The initial event announced for RISING 2025, Swingers — The Art of Mini Golf was always going to be one of the Melbourne winter festival's big highlights for this year. Combining mini golf and art, exploring the feminist history of the short game, getting folks tap, tap, tapping across the entire upper level of Flinders Street Station, and boasting talents such as Kajillionaire filmmaker and All Fours writer Miranda July designing courses: what a combination. Accordingly, months after the fest wrapped up its later iteration, it should come as no surprise that its putt-putt experience has not only proven a hit, but is also sticking around even longer than planned. While RISING ran for 12 days from Wednesday, June 4–Sunday, June 15 for 2025, Swingers — The Art of Mini Golf was locked in until Sunday, August 31 from the beginning. Now, that season has been extended. With a new closing date of Sunday, September 21, you've now got three more weeks to take to the greens. Expect company, as more than 25,000 people have headed by so far, resulting in soldout sessions. What do you get when you create an art exhibition that's also a mini-golf course? Swingers — The Art of Mini Golf answers that question with its playable setup. The piece's greens are designed by female-identifying and gender-diverse artists, resulting in surreal and mindbending creations in a work that also aims to get attendees thinking about the sport's beginnings. July's contribution, for instance, riffs on her latest book's name with an 'all fores' setup. Also helping to shape Swingers — The Art of Mini Golf: Soda Jerk switching from bringing TERROR NULLIUS and Hello Dankness to the big screen, plus Australian artists Kaylene Whiskey and Nabilah Nordin, Japan's Saeborg, the United Kingdom's Delaine Le Bas, Indonesia's Natasha Tontey, Atlanta rapper BKTHERULA and Hobart-based photographer Pat Brassington. "It's been fantastic seeing the diverse groups of people coming through the space, having fun, playing and learning about all of the beautiful, unusual artworks," said RISING's Grace Herbert, who curated the work. "So far, Swingers has hosted many families, friend groups and dates, and we've even had a proposal in the ballroom. I'm so glad that RISING is extending the season so that more people can enjoy this experience." As for the festival itself, it came, it celebrated, and it filled Melbourne with art, music and performances in June — with help from 100-plus events from 610 participating artists, including 16 brand-new commissions. Not only was Swingers — The Art of Mini Golf the first 2025 announcement, but it's the longest part of this year's program. And, while a few other events extended past RISING's official dates, this will also be the last to wrap up. Swingers — The Art of Mini Golf runs until Sunday, September 21, 2025 at Flinders Street Station, Flinders Street, Melbourne — head to the event's website for further information. Images: Remi Chauvin.
After announcing the controversial closure of renowned Opera House restaurant Guillaume at Bennelong in July last year, owner Guillaume Brahimi will be opening the doors of his new culinary venture, simply titled Guillaume, on August 2. The newly renovated site sits on Paddington's Hargrave Street and was the former home of Italian restaurant Darcy's for more than 38 years. The French-born chef has stated that he intends for this 90-seat restaurant to be a more "personalised food experience" than his other culinary projects. Brahimi has chosen a fitting location for Guillaume. The three-storey heritage building will sit alongside other Paddington greats such as 10 William Street, Buon Ricordo and the Four in Hand. Guillaume has stuck to his vision of a fine dining experience, and this is exactly what you can expect of the menu. Food options will be produce driven — a mix of favourites from the previous Guillaume at Bennelong and new dishes especially created for this restaurant. Drinks-wise, the primary focus will be on Australian influenced wine, all of which will be housed in the underground cellar of the restaurant. Bookings for the new restaurant will open on July 9, and will be taken two months in advance. To enquire about reservations and events call (02) 9302 5222 or email reservations@guillaumes.com.au. Guillaume will open its doors at 92 Hargrave Street, Paddington a month later, on August 2.
You know those bad Christmas gifts, the ones that make you slap on your very best fake smile in order to say thanks without groaning. A brick-like pud, some subpar sports socks, a sickly sweet candle — generic and uninspired clutter that you instantly want to return, regift or chuck in the trash. We don't want to sound ungrateful — sure, it's the thought that counts — but a poorly chosen present can be kind of disappointing, not to mention wasteful. Nobody wants to get — or give — a gift like that. Indeed, there's a fine art to Christmas shopping. Not all of us can be gift-giving masters, after all. So, to help you pick the perfect pressie and avoid any bigtime blunders, we've partnered with Australia Post to pull together ten stellar gift ideas, which won't warrant a return. They all cost less than a pineapple, can be ordered online and conveniently delivered to your nearby Parcel Locker so you can pick 'em up whenever it suits you. Let your fingers do the walking, forgo the crazy Christmas crowds and rest easy knowing your parcel is stored securely till you're ready to collect. Happy shopping, Santas. FRANK GREEN STAINLESS STEEL REUSABLE CUP Forget splashing cash on a mug with some trite "Keep Calm and Carry On" message inscribed on the front and get a cup that is both eco-friendly and uber trendy instead. The Frank Green stainless steel reusable cup is pretty much the Superman of drinking receptacles; crafted from commercial grade stainless steel, it's built to last forever (in a good way) which is great if you have clumsy caffeine-lovers in your midst. Drop this baby and there's no need to cry over spilt milk — it won't shatter or break. The cup is also stain and odour resistant, has a nifty spill-proof lid and a clever one-handed toggle button to drink and reseal — like we said, Superman. How much? $39.95 RELOVE PRINT BOOK SUBSCRIPTION We all know a bookworm and a surefire way to score a special place in their heart is to shout them a book subscription. Revolve Print will ship one quality preowned book to their doorstep each month, so they'll never have a shortage of great literature. What's more, they get to curate their reads and pick what kind of pageturners they receive. This gift is not only super thoughtful, but it's also eco-friendly. To take things up a notch, arrange to meet each month to discuss the books. How much? From $9 per month SMARTPHONE PROJECTOR An excellent accessory for the silly season, the portable Luckies Smartphone Projector 2.0 projects music videos, films and photographs anywhere you please. It's a great gift for the gadget-obsessed as it's both stylish and practical. With up to 8x magnification, the projector is light, compact and works with iOS and Android smartphones. Come Christmas Day, the family can stop crowding around one iPhone to look at Uncle John's travel photos and instead see them on the big screen. How much? $49.95 GROW YOUR OWN TEA Tea is a real crowd pleaser; young or old, most people enjoy a good cuppa. While you could gift a nice loose-leaf blend, why not go one step above and give that special someone a Grow Your Own Tea Kit. Each kit contains a growing pot, some soil, the tea seeds — choose between chamomile, peppermint, lemon balm or echinacea — as well as a mug and tea strainer to taste-test the brew. Not only is this pressie full of antioxidants, but it also gives the grower a sense of satisfaction and achievement, which is priceless. How much? $34.95 BACON MAKING KIT This gift is for that one friend or family member who always hangs by the Christmas ham — the bona fide pork fiend, the bigtime bacon fan. Introducing the Baconsmith Bacon Making Kit, which produces top-notch bacon in just seven days. The kit makes two-kilograms of tasty bacon — sweet or savoury, the choice is theirs. All it requires is a good slab of pork belly. The great thing about this present is that it's also like a gift to you. Give it to a housemate or your partner, and you'll reap the benefits, too, with some tasty homemade bacon to snack on next fry-up. We guarantee they (and you ) will be squealing with delight. How much? $34.95 MEMOBOTTLE A staggering one million single-use plastic bottles are purchased around the world every minute and most end up in landfill. Depressing, right? Do your bit and buy your mate a Memobottle. Remember the book Flat Stanley? This is the water bottle version of that; it's nice and slim and can slide right into compact spaces. Memobottles are great for students as they pack neatly into backpacks, between all those textbooks. The bottle has a 450-millilitre capacity and is BPA free — so the water will stay nice and pure. How much? $44.95 DIY BEESWAX WRAPS If you're friends with a passionate eco-warrior or want to inspire a less socially conscious friend, sling them this beeswax block and get them making their own environmentally friendly version of Cling Wrap. The Wanderlightly DIY Beeswax Wraps are non-toxic, biodegradable and reusable — save on cash and save the planet. Win, win. The step-by-step instructions are super simple, just add cotton fabric and you're ready to go. Since they'll be spending less money on plastic packaging for, well, the rest of their lives, it really is the gift that keeps on giving. How much? From $17.50 AESOP JET SET KIT Ah, the intoxicating aromas of Aesop. We still haven't worked out how they make it smell so darn good, but we're not complaining. Give the globetrotters in your life the gift of sweet smells and smooth skin with this Aesop Jet Set Kit. The assortment features the go-to products — like classic shampoo and conditioner, Geranium Leaf Body Cleanser and Rind Concentrate Body Balm — and can be stored in their carry-on for easy access. Aesop products are renowned for their hydrating qualities, exactly what one needs during a long-haul. How much? $41 COFFEE MUG BY INDIGENOUS ARTIST LUKE PENRITH Yes, this is the second cup we've mentioned but its eye-catching design warranted a spot on the list. Created by Aboriginal artist Luke Penrith, the mug depicts the Yilawura Camp Site in soothing green and blue tones. It's a statement piece, which would suit any kitchen or office desk. Since it's only $16, you can order two or three and gift a set. Let's face it, one can never have too many mugs. And if you're a fan of the artwork, you can pick up a range of other wares featuring the same design. How much? From $15.99 SOLAR-POWERED PORTABLE PHONE CHARGER We all have that one friend or family member who is forever searching for a phone charger. Treat them to this solar-powered portable phone charger and never hear "Hey, can I borrow a charger?" again. While the top of the line chargers can set you back around $100, hit up eBay to find a charger on the cheap. With USB connectivity, this compact little nugget will charge everything from an iPhone to a tablet to a digital camera. Just add sun and you're all set. How much? From $22.99 Christmas shopping has never been so simple — order online, ship to a Parcel Locker and avoid the hectic shops with Australia Post.
Poirot goes horror in A Haunting in Venice. As unsettling as it was in its pointlessness and indulgence, Death on the Nile's moustache origin story doesn't quite count as doing the same. With Kenneth Branagh (Belfast) back directing, producing and starring as the hirsute Belgian sleuth for the third time — 2017's Murder on the Orient Express came first — Agatha Christie's famous detective now gets steeped in gothic touches and also scores the best outing yet under his guidance. The source material: the acclaimed mystery writer's 1969 novel Hallowe'en Party. Returning screenwriter Michael Green (Jungle Cruise) has given the book more than a few twists, the canal-lined Italian setting being one. Venice makes an atmospheric locale, especially on October 31, in the post-World War II era and amid a dark storm. But perhaps the most important move that A Haunting in Venice makes is Branagh reining in the showboating that became so grating in his first two Poirot movies. Even if you've never read Christie's work or seen Poirot on the screen before, three details have become as widely known as the figure's existence: he's a detective, he's eccentric and, to the benefit of solving cases upon cases, he's obsessive. Thankfully, three also seems to be the magic number in letting the investigator's quirks feel lived in during his current cinema run, rather than constantly overemphasising every idiosyncrasy. Both A Haunting in Venice and Branagh's performance are all the better for that choice. When not just puzzling but also spooking is on offer, such a shift is essential, allowing bumps, jumps and eeriness to set the mood and style over an overdone central portrayal. Branagh is helming a haunted-house story this time around, after all — and while ghost tales need people to torment, overblown identities shouldn't be the most disquieting thing about them. He's also made a picture about grief and trauma, two experiences that change personalities. In relocating to the sinking island city and withdrawing from the whodunnit game, his new status quo when the film begins, A Haunting in Venice's Poirot has already done his own toning down. It's 1947, a decade after the events seen in A Death on the Nile, and bodyguard Vitale Portfoglio (Riccardo Scamarcio, The Translators) helps keep life quiet by sending away everyone who seeks the sleuth's help. The exception: Ariadne Oliver (Tina Fey, Only Murders in the Building), a Christie surrogate who is not only also a celebrated author, but writes crime fiction based on Poirot (with Fey slipping into her shoes, she's a playful source of humour, too). When the scribe comes a-knocking, it's with an invite to a séance, where she's hoping that her pal will help her to discredit the medium, Joyce Reynolds (Michelle Yeoh, Everything Everywhere All At Once), who has the town talking. The supernatural isn't Poirot's thing, unsurprisingly. Usually, that applies to the stories that he's in and his perspective. But Ariadne herself is starting to be convinced that Joyce might be the real deal, as she explains while persuading her friend into assisting. In A Haunting in Venice, belief isn't much Poirot's thing either — although unnerving visions do begin lingering in his view. As much as Branagh, cinematographer Haris Zambarloukos (another veteran of the first two pictures), composer Hildur Guðnadóttir (an Oscar-winner for Joker) and editor Lucy Donaldson (The Midnight Club) have fun diving into horror, and they do, embracing the occult was never going to be on the cards for movie's main character. Instead, getting his mystery-solving mojo back is part of the predictable plot; more than in Branagh's past two Poirot flicks, A Haunting in Venice feels comfortable rather than inert in its formula. From that setup, the film unfurls over one night and in a sole spot: a grand yet crumbling palazzo. The building was previously an orphanage where many kids met their death and has seen other folks follow them since, with local legend chalking up the abode's misfortunes to "the children's vendetta". Ex-opera singer Rowena Drake (Kelly Reilly, Yellowstone) now owns the structure — and it's her daughter Alicia's (feature debutant Rowan Robinson) passing that's inspired her to enlist Reynolds' services. Count her among the suspects when a body shows up, alongside Leslie Ferrier (Jamie Dornan, The Tourist), Drake's family doctor; Leopold (Jude Hill, Branagh's Belfast breakout), his precocious son; Olga Seminoff (Camille Cottin, Call My Agent!), the mansion's housemaid; Desdemona and Nicholas Holland (The Crowded Room's Emma Laird and Everyone Else Burns' Ali Khan), brother-and-sister war refugees; and Maxime Gerard (Kyle Allen, West Side Story), Alicia's American former fiancé. The expected Poirot template still dictates A Haunting in Venice's basics; few deductive skills are needed to see why Hallowe'en Party's name and city were changed to fit the franchise's mould, for instance. So, murders occur, fingers are pointed, everyone has a motive and the movie's main man gives his brain a workout. Also, getting the pool of accused jostling — and the actors playing them, of course — remains as baked into the feature as in its predecessors. This rogues' gallery makes a finer job of it than the past talents in the same position with Branagh. They're more cohesive as a group, and even as well. Fey sparkles with acerbic wit, Yeoh is confidently serene, Cottin frays nervily, Laird is a picture of unease, and having Dornan and Hill play father and son again after Belfast is a nice touch. With Branagh bringing more nuance to his role than ever, his co-stars never feel like they're being thrust into the shadows by their director and lead. There's zero subtlety in the filmmaking, though, nor should there be in a gleeful gothic-horror spin on Poirot. Cue a wealth of visual flourishes that convey a murder-mystery with purposefully disorientating excess — and shine. Thanks to Venice, the horror genre's fans will already be thinking about 70s great Don't Look Now, which arrived in cinemas before that decade's Murder on the Orient Express and Death on the Nile. Spotting odes to Italian giallo master Dario Argento are easy to find, too. Close ups, tilted angles, wide-angle shots, leaping from high to low perspectives, tight focus, making the utmost of the Venetian architecture: they all add to the macabre-and-loving-it air. They also boost a much-needed point of difference in these whodunnit-heavy times. Branagh's flicks have been outshone comically by everything from Knives Out and its sequel to the small screen's Only Murders in the Building and The Afterparty, so getting creepy proves a successful way of fending off their spirits; fittingly, it's a canny trick and enough of a treat.
