This breezy, often boisterous Surry Hills establishment is another example of a previously overlooked drinking hole which has been revitalised around craft beer. It's a modern space with well-presented pub grub, but it's in their expertly curated beer offerings where the Dove & Olive really shines. Grab a beer paddle and select from a range of unusual tipples on tap. If you're here for a nosh, the D&O also features four-course dinners where each stage of the meal is matched to a beer, while their Craft Beer Fight Club — where brewers 'fight to the death' for the chance to get their brew on tap for a month — is quickly becoming the stuff of legend. Plus, the trivia here is some Sydney's best and most boisterous.
We hope you're hungry for more kitchen chaos: after dishing up stellar viewing in its first, second, third and fourth seasons, The Bear is returning for a fifth serving. What does this mean for the restaurant that shares the show's name? For Carmy Berzatto (Jeremy Allen White, The Iron Claw)? And for fellow chef Sydney Adamu (Ayo Edebiri, Inside Out 2), too? You should hopefully find out in 2026. The news of The Bear's renewal for season five comes just days after season four dropped its full ten-episode run, ready for prime winter viewing. So, if you've binge-watched your way through it and were left with questions about what happens after its season finale, answers are indeed on the way. "The Bear continues to be a fan favourite worldwide, and their response to this season — as seen through incredibly high viewership ‚ has been as spectacular as any of its previous seasons," advised John Landgraf, Chairman of FX, the US network behind the series. "Year in and year out, Chris Storer, the producers, cast and crew make The Bear one of the best shows on television, and we are excited that they will continue to tell this magnificent story." There's no word yet on any specifics beyond The Bear's locked-in fifth season, including timing, storyline, and returning and guest cast members. But expecting to get watching mid-2026 is completely reasonable, given that each of the Emmy- and Golden Globe-winning show's four seasons so far have all arrived in winter Down Under. In season four, Carmy's days running his dream restaurant were potentially numbered. In fact, a literal clock put on the business by The Bear's key investor Cicero (Oliver Platt, Chicago Med). As time ticked down, pondering the future became a theme not just for Carmy and Syd, but among the rest of the crew — including Carmy's sister Natalie (Abby Elliott, Cheaper by the Dozen), the Berzatto family's lifelong pal Richie Jerimovich Ebon Moss-Bachrach (Hold Your Breath), and the eatery's staff Marcus (Lionel Boyce, Shell), Tina (Liza Colón-Zayas, Cat Person), Ebraheim (Edwin Lee Gibson, Unprisoned) and Neil (IRL chef Matty Matheson). Check out the trailer for The Bear season four below: The Bear streams via Disney+ Down Under — and we'll update you with more details on season five when they're announced. Read our reviews of seasons one, two and three. Images: courtesy of FX Networks and Hulu.
If movies were an assessable component in the American SATs, one might easily expect to find a question like: Ralph Fiennes is to comedy as Tyler Perry is to...? (a) Costumes (b) Makeup (c) Playing multiple characters (d) Films accessible to white people. After all, this was the chap with the burned face from The English Patient, the Voldemort with the no face from Harry Potter and the Naziest bloody Nazi in Schindler's List. Excluding, for argument's sake, that 'incident on the plane', to think upon Fiennes was to consider class, panache and gravitas. Certainly, the next Bill Murray he was not. There's no doubt Fiennes is now experiencing something of a cinematic resurgence, particularly given his run as the newly minted 'M' in the Bond franchise, yet few could ever have expected that this Lazarus-esque revival would've seen him not just turn his mind to comedy but excel in it. Yes, that was a long-winded prelude to reviewing Wes Anderson's The Grand Budapest Hotel, but in this — now his eighth feature film — it's the first time the director has centred everything on just one character, and, thankfully, his leading man delivers something extraordinary. Fiennes is, quite simply, perfect. Playing the inimitable Monsieur Gustave H (the eponymous hotel's storied concierge), he's every bit the quirky protagonist an Anderson film requires but brings to the role an added layer of, well, Fiennes. Monsieur Gustave is, as one of the film's narrators observes, a man of a forgotten age. He's the manifestation of the Grand Budapest itself: elegant, refined, admired yet on the cusp of being left behind in a world scrambling over itself to modernise just as soon as anybody can arrange it. Filmed in three separate aspect ratios to reflect the three distinct decades in which this story takes place, The Grand Budapest Hotel is, typically, steeped in playful innocence yet forever flirting with a darkness just beneath the surface. It's been a growing trend for Anderson, whose last film, Moonrise Kingdom, was a decidedly black comedy grounded in his otherwise traditional quirkiness. Grand Budapest takes it even further: fingers are severed, cats are lobbed out of windows and prison guards are dispatched with bloody abandon. That all such moments elicit more laughter than horror is a testament to Anderson's unique style and direction. Naturally, The Grand Budapest Hotel is also brimming with cameos from Anderson faithfuls and newcomers alike. Murray, Wilson, Swinton, Schwartzman, Norton, Goldblum, Dafoe and Brody all have their go again, whilst Saoirse Ronan, Harvey Keitel and Jude Law gain entry into the team. There is a caper-based plot focused upon the contested inheritance of a priceless painting, but The Grand Budapest Hotel begins and ends as a character study, and it's in that study that the unbridled joy of watching this film is to be found. https://youtube.com/watch?v=1Fg5iWmQjwk
Fans of the Avengers franchise are getting a special treat on Saturday, August 3, when cinemas around the country will screen double bills of Infinity War and Endgame. You'll get to watch all six glorious hours of the last two Avengers films, and you'll be doing it for a good cause to boot — with 100 percent of ticket sales going towards the Curing Homesickness initiative. In an attempt to get kids home from hospital sooner, Curing Homesickness is raising funds for research, equipment and more health professionals at eight children's hospitals across Australia. And you can help by stocking up on popcorn and watching the Avengers (Iron Man, Thor, the Hulk, Captain America, Black Widow — everyone) and the Guardians of the Galaxy team up in an attempt to destroy Thanos in Infinity War. Then, in Endgame, more stuff happens with Thanos — we won't reveal too much, in case you haven't seen it — and you'll get to watch a fitting sendoff to the 22-film, billion-dollar Marvel Cinematic Universe. [caption id="attachment_718483" align="alignnone" width="1920"] Avengers: Endgame[/caption] This Disney and Marvel Studios screening will take place at Sydney's Event Cinemas George Street, South Yarra's Village Cinemas Jam Factory and Brisbane's Event Cinemas Chermside. Alongside Disney, other brands involved in the campaign include Assembly Label, which has released a limited-edition line of t-shirts (in-stores and online), and Sydney's Pasta Pantry — who is donating funds raised from its pasta and lasagne, too. The Avengers double bills will take place on Saturday, August 3. Tickets are $20 and available at the Event Cinemas website for Sydney and Brisbane and the Village Cinemas website for Melbourne. For more information on Curing Homesickness and to donate, head over here. Top image: Avengers: Infinity War
Gone are the days when mobile phones didn't fit in anyone's pocket and Snake was the only game available; however the process of charging your trusty device hasn't changed much over the years. Cable ports might look a little different and smartphones have definitely gotten smaller, but juicing up your handset still takes the one thing we all don't have enough of: time. Well, it does at the moment — even if you have your own portable charger always sitting at the bottom of your bag, and even if you've scoped out every free charging station and spare powerpoint around town. Enter an Australian researcher who wants to make this timely chore not only quicker but instantaneous, all through the use of quantum batteries. In fact, the University of Adelaide's Dr James Quach is planning to build the world's first quantum battery, which will harness the unique properties of quantum mechanics. He's just been appointed the institution's newest Ramsay Fellow — a scheme that aims to keep local bright minds working to advance scientific research — and will now spend the next four years trying to create quantum batteries to replace the ones in everyday electronic devices. If you're wondering how it all works — and how your phone, Kindle, computer or other gadget will go from one to 100-percent charge faster than you can click your fingers — it's based on a feature of quantum mechanics called entanglement, which sees two objects sharing their individual properties. Accordingly, the more batteries that are placed together, the more powerful their charging capacity. "If one quantum battery takes one hour to charge, then two would take 30 minutes, three would take 20 minutes, and so on," Dr Quach explains. "If you had ten thousand batteries, they would all charge in less than a second." While the concept has been discussed in papers since 2013, the academic plans to "take the theory from the blackboard to the lab." More than that, the ultimate goal is to build larger quantum batteries for use beyond simply making sure your iPhone keeps buzzing. "The long-term aim is to scale up, to build bigger batteries which will support renewable energy technologies by making it possible for continuous energy supply no matter the weather conditions – rain, hail or shine," says Dr Quach.
In 2016, Bar No 5 opened in a repurposed Alexandria warehouse with a clear vision: keeping things local. The long unused building has its roots as a gemstone processing facility and the owners — siblings Sarina, Sarah, Stephen and Sime Jackson — maintained that warehouse fitout and worn-out character. The bar focused not only on seasonality and sourcing local ingredients, but also enacting a closed-loop policy — think foraging, beekeeping, solar panels and a composting worm farm to boot. And, to really solidify its position as a neighbourhood champion, it had an alcove dog area with leash hooks and a gas fire for winter. Four years on, a few things have changed. It's now No 5 Restaurant and Bar and, though much of the aforementioned features remain true, there is a much bigger emphasis on the food offering. With Head Chef Emry Jones at the helm, the kitchen now serves up a tight a la carte menu of share-style dishes, ranging from snacks to larger plates. It changes seasonally but an emphasis on simple, balanced flavours is the through-line. Right now, Japanese influences are evident in the likes of scorched kingfish with lemon emulsion and shiso, cauliflower with truffle yuzu dressing and wagyu with romano beans, burnt soy and peanuts. Set menus are available for $65 per person or $40 for weekend lunch bookings. Drinks-wise, you can expect a decent sake and umeshu offering, plus cocktails, wine and locally brewed craft beers from Yulli's Brews and One Drop. The best day to drop by is Sunday afternoon, when it has live music from 3–5pm. Or keep an eye on its social channels for themed lunches and dinners. Images: TJ Edwards, 1oh1 Media 1
Before Xboxes and Furbies, Tamagotchis and Beanie Babies, there was Lite-Brite. When it was first released in 1967, this colourful toy encouraged kids to unleash their creativity. It was an immediate hit and while it may be something of a museum piece compared to the technology kids have access to today, its simple interface of brightly coloured illuminated pegs remains one of the most ingenious inventions in the history of toy making. Adding to its collection of immersive experiences, Luna Park has partnered with Lite-Brite's creator, Hasbro, to create a new cinematic adventure that will delight visitors of all ages. The event has already wowed audiences in Toronto and Las Vegas, and now it's Sydney's turn to enter a kaleidoscopic realm of storytelling and adventure. Luna Park's 3000-square-metre Big Top is the venue for this dazzling joyride, created by Emmy Award-winning content company Secret Location. Inspired by the pointillistic design of the Lite-Brite toy, this 40-minute, 360-degree installation transports the viewer to a series of fantastical worlds, from a dreamy oceanic plunge into the depths and a time hop back to the era of the dinosaurs to an intergalactic jaunt across the cosmos with a gang of friendly robots. Staying true to Lite-Brite's original design, the visuals are entirely conceived using the toy's distinctive hexagonal peg pattern and only use shades of colours from the six original pegs: orange, pink, green, blue, yellow and clear. Set to a poppy synth-driven soundtrack, this vibrant event is the perfect way for families and friends to share a collective moment of wonder and hopefully leave inspired about the possibilities of self expression. Priced to meet the current moment of high living costs and low going-out budgets, Lite-Brite: Worlds of Wonder costs just $15 per adult to enter or just $12.50 per person if you visit as a group of four or more.
