As the force behind Cake Wines, Glen Cassidy has been shaping Sydney's epicurean side for six years now — and enjoying partaking in it as well. The brand is known for getting involved with the city's cultural events, while the man himself is full of tips and praise for Sydney's dining and drinking scene — particularly Redfern, the evolving inner-city suburb where Cake Wines opened its own cellar door in 2016. In partnership with Pullman Hotels and Resorts, we're helping you explore more on your next holiday and make sure you get those experiences that the area's most switched-on residents wouldn't want their visitors to miss. In Sydney, we've called in Glen, whose favourite spots range from the restaurant that's home to Gourmet Traveller's 2018 Chef of the Year to the joint slinging his favourite burgers in town. A stay in one of Pullman's two locations in central Sydney — Hyde Park and Quay Grand Sydney Harbour (there's also two more at Sydney Airport and Sydney Olympic Park) — will not only put you in the thick of all this action, it will let you rest and digest in five-star luxury at the end of the day. Read on for Glen's top Sydney food hot spots in his own words, and check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. ESTER The team at Ester in Chippendale are big supporters of interesting wines — mostly natural, I think. The food is simple, but with what seems like a few very personal twists by the 2018 Gourmet Traveller Chef of the Year, Mat Lindsay. These guys have got the "local undiscovered but always full" vibe totally dialled. I love going there and sitting at the bar, with a couple of share plates and a few vinos. I've had some memorable afternoons there with Cake staff over the years. HUBERT Best in the game? Probably. The wine list, the menu, the atmos — CBD restaurant Hubert is a reimagining of classic dining, but without the stiffness that often accompanies food and wine this good. Hats off to the team (the Swillhouse Group, also behind Sydney establishments Shady Pines Saloon and the Baxter Inn) who have created this special place, and to the crew who work there. They deliver killer service and vibe, week in, week out. CAKE WINES CELLAR DOOR Yep, ok, I'm biased, but our Cellar Door in Redfern captures everything we love about food, wine and culture in this city. We have all our wines, different cultural programming each week, a solid selection of simple pizzas and charcuterie — all in a beautiful space down on Eveleigh Street. Vibes are always high at the Cellar Door as Redfern continues to evolve, and we're super proud to be part of it. ACME What's not to like? Acme in Rushcutters Bay boasts simple but creative cooking, a banging wine list, great staff and just an all-round vibe. Their creative approach to Italian food means you'll see dishes like cold spaghetti with okra, sesame and ponzu, and pig's head macaroni with egg yolk. We recently had a staff night out there for the launch of Ochota Barrels' new wines and the food was beautifully matched. No wonder they've just been awarded one hat by the Good Food Guide. REDFERN CONTINENTAL AND GDR Legends of the game. Redfern Continental presents a near-perfect example of casual dining, with a hidden gem of a night spot out the back. A complement to the pan-European offering in front, Gunther's Dining Room (aka GDR) is loosely East Germany themed, with curywurst and traditional German hotdogs on the bar menu. Factor in a killer wine list with selections from all around the world, and you've got it made here. $1 Oysters on Sundays in the bar are a must. This place is a regular haunt for Cellar Door staff. Redfern on the come up! SUPERIOR BURGER I grew up near this joint, so I am fond of the crew that is making such a positive contribution to the rapidly changing region that is Western Sydney. In a city overrun with burgers, I can hand on heart say these guys are the best I've tasted by far. The love, skill, energy and drive Jovi [chef Jovan Curic, formerly of Pub Life Kitchen] and the crew have for creating the best-tasting burgers comes out in spades. Get in your car and head to Wakeley — you will not regret it. HANOI QUAN Hanoi Quan offers a truly authentic northern Vietnamese experience. It's been at this spot in Marrickville since forever and gives nothing away from the outside. Had it not been introduced to me by the one and only DJ Arno, I wouldn't know about it, and I can honestly say my life would not be the same had I not tried their signature combination pho and grilled pork vermicelli. BART JR A new kid on the block in Redfern, Bart Jr is a cosy little joint that is quickly becoming my go-to. They have a great wine list (I drank a bottle of Piss Christ there only last week!), plus a fresh and simple menu that changes weekly. Do yourself a favour and stop by today. George, Anne [George Woodyard and Anne Cooper from Scout's Honour and Morris] and the crew have brought something special to the area for sure. DA ORAZIO PIZZA + PORCHETTA Food + wine + music = vibe. It's a hard combo to nail but full respect to Maurice [Terzini, the restaurateur who is also behind Icebergs] and the crew who balance this beautifully (shouts to Picnic on the bookings!). The Napoli-style pizza is made from dough that's left to rise for 48 hours before heading to the woodfire stove, while a whole Berkshire pig hits the spit roast every day (explaining the titular pizza and porchetta). Bondi needs more joints like this. FATIMA'S LEBANESE RESTAURANT Ok, this is the straight-up best "late night on the way home and don't want to get something gross" spot around. We are talking next-level Lebanese food. When it comes to takeaway, kebabs are as legit as they come, served by a proper maestro who has been there since as long as I can remember. Get the lot with chilli sauce, hummus, tabbouleh and salad. Fatima's will make sure you arrive home in one piece. Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=ufBK5XheeCU THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART It starts with the disco beats of 'Stayin' Alive' echoing through the cinema. Although he doesn't ever phrase it quite so bluntly, it ends with surviving Gibb brother Barry wistfully and wishfully applying that song's title to his siblings and fellow Bee Gees members Robin and Maurice. In-between, career-spanning documentary The Bee Gees: How Can You Mend a Broken Heart steps through all of the band's ups and downs — from the group's humble beginnings when its members were growing up during the British-born trio's childhood stint in Brisbane, to the rollercoaster ride that saw them top the music world several times but also endure time both apart and off the charts. As tales of fame, fortune and trying to survive go, this one has everything, including brotherly rivalries, tabloid-fodder weddings, shock splits and comebacks, and drugs and the stereotypical celebrity lifestyle. It also spans a public call for their music, and the disco genre they were virtually synonymous with in the late 70s thanks to the mega-hit Saturday Night Fever soundtrack, to be literally blasted into smithereens. Through candid recent chats with Barry, as well as the use of archival interviews with Robin and Maurice before their deaths, director Frank Marshall (Arachnophobia, Alive) details it all. From early success 'Spicks and Specks' (aka the song now used as a theme tune for the TV quiz show of the same name) through to the post-Saturday Night Fever single 'Tragedy' — and yes, featuring the track that gives the movie its title as well — How Can You Mend a Broken Heart surveys the band's enormous contribution to music, of course. Getting a Bee Gees' song stuck in your head, or several, is part of the experience of watching. So is instantly imagining how tunes such as Diana Ross' 'Chain Reaction' and Dolly Parton and Kenny Rogers' 'Islands in the Stream' would've sounded if the Gibbs had sung as well as penned them in their second life as hit songwriters for other acts. But, whether you've cut a rug to 'You Should Be Dancing' before or you've only ever paid attention to their music in passing, what resonates in this thorough documentary is its candour and its detail, especially when it is focusing on Barry, Robin and Maurice's brotherly relationship and their artistry. Less successful are the intertwined interviews with other musicians, including Noel Gallagher noting that working with family can be a blessing and a curse and Chris Martin spouting mumbo jumbo about how tracks just come to musos out of the air, which always feel like superfluous padding in a fascinating and involving doco that definitely doesn't need it. https://www.youtube.com/watch?v=VFOrGkAvjAE SOUND OF METAL When Sound of Metal begins just as its title intimates, it does so with the banging and clashing of drummer Ruben Stone (Riz Ahmed, Venom) as his arms flail above his chosen instrument. He's playing a gig with his girlfriend and bandmate Lou (Olivia Cooke, Ready Player One), and he's caught up in the rattling and clattering as her guttural voice and thrashing guitar offers the pitch-perfect accompaniment. But for viewers listening along, it doesn't quite echo the way it should. For the bleached-blonde, tattooed, shirtless and sweaty Ruben, that's the case, too. Sound of Metal's expert and exacting sound design mimics his experience, as his hearing fades rapidly and traumatically over the course of a few short days — a scenario that no one wants, let alone a musician with more that a few magazine covers to his band's name, who motors between shows in the cosy Airstream he lives in with his other half and is about to embark upon a new tour. That's not all the film is about, though. Ruben's ability to listen to the world around him begins to dip out quickly and early, leaving him struggling; however, it's how he grapples with the abrupt change, and with being forced to sit with his own company without a constant onslaught of aural interruptions distracting him from his thoughts, that the movie is most interested in. With apologies to cinema's blockbusters (which usually monopolise the sound categories come Oscars time), no other feature this year mixes its acoustics together in as stunning and stirring a fashion, and also bakes every single noise heard into its script, and its protagonist's journey, as well. As Ruben takes up residence at a rural community for addicts who are deaf, it expresses Ruben's distress at his situation as immersively as possible; 'intense' is the word for Sound of Metal, but it's also a term that doesn't completely do the movie justice. Making his feature directing debut, and co-writing another screenplay with filmmaker Derek Cianfrance as he did with 2012's The Place Beyond the Pines, Darius Marder turns his picture into a masterful exploration and skilled evocation of the kind of anxiety that's drummed deep into a person's darkest recesses. Viewers don't just hear what Ruben hears, but also feel what he feels as he rages and rallies against a twist of fate that he so vehemently doesn't want yet has to live with. While the film specifically depicts hearing loss, it's so detailed and empathetic in conveying Ruben's shock, denial, anger and hard-fought process of adjustment that it also proves an astute rendering of illness and impairment in general. That's Ahmed's recent niche, as also seen in this year's Berlinale-premiering Mogul Mowgli, and his powerfully physicalised performance shows the fight and fortitude required for Ruben to learn to cope. Sound of Metal is screening in select cinemas in Sydney, and is also available to stream via Amazon Prime Video. Read our full review. https://www.youtube.com/watch?v=TJ0jBNa6JUQ THE PROM A word of warning to filmmakers eager to make the next big on-screen musical: cast James Corden at your peril. It may now seem like a lifetime ago that Cats proved a gobsmacking catastrophe, but that 2019 movie's horrors are impossible to shake — and while Corden's latest, The Prom, thankfully doesn't resort to repeating the word 'jellicle' over and over again to try to convince the world that it means something, it still follows in the feline-focused flick's paw prints as this year's all-singing, all-dancing misfire. The two films' common star is grating and relies upon gratuitous overacting in both features. He's hardly alone in bombing and flailing, though. In The Prom's case, a 2018 Broadway success with an important message about acceptance and being true to one's self has been transformed into an over-long star vehicle, as well as a movie that can't see past its sequin-studded pageantry and smug attitude to actually practise what it preaches. Its continually, needlessly and irritatingly circling cinematography captures its struggles perfectly, because The Prom is too caught up in shiny things, recognisable faces and disposable songs to let everything that should matter, including its main statement, have any real impact. Miscast from the get-go, Corden plays Barry, a Broadway veteran playing second fiddle to multi-Tony-winning drama diva Dee Dee (Meryl Streep, Little Women) in Eleanor!, a new production about former US First Lady Eleanor Roosevelt. Initially, the pair is on top of the world after the show's opening night — but then the reviews start piling in and piling on. Distraught from the critical savaging as they drown their sorrows with perennial chorus girl Angie (Nicole Kidman, The Undoing) and Juilliard-trained actor-turned-sitcom lead-turned bartender Trent (Andrew Rannells, The Boys in the Band), they concoct a plan to get back in the showbiz industry's good graces. Scrolling through Twitter, Angie spies a news story about Indiana teenager Emma (feature debutant Jo Ellen Pellman), whose high school has just completely cancelled the prom because she wanted to bring her girlfriend. As quick as a burst of confetti, Barry, Dee Dee, Trent and Angie are on a Godspell tour bus to America's midwest to rally against this injustice and whip themselves up some flattering publicity. In the screenplay written by Bob Martin and Chad Beguelin, both of whom worked on the original stage production, this is all meant to be a joke: that fading, has-been and never-were celebrities shallowly and calculatingly try to use one young woman's horrific plight for their own gain, that is. But The Prom likes the gag so much that it misguidedly decides that favouring stars over substance is the best approach in general. The Prom is screening in select cinemas, and will also be available to stream via Netflix from Friday, December 11. Read our full review. https://www.youtube.com/watch?v=ykWO1FhqTfo THE TROUBLE WITH BEING BORN For decades across the page and screen, science fiction has pondered just where artificial intelligence might take humanity, in ways both positive and negative. The field of science has as well, making some of those possibilities a reality already — however, as The Trouble with Being Born makes clear, we shouldn't just be wondering what AI can do for us, but also what it will and does reflect about our nature. This Berlinale-premiering feature from Austrian director Sandra Wollner asks a plethora of questions, all of them difficult and provocative, about the role of robots in our future. It explores the possibility of becoming dependent on android substitutes for human contact, including in acceptable and abhorrent situations, and examines the emotional toll for both sides of the relationship. With a steely look that's purposefully disconcerting, an opening scene that aims to assault and disrupt the audience's senses to leave them interrogating and intricately observing everything in front of them, and a willingness to pose a severe worst-case scenario (by implication, rather than gratuitous detail), The Trouble with Being Born aims to make its audience uncomfortable while probing these thorny ideas. That it initially focuses on a ten-year-old android girl called Eli who is deployed by her flesh-and-blood owner as a stand-in for his runaway daughter speaks volumes. In Australia, The Trouble with Being Born will always be marked by controversy. It's the movie that the Melbourne International Film Festival scheduled for its 2020 online-only event, then pulled from its lineup after a backlash caused by an article in The Age, which quoted concerns by forensic psychologists specialising in child abuse cases who had either not watched the film in full or at all. But Wollner's feature has taken great pains to approach its subject carefully and sensitively — its child star, Lena Watson, goes by a pseudonym, and is disguised in the movie by under a silicone face mask and via CGI — and to engage viewers in an unnerving but intelligent series of questions about its topic and scenarios. While it rarely makes for straightforward viewing, it's also one of the year's essential films. It is cinema's place to challenge, and to examine aspects of life that are tough and unpleasant; making her second full-length movie after 2016's The Impossible Picture, Wollner accepts and embraces that task. She explores identity and memory as well, and the role in the latter in shaping the former. And, she adds a film both distinctive and important to the growing list of works (see also: AI, Her, Ex Machina, Blade Runner and Blade Runner 2049) that ponder what the creation and use of AI says about humanity. https://www.youtube.com/watch?v=zi2MK9K1hxc THE GODFATHER CODA: THE DEATH OF MICHAEL CORLEONE The Godfather saga might eventually gain a new chapter. In this time of constant remakes, reimaginings and decades-later sequels, absolutely nothing can be discounted, after all. But The Godfather Coda: The Death of Michael Corleone isn't a new addition to the gangster epic. Rather, it's a recut version of 1990's The Godfather Part III, aka the least acclaimed movie in the Francis Ford Coppola-directed trilogy. As his multiple versions of Apocalypse Now have shown over the years, the filmmaker has a penchant for tinkering with his past work. We've all looked back and wished we could do something over gain, so he's doing just that (last year, he not only released another new version of his Vietnam War masterpiece, but of The Cotton Club as well). Here, by renaming the revised third Godfather movie Coda, he's repositioning as well as re-editing, though. Coppola is telling the world that he sees this feature less as a second sequel and more as an epilogue to the first two exceptional Godfather movies — a message that might seen a bit cheeky, especially given how much this new iteration has in common structurally with the first film, but encourages viewers to give The Death of Michael Corleone more distance from its two Oscar Best Picture-winning predecessors than its has otherwise been afforded. Both upon its release three decades ago and again now, Coppola's third Godfather film doesn't match his first two. It suffers from Robert Duvall's absence, after the studio wouldn't pay him what he asked for to return a third time — and also from Sofia Coppola's inexperienced presence, with the On the Rocks director co-starring as Mary Corleone, daughter to Al Pacino's titular Michael, after Winona Ryder dropped out just before shooting started. But it's still an interesting, ambitious and mostly engaging movie, endeavouring to chart the struggle its eponymous figure endures as he tries to divest himself from illicit dealings and go legit. If you've ever heard the oft-quoted line "just when I thought I was out, they pull me back in", you'll know that achieving this plan isn't easy. Also on the elder Coppola and writer Mario Puzo's minds here: how that back-and-forth struggle between the life one knows and the better future they've been striving for ripples down through later generations, as seen through the inclusion of Andy Garcia as Michael's hotheaded nephew. The changes made to turn The Godfather Part