While it seemed like just yesterday that images of Australians panic buying toilet paper were flooding our newsfeeds, Coles has today confirmed that the bog roll crisis of 2020 is officially over, with the announcement that it has lifted limits on the once-coveted toiletry item. In a statement released today, Tuesday, April 28, a spokesperson for the supermarket chain said "we are pleased to be able to remove purchase limits at Coles on key household staples like toilet paper and paper towel". Previously, it had a strict one-packet per-person limit on the item. This means, next time you head to your local supermarket you should hopefully find shelves stocked plentifully with bog roll. What a sight to behold: https://twitter.com/2017Ferret/status/1253204438371586049 Limits on some other essential items, such as UHT, fresh milk, meat, tissues and nappies, have also been lifted at Coles, but two-item per-person limits still remain on pasta, flour, rice, eggs, tinned tomatoes, frozen vegetables, anti-bacterial wipes and liquid soap. You can check out the full updated list over here. Coles has said that it "expect[s] to remove further limits as customer demand continues to stabilise and more categories see supply levels return to normal", but, in the meantime, additional limits may still be placed on other items on a store-by-store basis, so it's best to pay attention to the signage while you're shopping. Aldi and Woolworths both still have one-packet limits on toilet paper, but both supermarkets have been removing limits on other essential items over the past week. For more details on Australian supermarket item limits, keep an eye on Coles, Woolworths and Aldi websites. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
If you're anything like us, you're probably hard at work making a list of what to see at Vivid 2018. A word of advice, though: keep Wednesday nights free. Why? Because each hump day throughout the duration of the festival, the Art Gallery of New South Wales will keep its doors open late for a free evening of music, discussion and art. The first Art After Hours, on the evening of May 30, will see The Indigo Project run a few discussions and a 20-minute mass meditation, and Goldheist and her band performing alongside an Auslan interpreter. Week two will feature Air Land Sea in their first ever full length show, while Haiku Hands will take the mic in week three. Each performance will be preceded by a talk, while the gallery itself will remain open until 10pm. It's also a good opportunity to catch The Archibald Prize, and the last weeks of the Biennale and The Lady and the Unicorn.
The latest Studio Ghibli film is being screened in both subtitled Japanese and dubbed English, but it doesn’t really matter which one you end up seeing. Any Ghibli venture is known primarily for the captivating animation that made the Japanese production house’s previous films Spirited Away and Howl’s Moving Castle so enchanting to both adults and children alike. Arrietty is based on Mary Norton’s classic children’s novel The Borrowers and, though the film stays relatively true to the story, its dreamy mien is entirely Ghibli. Rather than being slapped in the face with 3D shticks the viewer is drawn into the secret world of Arrietty through painterly animation with a hint of hand-drawn nostalgia. The 14-year-old, 10-centimeter-tall protagonist lives with her Mother and Father under the floorboards of a sprawling mansion set in a magical, overgrown garden. Their tiny home is filled with things “borrowed” from the humans who live above them, from Arrietty’s clothes peg hair clip to the sugar cube that leads to her being noticed for the second time by the human boy Sho. The subsequent relationship between the two characters leads audiences through a magical and moving exploration of concerns that are both fantastical (the kidnapping of Arrietty’s mother) and entirely human (Sho’s impending heart operation). Debut Ghibli director Hiromasha Yonabayashi previously worked as an animator on Spirited Away and Howl’s Moving Castle, so he wasn’t entirely unprepared to fill the enormous shoes left by Hayao Miyazaki. Arrietty might not possess the sheer whimsicality of previous Ghibli endeavours — in fact a 10-centimeter-tall teenager actually seems believable compared to a hand-held fire demon or a faceless cloaked spirit — but it is the simple things like water droplets trickling off giant leaves, a flawlessly detailed dolls house and the relationship between Arrietty and Sho that will make all that inevitable gushing praise from loyal Ghibli fans entirely justified.
Underground Japanese post-punk and semi-improvised Rainbow Chan on a feedback loop in the depths of Alaska Projects' Kings Cross carpark is probably the soundtrack you need to change up that otherwise-surely-dull Sunday afternoon. That's what's on offer at Musical Alaska #20, the next in a series of experimental music events from Sydney's favourite artist-run initiative. The Musical Alaska series involves an ever-evolving ensemble of local musicians come together under the guise of the Alaska Orchestra. It gives them a chance to experiment and people a chance to open their ears and minds to things they've never heard before. Chan, the classically trained saxophonist and electropop artist who has become a fixture of the Sydney music scene, is curating #20, and word is that the evening will be an exploration of the 'Fourth World' of music — imaginative, hybridised world music dealing with cross-cultural identity and going beyond ideas of the First and Third Worlds. Expect Rainbow Chan arrangements of that '80s Japanese post-punk we mentioned, a specially commissioned set of her own, and nothing traditional.
Rapid Prototype plans to bring to Alaska Projects' underground art space some of three-dimensional printing's make-sure-things-get-made-right attitude of print out, check out and recycle. The night is part of Legs on the Wall's Open Source program, with this tilt letting artists try out their new ideas in rough draft form on a looming public. Music-maker Sam Pettigrew faces off against Friends with Deficits, soon-to-be Fringe artist Jonathon Watts does live projections, while fellow audio-visual divo Toby Knyvett finds where light and politics intersect. Adam Synnott plays with links, Carolyn Eccles with sound, Blue Lucine and Alex Harrison cinema, and postman Luke Pasquale Calarco works out his mix of the mechanical and the narrative. Meanwhile, Television is Dead will contemplate the physical and the digital. Photo by Jeremy Belinfante.
Tokyo might be filled with dotty creations thanks to its Yayoi Kusama museum, not to mention gorgeous animation at its Studio Ghibli museum; however that's just the beginning of the Japanese capital's immersive creativity. From June 21, it'll become home to a new digital art museum — the city's first, and one that'll dedicate its more than 10,000-square-metre space to interactive, kaleidoscopic artistry. While one-off Tokyo events have combined multi-course dinners with multi-sensory projections and turned a greenhouse into a light and music-filled garden patch, Mori Building Digital Art Museum: teamLab Borderless will offer up those kind of attractions all year round. In fact, it's a collaboration between interdisciplinary art collective teamLab, aka the folks responsible for the aforementioned animated meal, and urban developer Mori Building, whose sky-high gallery in the city's Roppongi district hosted a giant game of Space Invaders 52 storeys above the ground last year. Set to feature more than 50 works, the museum will be split into five different areas — but, as the site's name indicates, there won't be any walls or borders between each space. Instead, visitors will roam from through a gallery where art works blend into each other, communicate with each other, move across installation rooms and even fuse with other pieces. Highlights include installations that'll make you feel like you're wandering through lily pads, sliding through fruit and sitting in an aquarium; a tea party that pairs real-life cuppas with virtually blooming flowers; and a forest of lamps that respond to human interaction, spreading their light as people approach each bulb. Still on the garden theme, the museum will also feature an 'athletics forest' complete with spaces for jumping, hanging on swinging bars, navigating a weightless space and climbing on gradients of different elevations, bridging the gap between the artistic and the physical. Plus, the site is located in Odaiba — which means travelling over the city's famous Rainbow Bridge to get there, and adding some extra brightness to your visit. Due to open on June 21, the museum will operate seven days a week, all year round. For more information, visit the Mori Building Digital Art Museum: teamLab Borderless website.
International sportswear label Adidas continues its efforts to save the world's oceans, unveiling a new range of running kicks crafted ingeniously from recycled plastic pulled from the beach. It's the latest in a series of collaborations with environmental organisation Parley for the Oceans, with the two groups teaming up to reduce ocean plastic by transforming it into sports gear. Set to drop on April 16, the planet-friendly range features two slick new shoe designs — the UltraBOOST and UltraBOOST X — in variations for both guys and girls. The colour palette of deep blues and greens takes its cues from "the urban harbour", and an integrated NFC chip in the right sole lets you access learning experiences about plastic pollution with a few taps of your phone. But even better than looking and feeling good, each pair means that approximately 11 plastic bottles will prevented from reaching the ocean. This new line follows the success of Adidas' previous Parley collaborations, which sold over one million products in 2017 alone. This year, the two companies have their sights set on cracking the five million mark, which you have to agree is no small drop in the ocean. The UltraBOOST and UltraBOOST X will only be available for a limited time, though keep your eyes peeled for new and updated Adidas X Parley products dropping regularly throughout the year. Adidas has also committed to phasing out the use of newly-manufactured plastic in its products, and to supporting Parley in a range of research and development, innovation and education initiatives. Find the latest collaborative ocean plastic range online and instore.
Eight of the country's most talented cocktail makers have been unveiled as finalists in the 2025 Diageo World Class Bartender of the Year competition. The national final for this global competition takes place at Sofitel Sydney Wentworth on Monday, June 30, and will bring together drinks industry leaders for a high-stakes day of creative cocktail mastery, as finalists shake, stir and pour for their chance to represent Australia on the world stage at the global finals in Toronto later this year. Now in its 16th year, World Class has established itself as one of the world's most prestigious bartending competitions, running in more than 60 countries and having helped to foster the development of more than 400,000 bartenders through its training and advocacy program. The eight Australian finalists represent a cross-section of some of the country's most talked-about venues, from Brisbane's Milquetoast and Adelaide's trap., to Saint Peter in Sydney and Caretaker's Cottage in Melbourne, currently ranked number 21 on the World's 50 Best Bars list. [caption id="attachment_1010120" align="alignnone" width="1920"] James Irvine[/caption] This year's finalists come from around the country, and feature a mix of established and emerging talent. Returning to the competition this year are Shirley Yeung from Perth's Foxtrot Unicorn and Samuel Cocks from Sydney restaurant Saint Peter — and they'll be joined by Darren Leaney and Tom McHugh (Caretaker's Cottage, Melbourne), James Irvine (Merivale, Sydney), Aidan Perkins (Milquetoast, Brisbane), Darren Burton (Kiin, Adelaide) and Lachlan Gunner (trap., Adelaide). The national final will put competitors to the test across three distinct challenges, designed to push each bartender's creativity, speed and technical skill. Proceedings open with the Single Origin Soirée, which will see these mix masters craft original cocktails with Mr. Black Coffee Liqueur. Next is Celebration, Curated, where bartenders must deliver a trio of drinks, including one using Tequila Don Julio Minis. The final test marks the return of Diageo's signature Check On! Reserve Challenge, in which competitors race against the clock to produce up to nine classic cocktails using Diageo's premium spirits portfolio. Events will take place in the hotel's bar tilda and the expansive outdoor terrace of Wentworth Bar. The winner will earn themselves the right to represent Australia at the Global Finals, set to take place in Toronto, Canada, from Saturday, September 27–Thursday, October 2, where they'll compete against bartenders from around the world in a unique multi-format event. "Diageo World Class stands as the ultimate showcase of bartending excellence, and the Australian competition never fails to inspire," says Kate McGraw, Diageo's Head of Trade Advocacy. "This year's top eight finalists represent the epitome of talent and innovation in the industry. Their mastery, creativity, and dedication to the craft of hospitality promise a final round that will be nothing short of extraordinary." [caption id="attachment_1010121" align="alignnone" width="1920"] James Irvine[/caption] [caption id="attachment_1010125" align="alignnone" width="1920"] Shirley Yeung[/caption] The Diageo World Class Australian national final takes place at Sofitel Sydney Wentworth on Monday, June 30. For more information, head to the Diageo Bar Academy website.
If there’s one thing Homer Simpson taught us, it’s there is nothing doughnuts can’t do (and that purple is a fruit). We’ve really taken that message on board, hence the population of Sydney absolutely flipping their collective lid over the announcement that Melbourne's Shortstop Donuts is coming to town. Coveted by Melburnians and loved by Instagrammers, Shortstop will be opening their first Sydney store in Barangaroo on April Fool's Day, 2016. No one is more surprised by the insane demand for their doughnuts than they are — there are reams of interstate fans who will take special trips to Melbourne just to stock up on Shortstop in bulk. Owner Anthony Ivey says that while they had always discussed the possibility of expanding outside Melbourne, it never occurred to them how quickly their success would happen. But with flavours like Earl Grey and rose, peanut butter caramel and chocolate, maple walnut and brown butter, and cinnamon, cardamon and sugar, this ain't no regular doughnut shop. Someone even proposed instore yesterday: On the (w)hole, doughnuts are having a huge resurgence in Australia — anyone who's watched the recent doughnut explosion happen in Brisbane will know. Until the last few years, doughnuts were mostly known as 12-pack shrugs from Coles or Dunkin’ Donuts. And as dense and sugary as those bad boys are, our fancy adult tastes now demand a more gourmet doughnut. "Those other places, like Krispy Kreme and Coles, use big machines and their doughnuts are perfect circles and uniform," says Ivey. "And when you look at the ingredient list, it’s really long. We only use a few really high quality ingredients, such as organic milk, cultured butter, quality flour, nutmeg, vanilla bean, a little salt and sugar — that’s it. We make it all fresh from scratch every day and we hand cut our doughnuts, so they’re never going to the perfect shape... they have character.” Shortstop's doughnut ethos was learned at the hands of the masters. Ivey says he wanted to nail the recipe so much he took a 16-day doughnut pilgrimage around America, stopping off at all the important locations and learning secrets from the head chefs therein — in what sounds like possibly the best business trip of all time. So what can we expect from the Barangaroo Shortstop? Market Lane coffee for one, and the same high quality doughnuts Melburnians have come to know and love for another. “Maybe we’ll have a special themed doughnut when Mardi Gras is on too," says Ivey. Prepare yourself, Sydney. Life's about to get considerably sweeter. Shortstop Coffee and Donuts is coming to Barangaroo on April 1, 2016.
