Victoria has fully reopened to the entire country, and Queensland, Tasmania and South Australia have all announced when they'll relax their border rules, too. Now, it's Western Australia's turn. Today, Friday, November 5, WA Premier Mark McGowan revealed that the state will start welcoming back travellers sometime early in 2022, once it hits the 90-percent double-vaccinated mark. That means that there's no exact reopening date right now, but McGowan said he expects it to occur sometime in late January or early February. Once WA hits the 80-percent double-dose threshold, the Premier will announce exactly when folks from other states will be able to head west again at that 90-percent mark. And, people travelling from overseas destinations, too — because the reopening will apply to both WA's domestic and international borders. There'll be different rules in place depending on where you're entering from, and other health measures such as wearing face masks in high-risk settings and requiring proof of vaccination at large events and nightclubs will also be put into effect statewide. Today we can announce Western Australia's Safe Transition Plan to ease our controlled border. It sets out an approach which will allow us to safely ease our border controls with other States and resume international travel - while limiting the impact of COVID when it reaches WA. pic.twitter.com/z8mSPlppsf — Mark McGowan (@MarkMcGowanMP) November 5, 2021 Now planning a trip to WA from elsewhere in Australia? You'll need to be double-vaccinated to enter, and also to get a negative PCR test result within 72 hours of departing. At first, there'll be tests upon arrival as well, but they will eventually be phased out. For those making the journey from an international location, there'll be no quarantine for double-vaxxed arrivals — and the same testing requirements will be in place for both domestic and overseas travellers. If you haven't had two jabs, you'll still need to go into hotel quarantine for 14 days. "The decision to target a 90-percent vaccination rate is based on extensive modelling which shows us the rates of community infections, hospitalisations and deaths are far lower if we make this change at 90-percent, when compared with an 80-percent target," said the Premier. And, while that 90-percent threshold will apply statewide, "if there are regional areas with low vaccination rates, then pending the health advice at the time, restrictions on travel within WA to protect these specific regions may need to be introduced," McGowan continued. [caption id="attachment_770353" align="alignnone" width="1920"] Tourism Western Australia[/caption] The just-announced plan will see WA reopen while having no COVID-19 in the state's community, too. "This plan sets out how WA will transition in a safe manner and provides a soft landing, with minimal impact on WA's unique way of life," said the Premier. "Transitioning with zero COVID in the community has never been done before and that's why our transition is unique and will require us to all work together." Western Australia has had a hard border and strict quarantine requirements in place for much of the pandemic, meaning that people who don't normally reside in WA have only been able to visit the state if they're classified as an exempt traveller, apply for a G2G Pass and, if approved, then self-isolate for 14 days. To find out more about the status of COVID-19 in Western Australia, and the state's corresponding restrictions, visit its online COVID-19 hub.
Before Instagram there was Hipstamatic - an app for your iPhone that transformed your boring and ordinary 21st century photos into dreamy capsules from a bygone yesteryear with vignetting, light leaks and nostalgically ethereal shades and tints. Hipstamatic promised the 'look, feel, unpredictable beauty and fun of plastic toy cameras from the past' and now, in a bid to regain their popularity and get one up on Instagram, Hipstamatic is offering a new dimension to their faux-analogue photography experience: a digital disposable camera. No, they're not encouraging you to throw your iPhone in the bin each time you've shot a roll of 'film', but what they are doing - cheeky buggers - is hiding your photos from you until you have taken 24 shots. The intention behind the app is questionable. Does this really provide you with a new avenue to experience the fun and anticipation of when you were 12 and brought a chunky yellow Kodak for your geography excursion, when you were so enthralled by this novel device and so enamoured by the gentle clicking sound as you wound back the wheel, that when you finally picked up your prints you realised that half of your photos were pure white flash and the other half were of lizards tails and your friends' noses? Or is using Hipstamatic and the like really an analogous experience akin to that of playing around with a Holga or Diana? I remember the first time I discovered the world of toy cameras, and my heart exploded. One year and at least a dozen rolls of film later, I still have no idea how to use my little 135mm Holga, nor my Polaroid 300, nor my (nominally oxymoronic) reusable disposable. However, in my vain and valiant attempts to try, I have discovered new techniques, unearthed the aesthetic magnificence of accident, and had a hell of a lot of fun too. Hipstamatic could be seen to be taking the whole 'new-technology-that-looks-like-old-technology-but-without-the-inconveniences' mode too far, and in doing so it begs the question: does snapping away with your ol' Hipstamatic - changing lens, flash and film with the effortless swipe of a finger - have something to offer, something to genuinely fill that yearning in all of our hearts for our sun-drenched, sepia-toned childhoods? Or is it a facade wrapped in authenticity wrapped in a marketing facade? The sheer, paradoxical irony of having a 'digital disposable' camera suggests that perhaps in our quest to replicate bygone artifacts and sentiments, too much use has been made of synthetic and spurious techniques and tools for the end product to ever achieve the cultural authenticity that we crave. Perhaps we should concentrate, instead, on embracing the here and now - because, after all, in five or ten years we may well find ourselves looking back on our iPhones and our DSLRs while we shake our heads in nostalgia, ruing those days of focused, instant and digital photography. Either way, Hipstamatic's digital disposable is yours for only $1.99. Now, that is like the good old days.
Frustrated, complacent or intrigued with the current state of Sydney's nighttime culture, following the NSW Government's controversial lockouts? For the last few years, Sydney has become somewhat of a cornerstone of debate around nighttime economies, how they work, how they and what could be done differently. But it's not the only city in the world with a story to tell, regarding nighttime culture. So, this November, Sydney will play host to a brand new international event focused entirely on what happens in cities after dark. Global Cities After Dark is a one-day forum where delegates from around the world will come together to discuss the future of nighttime culture and economy. It's an ambitious, timely collaboration between the Electronic Music Conference and experienced night culture expert Mirik Milan, Night Mayor of Amsterdam, who was EMC's keynote speaker in Sydney in November 2016. Because it's a significantly broad and polarising topic, the event will see a broad range of stakeholders, including city planners, local and state governments, cultural organisations, and the creative community. Night culture presents its own unique constraints, with questions such as public safety, access, service provision, infrastructure and urban planning all ready for the unpacking at Global Cities After Dark. "Being a part of Global Cities After Dark is like a dream come true, because by sharing ideas for a safe and vibrant nightlife, it empowers bottom up initiatives after dark that contribute and strengthen creative cities around the world," said Milan. "It will be one of the most innovative forums from a city planning perspective because global thought leaders will gather in Sydney to discuss what strategies can be put in place for creating liveable inclusive cities with high quality of life and culture for everyone." There'll be surprise guests from Berlin, Long, Amsterdam, Seattle and Ibiza, announced in September. They'll be specialists from various fields that are essential to positive nighttime culture — creative industries, gastronomy, health and safety, mobility and public transport, legislation, urban planning, art and music. Furthermore, the forum will return every year in November for the next three years and tickets will be by invite only. Register your interest for Global Cities After Dark, November 28, here. Further information to be released in September. Until then, learn how to build a nightlife-friendly city with night mayor Mirik Milan.
Whether sprawling across a Tokyo warehouse, taking over a Japanese castle, turning old oil tanks into waterfalls or even popping up in Melbourne, the digital art made by creative collective Teamlab can make you feel like you're in another world. That's a sensation we could all use this year, even if visiting the group's overseas sites is currently off limits due to international travel restrictions. Enter Teamlab's latest project: the online-only Flowers Bombing Home. Like the bulk of Teamlab's work, Flowers Bombing Home is interactive; however, as its name suggests, art lovers can take part from their own couch. The collective is asking its audience to draw and colour-in pictures of geraniums, orchids, willowherbs, thistles and other flora — either on paper or on your phone — then take a photo and upload it to the group's site. Your pics will then be added to the bright, kaleidoscopic, constantly moving and evolving piece. That's the participatory part of the project. When it comes to watching — whether you've gotten arty first, or you just want to view the piece without breaking out your colouring pencils — you can head to Teamlab's YouTube channel. Flowers Bombing Home is live streaming constantly, joining together flowers created by folks all over the world. While viewing, you'll notice petals scattering, then coming together to form new images. Unsurprisingly given the sensory nature of its physical installations, Teamlab recommends viewing Flowers Bombing Home on your television set, "or as large a device as possible". The project will be available for the foreseeable future, too, with the collective advising that it "will bloom until the end of the coronavirus" — and that it'll also stick around afterwards "for people to remember this era". For more information about Teamlab's 'Flowers Bombing Home' — or to add your own drawing — visit the art collective's website. To watch the live-streamed artwork, head to its YouTube channel.
Bunnies are believed to be the luckiest of the 12 signs of the Chinese Zodiac and a symbol of elegance, beauty and good fortune. So it stands to reason that Willoughby City Council's Lunar New Year celebrations, from Wednesday, January 18 to Sunday, February 12 will be particularly prosperous. If you enjoy music, markets and unmissable (and very 'grammable) artworks, Chatswood's Year of the Rabbit Festival is set to deliver on all fronts. Previous Lunar New Year celebrations have seen the suburb's streets filled with food stalls, floats and fiery dancing dragons. This year, in addition to all that, visitors will also be invited to spot a series of spectacular figurines floating across the CBD in the form of eight giant inflatable bunnies. Other program highlights worth hopping to include the Lunar New Year Comedy Festival featuring a fantastic lineup of comics, Asian-Australian R&B artist Milan Ring performing her signature smooth jams, free orchestral concerts, art exhibitions, markets, lantern workshops, parades and the list goes on. The Chatswood Year of the Rabbit Festival will run for four weeks across January and February 2023 . For more information you can visit the website.
The Langston Weekender is throwing it back to simpler times and bringing serious old-school block party vibes to Epping on Sunday, November 13 from 9am to 3pm. To celebrate the official grand opening of a new community precinct by Cbus Property, the festival is all about bringing people together — which is why you'll find kid-friendly activities like giant yard games, alongside more adult-approved activities including one-day-only deals from retailers and coffee experts Brew Bar. We pass no judgement on those of double-digit age who may find themselves settling in for a spot of face painting… https://www.youtube.com/watch?v=M3uFOEa4m04 The inaugural fest will also be packed with craft workshops, art displays (including the work of visual artist Jayanto Tan), market stalls, live music, First Nations dance performances, sets by renowned party-starter and foodie DJ Levins, a range of impressive food and drink pop-ups, and even an animal farm. If you don't want the good times to end, then they don't have to. The Langston Weekender will be capped off by the Moon Markets in Epping's Town Centre from 5pm that evening. A perfect opportunity to showcase your painted face, perhaps… The Langston Weekender will take place from 9am on Sunday, November 13. For more information, visit the website.