III into The Godfather Coda: The Death of Michael Corleone are minor, other than the astute moving of one pivotal scene from partway through to the film's beginnings; however, as intended, it welcomely forces a revisit and re-evaluation with fresh eyes. https://www.youtube.com/watch?v=47ooNWugxRE OLIVER SACKS: HIS OWN LIFE Three decades ago, one of neurologist and writer Oliver Sacks' books was turned into a film. Drawn from his time in the late 60s treating patients with encephalitis lethargica — people catatonic thanks to a pandemic that spread around the world between 1915–26, and still hospitalised across all those intervening years — Awakenings brought an astonishing true tale to the screen, with Robin Williams playing Sacks' on-screen surrogate and Robert De Niro co-starring as one of the afflicted. The work that led to the text, and the fact that it was adapted into a movie, are both significant achievements. But Sacks' life was filled with many remarkable acts, deeds and successes. He passed away in 2015 aged 82; however, documentary Oliver Sacks: His Own Life assembles a wealth of footage shot as he was facing his end and looking back on his ups and downs. Days after he was diagnosed with terminal cancer earlier that year, he penned an article for The New York Times, called My Own Life, about learning the news — and that same year he published an autobiography, On the Move: A Life — so sharing his thoughts to camera, and stepping through the ebbs and flows of his life that brought him to that junction, was a natural extension of a reflective process he was already going through. There's much to look back on; Sacks might've dedicated his medical career to getting inside the minds of others, and to advancing the understanding of many conditions that affect the brain, but his own life could inspire a comparable wealth of material. Consequently, filmmaker Ric Burns (Made for Each Other: A History of the Bond Between Humans and Dogs) has the job of synthesising the abundance of incidents and details from his subject's eight-decade existence into a thorough and accessible 111-minute film — a considerable feat, but one he masters. Whether you're familiar with Sachs and have read his popular books, you only know him via Awakenings or you're a complete newcomer to his tale, His Own Life unfurls not just the requisite biographical data, but a true sense of spending time in Sachs' inimitable, always-curious, incessantly-thoughtful company. That, and his outlook as he was forced to face the end of his days, are the gifts this doco gives audiences. Sachs' friends and colleagues all pop up as talking heads, offering their recollections and thoughts as well, with Burns structuring his picture in a straightforward fashion — but there's nothing standard about the man at the touching movie's centre, or everything that comprised his life. https://www.youtube.com/watch?v=fv99TgifpH0 A CHRISTMAS GIFT FROM BOB The true tale behind 2016's A Street Cat Named Bob and now this year's A Christmas Gift From Bob is undeniably heartwarming, especially for anyone who has welcomed a pet — and a friendly feline at that — into their lives and been forever altered for the better. Homeless and struggling to kick a heroin habit, James Bowen finds the companionship and purpose he needs in a ginger kitty that wanders off the streets and into his flat. A firm bond is forged, and much changes for both the two-and four-legged sides of the relationship. That's the story that the first movie charted. This sequel now picks up after Bowen has become a literary success from turning his kinship with Bob into a bestselling book, although he's still busking, selling The Big Issue and working hard to get by. The struggle with both movies, however, is just how sappy and soppy everything feels at every single moment. It really shouldn't take much to be moved by Bowen and Bob's tale, but these films push the sentiment so forcefully, completely failing to trust that viewers will connect with the story without an overdose of mawkishness. It was true of A Street Cat Named Bob, and it still rings accurate in A Christmas Gift From Bob — which, as the moniker makes plain, is set during the festive season for an extra stint of heartstring-pulling. Life may have improved for Bowen (Luke Treadaway, Unbroken) thanks to Bob, but it doesn't take much to put the pair in a precarious situation. A Christmas Gift From Bob's big dramas come in the form of animal control, who threaten to take the cute cat away after they see him out with his owner in the chilly winter weather. That this happens just as Bob needs veterinary attention adds another layer, as does the easily spiral Bowen navigates due to living on a financial knife's edge. In a nicely drawn performance, Treadaway gives his role more depth than either director Charles Martin Smith or writer Garry Jenkins ask for. Alas, that the former's resume also spans Air Bud, Dolphin Tale and its sequel, and the slushy A Dog's Way Home, is telling — as is the fact that the latter returns after penning the lacklustre first Bob film. There's no point in A Christmas Gift From Bob where it isn't advising its audience how to feel via its dialogue, warm colour scheme and sugarcoating in general. There are zero moments that recognise that Bowen's plight doesn't need to be brought to the screen in such an overt and schmaltzy manner, either, and that both his experiences with Bob and in general are inherently affecting. And, even if you're the biggest feline fancier there is, not even a famous cat (playing himself no less) can patch over the movie's troubles, although its makers clearly think otherwise. https://www.youtube.com/watch?v=fla02yFATuY HOW DO YOU KNOW CHRIS? The sounds of You Am I's 'Berlin Chair' fill its opening moments. An Ivy and the Big Apples-era Spiderbait t-shirt is given by one person to another. The Sydney Olympics are mentioned, too. Accordingly, if Australian film How Do You Know Chris? didn't inform its audience that it was set in 2000, they'd be able to hazard a very firm guess anyway. Spilling out a plethora of details, then asking viewers to piece them together: that's this Melbourne-shot and -set drama's approach. Its characters are in the same situation, after the eponymous Chris (Luke Cook, Chilling Adventures of Sabrina) invites a disparate group of people to his apartment for a party. He gives them all different reasons for the shindig, including telling his boss Shane (Stephen Carracher, The Doctor Blake Mysteries) that it's costumed. He hires a waiter to serve beverages, to keep everyone socially lubricated. But, making them wait, drink, chat, get to know each other if they don't and work through long-held grudges if they're already acquainted — with commerce student Emi (Tatiana Quaresma, another The Doctor Blake Mysteries alumnus) falling into the first category, and high school classmates Justin (Jacob Machin, The Twilight Zone), Claire (Ellen Grimshaw, Bloom) and Blucker (Dan Haberfield, Wrong Kind of Black) in the second — Luke then takes his time to show up himself. Other guests are present, such as couple Ray (Lee Mason, Miss Fisher and the Crypt of Tears) and Dot (Lynn Gilmartin, The Very Excellent Mr Dundee), plus the kohl-eyed Christal (Rachel Kim Cross, Mr Inbetween) — all with different connections to the chameleonic Luke, which get teased out over the course of the film. As a result, first-time feature director Ashley Harris and screenwriter Zachary Perez (a fellow debutant) ask a considerable amount of their cast, with the party attendees' awkward chatter and the general uncertainty they feel about the event driving the majority of the movie. As for why everyone is there, that's a tense puzzle for How Do You Know Chris?'s on-screen figures, but not its viewers. While there's weightiness to the idea of someone taking stock of their existence by inviting key people who've made a mark on their life to the one gathering, and to the big reveal when Luke's guests discover the purpose of the shindig, the movie nonetheless feels overstretched. Still, for its first two-thirds, this low-budget Aussie effort makes the most of its main players, the suspense they're saddled with and the movie's apartment-set cinematography. https://www.youtube.com/watch?v=n-0bUxBs8lE THE WAR WITH GRANDPA There is very little that's impressive about The War with Grandpa, which is based on Robert Kimmel Smith's children's novel of the same name, other than its ability to repeatedly remind viewers that its adult leads have been in much, much better movies. The film not only nods to the Robert De Niro-starring Taxi Driver, but reunites him with his The Deer Hunter costar Christopher Walken. It has Uma Thurman playing the nagging mother of a black bob-wearing teenager called Mia (Decker, not Wallace, but the elbowing in Pulp Fiction's direction can't be accidental). These inclusions are meant to satiate adult audience members either watching along with their children, or just watching in general. Really, though, they just stress that this'll never rank among the standouts on De Niro, Walken or Thurman's resumes. It's unfair to compare The War with Grandpa with any of their career highlights, of course, but aside from its recognisable cast, this family-friendly comedy about a kid who overreacts when his grandfather moves in and takes over his bedroom doesn't boast anything other than overplayed and overly formulaic inanity. It's supposed to garner laughs from all ages; however, older viewers are unlikely to even crack a smile and kids 100-percent deserve more. After widower Ed (De Niro) has trouble with a supermarket self-checkout, accidentally becomes a shoplifter and causes a scene, his daughter Sally (Thurman) decides that it's time for him to live with her family instead of on his own. But her son Peter (Oakes Fegley, The Goldfinch) has to relocate to the attic to accommodate the household's new member and, really just because the movie's premise wouldn't work otherwise, he's brattishly unhappy about the change to the point of acting out. He declares war, in fact, even going as far as penning a letter announcing his plans — and soon grandpa and grandson are both engaged in a battle of escalating pranks over turf. While De Niro has plenty of forgettable features to his name (see also: this year's The Comeback Trail), he's also taken enough roles that just require him to be silly that his casting in films like this is no longer anywhere near funny. And director Tim Hill has a long history working on SpongeBob SquarePants, including helming this year's entertaining The SpongeBob Movie: Sponge on the Run, so it is easy to see why he was drawn to the project — this storyline would've likely worked well in an animated format, set under the sea, and with that zany critter facing off against a nemesis — but there's not even the slightest trace of engaging goofiness here. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12, November 19 and November 26. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle, The High Note, On the Rocks, The Trial of the Chicago 7, Antebellum, Miss Juneteenth, Savage, I Am Greta, Rebecca, Kajillionaire, Baby Done, Corpus Christi, Never Rarely Sometimes Always, The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour and Happiest Season. Images: The Bee Gees: How Can You Mend a Broken Heart courtesy of Ed Caraeff/Getty Images/HBO; The Prom via Melinda Sue Gordon/Netflix.
First birthdays are not all pleasant. Banal observations like "I can't believe it's only been a year!" fly out of people's mouths as unwelcomely as the projectile vomit now covering your brand new button-up (thanks, birthday boy). But upon hearing that Spotify Australia turned one today, we couldn't help but join the chorus of disbelief. It's only been a year? Really? It's hard to remember life before Spotify. The days of trying to 'unmax out' your maxed-out credit card before clicking 'purchase'. Of artists watching through tears as their life's work is torrented to the masses. A year later, it's hard to imagine anything other than clicking that little green button to soak our ears in unlimited, legal music juice. We might not yet have struck the perfect balance between access for audiences versus payment for artists, but it feels like we're getting closer. So for that we'd like to say 'Happy Birthday, Spotify'. Now today, just like the last occasion on which you celebrated a first birthday, is all about gushing and goggling over pretty pictures. And, proud mother that she is, Spotify Australia has shared this super-amazing infographic which you just have to see. The stats are pretty friggen incredible — Australian Spotify users have streamed a mammoth 42.5 million hours of music and have created over 14 million playlists over the past 12 months. (That's over 4000 years of music — which, if played in order, would take about 50 generations to finish. We're talking 6013, guys.) Of those 14 million playlists, over 240,000 playlists have been created about love, romance and/or sex; 150,000 for exercise; and 65,000 for getting through the work day. Also, a whopping 230,000 were created for travel. So if you've ever wanted to scream, "I get it, arts student, your European experience makes you singularly unique", you at least have proof that their playlist probably wasn't. American duo Macklemore & Ryan Lewis and Icelandic indie-pop-folksters Of Monsters and Men dominated our listening habits, taking out Most Streamed Artist and Most Streamed Track/Album respectively. We can now also confirm that Australians like Flume. A lot. Not only was he the most streamed local artist, but he took out three of the top five local tracks of 2012/13. This had little to do with the Spotify habits of Prime Minister Julia Gillard, who eschewed the young producer for the likes of Bruce Springsteen and Midnight Oil. We can't confirm if Julia actually enjoys Midnight Oil or is just playlisting them for the unity of the federal front bench.
Australia has hosted some seriously heavy-hitting theatre shows of late. This year, we put on productions of internationally acclaimed musicals Book of Mormon, Chicago, Charlie and the Chocolate Factory and Saturday Night Fever — and next year is shaping up to be even more impressive. We have five more award-winning productions landing on our shores in 2020 — including a childhood favourite reimagined and one on a floating stage — though not all of them will make the rounds through Sydney, Melbourne and Brisbane. So, if you can score tickets before they sell out, each and every one is worth travelling interstate for. HARRY POTTER AND THE CURSED CHILD, PRINCESS THEATRE, MELBOURNE To say that Harry Potter and the Cursed Child has been a success so far would be an understatement. Everyone's scrambling for tickets to the show at Melbourne's Princess Theatre, which has resulted in the season being extended for a second time — right up until May 17, 2020. And, if you haven't yet seen it, another round of tickets will go on sale at 11am on Thursday, July 18 (yes, this week). So, with all this hype, what exactly is The Cursed Child about? Well, it picks up 19 years after Harry Potter and the Deathly Hallows and that abominably cheery epilogue on Platform 9 3/4. Harry is now an overworked Ministry of Magic employee, and the play focuses on both him and his youngest son Albus Severus Potter as they grapple with the past and future. The production is presented in two parts, so you'll have to book into two performances — there's the option to do so either on the same day (matinee and evening) or on consecutive evenings. Each part runs for about two and a half hours. If you've waited this long, the next round of ticket sales could very well be the last, so head to the website and prep yourself to book — interstate flights can come later. When? Until March 2020 [caption id="attachment_729348" align="alignnone" width="1920"] Handa Opera's 2012 'La Traviata' by Lightbox Photography[/caption] LA TRAVIATA, HANDA OPERA ON SYDNEY HARBOUR, SYDNEY Opera on a regular stage is one thing, but opera performed on a floating openair theatre atop Sydney Harbour, under the stars? Well, that's some unforgettable stuff. Especially when it's Giuseppe Verdi's famed classic La Traviata that's being given the overwater treatment — it tells the famously heartbreaking tale of a free-spirited Parisian courtesan and her tragic love affair with a nobleman. The glamorous three-act show is the latest production announced as part of Opera Australia's Handa Opera series, set to return to this unique stage in March and April 2020. Handa Opera has pulled over 400,000 guests since debuting with La Traviata back in 2012 — and its mix of drinking and dining options, breathtaking views and nightly fireworks making it one of Sydney's must-try cultural offerings. It's also considered one of the world's best openair opera venues. Tickets go on sale from the Opera Australia Box Office this Tuesday, July 16, so grab a couple and start planning your trip to Sydney. When? March–April 2020 [caption id="attachment_726234" align="alignnone" width="1920"] Shrek the Musical by Helen Maybanks[/caption] SHREK THE MUSICAL, THE LYRIC THEATRE, BRISBANE Fancy reliving your childhood film favourites on the stage? That seems to be the current trend. Next up, Shrek the Musical is bringing its all-singing, all-dancing version of the animated movie franchise to Sydney, Melbourne and Brisbane. Expect plenty of green when this Tony and Grammy award-nominated stage show finally makes its way to our shores, after first premiering on Broadway back in 2008. While Australian cast details haven't been revealed, Shrek lovers can expect a whopping 19 songs, an obvious colour scheme and plenty of other fairy tale references. The musical will first hit Sydney in January, but we're especially excited to see it round out its Aussie reign at Brisbane's Lyric Theatre. Those 2020 dates haven't been announced just yet, but you can join the waitlist here. We reckon its the perfect excuse for a Brisbane weekender. When? 2020 [caption id="attachment_672845" align="alignnone" width="1920"] Waitress by Joan Marcus[/caption] WAITRESS, SYDNEY LYRIC THEATRE, SYDNEY Perhaps in an effort to rival Melbourne's theatre scene — which nabbed the Australian 2019 premiere of Harry Potter and the Cursed Child — Sydney has clearly upped its commitment to theatre this year. Another we're especially excited about is Waitress. It first hit Broadway in 2016 and has gone on to gain stellar reviews, numerous Tony nominations and sold-out shows night after night. Based on the 2007 movie of the same name, Waitress tells the story of Jenna, a waitress and expert pie maker who dreams of a way out of her small town and loveless marriage. Waitress won't be here until 2020 and tickets are not yet on sale, but you can get on the waitlist over here. As of now it's only coming to Sydney, but interstate patrons won't regret flying in for this one. When? 2020 HAMILTON, SYDNEY LYRIC THEATRE, SYDNEY It's won 11 Tony Awards and is one of the Obamas' favourite musical, and now Lin-Manuel Miranda's game-changing musical Hamilton is finally coming to Australia. The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. As well as its many Tony Awards, which include Best Musical, it has nabbed a Grammy Award and even a Pulitzer Prize. Hamilton will make its Australian premiere at the Sydney Lyric Theatre in March 2021. Which is a little further away than the others, but it's still worth planning for. You can sign-up for pre-sale tickets now. There's no word yet on whether it'll head to other Aussie cities later on — so, if you don't want to risk it, those located interstate should to start planning a trip ASAP — we think it'll be more than worth it. When? 2021 Top image: Handa Opera by Hamilton Lund; Hamilton by Joan Marcus.
