridge in Henley-on-Thames or The Grain Barge in Bristol (yes, it used to be a barge). To mix history with your beverage, visit one of the UK's oldest pubs, like Ye Olde Trip to Jerusalem — which is rather spectacularly set into a sandstone cliff in Nottingham and claims to have been established in 1189. Check out this list for more inspiration. Travel around the best spots in the UK with Contiki at Reading Festival. Unearth the UK's musical heritage, then experience an unforgettable party at one of the world's best and biggest music festivals. Contiki wants to take you there — all you have to do is choose from the 7- or 10-day trip. Plus, if you bring a mate, it'll give you both $200 off. Find out more here.
Head Chef over at The Lady Hampshire and formerly a member of the Baba's Place team, Brendan King is already carving out his mark as one of Sydney's most exciting young chefs at the age of 25. Derrel's is his nostalgic neighbourhood diner in Camperdown. Derrel's comes to Parramatta Road from King in partnership with PUBLIC Hospitality (The Empire, Oxford House, Maybe Sammy) right next door to The Lady Hampshire. King's former colleagues at Baba's Place Creative also lent a helping hand in nailing that lived-in suburban energy. A bright pink countertop, an office panel ceiling, menus printed on the back of Woman's Weekly covers from the 80s, Bend It Like Beckham playing proudly on the 2000s-era TV and an abundance of secondhand furniture all transport you back to a trip to your grandparents or your best friend's house for dinner after school. Inspired by his grandfather Derrel's passion for Indian home cooking, King has created an inviting casual eatery and takeaway spot designed to provide affordable feeds to Inner West residents and complement The Hampshire's offerings. The menu is kept simple. There are a few snacks and share plates like samosa chaat and tandoori wings, a trio of kathi rolls that pile tandoori chicken or hara bhara onto flaky paratha flatbread, and a selection of curries paired with rice, roti, lime, onion and chutney. You can also order hot chips with curry sauce or kachumber salad on the side — and round out your meal with a sweet treat like paratha with Nutella (a favourite of King's grandpa). The restaurant is BYO, so feel free to grab a few beers from Camperdown Cellars across the road or bring a bottle of your favourite natty wine to pair with your tandoori chicken plate. Better yet, Derrel's is open late. Paddington has Indian Home Diner offering late-night revellers with curry-filled wraps, and now Derrel's is here to provide anyone out in Camperdown with a kathi roll up until 2am.
The Mexican chain that brought us drone-delivered burritos is back with a new food delivery deal. Guzman y Gomez is offering $9.90 burritos and burrito bowls delivered to your door for a whole seven days. Unfortunately, not delivered by drones, though Available from today, Wednesday, April 1 through till Tuesday, April 7, the cheap eats are available from over 100 stores across Australia, including a heap in Queensland, Victoria and NSW. To find your closest, head on over to Menulog and input your address. The burritos feature a flour tortilla stuffed with rice, beans, pico de gallo, cheese and your choice of meat or veggies, such as spiced pulled pork, barramundi and slow-cooked beef. And the bowls, unsurprisingly, are pretty much the same without the tortilla. The catch is you do need to pay for a $5 delivery fee, but that's for the total order — so you could split it with your housemate or double-up and get a burrito for both lunch and dinner. To order your $9.90 burrito or burrito bowl head on over to Menulog.
This winter, you won't be chasing the sun and soaking in a European summer. That was off the cards last year, too. But, thanks to eased domestic border restrictions and the trans-Tasman bubble, you can spend the chilliest part of the year surrounded by snow. Of course, whether you're planning to ski, snowboard or just build a snowman, you'll need to rug up — and whatever is currently in your wardrobe mightn't do. Each year — except 2020, for obvious reasons — Aldi hosts a big sale on snow gear. Every time it happens, it draws quite a crowd. It's back for 2021, so mark Saturday, May 22 in your diary. That's when you can head to your nearest Aldi supermarket to pick up everything from snow jackets and boots to face masks and beanies. Available at stores across the nation, and made to withstand extreme weather conditions, 2021's range of gear includes six different varieties of snow jackets, which start at $39.99 for something light and go up to $119.99 for windproof and waterproof numbers; four types of snow pants, including one style with adjustable leg and waist cuffs for $99.99; and ski fleece sets, featuring a hoodie and a pair of pants, for $19.99. Boots for both kids and adults start at $19.99, helmets will cost you between $19.99–24.99, and you'll be spending between $4.99–34.99 for masks, beanies, neck warmers, cabin socks, gloves and balaclavas. Kids clothing is part of the deal, too, if you'll be travelling with younger skiers — ranging from $19.99–34.99. Once you're all kitted out, you're certain to stay toasty if you're making the trip to Perisher Valley, Thredbo, Falls Creek, Hotham or anywhere else local where snowy peaks are a feature. If you're hopping across the ditch instead, you'll find plenty of items to stop you getting frosty up at New Zealand's ski fields. The Aldi Snow Gear Special Buys range is available from Aldi stores nationally from Saturday, May 22.