UPDATE, November 19, 2021: Tick, Tick… Boom! screens in select Sydney cinemas from Thursday, November 11, and streams via Netflix from Friday, November 19. "Try writing what you know." That's age-old advice, dispensed to many a scribe who hasn't earned the success or even the reaction they'd hoped, and it's given to aspiring theatre composer Jonathan Larson (Andrew Garfield, Under the Silver Lake) in Tick, Tick… Boom!. The real-life figure would go on to write Rent but here, in New York City in January 1990, he's working on his debut musical Superbia. It's a futuristic satire inspired by George Orwell's Nineteen Eighty-Four, and it's making him anxious about three things. Firstly, he hasn't yet come up with a pivotal second-act song that he keeps being told he needs. Next, he's staging a workshop for his debut production to gauge interest before the week is out — and this just has to be his big break. Finally, he's also turning 30 in days, and his idol Stephen Sondheim made his Broadway debut in his 20s. Tick, Tick… Boom! charts the path to those well-worn words of wisdom about drawing from the familiar, including Larson's path to the autobiographical one-man-show of the same name before Rent. And, it manages to achieve that feat while showing why such a sentiment isn't merely a cliche in this situation. That said, the key statement about mining your own experience also echoes throughout this affectionate movie musical in another unmissable way. Lin-Manuel Miranda didn't write Tick, Tick… Boom!'s screenplay; however, he does turn it into his filmmaking directorial debut — and what could be more fitting for that task from the acclaimed In the Heights and Hamilton talent than a loving ode (albeit an inescapably overexcited one) to the hard work put in by a game-changing theatre wunderkind? If this was a case of telling viewers that this is Miranda's movie without telling them, the concept would obviously do the trick. So would a few notable cameos in a standout song-and-dance number that's best discovered by watching. There's plenty in Tick, Tick… Boom! that was already layered with musical theatre history before it became a film, too; in the source material, Larson even wrote in a homage to Sondheim's own musical Sunday in the Park with George. That's the level of insider knowledge that's a foundation here, and the film frequently reverberates in an insular, theatre-obsessive, spot-the-references register. As great as it is if you stan the same productions and people, it also makes Tick, Tick… Boom! less accessible and resonant. It's as if Miranda can't choose between indulging his own adoration or truly sharing that love with his audience. (Tick, Tick… Boom! also became a three-person stage musical in 2001, and Miranda played its lead in a 2014 revival opposite Hamilton's Leslie Odom Jr and In the Heights' Karen Olivo.) Garfield's sing-to-the-rafters version of Larson is first seen in faux home-video footage, performing the rock monologue iteration of Tick, Tick… Boom!, his bouncy hair waving about as he croons and plays piano. Miranda and screenwriter Steven Levenson (Dear Evan Hansen) then segue between the lively presentation and the tale it also tells about Superbia, the looming workshop and the impending birthday. In the latter scenes, Larson can't come up with the missing song, earn enough as a composer to keep the power on, or juggle his pursuit of his dream with the complexities of his personal life. The alternative: opting for a safe career, which his ex-actor ex-roommate Michael (Robin de Jesus, The Boys in the Band) has done in advertising, and his dancer girlfriend Susan (Alexandra Shipp, X-Men: Dark Phoenix) is contemplating with teaching. Selling out is the villain here, but while there might've been bite to that idea in 1990, when Tick, Tick… Boom! debuted off-off-Broadway, there's far less in a film that's also an origin story for a famous theatre name. Recognising this, Miranda and Levenson start the feature not just with nods to Rent's success — the reason that Larson's dilemma is absent tension in the first place — but also with the tragic news that their subject died on the morning of Rent's first off-Broadway preview performance in January 1996. The passage of time indicated by the movie's moniker takes on an added dimension as a result, as does all the on-screen frenzy about making it before it's too late. Wanting to succeed now, and to savour every moment, also gets another refrain in a HIV subplot, albeit in a more cursory and gratuitous fashion than Larson must've originally intended. Still, when Tick, Tick… Boom! works, it's largely due to its energy — more so than its attempts to hit huge emotional beats. There's no mistaking the two wellsprings of experience that are so crucial to the film, with both Larson and Miranda working with what they knew or know, but that echoes loudest is the frantic and urgent atmosphere. The movie plays like something that desperately had to come to fruition, both in Miranda's quest to pay tribute, and in Larson's initial efforts to turn his Superbia experience into something creatively meaningful. The feature's seemingly non-stop musical numbers bound across the screen with that type of attitude, and Miranda unsurprisingly has the eye and timing to stage them with flair. Perhaps Garfield's on-screen fortunes sum up Tick, Tick… Boom! best, though; he's always on, eager and singing with his fullest voice, and also always putting on a forceful performance. He impresses with his commitment and gusto, yet is less convincing at finding nuance in Larson's frustrations, the daily grind of trying to start his career, and in his relationships. Trying to do too much and swing too big isn't the worst thing that a film and a lead portrayal can do, especially in a stage-to-screen musical that also doubles as an exuberant eulogy — and weaves in a Rent origin story of sorts via its protagonist's everyday life, too — but it's still noticeable. It's clearly a case of art imitating life, with Larson's enthusiasm for the art form he cherished so feverishly coming through strong; however, it also always feels like a show. Top image: Macall Polay/Netflix.
University students might be accustomed to pairing their education with a few alcoholic beverages; however most don't expect their tertiary institution to have its own tipple. That rings particularly true when one of the most famous and prestigious universities in the world is involved — but, as well as teaching bright minds, Oxford University is bursting boundaries. The British uni has just added an official brand of gin to its list of achievements: Physic Gin, aka an especially aptly named juniper spirit. It's a product of The Oxford Artisan Distillery (TOAD), which is located in the same city, but is separate from the university. With their collaboration — the result of one of TOAD's distillers meeting one of Oxford's botany professors — they've created the first gin made for the university and bearing its name. Branding isn't Physic Gin's only Oxford connection. It's also flavoured using plants from the uni's botanic garden. Founded in 1621 to help teach herbal medicine, the patch of greenery in question is the oldest of its kind in the country. In total, 25 botanicals grown and foraged in Oxford's garden are used in the tipple, most of which were listed in a catalogue kept by its first keeper back in the 1640s. According to TOAD master distiller Cory Mason, anyone keen on a sip should expect a rich, earthy taste thanks to ingredients such as wormwood, rue and sweet woodruff — which "bring a deeply complex flavour to bear and take us back to the time when plants formed the base of all medicine." TOAD also use ancient, organic, super-sustainable grains in their production of Physic Gin, plus their original Oxford Dry Gin and Oxford Rye Vodka. For more information, visit www.spiritoftoad.com Via The Guardian. Image: The Oxford Artisan Distillery.
Supporting charities should generally be the kind of thing you do without an expectation of anything in exchange. But there's definitely something nice about getting a return on your good deeds, beyond the fuzzy feeling of helping someone in need. Making it easier than ever is SleepOut for Homeless Youth — the first public fundraiser hosted by the Property Industry Foundation — on Thursday, November 10 at Centennial Park . The event, which takes place right next to the Wild Play Discovery Centre, will encourage attendees to sleep out without a roof over their heads for one night, so they can get a glimpse into the struggles faced by homeless young Australians needing a place to sleep. The event's charitable aim is to raise funds to build a 19-bedroom refuge for young people and change some pretty rough statistics — like the fact that 44,000 people under 25 don't have a secure place to sleep. And what's in it for you (in addition to the aforementioned feel-good vibes)? In the process of spending the evening bundled in a sleeping bag and looking at the night sky, you'll also have the opportunity to enjoy some excellent entertainment, eats and general fun — there'll be goodies like food trucks, lawn games, trivia, an acoustic guitarist, and a fire-making workshop so you can toast marshmallows. Over 16 and keen to get involved? Register for free, for SleepOut For Homeless Youth's overnight fundraiser on Thursday, November 10 at Centennial Park, and do your bit to end youth homeless — while having a stellar evening out in the process.
You've filled your house with their minimalist designs and homewares, and dreamed of living in their flat-pack homes and tiny pre-fab huts. MUJI fans, your love affair with the Japanese home goods giant isn't over yet. Next on the retailer's agenda is their own range of hotels, with sites slated for Shenzhen in China and Tokyo in Japan. Construction on a retail and hotel complex in Tokyo's Ginza began in June, working towards a 2019 completion for the 13-floor building. It'll be comprised of three levels below ground, and ten — including a two-floor penthouse — above. Seven storeys will feature shops, including MUJI's global flagship store, while five will boast their first Japanese hotel. Concept and interior design managed by MUJI-owning company Ryohin Keikaku. The Tokyo digs will join a previously announced location in Shenzhen, which is reported to include 79 rooms spanning five different types of accommodation. A store and cafe are also planned for the Chinese hotel, as are recycled wooden interiors and spaces filled with plenty of MUJI furniture. Yes, your travel bucket list just notched up two more entries. Via Dezeen. Images: Mitsui Fudosan Co Ltd
Sydneysiders with a sweet tooth should make tracks to Clovelly, where renowned pastry chef Yves Scherrer is now pumping out his goods at new patisserie and bakery Madame & Yves. Scherrer — who's opened the venue with partner Jennifer — has worked across several of Sydney's fine dining institutions, creating stunning desserts at the likes of Sokyo and now-closed restaurants Est and Ananas Brasserie. He also recently coached the Australian World Pastry Cup team — which went on to win sixth place worldwide — and is the man responsible for Sake's much Instagrammed dragon egg dessert. While the dragon egg will not make an appearance at Madame & Yves, a few of Scherrer's other famed creations will grace the menu — including the salted caramel eclairs from Ananas and the white sesame gelato from Sake. The leaves room on the menu for a whole heap of new creations, like the matcha yuzu roll (matcha sponge, mascarpone yuzu cream, yuzu whipped ganache, shiso leaf gel and choux pastry) and the piña colada tart (coconut mousse, lime curd, rum-flambéed pineapple and sweet pastry). Expect cakes, tarts, fresh bread and pastries aplenty. There is a whole host of croissants, from the classic ham and cheese, to a Ferrero version filled with hazelnut and dipped in chocolate. There's also a sizeable list of handmade gelato and sorbet on offer, including vanilla bourbon, pineapple yoghurt and lemongrass varieties. You'll also notice a focus on native and seasonal Aussie ingredients here, with no artificial colours or additives to speak of. Patrons can see an environmental focus elsewhere in the shop, too — notably in the biodegradable plant-based packaging and the Green Caffeen swap-and-go cup cups. For those coffees, the patisserie has teamed up with social enterprise Madding Crowd Coffee, a small-batch Sydney roaster which donates a portion of profits back to charity (and whose beans come in reusable tins). The Clovelly Road shop is small, which means you can watch the team of pastry chefs in action from the open kitchen as you order at the counter. There are a few outdoor tables, too, made for morning coffees and croissants.
Chart-topping UK grime MC Stormzy is finally set to return to Australian and New Zealand before the end of 2022, with a slew of previously postponed tour dates being given new dates. Originally scheduled for 2020 before being pushed back multiple times for obvious reasons, the H.IT.H World Tour will make its long-awaited arrival across Australian and New Zealand from Wednesday, November 23. That's when the tour will begin at Perth's HBF Stadium, before continuing on to Sydney, Brisbane, Melbourne, Adelaide and Wellington — and concluding in Auckland on Sunday, December 11. Folks that purchased tickets to the original tour and held onto them for the past two years need not worry, as their purchase is still valid, while limited extra tickets are on sale now. Stormzy last graced our shores for Splendour in the Grass 2018. In the following half a decade, the rapper has released his second UK #1 album Heavy Is The Head, which was nominated for a Mercury Music Prize; made history by becoming the first black British solo artist to headline Glastonbury; and set up multiple social enterprises including the #Merky Foundation and the Storzmy Scholarship at the University of Cambridge. The tour will mark the first time audiences down under will have the opportunity to catch Heavy Is The Head hits like 'Vossi Bop', 'Own It' and 'Crown', alongside favourites from Stormzy's back catalogue. With many of the tickets already snatched up back in 2020, the remaining spots are sure to fill up fast. https://www.youtube.com/watch?v=9ClYy0MxsU0 STORMZY AUSTRALIA AND NEW ZEALAND TOUR DATES 2022 Perth — Wednesday, November 23, HBF Stadium Sydney — Sunday, November 27, Hordern Pavilion Sydney — Monday, November 28, Hordern Pavilion Brisbane — Wednesday, November 30, Riverstage Melbourne — Friday, December 2, John Cain Arena Adelaide — Thursday, December 8, AEC Theatre Wellington — Saturday, December 10, TBS Arena Auckland — Sunday, December 11, Trusts Arena Stormzy will tour Australia and New Zealand in November and December 2022. For further information and to buy tickets, head to Handsome Tour's website. Top image: Raph_PH.