Brad Pitt almost unrecognisable as Henry Spencer from Eraserhead. Ryan Gosling as The Invisible Man. Viola Davis as Nurse Ratched from One Flew Over the Cuckoo's Nest. If this has you intrigued, you're going to love the video exhibition that the New York Times Magazine has put together, directed by Alex Prager. In part an homage to the greatest villains from film and a showcase of some of the most talented actors we see on our screens today, each vignette is a carefully crafted moment exploring the darker side of these wicked characters. No actor speaks in the vignettes, but repetitive, spine-tingling music plays, reflected in the sinister, depraved look in each character's eyes. The camera creeps up Kirsten Dunst's body as she holds a green apple close to her lips; Glenn Close is a mysterious, almost ghostly version of Theda Bara, the silent film star. If you're a budding movie director, this could well serve as inspiration for your next horror short... See the exhibition, A Touch of Evil, here and the mood board that inspired it.
Never believe someone who tells you that salted caramel is overrated. They probably just haven't tried the right one. And if any version of the sweet-but-salty treat is going to convert the salted caramel agnostic, it's Pepe Saya's — because Australia's famous cultured butter maker has branched out into desserts. Pepe Saya already does pancake packs, brown butter chocolate-chip cookie dough, scone packs and more, of course, but now it has added buttery salted caramel bon bons to its range. The added bonus with these: you can can pop them in your pocket or bag, then get snacking whenever the urge strikes. If you're wondering why Pepe Saya decided to move into caramels — and yes, the easy answer is 'why not? — it's calling its version an Australian homage to the caramel au beurre salé. It has company, too, with the mouth-watering squares made by hand by Adora Handmade Chocolates in Marrickville, and not only using Pepe Saya's cultured butter but also Olsson's sea salt. Even better: the bon bons come in two varieties. Stick with the OG buttery salted caramel version and you'll obviously taste all the requisite flavours (that'd be butter, salt and caramel), or opt for the chocolate buttery salted caramels for something even more decadent. That said, if your tastebuds are now well and truly tempted, you'll want to get in quickly. While the caramels have been added to Pepe Saya's lineup on an ongoing basis, they're being made in limited-edition batches — and only 250 boxes are available each week. You can nab them online from Pepe Saya's website and Olsson's website, with ten in a box. The original version costs $19.95, while the chocolate variety costs $24.95. Announcing the bon bons, Pepe Saya co-founder and buttermaker Pierre Issa said that "any butter or salt company worth their weight should have a salted caramel. Caramelising our butter brings out the true flavour of cultured butter, perfectly rounded with sea salt. It quite literally melts in your mouth with more and more flavour appearing as it dissolves." "I've always dreamt of being able to carry a little taste of Pepe Saya butter around in my pocket to share with people, and now I can, with a pocket full of these bon bons," Issa continued. The caramels also come in quite the eye-catching packaging, as designed by Aussie artist Michael Whooley. Inspired by the butteries that Issa and fellow co-founder Melissa Altman have been to overseas, it features a cat to pay tribute to felines who call butteries home around the globe. Pepe Saya's new range of caramels are available online from Pepe Saya's website and Olsson's website, with ten in a box. The original version costs $19.95, while the chocolate variety costs $24.95 Images: Rob Locke.
Last year was hot. We sweltered through Australia's warmest summer on record, a hotter-than-standard autumn, a warmer-than-usual winter and a spicy spring as well. To the surprise of no one, the next few months look set to continue the trend. This week, BOM released its climate outlook for the March to May period, revealing that most of the country is in for warmer days and stickier nights than we usually see at this time of year. Yep, the soupy weather is set to continue. In fact, across the majority of Australia, there's a 60–80 percent chance autumn temperatures will be a whole lot warmer than the median. To give an idea of exactly what that all means, the average daily maximum temperature for March sits at around 23.9 degrees in Melbourne, 24.8 in Sydney and 28 in Brisbane. In May, it's around 16.7 degrees for Melbourne, with 19.5 for Sydney and 23.2 for Brisbane. The BOM is forecasting that we'll see warmer than that across the three months. Unfortunately for farmers, parts of Queensland are looking to struggle through drier-than-average autumns, too. Elsewhere, it's likely rainfall will be relatively average. While recent heavy rainfall across NSW and southeast Qld has helped ease the dry in some areas (and increase Sydney's water storage by a whopping 30 percent), BOM is saying some regions require "several months of above average rainfall" to bring them out of drought — which doesn't look likely to happen this autumn. The recent spate of heavy rain has also helped — thankfully — to ease some of the catastrophic bushfires that have been burning across the country, with the NSW RFS today announcing that for the first time this season all bush and grass fires in NSW are now contained. While that is unquestionably great news, it might not be the case for long, with BOM saying the warmer-than-average days and nights predicted over the next four months will increase the chance of heatwaves and elevate bushfire risk. Image: Kenny Lover by Julia Sansone
What's big, spiky and attracts tourists from all over? Whether you grew up in the shadow of one of south-east Queensland's great tourist attractions, made the trek to the Sunshine Coast to marvel an oversized fake fruit, or always thought you'd snap a pic next to the pineapple to end all pineapples, you know the answer. Soon, however, you might be able to do more than just visit, take photos, browse the markets, meet some monkeys and eat the sweet, juicy food in question — you might be able to sleep there. Yes, glamping could be coming to the one and only Big Pineapple. If that's not news that'll make you hightail it to Nambour, then we don't know what is. With the iconic site under new ownership, the folks in charge are thinking big — well, bigger than the previous owners did, including the people responsible for building such a massive monument to a particular tropical fruit. Among the additions mooted for the 165-hectare site: a family fun park, an RV park, walking trails, outdoor sport and recreation facilities, and fancy, fancy tents so that you can stay the night. The plans are designed to help bring the Big Pineapple back to its former glory, with the 16-metre-high attraction's tourist trade not quite at previous booming levels. Since opening in 1971, the heritage-listed fruit tower has seen a few changes, opening and closing over the years, undergoing several revamps, and introducing the annual Big Pineapple Music Festival in 2013. "What we want to do is make a food-based and eco-tourism-based destination that incorporates the existing big pineapple, but adds other things ... and has outlets for local produce," co-owner Peter Kendall told ABC Sunshine Coast. "There's rainforest on the land that would lend itself to eco-walks [and] we've talked about things like zip lining." Existing favourites, such as the animal hospital and train, will be retained. And, for anyone who feels strongly about just what the Big Pineapple should add to the site, an open day will be held on February 18 for interested parties to offer their input into the new proposals. Via: ABC Sunshine Coast. Image: Holiday Point.
We were greeted on the morning of day one with blue skies (and barrels) that would see the ultimate start to our Splendour experience. However, it wasn't always going to be that smooth, as a shock hail storm struck as we were walking in, and this would be the last time we saw any grass at Splendour. No doubt this provided a huge spike in gumboot sales for the northern New South Wales retail sector and it remains the best $50 spent for me, essentially providing a $15-$20 per day accommodation for my feet. The blue skies would return no sooner than 30 minutes later, but the mud had taken over the grass. Thanks to Virgin Mobile, we were provided with the best possible experience to witness one of Australia's top three-day festivals. There was no doubt a number of personal highlights, including Miike Snow, Tame Impala, Azelia Banks, The Gossip and Yuksek, but the main aspect that impressed me, and essentially was the reason why we were there, was seeing what a brand can do to to enhance the experience for festival attendees, management and artists alike, while ultimately delivering value back to its coffers. Below is a summary of the highlights from our Virgin experience of Splendour in the Grass. Looking at things from a festival organiser's point of view, Virgin's sponsorship made the ultimate festival wishlists come true, from Live Streaming, Mobile Applications, through to customer benefits such as the Posh Pits and Wristband technology. Live Stream We were taken on a tour of the backstage area where the Live Stream was conducted like a broadcast that you would expect to see at a major sporting event. With a cost that runs into six figures, you can see why sponsors play a pivotal role in a Festival's product mix. Watch the rest of the Live Streaming here, including artist interviews and live performances. The results of this year's live streaming proved to be the second largest in Australia's history. Some key numbers from the livestream include: 457,000 live views20 different cameras used to capture the action 405 minutes of live music being recorded 3500 frames of high definition digital festival footage being captured 4kms of cable being run 4 separate crews recording 2 live stages 8 interviews in the Virgin Mobile interview area back stage 37 crew members working a total of 1940 hours Mobile Application Mobile Applications at Festivals have become somewhat of the norm these days, especially the bigger, multi-day events. However, a good one is hard to come by, and most of them tend to get too confusing to use. However, the SITG app, in cahoots with Virgin Mobile, was the first one I relied heavily on at an event, providing the much needed planner functionality and the basic map (for the first day). The torch application was also handy at times. There were a couple of flaws, namely, the push notification didn't show the name of the acts playing. Channel V Recovery Party After Day One, we, along with Virgin Mobile customers, were invited to the exclusive Channel V Recovery Party at The Beach Hotel. This included (and was a compulsory part of our Virgin experience) beers from 9:30am and/or Not So Virgin Bloody Marys. It also provided us with a sneak peek at Billy Corgan, which caused a buzz amongst the lucky few that were gracing the famous beer garden. This was once again another great activation and provided the necessary motivation for us to kick day two off. Posh Pits What looked more like a Mosh Pit when we first turned up (due to the hail storm), the value of the Posh Pit was realised as the mud slowly took over the festival. Exclusive to Virgin Mobile customers, we continued to find ourselves turning up back at the Posh Pit due to the lack of queues for the toilets. Star Treatment Stop Probably the least valuable activation (but a nice touch all the same) was the Star Treatment Stop in Broadwater, approximately an hour away from Byron. It provided an excellent bump of excitement as we neared the festival. Coffee, some lollies and great chat with Virgin Angels were included too. However, not sure being man-handled was what we were expecting, although it is clear that this didn't matter in the photo above. Sponsored post
Decked out in full Bavarian beer hall splendour, Frenchies Bistro and Brewery invites you to don your finest dirndl dresses and lederhosen this weekend. So, prepare to party like you're backpacking through Germany at the award-winning microbrewery, housed in Rosebery's The Cannery this weekend. In honour of his German heritage, head brewer Vincent de Soyres has whipped up a limited-edition beer for the occasion. Sitting alongside the brewery's other German drops — the Buckeburger Pils and Hefeweizen — Frenchies' newest beer, Festbier, has been brewed using Bavarian ingredients and is sure to go down a treat with the food that'll be on offer at its Oktoberfeast this Saturday, October 19. For $20, you'll be rubbing elbows with fellow bier lovers while sitting on long tables, drinking a one-litre stein (included with entry) and tucking into a mean German feast. All your favourite Bavarian dishes will be on the menu, with Frenchies' chef Thomas Cauquil dishing up everything from pretzels to potato salad, smoky hendl (roast chicken) and a whole bunch of German sausages. For dessert, there'll be heavenly sweets like apple strudel, kaiserschmarrn (shredded pancakes) and gingerbread. The good times aren't just down to the food and booze, either. There'll be plenty of live tunes, games and competitions, including ping pong and stein races for the kidults and face painting and balloon animals for the kids (who get in for free). Oktoberfeast will kick off at noon and run until 9pm and will take over not only Frenchies, but also The Cannery, meaning you could be celebrating with up to 600 beer-loving punters. Tickets are $20 (or $25 on the door) and include a Frenchies one-litre take-home souvenir stein glass. Food can be purchased separately. Plus, Frenchies will be providing free buses to and from Green Square, so you can get home easy.
It doesn't matter what the weather holds for Suzie Sakamoto: with her husband and son missing when Apple TV+'s Sunny begins, the series' titular term can't apply to her days. An American in Kyoto (Rashida Jones, Silo), she's filled with grief over the potential loss of her Japanese family, anxiously awaiting any news that her spouse Masa (Hidetoshi Nishijima, Drive My Car) and their boy Zen (debutant Fares Belkheir) might've survived a plane crash. She'd prefer to do nothing except sit at home in case word comes; however, that's not considered to be mourning in the right way according to custom and also isn't appeasing her mother-in-law (Judy Ongg, Kaseifu no Mitazono). When Suzie soon has a robot for company, an unexpected gift from Masa, dwelling in her sorrow doesn't appear to be what he'd want in his absence, either. In this ten-part series, which adapts Colin O'Sullivan's 2018 novel The Dark Manual for the small screen and starts streaming from Wednesday, July 10, 2024, the technology that's quickly immersed in Suzie's existence is a homebot. The artificial-intelligence domestic helpers are everywhere in this near-future vision of Japan, aiding their humans with chores, organising tasks and plenty more — everywhere other than the Sakamoto house with its firmly anti-robot perspective, that is. Amid asking why her husband has not only sent the eponymous Sunny her way, but also why it's customised specifically to her, questions unsurprisingly spring about his true line of work. Has Suzie been married to a secret roboticist, rather than someone who designs refrigerators? What link does his job have with his disappearance? How does someone cope in such an already-traumatic situation when the person that they're possibly grieving mightn't be who they've said they are? Often with a science fiction twist, Apple TV+ can't get enough of mysteries. Approaching five years since the platform launched in late 2019, that truth is as engrained as the service's fondness for big-name talent, including across Severance, The Big Door Prize, Hello Tomorrow!, Silo, Monarch: Legacy of Monsters, Constellation, Sugar and Dark Matter. Thankfully, there's no content-factory feel to this lineup of shows, or to the streamer's catalogue in general, which is one of the best on offer in the online fight for eyeballs. Sunny's closest equivalent hails from beyond the brand, bringing Charlie Brooker's Channel 4-started, now Netflix-made Black Mirror to mind, but even then it's far more interested in its characters than their relationship to technology. That said, that people and how they use tech remain the real enemy, not gadgets and advancements themselves, hums at the core of both series. Indeed, Sunny proposes a radical path forward for Suzie, especially at a time IRL when generative AI has been making its presence known, and rarely for the better. Creator, showrunner and executive producer Katie Robbins (The Affair) takes her human protagonist down a route where the program's namesake, which matches a WALL-E vibe and emoji-leaning face with the cheerful voice of Barry, I Love That for You, Quarantine and Emma Approved's Joanna Sotomura, is perhaps the only thing that can be trusted. There's no shortage of other flesh-and-blood characters around Suzie, with some kindly and others patently nefarious. Bartender Mixxy (singer/songwriter Annie the Clumsy, Miss Osaka) falls into the first category. The platinum-blonde Hime (You, 9 Border), who seems to have a history with Masa, sits in the second camp. But with her world constantly being turned upside down and her usual confidante in Masa gone, technophobe Suzie might only be able to put her faith in the machine that's now ceaselessly by her side. A show such as Sunny, which is a comedy, drama, thriller and slice of dystopia all in one — alongside an odd-couple buddy pairing, plus a series with multiple puzzles, a stack of technology-driven and existential questions, and a probing of the human condition — needs two things beyond its compelling narrative. If viewers couldn't feel the confidence infused in this delicate mix of components, the show would crumble like circuitry haphazardly jammed together. If audiences couldn't sense the ambition to do far more than join dots as well, Sunny would similarly fail to compute. Not just thanks to its penchant for cliffhangers, this is a mystery with more always on the way, and one that adores teasing out its intricacies in a lived-in world that no other series can call home. That's assurance. That's initiative. Diving in is like strolling through Tokyo: there's always a new lane to mosey down, whether in the pursuit of solving the storyline or unpacking Suzie. The Dark Manual of O'Sullivan's moniker pops up as a hacker guide to customising homebots. Here, the plot also thickens. Still, as the yakuza feature, flashbacks tease out Suzie and Masa's meet-cute, the latter's time as a hikikomori — the portion of the Japanese population who choose to actively withdraw from society — is weaved in and surveillance is ever-present, Sunny never lets the avalanche of developments and threads that keep fuelling its tale become its sole or even main attraction. As penned by a seven-strong writing team led by Robbins with backgrounds on Bunheads, The Staircase, Apples Never Fall, Hit-Monkey, Tiny Beautiful Things and more, this is gripping and addictive viewing. It's a show to sleuth along with. Its retrofuturistic look and Saul Bass-esque opening credits are worth returning for again and again. Nonetheless, Sunny wouldn't connect if didn't value the personal and the human angle of being cast adrift from everything that you relied upon with no certainty about where to turn. Aided by being played by Jones, who so expertly married optimism and cynicism as Parks and Recreation's Ann Perkins — as she had to as the midpoint between Leslie Knope and Chris Traeger versus Ron Swanson and April Ludgate — Suzie is a character of unflagging determination crashing against mourning and anguish. She yearns with hope, as everyone does, for a lost loved one to re-emerge. She couches everything, including that longing, in sarcasm. That she journeyed to Japan to escape past woes, her lack of friends beyond her family and her alienation by refusing to learn the language all help construct a complex portrait. Also assisting: even simple moments, like swigging wine on the toilet. It isn't a secret that bounding through chaos is more relatable when the external tangle that greets a character reflects their inner jumble, as Jones anchors at the heart of her performance. The Boston Public, The Office, Celeste & Jesse Forever, Angie Tribeca and On the Rocks star in never-better territory, in fact, as she must've spotted the potential for; she's also among Sunny's executive producers. New TV arrivals of mid-2024 are now two for two when robot companions are involved. Fantasmas is the other. They're also two for two in world-building and production design that plunges viewers into screen spaces that resemble nothing else, which is no small feat for Sunny with Japan as its setting. Another commonality: not merely making audiences grateful that the non-stop flow of new streaming series can keep delivering programs this unique, but sparking a hunger for more to come. That's the sunny side of more TV begetting more TV and then more still, because a heaving crowd is always made up of individuals. Few new streaming arrivals of late are as distinctive as Fantasmas and Sunny, though. Check out the trailer for Sunny below: Sunny streams via Apple TV+ from Wednesday, July 10, 2024.
