Stanley Street's about to get pretty Pacific Northwestern; IconPark has announced their next pop-up residency. Revealed today, the Darlinghurst space will play host to dream team collaboration Rupert & Ruby from August 25. Bringing together Fat Rupert's Eli Challenger and Aaron Pearce and IconPark favourites Ruby's BBQ, this collaboration marks the second pop-up for the Stanley Street space, following Matt Stone, Bobby Carey and Jeremy Spencer's celebrated Stanley Street Merchants — finishing up this Saturday, August 9. Launched in this year as a top notch crowdfunding experiment, IconPark was launched to showcase Australia's top hospitality goalkickers — basically providing a space to let kickass collaborations come up with something super special (and temporary). Identifying various teams from their first season of successes, the brisket-loving Ruby's BBQ was invited to curate the second residency for IconPark's second Stanley Street pop-up. "The Ruby’s BBQ concept was so popular at the Taste of Sydney festival, we just had to give these talented and passionate people an opportunity. They will bring a new dimension to the Stanley St location," says IconPark co-founder Dean McEvoy. Fingers crossed for the offensively high-fiveable bourbon iced teas they cranked out at Taste. Opening late August, the Darlinghurst space will see Bondi's beloved Fat Rupert's team up with braised goodness of Ruby's BBQ (again — the two have paired up for residencies together in the past). Expect modern twists on the flavours of modern Australian-meets-traditional American food — revamped egg dishes, fried chicken and waffles, and the go-to Rupert's menu of addictive burgers. FR's award-winning Yeezy Sliders have been realised in full form as the Big Poppa, with the Bondi Babe and Notorious K.F.C little'uns getting the Rick Moranis treatment as well. But good ol' greens aren't left out of this, with Eli Challenger's signature salads and vegetable dishes joining the ranks at Rupert & Ruby. Canadian-born and Porteno-trained, Challenger is one of Sydney's best culinary assets; taking out the coveted 2014 People's Choice Award at Taste of Sydney. "Eli is such an exciting young culinary talent, the festival goers at Taste of Sydney recognised the passion he and his team put into their work. IconPark trusts in the ‘crowd’ of diners in cities to identify brilliant talent," says Paul Schell, IconPark co-founder. Will & Co will crank out coffee at the all-day eatery, a genuine treat for inner-city coffee aficionados who haven't found the lads on Bondi's Hall Street yet. With Stanley Street Merchants closing up this Saturday, August 9, the highly successful St Ali coffee operations will hang around and continue serving their applaudable coffee until Rupert & Ruby open their doors on August 25. Rupert & Ruby will open at IconPark, 78 Stanley St Darlinghurst on August 25 and reside until the end of 2014. Bookings are now open here. Look out for season three of IconPark, with new IconPark crowdfunding locations set to be launched around the city.
If your natural response to winter is to stay indoors, rug up, make friends with your couch and activate hibernation mode, you might be feeling rather happy about your usual frosty routine over the weekend of Saturday, July 13 and Sunday, July 14. Thanks to a cold front that's currently moving through New South Wales from the alpine region, the Bureau of Meteorology is forecasting blustering winds across Sydney for the next two days, with gusts potentially reaching 90 kilometres per hour. BOM has issued a severe weather warning for the possibly damaging winds, noting that they'll blow west to southwesterly, especially on Saturday. While the present cold front is anticipated to ease on Saturday afternoon, another is due to make its presence known on Sunday, which means the breeziness will pick up once again. The Bureau is specifically cautioning about winds of around 70–80 kilometres per hour in Sydney, and advises that gusts up to 90 kilometres per hour are possible. Folks in Illawarra, the eastern parts of the Central Tablelands — including the Blue Mountains — and Southern Tablelands, as well as the high country around the Upper Hunter and Barrington Tops, can all expect winds of 60–70 kilometres per hour in Illawarra, with gusts exceeding 90 kilometres per hour. https://twitter.com/BOM_NSW/status/1149784201874616320 Sydneysiders are only being warned about Saturday so far, while those in the other aforementioned regions should factor more than a stiff breeze into their entire weekend. Temperatures in the city will only reach 15 degrees on Saturday and 16 on Sunday, which will help to keep things chilly regardless of the wind. On Facebook, NSW SES recommends that residents secure loose items, and move vehicles undercover or away from trees. If you're not only venturing out of the house today, but to the airport, the windiness could interfere with flights into and out of the city — travellers in some parts of the country, such as the Gold Coast, have already been advised of possible delays due to Sydney's blustery conditions. The winds are forecast to drop off on Monday, when the second cold front will move away from NSW. Image: Jason Tong via Flickr.
Whatever else the past couple of years have served up, it has been an impressive time for folks who like staring up at the sky. 2016 ended with a huge supermoon that had everyone looking to the heavens, then 2018 began with an extremely rare super blue blood moon (a supermoon, a blue moon and a total lunar eclipse all at once). Next, at the end of July, an epic lunar eclipse will mark the next notable celestial happening. WHAT IS IT? On Saturday, July 28, earth will bear witness to the longest lunar eclipse of this century — with the penumbral eclipse lasting just shy of four hours (236 minutes, to be exact) and the total lunar eclipse spanning 103 minutes. If you're wondering what the difference is between the two (because we're all more familiar with The Mighty Boosh's take on the moon than actual lunar terms, aren't we?), a penumbral eclipse is when the earth's outer shadow falls on the moon's surface, while a total lunar eclipse involves the moon passing directly into the earth's actual shadow. WHAT'S SO SPECIAL ABOUT IT? As well as offering a great excuse to go stargazing, the 103-minute total eclipse pips the 100-minute event that took place on June 15, 2011 — although it falls just short of the 108-minute event on July 16, 2000. That said, eclipses that last this long are rare. When the super blue blood moon came around earlier in 2018, its full eclipse only lasted 72 minutes. In fact, if you miss it, you'll need to wait until 2029 for a 102-minute total lunar eclipse, with others lasting the same duration expected in 2047 and 2094. Nothing that reaches 103 minutes will in length will occur again this century — and no total lunar eclipses of any length will be visible from Australia again until May 2021. During the main event, the moon will also turn a blood-red shade thanks to sunlight that's filtered and refracted by the earth's atmosphere. So as well as a total lunar eclipse and a full moon, it'll be a blood moon as well. WHEN CAN I SEE IT? Australians will be able to spy the penumbral eclipse from 3.14am local time and the partial eclipse from 4.24am, before the full thing at 5.30am. If you're not able to tear yourself out of bed that early on a winter weekend morning, the maximum eclipse will occur at 6.21am. We won't be able to see the end of it, however, as the moon will be below the horizon when the full, partial and penumbral eclipses end (at 7.13am, 8.19am and 9.28am local time, respectively). For the full details, timeanddate.com has put together a handy to-the-minute schedule of when the eclipse will be happening in Sydney, Melbourne and Brisbane. [caption id="attachment_678443" align="aligncenter" width="1080"] Sydney total lunar eclipse times via timeanddate.com[/caption] Have your cameras at the ready, obviously — and see if you can outdo the previous big batches of supermoon snaps and super blue blood moon pics. WHERE CAN I SEE IT? Being in the southern hemisphere, we get some of the best views in the world — weather permitting, of course. Everyone in Australia should be able to catch a glimpse, but, even so, if you're living in the city, it would be best to as far away from light pollution as you can. Unsurprisingly, possible showers are predicted for the day in Sydney and Melbourne, which could have an impact upon visibility; however Brisbane is supposed to be mostly sunny. For Sydneysiders looking for a specific stargazing (or moon-viewing) spot, Sydney Observatory will be open from 5am. If you can't get a clear view, The Virtual Telescope Project will be live-streaming what they're calling 'The Night of the Red Moon and the Red Planet' – because Mars will also be visible in the sky — from the skyline above Rome from 4.30am AEST. Via Space.com and timeanddate.com.
Step back into Japan’s oldest tradition of dramatic art with Theatre of Dreams, Theatre of Play at the Art Gallery of New South Wales. This exhibition features a range of cultural materials, from enigmatic masks and dazzling costumes through to paintings, musical instruments and songbooks. Drawing upon the theatrical tradition of no, often referred to as Japanese Opera, this exhibition will uncover the historical rituals and symbols that shape the refined elegance and complexity of this continuous art form. This type of performance is also interspersed with brief comedic interludes, known as kyogen skits, typically recounting folk tales and anecdotes from everyday life. In representing these two styles, curator Dr Khanh Trinh explains, "These objects are not just functional props but also items of great aesthetic appeal ... the patronage by the military nobility also means that no costs and efforts were spared in their production." There has been an immense effort to preserve the fragile beauty of these objects, handed down through influential households. Dating back to the samurai age, many of these artefacts have never been exhibited outside of Japan. It's a rare opportunity to marvel at the richness and intricacy of one of the world’s most ancient forms of performance.
Before 2020 rolled around, the Victoria–New South Wales border hadn't closed for more than 100 years. So when it shut last July, it was a rather big deal. In the months since, however, residents of both states have seen the situation change back and forth multiple times. After a COVID-19 outbreak hit Sydney's northern beaches over the Christmas and NYE period, the border closed again, with Victoria starting 2021 by shutting off to all of NSW. Since then, the latter state reopened to regional NSW, then to all but ten Greater Sydney local government areas and finally to all but one LGA. From 6pm tonight, Friday, January 29, it's reopening to that last LGA, Cumberland — which means that no one in NSW will be forbidden from entering. Victoria implemented a traffic light-style system earlier in January, which colour-codes different regions of the country depending on their COVID-19 cases — so, as part of this new change, Cumberland will move from a red zone to an orange zone. That'll mean that folks who've been in the LGA in the past 14 days can enter Victoria, but they'll need to isolate on arrival and get tested within 72 hours. And, they'll need to receive a negative result before they're free to leave isolation. They also have to apply for a permit before entry, too — like all Australians, because compulsory permits are now part of Victoria's process for anyone who wants to enter the state. If you try and enter Victoria without a valid permit, you risk being fined $4957. You can apply for one online. Cumberland isn't the only part of NSW that has been downgraded, either. Victoria is also moving all parts of the state that were previously classified as orange zones to green zones. On the list: the Greater Sydney LGAs of Blacktown City, Burwood, Canada Bay City, Canterbury-Bankstown, Fairfield City, Inner West, Parramatta City and Strathfield Municipality and Liverpool, plus Wollongong and the Blue Mountains. Travellers entering Victoria from a green zone still need to apply for a permit, but do not need to get tested or isolate on arrival, unless they develop symptoms. https://twitter.com/VicGovDHHS/status/1354985485140185093 The loosened border restrictions come as Victoria records its 23rd consecutive day of zero new cases of community transmission. Overnight, the state did record one new case in hotel quarantine. Announcing the change in a statement, Premier Daniel Andrews said that he is "extremely happy to see the last red zone in New South Wales be downgraded. We're reminding people to get tested if they're returning from an orange zone, so we can continue to enjoy an open and COVID-safe summer." For more information on Victoria's new permit system — or to apply for one — head to the Department of Health and Human Services website.
Plan a trip to South Australia, and spending time surrounded by grapes is probably on your agenda. This year, you can pair all those winery visits with plenty of pumpkins, too, because Yayoi Kusama's pumpkin-focused infinity room The Spirits of the Pumpkins Descended into the Heavens will display at the Art Gallery of South Australia from Friday, April 1. Australia just keeps going dotty for Kusama. Brisbane's Gallery of Modern Art's hosted a kaleidoscopic exhibition dedicated to the Japanese artist back in 2017, her Obliteration Room has proven a hit in the Sunshine State several times and, going one better, Canberra's National Gallery of Australia acquired The Spirits of the Pumpkins Descended into the Heavens back in 2018. While the latter is a permanent addition to the NGA's collection, it's also going on the road on — which is why Adelaide is your next place to see oh-so-many dots. The piece was first exhibited in 2015. Comprised of a mirrored cube filled with yellow, dot-covered pumpkins, it's a quintessential Kusama work. Whether you're a devoted fan who considers visiting the artist's own Tokyo museum a bucket-list moment, or someone who has simply placed stickers around one of her obliteration rooms, you would've noticed that dots and the concept of infinity are crucial to her art — "our earth is only one polka dot among a million stars in the cosmos," she says. Inside the cube, the bulbous vegetables appear to create an endless field thanks to the shiny surface. On the outside of the cube, the structure's mirrored exterior reflects the yellow-and-black walls in the surrounding installation room — again, making it appear as though the pattern stretches on forever. The NGA's acquisition was made possible via a gift from Andrew and Hiroko Gwinnett, which is also supporting the infinity room's tour. AGSA hasn't revealed how long it'll be on display, but entry will be free — and it's obviously a must-visit addition to any Adelaide itinerary. Images: Installation view, THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS by Yayoi Kusama, 2017, National Gallery of Australia, Canberra. © Yayoi Kusama, courtesy of Ota Fine Arts, Tokyo/Singapore/Shanghai.
A road trip through the American South is one of those epic, once-in-a-lifetime journeys. It's also the epitome of Americana and offers an unrivalled way to experience the South. The sheer distance between many of the South's most distinctive sights, sounds, culture and history can only be bridged via four wheels, and there's no freedom quite like the one when you take to the road. Your next destination depends only on your interests and how much fuel (or gas, as it's known in the States) is in the tank. In partnership with Travel South USA, we've curated the best routes in each of the South's nine states to accelerate your trip planning. Create an adventure that's entirely your own by linking up different sections of the region's countless routes. Whether you want to cruise through vibrant towns, savour Southern cuisine or catch your breath in the face of awe-inspiring natural scenery, the open road can take you there in the South. Route 66 — Missouri One of America's most iconic highways, driving along Route 66 is a classic American road trip. Affectionately known as "Mother Road", the route covers over 450 kilometres traversing America from east to west, but Missouri's stretch is one of the highway's best segments. Not only will you pass through two of Missouri's largest cities, encounter well-preserved motor courts harkening to a bygone era and enjoy incredibly scenic views, it also takes in some of the Route's most historic attractions and is lined with fascinating landmarks that will have you stopping the car every couple of miles. Music, Marches and Mardi Gras — Alabama The South is and historically has been a region of outsized cultural impact in America — and a road trip through Alabama is one of the best ways to see the history of the US firsthand. Stop in the central cities of Birmingham, Montgomery and Selma, where Dr. Martin Luther King and Rosa Parks made history; in Muscle Shoals where music history was made with recordings by many of America's most influential artists; and in Mobile, which is one of America's oldest cities, the birthplace of Mardi Gras and where you'll find fresh seafood straight out of the Gulf. For miles of powdery white sand, beaches, resorts and plenty of outdoor fun, be sure to stop at Alabama's coastal cities of Gulf Shores and Orange Beach too. Outer Banks Scenic Byway — North Carolina Extending for over 138 miles (about 220 kilometres), the Outer Banks Scenic Byway follows the barrier islands off the coast of North Carolina. Showcasing the region's scenery and history, you'll drive alongside pristine beaches, windswept dunes and local landmarks. In addition to the charming coastal towns en route, be sure to add these must-sees to your road trip itinerary: Wright Brothers National Memorial, which commemorates where the first flights in heavier-than-air aircrafts took place; Jockey's Ridge, the tallest living sand dune system on the Atlantic coast; Cape Hatteras National Seashore, where you'll find America's tallest lighthouse; and fuel your sightseeing by filling up on oysters along the North Carolina Oyster Trail. The Kentucky Bourbon Trail — Kentucky The American South is the birthplace of bourbon and nowhere is it better to experience that culture than in Bourbon country itself along the Kentucky Bourbon Trail. The trail takes you through the state's legendary distilleries, showcasing the craft of bourbon-making. With the option to stop at a few distilleries in the state or at each and every single one, the trail can last anywhere from four days to a whole leisurely month on the road — all while taking in the rest of the sights of Kentucky too. Tennessee Scenic Trails & Byways — Tennessee Tennessee's 95 counties are filled with hidden gems just waiting to be explored. Take the scenic route and embark on any number of the state's 16 self-guided scenic drives. The trails and byways are a breeze to follow — they're well marked by brown signs — and you'll discover captivating attractions, local eateries and noteworthy stops along the way. Highland Scenic Highway — West Virginia Nestled in the Monongahela National Forest, the Highland Scenic Highway is one of the most stunning drives on America's East Coast. Over 43 miles (about 70 kilometres) the route traverses crystal clear rivers and wild forest where native spruce trees tower. This unmissable drive promises panoramic views and adventures in the Potomac Highlands and is one of the best ways to experience West Virginia's natural beauty. [caption id="attachment_988789" align="alignnone" width="1920"] Angela Liguori[/caption] Scenic Highway 11 — South Carolina Named after the Native Americans who once called the South Carolina foothills home, Cherokee Foothills Scenic Byway (South Carolina Highway 11) captures some of the most stunning views of South Carolina's mountains and landscapes. Along the highway, take in views of Table Rock State Park's 350-million-year-old granite dome. Stop along the way for a hike or canoe in the State Park, or continue driving to experience the beautiful Wildcat Branch Falls from the comfort of your car. Natchez Trace Parkway — Mississippi If you've ever wondered where the largest octagonal home in America can be found, the answer lies along the Natchez Trace Parkway at Longwood, a historical home that's listed on the US National Register of Historic Places. Spanning 444 miles (about 715 kilometres) through Mississippi and two other states, the scenic drive includes historical points of interest and passes through lush forest where outdoor adventures such as biking, hiking, birdwatching, picnicking, or camping amidst the state's wilderness await. Great River Road — Louisiana See all of Louisiana along the Great River Road which follows the Mississippi River from north to south. This route is a designated All-American Road, which means it contains features that can't be found anywhere else in America. On this route, you'll find UNESCO sites such as Poverty Point World Heritage Site, where artifacts dating back to 1700–700 BC are still being uncovered; the Frogmore Plantation and Gins, a still-functioning cotton farm that tells story of slavery in the area; the tallest state capitol building in the US in Baton Rouge; and New Orleans where an abundance of museums can be explored alongside world-class venues and restaurants and a thriving live music scene. Find your next adventure in the South. Discover more unforgettable destinations and start planning your trip with Travel South USA.
