As House of the Dragon's second season finale set up, big things are happening in Westeros. With fellow Game of Thrones prequel A Knight of the Seven Kingdoms dropping a sneak peek ahead of its 2025, big things are happening for the George RR Martin-created realm on-screen, too. Here comes some more big news related to the hugely popular page-to-TV fantasy franchise, which just keeps proving a hit for HBO: winter is coming to House of the Dragon, giving fans just two more seasons of its Targaryen feuds. In a press conference, House of the Dragon showrunner Ryan Condal has advised that as well as the already-announced third season of the show — which was greenlit before season two even aired — a fourth season is planned. After that, there'll be no more time with Rhaenyra Targaryen (Emma D'Arcy, Mothering Sunday), Alicent Hightower (Olivia Cooke, Slow Horses) and everyone else that's been squabbling over the Iron Throne since 2022. As both The Hollywood Reporter and Variety report, Condal also said that the third season of House of the Dragon is likely to go into production in early 2025, and span eight episodes as season two did. Why get viewers obsessing over one ending, given that season two just wrapped up on Monday, August 5, Down Under, when they can dig into two? That's where this information puts House of the Dragon aficionados. But while you start to come to terms with another stint in the Seven Kingdoms coming to its conclusion, your next Game of Thrones-related watch is already confirmed thanks to the aforementioned A Knight of the Seven Kingdoms. HBO has always been quick to lock in more House of the Dragon. It took a mere one episode when the series premiered for the US network to sign on for season two, after all. But after giving Game of Thrones eight seasons, it seems that HBO is now also quick to know when not to drag out a storyline, even for one of its massive shows. There's no details yet on when either season three or season four of House of the Dragon will bring back its flowing long blonde hair, carnage, fire, dragons, conflicting factions and fights for supremacy — including if it'll be in winter in Australia and New Zealand, as has proven the case for both season one and two. Game of Thrones was always going to spark spinoff shows. Indeed, when HBO started thinking about doing a prequel six years ago, before the OG smash had even finished its run, it was hardly surprising. And, when the US network kept adding ideas to its list — including a Jon Snow-focused series with Kit Harington (Eternals) reprising his famous role, novella series Tales of Dunk and Egg and an animated GoT show, to name just a few prequels and spinoffs that've been considered, but may or may not actually come to fruition — absolutely no one was astonished. So far, just House of the Dragon has reached screens, with A Knight of the Seven Kingdoms, the Dunk and Egg adaptation, arriving next. Check out the trailer for House of the Dragon season two below: House of the Dragon streams Down Under via Foxtel and Binge in Australia, and SoHo, Sky Go and Neon in New Zealand. Seasons three and four don't yet have release dates. Read our review of season one and our review of season two. Via Hollywood Reporter / Variety. Images: HBO.
The folks at the Sydney Fringe Festival have unveiled a fresh swathe of 2017 highlights and you should promptly get around them. Among the standouts is this year's opening weekend extravaganza — an enormous 'masqueerade' that promises to turn the brand new festival hub "into a world of mystery and disguise where reality is suspended and art becomes real life". The bash is the brainchild of the team from Heaps Gay so it's sure to be one hell of a good time, with the warehouse party rocking over two nights on September 2 and 3. This year's mysterious dress theme is transform/disguise and, in the party group's usual fashion, the location will be kept secret. Meanwhile, Kensington Street in Chippendale will be the site of the official launch party, taking over shops, bars, restaurants and footpaths with music acts curated by Sydney-based songstress Ngaiire. Other highlights include a world first GIF-iti exhibition from UK artist INSA, a voyeuristic stage experience dubbed Silent Theatre, and a massive musical collaboration at Sydney Town Hall between Lah Lah's Big Live Band and the Sydney Youth Orchestra. SFF has also announced its 2017 festival ambassadors: The Whitlams' lead singer Tim Freedman, Archibald prize-winning artist Ben Quilty, writer and social commentator Benjamin Law, performance artist Betty Grumble and performer, poet and activist Candy Royalle. We previously had a taste of what this year's Fringe had in store when they dropped their first wave of programming back in May. Standouts in that announcement included Digital Dinner — billed as "an immersive dining experience" featuring food, art, music, installations and digital media — and Cirque Africa, an explosive circus show featuring 38 performers from six African countries, all backed by a live African band. And, somehow, there's still more to come, with the full SFF program unveiled on August 1. Yeah, it's going to be massive. The full Sydney Fringe Festival program will be unveiled on August 1. For more information visit the Sydney Fringe website.
When Australia was saying goodbye to border restrictions, the country's various states started giving away vouchers and incentives to get folks travelling around the nation again. Those days are gone, but Queensland still wants everyone — Queenslanders, interstate residents and New Zealanders alike alike — to make holiday plans in the Sunshine State. To help, it's giving away five impressive getaways over five weeks. The catch: you will need to actually answer your phone. If you're the kind of person who always texts about everything over calling, you'll need to change your ways if you want to score a free vacation. First, you'll need to register online, too, to be on the Sunshine State's call list. Then, it's time to wait for the phone to ring. [caption id="attachment_842401" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] On offer: a different free getaway each week, starting with a 12-night road trip for two through Queensland's outback. The first holiday focuses on the Sunshine State leg of the Savannah Way, and will see you start off in Mount Isa, get a 4x4 hire vehicle with rooftop tent for hitting the bitumen, camp in Burketown and Croydon, go up in a hot air balloon, spend two nights in Karumba, glamp (and soak) at Talaroo Hot Springs, stay at (and tour) Undara Volcanic National Park, then end with an evening at Crystalbrook Flynn in Cairns before flying home. You'll need to be able to go between July 8–21. After that, you could nab an island-hopping stint in the Torres Strait for four nights, which covers four people and will happen from May 28–June 1; a four-night Sunshine Coast Hinterland trip for two that's all about artisanal experiences, and runs from July 28–August 1; and six nights in the Bundaberg and Capricorn regions, including hiking the Carnarvon Gorge, from August 15–21. [caption id="attachment_650357" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Or, there's a gather-the-gang getaway in the Granite Belt wine region, flying you and five mates to Brisbane, then sending you out Stanthorpe way. Running from July 14–17, it includes three nights staying at the Barrel View Luxury Cabins. Tourism and Events Queensland is teaming up with Virgin Australia, Air New Zealand, Webjet, MyQueensland, Accor, Helloworld, Luxury Escapes, Expedia/Wotif and Experience Oz on the giveaways, which folks from around Australia and in New Zealand can enter. Do so once and you're in the draw for all five holidays — or however many are left after you sign up before 5pm AEST on Wednesday, April 19. You can only win one, however, and you don't get to choose. Also, if you get lucky, you will be up for some costs such as food. [caption id="attachment_702568" align="alignnone" width="1920"] Tourism and Events Queensland / Jewels Lynch[/caption] To go in the running for the Queensland Is Calling giveaways, sign up online — and find out more via the Queensland.com website, too. Top image: Talaroo Hot Springs. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
This morning saw the full line-up announcement for Vivid Live, the ten day musical extravaganza that sits under the Vivid Sydney umbrella alongside Vivid Ideas. Vivid Sydney is the annual mid-winter festival of lights, music and ideas, which this year will run from May 25 to June 11. Beginning in 2009, each successive installment of Vivid has seen the sails of the Opera House lit up like a psychadelic rainbow and one super-special person or two curating the festival's musical component. Past curators have included Brian Eno, Lou Reed and Laurie Anderson, and Stephen Pavlovic. This year, however, the idea of musical curator has been done away with, and in 2012 Vivid Live will be overseen by Festival Director, Fergus Linehan. Linehan, who was Director of the Sydney Festival during its boom years of 2006-2009, has been Head of Contemporary Music at the Opera House for the past two years. In collaboration with the programming team at Sydney Opera House, Linehan is this year charged with "cultivating artist-driven projects including unique collaborations, one-off projects and special events." The first Vivid Live announcement on February 29 revealed that this year's Vivid Live will showcase specially commissioned new work from Sufjan Stevens (pictured), Bryce Denner of The National and Nico Muhly, a composer who's worked with the likes of Bjork, Grizzly Bear and Anthony & The Johnsons. Today, the entire festival program was unveiled at the Opera House. Karen O of the Yeah Yeah Yeahs, Florence & the Machine, The Temper Trap, Janelle Monae and Amon Tobin were added to the already stellar line-up, along with Australian screenings of the LCD Soundsystem doco, Shut Up And Play The Hits. Full line-up as follows: KAREN O IN 'STOP THE VIRGENS' FLORENCE + THE MACHINE THE TEMPER TRAP BRYCE DESSNER, NICO MUHLY, SUFJAN STEVENS JANELLE MONAE & THE ARCHANDROID ORCHESTRA AMON TOBIN LIVE BEYOND 3D 'ISAM' EFTERKLANG & SYDNEY SYMPHONY PVT SHUT UP AND PLAY THE HITS MY BRIGHTEST DIAMOND SEEKAE DANNY BROWN MED ELLESQUIRE HALFWAY CROOKS DJS ZOLA JESUS LIGHT ASYLUM FORCES MODULAR FUTURE CLASSIC GOODGOD DANCETERIA URBANSCREEN General public tickets go on sale at 9am, Thursday March 22. A look at the full Vivid program will follow shortly. https://youtube.com/watch?v=SWRZhqq1tAw
Downtown Drive-In has released tickets to two extra screenings today, adding cult films Raising Arizona and Stand By Me to its popular program. And lucky for you, we have five double passes to giveaway so you can experience it first hand. Boasting an outrageously talented cast of young actors, including River Phoenix, Jerry O'Connell, Wil Wheaton, Corey Feldman, Kiefer Sutherland and John Cusack, few films have captured the magic or intransigence of youth better than Rob Reiner's nostalgic coming-of-age drama Stand By Me. Adapted from Stephen King's autobiographical novella The Body, Stand By Me takes place in the summer of 1959 in a small, out of the way town in Oregon. With a full weekend at their disposal, four young boys embark on an adventure through the back roads of their community in search of a dead body rumoured to be hidden in the nearby swamp. It's a sort of 'road movie on foot', complete with significant rites of passage, ridiculous childhood hijinks and, occasionally, some deeply tender moments. Richard Dreyfuss features as the film's narrator, reminiscing from the perspective of one of the boys now in his middle age. "I never had any friends later on like the ones I had when I was 12," he observes at one point. "Jesus, does anyone?" – and therein lies the heart of Stand By Me. Each of the four boys carries with him the shame of some social stigma, be it abusive parents, physical deformity or simple obesity, yet as a group they're confident and unassailable, loved unconditionally by each other in a way not found back home or by the township. Filmed almost thirty years ago, Stand By Me remains a poignant, moving and uplifting testimony to the capacity for friendship and the joy of childhood adventure. Concrete Playground has five double passes to giveaway to see Stand By Me at Downtown Drive-In on December 1 at 9.30pm. To enter, just subscribe to Concrete Playground (if you haven't already) then email hello@concreteplayground.com.au
Tequila: 1. You: 0. That's right, champ, you're hungover. And when your head is throbbing and your stomach is promising to reject your carb-loaded breakfast, it is near impossible to resist the urge to crawl right back into bed, and stay there. All day. This plan of action isn't always the practical choice, however. Especially if you are in, say, Las Vegas. There's more booze to be drunk, more shenanigans to get into. Lucky for you, there's a solution. And no, it isn't ibuprofen and a Vitamin Water. Enter the fleet of magical buses, Hangover Heaven. The brainchild of Dr. Jason Burke, Hangover Heaven buses are available for walk-in visits, or to drop by the hotel rooms of those in need. The 45-minute IV treatment rehydrates you, all the while pumping you full of hangover-busting vitamins. The treatment is FDA-approved, and available for a charge of US$150. Get in. Get out. Go rage. [via Gawker]
Beer and cider lovers, rejoice. As part of Sydney Craft Beer Week, festival-within-a-festival Sip & Savour is promising two full days of tastings, dining and entertainment, featuring over 250 beers and ciders. Some of our most loved Australian microbreweries — including Young Henrys, Six String and Hawthorn Brewing Company — will be pouring throughout the weekend. For those looking for a bit of Beer 101, there's also going to be seminars and workshops teaching you how to start your own brewery and how to successfully match beer with food. Most importantly, these two days are an opportunity for the craft brewers of Australia to get on the floor to interact with the drinkers themselves. Saturday will focus more on the cultural aspect, with live music from local acts including Castlecomer and Husky and a viewing of Hop Flicks Short Film Festival winning pieces, while Sunday will be a child-friendly Sunday session vibe. Sip & Savour is one of our top ten picks of Good Food Month. Check out the rest of our recommendations.
"Hear that? That's nothing. Which is what I, as a speaker at today's conference, have for you all." Ah, if only all presenters could be as honest as Will Stephen, CollegeHumor.com staff writer and editor, who presented a pretty spot-on parody of his fellow speakers at a recent TEDxNewYork event. The content is one thing, but it's Stephen's manner — the intonation, the weighty pauses, the glasses adjustment, the 'revealing' question thrown out to the audience — that makes this so great. If you weren't paying attention, you'd swear he'd just imparted a deep and essential truth vital to the global progress of humanity. Via Mashable
Watching a movie under the stars just got that little bit swankier. In partnership with the new Volkswagen Polo, Ben & Jerry’s Openair Cinema have introduced a new premium ticket that lets you relax in comfort and style. Think Gold Class in the great outdoors. For the low price of just $27, Volkswagen Polo Class ticket holders get the best seats on the beach. The special ticket includes extra comfy bean lounger seating, a cushion and a blanket, plus a delicious Ben & Jerry’s shorty tub (we recommend New York Super Fudge Chunk) and a soft drink of your choice. Best of all, $2 from every ticket sold gets donated to WWF-Australia. There are only 30 of these prime pozzies per session, so book fast. Speaking of swanky, Openair Cinema will also be giving two lucky film-lovers a trip to Europe. It’s in partnership with Contiki, who in addition to the free return airfares will also throw in a 16-day tour hitting up locations in The Netherlands, Germany, Switzerland, Liechtenstein, Austria, Italy, France and Morocco. All you have to do is visit the Openair website and tell them which film inspires you to take the trip of a lifetime.