The life and times of 20th century music and cultural icon, Bob Marley, are explored through the deeply raw and poignant documentary, Marley. Kevin Macdonald directed the film in an attempt to allow audiences to get to know the man behind the myth a little better. The two and a half hour documentary features never before seen footage and photos from Marley's early life and final years; from his years as a mixed-race farm boy, Marley's time on the streets in Kingston's Trenchtown, his worldwide fame, through to his cancer diagnosis and slow subsequent demise. Marley reinforces the cultural significance of this Jamaican hero, who still resonates in music lovers' hearts all over the world almost 30 years after his death. Commentary is provided by the family members and friends who knew him best, and the film includes concert footage of four previously unseen songs. All of this is woven together in a seamless stream of revelations to sate the appetites of even the most ardent, die-hard Marley fans. Macdonald and Marley's children and grandchildren also wished to preserve Marley's legacy through the documentary and highlight his driven and ambitious work ethic, whilst quelling the notion that his marijuana smoking led him to lead a slow-paced or lazy lifestyle. The film powerfully captures the quirkiness of the Marley clan as well as providing a musical journey that outlines the development of the sub-culture of reggae and the instrumental role Marley had in this. Concrete Playground has ten double passes to giveaway to see Marley. To go in the running to win tickets, make sure you're subscribed to Concrete Playground then email your name and postal address to us at hello@concreteplayground.com.au
Urban dwellers are usually more accustomed to seeing copious amounts of neutral tones around our cities than bright splashes of colour. It's argued that colour makes people feel happier, so wouldn't it be nice if our city looked like one big rainbow, or perhaps an array of different shades of blue or pink? Many charming little towns throughout the world have put this idea into practice, painting their buildings in bold and bright colours. The bursts of colour add an artistic ambiance to older buildings and bring a source of life to cities during the colder months, and become popular tourist destinations in the summer. Here is a collection of the best examples of places around the globe where colour reigns supreme. La Boca, Argentina Jodhpur, India Bo-Kaap, South Africa Guanajuato, Mexico San Francisco, USA Willemstad, Netherlands Antilles St John's, Canada Riomaggiore, Italy Wroclaw, Poland Salvador, Brazil Jaipur, India [via Environmental Graffiti]
There’s nothing the Oscars love more than an inspiring true story. Every year in the lead-up to Hollywood’s most self-congratulatory night, our theatres with filled with biographical dramas: handsome, well-acted and totally inoffensive. This year’s crop includes The Imitation Game, American Sniper and The Theory of Everything, all of which attempt to rouse us with their stories of courage in the face of adversity. And yes, sure, their protagonists are all white guys. But hey, at least Alan Turing was gay. Also on the list of this year’s would-be contenders is Unbroken, the sophomore directorial effort from one Angelina Jolie. The film is a wartime biopic (of course) about Olympic marathon runner and WWII bombardier Louie Zamperini, whose B-24 aircraft crashed down in the North Pacific and who spent the last two years of the conflict as a prisoner of war in Japan. The film is based on Laura Hillenbrand’s book Unbroken: A World War II Story of Survival, Resilience and Redemption. With a title like that, it’s hardly surprising that the story leans towards hero worship. As depicted by Jolie and actor Jack O’Connell, Zamperini is less a man as he is a pillar of bravery and virtue; a genetically engineered combination of Jesse Owens and Captain America. Flashbacks to before the war come complete with stock-standard motivational quotes. “A moment of pain,” we’re told, “is worth a lifetime of glory.” I’m not trying to diminish Zamperini’s sacrifice. But while he may have been a hero, he’s not an interesting protagonist. Tales of wartime valour have been done to death, and frankly Unbroken brings nothing new to the table. Jolie portrays America’s enemies with about as much dimension as the Nazis in Hogan’s Heroes, although admittedly they’re not nearly as funny. The only Japanese character they bother naming is the sadistic Corporal Watanabe (played by musician Miyavi), whose cartoonish villainy prevents any exploration of the psychology behind wartime abuse. And yes, atrocities were committed in POW camps, and it’s important that we continue to remember that. At the same time, this story has already been covered. Instead, why not make a movie about the 100,000 Japanese Americans forced into prison camps by President Roosevelt? Where’s the film about the moral quandary behind dropping the atomic bomb? Hell, what about telling the story of Zamperini’s life after the war, when post-traumatic stress disorder drove him to alcoholism until he became a born-again motivation speaker? Those would be interesting stories. But I guess they’re not to Oscar’s tastes. Unbroken is by no means a terrible film. Jolie is a solid director, her cast does good work and the narrative – shallow and conventional as it is – isn’t necessarily unengaging. It is, however, disappointingly safe; the sort of adequate time killer you won’t necessarily regret seeing, assuming you remember seeing it at all.
Sydney can be a little bit manic this time of year. The shops become mini mosh-pits. Your calendar is filled with more shindigs than the previous ten months combined. So, on occasion, you might find yourself glancing at the door plotting a hasty retreat. Situated just 90 minutes from Sydney, Bowral can be that retreat — an antidote to the metro hustle and bustle for a day or weekend. And if you find yourself hiding out there on a Sunday, stop by Biota Dining for a feast before you head back to the bedlam. Throughout the summer months, Biota is making the most of its newly-landscaped 'parklands' with a Sunday barbecue series. With Biota's longstanding two-hatted status, expect this to be a few notches above the classic backyard barbie. For $58 per head, you can tuck into quality Southern Highlands produce prepared on a local stone BBQ in the outdoor sanctuary. No Aussie BBQ is complete without a beer or two, so for an additional $15 you can sample some wild ales courtesy of Wildflower. If the journey back to Sydney sounds slightly daunting in your post-feast state, remember that Biota also offers accomodation. The Biota Dining BBQ series runs every Sunday through summer from November 12, 2017. Bookings are essential.
After a night of festivities there's nothing worse than waking up to an abode with chip-trodden carpet, questionable wall smears and a never-ending sea of empties ultimately destined to inhabit your (and your neighbour's) rubbish bins for the weeks following. Such a scene is what initiated Morning-After Maids, a new Auckland startup set to take the hassle out of the weekend clean-up by delivering "an exceptional 'post-party' cleaning service". As well as the lesson in hygiene, the maids will go the extra mile by cooking up a quintessential fresh breakfast too. They have two menus available: one clean and one greasy. The blessed hangover angels also offer fast food runs, coffee, chocolate milk and all those little extras you always wish you'd thought of stocking up on the night before (blue Powerade, fried chicken, Panadol, etc.). The service is only available in Auckland at the moment, and seems like a more niche version of Airtasker or Sydney's Whizz. Their prices seem ridiculously cheap, with two cleaners costing just $30 per hour along with a mileage fee. Do note that you'll have to shell out $10 extra for every pile of vomit they have to deal with, and if you need an emergency clean up, it'll be $50 on top of other cleaning charges. Also, their price list mentions they can provide puppy cuddles free of charge. Puppies.
First, the glorious news: since Thursday, August 5, all has been right in Melbourne's cinema scene again. For the first time 2019, the Melbourne International Film Festival has been taking over the city's picture palaces, filling them with the best movies it can find and letting film lovers live their most joyous lives. Yes, it's as wonderful as it sounds. Now, the sad news for Melburnians: come Sunday, August 21, this year's in-person MIFF comes to an end. Thankfully, MIFF Play, the festival's online platform, is sticking around for another week. That's a wonderful development for cinephiles located well beyond Melbourne, too, with the digital program showing nationally. Finding something to stream is never difficult these days, but until Sunday, August 28, your usual queue can wait. It'll still be there when you're doing MIFFing on your couch — after popping your own popcorn, pouring a glass of wine, and politely asking your partner or housemate to turn their phone off, to complete the cinema-at-home experience. But when that date rolls by, MIFF Play's impressive lineup won't still be there at the touch of a button. It's the MIFF you can hit up when you can't be at MIFF, and these are our ten must-see picks. Happy watching. HIT THE ROAD How fitting it is that a film about family — about the ties that bind, and when those links are threatened not by choice but via unwanted circumstances — hails from an impressive lineage itself. How apt it is that Hit the Road explores the extent that ordinary Iranians find themselves going to escape the nation's oppressive authorities, too, given that the filmmaker behind it is Panah Panahi, son of acclaimed auteur Jafar Panahi. The latter's run-ins with the country's regime have been well-documented. The elder Panahi, director of Closed Curtain, Tehran Taxi and more, has been both imprisoned and banned from making movies over the past two decades, and was detained again in July 2022 for enquiring about the legal situation surrounding There Is No Evil helmer Mohammad Rasoulof. None of that directly comes through in Hit the Road's story, not for a moment, but the younger Panahi's directorial debut is firmly made with a clear shadow lingering over it. As penned by the fledgling filmmaker as well, Hit the Road's narrative is simple and also devastatingly layered; in its frames, two starkly different views of life in Iran are apparent. What frames they are, as lensed by Ballad of a White Cow cinematographer Amin Jafari — with every sequence a stunner, but three in particular, late in the piece and involving fraught exchanges, nighttime stories and heartbreaking goodbyes, among the most mesmerising images committed to celluloid in recent years. Those pictures tell of a mother (Pantea Panahiha, Rhino), a father (Mohammad Hassan Madjooni, Pig), their adult son (first-timer Amin Simiar) and their six-year-old boy (scene-stealer Rayan Sarlak, Gol be khodi), all unnamed, who say they're en route to take their eldest to get married. But the journey is a tense one, even as the youngest among them chatters, sings, does ordinary childhood things and finds magic in his cross-country road trip, all with zero knowledge of what eats at the rest of his family. WE WERE ONCE KIDS A wide array of movies first hit silver screens in 1995, as they have every year since the advent of the medium. It was the year of Clueless, Before Sunrise, Billy Madison, Empire Records and Casper — and of Casino, Apollo 13, Babe, Showgirls and Seven, too. But only one is the subject of excellent documentary We Were Once Kids, which sees Australian filmmaker Eddie Martin (All This Mayhem, Have You Seen the Listers?) peer back at perhaps the most controversial movie of the 90s. That's the era's judgement, as archival news clips make plain from the outset. When Larry Clark's Kids reached cinemas, the mainstream press was scandalised at its portrait of New York City, the teens who live in it, and the drugs, sex, parties and violence that's shown to be an everyday part of their lives. Even if any of that was actually shocking, it'd have nothing on the tale around the tale — one about a tight-knit group of friends growing up in poverty, meeting Clark and a then 19-year-old Harmony Korine, finding their existence turned into a movie, and getting little more than some screentime and $1000 to show for it. Hamilton Chango Harris is one such Kids alum, aka a skater who temporarily became a movie star. He and his pals enjoyed Clark and screenwriter Korine's attention, and the break from their routines — with skating and partying already a break from their troubles, including parents struggling with addiction, at home. Harris is We Were Once Kids' key subject, but Martin understandably focuses on Justin Pierce and Harold Hunter, who had the biggest hopes for post-Kids fame but tragically aren't here now to tell their own stories. This is a gripping and damning doco about filmmakers who catapulted to success on the back of exploiting the working class, and about the complete lack of care they had for the lives they co-opted and the fallout. One story, from Harris, Pierce and Hunter's friend Highlyann Krasnow, says oh-so-much. She opted out of featuring in Kids when she saw how Clark and Spring Breakers' Korine had sexualised their group. That didn't change the film at all; instead, Chloë Sevigny (Russian Doll) and Rosario Dawson (DMZ) were cast, and are now household names. YUNI Again and again in Yuni, a heartbreaking clash echoes. Its sounds stem from schoolyard gossip, superstitious tut-tutting, ultra-conservative demands and reminders that its titular character shouldn't steal anything purple that she sees. In the third feature from Indonesian filmmaker Kamila Andini (The Seen and Unseen), Yuni (Arawinda Kirana, Angkringan) is a 16-year-old in a Muslim society where agreeing to an arranged marriage is the only thing truly expected of her. When the movie begins, a proposal from construction worker Iman (Muhammad Khan, Memories of My Body) already lingers. After she declines, her classmates chatter. Then another offer comes from the much-older Mang Dodi (first-timer Toto ST Radik), who is looking for a second wife. Yuni knows the accepted myth that any woman who refuses more than two proposals will never wed, but she's also keen to make her own choices. She has a crush on teacher Mr Damar (Dimas Aditya, Satan's Slaves), and spends time with the younger and infatuated Yoga (Kevin Ardilova, Vengeance Is Mine, All Others Pay Cash). She's also the smartest student at her school, with dreams of attending university. Andini's film is full of specifics, diving into the minutiae of Yuni's life — surveying Indonesian society and its customs, the roles thrust upon women from their teenage years, and enormous gap between the path that she's supposed to follow and the yearnings of her heart. This is a movie where scenes of its protagonist hanging out with her friends, whether kicking back on the grass talking about boys or dressing up with her beautician pal Suci (Asmara Abigail, Satan's Slaves 2: Communion), could be scenes from almost any teenage girl's life. Of course, then the reality sinks in, whether in discussions about husbands, babies and virginity tests, or in the teary worries about horrific power imbalances. The ability of poetry to capture everything that can't be easily uttered otherwise also floats through Andini's deeply moving picture, so it should come as no surprise that Yuni is both naturalistic and lyrical. It's precise and universal, follows an easily foreseeable path and yet proves full of surprises, and is astutely directed as well — and Kirana is a star. MASS Two couples, one church, six years of baggage and two absent children. That's one of the equations at the heart of Mass. Here's another: four phenomenal performances, one smart and affecting script that tackles a difficult subject in a candid and thoughtful way, and one powerful directorial debut by actor-turned-filmmaker Fran Kranz. Best known for on-screen roles in Dollhouse, The Cabin in the Woods, Homecoming and Julia, the latter guides gripping portrayals out of Reed Birney (Home Before Dark), Ann Dowd (The Handmaid's Tale), Jason Isaacs (Operation Mincemeat) and Martha Plimpton (Generation) — and crafts a harrowing yet cathartic drama out of the aftermath of a far-too-familiar tragedy, too. The reason that Richard (Birney), Linda (Dowd), Jay (Isaacs) and Gail (Plimpton) are in the back room at a place of worship, discussing their kids with heartbreak etched across their faces? Richard and Linda's son Hayden was a school shooter, killing Jay and Gail's son Evan in his spree, then turning the gun on himself. What can anyone say in that situation? Kranz, who both writes and directs, keeps his screenplay simple — but as loaded with emotion as the scenario obviously requires. He keeps his filmmaking flourishes just as restrained as well; that's a craft in itself, but the cast rather than the technique is the focus here. At first, they utter loaded lines with weighty awkwardness, aka the kind that fills and silences a room. Then, each in their own way, they unleash the hurt, anger, regret, sorrow, misery and more that's festering inside their characters, and that no amount of talking can ever completely capture. Mass is a musing on that very fact, too: that even the most spirited of dialogues, slinging about both carefully chosen and heatedly spur-of-the-money words, can't fix, explain or do justice to the pain that Richard, Linda, Jay and Gail are going through. The end result would make an exceptional, albeit unshakeably distressing, double with We Need to Talk About Kevin, The Fallout or Vox Lux, or even Elephant or Polytechnique as well. LEONOR WILL NEVER DIE To create is to become immortal. Write something that's hopefully committed to print or pixels forever, or direct a film that'll ideally keep reaching eyeballs in some format year after year, and a part of you — the part you've invested in time, sweat, tears and creativity — lives on eternally. That notion haunts playful and perceptive Filipino genre-bender Leonor Will Never Die, which understands the power that making a movie has both for the talents involved and the audiences watching. The eponymous Leonor Reyes (Sheila Francisco, Gulong) is an action-film director, albeit one