It's been a busy couple of months of stargazing, with both the Lyrid and Eta Aquarids Meteor Showers lighting up our skies, as well as a supermoon. This weekend, there are another two reasons to look up, too: a strawberry moon and an eclipse. Well, it's penumbral lunar eclipse. And you'll have to shake yourself out of your warm bed at a super-early hour on the morning of Saturday, June 6 to catch this one. While the penumbral lunar eclipse — which occurs when the Earth moves between the Sun and the Moon, but they don't form a perfectly straight line — will start around 3.45am, the maximum eclipse will occur at 5.24am. From here, you'll only have a very short amount of time to catch the main event, with the moon setting at 6.59am. For the full details, timeanddate.com has put together a handy to-the-minute schedule of when the eclipse will be happening in each city. During a total lunar eclipse, the moon turns a shade of red, but during a penumbral eclipse, which is much subtler, it'll appear to look dark grey or silver. For a lunar eclipse to occur, there must be a full moon. This June full moon is called a strawberry moon after the wild strawberries that ripen at this time of year. If you can't get a clear view, The Virtual Telescope Project will be live-streaming the partial lunar eclipse from the skyline above Rome from Saturday, June 6 at 5am AEST.
As far as winter comfort food goes, a big serve of rustic-style gnocchi has to be up there with the best. But, even better? A bottomless, never-ending serve of gnocchi, like the kind being served up for two Wednesdays at The Stables Restaurant. The Paddington eatery is getting right into the spirit of the chilly season, with its new Winter Wednesdays gnocchi deal, on offer from 4pm on Wednesday, July 10 and Wednesday, July 17. On these two nights, the kitchen is whipping up three styles of gnocchi and you can devour as much as your belly can handle for just $20 a head. And we think that's a pretty standout bargain. Choose from a classic pesto version, an 'nduja number and a creamy gorgonzola gnocchi, all of which probably work a treat alongside a couple of glasses of red from The Stables' impressive cellar selection. We think these two nights will fill up (like your stomach) pretty quickly, so if you're keen to head along we suggest you get there early. Images: Kimberley Low
Inspire packed halls to erupt with laughter, travel around picturesque locales while eating meals with Steve Coogan, and imitate everyone from Tom Jones to Michael Caine. Yes, there's much that Rob Brydon can do. He can also hold his own on every British panel show ever made, play a traffic warden in Lock, Stock and Two Smoking Barrels and make his voice sound like it's echoing from a box. But not even this multi-talented Welsh comedian can keep Swimming with Men afloat. Brydon's latest big-screen outing wants to bob along the surface of the offbeat sports comedy pool. It wants to paddle around casually, making viewers happy without making too big a splash. Alas, this by-the-numbers comedy sinks quickly, as you might expect given its premise: The Full Monty, just with synchronised swimming. The mix of curiosity, amusement and puzzlement that synchronised swimming sometimes sparks ("really, this is actually a sport?") is Eric Scott's (Brydon) starting position. To be fair, he's similarly bewildered by much of his routine life. The closer that his local councillor wife Heather (Jane Horrocks) seems to get to her colleague Lewis (Nathaniel Parker), the more blustered Eric becomes, and the more his son Billy (Spike White) revels in the uncomfortable situation. Gin doesn't cure his despair, however a dip in the local pool just might. In the beginning, Eric only notices the amateur synchronised swimming squad because they have the wrong number of members, and naturally he's an accountant. And yet it's not all that long until he's joining their ranks. The difference between formulaic comedy done well and formulaic comedy done badly is often a matter of mood and energy. With Swimming with Men reaching cinema screens at the same time as the also straightforward Fighting with My Family, that couldn't be more evident. The pair have their commonalities and their contrasts. Both are based on documentaries — 2010's Men Who Swim, about an all-male Swedish team, in this case — and both tell standard underdog tales. Each focuses on a vastly dissimilar sport, and has its own target market in mind. But the flat, dull feeling that Swimming with Men evokes is all a matter of tone and spirit; specifically, it doesn't have much of either. Instead, the film presents a forced feel-good vibe, a strong desire to swim in Calendar Girls and Brassed Off's slipstream, and very little to make it stand out. Skimming along the surface of its male malaise theme, it also boasts a rote group of hardly fit and heavily discontent blokes surrounding Brydon: Rupert Graves plays the slick one, Adeel Akhtar is the cynic, Jim Carter is sensitive, Daniel Mays is both hot-headed and stressed, and Thomas Turgoose is the token troubled youth. No one is at their best, and while treading water is an essential part of donning speedos and doing eggbeater kicks, the cast does so both literally and figuratively. Screenwriter Aschlin Ditta doesn't give anyone much choice, saddling them with easy, lazy humour and zero trace of character development. Also wading half-heartedly is director Oliver Parker. Trading the teen-centric St. Trinian's flicks for the silliness of Johnny English Reborn, and then for the middle-aged antics of Dad's Army and Swimming with Men, he's happy to take the dullest, most obvious route through the movie. It's the filmmaking equivalent of slowly paddling laps rather than busting out any acrobatic moves — and while you can swim freestyle leisurely with a smile, it's always going to remain the same old stroke. When the film reaches its big climax, a synchronised swimming contest, it almost seems like Parker realises how little excitement he has put on the screen. Rather than relishing the performance, appreciating this odd bunch of unlikely men banding together and doing their best, or eagerly celebrating their achievement, he keeps jumping to shots of the watching crowd. They might be enthused, but after such a bland affair, it's difficult to share their sentiments. https://www.youtube.com/watch?v=3pzvyIZdXTY
Ryan Matthew Smith doesn't just cook and eat food - he spills its, throws it, sets it on fire and then shoots it with a sniper rifle to make sure. He's also a photographer, and has documented these sick culinary experiments in a 2,400 page tome on the subject, Modernist Cuisine: the Art and Science of Cooking. From collating several individual exposures for one delectable cutaway shot of hamburgers on a grill to shooting a lineup of eggs with a sniper rifle at 6200 frames per second, Smith shot 1,400 images for the cookbook/artwork. Despite little experience in studio work, Smith explains in an interview with Feature Shoot that his extensive portfolio of nature and architecture photography helped prepare him for the task. "Having a strong artistic sense towards photography in general can easily transfer through any of the disciplines from advertising all the way to fine art," he says. [via Coolhunting]
The force is strong with this one — the Lego-building force, that is, with the largest collection of life-sized Lego Star Wars models ever assembled, as well as the biggest touring Lego exhibition, set to hit Australia in 2025. Earlier in 2024, news arrived that Lego Star Wars: The Exhibition was on its way in this very galaxy, world-premiering Down Under. Now, exactly when and where you'll be able to check it out has been revealed. Melbourne has locked in the first-ever Lego Star Wars: The Exhibition season — and yes, of course it'll open on Sunday, May 4. Melbourne Museum will be filled with more than eight-million bricks, all making models based on the George Lucas-created space saga. What music goes best with turning all that Lego into a Star Wars fan's dream? 'Luke's Theme', aka the franchise's main tune? 'The Imperial March' when things get tricky? 'Parade of the Ewoks', just because? That's a question for Ryan McNaught aka Brickman, who has indeed been spending time turning plastic rectangles, squares and other shapes into a recreation of a galaxy far, far away. The exhibition is set to take 25,000-plus hours of building, which is occurring at McNaught's headquarters in Tullamarine. Here's a question for attendees, too: which tunes will pair well with walking through this Lego Star Wars wonderland? You've got a few months to think about it, but you can start getting as excited as a Skywalker learning how to first use a lightsaber. The full list of models that'll feature hasn't been unveiled so far, but one will be life-sized — and that'll be a Lego Star Wars first. A huge 64,759 bricks are being used to craft the three-metre-high X-wing Red-5, taking 382 build hours. Attendees can also expect to see battle scenes between Luke Skywalker and Darth Vader, plus Qui-Gon Jinn and Darth Maul duelling, and also Emperor Palpatine's throne flanked by two Royal Guards. If you're keen to check it out and you don't live in Melbourne, you'll need to head to the Victorian capital to wander through Lego Star Wars: The Exhibition. As well as the hosting the world-premiere season, which will run until Monday, January 26, 2026, the stint at Melbourne Museum is an Australian exclusive. While you're there, you won't just be looking at all things Star Wars in Lego — you'll be able to get building yourself. As it constructs an immersive experience and follows in the footsteps of the Jurassic World franchise, which has also scored the Lego treatment from Brickman, Star Wars: The Exhibition has plenty of material to draw upon. On-screen, the series spans the initial film trilogy that released from 1977–83, then the prequels from 1999–2005, then the sequels — including The Force Awakens, The Last Jedi and The Rise of Skywalker — from 2015–2019. Rogue One, Solo, The Mandalorian, The Book of Boba Fett, Obi-Wan Kenobi, Andor, Ahsoka, The Acolyte: the list goes on across the big and small screens, including the wealth of animated efforts in the saga. "Building these iconic scenes and characters in Lego Star Wars form is an extremely complex task — taking the humble Lego brick and using it by the millions to translate into Star Wars builds and models at an epic scale the world has never seen before," said McNaught about Lego Star Wars: The Exhibition. "My team and I are super excited to launch this mind-blowing experience right here in Melbourne. My inner seven-year-old self still can't quite believe this is happening. I can't wait till May the Fourth next year to be able to share this incredible galaxy-first exhibition with the fans." Lego Star Wars: The Exhibition will make its world-premiere from Sunday, May 4, 2025, running until Monday, January 26, 2026 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the exhibition's website for more details and to join the ticket waitlist. Exhibition images: Museums Victoria.
Sissy Ball, one of the biggest events on the Mardi Gras Festival calendar, is taking over Carriageworks once again on Saturday, February 23. Hit the ballroom-inspired dance floor and spend the night making shapes to a 'disco house bounce pop' soundtrack powered by international DJs. Plus you'll watch an epic vogueing championship, which will see four houses compete across six categories. Curator Bhenji Ra and Red Bull Music have lined up sets from New Jersey-based ballroom DJ MikeQ, New York ballroom DJ Byrell the Great, Brisbane-based Fijian rapper Jesswar and American ballroom rapper Precious. Meanwhile, the four houses of Slé, Fafswag, Luna and Iman will be battling it out to prove their mettle as hand performers, runway models, glam faces, sex sirens and voguers to judge Leiomy. With the action kicking off at 5pm, you can grab final release tickets for $75.
With 2020's Soul and 2023's Elemental, Pixar took a few cues from its gorgeous 2015 hit Inside Out, but the animated studio isn't done with emotions having emotions. After the original Oscar-winning film spent time inside an 11-year-old's head, seeing how joy, fear, sadness, anger and disgust bounce around her mind, Inside Out 2 will reach cinemas in June 2024 to explore the feelings coursing through the now-teenage Riley. As the just-dropped first teaser trailer shows, she has a newcomer in anxiety. Like Riley herself (who was voiced by Transmission's Kaitlyn Dias in the first movie), the emotions that she's experiencing aren't just sensations — they're characters trying to guide their human in the best way they can. And when Anxiety (Maya Hawke, Stranger Things) shows up, Joy (Amy Poehler, Moxie), Fear (Tony Hale, Quiz Lady), Sadness (Phyllis Smith, Barb and Star Go to Vista Del Mar), Anger (Lewis Black, The Last Laugh) and Disgust (Liza Lapira, The Equalizer) aren't quite sure how to react. The first sneak peek at Inside Out 2 hints at more emotions joining the fold, too, although exactly what they'll be — and who'll voice them — hasn't been announced. The poster for the film shows three other new figures trying to burst through alongside the orange-hued Anxiety, but without enough detail to reveal who they are. Everyone who has been a teenager knows the whirlwind of feelings that can spring, however, and therefore why Riley's mind is about to get crowded. And, you'll also recognise that Anxiety isn't about to just become a barely seen sidekick. View this post on Instagram A post shared by Pixar (@pixar) Fans of the first Inside Out will also spot that Hale and Lapira are new additions to the voice cast, replacing Bill Hader (Barry) and Mindy Kaling (The Morning Show) respectively. As Inside Out 2 charts big changes for Joy and the gang — and for Riley — first-time feature director Kelsey Mann (who has a story credit on The Good Dinosaur) directs, while Meg LeFauve (Captain Marvel) wrote the screenplay, as she did with Inside Out. Check out the first teaser trailer for Inside Out 2 below: Inside Out 2 releases in cinemas Down Under on June 13, 2024. Images: © 2023 Disney/Pixar. All Rights Reserved.
Season four of The Witcher is officially in production, and will be followed by season five, with the next two dates with monster hunter Geralt of Rivia filming their antics back to back. Actually, make that the last two dates with Netflix's hit fantasy series. The streaming platform has also revealed that the show will come to an end with its fifth season. So, get ready to toss a coin to your witcher again, and then one more time — but that'll be it. As previously announced, there'll be a big change when the series returns, with The Hunger Games, The Dressmaker and Independence Day: Resurgence's Liam Hemsworth taking over from Argylle's Henry Cavill as Geralt. It's official, The Witcher season 4 is in production. But that's not all, we're already planning season 5, which will be the final season and bring this epic show to a fitting conclusion. See you on The Continent. pic.twitter.com/c0ilUCWYkF — The Witcher (@witchernetflix) April 18, 2024 It was back in 2022 when audiences learned that Cavill would say goodbye to the role after three seasons — two of which had streamed at the time. "My journey as Geralt of Rivia has been filled with both monsters and adventures, and alas, I will be laying down my medallion and my swords for season four," said Cavill in a statement. "In my stead, the fantastic Mr Liam Hemsworth will be taking up the mantle of the White Wolf. As with the greatest of literary characters, I pass the torch with reverence for the time spent embodying Geralt and enthusiasm to see Liam's take on this most fascinating and nuanced of men. Liam, good sir, this character has such a wonderful depth to him, enjoy diving in and seeing what you can find." It's official: The Witcher is returning for Season 4, and Henry Cavill will be handing his swords to Liam Hemsworth as the new Geralt of Rivia after Season 3. Welcome to the Witcher family, @LiamHemsworth! Read more: https://t.co/ABQMdqkzXX pic.twitter.com/xyIaRBbiRT — The Witcher (@witchernetflix) October 29, 2022 Hemsworth added at the time that "as a Witcher fan I'm over the moon about the opportunity to play Geralt of Rivia". He continued: "Henry Cavill has been an incredible Geralt, and I'm honoured that he's handing me the reins and allowing me to take up the White Wolf's blades for the next chapter of his adventure. Henry, I've been a fan of yours for years and was inspired by what you brought to this beloved character. I may have some big boots to fill, but I'm truly excited to be stepping into The Witcher world." Back then, Netflix also did what it always has with The Witcher, renewing it for another season when its next hadn't yet streamed. The same also occurred with season three before season two dropped, and with season two before season one debuted before that. That trend continues now for the last time, given that the newly announced season five will wrap up the story. If you haven't watched the first three seasons yet but the name sounds familiar from elsewhere, that's because The Witcher is based on the short stories and novels of writer Andrzej Sapkowski — and, as well as being turned into comics, it was adapted the video game series of the same name. A Polish film and TV show also reached screens in the early 2000s, although they were poorly received. Sapkowski's last three Witcher books, aka Baptism of Fire, The Tower of the Swallow and Lady of the Lake, will form the basis of the Netflix series' final two seasons. "It is with huge pride that we begin shooting our penultimate season of The Witcher with a stellar cast, including some exciting new additions, led by Liam Hemsworth as Geralt of Rivia," said creator and showrunner Lauren Schmidt Hissrich to Netflix about the announcement that the show is saying goodbye. "We're thrilled to be able to bring Andrzej Sapkowski's books to an epic and satisfying conclusion. It wouldn't be our show if we didn't push our family of characters to their absolute limit — stay tuned to see how the story ends." [caption id="attachment_944097" align="alignnone" width="1920"] Susie Allnutt, Netflix[/caption] In the Netflix effort, Cavill plays the witcher of the title, aka the part that Hemsworth is taking over. Geralt of Rivia prefers to work — aka slay beasts — alone in a realm called The Continent. But life has other plans for the lone wolf, forcing him to cross paths with powerful sorceress Yennefer of Vengerberg (Anya Chalotra, The Cypher) and young princess Ciri (Freya Allan, Baghead). The Witcher franchise doesn't just include the show itself, but also animated flick The Witcher: Nightmare of the Wolf, which hit Netflix in 2021. So far, there's also prequel series The Witcher: Blood Origin, too — which takes place 1200 years before Geralt's time, spans four episodes, stars Everything Everywhere All At Once's Michelle Yeoh and arrived in 2022. There's no sneak peek at The Witcher's fourth season yet, but here's the trailer for season three in the interim: The Witcher's fourth season doesn't yet have a release date — we'll update you when one is announced. The show's first three seasons are currently available to stream via Netflix. Top image: Susie Allnutt, Netflix.