Imagine simply waving a pen around in the air and creating real-life 3D objects while you do it. Well imagine no longer, because thanks to the development of the 3Doodler, the world's first and only 3D printing pen, this incredible feat has become a reality. The nifty gadget draws in the air or on surfaces, using heated PLA plastic which solidifies into a stable structure almost immediately after being released from the pen. The 3Doodler can be used to create anything from simple shapes and forms to more sophisticated jewellery items, decorative arts, or complex structures as intricate as a mini Eiffel Tower. It's an exciting tool for artists, jewellery makers, designers, or anyone who wants to let their imagination run wild. Requiring no batteries, extra software, or parts, the pen can be plugged into a power socket and open a whole world of creation (quite literally) at your fingertips. At this stage the 3Doodler is also significantly cheaper than any other 3D printer out there, so you can have endless hours of creative fun without breaking the bank. The founders, Max Bogue and Peter Dilworth, who both have a rich background in manufacturing and inventing, hoped to release the product on the market by December 2012. However, in order to ensure the model was functioning perfectly, which they guarantee it now is, they waited to happily announce its launch now. To back the project, visit their Kickstarter. With already over 20,000 backers, and US$1.8 million pledged, they must be doing something right. Via Hyperallergic.
In January this year, Internet freedom activist Aaron Swartz committed suicide while awaiting trial. Having downloaded millions of papers from digital academic journal archive JSTOR, he had been accused of computer fraud. His death caused outrage among those passionate about public access to information and inspired Internet inventor Sir Tim Berners-Lee to write, 'Aaron dead. World wanderers, we have lost a wise elder. Hackers for right, we are one down. Parents all, we have lost a child. Let us weep.' Now, in order to honour Swartz's memory, poet Kenneth Goldsmith is planning on printing out as much of the Internet as possible. Between July 26th and August 30th, he will occupy 500 square metres of space in Mexico City, where the piles of pages will be on display. Members of the public are invited to send in as many Internet print outs as they can. Length is not an issue. 'There are many ways to go about this,' the project's Tumblr pages read. 'You can act alone (print out your own blog, Gmail inbox or spam folder) or you could organise a group of friends to print out a particular corner of the internet, say, all of Wikipedia, the entire New York Times archive, every dossier leaked by Wikileaks for starters. The more the better.' Some argue that the concept promises to make a vital statement about our right to know; others are concerned about the potential environmental costs. A petition against the project has been started at Change.org. [Via PSFK]
If you, like The Who, think you've played every pinball machine there is to play, you'd be dead wrong. This December Sydney's Belvoir St Theatre is bringing you a '70s-inspired pop-up arcade heaven to slake the lust of any pinball wizard. Belvoir's Downstairs Theatre will be transformed into the ultimate basement games room, complete with an original NES (Nintendo Entertainment System) and a bar to quench the thirst that can only come with intense gaming. The beers will be provided by Coopers at $6 a pop, and local lads Poor Toms Gin will be slinging a deliciously retro punch for $10. The Bumper Bar pop-up will run from December 2 right up until Christmas Eve to coincide with Belvoir's last show of the year, Girl Asleep. On top of that, the cash you drop will go to the theatre's Arts Access Program, which provides theatre tickets to students who may not be able to access them otherwise. Then bucks gets you entry to the bar and unlimited gaming, so get those supple wrists working — there's pinball to be played.
Think there's no reason to go to the beach now the chill of winter's slithered across Sydney? You'll find it's even better in the off-season when the Tamarama Rock Surfers, programmers of the Bondi Pavilion and Old Fitz theatres, invite you into their Bondi Feast, where you can snuggle up with a mulled wine and a deeply warming program of comedy, music, theatre, and storytelling. Each night serves up entree, mains, and dessert, with sustenance coming from some of Sydney's freshest writers and theatre-makers — including Caleb Lewis, Suzie Miller, Toby Schmitz, Sam Atwell, Duncan Graham, Vanessa Bates, Jono Burns, Tim Spencer, Jessica Tuckwell, Jessica Bellamy, Cait Harris, John Kachoyan, Kate Gaul, Scarlet McGlynn, and Paige Rattray — who have produced bite-sized pieces just for the festival. The sweet finish is in the form of music and comedy from the likes of Benny Davis (Axis of Awesome), DJ Evan Lock's Beach Boys mash-up, and Swimwear (featuring Tim Derricourt of Dappled Cities). Alternatively, take a more degustation-like approach during Story Club, Erotic Fanfiction, the Comedy Banquet and the Cut 'n' Paste Beach Special. Bondi Feast is an eclectic fortnight of fun and wonder. Tuck into the dramatic treats in store, and when your appetites turn from the cerebral to the physical, grab that mulled wine and a gourmet toastie from the Jafe Jaffles food truck, and thumb your nose at winter from the beautiful Bondi Pavilion Theatre balcony. See the full program at the festival website. https://youtube.com/watch?v=5pidokakU4I
iPad max volume just not loud enough? Nonlinear Studio's Amplifiear promises that you'll never struggle to hear movies and music on your iPad again. Surprisingly simple and low-tech in its design, Amplifiear simply clips on to the side of the iPad - no wires or batteries required. The device works to increase volume by reflecting and redirecting the sound from the iPad's back-facing speaker forward. Relying on the basics of physical acoustics, Nonlinear Studio's head designer Evan Clabots designed the Amplifiear out of lightweight, recyclable plastic. It's extremely transportable, and features a tension clip to accommodate all three iPad models. Currently on Kickstarter, the Amplifiear project awaits sufficient funding in order to begin production. It will remain open to donations through May 12.
Daniel Craig might be done saying "Bond, James Bond" after bowing out of the 007-focused franchise with No Time to Die, but he hasn't finished playing Blanc, Benoit Blanc yet. After first stepping into the Southern investigator's shoes in 2019's Knives Out, then sliding back in in 2022's Glass Onion: A Knives Out Mystery, he'll slip into the part again in 2025's Wake Up Dead Man: A Knives Out Mystery. Yes, every three years we get a Knives Out movie, or so the trend is playing out. The sleuthing saga's writer and director Rian Johnson announced both the new flick's name and that it'd release in 2025 via social media. "I love everything about whodunnits, but one of the things I love most is how malleable the genre is. There's a whole tonal spectrum from Carr to Christie, and getting to explore that range is one of the most exciting things about making Benoit Blanc movies," the filmmaker who also brought audiences Brick, The Brothers Bloom, Looper, Star Wars: Episode VIII — The Last Jedi and TV's Poker Face (which has been renewed for a second season) noted. The next Benoit Blanc mystery, the follow-up to Knives Out and Glass Onion, is called Wake Up Dead Man. pic.twitter.com/pdDXRDmwcI — Rian Johnson (@rianjohnson) May 24, 2024 That's all there is details-wise for now, however, with no news about the setting or who Blanc will be pointing the finger at — aka which famous names will play Wake Up Dead Man's suspects — unveiled as yet. And, exactly when in 2025 the flick will hit, and also whether it will reach cinemas before arriving on Netflix, also hasn't been revealed. But, the streamer is teasing that this will be Blanc's "most dangerous case yet". So far, Johnson has plunged his detective into a familiar scenario twice, but always ensured that the end result was anything but routine. His trusty setup: bring a group of people together in a family home, mode of transport or lavish vacation setting, then watch on when one thing that always occurs in a whodunnit happens. That'd be a murder, in a formula that Agatha Christie also loved, as book-to-film adaptations Murder on the Orient Express, Death on the Nile and A Haunting in Venice have shown. The author's play The Mousetrap and recent flick See How They Run, which riffs on it, make the same point. And, so does this clearly Christie-inspired franchise. The cast across Knives Out and Glass Onion has been impressive. Chris Evans (Pain Hustlers), Ana de Armas (Ghosted), Jamie Lee Curtis (Haunted Mansion), Michael Shannon (The Flash), Toni Collette (Mafia Mamma), Don Johnson (The Collective), Lakeith Stanfield (The Changeling), Christopher Plummer (Departure), Katherine Langford (Savage River) and Jaeden Martell (Mr Harrigan's Phone) all featured the first time around. In the second flick, Edward Norton (Asteroid City), Janelle Monáe (Antebellum), Kathryn Hahn (Tiny Beautiful Things), Leslie Odom Jr (The Exorcist: Believer), Jessica Henwick (The Royal Hotel), Madelyn Cline (Outer Banks), Kate Hudson (Mona Lisa and the Blood Moon) and Dave Bautista (Dune: Part Two) all co-starred. If you saw either — or any murder-mystery involving a motley crew of characters brought together in one location when someone turns up dead — then you'll know how this movie series works from there. There's a standout setting, that big group of chalk-and-cheese folks, threats aplenty and just as much suspicion. There's obviously no trailer yet for Wake Up Dead Man: A Knives Out Mystery, but there is a video announcing the title, which you can check out below — alongside the trailers for Knives Out and Glass Onion: A Knives Out Mystery: Wake Up Dead Man: A Knives Out Mystery will release sometime in 2025 — we'll update you with an exact date when one is announced. Read our reviews of Knives Out and Glass Onion: A Knives Out Mystery. Images: John Wilson/Netflix © 2022.
If you're heading to Brisbane for a tropical weekend of indulgence, there are a few institutions you simply have to visit. A lot of the best food, drinks and company will take you off the beaten track, so don't be afraid to rent a car and hit the road. One such institution you must travel to is the Southside Tea Room on Wynnum Road, Morningside. Co-owned by couple Patience Hodgson and John Patterson, formerly of The Grates, the Southside Tearoom is known for its relaxed atmosphere, unusual events (including the incredibly popular Always Sunny in Philadelphia trivia night) and vintage tropical aesthetic. "We wanted to create a relaxed, unpretentious suburban oasis," Patience says. "When we lived in the States we fell in love with all the neighbourhood bars, and that's what we were dreaming of replicating in Brisbane." Like any loyal Brisbanite, she also loves to talk about the weather. "I love the weather," she says. "I'm so conditioned to good weather in Brisbane that I feel like I get micro-seasonal depression when it rains for stretches longer than two days. We all joke about it, but I think it's a genuine thing!" Patience and John have just welcomed a new baby into the fold, but that hasn't slowed them down. Here are Patience's five steps to the perfect weekend (even if you have a baby in tow). To experience them for yourself, head to the Visit Brisbane website and get booking. DIP YOUR TOES IN WYNNUM'S FAMOUS WADING POOL Well worth a day trip, Wynnum is a suburb just 30 minutes drive out from Brisbane's CBD. "The Wynnum wading pool is a rad glimpse into ye olde Brisbane," Patience says. "Basically it's a pool that fills with sea water that's been there for almost 100 years. It's still got loads of character even though they renovated it about ten years ago. The locals are a hoot, and there's plenty of classic fish & chip shops close by." While you're there, check out the quality op-shopping on offer along and just off Bay Terrace. EAT LUNCH AT PERRETT'S PIES "While in Wynnum go to Perrett's Pies," Patience says. "It's one of the oldest bakeries in Brisbane, dating back to 1970. They still use the same pie trays and cake moulds so you'll notice everything is a little smaller then modern times. It's run by a hilarious Irish man and their Neenish Tarts are to die for." There ain't nothing more Queensland than eating a sauce-slathered pie by the ocean, so tuck in. DINNER AT POPOLO IN SOUTH BANK When you get back into town, be sure to head down to South Bank, the precinct that boasts the famous inner city beach, Streets Beach. There are plenty of places to have dinner while gazing over the twinkly Brisbane river, but Patience recommends Popolo. "Popolo in South Bank is a must do. It's right on the river with spectacular views of the city. My mouth is watering just thinking about their truffle polenta and their chilli clams, and they also make great cocktails." ARCHERFIELD SPEEDWAY "Head down to Archerfield Speedway on a Saturday night," says Patience. This is one seriously decibel-raising, out-of-town adventure. "Super loud, and, once you've forked out your ticket price, super cheap inside. Heck, they serve beer out of a shipping container that's emblazoned with a faded 4XXXX Gold logo. Kids run around playing footy with empty coke bottles and lifers bring their own ice boxes filled with home-brand soft drinks even on nine degree nights. It's amazing. And yes, the chips are covered in chicken salt!" TREAT YOURSELF TO A PROPER HAIRCUT AT BAREBONES BARBERS "Barebones Barbers in Morningside is great," says Patience. "It's an original barber shop run by fresh young blokes. Steve, one of the owners, was the last man in Australia to actually get qualified through a barber course; they've since pushed it into the hairdressing accreditation. He was trained up by the old bloke who used to own the place, and a year ago, he retired and left the shop for Steve to take over. Even if you don't need a haircut, just get one because these guys are the real deal — ex-ship makers and tradesmen who now find satisfaction in other people hair." Book your own Queensland weekender at the Visit Brisbane website or follow them through the Visit Brisbane Facebook page or Twitter at @VisitBrisbane and hashtag #brisbaneanyday.
New Zealand-born writer-director Andrew Dominik has amassed a stellar crime thriller line-up for his latest offering, Killing Them Softly, which opens in cinemas October 11. Brad Pitt heads up the the film's brutal 'heist movie gone wrong' plot alongside the best of small and silver screen bad guys: Ray Liotta, James Gandolfini (aka Tony Soprano) and Ben Mendelsohn, to name just a few. From the director who brought us Chopper and The Assassination of Jesse James, Killing Them Softly sees Pitt play Mafia hitman Jackie Cogan, who is called in to 'fix' the upset caused by a couple of amateurish criminals when they hold up an illegal card game. In an America on the verge of political and economical crisis, the 'enforcer' navigates between his indecisive bosses and the lowlifes behind the heist in order to maintain the status quo of the criminal underworld and take back control. Thanks to Hoyts Distribution, Concrete Playground has ten double passes to giveaway to see Killing Them Softly. To go in the running, just subscribe to Concrete Playground's weekly newsletter (if you haven't already) then email your name and postal address to hello@concreteplayground.com.au
Travel junkies now have another big-ticket festival to add to their overseas itineraries as organisers behind legendary California music fest Coachella announce plans for a new London festival to launch next year. Kicking off on May 25, 2018, All Points East will feature a three-day, multi-genre music festival held across six stages in east London's Victoria Park. On top of that, the festival will span an extra week of free entertainment for the community before culminating in a trio of standalone headline shows. Already confirmed on the bill for the first portion are London heavyweights The xx, Jamaican MC Popcaan and Swedish pop act Lykke Li. Punters will be able to grab tickets to one, two or all three days. There'll then be free access to the site over the following week, as it plays host to a diverse program of comedy shows, food and drink events and an outdoor cinema. Finishing strong from June 2, the APE Presents headline shows will feature the likes of American indie rockers The National and The War On Drugs, synth-pop trio Future Islands, LA act Warpaint and Pennsylvania rock outfit The Districts. Further All Points East artist announcements are set to drop next week. Stay tuned. Via The Guardian.
