If you're the kind of traveller who plans entire holidays around your hotels of choice, then you'll want to add Newcastle to your must-visit list. Come early June, the New South Wales city will become home to the latest QT site — a 104-room spot in Newcastle's revitalised East End precinct, housed inside a 113-year-old building, and boasting everything from harbour views to quite the impressive clock tower suite. First, that must-stay room. Yes, when QT Newcastle opens its doors on Thursday, June 9, you really will be able to slumber inside the clock tower atop the heritage-listed structure — and watch the clock mechanism whirring around when you're taking a bath, too. That specific room has been fit out by interior designer Nic Graham to nod to the building's history as well, so expect heritage touches alongside all the usual modern QT amenities. Graham's work on the hotel doesn't stop there. Here, every room is different — in configuration, design or architecture — but the entire site takes inspiration from the city, and from the elements. That means references to the Newcastle coastline, views through floor-to-ceiling heritage windows across eye-catching landmarks, and just big nods to earth, water and light in general. "We have reinvigorated an iconic heritage building, respecting and maintaining the raw shell and layering contemporary life within," explains Graham. "It's a nice reminder of the human spirit, that we all come from something. We have created a cocooning interior through colour blocking and juxtaposing textures, which evoke the history of Newcastle." Equally impressive: spying those views from the rooftop bar, Rooftop at QT, which'll launch on June 9 as well. It'll be Newcastle's highest openair rooftop spot, in fact, and pairs its uninterrupted vistas with a bit of an izakaya feel. While cocktails and local wines will be on the menu, the bar will also boast Newcastle's largest library of Japanese whisky — so you'll be sipping Harajuku Highballs and Tomasu Margaritas while you eat salmon sashimi, yakitori chicken and miso eggplant robata skewers. That food lineup is the product of chef Massimo Speroni, who is also overseeing Jana, QT Newcastle's signature restaurant. It too will open on June 9. A bar and grill, it hews local with its ingredients, heroes steak — with the premium range sourced entirely from New South Wales — and features an an open kitchen and dry-aged meat cabinet. On the drinks list: oh-so-much wine, with Tyrell's the hotel's wine partner. QT Newcastle joins the chain's growing lineup of hotels, which currently includes sites in Sydney, Melbourne, Perth, Canberra, Bondi, Falls Creek and on the Gold Coast in Australia — and in Auckland, Queenstown and Wellington in New Zealand. Also in the works, set for a 2023 launch: QT Parramatta and QT Adelaide. Find QT Newcastle at 185 Hunter Street, Newcastle, from Thursday, June 9. For more information or to make a booking, head to the hotel's website.
Battery power: we all want it for those devices that are always in our hands, pockets or bags — and, we rarely have as much as we need. Carrying a charger or power pack around with you is just one of the joys of being a modern smartphone user. And then there's the cable side of things, whether you're carting them from place to place, or seeing them sprawling through your bedroom or living room. Wireless technology seemed to offer the solution to at least some of these #firstworldproblems; however, it's not quite the always-available, always-charging saviour we all want — yet. Enter Disney, their research team and a new room that'll juice up your phone, tablet and more, no strings attached. Given the name quasistatic cavity resonance, the entertainment company has created spaces that keep things buzzing while still remaining safe for people to enter. Aaah yes, that minor matter of not being adversely affected just so that you can keep posting on social media. The areas in question consist of aluminium panels lining the walls, floors and ceiling, plus a floor-to-ceiling electric pipe running through the centre — with a current surging through it and an electromagnetic field radiating from it. Unsurprisingly, the current design isn't much to look at, but who needs something pleasing to the eye when your phone is always charged? It makes sense, really — if Disney can resurrect Star Wars and actually make it great, shower our screens with superheroes for a decade and counting, and bring just about every fairy tale to the live-action realm, they can probably whip up a dose of non-movie magic to solve this annoying issue. Just what happens next is a watch-this-space kind of deal, but we're guessing that charging your phone at Disneyland might just be a whole lot easier in the future. Via: Mashable. Image: Disney Research.
Hotel Morris is an impressive design-led boutique hotel with a sense of warm, understated luxury as well as a fantastic wine bar Bar Morris. Hotel Morris is tucked away on Pitt Street in Haymarket not far from the best of Chinatown, the Sydney CBD, and Surry Hills. The heritage listed property first opened as a hotel in 1929 — a design showcase for architect Virgil Dante Cizzio's interpretation of the Inter-War Palazza style. It underwent a significant refurb before reopening in 2023, boasting beautiful new finishes and detail while maintaining the elegance of its historic Italian influence. The exterior has been refurbished to retain the original design, with a bold white and red sign proudly exclaiming 'Hotel Morris' out the front. Inside, art deco-leaning suites welcome guests with Jarrah wood accents and custom furniture that pays homage to the history of the building. Downstairs, the aforementioned Bar Morris continues the building's design with a sleek 40-seat space built around pink marble, velvet, leather, timber flooring, and vibrant flourishes of red.
It seems a pretty hard task to follow Hannah Gadsby's international smash-hit show, Nanette. After all, the one-woman stand-up performance copped serious praise on its 18-month travels across Australia and the UK, even scooping the top honours at both the Melbourne International Comedy Festival and Edinburgh Festival Fringe. It also spawned its very own Netflix special. And when Gadsby used the show to announce she was quitting comedy for good, we thought that was it. But indeed, the beloved Aussie comedian gave the follow-up a red hot crack when she returned to the stand-up stage with her latest work, Douglas, named after her own pet pooch. While Nanette pulled apart the concept of comedy itself, dishing up an insight into Gadsby's past, Douglas takes you on a "tour from the dog park to the renaissance and back". Gadsby took Douglas to stages across Australia and New Zealand in late 2019 and early 2020, and now, to the delight of house-bound people across the world, is bringing it to Netflix next month. Available to stream globally from Tuesday, May 26, the show will bring us all some much-needed comic relief. As Gadsby says: "mark it in your socially-distant calendars...then wash your hands". https://twitter.com/Hannahgadsby/status/1249668347693654019 Hannah Gadsby's 'Douglas' will be available to stream globally on Netflix from Tuesday, May 26.
With restrictions on indoor gatherings currently in place across Australia — first limiting non-essential inside events and venues to no more than 100 people in one space, and then implementing a limit of one person per four square metres — the nation's hospitality industry is changing fast. Many restaurants, cafes and bars have added or expanded takeaway and delivery options, ensuring that you can still eat and drink their wares at home and, crucially, help support their businesses. And in Continental Deli Bar Bistro's case, that now extends to its popular canned cocktails. Usually, you might hop into Continental Deli's in Newtown or the CBD for a Mar-tinny. Now, you'll be knocking back a Quaran-tinny — and you can do so while sitting on your couch. The venue describes it as "like a normal martini, but you drink it alone in your house". https://www.instagram.com/p/B9_PI8wj-Za/ While you'll still need to head in to pick up your canned cocktails, this is the first time that Continental Deli has made them available for takeaway. It hopes that'll only need to be the case for a limited time — depending how long the COVID-19 situation lasts, obviously. Continental Deli is currently still open for dining in and, as always, you can grab and go from its deli, sandwich and dry goods range. Find Continental Deli Bar Bistro at 167 Phillip Street, Sydney and 21o Australia Street, Newtown — open Monday–Friday in the CBD and seven days in Newtown. Top image: Kitti Smallbone.
Gone are the days of schlepping heaving bags of soggy bread and warm, subpar booze to the middle of nowhere just for a bit of greenery. These days there's fantastic grub to be procured just around the corner from every good picnic park in the city, from European-style delis just a stone's throw from your favourite patch of grass to perfectly positioned cafes within easy reach of harbourside parks. Why go out of your way to visit a supermarket, when there's excellent produce at these local eateries and shops? We've put together a collection of our favourite booze-friendly Sydney parks and the best places nearby to grab supplies. With help from French vodka Grey Goose, we've also picked out the best cocktails to make at home before joining your friends at the park. They'll put some real punch into your picnic party. [caption id="attachment_753757" align="alignnone" width="1920"] Destination NSW; James Horan[/caption] PIRRAMA PARK Get snacks from: Clementine's Pirrama Park has everything: a beautiful, Californian-style boardwalk right on the water, barbecues, parking spaces, toilets, long stretches of grass and views both east and west. It'll have you feeling oh-so-smug about our city. Right on the edge of Pyrmont, the harbourside park is minutes away from Clementine's, where you can pick up picnic snacks like the croissant cheese toastie with mortadella. Before you leave the house, prepare a pitcher of Grey Goose Summer Lemonade. The passionfruit and vodka cocktail will pair well with the cheesy sambos and you'll appreciate Sydney's summer glory with views of the Harbour and Anzac Bridge in one spot. In Pirrama Park and neighbouring Giba Park you're permitted to drink alcohol between 10am–10pm, except on New Year's Eve. [caption id="attachment_747894" align="alignnone" width="1920"] Destination NSW; Daniel Boud[/caption] PARRAMATTA PARK Get snacks from: Circa Espresso Parramatta Park is an understated gem of Sydney's west. The tranquil riverside park features the elegant Old Government House and a host of traditional gazebos tailor-made for picnics. Load up on Circa Espresso's house-made focaccia with harissa cashew butter before you head to the park, and before the kitchen closes at 2pm. Circa has sticky chais, rosehip iced teas and its own handcrafted hot chocolates to take away, but if you want to level up the alfresco party with a little booze, we suggest making a Grey Goose Lychee Breeze (vodka, passionfruit syrup, lime juice, lychee puree and soda) at home for your friends. [caption id="attachment_640891" align="alignnone" width="1920"] Kimberley Low[/caption] CAMPERDOWN MEMORIAL REST PARK Get snacks from: Continental Deli or Black Star Pastry There is no park in Sydney quite like Camperdown Memorial Rest Park — pouch-friendly, lots of open space, and it's a popular place for Sunday picnics (you can drink there between 9am–9pm). Given its proximity to Newtown, we suggest stopping off at Continental Deli to stock up; mortadella is $10 from the shop and you have your pick of cheese from Bay of Fires cheddar to a French Brillat-Savarin. Or go the whole hog with a cheese and charcuterie board for $50. For dessert, head to Black Star Pastry for Japanese forest cake with matcha moss, it's great for the 'gram and the gothic vibe matches the park. Pair your goods with a classic cocktail; make your group a Grey Goose Le Grand Fizz and watch the sunsetting on an inner west pastime. DUNBAR PARK Get snacks from: La Banette Set high over Avalon Beach, Dunbar Park is one of the Northern Beaches' prime seaside picnic spots, full of monstrous pines to keep you cool with easy access to the beach and the bohemian Avalon village. To really fit in, bring your own gourmet Grey Goose Rosé Spritz and grab some universally loved pastries from La Banette. It's tempting to reach for any number of sweet treats here, and if you can beat the hordes of locals for a Danish then power to you, but La Banette's unsung glory is its daily selection of mini quiches. [caption id="attachment_751503" align="alignnone" width="1920"] Kimberley Low[/caption] ASHFIELD PARK Get snacks from: Outfield Ashfield Park is a picture-perfect example of Aussie outdoor culture; the park has centuries-old trees, there's a strong community that tends to the park's veggie garden, and there's a thriving bowlo. The best part is the old palm trees that give the inner west suburb a taste of the tropics, providing heaps of shade for you to nurse a couple of Grey Goose Coconut Coolers and absolutely stuff your face with pumpkin loaf and whipped ricotta, a specialty sweet-savoury snack from the close-by (and newly opened) cafe Outfield. Though you're permitted to drink booze in Ashfield Park in the day, make sure you're all packed up by 9pm. [caption id="attachment_677689" align="alignnone" width="1920"] Nikki To[/caption] BICENTENNIAL PARK Get snacks from: Tramsheds Bicentennial Park is less a stretch of grass and more like its own utopian village of greenery. It's the best place to seek refuge from the claustrophobia of urban living without having to trek too far — plus, there are harbour views towards the Anzac Bridge and the city. Set around a serene lake, with winding paths and vast, open fields, Bicentennial is the kind of place you could spend a whole day, so stop off at Forest Lodge's Tramsheds for a good haul before you set up. For us, this has to include some spicy chicken sambos from Belles Hot Chicken, throw in a few Grey Goose Spiked Ice Teas for that southern barbecue feel and your picnic party is complete. Bicentennial Park is a timed alcohol prohibited zone, so you can drink here between 10am–10pm. [caption id="attachment_753658" align="alignnone" width="2048"] Centennial Parklands/Flickr[/caption] CENTENNIAL PARKLANDS Get snacks from: Simon Johnson Providore or Maloney's Opened in 1888 by Sir Henry Parkes, Centennial Park is the largest public green space in the city and though millions of people visit the park each year you can easily find a patch of green that feels private. To make it a truly delectable affair, splurge on the Perfect Picnic hamper from Simon Johnson Providore in Woollahra before you head to the park, or pick up some of the best bagels in the eastern suburbs from Woollahra's or Surry Hills' Maloney's organic bakery. For a French spin on a Spanish classic, make a batch of Grey Goose French Sangria cocktails to take with you. You can drink alcohol in Centennial Parklands, but be a good citizen and take your bottles home for recycling – and don't drink in any prohibited zones. Upgrade your summer picnic by choosing premium vodka Grey Goose. Each bottle is distilled in France, and the high quality vodka has a 100-percent traceable production process, from crop to cork.
Before Instagram there was Hipstamatic - an app for your iPhone that transformed your boring and ordinary 21st century photos into dreamy capsules from a bygone yesteryear with vignetting, light leaks and nostalgically ethereal shades and tints. Hipstamatic promised the 'look, feel, unpredictable beauty and fun of plastic toy cameras from the past' and now, in a bid to regain their popularity and get one up on Instagram, Hipstamatic is offering a new dimension to their faux-analogue photography experience: a digital disposable camera. No, they're not encouraging you to throw your iPhone in the bin each time you've shot a roll of 'film', but what they are doing - cheeky buggers - is hiding your photos from you until you have taken 24 shots. The intention behind the app is questionable. Does this really provide you with a new avenue to experience the fun and anticipation of when you were 12 and brought a chunky yellow Kodak for your geography excursion, when you were so enthralled by this novel device and so enamoured by the gentle clicking sound as you wound back the wheel, that when you finally picked up your prints you realised that half of your photos were pure white flash and the other half were of lizards tails and your friends' noses? Or is using Hipstamatic and the like really an analogous experience akin to that of playing around with a Holga or Diana? I remember the first time I discovered the world of toy cameras, and my heart exploded. One year and at least a dozen rolls of film later, I still have no idea how to use my little 135mm Holga, nor my Polaroid 300, nor my (nominally oxymoronic) reusable disposable. However, in my vain and valiant attempts to try, I have discovered new techniques, unearthed the aesthetic magnificence of accident, and had a hell of a lot of fun too. Hipstamatic could be seen to be taking the whole 'new-technology-that-looks-like-old-technology-but-without-the-inconveniences' mode too far, and in doing so it begs the question: does snapping away with your ol' Hipstamatic - changing lens, flash and film with the effortless swipe of a finger - have something to offer, something to genuinely fill that yearning in all of our hearts for our sun-drenched, sepia-toned childhoods? Or is it a facade wrapped in authenticity wrapped in a marketing facade? The sheer, paradoxical irony of having a 'digital disposable' camera suggests that perhaps in our quest to replicate bygone artifacts and sentiments, too much use has been made of synthetic and spurious techniques and tools for the end product to ever achieve the cultural authenticity that we crave. Perhaps we should concentrate, instead, on embracing the here and now - because, after all, in five or ten years we may well find ourselves looking back on our iPhones and our DSLRs while we shake our heads in nostalgia, ruing those days of focused, instant and digital photography. Either way, Hipstamatic's digital disposable is yours for only $1.99. Now, that is like the good old days.