Before the opening credits roll on the first of its eight season-one episodes, Binge's new Australian sitcom Colin From Accounts explores some of life's big questions. When two strangers cross paths and literally come to an impasse, who should proceed off into their regular lives to begin with — and who should hang back out of their way till they're gone? Also, what's the appropriate way to interact? Are smiles, nods, waves, and mouthing "you go" or "after you" acceptable? And, if you're the person who scores right of way, how do you show your gratitude as you're merrily venturing forward? These may seem like trivial matters, as everyday and relatable as they clearly are, but the right moves might just inspire a life-changing meeting. They could also have serious consequences, and bond you in a complicated situation for around 12 years with someone you wouldn't have otherwise met. Or, both could occur. That's how it pans out in Colin From Accounts, with the rom-com spying the familiarity, comedy and chaos in bumping into another person on the street. Medical student Ashley (Harriet Dyer, The Invisible Man) and microbrewery owner Gordon (Patrick Brammall, Evil) do just that one otherwise standard Sydney morning. He lets her go first, she flashes her nipple as thanks, then he's so distracted that he hits a stray dog with his car. A girl, a guy and a meet-cute over an adorable animal: that's this delightful and very funny series' straightforward underlying formula. But as the circumstances surrounding Ash and Gordon's initial run-in demonstrate, Colin From Accounts isn't afraid to get awkward, much to the benefit of audiences. There's a syrupy way to proceed from the show's debut moments, intertwining sparks flying with idyllic dates, plus zero doubts of a happy ending for humans and pooches alike. If this was a movie, that's how it'd happen. Then there's Dyer and Brammall's way, with the duo creating and writing the series as well as starring in it, and focusing as much on ordinary existential mayhem — working out who you want to be, navigating complex relationships and learning to appreciate the simple pleasure of someone else's company, for example — as pushing its leads together. Before Ashley becomes 'Flashley', she's a 29-year-old medical student reeling from an unexpected breakup with a colleague (Tai Hara, Underbelly: Vanishing Act). Before Gordon is forced to ask his ex Yvette (Annie Maynard, Playing for Keeps), a vet, to do him a favour, he's a fortysomething who has been single for a unicycle-buying amount of time. By the time the day of their first encounter is out, they'll be sharing a hefty debt and a Sydney home — the former for the dog's treatment and the latter because pets aren't allowed at Ash's sharehouse. She's in his phone as 'Ashley $12k', the amount they're on the hook for. He's in hers as 'Dog Car Guy'. They joke about being each other's weird mate, and openly wonder if two people can be friends once exposed mammary glands get involved. Just like in the Hollywood versions of this kind of tale, romance does blossom. That Dyer and Brammall are behind Colin From Accounts, their past chemistry on fellow Aussie comedy No Activity and the fact that they're married IRL means that pairing them up as more than new pals was always going to be on the show's agenda. It's how the series fleshes out each character and their baggage — including those who-am-I questions, Ash's difficult dynamic with her attention-seeking mother Lynelle (Helen Thomson, Elvis), and the responsibility that running your own business and committing to care for other people each bring — that helps give it depth. Colin From Accounts lets Ash and Gordon unfurl their woes and wishes, and also lets them grow. Sometimes, that happens by peeing and pooping in the wrong place, because that's also the type of comedy this is. Sometimes, it's because the show's central couple have taken a risk, or faced their struggles, or genuinely found solace in each other. There's more than a touch of Catastrophe to Colin From Accounts, in its thrusting of two strangers together by a twist of fate that sees them sharing caring duties — for a dog rather than children, however. In lesser hands, there'd be an initial dose of New Girl as well, but Ash is no manic pixie dream girl singing her way through Gordon's life or unleashing a big bag of quirkiness. Credited with penning four episodes apiece, Dyer and Brammall bring sharpness and authenticity to their scripts, especially when confronting the truth that neither Ash nor Gordon know what they truly want. There's a clear-eyed feel to Colin From Accounts' still-light embrace of one of life's immutable realities: that we're all just moseying forward, being spontaneous, coping with the fallout, colliding with other people — and critters — and hoping for a content-enough outcome. Watching Dyer and Brammall bounce off of each other, dog in tow, is easy. Even when things are at their most strained between Ash and Gordon, and even when Colin From Accounts is swinging for its broadest grabbag-style laughs, their rapport always feels grounded. The script layers in gags about the pair's age difference, and contrasts the distinctive brands of Millennial and Generation X chaos, but the series is never in laugh track-heavy sitcom territory. Neither actor's impressive work should come as a surprise, of course, and nor should their ability to find drama as well as comedy in the show's premise. See: their respective resumes, including Dyer's work in Killing Ground and Wakefield, and Brammall's on Offspring and Glitch. Colin From Accounts may focus on Ash and Gordon's ups and downs, and on Dyer and Brammall as its driving forces, but it also mines a wealth of other talent. Thomson is a scene-stealer, as part of a subplot that examines the lifelong hurt that can spring when no one actually says what they mean. As Gordon's brewery colleagues, Genevieve Hegney (Doctor Doctor) and Michael Logo (Why Are You Like This) each have their moments to shine, and the same applies to Emma Harvie (Frayed) as Ash's fellow med-student bestie. Behind the lens, directors Trent O'Donnell (another No Activity alum), Matt Moore (The Great) and Madeleine Dyer (Monster of Many Worlds) keep the series both breezy and weighty — and instantly bingeable. Check out the trailer for Colin From Accounts below: Colin From Accounts streams via Binge. Images: Lisa Tomasetti / Tony Mott.
You can pop along to the zoo any day, but seeing a wild thing in its native habitat is far more exciting — although, it's admittedly slightly trickier. While spiders and mozzies don't have too much trouble making themselves known, our cuter, fuzzier, more loveable creatures are shy, shy, shy. Whether you want to lunch with a 'roo, catch penguins on parade, swim with a whale shark or spot a platypus, there are plenty of places around this big ol' country of ours that will help make that dream you've been harbouring since your mum read you Blinky Bill come true. Just remember, you're heading into their territory — you can look (and make awwwing noises), but don't touch. Or feed them. Or do any shitty stuff. Basically, let them do their thing and enjoy being a quiet observer in the presence of 100% adorable animals. If you can do that, here's where to find them. FOR KANGAROOS: PEBBLY BEACH, MURRAMARANG NATIONAL PARK, NSW Finding a kangaroo in the wild isn't difficult. In fact, far too many of the unsuspecting, headlight-blinded creatures hang out on country roadsides. But if you want to meet a particularly friendly bunch, head for Murramarang National Park's Pebbly Beach, near Batemans Bay, about four hours' drive south of Sydney. But be warned: they might well expect to share your lunch. FOR LITTLE PENGUINS: SUMMERLAND BEACH, PHILLIP ISLAND, VIC Come sunset every evening, Victoria's little penguins waddle along Phillip Island's Summerland Beach to rest after a hard day's fishing at sea. These tiny guys are the smallest type of penguin on the planet. To prevent disturbance, viewing is organised by Phillip Island Nature Parks. You can jump on a platform, opt for a skybox or take a ranger-led eco explorer tour. [caption id="attachment_553183" align="alignnone" width="1280"] Arturo Pardavila III via Flickr[/caption] FOR KOALAS: KENNETT RIVER ON THE OTWAY COAST, GREAT OCEAN ROAD, VIC There's only somewhere between 43,000 and 100,000 koalas left in the wild in Australia, so they're not easy to spot. But one place where you're pretty much guaranteed to find them is along the Otway Coast section of Victoria's Great Ocean Road. Your best bet is to pull over in Kennett River, 174 kilometres west of Melbourne, and take the Kennett River Koala Walk, starting on Grey River Road. [caption id="attachment_552453" align="alignnone" width="1280"] Didier B via Wikimedia Commons[/caption] FOR AUSTRALIAN SEA LIONS: SEAL BAY CONSERVATION PARK, KANGAROO ISLAND, SA Due to widespread hunting in the late 19th and early 20th centuries, the Australian sea lion is one of the world's rarest seals. Thankfully, the surviving population is now protected in a few places, including Kangaroo Island's Seal Bay Conservation Park. Sheltered bays and beaches provide plenty of spots for seals to rest — in between fishing and teaching babies to swim. You can get amongst it with self-guided tour or one with a tour guide. [caption id="attachment_552418" align="alignnone" width="1280"] Jolene Faber via Flickr[/caption] FOR QUOKKAS: ROTTNEST ISLAND, WA European invasion didn't do much for the poor old quokka, whose mainland population has suffered over the past couple of centuries. But, on Rottnest Island just off the coast of Perth, it's a different story. Thanks to a distinct lack of predators and loads of food, the cat-sized marsupial is thriving, with latest counts at 12,000 or so. However, you can't feed them, as it tends to poison them — and if you see anyone behaving like these jerks, let someone know. [caption id="attachment_552450" align="alignnone" width="1280"] Martin Pot via Wikimedia Commons[/caption] FOR NUMBATS: TONE-PERUP NATURE RESERVE, PEMBERTON, WA In the 1980s, Australia's numbat population reached a near-extinction low of 300. The only places where they'd managed to survive were two reserves in south-west Western Australia: Tone-Perup and Dryandra Woodland. Today, they have been re-introduced to a few more sanctuaries around the country and their numbers have slightly increased — but to see them in their natural habitat, you'll need to go to one or the other. Understandably, numbats aren't particularly extroverted, so be prepared to wait. Give yourself more time with an overnight stay — there are a few accommodation options in the reserve. FOR WHALE SHARKS: NINGALOO REEF, WA Between April and July, hundreds of whale sharks head to Ningaloo — Western Australia's answer to the Great Barrier Reef — to feed their 18-metre long bodies on generous plankton feasts. Despite their mammoth size and disconcerting name, they're gentle creatures and you can swim alongside them without fearing for life or limb. It's not a free-for-all though — the human to whale shark ratio is generally limited to 10:1 and travelling with a tour group is mandatory. Every May, Exmouth hosts its annual Whale Shark Festival. [caption id="attachment_552409" align="alignnone" width="1280"] Manuel Heinrich via Wikimedia Commons[/caption] FOR TURTLES: HERON ISLAND, GREAT BARRIER REEF, QLD In November every year, two of the world's most vulnerable turtle species — green turtles and loggerheads — head to the Great Barrier Reef's Heron Island to nest. If you're staying nearby, all you have to do is wander down to the beach to see them. That said, the folks on Heron Island are fiercely protective of their precious guests, so strict guidelines apply to turtle watching. Keep your distance and don't flash lights in the sweet little critters' eyes — it confuses them. FOR PLATYPUSES: BROKEN RIVER, EUNGELLA NATIONAL PARK, QLD After numbats, the platypus is the hardest animal on this list to find. You need to patient, quiet, still and willing to hang around at either dawn or dusk. To make your mission easier, try your luck at Broken River, in Queensland's Eungella National Park. Right near the picnic ground, you'll find a platypus-dedicated viewing platform. FOR CROCODILES: MARY RIVER, NEAR KAKADU NATIONAL PARK, NT You won't catch any sane person swimming in Mary River — two hours' drive east of Darwin — as there are more saltwater crocodiles here per square metre than there are anywhere else on Earth. (Salties, by the way, are the killers — the freshies aren't so bad.) The good news is, you can watch them from a safe distance by taking a boat ride. Top image: Craig Siczak via Flickr.
Bury all your preconceived notions of Australian films being dry, cerebral art-house wankfests. Mystery Road is the real thing. Writer, director, composer, cinematographer and visionary filmmaker Ivan Sen has delivered a new classic, an outback murder mystery with a rich tide of ideas unravelling and washing around the edges. Mystery Road is a masterclass in first-rate Australian acting. Hugo Weaving plays the kind of male role typical of a Lars Von Trier film: not a villain but a seriously messed-up, creepy bastard. Ryan Kwanten is a diabolically suss and casually racist roo-shooter. But it's Aaron Pedersen who carries the film with a devastating performance as Detective Jay Swan. He's a cowboy, a superman, a protector of a marginalised and deeply suspicious community, and an outsider in an uncaring, corrupt police establishment. Investigating the murder of a young Aboriginal woman, he unearths a trail of prostitution, drug rings and deep social dysfunction in his outback, ex-mission town. With each new body that's found, we feel his heart sink with sorrow — he doesn't have the comfort of distance enjoyed by his white copper colleagues. He's between two worlds, as is Mystery Road itself — it's a small movie but a big story to rival any Hollywood Western, with the desire to speak to a mass audience. The unavoidable political themes and Indigenous cultural perspectives are tethered to the recognisable narrative of a police procedural, making this a familiar but strange viewing experience. It works because it springs from Sen's experience growing up and just hanging out in down-and-out regional towns that have fallen off Australia's map: where the forgotten and poor are fatally vulnerable and totally absent from the national conversation. You might not recognise this set of life-experiences, but you'll recognise the Australianisms — the old-school, sweet-and-sour-pork Chinese restaurant; the characters' casually cagey glances; the quietly funny, laconic turns of phrase. These are all the details of a master storyteller. Mystery Road's slow-beating pulse finally riptides to a heart-stoppingly tense shoot-out. As the film's rhythms crested and fell, I found no easy explanations, no Hollywood signposts, just a genre piece of great complexity, subtlety and sophistication, and troubling beauty. This is an important film, a stunningly entertaining one, and a great one. https://youtube.com/watch?v=n7CmxOOr32I
We've all had those days when it feels like nothing is going your way. You'll be sitting at your desk, starring helplessly at the screen, hoping inspiration or productivity will strike. For photographers and freelancers, getting out of a creative rut can feel like an impossible task. Working solo can have a ton of perks, but incidental collaboration certainly isn't one of them. As the largest photographic hub in the Southern Hemisphere, Alexandria's SUNSTUDIOS has seen its fair share of lonesome creatives walk through its doors. The creative space houses six professional studios, an extensive retail showroom, state of the art printing services plus an enormous rental department that has people dropping in regularly. But despite all this, General Manager Alan Brightman still felt something was missing. His solution to filling the void? The Treehouse, a co-working space of likeminded visual freelancers seeking to connect and collaborate with new faces. Assisted by Matt Whale (managing director of the innovative design and business consultancy group How To Impact), the space is set to welcome members into a one-of-a-kind creative community. "It's able to provide an environment in which emerging talent can be supported, assisted and guided by people who are already established in the business," says Alan. Based within SUNSTUDIOS' renovated 1930s woolshed, The Treehouse sports two levels of independent workspaces along with meeting rooms, lockable storage and on-site priority access to printing, rental equipment and studio hire. But these guys don't want The Treehouse to become just another communal working hub. When they were doing their first build, they'd invite photographers in and incorporate their feedback into the design of the space. And what resulted from 18 months of research and discussions with over 50 photographers is a space able to adapt to its occupants. Walls have been deliberately left blank and every inch of the space is carefully considered. Alan and Matt hope that members themselves will contribute to creating a thriving shared environment, perfect for inspiring the individual's own productivity. "We've arranged the desks and screens so that people feel like they're in an open area that has enough privacy without being in little shoeboxes," says Matt. With a dedicated community manager selecting each and every resident, the emphasis on community at The Treehouse's is clear. As Alan and Matt say, it's very important they have "the right people" in the space. And while nearly all of their upstairs six-month residency desks have already been snapped up, the drop-in desks downstairs remain open for those who just need a refreshing change of pace or help breaking out of a bout of creative block. The Treehouse at SUNSTUDIOS is located at 42 Maddox Street, Alexandria. For more information, visit their website. Images: Kimberley Low.
