Like a stack of Melbourne's large cultural institutions, the National Gallery of Victoria has temporarily shut its doors to the public in an effort to help slow the spread of COVID-19. But, you can now feast on some of the NGV's art offerings from afar, thanks to its newly-launched virtual programming. A series of online galleries, virtual exhibition tours and eBooks are now free to access via the NGV's website and social media channels. And if you're having a crack at the whole social distancing thing, or stuck in self-isolation, that's a serious boredom-busting win. Over on the new NGV Channel, punters will find a growing haul of virtual content to explore. Right now, you can join a free, curator-led tour of Collecting Comme and the NGV's Indigenous art collection Marking Time. From Saturday, March 21, you'll be able to digitally explore around KAWS: Companionship In The Age Of Loneliness and then, from Saturday, March 28, Keith Haring | Jean-Michel Basquiat: Crossing Lines. [caption id="attachment_742493" align="alignnone" width="1920"] Kaws, What Party (2019) photo by Tom Ross[/caption] On the NGV app, there are also guided tours of NGV International and NGV Australia artworks, narrated by curators, artists and special guests. Thanks to a lengthy digitisation project, much of the 75,000-strong NGV Collection is also online for your viewing pleasure, so you can take a peek at the likes of the Spirit of Herbarium couture dress by Maria Grazia Chiuri for Christian Dior, or Katsushika Hokusai's 1830 piece The great wave off Kanagawa. It's easy to search by artist or artwork name, and even boasts a few pieces that aren't usually accessible. Those craving some new reading material can dig even deeper with a bunch of new eBooks and curatorial essays available free online, exploring exhibitions like Collecting Comme and Japanese Modernism. In a first, the almost 60-year-long back catalogue of Art Journal of the National Gallery of Victoria is also yours to browse at your own pace online. And don't forget, there's a whole lot more going on over on the NGV's socials and under the hashtag #NGVEveryDay, with regular insight videos and mini talks from the curators. Top image: Keith Haring | Jean-Michel Basquiat: Crossing Lines, NGV. Photo by Tom Ross.
The humble face mask is about to enjoy a peak in popularity, after the NSW Government strongly recommended Sydeysiders start wearing face coverings, at a press conference over the weekend. Premier Gladys Berejiklian has outlined four key situations where masks should be worn: if you're in an enclosed space and can't social distance, such as at a supermarket or on public transport; if you're working a customer-facing job, such as hospitality or retail; if you're attending a place of worship; and if you're in an area where there is high levels of community transmission. Some NSW businesses are also calling on Sydneysiders to mask up, including Woolworths, Bunnings and — most recently — Uber. The ride-sharing app sent out an alert to Uber users last night, Thursday, August 6, saying the company "now recommends wearing a face cover in NSW when riding or driving with the Uber app". https://twitter.com/_samanthateague/status/1291499784964956161 It's not the only change Uber has made during the pandemic, either. Early on — back in April — Uber announced it was distributing tens of millions of masks to drivers around the world and it launched an in-app COVID-19 hub. To improve hygiene and social distancing, Uber also no longer allows riders to sit in the front seat and it encourages hand-washing/sanitising before getting in the car. The announcement comes as the rate of community transmission has increased over recent weeks in NSW, with 12 new cases recorded in the 24 hours leading up to 8pm on Wednesday, August 5. Ten of those are linked to known cases and two are under investigation. With cases confirmed across a number of suburbs, NSW Health is asking anyone who lives in or has visited the following areas in the past 14 days to get tested if they have any symptoms: Bankstown, Cambelltown, Cumberland, Fairfield, Liverpool, Parramatta, Potts Point, Carnes Hill shops, Prestons, Bonnyrigg, Wetherill Park, Mt Pritchard, Cabramatta and Perisher. You can find out closest testing clinic over here. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
Imagine a room filled with pinot noir, with red drops after red drops from wineries around the country poured for your sipping pleasure for hours. If that's your preferred type of vino, it likely sounds like your idea of boozy heaven. There's no need to just dream up the concept, however. Thanks to Pinot Palooza, it already exists, has been doing the rounds in Australia for more than a decade, and has locked in its return for 2024. A guiding principle here: that being spoilt for choice can be overrated when it comes to deciding which wine varieties you feel like at any given moment. So, let this event do the picking for you. Pinot Palooza celebrates exactly the type of vino that's in its name, and makes the sound of a light- to medium-bodied red wine sloshing around a glass its standard soundtrack, including in Sydney in spring. Expect to hear that noise a whole heap — before the pandemic, the Melbourne-born wine-tasting festival had notched up an estimated 65,000 tickets sold globally. In 2024, Pinot Palooza is hitting up Carriageworks for a two-day stint across Friday, October 4–Saturday, October 5. The Pinot Palooza team has also revealed that up to 100 wineries will be taking part in 2024, up from more than 50 winemakers last year, and surveying everything from organic and vegan to biodynamic and low-intervention drops. The full list of producers hasn't been unveiled, but Tasmania's Meadowbank, Oakdene from Geelong, Murdoch Hill and Vinteloper from the Adelaide Hills and New South Wales' M&J Becker are among the names that'll be involved from Australia. New Zealand tipples will be showcased by Two Paddocks, Burn Cottage, Mt Difficulty, Te Whare Ra, Greystone and others. As always, attendees will spend their session swirling and sampling that huge array of pinot noir, and making the most of up pop-up bars and food stalls between drinks.
There's more to the appeal of Zubi than their La Marzocco hardware and reputation for consistently quality coffee. It only takes a single visit to their Newport outpost to pick up on the community vibe. The walls are a rotating display of locals' artworks and there's a rear garden courtyard where you can enjoy countless Campos coffees in the company of your four-legged friend. On Sundays this courtyard plays host to musical talents from the northern beaches — a weekend ritual that certainly draws a crowd. If you can't find yourself a seat, Zubi's sister store is a couple of beaches along in Narrabeen. While coffee is Zubi's craft they also do a mean egg and prosciutto panini ($8.50) and a 'classic' chicken sambo that (thankfully) doesn't skimp on the mayo.
If you've never attended a big community Syrian barbecue, Almond Bar is giving you the chance to get in on one. Head down to the laneway behind the Darlinghurst restaurant on Sunday, May 20, and you can load up your plate with Syrian-style lamb skewers and pumpkin kibbeh, and enjoy the accompanying music and dancing. All for $20. This successful event has been a staple in Darlinghurst for the last four years. The scent of grilling meats sends a siren call throughout the area, bringing people together to celebrate cultural diversity and togetherness. Syrians love a feast, and they love a party — their cooking traditions are among the oldest in the world and the government itself produces two varieties of beer, Al-Shark Beer and Barada Beer. There's no need to book, but seating is limited, so get there early. Image: Natalie Carroll.
As a filmmaker, he co-created the Saw and Insidious franchises, and has since been tackling iconic horror tales with The Invisible Man and 2025 release Wolf Man. As an actor, he popped up in The Matrix Reloaded. Before all of that, he was a film critic on beloved late-90s Saturday-morning music TV show Recovery. That's a helluva career so far — and next, Leigh Whannell is heading to AACTA Festival to chat about it. In 2024, the Australian Academy of Cinema and Television Awards launched a festival to sit alongside its accolades, and to celebrate the latter's move to the Gold Coast. That event is returning in 2025 in a bigger guise, running for five days between Wednesday, February 5–Sunday, February 9, and hosting more than 100 sessions. AACTA Festival will also welcome Australian The Greatest Showman filmmaker Michael Gracey, who has been earning some love from the academy of late. Better Man, his unconventional Robbie Williams biopic, topped the 2025 AACTA nominations — and attendees will hear all about the film at his festival session. Equally huge news is enlisting Paul Kelly to perform at the live How to Make Gravy concert, which also features Meg Washington, Brendan Maclean and Beddy Rays — and yes, it's easy to predict what the Australian icon will be singing. Plus, Late Night with the Devil is in the spotlight via filmmakers Colin and Cameron Cairnes getting talking, while Netflix's upcoming Apple Cider Vinegar series will score a behind-the-scenes look. Another massive drawcard: the Working Dog team, aka Santo Cilauro, Tom Gleisner, Jane Kennedy, Michael Hirsh and Rob Sitch, coming together for an in-conversation session that's bound to touch upon everything from The Castle, Frontline, Thank God You're Here and Utopia to The Dish, The Hollowmen and Have You Been Paying Attention?. The Dish is also the screening program, and the Working Dog team will receive the prestigious AACTA Longford Lyell Award. Australian cinematographer Greig Fraser, who won an Oscar for Dune and is highly tipped for another one for Dune: Part Two, is another big-name inclusion, chatting about his Hollywood work. Also in the same category: John Seale, who took home an Academy Award for The English Patient, and was nominated for Witness, Rain Man, Cold Mountain and Mad Max: Fury Road. Everyone can also look forward to authors Trent Dalton and Holly Ringland returning from 2024's lineup, chatting about Boy Swallows Universe and The Lost Flowers of Alice on the small screen, respectively; a dive into the Heartbreak High soundtrack; a panel on queer storytelling with RuPaul's Drag Race Down Under season two winner Spankie Jackzon and Deadloch's Nina Oyama; and a session with First Nations filmmakers. And if you're keen to watch movies, Gettin' Square followup Spit will enjoy its Queensland premiere, complete with star David Wenham (Fake) chatting about the feature's journey; Looney Tunes: The Day The Earth Blew Up will make its Australian debut, at Movie World, of course; and upcoming action film Homeward with Nathan Phillips (Kid Snow) and Jake Ryan (Territory) will take viewers behind the scenes.
Getting comfy on the couch is nothing new for avid readers. Staying in to attend Brisbane Writers Festival is, though. Like many other events in 2020, the annual celebration of all things literary is going virtual this year, serving up a week-long celebration of the written word that's being delivered digitally. Called Brisbane Writers Festival 2020: Room to Dream, the fest runs from Monday, August 31–Sunday, September 6, with seven events on the agenda. Each day, two artists will respond to the theme as part of a call and response-style presentation that's available to watch via the BWF website. Also, checking out their readings, poetry, art and dance is completely free. First up is poet Alison Whittaker and dancer and choreographer Katina Olsen, offering up a piece that's being described as "a fusion of feelings". Also on the bill: Vietnamese Australian author Vivian Pham's words brought to life with artworks by Vietnamese illustrator Camelia Pham; a collaboration between award-winning novelist James Bradley and writer and video game enthusiast Shastra Deo; and real-life partners Chris Flynn (author of Mammoth) and Eirian Chapman (an illustrator). The list goes on, which is reason enough to tune in each day — and to get your BWF fix before it returns as a physical event from May 7–9, 2021. https://www.youtube.com/watch?v=RLEw15OmF0M&feature=emb_logo Brisbane Writers Festival 2020: Room to Dream runs from Monday, August 31–Sunday, September 6 via the BWF website.
You wouldn't usually think of crochet as an extreme sport. Then again, you wouldn't think of it as a solid metaphor explaining the other-dimensional structure of complex, non-Cartesian hyperbolic plane geometry, either. But it does that too. The Sydney Hyperbolic Crochet Coral Reef Project has been making crochet cool for years, showing off its cerebellum-like mathematical knit-wear at the Powerhouse and the Carriageworks. Now a local cider-maker has gotten in on the action, sponsoring an evening of World Extreme Crochet Championships taking place at Lo Fi's Darlinghurst digs. While drinks are served to the crowd, entrants in the championship will loop eye-catching wools over their hooks for to gratify your granny-chic aesthetic at what are, for crochet, breakneck speeds. While there may not be the same level of risk to life and limb offered by other extreme sports — neither the illegality of base-jumping, nor the threat of the plumber's crack that comes with bungee — getting out old-fashioned beanie-making skills live on stage, in front of an audience of strangers hungry for entertainment, does take its own particular style of courage. Image by Rhiannon Hart.