Every time you sing along to The Little Mermaid, you nod to Danish author Hans Christian Andersen. If you grew up reading The Little Match Girl, Thumbelina, The Emperor's New Clothes, The Princess and the Pea and The Ugly Duckling, you've been familiar with his work on the page, too. And, when Frozen became a huge cinema hit, it took inspiration from the writer's 1844 fairytale The Snow Queen. Basically, Andersen's stories have been a big part of everyone's childhoods — in recent decades and, in written form, for nearly two centuries. So, you've already spent plenty of time escaping into the author's narratives. Once the middle of 2021 rolls around (and once international travel starts returning to normal, of course), you can also wander through a brand new museum inspired by his fairytale world. Set to open in Odense in Denmark, which is where Anderson was born, HC Andersen's House has a hefty aim: to make visitors feel as if they've stepped right into his tales. That's the immersive dream at these types of venues, after all, as also seen in Disney's theme parks, the new Super Mario-themed amusement parks and Studio Ghibli's upcoming site as well. "We have to dive into the fairytales as the very first thing, because they are what everyone knows. The idea is not to retell the stories, but rather to communicate their familiarity and inspire further reading of Andersen," says Torben Grøngaard Jeppesen, the head of Odense City Museums. Accordingly, HC Andersen's House will reflect its inspiration however it can — in its architecture, in the imagery and sounds it puts on display, in the way it uses light throughout the venue, and in the experiences visitors can dive into while they're there. Across a 5600-square-metre site, that'll include a children's house and an underground museum, as well as a sprawling garden that, from the concept images, resembles a labyrinth. And, in a nod to The Little Mermaid, attendees will also be able to look up through a pool of water and peer at the people in the grounds above them. Japanese architect Kengo Kuma leads the design, fresh from his work on the Japan National Stadium for the Tokyo Olympics. For HC Andersen's House, "the idea behind the architectural design resembled Andersen's method, where a small world suddenly expands to a bigger universe," he explains. Odense is already home to a smaller site dedicated to Andersen, which'll be included in the new venue. When HC Andersen's House opens, it'll also incorporate the building where the author was born. HC Andersen's House will open at HC Andersen Haven 1, DK-5000, Odense sometime in the middle of 2021. For further details, head to the venue's website. Images: Kengo Kuma & Associates, Cornelius Vöge, MASU planning.
Sydney Festival is just about done for the year, but the theatre still beckons. Whether it's escapism, hard truths or old friends that you're after, Feb's lineup ticks most of the boxes. You could try your luck at securing a decent seat for Belvoir's returned Jasper Jones (pictured) or you could see one of these new shows, spanning subjects from Mark Colvin's kidney to Oscar Wilde's fall from playwright to prisoner. Image: Jasper Jones, Lisa Tomasetti.
A long time ago, in this very galaxy, brass instruments sounded, a text crawl started and the first Star Wars film burst onto the screen. Thanks to director George Lucas and composer John Williams, it's one of the most iconic movie openings in history — and, in all of its force-wielding, Death Star-destroying, orchestra-scored glory, the sci-fi classic is making a kriffing special return. With Star Wars: Episode VII — The Force Awakens getting the concert treatment in Melbourne in December, every jedi, wookiee, droid and even sith around the rest of the country has been crossing their fingers and toes for a similar blend of Star Wars movies and music. In Sydney, those hopes and dreams are being answered with two screenings of Star Wars: Episode IV — A New Hope at the ICC Sydney Theatre. The film will roll, the Sydney Symphony Orchestra will perform Williams' Oscar-winning compositions, and you'll burst with a Millennium Falcon's worth of happiness. Whether you're a huge Star Wars buff eager to ride a wave of excitement past Star Wars: Episode VIII — The Last Jedi's December release, just have a casual interest, or have no idea what the term R2-D2 means, mark February 16 and 17, 2018 in your diary and prepare to experience history — it's the first time that a live performance has accompanied A New Hope in Sydney. Australian conductor Nicholas Buc will once again lead the charge, as the city's finest provide the soundtrack to Luke Skywalker meeting Obi-Wan Kenobi, Princess Leia sending a message for help, Han Solo oozing his usual attitude and Darth Vader just being a power-hungry jerk. The series will also tour to Perth, Adelaide and Wellington, with different conductors stepping in in Western Australia and New Zealand. Star Wars: Episode VI — A New Hope will screen at the ICC Sydney Theatre on February 16 and 17, 2018. Grab tickets here.
You've heard about the awesomeness of nap desks. But what about a whole nap bar? In a move that has us turning green with envy, French furniture company Smarin recently held a pop-up in a Dubai warehouse where visitors could stop in for a much needed snooze. Part of the Art Dubai and Design Days Dubai events, the temporary installation featured various foam lounge chairs of different shapes and sizes, along with pillows, herbal teas, essential oils and woolen ponchos. The space was lit by circular lamps that would switch on and off at five-second intervals in a manner designed to resemble slow, relaxed breathing. "I had the idea for the Nap Bar because when I'm walking in big cities, sometimes I take a break with a coffee but actually I need more of a real break," Smarin founder Stephanie Marin told Dezeen. Now before you quit your job and book a flight to the UAE, you should know that the nap bar pop-up actually finished up last week. Hopefully some clever entrepreneur was paying attention, because there is definitely a market for this kind of thing here in Australia. But until that becomes a reality (Virgin Active's sleep pods are a little too clinical for us), check out our list of creative ways to nap on the job. And now if you'll excuse us, all this typing has worn us out. Via Dezeen.
Sweden's recent electro music success is enough to believe the likes of Lykke Li, Robyn, The Knife, Swedish House Mafia, Avicii, Adrian Lux and Rebecca & Fiona all hang out with each other, and swap industry tips over fika. Groups such as Little Dragon, however, have developed an international following with records characterised by smoothly evocative lyrics. Their self-proclaimed 'global sound' is experimental and consistently enjoyable. Their latest album, Nubuma Rubberband, is absolutely worth a listen. Hitting up Oxford Art Factory with one of the week's most anticipated gigs, Little Dragon have now sold out every last ticket for the night without breaking a sweat. https://youtube.com/watch?v=UM--TtkGNa4
Are you the kind of person who starts plotting your next meal before you've even finished the last? Love eating more than anything else? Well, you can get right to the guts of our global food obsession when culinary legend Nigella Lawson returns to Aussie shores for her new show, An Evening with Nigella Lawson. One of the most successful food writers of all time, cooking up more than ten million book sales worldwide with her 11 culinary bibles, Lawson was in the country last December for a series of talks discussing the concept of food and its link to pleasure, creativity and belonging, and now she's back — direct from London's West End. An Evening with Nigella Lawson is a new show where the celebrity chef shares her own culinary story, live on stage. The show has been floated as interactive and intimate. Culinary questions will be taken from the audience, while Nigella shares her thoughts about the role food plays in life, plus what she is eating and cooking. Before becoming a household name, Nigella worked as a book reviewer and restaurant critic, going on to become the deputy literary editor of The Sunday Times. She is responsible for numerous award-winning books, including How to Eat, How to Be a Domestic Goddess, Nigella Bites and At My Table. AN EVENING WITH NIGELLA LAWSON 2019 DATES Perth — Riverside Theatre, January 29 Sydney — Sydney Opera House, February 2 Canberra — Royal Theatre, February 4 Melbourne — Hamer Hall, February 9 Brisbane — QPAC Concert Hall, February 10 An Evening with Nigella Lawson tickets go on sale Monday, October 29. You can signup to be notified when they're released here.
A couple hundred comedians walked into a bar. And then a theatre. And then a club. And then the Enmore Theatre. Brace your funny bone because it's Sydney Comedy Festival time — and this year's lineup down not disappoint. David O'Doherty, Jason Byrne and Stephen K. Amos are just some of the big international acts who'll come flying into town (and, boy, will their arms be tired). They'll share the stage with stellar locals acts including Becky Lucas, Rhys Nicholson, Nazeem Hussain and Demi Lardner. And that's to say nothing of the endless amateurs and up-and-comers who'll by cracking jokes through the festival, which runs from April 23 right through until May 20.
At the beginning of July, when Greater Sydney's lockdown had been hanging around for a few weeks, Taronga Zoo did everyone a solid by releasing videos of its latest wombat joey. Even if you weren't under stay-at-home conditions then — because you don't live in the area — the footage was heartwarmingly cute. Thankfully, the zoo has more where that came from. This time around, you can take a peek at another baby animal: a koala joey named Humphrey. He's just over 12 months old, he's only been out of his mother Willow's pouch since he was around six months old — because that's what koala's do — and yes, he's as endearing as you'd expect. He's just as fluffy as well. In the video, which was captured by one of Taronga's koala keepers, Humphrey is keen to climb, eat and cuddle. His little eyes light up with curiosity as he scurries about, too. When he entered the world in 2020, Humphrey was the first koala joey born at Taronga Zoo in over a year — so he's obviously been able to garner plenty of attention. That's enough words about this loveable little critter, because we all know that you're here to get a glimpse. Check out Taronga Zoo's footage below: [video width="1920" height="1080" mp4="https://cdn.concreteplayground.com/content/uploads/2021/07/Taronga-Media-Alert-Humphrey-the-koala-joey.mp4"][/video] Taronga has also been spoiling animal lovers with cuteness via its online television station, which was initially established by in 2020, and it is back now for obvious reasons. It's also releasing regular videos across its Facebook, Instagram and YouTube channels, and making keeper talks and other clips available online as well. Taronga Zoo is currently closed during Sydney's lockdown, but you can check out more videos of its cute animals via its online Taronga TV channel.