So, you've seen Nanette, then Douglas, then Body of Work, Hannah Gadsby's three most-recent stand-up shows — all of which hit stages, then Netflix. Next on your list to catch is Woof!, and in-person for now. The just-announced performance will premiere in Australia in autumn, confirming a run of dates in both Sydney and Melbourne, including at the Melbourne International Comedy Festival. If you're wondering if Woof! will also get the streaming treatment, it's too early to say, so getting giggling in the New South Wales and Victorian capitals is your best bet if you're keen to check out Gadsby's new routine ASAP. In Sydney, the show will play the Roslyn Packer Theatre from Thursday, March 7–Sunday, March 17. When it makes the move to Arts Centre Melbourne, it'll run from Thursday, March 28–Saturday, April 20. [caption id="attachment_896516" align="alignnone" width="1920"] Hannah Gadsby: Something Special. Jess Gleeson/Netflix © 2023[/caption] "Everyone else, sorry," says Gadsby about Woof!'s focus on just two Aussie cities in the social-media video that accompanied the stand-up show's announcement. Fingers crossed that's just the situation for now, and that the tour will also make its way around the country at some point. The comedian has a one-night gig in May in Los Angeles on their agenda after Sydney and Melbourne, with nothing announced after that so far. Woof! comes after Nanette became an international smash, travelling not only throughout Australia but also the UK, and winning awards at the Melbourne International Comedy Festival and Edinburgh Festival Fringe. Douglas then took comedy fans on a "tour from the dog park to the renaissance and back", including in Australia, NZ and Europe. And as for Body of Work, it embarked upon an extensive stint around Australia, as well as in Europe again. View this post on Instagram A post shared by Dr. Hannah Gadsby (@hannah_gadsby) Hannah Gadsby 'Woof!' Tour Dates: Thursday, March 7–Sunday, March 17 — Roslyn Packer Theatre, Walsh Bay, Sydney Thursday, March 28–Saturday, April 20 — Arts Centre Melbourne, Melbourne [caption id="attachment_871296" align="alignnone" width="1920"] Ben King[/caption] Hannah Gadsby's 'Woof!' tour will kick off in Sydney and Melbourne in autumn 2024. For further details — and to buy tickets from 10am on Monday, February 5 — head to the comedian's website.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from September's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL HEARTBREAK HIGH Teen-focused dramas always reflect the generation they're made for, and returning Australian favourite Heartbreak High is no different. Today's high school-set shows often come with more than a few nods backwards as well, though. Just like Beverly Hills, 90210, Saved by the Bell and Gossip Girl before it — like Degrassi's multiple go-arounds across more than four decades now, including a new take that's set to land in 2023 — Heartbreak High 2.0 knows it has a history and doesn't dream of pretending otherwise. 90s worship is in fashion anyway, so all those Doc Martens, nose rings, baggy jeans, slip dresses and oversized band t-shirts not only could've adorned the initial show's cast. As this revival returns to what worked so well the first time around, takes a few cues from Euphoria, Sex Education and Never Have I Ever as well, and finds its own intensity, that blast-from-the-past aesthetic proves a natural fit. Sporting such decade-crossing attire is a fresh-faced — and fresh-to-the-franchise — cohort of Hartley High students. The years and teens have changed, but the location, like plenty of the outfits, remains the same. When the eight-episode new season begins, Amerie (Ayesha Madon, The Moth Effect) and Harper (Asher Yasbincek, How to Please a Woman) are life-long best friends, but their sudden rift after a drunken night at a music festival changes everything. Amerie doesn't know why Harper has suddenly shaved her head, let alone cut all ties with her. She's just as shocked when the mural they've graffitied in an unused school stairwell, chronicling who's dated, had a crush on and slept with who among the year 11s, is scandalously outed. And their classmates, including the non-binary Darren (screen first-timer James Majoos), their bestie Quinni (Chloe Hayden, Jeremy the Dud), heartthrob Dusty (Josh Heuston, Thor: Love and Thunder), his smug pal Spider (Bryn Chapman Parish, Mr Inbetween), mullet-wearing food delivery driver Ca$h (Will McDonald, Home and Away), and Bundjalung basketballer Malakai (Thomas, Troppo), all get drawn into the resulting (and immediately easy-to-binge) chaos. Heartbreak High streams via Netflix. Read our full review. WE'RE ALL GOING TO THE WORLD'S FAIR "Hey guys, Casey here. Welcome to my channel. Today I'm going to be taking the World's Fair Challenge." So says We're All Going to the World's Fair's protagonist (feature newcomer Anna Cobb) twice to start this absorbing horror film, to camera, in what makes a spectacular opening sequence. Next, an eerie wave of multicoloured light flashes across her face. Watching her response brings the also-excellent She Dies Tomorrow to mind, but Casey has her own viral phenomenon to deal with. She's doing what she says she will, aka viewing a strobing video, uttering a pivotal phrase and then smearing blood across her laptop screen — and she promises to document anything that changes afterwards, because others have made those kinds of reports. Written, directed and edited by fellow feature debutant Jane Schoenbrun, the instantly eerie and intriguing We're All Going to the World's Fair is that record. Schoenbrun's film is more than that, however. It also charts the connections that spring and splinter around Casey just by joining the online trend, where her videos spark others in return — and the spirals she goes down as she watches, which then sparks a response in her own way, too. A portrait of isolation and alienation as well, while chronicling the after effects of playing a virtual horror game, We're All Going to the World's Fair is also a picture of an always-recorded world. Take your lockdown mindset, your social-media scrolling, all that Zooming that defined the beginning of the pandemic and a gamer vibe, roll them all together, and that's still not quite this arresting movie — which keeps shifting and evolving just like Cobb's enigmatic and evocative performance. The entire flick earns that description and, not that it needs an established name's tick of approval, the fact that The Green Knight and A Ghost Story director David Lowery is an executive producer speaks volumes. We're All Going to the World's Fair streams via Shudder. RAMY In the dramedy that bears his name, Ramy Youssef (Don't Worry, He Won't Get Far on Foot) is a quintuple threat. He created Ramy, plays Ramy, executive produces, and also frequently writes and directs — and, in a show about a Queens-born first-generation American Muslim raised in New Jersey to Egyptian parents, as Youssef himself is, there's no doubting that the stories he's telling are personal. There's a difference between bringing your own exact existence to the screen and conveying the truth behind your experiences, however, with Ramy falling into the second category as it charts its eponymous figure's struggles as his faith conflicts with his lifestyle. Since its first season in 2019, the series has always been so deeply steeped in the lived reality of feeling torn between two cultures, and so specific in its details, too. And yet, it's also so universal and relatable in its emotions and insights. None of the above changes in season three, welcomely so, in what's one of Ramy's finest moments yet. In this ten-episode third run, the lives of Ramy and his loved ones are rarely blessed with fine moments — and Ramy Hassan, Youssef's on-screen alter-ego, keeps threatening his own heart, mind and soul with his choices. Season two ended with a short-lived marriage and the fallout still lingers, but Ramy has thrown himself into making his Uncle Naseem's (Laith Nakli, Ms Marvel) diamond business a success as a distraction. He has money, his own place and, soon, his own jewellery outfit, although that doesn't herald happiness. For his sister Dena (May Calamawy, Moon Knight), nor has striving hard to take the bar exam, especially when her parents Maysa (Hiam Abbass, Succession) and Farouk (Amr Waked, Wonder Woman 1984) are open about how differently they see her and her future to Ramy. As the elder Hassans also grapple with Farouk being out of work, plus decades of feeling like they're treading water, Ramy remains a stunningly perceptive and engaging exploration of the battle to remain true to oneself — and one's hopes, dreams and religion — while also proving a rich, poignant and devastatingly well-acted comedy. May more come. Ramy streams via Stan from Friday, September 30. DO REVENGE Sequels aren't the only way to get nostalgic, or to thrust a beloved old-school film — or several — into the now. A high school-set comedy about exactly what it's moniker describes, Do Revenge joins Heathers, The Craft, Jawbreaker and Jennifer's Body in charting teens chasing vengeance. Mean girls abound, too, and when 'Kids in America' starts playing, it's a Betty of a Clueless nod (and just one of many, including pastel uniforms that could've been pulled out of Cher Horowitz's computerised wardrobe). Casting Sarah Michelle Gellar as the principal and dropping 'Praise You'? The Cruel Intentions winks keep thrilling like a young Ryan Phillippe. The list goes on, to the never-grow-up delight of, well, everyone — because writer/director Jennifer Kaytin Robinson (Someone Great) and co-scribe Celeste Ballard (Space Jam: A New Legacy) clearly know and love the type of movie they're making as much as the rest of us. Unleashing more references than a school library doesn't always play well — in the latest Scream movie, it gets repetitive and fast; in whodunnit parody-slash-homage See How They Run, it's a touch too clever-clever — but Do Revenge radiates pure fun and affection. At its centre: queen bee Drea (Camila Mendes, Riverdale), who climbed her exclusive private school's social ladder, hid her modest background and dated the dream boy Max (Austin Abrams, Euphoria) until a sex scandal tarnishes her reputation. With newcomer Eleanor (Maya Hawke, Stranger Things), who also has her own grudge against one of their classmates, she hatches a Stranger on a Train-esque plan: they'll avenge each other's wrongs and bring down their respective tormentors. Robinson and Ballard have a ball getting savage yet sweet, as does a cast that also includes Game of Thrones' Sophie Turner, 13 Reasons Why's Alisha Boe and Ms Marvel's Rish Shah — and devilish twists come with the self-aware fandom. Do Revenge streams via Netflix. HOCUS POCUS 2 Twist the bones and bend the back, Hocus Pocus has returned for another horror-comedy attack — and there's no doubting that this 29-years-later sequel adores its predecessor. Disney loves reviving and extending its popular past hits, whether as new remakes, followups or ever-sprawling franchises. In the majority of cases, it's committed to sticking to the same already-winning formula, too. So, pushing the cackling Sanderson sisters to the fore again, Hocus Pocus 2 unsurprisingly doesn't overly mess with the tried-and-tested template. Once again starring Bette Midler (The Addams Family 2), Sarah Jessica Parker (And Just Like That...) and Kathy Najimy (Music), it's another family-friendly tale of Salem witches trying to eat children to remain alive and youthful forever. And, it doubles down on everything that the Mouse House thinks made the OG flick such a beloved 90s favourite to begin with — more songs, more OTT siblings, more teens trying to foil their plans to run amok, amok, amok and more Massachusetts-set mayhem, namely That means that Hocus Pocus 2 plays like a greatest-hits do-over as much as a second effort. New movie, same setup, a few fresh faces and an obvious yearning to keep the saga's black flame candle burning: that's director Anne Fletcher (Hot Pursuit) and screenwriter Jen D'Angelo's (Young Rock) film. After adding an origin story for Winnie (Midler), Mary (Najimy) and Sarah (Parker), as well as Billy Butcherson (Doug Jones, What We Do in the Shadows), they're all unleashed upon modern-day Salem by 16-year-old Becca (Whitney Peak, Gossip Girl), her best friend Izzy (Belissa Escobedo, Sex Appeal) and magic shop owner Gilbert (Sam Richardson, The Afterparty) — and nostalgically entertaining hijinks ensue. Hocus Pocus 2 isn't subtle or restrained, or keen to do much more than worship its predecessor, but spells do work more than once. Hocus Pocus 2 streams via Disney+ from Friday, September 30. BLONDE Usually when a film leaves you wondering how it might've turned out in other hands, that isn't a great sign — but Blonde, the years-in-the-making adaptation of Joyce Carol Oates' fictionalised Marilyn Monroe biography of the same name, demands a watch. It's a fascinating movie, including for what works astoundingly well and what definitely doesn't. In the first category: Ana de Armas (The Gray Man) as Norma Jeane Mortenson, the woman who'd become not just a star and a sensation during her life, but an icon across the six decades since. Also exceptional: the almost-uncanny recreations of oh-so-many images that captured Mortensen/Monroe, including a plethora that are iconic themselves. In the second camp, however, falls Blonde's decision to filter its central figure's story through her death, as though that was the most important thing about her — and that it was inevitable. No one ever wants to be defined by one thing. Monroe certainly didn't, as Blonde itself depicts. She fiercely yearned to be known as more than a sex symbol who drew crowds to cinemas and attracted intense media interest — but being objectified was a part of her Hollywood experience, including here from the moment that a first studio meeting ends horrifically. As written and directed by Australian filmmaker Andrew Dominik, in his latest feature to unpack larger-than-life true tales after Chopper and The Assassination of Jesse James by the Coward Robert Ford, Blonde reductively sees that awful treatment, her childhood struggles, her tumultuous marriages and romances, her miscarried or aborted pregnancies, and her late-career on-set antics as all leading to the conclusion that's long been a matter of history. Far more engrossing is the movie's efforts to unpack the truth and pain behind all of Monroe's career-defining images, and to plunge the audience into a fraught headspace with her — and that soulful and phenomenal lead performance. Blonde streams via Netflix. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK LOS ESPOOKYS In the US, it was one of the best new shows of 2019. In Australia, thanks to a hefty delay in bringing it to our screens, it earned that distinction in 2021. The one silver lining for the latter? The gap between Los Espookys' first season and its second has proven much shorter Down Under — but more of this Spanish-language HBO comedy was always going to be worth the wait. The premise is a gem; the cast is a delight; the cavalcade of horror references is so savvily worked in that it almost puts every other winking, nodding, nudging show or movie to shame; and there remains nothing else on television or streaming like it. Sharp, witty, absurd, affectionate, insightful, charming, oh-so-distinctive, perhaps the best unofficial (and unrelated) successor to The Mighty Boosh yet: that's Los Espookys again and again, even more so in season two, although it's also a must-see that's best experienced rather than described. The same rings true for the Los Espookys gang and their business: horror IRL. It genuinely is a business for genre devotee Renaldo (Bernardo Velasco, Museo) and his pals Andrés (Julio Torres, Shrill), Úrsula (Cassandra Ciangherotti, This Is Not a Comedy) and Tati (Ana Fabrega, Father of the Bride), turning a passion into a line of work with a steady-enough list of customers. In an always-unpredictable affair co-created by Torres, Fabrega and Our Flag Means Death's Fred Armisen, the group stages spooky setups for folks willing to pay — gloriously outlandish and OTT scenarios, always with a tactile and DIY feel, resulting in both impressive and hilarious outcomes. Those installations keep coming, and so does both personal and interpersonal chaos for the crew (plus Renaldo's parking valet uncle Tico, as played by Armisen), particularly after Tati can't quite adjust to marriage, Andrés navigates life beyond the luxury he grew up in, Renaldo keeps being haunted and Úrsula tries to fend off persistent TV offers. Los Espookys streams via Binge. THE LORD OF THE RINGS: THE RINGS OF POWER Like knowing that House of the Dragon was coming, and winter as well, it's been impossible to avoid news about The Lord of the Rings: The Rings of Power. The stunning-looking series has been in the works for five years, and is already locked in for five seasons, all jumping back to Middle-earth's Second Age. That's a period of elves, men, dwarves and harfoots — precursors to hobbits — and of the lurking evil of Sauron, plus orcs, trolls and more. It's also when the titular jewellery is forged. On the page, it's largely been covered in an appendix to Tolkien's Lord of the Rings books, taking this new series into previously unseen on-screen territory. And, as The Rings of Power focuses on, it's where Galadriel and Elrond's tales truly kicked in, with Morfydd Clark (Saint Maud) taking over from Cate Blanchett and Robert Aramayo (The King's Man) doing the same for Hugo Weaving, with their characters thousands of years younger. The young Galadriel narrates The Rings of Power's explanatory introduction, setting the scene for the show's fight against Sauron — and slowly putting the pieces in place for the compilation of a fellowship to do so. She tells of the dark lord Morgoth and his defeat in wide-ranging wars. She notes that the elf Finrod (Will Fletcher, The Road Dance) was convinced that Sauron, Morgoth's apprentice, still lingered afterwards. And she advises that such a belief and the search to prove it right cost Finrod, her brother, his life. Alas, during relative peace, as Middle-earth has been under since Morgoth was vanquished, isn't a prime time to take up that fight. But she's still scouring far and wide for Sauron, even if High King Gil-galad of the Elves (Benjamin Walker, The Ice Road) wants to bathe her in glory for past victories instead. If