Prolific psych-rockers King Gizzard and the Lizard Wizard have pulled out of Byron Bay Bluesfest, the annual festival that's scheduled for the Easter long weekend. The band's decision to withdraw from the festival has been kept reasonably vague but, in a statement, the Melbourne sextet have cited the festival's decision to book content that conflicts with their values as the reason they won't be appearing. "As a band and as human beings, we stand against misogyny, racism, transphobia and violence," the statement reads. "Surprised and saddened to see Bluesfest commit to presenting content that is in complete opposition to these values." "Given this decision by the festival, we have decided to cancel our appearance at Bluesfest," continues the statement. "We are deeply disappointed to be in this position but sometimes you need to be willing to make sacrifices to stand up for your values. This is, unfortunately, one of those moments." The band's decision comes five days after Bluesfest unveiled its sixth artist announcement which featured controversial band Sticky Fingers. The booking of Sticky Fingers received online backlash from others in the music industry including Jaguar Jonze and Camp Cope's Sarah Thompson. Dylan Frost, Sticky Fingers frontman, has been the subject of serious allegations which include physically threatening First Nations singer Thelma Plum and harassing a transgender women at a Sydney pub. Frost and bassist Paddy Cornwall were also caught in an alleged brawl with each other in 2019 which saw Cornwall charged with affray. The festival has responded to the backlash on Facebook and in now-deleted Instagram comments. Bluesfest previously faced controversy after festival director Peter Noble compared a Jewish woman to a Nazi for commenting on the gender imbalance present on the first announcement of the festival's 2018 lineup. The festival will continue without King Giz from Thursday, April 6 until Monday, April 10 with headliners including Gang of Youths, Paolo Nutini, Tash Sultana, Bonnie Raitt, The Doobie Brothers and Sampa the Great. View this post on Instagram A post shared by kinggizzard (@kinggizzard) You can read King Gizzard and the Lizzard Wizard's full statement here. Top image: Jason Galea
Head Chef over at The Lady Hampshire and formerly a member of the Baba's Place team, Brendan King is already carving out his mark as one of Sydney's most exciting young chefs at the age of 25. Now, he's just opened the nostalgic neighbourhood diner Derrel's in Camperdown. Derrel's has arrived on Parramatta Road from King in partnership with PUBLIC Hospitality (The Empire, Oxford House, Maybe Sammy) right next door to The Lady Hampshire. King's former colleagues at Baba's Place Creative have also lent a helping hand in nailing that lived-in suburban energy. A bright pink countertop, an office panel ceiling, menus printed on the back of Woman's Weekly covers from the 80s, Bend It Like Beckham playing proudly on the 2000s-era TV and an abundance of secondhand furniture all transport you back to a trip to your grandparents or your best friend's house for dinner after school. "Working in Sydney, the only opportunities I've had to cook the food from my upbringing is in staff meals," says King. "This is my first chance to represent the food I love and eat all the time and offer it up for everyone to experience." Inspired by his grandfather Derrel's passion for Indian home cooking, King has created an inviting casual eatery and takeaway spot designed to provide affordable feeds to Inner West residents and complement The Hampshire's offerings. "My nana never cooked growing up — it was always grandpa in the kitchen. And while we hope people are a little confused at the start, it's a menu influenced by growing up as an Anglo-Indian in Sydney — whatever that means." The menu is kept simple. There are a few snacks and share plates like samosa chaat and tandoori wings, a trio of kathi rolls that pile tandoori chicken or hara bhara onto flaky paratha flatbread, and a selection of curries paired with rice, roti, lime, onion and chutney. You can also order hot chips with curry sauce or kachumber salad on the side — and round out your meal with a sweet treat like paratha with Nutella (a favourite of King's grandpa). The restaurant is BYO, so feel free to grab a few beers from Camperdown Cellars across the road or bring a bottle of your favourite natty wine to pair with your tandoori chicken plate. Better yet, Derrel's is open late. Paddington has Indian Home Diner offering late-night revellers with curry-filled wraps, and now Derrel's is here to provide anyone out in Camperdown with a kathi roll up until 2am. "It'll complement The Lady Hampshire," continues King. "As gigs finish, late-night hospo workers clock off for the night and people spill onto Parramatta Road, we're hoping Derrel's is a pitstop." Darrel's is the latest in a series of revamps and openings on Parramatta Road. The busy main drag has always screamed potential but never lived up to it — known more for closed shopfronts than must-try venues over the last decade. But, with these new PUBLIC venues joining Parra Road mainstays like Crow Bar, Deus Cafe and Frank's Pizza, the future of the thoroughfare is looking brighter. Derrel's is open 5–12am Wednesday–Thursday and Sunday, and 5pm–2am Friday–Saturday at 89 Parramatta Road, Camperdown. Follow the restaurant on Instagram to stay up to date with everything happening. Images: Michael Naumoff
Whether you're a Queenslander exploring your own backyard, or you're holidaying in the Sunshine State from another part of the country — including New South Wales and Victoria from Tuesday, December 1, once the border reopens to both regions — visiting the beach is probably on your to-do list. The state is known for its sun, surf and sand, after all, but that isn't the only attraction that Queensland holds. In fact, it has just added another big drawcard, which is particularly great news if you're fond of a few vinos. The Vine and Shine Trail is Queensland's first official wine trail, and it's rather hefty — covering more than 70 wineries, vineyards and cellar doors. It's a self-guided affair, so you can choose just how much of it you'd like to explore, and in which spots in the southern portion of the state. If you'd like to try to see 'em all, treating wineries like Pokemon, well, that's up to you. Fancy moseying through the Granite Belt or the Scenic Rim? Eager to see what drops the Gold Coast Hinterland has on offer? Prefer something in the Brisbane area? They're all on the trail. So is everywhere from the South Burnett and Wide Bay-Burnett regions, to the Sunshine Coast — and the Darling Downs and western Queensland as well. And they're split into six separate mini-trails, if you only have so much time to spend hopping between wineries. Just how you interact with the trail's many stops is also a choose-your-own-adventure-type experience, with some cellar doors hosting lunches, some vineyards letting you picnic beside the grapes, and plenty of places offering tastings. And, variety-wise, you'll be able to sip an array of types, whether you're fond of popular drops or you're eager to drink something you mightn't have tried before. The idea, like most things in 2020, is to encourage everyone to get out of the house, explore this area of the country and support local businesses. It's specifically part of a dedicated campaign in Queensland to get folks to do more than just hang out on the coast, enticing them inland to roam along the vines and enjoy a heap of wines. For more information about the Vine and Shine Trail, visit its website.
Forget Christmas carols — when the end of the year hits, one song stands above the rest in Australia. Maybe you just find yourself singing it as December 21 approaches. Perhaps you make an annual pilgrimage to see Paul Kelly play it, given he usually tours at that time of year for good reason. Or, you could celebrate gravy day by, well, making gravy. The recipe's right there, after all. The song we're talking about: Kelly's Christmas classic 'How to Make Gravy', which was first released in 1996 on an EP of the same name. More than a quarter-century on, it's as intertwined with the festive season Down Under as prawns and street cricket — and it's being turned into a movie. As first reported by Variety, How to Make Gravy will hit screens thanks to Warner Bros. Australia and Speech and Drama Pictures — the latter of which is run by musician Megan Washington and writer/director Nick Waterman — who've locked in the rights to make the song into a film. As anyone who knows the words by heart and is currently singing them right now while they're reading this is well aware, Kelly's tune tells a story, starting with a prisoner called Joe who writes to his brother Dan. Presumably, Stella, Frank and Dolly will all also feature, and Rita, Roger, Mary and her new boyfriend. Junior Murvin will have to pop up on the soundtrack, of course. Also, the words "and give my love to Angus" better get uttered — or would it really be a How to Make Gravy movie? It's far too early for announcements regarding casts and release dates, but you could probably put money on it hitting screens — big or small, whichever it heads to — on December 21. Whether that'll be this year or next also hasn't been revealed, but you're about to get a new gravy day tradition either way. (And, given the character of Joe also pops up in other Kelly songs such as 'To Her Door' and 'Love Never Runs On Time', cross your fingers that we're about to get a PKCU — Paul Kelly cinematic universe — too.) How to Make Gravy, the movie, doesn't yet have a release date — we'll update you when further details are announced. Via Variety.
Double Bay has welcomed a breezy, buzzing new restaurant, Brick Lane, which pools the talents of Scott Robertson (Goodbar), chef Drew Bolton (Vine Double Bay), cocktail maestro Jason Crawley, and creative director Alex Zabotto-Bentley (Kittyhawk, Butter, Seadeck). Featuring a New York-inspired dining room and a sunny terrace from AZB Creative, a place we're envisioning as the backdrop to many a weekend Bloody Mary over summer, Brick Lane is equal parts laidback and upmarket. Bolton's menu is casual, yet considered, running from smart drinking snacks (wagyu bresaola pretzel, anyone?) to a range of grass-fed steaks, handpicked from Kyle Farm in Young. You'll spy a similar commitment to quality protein in an assortment of specialty burgers and hotdogs. The Haute Dog teams a Toulouse pork snag with dijonnaise, gruyere, and pickled jalapeno, while a wagyu burger comes loaded with talleggio, bacon, and caramelised onion. Backing up the kitchen's offering is Crawley's range of clever signature cocktails, and a snappy wine list that's sure to inspire after-work visits aplenty. Find Brick Lane at 3 Goldman Lane, Double Bay. Images: Brick Lane.
Get ready rock fans, for the Arctic Monkeys will be returning to Australia and New Zealand next year. The British band will embark on their biggest down under tour to date this autumn for their latest album, AM. The album, which was released this past September, is the band's fifth consecutive number 1 in the UK and also debuted at the top spot in the ARIA Albums Chart. So, Aussie and Kiwi fans, get stoked because you'll soon have the chance to hear their awesome collection of new jams, including chart toppers such as 'R U Mine?' and 'Why'd You Only Call Me When You're High?' Original fans needn't worry, because the Monkeys never forget to pay tribute to their old school favourites. You'll probably still get your chance to belt out 'Fluorescent Adolescent's, "Oh the boy's a slag / The best you ever had / The best you ever had." Arctic Monkeys 2014 Tour Dates: Auckland: May 2, Vector Arena Wellington: TSB Arena Sydney: May 6, Entertainment Centre Brisbane: May, Entertainment Centre Melbourne: May 9, Rod Laver Arena Adelaide: May 10, AEC Theatre Perth: May 13, Perth Arena Tickets go on sale December 11 https://youtube.com/watch?v=6366dxFf-Os
The human brain has been studied inside and out, and its complexities never cease to amaze us. We can make a fist, take a step or turn the wheel all because our thoughts are connected to our actions, but perhaps the new EPOC Neuroheadset will do away with the need for actions altogether. The neuroheadset is a brain-scanning device that allows you to control your computer with your mind. The headset detects brain signals to determine users' emotions and also contains gyroscope technology that reads your position, body movements and facial expressions to accurately communicate commands. Combined with the EmoLens application, the device can detect the emotions you feel as you browse through photos on Flickr and tag the photos accordingly - you don't even touch your mouse or keyboard. If you're bored of that trick, the headset can also use concentration, number of eye blinks or head shakes to determine how you're feeling. Among other applications that can be purchased include Mind Mouse, which allows the user to perform standard computer commands like clicking or double clicking a mouse or even sending an email, and Master Mind, with which users can play their favourite computer games with their minds. The applications and uses are quite limited at this stage, but along with other superhero-inspired technology coming to market, perhaps it won't be long before we can control things with our minds alone. Like a car.
Chattanooga, Tennessee is poised for a creative comeback. After cleaning up its past image as a dirty city, and experiencing an influx of artistic talents, Chattanooga is on the cusp of a turnaround. D.J. Trischler, a local brand consultant, explains the missing component: "If you think of a brand as a story, [Chattanooga] has an amazing story. If you look at the visual brand, it doesn’t back up that story.” Trischler has recently joined forces with Chattanooga resident and typeface designer Jeremy Dooley to restore the city's look and feel by creating and applying a new font to city signage and print media. The concept of a distinguishing city typeface is common throughout Europe, yet has only been attempted (and failed) once in the United States. The efforts of Trischler and Dooley represent the first attempt to create this city-customized typeface at the grassroots level. The pair teamed up with a second typeface designer, Robbie de Villiers, and Trischner's business partner Jonathan Mansfield. Together, they consulted a local historian to gather inspiration for their Chattanooga-inspired font, including the old Cherokee Native American writing system and Coca-Cola's first bottling plant. The result was what the team describes as a "geometric slab serif", a font simultaneously industrial and futuristic. Chattanooga now had a Chatype. Public events have gathered community support and funding for the launch of Chatype, and the team expects residents to see the font popping up on signage, business cards and city government websites soon. Trischner and Dooley express hopes that Chatype will one day be seen on start-up businesses, road signs, fire trucks and police cars. [Via GOOD]
When your inner child is begging to be let out, you've got to turn the city into your giant playground. Whether you want thrills and spills or sugar rushes and showbags, there are many ways to embrace your childlike sensibilities in Sydney. You can marvel at sea creatures, get set with go karts or give your adrenal gland a workout on wet and wild waterslides in the west. Get ready to spoil your dinner and stay up way past bedtime — you'll soon find being a kid is a whole lot more fun now that you make the rules. BREAK YOUR FAST AT PANCAKES ON THE ROCKS Rise and shine and head to Pancakes on the Rocks for its beloved all-day brekkie menu and a nostalgia-filled start to your day. Settle in for one of its famous pancake stacks like the decadent chocolate peanut butter, sweet and sour lemon meringue or the nutty macadamia stack. Or, if you're after something simple yet satisfying, opt for a classic serve with ice cream and maple syrup. If variety is your thing, order an Aussie Sunrise which includes pancakes, bacon, eggs, fried banana and pineapple rings. There are also savoury options available if you're not in the mood for a sugar rush. [caption id="attachment_844751" align="alignnone" width="1920"] Felipe Bustillo via Unsplash[/caption] CATCH A MORNING MOVIE SESSION Nothing screams 'I'm on school holidays' like seeing a movie before midday. And HOYTS at the Entertainment Quarter is the ideal spot to have a morning cinematic experience. Catch the hottest new releases at the Xtremescreen or book in for a blockbuster on the LED Samsung Onyx screen to get lost in a deeply immersive viewing experience — it's the first LED cinema screen in NSW. Not sure what to watch? This'll help. [caption id="attachment_762120" align="alignnone" width="1920"] Sea Life Sydney[/caption] DIVE DEEP INTO SEA LIFE Been a while since you hit up SEA LIFE aquarium in Darling Harbour? Even when you're all grown up, an up-close view of the wonders of the ocean never gets old. Stop in and meet nature's marvellous sea cow, Pig the Dugong, take a boat ride to slide up next to penguins, or explore the famous underwater tunnels where you can watch sharks and wobbegongs float on by. You can also learn about the conservation projects underway, get up close in the rockpool touch tank or just marvel at your favourite undersea pals like serene turtles, gliding rays and bright tropical fish. SPEND THE AFTERNOON GETTING TOPSY TURVY The House Down Under describes itself as "Australia's first inverted house photo experience", which is, well, exactly what it sounds like. Yep, just a perfectly normal house that's completely upside down. Each room is flipped on its head (with all furniture secured, of course), chairs above you, roof below. The whole house is a surreal, Alice in Wonderland-type topsy-turvy experience. Experience it for yourself and snap the most disorienting selfie of your life as you stand on the ceiling and reach up to the living room floor. GET YOUR HEART RACING Speed around Australia's largest indoor go-kart circuit at Hyper Karting at the Entertainment Quarter. Here you'll find a heart-pumping 410-metre track with an environmentally friendly difference. These German-made electric karts not only offer great handling and a smooth ride, they also have higher acceleration than your standard kart meaning you can go faster with a quieter and cleaner vehicle. You can book in for as many 15-minute racing slots as you like, but it's recommended you take a little break in between laps so you can hit the track again in top form. Got a whole swag of mates who want to lean into their childhood? You can book the whole 16-place race for your crew and see who really has the need for speed. GET WET AND WILD AT RAGING WATERS Grab a pass for the day — or the full season — and make a splash at this 25-hectare water park in Western Sydney. Battle white water as you spin and whirl through rushing channels on a whole bunch of thrilling slides. Cool off with high-speed plunges and twists and turns in the enclosed Aqua Tube, hurtle at 60 kilometres per hour on the 260Rush, swing back and forth through tidal waves on T5 or race your mates on the H2Go Racers. When you need to refuel, pick up pizza or grab a salad for lunch to enjoy on the man-made beach before hitting the slides one more time before heading home. STRIKE THE NIGHT Strike at the Entertainment Quarter is a cut above the bowling alleys of your childhood. Seven days a week, this joint buzzes with eight neon-lit lanes, killer tunes and a full bar — one of the perks of going bowling as an adult. Kick back between bowls with a beer or cocktail — there's everything from margs to espresso martinis on offer — or tuck into the tasty food like the smoked beetroot rueben or the beef brisket sando. If bowling isn't enough, enjoy the thrill of the chase in the on-site 30-person laser tag arena or retreat to a private karaoke room to unleash your secret stage persona. TRY YOUR LUCK AT B LUCKY AND SONS B Lucky and Sons is the throwback arcade of your dreams. Your game card is your ticket to fun, so load it up with credits and get ready to be drenched in nostalgia in no time. The arcade has everything from Mario Kart and Space Invaders to basketball hoops and electronic dance games to keep you entertained. Whether you want to hustle to win or simply play for fun, you can test your fortune and, if you're lucky, maybe walk away with a winning prize. Whatever your approach, you can head to the bar to celebrate your wins (or losses) with your mates afterwards. LOSE YOURSELF AT LUNA PARK Remember how it felt visiting a carnival as a kid? The excitement of the rides, the roving entertainers and the intoxicating scent of sugar and fried food wafting throughout the grounds. You can relive all that — and also enjoy the on-site wine bar — at Luna Park. If the last time you visited you were a kid, there's a good chance you're now tall enough to go on the rides you missed out on last time like the Big Dipper, Sledgehammer and the 50-metre drop on the Hair Raiser. Challenge your G-force limits in the Rotor or seek some classic thrills in the wooden Wild Mouse coaster. Check out the mirror maze, fun house and slides at Coney Island, test your skills at the sideshow games and grab a showbag for a token of your trip down memory lane. Ready to relive your childhood? For more information on the Entertainment Quarter and its incredible offering of activities, visit the website.