Australian summers aren't known for their mild temperatures, but the past three months have been especially toasty. Sydney experienced a record-tying hot spell to kick off 2018. Melbourne endured its hottest day in five years, and then went and almost immediately smashed that top temperature by surviving its hottest day in ten years. A mid-January heatwave rolled across the country, hitting scorching maximums, while the entire first month of the year was deemed Australia's hottest ever. If you've been feeling particularly hot and steamy, there's a good reason — all of the above instances of sweltering weather helped lead to the nation's warmest summer on record. The period from December to February also earned that label in New South Wales, Victoria, Western Australia and the Northern Territory, while Tasmania and South Australia persisted through their second-hottest summers ever. In Queensland, it was the state's fourth-warmest summer. Both mean and maximum temperatures for the season were exceeded by significant margins, with each reaching nearly one degree higher than the past record, which was set over the summer of 2012–13. Even minimum temperatures soared, with New South Wales hitting its highest on record for summer away from the northeast and far west — and parts of southern inland Queensland, and central northern and eastern Victoria, doing so as well. Here's how maximums looked across the country: [caption id="attachment_710118" align="aligncenter" width="680"] Bureau of Meteorology[/caption] The findings were announced in the Bureau of Meteorology's official summer summary, which also notes that Greater Sydney's daytime temperatures were generally one to three degrees warmer than normal, that Greater Melbourne's maximums were between 1.5–2.5 degrees warmer than the long-term summer average, and that Brisbane experienced a record run of 46 days at or above 30 degrees, spanning from 10 January to 24 February. In short, your three months of seeking solace in beaches, pools and air-conditioning were completely justified. According to Bureau climatologist Dr Lynette Bettio, "the heat we saw this summer was unprecedented". And as for reprieves from above, "rainfall was also well below average for many places, apart from areas in northern Queensland". Summer might now be over; however that doesn't mean that it's time to pull out your jumpers — most of Australia is forecast to score a hotter-than-average autumn. How hot? For mainland Australian residents, there's an 80 percent chance you'll experience autumn temperatures that are a whole lot warmer than the median. Don't go packing away your pedestal fan just yet either. Image: Tourism and Events Queensland
Another day, another streaming platform. While there's a service for everything these days — Disney flicks, documentaries, Aussie movies, films recommended by Drive director Nicolas Winding Refn and, soon, British television (just to name a couple) — the just-launched Quibi comes with a few twists. We hope you like glueing your eyes to your phone and watching everything in ten-minute chunks, because that's what's on offer with this newcomer. It's all in the title, really, with Quibi shortened from 'quick bites'. Whether you're checking out a new version of Punk'd hosted by Chance the Rapper, seeing Chrissy Teigen preside over small claims cases in the Judge Judy-style Chrissy's Court or getting immersed in a Reese Witherspoon-narrated documentary series about females in natural history, you'll be doing so in small portions. And, you'll be watching on your mobile device of choice, because that's the only place the Quibi app is available. https://www.youtube.com/watch?v=3awKJu7EN6I Created by ex-Disney chairman and DreamWorks cofounder Jeffrey Katzenberg, and led by former eBay president and CEO Meg Whitman, Quibi has been in the works since 2018 — and earning ample attention thanks to its huge stash of cash (reportedly raising $1.75 billion to spend on content), as well as its hefty array of stars and shows (including an upcoming remake of How to Lose a Guy in 10 Days). But the service's arrival in Australia actually came as a surprise, with the platform touting a US launch on April 6, then becoming available Down Under on the same date. That means Aussie viewers can now catch everything from dramas and comedies to news and reality TV in bite-sized chunks, with instalments maxing out at ten minutes but most running shorter (between five and eight minutes). Also on Quibi's lineup are 'movies in chapters', which are exactly what they sounds like — films broken down into episodic segments to fit the platform's whole concept. Launching with a sizeable range titles — with an ultimate aim of hitting 175 different shows and 7000 episodes in its first year — Quibi highlights include mockumentary Nikki Fre$h, which follows Nicole Richie's efforts to become a wellness-focused rapper; cooking competition show Dishmantled, where host and Unbreakable Kimmy Schmidt star Tituss Burgess shoots food at two culinary industry figures, then forces them to try to recreate the dish in question; and Lena Waithe-hosted documentary series You Ain't Got These, about sneaker culture. From the 'movies in chapters' lineup, there's also Flipped, starring Will Forte and It's Always Sunny in Philadelphia's Kaitlin Olson as a down-on-their-luck couple desperate to host their own TV renovation series; Most Dangerous Game, the latest twist on the humans-hunting-humans idea, this time with Christoph Waltz and Liam Hemsworth; and Survive, which casts Game of Thrones' Sophie Turner as a suicidal patient suddenly forced to fight for her life after a plane crash. https://www.youtube.com/watch?v=Q3IRvX9UaIk&feature=emb_logo If you're wondering about watching all of the above on your phone, Quibi is designed to play in full-screen no matter whether your handset is vertical or horizontal — with the image automatically changing as you move your device around. And if you're thinking "clearly this is targeted for people watching on the go, such as on the train to work", you're spot-on. Thanks to COVID-19, of course, that's not how folks will be using the service for the near future, though. That makes Quibi a Netflix-meets-YouTube streaming platform with plenty of things to watch, but a flimsy gimmick — or a poorly timed one, at least. Whether anyone wants to get their TV and movie fix on their phone while they're cooped up at home is one of the questions the service currently faces. The other is the lack of communal viewing, because no one wants to crowd around one handset to watch a show or film with their significant other. https://www.youtube.com/watch?v=nKPuomRV5C8 Still, Quibi is betting that audiences will be interested anyway, with more big-name titles in the works. Serving up car-based stunts, Elba vs Block will see Idris Elba face off against professional rally driver Ken Block. And expect lots of cuteness in Barkitecture, which'll see the construction of OTT houses — for dogs. In the remake category, a new version of late 90s sports flick Varsity Blues is on the slate, as is a revival of comedy series Reno 911, as well as a Kiefer Sutherland-starring take on 60s TV series and 90s movie The Fugitive. Sci-fi movie Code 8 is getting a Quibi spinoff, starring Robbie and Stephen Amell, while Japanese horror manga Tomie is being adapted for the platform. And even Steven Spielberg is jumping on the bandwagon, courtesy of horror series Spielberg's After Dark. For further details about Quibi, visit the streaming platform's website. To download the Quibi app, head to the App Store or GooglePlay — with a 90-day free trial currently available, and subscriptions costing AU$12.99 per month afterwards. Top images: Survive and Barkitecture
At last, the gluten free gods have answered your prayers. The Gohil family — whose coeliac-friendly products have been gracing local supermarket shelves for 20 years — are making lives even easier, launching the country's first dedicated gluten free, ready-cooked meal delivery service. Just like the recently launched Freshara is doing for Australia's vegan contingent, The Gluten Free Meal Co is opening up the meal delivery game to a whole new group of foodies, with a collection of nourishing, ready-prepared dishes endorsed by Coeliac Australia. They've also done away with the whole subscription caper. Instead, users simply order by selecting from the lineup of $9.90 single-serve meals on The Gluten Free Meal Co's online menu. And, while there's a minimum spend of $65 for each order, you will score free delivery Australia-wide. All meals are whipped up in a state-of-the-art facility and undergo external gluten testing before arriving at your doorstep — although by the looks of that menu, they're designed to tempt taste buds just as much as any gluten-filled goodies. We're talking global-inspired main dishes like crumbed fish fillets and a country-style chicken pie, a solid range of vegetarian meals, and even a dessert selection featuring sweet treats like chocolate profiteroles. "The gluten free community deserves the same privilege of eating a wide variety of high-quality, nourishing food as everyone else," said Pran and Jitesh Gohil. "We're so excited that we can look after everyone with this fantastic range of delicious mains, finger foods and desserts that are indistinguishable from dishes everyone enjoys." For more information about The Gluten Free Meal Co visit www.gfmeals.com.au.
The newly extended Museum of Contemporary Art Australia would be doing only half its job if all the artworks in its opening salvo hung on the walls. Teaming up with Performance Space, it is also showcasing performance, participatory and site-specific artworks that roam the museum surrounds and suffuse your visit with surprise. There are seven works in the program, dubbed Local Positioning Systems, and each responds in some way to the MCA building and the space around it. Celestial Radio (March 29 to April 15) is unmissable, mainly because the sunlight bouncing off the sailboat's 60,000 mirror tiles will blind you. The stunning sculptural object, by Zoe Walker and Neil Bromwich, is also a literal twist on the pirate radio station, broadcasting a psychedelic soundwork crafted with the input of locals. Preceded by a tour of the show by artist Stuart Ringholt 6-8pm (the artist will be naked. Those who wish to join the tour must also be naked. Adults only) (on March 27-29) is a work we've more succinctly titled the 'Naked Art Tour'. Ringholt's art confronts themes of fear and embarrassment, though unlike the instance when he walked around with toilet paper hanging from his pants, this one requires you to do the confronting as you join an all-nude after-hours gallery tour. It will book out quick. Which is a world away from Julie-Anne Long's Val, The Invisible (April 7-23). If you overlook the humble, middle-aged woman at its centre, you'll be missing out on the little bit of art she inserts into the everyday. She's at least one stranger in the MCA you ought to stop to talk to. In The Experts Project (May 6-13), Lara Thoms is riffing on that thing we all do now where we read an article on Wikipedia and act like we've written the PhD — except she's learning from people in real-life, and she's self-aware. After exploring the unofficial and unexpected specialties of people with whom her residency at the museum brings her into contact, she'll digest their wisdom into a series of presentations. A previous incarnation of the project taught her about "how to skin a rabbit with your bare hands, making decorative toilet roll holders, bubbleology, staying out of a psych ward, polyamory" and much, much more. For those unsatisfied with the cost or philosophical scope of their GP's office, Jason Maling's Physician (May 5-18) provides. You can make an appointment at the MCA desk and seek treatment from Jason for your contemporary neuroses. Regular gallerygoers might likes to have their 'metaphobia' and 'generalised indifference disorder' looked at. Latai Taumoepeua's i-Land X-isle (May 25-26) is a huge performance installation that addresses themes of climate change and rising sea levels. It includes large blocks of ice suspended by traditional Tongan binding techniques beside the waters of Sydney Harbour. Finally, Dachshund UN (June 2-3) by Bennett Miller is indeed a United Nations of dachshunds. In a scale model of the General Assembly built in the MCA forecourt, 47 representative dachshunds (whose animal rights have apparently been considered and respected) will gather to debate the issues. And if that looks like a pointless exercise, well, yeah.
UPDATE, February 12, 2021: Booksmart is available to stream via Binge, Foxtel Now, Google Play, YouTube Movies, iTunes and Amazon Video. When Booksmart premiered at SXSW in March to widespread acclaim, it earned immediate comparisons to another teen-centric comedy. Like Superbad, it follows two high-school outsiders who finally let loose before graduation. The film also stars a member of the Feldstein family — Beanie Feldstein, who is best known for Bad Neighbours 2, Lady Bird and the television version of What We Do in the Shadows, and happens to be Jonah Hill's sister. But likening this hilarious exploration of female friendship to a male-centric flick doesn't do Booksmart justice. Nor does badging it a gender-swapped twist on its ostensible predecessor. Drawing upon a smart, sharp script (by seasoned TV writers Emily Halpern and Sarah Haskins, as well as The Spy Who Dumped Me's Susanna Fogel and Isn't It Romantic's Katie Silberman), actor-turned-filmmaker Olivia Wilde isn't trying to create a female clone of anything. Rather, the first-time director brings an insightful and amusing story to the screen, plus two relatable characters that make it shine. Yes, they're young women. Yes, the film is filled with gross-out gags and other outlandishness. And yes, this type of fare doesn't usually focus on girls, favour a feminine perspective or stem exclusively from female voices. That says as much about the film industry as it does about Booksmart, however, and it isn't a new issue. As seen with Bridesmaids and the spate of comedies that followed, comparing female-fronted movies to their supposed male counterparts has become society's way of coping with a clear failing. We don't have much of a framework for films like these because they're much too rare and, even as they gradually increase in number, we're not conditioned to seeing women in these situations. Addressing that gap by broadening the range of tales told really couldn't be more crucial. But it's equally important to recognise a standout picture not because it recalls another flick, but because it's truly a delight on its own merits. With its affectionate energy, inclusive vibe, side-splitting gags and excellent lead performances, Booksmart boasts plenty of cheer-worthy highlights, each making the movie's generally familiar narrative feel fresh. The day before they're due to don their caps and gowns, listen to speeches and farewell everything they know, firm best friends Molly (Feldstein) and Amy (Kaitlyn Dever) suddenly come to a realisation: they've actually wasted the past few years. While the studious duo worked hard to secure spots at impressive colleges, their partying peers also scored places at prestigious schools. An overachiever who'll never be told that she can't do something, Molly is especially incensed, convincing Amy to use their last night as secondary students to make up for what they've been missing. Coordinating outfits, hopping between celebrations, dealing with pesky adults, chasing their respective crushes, trying mind-altering substances — that's Molly and Amy's big leap from brainiacs to party gals. As they jump around Los Angeles, they not only navigate a series of raucous antics, but encounter a lively roster of supporting players, including Jason Sudeikis as their Lyft-driving principal, Jessica Williams as the teacher who's ready to rage with them, and scene-stealer Billie Lourd as a free-spirited classmate. Charting her protagonists' eventful evening, Wilde always finds the right approach for every moment. Booksmart segues effortlessly between spirited soundtrack choices, anarchic comic set-pieces and one of the most memorable animated scenes to hit cinemas in years, with each directorial selection intimately tied to the picture's central pair. That's the key to this astute coming-of-age comedy, because none of the revelry means anything if it doesn't take the characters on a journey. If Booksmart had just stuck with wild hijinks and kept its fun skin-deep, it would've still proven an enjoyable night at the movies, immersing audiences in its upbeat party atmosphere. And yet, the film ventures beyond hedonistic thrills and straightforward life lessons. While those elements are part of the movie, they're the equivalent of streamers and balloons — nice to have, but not the main attraction. Instead, Booksmart uses its madcap merriment to delve into Molly and Amy's close bond, and the reality that it too will change along with everything else in their lives. Each episodic escapade speaks to something within their complex friendship, unpacking a connection that's loving and messy, shifting yet solid, and supportive but sometimes overwhelming all at once. Relationships, especially lifelong platonic friendships between adolescents on the cusp of adulthood, are like that — something which this equally hilarious and heartfelt film embraces. It's no understatement to say that, even with everything else turning out swimmingly, this would've been a completely different movie without Feldstein and Dever. Wilde asked the duo to live together to develop a genuine rapport, and the naturalistic results show in every scene. Booksmart isn't short on dialogue, but it conveys just as much via body language, with the talented actors wearing their camaraderie like a second skin. That said, they're not just a complicated, compelling, compliment-slinging double act. Whether Feldstein is standing up to Molly's taunting peers, or Dever is showing how the out-but-uninitiated Amy remains awkward about love and sex, Booksmart's rising stars ensure that their on-screen alter-egos couldn't feel more authentic. With its frank and funny snapshot of one crazy, revelatory night, the film does the same with the entire teenage experience. https://www.youtube.com/watch?v=iwojM2j0Xb0
As Australia grieves the loss of some of our favourite music festivals — plagued by fatally low ticket sales (see Harvest and Homebake) — Laneway has come out the other end of the tunnel and found the light. Its killer lineup has a taste for everyone, and while The Jezabels, Cloud Control, Haim, Lorde and Unknown Mortal Orchestra have committed to playing St. Jeromes Laneway exclusively, a few crowd-pleasing sideshows have today been announced. Among the announced sideshows is American R&B boy Autre Ne Veut for his first Aussie visit, along with London trio Daughter and Scottish trio Chvrches, who cemented a huge Aussie fan base with their recent sell-out tour and will this time be supported by Sydney producer Elizabeth Rose. Also joining the list is Sydney duo Jagwar Ma, with support from fellow Laneway alumni and Sydney boy Jonti. London punk chicks Savages will be supported by Sydney muso Kirin J Callinan for what'll undoubtedly be some unpredictable shows. British singer/songwriter and teen King Krule incorporates elements of jazz, dubstep and hip-hop in his tunes. Support for his over 18 shows are to be announced, while Scottish indie rock band Frightened Rabbit will also have Sydney and Melbourne shows across January and February. Autre Ne Veut Tickets on sale now through Handsome Tours. Melbourne Tuesday February 4 - Northcote Social Club Sydney Wednesday February 5 - Oxford Art Factory Daughter Tickets via Ticketek. For pre-sales sign up at Heavenly Sounds. Sydney Tuesday February 4 - St Stephen's Uniting Church Melbourne Monday February 10 - St Michael's Uniting Church Chvrches Tickets from the Laneway Festival website. Melbourne Wednesday January 29 - Forum Theatre Sydney Tuesday February 4 - Metro Theatre Jagwar Ma Melbourne Thursday January 16 - The Hi-Fi Sydney Friday January 17 - Metro Theatre Savages Tickets from the Laneway Festival website. Melbourne Thursday January 30 - The Hi-Fi Sydney Wednesday February 5 - Metro Theatre King Krule Tickets from the Laneway Festival website. Melbourne Tuesday January 28 - The Corner Hotel Sydney Tuesday February 4 - Oxford Art Factory Frightened Rabbit Tickets from the Laneway Festival website. Melbourne Wednesday February 5 - The Palace Sydney Thursday February 6 - Metro Theatre Top image: Daughter photographed by Stacey Hatfield.
