When your inner child is begging to be let out, you've got to turn the city into your giant playground. Whether you want thrills and spills or sugar rushes and showbags, there are many ways to embrace your childlike sensibilities in Sydney. You can marvel at sea creatures, get set with go karts or give your adrenal gland a workout on wet and wild waterslides in the west. Get ready to spoil your dinner and stay up way past bedtime — you'll soon find being a kid is a whole lot more fun now that you make the rules. BREAK YOUR FAST AT PANCAKES ON THE ROCKS Rise and shine and head to Pancakes on the Rocks for its beloved all-day brekkie menu and a nostalgia-filled start to your day. Settle in for one of its famous pancake stacks like the decadent chocolate peanut butter, sweet and sour lemon meringue or the nutty macadamia stack. Or, if you're after something simple yet satisfying, opt for a classic serve with ice cream and maple syrup. If variety is your thing, order an Aussie Sunrise which includes pancakes, bacon, eggs, fried banana and pineapple rings. There are also savoury options available if you're not in the mood for a sugar rush. [caption id="attachment_844751" align="alignnone" width="1920"] Felipe Bustillo via Unsplash[/caption] CATCH A MORNING MOVIE SESSION Nothing screams 'I'm on school holidays' like seeing a movie before midday. And HOYTS at the Entertainment Quarter is the ideal spot to have a morning cinematic experience. Catch the hottest new releases at the Xtremescreen or book in for a blockbuster on the LED Samsung Onyx screen to get lost in a deeply immersive viewing experience — it's the first LED cinema screen in NSW. Not sure what to watch? This'll help. [caption id="attachment_762120" align="alignnone" width="1920"] Sea Life Sydney[/caption] DIVE DEEP INTO SEA LIFE Been a while since you hit up SEA LIFE aquarium in Darling Harbour? Even when you're all grown up, an up-close view of the wonders of the ocean never gets old. Stop in and meet nature's marvellous sea cow, Pig the Dugong, take a boat ride to slide up next to penguins, or explore the famous underwater tunnels where you can watch sharks and wobbegongs float on by. You can also learn about the conservation projects underway, get up close in the rockpool touch tank or just marvel at your favourite undersea pals like serene turtles, gliding rays and bright tropical fish. SPEND THE AFTERNOON GETTING TOPSY TURVY The House Down Under describes itself as "Australia's first inverted house photo experience", which is, well, exactly what it sounds like. Yep, just a perfectly normal house that's completely upside down. Each room is flipped on its head (with all furniture secured, of course), chairs above you, roof below. The whole house is a surreal, Alice in Wonderland-type topsy-turvy experience. Experience it for yourself and snap the most disorienting selfie of your life as you stand on the ceiling and reach up to the living room floor. GET YOUR HEART RACING Speed around Australia's largest indoor go-kart circuit at Hyper Karting at the Entertainment Quarter. Here you'll find a heart-pumping 410-metre track with an environmentally friendly difference. These German-made electric karts not only offer great handling and a smooth ride, they also have higher acceleration than your standard kart meaning you can go faster with a quieter and cleaner vehicle. You can book in for as many 15-minute racing slots as you like, but it's recommended you take a little break in between laps so you can hit the track again in top form. Got a whole swag of mates who want to lean into their childhood? You can book the whole 16-place race for your crew and see who really has the need for speed. GET WET AND WILD AT RAGING WATERS Grab a pass for the day — or the full season — and make a splash at this 25-hectare water park in Western Sydney. Battle white water as you spin and whirl through rushing channels on a whole bunch of thrilling slides. Cool off with high-speed plunges and twists and turns in the enclosed Aqua Tube, hurtle at 60 kilometres per hour on the 260Rush, swing back and forth through tidal waves on T5 or race your mates on the H2Go Racers. When you need to refuel, pick up pizza or grab a salad for lunch to enjoy on the man-made beach before hitting the slides one more time before heading home. STRIKE THE NIGHT Strike at the Entertainment Quarter is a cut above the bowling alleys of your childhood. Seven days a week, this joint buzzes with eight neon-lit lanes, killer tunes and a full bar — one of the perks of going bowling as an adult. Kick back between bowls with a beer or cocktail — there's everything from margs to espresso martinis on offer — or tuck into the tasty food like the smoked beetroot rueben or the beef brisket sando. If bowling isn't enough, enjoy the thrill of the chase in the on-site 30-person laser tag arena or retreat to a private karaoke room to unleash your secret stage persona. TRY YOUR LUCK AT B LUCKY AND SONS B Lucky and Sons is the throwback arcade of your dreams. Your game card is your ticket to fun, so load it up with credits and get ready to be drenched in nostalgia in no time. The arcade has everything from Mario Kart and Space Invaders to basketball hoops and electronic dance games to keep you entertained. Whether you want to hustle to win or simply play for fun, you can test your fortune and, if you're lucky, maybe walk away with a winning prize. Whatever your approach, you can head to the bar to celebrate your wins (or losses) with your mates afterwards. LOSE YOURSELF AT LUNA PARK Remember how it felt visiting a carnival as a kid? The excitement of the rides, the roving entertainers and the intoxicating scent of sugar and fried food wafting throughout the grounds. You can relive all that — and also enjoy the on-site wine bar — at Luna Park. If the last time you visited you were a kid, there's a good chance you're now tall enough to go on the rides you missed out on last time like the Big Dipper, Sledgehammer and the 50-metre drop on the Hair Raiser. Challenge your G-force limits in the Rotor or seek some classic thrills in the wooden Wild Mouse coaster. Check out the mirror maze, fun house and slides at Coney Island, test your skills at the sideshow games and grab a showbag for a token of your trip down memory lane. Ready to relive your childhood? For more information on the Entertainment Quarter and its incredible offering of activities, visit the website.
Along with washing your hands, social distancing and staying home if you're feeling unwell, we've all heard plenty about spending more time outdoors during the pandemic. In the City of Sydney, that notion was the catalyst for a new al fresco dining scheme, which aims to give bars, restaurants and cafes some extra space to play with while still working within COVID-19 capacity guidelines. And, over summer, the economy-boosting tactic has unsurprisingly proven popular. Enjoying a bite to eat and a few drinks while soaking in the fresh air might be a perfect warm weather activity, but the inner city's shift towards outdoor dining isn't going anywhere for the time being. Recognising the concept's success, the City of Sydney has just announced $5.7 million in extra funding for the initiative, which includes waiving al fresco permit fees until June 2022. $3.5 million of the newly pledged cash will be allocated to fee waivers, which will help expand the already hefty number of places that have made the leap to outdoor dining. Since the program launched in December 2020, 204 permits have been issued, including 116 al fresco dining spaces on footpaths and 52 on roadways. In total, 2690 square metres of outdoor dining space has been approved so far. "Waiving outdoor dining fees was one of the first things we did when the pandemic hit Sydney, to make it easier for restaurants, bars and cafes to operate while encouraging physical distancing," said Lord Mayor Clover Moore. "People have really embraced it, with participating businesses telling us they've taken on extra staff and seen increased patronage — a crucial aid to staying afloat in these difficult times." In its quest to help reactivate the CBD by making it easier than ever for venues to offer outdoor dining, late-night trading and live music, the City of Sydney will also put $2.2 million towards inner city events and activations — so you'll more to do than just eat and sip. The NSW Government has also allocated another $20 million towards its CBD Revitalisation program, with NSW Treasurer Dominic Perrottet advising that it'll be focused on getting folks back into the city, "whether that's working or shopping or coming in for entertainment and dining." "This initiative means venues can apply to transform car parking space into outdoor dining and some venues may request more footpath space to attract customers," said NSW Minister for Finance and Small Business Damien Tudehope. "It is about greater certainty and opening up more capacity for venues so they can continue to host guests and serve top-notch food and drinks." To achieve this al fresco goal CBD-wide, the government bodies have been working together to cut red tape for businesses to easily reclaim outdoor space. That led to an initial wave of al fresco dining spaces in The Rocks, before spreading CBD-wide. In response to the changes, 90 percent of restaurants and cafes taking part in the program told the City of Sydney that al fresco dining was beneficial or crucial to their business. Forty percent increased their staff hours by 10 hours or more per week as a result, 45 percent employed at least two more staff members a week, and 58 percent have seen their turnover increase up to ten percent. Committing to outdoor dining in a big way, the City of Sydney is also set to further extend George Street's car-free zone, spreading the vehicle-free area across its entire run between Town Hall and Railway Square. For more information about the increased funding for the al fresco dining plan, head to the City of Sydney website. Images: Jes Lindsay
HAM is an acronym for Harry and Mario, the two brothers who opened this deli-cafe together when they were in their early twenties. This family heritage carries through to both the atmosphere and the menu of this charming brunch spot. HAM showcases the Greek heritage of the two founding brothers, which makes even more sense considering their mother still works in the kitchen, and their father sources fresh produce from the markets. Classic and comforting dine-in dishes include spanakopita, moussaka and pastitsio, while the deli offers an enticing selection of cheeses and cold meats to take home. It's not all greek food though. You'll also find toasties, nourish bowls, egg dishes and its famed apple granola that has been on the menu for over a decade. Both brothers are trained baristas, too. So, you can expect these caffeine aficionados to serve you top-notch coffee. Image: Cassandra Hannagan
By now, we all know that plenty of streaming platforms are constantly vying for our eyeballs. We know that those services boast always-expanding catalogues of movies and TV shows, too. And, we're well aware that picking what to watch when you're settling down on the couch is rarely a simple exercise. So, while the fact that Australia's latest streaming service features 20,000 episodes and films is definitely great news, it won't simplify your viewing choices anytime soon. Australians now have another streamer to choose from, with new streaming service Paramount+ launching on Wednesday, August 11. The platform actually rebrands the existing 10 All Access streaming service, with parent company Viacom CBS Australia and New Zealand bringing it into line with the global Paramount+ subscription offering that launched in America in March this year. Paramount+'s big drawcard? Its library of titles from Paramount Pictures — obviously — as well as from Showtime, CBS, BET Comedy Central, MTV, Nickelodeon, the Smithsonian Channel and Sony Pictures Television. So, if you're the kind of viewer that loves rewatching your favourite flicks, you'll be able to head to the service to stream movies from the Harry Potter, Lord of the Rings, The Godfather, Mission: Impossible, Indiana Jones, Transformers, Jackass, Batman and Dark Knight Trilogy franchises. Plus, the likes of Austin Powers in Goldmember, Austin Powers: The Spy Who Shagged Me, Grease and Good Will Hunting will also be available on the service, all as part of the $8.99 per month subscription fee. On the TV front, existing series like The Good Fight, The Twilight Zone, Why Women Kill, Charmed and SpongeBob SquarePants will find a new home. Paramount+ is also betting big on new television shows being a big drawcard, so you can expect to add a heap of titles to your must-watch list — including revenge-fuelled miniseries Two Weeks To Live, starring Game of Thrones' Maisie Williams; Leonardo, a historical drama about Leonardo da Vinci; and Anne Boleyn, with Jodie Turner-Smith (Queen & Slim) as the titular figure. If you're feeling nostalgic, there's also the revival of Nickelodeon's iCarly, following the characters now they're adults; the return of Rugrats, this time with computer-generated animation; and Kamp Koral: SpongeBob's Under Years, which gives everyone's favourite absorbent, yellow and porous character an origin story. New Mark Wahlberg-starring movie Infinite, which sees him play a man haunted by memories of a life he didn't live, also launches in Australia with the service — and as does new seasons of Five Bedrooms, Why Women Kill and Evil. And, before August is out, you'll be able to stream the Nancy Drew TV series, the latest season of In the Dark, all of Ziwe and Coyote, six-part satire The Bite and horror anthology Monsterland as well. Down the track, Paramount+ will also be home to the new Dexter revival; the Chiwetel Ejiofor (The Old Guard)-starring TV adaptation of The Man Who Fell to Earth; The First Lady, which sees Viola Davis (Ma Rainey's Black Bottom) play Michelle Obama; and page-to-screen adaptation The Luminaries. New Australian drama Last King of The Cross is also destined for the platform, as are Melbourne-shot comedy Spreadsheet and coming-of-age feature film 6 Festivals. The list goes on, including spy drama Lioness, a TV adaptation of video game Halo and The Offer, a scripted drama about on the making of The Godfather. Paramount+ is available in Australia from Wednesday, August 11, rebranding the existing 10 All Access streaming platform, with subscriptions costing $8.99. For further information, head to the Paramount+ website.
Every hotel tries to offer visitors a home away from home. At Melbourne's new luxe spot, however, that's the entire concept. Opening in June, United Places endeavours to blend the best of both — a hotel and a home — across its 12 roomy suites. And, like everyone's dream house, it also features plenty of greenery. The rampant plant life comes courtesy of United Places' location, situated opposite the Royal Botanic Gardens in South Yarra. As well as views over the parklands, the hotel's three two-bedroom suites boast city vantages from their sunken bathtubs. Nine one-bedroom suites will also be available. Further ramping up the comfort, United Places will provide personalised butler service 24 hours a day, plus curated in-room breakfasts by chef Scott Pickett (Estrelle, Saint Crispin). Daily hampers will stem from onsite restaurant Matilda, Pickett's latest venture, which'll focus on open fire and hot coals. While it'll be open to the public for lunch and dinner seven days a week, and for weekend brunch as well, the eatery will also give hotel guests priority seating. Design-wise, architects and interior designers Carr Design Group have opted for velvet drapes, hardwood floors and charcoal bathroom pods, with each suite also featuring a kitchen and terrace. And as a striking focal point upon entry, artist Laura Woodward has created a specially commissioned piece for United Places' foyer, playing with water, light and movement and interacts against the hotel's monochromatic hallways. If all of the above sounds particularly luxurious, that's the entire point. Unsurprisingly, it also comes with a hefty price tag, with rooms starting at $650 per night. Find United Places Botanic Gardens at 157-159 Domain Road, South Yarra from June. Keep an eye on the hotel's website and Instagram feed for further details. Image: Moritz Marquardt via Flickr.
Situated in Haberfield, a suburb of Sydney's inner west that locals like to call their own 'Little Italy', sits an IGA that is not your average supermarket. The air smells of prosciutto and gorgonzola and more often than not, you'll hear Italian being spoken rather than English when eavesdropping on customers ordering with the deli staff. Some of the tastiest mortadella and some of the largest jars of grilled eggplant call Lamonica IGA home, along with aisles of authentic Italian sauces, pastas and other authentic antipasto goods. The line of people clutching ticket stubs at the deli's glass cabinets is also a testament to how right Lamonica IGA gets it. Its expansive cheese selection is matched by an expansive cured meats selection and an expansive antipasti selection. It also won't cost you a pretty penny, Lamonica IGA is cheap as chips compared to other cheese shops and delicatessens, so you can really go ham on your charcuterie board when shopping here. Images: Top image by Federico Arnaboldi, body image by Arthouse Studio
When it was announced in April last year that German supermarket giant Kaufland was expanding to Australia, it was surprising news. Now, almost a year later, the chain has made an announcement that's even more surprising: it's not expanding to Australia. In a total 180, Kaufland today revealed to the public and its 200 local employees that it would make an "orderly withdrawal" from the Australian market. The reasons for why it has decided to pull the plug on Australia are still a bit vague, with a short statement merely saying that the company wants to concentrate on its "European core markets in the foreseeable future". The withdraw won't be so simple, either. With plans to open a slew of stores across Australian — including 14 in Victoria and three in Queensland — Kaufland has already purchased numerous properties and even, according to The Sydney Morning Herald, started construction on a store in Adelaide and a huge 115,000-square-metre distribution centre in Melbourne. The Australian reports that the company has already spent hundreds of millions of dollars here. In the statement, acting CEO Frank Schumann apologised for the "disruption" the decision will cause. Launched in 1984 and now with 1200 European stores to its name, Kaufland is owned by the Schwarz Group — the world's fourth largest retailer. The chain is big in Germany and parts of Eastern Europe, but this was set to be its first foray into a Pacific market as an alternative to Aldi. The withdrawal has shocked the retail sector — and while it might be good news to Woolworths and Coles, it certainly doesn't reflect well on the current state of the Australian retail market.