If everyone looked at strangers in the same way as French New Wave icon Agnes Varda (Cléo from 5 to 7, Vagabond), the world would be a much kinder place. Indeed, when Faces Places begins with the Belgian-born filmmaker and oldest ever Academy Award nominee hitting the road with street artist JR, the octagenarian can't hide her excitement. "I'm always game to go towards villages," she explains, "toward simple landscapes, toward faces." It's with honesty and humour that she expands upon why: "In fact, JR is fulfilling my greatest desire. To meet new faces and photograph them, so they don't fall down the holes of my memory." So commences Varda's 22nd film, one of this year's best documentary Oscar contenders. Co-directed by JR, the movie centres on the pair's jovial jaunts through the French countryside. Zipping about in JR's custom-made vehicle — a van with an in-built large-scale photo printer — Varda and her younger companion do just what the doco's title promises: they take photos of different faces in different places. The photographs are her obsession; for him, it's just the start. Thanks to his distinctive car's printing abilities, it's not long before JR is standing in a cherry picker, zooming up the exterior of rustic, historic, often crumbling buildings and pasting the giant photos on their facades. As pieces of large-scale art, the results of their efforts are never less than striking, each installation towering down in all of its detailed glory. Moreover, their odd couple collaboration makes for a heartwarming project, requiring and encouraging openness, curiosity and warmth. Wide smiles beam from lofty heights, sparking wide smiles from those below — regardless whose portrait is on the wall, or if it's a goat instead. A sense of community also springs up around the photographs, cultivated not only by something as simple as paper stuck on buildings, but by the willingness to pay a stranger some attention. "I like your laughing eyes," Varda tells one woman, whose likeness will soon adorn a stack of dockside shipping containers. "We wanted to pay homage to you," she tells another, who refuses to move out of her slated-for-demolition home in an old mining town. With her friendly, empathetic chatter and her distinguishing mop of grey and red hair, Varda looms as large over the project as the images she makes with JR. As the duo roam through small yet lively villages, Varda makes new memories while reminiscing about older ones — about love, work, times passed, friends lost and past moments immortalised in earlier photos. She's looking forwards and backwards in tandem, observing, sifting and making sense of her lengthy life in the process. Of course, all photos, films, paintings and the like are informed as much by the artist's aims as their experiences. Faces Places doesn't pretend to coin this idea, but rather explores it in a thoughtful and affectionate manner. In her travels, in the people she meets and in her blossoming friendship with a man six decades her junior, Varda interrogates how she chooses to capture her existence as it's inching towards an end. Well known for making personal documentaries across her career, hers is a sometimes melancholy but always enchanting journey, accepting the changes that time brings and acknowledging the fact that nothing is permanent. Served up with charm and heart, that's a perspective we could all benefit from embracing. https://www.youtube.com/watch?v=KKbjnLpxv70
Coworking spaces are gaining popularity these days as people ditch the regimented nine-to-five, office-tower-lifestyle in favour of spaces that foster imagination, innovation and community. In the heart of Surry Hills, you'll find one of the most impressive examples of this new way of working: MUSE. Set on Campbell Street, the heritage-listed building has been converted into a space for creative entrepreneurs and businesses. It's an office that doesn't feel like one — beautifully appointed, with top-notch facilities. And, because a workspace should be just as much about potential as pragmatism, there are networking and mentoring opportunities available here as well. So what's it like working at MUSE? We've taken a tour of the space to get an insiders view on what it's like to run a business in a shared work environment. GOODBYE GREY CARPETS MUSE is the antidote to the soulless modern office space. Here, concrete, cubicles and fluorescent lighting have been replaced by exposed brick, leather detailing and long wooden tables. The building itself has a rich history, infused with the working and cultural life of Surry Hills, dating back to the late 1800s. These days the heritage-listed site has been reimagined while paying homage to its past. Architect Vince Alafaci and interior designer Caroline Choker of ACME & Co (The Grounds, Fred's, Archie Rose) have brought their formidable skills to bear to create a space that's both beautiful and functional. "The inherent character of the building, with its solid timber flooring, exposed beams and brickwork, lent itself to an interior design that is restrained yet confident," says Alafaci. So well executed is the team's work, that it was recognised with a silver in interior design at this year's Sydney Design Awards. Thimble, the in-house bar, adds an extra layer of conviviality inside, while outdoors the rooftop courtyard boasts incredible views over the city and is the perfect place for a midday reset, an afternoon brainstorm or a post-work tipple. Tom Baker of Mr Black, a coffee liqueur company that started in 2013, says of his coworking experience, "You know your business is working well when you can't remember what people used to do. I don't know what businesses did without email or smartphones, and I don't know what we would do without coworking spaces…we'd probably be in some office box in North Sydney." COLLABORATION IS KEY Everything at MUSE is geared towards allowing companies and coworkers to grow. It's not just the practical — sleek working spaces and meeting rooms with high-end facilities — it's also the atmosphere that's cultivated within. Managing director of MUSE Nicholas Sammut says a key objective of bringing the concept to life was to bring together the right people. "Fostering ideas exchange, networking and collaboration are fundamental to creating productive and successful communities. The MUSE community is no different. Its success rests on the mix of the right people, the bespoke environment to attract them in the first place and being able to check all boxes across facilities and operations. It's really the full package." Sarah Luthaus experiences the advantages of this community first hand. She's the only member of digital media agency Ten Past Ten based in Sydney (the rest are in Adelaide) and rather than sitting solo at home with a luke-warm cup of tea and a temperamental wifi connection, she spends her office hours at MUSE. "I work on my own, but I get to have a sense of community rather than having to work every day by myself — and I've got people to bounce ideas off". Kate Hart of Barenaked Studios, a company that organises life drawing and art classes with a twist, also digs the vibe at MUSE. "Creative people work best surrounded by other creative people. You can bounce ideas off each other, and everyone is great at collaborating." FEAR NOT THE RISKS OF EXPANSION One of the best things about running a business out of a coworking space is the versatility it provides. If you're running a startup, chances are it could go from your parents' basement to mini-mogul status in a short period of time, and you'll need the right environment to facilitate it. Tom Baker appreciates the flexibility that the shared working space affords him. In just under four years, the team at Mr Black went from "two men in a shed on the Central Coast to 15 coffee 'evangelists' working in the CBD." MUSE has a small business-friendly membership model that takes the rapid expansion of businesses into account. Members pay for a desk month-to-month, so it's easy to be agile when it comes to scaling up (and down). Rather than pack up and move office, it's just a matter of paying for a few more desk allocations. This has worked favourably for digital marketing company MiQ, which has tripled in size since launching in Australia six months ago. "As our team has rapidly expanded, MUSE has grown with us," says managing director John Danby, with the business now taking up the entire second floor. PEOPLE NEED (FREE) YOGA Community and opportunity are key at MUSE. To that end, there's an array of activities, workshops and events to help get the creative juices flowing and to foster networking opportunities. Start the day with early morning yoga on the rooftop (free for members) and downward-dog your way into better ideas as the negative energy is released. Members looking for something more up-tempo (or to beat out some pent-up aggression) can join a boxing session hosted by Funktional Community at lunchtime. But MUSE recognises that, just like the body, the brain needs exercise in order to function at its peak. Meditation classes are on offer to help refresh and rezone and there's also life drawing classes (run by Barenaked Studios) to inspire different ways of looking. Events and workshops are held regularly, covering everything from pitching ideas and the ingredients of success through to managing stress. Gatherings like Christmas in July and rooftop cinema sessions in summer provide the perfect opportunity for the coworking community to come together. John Danby attributes part of the MiQ's rapid growth to the great working environment MUSE provides for his staff. "Such a great space with all of the perks continually inspires the team to achieve our best results." To learn more about MUSE, its memberships and event hire packages, book a tour via the website. Images: Trent Van Der Jagt.
This year's Vivid Sydney theme 'Naturally' has been totally embraced by Barangaroo House — as it transforms into the House of Naturalia from Friday, May 26 to Saturday, June 17. Each part of the building is embracing sustainability through its specially curated selection of cocktails, dishes and light installations. At Rekodo Restaurant and Vinyl Bar, visitors can tuck into a unique Vivid Sydney food menu that champions local ingredients and zero-waste practices. And every Thursday night, diners will be served a side of A-grade beats with Frank Booker, DJ Jnett and Queen Bee DJs taking over the decks. Head up to the Smoke Rooftop Bar to sip on custom cocktails made from the kitchen's trimmings and off-cuts. It takes zero-waste to a whole new, delicious level — especially as you'll enjoy these ever-changing creations while looking out over the Barangaroo light shows. The House of Naturalia makes for an excellent refuel pit-stop when tackling the Vivid Sydney Light Walk. The illuminated trail will take you through the natural surrounds of Barangaroo Reserve, along the picturesque Wulugul Walk and into the nature-filled foodie paradise that is House of Naturalia. For more info on House of Naturalia and to book a table at any of the venues, head to the Barangaroo House website.
As first announced back in 2018, Melbourne's Australian Centre for the Moving Image will soon look rather different, with the screen culture-focused Federation Square site currently undergoing extensive $40 million renovations. When it reopens in 2021, visitors can expect revamped exhibition spaces, new immersive experiences and added interactive activations, including a permanent ode to Mad Max. Also part of the huge makeover: increasing the ways that everyone can engage with ACMI digitally, both when heading by in-person and from home. Yes, that sounds like a very 2020 move; however, the decision to implement a new experience operating system, or XOS, pre-dates the pandemic. The idea is to give visitors an integrated, multiplatform visitor experience, including before they arrive, as they're wandering around onsite and after they've left. And while some of ACMI's new additions will be familiar — an online exhibition space and its own video-on-demand service, for example — it has one particularly creative initiative up its sleeves. That'd be The Lens, a handheld device made out of compressed cardboard and featuring an NFC tag. Visitors will use it while they're physically moseying through ACMI's galleries, and can take it home with them as a keepsake. As you walk around and view the museum's exhibitions, you'll tap the device at around 200 different touchpoints to collect objects of interest — which'll then be available for you to explore on any device afterwards, no matter where you are. https://www.youtube.com/watch?time_continue=2&v=ez82jLMVpmM&feature=emb_logo Explaining ACMI's new push to combine the physical and the digital, Director and CEO Katrina Sedgwick notes that "we often consume the same stories via different platforms; we might read the comic book then watch the film adaptation and later play the videogame. Each platform brings out something new in the story. We have taken this concept of multiplatform storytelling and applied it to our museum. Thanks to our XOS, what we can now offer is a deeply integrated journey that extends, expands and enriches your visit, be that in person, or online". While no one will be able to get their hands on The Lens until next year, with ACMI's exact relaunch date yet to be revealed, the museum is unveiling some of its new digital additions before it opens. Online right now is The Story of the Moving Image, a multimedia exhibition currently focused on three main topics — Australian television, video games, Australian film — with additional sections on digital art, social video and Black women on-screen to come. It expands one of the site's forthcoming permanent physical exhibitions. Also, in November this year, ACMI will unveil its aforementioned online exhibition space and online viewing platform. Arriving first is Gallery 5, which will stream artwork and performances from November 11, launching with the premiere of Delusional World by Shanghai-based video, installation and performance artist Lu Yang. Then, on November 19, Cinema 3 will start rolling, with the VOD service streaming a curated range of classics and new movies. It'll kick off with a digital restoration of Claire Denis' 1999 standout Beau Travail, plus Toshio Matsumoto's 1969 Japanese drama Funeral Parade of Roses and 2019's acclaimed Romanian flick The Whistlers. The Australian Centre for the Moving Image will reopen its doors sometime in 2021, with an exact date yet to be revealed. Its The Story of the Moving Image exhibition is currently available to view online, while its Gallery 5 digital exhibition space will launch on November 11, 2020 — with its Cinema 3 video-on-demand service following on November 19, 2020. Top image: Field Carr.
And just like that, there was a teaser trailer — for HBO's new Sex and the City spinoff And Just Like That..., that is. First announced back at the beginning of 2021, and already locked in for a December release, the ten-part series reunites Sarah Jessica Parker, Kristin Davis and Cynthia Nixon more than a decade since they last shared a screen in the terrible 2008 and 2010 Sex and the City movies. And, if you're wondering what's in store, the first teaser trailer has just been released. Obviously, Parker's Carrie Bradshaw narrates the sneak peek. It really wouldn't be a Sex and the City-related series otherwise, and you'd probably want to a pair of Manolo Blahniks at your screen in protest if that was the case. This time, the famed fictional New Yorker is waxing lyrical about life's changes — and obviously the words "and just like that" get uttered. The teaser doesn't provide much in the way of narrative detail, but it is filled with images of Carrie, Miranda (Nixon) and Charlotte (Davis) going about their lives — and of plenty of other familiar Sex and the City faces as well. The series' main trio won't have Kim Cattrall's Samantha for company, but Chris Noth, Mario Cantone, David Eigenberg, Evan Handler and the late Willie Garson all return. Yes, that's Big, Anthony, Steve, Harry and Stanford all accounted for. Grey's Anatomy's Sara Ramírez features, too — and, in news that's worth raising a few cosmopolitans, the ten-episode spinoff now has an exact release date. So, you'll be able to stream the first two episodes on Thursday, December 9 via Binge in Australia, with new episodes dropping weekly on Thursdays afterwards. In New Zealand, it'll air on Neon and Sky Go from Friday, December 10, with new episodes dropping at 1pm each week. It'll also head to SoHo from 9.30pm on Mondays from December 20. Due to Cattrall's absence, And Just Like That... is being badged as a "new chapter' in the Sex and the City story, rather than an additional season of the existing 1998–2004 program. Parker, Davis and Nixon are also named as producers on And Just Like That..., alongside Michael Patrick King, who worked as a writer, director and executive producer on the original (and on the two movies). Check out the first teaser trailer below: And Just Like That... will start streaming in Australia via Binge from Thursday, December 9. In New Zealand, it'll air via Neon and Sky Go in New Zealand from Friday, December 10, and also on SoHo from 9.30pm on Mondays from December 20.
