He took home this year's best director Oscar thanks to his enchanting monster romance, and now he's in the spotlight at the Spanish Film Festival. That'd be The Shape of Water's Guillermo del Toro, with the fest celebrating his 2006 Academy Award-winner Pan's Labyrinth as its closing night selection. Of course, on its stop at Palace Norton Street, Palace Verona and Palace Central from April 17 to May 6, the country's long-running celebration of Spanish-language filmmaking has plenty of other delights amongst its 25-film program. Marking its 21st year in 2018, that includes opening night's The Tribe, a street-dancing musical comedy inspired by real-life Spain's Got Talent winners, plus No Filter, this year's Spanish box office smash about a woman who can't stop speaking her mind. Other high-profile highlights range from screenings of Pixar's gorgeous Coco — in case you missed it in cinemas late last year — to a who's who of Spanish talent in historical epic Gold; to Loving Pablo, which features Javier Bardem as Pablo Escobar and Penélope Cruz as the journalist who falls for him. Fans of both actors can also catch them in Jamón Jamón — which, released back in 1992, was actually Cruz's first film. It plays as part of a four-feature retrospective dedicated to filmmaker Bigas Luna, alongside his fellow hits Golden Balls and The Tit and The Moon. A documentary compiled from the late director's video diaries, Bigas x Bigas, will enjoy its Australian premiere to round out the program strand. Plus, in the kind of curation that every film festival could benefit from, the Spanish Film Festival will also showcase the work of emerging Spanish female directors. While Summer 1993 actually played at last year's fest as well, the charming delight is getting another spin, with Málaga Film Festival hit Julia Is, Spanish Civil War-focused The Bastard's Fig Tree and the Goya-nominated The Open Door also on the bill. In addition, Melburnians get an extra pick thanks to doco Singled [Out], which was partially shot in Australia by the Melbourne-based Mariona Guiu and Barcelona-based Ariadna Relea.
When one of the biggest cultural events in the world is expanding Down Under for the first time ever, and the same year marks half a century since hip hop began, what's the best way to celebrate? With the debut SXSW Sydney welcoming Chance The Rapper to its stage to mark the occasion. The three-time Grammy-winner will have no problem reflecting on the milestone in Australia come October — and making an already-massive SXSW lineup even heftier. "As we celebrate 50 years of hip hop in 2023, I'm reminded of the transformative power this culture has had, not just on the world stage, but on the streets of Chicago's South Side," said Chance The Rapper, announcing his SXSW Sydney stint. "Hip hop has provided a rhythm to our stories and a canvas for our creativity. I'm really looking forward to joining SXSW Sydney as a speaker to expound upon hip hop's transcendent legacy." [caption id="attachment_917274" align="alignnone" width="1920"] Julio Enriquez via Wikimedia Commons.[/caption] The 'Hot Shower', 'I Might Need Security' and 'Do You Remember' singer-songwriter, aka Chancelor Johnathan Bennett, will hit Australia during the Sunday, October 15–Sunday, October 22 event amid global celebrations of hip hop's birth. It was in August 1973 that DJ Kool Herc first isolated percussion breaks, then repeated them — and made history. At SXSW Sydney, Chance The Rapper will chat about hip hop's immense impact, not just where the Chicago-born and -raised star grew up but also globally. [caption id="attachment_917272" align="alignnone" width="1920"] Anthony Quintano via Wikimedia Commons.[/caption] "Chance The Rapper is renowned for both his chart topping and community advocacy. There's few out there like him, who take what they've made and use it to build the dreams of others," notes SXSW Sydney Managing Director Colin Daniels. "His genre-blurring sounds reverberate across generations, making him a powerful voice to reflect on the past 50 years of hip hop. His unique perspective bridges the gap between the genre's rich history and its dynamic future." [caption id="attachment_917273" align="alignnone" width="1920"] Julio Enriquez via Wikimedia Commons[/caption] Chance The Rapper joins SXSW Sydney's speakers lineup alongside Coachella CEO Paul Tollett, Queer Eye star Tan France, Future Today Institute founder and CEO Amy Webb, Layne Beachley, Osher Günsberg and plenty more — a 700-plus strong bill of talent so far, in fact, covering over 300 sessions. SXSW Sydney will also feature more than 300 gigs across 25 venues, and has been dropping its music highlights and must-attend parties since earlier in 2023. Its dedicated gaming strand will include a dedicated tabletop game expo. And, the SXSW Sydney Screen Festival will open with The Royal Hotel, and host the world premiere of Hot Potato: The Story of the Wiggles. The entire event — the festivals within the bigger fest, exhibitions, talks, networking opportunities and streetside activations — will happen within a walkable precinct in the Sydney CBD, Haymarket, Darling Harbour, Ultimo, Chippendale and more, with the SXSW Sydney's footprint operating as a huge hub. Venues named so far include Powerhouse Museum, ICC Sydney, UTS, Central Park Mall, the Goods Line Walk, The Abercrombie and Lansdowne Hotel. SXSW Sydney runs from Sunday, October 15–Sunday, October 22 at various Sydney venues — head to the festival's website for tickets and further details. Top image: Keeley Parenteau. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
If there's been a big, White Night-shaped hole in your social calendar since the famed Melbourne after-hours fiesta wrapped up its last edition in February 2018, you'll be happy to know it's making a return this August. Just be prepared for a very different experience, as the immersive festival makes some serious changes to its programming and farewells part of the late-night fun. As well as making the move from summer to the deep of winter, organisers have revealed that White Night Reimagined will swap its previous one-night format for an expanded three-night affair. Interestingly, it's also scrapping the all-nighter aspect in the process. Instead of the usual 7pm–7am program, which has been in place since the festival's inaugural 2013 edition, White Night will this year run from 7pm until midnight on Thursday, August 22, and again on Friday, August 23, followed by a 7pm until 2am session on Saturday, August 24. The new curfew means punters will no longer get to experience what some might argue is one of White Night's biggest pulls — the adventure of roaming around town soaking up art and installations, right through until the wee hours. Although, frosty August probably isn't the best time of year for pre-sunrise wanderings, anyway. [caption id="attachment_728542" align="alignnone" width="1920"] Pollution Pods by Michael Pinsky[/caption] The new-format event will also expand in scope, held across three key precincts with each boasting its own distinct theme. Treasury Gardens will take the form of the 'Sensory Realm', showcasing dazzling projections, lighting and audio installations, and interactive artworks inspired by the five senses. Here, you'll find British artist Michael Pinsky's immersive Pollution Pods, which represented the different environments of global cities; a musical and calming SongCloud; a colourful light and audiovisual installation called Cluster; as well as a giant floating Cocoon made from 1000 lights tied together by ropes. Carlton Gardens will be transformed into the mystical 'Spiritual Realm', featuring a huge ten-metre lion puppet by Melbourne artist Joe Blanck, along with illuminations sharing the stories of Indigenous Australia. And the 'Physical Realm' descends on Birrarung Marr, showcasing the Aussie debut of internationally acclaimed street theatre performance Globe, from a troupe of 41 acrobats, aerialists, singers and actors. [caption id="attachment_728540" align="alignnone" width="1920"] Globe by Gerard Dubois[/caption] Other famed Melbourne spots coming to the party include the Melbourne Museum, the National Gallery of Victoria and the State Library Victoria, all hosting their own programs of art, food and music. The rest of White Night Reimagined's extended program, including the music component, is set to be revealed in the coming weeks. Starting from 2020, White Night will also form part of a new and bigger winter festival, in conjunction with the Melbourne International Arts Festival (MIAF). White Night Reimagined runs from Thursday, August 22 to Saturday, August 24. Top images: White Night 2018, SongCloud by Amigo & Amigo and Cluster by Playmodes Studio.
At a time when most IKEA furniture ends up deep in the Gumtree 'For Sale' ads or left on the side of the road, the Swedish retailer has come up with a pretty clever plan to give those unwanted flat-pack ensembles a second lease on life. Today, in an Aussie first, IKEA has launched a full furniture take-back service out of its Tempe store, allowing Sydneysiders to bring in their retired IKEA pieces to be sold on to a new home, and score a voucher for their efforts. This is also great news for those looking to score some cheap furniture, as the bought-back pieces will be available for purchase in-store. The company already runs programs to recycle its products elsewhere in Australia, but only for sofas, mattresses, batteries and light bulbs. Customers can also get an insight into the recyclable and renewable materials that go into their flat-packs, at IKEA's first-ever Circular Living pop-up store, on show at Tempe for the next eight weeks. Both initiatives have been spurred by findings from the company's latest People & Planet Positive Report, which suggests Aussies threw away up to 13.5 million pieces of furniture that could have been recycled, reused or repaired. If you're keen to take advantage of IKEA's take-back system, simply fill out an online form and email photos of your unwanted furniture to be assessed by an IKEA expert. If it gets the thumbs up, you'll be offered a selling price, then have 14 days to bring your piece into the Tempe store and pick up an IKEA voucher priced to the same value. IKEA will then sell on your unwanted furniture for the price of your voucher. Find IKEA Tempe at 634-726 Princes Highway, Tempe
Name a movie made in the 90s, any movie, and odds are that it already has or is about to get a 2020s remake or sequel. Hocus Pocus, The Craft, Interview with the Vampire, A League of Their Own — they're just a handful of recent examples from a list that keeps growing. Indeed, within months, they'll be joined by the initially Woody Harrelson- and Wesley Snipes-starring basketball flick White Men Can't Jump. This time around, 31 years after the OG film had Harrelson and Snipes bouncing and hustling, Jack Harlow is turning actor to lead the movie. As the just-dropped first teaser trailer for White Men Can't Jump circa 2023 shows, the musician is joined by Nanny's Sinqua Walls — and as well as shooting hoots, they're arguing about America's greatest living director. Harlow's character votes for Boogie Nights and Licorice Pizza's Paul Thomas Anderson, while Walls shows BlacKkKlansman and Da 5 Bloods' Spike Lee some love. Neither filmmaker helms this do-over, though, with Calmatic doing the honours after also directing a House Party remake — yes, another 90s flick — and stepping behind the lens on a heap of music videos, including winning a Grammy for Lil Nas X's 'Old Town Road'. The new White Men Can't Jump's sneak peak so far is more about vibe than story, as soundtracked by Skee-Lo's 1995 track 'I Wish'. So, as Harlow and Walls banter, dribble and pit themselves against whoever will take their bet, the lyrics "I wish I was a baller" echo. Penned by Black-ish's Kenya Barris and Doug Hall, 2023's White Men Can't Jump will head straight to streaming in the US via Hulu on May 19, with Down Under release details yet to be revealed — but given it's a 20th Century Studios production, Disney+ seems its likely destination. If you're new to all things White Men Can't Jump, as well as the street court action it featured a significant Jeopardy!-related storyline. The trailer for the new movie doesn't show any signs of bringing that back, sadly. Check out the first teaser trailer for White Men Can't Jump below: White Men Can't Jump will be available to stream in the US on May 19 via Hulu — we'll update you with a release date Down Under when one is confirmed.