that's the path she took, there wouldn't be much of a series — and that's just the start of a thrilling show that also spends time with the dwarves of Khazad-dum, fellow elf Arondir (Ismael Cruz Córdova, The Undoing) among the humans, and harfoot Nori Brandyfoot (Markella Kavanagh, True History of the Kelly Gang) and her fellow diminutive creatures. The Lord of the Rings: The Rings of Power streams via Prime Video. Read our full review. ANDOR When it arrived in 2016 between Star Wars: Episode VII — The Force Awakens and Star Wars: Episode VIII — The Last Jedi, Rogue One: A Star Wars sent a message in its own spy-slash-heist flick way: it wouldn't be slavishly beholden to the Star Wars franchise's established and beloved universe. It felt earthier and murkier, more urgent and complicated, and far more steeped in everyday reality — within its science-fiction confines, of course — and more concerned with the here and now of its specific narrative than the bigger saga picture. It was certainly and unshakeably bleaker, and felt like a departure from the usual template, as well as a welcome risk. The same proves true of impressive streaming prequel Andor, which slips into its namesake's routine five years prior. The Galactic Empire reigns supreme, the Rebel Alliance is still forming and, when the series opens, Cassian (the returning Diego Luna, If Beale Street Could Talk) is a wily thief living on the junkyard planet of Ferrix. A Blade Runner-esque sheen hovers over a different place, however: the industrial-heavy, corporate-controlled Morlana One, which couldn't be further under the boot of the Empire if it tried. As Monos-style flashbacks to Cassian's childhood aid in fleshing out, he's searching for his sister, but his latest investigatory trip results in a confrontation and the Preox-Morlana Authority on his trail. Back on Ferrix, he endeavours to hide with the help of his friend/presumed ex/mechanic/black-market dealer Bix Caleen (Adria Arjona, Morbius) and droid B2EMO (Dave Chapman, Star Wars: Episode IX — The Rise of Skywalker), while keeping his latest antics a secret from his adoptive mother Maarva (Fiona Shaw, Killing Eve). But, even after being told to drop the case, persistent Imperial Deputy Inspector Syril Karn (Kyle Soller, Poldark) and higher-ranking officer Dedra Meero (Denise Gough, Under the Banner of Heaven) aren't willing to give up. Andor streams via Disney+. Read our full review. ATLANTA You can't escape yourself. As Atlanta sent Earnest 'Earn' Marks (Donald Glover, Guava Island), his cousin and rapper Alfred 'Paper Boi' Miles (Brian Tyree Henry, Bullet Train), their Nigerian American pal Darius (Lakeith Stanfield, Judas and the Black Messiah) and Earn's ex Vanessa (Zazie Beetz, also Bullet Train) around Europe in the show's third season earlier in 2022, that truth became inescapable, too. Hopping everywhere from Amsterdam to Paris and London, the group saw the daily reality of being Black Americans linger with them at every destination — and their personal ups and downs as well — no matter how wild, weird, bleak or hopeful the circumstances they were in. Arriving mere months later, season four kicks off by also exploring that point, including in a debut episode that sees Atlanta, the city, haunt the show's main players. They're back home and there's no way they couldn't know it, whether they're on scavenger hunts, stuck in carparks or being chased. Just a handful of episodes in, Atlanta's fourth season also examines another truth that's always sat at the core of the show: that for better and for worse, there's no place like home. That applies to the physical location, but also to the homes we make with other people — family, friends and everything in-between. Earn and Van gravitate closer together, but their relationship has always ebbed and flowed. Al keeps pondering what success really means, too. In the process, Glover's superbly smart, blistering and often-surreal unpacking of race relations lays bare the nation it usually calls home, as it did so incisively in its first two seasons, while never failing to challenge, surprise and swing big. That the show's final season also clearly muses on legacies obviously couldn't be more fitting; however it ends, no doubt in a thoroughly unpredictable and yet also ridiculously apt way, it'll always be a great on Glover, Henry, Stanfield and Beetz's resumes. Atlanta streams via SBS On Demand. THE PATIENT In one of 2022's new streaming standouts, Bad Sisters, Brian Gleeson tries to get to the bottom of a suspicious death. In another, The Patient, Domhnall Gleeson plays a serial killer. The two shows have more differences than commonalities, but it's clearly a great time for the Frank of Ireland-co-starring Gleeson brothers and twisty tales about crime. For Run's Domhnall, he co-leads a show about a murderer who enlists a therapist to try to stop his homicidal urges. Sam Fortner does indeed sit in Alan Strauss' (Steve Carell, Minions: The Rise of Gru) office and seek his help, but as well as hiding his eyes and face behind sunglasses, he keeps his real name, the bulk of his personal details and bloody pastime to himself. It's only after Strauss wakes up chained in Fortner's house that the latter feels comfortable enough to come clean and truly ask for assistance, albeit under terrifying circumstances for his captive. Domhnall Gleeson's on-screen resume isn't short on highlights, including Ex Machina and Brooklyn. Carell's has blatantly boasted many, spanning both comedies (Anchorman: The Legend of Ron Burgundy and The Office, obviously) and dramas (including his Oscar-nominated work in Foxcatcher). Accordingly, it should astonish no one that they're both instantly gripping in The Patient, as their characters bounce off of each other in inherently grim circumstances; however, they're each also in career-best form. The psychological-thriller series works as two commanding, textured and high-stakes character studies as Fortner demands Strauss' professional best, and ensures he isn't capable of refusing — and works through their respective baggage cat-and-mouse-style from there. In fact, it hits its marks so well that the show's concise format (each episode clocks in at between 20–25 minutes) keeps viewers wanting more. The Patient streams via Disney+. RICK AND MORTY The longer that Rick and Morty continues, the more it galaxy- and time-hopping mayhem it slings at the screen, aka whatever out-there sci-fi situations that creators Justin Roiland (Solar Opposites) and Dan Harmon (Community) can conjure up. But the more that this Back to the Future-inspired animated hit continues, too, the more that it proves a tragedy about choices made and not — and how even having all the science-fiction gadgetry in this and every other world and dimension can't make everything perfect always, because that's just not human (or alien, animal or Birdperson) nature. Season six of the series was always going to get contemplative given how the past season ended, of course, and because that's been baked into the show since day one. Still, the oft-quoted "wubba lubba dub dub" feels particularly weighty this time around, considering what it really means: "I am in great pain, please help me". Rick Sanchez (voiced by Roiland) has been saved, but that initially tears the Smith family apart — by now, they know (and we know) that Rick and his daughter Beth (Sarah Chalke, Firefly Lane), son-in-law Jerry (Chris Parnell, Archer), grandson Morty (also Roiland) and granddaughter Summer (Spencer Grammer, Tell Me a Story) aren't quite the versions of themselves they once were. Also part of the season's first few episodes: Beth getting close to Space Beth, also with consequences throughout her household; exploring what it means to offload parts of your life you're not happy with; and a good ol'-fashioned "yippee ki-yay!"-shouting Die Hard parody. In other words, it's all quintessential Rick and Morty, just getting deeper with each new run of episodes. Naturally, when Peter Dinklage (Cyrano) voices an alien equivalent of Hans Gruber, it's gold, and yet another classic Rick and Morty moment. Rick and Morty streams via Netflix. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July and August this year. You can also check out our running list of standout must-stream 2022 shows so far as well — and our best 15 new shows from the first half of this year, top 15 returning shows and best 15 straight-to-streaming movies.
Detroit chef Kyle Hanley has created a ten-course meal based entirely off Radiohead's classic 2000 album, Kid A. For one night only, a pop-up restaurant will host 36 guests to enjoy the menu, drink pairings and a full stream of the album . Hanley, who studied music before becoming a chef, told Huffington Post when he listens to music he hears "textures and colours" and explained that Radiohead are a very textural and "very visceral band”. "Most people put out CDs, and this is an actual album," he said. "One song flows into the next, and we kind of want to do the same thing with the courses." The menu includes pan seared scallops and Pfalz Riesling paired with opening track 'Everything In Its Right Place', black caprese and a glass of Alto Adige Kerner to accompany the title track 'Kid A' and mousse dou with blackberry pâte de fruit Niepoort LBV port to see out the album alongside 'Motion Picture Soundtrack'. See the full menu below. Everything in Its Right Place: Pan-seared diver scallop, yuzu fluid gel, fried cellophane noodle, lemongrass ponzu, chili oil. With Pfalz Riesling. Kid A: Black caprese. With Alto Adige Kerner. The National Anthem: Pan-seared lamb chops, crispy pig ear, blood orange reduction. With 100 percent Mourvedre. How to Disappear Completely: Oil-poached monkfish, white asparagus, white balsamic vinaigrette, daikon sprouts. With Leelanau Good Harbour Golden Ale. Treefingers: Tomato granita. With cilantro-infused gin, jalapeno syrup, fresh lime, sea salt, chilli oil. Optimistic: Maple sugar-seared duck breast, pink peppercorn gastrique, orange juniper pearls, shredded confit. With Anderson Valley Knez Pinot Noir. In Limbo: Shades of Bouillabaisse. With Cava VallDolina. Idioteque: Arugula salad, sous-vide egg, lardo croutons, manchego crisps, crispy pancetta, smoked sherry vinaigrette, Meyer lemon foam, caper dust. With Mezcal Chartruese sour, dash of Ango. Morning Bell: Meyer lemon sorbet. With gin and tonic. Motion Picture Soundtrack: Mousse dou with blackberry pate de fruit Niepoort LBV port. Via Huffington Post.
If you're a fan of musical theatre, then you know the name Jonathan Larson, the creator and composer behind smash-hit production Rent. And, you likely know his story, too, with the playwright and lyricist passing away at the age of 35 on the day that that now-huge show premiered its first off-Broadway preview performance, and never seeing the Tony Award- and Pulitzer Prize-winning phenomenon that it would become. Before that, Larson also created another musical called tick, tick…BOOM!; however, it didn't chart the same path. Instead, the semi-autobiographical piece was performed as a solo work before his death, following a character called Jon who worried that he'd made the wrong decision by chasing his dream of becoming a composer. After Larson died, tick, tick…BOOM! was reimagined as a three-actor show, then made its way from off-Broadway to off-West End, as well as West End itself. And, in 2021, it took the leap to the screen, too, courtesy of Netflix — in a film directed by Lin-Manuel Miranda and starring Andrew Garfield, the latter turning in an Oscar-nominated performance as Larson. That's a whole lot of history behind the latest big musical announcement Down Under: that tick, tick…BOOM! will make its Australian mainstage debut in 2023. It'll run two seasons, kicking off at Melbourne's Comedy Theatre from Wednesday, February 1–Sunday, February 5, 2023, then hitting Brisbane's QPAC Playhouse on Saturday, March 4–Sunday, March 5. If you're wondering about tick, tick…BOOM!'s narrative, the rock musical is set in 1990, with promising young composer Jon as its focus. He's almost 30, living in New York City, and life as an artist isn't turning out as he planned — so he has to decide what to do next. The production is an ode to theatre and a tribute to New York, too, and has kept proving popular since it premiered in its current format off-Broadway in 2001. While exactly who'll take to the stage in Australia is yet to be revealed, tick, tick…BOOM!'s upcoming Aussie seasons will be produced by Adrian Storey from StoreyBoard Entertainment (Chess the Musical, Barnum, Follies, One Flew Over the Cuckoo's Nest) and directed by Tyran Parke (Chess the Musical, Barnum, Follies, Sunday in the Park with George). The Australian production doesn't yet have any footage, either, but you can check out the trailer for the Netflix film below: tick, tick…BOOM! will play Melbourne's Comedy Theatre in February 2023, then Brisbane's QPAC Playhouse in March. For further details and tickets, head to the musical's Australian website. Top image: Macall Polay / Netflix.
Heading to an outdoor music festival normally means hoping for fine and sunny outdoor weather. At Snow Machine, you'll be praying for one thing: yes, snow. Because spending a day or several dancing to tunes in the open air isn't solely synonymous with summer, this event embraces its wintry setup, combining live music with a ski trip — as Japan first experienced in 2020, and New Zealand has been enjoying since 2022. The Japanese fest takes place for 2025 in March, but you'll want to mark September in your calendar if you're keen on the Aotearoa event. The hottest festival for the colder months is unleashing its avalanche of music and adventure at two mountain-topping NZ ski resorts between Tuesday, September 9–Sunday, September 14 this year. The snow-filled attraction has also just dropped its impressive lineup. On the Thursday night, Claptone and Hot Dub Time Machine will be headlining. On the Friday, Amyl and The Sniffers are playing an exclusive New Zealand show, with Mallrat also on the bill. Come Saturday, Netsky and Luude are doing the honours. Also helping to give Snow Machine's NZ winter wonderland a thumping soundtrack across the fest: Argonaut, Baby J, Ben Silver, Beverly Kills, Body Ocean, Boogs, Brian Fantana and Casey Leaver — plus Dannika Peach, Jimi The Kween, Lenni Vibe, Mell Hall, Montel2099, Odd Mob. And, then there's Bribera, Savage, Spacey Space, T-Rek and What So Not. As the hefty roster of talent demonstrates, attendees are in for a helluva few days, including hitting the slopes and partying at après ski events on both Coronet Peak and The Remarkables. How much dancing, skiing and sipping you want to do is up to you — as is how many other adventurous activities you'd like to add to your itinerary, such as heli-skiing, jet boating, bungy jumping, canyon swinging and skydiving. Snow Machine's official welcome party is also on the agenda again, taking place at AJ Hackett Bungy Kawarau Bridge. So is another annual highlight: the Polar Bare, which endeavours to set a world record for the most amount of people heading down the slopes their swimwear. Alongside the wintry backdrop and the fun that comes with it, one of the things that sets Snow Machine apart from other music fests is being able to book your entire getaway with your ticket. Packages span both five and seven nights of accommodation, and include a four-day festival ticket, plus multi-day ski pass. If you'd rather make your own way or pass on the skiing, there are ticket-only options — and VIP packages if you really want to do it in style. Snow Machine 2025 Lineup Amyl and The Sniffers Argonaut Baby J Ben Silver Beverly Kills Body Ocean Boogs Brian Fantana Casey Leaver Claptone Dannika Peach Hot Dub Time Machine Jimi The Kween Lenni Vibe Luude Mallrat Mell Hall Montel2099 Netsky Odd Mob Bribera Savage Spacey Space T-Rek What So Not Plus stage takeovers from: Poof Doof Ski Club Thicks as Thieves Revolver Sundays Electric Rush Snow Machine 2025 takes place from Tuesday, September 9–Sunday, September 14 in Queenstown, New Zealand. Presale tickets go on sale on from 1pm AEDT / 12pm AEST / 3pm NZDT on Monday, February 24, 2025, with general tickets available from 1pm AEDT / 12pm AEST / 3pm NZDT on Tuesday, February 25, 2025. For more information, visit the festival's website. Images: Han Lowther / Amee Freeman / Luke O'Keefe.
If you're a fan of Australian music festivals, a feeling of déjà vu might be sinking in right now. In 2024, both Groovin the Moo and Splendour in the Grass announced dates and big lineups, then scrapped their festivals mere weeks afterwards. In 2025, one week after another, both fests have now cancelled their 2025 plans as well. After Splendour confirmed that it wouldn't be back this year, Groovin the Moo has done the same. The latter hasn't advised that it will definitely will return in 2026, either — but the team behind it are asking for lineup suggestions for future fests. View this post on Instagram A post shared by Groovin the Moo (@groovinthemoo) "Groovin the Moo won't be happening in 2025, while we work on finding the most-sustainable model for Australia's most-loved regional touring festival," the event's organisers said via social media. "We will really miss seeing the smiling faces of all our beloved Moo crew — and that means you! In the meantime, which artist would you most like to see on a GTM lineup?" In 2024, the long-running regional music event was due to play six stops: Adelaide, Canberra, Bendigo, the Sunshine Coast, Bunbury and Newcastle, with the latter marking its debut in the New South Wales city. Wu-Tang Clan's GZA, Spice Girl Melanie C doing a DJ set, The Kooks, The Beaches and Alison Wonderland were among the talents on the bill, alongside Stephen Sanchez, Armani White, Kenya Grace, King Stingray, DMA's, Jet, The Jungle Giants, Mallrat and San Cisco, plus Hot Dub Time Machine, Mura Masa, Claire Rosinkranz, Jessie Reyez, Meduza and The Rions — and others. When Groovin the Moo pulled the plug last year, it named poor ticket sales as the reason. "We are extremely disappointed to announce that the Groovin the Moo 2024 tour has been forced to cancel," advised the statement at the time. "Ticket sales have not been sufficient to deliver a regional festival of this kind." "We hope to be able to bring Groovin the Moo back to regional communities in the future." Groovin the Moo won't be taking place in 2025. For more information, head to the festival's Instagram. Images: Jordan Munns.