whose heyday is behind her. She stopped stepping behind the camera after a tragedy, and her family has suffered in the aftermath. With her husband Valentin (Alan Bautista) gone and her favourite son Ronwaldo (Rocky Salumbides and Anthony Falcon) dead, only her other offspring, the concerned, discontent and constantly critical Rudie (Bong Cabrera), remains at her side. But Leonor still types away her ideas, and fantasises about how they'd turn out — including when she's knocked unconscious in an accident, only to wake up inside one of her scripts. To create something, such as a film, its screenplay or both, is also to become a deity in a way. That concept also lingers over Leonor Will Never Die, too, because we're all gods over our own existences. When first-timer feature writer/director Martika Ramirez Escobar has her protagonist thrust into a space that should only dwell in the character's head and pages, this constantly twisting feature ponders agency, control and the power of our choices — and, often, the lack thereof. It explores escapism and wish fulfilment as well, all while proving an inventive and pulpy action flick itself, a thoughtful family melodrama, a rumination on life and regrets, a musing about grief and, frequently, an absurd comedy. Case in point re the latter: Leonor, the cinema-obsessed filmmaker, is knocked into her coma by a falling TV. Once you've seen the film, you'll realise that that sounds like something she'd dream up herself. THE HUMANS If you're the kind of cinephile who likes to theme their viewing around the relevant time of year — holiday-related, primarily — then you're clearly always spoiled for choice. Christmas movies, horror flicks at Halloween, Easter-relevant films: you can build a binge session out of all of them (several in fact, depending on the occasion). The same applies to Thanksgiving, all courtesy of the US, and The Humans is the latest addition to the November-appropriate list. But while it ticks a few easy boxes, including bringing a family together to celebrate the date, steeping their get-together in awkwardness, and having big revelations spill out over the course of the gathering, this A24-distributed release is far creepier and more haunting than your usual movie about America's turkey-eating time of year. Based on Stephen Karam's Tony-winning play, and adapted and directed for the screen by Karam himself, it's downright unsettling, in fact, and for a few reasons. There's the tension zipping back and forth between everyone in attendance, of course; the bleak, claustrophobic, rundown setting, in a New York apartment close to ground zero; and the strange sounds emanating from other units. As a result, seasonal cheer is few and far between in this corner of Manhattan, where the Blake family congregates in Brigid (Beanie Feldstein, Booksmart) and her boyfriend Richard's (Steven Yeun, Nope) new abode. Also making an appearance: parents Deirdre (Jayne Houdyshell, Only Murders in the Building) and Erik (Richard Jenkins, Nightmare Alley), Brigid's older sister Aimee (Amy Schumer, Life & Beth), and their grandmother Momo (June Squibb, Palmer), who has dementia. No one is happy, and everyone seems to have something that needs airing — but there's always the feeling that, in any other location, this might've truly been a joyful affair. Discussions about dreams and nightmares prove revealing, but The Humans points out the thin line between both, whether we're slumbering or waking, several times over in its talky frames. MILLIE LIES LOW A scene-stealer in 2018's The Breaker Upperers, Ana Scotney now leads the show in Millie Lies Low. She's just as magnetic. The New Zealand actor plays the film's eponymous Wellington university student, who has a panic attack aboard a plane bound for New York — where a prestigious architecture internship awaits — and has to disembark before her flight leaves. A new ticket costs $2000, which she doesn't have. And, trying to rustle up cash from her best friend and classmate (Jillian Nguyen, Hungry Ghosts), mother (Rachel House, Cousins) and even a quick-loan business (run by Cohen Holloway, The Power of the Dog) still leaves her empty-handed. Millie's solution: faking it till she makes it, searching for ways to stump up the funds while hiding out in her hometown, telling everyone she's actually already in the Big Apple and posting faux Instagram snaps MacGyvered out of whatever she can find (big sacks of flour standing in for snow, for instance) to sell the ruse. There's a caper vibe to Millie's efforts skulking around Wellington while endeavouring to finance her ticket to her dreams — and to the picture of her supposedly perfect existence that she's trying to push upon herself as much as her loved ones. Making her feature debut, director and co-writer Michelle Savill has imposter syndrome and the shame spiral it sparks firmly in her sights, and finds much to mine in both an insightful and darkly comedic manner. As she follows her protagonist between episodic efforts to print the legend — or post it one Insta picture at a time — her keenly observed film also treads in Frances Ha's footsteps. Both movies examine the self-destructive life choices of a twentysomething with a clear idea of what she wants everyone to think of her, but far less of a grasp on who she really is and what she genuinely needs. While some framing and music choices make that connection obvious, the astute delight that is Millie Lies Low is never a Wellington-set copy. WE ARE STILL HERE It begins with stunning animation, shimmering with the rich blue hues of the sea. From there, everything from lush greenery to dusty outback appears in its frames. The past returns to the screen, and a vision of the present finds a place as well — and crossing the ditch between Australia and New Zealand, and venturing further into the South Pacific, is baked into the movie's very concept. That film is We Are Still Here, which makes an enormous statement with its title, responding to 250 years of colonialism. Of course, filmmakers in the region have been surveying this history since the birth of the medium, because the topic is inescapable. Combining eight different takes from ten Indigenous filmmakers instantly makes We Are Still Here stand out, however — and this Pacific First Nations collaboration, which opened Sydney Film Festival before coming to MIFF, isn't short on talent, or impact. Australian filmmakers Beck Cole (Here I Am), Danielle MacLean (Carry the Flag), Tracey Rigney (A Chance Affair) and Dena Curtis (Back to Nature) add their parts, as do New Zealand directors Tim Worrall (Head High), Richard Curtis (Nanakia), Renae Maihi (Waru), Miki Magasiva (The Panthers), Chantelle Burgoyn (short Tatau) and Mario Gaoa (Teine Sa). Some of their chapters explore heated discussions about whether to fight back, others find understanding in unlikely places, and another heads into the First World War. The same passion — the same determined survey of what it means to live in countries forever changed by James Cook's landing — beats within each, whether peering at the animated stars, trying to survive in the trenches or pondering what might come is earning attention. Understandably, it makes for not just potent but sincere, weighty and moving viewing. PIGGY Hell is other people in Spanish horror film Piggy, an observation that's been made countless times on-screen. Hell is also today's always-online world, another familiar statement. Still, a movie doesn't need to trade in completely new observations to stand out — which this bullying-revenge film definitely does in a plethora of ways. Sadly, its title stems from the taunt slung in its protagonist's direction much too often. A resident of a small, sleepy Spanish village close to the Portuguese border, Sara (Laura Galán, Unknown Origins) is called other names, too, none of them kind. She's also almost drowned by her tormentors during a trip to the local pool, where they're as cruel as anyone can be about her body. That experience comes with consequences, however, when a kidnapper strikes. Sara is a witness, the three mean girls that've made her life miserable go missing, and the right next step isn't straightforward. Galán is astonishing in Piggy, reteaming with writer/director Carlota Pereda after also starring in her 2018 Goya Award-winning short of the same. This full-length expansion is a vicious marvel, too — and it isn't afraid to get brutal either thematically or physically, or to plaster gory sights across its imagery. Indeed here, seeing a murdered corpse weighted down at the bottom of a public pool isn't a pretty vision, unsurprisingly. That said, it also pales in comparison to the nastiness continually thrust Sara's way, and to everything the film sinks a knife into about being a woman today in the process. Piggy is also astonishingly stylish, using its Academy-ratio frames to ramp up the sense of claustrophobia to an immersive degree. Pereda has enjoyed stints behind the lens since 2008, spanning television, shorts and features, but this immediate must-see deserves to put her on the path to a great genre career. LOVE AND OTHER CATASTROPHES There's no doubting that MIFF loves Melbourne. In the festival's 70th year, it's celebrating that fact in a huge way, too, courtesy of a Melbourne on Film program strand. That's the part of this year's overall festival lineup that surveys the way that the Victorian capital has been seen on the big screen over the years, complete with 25 examples — spanning everything from The Story of the Kelly Gang, aka the world's first full-length film, through to the original Mad Max. One absolute must-see, in general and as part of this MIFF showcase, hails from the 90s. The tale it tells couldn't be more relatable, even if you weren't a uni student navigating all of life's chaos three decades back. Indeed, if you only watch one movie from MIFF's Melbourne love-in, Love and Other Catastrophes is that pick — as well as a stellar 1996 debut by writer/director Emma-Kate Croghan, who was only 23 when she made this micro-budget gem. The focus: two film students, Mia (Frances O'Connor, The End) and Alice (Alice Garner, Jindabyne), who've just moved into a new place. They're in need of another housemate, and — as the title makes plain — they do indeed have love and other catastrophes to weather. For starters, while Mia's girlfriend Danni (Radha Mitchell, Girl at the Window) is keen to join them, that'd take their relationship to another level. Then there's Alice's romantic woes, involving both the resident university ladies' man Ari (Matthew Dyktynski, Offspring) and the quiet, besotted Michael (Matt Day, The Unusual Suspects). Yes, as well as being an astute and amusing rom-com, Love and Other Catastrophes is also a who's who of Aussie talent — and the picture that helped put O'Connor and Mitchell on the road to everything from AI: Artificial Intelligence and The Conjuring 2 to Pitch Black and Man on Fire. MIFF Play, the 2022 Melbourne International Film Festival's digital fest, runs from Thursday, August 11–Sunday, August 29. For further details, visit the MIFF Play website.
For the two past pandemic-affected years, the Melbourne International Film Festival has beamed its lineup to movie lovers online rather than in cinemas. Turning 70 in 2022, however, it's returning to where it has always belonged. After expanding its audience and going national with its virtual programs, MIFF isn't ditching its digital screenings — but once again showing hundreds of the latest and greatest titles in international cinema in Melbourne picture palaces is firmly the star of this year's show. That's the first piece of great news for Melbourne movie buffs. The second: while MIFF will grace the screens at a heap of inner-city favourites between Thursday, August 4–Sunday, August 21 — such as ACMI, The Capitol, Forum Melbourne, Hoyts Melbourne Central, IMAX, Kino Cinema and Cinema Nova — it'll also show in suburban Melbourne cinemas The Astor, Lido, Pentridge and Sun Theatre from Friday, August 12–Sunday, August 21, too. Throw in the online component as well, which runs from Thursday, August 11–Sunday, August 28, and that's almost an entire month of MIFFing to look forward to. Also among the ace announcements: the first 33 films that cinephiles can put on their must-see lists, whether on screens big or small. That includes homegrown titles to both open and close MIFF 2022, with the fest launching with the world premiere of coming-of-age feature Of an Age by director Goran Stolevski — then wrapping up with the Aussie premiere of documentary Clean, about Melbourne 'trauma cleaner' Sandra Pankhurst. Other highlights span 2022 Berlinale Golden Bear-winner Alcarràs; Australian docu-drama The Plains, which hones in on daily life and picked up an award in Rotterdam; Dual, the Aaron Paul (Westworld) and Karen Gillan (Avengers: Endgame)-starring latest by The Art of Self-Defense's Riley Stearns; and Aubrey Plaza (Best Sellers) slipping into the thriller genre in Emily the Criminal. Or, there's horror-comedy Mona Lisa and the Blood Moon from A Girl Walks Home Alone at Night's Ana Lily Amirpour, which focuses on a telekinetic young woman; Where Is Anne Frank, the first feature film in eight years by Waltz with Bashir director Ari Folman; and doco Jane by Charlotte, with actor Charlotte Gainsbourg (Nymphomaniac) exploring the life of her iconic mother Jane Birkin. It wouldn't be a MIFF without a film by South Korean filmmaker Hong Sang-soo (The Woman Who Ran, On the Beach at Night Alone), which is where the Berlinale Silver Bear Grand Jury Prize-winning The Novelist's Film comes in. And, other standouts include New York-focused music documentary Meet Me in the Bathroom, about the 00s music scene; fellow doco Fire of Love, a Sundance-winner that surveys the lives of volcanologists Katia and Maurice Krafft; and Reflection, about a man's experiences in post-Maidan Ukraine. Thanks to the MIFF Premiere Fund, which helps financially support local flicks, the Australian contingent also covers ten more titles so far. Among the must-sees: Greenhouse by Joost, a documentary about zero-waste pioneer Joost Bakker and chefs Matt Stone and Jo Barrett making a self-sufficient, eco-friendly residence; the Western Australian-shot Sweet As, starring Tasma Walton (How to Please a Woman), Mark Coles Smith (Occupation: Rainfall) and Shantae Barnes-Cowan (Firebite); and the film student-focused Petrol, from Strange Colours' director Alena Lodkina. Plus, there's Under Cover, a Margot Robbie (The Suicide Squad)-narrated doco that focuses on women aged over 55 facing homelessness — and Moja Vesna, a drama about the impact of grief upon a Melbourne immigrant family that first premiered in Berlin. The list goes on — and, it'll only grow, with the entire program will be revealed on Tuesday, July 12. That's when exactly what'll screen in MIFF's new competition, which'll boast a $140,000 Best Film Award, will also be unveiled. In the interim, start steeling yourself for almost a month spent in darkened rooms, basking in the glow of the silver screen, committing the fest's ads to memory, and doing the usual dash up and down Swanson Street. Or, for checking out the program in Melbourne's suburbs — or online nationally. The 2022 Melbourne International Film Festival runs from Thursday, August 4–Sunday, August 28 at a variety of venues around Melbourne and Victoria, and online. For further details, including the full program from Tuesday, July 12, visit the MIFF website.
When it comes to design, there's minimalism and there's 'WTF-that-thing-defies-physics', and this is definitely the latter. Designer Peter Bristol's Cut Chair looks like an ordinary white chair that somebody sliced big diagonal chunks out of across the legs and back, leaving the seat seemingly unconnected to the front legs. Also, is it just us or is it weirdly cute that he made the cut parts red so it looks like the chair's bleeding? It probably would have been tempting to leave people scratching their heads, but Bristol decided to reveal the secret behind the illusion on his website — the answer lies underneath the rug that the chair's sitting on, and it's surprisingly simple. The rug conceals a metal plate that the legs are all welded to, cantilevering the chair so you can sit on it. And if big grey shaggy rugs aren't your style, the rug part is customisable — it basically just has to cover the plate to complete the illusion. The chair is available for purchase, but it'll set you back US$4000 — although if you had the money, seeing people's confused expressions when you offer them a seat would be priceless. Via Fast Company.
Bluesfest has lifted the lid on its first artist announcement for 2020 and heading the stampede are famed American singer Patti Smith, rockers Dave Matthews Band and the legendary Crowded House. All three are repeat Bluesfest offenders, with Patti Smith and her band returning after a standout performance in 2017, the "magical and unmissable" Dave Matthews Band heading back for their third festival and Crowded House once again trekking up the coast — this time for an exclusive Australian performance. Expect to hear plenty of huge tunes from the likes of Smith's 'Because the Night' to Matthews' 'Crash Into Me' and the anthem that is 'Don't Dream It's Over'. Other acts to hit the stage over the weekend include the multi Grammy Award-winning George Benson, American singer Brandi Carlile, Aussie favourites The Cat Empire, British trip-hop band Morcheeba and John Butler. The festival will return to Tyagarah Tea Tree Farm — just outside Byron Bay — for 2020 despite Festival Director Peter Noble threatening to leave NSW earlier this year because of the State Government's strict new music festival licensing regime. An inquiry into the licence is currently underway. Better start making Easter plans because tickets are already on sale. Anyway, here's the full lineup (so far). [caption id="attachment_737186" align="alignnone" width="1920"] Dave Matthews Band[/caption] BLUESFEST 2020 LINEUP Dave Matthews Band Patti Smith and Her Band Crowded House George Benson Brandi Carlile John Butler Xavier Rudd The Cat Empire Morcheeba John Prine Jenny Lewis Frank Turner John Mayall Buffy Sainte-Marie The Marcus Kind Band Walter Trout Christone 'Kingfish' Ingram Greensky Bluegrass Larkin Poe The War & Treaty Bluesfest 2020 will run April 9–13 at Tyagarah Tea Tree Farm, Byron Bay. Tickets are on sale now via Moshtix.