Over the past few years, the air travel industry has been flitting back and forth between two extremes. The desire for longer flights — especially non-stop from Australia to London and New York — keeps getting stronger. At the same time, the push to reduce the environmental toll of soaring through the sky has also been growing. Where the latter is concerned, Portuguese charter airline Hi Fly set itself a goal of becoming the world's first plastic-free carrier. Closer to home, Qantas pledged to phase out single-use plastics and boarding passes — and has been using mustard seed biofuel to power its planes. For Canadian seaplane outfit Harbour Air, however, the solution is electric. And, this month, it launched the first fully electric commercial aircraft. So far, the ePlane — a six-passenger DHC-2 de Havilland Beaver magnified by a 750-horsepower (or 560 kilowatt) magni500 propulsion system — has only just completed its first test flight, which took place in Vancouver on December 10. Still, with Harbour Air aiming to build world's first completely electric commercial seaplane fleet for its 30,000 commercial annual flights across 12 routes around Vancouver and Seattle, it's the first step. The ePlane's magni500 propulsion system is the key to turning Harbour Air fully electric dream — and its desire to focus on clean, efficient, environmentally friendly power — into a reality. It's created by a company called magniX, which has its headquarters in the US but actually started in Australia — on the Gold Coast, where it still has an engineering centre. Before Harbour Air can bring its fleet to fruition, the two outfits will first need to get the magni500 propulsion system certified and approved — and then retrofit the airline's aircraft. For further information about Harbour Air, visit the company's website. Images: Harbour Air
Lock up your children, Hocus Pocus fans. Actually, if you have kids, you'll want to leave them at home on your next getaway. Just in time for Halloween, Airbnb has conjured up a particularly witchy stay in Salem, Massachusetts: the Sanderson sisters' cottage, which comes complete with broomsticks, bubbling cauldrons, cobwebs, curious cats, creaking floorboards, potions in apothecary bottles and spellbooks. Get ready to run amok, amok, amok to indulge your Hocus Pocus and Hocus Pocus 2 love, with this one-time-only listing arriving not only for the spookiest time of year, but because the latter flick — a 29-years-later sequel to the beloved 1993 film that starred Bette Midler (The Addams Family 2), Sarah Jessica Parker (And Just Like That...) and Kathy Najimy (Music), with all three returning as Winnie, Sarah and Mary Sanderson this time around — hits Disney+ on Friday, September 30. A screening of that movie is included in your magical stay, too, whether you've caught it already by then or you manage to hang out for the ultimate viewing experience. The bewitching date to pop into your diary: Thursday, October 20. But, as tends to be the case with Airbnb's pop culture-themed one-offs, only one booking is being taken. The cottage will welcome in two guests for a one-night stay, with reservations opening at 4am AEDT on Thursday, October 13 via the Airbnb website. There is a fee for the accommodation, costing US$31 dollars — but, if you're lucky enough to score the booking and you're travelling from Down Under, flights and transportation aren't included in that cost. That obviously makes it a much more expensive prospect. Still, this spellbinding experience will be the first time that anyone has been able to get slumbering (and scheming) like the Sandersons. And, it also includes the chance to try the enchantments listed in the Manual of Witchcraft and Alchemy, as well as exploring Salem's history via visits to some of the town's purportedly haunted properties. And yes, the black flame candle flickers. Of course it does. In fact, expect candlelight to be a huge part of your trip — in every room. The cottage has been recreated as though it's 300 years ago, after all. (Bathroom facilities are in a separate outhouse, for example.) "We all know that the Sanderson sisters' story might not have ended when we turned to dust, nor did our shenanigans," said Kathy Najimy, aka Mary Sanderson, helping Airbnb announce the Hocus Pocus stay. "What better way to celebrate the season than to host guests at the trio's historic haunt for a night they'll remember for years to come?" Najimy continued. The Sanderson sisters' cottage joins Airbnb's growing list of movie and TV-inspired getaways, including the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion and the South Korean estate where BTS filmed In the Soop just in 2022 alone. For more information about the Hocus Pocus mansion listing on Airbnb, or to apply to book at 4am AEDT on Thursday, October 13, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Helynn Ospina.
Ever had that feeling of rustling around in a cupboard on the hunt for a beach towel, only to uncover something that looks suspiciously like a bath mat? Or maybe you're flush with beach towels but just feel like a fancy new one this summer. Whether you're in need of a new towel, are looking to buy one as a Christmas gift or have seen lots of snazzy ones at the beach and simply want to see what's out there, our list will help you out. From geometric shapes, to luxurious linen, towel with hoods and those roundies everyone seems to have nowadays, here's our favourite Australian and New Zealand-made towels and where to get 'em. CLASSIC TOWEL, VERTTY Nope, that's not an artfully folded stack of towels. That's Vertty's reinvention of the humble beach towel into a geometric design object. Not only does their unique design show that you can think outside the box (or, er, rectangle) for even the most everyday beach object, they've incorporated other handy design features like a waterproof pocket, and quick-drying, lighter weight fabric. Plus, it comes in a range of eye-popping colours to make sure summer is just the way you like it. Check out their matching geometric swimwear, too. $79. THE AZTEC ROUNDIE, THE BEACH PEOPLE Round towels. They're a thing. According to The Beach People, they dreamt-up "the original roundie" in the lush Northern Rivers region of NSW. That was back in 2013, and their first collection sold out in weeks. Current towels on offer include this hand-drawn black and white design, as well as other spiffy prints like The Paradis. Others have jumped on the round towel bandwagon — including Basil Bangs, whose round 'Love Rugs' also feature a waterproof pocket and fold down into a carry case with built-in shoulder strap. $110. LUXE TOWEL WATEGOS, SUNNY LIFE It's no secret, we love Sunny Life's beach towels just as much as we love their umbrellas. And for tropical colours that pop on an unmissable beach towel, it's hard to go past this velour-finished number. You'll never lose sight of your spot on a packed summer beach again. Pair it with one of their beach pillows and we reckon you're onto a winning combination. Or, if you're looking for something floating to stretch out on, these guys also do some pretty mean inflatables. Luxe lie-on floating cactus, anyone? $69.95. STONE PRINT TOWEL, MÖVE Here's an unusual one for you. Möve's towels feature lifelike digital prints, like this stone design. They also have one with a print of weathered wooden boards, rippled water, and even landmarks like the Eiffel Tower and Brandenburg Gate. Those ones are a bit cheesy, but the pebble print is mint. Although it might look like you're lying on stones, you'll be a lot comfier — the 100 percent cotton velour towel has a snuggly weight and is soft and absorbent. Their bath towels are worth checking out while you're there, too – they even have a line of towels inspired by architecture, namely the drawings of renaissance master builder Andrea Palladio. Möve ships their towels worldwide. EUR €39.90. LINEN LAGUNA, COAST NEW ZEALAND Step aside, Turkish towels, because we just discovered linen towels — and can't get enough of them. Well, maybe we won't do away with them entirely, but linen is pretty great. Incredibly fast drying, versatile and lightweight in your beach bag, we reckon they might be the next big thing. This towel from Coast New Zealand is available in a range of fetching stripes, and comes all the way from an 100-year-old family mill in Lithuania. There are also these guys in the US who make a plainer linen towel which comes with a compression strap, or the House of Baltic Linen closer to home. NZD $149. THE ECLIPSE LINEN THROW, KATE & KATE This is one hella pretty linen towel. Yes, we're still on about how great linen towels are — and, yep, this throw counts as a towel. Its name is a nod to this multi-functional rectangle's nature. When you're not using it on the sand, it's equally as useful as a lightweight blanket, picnic rug, shawl, tablecloth, throw for your sun-drenched daybed… you get the drift. Designed to fade, they come in a stack of designs including a couple with some pretty nice bronze and metallic details. $159. MARINE TIGER HIDE BEACH TOWEL, MASLIN & CO Well, this was the first time we've come across a beach towel that folds out into the shape of a tiger hide (don't worry, it's 100 percent cotton). Manufactured by Maslin & Co, who take their name from Australia's first nude beach, these guys say they're inspired by nature, the surreal, and beach vagabond culture. You can choose which one's your jam from their collection of different-coloured animal-shaped towels. Plus, they come with either a classic leather short or longer cross-body strap holder, so it's easy to carry your new towel with you wherever you wander. $195-250. EXTRA LARGE RAINBOW POM POM TURKISH TOWEL, I LOVE LINEN Somewhere along the line we're sure our grandmas had a towel like this, brought out for summer beach picnics or to dry off after running through the sprinklers on the lawn. Now our retro towel memories have come back to life (albeit with a little upgrade) thanks to the clever people at I Love Linen. Designed in Melbourne, their towels are hand-woven in Turkey's central region, famous for the quality of its textiles. Retro pom poms, 100 percent cotton, and that distinctive Turkish towel edging. It's comfy, super-absorbent and big enough to be a picnic rug as well as a beach towel. $89.95. SOUTHERN HIGHLANDS TOWEL FOR TWO, PENDLETON A towel wide enough for two — now that's the recipe for a comfy beach session. Whether you've got a beach buddy or just want the extra room to stretch out yourself, this luxurious 100 percent combed cotton number from Pendleton has you sorted. Based in the States' beautiful Pacific Northwest, as well as making a range of other spa and beach towels (and their iconic woollen blankets) the sixth-generation family-owned business has a focus on social responsibility — community, country and planet. USD $79.50. HOODED TOWEL, TURKISH MURKISH A towel and hooded wrap? Why didn't we think of that before? This handy number brings the best of Turkish towels and beachwear together in a classic striped print. Each batch of towels are dyed and loomed by artisans in Turkey. The end product? A modern shape you can wear as well as lie on, served up in a fast-drying blend of bamboo and Buldan cotton from the inner Aegean region of southwest Turkey. $99.95. Top image: The Beach People.
For its 21st birthday, Splendour in the Grass is giving Australia the party we all wish we could've had hitting that milestone: a party headlined by Lizzo. Ahead of announcing its full 2023 lineup, the Byron Bay-based festival has just revealed one of its major acts, with the 'Juice' and 'Truth Hurts' singer set to take to the North Byron Bay Parklands stage this July. In the words of the US rapper herself, it's about damn time. Splendour hasn't revealed any other 2023 talents as yet, so watch this space — but if a fest is going to kick off its announcements with just one name, this is the one to do it with. The songwriter, singer and flautist — and Grammy- and Emmy-winner, too — will add to a whirlwind few years by making her Splendour debut. Yes, it's set to be good as hell. [caption id="attachment_750739" align="alignnone" width="1920"] Luke Gilford[/caption] Expect to hear hits from 2019's CUZ I LOVE YOU and 2022's Special — including, of course, Grammy Record of the Year-winning single 'About Damn Time'. Expect a set filled with dance-ready beats as well, in what's certain to make Splendour 2023 a fest to remember. After 2022's Splendour in the Mud — or Splendour in the Pool if you like — the two-decade-old festival could use some good news. Lizzo fans, pop Friday, July 21–Sunday, July 23 in your calendar now, and start searching for your gumboots (while crossing your fingers that this year's fest won't be as boggy). Splendour hasn't revealed when the full lineup will drop but, pre-COVID-19, the fest's full roster was always here by April at the latest — so expect further details soon. For now, the festival has also announced that first-release tickets go on sale at 9am AEDT on Thursday, March 23. Head to the Splendour website to sign up for access ASAP. Splendour in the Grass will take over North Byron Bay Parklands from Friday, July 21–Sunday, July 23, 2023. We'll update you with the full lineup details when they're announced. For more information in the interim — and to sign up for first-release tickets, which go on sale at 9am AEDT on Thursday, March 23, head to the festival website.
Tasmania's food scene is filled with incredible tasting experiences centred around local and seasonal ingredients. If you're the kind of traveller who seeks wild flavours that stray from the norm, the island offers a remarkable collection of makers specialising in unique creations made with the very best produce. No matter which corner of Tasmania you decide to explore, you'll find inventive producers carving out their culinary niche. We've partnered with Tourism Tasmania to highlight the region's most imaginative farmers, fishers and distillers, ranging from Australia's original truffle farmers to small-batch potato vodka pioneers. Let's dig in. [caption id="attachment_866630" align="alignnone" width="1920"] Samuel Shelley[/caption] DISCOVER EDIBLE UNDERGROUND MUSHROOMS It's not every day you stumble across a disused 19th century railway tunnel and find incredible gourmet cuisine inside — but that's precisely what visitors discover when they journey to Tunnel Hill Mushrooms in the charming community of Mount Rumney on Hobart's outskirts. With the perfect conditions inside the dark, dank tunnel for growing tasty mushies, this excellent operation specialises in winter strains of oyster mushrooms. Therein you'll find the white, grey and tan oyster varieties alongside shiitake. Head along for a tour of the tunnels to explore this underground farming practice — bookings are essential. [caption id="attachment_866631" align="alignnone" width="1920"] Moon Cheese Studio[/caption] TAKE A SALT SOMMELIER TOUR All good foodies worth their salt (bad pun intended) can appreciate the difference between cheapo table salt and the premium flakes you find in specialty stores. You can deepen your appreciation further with the Salt Sommelier Tour — an exploration into how Tasmania's nutrient-rich waters deliver a superior flavour and texture from one of Australia's finest salt producers, Tasmanian Sea Salt. Throughout this in-depth journey into the world of salt, you'll roam the saltworks to see how this celebrated maker combines age-old techniques alongside clean energy to harvest its pure product. Along the way, you'll be served locally produced small bites topped with a sprinkling of the good stuff. EXPLORE LAVENDER AND OLIVE PLANTATIONS Set on 52 stunning acres in the Huon Valley, Campo de Flori (pictured above) is a destination loaded with indulgent experiences. The property is renowned for its lavender, saffron and olive plantations, all of which you're welcome to explore up close with a guided tour from owners David Peck and Lisa Britzman. If you consider yourself an olive connoisseur you can test out the farm's goods via a tasting and learning experience that delves into each of the property's nine cultivars. You can also wander through rows of award-winning lavender on a walking tour which includes a sampling of Campo de Flori's farm-grown lavender tea and sparkling lavender lemonade. [caption id="attachment_867687" align="alignnone" width="1920"] Stu Gibson[/caption] LEARN THE SECRETS OF TASMANIAN ABALONE Tasmania's brisk southern waters make it home to some of the world's best abalone. The expert crew at Candy Abalone use traditional Japanese drying techniques to produce the luxurious product which you can learn about in detail on an insightful hour-long tour of its impressive facilities. First, you'll receive an overview of the drying and processing rooms before trekking down to the beach to see the oyster lease in action. Punctuated with views of Barilla Bay Oyster Farm and the Coal Valley, the tour concludes with a sampling of organic ginger beer and freshly shucked oysters. [caption id="attachment_866443" align="alignnone" width="1920"] Tourism Australia[/caption] HUNT FOR TRUFFLES Over the years, truffle farming has exploded beyond the borders of Italy and France to eventually arrive on Australian shores. As the first kid on the block, The Truffle Farm in the central northern town of Deloraine launched the national industry by digging gorgeous black truffles out of the dirt in 1999. From there, a booming local movement in produce was born. Join second-generation truffle farmer, Anna, and her chief truffle hunting hound, Doug, for a 75-minute experience that is paradise for truffle aficionados. A selection of tours and experiences will get you familiar with the trufferie, uncover black pearls hidden in the earth and, of course, you can feast on a farm-style lunch platter or gorgeous truffle pizza paired with local wine and beer. [caption id="attachment_866632" align="alignnone" width="1920"] Samuel Shelley[/caption] SAMPLE SMALL-BATCH POTATO VODKA Perched above Marion Bay, the Hellfire Bluff Distillery didn't start out producing vodka, but it sure has mastered it. With the first potato crop planted over 30 years ago, this place has long supplied Tasmanian supermarkets with a top-notch produce — yet rather than feeding the cows with cast-off spuds, an idea for a vodka distillery was conceived. True Tasmanian ingenuity! Today, the distillery has attracted international acclaim for its small-batch, paddock-to-bottle tipples (it was recently awarded Australia's Best Varietal Vodka at the World Vodka Awards in 2022), and also produces gin, coffee liqueur and limoncello — among other drops. With the distillery door open seven days a week, those cruising Tassie's Turrakuna/Tasman Peninsula with a yen for brilliant spirits can't miss a stop at the farm. SAVOUR WASABI CHEESE Ashgrove Cheese has made exceptional dairy products for over two decades. Set between Launceston and Devonport, the sprawling farm's free-roaming cows produce everything from cheddar and havarti to gloucester and feta. However, no visit is complete without a sample of Ashgrove's extra sharp wasabi cheese. Using Tasmanian-grown wasabi to add delicate but zesty heat, it's perfect on an adventurous cheese platter or melted into a steak. Head to Elizabeth Town in northern Tasmania to enjoy a pasture-to-plate menu across breakfast and lunch. There's even a fancy 'high cheese' selection served with tea, coffee and sparkling wine. Who's hungry? Ready to plan a trip for your tastebuds around Tasmania? To discover more, visit the website. Top image: Samuel Shelley
If there’s anything that can really make you dance like no one’s watching without actually altering your mind it’s a fancy tie and a mask covered in glitter and feathers. So if you have access to those two things and you like great music, you should put them on and head to Goodgod this Friday for a masked ball of monumental proportions. Monthly dance party Slow Blow is hosting a masquerade to celebrate the release of Softwar’s This Time Around EP. Black tie and masks are essential, so tireless late night party crusaders and spirited early rises should feel extra fancy as they embark upon a sonic journey through filtery deep funk, galactic dance and glittery house music. Coming along for the ride are Slow Blow DJs and Dreamcatcher and Jungle Snake, plus the all-round nice guys who spin under Future Classic. If you start to bust out some great moves and feel an overwhelming desire to reveal your true identity, stash your mask in your pocket rather than throwing it dramatically into the crowd. It may come in handy as you stumble out onto Liverpool Street in the wee hours of the morning.