Before setting up Hampden Deli, owners Nick Gardner and Stevie-Lee Bounader spent years in fine dining restaurants. Head Chef Nick trained at Nelson Bay's Zest, before working at some of Sydney's best restaurants, including Quay and Tetsuya's, where he was sous chef. So when you slip into this cosy deli, cage and cooking school in Kangaroo Valley for brekkie, take high expectations with you. The tight menu — which offers just two or three dishes at one time — features classics transformed into gourmet delights. Among them are an bacon and egg roll, with brown sugar bacon, local eggs, cabbage, fermented chilli and, surprisingly, Kettle chips, and the Eggs Royale: a muffin layered with local eggs, smoked salmon, Avruga 'caviar', maple hollandaise infused with coffee beans and chives. Cruising by at lunchtime? Linger over a grazing board, loaded with meats, cheeses, breads, croutons and house-made pickles, accompanied by a glass of local wine. Or grab a takeaway snack and keep going — the counter is crowded with sangas, salads, quiches and some very impressive pastries that are made in-house each morning. If you're lucky, you'll time your visit with the deli's cinnamon cream buns or one of its salted caramel cube croissants filled with wattleseed cream. There's also a busy events schedule, with special dinners, masterclasses and workshops taking place every couple of weeks. Images: Tammie Seidel, Take Five Photography.
When we asked Concrete Playground readers to tell us their favourite spots in and around Alexandria, no shop, restaurant or bar received as many shout-outs as Social Society. The cafe is only relatively new on the scene — it opened in December 2019 as a tenant of Green Square's new food precinct — but it's quickly gained a loyal fanbase for its Pinterest-worthy fit-out and next-level dishes. Let's start with the space, which was produced in collaboration with interior designer Blank Creatives. It's a millennial dream with pink leather booths and curtains, neon signs and terrazzo tables. The menu is designed around dishes that are as photogenic as they are tasty, so expect the likes of pink pasta, with prawns, pickled beetroot and pink caviar cream, and eggs benedict served in a flaky croissant. But that's just the start of the OTT options. You can also indulge in fried chicken and waffles with maple-infused gravy, ricotta pancakes topped with popping candy, and bone marrow served with charcoal garlic toast. And coffee is by Sydney-based roastery Gabriel Coffee. Images: @elleshungry, courtesy of Media in Action
For over four decades, local institution Macleay St Bistro has been dishing out French cuisine. Now, after a great run in its original home, the team has moved into a bigger and better space — and the new location is only a few strides away from its OG spot. Following its 44th anniversary back in February, the beloved locale announced its plans to relocate to a brand-new site, taking over the previous spot of Monopole and Enoteca Ponti. Now residing at 71A Macleay Street, the new Potts Point digs are double the size of Macleay St Bistro's prior location, with the 123-square-metre space taking cues from European wine bars in the 50s. "This new space is lighter, brighter and more welcoming," said owner Phillip Fikkers. "We have the experience to deliver impeccable service, a decadent menu and an evening to remember." Construction professionals Ar Huis handled the fitout of Macleay Street Bistro's new venue. Opt to dine in and you'll be met with memorable red leather seating and copper trims, as paired with pale green walls adorned with moody art and lavish arched mirrors. Remnants from the old bistro complement the new additions, creating a revitalised casual diner that remains chic and aims to appeal to all crowds. As for the menu, it's consistent with the restaurant's offerings prior to relocating. Chef Callum Brewin is at the helm, leading his team to curate the authentic French cuisine that Macleay St Bistro is known for. Accordingly, you'll find that all of the crowd favourites have returned, from the classic steak tartare and twice-baked French onion cheese souffle to the steak frites accompanied by a pear salad and the silky crème brulee. There are also some newcomers, including the chateaubriand — a hearty weekend roast available from Saturday–Sunday — and top-of-the-range caviar, which can be added as a side or consumed as a bump. "They're dishes people know and love," says Fikkar. "Our customers come here for comforting French classic dishes. Diners know what they are going to get, and we find many of them book the restaurant because they want a certain dish." For sips, a seasonal cellar collection is also among the new additions, offering up premium wines including a 2017 Château D'Issan and bubbles like the 2015 Pierre Gimonnet Cramant Grand Cru. You can also enjoy in-house cocktails starring Chambord and crème de cassis, plus a French martini. To top things off, the bistro does still accept BYO wine with a $14 corkage fee every day except Sunday, when there's no charge. You'll now find Macleay St Bistro at 71A Macleay Street, Potts Point — open from 12.30pm Thursday–Tuesday for lunch and from 5.30–10.30pm daily for dinner.
When you've already spent 2025 singing and dancing with Robyn at Saturday Night Live's 50th-anniversary concert, then releasing the Saoirse Ronan (Blitz)-starring first-ever music video for 'Psycho Killer' 48 years after the song's debut, what comes next? For David Byrne, the answer is a new album in September, plus a new world tour that kicks off the same month — and heads Down Under in January 2026. The iconic Talking Heads founder and frontman has dropped two huge pieces of news at once, revealing his impending latest record Who Is the Sky? and the live shows to support it. In Australia and New Zealand, he'll be playing his first gigs since 2018, when he brought his American Utopia tour — which none other than Spike Lee (Da 5 Bloods) turned into a concert flick also called American Utopia, aka one of 2020's absolute best films — this way. [caption id="attachment_1008708" align="alignnone" width="1920"] Shervin Lainez[/caption] If you're in Auckland, Brisbane, Sydney, Melbourne, Adelaide and Perth and you're thinking "this must be the place", then you're right: Byrne is venturing to each of these cities. First, he'll hit up Spark Arena on Wednesday, January 14 on his sole NZ stop, before kicking off his Aussie dates on Saturday, January 17 at Brisbane Entertainment Centre. From there, he'll play ICC Sydney Theatre on Wednesday, January 21; Sidney Myer Music Bowl in Melbourne on Thursday, January 22; Adelaide Entertainment Centre Arena on Saturday, January 24; and Perth's RAC Arena on Tuesday, January 27. If you caught his American Utopia gigs or watched the film, you'll recognise some other familiar faces on the Who Is the Sky? tour. Byrne is taking to the stage with 13 musicians, singers and dancers, some of whom were part of the American Utopia band. Just like in those famous shows, his fellow performers will all be mobile throughout Byrne's latest set. Like tour, like album: Who Is the Sky? isn't just Byrne's first set of live gigs since American Utopia, but also his first record since that Grammy-winning release came out in 2018. Launching on Friday, September 5, 2025 — with first single 'Everybody Laughs' out now — the new album features St Vincent, Paramore's Hayley Williams, The Smile drummer Tom Skinner and American Utopia percussionist Mauro Refosco among its guests. Byrne has long been a must-see live performer — and there's long been filmic proof of that fact. Forty-two years ago this December, he made concert film history with Talking Heads when he walked out onto a Hollywood stage with a tape deck, pressed play and, while standing there solo, began to sing 'Psycho Killer'. Then-future The Silence of the Lambs Oscar-winner Jonathan Demme directed cameras his way, recording the results for Stop Making Sense. David Byrne Who Is the Sky? World Tour Australia and New Zealand 2026 Dates Wednesday, January 14 — Spark Arena, Auckland Saturday, January 17 — Brisbane Entertainment Centre, Brisbane Wednesday, January 21 — ICC Sydney Theatre, Sydney Thursday, January 22 — Sidney Myer Music Bowl, Melbourne Saturday, January 24 — Adelaide Entertainment Centre Arena, Adelaide Tuesday, January 27 — RAC Arena, Perth David Byrne is touring Australia and New Zealand in January 2026, with ticket presales from 2pm local time on Thursday, June 12, 2025 and general sales from 1pm local time on Friday, June 13, 2025. Head to the tour website for further details. Live images: Raph_PH via Flickr.
If there's ever a range of films that proves that every movie deserves to be seen in a cinema, it's Studio Ghibli's output. If you had your first experience with Spirited Away or My Neighbour Totoro at home, then felt compelled to catch a retrospective showing at your local picture palace, you'll understand. Indeed, Australian theatres get it, too, given how often the Japanese animation house's movies return to the silver screen. The Imaginary isn't a Studio Ghibli release, but it has a Ghibli pedigree. The second feature from Studio Ponoc after 2017's Mary and the Witch's Flower, it's both directed and penned by Ghibli alumni — the latter of which founded Ponoc. It made its Aussie debut on streaming this year, but is now getting a well-deserved big-screen outing at the 2024 Japanese Film Festival as one of its must-see titles. The just-dropped lineup for this year's JFF will give audiences the chance to see this enchanting tale about imaginary friends — 2024's third such film after Blumhouse horror movie Imaginary and the John Krasinski (A Quiet Place Part II)-directed IF, and the best of them — as well as nine other new Japanese features. The latest flicks out of its country of choice are just one part of the JFF setup, however. In four of its five cities, audiences will also enjoy a retrospective season that focuses on classics by Shohei Imamura, a two-time Palme d'Or winner courtesy of The Ballad of Narayama and The Eel. Canberra, Brisbane, Melbourne and Sydney will receive the full festival treatment, while just the new releases will play Perth. The festival kicks off with its retro sessions in the nation's capital in late September, before making its way around the country throughout October and into November. [caption id="attachment_971203" align="alignnone" width="1920"] Let's Go Karaoke! Film Partners[/caption] Opening the fest: Mom, Is That You?! , a mix of heartwarming comedy and workplace commentary from prolific director Yoji Yamada (Kinema no Kamisama). Other highlights include chaotic karaoke antics in Let's Go Karaoke!, with a choir boy and a yakuza striking up a friendship over singing lessons; fellow manga adaptation Sand Land; World War II-set historical drama Shadow of Fire; and rom-com Our Secret Diary. Or, there's more laughs via A Samurai in Time and The Dancing Okami, with the first paying tribute to samurai stuntman Seizo Fukumoto and the second inspired by an IRL tourism campaign — and also thrills via Matched and Out, following a wedding planner who connects with a suspected serial killer without knowing via online dating, plus a former juvenile gang leader's quest for redemption. [caption id="attachment_971204" align="alignnone" width="1920"] MIRAIEIGASHA[/caption] 2024 marks the Japanese Film Festival's 28th year in Australia — and the event's in-person lineup comes after its online program screened in the middle of the year. "Australia has always been a second home to Japanese film, with an exponentially growing audience captivated by Japanese cinema every year," said Manisay Oudomvilay from The Japan Foundation, Sydney, announcing the 2024 JFF bill. "Each of the featured films this year dissects the common human experience from a uniquely Japanese perspective, which will resonate with everyone regardless of their familiarity with Japanese culture." [caption id="attachment_971205" align="alignnone" width="1920"] Sand Land Film Partners[/caption] Japanese Film Festival 2024 Dates: Canberra: Latest releases: Wednesday, October 9–Tuesday, October 15 at Palace Electric Special series: Tuesday, September 24–Wednesday, September 25 and Saturday, September 28–Sunday, September 29 at NFSA Perth: Latest releases: Monday, October 14–Tuesday, October 22 at Palace Raine Square Brisbane: Latest releases: Thursday, October 17–Tuesday, October 22 at Palace Barracks Special series: Monday, October 7–Wednesday, October 16 at QAGOMA Melbourne: Latest releases: Monday, October 21–Tuesday, October 29 at The Kino Special series: Thursday, October 31–Sunday, November 3 at ACMI Sydney: Latest releases: Thursday, October 24–Monday, October 28 at Palace Norton Street and Palace Moore Park Special series: Wednesday, October 9–Sunday, November 10 at AGNSW [caption id="attachment_971206" align="alignnone" width="1920"] The Dancing Okami Film Partners[/caption] The 2024 Japanese Film Festival tours Australia from September–November. For more information and to buy tickets, visit the festival website. Top image: Studio Ponoc.
Following four sell-out events across Sydney and Melbourne, which featured MasterChef Australia champ Adam Liaw, Adelaide's Africola chef Duncan Welgemoed, dumpling master from Lotus Dining Group Chris Yan and Melbourne's very own Paul Turner behind Chapel Street's Lover, Red Rock Deli is putting together its final secret supper. And, this time it's bringing one of Melbourne's most renowned chefs to host an exclusive dinner for some very lucky Melburnians. Giorgio Distefano, the chef behind Cremorne's celebrated Ms. Frankie, is hosting the next mouth-watering feast, which will is inspired by Red Rock Deli's new Chilli, Roast Garlic and Lemon Oil Deluxe Crisp flavour. All the details are very much under-wraps, including what he'll be cooking up. But, despite everything being very hush-hush, here's what we can reveal: Distefano will be cooking up a storm on Thursday, October 17 and his dinner will feature plenty of chilli, garlic and lemon. Plus, the theme for the event is 'Sensorial Savoury' — so expect a menu packed full of flavour. Even better? You'll be treated to matching wines throughout the feast, too. We can also tell you that this experience will involve more than just the dishes — after arriving at the collection point in Melbourne's CBD, you'll be whisked away to a mystery location where you can expect everything from the decor to the food to elevate your senses — although the menu will remain a secret until you arrive. There are two sessions of this lavish dinner, with room for just 20 guests at each. Tickets to Giorgio Distefano's secret supper cost $110 per person. Enter the ballot below to be given the chance to purchase tickets. The lucky winners will receive a secret link to buy tickets to the evening on Monday, October 7. Please note, the Secret Supper menu will not cater to ANY dietary requirements or allergies. There are strictly no changes to the menu. [competition]741921[/competition] Image: Parker Blain.
Prove your adventure credentials on the first date by booking a picnic hanging from a cliff. We're not suggesting an awkward meal perched on a rocky ledge, but rather one of the fancy cliffnics organised by Shoalhaven-based business Outdoor Raw. You and your date will be suspended on a bench hanging off the side of a cliff, legs dangling, while baskets of locally sourced cheeses, charcuterie, fresh fruits, bread, preserves, wine and beer are lowered to you for feasting. This dramatic cliffside affair pops up at numerous locations with spectacular beach and mountain views and requires little physical exertion to walk to the sites and clamber onto the platform — just a whole lot of gusto to actually relax while suspended high above ground level.
The first of Red Rock Deli's Secret Suppers has been and gone, with MasterChef Australia 2010 winner Adam Liaw kicking things off in May. The exclusive supper series — running until September at secret locations across Sydney and Melbourne — sees some of Australia's most talented chefs whipping up mouth-watering, three-course feasts inspired by Red Rock Deli's new limited-edition range. And when we say exclusive, we mean it — only 20 lucky guests get to tuck into each lavish dinner. On Wednesday, May 15, Malaysian Australian chef Adam Liaw put up an Asian-fusion feast. After guests were picked up from Central Station's Grand Concourse entrance and whisked away to a mystery location, Liaw dished up plates inspired by Red Rock Deli's Thai red chilli and creamy coconut chips. In the first course, Liaw made chilli the hero with a Korean bo ssam of pork, prawns and herb kimchi, while his dessert of coconut and lychee pavlova with mango sauce incorporated the creamy texture of coconut. But it was the melt-in-your-mouth braised ox cheeks in red chilli and coconut curry that was the real winner — to recreate it at home, check out the recipe here. If Liaw's dinner is anything to go by, the upcoming suppers will be quite something. Duncan Welgemoed of Adelaide's famed African-inspired wood fire joint, Africola, is up next. The dinner will take place on Thursday, June 20 and will be inspired by Red Rock Deli's flame grilled steak and chimichurri flavour. To nab tickets for Sydney's upcoming Red Rock Deli supper, enter the ballot here to be given the chance to purchase tickets. Images: Conrad Coleby and Kitti Gould.