Every suburb needs a bistro. Not just the Australian bistro found inside pubs, but a neighbourhood restaurant, serving simple French-inspired food. The kind of place where people can rest their arms on white tablecloths, drink French wine and sink their spoons into souffles. The 'go-to' restaurant to suit any occasion and welcome you with open arms. And most importantly, it should be as comfortable as your own home. Macleay St Bistro in Potts Point is the essence of the neighbourhood restaurant. It's been open for nearly 30 years and is still going strong thanks to new owners (and Potts Point locals) Mark Campbell and Phillip Fikkers. Walking inside from the bustling Macleay Street, it feels as though you're entering someone's home. The lighting has a warming glow with the mood casual. Diners sit fairly close to each other and there's a calming hum coming from the kitchen while waiters are darting around tending to guests. The menu is short and straight to the point. The rock oysters with eschallot and champagne vinaigrette ($4 each) and the half-shell scallops with saffron chive and caper butter ($5 each) are a promising start. The accompaniments don't steal the thunder from the headline acts of oysters and scallops, which are incredibly fresh. The special of fried lamb's brains with celeriac pepperade ($18) is excellent. The crispy batter acts as the perfect coat for the soft brains, which had a similar consistency to the inside of a croquette. Combined with the celeriac sauce, it is magic. The organic grass-fed eye fillet with wilted silverbeet and sauce soubise ($38) was enjoyable but promised so much more. The steak lacked a touch of seasoning but this was saved by the beautifully rich sauce. To finish, the hazelnut mille feuille with coffee anglais ($15) reminded me of a dessert sandwich. Delicate cream was sandwiched by crunchy sheets of rich pastry and rested on a sauce with a hint of coffee. Instead of tasting an intense espresso, the mille feuille harmonised flavours of hazelnut and coffee with the rich cream and pastry. Although none of the dishes we tasted had the three-hat knockout punch, Macleay St Bistro consistently exceeds expectations in every department. The food, the service and the ambience make for an enjoyable evening.
If you'd like to explore Sydney a little differently, check out the small-group food and drink experiences by award-winning tour company Local Sauce Tours. Hop your way down Oxford Street's colourful haunts accompanied by a drag queen or discover the authentic Italian delis and restaurants of Five Dock. The tours have a maximum of 12 guests and no minimum number — great if you're travelling solo and want to get to know Sydney like a local. The guides blend the food and drink experiences with engaging stories of the city's history, culture, nightlife and art. One of the top experiences is the Secret Bar Crawl through YCK Laneways which takes place every Tuesday night. The guides weave stories of the neighbourhood while visiting the top-notch small bars that populate the precinct. Images: Justin Steele
In Never Did Me Any Harm, Sydney Theatre Company has collaborated with Force Majeure dance company to create a challenging conversation piece about contemporary family life. Director Kate Champion combines contemporary dance, spoken word, physical theatre and the common vernacular to challenge the idea that parents instinctively know best, or that parenting is simply a natural instinct. Taking Christos Tsiolkas’ controversial novel The Slap as its inspiration, Never Did Me Any Harm uses the stage at Wharf 1 to recreate a 'typical' suburban backyard. Through theatricalised gestures, seven performers transform the audio text recorded over 90 interviews into a feat of physicality that is fiercely immediate and confronting. Does it sound a bit heavy? Rest assured, it isn't. Kate Champion deftly offsets the more depressing vignettes with domestic slapstick and cleverly avoids taking sides by having all the performers play both children and parents. Each disconnected narrative is drawn together by the familiar thread of domestic experience, making you wonder if middle-class Australia will forever be wound up about the 'correct' way to raise children. The diverse stories are alternately painful and amusing, infuriating and touching. One of the performers is heavily pregnant, and it's hard not to wince when she dives into a break-dance tumble routine; however, she's fine, and the fact that she's so conspicuously 'with child' merely adds to the authenticity of the performance and its insistent faithfulness to real-life experience. It's hard to describe something like Never Did Me Any Harm without sounding over-earnest, because the subject matter itself is so intense. But this is candid, controversial and very clever theatre. It explores corporal punishment, the pros and cons of breastfeeding, teenage girls gone feral and the realities of raising a child with a disability, and, unlike the TV mini series of The Slap, doesn’t star Melissa George. Go and see it this week — it certainly won't do you any harm.
Sydney's annual Gay and Lesbian Mardi Gras has sparked many a trip to the Harbour City. In recent years, it has also inspired themed flights to the New South Wales capital from New Zealand, Brisbane and Melbourne to enjoy the festivities. Partying in the sky on a pride flight on the way to Sydney's biggest pride party? That's a must for the diary. In 2023, however, all those mid-air shenanigans are levelling up. Next year, Sydney will host WorldPride, marking the huge LGBTQIA+ celebration's first-ever stint in the Southern Hemisphere. The plans for the event are massive — Kylie Minogue headlining the opening concert-level massive. And both Virgin and Qantas want to fly you there to enjoy everything from rainbows aplenty all around the city to a closing gig led by MUNA and G Flip. For Virgin, the pride flights will run for the third year, after first kicking off from Brisbane in 2021, then expanding to Melbourne in 2022. And, they'll add new departure points, letting folks from Adelaide and Perth also hop onboard — and running the airline's first-ever pride flight from the US to Australia, as flown by United Airlines, leaving from San Francisco. Tickets for Virgin's one-way pride trips are on sale now, and will include more than 1000 seats across five flights. From Australia, the flights depart on Friday, February 24, while the US service will leave on Wednesday, February 22 but touch down Down Under on Friday, February 24. The Aussie services will be hosted by RuPaul's Drag Race Down Under stars Coco Jumbo, Karen From Finance, Kween Kong and Maxi Shield, as well as top Australian drag talent like Barbie Q, Penny Tration, Philmah Bocks, Sexy Galexy and Tora Hymen. And, they'll include a pre-flight departure party featuring entertainment by local LGBTQIA+ venues (such as Fluffy, Sircuit, Mary's Poppin' and Connections Nightclub), alongside those mid-air drag performances, DJs and dancing — and bottomless beverages — while you're cruising at 30,000-plus feet There's also a pride flight landing party, too, taking place from 4.30–8.30pm on the Friday at The Beresford. It includes complimentary drinks and entertainment, and is covered by the pride flight tickets. And, $30 from the sale of each ticket will be donated to Australian charity Minus18, which works to improve the lives of LGBTQIA+ youth. For Qantas, you'll be soaring in from Los Angeles, because that's where the airline's first-ever pride flight is departing from. The Qantas WorldPride Flight will also take off on Wednesday, February 22, and will feature Joel Creasey as host. On this US–Australia trip, there'll be live inflight entertainment, food by chef Neil Perry (who is also Qantas' Director of Food, Beverage and Service), and free limited-edition 'rainbow roo' Qantas pyjamas that've been designed specifically for the flight. And, your Qantas ticket will also include general admission to the Live and Proud: Sydney WorldPride Opening Concert, where none other than Ms Minogue will take to the stage — a gig that's virtually sold-out otherwise. The one caveat on all of the above: passengers will have to organise their own far less glitter-filled flight home following the weekend's celebrations. Tickets for Virgin's past flights have always been snapped up quickly, so it's likely this batch from both airlines will do the same. And if you're a Sydneysider wanting to experience the one-way flights, you can always head to Brisbane, Melbourne, Perth, Adelaide, San Francisco or LA prior if that suits your plans, then use the pride services to return home. Virgin Australia's pride flights will fly from Brisbane, Melbourne, Perth and Adelaide to Sydney on Friday, February 24, while its San Francisco–Sydney flight will depart on Wednesday, February 22. Tickets are on sale now from the Virgin Australia website. Qantas' pride flight will take off on Wednesday, February 22, flying from Los Angeles to Sydney. Tickets are also on sale now via the Qantas website. Sydney WorldPride will run from February 17–March 5, 2023. For more information, head to the event's website. Thinking about attending Sydney WorldPride? Check out Concrete Playground Trips' Sydney WorldPride package. It includes tickets to the Domain Dance Party and Live and Proud: Opening Concert, plus three nights at the PARKROYAL Darling Harbour Sydney.
At beachside hotspot Coogee Pavilion, the final piece of the puzzle has just clicked into place — and it's a big one. Five years in the making, the middle level of this historic building has finally been unveiled today, Friday, January 17, joining the multi-faceted ground-floor offering and much-loved Coogee Pavilion Rooftop. The hotly-anticipated Coogee Pavilion Middle Floor is actually home to three distinct venues — cocktail bar Will's, restaurant Mimi's, and a wine and tapas bar by the name of Una Más — combining to mark one of Merivale's most ambitious projects yet. While each venue has its own personality and design DNA, the whole level is an homage to the idyllic coastal location and is guided by the same Australian-accented take on modern Mediterranean cuisine. Executive Chef Jordan Toft (Bert's, Bar Topa) has taken the reins for this lot of newcomers, just as he's helmed the rest of the building's food offerings over the years. [caption id="attachment_757979" align="alignnone" width="1920"] Steven Woodburn[/caption] Boasting sweeping ocean views through its large arched windows, Mimi's pairs drops off a 600-strong wine list heroing the French wine growing region of Chablis with fresh seafood, top-quality meats and market-fresh vegetables grilled on the kitchen's josper. Don't expect any foams, gels or smokes here — Mimi's is all about letting the produce shine. Abrolhos scallops are steamed and served with summer fennel, black abalone is barbecued and skewered, and fresh peaches bathed in caramel vinegar and shiso. Larger dishes include spanner crab with preserved lemon mayo; a decadent hand-rolled pasta with pipis, sea urchin bottarga and warrigal greens; and asnapper tartare with finger lime. And, for even fancier occasions, the Mimi's Selects menu offers bumps of caviar, frozen vodka, Queensland mud crab and suckling pig. Luxe. Accompanying cocktail bar Will's exudes European charm with a lineup of Italian coastline-inspired cocktails created by two star bartenders: Luke Ashton (This Must Be the Place) and Ben Wainwright (Bert's, Charlie Parker's). Make your way through the likes of The High Tide (with peach and limoncello), the Bella Bella (nectarine, lemon myrtle and macadamia) and Greenleaf (rosemary and ruby grapefruit) or go classic with a Willy's martini or Mimi's margarita. [caption id="attachment_757975" align="alignnone" width="1920"] Steven Woodburn[/caption] Wine and tapas bar Una Más is the lively, playful sibling, where you'll happily spend a session straight off the beach. Fresh and fun, it's designed to be a modern locals' haunt, offering an approachable menu spiked with both Spanish and Australian influences. Snack on anchovies, charcuterie, octopus with fermented chilli and cauliflower with sheep's milk — then end with Catalan cream with passion fruit. To drink, there's a short list of wine, classic cocktail, sherry and vermouth on offer. It's meant to be a rainy weekend, so swap your beach visit for a day eating and drinking on Coogee Pav's middle level instead. Mimi's, Will's and Una Más are now open on the middle level of Coogee Pavilion, 169 Dolphin Street, Coogee. Mimi's is open from 6.30–10pm daily and 12–3pm Monday–Thursday, and 12–3.30pm Friday–Sunday. Will's and Una Mas are open 12pm–midnight Sunday–Thursday and 12pm–2am Friday–Saturday. Images: Steven Woodburn
Throughout 2021, Marvel and Disney+ have been showering viewers with new TV series, all featuring characters we all know and love from the Marvel Cinematic Universe. So, you've probably watched Loki get up to his trickster antics in Loki, and seen The Falcon and The Winter Soldier team up in The Falcon and The Winter Soldier. And, you likely now have Hawkeye's next adventures in the upcoming Hawkeye on your radar as well. Yes, these MCU streaming series couldn't have more straightforward names. Yes, Marvel has now turned watching TV into big-screen homework, given that its movie franchise keeps hitting cinemas (thanks to Black Widow and Shang Chi and the Legend of the Ten Rings already this year, and with Eternals and Spider-Man: No Way Home still to come before 2021 is out). And yes, the first of these new MCU Disney+ shows finally made everyone take notice of the always-great Kathryn Hahn, who stole every scene she was in each and every time she popped up in WandaVision. Obviously, WandaVision was about Marvel characters Wanda and Vision, with Avengers: Endgame's Elizabeth Olsen and Paul Bettany reprising their roles. But Hahn also played a significant part as neighbour-slash-witch Agatha Harkness, even nabbing an Emmy nomination for her efforts. So, because she was such a fan favourite, she's now getting her own show. Variety reports that the series will be a dark comedy about Agatha, starring Hahn; however, details beyond that are currently under wraps. But the character has a considerable history, only some of which WandaVision dived into. In comic books, she's been around since the 70s — and, story-wise, her tale dates back to the Salem witch trials. The news — and the world's reaction to the glorious Hahn — won't come as a surprise if you've been watching the exceptional actor throughout her pre-Marvel career. She stole scenes in Parks and Recreation, Transparent and I Know This Much Is True as well, and made an impact in movies as varied as Revolutionary Road, Our Idiot Brother and the Bad Moms flicks. And, she's also exceptional in Netflix film Private Life as well. Exactly when Marvel and Disney+'s Hahn-led Agatha Harkness spinoff will arrive hasn't been revealed. But, you can get the Emmy-winning 'Agatha All Along' tune stuck in your head again now until more news drops: WandaVision is currently available to stream via Disney+. When Marvel and Disney+'s Agatha Harkness spinoff will drop hasn't yet been revealed — we'll update you when more information is announced. Via Variety. Image: Suzanne Tenner, Marvel Studios.