In the space of a mere two days to close out May, two tales of two puppeteers join the streaming ranks. Eric is pure fiction, but it's impossible not to think about Jim Henson while watching it, regardless of whether you also have a small-screen date with Jim Henson Idea Man. Creator and writer Abi Morgan — who has previously penned the likes of Shame, The Iron Lady, The Invisible Woman, Suffragette, River and The Split — puts a Henson-esque figure with his own hit TV show for kids at the core of her six-part miniseries. Played by Benedict Cumberbatch (The Wonderful Story of Henry Sugar) in a performance that's bound to receive awards attention, the bearded and lanky Vincent Anderson even physically resembles the man behind The Muppets, Sesame Street, Fraggle Rock, The Dark Crystal and Labyrinth. As evident to everyone watching Eric from Thursday, May 30 on Netflix, its protagonist definitely isn't Henson. Firstly, Anderson is an abusive alcoholic. Secondly, his nine-year-old son Edgar (debutant Ivan Morris Howe) goes missing one morning on his walk to school, which he was supposed to accompany him on as his main contribution to fatherhood. And thirdly, the eponymous Eric is a seven-foot-tall monster muppet who his boy scribbled to life on the page and then starts following Vincent as his mental health struggles after Edgar disappears. But binge-viewing your way through Eric — and it is engrossingly bingeable — means being unable to shake the feeling that Morgan pondered "what if?" about Henson in all of the above scenarios. As a series, the 1985-set Eric is as ambitious as it is expertly acted; neither daring in general nor absorbing portrayals are lacking. The exceptional Cumberbatch sits at the crux of both as Eric asks another "what if?": what if someone experiencing the terror of their child going AWOL wasn't at their best before their life is turned upside down, because heartbreak and horror don't solely blight pictures of perfection? There's force behind his work as Vincent by design, with the audience asked to feel every ounce of his agony and the chaos he wreaks. Cumberbatch finds haunting nuance in the part, too, as subtlety simmers in every key portrayal — from Howe, Gaby Hoffmann (C'mon C'mon) as Edgar's mother and McKinley Belcher III (One Piece) as the cop on the case through to Clarke Peters (Whitney Houston: I Wanna Dance with Somebody) as a neighbour, Bamar Kane (Io Capitano) as an unhoused street artist and Adepero Oduye (Five Days at Memorial) as another mum looking for her lost boy. Eric is also instantly involving and deeply layered as it queries how a bright world can turn unkind, cruel and corrupt. It's an ordinary day when Edgar trundles out his New York City door alone, and routine even in the fact that Vincent and Hoffman's Cassie have been fighting. With the series starting with Edgar's parents fronting the media flanked by police, pleading for their son to come home — Vincent speaks directly to him through the camera — viewers know what's in store before the boy doesn't arrive at class. Morgan and director Lucy Forbes (This Is Going to Hurt), who helms the entire miniseries with poise, can't ever be accused of lacing their tale with inevitability, however. Rather, pain and poignancy are Eric's constants. Swiftly, the Anderson family is plunged into crisis. As he frays visibly and publicly, the already-erratic and egotistical Vincent still can't tear himself away from work on Good Day Sunshine. The show, plus conjuring imaginary friends to life with felt, was the primary glue between the Anderson men (Edgar's bedroom overflows with sketches that resemble his dad's). Vincent isn't merely distracting himself by keeping busy or clinging to something that bonded him with his kid; he becomes obsessed with turning Eric into his show's newest character. At home, their marriage disintegrating, Cassie is certain that reward money from her husband's rich parents (The Big Cigar's John Doman and Anatomy of a Scandal's Phoebe Nicholls), who he's estranged from, will help rustle up information on her son's whereabouts. One of the bold choices that Morgan makes is not just to take a setup that could've fuelled the series by itself — abduction thrillers are their own genre — and add a complicated character study complete with a furry pal manifesting as a man's guilt, regret and sorrow; she also ensures that Eric functions as a portrait of 80s New York, with graffiti and garbage a consistent sight, and the city's homeless population a frequent topic of discussion. Here, enter NYPD detective Michael Ledroit (Belcher III), who is investigating while handling his own baggage. He's still trying to find another disappeared boy from 11 months ago, 14-year-old Marlon (Bence Orere, another newcomer), but with far less support because the child is Black. Ledroit is also a closeted gay Black man in a workplace and at a time that's hardly welcoming, and with a partner (Mark Gillis, Hollyoaks) dying of AIDS-related illness. Accordingly, Eric is a snapshot of a crumbling family, and of a man facing his worst nightmare and mental deterioration in tandem; a missing-person procedural about two vanished boys and the dissimilar attitudes to bringing them home; and a wander through the Big Apple in a distinctive period, and through the inequality engrained in everything from race and class to sexuality and power with those bearing its brunt. Its namesake may seem as if he could've strolled out of Monsters, Inc., albeit with a gruff voice and no aversion to swearing — and "be good, be kind, be brave, be different" might be Good Day Sunshine's motto — but this is always a tale of darkness, pain and the reality that sunny days sweeping the clouds away are so rare that they need to be clung to. In a busy year for childhood buddies on-screen, Eric isn't optimistic fantasy IF or dull horror film Imaginary, though. It also isn't 2018's terrible adult puppet flick The Happytime Murders, which had a Henson pedigree: Brian, son of Jim, plus director of both The Muppet Christmas Carol and Muppet Treasure Island, helmed it. When it swings through clubs where sex sells, examines the impact of gentrification, and unpacks the dishonesty and violence that can colour the thin blue line and the institutions behind it to the detriment of a city, The Deuce and The Wire both appear to be influences (Peters and Doman's supporting parts assist). Puppets don't nest one inside the other, but this series with one at its centre repeatedly proves the TV equivalent of a matryoshka doll. Check out the trailer for Eric below: Eric streams via Netflix from Thursday, May 30, 2024.
Homegrown pop rock crew Ball Park Music are making the rounds in Australia (and probably shouting a few rounds along the way) with their wonderfully-named, national Trippin The Light Fantastic Tour. If you've never seen these Brisbanites live, you're missing out on one heck of a party. A longtime triple j favourite, BPM took home Unearthed Artist of the Year in 2011 and have been frequently nominated in the Hottest 100 countdown — most recently in 2012 with tunes 'Coming Down' and 'Surrender'. The past two years have seen the five-piece delight crowds at Aussie music festivals including Splendour in the Grass, Falls Festival, Southbound, Homebake and Big Day Out, not to mention some pretty kickass US appearances. Hailing from Brisbane, BPM cite the success of their third album Puddinghead (released in April this year) to "twelve months sitting naked before a pedestal fan in a lucid, humid fantasy," having spent one year recording in a cheap tiny shack in the northern suburbs of Brisbane (which they lovingly refer to as a proverbial sauna). Ball Park Music will hit Sydney on September 26 at the Enmore Theatre with old favourites, latest singles 'Trippin' the Light Fantastic' and 'She Only Loves Me When I'm There' and dance moves you can only dream of. Counting Millions and Pluto Jonze as supports, BPM are set to crank out their energetic tunes with unpretentious gusto. A breath of fresh air in an often tightly-wound industry, this is music that doesn't take itself too seriously — especially from a band that cites its interests as "pizza and yelling at farm animals". Supported by Millions + Pluto Jonze. https://youtube.com/watch?v=aNZ6Tr3cTT0
Before Chippendale was home to Coopers distillery, and well before it was the home to the high-rise precinct Central Park, Chippendale was rife with crime and poverty. Today, the inner-city suburb has undergone gentrification: factories are interlaced with hip cafes, art galleries are interspersed with bars and converted warehouses sit alongside terrace housing. As if to herald the neighbourhood's arrival, Kaleidoscope Gallery and Soma Studios have joined forces to create a local curated mini-market in Chippendale. The keyword here being curated; you're inside the iconic red doors of the Kaleidoscope Gallery, but this time you can actually touch the displays (except for the food — that would be awkward). Stall offerings range from natural skincare to garden accessories, sustainable fashion, flowers and jewellery. Being in an art gallery and all, you can even pick up some locally created art and watch live music performances. The markets are on hold as organisers wait for approval to extend the event into the laneway next door the gallery.
Kawaii alert: Hello Kitty and her adorable entourage are opening a colourful cafe in the heart of Melbourne. Opening on Friday, May 9, the Hello Kitty and Friends Cafe will be the first of its kind in Australia, bringing Sanrio's most iconic characters to life through food, art and, naturally, super-cute design. Popping up at Melbourne Central, this immersive, multi-zone experience merges Japanese pop culture with a bold dose of Melbourne flair, and is no doubt set to become a must-visit spot for fans of Hello Kitty, Cinnamoroll, Kuromi and My Melody. The whole concept has been brought to life by a team of Australian creatives, including art director Eddie Zammit — who was behind the striking visual identity for Hello Kitty's recent Chadstone pop-up — and illustrator Travis Price. View this post on Instagram A post shared by Eddie Zammit (@eddiezammit) Inside, you'll find four themed spaces, each dripping in pastel tones and Sanrio references aplenty. At the centre of the action is Cinnamoroll World, an ode to the eponymous cinnamon roll-tailed puppy. You can also explore the Friends Garden, where bespoke illustrations of Sanrio characters share the spotlight with Melbourne Central's iconic Clock and Coop's Shot Tower. In a rush? Stop by the Hello Kitty Corner, ideal for a quick, but no less cute, refuel to break up the shopping with a takeaway coffee and pastry. On the menu, you'll find appropriately kawaii Japanese-inspired picks, like strawberry sandos, fresh rainbow poke bowls and character-themed bento boxes that feel more like collectibles than meals. And that fourth themed space? That'd be a gift shop, stocked with limited-edition merch you won't find anywhere else. Think: embroidered patches, tees, plushies, key rings and monthly drops, all designed by Aussie creatives to celebrate the mash-up of the Hello Kitty world and Melbourne's creative energy. "This one-of-a-kind experience is a true celebration of two icons — Hello Kitty and Friends, and the vibrant city of Melbourne," says Silvia Figini, Chief Operating Officer Sanrio (EMEA, India and Oceania) and Mr Men (Worldwide). "We're proud to have seamlessly blended Sanrio's beloved aesthetic with Melbourne's unique spirit and creativity." The Hello Kitty and Friends Cafe opens on Friday, May 9, at Melbourne Central. For more info, head to the Melbourne Central website.
All across New South Wales, stages are being swept, setlists are being finalised, speakers are being stress tested, and crowds are gearing up — all for the long-awaited return of Great Southern Nights in 2025. Great Southern Nights sees well over 300 gigs taking place in major cities across the state — stretching from Byron Bay to Broken Hill and beyond. The Central Coast, just north of Sydney, is one of the festival's main regions. If you're planning to head up for a gig or if you happen to be in the area between Friday, March 21 and Sunday, April 6, we've teamed up with Great Southern Nights to tell you when and where the hottest gigs are taking place and where to catch your breath between them. The Lineup So who is actually on the lineup? The highlight acts start with The Rions, hitting the stage at The Sunken Monkey in Erina on Saturday, March 22. The next day, Australian Idol star Marcia Hines takes the spotlight at The Art House in Wyong, a fittingly flashy venue for such a star. Later on, the fun returns to Erina in the form of indie trio Telenova on Thursday, March 27. That's not all — next on the roster is the ARIA-nominated Ngaiire, who will make a memorable appearance across Lake Macquarie in Warner's Bay Theatre on Saturday, March 29. And among the final weekend roster are two examples of what Great Southern Night does best: homegrown talent. The Art House in Wyong will set the scene for Troy Cassar-Daley while 90's Aussie rock icons Baby Animals bring the noise to Doyalson RSL on Friday, April 4, and Melbourne rock trio The Grogans end things with a show at Drifter's Wharf, Gosford on Sunday, April 6. Local Eats and Treats The Central Coast is a big place, so there are plenty of fantastic bars, cafes and restaurants to discover all over. However, allow us to offer some suggestions and hints to get you started. If you're near Erina, seek out the fine flavours of the Tuscan countryside at La Gioia; get a cosy garden meal and a boutique gin cocktail at Bar Botanica; or enjoy drinks by night and coffee by day at the Tame Fox. In Wyong, one of the most popular spots for patrons of all ages is the historic Wyong Milk Factory — it boasts breakfast and lunch menus (the former available from 7.30am and the latter from 10.30am), a kid's play area, the secluded Holy Cow Bar and a range of local dairy-based products for sale. Another favourite is Woodblock Bar & Grill, which dishes out hefty plates of comfort food for breakfast, lunch and dinner daily. Otherwise, Terrigal boasts one of the highest concentrations of quality restaurants in the area and is definitely worth a visit during your stay. [caption id="attachment_920860" align="aligncenter" width="1920"] Terrigal Ocean Tours[/caption] Things to Do and Places to See You'll need breaks between gigs of course, so where can you take some time off? The Central Coast is home to some of Mother Nature's most stunning and accessible sights spanning beaches, bushland and beyond. In addition to excellent dining options, Terrigal also stands out as one of Sydney's top seaside suburbs for visitors. Be it whale watching or a simple swim, this is one heck of a beach trip. Another divine coastal destination is Bouddi National Park, which traces the shoreline from Broken Bay to MacMasters Beach. Here, you can lace up the boots and hit a walking trail, pitch a tent and camp on one of its beaches and keep your eyes peeled for protected marine life, a shipwreck and more. Elsewhere, take a sunny boat tour on a working oyster farm (with tastings included) in Broken Bay, enjoy a close encounter with native wildlife at the free-range, heritage-listed Walkabout Wildlife Sanctuary or spend two-and-a-half hours scrambling, climbing and bouncing through the tree canopy at Treetops Adventure Central Coast. [caption id="attachment_947613" align="aligncenter" width="1920"] Crowne Plaza Terrigal Pacific[/caption] Where to Spend the Night Rest assured there are plenty of ideal overnight stays scattered around the Central Coast. If you're on a budget, the Pacific Highway offers motels aplenty, but if you're willing to splash a bit of cash, we have some suggestions. If you can't bear to part from the always-buzzing and beautiful Terrigal, Crowne Plaza Terrigal Pacific is your best bet. Just across the road from the water and with sunrise views to boot, it's one of the most luxurious stays in the area. With an onsite luxury restaurant, Meribella, offering breakfast, dinner and luxe set menus and the ground floor eatery Terrigal Beach House serving beers, snacks and seafood platters, you're certainly not going to leave hungry. Further north is another great pick that oozes luxury, Pullman Magenta Shores, resting between The Entrance and Soldier's Beach. This more secluded stay is easily accessed but further from any hustle and bustle, ideal for anyone seeking a bit of serenity. Though it's not far from the beach, Pullman Magenta Shores offers swimming, dining and relaxation en masse within its property. Rooms vary from villas to studios, and you'll have your pick of dining from two on-site venues for maximum convenience. If you want something a touch more rustic, the Central Coast is home to quite a few countryside stays in its western districts. Close to Wyong in the Yarramalong Valley is Lost Ranches Farmstay, a barn situated on 50 acres of historic farmland, perfect for larger groups who want to avoid staying within earshot of the action. Head out west even further, and you could end up glamping in Noonaweena to really get out into the wilderness of the Central Coast. Great Southern Nights is set to take over venues across NSW between Friday, March 21 and Sunday, April 6. Check out our gig guides for Sydney, Wollongong and Newcastle or visit the website for more information.