Write a Brisbane-set book. Score a hit on the page. Then, see your words take to the stage, then the screen. That's how life went for Trent Dalton with Boy Swallows Universe. Next, going as far as treading the boards for now, that's also his path with Love Stories. Queensland Performing Arts Centre and Brisbane Festival have just announced that another of Dalton's books is getting a stage adaptation. As the play version of Boy Swallows Universe did, Love Stories will premiere at Brisbane Festival, with Tim McGarry penning the script and Dalton contributing additional writing. Fiona Franzmann will also contribute, while Sam Strong is directing. If much of this combination sounds familiar, Strong and McGarry also brought Eli Bell's antics to the theatre when it hit QPAC first. Their stage adaptation of Boy Swallows Universe wasn't just a smash — it's still the venue's bestselling drama ever. [caption id="attachment_944825" align="alignnone" width="1920"] Trent Dalton, Fiona Franzmann, Sam Strong and Tim McGarry. Image: Lyndon Mechielsen.[/caption] Fans won't have to wait long to see the end result for Love Stories, with the production set to have its world premiere in spring 2024, playing QPAC's Playhouse from Tuesday, September 10–Sunday, September 29. As for who'll be bringing it to life onstage, Jason Klarwein plays a writer and husband, while Michala Banas is his wife. They're both based on married couple Dalton and Franzmann. Also in the cast: Rashidi Edwards as Jean-Benoit, a Belgian busker who is also the show's narrator. Kimie Tsukakoshi, Jeanette Cronin, Mathew Cooper, Bryan Probets and Harry Tseng round out the acting talent from there, as joined by dancers Jacob Watton and Hsin-Ju Ely. The production will set its scene from the corner of Brisbane's Adelaide and Albert streets — and if you've read the book, you'll know why. Dalton wrote the 2022 Indie Book Awards Book of the Year-winner by heading to a corner in Brisbane's CBD, Olivetti typewriter in hand, and asking folks walking by for their tales. His question: "can you please tell me a love story?". Accordingly, this is another love letter to Brisbane, as Boy Swallows Universe is. This time, however, it tells true tales about romance and life. The aim is for it to be joyous but poignant, humorous but dramatic, and to be sentimental about Brisbane while telling a range of diverse love stories. [caption id="attachment_944824" align="alignnone" width="1920"] Trent Dalton and Franzmann. Image: Lyndon Mechielsen.[/caption] "It's a rare and wondrous thrill to see one's words brought to life in the boundless universe of Australian theatre. It's an even greater thrill to see the love stories of so many not-so-ordinary real-life Queenslanders given such reverence and weight," said Dalton. "I've already had the great honour of informing many of the storytellers who so kindly told their stories to me on that corner that their words will now be retold in the most thrilling theatrical way by the most gifted team of creatives. These beautiful people who come from every corner of Queensland are just as excited as I am." [caption id="attachment_935699" align="alignnone" width="1920"] Trent Dalton, Simon Baker, Phoebe Tonkin, Felix Cameron, Lee Tiger Halley, Bryan Brown and Travis Fimmel at the premiere of Boy Swallows Universe. Image: Jono Searle/Getty Images for Netflix.[/caption] "Love Stories the show will be filled with everything that people adore about the book (and Trent's work) — beautifully specific Brisbane stories that speak universal truths, undeniably unforgettable people, and stories that sometimes break our hearts but always fill them," added Strong. "In translating Love Stories into the theatre, we're also building on the original. Trent and Fiona's own love story, which interweaves through the book, has been expanded by them for the stage show. In addition, we're including some of the incredible love stories that have been shared since the book was published." There's no sneak peek available for Love Stories yet — images, trailer or otherwise — but check out the trailers for both the stage and versions of Boy Swallows Universe in the interim: Love Stories will play the QPAC Playhouse, South Brisbane, from Tuesday, September 10–Sunday, September 29, 2024 as part of Brisbane Festival. Head to the venue's website for tickets and further details. Images: Netflix / Lyndon Mechielsen.
When Frozen the Musical opened in Sydney in December 2020, it was a very big deal. Sydney was not only the first stop on the stage production's international tour, but it was one of the only places in the world where people could see a Broadway show — and it still is today. So, if you've got your hands on one of those hot tickets, you should make the most of it. Luckily, a bunch of local venues have jumped on the bandwagon to celebrate this cultural phenomenon coming to town. If you've found yourself swept up in the magical story of Princesses Anna and Elsa — and you just can't get 'Let It Go' out of your head — make it last with these Frozen-themed treats. TREAT YOURSELF TO A WHIMSICAL BRUNCH Darling Square's Auvers Cafe has pulled out all the stops with its themed menu to celebrate Frozen the Musical. The menu is available throughout the production's Sydney run, giving you the perfect excuse to indulge in a decadent brunch before or after you see the show. For drinks, there's the Ice Palace Mocktail, the Warm Hug white hot chocolate and the Snow Queen cocktail. Sweet tooths can pair their drink with The Coronation Croissant (stuffed with creamy spirulina and blue caracao sugar flakes) or the North Mountain Pancake Stack (vibrant blue spirulina pancakes topped with lychee marscapone, vanilla ice cream and berries). After something savoury? Opt for the Arendelle Fjord (blue-eye cod with risotto, tempura oyster, spirulina fish broth and edamame) instead. [caption id="attachment_803745" align="alignnone" width="1920"] Jasper Avenue[/caption] GET A BRAIN FREEZE FROM THIS ICY BLUE DESSERT All Frozen fans know ice plays a crucial role in the story, so it should be a big part of your experience seeing the musical, too. Darling Square's Dopa Don and Milk Bar has just the thing. The Frozen Storm is Dopa's spin on kakigōri, a Japanese-style shaved ice dessert. Kakigōri is traditionally sweetened with condensed milk, but this limited-edition version incorporates blue pea flower, blue spirulina syrup and coconut and banana cream. And as you dig into the delightful domed dessert you'll come across purple potato, sago, coconut jelly and another surprise ingredient. ORDER THIS OTT CAKE MADE BY DESSERT ROYALTY When Elsa accidentally sets off an eternal winter in the Kingdom of Arendelle, it's, well, pretty bad. But Masterchef Australia alum Reynold Poernomo has once again proven his dessert king title with this Eternal Winter cake. Available through his popular dessert bar KOI, Eternal Winter features raspberry, vanilla, mint, chocolate brownie and strawberry marshmallow. Given how intricately decorated it is, this cake is only available for click-and-collect, which you can do here. KOI has also just announced a special Frozen-inspired Snowflake Egg, with white chocolate, vanilla and citrus, which will be available for click-and-collect from its Chippendale and Ryde stores between March 18 and April 1. SIP THIS COOL BLUE COSMO Whether you're a Sydney local or you've travelled from afar to see the award-winning show, one way to break the enchanting spell after the show is heading straight home. Instead, book a night at Novotel Sydney Darling Square, which is just around the corner from the Capitol Theatre, and take advantage of its proximity to some of Sydney's best restaurants and bars. One such spot, which is conveniently connected to the hotel, is Pumphouse. The heritage-listed bar is serving this brilliantly blue Frozen Cosmo, garnished with blueberries and mint, for $20 while the show is running. Keen to pair your cocktail with a feed? Pumphouse also runs a pre- and post-theatre dining special. All you have to do is flash your theatre ticket to score a main meal and drink for $25 per person. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively. Top image: 'Frozen the Musical', Lisa Tomasetti
The NSW Blues will do everything in their power to prevent a Queensland Maroons three-peat when the NRL's fiercest rivalry resumes on Wednesday, June 5, at Accor Stadium in Olympic Park. Despite the Maroons leading the way in overall Men's Origin wins, things have been more evenly matched in recent years, with each state winning three of the last six series and no whitewash occurring since Queensland's 2010 demolition of NSW. The last time the teams met in Sydney in Game 3 in 2023, the Blues took the win, but it was a dead rubber with the Maroons' 2-0 lead going into the final game, meaning Sydney hasn't seen a competitive home win since 2020. Michael Maguire takes charge of his first Origin series off the back of five years coaching the New Zealand national team and faces a tough call over whether to drop captain James Tedesco. Origin games are always one of the highlights of the Australian sporting calendar. This year, for the first time, the Women's State of Origin expands to a three-game series, with Game 2 taking place at Newcastle's McDonald Jones Stadium on Thursday, June 6. Images: Destination NSW
It's the silly season, which means top tipples with your family, friends and work besties. Booze doesn't just make for a good time; it also makes for a great gift idea. If you're struggling to come up with a good grog gift this festive season, we've got you covered. Here's our round-up of drinks that tickled our fancy these holidays, from top-shelf whiskies to alcohol-removed wines. WINE 'Tis the season to cheers to the sun, and what better way than with some natty wines for Friend-mas. If you have a mate who loves their natties or is just dipping their toes into this world of wild ferments, SPON by Odd Culture wine shop and bar has curated the ultimate gift pack dubbed the Natty Wine Primer. It includes a sparkling pét-nat, white, red (one best served chilled) and a couple of skin contact numbers (orange and rosé). If you're looking for more bubbles, it's also slinging a gift pack called The Most Wonderful Time of the Year with a sparkling shiraz perfect for Christmas day, a grand cru champagne for New Year's Eve and an easy-going pét-nat for New Year's Day brunch. If the vinophile on your gift list is all about tradition, a case of wine from one of Australia's first families of wine should be on your shopping list. Brown Family Wines is Aussie through and through and now has five wine brands under its belt: Brown Brothers, Pirie, Devil's Corner, Tamar Ridge, and Innocent Bystander. You can't go wrong with the new Tarrango chilled red wine for something youthful and fresh. For something plush and velvety, Devil's Corner has a range of Tassie pinots that will make for a great vino on the Christmas table. There's also a slew of wine advent calendars on the market, from Good Pair Days to Laithwaite's Wines, if you'd prefer to leave the wine selections up to the somms. Good Pair Days has some of the best merch out there for a wine-lover, and it's no different with the wine advent calendars on offer this year. You can choose from options with a picnic set, a wine chiller set, a beach box — complete with a tote bag, hat and towel — or the standard pack. WHISK(E)Y Is your mum a fan of the dark spirits? Is your bestie a whisky fiend? Here are our top choices for the spirit savants in your lift this silly season. There are so many kinds of whiskies out there, but if you're on the lookout for something that's trying something new, you can't go wrong with Waterford Whisky. It's an Irish tipple that celebrates and advocates for terroir in whisky, and it only uses local Irish-grown grain with organic and biodynamic options on its roster. For something even more uncommon, opt for the peated version; it's the only whisky on the market that uses Irish peat to dry its barley. Plus, the blue glass bottle looks great on the shelf. If you know your whisky-lover is a sucker for scotch, you could go for Waterford Whisky's spiritual cousin, Bruichladdich. Another dram that celebrates terroir (started by the same person, in fact). The unpeated, non-chill-filtered single malt whisky, The Classic Laddie, is a crowd-pleasing option that works for many palates. If you want to surprise them with some top-shelf whiskies, you can always check out The Whisky Ark, which offers premium membership options, and has an excellent selection of scotch like Tamdhu and Glengoyne as well as exclusive Japanese whiskies. If you can't decide on a particular dram, leave the selection to the experts and go for an advent calendar. Liquor Loot puts out a gin and whisky calendar every year, and this year has expressions from Japan, Australia, Ireland, America, Scotland and more. And if you want to gift something that will keep surprising them throughout the year, why not set them up with a Whisky Club membership? Every month, they'll receive a new and often exclusive drop like the festive collab from Westward Whiskey and Rutherglen winery Stanton & Killeen: the Westward Whiskey Vintage Muscat Cask. GIN What's Christmas without cocktails, and what are cocktails without gin? There are literally thousands of versions of gins on the market today. From Australian drops that highlight native botanicals like Hickson House and Green Ant Gin to Japanese takes highlighting unique flora like Roku. Gin is special because it is very malleable, taking on the flavour profiles of whatever botanical is used. Kangaroo Island Gin is a new favourite of ours, and it has just released a special Spiced Pudding Gin that will bring a festive flair to your mate's G&T with cinnamon, clove, dried fruits and spice. If you know your gin-tastic friend isn't into traditional festive flavours, Four Pillars has launched its collab with Go-To skincare, 'My New Go-To Gin' made with quandong (Australia's native peach) to amp up that stone fruit goodness, perfect for summery cocktails over the holidays. TEQUILA Now, this spirit can be a bit of a dark horse, not unlike the person who usually calls for tequila shots at your Christmas holiday party. Why not go for the real deal, something extra special with a blow-the-budget option for your bestie with Herradura Legend? It is a first-of-its-kind Añejo tequila that has only recently launched in Australia. It's made with 100% blue weber agave that is traditionally cooked, naturally fermented, twice distilled, and matured for at least 12 months in heavily charred new American white oak barrels, resulting in soft caramel, toasted vanilla, oak, and lingering hints of agave. You could even convert some staunch whisky-only drinkers with this spirit. FOR SOMETHING DIFFERENT Not everyone is reaching for the classic whiskies and bourbons. Some people like to be more adventurous with their palate with grappa, moonshine, ouzo, arak and rakija. Sydney-based DNA Distillery makes the traditional Balkan fruit brandy rakija with Aussie shiraz grapes in classic, gold and pear (made with Aussie pears) expressions, perfect for your friend who has no more space on their wine rack and is over gin. It even has a gift box perfect for the flavour seeker in your life looking for something new. Did you have a mate who finally got to go on their Euro summer and hasn't been quiet about it since? Let them relive that luxe-Euro vibe with Tommy's Booze. The Melbourne-based Italian liquor company has put together a gift set with full-sized bottles of limoncello, mandarino, and lampone, perfect for those who love a refreshing digestif after the Christmas feast. NON-ALCOHOLIC If you have a mate who has opted to be dry, there's no reason not to treat them to the excellent non-alc options out there. Like Edenvale Wines, alcohol-removed wines are mindfully made to recreate the flavour profile of traditional alcoholic wines. We loved the GSM blend that tricked our unofficial drinks expert. For people who love the taste of beer but not the buzz, Heaps Normal is a crowd favourite, but Capital Brewing Co. is also pushing out some quality booze-free brews. And if you want to give them a selection, Beer Cartel has you covered with its cracking alcohol-free craft beer mixed pack. Top Images: Our Whisky Foundation Christina Kernohan, Liquor Loot.