If you live Down Under, winter is still coming for 2022 — but your next excuse to indulge your Game of Thrones love is already here. You will need to pack your suitcases and head to Northern Ireland, however, and also be mighty pleased that visiting the new GoT studio tour doesn't involve sailing by ship, walking for months or using other forms of transport from the fictional Seven Kingdoms. First announced in 2018, the Game of Thrones Studio Tour at Linen Mill Studios started welcoming in eager GoT fans at the beginning of February 2022 — and it boasts plenty to get excited about. And yes, while you're waiting for prequel series House of the Dragon to arrive later this year, and still biding your time wondering when author George RR Martin's The Winds of Winter will finally hit shelves, this'll help tide you over. Get ready to add Winterfell, The Wall, King's Landing and Dragonstone to your next holiday itinerary, and to peer at the Iron Throne as well, because that's all part of the new tour. Visitors are able to step inside the Great Hall, which is where Jon Snow was proclaimed the King in the North; see Daenerys Targaryen's Dragonstone throne; and also check out an array of props, weaponry, armoury, costumes, make-up and prosthetics from the show. Much of the series was filmed in Northern Ireland, hence the tour — which marks the first time that HBO has opened up the sets and sites to the public. Now rebadged as a tourist site, the GoT sets span across a hefty 110,000-square-feet location in in Banbridge. Basically, if you've ever dreamed about walking around Westeros, this is your chance. The tour has been dubbed an 'interactive experience', which covers wandering through fully dressed sets, reliving moments from the series and standing exactly where many of the show's standout scenes took place. Also part of the immersive attraction: learning more about the skills and craft behind the program that helped make it such a hit. And, there are also art files, models and other production materials in display, plus accompanying digital content and interactive materials highlighting GoT's digital effects. If it sounds huge, that's because it is. The whole setup comprises the largest authentic public display of Game of Thrones artifacts in the world — and is bound to make fans happier than Arya Stark crossing a name off of her infamous list. The Game of Thrones Studio Tour is now open at Linen Mill Studios, The Boulevard, Banbridge, Northern Ireland. For more information or to buy tickets, head to the tour's website.
Surry Hills favourite Harry's is teaming up with Indigenous-owned social enterprise House of Darwin for a series of NAIDOC Week events from Sunday, July 3 until Sunday, July 10. Through its clothing lines and collaborations, House of Darwin raises money to support social programs in remote First Nations communities including workshops and the restoration of basketball courts in the Northern Territory. Across eight days, patrons will be able to sample selections from Harry's special food and drink menu, which puts an emphasis on native Australian ingredients. The menu includes drinks such as the Wiradjuri Sour made with Archie Rose vodka, quandong, rosella, rhubi and rose water; and the Murri G&T which adds native bergamot to your classic gin and tonic. For snacks there are wattleseed corn ribs and a kangaroo burger topped with plum and chilli relish. These menu items will be raising money for House of Darwin throughout the week, alongside a limited-edition T-shirt designed by Northern Territory artist Luna Tunes. The design is a nod to the Rock Against Racism concert that toured Australia more than 30 years ago. "We've decided to pay homage to those who have laid the foundation of reconciliation in the 80s. A run of concerts occurred around Australia under the banner of 'Rock Against Racism' which were aligned with Australia's bicentenary celebration in 1988," House of Darwin's Shaun Edwards said. "This inspired a bus load of Territorians to hit the road bound for Sydney in search of a brighter future for First Nations people across the nation." Finally, on Thursday, July 7, Harry's and Heaps Decent are hosting a First Nations music showcase. Entry to the mid-week party is free with a gold coin donation. The lineup of artists will feature Willy J, The Chaza, OLZ and Princess Atlantis, Dylan Voller and For Life. View this post on Instagram A post shared by Harry's (@harpoon_harry) Top image: Nikki To
With Winter's Bone, Debra Granik directed one of the undoubted film highlights of 2010. More than that, she directed the haunting drama to four Oscar nominations, earned herself a nod for Best Adapted Screenplay, and helped put Jennifer Lawrence on the path to superstardom. And yet, it still took eight years for the masterly filmmaker to helm her next fictional feature — eight years where her empathetic perspective could've been brightening up cinemas. Blame the difficulties faced by female directors, projects falling by the wayside or the vagaries of fate; whichever you choose, the big screen has sorely missed her work. It's not just that Granik makes movies about American life on the margins, as her 2014 documentary Stray Dog also illustrates. What sets her films apart is her probing yet compassionate approach, not only spinning stories about struggling folks striving to get by, but ensuring that her pictures feel humane and authentic above all else. They're traits that are much more rare in today's blockbuster-heavy cinema realm than they really should be, and they help Granik's gentle, thoughtful work soar. While that was evident in Winter's Bone, it's even more apparent in Leave No Trace, an equally tender and devastating father-and-daughter effort that's handled with supreme sensitivity, shot with unwavering kindness and, as a result, proves one of the best movies of this year. Adapted by Granik and her Winter's Bone co-scribe Anne Rosellini from Peter Rock's novel My Abandonment, Leave No Trace takes its title from what might as well be military veteran Will (Ben Foster) and teenager Tom's (Thomasin Harcourt McKenzie) unspoken motto. Living well off the grid in an Oregon forest, their entire existence relies upon not being spotted. And, as long as they're able to enjoy their lives in the manner that they prefer, they're happy hiding out and keeping things simple. The local authorities soon have other plans, busting up their modest camp, arresting Will and forcing the pair to re-integrate into society. To her own surprise, Tom warms to more traditional confines, but her PTSD-afflicted dad can only stomach mod cons and social worker check-ups for so long. Where Winter's Bone coiled a coming-of-age tale around a bleak mystery, Leave No Trace steeps its story in lighter but no less meaningful waters. Both feature young women learning to survive in fraught circumstances; however, even given the films' thematic similarities, Granik's latest is its own textured, complicated and delicate creation. At the movie's core sits a familiar battle that's fleshed out in an intimate and heartbreaking fashion — the choice between following in the footsteps of someone you adore, or following your own wisdom even if it'll completely change your life forever. This is a film about breaking free and forging a new path on many levels (from trauma, from the prevailing concept of normality, from the structures enforced by a broken country and from the parent-child bond), and they're all expertly and intelligently intertwined. As also seems to be Granik's remit across her small oeuvre to date, Leave No Trace overflows with everyday detail. Thanks to the director's patient gaze, no moment of Will and Tom's lives is too small or insignificant. That's never more evident than when the movie hones its focus on revelatory New Zealander McKenzie, who demonstrates not only Granik's keen eye for observation, but for talent. Acting against the similarly exceptional Foster (who's in career-best form), the young star's seemingly effortless naturalism radiates from the screen, with a cocktail of potent emotions always emanating from her pores. Indeed, while Leave No Trace is visually sumptuous with its lush wilderness-set visuals, it's downright sublime when it's simply watching its two leads quietly encapsulate the effects of America's increasingly fractured society. https://www.youtube.com/watch?v=SVkX1qAyMrY
It told you it was freakier. Giving 2003's mother-daughter body-swapping comedy a 22-years-later sequel means upping the ante, then. When the Freaky Friday franchise returns to cinemas, it'll again subject Tess (Jamie Lee Curtis, The Last Showgirl) and Anna (Lindsay Lohan, Our Little Secret) to a switch; however, they're not the only characters waking up to an unexpected change. Anna's daughter Harper (Julia Butters. The Fabelmans) and future stepdaughter Lily (Sophia Hammons, The Absence of Eden) will also learn what it's like to literally walk in another person's shoes to understand how they feel. As the just-dropped full trailer for the film shows, that's how sequel Freakier Friday is living up to its name: by getting four characters, not two, in on its identity crisis. This time, it's Harper and Lily who are squabbling, just as Tess and Anna were in the first flick — but the entire quartet experience the consequences. The new Freakier Friday sneak peek follows a first glimpse at the movie earlier in 2025, which already promised more chaos, plenty of nods to its predecessor — a nostalgic favourite — and taking the body-swap scenario up a few notches. The storyline: Anna is about to get married to Eric (Manny Jacinto, The Acolyte), hence gaining a stepdaughter, with the process of merging families happening just as a familiar situation pops up. It was back in 2023 that word arrived about a follow-up to the 00s version of Freaky Friday. Audiences will see the results on the big screen Down Under on Thursday, August 7, 2025. There's no fortune cookie involved, it seems, but there is a fortune teller (Vanessa Bayer, No Good Deed) who tells Anna and Tess that they've "walked in each other's paths" and "learned a lesson — a lesson that may serve you again". She also advises Harper and Lily that they're "called to be family". Similarly returning alongside Curtis and Lohan from Freaky Friday: Mark Harmon (NCIS: Origins), Chad Michael Murray (Sullivan's Crossing), Christina Vidal Mitchell (The Terminal List), Haley Hudson (Queen Gorya), Lucille Soong (Raya and the Last Dragon), Stephen Tobolowsky (The Madness) and Rosalind Chao (3 Body Problem). For more company, Maitreyi Ramakrishnan (Never Have I Ever) also joins the cast. Behind the lens, Nisha Ganatra (The High Note, Late Night) is directing, with Curtis and Lohan among the executive producers, all on a movie that keeps building on the Freaky Friday name. The initial Curtis and Lohan team-up didn't start the franchise, of course. Instead, it began with the 1972 book by Mary Rodgers, then the 1976 Jodie Foster (True Detective: Night Country)-starring first movie adaptation, and also a 1995 remake with Gaby Hoffmann (Zero Day). After 2003's beloved Curtis- and Lohan-led take, horror flick Freaky also gave the idea a spin in 2020. Check out the full trailer for Freakier Friday below: Freakier Friday releases in cinemas Down Under on Thursday, August 7, 2025. Images: Glen Wilson © 2024/2025 Disney Enterprises, Inc. All Rights Reserved.
Imagine sitting under the gentle glow of candlelight, enjoying a live performance of Coldplay's "Sky Full of Stars." Thanks to The Concert by Candlelight series, this could soon be true. Returning for its fourth year, the series will host The Music of Coldplay by Candlelight across three locations, Sydney, Perth and the Gold Coast. While it may not be the band itself, world-class vocalists and a live band from London's West End will honour legends Chris Martin, Jonny Buckland, Guy Berryman, and Will Champion with powerful performances. The performers will kick things off at 7.30pm Darling Harbour Theatre at ICC Sydney on Saturday, September 13. The show will take over The Star Theatre on the Gold Coast on Friday, September 19, before making the journey west to Perth's Convention and Exhibition Centre on Saturday, September 27. Given that Coldplay visited fans down under relatively recently in 2024, it's unlikely they'll be gracing us with their presence anytime soon. So, The Music of Coldplay by Candelight may be the closest thing to the real deal Aussies can get, at least for a while. Each concert is a one-night-only event, and they're coming up faster than you think. So get in quick; tickets are likely to sell out fast. The Music of Coldplay by Candlelight will be held in September in Sydney, Perth, and the Gold Coast. Performances start at 7.30pm. For more information or to book tickets, visit the website. Images: Supplied.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are nine that you can watch right now at home. THE KILLER A methodical opening credits sequence that's all about the finer points, as seen in slivers and snippets, set to industrial strains that can only stem from Trent Reznor, with David Fincher and Andrew Kevin Walker's names adorning the frame, for a film about a murderer being chased. In 1995, Se7en began with that carefully and commandingly spliced-together mix — and magnificently. Fincher and Walker now reteam for the first time since for The Killer, another instantly gripping thriller that starts in the same fashion. It also unfurls as a cat-and-mouse game with a body count, while sporting an exceptional cast and splashing around (exactingly, of course) the full scope of Fincher's filmmaking mastery. This movie's protagonist is detail-obsessive to a calculating degree, and the director bringing him to cinematic life from Matz's graphic novels of the same name also keeps earning that description. The Fight Club, The Social Network and Mank helmer couldn't be more of a perfectionist about assembling The Killer just so, and the feature couldn't be more of a testament to his meticulousness. Fincher's love of crime and mysteries between Se7en and The Killer has gifted audiences The Game, Panic Room, Zodiac, The Girl with the Dragon Tattoo, Gone Girl and Mindhunter, which have always felt like different books from a series rather than a director flipping through the same tome over and over. So it is with Michael Fassbender's long-awaited return to the screen after a four-year absence — X-Men: Dark Phoenix was has his last credit before this — which sees Fincher and his star aping each other in an array of ways. As well as being oh-so-drawn to minutiae, as the eponymous character reinforces in his wry narration, this duo of filmmaker and fictional assassin-for-hire are precise and compulsive about refashioning something new with favourite tools. For The Killer, it's fresh avenues to fulfill his deadly occupation until everything goes awry. For the man who kicked off his feature career with Alien³ and now collaborates with a Prometheus and Alien: Covenant alum, it's plying his own trade, too. The Killer is available to stream via Netflix. Read our full review. PAST LIVES Call it fate, call it destiny, call it deeply feeling like you were always meant to cross paths with someone: in Korean, that sensation is in-yeon. Partway through Past Lives, aspiring writer Nora (Greta Lee, Russian Doll) explains the concept to fellow scribe Arthur (John Magaro, The Many Saints of Newark) like she knows it deep in her bones, because both she and the audience are well-aware that she does. That's what writer/director Celine Song's sublime feature debut is about from its first frames to its last. With Arthur, Nora jokes that in-yeon is something that Koreans talk about when they're trying to seduce someone. There's truth to her words, because she'll end up married to him. But with her childhood crush Hae Sung (Teo Yoo, Decision to Leave), who she last saw at the age of 12 because her family then moved from Seoul to Toronto, in-yeon explains everything. It sums up their firm connection as kids, the instant spark that ignites when they reunite in their 20s via emails and Skype calls, and the complicated emotions that swell when they're finally in the same place together again after decades — even with Arthur in the picture as well. Song also emigrated to Canada with her parents as a pre-teen, but achieves that always-sought-after feat: making a movie that feels so intimately specific to its characters, and yet resonates so heartily and universally. Each time that Nora and Hae Sung slide back into each other's lives, it feels like no time has passed, but that doesn't smooth their way forward. Crafted to resemble slipping into a memory, complete with lingering looks and a transportingly evocative score, this feature knows every emotion that springs when you need someone and vice versa, but life has other plans. It feels the weight of the roads not taken, even when you're happy with the route you're on. It's a film about details — spying them everywhere, in Nora and Hae Sung's lives and their faces, while recognising how the best people in anyone's orbits spot them as well. Lee, Yoo and Magaro are each magnetic and magnificent, as is everything about this sensitive, blisteringly honest and intimately complex masterpiece. Past Lives is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE CREATOR Science fiction has never been afraid of unfurling its futuristic visions on the third rock from the sun, but the resulting films have rarely been as earthy as The Creator. Set from 2065 onwards, after the fiery destruction of Los Angeles that could've come straight out of Terminator 2: Judgment Day, this tale of humanity battling artificial intelligence is visibly awash with technology that doesn't currently exist — and yet the latest movie from Monsters, Godzilla and Rogue One: A Star Wars Story director Gareth Edwards couldn't look or feel more authentic and grounded. That isn't a minor feat. And, it doesn't simply stem from making a sci-fi flick with heart, which isn't a new move. Don't underestimate the epic yet intimate impact of seeing bold imaginings of what may come that have been lovingly and stunningly integrated with the planet's inherent splendour, engrained in everyday lives, and meticulously ensure that the line between what the camera can capture and special effects can create can't be spotted; The Creator hasn't. So, as undercover military operative Joshua (John David Washington, Amsterdam) is tasked with saving the world — that go-to science-fiction setup — robots walk and talk, spaceships hover, and everything from cars to guns are patently dissimilar to the planet's present state. Flesh-and-blood people aren't the only characters with emotional journeys and stakes, either, with AI everywhere. Even if The Creator didn't tell its viewers so, there's zero doubting that its events aren't taking place in the here and now. Edwards and cinematographers Greig Fraser (The Batman) and Oren Soffer (Fixation) know how to make this flight of fancy both appear and seem tangible, though. Indeed, The Creator earns a term that doesn't often come sci-fi's way when it comes to aesthetics: naturalistic. Also don't underestimate how gloriously and immersively that the film's striking and sprawling southeast Asian shooting locations not only gleam, but anchor the story. The Creator is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FINGERNAILS In the world of Fingernails, 'Only