An escape to Aotearoa New Zealand can cater to all your holiday desires, whatever they may be. Whether your idea of a perfect getaway is to be gazing out at incredible scenery, absorbing it all on a hike, bike, paddle, swim or walk, or being pampered into a state of utter relaxation, New Zealand will take your breath away. Make where you stay part of your holiday too, rather than simply a place to rest your head after an experience-packed day. From camping out under the stars beneath one of the darkest skies on Earth to retreating into luxury residences next to vineyards and cellar doors, or even going completely off-grid, the getaways you'll find in New Zealand are uniquely extraordinary. Although New Zealand beckons for a holiday year-round, the seasons will shape your sojourn too. Revel in the charm of changing landscapes in autumn, catch your breath on alpine walks and in hot springs in winter, or experience the energy of spring as native wildlife and vegetation start afresh. No matter when you visit, you'll be welcomed with manaakitanga, a Maōri value encompassing a deep sense of connection and welcome, for a holiday you'll wish never had to end. We've partnered with 100% Pure New Zealand to curate some of our favourite stays in New Zealand, including which season they're best experienced in, to help you plan an unforgettable trip. Flick the switch for incredible getaway venues in autumn, winter and spring. Jump to switcher
Whenever Dr Jane Goodall takes to the stage to look back on her career, fascinating tales follow. In Australia and New Zealand, that'll prove the case in 2024, when the English ethologist, activist and chimpanzee expert will return Down Under for her latest speaking tour. On her first visit this way since 2019 due to the pandemic, she's not only reflecting upon her work, however — she also has good news stories to share. It's been 63 years since Goodall volunteered to live among chimpanzees in Tanzania's Gombe Stream National Park, and since newspaper headlines were dismissive. Now, she's a pioneering primatologist who is world-renowned for her groundbreaking research, highlighting how closely connected humans are to our closest living relatives. Having dedicated the bulk of her life to her ongoing study, animal welfare in general and conservation, Goodall has lived a vastly fascinating existence, which she'll be speaking about in Perth, Adelaide, Melbourne, Sydney and Auckland. "I love Australia and New Zealand with its rich biodiversity and proud First Nations heritage", she said. "It will be tremendous to catch up with old friends and meet some of the young leaders making a difference through Roots & Shoots," said Goodall. Goodall's Reasons for Hope tour heads to Curtin Stadium in Peth on Tuesday, May 28; Adelaide Town Hall on Friday, May 31; Melbourne's Palais Theatre on Tuesday, June 4; Sydney Town Hall on Thursday, June 6; and SkyCity Theatre in Auckland on Monday, June 10. The session will feature a presentation and lecture by Goodall about her work, followed by a conversation between Goodall and a host, plus a Q&A. Topics certain to get a mention include just how revolutionary her findings were at the time — and the impact they still have now — as well as her connection with the resident primates of Gombe. You can also expect Goodall to discuss her subsequent efforts to fight against threats to African chimpanzee populations, such as deforestation, illegal trade and unethical mining operations. Indeed, wildlife and environmental conservation is the main aim of the Jane Goodall Institute, which she founded in 1977. The Jane Goodall Institute Australia and TEG Dainty are behind her 2024 Down Under trip. DR JANE GOODALL: REASONS FOR HOPE TOUR 2024 DATES: Tuesday, May 28 — Curtin Stadium, Perth Friday, May 31 — Adelaide Town Hall, Adelaide Tuesday, June 4 — Palais Theatre, Melbourne Thursday, June 6 — Sydney Town Hall, Sydney Monday, June 10 — SkyCity Theatre, Auckland Dr Jane Goodall's Reasons for Hope tour visits Australia and New Zealand in May–June 2024. Head to the tour website for further information, and for pre-sales from 10am local time on Tuesday, December 5, then general sales from 11am local time on Friday, December 8. Images: Michael Neugebauer / Tony Burrows / The Jane Goodall Institute.
It's frequently referred to as the Olympics of the art world — and at 2024's edition, Australia has won gold. The event: La Biennale de Venezia, aka the Venice Biennale. The award: the coveted Golden Lion for Best National Participation. And the winning artist: Indigenous talent Archie Moore. The First Nations artist's exhibition kith and kin received the top gong, both chronicling history and making it. The work is a hand-drawn genealogical chart that spans back 65,000 years. The win gives Australia its first ever at the Venice Biennale. Both a personal and a political piece, kith and kin works through Moore's Kamilaroi, Bigambul, British and Scottish heritage across the installation's five-metre-high, 60-metre-long black walls. More than 2400 generations are covered. On display at the Australia Pavilion, the exhibition uses chalk on blackboard, with a reflective pool sitting in the middle of the room and 500-plus document stacks suspended above it. Every aspect of kith and kin makes a statement. With its size and scale, it speaks to Australia's Indigenous peoples being among the world's longest-continuous living cultures. The use of black is also designed to look like a celestial map, and therefore nod to the resting place of First Nations ancestors. Highlighting the decrease in Indigenous Australian languages and dialects since colonisation, the fragility that stems from not being able to pass down knowledge and injustices such as deaths in custody are all also part of the work — with the aforementioned piles of paper primarily from coronial inquests. "The phrase 'kith and kin' now simply means 'friends and family'. However, an earlier Old English definition that dates from the 1300s shows kith originally had the added meanings of 'countrymen' and also 'one's native land', with kin meaning 'family members'," notes Moore's explanation of the work. "Many Indigenous Australians, especially those who grew up on Country, know the land and other living things as part of their kinship systems — the land itself can be a mentor, teacher, parent to a child. The sense of belonging involves everyone and everything, and for First Nations peoples of Australia, like most Indigenous cultures, is deeply rooted in our sacred landscapes from birth until death." "I was interested in the phrase as it aptly describes the artwork in the pavilion, but I was also interested in the Old English meaning of the words, as it feels more like a First Nations understanding of attachment to place, people and time." kith and kin was curated by Queensland Art Gallery and Gallery of Modern Art's Ellie Buttrose, and also has a date with the Brisbane gallery as part of its 2025–26 program after its Venice run. In Italy, the work is on display until Sunday, November 24, 2024. "In this quiet, impactful pavilion, Archie Moore worked for months to hand-draw in chalk a monumental First Nation family tree. Thus 65,000 years of history (both recorded and lost) are inscribed on the dark walls and ceiling, inviting viewers to fill in the blanks and grasp the inherent fragility of this mournful archive," said the jury of the 60th International Art Exhibition of La Biennale di Venezia about Moore's exhibition. "The official documents drawn up by the State float in a moat of water. The result of Moore's intensive research, these documents reflect the high rates of incarceration of First Nations people." "This installation stands out for its strong aesthetic, its lyricism and its invocation of a shared loss of an occluded past. With his inventory of thousands of names, Moore also offers a glimmer of the possibility of recovery." "As the water flows through the canals of Venice to the lagoon, then to the Adriatic Sea, it then travels to the oceans and to the rest of the world — enveloping the continent of Australia — connecting us all here on earth. Aboriginal kinship systems include all living things from the environment in a larger network of relatedness, the land itself can be a mentor or a parent to a child. We are all one and share a responsibility of care to all living things now and into the future," said Moore about his win. "I am very grateful for this accolade; it makes me feel honoured to be rewarded for the hard work one does. I am grateful to everyone who has always been part of my journey ‚ from my kith to my kin — to my Creative Australia team and everyone else back home and those of the Venice lagoon." kith and kin is on display at the Australia Pavilion, Giardini di Castello, 60th International Art Exhibition of La Biennale di Venezia, until Sunday, November 24, 2024 — head to the exhibition website for further details. Images: Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.
Excellent casting doesn't guarantee an excellent movie, but it can get you booking tickets ASAP. And All of Us Strangers might just have the best lead duo there is right now, pairing the internet's boyfriends Paul Mescal (Aftersun) and Andrew Scott (Fleabag). Just as exceptional: the film marks the latest from Weekend's Andrew Haigh, who both writes and directs. Any of those three talents alone is cause for excitement. Mescal has had the world swooning since Normal People, scored an Oscar nomination this year for Aftersun, then danced spectacularly in the desert in Carmen. Scott has proven a must-watch in everything from Jimmy's Hall and Pride to Sherlock and Black Mirror. And, as well as one of the best queer romances ever made in Weekend, Haigh also worked on TV series Looking, and has 45 Years, Lean on Pete and The North Water on his resume. With All of Us Strangers, the trio tell the story of Adam (Scott) and his neighbour Harry (Mescal), who fall in love as the film's just-dropped trailer shows. Their relationship sparks as Adam is peering back to his past, to when his parents passed away when he was 12. Then comes ghosts, perhaps — because, heading back to the town he grew up, Adam's mum and dad seem to still be alive. In a feature that adapts Taichi Yamada's 1987 novel Strangers — and a movie with a stacked roster of talent all round — Claire Foy (Women Talking) and Jamie Bell (Shining Girls) join Scott and Mescal on-screen are as Adam's mother and father. And the mood around them, based on the sneak peek, which is soundtracked by the Pet Shop Boys' version of 'Always on My Mind'? Mysterious and yearning. After premiering at the 2023 Telluride Film Festival, All of Us Strangers is set to hit cinemas Down Under on Thursday, January 18, 2024 — so there's one of your first must-see movies for next year. If you're in Brisbane, you can catch it in October and November first thanks to the 2023 Brisbane International Film Festival. Check out the trailer for All of Us Strangers below: All of Us Strangers will release in cinemas Down Under on Thursday, January 18, 2024. Images: courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.
Sydney's got its fair share of post-pandemic art and cultural events happening at the moment and, now, it's getting a brand new museum. Located within the University of Sydney's Camperdown campus, the Chau Chak Wing Museum will open to the public on Wednesday, November 18, bringing together the tertiary educator's artistic, scientific, cultural and archaeological collections all in the one spot. To celebrate its launch, the four-level, 2000-square-metre museum will be showing 18 new exhibitions, from an exploration of Ancient Rome and The Mummy Room to an immersive installation by contemporary Aussie artist Daniel Boyd and a major showcase of art from eastern Arnhem Land titled Gululu dhuwala djalkiri: welcome to the Yolŋu foundations, demonstrating 100 years of Yolŋu knowledge sharing through painting and sculpture. In the Natural Selections exhibition, you'll find plenty of bird, mammal, fish and shell specimens, plus a rare giant beetle collected in the 18th century. Or, check out Coastline, an art exhibition of works depicting the oceanic and coastal landscapes by Aussie artists like Grace Cossington Smith, Arthur Streeton and J W Power. The Museum is free to enter and will also host talks, educational programs and guided tours. The Chau Chak Wing Museum opens to the public on November 18 and is open 10am–5pm Monday–Wednesday, 10am–9pm Thursday and 12–4pm Saturday and Sunday. The Museum will be closed from December 23, 2020 and will re-open on January 7, 2021.
A few years ago New Zealand's famously sulphur-scented town of Rotorua was a thriving centre of tourists and adventure-seeking locals alike, thanks to attractions like zorbing, luge rides and more. The region was hit particularly hard by COVID which saw tourist numbers dry up and adventure outlets forced to close. With borders now open, those looking for a spot to spend a long weekend over the ditch shouldn't overlook it in favour of some of its flashier city siblings. In fact, Rotorua recently joined places like Bucharest, Athens, and Seychelles on Forbes' list of the top 50 destinations to travel to in 2023. Concrete Playground recently visited Rotorua for the weekend and found it rich not only in culture, but in luxe and relaxing experiences. Here's our guide on where to eat, drink, play and stay next time you're in this hot pool hotspot. EAT AND DRINK You're might be already familiar with Eat Street, a famous laneway of restaurants and bars in the heart of Rotorua, but there is a far greater bevvy of spots hidden around the town's streets — you just need to know where to look. Fuel up with a morning coffee and brunch at Junction on Fenton, a family-friendly eatery attached to the historic I-site building in town. Here you can learn a little about the area before fuelling up for the day with a filling feed — we'd recommend the aptly named breakfast dish 'No Time to Waffle' to send your blood sugar sky-high. For a relaxed yet vibey dinner of share plates and truly excellent cocktails, look no further than Poco Tapas on Arawa Street. Tucked up an unassuming staircase above a lawyer's office — don't get confused by the very corporate entry — this eatery specialises in share plates like flatbreads and dips, fried chicken and some truly standout vegetable side dishes. The cocktails are also excellent. Don't sleep on the espresso martini. Unlike many of New Zealand's tourism hotspots, Rotorua isn't stacked with wineries — but its best-kept secret for wine fans is, surprisingly, found up the gondola. If you're begrudgingly being forced into some daredevil activities, find an excuse to sneak away to Volcanic Hills' tasting room. Rotorua's only cellar door, this stunning spot offers vinos with lake views — and is also in a great supervisory position over the luge. Make sure to include a walk through the Redwoods on your weekend trip — either marvelling from the ground or from 20 metres in the air during the treetop walk. Once you've sufficiently worked up an appetite, head to Eastwood Cafe, a chic eatery found in the stunning new Scion Innovation Centre on the outskirts of the forest. Perfect for a post-ride or hike refuelling, this new spot is a real standout, thanks to its modern fit-out, stacked menu and above all, a giant authentic pizza oven behind the counter churning out fresh 'zas. Conk yourself into a carb coma with the carbonara pizza which manages to combine two excellent Italian dishes in one. Feeling extra peckish? Splurge on a side of spicy chicken wings — and do not miss the daily $10 margarita. PLAY You're going to need at least three days in Rotorua to really soak up all the activities so book that annual leave now. And don't worry if you're not a thrill seeker or 'outdoorsy' type — even those without a penchant for adrenaline will find plenty to do. For an activity that manages to blend both exercise and geology (but in a fun, non-school-like way), opt for a kayak tour with Paddle Board Rotorua. These tours allow you to see steaming geothermal activity from the water and get up close and personal with some pretty stunning geysers — which have a cute tendency to explode when you're near them. On our trip, a geyser blew that guide swore hadn't happened in the three years he'd been running the tours. This was very exciting and only mildly terrifying. If you've never seen a real-life kiwi (the bird, not the people) you're going to want to pay a visit to the National Kiwi Hatchery — yes, this is where that famous picture of Harry and Meghan with the kiwi was snapped. The tireless work this team does is, quite simply, amazing: retrieving kiwi eggs and bringing them to their onsite incubators, raising them as hatchlings and allowing them to grow strong enough to survive in the wild — without being food for pests like stoats and rats. You'll get to see eggs being incubated, the hatching process and newly hatched kiwi chicks, and all of your ticket cost goes into back into the hatching programme. After all that education, it's time to find your zen. Luckily Rototua is known for its hot pools. For an authentic clay-smeared experience, hit Hell's Gate. Here you'll soak in the mud pools slathered in the good grey stuff before getting into the "health-giving" sulphur pools for an Insta-worthy soothing soak. Just be sure to give your swimsuit a good wash separate from the rest of your clothes — ours still smell a little sulphury a few months down the track. Otherwise, opt for one of the Polynesian Spa's famous private pools for a delicious soak overlooking the lake. STAY If you're looking for a romantic spot to soak up the views and just get away from it all, there are several glamping experiences nearby, including the stunning Kokako Retreat, 30 minutes from Rotorua. With an outdoor tub, firepit and epic sunset views, it's the perfect way to really feel like you've managed to escape from the city. If you want to stay right in the heart of things — including a stone's throw from some of the aforementioned eateries — opt for the newly refurbished Pullman Rotorua. Rooms start from AU$170 a night, and the staff are extremely friendly and accommodating. The buffet breakfast each morning is worth a stay alone. GETTING THERE Rotorua is located in the Bay of Plenty region of New Zealand's North Island: a three-and-a-half-hour drive from Auckland and a five and half-hour drive from Wellington. Alternatively, there are breezy twice-daily 45-minute flights from Auckland Airport. Feature image: The Polynesian Spa
Summer might still be months away, but one of the season's main bugbears now has a solution. As everyone that's enjoyed an icy cold popsicle on a sweltering day knows, frozen sweet treats come with their own inbuilt game — can you lick your way through your icy pole fast enough to avoid getting covered in watery drips? The answer is no, of course — until now. Dripping icy poles might become a thing of the past thanks to food artists Bombas & Parr, who've unveiled what they're calling the world's first non-melting ice lolly. Their creation finds its basis in a substance that dates back seven decades, and one you probably haven't heard of. During World War II, inventor Geoffrey Pyke came up with pyrkete, a frozen composite material made with a combination of sawdust and wood pulp dispersed in ice. It was originally part of his lofty dreams to build a floating runway that could be used in the middle of the ocean during battle — all made of ice. The structure didn't end up eventuating, but his idea gave Bombas & Parr their starting point all these years later. Bombas & Parr's version doesn't use any wood-related materials, but is made with edible fruit fibres instead. The London-based outfit says their pykrete-inspired icy poles "last immeasurably longer than conventional ice lollies", and if their experiment goes down a treat, they'll look at rolling out the desserts in supermarkets. For now, those wanting to give the ice blocks a try will need to be in London, and will also need to visit Bompas & Parr's current SCOOP: A Wonderful Ice Cream World exhibition. On August 22, attendees will be able to buy and try the non-melting icy poles, and offer their feedback. And if you're wondering about ice creams with the same properties, they're already a thing thanks to researchers in Japan.