Being The Drums means being one of the most hardworking bands around at the moment – since they skyrocketed in hype in 2009, The Drums haven't slowed down, incessantly touring and releasing two LPs in that time. They've visited antipodean shores before, working the festival circuit and are about to do it for the third time – this time around for St. Jerome's Laneway Festival in Australia. Singer Jonny Pierce took some time out to talk to Kirstie Sequitin about the rise and rise of the band, recording Portamento in their kitchen and getting lost in translation in Poland. Hi Jonny, how are you? Hey there, how you doin'? I'm good thank you, how's your day going? It's going pretty good, I'm down in Puerto Rico right now, just wrapping up my first real holiday since we started the band and heading back to wintery New York City tomorrow morning. It's a little fast to be leaving but I'm also ready for it – I'm having a really hard time actually relaxing. My mind is constantly reeling so I think it'll actually feel better to sort of, do something creative again. This is the first time, actually, that we've had time for a break… we've had just under a month off. That's the longest time that we've had off since we started three years ago. Because we've just been going going going, even a month feels like a very long time. I feel like we all feel somewhat refreshed and excited to come to Australia, which is a change from sort of the, the, how we were feeling a few months ago when we were wrapping up a very long three-year tour. So Australia will kind of be the first stop after your holidays then? It will, absolutely, yeah. It'll be nice to continue this warm weather, actually. I really didn't like warm weather as a child - I was always drawn towards the cold winters but uh, getting older, so, things change I suppose. You've been coming to Australia every year basically since you started – doing the festival circuit and your sideshows and tours and whatever – how do you feel about coming here so often? Do you like it here? Well, we've always had a really warm reception in Australia so it is a place that we look forward to going… and you know there are some places that we've gone a few times and every time it feels the same but there's always this… it feels like every time we've been to Australia there's been this mounting electricity in the air. It's that sort of thing that keeps you on the road. It seems that the fans there are a bit more rowdy than most of the places which really gets us through the show and makes us excited and makes us sort of play the best show possible. And it's nice to go somewhere where people speak English, to be quite honest (laughs). We spend a lot of time sort of, pointing at venues, and… a lot of sign language. So it's sort of nice to just be able to talk to people. Yeah. "We… like… being… here…" Yeah, exactly. Or like, memorising the words Thank You in every language. It seems that I think I know it and I walk up on stage confidently and it completely slips my mind. I end up asking my guitar player how to say thank you in Polish and he tells me – he gives me an answer that's almost right but just wrong enough to make me look foolish and for the entire set I'm saying thank you wrong… (laughs) Oh, that's awesome. Literally happens non-stop. You were saying before that you being in Puerto Rico is the first holiday that you've had since you guys have started – so how does it feel to be on the road for three years? Do you feel like you've enjoyed those three years or do you feel like it's a bit of a burden? Well, when we first started writing songs for this band and recording, we were living in the middle of nowhere in Florida and it was just Jacob and I – we wrote the Summertime EP and then we recorded most of the first album and that whole time we thought we'd be the only two people who would ever hear it. And out of nowhere, we were asked to play a show in New York City – you know, we had a MySpace page and that was it – so we went off to New York and played the show and the next day we were getting calls from record labels and managers and booking agents. Right from the very first show that we played it was a non-stop whirlwind up until a month ago. At the beginning everything is exotic and exciting and surreal and there's nowhere to really feel like you can put your feet down because the whole time it just felt like we were floating and being hyped up as we were. You don't even really feel anything: we didn't have time to feel excited, we didn't have time to feel angry, we didn't have time to feel anything which is just so, so wild. And then about a year into it, the dust starts to settle a little bit and our feet started touching the ground and you sort of have a clearer vision of what you are as a band and we realised where we had landed. It was really exciting, we felt really grateful for everything – and we still do – but, you know, the reality was… none of us were home, ever, and we were always all together and you don't think about those things when you start a band. You think, 'Oh, we'll play a couple of shows here and there, and I'll keep my bartending job and you'll keep your retail job and that will be enough…' you just jump into it because it's exciting. It's very simple - we just spent too much time together and things started to get a little bit ugly. To me, when things get dramatic and ugly, to me it's a really exciting time to be creative, because I think the best art comes through hardship, and that sort of anger and bitterness really gave Portamento a darker texture that I think we were hoping for. So I think, without really saying it, we were all welcoming the drama. Since then, when we finished Portamento and released it, I think we all felt something break… it was just a unifying experience and I think what we all really learned from the whole thing was to give each other space and to respect each other's opinions. Jacob, Connor and I are all really stubborn, bull-headed people and I don't think this band would exist or be able to survive if we weren't that way. I think it's those three dynamic, clashing heads all the time that… that's where the ideas come from. I'm grateful for all of that and I wouldn't want this to be easy and comfortable because I think that's the number one way to lose your creative spark. Yeah, definitely. (And then the line gets cut and Kirstie's heart breaks a little bit. But he calls her back!) Hello! I don't know what happened there. Alright, so I always read the fact that you guys produced Portamento in your kitchen – is that true? Mmhmm. Do you think that for your next efforts you'll go into the studio? Or do you think you'll continue this kind of, very DIY sensibility. Um, I don't know. We didn't do things DIY because we thought we should – we did things DIY because it was the only option when we started. We were completely broke – we didn't have cars, we didn't really have friends, we were living in this small apartment complex in Kissimmee, Florida, riding my bike to work, a 36-mile round trip every day, that sort of thing. We were really broke. So we just downloaded recording software illegally (laughs) and borrowed our friend's guitar and used an old synthesizer that Jacob's mum gave him and bought a $25 microphone from RadioShack and just recorded things that way. With Portamento we just decided that we were really happy with how the first album turned out. We were trying to record things as professionally as we possibly could but because we didn't have the right gear and the right know-how to do it, we sort of landed on a certain sound by accident but we really learned to love it and call it our own. For Portamento we didn't want to stray from that. We kept it the same way and didn't buy any new equipment or any new recording gear, we just decided to make another record how we made the first. And The Drums, I think so far our heart has been into doing it on our own, but that's just because that's sort of how it happened and I think however we go about the next album – whether we get a producer or we do it ourselves again, or we co-produce, I'm not really sure – whatever it is, you can bet that it's because that's what we want to do. That's the number one thing for us, to never look back and feel like we've made a long list of compromises. So if we work with a producer it's because we feel like we should for the next album and not because someone tells us we should. It's about feeling really natural about everything. Alright, I think that's all I've got for today – thank you so much for your time Jonny and thanks for calling me back after I dropped out there. No problem at all, thank you. Have a great time in Australia, et cetera et cetera. Oh, and have fun in Puerto Rico! Oh, thank you, I will - we have had a really nice time. I lied to this man and told him I had a boating license so I've been taking his boat out every day. So, so far you know that I've been downloading illegal software and lying to people in Puerto Rico – it's not all bad, I swear. The Drums will be playing at St. Jerome's Laneway Festival in Australia. This interview was originally conducted for Scene Magazine.
When Jemaine Clement and Taika Waititi invited the world to experience the vampire sharehouse mockumentary genre, one of the best comedies of the decade wasn't the only result. Every film seems to spawn sequels, remakes, spinoffs and the like these days, but no one's complaining about spending more time in the What We Do in the Shadows universe. A follow-up, We're Wolves, is in the works, focusing on the undead bloodsuckers' Rhys Darby-led lycanthrope enemies. And six-episode television spinoff Wellington Paranormal, following the movie's cops (Mike Minogue and Karen O'Leary) as they keep investigating the supernatural, is now streaming on SBS On Demand. Add a US TV remake of the original flick to the pile as well, but withhold any "do we really need a remake?" judgement. First revealed by Waititi last year, given a pilot order earlier in 2018 and now officially moving ahead with a ten-episode first season, the American version will be written by Clement and directed by Waititi, The Hollywood Reporter notes — and will see a documentary crew follow three vampire flatmates living in New York City, according to Variety. The series will star Toast of London's Matt Berry, Four Lions' Kayvan Novak, British stand-up comedian Natasia Demetriou and The Magicians' Harvey Guillen. It's unknown whether Clement and Waititi will reprise their on-screen roles in a guest capacity, but you can watch the first two (very brief) teasers here. https://www.youtube.com/watch?v=rLdeHQ_0nts https://www.youtube.com/watch?v=a0idSAp9HRk With What We Do in the Shadows actually starting its life as a short back in 2005, the concept of flatting members of the undead arguing about bloody dishes has taken quite the journey since those early beginnings. If any idea was going to come back in multiple guises, it's this one. Of course, so have Clement and Waititi. Clement has a new Flight of the Conchords TV special airing on HBO this month, while Waititi two post-Thor: Ragnarok flicks in the works — a stop-motion animated effort called Bubbles, about Michael Jackson's chimp, and another by the name of Jojo Rabbit, set during World War II and starring Scarlett Johansson and Sam Rockwell. The US remake isn't set to air in America until early-to-mid 2019. Via The Hollywood Reporter / Variety. Image: Kane Skennar.
When it comes to prime spring drinking turf, Chiswick's sprawling green lawn is up there with the best. And you can bet it's set to get a solid workout this summer, as the Woollahra restaurant sets up a pop-up bar for outdoor drinks throughout February. Join in the al fresco fun from 5.30–7.30pm each Wednesday in February and make the most of those balmy pre-sunset temperatures with some hard-earned hump day knock-offs. The pop-up Bombay Sapphire bar will be slinging a selection of ice-cold gin cocktails, including a G&T ($10), a Passionfruit Collins ($14), and a Summer Twist with gin, peach bitters and mint ($12). There'll also be 4 Pines pale ales ($10) and house-made orange coconut soda ($5) — if gin isn't your thing. And, to cap it off, there'll be live acoustic tunes setting the mood, games of bocce, plus some free canapés making the rounds.
Just 18 months into its time on a sunny Chippendale corner, Ricos Tacos is on the move. Toby Wilson's beloved taco truck turned permanent Mexican eatery will officially be closing on Sunday, August 6. While this is sad news, Wilson and the team promise this is "see you soon" rather than "goodbye forever" with a bigger and better Ricos outpost set to open later this year. "While we will miss our sunny little corner, greener pastures await," reads the post on the Ricos Instagram page. "We will soon be announcing details of our new store where we will be back to cooking tacos (and hash browns) for you all." "The plan was always for that to be our production kitchen while we had the truck and the cart going," Wilson told Concrete Playground. "But after the second lockdown, things changed and that became our site. We never intended to have a 20-seater venue. Ricos was always meant to be something a bit bigger than that." After spending time at Gelato Messina Rosebery, Rocker and Grifter Brewery, Ricos opened its first brick-and-mortar outpost at the beginning of 2022. Initially, just a casual breakfast and lunch spot, the inner-city restaurant expanded to serving dinner and hosting plenty of collaborations with Sydney favourites including Pizza Oltra and Baba's Place. The Meagher Street spot has allowed Wilson to experiment with menu items, with the current slate of offerings including tacos, tortas, quesadillas, tostadas, hibiscus margaritas and the beloved aforementioned hash browns. He'll even be bringing back a fan-favourite menu item for just this weekend — the chorizo pancakes that were a hit during the second lockdown and the site's first few months serving breakfast. "I loved the lockdown window. Pumping lunches out of that window we built in the front room," says Wilson. The popular chef began serving up tacos to Sydneysiders in 2016 at Ghostboy Cantina, which was first set up in the Dixon House food court before moving to Tio's. From there, he went on to become a prolific member of the Sydney hospitality scene, starting Bad Hombres in Surry Hills, and also running kitchens out of The Duke of Enmore and The George, before taking his tacos on the road with the Ricos food truck. While a new location for Ricos hasn't been locked in yet, it's sure to pack the same flavoursome punch that each iteration the Ricos name has been through to date. In the meantime, the cart at Grifter Brewery has finished up for the time being so you'll have to keep an eye on Ricos' Instagram for news on the new venue or another star-studded collab. Absence does make the heart grow fonder. If you want to experience the Chippendale diner one last time, it will be open for dinner Wednesday–Saturday and lunch (including pancakes) Thursday–Sunday this week. View this post on Instagram A post shared by Ricos Tacos (@ricostacotruck) Ricos Tacos is located at 15 Meagher Street, Chippendale and is set to close on Sunday, August 6. A new, bigger Ricos Tacos is set to open later this year.
One of Sydney's rare heritage gems, and custodians of the former General Post Office (GPO) building, The Fullerton Hotel Sydney invites guests to experience its historic charm firsthand in celebration of the 150th anniversary of the iconic building it calls home. To celebrate, guests can indulge in a Heritage Afternoon Tea and a Heritage Stay package, each offering unique historical immersion alongside quality hospitality, available for bookings until Saturday, May 31. The Heritage Stay Package is an overnight retreat celebrating the heritage and history of the General Post Office (GPO). It includes a one-night stay in a Heritage Wing room and a buffet breakfast for two at The Place Restaurant, as well as a Heritage Afternoon Tea for two at The Bar and two bespoke Postmaster's Break cocktails. Guests will also be treated to a postcard-designed cake and a guided heritage tour (available from Tuesday to Saturday only), which offers a one-of-a-kind insight into the rich history of the building. The package is available for stays booked before Saturday, May 31. If it's the mention of afternoon tea that's got you most excited, you can head over to The Fullerton Hotel for just that, sans-stay. Inspired by 19th-century high society traditions, The Heritage Afternoon Tea will transport you back in time via your tastebuds. A curated menu combines British and Australian flavours (yes, that includes finger sandwiches) with a contemporary twist. This package is available daily from 12pm to 4pm until Saturday, May 31. For more information or to book your Afternoon Tea or Stay Package, visit the Fullerton Sydney website. Images: Supplied.
A broad national network of mental health treatment centres, including up to 57 additional clinics for adults, is part of the Federal Government's landmark $2.3 billion investment in the mental health sector. It represents the single largest Commonwealth commitment to mental health and suicide prevention in history, according to the Coalition. Announced as part of the 2021–22 Federal Budget on Tuesday night, the new National Mental Health and Suicide Prevention Plan brings the government's total estimated mental health spending to $6.3 billion in 2021–2022. The lion's share of spending ($1.4 billion) will go towards improving the accessibility of mental health services for vulnerable Australians. This includes improving access to community-based mental health services ($487.2 million) with an initial 32 new centres for adults, and expanding the existing Headspace network for youth aged 12–25 through the establishment of ten new dedicated clinics ($278.6 million). "The past twelve months have no doubt been some of the most difficult for many young people. It's not surprising that we've seen an increase in need across all parts of the mental health system," Headspace CEO Jason Trethowan said in a statement. "We know increased investment in early intervention is key to supporting young people's mental health." [caption id="attachment_811701" align="alignnone" width="1920"] Pexels stock image: Anastasia-Shuraeva[/caption] Almost $249 million of the spend is allocated to prevention and early intervention, including investments into broadening the digital services available in Australia through a new, world-class digital platform. The system will be home to online professional counselling as well as offering peer and clinical support under Head to Health. A further $298 million is promised for suicide prevention, with the government committing more than half of this spend ($158.6 million) to ensuring Australians who attempt suicide receive continued care and support once they leave hospital. Another $107 million is dedicated to supporting vulnerable groups in the community, which includes Aboriginal and Torres Strait Islander-specific services such as a 24/7 crisis line run by Indigenous Australians. $202 million is also committed to training and growing the mental health workforce. "We have a monumental task ahead of us to ensure that our system levels up to our expectations, and treats people with the care and compassion they deserve," Prime Minister Scott Morrison said in a statement. "[This] is an investment for all Australians." Currently, one in five Australians experience mental health issues every year. 3,000 Australians lose their lives to suicide each year and it remains the leading cause of death for Australians aged 15–44 years old. You can read the Federal Government's National Mental Health and Suicide Prevention Plan online. A media release is also available to the public, or head to the government's website to view a range of available fact sheets.