Along with washing your hands, social distancing and staying home if you're feeling unwell, we've all heard plenty about spending more time outdoors during the pandemic. In the City of Sydney, that notion was the catalyst for a new al fresco dining scheme, which aims to give bars, restaurants and cafes some extra space to play with while still working within COVID-19 capacity guidelines. And, over summer, the economy-boosting tactic has unsurprisingly proven popular. Enjoying a bite to eat and a few drinks while soaking in the fresh air might be a perfect warm weather activity, but the inner city's shift towards outdoor dining isn't going anywhere for the time being. Recognising the concept's success, the City of Sydney has just announced $5.7 million in extra funding for the initiative, which includes waiving al fresco permit fees until June 2022. $3.5 million of the newly pledged cash will be allocated to fee waivers, which will help expand the already hefty number of places that have made the leap to outdoor dining. Since the program launched in December 2020, 204 permits have been issued, including 116 al fresco dining spaces on footpaths and 52 on roadways. In total, 2690 square metres of outdoor dining space has been approved so far. "Waiving outdoor dining fees was one of the first things we did when the pandemic hit Sydney, to make it easier for restaurants, bars and cafes to operate while encouraging physical distancing," said Lord Mayor Clover Moore. "People have really embraced it, with participating businesses telling us they've taken on extra staff and seen increased patronage — a crucial aid to staying afloat in these difficult times." In its quest to help reactivate the CBD by making it easier than ever for venues to offer outdoor dining, late-night trading and live music, the City of Sydney will also put $2.2 million towards inner city events and activations — so you'll more to do than just eat and sip. The NSW Government has also allocated another $20 million towards its CBD Revitalisation program, with NSW Treasurer Dominic Perrottet advising that it'll be focused on getting folks back into the city, "whether that's working or shopping or coming in for entertainment and dining." "This initiative means venues can apply to transform car parking space into outdoor dining and some venues may request more footpath space to attract customers," said NSW Minister for Finance and Small Business Damien Tudehope. "It is about greater certainty and opening up more capacity for venues so they can continue to host guests and serve top-notch food and drinks." To achieve this al fresco goal CBD-wide, the government bodies have been working together to cut red tape for businesses to easily reclaim outdoor space. That led to an initial wave of al fresco dining spaces in The Rocks, before spreading CBD-wide. In response to the changes, 90 percent of restaurants and cafes taking part in the program told the City of Sydney that al fresco dining was beneficial or crucial to their business. Forty percent increased their staff hours by 10 hours or more per week as a result, 45 percent employed at least two more staff members a week, and 58 percent have seen their turnover increase up to ten percent. Committing to outdoor dining in a big way, the City of Sydney is also set to further extend George Street's car-free zone, spreading the vehicle-free area across its entire run between Town Hall and Railway Square. For more information about the increased funding for the al fresco dining plan, head to the City of Sydney website. Images: Jes Lindsay
HAM is an acronym for Harry and Mario, the two brothers who opened this deli-cafe together when they were in their early twenties. This family heritage carries through to both the atmosphere and the menu of this charming brunch spot. HAM showcases the Greek heritage of the two founding brothers, which makes even more sense considering their mother still works in the kitchen, and their father sources fresh produce from the markets. Classic and comforting dine-in dishes include spanakopita, moussaka and pastitsio, while the deli offers an enticing selection of cheeses and cold meats to take home. It's not all greek food though. You'll also find toasties, nourish bowls, egg dishes and its famed apple granola that has been on the menu for over a decade. Both brothers are trained baristas, too. So, you can expect these caffeine aficionados to serve you top-notch coffee. Image: Cassandra Hannagan
By now, we all know that plenty of streaming platforms are constantly vying for our eyeballs. We know that those services boast always-expanding catalogues of movies and TV shows, too. And, we're well aware that picking what to watch when you're settling down on the couch is rarely a simple exercise. So, while the fact that Australia's latest streaming service features 20,000 episodes and films is definitely great news, it won't simplify your viewing choices anytime soon. Australians now have another streamer to choose from, with new streaming service Paramount+ launching on Wednesday, August 11. The platform actually rebrands the existing 10 All Access streaming service, with parent company Viacom CBS Australia and New Zealand bringing it into line with the global Paramount+ subscription offering that launched in America in March this year. Paramount+'s big drawcard? Its library of titles from Paramount Pictures — obviously — as well as from Showtime, CBS, BET Comedy Central, MTV, Nickelodeon, the Smithsonian Channel and Sony Pictures Television. So, if you're the kind of viewer that loves rewatching your favourite flicks, you'll be able to head to the service to stream movies from the Harry Potter, Lord of the Rings, The Godfather, Mission: Impossible, Indiana Jones, Transformers, Jackass, Batman and Dark Knight Trilogy franchises. Plus, the likes of Austin Powers in Goldmember, Austin Powers: The Spy Who Shagged Me, Grease and Good Will Hunting will also be available on the service, all as part of the $8.99 per month subscription fee. On the TV front, existing series like The Good Fight, The Twilight Zone, Why Women Kill, Charmed and SpongeBob SquarePants will find a new home. Paramount+ is also betting big on new television shows being a big drawcard, so you can expect to add a heap of titles to your must-watch list — including revenge-fuelled miniseries Two Weeks To Live, starring Game of Thrones' Maisie Williams; Leonardo, a historical drama about Leonardo da Vinci; and Anne Boleyn, with Jodie Turner-Smith (Queen & Slim) as the titular figure. If you're feeling nostalgic, there's also the revival of Nickelodeon's iCarly, following the characters now they're adults; the return of Rugrats, this time with computer-generated animation; and Kamp Koral: SpongeBob's Under Years, which gives everyone's favourite absorbent, yellow and porous character an origin story. New Mark Wahlberg-starring movie Infinite, which sees him play a man haunted by memories of a life he didn't live, also launches in Australia with the service — and as does new seasons of Five Bedrooms, Why Women Kill and Evil. And, before August is out, you'll be able to stream the Nancy Drew TV series, the latest season of In the Dark, all of Ziwe and Coyote, six-part satire The Bite and horror anthology Monsterland as well. Down the track, Paramount+ will also be home to the new Dexter revival; the Chiwetel Ejiofor (The Old Guard)-starring TV adaptation of The Man Who Fell to Earth; The First Lady, which sees Viola Davis (Ma Rainey's Black Bottom) play Michelle Obama; and page-to-screen adaptation The Luminaries. New Australian drama Last King of The Cross is also destined for the platform, as are Melbourne-shot comedy Spreadsheet and coming-of-age feature film 6 Festivals. The list goes on, including spy drama Lioness, a TV adaptation of video game Halo and The Offer, a scripted drama about on the making of The Godfather. Paramount+ is available in Australia from Wednesday, August 11, rebranding the existing 10 All Access streaming platform, with subscriptions costing $8.99. For further information, head to the Paramount+ website.
Every hotel tries to offer visitors a home away from home. At Melbourne's new luxe spot, however, that's the entire concept. Opening in June, United Places endeavours to blend the best of both — a hotel and a home — across its 12 roomy suites. And, like everyone's dream house, it also features plenty of greenery. The rampant plant life comes courtesy of United Places' location, situated opposite the Royal Botanic Gardens in South Yarra. As well as views over the parklands, the hotel's three two-bedroom suites boast city vantages from their sunken bathtubs. Nine one-bedroom suites will also be available. Further ramping up the comfort, United Places will provide personalised butler service 24 hours a day, plus curated in-room breakfasts by chef Scott Pickett (Estrelle, Saint Crispin). Daily hampers will stem from onsite restaurant Matilda, Pickett's latest venture, which'll focus on open fire and hot coals. While it'll be open to the public for lunch and dinner seven days a week, and for weekend brunch as well, the eatery will also give hotel guests priority seating. Design-wise, architects and interior designers Carr Design Group have opted for velvet drapes, hardwood floors and charcoal bathroom pods, with each suite also featuring a kitchen and terrace. And as a striking focal point upon entry, artist Laura Woodward has created a specially commissioned piece for United Places' foyer, playing with water, light and movement and interacts against the hotel's monochromatic hallways. If all of the above sounds particularly luxurious, that's the entire point. Unsurprisingly, it also comes with a hefty price tag, with rooms starting at $650 per night. Find United Places Botanic Gardens at 157-159 Domain Road, South Yarra from June. Keep an eye on the hotel's website and Instagram feed for further details. Image: Moritz Marquardt via Flickr.
Situated in Haberfield, a suburb of Sydney's inner west that locals like to call their own 'Little Italy', sits an IGA that is not your average supermarket. The air smells of prosciutto and gorgonzola and more often than not, you'll hear Italian being spoken rather than English when eavesdropping on customers ordering with the deli staff. Some of the tastiest mortadella and some of the largest jars of grilled eggplant call Lamonica IGA home, along with aisles of authentic Italian sauces, pastas and other authentic antipasto goods. The line of people clutching ticket stubs at the deli's glass cabinets is also a testament to how right Lamonica IGA gets it. Its expansive cheese selection is matched by an expansive cured meats selection and an expansive antipasti selection. It also won't cost you a pretty penny, Lamonica IGA is cheap as chips compared to other cheese shops and delicatessens, so you can really go ham on your charcuterie board when shopping here. Images: Top image by Federico Arnaboldi, body image by Arthouse Studio
When it was announced in April last year that German supermarket giant Kaufland was expanding to Australia, it was surprising news. Now, almost a year later, the chain has made an announcement that's even more surprising: it's not expanding to Australia. In a total 180, Kaufland today revealed to the public and its 200 local employees that it would make an "orderly withdrawal" from the Australian market. The reasons for why it has decided to pull the plug on Australia are still a bit vague, with a short statement merely saying that the company wants to concentrate on its "European core markets in the foreseeable future". The withdraw won't be so simple, either. With plans to open a slew of stores across Australian — including 14 in Victoria and three in Queensland — Kaufland has already purchased numerous properties and even, according to The Sydney Morning Herald, started construction on a store in Adelaide and a huge 115,000-square-metre distribution centre in Melbourne. The Australian reports that the company has already spent hundreds of millions of dollars here. In the statement, acting CEO Frank Schumann apologised for the "disruption" the decision will cause. Launched in 1984 and now with 1200 European stores to its name, Kaufland is owned by the Schwarz Group — the world's fourth largest retailer. The chain is big in Germany and parts of Eastern Europe, but this was set to be its first foray into a Pacific market as an alternative to Aldi. The withdrawal has shocked the retail sector — and while it might be good news to Woolworths and Coles, it certainly doesn't reflect well on the current state of the Australian retail market.