As beer and food geeks we can't imagine a much more exciting pairing than Restaurant Hubert and Garage Project. And they're teaming up for one beer-themed French-Mexican feast this Sydney Beer Week. With the boundary pushing brewers from across the ditch confirming two, of four, new brews already — the 2018 release of La Calavera Catrina, a watermelon, habanero and maize lager, as well Day of the Dead, a chipotle chilli black lager — things are already looking pretty promising. Add a French-Mexican feast by Hubert chefs Dan Pepperell and James McDonald and live music from mariachi/flamenco/rock/metal band Kallida all taking place in Hubert's underground Theatre Royale, and it's a celebration you won't want to miss. The $130 ticket includes canapes, a buffet dinner and four matching beers for Garage Project. Image: Daniel Boud.
Across most of Australia, no one expects to feel particularly warm in June. Even in Brisbane, the temperature always starts to dip before midyear hits. But, just days into winter 2021, the frostiest part of the calendar is making sure that Aussies along the east coast definitely feel the cold — so rugging up is recommended for the next week. The country's southeast is expected to be especially chilly, as you might have already started to realise if you're located in Sydney or Melbourne. The Bureau of Meteorology advises that icy air has been heading up from the Southern Ocean, and it's bringing rain, wind and snow with it. In New South Wales, that means cold, wet and windy conditions for most of the state from Tuesday, June 8, plus snow in sections of the northern and central Tablelands — and alpine areas — on Wednesday, June 9 and Thursday, June 10. In Melbourne, don't expect temperatures higher than 13 degrees on Tuesday and Wednesday, or above 16 degrees until Sunday, June 13. https://twitter.com/BOM_au/status/1401658919659917317 Discussing the colder conditions on Sunday, June 6, BOM meteorologist Sarah Scully said that "there is a very strong cold front that's forecast to move across southeastern Australia across Monday and Tuesday" — and "on and beyond that cold front, we're forecasting widespread showers, small hail and isolated thunderstorms." The cold front is expected to move east through NSW and Victoria on Monday and Tuesday. Also on Tuesday, snow is expected to drop to low levels "through parts of Tasmania, Victoria and alpine areas of NSW." From Tuesday night onwards, a complex low pressure area is forecast to develop over the southern part of NSW, then move off the east coast and intensify — bringing a band of rain across the eastern seaboard. That's anticipated to stretch right up from Tasmania to southeast Queensland. "It's a very cold pool of air, so there's the potential for small hail and thunderstorms as well, and showers, and also snow down to low levels," said Scully. https://twitter.com/BOM_Vic/status/1401701952052994054 So, Sydneysiders, get ready for minimums as low as eight degrees, showers from late Tuesday until Friday, June 11, and a maximum of 15 degrees on Thursday, June 10. In Melbourne, as well as the low top temps mentioned above, the minimum will hit six degrees on Wednesday, and showers are forecast from Tuesday–Thursday. Damaging winds are also expected in southern and alpine regions. Brisbane has been feeling chillier than usual for a few days, thanks to a cool change that was forecast last week. Back when winter started, BOM noted that there was "an outside chance" that the Granite Belt could get snow this week — but Brisbane is in for eight-degree minimums regardless from Thursday–Sunday, and a maximum of just 18 degrees on Thursday as well. https://twitter.com/BOM_Qld/status/1399558171740442627 Of course, while these are BOM's forecasts as issued up until today, Monday, June 7, conditions may change — so keep an eye on the Bureau's website for the most up-to-date information. For latest weather forecasts, head to the Bureau of Meteorology website.
While Messina's main jam is crafting supremely scoffable varieties of gelato, the brand's love of food extends far beyond the freezer, as proven through a series of pop-ups it's dubbed Messina Eats. Every couple of months, the cult gelateria teams up with a savoury-focused culinary hero and throws a big ol' food party in the carpark at its Rosebery headquarters. On January 31 and February 1, it's teaming up with Melbourne's Wonderbao to create a special Chinese New Year menu as dreamy as the soft, doughy pillows themselves. . Along with traditional pork buns, the team will also be steaming its cult gua bao stuffed with pork belly, fried chicken and silken tofu. And it's bringing a brand new product to the party, too: a lobster bao-guette. As you can guess, it's a cross between a bao and a lobster roll, and it looks damn tasty. There'll also be sides — including spicy fries — and a lychee soda and dulce de leche and early grey milk tea to drink. And for dessert? Messina's famous mango pancakes, stuffed with mango sorbet and whipped cream. The whole thing will go down over Friday and Saturday in the carpark at Messina's Rosebery HQ. They'll be open from noon for lunch and dinner until sold out.
According to this year's star-studded chick flicks, real women want easy-to-use beauty products. They also want films where women state this obvious fact, apparently. First I Feel Pretty made that claim, and now Second Act does the same, because these things typically come in pairs. The similarities don't end there, with both movies championing the idea that it's what's inside that counts. Sadly, neither picture knows how to properly live up to that notion — and while Second Act has more heart than its near-insufferable predecessor, it also sports a vast gap between its good intentions and its muddled reality. Jennifer Lopez plays everywoman Maya, a Queens native with 15 years experience at a Costco-like discount department store, but lacking in professional confidence. She lacks a college degree as well, which precludes her from the big promotion she's been working towards. Maya's support network helps commiserate — and celebrate her birthday — but it's the teenage son (Dalton Harrod) of her best friend and co-worker Joan (Leah Remini) that makes a difference. Thanks to his computer wizardry, Maya suddenly has a fake online life complete with the credentials, backstory and social media profile to get a high-flying Manhattan job. And when she's swiftly headhunted by a prestigious cosmetics company, she goes along with it. Armed with street smarts and real-world experience, this fish-out-of-water is soon tasked with making an organic skincare line for her new employer — while pitted against cut-throat colleague Zoe (Vanessa Hudgens), who also happens to be the boss' (Treat Williams) daughter. Cue a quest to prove that Maya has what it takes, although she only has the chance to do so because she lied to conform. No amount of comic competition, well-meaning sentiment or lightly insightful commentary about class can lessen that divide, as the movie tells viewers to be themselves, but only after they've pretended to be someone else to get their foot in the door. Given that the organic skincare subplot involves calling out substandard products that falsely claim to fit the label, surely director Peter Segal (Grudge Match) and writers Justin Zackham (One Chance) and Elaine Goldsmith-Thomas (also one of Second Act's producers) should've noticed that their film suffers from the very same flaw. Perhaps the filmmakers were just distracted by (or trying to distract viewers with) Second Act's various moving parts. Splitting its time between Maya's professional and personal struggles, the movie explores why she gets frosty whenever her boyfriend (Milo Ventimiglia) mentions having children — and while to say more is to spoil Second Act's, well, second act, motherhood remains a prominent theme, as does Maya's attempts to balance her new and old lives. Set at the end of the year for no apparent reason, this is also a Christmas film. Thanks to the hijinks of Maya's devoted employees (Charlyne Yi and Alan Aisenberg), it's a broad workplace comedy as well. But, more than anything else, it's a case of throwing together every formulaic element possible and simply hoping that the combination works. What does work is Lopez, firmly in Maid in Manhattan mode and showing why she's often a warm presence even in lukewarm (at best) films. Most of Second Act feels contrived, misguided, forced and superficial, but that doesn't apply to the movie's star, or to Hudgens when she's given a bit more to do. Still, neither actor can completely overcome the material. Second Act's jumbled core never fades, which only reinforces its central message in an unintended fashion. What's inside this flick is bland, routine, and happy offering up feel-good statements in a slight and easy way. And as the movie keeps telling viewers, it's what's inside that truly matters. https://www.youtube.com/watch?v=RJKoJXIcdv0
Winter is coming and like Game of Thrones' Nights Watch, Sydney's cultural scene is doing all it can to avoid its inhabitants being consumed by the cold. Vivid has come and gone in a flash of (many mesmeric) lights and now the city is welcoming the newest addition to its chill-fighting arsenal — the Light My Fire Festival. The ivy-sponsored season will run until August 31 and the highlight will be the evening of July 10, when Palings Kitchen & Bar will showcase the culinary magnificence of a host of ivy's best food and drink establishments. Guests can delight in gastronomic treats from Felix, Uccello, Ash St Cellar as well as Palings itself before washing it all down with a mulled wine, cider, cocktail or expert-selected red or white. If that wasn't tempting enough, you can even meet your favourite ivy chefs and tell them how delicious your feast was. The Light My Fire Festival also features a range of other events, including the wine-fuelled Around the World with Eighty Reds, as well as a host of restaurant deals to keep your taste buds warm.