The term "passion project" is usually thrown around when a filmmaker tries to make something near and dear to them, but doesn't quite achieve the success they'd hoped for. Fences clearly meets the first half of that definition, with Denzel Washington directing and starring in a stage-to-screen adaptation of the play he previously won a Tony award for on Broadway. With the aid of his co-star Viola Davis, who also follows the project from the theatre to film, Washington crafts a picture full of commanding lead performances and blistering drama. And yet, like so many passion projects, it's never quite everything that it could be. Just why that's the case is apparent from the outset, when Pittsburgh garbage collector Troy (Washington) returns home on a Friday afternoon with both his pay packet and a bottle of gin in his hand. The working week is over, and so he's jovial, tipsy, talkative, and cheekily playing up for his dutiful wife Rose (Davis) and his long term friend and work colleague Jim Bono (Stephen Henderson). It's the type of performance-centric opening scene designed to make an impact, and in a theatre it would certainly cause an immediate splash. On film, it simply offers the first of many reminders of the movie's origins on the stage. In a script written by the late August Wilson based on his own Pulitzer Prize-winning play, Troy unleashes his thoughts, problems and memories upon Rose, their teenage son Cory (Jovan Adepo), his first son from a previous relationship Lyons (Russell Hornsby) and his brother (Mykelti Williamson). He wants to become a driver, while Cory yearns to pursue a football career against his father's wishes, and Rose remains suffering but still poised in the middle. The more Troy talks as time passes, the more revelations are in store. Slowly, his bravado and bluster fades. The almost constant chatter continues, only quieter, with the characters weighed down by their mounting troubles. If that sounds like a whole lot of arguing, that's because Fences doesn't shy away from the spoken word. The script serves the film's cast well, and each player delivers their lines with passion and conviction. Above all else, this is an actor's showcase. Washington perfects the transformation from confident to wearied, while Davis charts the opposite trajectory. The space where they collide is the place where pride is undone, legacies are shattered, hearts are broken, and racial and socio-economic truths are exposed. Distilling all of that into their performances, it's almost enough just to watch them circle around each other for 139 minutes. Of course, the key word there is almost. As a filmmaker, Washington obviously believes in the strength of the scenario and the acting it inspires. In a way, that's the problem, since it means his direction ends up feeling rather stagey. Given that the film's characters are both fenced in and trying to burst beyond their confines, a sense of constraint comes with the territory. And yet, for all its attempts at intimacy, the end result still keeps viewers at a distance. Fences feels more like a great play captured on camera, rather than a great movie in its own right. https://www.youtube.com/watch?v=JtkjUJoSPa4
It seems like the legends at burger joint Mary's don't just want us to be spoilt for choice, they want us to be absolutely swimming in it. This week, the Sydney group went ahead and launched a surprise attack, opening the doors to a brand-new Pitt Street venue, in a move that pretty much no one saw coming. The 60-seat table-service restaurant has made its home at the Surry Hills edge of the city and embraces a classic Mary's offering. Alongside tried-and-true favourites — like the signature Mary's burger, the 'shroom burger and that fried chicken number — this one's dishing up the same gangbusters vegan menu that first launched at Mary's Circular Quay earlier this year. Think, outrageously crispy fried cauliflower, plant-based mash and gravy, and burgers oozing with vegan cheese. To match, there's a high-energy soundtrack of blues and rock, a largely Aussie and New Zealand wine lineup courtesy of Mary's award-winning Group Sommelier Caitlyn Rees, and an all-new, rum-heavy cocktail list with a little something for all tastes. And if you're a planner, this newest Mary's outpost will really float your boat – unlike its siblings, the Pitt Street eatery actually takes bookings, for tables of 8 to party groups of 60. https://www.instagram.com/p/B2dkhQIFR8N/ In terms of decor, expect exposed bricks, comfy banquettes, a skeleton or two and chandeliers for swinging a la Sia (and Smyth, above). According to Smyth, the venue is a slightly more mature than its Newtown and Castlereagh Street counterparts. "Pitt Street looks, feels and tastes like Mary's, but one that may have taken some advice from two old fuckers that used to be young fuckers," Smyth said in a statement. This latest outpost marks Mary's third CBD venture and wraps up what must have been a pretty darn busy nine months for the crew. Owners Kenny Graham and Jake Smyth (also The Lansdowne, The Unicorn, Mary's Pizzeria) opened that new Circular Quay restaurant in April and took over the basement space below for new venue Mary's Underground a short while later. They even enjoyed a spin down to Melbourne somewhere along the way, for a two-month kitchen residency at cocktail bar Fancy Free. But hey, who's arguing? The more Mary's, the better – right? Head into Mary's Pitt Street between 5–6pm for the rest of opening week (September 18 to 20) and you can nab yourself a $5 burger to celebrate its arrival. Find Mary's latest venture at 410 Pitt Street, Sydney. It's open midday–midnight, daily. Top image: Mary's Newtown.
Queensland is known for more than a few things. Endlessly warm weather, fearsome footy, particularly wild wildlife and a bustling arts and culture scene to name a few. But it's also home to a long legacy of scientific discovery. This history — and that of the science community the world over — is celebrated annually at World Science Festival Brisbane, which is returning this March for its 2023 edition. Taking over several venues citywide over its five-day run, World Science Festival Brisbane is here to both delight and educate across a range of scientific fields. Just like last year, the event is coinciding with Curiocity Brisbane, which runs until Saturday, April 22 — so you're guaranteed a double dose of thought-provoking attractions. If you plan on seeing it all, you're in for a jam-packed five days. Head to QPAC for one or all of Professor Brian Greene's four conversation sessions, which are set to cover astrology, neurology, history and more. For a good laugh, visit QPAC on Saturday, March 25 for the live comedy quiz show Night of the Nerds, or Sunday, March 26 for a live recording of A Rational Fear, the award-winning podcast series that explores – and manages to laugh at – all the ways the world could end. Fascinated by the oceanic realm? Artistically inclined? Head to Brisbane Planetarium between Thursday, March 23 and Sunday, March 26 to catch a screening of the award-winning short film CORAL: Rekindling Venus. And, excitingly, Curiocity's city walk returns. From Wednesday, March 22 till Saturday, April 22, your stroll through South Bank will be dotted with 14 immersive artworks and displays that explore everything from cat-babysitting AI to T-Rex farts. Beyond all of that science-fuelled fun, the loggerback turtle hatchery is returning to Queensland Museum (a true fan fave), interactive experiments are popping up across Brisbane, there's the chance to picnic amongst prehistoric animals at the South Bank Piazza and more. For more information and to nab your tickets to World Science Festival Brisbane, visit the website.
Huge music tours are back on Australia's agenda — and they aren't just confined to chart-topping stars, iconic names and huge festivals. In the classical world, the London Symphony Orchestra is also coming our way to play a series of shows in Brisbane, Sydney and Melbourne. And, the 2023 tour will mark only its fourth-ever trip Down Under. Famous for everything from being the official orchestra of the London 2012 Olympic and Paralympic Games ceremonies through to recording the Star Wars, Superman, Indiana Jones, Thor and The Shape of Water film soundtracks, the LSO held its first-ever gig in 1904. That means it's been picking up its instruments for almost 120 years — and in that time, it has only visited Australia on three occasions before now. The April and May shows at QPAC in the Sunshine State, the Sydney Opera House in the Harbour City and Arts Centre Melbourne in Victoria will also see the orchestra make the journey Down Under for the first time since 2014. If it's drama you're after, get ready to watch music director Sir Simon Rattle's baton fly as he conducts the orchestra during his final season with the organisation. The LSO is bringing 114 musicians our way for the tour, including two Australians: Naoko Keatley and Belinda McFarlane, both on violin. And, it's the largest orchestra it has ever toured to our shores. The orchestra will play three different programs — two each in Brisbane and Melbourne, and a third in Sydney as well. All cities will be treated to a night featuring John Adams' 'Harmonielehre', Claude Debussy's 'La Mer' and Maurice Ravel' 'Daphnis and Chloé Suite No.2', plus an entire evening dedicated to Gustav Mahler's 'Symphony No.7'. As for that extra Sydney gig, it'll feature Daniel Kidane's 'Sun Poem' and Anton Bruckner's 'Symphony No.7'. Before its 2014 tour, the LSO first came to Australia in 1966 and then again in 1983. LONDON SYMPHONY ORCHESTRA 2023 AUSTRALIAN TOUR Friday, April 28–Saturday, April 29 —Queensland Performing Arts Centre, Brisbane Monday, May 1–Wednesday, May 3 — Sydney Opera House Friday, May 5–Saturday, May 6 — Hamer Hall, Arts Centre Melbourne The London Symphony Orchestra will tour Australia in April and May 2023. For further information and to buy tickets — with on-sale dates varying per city — head to the Sydney Opera House, Melbourne Symphony Orchestra and websites. Images: Mark Allen.
Remember show and tell in primary school? The Maker Faire is a bit like a grown-up version of that, except it’s less about Disneyland vacation photos and more about science experiments and arts and crafts. Founded by the US-based Make magazine, the Maker movement is all about celebrating the DIY ethic, resourcefulness, innovation and imagination, and it’s coming to Australia in the form of the Mini Maker Faire. The first Australian event was held at the Powerhouse Museum in 2013, and it will return this year. The first Maker Faire was held eight years ago in San Mateo, California. Since then, the Maker movement has spread all over the world, with events in Detroit, New York, Newcastle (UK), Rome and Tokyo, and over 200,000 attendees worldwide. Whether you’re a scientist, artist or foodie, there’ll be something for you.
5 Loaves 2 Fish (5L2F to the cool kids) dishes up wholesome breakfasts, lunches and desserts until 4pm each day from its light, airy Neutral Bay space. The minimalist space — with white painted brick walls and greenery hanging from the ceiling — mimics the menu that celebrates punchy flavours with a clean-eating lens. Here, you can expect cafe classics with a twist — think scrambled eggs with XO sauce, blue swimmer crab and Korean chilli oil on Brickfields sourdough or corn fritters, with a turmeric kick, served with grilled halloumi, avo, smoked salmon and a poached egg. If you fancy something light and fresh, opt for one of the delectable salads, like the poke bowl with ponzu cured salmon, super grains, heirloom tomatoes and edamame or slow-roasted cauliflower and chickpea bowl with sweet potato tahini. The speciality coffees are praised by diners, so be sure to order one — dining at home means you can even decant it into your favourite mug.
Melbourne masquerades as New York in Predestination, the latest film from German-Australian directing duo Michael and Peter Spierig. Reuniting the twin filmmakers with their Daybreakers star Ethan Hawke, this slickly produced time-travel noir attempts to put its own distinctive spin on one of sci-fi's most thoroughly exploited sub-genres. There are plenty of intriguing concepts beneath the movie's stylish surface, although often their delivery leaves a lot to be desired. Nevertheless, some old-school vibes — and an astounding, career-making performance from actress Sarah Snook — ensures Predestination is worth your precious time. Adapted, and expanded, from Robert A. Heinlein's 13-page short story All You Zombies, much of the first half of the film takes place in a dive bar in New York, where a time-travelling secret agent (Hawke), on the trail of a terrorist mastermind, is working undercover serving drinks. One evening, he strikes up a conversation, seemingly at random, with a sullen young man named James (Snook), who bets the barkeep a bottle of whiskey he's got the best story the place has ever heard. And it's certainly a corker of a yarn. James, it would seem, began his life as Jane, abandoned by unknown parents on the steps of a Cleveland orphanage. A bright, tough young woman, Jane very nearly becomes one of the first female astronauts, only to be ruled out by an unexpected pregnancy. The father of the child abandons her soon after, although the shock is overshadowed by a revelation from her doctor: it turns out Jane has a second set of fully functioning (albeit internal) male reproductive organs, and that complication from her pregnancy will leave her no choice but to transition into a man. How James's incredible story is connected to Hawke's manhunt isn't immediately clear — although it's obvious from the cryptic way the brothers frame the flashbacks – always obscuring certain faces — that the cogs will eventually interlock. The second half of the film, wherein Hawke offers James the chance to travel back and change his past, is positively overflowing with time paradoxes and plot twists. The problem is, anyone with even a passing familiarity with time-travel stories will see them coming at least three scenes before they do. It's not that the revelations aren't interesting on an intellectual level; they just never result in the dropped jaws and shocked gasps that the Spierigs would obviously like. Still, if their script could use some polish, they succeed in delivering style. From Hawke's fedora and six-shot revolver to his portable time machine disguised as a violin case, the feel of Predestination is a particular brand of retro-futuristic cool. Likewise, the narrative device of two strangers swapping stories across the bar has an enjoyably hardboiled quality to it and helps disguise the fact that the entire first half of the movie is basically one giant dump of exposition. It also helps a great deal that Snook is the one who's delivering it. Hawke brings his typical mix of wryness and intensity, while Noah Taylor is dapper is his seemingly all-knowing handler. But it's the Adelaide-born actress who clearly runs away with the film, ranging from tough and emotionally guarded to devastatingly raw. So affecting are the scenes immediately before and after James' transition that you could almost do away with the time travel story altogether. https://youtube.com/watch?v=UVOpfpYijHA
You've played the video games, bought the toys, collected the trading cards, enjoyed the anime and watched Pokémon: Detective Pikachu. When Pokémon Go was the only reason that everyone was picking up their phones, you caught 'em all then, too. So, we're guessing that Netflix's upcoming Pokémon series will jump straight into your must-watch list — with the streaming service reportedly working on a new live-action take on everyone's favourite pocket monsters. Yes, Detective Pikachu also combined all things Pokémon with flesh-and-blood humans, and it proved a big box office hit to the tune of $433 million worldwide. So, it is far from surprising that Netflix wants to give the concept a spin. The platform already streams a few existing animated Pokémon titles, with Indigo League, Sun and Moon: Ultra Legends and Journeys currently available via the service Down Under. And, it is known to like padding out its catalogue with, well, pretty much everything it can get its hands on. As reported in Variety, the new live-action Pokémon series doesn't yet have a name — and if or how it might tie into Detective Pikachu is also unknown. That said, writer and executive producer Joe Henderson is expected to be behind the project, hopping over from Lucifer, which is set to end this year following its sixth and final season. When the inherently nostalgic new series might turn up, how many episodes it will span and who else could be involved also hasn't been revealed, because that's how early-stage the show is. But Netflix does love bringing back childhood favourites, as it has previously done with She-Ra and the Princesses of Power and the just-released Masters of the Universe: Revelation — not that Pokémon has gone anywhere since first debuting in the 90s. Obviously, there's no trailer yet for Netflix's potential live-action Pokémon show, but you can check out the trailer for Detective Pikachu below: Netflix's live-action Pokemon series doesn't yet have a release date — we'll update you when further details are announced. Via Variety.