Just when you thought Laneway couldn't add much more to its already-heaving lineup, the festival addition has added a brand new 'street party' into the mix that'll recreate the energy of Laneway's early days. Presented in conjunction with I OH YOU and Red Bull Music, Block Party is set to feature at the Melbourne, Sydney, Brisbane and Fremantle editions of the festival, showcasing a banging new lineup in each city. The exact locations of the stages are yet to be announced, though we're told the parties will channel the vibe of the very first Laneway outing that took over Melbourne's Caledonian Lane back in 2004. Which means it'll probably be super crammed. And the lineup's an absolute ripper, pulling together local acts like Sydney-based producer Basenji, hip hop star Jesswar, legendary DJ Andy Garvey, the genre-bending Haiku Hands and dance floor favourite CC:DISCO. Laneway co-founder Danny Rogers says it'll take the festival's offering to a whole new level. "There was such a creative, magic feeling at the original Laneway Festivals. I think it was because of the spontaneity they had," he explained. "I wanted to recreate that same feeling at the 2018 event and this idea just made total sense." Laneway Festival 2018 hits Melbourne on February 3, Sydney on February 4, Brisbane on February 10 and Fremantle on February 11. To buy tickets or to get more information, visit lanewayfestival.com.
In heartbreaking news for Sydney's battered live music and arts industry, City Road's iconic pub and concert venue The Lansdowne is set to close down once again. The Lansdowne will close its doors to punters this April, five years on from its original resurrection by the Mary's crew in 2017. The Mary's team announced they would be revoking their custodianship of the venue on Instagram today, after landlords made the decision to close the upstairs gig room. "We are heartbroken to announce that our time with the beloved Lansdowne Hotel is coming to an end," the statement read. "Our lease is due to expire in the coming months, and the Landlords have chosen to close the Gig Room to build more hostel accommodation. This was not a part of our vision for the Lansdowne, and as such, we have decided to call time on our custodianship of this iconic live music venue." The Lansdowne has stood proudly on the corner of Broadway and City Road for decades, acting as a breeding ground for local upcoming bands throughout the 80s and 90s through until today. After closing in 2015, it was revitalised two years later by Jake Smyth and Kenny Graham of Mary's. The reopening saw the original grimy interior preserved with minor changes including the swapping of pokies for pinball machines and the introduction of Mary's signature pizza and burgers. The reopening also saw the pub return as a mainstay of the local live music scene, hosting bands in its gig room and DJs downstairs multiple times a week for the past five years. During this time, the venue has hosted countless local acts alongside international stars including the likes of Billie Eilish, Idles, The Cribs and Hot Chip. "2022 was shaping up to be one of the busiest at the Lansdowne, due to the growing community of artists and punters who are passionate supporters of music, art and culture. It is deeply upsetting to call time on an icon, at the height of her powers," continued the statement on Instagram. Mary's confirmed it would be working with the landlords at The Lansdowne to facilitate all gigs booked in between now and the end of April. While the gig room and the pub in its current form will be closing, it's not yet clear if the lower level of the hotel could be taken over by a new publican after the lease with Mary's ends. More to come. View this post on Instagram A post shared by Mary's (@marysgetfat) The Lansdowne Hotel is located at 2-6 City Road, Chippendale. It will remain open until the end of April 2022. This is a developing story, and we'll be sure to bring you more information as it becomes available.
If getting a double dose of Tom Hardy is the stuff your dreams are made of, then your wishes are about to be fulfilled. In Legend, the man last seen driving vehicles in Locke, Mad Max: Fury Road and London Road transforms into notorious thugs Reggie and Ronnie Kray. And yes, twice the Tom can only be a good thing. Playing the twins who were known for terrorising London in the 1960s, Hardy offers up completely different performances to bring the fearsome duo to life. Reggie was suave and business oriented, particularly when trying to impress the woman, Frances (Emily Browning), he wanted to settle down with. Ronnie was more unpredictable, and though both could be violent, you really wouldn't want to get on the wrong side of this sibling. Whichever one Hardy is playing, he's impossible to take your eyes off of, which director/director Brian Helgeland — the scribe behind crime dramas LA Confidential and Mystic River — knows how to make the most of. Helgeland also knows how to make the most of his handsome period setting in his engaging addition to the gangster genre. Legend is in cinemas nationally from October 15, and thanks to Studiocanal, we have 10 double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter and then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Dear Concrete Playground Readers, With the growing concerns surrounding COVID-19, we wanted to take a moment to check in. Going out might not be at the top of your to-do list right now, but you can continue to support small, local businesses without leaving your apartment. These businesses have had a tough run of late — battling through the lockout laws in Sydney, the bushfires in regional areas and, now, coronavirus fears — and they need our support now more than ever. Buy from artists who've had their shows cancelled, order gift cards and merch from venues that are struggling or just book in a dinner for that birthday a few months away. Then, when we come out the other side — which we will — we'll be raring to get out there and hit up concerts, food festivals, comedy galas and charity raves once again. And we'll be there with you every step of the way. In the meantime, keep washing your hands — to the chorus of Lizzo's 'Truth Hurts', of course — and get in touch if you have any questions, concerns or just want to chat. Love, CP To stay up-to-date with the events postponed and cancelled in your city, head over here. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
No one expects to find good things floating ashore from the East River. Separating mainland Manhattan from New York's outer boroughs, the river is best known for its freezing temperature, its poor hygiene, and its propensity for housing dead bodies. At best, you might find some old fast food refuse; at worst, you become embroiled in a murder trial with the mob. That was until this week when a mysterious grand piano emerged from the water. After being spotted on the Manhattan side of the river, under the Brooklyn Bridge, the piano became an instant hit on social media. New Yorkers showed no hesitation to wade on into the water and give it a spin, and it's basically become a rotating shoot site for Instagram users across the city. Unfortunately (yet understandably) the piano no longer works as it's completely waterlogged. But to focus on that would be to miss the point. If a beautiful grand piano floating mysteriously in the world's nastiest river isn't contemporary art, I quite frankly don't know what is. No details have emerged yet on the piano's origin, and in the absence of anything else we've come up with what we see as the most logical explanation. After a swift fall in album sales and overall relevancy sometime in the last decade, Vanessa Carlton threw her prized piano off the Brooklyn Bridge in a fit of super-human rage and strength. We welcome other theories, but really this is the only thing that fits. Perhaps it's a marketing stunt for her return tour. If that's the case, can we push it back into the tide and forget this whole thing ever happened? Via Gothamist. Lead photo credit: Lauren Yap. Instagram credits: chisophoto and laurenyap.
It's been home to David Lynch's eerie filmscapes, Yayoi Kusama's infinity and obliteration rooms, Gary Carsley's projected jacarandas and Patricia Piccinini's forest of flowers that aren't quite flowers. Soon, it'll welcome a riverbed, a snowman and a suspended installation that visitors can climb through, too. Yes, Brisbane's Gallery of Modern Art loves an immersive installation — and it has more in store for 2020. Fancy wandering through a labyrinth of red and black wool? That's on next year's agenda. As part of its just-announced 2020 lineup, GOMA revealed it'll host Chiharu Shiota: The Soul Trembles, a showcase focusing on the Berlin-based Japanese artist and her work over the past quarter-century. In an Australian exclusive, the exhibition comes to Brisbane after recently premiering in Tokyo — and while it won't sit 53 storeys up or come with panoramic views of the city, like it did in Japan, Shiota's string-heavy installations are certain to garner more than a little attention. Fashioned from millions of strands, they resemble weaved, maze-like webs and take up entire rooms. The Soul Trembles is the largest-ever solo exhibition by the artist — and although GOMA hasn't revealed just how much of the Tokyo lineup is coming to Brisbane, art lovers can expect an array of sprawling installations, sculptures and video footage of Shiota's performances, as well as photographs and drawings. Highlighting her fascination with intangible concepts, such as memory, anxiety, dreams and silence, the ticketed display will run from June 27–October 5, 2020. [caption id="attachment_750700" align="aligncenter" width="1920"] Chiharu Shiota. b.1972, Kishiwada, Osaka Prefecture, Japan. Uncertain Journey (2016/2019). Courtesy: Blain | Southern, London/Berlin/New York. Installation view: Shiota Chiharu: The Soul Trembles, Mori. Art Museum, Tokyo, 2019. Image courtesy: Mori Art Museum, Tokyo. Photograph: Sunhi Mang.[/caption] After the already-announced Water, which launches this December, The Soul Trembles is the second huge exhibition set to deck GOMA's walls next year — but, as always, there's more to come. In tandem with the Shiota showcase, the gallery will also pay tribute to pioneering Queensland artist Gordon Bennett, hosting the first large-scale display of his work since 2007. And, just a stone's throw away, sibling venue Queensland Art Gallery has two big exhibitions slated for 2020. First, it'll feature a four-month showcase of Mavis Ngallametta's work, highlighting large-scale paintings by the Putch clan Elder. Then, spanning from late 2020 to early 2021, QAG will exhibit an almost five-month survey of documentary photography by acclaimed Queensland-born, Sydney-based photographer William Yang. QAGOMA 2020 PROGRAM: Water at GOMA — December 7, 2019–April 26, 2020. Mavis Ngallametta: Show Me the Way to Go Home at QAG — March 21–August 2, 2020. Chiharu Shiota: The Soul Trembles at GOMA — June 27–October 5, 2020. Unfinished Business: The Art of Gordon Bennett at GOMA — June 27–October 5, 2020. William Yang at QAG — September 19, 2020—February 7, 2021. Chiharu Shiota: The Soul Trembles displays at Brisbane's Gallery of Modern Art, Stanley Place, South Brisbane from June 27–October 5, 2020. For further details — or to find out more about the gallery's full 2020 slate — visit its website. Top image: Chiharu Shiota b.1972, Kishiwada, Osaka Prefecture, Japan. In Silence (2002/2019). Production support: Alcantara S.p.A. Installation view: Shiota Chiharu: The Soul Trembles, Mori Art Museum, Tokyo, 2019. Courtesy: Kenji Taki Gallery, Nagoya/Tokyo. Image courtesy: Mori Art Museum, Tokyo. Photograph: Sunhi Mang.