Last November Jim Finn, of Art vs Science fame, launched his solo project Vydamo with the single 'Gonna Make It', a user-friendly, catchy little anthem of a hit that almost fooled me into thinking the New Radicals had finally followed up their '90s one-hit wonder 'Get What You Give'. But this is real music that is real fun or, as Richard Kingsmill of triple j puts it, this guy (and this music) is "extremely likeable". Vydamo will kick off his first tour this Friday, April 19, when he plays to Sydneysiders at OAF before heading south for a Saturday at the Toff in Melbourne. Next weekend Brisbane will get their taste of Jim Finn solo and live at Alhambra on April 27. Art vs. Science first got our attention in 2008 with the call-and-response dance number 'Flippers'. The dynamic little three-piece have been on the up ever since, and with their most comprehensive tour of the States coming up in June, it could well be worth your while to catch their frontman doing his thing before it starts costing you $200 a pop. We have three double passes to Vydamo gigs in Sydney, Melbourne and Brisbane to give away. To be in the running, subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au. https://youtube.com/watch?v=weZwxAv9j4I
Buckle up, Sydneysiders, because the circus is rolling back into town with a full schedule of performances, workshops, and all sorts of other circus-y delights. Join other circus fans for the opening night of the iconic Circus City in Parramatta's Prince Alfred Square for a night of free live music and performances, including the first Highly Sprung show. This innovative performance sees the Legs on the Wall team leaping around a multi-level trampoline for some sky-high storytelling. After the show, clamber on up to the trampoline to join a free audience bounce-offs, where you can try your hand (or, leg) at a bit of leaping and bounding yourself. Hooked? You can sign up for their free trampolining workshop, which is open to all ages and skill levels. Parramatta's Prince Alfred Square, January 11 (opening) and Highly Sprung Show, January 12-21. Closed Mondays.
Skip the airfare but enjoy the party: that's the wallet-friendly outcome when Don't Let Daddy Know makes its Australian debut this summer. First held in Ibiza in 2012, the dance music festival has spread to 20 countries around the world since, including events in the UK, Hong Kong, Japan, Mexico, Brazil, India, Belgium and The Netherlands. Now, it has just announced its first trip Down Under. Next stops: Sydney, Melbourne and Brisbane. DLDK will hit Australia's east coast in January 2024, on a three-stop tour over one big weekend. The tunes will start at Qudos Bank Arena on Friday, January 12, then take over Sidney Myer Music Bowl on Saturday, January 13, before hitting up Eatons Hill Outdoors on Sunday, January 14. While getting everyone feeling like they're on an island in the Mediterranean Sea isn't an easy task, DLDK will be letting its tunes take care of the vibe. Enter a lineup featuring AFROJACK, Timmy Trumpet, MORTEN and Sub Zero Project, as well as RESTRICTED, Dimatik and Bobby Neon. So, that means dancing to 'Take Over Control', 'Freaks', 'Domestic', 'Darkest Hour' and more, at a festival that's dedicated to pairing well-known dance music names with up and comers. Australia keeps welcoming local stints for well-known overseas fests and parties, after This Never Happened Presents made its first Aussie visit this winter, and also Palm Tree Music Festival in autumn. DON'T LET DADDY KNOW 2024 AUSTRALIAN DATES: Friday, January 12 — Qudos Bank Arena, Sydney Saturday, January 13 — Sidney Myer Music Bowl, Melbourne Sunday, January 14 — Eatons Hill Outdoors, Brisbane DON'T LET DADDY KNOW 2024 AUSTRALIAN LINEUP: AFROJACK Timmy Trumpet MORTEN Sub Zero Project RESTRICTED Bobby Neon Dimatik Don't Let Daddy Know will tour Australia in January 2024. Ticket pre sales start from 12pm local time on Wednesday, October 11, with general sales from 12pm local time on Tuesday, October 17 — head to the festival's website for further details.
It's already Australia's largest shopping centre by a long shot, and yet Melbourne's Chadstone continues to grow, unveiling plans to incorporate a $130 million luxury hotel. Vicinity Centres, the property group behind the monster retail destination, has announced that work will begin on the MGallery by Sofitel hotel within a matter of months. Once completed, the site will be managed by the country's biggest hotel operator, Accor Hotels. It's no small project either, with the 13-storey hotel set to feature 250 rooms, a 400-capacity ballroom, two restaurants and a bar. With acclaimed Melbourne architects Bates Smart heading up the design, the aim is for this to be Australia's first five-star Green Star-rated hotel. Located close to Chadstone on the Princes Highway, the development will also boast views of the city skyline, and across to the Dandenong Ranges and Port Phillip Bay. According to Vicinity Centres' Executive General Manager of Development Carolyn Viney, the hotel will reap the benefits of Chadstone's annual 23 million visitor count, which is thought to include a huge 350,000 international tourists. "Importantly, the hotel will create new jobs and drive local tourism, further contributing to the economic and social viability of a new CBD hub for the Chadstone-Monash corridor," Viney said. MGallery by Sofitel is expected to open in Chadstone in late 2019.
Matt Ravier is director of the Festivalists, who run Jurassic Lounge and are about to release their first Sydney Film Festival Hub into the arms of an eager Sydney Film Festival public. With a talent for getting grown-ups to go to edifying places and start playing, we thought Matt needed an interviewer who also leads adults to learning on a regular basis. Luckily, adult educator Imogen Ross agreed to quiz this current maestro of public engagement on our behalf. How did you come up with Jurassic Lounge? There's two philosophies that underpin everything we do at the Festivalists. The first one is access. We want to make our events as accessible to as many as possible, especially people who are not currently engaged with whatever we're bringing forward. That's the motive behind the Access All Areas Film Festival, for example. Seniors' film festival is the same thing. Seniors are the fastest growing segment of the Australian population, but yet a lot of the feedback we get from them is "cinemas are not designed for us". What would a festival look like that was designed for an audience over sixty? I have a lot of overweight people in my life. A film festival for people who can't fit into ordinary chairs..? ..is a really interesting idea. Because many people can't fit into cinema chairs, and they don't go out. And they don't. And that's a real loss. I always feel like it's a personal tragedy when someone misses out on film, on cinema. Especially the kind of film that I'm interested in defending. Jurassic Lounge is not film focused. Film is a part of it, but it's only of a much wider myriad of events and performances, and sounds, and experiences that are created in the museum. And I find it fascinating that you've jumped off the screen into very much a 3D world. And that leads me to that second idea that underpins what we do, which is play. Film festivals can be sometimes intimidating, or they can be a challenge in terms of audience development. For example, our Canadian film festival. There is not a huge in-built audience for Canadian cinema in Australia. So, we were faced with a challenge: how do we introduce people to Canadian cinema? We decided that it was going to be a festival like Canadians. Who are inclusive, and playful, and welcoming, and friendly. So, we started adding a lot of things to our screenings. Like parties, like performances, like live music. This play element is always the idea that a festival should be festive. And it should be film, but it's more than film. If you just want to see a film, these days you can: you don't need a festival to do that. To bring back a communal experience — and to make it vital and festive experience — we started adding live elements, expert talks, performance. We're always looking for ways to make the experience a little more rich. That playfulness was always a part of what we do. Jurassic Lounge was really a natural extension. It's really interesting. What you're describing there are the principles that underlie andragogy. Which is the new current way of approaching the way adults learn. There's the thought that children are empty vessels waiting to be filled. It's the underlying principle of our schooling system. Whereas it's acknowledged that adults are not empty vessels. They come into the room full of experience. With lots of things already. Then your festivals are not just about watching and hearing a movie, but experiencing it in lots of different ways. And I'm thinking that this is exactly the way that adults are being taught new skills. It respects... ...what they they already know. What they bring to the table. More and more people, especially 18 to 35s I would imagine, are used to being able to talk back. Anywhere online, it's a two-way conversation. They're not just passive spectators. That experience — whether it's in a museum or a film festival — of just going, being shown something, having no say in how that is interpreted during the event, and then leaving: I think that's dead, or it's dying. And part of what Jurassic Lounge does is feed back the comments into the programming in real time. Whether it's through the Twitterfall, or whether it's through photos that they take that are immediately looped back into the programming. So the audience is constantly programming along with us. Can you give me an example? It can be really prosaic. For example, we will collect data on Twitter during the night about people's reaction to food and drink. And they might complain about certain waiting times. Because there's several bars in the museum. And they might say "They queue is terrible. I can't believe it." So we will immediately put more people from the bar at that particular location. Or encourage people, through talking to them on social media, to try the bar on the third floor. It's like giving the entire audience a walkie-talkie. Pretty much. I mean, some things you have to tune out. But we try to learn as much as we can from that. And then, it's also opening a channel with the museum. Which is a whole other idea. When we've surveyed audiences a lot of the feedback we've been getting is like "Wow. The museum is actually really interesting." It's always been at their doorstep, but yet it took something like that to make it okay for them to go back inside. I think it's brilliant that the museum has actively sought this collaboration and allowed it to happen. And they have a very progressive attitude to programming Jurassic Lounge. So they are not looking to vet absolutely every detail about it in advance. They're much more about saying yes, and then finding a way to make it happen. It's really that same attitude that we have. Which is that we experiment and correct our course as we go along. In a way, the whole thing occurs like a jazz improvisation. Yeah. That's a good analogy, actually. We make sure that all the tools are there for it to happen, but it only takes place once the audience is a part of it. A performance/education mash-up. Where a little bit of everything goes in the mix. And you don't know what it's going to taste like. Exactly. And we're constantly surprised by what happens. In a good way. Interview conducted by Imogen Ross.
Few dining experiences compare to a traditional omakase, where highly trained Japanese chefs decide what to serve diners and make their food right in front of them. It's a gastronomical performance like no other. And Chef Kimura, one of the best omakase chefs in the world, has left his Tokyo restaurant (which has received two Michelin stars five years in a row) to bring his particular take on the experience — specifically, jukusei-sushi (aged sushi) — to Australia. This November, the hospo heavyweight — and third-generation sushi chef — will be taking over the kitchens at Sydney's 20-seat Sushi E (on Saturday, November 5) and Byron Bay hot spot Raes on Wategos (on Tuesday, November 8 and Wednesday, November 9). What's needed to attain the skill of jukusei-sushi? Enough patience, determination and intuition to put most to shame. More complex than simply knowing how long to age each fish for — 12 days for mehikari, for example — it's learning what to do with each species' unique traits. Few can do what Chef Kimura does, as well as he does it. Getting a table at his restaurant in Japan is renowned for being almost impossible, so you'll want to nab a seat at one of these dining experiences, stat. Tickets are going for $300 at Sushi E and $325 in Byron Bay. Chef Kimura will take up residence at Sushi E on Saturday, November 5, across five sittings. Further north, he will be hitting the kitchen at Raes on Wategos for four sittings across Tuesday, November 8 and Wednesday, November 9.
They're no Virgin Oceanic submarine, but the the new U-Boat Worx - the 'personal submarines for yacht and tourism' - might just have to suffice for those ordinary folk among us who are desirous of exploring the depths of the ocean but who suffer the misfortune of not being Richard Branson. That being said, however, by 'ordinary folk' it is of course meant those with a spare $100,000 odd to spend on this underwater charter. There are two U-Boats available - the C-Questers and the C-Explorers - both offering a 360 degree view of the deep through fully acrylic hubs, and a minimum 100m depth (the C-Explorers range from 100m-1000m in depth, whereas the C-Questers stay above the 100m mark). The C-Explorer family is geared more towards professional pursuits, whereas the C-Quester subs provide their leisurely-minded passengers with 8 hours of air conditioned glee in the sea. For your $100,000, U-Boat Worx will transport the sub from their base in Norway to anywhere in the world, and bring with it support staff, insurance and parts. It's costly, but then again, Water Walking Balls are child's play. U-Boat Worx is the real, submerged deal.