There aren't many spots in the city catering to both the pre-work and post-work crowd, but the newly renovated Kahii is hoping to do just that. It's extended its offering beyond speciality tea, coffee, sandwiches and pastries to a French-inspired evening wine and snack menu. The younger sibling to nearby bar and restaurant Kuro, the newly renamed Kahii Kissaten Bistro is found on Kent Street and named for the Kissaten Japanese coffeehouses in Japan. A Kissaten is traditionally a vintage-themed cafe, with a strong emphasis on coffee, socialising and small bites — something the owners are paying homage to in this decidedly sleek and modern take on the theme. This small but perfectly formed space now boasts a breakfast, lunch and evening snack menu. You can wile away the morning with a coffee, matcha and croissant — and crack into one of the famous katsu or three cheese sandos for lunch. As day transitions to night, Kahii now converts into a bistro with a largely French wine menu carefully constructed by their in-house head sommelier and a menu of small bites created by Kuro. Snacks include appellation rock oysters, confit salmon with herb tofu and seared kingfish sashimi — or for something heartier, Kuro fried chicken and wagyu steak with crispy potatoes. The owners are hoping the new chapter of Kahii provides a slick and relaxed space for punters to have a break during the day or unwind before going home. Kahii Kissaten Bistro can be found in the lobby of 364 Kent Street, and is now open from 8am to 3pm Monday to Friday, with the bistro open 5pm 'til late, Tuesday to Saturday.
If anyone has the know-how to transform a weary suburban pub into a go-to dining destination, it's Leigh McDivett and Clayton Ries. Not only did the pair have a huge hand in the Banksia Hotel's recent bistro revamp alongside celeb chef co-owner Colin Fassnidge, they're also western Sydney locals, having spent their childhoods kicking around in Northmead and Camden, respectively. Moving on from Banksia Bistro, the pair has moved further west to helm the Monarch Group's latest project, the Macquarie Hotel. The Liverpool pub has received an aesthetic spruce and a new produce-driven food offering. Headed up by McDivett, the kitchen's taking contemporary bistro dining up a few notches, across a menu of rejuvenated pub classics, crafty seasonal specials and desserts to drool over. Get excited for the likes of watermelon, chorizo, and Sriracha mayo salad, grilled whole leatherjacket with chard and pickled radicchio, and dreamy bacon ice cream pops. In keeping with the menu's new-school vibe, the pub itself has all the makings of a modern-day local with sports on the big screens, a cheery assortment of happy hour specials, and a leafy, timber-decked al fresco space to rival any inner-city beer garden. The Macquarie Hotel is now open at 269 Macquarie Street, Liverpool. For more info, visit macquarie-hotel.com.au.
The summer of 2021–22 is shaping up to be the summer of travel, as Australia's borders start to reopen. That'll apply internationally, much to the delight of everyone who has long been dreaming of an overseas holiday — and it'll also kick in domestically, too, as Aussie states and territories begin to reopen up to each other. Queensland has recently announced when it'll welcome in residents from other parts of the country — specifically states who've just weathered big outbreaks and lockdowns, such as New South Wales and Victoria. And, for the past week, those latter two states have been revealing their plans with each other. The big news: from Monday, November 1, double-jabbed folks from both NSW and Victoria can travel between the two states without quarantining. On Thursday, October 21, NSW Health advised that the current public health orders requiring 14 days quarantine for Victorian arrivals are still in place, but will lift when next month hits — just for the double-vaxxed. If you haven't had both jabs and you've been in Victoria from that date onwards, you won't actually be permitted to enter NSW for a holiday or recreation at all. That announcement follows Victoria's similar revelation last week, on Friday, October 15, that it was changing its border permit system for double-vaccinated NSW residents. All Aussies need a permit to enter Victoria under its traffic light-style setup; however, since 11.59pm on Tuesday, October 19, those hailing from places deemed 'red zones' in NSW — including folks who aren't Victorian residents — have been able to head to the southern state without quarantining. [caption id="attachment_776506" align="alignnone" width="1920"] Mulwala Bridge by Yun Huang Yong via Flickr.[/caption] In Victoria, you do still need to get a negative COVID-19 test within 72 hours of your arrival if you're coming in from a NSW red zone — and, after entering the state, you need to get tested again within 72 hours, and isolate until that comes back negative. If you aren't double-jabbed and you're heading to Victoria from a NSW red zone, you also have to do 14 days quarantine in addition to those tests. Those arriving from NSW orange zones who are double-vaxxed don't need to do any of the testing. NSW hasn't yet revealed if there'll be testing requirements for those heading north, with more detail expected before Monday, November 1 hits. Still, whether you're a Victorian eager to visit Sydney or a NSW resident keen for a trip to Melbourne — for a holiday, to see loved ones, or for any other reason — you can now start planning. For more information about the status of COVID-19 in NSW, head to the NSW Health website. For more information about the status of COVID-19 in Victoria, head over to the Victorian Government's website.
The names of Del Kathryn Barton’s solo shows make her sound like some sort of Australian Miranda July. You could say “an artistic Miranda July,†but Miranda July makes art now – so anyone can be an artist, but not everyone can be a Del Kathryn Barton. The Sydney-based painter is as diverse as she is prolific, going from winning the Archibald to collaborating with Romance Was Born (or the other way around, if you prefer). She is as likely to be interviewed by Oyster as she is Art & Australia. Her works make the same impact with an excess of colour as they do with a lack of it.Barton’s subjects are at once all-knowing and innocent, with spindly limbs and eyebrows that frame moon faces and magic hair. When she deviates from painting people, the results are vaguely recognizable creatures with six breasts and floppy ears. Her latest exhibition is ‘the stars eat your body’ – a series of portraits in Barton’s distinctive style. While some faces peer out with misted eyes, others look directly at you with a penetrating stare. Del Kathryn Barton’s work is mesmeric to look at, but perhaps unsuitable if you are afraid of having your gaze returned. Image courtesy of Del Kathryn Barton & Kaliman Gallery
Just like wine and cheese go together, there are so many bar snacks that are born to be paired with an expertly made cocktail. Sydney is home to a clutch of great cocktail bars where the food offering is on par with the drinks, so it's worth ordering a little bite to eat alongside your next tipple. With some help from American Express, we've curated this guide to drinks and small bites that you should check out. From stopping by a CBD bar after work for Sydney's best steak tartare to downing tacos at a beachside diner, these are the cocktail and snack combos you should make a beeline for.
They're the stories we all lapped up as kids, telling us about enchanted creatures, magic and more. They're behind plenty of movies that still grace our screens, too. And, they're the focus of a huge Australian-exclusive exhibition coming to Brisbane's Gallery of Modern Art (GOMA) in the summer of 2023–24. Yes, we're talking about fairy tales. The just-announced showcase is indeed called Fairy Tales and, taking over GOMA's entire ground floor, it'll explore how these folklore-, myth- and legend-related narratives have fascinated audiences through art and culture over not just years and decades, but centuries. If creepy woods have influenced sculptures, or tales of princes and princesses have inspired painters, expect to see it here, in a blockbuster showcase that'll run from December 2, 2023–April 28, 2024. [caption id="attachment_758872" align="alignnone" width="1920"] Yayoi Kusama[/caption] Also included: everything from drawings and installations through to fashion, as well as films and filmic elements, such as props, and costumes. GOMA hasn't unveiled an accompanying movie program in its Australian Cinematheque just yet, but you likely don't need to wish for that to happen — just wait for further details late next year. Wicked witches, magic animals (fierce and friendly alike), coming-of-age tales, shifting gender roles, bravery, loyalty, castles, coaches, pumpkins — they'll all feature in some way. Artists involved include GOMA favourites Yayoi Kusama and Patricia Piccinini, plus Jana Sterbak, Kiki Smith, Abdul Abdullah, Ron Mueck and Charles Blackman. The list goes on, like breadcrumb trails. And, if you like huge site-specific installations, the South Brisbane gallery has commissioned something special from Brazilian artist Henrique Oliveira. He'll transform the building's architecture into a sure-to-be-stunning gnarled and twisted woodland (a sure-to-be-snapped piece, too, naturally). [caption id="attachment_845376" align="alignnone" width="1920"] H Walker[/caption] GOMA and the Queensland Art Gallery (QAG), its sibling venue at South Bank, have also dropped their full 2023 lineups, with Fairy Tales among a feast of art that Brisbanites — and culture-loving, gallery-attending visitors to Brisbane — can look forward to. The already-announced Air exhibition kicks off at GOMA in November 2022 and runs through till April 2023, and follows on from Water back in 2019 and 2020. Or, there's Michael Zavros: The Favourite, showcasing 90-plus paintings, sculptures, videos, photos and performances by the Queensland artist — and eX de Medici: Beautiful Wickedness, an extensive retrospective (the most extensive to date) about the Canberra-based artist. They'll both head to GOMA as well. And, Gone Fishing will draw pieces from the gallery's Indigenous Australian Art collection, including fibre sculptures, paintings, prints and installation, to ponder traditional sea rights, plus freshwater and saltwater fishing practices. [caption id="attachment_874638" align="alignnone" width="1920"] Michael Zavros / Australia b.1974 / V12/Narcissus 2009 / Oil painting on board / 20 x 29.5 x 2cm / Collection: Art Gallery of New South Wales, Gift of the artist 2013. Donated through the Australian Government's Cultural Gifts Program / Image courtesy: Michael Zavros / © Michael Zavros.[/caption] Over at QAG, Living Patterns will examine contemporary abstraction, forming one of the venue's major exhibitions. The list of artists contributing new and recent works there is also impressive; think: Paul Bai, Helen Johnson, Lindy Lee, Dhuwarrwarr Marika, Reko Rennie, Hossein Valamanesh, Jemima Wyman and more. QAG will also survey landscape and marine paintings by 19th-century artist Isaac Walter Jenner; explore Indigenous Australian artistic practice from the north to north-west of southeast Queensland to the top end of Western Australia; showcase the exchange enjoyed between Australian and Filipino artists in the 90s and 00s; and serve up a big focus on self-portraiture, including musing on selfie culture. Prepare to spend most of 2023 in Brisbane's two major art galleries, clearly. [caption id="attachment_874639" align="alignnone" width="1920"] David Griggs / Australia/The Philippines b.1975 / Frog boy's dissertation into a new karaoke cult 2008 / Synthetic polymer paint on sewn canvas with aluminium frame, wood and medium density fibreboard, rope and projected DVD: 34.54 minutes, colour, silent, 730 x 860 x 620cm (installed); tent wall: 286 x 2520cm / Purchased 2008 with funds from the Queensland Government's Gallery of Modern Art Acquisitions Fund and with the assistance of the Melbourne Art Fair Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © David Griggs.[/caption] QUEENSLAND ART GALLERY AND GALLERY OF MODERN ART 2023 PROGRAM: Air at GOMA — November 26, 2022–April 23, 2023 North by North-West at QAG — February 11, 2023—March 2, 2025 Lies, Magicians and Blind Faith at QAG — March 4–July 30, 2023 Looking Out, Looking In: Exploring the Self-Portrait at QAG — March 11–August 6, 2023 Gone Fishing at GOMA — May 20, 2023—January 21, 2024 Michael Zavros: The Favourite at GOMA — June 24–October 2, 2023 eX de Medici: Beautiful Wickedness at GOMA — June 24–October 2, 2023 Isaac Walter Jenner at QAG — September 2, 2023—January 28, 2024 Living Patterns: Abstraction at QAG — September 23, 2023–February 4, 2024 Fairy Tales at GOMA — December 2, 2023–April 28, 2024 Fairy Tales displays at Brisbane's Gallery of Modern Art, Stanley Place, South Brisbane from December 2, 2023–April 28, 2024. For further details — or to find out more about the gallery's full 2023 slate — visit its website. Top image: Henrique Oliveira / Brazil b.1973 / Baitogogo 2013 / Palais de Tokyo, Paris / Plywood and tree branches / 6740 x 1179 x 2076cm / Courtesy SAM Art Projects, Galerie GP&N Vallois, Galeria Millan / © Henrique Oliveira / Photograph: André Morin / This work is indicative of a new commission by Henrique Oliveira for the exhibition 'Fairy Tales' at QAGOMA.