As the weird and wonderful program of the Sydney Fringe Festival takes over the Harbour City, potential attendees need help determining which events to attend. If you're looking for a physical theme, consider the acrobatic skills of Head First Acrobats and the three shows the group is putting on across the festival. First, some context. Head First Acrobats is a Melbourne-based group of performers that specialises in a blend of circus acrobatics and physical comedy. They have won awards and found fringe festival fame worldwide. The contributions to this year's Sydney Fringe Festival are split across three shows, each very different from the last. First up is the current flagship performance: GODZ. It's been raking in awards from fringe festivals nationwide and is now bringing its signature style of hedonism to Sydney. The stars are the gods of Ancient Greece, setting the scene for "the biggest party to hit Mount Olympus since 500 BCE". Said party involves muscles, stunts, skills and laughs of a godlike scale. GODZ is showing at Spiegeltent Festival Garden – The Vault until Sunday, October 1. [caption id="attachment_916818" align="aligncenter" width="1920"] Tenae Francis[/caption] Another headline show is Créme de la créme, a variety show that combines the impressive stunts and displays of the circus with the cheeky fun of cabaret and burlesque. Attendees can look forward to world-class acrobatics that's as gritty as it is glammed and a fair warning to expect a spot of nudity. Créme de la créme is showing at Spiegeltent Festival Garden – The Vault from Tuesday, September 12 until Sunday, September 24. Finally, if you're planning to bring some younger attendees along with you, grab tickets to Prehysterical. The physical performances continue but this time even further back in history, following the antics of three Neanderthals just trying to get by in a dangerous world. Expect good old fashioned slapstick humour and some tongue-in-cheek jokes for the adults. Prehysterical is showing at Spiegeltent Festival Garden – The Vault until Sunday, October 8. Head First Acrobats are performing several shows across September and October, each in Spiegeltent Festival Garden – The Vault, for more information on GODZ, Créme de la créme or Prehysterical, visit the respective websites. Images courtesy of Head First Acrobats.
It has been twenty years since James Cameron, Leonardo DiCaprio and Kate Winslet recreated one of the deadliest ship disasters in modern history — you know the one. Titanic also launched a lifetime of folks standing at the bow of boats and exclaiming "I'm the king of the world", and made the world endure a Celine Dion song that, as the lyrics promised, would go on. As well as snag a huge bag of Oscars and big, big bucks at the box office, the film did something else: reignite public fascination with the 1912 sinking. If you've ever watched and wondered what it'd be like to see the real thing, then wonder no more. You'd just better have a cool $137,000 sitting in your bank account. Commencing in 2018, travel company Blue Marble Private will be taking nine fascinated seafarers down to the famous ship on an eight-day journey. Departing from the coast of Newfoundland in Canada, they'll dive four kilometres down into the North Atlantic Ocean in a titanium and carbon fibre submersible — accompanied by experts, of course — to cruise around the passenger liner's deck, glide over its grand staircase and wander through the vessel that went down on its maiden voyage, taking more than 1500 people with it. The hefty price tag is supposed to reflect the cost of a first class ticket on the RMS Titanic 105 years ago, although it's hardly surprising that plunging deep into both the ocean's depths and a historical wreck costs a massive stack of cash and then some. This isn't the first time tours have been offered — indeed, presumably using some of the loot his romantic drama pulled in, James Cameron has made the journey three times — but it's still estimated that only 140 people have seen the site in person since it was first discovered in 1984. Via: The Australian. Image: OceanGate.
A great meal should satisfy your tastebuds and your stomach. When Vertigo opens in Brisbane, it'll also get your blood pumping and pulse racing. A brand-new addition to the River City's iconic Brisbane Powerhouse, this soon-to-launch eatery is joining the sky-high ranks, but with a difference: it isn't just located on top of the riverside New Farm venue, but hangs off of the site's industrial facade. Forget just living on the edge — this is dining on the edge, and literally. Obviously, the views will be spectacular. Given that you'll be climbing out to your seat while donning a safety harness, then eating four stories (and 17 metres) up, so will the thrills. An Australian-first vertical dining experience, Vertigo will start serving up — and levelling up — dinner with a view from October, with bookings now being taken for dates from Thursday, October 12 onwards. Once open, it'll operate four nights a week, from Thursday–Sunday, welcoming in tables of two. The one caveat: naturally, this adrenaline-pumping restaurant will be at the mercy of the weather, which will certainly play a factor over Brisbane's stormy summers. If it's only lightly raining, however, the night's sitting will still go ahead. The other key point: if you're not fond of heights, this won't be for you. But if you're fine with towering not just atop but over the side of an old power station-turned-arts precinct that dates back to the 1920s — whether you're a Brisbane local or a tourists — you'll be in for quite the unique experience. A third caveat: you can't head up if you've been drinking, with everyone breathalysed first and required to return a 0.00-percent blood alcohol reading. Brisbane Powerhouse's Bar Alto downstairs will be providing Vertigo's food across its eight tables — and each reservation's two-hour sitting — with the two-course menu featuring local ingredients to go with what's certain to become a local attraction. Unsurprisingly, a visit here won't come cheap, costing $250 per person. While you need to be sober to climb over the edge, a matched glass of wine will be served with dinner. You'll also get a post-descent champagne, beer or soft drink. To make the evening even more dramatic, diners can also choose to come back to earth post-meal via dropline down the facade. Or, if that's too much adventure for you — especially after eating — you can just head back to the ground through the venue. "Vertigo is unlike anything else in the world, it is an unexpected combination of adventure tourism and fine-dining on a heritage site," said Brisbane Powerhouse CEO/Artistic Director Kate Gould, announcing the restaurant. "Stepping off the roof of Brisbane Powerhouse to take a seat suspended at your table, four stories above the ground, will be the ultimate thrill. Experience silver service dining — albeit one with unbreakable crockery and cutlery attached to the table!" [caption id="attachment_850754" align="alignnone" width="1920"] Atmosphere Photography[/caption] "We are creating a uniquely Brisbane dining experience, at height. You will be on the edge of your seat in the open air before descending via an unforgettable exit," added Riverlife creator and co-founder John Sharpe, with the outdoor tour operator partnering with Powerhouse on the venture. "Vertigo will inspire fear but with the knowledge that safety is the priority of our experienced team of adventure tourism guides." If star chef Luke Mangan achieves his dream of setting up a restaurant on the Story Bridge, too, Brisbane might need to rename itself the Sky-High City. [caption id="attachment_776880" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Vertigo is set to open at Brisbane Powerhouse, 119 Lamington Street, New Farm, Brisbane from Thursday, October 12 — head to the venue's website for further details and bookings.
Picture this: chill tunes, cool drinks and tasty snacks as a cruisy Saturday arvo ends with a sunset on Sydney Harbour. That's got the vibe meter maxed out on our end. And this is more than just a pretty picture — it's a little something called Cockatoo Island Sunset Sessions, which runs every Saturday evening from January 21 until April 1. If you're not familiar, the Sunset Sessions live music series (formerly known as Campfire Sessions) is a Sydney summertime fave. Each session sees a pair of up-and-coming acts perform in the twilight serenity of Cockatoo Island against the spectacular backdrop of Sydney Harbour. The 2023 series spotlights home-grown Aussie, LGBTQIA+ and First Nations talent, including Hayley Mary, Aodhan, June Jones, Carla Geneve, Ashli and Dominic Breen. It's a diverse and multi-genre lineup suited to just about any music taste. And you don't need to worry about the trip home after because you can stay the night in Cockatoo Island's waterfront campground, which caters to different group sizes and levels of luxury. The best part? You can win an overnight experience for two during the 2023 Sunset Sessions series. The prize includes a double pass to a performance of your choice and a Deluxe Camping Package for two (that's all of the camping and none of the work), valid for an overnight stay in the island's award-winning campground. Quite the summer date night, no? Enter the giveaway below: [competition]883520[/competition]
Penfolds is taking over Carriageworks for three nights, introducing its new 2022 collection with an immersive event series headlined by one of Australia's favourite pop acts. Between Thursday, August 4 and Saturday, August 6, Venture Beyond by Penfolds will see Carriageworks turn into a hub of food, wine, music and art. Visually, the space will be transformed with local art collective and gallery Babekühl creating a multi-disciplinary short film depicting Penfolds' winemaking process. And accompanying the film? A space-themed set menu crafted by Sydney's renowned degustation king Nelly Robinson, from Surry Hills fine-diner nel. Robinson and the nel team created the viral KFC degustation earlier this year, and have conjured up a range of boundary-pushing set menus centred around the likes of Moulin Rouge!, Disney flicks and Christmas. This time around, he's created a series of intergalactic dishes designed to pair with Penfolds wines. Topping off the lineup is electro-pop duo Client Liaison, who will be performing across all three nights. The band will be bringing their catalogue of hits to the events with the help of producer and DJ Dan Lywood, who will be keeping the tunes rolling before and after their sets. Tickets include entry to the event as well as a stand-out meal from nel, a glass of three of the new wines from The Penfolds Collection 2022 and vinos from the Penfolds Max Collection throughout the night. Plus, for an additional $30, you can add a guided tasting of seven wines from the latest collection. Venture Beyond by Penfolds is on from Thursday, August 4 till Saturday, August 6. Head to the website to grab your ticket.
Prepare to see some very fashionable pups strolling the streets of Australia, because instantly recognisable fashion label Gorman has launched its latest line of limited-edition dog coats. What's more — as part of a collaboration with PetRescue — those new threads will have their wearers looking good for a very good cause. All profits will go towards providing extra support and boost awareness for the life-changing organisation, which advocates for change around Australia's dysfunctional pound system and helps find forever hopes for lots of pups. The quilted dog jackets are available in three different exclusive Gorman prints — named Neighbours Garden, Walk It and Green Fingers — and four sizes, ensuring pups big and small can look the goods. Each features a polyester shell and lining and adjustable velcro straps for the perfect fit. [caption id="attachment_718376" align="alignnone" width="1920"] Harvey in Green Fingers.[/caption] Just imagine how many looks your fluffball will get down at the dog park. If you do want to snag one, however, we recommend you head in-store or online ASAP — these babies are known to sell out quickly. Gorman's PetRescue range of coats is now available online and at Gorman stores nationwide. Prices start at $39. Top image: Floyd in Green Fingers.
Whether you're zipping from Sydney to Melbourne, or settling in for the long haul on the mammoth Perth–to–London flights, travelling by air comes with a significant environmental cost. As well as fuel usage and the considerable carbon footprint, planes are a hotbed for disposable items. Those plastic utensils you're using to tuck into your breakfast? The cup you're sipping your in-flight wine from? The wrapping around your blanket? All single-use plastics. To help counteract the hefty amount of environmental waste created by soaring through the sky, airlines have started changing their ways — such as Portuguese charter outfit Hi Fly, which has pledged to become the world's first plastics-free carrier within the next 12 months. Now Australia's own Qantas is following suit, announcing a plan to cut its waste by 70 percent by the end of 2021, including eradicating 100 million single-use plastic items from its flights and lounges each year from 2020 onwards. On their way out: 45 million plastic cups, 30 million cutlery sets, 21 million coffee cups and four million headrest covers each year, which'll all be replaced by sustainable alternatives. In the case of coffee cups, for example, they'll be swapped for versions that can be recycled or composted. Qantas has already ditched plastic wrapping on its pyjamas and headsets, and gotten rid of plastic straws altogether. It's also scrapping unnecessary paper, so that means using digital boarding passes rather than physical versions as well. The changes will come into effect across Qantas, QantasLink and Jetstar, and while the company recognises that some single-use plastic objects don't have a ready-made substitution (highlighting some wrappings used for hygiene purposes, as well as heat-resistant containers deployed in meal preparation), it's endeavouring to find solutions there as well. It has a history in the eco-conscious space, at least where fuel is concerned — using mustard seeds to fuel its Melbourne–to–LA flights, and dabbling with fuel derived from cooking oil before that. As part of the new waste reduction move, Qantas aims to become the world's first airline to reuse, recycle and compost at least three-quarters of its general refuse. "In the process of carrying 50 million people each year, we deal with more than 30,000 tonnes of waste," said Qantas Group CEO Alan Joyce in a statement. "That's the same weight as about 80 747 jumbos."
This multi-storey pub is an important puzzle piece to Oxford Street's iconic LGBTQIA+ scene. Across its four storeys, The Oxford Hotel hosts many the late-night happening, from drag nights and comedy shows to live music. On the ground level is Oxford Bar, which is where you'll find the bistro and terrace. Downstairs is The Oxford Underground, which hosts private and public events on the reg. Level one is home to a retro New York-style cocktail bar with leather booths, red curtains and a stage, and on the top level is the elegant Polo Lounge, which has a private bar, balcony and fireplace. Images: Kitti Gould
If nothing says romance to you like a classic movie, a picnic and a night under the stars, then we've found your February plans: a week of romantic films at Moonlight Cinema. The summertime event in Sydney, Melbourne, Brisbane, Adelaide or Perth unveils its lineup in batches each season, with the flicks for next month freshly announced — including swooning over 10 Things I Hate About You, Twilight and The Notebook, plus a preview screening of Force of Nature: The Dry 2 among the broader program. Consider this your latest piece of motivation to sit on a bean bed under the evening sky while feasting your eyes on the big screen and filling your stomach — with your special someone if that's how you'd like to mark Valentine's Day. The Ryan Gosling (Barbie)- and Rachel McAdams (Are You There God? It's Me, Margaret)-starring tear-jerker will do the honours on Wednesday, February 14, capping of a run of love-focused pictures that also features A Cinderella Story, The Princess Diaries, How to Lose a Guy in 10 Days and Anyone But You. Away from getting hearts aflutter, Moonlight's February bill also spans Taika Waititi's Next Goal Wins, animation Migration, plus Wonka and Ferrari in all cities — and that sneak-peek session of Force of Nature is happening everywhere as well. In Sydney and Melbourne only, All of Us Strangers with the internet's boyfriends Paul Mescal (Foe) and Andrew Scott (Fleabag) is back on the lineup. And in Sydney, Melbourne and Perth, so is wrestling biopic The Iron Claw. Sydney will also host a Mamma Mia pride celebration screening. Other films doing the rounds, depending on the city, range from Poor Things, Barbie and Dicks: The Musical to Priscilla, Saltburn and the Joel Edgerton-starring The Boys in the Boat. Folks in Brisbane and Adelaide, take note: this is your last chance to head along for this summer, with the Queensland season in Roma Street Parklands ending on Sunday, February 18 and the South Australian stint wrapping up on Wednesday, February 14, 2024 in Botanic Park. The lineup always varies per place, as do the dates, and the films and the setting are just two parts of the Moonlight Cinema setup. Also on offer: an official Aperol spritz bar, which is new for 2023–24. Nosh-wise, the event lets you BYO movie snacks and drinks (no alcohol in Brisbane, though), but the unorganised can enjoy a plethora of bites to eat onsite while reclining on bean beds. There's also a VIP section for an extra-luxe openair movie experience, plus a platinum section that levels up a night at the movies even further in Sydney and Melbourne. A beauty cart is handing out samples, too. And, dogs are welcome at all sites except Perth — there's even special doggo bean beds, and a snack menu for pooches. MOONLIGHT CINEMA 2023–24 DATES: Brisbane: until Sunday, February 18, 2024 in Roma Street Parklands Sydney: until Sunday, March 24, 2024 in Centennial Parklands Perth: until Sunday, March 24, 2024 in Kings Park and Botanic Garden Adelaide: until Wednesday, February 14, 2024 in Botanic Park Melbourne: until Saturday, March 30, 2024 in Royal Botanic Gardens Moonlight Cinema runs through until March 2024, with dates varying per city. For more information and to buy tickets, visit the cinema's website — and we'll update you with further program details when they're announced.