Every suburb needs a bistro. Not just the Australian bistro found inside pubs, but a neighbourhood restaurant, serving simple French-inspired food. The kind of place where people can rest their arms on white tablecloths, drink French wine and sink their spoons into souffles. The 'go-to' restaurant to suit any occasion and welcome you with open arms. And most importantly, it should be as comfortable as your own home. Macleay St Bistro in Potts Point is the essence of the neighbourhood restaurant. It's been open for nearly 30 years and is still going strong thanks to new owners (and Potts Point locals) Mark Campbell and Phillip Fikkers. Walking inside from the bustling Macleay Street, it feels as though you're entering someone's home. The lighting has a warming glow with the mood casual. Diners sit fairly close to each other and there's a calming hum coming from the kitchen while waiters are darting around tending to guests. The menu is short and straight to the point. The rock oysters with eschallot and champagne vinaigrette ($4 each) and the half-shell scallops with saffron chive and caper butter ($5 each) are a promising start. The accompaniments don't steal the thunder from the headline acts of oysters and scallops, which are incredibly fresh. The special of fried lamb's brains with celeriac pepperade ($18) is excellent. The crispy batter acts as the perfect coat for the soft brains, which had a similar consistency to the inside of a croquette. Combined with the celeriac sauce, it is magic. The organic grass-fed eye fillet with wilted silverbeet and sauce soubise ($38) was enjoyable but promised so much more. The steak lacked a touch of seasoning but this was saved by the beautifully rich sauce. To finish, the hazelnut mille feuille with coffee anglais ($15) reminded me of a dessert sandwich. Delicate cream was sandwiched by crunchy sheets of rich pastry and rested on a sauce with a hint of coffee. Instead of tasting an intense espresso, the mille feuille harmonised flavours of hazelnut and coffee with the rich cream and pastry. Although none of the dishes we tasted had the three-hat knockout punch, Macleay St Bistro consistently exceeds expectations in every department. The food, the service and the ambience make for an enjoyable evening.
If you'd like to explore Sydney a little differently, check out the small-group food and drink experiences by award-winning tour company Local Sauce Tours. Hop your way down Oxford Street's colourful haunts accompanied by a drag queen or discover the authentic Italian delis and restaurants of Five Dock. The tours have a maximum of 12 guests and no minimum number — great if you're travelling solo and want to get to know Sydney like a local. The guides blend the food and drink experiences with engaging stories of the city's history, culture, nightlife and art. One of the top experiences is the Secret Bar Crawl through YCK Laneways which takes place every Tuesday night. The guides weave stories of the neighbourhood while visiting the top-notch small bars that populate the precinct. Images: Justin Steele
In Never Did Me Any Harm, Sydney Theatre Company has collaborated with Force Majeure dance company to create a challenging conversation piece about contemporary family life. Director Kate Champion combines contemporary dance, spoken word, physical theatre and the common vernacular to challenge the idea that parents instinctively know best, or that parenting is simply a natural instinct. Taking Christos Tsiolkas’ controversial novel The Slap as its inspiration, Never Did Me Any Harm uses the stage at Wharf 1 to recreate a 'typical' suburban backyard. Through theatricalised gestures, seven performers transform the audio text recorded over 90 interviews into a feat of physicality that is fiercely immediate and confronting. Does it sound a bit heavy? Rest assured, it isn't. Kate Champion deftly offsets the more depressing vignettes with domestic slapstick and cleverly avoids taking sides by having all the performers play both children and parents. Each disconnected narrative is drawn together by the familiar thread of domestic experience, making you wonder if middle-class Australia will forever be wound up about the 'correct' way to raise children. The diverse stories are alternately painful and amusing, infuriating and touching. One of the performers is heavily pregnant, and it's hard not to wince when she dives into a break-dance tumble routine; however, she's fine, and the fact that she's so conspicuously 'with child' merely adds to the authenticity of the performance and its insistent faithfulness to real-life experience. It's hard to describe something like Never Did Me Any Harm without sounding over-earnest, because the subject matter itself is so intense. But this is candid, controversial and very clever theatre. It explores corporal punishment, the pros and cons of breastfeeding, teenage girls gone feral and the realities of raising a child with a disability, and, unlike the TV mini series of The Slap, doesn’t star Melissa George. Go and see it this week — it certainly won't do you any harm.
Sydney's annual Gay and Lesbian Mardi Gras has sparked many a trip to the Harbour City. In recent years, it has also inspired themed flights to the New South Wales capital from New Zealand, Brisbane and Melbourne to enjoy the festivities. Partying in the sky on a pride flight on the way to Sydney's biggest pride party? That's a must for the diary. In 2023, however, all those mid-air shenanigans are levelling up. Next year, Sydney will host WorldPride, marking the huge LGBTQIA+ celebration's first-ever stint in the Southern Hemisphere. The plans for the event are massive — Kylie Minogue headlining the opening concert-level massive. And both Virgin and Qantas want to fly you there to enjoy everything from rainbows aplenty all around the city to a closing gig led by MUNA and G Flip. For Virgin, the pride flights will run for the third year, after first kicking off from Brisbane in 2021, then expanding to Melbourne in 2022. And, they'll add new departure points, letting folks from Adelaide and Perth also hop onboard — and running the airline's first-ever pride flight from the US to Australia, as flown by United Airlines, leaving from San Francisco. Tickets for Virgin's one-way pride trips are on sale now, and will include more than 1000 seats across five flights. From Australia, the flights depart on Friday, February 24, while the US service will leave on Wednesday, February 22 but touch down Down Under on Friday, February 24. The Aussie services will be hosted by RuPaul's Drag Race Down Under stars Coco Jumbo, Karen From Finance, Kween Kong and Maxi Shield, as well as top Australian drag talent like Barbie Q, Penny Tration, Philmah Bocks, Sexy Galexy and Tora Hymen. And, they'll include a pre-flight departure party featuring entertainment by local LGBTQIA+ venues (such as Fluffy, Sircuit, Mary's Poppin' and Connections Nightclub), alongside those mid-air drag performances, DJs and dancing — and bottomless beverages — while you're cruising at 30,000-plus feet There's also a pride flight landing party, too, taking place from 4.30–8.30pm on the Friday at The Beresford. It includes complimentary drinks and entertainment, and is covered by the pride flight tickets. And, $30 from the sale of each ticket will be donated to Australian charity Minus18, which works to improve the lives of LGBTQIA+ youth. For Qantas, you'll be soaring in from Los Angeles, because that's where the airline's first-ever pride flight is departing from. The Qantas WorldPride Flight will also take off on Wednesday, February 22, and will feature Joel Creasey as host. On this US–Australia trip, there'll be live inflight entertainment, food by chef Neil Perry (who is also Qantas' Director of Food, Beverage and Service), and free limited-edition 'rainbow roo' Qantas pyjamas that've been designed specifically for the flight. And, your Qantas ticket will also include general admission to the Live and Proud: Sydney WorldPride Opening Concert, where none other than Ms Minogue will take to the stage — a gig that's virtually sold-out otherwise. The one caveat on all of the above: passengers will have to organise their own far less glitter-filled flight home following the weekend's celebrations. Tickets for Virgin's past flights have always been snapped up quickly, so it's likely this batch from both airlines will do the same. And if you're a Sydneysider wanting to experience the one-way flights, you can always head to Brisbane, Melbourne, Perth, Adelaide, San Francisco or LA prior if that suits your plans, then use the pride services to return home. Virgin Australia's pride flights will fly from Brisbane, Melbourne, Perth and Adelaide to Sydney on Friday, February 24, while its San Francisco–Sydney flight will depart on Wednesday, February 22. Tickets are on sale now from the Virgin Australia website. Qantas' pride flight will take off on Wednesday, February 22, flying from Los Angeles to Sydney. Tickets are also on sale now via the Qantas website. Sydney WorldPride will run from February 17–March 5, 2023. For more information, head to the event's website. Thinking about attending Sydney WorldPride? Check out Concrete Playground Trips' Sydney WorldPride package. It includes tickets to the Domain Dance Party and Live and Proud: Opening Concert, plus three nights at the PARKROYAL Darling Harbour Sydney.
At beachside hotspot Coogee Pavilion, the final piece of the puzzle has just clicked into place — and it's a big one. Five years in the making, the middle level of this historic building has finally been unveiled today, Friday, January 17, joining the multi-faceted ground-floor offering and much-loved Coogee Pavilion Rooftop. The hotly-anticipated Coogee Pavilion Middle Floor is actually home to three distinct venues — cocktail bar Will's, restaurant Mimi's, and a wine and tapas bar by the name of Una Más — combining to mark one of Merivale's most ambitious projects yet. While each venue has its own personality and design DNA, the whole level is an homage to the idyllic coastal location and is guided by the same Australian-accented take on modern Mediterranean cuisine. Executive Chef Jordan Toft (Bert's, Bar Topa) has taken the reins for this lot of newcomers, just as he's helmed the rest of the building's food offerings over the years. [caption id="attachment_757979" align="alignnone" width="1920"] Steven Woodburn[/caption] Boasting sweeping ocean views through its large arched windows, Mimi's pairs drops off a 600-strong wine list heroing the French wine growing region of Chablis with fresh seafood, top-quality meats and market-fresh vegetables grilled on the kitchen's josper. Don't expect any foams, gels or smokes here — Mimi's is all about letting the produce shine. Abrolhos scallops are steamed and served with summer fennel, black abalone is barbecued and skewered, and fresh peaches bathed in caramel vinegar and shiso. Larger dishes include spanner crab with preserved lemon mayo; a decadent hand-rolled pasta with pipis, sea urchin bottarga and warrigal greens; and asnapper tartare with finger lime. And, for even fancier occasions, the Mimi's Selects menu offers bumps of caviar, frozen vodka, Queensland mud crab and suckling pig. Luxe. Accompanying cocktail bar Will's exudes European charm with a lineup of Italian coastline-inspired cocktails created by two star bartenders: Luke Ashton (This Must Be the Place) and Ben Wainwright (Bert's, Charlie Parker's). Make your way through the likes of The High Tide (with peach and limoncello), the Bella Bella (nectarine, lemon myrtle and macadamia) and Greenleaf (rosemary and ruby grapefruit) or go classic with a Willy's martini or Mimi's margarita. [caption id="attachment_757975" align="alignnone" width="1920"] Steven Woodburn[/caption] Wine and tapas bar Una Más is the lively, playful sibling, where you'll happily spend a session straight off the beach. Fresh and fun, it's designed to be a modern locals' haunt, offering an approachable menu spiked with both Spanish and Australian influences. Snack on anchovies, charcuterie, octopus with fermented chilli and cauliflower with sheep's milk — then end with Catalan cream with passion fruit. To drink, there's a short list of wine, classic cocktail, sherry and vermouth on offer. It's meant to be a rainy weekend, so swap your beach visit for a day eating and drinking on Coogee Pav's middle level instead. Mimi's, Will's and Una Más are now open on the middle level of Coogee Pavilion, 169 Dolphin Street, Coogee. Mimi's is open from 6.30–10pm daily and 12–3pm Monday–Thursday, and 12–3.30pm Friday–Sunday. Will's and Una Mas are open 12pm–midnight Sunday–Thursday and 12pm–2am Friday–Saturday. Images: Steven Woodburn
Throughout 2021, Marvel and Disney+ have been showering viewers with new TV series, all featuring characters we all know and love from the Marvel Cinematic Universe. So, you've probably watched Loki get up to his trickster antics in Loki, and seen The Falcon and The Winter Soldier team up in The Falcon and The Winter Soldier. And, you likely now have Hawkeye's next adventures in the upcoming Hawkeye on your radar as well. Yes, these MCU streaming series couldn't have more straightforward names. Yes, Marvel has now turned watching TV into big-screen homework, given that its movie franchise keeps hitting cinemas (thanks to Black Widow and Shang Chi and the Legend of the Ten Rings already this year, and with Eternals and Spider-Man: No Way Home still to come before 2021 is out). And yes, the first of these new MCU Disney+ shows finally made everyone take notice of the always-great Kathryn Hahn, who stole every scene she was in each and every time she popped up in WandaVision. Obviously, WandaVision was about Marvel characters Wanda and Vision, with Avengers: Endgame's Elizabeth Olsen and Paul Bettany reprising their roles. But Hahn also played a significant part as neighbour-slash-witch Agatha Harkness, even nabbing an Emmy nomination for her efforts. So, because she was such a fan favourite, she's now getting her own show. Variety reports that the series will be a dark comedy about Agatha, starring Hahn; however, details beyond that are currently under wraps. But the character has a considerable history, only some of which WandaVision dived into. In comic books, she's been around since the 70s — and, story-wise, her tale dates back to the Salem witch trials. The news — and the world's reaction to the glorious Hahn — won't come as a surprise if you've been watching the exceptional actor throughout her pre-Marvel career. She stole scenes in Parks and Recreation, Transparent and I Know This Much Is True as well, and made an impact in movies as varied as Revolutionary Road, Our Idiot Brother and the Bad Moms flicks. And, she's also exceptional in Netflix film Private Life as well. Exactly when Marvel and Disney+'s Hahn-led Agatha Harkness spinoff will arrive hasn't been revealed. But, you can get the Emmy-winning 'Agatha All Along' tune stuck in your head again now until more news drops: WandaVision is currently available to stream via Disney+. When Marvel and Disney+'s Agatha Harkness spinoff will drop hasn't yet been revealed — we'll update you when more information is announced. Via Variety. Image: Suzanne Tenner, Marvel Studios.