Peanut butter and jelly, that beloved lunchbox combo, was a trendsetter. Before every other food mashup anyone can possibly think of started tempting tastebuds, it had the concept down pat. You know how the idea works, because it just keeps happening: take two edible items that don't usually go together, mix them into one dish and, voila!, a new culinary marvel has emerged from Frankenstein's kitchen. The latest such dishes: pizza burgers and burger pizzas, all courtesy of a collaboration between OTT burg joint Milky Lane and Crust pizzas. How you feel about it will probably depend on how you normally react to decadent burgers and fruit on pizza. So, you're either ravenous already or instantly know it's not for you. A Hawaiian pizza, but as a burger? Milky Lane's beef burg, but as a pizza? You can try both for a limited time. They're two of the key offerings during this team up, which hits menus at both brand's stores Australia-wide from Tuesday, August 30. Over at Milky Lane, there's that pineapple pizza-inspired burger, called the 'Notorious P.I.G.'. It comes with a double-smashed beef patty on a cheese, bacon and pineapple milk bun, and is then topped with mozzarella, streaky bacon, shaved leg ham, Mexican shredded cheese and deep-fried pineapple. Or, you can opt for the 'Peri J Blige', which mashes up Crust's peri peri chicken pizza and Milky Lane's chicken burger. That means southern fried chicken on a peri peri milk bun, alongside peri peri sauce, red capsicum strips, mozzarella, Napoli sauce and mixed Italian herbs, with a deep-fried mozzarella patty on top. If you're heading to Crust instead, their pizza-burger hybrids span 'The Big P' and the 'Chic-Kanye'. The first takes its cues from a Milky Lane favourite, and combines slow-cooked pulled pork, ground beef, caramelised onions and mozzarella on a barbecue base with an onion-ring crust. It then adds dill pickles, maple bacon bits, a Mexi cheese mix and Milky Lane's signature burger sauce. Crust's second special pays tribute to one Milky Lane's chicken burgs, featuring fried chicken tenders coated in Milky Lane's southern seasoning, as well as bacon, caramelised pineapple, roasted potato and mozzarella. That's all popped on a barbecue base, and topped with maple bacon bits, a Mexi cheese mix and Sriracha aioli. Yes, just reading the above should make you hungry. Milky Lane and Crust's mashup menu is available at both brand's stores Australia-wide from Tuesday, August 30 — for a limited time.
When Gelato Messina and Standard Procedure first joined forces back in 2022, the pair got saucy. Because getting sweet and slippery with Messina's frosty sweet treats wasn't enough, the two companies teamed up on gelato-flavoured lube — finger bun gelato-flavoured at that — as a limited-edition product. In 2023, the duo has reunited for another collaboration, this time focusing on the best weather to eat ice cream. Beach trips and ice creams have always gone hand in hand; however, mango, pineapple and vanilla gelato-scented Standard Procedure x Messina SPF50+ is new. Standard Procedure x Messina's sunscreen might be launching just in time for summer, dropping on Tuesday, November 21, but it's an all-year-round product. Stopping skin damage from the sun's rays isn't only necessary when the weather is warm. That said, like the lube, the new Messina merchandise is a limited-edition product — so nabbing some quickly is recommended. Each 250-millilitre bottle comes filled with high UVA and UVB protection, and adds to Standard Procedure's range of sunscreens. When you get slipping, slopping and slapping — and smelling like gelato — you'll be doing so with a non-greasy product that doesn't leave a white cast. Expect to feel hungry with those dessert scents emanating, with Messina's Summer Standard flavour — which includes mango swirls — the inspiration for the aroma. You can grab a bottle online now via both Standard Procedure and Messina, and also Qantas, plus at Messina and Sephora stores in the near future. Standard Procedure x Messina's sunscreen is available now via the Standard Procedure and Messina online stores, plus Qantas Marketplace. It's also on its way to Messina's physical outposts and Sephora's shelves.
One of Australia's first big music festivals of 2024 is no longer going ahead as planned, with Rolling Loud announcing that it won't be returning Down Under in January as previously announced. Mere weeks after revealing that it'd hit our shores again for the first time in five years, but after several delays in unveiling its lineup, the world's biggest hip hop festival has postponed its next Aussie jaunt. "We appreciate the love from all of our fans who are looking forward to Rolling Loud's return to Australia. We were hyped to bring the full Rolling Loud experience to our Aussie fans. Sadly, due to circumstances beyond our control, we're unable to give you a show that lives up to the Rolling Loud standard, so we are left with no choice but to postpone the festival to a later date," said festival organisers in a statement. "To those of you who have already bought tickets, we appreciate you. All ticket holders will receive an automatic, full refund. If your details have changed, or you have any refund enquiries, please contact your point of purchase." "Australian fans, we still got you: Rolling Loud will still be hosting a variety of smaller arena shows in early 2024. More info on that coming soon." View this post on Instagram A post shared by Rolling Loud Australia 🇦🇺 (@rollingloud.au) As the statement advises, exactly when Rolling Loud will roll out its full festival experience no longer has a date, but it won't be at at Sydney's GIANTS Stadium on Friday, January 26 or Flemington Racecourse in Melbourne on Saturday, January 27. Also, details of the smaller arena shows that'll pop up instead haven't been revealed, either — including where, when and who'll be on the lineup. Rolling Loud last came to Australia in 2019 with a Future-led lineup in Sydney, which is the only time that it has made the trip. The 2024 tour was set to extend the festival's footprint to Melbourne as well. Since its first outing in Miami back in 2015, Rolling Loud has expanded to Los Angeles, San Francisco and New York, and also to Thailand, Canada, Germany, The Netherlands and Portugal as well. Past sellout events have seen names like Kendrick Lamar, Cardi B, Lil Wayne, Young Thug, Post Malone and Migos all grace the festival's stage. At 2023's Miami event, Travis Scott, A$AP Rocky and Playboi Carti led the bill, with Lil Uzi Vert, Ice Spice and 21 Savage also on the roster — and Turnstile becoming the first-ever rock band to hit the fest. Rolling Loud's postponement comes as The Weeknd just did the same with his Aussie tour, which was meant to kick off in November. Rolling Loud will no longer hold its full festival experience in Australia in January 2024, but has promised smaller arena shows in early 2024 instead. For more information, head to the festival's website. Images: Beth Saravo and Sebastian Rodriguez
After premiering at the 2010 Toronto International Film Festival and doing the circuit of North America's best film festivals, The Whistleblower is finally hitting Sydney screens next week. The Whistleblower is a political thriller based on the real-life experiences of Kathryn Blokovac, a Nebraska Cop who, while working as a paid UN peacekeeper in post-war Bosnia in 1999, uncovered a underground sex-trafficking industry. The film follows Blokovac as she risks her job and personal safety to investigate into the human trafficking she witnesses, discovering some very ugly truths about the people around her in the process. Ultimately, The Whistleblower is about the very worst of humanity - corruption, expolitation and the abuse of power - yet is also a story of an average person who demonstrates extraordinary courage in order to do the right thing. Starring Rachel Weisz, Vanessa Redgrave, David Strathairn and Monica Bellucci, The Whistleblower brings together a stellar cast in what promises to be a confronting yet engaging cinematic experience that will stay with you for some time to come. To win one of ten single passes to see The Whistleblower, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au https://youtube.com/watch?v=r2EZe5KOrGs
Behold a mystical race of Golden Age Hollywood stars-come-slug people. Springing from the allied imaginations of a mother-daughter duo, these hand-drawn portraits ingeniously wed the most mesmeric of faces to the most spazzy of Tyrannosaurus Rex stump arms. Proving that great and surprising art is often born from unlikely collaborations, illustrator Mica Angela Hendricks initiated the project in an accidental kind of way because her four-year-old always sets her beady eyes on her mum's luxe art supplies. When Hendricks recently tried to reserve a flashy new sketchbook for her own use, her crafty daughter Myla retaliated by appropriating classic mummy-language: "If you can't share, we might have to take it away if you can't share." Reluctantly, Hendricks allowed the wily kid to add a body to the elegant female head she'd just drawn. The result, a magnificent dino-woman, is rightly described by Hendricks on her blog as "carefree". A series of mother-daughter collabs followed, creating a funny little world of amoebic slugs and astronaut beavers with high-society noggins which somehow come across as believable beings. (I am fondly reminded of a young nephew who once claimed he had an imaginary friend called 'Prawn-Egg' with "the head of a prawn and the body of an egg". It would be great to see that illustrated.) Hendricks' blog post about the project reveals the amusing creative competitiveness between Myla and her, and how the activity has taught her to be less rigid in creative undertakings: "Yes, some things (like my new sketchbook) are sacred, but if you let go of those chains, new and wonderful things can happen. Those things you hold so dear cannot change and grow and expand unless you loosen your grip on them a little ... Most importantly, I learned that if you have a preconceived notion of how something should be, YOU WILL ALWAYS BE DISAPPOINTED. Instead, just go with it, just ACCEPT it, because usually something even more wonderful will come out of it." The logical next step would be to invent backstories for these characters with details supplied by both artists, to produce a very original book that would inspire kids and adult artists alike. See more of Mica and Myla's images on Mica's blog. Via Colossal.
Those seeking free WiFi will no longer need to spend hours lurking in their local McDonald's thanks to the development of 4sqwifi, an application that uses Foursquare to locate WiFi spots and give you their passwords. Apostolos Papadopoulos and Giannis Poulakas are the pair behind the app, and state that their vision is be "everywhere and always connected." They also stress that the product is still in its development stage, although a version is currently avaliable for free from the iTunes store. Features in the first version include "venue check-in, Twitter/Facebook sharing, in-app tip section for each venue so people can add WiFi passwords within 4sqwifi, map view and hell knows what more." The app works worldwide, and will be perfect for those who seek some urgent urban bandwidth. [Via TechCrunch]
Alaska Projects is taking over Kings Cross and Paddington for two-and-a-bit glorious weeks for SafARI 2016. Prepare for installations, soundscapes, digital streaming and live performances, as well as three formal exhibition openings. On Friday, March 11, head to the William Street headquarters for the launch of SafARI x Runway: Ecologies, featuring works by Victoria's Jesse Dyer and Matthew Linde, alongside those by New South Welsh artists Grace Blake & Danny Wild, Claudia Nicolson and Hanna Hoogedeure. Then, on Wednesday, March 16, it'll be time for the launch of SafARI x ALASKA Projects, in the car park. This brings together pieces by an array of artists, plus a live performance of Pete Nelson's Grottspace, Megan Hales's Two to Toot scooter and, in the bathrooms, Akira and Nathan Lasker's Loo D'aisance (ease and release). The rest of the program is right here. Image: Lara Merrington/SafARI.