Looking for somewhere to celebrate a family birthday? Have a special occasion coming up that calls for floor-to-ceiling windows and ocean views? You don't need an excuse to dine at Sealevel, the restaurant known for having the best views in Cronulla, but it does make for a good option when you want to step up the indulgence levels. Specialising in modern Australian food with Italian and French influences, Sealevel wants you to be surprised each time you visit, delivering dishes that change every fortnight. With such close proximity to the ocean, you'd expect a strong seafood representation on the menu – and you'll get it here. Seafood platters are what this venue is known for and come stacked with every imaginable delicacy — from Sydney rock oysters to prawns and Balmain bugs. Lovers of red meat will also be satisfied here with a selection of locally sourced options, and vegetarians are also sorted. If the a la carte menu is too overwhelming, opt for one of the set menus. On the drinks side of things, the wine list is small but mighty, offering a selection of classics varietals. The cocktail menu leans towards the sweet and fruit-led, designed to match with the seafood and there's a small selection of craft beer, too. Images: Mel Koutchavlis
If you think of famous artists, you may recall the likes of Picasso, Dalí, Monet, Michelangelo, Rothko and Warhol. One thing these artists have in common is none of them are Australian. Another is that they're all men. They are, undoubtedly, some of the greats. But this year the National Gallery of Australia is turning its focus to the Aussie women who have greatly contributed to the arts with an upcoming exhibition. Dubbed Know My Name: Australian Women Artists 1900 to Now, the free exhibition kicks off on Friday, November 13 and will run till Sunday, July 4— so you'll have plenty of time to catch it. The blockbuster exhibition is part of the gallery's ongoing initiative to increase the representation of female artists. As the name suggests, it'll showcase works by artists from the early 1900s to the present day, including some brand-spanking-new commissions. By bringing together artists of different times, as well as cultures, practices and places, the exhibition challenges the assumption of Australian art being male-dominated. There'll be more than 350 works on display, featuring everything from paintings to performance art and a floor-to-ceiling presentation of the artists' portraits. Highlights include a commission by the Tjanpi Desert Weavers; performance art by Bonita Ely and Jill Orr; Tracey Moffatt's key series of photographs, Something more; a huge painting by the Ken Family Collaborative; and an installation by Justene Williams. You can also expect works by KuKu and Erub/Mer artist Destiny Deacon, leading modernist painter Grace Cossington Smith, famed printmaker Margaret Preston, photographer Rosemary Laing, Anmatyerr artist Emily Kame Kngwarreye and contemporary painter Anne Wallace. [caption id="attachment_775540" align="alignnone" width="1920"] Anne Wallace, 'She Is' 2001 , oil on canvas, National Gallery of Australia, Canberra, Purchased 2002, © Anne Wallace[/caption] Coinciding with the exhibition's launch will be a three-day conference, which will bring together established and emerging artists, curators and academics to discuss everything from creative practice to women and gender equity in the arts. The conference will run from November 11–13. Know My Name: Australian Women Artists 1900 to Now is showing at the NGA from November 13 through July 4, 2021. The gallery is open from 10am–5pm daily and entry is free. Top images: Yvette Coppersmith, 'Nude selfportrait, after Rah Fizelle' 2016, oil on linen, Private collection, ©Yvette Coppersmith; Roma Butler and Yangi Yangi Fox, from Irrunytju in Western Australia, with their sculptures, 2017, photo: Rhett Hammerton; and Grace Cossington Smith, 'The Bridge in building' 1929, oil on pulboard, National Gallery of Australia,Canberra, Gift of Ellen Waugh 2005. For the latest info on ACT border restrictions, head here.
On March 14, Cyberdyne presented an exhibit at the 2011 Cybernics International Forum. The invention: HAL, an exoskeleton robot suit powered by electric motors that enhances physical strength and allows users to defy typical human capabilities. Creepy or cool? A little bit of both, I'd say. At first glance, it's perplexing to think that someone can slip on this suit and instantly inherit superhuman strength. The likes of Iron Man are revered in comic books and robots are cool in sci-fi movies, but to give humans that power in real life is both scary and a bit weird. Between these robot suits and the latest thought-controlled cars, the distinction between man and machine is starting to get blurred. But if you look deeper, HAL was designed to do more than just transform humans into cyborgs. Creators of HAL had a high-tech advance in industrial work in mind. The contraptions, that come in many forms, from a full-body suit to a "lite" single arm version, were initially aimed at helping factory workers who had to lift heavy objects on a daily basis. HAL would prevent joint pain and stress on the body, especially for older workers and those with limited joint function, and also aid people with reduced mobility. In addition, in light of the many recent natural disasters, developers have been thinking that robot assistance may have a future with the military, with firefighters or other rescue personnel. A group of firefighters with the ability to lift rubble on their own after an earthquake seems too good to be true, but with HAL it is a very real possibility. Yes, it is still somewhat creepy that a human being can now strap on a suit and basically turn into a cyborg. But if it can help save lives, then it's pretty damn cool. [via FastCompany]
Across its five seasons to date, Black Mirror has dedicated 22 episodes to imagining dystopian futures — and while it makes for compelling viewing, none of the sci-fi anthology series' predictions are particularly pretty. But, for all of its prognosticating, the Charlie Brooker-created show didn't foresee 2020's chaos. And now we've all endured this hectic year and are about to see it come to an end, the team behind Black Mirror has something to say about it. At 6pm AEST on Sunday, December 27, just before 2020 fades away forever, Netflix will drop a new comedy special called Death to 2020 — which is made by the Black Mirror crew. The show will look back on the year via a documentary-style special that uses real-life archival footage from the past 12 months, as well as narration from fictitious characters played by the high-profile likes of Samuel L Jackson, Hugh Grant, Lisa Kudrow, Kumail Nanjiani, Tracey Ullman, Samson Kayo, Leslie Jones, Diane Morgan, Cristin Milioti and Joe Keery. Immediately keen to see more? After revealing a teaser trailer for Death to 2020 earlier in December — when it first announced that the project even existed — Netflix has now dropped a full sneak peek. Jackson's character gets snappy, Grant's wants to make sure that a drink is close at hand, and Jones' advises she'd say 2020 "was a trainwreck and a shit show, but that'd be unfair to trains and shit". Brooker has a history of looking back at events that have just passed, as Newswipe with Charlie Brooker and his end-of-year Wipe specials between 2010–16 have all demonstrated — so satirising and savaging the year's developments definitely falls into his wheelhouse. Brooker and Netflix also love releasing new material over the holiday period, with interactive Black Mirror special Bandersnatch dropping between Christmas and New Year's Eve back in 2018. So, true to form, they're giving everyone an extra festive — and grimly funny — present this year. Check out the full Death to 2020 trailer below: https://www.youtube.com/watch?v=veUqfcyZ_Bo Death to 2020 will hit Netflix at 6pm AEST on Sunday, December 27 . Images: Saeed Adyani/Keith Bernstein.
It's one of the city's best-known landmarks, so when the Sydney Opera House illuminates its sails, it stands out. You've seen the venue lit up for Vivid, to launch Mardi Gras and to support bushfire relief — and, as part of Badu Gili, the nightly showcase of First Nations artwork that was first launched in 2017. While the harbourside spot hasn't been decking out its sails with projections every night of late, that changed from Friday, April 23, with a new Badu Gili series gracing the Opera House's exterior each evening. This time around, it's called Badu Gili: Wonder Women, and focuses on the work and stories of six female First Nations artists. And, as part of Sydney Solstice, the affair will be dubbed Badu Gili: Winter Nights, which will run from June 8–20. Curated by Coby Edgar, the Art Gallery of New South Wales' Curator of Aboriginal and Torres Strait Islander Art, Badu Gili: Wonder Women is a creative collaboration between the Opera House and AGNSW to mark the latter's 150th anniversary. As the sun sets each day, the Opera House's eastern Bennelong sail will illuminate with a vibrant six-minute animated projection. The animation will repeat three more times each night — approximately every hour, but the timing changes every evening depending on the season and events at the Opera House's Forecourt. Badu Gili also ran in 2018; however, for its third go-around in 2021, it'll display its first all-female lineup. Sydneysiders will be able to peer up at work from Wathaurung elder Marlene Gilson, Yankunytjatjara woman Kaylene Whiskey and Luritja woman Sally Mulda, which'll feature alongside pieces by Western Arrernte women Judith Inkamala and Marlene Rubuntja, and the late Kamilaroi woman Elaine Russell. While you're looking up, you'll be taking in pieces inspired by the artists' life stories and shared histories, which includes the Eureka Stockade and mission days, 2019-20's bushfires, an imagined world of superheroes, family encounters and ordinary life in First Nations communities. The visual component of Badu Gili — which translates to 'water light' in the language of the site's traditional owners, the Gadigal people — will also be accompanied by a return of Badu Gili Live. The free outdoor music series will run throughout May and June, with performances from Mi-kaisha, Leah Flanagan, and Bow and Arrow. Plus, between Tuesday, June 8 and Sunday, June 20, the Sydney Opera House forecourt will feature Babu Gili Winter Nights with music, talks, poetry readings and a pop-up bar serving drinks and snacks inspired by native Australian ingredients as part of Sydney's new winter arts festival Sydney Solstice. [caption id="attachment_753266" align="alignnone" width="1920"] Ken Leanfore[/caption]
Another year, another version of Batman. The Dark Knight doesn't get a new famous face quite that often, but you can be forgiven for thinking that it feels that way. Following in the footsteps of Adam West, Michael Keaton, Val Kilmer, George Clooney, Christian Bale and Ben Affleck, Robert Pattinson is now the latest actor to don the recognisable cape and mask — all thanks to upcoming superhero flick The Batman. No one really needs a plot synopsis for flicks about the Gotham City-dwelling character, because yes, we've all seen multiple versions of Batman over the years. This one is meant to stand completely apart from the most recent Affleck-starring DC Extended Universe version of the character, though. So, basically, what DC Films and Warner Bros Pictures did with Joker in 2019 — serving up a grimmer, grittier iteration of the infamous figure that has absolutely nothing to do with the rightfully hated Jared Leto version — they're endeavouring to do for Batman now. Also following the same playbook: enlisting a top-notch star in the lead role. Remember, it was only last that Joaquin Phoenix won an Oscar for playing the clown prince of crime. As well as Pattison as the titular character and his alter-ego Bruce Wayne, The Batman stars Zoe Kravitz (Big Little Lies) as Catwoman, Paul Dano (Escape at Dannemora) as the Riddler, Colin Farrell (Voyagers) as the Penguin, Jeffrey Wright (Westworld) as Commissioner Gordon and Andy Serkis (Long Shot) as Alfred Pennyworth. Plenty of these figures have popped on screens large and small multiple times, too — but Farrell's version of the Penguin certainly stands out in the film's just-dropped (and suitably dark, brooding and violent) full trailer. Originally slated to release this year, The Batman is one of the many movies that've been delayed due to the pandemic. And yes, you have gleaned a sneak peek before, with the movie dropping its first teaser trailer more than a year ago. Pattinson did just star in the Christopher Nolan-helmed Tenet in 2020, so perhaps it makes sense for him to play a character that Nolan helped bring back to cinemas 16 years ago. This time around, however, Cloverfield, Let Me In, Dawn of the Planet of the Apes and War for the Planet of the Apes filmmaker Matt Reeves is in the director's chair. Check out the full trailer for The Batman below: The Batman is currently due to release in Australian cinemas on March 3, 2022. Images: Courtesy of Warner Bros. Pictures/ ™ & © DC Comics.