When Little Lord opened in late 2015, it wooed patrons with its simple approach and comfy vibes. Two years on, owners Graham and Jax Alexander are shaking things up a little, migrating to a full vegetarian menu. The motivation for the switch is the eatery's cooking facilities, confined to the bench space surrounding the coffee machine. "We kind of got stuck in a rut... we were limited in what meat we could use anyway," Graham says. "Besides, it's way more exciting to cook with vegetables. The flavours are so different." Graham sees this shift as a positive challenge, allowing seasonal produce to dictate the cafe's offering. In this vein, Little Lord has also done away with paper menus, instead opting to display the ever-changing menu on a set of old-school chalkboards — supplied courtesy of good mates Two Chaps — behind the front counter. Their menu might've had a refresh, but Little Lord's approach to food remains, serving up high-quality produce with personal flair — such as their homemade pickles, preserves and hot sauces, which are also available to purchase. Smoked olive oil, from a 4-litre barrel in the backyard, injects an earthy flavour into several new dishes. At the moment, the selection includes two rolls, one boasting poached egg, kale, homemade zucchini pickles, cheddar and homemade salsa verde; the other with roasted broccoli, melted cheddar and fermented chilli aioli. There's also a bruschetta featuring white beetroot, smoked berlotti beans, and fermented chilli and lemon dressing. Admirers of Little Lord's three-cheese toastie, never fear. It's still around, albeit with a slight twist. Grana padano will be replaced with pecorino — "for more funk," Graham says. If your tastebuds crave something sweeter, there's homemade granola with lavender yoghurt and poached plums. Or, perhaps sample one of the homemade cakes, from a range that'll also change regularly based on fruit seasonality. Throw in a couple of creative salads, such as sugar snap peas with miso butter and white sesame, and you have a lineup that even the most vehement carnivores might just salivate over. Aside from the re-jigged food, the cafe is still a welcoming haven that'll remind you of your nanna's house: retro furniture, knick-knacks and china all included. Coffee comes courtesy of local roaster Sample and bread is by Two Chaps. In short: it's the cosy Camperdown cafe that inner-west locals already know and love, just with an ethical twist. Find Little Lord at 102 Salisbury Road, Camperdown, or head to their Facebook page for further details.
We'll be the first to admit that we'd love to get our hands on our favourite chefs' little black books of go-to restaurants. What does Matt Moran have saved in his Notes app under RESTAURANTS TO TRY? Where does Ben Shewry go on the nights he's not harvesting cabbages at Attica? Who does George Calombaris send food emojis to to set up a post-MasterChef feed? We bet it's some dingy, CBD dumpling bar where they let you bring in bottles of vintage from your resto for $1 corkage per person. Or maybe a tiny Italian restaurant in the suburbs run by a nonno-nonna dream team with bad tablecloths and amazing tagliatelle. Right? Evidently, that's what The Australian Financial Review thought too when they set up Australia's Top 100 Restaurants as voted by chefs and restaurateurs last year. But 2016's Top 100 was announced last night at The Star in Sydney, and you know where our top chefs eat? Exactly the same places as us. Taking out top place was the very same establishment that's been named Australia's best in The World's 50 Best Restaurants, Attica. Fellow Victorian Brae came in second for Dan Hunter's regional cuisine, and in third were last year's winners Sepia, which is run by Sydneysiders Martin Benn and Vicki Wild. How surprising. Rounding out the top ten were Sydney restaurants Quay, Sixpenny and the Opera House's Bennelong. Rockpool also got a look in, as did Hobart's Franklin and newcomers Ester and Automata. So either chef's only go to their mates' fancy restaurants, or, if they do go to dingy dumpling joints, they're keeping those ones to themselves.
Winter isn't just the frosty season, or woolly clothes season, or igloos-popping-up-at-every-bar season. It isn't simply soup season, roast season or mulled wine season, either. It's also prime hot chocolate season, not that there's ever a bad time to sip warm cups of cocoa. Only winter brings Australia's dedicated Hot Chocolate Festival, however. An annual favourite running for the entire month of August, this festival is held across three locations: the Yarra Valley Chocolaterie, the Great Ocean Road Chocolaterie and the Mornington Peninsula Chocolaterie. While that's excellent news for Victorians, the fest also does an at-home component, sending out its flavours nationwide. And there are flavours — 31 of them, in fact, all ranging far beyond just swapping milk chocolate for dark or white chocolate. The festival's concept is 31 hot chocolate flavours over 31 days, with different varieties on offer each week in-person. The trio of chocolate havens only tease parts of the full list in advance, but this year's includes a nod to Barbie via a pink-infused hot chocolate, as well as an Iced Vovo hot chocolate that features chocolate iced doughnuts for dunking. Or, you can sip on a poached pear and hazelnut version, a dulce de leche churros hot chocolate and a Biscoff hedgehog variety. The Happy Vegemite hot chocolate includes handcrafted caramel koalas to dip, then enjoy the melty goodness. And the Harry Potter-inspired hot choc has a chocolate wand for doing the same. Other flavours come topped with waffles or pretzels, and there's even a puppachino carob iteration so that your dog can join in. This fest gets boozy, too. In 2023, that's happening via the salted caramel espresso martini hot chocolate, plus a dark chocolate variety called French Connection that features red, white and blue balls filled with cognac. And yes, the demand for these limited-edition hot chocs is hefty, with more than 6000 usually created across the three chocolateries per year. Each hot chocolate is made with hot couverture chocolate in dark, milk, white, ruby or caramel, then served with a giant handcrafted marshmallow. For those heading along physically, each site also does tasting sessions for $24, which lets you not only sample eight hot chocolates, but pick from 50-plus ingredients to create three hot chocolate spoons to take home. And for folks who can't make the visit, single-flavour at-home packs will survey a variety of this year's flavours. The 2023 Hot Chocolate Festival runs daily between Tuesday, August 1–Thursday, August 31 at the Great Ocean Road Chocolaterie, 1200 Great Ocean Road, Bellbrae; the Yarra Valley Chocolaterie, 35 Old Healesville Road, Yarra Glen; and the Mornington Peninsula Chocolaterie, 45 Cook Street, Flinders. You can also order at-home packs online via each store. Images: A Myszka.
Booked a stay in someone else's home throughout New South Wales? Hosted a traveller in your spare room? Opened your whole Sydney house or apartment to a paying stranger? If you've done any of the above via Airbnb or a similar online sharing platform, then you've been skirting the law; however a new report looks set to change that. Due to be tabled in NSW parliament on October 19, the report follows an 18-month inquiry into the short-term rental market, which was sparked by the growing number of dwellings listed on services such as Airbnb. It recommends letting home owners rent out their rooms and homes, but also suggests that people who list their main place of residence and those who try to lease out an investment property should abide by different rules. To put it simply, if you fall into the former category, you won't have to seek council permission. If you're in the latter camp, you'll have to get the official go-head and abide by a code of conduct. The report further proposes differentiating between commercial businesses renting out places and everyday folks with an empty property, as well as enacting provisions to deal with houses that are frequently used for parties. If the new rules are implemented, they'll have the support of the City of Sydney, who made a submission in favour of Airbnb-like accommodation services to the inquiry. And, they'll continue the state's tick of approval to sharing services in general, after Uber became legal in NSW in late 2015. Yep, soon, you might be able to both stay in someone else's digs and ride their in a stranger's car — and pay for both, of course — with a clear conscience. Via The Sydney Morning Herald.
Chippendale's art gallery and party venue Freda's is throwing another all-out bash this Feb — but this time it's for charity. Make it Rain lets you party into the wee hours, all while fundraising for WIRES and the Fire Relief Fund for First Nations Communities. It'll all go down on Saturday, February 1 and feature live music, art auctions, market stalls and talks. Doors open at 6pm, with a Yikes! panel discussion starting at 6.30pm — this environmentally minded collective has gathered special guests Lucy Mann (CEO of 350.org Australia) and Glenn Morris (Farmers for Climate Action) for the night. Then, from 8pm–4am, a range of live acts will take the stage. Headliners include Babitha, Side Hustle, Keep it Disco and Dary & Lex Deluxe, to name a very few. Freda's basement art space Down/Under will also play host to an art auction for the night. It features local Sydney artists Natalie Synnott, Presley Joy Paget and Nadia Hernandez and photographers Andrew Kaineder, Stephanie Simcox and Saskia Wilson — plus a special Freda's collab with artist Carla Uriarte. There will also be food and designer stalls, and donated merch from the likes of Misfit Shapes and Holiday The Label. All proceeds from any of these sales will go toward the charity. Ten percent of the bar earnings will be donated, as well as all door entry fees. Entry will cost a tenner between 6–9pm and $15 thereafter. For those looking to give more, donation bins will also be scattered across the venue. Image: Kitti Gould.
Very serious media outlet The Betoota Advocate will hit the road this summer, spreading its particular brand of satire and wit throughout the country. Hitting all capital cities (as well as Townsville, Toowoomba, Gold Coast, Newcastle and Wollongong), The Betoota Advocate's travelling show will partly be in response to big lay-offs from the major players in Australian media, and the merging of media brands. How have they managed to keep a media outlet in business in the current day and age of readership decrease and draining funds? How did they gain such a cult-like following? Where exactly is "Betoota"? All these questions will be answered and more, when The Betoota Advocate founders Clancy Overell and Errol Parker (and a special guest) take to the stage for a 90-minute satirical presentation about how they've ended up where they are, and how they run on a daily basis. With millions of hits online per month, the Advocate is certainly doing something right — even if that something is turning the zeitgeist completely on its head. If you're reading this wondering who they are and what they write about — well, best get acquainted. Past headlines include "Australia Enjoys Another Peaceful Day Under Oppressive Gun Control Regime", and "21-Year-Old Disappointed To Learn He's Too Old And Out-Of-Touch To Be A SoundCloud Rapper". It's a riot. Since the website has birthed endless confused texts from parents — asking, for example, whether the Australian Citizen Test really includes a question on how to mix cordial properly — we suggest you bring them along. Get your tickets from 12pm Wednesday, August 1, here. THE BETOOTA ADVOCATE ROADSHOW Townsville — Saturday, November 3 Darwin — Sunday, November 4 Toowoomba — Tuesday, November 6 Brisbane — Thursday, November 8 Gold Coast — Friday, November 9 Wollongong — Sunday, November 11 Newcastle — Tuesday, November 13 Perth — Friday, November 16 Melbourne — Saturday, November 17 Hobart — Sunday, November 18 Adelaide — Thursday, November 22 Canberra — Friday, November 30 Sydney — Saturday, December 1
It was true in 2023 and it's set to prove the case again in 2024: if you can't find something on the SXSW Sydney lineup for you, you aren't looking hard enough. Want to enjoy the massive tech, innovation, screen, music, games and culture festival, but saving your pennies? That's where its free Tumbalong Park hub comes in — and it too is returning for another year. When SXSW Sydney runs its second fest across Monday, October 14–Sunday, October 20, it'll also host its second public program at Darling Harbour. Here, it doesn't matter if you're also heading to the music festival or the screen festival, trying to catch as much of the entire event as possible or aren't paying for any SXSW tickets at all. Whichever fits, you can check out more than 60 hours of free entertainment, including tunes, talks and movies. [caption id="attachment_953722" align="alignnone" width="1920"] Jaimi Joy[/caption] Just-announced highlights include Silverchair's Ben Gillies teaming up with songwriter Tushar Apte and futurist Johannes Saam, which ticks both the music and tech boxes; a 60th-anniversary screening of iconic surfing film The Endless Summer, hailing from the screen portion of the program and including an after party; and a day-long showcase of Indian creativity to wrap up the fest, with +91 Calling! featuring an array of different music genres. Attendees can also catch Bush Shorts, a selection of short films by Australia's First Nations and Indigenous talents; conference talents getting chatting at Meet the Speaker sessions; an innovation showcase that's all about rockets, robotics and more; and a Fortnite competition for high schools. On top of all of this, there will also be food trucks, plus pop-up activations from a range of brands — and yes, the Suntory -196 Extreme Vending Machine will be back. [caption id="attachment_953715" align="alignnone" width="1920"] Ian Laidlaw[/caption] SXSW Sydney's lineup drops are in full swing, after a first batch came in May, then a second round in June. In July, the fest revealed not one, not two, but three rounds of additions to its 2024 program. Also on the bill across the rest of the fest beyond the free Tumbalong Park hub: Australian The New Boy filmmaker Warwick Thornton, The Babadook composer Jed Kurzel, the UK's Jorja Smith on the 'Be Honest' musician's Australian tour, human rights lawyer Jennifer Robinson, author Johann Hari, Australian race car driver Molly Taylor, pianist Chad Lawson, Westworld's Luke Hemsworth hosting a session about the Tasmanian tiger and Aussie astronaut Katherine Bennell-Pegg. Or, get excited about Heartbreak High star Ayesha Madon, cricketer David Warner, Mortal Kombat director Simon McQuoid, TikTok marketing head Sofia Hernandez and documentary Slice of Life: The American Dream. In Former Pizza Huts, about the new uses of former Pizza Hut buildings across America. There's still more where they came from, plus more to come. [caption id="attachment_953724" align="alignnone" width="1920"] Jaimi Joy[/caption] [caption id="attachment_953717" align="alignnone" width="1920"] Paul McMillan[/caption] [caption id="attachment_923290" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues, including Tumbalong Park, 11 Harbour Street, Sydney. Head to the SXSW Sydney website for further details. Top image: Brendon Thorne/Getty Images for SXSW Sydney.
It may well be time for chauffeurs around the world to come up with a backup plan. With every new insight, it seems that Google's self-driving car could have the potential to put them out of business. The above photo illustrates exactly what the Knight Rider-esque invention can see. As deducible from the orange concentric circles, it's capable of 360 degree vision, which is kind of like having someone with four heads in the driver's seat. Moreover, according to Bill Gross, who first Tweeted the image in late April, the car processes a whole gigabyte of information every second. So far, Google's prototypes have successfully covered 400,000 miles of road. Even though it has long been thought that self-driving vehicles wouldn't go public for another twenty years, it's now looking as though they'll be widely available within five. The law has yet to catch up, however - driverless cars are illegal in every state in the U.S., with the exception of Nevada, California and Florida. Of course, the enforcement of road rules becomes a tricky issue when there's no one behind the wheel. According to Google, the future promises less traffic and fuel consumption, as well as increased mobility and safety. Those incapable of driving can start looking forward to some new-found freedom. [VIA boing boing]
Master German photographer Sven Marquardt will be the subject of dual exhibitions in Sydney and Melbourne this May. Splitting his time between his art and working the door at Berlin's exclusive Berghain nightclub, Marquardt has become an icon both at home and abroad as a result of his striking black and white photographs, captured exclusively using analogue cameras. Now, thanks to the Goethe-Institut, he's on his way to Australia. Marquardt's first stop will be in Melbourne, where he'll introduce Fotografien, a five-week exhibition of his work at The Substation in Newport. After that it's on to Sydney for the launch of Future's Past, a two-and-a-half week show at Ambush Gallery in Chippendale, co-presented by the Head On Photo Festival. Shutterbugs, don't let this one pass you by.
Do you feel guilty every time you leave the house and leave your four-legged best friend home alone? Have you ever wondered what your favourite canine gets up to when you're out? Maybe you've just stepped inside one day to find that your pet has turned the television on and is sitting there staring it at. It happens. Whichever category you fall into, making sure your doggo isn't bored when you're out can be an enormous source of stress for pet owners — but a new collection of audiobooks wants to help. Whether your woofer has shown a love for literature (bringing in the newspaper or munching on a few books, perhaps?) or just likes the sound of someone's voice, Audible for Dogs has been specially curated for pooches left on their lonesome. It's inspired by a UK study that suggests that canines in kennels respond better to audiobooks than music, with the doggo-centric library featuring tales that have been "chosen for their calming narration and evenly paced narrative". And no, Marley and Me definitely isn't one of them. That said, there are a number of dog-focused titles in the collection, such as Red Dog, Working Dog Heroes and The Spotted Dog — which, along with Tim Winton's Cloudstreet, form Audible for Dogs' Aussie Collection. Other books available include Pride and Prejudice, David Copperfield, Anne of Green Gables and The Great Gatsby as part of the Classics Collection, so you can expose your fluffy friend to the greats (and maybe even listen to a few with them). Your four-legged bestie can also relax to Big Little Lies, Sherlock Holmes and The Lord of the Rings — and hopefully it won't start searching for precious things after the latter. The range of titles also comes with plenty of high-profile voices doing the narration, spanning everyone from Stephen Fry to Rachel McAdams to Jake Gyllenhaal. Audible for Dogs' selection has been chosen by animal behaviourist Dr. Susan Hazel, as well as Aussie media personality and dog-lover Osher Günsberg — and if you buy one of its audiobooks between now and November 2, 2019, $1 from each purchase will go to the Sydney Dogs and Cats Home. The two special doggy bundles each cost $19.95, while general Audible membership costs $16.45 per month. For more information, visit the Audible for Dogs website.