You' isn't just a 1982 pop song that was made famous by Yazoo, is easy to get stuck in your head, and is now heard in this film in both French and English. It's also the philosophy that the first English-language feature by Apples filmmaker Christos Nikou has subscribed its characters to as it cooks up a sci-fi take on romance. In a setup somewhat reminiscent of Elizabeth Holmes' claims to have revolutionised blood testing (see: The Dropout), Fingernails proposes an alternative present where love can be scientifically diagnosed. All that's needed: an extracted plate of keratin, aka the titular digit-protecting covering. At organisations such as The Love Institute, couples willingly have their nails pulled out — one apiece — then popped into what resembles a toaster oven to receive their all-important score. Only three results are possible, with 100 percent the ultimate in swooning, 50 percent meaning that only one of the pair is head over heels and the unwanted zero a harbinger of heartbreak. When Fingernails begins, it's been three years since teacher Anna (Jessie Buckley, Women Talking) and her partner Ryan (Jeremy Allen White, The Bear) underwent the exam, with the long-term duo earning the best possible outcome — a score that's coveted but rare. Around them, negative results have led to breakups and divorces as society's faith is placed not in hearts and souls, but in a number, a gimmick and some tech gadgetry (one of the sales pitches, though, is that finding out before getting hitched will stop failed marriages). As their friends go the retesting route — satirising the need for certainty in affairs of the heart pumps firmly through this movie's veins — Anna hasn't been able to convince Ryan to attend The Love Institute as a client. She's soon spending her days there, however, feeding her intrigue with the whole scenario as an employee. When she takes a job counselling other pairs towards hopeful ever-after happiness, she keeps the career shift from her own significant other. Quickly, she has something else she can't tell Ryan: a blossoming bond with her colleague Amir (Riz Ahmed, Sound of Metal). Fingernails is available to stream via Apple TV+. Read our full review. FAIR PLAY Getting engaged isn't meant to be bloody, but that's how Fair Play starts: with joy, love, passion and bodily fluids. What is and isn't supposed to happen is a frequent theme in writer/director Chloe Domont's feature debut, an erotic thriller set both within the heady relationship between Emily (Phoebe Dynevor, Bridgerton) and Luke (Alden Ehrenreich, Oppenheimer), and also in the slick, fast-paced, high-stakes world of New York finance — familiar territory for its Billions alum filmmaker, who also has Suits and Ballers on her resume. The blood arrives via a bathroom tryst at Luke's brother's (Buck Braithwaite, Flowers in the Attic: The Origin) wedding. He pops under her dress, she has her period, he drops the ring that he was going to propose with, she says yes, and next they're betrothed and fleeing out the window to go home. Staged to feel woozily, authentically romantic, the occasion seems perfect to this head-over-heels pair anyway, even if it leaves their clothes stained. Yes, Domont is playing with symbolism from the outset. Lust isn't a problem for Emily and Luke, clearly, but they've become experts at keeping everything about being together away from work out of necessity. The duo each chases big dreams at the same hedge fund, which has a firm no-dating policy for its employees. So, when they wake up, dress and step out the door the next day, they go their separate ways to end up at the one place — and Emily's finger is glaringly bare. Then something that they've both been hoping would happen does: a portfolio manager sitting above their analyst positions is fired. Next comes a development that they've each felt was meant to occur, too, with the word spreading around the office that's led by the icy Campbell (Eddie Marsan, Operation Fortune: Ruse de Guerre) and his yes-man flunkey Paul (Rich Sommer, Minx) that Luke is in line for a promotion to fill the new vacancy. But when it turns out that it's Emily that's getting promoted instead, everything changes. Fair Play is available to stream via Netflix. Read our full review. PAIN HUSTLERS Emily Blunt (Oppenheimer) is Pain Hustlers best star. Chris Evans (Ghosted), Catherine O'Hara (Elemental), Andy Garcia (Expend4bles), Brian d'Arcy James (Love & Death) and Chloe Coleman (Dungeons & Dragons: Honour Among Thieves) all leave an imprint as well in this pharma drama, but Blunt is the movie's knockout. She steps into the shoes of Liza Drake. Relentlessly adapting is the Floridian's normality; she's a single mother to teenager Phoebe (Coleman), who has epilepsy that requires surgical treatment that Liza can't afford, and also lives in her sister's garage while stringing together cash from whichever jobs she can find. It's at one such gig as an exotic dancer, where her talent for sizing up a scenario and making the most of it is rather handy, that Pete Brenner (Evans) crosses her path. He wants more than her barside banter, proposing that she comes to work for him. If he didn't want her to genuinely take it up, catapult his employer to success and have them in murky territory, he shouldn't have made the offer. Also apparent in Pain Hustlers: the latest on-screen takedown of the pharmaceutical industry and corresponding interrogation of the opioid crisis, aka one of pop culture's current topics du jour. Indeed, in only his second non-Harry Potter and Fantastic Beasts film since 2007 (the other: The Legend of Tarzan), director David Yates happily relies upon the fact that this realm is common ire-inducing knowledge no matter whether you've read journalist Evan Hughes' coverage of Insys Therapeutics — including 'The Pain Hustlers', a New York Times Magazine article, then The Hard Sell: Crime and Punishment at an Opioid Startup, the non-fiction book that followed. First-time screenwriter Wells Tower draws upon both, but similarly knows that his fictionalisation rattles around a heavily populated domain. Stunning documentary All the Beauty and the Bloodshed earned an Oscar nomination, miniseries Dopesick picked up an Emmy, and both Painkiller and The Fall of the House of Usher have hit Netflix in 2023 — as will Pain Hustlers — while diving into the same subject. Pain Hustlers is available to stream via Netflix. Read our full review. IT LIVES INSIDE What's more terrifying than standing out at high school? It Lives Inside scares up an answer. Here, fitting in with the popular kids has haunting costs — literally — as Indian American teen Samidha (Megan Suri, Never Have I Ever) discovers. Her story starts as all memorable movies should: with a sight that's rarely seen on-screen. While beauty routines are familiar-enough film fodder, watching Sam shave her arms, then use skin tone-lightening filters on her photos, instantly demonstrates the lengths that she's going to for schoolyard approval. Among the white girls that she now calls friends, she also prefers to go by Sam. At home, she's increasingly hesitant to speak Hindi with her parents Inesh (Vik Sahay, Lodge 49) and Poorna (Neeru Bajwa, Criminal). And when it comes to preparing for and celebrating the Hindu ritual of puja, Sam would rather be elsewhere with Russ (Gage Marsh, Big Sky), the boy that she's keen on. It Lives Inside's frights don't spring from razors and social media, or from shortened names and superficial classmates; however, each one underscores how far that Sam is moving away from her heritage. Worse: they indicate how eagerly she's willing to leave her culture behind, too, a decision that's affected her childhood bond with Tamira (Mohana Krishnan, The Summer I Turned Pretty). As their school's only students with Indian backgrounds, they were once happily inseparable. Now Sam considers Tamira a walking reminder of everything that she's trying to scrub from her American identity. Keeping to herself — skulking around clutching a jar filled with a strange black substance, and virtually hiding behind her unbrushed hair — the latter has become the class outcast. So, when she asks Sam for help, of course no is the answer, a response that sparks consequences in this unease-dripping feature debut from writer/director Bishal Dutta. It Lives Inside is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM Before Teenage Mutant Ninja Turtles: Mutant Mayhem, Seth Rogen and his regular behind-the-camera collaborator Evan Goldberg had more than a few hands in Sausage Party. Lewd and crude isn't their approach with pop culture's pizza-eating, sewer-dwelling, bandana-wearing heroes in a half shell, however. Instead, the pair is in adoring throwback mode. They co-write and co-produce. Platonic's Rogen also lends his vocals — but to warthog Bebop, not to any of TMNT: MM's fab four. That casting move is telling; this isn't a raunched-up, star voice-driven take on family-friendly fare like Strays and Ted, even when it's gleefully irreverent. Rather, it's a loving reboot spearheaded by a couple of patent fans who were the exact right age when turtle power was the schoolyard's biggest late-80s and early-90s force, and want to do Leonardo, Donatello, Raphael and Michelangelo justice. Affection seeps through Teenage Mutant Ninja Turtles: Mutant Mayhem as pivotally as ooze, the reason that there's even any adolescent marine reptiles that aren't at all like most of their species, and are also skilled in Japanese martial arts, within the franchise's narrative. Slime might visibly glow in this new animated TMNT movie, but the love with which the film has been made is equally as luminous. Indeed, the Spider-Verse-esque artwork makes that plain, openly following in the big-screen cartoon Spidey saga's footsteps. As it visually resembles lively high school notebook sketches under director Jeff Rowe (The Mitchells vs the Machines) and Kyler Spears' (Amphibia) guidance, Teenage Mutant Ninja Turtles: Mutant Mayhem feels exactly like the result of Rogen and Goldberg seeing Spider-Man: Into the Spider-Verse, wondering how Leo and company would fare in a picture that aimed for the same visual flair, then making it happen. Teenage Mutant Ninja Turtles: Mutant Mayhem is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. A HAUNTING IN VENICE Poirot goes horror in A Haunting in Venice. As unsettling as it was in its pointlessness and indulgence, Death on the Nile's moustache origin story doesn't quite count as doing the same. With Kenneth Branagh (Belfast) back directing, producing and starring as the hirsute Belgian sleuth for the third time — 2017's Murder on the Orient Express came first — Agatha Christie's famous detective now gets steeped in gothic touches and also scores the best outing yet under his guidance. The source material: the acclaimed mystery writer's 1969 novel Hallowe'en Party. Returning screenwriter Michael Green (Jungle Cruise) has given the book more than a few twists, the canal-lined Italian setting being one. Venice makes an atmospheric locale, especially on October 31, in the post-World War II era and amid a dark storm. But perhaps the most important move that A Haunting in Venice makes is Branagh reining in the showboating that became so grating in his first two Poirot movies. In relocating to the sinking island city and withdrawing from the whodunnit game, his new status quo when the film begins, A Haunting in Venice's Poirot has already done his own toning down. It's 1947, a decade after the events seen in A Death on the Nile, and bodyguard Vitale Portfoglio (Riccardo Scamarcio, The Translators) helps keep life quiet by sending away everyone who seeks the sleuth's help. The exception: Ariadne Oliver (Tina Fey, Only Murders in the Building), a Christie surrogate who is not only also a celebrated author, but writes crime fiction based on Poirot (with Fey slipping into her shoes, she's a playful source of humour, too). When the scribe comes a-knocking, it's with an invite to a séance, where she's hoping that her pal will help her to discredit the medium, Joyce Reynolds (Michelle Yeoh, Everything Everywhere All At Once), who has the town talking. Then there's a death, pointed fingers and a need for Poirot's skills. A Haunting in Venice is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May, June, July, August, September and October, too. You can also peruse our best new films, new TV shows, returning TV shows and straight-to-streaming movies of 2023 so far
In the initial two episodes of Scenes From a Marriage, Mira (Jessica Chastain, IT: Chapter Two) and Jonathan (Oscar Isaac, Star Wars: Episode IX — The Rise of Skywalker) brush their teeth in front of their ensuite mirror. It's an everyday task in a familiar place, spanning something we all do in a space we all use, but this powerful five-part HBO miniseries turns these two scenes into a complex snapshot of its central couple. It takes not just skill but feeling and understanding to turn such a mundane activity into a must-see; however, that's this weighty show's remit. Scenes From a Marriage gets viewers engrossed in cleaning teeth because it's ordinary, and because everything within its frames fits the same description. Its central relationship careens from happy to heartbroken, comfortable to distraught, and assured to messy, but it also charts a path that countless others have before it. When they first pick up their toothbrushes, Mira and Jonathan attend to their dental hygiene side by side. They chat between foamy mouthfuls. They're relaxed. They've had an unusual day, after talking to a researcher about their nuptials and then hosting a tumultuous dinner with friends, but they're settled in their usual regime. Seconds afterwards, they'll discuss significant news, but they approach that, too, with a sense of unthinking security. But just one episode later, when they brush again, everything has changed. Mira returns from a work trip to share a bombshell revelation, Jonathan doesn't take it well, and he stands back and stares at they each clean. She can't meet his eyes. He won't look away. Their tension, pain and sorrow fills the entire room, as does their uncertainty — and it's a case of two moments, two people, two vastly different pictures of their relationship. Dedicating each episode to a significant day over the course of several years — hairstyles change, and the couple's daughter ages (primarily off-screen) — Scenes From a Marriage is filled with these routine moments. It's a show about patterns, cycles and echoes, how they ripple through relationships and, when broken or changed, how their absence is felt. Much of the series takes place in the same domestic space, too, as the pair rove around the house they've made their home. So, viewers see the duo walk through the same rooms, sit in the same chairs and recline in the same bed. They have variations of the same discussion over and over as well. Every romance is an ongoing conversation that loops, sprawls and repeats, but Scenes From a Marriage pushes this notion to the fore. Mira and Jonathan are always talking, in some way, even when they're not. Their dialogue continues whether it seems like it's just another evening in the bathroom, or it's a terse morning after everything has disintegrated — and as a whirlwind of love, sex, heartbreak and chaos whips through their relationship again and again. It shouldn't be easy, peering into a romance as its bliss fades, and stepping into its ongoing conversation. That idea isn't Scenes From a Marriage's alone, and it wasn't new in 1973, when iconic film director Ingmar Bergman ran with it in his Swedish TV miniseries of the same name. But as penned and helmed here by The Affair's Hagai Levi, HBO's take on the concept turns the familiar and complex into the raw and the riveting. It breaks a relationship down into pivotal moments to strip away the blissful front that couples build for themselves, and the image they project to the world, and it refuses to look away as things turn difficult. Sketching out anything this complicated via just a few scenes is a gimmick, obviously, as the series even nods to in opening scenes that follow Chastain and Isaac getting into character. Still, in the right hands, and with the right tale of a marriage's minutiae, it's also devastating and powerful. Scenes From a Marriage circa 2021 is shot and scored to ramp up that intensity, that simmering uncertainty, that seesawing between two extremes. Cinematographer Andrij Parekh, a veteran of Blue Valentine and its similarly haunting exploration of a romance in decline, prowls carefully and patiently around comfortable spaces adorned in neutral tones — places The White Lotus' characters might've gone home to post-Hawaii — but lets both light and darkness visually clash and compete for attention. Composers Evgueni Galperine and Sacha Galperine craft a score that also rides an emotional rollercoaster, setting the tone as precisely as they previously did with fellow HBO miniseries The Undoing. Each element of Scenes From a Marriage is fine-tuned to amplify the highs, the lows, and the constant to-and-fro between them. That said, this tale of an ambitious tech industry executive, her ex-Orthodox Jewish philosophy professor husband and their fraying nuptials was always going to live and thrive via its two lead performances. Chastain and Isaac, welcome additions to any on-screen project, have played a married couple before. In fact, 2014's A Most Violent Year also saw them navigate a stormy union — and it, like its main duo, was exceptional. The pair certainly know how to project intimacy on the red carpet, as they did at the Venice Film Festival premiere of Scenes From a Marriage. They don't falter in the series itself, even with a concept that could've played like an acting exercise. Again, the conceit is highlighted in those opening seconds of the duo as themselves; however, as Chastain and Isaac walk across the set that swiftly becomes their Mira and Jonathan's home — doing so with masks and distancing, because this was shot during the pandemic — they also help viewers step into their characters with them. When the camera is rolling rather than flashing, Chastain and Isaac are both experts at unpacking someone's entire emotional journey in just their gaze and stance. Accordingly, when the series flickers from the pair as actors to the duo as Mira and Jonathan, it feels seamless even though the artifice is being called out. They take the plunge, the audience does with them, and we all explore what's happened after Scenes From a Marriage's protagonists did just that. On-screen, opposites attracted, then this pair combined their lives and marched forward towards the future, and now everyone weathers the fallout. Chastain and Isaac are also masterful at responding to each other, and at letting those reactions tell as much of the story as the dialogue they're speaking. It's been done before, and will be again — officially and in everything else that's taken cues from the original Swedish series — but here and now, this series works as grippingly and movingly as it does because of its stars. No one can look away as they brush their teeth, share long looks and fling all manner of words at each other. They don't want to themselves, and neither do we. Check out the trailer below: The first two episodes of Scenes From a Marriage are available to stream via Binge, with new instalments dropping weekly. Images: Jojo Whilden/HBO.