After being in voluntary administration for ten weeks, one of Australia's largest contemporary multi-arts centres Carriageworks has finally, officially, been saved. The precinct has secured its independent future with a new long-term lease thanks to a multimillion-dollar lifeline from a group of philanthropists and five years of funding from the NSW Government — and is on the road to recovery. Carriageworks owed more than $2 million to over 140 creditors, but KPMG administrators pushed for creditors to agree to a deed of company arrangement over liquidating the establishment. Assuring the venue a 20-year lease, the deal reaffirms the creative hub as an essential part of Sydney's cultural fabric. In a statement, Carriageworks CEO Blair French expressed thanks to "everyone who has lent support over recent weeks", highlighting "the wonderful philanthropists who have made extremely generous financial pledges to secure our future." The deal is a relief for the entertaining companies that call Carriageworks home and the hundreds of other large-scale events, shows and exhibitions that have been held at the venue over the years. The centre's recovery will likely also see the return of the much-adored Carriageworks Farmers Market in August. https://www.instagram.com/p/CC7pL9qBRLO/ Carriageworks Chair Cass O'Connor confirmed that the space has secured the longest lease in its history, with a history of operating on a month-by-month agreement. O'Connor commended the team for negotiating a newly revised business model that was "better able to cope" with the challenges presented by COVID-19. It remains to be seen what the new business model will look like, or when the venue will reopen, but the announcement comes as a positive piece of news for the arts industry, which has struggled in the wake of the pandemic. The administrators will now hand back the company to its directors within the next week, with operations hoping to resume in coming months. In a nod to Carriageworks' history, French stated: "over 100 years ago this industrial place was born out of resilience and innovation. Through sheer grit, determination and collaboration, we are still here with a promising, independent future. We can't wait to welcome back the community". And for many Sydneysiders, we can't wait to go back Carriageworks is hoping to relaunch evens, including the Farmers Markets, over the coming months. We'll let you know when more information is announced. Top image: Jacquie Manning
This post is sponsored by our partners, Sydney Festival. Whether you want to throw shapes to beats more therapeutic than a life coach, hear operatic songs about death influenced by Jefferson Airplane, or celebrate the fact that triple j is ageing like a fine wine, Sydney Festival has the goods. Between January 8 and 26, you’ll be able to find music in places only SydFest time would allow: prison exercise yards, Hyde Park-turned-fairyland, the grounds of St Johns College and, of course, the Famous Spiegeltent. We're aware that being overwhelmed with choice can make decision-making tough. Even James Baldwin wrote, "Too much freedom is unbearable." Extreme. But we also know that quite a few of Sydney Festival's gigs are likely to sell out well before Santa's planned his final route. So, we've done you a favour and picked out the ten shows that you should nab a ticket to, pronto. ATOMIC BOMB! THE MUSIC OF WILLIAM ONYEABOR William Onyeabor is perhaps the most mysterious man ever to have fused Afro-funk with space-age jams. After powering through the creation of eight albums over just as many years, he suddenly decided to stop talking — about himself or his music. However, it's a well-known fact that it takes an awful lot to 'stop the funk'. So, in what's certain to be one of the hands-down most epic musical events of Sydney Festival, an 18-strong band made up of artists from all over the world are getting together to jam through Atomic Bomb! The Music of William Onyeabor at the Enmore Theatre. Led by Sinkane, Money Mark, Luke Jenner (The Rapture), Alexis Taylor (Hot Chip) and Pat Mahoney (LCD Soundsystem), the performance will feature special guests in the form of Gotye and the legendary Mahotella Queens. 16 and 17 January, 8pm at Enmore Theatre. Tickets $85/77. CORNELIUS PRESENTS SALYU X SALYU All the way from Japan, this collaboration between noise pop guru Cornelius and enigmatic J-pop vocalist Salyu will make its Australian premiere at Sydney Festival. They're a potent match; while Cornelius has the beats finesse to keep any crowd on its feet until the wee hours, Salyu has the vocal skill and dynamic to keep him on his toes. She is, after all, the artist responsible for the haunting 'Kaifuku Suru Kizu', from Quentin Tarantino’s Kill Bill. Expect plenty of surprises. 23 January, 5.15pm at The Aurora, Hyde Park. Tickets $49. SEU JORGE There's not many a cover artist can teach David Bowie about music. But when the art-glam-rock king heard Seu Jorge perform his hits acoustically, in Portuguese, for The Life Aquatic, he said he heard a whole "new level of beauty". That's certainly no easily-earned praise. Jorge, who cut his deep yet irresistibly tender voice in the favelas of Rio de Janeiro, Brazil, will make his debut Australian performance at Sydney Festival. He’ll be playing an array of his famous, unique interpretations, as well as a bunch of originals, accompanied by a delicious mix of Latin and Caribbean beats, in both live and electronic form. 10 January, 8pm in The Domain (free) and 11 January, 8pm at The Star Event Centre. Tickets $45-89. ANNA VON HAUSSWOLFF There are two reasons why this concert has made our list. First up, it involves the Town Hall's grand organ. That thing, which was the biggest organ on the planet when it was installed in 1890, can make 'Chopsticks' sound like Beethoven. Secondly, Anna von Hausswolff won’t be performing 'Chopsticks'; she’ll be playing and singing her dark, dramatic meditations on life and death. Genre-wise, they're tough to categorise, combining the influences of opera, film scores, black metal, the Cocteau Twins, Jefferson Airplane and her famous, avant-garde composing dad, Carl Michael Von Hausswolff. Plus she'll be supported by New Zealand's Aldous Harding, a 60s-influenced folk artist who dazzled Australian audiences earlier this year. 11 January, 8pm at Town Hall. Tickets $44-49. BEN FROST AND TIM HECKER For Australian and Canadian artists, it's difficult to escape the influence of isolation — along with the sense of natural abundance that comes from being part of a tiny population inhabiting a massive land area. Both Ben Frost, who was born here but now lives in Reykjavík, and Canadian Tim Hecker, whose calls Montreal home, create electronic music of epic proportions and striking contrasts. Where Frost combines classical minimalism with punk and metal, Hecker explores the crossroads of dissonance, melody and noise. Their getting together may well produce earthquakes. 11 January, 9.30pm at Joan Sutherland Theatre, Opera House. Tickets $49-$69. KAROL CONKA If there's one show at Sydney Festival that's going to boost your positive vibes and make dancing down the street irresistible for weeks afterward, it's Karol Conka's. In a recent Rolling Stone interview, she explained, "I situate myself in a position where I sing about joy; my protest is against sadness." Born in Brazil, Conka is one of the country's few female rappers to have risen out the underground, and her mixing of hip hop with Afro grooves promises to do more for your positive thinking than a sesh with Tony Robbins. 9 January, 11.45pm at The Aurora, Hyde Park. Tickets $30. DAN DEACON If you’re heading to Dan Deacon’s show, don’t forget your smartphone, whatever you do. Because it's your key to becoming an actual, live part of his gig. Before rocking up, audience members are asked to download an app, which will enable them to play an active role in his spectacular, synchronised sound and light extravaganza. Deacon, who hails from Baltimore, will be in rare solo form and is set to deliver one of his wildest, most chaotic and most fun performances yet. Last time Deacon visited our fair city for SydFest, there were dance races through the Hyde Park Barracks and the entire audience had to run through each other's raised-arm tunnels, one pair after the other. Expect everything. 22 January, 11.45pm at The Aurora, Hyde Park. Tickets $39. BEAT THE DRUM: CELEBRATING 40 YEARS OF TRIPLE J It’s hard to believe that triple j was born in the same year that Gough Whitlam copped the old heave-ho as PM. The beloved radio station began its life as 2JJ back in 1975, with a broadcast that served the Sydney metropolitan area only. Four decades on, it's become the nation's chief music tastemaker, and (thankfully) hasn't wavered from its commitment to homegrown tunes. At Sydney Festival, triple j will celebrate its 40th birthday with a gargantuan, seven-hour long shindig, featuring performances from friends new and old, including Vance Joy, The Presets, Ball Park Music, The Preatures, Hilltop Hoods, Tkay Maidza, You Am I, The Cat Empire, Courtney Barnett, Remi, Nina Las Vegas, KLP, Adalita and more. If you're a never-fail triple j listener, you won't want to hear about this one from Matt and Alex the next day — get there. 16 January, 4pm at The Domain. Tickets $86. BODY/HEAD Drummers, who needs 'em? Sonic Youth co-founder Kim Gordon and genre-obliterating guitarist Bill Nace get together for an avant-noise session — that's absolutely percussion free. And mostly improvised. By confining themselves to two guitars and Gordon's vocals, the pair push themselves to the outer limits of minimalism. Pitchfork reviewer Marc Masters described their "dedication to a specific point of view" as "intoxicating". To add to this addictive effect, the live show is backdropped with mesmerising visuals. 22 January, 5.15pm at The Aurora, Hyde Park North. Tickets $49. SO FRENCHY SO CHIC IN THE PARK Prancing through fields laced with the charm of provincial France? Casual Saturdaying during SydFest time. So Frenchy So Chic in the Park is waltzing back to St John's College, an entire afternoon of French-inspired niceties — think gourmet picnic hampers, tortes and terrines, offensively good wine, quaint puppet shows, furious outdoor chess, casual bongo drum lessons — So Frenchy hinges around a solid lineup of some of France's best: Emile Simon, The Dø, La Femme and Francois and Atlas Mountains will crank out live sets on the lawn this year. Formidable. Don your best floral-headband-and-sundress-combo and gear up for un merveilleux après-midi. January 17, 2.30pm at St John's College, University of Sydney. Tickets $89. By the Concrete Playground team.
Frances Ha is like a Woody Allen comedy, with Greta Gerwig as Woody Allen. She wrote this script together with director (and love friend) Noah Baumbach (Greenberg). Even if you really, really can't stand films/TV/books about self-involved, twenty-something-year-old white people trying to figure their lives out, this one is poised to charm. Larger than life, socially awkward and totally "undatable", Frances Halladay is one of the most loveable characters you'll meet this year. Her 28th year ends up being a difficult one, as her best friend Sophie (Mickey Sumner) drifts away and she misses out on a position at the dance company she's been training with, but she remains the optimist. Filmed in dreamy black-and-white and also starring Girls' Adam Driver, Frances Ha is full of a scruffy joy that will have you dancing to Bowie's 'Modern Love' for days and days. Frances Ha is in cinemas on August 15 and thanks to Transmission Films, we have ten double passes to give away. To be in the running, subscribe to our newsletter (if you haven't already), then email hello@concreteplayground.com.au with your name and address.
While seeing fruit mince pies in your local shopping centre in October feels downright disturbing, there's one Christmas treat that no one ever minds arriving early: Four Pillars annual Christmas Gin. The third iteration of the Healesville distillery's seasonal sip is coming in strong, set to hit shelves next Saturday, November 3. It's the delicious result of a yearly tradition that sees a bunch of Christmas puddings — handmade with the owner's family recipe — distilled with various festive botanicals to create a sought-after tipple that pretty much screams December 25. The flavours of an Aussie Christmas are captured in notes of cinnamon, star anise, juniper, coriander and angelica. The Christmas gin is then blended with some earlier gin that's been carefully ageing in old muscat barrels. It's all finished with a hit of Rutherglen muscat and some of Four Pillars' own matured muscat for a bit of added richness and complexity. Each year, a new unique label is chosen to wrap up this Christmas creation, setting out to evoke that same festive spirit. 2018's bottle design is the work of Stephen Baker, the Melbourne artist responsible for the mural outside Fitzroy Pool and one of the Art Trams currently rattling around the city. The bottle is decorated with his bold geometric shapes and bright hues of bathers by the pool, and pretty much nails the feel of a hot and summery Aussie Christmas. The distillers recommend you drink it in a Christmassy G&T with grapefruit sherbet and star anise, or a cobbler with lemon, muscat and a bit of sugar. Or you can just splash a bit of it on your Christmas pudding — Four Pillars is selling its own four-serve puds for $25 alongside the gin. If you want to nab a bottle, have your fingers poised over the 'buy' button when they go on sale online on November 3. Alternatively, you can stop by the distillery's CBD pop-up on level six of Myer, or Four Pillars HQ in Healesville. Bottles are $100 a pop and you can get it shipped in a copper gift box (with a stirring spoon) for an extra $15. Four Pillars Christmas Gin is available from November 3, in selected retail stores and online. But you'd best be quick — there's only a limited amount of bottles.