The rapidly evolving landscape of the Sydney CBD continues to gain international recognition, raking in three nominations at this year's annual awards given by the Council on Tall Buildings and Urban Habitat (CTBUH). The well-regarded, Chicago-based competition rewards outstanding design, planning and construction of tall buildings, and remains an influencer in future building projects worldwide. The most notable finalist are the International Towers at Barangaroo, which have been shortlisted in the 'Best Tall Building: Asia & Australasia' category. They will compete against eight office buildings and hotels in the region — including four in China, three in Singapore and one in South Korea. If awarded, Barangaroo will then go up against the three additional regional winners from the Americas, Europe and Middle East & Africa categories to be judged for the title of '2018 Best Tall Building Worldwide'. Sydney is not new to this honour, with One Central Park taking home the gold back in 2014. But the plaudits doesn't stop there, with two George Street buildings also in the running for lesser awards. The EY Centre is up for the Best Construction Award, making the final cut with five other buildings from New York City, Salt Lake City and Shenzhen (China). This building already gained national recognition in 2017, winning the Harry Seidler Award for Commercial Architecture at last year's National Architecture Awards. In the Ten Year Award, residential complex Lumiere is a finalist against international designs in the States, the UK, Dubai, China and Bahrain. The award is bestowed on buildings that prove valuable to their cities over a period of time In all categories, the winning projects must display innovative designs that enhance their respective cities. The winners will be announced May 30-31 at the inaugural Tall + Urban Innovation Conference in Chicago, which will celebrate the best in international design innovation, technologies and construction. Via Commercial Real Estate and Architecture AU. Feature image via Wikimedia.
It's about to get a whole lot harder for any NSW driver to get away with using their mobile phone while driving — and it's thanks to a world-first move by the NSW Government, which has agreed to adopt speed camera-style technology to detect the illegal behaviour. As reported by The Sydney Morning Herald, the legislation giving the tech the go-ahead was passed in NSW parliament this week. It's hoped the decision to use the cameras will have a huge positive impact on the number of road fatalities — much like when breath testing was introduced back in 1982 and slashed fatal accidents by almost 50 percent. "The community wants safer roads and better driver behaviour," NSW Minister for Roads Melinda Pavey told The Sydney Morning Herald. "Three quarters of those surveyed supported the use of cameras to enforce illegal mobile phone use." But the technology doesn't actually exist yet. The government will now put the call-out to companies who are interested in providing the technology. Whatever that technology may be. Most drivers will probably see this as a cash grab — fully licensed drivers are looking at a $330 fine and four demerit points if caught — but Mrs Pavey said that money raised from the camera fines will go back into a Community Road Safety Fund. And considering that the dangerous use of phones involved in 184 crashes between 2012 and 2017, it's not hard to see why the decision's got so much backing. Via The Sydney Morning Herald.
Got a thing for vino? Woollahra's Bistro Moncur and Moncur Cellars have teamed up for the Wine Tasting Series – a collection of interactive events designed to impress and inform your palette. The first of these events is Chardonnay Australia, where guests are invited to taste exceptional wines from top-notch vineyards across the country. Served inside Bistro Moncur, this exceptional line-up features 80 chardonnays selected from esteemed names such as Leeuwin Estate, Tyrrells, Pierro, Mount Mary, Tolpuddle, Domenica and By Farr. Before or after the tasting, drop into the Woollahra Hotel next door for a series of unbeatable $20 specials, including mixed dozen dumplings, schnitzel, and steak and chips. Held on Monday, March 3 across two sessions, this is the first event in the Wine Tasting Series. Presented throughout the year, other events on the schedule include Pinot Noir Australia on May 5, Shiraz Australia on August 11 and Champagne Fair on December 1. Tickets are $50.
If you've ever said "XOXO" aloud, you've obviously seen Gossip Girl, the glossy, quickly addictive drama about Manhattan teens, their hectic lives and their glam outfits that initially aired between 2007–2012. It's the show that introduced the world to Blake Lively, Chace Crawford, Leighton Meester and Penn Badgley, and made everyone want to sit on the steps of The Met. It also demonstrated that you can never have too many headbands, and had us all wishing that Kristen Bell could narrate our every move, too. Gossip Girl is getting a follow-up series with a brand new cast that's also heading to Binge, because nothing says goodbye forever these days — and because all that drama was never going to subside for too long. But there's still nothing quite like the original, which starts with the return of Serena van der Woodsen (Lively) to the Upper East Side and the fallout within her inner circle, as constantly chronicled by an all-knowing blogger.
It's Nicole Kidman's next miniseries role after The Undoing. It's based on the 2018 novel penned by Big Little Lies author Liane Moriarty. It also stars everyone from Melissa McCarthy (Thunder Force) and Michael Shannon (Knives Out) to Luke Evans (Crisis) and Asher Keddie (Rams). And, it brought all of the above famous faces — and Bobby Cannavale (Superintelligence), Regina Hall (Little), Samara Weaving (Bill & Ted Face the Music), Melvin Gregg (The United States vs Billie Holiday), Asher Keddie (Rams), Grace Van Patten (Under the Silver Lake), Tiffany Boone (The Midnight Sky) and Manny Jacinto (The Good Place) as well — to Byron Bay, where it was shot. Yes, Nine Perfect Strangers was always going to be one of 2021's big TV shows — and viewers Down Under can now look forward to watching it on Amazon Prime Video. When the series dropped its first teaser trailer back in April, exactly where folks in Australia and New Zealand would be able to watch the eagerly anticipated program hadn't yet been revealed. Now, the streaming service has announced that it'll be airing it on our shores. It hasn't advised exactly when, though, so don't go pencilling a date into your calendar just yet. That said, Nine Perfect Strangers is due to start streaming week-to-week via Hulu in the US from August 18, so fingers crossed that Amazon will make it available here around the same time. Story-wise, Perfect Strangers casts Kidman as a wellness guru. She's unlikely to leave anyone feeling relaxed, however. Her character Masha oversees a resort that promises to transform nine city dwellers, and you can bet that things aren't going to turn out as planned for the show's titular figures. As with Big Little Lies and The Undoing, David E Kelley (LA Law, Ally McBeal, Mr Mercedes) is leading the charge behind the scenes. He's the show's co-writer and co-showrunner, with Long Shot's Jonathan Levine directing every episode. And yes, Byron Bay seems to be quite the TV hub at the moment, given that Stan's upcoming mystery-drama series Eden also shot in the area, and that Netflix is working on a docu-soap about Byron Bay influencers. Check out Hulu's new date announcement teaser trailer for Nine Perfect Strangers below: https://www.youtube.com/watch?v=sv3fA0D2cAk Nine Perfect Strangers is slated to air in the US on Hulu from August 18; however, Amazon Prime Video is yet to announce a streaming date for Australia and New Zealand. We'll update you when one is announced.
This year has taught us many things, but one of the best lessons has been how to find joy in the little things. With big moments that normally punctuate our lives — like overseas holidays, massive parties and gigs — stripped away, we've had to look elsewhere for those dopamine kicks that improve our day-to-day. But it wasn't as hard as we thought. Even in this altered state of 'normal', our city is brimming with quick pick-me-ups — if you know where to look. To give you some inspiration, we've teamed up with Oporto to bring you a 'small win' for each day of the working week. Give these a go and the weekend will be here before you know it. [caption id="attachment_619427" align="alignnone" width="1920"] Andrew 'Boy' Charlton Pool[/caption] MONDAY: TAKE AN EARLY MORNING DIP Monday mornings are rough. After two full days of sleep-ins, socialising and sipping cocktails, you now have to face five days of full-blown adulting. And while this suggestion will require you to sacrifice a bit more of that precious sleep, we swear it's worth it. There's something restorative about submerging yourself in cold water (and if you don't believe us, believe Gwyneth) making it the perfect way to start the day and week. Whether you decide to parlay this activity into your weekly exercise quota with a few laps at Andrew 'Boy' Charlton Pool, do a little snorkelling in Clovelly or just have a bob in Bilgola's ocean pool, it'll make popping on your business attire or customer service smile much less painful. [caption id="attachment_622123" align="alignnone" width="1920"] Ritz Cinemas, Kimberly Low[/caption] TUESDAY: CATCH A CHEAP MOVIE Thanks to streaming services, going to the cinema has increasingly felt like a novelty over the last few years, but never more so than now. Rather than turning straight to your Netflix queue after work, take advantage of the long-running discounted ticket deals on Tuesdays and see the latest blockbuster for less. Not that keen on any of the big-name new releases? Hit up one of Sydney's independent or smaller cinemas, like The Hayden Orpheum, Ritz Cinemas and Palace Cinemas, which often screen more obscure titles, film festival favourites and retrospectives. [caption id="attachment_770822" align="alignnone" width="2000"] White Rabbit Gallery, Kimberley Low[/caption] WEDNESDAY: GET YOUR MIDWEEK CULTURAL KICKS If last night's film didn't quite fill your cultural quota for the week, we suggest spending your lunch break immersed in art. At the Art Gallery of NSW, you can catch Some Mysterious Process until September 13, before the Archibald, Wynne and Sulman Prizes 2020 exhibition opens on September 26. Meanwhile, October 2 sees the unveiling of Lindy Lee: Moon in a dew drop at the Museum of Contemporary Art, and Chippendale's White Rabbit Gallery is still running its huge retrospective And Now (which you can check out for zero dollars). Can't make it anywhere in person? Check out Casula Powerhouse Arts Centre's digital program, which includes a 3D virtual tour of Pulse of the Dragon, backstage tours and archive footage of past events and interviews. [caption id="attachment_772332" align="alignnone" width="1920"] Chinese Garden of Friendship[/caption] THURSDAY: EAT LUNCH IN A PARK When the endless emails, looming deadlines or impolite customer interactions have you feeling a little jaded, take a proper midday break. Remind yourself that there's beauty in the world by having an impromptu picnic in the park. We're partial to the serene Chinese Garden of Friendship, which feels like a true oasis within the city. If you can't justify the entry fee, the Royal Botanic Garden is, of course, free and just as beautiful. A bit further out of the CBD, we recommend Wendy Whiteley's Secret Garden in Lavender Bay, the sprawling Centennial Park or Camperdown Memorial Rest Park. All of these spots are within walking distance of an Oporto, so make your to-go lunch the new Halloumi and Chicken Rappa, packed with fresh, flavourful ingredients including grilled halloumi and chicken, creamy mayo, mixed lettuce, avocado and tomato capsicum relish. [caption id="attachment_689129" align="alignnone" width="1920"] Cork & Chroma[/caption] FRIDAY: FLEX YOUR CREATIVITY There are two things we all want at the end of a long week. The first is to see our mates, and the second is to turn off our work brains ASAP. Combine the two by planning a catch up with your crew over a creative class, where you can put those weary feet up, chat about fun stuff and let your creative juices flow. There are plenty of options to choose between — from boozy painting classes at Cork & Chroma and ceramics workshops at The Pottery Shed to cheesemaking classes at Omnom. Check out Oporto's full Rappa Range here, then make tracks to your closest store — or order online. Top image: White Rabbit Gallery, Kimberley Low
The spooky season may have ended, but a spine-tingling series of experiences still lingers on in Sydney from November through to January 2024. This is, of course, Darkfield, and you've probably heard of its spooky setpieces before — either here on Concrete Playground or on social media. Truly masters of immersion, Darkfield is bringing all four of its experiences together to Sydney, specifically Barangaroo's Harbour Park, with two returning favourites and two experiences making their Sydney debuts. Each experience takes place in a single shipping container, but don't let the unassuming exterior fool you — eerie thrills await within. The two returning stars are Séance and Flight: the former sees you take a seat alongside your participants before you're thrust into a world of sensory deprivation to make contact with the spirit world. The latter is the manifestation of a very common fear, placing you in a mock aeroplane cabin to experience the dual outcomes of a doomed passenger flight. The two experiences premiering in this visit are Coma and Eulogy. The former will lay you down in a bed and let you slowly fall into a dreamlike state, all while the multisensory effects of the show play out around you. The latter will see you explore a dark labyrinth with a chaperone; keep your wits about you for the audio and speech recognition technology, and whatever you do, do not wander off of the path. So, what do these spooky experiences have in common? They all use a blend of 360-degree sound design and play on the psychology of their participants, but only for a runtime of 20–30 minutes, and each ticket is priced between $22–30. Shipping containers have limited capacity, so booking in advance is a must, and if you book one show, you'll score discounts on return visits. Darkfield will be available at Barangaroo from Thursday, November 23 to Sunday, January 21, 2024. For more information and to book tickets, visit the website. Images: Mihaela Bodlovic
If you've ever landed overseas only to be slapped with eye-watering roaming charges, Holafly wants to make your next trip a whole lot easier. The global travel tech company has just launched its unlimited data eSIMs for Australian travellers, offering affordable access across more than 200 destinations. According to Holafly, many Australians still pay up to $10 a day for international roaming. Well, Holafly has done the maths, and that means $70 for a week in Bali or $300 for a month in Europe. Not to mention, this often comes with frustrating data caps and speed restrictions, too. Holafly's digital eSIM helps cut that cost by as much as 60 percent. Travellers can activate a local plan before flying out, connect instantly upon landing and avoid bill shock altogether. No SIM swaps, no surprise charges and unlimited data wherever you go. Founded in 2018, Holafly has already connected more than ten million travellers worldwide. Its eSIMs are delivered instantly by email, with activation taking just a couple of minutes. From there, you've got unlimited data at maximum speeds, plus round-the-clock customer support. Coverage spans more than 200 destinations, including Japan, the United States, Canada, Singapore, South Korea, the UK and much of Europe, with 5G available in select countries. Plans run up to 90 days, making them ideal for long-haul escapes and extended stays. You can grab a plan directly through Holafly's website or mobile app before you fly.
Erskineville's historic LGBTQIA+ haunt The Imperial is once again doing it big for Mardi Gras. This year, The Impy has partnered with the folks behind Broken Heel Festival to bring Sydneysiders a whopping 15 events that span a full week (March 2–7). Think drag comps, costume and makeup workshops, Drag N Dine brunches and countless performances — all culminating in an official Mardi Gras Parade day bash. There's bingo on Tuesday, March 2, trivia on Wednesday, March 3, a costume 'werqshop' on Thursday, March 4 and a makeup edition on Friday. A massive two-day drag competition will also take over the Basement. On Saturday, March 6, every floor of Imperial will be raging. If you're looking for a Mardi Gras that's a bit extra, opt for the VIP experience, taking place on the venue's rooftop, Imperial Up. It'll turn into a tequila lounge for the occasion, complete with rainbow margarita slushies, five hours of bottomless booze and an Italian-style grazing package. But there are only a few bookings left, so get on it. Images: Imperial Up
For the first time in five years, artist Patricia Piccinini's floating artwork Skywhale is back in Victoria. The Skywhale isn't any old artwork either, it's a 34-metre-long hot air balloon in the form of a large fleshy animal — and it just flew high above the Yarra Valley. Taking off in the wee hours (when you were hopefully still curled up in bed) from Dixons Creek, it made its way across the Yarra River travelling from Yarra Glen to Tarrawarra. The theriomorphic balloon isn't floating here by chance, either, it's in the Valley to promote Piccinini's latest exhibition at the TarraWarra Museum of Art, dubbed Patricia Piccinini and Joy Hester: Through Love..., which kicks off this Saturday, November 24. On display until March 11, 2019, the exhibition not only focuses on Piccinini's weird and wonderful works — that tread the thin line between humanity and animal — but on fellow Australian artist Joy Hester. If the latter's name doesn't sound familiar, she was a Melbourne artist who passed away in 1960, favoured brushwork and ink on paper, and is considered one of Piccinini's key influences.This'll be the first time anywhere in the world that a gallery has explored the connection between the pair, with more than 50 pieces on display. But back to our Skywhale. Here it is floating in all its fleshy glory today: https://www.instagram.com/p/BqdGVb_l7a8/ https://www.instagram.com/p/BqdBj1Dhm4b/ If you missed it this AM, it might be taking flight once again this weekend. While the flight is dependant on the weather, if it does takeoff, it'll be doing so very early in the morning (around 5.45am). For updates, keep an eye on the TarraWarra Museum of Art Facebook page. Image: Patricia Piccinini Skywhale, 2013, courtesy of the artist, the Australian Capital Territory Government, Tolarno Galleries and Roslyn Oxley9 Gallery.