If soaring down a snowy mountain is your idea of fun, then Switzerland's icy peaks have long been on your bucket list. And if you've always wanted to zip down the country's famous frosty alps but don't all have the coordination and dexterity to ski or snowboard — which is perfectly acceptable — then you can now enjoy the trip via train on one of the world's steepest railways. Opening in mid-December after a 14-year construction period — and 52 million Swiss francs (AU$68 million) in funds — the Stoos Bahn journeys from the town of Schwyz to the nearby village of Stoos, carrying 34 people at a time in less than five minutes. Replacing an older funicular railway, aka a cable-attached railway used near cliffs and on inclined surfaces, it not only spans a distance of 1738 metres, but a height difference of 744 metres. Overall, it boasts a maximum gradient of 110 percent. That makes the Stoos Bahn the steepest funicular railway in Europe, the steepest in the world that regularly ferries passengers and second on the planet overall. If you're wondering which other dizzy-inducing train track pips it for the top spot, that honour goes to an Australian tourist attraction. First created for mining purposes in 1878 and now operating as part of Katoomba Scenic World, the Katoomba Scenic Railway in the Blue Mountains holds the Guinness World Record for the steepest railway gradient, clocking in at 128 percent over its 310-metre expanse. Via Lonely Planet. Image: Stoos-Muotatal
Sydney has no shortage of history, both owned and borrowed, to learn about this summer. From the long cultural history of the First Nations custodians of the land to the colonial bones of Sydney's architecture to the modern-day melting pot of cultures and stories, every era leaves its mark. We've combed through the Harbour City and found some historical gems that deserve your attention, whether you're a local or a visitor, starting with a new and exciting opportunity that will only be in the city for a few months. RAMSES & THE GOLD OF THE PHARAOHS — THE AUSTRALIAN MUSEUM The Australian Museum is always a top choice for history in Sydney, and this exhibit running until May 2024 is unlike anything the museum has ever hosted before. Ramses & the Gold of the Pharaohs is a multi-sensory, immersive experience for all ages and is exclusive to the Australian Museum. The exhibition explores the life and reign of the late Ramses the Great, Egypt's second longest-reigning Pharaoh, and is comprised of over 180 objects, each dating back approximately 3000 years. Ramses II lived well into his 90s, old even for a monarch, and each object captures important details of the era and his life. Items on display include jewellery, ceramics, small mummified animals, royal masks, and even the actual sarcophagus that Ramses was entombed in in 1213 BC. You'll also find an optional multisensory VR experience that will transport you virtually to two of the era's most significant monuments, the tomb of Queen Nefertari and the temples of Abu Simbel. [caption id="attachment_923966" align="aligncenter" width="1920"] Destination NSW[/caption] QUEENSCLIFF TUNNEL AND HOTEL STEYNE — MANLY Sydney's own history spreads well beyond the centre of the city, from bush to coast. On the coastal side of town is a suburb that is one of the most well-known to the culturally, coastally and historically inclined — Manly. On the north side of Manly Beach, on the border of Queenscliff, is the Queenscliff Tunnel. It could easily be dismissed as a detail in the rocky headland, but it is actually a manmade tunnel, supposedly carved in 1908 by local fishermen to act as a shortcut between Freshwater and Manly Beaches. It's open to visitors but on an elevated cliff face, so remain cautious. Back on flat ground is another historical highlight, Hotel Steyne. Originally built in 1859, the pub has been destroyed by two mysterious fires, but the current building dates back to 1923 and is one of the best pub feeds in Manly. ILLOURA RESERVE AND THE FENWICK — BALMAIN EAST Among some of the lesser-known harbourfront historical areas, specifically in Balmain East, is Illoura Reserve. Before the arrival of European settlers, the area was a swamp, only established in land purchases in the early 19th century as a part of a 222-hectare grant to colonial Surgeon Dr William Balmain. Seeing the connection? Since then, the area has been used as a harbourside industrial precinct and a tip. One building that has stood since the 1880s is The Fenwick. Originally a store for harbour tugboats, it evolved alongside Illoura Reserve and is now a stunning waterfront cafe and art gallery. The menu stars local and seasonal produce, and the second-floor gallery showcases a range of local and international artists, with everything available for purchase. [caption id="attachment_923971" align="aligncenter" width="1920"] Tim Downey via Flickr[/caption] PADDINGTON RESERVE GARDENS — PADDINGTON Away from the harbour, in the inner east hub of Paddington, we find a historical site that holds great significance to the city. More than just a public park, these are the Paddington Reservoir Gardens. This was where most of Sydney's water was pumped from its construction in 1866 to its closure in 1899. In its prime, it had a hefty capacity of just over 9000 megalitres. Still, it was closed and repurposed into a storage yard until 1934, when it was partially converted into a service station. When the roof collapsed twice in the 1990s, the station was again closed. Following a major restoration, the site was reopened as a park in 2009, combining elements of its history with overland reserves that had been constructed prior. Now, it's known for its beautiful but eerie appearance, almost like post-industrial Roman undercity ruins, but on Oxford Street. [caption id="attachment_826667" align="aligncenter" width="1920"] Destination NSW[/caption] CREMORNE RESERVE AND MACCALLUM POOL — CREMORNE POINT Across the city and harbour is the suburb of Cremorne, one of the most disputed shorelines of Sydney Harbour's history. Once a site of great significance to the Cammeraygal people, the land was acquired by Europeans in 1833. Over