The French know how to serve up a damn good meal. They also, by the sound of it, organise a pretty sweet festival. The Bleu Blanc Rouge French Festival is a tribute to France's national day, Bastille Day, which falls on July 14. Festivities run from the weekend of July 11-13 at Customs House Square in Circular Quay. The festival celebrates the many arenas that the French hold dear to their cultural identity. There's live music concerts, DJs, cabaret and open-air movie screenings. But let's get to what really brought you to this page: the culinary delight that is French cuisine. Cooking courses, headed by Emmanuel Mollois (from ABC's Poh's Kitchen), will give you the opportunity to channel your inner chef. If cooking isn't your thing, you can take advantage of someone else's culinary skills by picking up some French goodies at the festival village market stalls. We're talking French cheese, wines, bread, pastries, crepes and chocolate. Not to mention a little jus d'orange, boeuf, soup du jour, le camembert, Jacques Cousteau, baguette, mais oui.
The acquisition of good vintage clothing can be a difficult feat. Much like the metaphoric fog, sometimes you have to sort through a whole bunch of crap until you find something good. Fortunately for us, the guys behind Foe, Like The Enemy have trawled through Asia and the Americas to source the best vintage clothing they could get their hands on. No longer will you have to wander around market stalls aimlessly on a Saturday morning trying to find vintage steals. No more fighting for mirror space as you try on clothes on top of what you are already wearing. From 6:30pm on July 16, Foe, Like The Enemy will be holding a pop-up sale in Foveaux Street, Surry Hills. For a limited time you can walk into a real-live shop and try on vintage clothes in an actual changeroom. If you're lucky, you might even get a mirror to yourself. Don't just come for the unique finds. Come for the drinks, courtesy of Havana Club. But stay for some very special sets from two of Sydney's best beatlovers — electropop queen Catcall and one half of smooth electronic Nicholas Jaar-like producer duo Phondupe. That's some serious Sydney talent behind the decks for a launch. Swing down to Fouveaux, get amongst the beats and one-of-a-kind threads and celebrate the worldly fashion travels of one of Sydney's best merchants of vintage. Launch night runs from 6.30pm, Wednesday 16 July. The pop-up shop is open Wednesday 16 — Saturday 19 July.
We've seen a damn lot of cuteness this week. First, Sydney went ahead and landed us our very first cat cafe. Then, Uber decided to deliver kittens to our very offices. But dumpling monarchs Din Tai Fung have gone ahead and created cuteness we can put in our mouths — take that Uberkitty OUT of your gob. To celebrate the 2015 Lunar New Year, Din Tai Fung have created the sweetest buns we've ever been able to sink our teeth into. Offering up Lunar Lamb Sweet Buns every day from February 11 to March 5, DTF have fashioned little lambs out of their bao buns. Just LOOK AT THEM. They're called 'Baa Buns' because sometimes life just gets it right. Good news, you don't have to connect the dots between the lamb inside and out of the bun — they're desserty little blighters. Baa buns come steamed-to-order with a formidable filling of molten dark chocolate and taro, $3.20 each or $6 a pair. The little edible lambies will be available World Square, Central Park, Westfield Chatswood and their new Westfield Miranda outpost. There'll be limited quantities at each venue, available daily. But if you visit on the same day as us, we take no prisoners.
For the past few years, Netflix has been obsessed with one very particular golden ticket: the beloved works of British author Roald Dahl. Back in 2018, the streaming platform announced that it was bringing 16 of the writer's classic novels to the service in animated form. And, it revealed that there'd be two new series from Taika Waititi based on Charlie and the Chocolate Factory, too. In 2021, it also advised that it had snapped up the Roald Dahl Story Company (RDSC) itself. So, plenty of Dahl-penned tales are now getting the Netflix treatment, with the service's library set to expand in a big way. That spans everything from Charlie and the Great Glass Elevator, Matilda and The Twits, all as animated television shows, plus The BFG, Esio Trot, George's Marvellous Medicine, The Enormous Crocodile, The Giraffe and the Pelly and Me, Henry Sugar, Billy and the Minpins, The Magic Finger, Dirty Beasts and Rhyme Stew. Yes, it's a long list. Also included: an adaptation of Matilda the Musical, turning the page-to-stage hit into a movie. That one is happening ASAP, with the resulting flick due to arrive in December — and a just-dropped first trailer showing fans of everyone's favourite book-loving schoolgirl with telekinetic abilities what they're in for. Of course, if you've seen the Tony and Olivier award-winning show in theatres since 2010 — complete with original music and lyrics by Tim Minchin — you'll know what's in store. The narrative remains the same, but with songs and tunes that are all supremely on the original 1988 book's wavelength. Once again, Matilda Wormwood (Alisha Weir, Darklands) is a curious, bright, quiet, observant and imaginative girl — and tiny — but has terrible parents (Venom: Let There Be Carnage's Stephen Graham and Possessor's Andrea Riseborough). So, she escapes into novels as they feast on TV and try to stump up cash via dodgy schemes. At school, Matilda finds a source of support and inspiration in Miss Honey (Lashana Lynch, No Time to Die), but Crunchem Hall also gives its star student another foe. That'd be the villainous Miss Trunchbull (Emma Thompson, Cruella), who is as mean as can be — and needs Matilda to teach her a lesson. Minchin's songs and lyrics make the jump to the movie version, of course, while Tony Award-winning director Matthew Warchus — who did the honours with Matilda the Musical on the stage — helms. And yes, this'll be the second movie based on Dahl's Matilda, after a 1996 version initially adapted the book for cinema (not as a musical, though), and featured Mara Wilson as the titular character. Check out the trailer for Matilda the Musical below: Matilda the Musical will be available to stream via Netflix sometime in December — we'll update you with an exact release date when one is announced. Images: Dan Smith/Netflix © 2022.
For its 21st birthday, Splendour in the Grass is giving Australia the party we all wish we could've had hitting that milestone: a party headlined by Lizzo. Ahead of announcing its full 2023 lineup, the Byron Bay-based festival has just revealed one of its major acts, with the 'Juice' and 'Truth Hurts' singer set to take to the North Byron Bay Parklands stage this July. In the words of the US rapper herself, it's about damn time. Splendour hasn't revealed any other 2023 talents as yet, so watch this space — but if a fest is going to kick off its announcements with just one name, this is the one to do it with. The songwriter, singer and flautist — and Grammy- and Emmy-winner, too — will add to a whirlwind few years by making her Splendour debut. Yes, it's set to be good as hell. [caption id="attachment_750739" align="alignnone" width="1920"] Luke Gilford[/caption] Expect to hear hits from 2019's CUZ I LOVE YOU and 2022's Special — including, of course, Grammy Record of the Year-winning single 'About Damn Time'. Expect a set filled with dance-ready beats as well, in what's certain to make Splendour 2023 a fest to remember. After 2022's Splendour in the Mud — or Splendour in the Pool if you like — the two-decade-old festival could use some good news. Lizzo fans, pop Friday, July 21–Sunday, July 23 in your calendar now, and start searching for your gumboots (while crossing your fingers that this year's fest won't be as boggy). Splendour hasn't revealed when the full lineup will drop but, pre-COVID-19, the fest's full roster was always here by April at the latest — so expect further details soon. For now, the festival has also announced that first-release tickets go on sale at 9am AEDT on Thursday, March 23. Head to the Splendour website to sign up for access ASAP. Splendour in the Grass will take over North Byron Bay Parklands from Friday, July 21–Sunday, July 23, 2023. We'll update you with the full lineup details when they're announced. For more information in the interim — and to sign up for first-release tickets, which go on sale at 9am AEDT on Thursday, March 23, head to the festival website.
To live in the US right now must be to live with a constant question: am I in a Nathan Fielder show? There are more pressing queries troubling America, but viewers of the Canadian comedian's The Rehearsal can be forgiven for wondering if he or his disciples are lurking over their shoulder. In this brilliant HBO doco-comedy, studying ordinary folks is a key part of the premise — as much as rehearsing life, the promise that's right there in the series' name. One goes with the other; how do you prepare for every outcome that might occur in a tricky IRL situation if you don't also examine the people who play into it, and their traits? Forget simulation theory, which has caused plenty to wonder if life is a computer program (especially after The Matrix franchise's popularity; see also: documentary A Glitch in the Matrix). Instead, The Rehearsal gives rise to Fielder theory. That needs both unpacking and working up to, but never quite knowing if anything could be one of Fielder's scenarios is a side effect of watching. Early in The Rehearsal's first episode — with season one available to stream in full via Binge in Australia now, and via Neon in New Zealand from Saturday, August 27 — Fielder meets Kor Skeete. A Jeopardy!-watching, trivia-loving New Yorker, he has an issue he's seeking help with, answering an ad asking "is there something you're avoiding?". Skeete has been lying to his bar trivia team about his educational history, claiming he has a master's degree, and wants assistance in coming clean. His biggest worry: how his pal Tricia might react, and if it'll end their friendship. That's The Rehearsal's opening problem-of-the-week setup, because Fielder is a problem solver — or that's the persona he portrays in his on-screen guise. Puppet master; a Wizard of Oz-type impresario; investigator of the human condition; Willy Wonka, which Skeete calls him: they all fit as well. Before he assists Skeete, Fielder asks if he's ever seen his past work. Skeete says no, despite saying television is his favourite trivia subject — and his response to what Fielder explains next will likely mirror anyone who comes to this with the same fresh eyes. First, some background: until now, Fielder was best known for Nathan for You, in which he helped companies and people using his business school studies. Fielder played a version of himself, and the result is a reality comedy. It's something that has to be seen to be truly believed and understood, and it's both genius and absurd. In The Rehearsal, Fielder is back as himself using his skills to help others. He's also starring in/writing/directing a reality comedy, this time letting his subjects rehearse big moments. Skeete wants to bare all to a pal, Angela is keen to explore parenthood and Pat is trying to resolve a family feud over an inheritance, for instance. The show's crew even build elaborate sets, recreating the spots where these pivotal incidents will take place, such as the bar where Skeete will meet Tricia. Fielder hires actors to assist, too. And, adding yet another layer, Fielder also steps through the same routine himself, including rehearsing his initial encounter with Skeete with an actor. So when he's asking Skeete if he's seen his work, he's already done so in a replica of Skeete's apartment, with someone else playing the man he's now talking to — and he's cycled through every possible reaction. If you've ever thought life was a big performance, and every single thing about interacting with others — and even just being yourself — involves playing a role, you'll find much to think about in this gripping, funny, often unsettling, quickly addictive series. There's reality TV, and then there's the way that the deadpan Fielder plays with and probes reality. While both can induce cringing, nothing compares to this. But in a true Fielder touch, rehearsals like Skeete's are rehearsals themselves. You could call the first season a rehearsal for the already-greenlit second season of The Rehearsal, but Fielder also uses his time with Skeete and Pat as trial runs for the big trial run that runs through five of the season's six episodes. That parental pondering? It's too big a social experiment to conduct in just one chapter, and there's too much to it for Fielder to simply orchestrate the whole experience. The Rehearsal's faux family scenario comes courtesy of Angela, who wants to give motherhood a test. Her biological clock is ticking, so she's keen to see if she should pursue being a mum. Staunchly Christian and conservative, she'd want to be married. She also only sees herself living the homesteader life and being self-sufficient in the country. Fielder sets her up in a farmhouse in rural Oregon. To condense 18 years of parenthood down into mere weeks, he has Angela's fake child age in three-year increments, jumping from a baby to a toddler and so on. And to make the process seamless, he hires a lineup of child actors to play the part, swapping them out in shifts as required by labour laws. Later, after a failed attempt to locate a co-parent, he steps in himself. At its entry level, seeing the extremes that Fielder and his crew go to in arranging each rehearsal is mesmerising (a hefty HBO budget assists). So is spying the detail on display, the flowcharts plotting out every potential response, and the rehearsals behind each rehearsal — and watching how the show's subjects react. But it swiftly becomes apparent that The Rehearsal isn't even primarily about the people Fielder is helping and interacting with, including actors he puts through his own acting school (dubbed 'The Fielder Method') and a child who takes the pretend parenthood situation to heart. Fielder's series is always concerned with human nature, how it can be constructed and interpreted, and the role that screens play in telling and manipulating stories; however, it's also about Fielder himself, and the way everyone interacts with the world. Fielder is an awkward presence, but also both candid and calming (has unease ever been this easy?). He's frank about not really feeling emotions the way he thinks he should, and that others don't respond to him the way he'd like. ("I'm not good at meeting people for the first time. I've been told my personality can make people uncomfortable," he offers early on, like a self-aware Larry David who's intrigued to do better.) He's pulling his own strings, in what he himself describes as "puzzles of my own devising" — and he's determined to test his own assumptions, the character he plays as himself, and the way that others see him. He unpacks reality TV in the process, especially by laying bare the process. He tests and probes social conventions, questioning what's real and what we happily manufacture. He makes viewers query what they do themselves, and why, along with him. The Rehearsal is all of that and more, and unfurling its layers, games and insights is one of 2022's finest television experiences. Check out the trailer for The Rehearsal below: The Rehearsal streams via Binge in Australia now, and via Neon in New Zealand from Saturday, August 27. Images: courtesy of HBO.