With the Beauty and the Beast musical on its way to Australia, a major exhibition focusing on fairy tales as well, and the live-action version of The Little Mermaid set to swim into cinemas, 2023 is shaping up to be a big year for enchanting stories. Here's something else to add to that list: MIDNIGHT — The Fairytale Begins..., a new Australian musical that's been in development for six years and will make its debut in Melbourne come winter. The onstage romantic comedy actually takes its cues from a well-known favourite, and one that's been doing the rounds of Aussie theatres in 2022, with Cinderella its inspiration. But MIDNIGHT — The Fairytale Begins... doesn't just tell the familiar narrative the same way as everyone already knows, instead giving it an update. In a production that'll feature Australian musical theatre stars Lucy Durack (Wicked, Legally Blonde, Shrek), Verity Hunt-Ballard (Mary Poppins, Sweet Charity), Thomas McGuane (Frozen, Jersey Boys), Matt Lee (Mary Poppins, Frozen) and Kristie Nguy, MIDNIGHT — The Fairytale Begins...'s heroine Ella doesn't want a prince to sweep her off her feet, even an apparent Prince Charming. But the latter is besotted, and the clock is ticking — with plenty needing to click before the stroke of midnight. The aim: "to create a fully formed, funny, complex heroine for a new generation, and to create the definitive musical version of this magical, evergreen tale", explains co-director Dean Murphy (Charlie & Boots, The Divorce). "The Cinderella story has been retold for hundreds of years with the most widely known version being written in 1950 and reflecting the sensibilities of that era. So, a number of our team with young children felt it was time the world of Cinderella was freshly revisited to explore how this intriguing girl became an icon, but told through a new, empowering story that sees this force-of-nature fight for great change whilst still embracing the love, support and magic from those around her," he continued. "Whilst we still have some of the beloved fairytale characters, there are many new surprises that we know will delight audiences," said producer Spencer McLaren (Dive Club, Puffs the Play, Mother & Son). "MIDNIGHT has many Broadway-style showstoppers that people will be singing for years to come and a world-class cast including Lucy Durack as Ms Madrina, Verity Hunt-Ballard as Madame Bellington, Thomas McGuane as the Prince and Matt Lee as his trusted aide Andre. The coveted role of Ella is still being cast with a nation-wide search underway," he added. Originally slated to premiere in 2020 before the pandemic hit, the new musical will debut at Melbourne's Comedy Theatre from June 2023, and boasts music and lyrics by John Foreman (Aussie Pops Orchestra, Carols By Candlelight) and Anthony Costanzo (Life's A Circus, Cross Roads) — plus an additional song by Kate Miller-Heidke (Muriel's Wedding). Billed as an all-ages affair, it hails from Murphy and co-writer/director Pip Mushin (Resident: Book of Mormon, Fiddler on the Roof), and features choreography by Kelly Aykers (So You Think You Can Dance, The Wizard of Oz, Barnum) — with McLaren, Murphy and Craig Donnell (Charlie and the Chocolate Factory, Grease — The Musical, The Sound of Music) producing. Exact Melbourne season dates haven't yet been revealed, but tickets go on sale at 9am on Friday, November 11. Whether MIDNIGHT — The Fairytale Begins... will head to other Australian cities after its premiere run also hasn't been announced, but that gives fairy tale, musical, theatre and rom-com fans elsewhere something to wish for to their fairy godmother. MIDNIGHT — The Fairytale Begins... will premiere in June 2023 at Melbourne's Comedy Theatre. For more information, or to join the waitlist for tickets before they go on sale at 9am on Friday, November 11, head to the production's website. Images: Wayne Taylor.
Chocolates and flowers may be Valentine's Day staples, but they're also among the easiest gifts you can give your special someone. Booking a getaway doesn't require too much additional effort; however, it's certainly more exciting — and it doesn't have to fall on February 14. No one has been travelling far to take a romantic vacation over the past year, so you and your significant other have probably spent the majority of 2020 in your own state — and much of 2021 so far, too — thanks to interstate border restrictions. But if you're keen to take your date somewhere other than your own backyard, Virgin Australia is selling flight deals for couples. They're available to multiple destinations around the country, with the cheap flights starting at $69 each for a one-way ticket. Hang on, Virgin? Yes. The same airline that, less than 12 months ago, entered voluntary administration. It has since been sold to US private investment firm Bain Capital, launched a comeback sale in early July and its voluntary administration officially ended on Tuesday, November 17. Virgin's current Say 'I Do' to Valentine's Day sale runs until midnight AEST on Monday, February 17 — or until sold out. In the sale, you'll find cheap flights on a number of routes to destinations across the country, with travel dates spanning May and June this year. If you've been waiting to book your first getaway of 2021, now might be the time. The discounted economy flights include seat selection and checked baggage. Some of the routes on offer include Sydney to the Gold Coast, Byron Bay or Coffs Harbour; Melbourne to Launceston or Hobart; Adelaide to Melbourne; and Brisbane to the Whitsundays. [caption id="attachment_785976" align="aligncenter" width="1920"] Whitehaven Beach in The Whitsundays[/caption] As we are still in the middle of a pandemic, flying is little different to normal. Virgin has introduced a range of safety measures, including hand sanitisation stations, contactless check-in and face masks provided to all passengers. Wearing masks on flights became mandatory in Australia in January. Virgin is also waiving change fees and allowing unlimited booking changes for reservations made before April 30, 2021 for travel before January 31, 2022. Virgin's Say 'I Do' to Valentine's Day sale runs until midnight AEST on Monday, February 17 — or until sold out. Find out more about current interstate border restrictions over here.
It's been a long time between drinks for music festivals in NSW. Across the ditch, New Zealand has been hosting major music events for months and even up north in Brisbane smaller-scale music festivals have been back on the cards. But, if you're a Sydneysider, footage from NZ's Rhythm and Vines festival may seem like a parallel universe at this point. These scenes may not be so alien to NSW for much longer, however, with Wollongong's annual two-day music festival Yours and Owls becoming the state's second major festival to be granted the go-ahead from the NSW Government. Yours and Owls announced on Thursday, March 4 that its COVID-19 safety plan had been approved by the NSW Government and Health Minister, which would allow the event to take place across Saturday, April 17 and Sunday, April 18. The news comes three weeks after Byron Bay's Bluesfest was given a provisional green light to go ahead over the Easter long weekend. While the Bluesfest announcement came with an outline of the COVID-safe plan, Yours and Owls is keeping things more vague, announcing: "to ensure we have every angle covered and our eggs spread across multiple baskets, we have developed plans for a number of different format options, to ensure we are in the best possible position to run the event within whatever parameters are in place come our event date." The event is currently scheduled for its usual home at Stuart Park, located just behind the North Wollongong foreshore; however, this is subject to change depending on what format the festival takes. The festival will be headlined by a collection of beloved locals including PNAU, DMA's, Tones and I and What So Not, as well as TikTok sensation Benee who will be making the trip over from New Zealand. Benee, DMA's and Tones and I's performances will serve as somewhat of bookends to the state's festival drought, after all three performed at one of NSW's last pre-pandemic festivals, Laneway 2020. A range of rising stars, industry mainstays and local Wollongong talent fill out the 50-plus artists performing across the two days. Alongside the announcement, Yours and Owls has released a handful of tickets to the previously sold out event. You can find them via Moshtix, but be fast as they're unlikely to last long. [caption id="attachment_789706" align="alignnone" width="1920"] Benee[/caption] Yours and Owls has been given a provisional green light to host its 2021 festival on Saturday, April 17 and Sunday, April 18.
Home ownership. It’s the great Australian dream. And the American dream. And probably a dream for quite a few other nationalities too. But with house prices almost constantly on the rise, the dream can seem unattainable. So how about a home that costs just $200? That’s what this ‘Gypsy Junker’ cost, built from abandoned shipping pallets and recycled materials by Derek Diedricksen, a micro-house enthusiast in Massachusetts. The aim was to design and build a shelter for homeless people, for as little as possible. With only 24 square feet of space, estate agents would no doubt dub it ‘extremely cosy’. While the ‘Gypsy Junker’ was built by a hobbyist to prove the concept, smaller and more affordable housing is a goal for architects too. Revelations Architects in Wisconsin have focused on the fundamental uses of a home – eating, bathing, sleeping and communal fellowship – and worked out they could squeeze it all in to a footprint of just 340 square feet. Named the E.D.G.E (Experimental Dwelling for a Greener Environment), the building is pre-fabricated to simplify construction, and the reconfigurable interior is designed to optimise the use of space. The architects are already working on the next version, and hope to see it put to use as a holiday retreat or full time residence. If you’re thinking: “Tiny houses are fine in America, but we don’t need that here,” think again. There are already plans for a micro-house in Sydney, where a judge wants to build a four story house on a 2.7 metre wide block of land. Down-sized dwellings might be the way of the future for all of us. [Via Neatorama and PSFK]
Ippudo's flagship store (Westfield CBD), is giving away 300 bowls of ramen on Tuesday, December 13 to celebrate its ten-year anniversary. That's oodles of noodles. The first 300 customers to Ippudo Westfield can choose from the signature shiromaru, akamaru or karaka-men ramen for free. For first-timers, the shiromaru — Hakata-style ramen with juicy pork loin, crunchy bean sprouts and silky black mushrooms — is the speciality that put Ippudo at the top of the ramen trade. If you like your ramen creamier, opt for the karaka-men and you'll be served a bowl of tonkotsu broth with Ippudo's secret dashi, spicy minced pork miso and pork belly. These bowls of brothy goodness have been on our list of the best ramen in Sydney for quite some time — so this is the perfect excuse to give them a try if you haven't already. But don't worry if you're not one of the first 300 customers. For the rest of the day, they'll be offering a buy-one-get-one-free deal for all ramen on the menu. But keep in mind that both deals (the free ramen and the two-for-one ramen) are specifically dine-in only. That means no dining at the desk back in the office. Head to Ippudo in Westfield Shopping Centre from 11:30am to get some free ramen. Check out their Instagram page for more info. Images: Leigh Griffiths
Anything blessed by Steve Jobs' touch turned to gold, so it's no surprise his biography is expected to be a major sell-out. It also helps that Walter Isaacson, who has documented the lives of Albert Einstein and Walter Benjamin, is the author. Jobs allowed Isaacson a no-holds approach to his life and everyone who knew him, resulting in a revealing deconstruction of how the young hippie with a disregard to rules and washing himself became a billionaire who changed the way we listened to music, communicated and used computers. The interview Isaacson did with 60 Minutes in the US over the weekend is a great option if you don't want to read the book but are still interested in Jobs' life and what he was like to write about - the story behind the story, so to speak. In the interview, Isaacson describes Jobs as "petulant" and "brittle." He could be an extremely mean person to anyone that crossed his path and didn't have the same demand for perfection as he did, be it a waitress who served him or someone who worked tirelessly at Apple. Isaason also notes that Jobs is probably the only person in the world with his kind of wealth who lived in a unremarkable house, without a long, winding driveway or threatening security fences. However, he refused to put a number plate on his Mercedes sports coupe. The biography is available in Australia now. Part One Part Two https://youtube.com/watch?v=LjUYfQ6CUu0
Prepare for your summer to get a whole lot chiller: Merivale and Corona have just announced a slew of A+ Sunday afternoon shows at amazing waterside venues. And the best part? A huge chunk of them are free. Bless 'em. Corona must have a lot of cash to splash, just to make you guys happy. No complaints here. The Sunday Sundown sessions will be held over 12 Sundays from January 3 to March 20. They'll be going down at Coogee Pavillion rooftop, the ivy Pool Club and The Newport. While Coogee Pavillion has never before hosted music events — which is absolutely cray considering what a beautiful place it is — that's all about to change. Kicking off with a free acoustic set by The Preatures on January 3, the Pavillion will host SAFIA, Dustin Tebbutt and Nicky Night Time with support acts Tyler Touché, JOY., E^ST and Cassian over the coming months. The Newport which is set to open next month, will also put on a series of free Sunday shows including Gypsy and the Cat, Saskwatch, Asta, Ben Lee and Mansionair, supported variously by Gordi, YesYou, Elizabeth Rose and World Champion. And if you want to splash out a lil, the ivy Pool Club is selling tickets for $20 to Tkay Maidza, KLP, HolyGhost and L D R U. Just remember to bring your togs. Phew, that's a lot of info to take in. The TL;DR message is this: free/cheap shows, sick lineup, great venues. Summer looking fierce.