What's more ludicrous in Venom: Let There Be Carnage: an alien invasion of one man's body that turns into a parasite-host odd-couple show, or a prologue that thinks Woody Harrelson could've been a 90s teen? Kudos to this sequel to 2018's Venom for starting how it means to go on, at least. With its opening, set in 1996 in a home for unwanted children, the film doubles down on silliness, overblown theatrics and packaging itself as a cartoonish lark. The goofiness of the original box-office hit was among its best traits, and worked because that ridiculousness rattled against the movie's gritty superhero setup. Venom adopted all the stylistic markers that've become the serious-minded caped-crusader formula, then let Tom Hardy bounce around like he was in a comedy. But this time, everyone's gone more than a little vaudeville, as has the movie — and the outcome is right there in the title. Carnage isn't just an apt term to describe the film, which has actor-turned-director Andy Serkis (Mowgli: Legend of the Jungle) behind the lens; it's also the name of its second symbiote, aka a flesh-munching extra-terrestrial who inhabits a bag of bones, then brings out its basest urges. Mercifully, Let There Be Carnage isn't big on rehashing the mechanics established in the initial flick, but Venom fits the bill, too, after the creature took up residence inside San Francisco journalist Eddie Brock (Hardy, Capone), then unleashed the franchise's one-body, two-personality double act. Carnage, the red-hued parasite, is the spawn of Venom, albeit bursting forth from condemned serial killer Cletus Kasady (Harrelson, Zombieland: Double Tap) after a scuffle with Brock. And yes, this is the kind of feature that has the scenery-chewing Harrelson proclaim its subtitle with glee. He bellows "let there be carnage!" with winking jokiness, but resembles a ringmaster announcing the next act in a big top. Scripted by returning scribe Kelly Marcel, who also mined Fifty Shades of Grey for all the humour she could — and using a story co-credited to Hardy, who clearly has an attachment to his Marvel-but-not-Marvel Cinematic Universe character — Let There Be Carnage isn't burdened with much plot. After getting murderous following his separation from girlfriend Frances Barrison (Naomie Harris, No Time to Die) in their youth, Kasady will only tell his tale to Brock before he's executed. The latter goes awry due to Carnage's arrival, and a deal. The new symbiote will reunite Kasady with Barrison, whose ability to manipulate sound has seen her locked in an asylum, if the sadistic criminal assists his havoc-wreaking passenger to dispense with Brock and Venom. Cue the obvious — yes, carnage — and an inevitable showdown. Harrelson wasn't an adolescent in the 90s, but his performance nods to that decade, back when his resume spanned White Men Can't Jump, Natural Born Killers, The People vs Larry Flynt, EDtv and the like. That isn't a compliment; he's simply summoning-slash-parodying that heyday, and he's in a film that wishes it released then. Indeed, Let There Be Carnage could've been the hit of 1993, 1999 or any other year before Christopher Nolan's Batman trilogy reshaped the genre, the MCU turned it into one of the predominant forms of big-screen entertainment (and now small screen, too), and superhero flicks began arriving every few weeks. Really, Harrelson's work here feels like a chaotic distraction rather than a throwback nudge, because there's only one great thing about Let There Be Carnage: Tom Hardy arguing with himself. One of everyone's favourite friendly neighbourhood web-slinger's antagonists on the page, Venom might've first hit cinemas in the misfire that was Spider-Man 3, but the strongest aspect of his recent films is that self-banter. Plenty can be read into the back-and-forth, all voiced with gusto by Hardy: Venom is the literal growling voice inside Brock's head; a fight with conflicting impulses; the side of our identities we aren't comfortable revealing; and, here, the friend we need to be to ourselves in the name of self-care. In fact, Let There Be Carnage is a bromance as Brock and Venom try to live in harmony. That their disputes mimic domestic feuds isn't accidental. That said, endeavouring to layer in queer subtext — including comments about Venom coming out of Eddie's closet — falls flat. So do mentions of stopping cruelty to aliens, with the film merely paying lip service to deeper ideas, rather than even pretending to give them substance. There's always more CGI mayhem to come, after all, and more Brock-symbiote fights about eating chickens and chocolate instead of brains. Hardy makes all that bickering the most entertaining element of the film, though, almost purely through his sheer physical — and vocal —commitment. In 2013's Locke, he proved he could make talking the most riveting thing in the world, a notion the Venom franchise happily attempts to steal. Hardy is having the same great time he did in the initial flick, and trying to have even more. But, while often amusing to watch, it isn't infectious. Let There Be Carnage is nowhere near as fun as witnessing Hardy quarrel with himself should be, and gets routine and repetitive fast. Understandably, that doesn't bode well for the film's other performances; hopefully Michelle Williams (After the Wedding) was paid handsomely to reprise her thankless role as Brock's ex-fiancée Anne Weying, and the similarly underused Harris as Barrison/Shriek as well. It's knowingly absurd, boasts a self-aware lead and moves quickly — when the climax hits, it feels like everything before it breezed by — but Let There Be Carnage remains a slog. Most of its gags land with a thud, and Serkis mistakes pace for personality while going for a monotonous same-is-same approach that largely takes Venom's successes, spreads them over the entire movie, dials up the anarchic vibe and uses messiness as a visual template. Although it falls within Sony's Spider-Man Universe, which differs to the MCU but also includes the same version of the web-slinger, this symbiote sequel has pilfered one of Marvel's worst tendencies, too. Spider-Man: No Way Home reaches cinemas in weeks, the Jared Leto-starring Morbius follows the next month and, as the obligatory post-credits sting teases, Let There Be Carnage mainly exists to keep stitching this on-screen universe together and lay foundations for more to come in yet another sprawling comic book-inspired movie realm. Try as he visibly and energetically does, Hardy shouting at himself can't fix that either.
Exercise in unlikely, normally booze-filled places is getting more popular by the day, now with the Glenmore hosting an Xtend Barre series. Unlike its Wayward Brewing and Urban Yoga predecessors, the Glenmore isn't serving its classes with a side of beer. Instead, they're giving their rooftop bar a healthy kick. For those of you who aren't familiar with Xtend Barre, it's an adrenaline-fuelled workout which includes elements of dance, ballet and pilates, meant to enhance flexibility, improve balance and strengthen the core. For those who aren't familiar with exercise in general, these are code words for: this workout will be intense. With classes starting at 7am sharp, this series isn't for the faint of heart. The rooftop's 180-degree lookout of the CDB and Sydney Harbour should help ease those sore muscles, as will the post-workout feast provided by Dietlicious — a healthy dose of high protein, low carb action like protein bars, bliss balls and fruit smoothies. At the very least, these classes give you the chance to get your ass in gear bright and early so you can indulge once 5pm hits. Xtend Barre @ the Glenmore series will run April 20, May 4 and May 18 from 7am to 8am and are capped at 25 people. Places can be reserved via the Glenmore website. BYO mat.
Being a kid and loving spooky movies was glorious in 1993. That year three decades back gave the world two beloved all-ages-friendly flicks that have become October staples ever since — and, in one case, suitable festive viewing as well. One came with Tim Burton's name attached. The other told everyone to run amok, amok, amok. Now, to celebrate their 30th anniversaries, both The Nightmare Before Christmas and Hocus Pocus are returning to cinemas. Moviegovers can see Jack Skellington's antics on the big screen Down Under again from Thursday, October 12, and the Sanderson sisters wreaking havoc from Thursday, October 19. As for which actual picture palaces are playing the films, and at what times, you'll need to check your local — but nostalgia and family-friendly scares will be whirring through the projectors once more. With The Nightmare Before Christmas, filmmakers Tim Burton and Henry Selick (Wendell & Wild) served up one of the most enchanting holiday films to hit the big screen — and one that doubles as both Halloween and Christmas viewing. It's Burton's name that everyone remembers; however, a pre-Coraline Selick is actually in the director's chair on The Nightmare Before Christmas, which charms with both its offbeat story and its gorgeous stop-motion animation. Burton came up with the narrative though, because Jack Skellington only could've originated from the Beetlejuice and Edward Scissorhands filmmaker's brain. Imaginative, original and engaging (even as it nods to Dr Seuss a few times), it still remains a treat for all ages. [caption id="attachment_921880" align="alignnone" width="1920"] Photo by Jamie McCarthy/Getty Images for Disney.[/caption] The Hocus Pocus franchise is no stranger to comebacks, given that it dropped a 29-years-later sequel on streaming in 2022, with a third film also on the way. Helmed by Kenny Ortega before the director gave the world the High School Musical movies, the OG flick was the first to enlist Bette Midler (The Addams Family 2), Sarah Jessica Parker (And Just Like That...) and Kathy Najimy (Music) as Winnie, Sarah and Mary Sanderson — and to unleash them in modern-day Salem. Back then, someone lit the black flame candle, which resurrected the 17th-century sisters in the movie's world — and had viewers warned about locking up their children. If you have "twist the bones and bend the back" stuck in your head just thinking about it, you're obviously a fan. Check out the trailers for The Nightmare Before Christmas and Hocus Pocus below: The Nightmare Before Christmas is returning to cinemas Down Under from Thursday, October 12, and Hocus Pocus from Thursday, October 19 — head to your local cinema for details. Images: Matt Kennedy. © 2022 Disney Enterprises, Inc. All Rights Reserved.
As COVID-19 continues to spread around the globe, travel is in no one's immediate plans — and the airline industry is responding accordingly. In Australia, that means a huge drop in the number of available flights, both overseas and within Australia, with Virgin Australian announcing that it's grounding aircraft and slashing services for the foreseeable future. According to the ABC, Virgin Australia will suspend all international services and will cut domestic flights by 50 percent from March 30–June 14. The equivalent to 53 aircraft will be grounded. In a statement to the ASX published on the ABC, the company said: "The Virgin Australia Group has today announced a temporary suspension of international services and further cuts to domestic capacity in response to expanded government travel restrictions and increased impacts from COVID-19 on travel demand. As a leading airline group, Virgin Australia will work closely with Government to prioritise bringing Australians home and returning visitors back to their point of origin safely, while maintaining its important role in supporting connectivity and the nation's economy." This decision follows Qantas and Jetstar's move to cut international flights by around 90 percent, and domestic flight by approximately 60 percent, which was announced by the the 100-year-old Aussie airline yesterday. Both moves come in response to Australia's current containment and quarantine measures, including the requirement that all international arrivals into the country must self-isolate for 14 days — and, unsurprisingly, the steeply dropping demand for air travel both internationally and domestically. Worldwide, the scenario is the same. Air New Zealand is reducing its capacity by 85 percent overall, and its trips across the Tasman to Australia by 80 percent. Airlines in America, Britain, Europe, Asia and, well, basically everywhere are taking similar measures — as is to be expected as countries everywhere begin to close their borders. For more information about Virgin Australia's reductions, visit its website. For further details about Qantas and Jetstar's plans, visit the company's website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Find yourself surrounded by some of the world's brightest journalists at this year's Storyology, returning to Sydney at the end of August. Brought to you by The Walkley Foundation, Australia's networking festival of media and storytelling returns with Australian and international journalists leading talks and lectures on today's big questions around the forever-changing industry. What will newsrooms look like as new technologies arise and develop? How does one go about turning their stories into successful podcasts? How has the 'Trump Effect' impacted media outside of the US? Topics like these and many more will be discussed in conversations lead by Buzzfeed and Google executives, Pulitzer Prize-winning critics and journalists flying in from across the world. Explore great art writing at Art on the Page, learn about what's going on with the US media and master short storytelling, with all events held at Darlinghurst Theatre. The festival first kicks off in Brisbane on Thursday, August 24 with Storyology After Dark for a 'night of great yarns', then makes its way to Sydney on Wednesday, August 30, where it finishes up with the Storyology Social on Thursday, August 31 — a celebration of all the issues, ideas and stories discussed throughout. Storyology 2017 takes place in Sydney from Wednesday, August 30 to Thursday, August 31 at the Eternity Playhouse. See the full program of events and talks here. We also have a full festival pass for two to giveaway. Enter for your chance to win here.