the following years, it would be a public amusement park, residential development, and even almost a coal mine in the early 1890s. Thankfully, the point and reserve are now protected as a heritage conservation area. One of the gems of the location is MacCallum Pool, a harbour swimming pool originally constructed by local residents. It was maintained by locals until hygiene concerns of harbour swimming prompted North Sydney Council to take over maintenance in 1930. Renamed to MacCallum in tribute to one of its most loyal civilian carers, Hugh J MacCallum, the council has since restored the pool and added decking, landscaping and fencing to secure the pool and its visitors. [caption id="attachment_827016" align="aligncenter" width="1920"] Anna Kucera[/caption] FOUNDATION PARK, FORTUNE OF WAR AND THE DOSS HOUSE — THE ROCKS The Rocks precinct is synonymous with Sydney's history, being one of it's oldest and most iconic heritage precincts. One hidden detail, an unmarked alleyway off Argyle Terrace, is Foundation Park. At first glance, it looks like a collection of discarded furniture, but it's actually a living museum designed to recreate the space and feel of Sydney's oldest homes. The history of The Rocks extends to some of its extremely popular venues, such as Fortune of War and The Doss House. Fortune of War is regarded as Sydney's oldest pub, originally built by a former convict settler in 1828. The name comes from its regulars, sailors and soldiers who were leaving and arriving in Sydney for (or from) war. The Doss House is equally historic, a heritage-listed underground whiskey bar with rooms that pay tribute to the building's many past identities, from a bootmaker workshop to a cheap accommodation for the desperate and even an illegal opium den. [caption id="attachment_923973" align="aligncenter" width="1920"] Ryan Frank via iStock[/caption] BADU MANGROVES AND HOMEBUSH BAY — HOMEBUSH When you think of Homebush, history and nature might not be the first thoughts that come to mind. But one of the best-kept secrets of Sydney can be found in Homebush. Badu Mangroves is a 56-hectare slice of wetland between Homebush Bay and Bicentennial Park. Overlooked for most of Sydney's history, this haven of local wildlife was choked by pollution for decades but is now thriving again thanks to a restoration program and can be explored via an elevated boardwalk. The mangroves, as mentioned, are adjacent to Homebush Bay, and from the boardwalk, you can spot the famous 'floating forest', the wreck of the SS Ayrfield. Originally built in 1911 and part of a fleet of cargo ships that ferried coal, oil and wartime supplies, it survived WWII but is now being slowly broken down by a mangrove forest. A small slice of history, forever locked in the waters of the Parramatta River. For more information on Ramses & The Gold of the Pharaohs, or to book tickets, visit the website. For more experiences in Sydney, keep exploring Concrete Playground.
It's the trend that's spreading the fun of surfing beyond the beach, and it has finally hit Sydney: man-made surf parks in general, and the Harbour City's first Urbnsurf specifically. From Monday, May 13, surf's now up at Sydney Olympic Park. Who said that you could only ride waves on the coast? Originally greenlit back in 2017, construction on Urbnsurf Sydney took its time; however, the facility has been targeting opening before winter 2024 since last year. Back in April, the Urbnsurf crew confirmed the Sydney site's exact launch date, and that it had begun pumping out waves — and the time to welcome surfers of all skill levels into the lagoon is now here. The brand's second location in Australia, after opening in Melbourne in 2020, the $75-million development isn't small. How much space do you need to give Sydney its first Urbnsurf complete with perfect waves year-round, plus impressive food and beverage offerings? And to be able to accommodate up to 1000 people a day? A whopping 3.6-hectares. The diamond-shaped lagoon pool with waves up to two metres in height — and capable of churning out waves every eight seconds, with surfers set to catch between ten and 12 waves per hour — also isn't petite, coming in at around the same size as the Sydney Cricket Ground. "Finally seeing the gates open and the wave machine pumping is a feeling like no other," said Urbansurf CEO Damon Tudor. "Just like Melbourne, Urbansurf Sydney offers the perfect surfing conditions that cater for high-performance athletes and advanced surfers through to people trying surfing for the first time. We're extremely proud to be celebrating this achievement and we are stoked to see our customers ripping it up in the lagoon." "Urbansurf is much more than a surf park and one of the benefits born out of Melbourne is the strong sense of community guests feel when walking through the doors, creating a sense of culture is deep rooted in our core values — and we're excited to start to build our Sydney community," continued Tudor. Urbansurf Sydney offers a range of sessions catering to all types of surfers, whether you're just learning, are returning to the sport or consider yourself an expert. Also, thanks to LED lighting illuminating the man-made waves after dark, visitors have the option of an evening swim. When surfers are done riding waves, Urbnsurf Sydney also features a wellness studio, skate park, Rip Curl store and a surf academy for those looking to take their skills to the next level. Just keen to swim, not surf? There's a pool for that as well. Plus, Sydney hospitality group Applejack is in charge of the culinary offerings at the park, as announced in 2023. Applejack owns and operates venues across Sydney such as Forrester's, The Butler, RAFI and Bopp & Tone. The team is bringing the same produce- and service-driven approach found at its other venues to surfside eatery Sandy's, which launched with the park — and RAFI Urbnsurf, which is on the way, opening this winter. Applejack joins the Urbnsurf family alongside farm-to-table favourites Three Blue Ducks, who provide the food and drink offerings down in Melbourne. Find Urbnsurf Sydney at Sydney Olympic Park — open from 6am–10pm daily.