Need a way to keep cool over summer? Swap the beach for epic waterslides and huge inflatable pools at Australia's first mobile waterpark, Waterworld Central Sydney. The family-friendly affair will be taking over Moore Park's Entertainment Quarter for two months, so, as the mercury rises, you and your kids can get your thrills — and stay chilled. Race your mates on the multilane Epic Racer slide, go on an 80-metre water tubing ride or test your courage on the brand new Wave Slide. You can also splash about in one of the many enormous inflatable pools and see what it's like to walk on water by taking a spin on the giant zorb cylinder. Open daily from December 28 right through till January 26 (except New Year's Day), Waterworld Central will ensure you have plenty of outdoor aqua adventures this summer — no matter your age. Of course, there's the global pandemic to be mindful of, so pre-booking tickets is encouraged. Waterworld Central will be open daily from 10am–4pm from December 28–January 26, but will be closed New Year's Day. To pre-book your tickets, head here.
Do you remember when you lost at something as a kid and your parents told you that it didn't matter? "Winning isn't everything" and "It isn't winning that matters, it is about taking part" were lines bandied around regularly by our mums and dads in order to shelter us from the truth: winning does matter. Who wants to be Buzz Aldrin when you can be Neil Armstrong? Nothing wants to come second, especially nations. Global politics is the most competitive arena on this planet. It has led to world wars and bloody competition for resources. Thankfully, though, the world can now sleep easy as the peacemakers over at Doghouse Diaries have created a light-hearted infographic titled What Each Country Leads The World In that allows every country to be a winner. Whilst some titles will be unwanted, including Ethiopia leading the way in employing children and Yemen's crowning as the ruler of the gender gap, some will be celebrated. Norway can enjoy its position atop the summit of democracy and Ireland can bask in its quality of life. Of course, the best discoveries are the statistics that appear tongue-in-cheek. Greenland leads the way in personal space and my favourite, Antarctica has the most penguins. Explore the world in our gallery below and be surprised at what many countries lead the world in. Via Fast Co.Create.
Image: "The Kiss" by Pablo Picasso in the Art Gallery of New South Wales in Sydney. REUTERS/David Gray The Art Gallery of New South Wales is among six Australian galleries to share their collections with the online community via Google Art Project. The project, launched last year, allows art enthusiasts to view the great artistic works of the world, all from the convenience of their computer screen. The Art Gallery of NSW has now launched 415 of its most notable works, including a wide sampling drawn from every aspect of its collection. Included are works from the gallery's Australian, Indigenous, Asian and European collections. All of the pieces are featured in incredible high-resolution detail, revealing brushwork and other elements that are undetectable by the naked eye. 250 of these works are accessible through the website's 3D gallery walkthrough. "To think," says Anne Flanagan, acting direction of the Art Gallery of NSW, "that while a person here at the Gallery is viewing a work, someone else, anywhere in the world, can also be viewing the same work with such crystal-clear definition." Other participating Australian galleries include the National Gallery of Australia, the Museum of Contemporary Art, the National Gallery of Victoria, the Melbourne Museum, and Griffith University's Rock Art Research Centre. They have joined the efforts of 151 cultural institutions in 40 countries, under Google, to transform the art-viewing process, and to make fine art universally accessible.
How do you capture the essence of a pub in a drink? How do you make sipping a cocktail conjure up the feeling of hanging out in a hotel's front bar, with your feet almost glued to the carpet and the unmistakable smell of beer in the air? How do you whip up a spirit that pays tribute to an iconic Australian watering hole that's closing in on a century and a half of pouring beverages, too? These are the questions that Four Pillars is answering with its Sticky Carpet Gin. This tipple dates back to 2018, when it arrived as a boozy ode to the legendary haunt that is The Espy in St Kilda in Melbourne. First, you could only try it in cocktails at the pub it was inspired by. Then, it became available by the bottle in 2019, but only as a limited release. Now, Four Pillars has brought it back — and also given it some tinkering. The Healesville distillery had one aim from the outset with its Sticky Carpet Gin: capturing the spirit of a venue that's meant many different things to different people for many, many years. Four Pillars co-founder and distiller Cameron Mackenzie's first effort was such a success that it's become the gin that more folks request to be brought back than any other of the brand's gin. Start saying cheers to Sticky Carpet Gin again, then, given that it's back in Four Pillars' online store now. The new version of the tipple still wants to give everyone that's sipping it an unmistakable pub feel. This time, however, Mackenzie has swapped out roasted dark stout for using Little Creatures Pale Ale in the gin's base. The beer goes into the still with juniper, coriander, barley, cassia, macadamia nuts, orris root, lemon myrtle, honey, lavender, ginger and lemon peel, plus the base spirit. Also, hops hang in a bag over it to extract the aromatics. "The Little Creatures brewers have made a beer that is the benchmark for American-style pale ale, with slightly tropical and resin-y flavours, like Sierra Nevada, my fave US beer," said Mackenzie. "In a way, this is the closest we've come to making a Jenever-style of gin. It's a dense canvas of resin-y juniper with deep brown spice notes. There's a chewy, malty hop character that hangs onto the macadamia nut and it's a touch fruity with bright citrus notes, too. As well as buying Sticky Carpet Gin online for your gin shrine or getting it from Four Pillars in-person — it retails at $88 for a 700-millilitre bottle — it's on offer at The Winery in Surry Hills in Sydney; both The Regatta and Riverland in Brisbane; Yarra Botanica, The Espy (of course) and Garden State Hotel in Melbourne; and the Claremont in Perth. The Espy is also hosting a free launch party on Wednesday, April 17 from 6pm, complete with free gin and tonics upon arrival. You'll need to nab a complimentary ticket to attend, however — and you'll catch live sets from Floodlights and Back Pocket as well. For those knocking it back at home, Four Pillars recommends using Sticky Carpet Gin in a new twist on the G&T called Sticky and Tonic, in a boozy pink lemonade spider, with cordial, or as part of a lemon, lime and bitters sour. Four Pillars Sticky Carpet Gin is available to purchase online, from Four Pillars in-person, and from select bars — head to the distillery's website for more details.
You may think you have a good handle on David Attenborough docos by now. He waltzes into an amazing natural landscape, dispels an extraordinary amount of knowledge on Everything in the Entire World, and promptly films something incredibly disgusting or depressingly ruthless. I think we're all still trying to forget that time he narrated hermaphroditic slug sex. Nevertheless, his latest venture is set to blow your mind all over again. Returning to Australia in November, this legendary, knighted filmmaker is filming his latest work in 3D at the Great Barrier Reef. Intended as a three-part series, Attenborough is excited about the possibilities of filming underwater in 3D. "People will think ‘for God’s sake not another program on the Barrier Reef. Haven’t we done enough?’ But underwater is a marvellous subject for 3D, I mean it really is absolutely breathtaking," he told The Herald Sun, sporting his trademark British charm. But honestly, we have no idea why Attenborough feels the need to convince us. While we've felt a little tired with the gimmick of 3D in recent years, this is the type of work the technology was made for. Attenborough won't be diving himself — give him a break, he's 88 years old — but he will be exploring the reef with the help of new underwater equipment that renders an incredibly high resolution. Though nothing has been released about the content of the series, Attenborough will more than likely be covering the political and environmental problems the reef has faced in recent times as well as its friendly fauna. It's a topic that has been in the news once again with #fightforthereef emerging on everyone's Twitter feeds earlier this year. Between global warming, the threat of coal ports in surrounding areas, and questionable preservation practices from the state and federal governments, the World Heritage listed site has faced a lot of problems in recent years. Documentary filming begins in November, but we won't know how far off the actual film is for months yet. Regardless, get ready to be transported directly to the heart of all your underwater Disney dreamlands. This is going to be well worth the IMAX money. Via The Herald Sun. Photo credits: ciamabue, stuandgravy, robdownunder, richard ling, richard ling via photopin cc.
First birthdays are not all pleasant. Banal observations like "I can't believe it's only been a year!" fly out of people's mouths as unwelcomely as the projectile vomit now covering your brand new button-up (thanks, birthday boy). But upon hearing that Spotify Australia turned one today, we couldn't help but join the chorus of disbelief. It's only been a year? Really? It's hard to remember life before Spotify. The days of trying to 'unmax out' your maxed-out credit card before clicking 'purchase'. Of artists watching through tears as their life's work is torrented to the masses. A year later, it's hard to imagine anything other than clicking that little green button to soak our ears in unlimited, legal music juice. We might not yet have struck the perfect balance between access for audiences versus payment for artists, but it feels like we're getting closer. So for that we'd like to say 'Happy Birthday, Spotify'. Now today, just like the last occasion on which you celebrated a first birthday, is all about gushing and goggling over pretty pictures. And, proud mother that she is, Spotify Australia has shared this super-amazing infographic which you just have to see. The stats are pretty friggen incredible — Australian Spotify users have streamed a mammoth 42.5 million hours of music and have created over 14 million playlists over the past 12 months. (That's over 4000 years of music — which, if played in order, would take about 50 generations to finish. We're talking 6013, guys.) Of those 14 million playlists, over 240,000 playlists have been created about love, romance and/or sex; 150,000 for exercise; and 65,000 for getting through the work day. Also, a whopping 230,000 were created for travel. So if you've ever wanted to scream, "I get it, arts student, your European experience makes you singularly unique", you at least have proof that their playlist probably wasn't. American duo Macklemore & Ryan Lewis and Icelandic indie-pop-folksters Of Monsters and Men dominated our listening habits, taking out Most Streamed Artist and Most Streamed Track/Album respectively. We can now also confirm that Australians like Flume. A lot. Not only was he the most streamed local artist, but he took out three of the top five local tracks of 2012/13. This had little to do with the Spotify habits of Prime Minister Julia Gillard, who eschewed the young producer for the likes of Bruce Springsteen and Midnight Oil. We can't confirm if Julia actually enjoys Midnight Oil or is just playlisting them for the unity of the federal front bench.
Yeah, so this happened. Wellington pub The Green Man decided to go ahead and serve locally-brewed stout beer featuring a cheeky little amount of stag semen. While we're half-heartedly reeling and equally intrigued, we have a lot of questions. Responsible for this drinkable abomination are local Wellington brewers Choice Bros, probably looking for a little free publicity pre-Beervana. Well, they certainly got that. We're assured that the deer semen is "export quality", however that was judged. The stag was apparently "milked" and had a restful sleep afterwards. Warning, you might grab a sick bag for this next bit. According to the brewers, the stout beer apparently has a "creamy" mouthfeel. Ugh. "Everyone so far has swallowed and not spat… The beer itself is excellent. It’s a creamy chocolate stout with coffee notes. The semen… well that’s something you’ve got to experience to describe," pub director Steve Drummond, a man who clearly knows his sexual innuendo, told BuzzFeed. If you can believe it, this is not The Green Man's first time serving semen-infused bevs. Stuff reported that "In 2011 its apple-infused horse semen shots proved popular with women, while 2013 saw syringes of stag semen on offer." God help us all. After doing the calculations of the novelty factor to lifelong trauma ratio, we'd love to hear of any brave, disgusting souls who head down to The Green Man on Victoria Street in Wellington to try this horrific cocktail out. Please, show yourselves. Via BuzzFeed.
The cinnamonny college-tastic whisky known as Fireball is under fire (#sorrynotsorry) this week after some pretty unwanted materials were discovered in a European shipment of the good stuff. According to The Daily Beast, it was revealed that Fireball whisky was being recalled in Finland, Norway and Sweden because the batch contains propylene glycol. Yep, that's a casual compound starring prominently in a little ol' thing called antifreeze. ANTIFREEZE. The chemical that helps protects your car's radiator and de-ices aircraft carriers. You won't be so quick to make a GoPro wedding video downing the spicy stuff now huh? European recipients of the batch in question were understandably unimpressed when the delivery rocked up; apparently the Fireball recipe with high levels of propylene glycol is aiiiight for America though. According to Huffington Post the propylene glycol is used to enhance flavour by absorbing water and is "generally recognized as safe" for use in food by the U.S. Food and Drug Administration. But European (and Australian) regulations for food and drink ingredients are apparently tighter than the US — DB reminded us of the time Subway was all geared up to remove azodicarbonamide from its Australian and European bread (yeah, that's chemical commonly used in yoga mats, no biggie). Not in the States though, thing are more lax in the Yoo Ess of Ay. So, Fireball owners Sazerac are legally allowed to put more propylene glycol in their US/Canada bevvies. But don't grab your torches and pitchforks just yet. Sazerac were quick to make embers of this week's uproar, releasing a statement pointing out that propylene glycol is given the a-OK by the FDA in amounts up to 50 grams per kilogram — apparently that's about eight times the amount Fireball has hidden away in its party-starting belly. "Most people consume PG every day in soft drinks, sweeteners, some foods or alcoholic beverages," said the Fireball team, adding that "all Fireball formulas are absolutely safe to drink." "Unfortunately, Fireball shipped its North American formula to Europe and found that one ingredient is out of compliance with European regulations. Finland, Sweden and Norway have asked to recall those specific batches, which is what the brand is doing." Australian batches seem fine for now. Shots anyone? No? Fireball whiskey has antifreeze chemicals in it? So it tastes great and I won't freeze? Make mine a double! — Maddox (@maddoxrules) October 29, 2014 Via The Daily Beast and Huffington Post.