If you live Down Under, winter is still coming for 2022 — but your next excuse to indulge your Game of Thrones love is already here. You will need to pack your suitcases and head to Northern Ireland, however, and also be mighty pleased that visiting the new GoT studio tour doesn't involve sailing by ship, walking for months or using other forms of transport from the fictional Seven Kingdoms. First announced in 2018, the Game of Thrones Studio Tour at Linen Mill Studios started welcoming in eager GoT fans at the beginning of February 2022 — and it boasts plenty to get excited about. And yes, while you're waiting for prequel series House of the Dragon to arrive later this year, and still biding your time wondering when author George RR Martin's The Winds of Winter will finally hit shelves, this'll help tide you over. Get ready to add Winterfell, The Wall, King's Landing and Dragonstone to your next holiday itinerary, and to peer at the Iron Throne as well, because that's all part of the new tour. Visitors are able to step inside the Great Hall, which is where Jon Snow was proclaimed the King in the North; see Daenerys Targaryen's Dragonstone throne; and also check out an array of props, weaponry, armoury, costumes, make-up and prosthetics from the show. Much of the series was filmed in Northern Ireland, hence the tour — which marks the first time that HBO has opened up the sets and sites to the public. Now rebadged as a tourist site, the GoT sets span across a hefty 110,000-square-feet location in in Banbridge. Basically, if you've ever dreamed about walking around Westeros, this is your chance. The tour has been dubbed an 'interactive experience', which covers wandering through fully dressed sets, reliving moments from the series and standing exactly where many of the show's standout scenes took place. Also part of the immersive attraction: learning more about the skills and craft behind the program that helped make it such a hit. And, there are also art files, models and other production materials in display, plus accompanying digital content and interactive materials highlighting GoT's digital effects. If it sounds huge, that's because it is. The whole setup comprises the largest authentic public display of Game of Thrones artifacts in the world — and is bound to make fans happier than Arya Stark crossing a name off of her infamous list. The Game of Thrones Studio Tour is now open at Linen Mill Studios, The Boulevard, Banbridge, Northern Ireland. For more information or to buy tickets, head to the tour's website.
Surry Hills favourite Harry's is teaming up with Indigenous-owned social enterprise House of Darwin for a series of NAIDOC Week events from Sunday, July 3 until Sunday, July 10. Through its clothing lines and collaborations, House of Darwin raises money to support social programs in remote First Nations communities including workshops and the restoration of basketball courts in the Northern Territory. Across eight days, patrons will be able to sample selections from Harry's special food and drink menu, which puts an emphasis on native Australian ingredients. The menu includes drinks such as the Wiradjuri Sour made with Archie Rose vodka, quandong, rosella, rhubi and rose water; and the Murri G&T which adds native bergamot to your classic gin and tonic. For snacks there are wattleseed corn ribs and a kangaroo burger topped with plum and chilli relish. These menu items will be raising money for House of Darwin throughout the week, alongside a limited-edition T-shirt designed by Northern Territory artist Luna Tunes. The design is a nod to the Rock Against Racism concert that toured Australia more than 30 years ago. "We've decided to pay homage to those who have laid the foundation of reconciliation in the 80s. A run of concerts occurred around Australia under the banner of 'Rock Against Racism' which were aligned with Australia's bicentenary celebration in 1988," House of Darwin's Shaun Edwards said. "This inspired a bus load of Territorians to hit the road bound for Sydney in search of a brighter future for First Nations people across the nation." Finally, on Thursday, July 7, Harry's and Heaps Decent are hosting a First Nations music showcase. Entry to the mid-week party is free with a gold coin donation. The lineup of artists will feature Willy J, The Chaza, OLZ and Princess Atlantis, Dylan Voller and For Life. View this post on Instagram A post shared by Harry's (@harpoon_harry) Top image: Nikki To
With Winter's Bone, Debra Granik directed one of the undoubted film highlights of 2010. More than that, she directed the haunting drama to four Oscar nominations, earned herself a nod for Best Adapted Screenplay, and helped put Jennifer Lawrence on the path to superstardom. And yet, it still took eight years for the masterly filmmaker to helm her next fictional feature — eight years where her empathetic perspective could've been brightening up cinemas. Blame the difficulties faced by female directors, projects falling by the wayside or the vagaries of fate; whichever you choose, the big screen has sorely missed her work. It's not just that Granik makes movies about American life on the margins, as her 2014 documentary Stray Dog also illustrates. What sets her films apart is her probing yet compassionate approach, not only spinning stories about struggling folks striving to get by, but ensuring that her pictures feel humane and authentic above all else. They're traits that are much more rare in today's blockbuster-heavy cinema realm than they really should be, and they help Granik's gentle, thoughtful work soar. While that was evident in Winter's Bone, it's even more apparent in Leave No Trace, an equally tender and devastating father-and-daughter effort that's handled with supreme sensitivity, shot with unwavering kindness and, as a result, proves one of the best movies of this year. Adapted by Granik and her Winter's Bone co-scribe Anne Rosellini from Peter Rock's novel My Abandonment, Leave No Trace takes its title from what might as well be military veteran Will (Ben Foster) and teenager Tom's (Thomasin Harcourt McKenzie) unspoken motto. Living well off the grid in an Oregon forest, their entire existence relies upon not being spotted. And, as long as they're able to enjoy their lives in the manner that they prefer, they're happy hiding out and keeping things simple. The local authorities soon have other plans, busting up their modest camp, arresting Will and forcing the pair to re-integrate into society. To her own surprise, Tom warms to more traditional confines, but her PTSD-afflicted dad can only stomach mod cons and social worker check-ups for so long. Where Winter's Bone coiled a coming-of-age tale around a bleak mystery, Leave No Trace steeps its story in lighter but no less meaningful waters. Both feature young women learning to survive in fraught circumstances; however, even given the films' thematic similarities, Granik's latest is its own textured, complicated and delicate creation. At the movie's core sits a familiar battle that's fleshed out in an intimate and heartbreaking fashion — the choice between following in the footsteps of someone you adore, or following your own wisdom even if it'll completely change your life forever. This is a film about breaking free and forging a new path on many levels (from trauma, from the prevailing concept of normality, from the structures enforced by a broken country and from the parent-child bond), and they're all expertly and intelligently intertwined. As also seems to be Granik's remit across her small oeuvre to date, Leave No Trace overflows with everyday detail. Thanks to the director's patient gaze, no moment of Will and Tom's lives is too small or insignificant. That's never more evident than when the movie hones its focus on revelatory New Zealander McKenzie, who demonstrates not only Granik's keen eye for observation, but for talent. Acting against the similarly exceptional Foster (who's in career-best form), the young star's seemingly effortless naturalism radiates from the screen, with a cocktail of potent emotions always emanating from her pores. Indeed, while Leave No Trace is visually sumptuous with its lush wilderness-set visuals, it's downright sublime when it's simply watching its two leads quietly encapsulate the effects of America's increasingly fractured society. https://www.youtube.com/watch?v=SVkX1qAyMrY
It told you it was freakier. Giving 2003's mother-daughter body-swapping comedy a 22-years-later sequel means upping the ante, then. When the Freaky Friday franchise returns to cinemas, it'll again subject Tess (Jamie Lee Curtis, The Last Showgirl) and Anna (Lindsay Lohan, Our Little Secret) to a switch; however, they're not the only characters waking up to an unexpected change. Anna's daughter Harper (Julia Butters. The Fabelmans) and future stepdaughter Lily (Sophia Hammons, The Absence of Eden) will also learn what it's like to literally walk in another person's shoes to understand how they feel. As the just-dropped full trailer for the film shows, that's how sequel Freakier Friday is living up to its name: by getting four characters, not two, in on its identity crisis. This time, it's Harper and Lily who are squabbling, just as Tess and Anna were in the first flick — but the entire quartet experience the consequences. The new Freakier Friday sneak peek follows a first glimpse at the movie earlier in 2025, which already promised more chaos, plenty of nods to its predecessor — a nostalgic favourite — and taking the body-swap scenario up a few notches. The storyline: Anna is about to get married to Eric (Manny Jacinto, The Acolyte), hence gaining a stepdaughter, with the process of merging families happening just as a familiar situation pops up. It was back in 2023 that word arrived about a follow-up to the 00s version of Freaky Friday. Audiences will see the results on the big screen Down Under on Thursday, August 7, 2025. There's no fortune cookie involved, it seems, but there is a fortune teller (Vanessa Bayer, No Good Deed) who tells Anna and Tess that they've "walked in each other's paths" and "learned a lesson — a lesson that may serve you again". She also advises Harper and Lily that they're "called to be family". Similarly returning alongside Curtis and Lohan from Freaky Friday: Mark Harmon (NCIS: Origins), Chad Michael Murray (Sullivan's Crossing), Christina Vidal Mitchell (The Terminal List), Haley Hudson (Queen Gorya), Lucille Soong (Raya and the Last Dragon), Stephen Tobolowsky (The Madness) and Rosalind Chao (3 Body Problem). For more company, Maitreyi Ramakrishnan (Never Have I Ever) also joins the cast. Behind the lens, Nisha Ganatra (The High Note, Late Night) is directing, with Curtis and Lohan among the executive producers, all on a movie that keeps building on the Freaky Friday name. The initial Curtis and Lohan team-up didn't start the franchise, of course. Instead, it began with the 1972 book by Mary Rodgers, then the 1976 Jodie Foster (True Detective: Night Country)-starring first movie adaptation, and also a 1995 remake with Gaby Hoffmann (Zero Day). After 2003's beloved Curtis- and Lohan-led take, horror flick Freaky also gave the idea a spin in 2020. Check out the full trailer for Freakier Friday below: Freakier Friday releases in cinemas Down Under on Thursday, August 7, 2025. Images: Glen Wilson © 2024/2025 Disney Enterprises, Inc. All Rights Reserved.