A television tie-in certain to leave a bad taste in people's mouths both popped up and vanished this week — an incredibly ill-advised range of Handmaid's Tale-themed wines. Unsurprisingly, the idea of drinking vino named after a dystopian series about oppression wasn't really what fans of the show, or anyone, was after. Similarly unsurprisingly, turning a program about women being forced into servitude and made to bear children for society's leaders isn't the kind of thing that makes you think 'yes, this persecuted character that's fighting for survival against institutionalised exploitation needs to have a wine named after her'. Unveiled and then cancelled in the same week, Lot 18's 'Handmaid's Tale Trio' was comprised of a pack of two reds wines and one white wine named after three of the show's main figures. "The bold characters of The Handmaid's Tale are celebrated in these three collectible wines, specially crafted to highlight the personalities of Offred, Ofglen and Serena Joy," states the wine's now-defunct online listing. Offred was badged as a "smooth, earthy, and similarly seductive" French Pinot Noir, Ofglen a Cabernet Sauvignon that supposedly offered "a daring testament to the heights that Oregon Cabs can reach" and Serena Joy a sophisticated, traditional and austere" Bordeaux Blanc. First reported by People Magazine, the wines were swiftly scrapped after being made public. Adapting Margaret Atwood's 1985 novel into a television series might make for compelling viewing — and might even make viewers keen for a few soothing drinks while watching the grimly gripping show — but using its female characters for merchandising purposes is a badly thought-out move to say the very least. And, unlike Sydney's forthcoming Gilead development, it was a marketing tactic undertaken with full knowledge of the show, its content and its themes. In the case of the masterplanned New South Wales community that shares its name with The Handmaid's Tale's dystopian society, the term Gilead springs from the bible and has been used in Sydney for two centuries — even if now trying to promote a site with that moniker is incredibly unfortunate.
Take a typical tapas bar in Barcelona then polish slightly, adding cut crystal glasses and a pinch of Almodóvar references. Add one chef with a talent for experimentation, a selection of well-sourced, top notch ingredients and a crowd willing to stay all night, then mix well. Serve up atop a plate in the shape of a leaf, and you have Jah Bar: one of the best of Manly's new breed. Turn up just after 5pm and you can expect a peaceful dining experience. While the interior is tempting, in summer we recommend the courtyard to make the most of the fading sun and the cool evening breeze. Spanish tapas is the speciality, though there's a few sections of the menu to choose from. The tapas dishes are supplemented by options from the boqueria and the oven, as well as the chef's specials, so it's worth taking your time to choose. While you're browsing, try one of the signature cocktails ($15). There's more than enough on offer to sustain you throughout the night, from Mint Juleps to rum and sherry-based concoctions. Now, the food. Vegetarians and pescatarians will be well looked after, while chorizo and jamon serrano will keep meat-eaters satisfied. We opted for the Croquetas ($9.50), a selection of Spanish croquettes that change depending on the night, and the Empanadas (3 for $12), with beef, chicken, pumpkin and ricotta available. From there, we moved to the Jamon Serrano ($11.50), incredibly tender cured ham, and Aged Queso Manchego ($10.50), with the cheese a nice end to the meal alongside drinks. We did, however, manage to squeeze in a serve of Churros ($10) with hot chocolate sauce at the last post. While I'd find it hard to go past these simple yet delicious options, particularly the Jamon Serrano, it's tempting to revisit and try more of the tapas proper. Particularly the Chorizo ($10.50) and the talked about Sweet Potato and Fennel Seed Salad ($10.50). On the other hand, we hear great things about the chef's penchant for experimentation. We sadly passed up a special of Braised Beef Cheeks ($19) with Manzanilla olives and creme cauliflower, instead staring greedily at tables nearby. Best to use these inevitable regrets as motivation for return visits. By the time you've finished your meal, Jah Bar is likely to be filling up. The later crowd, firmly focused on the bar inside, is starting to arrive. And, let's face it, by this time you've had a few cocktails yourself. The lesson is that it's okay to turn up after dinner time and, if you do make dinner, it's best to stay late and enjoy the changed atmosphere. As the chefs swap out behind the bar, replaced by additional barmen, go with the flow. You are in Barcelona, after all. [nggallery id=122]
Every last trilby-wearing tween celebrity, President's daughter and your smug, smug US-based friends will be rubbing their paws together after this morning's Coachella festival lineup announcement. Running over two weekends from April 14–23, the Californian festival has delivered their usual jaw-dropper of a lineup. Big gun headliners Beyoncé, Radiohead and Kendrick Lamar mark the top of the weekend bills, with a bonafide metric fucktonne of squealworthy buds filling out the rest — the xx, Bon Iver, Justice, Lorde, The Avalanches, New Order, Future Islands, and Kaytranada to name a few. Even German composer Hans Zimmer is getting in on the action. Homegrown Aussie and New Zealand legends are heading on over and representing with gusto, with Pond, King Gizzard, Broods, Jagwar Ma, Anna Lunoe, What So Not and Empire of the Sun — as well as the aforementioned Avalanches and Lorde — on the bill. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: Coachella runs over two weekends, from April 14-16 and 21-23 in Indio, California. Tickets go on sale at 11am PST on Wednesday, January 4. For more info, visit coachella.com.