With the holidays just coming to an end, we're all now emerging from prime binge-watching season. So, if you feel like you've glued your eyes to every possible TV show and movie there is recently, that's completely understandable — but the great thing about streaming is that there's always something else popping up, demanding your attention and helping you maintain that comfy groove in your sofa. Returning series releasing their latest seasons, brand new shows that haven't been on your radar, recent favourites that you mightn't have seen, retro classics that are always worth a revisit, flicks that'll keep you talking — they're some of the fresh additions to the streaming world recently, and they're all ready to add to your 2021 watch list. If you're wondering where to start, we've teamed up with streaming platform Binge to pick five must-sees that'll help you start the year with some top-notch viewing. You can view them all on the Australian service, including via a 14-day free trial for new customers.
It might've taken three years, but Netflix has finally produced its first original Aussie series. Shot entirely in Queensland, and providing fuel for your summer binge-watch sessions, Tidelands is a supernatural crime drama series about a fictional fishing village, dubbed Orphelin Bay, with strange inhabitants: a group of dangerous half-Sirens, half-humans called 'Tidelanders'. Cal McTeer (Charlotte Best), a young women who returns to the small village after a stint in jail, discovers the body of a local fisherman and must navigate the town's drug smuggling history while also investigating the Tidelanders, who are led by Adrielle Cuthburt (Elsa Pataky). Eight episodes, each running for 50 minutes, have been made by Brisbane's Emmy Award-Winning production company Hoodlum Entertainment. Available on Netflix since Friday, December 14, Tidelands doesn't just gift Australian users with a new favourite series, with the show landing in all 190 countries that the streaming platform is available in. Thinking you've seen plenty of Aussie stuff on Netflix already? You're not wrong; however there's a difference between throwing old sitcoms and standup specials into a range inexplicably overflowing with new Adam Sandler movies, and actually funding brand new Australian material. Last year, it was announced that they'd join forces with the ABC to co-produce a second season of Glitch, which showed them dipping a toe in the water — but now they're completely diving in. Before watching the entire series, check out the full trailer: https://www.youtube.com/watch?v=MhsjoQLKaiY Tidelands is now available on Netflix.
Mulalo is the bright, bold and energetic Aussie rapper from the western suburbs of Naarm (Melbourne) whose music exploded onto the scene in 2021 with the release of her track 'M31 (Racing Down the Hume)'. What followed was a packed year of making and performing music: warming crowds up for Cakes Da Killa and Triple One, hitting the stage at Bendigo's Groovin the Moo and the release of her instant-hit 'Tracy Grimshaw'. Ahead of her appearing at The Kraken Black Spiced Rum's one-night-only underground Sydney gig, Subterranean Summer, taking place at Marrickville's The Great Club, Concrete Playground's Ben Hansen caught up with the artist to chat everything from collaboration and community in the hip hop scene, to her music's quintessentially Australian references and how she's feeling about sharing the stage with hardcore favourites SPEED and Posseshot. https://www.youtube.com/watch?v=DjNDwcWqzWM If someone isn't a Mulalo fan, who is Mulalo? What's the vibe? If people don't know Mulalo, they're a bit late. Mulalo is me. I'm her. I'm just all about making music for the girls, making music to have fun to. That's who Mulalo is. There's been a lot of change in the local hip hop landscape in the last 10 years — how do you feel about hip hop in Australia right now? I feel like when people thought about rap music in Australia, they were thinking about a very specific type of genre of music, which is fine. But especially being a young immigrant who grew up in [Melbourne's] western suburbs, I see how diverse it is: that wasn't being represented in mainstream rap in Australia. Now it's like you're getting all these young people from all over that are just doing their thing. That's how I think it's changed. And now it's cool, 'cos the people that are actually doing it, I relate to. Do you feel like there's more community now that there's a lot more collaboration? Yes! Every time I go somewhere, I always post it on my Instagram. "People are like 'Oh my god, you're here! Let's meet up, let's hang out!' You get to meet all these people and make sick music." Who's your favourite collaborator to make music with? My two OGs: Nerve and Kuya Neil. Like, those are my boys. They're the best, 'cos they know me. Like, they're me, but in a man's body. Do you have any more songs coming out with them soon? Yes! I do! Like, literally my next few singles are produced by either or. Jumping to the lineup for next week's gig. There's Posseshot and SPEED — is there anyone else in the lineup that you're a fan of? Honestly, I've never seen Posseshot perform, but in my life — from my ex-boyfriend to my friends — they were always wearing the t-shirt. And I was like, who is this? So I'm so excited to see them perform. And I'm excited to see SPEED perform again — I'm gonna be in the mosh. We did a show once together and it was hectic. Were you in the mosh pit that time? I was very much sidestage. I couldn't do it. But you think you might jump in the mosh pit at The Kraken Subterranean Summer? Yeah, I'm gonna get into the crowd. Changing gears, hip hop and punk both came out of resistance and protest. Do you think there's a relationship between the two genres? One hundred percent. Just because people are delivering their message differently doesn't mean it's not an act of protest. I feel like SPEED's message, my message, Posseshot's message are kind of all the same. They're just all delivered differently. Do you see the fans of those genres are receptive to the different kinds of music in a really wide swathe of sounds? I often find that crowds are super receptive of more punk music, more hardcore music, 'cos you know, I turn it up every time. The boys from SPEED support me so much, like on a ground level, and even Posseshot, they've supported me on a ground level. So if the artists are like, 'We write for her', I know that the crowd is going to be open, and like, 'Let's give it a chance, open up our minds to something different'. Last time you played with SPEED, did it gel? Did their fans get around it? It was a very interesting show 'cos it was a hip hop versus rock kinda vibe. Nerve was on the lineup, Barkaa, me and SPEED. And honestly, it was lit. It went off. "The people that were in there were just so open to receiving. Which is what I love about fans of SPEED and Posseshot, they are just so open to receiving music and having a good time and turning it on." https://www.youtube.com/watch?v=q74Nz5RlG2Y You weave in a lot of local references in your music, whether it's 'Racing Down the Hume' or all the references in 'Tracy Grimshaw'. Is that something that, when you're writing a song, you're setting out to do because you want to make it relatable? Or does it just come naturally? I feel like people think that it's intentional, but anyone that knows me — and, like, talks to me for more than five minutes — knows that I love Australiana culture. I absolutely love it. You'll catch me at the RSL getting a chicken parma and a VB on a weekend. Like, that's my vibe. And then it's just like, why would I reference stuff that's not from where I'm from? Why would my song be called Katie Couric? Like, I watched Tracy Grimshaw and she's an icon. That track will be nice to perform at The Great Club cos it has an RSL, local-club energy. Are you excited to play here, at The Great Club, for The Kraken Subterranean Summer? Do you think your songs will translate well to this venue? I'm a bit nervous for The Kraken Subterranean Summer event at The Great Club cos I'm very different to everyone else that's on the lineup, and I don't know how the crowd will receive me. But I light it up every time. Like, I don't care, I'll light it up every time. When you're performing on a lineup with lots of different bands, are you chatting to other artists? Maybe hooking up collaborations? Or is it a bit nerve-wracking? I'm not going to lie to you, I'm shy. And I also have facial blindness. So when you know people through social media and you're like, 'Is that that person? Is that that person?' You should try this time! I always did say I wanted to do a song with SPEED. I feel like I would kill it. I think it needs to come together. We need to force them to do it. Are you excited when you're performing on a lineup like this that you might introduce someone to a type of music that they had kind of dismissed previously? Yes, definitely. It's good when you have opportunities, like this one with Kraken, where I know it's a challenge. Obviously my people are going to be there, the people that listen to my music are gonna be there, but they won't be most of the crowd. So it's going to be a good challenge. "And I'm doing it for the girls always. I'm gonna show the boys how the girls do it. You know what I mean? I turn it up." Do you ever consider just turning the bass or the 808s up a bit if you're at a heavier show to try and really get the crowd going? Oh, I am notorious for hitting the red. They say: 'Oh, it needs to be at this level'. Me when they walk away: 'Let's blow the speakers, what are we doing? Let's turn up.' Anything else you're really looking forward to at The Kraken Subterranean Summer? Drinking the Kraken! Seriously, for real. I was waiting for them to give me one to try, The Kraken Black Mojito: mint and lime, topped with soda water. I'm gonna get some ice, a nice glass — maybe I'll get one from behind the bar. Have it on stage. Honestly, I wanna reach final form [at The Kraken Subterranean Summer]. This is one of my last shows of the year before I go overseas to South Africa, and I wanna do this sick show. It's gonna be so cool and people are gonna be like, 'That was sick!' and I'm gonna be like, 'Yeah it was! Do you wanna go and get a Black Mojito?' And just turn it up, and see SPEED perform and see Posseshot perform. Hopefully they bring merch. Mulalo takes to the stage at The Kraken Subterranean Summer on Thursday, December 1, at Marrickville's The Great Club. To catch the interview in action, head to Instagram. Top image: Minori Ueda Interview: Ben Hansen
What microwaves did for heating, UK company Enviro-Cool is promising to do for cooling. They've created a drink cooler that takes bottles and cans from room temperature to 5 degrees celsius in just 45 seconds. There's every possibility that the invention, which uses 80 percent less energy than commercial refrigeration, could soon become commonplace in homes, shops and eateries all over the world. Envriro-Cool created the technology, which they've patented 'V-Tex', back in 2007. It's based on a sophisticated application of the 'Rankine Vortex'. A European Commission grant of 930,000 Euros enabled its development into a commercial product. According to the promo video, the EC "recognised that the energy used to constantly chill pre-packed beverages was enormous and an unsustainable strain on our depleting energy resources." Three types of coolers have been developed. There's one suitable to commercial use, powerful enough to replace high-energy use equipment, such as multi-deck open refrigerator, and two domestic-friendly units — one stand-alone and one that can be added to existing refrigerators. It's estimated that, for every fridge replaced, over $1000 in electricity will be saved annually. Trials begin in Holland next month. Via PSFK.
The Olympic Games bring nations together in a worldwide contest of sport and competition. But the Olympics do much more than this too by providing an arena for remarkable triumphs, terrible failures, true perseverance and utter determination. Even through devastating wars, ongoing global conflicts, drastic terrorism acts and natural disasters, nations of the world have managed to unite (almost) every four years for over a century in a demonstration of friendly competition and unity. With the approaching London Olympics, it got us thinking about the spectacular images from past Olympic Games — photos that make you think, laugh, cringe or cry. Here is our pick of the best photographs from each summer Olympic Games throughout history. Athens 1896 - The Starting Gun Fires The first international Olympic Games to be held in the modern era. Being the 'birthplace of the Olympic Games', Athens was a suitable first venue. Athletics events obtained the most international field of the sports on offer, with the major highlight being the marathon; this was the first time the event had been held in international competition. Paris 1900 - Women Compete for the First Time Women donned their sporting caps and get-ups (apparently dresses in those days) for the first time at an international sporting event in Paris in 1900, with Charlotte Cooper being crowned the first female Olympic champion. 1000 competitors took part in 19 sports at these Games, which was held during the 1900 World's Fair. St. Louis 1904 - 3rd Time Not Such a Charm The St. Louis Olympic Games almost became the last due to such poor management. Making the same mistake as Paris did four years earlier, the World's Fair was run at the same time, causing audience members to be lost to other cultural exhibitions and events. Many athletes were also a no-show due to the Russo-Japanese War. London 1908 - Kings, Queens and Cramming London only had a short amount of time to ready themselves for these games as the original location, Rome, had to focus funds on restoring Naples following the destruction of the eruption of Mount Vesuvius two years earlier. The London games saw the setting of the new official distance for the marathon; in an attempt to restore the importance of the monarchy, British officials changed the track to start below the window of the Royal Nursery and finish in front of the King. Stockholm 1912 - Women's Gymnastics The Olympic Games in 1912 was the year of many firsts - and one last. The final Games to issue solid gold medals, Stockholm also held the first Olympics to have art competitions, the first to feature the decathlon and pentathlon, the first to have an Asian nation participate (Japan), and the first death during competition after Portuguese competitor, Francisco Lazaro, died from hyperthermia in the marathon. The Games also had a whopping 48 women compete (most of which appear to be in the Norwegian's Gymnastics team above). Berlin 1916 - A No-Show The Olympics were due to take place in Berlin in 1916, and it was expected to be a grand affair with the development of the new 'Deutsches Stadion'. The stadium was released with a parade, 10,000 pigeons and 60,000 people. If only they could get that many people to turn up to the real event though, because the Games didn't go ahead in this year due to the turmoil embroiling Europe at the time with the outbreak 0f the Second World War. Antwerp 1920 - Return to the Stadium The Games of the VII Olympiad were offered to Antwerp to honour the suffering the citizens had endured during World War I. The Games had originally been set to appear in Budapest, however as a German ally, Hungary, and many other nations such as Germany, Austria, Bulgaria and Turkey, was banned from competing. France appeared strong in the games, as is evident through Suzanne Lenglen's valiant effort on the tennis court. Paris 1924 - The Old Switcheroo Known as 'The Flying Scot', Britain's Golden Boy, Eric Liddell, stubbornly refused to take place in the 100m finals, as the event was to take place on a Sunday. The devout Christian thus decided to simply swap events in favour of the 400m sprint, ignoring the vast differences in distances and strategies. Despite the public's low expectations of his abilities, Liddell managed to not only win the competition, but also tied the Olympic record. Amsterdam 1928 - Jumping for Joy After being denied the ability to play host to the Games in both 1920 and 1924, the Olympics were finally celebrated in Holland in 1928. This was the first games to have an Olympic flame lit during the event and was also the first time that 400m athletics tracks were used. Los Angeles 1932 - Jumping Hurdles Mildred Zaharias wasn't the only one overcoming hurdles and breaking records in 1932, with California attempting to look past the worldwide Great Depression plaguing the globe at the time. These Summer Olympics held less than half the number of participants that competed in its previous location, Amsterdam, because many nations were unable to pay for the trip to Los Angeles. However, this didn't seem to impact the US too negatively as newspapers reported that the Games nevertheless reaped a profit of US$1,000,000. Berlin 1936 - Showing Off After being denied their chance to host the games in 1916, Berlin gained a second opportunity in 1936. The games were held on the eve of the Nazi Regime's rise to power in Germany, which occurred two years later. In an attempt to outdo the Los Angeles Olympics four years prior, the Nazis built a new 100,000 seat track and field stadium, six gymnasiums and many other small arenas. London 1948 - Third Time is a Charm After the Games were cancelled in Tokyo in 1940 and again London in 1944 (due to the Second World War), the Olympics finally returned to the world stage in 1948. Due to the destruction the war had caused in Europe, the games became known as the 'Austerity Games'. No new venues were built for the games and rather than being housed in an Olympic VIllage, athletes were housed in existing accommodation. Helsinki 1952 - A Record Breaking Event Known for being the games in which the most number of records were broken (until the 2008 Olympics in Beijing that is), Helsinki also saw the return and first appearance of a large number of nations. A total of 69 nations competed in the games, a figure 59 higher than that of the 1948 Games. Japan and Germany both appeared this time, along with 13 totally new nations such as The People's Republic of China and the USSR. Melbourne 1956 - Exceeding Expectations Melbourne was selected by a mere one vote margin and many were skeptical of its suitability as the reversal of seasons would mean that athletes would be unaccustomed to the wintery weather at the Summer Games. The Games proved to be a success and later became known as the 'Friendly Games'. Betty Cuthbert (above) was a star for the Australian nation by securing three gold medals, in the 100m, 200m & 4 x 100m sprint relay. Rome 1960 - Frozen in Time After emerging from the quarter and semi-finals of the 100m with the quickest times, German Armin Hary jumped the gun by false-starting twice in the finals. By the third, time, he seemed to have honed his panther-like reflexes to run a speedy 10.2 second and take out the Gold Medal. Tokyo 1964 - Savvy Games The Olympic Games held in the Tokyo in 1964 were the first Olympics to be telecast internationally without the need for tapes to be flown overseas, as was required previously. They were also the first games in which South Africa was barred from participating due to its apartheid system. Mexico City 1968 - Black Power Although you've probably seen this image a thousand times, the use of sport for making overt political statements and to become a vehicle for change, which is embodied in this photo, cannot be ignored. The Black Power Salute, made by African American athletes Tommie Smith and John Carlos in the 1968, was a contentious gesture. Ostracised at the time, their demonstration only became recognised as a demonstration for dignity years later. Munich 1972 - Shadows The Games in Munich were largely overshadowed by the Munich Massacre, in which eleven Isreali athletes and coaches, a West German Police Officer and five terrorists were killed. Despite the event, the West German Government was determined to present a new democratic government, after the last games held in Germany was under the Nazi Regime. To this aim, the official motto of the games became 'the Happy Games'. Montreal 1976 - A Perfect Performance Romanian Gymnast Nadia Comaneci made Olympic history in the 1976 Olympics in Montreal by becoming the first female gymnast to ever be awarded a perfect score of 10 for her wondrous display on the uneven bars. Comaneci was also the the first Romanian gymnast to win the all-round event and was only 14 at the time - no wonder she appears to be floating on air. Moscow 1980 - Boycott Because of the Soviet Invasion of Afghanistan, the United States and a number of other countries boycotted the games in Moscow. As a result the games garnered a mere 80 participating nations, the smallest number since the 1956 Olympics. All in all a fairly non-eventful Games evidently. Los Angeles 1984 - Yep, another Boycott In retaliation to America's boycott four years prior, this time the Eastern Bloc nations boycotted the games. Seems like the fighting fire with fire approach is being employed here. Seoul 1988 - Cracking Under Pressure In the 1988 Seoul Olympics, the world's best diver at the time. Greg Louganis seemed to crack under the pressure - and that's not the only thing he cracked. In his attempt to complete a reverse 2 and a 1/2 pike somersault, the diver didn't get enough distance from the board and hit his head on the board, requiring temporary sutures. Barcelona 1992 - A Family Affair Renowned 400 metre sprinter Derek Redmond tragically tore a hamstring in the middle of the semi-final race at the 1992 Games in Barcelona. However, after his father tore past the security to go to his son's aid, Redmond was able to fight through the pain to complete a full lap, finishing with a standing ovation from the crowd. Atlanta 1996 - A Bombshell of an Olympics In the middle of the Atlanta Games in 1996, Eric Rudolph conducted his first of four terrorist bombings, killing two people and injuring 111. Rudolph bombed the Centennial Olympic Park, which was designed as the 'town square' of the Olympics. Sydney 2000 - Controversial Cathy Making the history books, Freeman brought glory to the Australian population by claiming the title of winner of the 400m track event. She was only the second ever Australian Aboriginal Olympic Champion. Following the race, the sprinter proceeded to (somewhat controversially and against Olympic norms) take a victor lap carrying both the Aboriginal and Australian flags. Athens 2004 - Making Waves Charnvudth Saensri of Thailand made waves with his strong stroke in the men's swimming 1500 metre freestyle heat in Athens. (Ok he didn't do that well but you can't go past the beauty of the photograph and his sheer determination). Beijing 2008 - As Fast as a Bolt Despite unfavourable wind conditions, Usain Bolt smashed through the 100m sprint world record with a swift 9.69 seconds. If that wasn't enough Bolt then went on to win gold and set another world record in the 200m. This made Bolt the first sprinter to ever break both records at the same Olympics.