Christmas, as inevitable as death and taxes, is upon us again and for many, this time of year means arduous shopping challenges followed by drunken Christmas parties that are only bearable if your blood alcohol limit clocks in at a merry 0.15. 'Tis the season to be jolly and deck the halls with buckets of hangover vomit. But fear not, ye merry gentlefolk of Sydney, because the Hangover Clinic has opened for those times when you’ve really, really over done it. The clinic allows you to hook up to an IV cocktail of hydration fluid, vitamins B and C, anti-headache and nausea medication, oxygen treatment and antioxidant boost. Treatments can take anywhere between half an hour to an hour and are administered by trained and registered medical professionals (who probably didn’t envisage this for their career while slogging through medical school). The downside? That means the cost is pretty ridiculous — between $140 and $200 for a treatment. You’d want to be reeeeeeeally sick — and rich enough that knowing your actions have no consequences doesn’t bother you — to make it rain for this. Although it does mean you can schedule your bucks party for the night before the wedding, safe in the knowledge that you can buy your good health back the next day and ensure no whacky antics go down at the ceremony. The clinic has been accused of encouraging binge drinking, something for which Aussie’s need little encouragement, but co-founder Max Petro said denies it, telling The Sydney Morning Herald, “We don't serve alcohol. We are not a pub. We encourage binge drinking as much as hospitals encourage people to get sick." Touche. There are a few less, ahem, self-indulgent applications for the treatment, including reversing the dehydration effects of jetlag, cold and flu and sports recovery so it's not all bad. Via SMH. Book your hangover treatment in advance here. Image: Dollar Photo Club.
Streetwear gurus and underground hip-hop heads have a chance to meet the Odd Future crew today at Sweat Shop in Sydney, located in the basement of 80 Oxford St, Darlinghurst. Fans will be able to meet the group, as well as purchase exclusive Odd Future merchandise from the store. The group will perform two shows in Sydney. Their headline show takes place tonight at the Enmore Theatre, while they will also feature at the Big Day Out on Australia Day alongside Kanye West, Soundgarden, Nero, and plenty more. The store is open until 6pm each, but a healthy crowd has formed outside so it would be a safe option to head there as soon as possible. Furthermore, the weather's looking a little damp, so you might want to throw on your Supreme beanies and North Face windbreakers for this one. The store will be open 12pm to 6pm until January 29.
Fans of the Avengers franchise are getting a special treat on Saturday, August 3, when cinemas around the country will screen double bills of Infinity War and Endgame. You'll get to watch all six glorious hours of the last two Avengers films, and you'll be doing it for a good cause to boot — with 100 percent of ticket sales going towards the Curing Homesickness initiative. In an attempt to get kids home from hospital sooner, Curing Homesickness is raising funds for research, equipment and more health professionals at eight children's hospitals across Australia. And you can help by stocking up on popcorn and watching the Avengers (Iron Man, Thor, the Hulk, Captain America, Black Widow — everyone) and the Guardians of the Galaxy team up in an attempt to destroy Thanos in Infinity War. Then, in Endgame, more stuff happens with Thanos — we won't reveal too much, in case you haven't seen it — and you'll get to watch a fitting sendoff to the 22-film, billion-dollar Marvel Cinematic Universe. [caption id="attachment_718483" align="alignnone" width="1920"] Avengers: Endgame[/caption] This Disney and Marvel Studios screening will take place at Sydney's Event Cinemas George Street, South Yarra's Village Cinemas Jam Factory and Brisbane's Event Cinemas Chermside. Alongside Disney, other brands involved in the campaign include Assembly Label, which has released a limited-edition line of t-shirts (in-stores and online), and Sydney's Pasta Pantry — who is donating funds raised from its pasta and lasagne, too. The Avengers double bills will take place on Saturday, August 3. Tickets are $20 and available at the Event Cinemas website for Sydney and Brisbane and the Village Cinemas website for Melbourne. For more information on Curing Homesickness and to donate, head over here. Top image: Avengers: Infinity War
Have you ever noticed how much Brad Pitt eats in his movies? He's like some sort of human garbage disposal, slamming down burgers, cookies, chips, Twinkies and whatever else he can find into his (perfect) cakehole. He also has a knack of making whatever it is he's eating (from gruel and stale bread to cheesy nachos) look like the most delicious, sensual food in the world. Go on, look: He eats without restraint, without delicacy, as we all should sometimes, and for that reason he's the central figure in a new cookbook called (appropriately but incorrectly) Fat Brad. The team from Long Prawn have collaborated on the project with photographer Ben Clement, PractiseStudioPractise, Tristan Ceddia, Ali Currey-Voumard and Mietta Coventry. The cookbook is a tongue-in-cheek collection of recipes based on Brad's most iconic food moments on film. You'll find instructions for a knuckle sandwich (Fight Club), game bird with taters and Guinness gravy (Snatch), Bellagio Shrimp Cocktail (Ocean's 11), roast turkey drumstick and Grecian salad (Troy) and bloodied roast (Mr and Mrs Smith) amongst others. As well as being straight-up hilarious, the Fat Brad cookbook is also just a really good looking (like its namesake) addition to your cookbook shelf. It's the first in a series of pop culture cookbooks by the Long Prawn crew, so keep an eye out and grab your Fat Brad: The Cookbook here. Have a little preview:
For the third time in the 2020s, Fatboy Slim is heading to Australia to break out 'Right Here, Right Now', 'The Rockafeller Skank', 'Praise You' and plenty more dance-floor fillers. After touring the country in 2020 and 2023, the dance music legend is returning in March 2025 on a five-stop trip, four of which will get him spinning tunes in wineries. "Like the crazy drunk uncle who turns up every Christmas, I'm coming back to my Aussie fam once again. Expect the usual inappropriate behaviour and interpretational dancing," said Fatboy Slim, aka Norman Cook, announcing his latest Down Under visit. [caption id="attachment_975623" align="alignnone" width="1920"] neal whitehouse piper via Wikimedia Commons[/caption] Trying to dance like Christopher Walken, pretending you're in Cruel Intentions, being transported back to the late 90s and early 00s: that's all on the agenda again. So is making shapes to DJ Seinfeld, CC:DISCO! and Jennifer Loveless, who'll be supporting the British legend at all five gigs. The tour is kicking off in Perth, at the only show that isn't at a vineyard, on Friday, March 14. From there, Fatboy Slim has a date with Centennial Vineyards in Bowral, Peter Lehmann Wines in the Barossa Valley, Mt Duneed Estate in Geelong and Sirromet Wines in Mount Cotton. [caption id="attachment_878696" align="alignnone" width="1920"] Carlos Luna / Secretaría de Cultura CDMX via Wikimedia Commons[/caption] Cook has been making music since the 80s, but took on the name Fatboy Slim in the mid-90s, starting with 1996 record Better Living Through Chemistry. His 1998 album You've Come a Long Way, Baby was the club soundtrack to end the 20th century — a staple of every 90s teen's CD collection, too. As for 2000's Halfway Between the Gutter and the Stars, it gave the world 'Weapon of Choice' and its iconic Walken-starring (and Spike Jonze-directed) video. Fatboy Slim's discography also spans 2004 album Palookaville and 2013 single 'Eat, Sleep, Rave, Repeat'. [caption id="attachment_878697" align="alignnone" width="1920"] Secretaría de Cultura de la Ciudad de México via Wikimedia Commons[/caption] You might not be able to dance along the walls when Cook hits the decks — but you'll want to thanks to his big beat sound. Indeed, alongside the Chemical Brothers, The Prodigy, Basement Jaxx, The Propellerheads and Crystal Method, he helped bring the style to mainstream fame. If you've seen Cook live before — or the epic live video from his 2020 Melbourne gig at the Sidney Myer Music Bowl that's notched up more than 3.2-million views — then you'll know that any Fatboy Slim tour is always news to get excited about right about now. Fatboy Slim 2025 Australian Tour Friday, March 14 — Langley Park, Perth Saturday, March 15 — Centennial Vineyards, Bowral Friday, March 21 — Peter Lehmann Wines, Barossa Valley Saturday, March 22 — Mt Duneed Estate, Geelong Sunday, March 23 — Sirromet Wines, Mount Cotton Fatboy Slim is touring Australia in March 2025. Early-bird tickets start from 1pm local time on Friday, October 11, 2024, then presales from 2pm on Tuesday, October 15, then general sales from 10am on Friday, October 18. Head to the tour website for more details. Top image: Selbymay via Wikimedia Commons.
Playground Weekender 2012 has been cancelled. The sixth iteration of the festival, which has become a cult favourite of Sydneysiders, was due to get underway on Friday and run for four days at the Del Rio Riverside Resort on the Hawkesbury River. The Bureau of Meteorology, however, has issued a Flood Watch for the Nepean and Hawkesbury Rivers, which would put the festival at risk. The Music Network first sparked rumours that the event was cancelled, quoting a representative of the Hawkesbury Council as saying that it has been cancelled as far as they're concerned. Festival promoters were working with the NSW State Emergency Services to make a decision. An SES warning says that "there is a greater than 70% chance of flooding developing in the Upper Nepean River with minor flooding and the Nepean and Hawkesbury River valleys from this Wednesday onwards with minor to moderate flooding possibly resulting in closure of the Richmond and Windsor bridges during Thursday and Friday". Playground Weekender then officially cancelled via the Festival's Facebook page "due to adverse weather conditions", adding that they were "trying to urgently seek a replacement venue for some of the planned festivities to take place". [Via The Music Network]
It's no secret that women in the music industry have a tough time, and sometimes it feels like all we talk about is rampant sexism, female underrepresentation and, well, men. But not today. Nope, today is International Women's Day and you'd be damned to take that away from us. And to help out with the whole amplifying women's voices thing, triple j is dedicating an entire day to the ladies. But this isn't some kind of Richard Mercer Love Songs and Dedications situation. Rather, triple j will bring Girls to the Front and hand over all the programming and content to Australia's biggest boss ladies of music. All day. Can you think of anything more angelic? Running the day will be the radio station's female presenters. You'll have Linda Marigliano on Breakfast, followed by Zan Rowe on Mornings, Gemma Pike at Lunch, Veronica will be joined by Gen Fricker on Drive, and KLP will do her thing on Good Nights. Plus, there'll be a special edition of The Racket hosted by High Tension's Karina Utomo. The music will also be an all-lady affair, with Tkay Maidza, Alpine, Sampa The Great, Tired Lion, Sarah Blasko, Lauren from Chvrches, Little Simz and more sharing their favourite and most inspiring female artists and music. The magic will be carried out on the airwaves over at triple j Unearthed and Double J as well. On Unearthed, garage punk legendary ladies LAZERTITS will play some of their local female faves, while over on Double J Myf Warhurst will speak with Natalie Prass and Ibeyi before music journalist Jessica Hopper programs two epic hours of female music-makers. So turn off Spotify this arvo and listen to some kickass local lady talent — and remind yourself that the music industry isn't just run by dudes. You can get involved by using the #GirlsToTheFront hastag.