More than two decades have passed since the original live-action Lord of the Rings film trilogy finished arriving in cinemas. Middle-earth hasn't been far from screens over that period, however. From 2012–2014, The Hobbit flicks also hit the big screen. Then, in 2022, long-awaited streaming series The Lord of the Rings: The Rings of Power debuted on Prime Video, and there's more of it on the way. Also in the works: new movie Lord of the Rings: The Hunt for Gollum. That's just a working title, so the moniker could change, but there is indeed a brand-new live-action LoTR film on its way. Warner Bros Discovery announced in 2023 that it was taking the hobbits, elves, dwarves and other creatures from the JRR Tolkien-created fantasy realm back to picture palaces with another series of movies — and this is the first to be locked in. Also confirmed by Warner Bros Discovery's CEO David Zaslav on the company's first-quarter earnings conference call on Thursday, May 9: that The Hunt for Gollum is set to drop in 2026. Yes, Andy Serkis (Andor) is back as Gollum. He'll also be directing, adding to a filmmaking resume that also boasts Breathe, Mowgli: Legend of the Jungle and Venom: Let There Be Carnage.includ Oscar-winner Peter Jackson (The Beatles: Get Back), who helmed all six past live-action flicks, is returning as well. He mightn't be helming, but he "will be involved every step of the way", said Zaslav — and so will his writing partners Fran Walsh and Philippa Boyens (Mortal Engines). The latter pair are penning the script, in fact. "It is an honour and a privilege to travel back to Middle-earth with our good friend and collaborator Andy Serkis, who has unfinished business with that stinker — Gollum!," said Jackson, Boyens and Walsh in a statement, as per The Hollywood Reporter. "Yesssss, Precious. The time has come once more to venture into the unknown with my dear friends, the extraordinary and incomparable guardians of Middle-earth Peter, Fran and Philippa," said Serkis. Of course LoTR was going to return to the movies. Star Wars did it. Jurassic Park and Indiana Jones, too. No blockbuster film franchise stays away from cinemas for too long these days. Making more Lord of the Rings pictures is a result of Warner Bros Discovery coming to an agreement with Swedish gaming and media company Embracer Group, which owns the intellectual property rights to The Lord of the Rings, The Hobbit and other Middle-earth-related literary works. As part of the new movie arrangement, the upcoming flicks are being produced by Warner Bros-owned production company New Line Cinema, which was behind the first two trios of hobbit-filled features. Obviously there's no sneak peek at Lord of the Rings: The Hunt for Gollum yet, but here are the trailers for The Fellowship of the Ring,The Two Towers and The Return of the King in the interim: Lord of the Rings: The Hunt for Gollum is set to release in 2026, but doesn't yet have an exact release date — we'll update you with more information when it's announced. Via The Hollywood Reporter / Variety.
This news isn't like rain on your wedding day. It doesn't resemble finding a black fly in your chardonnay. And it definitely isn't anything like hitting a traffic jam when you're already late, either. But, it will have you singing those lines — and it is news that you oughta know, too — because 15-time Tony Award-nominated musical Jagged Little Pill is heading to Australia. The Broadway show's trip Down Under was first announced back in April; however, a lot can happen in just a few months during a pandemic. Indeed, back in July, Jagged Little Pill the Musical postponed its planned September launch — but now it's locked in to make its local debut on Thursday, December 2. The acclaimed production is making its first trip beyond Broadway, in fact, when it hits the Theatre Royal Sydney. And, when the curtains are raised, it'll help mark another milestone, reopening the Theatre Royal five years after it closed its doors in 2016. Inspired by Alanis Morissette's 1995 album of the same name, Jagged Little Pill the Musical weaves a story around songs from that iconic record. So yes, it's a jukebox musical like Mamma Mia!, We Will Rock You and Rock of Ages. Famed tracks 'Ironic', 'You Oughta Know', 'Hand in My Pocket', 'Head Over Feet' and 'You Learn' all feature, in a production that boasts music by Morissette and her album co-writer and producer Glen Ballard, lyrics by Morissette, and a book by Juno Oscar-winner Diablo Cody. And, songs such as 'Thank U', 'So Pure', 'That I Would Be Good', 'So Unsexy' and 'Hands Clean' all pop up as well, even though they hail from the musician's subsequent albums. At present, tickets are on sale for shows until Sunday, December 19, all starring Natalie Bassingthwaighte. She'll play Mary Jane Healey, with Jagged Little Pill the Musical telling the Healey family's tale as they struggle with their seemingly idyllic suburban lives after a troubling event in their community. Expect to hear Morissette's tunes — including two new songs written just for the show — used in a story about social issues relevant to today, but also with an overall message of hope, healing and togetherness. Australians keen to see the musical can look forward to watching it in a venue with quite the history. The 1100-seat Theatre Royal is one of Australia's oldest theatres, dating back to the 1870s. But most folks will know it in its current form, after it reopened in the 1970s with a design by famed Australian architect Harry Seidler as a replacement for the old theatre that was demolished when the MLC Centre was built. Jagged Little Pill the Musical will play the Theatre Royal Sydney at 108 King Street, Sydney, from Thursday, December 2 — with exact season dates yet to be announced. For further details and to buy tickets, head to the musical's website. Top image: Jagged Little Pill the Musical Broadway opening night curtain call, Bruce Glikas.
Solar power helps save the world and is one of the easiest renewable energy sources to tap, and now you can source it from the comfort of your own home, office and even on a plane. Designers Kyuho Song and Bao Oh have created the Window Socket, a plug socket that harnesses solar energy to charge your appliances. Just attach it to any window that receives sunlight using the suction plate, and the solar panels on its rear will start collecting energy from the sun, which is then transformed into electrical energy via an in-built converter, which is then stored on an internal battery for immediate or later use. The socket takes 5-8 hours to charge completely and will last up to ten hours once fully charged. The greatest thing about the Window Socket is that it was designed for portability to allow electronic accessibility everywhere. So once charged you can carry it on the move and rejuvenate the iPod in your bag or take business outside and power your laptop in the park. This revolutionary technology is an evolution of pre-existing solar battery backup technology and will transform the accessibility of solar power for everyday users. However, the product is still in its concept phase, with the designers wanting to further improve its storage capacity and product efficiency before placing it on the market, so keep an eye out. [Via PSFK]
Just when you thought drowsy Sunday afternoon grill-ups couldn’t possibly get any more deliciously lazy, Lynx comes up with a voice-activated barbecue, aka Smart Grill. That’s right, all you have to do now is kick back on your banana lounge and tell the barbie how you want your steak done. Well, that’s a slight exaggeration. But the MyChef interface promises to take a whole chunk of guesswork out of the process. No more black-on-the-outside-scary-pink-on-the-inside culinary disasters. Instead, the system links you to an online database providing all the information necessary for grilling perfection. Simply answer a couple of questions and MyChef advises you on the big decisions — when to turn, when to season and when to call it. At this stage, you'll have to stop resting on your laurels and do some flipping, salting and peppering, but the voice-controlled system does have the power to take care of other major jobs, such as getting the burners to optimum temperature. Plus, MyChef can keep you informed of developments via text messages and audiovisual cues through the companion app, so you can hang out by the pool, mix some cocktails and see to your guests without having to worry about messing up the steaks. And, just in case you indulge in one too many mojitos, misplace your phone and forget all about your feast, there’s an automatic safety shutdown mechanism. Having previewed at this year’s Consumer Electronics Show, Smart Grill is currently in prototype stage. Lynx is hoping to have it on the market next year. ViaGizmag.
Generally when you order a burger, it doesn't come flying to you at 100km an hour. The thought of that doesn't actually sound very fun or delicious; it sounds a lot like copping a pickle to the eyeball. But at Christchurch's C1 Espresso, high-speed sliders are a reality that doesn't hurt or impede your vision, thanks to an impressive overhead air suction system that delivers your chow straight from the kitchen to your table via pneumatic tube. It's the future, as owner Sam Crofskey puts it. And there is something very Fifth Element about food travelling through clear plastic tubes to get to your mouth, but this system is actually more in tune with the past than the future. Originally operating as a bank — and taken over by C1 after their previous site was destroyed in the February 2011 earthquake — the High Street building was already fitted with old-school pneumatic tubes. After using the vacuum-like system to transport handwritten orders to the kitchen, the next step, naturally, was to stick food up there and see what happened. With the existing tubes not quite big enough for edibles, new, slider-sized ones had to be fitted. They run from the kitchen and along the ceiling before dropping down to arrive at tables that sit up against the walls (and there's even talk of expanding delivery to outside tables through underground tubes). This means the cafe is always whirring, moving and buzzing; people's eyes flicker as they see a cylinder fly past up above and then grin in delight when said cylinder arrives at their table, holding three sliders and piping hot curly fries. "We just thought it was very Willy Wonka or something, and we had to do it," says Crofskey. "It was really important that when people talked about us after the earthquake, that they connected with us in the same kind of way as before ... We had to make sure that people would make the effort to come back." And with most of the city shut down — particularly when they initially reopened in November 2012 — C1 didn't just need a novelty; they needed to do something unique that fit in with their already-established brand and the community. Pioneering the second wave coffee movement since their beginnings in 1996 (back when no one knew what a barista was, according to Crofskey), C1 has always been known for great coffee and breakfast and details like their customised sugar packets that look like crayons and the sparkling water on tap from an old sewing machine. The pneumatic burgers and the decision to open for dinner are another extension of the C1 culture, and a good reflection of Crofskey's approach to hospitality. "We had a chance to reinvent ourselves and, when we reopened, we were deciding who we wanted to be," says Sam. "We didn't want to deviate from our brand — it's still warm and inviting, and a place for the community to come together." But offering breakfast, lunch and dinner isn't the only thing on Crofskey's agenda. Along with the cafe, he also works with a Samoan community to create a sustainable coffee industry in partnership with Women in Business, he bottles and sells OK! fruit nectars that also originate from the region, and he produces his own honey from the building's rooftop beehive and garden. And, with the cafe sharing real estate with a video store, art house cinema and, temporarily, the Christchurch Art Gallery, the space is so much more than somewhere to eat. "We had this idea that we wanted to have this space that people could get lost in for a while, so you can go here and go to the movies, come out and go to the art gallery," says Crofskey. And with plans to turn the upper levels into a boutique hotel, C1 will be like an island for the people of Christchurch. One where the room service is delivered at 100km an hour, of course.
Whether you tuned in the 90s and early 00s as it aired — staying up late in Australia to catch it on free-to-air TV on a weeknight, or taping it to view afterwards — or binged it via DVDs or streaming later, Buffy the Vampire Slayer has never been a television series that audiences watch casually. Jane Schoenbrun and Brigette Lundy-Paine, writer/director of A24 hit I Saw the TV Glow and one of its stars, have both OG fandom and more-recent obsessions covered. Schoenbrun calls the show their "first love", they explain to Concrete Playground. Lundy-Paine only started viewing it for I Saw the TV Glow but misses it now when they're not watching it, they also tell us. Schoenbrun, Lundy-Paine and audiences everywhere have Buffy to thank for a movie that's cast its own glow since its Sundance Film Festival premiere — and across stops at the Berlin International Film Festival, SXSW in Austin, Sydney Film Festival and Melbourne International Film Festival since, too, before reaching Australian theatres in general release. Earning its praise as an instant trans cinema cult classic, the pair's collaboration doesn't just take inspiration from Schoenbrun's affection for a pop-culture phenomenon about a high schooler that the undead feared. One of the standout films of 2024, and from A24's adored roster of flicks overall, it's the source of all-consuming passions itself, while also contemplating that very topic. With their 2021 debut feature We're All Going to the World's Fair, Schoenbrun has already pondered how screen fixations can help mediate identities. Two movies in, they have a niche — and a pivotal one. Their films examine the space where fandom and pop-culture obsessions overlap with alienation, dissociation and dysphoria. They explore how they filtering who you are through an internet or TV fixation can assist in processing those emotions and states, and aid in unlocking something that you mightn't have had the tools to recognise otherwise. Two features in, Schoenbrun has earned their own adjective as well: their films are positively Schoenbrunian. It isn't just the common themes that mark We're All Going to the World's Fair and I Saw the TV Glow as works from the same inimitable voice, but also a shared dreamlike aesthetic, plus a knack for poetic and revealing dialogue. Watching their movies feels like plunging in, being enveloped and experiencing everything that their characters do; it's no wonder that the filmmaker's fare, especially their sophomore picture, is so easy to obsess over. Where We're All Going to the World's Fair follows a teenage girl making connections through an online horror challenge, with the feature digging into dysphoria along the way, I Saw the TV Glow does indeed have a television show at the centre of its plot. In the 90s, teens Owen (Dungeons & Dragons: Honour Among Thieves' Justice Smith, plus Let the Right One In's Ian Foreman as the younger version) and Maddy (Lundy-Paine, Atypical) strike up a friendship over the Buffy-meets-Goosebumps style supernatural series The Pink Opaque. The show is their escape from their adolescent reality, and a coping mechanism — one that Owen, especially, didn't know that he needed. It's also where these new friends feel like they finally see their real selves. Then Maddy disappears suddenly, The Pink Opaque is cancelled just as abruptly, and the 00s come calling. I Saw the TV Glow jumps further forward, too, as it uncovers the different ways that Maddy and Owen embrace — or don't — their authentic identities. The parallels with the egg-crack moment, the term used when someone realises that they're trans, are as bright and clear as the light emitted from every screen that bathes the movie's main duo in The Pink Opaque. Schoenbrun is always about showing rather than telling, though, and about viewers stepping into Maddy and Owen's emotional state with them rather than simply being informed about it. Again basking in 90s nostalgia on the big screen after 2020's Bill & Ted Face the Music — where they played Billie Logan, daughter to Keanu Reeves' (John Wick: Chapter 4) Ted — Lundy-Paine was drawn to the raw feeling evident in Schoenbrun's script, as well as their shared perspectives and experiences. We spoke with both Lundy-Paine and Schoenbrun about TV devotions, inspirations, Schoenbrun thematic and stylistic go-tos, telling personal tales, 90s nostalgia and more. On Falling in Love with Buffy the Vampire Slayer — Then and Now Jane: "I was just obsessed. I had other TV obsessions, but Buffy was the biggest one that I'll ever have. When I think back a bit on it, and I mean this quite literally, I think of Buffy as my first love. The amount that I put into that show emotionally, the amount of headspace it took up, each week waiting for the next episode to air, reading about it online — it was just a total obsession. And in many ways, I think — and the film is exploring this as well — it was a coping mechanism, a way for me to express myself in fiction, in a place that felt safe and outside of the quote-unquote real world. How did I fall in love with Buffy? I was flipping channels on the TV in my parents' bedroom, where I would be relegated when they were watching something on the main TV. And I remember coming across a rerun of the episode from the first season called 'The Pack'. It was the summer after the first season aired, and I was like 'I'm watching this show again next week' — and it just developed from there. I'd say by the second season, it was my favourite TV show. And by the third season, I was spending a lot of time with Buffy. I had tapes. I made my own tapes. I had the episode guides. I posted online about it. It really became almost this like space for me to hide and I just loved it so much. I remember when it was ending, thinking 'oh my god, this is like losing family'." Brigette: "I watched up to season five of Buffy before we started [I Saw the TV Glow], and I just totally fell in love with it. I miss it when I'm not watching it now. I fell in love with the community, and the idea that magic was real — that there was no question. I feel like I watched it kind of as Maddy, but I'll always love it as Brigette with the respect of it isn't mine completely, because I didn't watch it when I was young, but I really love it." On How Schoenbrun Obsessing Over Buffy — and Also Admiring Twin Peaks — Inspired I Saw the TV Glow Jane: "I think the experience that the film is trying to talk about — and it's doing this not only in a plot about 90s television, but through the aesthetics and tropes of 90s genre television — is a youth spent in front of the screen. I was a young queer kid growing up in the American suburbs, and the main thing that got me through that, or the main source of romance and mystery and joy in my life in this place where I think I not only couldn't be myself but I wasn't really being given any information to help me understand myself, the main place that I went looking for myself was in the screen. This is ultimately why I think like a show like Buffy or Twin Peaks became an obsession, because it was somewhere where I could catch a flicker of something more mysterious, something more magical. And I do think in many ways this was a queer experience. The movie, I think, talks about this very specific kind of parasocial relationship with fiction about fandom, about obsession, about searching for truth in fiction before you're ready to look inside yourself. And it's doing this using these genre cues that I learned from rewatching my Buffy tapes obsessively. It's a movie about people who love a show like that, but it's also very much a movie that's set in the heightened world of a Buffy or a Twin Peaks or an X-Files." On Lundy-Paine's Equivalent of Buffy or The Pink Opaque Brigette: "I think the first show that I really loved the way that Maddy and Owen loved The Pink Opaque was The OC. I watched it after it had been released, so I would record reruns from the soap channel. But I was really obsessed with the characters, and I felt like they were my friends — and it was the most devastating thing I've experienced when Marissa died in season three." On Making Films About Mediating Our Lives, and Coping with Alienation and Dysphoria, Through Fandom and Pop-Culture Fixations Jane: "I remember feeling like I've always been an artist, and I've always told myself stories and written screenplays or fan fiction, or anything that I could to be creative. It's a need that I have. But I had so much shame for the longest time about what kind of art I could make that would be authentic and not just a rip off of the things that I love, that would speak from a perspective in a place that that was deeply personal, and that could only come from who I was and where I came from. And a lot of that shame was repression. But there was this moment that was sort of in tandem with my coming out and my artistic awakening, where I kind of realised this cheat — which was they say 'write what you know', but what I know is watching. What I know is staring at a screen. And I think I'm enough of a self-reflective person to understand that that experience isn't all good or all bad, but that it is rife with mystery and ambiance and loneliness, and connection and love and sadness. And it can