Fast-expanding hospitality collective The Point Group has added a spacious Greek restaurant and bar to its far-reaching catalogue of Sydney venues that already includes the beloved Dolphin Hotel and the multi-storey venue Shell House. "We're staying true to Greek cuisine, calling on traditional recipes, cooking techniques and flavours, combined with incredible Aussie produce to present our contemporary take on classic Greek dining," says The Point Group's Culinary Director Joel Bickford. "At the heart of the menu are the essentials; an olive oil program and house made pita, a simple base to build out our menu from." The menu takes full advantage of the restaurant's seasonal produce and both the charcoal grill and woodfire ovens that you'll find in the kitchen. Begin your night with selections from the meze menu. The options are designed to encourage shared dining, with favourites like oysters with greek yoghurt ($4 each) , taramasalata ($14), baby burrata ($10) and kingfish crudo ($18) all here. Other exciting additions you'll find across the menu include dry-aged pork souvlaki ($16), king prawn saganaki ($34), feta and sweet pepper filo pie ($18) and wood-fired beetroot with sumac and fargo ($18). As with all of The Point Group's venues, the drinks list is a main feature and not an afterthought. "We want to create the very best quality wine and cocktail bar whilst embracing the bohemian spirit of Bondi," says restaurateur Brett Robinson. Accompanying an exciting wine list are memorable cocktails like a baklava old fashioned ($23) and Topiko's iced coffee ($23). The expansive venue can seat over 200 people across the dining room, 100-seat bar and outdoor terrace. Open from midday to midnight, it offers a new spot in the bustling eastern suburbs suburb for a snack, a catch-up over a wine or a group feast. Robinson calls it: "The perfect social meeting point, a pre/post-lunch or dinner drink and reliable place for friends to relax or celebrate no matter what time of day or night".
Across six seasons, Netflix's Chef's Table added plenty of high-profile additions to everyone's culinary bucket lists, celebrating the stellar kitchen skills of talents such as Massimo Bottura, Francis Mallmann and even Attica's Ben Shewry. For the streaming platform's next delicious adventure, it's re-teaming with the documentary series' creators for another food excursion — this time focusing on both famous and lesser-known players in the global street food scene. Available to binge now, the aptly titled Street Food hops around the planet to showcase hawker stallholders, food carts and other folks making a big impact in their small street kitchens. In the show's first nine-episode season, Asian cuisine is on the menu. Get ready to get hungry for dishes from Thailand, Japan, India, Indonesia, Taiwan, South Korea, Vietnam, Singapore and The Philippines. Each country earns its own episode, focusing on various local street food heroes, their stories of hard work and perseverance, and the cultural context behind their cuisine. In Bangkok, the well-known Jay Fai takes viewers through her story, while Delhi's Mohamed Rehan whips up a buffalo stew that's been tempting tastebuds since the 1800s, and Chiayi's Uncle Goat cooks in a giant oven cave. Over in Osaka, Mr. Kita has one of the oldest takoyaki stalls in the city, and Singapore's 85-year-old Master Tang has been making wanton noodles since he was orphaned in World War II. Already feeling your stomach rumble? Check out the trailer below: https://www.youtube.com/watch?v=eI_LjETc_Ak Street Food is available to stream on Netflix now. Images: Martin Westlake/Jisang Chung/M.Synchrony/Netflix. Updated: May 28, 2019.
Delicate jewellery and nostalgia-tinged womenswear is the department of designer Naomi Murrell, who works out of her studio in Adelaide. While her clothes are sold nationwide and have been featured in the pages of Frankie, Yen and Marie Claire, Naomi is a champion for her hometown and its vibrant, growing design and maker scene. In partnership with Pullman Hotels and Resorts, we're helping you explore more on your next holiday and make sure you get those experiences that the area's most switched-on residents wouldn't want their visitors to miss. In Adelaide, we've called in Naomi, whose favourite spots range from an artist-driven tattoo studio to a new retail and event space run by an indie rock power couple. A stay at Pullman Adelaide will not only put you in the thick of all this action, it will let you contemplate all you've seen in five-star luxury at the end of the day. Read on for Naomi's top Adelaide art and design hot spots in her own words, and check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. NAOMI MURRELL Of course I'm biased, but our store is definitely the go if you're looking for a fun outfit or gift. We design minimal, on point yet irrepressibly playful womenswear and fine jewellery. Situated on a relaxed laneway in Adelaide's East End, we stock Naomi Murrell alongside a curated selection of awesome designer pieces including Kowtow, Vege Threads, Kester Black, Spring Court, Bonne Maison, W Pico and Julie White. ENSEMBLE Located on Gilles Street in the city, Ensemble is a collective of like-minded creatives on a mission to bring you beautiful, timeless, style-driven pieces and experiences. These gals have got you covered for hip sustainable threads by Good Studios (Anny Duff), organic bedding and loungewear by Weft Textiles (Samia Fisher), artisan footwear by BB Shoemaker (Beccy Bromilow), E-S-T (Emma Sadie Thomson) greenery and other bits and pieces of handmade designer awesomeness. Look out for pop-up art shows, creative workshops and yoga classes in their gallery space as well. AGOSTINO & BROWN Hidden down an undiscovered city laneway, this spacious warehouse furniture showroom housing the work of Sam Agostino (designer) and Gareth Brown (stellar furniture craftsman) is a very inviting place. Stunning modern, playful pieces with pops of colour and loads of timber await — all finished with impeccable quality. Pieces are made locally in their workshop and many styles are customisable for your own interior space, whether it is residential or commercial. These guys are at the top of many an Adelaide designer and architect wishlist. Agostino & Brown pieces feature in the interiors of both our shop and studio. CULT AND HARPER A new venture by an indie rockstar couple — visual artist Lisa King and musician Jarrad Jackson — Cult and Harper is many things: a retail store, a gallery, a cyclorama photo studio, a bar and event space, and a home to art and DJ types. It is 450 square metres of art, fashion and culture coming at you with a New York-inspired street art vibe. Giant fashion-influenced murals by Lisa collide with posters of Basquiat and Warhol, Keith Haring-esque murals, loads of neon, crimson velvet shell couches and a rad collection of vintage brass furniture. PUSH PIN BOUTIQUE Push Pin Boutique is a darling vintage store housed in the prettiest rustic old building right near the Adelaide Central Markets. It specialises in 1950s-era frocks but also stocks froth-worthy garments, footwear and accessories from the 1940s to 1980s in a great selection of sizes for contemporary women. Owner Clare Matthews has wonderful taste, and the pieces she curates are always perfect for pairing with current trends, whether it's a '70s denim button-through skirt, a white mohair sweater or a camel-coloured French trench. You can always find that special something to add to your collection here. JAMFACTORY A unique not-for-profit organisation housing ceramics, glass, furniture and metal design studios, plus a gallery and design store, JamFactory is dedicated to providing the skills and business training in craft and design to emerging practitioners through a rigorous two-year program. The gallery and store showcases quality contemporary Australian design wares, including works by respected local designers such as Daniel To and Emma Aiston of Daniel Emma, Alice Potter, Sarah Rothe and Peta Kruger. Well worth a look-see! AFRICOLA Strictly speaking, Africola is a restaurant. A very good one. But with an interior fit out designed by James Brown and the gang at Mash, it's more like an intimate gathering at the home of an idiosyncratic art dealer. A dizzying confection of colour, canvases, tiling, lighting and kitsch furniture is all squished together in one amazing experience that will get your tastebuds — and, in fact, all your senses — buzzing. The words emblazoned above the bar, 'Don't Worry It's Only a Dream', serve as reassurance that you are (probably) not tripping and as encouragement to relax and enjoy this culinary wonderland. HUGO MICHELL GALLERY Hugo Michell in Beulah Park is hands down the most refreshing contemporary gallery in town. These guys show a fantastic selection of art by the likes of Miso, Ghostpatrol, Amy Joy Watson, Trente Parke and Lucas Grogan, to name just a few of my personal favourite exhibitions. Hugo has an eye for curating engaging, visually arresting and often very beautiful art shows with an exciting roster of local and interstate professional artists, all at the top of their game. TREADLY BIKE SHOP Treadly is the place to go if you want to build a bike, service a bike, or buy a bike or accessory, if you ride a bike or just wanna talk bike. Sam Neeft and his team of cycling aficionados and mechanics are down to earth, helpful and very enthusiastic about helping anyone with pretty much anything bike related. They also organise fun events such as the Boucle de Burbs and other adventures to encourage the cycling community to hang out and go riding together. And they do it in style with some very attractive bicycles. XO L'AVANT @ THE MILL XO L'Avant is an artist-driven contemporary tattoo studio, run by the loveliest crew ever at The Mill (a CBD co-working space also home to many other talented creative types). Founded by the talented Jaya Suartika (@jayaism), and featuring other resident artists such as Kyle Woodman (@yeahdope), Alex Harris (@folkandpoke) and Nadia Suartika (@__nadika__), the diverse range of illustrative styles on offer are original, amusing, delicate and always on point. Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
As the NSW bushfire tragedy continues, a number of articles have appeared discussing the various ways a home may be fireproofed. There are miraculous treatments such as this fire-retardant gel, but how do you build for the bush? It's certainly possible. Incredibly, in the 1970s Sydney architect Glenn Murcutt designed a house so safe that its owner moved many actual drums of petrol from the garage into it before a bushfire surrounded the property. In the States an extremely old, fire-safe construction method is currently trending: the rural Japanese tradition of shou-sugi-ban. Roughly translated as 'burnt cedar board', shou-sugi-ban supposedly dates back to the 1700s, when it was used primarily to safeguard against fire and to preserve the wood against rot. So how does shou-sugi-ban work? The reasoning goes, if wood has already been charcoaled, it's unlikely to catch fire a second time. Similar in principle to the weathering of steel, where oxidisation creates a protective barrier, wood is first scorched with a controlled method of burning then brushed with a stiff broom to remove excess soot. Next it's washed and dried, and finally treated with an oil like Penofin Verde. It just happens to look fantastic, with many shades and finishes achievable, depending on how long the wood is burned. Usually a paint or a stain is required to darken wood to an attractive chocolate hue with rustic texture, and both methods are subject to fading and degradation. But not shou-sugi-ban. Apart from providing resistance to flames, the charred wood also repels insects and rot. This makes it durable and long-lasting. A standard cedar might decay after five years, whereas the owner of a low-maintenance shou-sugi-ban wall or fence could expect 30 years without decay, which is a pretty dramatic difference. For this reason, as well as its visual attractiveness, lately it's appearing in many restaurants around the Bay Area in California. Companies like Shou-Sugi-Ban in the UK and Delta Millworks in Austin, Texas (a land where it is said that cowboys mingle with punks) have mastered how to artfully scorch reclaimed wood for beautiful and practical built spaces. We hope to see more of it popping up on our shores. Via PSFK
What is more real and more hilarious than life experience? Nothing. Which is why Sydney should brace itself for The Horse's Mouth. For the second time ever, Tamarama Rock Surfers Theatre Company has secured a killer group of local, interstate and international artists for the return of Sydney's only festival of autobiographical performance. Packed full of weird and wonderful tales, the festival will showcase the (sometimes) deeply personal and (usually) hilarious genre, at the Rock Surfers' home, The Bondi Pavilion. Perhaps the most anticipated performance of the festival will be Nassim Soleimanpour's White Rabbit Red Rabbit: a show performed cold, by a different actor each night. That's right, each ballsy actor will open the script for the very first time in front of an audience, with talent such as Alan Flower, Zoe Norton Lodge and Sopa Enari set to take on the challenge. A fascinating concept? Or a disaster waiting to happen? "I actually have no idea what this play is about. Absolutely no idea," says Norton Lodge, who'll be performing on Saturday 7th. "I have an intense child in me who wants to Google the shit out of it, but I haven't." Preparing for the play you're not allowed to prepare for can be pretty absurd. "I don't even know what I should wear," she says. "My method so far has been to have a protracted panic attack. But that's pretty stupid. It’s very pointless to worry about something you cannot control or prepare for in anyway. So that brings me to phase two. Sweep it under the rug and pretend it's not there." And really, what's the worst that could happen? "I come from a comedy background, so I'm a bit worried about having to get mega in touch with some serious feelings. But who knows, it could be racist. That would be worse. Why am I doing this...?" And with The Horse's Mouth marking its Sydney premiere, White Rabbit Red Rabbit is sure to deliver, having already received rave reviews worldwide. But it certainly won't be the only work exploding onto the Bondi stage. Award-winning comic David Quirk presents his part-tribute, part-confessional Shaking Hands with Danger, and The Wild Finish is a mesmerising work from New York theatre-maker Monica Hunken. Ado Saves the Gay World is an intimate musical comedy by Adriano Cappelletta, while Jimmy Dalton delivers All Made Up, an unusual show performed backstage in the Pavilion dressing room. "I am really looking forward to seeing Bron Batten's Sweet Child of Mine," says Norton Lodge. "It's amazing. It's got everything. Dancing. Extreme Braveness. Actual Parents. Actual Butt. I am really excited to see it again." Batten's play — which sees the artist's 60-year-old father appear on the stage with her — is among the six fresh and highly unique pieces on offer over the two-week period. In Norton's words, "There is only really one story you can tell better than anyone else. It's yours, baby ... All the crippling feelings, mangled memories and intricate detail are all there in your brain, waiting to blossom out of the caterpillar of your mind into the butterfly of your play." And who doesn't want to watch that happen?