Imagine sitting under the gentle glow of candlelight, enjoying a live performance of Coldplay's "Sky Full of Stars." Thanks to The Concert by Candlelight series, this could soon be true. Returning for its fourth year, the series will host The Music of Coldplay by Candlelight across three locations, Sydney, Perth and the Gold Coast. While it may not be the band itself, world-class vocalists and a live band from London's West End will honour legends Chris Martin, Jonny Buckland, Guy Berryman, and Will Champion with powerful performances. The performers will kick things off at 7.30pm Darling Harbour Theatre at ICC Sydney on Saturday, September 13. The show will take over The Star Theatre on the Gold Coast on Friday, September 19, before making the journey west to Perth's Convention and Exhibition Centre on Saturday, September 27. Given that Coldplay visited fans down under relatively recently in 2024, it's unlikely they'll be gracing us with their presence anytime soon. So, The Music of Coldplay by Candelight may be the closest thing to the real deal Aussies can get, at least for a while. Each concert is a one-night-only event, and they're coming up faster than you think. So get in quick; tickets are likely to sell out fast. The Music of Coldplay by Candlelight will be held in September in Sydney, Perth, and the Gold Coast. Performances start at 7.30pm. For more information or to book tickets, visit the website. Images: Supplied.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are nine that you can watch right now at home. THE KILLER A methodical opening credits sequence that's all about the finer points, as seen in slivers and snippets, set to industrial strains that can only stem from Trent Reznor, with David Fincher and Andrew Kevin Walker's names adorning the frame, for a film about a murderer being chased. In 1995, Se7en began with that carefully and commandingly spliced-together mix — and magnificently. Fincher and Walker now reteam for the first time since for The Killer, another instantly gripping thriller that starts in the same fashion. It also unfurls as a cat-and-mouse game with a body count, while sporting an exceptional cast and splashing around (exactingly, of course) the full scope of Fincher's filmmaking mastery. This movie's protagonist is detail-obsessive to a calculating degree, and the director bringing him to cinematic life from Matz's graphic novels of the same name also keeps earning that description. The Fight Club, The Social Network and Mank helmer couldn't be more of a perfectionist about assembling The Killer just so, and the feature couldn't be more of a testament to his meticulousness. Fincher's love of crime and mysteries between Se7en and The Killer has gifted audiences The Game, Panic Room, Zodiac, The Girl with the Dragon Tattoo, Gone Girl and Mindhunter, which have always felt like different books from a series rather than a director flipping through the same tome over and over. So it is with Michael Fassbender's long-awaited return to the screen after a four-year absence — X-Men: Dark Phoenix was has his last credit before this — which sees Fincher and his star aping each other in an array of ways. As well as being oh-so-drawn to minutiae, as the eponymous character reinforces in his wry narration, this duo of filmmaker and fictional assassin-for-hire are precise and compulsive about refashioning something new with favourite tools. For The Killer, it's fresh avenues to fulfill his deadly occupation until everything goes awry. For the man who kicked off his feature career with Alien³ and now collaborates with a Prometheus and Alien: Covenant alum, it's plying his own trade, too. The Killer is available to stream via Netflix. Read our full review. PAST LIVES Call it fate, call it destiny, call it deeply feeling like you were always meant to cross paths with someone: in Korean, that sensation is in-yeon. Partway through Past Lives, aspiring writer Nora (Greta Lee, Russian Doll) explains the concept to fellow scribe Arthur (John Magaro, The Many Saints of Newark) like she knows it deep in her bones, because both she and the audience are well-aware that she does. That's what writer/director Celine Song's sublime feature debut is about from its first frames to its last. With Arthur, Nora jokes that in-yeon is something that Koreans talk about when they're trying to seduce someone. There's truth to her words, because she'll end up married to him. But with her childhood crush Hae Sung (Teo Yoo, Decision to Leave), who she last saw at the age of 12 because her family then moved from Seoul to Toronto, in-yeon explains everything. It sums up their firm connection as kids, the instant spark that ignites when they reunite in their 20s via emails and Skype calls, and the complicated emotions that swell when they're finally in the same place together again after decades — even with Arthur in the picture as well. Song also emigrated to Canada with her parents as a pre-teen, but achieves that always-sought-after feat: making a movie that feels so intimately specific to its characters, and yet resonates so heartily and universally. Each time that Nora and Hae Sung slide back into each other's lives, it feels like no time has passed, but that doesn't smooth their way forward. Crafted to resemble slipping into a memory, complete with lingering looks and a transportingly evocative score, this feature knows every emotion that springs when you need someone and vice versa, but life has other plans. It feels the weight of the roads not taken, even when you're happy with the route you're on. It's a film about details — spying them everywhere, in Nora and Hae Sung's lives and their faces, while recognising how the best people in anyone's orbits spot them as well. Lee, Yoo and Magaro are each magnetic and magnificent, as is everything about this sensitive, blisteringly honest and intimately complex masterpiece. Past Lives is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE CREATOR Science fiction has never been afraid of unfurling its futuristic visions on the third rock from the sun, but the resulting films have rarely been as earthy as The Creator. Set from 2065 onwards, after the fiery destruction of Los Angeles that could've come straight out of Terminator 2: Judgment Day, this tale of humanity battling artificial intelligence is visibly awash with technology that doesn't currently exist — and yet the latest movie from Monsters, Godzilla and Rogue One: A Star Wars Story director Gareth Edwards couldn't look or feel more authentic and grounded. That isn't a minor feat. And, it doesn't simply stem from making a sci-fi flick with heart, which isn't a new move. Don't underestimate the epic yet intimate impact of seeing bold imaginings of what may come that have been lovingly and stunningly integrated with the planet's inherent splendour, engrained in everyday lives, and meticulously ensure that the line between what the camera can capture and special effects can create can't be spotted; The Creator hasn't. So, as undercover military operative Joshua (John David Washington, Amsterdam) is tasked with saving the world — that go-to science-fiction setup — robots walk and talk, spaceships hover, and everything from cars to guns are patently dissimilar to the planet's present state. Flesh-and-blood people aren't the only characters with emotional journeys and stakes, either, with AI everywhere. Even if The Creator didn't tell its viewers so, there's zero doubting that its events aren't taking place in the here and now. Edwards and cinematographers Greig Fraser (The Batman) and Oren Soffer (Fixation) know how to make this flight of fancy both appear and seem tangible, though. Indeed, The Creator earns a term that doesn't often come sci-fi's way when it comes to aesthetics: naturalistic. Also don't underestimate how gloriously and immersively that the film's striking and sprawling southeast Asian shooting locations not only gleam, but anchor the story. The Creator is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FINGERNAILS In the world of Fingernails, 'Only You' isn't just a 1982 pop song that was made famous by Yazoo, is easy to get stuck in your head, and is now heard in this film in both French and English. It's also the philosophy that the first English-language feature by Apples filmmaker Christos Nikou has subscribed its characters to as it cooks up a sci-fi take on romance. In a setup somewhat reminiscent of Elizabeth Holmes' claims to have revolutionised blood testing (see: The Dropout), Fingernails proposes an alternative present where love can be scientifically diagnosed. All that's needed: an extracted plate of keratin, aka the titular digit-protecting covering. At organisations such as The Love Institute, couples willingly have their nails pulled out — one apiece — then popped into what resembles a toaster oven to receive their all-important score. Only three results are possible, with 100 percent the ultimate in swooning, 50 percent meaning that only one of the pair is head over heels and the unwanted zero a harbinger of heartbreak. When Fingernails begins, it's been three years since teacher Anna (Jessie Buckley, Women Talking) and her partner Ryan (Jeremy Allen White, The Bear) underwent the exam, with the long-term duo earning the best possible outcome — a score that's coveted but rare. Around them, negative results have led to breakups and divorces as society's faith is placed not in hearts and souls, but in a number, a gimmick and some tech gadgetry (one of the sales pitches, though, is that finding out before getting hitched will stop failed marriages). As their friends go the retesting route — satirising the need for certainty in affairs of the heart pumps firmly through this movie's veins — Anna hasn't been able to convince Ryan to attend The Love Institute as a client. She's soon spending her days there, however, feeding her intrigue with the whole scenario as an employee. When she takes a job counselling other pairs towards hopeful ever-after happiness, she keeps the career shift from her own significant other. Quickly, she has something else she can't tell Ryan: a blossoming bond with her colleague Amir (Riz Ahmed, Sound of Metal). Fingernails is available to stream via Apple TV+. Read our full review. FAIR PLAY Getting engaged isn't meant to be bloody, but that's how Fair Play starts: with joy, love, passion and bodily fluids. What is and isn't supposed to happen is a frequent theme in writer/director Chloe Domont's feature debut, an erotic thriller set both within the heady relationship between Emily (Phoebe Dynevor, Bridgerton) and Luke (Alden Ehrenreich, Oppenheimer), and also in the slick, fast-paced, high-stakes world of New York finance — familiar territory for its Billions alum filmmaker, who also has Suits and Ballers on her resume. The blood arrives via a bathroom tryst at Luke's brother's (Buck Braithwaite, Flowers in the Attic: The Origin) wedding. He pops under her dress, she has her period, he drops the ring that he was going to propose with, she says yes, and next they're betrothed and fleeing out the window to go home. Staged to feel woozily, authentically romantic, the occasion seems perfect to this head-over-heels pair anyway, even if it leaves their clothes stained. Yes, Domont is playing with symbolism from the outset. Lust isn't a problem for Emily and Luke, clearly, but they've become experts at keeping everything about being together away from work out of necessity. The duo each chases big dreams at the same hedge fund, which has a firm no-dating policy for its employees. So, when they wake up, dress and step out the door the next day, they go their separate ways to end up at the one place — and Emily's finger is glaringly bare. Then something that they've both been hoping would happen does: a portfolio manager sitting above their analyst positions is fired. Next comes a development that they've each felt was meant to occur, too, with the word spreading around the office that's led by the icy Campbell (Eddie Marsan, Operation Fortune: Ruse de Guerre) and his yes-man flunkey Paul (Rich Sommer, Minx) that Luke is in line for a promotion to fill the new vacancy. But when it turns out that it's Emily that's getting promoted instead, everything changes. Fair Play is available to stream via Netflix. Read our full review. PAIN HUSTLERS Emily Blunt (Oppenheimer) is Pain Hustlers best star. Chris Evans (Ghosted), Catherine O'Hara (Elemental), Andy Garcia (Expend4bles), Brian d'Arcy James (Love & Death) and Chloe Coleman (Dungeons & Dragons: Honour Among Thieves) all leave an imprint as well in this pharma drama, but Blunt is the movie's knockout. She steps into the shoes of Liza Drake. Relentlessly adapting is the Floridian's normality; she's a single mother to teenager Phoebe (Coleman), who has epilepsy that requires surgical treatment that Liza can't afford, and also lives in her sister's garage while stringing together cash from whichever jobs she can find. It's at one such gig as an exotic dancer, where her talent for sizing up a scenario and making the most of it is rather handy, that Pete Brenner (Evans) crosses her path. He wants more than her barside banter, proposing that she comes to work for him. If he didn't want her to genuinely take it up, catapult his employer to success and have them in murky territory, he shouldn't have made the offer. Also apparent in Pain Hustlers: the latest on-screen takedown of the pharmaceutical industry and corresponding interrogation of the opioid crisis, aka one of pop culture's current topics du jour. Indeed, in only his second non-Harry Potter and Fantastic Beasts film since 2007 (the other: The Legend of Tarzan), director David Yates happily relies upon the fact that this realm is common ire-inducing knowledge no matter whether you've read journalist Evan Hughes' coverage of Insys Therapeutics — including 'The Pain Hustlers', a New York Times Magazine article, then The Hard Sell: Crime and Punishment at an Opioid Startup, the non-fiction book that followed. First-time screenwriter Wells Tower draws upon both, but similarly knows that his fictionalisation rattles around a heavily populated domain. Stunning documentary All the Beauty and the Bloodshed earned an Oscar nomination, miniseries Dopesick picked up an Emmy, and both Painkiller and The Fall of the House of Usher have hit Netflix in 2023 — as will Pain Hustlers — while diving into the same subject. Pain Hustlers is available to stream via Netflix. Read our full review. IT LIVES INSIDE What's more terrifying than standing out at high school? It Lives Inside scares up an answer. Here, fitting in with the popular kids has haunting costs — literally — as Indian American teen Samidha (Megan Suri, Never Have I Ever) discovers. Her story starts as all memorable movies should: with a sight that's rarely seen on-screen. While beauty routines are familiar-enough film fodder, watching Sam shave her arms, then use skin tone-lightening filters on her photos, instantly demonstrates the lengths that she's going to for schoolyard approval. Among the white girls that she now calls friends, she also prefers to go by Sam. At home, she's increasingly hesitant to speak Hindi with her parents Inesh (Vik Sahay, Lodge 49) and Poorna (Neeru Bajwa, Criminal). And when it comes to preparing for and celebrating the Hindu ritual of puja, Sam would rather be elsewhere with Russ (Gage Marsh, Big Sky), the boy that she's keen on. It Lives Inside's frights don't spring from razors and social media, or from shortened names and superficial classmates; however, each one underscores how far that Sam is moving away from her heritage. Worse: they indicate how eagerly she's willing to leave her culture behind, too, a decision that's affected her childhood bond with Tamira (Mohana Krishnan, The Summer I Turned Pretty). As their school's only students with Indian backgrounds, they were once happily inseparable. Now Sam considers Tamira a walking reminder of everything that she's trying to scrub from her American identity. Keeping to herself — skulking around clutching a jar filled with a strange black substance, and virtually hiding behind her unbrushed hair — the latter has become the class outcast. So, when she asks Sam for help, of course no is the answer, a response that sparks consequences in this unease-dripping feature debut from writer/director Bishal Dutta. It Lives Inside is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM Before Teenage Mutant Ninja Turtles: Mutant Mayhem, Seth Rogen and his regular behind-the-camera collaborator Evan Goldberg had more than a few hands in Sausage Party. Lewd and crude isn't their approach with pop culture's pizza-eating, sewer-dwelling, bandana-wearing heroes in a half shell, however. Instead, the pair is in adoring throwback mode. They co-write and co-produce. Platonic's Rogen also lends his vocals — but to warthog Bebop, not to any of TMNT: MM's fab four. That casting move is telling; this isn't a raunched-up, star voice-driven take on family-friendly fare like Strays and Ted, even when it's gleefully irreverent. Rather, it's a loving reboot spearheaded by a couple of patent fans who were the exact right age when turtle power was the schoolyard's biggest late-80s and early-90s force, and want to do Leonardo, Donatello, Raphael and Michelangelo justice. Affection seeps through Teenage Mutant Ninja Turtles: Mutant Mayhem as pivotally as ooze, the reason that there's even any adolescent marine reptiles that aren't at all like most of their species, and are also skilled in Japanese martial arts, within the franchise's narrative. Slime might visibly glow in this new animated TMNT movie, but the love with which the film has been made is equally as luminous. Indeed, the Spider-Verse-esque artwork makes that plain, openly following in the big-screen cartoon Spidey saga's footsteps. As it visually resembles lively high school notebook sketches under director Jeff Rowe (The Mitchells vs the Machines) and Kyler Spears' (Amphibia) guidance, Teenage Mutant Ninja Turtles: Mutant Mayhem feels exactly like the result of Rogen and Goldberg seeing Spider-Man: Into the Spider-Verse, wondering how Leo and company would fare in a picture that aimed for the same visual flair, then making it happen. Teenage Mutant Ninja Turtles: Mutant Mayhem is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. A HAUNTING IN VENICE Poirot goes horror in A Haunting in Venice. As unsettling as it was in its pointlessness and indulgence, Death on the Nile's moustache origin story doesn't quite count as doing the same. With Kenneth Branagh (Belfast) back directing, producing and starring as the hirsute Belgian sleuth for the third time — 2017's Murder on the Orient Express came first — Agatha Christie's famous detective now gets steeped in gothic touches and also scores the best outing yet under his guidance. The source material: the acclaimed mystery writer's 1969 novel Hallowe'en Party. Returning screenwriter Michael Green (Jungle Cruise) has given the book more than a few twists, the canal-lined Italian setting being one. Venice makes an atmospheric locale, especially on October 31, in the post-World War II era and amid a dark storm. But perhaps the most important move that A Haunting in Venice makes is Branagh reining in the showboating that became so grating in his first two Poirot movies. In relocating to the sinking island city and withdrawing from the whodunnit game, his new status quo when the film begins, A Haunting in Venice's Poirot has already done his own toning down. It's 1947, a decade after the events seen in A Death on the Nile, and bodyguard Vitale Portfoglio (Riccardo Scamarcio, The Translators) helps keep life quiet by sending away everyone who seeks the sleuth's help. The exception: Ariadne Oliver (Tina Fey, Only Murders in the Building), a Christie surrogate who is not only also a celebrated author, but writes crime fiction based on Poirot (with Fey slipping into her shoes, she's a playful source of humour, too). When the scribe comes a-knocking, it's with an invite to a séance, where she's hoping that her pal will help her to discredit the medium, Joyce Reynolds (Michelle Yeoh, Everything Everywhere All At Once), who has the town talking. Then there's a death, pointed fingers and a need for Poirot's skills. A Haunting in Venice is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May, June, July, August, September and October, too. You can also peruse our best new films, new TV shows, returning TV shows and straight-to-streaming movies of 2023 so far