2024 marks four years since Sydney and Melbourne welcomed a new film festival devoted to the weirder side of cinema. That event: Fantastic Film Festival Australia, which pops up in the first half of each year to showcase boundary-pushing flicks both new and old. It also features an annual nude screening, challenging what hitting the pictures means not just on the screen, but as an audience experience. For its fourth season, FFFA is going with an "if it ain't broke" approach. The festival's setup has worked a treat in 2021, 2022 and 2023 — and this is the type of event where a new batch of movies should always be the star of the show. In 2024, then, get ready for a Ryan Corr-starring monster movie, a 4K restoration of The Raid and a 15th-anniversary session of Enter the Void for starters. Sting, which is helmed by Australian director Kiah Roache-Turner (Wyrmwood: Apocalypse), and sees Corr (In Limbo) joined by Alyla Browne (The Lost Flowers of Alice Hart), Noni Hazelhurst (One Night), Penelope Mitchell (What You Wish For) and Silvia Colloca (Wellmania) — plus some eight-legged creatures — is opening Fantastic Film Festival Australia 2024 in both cities. The fest will run in Sydney from Wednesday, April 17–Friday, May 10 at the Ritz Cinemas in Randwick. In Melbourne, it'll span Thursday, April 18–Thursday, May 9 at Lido Cinemas in Hawthorn, plus from Thursday, April 25–Tuesday, April 30 at Thornbury Picture House. Fans of Gareth Evans' (Gangs of London) epic Indonesian action effort The Raid will scope out the shiny restoration for the first time in Australia during the festival. Also in the throwback category throughout the event: Australia's own Melbourne-set thriller Metal Skin from 1994. And Gaspar Noé's (Vortex) Enter the Void has the closing-night slot, with Sydney-based electronic artist Corin providing a new original live score. If catching a movie in the buff has been one of your big FFFA highlights previously, you'll be able to strip off again this year. If you haven't made it along in the past, you're getting another chance to redress that while undressing. The film you'll be watching: comedy classic The Naked Gun. Clearly it has the right title for it. From there, there's no shortage of other must-sees on a program that covers 24 features alongside 14 shorts. Luc Besson's (Anna) DogMan stars Caleb Landry Jones (Nitram), Steven Soderbergh (Full Circle)-produced thriller Divinity gets another Down Under run after playing SXSW Sydney 2023, and Cannibal Mukbang from first-time director Aimee Kuge combines romance and gore. Or, there's Krazy House with Shaun of the Dead favourite Nick Frost and Clueless great Alicia Silverstone — and also gothic horror The Vourdalak, which hails from the pages of AK Tolstoy's novel. From South Korea, The Childe follows an amateur boxer and an assassin. France's The Deep Dark gets trapped with cave miners a thousand metres below the earth's surface — and, also representing Gallic cinema, Hood Witch stars Golshifteh Farahani (Invasion) and Denis Lavant (Holy Motors), Mars Express heads into the future and off the planet in animation, Vincent Must Die sees random strangers attack its namesake and Pandemonium follows folks who suddenly find themselves on a remote mountain road. Or, there's Japan's One Percenter, which is a love letter to action cinema; a travelling knife salesman crossing paths with robbers in The Last Stop to Yuma County; and Mami Wata, which was Nigeria's Oscar entry — the nation's third ever. For those keen on shorts, some will play before the features, while Melbourne will also get a session focused on locally made efforts. 2024 Fantastic Film Festival Australia Dates: Melbourne: Thursday, April 18–Thursday, May 9 — Lido Cinemas, Hawthorn Thursday, April 25–Tuesday, April 30 — Thornbury Picture House, Thornbury Sydney: Wednesday, April 17–Friday, May 10 — Ritz Cinemas, Randwick Fantastic Film Festival Australia runs in April and May at Ritz Cinema, Randwick in Sydney, plus Lido Cinemas, Hawthorn and Thornbury Picture House, Thornbury in Melbourne. For more information or to buy tickets, head to the FFFA website.
If seasonal change has left you in a dizzy headspin of new colours and fabrics and prints and jackets — or if, y'know, you just like some fancy new clothes now and then — you'll be pretty pleased to know that the Big Fashion Sale is back. Usually, it's a physical affair that takes place in Sydney and Melbourne; however like plenty of other events at the moment, the shopping extravaganza is going online — and national — for its next outing. The name pretty much says it all. This thing is big. You'll find a hefty array of lush items from past collections, samples and one-offs from a huge lineup of cult Australian and international designers, both well-known and emerging — including Romance Was Born, Alexander McQueen, Isabel Marant, The Row, Dries Van Noten and more. With discounts of up to 80-percent off, this is one way to up your count of designer threads while leaving your bank balance sitting pretty, too — whether you're keen on clothes, shoes, swimwear or accessories. The Big Fashion Sale's online edition kicks off at 9am on Monday, May 18 on the event's website — and you can register in advance to be notified when it kicks off.
Winter might still be months away, but the final series of Game of Thrones is set to air on April 14. If the show's comeback will have you spiralling into an all-consuming GoT hole, then you will probably want to get in on Sydney's latest themed event. Call your banners and get ready for an immersive medieval-style banquet reminiscent of the series. Prepare for a meal that not only replicates the fascinating and often terrifying world of GoT that so many have come to depend on for meaning in life, but will include a brunch feast, lots of ale, and some murderous entertainment. Many details of the event are still shrouded in mystery (much like the eventual outcome of the series), including the date and price. The location hasn't been announced, but will be somewhere in inner Sydney. But we can guess the specific theme. Taking its cues from a particularly notorious episode of HBO's hit series, this immersive banquet will surely be styled after the Red Wedding. Yes, you can assume there'll be some recreations of scenes from George R. R. Martin's saga — although here's hoping there's no regicide at this one. If, like Jon Snow, you know nothing, then you're in for an entertaining feast. Costumes are welcome, but no pretend (or real) weaponry. The banquet will happen in Sydney later this year. Further details — and tickets — will be released soon. We'll let you know when they are.
Ruby's Diner is a thought-provoking stylistic mashup. By name and laminate tabletops, it’s definitely a diner. With tolix stools, small potted succulents and denim waiter aprons, it’s very on-trend too. The menu points to some healthy leanings and a giant tattoo-style mural is a stroke of swashbuckling pirate art. Yar me hearties, I had trouble with the elevator pitch for this one. The mix of influences makes it hard to know which way the wind is blowing at Ruby’s, but they are held together in an open, sun-flooded space in the quiet, gumtree-padded backstreets of Waverley. The crowd on Sunday is just as mixed — lots of pregnant women, smart-caj thirty-somethings and post-yoga soy latte drinkers. Happily, these pirates have a much more easygoing health food charter than than the paleo commandos down the road at Bondi. So there’s gluten-free banana bread, sugar-free (read: maple syrup sweetened) muffins, five grain this and quinoa that as well as brioche french toast. If your body is the temple you worship, there is also kale breakfast salad. Sinners that we are, we order the five grain porridge with quince and the poached eggs with house-made baked beans on an oat and wholegrain waffle instead. The Single Origin coffee is excellent; it’s speedily dispatched and breakfast sails over soon afterwards. I know we’re supposed to be in a diner, but a waffle is not the best raft for beans and poached eggs. ‘Things on bread’ dishes require an inverse relationship between the thickness of the topping and the carbohydrate on which they sit. So despite the perfectly poached eggs and brightly flavoured beans, the whole is an unbalanced ballast, that for $20, doesn’t sail. The porridge is a silky gloop of five-grain goodness where I suspect much quinoa lurks. Candied nuts on top provide texture rescue but the slivers of quince are are a little too few and too small. Again, without a leading flavour or spice it was likeable, but no hidden treasure. All hands are on deck for a fairly busy Sunday brunch. They are a merry crew, but a bit too swift. The bill is offered with a full coffee on the table (and no queue at the door) and as soon as we’re done the bill is offered again. This time we walk the plank, Sunday castaways.
Instead of shooting tequila and fighting back the tears while biting on a lemon, you might be better off using it as an alternative fuel. Originally seen as a potential saviour, crop-based biofuels are now criticised for competing for arable land, driving up grain prices and being grown in conditions that damage the environment. Agave, the plant used to make tequila, might just provide a solution. Since it grows in arid conditions, it doesn't compete for arable land and water supplies, and can adapt to future changes in the climate. Research into the energy and greenhouse cost of producing agave-derived bioethanol shows that it would be preferable to current biofuel crops, and one Australian company Ausagave is already giving it a try. So, the next time someone tries to force a tequila shot on you, you can refuse on the grounds that you'll need it for the drive home. Just don't put the salt or lemon in the tank... [via PSFK]
The flavours of Korea and Mexico have formed an unlikely, but delicious allegiance, given equal billing at Canterbury's modern fusion eatery Vecino. It's an uncommon culinary mash-up, but not one you'll forget in a hurry, thanks to a creative menu packed full of big flavours. Co-owners Tony Lee and Eunice Lim play on the similarities between two famously lively cuisines, drawing both on Lee's Korean heritage and his experience working in Mexican kitchens across the world. At Vecino, the lineup is crafty, rather than quirky, with instant hits including the bulgogi tacos (two for $13.50) — the Korean classic reimagined with black beans and guac — and the loaded fries ($14.90), here topped with bulgogi, pico de gallo, kimchi, sour cream and cheese. There's a ripper Korean fried chicken, too —served either original, sweet and spicy, teriyaki, rosemary honey garlic and chimichurri — while the burrito ($16) comes loaded with kimchi fried rice, spicy pork, black beans, guac and hot sauce. Equally vibrant and just as memorable is the funky cocktail selection. Head in for gutsy creations like the Makgeorita, blending tequila with Korean rice wine, alongside a lineup of soju-infused signatures and giant frozen margaritas.
Since launching in 2008, Airbnb has drastically changed the short-term accommodation market. Travellers can now stay somewhere other than a hotel — and find more than three million places in 65,000 cities and 191 countries around the world — while anyone with a spare room or an empty house can rent them out and make some cash. Alas, their gains can come with pain for folks living next door to an Airbnb-listed property. There's no shortage of stories about neighbours finding themselves faced with an endless stream of parties, for example. Enter Airbnb's next move, Niido. Set to open in 2018, it's a Florida complex that's designed specifically with house-sharing in mind. In partnership with property developer Newgard Development Group, Airbnb will build a 324-unit block near Disney World in Kissimmee, Florida, rent out its apartments to tenants, and allow anyone who signs a lease for a year to offer up their homes on the website for up to 180 nights each year. If residents just wish to list a single bedroom, then there's no cap. If this sounds familiar, that's because it's rather similar to plenty of concepts that already exist, including ones that Airbnb is in direct competition with. Basically, it's their version of a hotel and time-share accommodation combined. Other hotel-like touches include keyless doors, housekeeping and cleaning services, and an on-site "master host" (aka, a concierge) who checks-in visitors, helps during their stay, and can act as an intermediary between hosts and guests. Speaking to Financial Times, Newgard CEO Harvey Hernandez said that 2,000 Airbnb-branded units are planned in the next two years. Airbnb aren't the first to attempt to reinvent something that already exists — Lyft announced plans for a bus-like shuttle service earlier this year. Via Financial Times / Forbes. Image: Airbnb.
One of the most powerful players in the media game, Arianna Huffington, is coming to Carriageworks. Discussing her brand new book Thrive with the equally formidable political gun Annabel Crabb, Huffington is one of the planet's most kickass women, after launching the Huffington Post in 2005 and casually taking out one of Time's 100 Most Influential People just one year later. Being the first online-only outlet to take home a Pulitzer Prize for reporting, Huffington Post is undeniably one of the world's most widely referred-to sites (you've probably checked it today already). Huffington herself has spearheaded the whole escapade, currently the chair, president and editor-in-chief for the Huffington Post Media Group — a long way from her not-so-humble Cambridge graduate beginnings as a nationally-syndicated columnist. After all these years, the 64-year-old (!) can spin some pretty epic tales, like that casual meditation session she held with Deepak Chopra, being able to get a word in with Bill O'Reilly and running against Arnold Schwartzenegger in the 2003 recall election. Taking multitasking next level, the Greek-American powerhouse has penned her own lengthily-titled book, Thrive: The Third Metric to Redefining Success and Creating a Life of Well-Being, Wisdom and Wonder. Somehow, in the midst of managing coverage of ebola breakouts, the Gaza-Israel conflict and the fact that Americans are totally over fast food burgers, Huffington now schedules in rest, mindfulness and health to her day (much more rewarding outcomes than all that money and power in her pocket). As part of the Sydney Opera House's Ideas at the House program, Huffington and Crabb will delve into the media heavyweight's rise and how success has affected her both positively and negatively. "We are thrilled to be presenting Arianna Huffington, she’s a visionary leader and one of the most influential women in media who continues to inspire," said Ideas at the House senior producer, Danielle Harvey . If you're after a much-needed 'stop sitting on your hands' type of wake-up call, throw some dosh on a ticket to this one-off meeting of total bosses.