In this or any other galaxy, whether here, near or far, far away and a long time ago, Star Wars streaming shows can't all be Andor. In cinemas, the franchise's movies can't all be Rogue One: A Star Wars Story, either. So, in both formats, they aren't always the weightiest and most grounded instalments that the series has ever delivered, all while demonstrating about as much interest in nostalgia as Jar Jar Binks has in not being annoying. The latest TV effort in the George Lucas-started space-opera saga, Ahsoka doesn't want to follow exactly in the last new Star Wars small-screen entry's footsteps, however, even if it's another sidestep tale about battling evil that champions folks who are rarely thrust to the fore. Instead, it has intertwined aims: serving up a female-led chapter and drawing upon the franchise's animated realm. For many, Star Wars is 11 live-action movies, the bulk of which arrived in three trilogies that splashed around Roman numerals aplenty. For those with a Disney+ subscription, the pop-culture universe covers the streaming platform's live-action shows, too, with not just Andor but three seasons of The Mandalorian, 2021–22's The Book of Boba Fett and also 2022's Obi-Wan Kenobi connected to those flicks. Star Wars has always expanded further since its 70s beginnings, though, via TV specials and films, books (Star Wars: Episode IV — A New Hope's novelisation actually released before the feature) and animation. So, from the latter — and specifically from animated film Star Wars: The Clone Wars and the TV series it spawned, plus fellow animated shows Star Wars Rebels and Tales of the Jedi — springs Ahsoka and its eponymous ex-Jedi padawan Ahsoka Tano (Rosario Dawson, Clerks III) from Wednesday, August 23. Ahsoka appeared in The Mandalorian and The Book of Boba Fett as well, with the series that the character now anchors also spinning off from the former. The show's inter-franchise Star Wars links are strong, then, but it isn't just for fans who've watched every frame that the saga has ever sent hurtling across screens — thankfully so. Ahsoka creator Dave Filoni has given himself a tricky task, diving deeper beyond the obvious Star Wars fodder while still engaging more-casual franchise viewers. Nods and references abound for diehards, and to key figures and beloved creatures alike, yet so does a supremely well-cast spin on the space opera's well-loved formula. As Luke Skywalker (Mark Hamill, The Sandman) and Obi-Wan Kenobi (Alec Guinness in the original 1977–83 big-screen trilogy), Anakin Skywalker (Hayden Christensen, Obi-Wan) and Kenobi (Raymond & Ray's Ewan McGregor since the 1999–2005 prequel trilogy), the latter and Qui-Gon Jinn (Liam Neeson, Marlowe), and Rey (Daisy Ridley, Chaos Walking) and Leia Organa Solo (Carrie Fisher, Catastrophe) have all demonstrated — such pairings go on — Lucas and his successors in steering all things Star Wars love a master-and-apprentice story. Ahsoka provides two tied to the force, with its namesake once a pupil to Anakin before he went to the dark side, and also a mentor to her own student in rebellious, flame-haired Mandalorian Sabine Wren (Natasha Liu Bordizzo, Guns Akimbo). Thanks to the man who became Darth Vader, Ahsoka is wary about the Jedi order and unsurprisingly cautious in general. Via her prior time with Sabine, she knows the difficulties of being a guide to a headstrong protégée. While the show gives its central figure nefarious foes to battle, it also has her grappling with her past traumas, mistakes and regrets. She's guarded there, too; when rebel crew member and now-New Republic general Hera Syndulla (Mary Elizabeth Winstead, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) suggests that the way forward might involve enlisting Sabine's help, Ahsoka is reluctant. But only the youngest of the main trio can unlock a pivotal orb that holds a map that could lead to exiled Imperial officer Grand Admiral Thrawn (Lars Mikkelsen, The Kingdom) and Ahsoka's fellow one-time padawan Ezra Bridger (Eman Esfandi, The Inspection). With just the 2015–19 sequel trilogy and animated series Star Wars Resistance set after it, Ahsoka's plot hones in on fending off the fallen Empire's attempts to rebuild and strike back again. Hoping otherwise: Morgan Elsbeth (Diana Lee Inosanto, The Last Tour), who starts the program imprisoned but is swiftly freed thanks to former Jedi-turned mercenary Baylan Skoll (the late Ray Stevenson, RRR) and his own his trainee Shin Hati (Ivanna Sakhno, The Reunion). Bringing back Thrawn from banishment is their next step, putting them on a collision course with Ahsoka, Hera and Sabine — amid early Indiana Jones-style treasure hunting, vivid lightsaber duels, reminders of how insidiously that greed can lure people in, a stunning hoverbike race, a loth-cat's cuteness, a tad too much exposition and droid Huyang (Good Omens' David Tenant, lending his voice again as he did in The Clone Wars) hanging around, all in the first two episodes. If the storyline sounds all Star Wars 101, that's because it is, yet a change of perspective and a stacked cast ensure that Ahsoka never feels like it's lazily sticking to a template. Filoni, who also worked on both the film and TV versions of The Clone Wars, as well as Rebels, Resistance, The Mandalorian, The Book of Boba Fett, Tales of the Jedi and more, clearly knows the drill — and how to make this take on it stand out. It isn't just that this is the first series focused on a woman connected to the Jedi, and one of the few within its ranks. Ahsoka cares about the way that conflict has scarred and wearied its hero and her colleagues, and shaped them and stretched their bonds in the process. It could easily be called Ahsoka, Hera and Sabine, which would suit three of its core performances. Still, beneath the character's head tails, Dawson turns in a portrayal to build a show around — serene, wry, fierce, thoughtful, purposeful, formidable, haunted and determined — which Ahsoka wisely does. Perhaps a Sabine offshoot will join the Star Wars fold in the future, with Bordizzo that magnetic in her stubborn, impulsive and daring role. In one of his final performances given his passing in May, the reliably commanding Stevenson is similarly arresting — and Sakhno, too, even if largely through her presence, a killer glare, and pitch-perfect costuming and lighting that helps her instantly look the entrancing part. Ahsoka gets that last aspect right throughout and across the board, taking as many visual cues from Star Wars' animated forays as its live-action jaunts, yet always sporting its own glow. This isn't Andor, but after those franchise-best heights it's still a series that intrigues, engages and often soars. Check out the trailer for Ahsoka below: Ahsoka streams via Disney+ from Wednesday, August 23. Images: ©2023 Lucasfilm Ltd & TM. All Rights Reserved.
By almost every conceivable metric, 2020 wasn't great. It was downright terrible, in fact. We know that you already know this, but let us share a sliver of good news: it was still a fantastic year for cinema. That's true even with picture palaces across Australia, New Zealand and the rest of the world closing for considerable periods. Indeed, when silver screens reopened again Down Under, and everyone was able to once again sit in darkened rooms and stare at celluloid dreams blown up big just as they're meant to be, we all remembered why the term 'movie magic' exists. And, in those theatres with their popcorn smells and booming sounds, we were able to see truly exceptional films. Every year delivers a treasure trove of movies — so much so that, here at Concrete Playground, we always put together multiple lists of film gems. As part of our end-of-year wrap-ups for 2020, we've already highlighted ten excellent movies that hit cinemas but sadly didn't set the box office alight, as well as 20 other standout titles from this year that really you owe it to yourself to have seen. From everything that flickered through a projector in general release in 2020, we're now down to the pointy end. Each year delivers awful, average and astonishing movies, and we've picked the cream of the crop when it comes to the latter. Some released pre-pandemic, in what seems like another life. Some are yet to hit cinemas, but will before the year is out. From movies that'll have you dancing in the aisles to unsettling head trips, these are the ten absolute best films of 2020 that made their way to the big screen. https://www.youtube.com/watch?v=DSFpK34lfv0&feature=youtu.be NOMADLAND Frances McDormand is a gift of an actor. Point a camera her way, and a performance so rich that it feels not just believable but tangible floats across the screen. That's the case in Nomadland, which will earn her another Oscar nomination and could even see her win a third shiny statuette just three years after she nabbed her last for Three Billboards Outside Ebbing, Missouri. Here, leading a cast that also includes real people experiencing the existence that's fictionalised within the narrative, she plays the widowed, van-dwelling Fern — a woman who takes to the road, and to the nomad life, after the small middle-America spot she spent her married life in turns into a ghost town when the local mine is shuttered due to the global financial crisis. Following her travels over the course of more than a year, this humanist drama serves up an observational portrait of those that society happily overlooks. It's both deeply intimate and almost disarmingly empathetic in the process, as every movie made by Chloe Zhao is. This is only the writer/director's third, slotting in after 2015's Songs My Brothers Taught Me and 2017's The Rider but before 2021's Marvel flick Eternals, but it's a feature of contemplative and authentic insights into the concepts of home, identity and community. Meticulously crafted, shot and performed, it's also Zhao's best work yet, and 2020's best film as well. Read our full review. https://www.youtube.com/watch?v=OsWV2qTX21k NEVER RARELY SOMETIMES ALWAYS When some movies mention their titles, they do so via a line of clunky dialogue that feels forced, overstressed and makes viewers want to cringe. Never Rarely Sometimes Always isn't one of those films. It does indeed task a character with uttering those exact words, but the scene in which they're voiced is the most devastating and heartbreaking movie scene of the year. Given the premise of writer/director Eliza Hittman's latest feature, that perhaps comes with the territory. It shouldn't, which is one of the points this layered film potently makes, but it does. Upon discovering that she's expecting — and being told by her local women's centre that she should go through with the pregnancy — 17-year-old Autumn (first-timer Sidney Flanigan) has no other choice but to take matters into her own hands. With her cousin Skylar (fellow feature debutant Talia Ryder), she hops on a bus from her Pennsylvania home town to New York to seek assistance from Planned Parenthood. Given that Skylar has stolen the funds for Autumn's abortion out of the cash register at work, and that they don't have enough to cover a place to stay, this isn't a straightforward quest. Hittman's naturalistic style, as previously seen in 2014's It Felt Like Love and 2017's Beach Rats, makes every second of Autumn's ordeal feel intimate, real and unshakeably affecting, as does Flanigan's internalised but still expressive performance as well. Read our full review. https://www.youtube.com/watch?v=97nnV0fNd30 AMERICAN UTOPIA On paper, American Utopia's concept doesn't just sound excellent — it sounds flat-out superb, stunning and spectacular. A new David Byrne concert film, capturing his acclaimed American Utopia Broadway production, as directed by Spike Lee? Sign the world up, and now. In the most welcome news of the year, the execution matches the idea in this instant masterpiece (and wonderful companion piece to 1984's Stop Making Sense). It'd be hard to go wrong with all of the above ingredients, but Lee's second film of 2020 (after Da 5 Bloods) makes viewers feel like they're in the room with Byrne and his band and dancers like all concert movies strive to but few achieve in such engaging a fashion. Every shot here is designed with this one aim in mind and it shows, because giving audiences the full American Utopia experience is something worth striving for. Byrne sings, working through both solo and Talking Heads hits. He waxes lyrical in his charming and accessible way, pondering the eponymous concept with an open and wise perspective. And he has staged, planned and choreographed the entire performance to a painstaking degree — from the inviting grey colour scheme and the open stage surrounded by glimmering chainmail curtains to the entire lack of cords and wires tethering himself and his colleagues down. Read our full review. https://www.youtube.com/watch?v=W-fxRXzfi0U KAJILLIONAIRE Awards bodies don't tend to recognise performances like Evan Rachel Wood's in Kajillionaire, but they should. It's a career-best effort from an actor with an array of terrific work to her name (most recently in Westworld), and it operates so firmly on the same wavelength as the film she's in that it's impossible to imagine how it would work without her. Kajillionaire is filmmaker Miranda July's latest movie, following Me and You and Everyone We Know and The Future, so it was always going to stand out. It was always going to need a knockout portrayal at its centre, too. Wood plays a 26-year-old con artist called Old Dolio Dyne, who has spent her whole life working schemes and scams with her parents Robert (Richard Jenkins, The Shape of Water) and Theresa (Debra Winger, The Lovers) — to the point that it's all that she knows, and it has made her the closed off yet still vulnerable person she is. But when her mother and father take lively optometrist's assistant Melanie (Gina Rodriguez, Annihilation) under their wing, Old Dolio is forced to reassess everything. That might sound standard, but July has never made a movie that's earned that term and she definitely doesn't start now. Kajillionaire is a heist-fuelled crime caper, and an eccentric and idiosyncratic one; however, it's also a rich and unique character study, an astute exploration of family and a love story — and Wood is essential at every turn. Read our full review. https://www.youtube.com/watch?v=kFqCTIdF7rs POSSESSOR The possibility that someone could hijack another person's brain, then use their body as a vessel to carry out corporate-sanctioned murder, is instantly distressing and disturbing. Whatever your mind has just conjured up reading that sentence, it has nothing on Brandon Cronenberg's vision of the same idea — as Possessor, his sophomore feature, illustrates in a brilliant and brutal fashion. As chilly and also as mesmerising as his first film, Antiviral, this horror-thriller spends its time Tasya Vos (Andrea Riseborough, The Grudge). It's her job to leap into other people's heads and carry out assassinations, and she's very good at it. When the movie opens, however, she experiences difficulties on a gig. Then she takes on another, infiltrating Colin's (Christopher Abbott, Vox Lux) brain, and struggles to maintain control over his personality and actions as she attempts to kill his fiancé (Tuppence Middleton, Mank) and her business mogul father (Sean Bean, Snowpiercer). Possessor's writer/director is the son of David Cronenberg, of Shivers, Scanners, Videodrome and The Fly fame, so exploring unnerving body horror has been implanted into his own head in a way, too. He certainly carries on the family name in a daring, determined and expectedly gruesome manner. Also striking and unforgettable here: the concepts that Possessor probes, including present analogues to Possessor's body-jumping technology. Read our full review. https://www.youtube.com/watch?v=PLNXHJB5Mto BABYTEETH Filmmaker Shannon Murphy made her feature debut with Babyteeth, but she shows no signs of merely cutting her chompers on this heartwrenching film. Based on the Rita Kalnejais-penned play of the same name and scripted for the screen by the writer as well, this Australian drama tackles a well-worn premise — that'd be: terminally ill teen falls in love as she endeavours to manage her grim health situation — with such shrewdness, vivacity and understanding that it puts almost every other movie about the same concept to shame. Milla (Eliza Scanlen, Little Women) is the cancer-afflicted high schooler in question. When she meets and clicks with 23-year-old small-time drug dealer Moses (Toby Wallace, Acute Misfortune), it takes her pill-popping mother Anna (Essie Davis, True History of the Kelly Gang) and psychiatrist father Henry (Ben Mendelsohn, The Outsider) time to adjust. Their struggles have nothing on Milla's own, though, because Babyteeth sees its protagonist as a person rather than an illness, and as someone with their own hopes, dreams, troubles and disappointments instead of the reason the folks around her have their lives disrupted. That's such an important move, but's just one of the many that the movie makes. Aided not only by superb (and AACTA Award-winning) performances all round, but also by arresting visuals and clever but realistic dialogue, Babyteeth proves both raw and dynamic from start to finish. Read our full review. https://www.youtube.com/watch?v=VFOrGkAvjAE SOUND OF METAL It's one thing to tell viewers that the character they're watching is losing their hearing. It's another entirely to ensure that they understand exactly how that feels. Sound of Metal adopts two methods to achieve the latter feat — one expected but still extraordinary, the other truly earning the usually overused term that is 'immersive'. Firstly, Riz Ahmed (Venom) gives his all to the role of heavy metal drummer and ex-heroin addict Ruben Stone. Realising that one of his senses isn't just fading but disappearing obviously upends every facet of Ruben's life, which Ahmed conveys in a powerfully physicalised performance (and his second portrayal of a musician coping with health struggles after this year's festival hit Mogul Mowgli, too). Just as crucial, however, is