The Crown fans, it's time to say goodbye to the 20th century. You'll also be farewelling the show's leaps back several decades, too. When season six of Netflix's royal drama arrives later in 2023, the hit series will embrace the 21st century, including the early days of Prince William and Kate Middleton's relationship. Netflix has confirmed that The Crown will return this year for another dose of regal intrigue, although no exact release date has been announced. Based on past patterns, it's safe to expect it to arrive in November. For now, the streaming service has unveiled its first sneak peek at the next batch of episodes, however — images, not a trailer — which does indeed focus on the man currently second in line to the throne after Queen Elizabeth II's passing in 2022. Screen debutant Ed McVey takes on the role of Prince William, while newcomer Meg Bellamy will slip into Middleton's shoes. The Crown's sixth season will follow the IRL pair's first meeting at university in St Andrew's, starting the story that's played out in plenty of headlines and a ridiculous amount of worldwide media coverage since 2001. While everything that's popped up in the show draws its details from history — dramatised history, of course, but still history — this next instalment is bound to feel even more familiar. Getting closer to our current time will do that. When the series began, it kicked off with Queen Elizabeth II's life from her marriage to Prince Philip back in 1947. The first season made its way to the mid-50s, the second season leapt into the 60s, and season three spanned all the way up to the late 70s. In season four, the royal family hit the 80s, while season five covered the 90s. Just like in season five, Downton Abbey, Maleficent and Paddington star Imelda Staunton dons the titular headwear, while Game of Thrones and Tales from the Loop's Jonathan Pryce wears Prince Philip's shoes — and Princess Margaret is played by Staunton's Maleficent co-star and Phantom Thread Oscar-nominee Lesley Manville. Also, Australian Tenet, The Burnt Orange Heresy and Widows star Elizabeth Debicki returns as Princess Diana, with The Wire and The Pursuit of Love's Dominic West as Prince Charles. News around the show's fifth and sixth seasons has changed a few times over the past few years. At the beginning of 2020, Netflix announced that it would end the royal drama after its fifth season. Then, the streaming platform had a change of heart, revealing it would continue the series for a sixth season after all. There's no trailer yet for The Crown season six, but you can revisit season five's trailer below: The Crown's sixth season will hit Netflix sometime before 2023 is out — we'll update you with an exact release date when one is announced. Images: Keith Bernstein / Netflix
Here's a way to make an entrance. Ever-evolving ride service Uber has announced their next alternative transportation method and it's set to be a whirlwind (ha). The UberCHOPPER will see 20 racing punters touching down on the Caulfield Cup helipad this weekend, where they'll be greeted (of course) with champagne and VIP passes for the day. A continual do-gooder, this year Uber has saved people on the move from the mediocre arrival methods known as buses, trains and conventional taxis by giving them other options — like luxury cars, water taxis and Optimus Prime. They've repeatedly come to your drunken 3am rescue, and even brought you food and taken you shopping. Like many of these other initiatives, it's unlikely the chopper service will become a regular feature. For now you'll just have to pray you get through in the frantic scramble when the FREECHOPPER code goes live this Saturday, October 18 at 10am. Here's how to book: 1. Download the Uber app onto your smartphone and make an account, if you haven't already. 2. Enter the promo code "FREECHOPPER" when signing up, or in the promotions section of the app if you've already got Uber. 3. At 10am on Saturday, select UberCHOPPER in the app. Get your friends to do it too. Don't be discouraged if at first you don't succeed — it's just that the rest of Melbourne is trying at the same time. 4. Hit "REQUEST CHOPPER". If your booking is accepted — don't panic. (Or do.) You've got 15 minutes to get your race face on before an UberMINI picks you up and transfers you to the helipad.