feel scary and alienating. It has political resonance, and it has personal resonance — and it's sort of the thing that we all do that we don't talk about in our art. It mediates our lives so deeply at this point, that in exploring that and not just exploring that from a political perspective but from my own life staring at a screen, and the way that it intertwined with who I was and what I was hiding from in myself, this just became, like I said, a cheat code of sorts to finally unlock my personal voice as an artist. I find the screen as a symbol just very compelling, both thematically and aesthetically, and it's something that I can return to over and over again without repeating myself so far. I find myself just wanting to dig deeper and deeper into that abyss." On Starring in a Movie That Is So Personal and Specific to Its Filmmaker Brigette: "One of the things about Jane that is so exciting is that they're able to communicate these really, really deep experiences and personal feelings in a way that other people feel a part of. I think that was one of the reasons the film was able to get made, was that in meeting after meeting they told their story, and they talked about what it meant for an egg to crack, which is the term of a trans person realising that they're trans. But also for myself, I had been experiencing the same things or very similar things to Jane, and that was one of the things we connected on when we first spoke — and I think one of the reasons that we trusted each other to make this movie together and to be fully vulnerable for it." On How Lundy-Paine Came to Be Involved in I Saw the TV Glow Brigette: "My good friend for a long time, Sam Intill, they sent me the script because they'd met Jane after seeing Jane's first film at Sundance, and they'd come on to produce this second one in its very, very early stages. And Sam connected Jane and I, and Jane and I just got along really, really well right away. We have a very similar sense of humour and experience, our perspectives of what making movies and what Hollywood meant to us — and the rules that we both wanted to break, and the experiences that we both wanted to help convey to the audience. So that was, I think, maybe two years before production. And then it was pretty locked in for Jane and I that we wanted to work together, and it was just a long process of Jane convincing A24 that that I would play the part. I had done a TV show, but I'm not a huge name and I think that was tricky for A24 to believe. But Jane was like 'no, it it has to be us. It has to be me and Brige'. And I was very grateful for that. And I had the script for a long time because of it, so I was able to like get really deep and comfortable with the words." On Lundy-Paine's First Reaction to the Script, What Resonated the Most and What They Saw That They Could Bring to the Film Brigette: "I think I was just so moved by how real it felt — and how it almost felt like mythology. The emotions of it were coming from such a raw place. And I really liked the way that Jane plays with the sort of shallow, cliched teen dialogue and then moves into a realm of almost subconscious communication to explore the actual meanings of what they're talking about. I think I felt the colours of the film really strongly. I felt this blue and pink neon electric sensation, and I also just knew that it was a character that I really wanted to have in my body, and I was really anxious to get to know her. I think I knew that arc very well. If I was different than Maddy myself — but I know, and I really wanted to free myself in the same ways that she did. So I was able to pull from my own angst and fear and love, and obsession with the stories and the worlds that that Maddy finds safety in." On Schoenbrun's Dreamy, Hazy, Like-You're-in-the-Characters'-Heads Aesthetic Jane: "Film as a dream was something that I was really interested in from the earliest stages of thinking about a language as an artist, like the idea of the experience of sitting in a dark room and seeing this thing — the only thing you can see. I had and still have these recurring dreams where I'll be watching something and then all of a sudden I will be inside of it. There were just these repetitions of interest in the process of travelling from watching something to being synonymous with the screen. There's a shot in We're All Going to the World's Fair where we slowly zoom in on a screen until the screen is no longer a screen, and it's our screen. This feels very trance-like to me. This feels like the process of falling asleep or dreaming. It feels very oneiric, and it's just fascinating to me because I think film is a medium so interested in time and space. Another big influence is the experimental film Wavelength, where we spend the entire movie just slowly moving across the room towards a painting. I find it like such a simple reminder of the power of the medium and perspective in the way that the third eye of the screen can help us understand space in a way that our own eyes can't. I just like it. There's a deepness and a mystery to it that I find myself continuing to chip away at. I could speculate about why I'm drawn to it. I read a really great book of queer trans film theory called Shimmering Images — Eliza Steinbock, I believe. I read this after I had made We're All Going to the World's Fair and it was an entire book of theory written about trans people's aesthetic connection to the shimmer, to liminality, to a space that is very transitory in its essence, and that we find some comfort in that space of transitory self because we relate to it. But I think there are so many resonances and so many reasons why I'm fascinated by haze, and by the screen and liminality and lo-fi aesthetics." Brigette: "I had so much fun with it because it's rare to work with a director who has a vision of such specific pacing and tone. And so we would do these scenes with, as I mentioned, sometimes the dialogue almost feels like canned or cliched, but because of Jane's style and the way that they're playing with that type of dialogue, it's about the pace and the rhythm. So we would have rehearsed a lot, but even when we got to set, we would do the scenes too fast. And so Jane had to continuously slow us down and remind us that it was almost as if we were existing in separate universes from each other, Owen and I. And so Jane would say 'this time, do it and don't even expect him to respond'. And I think that brings out some of that eerie, dreamlike quality." On Lundy-Paine's 90s Nostalgia Bent with Bill & Ted and Now I Saw the TV Glow Brigette: "I think it's something that interests me because it's something that activates a real personal and vital process for the directors or for the people who are making these films. I was born in 94, so I didn't experience too much of the 90s, but I obviously understand what it feels like to be nostalgic for, say, 2010. And so I think working on projects that are set in the 90s, it means a lot because it's the childhood, because it's a real place for the people creating these worlds. And also it just feels iconic. I remember I watched like Fight Club and Donnie Darko while we were filming, just randomly, and both times I was like 'I want to make a movie set in the 90s'. And realised 'ohh we are making a movie set in the 90s right now'." I Saw the TV Glow is screening in select Australian cinemas now, after opening on Thursday, August 29, 2024. Images: A24.
In our buzzing city, winter is no excuse to close yourself off from the world and stop enjoying all that Sydney has to offer after dark. The lockout laws may have hindered some late night options, but there are still some good'uns out there if you know where to look. Let's face it, your Instagram feed could probably use a shake-up with some epic night snaps — which could easily be achieved thanks to the low light feature on the new Galaxy S9 and S9+ phone from our friends at Samsung. Instead of heading straight home after dinner, own the night by checking out one of these venues for some of the city's best after-hours activities. CATCH A GIG AT THE COMMONS Downtown Bar at The Commons is set in a 168-year-old Darlo cellar and it's cave-like acoustics make it an ideal spot for live gigs. And The Commons is happy to oblige with jazz and blues acts on every Thursday through Saturday from 9pm. Regular artists include ragtime group Sugar Bowl Hokum, the soulful Bonnie Kay and The Bonafides and punk-blues sets by Jesse Redwing. From behind the bar comes classic golden age cocktails with a focus on vermouth. Try the Don Martinez, with Oscar 697 sweet vermouth, Gran Centenario reposado tequila, rhubarb liqueur and Booker's bitters. Then sit back, drink in hand, and let the music transport you to another time with speakeasy vibes. CATCH LATE NIGHT ART AT THE MCA'S LIGHTS ON LATER If you're looking to get your fill of art this winter but can't make it to the galleries before dark, the MCA keeps the lights on later until 9pm every Wednesday. This means you can check out its art post-dinner, including the 21st Biennale exhibition that runs through June 11 and an installation dedicated to Melbourne-based artist Emily Floyd till August 5. Plus, if you head in during Vivid (till June 11), the Lights on Later program is extended to include Friday and Saturday nights, too. Don't be camera shy, the MCA will also have its rooftop bar open late, which boasts one of the best spots for Vivid views and snaps for your feed. This year, Bombay Sapphire is running the pop-up bar, serving glowing gin cocktails with unobstructed views of the Sydney Opera House light show. PLAY BOARD GAMES AT VENUE 505 Venue 505 is known for hosting some of the best jazz gigs in the city, including getting in some huge interstate and international acts — and often for free or on the cheap. If you really want to get some bang-for-your-buck action, every Monday is jazz jam and games night. Their selection of board games is legit, with classics like Scrabble, Cluedo and Monopoly all on offer. If you're looking for something specific, guests are also welcome to BYO board games — and budding musicians are encouraged to bring along instruments to join the band. Grab your crew and get competitive in this moody low-lit space, all while sipping on craft beer or whisky and listening to a free jam session by some of the city's best musicians. Camera Tip: A longer exposure will capture the light at night and create a dynamic motion effect. Adjust your settings by swiping your S9 into Pro Mode. Lower the ISO, increase the shutter speed and keep very still as you take your shot. PLAY PUTT-PUTT AT THE NEW HOLEY MOLEY IN DARLINGHURST Holey Moley Darlinghurst has just opened its doors under the iconic Coke sign in Kings Cross and the newcomer is Sydney's biggest yet, with 27 holes and three bars. The new highly 'grammable fit-out is themed around the roaring 20s — think art deco interiors, jazz-age inspirations and decadent party vibes — with one of the nine-hole courses located in a former piano room. Plus, the mini golf bar has a brand new cocktail menu, with drinks like the Austin Sours with grapefruit, Aperol and vodka, and live DJ sets, to boot. Open until midnight every day, the bar gives you an excuse for a night of friendly competition any day of the week. Just don't forget to capture that epic Boomerang of you sinking a hole-in-one. SING KARAOKE FOR FREE AT GOROS Goros offers up state-of-the-art karaoke rooms — and they don't charge ya a dime. The Japanese-style bar is open six days a week, with late nights on Thursdays till 1am and Friday through Saturday till 3am. Have a few extra-large mugs of Sapporo at the bar to boost your courage, then belt out your favourite Britney Spears or Journey songs. You can book a karaoke room online or at the bar anytime, but it is a popular joint, so best to book as much in advance as possible — though we know you can't always predict when the karaoke bug will strike. And since there's no better combination than karaoke, booze and gyoza, Goros has this trifecta down with their late night eats, available after 10pm, Thursdays through Sundays. Apart from the aforementioned pork, chicken and mushroom gyoza, the late night menu includes spicy edamame, karaage chicken and shoestring fries with Japanese curry ketchup. Instead of spending your winter nights on the couch, discover all the after-dark happenings in your city here — and don't forget to document it all on the new Samsung Galaxy S9 and S9+, designed especially for low light so you can capture your best moments no matter what. Images: Cole Bennetts.
From towering mountains and serene fiords shrouded in mist, to black sand beaches and forests housing some of the world's oldest trees, Aotearoa New Zealand's natural landscapes truly are something else. No matter when you visit, you'll feel the wairua (spirit) of New Zealand's landscapes drawing you in as you're immersed in them and they envelop you. This is scenery you'll feel, rather than merely 'view'. Winter transforms vistas as the skies darken, mountains rising from the horizon are dusted in snow and the seasonal passing by of wildlife occurs. During autumn and spring, you'll be bathed in warmer temperatures and lingering sunlight that casts a different light over the landscapes. We teamed up with 100% Pure New Zealand to unveil some of the most awe-inspiring scenery New Zealand has to offer each season, so you can plan a trip that's made all the more memorable by these breathtaking encounters. Flick the switch for our top picks of experiences to have in autumn, winter and spring and see how New Zealand changes with the seasons. Jump to switcher
High-concept cocktails, leather booths and a distinctly horny vibe are the modus operandi at play in Pleasure Club. The new bar-meets-live music venue-slash-performance space has finally opened its doors on Wilson Street in Newtown after almost a year of preparation and the promise (according to Entertainment Manager Sabrina Medcalf) to "blow up the status quo of what your average live music bar is presenting". So does it deliver? Well, the drinks list is pretty unreal, for starters. For the venue's launch, Creative Beverage Lead Sam Kirk collaborated with booze whisperer Matt Whiley (of Re) on a cocktail series dubbed 'Nostalgia Machine'. And you very quickly get a sense of the 90s breed of nostalgia they are accessing. Our pick is the 'Cherry Ripe', an astonishingly accurate rendition of the polarising chocolate bar created with rum, cherry, dark chocolate, Davidson's plum and coconut. The 'Vegemite' is also a highlight, kind of like a dirty martini but... Vegemitey? Other creations on the menu include 'Mr Whippy', 'Cheese TV' and the more palate challenging 'Chicken Parm' made with vodka, comte cheese, bacon, tomato and chicken salt. We liken it to a chilled alcohol-laced chicken soup. Do with that information what you will. The drinks are accompanied by a simple menu of good hot dogs that pair surprisingly well with the cocktails. The vibe of Pleasure Club is an anything-can-happen horny hedonism. A glowing purple eye greets you at the street level entrance, hinting at the layers of violet hues contained within. Otherworldly decor and stage design are tone-setters for the entertainment program, which will be a true mixed bag of live music, performance art and audience interaction. According to Odd Culture Group's Creative Director Nick Zavadszky, "It really will be a different beast depending on the occasion. There will be some heaving and revelrous late nights as well as some pared back, lo-fi shows. We've spent a lot of time engineering the journey from evening into late-night, with cues for transitioning to what we call Dark Service around the 11pm mark. You'll have to experience that one for yourself." And as of this evening you can. Pleasure Club is now open from Wednesday to Sunday 4pm-4am at 6 Wilson Street in Newtown. For programming details and more follow the venue on Instagram. Images by Parker Blain.
Surfing has been a part of the Australian vernacular for generations now, with the likes of Bondi, Byron Bay and the Gold Coast all contributing to a stellar international reputation that draws millions to our shores. But when it comes to getting out of town with your own board to enjoy a well-earned (surf) break, you know you'll want to find a classic Aussie surf spot where you and your mates don't have to fight a bobbing crowd of strangers to catch a wave. Nothing brings Aussies together like a bloody good surf break, so we've teamed up with Jim Beam to do the leg work and track down six of the top lesser-travelled surf spots around Australia, perfect for bringing together your fellow lovers of surf and spray for an adventure. From remote reefs to spectacular peninsulas, these local spots are often kept close to the chest, but we've highlighted just a few that will have you plunging right into Aussie surf culture in no time. And as always, make sure you respect the locals, wherever you go. [caption id="attachment_720257" align="alignnone" width="1920"] Dee Kramer.[/caption] Aussie Pipe AKA Black Rock, NSW Depending on who you ask, this section of the New South Wales coastline has a few different names. Whether you call it Aussie Pipe, Black Rock, Summercloud Bay or South Coast Pipe, the waves here are so very special regardless and some of Australia's most photogenic breaks. You'll often find locals paddling out during mid-tide to catch the ideal wave as the swell begins to pick up. Located in the Aboriginal community of Wreck Bay Village, the surf spot is said to be the 'unofficial home of Indigenous surfing'. And be aware — this spot is most suited to those who already have some surfing experience under their belt. [caption id="attachment_720293" align="alignnone" width="1920"] Waitpinga Beach by Jesse Ehlers.[/caption] Fleurieu Peninsula, SA Situated just a 45-minute drive from Adelaide, the Fleurieu Peninsula provides some of the finest waves in South Australia. Along this picturesque stretch of rugged coastline, the surf breaks vary greatly with everyone from beginners to pro surfers having no problem finding a spot that suits their skill level. Goolwa Beach and Middleton Beach are where you want to head for some relatively mellow waves, while Waitpinga Beach and Parsons Beach have large swells more often. One of the best parts about the Fleurieu Peninsula is that even when the crowds arrive in high summer, there's still plenty of space for everyone. [caption id="attachment_720269" align="alignnone" width="1920"] Destination NSW.[/caption] Angourie Point, NSW Set amid the Yuraygir National Park, Angourie Point was one of the first sections of the Australian coastline to be recognised as a protected surfing reserve. It's been a popular surf break for locals since the 1950s when the Yamba Life Saving Club would cruise the many nearby beaches looking for waves to catch. Jutting out into the ocean, Angourie Point's somewhat odd shape means it's exposed to the occasional storm clouds that roll in over the water. But there are also some consistently majestic barrels, which is what the locals look to catch pretty much all day, every day. When you've finished surfing, head to the Blue and Green Pools for a dip in the striking rock pool formed in old quarrying sites. [caption id="attachment_984691" align="aligncenter" width="1920"] OZBEACHES via iStock[/caption] Burleigh Headland, QLD The Gold Coast is home to some of the most famous beaches in the country, many with half-decent surf breaks, but you're going to have to battle a horde of tourists to get through to them. Burleigh Headland is close to the beaten track, but in the narrow stretch of surf along its rocky shoreline lies a surf break that, when on its game, is one of the best in the state. It's not the lava headland that makes these barrels roll but the outpour of current and fine river sand from the mouth of Tallebudgera Creek just to the south. It's not exactly beginner-friendly, and you'll be board-to-board with experienced locals, but time it right, and you'll have a real treat here. [caption id="attachment_720280" align="alignnone" width="1920"] Tourism WA.[/caption] Red Bluff AKA Quobba Station, WA By far the most remote surf spot on this list, Red Bluff is about a thousand kilometres north of Perth, on the southernmost tip of Ningaloo Reef. But if you're willing to make the journey to this idyllic coast, you can be certain that the surf won't let you down. Known for its powerful waves that experienced surfies can't get enough of, Red Bluff gets busy throughout winter when those in the know make their way here. There aren't too many towns within reach ('nearby' Carnavon is 125 kilometres south), so be prepared to be self-sufficient. However, you'll be rewarded with great fishing, native wildlife, humpback whale sightings, panoramic views of the Indian Ocean and some of the country's top breaks. [caption id="attachment_720275" align="alignnone" width="1920"] Visit Victoria.[/caption] Winkipop, VIC Winkipop might not be the unknown surf break that it once was, but if you manage to avoid the crowds, there are some world-class waves on offer. Forming part of Victoria's famous Bells Beach with its spectacular limestone cliffs, the two main take-offs are named Uppers and Lowers. The latter tends to stay a little quieter, but that's probably because the waves here are quick and hollow, making for a challenging experience. Winki is great for surfing in just about any tide. Take a trip here and discover why it remains a favourite for many of the world's most talented surfers. Like Jim Beam, surfing and other outdoor adventures are all about bringing people together, so get out there this summer and find your tribe in the great outdoors. Top image: Red Bluff, courtesy of Tourism Western Australia.