Tommy Hilfiger is headed to Paddington this month to showcase its youth and denim brand, Tommy Jeans. The American apparel brand will pop up on Oxford Street on November 17–18 for a weekend of fashion, music and giveaways. Across November 17 and 18, shoppers can nab the latest Tommy Jeans threads, from both the line's main range and the new Tommy Jeans 6.0 capsule collection. To balance out the inevitable spending, get there early on Saturday — the first 100 people through the door will receive a goodie bag worth $100. Plus, on Sunday, radio network Nova 96.9's Casanova street crew will be on-site from 3.30pm with plenty more giveaways and games to take part in. Live DJ sets by the likes of Stacie Fields, DJ Tigerlily, Juay Kennedy and DJ Mowgli May will keep up the party atmosphere on both days. And a meet-and-greet with brand model Josh Heuston will go down from noon–2pm on Saturday, too. The Tommy Jeans pop-up store will open from 9am–6pm on Saturday and Sunday. For the full schedule of events, head to the Tommy Hilfiger website.
If your 2021 plans could use a little colour and liveliness from one of the best artists that ever lived, you're in luck — because the Art Gallery of NSW is delivering exactly that as part of its newly announced 2021 program. For four months from November 2021–March 2022, the Sydney venue will host the huge Matisse: Life & Spirit, Masterpieces from the Centre Pompidou, Paris exhibition. It'll feature more than 100 of Henri Matisse's pieces spanning six decades of his artistry, it's only heading to Sydney and it'll mark the greatest single exhibition of his masterworks that's ever graced the NSW capital. Whether you're keen on Matisse's early efforts, including from his Fauvist phase, or you're more fascinated with how his talents progressed over his considerable career, you'll see something suiting your interests on display — with the exhibition running from November 22, 2021–March 13, 2022. Standouts include Le Luxe I 1907, if you're after one of his first pieces; Decorative figure on an ornamental ground 1925, from the middle of his career; and The sorrow of the king 1952, a self-portrait. If it all sounds a bit familiar, that's because it was originally due to happen in 2020 as part of AGNSW's Sydney International Art Series, but was postponed for obvious reasons. 2021 is now shaping up to be a great year for Australians to see European masterpieces, with Brisbane's Gallery of Modern Art and the National Gallery of Australia in Canberra also showcasing works from the region — but only AGNSW will solely focus on Matisse. As well as Matisse's paintings, sculptures and cut-outs — all from the Centre Pompidou in Paris, which boasts quite the collection — AGNSW will also be hosting Matisse Alive, which'll reflect upon Matisse in a modern context. The gallery-wide event will kick off in October 2021, letting art lovers indulge in a free festival of Matisse. Think: art, music, performances and dance, all delving into his life, his creations and how his works have inspired artists today. Textile environments, huge paintings and video works are all on the lineup, including by artists such as Nina Chanel Abney, Sally Smart, Angela Tiatia and Robin White. [caption id="attachment_794669" align="aligncenter" width="1920"] Henri Matisse. 'Blue nude II (Nu bleu II)' 1952. Gouache on paper, cut and pasted, on white paper, mounted on canvas, 116.2 x 88.9 cmCentre Pompidou. Musée national d'art moderne AM1984-276. Photo © Service de la documentation photographique du MNAM Centre Pompidou, MNAM-CCI /Dist RMN-GP. © Succession H Matisse/Copyright Agency.[/caption] Obviously, AGNSW won't be empty for the rest of the year, before all things Matisse hit. Back in mid-2020, it revealed its blockbuster summer 2020–21 exhibitions, so you might already be familiar with Streeton, Pat Larter: Get Axed, Archie Plus, Khaled Sabsabi: A Promise, Real Worlds: Dobell Australian Drawing Biennale 2020 and Joy. Joining them on the full 2021 agenda: the also previously postponed Margel Hinder and The Purple House exhibitions; the food focused The Way We Eat; and Brett Whiteley: Printmaker, featuring Whiteley's lithographs, etchings, linocuts and silkscreen prints. Or, you can scope out Longing for Home, which'll feature works by six Aboriginal artists; and The National 2021: New Australian Art, which will hero pieces from 39 emerging, mid-career and established Australian artists. [caption id="attachment_789423" align="aligncenter" width="1920"] Installation view of the 'Streeton' exhibition at Art Gallery of New South Wales, Sydney. Photo: Jenni Carter, AGNSW.[/caption] And yes, after 2020's delays, the Archibald, Wynne and Suleman Prizes are back as well, with the corresponding exhibition displaying from June–September 2021. There's an added bonus, too, with AGNSW also hosting a 100-year-anniversary look at the Archibald. Matisse: Life & Spirit, Masterpieces from the Centre Pompidou, Paris will display at the Art Gallery of NSW, in Sydney, from November 22, 2021–March 13, 2022. Matisse Alive will run from October 2021–2. For more information — including about AGNSW's full 2021 lineup — visit the Art Gallery of NSW website. Top images: Sally Smart. 'The choreography of cutting' 2017. © Sally Smart. Photo: Fajar Riyanto, installation view OFCA, Yogyakarta. Henri Matisse. 'The sorrow of the king (La tristesse du roi)' 1952. Gouache on paper, cut and pasted, mounted on canvas, 292 x 386 cm. Centre Pompidou. Musée national d'art moderne AM3279P. Photo © Philippe Migeat - Centre Pompidou, MNAM-CCI /Dist RMN-GP. © Succession H Matisse/Copyright Agency. Nina Chanel Abney. 'Seized the Imagination', Jack Shainman Gallery, New York, New York, 9 November 9 – 20 December 20, 2017. © Nina Chanel Abney. Courtesy of the artist and Jack Shainman Gallery, New York.
It's the kind of dazzling space that you could easily lose a whole day to, and it seems that plenty of people have. A year after opening, Tokyo's teamLab Borderless Digital Art Museum has revealed that it welcomed more than 2.3 million visitors in its first 12 months, making it the most visited single-artist museum in the world. In this case, the term 'single artist' doesn't mean that everything that graces the site's walls, floors and ceiling is the work of just one person, with teamLab comprised of a collective of creatives. Still, Borderless' entry figures for the year exceed the other top single-artist venues, eclipsing the Van Gogh Museum's 2017 record high, the last reported figures for Spain's Dali Museums in the same year and the Picasso Museum's numbers for 2018. The first, in the Netherlands, saw 2.26 million patrons through the door, while the second reached 1.44 million across three sites and the third hit 948,483. [caption id="attachment_701274" align="aligncenter" width="1920"] Sarah Ward[/caption] While plenty of Japanese locals have made the trip to teamLab's permanent Odaiba facility, almost half of Borderless' visitors hail from overseas. Folks from more than 160 countries and regions made the trip, with the most coming from the USA, followed by Australia, China, Thailand, Canada and the United Kingdom. teamLab's other Tokyo site, teamLab Planets in Toyosu, also attracted huge numbers over its first year. Another immersive space — this time asking patrons to walk barefoot through its digital artworks — it received 1.25 million visitors from 106 global locations. It's safe to assume that patronage at teamLabs two current pop-ups — across 500,000 square metres of Japanese forest and hot springs, and in old oil tanks in Shanghai — will also prove rather healthy. For Australians keen to get a glimpse of the collective's work without jetting overseas, it's bringing its sculptures of light and "cascades of shimmering luminescence" to this year's Melbourne International Arts Festival in October. Find teamLab Borderless Tokyo: MORI Building Digital Art Museum in Odaiba Palette Town, 1-3-8 Aomi, Koto-ku, Tokyo, Japan. It's open seven days a week — for more information, visit the museum's website. Via Business Wire.
This one's for those of us who find smoky things innately appealing. And, nothing satiates those smoke-related cravings more than a good dram of the peaty drop. Well, whisky connoisseurs, we've got the smoked whisky event that you've been waiting for, and it's happening at your mate's place. Okay, Old Mate's Place to be exact. On Sunday, November 11, whisky purveyors Ardbeg will take over this brand-spankin' new CBD bar for the ultimate smoke fest. The event is happening as part of The Ardbeg Smokehouse, a series of venue takeovers featuring whisky tastings, cocktails, smoke-infused eats and live entertainment. Old Mate's library-esque interior makes it the perfect place to sip whisky like a distinguished aristocrat surrounded by stately bookshelves, dapper furnishings and family heirlooms. You can swish, swirl and enjoy those smoky flavours while pensively gazing off into the distance channeling your best Sean Connery. The cocktail masters at Old Mate's Place will be crafting a throng of custom cocktails, designed to challenge your proclivity for smoke and test just how smoky you can go. Given the team manages a bar which boasts more than 300 different spirits and has collectively worked in some of Sydney's top venues, we have no doubt they'll turn out some real humdingers. The smokier the better, we say. When hunger strikes, tuck into juicy snags straight off the barbie complete with Ardbeg's very own barbecue sauce. All money raised from snag sales will go directly to the RSPCA in honour of Ardbeg's distillery dog mascot Shortie, so you can eat, drink and feel good that you're helping animals along the way. Ardbeg will take over Old Mate's Place on Sunday, November 11, from midday–5pm. Walk-ins only.
In August, Hollywood lost a legend, with William Friedkin passing away at the age of 87. This one hits hard, with the iconic director enjoying an enviable career, constantly testing the limits of filmmaking and helming some of best movies of the 70s. Here's one: a little flick called The Exorcist, which had heads spinning on- and off-screen, scored ten Oscar nominations and became the first-ever horror movie to be in the running for the Best Picture award. One of the greatest-ever films in the genre, it also sparked a franchise that's still going today — but, no matter what follows, it'll always be the best of the bunch. Here's another: New York-set crime-thriller The French Connection, home to a powerhouse performance by Gene Hackman — an Oscar-winning one, too — and the reason that Friedkin has a Best Director Academy Award. In a retrospective called The Fearless William Friedkin, Golden Age Cinema and Bar is paying tribute to the filmmaker in the best way there is: showing his work. The Exorcist and The French Connection are on the bill, of course, as part of a four-title lineup. If you haven't experienced Sorcerer yet, then you haven't experienced true cinematic tension. Driving trucks filled with volatile dynamite through South America, across 351 kilometres of unstable roads, makes for utterly nerve-shredding viewing — and a movie masterpiece. Also on the lineup is To Live and Die in LA, an early highlight on Willem Dafoe's resume that sees him play a master criminal. The film season's flicks pop up at different dates and times until mid-October — get the specifics from the cinema.
In a world of pay-to-own content, companies like Spotify run to the sound of a different tune. Now, they're giving you the chance to quite literally do the same. The music streaming service today announced the introduction of Spotify Running, a new feature that automatically detects your running pace and plays tracks to match your tempo. Spotify Running will select music based on your listening history, incorporating different playlists as well as original compositions from DJs and composers around the world. Sensors in your phone will then detect how fast you're moving, with the music changing as you speed up or slow down. The feature will also be integrated into the Nike+ and Runkeeper apps later in the year. Of course, this isn't a new idea. There are already a number of third-party apps for both iOs and Android that will match music to your running pace, including Pace DJ and RockMyRun. However, Spotify is also working with musicians to develop customisable music, where the composition actually changes and rearranges itself depending on your speed. The new feature is one of several announced by Spotify at a recent New York media event. The Now page will better allow users to select playlists based on their personal preferences, mood and even the time of day. They’re also (finally) incorporating other forms of media such as video clips and podcasts (podcasts!), announcing partnerships with the likes of the BBC, Comedy Central, ESPN, TED, Adult Swim, Vice Media and NBC. The company will also launch Spotify Originals, shows and content that will be exclusive to the service. Turntable will pair musicians and chefs for a performance and a meal, while Incoming will cover the latest music trends. Artists including Icona Pop and Tyler the Creator will also be getting their own radio shows, while Dance Move of the Day, from Amy Poehler's Smart Girls, is exactly what it sounds like. No word yet on when exactly this content will be available for users in Australia, although Spotify Running is — pun very much intended — already up and running. The new features should add fuel to the competition between Spotify and its rivals, including Jay Z's Tidal, which already streams video content. Likewise, Apple is expected to launch a new music streaming service later this year, incorporating the recently acquired Beats Music. One of that service’s major selling points is its ability to deliver a personalised playlists based on user preferences and input, territory that the Spotify Now page appears to be cutting into. Game on. Spotify Running will be rolling out to all users globally from today.