Call it self-isolation, quarantine or lockdown — whichever label you choose, your daily routine has changed drastically over the past few months. Everyone's baking and cooking more. You probably now have a sizeable stash of jigsaw puzzles and/or Lego to play with. You might've mastered the indoor workout, including revisiting Aerobics Oz Style. And, you've likely spent more than a little time watching old-school flicks from back in the day. Yes, nostalgia is very definitely in the air at present, as we all stay home and reminisce about different times. And, when you're next feeling retro — and feeling extra comfy inside your house, too — you can now build yourself an old-school pillow fort. Of course, you can always do that anytime and anyway you like; however IKEA Russia has just released a range of instructions that detail how to construct your own cosy hideaway using the company's products. Feel like building a house out of a table and a sheet? Or some chairs and whatever material you have handy? Prefer not one but two different styles of tent? Perhaps you were always a "throw a blanket over the back of the couch to make a cave" kind of kid — or you might have a way with rearranging the couch cushions. Six different designs are available, as created by IKEA and creative agency Instinct. They're designed for children — or, for adults to build with their children — but, let's be honest, they're also perfect for kidulting at home. You're never too old to turn your with flatpack furniture into forts, after all. And, if you want to whip up IKEA's famed Swedish meatballs first, the company has also released its recipe. Via IKEA Russia.
After years of anticipation, from the first whispers to watching the plans unfold and the drip-feed of food and drink openings in the precinct, Darling Square's fancy public library is here. It's replaced the old Haymarket Library and is four times its size — meaning there are plenty of nooks for you to relax, study and work in. It takes up two floors of Haymarket's slinky-like inner-city building, made using 20 kilometres of timber. Just looking at the schmick building is a pretty good way to kill time. Head inside though, and you'll see the library has moved well beyond the standard collection of pageturners. Here you'll find more than 30,000 books that are free to borrow, plus millions more digital items, including ebooks, movies, magazines, a large Asian literature collection, retro gaming consoles (including Nintendo, Atari and Sega), and robotic and electronic kits. There are also lounges and desks scattered inside and out, meeting and seminar rooms, a dedicated kids area, workshop spaces and an ideas lab where you can attend free workshops to help you use the 3D printers, laser and dye cutter, soldering irons and more. [caption id="attachment_748258" align="alignnone" width="1920"] Courtesy of City of Sydney[/caption] If it's been a while since you stepped foot inside a public library, all you need to know is that it's free to sign up and borrow if you're a NSW resident — and you can wander the aisles and enjoy the space even if you're not a member. Plus, should you grow hungry on your next trip there, you'll find plenty of top-notch eateries right below. Darling Square Library is open 10am–7pm, Monday to Friday, and 11am–4pm, Saturday and Sunday. Top Image: Parker Blain
Bess Scott was born to be a florist. She comes from a line of flower growers and spent her childhood visiting the Sydney Flower Market. She opened the eponymous store on William Street in Paddington a couple of years ago. It's filled predominantly with Australian natives grown by her father atop Mangrove Mountain on the Central Coast. Her arrangements are impactful — vibrantly hued and huge in size — and start at $100 a bunch. Other artisanal wares can also be found here, including Just William Chocolates, hand-poured candles, jewellery and handmade ceramics.
It's safe to say local artist Matt Adnate is pretty comfortable working in large scale. His public works can be seen gracing huge structures across Singapore, New York and Australia. Closer to home, you'll find a portrait of four local Indigenous Australians painted on the side of a soaring Sheeps Hill grain silo as part of the Silo Art Trail. But, clocking in at around twice the height of the regional Victoria piece, Adnate's latest artistic endeavour is the tallest mural in the southern hemisphere. If you've been kicking around Collingwood in recent weeks, you might have seen the genesis of this giant, vibrant work, on the side of the 20-storey Collingwood Commission Housing tower. Now complete, it stretches all 62 metres of the building, featuring huge lifelike portraits of four of the development's residents. Here's how it looks in full: The project saw Adnate teaming up, once again, with Fitzroy-born street art collective and creative agency Juddy Roller, who were also behind the Silo Art Trail. The idea for the work started when they took Minister for Planning Richard Wynne on an impromptu street art tour of the area a few years back. Since them, the crew of art-loving locals have been working towards bringing this huge public-housing mural to life. Of course, community engagement was key when the artwork's canvas was also home to hundreds of residents. So, organisers held a series of workshops, children from the precinct got together to create murals of their own and all residents keen to have their face immortalised in spray paint had their photo snapped down at the community centre. The four faces chosen for the work capture the area's spirit of diversity: Ethiopian woman Badria Abdo, who came to Australia 12 years ago as a refugee from Kenya; Indonesian man Yulius Antares Taime who has called the Collingwood flats home for just four months; Melbourne-born six-year-old Arden Watson-Cropley; and five-year-old Australian-Vietnamese girl Ni Na Nguyen. Find Adnate's Collingwood mural at 240 Wellington Street, Collingwood. Images: Nicole Reed Photography
Brooklyn Boy Bagels holds the self-proclaimed (and widely agreed upon) title as Sydney's "real-deal NYC bagels". After years of farmers markets and pop-up stores — from a six-seater cafe in Matraville and a kitchen in Marrickville to a Darlinghurst store and its recently closed cafe in Circular Quay's huge Gateway Sydney dining precinct — this Sydney bagel-slinger has settled on a permanent home in Marrickville. When COVID-19 restrictions first came into place, the shop began offering home-delivery to a bunch of Sydney suburbs. Then, it converted the parking lot of its existing wholesale bakery on Marrickville's Carrington Road to a drive-thru — so you could pick up freshly baked (and boiled) goods without leaving your car. Now, with restrictions rolled back, the bakery also functions as a cafe. The Inner West outpost offers plain, rainbow, onion, blueberry, sesame, gluten free and pumpkin versions of the humble boiled bread, as well as its famed everything bagel. Of course, you'll need some schmear, which Brooklyn Boy Bagels is selling by the bucketful. The 285-millilitre tubs of cream cheese include plain, jalapeño, lox with capers, garlic and chive flavours and a vegan almond 'cream cheese' one. Nutella, raspberry jam and peanut butter are also available, as are toppings such as lox and pastrami. While you'll definitely want the bagels, you'll also find sourdough, challah, loaves of rye, chocolate chip and sea salt cookies and a NY pushcart-style pretzel on the menu, plus takeaway coffee from local specialty coffee roasters The Little Marrionette. Appears in: Where to Find the Best Bagels in Sydney for 2023
Although we've been out and about for a while now, for many of us a night out with the crew is still overdue. Thankfully our fair city has plenty of top-notch bars to hit, including a heap of new venues that are well worth checking out. But that doesn't exactly make it easy when it comes to picking the ideal spot. We've teamed up with The Rocks to help you prep for your next night out with mates. Whether you're after pints on a rooftop with superb Sydney Opera House views or keen to be some of the first punters in a soon-to-open distillery, these harbourside haunts will not disappoint. It's time to round up the gang and hightail it to the historic CBD precinct for a cold one and plenty of good times. HICKSON HOUSE DISTILLING CO Hickson House Distilling Co is the latest offering from the crew behind much-loved haunts The Duke of Clarence and The Barber Shop, so you just know it's gonna be good. For the soon-to-open venue, the boys (Mikey Enright and Julian Train) have shifted the focus to all things distillation and brought ex-Manly Spirits legend Tim Stones on board. Set to open soon, the 450-square-metre distillery will house a bar, kitchen and mezzanine cocktail lounge, as well as distilling vats filled with gins, whiskies, aperitifs and specialist liquors that are all made on site. Once it swing open its doors, you can head on a tour to learn about history, processes and, of course, do some tasting. Or, simply sip a cocktail in the New York-style loft bar. THE GLENMORE Chances are you've hit up this heritage-listed pub at least once in your life. The three-storey, historic hotel features a smartly refurbished cocktail bar with some of the best harbour views in towns, making it a crowd-pleaser among locals and tourists alike. The interiors ooze classic Aussie pub charm (but with some modern accents) and it has a decent selection of brews, too. Hungry? The kitchen serves up good ol' fashioned pub grub like fish and chips, steaks, burgers and schnitzels. Whatever sort of night out you're after, kick things off on this rooftop for a couple of sundowners is always a good idea. [caption id="attachment_832072" align="alignnone" width="1920"] Steven Woodburn[/caption] FRANK MAC'S Fans of subterranean whisky bar The Doss House will be pleased to hear that the same team is at the helm of this slick new gin emporium. The 120-seater boasts over 100 different varieties of the juniper liquor, both local and imported. Like many bars and pubs in The Rocks, Frank Mac's is housed in a heritage-listed sandstone building, with its interiors charmingly accentuated with old-world charm. It's also got a courtyard, so be sure to head here for a sunset cocktail or two, stat. TAP ROOMS If beer is your thing then be sure to hit up the Tap Rooms on your next night out in The Rocks. This brewpub serves up approachable, sessionable froths alongside hearty gastropub fare. Hot tip: the XPA makes for a superb summer schooner. For the beer nerds, there are a number of guest taps, as well as an in-house special and a staff-pick tap, on regular rotation. [caption id="attachment_660837" align="alignnone" width="1920"] Alana Dimou[/caption] THE DOSS HOUSE The aforementioned Doss House has been a frequent haunt for Sydney whisky lovers. The 1840s sandstone building this renowned whisky bar calls home has, over its time, been a bootmaker's shop, a boarding house, a doctor's surgery and an opium dealer's den — if only these walls could talk, hey? Its latest iteration pays homage to the building's storied past, so if you want to escape for a few hours, this is the spot. The moody basement bar boasts an enormous whisky collection, showcased in American oak cabinets, and dark leather armchairs. However, if it's a nice evening, you'll want to nab a spot in the airy courtyard. Then order yourself a dram or a cocktail if that's more your speed. [caption id="attachment_830607" align="alignnone" width="1920"] Anna Kucera[/caption] THE KEEL The brainchild of three mates, The Keel is George Street new drinking den. But what sets it apart from other watering holes is its philanthropic foundations; it promises to donate 20 percent of its profits back to the community and charitable. The sophisticated fit-out has a nautical-inspired theme — think hardwood timbers and cosy booths that are ideal for small groups. There's also a balcony area overlooking Sydney Harbour and Circular Quay that's great for a sunny afternoon bev. Unsurprisingly, rum is the hero here, and you can expect many idiosyncratic cocktails to be shaken and stirred behind the bar. This is a hot new ticket where you can raise a glass for a good cause. MRS JONES Named in honour of Jane Jones, the licensee of the well-loved The Orient Hotel back in 1897, Mrs Jones is a modern nod to the pub's lively history. Many of us know The Orient as a solid, dependable spot for a few pints of perfectly poured Guinness, but this smart, openair cocktail terrace adds an element of sophistication to the stalwart. Overlooking the pub's interior courtyard, Mrs Jones offers a mixture of high and low chairs and is decked out with lush plants. It's the ideal spot to sip a cold one or cocktail on a warm springtime evening. [caption id="attachment_830609" align="alignnone" width="1920"] Anna Kucera[/caption] CHATEAU TANUNDA While the Barossa is a touch far to travel for a single night out, you can get a taste of its world-class wines right in the heart of Sydney. Renowned Barossa Valley vineyard Chateau Tanunda winery has opened a wine enthusiast's dream in The Rocks, set inside a stunning 1860s heritage building. The vibe is concept bar meets cellar door, while everything you sip is a celebration of the world-famous wine region. The space offers private tasting sessions, where you and a small group can sample wines from vines that are up to 150 years old guided by the experienced hand of fine wine specialist Justin Lambert. You can even book in for private event for up to 18 people — so if you have lots of wine lovers in your life, this is sure to impress. THE ARGYLE A mainstay of Sydney's nightlife scene since 2007, The Argyle has outlasted lockout laws and lockdowns for good reason — it's smack-bang in the middle of the city, and it has something for everyone. The venue is as multifaceted as they come: it's home to six separate bars, sprawling cobblestoned courtyard and a nightclub, all spread across two floors of a former post office on the historic street from which it takes its name. On the menu, you'll find a great range of classic and signature cocktails, wines and tap beers. House-made pizzas are also available to line your stomach as you set yourself up in the crowning jewel of casual drinking and dining in The Rocks. Keen to know what else is going on in The Rocks this spring? Sign up to The Rocks' mailing list to find out about upcoming events, venue openings and more. Top image: Anna Kucera
Wubba lubba dub dub, Rick and Morty fans — the beloved animated series returns for its sixth season in early September, and is bound to serve up another schwifty dose of chaotic intergalactic mayhem. Been wondering what happened since season five's big ending? Can't wait for new episodes, which arrive Down Under via Netflix on Monday, September 5? The Back to the Future-inspired hit has also made the leap into real life, with #wormageddon scenes popping up around the world. What's #wormageddon? It's what Adult Swim, the US network behind Rick and Morty, is calling "an immersive adventure" — and it's setting up IRL Rick and Morty moments in places as varied as Mexico City, Malibu, The Netherlands, Brazil, Toronto, Cape Town and Sydney. Yes, Australia is getting in on the action, with a #wormageddon scene arriving on the Bennelong Lawn in The Royal Botanic Gardens in the Harbour City from today, Tuesday, August 30. In Sydney's pop-up, Birdperson faces #wormageddon — aka a mysterious alien worm that wants to take over earth. That's what happens in the show's narrative after the destruction of the Citadel of Ricks at the end of season five, and where season six will pick up. Australia is no stranger to pop culture-themed installations, especially lately. Everything from House of the Dragon, The Gray Man and Everything Everywhere All At Once through to Squid Game, Stranger Things and Borat has done the same, resulting in everything from dragon eggs and the Iron Throne to multidimensional laundromats and otherworldly rifts appearing on Aussie shores. Usually, they only last a day or a weekend, though, but #wormageddon is hanging around Sydney until Thursday, September 8 — on display from 7.30am–5.30pm daily. In total, 14 custom #wormageddon scenes are setting up shop on six continents, all bridging the gap between the end of the last season and the start of season six, and sending fans on a global treasure hunt to find each scene. Sydney's Birdperson-versus-worm installation marks the ninth so far, with exactly where the remaining five will surface yet to be revealed. That's the way the news goes — and if you're keen to find out more about the #wormageddon storyline, Adult Swim has dropped a few online shorts, too. You can check them out below, along with the trailer for Rick and Morty's sixth season. Rick and Morty's sixth season will premiere globally on Monday, September 5 Down Under. The series streams via Netflix in Australia and New Zealand. Top image: Adult Swim.