Step aside negronis and espresso martinis, the whisky highball is fast becoming the go-to drink for anyone who wants their cocktail crisp, refreshing and full of character. And we've got Japan (and Suntory) to thank for it. With over 125 years of drinks innovation, Suntory has shaped Japan's drinking culture in a way few others have. From founding the country's first whisky distillery to refining the art of balance and precision in every pour, the brand has always been about setting the benchmark. One of its greatest hits? Toki Whisky. A modern 100% authentic Japanese blend that's easily mixed (especially in a whisky highball). The Origins of the Highball While the whisky highball first bubbled up in the UK as a way to lighten strong spirits, Japan made it a staple. Back in 1923, Shinjiro Torii founded the Yamazaki Distillery with a dream to create a truly Japanese whisky. It was a bold move that kicked off a whisky revolution and eventually led to the rise of the Japanese-style highball. Suntory's Kakubin whisky (meaning 'square bottle') debuted in 1937 and quickly became a staple in izakayas across the country, thanks in large part to its starring role in the highball. In the 1950s, Suntory opened a chain of bars in major cities called 'Torys Bars', which specialised in highballs. Workers would clock off, crowd in and knock back highballs with grilled skewers and salty snacks. Light, dry and approachable, the highball offered a clean canvas that brought out the subtle complexity of Japanese whisky. Toki Whisky, Suntory's smooth, well-balanced and incredibly drinkable take on a traditional blend, is tailor-made for highballs. Meaning 'time' in Japanese, Toki is a mix of malt and grain whiskies from Yamazaki, Hakushu and Chita distilleries by Fifth Generation Chief Blender, Shinji Fukuyo. With notes of green apple, basil and honey, it's light enough for daytime sipping and complex enough to hold its own with food. So, What Exactly is a Highball? A classic highball keeps things clean and simple. Japanese whisky, cold soda water, ice and a peel of citrus to garnish. But don't be fooled by the short ingredient list, the highball is all about precision. With one part whisky to three parts soda, it's meant to highlight the whisky, not drown it. The bubbles should be fine, the citrus subtle, and the ice big enough not to melt too fast. It's basically the minimalist's dream drink. The Signature Toki Highball 45ml Suntory Toki Blended Japanese Whisky 3 parts premium soda water Grapefruit slice or lemon peel Method: To make a classic Toki Highball, start by chilling a glass with ice. Pour in one part chilled whisky, give it a quick stir, then top with chilled soda water. Stir once (gently, from the bottom up) to keep the bubbles intact and garnish with a twist of grapefruit or lemon peel. Or, you can skip the ice altogether and let the whisky's flavour come through. A Drink That Plays Well With Others The real beauty of the highball? It's customisable. You can swap lemon for yuzu or grapefruit, add a touch of ginger, or even infuse your soda with herbs. Take it a step further by pairing it with food. The highball's crisp profile makes it a natural match for salty, fried or umami-rich dishes, like karaage chicken, grilled yakitori or even a cheeky bowl of hot chips. Where To Try a Suntory Toki Whisky Highball In April and May, venues across Sydney and Melbourne are rolling out limited-edition menus where you can sip a perfectly poured Suntory Toki Whisky Highball with an expertly paired snack. Sydney locations: Bancho, Ito, Tokyo Bird, Ora, Moku, Ennui, Genzo, Tanuki, Prefecture 48: Ibushi and Whisky Thief. Melbourne locations: Waxflower, Lucy Liu, Yakimono, Bar Bellamy, Izakaya by Tamura, Kura, Tokyo Tina, Gogyo or Bincho Boss. Every venue is giving the highball their own spin, so you can taste a few versions and pick your favourite. Visit your local venue this April and May to experience a Suntory Toki Whisky Highball and snack pairing. More details at the Suntory Time hub, Sydney here and Melbourne here.
Steak connoisseurs, all your Christmases have arrived at once with the launch of Bistecca. The new CBD restaurant's menu is built around a single cut of steak: bistecca alla Fiorentina. Originating in Florence centuries ago, it's widely accepted as one of the finest cuts around. Designed by architecture firm Tom Mark Henry, the 50-seat basement restaurant has Italian flourishes throughout, with a marbled wine bar and yet-to-open adjoining wine shop. As you might've guessed, Bistecca is the creation of a couple of diehard Italophiles. Co-owners and lifelong friends, James Bradey and Warren Burns, travelled all over Italy in search of the ideal steak and the perfect red wine to match. Having decided on the bistecca alla Fiorentina, the duo returned home to find a premium local source, eventually landing on Black Angus cattle from NSW's Riverine region. "We tried at least 40 different steaks from different regions and farmers across Australia to settle on the right one," says Burns. "We chose the Riverine to deliver my holy trinity of meat: flavour, texture and supply." To complement your juicy steak, there's an array of hearty, traditional side dishes, including braised cannellini beans, garlic and rosemary potatoes, and Brussels sprouts with pecorino and sour cream. And vegetarians, though you're probably quaking in your leather-free boots by now, we should let you know there are meat-free ricotta dumplings on the menu, too. While the food menu has only one thing on its mind, the wine list is quite the opposite with more than 300 drops to choose from. Similarly, the cocktail list is ripe with Italian classics like garibaldis and bellinis, and negronis are poured straight from the tap. And later in the year, you'll be able to head straight through to the connected 'enoteche' to take home your favourite drop of the evening. Bistecca is now open at 4 Bridge Street, Sydney. Enter via Dalley Street. Images: Dominic Loneragan
UPDATE: February 1, 2022 — Theatre Royal Sydney is currently running a two-for-one offer on platinum or gold tickets for selected performances of Girl From the North Country. Check terms and conditions below for details. Following multiple sell-out seasons since debuting in London in 2017, Girl From the North Country has become one of the most critically acclaimed productions of our generation. Making its Australian premiere at the 2022 Sydney Festival, and kicking off from Wednesday, January 5 at the recently unveiled new Theatre Royal, Girl From the North Country takes place in a guesthouse in the US state of Minnesota in 1934. The story revolves around owner Nick, who is deeply in debt; his wife Elizabeth, whose mind is fraying; and their pregnant daughter Marianne — as well as a bible-slinging preacher and a boxer endeavouring to make a comeback. For Bob Dylan fans, the name of this musical will be familiar. It's the title of one of the legendary folk singer's 1963 songs — a tune that features in this musical, naturally. Indeed, the entire show uses Dylan's tracks, including everything from 'Like a Rolling Stone' and 'Hurricane' to 'Slow Train' and 'I Want You', all weaved throughout a story of American life during the Great Depression. The debut Aussie season will star Lisa McCune (The King and I, South Pacific), Zahra Newman (The Book of Mormon, Wentworth), Terence Crawford (Escape From Pretoria, 1984) and Helen Dallimore (Wicked, Legally Blonde). Terms and Conditions: Offer subject to availability. Available for selected performances up to and including Sunday, February 13, 2022. Limit of two tickets per transaction. Transaction fees apply.
Life keeps finding a way to bring new movies in the Jurassic franchise to cinemas — and its characters keep finding a way to come face to face with prehistoric creatures. Three years after Jurassic World Dominion, the saga's latest instalment will stomp into picture palaces come winter Down Under. Welcome to ... Jurassic World Rebirth. Also, welcome to a cast featuring Scarlett Johansson (Fly Me to the Moon), Jonathan Bailey (Wicked) and Mahershala Ali (Leave the World Behind) embarking upon a clandestine mission to a secret island that was home to the research facility for Jurassic Park's original dino sanctuary. The date for your diary to discover how that turns out (which, for the human characters involved, will be badly): Thursday, July 3, 2025. The idea at the heart of the series' seventh entry, as the just-dropped first trailer for the flick shows: on the landmass at the centre of the new movie, different species of dinosaurs to those that the films have featured before roam — species that were considered too dangerous for the park. Johannson plays covert operations expert Zora Bennett, who heads there with Bailey's palaeontologist Dr Henry Loomis and Ali as her righthand man Duncan Kincaid — and company — to obtain genetic material that could help develop drugs to save human lives. Accordingly, Rebirth turns a Jurassic World movie into a heist film — with pesky rampaging ancient beasts. As well Johansson, Bailey, and Moonlight and Green Book Oscar-winner Ali, the movie's lineup of on-screen talent also spans Rupert Friend (Companion) as a pharmaceutical executive; Manuel Garcia-Rulfo (The Lincoln Lawyer) as a civilian who gets dragged into the mission after becoming shipwrecked; Luna Blaise (Manifest), David Iacono (The Summer I Turned Pretty) and Audrina Miranda (Lopez vs Lopez) as the latter's family members; and Philippine Velge (The Serpent Queen), Bechir Sylvain (Black Mafia Family) and Ed Skrein (Rebel Moon) among Zora and Krebs' crew. In the feature's storyline, five years have passed since the events of Jurassic World Dominion — which, for audiences, followed 2015's Jurassic World and 2018's Jurassic World: Fallen Kingdom in the Jurassic World saga, plus 1993's Jurassic Park, 1997's The Lost World: Jurassic Park and 2001's Jurassic Park III in the OG Jurassic Park trilogy. Jurassic World Rebirth director Gareth Evans (The Creator) is new to the franchise, but knows a thing or two about flicks about fighting giant creatures courtesy of 2010's Monsters and 2014's Godzilla. Rebirth does have a key link back to the debut Jurassic Park movie, however, with screenwriter David Koepp returning after co-penning the initial film and scripting the second solo. (Koepp also returns to grappling with dinosaurs after a three-movie run writing screenplays for Steven Soderbergh with Kimi, Presence and Black Bag.) Check out the first trailer for Jurassic World Rebirth below: Jurassic World Rebirth releases in cinemas Down Under on Thursday, July 3, 2025.
If there's one thing Sydneysiders like more than food (and that's a big 'if'), it's food with a view. A new rooftop bar opens nearly every week, but few could compete with this. To celebrate Chinese New Year, local favourite One Tea Lounge & Grill is opening a 'Sky High Bao Bar' in the Observation Deck of the Sydney Tower Eye. The Observation Deck, of course, is at the top of Sydney Tower — Sydney's tallest building by about 50 metres — and provides unparalleled views of the city. One Tea Lounge have become famous mostly for their ramen burgers, but the pop-up bar will be serving their (also popular) 'baogers' instead — specifically, matcha baogers with braised pork rib. Dessert will be cookie shots filled with creamy matcha white chocolate in both green tea and 'Red Fortune' flavours. On top of your standard Observation Deck views, the pop-up also includes a photobooth and a Wishing Wall for people to send well wishes to their loved ones. The pop-up will be open from 12–3pm Monday to Thursday and 12–5pm Friday and Saturday.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. BULLET TRAIN Buy the ticket, take the ride, strap in for an onslaught of frenetic locomotive-bound fights: that's high-octane action-comedy Bullet Train on- and off-screen. Set on a shinkansen hurtling from Tokyo to Kyoto, in as stylised a vision of Japan that anyone not named Quentin Tarantino has ever thought of, this neon-lit adaptation of Kōtarō Isaka's 2010 page-turner Maria Beetle couldn't be more onboard with its central concept. That premise isn't snakes on a plane, but rather assassins on a train — plus one snake, one of nature's hitmen, actually. Cramming all those killers onto a single engine sparks mayhem, banter and bodies, not to mention chaotic frays in the quiet car and almost every other space. And when it works, with John Wick and Atomic Blonde's David Leitch steering the show, Tarantino and Guy Ritchie alum Brad Pitt as his main passenger, and a lifetime's worth of references to Thomas the Tank Engine slotted in, Bullet Train is as OTT and entertaining as it overtly wants to be. It doesn't always completely work, however; every journey, zipping along on a high-speed train or not, has its dips. Still, there are plenty of moving parts trying to keep the movie in motion — and plenty of plot, for better and for worse in both instances. In his second 2022 action-comedy after The Lost City, Pitt plays Ladybug, who is back riding the hired-gun rails after a zen break packed with new-age self-help platitudes. That's what he spouts to his handler (Sandra Bullock, The Unforgivable) by phone, in-between rueing his bad luck, as he tries to carry out what's supposed to be an easy job. All that Ladybug needs to do is take a briefcase, then disembark at the next station. But that piece of luggage is being transported by British assassin double-act Tangerine (Aaron Taylor-Johnson, The King's Man) and Lemon (Brian Tyree Henry, Atlanta), as they escort a Russian mobster's son (Logan Lerman, Hunters) home. To up the hitman ante, the shinkansen is also carrying The Prince (Joey King, The Princess) and Kimura (Andrew Koji, Snake Eyes: GI Joe Origins), who have their own beef, as well as the revenge-seeking Wolf (Benito A Martínez Ocasio aka Bad Bunny, Fast and Furious 9). As is always the case whenever anyone asks "are we there yet?" IRL, there's more: more twists and turns to the narrative, more bickering, more familiar names facing each other down, and a mass of flashbacks to events minutes, hours, days and months earlier, most of which make the leap from the page via Zak Olkewicz's (Fear Street: Part Two — 1978) screenplay. Wondering if the scribe and Leitch have seen Kill Bill, or the Pitt-starring Snatch, or the 90s attention-grabbers that were Reservoir Dogs, Pulp Fiction and Lock, Stock and Two Smoking Barrels as they bring Isaka's novel to the screen is thoroughly pointless. But, after The Gray Man, Bullet Train is the second big, star-studded, midyear action flick that's pieced together from familiar components, only to boast the cast and visual spectacle to carry it off more often than not. What a treat Pitt is, and has been for more than three decades — because that's how long it's been since Thelma & Louise thrust him to fame. Bullet Train draws upon his Ocean's Eleven brand of chattering, casual, happy-go-lucky charisma, even with Ladybug grappling with an existential crisis over his chosen profession. Pitt is comic, but never reaches Burn After Reading's goofiness. Amid the navel-gazing and bromides, he's still calm, collected and supremely capable at holding his own, but never to a Once Upon a Time in Hollywood extent. Although Leitch doesn't give Pitt his own John Wick or Atomic Blonde, it's as crucial a piece of casting. Neither of those two flicks would be the gems they are without their specific stars, and Bullet Train similarly wouldn't have hit the marks it does without its bucket hat-wearing biggest name and his detailed performance. Read our full review. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on May 5, May 12, May 19 and May 26; June 2, June 9, June 16, June 23 and June 30; and July 7, July 14, July 21 and July 28. You can also read our full reviews of a heap of recent movies, such as Petite Maman, The Drover's Wife The Legend of Molly Johnson, Doctor Strange in the Multiverse of Madness, Firestarter, Operation Mincemeat, To Chiara, This Much I Know to Be True, The Innocents, Top Gun: Maverick, The Bob's Burgers Movie, Ablaze, Hatching, Mothering Sunday, Jurassic World Dominion, A Hero, Benediction, Lightyear, Men, Elvis, Lost Illusions, Nude Tuesday, Ali & Ava, Thor: Love and Thunder, Compartment No. 6, Sundown, The Gray Man, The Phantom of the Open, The Black Phone, Where the Crawdads Sing, Official Competition, The Forgiven, Full Time and Murder Party.