It's hard to believe, but it's four years now that Goodgod Small Club first started bringing its much-needed, eccentric, eclectic good times to the CBD. In the past twelve months alone, they've proved to be the favourite Sydney stage of the likes of Erykah Badu, Courtney Barnett and DMAs; started serving up killer feasts at recently-closed favourite, The Dip, and their new on-site Jonkanoo Canteen; and transformed the Opera House Studio into a psychedelic version of Tin Pan Alley. So, to celebrate their fourth birthday, they're putting on an epic shindig — as only Goodgod know how. That means, of course, a venue-consuming, all-night-long, convention-obliterating party — this time around themed 'Taking Care of Business'. At the centre of the action will be the Goodgod 'house band' presented by Siberia Records, and Alex Cameron (one-half of Seekae). You can also expect a parade of special guests including Ariane, Astral DJs, Champain Lyf, Drongo, Mike Who, Nacho Pop, Power Suit, Shantan Wantan Ichiban and Tyson Koh. And the dress code? Under the suave 'Taking Care of Business' theme, Goodgod wants to see you looking your public holiday schmickest, so they're asking for suits. Yep, suits. Sharpen up. "We're celebrating four years of success in the dog-eat-dog world of Sydney's Central Business District by suiting up for a massive full-venue party," says the Goodgod team. "The theme is business, and we've pulled the highlights out of the rolodex." We gathered the Goodgod crew together for a powerlunch pow-wow and asked them what they crank on the Bose speakers to amp them up for a goalkickin' day at the office. https://youtube.com/watch?v=dA2rI6HGb6E Tune: Bryan Ferry — 'Kiss and Tell' Spun by: Power Suit — "There's no better way to triple productivity and effectively synergize backward overflow than looking to the man in the suit himself, Bryan Ferry. Very few singers exude more business class, fewer songs still guarantee a classier business — or my DJ name isn't Power Suit." https://youtube.com/watch?v=TqLZZ1jVTR8 Tune: Warren Zevon — 'Nighttime In The Switching Yard' Spun by: Alex Cameron (Seekae) — "My sax player Roy works the trams and this fires us right the flip up for making money." https://youtube.com/watch?v=eubhg1gTyj8 Tune: Taco — 'Puttin' On The Ritz' Spun by: Ariane —"I like to aim high." https://youtube.com/watch?v=ZoAATtUmvUs Tune: Bileo — 'You Can Win' Spun by: Drongo — "What does a Drongo need when suiting up for business? A little positive reinforcement goes a long way, it's a dog eat dog world. You can do it! You can win!" https://youtube.com/watch?v=zVN8aFfp3S4 Tune: Will Powers — 'Adventures In Success' Spun by: Julian Sudek (The Goodgod House Band) — "Will Powers gets you the biggest chair in the boardroom." https://youtube.com/watch?v=womWmBIveII Tune: Nate Dogg — 'My Money' Spun by: Mike Who https://youtube.com/watch?v=xbXvdJF-1U8 Tune: Issac Hayes — 'Shaft Theme' Spun by: Shantan Wantan Ichiban https://youtube.com/watch?v=XA7waQo--QA Tune: LOGO — 'Businessmen' (12'' Version) Spun by: Tyson Koh — "HEAD UP TO THE 50th FLOOR I'LL MAKE YOU A NASDAIQUIRI." Woah there. Now you're all suited up with these tunes, you're ready to take care of business. Let's delve into a... CHAMPAIN LYF SPECIAL QUITTIN' TIME BLITZ: https://youtube.com/watch?v=n-2j9ZqCtt0 Tune: Stush — 'Dollar Sign' Spun by: Adrian E (Champain Lyf) — "You've got to work it hard to make dem dollar signs appear." https://youtube.com/watch?v=wxVEf8sg3dg Tune: Ramsey & Fen — 'Style' (Original Vocal Mix) Spun by: Danny Banger (Champain Lyf) — "Champain stylin', it's for every occasion... even if it's not, it actually is." https://youtube.com/watch?v=NF1cv3uFqn8 Tune:Dom Perignon & Dynamite — 'Got Myself (Together)' Spun by: Jon Watts (Champain Lyf) — "Get it together, serious negotiation swing." https://youtube.com/watch?v=qy1VF41blSo Tune: Ross Young Feat R.B — Smooth Operator Spun by: Drongo (Champain Lyf) — "Champain lyf suit and tie tips." Suit up for Goodgod's fourth birthday this Sunday, October 5. Tickets on the door at $10 and doors from 9pm. Look sharp. Words by Jasmine Crittenden and Shannon Connellan.
Four years ago, legendary Rock and Roll Hall of Famers Fleetwood Mac toured Australia with Christine McVie, who'd just rejoined the band after a 16-year absence. This year, when the British-American group tours the country, the lineup will look a little different. Mick Fleetwood, Stevie Nicks, John McVie and Christine McVie will be joined on stage in August by Crowded House frontman Neil Finn and Mike Campbell, from Tom Petty and the Heartbreakers, with Lindsey Buckingham controversially axed from the band early last year. Despite the switch-up — it's not the band's first personnel change, and probably won't be its last — the band will be performing all its biggest hits, from 'Dreams' to 'The Chain' and 'Go Your Own Way'. The six will head to Australia's west coast first, hitting up Perth on August 9, before flying east to perform shows across the east coast — with one show in Brissie, and two in Sydney and Melbourne. Fleetwood Mac is one of the world's best-selling bands, selling in excess of 100 million albums worldwide, with the album Rumours one of the best-selling of all time. Their Aussie tour follows the band's 50-show tour of the US. FLEETWOOD MAC 2019 TOUR DATES Perth — RAC Arena, August 9 Brisbane — Brisbane Entertainment Centre, August 20 Sydney — Qudos Bank Arena, August 27 and 29 Melbourne — Rod Laver Arena, September 2 and 4 Fleetwood Mac pre-sale tickets are available from midday (local time) on Thursday, January 24, 2019, with general on-sale is at midday (local time) in Sydney and Perth, and 1pm in Melbourne and Brisbane, on Friday, January 25, through Live Nation.
What would Bondi be without its breakfast joints? The suburb seems to have 'em on every corner, with each one better than the next. From the health-conscious to the all-day spots slinging buttermilk pancakes and top-notch cuppas, these beachside institutions serve some of the best breakfasts in all of Sydney. Here are our picks of the best of the bunch. An honourable mention goes out to Porch and Parlour, which is currently closed due to a fire incident. It deserves a spot on this list and we're hoping for a speedy reopening.
Our phones have a lot of uses these days. While they were once merely a means of communication, they are now a great way to fill time or catch up on current events as well as the perfect crutch in an awkward situation. Need to fill an unbearably long silence or look like you're doing something while alone at a party? Just whip out an iPhone. But all of these new uses seem to defeat the original purpose of the device. With a smartphone glued to the palm of our hand, can we still maintain any meaningful communication face-to-face? A new photo series entitled 'The Death of Conversation' suggests not. Picturing friends, couples and dinner dates entranced with the screens of their phones but ignoring each other, these works by London photographer Babycakes Romero are all too familiar. It's something you see everyday. Don't feel too embarrassed. We're all guilty of it. This is what inspired the photographer to create the series. "I saw that smartphones were becoming a barrier to communication in person," he told Buzzfeed. "I saw how people used it as a social prop to hide their awkwardness, to fill the silence, but as I continued to observe and document this modern phenomenon I felt that the devices were actually causing the awkwardness and the silence." There's been a growing awareness of this problem over the past few years especially. Many musicians including the Yeah Yeah Yeahs and Prince now ask their audiences to put their phones away and "be in the moment"; some restaurants even ban their customers from taking photos of their food. "[Using your phone] is a form of rejection and lowers the self-worth of the person superseded for a device," said the artist. "I have nothing against technology at all but I feel it is starting to affect social cohesion, and we need to know when to switch it off or we will become permanently switched off from each other." Though this behaviour is now common all over the world, it may not be as bad as it first appears. Many theorists think this kind of criticism is unfounded. With this kind of constant digital companionship, aren't we in fact being more social than ever? It's for you to decide. But, at first glance, the evidence is pretty damning. Via Buzzfeed. All photos via Babycakes Romero.
We don't need much more of an excuse for summer celebrations than a sunny day and good company. And what better setting for such sun-soaked affairs than a chic at-home brunch party, complete with flowing prosecco? For one, there are no restaurant bookings or table limits to worry about. Better yet, you get to be the master of your own fun when you're at home. So, we've teamed up with winemakers Yarra Burn to help you put together the ultimate brunch fiesta. All you have to do is sort out the guest list, stock up on bottles of bubbly and follow these handy tips to become a boss of brunch. [caption id="attachment_778329" align="alignnone" width="1920"] Jacqui Manning[/caption] HIT UP YOUR LOCAL FARMERS MARKET BEFOREHAND If you're looking to plate up a standout brunch menu, then be sure to pick up fresh, locally sourced ingredients, which will make all the difference — and have your guests singing your praises for days. So, make a trip to your local farmers market where you'll find all that top-notch produce. Venture there early to get your mitts on the best selection of meat and seafood, fresh fruit and veg, free-range eggs and artisanal goodies like bread, oils and plenty of cheese. You'll be able to trace your ingredients back to where they came from and the producers and stallholders will have lots of helpful tips should you need any last-minute menu guidance. DECK OUT YOUR SPACE WITH VIBRANT BLOOMS Nothing shouts summer louder than an abundance of fresh flowers. Not only will they brighten up any old table setting, but they also smell pretty darn good as well as provide an uplifting dose of Mother Nature. Insert a few colourful blooms into your home and you'll instantly transform your space from drab to fab. Instead of going overboard, though, keep things classy by selecting a specific colour palette for your posies, then swing past your local florist or market to see what's in season. PICK A CUISINE THEME This year's been especially light on globe-trotting adventures, so why not take your brunch crew on a journey? Serve up a little escapism by picking a cuisine theme for the day. You might want to jet those tastebuds overseas with a menu inspired by the food of somewhere like Scandinavia with smorrebrod and cured salmon, India with masala dosa and mango lassi or Italy with bruschetta, caprese salad and a big bowl of breakfast pasta. Otherwise, you could turn back the clock and pay homage to the 90s with some old-school tunes and retro fare. Or, as it's summer after all, take your feast to the backyard and embrace a picnic theme. [caption id="attachment_795159" align="alignnone" width="1920"] Anthony Glick[/caption] TREAT YOUR MATES TO FREE-FLOWING PROSECCO A freshly popped bottle of prosecco shared with mates isn't just a must at brunch, it's also something that encapsulates that sense of celebration that's become synonymous with summer Down Under. And Yarra Burn's new limited-edition prosecco is your go-to drop for the balmy days and festive occasions to come. Fittingly named A Taste of Australian Summer, this special release was crafted in collaboration with Bondi Rescue lifeguard and professional photographer Anthony Glick, whose image of Bronte Beach graces the label. It's a sparkling primed for sunny outdoor gatherings — brunch included. HAVE SOME POST-PARTY GAMES ON HAND You'll find a bit of light entertainment proves just as important as that tasty food and endless flutes of prosecco, so it's a good idea to have a few party games up your sleeve that'll help keep spirits high long after dessert. Opt for some friendly rivalry that'll engage the whole crew. If you're embracing the outdoors, classic lawn games like quoits, Finska or croquet always goes down a treat. Plus, they can be easily enjoyed with a glass of prosecco in hand. Otherwise Twister is always a surefire way to have some laughs. To make your next at-home brunch a hit — and make it quite the celebration — stock up on Yarra Burn's limited-edition A Taste of Australian Summer prosecco. It's available nationwide at Dan Murphy's and Liquorland, as well as independent retailers.
This graffiti-clad emporium is what you'd if you crammed together a year of Saturday garage sales, binned the dud items, and arranged the gems in one enormous warehouse in Alexandria. There are over sixty different stalls within the Centre's walls, stocking all the vintage, industrial and retro furniture, knick knackery and ephemera you've ever fantasised about, with a range from Victoriana through to 20th century design. Searching for something specific? Use their 'wish list' feature to have the Centre's dealers try to hunt it down for you.
Sydney's southern suburb of Kogarah suffered a devastating loss to its culinary community when Pino's Dolce Vita caught fire and ultimately closed back in 2016. The award-winning Italian deli was founded by Pino Tomini Foresti back in 1978 and was the heart of the local food scene for decades. Now, after much deliberation and over one year's worth of renovations, the butcher, deli and cafe has returned to its original President Avenue location. Pino's reopened in December 2018 with a brand new fit-out and an extended offering of authentic Italian fare. The shop now sells over 100 types of handmade Italian sausages and salumi, plus cuts of meat that are exclusive to the butchery. There's also an extensive collection of local and international cheeses and a huge range of artisan small goods, too. In the cafe, the team is slinging freshly brewed coffee, breakfast and lunch, plus homemade cakes and pastries — including these cannoli. It's a true family affair here, with Foresti's wife Pia, daughter Carla, son-in-law Michael and sons Fabiano and Marco all taking part in the business. The new digs put emphasis on this family-friendly atmosphere and emulate the bustling vibes of a true Italian deli. If you're looking to book your next gathering, Pino's now offers a catered, warehouse-style event space, too — packages including grazing boards and Italian wines that'll transport your party to the European coast. Pino's Dolce Vita has reopened at 45 President Avenue, Kogarah. Opening hours for the butcher and deli are Tuesday through Friday from 8am–5pm and Saturday from 8am–3pm. Opening hours for the cafe and kitchen are Tuesday through Friday 7am–4pm and Saturday 7am–3pm.