UPDATE: MAY 13, 2020 — Carbón is reopening for dine-in service from Friday, May 15. It's taking bookings of up to ten people per 1.5-hour sitting, available from 5pm, 6.45pm and 8.50pm. On Saturdays and Sundays, it's also offering bottomless tacos and margaritas for $79 per person, with sittings at 12pm, 1.45pm and 3.30pm. To book, call (02) 9365 6092, email info@carbonmexican.com.au or direct message via Instagram. It is currently offering Mexican food and cocktails for pick up or delivery, too. You can order online here. The owners of cosy Mexican joint Taqiza have expanded their Bondi offering. They've taken over the old Rum Diaries space along Bondi Road and have opened Carbón — a new hacienda-inspired Mexican restaurant that focuses on all things woodfired. Chefs and owners Pablo Galindo Vargas and Liber Osorio know a thing or two about Mexican cooking, having been born and raised in Mexico City. "At Carbón, we wanted to rescue the indigenous culinary elements of our backgrounds, going back to our roots to create a menu full of flavours, colours and textures while maintaining the integrity and sustainability of the produce," says Vargas. The venue complements Bondi's laid-back vibes with a beachy fitout that is meant to be reminiscent of a Caribbean hacienda. While Taqiza is an intimate venue, Carbón boasts a large open space with a full kitchen that centres around their brand new, woodfire grill — which is fitting considering the restaurant's name translates to 'charcoal' in Spanish. The dishes pay homage to traditional Latin American parrilla (barbecuing) techniques, with the open charcoal fire used for cooking tortillas, heating underground ovens and boiling soups or sauces. Carbón also focuses on fresh produce that can be enriched with the use of charcoal. The interactive share menu centres on make-your-own tacos, with options including Hampshire suckling pig with achiote adobo and Seville oranges, as well as roasted lamb shoulder with chipotle citrus yoghurt. Regular specials will be on offer, too, like the charcoal sealed tuna sashimi with finger lime, tiger's milk (aka citrusy ceviche marinade), sweet potato chips and salmon caviar. At the bar, the drinks menu is — unsurprisingly — focused on tequila and mezcal. Cocktails like the Bondi Sunset (mezcal, elderflower liquor, lime juice and mandarin) and the Oaxacan Pink Lad (mezcal, brandy, lemon juice, agave syrup and aquafaba) are just the start.
Good things not only come to those who wait, but great and downright excellent things do, too — at least where Harvest Rock's 2025 lineup is concerned. Unveiled two days later than initially planned, the full rundown of acts slated to play the two-day Adelaide music festival is a list to get excited about. There's no "someday" about when The Strokes will next be in Australia now: headlining Harvest Rock and doing an Aussie-exclusive show, they're the main event on Saturday, October 25. Harvest Rock has been teasing The Strokes' spot on the bill since it pushed back its lineup announcement. Now, Julian Casablancas, Nick Valensi, Fabrizio Moretti, Nikolai Fraiture and Albert Hammond Jr are indeed locked in. Also taking to the stage on the fest's first 2025 day are The War on Drugs, also doing an Australian-exclusive gig. Vance Joy, M.I.A., Lime Cordiale and Genesis Owusu will be wowing Saturday crowds as well, as will The Presets, The Jungle Giants, Cloud Control, Bag Raiders and more. If you're a fan of Wolfmother's self-titled debut album, you're also in luck: the Australian band will play it in full. Harvest Rock's Sunday, October 26 lineup boasts Jelly Roll as its headliner, followed by Royel Otis, Groove Armada doing a DJ set, Shaboozey, PNAU, Lauren Spencer Smith, Ruel and Sneaky Sound System — and others. The fest's second day is also scoring the Ministry of Sound Classical treatment, aka dance music hits played live by an orchestra. Before August arrived, no one was likely expecting to attend Harvest Rock this year. The travelworthy festival made its debut in 2022 and returned in 2023 for a second spin, but sat out 2024. Then came the welcome news that the event is back on the agenda for 2025, a comeback that not every fest that presses pause for a year manages (see: Splendour in the Grass, which announced its 2024 dates and lineup, then ditched its plans and didn't return in 2025 — and also Groovin the Moo going through the same cycle of reveals and cancellations, and also missing 2025). The venue for Harvest Rock: still Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina. When the event was first born, hailing from the Secret Sounds crew — who were also behind Splendour in the Grass — it not only aimed to get everyone dancing in a park in Adelaide each spring, but also delivered a weekend-long blend of music, food and wine. That's once more the setup. Accordingly, the festival also spans Adelaide's top restaurants and eateries serving up dishes, a culinary-focused stage and wine tastings. In 2025, the Amuse-Bouche Stage is part of the lineup, for instance, bringing together culinary figures, podcasters and comedians — with Ben Harvey and Belle Jackson, Nat's What I Reckon, the Marmalade trio and folks from the music bill also featuring. For a bite and a sip, Wildwoods & Cellar Door by Duncan Welgemoed & Nick Stock, Denny Bradden's Dirty Doris Diner, Regent Thai, Africola Canteen, Anchovy Bandit and Gang Gang are among your options. And, label-wise from the vino selection, so are Ochota Barrels, Yangarra, Basket Range Wines, Murdoch Hill, Grant Nash, Sherrah, S.C.Pannell / Protero, Shaw + Smith / Other Wine Co, Henschke, Les Fruits / Parley, Bloomfield, Stoke Wines, Worlds Apart, Koerner, First Drop, Torbreck, Adelina and Champagne Taittinger. [caption id="attachment_1017207" align="alignnone" width="1920"] Jimmy Fontaine[/caption] Harvest Rock 2025 Lineup Saturday, October 25: The Strokes The War on Drugs Vance Joy M.I.A. Lime Cordiale Wolfmother The Presets Skream & Benga Genesis Owusu The Jungle Giants Cloud Control Vacations Bag Raiders (live) Teenage Joans Divebar Youth Sunsick Daisy Oscar The Wild Any Young Mechanic Sunday, October 26: Jelly Roll Royel Otis Ministry of Sound Classical Groove Armada (DJ set) Shaboozey PNAU Lauren Spencer Smith Ruel Sneaky Sound System The Dreggs Drew Baldridge Julia Cole Folk Bitch Trio Mild Minds Anna Lunoe Velvet Trip Towns Coldwave Colter Apollo Amuse-Bouche Stage lineup: Hosted By Ben & Belle Nat's What I Reckon Marmalade Artist Appearances and more to be announced Food: Dirty Doris Diner Regent Thai Africola Canteen Anchovy Bandit Gang Gang & Many More Wine: Adelina Basket Range Bloomfield First Drop Grant Nash Henschke Koerner Les Fruits / Parley Murdoch Hill Ochota Barrels S.C.Pannell / Protero Shaw + Smith / The Other Wine Co Sherrah Stoke Wines Taittinger Torbreck Worlds Apart Yangarra Harvest Rock 2025 is set to take place across Saturday, October 25–Sunday, October 26 at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide. Head to the festival's website for further details — with presale tickets available from Tuesday, August 19 and general sales from Wednesday, August 20. The Strokes top image: Jim Bennett/Getty Images. Harvest Rock images: Ian Laidlaw / Mitch Lowe / Zennieshia Butts.
It took almost two years, 10,000 nautical miles, a run in with Egyptian pirates and a stint in liquor licence limbo, but in October 2016, Sydney's permanent floating venue, Seadeck, finally opened to the public. After cruising around Sydney Harbour since then, it's sailed all the way up Australia's east coast for an 11-week Brisbane stint, sailing around the Brisbane River for the first time ever starting Saturday, July 1. It's a 42-metre, 410-passenger, handcrafted vessel — from the handmade tiles and custom-designed brass bar to the bespoke furniture from every corner of the glove, everything you see was tailored for floating. Even the palm trees, standing four metres tall, took a dozen specialists to make to the right specifications. Each of the three decks is connected by sweeping staircases and cast iron lace railings, an homage to Hollywood's golden age of the '20s, '30s and '40s. Yes, it's the epitome of swank. Last year, we sat down with the team behind this massive venture — that's managing partner Scott Robertson (Future Music Festival, DIVISION Agency), executive chef Drew Bolton (Vine Double Bay) and design director Alex Zabotto-Bentley (AZBcreative). "It isn't a nightclub, it's all about impeccable service, beautiful food and nice drinks," says Robertson. Bolton is happy to help with that, bringing the Vine ethos to Seadeck. "At Vine, we reinvent modern European flavours with great respect for regional produce," says Bolton. "At Seadeck, our food will also be very produce drive but more casual and playful," he adds. Seadeck focuses on bar friendly snacks, like fresh ceviche, oysters and lobster rolls, but patrons should still expect the refined food experience that Vine exudes. Design-wise, this lap of luxury is the handiwork of Zabotto-Bentley, who radiates passion about the vessel. "Imagine it's the 1930s and you're cruising the Nile or the Dalmatia Coast," he says. "The people on board were seen to be on a floating oasis in the middle of the sea, and that's what we want to recreate here." Seadeck will be cruising around Brisbane River for 11 weeks from Saturday, July 1 starting with an afternoon cruise at 2pm. Tickets, available from the Seadeck website, start from $25 general admission on Friday nights and $40 general admission on Saturdays and Sundays. If you're feeling the need to blow some serious dosh, VIP packages and hosted bottle service is also available. By Marissa Ciampi and Lauren Vadnjal.
Across four seasons of Stranger Things so far, entering a rift to the Upside Down hasn't transported anyone Down Under. But jumping into the hit Netflix series' world keeps proving a reality in Australia — first via one of those portals popping up in Bondi back in 2022, and next courtesy of Stranger Things: The Experience, which has just locked in its Aussie debut at Luna Park Sydney as part of Vivid's 2025 program. Luna Park Sydney and immersive experiences based on Netflix shows keep going hand in hand of late; from the end of 2024, the Harbour City tourist attraction also hosted Squid Game: The Experience, letting small-screen fans dive into another streaming smash. Stranger Things: The Experience will run from Friday, May 23–Saturday, June 14. The must-attend event falls into the Ideas portion of Vivid's lineup. Get ready to visit 1986 — and also Hawkins, Indiana, of course — in what promises to be an interactive stint of Stranger Things-loving fun. Locations from the show are part of the setup, as is a supernatural mystery. And yes, you can expect to feel nostalgic, even if you don't have your own memories of the 80s because you hadn't been born yet. Stranger Things: The Experience isn't just about visiting recreations of settings that you've seen while watching Eleven (Millie Bobby Brown, The Electric State) and the gang. The installation features its own storyline, where playing along means trying to save Hawkins from yet another threat. And yes, you will take a trip to the Upside Down. You'll also be able to drink themed cocktails. Based on its time in other cities, Demogorgons and/or Vecna might await, too, along with Christmas lights, Scoops Ahoy and Surfer Boy Pizza. The experience initially opened in New York in 2022, and has enjoyed dates with Los Angeles, San Francisco, Atlanta, Seattle, Toronto, London, Paris and São Paulo since, with a Rio de Janeiro stint also on the way. Hanging out for new Stranger Things back in your Netflix queue? That's due to happen in 2025, when the show's fifth and final series arrives — although there's no exact release date as yet.
What started as a small boutique in an old Perth arcade has expanded across four states. Pigeonhole now boasts seven locations all up, one of which is — fortunately for Sydneysiders — in Chippendale. Founder Johann Kim is known for hand-collecting unusual finds from across the globe. Whether you're shopping for yourself or someone else, you're sure to find it here. The offering ranges from fashion, accessories and jewellery to homewares, beauty items and even lifestyle options like books, board games and wellness gifts. If you can't get to the shop, Pigeonhole's online store brings the best of their fashion and gifts to the masses.
There's always a good reason to put off that big trip. But if those cringe quotes and sappy videos that make the rounds on social media have taught us anything, it's that we should make every moment count. Don't save that annual leave and that holiday fund for 'one day'. Take advantage of your wanderlust now and treat yourself to an entirely unexpected, over-the-top adventure to somewhere brand new now. We bet you deserve it. From a romantic helicopter flight that wouldn't be out of place on an episode of a certain reality dating show or fine dining under desert skies, a trip to Central Australia is just what the doctor ordered. We've teamed up with Tourism Central Australia to give you the most outrageously decadent itinerary Central Australia has to offer. Because why not? You only live once, so live once. Want to plan your very own adventure to the Red Centre? Take a look at our handy trip builder to start building your custom itinerary now.
Late Night Library is back for 2014, and this year’s season kicks off at Surry Hills library with 'Stories About Love'. In anticipation of Valentine’s Day, this is an evening devoted to storytelling covering heartbreak, first loves and redemption. Organisers are advising the tenderhearted amongst you to bring along a box of tissues, as new stories from Eddie Sharp, Ange Lavoipierre, Pat Lenton and Astrid Lorange aim to stir up an emotional storm. It’s a free event and you can’t book, so just show up in your finest library-appropriate attire. If you’ve never been, Late Night Library is an adults-only affair hosted by the City of Sydney, initially starting out at Surry Hills library. After winning a smattering of arts programming awards, the event has spread its wings and this year will involve a rich selection of workshops, music, talks, readings and film screenings around town. Check out the upcoming events at Eventbrite.