the soundscape created by debut feature director Darius Marder and his team. It mimics what Ruben can and can't hear with precision, and it couldn't be more effective at plunging the audience inside his head. Both choices — lead casting and the film's audio — invest weight and depth into a story that isn't lacking in either anyway. Putting his tour with his bandmate and girlfriend Lou (Olivia Cooke, Ready Player One) on hold, Ruben reluctantly moves to a rural community for addicts who are deaf to learn to live with his new situation, does whatever is necessary to rustle up the cash for a surgically inserted cochlear implant and faces more than few hard truths along the way. Read our full review. https://www.youtube.com/watch?v=7gOs6gKtrb4 THE LIGHTHOUSE It initially hit cinemas pre-pandemic, but The Lighthouse might just be the most relatable movie of 2020. There are no prizes for guessing where it is set, but The Witch filmmaker Robert Eggers has zero time for scenic seaside escapades, turning his attention to two men holed up in the coastal structure, unable to leave and going stir-crazy (to put it mildly) instead. Those lighthouse keepers are played by Willem Dafoe (At Eternity's Gate) and Robert Pattinson (Tenet), who both commit to the narrative with gusto. The former steps into the shoes of cantankerous sea dog Thomas Wake, while the latter endures quite the uncomfortable welcome as eager newcomer Ephraim Winslow — and, as anyone could predict given their talents and respective filmographies, they're gripping to watch. That sensation only increases when a storm sweeps in, with the fact that Winslow frequently fondles himself while holding a mermaid figurine marking just the beginning of The Lighthouse's claustrophobic chaos. Shooting in black and white, and boxing the film in via the 1.19:1 Movietone aspect ratio that's a throwback to a century ago, Eggers dives right into a vivid and entrancing nightmare that simultaneously unpacks masculinity, unfurls a manic head-trip and explores how people react when they're thrust together in a heightened scenario. Read our full review. https://www.youtube.com/watch?v=EU-Z90SEqGQ CORPUS CHRISTI An Oscar nominee this year — losing the Best International Feature Film category to Parasite — Corpus Christi examines faith with blistering and unflinching intensity. This quietly powerful Polish drama doesn't just contemplate what it means to believe, but how the supposedly pious actually enact their convictions (or don't, as the case often proves). Freshly released from reform school, Daniel (Bartosz Bielenia) is drawn to the seminary after connecting with the facility's head priest, Father Tomasz (Lukasz Simlat), during his sentence. Alas, his record instantly excludes him from following that calling, even though he's only 20 years old. Then, through a twist of fate that always feels organic, he's given the opportunity to act as the new spiritual advisor in a rural town after its residents mistake him for a man of the cloth. Given that this is an imposter tale, Corpus Christi proves inherently tense and bristling from the outset; however, just as much of that mood and tone stems from the way that Daniel's new community say one thing but act in a completely different manner involving a recent tragedy. Warsaw 44 and The Hater filmmaker Jan Komasa willingly steps into thorny territory as he tells the young man's tale (with top-notch help from Bielenia), and wonders why it's so easy for so many to cling to centuries-old concepts and stories, but so hard for most to put them in a modern, realistic and everyday context. Read our full review. https://www.youtube.com/watch?v=nzqevBnUUZU THE ASSISTANT Charting an ordinary day in the life of a junior staff member at a film production office, The Assistant is as unsettling as anything else that reached screens in 2020. Jane (Julia Garner, Ozark) has the titular position, working an entry-level job for a demanding head honcho who everyone in the office indulges — although viewers never get to meet him. She arrives at work before daylight, trudges through menial tasks and is treated poorly by her male colleagues. She's expect to anticipate everything that her boss could ever need or want, or face his wrath if she doesn't. And, as the day progresses, she realises just how toxic her workplace's culture is and how deep its inappropriate conduct burrows. Seeing how predatory the man she works for acts on a daily basis, and how his behaviour has a significant impact, she also learns how those who even try to speak out can still be powerless to effect change to stop it. If you've kept abreast of the #MeToo movement over the past few years, you'll know exactly what has inspired The Assistant, of course. However, Australian filmmaker Kitty Green wants her audience to experience this devastating scenario via Jane, rather than merely read about it. She doesn't just succeed; although she's working in fiction here, she directs a film as searing and perceptive as her last project, the excellent documentary Casting JonBenet.
Isabella Rossellini is coming to Australia, dressed as a praying mantis and talking about sex. Set to perform her critically acclaimed, one-woman comedy show Green Porno, Rossellini will tour Perth, Sydney, Brisbane, Melbourne and the Adelaide Festival, with her hilarious take on the fascinating sexual habits of land and marine animals. The playful stage show, based upon Rossellini's short film series and subsequent book of the same name kookily exploring mating in the natural world, will first premier in Los Angeles this November. The screen icon — who is currently studying animal behaviour at Hunter College in New York — says that she's always been interested in animal behaviour: "...and I certainly know a lot of people that are interested I sex. So here you have the three elements that make the core concept of Green Porn." Provocative, unusual and hilarious, the show first originated in 2008, when Robert Redford asked the Italian actress to create short, environmental films for his Sundance TV Channel. Rossellini then wrote the stage production, alongside Jean-Claude Carrier —well-known author, actor, opera librettist and director. Expect a mix of live performance along with some of Rossellini's short films. The actress dresses up in a variety of ridiculous insect and sea-creature costumes, while providing a storyline that is completely scientifically accurate. https://youtube.com/watch?v=BckqviVaWl0
A decade ago, Australia's film festival circuit caught a winter chill. Thanks to both the Sydney Film Festival and Melbourne International Film Festival, the country's cooler months were already a prime time for checking out cinema's latest and greatest from around the world, but the Scandinavian Film Festival levelled up the idea. Do you feel welcomely frostier if you're watching flicks set in and hailing from icy climes while the weather is cold? At this excuse to head to the pictures, yes, yes you do. Focusing on movies from Denmark, Finland, Iceland, Norway and Sweden, the Scandinavian Film Festival has spent the past ten years highlighting both the region's big names and its emerging talents. In 2024, cinemagoers are in for the same format; however, every film fest fan knows that no two iterations of any film fest are ever exactly the same. When it tours the nation between Wednesday, July 17–Wednesday, August 14, this year's event has everything from straight-from-Cannes newcomers to a retrospective dedicated to two of the area's biggest icons on its lineup — plus a span of genres from historical dramas and romances to detective tales and sci-fi epics. Making stops in Adelaide, Brisbane, Melbourne, Sydney, Canberra, Perth, and Byron Bay and Ballina, the festival will kick off with The Riot, which relives an IRL battle by miners in the second-largest workplace in Norway against dangerous conditions at the start of 20th century. Still on period-set tales, Stormskerry Maja is the Scandinavian Film Fest's centrepiece flick, with the Finnish movie about a peasant woman married off to a fisherman bringing the book series by Anni Blomqvist to the screen. Also making the leap from the page to cinemas is Boundless, the latest in Denmark's Department Q franchise, which is no stranger to this festival thanks to past entries The Keeper of Lost Causes, The Absent One and Conspiracy of Faith. From Everest, Adrift and Beast filmmaker Baltasar Kormákur, there's also Iceland's Touch, a romantic drama that adapts the novel of the same name, and hops across continents and decades. Elsewhere, When the Light Breaks similarly hails from Iceland — hitting Australia direct from opening Cannes' Un Certain Regard, in fact — alongside thrillers Cold and Natatorium. From Sweden, 2004's King's Game gets a sequel in Kingmaker, Hammarskjöld — Fight for Peace spins a true Cold War tale and Hunters on a White Field heads off on a weekend away in a forest. And Norway's contribution also spans closing night's Songs of Earth, a documentary about the country's wilderness that boasts Wim Wenders (Perfect Days) as an executive producer. The feast of Danish cinema includes Nordic noir Sons starring Borgen's Sidse Babett Knudsen as a prison guard, the Trine Dyrholm (Mary & George)-led Birthday Girl and the World War II-set Before It Ends with Pilou Asbæk (Aquaman and the Lost Kingdom). Or, there's also sci-fi Eternal, about a climate change scientist and a singer falling in love when a fissure splits the ocean floor — and The Promise, about a woman in her car trying to save her nephew's life. 2024's Scandinavian Film Festival's retrospective spotlight is shining on the great Liv Ullmann and Ingmar Bergman, heroing their collaborations, which means screening Autumn Sonata, Persona, the OG Scenes From a Marriage (not the recent American remake) and Cries and Whispers. The fest is also looking backwards with a 35th-anniversary session of Leningrad Cowboys Go America from Finnish auteur Aki Kaurismäki (Fallen Leaves). Scandinavian Film Festival 2024 Dates: Wednesday, July 17–Wednesday, August 7 — Palace Nova Eastend Cinemas, Adelaide Thursday, July 18–Wednesday, August 7 — Palace James St and Palace Barracks, Brisbane Friday, July 19–Wednesday, August 7 — Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, Palace Penny Lane, The Kino, Pentridge Cinema and The Astor Theatre, Melbourne Wednesday, July 24–Wednesday, August 14 — Palace Norton St, Palace Moore Park, Palace Central and Chauvel Cinema, Sydney Thursday, July 25–Wednesday, August 14 — Palace Electric, Canberra Thursday, July 25–Wednesday, August 14 — Luna Leederville, Luna on SX and Palace Raine Square, Perth Friday, July 26–Wednesday, August 14 — Palace Byron Bay and Ballina Fair Cinemas, Byron Bay and Ballina The Scandinavian Film Festival tours Australia in July and August 2024. For more information or to buy tickets, visit the festival's website.
Not knowing where your bag is when you disembark from a plane is a downright travel nightmare, and also now hopefully a thing of the past if you're flying with Virgin Australia. In 2023, the carrier rolled out a free baggage-tracking tool to fix this much-hated situation, starting with a heap of domestic routes. Now, it's available across its whole network. Flying to Japan? Bali, Fiji, Samoa or Vanuatu? Queenstown? The bag-tracking app covers those destinations. Wherever you're heading, you'll get notifications when your luggage is ready to fly, then when it's on the plane and again once it is at the baggage carousel. Virgin started testing the new technology in May 2023, then launched it in August domestically on almost 70-percent of flights before January's full rollout. Unsurprisingly, the feature has been popular. Since last year, the app has been used around 1.3-million times by Aussie travellers. Obviously, this feature covers checked luggage only. If you're carrying your bags into the cabin with you, you'll know where they are. For those stowing their suitcases in cargo, however, you'll be able to see where they are across your entire journey. Here's how it works: you'll need that aforementioned app, and to check your bag. You'll also want to enable push notifications. From there, expect to be buzzed with all the relevant info — the app will tell you which baggage carousel to head to as well, solving another airport annoyance. "Australians find comfort in the ability to track food deliveries, postal deliveries, technology, even their heart rate, all via apps, and it made sense for travellers to be able to do the same thing when flying Virgin Australia," said Virgin Australia Group Chief Customer and Digital Officer Paul Jones. Virgin Australia's baggage-tracking tool is now available across all flights. Find out more via the airline's website, and download the app online as well.
As winter closes in, you might be tempted to take anything that requires leaving your warm and toasty home off of your schedule. We get it. But it's no excuse. Even if it's cold outside, there are plenty of winter-friendly (and delicious) reasons to get out and about this season — especially down south. Tasmania might be known for its chilly weather, but, these days, it's also got quite the reputation as a culinary destination — and for good reason. Top-notch culinary menus make use of the freshest, seasonal and local produce and can be found all over the Apple Isle. That's why we've made it our mission to discover the Tassie restaurants that'll warm both your belly and your cold little hands this winter. Here are five of the best. Hope you're hungry. [caption id="attachment_719307" align="alignnone" width="1920"] Chris Crerar.[/caption] STILLWATER — LAUNCESTON Stillwater is quite possibly the best-known restaurant in Tasmania. Situated on the edge of the Tamar River in Launceston — and set within a restored 1830s flour mill — the space is cosy, with warm lighting and timber furnishings, and boasts stunning views. The seasonal menu is a love letter to the island state, celebrating fresh, local produce and the region's best vineyards, distilleries and brewhouses. Our tip: opt for the Arras sparkling, which some might call Australia's best answer to Champagne, paired with flavour-packed seafood dishes like the fresh Moulting Bay oysters or the Tasmanian blacklip abalone with whipped tofu, brown butter ponzu, enoki and avruga caviar for a particularly indulgent experience. A visit on a clear winter day is something special — not only will you get a great view over the water, but be treated to the spoils of a Tassie winter. Expect a menu that makes the most of the abundant and rich produce available in winter like cauliflower, beetroot and brussels sprouts along with treats like oysters and black truffle. TEMPLO — HOBART Tucked away in the back streets of Hobart, Templo is all about intimacy. Which makes it a dream find on a cold winter night. Eating at this 20-seat restaurant feels as if you're at a friend's dinner party, with the exposed brick walls, low hanging lights and close quarters creating a warm atmosphere and cheerful vibe. Choose from a concise list of unique wines, and look to the large blackboard for the ever-changing, seasonal food offering. But while the dishes rotate often, they have a consistently Italian flair to them that's unmistakable and are all made with the freshest produce. If it's available, the gnocchetti with crunchy fried bread will knock your socks off. While seemingly simple, Templo is about shared food, unique wines and a solid communal vibe, making it a charming neighbourhood stalwart and an absolute must during Tasmanian winters. FRANKLIN — HOBART There's a confidence to Franklin that's reflected in every aspect of the restaurant. The contrast of the raw, exposed concrete interior and the soft kangaroo hides and heated floors (which are a real godsend when you step in from the cold) elevates the large space from a classy wine bar to something unexpectedly elegant. Housed in an old Ford showroom within Hobart's historic Mercury Newspaper Building, Franklin is the epitome of industrial-chic. And it's not just the interior design that's special — the food is distinctive, too. With one of Australia's most talented young chefs, Analiese Gregory, and a ten-ton woodfired scotch oven both in the open kitchen, the restaurant serves a menu featuring a made-from-scratch mentality. Everything occurs on-site — whole beasts are broken down, bread is baked daily, cheeses are made and meats are cured. It's a feast for both the eyes and the tastebuds that truly champions local produce. GERONIMO APERITIVO BAR AND RESTAURANT — LAUNCESTON The second you walk into Launceston's Geronimo Aperitivo Bar and Restaurant, your winter blues will disappear. Packed with old-school charm, the space is adorned with Carrara marble, recycled timber, Greek metals, Italian ceramics and lots of warming Euro food on every table. Each dish is designed to share, so it's best to cosy up with some mates and order up. When it's cold outside you'll want to make a beeline for the confit duck leg — which is spiced with orange and star anise and comes with hazelnuts and cabbage — or maybe the fried polenta dumplings and a serve of winter veg. The bar's cherry-tinted take on the manhattan will send you home warm, full and slightly boozed. DIER MAKR — HOBART Dier Makr is made for winter. Broody and a little bit dark, the eatery sits within a large, nondescript, grey building. It doesn't exactly scream "this is one of the best restaurants in town" — but that's beside the point. Once you've found your way inside, you'll find a sleek, intimate bistro and bar where a playful degustation menu will take you on a journey of the senses. Try the seared mussels with chicken fat and mizuna-spiked golden ale. And opt for the cauliflower cooked so many different ways — you'll never look at the humble vegetable the same. Dier Makr is all about showing off the best Tasmanian produce, with a selection of natural and minimal intervention wines to match. Plus, there's a walk-in cellar if you want to bring back a souvenir. Top image: Stillwater, courtesy Tourism Tasmania and Rob Burnett.