Long gone are the days where 007's "shaken not stirred" will cut it. Cocktails — they're far from just sweet concoctions for amateurs seeking out a tipple-induced buzz sans the bitter sting of alcohol. Sydney's love for them has grown steadily over the past few years and that can, in part, be attributed to our fondness of the small bar setting where an Old Fashioned seems the only thing appropriate. And where to find some of the best? Well, fear not, because Concrete Playground is here to play guide. Let us present to you our ten best cocktail bars in Sydney to help you along your merry little way. 1. Eau de Vie While not technically a speakeasy, Eau-De-Vie is about as close as you can get to the guilty pleasures of Boardwalk Empire. This Prohibition-style bar is tucked away at the back of the Kirketon Hotel. True to the form, it's well hidden: there's no signage, but the concierge will direct you through the black door at the back, past the restrooms and into this cosy chamber. And the cocktails? Try the Noble Experiment ($20), whereby you concoct your own Martini as a salute to Prohibition's end, and don't think you can go past the Ladies' Leg Cosmo ($25 per person), which is offered to ladies only and served in a seductive leg. 229 Darlinghurst Road, Darlinghurst; www.eaudevie.com.au/sydney 2. The Roosevelt One part glam, one part retro and one part mixologist's fantasy, The Roosevelt is an irresistible mix that has almost immediately become one of Sydney's best cocktail destinations. Glass cabinets filled with antique cocktail making equipment line the room, swing is the soundtrack and the cocktail menu files its drinks into sections like 'Sexy, Ladylike and Seductive' or 'Cocktails on Wheels'. This second category includes the 'Nitro Colada' and the 'Blazer', prepared with much theatre and plenty of nitrogen smoke by waist-coated hosts in the centre of the room. Shared cocktails include further showmanship and trickery, including a playful Hamptons Summer Cup, served in a trophy cup, and a punch bowl which is set alight at the table. 32 Orwell Street, Potts Point; www.theroosevelt.com.au 3. Bulletin Place Bulletin Place is a prodigious example of in-the-know barman strutting their stuff. And let's be honest, it's really Philips' cocktail expertise that makes this place stand out. Scribbled across a sheet of butcher's paper that hangs behind the bar will be any given evening's cocktail selection, inspired by whatever produce is freshest at the time. First floor, 10 - 14 Bulletin Place, Circular Quay; www.bulletinplace.com/ 4. Grasshopper Cocktails are the real drawcard at Grasshopper. All the drinks are numbered instead of having names, and they're just about all served in jars. The No.19, which features orange liqueur, cranberry juice, passionfruit and vanilla vodka, tastes like the sort of gelato you would find at Messina or Pompeii's. The No.14 - comprising blackberry juice and Fanta - is also a Buttermenthol-tasting highlight. 389-391 George St, Sydney; www.thegrasshopper.com.au 5. The Hazy Rose Hazy Rose offers a damn fine cocktail list. The Fernet Julep ($15) is an unusual take on this classic, with Fernet Branca replacing the usual sticky syrup. The Whisky Sour ($15-$25) is closer to what you'd expect, with your choice of whisky served over a block of ice. If you're feeling brave, opt for the Hamish ($18): a mix of Espolon Reposada, Taliskee, sweet vermouth and bitters. My favourite of the night, this had a wonderful smoky aftertaste. A good choice if you're after something a little more gentle is the Stanley Sidecar ($16), which treats you to the house's own apricot brandy along with Cointreau and fresh lemon juice. 83 Stanley Street, Darlinghurst; www.thehazyrose.com.au 6. Assembly The drinks from mixologist/general manager Ben Taouss make this out-of-the-way cocktail haven one of Sydney's best. Our pick is the Lavender Hill Cappuccino ($17), a martini with Pop Rocks and an apple foam. There's also the Rasp'n'Co ($16), a 'vodka raspberry' with white chocolate or, for more serious drinkers, the Brooklyn ($18), a prohibition-style concoction of rye whisky, sweet vermouth, maraschino liqueur, a dash of Amer Picon and a cherry on top. 488 Kent Street, Sydney; www.assemblybar.com.au 7. Grandma's There's no place like home. Except Grandma's. Grandma gives you a big hug, sits you down in her best, chintz-covered chair and gives you a treat. The "grandchildren" are a helpful and friendly lot, and shake their cocktails with wide-eyed glee. Start off with one of Grandma's favourite tipples — the Pink Pepper Martini, a mix of strawberries and a wink of gin, was truly delightful. But the drinks list is seemingly endless, with ingredients including Greek yoghurt, chocolate bitters and elderflower cordial. Basement 275 Clarence Street, Sydney; www.grandmasbarsydney.com.au 8. Gilt Lounge Tucked away between Topshop and Sydney's iconic State Theatre is Gilt Lounge. As QT Hotel's sultry grown up cocktail lounge, Gilt takes things to a whole new mixology level. Shakers will be tossed in the air and drinks finished with a flourish. A must-try is the Applewood Bacon Old Fashioned ($19), a wild combination of Applewood bacon-infused buffalo trace bourbon, black peppercorn-infused demerara sugar, creole bitters chocolate covered bacon and flamed orange. Yes, you read right. Chocolate. Covered. Bacon. It's a flavour fusion gamble that definitely pays off. 49 Market Street, Sydney; www.qtsydney.com.au 9. Different Drummer Since ages past, the Drummer has been serving scintillating cocktails with a happy-go-lucky list of patrons who don't hesitate to share their thoughts on why the Agwacello (agwa coco leaf liquor, limoncello & cloudy apple) is the best cocktail on the menu. Settle in downstairs amongst the bordello-like luxury for your birthday or girls-night, or take a date up to the roof for a breeze and a good view. And lest we forget to mention the daily two-for-one cocktails. Damn right. 185 Glebe Point Rd, Glebe; www.differentdrummer.com.au 10. Button Bar Button Bar is the third offering from the creators behind Stitch and Pocket bars. And it's time to batten down the hatches because with a seasoned crew on board, it sure is a ship not to be missed. The three page cocktail menu offers a diverse selection of tipples. The Lucky Charm made with below vodka, fresh strawberries and honey with prosseco ($16.50) is fresh as is the Pleasure Vessel, a combination of Appleton dark rum, Grand Marnier, orange marmalade, fresh grapefruit, fresh lemon juice and orange blossom water ($17). 65 Foveaux Street, Surry Hills; www.button-bar.com.au By the Concrete Playground team.
A relic of Sydney's old public transport network is being transformed this month as part of a new art exhibition from creative collective Osmosis. Chinatown's former monorail station is set to become the city's latest gallery space as Osmosis takes over for an 11-day exhibition of sound and light. Opening in the 1980s, Sydney's monorail delivered people to the Powerhouse Museum and Sydney Aquarium up until its deinstallation in 2013. While it's since been replaced by the much-maligned Light Rail, the monorail is a source of nostalgia for many Sydneysiders, especially those that link it to their first memories of the Sydney CBD. Osmosis is looking to play on this nostalgia — transforming the unused space through an immersive light and sound display. Within the space, attendees will be met with a looping ambient soundtrack, field recordings, sound samples and melodies taken from recognisable songs from the past two decades. The soundscape, created by composer Mara Schwerdtfeger, is designed to conjure nostalgia and provide comfort following the tumultuous past 12 months. Accompanying the sound will be a dynamic lighting display created by multimedia artist George Webeck. Webeck's light show will move across the building's angled windows and architecture throughout the looping 30-minute experience. Located at Level 5, Number One Dixon Shopping Centre, the exhibition will run from Thursday, May 20 until Sunday, May 23 and then again from Wednesday, May 26 until Sunday, May 30. Most evenings the exhibition will open at 6pm (with the exception of Wednesday, May 26 at 7pm) and entry will be free with no bookings required. Drinks will be on hand courtesy of event sponsors Never Never, Konpira Maru, Yulli's and Fever Tree. If you're looking to take a peak behind the exhibition's curtain, Schwerdtfeger, Webeck and Creative Director Marco Rinaldi will be giving an artist talk, discussing the activation on Wednesday, May 26. The Osmosis Monorail exhibition will run from Thursday, May 20–Sunday, May 30 at Level 5, 1 Dixon Street, Sydney.
Mercedez-Benz Fashion Week trends predicted a move toward sportswear this season, but French label le coq sportif have been running this trend for years. If you're getting somewhat inspired by the peloton pizazz of the Tour de France, you should cycle down to the The Rocks and get amongst the everyday sportswear of this new boutique. The label's second Australian concept store is open for business and launching its exclusive 'Atelier du coq' service, where you can customise your own garments with traditional retro sporty flocking techniques. The personalising service has only two other locations worldwide, Paris and London, and lets you handpick your own colour, design and base combinations for your very own sweet get up. Housed in a heritage-listed, square-pane windowed space on George Street in The Rocks, the newest le coq sportif store is an adorable space decked out with exposed pipes, polished wooden floorboards and cream-washed walls. Tackling the classic don't-touch-the-walls heritage-listing conundrum, the team have created hovering hanging space from metal piping (much like the Denham pop-up next door — they're both owned by Hilton Seskin, owner of Topshop and Glue). Le coq sportif is no spring chicken in the sportswear market. Founded in 1882 by Émile Camuset, the company started producing fashion in the '40s. The brand don't just preach their love of sportswear, they practice with the actual pros; sponsoring football, boxing, cycling and tennis teams worldwide. The brand finds a subtle balance between legit, performance-inspired sportswear and sport-inspired casualwear — and they've now got a crack team of Australian designers on board, who are cranking out casual collections like the wonderfully retro Aussie women's winter line. But you came here to customise, let's get on it. It's a pretty straightforward, relatively quick process. First, pick your design. In a process not dissimilar from choosing your own tattoo design, flick through a portfolio of 20 archival le coq designs and choose your poison. There's a significant amount of retro love in the options — the logo of the Zaire Leopards, the first sub-Saharan African team to qualify for the World Cup in Germany in '74; the Saint Etienne football team logo and the most popular of the bunch: the original '70s le coq sportif rooster logo. Next, pick your base. Whether you're an oversized jumper type of chiller, a snug sporty t-shirt enthusiast or a sucker for a deep v-neck, you've got all your grey marles, nautical navys and bright sporting greens to choose from. Then, pick your flock. Using a particularly furry type of retro flock, you can choose between around eight different colours to print your design on your base. We went for a white flock on navy for a classic, boaty vibe and a pink flock on grey marle for wearable '90s nostalgia. After you've locked everything in, your friendly neighbourhood le coq sportif teamster sends the design from the computer to the flock printer. Then it's time to Zen out and carve out the vinyl with a scalpel. When your design's looking top notch, it's time to pop the design in the centre of your garment and send it off to the press for a quick heating party. Then, the moment of truth. Now you're done, ready for some street strutting in your new customised threads. All up, the whole thing will cost under $100. T-shirts are $50, colour v-necks are $60 and jumpers are $90, flocking included. Not a bad price for your own personalised threads. Le coq sportif can be found at 79 George Street, The Rocks; (02) 8252 9703; www.lecoqsportif.com.au. Still shopping? Head next door to the Denham pop-up.
This epic, never-before-seen work asks one important question: how much of our true selves do we really share with the world? Created by Force Majeure in partnership with Dance Integrated Australia, it brings together artists with and without disability. And it's semi-autobiographical, sharing some of the performers' real life experiences on stage. Prepare to be moved, confronted, warmed and carried towards deeper empathy. The cracking cast includes contemporary dancers Marnie Palomares and Jana Castillo, actor Gerard O'Dwyer, actor and disability advocate Alex Jones and Auslan interpreter Neil Phipps. "Off The Record is such a unique work," says Jones. "It's about shaking the discomfort out of people's skin and learning how to really understand people with disability." "We've found five extraordinary, talented artists who are prepared to share deeply personal stories and to give a voice to things that are rarely discussed," says Force Majeure artistic director Danielle Micich. Off The Record is the second piece to have been commissioned under New Normal, Carriageworks' national arts and disability strategy, which is supported by the NSW Government. Another eight works, covering performance, music, dance and visual arts, will be developed over the next three years. In addition to the shows, an all-day masterclass will be held on Saturday, August 13. Open to artists and those who work within the arts, attendees will gain insights into the creative process that went into the work's creation. Image: Gregory Lorenzutti.
When 2022 began, it kicked off with famous faces stranded in the Australian outback, all thanks to local streaming platform Stan. Zac Efron did the honours in the film Gold, while Jamie Dornan lost his memory amid this sunburnt country of ours in six-part TV thriller The Tourist — and if you were a fan of the incredibly easy-to-binge latter, it's coming back again for another round of twists and turns. The BBC, which also had a hand in The Tourist, has announced that season two of the hit series is on its way. The British broadcaster also revealed that the show is its highest-rating series of 2022 so far, so stumping up for more is hardly surprising. Screenwriters Harry and Jack Williams (Baptiste, The Missing, Liar) will return; however, the BBC is keeping quiet on details otherwise, including around timing, casting and storyline. Accordingly, whether Barb and Star Go to Vista Del Mar and Belfast's Dornan will be back, where the six new episodes will be set, what plot they'll follow and when they'll hit your streaming queue is still all under wraps. If you haven't yet watched the The Tourist's first season, it starred Dornan as a man caught up in a mystery, and unfurled its specifics in cliffhanger-heavy instalments. It also had fun with its premise — and its onslaught of twists and turns. It knew that zigzagging thrillers that work from a clearcut roadmap should make their familiar pieces feel anything but, and should take their audience along for a wild ride. And, it was well aware that that should all be the case even when largely driving down a recognisable road. Playing an Irish traveller in Australia, Dornan's character's name doesn't matter at first, when he's using the bathroom at a petrol station in the middle of nowhere. But after he's run off the road by a steamrolling long-haul truck shortly afterwards, he desperately wishes he could remember his own moniker, plus everything else about his past. Local Constable Helen Chalmers (Danielle Macdonald, French Exit) takes a shine to him anyway; however, piecing together his history is far from straightforward. His other immediate questions: why is he in the middle of Australia, why does a bomb go off in his vicinity and why is he getting calls from a man trapped in an underground barrel? A well-greased concept, a confident approach, clever plotting, a fabulous cast: they're all on offer across the first season, and they all hit their marks. Add the script's smattering of memorable, nearly Coen brothers-esque lines and, whether hurtling in a straight line or zipping quickly around unexpected corners, The Tourist was easily 2022's first must-binge show. Here's hoping the same proves true of season two — whenever it drops, and whatever it's about. Check out the trailer for first season of The Tourist below: The Tourist's first season is available to stream viaStan in Australia and TVNZ On Demand in New Zealand — and you can also read our full review. We'll update you with further details about the show's second season when they're announced.