Anyone in Sydney who considers themselves a Sider knows the Sun-Herald City2Surf. What with it being the largest event of its kind in the Southern Hemisphere, attracting over 85,000 participants, this charity fundraiser/epic test of stamina and virtue is hard to miss even on the laziest of radars. With our partners The Athlete's Foot, we're putting one of our team to the test, giving him four weeks to get in shape and make it to that starting line (and, hopefully, the finish line) on August 11. Follow his ups, downs and diversions here, in his #ididit diary. And for all of you out there looking for some extra motivation to join in? The Athlete's Foot is giving away a pair of running shoes each week to their favourite #ididit photo during the running season. The Runner: Jack Arthur Smith, 24, Rugby Born and Bred I'm not from around here. In fact I was born, raised and schooled in the small market town of Rugby, England. Yes, the birthplace of that great game we Poms and our neighbours are apparently better at playing than you. But don't let this consequence fool you; I ain't no sports fan. If I was a Lion I'd be skipping down the yellow brick road with Dorothy and letting the Tinman do things to me after dark. However, while I may have spent last Saturday watching Pirates of the Caribbean and drinking Earl Grey tea, I do strongly believe in trying new things and pushing myself to stay active. I figure if I can pack my bags and travel halfway across the planet, I can handle jogging 14km through one the greatest cities on it. So when the chance to run the Sun-Herald City2Surf came along, just like when I danced in the Mardi Gras parade (twice now) or shaved my head for the World's Greatest Shave, it was against my nature to say no. Friday, July 19, 12.13pm Friday, July 19, 12.35pm Friday, July 19, 4pm My dad once told me if you're ever going to do anything, do it properly or don’t do it at all. So to fully prepare myself for the onslaught of 14km in less than four weeks, I knew there was only one thing to do: 60 minutes of pure remedial massage bliss. Say what you like, but we all know if you want something done in life, it’s better to butter up whomever you need it from first. And if that's yourself, well, too easy. Saturday, July 20, 11.40am Friday, July 26, 12.44pm Jack: Did 8km todays in 53 mins - #city2surf is just over double that... #FML #ididit http://t.co/tRMT8j07z5 — Concrete Playground (@PLAYGROUNDnews) July 29, 2013 Tuesday, July 30, 8.45pm Ever since I arrived in Sydney it's become increasingly clear it's true what they say: you people like to exercise. None more so, I would argue, than my good friend Jess Robinson who spends her free time training wannabe athletes or inspiring people from across the globe on her blog, Lazy Girl Fitness. Naturally, being somewhat allergic to exercise, it seemed more than appropriate to seek a little expert advice. A week and a bit later and I’ve run a total of almost 44km, done 96 push ups, 96 kettle bell swings, 96 squats, 160 Bulgarian lunges (honestly, don’t ask), 96 TRX rows, 40 burpees, planked more than I care to account and come close to vomming all over the gym floor about seven times. It's been all systems go, literally, and if I’m 100 percent honest, I couldn't be luckier to have such skilled support and encouragement by my side. Only two more weeks to go! Need some fitness inspiration yourself? Pay Jess a visit on Facebook or Twitter. Wednesday, July 31, 9am Sunday, August 4, 9.44am Jack: At Button Bar psyching myself up for the #city2surf. #ididit with #negroni. http://t.co/tRMT8j07z5 — Concrete Playground (@PLAYGROUNDnews) August 8, 2013 Friday, 9 August, 12.50pm Saturday, 10 August, 5.30pm As I recline here in my bedroom, rubbing my stomach and groaning from the pains of a triple-decker, hazelnut meringue cake slice from The Rocks, I honestly have no fear for tomorrow. In fact, I’m looking forward to it. I know it’s going to be killer, I know about 11km in I’m going to want to throw myself onto the ground and let the thousands of feet trample me into an early grave, but I also know I’ll push through. Why? Because it’s fun. Training has been excellent, I’ve become closer with fitness-enthused friends, and, ladies and gentlemen, my love handles have become smaller by the day. It’s a win-win-win if you ask me. I just hope no one in a Vegemite costume overtakes me. Tuesday, 13 August, 6.50pm Two days ago I ran past the finish line of this year’s Sun-Herald City2Surf on Campbell Parade, Bondi. It was fabulous: the sun was out, the sky was blue and Sydney was alive with the sounds of school bands, house parties and thousands upon thousands of runners hitting road. Atmospheres don’t get much better than this and I managed to smash the race in just over 80 minutes. Proud of myself is an understatement. Now as I sit at my desk with a one sore big toe, but otherwise generally unharmed, I can’t help but think back to when I was a fat little school kid, getting chafe on my Duke of Edinburgh Bronze Award because my chubby legs rubbed together. It’s nice saying “I’ve come a long way”, and I’m pretty chuffed #ididit for Concrete Playground.
A new restaurant inspired by French cuisine and specialising in seafood has opened in the shadow of the Sydney Harbour Bridge from a mainstay of Sydney's hospitality scene. Whalebridge is the latest venue from The Sydney Collective, the team behind the Watsons Bay Hotel, The Farm in Byron Bay and The Imperial. It boasts a prestigious head chef, ultra-luxurious menu and unbeatable harbour views. Now open in the former Circular Quay digs of longstanding seafood restaurant Sydney Cove Oyster Bar, the harbourfront venue is headed up by Executive Chef Will Elliot who has previously worked across London's St John, Melbourne's Cumulus Inc. and fellow Sydney CBD French bistro, the beloved Restaurant Hubert. "What's exciting about Whalebridge is the opportunity to prepare and plate a menu which is entirely new to Sydney," says Elliot. "These are produce-driven dishes rooted in traditional French technique and the articulation of those flavours." On the menu, you'll find house specialities that celebrate French cooking and fresh local seafood including bouillabaisse de Marseille and lobster thermidor. An array of charcuterie and an expansive selection of caviar will be on offer to start you off, as will mains like stuffed zucchini, duck confit and steak or mussel frittes. Accompanying the dishes will be a 150-strong wine list pulling from renowned regions in both France and Australia. "I love good produce treated simply, that's why I love French cooking. It has very humble origins, but it's been refined over so many years to bring out the best in something, without masking what made it good in the first place," Elliot continues. Most striking at Whalebridge is the view, with an uninterrupted view of the Sydney Harbour Bridge from the outdoor seating that's calling out to be enjoyed with a glass of French wine and a spread of oysters, scallops and kingfish. Whalebridge is open midday–3pm and 5–9pm Monday–Thursday, and midday–9.30pm Friday–Sunday.
Jewellers Sarah & Sebastian brings bespoke craftsmanship, sustainability and creativity to the fore in its wide range of products. The titular two met while studying design abroad and brought their collective passion for jewellery making to Australia in 2012. An avid recreational diver, creative director Sarah Gittoes brings her passion for the ocean into many of the designs — which are then married with German-born managing director Robert Sebastian Grynofki's finesse in development and production. Socially and environmentally conscious, the pair construct high-end jewellery using recycled materials and ethically sourced stones, pairing them with traditional methods of jewellery making to yield some truly unique and beautiful pieces.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=j_jjELPpKkk HAPPIEST SEASON Heading home for the holidays and stepping into a sea of interpersonal dramas is a familiar on-screen set-up, as a new movie every Christmas or so reminds us. By now, then, we all know the formula. Adult children make the pilgrimage to their parents' place, rivalries and animosities flare up, secrets are spilled, chaos ensues and, by the end of the film's running time, everyone has learned something. Happiest Season fits the template perfectly. With the merriest time of the year in full swing, the Caldwells converge on the Pennsylvanian family home, with their celebrations given an extra edge due to patriarch Ted's (Victor Garber, Dark Waters) mayoral campaign. His fastidious wife Tipper (Mary Steenburgen, The Book Club) insists on snapping every moment for his Instagram feed, all as stern eldest daughter Sloane (Alison Brie, GLOW) arrives with her husband (Burl Moseley, Crazy Ex-Girlfriend), two children (Asiyih and Anis N'Dobe) and plenty of unspoken tension in tow; zany middle sister and aspiring fantasy writer Jane (Mary Holland, Between Two Ferns: The Movie) is largely ignored; and Pittsburgh-based political journalist Harper (Mackenzie Davis, Irresistible) returns with the girlfriend, Abby (Kristen Stewart, Charlie's Angels), that none of her relatives know about because she hasn't come out to them yet. If someone other than The Faculty, Girl, Interrupted, Veep and The Handmaid's Tale actor-turned-filmmaker Clea DuVall had made Happiest Season, the above paragraph would accurately reflect the feature's character hierarchy — because Sloane would take centre stage, and Harper and Abby would hover around the narrative's edges. But DuVall did make Happiest Season and, with co-writer Holland, she flips the movie's focus, even while still sticking with a well-worn general premise. Accordingly, this festive flick resembles a comfy sweater that often gets a wear, but seems welcomely different on this particular occasion. It shouldn't be so subversive to take an overused genre that's heavy on recognisable tropes, then strip away the engrained heteronormativity, but it is. Amid the sibling struggles, the re-emergence of old flames both male (Jake McDorman, What We Do in the Shadows) and female (Aubrey Plaza, Parks and Recreation), and the always hectic whirlwind that surrounds every seasonal family affair — and every attempt to run for political office, too — Happiest Season also explores two crucial themes in a meaningful way. First, it unpacks the performative nature of human existence, where too often we're all trying to match other people's perceptions and expectations without consistently remaining true to ourselves. And, it also interrogates how coming out isn't a simple or straightforward act, even in seemingly loving circumstances. Read our full review. https://www.youtube.com/watch?v=97nnV0fNd30&feature=youtu.be AMERICAN UTOPIA There may be no catchier lyric in music history than "same as it ever was", the five words repeated in Talking Heads' 1981 single 'Once in a Lifetime'. As uttered again and again by the band's inimitable frontman David Byrne, it's a looping phrase that burrows into your skull and never leaves. So when American Utopia opens with the musician sat at a table holding a brain and talking about what its various parts do, it feels as if Byrne is acknowledging what everyone already knows in the deepest recesses of their consciousness: that Byrne long ago got cosy in our craniums and has been nattering away to us ever since. As he stares at grey matter while wearing a grey suit — a perfectly fitting one, unlike the famed big number he wore in iconic 1984 Talking Heads concert film Stop Making Sense — he has something else on his mind, however. American Utopia starts with the part of our bodies where we all mentally reside, but slowly and smartly evolves from the cerebral to the communal. It segues from one man alone on a stage lost in his own thoughts to 12 people singing, dancing, playing instruments and connecting, and also pondering the state of the world and how to better it in the process. And it takes its titular concept seriously along the way, confronting America's political and social divisions in Byrne's witty, wise and impassioned between-song chats, but never satirising the idea that the US could be improved to the benefit of everyone. American Utopia is a concert film like its predecessor but, as that masterpiece proved, the whole notion means more to Byrne than merely standing in front of a camera and busting out well-known hits.From the sublimely soothing 'This Must Be the Place (Naive Melody)' to the punchier 'Burning Down the House', plenty of Byrne's best-known songs do grace American Utopia. 'Once in a Lifetime' is among them, of course, as are 'Road to Nowhere' and 'Everybody's Coming to My House', with the film's playlist spanning his career with Talking Heads and solo. Across a range of styles and tempos, each track is a wonder, and not just in the way that fans already know. As should be obvious from the way in which Byrne has conceptualised this stage performance — which he toured in 2018, then adapted for Broadway in 2019, and has now turned into this standout movie directed by Spike Lee — this is a meticulously crafted work. Basking in the glory of Byrne and his band is inevitable and would happen regardless, but soaking in everything that American Utopia does is another marvel entirely. Before the film forces you to do so, you probably won't have realised how enlivening, wondrous and cathartic it is to see the act of connecting so firmly thrust to the fore. It takes an incredible amount of work to make something so tightly constructed seem so loose and natural, and that's just one of the reasons that American Utopia is yet another of the star's masterpieces. Read our full review. https://www.youtube.com/watch?v=kFqCTIdF7rs&feature=youtu.be POSSESSOR In Possessor, technology permits assassins to hijack the bodies of people close to their targets, letting them assume not just their identities but their physical presence to fulfil their murderous missions. Tasya Vos (Andrea Riseborough, The Grudge) is one such killer, and she is so exacting and accomplished at her job that her no-nonsense boss and handler Girder (Jennifer Jason Leigh, Annihilation) keeps trying to push her further. Such work comes with consequences, though, with Tasya slowly estranging herself from her husband (Rossif Sutherland, Catastrophe) and young son (Gage Graham-Arbuthnot, Becky). During the luridly shot undertaking that opens the movie and the assignment that the often neon-hued flick spends the bulk of its time on, Tasya also begins to realise that separating herself from the folks she's temporarily inhabiting is becoming difficult. In the first job, Tasya's consciousness takes over a woman called Holly (Gabrielle Graham, On the Basis of Sex) to gun down a high-flying lawyer at a swanky hotel party. Every mission should end with extraction via suicide — the possessed person's, as forced by the possessor, who then returns to their own bag of bones, flesh and blood — but Tasya can't pull the trigger on her host body. When she's later sent into Colin (Christopher Abbott, Vox Lux), the fiancé of the daughter (Tuppence Middleton, Mank) of a ruthless business mogul (Sean Bean, Snowpiercer), she similarly struggles to retain control. As depicted in gory detail, being able to stick a probe into your head and mind-hop into someone else's may be pure science fiction, but writer/director Brandon Cronenberg intentionally apes The Matrix when he shows how the tech behind his premise operates. Our present analogues to Possessor's body-jumping concept exist in the online world, virtual reality, avatars, catfishing, trolling and even just anonymous commenting while you're tapping at your keyboard or phone, and this film makes it ferociously clear that it all has a significant cost. Cronenberg isn't just taking cues from his father David — whose 1999 film eXistenZ, also starring Jason Leigh, toyed in somewhat similar territory — or from a beloved sci-fi franchise. As many works that reflect upon humanity's true nature via dystopian futures tend to, the writer/director adds an entry to both the body horror and science fiction canons that seems like it might've appeared in a feverish dream after a life spent consuming those exact types of tales. But Possessor also always feels like a unique creation, and never a film puppeteered by its influences in the same way that Tasya pulls the strings of her marks. Cronenberg's feature boasts far too much of its own chilliness, daring and determination, as well as the filmmaker's fondness for particularly gruesome imagery, to merely be the sum of its various sources of inspiration. Possessor also has its own wellspring of nihilism pumping through its veins, not only tackling big notions in a bold and ultra-violent way, but proving deeply, gut-wrenchingly, existentially dark. Read our full review. https://www.youtube.com/watch?v=cp3WjuJJYB8 MISBEHAVIOUR The fact that it took 50 years to bring Misbehaviour's true tale to the screen is nothing less than remarkable. Following the protests staged by the women's liberation movement at the 1970 Miss World Pageant in London, it harks back to a noteworthy and important chapter of history — so much so that you would've expected filmmakers to have been clamouring to give it the cinematic treatment. A plethora of compelling topics are