Fancy yourself an editor? Don't let the insular hiring practices of big media stop you. Have a go at creating your own zine at the MCA Zine Fair, which is now in its sixth year. Apart from attending DYI workshops, zine aficionados will have the chance to browse and buy an array of zine classics. There'll also be a 'show and tell session' conducted by MCA curator Glenn Barkley, who's something of a zine expert. The MCA Zine Fair is on as part of the Sydney Writers' Festival. Find more gems in our round-up of the ten best things to do at the Sydney Writers' Festival.
A new batch of travellers is checking in, and a third The White Lotus hotel is ready and waiting. As Lisa from BLACKPINK says in both the initial look at footage from season three in a broader HBO trailer and in the anthology hit's just-dropped first teaser, "welcome to The White Lotus in Thailand". Viewers mightn't be packing their bags to head to an exclusive Thai resort, but you can mark your calendar: the acclaimed series returns in mid-February 2025. A getaway at a luxurious hotel is normally relaxing, but that isn't what vacationers find in this show. It was true in the Hawaii-set first season in 2021, then in season two in Sicily in 2023, each with a largely different group of holidaymakers. Based on the sneak peek at season three, that's of course accurate again in the eight-episode run that arrives from Monday, February 17 Australian and New Zealand time. Walton Goggins (Fallout), Carrie Coon (Ghostbusters: Frozen Empire), Jason Isaacs (The Crowded Room), Michelle Monaghan (MaXXXine), Leslie Bibb (Palm Royale) and Parker Posey (Mr & Mrs Smith) are among the folks checking in this time, alongside Sam Nivola (The Perfect Couple), Patrick Schwarzenegger (Gen V), Sarah Catherine Hook (Cruel Intentions) and Aimee Lou Wood (Sex Education). Families, couples and friends on getaways: they're all covered by the above cast members. And as Monaghan exclaiming "what the fuck is this place?" indicates, they're in for some chaos. Bad feelings, seeking pleasure but finding pain, threatening to drink oneself to sleep: alongside guns, dancing, judgemental pals, missing pills, snakes, monkeys, ambulances, complaints about gluten-free rice and a body bag, they're all featured in the teaser as well. From season one, Natasha Rothwell (How to Die Alone) is back Hawaii spa manager Belinda, who advises that she's there on an exchange program. Season three also stars Lek Patravadi (In Family We Trust) and Tayme Thapthimthong (Thai Cave Rescue) as one of The White Lotus' owners and security guards, respectively. Where the Mike White (Brad's Status)-created, -written and -directed satire's first season had money in its sights and the second honed in on sex, eastern religion and spirituality is in the spotlight in season three, which also co-stars Nicholas Duvernay (Bel-Air), Arnas Fedaravičius (The Wheel of Time), Christian Friedel (The Zone of Interest), Scott Glenn (Bad Monkey), Dom Hetrakul (The Sweetest Taboo), Julian Kostov (Alex Rider), Charlotte Le Bon (Niki), Morgana O'Reilly (Bookworm) and Shalini Peiris (The Ark). Check out the first teaser trailer for The White Lotus season three below: The White Lotus returns on Sunday, February 16 in the US, which is Monday, February 17 Down Under. At present, the series streams via Binge in Australia and on Neon in New Zealand. Images: HBO.
As anyone who's ever ridden a bike that's too big or too small for them knows, it inevitably ends in bruises and/or some kind of chronic knee problem (and you just look kinda silly). The problem is that, unlike clothes, bikes usually operate on a two-size scale — so if you don't fit into the pre-defined categories of small or large, you're going to have a bit of a problem finding an affordable two-wheeled baby to comfortably ride around in. To combat this problem, Hungarian designer Tamás Túri has come up with the 3BEE: a bicycle that can be fully customised to your body and its abilities. By using a 3D printing technique, he's able to personalise the bike to your height, measurements, age and physical abilities. So it's made just for you. And before we forget to mention it, this bike is bloody beautiful. It's sleek like a racing bike, but operates as a functional fixie commuter. Its frame is actually hollow, so it's super lightweight, and the curved design means it's easy to pick up and put over your shoulder if you need to carry it inside or up some stairs.
Aaron Hobson has taken some breathtaking landscape photographs of remote locations scattered across the globe, and all without leaving the comfort of his own computer screen. From the haunting energy of undisturbed forests in France to roads that wrap around mountainous Spain, Hobson has captured each of these picturesque moments using Google Street View. Hobson says that he began using Google Street View to discover possible shooting locations for a film, but soon found himself clicking away for miles along deserted roads, all for his own pleasure. He also says that he uses Google Street View in High Definition, so that the photographs only require a few minutes of editing before they are put on show. His work has garnered so much attention that last week his website buckled under the pressure of 50,000 views in one day. This isn't the first time that Google Street View has been used to create an artistic work. Last week we featured the remarkable Address is Approximate, a stop motion animation film by Tom Jenkins. This film uses a clever combination of Google Street View and everyday objects to create a quirky sense of travel and distance. The use of Google Street View by these online explorers proves that the world is now literally in the palm of our hands. [via Mashable]
It's sad to say goodbye now that autumn's come, but City Farm is sending the program off in tasty style by hosting a grand harvest finale and hoedown. We tend to be woefully out of touch with the earth in the city. The City Farm's Summer Garden initiative, however, has helped Sydneysiders reconnect to the soil by offering a rich, educational program all about getting farm-fresh food from sustainable local sources. Sourcing ingredients from the garden itself, TMOD and Yulli's brainchild The Veggie Patch Food Van will be serving up dishes that combine ultimate freshness with artistic flair. OzHarvest will also be on hand to inspire ecological thinking with tips on how to reduce food waste at home. This nonprofit rescues excess food that would otherwise become landfill and passes it on to needy bellies — helping both people and the environment. Good food demands good music, so three-piece bluegrass band Oh Willy Dear (who have recently delighted ears at the Union, Arcadia Liquors and the Old Fitzroy) will provide the jig-worthy soundtrack to it all.
Melburnian and Sydneysiding bartenders take their craft truly seriously. Twisting limes, straining shakers and floating on spoons in their sleep, these lovers of a good muddle are a proud, dedicated hoard. But which city owns the mad skills: the salty sea dogs of Sydney or the metropolitan marauders from Melbourne? The convolutedly titled but cleverly programmed World Class World Cocktail Week has had enough of shouting over the fence. In a momentous stately exchange, Sydney and Melbourne will front up their finest three bartenders from two celebrated cocktail bars and swap venues for two evenings of pure exhibitionist swagger. Melbourne’s Black Pearl will take over Sydney bar The Rook on Tuesday, May 13, to sprinkle a little Victorian savvy on the lobster-loving CBD bar. On Saturday, June 17, The Rook will return the visit, with bartenders Cristiano Beretta, Jason Williams and Rollo Anderson venturing south to claim the Black Pearl as their own. Both carefully crafted teams will be whipping up their own concoctions from the stores of each venue, undoubtedly provoking some smuggery at where certain bits and pieces are kept behind the bar. Throwing down every last twist and roll, the grudge match forms part of the neat libation-loving event program of WCWCW. Carnivores will be able to pair their love of meat and liquor at the Newtown Hotel for ‘Meat Meets Whiskey’ (May 6 – May 13), where you can consume Bulleit Bourbon via bone luge, as well as many other meat-inflected concoctions. Vegetarians should probably avoid like the plague. Sydney's Hinky Dinks and Melbourne's Belle's Diner will both be tempting their fair share of nostalgics with 'Pimp Your Shake'. That entails Zacapa rum-spiked milkshakes paired with heady American desserts — the Plenty a Platano is served with warm banana doughnuts and the Peanut Buttered Rum Shake with a slice of pecan pie ($22 each). There's also a nationwide #garnishoff happening on Instagram, and your dinky orange slice ain't going to cut it. To brush up on your cocktail terminology and know what you’re looking for in an Old Fashioned, have a tipple with the bartenders in your city here and here. The end of Prohibition has never tasted so good. World Class World Cocktail Week runs a series of Australia-wide events from May 6-13, curated by celebrated Sydney foodie Ms Darlinghurst. Check out the website for more information.
The Manly Jazz festival is kicking back into town this October, bringing its blend of New Orleans jazz, gospel, Latin and roots to the beach suburb for the thirty-ninth time. So perhaps this is the year you should make the effort, get on the ferry and get over to Manly beach. Held in a variety of venues dotted along the beach, you're in store for a simultaneously calm and noisy time. Carl Lockett is flying in from the US to croon out some groove, and Darren Percival, Louise Perryman and Vince Jones are all on the bill. There's also nine-piece reggae band The Strides bringing some afro-beach-beat. There will also be representatives from surrounding senior schools and their bands, no doubt with talented kids making you wish you hadn't given up your trumpet lessons all those years ago. Sounds like the perfect day for a dose of sun, nostalgia and smooth sounds. Visit Manly Jazz for tickets, venues and times.
Sydney's luxe floating venue Seadeck is heading back to the Harbour for its fourth season of champagne-fuelled parties this spring and summer. From Thursday, October 31 until Wednesday, January 1 the glamorous vessel will be cruising through Sydney waters. Seadeck's vessel spans 42 metres, can accommodate 410 passengers and is the epitome of handcrafted luxury — from the handmade tiles and custom-designed brass bar to the bespoke furniture from every corner of the glove, everything you see was tailored for floating. Even the palm trees, standing four metres tall, took a dozen specialists to make to the right specifications. Each of the three decks is connected by sweeping staircases and cast iron lace railings, an homage to Hollywood's golden age of the 20s, 30s and 40s. Yes, the word 'swank' should come to mind. Seadeck's latest Sydney visit will kick off with a Halloween-themed cruise on October 31, then will hit the water on Saturdays and Sundays until December 8. It'll then return for special New Year's Eve and New Year's Day cruises. Tickets start from $30 for Sundays and $50 for Saturdays, with cruises generally running from 2.30–7pm. The ticket price doesn't include food or drinks — you'll need to pay for those separately. Of course, if you're feeling the need to blow some serious dosh while you're on the river, VIP packages are also available.