2019 will mark the last-ever edition of the beloved community event Newtown Festival, with organisers Newtown Neighbourhood Centre (NNC) pulling the plug on the festival after 40 years. According to a statement on NNC's website, the festival had grown too large over its final few iterations and is no longer financially viable for the not-for-profit to continue running. "Over the last 40 years, Newtown Festival has experienced significant growth, with many more businesses, sponsors and people attending the event. While this has been exciting to witness, this large-scale financial endeavour has eclipsed the resources, capabilities and purpose of NNC," the statement reads. "After years of careful consideration, which involved reviewing a number of possible funding scenarios and business cases, as well as community consultation, NNC's board has made the decision to discontinue the festival. The board did not come to this conclusion lightly and acknowledges how much the festival will be missed by residents, and NNC itself. We will instead participate in three key events led by Inner West Council to drive awareness of the services we provide." [caption id="attachment_746600" align="alignnone" width="1920"] James Simpson[/caption] From humble beginnings, the festival grew to the point where it hosted hundreds of stallholders and musicians in 2019, as well as more than 40,000 punters, boasting a lineup featuring The Delta Riggs, The Buoys and a Heaps Gay karaoke closet. Over the years, up-and-coming bands cut their teeth on the free festival's stage and beloved musicians brought crowds to Camperdown Memorial Park, with the likes of The Kid LAROI, All Our Exes Live in Texas, L-FRESH the Lion, Jinja Safari, Gordi, Palms and Nooky all performing over the years. NNC will continue to push for inclusivity and the arts within the Inner West, while the spirit of Newtown Festival won't be lost, with other community events like SummerFest, Marrickville Music Festival, St.Anmoré, Fair Day, Yabun and the Beer Footy and Food Festival all going strong. [caption id="attachment_746602" align="alignnone" width="1920"] James Simpson[/caption] Head to the Newtown Community Centre website for more information on the not-for-profit and to read the statement about Newtown Festival. Top image: Kirsten Muller.
We've all got that one friend whose media diet exists solely of documentaries. They're usually, to be honest, the most interesting of us all wielding their accumulated eccentric knowledge. However, documentaries and doco-style films have long become mainstream and the capitalist marketplace has heard our hungry cries for more. Introducing DocPlay, the new Netflix for docos. It's an Australian and New Zealand-based service that lets you stream documentaries directly. Their libraries are stuffed full of all the big names — Blackfish, Exit Through the Gift Shop, Advanced Style — complemented by some niche Aussie and international titles with a big emphasis on music. A premium member fee of $6.95 a month (or $69.95 a year) will grant you access to their ever-growing library. And if sign up to a free account, you'll get access to their rotating selection of docos. This week features Annie Leibovitz: Life Through A Lens, Academy Award winner The Cove, Ai Wewei: Never Sorry, and A Complete History Of My Sexual Failures amongst others. Not bad, not bad at all. If you don't want to cough up though, you can expect ads aplenty. It's still a pretty fresh service and can only get better with time. But anything that enables us to while away a Sunday watching back-to-back docos can only be good thing.
UPDATE: MAY 24, 2019 — To celebrate the launch of one of the country's biggest transport projects, the Metro North West, all travel on its first day will be free. No Opal Cards required, folks. The railway line's 13 station doors will open to the public for the first time at 11am on Sunday, May 26, with the last train leaving Rouse Hill for Chatswood at 9.35pm. That means you could spend 635 minutes of your weekend riding Sydney's sparkly new driverless trains. Or, not. Anyway, the option is there. For more info, head to the NSW Government website. One of Australia's biggest transport projects is almost complete. While it's not the never-ending southeast light rail project, it's almost as exciting. It's Sydney's new $8.3 billion Metro North West railway line, a 36-kilometre journey linking Rouse Hill and Chatswood — and it's set to be a a major win for commuters in the area. The new railway line — and its sparkly new driverless trains — is officially launching on Sunday, May 26, and the government is promising turn-up-and-go services every four minutes (in each direction) during peak times. No timetable necessary. According to the ABC, trains from Chatswood to the city will run every three minutes to cope with the increased commuter traffic, with the number of trains during the morning peak increasing from 120 an hour to 200. The Metro North West is just one part of the government's overall Sydney Metro project, which will, along with Metro City and Metro Southwest, see a new railway linking Rouse Hill to Chatswood, travelling under the Sydney Harbour to the city, then down to Bankstown. Sydney Metro West will link the city to Parramatta. Running on all lines will be the new driverless trains. At this point; however, the final stages of the billion-dollar project — Metro Southwest and West, specifically — are not expected to be completed until 2024. [caption id="attachment_705425" align="alignnone" width="1920"] A map of Sydney Metro North West, City and South West.[/caption] The Metro North West line has had a swag of major rail upgrades, including 13 fully accessible revamped train stations, 4000 new carparks and platform screen doors installed at all Sydney Metro stations. The government has made it easier to get to the new stations, too, with 1500 additional weekly services and modified routes introduced to the existing bus network. To check if your bus has been impacted, head to the Transport for NSW website. During the new railway line's first six weeks, it will build to max capacity, with trains initially running every five minutes during peak hours and some supplementary late-night buses running after 9.30pm from Sunday through Wednesday. The Metro North West will officially launch on Sunday, May 26. You can read more information about the Sydney Metro project at sydneymetro.info.
Feeling like a bit of low-key self-improvement? Want to change the way you approach each day? Or, do you just need a bit more balance in your life? We agree that it's important to bring positive changes into your life, but why start with the big stuff? Vincent Van Gogh once said, "Great things are done by a series of small things brought together." So, start with the small. To help you out, we've teamed up with our mates at Coopers to bring you a list of 'easy wins' — small things you can do to make your day, your week and your life just that little bit better. And, yes, savouring an easy drinking Coopers Dry is a good start. MONDAY: ATTEND A COMEDY NIGHT Need a good laugh? Well, local comedy nights are guaranteed to get you cackling. Sure, you might have some hit and miss moments, but small-scale comedy nights are a great way to check out your area's comedic chops. Plus, it's an easy date idea that's not just 'going for a drink'. Who knows, you might even be inspired to get up there yourself (but only if it's in open-mic format, please). On Mondays, laugh the blues away at The Comedy Lounge at Cafe Lounge in Sydney, Quick Bites at Boney in Melbourne or The Sit Down Open Mic Club at Newmarket Hotel in Brissie. TUESDAY: WATCH THE SUNRISE We know it's tough, and it doesn't have to be Tuesday, but pick one day a week — maybe when you have a late start or a bit of extra time — grab yourself a takeaway coffee, and watch the world wake up slowly. Living in Australia, we're blessed with a ton of easily accessible scenic views in and around most of our major cities. Start a day an hour or so earlier this week, and welcome the morning with a view. By the time everyone else is rushing off to start the day completely stressed out of their minds, you'll be calm, relaxed and focused. Great spots for this include, Wendy's Secret Garden in Sydney, Brighton Beach in Melbourne or The Redlands Bayside in Brisbane. While it's a little too early for beer, earmark the spot and head back after work for a sundowner. WEDNESDAY: WALK TO WORK Now, if your commute is massive, we're not suggesting you load up a supply donkey and trek through the night — but if there's a point you can walk from, do it. If your walk to work is half an hour or less, try to make this choice a couple of times a week. It's a great way to break up the monotony of the working week and stay fit and healthy. And, you'll actually look forward to going to work — hear us out — since you won't have to join the squished sardines on the train, you can stretch your legs and pump up the volume on your motivational playlist. Fresh air, exercise and good tunes — it's a winning formula. Plus, fewer cars on the road means peaceful streets and lower carbon emissions — an easy win, for a brighter future. [caption id="attachment_640628" align="alignnone" width="1920"] Riley Street Garage, Sydney.[/caption] THURSDAY: PUT AWAY YOUR PHONE ON DATE NIGHT There's no denying that the smartphone is an invaluable part of modern life, but it's far too easy to get lost in the pixels and waste away a day (or night) on your phone scrolling and swiping and tapping. So, you've booked a nice restaurant for you and your partner (or bestie) to enjoy together? We reckon it's time to ditch the phones and focus on each other — just like the good old days. Give your dining partner your undivided attention instead of staring aimlessly at your feed and scrolling into the Insta-abyss. You'll be surprised how easy and rewarding this is. FRIDAY: GO TO THE THEATRE Sure it's great to veg out, watch every new original Netflix series that's been released and completely disengage. We get it, it's important to turn the mind off. But, it's also important to keep it stimulated — our parents did say too much TV would turn the brain to mush, right? Look to the theatre. It's like IRL television and it doesn't have to be inaccessible, overly artsy and incredibly dull. There are multitudes of theatre companies both mainstage and independent doing exciting, hilarious, terrifying and incredibly entertaining work. Check out your local theatre and catch a mid-week independent show, support emerging artists and indulge in the thrill of live performance. Great examples include The Old Fitz in Sydney, Red Stitch Actor's Theatre in Melbourne and La Boite in Brisbane. SATURDAY: INVITE YOUR NEIGHBOURS FOR BARBECUE AND BEERS If you're stuck in that uncomfortable smile-and-wave phase with your neighbours, we have a solution. Ditch the awkwardness and invite them round for a low-key barbecue. Grab a case of Coopers Dry to break the ice, and knock the froth off a couple with who could be your new best mates. Meeting new people is a great way to build confidence and sharpen your social skills, and where better to do it than in the comfort of your own home. You'll gain some new friends that are literally a stone's throw away. NB: we do not condone the throwing of stones at neighbours. SUNDAY: PLAY A GAME OF POOL Everyone likes pool, even more so when it's free. The pool table is a great leveller and icebreaker, chuck a few coins down, grab some beers, and get to know some new mates down at your local. Brush up on your skills or just have a laugh — the free pool is usually available on quieter nights in most venues and always makes for a nice night of mild-mannered fun. Make it a weekly thing and, who knows, you might discover your hidden talents as a pool shark. Best spots for cheap (or free) pool on Sunday are The Rose Hotel in Sydney (free), The Rainbow Hotel in Melbourne ($2) and Tomcat in Brisbane (free). Kick off your 'easy wins' by enjoying a Coopers Dry, or two, with your mates.
Fancy stepping into the mind of iconic artist Salvador Dali? For a one-month period early next year, you'll simply need to head to Perth's Fringe World festival. Between January 18 and February 17, 2019, the annual event will play host to a world-first exhibition dedicated to the great surrealist master — complete with more than 200 of Dali's works on display. Timed to mark the 30th anniversary of the artist's passing and taking place over four levels, Dali Land will boast his drawings, sculptures, photography, films, installations, graphics and more as part of a program that both highlights his work and pays tribute to Dali in a broader sense. The virtual reality experience Dreams of Dali will also make the trip, taking viewers into the painting Archaeological Reminiscence of Millet's "Angelus" in an immersive piece that's usually on display at the Salvador Dali museum in Florida in the US. Other highlights include a second exhibition called Unconscious Contemporary, which showcases works from both early surrealist artists and their contemporary counterparts, as well as Dada Cinema, which'll screen surrealist films. The list of names featured across both is hefty, with Jean Cocteau, Andre Breton, Marcel Duchamp, Max Ernst, Man Ray, The Crow filmmaker Alex Proyas and photographer Thor Engelstad all included. A lineup of live events and performances will also tip their hat to Dali, such as a surrealist-themed ball, a gig by Lily Allen, theatrical show Dali After Dark by Briefs and degustations dubbed 'Dali Dinners'. And, there'll also be 'surreal cocktails' at the late-night rooftop salon bar — which sounds a bit like a case of attaching the word 'surreal' to everything in the exhibition, but in a space that'll also feature live music, magic, burlesque and comedy. Dali Land comes to Perth as part of Fringe World, exhibiting at the former Metro City site at 146 Roe Street, Northbridge from January 18–February 17, 2019. For more information, visit www.dali-land.com.
Since 2016, the cinema-loving world has had a Studio Ghibli-shaped hole in its heart. That's when the acclaimed Japanese animation house released its most recent film, the gorgeous French co-production The Red Turtle. Its last solo production actually came two years earlier, courtesy of 2014's When Marnie Was There. Still, much has happened in Studio Ghibli's world over the past decade. Hayao Miyazaki announced his retirement, then changed his mind. In 2018, fellow co-founder and acclaimed director Isao Takahata sadly passed away. And, over the past few years, the company has been busying itself with its very own theme park. The latter is due to open in 2022 and become quite the tourist attraction — but that doesn't mean that fans aren't keen for more Ghibli movies. Thankfully, the studio revealed earlier this year that it's working on just that, with two new films on its slate for 2020. One of those movies will be helmed by My Neighbour Totoro, Spirited Away and Howl's Moving Castle icon Miyazaki, with How Do You Live? actually first announced a few years back. As for the second film, information have been scarce to date; however the company has just provided more than a few details. Called Aya and the Witch — and also known as Earwig and the Witch in English — the movie will mark the first Studio Ghibli completely made using computer-generated animation. Director-wise, it's helmed by Hayao Miyazaki's son Goro Miyazaki, who previously directed Tales from Earthsea and From Up On Poppy Hill. It's also based on a novel written by British author Diana Wynne Jones, who penned the book that Howl's Moving Castle was adapted from, too. And, it'll head straight to Japanese television, with the film airing on local broadcaster NHK TV sometime during Japan's winter. Just when audiences elsewhere will get to see Aya and the Witch is yet to be revealed; however it was announced this week that it would've screened at the 2020 Cannes Film Festival if the event had gone ahead this year. In lieu of holding a physical fest, the prestigious event announced a lineup of 56 movies it would've shown, giving them the 'Cannes 2020 Official Selection' label — and Ghibli's latest is one of them. In terms of story, Aya and the Witch focuses on a girl at an orphanage. She enjoys living there, but her world changes when she's chosen to live with a couple — including, as the title makes plain, a witch. Fingers crossed that Aya and the Witch will head to screens Down Under sooner rather than later. In the interim, you can get your Ghibli fix by checking out the company's online tours of its museum on the outskirts of Tokyo: https://www.youtube.com/watch?v=Ccgm1Pp5Whw Via Studio Ghibli. Top image: Howl's Moving Castle.