Missing travel during the pandemic? If you've been vaccinated against COVID-19, you can enter an array of different competitions and giveaways that'll help you get back to doing what you love — that is, roaming far and wide — when that's permitted again. Been hanging out to attend big gigs again over the past 18 months or so? Yes, we all have. So, three of Australia's huge tour promoters have teamed up to launch a 'Vaxstage Pass' contest. If you've had your jabs, you can enter to win a heap of free tickets to a heap of live shows in 2022. Live Nation, Frontier Touring and TEG are the trio of live entertainment companies that've joined forces, and they're focusing on their stadium and arena shows — yes, their big gigs. All three companies have quite the array of talent heading our way next year, so you could be seeing My Chemical Romance, Snoop Dogg, Lorde, Tyler, The Creator, Alanis Morissette and more. Obviously, you will need to have rolled up your sleeves first, and twice. Before you enter — with the contest open from today, Wednesday, September 15 until 11.59pm AEDT on Tuesday, November 30 — you must've had your jabs, in fact. And, when you complete the online form, you'll be asked to also come up with a 25-word (or less) answer about which live event you're most looking forward to seeing and why. [caption id="attachment_749351" align="aligncenter" width="1920"] My Chemical Romance[/caption] In total, five winners will be picked — and they'll each nab a double pass to every stadium and/or arena show promoted by Live Nation, Frontier Touring and TEG in 2022. You will just get one double pass for each artist, though, so if someone is doing multiple shows in one spot, you can only go to one performance. You'll also need to be over the age of 18 and an Australian resident. Also, everyone can only enter the comp once. If you're wondering about proving that you've been vaccinated, you will need access to your Medicare certificate saying you're fully vaxxed; however, only winners will be asked to supply this when they're picked. Add free gigs to the list of things you could score for getting vaccinated, which also includes free beers and discounted sneakers — and also helping Australia reach its 70-percent and 80-percent fully vaxxed thresholds, which is when a heap of restrictions are set to be eased. For more information about Live Nation, Frontier Touring and TEG's 'Vaxstage Pass' competition, or to enter, head to the Vaxstage Pass website.
In life and onstage, singer-songwriters Archie Roach and Ruby Hunter shared plenty. On-screen over the past year, they shared frames in exceptional documentary Wash My Soul in the Rivers Flow, too. And, come 2023, the pair will share a sculpture celebrating and commemorating their work and legacies, which is set to become a permanent fixture in Fitzroy. The Melbourne suburb will welcome a piece that hasn't yet been commissioned and designed, but will be overseen by the Wurundjeri Woi-wurrung Cultural Heritage Aboriginal Corporation and Yarra City Council, as well as Roach and Hunter's family members. That process will start now, in preparation for unveiling next year, with the Victorian Government putting $287,000 towards the statue. [caption id="attachment_859315" align="alignnone" width="1920"] Jacinta Keefe[/caption] "I remember good times with my dear baby brother Archie in Fitzroy and with Ruby right beside him," said Roach's sister Myrtle Evans in a statement announcing the news. "We shared many good times here together as a family. Being back here reminds me of those times. I miss those times now. May the spirit of dear Archie and Ruby always be here." Both Roach and Hunter, who passed away earlier in 2022 and in 2010 respectively, enjoyed careers worthy of the heartiest of tributes. It's aimed for the statue to become a landmark for fans to visit, including from within Melbourne, across Victoria, interstate and beyond. The pair's individual achievements are immense, with Ruby's 1994 record Thoughts Within the first solo album released by a First Nations female artist — and Roach's 'Took the Children Away' a powerful anthem for the stolen generations since 1990. Ruby was inducted into the National Indigenous Music Awards Hall of Fame in 2020, and Archie was named Victorian of the Year the same year. The statue will also recognise Roach and Hunter's work with Melbourne's First Peoples communities, including via the Archie Roach Foundation since 2014. "Uncle Archie's and Aunty Ruby's passion for their people inspired these gifted songwriters. They produced lyrics that not only touched the hearts of millions but educated a nation on the Stolen Generations," said Wurundjeri Elder Uncle Colin Hunter. Fitzroy's new sculpture celebrating Archie Roach and Ruby Hunter will be installed and unveiled sometime in 2023. We'll update you when further details are announced — and keep an eye on the City of Yarra website in the interim. Top image: Wash My Soul in the Rivers Flow, Sandy Scheltem.
Here's a way to make an entrance. Ever-evolving ride service Uber has announced their next alternative transportation method and it's set to be a whirlwind (ha). The UberCHOPPER will see 20 racing punters touching down on the Caulfield Cup helipad this weekend, where they'll be greeted (of course) with champagne and VIP passes for the day. A continual do-gooder, this year Uber has saved people on the move from the mediocre arrival methods known as buses, trains and conventional taxis by giving them other options — like luxury cars, water taxis and Optimus Prime. They've repeatedly come to your drunken 3am rescue, and even brought you food and taken you shopping. Like many of these other initiatives, it's unlikely the chopper service will become a regular feature. For now you'll just have to pray you get through in the frantic scramble when the FREECHOPPER code goes live this Saturday, October 18 at 10am. Here's how to book: 1. Download the Uber app onto your smartphone and make an account, if you haven't already. 2. Enter the promo code "FREECHOPPER" when signing up, or in the promotions section of the app if you've already got Uber. 3. At 10am on Saturday, select UberCHOPPER in the app. Get your friends to do it too. Don't be discouraged if at first you don't succeed — it's just that the rest of Melbourne is trying at the same time. 4. Hit "REQUEST CHOPPER". If your booking is accepted — don't panic. (Or do.) You've got 15 minutes to get your race face on before an UberMINI picks you up and transfers you to the helipad.
What is the psychological draw of the miniature? Smallness has its own ineffable appeal, and the artists in Speculative Spaces, curated by David Eastwood, explore their own attraction to miniature models, with petite dioramas and maquettes, and with other expressions across varied media, from oil paint to clay to perspex to video to plywood. Featured artists include Kylie Banyard (Galerie pompom), Anna Carey (Artereal Gallery), David Eastwood (Robin Gibson Gallery), Eugenia Ivanissevich (Robin Gibson Gallery), Col Jordan (Mossenson Galleries & Peter Pinson Gallery), Mark Kimber (Stills Gallery), Amanda Marburg (Olsen Irwin Gallery), Rob McHaffie (Darren Knight Gallery) and Peter Nelson. The show is also open late on March 22 as part of the Precinct Nights schedule. Speculative Spaces is part of Art Month 2013. Check out our guide to the festival's ten best events here.
The entrepreneurial giant Merivale is bringing another eatery to Sydney. But this time, CEO Justin Hemmes has announced his latest venture, Papi Chulo, will open on the other side of the harbour. Spanish slang for a suave, older gentleman, Papi Chulo will soon be bringing his flair to Manly Wharf. Set to open in January of next year, this BBQ joint will be smokin' up the place — literally. The protein-packed cuisine will revolve around the methods of three different barbecue contrivances: a smoker (to get that deep pit flavour of the American South), a wood grill for charring and a Brazilian charcoal rotisserie. If that's not your style, other options such as seafood, salads and lots of Latin-flavoured plates will be sure to please. All of it has got to be good, because Merivale is bringing its very best chefs to the kitchen. The dream team will star Ms G's Patrick Friesen, El Loco's Christopher Hogarth and executive chef Dan Hong. All this gastronomical goodness in a Cuban-cool space, with stunning views of Manly Harbour sounds pretty good. Time to leave the fish and chips to the birds. Image: Leshaines123 via photopin cc.
The original Assassin's Creed video game was a sublime blend of world design, innovative mechanics and thrilling gameplay. While high-octane action was available, stealth was definitely favoured as the most useful mode of play, and almost always proved the most gripping. The game's story centred upon a technological breakthrough that allowed direct descendants of an ancient assassin's guild to revisit the memories of their ancestors, essentially re-living their darkest and most dangerous endeavours in order to ascertain the location of a long-lost relic. While some time was spent in the modern world, the lion's share was spent inside the machine, allowing the gamer to experience all the exhilaration of exploring and causing chaos in the age of Renaissance Europe. The film adaptation, by contrast, makes the same ill-conceived decision that doomed the third instalment of the Matrix trilogy, in that it spends far too much time in the real world at the expense of everything that made its source material so innovative and engaging. Worse, when inside the 'Animus', the focus is almost entirely on action, meaning there's almost none of the signature stealth assassination that made the gameplay so tense. Overly-coreographed and devoid of tension, these periodic action scenes depict the assassins as mostly ineffective killers who spend most of their time running away from far superior fighters. Perhaps the greatest disappointment, however, is that Assassin's Creed boasts an outstanding cast whose talents are almost entirely wasted. Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson and Charlotte Rampling are all tasked with delivering exposition-heavy drivel and/or cringeworthy clangers like "Welcome…to the Spanish Inquisition". Truly, the only line that earns a non-ironic laugh and feels genuine to both the film and the actor who delivers it comes about halfway through the film, when Fassbender looks around, laughs to himself and mutters: "What the fuck is going on?" You'd be hard-pressed to find a more fitting tagline to slap on the posters. https://www.youtube.com/watch?v=gfJVoF5ko1Y
Live in New South Wales, Victoria or Queensland? Craving a doughnut right about now? There's a very good reason for those hunger pangs. All three states have been affected by Melbourne's latest COVID-19 cluster — the one that saw the city go into lockdown for two weeks, and only just ended — but today, Friday, June 11, the country's entire east coast has recorded zero new locally acquired cases. Yes, it's a doughnut day across Sydney, Melbourne and Brisbane, and across the rest of their states as well. Twelve months or so ago, if you uttered that term, you were probably using it in the literal sense between mouthfuls. Thanks to the chaos of the past year, however, the term now refers to this welcome COVID-19 milestone. https://twitter.com/VicGovDH/status/1403120157711605764 All three states use slightly different timeframes when it comes to their 24-hour reporting periods — NSW cuts off at 8pm the previous day, for instance, while Victoria counts up until midnight — but the results are the same regardless. In Melbourne, it's the first zero day since the current cluster began. So, it's the first since Monday, May 24. Obviously, with lockdown just finishing last night, that nice round figure is very happy news. While neither Queensland or NSW have had big case numbers lately, the big fat zero is still significant there as well. On Wednesday, it was revealed that two people from Melbourne had driven through NSW and Queensland to the Sunshine Coast, with one then testing positive. The second person then tested positive on Thursday. https://twitter.com/qldhealthnews/status/1403182248707256320 At the moment, Victoria has 75 active cases, which includes both locally acquired and those in hotel quarantine. NSW has 26 cases being treated at present — and in Queensland there is currently 15 cases. Of course, this doesn't mean the war is over in any of the three states, or around Australia — but it is a very welcome development after the past few days and weeks. For more information about COVID-19 in NSW and current restrictions, head to NSW Health. For more information about COVID-19 in Victoria, head over to the Department of Health website. For more information about the status of COVID-19 in the Queensland, visit the Qld COVID-19 hub and the Queensland Health website.