Our team of editors have curated a Hobart getaway package for Concrete Playground Trips, taking guests on an exclusive tour of Tassie's art, wine and culture scene. This trip covers your Hobart essentials, but then we've stepped things up a notch for you. Take a scenic flight over the iconic Wineglass Bay, get the 'posh-as' MONA experience (with a long, boozy lunch included), and squeeze in a series of wine tastings across the region. Plus, all the organising has been done in advance. No need to scour the internet for the best accom (the trip includes a four-night stay at the fantastic Henry Jones Art Hotel), book cabs or create an itinerary of your own. We've done it all for you. But we also know how important it is to keep holiday plans flexible — that's why there's no formalised itinerary for this trip. Instead, you can lock in the below included experiences at a time that suits you. MONA ON A WHOLE OTHER LEVEL If you haven't heard of MONA, you've been living under a rock. This art institution is a can't-miss Hobart experience. And this package doesn't just give you a ticket to the galleries and grounds. Booking through Concrete Playground Trips gives you a ferry ride to MONA and a private guided tour and wine tasting at their Moorilla winery. Then you'll enjoy an excellent two-course lunch that comes with even more locally produced wine, plus a bottle of Moorilla's Muse to take back to your hotel. If you're going to visit MONA, do it this way. WINEGLASS AND WILDLIFE TOUR On another day, guests take to the skies over Wineglass Bay. During a 45-minute flight, you'll soar further above Freycinet National Park, home to dramatic pink granite mountains, secluded bays, crystal clear waters and pristine white beaches. Leaving the peninsula, you'll fly over the seal colony of Ile Des Phoques and continue towards Maria Island, where you'll touch down to explore the island on foot. Known for its abundance of wildlife, Hobart's Maria Island is home to rare and endangered species like the swift parrot and Cape Barren goose, wombats, kangaroos and of course, the Tassie Devil. We even manage to squeeze a decadent seafood and vino lunch into the day – bring on all the local oysters! ACCOMMODATION We have the hotel picked out for you too. The Henry Jones Art Hotel will be your home for four nights, giving you somewhere historic and calming to rest your head. The jam warehouse turned dedicated arts hotel comes with in-house restaurants and cocktail bars serving up innovative feasts and cocktails from Tasmania's best seasonal produce. [caption id="attachment_865273" align="aligncenter" width="1920"] Tourism Tasmania[/caption] Luxe amenities and foodie delights aside, what's most intriguing about a stay at The Henry Jones Art Hotel is the unique opportunity it poses to stay inside a – very comfortable, very cosy – art gallery, essentially. Some 400 artworks (most by emerging Tassie artists) adorn hallways, guest rooms and public spaces here, and you might just spot an artist in residency toiling away on their masterpiece in the lobby. Need further inspiration? Read our Long Weekender's Guide to Hobart and travel further afield to get a taste of all things Tassie with our extensive guide to the best of Tassie's fantastic food, produce and culinary culture. Book tickets to this exclusive getaway through the Concrete Playground Trips website. Main image credit: Tourism Tasmania & Rob Burnett
Coachella's first 2023 weekend brought a heap of highs, including for folks livestreaming at home from around the world. Bad Bunny, BLACKPINK, the late addition of blink-182, a typically stunning set from electronic music legends The Chemical Brothers, none other than Blondie taking to the stage: they're just some of the week-one standouts. Now, it's time to do it all over again as week later, as the Indio, California music festival always does. This year, the event is streaming six stages across both weekends, and it has just dropped its set times after a tumultuous few days. First, the bad news: Frank Ocean is off the bill, dropping out after Coachella's first weekend. That said, everyone beaming in from their couches didn't see his week-one set either because it wasn't livestreamed. Neither was fellow high-profile star Björk's time in the desert. Now, the good news: blink-182 have moved to the Coachella stage to replace Ocean on Sunday, April 23's bill (which is Monday, April 24 Down Under), and there's a TBA slot after them. Variety is reporting that that time will be filled by Skrillex, Fred again.. and Four Tet, and the festival has also named the trio on Instagram — and noted they'll pop on the evening of Sunday, April 23 (again, Monday, 24 Down Under). View this post on Instagram A post shared by Coachella (@coachella) Whoever else ends up on the lineup as a late addition, you'll be able to make shapes at home while pretending you're at the real thing at the Empire Polo Club across Saturday, April 22–Monday, April 24 Australian and New Zealand time. Like last week, Bad Bunny is headlining the first night and BLACKPINK is doing the second, with The Chemical Brothers, Gorillaz, Blondie, Kaytranada, Pusha T and Idris Elba still on day one as well — and Calvin Harris, The Kid LAROI, ROSALÍA, Charlie XCX, boygenius, The Breeders and Underworld on day two. And on day three, there's Björk, Fisher, Porter Robinson, Gordo and Weyes Blood. Obviously, across the whole weekend there's more where they came from. View this post on Instagram A post shared by Coachella (@coachella) Coachella has been teaming up with YouTube for 11 years now. Earlier in 2023, the fest announced that it has locked in that arrangement till 2026. In-between this year's sets, YouTube will fill its feeds with more on-the-ground coverage, so you'll be able to scope out the art and installations around the fest, head behind the scenes, see how the acts get partying before the hit the stage and more. Bookmark Coachella's YouTube channel ASAP — or hit it up below: Coachella's second weekend runs across April 21–23 at the Empire Polo Club in Indio, California. To watch the livestream, head to YouTube from 9am AEST on Saturday, April 22 Down Under.
There are many ways that you can show love for your pet pooch, especially in these extremely dog-friendly times. Want to take Fido to a music festival? Head to a pub with Coco? Let Rex loose at a Halloween party for canines? Yes, you can do just that — and have your four-legged bestie's cute face plastered across your swimmers, too, because the list really does go on. Only one adorable pupper can get immortalised in Lego, however. We're not talking about just sticking a few bricks together at home, either. Inspired by International Dog Day, Melbourne's Legoland Discovery Centre will build a life-size replica of one lucky doggo. The celebratory date was actually this past Monday, but the competition runs until 11.59pm on Friday, September 2o. If you're already clearing a spot for your new Lego addition to the family — and wondering how your fluffball will react to their own likeness — you'll need to submit a photo of your pooch on the Legoland Discovery Centre's Facebook page, specifically to its competition post. You'll also need to explain why your dachshund or dalmatian should get the Lego treatment, which shouldn't be hard. Serve up the best answer, and a master builder (yes, that's a real thing) will recreate your dog with in tiny plastic bricks. While the contest terms and conditions don't require entrants to live in Melbourne, the winner will be unveiled there in November — and you'll need to head by in person to pick up your prize. You'll also need to like the Legoland Discovery Centre's Facebook page to enter, and include your pet's name, age, breed and one crazy fact about them with your submission. If your canine can walk on its hind legs or bark to a tune, don't keep that detail to yourself. To enter the Lego Dog Competition, visit the Legoland Discovery Centre Facebook page before 11.59pm on Friday, September 2o.