Only one show on TV starts in a haunted house, then jumps to an asylum for the criminally insane, then follows a coven of descendants of the Salem witch trials. And, from there, it also steps inside a travelling freak show, explores the twisted history of an LA hotel, gets caught up in a small-town cult, sees the Antichrist unleash the apocalypse and sets a serial killer upon an 80s-era summer camp as well. That series: American Horror Story. Every season, it tells a different story, anthology-style. The creepy details change, as do the narratives and characters, but the eeriness remains. Also staying the same: many of the faces seen in American Horror Story's tales, including Sarah Paulson, Evan Peters, Lily Rabe, Frances Conroy, Kathy Bates, Jessica Lange, Emma Roberts and Lady Gaga. The show is the brainchild of writer/producer/director Ryan Murphy (Glee, Pose) and, yes, it definitely takes audiences on a wild ride each and every season.
Mexican holiday Dia de los Muertos, or the Day of the Dead (Saturday, November 2), is a celebration of long-standing tradition that is, first and foremost, a way for communities to honour family and friends who have passed on and to celebrate life both past and present. But the holiday has also come to represent the very best of Mexican culture — from tasty food to elaborate costumes, motifs and music. So, to celebrate the day, The Argyle has teamed up with the world's oldest operating tequila distillery Jose Cuevo to put on a two-day fiesta. Head down to the Rocks' historic building and you'll be able to get in on the festivities on Friday, November 1 and Saturday, November 2. For two nights, performers, UV face-painters and themed decor will fill both storeys of the bar. There'll also be specialty cocktails featuring Jose Cuevo tequila. Better yet, grab a Los Meurtos margarita and you'll get a token you can redeem for a Jose Cuevo-based drink. The Argyle has got some top-notch music acts planned for the occasion, too. On Friday night, you can catch DJ Keyes and R&B acts Mike Champion and DJ Helena Ellis. Or if you go on the Saturday night, you'll be dancing to the tunes of DJ Tigerlily alongside some other local acts. If you arrive before 9pm on the Friday — and are in suitable dress — entry is free. Or you can join the guest list here. Saturday is a ticketed event; to nab yourself a ticket, head here.
At a time when we've all been spending more of our minutes, hours, days and months on home turf, Instagram has just launched a new feature to help you make the most of it — and to help throw some love towards all of the small businesses in your area. Hitting the social media platform from today, Tuesday, September 14, the new 'Map Search' function lets you use Instagram to find restaurants, bars, shops and venues near you. Can't decide where to grab lunch? Looking for a hair salon in your vicinity? This'll assist. How does it work? Map Search uses a map (obviously) that highlights popular tagged locations. You might've seen these spots pop up in your feed anyway, and you could've even tagged some yourself. And, you can access the new function in a few different ways. You'll see an icon in Instagram's Explore feature, which is where you can hit up the map, and even filter locations by fields such as salons and restaurants. You'll also now see maps pop up whenever you search for particular hashtags — the very pandemic-appropriate #takeaway, for instance — which'll then highlight the relevant places that fit the hashtag near you. The aim: to support small businesses, and to help Instagram users do the same. Thinking local has been one of the mantras of the past 18 months or so, due to lockdowns, restrictions and border closures — and we all know that the hospitality industry, and small businesses in general, have been doing it tough during the pandemic. Map Search also helps give small businesses a boost on a platform plenty of them are using, and that many of us are using to find them anyway. So, the proprietors of restaurants, bars and shops get another way to be seen by potential customers, and patrons get another way to discover their local haunts. Fancy looking further afield? While Map Search definitely lets you find places immediately around you, users can also search anywhere they like. Either pinch and drag the map to wherever you're interested in, click on an Instagram geotag — which'll bring up the map, so you can start searching from there — or just type wherever you're looking for into Explore. For more information about Instagram's new Map Search function, head to the social media platform's website.
Sports-mad Macarthur residents have a new spot to take in a game over beers with mates. It's called The Sherwood and it's a pub-meets-sports bar right next door to Campbelltown Stadium, the current home of the Wests Tigers. Formerly a tennis club, the space has been completely transformed and is now a huge, open plan tavern designed to cater to the full swathe of community locals. That includes an expansive courtyard with ample al fresco dining options (and plenty of space for bigger groups), designated family friendly areas, and an enormous four-metre screen for broadcasting live matches for everything from the NRL (of course) to live NBA games and UFC bouts. If you're dining in as well as drinking, The Sherwood's food offering is very much in the realm of something-for-everyone pub fare. A classic schnitty, beef nachos and steak and chips are in the lineup alongside more elevated options like prawn orecchiette, gin-cured kingfish and a fresh poached salmon salad. The menu also has an entire section dedicated to smash burgers, so it's safe to assume that's a kitchen special. There's a lot of members specials including a daily happy hour from 3-5pm where house beers are $5 and 'Wing Night Wednesday' where you get a kilo of wings for $20. Ah, the perks of being a local. Learn more at the full offering at the venue's website.
In the former premises of The Sunshine Inn on Redfern Road, an awesome foursome of Bentley and Love Tilly alumni has managed to find some uncharted territory in Sydney's already-saturated Italian cuisine offering. A buzzy, Euro-leaning, "Italian-ish" pseudo-osteria, ATTENZIONE! Food and Wine is the passion project of Felix Colman, the part-owner and operator of Ragazzi and Fabbrica; former Yellow manager Toby Davis; Toby Stansfield of Lola's in Bondi; and Dexter Kim, an ex-Buffet Digital videographer. Before you jump to conclusions, the choice of name has nothing to do with online memes or pickpockets. It's actually a reference to an in-joke between the four partners regarding an Italian friend's mother, who, while visiting her daughter in Sydney, would cry out "Attenzione!" whenever a handsome—and potentially eligible—fella strolled past. Since then, shouting "Attenzione!" has become a go-to callback between the friends, so it quickly emerged as the obvious name for their first venture together. Italian pastas star on the menu, but the food offering is more of a broad-brush homage to the dining cultures of Continental Europe — with a few Asian riffs thrown in for good measure. "We've had some pretty memorable food and drink experiences in Europe," Colman says of the restaurant's melting pot of influences. "Tiny enotecas in Alba that spill out onto cobblestoned streets, noisy backstreet bistros in Paris and too many sunny aperitivos along the Med coast to count. ATTENZIONE! was created to be the buzz and vibe of all those experiences combined." While the menu will be dynamic and shuffle regularly, there will be a few tried-and-true staples fated to be house favourites, such as the pico XL: "an almost obscenely oversized version of pico pasta", according to Stansfield. These fat, juicy strands will be the vehicle for a range of classic sauces, including cacio e pepe and nduja crema with Kinkawooka mussels. Summoning the flavours of a French brasserie, dry-aged dairy cow steaks, courtesy of Emilio's Butcher in Rozelle, will be served with a house-made chopped green onion condiment, while charcoal-roasted free-range chicken with chicory and horseradish channels a more Teutonic energy. And because dessert should never be taken too seriously (sorry grand patissiers), there will be playful, dig-your-spoon-in, crowd-pleasing sweets to finish such as an apple baked in pastry and served with a rich tonka custard, and a pineapple, espresso cookie and whipped ganache sundae. Snacks will also be a specialty at ATTENZIONE!, with a similarly pan-European mingle of influences, such as locally smoked trout pate served with a chicken-skin crisp and a full loaf of fougasse flatbread spread with wildflower butter. Not to be outdone, the wine offering is as loud and wide-ranging as the food. Colman and Davis have compiled a 150-bottle cellar with plenty of homegrown drops but also an emphasis on the team's favourite Italian varietals, Nebbiolo, as well as pours from Barolo, Barbaresco and Piemonte. Expect a substantial by the glass selection, digestifs including grappas, armagnacs and amaros, a streamlined list of classic cocktails and even some funkier natural drops for those who enjoy low-intervention bottles. "Many of the producers we've chosen for our list have really inspired us over our years of enjoying and working in wine," Colman explains. "We're really proud to hero these great people and their incredible wines, they care for the land and the providence of their craft, looking to leave the earth better than when they found it which is very important to us." The fitout, by new Sydney-based interiors studio Coffeyhallet, boasts a vibrant mustard and aniseed palette as well as tactile leather banquettes, dark-stained Bentwood chairs and large mirrors to create a sense of space. The restaurant's decor is intended to be an extension of the lively, relaxed, welcoming vibes that the four owners hope ATTENZIONE! will be known for.
It might just be Australia's brightest festival: Parrtjima - A Festival In Light, which has just finished its fourth and most expansive annual program in Alice Springs. Shifting from the fest previous spring timeslot to autumn, the 2019 event attracted a record crowd of 25,000 — and, if you're keen to be among them next time around, organisers have announced that the fest will return in 2020. While exact dates haven't been revealed, the nation's first indigenous festival of its kind will light up the Red Centre in April, once again filling the region with dazzling light installations. This year's free ten-day public celebration of Indigenous arts, culture and storytelling included seven luminous displays gracing both the Alice Springs Desert Park Precinct and the Alice Springs Todd Mall. Expect a similar lineup — with all-new lighting pieces, of course — to feature next year. [caption id="attachment_715721" align="aligncenter" width="1920"] Lighting the Ranges, Parrtjima festival, Alice Springs, Australia. 5/4/2019. Images courtesy Parrtjima / NTMEC[/caption] If you're already thinking about blocking out your diary, 2019's highlights might help cement your plans. Alice Spring's CBD was lit up with new installations and events, and just out of town, tourism and conservation facility Alice Springs Desert Park came alive with the festival's main attraction. Once again, a huge artwork transformed a two-and-a-half-kilometre stretch of the majestic MacDonnell Ranges, showering it with light from 6.30–10.30pm each night of the festival — and featuring an audio track voiced by Aussie acting legend Aaron Pedersen. Visitors were also able to immerse themselves in art and storytelling as part of the returning Ahelhe Itethe – Living Sands (Grounded), with installations projected onto the earth and accompanied by a striking soundscape. New additions to this year's lineup included an illuminated tunnel that attendees walked through as they enter the festival space, called Angkentye Anpernirrentye-kerte – The Language of Kin; an array of over-sized sculptures relaying the social history of First Nations station workers and their language of the land, dubbed Angkentye Stockmen Mape-kenhe – The Language of Stockmen; and a series of sculptured large-scale moths, badged The Language of Moths, in Todd Mall. There was also a huge maze for kids and a set-up of three bush taxis displaying works by First Nations artists. [caption id="attachment_715716" align="aligncenter" width="1920"] Language of Kin, Parrtjima festival, Alice Springs, Australia. 5/4/2019. Images courtesy Parrtjima / NTMEC[/caption] With the news that Parrtjima will shine again, the Northern Territory will boast two glowing attractions in 2020 once again. The festival it's a nice supplement to Bruce Munro's Field of Light installation, which has been extended all the way through until December 31, 2020. Parrtjima – A Festival in Light runs until April 14, 2019 around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: James Horan.
This specialist Japanese grocery store in Crows Nest has a wide range of fresh Asian veggies, Fuji Bakery goods, and frozen foods that provides home comforts to those with connections to Japan. Ume-Ya launched in Sydney in 2002, but it very recently opened a new store next to Woolworths on Alexander Street. It's an eclectic store — you never know what you'll walk out with. It also offers Australia-wide delivery, though check the store's website or Facebook page, as some delivery services are temporarily on hold due to COVID-19.
In the on-screen sea that is the never-ending list of films and television shows constantly vying for eyeballs, Taika Waititi and Rhys Darby have frequently proven gem-dappled treasure islands. When the immensely funny New Zealand talents have collided, their resumes have spanned four of the most endearing comic hits of the big and small screens in the 21st century so far, aka Flight of the Conchords, What We Do in the Shadows, Wellington Paranormal and Hunt for the Wilderpeople — and now, with HBO Max pirate parody Our Flag Means Death, they've given viewers another gleaming jewel. The brainchild of writer, showrunner and executive producer David Jenkins (People of Earth), this show was always going to swashbuckle its way into streaming must-see lists — and into comedy-lovers' hearts — based on its concept alone. The inimitable Darby stars as Stede Bonnet, a self-styled 'gentleman pirate' and a great approximation of Flight of the Conchords' Murray if he'd existed centuries earlier. Meanwhile, Waititi dons leather, dark hues aplenty, an air of bloodthirsty melancholy and a glorious head of greying hair as Edward Teach, the marauder better known to the world as Blackbeard. While the latter is a household name — pop culture has been inserting him into stories for decades: Ian McShane played him in Pirates of the Caribbean: On Stranger Tides and Hugh Jackman did the honours in Pan, for instance — Bonnet will be a new discovery to most of Our Flag Means Death's audience. Also a real-life figure, he left his life of wealth, privilege and comfort to rove the oceans. That's a scenario that this ten-episode comedy has plenty of fun with, complete with Bonnet's onboard library decked out with classics and summer linens-filled auxiliary wardrobe. In its first three episodes, Our Flag Means Death establishes its fish-out-of-water situation — or its tale about a ruffled shirt-wearing aristocrat seemingly out of his depths while sailing across treacherous waters, to be more accurate. Bonnet is not one for the usual pirate stereotypes, and that takes some adjusting to by his crew. Among those with him on the Revenge: Lucius (Nathan Foad, Bloods), his righthand man and official scribe; Buttons (Ewen Bremner, First Cow), a seasoned seafarer and source of advice; Black Pete (Matthew Maher, Marriage Story), who constantly claims to have worked with Blackbeard; the fire-obsessed Wee John Feeny (Kristian Nairn, aka Game of Thrones' Hodor); and the initially secretive Oluwande (Samson Kayo, Truth Seekers) and Jim (Vico Ortiz, The Sex Lives of College Girls). Scene-setting and ensemble antics abound in the series' opening instalments, including a run-in with a British navy captain (Rory Kinnear, No Time to Die) with ties to Bonnet's past, and another a fellow pirate captain-turned-bar owner (Leslie Jones, Death to 2020) and one of her husbands (Fred Armisen, Los Espookys). But then Blackbeard arrives, taking over the Revenge with his first mate Izzy (Con O'Neill, The Batman) — and Our Flag Means Death starts becoming a rom-com. From the outset, it's already a gloriously inclusive and emotionally astute comedy. Bonnet wanting his crew to be in touch with their feelings, rather than simply solve everything with swords and violence, is one of the aforementioned ways that he bucks expectations. But that trend deepens and grows as its two key swashbucklers gravitate towards each other, riding the waves from adversaries to co-captains to potentially something more. From its first trailer, Our Flag Means Death delivered answers to questions that no one knew they had, such as "what'd happen if Waititi and Darby played pirates?" and "what if Waititi and Darby played pirates alongside Spud from Trainspotting and Hodor?". Now that the results have played out across an entire season — all of which is available to stream in Australia via Binge and in New Zealand via Neon — it's sweeter than a bottle of rum to a buccaneer (or oranges to fend off scurvy, which definitely get a mention in the show). Smartly, Our Flag Means Death doesn't just satirise pirate archetypes. It isn't content with finding easy laughs at the whole 'gentleman pirate' caper, either. Instead, it's a comedy about plundering one's own depths to find out who you really are, where you truly belong and who should comprise your chosen family — whether you've been set up for a life of luxury, you're the world's most fearsome scourge of the seas or you're simply roving the oceans with them. When Waititi's Blackbeard steps into the story, meet-cute and all, less of its focus resides upon its other supporting characters. When you've got comedic greats such as Waititi and Darby bouncing off of each other — as they do from episode four onwards, and with pitch-perfect comic chemistry — you let them have the spotlight. Still, subplots that flesh out the remainder of the Revenge crew's histories wholeheartedly link in with Our Flag Means Death's focus on reinvention and rediscovery, and its open heart. Relationships are laid bare, and secrets, too. In the process, cliches are dismantled, correct pronouns are used, and everyone helps build a thoughtful and sincere comic caper. Indeed, add Our Flag Means Death to the list of delightful sitcoms that beam with warmth, even when it's soaking cat flags (yes, that's a pirate banner adorned with a feline) with blood. Stellar talent doesn't always equate to a must-see, something special or both, of course; however, Our Flag Means Death ticks all of those boxes — and the who's who that is its guest and supporting cast also includes fellow Conchords alum Kristen Schaal, Big Mouth's Nick Kroll, Arrested Development's Will Arnett, and Aussies Claudia O'Doherty (Sarah's Channel) and Angus Sampson (Bump). With Waititi also helming the pilot and executive producing, his winning ways with TV comedies continue, too, after a top-notch few years that've included the What We Do in the Shadows television spinoff and Reservation Dogs as well. Ahoy, streaming lovers — let Our Flag Means Death sail into your queue right now. Check out the full trailer for Our Flag Means Death below: Our Flag Means Death's first season is available to in Australia via Binge and in New Zealand via Neon. Images: Aaron Epstein/HBO Max.