Ever dreamed about ditching your stressful life for a three-day stay in a remote glass cabin in the Swedish wilderness? Well, that adventure has just become a reality for five international guests, who participated in a Swedish case study called The 72-Hour Cabin, a project designed to highlight and measure the positive effects of the Swedes' nature-loving lifestyle. Developed by a pair of researchers from Stockholm's Karolinska Institute, the study saw a diverse group getting up close and personal with Sweden's nature, leaving behind typically stressful jobs for a 72-hour stint in a glass cabin and an itinerary of activities like fishing, swimming and cooking. The lucky participants included a Parisian taxi driver, a New York events coordinator, a police officer from Munich and a broadcaster and a travel journalist, both from London. Each guest had their wellbeing monitored as they kicked back in their gorgeous, secluded digs on Henriksholm Island in the country's west, getting a taste for what the study explains is a "special bond Swedes have with their natural environment". The project's results will be published next month and, if it's thought to be a success, those cabins could soon be available to any visitor keen for a Swedish-style de-stress session. Until then, try and get a booking at one of NSW's own tiny off-grid wilderness cabins.
The end of the world is coming to Mona. Where a library once sat, nothing but sand, water and debris will soon lurk. The Tasmanian gallery is remaining where it is. Dark Mofo is still on the calendar for 2025. And no, after becoming the first museum to receive Wu-Tang Clan's rare Once Upon a Time in Shaolin album on loan earlier in 2024, it isn't dropping the mic and saying goodbye. For a year, however, the inimitable Australian venue will fill part of its interior with a post-disaster landscape, all thanks to a new sculpture by French artist Théo Mercier. Commissioned specifically for the site, DARK TOURISM will display from Saturday, February 15, 2025–Monday, February 16, 2026 in Mona's former library. Using only sand and water, Mercier will create a scene that looks like the aftermath of a disaster — hence the debris — with the piece commenting on humanity's need travel to locations with grim histories, as well as making a statement about planet's changing climate. [caption id="attachment_980537" align="alignnone" width="1920"] Gut city punch, 2023, French Pavillon, Prague Quadrennial 2023. Photo: Ondrej Pribyl.[/caption] "What does it mean to sculpt catastrophe, or to construct collapse? Like others who have painted ruins in the past, DARK TOURISM is about sculpting contemporary ruins, which are also natural disasters," explains Mercier. "Faced with this frozen landscape, humans find themselves at the heart of the devastation, as spectators and consumers. But there's something contradictory about this project, something romantic and utopian at the same time. Because the sand allows the world to tremble and shuffle itself in infinite figures." [caption id="attachment_950179" align="alignnone" width="1920"] Jesse Hunniford. Image courtesy of the artists and Mona, Tasmania, Australia.[/caption] "When Théo was last in Hobart he said he was 'going for a walk'. He walked to the top of kunanyi. He's back, and he'll be doing something just as mad at Mona," added Mona Owner and Founder David Walsh. Crafting DARK TOURISM at the venue, Mercier will be using Tasmanian sand to ponder how people face the worst — in the past and impending — with the tourist trade in Pompeii, Auschwitz, Hiroshima, Paris' catacombs and Port Arthur given as examples of the type of dark tourism that the sculpture will be in dialogue with. "Théo's work is a reminder of the fragile and temporary nature of the world around us, and of life itself," notes Mona's Sarah Wallace, who curated the piece alongside Jarrod Rawlins. "I hope visitors will be drawn in by the intricate detail in this captivating installation, while reflecting on the questions he raises about how we cope with catastrophe." [caption id="attachment_980535" align="alignnone" width="1920"] Théo Mercier, 2023 © Jérôme Lobato[/caption] DARK TOURISM will display at Mona, 655 Main Road, Berriedale, Tasmania, from Saturday, February 15, 2025–Monday, February 16, 2026. Head to the venue's website for more information. Top image: Gut city punch, 2023, French Pavillon, Prague Quadrennial 2023. Photo: Ondrej Pribyl.
It was back in 2000 that the Gold Coast gained its own Versace-branded hotel, letting cashed-up guests and plenty of celebrities enjoy a five-star stay surrounded by the fashion house's aesthetic. Beyoncé and Jay Z, Paris Hilton and The Rolling Stones have all stayed there. Everyone in Australia has heard of it. But the Palazzo Versace is no more — instead, it's now the Imperial Hotel. In April, it was announced that Versace wouldn't be renewing its agreement with the hotel, which has been put up for sale multiple times during its existence. Now, since Tuesday, August 1, the site has unveiled a new name, plus plans for a refurbishment. That star rating remains, as does the venue's exterior and famed antique entryway chandelier, plus its lobby furniture and bespoke tableware. But the Imperial Hotel's 200 rooms will get a makeover as part of the rebrand — still surrounding guests with luxury, of course. "The Imperial Hotel will retain the essence of Palazzo Versace's grand legacy, and will continue to offer the highest standard of luxury and impeccable service, to ensure an unforgettable stay for our guests", said Imperial Hotel General Manager Richard Clarke. "With the dawn of the Imperial Hotel, we are committed to exceeding expectations and redefining the boundaries of luxury hospitality. We are thrilled to welcome our first guests, and we extend our heartfelt appreciation for their support." Also changing: the menus at Imperial Hotel's restaurants. Exactly what signature eatery Vanitas, the seafood-focused Il Barocco and high tea-slinging spot Le Jardin will soon be serving is yet to be revealed. Obviously, the Pacific Ocean and Gold Coast Broadwater views aren't going anywhere, nor the option to stay in multi-bedroom condominiums including on the rooftop and with private plunge pools. And yes, as it has been for more than two decades under its past moniker, Imperial Hotel is still firmly a treat yo'self kind of getaway spot. Find Imperial Hotel at 94 Seaworld Drive, Main Beach on the Gold Coast — and head to the hotel's website for bookings and further details. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
When New Farm Cinemas, The Elizabeth Picture Theatre, Red Hill Cinemas, Dendy Coorparoo, Reading Newmarket and Reading Jindalee all opened their doors in Brisbane within a few of years, it was a movie buff's dream. If you love heading to the flicks, you can never have too many places to get your big-screen fix. Those sites, and the River City's other places to catch a film, are about to get company, however — and an Australian-premiere experience. Whether Angelika Film Centre will host any Australian premieres is yet to be revealed, but opening in Brisbane in mid-2023 marks the first Aussie site — and the first outside of the US — for the brand. If you're not familiar with the name, it started in Soho in New York City in September 1989, and has grown to nine American locations since. Next stop for its projectors: the Sunshine State's film-loving capital. Reading Cinemas Group is behind the fresh addition to Brisbane's cinema scene, which has been in the works since 2017, but now sports the Angelika ties. It will make its home across two storeys at Woolloongabba's South/City/SQ. Filmgoers can look forward to an eight-screen, 400-seat cinema complex, which will span 2500 square metres. For those pre-movie drinks — or post-picture chats — Angelika Film Centre will also feature an elevated alfresco bar area, as inspired by the chain's OG Big Apple site, with views over the precinct. Film-wise, the venue will screen arthouse, independent and international films, plus releases from major Hollywood studios — but more specialised movies rather than big guaranteed blockbusters. Think: newly minted Oscar-winner Everything Everywhere All At Once if the cinema had been open in 2022, for instance. Snacks-wise, as well as cocktails from the bar, the Angelika will serve up popcorn and boast a lolly station. Fancy something a bit more substantial during your movie? There'll also be a luxe in-theatre service that'll include light food and drink options brought to you as whatever you're watching plays. "We are very excited to launch our first International Angelika Film Centre location in the heart of the amazing South/City/SQ precinct," said Mark Douglas, Managing Director of the Reading Cinemas Group for Australia and New Zealand. "The Angelika at South/City/SQ will deliver a diverse slate of films, in a world-class cinema environment. With plush recliner seats in every screen, the very latest in digital projection and sound, along with our fantastic Highline Terrace Bar and Soho Lounge auditoriums, Woolloongabba is set to be the place to see a movie in Brisbane." South/City/SQ — or South City Square, if you prefer — just keeps expanding, filling over 12,000 square metres of retail, lifestyle, wellness and hospitality space (which sits alongside 5000 square metres of green space, too). Already, the precinct includes Italian bar and eatery Sasso, Chinese Peruvian joint Casa Chow, Palm Springs-inspired gin-pouring garden bar Purple Palm, and European-influenced wine bar and wine shop South City Wine. And, it's set to welcome two-level brewpub The Wright House , which also features a with a Mad Men-inspired chophouse, in September. [caption id="attachment_893537" align="alignnone" width="1920"] Markus Ravik[/caption] Angelika Film Centre will open at South/City/SQ, 148 Logan Road, Woolloongabba, sometime in mid-2023 — we'll update you with an exact launch date when one is announced.
If you've ever fantasised about sleeping over in the hallowed grounds of the MCG, get ready to make those dreams a reality. For one night only — and for just two lucky guests — the iconic sports stadium will moonlight as a unique overnight stay. It's all thanks to booking.com, which is transforming one of the MCG's lofty guest boxes into the Unforgettable Legends Lounge — a special private guest suite for two, which is popping up for just one night to coincide with the final match of the ICC Men's T20 World Cup 2022. Two guests will get to experience the stay on Sunday, November 13, enjoying a full VIP package with all the trimmings. That includes return flights to Melbourne, an indulgent pre-game massage in the suite, and a top-shelf food and drink offering courtesy of a personal bartender (making cocktails on demand) and personal chef. Guests will also score a gift pack featuring personalised cricket merchandise for the ultimate memento. The suite itself is a little slice of sophistication, overlooking the ground from on high. It's decked out with a large double bed, a kitchen and a living area with sweeping views across the famed turf below. It's a once-in-a-lifetime opportunity — but of course, you'll have to put up a fight to make it yours. The exclusive stay will go to the first person to jump online and book with their speedy little fingers from 9am AEST on Friday, October 28. So yes, you'll want to be quick — cue the madness. The Unforgettable Legends Lounge and VIP experience is available to book exclusively for one person and their guest, for $30, with reservations opening at 9am AEST on Friday, October 28 at booking.com. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Forty years ago, fresh from making one of the greatest sci-fi/horror movies ever made in Alien, Ridley Scott gifted the world another futuristic classic that helped define and reshape science fiction on-screen. It's almost impossible to name a movie or TV series in the genre that's popped up over the past four decades and hasn't owed a huge debt to Blade Runner — and, soon, that list will include a new Blade Runner TV series. Philip K Dick's 1968 novel Do Androids Dream of Electric Sheep? has already given rise not just to Scott's iconic Harrison Ford-starring adaptation in 1982, but also to exceptional 2017 sequel Blade Runner 2049 and recent animated series Blade Runner: Black Lotus. Of course, if Ford's other huge sci-fi franchise can just keep popping back up, including on both the big and screens — see: The Force Awakens, Rogue One, The Last Jedi, Solo, The Rise of Skywalker, The Mandalorian and The Book of Boba Fett — then clearly this one can as well. The Blade Runner series obviously has some catching up to do to get to Star Wars-level continuations, and quantity isn't the same as quality, but spending more time in its vision of the future is definitely welcome. The OG film was set in 2019, so we're now well past then — and the new series has been dubbed Blade Runner 2099, which means we'll be jumping quite a ways forward in time. As reported by The Hollywood Reporter, Amazon Studios is behind Blade Runner 2099, once again bringing a small-screen favourite to streaming given that it's doing exactly that in September this year with the eagerly awaited The Lord of the Rings: The Rings of Power. When it leaps forward to 2099, the new Blade Runner show will act as a sequel to both the initial film and Blade Runner 2049 — but who'll be starring and directing hasn't yet been revealed. That said, busy The Last Duel and House of Gucci filmmaker Scott has confirmed his involvement, Variety reports, noting that the pilot for the show has already been written, and that it's envisioned as a ten-hour series. There's obviously no sneak peek at Blade Runner 2099 yet, but you can check out the trailer for the original 1982 Blade Runner below: Blade Runner 2099 doesn't yet have a release date — we'll update you when more news is announced. Via Variety / The Hollywood Reporter.
What date was Beethoven born? What was Jimmy Barnes' surname at birth? What is Taylor Swift's favourite number? Whether you're an expert in 18th-century classical music or 21st-century pop, you now have a new way to show off your knowledge. Music trivia has landed at Baptist Street Rec. Club in Redfern. Every Tuesday night, from 7pm in the trophy room, Colin Delaney is asking round after round of questions on everything and everyone in music. There are no limitations on genres, artists or periods. While you're working your brain, you'll be listening to a rotating playlist of bangers — from pop, rock and country to hip hop, indie and R&B. Plus, music trivia coincides with Pad Thai Tuesday, letting you take your pick of chicken, beef or pork for $15. Head along as part of a team of up to seven, or fly solo (and prove that one head is better than many). Either way, excellent prizes are up for grabs.
Pokemeow Cafe in Rosebery opened in late March 2020. For those that aren't good with dates, that was just before the state government imposed strict lockdown measures in relation to COVID-19. Despite opening in one of the toughest periods that Sydney's hospitality scene has ever faced, Pokemeow has proved resilient and captured the hearts of locals, likely thanks to its interesting business model. As Concrete Playground reader @mauricio.f90 explained, "I love having lunch at Pokemeow Cafe, watching their cats. It's so relaxing. Also, great food". They're hugely popular in Asia (particularly in Japan), but if you've never been to a cat cafe before, here's the deal: like all other cafes, you sit and enjoy a coffee and a meal — but here you do so while watching little kittens play in an adjoining room through a glass wall. For a small fee, you can also enter the cat playground to cuddle and play with some new furry friends. At Pokemeow Cafe, it's $10 for a half-hour session, which needs to be booked in advance. The shop also offers grooming services for both cats and dogs. In terms of the food offering, it's mostly standard cafe fare — think smashed avo and a poached egg on sourdough, a brekkie burger and an acai bowl — though there are some outliers, like a crab and prawn gribiche croissant.