After giving Looking for Alibrandi and Nosferatu the page-to-screen-to-stage treatment in recent years, Malthouse Theatre has another cinema great in its sights for 2025: The Birds, which started its life as a book by Daphne du Maurier, then hit picture palaces thanks to Alfred Hitchcock. A source of ornithophobia for more than half a century, the tale is swooping into the Melbourne theatre company, but not as anyone has seen it before. A world-premiere production, it's being staged as a one-woman show — and, courtesy of headphones, it's ensuring that audiences don't miss a single fluttering wing or blood-curdling squawk. Paula Arundell, a Helpmann Award-nominee for playing Hermione in Harry Potter and the Cursed Child, will be in the only actor onstage when The Birds flues into Malthouse's Beckett Theatre between Friday, May 16–Saturday, June 7, 2025. In an approach that brings Sydney Theatre Company's The Picture of Dorian Gray, The Strange Case of Dr Jekyll and Mr Hyde and Dracula to mind, She's tasked with conveying the terrors of a family facing the animal world's feathered creatures turning deadly, but going far beyond Tippi Hedren's efforts in Hitchcock's 62-year-old movie given that she's the show's sole performer. "The Birds is a thriller about a family who are living through an extraordinary crisis — the day birds, as an entire species, turn on humankind. Paula is one of the country's most astonishing actors, and this will be the performance of a lifetime, and you'll be in the theatre, wearing headphones, experiencing every whisper and every swoop intimately with her," said Matthew Lutton, who directs the production after finishing his ten-year run as Malthouse Theatre's Artistic Director. If you haven't seen the classic film or read the 1952 horror story that it's based on, as penned by an author that Hitchcock adapted more than once — see also: Rebecca and Jamaica Inn — it focuses on an unexplained attack on a coastal town, plus the fight to try to survive it. Malthouse's version, hailing from playwright Louise Fox, is giving The Birds a modern spin. [caption id="attachment_995200" align="alignnone" width="1920"] Shkuru Afshar via Wikimedia Commons[/caption] As for listening in, J David Franzke is responsible for the sound design and compositions — and getting theatregoers donning headsets is all about sensory immersion. At present, anyone wanting to catch the end result for this new take on The Birds will need to hit up the Melbourne season, but cross your fingers that the production will eventually take flight elsewhere around the country in the future. The Birds' world-premiere season runs from Friday, May 16–Saturday, June 7, 2025 at the Beckett Theatre, 113 Sturt Street, Southbank, Melbourne. Head to the Malthouse Theatre website for tickets and further details.
In The Guest Edit we hand the reins over to some of Sydney's most interesting, tasteful and (or) entertaining people. For this instalment, we have Jade Le Flay — ultra charismatic fixture of Sydney nightlife and dance music scene — take the role of our after hours shepherd, guiding us to her favourite Sydney cocktail joints and what to order from the drinks list at each. And with her resume, she's a reliable source when it comes to having a good time. She's a producer and DJ (who's done supporting gigs for hip hop titans like Rihanna, A$AP Rocky, Lil Uzivert), hosts Spotify's A1 podcast (among others), and was recently featured in a campaign for JD Sports x Nike alongside drill crew ONEFOUR and First Nation's rapper Kobie Dee. And still, she always makes time for a cocktail. That's our kind of guest editor. JADE LE FLAY: In my years of DJing, hosting and promoting events, I've been lucky enough to experience some of Sydney's best venues and, of course, make my way through their cocktail lists. A few in particular have stood out. On the drinks side of things, the perfect cocktail is one of two things: something you could have never imagined in your wildest dreams but somehow works (and works well), or a perfected classic. As important as the drink itself is the vibe of the venue — and how well it matches the cocktail. A few of the places below boast incredible views of Sydney's most iconic locations, places where the staff treat you like family, and places that transport you around the world while you're there. 1. BAD HOMBRES, BONDI BEACH The bar: Bad Hombres, 75-79 Hall Street, Bondi Beach The drink: The "Rosalinda" (Altos blanco, triple sec, watermelon, Bad Hombres' o-t sauce and citrus) When my vegan friends ask me where to eat in Sydney, I instantly recommend Bad Hombres for their delicious Mexican-inspired, plant-based food and the vibrant energy that uplifts you as fast as their 'Rosalinda' cocktail — a twist on the classic spicy margie! What's the twist? It's EXTRA spicy! Just how I like it. If you can appreciate that they make their own hot sauce then you'll understand and feel how much love has gone into the menu. 2. SAGA BAR, CHIPPENDALE The bar: Saga Bar, 49-51 Goold Street, Chippendale The drink: Strawberries & Cream (Wheatley vodka, shaken with strawberry syrup and cream) This hidden gem is the mecca of dreamy delights that makes you feel like you're on a movie set in south east Asia. From the magical decor, moody lighting to the golden mosaic bathroom, this spot is a must! My select from Saga Bar is a nightcap called 'Strawberries & Cream' — it's the perfect substitute for dessert. [caption id="attachment_786072" align="alignnone" width="1920"] Robert Walsh[/caption] 3. BAR 83, SYDNEY CBD The bar: Bar 83, 100 Market Street, Sydney The drink: Seasonal Spritz (vodka, prosecco, strawberry, coconut water, elderflower tonic) Paired perfectly with oysters and a view you literally can't find anywhere else in Sydney, Bar 83 is one of my go-to spots in the Sydney CBD. The stand out interiors is giving Austin Powers and perhaps James Bond aesthetics with bold red and gold furniture — it's very Instagram friendly. I come here just for a quick Spritz stop in between shopping. 