Life is so busy these days, one can't help but wish some things would just sort themselves out. We have technological advancements and perhaps Google to thank for such laissez-faire attitudes. PumpTire's prototype for a self-inflating tyre appeals to the whinger in us but also proves to be an eco-friendly invention saving time, money and extraneous resources needed to pump a flat bicycle tyre. Components of the PumpTire includes a tyre, a detachable valve and inner tube. It can be used in conjunction with existing rim models and works as the cyclist rides their bike. According to founder of PumpTire Benjamin Krempel, it works "by using the rolling motion of the tyre to draw in air from the atmosphere". A hollow tube attached to the edge of the tire pushes air into the tyre. The tyre is even capable of sensing when the ideal air pressure is reached. PumpTire is currently promoting its invention on Kickstarter to raise funds for further engineering design, testing and purchasing tools and materials. https://youtube.com/watch?v=rMmZnzG9QqI [via PSFK]
Since Sally Rooney's Normal People first hit bookshelves in 2018, big things have followed. As well as becoming a bestseller, the Irish author's second novel was longlisted for the Man Booker Prize and won 2019's Book of the Year at the British Book Awards. The next step: bringing this tale of two teens and their complicated romance to the small screen, all courtesy of a new 12-part drama of the same name. In particularly excellent news for fans of the book, Normal People's TV adaptation is penned by Rooney herself — alongside fellow screenwriters Alice Birch (Succession) and Mark O'Rowe (Boy A). And, it boasts some other significant talent in the director's chair, too, with helming duties shared by Oscar-nominated filmmaker Lenny Abrahamson (Room) and BAFTA winner Hettie Macdonald (White Girl, Howard's End). Of course, it's the tale playing out on-screen that's the main attraction, as readers will already be aware — and as the just-dropped first teaser shows. Cold Feet's Daisy Edgar-Jones and newcomer Paul Mescal step into the shoes of the novel's Marianne and Connell, high school classmates in their west Ireland small town who weather all manner of ups and downs as they attend Dublin's Trinity College. At school, she was lonely and aloof, while he was outgoing and popular. At college a year later, their roles have reversed. That sets the scene for an intimate, complex love story — which will unravel in full when Normal People drops on Stan on Monday, April 27. Check out the teaser trailer below: https://www.youtube.com/watch?v=DDpWEA2rMB4&feature=youtu.be All 12 episodes of Normal People will be available to stream on Stan on Monday, April 27.
The Aussie love affair with Scandinavian-designed products is a long-running one. A certain megastore may steal the spotlight sometimes, but this sleek store (and its Mosman counterpart) is harbouring some of the best Nordic designs around. With a range that spans furniture, homewares, clothing and accessories, Nordic Fusion is the place to come when your home is crying out for some well-designed and stylish pieces. Expect to find popular labels like Marimekko, Pappelina and Klippan — plus, you'll get a glimpse of some of Scandinavia's top emerging design houses like Muuto and Menu. It also sells a large range of Nordic food and treats which, we're told, can add to the hygge vibe, too. We can just picture it now: snuggling up on the lounge under a cosy new Klippan blanket with a bowl of Ekströms chocolate pudding.
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Maybe you're in lockdown. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's 12 you can watch right now at home. IN THE HEIGHTS Lin-Manuel Miranda isn't the first lyricist to pen tunes so catchy that they get stuck in your head for years (yes, years), but his rhythmic tracks and thoughtful lines always stand out. Miranda's songs are melodic and snappy, as anyone who has seen Hamilton onstage or via streaming definitely knows. The multi-talented songwriter's lyrics also pinball around your brain because they resonate with such feeling — and because they're usually about something substantial. The musical that made his name before his date with US history, In the Heights echoes with affection for its eponymous Latinx New York neighbourhood. Now that it's reverberating through cinemas, its sentiments about community, culture, facing change and fighting prejudice all seem stronger, too. To watch the film's characters sing about their daily lives and deepest dreams in Washington Heights is to understand what it's like to feel as if you truly belong in your patch of the city, to navigate your everyday routine with high hopes shining in your heart, and to weather every blow that tries to take that turf and those wishes away. That's what great show tunes do, whisking the audience off on both a narrative and an emotional journey. Miranda sets his words to hip hop beats, but make no mistake: he writes barnstorming songs that are just as rousing and moving, and that've earned their place among the very best stage and screen ditties as a result. Watching In the Heights, it's hard not to think about all those stirring tracks that've graced previous musicals. That isn't a sign of derivation here, though. Directing with dazzling flair and a joyous mood, Crazy Rich Asians filmmaker Jon M Chu nods to cinema's lengthy love affair with musicals in all the right ways. His song-and-dance numbers are clearly influenced by fellow filmic fare, and yet they recall their predecessors only because they slide in so seamlessly alongside them. Take his staging of the tune '96000', for instance. It's about winning the lottery, after word filters around that bodega owner Usnavi (Anthony Ramos, a Hamilton alum) has sold a lucky ticket. Due to the sweltering summer heat, the whole neighbourhood is at the public pool, which is where Chu captures a colourful sea of performers expressing their feelings through exuberantly shot, staged and choreographed music and movement — and it's as touching and glorious as anything that's ever graced celluloid. Of course, $96,000 won't set anyone up for life, but it'd make an enormous difference to Usnavi, In the Heights' protagonist and narrator. It'd also help absolutely everyone he loves. As he explains long before anyone even hears about the winning ticket, or buys it, every Heights local has their own sueñitos — little dreams they're chasing, such as his determination to relocate to the Dominican Republic. And that's what this intoxicating, invigorating, impassioned and infectious captures with vibrant aplomb. In the Heights is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. A QUIET PLACE PART II When every noise you make could send savage aliens stalking, slashing and slaughtering your way, it's the waiting that gets you. When you're watching a nerve-rattling horror film about that exact scenario, the same sentiment remains relevant. In A Quiet Place, the Abbott family went into survival mode after vicious creatures invaded, hunted down every sound and dispensed with anyone that crossed their path. For the characters in and viewers of the 2018 hit alike, the experience couldn't have screamed louder with anxiety and anticipation. Evelyn and Lee (Wild Mountain Thyme's Emily Blunt and Detroit's John Krasinski) and their children Regan (Millicent Simmonds, Wonderstruck), Marcus (Noah Jupe, The Undoing) and Beau (Cade Woodward, Avengers: Endgame) all silently bided their time simply trying to stay safe and alive, but their continued existence lingered under a gut-wrenching shadow. The critters were still out there, listening for even a whisper. It was a matter of when, not if, they'd discern the slightest of noises and strike again. That type of waiting drips with tension and suspense, and also with the kind of inevitability that hovers over everyone alive. A certain bleak end awaits us all, a truth we routinely attempt to ignore; however, neither the Abbotts nor A Quiet Place's audience were allowed to forget that grim fact for even a moment. Initially slated to arrive in cinemas two years later, then delayed by the pandemic for 14 months, sequel A Quiet Place Part II isn't done with waiting. Written and directed once again by Krasinski, the film doesn't shy away from the stress and existential distress that marking time can bring, but it also tasks its characters with actively confronting life's inevitabilities. After an intense and impressive tone-setting opening flashback to the first day of the alien attack, when the Abbotts' sleepy hometown learns of humanity's new threat in the cruellest fashion, the storyline picks up where its predecessor left off. It's day 474 — the earlier film spent most of its duration around day 472 — and Evelyn, Regan, Marcus and the family's newborn are grappling with their losses. That said, they're also keenly aware that they can't stay in their Appalachian farmhouse any longer. After spotting smoke on the horizon and setting off in that direction, they reconnect with Emmett (Cillian Murphy, Peaky Blinders), an old friend who has been through his own traumas. Evelyn sees safety in numbers, but he's reluctant to help. Then Regan hears a looping radio transmission playing 'Beyond the Sea' and decides to track down its source — and a film that's less thrilling, potent and unsettling than its predecessor eventuates. A Quiet Place Part II is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. BLACK WIDOW Closure is a beautiful thing. It's also not something that a 24-film-and-growing franchise tends to serve up often. Since 2008, the Marvel Cinematic Universe has operated with the opposite aim — extending and expanding the series at every turn, delivering episodic instalments that keep viewers hanging for the next flick, and endeavouring to ensure that the superhero saga blasts onwards forever. But it's hard to tick those boxes when you're making a movie about a character whose fate is already known. Audiences have seen where Natasha Romanoff's (Scarlett Johansson, Marriage Story) story finishes thanks to Avengers: Endgame, so Black Widow doesn't need to lay the groundwork for more films to follow. It's inexcusable that it has taken so long for the assassin-turned-Avenger to get her own solo outing. It's indefensible that this is just the second Marvel feature to solely focus on a female figure, too. But, unlike the missed opportunity that was Captain Marvel, Black Widow gives its namesake a thrilling big-screen outing, in no small part because it needn't waste time setting up a Black Widow sequel. Instead, the pandemic-delayed movie spends its 143 minutes doing what more MCU flicks should: building character, focusing on relationships, fleshing out its chosen world and making every inch of its narrative feel lived-in. The end result feels like a self-contained film, rather than just one chapter in a never-ending tale — which gives it the space to confidently blend family dramas with espionage antics, and to do justice to both parts of that equation. Sporting an impressive cast that also includes Florence Pugh (Little Women), David Harbour (Stranger Things) and Rachel Weisz (The Favourite), Black Widow begins in 1995, in small-town Ohio. Here, Harbour and Weisz play Alexei and Melina, parents to young Natasha (Ever Anderson, Resident Evil: The Final Chapter) and Yelena (Violet McGraw, Doctor Sleep), and the portrait of all-American domesticity — or that's the ruse, at least. The film doesn't revel in small-town life, neighbourhood playtimes, 'American Pie' sing-alongs and an existence that could've been ripped from The Americans for too long, however, with the quartet soon en route back to Russia via Cuba at shady puppetmaster Dreykov's (Ray Winstone, Cats) beckoning. When the action then jumps forward to 2016, and to the aftermath of that year's Captain America: Civil War, Natasha hasn't seen her faux family for decades. On the run from the authorities, she isn't palling around with the Avengers, either, with the superheroes all going their separate ways. Then the adult Yelena (Pugh) reaches out, because she too has fled her own powers-that-be: Dreykov, the fellow all-female hit squad she's been part of for the last 21 years, and the mind-control techniques that've kept her compliant and killing. There's an unmistakable air of Bourne and Bond to Black Widow from there, but this deftly satisfying flick doesn't trade the MCU's blueprints for other franchises' templates. With Australian filmmaker Cate Shortland (Somersault, Lore and Berlin Syndrome) in the director's chair, this welcome addition to the franchise spins a thoughtfully weighty story about women trapped at the mercy of others and fighting to regain their agency. Black Widow is available to stream via Disney+ with Premium Access. Read our full review. MY NAME IS GULPILIL Lengthy is the list of Australian actors who've started their careers on home soil, then boosted their fame, acclaim and fortunes by heading abroad. Some have won Oscars. Others are global household names. One plays a pigtailed comic book villain in a big film franchise, while another dons a cape and wields a hammer in a competing blockbuster saga. David Gulpilil doesn't earn any of the above descriptions, and he isn't destined to. It wouldn't interest him, anyway. His is the face of Australian cinema, though, and has been for half a century. Since first gracing the silver screen in Nicolas Roeg's Walkabout, the Yolŋu man has gifted his infectious smile and the irrepressible glint in his eye to many of the nation's most important movies. Indeed, to peruse his filmography is to revel in Aussie cinema history. On his resume, 70s classics such as Mad Dog Morgan and The Last Wave sit alongside everything from Crocodile Dundee and Rabbit-Proof Fence to Australia, Goldstone and Cargo — as well as parts in both the first 1976 film adaptation of Storm Boy and its 2019 remake. The latest film to benefit from the Indigenous talent's presence: My Name Is Gulpilil. It might just be the last do to so, however. That sad truth has been baked into the documentary ever since its subject asked director Molly Reynolds and producer Rolf de Heer — two filmmakers that Gulpilil has collaborated with before, including on Another Country, Charlie's Country, Ten Canoes and The Tracker — to make something with him after he was diagnosed with stage-four lung cancer. That was back in 2017, when he was given just six months to live. Gulpilil has been proving that diagnosis wrong ever since. Cue this heartfelt portrait of an Australian icon like no other, which celebrates a star who'll never be matched, reminds viewers exactly why that's the case, but is never a mere easy, glossy tribute. Anyone could've combined snippets of Gulpilil's movies with talking heads singing his praises. In the future, someone probably will. But Reynolds is interested in truly spending time with Gulpilil, hearing his tale in his own words, and painting as complete a portrait of his life, work, dreams, regrets, spirit, culture and impact as possible. My Name Is Gulpilil is available to stream via ABC iView. Read our full review. VALERIE TAYLOR: PLAYING WITH SHARKS Steven Spielberg directed Jaws, the 1975 horror film that had everyone wondering if it was safe to go back into the water — and the movie that became Hollywood's first blockbuster, too — but he didn't shoot its underwater shark sequences. That task fell to Australian spearfisher and diver-turned-oceanographer and filmmaker Valerie Taylor and her husband Ron, who did so off the coast of Port Lincoln in South Australia. If it weren't for their efforts, the film mightn't have become the popular culture behemoth it is. When one of the animals the Taylors were filming lashed out at a metal cage that had held a stuntman mere moments before, the pair captured one of the picture's most nerve-rattling scenes by accident, in fact. And, before Peter Benchley's novel of the same name was even published, the duo was sent a copy of the book and asked if it would make a good feature (the answer: yes). Helping to make Jaws the phenomenon it is ranks among Valerie's many achievements, alongside surviving polio as a child, her scuba and spearfishing prowess, breaking boundaries by excelling in male-dominated fields in 60s, and the conservation activism that has drawn much of her focus in her later years. Linked to the latter, and also a feat that many can't manage: her willingness to confront her missteps and then do better. The apprehension that many folks feel when they're about to splash in the ocean? The deep-seated fear and even hatred of sharks, too? That's what Valerie regrets. Thanks to Jaws, being afraid of sharks is as natural to most people as breathing, and Valerie has spent decades wishing otherwise. That's the tale that Valerie Taylor: Playing with Sharks tells as it steps through her life and career. Taking a standard birth-to-now approach, the documentary has ample time for many of the aforementioned highlights, with Valerie herself either offering her memories via narration or popping up to talk viewers through her exploits. But two things linger above all else in this entertaining, engaging and insightful doco. Firstly, filmmaker Sally Aitken (David Stratton: A Cinematic Life) fills her feature with stunning archival footage that makes for astonishing and affecting viewing (Ron Taylor is credited first among the feature's five cinematographers). Secondly, this powerful film dives into the work that Valerie has spearheaded to try to redress the world's fright-driven perception of sharks. Like last year's David Attenborough: A Life on Our Planet, 2017's Jane Goodall documentary Jane and underwhelming 2021 Oscar-winner My Octopus Teacher, this is a movie about being profoundly changed by the natural world and all of its splendour. Valerie Taylor: Playing with Sharks is available to stream via Disney+. Read our full review. CRUELLA A killer dress, a statement jacket, a devastating head-to-toe ensemble: if they truly match their descriptions, they stand the test of time. Set in 70s London as punk takes over the aesthetic, live-action 101 Dalmatians prequel Cruella is full of such outfits — plus a white-and-black fur coat that's suspected of being made from slaughtered dogs. If the film itself was a fashion item, though, it'd be a knockoff. It'd be a piece that appears fabulous from afar, but can't hide its seams. That's hardly surprising given this origin tale stitches together pieces from The Devil Wears Prada, The Favourite, Superman, Star Wars and Dickens, and doesn't give two yaps if anyone notices. The Emmas — Stone, playing the dalmatian-hating future villain; Thompson, doing her best Miranda Priestly impression as a ruthless designer — have a ball. Oscar-winning Mad Max: Fury Road costume designer Jenny Beavan is chief among the movie's MVPs. But for a film placed amid the punk-rock revolution, it's happy to merely look the part, not live and breathe it. And, in aiming to explain away its anti-heroine's wicked ways, it's really not sure what it wants to say about her. Before she becomes the puppy-skinning fashionista that remains among Glenn Close's best-known roles, and before she's both a wannabe designer and the revenge-seeking talk of the town played by Stone (Zombieland: Double Tap), Cruella is actually 12-year-old girl Estella (Tipper Seifert-Cleveland, Game of Thrones). In this intellectual property-extending exercise from I, Tonya director Craig Gillespie, she sports two-toned hair and a cruel that streak her mother (Emily Beecham, Little Joe) tries to tame with kindness — and she's also a target for bullies, but has the gumption to handle them. Then tragedy strikes, an orphan is born, loss haunts her every move and, after falling in with a couple of likeable London thieves, those black-and-white locks get a scarlet dye job. By the time that Estella is in her twenties, she's well-versed in pulling quick heists with Jasper (Joel Fry, Yesterday) and Horace (Paul Walter Hauser, Songbird). She loves sewing the costumes required more than anything else, however. After years spent dreaming of knockout gowns, upmarket department stores and threads