UPDATE March 14, 2017: We'll admit when we're duped. We done got duped. The Frango's Delivery Service Facebook page has revealed their true colours as an unofficial, fake page. Frango's is tragically not offering delivery. Unleash the hounds, we can take it. Have you crossed the city for Frango's? You've crossed the city for Frango's. This Sydney institution's celebrated charcoal Portuguese chicken is the juiciest around and their ever-bustling, no-nonsense stores have one of the biggest cult followings in the city. Their secret sauce haunts our food dreams, and a mere mention of a Frango's chicken burger can trigger unstoppable, ranting praise. Now, to further fuel the mad ravings of Frango's fanatics, they're starting their own delivery service. Seriously. Frango's. Delivered. The first post to the Frango's Delivery Service Facebook page was only two days ago and yet the page already has over 1200 likes. Sydneysiders are losing their collective shit over this news, sharing on social by the handful, and we're right there with them. Delivery will gloriously run seven days a week, but only out of their Petersham shop for the time being. Before you rush to the phone, though, you'll have to wait a little longer to dig in at your desk — delivery services won't start until the beginning of April, so watch this space for the green light. Top image: Emmy Smith. Featured image: @ajsastulanovic via Instagram.
Those who are familiar with the Zetland log cabin-style eatery will be delighted to hear that it has finally made its way to the north shore, taking up residence in the dining strip of Willoughby Road. In its own words, the second outpost is 'more restaurant like', with the bright, airy interior once again brought to life by Otto Design Interiors. If you're craving a simple (but delicious) meal at a reasonable price, you'll want to make tracks here. Practically all bases are covered with offerings of seafood, salads, steaks, burgers, tacos and poke bowls on the menu. Standouts include the classic fish and chips, fish pie and the Ora King salmon. Featuring a concise list of mostly Australian wines and beers, as well as a solid children's menu, it's a great spot for a family meal out.
You've heard the old adage that it's the little things in life that make us happy, right? Well, something as simple as a cheap but damn fine coffee certainly fits that bill — and given that new cafe Little Evie Redfern roasts theirs in house and charges an affordable $3 per cup, they must agree. Setting up shop on Bourke Street, the inner west's latest boutique coffee spot will satisfy your daytime caffeine cravings every day or the week. They'll also serve up homemade cakes to go with it, because taking care of business on the premises is what this new eatery is all about. Fancy a just-baked peanut butter cookie with your fresh-roasted cuppa, anyone? If you're after something more substantial food-wise, expect banana bread with ricotta and strawberry, breakfast bruschetta with horizon and haloumi, and lemon myrtle-cured salmon with scrambled eggs on Little Evie's all-day brekkie menu. Lunchtime options include sandwiches, salads, burgers and soups, aka the perfect kind of homemade fare. And if you're not a coffee fiend — because they do exist — then jugs of house-made soda, six types of cold-pressed juices, a range of shakes and smoothies, a sizeable wine and choice of four Aussie beers should satisfy your thirst.
Conversation Piece directed and choreographed by Lucy Guerin, begins with an improvised conversation between three dancers, Alisdair Macindoe, Harriet Ritchie, and Rennie McDougall. The quotidian chat is recorded on iPhones and used as base material for the performance that follows. The exchange is different each night. Joining the dancers on stage are three actors: Alison Bell, Megan Holloway, and Matthew Whittet. The show is something of an experiment. Guerin devised the work in collaboration with the performers, and the result isn't so much a blend between dance and theatre as a meeting. The contrast between the dancers and actors is clear and at times hilarious. Bell and Holloway try to follow a choreographed routine at one point with comic results, and Whittet's attempt to resist the lyrical advances of Macindoe is wickedly funny. Conversation Piece is a bit empty as a play and indeed makes more sense as a dance piece or even perhaps anti-theatre. The language used in this show is abstracted and words are almost treated as found objects. The show has much in common with Peter Handke's 'Sprechstücke' or 'speak-ins', which use words to form language criticism rather than well-made plays. As with Handke’s works, Conversation Piece uses words as toys to be played with rather than vessels of expression or description. In fact, there couldn't be a better example to support the argument that words do not hold meaning; rather, it is their use that is meaningful. Bell rendering some of Ritchie's banal comments into vicious condemnations is a prime example. The music created by the performers with their iPhones is hugely enjoyable, and Robin Fox's sound design mostly supports the action on stage. A few of her choices seem an odd fit though, such as Johnny Cash's version of The Mercy Seat playing during a choreographed sequence. The song is extremely lovely, but stands out as a grand emotional wash against the otherwise very detailed production. Other than this moment, the piece never hands us grand narratives or sentimentality. Instead, we're treated to a joyful string of conversations between technology, language, and movement.
There are a lot of things to like about The Dock, and this is the first. I walked in on a Monday night, ordered a Stevie Nicks and was charged $10. I looked at the bartender with an expression of great confusion until he explained it was $10 cocktails Sunday, Monday and Tuesday. Hoorah! The Stevie Nicks is a mixture of Amaretto, Carter Premium lager and Coke. I know it sounds odd, but it's surprisingly tasty and nothing else tastes quite like it. This cocktail is also served with the remainder of the beer on the side, so you can top it up if it's too sweet for your liking. After we sat down on the comfortable high tables, we were delivered a bowl of free popcorn. In my opinion, this salty snack should replace gross bar nuts the world over. Next cocktail was the Rusty Nipple, the house cocktail invented by Jed Clarke (formerly the infamous Beer Baron) who runs the joint. It's made up of rum, whiskey, ginger ale and a few other secret ingredients. The result tastes almost like an iced tea with a citrus tang. It goes down very easily - a good choice if you don't like tasting the alcohol in your drink. Next in line, The Bloody Mary, was expertly made with a cornichon, floating pickled onions and just the right amount of spice. If you've downed a few cocktails and decided your self-imposed 10pm curfew needs to be thrown out the window, try one of their shots. With titles like Flamin' Moes (a concoction of absinthe and a some other unnameables which is served burning like the devil's favourite tipple), you know you're in for a good night that you'll only have hazy memories of tomorrow. With Sinatra crooning in the background and super personable bartenders, it's equally the kind of place you could go for a quiet night, sipping on the excellent Carter lager (if you find a great bottled beer for $7 anywhere else I'll buy it for you), and maybe a Whiskey Sour or an Old-Fashioned as a night cap. If they decided to replace the 'vintage' beer posters, this place would be just about the perfect local watering hole to drink good alcohol without paying an arm and a foot. Watch this space, we hear talk of a regular fashion market on Saturdays with $10 cocktails on offer. Images: Katje Ford.
Sydney is set for a new dose of traditional Cantonese cooking next month when Canton! Canton! opens in the CBD. The restaurant is by the Jewel Pantry Group, a dining group focusing on cuisines from the Asia-Pacific, which launched just last October. And it has taken over the old Tim Ho Wan Sydney outposts (and nabbed its chef) on George Street and Pitt Street Mall. Tim Ho Wan — the world's cheapest Michelin-starred restaurant — launched in Sydney in late-2015, before suddenly closing last year. While the Jewel Pantry Group has taken over the chain's former CBD outposts, there's no word yet on what will happen to Tim Ho Wan's Chatswood's store, which is also closed. The first of the dining group's venues to launch will be Canton! Canton!, which will take over the George Street site in mid-February. The 68-seater will have Executive Chef Jacky Chan at the helm, who used to run the kitchen at Sydney's Tim Ho Wans. He boasts 28 years' experience cooking Chinese fare, with a special career focus on dim sum — he's trained with top Hong Kong chefs and held the title of head dim sum chef at Shangri-La Hotel, Singapore, too. Patrons can expect yum cha, barbecue pork buns and Chinese teas from 11am, followed by barbecued duck, pork and chicken, roasted in-house daily. For dinner, there'll be mains like braised pork belly with preserved veggies, alongside an extensive wine list and a signature Hong Kong-style caramelised Malay cake for dessert. Three banquet menus will also be on offer. [caption id="attachment_518017" align="alignnone" width="1280"] Shumai at Tim Ho Wan.[/caption] The fit-out is courtesy of interior designer Dorian McCartney (Hydra Design) and architect Raymond Teo. The design is inspired by the street markets of Canton, with 'opium bed' booths and antique tea crates previously used by Chinese shipping merchants. The hospitality group's second venue, Mr. Fatt, will open in the Pitt Street Mall site later this year as a 12-seat takeaway joint. While Canton! Canton! leans towards tradition, Mr. Fatt will instead offer a modern fusion of Singaporean and Malaysian fare. And you can expect more restaurants to join The Jewel Pantry Group's portfolio in coming months, with a Hainan rice specialty on the menu. Canton! Canton! will open mid-February at Shop GD004, 580 George Street, Sydney, with Pitt Street Mall's Mr. Fatt to follow later this year. Keep an eye on this space for opening date and hours. Image: Executive Chef Jacky Chan.
If you've heard all the fuss about The Dolar Shop, you'll be happy to know the Chinese/Macanese hot pot empire is on our shores. With 53 global restaurants under its belt, the group chose Market City's 1909 Dining Precinct for its flagship Australian store. Joining Chongqing noodle spot Mr Meng, DIY Korean barbecue joint Kogi, sushi burger joint Gojima and Ashfield's Beijing Impression in the fancy food hall, the 200-seat eatery is serving up an authentic taste of Macanese fare. For the uninitiated, that's a bold blend of Portuguese and Cantonese cuisines. It's a venue primed for big share feasts, with the menu filled with options for customising your ideal hot pot banquet. Once you've selected the various elements, a pot of stock arrives at your table, to then simmer on the hot plate while you cook your chosen ingredients. Base broth varieties run from a light chicken consommé, to the gutsy Szchuan 'hot & spicy' number, both to be teamed with various cuts of premium meats, fresh seafood and vegetables. You'll find top-quality wagyu, fresh noodles, signature dumplings and just about every type of mushroom you've ever heard of. And the seafood offering is huge, with options like Tasmanian red lobster, blue swimmer crab, live prawns and local abalone making for some pretty pimped-out seafood hot pots. Before you start cooking, hit The Dolar Shop's dedicated sauce bar to get creative with the condiments, or let the menu guide you towards one of the suggested sauce pairings. The space itself is elegant, decked out with a healthy dose of marble and metallics, and there's even a trio of sleek private dining rooms for those who want to take their hot pot experience to the next level. Images: Anna Kucera.
Situated on the ground floor of Western Sydney University, relaxed eatery Mikazuki is popular for its extensive menu of Japanese favourites, ranging from udon and ramen to sushi and tempura. When all other mid-study lunch options fail to inspire, you can always find a certified winner here. For a quick lunch between meetings or classes, opt for a yuzu avocado salad topped with sliced salmon sashimi; the rainbow roll with salmon, kingfish, tuna, ebi, avocado and crab mix; the chicken katsu curry; or a poke bowl. If you're after something more substantial, Mikazuki's specialty dishes include a wagyu beef bowl with crispy onion, salmon roe and an onsen egg; baked scallop and rice in a creamy, spicy sauce; the fiery volcano ramen; and the chef's omakase sushi and sashimi platters to split among your crew (or just attack solo, if you're so inclined). The venue serves lunch between 11.30am and 3pm every day and reopens for dinner at 5pm or 5.30pm on Saturdays. With outposts in Eastwood, Chatswood, Strathfield, Riverside, Parramatta and Haymarket, Mikazuki has really stretched its presence across Sydney, serving up casual Japanese fare to all and sundry.
The Christmas decorations are up and All I Want For Christmas Is You has crawled its way back to the top of Mariah Carey's most popular songs on Spotify. That can only mean one thing – the most wonderful time of the year is almost here. And though it may be daunting to start thinking of the holiday already in November, the fact that you are thinking about it means you can be prepared this year. Every year you promise yourself you'll start your Chrissy shopping earlier, and this year the gift-giving gurus at hardtofind are going to help you finally follow through. Curated marketplace hardtofind offers genuinely different gifts, homewares and fashion online, but now they're bringing their market to the real world. Teaming up with EQ Moore Park, hardtofind is kicking off a new monthly market just in time for Christmas, bringing their wares for Sydneysiders to peruse in real life. Think artworks, jewellery, home and garden accessories, clothing, knick-knacks and do-dads — you name it, they've probably got it. And the best part is, heaps of the gifts can be personalised with a name, monogram, message or date for that extra-special touch. With two pre-Christmas markets and a return in early 2018, the hardtofind market will run on Sunday, November 26 and Sunday, December 17. So, whether you're a super-organised elf or a last-minute Scrooge, you have plenty of chances to get your Chrissy shopping wrapped up.