You know a show is a big deal when you have to Google whether the musician is still alive or not. Thankfully for us, the legendary tambourine man is still very much alive and kicking. And, to celebrate his 73rd birthday yesterday, Bob Dylan has announced a month-long run of Australian and New Zealand tour dates to kick off in August. Though this birthday would signify the age of retirement for many, this world-renowned singer-songwriter is showing no signs of slowing down. Having last toured the country with his 2012 album Tempest, Dylan has recently been leaking new content on his website. After releasing a cover of Frank Sinatra's 'Full Moon and Empty Arms', some have suggested the prolific musician's next album — number 36 — could be a compilation of covers. Either way, it'll be a treat to see this living legend perform live. But be sure to get in early! With an iconic sound that has spanned generations, these all ages shows are bound to sell out quick. Tour dates: Saturday, August 9 - Claudelands Arena, Hamilton. Wednesday, August 13 - Riverside Theatre, Perth. Thursday, August 14 - Riverside Theatre, Perth. Monday, August 18 - Palais Theatre, Melbourne. Tuesday, August 19 - Palais Theatre, Melbourne. Monday, August 25 - Brisbane Convention and Exhibition Centre, Brisbane. Friday, August 28 - Royal Theatre, Canberra. Sunday, August 31 - Entertainment Centre, Adelaide. Wednesday, August 3 - State Theatre, Sydney. Thursday, September 4 - State Theatre, Sydney. Wednesday, September 10 - CBS Canterbury Arena, Christchurch. Tickets for the Australian shows go on sale Tuesday, June 3 at 9am via Ticketek and Ticketmaster.
With Snapchat, Facebook Live and Instagram Stories, we thought we'd already seen peak selfie. But last week Nokia unveiled its new flagship device, the Nokia 8, which has been built for just that: streaming selfies. The brand new smartphone is primed for personal content sharing, with world-first technology that allows use of its front- and rear-facing cameras simultaneously. Dubbed the 'bothie' by Nokia, this feature uses the phone's dual sight mode to pull footage from both cameras into a split-screen visual, which can be live-streamed in real-time to your social feeds. You can record what's in front of you and your reaction to it for your fans (read: mum) to watch — most probably on Facebook Live or Instagram Stories. It's a cool little spec for sure, but, as the phone's flagship feature, we can't help but feel Nokia is differentiating the 8 through trend rather than technology. After all, the phone's longevity relies on selfies being a thing. But while the popularity of this bothie feature has a limited lifespan, the phone itself might just have enough to keep you hooked, even after you've grown bored of live-streaming your entire existence. For this device, Nokia has worked with ZEISS optics for the first time to ensure both front and back cameras are as slick as can be. The Nokia 8 is also first smartphone to feature Nokia OZO Audio to capture and play audio with 360-degree surround sound — a function that'll really take those 4K videos to the next level. It 64GB storage and also includes unlimited uploads to Google Photos. The device runs smoothly on Android — much like the Google Pixel — and is powered by the Qualcomm® SnapdragonTM 835 Mobile Platform. A bit longer than in iPhone, it feels nice in the hand and is engineered with a graphite-shielded copper cooling pipe to suck out the heat and keep it running without overheating. The best part about the phone is that is will retail at $899, which is a bit cheaper than many of its competitors — the iPhone 7 128GB and Samsung Galaxy S8 64GB currently retail for round $1200. The Samsung has just announced the Note 8, which is expected to be even more expensive, while Apple will announce the new iPhone 8 early next month. It will be interesting to see how the Nokia 8 compares to the new release of iPhones — but if you're looking for a usable Android phone at a reasonable price, the Nokia 8 is a really solid contender. The Nokia 8 is available now for pre-order from JB Hi-Fi and Harvey Norman for $899. By Libby Curran and Lauren Vadnjal.
When you've fought for your life, plus a massive cash prize, while donning a green tracksuit, you're probably not going to shake off the deadly endeavour easily. So shows the latest teaser trailer for Squid Game season two. Lee Jung-jae (The Acolyte) is back as Gi-hun, and there's a familiar face — or mask — at his door, awakening him from a restless slumber. Soon, he's back on bunks as competitor 456. Let the games begin — again. Following a three-year wait since its award-winning first season, and after teasing the show's 2024 return since January, Squid Game will start playing once more on Boxing Day. If you usually spend the day after Christmas shopping, at the cinema or recovering from your food coma by trying to play backyard cricket, you now have other plans if you want to catch the next instalment of the South Korean thriller ASAP. It was back in August that Netflix not only advised when its huge 2021 hit — one of the best new TV programs of that year, in fact — will finally make a comeback, but also announced that there's even more in store. After Squid Game season two arrives on Thursday, December 26, 2024, Squid Game season three will drop sometime in 2025. There's no exact date for the latter as yet, but it will be the final season, closing out the Squid Game story. The streaming platform revealed both pieces of news with a date announcement teaser that featured a running track, competitors in recognisable green tracksuits, and also-familiar folks in red watching on alongside the masked Front Man — and with a letter from series director, writer and executive producer Hwang Dong-hyuk. Now, Netflix has dropped its next sneak peek at the second season — including at new games. Also back: Gi-hun's nemesis (Lee Byung-hun, The Magnificent Seven). If you're wondering what else is in the works after the hefty gap — Squid Game was such a huge smash in it first season that Netflix confirmed at the beginning of 2022 that more was on the way, and also released a teaser trailer for it the same year, before announcing its new cast members in 2023 — a few further details were dropped earlier in the year. That's when Netflix previously unveiled a first brief snippet of Squid Game season two in a broader trailer for Netflix's slate for the year, as it releases every 12 months. In the footage, Seong Gi-hun answers a phone call while at the airport sporting his newly crimson locks. He's soon told "you're going to regret the choice you've made". Cue his statement of vengeance; Squid Game meets John Wick, anyone? Wi Ha-joon (Little Women) is also back as detective Hwang Jun-ho, as is Gong Yoo (Train to Busan) as the man in the suit who got Gi-hun into the game in the first place. A show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount, which means that new faces were always going to be essential in Squid Game season two — so that's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. If you somehow missed all things Squid Game when it premiered, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. Accordingly, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Here, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out the latest teaser trailer for Squid Game season below: Squid Game season two streams via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: Netflix.
Every December, fans of sparkling sights are gifted a luminous feast for their eyes. No, we're not talking about Christmas lights. Regardless of whether you're bathing in a festive glow or hardly fond of all the merriment, 'tis the season for the Geminids meteor shower to soar through the sky. It began on Wednesday, December 4 and finishes for 2024 on Friday, December 20. Even better: Down Under, it's at its peak on the evening of Friday, December 13 and the morning of Saturday, December 14. If you have a telescope at hand, it's clearly a great time to put it to use. Eager to catch a glimpse, even from just your backyard or balcony? Here's everything you need to know. [caption id="attachment_927790" align="alignnone" width="1920"] A composite of 88 photos taken over 60 minutes during the Geminids by Paul Balfe via Flickr.[/caption] What Is It? Lighting up the end-of-year skies, the Geminids meteor shower is considered the most spectacular meteor shower of the year. Again, Christmas lights aren't the only spectacle worth peering at this month. The Geminids is caused by a stream of debris, left by an asteroid dubbed the 3200 Phaethon, burning up in Earth's atmosphere — and it was first observed in 1862. Some years, you can catch as many as 150 meteors every 60 minutes, so this definitely isn't just any old meteor shower. [caption id="attachment_882304" align="alignnone" width="1920"] ESO/G. Lombardi via Wikimedia Commons[/caption] When to See It The 2024 shower kicked off on Wednesday, December 4, and runs through till Friday, December 20. As with every year, it's at its peak in Australia overnight mid-month — between Friday, December 13–Saturday, December 14, specifically. If you fancy a stint of stargazing, the best time to look up is on Saturday, December 14 from around 3.08am in Brisbane, 3.30am in Perth, 4.01am in Sydney, 4.13am in Melbourne and 4.18am in Adelaide — all local time. [caption id="attachment_699423" align="alignnone" width="1920"] NASA, Marshall Space Flight Center, Jeff Dai.[/caption] How to See It For your best chances, it's worth getting as far away from bright lights as possible. This could be a good excuse to head out of the city to a clear-skied camping spot — and pray for no clouds. To see the meteors, you'll need to give your eyes around 15–30 minutes to adapt to the dark (so try to avoid checking your phone) and look to the northeast. The shower's name comes from the constellation from which they appear to come, Gemini. So that's what you'll be looking for in the sky. To locate Gemini, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also has a table that shows the direction and altitude of the Geminids. The Geminids meteor shower runs until Friday, December 20, 2024 and will be at its peak during the night on Friday, December 13–Saturday, December 14. For further details, head to Time and Date. Top image: Asim Patel via Wikimedia Commons.
Eli Manning and the Giants. Tom Brady and the Patriots. No, we're not talking indie alternative pop rock folk jam bands. We're talking football, of the American variety. Yesterday, New York rose up and once again again beat New England to take out the biggest sporting event of the year. In what has been dubbed by some as the greatest Super Bowl of all time, it was, as usual, the half time antics and ad breaks that captured the imaginations of those outside of the 50 US states. This year's Ad Bowl, the name given to 'the battle of the big ads', was taken out by Volkswagen, who charmed audiences with 'The Force' last year. This year's winner, 'The Dog Strikes Back', pipped Doritos to make VW the most talked about brand of Super Bowl XLVI. Relief for their marketing team, no doubt; the average 30 second ad slot goes for US$3.5 million. Here are the ten best ads of 2012 for your viewing pleasure. https://youtube.com/watch?v=0-9EYFJ4Clo 1. Volkswagen - The Dog Strikes Back https://youtube.com/watch?v=y3bqbJduK2w 2. Doritos - Man's Best Friend https://youtube.com/watch?v=hyFWSys3TJU 3. Bud Light Rescue Dog https://youtube.com/watch?v=P6C2G5I1Z1g 4. M&M's - Ms. Brown https://youtube.com/watch?v=MlYCBJSYWBQ 5. Skechers - Mr. Quiggly https://youtube.com/watch?v=4GIeIpcRv7o 6. Doritos - Sling Baby https://youtube.com/watch?v=VhkDdayA4iA 7. Honda - Matthew's Day Off https://youtube.com/watch?v=tFAiqxm1FDA 8. Chrysler - Clint Eastwood Halftime https://youtube.com/watch?v=lHZbXvts0LE 9. Kia - Dream Car https://youtube.com/watch?v=Ae52ourE3Pw 10. Chevy - Happy Grad
When it comes to street art exhibitions, it really doesn't get any bigger than this. A retrospective of Banksy's work is making its way to Australia, featuring more than 80 of the artist's off-street masterpieces. From October 7 to January 22, The Paddock in Melbourne's Federation Square will play host to The Art of Banksy, a massive collection of pieces by the art world's chief enigma — including the darkly satirical, overtly political work that has turned the stencil-loving artist into such an infamous icon. Endeavouring to take audiences on a journey through Banksy's output and mindset, the exhibition will include the well-known Girl with Balloon, Flag Wall and Laugh Now pieces, as well as three efforts that have never before been displayed to the public. If it sounds epic, that's because it is. The art featured has been sourced from over 40 different private collectors around the world, and comprises the largest showcase of Banksy pieces to ever make its way to our shores. As curated by the artist's former manager Steve Lazarides, the exhibition is also a little controversial. While every piece is original, unique and authentic, The Art of Banksy proudly boasts that the entire show is 100% unauthorised. No, Banksy hasn't signed off on the event. As well as displaying Banksy's work in a custom-built enclosure, The Art of Banksy will also shine a light on a range of pieces by well-known and emerging local street artists. Expect to find them on the surrounding external surfaces and the inside walls of the exhibition's own Circle Bar, which will serve craft beers and cocktails. Outside, the Welcome to Thornbury team will corral a heap of food trucks into an area called 'The Railyard'. Plus, on Friday nights and Saturday arvos, DJs will also provide appropriate tunes to suit the occasion. Of course, Melbournites will know that this isn't the mysterious figure's first dalliance with the city. The artist's stencils have popped up around the city previously courtesy of a visit in 2003, though many have been destroyed and damaged in the years since. The Art of Banksy will run from October 7 to January 22 at The Paddock in Federation Square, Melbourne. For more information or to buy tickets, visit the exhibition website.