baked into this story, after all, including calling out the gross sexism inherent in objectifying women and ascribing their worth according to their looks, questioning society's narrow view of beauty and making plain the racial prejudice that's also frequently in play. But you don't need a movie about all of the above to tell you the obvious, and also the reason that a film about this incident hasn't existed until now. Much may have changed in the past half-century, but the feminist quest for recognition, fairness and equality in every way isn't over yet. Indeed, it's galling how many of Misbehaviour's observations about the way women are treated — and how women of colour fare on top of that — continue to ring true in 2020. Director Philippa Lowthorpe (Swallows and Amazons) and screenwriters Rebecca Frayn (The Lady) and Gaby Chiappe (Their Finest) are eager to pay tribute to pioneering feminists, but they're also very keen to make a feel-good, cheer-inducing movie that fits a clear formula. So it is that a seemly mismatched group comes together, united by the shared goal of improving how women are regarded by society, and decides to target the giant, glitzy and televised spectacle that is the Miss World Pageant — which 100 million people will watch. The two main instigators, aspiring history academic Sally Alexander (Keira Knightley, Official Secrets) and graffiti-spraying anarchist Jo Robinson (Jessie Buckley, I'm Thinking of Ending Things), are initially worlds apart, but squaring off against a common enemy has a way of bringing people together. Also earning the film's attention: contestant Jennifer Hosten (Gugu Mbatha-Raw, Farming), pageant founder Eric Morley (Rhys Ifans, Berlin Station) and the year's host Bob Hope (Greg Kinnear, Strange But True). The result is a rousing, overt and easy movie that ticks all the boxes it has placed on its own checklist, but doesn't do anything more — and it definitely could. Getting caught up in Misbehaviour's plot, purpose and impressively staged climax is almost a foregone conclusion. Being happy that it's hitting screens and telling this tale at all after all of these years is as well. But so is knowing that this is the most standard and clearcut rendering of this story possible. Read our full review. https://www.youtube.com/watch?v=tibarzGOUSk LET HIM GO Hell hath no fury like a grieving mother and grandmother in Let Him Go, an involving drama that shows that few actors can convey quiet anger and unflinching determination quite like Diane Lane. The Unfaithful and Under the Tuscan Sun star plays Margaret Blackledge, a Montana rancher with a way with horses, and with strong, silent ex-sheriff George (Kevin Costner, Yellowstone) for a husband. Soon after the family's rural idyll is first established, she not only loses her adult son (Ryan Bruce) to a tragic accident but, just a couple of years later, is shocked to discover that her newly remarried daughter-in-law Lorna (Kayli Carter, Bad Education) has left the local town in a hurry one night with Margaret's three-year-old grandson Jimmy (Bram and Otto Hornung). Determined not to see more of her family members ripped away, she convinces George that they should set off on their trail. Complicating their plans is he fact that Lorna has wed into the Weboys, who hold significant — and criminal — influence over their patch of America's north. As the Blackledges learn after finally tracking down their new relatives-via-nuptials, brash Weboy matriarch Blanche (Lesley Manville, Misbehaviour) isn't keen to relinquish her claim on the only link Margaret has left to her dearly departed child. Adapted by writer/director Thomas Bezucha (screenwriter of 2018's The Guernsey Literary and Potato Peel Pie Society) from the novel of the same name, Let Him Go follows a straightforward narrative with a smattering of hits and misses — but its two main female roles are so superbly cast, and the film's handling of tension so finely tuned, that it proves gripping for the bulk of its running time. The last time that Bezucha dabbled with complicated family antics, in 2005's The Family Stone, he was in far lighter territory; however, he's more than adept at handling the fierce confrontations, simmering and overt suspense, and pulpy revenge-fuelled setpieces that are pivotal here. And, he does so in a fittingly pared back but forceful manner; Let Him Go takes its time and doles out only the necessary details, butt does so with maximum emotional impact in mind. While Costner is also solid as a man trying to deal with his own heartache and disappointment in his own way, and Booboo Stewart (The Twilight Saga) leaves a lasting impression as a Native American teen the Blackledges cross paths with on their journey, Let Him Go is at its best when it cedes the screen to the potent Lane and the gloriously overt Manville. https://www.youtube.com/watch?v=YqEQyL8prJg&list=PL6F30AC1F68415FCE IN THE NAME OF THE LAND In We'll End Up Together, French filmmaker and actor Guillaume Canet directed a sequel to his friendship-driven drama Little White Lies, this time ruminating on his characters' choices and struggles years latter. In La Belle Époque, he played the man behind a company that lets anyone pay to recreate the place and time of their choosing, whether to enjoy a life they didn't get to live, temporarily try to correct past wrongs or revel in happier memories. His third release to reach Australian cinemas this year, In the Name of the Land is a vastly different film — but it too is about someone grappling with his chosen path and wondering what might've been. Here, Canet steps into the shoes of Pierre Jarjeau, who returns to his dad's (Rufus, Amelie) modest farm in 1979 after a stint on a vast Wyoming cattle ranch and, with a 25-year-old's hope for the future, instantly agrees to take over the family property. Fast-forward to the mid to late 90s, when the majority of the movie takes place, and Pierre is saddled with debt and trouble. He's still repaying his father, the price he earns for his produce just keeps dropping and, despite his wife Claire's (Veerle Baetens, The Broken Circle Breakdown) disapproval, he's certain that expanding and taking on bigger loans is the only way forward. Pierre's plan requires building a coop to house 20,000 chickens — livestock he doesn't currently farm — and getting into bed with a giant agriculture company to do so. First-time feature writer/director Edouard Bergeon bases In the Name of the Land on his own father's story, and it's a grim one, as every move Pierre makes seems to place the Jarjeaus in a worse situation with ever-increasing stress and higher stakes. Given that this is a personal tale and topic for the filmmaker, it's hardly surprising that he draws such nuanced and authentic performances from Canet, Batens and Rufus, and from young actor Anthony Bajon (The Prayer), who is virtually playing the director's on-screen surrogate. The prominence given to the gorgeously shot landscape, including golden and green fields that stretch as far as the eye can see, isn't the least bit astonishing either. And, neither is this solemn but passionate movie's unshakeable condemnation of the current state of French agriculture, and of the very real toll that the push towards corporations and mass production is taking on those who dedicate their life to working the land. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12 and November 19. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle, The High Note, On the Rocks, The Trial of the Chicago 7, Antebellum, Miss Juneteenth, Savage, I Am Greta, Rebecca, Kajillionaire, Baby Done, Corpus Christi, Never Rarely Sometimes Always, The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon and Ellie and Abbie (and Ellie's Dead Aunt).
Pasta Emilia, which moved from its original home in Bronte to Surry Hills back in 2012, is an old-school Italian joint that serves up pasta just like nonna used to make. Founded by Anna Maria Eoclidi, the restaurant is an ode to her home in Italy's Emilia-Romagna region. Organic pasta is the name of the game here, with the chefs make more than 15 varieties of pasta each week. Think heartwarming dishes like strozzapreti with slow-cooked beef ragu ($30); spaghetti aglio, olio e peperoncino ($24); and the rich duck and truffle tortelli with butter and herbs ($36). If you're wanting more than just pasta, there's mains such as slow-cooked lamb with honey roasted potatoes ($34) and fish of the day ($34), plus daily specials, sides and salads. The osteria also has an on-site cooking school, where you can spend a Saturday getting your hands dirty, or rather, floury. With local, organic ingredients at your fingertips, you'll learn how to make pasta the traditional way. That includes creating the best flour mix, fashioning it into dough and stretching it into sheets. Alessandro Grisendi, who's been making pasta by hand for over a decade, will teach you how to make all kinds of pasta, from ravioli and cappelletti, to linguine and strozzapreti. And when your work is done, you'll sit down to a hearty lunch, including pasta, a veggie salad and glass of organic wine. Classes run for three hours and cost $150–160 per person. Top image: Destination NSW
Celebrity chef Marco Pierre White needs little introduction – his epic career has seen him work with the likes of Gordon Ramsay and Heston Blumenthal at renowned restaurants across the world. But the latest project from the Michelin-starred chef isn't in the kitchen, but in the form of an app that allows customers to score meals at some of the city's best restaurants at discounted prices. After launching in Melbourne last year, EatClub has made its way to Brisbane. It's a new platform that allows restaurants to offer real-time discounts to customers at specifically slow or off-peak periods. So if a restaurant doesn't have many covers for dinner, they can put up four tables and offer, say, 30 percent off to EatClub users that book those tables before 7.30pm. When you open the app, you're shown a selection of nearby restaurants with live deals on a map or in a list. You can then browse the restaurant's interior, peruse the different deals on offer and even check out the menu before you redeem the deal. It's a first in, best dressed system, so if you see something you want to jump on, best be quick – once a deal has been redeemed, it disappears from the app. The technology was co-founded by Matt Cantelo, Ben Tyler and Pan Koutlaki (ex-CEO of Foodora) who worked alongside Pierre White. The idea is that it'll encourage people to eat out more on a whim, an activity that has declined noticeably since delivery apps like UberEATS and Deliveroo have risen in popularity. A heap of Brissie restaurants have already signed up, too, including e'cco Bistro, Salt Meats Cheese, Harajuku Gyoza, Lucky Egg and Fritzenberger. The latter is helping celebrate the app's Brisbane launch, too, by giving away 300 free burgers this Friday, October 5, from 3pm. To claim your free burg, you just need to download the app, be one of the first 300 people to redeem the offer, then go grab it at the Fritzenberger store — at 52 Petrie Terrace, Brisbane. To download EatClub, visit the Apple App Store or head to Google Play.
Artist, illustrator and muralist George Rose is a big believer in looking within to ignite that creative spark, rather than banking on anything external. "That way, I'm a lot more independent, and I don't have to wait for inspiration or wait to see something for it to trigger another thought," she explains. "It's a much more calculated way of doing things, but it means that my creative output is not reliant on anything else. I can just create my own stuff." For the artist, there's a creative freedom that comes with that assurance, knowing that inspiration is something that can always be tapped, regardless of time, place or outside muses. It's a creative process born of a lifestyle that sees the artist constantly moving between Sydney, Brisbane and her current hometown of Melbourne. We sit down with Rose to discuss her inspirations, artistic process and the denim she wears to get her creative juices flowing. "There are lots of different aspects to my work; it depends on where I am because I've got such a transient existence," she explains. "I'm travelling around quite a bit, so I'm not reliant on a lot of stable or external structures. Quite often, I've got to create my own inspiration and my own work environment. I've never been super great with structure, anyway." When the inspiration's been tapped, and it comes down to creating a piece, Rose champions a sort of back-to-front approach. "Often I'll be asking a lot of questions of my work, even before I've started anything," she explains. "In a way, it's working backwards, like asking, 'Ok, what's the output of this? Who's it for? Where is it situated? Is there anything that client wants to say or that I want to say? What feeling do I want to create for someone who's looking at the mural?' If I can answer all of them, that gives me direction for what I do next." See some of Rose's bold artworks, and it'll come as no surprise that that creative flair also extends to her wardrobe — though she'll tell you functionality is key when getting down and dirty with some paint and a wall. "I have a pair of denim overalls that I wear because they wear really well and they've got pockets everywhere and I don't have to wear belts and they don't fall down," says the artist. "And it just so happens that denim overalls are in right now so I'm pretty happy with that!" Off the tools, she likes to have a little more fun with her wardrobe. "I really enjoy Melbourne style," says Rose. "It's a lot more relaxed. You can push it in different directions and pair different things with one another; I really enjoy that aspect of it. I can mix and match things from my mum's wardrobe, things from a $2 shop and things from, say, The Iconic. There aren't many rules. "I like wearing dresses and skirts, but I'm a jeans girl," she admits. "I always feel comfortable when I'm in my jeans, and I've always got a staple selection in my wardrobe." As for her favourite piece right now, it's a black denim number she stumbled upon when collecting jackets for a potential art project. "It's oversized, it's super baggy, it looks like I'm wearing my dad's jacket — but I kind of like that aesthetic," she laughs. "Dad clothes!" Check out George Rose's work here, and find the denim that brings out the creative, innovator and gamechanger in you at The Iconic. Images: Kate Shanasy.
Peering at ancient pyramids isn't normally an Australian pastime, but it will be come spring without needing to leave the country. In 2024, the nation's fascination with Egypt thousands of years ago has already been fuelled by Sydney exhibition Ramses & the Gold of the Pharaohs, which wrapped up in May — and also by Pharaoh in Melbourne, which is on display until October. Next up is Horizon of Khufu, a virtual-reality experience rather than a showcase of treasures and trinkets. You won't get up close to historical items here, but you will become immersed in the past like it's all around you. Patrons will see the Great Pyramids of Giza, including flying over the Giza Necropolis. You'll climb to the top of the Pyramid of Khufu, in fact, and gaze out over Egypt with a 360-degree view. Getting a glimpse of burial chambers and embalming ceremonies, finding the queen's chamber, sailing down the Nile, attending Khufu's funeral: that's all also on the agenda, as is checking out the Great Sphinx of Giza and witnessing these ancient wonders by night. That's where your eyes will be heading, at least, via a VR headset that'll take you into a shared play space. Your peepers will also be checking out recreations of sights dating back 4500 years, to the time of Khufu, the second pharaoh of Egypt's fourth dynasty. He's the figure that's believed to have commissioned the largest of the pyramids, which was also his tomb. Your body will need to be in Sydney at the Harbour City's Fever Pavilion, where Horizon of Khufu is making its Australian debut from Thursday, September 5, 2024. There's no word yet whether the experience will then head to other Aussie cities, as some past events from entertainment platform Fever have, including its Banksy and NBA exhibitions recently. Once they've popped on their headsets, attendees will be led through Horizon of Khufu by a virtual guide, all while benefiting from design by Egyptologist and Harvard University professor Peter Der Manuelian. If you're with your date or mates, or family, the 45-minute experience also lets you visuals others in the VR space, so you won't all just be off on your own wander through bygone years. Australia joins France — where Horizon of Khufu debuted in 2022 — as well as the US, Canada and the UK in being able to enjoy this blast from the past. Unsurprisingly, it has proven popular around the globe, notching up more than one million visitors so far. If you've seen plenty of other Egypt obsessives at Ramses & the Gold of the Pharaohs and Pharaoh, you'll know that Aussies will help boost those numbers. Horizon of Khufu will open at Fever Pavilion, Olympic Boulevard, Sydney Olympic Park, Sydney from Thursday, September 5, 2024 — with the waitlist open now and tickets on sale from Tuesday, July 23, 2024. Head to the exhibition website for more details.