Donut Papi is no stranger to new and inventive flavours. The Sydney favourite has been creating doughnuts packed with flavours like pandan, matcha, milo and bittersweet calamansi since its pre-Redfern days as a mainstay at Sydney markets. Since opening a brick-and-mortar store, the doughnut haven has been able to push its creations into even more experimental territory. The latest new flavour combo from Donut Papi is a collaboration with Cointreau that's given your typical circular treat a boozy makeover. The limited-edition range includes two unique flavours — both centred around the humble margarita. The first is orange Cointreau margarita flavoured, which takes a plain doughnut and adds orange glazed icing, plus a pipette of Cointreau to inject into the doughnut. Flavour number two combines a ginger glaze with coconut flakes and its own pipette of Cointreau, of course. The easiest way to get your hands on these limited-time desserts is to head in-store to Donut Papi's Redfern Street home where you can pick up an individual margarita doughnut for $8 a pop or $63 for a nine-pack. While you're there you can also nab a signature pandan and coconut-glaze doughnut, a blueberry bear claw or a sticky cinnamon scroll. Donut Papi also delivers to postcodes within 15 kilometres of its Refern digs. You can check out the full list of postcodes the store delivers to at the FAQ page. The margarita doughnuts will be available until Saturday, September 10, meaning you can purchase a cheeky nine-pack of these boozy treats to bring along to any Father's Day celebrations you have lined up, or send some to the father figure in your life if they live in the inner-city or the Inner West. Donut Papi is located at 34A Redfern Street, Redfern. Its Cointreau margarita doughnuts are available until Saturday, September 10.
My Friend Dahmer isn't joking about its title. Exploring Jeffrey Dahmer's high school years during the 1970s, the film adapts the graphic novel of the same name, which was written by one of the serial killer's classmates and acquaintances. That said, based on the events depicted on-screen, it doesn't feel quite accurate to call John 'Derf' Backderf one of Dahmer's pals. Describing anyone as a friend of the teen who'll ultimately rape, murder and dismember 17 men doesn't feel quite right, for that matter, as the movie makes clear. "I like to pick up roadkill, but I'm trying to quit," Dahmer (Ross Lynch) tells one of his classmates. Every time the town doctor (Vincent Kartheiser) jogs past his house, he pays more attention than he should. In his garden shed at home, he likes to dissolve dead cats in acid. At school, when he's not keeping to himself, he's making odd noises and causing scenes in the hallways. It's the latter behaviour that piques the interest of aspiring artist Derf (Alex Wolff) and a few other students, inspiring them to form the 'Dahmer Fan Club' and to recruit its namesake as a member. The group encourages Dahmer's over-the-top performances, sneaks him into club yearbook photos as a prank, and even talks their way into meeting with the US Vice President. But behind the seeming camaraderie, Derf and the gang are still laughing at the new pal even when they're also laughing with him. Eventually they push the joke too far, before abandoning the guy they've been calling their mascot. There's nothing simple about Dahmer's adolescent years, as My Friend Dahmer shows. In addition to being repeatedly humiliated by the people he thinks are his friends, he struggles to cope with his sexuality, his mother's (Anne Heche) mental illness and his father's (Dallas Roberts) eventual absence. Still, there's something much too familiar about writer-director Marc Meyers' approach to this story. While the film doesn't ever try to justify or excuse the heinous deeds Dahmer would go on to commit not that much later in his life, it does draw a very short line between the treatment Dahmer is subjected to and his inner turmoil. The details might stem from reality, but the position the picture seems to take — that Dahmer was odd, but essentially an average guy until he was bullied — feels both superficial and uncomfortable, particularly given how often the same kind of sentiment is splashed across newspaper headlines to explain killings, attacks and mass shootings. Of course, watching a film about a notorious murderer's formative years shouldn't be an easy experience. Nor should empathising with a confused, tormented kid who'll go on to commit brutal crimes, including cannibalising some of his victims. The guilt and regret that the real-life Derf has obviously tussled with over the past four decades are infused into the movie, albeit in skin-deep fashion. Clumsy foreshadowing certainly doesn't help, especially since everyone knows how Dahmer's tale pans out. Whether it's someone remarking that Dahmer isn't going to bite, his mother declaring that their family eats their feelings, or an angry teacher furiously attempting to remove him from school photos, all these incidents just convey the obvious, showing absolutely no signs of depth. Segueing from Disney star to serial killer, a well-cast Lynch adds nuance where it's needed. Crucially, his performance pits Dahmer in the middle of two extremes — ostensibly normal but misunderstood and mistreated at one end, fated for horrific deeds at the other. In fact, the young actor captures a mood of ambiguity that the film around him can't completely master, offering up a portrayal that's never sympathetic but never filled with overt judgement either. Wolff is also impressive as Derf, although the character is sometimes painted in the same overly neat manner as much of the rest of the movie. Indeed, from a visual perspective, My Friend Dahmer looks like a picture-perfect portrait of '70s high school angst, as often laid out in wide shots that mimic Derf's graphic novel. But demonstrating that something darker lurks beneath the surface isn't as profound as the film seems to think. https://www.youtube.com/watch?v=LP4yqd90BT0
When TRANCE was added to Dark Mofo's 2023 lineup, it didn't just gift the festival a three-day theatre-meets-rave performance from Berlin-based Chinese artist Tianzhuo Chen. It did that, of course, but it also distilled the essence of the Tasmanian winter fest down into one must-see event. At this show, you don't just buy a ticket, take a seat and get 90 minutes of entertainment. Rather, you wander in and out, enjoying a true experience — and, in the ultimate act of fest surrender, you let yourself go along for the ride. That really is Dark Mofo in a nutshell. Each year, its June lineup features much that you need to plan ahead to attend; hot tickets sell out, and fast. But if there's ever been an arts festival that lends itself to seeing where the moment takes you, embracing the unexpected and revelling in the moment, it's this one. And, gloriously, that makes it a delight for last-minute planners. Haven't locked in your Dark Mofo schedule yet? We understand — and we're here to help. Now that the festival is underway until Thursday, June 22, the CP Team has put together a guide to our top picks for a stunning time if you're the kind of person who only decides what they're doing on the day. Obviously, TRANCE is on the list, but so are nine other standouts. [caption id="attachment_904503" align="alignnone" width="1920"] Image courtesy of the artist and Dark Mofo.[/caption] DEAFHEAVEN PERFORMING SUNBATHER Ten years ago, almost to the day, Sunbather changed metal music. Its transcendent mix of glistening guitars, hellish black metal vocals and impassioned drums were divisive at the time, but would go on to influence musicians both inside and beyond heavy metal spheres for the next decade. A festival exclusive, Deafheaven Performing Sunbather is a must-see for fans of any kind of rock music. The seasoned performers will be hitting the Odeon stage on Thursday, June 15 for an hour-long tour through their beloved album. You'll hear the epic first rising note of 'Dream House', then everything through to the grand fadeout of 'The Pecan Tree' — and you'll hear something astonishing. Ben Hansen, Junior Editor [caption id="attachment_886260" align="alignnone" width="1920"] Nicole Marianna Wytyczak[/caption] A DIVINE COMEDY If you're heading south to Dark Mofo's fortnight-long dedication to hedonism, you probably already know that you're in for all-day debauchery, boundary-pushing displays of creativity and a bloody great time. But if you haven't locked in your itinerary, A Divine Comedy is a stellar choice to add to your lineup. This two-hour Australian-exclusive movement piece comes from choreographer Florentina Holzinger, whose work is characterised by a fusion of dance, stunts and pushing her audience's comfort levels to the max. In this piece, we join Dante on her travels through "hell, purgatory and paradise". Through a red haze, an all-female-identifying cast brings to life the journey of horror, joy and everything in between — with motocross, hypnosis and plenty of bodily fluids thrown in, too. There are tickets available for Friday, June 16–Sunday, June 18, with the Sunday show Auslan interpreted for those with accessibility needs. Grace MacKenzie, Branded Content Manager [caption id="attachment_904505" align="alignnone" width="1920"] Image courtesy of the artist and Dark Mofo.[/caption] SILENT SYMPHONY Sound and vision. It's such a simple combination, and it hums at the heart of all festival experiences. We see. We listen. We're engaged, entertained and maybe even transformed — including (or perhaps especially) when we're in darkness, hearing kinetic light and sound instruments, all thanks to Silent Symphony by London-based arts collective United Visual Artists. Part of Dark Mofo's free program, and letting attendees drop in from 4–10pm Thursday, June 8–Sunday, June 11 and Wednesday, June 14–Thursday, June 15, this City Hall work has a clear purpose: to send its audience into the cosmos. Everything seen and heard is inspired by the belief that the universe has its own inaudible music, with UVA creating a piece that mimics planetary orbit. If stepping into a haze and being enveloped by what follows is your kind of release, prepare to be transported. Sarah Ward, Associate Editor SEX + DEATH DAYCLUB So many of Dark Mofo's events are scheduled in the evenings, but I'm keen to explore even more during the day. That's why the Sex + Death Dayclub is on my agenda. This nightclub is only open during the afternoon, and is hidden within the Mona museum itself, running from Friday, June 9–Monday, June 12 and again from Friday, June 16–Monday, June 19. Simply purchase entry into the museum and find the club at the IMPORT EXPORT lounge. Inside, you'll grab some drinks, hide (or dance) in some dark corners of the installation, and listen to DJs and live music chosen by Hobart-based artist Ben Salter. Either start your day here or kick on to this joint in the morning, after a big night out at some of Dark Mofo's other wild events. Andrew Zuccala, SEO Editor [caption id="attachment_904563" align="alignnone" width="1920"] Zuriaake, Grywnn via Wikimedia Commons[/caption] HYMNS TO THE DEAD I'm no longer in my moshing prime (in fact I'm years past it), but I still believe that thrashing in a circle pit is a pastime that's truly ageless. Putting the 'dark' in Dark Mofo is Hymns to the Dead — a black metal extravaganza featuring a triumvirate of acts traversing three continents for a night of metal carnage and axe-crunching musical brutality. On the lineup: Haunter from the USA, Zuriaake from China (yes there's a ripe metal scene in China worth investigating) and Dødheimsgard, the legendary Norwegian visionaries of the genre. If spiritual enlightenment is what you seek at Dark Mofo and extreme loud noise is your pathway to achieving it, you just might find the divine here. Suz Tucker, Editorial Director [caption id="attachment_898571" align="alignnone" width="1920"] Photo credit: Dark Mofo/Jesse Hunniford. Image courtesy Dark Mofo, Hobart, Tasmania, Australia.[/caption] WINTER FEAST If you're in Hobart for Dark Mofo, a visit to the Winter Feast across Thursday, June 8–Sunday, June 11 and Thursday, June 15–Sunday, June 18 is a must. Arrive hungry and dive headfirst into 85-plus different culinary stallholders ranging from tender barbecue and local wines to sustainable cheeses and next-level s'mores. Chef's Table alum Ana Roš is flying in for the occasion to headline the food fest with a four-course exploration of Slovenian and Tasmanian eats. Some other choice suggestions for stallholders to hit up include Bruny Island Oysters (a must when in Tassie); Moo Brew, which has created a limited-edition Winter IPA; Formosa Bites, serving up chargrilled satay squid on a stick; Baked Snow, for deep-fried Taiwanese chicken or scallop sandwiches; and Eden Pantry, for a homely serving of apple pie and vanilla ice cream to round out your night. Ben Hansen, Junior Editor [caption id="attachment_904568" align="alignnone" width="1920"] Ogoh Ogoh: The Burning, Dark Mofo, 2022. Photo credit: Rémi Chauvin, 2022. Image courtesy of Dark Mofo 2022.[/caption] BLUE VELVET LOUNGE Didn't make it to Dark Mofo in time for the David Lynch-inspired masquerade ball, which kicked off the already weird and wild fest in the most fitting manner possible? Don't worry, there's more where that came from. You don't need to don a mask to hit the Blue Velvet Lounge, but you will be in a place most wonderful and strange. Here's hoping that cherry pie will be on the menu. Open nightly from Thursday, June 8–Sunday, June 11 and Wednesday, June 14–Sunday, June 18, and free to enter, this Dark Park spot is all about hanging out over tunes, performances, bites and beverages — Dark Mofo-style, of course, which means that anything can and will happen. It's also home to this year's ogoh-ogoh, the sculpture that invites attendees to write down their fears, which will be burnt at the end of this year's run. Sarah Ward, Associate Editor [caption id="attachment_897774" align="alignnone" width="1920"] Camille Blake. Image courtesy of the artist and Dark Mofo.[/caption] TRANCE Drop-in drop-out 12-hour performance TRANCE from Tianzhuo Chen plunges you into an immersive otherworldly space filled with cartoonish larger-than-life creatures. Here, from Thursday, June 8–Saturday, June 10, you'll find a group of multi-talented performers flexing their range of talents across the mammoth day-to-night show. Depending when you arrive, you might find yourself among a bassy DJ set, a crunk dance-off, a concert from a metal band or a ambient wave of electronic music. Whichever awaits, they'll be accompanied by the movement of the troupe, with the goal of making you truly connect with the moment and your experience, and — as the name says — putting you into a state of trance. Ben Hansen, Junior Editor [caption id="attachment_895366" align="alignnone" width="1920"] Courtesy of the artist and Dark Mofo.[/caption] TRENTEMØLLER If you're like me, aka a poor planner through and through, then you might not be organised to head down to Dark Mofo until the closing days of the festival. That's fine, because events like Trentemøller's Tasmanian stop are on the schedule to keep us latecomers occupied — I'll see you there. The Danish electronic music composer hits MAC2, a large waterfront space, on Sunday, June 18. And for this show, he's taking cues from an environment that has a lot in common with Dark Mofo: Scandinavia. Kicking off at 9pm, the concert will flit between a state of frenetic and the serene, fuelled by electronic shoegaze tunes. Will we feel a viking spirit? Fingers crossed. Alec Jones, Junior Writer [caption id="attachment_898330" align="alignnone" width="1920"] Photo credit: Dark Mofo/Jesse Hunniford. Image courtesy Dark Mofo, Hobart, Tasmania, Australia.[/caption] NIGHT MASS: EXSTASIA You haven't done Dark Mofo right if you haven't added Night Mass: Exstasia to your itinerary. Here, you can let all of your worries fade away as the music captivates your senses. This must-attend event will take you on an intoxicating journey across genres, from techno and synth-pop to manic garage and baile funk, as you tear up the dance floor — and there's still tickets on offer for Friday, June 9 and Friday, June 16. Whichever evening you pick, expect a lineup of memorable tunes featuring influences around the world, and likely discovering your new favourite artists. And, of course, dancing well into the early hours of the next morning. Nishika Sharma, Editorial Assistant Dark Mofo 2023 runs from Thursday, June 8–Thursday, June 22 in Hobart, Tasmania, with tickets on sale now. Still looking for Dark Mofo inspiration? Check out our wholesome-to-hedonistic guide, which'll help you stack your festival itinerary based on the level of chaos you're after. Top image: TRANCE by Tianzhuo Chen | Dark Mofo 2023. Photo credit: Camille Blake. Image courtesy of the artist and Dark Mofo. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