Most of us associate printers with ink and paper, but a new 3D printer has more to do with chocolate cupcakes and other delicious desserts. Using syringe technology, the Imagine 3D printer from Essential Dynamics can be filled with a vast array of elements, including plastics, silicone, concrete, and most importantly, chocolate. A representative from the company claims that a cupcake can be made before your eyes in one minute. If you're more of a savoury type, never fear. The Imagine 3D printer can also be filled with cheese. Regular fondue parties will seem tame when compared to the wonders you can create with this. 3D printing has undergone a rise in popularity in the last decade, but I predict that this revelation will soar it into supstardom. Standing at $3000, the Imagine 3D Printer will soon accompany the fridge and the stove as a quintessential kitchen applicance. https://youtube.com/watch?v=_27rOWq61hk [vis PSFK]
Moogahlin Performing Arts Australia has created a new production for Sydney Festival 2020, in which Muruwari playwright Jane Harrison takes us back to the shores of Gadigal land in 1788 to see a tall ship drop anchor. The story takes us to a pivotal moment in our shared history to question what could have happened next. In The Visitors, seven senior law men meet to determine their actions: should they welcome these strangers or should they resist? Image: Jamie James.
That's right, it's already November. And after the year we've had, mental health amongst men, both young and old, definitely needs some attention. Whether it's an ironic 70s pornstar moustache or a cracking handlebar, sporting a bit of luscious lip hair for Movember is not just a fun way to be involved but it's also a great way to raise money and awareness for men's health. But if your ability to grow a mo is a little, well, lacking, there are plenty of other ways to get involved — from pledging to walk 60 kilometres to hosting a get-together with your mates. If you opt for the latter, you're going to want to brainstorm some creative ways to get your mates to cough up some cash, so we've put together some suggestions to get you started. HOST A NOSTALGIC KIDS' BIRTHDAY PARTY So what if you or your friends don't have kids? Eating fairy bread, getting your face painted as Spiderman, whacking a piñata and play a few rounds of good ol' pass the parcel never gets old. And after the year we've had, switching off and pretending we're little kids just playing with our friends sounds pretty good to us. Something else we loved doing when we were younger? Playing dress-ups. So combine your kids' party with Movember's Shit Shirt Saturday on November 28. Rally the troops, ask everyone for a donation to the cause, then hit the op shops and find a shit shirt to party in. [caption id="attachment_783596" align="alignnone" width="1920"] Anna Shvets[/caption] HOST A (VIRTUAL) TRIVIA NIGHT Everyone loves a good pub trivia night. And it's much easier to be the host because you have all the answers written down. Invite a couple of mates round, divide them up into teams, grab a slab and put your thinking hats on. If iso has afforded you plenty of time to research a particular subject or subjects, now could be your time to shine. Be it film, music, history, general knowledge or sport, everyone is bound to have a good time flexing their brains and either showing off or learning new facts. Movember even has a six-round, mo-themed trivia guide ready to go. Recreate the pub atmosphere at home, or, like we did many a time in lockdown, host your trivia night online, so you can involve your mates from across the country (or globe). And, get creative. Award extra points for the best (or worst) mo of the evening — or get your mates to donate a certain amount of money for every wrong answer. HOST A BEACH GAME TOURNAMENT Summer is (almost) upon us, and after what feels like an eternity of being cooped up inside, we're finally allowed out to see each other. So why not take advantage of the countless beautiful beaches Australia has to offer and plan an oceanside hang? Recently-free Melburnians could make a trip to Brighton (don't worry, we're pretty sure Karen has moved) or St Kilda Beach. Sydneysiders are blessed with Manly, Redleaf or the quaint harbourside Balmoral. And Brisbanites could venture to Suttons, Margate or Pandanus for a day of beachside fun. And to get your mates donating cash, plan some beach games with a buy-in. Beach cricket, beersbie, and Finska in the sand are just a few games to while away a day in the sun and surf — or even a sandcastle building competition. If you're not near the beach or don't fancy braving the hordes of people flocking to them, host a barbecue. Most of these games can be easily adapted to suit a backyard or local park, too. HOST A PAINT AND SIP CLASS If you're after a great socially distanced event idea, grab a few friends to a smash few wines while flexing your artistic side to raise contributions for Movember. If the gang is feeling particularly confident and comfortable, try life or figure drawing. For something a bit more accessible you could do the classic bowl of fruit, or think outside the box and capture the fine detail and intricate angles of a case of your favourite beer. Or, of course, paint your mates' kooky Movember moustaches. The list goes on. If you can assemble some really talented friends, try a low-key art auction with the proceeds going to Movember. Even if you think you can't paint, you can still get involved, particularly on the 'sip' side of things. There's still time to sign up to Host a Moment for Movember, and change the face of men's health. To learn more or register as a host, visit the website.
In March this year, Lin-Manuel Miranda's game-changing musical Hamilton made its way to Australia. Yes, finally. Until then, local fans had to be content with obsessing over the 11-time Tony-winning show from afar — or, since mid-2020, enjoying the filmed version of its Broadway production. But thankfully that all changed when the blockbuster production hit the Sydney Lyric Theatre, where it has been unfurling its tale of 18th-century American politics for a few months now. That's obviously a great situation for Sydneysiders, and for anyone willing to make the trip to the New South Wales capital for a night of rousing theatre. If you're in those two categories, you can currently be in the room where it happens. But if you're a Melburnian, it looks like even better news is coming. Sometime in 2022 — perhaps as early as March — Melbourne residents might get their shot to see Hamilton on home turf. Although an official announcement hasn't yet been made, the production is expected to make its way to Victoria next year, The Age is reporting. If it does debut in March as suggested, it'll do so a year after it premiered in Sydney, with Her Majesty's Theatre its likely home in Melbourne. It's anticipated that official word will come soon — possibly by the end of this month, in fact. If you're up to date on the Australian theatre scene's recent announcements, though, you might've anticipated this news. Other big musicals, such as The Book of Mormons, have toured the country after their big local premiere seasons. Also, earlier this week, it was announced that the Mary Poppins musical would float into the Sydney Lyric Theatre from May next year — and obviously the venue can't host two shows at once. Haven't become a Hamilton obsessive yet? Not quite sure why it has been one of the most-talked about theatre shows of the past six years? The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. As well as its swag of Tony Awards, which includes Best Musical, it has nabbed a Grammy Award and even a Pulitzer Prize. This won't be Miranda's first musical to come to Melbourne, with his take on the classic 2000s film Bring It On: The Musical hitting the city in 2018. In the meantime, Melburnians can watch the filmed version of Hamilton with the original Broadway cast on Disney+ — and yes, it's as phenomenal as you've heard. Sydneysiders, if you haven't yet booked yourself in to see the musical, you might want to get in quickly. And Brisbanites, start crossing your fingers that Hamilton plans a move up north after its Melbourne season. Hamilton is expected to stage a Melbourne season in 2022. We'll update you with further details if and when they're announced — and you can keep an eye on the musical's website in the interim. Via: The Age. Images: Hamilton, Broadway. Photos by Joan Marcus.
The Australian Ballet's Celebration Gala, currently playing at the Sydney Opera House's Joan Sutherland Theatre, is such an excellent showcase of talent within the company that it's impossible to resist hyperbole. If you are deeply into ballet or simply have a minor appreciation for the artform of dance in any genre, the Celebration Gala is basically a greatest hits collection of solos and pas de deuxs that inspires you to dig into the superlatives. It's stunning. It's emotional. It's amazing what the human body is capable of. Among the 2022 program highlights previewed here are evergreen blockbuster bangers like the White Swan pas de deux from Swan Lake and the iconic pas de deux from Act II of The Nutcracker, as well as contemporary pieces including the wrenchingly beautiful Clay — choreographed by brilliant Australian talent Alice Topp, and Chroma by trailblazing British choreographer, Wayne McGregor. The performances are accompanied by the Opera Australia Orchestra, flexing the Joan Sutherland Theatre's sound system and acoustics to full effect. Next year, the huge 2022 program will be brought to stages across Australia under the meticulous and artful oversight of David Hallberg in his second season as Artistic Director. In the meantime, for the dancers' long overdue return to the stage, the Celebration Gala really is just that: a celebration. [caption id="attachment_834967" align="alignnone" width="1920"] Karen Nanasca and Nathan Brook, Australian Ballet[/caption] All images: Dan Boud.