Aussie Aussie Aussie! ...No? We don't do that for literary awards? Regardless, Tasmanian author Richard Flanagan won the Man Booker Prize last night in London, and we couldn't be more proud. Commended for his harrowing POW story The Narrow Road to the Deep North, Flanagan is just the third Australian to ever win the prestigious award. In related news: the first book on your summer reading list is now sorted. The Man Booker, for those not in the know, is one of the most respected awards in the industry. Established in 1968, past winners of the prize have included J.M. Coetzee, Peter Carey, Margaret Atwood, and last year's NZ-born recipient Eleanor Catton. The award (and the $88,000 in prize money) is given to the author with the best book published in English in the UK each year. Though previously reserved for those in the Commonwealth, 2014 was the first year the prize was opened up to authors of any nationality. Because of this Flanagan beat not only a few Brits, but a couple of Americans to win the top prize. Though Neel Mukherjee was tipped to win for his story of family life in Calcutta The Lives of Others, Flanagan prevailed. The Narrow Road to the Deep North is the third consecutive Man Booker winner with a historical focus. Inspired by the hardships of his father, Flanagan's story is about prisoners of war on the Burma Railway. His father died on the day he finished the book. We suggest heading to a bookstore soon, this little Tasmanian gem will be flying off the shelves. If all else fails, a free sample of the book is available via Random House. Happy reading. Via SMH and ABC.
Playground Weekender is, for the uninitiated, a four-day extravaganza in arguably the most gorgeous festival location near Sydney, Del Rio's Riverside Resort on the Hawkesbury. We're talking lush green bush land, a sparkly river and all the trimmings of a 'Riverside Resort' - nine hole golf courses, tennis courts, riverside chalets and kangaroos that serve you cocktails. Add yoga, the Club Tropicana (!) swimming pool, cabaret, cinema, a beauty salon and a 24 hour general store, and there's little wonder if features very near the top of our list of favourite festivals. Now back for its sixth year with a cavalcade of amazing artists and things to do, the 2012 edition will feature performances by artists such as Chic ft. Nile Rodgers, Boy and Bear, Roots Manuva, Black Lips, Ariel Pink's Haunted Graffiti, Unkle Sounds, Shapeshifters and Lanie Lane. If you need a break in between shows go and visit the Village Green, home to an array of food stalls, stand up comedy, and a beer and cider garden. Or, if you prefer, do a session of yoga and have a massage in a teepee. Playground Weekender takes place from March 2-5 at Del Rio Riverside Resort, Wiseman's Ferry. Want to get your hands on a four-day double pass? To win, simply subscribe to Concrete Playground (if you haven't already), then email hello@concreteplayground.com.au. Entries close at 5pm on February 29, 2012. https://youtube.com/watch?v=Z5ExV8ABNNU
Throughout 2021, Marvel and Disney+ have been showering viewers with new TV series, all featuring characters we all know and love from the Marvel Cinematic Universe. So, you've probably watched Loki get up to his trickster antics in Loki, and seen The Falcon and The Winter Soldier team up in The Falcon and The Winter Soldier. And, you likely now have Hawkeye's next adventures in the upcoming Hawkeye on your radar as well. Yes, these MCU streaming series couldn't have more straightforward names. Yes, Marvel has now turned watching TV into big-screen homework, given that its movie franchise keeps hitting cinemas (thanks to Black Widow and Shang Chi and the Legend of the Ten Rings already this year, and with Eternals and Spider-Man: No Way Home still to come before 2021 is out). And yes, the first of these new MCU Disney+ shows finally made everyone take notice of the always-great Kathryn Hahn, who stole every scene she was in each and every time she popped up in WandaVision. Obviously, WandaVision was about Marvel characters Wanda and Vision, with Avengers: Endgame's Elizabeth Olsen and Paul Bettany reprising their roles. But Hahn also played a significant part as neighbour-slash-witch Agatha Harkness, even nabbing an Emmy nomination for her efforts. So, because she was such a fan favourite, she's now getting her own show. Variety reports that the series will be a dark comedy about Agatha, starring Hahn; however, details beyond that are currently under wraps. But the character has a considerable history, only some of which WandaVision dived into. In comic books, she's been around since the 70s — and, story-wise, her tale dates back to the Salem witch trials. The news — and the world's reaction to the glorious Hahn — won't come as a surprise if you've been watching the exceptional actor throughout her pre-Marvel career. She stole scenes in Parks and Recreation, Transparent and I Know This Much Is True as well, and made an impact in movies as varied as Revolutionary Road, Our Idiot Brother and the Bad Moms flicks. And, she's also exceptional in Netflix film Private Life as well. Exactly when Marvel and Disney+'s Hahn-led Agatha Harkness spinoff will arrive hasn't been revealed. But, you can get the Emmy-winning 'Agatha All Along' tune stuck in your head again now until more news drops: WandaVision is currently available to stream via Disney+. When Marvel and Disney+'s Agatha Harkness spinoff will drop hasn't yet been revealed — we'll update you when more information is announced. Via Variety. Image: Suzanne Tenner, Marvel Studios.
10x10 is a youth- and volunteer-led organisation encouraging the next generation to get involved in philanthropy. How it does this, however, is a little different — it raises money for charities by hosting interactive, live crowdfunding events. And it's next one is happening in Sydney on Thursday, April 19. The organisation was started four years ago by a group of young people who wanted to make a difference. Since then, it has raised over $1.2 million for 108 different charities across Australia, UK, Hong Kong and the USA. The events — which are held biannually in Sydney, Brisbane, Melbourne and Adelaide — are broken into three parts. First, you head to 10x10's website to make a pledge of $100 or more (this amount will be converted into "Charity Dollars" and is also your ticket). Next, you rock up to the event, where three different start-up charities will pitch their causes to the crowd. Finally, you decide what charity you want your pledge, or "Charity Dollars", to go to and bam — a little more goodness is created in the world and a charity nabs some much-needed funds. You'll also have the chance to sip wine, snack on complimentary bites and chat to like-minded, philanthropic folk at the event. So think of it as a fundraiser-meets-cocktail party (without the starched collars and ballgowns). Pitching on the night will be Barayamal, an organisation supporting Indigenous youth; The John Mac Foundation, who works to empower refugees and others impacted by war; and the Dandelion Support Network, who organises physical donations for young families in need. If you feel any of these are more in need of your dollars than you and your avocado toast (they are), get amongst it — you can make your pledges here and they're 100-percent tax-deductible.
Come early 2021, the Gold Coast will boast yet another attraction, and it doesn't involve sun, surf, sand or theme park rides. Southeast Queensland's popular tourist destination will become home to a $60.5 million, six-level art gallery — the country's largest art gallery outside of a capital city. Currently under construction at Surfers Paradise's HOTA, Home of the Arts, the gallery will include a 1000-square-metre main exhibition space that'll be used for touring exhibitions, plus 900 square metres of permanent collection space across three levels, a children's gallery, and another 1000 square metres for storing works that aren't on display. Simply called the HOTA gallery, it's being built at the top of the site's new concert lawn, and will overlook HOTA's outdoor stage. View-wise, for those keen to gaze at something other than the pieces gracing the walls, the building's rooftop will also be open to the public — and, with a bar part of the plans, it'll serve up plenty of drinks to go with the 270-degree vantage over both the city skyline and natural vistas. Going in the opposite direction, a ground-floor restaurant will also feature. With linking with HOTA's outdoor grounds a key component of the site — with the gallery both spilling out onto the landscape and incorporating the garden into its internal spaces — the structure's design and construction is being overseen by Hansen Yuncken, who managed the same process for Hobart's Museum of Old and New Art (MONA). From late 2019, HOTA will also boast a brand new 130-metre green bridge over the Nerang River, connecting it with the rest of Surfer's Paradise via Chevron Island, and making it easier for pedestrians and cyclists to get to the arts centre. HOTA Gallery is set to open at HOTA, Home of the Arts, 135 Bundall Road, Surfers Paradise from early 2021. For more information, visit the HOTA website. Image: HOTA, Home of the Arts.
Looking for the perfect way to sport your mo in spirit of Movember? Grand Royal Barbers (locations in Darlinghurst, Taylor Square, and the City) will give your mo style and flare for a $10 donation to Movember. They hope to raise $5000 for the cause so they need 500 'mo bros' to help out. And as an added bonus to your new and stylish moustache, every participant will receive an American Crew pack of products and a $10 shave voucher for your next visit to Grand Royal Barbers. Be sure to check out their Facebook page here for more pictures of mo styles, plus details about the Movember charity drive and giveaways. Concrete Playground has 5 gift packs and 5 haircut/shave vouchers (valued at $130) for Grand Royal Barbers to give away. To go in the running, just subscribe to Concrete Playground (if you haven't already) then email hello@concreteplayground.com.au
Let's all be honest with ourselves for a minute. New Year's Eve can traditionally be a bit of a disappointment. There's always plenty of commotion surrounding grand plans to be with all of your friends and share the magical moment when we are welcomed by a new year and a fresh start. You make a few resolutions about how you're going to finally sort your life out, and promise yourself that the coming year will be nothing like the last. However, New Year's Eve plans have a tendency to dissolve at the last minute, and before midnight strikes you're starting to wish you spent the evening drinking alone on your dilapidated couch, watching the fireworks on television. Here we have compiled a handful of events that will help you escape your yearly routine of New Year's Eve letdowns. Kickstart 2012 with a bang and head to one of these venues for a momentous start to the new year. Peats Ridge Festival Just a short drive from Sydney City, Peats Ridge Festival is located in the harmonious wilderness of the Glenworth Valley. Escape the urban rush with a four-day eco-friendly festival featuring the world's leading indie artists. These include the socially-aware singer Xavier Rudd, ambient electronic sounds from rising Sydney sensation Oliver Tank, and the acoustic stylings of Jim Ward, former guitarist of the legendary post-hardcore outfit At The Drive-In. Aside from the music there are organic food stalls, an Indigenous festival and a Masquerade ball on New Year's Eve. Unlike many festivals, Peats Ridge Festival is all ages, so feel free to bring your little siblings along. Read more 11.12 You Only Live Once is a premium collective bringing together some of the main figures and minds behind electro group Sneaky Sound System, fashion icons Ksubi and world-renowned restaurant Icebergs. To welcome in 2012 they have presented 11.12 — a New Year's Eve event with the goal of bringing "the best house party at the best house in the world." They've done this by choosing a location which can't be beaten: the Sydney Opera House. They've also enlisted help from the godfathers of house music, Frankie Knuckles and Jamie Principle. In support will be Riton, Beni and Dangerous Dan. Read more GoodGod NYE: The Last Resort The fact that GoodGod is located in Chinatown only adds to the wonderful irony of their "trailer trash" themed New Year's Eve party. They promise to transform the club into a "pig huntin', tobacco chewin', knee slappin' resort." Tunes will be provided by garage-punk outfit Royal headache, as well as DJ King Opp. Tickets to this event are only $18, which means you can spend more money on rounds of straight Kentucky bourbon. Grab your oldest flannelette shirt and start styling that mullet for what is set to be a rowdy and rambunctious night. Read more Camping on Cockatoo Island Grab your own 4x4 metre slice of paradise with the opportunity to camp on Cockatoo Island. This family-friendly event gives you the best possible view of the world-famous fireworks, and all without the hassle of the intense crowds that horde the CBD. Catch an early ferry to grab yourself a good spot, and perfect your own tent to make yourself feel right at home. This camping experience gives you an escape without the need to travel outside the city. Babies under 1 year of age score with free entry, so they're the real winners here. Read more Summer Opener NYE: Sun Studios This year's Summer Opener takes place at Sun Studios, a recently renovated warehouse in Alexandria. With walls stretching up to 25 feet high and equipped with superb sound and lighting features, this is the perfect venue to host one huge New Year's Eve party. The line-up is fronted by Emerson Todd, a Berlin-based DJ who has also found considerable success in Australia. His popularity has been reflected in his work with the likes of Pnau and The Sleepy Jackson, as well as appearances on the festival circuit at We Love Sounds and Future Music Festival. He will be supported by Ft Mode, Eoin Brosnan and The Amateur DJs. Read more Rhythm and Vines Festival, New Zealand If you're feeling a little more adventurous this New Year's Eve, hop over the Tasman to our close neighbours in New Zealand for the Rhythm and Vines festival. Stretching over the last three days of December, Rhythm and Vines helps you welcome the new year with one of the biggest line-ups to grace the festival circuit in 2011. This installment is headlined by Australia's biggest drum and bass export, Pendulum, whilst Calvin Harris brings his incredibly infectious sound to eager audiences. Others acts include Grandmaster Flash, Skream and Benga, and Erick Morillo. And courtesy of our friends at Stolen Rum, Concrete Playground has a double-pass three-day Club Stolen VIP Package up for grabs. Read more Guillaume at Bennelong If you're feeling especially expensive and swanky this New Year's Eve, then Guillaume may have a suitable option for you and that special someone. This restaurant is run by the esteemed Guillaume Brahimi, who offers Australian cuisine with a twist from our friends in France. On New Year's Eve, canapes and drinks are only the beginning, as guests will then be treated to a seven course degustation menu with wines. Furthermore, located at the Opera House, this restaurant experience will be coupled with an equally memorable view of the fireworks. Read more Field Day 2012 From hosting the massive Shore Thing on New Year's Eve, festival promoters Fuzzy get straight back to business on New Year's Day with Field Day. Fuzzy will bring Sydney the biggest and best party to kickstart the mainstream festival circuit in 2012. This line-up sees the return of French electro giants Justice, who will bring a live show on the back of their new album, Audio Video, Disco. Other acts include quirky indie-pop singer Gotye, experimental electronic act Crystal Castles and rising star Example. Also performing is Young MC. Remember that guy? Throw on a retro neon windbreaker and a chunky gold chain for his set. Read more
Art Month doesn't just involve looking at art, doing art and dressing yourself in art, it also involves talking about it. Because, let’s face it, as much as art can be good plain fun, it can also be confusing, angering and perplexing. That’s whether you’re a consumer of art who doesn’t always agree with the critics’ picks, an artist who wants to talk about your latest work or a Sydney resident who wonders where the city’s relentless creativity comes from — and what more we can do to foster our artists. So, get yourself along to one of Art Month’s many, many chats. At Who Gets To Call It Art Anyway?, you’ll watch a film about Henry Geldzahler, curator of the Metropolitan Museum of Art, and Barry Keldoulis speak. At Ceramics Killed the Video Star, you’ll learn all about how and why ceramics are the hottest thing since Prince’s first music video. And at Starting a Collection 101, you’ll find out what it takes to begin an art collection from scratch. Other talks include Saabia Gallery, What the Kids Think, ACP Beachin, Brock Elbank and Collective Histories: Nostalgia in Contemporary Art.
If you're already making travel plans for next year, you might want to consider a destination close to home: New South Wales' Lord Howe Island. Located 600 kilometres off the state's northern coast, the UNESCO World Heritage-listed spot has just been named one of the best places to visit in 2020 by travel publication Lonely Planet. The only Australasian location to make the list, Lord Howe Island ranked fifth in Lonely Planet's rundown of top regions, which forms part of its Best in Travel 2020 guide. The publication heaped plenty of praise on the NSW spot, noting that the "visually stunning island makes an instant impact on the senses". It also called out Lord Howe's "soaring green mountains", "perfect lagoon", "perfect crescents of beach" and "splendid hiking trails" — as well as calling it "a shining example of sustainably managed tourism". If you haven't yet experienced Lord Howe's wonders for yourself, only 400 people are allowed to visit the island at a time — which is why its approach to tourism earned a specific mention. That means you won't have too much company when you're trekking up Mt Gower's 875-metre one-day climb, swimming among 60 species of coral and more than 500 species of fish, surfing at Blinky Beach, visiting the world's largest sea stack or sleeping in a rainforest. [caption id="attachment_747140" align="alignnone" width="1920"] Zach Sanders[/caption] On the top regions list, the Aussie spot was in great company. The Central Asia's Silk Road took first place, Le Marche in Italy nabbed second, Tohuku in Japan ranked third and Maine in the USA came in fourth. Further down the rankings, China's Guizhou Province took sixth spot, followed by Spain's Cádiz Province, Northeast Argentina, the Kvarner Gulf in Croatia and the Brazilian Amazon. Lonely Planet also compiles lists of top cities, countries and best-value places to visit; however, no Aussie or NZ spots ranked among the selections. Salzburg in Austria was named the best city, Bhutan topped the best countries and East Nusa Tenggara in Indonesia emerged victorious among the publication's best-value picks. You can check out Lonely Planet's full Best in Travel 2020 lists over here. Images: Zach Sanders.