Hyde Park Barracks, built in 1819 to house male convicts and now a UNESCO World Heritage-listed museum, has reopened after undergoing an $18-million makeover. In the year since it closed, Sydney Living Museums has installed state-of-the-art interactive experiences. Prepare to step back into convict history and discover its impacts on First Nations peoples. Behind the revamp is Local Projects, a New York-based design studio, who has worked with Sydney Living Museums to breathe new life into the Barracks' 4000-strong collection, many of which are now on display for the first time. They've drawn on powerful stories, added interactive elements and created installations that surround you with visuals and sound over three storeys. [caption id="attachment_763829" align="alignnone" width="1920"] Brett Boardman[/caption] "The new design for Hyde Park Barracks places the personal narrative at the centre of the experience, creating a deeply moving journey for our visitors," said Sydney Living Museums Executive Director Adam Lindsay in a statement. For tens of thousands of years, the land on which the museum stands was home to Gadigal People, who remain the land's traditional custodians. The new Museum explores their connection to the area, as well as how their lives where impacted by the Barracks' construction and, more generally, colonisation. [caption id="attachment_763828" align="alignnone" width="1920"] James Horan[/caption] Commissioned by Governor Lachlan Macquarie and designed by convict-turned-architect Francis Greenway, the building served as a convict prison from 1819–1848, when it transformed into temporary accommodation for female immigrants, mainly Irish orphans escaping the Great Famine. More than 100,000 people lived in the building between 1819 and 1887. But it wasn't until the early 1980s that archaeologists dug up the 120,000 objects – from coins and soup bones to clothing and bottles – left behind. If you head to the new-look Hyde Park Barracks before Sunday, March 15, you'll get to see its (temporarily) transformed courtyard, too. For his site-specific art installation untitled (maraong manaóuwi), Wiradjuri/Kamilaroi artist Jonathan Jones has covered the building's 2500 square-metre courtyard with red and white stones from Wiradjuri Country. You'll spot a symbol on the rocks that can be interpreted in two ways (and conveys two very different historical perspectivies): the maraong manaóuwi (which means emu footprint in the local Gadigal language) and English broad arrow. You're invited to look at — and walk across — the artwork for free until it disappears mid-March. A heap of workshops are running alongside the installation, too, which you can check out over here. Hyde Park Barracks Museum is open daily from 10am–5pm at Macquarie Street, Sydney, and tickets are $20–24. Top images: Brett Boardman
Not only is the delicious retail outlet Salt Meats Cheese providing us foodies with a one-stop shop to get gourmet items at wholesale prices, but now they're playing host to a range of intimate Italian cooking classes. Presented by fervent southern Italians Emanuela Gant and Sarah Krol, the team behind Manu & Sarah's Kitchen, the classes impart the traditional secrets behind creating the perfect dough and how to master the art of pasta. The 90-minute classes are very relaxed and held in the Alexandria warehouse around a communal table, with beautiful slabs of marble for kneading fresh pasta dough. As Sarah and Emanuela talk you through the easy steps, you can sample the house-cured meats and delicious cheeses from the galeria de jamon. Owners Stefano de Blasi and Eduordo Perlo are incredibly passionate about sharing the joy of wonderful Italian food and traditions and very excited about extending this love to the public. "Food is one of life's simple pleasures and I can't wait to share what we love," Stefano says. The fun doesn't stop there either; with a VIP status at the shop, you're then entitled to 10 percent off all products. With kids cooking classes running through the holidays and corporate team-building sessions also available, it's time to dust off that pasta machine you got for Christmas two years ago and head to Salt Meats Cheese to get your white apron on. Salt Meats Cheese, 41 Bourke Road, Alexandria; 02 9690 2406; www.saltmeatscheese.com.au. Bookings via manuandsarahskitchen.
Much to the delight of Adelaide residents, the South Australian capital scored a huge new two-day music festival in 2022. Actually, Harvest Rock wasn't just about tunes. It was about food as well, and also wine given the location. And it went big, thanks to an Aussie-exclusive show by Jack White, plus The Black Crowes, Khruangbin, Groove Armada, Kurt Vile & The Violators, The Lumineers and Hot Chip also on the bill. That was last year's huge news, as 15,000 attendees per day enjoyed. In 2023, the festival will return for another weekend of music, bites and beverages at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide, on Saturday, October 28–Sunday, October 29. For folks in Adelaide, you've got another reason to make your interstate mates envious. For everyone outside of the City of Churches, you clearly have an excuse to visit. The 2023 lineup doesn't drop until Wednesday, August 2, but here's hoping that it's as impressive as Harvest Rock's first event. 2022's fest also featured Crowded House, The Avalanches, Courtney Barnett, You Am I and Tones And I. Dubbed Harvest Rock II, the returning spring fest mightn't have any musicians to reveal as yet, but it has confirmed some of the other parts of the event — including the dedicated VIP Village and Harvest Lounge if you want the luxe treatment. The festival's most decadent ticketing options, if you can afford them in these hefty cost-of-living times, feature a private suite looking out onto the Harvest stage, your own concierge, curated food, and even a personal cocktail bar and private balcony. If your budget doesn't stretch that far, you'll find Adelaide's top restaurants and eateries serving up food at the Feastiville precinct. And at onsite eatery Wildwood, arkhé's chef and co-owner Jake Kellie will be leading the show again. The culinary-focused Hello Chef stage will feature live demonstrations with chefs and mixologists, plus talents from the music lineup. Plus, wine lovers can enjoy a taste of South Australia's wine regions, and order bottles for home, at the Harvest Rock II cellar door. Harvest Rock II will also boast a wellness centre called The Grape Escape, aka your go-to for hot chai, tarot readings and massages. And, there's mini festival Little Harvest for kids, which'll do arts and craft, circus workshops, hula hooping and glitter tattoos. The festival hails from Secret Sounds, the crew behind Splendour in the Grass, and is locked in for a 2023 return because 2022's event was such a success. "After a ripping debut in 2022 we are returning for our second year and are damn excited to welcome you back for a weekend of incredible music, food, wine and good times at Harvest Rock II. We're set to make this year's festival even more epic. Let's make Harvest Rock II a year to remember," said Secret Sounds co-CEO Jessica Ducrou. Harvest Rock 2023 will take at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide, on Saturday, October 28–Sunday, October 29, 2023. The lineup will drop on Wednesday, August 2 — head back here then. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Whether you're a Queenslander hoping to hop over the border for a mid-year holiday, or a resident of the rest of the country eager to soak in the Sunshine State's splendours once winter hits, don't go making plans anytime soon — with Queensland's borders possibly remaining closed until September. While the state has been relaxing its COVID-19 restrictions in recent weeks — including allowing non-essential trips out of the house, then permitting small in-home gatherings and letting restaurants, cafes and pubs reopen — Queensland hasn't changed its stance on its locked-down border. And, as Premier Annastacia Palaszczuk revealed this morning, that's not likely to happen in the short term. Speaking to ABC News Breakfast, the Premier said "we want to welcome as many domestic tourists as possible to Queensland", but that isn't on the cards as yet because "there is still community transmission in Victoria and New South Wales". The Premier also explained that the border situation will be reviewed at the end of each month, and that she's aware that people are starting to ponder their plans for the June–July school holidays; however she noted that it's likely "things will look more positive towards September". Asked about opening up travel to other states without community transmission — that is, allowing Queenslanders to visit Northern Territory, Western Australia and South Australia, and permitting residents of those regions to visit Queensland — the Premier advised that she "could see that happening before New South Wales and Victoria, but that's a matter for the premiers there as well". https://twitter.com/BreakfastNews/status/1262137356460539904 The Queensland Premier's comments come a few days after her New South Wales counterpart Gladys Berejiklian called for borders between Australian states to be reopened — and just a day after the NSW Premier singled out Queensland specifically, saying "I don't want to be able to say to people I'm allowed to go to Auckland before I can go to Brisbane". As part of the national three-step roadmap out of COVID-19 lockdown announced by Prime Minister Scott Morrison earlier this month, some interstate travel is earmarked to return in step two, while all interstate travel would be allowed in step three — however, while it's the Federal Government's aim to implement all three stages by July, each step has to be put in place by every state individually. Over the past week, Queensland, New South Wales and Victoria each moved to the first stage of eased coronavirus restrictions in different ways, with the same approach likely to apply to interstate travel. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Tourism and Events Queensland
Here's one of the greatest double features that you can stream right now: Emma Stone and Greek Weird Wave director Yorgos Lanthimos teaming up on 2018's ace The Favourite, then the duo working their combined magic again in 2023's Poor Things. The best film of last year is still screening in picture palaces; however, it's also hitting Disney+ on Thursday, March 7 so that you can soak up its delights at home. If you're wondering why this riff on Mary Shelley's Frankenstein is dancing like it's never danced before into your streaming queue right now, you have the Oscars to thank. Hollywood's night of nights takes place on Monday, March 11 Down Under, with Poor Things collecting 11 nominations — coming second only to Oppenheimer. So, you can either rewatch or finally catch up with the awards contender, which is up for the big gongs such as Best Picture, Best Director, Best Actress for Stone and Best Supporting Actor for Mark Ruffalo. Poor Things is also in the running for Best Adapted Screenplay, Best Cinematography, Best Costume Design, Best Film Editing, Best Makeup and Hairstyling, Best Original Score and Best Production Design. Even if it doesn't emerge victorious in all or even most fields, it's going to get plenty of attention at the Oscars whenever these categories come up. Poor Things doesn't actually use the f-word — Frankenstein, that is — but Stone is clearly playing a version of Frankenstein's monster. The film adapts Alasdair Grey's 1992 award-winning novel, with the parallels with Shelley's mother-of-all horror greats as obvious as a bolt of lightning. The focus: Bella Baxter, a woman resurrected by an unorthodox scientist, distinctive in her mannerisms afterwards and eager to learn about a world that isn't quite sure how to react. Continuing the movie's top-notch casting — and Lanthimos' in general, as seen in everything from Dogtooth and Alps to The Lobster and The Killing of a Sacred Deer as well — Poor Things boasts Willem Dafoe (Asteroid City) as the tinkering Dr Godwin Baxter; Ruffalo (She-Hulk: Attorney at Law) as Duncan Wedderburn, a slick lawyer that Bella runs off with; and also Ramy's Ramy Youssef, plus On the Count of Three co-stars Jerrod Carmichael and Christopher Abbott. It features just one of Stone's two stunning 2023 performances, too, with the end of the year seeing her turn in exceptional work in both this and TV's The Curse. She'd been away from the screen for a short stint beforehand; Cruella released in 2021, and only The Croods: A New Age, Zombieland: Double Tap and TV's Maniac also sat on her resume after The Favourite. Check out the full trailer for Poor Things below: Poor Things is still showing in cinemas, and streams via Disney+ from Thursday, March 7. Read our review. Images: courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.
For almost five years, Daisy's Milkbar was an homage to rockabilly and retro diner-style meals. But you'll no longer find tattoo-covered inner westies sitting in its pink booths sippin' Iced Vovo milkshakes or diggin' into banana splits — the Petersham stalwart has shut up shop. For good. Owners Jess and Jake de Varine-Bohan announced the closure in a Facebook post last week, saying they'd made the hard decision to "not reopen Daisy's in 2020". "Daisy's has been an incredible experience," Jess and Jake said in the post. "We've collaborated with so many amazing people and other businesses, hosted weddings and special events, had the space used for filming and photo shoots, done some fun pop ups and best of all met so many great people and made some of our closest friends through the cafe." https://www.facebook.com/daisysmilkbar/photos/a.1498607127046339/2493783160862059/?type=3&theater While the Petersham shop has closed forever — and the space is now up for lease — Jess and Jake have kept the business name, Daisy's Milkbar, and haven't ruled out opening another version of the retro milkbar in the near future. "I'm really going to miss so much about having the cafe," Jess said in the post. "But for Jake, Veronica [the couple's baby] and I now is the right time to finish up this chapter - I'm nervous and excited for whatever will come next!" We'll let you know if and when a new Daisy's Milkbar is announced. Daisy's Milkbar in Petersham is now closed.
Mildura has been a magnet for artists for more than sixty years. So, even though international touring artists don't always make it to Australia's outback towns, it's no surprise that Lenny Kravitz is doing the honours. On 28 November, he'll take over the Mildura Sporting Precinct with his Blue Electric Light Tour, hot from London, Paris and Berlin. Skip the massive crowds in Sydney and Melbourne, and catch the legend with just a few thousand avid fans. You can expect classic hits like 'Are You Gonna Go My Way?', 'Fly Away' and 'It Ain't Over Till it's Over', as well as tunes from Kravitz's new album, Blue Electric Light. As he has for decades, Kravitz is still winning crowds with his catchy hooks, high energy and undeniable charisma. While you're in Mildura, go exploring with our weekender's guide. There's a lot to see and do – from Bruce Munro's dreamy, contemplative Trail of Lights to cruising on a 19th century paddle steamer to wine tasting on the banks of the Murray River.
Sydney's in lockdown once again, with stay-at-home orders in place and hospitality venues closed to dine-in customers. While this inevitably means that drinks at your local will have to wait, in the meantime, you can enjoy the next best thing at home. Whether you're after wine, tinnies or freshly shaken cocktails, a stack of Sydney bars are ensuring you don't go thirsty while social distancing. Better yet, by ordering from these guys, you'll be supporting small, local businesses. So, if it looks like you need to restock your liquor cabinet, here are seven of the best boozy delivery deals (and takeaway options) around town. If you choose to pick up these drinks rather than have them delivered, have a look at the latest COVID-19 advice.
The Australian cuisine has always been mysterious, but occasionally we get a glimpse into what it might be or what it could be. Kin by Us is one those glimpses. It's an unpretentious mix of cuisines and cultures coming from My Kitchen Rules contestants Shannelle and Uel Lim. The menu reads like contrived attempt at blending pop Asian food with Australian cafe cuisine, but it's simply the food Uel and Shannelle love to eat. They both grew up overseas; Uel spent four years travelling on a ship with his missionary parents, while Shannelle is part Indonesian, part Chinese. The menu reflects the couple’s mixed cultural identities. The Waffle Belly ($17), two succulent strips of caramel soy pork belly served with slaw, shiitake mushrooms and an onsen egg atop a crunchy potato waffle, is a creative take on Uel’s memory of his Singaporean grandma. Onsen eggs, almost liquid soft poached eggs, burst somewhat pornographically onto many of the MKR couple’s dishes. Another reinvented relic from the couple’s past is the Snap Crackle Plop ($10): chicken rice and peas served under a cluster of crispy fried chicken skins and an onsen egg. Like a more textural Asian porridge, the dish is far from thrilling but inexplicably comforting. It’s one of many homages to the couple’s love for the ‘unhealthy food’ they grew up with. The brioche sandwiches, another great example, are shockingly long and generously filled. The Shandong chicken sandwich with slaw ($14) feels like eating a savoury sundae. The soft shell crab, while more delicate, is similarly intense. Uel told us the cafe’s open design was intended to reflect the mixed backgrounds and families of the two chefs, but we think it better represents the ambiguous middle line Kin sits between restaurant and cafe. The difference in detail that once separated cafes from their more serious night equivalents isn’t apparent at Kin. Like many new cafes in Sydney the fit-out and menu here are exact and inventive. Of the more classically cafe options we were most intrigued by the durian affogato ($7), a brave pairing that’s superbly executed. The durian gelato is unashamedly rich and pungent, but when doused in Rueben Hills' espresso, it mellows and adds to a balanced match. For something subtler, try the coconut cold brew ($5). In the future, the couple are planning more waffle dishes, including one with kimchi, cheese and fried chicken, and a waffle burger — yes, that’s waffle, meat, cheese, vegetable, waffle. Uel told us he’s also wants to rework something they originally called ‘breakfast’, a mysterious mix of cereal, prawns and egg. It’s an exciting future for a cafe that’s already charmed us with its effortless approach at fusion food.