4. UNA MAS, COOGEE The bar: Una Mas at Coogee Pavilion, 130a Beach Street, Coogee The drink: Sangria Blanco (peach, vermouth, wine and seasonal fruits) A dear girlfriend suggested we eat at this Spanish tapas joint at the Coogee Pavilion. I was very keen but little did I know I'd be whisked away to a classy and intimate beachside location — the views here are pure bliss. As soon as I realised this was a Merivale restaurant, I knew we'd be in for a treat as the service is always A1! Sangria is perfect for those hot summer nights and I love picking at the ice and the fresh fruit drenched in wine at the end of the drink. I don't know why but this makes me very happy. 5. ICEBERGS DINING ROOM AND BAR, BONDI BEACH The bar: Icebergs Dining Room and Bar, 1 Notts Avenue, Bondi Beach The drink: No. 147 (Ketel One vodka, coconut, passionfruit, pineapple, lime and aromatic bitters) If a cocktail's ingredients include three or more fruits, it's game over for me! Icebergs nailed this cocktail — it's my go-to if I need some quenching on a warm day! This famous beachside venue is a true Bondi bubble favourite but rightfully so. It may be world-famous (which can actually make you think that's kinda corny) but it boasts a very local/community vibe. If anyone comes to visit me in the east, this is where I take them because not only do the views exceed expectations but above all the staff treat you like family. 6. EMPLOYEES ONLY, SYDNEY CBD The bar: Employees Only, 9A Barrack Street, Sydney The drink: Playing with Fire (Appleton Estate signature blend, Overproof rum, Chivas 12 year, and Amaretto shaken with cinnamon, pink guava, peach, finger limes and fresh lemon) My favourite memory of this venue is taking some friends there to play a DJ set and try out the menu for the first time. I was a few cocktails in at this point but I remember wanting to order one of everything on the menu. It is by far one of the more sophisticated but still cool venues in Sydney with that New York flair. I imagine cocktail experts would rate the Employees Only drinks menu very highly as they seem complex and difficult to make. Oh, and they have burlesque shows which I think can be corny but also kinda cute. Def go there for the cocktails though! Ed's note: Employees Only is on our list of Sydney's Best Underground Bars That Are Actually Underground. [caption id="attachment_764760" align="alignnone" width="1920"] Kitti Gould[/caption] 7. MEU JARDIM, SYDNEY CBD The bar: Meu Jardim, 304 Kent Street, Sydney The drink: Espresso Martini I first enjoyed dinner and drinks here for a friend's birthday and immediately fell in love with the cool, blue signature neon lighting — it feels like you're inside a modern European spaceship vibe. Doja Cat would love it here. The venue throws pretty decent parties here too, so the espresso martini is perfect to get you on that buzzy vibe and ready to dance! 8. NOUR, SURRY HILLS The bar: Nour, 490 Crown Street, Surry Hills The drink: Lichee (Vodka, Pama liquor, cranberry, lychee and pomegranate) Again, I follow the sweet and fruity cocktail vibe all day, everyday! This refreshing little number paired with Lebanese food is my all time favourite mix of flavours. It doesn't get better than Middle Eastern food for this tropical island gyal. Nour's extensive wine list is also very impressive and the location in Surry Hills is a good alternative to the city or the beach. [caption id="attachment_723371" align="alignnone" width="1920"] Kitti Gould[/caption] 9. BAR OMBRE, CIRCULAR QUAY The bar: Bar Ombré, Level 3 Gateway, 1 Macquarie Place, Circular Quay The drink: Long Island (gin, vodka, triple sec, tequila and Bacardi) It's a proven theory that cocktails taste even better on a rooftop overlooking the Sydney skyline — you can practically touch the harbour bridge from Bar Ombre. They also have very decent live music and food menu. I never think to order Long Island's but for some reason, the vibes here pushed me outside of my comfort zone. [caption id="attachment_793003" align="alignnone" width="1920"] Destination NSW[/caption] 10. SMOKE, BARANGAROO The bar: Smoke at Barangaroo House, 35 Barangaroo Avenue, Barangaroo The drink: Mai Thai (Bacardi Carta Blanca, coconut, citrus, pineapple, lemongrass, chilli, coriander, pandan leaf) Rarely quiet enough for walk-ins, this is a very showy type of venue with a sophisticated cocktail menu. Not often do you find a drink with pandan leaf as an ingredient. We love this. The Mai Thai is spicy and short and my top pick on the menu for sure. I think I tried every cocktail at Smoke from DJing here for over a year or so. Great vibes (and not just because I was the DJ).