made by the Baroness (Thompson, Last Christmas), she eventually gets her chance — for fashion domination, as well as vengeance. Cruella is available to stream via Disney+ with Premium Access, Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. MARTIN EDEN The last time that one of Jack London's books made the leap to cinema screens — just last year, in fact — it wasn't a pleasant viewing experience. Starring Harrison Ford and a CGI dog, The Call of the Wild forced viewers to watch its flesh-and-blood lead pal around with a needlessly anthropomorphised canine, to groan-inducingly cheesy results. Martin Eden is a much different book, so it could never get the same treatment. With his radiant imagery, masterful casting and bold alterations to the source material, writer/director Pietro Marcello (Lost and Beautiful) makes certain that no one will confuse this new London adaption for the last, however. The Italian filmmaker helms a compelling, complicated, ambitious and unforgettable film, and one that makes smart and even sensuous choices with a novel that first hit shelves 112 years ago. The titular character is still a struggling sailor who falls in love with a woman from a far more comfortable background than his. He still strives to overcome his working-class upbringing by teaching himself to become a writer. And, he still finds both success and scuffles springing from his new profession, with the joy of discovering his calling, reading everything he can and putting his fingers to the typewriter himself soon overshadowed by the trappings of fame, a festering disillusionment with the well-to-do and their snobbery, and a belief that ascribing worth by wealth is at the core of society's many problems. As a book, Martin Eden might've initially reached readers back in 1909, but Marcello sees it as a timeless piece of literature. He bakes that perception into his stylistic choices, weaving in details from various different time periods — so viewers can't help but glean that this tale just keeps proving relevant, no matter the year or the state of the world. Working with cinematographers Alessandro Abate (Born in Casal Di Principe) and Francesco Di Giacomo (Stay Still), he helms an overwhelmingly and inescapably gorgeous-looking film, too. When Martin Eden is at its most heated thematically and ideologically, it almost feels disquieting that such blistering ideas are surrounded by such aesthetic splendour, although that juxtaposition is wholly by design. And, in his best flourish, he enlists the magnetic Luca Marinelli (The Old Guard) as his central character. In a performance that won him the Best Actor award at the 2019 Venice Film Festival, Marinelli shoulders the eponymous figure's hopes, dreams and burdens like he's lived them himself. He lends them his soulful stare as well. That expression bores its way off the screen, and eventually sees right through all of the temptations, treats and treasures that come Eden's way. Any movie would blossom in its presence; Martin Eden positively dazzles, all while sinking daggers into the lifetime of tumult weathered by its titular everyman. Martin Eden is available to stream via Google Play, YouTube Movies and iTunes. I BLAME SOCIETY She's fired by her manager after he finally reads one of her scripts, then deems the topic of Israel "too political". When his assistant wrangles her a meeting with a couple of indie film producers in the aftermath, she's asked to lend her perspective to stories about strong female voices, breastfeeding in public, and either intersexuality or intersectionality — when it comes to the latter two, they aren't quite sure which. So, as I Blame Society gleefully posits in its savage takedown of the film industry today, it's little wonder that Gillian (writer/director Gillian Wallace Horvat) decides to follow up a leftfield idea. Three years earlier, some of her friends told her that she'd make a great murderer, a notion that she took as a compliment and has been fascinated with to an unhealthy degree ever since. Indeed, at the time, she went as far asking her pal Chase (co-writer Chase Williamson) if she could hypothetically walk through the process of killing his girlfriend. The request put a long-lasting pause on their friendship, to no one else's surprise. Now, as she resurrects the project, her editor boyfriend Keith (Keith Poulson, Her Smell) keeps reiterating that it's a terrible idea; however, with no other avenues forward, Gillian is committed to doing whatever she thinks she needs to to kickstart her career. During a mid-film conversation, an increasingly exasperated Keith reminds Gillian that no "there is no movie that is worth hurting someone for". He's endeavouring to get her to agree, but "if it's a very bad person for a very good movie…" is her quick and firm reply. I Blame Society is equally direct. While Horvat plays a fictional character — and, the audience presumes, hasn't ever flirted with or committed murder in real life — she absolutely slaughters her chosen concept. Not every line or moment lands as intended, but this biting satire sticks a knife into every expectation saddled upon women in general and female filmmakers especially, then keeps twisting. The film's recurrent gags about likeability cleave so close to the truth, they virtually draw blood. Its aforementioned parody of supposed allyship among powerbrokers and gatekeepers is similarly cutting and astute. In their canny script, Horvat and Williamson find ample time to poke fun of a plethora of industry cliches and microaggressions, the treatment of marginalised voices both within filmmaking and in broader society, and even the current true-crime obsession, all without ever overloading the 84-minute movie. And, on-screen as well, Horvat is a savvy delight. She wants viewers to both cringe and nod, and everything about her performance and her feature directorial debut earns that response. I Blame Society is available to stream via Google Play, YouTube Movies and iTunes. A FAMILY Just five letters are needed to turn A Family's title into the name of one of popular culture's most famous clans. The Addams crew aren't the subject of this Australian-produced, Ukraine-shot blend of comedy and drama, but it does delve into the creepy, kooky and mysterious anyway. The feature debut of director Jayden Stevens — who co-wrote the script with his cinematographer Tom Swinburn (Free of Thought) — the absurdist gem spends time with the stern-faced Emerson (first-timer Pavlo Lehenkyi). With none of his family around for unexplained reasons, he pays other Kiev locals to play their parts, staging dinners, Christmas parties and everyday occasions. They eat, chat and do normal family things, all for Emerson's camera. His actors (including Maksym Derbenyov as his brother and Larysa Hraminska as his mother) all need to stick to his script, though, or he'll offer them a surly reprimand. Olga (Liudmyla Zamidra), who has been cast as his sister, struggles the most with her role. She's also the member of this little faux family that Emerson is particularly drawn to. Her own home life with her mother Christina (Tetiana Kosianchuk) is far from rosy, with the pair suffering from her dad's absence, so eventually Olga decides that Emerson's role-play game might work there as well. A Family is a film of patient and precise frames, awkwardly amusing moments, and bitingly accurate insights into the ties that bind — whether of blood or otherwise. It's a movie that recognises the transactional and performative nature of many of life's exchanges, too, and ponders how much is real and fake in both big and seemingly inconsequential instances. To perfect all of the above, Stevens walks in Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer, The Favourite), Aki Kaurismäki (Le Havre, The Other Side of Hope) and even the usually inimitable David Lynch's shoes. His feature is austere, deadpan and surreal all at once, and smart, amusing and savage at the same time as well. Indeed, if a bigger-name filmmaker had made this purposefully and probingly off-kilter picture, it would've likely proven a film festival darling around the globe. A Family did start its big-screen run at a fest, at the Melbourne International Film Festival back in 2019. Now reaching Australian cinemas after a year that's seen everyone either spend more time with or feel more physical distance from their nearest and dearest, it feels doubly potent. Every lingering image shot by Swinburn — and all of the pitch-perfect performances that he captures — speak loudly to the cycle of yearning and disconnection that comes with being alive, and that never stops being put under a microscope. A Family is available to stream via iTunes. THE CONJURING: THE DEVIL MADE ME DO IT Starting in 2013 with The Conjuring, expanding with 2014's Annabelle, and also including The Conjuring 2, both terrible and much better sequels to Annabelle, the dismal The Nun and the formulaic The Curse of the Weeping Woman, The Conjuring Universe now spans eight evil-fighting flicks — and they're all as straightforward as it gets when it comes to battling the nefarious. Circling around real-life paranormal investigators Ed and Lorraine Warren, the franchise posits that the supernatural exists, darkness preys upon the innocent and its central couple usually has the tools to combat everything untoward. That template remains firmly in place in The Conjuring: The Devil Made Me Do It. With director Michael Chaves (The Curse of the Weeping Woman) and screenwriter David Leslie Johnson-McGoldrick (Aquaman) doing the honours — taking their cues from James Wan, the Australian Saw and Insidious co-creator who helmed the first two Conjuring flicks — it once again serves up the usual bumps, jumps and scares that have haunted this franchise since day one. That said, the third Conjuring flick within the broader Conjuring realm does attempt a few changes. Rather than getting creeped out by haunted houses, it gets spooked by a kid and then a teenager who are both possessed. True to form, bone-shakingly horrific things can't simply occur without some kind of excuse and entity at play. The Warrens (Patrick Wilson, Aquaman, and Vera Farmiga, Godzilla: King of the Monsters) are first tasked with saving eight-year-old David Glatzel (Julian Hilliard, WandaVision) from a demon after his family moves to stereotypically sleepy Brookfield, Connecticut. Their efforts seem successful, even if Ed has a heart attack mid-exorcism, but the evil force they're fighting has really just jumped ship. Arne Johnson (Ruairi O'Connor, The Spanish Princess), the boyfriend of David's sister Debbie (Sarah Catherine Hook, NOS4A2), is quickly besieged by strange occurrences. He's soon also covered in blood after stabbing his landlord to Blondie's 'Call Me'. The death penalty beckons; however, the Warrens convince Arne's lawyer to plead not guilty by reason of demonic possession — the first time that ever happened in the US — and then commit to unearthing whatever paranormal details they can to save his life. The trailer for The Devil Made Me Do It teases legal thrills, but in a bait-and-switch way, because this film is barely concerned with Arne's court case. The true tale, which was previously dramatised in a 1983 TV movie starring Kevin Bacon, merely provides an easy setup for souped-up demonic antics and a routine, happily by-the-numbers, never remotely terrifying threequel. Indeed, the fact that more flicks will undoubtably still follow is the scariest thing about the film. The Conjuring: The Devil Made Me Do It is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. THE HITMAN'S WIFE'S BODYGUARD Someone involved with The Hitman's Wife's Bodyguard must really love paperwork; that's the only reason anyone could've given its script the go-ahead. Perhaps Australian filmmaker Patrick Hughes, who also directed 2017's The Hitman's Bodyguard, likes nothing more than keeping his documents in order. Maybe returning screenwriter Tom O'Connor (The Courier) falls into that category, or his debuting co-scribes Phillip and Brandon Murphy — they all made the subject the focus of their screenplay, after all. Whoever fits the bill, their attempt to force audiences to care about bodyguard licensing falls flat. So does the misguided idea that the certification someone might need to unleash their inner Kevin Costner would ever fuel an entire movie. Instead, what was already a needless sequel to a terrible action-comedy becomes even more of a dull and pointless slog, with this by-the-numbers follow-up showing zero signs that anyone spent more than a few seconds contemplating the story. A significant plot point here: that Michael Bryce (Ryan Reynolds, The Croods: A New Age) has lost his official tick of approval. He's no longer triple A-rated after a mishap in the line of duty, and he isn't coping well. To be fair, no one watching The Hitman's Wife's Bodyguard will handle that news swimmingly either, but only because they're made to hear about it over and over, all as Bryce rekindles his begrudging association with assassin Darius Kincaid (Samuel L Jackson, Spiral: From the Book of Saw) and the latter's con artist wife Sonia (Salma Hayek, Bliss). When Darius gets snatched up by nefarious folks during his belated honeymoon with Sonia, only Bryce can help — or so says the angry Mrs Kincaid. She interrupts the latter's vacation with swearing, shouting and shootouts, because that's the kind of feisty Mexican wife that Hayek plays. From there, Reynolds primarily complains, Hayek sticks with stereotypes and Jackson attempts to exude his usual brand of couldn't-care-less cool; however, even more than in Spiral: From the Book of Saw, he's on autopilot. As also seen in Jackson's last big-screen appearance, The Hitman's Wife's Bodyguard insists on reminding its audience about its stars' better movies. You don't cast both Hayek and Antonio Banderas (who plays a European tycoon plotting the world's demise) if you don't want to bring Desperado and Once Upon a Time in Mexico to mind (and Frida and even Spy Kids 3, too). Thinking about the pair's shared past highlights is far more enjoyable than enduring their current collaboration, unsurprisingly. Making fun of accents is considered the height of comedy here, women can only be hot-headed nags and manchild daddy issues get almost as much love as paperwork. The jokes aren't just scattershot; they're non-existent. The messy, incoherent and over-edited action scenes fare just as badly. None of the above is likely to save us from a third movie, though, which'll probably be called The Hitman's Wife's Baby's Bodyguard's Lost Birth Certificate. The Hitman's Wife's Bodyguard is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. FATALE Only 14 women have ever won more than one Academy Award for Best Actress, and Hilary Swank is one of them. When she earned the Oscars double for 1999's Boys Don't Cry and 2004's Million Dollar Baby, she beat both Meryl Streep and now three-time recipient Frances McDormand to the feat — but her career hasn't brought the coveted accolade her way again since. Fatale isn't going to change that recent trend. It hasn't earned Swank a Razzie either, but she could've easily been in the running. Playing a Los Angeles cop who has a one-night stand in Las Vegas with an ex-college basketball star turned high-profile player manager, then starts stalking her way through his life while also trying to intimidate her politician ex-husband into giving her back access to her young daughter, she has one mode here: stern-faced yet unbalanced. Even when her character, Detective Valerie Quinlan, is first seen flirting, Swank plays her as if something isn't quite right. That's accurate, plot-wise, but it robs Fatale of any semblance of tension it might've possessed. The film is meant to be an adultery-focused thriller in the Fatal Attraction mould — with even its title blatantly nodding that way — but it just ends up recycling tired, simplistic, overused cliches about unhinged women into a monotonous and unnecessarily convoluted package. Valerie and Derrick (Michael Ealy, Westworld) hit it off at a Vegas bar, then get physical; however, the next morning, he heads home to his wife Tracie (Damaris Lewis, BlacKkKlansman), who he actually suspects of being unfaithful herself. Before Derrick can meaningfully process either his infidelity or his fears about his crumbling marriage, his swanky home is broken into one night — and, because director Deon Taylor (Black and Blue) and screenwriter David Loughery (The Intruder) are content to hit every expected beat there is (and because they've seen every 80s and 90s erotic thriller ever made, too), Valerie is the investigating officer. Despite being woefully predictable from the outset, Fatale doesn't dare have fun with its cookie-cutter narrative. It doesn't evoke thrills, bring anything more than surface style or prove particularly sexy, and it never gets its audience invested in its obvious twists, one-note characters or rote dialogue. And, although having its badge-toting stalker use excessive force and exploit her power to target a person of colour could've been a choice that said something about America's current reckoning with law enforcement, race and police brutality, Fatale doesn't even contemplate anything other than clunky formula. Fatale is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Looking for more at-home viewing options? Check out our lists of movies fast-tracked from cinemas to streaming back in May and June. You can also take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
When Spilt Milk announced that it wasn't taking place in 2024, instead delaying its next festivals until 2025, it looked like fans of the event were in for a hefty wait till they could next hear live tunes echo from its stages. But if you're in Newcastle, the Gold Coast or Perth — or can get there — that's no longer the case. Spilt Milk's regular fests remain postponed until next year; however, it's hitting up those three cities this November for a new gig series. Meet Spilt Milk House Party, aka the shindigs you throw when you're not throwing your regular shindig. If the tactic sounds familiar, that's because Yours and Owls is deploying it in 2024, too, calling it a pre-party instead. The idea is the same, though: get a bunch of acts to play at a smaller event, rather than the usual big festival rollout. For its version, Spilt Milk hasn't skimped on talent. In addition to his already-announced Australian tour, Troye Sivan leads the Spilt Milk House Party lineup. For company, he'll have Glass Animals, G Flip, Artemas and Sycco. The quintet have a date with usual Spilt Milk stops Perth and the Gold Coast, before also taking the event to Newcastle. While the fest proper normally takes place in Canberra — where it first started — and Ballarat as well, they're not getting their own House Party shows. [caption id="attachment_655626" align="alignnone" width="1920"] Anthony Smith[/caption] Given the smaller size, there's limited tickets available for the trio of parties, which will pop up at Kings Park Botanic Garden in Perth on Sunday, November 17; head to Broadwater Parklands on the Gold Coast on Saturday, November 23; and call Newcastle Entertainment Centre home on Sunday, November 24. When Spilt Milk cancelled its full fest experience for 2024, it did so because it "couldn't get you the Spilt Milk you deserve this year," it announced via social media. "Sooo imma dip for a bit and come back when I can make all ur dreams come true. i miss u xx," the statement continued. [caption id="attachment_967435" align="alignnone" width="1917"] F Fawkes via Wikimedia Commons[/caption] Spilt Milk House Party Lineup: Troye Sivan Glass Animals G Flip Artemas Sycco Spilt Milk House Party Dates: Sunday, November 17, 2024 — Kings Park Botanic Garden, Perth Saturday, November 23, 2024 — Broadwater Parklands, Gold Coast Sunday, November 24, 2024 — Newcastle Entertainment Centre, Newcastle Spilt Milk House Party will hit Perth, the Gold Coast and Newcastle in November 2024, with presale tickets available from 10am local time on Wednesday, September 11 and general sales from 10am local time on Friday, September 13. Head to the festival website for more details.