"What are you up to?". It's a familiar question and, when asked by a friend, it's a considerate and good-natured query that shows their genuine interest. But when it's posed by the wrong person, it comes loaded with expectations and inherent judgement — like the type you might find at a gathering of family members and life-long family pals who've turned their gaze in your direction because you're at the age where interrogating every inch of your existence has become their preferred form of sport. In Shiva Baby, this question comes in multiple ways and is asked multiple times. Attending a shiva, the wake-like mourning ritual observed in the Jewish faith, college senior Danielle (Rachel Sennott, Call Your Mother) is on the receiving end of this barrage. Stuck in a house full of enquiring minds, she feels every needling probe thrust her way by relatives and friends of relatives, all asking about her life, future, job, studies and romantic status, and even her weight. She's trapped in an everyday, immensely relatable situation, of course, but one that's never anything other than awkward — and first-time filmmaker Emma Seligman ensures that her audience feels every second of Danielle's discomfort. Danielle doesn't quite know how to answer the onslaught, partly because she doesn't want to and feels as if she shouldn't have to. She's right, obviously. Hours earlier — with the film's blackly comic dramas occurring over a single day — she was happily astride the older, richer Max (Danny Deferrari, Private Life) in a lavish Manhattan apartment. That's how Shiva Baby opens, and he gifts her an expensive bangle afterwards, as well as cash as payment. To her parents and relatives, she refers to her job as "babysitting". The film never intimates that Danielle is ashamed of doing sex work, and refreshingly so, but it gives the impression that she'd prefer not to have a conversation about it with all the busybodies already poking their noses in her direction. Accordingly, she doesn't explain that she missed the funeral because she was having sex. When she arrives at the shiva with her parents Debbie (Polly Draper, Billions) and Joel (Fred Melamed, WandaVision), she has to ask which distant relative died more than once. A recent NYU graduate in her mid-20s, Seligman writes and stages this whole scenario with the specificity of someone who knows the claustrophobia, tension, horrors and social distress these gatherings can inspire, and the cringing that happens deep inside every time. She also knows that there's never just one complication, or even just a couple. As Danielle navigates all that quizzing, she's also confronted with two people she'd prefer not to see: Max, who has his wife Kim (Dianna Agron, Glee) and their baby daughter in tow; and Maya (Molly Gordon, The Broken Hearts Gallery), her ex-girlfriend from high school who's now bound for law school. According to the Greek chorus-esque throng of voices always nattering throughout the event, Maya has done better for herself out of the two. Again, that's the level of gossiping and judgement that surrounds both women. Seligman is careful not to buff down Danielle's edges or flaws, though. This isn't a tale about a preposterously perfect millennial forced to deal with grating but societally sanctioned scrutiny, but rather a movie about someone complex, full of contradictions, sometimes smart and savvy, sometimes immature and reckless, and always just as easy to empathise with as wince at. It charts how she struggles through everyday woes that we all have, but in a microcosm of a situation. Shiva Baby is an exceptionally written film, and an astutely penned one, as proves evident in every word Danielle utters and every sentence directed her way. That's also apparent in the reality that everything around Danielle just keeps escalating in an instantly recognisable fashion. We've all been there, and more than once, even though most of us haven't stood in these exact shoes. Seligman isn't the first filmmaker to spin a cinematic tale that's exactingly, intimately specific, and also proves universal again and again. She taps into that juxtaposition masterfully, however — just as that very combination made Greta Gerwig's Lady Bird the heartfelt and honest movie it was, and this year's Oscar contender Minari by writer/director Lee Isaac Chung, too. Shiva Baby feels authentic and lived-in, which is what nudges everyone watching to feel as if they've lived it as well, and to see clear parallels with their own experiences. The roving and floating camerawork, bobbing in and around the assembled crowd all cramped within one ordinary house, helps considerably. It aims to get viewers seeing the chaos from Danielle's perspective, and achieves that goal with every shot. The fact that the score ramps up the unease, its strings rattling nerves just as effectively as every incident and altercation at the shiva, is one of Seligman's other immersive and well-executed flourishes. From the way that she radiates both stress and aimlessness in her posture, to her deadpan facial expressions, Sennott's layered performance is unsurprisingly crucial, too. Danielle is such a ball of jostling traits that even the slightest tilt in a direction other than the multitudes seen here could've upset Shiva Baby's entire mood and impact. Also outstanding is Gordon, who has stolen scenes in Booksmart and Good Boys in the past, and makes this much more of a two-hander than it might've played otherwise. Shiva Baby is a comedy, and plenty of that humour comes from how Sennott and Gordon weather a mundane but also gut-wrenchingly painful social situation with the full knowledge that their characters can only hope to simply get through it. This is a movie that lives and breathes the idea that sometimes laughter is the only option, in fact. It's anxious and nerve-wracking, and also witty and entertaining — and it leaves no doubt that Seligman, Sennott and Gordon all have big futures. They'd still all likely cringe if you asked them "what are you up to?", though.
Back at the beginning of December, life in Australia seemed like it was largely returning to normal after a tough year spent coping with the COVID-19 pandemic. Then Sydney experienced a cluster of cases in the northern beaches region, cases popped up in Victoria as well, and now Brisbane is responding to the country's first local case of the new, more contagious coronavirus strain. Due to the latter situation — with a hotel quarantine worker testing positive to COVID-19 — the nation has been reacting at both the state and federal government levels. The Greater Brisbane area is going into lockdown for three days, and New South Wales is requiring anyone who has been in the region since January 2 and is now down south to also stay at home under the same conditions for the same period. In the latest announcement on the news-filled day that is today, Friday, January 8, Prime Minister Scott Morrison has made a similar statement, covering the whole country. Firstly, following the first Australian national cabinet meeting for 2021, the Prime Minister revealed that the Greater Brisbane area has been declared a COVID-19 hotspot at the commonwealth level. That applies to the Brisbane, Logan, Ipswich, Moreton and Redlands local government areas. Secondly, the PM has said that anyone who is in the rest of Australia but has visited Greater Brisbane should "treat yourself as if you are in those places". "Our message to Australians who are in those areas is — stay where you are," the Prime Minister said. "Don't go anywhere. Don't go home to another state or any other part of your state. Over the next few days, stay where you are. If you're somewhere else and you are planning to go there, don't. You should get tested. You should monitor your symptoms. And until you've gone through the testing process, you should remain isolated." https://twitter.com/ScottMorrisonMP/status/1347311954625396737 Queensland Health has made a similar statement about travellers from the state itself, announcing that anyone from Queensland who has been in the Greater Brisbane area since January 2 but is now elsewhere must quarantine wherever they are. They'll also need to wear a mask when they leave their homes — for one of the four reasons permitted during Greater Brisbane's lockdown. Other states and territories around the country have also been implementing their own restrictions on folks from Greater Brisbane, or who've visited there recently — and on the entirety of Queensland in some instances. As has been the case for much of 2020, the rules vary depending on the state and territory. As today's development's have shown, they're changing fast. At the time of writing, Victoria's Department of Health and Human Services advises that anyone who has arrived in Victoria from Greater Brisbane since January 2 should get tested, and remain at home or wherever they're staying until Monday, January 11, when a further assessment about the situation will be made. Tasmania has declared the Greater Brisbane region a high-risk area. Anyone who has arrived in Tasmania after spending time in Greater Brisbane since January 2 must immediately self-isolate and contact the state's Public Health Hotline, while anyone who has been in the area and intends to travel to Tassie won't be allowed to enter, unless they receive an exemption. In the Northern Territory, travel limits have also been put in place, affecting folks from the Greater Brisbane area. The hotspot declaration came into effect this morning, on Friday, January 8, and means anyone entering the NT from the region will have to go into quarantine for two weeks. South Australia is bringing in a quarantine requirement, too, from midnight as Saturday, January 9 begins, which means that arrivals from Greater Brisbane will need to isolate for two weeks. Anyone currently in SA who has been in the Greater Brisbane area since January 2 must get tested immediately. The Australian Capital Territory will require anyone who has been in the Greater Brisbane area since January 2 to go into isolation for 14 days from when they were last in the area. That comes into effect from 3pm on Friday, January 8. https://twitter.com/MarkMcGowanMP/status/1347373468585660417 Over in Western Australia, a hard border has been brought back in with all of Queensland. At midnight tonight, the border will close to anyone who has been in the Sunshine State since January 2, and anyone who receives an exemption to still enter WA will have to go into quarantine for 14 days and undertake COVID-19 testing at two different points. Those currently in WA who have been in Queensland since January 2 must self-isolate until they have spent 14 days in WA, and must get tested by January 12 and then have another test on day 11 of their quarantine. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
Working from home has its perks, like more snacks on-hand and wearing your comfy clothes. By now though, wearing the same baggy tee and pyjama pants day-in, day-out might be growing a little old. Plus, as we move into cooler autumn days, a new cosy jumper and some non-threadbare trackies are pretty much essentials. Online shopping go-to The Iconic has put together a collection of its best loungewear and accessories, so you can upgrade your wardrobe without leaving the house. Because dressing up with nowhere to go is the new norm — and you might as well be comfy. For clothes, you'll find a bunch of Aussie labels all known for their super-comfy athleisure and loungewear. Camilla and Marc and its elevated streetwear label C&M currently have some super-warm knitwear and pullovers available via The Iconic, alongside wardrobe staples such as t-shirts, denim and tailored pants. Sustainable brand AERE has a bunch of flowy linen items for both men and women, including shorts, shirts and dresses. And menswear labels Staple Superior and Academy Brand have a range of hoodies, tees, chinos and track pants. If you're wanting to stock up your own balcony-gym or living room-yoga wardrobe (or another WFH outfit, if we're totally honest), you'll also find a bunch of fashionable activewear. Expect leggings, shorts, crops and more from local labels such as P.E. Nation, eco-conscious label Nimble, Jaggad and Cotton On Body, plus international brands Champion and Puma. And, if you've recently taken up running (or plan to), you can buy some running shoes here. You'll also find everything from slippers to sleek sneakers. Ultimate cosy shoe brand UGG has several styles of slippers, including some extra-fluffy yellow ones, as does Birkenstock. Sneaker-wise, there's an extensive selection of Veja and Puma designs, from simple white leather to multicoloured ones. Or, if you feel like walking around in a pair of stilletos for whatever reason, there are those, too. Best of all, The Iconic is giving Concrete Playground readers $30 off on all orders of $120 or more. All you have to do is head here then enter CPLOUNGE at checkout. The Iconic's loungewear range can be found here. For $30 off your order, enter CPLOUNGE at checkout (offer available until Sunday, April 26). FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Following the decline of Trumps Tavern and Noble Canteen, hospitality wizard Justin Hemmes is next in line to have a crack at 50 King Street in the CBD. And, for a while at least, his Merivale group are putting the focus on art. The company recently acquired the space and is working on long-term plans for a refit. In the meantime, however, we're to be treated to a pop-up bar, opening May 2. Rather than the usual drinks and dinner, the temporary space will be home to a constantly changing art studio. The project, knowingly called A Work In Progress, will be the progressive work of two stalwarts of the Australian art community. Curated by Glenn Barkley, formerly of the MCA, it will play host to the pop art stylings of Darwin-based Franck Gohier. It will be up to the two of them to transform the former bar into an evolving and interactive art space. It wouldn’t be a Merivale establishment, though, without a little something to eat and a lot of something to drink. Joining the experiment are ex-Sailor's Thai chef Air Jantrakool and group bar manager Paul Mant, cooking up traditional Thai street food paired with a rotating menu of cocktails, both with a focus on local produce. Apart from the potential disaster of spilling a plate of pad thai on a developing (and potentially valuable) canvas, the combination of art and boozing is a promising new turn from Merivale. A Work in Progress is open for a limited (and unspecified) time from May 2.
Since silent discos first came to prominence back in the '90s, strapping on a pair of wireless headphones and strutting your stuff has become a favourite pastime of, well, just about everyone. In fact, soundless dance floor displays have popped up everywhere from Glastonbury to the Sydney Film Festival over the years — and now a Sydney event is taking the concept on the road. Or, along the coast, to be exact. Think of the Pop-Up Coogee to Bondi Roaming Silent Disco Party as a dancing trek between five of the city's best beaches, or five silent discos in one. It's an idea that's so great, it's taking place three times: on October 15 and 29, and November 19. Here's how it works: attendees will meet in a secret spot, grab their headphones and start boogeying. Exact locations are yet to be revealed, but Coogee, Clovelly, Bronte, Tamarama and Bondi will all feature on the itinerary. In bad news for anyone wanting to silently dance their way around town at the event's three dates, tickets have already sold out. If you're keen on showing off your fancy footwork sans noise, keep your fingers crossed they release more tickets.