While there are fewer feet dancing in the Cross than there used to be, the Kings Cross Hotel is still flying the good-time flag high. From the dive bar to the rooftop, you'll have ample opportunity to get your freak on. Bask under the neon light of the Coke sign on the club level as you pull your best moves to some of Sydney's finest DJ talents. At the occasional takeover, the entire six floors of the venue are transformed into one big party, and, yeah, you might want to take the following Monday off.
Long a staple of Good Food Month, the Night Noodle Markets are the ideal after-work hangout, combining the bustling atmosphere of an Asian hawker market with the opportunity to kick back with a couple of drinks and watch the sun go down in Hyde Park. Over 200,000 people attended last year, and with many of Sydney's top Asian restaurants amongst the stallholders, this year promises to be just as popular. The Night Noodle Markets open October 9-12, 14-19, 21-26. Opening hours are Mon-Tue 5-9pm, Wed 5-10pm, Thur-Fri 5-11pm, Sat 4-10pm. Check out the rest of our top ten picks of Good Food Month here.
As much of the TV-watching world is, Ashley Zukerman is a Succession fan. Unlike almost everyone else, however, his affection was partly built from inside of the award-winning series. In a recurring role across the HBO masterpiece's four seasons, he played political strategist Nate Sofrelli, whose past romantic relationship with Shiv Roy — portrayed by fellow Australian Sarah Snook (Memoir of a Snail) — kept spilling over into their present professional and personal spheres. But "there was periods where I didn't know if I was coming back", Zukerman tells Concrete Playground, "and there were periods where I just became more fan than part of it". A role in one of the best TV shows of the 21st century, plus a range of others in fellow international fare — big-screen horror-western The Wind and drama Language Arts; television's A Teacher, The Lost Symbol and City on Fire; and the three straight-to-streaming Fear Street movies among them — kept Zukerman away from home for years. Then In Vitro, an Aussie sci-fi thriller that premiered at the 2024 Sydney Film Festival and hit local cinemas in general release on Thursday, March 27, 2025, came his way. Before this, he hadn't worked on a homegrown project since 2017's The Easybeats miniseries Friday on My Mind. Prior to that, he'd hopped between the Australian and Aussie-made likes of The Pacific, Rush, Terra Nova, Underbelly and The Code, and Manhattan, Fear the Walking Dead, Masters of Sex and Designated Survivor overseas. Starring in In Vitro eventuated because he initially met two of the film's co-writers and fellow actors, Will Howarth (who also co-directs with Tom McKeith) and Talia Zucker, in Los Angeles when they were all stateside endeavouring to establish their careers. Due to release timing, audiences who didn't catch In Vitro on its 2024 festival run will have seen Zukerman pop up in homegrown efforts in Aussie limited series Apple Cider Vinegar first, earlier in 2025. Later this year, he also has Australian-made, New Year's Eve-set time-travel film One More Shot heading to Stan. Only In Vitro has him playing a cattle breeder in an eerie vision of the potential near future, though — a livestock farmer experimenting with biotechnology in a world, and an industry, decimated by the climate crisis and struggling to adapt to the new reality. As Jack, husband to Zucker's (Motel Acacia) Layla, Howarth (Toolies) and McKeith's (Beast) movie also tasks Zukerman with exploring the distance that clearly lingers in the the feature's central marriage, digging into the source of Jack and Layla's domestic disharmony, and unpacking the impact of controlling relationships. More than two decades have now passed since Zukerman's initial screen role, also in an Australian film, with playing Thug #2 in Tom White his debut performance. Looking back on it, "so that was my first-ever thing, and I hadn't gone to the Victorian College of the Arts yet. I had no idea what I was doing", he advises. "My family, no one in my family, was in creative industries at all. I was just trying to brute-force my way through, trying to get headshots and making cold calls and just trying", Zukerman continues. "And then when that called and I got a role, I thought it was the craziest thing in the world. Then I get there and I do it, and I'm in a scene with Colin Friels [Interceptor] and Dan Spielman [Black Snow], who I ended up playing brothers with in The Code years later. And I thought that was just very, very special at the time. Dan was on, I think, The Secret Life of Us, and Colin Friels on Water Rats, and they were heroes of mine at the time. And then to be able to revisit that with Dan years later as, I guess, equals, was very special." [caption id="attachment_997134" align="alignnone" width="1920"] Succession, David Russell/HBO[/caption] From the outside, the success that Zukerman has enjoyed over the last few years with Succession, Fear Street, City on Fire, A Teacher, The Lost Symbol and more seems huge. It is huge. He's also added Apple TV+'s Silo to his resume. For him, however, "it hasn't felt huge, but I don't think I necessarily ever have that feeling of looking at things from the outside", he reflects. "From the inside, I'd say that it's felt really fun. I know that the thing I love most is when I love the project and I feel like I'm close to the coalface of something. I thought that they were all great projects, and so that has been fun." "You're right, it's been a really nice few years, and it felt comfortable," Zukerman goes on. "I guess I'll say I've just never really stressed work. I've always known things will come, and I've always been aware that if I'm not chosen for something that it's because the person, the artist in charge of it, just doesn't need my specific colour, my specific paintbrush, and so I've never really sweated it if things haven't come to me. But the last couple of years, it's just been really enjoyable to just work on special things — and to be able to have a continuous run of that, I do feel very full now. I'm not someone who enjoys acting all the time, I don't necessarily love the experience, but I do love it when I feel that there are certain elements there, and I've been on a run projects now where those elements were largely there. It has been a really fun few years for that." From what excited Zukerman about In Vitro, his read on his complicated character and the research that went into his performance, to farewelling Succession, returning home and his initial acting dream, our chat with Zukerman covers them all — and more — as well. On What Excited Zukerman About In Vitro, and About Making His First Australian Project Since Friday on My Mind "So I knew Tahlia and Will. I'd known them before. We all met in LA when we were all younger and hustling out there. It was just this coffee shop that we all ended up frequenting, and that's where we got to know each other. It was during the pandemic that they sent the script and said 'we've been working on this, we've been thinking about you for it'. And I read it and I thought 'wow'. And I was honoured that they thought of me for it. But I thought that they had done something just really special. I think that the horror genre or the thriller genre is interesting when it's used to explore other themes. And so the thriller part of it didn't necessarily pop for me, but I thought that they were able to thread together some nuanced questions about a few issues that we're dealing with in the world, and finding a connection between them — with the climate crisis; domestic violence; how we use tech to brute-force our way through solutions; and how some people in our world don't really care about our world or the natural world or each other as the actual life that exists in it, but just what they can take from it. And I think that they were able to thread all those ideas in a very nuanced way, offering something new to the questions of 'what do we do in this world?' and 'how are we going to deal with all of these issues we have?'. The climate crisis, like so many of us, that keeps me up at night. One of the things I worry most about it is this idea that it's happening just, just slow enough that we get used to it, and it's so hard to talk about. It's so difficult to engage with it, because it's so scary for so many of us. As soon as, I know for me personally, it's hard for me when I see an article written about it for me to click on it, for me to actually open that page and delve into it. It's hard for me to watch something about it. And I thought that what they did here was they did it in a very nuanced way, where they offered something very new to that conversation, and in a way that I thought was going to be very useful and interesting — and human. It was just that the film seemed to have a very new idea to approach this issue, and that's I think what moved me about it. And then, as we went on, there were questions about the character that became far more important for me to ask. But when I first read it, that's what touched me." On Zukerman's Read on Jack and His Motivations "I think it depends how far back we go with him. If we go from what we know backwards, I think he's gotten to a stage where he has lost his sense of humanity and he's just so far down the rabbit hole on this that he can't actually turn back. I was working on this show, The Lost Symbol, the Dan Brown thing, at the time that I read this, and I was researching these secret societies and how people who were doing bad things justified them. And I came across this quote, which was from the Bible: 'to the pure, all things are pure'. I think that that is key to Jack, that because he felt he was doing something worthy and important, everything else he was doing was fine and justified … It's this idea that he's probably just a bucket with a hole in it. It doesn't matter what you pour in, he's always going to be empty. I think he's one of these just incredibly ordinary people who thinks that he's a vulnerable genius, and no one is giving him the adulation he deserves, and he will never get enough love from his partner, and that then leads to control and violence. So I think those are the things that are at play in him." On Playing a Part That's a Puzzle for the Audience as They Try to Piece Together the Full Story "Typically, the more complex a character, the less challenging I find it, because then there are just so many things underneath the surface. So those things were great, and once I knew the approach, what we were trying to do, we talked, Will, Tom and Tahlia and I talked early about this idea that we'd be doing a disservice to this story if he was arch — especially the domestic control, domestic violence story. And that he had to be so ordinary in that way, that if we were trying to portray a villain, it would do a disservice to Tahlia's story and it would be doing a disservice to the wider story. So the fact that we could let all of that complexity live in him, that gave me a lot of freedom. But you're right that the challenging thing in any of these stories is how we bury the lead when we choose to drop breadcrumbs, how we lean on awkward moments as clues for the idea — like leaving just enough the information for the audience to question what is going on to lead them down the rabbit hole with us ,but gently. That is the more challenging thing, because that's not necessarily about just living in the scene naturally. That's trying to plan the larger story. I was buoyed when I saw it — I thought we did that quite well. I really loved especially how they put it together in the edit, leaning on those awkward interactions, I thought was quite nice." On the Research That Goes Into Playing a Part Like This, Digging Into Coercive Control, Biotech and More "Typically I do love a lot of research, and I started down the path of him being an engineer. I wanted to make sure those thoughts were in there. I wanted to know where we were at with that stuff. But I think ultimately where I got to was, all that stuff — like you like feel at the end of the film — I think is window dressing in a way. I needed to know enough about that so that I could know what he was doing, but ultimately the key to him is what we're talking about — how to actually think about these men who do these things, like 'what is the wiring going on in in them?'. That's the work of understanding this character. It's the domestic work. It's the human work. And to try to explain, empathise, not absolve, but just to understand what makes these people do those things. I think that was the work with him." [caption id="attachment_997132" align="alignnone" width="1920"] Succession, Macall Polay/HBO[/caption] On Saying Goodbye to Succession, and What It Meant to Zukerman to Be a Part of It "I think it's so nice that that show will exist forever. I think it's now part of television canon, and to be a part of it, I'm just so proud. So I think it will just always have a life. I grew up loving The Sopranos and Six Feet Under and The Wire and Oz, and those seminal TV shows — and The West Wing. I knew characters that were there for an episode, that were there for three episodes. I was so aware of every little storyline on all of those shows, and I was just like 'if only I could be in something like that, that would be it'. Like, 'I would be fine'. [caption id="attachment_997133" align="alignnone" width="1920"] Succession, Peter Kramer/HBO[/caption] And I'm lucky that I got to do one of those, and I got to be there for a little bit, and I got to witness how they made it, and I got to be around those people. I just feel so lucky. I was there and I was a part of it, but I got to also be an audience just as much as, I think, in it. It's an interesting question. It was something just so special about that production that I think I'll continue to try to, I guess, understand and learn from and think about. [caption id="attachment_997137" align="alignnone" width="1920"] Succession, David Russell/HBO[/caption] All I love about any work is how close to the creative muscle I can be, and I think what was special about that show was that. I was on the periphery. There were moments when I was a little more forward in the story, but largely I was orbiting the story. And I think what was special about that is that it doesn't matter how big your role must have been — that's both the cast and crew — everyone on that set felt like they were a part of it, that they had agency to make decisions, that they were genuinely like what was being asked of them was what was special about them to only bring that. That was what was special, and that's what I'll remember. And I think it left something with me that I've taken to other things. I think it's that energy that I've brought with me after that show. " [caption id="attachment_997145" align="alignnone" width="1920"] Apple Cider Vinegar, courtesy of Netflix © 2025[/caption] On Heading Back to Australia After a Significant Run of Roles Overseas "It was never by design that I would be away. It was just that the right things didn't come up, or scheduling got in the way, or something happened for me over there that meant that I couldn't come back for various things. And it was just always I missed it. I really missed being back. I really love it here. I love the way we work. I love how fast we are, how efficient we are. We work with few resources sometimes, but it's an advantage, it creates the style of TV and film that we make. It all goes into it. It ends up on camera, that energy. And it kind of has become our visual language sometimes. [caption id="attachment_997144" align="alignnone" width="1920"] One More Shot, Ben King/Stan[/caption] And I also guess there is something about being overseas and an expat which means I'm always playing someone else in a way. There's something about home, is what I'm saying, that's important. That I know the rules of Australia. I know how people interact, that there's the micro gestures between us all, how we all interact. I guess that is home for me, that when I get back to Australia my shoulders drop and I just know how to live here. Even though the US isn't that different, it's different enough that it changes me. It requires something else of me to live there. And that's a joy sometimes. I mean, to leave is wonderful — but to come back is really, it's home. It's just a very special thing. And also, I feel very fortunate because of what I've been able to do overseas, I can now come back and work on these great things, and help these great things get up." On the Initial Dream for Zukerman's Acting Career When He Was First Starting Out "It's such a great question, because it's so rare to look back and go 'what was it that that younger person had actually wanted, and are you there now?'. That's a very special question that I don't really often give myself time to do. But I think I probably had a lot of chutzpah and a lot of ambition back then. I probably had ideas, but I didn't know what the job was, even. I didn't know what the work of being an actor was. I had a feeling that acting gave me the ability to do something I couldn't do in life, that I loved the analysis of human beings, and I loved being able to express things that I didn't express in my normal life. I loved that. But that hadn't really congealed yet, and probably at the time I just had ideas about wanting to play these big roles and do these big things, but I didn't know what it was. [caption id="attachment_997146" align="alignnone" width="1920"] City on Fire, Apple TV+[/caption] Once I started studying and I started understanding what it was, I think very quickly the only goal of mine was to have choice — just to be able to do the things I love. Like I said, it's just not always the case that I love acting, and I knew that early on that sometimes the experience can be difficult for myriad reasons. But to be able to get to a point where I can just, from project to project — based on, whether it's the quality of the work or it's the quality of the people, or both — that I could just choose to do that. I think that's nice to think about that. I think I have it, I am doing that now. I get to be pretty picky with what I do, and I get to do things for the right reasons." In Vitro opened in Australian cinemas on Thursday, March 27, 2025.