The Biennale of Sydney is known for its expansive displays of public art, from Ai Weiwei's 60-metre inflatable boat to last year's huge mirrored pavilion. When it returns in 2024 it will reach new heights, allowing art lovers to wander through one historic Sydney building for the first time in a century. The Inner West's White Bay Power Station will swing open its doors to Biennale-goers, granting the public its first chance to explore the heritage-listed building in more than 100 years. The power station has been in the lengthy process of being revitalised and transformed into an arts, culture and community hub as part of the Bay West precinct — and the contemporary art showcase will be the first event to utilise the huge Rozelle space. Artists breathing life into the space will be working within the 2024 theme Ten Thousand Suns. Heat, power, light, summer, joy, strength, the changing climate — all notions that spring to mind. This is what artists will be asked to ponder when creating their pieces for the citywide event. "We are thrilled to be hosting the first major event at White Bay Power Station," says Biennale of Sydney CEO Barbara Moore. "Admission is free. We are presenting some of the best contemporary art from around the world and across Australia, with a robust program of music and food, too, and we can't wait for you to experience it... In March, we swing the doors to White Bay Power Station wide open, and we can't wait for you to be part of it." Alongside the changes to the White Bay Power Station, the long-term plan for the Bay West precinct includes new employment spaces, 250 new homes with provisions for affordable housing and a new Metro station. Overall, the planned changes to the area are expected to create over four hectares of new public and open space. [caption id="attachment_804466" align="alignnone" width="1920"] Bays West precinct render[/caption] Running from Saturday, March 9–Monday, June 10, 2024 across Sydney, and free to attend as always — with the full list of venues yet to be revealed — the Biennale will feature works by artists such as William Yang, Tracey Moffatt, Serwah Attafuah, Kirtika Kain and Kaylene Whiskey among the homegrown contingent, as well as Sachiko Kazama from Japan, Francisco Toledo from Mexico and Malaysia's Anne Samat. In addition to ample art for attendees to experience, the 24th Biennale of Sydney will also feature a contemporary music lineup in partnership with Phoenix Central Park. The venue's curatorial skills will be taken to new locations beyond its stunning Chippendale site, responding to both Ten Thousand Suns as a theme and the works on display. [caption id="attachment_910497" align="alignnone" width="1920"] Creation of My Metaverse (Between this World and the Next) (2021). Serwah Attafuah. Digital 3D render, 3600 x 6000 px. Support: Sotheby's. Courtesy the artist © Serwah Attafuah.[/caption] The 24th Biennale of Sydney will run from Saturday, March 9–Monday, June 10, 2024 and will include exhibitions at the revitalised White Bay Power Station. Entry will be free, as always. We'll keep you posted on the whole artist lineup and exhibition program when they're announced. Top image: Adam .J.W.C.
If you've binged your way through The Afterparty already this year, and watched Death on the Nile as well, then you might be in the market for a new murder-mystery fix. Here's one puzzle that's easy to sleuth, because the answer is set to arrive via Disney+ — thanks to the return of instant 2021 favourite Only Murders in the Building. One of last year's surprises and delights — one of last year's best new shows, in fact — this gem weaves true-crime podcasting into the mix, too, all via a very funny murder-mystery comedy. And, thanks to the latest sneak peek at its second season, following other teasers and trailers back in March and May, Only Murders in the Building looks set to continue as it left off. We're never too far away from a new murder-mystery in some shape or form, of course, and Only Murders in the Building's new batch of episodes knows it, tasking its central trio of NYC neighbours-turned-sleuths (and true-crime podcasters) with investigating a second killing. This time, though, the three key residents of the fictional Arconia in New York are suspects, as well as subjects of a competing podcast. Only Murders in the Building focuses three New Yorkers: actor Charles-Haden Savage (Steve Martin, It's Complicated), theatre producer Oliver Putnam (Martin Short, Schmigadoon!) and the much-younger Mabel Mora (Selena Gomez, The Dead Don't Die). They're all addicted to a podcast hosted by the fictional Cinda Canning (Tina Fey, Girls5eva), and find themselves unexpectedly bonding over it, in fact. And, when someone turns up dead in their building, they decide that they can sleuth their way through the case by getting talking themselves. That's how the first season panned out. Now, in season two, Charles-Haden, Oliver and Mabel are weathering the fallout. Complicating their efforts are a trio of factors: their public implication in the death in question; that new podcast about them and this murder; and the suspicions of their neighbours, who think they're guilty. Exactly how that'll play out won't be unveiled until Tuesday, June 28, when Only Murders in the Building returns — but you don't need to be an amateur detective to know that it's bound to be both amusing and twisty. Whatever happens, both Cara Delevingne and Amy Schumer are involved, with the pair joining the cast as guest stars. And, as the new sneak peek shows, Fey is back as well. Check out the latest trailer for Only Murders in the Building season two below: Only Murders in the Building's second season will start streaming Down Under via Star on Disney+ on Tuesday, June 28. Read our full review of the show's first season. Images: Craig Blankenhorn/Hulu.
Blend in with the fashionable northern beaches locals with cult favourites like Faithfull the Brand and Assembly Label from Deesse Boutique, which is positioned in a prime corner spot on Avalon's main strip. Deesse sells all the stylish brands the Australian coastal suburbs are known for, so it can be hard to stop at just a couple of pieces. As well as beachy linens, you'll find Levi's jeans, Status Anxiety bags and wallets, and Temple of the Sun jewellery — not to mention all the Valley sunnies you'll be craving, and maybe a new bikini or two.
Our antipodean cousin is officially recognised as a foremost composer with a career spanning seminal post-pop-punk band Blam Blam Blam; art experimentalists The Front Lawn; platinum-selling pop-rockers The Mutton Birds; and several film soundtracks.McGlashan was recently a guest musician at Neil Finn’s 7 Worlds Collide project and he had some added Finn-fun opening for Crowded House on their recent American tour. In July his second solo album, Marvellous Year, will be released to coincide with his first solo dates in Australia, including a special one-off concert as part of the Winter Wonderland series at the Opera House Studio.https://youtube.com/watch?v=Px9-fJJzYrI
A new cafe and bakery with a commitment to high-quality artisan goods has just opened in the former home of West Juliett. The longstanding Marrickville favourite closed down without warning in mid-2022 — but when one door closes another opens, with White Rabbit taking over the corner space on Llewellyn Street. This is the fourth outpost for White Rabbit, with its Marrickville iteration joining spots in Drummoyne, Double Bay and Kiaora Lane. The group of cafes looks to bring together top-quality local suppliers, helping to expand their reach. That's exactly what you'll find at the new Marrickville venue, with Sonoma Bakery's bread and baked goods, Goose Bakery's pastries, Pepe Saya butter and The Little Marionette coffee all featured on the menu. "I am a firm believer in using premium ingredients to craft meals from scratch," says Steven Fadda, who you'll find in charge of the four Sydney spots alongside co-owners Andrea Di Mango and Daniel Antouny. Outside of Sonoma's loaves and Goose's dark chocolate and sea salt cookies, there is a menu of hefty cafe classics. Highlights from the all-day breakfast menu include XO chilli scrambled eggs with mushrooms, fried shallots and sourdough; sweet corn and zucchini fritters topped with avocado salsa, halloumi, chickpea hummus and chilli oil; and a classic bangers and beans big brekkie, featuring braised cannellini beans, nduja, pork and fennel sausages, pork belly, potato, fried eggs and toast. Later in the day, you can turn your attention to the lunch menu which is headlined by a fresh tuna ceviche bowl packed with zucchini and carrot noodles, brown rice, avocado, edamame, wakame, oxheart tomato, white miso and ginger; and a loaded parmesan and herb-crumbed chicken sandwich on toasted Sonoma sourdough. The White Rabbit team has made the most of the building, keeping the bright white aesthetic of West Juliett while shaping the space into a takeaway bakery and 100-seat cafe with both indoor and al fresco dining. If you're looking to drop in to pick up a loaf of bread or a pastry, the bakery is open seven days a week, while the cafe is closed on Mondays. White Rabbit Marrickville is located at 30 Llewellyn Street, Marrickville. The bakery is open 7am–1pm Monday–Sunday and the cafe is open 7am–3pm Tuesday–Sunday.
Back in March, which feels like eons ago, the Australian Government announced a ban on non-essential gatherings of more than 500 people — leading to the cancellation of thousands of events across Australia. Everything from Vivid to Bluesfest was scrapped as the country's COVID-19 restrictions got progressively stricter. Thankfully, we're now on the other side, and restrictions everywhere are easing. In New South Wales, this means the state's events calendar is slowly filling up once more. One thousand gigs are happening as part of the State Government-run Great Southern Nights; stadiums can have up to 10,000 fans in the stands; and theatres, concert halls and cinemas have been given the go-ahead to host events of up to 1000 people. In the latest win for the state, the Government has this week announced that regional events of up to 5000 people will be allowed to happen this summer. In a statement released on Wednesday, November 4, Minister for Regional NSW and Deputy Premier John Barilaro said that regional towns can start planning shows for summer 2021, with the newly allowed large-scale events kicking off with the Bowral Show on Saturday, January 9. "This is really exciting news for regional communities because country shows play a vital role in promoting agriculture and injecting money into local economies," Barilaro said in the statement. "I encourage everyone from the city to get out there and immerse yourself in a country show and get a valuable insight into life in the bush." With regional shows given the go-ahead from early next year, you might be wondering about Sydney's version: the Sydney Royal Easter Show, which was one of the many events forced to cancel in 2020. There's no call just yet, but the NSW Government has advised that it is also working with the Royal Agricultural Society of NSW to explore options for next year. [caption id="attachment_710789" align="aligncenter" width="1920"] Sydney Royal Easter Show[/caption] Shows will be required to have social-distancing rules, controlled entry point and capacity limit of one person per four square metres. At the moment, the new rules only apply to regional shows and not other types of events, but it's an encouraging sign. Hopefully it's not too long until punters will be able to head along to a (COVID-safe) music festival. With last year's devastating bushfire season leading to the cancellation of many out-of-town festivals, it's been a long time between bush doofs. For more information about the status of COVID-19 in NSW and current restrictions, head to the NSW Health website. Top image: Sydney Royal Easter Show, Riley Durkin.
With the sheer number of popular 90s nights happening at the moment, the recent remake of childhood favourites like The Lion King and Aladdin, and the return of artists such as Usher, Janet Jackson, it was only a natural step for the biggest selling boy band — and the target of all your teenage affection — to make a return, too. Backstreet's back, alright. So, unroll your posters and dust-off that secret diary, and get ready to belt out the lyrics to 'Everybody (Backstreet's Back)', 'As Long As You Love Me' and 'I Want It That Way', when the famous five — AJ McLean, Brian Littrell, Nick Carter, Howie Dorough and Kevin Richardson — head to Australia in May 2020 for a very nostalgic arena tour. Hitting up stadiums in Brisbane, Sydney, Melbourne and Perth, the Backstreet Boys will also be performing songs off their just-released tenth album, DNA. It (surprisingly?) debuted as number one on the charts when it was released and features Grammy-nominated single 'Don't Go Breaking My Heart'. But, we know you'll most likely be there for the 90s and early 00s goodness. You've got nine whole months until they're here, so plenty of time to relearn the moves to 'Everybody' and rewatch many retro music videos. Here's one for you to start with: https://youtu.be/6M6samPEMpM BACKSTREET BOYS DNA WORLD TOUR 2020 DATES Brisbane — Brisbane Entertainment Centre, Wednesday, May 20 Sydney — Qudos Bank Arena, Friday, May 22 Melbourne — Rod Laver Arena, Tuesday, May 26 Perth — RAC Arena, Saturday, May 30 Backstreet Boys DNA World Tour pre-sale begins at 3pm on Tuesday, September 17 with general tickets go on sale at midday on Monday, September 23 via Live Nation.
Since opening in 2016, Restaurant Hubert has been a citywide favourite for Sydneysiders looking for a high-quality French meal or a fine dining experience in the CBD. But with everyone stuck in their homes, for the time being, fine dining is often traded for trackies and a Big Mac. Hubert is looking to change that, bringing the Restaurant Hubert experience into your home with its new takeaway menu Hubert À La Maison. Available for delivery across NSW and ACT Thursday–Sunday, the takeaway menu features selections from the Restaurant Hubert menu a la carte and accompanying French wines and beers. There are also two banquet menus. The first Le Petit Banquet for two includes pork terrine wrapped in pastry, roasted snails with XO butter, chicken fricassée, confit mushroom with peppercorn sauce, sautéed greens and creme caramel for dessert. The second vegetarian option swaps out the pork, chicken and snails for gnocchi and shitake in parmesan cream, Gruyere souffle and kimchi gratin. Both banquets require some work to heat them so you can enjoy them warm and fresh, but come with detailed instructions on everything you need to do to recreate the Restaurant Hubert experience. Browse the menu here.
When Repressed Records moved from Penrith to Newtown 16 years ago, they knew they were setting up shop in the right scene. Famous for its vast vinyl collection, the store specialises in independent Australian music and always has an interesting range of music from around the world you won't find in your run-of-the-mill music store. Biggest sellers include names like Royal Headache, Eddy Current Suppression Ring, Bed Wettin' and Total Control. Never heard of any of these bands? That's fine — the team behind Repressed are always happy to make recommendations to ease you into one of the most underrated music genres of all time. The store also stocks knick knacks like carry bags and books from local artists — and other niche things.
You've probably noticed times are tough for hospo venues, especially those of the live music variety. However, until the end of June, you can do them a small favour with the help of purpose-driven, non-alc beer brewing legends, Heaps Normal. When the time comes to replenish your non-alcoholic beer stocks at home, online customers have the option to send a free case of Heaps Normal to their favourite venue. No strings attached — your local watering hole just gets a free case of beer to sell at their pleasure. "Aussie hospo venues – particularly live music venues – have been doing it tough lately and we're keen to give back. We figured the best way to do that was to let our community decide where the good karma should flow," says Heaps Normal's Chief Brand Officer Tim Snape. This good deed might just be the right move for you as well. Rather than waking up with a splitting headache after a big night out, the brand's tasty brews won't leave you with a hangover that stretches long into next week. "All you need to do is purchase a case of Heaps Normal for yourself and let us know which local watering hole you want to shower with a little good Karma (Case). We'll even throw a handwritten love letter from you in there, too," says Snape. When you're ready to bank that karma, you're welcome to gift any case from Heaps Normal's core range, from the down-to-earth Another Lager to the newly released Third IPA. Then, it's just a matter of your choice arriving at your go-to venue's door, ready to satiate thirsty customers keen to sidestep tomorrow's agony. Heaps Normal's Karma Cases campaign runs until the end of June. Head to the website for more information.