It's been 15 years since The Notebook made everyone fall in love with Ryan Gosling, Rachel McAdams and locking lips during a downpour, and the Nicholas Sparks-penned effort isn't done spreading its sappy brand of romance just yet. Soon, the book-turned-movie will make another leap, bringing its lovestruck drama to Broadway. As reported by Variety, the first bestseller from the author also responsible for A Walk to Remember, Dear John, The Last Song and The Lucky One is being turned into a stage musical. Expect singing in the rain, obviously, as well as crooned declarations of love in a rowboat. Expect a song-filled account of an heiress falling in love with a poor quarry worker, too. Producers Kevin McCollum and Kurt Deutsch — plus Sparks himself — are behind The Notebook's jump from tear-soaked pages to weep-inducing celluloid to a stage version that should probably just hand out tissues with every ticket. McCollum has earned Tony awards for In the Heights, Avenue Q and Rent, while Deutsch is the founder of both Sh-K-Boom and Ghostlight records, which both have a theatre and cast-recording focus. While a production timeline hasn't been announced (so don't go booking your New York flights just yet), the script and songs are being handled by Bekah Brunstetter and Ingrid Michaelson respectively. The former a writer and producer on TV show This Is Us, and the latter is best known for singles 'The Way I Am' and 'Girls Chase Boys'. It's way too early to talk about casting, but if Gosling can sing in La La Land, then you can start dreaming that he belt out a tune again. Of course, it's almost 100-percent guaranteed that that fantasy won't go any further than your head. If you've been keeping track, The Notebook's musical adaptation taps into a trend that just keeps growing, aka singing-and-dancing versions of beloved movies. In recent years, everything from Matilda, Charlie and the Chocolate Factory, Bring It On, Mean Girls and Clueless has made the leap to the stage, plus The Bodyguard, Amelie, Waitress, Muriel's Wedding and Moulin Rouge!. A stage version of The Devil Wears Prada is also in the works, as well as Empire Records, Mrs Doubtfire and Aussie classic Starstruck. Via Variety.
Are you sick of the inevitable queues, screaming children, and uncomfortable seating options that come part and parcel of the typical weekend brunch experience? Add to that the over-friendly canine companions of your neighbouring diners, and the hazardous plate-stacking eagerness of the wait staff, and what we're sure was originally meant to be a pleasant, relaxing occasion quickly becomes a give-me-my-zucchini-fritters-and-my-strong-flat-white-and-get-me-out-of-here-ASAP kinda sitch. Now, thanks to the infinitely more classy folk at The Roosevelt and their weekly Bottomless Champagne Luncheon, you have the opportunity to take your Saturday brunch up a notch and off the street, and be treated like the fancypants you are. Upon payment of your ninety-nine big ones (trust them, it's worth it) you receive not only, as the name suggests, endless Mumm, but a not-to-be-scoffed-at, sprawling high-tea-style assortment of champagne-inspired canapes. I don't know about you, but dropping a sneaky quarter-500 on a Saturday luncheon, of all things, seems to be on par with the level of indulgence and sophistication we should all aspire to. The Roosevelt's Bottomless Champagne Luncheon is on every Saturday, from 12pm to 4pm, and costs $99 per person. Thanks to the Speakeasy Group, we have one luncheon for two people to give away, valued at $250. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.sydney@concreteplayground.com.au with your name and address.
The London Riots have left us all a bit gobsmacked. On the 6th of August in Tottenham in the North of London what started out as peaceful demonstration against a recent police shooting turned into something quite different and unexpected — an outbreak of violence and the destruction of cars and homes and local businesses. And then the looting began. Over the next two to three days copycat riots and looting broke out over London, most notably in Peckham, Clapham and Brixton and then around the country in Liverpool, Manchester and Birmingham resulting in five related deaths and the worst rioting the country has seen since the 1980s. As large parts of the city were shut down and boarded up, the rest of the world looked on in shock as footage and information streamed out via mainstream and social media. The mainstream media questioned the politicians, the police response and the rioters motivations. A YouTube video, which has received in excess of four millions hits, was uploaded of a Malaysian student, bleeding and distressed, being 'helped up' by the crowd around him only then to be mugged by his supposed 'helpers'. A Tumblr site, Photshoplooter, sprang up, providing some much needed humour in a time which is anything but funny. In the aftermath of the riots, as the public, the politicians and the newspapers debate everything from increasing police powers to the impact the government's recent austerity measures have had on young people, the good people of London (and yes, there are quite a few of them) have got down to the business of cleaning up and rebuilding. RiotCleanup started as a twitter account in the early hours of the 9th of August and by the morning it was a website helping to organise an army of volunteers who wanted to help with the clean up. Building on its success, two recent architecture students, Lee Wilshire and Nick Varney, have set up Riotrebuild, which is dedicated to connecting people who have been affected by the riots with professional architects, builders and handyman to assist them to rebuild their homes, business and communities.
Well, not really. But aggregated search data can be used to track some economic trends, and can do so better than official economics surveys. The logic behind it is pretty simple: what does the average person do when confronted by something new in their life? Google it, of course. By using Google Insights to measure search terms like 'real estate agent' or 'unemployment' it's possible to get an idea of how much activity there will be in the property market, or how many people might be signing up for benefits soon. The Bank of England is doing exactly that to supplement their official figures to gain a better picture of the UK economy. The search engine figures aren't 100% accurate, but they are available much faster than government reports. It's not the first time individual search activity has been aggregated and used to measure large-scale trends. Google Flu Trends uses the same idea: by measuring the frequency of searches for flu symptoms, they can measure levels of flu activity and report it much faster than hospital reported cases. In fact, Google could have spotted the 2009 swine flu outbreak... if they had been monitoring Mexico at the time. [via Guardian UK]
Popcorn Taxi is set to air one of the world's most highly anticipated TV series, Top of the Lake. The screening will also feature a Q&A with the miniseries' writer/director Jane Campion (the legendary filmmaker behind The Piano and Bright Star) and co-writer Gerard Lee. Top of the Lake, a murder mystery starring Mad Men's Elisabeth Moss that's said to be Twin Peaks-esque, made its premiere at the Sundance Film Festival, where it was greeted with a standing ovation. The show will air on March 24 on the Sundance Channel in the US, BBC Two in the UK, and UKTV on Foxtel in Australia. This is your chance to see an exclusive screening of the show before it airs internationally — something that any TV lover wouldn't want to miss.
Just like toilet paper, pasta and cans of tuna, tampons and pads in the time of COVID-19 are becoming increasingly hard to find on supermarket shelves. Which is a less-than-ideal situation to be in when that time of the month rolls around. And, sure, you may have heard about period-proof undies — and maybe even thought about making the switch for sustainability and economical reasons — but have you actually used them? No? Well, perhaps now is the time to give them a go. Since starting back in 2013, Australian label Modibodi has been shipping its colourful, comfy and functional undies to folk around the globe, with the aim of empowering them with a more eco-friendly option to tampons and pads — and, in the long run, it's lighter on the wallet. Plus, if you're self-isolating or trying to cut down your visits to the shop at the moment — kudos to you — then undies, which you can order online and delivered straight to your door, might be the way to go. Modibodi's undies use fabrics such as bamboo, merino wool and microfibres and have built-in absorbent, breathable (and stain- and odour-resistant) liners. After two years of testing, trialling and fine-tuning the designs with textile engineers and companies in Australia and the US, Modibodi became one of the world's go-to period-proof undies. The liners are about three-millimetres thick and can absorb anywhere between five and 20 millilitres (about four tampons' worth). So, while you're stuck at home, you can parade around in a pair of underwear — and not worry about any discomfort or leaks when wearing them. As these undies are designed to be thrown in your washing machine to be worn again and again, they're a far more sustainable solution than single-use items such as tampons, pads and liners, too. So, not only are they good for you, they're good for the planet. It doesn't hurt that it works out cheaper in the long run, too. They're designed for people of all ages, shapes and sizes, too, with more than ten different styles — from a classic brief cut to bikini, seamless, boyleg, boy short, high-waisted, maternity, swim, activewear and even vegan ones — in a range of colours. Plus, there are four different absorbency levels available: superlight, light-moderate, moderate-heavy and heavy-overnight. There are designs for pee, sweat and pregnancy, too. Prices start from $23.50 and there are packs of five, seven and ten, too, which will save you some pennies if you're looking to buy more than a couple of pairs. Modibodi is currently offering contactless delivery across Australia and New Zealand, with free shipping on orders over $100 AUD and NZD. If this is your first time buying them, you can score ten percent off when you sign up here. For more information on period-proof undies — and to buy yourself a pair (or few) — head to Modibodi's website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
You never can predict what Thom Yorke will do next. He seems to be constantly popping up from out of nowhere yelling "Surprise! Look what I've done this time!" Dropping in to London radio station Rinse FM for a chat this week, he casually announced, and then proceeded to premiere, his new collaboration with electronic producers Burial & Four Tet. The Radiohead frontman has made a bit of a habit of announcing things last minute lately, what with the spontaneous release of King of Limbs last month. Yorke has been at the cutting edge of electronic music for a long while, and so coming together with Four Tet & Burial is an electro marriage made in heaven. The tracks are being released as a 12" split single, entitled 'Ego' and 'Mirror.' Fans didn't even have time to get themselves a copy before the official release date on March 21, with pre-orders inexplicably selling out before the announcement of its release. Thom Yorke has previously produced amazing work outside of Radiohead, with his chart-topping solo album Eraser, incredible collaborations with artists such as PJ Harvey, and 2010's launch of new band Atoms For Peace, alongside members of Red Hot Chilli Peppers and Forro In The Dark. This collaboration with Burial and Four Tet follows the trend, with the ethereal sounds and haunting vocals prompting something close to sensory overload. https://youtube.com/watch?v=MOwD67BIPMA [Via One Thirty BPM]
The world of fantasy literature has mourned some staggeringly talented people lately, like Diana Wynne Jones and Robert Jordan. Thankfully Sir Terry Pratchett is still with us, and what's more he's coming to the Opera House to prove it. Whereas the Hitchhiker's Guide to the Galaxy pioneered humour in sci-fi, Terry Pratchett took some of the early piss out of fantasy, starting in the early seventies. His career really took off with the first in his still-running Discworld series in 1983, where Death is one of the many contenders for protagonist. The series remains unfinished, in the sense that his life, too, is unfinished. What started as pure satire began to change eight books in. He introduced Dickens-like undercurrents about politics, the mechanics of how cities work, and a sure-footed humanist bent. He's gone from the author of some fringe, funny books to one of the UK's top selling authors. April 17 he'll be claiming Imagination, Not Intelligence, Made us Human in front of fellow author Garth Nix. It's booked out in Melbourne, and it's getting close to it here in Sydney. And while he's not dead yet, who knows when he'll be back again to prove it to you? Image of Terry Pratchett by Moroboshi.