In the initial two episodes of Scenes From a Marriage, Mira (Jessica Chastain, IT: Chapter Two) and Jonathan (Oscar Isaac, Star Wars: Episode IX — The Rise of Skywalker) brush their teeth in front of their ensuite mirror. It's an everyday task in a familiar place, spanning something we all do in a space we all use, but this powerful five-part HBO miniseries turns these two scenes into a complex snapshot of its central couple. It takes not just skill but feeling and understanding to turn such a mundane activity into a must-see; however, that's this weighty show's remit. Scenes From a Marriage gets viewers engrossed in cleaning teeth because it's ordinary, and because everything within its frames fits the same description. Its central relationship careens from happy to heartbroken, comfortable to distraught, and assured to messy, but it also charts a path that countless others have before it. When they first pick up their toothbrushes, Mira and Jonathan attend to their dental hygiene side by side. They chat between foamy mouthfuls. They're relaxed. They've had an unusual day, after talking to a researcher about their nuptials and then hosting a tumultuous dinner with friends, but they're settled in their usual regime. Seconds afterwards, they'll discuss significant news, but they approach that, too, with a sense of unthinking security. But just one episode later, when they brush again, everything has changed. Mira returns from a work trip to share a bombshell revelation, Jonathan doesn't take it well, and he stands back and stares at they each clean. She can't meet his eyes. He won't look away. Their tension, pain and sorrow fills the entire room, as does their uncertainty — and it's a case of two moments, two people, two vastly different pictures of their relationship. Dedicating each episode to a significant day over the course of several years — hairstyles change, and the couple's daughter ages (primarily off-screen) — Scenes From a Marriage is filled with these routine moments. It's a show about patterns, cycles and echoes, how they ripple through relationships and, when broken or changed, how their absence is felt. Much of the series takes place in the same domestic space, too, as the pair rove around the house they've made their home. So, viewers see the duo walk through the same rooms, sit in the same chairs and recline in the same bed. They have variations of the same discussion over and over as well. Every romance is an ongoing conversation that loops, sprawls and repeats, but Scenes From a Marriage pushes this notion to the fore. Mira and Jonathan are always talking, in some way, even when they're not. Their dialogue continues whether it seems like it's just another evening in the bathroom, or it's a terse morning after everything has disintegrated — and as a whirlwind of love, sex, heartbreak and chaos whips through their relationship again and again. It shouldn't be easy, peering into a romance as its bliss fades, and stepping into its ongoing conversation. That idea isn't Scenes From a Marriage's alone, and it wasn't new in 1973, when iconic film director Ingmar Bergman ran with it in his Swedish TV miniseries of the same name. But as penned and helmed here by The Affair's Hagai Levi, HBO's take on the concept turns the familiar and complex into the raw and the riveting. It breaks a relationship down into pivotal moments to strip away the blissful front that couples build for themselves, and the image they project to the world, and it refuses to look away as things turn difficult. Sketching out anything this complicated via just a few scenes is a gimmick, obviously, as the series even nods to in opening scenes that follow Chastain and Isaac getting into character. Still, in the right hands, and with the right tale of a marriage's minutiae, it's also devastating and powerful. Scenes From a Marriage circa 2021 is shot and scored to ramp up that intensity, that simmering uncertainty, that seesawing between two extremes. Cinematographer Andrij Parekh, a veteran of Blue Valentine and its similarly haunting exploration of a romance in decline, prowls carefully and patiently around comfortable spaces adorned in neutral tones — places The White Lotus' characters might've gone home to post-Hawaii — but lets both light and darkness visually clash and compete for attention. Composers Evgueni Galperine and Sacha Galperine craft a score that also rides an emotional rollercoaster, setting the tone as precisely as they previously did with fellow HBO miniseries The Undoing. Each element of Scenes From a Marriage is fine-tuned to amplify the highs, the lows, and the constant to-and-fro between them. That said, this tale of an ambitious tech industry executive, her ex-Orthodox Jewish philosophy professor husband and their fraying nuptials was always going to live and thrive via its two lead performances. Chastain and Isaac, welcome additions to any on-screen project, have played a married couple before. In fact, 2014's A Most Violent Year also saw them navigate a stormy union — and it, like its main duo, was exceptional. The pair certainly know how to project intimacy on the red carpet, as they did at the Venice Film Festival premiere of Scenes From a Marriage. They don't falter in the series itself, even with a concept that could've played like an acting exercise. Again, the conceit is highlighted in those opening seconds of the duo as themselves; however, as Chastain and Isaac walk across the set that swiftly becomes their Mira and Jonathan's home — doing so with masks and distancing, because this was shot during the pandemic — they also help viewers step into their characters with them. When the camera is rolling rather than flashing, Chastain and Isaac are both experts at unpacking someone's entire emotional journey in just their gaze and stance. Accordingly, when the series flickers from the pair as actors to the duo as Mira and Jonathan, it feels seamless even though the artifice is being called out. They take the plunge, the audience does with them, and we all explore what's happened after Scenes From a Marriage's protagonists did just that. On-screen, opposites attracted, then this pair combined their lives and marched forward towards the future, and now everyone weathers the fallout. Chastain and Isaac are also masterful at responding to each other, and at letting those reactions tell as much of the story as the dialogue they're speaking. It's been done before, and will be again — officially and in everything else that's taken cues from the original Swedish series — but here and now, this series works as grippingly and movingly as it does because of its stars. No one can look away as they brush their teeth, share long looks and fling all manner of words at each other. They don't want to themselves, and neither do we. Check out the trailer below: The first two episodes of Scenes From a Marriage are available to stream via Binge, with new instalments dropping weekly. Images: Jojo Whilden/HBO.
Need a way to keep cool over summer? Swap the beach for epic waterslides and huge inflatable pools at Australia's first mobile waterpark, Waterworld Central Sydney. The family-friendly affair will be taking over Moore Park's Entertainment Quarter for two months, so, as the mercury rises, you and your kids can get your thrills — and stay chilled. Race your mates on the multilane Epic Racer slide, go on an 80-metre water tubing ride or test your courage on the brand new Wave Slide. You can also splash about in one of the many enormous inflatable pools and see what it's like to walk on water by taking a spin on the giant zorb cylinder. Open daily from December 28 right through till January 26 (except New Year's Day), Waterworld Central will ensure you have plenty of outdoor aqua adventures this summer — no matter your age. Of course, there's the global pandemic to be mindful of, so pre-booking tickets is encouraged. Waterworld Central will be open daily from 10am–4pm from December 28–January 26, but will be closed New Year's Day. To pre-book your tickets, head here.
Do you remember when you lost at something as a kid and your parents told you that it didn't matter? "Winning isn't everything" and "It isn't winning that matters, it is about taking part" were lines bandied around regularly by our mums and dads in order to shelter us from the truth: winning does matter. Who wants to be Buzz Aldrin when you can be Neil Armstrong? Nothing wants to come second, especially nations. Global politics is the most competitive arena on this planet. It has led to world wars and bloody competition for resources. Thankfully, though, the world can now sleep easy as the peacemakers over at Doghouse Diaries have created a light-hearted infographic titled What Each Country Leads The World In that allows every country to be a winner. Whilst some titles will be unwanted, including Ethiopia leading the way in employing children and Yemen's crowning as the ruler of the gender gap, some will be celebrated. Norway can enjoy its position atop the summit of democracy and Ireland can bask in its quality of life. Of course, the best discoveries are the statistics that appear tongue-in-cheek. Greenland leads the way in personal space and my favourite, Antarctica has the most penguins. Explore the world in our gallery below and be surprised at what many countries lead the world in. Via Fast Co.Create.
Image: "The Kiss" by Pablo Picasso in the Art Gallery of New South Wales in Sydney. REUTERS/David Gray The Art Gallery of New South Wales is among six Australian galleries to share their collections with the online community via Google Art Project. The project, launched last year, allows art enthusiasts to view the great artistic works of the world, all from the convenience of their computer screen. The Art Gallery of NSW has now launched 415 of its most notable works, including a wide sampling drawn from every aspect of its collection. Included are works from the gallery's Australian, Indigenous, Asian and European collections. All of the pieces are featured in incredible high-resolution detail, revealing brushwork and other elements that are undetectable by the naked eye. 250 of these works are accessible through the website's 3D gallery walkthrough. "To think," says Anne Flanagan, acting direction of the Art Gallery of NSW, "that while a person here at the Gallery is viewing a work, someone else, anywhere in the world, can also be viewing the same work with such crystal-clear definition." Other participating Australian galleries include the National Gallery of Australia, the Museum of Contemporary Art, the National Gallery of Victoria, the Melbourne Museum, and Griffith University's Rock Art Research Centre. They have joined the efforts of 151 cultural institutions in 40 countries, under Google, to transform the art-viewing process, and to make fine art universally accessible.
How do you capture the essence of a pub in a drink? How do you make sipping a cocktail conjure up the feeling of hanging out in a hotel's front bar, with your feet almost glued to the carpet and the unmistakable smell of beer in the air? How do you whip up a spirit that pays tribute to an iconic Australian watering hole that's closing in on a century and a half of pouring beverages, too? These are the questions that Four Pillars is answering with its Sticky Carpet Gin. This tipple dates back to 2018, when it arrived as a boozy ode to the legendary haunt that is The Espy in St Kilda in Melbourne. First, you could only try it in cocktails at the pub it was inspired by. Then, it became available by the bottle in 2019, but only as a limited release. Now, Four Pillars has brought it back — and also given it some tinkering. The Healesville distillery had one aim from the outset with its Sticky Carpet Gin: capturing the spirit of a venue that's meant many different things to different people for many, many years. Four Pillars co-founder and distiller Cameron Mackenzie's first effort was such a success that it's become the gin that more folks request to be brought back than any other of the brand's gin. Start saying cheers to Sticky Carpet Gin again, then, given that it's back in Four Pillars' online store now. The new version of the tipple still wants to give everyone that's sipping it an unmistakable pub feel. This time, however, Mackenzie has swapped out roasted dark stout for using Little Creatures Pale Ale in the gin's base. The beer goes into the still with juniper, coriander, barley, cassia, macadamia nuts, orris root, lemon myrtle, honey, lavender, ginger and lemon peel, plus the base spirit. Also, hops hang in a bag over it to extract the aromatics. "The Little Creatures brewers have made a beer that is the benchmark for American-style pale ale, with slightly tropical and resin-y flavours, like Sierra Nevada, my fave US beer," said Mackenzie. "In a way, this is the closest we've come to making a Jenever-style of gin. It's a dense canvas of resin-y juniper with deep brown spice notes. There's a chewy, malty hop character that hangs onto the macadamia nut and it's a touch fruity with bright citrus notes, too. As well as buying Sticky Carpet Gin online for your gin shrine or getting it from Four Pillars in-person — it retails at $88 for a 700-millilitre bottle — it's on offer at The Winery in Surry Hills in Sydney; both The Regatta and Riverland in Brisbane; Yarra Botanica, The Espy (of course) and Garden State Hotel in Melbourne; and the Claremont in Perth. The Espy is also hosting a free launch party on Wednesday, April 17 from 6pm, complete with free gin and tonics upon arrival. You'll need to nab a complimentary ticket to attend, however — and you'll catch live sets from Floodlights and Back Pocket as well. For those knocking it back at home, Four Pillars recommends using Sticky Carpet Gin in a new twist on the G&T called Sticky and Tonic, in a boozy pink lemonade spider, with cordial, or as part of a lemon, lime and bitters sour. Four Pillars Sticky Carpet Gin is available to purchase online, from Four Pillars in-person, and from select bars — head to the distillery's website for more details.
You may think you have a good handle on David Attenborough docos by now. He waltzes into an amazing natural landscape, dispels an extraordinary amount of knowledge on Everything in the Entire World, and promptly films something incredibly disgusting or depressingly ruthless. I think we're all still trying to forget that time he narrated hermaphroditic slug sex. Nevertheless, his latest venture is set to blow your mind all over again. Returning to Australia in November, this legendary, knighted filmmaker is filming his latest work in 3D at the Great Barrier Reef. Intended as a three-part series, Attenborough is excited about the possibilities of filming underwater in 3D. "People will think ‘for God’s sake not another program on the Barrier Reef. Haven’t we done enough?’ But underwater is a marvellous subject for 3D, I mean it really is absolutely breathtaking," he told The Herald Sun, sporting his trademark British charm. But honestly, we have no idea why Attenborough feels the need to convince us. While we've felt a little tired with the gimmick of 3D in recent years, this is the type of work the technology was made for. Attenborough won't be diving himself — give him a break, he's 88 years old — but he will be exploring the reef with the help of new underwater equipment that renders an incredibly high resolution. Though nothing has been released about the content of the series, Attenborough will more than likely be covering the political and environmental problems the reef has faced in recent times as well as its friendly fauna. It's a topic that has been in the news once again with #fightforthereef emerging on everyone's Twitter feeds earlier this year. Between global warming, the threat of coal ports in surrounding areas, and questionable preservation practices from the state and federal governments, the World Heritage listed site has faced a lot of problems in recent years. Documentary filming begins in November, but we won't know how far off the actual film is for months yet. Regardless, get ready to be transported directly to the heart of all your underwater Disney dreamlands. This is going to be well worth the IMAX money. Via The Herald Sun. Photo credits: ciamabue, stuandgravy, robdownunder, richard ling, richard ling via photopin cc.