It's not just you and I that struggle through these hot summer days — particularly this week, during the heatwave — our pups get hot, too. Thankfully, there are a few places you can take them to cool down. And one of them is a new pool exclusively for very good dogs. Located at the southern end of Sydney Park, near City Farm, the dog-only pool is the perfect spot to visit at the end of a (slightly sweaty) summer walk. Sydney Park, which borders St Peters and Erskineville, is one of 44 off-leash parks in the City of Sydney — but it's the only one with a dedicated doggy pool. https://www.instagram.com/p/Bsv6Q2zFYmu/ You might even spot Lord Mayor Clover Moore there with her two staffies, Bessie and Buster. If Sydney Park isn't a convenient stop off for you, you could also take your pet to one of Sydney's dog-friendly beaches — which include Sirius Cove in Mosman up north, and Horderns Beach in Bundeena down south — or to one of our favourite dog parks. Then, you can both head for a pint or two at these ten pubs and bars that cater for pups.
When Lorde announced that she'd be bringing her Ultrasound world tour to Australia in 2026, Sydneysiders and Melburnians embraced the green light to buy presale tickets. In fact, the demand for the Aotearoan star's Qudos Bank Arena and Rod Laver Arena gigs has been so huge that new shows in both cities have already been announced — before general tickets to the originally locked-in concerts even go on sale. In February 2026, the 'Royals', 'Solar Power' and 'What Was That' singer-songwriter will hit the stage across both Australia and New Zealand, making dates with arenas at every stop across a six-city run. Sydney and Melbourne are now hosting not one gig apiece, but two. Ella Yelich-O'Connor is playing the Harbour City on Wednesday, February 18 and again on Thursday, February 19, then the Victorian capital on Saturday, February 21 as well as Sunday, February 22. These are the final Sydney and Melbourne dates that'll be added to the tour. [caption id="attachment_1012905" align="alignnone" width="1920"] Joseph Okpako/WireImage[/caption] Lorde last took her Solar Power tour to Australia in 2023. Her new series of concerts begins in September 2025 in the US — and also includes gigs in Canada, the UK and across Europe before this year is out. When the initial Australian and NZ dates were revealed, they came fresh from Yelich-O'Connor's surprise 2025 Glastonbury set, as well as her fourth album Virgin releasing at the end of June. The latter debuted at number one in Australia and New Zealand alike. This is Lorde's biggest tour of her career in general, too, with nights at the likes of Madison Square Garden in New York City and O2 Arena in London already sold out. [caption id="attachment_1012901" align="alignnone" width="1920"] Thistle Brown[/caption] Featuring the aforementioned 'What Was That' — her first original new track in four years — alongside 'Man of the Year', 'Hammer', 'Favourite Daughter' and 'Shapeshifter', Virgin also hit number one in the UK and number two on the Billboard 200 chart in the US. There might be a three-year gap between Lorde's last Down Under shows and her upcoming Ultrasound tour concerts; however, in addition to writing and recording Virgin, she's been busy making a surprise Sydney club appearance back in May 2025 at a Lorde-themed night. Since 2013, when her debut record Pure Heroine arrived, Yelich-O'Connor has also released 2017's Melodrama and 2021's Solar Power, won two Grammys, picked up a Golden Globe nomination for 'Yellow Flicker Beat' from the soundtrack for The Hunger Games: Mockingjay — Part 1 and notched up over 18 billion streams worldwide. [caption id="attachment_1012904" align="alignnone" width="1920"] Joseph Okpako/WireImage[/caption] Lorde Ultrasound World Tour 2026 Australian Dates Monday, February 16 — Brisbane Entertainment Centre, Brisbane Wednesday, February 18–Thursday, February 19 — Qudos Bank Arena, Sydney Saturday, February 21–Sunday, February 22 — Rod Laver Arena, Melbourne Wednesday, February 25 — Perth Arena, Perth Lorde is touring Australia and New Zealand in February 2026, with ticket presales for the new shows from 2pm local time on Thursday, July 17, 2025 and general sales for all shows from 2pm on Friday, July 18, 2025 — head to the tour website for more details. Top image: Thistle Brown.
Eating takeaway fish and chips from Bondi's Best on the grassy knoll of North Bondi is one of the best things you can do in Sydney — hands down. Fish and chips make winter taste like summer and summer taste like some kind of Coke ad for summer that's too good to be an actual thing that you get to live through. But the real magic here is the view back to one of the most postcard-perfect views in Sydney. North Bondi's little grassy knoll at the end of the beach has become a bit of a local go-to for picnics, solid book-reading sessions and all-round social get-togethers. Over the last few years, the local police have become a bit ancy with the whole drinking in public thing, so watch the BYO. Locals bring sound systems, cook up barbecues and parade their tiny dogs on the promenade. The perfect spot for long summery Sunday afternoons — if you can get a spot. By Rima Sabina Aouf with Shannon Connellan. Image: J Bar.
Never one to embrace cliches as an actor or director, Ralph Fiennes avoids the obvious with his latest film. While The White Crow tells the involving tale of Rudolf Nureyev, the biopic doesn't quite dance across the screen. Although it features exceptional sequences of real-life dancer and first-time actor Oleg Ivenko as the Russian ballet great, it doesn't ever let its subject's distinctive talents do the heavy lifting, or explain them away as a product of his difficult existence. There's still a flow and a rhythm to the movie, yet it's never exactly fluid. The film doesn't deny that Nureyev and his skills were influenced by the world around him, or ignore the struggles it caused him, but it doesn't simply connect the clear-cut dots either. All of this is by design, with The White Crow as restless as its central figure. The dancer couldn't ever really be pinned down, so Fiennes daren't waste his third stint behind the camera trying to achieve the impossible. Rather, as he once again highlights a complicated and conflicted man (as he did with Roman general Coriolanus in his adaption of Shakespeare's tragedy of the same name, and then writer Charles Dickens in The Invisible Woman), Fiennes builds his portrait of Nureyev by watching. The White Crow still spins a story, of course, primarily exploring the 1961 defection from the Soviet Union that'll forever remain synonymous with the ballet dancer. However, the movie particularly revels in gaining its sense of Nureyev through more than biographical data. It's clear that such an approach is behind the film's lead casting, specifically Fiennes' choice of a dancer over an actor. In the expressive yet internalised Ivenko, the picture gains a performer accustomed to conveying everything that transcends words, and one who demands an audience's attention with a fierce gaze and unwavering physicality. Making the leap from the Tatar State Academic Opera and Ballet Theatre in Kazan to portraying Russia's 'lord of the dance', Ivenko plays Nureyev as determined and dedicated — to his art and to himself. In Rudi's mind, they're both one and the same. Born aboard the Trans-Siberian Express in 1938, he emerges from a bleak childhood to find solace at a St Petersburg dance academy. Under the tutelage of mentor Alexander Pushkin (Fiennes), he's moulded by discipline and structure, though he rankles against the corresponding rules and surveillance. Then, on a visit to Europe while with the Kirov Ballet, Nureyev realises that his art and self will never thrive in his homeland. Parisian lights, sights and parties beckon, as do friendships with French dancer Pierre Lacotte (Raphaël Personnaz) and Chilean-French heiress Clara Saint (Adèle Exarchopoulos). Next comes his decision to flee to the west. Amidst handsomely shot frames, Fiennes tasks Ivenko with a responsibility placed upon all soloists, asking him to be one of the guiding lights without completely carrying the entire production. Despite his on-screen inexperience, the Ukrainian is certainly capable of the latter, but that's not what a ballet recital or a movie is about. And so, his co-stars add texture and detail around his central role, with Fiennes unsurprisingly the standout supporting player in a solely Russian-speaking part. Another real-life dancer, controversial superstar Sergei Polunin, acquits himself well as fellow Kirov troupe member Yuri Soloviev, whose prowess helps spur Rudi to push his own limits. From its defection focus, to its observational feel, to its solid performances, The White Crow boasts much that elevates it beyond the tried-and-tested biopic format. Alas, even though David Hare's script doesn't relay its narrative in a linear fashion, the film is far less engaging when it gets overly bogged down in the minutiae of the Cold War-era story — which can veer towards the routine, even for viewers unfamiliar with Nureyev's entire history. The same can be said of the movie's overt thematic nods, including unnecessary visual reminders of the freedom that's abundant abroad but absent under Soviet rule. That's all too straightforward, which Nureyev definitely wasn't. Although no single scene, on-stage or not, can wholly capture his essence, the ballet legend is better served by The White Crow's contemplative moments; as the title intimates, drawing from a Russian idiom, he's an outsider through and through. Accordingly, when he's seen staring intently at Géricault's painting The Raft of the Medusa and Rembrandt's The Prodigal Son at the Louvre, agonising over their detail and finding an unexpected creative connection in a different type of art, that's when Nureyev's spirit truly leaps off the screen. https://www.youtube.com/watch?v=v8M2n8YGFus
Three nights of showstopping performances and plant-based eats will descend on the Red Rattler Theatre as part of Sydney WorldPride this February. Following a sold-out premiere, Don't Cha Wish You Yum Cha? is returning for a set of five packed events, serving up live music, drag and dance from queer Asian creatives from across the country. Each scheduled performance will feature a different set of artists, with the likes of Aysha Buffer, Daddy Charles and Kim Schotte being joined by fire artist Silvy, dancers Onyx and Asap Merc, and live musicians BVT and AnSo as just a few of the names across the program. You can explore which artists are performing on which night via Humantix. While you're soaking in the performances, you'll also be treated to a plant-based yum cha feast. On the lineup of tasty treats: mushroom and water chestnut shumai, steamed cheong fun, broccoli in crispy garlic oil, fried rice and, of course, mango crepes. There will also be seasonal fruit-, flower- and herb-infused iced tea to enjoy alongside Red Rattler's usual selection of both alcoholic and non-alcoholic drinks. Tickets for Don't Cha Wish You Yum Cha? are $80 or can be purchased in groups of four for $300.
UPDATE: JUNE 28, 2019 — Well, the time has come. Route 66 will close its King Street doors this Saturday, June 29. Pop by and say bye — and make a final purchase — before then. In the summer of 1988, a vintage emporium opened on Crown Street with a retro cowgirl (Miss Completely) painted on the building's side. And it's been there ever since. For 30 years, Route 66 has been a top-notch second-hand clothing destination and neighbourhood gem — and now it's closing its Darlinghurst doors and heading to Newtown. Opening first in Melbourne (the store has since closed), Route 66 is the child of Tina Lowe and Ross Waddington. After a trip through America's heartland, the couple wanted to encourage a lifestyle of "anti-fashion" in Sydney and create a hub for like-minded folk. Now run by Tina and Leroi Waddington (actual human child of Tina and Ross), the shop continues to stock some of Sydney's best quality denim, vintage boots, pomades and rare clothing. "I'm amazed I've been here for this long too," says Lowe. https://www.instagram.com/p/BwQeyHgB41d/ "Is it sad to leave the neighbourhood?" Lowe says, echoing our question. "Of course it is. I know we shouldn't be afraid of change and development and all those things but at the same time they're just homogenising the whole neighbourhood and Sydney. It's hard for people who are trying to do something different to have their own space." The move comes out of pre-emptive necessity due to local council approving a development application to build office blocks and carparks on the Crown Street block. If the build goes ahead, it will also impact the beloved The Record Store below — and most of the block, according to the vinyl haunt's co-owner Stephan Gyory. For now, The Record Store is holding its ground, but if the build goes ahead, it will have to move like its neighbour. "We looked around for a while and [Newtown] seems to be the only place that suits what we're doing," says Tina. "I think it'll be good. I'm excited about the space we found. And it's time for change." Taking over the former retro furniture shop Collectika, which is relocating to Burleigh Heads, Route 66 will make Newtown its new home sometime in June. According to the owners, much will be the same, just a bigger shop and a new postcode. Route 66's Crown Street location is slated to close son Saturday, June 29 and will reopen at 2/82 Enmore Road, Newtown soon after. We'll keep you updated with an exact date.
